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From: "Krispen Hartung" <khartung@cableone.net>
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Subject: Re: Audio Interface for Notebook Users
Date: Wed, 31 May 2006 19:20:39 -0600
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I might give the M-Audio USB unit a try then. It's not terribly =
expensive.  So far I really like M-audio gear, especially their solid =
state recorder.  I still like the Indigo IO, but plugging my guitar =
chord into that thing with a 1/4 to 1/8 adpator makes me nervous. It =
just hangs there, and easily wiggles around. I bought a really high =
quality instrument chord that is designed for computer use (the Monster =
cable that goes from 1/4 to 1/8 and doesn't require an adaptor), but the =
thing is so thick and robust that it overpowers the input jack of the =
IO. It's like I need some sort of harness that will keep it stable in =
the input jack.=20

 Thanks.

Kris

  ----- Original Message -----=20

  Latency should be no problem if you're only using a few channels.  In
  theory USB/Firewire devices are more suspectable to bus contention
  than a PCMCIA card, but if you only have one high-speed device on the
  bus it isn't an issue.  Just avoid having the audio interface,
  scanner, video digitizer, and external backup hard drive all going at
  the same time :-)

  Historically firewire has had a better reputation than USB, but
  they're about the same now.  USB is a bit twitchier with hubs, you
  have to be careful never to mix USB1 and USB2 devices on the same hub.
  If you're plugging directly into the computer you're fine.

  Jeff


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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2876" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I might give the M-Audio USB unit a try =
then. It's=20
not terribly expensive.&nbsp; So far I really like M-audio gear, =
especially=20
their solid state recorder.&nbsp; I still like the Indigo IO, but =
plugging my=20
guitar chord into that thing with a 1/4 to 1/8 adpator makes me nervous. =
It just=20
hangs there, and easily wiggles&nbsp;around. I bought a really high =
quality=20
instrument chord that is designed&nbsp;for=20
computer&nbsp;use&nbsp;(the&nbsp;Monster cable that goes from 1/4 to 1/8 =
and=20
doesn't require an adaptor), but the thing is so thick and robust that =
it=20
overpowers the input jack of the IO. It's like I need some sort of =
harness that=20
will keep it stable in the input jack. </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>&nbsp;Thanks.</FONT></DIV><FONT =
face=3DArial size=3D2>
<DIV><BR>Kris</DIV>
<DIV></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV><FONT face=3DArial size=3D2></FONT><BR><FONT face=3DArial =
color=3D#0000ff=20
  size=3D2>Latency should be no problem if you're only using a few =
channels.&nbsp;=20
  In<BR>theory USB/Firewire devices are more suspectable to bus=20
  contention<BR>than a PCMCIA card, but if you only have one high-speed =
device=20
  on the<BR>bus it isn't an issue.&nbsp; Just avoid having the audio=20
  interface,<BR>scanner, video digitizer, and external backup hard drive =
all=20
  going at<BR>the same time :-)</FONT></DIV>
  <DIV><FONT face=3DArial color=3D#0000ff size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial color=3D#0000ff size=3D2>Historically firewire =
has had a=20
  better reputation than USB, but<BR>they're about the same now.&nbsp; =
USB is a=20
  bit twitchier with hubs, you<BR>have to be careful never to mix USB1 =
and USB2=20
  devices on the same hub.<BR>If you're plugging directly into the =
computer=20
  you're fine.</FONT></DIV>
  <DIV><FONT face=3DArial color=3D#0000ff size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial color=3D#0000ff size=3D2>Jeff</FONT></DIV>
  <DIV><FONT face=3DArial color=3D#0000ff size=3D2></FONT>&nbsp;</DIV>
  <DIV>&nbsp;</DIV></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_02C1_01C684E7.4CFA4620--

From Loopers-Delight-request@loopers-delight.com  Thu Jun  1 01:28:39 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: <Loopers-Delight@loopers-delight.com>
References: <20060531235047.54175.qmail@web38613.mail.mud.yahoo.com>
Subject: Re: Snap, Crackle, Pop - VST Effect & Sound Card Problems
Date: Wed, 31 May 2006 19:28:36 -0600
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Well, the whole notebook effect/looping thing certainly is certainly a pain 
in the ass, at least for me.  And it just astounds me how flooded the 
internet is with web sites, forums, user groups, etc, etc...all devoted to 
fixing problems with computers.  It is no wonder they have problems, given 
that they are designed to address so many business and user cases/needs. 
When you buy a Looperlative, EDP, Repeater, or even a Muse Receptor, they 
are (all things being equal and exceptions noted) designed to do one thing, 
and do it well. They aren't designed to balance your checkbook, write 
documents and email, build web pages, connect to other computers, etc, etc, 
basically everything in the business kitchen sink that will increase human 
productivity.

That being said, I am attracted to notebooks like a moth to a flame, and I 
am compelled to make this system work, regardless of how much it pisses me 
off, frustrates me, or makes me want to throw my notebook out the window or 
run it over with my car. And, I have finally made it work, nearly to where 
it was before when it was working "perfectly" (relatively speaking).

I fell victim to the converse of the age old maxim, "if it ain't broke, 
don't fix it". I tinkered and paid the price. Now that I have my ThinkPad 
system working as a standalone effect/looping system, I plan to keep it that 
way and not be tempted to keep changing things...except for this M-audio 
interface...wish me luck that this doesn't start the troubleshooting process 
all over again.

Kris



----- Original Message ----- 
From: "L.A. Angulo" <labaloops@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, May 31, 2006 5:50 PM
Subject: Re: Snap, Crackle, Pop - VST Effect & Sound Card Problems


> Oh Kris i hears u, this is why i wont buy into the
> laptop do it all hype, i am having a problem as well
> with a second PC i just bought,i installed windows
> fresh did wind update installed antivirus and transfer
> all my plugins and audio stuff to it.I installed a new
> anti virus program which is supposed to be better than
> norton called Avira which is also installed in my old
> PC and the thing is after my plugins like crazy it
> keep popping saying all exe, files are infected with a
> w32Wootbot worm then i get a message saying
> vschost.exe is also infected etc. no problem with my
> old computer everyhing runs perfect with the same
> programs!
> i hate wasting time with this shit really and i think
> i will avoid doing music live with computers at all!
> Luis
>
>
>
>
>
> --- Krispen Hartung <khartung@cableone.net> wrote:
>
>> Well, I couldn't resist, and I continued to
>> troubleshoot. I think I
>> discovered the source of the issue, now I need some
>> advice....good luck.
>>
>> First, on my new notebook, I completely reformatted
>> the drive and
>> reinstalled the OS.  You know what? Yes, the
>> crackling and popping came
>> back!  Unbelievable. So, one might conclude that by
>> process of elimination
>> that the problem is either with the IO sound card or
>> the notebook hardware.
>> Right? I mean, it's a brand new OS with a brand new
>> registry, etc, and I
>> completely reinstalled everything.
>>
>> It gets better....or worse, depending on how you
>> view it.
>>
>> As a test, I copied the VST effects from my new
>> computer to my old computer,
>> which also works perfectly....and I saw the same
>> message that I got when I
>> was setting up my new computer while Chainer scanned
>> through my VST effects
>> foler. The message is from all of the Reaktor VST
>> effects, like Metaphysical
>> and Krypt....as they are loading up into the VST
>> host, a window says cannot
>> change samplerate to 44100 so it must change to
>> 48000.  Once the VST effects
>> loaded up in Chainer, I activated a few and the
>> blasted snapping and
>> crackling started occuring on my old computer!!!!  I
>> am blown away. Now I
>> have two computers that are useless for performing,
>> and reinstalling the OS
>> won't fix the problem, nor will uninstalling Reaktor
>> and re-installing, or
>> any of my programs.
>>
>> What the hell is going on here? What is Reaktor
>> doing to my system? If that
>> is the cause. After the windows pop up with the
>> samplerate message, I notice
>> that Chainer is set to 48000 and 44100 doesn't even
>> appear as an option any
>> more. Amazing...
>>
>> Kris
>>
>>
>
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
> 

From Loopers-Delight-request@loopers-delight.com  Thu Jun  1 02:46:05 2006
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Date: Wed, 31 May 2006 22:46:03 -0400
From: "Todd Pafford" <calenlas@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Snap, Crackle, Pop - VST Effect & Sound Card Problems
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I think you'll be happy with the MAudio.  I've heard nothing but good things
about them from an aquaintance who owns one.  Good luck.

Todd

On 5/31/06, Krispen Hartung <khartung@cableone.net> wrote:
>
> Well, the whole notebook effect/looping thing certainly is certainly a
> pain
> in the ass, at least for me.  And it just astounds me how flooded the
> internet is with web sites, forums, user groups, etc, etc...all devoted to
> fixing problems with computers.  It is no wonder they have problems, given
> that they are designed to address so many business and user cases/needs.
> When you buy a Looperlative, EDP, Repeater, or even a Muse Receptor, they
> are (all things being equal and exceptions noted) designed to do one
> thing,
> and do it well. They aren't designed to balance your checkbook, write
> documents and email, build web pages, connect to other computers, etc,
> etc,
> basically everything in the business kitchen sink that will increase human
> productivity.
>
> That being said, I am attracted to notebooks like a moth to a flame, and I
> am compelled to make this system work, regardless of how much it pisses me
> off, frustrates me, or makes me want to throw my notebook out the window
> or
> run it over with my car. And, I have finally made it work, nearly to where
> it was before when it was working "perfectly" (relatively speaking).
>
> I fell victim to the converse of the age old maxim, "if it ain't broke,
> don't fix it". I tinkered and paid the price. Now that I have my ThinkPad
> system working as a standalone effect/looping system, I plan to keep it
> that
> way and not be tempted to keep changing things...except for this M-audio
> interface...wish me luck that this doesn't start the troubleshooting
> process
> all over again.
>
> Kris
>
>
>
> ----- Original Message -----
> From: "L.A. Angulo" <labaloops@yahoo.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Wednesday, May 31, 2006 5:50 PM
> Subject: Re: Snap, Crackle, Pop - VST Effect & Sound Card Problems
>
>
> > Oh Kris i hears u, this is why i wont buy into the
> > laptop do it all hype, i am having a problem as well
> > with a second PC i just bought,i installed windows
> > fresh did wind update installed antivirus and transfer
> > all my plugins and audio stuff to it.I installed a new
> > anti virus program which is supposed to be better than
> > norton called Avira which is also installed in my old
> > PC and the thing is after my plugins like crazy it
> > keep popping saying all exe, files are infected with a
> > w32Wootbot worm then i get a message saying
> > vschost.exe is also infected etc. no problem with my
> > old computer everyhing runs perfect with the same
> > programs!
> > i hate wasting time with this shit really and i think
> > i will avoid doing music live with computers at all!
> > Luis
> >
> >
> >
> >
> >
> > --- Krispen Hartung <khartung@cableone.net> wrote:
> >
> >> Well, I couldn't resist, and I continued to
> >> troubleshoot. I think I
> >> discovered the source of the issue, now I need some
> >> advice....good luck.
> >>
> >> First, on my new notebook, I completely reformatted
> >> the drive and
> >> reinstalled the OS.  You know what? Yes, the
> >> crackling and popping came
> >> back!  Unbelievable. So, one might conclude that by
> >> process of elimination
> >> that the problem is either with the IO sound card or
> >> the notebook hardware.
> >> Right? I mean, it's a brand new OS with a brand new
> >> registry, etc, and I
> >> completely reinstalled everything.
> >>
> >> It gets better....or worse, depending on how you
> >> view it.
> >>
> >> As a test, I copied the VST effects from my new
> >> computer to my old computer,
> >> which also works perfectly....and I saw the same
> >> message that I got when I
> >> was setting up my new computer while Chainer scanned
> >> through my VST effects
> >> foler. The message is from all of the Reaktor VST
> >> effects, like Metaphysical
> >> and Krypt....as they are loading up into the VST
> >> host, a window says cannot
> >> change samplerate to 44100 so it must change to
> >> 48000.  Once the VST effects
> >> loaded up in Chainer, I activated a few and the
> >> blasted snapping and
> >> crackling started occuring on my old computer!!!!  I
> >> am blown away. Now I
> >> have two computers that are useless for performing,
> >> and reinstalling the OS
> >> won't fix the problem, nor will uninstalling Reaktor
> >> and re-installing, or
> >> any of my programs.
> >>
> >> What the hell is going on here? What is Reaktor
> >> doing to my system? If that
> >> is the cause. After the windows pop up with the
> >> samplerate message, I notice
> >> that Chainer is set to 48000 and 44100 doesn't even
> >> appear as an option any
> >> more. Amazing...
> >>
> >> Kris
> >>
> >>
> >
> >
> > __________________________________________________
> > Do You Yahoo!?
> > Tired of spam?  Yahoo! Mail has the best spam protection around
> > http://mail.yahoo.com
> >
>
>

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I think you'll be happy with the MAudio.&nbsp; I've heard nothing but
good things about them from an aquaintance who owns one.&nbsp; Good
luck.<br>
<br>
Todd<br><br><div><span class="gmail_quote">On 5/31/06, <b class="gmail_sendername">Krispen Hartung</b> &lt;<a href="mailto:khartung@cableone.net">khartung@cableone.net</a>&gt; wrote:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Well, the whole notebook effect/looping thing certainly is certainly a pain<br>in the ass, at least for me.&nbsp;&nbsp;And it just astounds me how flooded the<br>internet is with web sites, forums, user groups, etc, etc...all devoted to
<br>fixing problems with computers.&nbsp;&nbsp;It is no wonder they have problems, given<br>that they are designed to address so many business and user cases/needs.<br>When you buy a Looperlative, EDP, Repeater, or even a Muse Receptor, they
<br>are (all things being equal and exceptions noted) designed to do one thing,<br>and do it well. They aren't designed to balance your checkbook, write<br>documents and email, build web pages, connect to other computers, etc, etc,
<br>basically everything in the business kitchen sink that will increase human<br>productivity.<br><br>That being said, I am attracted to notebooks like a moth to a flame, and I<br>am compelled to make this system work, regardless of how much it pisses me
<br>off, frustrates me, or makes me want to throw my notebook out the window or<br>run it over with my car. And, I have finally made it work, nearly to where<br>it was before when it was working &quot;perfectly&quot; (relatively speaking).
<br><br>I fell victim to the converse of the age old maxim, &quot;if it ain't broke,<br>don't fix it&quot;. I tinkered and paid the price. Now that I have my ThinkPad<br>system working as a standalone effect/looping system, I plan to keep it that
<br>way and not be tempted to keep changing things...except for this M-audio<br>interface...wish me luck that this doesn't start the troubleshooting process<br>all over again.<br><br>Kris<br><br><br><br>----- Original Message -----
<br>From: &quot;L.A. Angulo&quot; &lt;<a href="mailto:labaloops@yahoo.com">labaloops@yahoo.com</a>&gt;<br>To: &lt;<a href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</a>&gt;<br>Sent: Wednesday, May 31, 2006 5:50 PM
<br>Subject: Re: Snap, Crackle, Pop - VST Effect &amp; Sound Card Problems<br><br><br>&gt; Oh Kris i hears u, this is why i wont buy into the<br>&gt; laptop do it all hype, i am having a problem as well<br>&gt; with a second PC i just bought,i installed windows
<br>&gt; fresh did wind update installed antivirus and transfer<br>&gt; all my plugins and audio stuff to it.I installed a new<br>&gt; anti virus program which is supposed to be better than<br>&gt; norton called Avira which is also installed in my old
<br>&gt; PC and the thing is after my plugins like crazy it<br>&gt; keep popping saying all exe, files are infected with a<br>&gt; w32Wootbot worm then i get a message saying<br>&gt; vschost.exe is also infected etc. no problem with my
<br>&gt; old computer everyhing runs perfect with the same<br>&gt; programs!<br>&gt; i hate wasting time with this shit really and i think<br>&gt; i will avoid doing music live with computers at all!<br>&gt; Luis<br>&gt;<br>
&gt;<br>&gt;<br>&gt;<br>&gt;<br>&gt; --- Krispen Hartung &lt;<a href="mailto:khartung@cableone.net">khartung@cableone.net</a>&gt; wrote:<br>&gt;<br>&gt;&gt; Well, I couldn't resist, and I continued to<br>&gt;&gt; troubleshoot. I think I
<br>&gt;&gt; discovered the source of the issue, now I need some<br>&gt;&gt; advice....good luck.<br>&gt;&gt;<br>&gt;&gt; First, on my new notebook, I completely reformatted<br>&gt;&gt; the drive and<br>&gt;&gt; reinstalled the OS.&nbsp;&nbsp;You know what? Yes, the
<br>&gt;&gt; crackling and popping came<br>&gt;&gt; back!&nbsp;&nbsp;Unbelievable. So, one might conclude that by<br>&gt;&gt; process of elimination<br>&gt;&gt; that the problem is either with the IO sound card or<br>&gt;&gt; the notebook hardware.
<br>&gt;&gt; Right? I mean, it's a brand new OS with a brand new<br>&gt;&gt; registry, etc, and I<br>&gt;&gt; completely reinstalled everything.<br>&gt;&gt;<br>&gt;&gt; It gets better....or worse, depending on how you<br>
&gt;&gt; view it.<br>&gt;&gt;<br>&gt;&gt; As a test, I copied the VST effects from my new<br>&gt;&gt; computer to my old computer,<br>&gt;&gt; which also works perfectly....and I saw the same<br>&gt;&gt; message that I got when I
<br>&gt;&gt; was setting up my new computer while Chainer scanned<br>&gt;&gt; through my VST effects<br>&gt;&gt; foler. The message is from all of the Reaktor VST<br>&gt;&gt; effects, like Metaphysical<br>&gt;&gt; and Krypt....as they are loading up into the VST
<br>&gt;&gt; host, a window says cannot<br>&gt;&gt; change samplerate to 44100 so it must change to<br>&gt;&gt; 48000.&nbsp;&nbsp;Once the VST effects<br>&gt;&gt; loaded up in Chainer, I activated a few and the<br>&gt;&gt; blasted snapping and
<br>&gt;&gt; crackling started occuring on my old computer!!!!&nbsp;&nbsp;I<br>&gt;&gt; am blown away. Now I<br>&gt;&gt; have two computers that are useless for performing,<br>&gt;&gt; and reinstalling the OS<br>&gt;&gt; won't fix the problem, nor will uninstalling Reaktor
<br>&gt;&gt; and re-installing, or<br>&gt;&gt; any of my programs.<br>&gt;&gt;<br>&gt;&gt; What the hell is going on here? What is Reaktor<br>&gt;&gt; doing to my system? If that<br>&gt;&gt; is the cause. After the windows pop up with the
<br>&gt;&gt; samplerate message, I notice<br>&gt;&gt; that Chainer is set to 48000 and 44100 doesn't even<br>&gt;&gt; appear as an option any<br>&gt;&gt; more. Amazing...<br>&gt;&gt;<br>&gt;&gt; Kris<br>&gt;&gt;<br>&gt;&gt;
<br>&gt;<br>&gt;<br>&gt; __________________________________________________<br>&gt; Do You Yahoo!?<br>&gt; Tired of spam?&nbsp;&nbsp;Yahoo! Mail has the best spam protection around<br>&gt; <a href="http://mail.yahoo.com">http://mail.yahoo.com
</a><br>&gt;<br><br></blockquote></div><br>

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From Loopers-Delight-request@loopers-delight.com  Thu Jun  1 03:46:30 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: Snap, Crackle, Pop - VST Effect & Sound Card Problems
Date: Wed, 31 May 2006 20:46:23 -0700
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All this whining and moaning about laptops is getting old. :-)

I'm not going to argue one is better than the other (hw vs laptop).=20
They both have their strengths. I've used both.

Here is the catch: Computers offer flexiblity, portability and=20
upgradeability not offered by dedicated hardware. If you want this,=20
laptops are for you. If you want something that does what it does, and=20=

nothing else, get a hardware based unit.

I've had hardware go down, inclluding my beloved moogerfooger ring mod,=20=

and I've had software glitch....all technology has problems.

I've even had my valves on my trumpet stick at a show before. Broke=20
strings on my guitar as well. It is all part of the game.

I love my laptop....works great, and has been solid for over two=20
years......(of course, it is a Mac....)

If you want to make laptop work: Get rid of piecemeal systems and go=20
max/msp.

There. I've got it out of my system.....

best,
Jeff



Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com =95 AngryVegan.com


On May 31, 2006, at 4:50 PM, L.A. Angulo wrote:

> Oh Kris i hears u, this is why i wont buy into the
> laptop do it all hype, i am having a problem as well
> with a second PC i just bought,i installed windows
> fresh did wind update installed antivirus and transfer
> all my plugins and audio stuff to it.I installed a new
> anti virus program which is supposed to be better than
> norton called Avira which is also installed in my old
> PC and the thing is after my plugins like crazy it
> keep popping saying all exe, files are infected with a
> w32Wootbot worm then i get a message saying
> vschost.exe is also infected etc. no problem with my
> old computer everyhing runs perfect with the same
> programs!
> i hate wasting time with this shit really and i think
> i will avoid doing music live with computers at all!
> Luis
>
>
>
>
>
> --- Krispen Hartung <khartung@cableone.net> wrote:
>
>> Well, I couldn't resist, and I continued to
>> troubleshoot. I think I
>> discovered the source of the issue, now I need some
>> advice....good luck.
>>
>> First, on my new notebook, I completely reformatted
>> the drive and
>> reinstalled the OS.  You know what? Yes, the
>> crackling and popping came
>> back!  Unbelievable. So, one might conclude that by
>> process of elimination
>> that the problem is either with the IO sound card or
>> the notebook hardware.
>> Right? I mean, it's a brand new OS with a brand new
>> registry, etc, and I
>> completely reinstalled everything.
>>
>> It gets better....or worse, depending on how you
>> view it.
>>
>> As a test, I copied the VST effects from my new
>> computer to my old computer,
>> which also works perfectly....and I saw the same
>> message that I got when I
>> was setting up my new computer while Chainer scanned
>> through my VST effects
>> foler. The message is from all of the Reaktor VST
>> effects, like Metaphysical
>> and Krypt....as they are loading up into the VST
>> host, a window says cannot
>> change samplerate to 44100 so it must change to
>> 48000.  Once the VST effects
>> loaded up in Chainer, I activated a few and the
>> blasted snapping and
>> crackling started occuring on my old computer!!!!  I
>> am blown away. Now I
>> have two computers that are useless for performing,
>> and reinstalling the OS
>> won't fix the problem, nor will uninstalling Reaktor
>> and re-installing, or
>> any of my programs.
>>
>> What the hell is going on here? What is Reaktor
>> doing to my system? If that
>> is the cause. After the windows pop up with the
>> samplerate message, I notice
>> that Chainer is set to 48000 and 44100 doesn't even
>> appear as an option any
>> more. Amazing...
>>
>> Kris
>>
>>
>
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>

From Loopers-Delight-request@loopers-delight.com  Thu Jun  1 05:46:40 2006
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To: Loopers-Delight@loopers-delight.com
From: RP Collier <skeptikalist@gmail.com>
Subject: small movie with loops
Date: Wed, 31 May 2006 22:46:35 -0700
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Hi All

I don't have a movie camera but Rick Walker's minimalist music videos  
( http://www.youtube.com/profile_videos?user=looppool ) inspired me  
to try my regular digital camera's movie mode. I edited it using the  
iMovie software that came with my mac - I found it rather clunky and  
crude but here is the result as a download file:

http://www.savefile.com/projects/869878

or at YouTube:

http://www.youtube.com/watch?v=sn--iF6a4Xo


Soundtrack is kalimba thumb piano loops.

Thanks Rick!

regards

BobC


http://www.cdbaby.com/rpcollier
http://www.cdbaby.com/rpcollier2
http://tinyurl.com/cr25j


From Loopers-Delight-request@loopers-delight.com  Thu Jun  1 07:09:03 2006
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Date: Thu, 1 Jun 2006 00:09:01 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: tweakheadz tips
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i found this and just thought i share this with u on
the subject of laptops for recording, firewire vs PCI
etc etc etc. very cool

http://www.tweakheadz.com/soundcards_for_the_home_studio.htm

cheers
Luis


__________________________________________________
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Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Thu Jun  1 07:45:37 2006
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Date: Thu, 1 Jun 2006 00:45:36 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: Snap, Crackle, Pop - VST Effect & Sound Card Problems
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whats funny is that non musician people dont have a
problem seeing soembody using hardware to make music
but when they see a laptop and a guitar only a lot of
them walk out or feel cheated,aint that funny?
somebody please develope a huge carton fripp like
refrigerator rack which you can fold and fit in a back
pack behind the curtains and put a laptop inside!
Luis



--- Krispen Hartung <khartung@cableone.net> wrote:

> Here is my status quo on this issue:  To hell with
> using the computer for 
> looping and music performance. I'm so fed up with
> the troubleshooting, 
> installing, uninstalling, tweaking, loading,
> unloading, configuring, 
> re-configuring, testing, rebooting, modifying, etc,
> etc, ad nauseum that I 
> could projectile vomit from here to who knows where.
> I can tolerate only so 
> much of this nonsense.
>

__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Thu Jun  1 07:47:51 2006
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Date: Thu, 1 Jun 2006 00:47:49 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: AW: Looping shoes (was: AW: Loopers-Delight on myspace?)
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ok cool now can u recomend some gloves for laptops?

--- Rainer Thelonius Balthasar Straschill
<rs@moinlabs.de> wrote:

> Ok, now that we're in "present your looping
> footwear" country:
> 
> Frankly, I don't know where these 13 sizes you
> mention fall in; I have 40 to
> 41 in our German system, which translates to 6 1/2-7
> in some other...but on
> my FCB1010, hitting only one switch with shoes with
> a somewhat bigger
> footprint (like some sport shoes) poses a problem.
> 
> Here are my preferred looping shoes:
> http://www.moinlabs.de/images/NNKW12.jpg
> 
> These are budo shoes, which are very slim and light
> and have thin rubber
> soles - another option might be Ninja boots.
> 
> 	Rainer
> 
> 


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From Loopers-Delight-request@loopers-delight.com  Thu Jun  1 11:23:34 2006
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>>If you want to make laptop work: Get rid of piecemeal systems and go
max/msp.<<

well, while we're handing out free advice.... :-)
whatever platform, o/s & applications you end up with, don't play buckaroo
with it! when it's stable, leave it alone, & for heaven's sake, make y'rself
some sort of restore disc. ghost the bugger. clone the entire drive before
it gets cluttered up with media or goes anywhere near a network connection.
the quickest way to break any computer is to introduce it to another
computer.

this, by the way, lands squarely in the category "do as I say, not as I do".

duncan.


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<P><FONT SIZE=3D2>&gt;&gt;If you want to make laptop work: Get rid of piece=
meal systems and go max/msp.&lt;&lt;</FONT>
</P>

<P><FONT SIZE=3D2>well, while we're handing out free advice.... :-)</FONT>
<BR><FONT SIZE=3D2>whatever platform, o/s &amp; applications you end up wit=
h, don't play buckaroo with it! when it's stable, leave it alone, &amp; for=
 heaven's sake, make y'rself some sort of restore disc. ghost the bugger. c=
lone the entire drive before it gets cluttered up with media or goes anywhe=
re near a network connection. the quickest way to break any computer is to =
introduce it to another computer.</FONT></P>

<P><FONT SIZE=3D2>this, by the way, lands squarely in the category &quot;do=
 as I say, not as I do&quot;.</FONT>
</P>

<P><FONT SIZE=3D2>duncan.</FONT>
</P>

<CODE><FONT SIZE=3D3><BR>
<BR>
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From Loopers-Delight-request@loopers-delight.com  Thu Jun  1 15:02:15 2006
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From: "Krispen Hartung" <khartung@cableone.net>
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References: <20060531235047.54175.qmail@web38613.mail.mud.yahoo.com> <e38593ca93ec6deb8dcc990f76bcd9ed@pfmentum.com>
Subject: Re: Snap, Crackle, Pop - VST Effect & Sound Card Problems
Date: Thu, 1 Jun 2006 09:02:11 -0600
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I don't know if Max/MSP will address my issues now, Jeff.  I realize it is a 
very robust system, and probably the best approach to use if you are using 
primarily Cycling 74 effects (less contention issues between different 
effect/host manufacturers).   Right now my needs for a host are very basic. 
All I need is the ability to activate and deactivate VST effects, and run 
Mobius, and do so without crashing or major latency. I can do that now with 
Chainer and EnergyXT.  The issues I had with my notebook, I believe now, 
were unrelated to the VST host, but regarding sound card settings, host 
settings, other audio software settings...and all not working together 
correctly.

MAX/MSP is still on my wishlist, but $500 is a lot to spend on something 
when my immediate needs are already met. And based on your comment on the 
phone yesterday, I don't know if MAX/MSP will resolve the clicking or 
popping I am hearing on just a few effects, such as a few Hipno effects and 
some freebies like Deconstructure, Scuzzphut, etc.  I really don't know why 
this is happening with these few effects, espcially when my buffer settings 
are totally good and processing is not an issue. It is a mystery to me. I 
may ask Cycling 74 about this.

Kris

----- Original Message ----- 
From: "Jeff Kaiser" <loopersdelight@pfmentum.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, May 31, 2006 9:46 PM
Subject: Re: Snap, Crackle, Pop - VST Effect & Sound Card Problems


All this whining and moaning about laptops is getting old. :-)

I'm not going to argue one is better than the other (hw vs laptop).
They both have their strengths. I've used both.

Here is the catch: Computers offer flexiblity, portability and
upgradeability not offered by dedicated hardware. If you want this,
laptops are for you. If you want something that does what it does, and
nothing else, get a hardware based unit.

I've had hardware go down, inclluding my beloved moogerfooger ring mod,
and I've had software glitch....all technology has problems.

I've even had my valves on my trumpet stick at a show before. Broke
strings on my guitar as well. It is all part of the game.

I love my laptop....works great, and has been solid for over two
years......(of course, it is a Mac....)

If you want to make laptop work: Get rid of piecemeal systems and go
max/msp.

There. I've got it out of my system.....

best,
Jeff



Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com • AngryVegan.com


On May 31, 2006, at 4:50 PM, L.A. Angulo wrote:

> Oh Kris i hears u, this is why i wont buy into the
> laptop do it all hype, i am having a problem as well
> with a second PC i just bought,i installed windows
> fresh did wind update installed antivirus and transfer
> all my plugins and audio stuff to it.I installed a new
> anti virus program which is supposed to be better than
> norton called Avira which is also installed in my old
> PC and the thing is after my plugins like crazy it
> keep popping saying all exe, files are infected with a
> w32Wootbot worm then i get a message saying
> vschost.exe is also infected etc. no problem with my
> old computer everyhing runs perfect with the same
> programs!
> i hate wasting time with this shit really and i think
> i will avoid doing music live with computers at all!
> Luis
>
>
>
>
>
> --- Krispen Hartung <khartung@cableone.net> wrote:
>
>> Well, I couldn't resist, and I continued to
>> troubleshoot. I think I
>> discovered the source of the issue, now I need some
>> advice....good luck.
>>
>> First, on my new notebook, I completely reformatted
>> the drive and
>> reinstalled the OS.  You know what? Yes, the
>> crackling and popping came
>> back!  Unbelievable. So, one might conclude that by
>> process of elimination
>> that the problem is either with the IO sound card or
>> the notebook hardware.
>> Right? I mean, it's a brand new OS with a brand new
>> registry, etc, and I
>> completely reinstalled everything.
>>
>> It gets better....or worse, depending on how you
>> view it.
>>
>> As a test, I copied the VST effects from my new
>> computer to my old computer,
>> which also works perfectly....and I saw the same
>> message that I got when I
>> was setting up my new computer while Chainer scanned
>> through my VST effects
>> foler. The message is from all of the Reaktor VST
>> effects, like Metaphysical
>> and Krypt....as they are loading up into the VST
>> host, a window says cannot
>> change samplerate to 44100 so it must change to
>> 48000.  Once the VST effects
>> loaded up in Chainer, I activated a few and the
>> blasted snapping and
>> crackling started occuring on my old computer!!!!  I
>> am blown away. Now I
>> have two computers that are useless for performing,
>> and reinstalling the OS
>> won't fix the problem, nor will uninstalling Reaktor
>> and re-installing, or
>> any of my programs.
>>
>> What the hell is going on here? What is Reaktor
>> doing to my system? If that
>> is the cause. After the windows pop up with the
>> samplerate message, I notice
>> that Chainer is set to 48000 and 44100 doesn't even
>> appear as an option any
>> more. Amazing...
>>
>> Kris
>>
>>
>
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>

From Loopers-Delight-request@loopers-delight.com  Thu Jun  1 15:22:36 2006
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Subject: Re: Snap, Crackle, Pop - VST Effect & Sound Card Problems
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RE: Snap, Crackle, Pop - VST Effect & Sound Card ProblemsI totally 
agree....this was my downfall. Please give me a time machine so that I can 
go back and not !#@!$#?# with things. :)

----- Original Message ----- 

whatever platform, o/s & applications you end up with, don't play buckaroo 
with it! when it's stable, leave it alone, & for heaven's sake, make y'rself 
some sort of restore disc. ghost the bugger. clone the entire drive before 
it gets cluttered up with media or goes anywhere near a network connection. 
the quickest way to break any computer is to introduce it to another 
computer.
this, by the way, lands squarely in the category "do as I say, not as I do".
duncan. 

From Loopers-Delight-request@loopers-delight.com  Thu Jun  1 16:01:20 2006
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Subject: Re: Audio Interface for Notebook Users
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I noticed no one mentioned this:

Emu 1616 Laptop Audio Interface
http://www.zzounds.com/item--EMU1616
http://www.emu.com/products/product.asp?category=3D505&subcategory=3D491&=
product=3D13554

E-MU's new 1616 Laptop Digital Audio System brings the same powerful DSP =
effects, zero-latency monitoring and pristine 24-bit/192kHz A/D and D/A =
converters of E-MU's best selling PCI Digital Audio Systems to your =
laptop. The E-MU CardBus card can be used standalone for its DSP power =
and studio-quality headphone amp/line output, or plugged into the =
MicroDock for a total of 16 inputs and 16 outputs plus two sets of MIDI =
I/O. E-MU's Laptop Digital Audio Systems ship with ASIO2 and stereo WDM =
drivers for Windows XP and 2000, plus the new E-MU Production Tools =
Software Bundle that includes E-MU's Proteus X LE, plus software by =
Cakewalk, Steinberg, Ableton, IK Multimedia, and many more - everything =
you need to create, record, edit, master and burn your music.

It looks promising, better than USB, as it plugs into the PCI card.=20

Kris

  ----- Original Message -----=20
  From: Krispen Hartung=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Wednesday, May 31, 2006 3:45 PM
  Subject: Re: Audio Interface for Notebook Users


  Is anyone on the list using the M-Audio Fast Track Pro?=20

  Fast Track Pro
  4 x 4 Mobile USB Audio/MIDI Interface with Preamps
  USD 249.95
  http://www.m-audio.com/products/en_us/FastTrackPro-main.html

  I'm just curious how this would compare to the Indigo IO in terms of =
quality and latency, etc....I don't have any experience with USB =
interaces and latency, except with the Digidesign mBox, where playback =
and recording buffer settings needed to vary when I wanted no latency =
recording or no buffer error playback.

  Kris

    1. Echo IO =
http://www.echoaudio.com/Products/CardBus/IndigoIO/index.php - $200
    2. Echo DJ - =
http://www.echoaudio.com/Products/CardBus/IndigoDJ/index.php - $200
    3. MOTU Traveler - http://www.motu.com/products/motuaudio/traveler/ =
- $849
    4. MOTU Ultralite - =
http://www.motu.com/products/motuaudio/ultralite/ - $549
    5. MOTU 828 MKII - http://www.motu.com/products/motuaudio/828/ - =
$749
    6. M-Audio 1814 - =
http://www.m-audio.com/products/en_us/FireWire1814-main.html - $499
    7. M-Audio Mobilepre USB - =
http://www.m-audio.com/products/en_us/MobilePreUSB-main.html - $149
    8. Metric Halo Mobile I/O ULN-2 - =
http://www.mhlabs.com/metric_halo/products/mio/uln2/ - $1075
    9. Edirol FA-101 Firewire interface - =
http://www.audioamigo.com/edifa101.html - $500
    10. Edirol UA-5 (USB 1.1) - =
http://www.edirol.net/products/en/UA-5/index.html - $300
    11. SoundBlaster Audigy 2 ZS Notebook  - =
http://www.creative.com/products/product.asp?category=3D1&subcategory=3D2=
04&product=3D10769 - $100
    12. M-Audio 410 - =
http://www.m-audio.com/products/en_us/FireWire410-main.html - $299

    Most of these are totally overkill for me...there's no flippin' way =
I'm spending $500-800 on an audio interface, but given the number of =
inputes these more expensive units have and what they can do, the price =
does seem right.

    Now, for my user requirements:

    - 1 stereo ouput, 1 stereo input, 1 mic input (optional)
    - Small and portable (no rack mount units), the size of a sandwich =
preferrably
    - USB, Firewire, or PCMCIA (PCMCIA is best, IF AND ONLY IF it does =
not disable my laptop's soundcard...my Audigy 2 ZS does, which I do not =
like)
    - $300 or less

    Given this, the Echos look good, as do the M-AudioMobilepre and =
Edirol UA-5.

    Kris


------=_NextPart_000_04C1_01C68562.521EFE90
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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2876" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I noticed no one mentioned =
this:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV>Emu 1616 Laptop Audio Interface</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.zzounds.com/item--EMU1616">http://www.zzounds.com/item=
--EMU1616</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.emu.com/products/product.asp?category=3D505&amp;subcat=
egory=3D491&amp;product=3D13554">http://www.emu.com/products/product.asp?=
category=3D505&amp;subcategory=3D491&amp;product=3D13554</A></FONT></DIV>=

<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><SPAN class=3Dtext><FONT face=3D"Times =
New Roman"=20
size=3D3>E-MU's new 1616 Laptop Digital Audio System brings the same =
powerful DSP=20
effects, zero-latency monitoring and pristine 24-bit/192kHz A/D and D/A=20
converters of E-MU's best selling PCI Digital Audio Systems to your =
laptop. The=20
E-MU CardBus card can be used standalone for its DSP power and =
studio-quality=20
headphone amp/line output, or plugged into the MicroDock for a total of =
16=20
inputs and 16 outputs plus two sets of MIDI I/O. E-MU's Laptop Digital =
Audio=20
Systems ship with ASIO2 and stereo WDM drivers for Windows XP and 2000, =
plus the=20
new E-MU Production Tools Software Bundle that includes E-MU's Proteus X =
LE,=20
plus software by Cakewalk, Steinberg, Ableton, IK Multimedia, and many =
more -=20
everything you need to create, record, edit, master and burn your=20
music.</FONT></SPAN></FONT></DIV>
<DIV><FONT face=3DArial size=3D2><SPAN class=3Dtext><FONT face=3D"Times =
New Roman"=20
size=3D3></FONT></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><SPAN class=3Dtext><FONT face=3D"Times =
New Roman"=20
size=3D3>It looks promising, better than USB, as it plugs into the PCI=20
card.</FONT>&nbsp;</SPAN><BR></DIV></FONT>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT><FONT face=3DArial =
size=3D2>&nbsp;</DIV></FONT>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dkhartung@cableone.net =
href=3D"mailto:khartung@cableone.net">Krispen=20
  Hartung</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, May 31, 2006 =
3:45=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Audio Interface =
for Notebook=20
  Users</DIV>
  <DIV><BR></DIV>
  <DIV><B>Is anyone on the list using the M-Audio&nbsp;Fast Track=20
  Pro?&nbsp;</B></DIV>
  <DIV><STRONG></STRONG>&nbsp;</DIV>
  <DIV><SPAN class=3Dboldtext>Fast Track Pro</SPAN><BR>4 x 4 Mobile USB =
Audio/MIDI=20
  Interface with Preamps<BR><SPAN class=3Dnormaltextgray>USD =
249.95</SPAN></DIV>
  <DIV><SPAN class=3Dnormaltextgray><FONT face=3DArial size=3D2><A=20
  =
href=3D"http://www.m-audio.com/products/en_us/FastTrackPro-main.html">htt=
p://www.m-audio.com/products/en_us/FastTrackPro-main.html</A></FONT></SPA=
N></DIV>
  <DIV><SPAN class=3Dnormaltextgray><FONT face=3DArial=20
  size=3D2></FONT></SPAN>&nbsp;</DIV>
  <DIV><SPAN class=3Dnormaltextgray><FONT face=3DArial size=3D2>I'm just =
curious how=20
  this would compare to the Indigo IO in terms of quality and latency, =
etc....I=20
  don't have any experience with USB interaces and latency, except with =
the=20
  Digidesign mBox, where playback and recording buffer settings needed =
to vary=20
  when I wanted no latency recording or no buffer error=20
  playback.</FONT></SPAN></DIV>
  <DIV><SPAN class=3Dnormaltextgray><FONT face=3DArial=20
  size=3D2></FONT></SPAN>&nbsp;</DIV>
  <DIV><SPAN class=3Dnormaltextgray><FONT face=3DArial=20
  size=3D2>Kris</FONT></SPAN><BR></DIV>
  <BLOCKQUOTE dir=3Dltr=20
  style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
    <DIV>
    <DIV><FONT face=3DArial size=3D2></FONT></DIV></DIV>
    <DIV><FONT face=3DArial size=3D2>1. Echo IO </FONT><A=20
    =
href=3D"http://www.echoaudio.com/Products/CardBus/IndigoIO/index.php"><FO=
NT=20
    face=3DArial=20
    =
size=3D2>http://www.echoaudio.com/Products/CardBus/IndigoIO/index.php</FO=
NT></A><FONT=20
    face=3DArial size=3D2>&nbsp;- $200</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>2. Echo DJ - </FONT><A=20
    =
href=3D"http://www.echoaudio.com/Products/CardBus/IndigoDJ/index.php"><FO=
NT=20
    face=3DArial=20
    =
size=3D2>http://www.echoaudio.com/Products/CardBus/IndigoDJ/index.php</FO=
NT></A><FONT=20
    face=3DArial size=3D2>&nbsp;- $200</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>3. MOTU Traveler - </FONT><A=20
    href=3D"http://www.motu.com/products/motuaudio/traveler/"><FONT =
face=3DArial=20
    =
size=3D2>http://www.motu.com/products/motuaudio/traveler/</FONT></A><FONT=
=20
    face=3DArial size=3D2>&nbsp;- $849</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>4. MOTU Ultralite - </FONT><A=20
    href=3D"http://www.motu.com/products/motuaudio/ultralite/"><FONT =
face=3DArial=20
    =
size=3D2>http://www.motu.com/products/motuaudio/ultralite/</FONT></A><FON=
T=20
    face=3DArial size=3D2>&nbsp;- $549</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>5. MOTU 828 MKII - </FONT><A=20
    href=3D"http://www.motu.com/products/motuaudio/828/"><FONT =
face=3DArial=20
    size=3D2>http://www.motu.com/products/motuaudio/828/</FONT></A><FONT =

    face=3DArial size=3D2>&nbsp;- $749</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>6. M-Audio 1814 - </FONT><A=20
    =
href=3D"http://www.m-audio.com/products/en_us/FireWire1814-main.html"><FO=
NT=20
    face=3DArial=20
    =
size=3D2>http://www.m-audio.com/products/en_us/FireWire1814-main.html</FO=
NT></A><FONT=20
    face=3DArial size=3D2>&nbsp;- $499</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>7. M-Audio Mobilepre USB - =
</FONT><A=20
    =
href=3D"http://www.m-audio.com/products/en_us/MobilePreUSB-main.html"><FO=
NT=20
    face=3DArial=20
    =
size=3D2>http://www.m-audio.com/products/en_us/MobilePreUSB-main.html</FO=
NT></A><FONT=20
    face=3DArial size=3D2>&nbsp;- $149</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>8. Metric Halo Mobile I/O ULN-2 - =
</FONT><A=20
    href=3D"http://www.mhlabs.com/metric_halo/products/mio/uln2/"><FONT =
face=3DArial=20
    =
size=3D2>http://www.mhlabs.com/metric_halo/products/mio/uln2/</FONT></A><=
FONT=20
    face=3DArial size=3D2>&nbsp;- $1075</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>9. Edirol FA-101 Firewire interface =
- </FONT><A=20
    href=3D"http://www.audioamigo.com/edifa101.html"><FONT face=3DArial=20
    size=3D2>http://www.audioamigo.com/edifa101.html</FONT></A><FONT =
face=3DArial=20
    size=3D2>&nbsp;- $500</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>10. Edirol UA-5 (USB 1.1) - =
</FONT><A=20
    href=3D"http://www.edirol.net/products/en/UA-5/index.html"><FONT =
face=3DArial=20
    =
size=3D2>http://www.edirol.net/products/en/UA-5/index.html</FONT></A><FON=
T=20
    face=3DArial size=3D2>&nbsp;- $300</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>11. SoundBlaster Audigy 2 ZS =
Notebook&nbsp; -=20
    </FONT><A=20
    =
href=3D"http://www.creative.com/products/product.asp?category=3D1&amp;sub=
category=3D204&amp;product=3D10769"><FONT=20
    face=3DArial=20
    =
size=3D2>http://www.creative.com/products/product.asp?category=3D1&amp;su=
bcategory=3D204&amp;product=3D10769</FONT></A><FONT=20
    face=3DArial size=3D2>&nbsp;- $100</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>12. M-Audio 410 - <A=20
    =
href=3D"http://www.m-audio.com/products/en_us/FireWire410-main.html">http=
://www.m-audio.com/products/en_us/FireWire410-main.html</A>&nbsp;-=20
    $299</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>Most of these are totally overkill =
for=20
    me...there's no flippin' way I'm spending $500-800 on an audio =
interface,=20
    but given the number of inputes these more expensive units have and =
what=20
    they can do, the price does seem right.</FONT></DIV>
    <DIV><FONT size=3D+0><FONT face=3DArial size=3D2></FONT><BR><FONT =
face=3DArial=20
    size=3D2>Now, for my user requirements:</FONT></FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>- 1 stereo ouput, 1 stereo input, 1 =
mic input=20
    (optional)</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>- Small and portable (no rack mount =
units), the=20
    size of a sandwich preferrably</FONT></DIV>
    <DIV><FONT size=3D+0><FONT face=3DArial size=3D2>- USB, Firewire, or =
PCMCIA=20
    (PCMCIA is best, IF AND ONLY IF it does not disable my laptop's=20
    soundcard...my Audigy 2 ZS does, which I do not =
like)</FONT></FONT></DIV>
    <DIV><FONT size=3D+0><FONT face=3DArial size=3D2>- $300 or=20
less</FONT></FONT></DIV>
    <DIV><FONT size=3D+0><FONT face=3DArial =
size=3D2></FONT></FONT>&nbsp;</DIV>
    <DIV><FONT size=3D+0><FONT face=3DArial size=3D2>Given this, the =
Echos look good,=20
    as do the M-AudioMobilepre and Edirol UA-5.</FONT></FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT size=3D+0><FONT face=3DArial size=3D2>Kris</FONT></DIV>
    <DIV><FONT size=3D2><BR><FONT=20
face=3DArial></FONT></FONT></DIV></BLOCKQUOTE></BLOCKQUOTE></FONT></BODY>=
</HTML>

------=_NextPart_000_04C1_01C68562.521EFE90--

From Loopers-Delight-request@loopers-delight.com  Thu Jun  1 16:06:53 2006
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Date: Thu, 01 Jun 2006 13:06:43 -0300
From: Andrew Duke <andrew@andrew-duke.com>
Subject: EMU1616M Re: Audio Interface for Notebook Users
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Krispen Hartung wrote:

> I noticed no one mentioned this:
>  
> Emu 1616 Laptop Audio Interface
> http://www.zzounds.com/item--EMU1616
> http://www.emu.com/products/product.asp?category=505&subcategory=491&product=13554 
> <http://www.emu.com/products/product.asp?category=505&subcategory=491&product=13554>
>  
> E-MU's new 1616 Laptop Digital Audio System brings the same powerful 
> DSP effects, zero-latency monitoring and pristine 24-bit/192kHz A/D 
> and D/A converters of E-MU's best selling PCI Digital Audio Systems to 
> your laptop. The E-MU CardBus card can be used standalone for its DSP 
> power and studio-quality headphone amp/line output, or plugged into 
> the MicroDock for a total of 16 inputs and 16 outputs plus two sets of 
> MIDI I/O. E-MU's Laptop Digital Audio Systems ship with ASIO2 and 
> stereo WDM drivers for Windows XP and 2000, plus the new E-MU 
> Production Tools Software Bundle that includes E-MU's Proteus X LE, 
> plus software by Cakewalk, Steinberg, Ableton, IK Multimedia, and many 
> more - everything you need to create, record, edit, master and burn 
> your music.
>  
> It looks promising, better than USB, as it plugs into the PCI card. 
> Kris

I bought the EMU1616M as soon as it came out.  Use it for recording 
sessions, gigs, at home in the studio, everywhere.  It is a beauty. 
 Can't say a single bad thing about it.
Andrew

-- 
Andrew Duke
scoring/sound design/source
http://andrew-duke.com
http://myspace.com/andrewduke
Cognition Audioworks label
[Andrew Duke, Foal, Clinker, Granny'Ark]
http://cognitionaudioworks.com



--Boundary_(ID_Lk4OiZifBJ3bx8E8h/TmTg)
Content-type: text/html; charset=us-ascii
Content-transfer-encoding: 7BIT

<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
  <meta http-equiv="Content-Type" content="text/html;charset=ISO-8859-1">
  <title></title>
</head>
<body>
Krispen Hartung wrote:<br>
<blockquote type="cite"
 cite="mid04c401c68594$9d863470$6501a8c0@americas.hpqcorp.net">  
  <meta http-equiv="Content-Type" content="text/html; ">
 
  <meta content="MSHTML 6.00.2900.2876" name="GENERATOR">
 
  <style></style>  
  <div><font face="Arial" size="2">I noticed no one mentioned this:</font></div>
 
  <div>&nbsp;</div>
 
  <div>Emu 1616 Laptop Audio Interface</div>
 
  <div><font face="Arial" size="2"><a
 href="http://www.zzounds.com/item--EMU1616">http://www.zzounds.com/item--EMU1616</a></font></div>
 
  <div><font face="Arial" size="2"><a
 href="http://www.emu.com/products/product.asp?category=505&amp;subcategory=491&amp;product=13554">http://www.emu.com/products/product.asp?category=505&amp;subcategory=491&amp;product=13554</a></font></div>
 
  <div>&nbsp;</div>
 
  <div><font face="Arial" size="2"><span class="text"><font
 face="Times New Roman" size="3">E-MU's new 1616 Laptop Digital Audio System
brings the same powerful DSP  effects, zero-latency monitoring and pristine
24-bit/192kHz A/D and D/A  converters of E-MU's best selling PCI Digital
Audio Systems to your laptop. The  E-MU CardBus card can be used standalone
for its DSP power and studio-quality  headphone amp/line output, or plugged
into the MicroDock for a total of 16  inputs and 16 outputs plus two sets
of MIDI I/O. E-MU's Laptop Digital Audio  Systems ship with ASIO2 and stereo
WDM drivers for Windows XP and 2000, plus the  new E-MU Production Tools
Software Bundle that includes E-MU's Proteus X LE,  plus software by Cakewalk,
Steinberg, Ableton, IK Multimedia, and many more -  everything you need to
create, record, edit, master and burn your  music.</font></span></font></div>
 
  <div><font face="Arial" size="2"><span class="text"></span></font>&nbsp;</div>
 
  <div><font face="Arial" size="2"><span class="text"><font
 face="Times New Roman" size="3">It looks promising, better than USB, as
it plugs into the PCI  card.</font>&nbsp;</span><br>
  </font></div>
 
  <div><font face="Arial" size="2">Kris</font></div>
</blockquote>
I bought the EMU1616M as soon as it came out. &nbsp;Use it for recording sessions,
gigs, at home in the studio, everywhere. &nbsp;It is a beauty. &nbsp;Can't say a single
bad thing about it.<br>
Andrew<br>
<pre class="moz-signature" cols="$mailwrapcol">-- 
Andrew Duke
scoring/sound design/source
<a class="moz-txt-link-freetext" href="http://andrew-duke.com">http://andrew-duke.com</a>
<a class="moz-txt-link-freetext" href="http://myspace.com/andrewduke">http://myspace.com/andrewduke</a>
Cognition Audioworks label
[Andrew Duke, Foal, Clinker, Granny'Ark]
<a class="moz-txt-link-freetext" href="http://cognitionaudioworks.com">http://cognitionaudioworks.com</a>
</pre>
<br>
</body>
</html>

--Boundary_(ID_Lk4OiZifBJ3bx8E8h/TmTg)--

From Loopers-Delight-request@loopers-delight.com  Thu Jun  1 16:51:21 2006
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Date: Thu, 1 Jun 2006 06:53:00 -0700 (PDT)
From: Buzap <buzap@yahoo.com>
Subject: RC-50: Multiply feature? (overdubbing w/ different lengths)
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Hi folks

I'm new to the mailing list. Been occasionally looping
one way or the other for many years (nothing fancy
like the EDP) and - especially inspired by this list -
want to get into looping more.

I've ordered the Boss RC-50 loop station and am
waiting for it. Reading the manual
(http://www.roland.com/manuals/en/index_alpha.html
), I was a bit startled:
If I record a sample ("phrase") and go into overdub,
does that mean I have to stick to the initial phrase
length no matter what?
I wanted to do this: record 1 bar, then overdub
2-bar-pattern, then overdub 4-bar-pattern etc.
Is there a reasonable way (like multiply) to do this?

If not, what are recommended alternatives - other than
sacrificing all the three parallel phrases? 
I can think of this:
- Record samples with length X on Phrase1, record
samples with length Y on Phrase2, then route 1+2 to
Phrase3 and resample 1+2 to Phrase3

Anything more practical?
It would really be a pity because I would like to be
flexible concerning the overdub length.

Nevertheless, I think the RC-50 is doing a lot of
things right compared to RC-20 (3 phrases parallel in
sync, midi sync, stereo!...) and I'm inpatiently
awaiting my RC-50 and want to be ready when it arrives
:-)

best regards
Buzap


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From Loopers-Delight-request@loopers-delight.com  Thu Jun  1 17:52:50 2006
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Subject: Re: AW: Looping shoes (was: AW: Loopers-Delight on myspace?)
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Here's the one I use:

http://createdigitalmusic.com/?p=423


--- "L.A. Angulo" <labaloops@yahoo.com> wrote:

> ok cool now can u recomend some gloves for laptops?
> 


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From Loopers-Delight-request@loopers-delight.com  Thu Jun  1 18:00:36 2006
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Subject: Re: Snap, Crackle, Pop - VST Effect & Sound Card Problems
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Krispen Hartung wrote:
I don't know if MAX/MSP will resolve the clicking
> or popping I am hearing on just a few effects, such as a few Hipno 
> effects and some freebies like Deconstructure, Scuzzphut, etc.  I really 
> don't know why this is happening with these few effects, espcially when 
> my buffer settings are totally good and processing is not an issue. It 
> is a mystery to me. I may ask Cycling 74 about this.

Well it *is* happening with a number of fx apparently, not all Cycling74 
stuff, so I don't see how they can help - the problem is most likely 
elsewhere.

a.

From Loopers-Delight-request@loopers-delight.com  Thu Jun  1 18:23:02 2006
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Date: Thu, 1 Jun 2006 11:23:01 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Audio Interface for Notebook Users
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Resent-Date: Thu,  1 Jun 2006 18:23:02 +0000 (UTC)

I'd stay away from USB1 interfaces.  I tried my
M-Audio Audiofile USB on a 1.4 mhz Thinkpad and I
wasn't able to get acceptable results in terms of
latency.  For almost no difference in money I was able
to get an M-Audio Solo firewire interface that's been
working vey nicely... although on a 1.2 mhz Powerbook.
(Thinkpad doesn't have native firewire but
PCM-CIA/Firewire converters are cheap)

I think maybe the new Thinkpads do have firewire, as I
almost bought one.  Ended up with a Toshiba though, so
wish me luck.  It's being configured as we speak...

--- Krispen Hartung <khartung@cableone.net> wrote:

> I might give the M-Audio USB unit a try then. It's
> not terribly expensive.  So far I really like
> M-audio gear, especially their solid state recorder.
>  I still like the Indigo IO, but plugging my guitar
> chord into that thing with a 1/4 to 1/8 adpator
> makes me nervous. It just hangs there, and easily
> wiggles around. I bought a really high quality
> instrument chord that is designed for computer use
> (the Monster cable that goes from 1/4 to 1/8 and
> doesn't require an adaptor), but the thing is so
> thick and robust that it overpowers the input jack
> of the IO. It's like I need some sort of harness
> that will keep it stable in the input jack. 
> 
>  Thanks.
> 
> Kris
> 
>   ----- Original Message ----- 
> 
>   Latency should be no problem if you're only using
> a few channels.  In
>   theory USB/Firewire devices are more suspectable
> to bus contention
>   than a PCMCIA card, but if you only have one
> high-speed device on the
>   bus it isn't an issue.  Just avoid having the
> audio interface,
>   scanner, video digitizer, and external backup hard
> drive all going at
>   the same time :-)
> 
>   Historically firewire has had a better reputation
> than USB, but
>   they're about the same now.  USB is a bit
> twitchier with hubs, you
>   have to be careful never to mix USB1 and USB2
> devices on the same hub.
>   If you're plugging directly into the computer
> you're fine.
> 
>   Jeff
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Thu Jun  1 18:45:27 2006
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: <Loopers-Delight@loopers-delight.com>
Subject: AW: Audio Interface for Notebook Users
Date: Thu, 1 Jun 2006 20:45:22 +0200
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I'm currently using a Thinkpad for work (can't tell you the exact model =
#
though...R30?, a 1.5MHz Centrino), which does have Firewire, albeit only =
one
PCMCIA slot. My music laptop is a somewhat older Toshiba (Sattelite Pro
2600?), which I do like, so there might not even be need to wish you =
luck
(which I of course do anyway)

> -----Urspr=FCngliche Nachricht-----
> Von: mark sottilaro [mailto:zerocrossing2001@yahoo.com]=20
> Gesendet: Donnerstag, 1. Juni 2006 20:23
> An: Loopers-Delight@loopers-delight.com
> Betreff: Re: Audio Interface for Notebook Users
>=20
> I'd stay away from USB1 interfaces.  I tried my M-Audio=20
> Audiofile USB on a 1.4 mhz Thinkpad and I wasn't able to get=20
> acceptable results in terms of latency.  For almost no=20
> difference in money I was able to get an M-Audio Solo=20
> firewire interface that's been working vey nicely... although=20
> on a 1.2 mhz Powerbook.
> (Thinkpad doesn't have native firewire but PCM-CIA/Firewire=20
> converters are cheap)
>=20
> I think maybe the new Thinkpads do have firewire, as I almost=20
> bought one.  Ended up with a Toshiba though, so wish me luck.=20
>  It's being configured as we speak...

From Loopers-Delight-request@loopers-delight.com  Thu Jun  1 18:49:32 2006
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: <Loopers-Delight@loopers-delight.com>
Subject: AW: AW: First KYBERMUSIK recordings online
Date: Thu, 1 Jun 2006 20:49:28 +0200
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so much for free webhosting...the server is undergoing restructuring and =
so
the users' pages can't be reached for an indetermined amount of time :-( =


> -----Urspr=FCngliche Nachricht-----
> Von: Stefan Tiedje [mailto:Stefan-Tiedje@addcom.de]=20
> Gesendet: Donnerstag, 1. Juni 2006 00:04
> An: Loopers-Delight@loopers-delight.com
> Betreff: Re: AW: First KYBERMUSIK recordings online
>=20
> Rainer Thelonius Balthasar Straschill wrote:
> > or go via http://www.moinlabs.de/i_msa.htm
>=20
> This will give me a 404 page not found error, has it moved?=20
> I'd love to hear it.
>=20
> By the way, the reason for not being able to access your=20
> menus: They don't work on small screens, no way to scroll to=20
> the end. A little design flaw (I have a 12" screen on my powerbook)
>=20
> Stefan
>=20
> --
> Stefan Tiedje------------x-------
> --_____-----------|--------------
> --(_|_ ----|\-----|-----()-------
> -- _|_)----|-----()--------------
> ----------()--------www.ccmix.com
>=20
>=20

From Loopers-Delight-request@loopers-delight.com  Thu Jun  1 18:57:38 2006
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Subject: Re: Audio Interface for Notebook Users
Date: Thu, 1 Jun 2006 12:57:34 -0600
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oddly, enought my ThinkPad T60p, which is basically the highest commercial 
model you can get in that series and is regarded as a mobile server, does 
not have firewire....baffles me. But if I can get a PCI converter, this 
works for me.

Kris

----- Original Message ----- 
From: "mark sottilaro" <zerocrossing2001@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, June 01, 2006 12:23 PM
Subject: Re: Audio Interface for Notebook Users


> I'd stay away from USB1 interfaces.  I tried my
> M-Audio Audiofile USB on a 1.4 mhz Thinkpad and I
> wasn't able to get acceptable results in terms of
> latency.  For almost no difference in money I was able
> to get an M-Audio Solo firewire interface that's been
> working vey nicely... although on a 1.2 mhz Powerbook.
> (Thinkpad doesn't have native firewire but
> PCM-CIA/Firewire converters are cheap)
>
> I think maybe the new Thinkpads do have firewire, as I
> almost bought one.  Ended up with a Toshiba though, so
> wish me luck.  It's being configured as we speak...
>
> --- Krispen Hartung <khartung@cableone.net> wrote:
>
>> I might give the M-Audio USB unit a try then. It's
>> not terribly expensive.  So far I really like
>> M-audio gear, especially their solid state recorder.
>>  I still like the Indigo IO, but plugging my guitar
>> chord into that thing with a 1/4 to 1/8 adpator
>> makes me nervous. It just hangs there, and easily
>> wiggles around. I bought a really high quality
>> instrument chord that is designed for computer use
>> (the Monster cable that goes from 1/4 to 1/8 and
>> doesn't require an adaptor), but the thing is so
>> thick and robust that it overpowers the input jack
>> of the IO. It's like I need some sort of harness
>> that will keep it stable in the input jack.
>>
>>  Thanks.
>>
>> Kris
>>
>>   ----- Original Message ----- 
>>
>>   Latency should be no problem if you're only using
>> a few channels.  In
>>   theory USB/Firewire devices are more suspectable
>> to bus contention
>>   than a PCMCIA card, but if you only have one
>> high-speed device on the
>>   bus it isn't an issue.  Just avoid having the
>> audio interface,
>>   scanner, video digitizer, and external backup hard
>> drive all going at
>>   the same time :-)
>>
>>   Historically firewire has had a better reputation
>> than USB, but
>>   they're about the same now.  USB is a bit
>> twitchier with hubs, you
>>   have to be careful never to mix USB1 and USB2
>> devices on the same hub.
>>   If you're plugging directly into the computer
>> you're fine.
>>
>>   Jeff
>>
>>
>
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
> 

From Loopers-Delight-request@loopers-delight.com  Thu Jun  1 19:35:34 2006
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Oh, we can't let this be a problem. :)  I have uploaded the file here:
http://www.box.net/public/zoe72jie60

Cheers,

Kris

----- Original Message ----- 
From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>

so much for free webhosting...the server is undergoing restructuring and so
the users' pages can't be reached for an indetermined amount of time :-(

> -----Ursprüngliche Nachricht-----
> Von: Stefan Tiedje [mailto:Stefan-Tiedje@addcom.de]
> Gesendet: Donnerstag, 1. Juni 2006 00:04
> An: Loopers-Delight@loopers-delight.com
> Betreff: Re: AW: First KYBERMUSIK recordings online
>
> Rainer Thelonius Balthasar Straschill wrote:
> > or go via http://www.moinlabs.de/i_msa.htm
>
> This will give me a 404 page not found error, has it moved?
> I'd love to hear it.
>
> By the way, the reason for not being able to access your
> menus: They don't work on small screens, no way to scroll to
> the end. A little design flaw (I have a 12" screen on my powerbook)
>
> Stefan
>
> --
> Stefan Tiedje------------x-------
> --_____-----------|--------------
> --(_|_ ----|\-----|-----()-------
> -- _|_)----|-----()--------------
> ----------()--------www.ccmix.com
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Jun  1 20:18:21 2006
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> From: mark sottilaro
>=20
> I'd stay away from USB1 interfaces.

It is true that you should avoid USB 1.0 audio interfaces, but this is
largely a dead issue now.  All modern computers have USB 2.0 ports and
all modern audio interfaces are USB 2.0.

This is one of the reasons "USB" has a bad rap, because everyone
remembers "USB 1.0".  If your gear was built within the last 2 years
and you are running Windows XP, you really have nothing to fear about
USB.

The only thing you have to be careful about is combining a mixture
of USB1 devices (like mouse and keyboard) with USB2 devices
on the same hub, because they will force all devices on that
hub to use the slower USB1 data rate.  Also using non-powered hubs
with longer cables can be glithcy.  All of this can be avoided by
simply not using hubs or long cables with your audio interface, plug
it directly into the computer with a 3' cable and you will be fine.

If you're trying to resurrect an old computer as a dedicated audio
appliance, that's another matter.  Stick to PCI or PCMCIA.
=20
Jeff

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Hi
I have experimented with recording "found sounds", burning to CD,
playing the CD while I play Stick in live performance     E.g.   I play
along to a 3min. recording I made of tree frog sounds

I am considering the Roland Fantom XR (synth/sampler) for creating a
wide variety of sounds from midi keybd. =20

Then  it occurred to me that I could also load my  recordings into it,
and play them back during live performance - instead of using a CD
player or iPod.  (as long as they don't exceed avail memory).     I've
never used a h/w sampler before,  but I think this would work - correct
?=20
http://www.roland.com/products/en/Fantom-XR/

-Qua

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<P><FONT COLOR=3D"#0000FF" SIZE=3D2 FACE=3D"Arial">Hi</FONT>

<BR><FONT SIZE=3D2 FACE=3D"Arial">I have experimented with recording =
&quot;found sounds&quot;, burning to CD,&nbsp; playing the CD while I =
play Stick in live performance&nbsp;&nbsp;&nbsp;&nbsp; E.g.&nbsp;&nbsp; =
I play along to a 3min. recording I made of tree frog sounds</FONT></P>

<P><FONT SIZE=3D2 FACE=3D"Arial">I am considering the Roland Fantom XR =
(synth/sampler) for creating a wide variety of sounds from midi =
keybd.&nbsp; </FONT>
</P>

<P><FONT SIZE=3D2 FACE=3D"Arial">Then&nbsp; it occurred to me that I =
could also load my&nbsp; recordings into it,&nbsp; and play them back =
during live performance - instead of using a CD player or iPod.&nbsp; =
(as long as they don't exceed avail memory).&nbsp;&nbsp;&nbsp;&nbsp; =
I've never used a h/w sampler before,&nbsp; but I think this would work =
- correct ? </FONT></P>

<P><A HREF=3D"http://www.roland.com/products/en/Fantom-XR/"><U><FONT =
COLOR=3D"#0000FF" SIZE=3D2 =
FACE=3D"Arial">http://www.roland.com/products/en/Fantom-XR/</FONT></U></A=
>
</P>

<P><FONT SIZE=3D2 FACE=3D"Arial">-Qua</FONT>
</P>

</BODY>
</HTML>
------_=_NextPart_001_01C685BF.5A134A49--

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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: Use sampler to playback recording
Date: Thu, 1 Jun 2006 14:14:28 -0700
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Have you considered a laptop based sampler? There are plenty out there,=20=

and you could use an expensive midi keyboard controller to trigger the=20=

sounds......



Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com =95 AngryVegan.com


On Jun 1, 2006, at 2:07 PM, Veda, Qua wrote:

> Hi
> I have experimented with recording "found sounds", burning to CD,=A0=20=

> playing the CD while I play Stick in live performance=A0=A0=A0=A0 =
E.g.=A0=A0 I=20
> play along to a 3min. recording I made of tree frog sounds
>
> I am considering the Roland Fantom XR (synth/sampler) for creating a=20=

> wide variety of sounds from midi keybd.=A0
>
> Then=A0 it occurred to me that I could also load my=A0 recordings into=20=

> it,=A0 and play them back during live performance - instead of using a=20=

> CD player or iPod.=A0 (as long as they don't exceed avail memory).=A0=A0=
=A0=A0=20
> I've never used a h/w sampler before,=A0 but I think this would work -=20=

> correct ?
>
> http://www.roland.com/products/en/Fantom-XR/
>
> -Qua

From Loopers-Delight-request@loopers-delight.com  Thu Jun  1 21:16:34 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: Use sampler to playback recording
Date: Thu, 1 Jun 2006 14:16:29 -0700
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oops!

meant "inexpensive" midi keyboard controller!

:-)



Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com =95 AngryVegan.com


On Jun 1, 2006, at 2:14 PM, Jeff Kaiser wrote:

> Have you considered a laptop based sampler? There are plenty out=20
> there, and you could use an expensive midi keyboard controller to=20
> trigger the sounds......
>
>
>
> Jeff Kaiser
> http://www.jeffkaisermusic.com
> pfMENTUM.com =95 AngryVegan.com
>
>
> On Jun 1, 2006, at 2:07 PM, Veda, Qua wrote:
>
>> Hi
>> I have experimented with recording "found sounds", burning to CD,=A0=20=

>> playing the CD while I play Stick in live performance=A0=A0=A0=A0 =
E.g.=A0=A0 I=20
>> play along to a 3min. recording I made of tree frog sounds
>>
>> I am considering the Roland Fantom XR (synth/sampler) for creating a=20=

>> wide variety of sounds from midi keybd.=A0
>>
>> Then=A0 it occurred to me that I could also load my=A0 recordings =
into=20
>> it,=A0 and play them back during live performance - instead of using =
a=20
>> CD player or iPod.=A0 (as long as they don't exceed avail =
memory).=A0=A0=A0=A0=20
>> I've never used a h/w sampler before,=A0 but I think this would work =
-=20
>> correct ?
>>
>> http://www.roland.com/products/en/Fantom-XR/
>>
>> -Qua
>

From Loopers-Delight-request@loopers-delight.com  Thu Jun  1 23:12:28 2006
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Date: Thu, 1 Jun 2006 18:12:26 -0500
From: "Alex Law" <alexander.law@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: RC-50: Multiply feature? (overdubbing w/ different lengths)
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Hey Buzap,

It seems from the manual as though the solution (in multi mode) is to
overdub on the other phrases, and depending on how the loop sync is
set up the shorter phrases should either repeat within the longer
phrase or in time with the begining of the longer phrase...

I guess we'll see! I finally gave up on my Musician's Friend order
last night and cancelled; I already have a FedEx tracking number from
Bananas At Large. Perhaps the MF order would have showed up soon, but
I was tired of guessing. I'll have mine on Monday.

Alex

From Loopers-Delight-request@loopers-delight.com  Thu Jun  1 23:40:14 2006
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Date: Thu, 1 Jun 2006 16:40:12 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Use sampler to playback recording
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It honestly depends on how long your sound is before
you want a repeat. Most samplers have a limited amount
of memory.  Going computer is good because a lot of
sample programs will read off your hard drive.

I still keep a Pioneer CDJ800 in my rig for much
longer stuff and stuff I want to "scratch."

--- Jeff Kaiser <loopersdelight@pfmentum.com> wrote:

> oops!
> 
> meant "inexpensive" midi keyboard controller!
> 
> :-)
> 
> 
> 
> Jeff Kaiser
> http://www.jeffkaisermusic.com
> pfMENTUM.com ï¿½ AngryVegan.com
> 
> 
> On Jun 1, 2006, at 2:14 PM, Jeff Kaiser wrote:
> 
> > Have you considered a laptop based sampler? There
> are plenty out 
> > there, and you could use an expensive midi
> keyboard controller to 
> > trigger the sounds......
> >
> >
> >
> > Jeff Kaiser
> > http://www.jeffkaisermusic.com
> > pfMENTUM.com ï¿½ AngryVegan.com
> >
> >
> > On Jun 1, 2006, at 2:07 PM, Veda, Qua wrote:
> >
> >> Hi
> >> I have experimented with recording "found
> sounds", burning to CD,ï¿½ 
> >> playing the CD while I play Stick in live
> performanceï¿½ï¿½ï¿½ï¿½ E.g.ï¿½ï¿½ I 
> >> play along to a 3min. recording I made of tree
> frog sounds
> >>
> >> I am considering the Roland Fantom XR
> (synth/sampler) for creating a 
> >> wide variety of sounds from midi keybd.ï¿½
> >>
> >> Thenï¿½ it occurred to me that I could also load
> myï¿½ recordings into 
> >> it,ï¿½ and play them back during live performance
-
> instead of using a 
> >> CD player or iPod.ï¿½ (as long as they don't
exceed
> avail memory).ï¿½ï¿½ï¿½ï¿½ 
> >> I've never used a h/w sampler before,ï¿½ but I
> think this would work - 
> >> correct ?
> >>
> >> http://www.roland.com/products/en/Fantom-XR/
> >>
> >> -Qua
> >
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Fri Jun  2 00:03:48 2006
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From: "Sean Mormelo" <sean@seanmormelo.com>
To: <Loopers-Delight@loopers-delight.com>
References: <BAY18-F20EDF79958B13BE9AF7188D7980@phx.gbl>
Subject: Re: BOSS RC-50 impressions-Time Compression Expansion
Date: Thu, 1 Jun 2006 16:03:43 -0800
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I just read on the Harmony Central Forums that the time compression
expansion is horrible! The sound gets all warbled etc...IS this true,
because if it is this totally screws up one of the main features I was going
to exploit for mixing on the fly looping and some pre-recorded
loops....????????

Sean Mormelo
www.seanmormelo.com
www.myspace.com/seanmormelo
EPK- www.sonicbids.com/seanmormelo
www.CDbaby.com/seanmormelo
----- Original Message ----- 
From: "Nathan Stueve" <nathanstueve@hotmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, May 24, 2006 9:15 AM
Subject: Re: BOSS RC-50 impressions


> no worries man, when i reread the misinterpreted message i easily see that
> you were being sardonic in regard to roland, not me, so i apologize as
well.
>
> even though the absolute perfect looping device has yet to see release,
> seems like we're still pretty lucky to live in this era of rapidly
> progressing music / communication technology.
> i'm amazed that we're able to have this conversation at all, and that this
> subject for discussion even exists.
> best regards.
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Jun  2 00:27:13 2006
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Date: Thu, 1 Jun 2006 17:27:11 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: RE: Audio Interface for Notebook Users
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You've got to be careful, there are actually a lot of
usb1 devices on the market: 

http://www.m-audio.com/products/en_us/AudiophileUSB-focus.html



--- jeff larson <jeff.larson@sailpoint.com> wrote:

> > From: mark sottilaro
> > 
> > I'd stay away from USB1 interfaces.
> 
> It is true that you should avoid USB 1.0 audio
> interfaces, but this is
> largely a dead issue now.  All modern computers have
> USB 2.0 ports and
> all modern audio interfaces are USB 2.0.
> 
> This is one of the reasons "USB" has a bad rap,
> because everyone
> remembers "USB 1.0".  If your gear was built within
> the last 2 years
> and you are running Windows XP, you really have
> nothing to fear about
> USB.
> 
> The only thing you have to be careful about is
> combining a mixture
> of USB1 devices (like mouse and keyboard) with USB2
> devices
> on the same hub, because they will force all devices
> on that
> hub to use the slower USB1 data rate.  Also using
> non-powered hubs
> with longer cables can be glithcy.  All of this can
> be avoided by
> simply not using hubs or long cables with your audio
> interface, plug
> it directly into the computer with a 3' cable and
> you will be fine.
> 
> If you're trying to resurrect an old computer as a
> dedicated audio
> appliance, that's another matter.  Stick to PCI or
> PCMCIA.
>  
> Jeff
> 
> 


__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Fri Jun  2 05:31:17 2006
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From: "Tom Ritchford" <tom@swirly.com>
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Subject: Pastorius -- looper?
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Did this already come up?!

I just saw the video of Joni Mitchell's Shadows and Light and Jaco
does a great looped version of Third Stone From The Sun where he hits
the bass to get the percussion!

A little hard to see the looper but it feels like a Super Timeline...

-- 
     /t

http://ax.to ......... extreme NY arts and music calendar
http://ax.to/tr ....... my secret little little...
http://ax.to/radio ... my little radio station (on intermittently)

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ummm yeah-we had quite a discussion 'bout this a while ago-gotta be in the archives...
someone probably has a more accurate time table.
1st looping i ever experienced was indeed JACO(playin w/ WeatherReport tho'.)
s

-----Original Message-----
>From: Tom Ritchford <tom@swirly.com>
>Sent: Jun 1, 2006 10:31 PM
>To: Loopers-Delight <loopers-delight@loopers-delight.com>
>Subject: Pastorius -- looper?
>
>Did this already come up?!
>
>I just saw the video of Joni Mitchell's Shadows and Light and Jaco
>does a great looped version of Third Stone From The Sun where he hits
>the bass to get the percussion!
>
>A little hard to see the looper but it feels like a Super Timeline...
>
>-- 
>     /t
>
>http://ax.to ......... extreme NY arts and music calendar
>http://ax.to/tr ....... my secret little little...
>http://ax.to/radio ... my little radio station (on intermittently)
>

From Loopers-Delight-request@loopers-delight.com  Fri Jun  2 07:50:49 2006
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Subject: Re: RC-50: Multiply feature? (overdubbing w/ different lengths)
Date: Thu, 1 Jun 2006 00:50:56 -0700
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Buzap asked about recording overdubs with different lengths in the RC-20The 
only two hardware instruments that will let you do this now are
the EDP ($900-$1,000 if you can find one)  and the Looperlative ($1500).

There might be a software solution (software folks,  do you want to chime in 
here?)

or you could use an RC-20 and an RC-50 in series.

Record your first loop on the RC-20 and the resample it four times on the 
RC-50

I do this a lot with two Line 6 DL-4s but they don't have more than about 
two bars of loop length
unlike the RC-50

The advantage of the RC-20-50 solution is that at any time you can kill the
second loop at the same time you retrigger the first loop (RC-20)
and you, in effect,  go back in time.

One advantage of this is that you really get your timing together to be 
negotiating
hitting stop with your left foot as you hit play with your right foot while 
simultaneously
playing something on top of it.

good luck,   Rick Walker


From Loopers-Delight-request@loopers-delight.com  Fri Jun  2 08:57:44 2006
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Subject: Re: RC-50: Multiply feature? (overdubbing w/ different lengths)
Date: Fri, 2 Jun 2006 10:57:38 +0200
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> - Record samples with length X on Phrase1, record
> samples with length Y on Phrase2, then route 1+2 to
> Phrase3 and resample 1+2 to Phrase3
>
> Anything more practical?

Wouldn't something like the following be possible with a patch cable going 
from SUB Out to Input?
Record IN on Phrase1
Record IN + Phrase 1 (MIX) on Phrase 2.

Just guessing.

Relative to feedback: If I've read correctly you have a 3-tracks mixer where 
100% means "same volume as input" and this can go from 0 to 200%. So with 
following settings:

- guitar to "Input L"
- recording mode to mono
- setting the track output to both "MAIN out" and "SUB out" ( MAIN connected 
to Amp.)
- using a cable from the "SUB out L" to "Input R" (are the inputs summed 
when mono recording is used?).
- setting the track playback volume to 80%.
- using the overdub mode = replace.

woudn't a kind of 80% feedback be possible?
first run: 100% guitar recorded
2nd run: 100% guitar +80%(first run)
3rd run: 100% guitar +80%(second run)
...

Just thinking aloud. I don't have tried the beast.

Ben. 


	

	
		
___________________________________________________________________________ 
Yahoo! Mail réinvente le mail ! Découvrez le nouveau Yahoo! Mail et son interface révolutionnaire.
http://fr.mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Fri Jun  2 10:04:41 2006
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Subject: Re: RC-50: Multiply feature? (overdubbing w/ different lengths)
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Please also check Per Boysen's "Comparison Chart of Looping Devices"
http://www.looproom.com/looperchart.php
which has a link to Software Loopers (http://tinyurl.com/b8lw6)

Bernhard
http://nosuch.biz


From Loopers-Delight-request@loopers-delight.com  Fri Jun  2 11:02:54 2006
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Date: Fri, 2 Jun 2006 07:02:44 -0400
To: Loopers-Delight@loopers-delight.com
From: Seth Elgart <selgart@earthlink.net>
Subject: Re: RC-50: Multiply feature? (overdubbing w/ different lengths)
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At 6:53 AM -0700 6/1/06, Buzap wrote:
>If I record a sample ("phrase") and go into overdub,
>does that mean I have to stick to the initial phrase
>length no matter what?
>I wanted to do this: record 1 bar, then overdub
>2-bar-pattern, then overdub 4-bar-pattern etc.
>Is there a reasonable way (like multiply) to do this?

Why not do it the old fashioned way, by playing it by hand? Play the 
first one bar pattern through four times, then play the second two 
bar pattern twice, then play the four bar pattern once. This way you 
have three different length phrases, except that as far as the 
looper's concerned they're all four bars. As long as you're not 
playing sevens against eights or something this will work fine. You 
could do that too if you're willing to play the patterns by hand 
eight times and seven times respectively, and if the looper can 
record a phrase of that length. On the other hand, if you want 11 
against 13, then you'll have to record 143 measures before they'll 
line up again.

In the late 80s/early 90s I was working on a "sound track" for a 
play. I had a piece that was about 3.5 minutes long, with a 
burbling-along arpeggio running throughout, but they wanted it to be 
twice that because that's how long the scene was. For the original, I 
simply played the four-note arpeggio eight times, then made that loop 
(I was using Performer, or maybe a hardware digital sequencer). Very 
simple. However, when we re-recorded that for the play, the studio 
had only the one tape machine and no computers or other looping 
devices. I had to sit there and play that dang arpeggio by hand for 
seven minutes. It took me an hour of trying before I managed to play 
it perfectly all the way through, and I had to throw everyone out of 
the room to do it. The Human Sequencer.

What was I talking about? Oh, yeah. The moral of this little story is 
to not worry about the possible lack of functionality of the hardware 
in question, but to simply play the different length patterns by 
hand. <g>

It'll work just fine.



          Seth

From Loopers-Delight-request@loopers-delight.com  Fri Jun  2 13:15:51 2006
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Subject: RE: Pastorius -- looper?
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It was the good old MXR ddl...


>From: "Tom Ritchford" <tom@swirly.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight <loopers-delight@loopers-delight.com>
>Subject: Pastorius -- looper?
>Date: Fri, 2 Jun 2006 01:31:16 -0400
>
>Did this already come up?!
>
>I just saw the video of Joni Mitchell's Shadows and Light and Jaco
>does a great looped version of Third Stone From The Sun where he hits
>the bass to get the percussion!
>
>A little hard to see the looper but it feels like a Super Timeline...
>
>--
>     /t
>
>http://ax.to ......... extreme NY arts and music calendar
>http://ax.to/tr ....... my secret little little...
>http://ax.to/radio ... my little radio station (on intermittently)
>


From Loopers-Delight-request@loopers-delight.com  Fri Jun  2 14:14:26 2006
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This is a multi-part message in MIME format.

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Check out "Slang" from 8:30 for a similar performance.<br>
<br>
<b>http://tinyurl.com/kyop8</b><br>
<br>
Mark Smart<br>
http://www.marksmart.net<br>
 

----4eb20717b663ed5859--

From Loopers-Delight-request@loopers-delight.com  Fri Jun  2 14:18:01 2006
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Subject: RE: RC-50: Multiply feature? (overdubbing w/ different lengths)
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That would work as you described but it takes a longer to build the music
bed in front of a live audience. If there were A/B/C sections to the tunes
and 10-15 tunes per set, the process of building the song would get
'musically tiresome'.

Also, if the loop could be of varying lengths, I could imagine it being a
more natural form of entry because I think in terms of repeating phrases for
each part and not thinking which of the loops is the longest and adjust from
there.

> -----Original Message-----
> From: Seth Elgart [mailto:selgart@earthlink.net]
> Sent: Friday, June 02, 2006 7:03 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: RC-50: Multiply feature? (overdubbing w/ different lengths)
> 
> At 6:53 AM -0700 6/1/06, Buzap wrote:
> >If I record a sample ("phrase") and go into overdub,
> >does that mean I have to stick to the initial phrase
> >length no matter what?
> >I wanted to do this: record 1 bar, then overdub
> >2-bar-pattern, then overdub 4-bar-pattern etc.
> >Is there a reasonable way (like multiply) to do this?
> 
> Why not do it the old fashioned way, by playing it by hand? Play the
> first one bar pattern through four times, then play the second two
> bar pattern twice, then play the four bar pattern once. This way you
> have three different length phrases, except that as far as the
> looper's concerned they're all four bars. As long as you're not
> playing sevens against eights or something this will work fine. You
> could do that too if you're willing to play the patterns by hand
> eight times and seven times respectively, and if the looper can
> record a phrase of that length. On the other hand, if you want 11
> against 13, then you'll have to record 143 measures before they'll
> line up again.
> 
> In the late 80s/early 90s I was working on a "sound track" for a
> play. I had a piece that was about 3.5 minutes long, with a
> burbling-along arpeggio running throughout, but they wanted it to be
> twice that because that's how long the scene was. For the original, I
> simply played the four-note arpeggio eight times, then made that loop
> (I was using Performer, or maybe a hardware digital sequencer). Very
> simple. However, when we re-recorded that for the play, the studio
> had only the one tape machine and no computers or other looping
> devices. I had to sit there and play that dang arpeggio by hand for
> seven minutes. It took me an hour of trying before I managed to play
> it perfectly all the way through, and I had to throw everyone out of
> the room to do it. The Human Sequencer.
> 
> What was I talking about? Oh, yeah. The moral of this little story is
> to not worry about the possible lack of functionality of the hardware
> in question, but to simply play the different length patterns by
> hand. <g>
> 
> It'll work just fine.
> 
> 
> 
>           Seth

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Date: Fri, 2 Jun 2006 07:20:52 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: BOSS RC-50 impressions-Time Compression Expansion
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Any time compression/expansion is going to give you
some type of sound degredation, but check out an
Electrix Repeater.  It's really good and when it gets
"bad" it's good-bad.  Really, if you're looking for
that as your main feature the Repeater is the king.

Mark

--- Sean Mormelo <sean@seanmormelo.com> wrote:

> I just read on the Harmony Central Forums that the
> time compression
> expansion is horrible! The sound gets all warbled
> etc...IS this true,
> because if it is this totally screws up one of the
> main features I was going
> to exploit for mixing on the fly looping and some
> pre-recorded
> loops....????????
> 
> Sean Mormelo
> www.seanmormelo.com
> www.myspace.com/seanmormelo
> EPK- www.sonicbids.com/seanmormelo
> www.CDbaby.com/seanmormelo
> ----- Original Message ----- 
> From: "Nathan Stueve" <nathanstueve@hotmail.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Wednesday, May 24, 2006 9:15 AM
> Subject: Re: BOSS RC-50 impressions
> 
> 
> > no worries man, when i reread the misinterpreted
> message i easily see that
> > you were being sardonic in regard to roland, not
> me, so i apologize as
> well.
> >
> > even though the absolute perfect looping device
> has yet to see release,
> > seems like we're still pretty lucky to live in
> this era of rapidly
> > progressing music / communication technology.
> > i'm amazed that we're able to have this
> conversation at all, and that this
> > subject for discussion even exists.
> > best regards.
> >
> >
> >
> >
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Fri Jun  2 14:50:21 2006
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Date: Fri, 2 Jun 2006 15:50:20 +0100
From: Os <os@collective.co.uk>
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Subject: Re: RC-50: Multiply feature? (overdubbing w/ different lengths)
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> Please also check Per Boysen's "Comparison Chart of Looping Devices"
> http://www.looproom.com/looperchart.php
> which has a link to Software Loopers (http://tinyurl.com/b8lw6)

Hi,

would just like to point out that Augustus Loop does have multiply now
(the chart says it doesn't), though, as ever, it's a non-standard
implementation of the feature.

If you turn off the 'tape inertia' feature, then you can change the
loop length to anything you like, while you're looping, with no
glitches. So you can record a phrase and later change the loop time to
e.g. four times the original length - which is effectively a multiply.

The joy of the complete flexibility this gives you is that you could
e.g. record an 8 beat phrase and then change the delay time to 11
beats. So you have fractional multiplies going on, if you so desire.

Same applies in reverse - you can change the loop time to lower than
the original time. So e.g. go from 4/4 to 3/4 seamlessly if you like.

cheers,
os.

From Loopers-Delight-request@loopers-delight.com  Fri Jun  2 15:32:31 2006
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Date: Fri, 2 Jun 2006 17:32:28 +0200 (CEST)
From: rune fagereng <rune_fagereng@yahoo.no>
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Hi !
   
  Until now I have used pc and m-audio workstation, but I consider to buy me a Mac. In this jungel of information, can someone give me advise on what to buy so that I have a complete system for making music. What Mac, interface and sound-card ?
   
  Rune F    


www.runefagereng.com
Mail:rune_fagereng@yahoo.no
Mob: 917 95 867
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<div>Hi !</div>  <div>&nbsp;</div>  <div>Until now I have used pc and m-audio workstation, but I consider to buy me a Mac. In this jungel of&nbsp;information, can someone give me advise on what to buy so that I have a complete system for making music. What&nbsp;Mac, interface and sound-card ?</div>  <div>&nbsp;</div>  <div>Rune F&nbsp;&nbsp;&nbsp; </div><BR><BR>www.runefagereng.com<br>Mail:rune_fagereng@yahoo.no<br>Mob: 917 95 867
--0-1014463172-1149262348=:78807--

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From: Per Boysen <perboysen@gmail.com>
Subject: Re: RC-50: Multiply feature? (overdubbing w/ different lengths)
Date: Fri, 2 Jun 2006 17:48:28 +0200
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>> Please also check Per Boysen's "Comparison Chart of Looping Devices"
>> http://www.looproom.com/looperchart.php
>> which has a link to Software Loopers (http://tinyurl.com/b8lw6)

> On 2 jun 2006, at 16.50, Os wrote:
>
> Hi,
>
> would just like to point out that Augustus Loop does have multiply now
> (the chart says it doesn't), though, as ever, it's a non-standard
> implementation of the feature.


Oops.... Sorry, I forgot about that, although I've used that feature  
myself quite a lot (really cool, as is the "trias" button, BTW). I'll  
update that chart tonight.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)




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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Mac v.s Pc 
Date: Fri, 2 Jun 2006 17:52:35 +0200
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On 2 jun 2006, at 17.32, rune fagereng wrote:

> Until now I have used pc and m-audio workstation, but I consider to  
> buy me a Mac. In this jungel of information, can someone give me  
> advise on what to buy so that I have a complete system for making  
> music. What Mac, interface and sound-card ?

Check the archives, there have been lots of posts on this. It's just  
impossible to answer when you do not spell out your preferences and  
ambitions for the system. It's like if someone ask you "I want to go  
to another city, which cars should I buy" ;-)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)




From Loopers-Delight-request@loopers-delight.com  Fri Jun  2 16:16:01 2006
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From: "Nathan Stueve" <nathanstueve@hotmail.com>
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Subject: Re: BOSS RC-50 impressions-Time Compression Expansion
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i'm sorry to confirm that this IS true.
unless you keep the loops at the (exact) original tempo they sound like
utter shite, crazy warbled, even if you only change the tempo a little bit. 
i would go even further to say that the sound quality appears to be rather 
inconsistent when the pedal is run as a midi slave. no warbling at all if 
the pedal is the master, but the sound seems prone to chaotic fluttering if 
you do very many overdubs in slave mode.
the pedal is still pretty useful for me, but i have to admit
i'm fairly unimpressed with these limitations, if only because roland is 
making claims about the capabilities of this device that are not validated 
by reality.
will it be adressed in future production runs or some kind of firmware 
update?
i don't know, but it's unfortunate.


>From: "Sean Mormelo" <sean@seanmormelo.com>
>Reply-To: "Sean Mormelo" <sean@seanmormelo.com>
>To: <Loopers-Delight@loopers-delight.com>
>Subject: Re: BOSS RC-50 impressions-Time Compression Expansion
>Date: Thu, 1 Jun 2006 16:03:43 -0800
>
>I just read on the Harmony Central Forums that the time compression
>expansion is horrible! The sound gets all warbled etc...IS this true,
>because if it is this totally screws up one of the main features I was 
>going
>to exploit for mixing on the fly looping and some pre-recorded
>loops....????????


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Date: Fri, 2 Jun 2006 09:48:31 -0700 (PDT)
Subject: Re: RC-50: Multiply feature? (overdubbing w/ different lengths)
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>> Please also check Per Boysen's "Comparison Chart of Looping Devices"
>> http://www.looproom.com/looperchart.php
>> which has a link to Software Loopers (http://tinyurl.com/b8lw6)

How about adding the Boss GigaDelay?

Cheers,
Kevin


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When I set out to build a system I went with a dual 1
gighz G4 and I went totally MOTU with a microexpress,
828 and Digital Performer (now up to v5)

I've been consistantly happy with it.  It's stable for
the most part (don't try and close a project without
saving!) and quick to work in once you know it's
ins-and outs.  The time from purchase to recording was
very quick and I've never spend an evening
troubleshooting some odd program.  It just seems to
consistantly work.

Is it better than a PC?  Hard to say as I've yet to
try using a XP box for music (but it's on it's way...)

I work with PCs and Macs doing Graphic design and I'm
still of the mind that the Mac OS is just better
designed.  Perhaps it's just that I know it better,
but I often feel like things that are easy on a mac
are often complicated troubleshooting fests on XP
systems.  I remember spending hours trying to get a
midi interface to work using a girlfriends Win98
laptop and it never ended up happening.  Luckily XP
seems to have come a long way toward their promise of
"Plug n' Play."

I think at this point it comes down to "what software
do I want to use?"  If the answer is "Logic" or
"Digital Performer" than the answer is a Mac.  If it's
FL Studio 6 than you're on the way to a Win-tel box.

Recently I ordered a Win-tel laptop because of 2
reasons.  Reason number one was I was able to save a
little cash.  Reason number two was I'm interested in
playing around with Mobius and it's PC only.  The
other app I'm interested in is Reaktor and they're
months away from a Mac-tel compatable version and it
seemed silly to have to sink money into a second OS
for a Macbook.  They're cute and nicely priced, but
I'd rather have a bigger screen and video card.

Who knows, in a month I may be cursing the day I
ordered it.  My guess is that with my tinkering nature
I'll probably get it working.  Per's inspired me to
give it a try anyway.

Mark

--- Per Boysen <perboysen@gmail.com> wrote:

> On 2 jun 2006, at 17.32, rune fagereng wrote:
> 
> > Until now I have used pc and m-audio workstation,
> but I consider to  
> > buy me a Mac. In this jungel of information, can
> someone give me  
> > advise on what to buy so that I have a complete
> system for making  
> > music. What Mac, interface and sound-card ?
> 
> Check the archives, there have been lots of posts on
> this. It's just  
> impossible to answer when you do not spell out your
> preferences and  
> ambitions for the system. It's like if someone ask
> you "I want to go  
> to another city, which cars should I buy" ;-)
> 
> Greetings from Sweden
> 
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> 
> 
> 
> 
> 


__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Fri Jun  2 18:50:42 2006
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Date: Fri, 2 Jun 2006 11:50:39 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: RC-50: Multiply feature? (overdubbing w/ different lengths)
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I may be wrong but I think the Looperlative is the
only box out there that allows multiple tracks of
different lengths synced or not synced to each other.

Mark

--- Seth Elgart <selgart@earthlink.net> wrote:

> At 6:53 AM -0700 6/1/06, Buzap wrote:
> >If I record a sample ("phrase") and go into
> overdub,
> >does that mean I have to stick to the initial
> phrase
> >length no matter what?
> >I wanted to do this: record 1 bar, then overdub
> >2-bar-pattern, then overdub 4-bar-pattern etc.
> >Is there a reasonable way (like multiply) to do
> this?
> 
> Why not do it the old fashioned way, by playing it
> by hand? Play the 
> first one bar pattern through four times, then play
> the second two 
> bar pattern twice, then play the four bar pattern
> once. This way you 
> have three different length phrases, except that as
> far as the 
> looper's concerned they're all four bars. As long as
> you're not 
> playing sevens against eights or something this will
> work fine. You 
> could do that too if you're willing to play the
> patterns by hand 
> eight times and seven times respectively, and if the
> looper can 
> record a phrase of that length. On the other hand,
> if you want 11 
> against 13, then you'll have to record 143 measures
> before they'll 
> line up again.
> 
> In the late 80s/early 90s I was working on a "sound
> track" for a 
> play. I had a piece that was about 3.5 minutes long,
> with a 
> burbling-along arpeggio running throughout, but they
> wanted it to be 
> twice that because that's how long the scene was.
> For the original, I 
> simply played the four-note arpeggio eight times,
> then made that loop 
> (I was using Performer, or maybe a hardware digital
> sequencer). Very 
> simple. However, when we re-recorded that for the
> play, the studio 
> had only the one tape machine and no computers or
> other looping 
> devices. I had to sit there and play that dang
> arpeggio by hand for 
> seven minutes. It took me an hour of trying before I
> managed to play 
> it perfectly all the way through, and I had to throw
> everyone out of 
> the room to do it. The Human Sequencer.
> 
> What was I talking about? Oh, yeah. The moral of
> this little story is 
> to not worry about the possible lack of
> functionality of the hardware 
> in question, but to simply play the different length
> patterns by 
> hand. <g>
> 
> It'll work just fine.
> 
> 
> 
>           Seth
> 
> 


__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Fri Jun  2 19:25:11 2006
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Art Simon wrote:
> It appears that you can write your own VST using
> SynthEdit, PD and Max. I have a basic understanding of C++ and Java,
> and I'd be interested in coding my own, but I don't have the first
> idea how to go about it. Anybody out there want to share their
> experiences?

With Max/MSP its a snap, you can download all documentation, the plugin 
specific stuff is coming with pluggo, if you finish your own pluggo 
within 30 days, you could even do it without paying for Max... (but its 
addicting, you might want to do anotherone)
I can give you a hand...

Stefan

-- 
Stefan Tiedje------------x-------
--_____-----------|--------------
--(_|_ ----|\-----|-----()-------
-- _|_)----|-----()--------------
----------()--------www.ccmix.com

From Loopers-Delight-request@loopers-delight.com  Fri Jun  2 19:43:04 2006
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Date: Fri, 2 Jun 2006 00:16:47 -0700 (PDT)
From: Buzap <buzap@yahoo.com>
Subject: Re: Use sampler to playback recording
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Hi Qua

if you can live with mono: have you considered getting
the Digitech Jamman?
I think it is a quite elegant solution for live
playback: You put your songs on a 2GB Compact
Flashcard (or have several so you can swap). You could
even get a foot switch and switch on-the-fly between
various parts of a song or to the next song.

best regards
Buzap

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From Loopers-Delight-request@loopers-delight.com  Fri Jun  2 20:03:24 2006
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Date: Fri, 2 Jun 2006 13:03:21 -0700
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Thanks Stefan, I'm sold on Max. I've been dragging my feet about
upgrading (I'm an old Max user who used to do Midi stuff on a Mac
Plus).

I'm curious what you mean that "the plugin specific stuff is coming
with pluggo". Do I need to purchase Pluggo in addition to Max?

On 6/2/06, Stefan Tiedje <Stefan-Tiedje@addcom.de> wrote:
> With Max/MSP its a snap, you can download all documentation, the plugin
> specific stuff is coming with pluggo, if you finish your own pluggo
> within 30 days, you could even do it without paying for Max... (but its
> addicting, you might want to do anotherone)
> I can give you a hand...
>



-- 
Art Simon
simart@null.net
http://art.simon.tripod.com
http://www.myspace.com/artsimon

From Loopers-Delight-request@loopers-delight.com  Fri Jun  2 20:13:38 2006
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Date: Fri, 2 Jun 2006 22:13:35 +0200 (CEST)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: Vedr. Re: Mac v.s Pc 
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Hi !
   
  Thanks for your answer. I have seen that MOTU 828 has done greate on tests in Norwegian magazines. 
   
  If I was to go for a powerful laptop, are the intel Macs the latest, and best thing ?
   
  Since I am used to my pc-labtops build in sound, will there be a a big difference if a buy interface and mac ?
   
  Rune F. 

mark sottilaro <zerocrossing2001@yahoo.com> skrev:
  When I set out to build a system I went with a dual 1
gighz G4 and I went totally MOTU with a microexpress,
828 and Digital Performer (now up to v5)

I've been consistantly happy with it. It's stable for
the most part (don't try and close a project without
saving!) and quick to work in once you know it's
ins-and outs. The time from purchase to recording was
very quick and I've never spend an evening
troubleshooting some odd program. It just seems to
consistantly work.

Is it better than a PC? Hard to say as I've yet to
try using a XP box for music (but it's on it's way...)

I work with PCs and Macs doing Graphic design and I'm
still of the mind that the Mac OS is just better
designed. Perhaps it's just that I know it better,
but I often feel like things that are easy on a mac
are often complicated troubleshooting fests on XP
systems. I remember spending hours trying to get a
midi interface to work using a girlfriends Win98
laptop and it never ended up happening. Luckily XP
seems to have come a long way toward their promise of
"Plug n' Play."

I think at this point it comes down to "what software
do I want to use?" If the answer is "Logic" or
"Digital Performer" than the answer is a Mac. If it's
FL Studio 6 than you're on the way to a Win-tel box.

Recently I ordered a Win-tel laptop because of 2
reasons. Reason number one was I was able to save a
little cash. Reason number two was I'm interested in
playing around with Mobius and it's PC only. The
other app I'm interested in is Reaktor and they're
months away from a Mac-tel compatable version and it
seemed silly to have to sink money into a second OS
for a Macbook. They're cute and nicely priced, but
I'd rather have a bigger screen and video card.

Who knows, in a month I may be cursing the day I
ordered it. My guess is that with my tinkering nature
I'll probably get it working. Per's inspired me to
give it a try anyway.

Mark

--- Per Boysen 
wrote:

> On 2 jun 2006, at 17.32, rune fagereng wrote:
> 
> > Until now I have used pc and m-audio workstation,
> but I consider to 
> > buy me a Mac. In this jungel of information, can
> someone give me 
> > advise on what to buy so that I have a complete
> system for making 
> > music. What Mac, interface and sound-card ?
> 
> Check the archives, there have been lots of posts on
> this. It's just 
> impossible to answer when you do not spell out your
> preferences and 
> ambitions for the system. It's like if someone ask
> you "I want to go 
> to another city, which cars should I buy" ;-)
> 
> Greetings from Sweden
> 
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> 
> 
> 
> 
> 


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www.runefagereng.com
Mail:rune_fagereng@yahoo.no
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<div>Hi !</div>  <div>&nbsp;</div>  <div>Thanks for your answer. I have seen that MOTU 828 has done greate on tests in Norwegian magazines. </div>  <div>&nbsp;</div>  <div>If I was to go for a powerful laptop, are the intel Macs the latest, and best&nbsp;thing ?</div>  <div>&nbsp;</div>  <div>Since I am used to my&nbsp;pc-labtops build in sound, will there be a a big difference if a buy interface and mac ?</div>  <div>&nbsp;</div>  <div>Rune F.&nbsp;<BR><BR><B><I>mark sottilaro &lt;zerocrossing2001@yahoo.com&gt;</I></B> skrev:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">When I set out to build a system I went with a dual 1<BR>gighz G4 and I went totally MOTU with a microexpress,<BR>828 and Digital Performer (now up to v5)<BR><BR>I've been consistantly happy with it. It's stable for<BR>the most part (don't try and close a project without<BR>saving!) and quick to work in once you know it's<BR>ins-and outs. The
 time from purchase to recording was<BR>very quick and I've never spend an evening<BR>troubleshooting some odd program. It just seems to<BR>consistantly work.<BR><BR>Is it better than a PC? Hard to say as I've yet to<BR>try using a XP box for music (but it's on it's way...)<BR><BR>I work with PCs and Macs doing Graphic design and I'm<BR>still of the mind that the Mac OS is just better<BR>designed. Perhaps it's just that I know it better,<BR>but I often feel like things that are easy on a mac<BR>are often complicated troubleshooting fests on XP<BR>systems. I remember spending hours trying to get a<BR>midi interface to work using a girlfriends Win98<BR>laptop and it never ended up happening. Luckily XP<BR>seems to have come a long way toward their promise of<BR>"Plug n' Play."<BR><BR>I think at this point it comes down to "what software<BR>do I want to use?" If the answer is "Logic" or<BR>"Digital Performer" than the answer is a Mac. If it's<BR>FL Studio 6 than you're on the
 way to a Win-tel box.<BR><BR>Recently I ordered a Win-tel laptop because of 2<BR>reasons. Reason number one was I was able to save a<BR>little cash. Reason number two was I'm interested in<BR>playing around with Mobius and it's PC only. The<BR>other app I'm interested in is Reaktor and they're<BR>months away from a Mac-tel compatable version and it<BR>seemed silly to have to sink money into a second OS<BR>for a Macbook. They're cute and nicely priced, but<BR>I'd rather have a bigger screen and video card.<BR><BR>Who knows, in a month I may be cursing the day I<BR>ordered it. My guess is that with my tinkering nature<BR>I'll probably get it working. Per's inspired me to<BR>give it a try anyway.<BR><BR>Mark<BR><BR>--- Per Boysen <PERBOYSEN@GMAIL.COM>wrote:<BR><BR>&gt; On 2 jun 2006, at 17.32, rune fagereng wrote:<BR>&gt; <BR>&gt; &gt; Until now I have used pc and m-audio workstation,<BR>&gt; but I consider to <BR>&gt; &gt; buy me a Mac. In this jungel of information,
 can<BR>&gt; someone give me <BR>&gt; &gt; advise on what to buy so that I have a complete<BR>&gt; system for making <BR>&gt; &gt; music. What Mac, interface and sound-card ?<BR>&gt; <BR>&gt; Check the archives, there have been lots of posts on<BR>&gt; this. It's just <BR>&gt; impossible to answer when you do not spell out your<BR>&gt; preferences and <BR>&gt; ambitions for the system. It's like if someone ask<BR>&gt; you "I want to go <BR>&gt; to another city, which cars should I buy" ;-)<BR>&gt; <BR>&gt; Greetings from Sweden<BR>&gt; <BR>&gt; Per Boysen<BR>&gt; www.boysen.se (Swedish)<BR>&gt; www.looproom.com (international)<BR>&gt; http://tinyurl.com/fauvm (podcast)<BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; <BR><BR><BR>__________________________________________________<BR>Do You Yahoo!?<BR>Tired of spam? Yahoo! Mail has the best spam protection around <BR>http://mail.yahoo.com <BR><BR></BLOCKQUOTE><BR><BR><BR>www.runefagereng.com<br>Mail:rune_fagereng@yahoo.no<br>Mob:
 917 95 867
--0-1580787332-1149279215=:61854--

From Loopers-Delight-request@loopers-delight.com  Fri Jun  2 20:18:21 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Suggestions for writing your own custom looping VSTs
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On 2 jun 2006, at 22.03, Art Simon wrote:

> I'm curious what you mean that "the plugin specific stuff is coming
> with pluggo". Do I need to purchase Pluggo in addition to Max?


(Chiming in here)

 From the "PluggoDevGuide35.pdf" that comes with Pluggo:

> Plug-in Development
>
> This manual describes how to use the audio plug-in construction  
> tools in Max/MSP. These tools
> consist of nine Max/MSP objects and a host interface that loads  
> plug-ins built in Max/MSP and
> creates an interface for them that appears to a host audio program  
> as an audio plug-in.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)




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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Vedr. Re: Mac v.s Pc 
Date: Fri, 2 Jun 2006 22:26:01 +0200
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On 2 jun 2006, at 22.13, rune fagereng wrote:

> If I was to go for a powerful laptop, are the intel Macs the  
> latest, and best thing ?

Yes. I've done test lab sessions for Musician mags on this matter and  
the Intel Macs are a much better deal than the G5 macs - if you make  
sure you go for the dual core types. A dual G5 may be a little more  
powerful (and a lot more expensive) but it won't run all new Intel  
optimized software that is coming out. The only situation I think can  
justify buying a G5 based Mac today is if you really have to work  
right away with software that has still not been upgraded to support  
Intel Macs.

>
> Since I am used to my pc-labtops build in sound, will there be a a  
> big difference if a buy interface and mac ?

Usually apple boxes sound better with the built-in audio card. But  
you get a lot better sound, and recordings, with an audio interface  
that is designed for musicians.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)




From Loopers-Delight-request@loopers-delight.com  Fri Jun  2 21:01:19 2006
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Subject: Vedr. Re: Vedr. Re: Mac v.s Pc 
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Thanks !
   
  Done any tests on interfaces ?
   
  Rune F. 

Per Boysen <perboysen@gmail.com> skrev:
  
On 2 jun 2006, at 22.13, rune fagereng wrote:

> If I was to go for a powerful laptop, are the intel Macs the 
> latest, and best thing ?

Yes. I've done test lab sessions for Musician mags on this matter and 
the Intel Macs are a much better deal than the G5 macs - if you make 
sure you go for the dual core types. A dual G5 may be a little more 
powerful (and a lot more expensive) but it won't run all new Intel 
optimized software that is coming out. The only situation I think can 
justify buying a G5 based Mac today is if you really have to work 
right away with software that has still not been upgraded to support 
Intel Macs.

>
> Since I am used to my pc-labtops build in sound, will there be a a 
> big difference if a buy interface and mac ?

Usually apple boxes sound better with the built-in audio card. But 
you get a lot better sound, and recordings, with an audio interface 
that is designed for musicians.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)







www.runefagereng.com
Mail:rune_fagereng@yahoo.no
Mob: 917 95 867
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<div>Thanks !</div>  <div>&nbsp;</div>  <div>Done any tests on interfaces ?</div>  <div>&nbsp;</div>  <div>Rune F.&nbsp;<BR><BR><B><I>Per Boysen &lt;perboysen@gmail.com&gt;</I></B> skrev:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid"><BR>On 2 jun 2006, at 22.13, rune fagereng wrote:<BR><BR>&gt; If I was to go for a powerful laptop, are the intel Macs the <BR>&gt; latest, and best thing ?<BR><BR>Yes. I've done test lab sessions for Musician mags on this matter and <BR>the Intel Macs are a much better deal than the G5 macs - if you make <BR>sure you go for the dual core types. A dual G5 may be a little more <BR>powerful (and a lot more expensive) but it won't run all new Intel <BR>optimized software that is coming out. The only situation I think can <BR>justify buying a G5 based Mac today is if you really have to work <BR>right away with software that has still not been upgraded to support <BR>Intel
 Macs.<BR><BR>&gt;<BR>&gt; Since I am used to my pc-labtops build in sound, will there be a a <BR>&gt; big difference if a buy interface and mac ?<BR><BR>Usually apple boxes sound better with the built-in audio card. But <BR>you get a lot better sound, and recordings, with an audio interface <BR>that is designed for musicians.<BR><BR>Greetings from Sweden<BR><BR>Per Boysen<BR>www.boysen.se (Swedish)<BR>www.looproom.com (international)<BR>http://tinyurl.com/fauvm (podcast)<BR><BR><BR><BR><BR></BLOCKQUOTE><BR><BR><BR>www.runefagereng.com<br>Mail:rune_fagereng@yahoo.no<br>Mob: 917 95 867
--0-1445938847-1149282074=:72469--

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Date: Fri, 2 Jun 2006 14:19:49 -0700
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To: Loopers-Delight@loopers-delight.com
Subject: Re: RC-50: Multiply feature? (overdubbing w/ different lengths)
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I think page 59 of the manual addresses this feature. If tempo sync is ON
for phrase 1 but loop synch is OFF and the guide is ON (at whatever volume
other than off), you can record 2 bars on phrase 1, 4 bars on phrase 2, 1
bar on phrase 3, etc. I think you might need to have Loop Quantize on for
this function, but I won't be able to tell until next Thursday! Anyway, if
any one else has a different interpretation of the manual p. 59, i'd like to
hear it, as this is an important feature for me as well.

If you're talking about having the same loop, say, a rhythm loop, on one
phrase for two bars, on another for four, etc...then I would say you would
either have to play it manually, use another looper, or a mixer and a
complicated send/return scheme.

on the subject of time comp/expansion, is boss/roland just really bad with
this in general? the dr. sample (303) i have is terrible with tempo changes
more than maybe 1 bpm. the original loop station is awful with it too. I
don't think it's that important for what I do but it's limiting.

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<div>I think page 59 of the manual addresses this feature. If tempo sync is ON for phrase 1&nbsp;but loop synch is OFF and the guide is ON (at whatever volume other than off), you can record 2 bars on phrase 1, 4 bars on phrase 2, 1 bar on phrase 3, etc. I think you might need to have Loop Quantize on for this function, but I won't be able to tell until next Thursday! Anyway, if any one else has a different interpretation of the manual p. 59, i'd like to hear it, as this is an important feature for me as well.
</div>
<div>&nbsp;</div>
<div>If you're talking about having the same loop, say, a rhythm loop,&nbsp;on one phrase for two bars, on another for four, etc...then I would say you would either have to play it manually,&nbsp;use another looper, or a mixer and a complicated send/return scheme. 
</div>
<div>&nbsp;</div>
<div>on the subject of time comp/expansion, is boss/roland just really bad with this in general? the dr. sample (303) i have is terrible with tempo changes more than maybe 1 bpm. the original loop station is awful with it too. I don't think it's that important for what I do but it's limiting.
</div>

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From Loopers-Delight-request@loopers-delight.com  Fri Jun  2 22:44:21 2006
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From: "Sean Mormelo" <sean@seanmormelo.com>
To: <Loopers-Delight@loopers-delight.com>
References: <90e9442b0606021419s5d4b0f8q328503396b128d9e@mail.gmail.com>
Subject: My RC-50 Just came to the door
Date: Fri, 2 Jun 2006 14:44:18 -0800
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Well, It's here..I'll be testing it out tonight.

Sean Mormelo
www.seanmormelo.com
www.myspace.com/seanmormelo
EPK- www.sonicbids.com/seanmormelo
www.CDbaby.com/seanmormelo
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<DIV><FONT face=3DArial size=3D2>Well, It's here..I'll be testing it out =

tonight.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV>Sean Mormelo<BR><A=20
href=3D"http://www.seanmormelo.com">www.seanmormelo.com</A><BR><A=20
href=3D"http://www.myspace.com/seanmormelo">www.myspace.com/seanmormelo</=
A><BR>EPK-=20
<A=20
href=3D"http://www.sonicbids.com/seanmormelo">www.sonicbids.com/seanmorme=
lo</A><BR><A=20
href=3D"http://www.CDbaby.com/seanmormelo">www.CDbaby.com/seanmormelo</A>=
</DIV></BODY></HTML>

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Date: Fri, 2 Jun 2006 19:42:41 -0500
From: "Charlie Milkey" <pilotcp@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: where should i go next? (looper question)
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I started with a boss RC-20...then i moved on to the Lexicon
Jamman...I am getting a little tire of the jamman's
limitations...although after watching folks like michael manring and
Phil Keaggy on the jamman, i think it might just be my inability to
use it properly or something...anyways, i kinda want to move on to a
sub-$1000 (USD) looper...

I am not looking for anything incredible, just something that is
rackmounted, since i have my X-15 FC in front of me for controlling my
ART Nightbass, and the input levels aren't so touchy!


anyone have any suggestions?

i am kinda thinking repeaters, but i am not sure...

From Loopers-Delight-request@loopers-delight.com  Sat Jun  3 00:49:52 2006
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Subject: Re: where should i go next? (looper question)
Date: Fri, 2 Jun 2006 18:49:46 -0600
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EDP

----- Original Message ----- 
From: "Charlie Milkey" <pilotcp@gmail.com>

>I started with a boss RC-20...then i moved on to the Lexicon
> Jamman...I am getting a little tire of the jamman's
> limitations...although after watching folks like michael manring and
> Phil Keaggy on the jamman, i think it might just be my inability to
> use it properly or something...anyways, i kinda want to move on to a
> sub-$1000 (USD) looper...
> 
> I am not looking for anything incredible, just something that is
> rackmounted, since i have my X-15 FC in front of me for controlling my
> ART Nightbass, and the input levels aren't so touchy!
> 
> 
> anyone have any suggestions?
> 
> i am kinda thinking repeaters, but i am not sure...
> 
>

From Loopers-Delight-request@loopers-delight.com  Sat Jun  3 01:18:33 2006
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Date: Fri, 2 Jun 2006 18:18:31 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: where should i go next? (looper question)
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Ah the ART SGE2000... I remember how I had to cover
the graphics with black electrical tape to keep my
eyes from bleeding!

I counter your EDP with a suggestion of Repeater!

but really they're both good and you should figure out
*what* you'd like to do.  Frankly, I miss a lot of the
simplicity of the JamMan but I needed stereo and that
click that sometimes popped up during a MIDI synced
loop was a bother.

EDP is nimble to use and has a lot of chop it up
flexibility and 9 possible mono loops. One at a time. 
Repeater has really cool time/pitch stuff and up to 4
mono tracks (2 stereo) and a possibility of 99 loops
but is a little clunkier to use.

Repeaters seem to sell for $500 on ebay, EDPs more...

Huggy Bear tells me that the Repeater MK2 will be
coming out this summer with a street price of $500,
but can you trust that information?  Until one is in
my rack it's all heresay.

--- Krispen Hartung <khartung@cableone.net> wrote:

> EDP
> 
> ----- Original Message ----- 
> From: "Charlie Milkey" <pilotcp@gmail.com>
> 
> >I started with a boss RC-20...then i moved on to
> the Lexicon
> > Jamman...I am getting a little tire of the
> jamman's
> > limitations...although after watching folks like
> michael manring and
> > Phil Keaggy on the jamman, i think it might just
> be my inability to
> > use it properly or something...anyways, i kinda
> want to move on to a
> > sub-$1000 (USD) looper...
> > 
> > I am not looking for anything incredible, just
> something that is
> > rackmounted, since i have my X-15 FC in front of
> me for controlling my
> > ART Nightbass, and the input levels aren't so
> touchy!
> > 
> > 
> > anyone have any suggestions?
> > 
> > i am kinda thinking repeaters, but i am not
> sure...
> > 
> >
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Sat Jun  3 01:25:51 2006
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Date: Fri, 2 Jun 2006 20:25:49 -0500
From: "Charlie Milkey" <pilotcp@gmail.com>
To: Loopers-Delight@loopers-delight.com
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> Ah the ART SGE2000... I remember how I had to cover
> the graphics with black electrical tape to keep my
> eyes from bleeding!

I actually have one of the later Nightbass SE's which is mostly black,
but i know what you are talking about...the big pink splashes of color
everywhere!

> but really they're both good and you should figure out
> *what* you'd like to do.  Frankly, I miss a lot of the
> simplicity of the JamMan but I needed stereo and that
> click that sometimes popped up during a MIDI synced
> loop was a bother.

yeah, they both are good...i don't think i need anything incredible, i
just want it to have a few loops, undo would be cool, stereo would be
a bonus, but not necessary...

is there a way to get rid of that click? i have heard other people
talk about that as well...

Charlie

From Loopers-Delight-request@loopers-delight.com  Sat Jun  3 01:34:46 2006
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mark sottilaro wrote:

>I counter your EDP with a suggestion of Repeater!
>

Get both EDP and Repeater!


From Loopers-Delight-request@loopers-delight.com  Sat Jun  3 01:35:59 2006
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Subject: Fw: [pluggo] Re: Snapping and Popping with some VST Effects
Date: Fri, 2 Jun 2006 19:35:47 -0600
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The issue with at least some of my VST effects...looks like snapping and 
popping is known for some Hipno effects, so I'm guessing there are other 
effects out there that do this as well. It's nice to know it isn't my 
hardware.

Kris

----- Original Message ----- 
From: "Andrew Pask" <andrew@cycling74.com>
To: <pluggo@cycling74.com>
Sent: Friday, June 02, 2006 7:28 PM
Subject: [pluggo] Re: Snapping and Popping with some VST Effects


>
> Vance is right.
>
> Drunken Sailor glitches. In beta we discussed it a bit, and there is a 
> thought to present a non-glitch version of the plug at some future point 
> (with backwards compatibility mode)
>
> Until then don't expect all of hipno to play all nice all of the time. 
> It's not your hardware. It is a result of the extreme buffer mangling 
> which is going on.
>
>
> -A
>
> _______________________________________________
> pluggo mailing list
> pluggo@cycling74.com
> http://www.cycling74.com/mailman/listinfo/pluggo
> 


From Loopers-Delight-request@loopers-delight.com  Sat Jun  3 01:37:27 2006
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Duncan... even though I am largely ignorant of computers, I totally enjoyed your e-mail.

~Tim


----- Original Message ----- 
From: 
To: Loopers-Delight@loopers-delight.com
Sent: 5/26/2006 3:22:15 PM 
Subject: RE: hooves on the rails (was: Computers and Global responsibility)


>>OH NO! ONE'S ON THE TRACK! WON'T SOMEONE SAVE MILKY!?<< 
did any one else grimace with guilty recognition? let me explain.... I am completely at one with mark when he describes the satisfaction to be had from reconfiguring his studio equipment or relearning the chops required by some old bit of kit that's been lying idle for a few years because of newer shinier toys. 
I do this all the time- I even have a dv camera w/ wide-angle lens up in the corner of the room so's I can do time-&-motion studies when there are two or three of us at work..... can we all reach everything we want to? is the feng shui of the studio right & productive? are we making eye-contact often enough?
& sometimes, I'll dig out an old manual or even a magazine review for something I have, & find new inspiration therein. 
BUT come the day, while we're actually *doing something* with/in the studio, somehow there's this guilty pleasure, almost like we're having too much fun & "this isn't real work". I know it *ought* to be payback time, for all the hours invested in getting the new merge box to pass sys-ex, or wrangling a digital synth so it sounds reasonable, or mapping a bunch of samples, losing the lot when the hard drive freezes up & starting again....
& hours later, when it's *playback time* (see what I did there?), the balance between our work & it's product seems a bit more even.
in exactly the same way, our double-O gauge enthusiast spends hours in the shed at the end of his garden, painstakingly painting the exact correct livery detailing onto the 2nd class carriage he's just bought to drag along behind his "flying scotsman" or "mallard" or whatever.... he'll then go to his rig (probably ducking under the roof-beams in his attic like the rest of us) & re-enact some bovine near-misses per mark's imagined scenario.... & he'll feel like a big kid *even though he worked damn hard to get there*. 
too right he's going to make "whoo-whoo" noises, if the loco doesn't already do it for him. anyone would. 
I would have an animal-air-ambulance helicopter with a cow-sling underneath, & really make the most of it. probably smear bovril on the front of the engine too.
ahem. 
which is my point exactly. 
back onto computers- I have yet to experience a platform or O/S (I have the very latest macbook pro with parallels workstation on it, so I can run os-x/intel & w2k at the same time on the same box!) that offers the same return-on-investment as, say, a sampler or a big old analogue synth.
I also have over two dozen basses, & it's not uncommon for me to change the strings & do a full set-up on one of them, taking several hours over this, only to play the thing for about twenty minutes & put it away again. but that's probably just because I have too many basses.
duncan. 


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<HTML style="FONT-SIZE: x-small; FONT-FAMILY: MS Sans Serif"><HEAD><TITLE>RE: hooves on the rails (was: Computers and Global responsibility)</TITLE>
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<BODY>
<DIV>Duncan... even though I am largely ignorant of computers, I totally enjoyed your e-mail.</DIV>
<DIV>&nbsp;</DIV>
<DIV>~Tim</DIV>
<DIV>&nbsp;</DIV>
<DIV></DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px solid">
<DIV style="FONT: 10pt Arial">----- Original Message ----- </DIV>
<DIV style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><B>From:</B> <A title=goddard.duncan@mtvne.com href="mailto:goddard.duncan@mtvne.com"></A></DIV>
<DIV style="FONT: 10pt arial"><B>To: </B><A title=Loopers-Delight@loopers-delight.com href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A></DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> 5/26/2006 3:22:15 PM </DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> RE: hooves on the rails (was: Computers and Global responsibility)</DIV>
<DIV><BR></DIV><FONT size=2>
<P><FONT size=2>&gt;&gt;OH NO! ONE'S ON THE TRACK! WON'T SOMEONE SAVE MILKY!?&lt;&lt;</FONT> </P>
<P><FONT size=2>did any one else grimace with guilty recognition? let me explain.... I am completely at one with mark when he describes the satisfaction to be had from reconfiguring his studio equipment or relearning the chops required by some old bit of kit that's been lying idle for a few years because of newer shinier toys. </FONT></P>
<P><FONT size=2>I do this all the time- I even have a dv camera w/ wide-angle lens up in the corner of the room so's I can do time-&amp;-motion studies when there are two or three of us at work..... can we all reach everything we want to? is the feng shui of the studio right &amp; productive? are we making eye-contact often enough?</FONT></P>
<P><FONT size=2>&amp; sometimes, I'll dig out an old manual or even a magazine review for something I have, &amp; find new inspiration therein.</FONT> </P>
<P><FONT size=2>BUT come the day, while we're actually *doing something* with/in the studio, somehow there's this guilty pleasure, almost like we're having too much fun &amp; "this isn't real work". I know it *ought* to be payback time, for all the hours invested in getting the new merge box to pass sys-ex, or wrangling a digital synth so it sounds reasonable, or mapping a bunch of samples, losing the lot when the hard drive freezes up &amp; starting again....</FONT></P>
<P><FONT size=2>&amp; hours later, when it's *playback time* (see what I did there?), the balance between our work &amp; it's product seems a bit more even.</FONT></P>
<P><FONT size=2>in exactly the same way, our double-O gauge enthusiast spends hours in the shed at the end of his garden, painstakingly painting the exact correct livery detailing onto the 2nd class carriage he's just bought to drag along behind his "flying scotsman" or "mallard" or whatever.... he'll then go to his rig (probably ducking under the roof-beams in his attic like the rest of us) &amp; re-enact some bovine near-misses per mark's imagined scenario.... &amp; he'll feel like a big kid *even though he worked damn hard to get there*. </FONT></P>
<P><FONT size=2>too right he's going to make "whoo-whoo" noises, if the loco doesn't already do it for him. anyone would. </FONT><BR><FONT size=2>I would have an animal-air-ambulance helicopter with a cow-sling underneath, &amp; really make the most of it. probably smear bovril on the front of the engine too.</FONT></P>
<P><FONT size=2>ahem.</FONT> <BR><FONT size=2>which is my point exactly.</FONT> </P>
<P><FONT size=2>back onto computers- I have yet to experience a platform or O/S (I have the very latest macbook pro with parallels workstation on it, so I can run os-x/intel &amp; w2k at the same time on the same box!) that offers the same return-on-investment as, say, a sampler or a big old analogue synth.</FONT></P>
<P><FONT size=2>I also have over two dozen basses, &amp; it's not uncommon for me to change the strings &amp; do a full set-up on one of them, taking several hours over this, only to play the thing for about twenty minutes &amp; put it away again. but that's probably just because I have too many basses.</FONT></P>
<P><FONT size=2>duncan.</FONT> </P><CODE><FONT size=3><BR><BR>***************************************************************************<BR>CONFIDENTIALITY NOTICE<BR><BR>The contents of this e-mail are confidential to the ordinary user<BR>of the e-mail address to which it was addressed, and may also<BR>be privileged. If you are not the addressee of this e-mail you may <BR>not copy, forward, disclose or otherwise use it or any part of it<BR>in any form whatsoever.If you have received this e-mail in error,<BR>please e-mail the sender by replying to this message.<BR><BR>It is your responsibility to carry out appropriate virus and other<BR>checks to ensure that this message and any attachments do not<BR>affect your systems / data. Any views or opinions expressed in this<BR>e-mail are solely those of the author and do not necessarily<BR>represent those of MTV Networks Europe unless specifically stated,<BR>nor does this message form any part of any contract unless so stated.<BR><BR>MTV reserves the right to monitor e-mail communications from<BR>external/internal sources for the purposes of ensuring correct <BR>and appropriate use of MTV communication equipment.<BR><BR>MTV Networks Europe<BR>***************************************************************************<BR></FONT></CODE></FONT></BLOCKQUOTE></BODY></HTML>
------=_NextPart_84815C5ABAF209EF376268C8--

From Loopers-Delight-request@loopers-delight.com  Sat Jun  3 01:42:51 2006
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Date: Fri, 2 Jun 2006 18:42:47 -0700
From: "Art Simon" <simart@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Answering my own question (from the Cycling '74 site):
"If you want to tweak your own plug-ins, you might want to consider
Max/MSP, which includes everything you need to develop your own
plug-ins."  Now I know how I'll be spending my summer vacation. . .

On 6/2/06, Per Boysen <perboysen@gmail.com> wrote:
> On 2 jun 2006, at 22.03, Art Simon wrote:
>
> > I'm curious what you mean that "the plugin specific stuff is coming
> > with pluggo". Do I need to purchase Pluggo in addition to Max?
>
>
> (Chiming in here)
>
>  From the "PluggoDevGuide35.pdf" that comes with Pluggo:
>
> > Plug-in Development
> >
> > This manual describes how to use the audio plug-in construction
> > tools in Max/MSP. These tools
> > consist of nine Max/MSP objects and a host interface that loads
> > plug-ins built in Max/MSP and
> > creates an interface for them that appears to a host audio program
> > as an audio plug-in.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
>
>
>
>
>


-- 
Art Simon
simart@null.net
http://art.simon.tripod.com
http://www.myspace.com/artsimon

From Loopers-Delight-request@loopers-delight.com  Sat Jun  3 04:23:25 2006
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Date: Fri, 2 Jun 2006 05:10:31 -0700 (PDT)
From: Buzap <buzap@yahoo.com>
Subject: Overdub with "Quantize to shortest loop" feature?
To: LoopersDelight LD <loopers-delight@loopers-delight.com>
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Hi folks

I was wondering if any hardware is offering a
"Quantize to Shortest Loop Length" feature in Overdub
mode that would give complete artistic freedom and
spontaneity, like this:
- Record Loop1 with a certain length
- Press "Start Overdub" to overdub Loop2 on top
- Press "Stop Overdub" to stop overdub
- A "Quantize to Shortest Loop" feature will take care
that Loop1, Loop 2, Loop 3... fit together.

Example:
- Record Loop1 (1 bar length)
- Overdub Loop2 (4 bar length) as described above
    - Loops have perfect 4:1 relation
- Overdub Loop3 (1 bar length) as described above
    - Loops have perfect 4:1:4 relation

I know some SW/HW offer a quantize function where you
define a global tempo in advance and all loops are
quantized to that. 

Others (like RC-50, Repeater) allow you to record
multiple phrases and to sync them - but on separate
loops and not in overdub mode.

Does any hardware looper have a "quantize to shortest
loop" feature? Is this interesting for other folks,
too?

Best regards
Buzap



__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Sat Jun  3 04:40:12 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
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Date: Fri, 2 Jun 2006 21:40:07 -0700
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Many options...I can tell you what I use:

for live performance:
Mac Power Book 1.5 ghz
Motu Ultralite
5 Roland Ev-5 pedals
Oxy8 keyboard


For recording:
powerbook with
Digital Performer
Motu 896 interface


I love it all.......



Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com =95 AngryVegan.com


On Jun 2, 2006, at 8:32 AM, rune fagereng wrote:

> Hi !
> =A0
> Until now I have used pc and m-audio workstation, but I consider to=20
> buy me a Mac. In this jungel of=A0information, can someone give me=20
> advise on what to buy so that I have a complete system for making=20
> music. What=A0Mac, interface and sound-card ?
> =A0
> Rune F=A0=A0=A0
>
>
> www.runefagereng.com
> Mail:rune_fagereng@yahoo.no
> Mob: 917 95 867

From Loopers-Delight-request@loopers-delight.com  Sat Jun  3 07:23:39 2006
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Subject: Re: Overdub with "Quantize to shortest loop" feature?
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EDP

press Multiply  then record as end multiply. if you are Quantized it can end 
at 8th, at cycle, at loop

the EDP manual is download able on the LD site

Claude
----- Original Message ----- 
From: "Buzap" <buzap@yahoo.com>
To: "LoopersDelight LD" <loopers-delight@loopers-delight.com>
Sent: Friday, June 02, 2006 2:10 PM
Subject: Overdub with "Quantize to shortest loop" feature?


Hi folks

I was wondering if any hardware is offering a
"Quantize to Shortest Loop Length" feature in Overdub
mode that would give complete artistic freedom and
spontaneity, like this:
- Record Loop1 with a certain length
- Press "Start Overdub" to overdub Loop2 on top
- Press "Stop Overdub" to stop overdub
- A "Quantize to Shortest Loop" feature will take care
that Loop1, Loop 2, Loop 3... fit together.

Example:
- Record Loop1 (1 bar length)
- Overdub Loop2 (4 bar length) as described above
    - Loops have perfect 4:1 relation
- Overdub Loop3 (1 bar length) as described above
    - Loops have perfect 4:1:4 relation

I know some SW/HW offer a quantize function where you
define a global tempo in advance and all loops are
quantized to that.

Others (like RC-50, Repeater) allow you to record
multiple phrases and to sync them - but on separate
loops and not in overdub mode.

Does any hardware looper have a "quantize to shortest
loop" feature? Is this interesting for other folks,
too?

Best regards
Buzap



__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around
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From Loopers-Delight-request@loopers-delight.com  Sat Jun  3 16:45:07 2006
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
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Subject: Software vs Hardware, Laptop vs Oldskool
Date: Sat, 3 Jun 2006 18:45:01 +0200
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Now, here's my personal take on the laptop discussion everyone is having
these days in my typical, longwinded, engineering fashion.

A: Background - about the setups and my approach to playing
People who have followed equipment discussions in which I took part know
that my hardware setup is big, multi-instrumentalist and a little bit crazy.
In more detail, that means:
Tune Gap 6 sixstring bass into V-Bass, Waldorf Q, Korg Wavestation KEX, Nord
MicroModular, Korg Kaoss ][, Roland MC-505, DL4, FCB1010, 6 expression
pedals and 3 footswitches, 8 HU L-style rack containing Behringer MX2642A,
Repeater, TC Electronics FireworX, D2, Triple C, Eventide Eclipse, Zoom
1201, Beyer headset mike, in-ear phones.

With my laptop setup, I try to do similar things. It is based on the theory
that at a possible performance place, I am able to borrow or rent an
electric guitar or electric bass (any one), a MIDI keyboard (any one) and a
two-level keyboard stand. With that in mind, my laptop setup is reduced to
laptop, Presonus Firebox, Behringer BCR2000, FCB1010, DI20, Beyer headset
mike and in-ear phones. It all fits into a nice, small rucksack.

B: Comparison of both setups

1. Portability and setup time:
No question - the latop setup wins by a huge margin. With the hardware
setup, I need a big limousine or a hatchback car. With the laptop setup, I
can ride on a train. While I got quite skilled in setting up my big hardware
setup, again the laptop one wins here - if we assume that the stands are
already setup, it's 5-10min. for the laptop, 20-30min. for the hardware.

2. Objective Sound Quality: noise figure et al.
With a theoretical approach, let's watch a signal running from a drum
machine through a filter to a looper, then back through a compressor and
with added effects to the mains and finally to a recorded for possible CD
release. In case of the hardware setup, this would include ways through ten
AD/DA converters and five channel strips of an analogue console. In case of
the laptop, it's zero AD/DAs and zero analogue channel strips. So the laptop
setup wins.

3. Subjective Sound Quality: how the respective "active" components sound
A very mixed analysis. With the Eclipse, the FireworX and the Q I have some
devices in the setup which none of my software thingies can equal (at least
not without taking up all of the computer ressources - see "Resource
Management"). Even the Repeater's pitch shifter wins over any acceptable
non-ressource-hungry laptop pitch shifter. On the other hand, there are some
VSTs and VSTis which I can't replicate with my hardware gear - same goes for
my subjective assesment of the amp modeling qualities.
I'd call this a win for the hardware setup based on my priorities - but only
by a slight margin.

4. Features:
A hard one. Both setups can do things the other setup can't. Some of it has
already been mentioned under "Subjective Sound Quality". Are you dependent
on two independent manuals for your keyboards? Sometimes, I am. Do you need
to define pitch envelopes for your loops in quasi-realtime? Sometimes I like
that, too. I'd call it a draw.

5. Useability:
With the hardware setup it's simple. The Repeater has its dedicated FCB1010,
the VBass and the DL4 have their own foot controls, as well as
footswitchtes/exp pedals for Eclipse, FireworX, Q, Wavestation and MC505.
Everything else depends on the respective qualities of the devices. There
are things like the Q which wins big time over the laptop setup or things
with their own HMI personality like the Kaoss ][, then there are devices
which are not useable at all in a live setting (Wavestation being the
worst).
With the laptop, it's either clicking around on a screen (which I like to
keep to a minimum and limit it to painting drum patterns in Live) or using
the FCB1010 (which controls transport for Live, Mobius and Amplitube) and
the BCR2000 (which for controlling about any of Live's mixer functions and
all plugins uses 16 presets, each with 56 dials and 36 buttons).
So the direct useability comparison depends on what you look at. If I want
to change filter cutoff on the Q, I simply use the big red knob labelled
"Cutoff". If I want to change filter cutoff for SunRa, it's the second knob
from the right in the second row in preset 8 of the BCR2000. If I want to
change filter cutoff for the PPG, it's the second knob from the right in the
second row in preset 5 of the BCR2000. If I want to change filter cutoff for
the Wavestation, it's some hideous sub-menu I wouldn't even think of
accessing during a dense live performance.
In a summary, I'd again declare a win for the hardware setup, again by a
slight margin, if only caused by the fact that every control has a direct
connection with the device it controls and because I can visually see the
mixer settings, even from a distance.

6. Fail Safety:
For the laptop setup, it's a quite clear analysis: if the laptop fails,
everything is dead. I can't even play an unprocessed guitar or use my
microphone to tell the audience that I have to reboot or whatever (although
one could work around this with a different interface). And if the laptop
stays crashed, the concert is over.
With the hardware setup, I can work around any failure of a single device in
realtime, safe for a total failure of the console (power supply etc), and
can work round any failure of several devices with a short interruption of
the performance.
A clear win for the hardware setup.

7. Resource Management:
My current laptop setup would tax the CPU to about 380% if all plugins were
enabled at once. So I have to keep an eye on the CPU usage and remember to
disable unused plugins and can't use everything at once. Even by getting a
really big computer, this problem would remain (well, perhaps if I included
some things like a Creamware Scope etc.).
With the hardware setup, there is no such thing as resource management. Win
for the hardware setup.

8. Cost:
The laptop setup is cheaper. But I'll not include this in the summary, as I
already own the components.

C: The Alternative - A Hybrid Setup?
Like other users here (Krispen comes to mind), I've thought of a hybrid
setup, getting a best of both worlds. But here, I wouldn't know how to
structure it. Perhaps limit the laptop to what it's best at (like running
Mobius and some really cool VSTs and VSTis) and do everything else
outlaptop, e.g. by including a big digital console and a selection of some
cool outboards (Eclipse, FireworX, Finalizer) as well as a guitar amp
modeler and of course my trusty Q and MicroMod? This way, I could run
anything that would remain on the laptop without resource management (see
the respective paragraph). Or have a more limited set of devices outboard,
concentrating on things that either a) take up huge ressource loads, b)
can't be done on the laptop, c) optimize or do not degrade the signal
routing - like the Eclipse, FireworX and Finalizer and perhaps an amp
modeling floorboard? Another possibility would be to simply include a
minimum hardware setup in the laptop rig (like a Boss DD20 and OD2) to allow
for some minimal fallback solution in case of laptop breakdown.
On thing is for sure, though: there is no best of both worlds here. I'd lose
some of the integrated UI (at least to a certain extent) as well as
portability. But I got to think this through some more.


D: Summary - laptop or big rack?
If we just sum up the results from above, we get two clear and two slight
wins for the big rack vs. one big and one slight win for the laptop, which
would speak for the hardware setup.
On the other hand, for some applications (like Y2K6 on the other side of the
earth), portability is so important that this will make me use the laptop
setup.

So, in the final analysis, you again don't get a clear vote, but perhaps
some different views. If anybody would like to add to this analysis, please
do!

	Rainer


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Art, to clarify this, there is a large chunk of pluggo documentation 
that you can get by downloading the pluggo demo for free. But the 
software needed is included in MaxMSP - remember that max itself is 
control-signals only ;)

Andreas

Art Simon wrote:
> Thanks Stefan, I'm sold on Max. I've been dragging my feet about
> upgrading (I'm an old Max user who used to do Midi stuff on a Mac
> Plus).
> 
> I'm curious what you mean that "the plugin specific stuff is coming
> with pluggo". Do I need to purchase Pluggo in addition to Max?
> 
> On 6/2/06, Stefan Tiedje <Stefan-Tiedje@addcom.de> wrote:
>> With Max/MSP its a snap, you can download all documentation, the plugin
>> specific stuff is coming with pluggo, if you finish your own pluggo
>> within 30 days, you could even do it without paying for Max... (but its
>> addicting, you might want to do anotherone)
>> I can give you a hand...
>>
> 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Sat Jun  3 17:52:31 2006
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Nice post Rainer!  Comes at a time when I'm putting
together my own laptop setup and it really helps with
visualization of a possible system.

I think you're on the mark with the idea of a hybred
setup.  I for one would never go out without my
dedicated hardware Vox Tonelab.  A) I love it.  B)
it's bulletproof in terms of a setup and has a looper
on board.  Laptop goes down?  I've got an 8 second
looper patch all ready and the show goes into ambient
mode.

Second, you need some sort of MIDI controler for
synths, why not  have one that is a synth as well?  Do
you have the Nord Micromodular with the keyboard? 
That would be a total must for me.  Right now it would
end up being an Alesis Micron for me.  It's small and
has some built in sequencing of it's own which would
come in handy if the laptop goes kerflewey.

Anway, that's the plan that's gelling in my head right
now.  If I were a real "pro" I'd probably think about
adding some midi syncable looper to that setup as a
failsafe for laptop meltdown.  Sadly tales of the
RC-50s poor sound quality while in slave mode takes
that out of the running, but I can imagine a second
Repeater might work perfectly if the need should
arise.  My real hope is that eventually the laptop
will be solid enough to run a requencer, Stylus RMX,
Battery and Mobius.  If I could get a softsynth in
there as well that would be a bonus.

I hope I can resist the temptation to go crazy with
the VSTs and end up with issues similar to Krispen's. 
I'm going to try and view the laptop as one would view
a piece of dedicated hardware.

--- Rainer Thelonius Balthasar Straschill
<rs@moinlabs.de> wrote:

> Now, here's my personal take on the laptop
> discussion everyone is having
> these days in my typical, longwinded, engineering
> fashion.
> 
> A: Background - about the setups and my approach to
> playing
> People who have followed equipment discussions in
> which I took part know
> that my hardware setup is big, multi-instrumentalist
> and a little bit crazy.
> In more detail, that means:
> Tune Gap 6 sixstring bass into V-Bass, Waldorf Q,
> Korg Wavestation KEX, Nord
> MicroModular, Korg Kaoss ][, Roland MC-505, DL4,
> FCB1010, 6 expression
> pedals and 3 footswitches, 8 HU L-style rack
> containing Behringer MX2642A,
> Repeater, TC Electronics FireworX, D2, Triple C,
> Eventide Eclipse, Zoom
> 1201, Beyer headset mike, in-ear phones.
> 
> With my laptop setup, I try to do similar things. It
> is based on the theory
> that at a possible performance place, I am able to
> borrow or rent an
> electric guitar or electric bass (any one), a MIDI
> keyboard (any one) and a
> two-level keyboard stand. With that in mind, my
> laptop setup is reduced to
> laptop, Presonus Firebox, Behringer BCR2000,
> FCB1010, DI20, Beyer headset
> mike and in-ear phones. It all fits into a nice,
> small rucksack.
> 
> B: Comparison of both setups
> 
> 1. Portability and setup time:
> No question - the latop setup wins by a huge margin.
> With the hardware
> setup, I need a big limousine or a hatchback car.
> With the laptop setup, I
> can ride on a train. While I got quite skilled in
> setting up my big hardware
> setup, again the laptop one wins here - if we assume
> that the stands are
> already setup, it's 5-10min. for the laptop,
> 20-30min. for the hardware.
> 
> 2. Objective Sound Quality: noise figure et al.
> With a theoretical approach, let's watch a signal
> running from a drum
> machine through a filter to a looper, then back
> through a compressor and
> with added effects to the mains and finally to a
> recorded for possible CD
> release. In case of the hardware setup, this would
> include ways through ten
> AD/DA converters and five channel strips of an
> analogue console. In case of
> the laptop, it's zero AD/DAs and zero analogue
> channel strips. So the laptop
> setup wins.
> 
> 3. Subjective Sound Quality: how the respective
> "active" components sound
> A very mixed analysis. With the Eclipse, the
> FireworX and the Q I have some
> devices in the setup which none of my software
> thingies can equal (at least
> not without taking up all of the computer ressources
> - see "Resource
> Management"). Even the Repeater's pitch shifter wins
> over any acceptable
> non-ressource-hungry laptop pitch shifter. On the
> other hand, there are some
> VSTs and VSTis which I can't replicate with my
> hardware gear - same goes for
> my subjective assesment of the amp modeling
> qualities.
> I'd call this a win for the hardware setup based on
> my priorities - but only
> by a slight margin.
> 
> 4. Features:
> A hard one. Both setups can do things the other
> setup can't. Some of it has
> already been mentioned under "Subjective Sound
> Quality". Are you dependent
> on two independent manuals for your keyboards?
> Sometimes, I am. Do you need
> to define pitch envelopes for your loops in
> quasi-realtime? Sometimes I like
> that, too. I'd call it a draw.
> 
> 5. Useability:
> With the hardware setup it's simple. The Repeater
> has its dedicated FCB1010,
> the VBass and the DL4 have their own foot controls,
> as well as
> footswitchtes/exp pedals for Eclipse, FireworX, Q,
> Wavestation and MC505.
> Everything else depends on the respective qualities
> of the devices. There
> are things like the Q which wins big time over the
> laptop setup or things
> with their own HMI personality like the Kaoss ][,
> then there are devices
> which are not useable at all in a live setting
> (Wavestation being the
> worst).
> With the laptop, it's either clicking around on a
> screen (which I like to
> keep to a minimum and limit it to painting drum
> patterns in Live) or using
> the FCB1010 (which controls transport for Live,
> Mobius and Amplitube) and
> the BCR2000 (which for controlling about any of
> Live's mixer functions and
> all plugins uses 16 presets, each with 56 dials and
> 36 buttons).
> So the direct useability comparison depends on what
> you look at. If I want
> to change filter cutoff on the Q, I simply use the
> big red knob labelled
> "Cutoff". If I want to change filter cutoff for
> SunRa, it's the second knob
> from the right in the second row in preset 8 of the
> BCR2000. If I want to
> change filter cutoff for the PPG, it's the second
> knob from the right in the
> second row in preset 5 of the BCR2000. If I want to
> change filter cutoff for
> the Wavestation, it's some hideous sub-menu I
> wouldn't even think of
> accessing during a dense live performance.
> In a summary, I'd again declare a win for the
> hardware setup, again by a
> slight margin, if only caused by the fact that every
> control has a direct
> connection with the device it controls and because I
> can visually see the
> mixer settings, even from a distance.
> 
> 6. Fail Safety:
> For the laptop setup, it's a quite clear analysis:
> if the laptop fails,
> everything is dead. I can't even play an unprocessed
> guitar or use my
> microphone to tell the audience that I have to
> reboot or whatever (although
> one could work around this with a different
> interface). And if the laptop
> stays crashed, the concert is over.
> With the hardware setup, I can work around any
> failure of a single device in
> realtime, safe for a total failure of the console
> (power supply etc), and
> can work round any failure of several devices with a
> short interruption of
> the performance.
> A clear win for the hardware setup.
> 
> 7. Resource Management:
> My current laptop setup would tax the CPU to about
> 380% if all plugins were
> enabled at once. So I have to keep an eye on the CPU
> usage and remember to
> disable unused plugins and can't use everything at
> once. Even by getting a
> really big computer, this problem would remain
> (well, perhaps if I included
> some things like a Creamware Scope etc.).
> With the hardware setup, there is no such thing as
> resource management. Win
> for the hardware setup.
> 
> 8. Cost:
> The laptop setup is cheaper. But I'll not include
> this in the summary, as I
> already own the components.
> 
> C: The Alternative - A Hybrid Setup?
> Like other users here (Krispen comes to mind), I've
> thought of a hybrid
> setup, getting a best of both worlds. But here, I
> wouldn't know how to
> structure it. Perhaps limit the laptop to what it's
> best at (like running
> Mobius and some really cool VSTs and VSTis) and do
> everything else
> outlaptop, e.g. by including a big digital console
> and a selection of some
> cool outboards (Eclipse, FireworX, Finalizer) as
> well as a guitar amp
> modeler and of course my trusty Q and MicroMod? This
> way, I could run
> anything that would remain on the laptop without
> resource management (see
> the respective paragraph). Or have a more limited
> set of devices outboard,
> 
=== message truncated ===


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From Loopers-Delight-request@loopers-delight.com  Sat Jun  3 18:01:23 2006
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From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: where should i go next? (looper question)
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--- Charlie Milkey <pilotcp@gmail.com> wrote:

> 
> is there a way to get rid of that click? i have
> heard other people
> talk about that as well...


Ah the JamMan click.  I'd only get it at random times
and I never could figure out why sometime and not
others.  Totally intermittent.  It has something to do
with the stability of your midi clock, but at the time
I was using it my only clock source was an Ensoniq
TS-10.

Most of the times I could just ignore it, especially
if there was a lot going on in the loop it would just
get buried.  It was really only an issue if you were
doing a pad like ambient wash.

People also complain about the Repeater's "bump". 
There's a slight volume bump at the start of a loop. 
I can find it if I purposely look for it, so I don't. 
Really I never think about it until conversations like
this come up.

Mark

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From Loopers-Delight-request@loopers-delight.com  Sat Jun  3 19:19:56 2006
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Subject: AW: Software vs Hardware, Laptop vs Oldskool
Date: Sat, 3 Jun 2006 21:19:50 +0200
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> I for one would never go out without my dedicated hardware 
> Vox Tonelab.  A) I love it.  B) it's bulletproof in terms of 
> a setup and has a looper on board.  Laptop goes down?  I've 
> got an 8 second looper patch all ready and the show goes into 
> ambient mode.

That's what I was thinking too, and I also thought about the tonelab there -
with the other option (as mentioned) to have a DD20/OD-2 as a fallback
solution.

> Second, you need some sort of MIDI controler for synths, why 
> not  have one that is a synth as well?  Do you have the Nord 
> Micromodular with the keyboard? 

The Micromodular is the really small box with only one DSP, a two-space
7-segment LED display and four knobs (one of them hardwired). So no, can't
use this as a controller. The Waldorf Q is great in that role with its
zillions of rotary encoders (and its keyboard is the best synth keyboard
I've ever experienced, but with that I'd lose portability. On the other
hand, the BCR2000 is great value for the money...

> Anway, that's the plan that's gelling in my head right now.  
> If I were a real "pro" I'd probably think about adding some 
> midi syncable looper to that setup as a failsafe for laptop 
> meltdown.  Sadly tales of the RC-50s poor sound quality while 

I don't get it. Why do you need MIDI sync for your backup solution when the
laptop fails? This would be more of a hardware with additional laptop setup
rather than the laptop plus... setup I imagine?

> should arise.  My real hope is that eventually the laptop 
> will be solid enough to run a requencer, Stylus RMX, Battery 
> and Mobius.  If I could get a softsynth in there as well that 
> would be a bonus.

I've disbanded the idea of Stylus RMX (too much of a resource hogger) and
replaced Battery with Kontakt (less CPU-hungry).

> I hope I can resist the temptation to go crazy with the VSTs 
> and end up with issues similar to Krispen's. 

What do you mean by "go crazy"? Do you mean a setup where you'll have 70
plugins like I have? >;-)

From Loopers-Delight-request@loopers-delight.com  Sat Jun  3 19:25:49 2006
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From: "CM" <listmail@asyouthink.com>
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Subject: RE: Y2K5 Performance Recordings
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Turning on the wayback machine (OK, not THAT way-back, but...) and I'm
combing through the list for Y2K5 recordings.  I'd like to get any that I
can get my hands on, since I've never been to the festival and would love to
hear what folks are playing.  I found these below, but seem to vaguely
remember some CD's being available too?  Is there a complete list of online
Y2K5 recordings available anywhere still?    

...and.... what's the date(s) for Y2K6?...

Cass

P.S. Found those gallery pics again too (http://y2k5.grubmah.com/), which is
really cool for putting faces to names.  Thanks for whoever put that
together!
 
 

  _____  

From: Kris Hartung [mailto:khartung@cableone.net] 
Sent: Thursday, October 13, 2005 12:01 PM
To: Loopers-Delight@loopers-delight.com
Subject: Y2K5 Performance Recordings


Outstanding. Thanks, Greg.
 
Here is the evolving list, folks, Ghost 7 included: 
 
Greg Powers
 <http://box.net/public/khartung/files/976586.html>
http://box.net/public/khartung/files/976586.html
 
Ghost 7
 <http://box.net/public/khartung/files/975372.html>
http://box.net/public/khartung/files/975372.html
 
Krispen Hartung
 <http://box.net/public/khartung/files/975177.html>
http://box.net/public/khartung/files/975177.html
 
I think Ted Killian is up next.
 
Kris
 

----- Original Message ----- 
From: Greg  <mailto:egpowers@pacbell.net> Powers 
To: 'Kris Hartung' <mailto:khartung@cableone.net>  
Cc: Loopers-Delight@loopers-delight.com 
Sent: Thursday, October 13, 2005 12:38 PM
Subject: RE: Y2K5 Performance Recordings - I Guess I'll Share Mine First


Kris,

 

I am happy to share my file with the list. It was a first attempt at looping
live, thought I've used similar techniques in the studio. I'm afraid it
doesn't reach anywhere near what I had intended/hoped, but that's showbiz,
and I guess it's interesting as an example of a first go at it. And there's
a few good moments in there!

 

Best,

 

-greg-

 


  _____  


From: Kris Hartung [mailto:khartung@cableone.net] 
Sent: Wednesday, October 12, 2005 6:35 PM
To: Loopers-Delight@loopers-delight.com
Subject: Y2K5 Performance Recordings - I Guess I'll Share Mine First

 

While I'm waiting for others to download their Y2K5 performance files,
receive them on CD-R, or decide whether they want to share their music with
the LD list, I guess I'll share my set first, especially since mine was the
only set where the streaming server went down and thus no one on LD was able
to hear it. Unfortunately, I couldn't play AND monitor the stream at the
same time!  My brain just doesn't operate that way.  :)

 

So, for what it's worth, here it is...one gigantor 30 minute, evolving,
improvisational piece:

 

 <http://box.net/public/khartung/files/975177.html>
http://box.net/public/khartung/files/975177.html

 

Cheers,

 

Krispen Hartung

http://www.krispenhartung.com

 

p.s. Rainer, fess up...who were you able to record orver the broadcast with
any degree of fidelity? Enquiring minds want to know... :)

 


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<DIV dir=3Dltr align=3Dleft>
<P><FONT size=3D2><FONT face=3DTahoma>Turning on the wayback machine =
(OK, not THAT=20
way-back, but...)&nbsp;<SPAN class=3D843271919-03062006>and I'm combing =
through=20
the list for Y2K5 recordings.&nbsp; I'd like to get any that I can get =
my hands=20
on, since I've never been to the festival and would love to hear what =
folks are=20
playing.&nbsp; I f</SPAN><SPAN class=3D843271919-03062006>ound these =
below, but=20
seem to vaguely remember some CD's being available too?&nbsp; Is there a =

complete list of online </SPAN>Y2K5 recordings available anywhere =
still?<SPAN=20
class=3D843271919-03062006>&nbsp;&nbsp;&nbsp; </SPAN></FONT></FONT></P>
<P><FONT face=3DTahoma size=3D2>...and<SPAN =
class=3D843271919-03062006>....</SPAN>=20
what's the date(s) for Y2K6?...</FONT></P>
<P><FONT face=3DTahoma size=3D2>Cass</FONT></P></DIV>
<DIV><SPAN class=3D843271919-03062006></SPAN><FONT face=3DTahoma><FONT =
size=3D2>P.S.=20
<SPAN class=3D843271919-03062006>Found those gallery pics again too (<A=20
href=3D"http://y2k5.grubmah.com/">http://y2k5.grubmah.com/</A>), which =
is really=20
cool for putting faces to names.&nbsp; Thanks for whoever put that=20
together!</SPAN></FONT></FONT></DIV>
<DIV><FONT face=3DTahoma><FONT size=3D2><SPAN=20
class=3D843271919-03062006></SPAN></FONT></FONT>&nbsp;</DIV>
<DIV><FONT face=3DTahoma><FONT size=3D2><SPAN =
class=3D843271919-03062006></SPAN><SPAN=20
class=3D843271919-03062006></SPAN></FONT></FONT>&nbsp;</DIV>
<DIV><BR></DIV>
<DIV class=3DOutlookMessageHeader lang=3Den-us dir=3Dltr align=3Dleft>
<HR tabIndex=3D-1>
<FONT face=3DTahoma size=3D2><B>From:</B> Kris Hartung=20
[mailto:khartung@cableone.net] <BR><B>Sent:</B> Thursday, October 13, =
2005 12:01=20
PM<BR><B>To:</B> Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> =
Y2K5=20
Performance Recordings<BR></FONT><BR></DIV>
<DIV></DIV>
<DIV><FONT face=3DArial size=3D2>Outstanding.&nbsp;Thanks, =
Greg.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Here is the evolving list, folks, Ghost =
7 included:=20
</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Greg Powers</FONT></DIV>
<DIV><FONT face=3D"Arial Narrow" color=3D#0099cc size=3D2><A =
class=3Dpublic_url=20
href=3D"http://box.net/public/khartung/files/976586.html"=20
target=3D_blank><STRONG>http://box.net/public/khartung/files/976586.html<=
/STRONG></A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Ghost 7</FONT></DIV>
<DIV><A class=3Dpublic_url =
href=3D"http://box.net/public/khartung/files/975372.html"=20
target=3D_blank><STRONG><FONT face=3D"Arial Narrow" color=3D#0099cc=20
size=3D2>http://box.net/public/khartung/files/975372.html</FONT></STRONG>=
</A></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Krispen Hartung</FONT></DIV>
<DIV><SPAN style=3D"FONT-SIZE: 12pt"><A=20
href=3D"http://box.net/public/khartung/files/975177.html"=20
target=3D_blank><STRONG><B><FONT face=3D"Arial Narrow" color=3D#0099cc =
size=3D2><SPAN=20
style=3D"FONT-SIZE: 10pt; COLOR: #0099cc; FONT-FAMILY: 'Arial =
Narrow'">http://box.net/public/khartung/files/975177.html</SPAN></FONT></=
B></STRONG></A><o:p></o:p></SPAN></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I think Ted Killian is up =
next.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Degpowers@pacbell.net =
href=3D"mailto:egpowers@pacbell.net">Greg=20
  Powers</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A =
title=3Dkhartung@cableone.net=20
  href=3D"mailto:khartung@cableone.net">'Kris Hartung'</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Cc:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Thursday, October 13, =
2005 12:38=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RE: Y2K5 Performance =
Recordings=20
  - I Guess I'll Share Mine First</DIV>
  <DIV><BR></DIV>
  <DIV class=3DSection1>
  <P class=3DMsoNormal><FONT face=3DArial color=3Dblue size=3D2><SPAN=20
  style=3D"FONT-SIZE: 10pt; COLOR: blue; FONT-FAMILY: =
Arial">Kris,<o:p></o:p></SPAN></FONT></P>
  <P class=3DMsoNormal><FONT face=3DArial color=3Dblue size=3D2><SPAN=20
  style=3D"FONT-SIZE: 10pt; COLOR: blue; FONT-FAMILY: =
Arial"><o:p>&nbsp;</o:p></SPAN></FONT></P>
  <P class=3DMsoNormal><FONT face=3DArial color=3Dblue size=3D2><SPAN=20
  style=3D"FONT-SIZE: 10pt; COLOR: blue; FONT-FAMILY: Arial">I am happy =
to share=20
  my file with the list. It was a first attempt at looping live, thought =
I&#8217;ve=20
  used similar techniques in the studio. I&#8217;m afraid it =
doesn&#8217;t reach anywhere=20
  near what I had intended/hoped, but that&#8217;s showbiz, and I guess =
it&#8217;s=20
  interesting as an example of a first go at it. And there&#8217;s a few =
good moments=20
  in there!<o:p></o:p></SPAN></FONT></P>
  <P class=3DMsoNormal><FONT face=3DArial color=3Dblue size=3D2><SPAN=20
  style=3D"FONT-SIZE: 10pt; COLOR: blue; FONT-FAMILY: =
Arial"><o:p>&nbsp;</o:p></SPAN></FONT></P>
  <P class=3DMsoNormal><FONT face=3DArial color=3Dblue size=3D2><SPAN=20
  style=3D"FONT-SIZE: 10pt; COLOR: blue; FONT-FAMILY: =
Arial">Best,<o:p></o:p></SPAN></FONT></P>
  <P class=3DMsoNormal><FONT face=3DArial color=3Dblue size=3D2><SPAN=20
  style=3D"FONT-SIZE: 10pt; COLOR: blue; FONT-FAMILY: =
Arial"><o:p>&nbsp;</o:p></SPAN></FONT></P>
  <P class=3DMsoNormal><FONT face=3DArial color=3Dblue size=3D2><SPAN=20
  style=3D"FONT-SIZE: 10pt; COLOR: blue; FONT-FAMILY: =
Arial">-greg-<o:p></o:p></SPAN></FONT></P>
  <P class=3DMsoNormal><FONT face=3DArial color=3Dblue size=3D2><SPAN=20
  style=3D"FONT-SIZE: 10pt; COLOR: blue; FONT-FAMILY: =
Arial"><o:p>&nbsp;</o:p></SPAN></FONT></P>
  <DIV>
  <DIV class=3DMsoNormal style=3D"MARGIN-LEFT: 0.5in; TEXT-ALIGN: =
center"=20
  align=3Dcenter><FONT face=3D"Times New Roman" size=3D3><SPAN=20
style=3D"FONT-SIZE: 12pt">
  <HR tabIndex=3D-1 align=3Dcenter width=3D"100%" SIZE=3D2>
  </SPAN></FONT></DIV>
  <P class=3DMsoNormal style=3D"MARGIN-LEFT: 0.5in"><B><FONT =
face=3DTahoma=20
  size=3D2><SPAN=20
  style=3D"FONT-WEIGHT: bold; FONT-SIZE: 10pt; FONT-FAMILY: =
Tahoma">From:</SPAN></FONT></B><FONT=20
  face=3DTahoma size=3D2><SPAN style=3D"FONT-SIZE: 10pt; FONT-FAMILY: =
Tahoma"> Kris=20
  Hartung [mailto:khartung@cableone.net] <BR><B><SPAN=20
  style=3D"FONT-WEIGHT: bold">Sent:</SPAN></B> Wednesday, October 12, =
2005 6:35=20
  PM<BR><B><SPAN style=3D"FONT-WEIGHT: bold">To:</SPAN></B> =
<st1:PersonName=20
  =
w:st=3D"on">Loopers-Delight@loopers-delight.com</st1:PersonName><BR><B><S=
PAN=20
  style=3D"FONT-WEIGHT: bold">Subject:</SPAN></B> Y2K5 Performance =
Recordings - I=20
  Guess I'll Share Mine First</SPAN></FONT><o:p></o:p></P></DIV>
  <P class=3DMsoNormal style=3D"MARGIN-LEFT: 0.5in"><FONT face=3D"Times =
New Roman"=20
  size=3D3><SPAN style=3D"FONT-SIZE: =
12pt"><o:p>&nbsp;</o:p></SPAN></FONT></P>
  <DIV>
  <P class=3DMsoNormal style=3D"MARGIN-LEFT: 0.5in"><FONT face=3DArial =
size=3D2><SPAN=20
  style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial">While I'm waiting for =
others to=20
  download their Y2K5 performance files, receive them&nbsp;on CD-R, or =
decide=20
  whether they want to share their music with the LD list, I guess I'll =
share my=20
  set first, especially since mine was the only set where the streaming =
server=20
  went down and thus no one on LD was able to hear it. Unfortunately, I =
couldn't=20
  play&nbsp;AND monitor the stream at the same time!&nbsp; My brain just =
doesn't=20
  operate that way.&nbsp; :)</SPAN></FONT><o:p></o:p></P></DIV>
  <DIV>
  <P class=3DMsoNormal style=3D"MARGIN-LEFT: 0.5in"><FONT face=3D"Times =
New Roman"=20
  size=3D3><SPAN style=3D"FONT-SIZE: =
12pt">&nbsp;<o:p></o:p></SPAN></FONT></P></DIV>
  <DIV>
  <P class=3DMsoNormal style=3D"MARGIN-LEFT: 0.5in"><FONT face=3DArial =
size=3D2><SPAN=20
  style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial">So, for what it's worth, =
here it=20
  is...one gigantor 30 minute, evolving, improvisational=20
  piece:</SPAN></FONT><o:p></o:p></P></DIV>
  <DIV>
  <P class=3DMsoNormal style=3D"MARGIN-LEFT: 0.5in"><FONT face=3D"Times =
New Roman"=20
  size=3D3><SPAN style=3D"FONT-SIZE: =
12pt">&nbsp;<o:p></o:p></SPAN></FONT></P></DIV>
  <DIV>
  <P class=3DMsoNormal style=3D"MARGIN-LEFT: 0.5in"><FONT face=3D"Times =
New Roman"=20
  size=3D3><SPAN style=3D"FONT-SIZE: 12pt"><A=20
  href=3D"http://box.net/public/khartung/files/975177.html"=20
  target=3D_blank><STRONG><B><FONT face=3D"Arial Narrow" color=3D#0099cc =
size=3D2><SPAN=20
  style=3D"FONT-SIZE: 10pt; COLOR: #0099cc; FONT-FAMILY: 'Arial =
Narrow'">http://box.net/public/khartung/files/975177.html</SPAN></FONT></=
B></STRONG></A><o:p></o:p></SPAN></FONT></P></DIV>
  <DIV>
  <P class=3DMsoNormal style=3D"MARGIN-LEFT: 0.5in"><FONT face=3D"Times =
New Roman"=20
  size=3D3><SPAN style=3D"FONT-SIZE: =
12pt">&nbsp;<o:p></o:p></SPAN></FONT></P></DIV>
  <DIV>
  <P class=3DMsoNormal style=3D"MARGIN-LEFT: 0.5in"><FONT face=3DArial =
size=3D2><SPAN=20
  style=3D"FONT-SIZE: 10pt; FONT-FAMILY: =
Arial">Cheers,</SPAN></FONT><o:p></o:p></P></DIV>
  <DIV>
  <P class=3DMsoNormal style=3D"MARGIN-LEFT: 0.5in"><FONT face=3D"Times =
New Roman"=20
  size=3D3><SPAN style=3D"FONT-SIZE: =
12pt">&nbsp;<o:p></o:p></SPAN></FONT></P></DIV>
  <DIV>
  <P class=3DMsoNormal style=3D"MARGIN-LEFT: 0.5in"><FONT face=3DArial =
size=3D2><SPAN=20
  style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial">Krispen=20
  Hartung</SPAN></FONT><o:p></o:p></P></DIV>
  <DIV>
  <P class=3DMsoNormal style=3D"MARGIN-LEFT: 0.5in"><FONT face=3DArial =
size=3D2><SPAN=20
  style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial"><A=20
  =
href=3D"http://www.krispenhartung.com">http://www.krispenhartung.com</A><=
/SPAN></FONT><o:p></o:p></P></DIV>
  <DIV>
  <P class=3DMsoNormal style=3D"MARGIN-LEFT: 0.5in"><FONT face=3D"Times =
New Roman"=20
  size=3D3><SPAN style=3D"FONT-SIZE: =
12pt">&nbsp;<o:p></o:p></SPAN></FONT></P></DIV>
  <DIV>
  <P class=3DMsoNormal style=3D"MARGIN-LEFT: 0.5in"><FONT face=3DArial =
size=3D2><SPAN=20
  style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial">p.s. Rainer, fess =
up...who were=20
  you able to record orver the broadcast&nbsp;with any degree of =
fidelity?=20
  Enquiring minds want to know... :)</SPAN></FONT><o:p></o:p></P></DIV>
  <DIV>
  <P class=3DMsoNormal style=3D"MARGIN-LEFT: 0.5in"><FONT face=3D"Times =
New Roman"=20
  size=3D3><SPAN=20
  style=3D"FONT-SIZE: =
12pt">&nbsp;<o:p></o:p></SPAN></FONT></P></DIV></DIV></BLOCKQUOTE></BODY>=
</HTML>

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From Loopers-Delight-request@loopers-delight.com  Sat Jun  3 19:53:28 2006
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Date: Sat, 03 Jun 2006 15:53:18 -0400
From: Dan Ash <Daniel.Ash@Verizon.net>
Subject: re: where should i go next? (looper question)
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 >> I am not looking for anything incredible, just something that is
rackmounted, since i have my X-15 FC in front of me for controlling my
ART Nightbass, and the input levels aren't so touchy!<<

AFAIK, this foot controller is not programmable.  Just thought I'd chime in
because I was disappointed to find out it wasn't going to be useful in a 
looping
context.  But my SGX-2000 / X-15 combo may again see some use someday - 
that
is still a pretty powerful and versatile processor.

Dan Ash
White Plains, NY


From Loopers-Delight-request@loopers-delight.com  Sat Jun  3 20:08:57 2006
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Date: Sat, 3 Jun 2006 17:08:55 -0300
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From: Ramiro Musotto <ramirose@ism.com.br>
Subject: boss rc50 or EH 2880?
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I want to buy the best machine possible .
I need help - please .

I want to do percussion loops while listening to a click .

I want the "maybe-imprecission" of my foot-tap  does not affect the 
start and end of the loop/loops ( quantize my tap into the nearest 
beginning of bar)

I want to do  overdubs with different lenghts of bars

I want to control the volume of every loop I add .

I want to record a lot of overdubs ( 16 minimum)

I would like to have the possibility of control reverb of each loop , 
I dont know if this is possible .

..............
Which machines do that ?
I really appreciatte help .
I am in a hurry . I am starting to plan  my solo show .
I did all the things I mentioned before with Live ableton and a guy 
controlling it in one of my last shows . But now I want/need to do it 
alone.
Regards
Ramiro
.

From Loopers-Delight-request@loopers-delight.com  Sat Jun  3 22:22:03 2006
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Date: Sat, 3 Jun 2006 18:22:10 -0400
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From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: boss rc50 or EH 2880?
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Sounds like you would be happy with an Electrix Repeater or several 
EH2880 synched by MIDI.

The repeater allws you to multiply the length a phrase and then 
overdub on a track which is the total length of the multiplied loop.



>I want to buy the best machine possible .
>I need help - please .
>
>I want to do percussion loops while listening to a click .
>
>I want the "maybe-imprecission" of my foot-tap  does not affect the 
>start and end of the loop/loops ( quantize my tap into the nearest 
>beginning of bar)
>
>I want to do  overdubs with different lenghts of bars
>
>I want to control the volume of every loop I add .
>
>I want to record a lot of overdubs ( 16 minimum)
>
>I would like to have the possibility of control reverb of each loop 
>, I dont know if this is possible .
>
>..............
>Which machines do that ?
>I really appreciatte help .
>I am in a hurry . I am starting to plan  my solo show .
>I did all the things I mentioned before with Live ableton and a guy 
>controlling it in one of my last shows . But now I want/need to do 
>it alone.
>Regards
>Ramiro
>.


-- 
...
http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Sat Jun  3 22:36:26 2006
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Date: Sat, 3 Jun 2006 19:35:09 -0300
To: Loopers-Delight@loopers-delight.com
From: Ramiro Musotto <ramirose@ism.com.br>
Subject: Re: boss rc50 or EH 2880?
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>Sounds like you would be happy with an Electrix Repeater

I will know what is an electrix repeater right now .

>or several EH2880 synched by MIDI.

Why several ?
I thought that with only one its enough . I am reading just know the 
2880 manual in PDF . When I finish I will be able to discuss this .
The function on the RC50 that allows you to upload your preferred 
loop and use it as a click its great . I hope I understood well . I 
am reading .
Thanks a lot .
ramiro

>The repeater allws you to multiply the length a phrase and then 
>overdub on a track which is the total length of the multiplied loop.

sounds interesting  . I did it with ableton LIve . Some loops 8 bars 
, some  2 bars , some 4 . its great this function . I also thought 
that it was possible with rc 50 and 2880 .
thanks again
ramiro

>
>
>>I want to buy the best machine possible .
>>I need help - please .
>>
>>I want to do percussion loops while listening to a click .
>>
>>I want the "maybe-imprecission" of my foot-tap  does not affect the 
>>start and end of the loop/loops ( quantize my tap into the nearest 
>>beginning of bar)
>>
>>I want to do  overdubs with different lenghts of bars
>>
>>I want to control the volume of every loop I add .
>>
>>I want to record a lot of overdubs ( 16 minimum)
>>
>>I would like to have the possibility of control reverb of each loop 
>>, I dont know if this is possible .
>>
>>..............
>>Which machines do that ?
>>I really appreciatte help .
>>I am in a hurry . I am starting to plan  my solo show .
>>I did all the things I mentioned before with Live ableton and a guy 
>>controlling it in one of my last shows . But now I want/need to do 
>>it alone.
>>Regards
>>Ramiro
>>.
>
>
>--
>...
>http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Sun Jun  4 02:46:30 2006
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Date: Fri, 2 Jun 2006 04:56:15 -0700 (PDT)
From: Buzap <buzap@yahoo.com>
Subject: Re: RC-50: Multiply feature? (overdubbing w/ different lengths)
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Hi guys

yeah.
I was thinking also about these possibilities:

A. "Multiply" manually:
- Method: Play each bar i.e. 4 times (even though it's
1/2 bars)
- Drawback: Sometimes I have a spontanious idea later
on that is just longer...

B. Resample via external sampler:
- Method: As described, resample loop on 2nd sampler.
- Drawback: a bit cumbersome, have to keep an eye (and
foot) on two loopers. You loose stereo if 2nd looper
is mono.

C. Resample within RC-50:
- Method: I think this should work like this:
Record Phrase 1 with 1 bar, Phrase 2 with 4 bars - in
time sync. Route Phrase 1/2 to Subgroup on RC-50.
Route subgroup to Phrase 3. Record Phrase 3 for 4
bars.
- Drawback: Occupies all 3 Phrases of the RC-50. Be
careful with routing, otherwise you get nice feedback
;-)

Of all of these, Method C seems still the most
attractive to me.
Still, I'm not fully happy with it. I guess there are
no alternatives either?
EDP is just mono. I would be tempted to buy a
Looperlative but not with such a tight RAM limitation.

Best regards
Buzap

__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Sun Jun  4 03:23:00 2006
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Date: Sat, 3 Jun 2006 20:22:59 -0700 (PDT)
From: Tim Nelson <psychle62@yahoo.com>
Subject: Gear photos (was: Looping shoes)
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I've posted a pic of my current looping setup (with an
inset shot of my fashion-risking no-shoes approach) on
my Myspace page. <http://www.myspace.com/nimbletunes>
It's the mid-sized rig which is more flexible than the
smaller one but is easier to transport than the
big-rack behemoth.

Scroll down, it's on the right just above the 'Top
8'...

-t-

<http://www.myspace.com/nimbletunes>
'Rantai' CD: <http://cdbaby.com/cd/timnelson1>
'Mesh' CD: <http://cdbaby.com/cd/timnelson2>
Chain Tape Collective: <http://www.ct-collective.com/>

__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Sun Jun  4 04:13:18 2006
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Date: Sat, 3 Jun 2006 23:13:16 -0500
From: "Charlie Milkey" <pilotcp@gmail.com>
To: Loopers-Delight@loopers-delight.com
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you mean to say that you have a bigger setup?
now that i've got to see ;)

i like the pic! i see you've got an XP300, those are really cool! :)

Charlie

On 6/3/06, Tim Nelson <psychle62@yahoo.com> wrote:
> I've posted a pic of my current looping setup (with an
> inset shot of my fashion-risking no-shoes approach) on
> my Myspace page. <http://www.myspace.com/nimbletunes>
> It's the mid-sized rig which is more flexible than the
> smaller one but is easier to transport than the
> big-rack behemoth.
>
> Scroll down, it's on the right just above the 'Top
> 8'...
>
> -t-
>
> <http://www.myspace.com/nimbletunes>
> 'Rantai' CD: <http://cdbaby.com/cd/timnelson1>
> 'Mesh' CD: <http://cdbaby.com/cd/timnelson2>
> Chain Tape Collective: <http://www.ct-collective.com/>
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>
>

From Loopers-Delight-request@loopers-delight.com  Sun Jun  4 05:05:52 2006
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Date: Sat, 3 Jun 2006 22:05:49 -0700 (PDT)
From: Tim Nelson <psychle62@yahoo.com>
Subject: Re: Gear photos (was: Looping shoes)
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--- Charlie Milkey <pilotcp@gmail.com> wrote:

> you mean to say that you have a bigger setup?
> now that i've got to see ;)

This setup actually rolls in in one trip from the car!

There are a couple of pics of an earlier version
(2001-2003) of the bigger setup inside the page's
'pics' section. The rig I was using right *before*
that one (affectionately known as the
missioncontrolherniamaker, 1998-2001) was absurdly
huge, featuring a double-width rack that had a mono
synth next to a 12 channel mixer on the top and a
pull-out drawer for the poly synth in the middle under
six spaces (3 x 2), power amps on the bottom, interior
lighting and the all-important bottle opener on the
side. I had a larger vehicle at the time; apart from
needing two people to lift it in and out of the truck,
it was an amazingly quick setup because everything in
the rack stayed wired, and the whole thing was on
wheels. The cover lifted off and became the stand for
the rack, and the pedalboard and rack were connected
by one color-coded snake. Five minute setup, often
less. Stairs presented a bit of a problem, though... I
have some pics of it somewhere...

My bigger setup now is manageable (a 10 over 8 and a
7-space, with essentially the same pedalboard as the
mid-sized rig), although a lot of its components are
currently in the medium rig, so it's definitely not
pret a porter. Also, being in separate racks, there's
a lot more hook-up time...

-t-


<http://www.myspace.com/nimbletunes>
'Rantai' CD: <http://cdbaby.com/cd/timnelson1>
'Mesh' CD: <http://cdbaby.com/cd/timnelson2>
Chain Tape Collective: <http://www.ct-collective.com/>

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Sun Jun  4 05:36:06 2006
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From: "Charlie Milkey" <pilotcp@gmail.com>
To: Loopers-Delight@loopers-delight.com
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oh wow :)


Charlie

On 6/4/06, Tim Nelson <psychle62@yahoo.com> wrote:
>
>
> --- Charlie Milkey <pilotcp@gmail.com> wrote:
>
> > you mean to say that you have a bigger setup?
> > now that i've got to see ;)
>
> This setup actually rolls in in one trip from the car!
>
> There are a couple of pics of an earlier version
> (2001-2003) of the bigger setup inside the page's
> 'pics' section. The rig I was using right *before*
> that one (affectionately known as the
> missioncontrolherniamaker, 1998-2001) was absurdly
> huge, featuring a double-width rack that had a mono
> synth next to a 12 channel mixer on the top and a
> pull-out drawer for the poly synth in the middle under
> six spaces (3 x 2), power amps on the bottom, interior
> lighting and the all-important bottle opener on the
> side. I had a larger vehicle at the time; apart from
> needing two people to lift it in and out of the truck,
> it was an amazingly quick setup because everything in
> the rack stayed wired, and the whole thing was on
> wheels. The cover lifted off and became the stand for
> the rack, and the pedalboard and rack were connected
> by one color-coded snake. Five minute setup, often
> less. Stairs presented a bit of a problem, though... I
> have some pics of it somewhere...
>
> My bigger setup now is manageable (a 10 over 8 and a
> 7-space, with essentially the same pedalboard as the
> mid-sized rig), although a lot of its components are
> currently in the medium rig, so it's definitely not
> pret a porter. Also, being in separate racks, there's
> a lot more hook-up time...
>
> -t-
>
>
> <http://www.myspace.com/nimbletunes>
> 'Rantai' CD: <http://cdbaby.com/cd/timnelson1>
> 'Mesh' CD: <http://cdbaby.com/cd/timnelson2>
> Chain Tape Collective: <http://www.ct-collective.com/>
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>
>

From Loopers-Delight-request@loopers-delight.com  Sun Jun  4 09:15:09 2006
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: <Loopers-Delight@loopers-delight.com>
Subject: AW: Gear photos (was: Looping shoes)
Date: Sun, 4 Jun 2006 11:15:05 +0200
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I think I get why you don't wear any shoes for looping - are these big =
knobs
on the Headrush and RC-20 for turning the dials with your (bare) feet?

	rtbs=20

> -----Urspr=FCngliche Nachricht-----
> Von: Tim Nelson [mailto:psychle62@yahoo.com]=20
> Gesendet: Sonntag, 4. Juni 2006 05:23
> An: Loopers-Delight@loopers-delight.com
> Betreff: Gear photos (was: Looping shoes)
>=20
> I've posted a pic of my current looping setup (with an inset=20
> shot of my fashion-risking no-shoes approach) on my Myspace=20
> page. <http://www.myspace.com/nimbletunes>
> It's the mid-sized rig which is more flexible than the=20
> smaller one but is easier to transport than the big-rack behemoth.
>=20
> Scroll down, it's on the right just above the 'Top 8'...
>=20
> -t-
>=20
> <http://www.myspace.com/nimbletunes>
> 'Rantai' CD: <http://cdbaby.com/cd/timnelson1> 'Mesh' CD:=20
> <http://cdbaby.com/cd/timnelson2> Chain Tape Collective:=20
> <http://www.ct-collective.com/>
>=20
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection=20
> around http://mail.yahoo.com=20
>=20
>=20

From Loopers-Delight-request@loopers-delight.com  Sun Jun  4 09:54:58 2006
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Subject: Re: Use sampler to playback recording
Date: Sun, 4 Jun 2006 10:54:48 +0100
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Use sampler to playback recordingIf you're not going to trigger the sampled 
'found sounds' why not just use a cheap and easily-replaceable CD player? 
It would seem that the main limitation for your use here is the amount of 
time a sampler unit can store.

----- Original Message ----- 
From: Veda, Qua
To: Loopers-Delight@loopers-delight.com
Sent: Thursday, 1 June, 2006 22:07 PM
Subject: Use sampler to playback recording


Hi
I have experimented with recording "found sounds", burning to CD,  playing 
the CD while I play Stick in live performance     E.g.   I play along to a 
3min. recording I made of tree frog sounds
I am considering the Roland Fantom XR (synth/sampler) for creating a wide 
variety of sounds from midi keybd.
Then  it occurred to me that I could also load my  recordings into it,  and 
play them back during live performance - instead of using a CD player or 
iPod.  (as long as they don't exceed avail memory).     I've never used a 
h/w sampler before,  but I think this would work - correct ?
http://www.roland.com/products/en/Fantom-XR/
-Qua 

From Loopers-Delight-request@loopers-delight.com  Sun Jun  4 10:33:46 2006
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From: "Caleeb Cromb" <slannyfaced@hotmail.com>
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Subject: Re: Suggestions for writing your own custom looping VSTs
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hey, I just joined Loppers Delight and I'm gettinga ll these emails from the 
message board but I cant seem to find where to post questions of my 
own.....can you send me the link please...

thanx,
Caleb.


From: Andreas Wetterberg <awetterberg@post.cybercity.dk>
Reply-To: Loopers-Delight@loopers-delight.com
To: Loopers-Delight@loopers-delight.com
Subject: Re: Suggestions for writing your own custom looping VSTs
Date: Sat, 03 Jun 2006 19:11:50 +0200

Art, to clarify this, there is a large chunk of pluggo documentation that 
you can get by downloading the pluggo demo for free. But the software needed 
is included in MaxMSP - remember that max itself is control-signals only ;)

Andreas

Art Simon wrote:
>Thanks Stefan, I'm sold on Max. I've been dragging my feet about
>upgrading (I'm an old Max user who used to do Midi stuff on a Mac
>Plus).
>
>I'm curious what you mean that "the plugin specific stuff is coming
>with pluggo". Do I need to purchase Pluggo in addition to Max?
>
>On 6/2/06, Stefan Tiedje <Stefan-Tiedje@addcom.de> wrote:
>>With Max/MSP its a snap, you can download all documentation, the plugin
>>specific stuff is coming with pluggo, if you finish your own pluggo
>>within 30 days, you could even do it without paying for Max... (but its
>>addicting, you might want to do anotherone)
>>I can give you a hand...
>>
>
>
>

_________________________________________________________________
Have fun with your friends online! Look and sound great doing it. Start with 
a video from Microsoft  
http://www.microsoft.com/canada/home/videos/default.asp

From Loopers-Delight-request@loopers-delight.com  Sun Jun  4 10:40:56 2006
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It's not a message board... it's a mailing list.

Send the emails to Loopers-Delight@loopers-delight.com - I think it's 
pretty well documented on the loopers-delight website as well?

A.

Caleeb Cromb wrote:
> hey, I just joined Loppers Delight and I'm gettinga ll these emails from 
> the message board but I cant seem to find where to post questions of my 
> own.....can you send me the link please...
> 
> thanx,
> Caleb.
> 
> 
> From: Andreas Wetterberg <awetterberg@post.cybercity.dk>
> Reply-To: Loopers-Delight@loopers-delight.com
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Suggestions for writing your own custom looping VSTs
> Date: Sat, 03 Jun 2006 19:11:50 +0200
> 
> Art, to clarify this, there is a large chunk of pluggo documentation 
> that you can get by downloading the pluggo demo for free. But the 
> software needed is included in MaxMSP - remember that max itself is 
> control-signals only ;)
> 
> Andreas
> 
> Art Simon wrote:
>> Thanks Stefan, I'm sold on Max. I've been dragging my feet about
>> upgrading (I'm an old Max user who used to do Midi stuff on a Mac
>> Plus).
>>
>> I'm curious what you mean that "the plugin specific stuff is coming
>> with pluggo". Do I need to purchase Pluggo in addition to Max?
>>
>> On 6/2/06, Stefan Tiedje <Stefan-Tiedje@addcom.de> wrote:
>>> With Max/MSP its a snap, you can download all documentation, the plugin
>>> specific stuff is coming with pluggo, if you finish your own pluggo
>>> within 30 days, you could even do it without paying for Max... (but its
>>> addicting, you might want to do anotherone)
>>> I can give you a hand...
>>>
>>
>>
>>
> 
> _________________________________________________________________
> MSN® Calendar keeps you organized and takes the effort out of scheduling 
> get-togethers. 
> http://join.msn.com/?pgmarket=en-ca&page=byoa/prem&xAPID=1994&DI=1034&SU=http://hotmail.com/enca&HL=Market_MSNIS_Taglines 
>  Start enjoying all the benefits of MSN® Premium right now and get the 
> first two months FREE*.
> 
> 
> .
> 

From Loopers-Delight-request@loopers-delight.com  Sun Jun  4 10:44:00 2006
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From: "Caleeb Cromb" <slannyfaced@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: echoplex foot pedal
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Just bought myself an echoplex and was wondering what foot pedal or midi 
controller anyone would recommend....I bought the crappy one it comes with, 
but it is so limited.....I was thinking of the Behringer FCB 1010, but I 
dont know if it's compatible with it.....any help or suggestions would be 
greatly appreciated....

_________________________________________________________________
MSN® Calendar keeps you organized and takes the effort out of scheduling 
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From Loopers-Delight-request@loopers-delight.com  Sun Jun  4 10:58:46 2006
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From: a k butler <akbutler@tiscali.co.uk>
Subject: Re:RE: Y2K5 Performance Recordings
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>Turning on the wayback machine (OK, not THAT way-back, but...) and 
>I'm combing through the list for Y2K5 recordings.  I'd like to get 
>any that I can get my hands on, since I've never been to the 
>festival and would love to hear what folks are playing.  I found 
>these below, but seem to vaguely remember some CD's being available 
>too?  Is there a complete list of online Y2K5 recordings available 
>anywhere still?

http://www.andybutler.com/mp3.htm

has my y2k5 audio + a pic

Thanks to Krispen for recording it,
and especially thanks to Rick for giving me a chance stretch out and
play a most satisfying set.

andy butler

From Loopers-Delight-request@loopers-delight.com  Sun Jun  4 11:05:45 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Gear photos (was: Looping shoes)
Date: Sun, 4 Jun 2006 13:05:39 +0200
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On 4 jun 2006, at 05.22, Tim Nelson wrote:
> my Myspace page. <http://www.myspace.com/nimbletunes>

Now that's a very nice page! I really enjoyed listening to the music  
and reading about Tim's adventures. Yes, the gear shots are cute ;-)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)

From Loopers-Delight-request@loopers-delight.com  Sun Jun  4 11:19:59 2006
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Date: Sun, 4 Jun 2006 04:19:56 -0700 (PDT)
From: Tim Nelson <psychle62@yahoo.com>
Subject: Re: AW: Gear photos (was: Looping shoes)
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--- Rainer Thelonius Balthasar Straschill
<rs@moinlabs.de> wrote:

> I think I get why you don't wear any shoes for
> looping - are these big knobs
> on the Headrush and RC-20 for turning the dials with
> your (bare) feet?

Not originally. When I put those on there a few years
ago (2003), I had always played both 1)shoed and
2)standing, but had just started using a non-rack
setup which didn't include a mixer and manipulating
the level knobs was the only way I had of fading my
[fixed feedback] loops in and out without a bunch of
volume pedals. The knobs are actually rubber 'feet'
like you'd use on the bottom of a rack or road case,
and I made labels for them so I could tell the setting
at a glance in dim stage light.

After using that setup for a short time, I was really
missing the mixer, and tore apart the rig yet again.
Then for a while (and I'm sure this is a familiar
situation for many of you) I was in a period where I
still hadn't had time to finish the rack/pedalboard
overhaul but wasn't playing out all that often, so I
was just bringing along a duffel bag full of pedals
and setting up differently each show. During this
time, I also started doing a lot more looping of
ethnic and acoustic instruments, which I generally do
sitting down; prior to this, almost all of my public
looping had been standing and electric.

In the setup in the picture at
<http://www.myspace.com/nimbletunes>, though, I'm
running each looper through its own channel on the
mixer (except the Echopro, which I'm using to
post-process and loop sub-mixes), so I'm not using the
foot knobs at all.

-t-

<http://www.myspace.com/nimbletunes>
'Rantai' CD: <http://cdbaby.com/cd/timnelson1>
'Mesh' CD: <http://cdbaby.com/cd/timnelson2>
Chain Tape Collective: <http://www.ct-collective.com/>

__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Sun Jun  4 11:57:42 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Boysen Wagner Duo podcast published
Date: Sun, 4 Jun 2006 13:57:37 +0200
To: Loopers-Delight@loopers-delight.com
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Hi friends,

A twenty minutes podcast mix from my collaborations with Bernhard =20
Wagner is published as the latest Looproom podcast episode. If you =20
have iTunes installed on your PC or Mac, just click the podcast link =20
below and download the episode (you brave subscribers have already =20
received it by now).

This is the first podcast episode I have made that meets the Enhanced =20=

Podcast format, which means pictures can be presented in iTunes as a =20
slide show synced to the music. Web links can also be carried by this =20=

podcast format and for this particular show there is this info page: =20
http://www.looproom.com/bw/sf/.

The recording was done in august 2005 after the hectic days of =20
Loopfestival Z=FCrich. Bernhard managed to borrow a room at Werkstatt =20=

f=FCr Improvisierte Musik and we set up the gear and played for an =20
hour, before I had to rush for the airport to go back to Sweden. =20
Extremely tight schedule but it was great fun. Thank you very much, =20
Bernhard!

BTW, I think Bernhard plays excellent looping guitar on that =20
recording! At least to my own taste; the less influences you hear  in =20=

musicians style the more I tend to like it ;-)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)




From Loopers-Delight-request@loopers-delight.com  Sun Jun  4 12:38:14 2006
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Date: Sun, 4 Jun 2006 05:38:12 -0700 (PDT)
From: Tim Nelson <psychle62@yahoo.com>
Subject: Re: Gear photos (was: Looping shoes)
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--- Per Boysen <perboysen@gmail.com> wrote:
> Now that's a very nice page! I really enjoyed
> listening to the music  
> and reading about Tim's adventures. Yes, the gear
> shots are cute ;-)

Kind of makes you want to trade in that ultra-portable
laptop setup you've got for a half-ton of scratchy
knobs, crackly wires and a slightly used
transportvagn, doesn't it? No? ;)

Glad you enjoyed the music. I haven't heard your
'Organisational Culture Loops' in a few months; I
think I'll play it right now! Goes very well with
coffee! <http://www.looproom.com/index3.php>

-t-


<http://www.myspace.com/nimbletunes>
'Rantai' CD: <http://cdbaby.com/cd/timnelson1>
'Mesh' CD: <http://cdbaby.com/cd/timnelson2>
Chain Tape Collective: <http://www.ct-collective.com/>

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Sun Jun  4 12:44:23 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Gear photos (was: Looping shoes)
Date: Sun, 4 Jun 2006 14:44:18 +0200
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On 4 jun 2006, at 14.38, Tim Nelson wrote:

> Glad you enjoyed the music. I haven't heard your
> 'Organisational Culture Loops' in a few months; I
> think I'll play it right now! Goes very well with
> coffee! <http://www.looproom.com/index3.php>


He, he... yeah, that part where David Cowley is talking about "The  
Coffee Break" is just priceless!

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)




From Loopers-Delight-request@loopers-delight.com  Sun Jun  4 15:21:00 2006
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From: =?ISO-8859-1?Q?tEd_=AE_kiLLiAn?= <tedkillian@charter.net>
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--Apple-Mail-1--671318438
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Tim,

Popped over to your website via link and liked your music right off.
Listened, read a little, looked at photos, was pretty impressed.
We should compare chiropractor stories sometime (from the looks
of your gear setup). Heheheh. Your list of influences has a number
of odd common touchpoints with mine as well -- not the sort of
ones (nor the combination) than you run into very often.

I myself am quickly getting too old to do this stuff publicly. Every =20
time
I perform out anymore I hurt something that takes a month (or 2) to =20
heal.
I am now a walking talking grumpy collection of hurting aching bits and
pieces and the thought of hauling a vanload of gear around too many
more seasons thrills me less than it fills me with dread . . . =20
sometimes.
Anywho, thanks for sharing.

Onward and upward (mostly).

tEd =AE kiLLiAn

"Different is not always better, but better is always different"

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=3D2845073
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?=20
step=3Dview_profile&id=3D121197000042

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???=

--Apple-Mail-1--671318438
Content-Transfer-Encoding: quoted-printable
Content-Type: text/enriched;
	charset=ISO-8859-1

Tim,


Popped over to your website via link and liked your music right off.

Listened, read a little, looked at photos, was pretty impressed.

We should compare chiropractor stories sometime (from the looks

of your gear setup). Heheheh. Your list of influences has a number

of odd common touchpoints with mine as well -- not the sort of

ones (nor the combination) than you run into very often.


I myself am quickly getting too old to do this stuff publicly. Every
time

I perform out anymore I hurt something that takes a month (or 2) to
heal.

I am now a walking talking grumpy collection of hurting aching bits and

pieces and the thought of hauling a vanload of gear around too many=20

more seasons thrills me less than it fills me with dread . . .
sometimes.

Anywho, thanks for sharing.=20


Onward and upward (mostly).


tEd =AE kiLLiAn


<color><param>8080,8080,8080</param>"Different is not always better,
but better is always different"


http://www.pfmentum.com/flux.html

http://www.CDbaby.com/cd/tedkillian

http://www.guitar9.com/fluxaeterna.html

http://www.garageband.com/artist/ArsOcarina

http://www.towerrecords.com/product.aspx?pfid=3D2845073

http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314

http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193

=
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042


Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,

BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,

AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,

RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,

and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???</color>=

--Apple-Mail-1--671318438--

From Loopers-Delight-request@loopers-delight.com  Sun Jun  4 16:25:24 2006
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Date: Sun, 4 Jun 2006 09:25:23 -0700 (PDT)
From: Tim Nelson <psychle62@yahoo.com>
Subject: Re: Gear photos (was: Looping shoes)
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--- tEd ® kiLLiAn <tedkillian@charter.net> wrote:
> We should compare chiropractor stories sometime
> (from the looks of your gear setup).

No, really, this setup all fit on a handtruck which
wheeled from the car in one trip. Nothing like the old
days!

After Per wrote, I played his CD, so in the interest
of  equal opportunity, I'm now playing Ted's 'Flux
Aeterna' 
Just look at all those links! ;-P

-t-
 
> http://www.pfmentum.com/flux.html
> http://www.CDbaby.com/cd/tedkillian
> http://www.guitar9.com/fluxaeterna.html
> http://www.garageband.com/artist/ArsOcarina
>
http://www.towerrecords.com/product.aspx?pfid=2845073
>
http://www.netmusic.com/web/album.aspx?a_id=CBNM_17314
>
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=193


<http://www.myspace.com/nimbletunes>
'Rantai' CD: <http://cdbaby.com/cd/timnelson1>
'Mesh' CD: <http://cdbaby.com/cd/timnelson2>
Chain Tape Collective: <http://www.ct-collective.com/>

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Sun Jun  4 16:49:36 2006
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From: Mark Hamburg <mark_hamburg@baymoon.com>
Subject: Re: LOOPER BILL WALKER GETTING MARRIED
Date: Sun, 4 Jun 2006 09:50:26 -0700
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Congratulations Bill and Nancy!

Mark

From Loopers-Delight-request@loopers-delight.com  Sun Jun  4 18:37:33 2006
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Date: Sun, 4 Jun 2006 14:37:31 -0400
From: "mark t" <aleatoric12@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: echoplex foot pedal
In-Reply-To: <BAY102-F257425D6EBF80FF4099ACCAD970@phx.gbl>
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FCB 1010 is a great choice.  Lots of features,  easy on the wallett.

On 6/4/06, Caleeb Cromb <slannyfaced@hotmail.com> wrote:
> Just bought myself an echoplex and was wondering what foot pedal or midi
> controller anyone would recommend....I bought the crappy one it comes with,
> but it is so limited.....I was thinking of the Behringer FCB 1010, but I
> dont know if it's compatible with it.....any help or suggestions would be
> greatly appreciated....
>
> _________________________________________________________________
> MSN(r) Calendar keeps you organized and takes the effort out of scheduling
> get-togethers.
> http://join.msn.com/?pgmarket=en-ca&page=byoa/prem&xAPID=1994&DI=1034&SU=http://hotmail.com/enca&HL=Market_MSNIS_Taglines
>   Start enjoying all the benefits of MSN(r) Premium right now and get the
> first two months FREE*.
>
>

From Loopers-Delight-request@loopers-delight.com  Sun Jun  4 18:38:25 2006
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Date: Sun, 4 Jun 2006 11:38:22 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Repeater for sale in europe
To: Loopers-Delight@loopers-delight.com
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attention europeans,
I am selling my repeater with latest O.S. and a
simpletech 64MB card,with the hope of getting a
looperlative, i will be putting it up in ebay soon i
am in southern Germany and so if u r interested please
contact me off list.
cheers
Luis





--- Tim Nelson <psychle62@yahoo.com> wrote:

> 
> 
> --- tEd ® kiLLiAn <tedkillian@charter.net> wrote:
> > We should compare chiropractor stories sometime
> > (from the looks of your gear setup).
> 
> No, really, this setup all fit on a handtruck which
> wheeled from the car in one trip. Nothing like the
> old
> days!
> 
> After Per wrote, I played his CD, so in the interest
> of  equal opportunity, I'm now playing Ted's 'Flux
> Aeterna' 
> Just look at all those links! ;-P
> 
> -t-
>  
> > http://www.pfmentum.com/flux.html
> > http://www.CDbaby.com/cd/tedkillian
> > http://www.guitar9.com/fluxaeterna.html
> > http://www.garageband.com/artist/ArsOcarina
> >
>
http://www.towerrecords.com/product.aspx?pfid=2845073
> >
>
http://www.netmusic.com/web/album.aspx?a_id=CBNM_17314
> >
>
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=193
> 
> 
> <http://www.myspace.com/nimbletunes>
> 'Rantai' CD: <http://cdbaby.com/cd/timnelson1>
> 'Mesh' CD: <http://cdbaby.com/cd/timnelson2>
> Chain Tape Collective:
> <http://www.ct-collective.com/>
> 
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam
> protection around 
> http://mail.yahoo.com 
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Sun Jun  4 18:43:47 2006
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From: burnett@pobox.com
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To: Loopers-Delight@loopers-delight.com
Subject: show: Cab Caligari, 8 June 2006, Chapel Hill NC
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I'm playing this Thursday in the show described below, as half of the 
looping duo Cab Caligari. If you're in the area and stop by, please say 
hello.

thanks,  Steve B   Subscape Annex   http://www.subscapeannex.com/

##################################
Cab Caligari, 8 June 2006, Chapel Hill NC

Steve B and Randy Pelosi play as the improvisational electro-acoustic duo 
Cab Caligari on the opening night of this year's Wandering Star Project. 
Instrumentation is acoustic cello and electric arachnobass.

http://www.subscapeannex.com/caligari/

Date:	8 June 2006 (Thursday)
Time:	night starts at 7pm-ish. Cab Caligari expected to start at 10pm.
Location:	Caffe Driade, 1215-A E Franklin St, Chapel Hill, NC 27514
Directions:	http://www.caffedriade.com/index.cfm?view=6
Cab Caligari site:	http://www.subscapeannex.com/caligari/
Cover: 		None.

The full email of the 3-evening festival is included below this line:
-----------------------------------------------------------------
In June the Wandering Star Project stirs from a long, dream-laden slumber to 
find itself in a curious, reflective mood.  Ever inquisitive, the Project 
intends to explore the light and dark forces that move within all of us- our 
steadfast devotion to self-fulfillment, our startling tendency to 
self-destruction.  The WSP invites a plethora of artist friends and curious 
onlookers to join them as they glide and stumble their way along the shadow 
line merging blinding luminescence with obscurity absolute.

Fools Fire: Exploring Umbras
Thursday, Friday, Saturday
June 8, 9, 10
7-11 pm
The outdoor photography exhibit will run nightly from dusk until 11pm, June 
8th-17th.

Caffe Driade
1215-A E Franklin St, Chapel Hill NC, 919.942.2333

Line-Up (So far):
Thursday, June 8
Wandering Star Project featuring Lisa Furukawa Ray
Cab Caligari
dj tba

Friday, June 9
Make Out With Bears (Shreveport, LA)  performing Our Bodies Our Sleeves
dj tba

Saturday, June 10
Wandering Star Project featuring Lisa Furukawa Ray
Twilighter
dj tba

***WSP is always eager to meet artists with whom to work with.  Anyone curious 
to participate in this and/or upcoming shows please be in touch. Multimedia, 
music, projection, fire workers, bodybuilders, superheroes, etc are welcome!

artist info:
http://www.wanderingstarproject.com/
http://www.lisa-ray.net/
http://www.subscapeannex.com/caligari/
http://www.myspace.com/ourbodiesoursleeves
http://www.twilighter.net/

contact:
Todd Jenkins
tsweet2000@hotmail.com

From Loopers-Delight-request@loopers-delight.com  Sun Jun  4 19:18:12 2006
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To: Loop List <Loopers-Delight@loopers-delight.com>
From: Steve Lawson <steve@steve-lawson.co.uk>
Subject: Another MP3 from my new album up at MySpace...
Date: Sun, 4 Jun 2006 20:18:08 +0100
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Hello Looplings,

I've just posted the title track from my new album, 'Behind Every  
Word', up on my MySpace page - www.myspace.com/solobassstevelawson

As with the rest of the album, it's one take, no edits, using just  
the Looperlative for looping (for those interested in what the LP  
functions are I'm using - it's got a next loop thing happening,  
reverse, lots of different tracks mainly unsynced, 'cue' to set up an  
A/B section, and I'm post-processing the whole thing at the end... It  
was all played on my 6 string fretless.

If you want to buy the album, it's available on my webshop -  
www.stevelawson.net/zencart/ - and if you order before June 20th, you  
get a whole other 60 minute album for free as a download. Yay!

oh, and any of you that are last.fm users, both albums - Behind Every  
Word and the extra disc (Lessons Learned From The Fairly Aged  
Felines) are up on there, with 30 second previews of all the tracks,  
and selected whole tracks to listen to. :o)

http://www.last.fm/music/Steve+Lawson/Behind+Every+Word
http://www.last.fm/music/Steve+Lawson/Lessons+Learned+From+The+Fairly 
+Aged+Felines+%28Lessons+Learned+Pt+III%29

enjoy,

Steve
www.stevelawson.net - site
www.stevelawson.net/zencart/ - shop
http://steve.anthropiccollective.org - blog
www.myspace.com/solobassstevelawson



From Loopers-Delight-request@loopers-delight.com  Sun Jun  4 20:42:30 2006
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From: "Claude Voit" <c.voit@vtx.ch>
To: <Loopers-Delight@loopers-delight.com>
References: <BAY102-F257425D6EBF80FF4099ACCAD970@phx.gbl>
Subject: Re: echoplex foot pedal
Date: Sun, 4 Jun 2006 22:42:31 +0200
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How can you say its sooo limited when you just got the EDP?

how can you say its crappy?

how can you know before knowing

does that make you look good ?

Claude

----- Original Message ----- 
From: "Caleeb Cromb" <slannyfaced@hotmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, June 04, 2006 12:43 PM
Subject: echoplex foot pedal


> Just bought myself an echoplex and was wondering what foot pedal or midi 
> controller anyone would recommend....I bought the crappy one it comes 
> with, but it is so limited.....I was thinking of the Behringer FCB 1010, 
> but I dont know if it's compatible with it.....any help or suggestions 
> would be greatly appreciated....
>
> _________________________________________________________________
> MSN® Calendar keeps you organized and takes the effort out of scheduling 
> get-togethers. 
> http://join.msn.com/?pgmarket=en-ca&page=byoa/prem&xAPID=1994&DI=1034&SU=http://hotmail.com/enca&HL=Market_MSNIS_Taglines 
> Start enjoying all the benefits of MSN® Premium right now and get the 
> first two months FREE*.
>
> 


From Loopers-Delight-request@loopers-delight.com  Sun Jun  4 20:53:19 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Another MP3 from my new album up at MySpace...
Date: Sun, 4 Jun 2006 22:53:12 +0200
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On 4 jun 2006, at 21.18, Steve Lawson wrote:

> new album, 'Behind Every Word',


Bought it! I like the melodic quality of structure i Steve's music.  
Same vibe I get from J.S. Bach. Nice to keep some music like that in  
the iPod to balance out zoombiefication caused by too much Hassel or  
Robert Rich ;-)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)




From Loopers-Delight-request@loopers-delight.com  Sun Jun  4 21:12:14 2006
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Date: Sun, 4 Jun 2006 17:12:22 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Myspace OWNS your posted content....
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--============_-1062666948==_ma============
Content-Type: text/plain; charset="us-ascii" ; format="flowed"

Just an FYI.

  You can find the info under TERMS ON MYSPACE

  .. Proprietary Rights in Content on MySpace.com.

  1. By displaying or publishing ("posting") any Content, messages, 
text, files, images, photos, video, sounds, profiles, works of 
authorship, or any other materials (collectively, "Content") on or 
through the Services, you hereby grant to MySpace.com, a 
non-exclusive, fully-paid and royalty-free, worldwide license (with 
the right to sublicense through unlimited levels of sublicensees) to 
use, copy, modify, adapt, translate, publicly perform, publicly 
display, store, reproduce, transmit, and distribute such Content on 
and through the Services. This license will terminate at the time you 
remove such Content from the Services. You represent and warrant 
that: (i) you own the Content posted by you on or through the 
Services or otherwise have the right to grant the license set forth 
in this section, and (ii) the posting of your Content on or through 
the Services does not violate the privacy rights, publicity rights, 
copyrights, contract rights or any other rights of any person. You 
agree to pay for all royalties, fees, and any other monies owing any 
person by reason of any Content posted by you to or through the 
Services.
  2. The Services contain Content of MySpace.com ("MySpace.com 
Content"). MySpace.com Content is protected by copyright, trademark, 
patent, trade secret and other laws, and MySpace.com owns and retains 
all rights in the MySpace.com Content and the Services. MySpace.com 
hereby grants you a limited, revocable, nonsublicensable license to 
reproduce and display the MySpace.com Content (excluding any software 
code) solely for your personal use in connection with viewing the 
Website and using the Services.
  3. The Services contain Content of Users and other MySpace.com 
licensors. Except for Content posted by you, you may not copy, 
modify, translate, publish, broadcast, transmit, distribute, perform, 
display, or sell any Content appearing on or through the Services.
-- 
...
http://www.zmix.net
--============_-1062666948==_ma============
Content-Type: text/html; charset="us-ascii"

<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Myspace OWNS your posted
content....</title></head><body>
<div><font face="Verdana" size="-2" color="#000000">Just an FYI.<br>
<br>
&nbsp;You can find the info under TERMS ON MYSPACE<br>
<br>
&nbsp;.. Proprietary Rights in Content on MySpace.com.<br>
<br>
&nbsp;1. By displaying or publishing (&quot;posting&quot;) any
Content, messages, text, files, images, photos, video, sounds,
profiles, works of authorship, or any other materials (collectively,
&quot;Content&quot;) on or through the Services, you hereby grant to
MySpace.com, a non-exclusive, fully-paid and royalty-free, worldwide
license (with the right to sublicense through unlimited levels of
sublicensees) to use, copy, modify, adapt, translate, publicly
perform, publicly display, store, reproduce, transmit, and distribute
such Content on and through the Services. This license will terminate
at the time you remove such Content from the Services. You represent
and warrant that: (i) you own the Content posted by you on or through
the Services or otherwise have the right to grant the license set
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</pre></x-sigsep>
<div>...<br>
http://www.zmix.net</div>
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From Loopers-Delight-request@loopers-delight.com  Sun Jun  4 21:31:51 2006
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To: Loopers-Delight@loopers-delight.com
References: <20060603194500.4B943AFF53@smtp1.dnsmadeeasy.com>
Subject: Re: Y2K5 Performance Recordings
Date: Sun, 4 Jun 2006 15:31:44 -0600
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Here you go:

http://www.boisemusicians.com/y2k5_recordings.htm

Kris

  ----- Original Message -----=20
  From: CM=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Saturday, June 03, 2006 1:25 PM
  Subject: RE: Y2K5 Performance Recordings


  Turning on the wayback machine (OK, not THAT way-back, but...) and I'm =
combing through the list for Y2K5 recordings.  I'd like to get any that =
I can get my hands on, since I've never been to the festival and would =
love to hear what folks are playing.  I found these below, but seem to =
vaguely remember some CD's being available too?  Is there a complete =
list of online Y2K5 recordings available anywhere still?   =20

  ...and.... what's the date(s) for Y2K6?...

  Cass

  P.S. Found those gallery pics again too (http://y2k5.grubmah.com/), =
which is really cool for putting faces to names.  Thanks for whoever put =
that together!





-------------------------------------------------------------------------=
-----
  From: Kris Hartung [mailto:khartung@cableone.net]=20
  Sent: Thursday, October 13, 2005 12:01 PM
  To: Loopers-Delight@loopers-delight.com
  Subject: Y2K5 Performance Recordings


  Outstanding. Thanks, Greg.

  Here is the evolving list, folks, Ghost 7 included:=20

  Greg Powers
  http://box.net/public/khartung/files/976586.html

  Ghost 7
  http://box.net/public/khartung/files/975372.html

  Krispen Hartung
  http://box.net/public/khartung/files/975177.html

  I think Ted Killian is up next.

  Kris

    ----- Original Message -----=20
    From: Greg Powers=20
    To: 'Kris Hartung'=20
    Cc: Loopers-Delight@loopers-delight.com=20
    Sent: Thursday, October 13, 2005 12:38 PM
    Subject: RE: Y2K5 Performance Recordings - I Guess I'll Share Mine =
First


    Kris,

    =20

    I am happy to share my file with the list. It was a first attempt at =
looping live, thought I've used similar techniques in the studio. I'm =
afraid it doesn't reach anywhere near what I had intended/hoped, but =
that's showbiz, and I guess it's interesting as an example of a first go =
at it. And there's a few good moments in there!

    =20

    Best,

    =20

    -greg-

    =20


-------------------------------------------------------------------------=
---

    From: Kris Hartung [mailto:khartung@cableone.net]=20
    Sent: Wednesday, October 12, 2005 6:35 PM
    To: Loopers-Delight@loopers-delight.com
    Subject: Y2K5 Performance Recordings - I Guess I'll Share Mine First

    =20

    While I'm waiting for others to download their Y2K5 performance =
files, receive them on CD-R, or decide whether they want to share their =
music with the LD list, I guess I'll share my set first, especially =
since mine was the only set where the streaming server went down and =
thus no one on LD was able to hear it. Unfortunately, I couldn't play =
AND monitor the stream at the same time!  My brain just doesn't operate =
that way.  :)

    =20

    So, for what it's worth, here it is...one gigantor 30 minute, =
evolving, improvisational piece:

    =20

    http://box.net/public/khartung/files/975177.html

    =20

    Cheers,

    =20

    Krispen Hartung

    http://www.krispenhartung.com

    =20

    p.s. Rainer, fess up...who were you able to record orver the =
broadcast with any degree of fidelity? Enquiring minds want to know... =
:)

    =20

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<BODY lang=3DEN-US vLink=3Dblue link=3Dblue bgColor=3Dwhite>
<DIV><FONT face=3DArial size=3D2>Here you go:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.boisemusicians.com/y2k5_recordings.htm">http://www.boi=
semusicians.com/y2k5_recordings.htm</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dlistmail@asyouthink.com =
href=3D"mailto:listmail@asyouthink.com">CM</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Saturday, June 03, 2006 =
1:25=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RE: Y2K5 Performance=20
  Recordings</DIV>
  <DIV><BR></DIV>
  <DIV dir=3Dltr align=3Dleft>
  <P><FONT size=3D2><FONT face=3DTahoma>Turning on the wayback machine =
(OK, not THAT=20
  way-back, but...)&nbsp;<SPAN class=3D843271919-03062006>and I'm =
combing through=20
  the list for Y2K5 recordings.&nbsp; I'd like to get any that I can get =
my=20
  hands on, since I've never been to the festival and would love to hear =
what=20
  folks are playing.&nbsp; I f</SPAN><SPAN =
class=3D843271919-03062006>ound these=20
  below, but seem to vaguely remember some CD's being available =
too?&nbsp; Is=20
  there a complete list of online </SPAN>Y2K5 recordings available =
anywhere=20
  still?<SPAN class=3D843271919-03062006>&nbsp;&nbsp;&nbsp;=20
  </SPAN></FONT></FONT></P>
  <P><FONT face=3DTahoma size=3D2>...and<SPAN =
class=3D843271919-03062006>....</SPAN>=20
  what's the date(s) for Y2K6?...</FONT></P>
  <P><FONT face=3DTahoma size=3D2>Cass</FONT></P></DIV>
  <DIV><SPAN class=3D843271919-03062006></SPAN><FONT face=3DTahoma><FONT =
size=3D2>P.S.=20
  <SPAN class=3D843271919-03062006>Found those gallery pics again too =
(<A=20
  href=3D"http://y2k5.grubmah.com/">http://y2k5.grubmah.com/</A>), which =
is really=20
  cool for putting faces to names.&nbsp; Thanks for whoever put that=20
  together!</SPAN></FONT></FONT></DIV>
  <DIV><FONT face=3DTahoma><FONT size=3D2><SPAN=20
  class=3D843271919-03062006></SPAN></FONT></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DTahoma><FONT size=3D2><SPAN=20
  class=3D843271919-03062006></SPAN><SPAN=20
  class=3D843271919-03062006></SPAN></FONT></FONT>&nbsp;</DIV>
  <DIV><BR></DIV>
  <DIV class=3DOutlookMessageHeader lang=3Den-us dir=3Dltr align=3Dleft>
  <HR tabIndex=3D-1>
  <FONT face=3DTahoma size=3D2><B>From:</B> Kris Hartung=20
  [mailto:khartung@cableone.net] <BR><B>Sent:</B> Thursday, October 13, =
2005=20
  12:01 PM<BR><B>To:</B> =
Loopers-Delight@loopers-delight.com<BR><B>Subject:</B>=20
  Y2K5 Performance Recordings<BR></FONT><BR></DIV>
  <DIV></DIV>
  <DIV><FONT face=3DArial size=3D2>Outstanding.&nbsp;Thanks, =
Greg.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Here is the evolving list, folks, =
Ghost 7=20
  included: </FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Greg Powers</FONT></DIV>
  <DIV><FONT face=3D"Arial Narrow" color=3D#0099cc size=3D2><A =
class=3Dpublic_url=20
  href=3D"http://box.net/public/khartung/files/976586.html"=20
  =
target=3D_blank><STRONG>http://box.net/public/khartung/files/976586.html<=
/STRONG></A></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Ghost 7</FONT></DIV>
  <DIV><A class=3Dpublic_url=20
  href=3D"http://box.net/public/khartung/files/975372.html"=20
  target=3D_blank><STRONG><FONT face=3D"Arial Narrow" color=3D#0099cc=20
  =
size=3D2>http://box.net/public/khartung/files/975372.html</FONT></STRONG>=
</A></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Krispen Hartung</FONT></DIV>
  <DIV><SPAN style=3D"FONT-SIZE: 12pt"><A=20
  href=3D"http://box.net/public/khartung/files/975177.html"=20
  target=3D_blank><STRONG><B><FONT face=3D"Arial Narrow" color=3D#0099cc =
size=3D2><SPAN=20
  style=3D"FONT-SIZE: 10pt; COLOR: #0099cc; FONT-FAMILY: 'Arial =
Narrow'">http://box.net/public/khartung/files/975177.html</SPAN></FONT></=
B></STRONG></A><o:p></o:p></SPAN></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>I think Ted Killian is up =
next.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <BLOCKQUOTE dir=3Dltr=20
  style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
    <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
    <DIV=20
    style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
    <A title=3Degpowers@pacbell.net =
href=3D"mailto:egpowers@pacbell.net">Greg=20
    Powers</A> </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A =
title=3Dkhartung@cableone.net=20
    href=3D"mailto:khartung@cableone.net">'Kris Hartung'</A> </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Cc:</B> <A=20
    title=3DLoopers-Delight@loopers-delight.com=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
    </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Thursday, October 13, =
2005 12:38=20
    PM</DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RE: Y2K5 Performance =

    Recordings - I Guess I'll Share Mine First</DIV>
    <DIV><BR></DIV>
    <DIV class=3DSection1>
    <P class=3DMsoNormal><FONT face=3DArial color=3Dblue size=3D2><SPAN=20
    style=3D"FONT-SIZE: 10pt; COLOR: blue; FONT-FAMILY: =
Arial">Kris,<o:p></o:p></SPAN></FONT></P>
    <P class=3DMsoNormal><FONT face=3DArial color=3Dblue size=3D2><SPAN=20
    style=3D"FONT-SIZE: 10pt; COLOR: blue; FONT-FAMILY: =
Arial"><o:p>&nbsp;</o:p></SPAN></FONT></P>
    <P class=3DMsoNormal><FONT face=3DArial color=3Dblue size=3D2><SPAN=20
    style=3D"FONT-SIZE: 10pt; COLOR: blue; FONT-FAMILY: Arial">I am =
happy to share=20
    my file with the list. It was a first attempt at looping live, =
thought I=92ve=20
    used similar techniques in the studio. I=92m afraid it doesn=92t =
reach anywhere=20
    near what I had intended/hoped, but that=92s showbiz, and I guess =
it=92s=20
    interesting as an example of a first go at it. And there=92s a few =
good=20
    moments in there!<o:p></o:p></SPAN></FONT></P>
    <P class=3DMsoNormal><FONT face=3DArial color=3Dblue size=3D2><SPAN=20
    style=3D"FONT-SIZE: 10pt; COLOR: blue; FONT-FAMILY: =
Arial"><o:p>&nbsp;</o:p></SPAN></FONT></P>
    <P class=3DMsoNormal><FONT face=3DArial color=3Dblue size=3D2><SPAN=20
    style=3D"FONT-SIZE: 10pt; COLOR: blue; FONT-FAMILY: =
Arial">Best,<o:p></o:p></SPAN></FONT></P>
    <P class=3DMsoNormal><FONT face=3DArial color=3Dblue size=3D2><SPAN=20
    style=3D"FONT-SIZE: 10pt; COLOR: blue; FONT-FAMILY: =
Arial"><o:p>&nbsp;</o:p></SPAN></FONT></P>
    <P class=3DMsoNormal><FONT face=3DArial color=3Dblue size=3D2><SPAN=20
    style=3D"FONT-SIZE: 10pt; COLOR: blue; FONT-FAMILY: =
Arial">-greg-<o:p></o:p></SPAN></FONT></P>
    <P class=3DMsoNormal><FONT face=3DArial color=3Dblue size=3D2><SPAN=20
    style=3D"FONT-SIZE: 10pt; COLOR: blue; FONT-FAMILY: =
Arial"><o:p>&nbsp;</o:p></SPAN></FONT></P>
    <DIV>
    <DIV class=3DMsoNormal style=3D"MARGIN-LEFT: 0.5in; TEXT-ALIGN: =
center"=20
    align=3Dcenter><FONT face=3D"Times New Roman" size=3D3><SPAN=20
    style=3D"FONT-SIZE: 12pt">
    <HR tabIndex=3D-1 align=3Dcenter width=3D"100%" SIZE=3D2>
    </SPAN></FONT></DIV>
    <P class=3DMsoNormal style=3D"MARGIN-LEFT: 0.5in"><B><FONT =
face=3DTahoma=20
    size=3D2><SPAN=20
    style=3D"FONT-WEIGHT: bold; FONT-SIZE: 10pt; FONT-FAMILY: =
Tahoma">From:</SPAN></FONT></B><FONT=20
    face=3DTahoma size=3D2><SPAN style=3D"FONT-SIZE: 10pt; FONT-FAMILY: =
Tahoma"> Kris=20
    Hartung [mailto:khartung@cableone.net] <BR><B><SPAN=20
    style=3D"FONT-WEIGHT: bold">Sent:</SPAN></B> Wednesday, October 12, =
2005 6:35=20
    PM<BR><B><SPAN style=3D"FONT-WEIGHT: bold">To:</SPAN></B> =
<st1:PersonName=20
    =
w:st=3D"on">Loopers-Delight@loopers-delight.com</st1:PersonName><BR><B><S=
PAN=20
    style=3D"FONT-WEIGHT: bold">Subject:</SPAN></B> Y2K5 Performance =
Recordings -=20
    I Guess I'll Share Mine First</SPAN></FONT><o:p></o:p></P></DIV>
    <P class=3DMsoNormal style=3D"MARGIN-LEFT: 0.5in"><FONT =
face=3D"Times New Roman"=20
    size=3D3><SPAN style=3D"FONT-SIZE: =
12pt"><o:p>&nbsp;</o:p></SPAN></FONT></P>
    <DIV>
    <P class=3DMsoNormal style=3D"MARGIN-LEFT: 0.5in"><FONT face=3DArial =
size=3D2><SPAN=20
    style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial">While I'm waiting for =
others to=20
    download their Y2K5 performance files, receive them&nbsp;on CD-R, or =
decide=20
    whether they want to share their music with the LD list, I guess =
I'll share=20
    my set first, especially since mine was the only set where the =
streaming=20
    server went down and thus no one on LD was able to hear it. =
Unfortunately, I=20
    couldn't play&nbsp;AND monitor the stream at the same time!&nbsp; My =
brain=20
    just doesn't operate that way.&nbsp; =
:)</SPAN></FONT><o:p></o:p></P></DIV>
    <DIV>
    <P class=3DMsoNormal style=3D"MARGIN-LEFT: 0.5in"><FONT =
face=3D"Times New Roman"=20
    size=3D3><SPAN=20
    style=3D"FONT-SIZE: 12pt">&nbsp;<o:p></o:p></SPAN></FONT></P></DIV>
    <DIV>
    <P class=3DMsoNormal style=3D"MARGIN-LEFT: 0.5in"><FONT face=3DArial =
size=3D2><SPAN=20
    style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial">So, for what it's =
worth, here it=20
    is...one gigantor 30 minute, evolving, improvisational=20
    piece:</SPAN></FONT><o:p></o:p></P></DIV>
    <DIV>
    <P class=3DMsoNormal style=3D"MARGIN-LEFT: 0.5in"><FONT =
face=3D"Times New Roman"=20
    size=3D3><SPAN=20
    style=3D"FONT-SIZE: 12pt">&nbsp;<o:p></o:p></SPAN></FONT></P></DIV>
    <DIV>
    <P class=3DMsoNormal style=3D"MARGIN-LEFT: 0.5in"><FONT =
face=3D"Times New Roman"=20
    size=3D3><SPAN style=3D"FONT-SIZE: 12pt"><A=20
    href=3D"http://box.net/public/khartung/files/975177.html"=20
    target=3D_blank><STRONG><B><FONT face=3D"Arial Narrow" =
color=3D#0099cc=20
    size=3D2><SPAN=20
    style=3D"FONT-SIZE: 10pt; COLOR: #0099cc; FONT-FAMILY: 'Arial =
Narrow'">http://box.net/public/khartung/files/975177.html</SPAN></FONT></=
B></STRONG></A><o:p></o:p></SPAN></FONT></P></DIV>
    <DIV>
    <P class=3DMsoNormal style=3D"MARGIN-LEFT: 0.5in"><FONT =
face=3D"Times New Roman"=20
    size=3D3><SPAN=20
    style=3D"FONT-SIZE: 12pt">&nbsp;<o:p></o:p></SPAN></FONT></P></DIV>
    <DIV>
    <P class=3DMsoNormal style=3D"MARGIN-LEFT: 0.5in"><FONT face=3DArial =
size=3D2><SPAN=20
    style=3D"FONT-SIZE: 10pt; FONT-FAMILY: =
Arial">Cheers,</SPAN></FONT><o:p></o:p></P></DIV>
    <DIV>
    <P class=3DMsoNormal style=3D"MARGIN-LEFT: 0.5in"><FONT =
face=3D"Times New Roman"=20
    size=3D3><SPAN=20
    style=3D"FONT-SIZE: 12pt">&nbsp;<o:p></o:p></SPAN></FONT></P></DIV>
    <DIV>
    <P class=3DMsoNormal style=3D"MARGIN-LEFT: 0.5in"><FONT face=3DArial =
size=3D2><SPAN=20
    style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial">Krispen=20
    Hartung</SPAN></FONT><o:p></o:p></P></DIV>
    <DIV>
    <P class=3DMsoNormal style=3D"MARGIN-LEFT: 0.5in"><FONT face=3DArial =
size=3D2><SPAN=20
    style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial"><A=20
    =
href=3D"http://www.krispenhartung.com">http://www.krispenhartung.com</A><=
/SPAN></FONT><o:p></o:p></P></DIV>
    <DIV>
    <P class=3DMsoNormal style=3D"MARGIN-LEFT: 0.5in"><FONT =
face=3D"Times New Roman"=20
    size=3D3><SPAN=20
    style=3D"FONT-SIZE: 12pt">&nbsp;<o:p></o:p></SPAN></FONT></P></DIV>
    <DIV>
    <P class=3DMsoNormal style=3D"MARGIN-LEFT: 0.5in"><FONT face=3DArial =
size=3D2><SPAN=20
    style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial">p.s. Rainer, fess =
up...who were=20
    you able to record orver the broadcast&nbsp;with any degree of =
fidelity?=20
    Enquiring minds want to know... =
:)</SPAN></FONT><o:p></o:p></P></DIV>
    <DIV>
    <P class=3DMsoNormal style=3D"MARGIN-LEFT: 0.5in"><FONT =
face=3D"Times New Roman"=20
    size=3D3><SPAN=20
    style=3D"FONT-SIZE: =
12pt">&nbsp;<o:p></o:p></SPAN></FONT></P></DIV></DIV></BLOCKQUOTE></BLOCK=
QUOTE></BODY></HTML>

------=_NextPart_000_002A_01C687EB.FC3C9190--


From Loopers-Delight-request@loopers-delight.com  Sun Jun  4 21:40:22 2006
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To: Loop List <Loopers-Delight@loopers-delight.com>
From: Steve Lawson <steve@steve-lawson.co.uk>
Subject: Re: Myspace OWNS your posted content....
Date: Sun, 4 Jun 2006 22:40:18 +0100
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My thoughts on this 'controversy' (posted yesterday on my blog) -

http://steve.anthropiccollective.org/archives/2006/06/ 
myspace_controv.html

Steve
www.stevelawson.net - site
www.stevelawson.net/zencart/ - shop
http://steve.anthropiccollective.org - blog
www.myspace.com/solobassstevelawson



From Loopers-Delight-request@loopers-delight.com  Sun Jun  4 21:41:13 2006
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Date: Sun, 04 Jun 2006 23:46:28 +0200
Subject: live
From: jayrope <jrploopers@kliklak.net>
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> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

--B_3232309588_1628594
Content-type: text/plain; charset="US-ASCII"
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i'll be playing live & solo

june 8 at le bokal, bordeaux.

anyone near? just come by - i won't be able to check my mail after tomorrow
until june 15.

it'll be some very stripped down looped solo performance with just guitar,
vocals, a lexicon jamman & some minor fx.

random love songs - as on jayrope.kliklak.net or myspace.com/randomloveagain
(mysapce recently deleted my random love songs profile twice, so thats
version 3 already...)

best from -yet- berlin, jayrope


--B_3232309588_1628594
Content-type: text/html; charset="US-ASCII"
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<HTML>
<HEAD>
<TITLE>live</TITLE>
</HEAD>
<BODY>
<FONT FACE=3D"Verdana">i'll be playing live &amp; solo<BR>
<BR>
june 8 at le bokal, bordeaux.<BR>
<BR>
anyone near? just come by - i won't be able to check my mail after tomorrow=
 until june 15.<BR>
<BR>
it'll be some very stripped down looped solo performance with just guitar, =
vocals, a lexicon jamman &amp; some minor fx.<BR>
<BR>
random love songs - as on jayrope.kliklak.net or myspace.com/randomloveagai=
n<BR>
(mysapce recently deleted my random love songs profile twice, so thats vers=
ion 3 already...)<BR>
<BR>
best from -yet- berlin, jayrope<BR>
</FONT>
</BODY>
</HTML>


--B_3232309588_1628594--

From Loopers-Delight-request@loopers-delight.com  Sun Jun  4 21:46:46 2006
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Subject: nomorestarsrecords.com .......looping and more!
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the first two electric bird noise(loop and layered cinematic guitar 
music) records are now available though the new online record label 
nomorestarsrecords.com

  check out some samples download the records ($5.00 each via pay 
pal.... art everything included).

  also available is my rock/pop/electro/punk looping band something 
about vampires and sluts.

 come by check it out!

 brian

  nomorestarsrecords.com

From Loopers-Delight-request@loopers-delight.com  Sun Jun  4 22:31:24 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
Subject: Live Clip from Last Night
Date: Sun, 4 Jun 2006 16:31:15 -0600
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I played an at an interesting event last night, at McCall, Idaho (USA). It 
is a hip little, high mountain resort town with a big lake next to it, etc. 
My percussionist friend, Jared Hallock, coordinated a percussion-based show, 
with marimba, various percussion instruments, some found sound percussion, 
an avant-garde bassoon performance (from one of his music professors), 
including some acting from the local theater group integrated into the 
performances. I played a short set, and also played background music for one 
of the acting performances.

Here is my short set, on acoustic guitar, and my stand-alone notebook 
looping system. Unfortunately, I recorded it in mono by accident, so I lost 
all my cool stereo imaging (damn!!!)...but I was able to add a simulated 
stereo effect when I mastered the file today.

http://www.box.net/public/e94oikjn5a

Kris


*************************************************
Krispen Hartung / Improvisational Guitar
www.krispenhartung.com / www.myspace.com/krispenhartung
info@krispenhartung.com / 1.208.724.5603
Discography - http://www.krispenhartung.com/catalogue.htm
Looper's Delight Playlist - 
http://www.boisemusicians.com/loopers-delight.m3u 


From Loopers-Delight-request@loopers-delight.com  Sun Jun  4 22:59:45 2006
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From: RP Collier <skeptikalist@gmail.com>
Subject: Re: Boysen Wagner Duo podcast published
Date: Sun, 4 Jun 2006 15:59:40 -0700
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On Jun 4, 2006, at 4:57 AM, Per Boysen wrote:

> If you have iTunes installed on your PC or Mac, just click the  
> podcast link

Hi Per

When I click on the url http://tinyurl.com/fauvm  I get this:

*Error: Unable to find site's URL to redirect to.*


Am I supposed to do it from within iTunes or something I am missing?  
I tried Safari and Firefox.

regards

BobC


http://www.cdbaby.com/rpcollier
http://www.cdbaby.com/rpcollier2
http://tinyurl.com/cr25j
http://www.youtube.com/watch?v=sn--iF6a4Xo

From Loopers-Delight-request@loopers-delight.com  Sun Jun  4 23:09:02 2006
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worx fer me-and it soundz great-thanx fer that.
s

-----Original Message-----
>From: RP Collier <skeptikalist@gmail.com>
>Sent: Jun 4, 2006 6:59 PM
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: Boysen Wagner Duo podcast published
>
>
>On Jun 4, 2006, at 4:57 AM, Per Boysen wrote:
>
>> If you have iTunes installed on your PC or Mac, just click the  
>> podcast link
>
>Hi Per
>
>When I click on the url http://tinyurl.com/fauvm  I get this:
>
>*Error: Unable to find site's URL to redirect to.*
>
>
>Am I supposed to do it from within iTunes or something I am missing?  
>I tried Safari and Firefox.
>
>regards
>
>BobC
>
>
>http://www.cdbaby.com/rpcollier
>http://www.cdbaby.com/rpcollier2
>http://tinyurl.com/cr25j
>http://www.youtube.com/watch?v=sn--iF6a4Xo
>

From Loopers-Delight-request@loopers-delight.com  Sun Jun  4 23:20:39 2006
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	id C902A3BEE4; Sun,  4 Jun 2006 23:20:39 +0000 (UTC)
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Date: Sun, 4 Jun 2006 20:16:43 -0300
To: Loopers-Delight@loopers-delight.com
From: Ramiro Musotto <ramirose@ism.com.br>
Subject: Re: Repeater for sale in europe
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how much?

>attention europeans,
>I am selling my repeater with latest O.S. and a
>simpletech 64MB card,with the hope of getting a
>looperlative, i will be putting it up in ebay soon i
>am in southern Germany and so if u r interested please
>contact me off list.
>cheers
>Luis
>
>
>
>
>
>--- Tim Nelson <psychle62@yahoo.com> wrote:
>
>>
>>
>>  --- tEd =AE kiLLiAn <tedkillian@charter.net> wrote:
>>  > We should compare chiropractor stories sometime
>>  > (from the looks of your gear setup).
>>
>>  No, really, this setup all fit on a handtruck which
>>  wheeled from the car in one trip. Nothing like the
>>  old
>>  days!
>>
>>  After Per wrote, I played his CD, so in the interest
>>  of  equal opportunity, I'm now playing Ted's 'Flux
>>  Aeterna'
>>  Just look at all those links! ;-P
>>
>>  -t-
>> 
>>  > http://www.pfmentum.com/flux.html
>>  > http://www.CDbaby.com/cd/tedkillian
>>  > http://www.guitar9.com/fluxaeterna.html
>>  > http://www.garageband.com/artist/ArsOcarina
>>  >
>>
>http://www.towerrecords.com/product.aspx?pfid=3D2845073
>>  >
>>
>http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
>>  >
>>
>http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
>>
>>
>>  <http://www.myspace.com/nimbletunes>
>>  'Rantai' CD: <http://cdbaby.com/cd/timnelson1>
>>  'Mesh' CD: <http://cdbaby.com/cd/timnelson2>
>>  Chain Tape Collective:
>>  <http://www.ct-collective.com/>
>>
>>  __________________________________________________
>>  Do You Yahoo!?
>>  Tired of spam?  Yahoo! Mail has the best spam
>>  protection around
>>  http://mail.yahoo.com
>>
>>
>
>
>__________________________________________________
>Do You Yahoo!?
>Tired of spam?  Yahoo! Mail has the best spam protection around
>http://mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Sun Jun  4 23:37:57 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Boysen Wagner Duo podcast published
Date: Mon, 5 Jun 2006 01:37:52 +0200
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On 5 jun 2006, at 00.59, RP Collier wrote:

> When I click on the url http://tinyurl.com/fauvm  I get this:
> *Error: Unable to find site's URL to redirect to.*
> Am I supposed to do it from within iTunes or something I am  
> missing? I tried Safari and Firefox.


Maybe it's the "tinyurl" thing that doesn't go too well with your  
ISP? Anyway, the podcast link at http://www.looproom.com/bw/sf/ is  
Apple's own URL for the feed and should work. That URL is a bit long,  
but it goes:
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast? 
id=128679560&s=143456

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)


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From: RP Collier <skeptikalist@gmail.com>
Subject: Re: Boysen Wagner Duo podcast published
Date: Sun, 4 Jun 2006 16:51:53 -0700
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On Jun 4, 2006, at 4:37 PM, Per Boysen wrote:

> Maybe it's the "tinyurl" thing that doesn't go too well with your ISP?

I use tinyurl all the time without problems but maybe it is one of  
those arbitrary * let's not work for today * sort of things.
:-)

Got the file from the Looproom link.

Very clean sound and rich soaring space!

thanks

BobC

From Loopers-Delight-request@loopers-delight.com  Mon Jun  5 01:14:35 2006
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From: Kevin <kevin@TheNettles.com>
Subject: Re: Myspace OWNS your posted content....
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At 02:12 PM 6/4/2006, you wrote:
>  .. Proprietary Rights in Content on MySpace.com.
>
>  1. By displaying or publishing ("posting") any Content, messages, 
> text, files, images, photos, video, sounds, profiles, works of 
> authorship, or any other materials (collectively, "Content") on or 
> through the Services, you hereby grant to MySpace.com, a 
> non-exclusive, fully-paid and royalty-free, worldwide license (with 
> the right to sublicense through unlimited levels of sublicensees) 
> to use, copy, modify, adapt, translate, publicly perform, publicly 
> display, store, reproduce, transmit, and distribute such Content on 
> and through the Services. This license will terminate at the time 
> you remove such Content from the Services...

Good eye!  This is pretty standard boilerplate.  What it says is that 
MySpace aka FOX, can use your content as long as you have it 
posted.  They don't own it but you've granted them a nonexclusive 
license to use it any way they damn please.  The nice thing is that 
the license terminates the instant you remove your content from 
MySpace.  So if you go platinum, no worries. ;-)

Cheers,
Kevin


The Nettles: Progressive and Exciting Celtic Music
www.TheNettles.com
Email: Kevin@TheNettles.com

From Loopers-Delight-request@loopers-delight.com  Mon Jun  5 01:27:45 2006
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Date: Sun, 04 Jun 2006 18:27:56 -0700
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From: Kevin <kevin@TheNettles.com>
Subject: Re:RE: Y2K5 Performance Recordings
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At 03:58 AM 6/4/2006, Andy wrote:

>>Turning on the wayback machine (OK, not THAT way-back, but...) and 
>>I'm combing through the list for Y2K5 recordings.  I'd like to get 
>>any that I can get my hands on, since I've never been to the 
>>festival and would love to hear what folks are playing.  I found 
>>these below, but seem to vaguely remember some CD's being available 
>>too?  Is there a complete list of online Y2K5 recordings available 
>>anywhere still?
>
>http://www.andybutler.com/mp3.htm
>
>has my y2k5 audio + a pic

Nice set!  What else do you have on the table in the pic besides the twin EDPs?

Cheers,
Kevin

The Nettles: Progressive and Exciting Celtic Music
www.TheNettles.com
Email: Kevin@TheNettles.com

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Myspace OWNS your posted content....Jeeze - in my case then that means =
Myspace and C|Net can take eachother to court over the ownership of my =
music.  Awesome.  Who's got the popcorn?


  ----- Original Message -----=20
  From: Charles Zwicky=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Sunday, June 04, 2006 5:12 PM
  Subject: Myspace OWNS your posted content....


  Just an FYI.

   You can find the info under TERMS ON MYSPACE

   .. Proprietary Rights in Content on MySpace.com.

   1. By displaying or publishing ("posting") any Content, messages, =
text, files, images, photos, video, sounds, profiles, works of =
authorship, or any other materials (collectively, "Content") on or =
through the Services, you hereby grant to MySpace.com, a non-exclusive, =
fully-paid and royalty-free, worldwide license (with the right to =
sublicense through unlimited levels of sublicensees) to use, copy, =
modify, adapt, translate, publicly perform, publicly display, store, =
reproduce, transmit, and distribute such Content on and through the =
Services. This license will terminate at the time you remove such =
Content from the Services. You represent and warrant that: (i) you own =
the Content posted by you on or through the Services or otherwise have =
the right to grant the license set forth in this section, and (ii) the =
posting of your Content on or through the Services does not violate the =
privacy rights, publicity rights, copyrights, contract rights or any =
other rights of any person. You agree to pay for all royalties, fees, =
and any other monies owing any person by reason of any Content posted by =
you to or through the Services.
   2. The Services contain Content of MySpace.com ("MySpace.com =
Content"). MySpace.com Content is protected by copyright, trademark, =
patent, trade secret and other laws, and MySpace.com owns and retains =
all rights in the MySpace.com Content and the Services. MySpace.com =
hereby grants you a limited, revocable, nonsublicensable license to =
reproduce and display the MySpace.com Content (excluding any software =
code) solely for your personal use in connection with viewing the =
Website and using the Services.
   3. The Services contain Content of Users and other MySpace.com =
licensors. Except for Content posted by you, you may not copy, modify, =
translate, publish, broadcast, transmit, distribute, perform, display, =
or sell any Content appearing on or through the Services.
--=20
...
  http://www.zmix.net
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<META content=3D"MSHTML 6.00.2800.1543" name=3DGENERATOR></HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Jeeze - in my case then that means =
Myspace and=20
C|Net can take eachother to court over the ownership of my music.&nbsp;=20
Awesome.&nbsp; Who's got the popcorn?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dcazwicky@earthlink.net =
href=3D"mailto:cazwicky@earthlink.net">Charles=20
  Zwicky</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Sunday, June 04, 2006 =
5:12 PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Myspace OWNS your =
posted=20
  content....</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DVerdana color=3D#000000 size=3D-2>Just an =
FYI.<BR><BR>&nbsp;You=20
  can find the info under TERMS ON MYSPACE<BR><BR>&nbsp;.. Proprietary =
Rights in=20
  Content on MySpace.com.<BR><BR>&nbsp;1. By displaying or publishing=20
  ("posting") any Content, messages, text, files, images, photos, video, =
sounds,=20
  profiles, works of authorship, or any other materials (collectively,=20
  "Content") on or through the Services, you hereby grant to =
MySpace.com, a=20
  non-exclusive, fully-paid and royalty-free, worldwide license (with =
the right=20
  to sublicense through unlimited levels of sublicensees) to use, copy, =
modify,=20
  adapt, translate, publicly perform, publicly display, store, =
reproduce,=20
  transmit, and distribute such Content on and through the Services. =
This=20
  license will terminate at the time you remove such Content from the =
Services.=20
  You represent and warrant that: (i) you own the Content posted by you =
on or=20
  through the Services or otherwise have the right to grant the license =
set=20
  forth in this section, and (ii) the posting of your Content on or =
through the=20
  Services does not violate the privacy rights, publicity rights, =
copyrights,=20
  contract rights or any other rights of any person. You agree to pay =
for all=20
  royalties, fees, and any other monies owing any person by reason of =
any=20
  Content posted by you to or through the Services.<BR>&nbsp;2. The =
Services=20
  contain Content of MySpace.com ("MySpace.com Content"). MySpace.com =
Content is=20
  protected by copyright, trademark, patent, trade secret and other =
laws, and=20
  MySpace.com owns and retains all rights in the MySpace.com Content and =
the=20
  Services. MySpace.com hereby grants you a limited, revocable, =
nonsublicensable=20
  license to reproduce and display the MySpace.com Content (excluding =
any=20
  software code) solely for your personal use in connection with viewing =
the=20
  Website and using the Services.<BR>&nbsp;3. The Services contain =
Content of=20
  Users and other MySpace.com licensors. Except for Content posted by =
you, you=20
  may not copy, modify, translate, publish, broadcast, transmit, =
distribute,=20
  perform, display, or sell any Content appearing on or through the=20
  Services.</FONT></DIV><X-SIGSEP><PRE>--=20
</PRE></X-SIGSEP>
  <DIV>...<BR>http://www.zmix.net</DIV></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_000B_01C68825.08739D80--

From Loopers-Delight-request@loopers-delight.com  Mon Jun  5 05:35:13 2006
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From: "PiNG" <ping@theambientping.com>
To: "Ambient@hyperreal" <ambient@hyperreal.org>,
	"Dark Seeds" <DarkSeedsNews@yahoogroups.com>,
	"Drone Deep Chill" <drone_deep_chill@yahoogroups.com>,
	"Loopers Delight" <Loopers-Delight@loopers-delight.com>,
	"The Ambient Way" <the_ambient_way@yahoogroups.com>,
	<vaguediscuss@vagueterrain.net>
Subject: the PiNG presents The Ministry of Inside Things with General Chaos Visuals
Date: Mon, 5 Jun 2006 01:35:40 -0400
Organization: THE AMBiENT PiNG
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THiS JUST iN - AMBiENT PiNG RADiO iS NOW LiVE
http://www.live365.com/stations/marastorment
more info here:
http://www.theambientping.com/index.html#pingradio

and now this message from Scott M2

Hi everybody... This week the PiNG is proud to present our=20
counterparts from Philadelphia. Chuck and Art from Spacemusic=20
duo The Ministry of Inside Things are also the presenters of the=20
world-renowned ambient and electronic music series The Gatherings.=20
http://www.thegatherings.org
Please come out and make them welcome here as they tour their=20
latest CD and remember that your regular presence and support for=20
the PiNG series is what keeps it happening. See you there . . .=20
Scott M2

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .=20

THE AMBiENT PiNG  .  http://www.theambientping.com
presents AMBiENT PiNG TUESDAYS =20
@ HACiENDA . 794 Bathurst Street at Bloor . Toronto=20
(NW corner, upstairs across from the Bathurst subway station)=20
Doors open at 9pm . 1st set at 9:30 . PayWhatYouCan=20

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .=20

THiS Tuesday June 6th . The Ministry of Inside Things=20
(Philadelphia, PA) with General Chaos Visuals

MoIT's Spring/Summer 2006 Tour touches down at the PiNG to=20
bring us another taste of their spacemusic.=20

The Ministry of Inside Things (electronic musician Chuck van Zyl
and electric guitarist Art Cohen) are considered among the most
innovative of US synthesists today. Influenced by the early music
of Tangerine Dream, Klaus Schulze and Ash Ra Tempel, their=20
spacemusic has been described as linear, leading the listener across=20
many sonic terrains. Based on improvisation, The Ministry of Inside=20
Things creates electronic realizations that flow from theme to theme,
with the experience often lasting up to two hours. Through use
of textures and atmospheres as well as harmony, rhythm and melody,
the group transports the audience on an internal sonic excursion.

Chuck van Zyl has been recording electronic music & performing in
public for over 15 years. Van Zyl originally worked under the name
Xisle, but is best known for hosting one of the US's most successful
radio shows of electronic music, STAR'S END, for over 20 years.
Art Cohen has been pushing the limits of the electric guitar in the
studio and in live performance for well over 15 years. He uses
processing to enhance the space around his guitar and loops his
live sound to create lush layers to create soundworlds of
immense depth and beauty.
http://www.synkronosmusic.com/moit.html

General Chaos Visuals will also be in the house to illuminate MOIT=20
and to fill our eyes with their unique blend of visual candy.
http://www.generalchaosvisuals.com

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .=20

Before Sets CD . LiVE by SADU
This week we get a sneak preview of SADU's premiere CD to=20
be released at next week's PiNG featuring SADU (Sylken,=20
Anomalous Disturbances and URM).
http://www.pingthings.com/SYLKENping.htm
http://www.pingthings.com/ADhovr.htm
http://www.pingthings.com/URM2.htm

Between Sets CD . One by TouchXtone
Visit http://www.pingthings.com/TOUCHone.htm
to find out more about this week's between set CD and tune in to=20
ping things radio every Sun & Wed from 9pm to 12 midnight EST=20
at http://www.live365.com/stations/marastorment
to hear music from this and other discs in the ping things catalogue.

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .=20

COMiNG Tuesday June 13th . SADU=20
Sylken with Anomalous Disturbances (Vancouver, BC) and URM=20

SADU invites you to THE AMBiENT PiNG to bask in some liquid=20
sound paintings, spacious atmospheres and ambient vibes to float=20
your mind on. Eric Hopper (Sylken), Terry O'Brien (Anomalous=20
Disturbances, visiting from Vancouver) and Jamie Todd (URM)=20
team up to bring you an evening of spacey synth washes, looping=20
ambient guitar cascades, rhythmic grooves and virtual laptop=20
soundshaping for your enjoyment. Tonight will also see the=20
release of the new 'SADU LiVE' CD which features deep=20
ambient soundforms performed by Eric, Terry and=20
Jamie during 2005. SADU LiVE will be available=20
from rik @ his ping things CD bar and online store.
http://www.anomalousdisturbances.com=20
http://www.sylken.ca=20
http://www.urm.ca=20

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .=20

* Other Toronto area sonic/visual events of interest this week:

* Wednesday June 7th . "Brodie's Back In Town Festival"
   Lina Allemano Four - Lina Allemano trumpet; Brodie West alto=20
   saxophone; Andrew Downing bass; Nick Fraser drums.
   9:30pm . The Rex (194 Queen St W)

* Thursday June 8th . Improvisors' Pool
   The improvisors' pool is a weekly gathering for musicians=20
   who practice collective free improvisation. It welcomes players=20
   of all levels and backgrounds.
   7:00-9:00 . Ralph Thornton Centre 765 Queen Street East =20
  =20
* Thursday June 8th . FOUR LINES
   Presented by Continuum @ soundaXis featuring:  =20
   Rob Clutton (double bass) Nilan Perera (guitar + percussion)=20
   Sarah Peebles (electronics) Barnyard Drama (Christine Duncan,=20
   vocals + Jean Martin, percussion).   =20
   At around 7 o'clock you'll find Rob Clutton playing his double=20
   bass at Grange Park, south of the AGO. Rob will be walking and=20
   playing his way to the Donnelly Centre as part of Continuum=92s=20
   four lines project. Listen out for Christine Duncan and Jean Martin=20
   along Philosopher's Walk, following the green spaces southwards.=20
   Rendez-vous with Sarah Peebles at La Palette on Augusta Ave.=20
   Bring your bike 'cos she'll be travelling by pedicab, mixing the=20
   sounds of bees and birds as she goes. Once at the Donnelly=20
   Centre, the "four lines" artists will perform throughout the space -=20
   on wooden platforms in the enormous bamboo grove, from=20
   overhanging balconies, nestled in the intersecting curves=20
   of two intricately tiled walls.
   *Starting points @ 7pm:
   1. Grange Park
   2. Edward Johnson Building, Philosopher's Walk, U of T
   3. La Palette Restaurant 256 Augusta Avenue (S. of College)
   *Arrival point @ 7:45pm: The Donnelly Centre, 160 College=20
   Street (W. of University)

* Thursday June 8th . TOUCH SPACE
   Presented by Continuum @ soundaXis - TOUCH SPACE is a=20
   spatially-conceived concert in the University of Toronto=92s new=20
   Donnelly Centre for Cellular and Biomolecular Research (by=20
   German architects Behnisch and Behnisch and Toronto's=20
   architectsAlliance). Curved interior walls jut into the sharp-edged=20
   glazed shell of the triple height lobby area, the ceiling punctured=20
   by multi-hued skylights. The works featured in the concert all=20
   share a fascination with space and architectural structure.
   Xenakis' visceral Okho for 3 djembes and bass drum transforms
   mathematical concepts into a physically charged work of almost
   ritualistic power. Gossamer lines entangle in Sciarrino's seductive
   Lo Spazio Inverso - a transparent pairing with mathematician and=20
   composer Ristic's turbulent and spacious Environnements=20
   improvis=E9s. Steenhuisen's Hobo Action Figures steps outside=20
   highbrow architecture to speak in the vernacular of the campsite=20
   and the open sky: improvised music with pre-recorded narration.
   Iannis Xenakis (France): Plekto (1993) + Okho (1989)
   Salvatore Sciarrino (Italy): Lo Spazio Inverso (1985)
   Paul Steenhuisen (Canada): Hobo Action Figures (2004)
   Andr=E9 Ristic (Canada): Environnements improvis=E9s (2002)
   8:15pm . The Donnelly Centre 160 College St. (W. of University)  =20
   $20 regular | $10 seniors and arts workers | $5 students
    =20
* Thursday June 8th - Sunday, July 11th, 2006=20
   Gary Topp presents SUN RA ARKESTRA
   Lula Lounge, 1585 Dundas St. W., Toronto
   $30 advance=20

* Friday June 9th . TELEVISION=20
   EARLY SHOW: doors at 6 PM . The Phoenix Concert Theatre,=20
   410 Sherbourne St., Toronto . $39.50 advance - 19+

* Friday June 9th . Eric Stach  presents THE SCREAM =20
   a festival of New Music, Noise/Sound IMPROVISATION
   a 10 week Friday Night Series May 5th to July 7th
   Musicians are welcome to drop by and play
   Place: 105 Clarence Street, London, Ontario, between
   Hill and South, west of Wellington.=20
   9:30pm -1:00 am  Every FRIDAY NIGHT no cover byob
  =20
* Friday June 9th . The Music of Iannis Xenakis
   Guest Artist: Lori Freedman, bass clarinet
   New Music Concerts Ensemble; Robert Aitken, artistic director
   7:15 Illuminating Introduction | 8:00 Concert
   Glenn Gould Studio (CBC Broadcast Centre): 250 Front St. W
   Tickets: $25 regular $15 seniors $5 students (Cheapseats)
  =20
* Friday, June 9th . Leftover Daylight Series
   in association with Arraymusic and AIMT
   9:00 bailey/ van tassel/ willes/ yolevsky
   [james bailey (found + homemade instruments) josh van tassel=20
   (sampler) chris willes (tenor saxophone) mitch yolevsky (clarinet)]   =

   10:00 digasbarro/ downing/ haley
   [romina digasbarro (guitar, voice, compositions) andrew downing=20
   (bass) geordie haley (guitar)]  =20
   11:00 chenaux/ lumley
   [eric chenaux (guitar) aaron lumley (guitar)]  =20
   9:00pm . ARRAYMUSIC Studio 60 Atlantic Ave., Ste/ 218 $10/6
        =20
* Saturday June 10th . A part of soundaXis
   108?Walking Through Tokyo
   A portrait of Tokyo for gallery exhibit / theatre screening=20
   (January 2006, 50 minutes)  =20
   Sarah Peebles - 50-minute soundscape portrait of the=20
   ever-changing metropolis without a centre
   Christie Pearson - digital images of Tokyo's architecture,=20
   spaces and life=20
   Yoshimura Hiroshi - essay on Tokyo's soundscape past & present =20
   "108 -Walking through Tokyo" immerses the viewer in the richness=20
   of a metropolis through image and sound. A journey created by=20
   two Toronto artists: soundscape by composer Sarah Peebles;=20
   images by artist/architect Christie Pearson. The screening is=20
   contextualized by Urban Deconstructions, currently on view at=20
   Goethe-Institut Gallery, with work by Alekos Hofstetter and=20
   Holger Lippmann of Berlin, and architects Paul Raff and David=20
   Warne of Toronto. A 12 min. video-loop from this show=20
   precedes Walking through Tokyo.
   Presented by the Goethe-Institut and soundaXis in cooperation=20
   with the Japan Foundation.=20
   11 am . Goethe-Institut, Kinowelt Hall 163 King St. W. . Free

* Saturday June 10th . Ambience in the mill
   an Evening of ambient light and sound with
   Collapsible Frequency Flow and special guest
   7.30 pm . Goldie Mill Ruins, Guelph ON
   Free . bring something to sit on=20

* Saturday June 10th . Quadraphonics - Tribute to Iannis Xenakis
   With Penderecki String Quartet, Lafayette String Quartet, Rocca
   String Quartet and Sirius String Quartet=20
   Presented by Perimeter Institute and NUMUS
   7:30 pm . Perimeter Institute for Theoretical Physics
   31 Caroline Street North, Waterloo, ON (behind the Clay & Glass=20
   Museum on Erb & Caroline Streets)
   Adults $20 and Full-time Students (with valid student ID) $15

* Saturday June 10th . CONTACT contemporary music &=20
   New Adventures In Sound Art present THE POWER OF SPACE
   As part of soundaXis festival of architecture, music & acoustics
   The music of Iannis Xenakis, Barry Truax, Paul Dolden,
   Michael Gordon and the world premiere of Oracle, a new work by=20
   Wende Bartley. Featuring performances by cellist Alex Grant,=20
   percussionist Jerry Pergolesi, and guest vocalists Maryem Tollar=20
   and David Wall.
   8:00 PM . The Ontario College of Art & Design (100 McCaul St.)  =20
   $15 Adults . $10 Seniors/Students

* Sunday, June 11th . The NOW Series
   presented by AIMToronto and the NOW Lounge
   2:00 - Workshop- Rob Clutton- developing solo repertoire=20
   (improv and composition  =20
   4-7pm - Drumheller + Convergence Ensemble  =20
   Drumheller: brody west- alto sax, doug tielli- trombone,=20
   eric chenaux- guitar, rob clutton- bass, nick fraser- drums  =20
   Convergence Ensemble: evan shaw- alto sax, scott thomson-=20
   trombone, ken aldcroft- guitar, wes neal- bass, joe sorbara- drums  =20
   2-7pm . The NOW Lounge 189 Church St. . $6

* Sunday, June 11th . "Brodie's Back In Town Festival"
   Lina Allemano Four - Lina Allemano trumpet; Brodie West alto=20
   saxophone; Andrew Downing bass; Nick Fraser drums.
   9:30pm . The Rex (194 Queen St W) =20

* June 1st - 11th . soundaXis      Architecture . Music . Acoustics
   New Music Arts Projects presents soundaXis, a city-wide festival=20
   celebrating architecture, music and acoustics that will transform=20
   Toronto into a playground of sound and space exploration. For=20
   two weeks, the city will be alive with concerts, interdisciplinary=20
   installations, symposia, screenings and site-specific musical events.
   More info here: http://www.soundaxis.ca  =20

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .=20

THE AMBiENT PiNG is a social sound/art event presenting live=20
performances by Toronto's finest ambient, chillout, improv and=20
experimental music artists plus performers from around the world,=20
every Tuesday evening at HACiENDA . 794 Bathurst Street at Bloor.=20
http://www.theambientping.com=20

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .=20

Please forward this e-mail to any friends who may be interested in=20
live ambient, chillout and experimental music performances or to=20
any of your appropriate newsgroups. Thanks.

From Loopers-Delight-request@loopers-delight.com  Mon Jun  5 05:42:10 2006
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	id BF1E73BEC1; Mon,  5 Jun 2006 05:42:10 +0000 (UTC)
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Message-ID: <20060605054208.52476.qmail@web38601.mail.mud.yahoo.com>
Date: Sun, 4 Jun 2006 22:42:08 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: Repeater for sale in europe
To: Loopers-Delight@loopers-delight.com
In-Reply-To: <a0623095ec0a91a50a367@[10.2.1.1]>
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Hi Ramiro,
500.-eur.
cheers
Luis

--- Ramiro Musotto <ramirose@ism.com.br> wrote:

> how much?
> 
> >attention europeans,
> >I am selling my repeater with latest O.S. and a
> >simpletech 64MB card,with the hope of getting a
> >looperlative, i will be putting it up in ebay soon
> i
> >am in southern Germany and so if u r interested
> please
> >contact me off list.
> >cheers
> >Luis
> >
> >
> >
> >
> >
> >--- Tim Nelson <psychle62@yahoo.com> wrote:
> >
> >>
> >>
> >>  --- tEd ® kiLLiAn <tedkillian@charter.net>
> wrote:
> >>  > We should compare chiropractor stories
> sometime
> >>  > (from the looks of your gear setup).
> >>
> >>  No, really, this setup all fit on a handtruck
> which
> >>  wheeled from the car in one trip. Nothing like
> the
> >>  old
> >>  days!
> >>
> >>  After Per wrote, I played his CD, so in the
> interest
> >>  of  equal opportunity, I'm now playing Ted's
> 'Flux
> >>  Aeterna'
> >>  Just look at all those links! ;-P
> >>
> >>  -t-
> >>
> >>  > http://www.pfmentum.com/flux.html
> >>  > http://www.CDbaby.com/cd/tedkillian
> >>  > http://www.guitar9.com/fluxaeterna.html
> >>  > http://www.garageband.com/artist/ArsOcarina
> >>  >
> >>
>
>http://www.towerrecords.com/product.aspx?pfid=2845073
> >>  >
> >>
>
>http://www.netmusic.com/web/album.aspx?a_id=CBNM_17314
> >>  >
> >>
>
>http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=193
> >>
> >>
> >>  <http://www.myspace.com/nimbletunes>
> >>  'Rantai' CD: <http://cdbaby.com/cd/timnelson1>
> >>  'Mesh' CD: <http://cdbaby.com/cd/timnelson2>
> >>  Chain Tape Collective:
> >>  <http://www.ct-collective.com/>
> >>
> >> 
> __________________________________________________
> >>  Do You Yahoo!?
> >>  Tired of spam?  Yahoo! Mail has the best spam
> >>  protection around
> >>  http://mail.yahoo.com
> >>
> >>
> >
> >
> >__________________________________________________
> >Do You Yahoo!?
> >Tired of spam?  Yahoo! Mail has the best spam
> protection around
> >http://mail.yahoo.com
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Mon Jun  5 09:53:07 2006
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From: "loop.pool" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Subject: Myspace OWNS your posted content....
Date: Sun, 4 Jun 2006 02:53:15 -0700
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This is so chilling as to defy belief!!!!!!

I think very, very few musicians on MySpace know about this at all (see 
below).

I know that Tribe.net  is about to add both audio and video files.
I've been in contact with them (lobbying heavily for this service because 
they have
lost out so much to MySpace) so I will write them and ask them what their 
response is to this policy
and what policy they , themselves intend.

If I get a satisfactory and respectful answer to this situation I"ll let 
everyone know and
then, perhaps we can start a    Live Loopers at Tribe.net    thread.

Mark Sottilaro already has a Cycletronica tribe at tribe for loopers
and I started a LiveLoopers tribe there,  so we already have some presence.

More to come...............................


yours,  Rick Walker

ps what prompted this missive:


You can find the info under TERMS ON MYSPACE

 .. Proprietary Rights in Content on MySpace.com.

 1. By displaying or publishing ("posting") any Content, messages, text, 
files, images, photos, video, sounds, profiles, works of authorship, or any 
other materials (collectively, "Content") on or through the Services, you 
hereby grant to MySpace.com, a non-exclusive, fully-paid and royalty-free, 
worldwide license (with the right to sublicense through unlimited levels of 
sublicensees) to use, copy, modify, adapt, translate, publicly perform, 
publicly display, store, reproduce, transmit, and distribute such Content on 
and through the Services. This license will terminate at the time you remove 
such Content from the Services. You represent and warrant that: (i) you own 
the Content posted by you on or through the Services or otherwise have the 
right to grant the license set forth in this section, and (ii) the posting 
of your Content on or through the Services does not violate the privacy 
rights, publicity rights, copyrights, contract rights or any other rights of 
any person. You agree to pay for all royalties, fees, and any other monies 
owing any person by reason of any Content posted by you to or through the 
Services.
 2. The Services contain Content of MySpace.com ("MySpace.com Content"). 
MySpace.com Content is protected by copyright, trademark, patent, trade 
secret and other laws, and MySpace.com owns and retains all rights in the 
MySpace.com Content and the Services. MySpace.com hereby grants you a 
limited, revocable, nonsublicensable license to reproduce and display the 
MySpace.com Content (excluding any software code) solely for your personal 
use in connection with viewing the Website and using the Services.
 3. The Services contain Content of Users and other MySpace.com licensors. 
Except for Content posted by you, you may not copy, modify, translate, 
publish, broadcast, transmit, distribute, perform, display, or sell any 
Content appearing on or through the Services. 

From Loopers-Delight-request@loopers-delight.com  Mon Jun  5 11:13:25 2006
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Date: Mon, 05 Jun 2006 11:34:48 +0100
To: Loopers-Delight@loopers-delight.com
From: a k butler <akbutler@tiscali.co.uk>
Subject: Re: RE: Y2K5 Performance Recordings (andy gear)
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>>http://www.andybutler.com/mp3.htm
>>
>>has my y2k5 audio + a pic
>
>Nice set!  What else do you have on the table in the pic besides the 
>twin EDPs?
>
>Cheers,
>Kevin

thanks Kevin :-)

"on the table" are
ADA MP1 tube pre-amp ( just used as a pre  at y2k5, the distortion 
comes from the guitar )
Lexicon Vortex
EDPs
Ebow
Ancient guitar tuner

andy butler

From Loopers-Delight-request@loopers-delight.com  Mon Jun  5 12:44:39 2006
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From: goddard.duncan@mtvne.com
To: Loopers-Delight@loopers-delight.com
Subject: RE: Mac v.s Pc 
Date: Mon, 5 Jun 2006 13:44:34 +0100 
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here's another 2c worth: I have a macbook pro, which is an intel-powered
dual-core 1.8Ghz laptop. it has 2 Gb of ram.
the whole thing cost almost twice as much as the nearest PC equivalent BUT
it is running parallels workstation virtual machine, which means that I have
"enormous predatory feline" (I forget which one) & w2k running on the box
simultaneously. no rebooting. 

the only thing I have to do to make this work is the occasional bit of
device-sharing futzery. 
for instance, the pc bit isn't allowed to directly access any of the drives
unless they are "handed over" from one o/s to the other. the pc bit uses a
soft-partition on the main hard drive, & it occupies a maximum of half the
ram while the vm is running.

that said, I have vegas & corel running quite happily on it. I aim to try
some more apps in due course. vegas has captured from a fire-wire connected
dv deck, & has recorded through the mac's optical audio input.

the best part, though, for those of us that can never leave anything alone,
is that different "builds" of the "guest o/s" can be saved. all of them have
their dealings with the host hardware abstracted by some software
intermediary, so there's no dicking around with registry entries. 
basically, any hardware that I attach to the mac that the host o/s can deal
with, the guest o/s is ok with too.

I like this arrangement a lot. the only problem I have now is that I keep
clicking in the wrong corner to shut stuff. :-)

duncan.


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<TITLE>RE: Mac v.s Pc </TITLE>
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<P><FONT SIZE=3D2>here's another 2c worth: I have a macbook pro, which is a=
n intel-powered dual-core 1.8Ghz laptop. it has 2 Gb of ram.</FONT>
<BR><FONT SIZE=3D2>the whole thing cost almost twice as much as the nearest=
 PC equivalent BUT it is running parallels workstation virtual machine, whi=
ch means that I have &quot;enormous predatory feline&quot; (I forget which =
one) &amp; w2k running on the box simultaneously. no rebooting. </FONT></P>

<P><FONT SIZE=3D2>the only thing I have to do to make this work is the occa=
sional bit of device-sharing futzery. </FONT>
<BR><FONT SIZE=3D2>for instance, the pc bit isn't allowed to directly acces=
s any of the drives unless they are &quot;handed over&quot; from one o/s to=
 the other. the pc bit uses a soft-partition on the main hard drive, &amp; =
it occupies a maximum of half the ram while the vm is running.</FONT></P>

<P><FONT SIZE=3D2>that said, I have vegas &amp; corel running quite happily=
 on it. I aim to try some more apps in due course. vegas has captured from =
a fire-wire connected dv deck, &amp; has recorded through the mac's optical=
 audio input.</FONT></P>

<P><FONT SIZE=3D2>the best part, though, for those of us that can never lea=
ve anything alone, is that different &quot;builds&quot; of the &quot;guest =
o/s&quot; can be saved. all of them have their dealings with the host hardw=
are abstracted by some software intermediary, so there's no dicking around =
with registry entries. </FONT></P>

<P><FONT SIZE=3D2>basically, any hardware that I attach to the mac that the=
 host o/s can deal with, the guest o/s is ok with too.</FONT>
</P>

<P><FONT SIZE=3D2>I like this arrangement a lot. the only problem I have no=
w is that I keep clicking in the wrong corner to shut stuff. :-)</FONT></P>

<P><FONT SIZE=3D2>duncan.</FONT>
</P>

<CODE><FONT SIZE=3D3><BR>
<BR>
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<BR>
MTV reserves the right to monitor e-mail communications from<BR>
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From Loopers-Delight-request@loopers-delight.com  Mon Jun  5 14:27:54 2006
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
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Subject: Software vs Hardware, Laptop vs Oldskool - post scriptum
Date: Mon, 5 Jun 2006 16:27:48 +0200
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One important issue had been missing from my initial post:

> B: Comparison of both setups

9. Flexibilty and Instant Reconfiguration:
Sometimes, you want to change or expand your configuration. Like having
another submix to send one to the looper, the second one to a compressor and
the third one to something else. Or you suddenly want - for one specific
tune - to have the snare drum and the crash cymbal on their own mixer
channels for dedicated treatment. Or you want to try out a new processor
you've just stumbled across.

With the hardware setup, it's either not possible (currently, both the Kaoss
and the Triple-C share a submix - meaning that the Kaoss's noise is present
when I want some drums do be enhanced by the Triple-C's envelope
compressor), or it takes a considerable amount of time to get it done, and
the same amount of time to restore it to the old state.

With the laptop, it's very quick to just plugin a new VST, expandability is
only limited by the computer's power (meaning, in the example from above,
it's easily possible to just add another subgroup), there's total recall
(meaning restoring the last configuration simply means loading the last Live
setup), and it's even possible mid-performance (not within a tune, mind you,
but while I explain to the audience who I am and what I do or whatever).

In this category: a clear win for the laptop


From Loopers-Delight-request@loopers-delight.com  Mon Jun  5 15:48:54 2006
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Date: Mon, 5 Jun 2006 11:49:06 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: Software vs Hardware, Laptop vs Oldskool - post scriptum
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I'd like to make a case for the dedicated hardware approach.

Lately I have been using the EH 2880 looper. It has one particular 
design philosophy that I like: No multi-function buttons or knobs. 
Each knob and each button performs one function only.  No menues, no 
'virtual' knobs.  This device has encouraged me to pull out my 
stompboxes again... more knobs!





-- 
...
http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Mon Jun  5 16:15:07 2006
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From: "William Walker" <billwalker@baymoon.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: LOOPER BILL WALKER GETTING MARRIED
Date: Mon, 5 Jun 2006 09:15:08 -0700
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Thanks Mark!!

-----Original Message-----
From: Mark Hamburg [mailto:mark_hamburg@baymoon.com]
Sent: Sunday, June 04, 2006 9:50 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: LOOPER BILL WALKER GETTING MARRIED


Congratulations Bill and Nancy!

Mark




From Loopers-Delight-request@loopers-delight.com  Mon Jun  5 16:50:03 2006
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From: Zoe Keating <cello@zoekeating.com>
Subject: Re: LOOPER BILL WALKER GETTING MARRIED
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been out of the "loop" for a bit.

congratulations and best wishes to both of you!

best, zoe

From Loopers-Delight-request@loopers-delight.com  Mon Jun  5 17:55:52 2006
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From: Stefan Smulovitz <stefan@kenaxis.com>
Subject: Re: UPDATE: Boise Experimental Music Festival / Dominated by Loopers?
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Hi Kris,

I heard all about the Boise Experimental Music Festival from the  
Loopers-Delight list. Checked out some of the performances as well.  
Great festival.

I was wondering if it would be possible to play there next year? I  
have a duet with a vocalist that is very experimental. Utilizes my  
computer software which does some looping, granular synthesis and  
other goodies while she creates some of the most unbelievable  
extended vocal sounds. Be happy to send you a CD of what we do if you  
are interested.

My bio and software (created in Max/MSP) can be found at http:// 
www.kenaxis.com/

My sister is a prof at U-Idaho so it would be great to visit her and  
combine it with some playing.


Thanks,

Stefan

From Loopers-Delight-request@loopers-delight.com  Mon Jun  5 18:06:53 2006
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--- goddard.duncan@mtvne.com wrote:

> here's another 2c worth: I have a macbook pro, which
> is an intel-powered
> dual-core 1.8Ghz laptop. it has 2 Gb of ram.
> the whole thing cost almost twice as much as the
> nearest PC equivalent 

I'm not sure how you can make that statement. I've
been shopping for these things a lot and I found that
unless you're looking at a no-name laptop the prices
of the Macs weren't all that out of line.  Here's what
I saw:

http://www.buy.com/prod/Sony_Vaio_100GB_1GB_13_3_DVD_R_RW_Windows_XP_Professional/q/loc/101/202242878.html

and

http://store.apple.com/1-800-MY-APPLE/WebObjects/AppleStore?family=MacBookPro

The Sony's got more ram (I think a gig stick costs
about $150 these days) and the Apple's got a faster
processor but "twice" as expensive?  I found similar
prices with most of the major brands like Toshiba,
Lenovo(IBM) and Dell.

I did decide to go with a Toshiba myself but only
because I've already got machines that run all the Mac
apps I have and the added cost of XP did make the
Macbook more expensive for a reason I could't justify.

Mark

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From Loopers-Delight-request@loopers-delight.com  Mon Jun  5 18:24:59 2006
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Yerks!  Why would anyone knowingly spend their money on a Vaio?  The pretty 
box?

----- Original Message ----- 
From: "mark sottilaro" <zerocrossing2001@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, 5 June, 2006 19:06 PM
Subject: RE: Mac v.s Pc


> --- goddard.duncan@mtvne.com wrote:
>
>> here's another 2c worth: I have a macbook pro, which
>> is an intel-powered
>> dual-core 1.8Ghz laptop. it has 2 Gb of ram.
>> the whole thing cost almost twice as much as the
>> nearest PC equivalent
>
> I'm not sure how you can make that statement. I've
> been shopping for these things a lot and I found that
> unless you're looking at a no-name laptop the prices
> of the Macs weren't all that out of line.  Here's what
> I saw:
>
> http://www.buy.com/prod/Sony_Vaio_100GB_1GB_13_3_DVD_R_RW_Windows_XP_Professional/q/loc/101/202242878.html
>
> and
>
> http://store.apple.com/1-800-MY-APPLE/WebObjects/AppleStore?family=MacBookPro
>
> The Sony's got more ram (I think a gig stick costs
> about $150 these days) and the Apple's got a faster
> processor but "twice" as expensive?  I found similar
> prices with most of the major brands like Toshiba,
> Lenovo(IBM) and Dell.
>
> I did decide to go with a Toshiba myself but only
> because I've already got machines that run all the Mac
> apps I have and the added cost of XP did make the
> Macbook more expensive for a reason I could't justify.
>
> Mark
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>
>
>
>
> 

From Loopers-Delight-request@loopers-delight.com  Mon Jun  5 18:28:06 2006
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From: Andrew Duke <andrew@andrew-duke.com>
Subject: Sony Vaio Re: Mac v.s Pc
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Stephen Goodman wrote:

> Yerks!  Why would anyone knowingly spend their money on a Vaio?  The 
> pretty box? 

Agreed.
FWIW, I have a relative who works for Sony and he told me if he were to 
buy a laptop, he
would not buy a Vaio.  He says they are overpriced and there's much 
better laptops
out there.
Andrew

-- 
Andrew Duke
scoring/sound design/source
http://andrew-duke.com
http://myspace.com/andrewduke
Cognition Audioworks label
[Andrew Duke, Foal, Clinker, Granny'Ark]
http://cognitionaudioworks.com


From Loopers-Delight-request@loopers-delight.com  Mon Jun  5 18:34:35 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Mac v.s Pc 
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On 5 jun 2006, at 20.24, Stephen Goodman wrote:

> Yerks!  Why would anyone knowingly spend their money on a Vaio?   
> The pretty box?


Yes, exactly! That's what I hear on The Internet.

per ;-)



From Loopers-Delight-request@loopers-delight.com  Mon Jun  5 18:40:56 2006
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Subject: Re: Mac v.s Pc 
Date: Mon, 5 Jun 2006 20:40:47 +0200
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> --- goddard.duncan@mtvne.com wrote:
>
>> here's another 2c worth: I have a macbook pro, which
>> is an intel-powered
>> dual-core 1.8Ghz laptop. it has 2 Gb of ram.
>> the whole thing cost almost twice as much as the
>> nearest PC equivalent
>
On 5 jun 2006, at 20.06, mark sottilaro wrote:

> I'm not sure how you can make that statement.


I'd like to join Marks Police Department on this issue!  ;-))

It's easy to regard them "equal" but a thorough comparison will give  
that truly equal laptops will go for the roughly the same price no  
matter if the were made by Apple or some other PC contractor  
manufactory. But the MacBook Pro is the extreme Top Of The Line right  
now. I think I would go the much cheaper white MacBook if I should  
buy a laptop today. But my ZEPTO (who the hell comes up with all  
these ugly pc brand names???) will hopefully still be going strong  
with Windows XP for another three to four years.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)




From Loopers-Delight-request@loopers-delight.com  Mon Jun  5 19:26:09 2006
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From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Software vs Hardware, Laptop vs Oldskool
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I'm bring in a quote from another thread (mac vs pc)
but I think it makes sense here:

> now. I think I would go the much cheaper white
> MacBook if I should  
> buy a laptop today. But my ZEPTO (who the hell comes
> up with all  
> these ugly pc brand names???) will hopefully still
> be going strong  
> with Windows XP for another three to four years.

That hit me like a ton of bricks.  I'm not a diehard
vinage gear fan, but I think about my Repeater (out
since 2001) and a lot of my other gear I've had much
longer.  Still faithfully going.  My friend Andy's
still getting plenty of mileage out of his 1994
Lexicon JamMan.  Who of us here is using a computer
that's more than 5 or 6 years old to do music?  Has
anyone sold a computer for what they paid for it? 
More than they paid for it?

A clear win for hardware.  Often useful for decades,
often retains or increases in value over the years. 
No one's going to be selling a vintage Macbook or
Thinkpad on Ebay ten years from now because it's
running that warm sounding Mobius v1 looper.

All said, there's no doubt in my mind that we're just
seeing the infancy of virtual instruments and effects
at this point and they will surely overtake our
dedicated hardware just as the ProTools system has
killed the multitrack tape deck.

Do you here that, Mr. Anderson? It's the sound of
inevitability. It is the sound of your death.

Mr. Smith

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Mon Jun  5 19:32:21 2006
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Date: Mon, 5 Jun 2006 12:32:19 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Mac v.s Pc 
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My friend bought one to run is CNC and he seems to
love it.  He's really picky about displays and he
claims their x-bright screen is best on the market.
Probably not an issue for people here, but perhaps
that's where Sony puts the money in, the display. 
Seems to make sense for a company who makes a ton of
it's money on Televisions.

I picked Sony as an example because I was looking for
a "brand" the way Apple is a brand.  I my recent
research a lot of people claimed the build of the new
Vaios was really good.  Who knows?  To me they're all
boxes. My girlfriend has a 6 year old viao she gave me
that's still working well as a coffee table
websurfer... though I can't seem to get a wireless
linksys card to work with it...

--- Stephen Goodman <spgoodman@earthlight.net> wrote:

> Yerks!  Why would anyone knowingly spend their money
> on a Vaio?  The pretty 
> box?
> 
> ----- Original Message ----- 
> From: "mark sottilaro" <zerocrossing2001@yahoo.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Monday, 5 June, 2006 19:06 PM
> Subject: RE: Mac v.s Pc
> 
> 
> > --- goddard.duncan@mtvne.com wrote:
> >
> >> here's another 2c worth: I have a macbook pro,
> which
> >> is an intel-powered
> >> dual-core 1.8Ghz laptop. it has 2 Gb of ram.
> >> the whole thing cost almost twice as much as the
> >> nearest PC equivalent
> >
> > I'm not sure how you can make that statement. I've
> > been shopping for these things a lot and I found
> that
> > unless you're looking at a no-name laptop the
> prices
> > of the Macs weren't all that out of line.  Here's
> what
> > I saw:
> >
> >
>
http://www.buy.com/prod/Sony_Vaio_100GB_1GB_13_3_DVD_R_RW_Windows_XP_Professional/q/loc/101/202242878.html
> >
> > and
> >
> >
>
http://store.apple.com/1-800-MY-APPLE/WebObjects/AppleStore?family=MacBookPro
> >
> > The Sony's got more ram (I think a gig stick costs
> > about $150 these days) and the Apple's got a
> faster
> > processor but "twice" as expensive?  I found
> similar
> > prices with most of the major brands like Toshiba,
> > Lenovo(IBM) and Dell.
> >
> > I did decide to go with a Toshiba myself but only
> > because I've already got machines that run all the
> Mac
> > apps I have and the added cost of XP did make the
> > Macbook more expensive for a reason I could't
> justify.
> >
> > Mark
> >
> > __________________________________________________
> > Do You Yahoo!?
> > Tired of spam?  Yahoo! Mail has the best spam
> protection around
> > http://mail.yahoo.com
> >
> >
> >
> >
> > 
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Mon Jun  5 19:52:46 2006
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Subject: RE: Mac v.s Pc 
Date: Mon, 5 Jun 2006 15:52:41 -0400
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Here's a tip. Checkout www.notebookforum.com for comparisons, deals, and
discount coupons. For example, there are dell coupons that I've been able to
apply at checkout for 10-20% discount.

They cover both apple and pc notebooks.

> -----Original Message-----
> From: mark sottilaro [mailto:zerocrossing2001@yahoo.com]
> Sent: Monday, June 05, 2006 3:32 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Mac v.s Pc
> 
> My friend bought one to run is CNC and he seems to
> love it.  He's really picky about displays and he
> claims their x-bright screen is best on the market.
> Probably not an issue for people here, but perhaps
> that's where Sony puts the money in, the display.
> Seems to make sense for a company who makes a ton of
> it's money on Televisions.
> 
> I picked Sony as an example because I was looking for
> a "brand" the way Apple is a brand.  I my recent
> research a lot of people claimed the build of the new
> Vaios was really good.  Who knows?  To me they're all
> boxes. My girlfriend has a 6 year old viao she gave me
> that's still working well as a coffee table
> websurfer... though I can't seem to get a wireless
> linksys card to work with it...
> 
> --- Stephen Goodman <spgoodman@earthlight.net> wrote:
> 
> > Yerks!  Why would anyone knowingly spend their money
> > on a Vaio?  The pretty
> > box?
> >
> > ----- Original Message -----
> > From: "mark sottilaro" <zerocrossing2001@yahoo.com>
> > To: <Loopers-Delight@loopers-delight.com>
> > Sent: Monday, 5 June, 2006 19:06 PM
> > Subject: RE: Mac v.s Pc
> >
> >
> > > --- goddard.duncan@mtvne.com wrote:
> > >
> > >> here's another 2c worth: I have a macbook pro,
> > which
> > >> is an intel-powered
> > >> dual-core 1.8Ghz laptop. it has 2 Gb of ram.
> > >> the whole thing cost almost twice as much as the
> > >> nearest PC equivalent
> > >
> > > I'm not sure how you can make that statement. I've
> > > been shopping for these things a lot and I found
> > that
> > > unless you're looking at a no-name laptop the
> > prices
> > > of the Macs weren't all that out of line.  Here's
> > what
> > > I saw:
> > >
> > >
> >
> http://www.buy.com/prod/Sony_Vaio_100GB_1GB_13_3_DVD_R_RW_Windows_XP_Profe
> ssional/q/loc/101/202242878.html
> > >
> > > and
> > >
> > >
> >
> http://store.apple.com/1-800-MY-
> APPLE/WebObjects/AppleStore?family=MacBookPro
> > >
> > > The Sony's got more ram (I think a gig stick costs
> > > about $150 these days) and the Apple's got a
> > faster
> > > processor but "twice" as expensive?  I found
> > similar
> > > prices with most of the major brands like Toshiba,
> > > Lenovo(IBM) and Dell.
> > >
> > > I did decide to go with a Toshiba myself but only
> > > because I've already got machines that run all the
> > Mac
> > > apps I have and the added cost of XP did make the
> > > Macbook more expensive for a reason I could't
> > justify.
> > >
> > > Mark
> > >
> > > __________________________________________________
> > > Do You Yahoo!?
> > > Tired of spam?  Yahoo! Mail has the best spam
> > protection around
> > > http://mail.yahoo.com
> > >
> > >
> > >
> > >
> > >
> >
> >
> 
> 
> __________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Mon Jun  5 21:22:33 2006
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>>I'd like to join Marks Police Department on this issue!  ;-))<<

eek! what have I started? 

I'm so glad I didn't mention my disappointment with sony over the vaio & how
they backed down on writing their own a/v-biased o/s in favour of micro$oft,
so that they could do some content-related deal instead..... 'nother story.

no, I stand by my contention that there is a significant mark-up (here, in
london, this is) on the macbook over the nearest "equivalent" pc laptop.

I suspect the mac of being aimed at a slightly different, rather
middle-class media-twat, demographic in london- they have a huge retail
outlet in regent street. well, by regent street standards it's huge. anyway,
part of the cost of the new macs is surely going on west-end business rates,
& part of it is the sort of mark-up that all trendy new products have as
part of their lifecycle.

it does rock, though, even though the 30 second boot-up is a con (desktop's
there, yes, but most of the hardware is still waking up a minute later)

I bought mine through work, so I haven't felt the true cost yet. the true
benefit is that I can treat it as mac or pc, which is why I didn't just go &
buy another tecra instead. 
besides, have you seen a pc laptop (any make) that's as nicely built as the
macs?
[ducks again]

d. 


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1">
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<TITLE>RE: Mac v.s Pc </TITLE>
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<P><FONT SIZE=3D2>&gt;&gt;I'd like to join Marks Police Department on this =
issue!&nbsp; ;-))&lt;&lt;</FONT>
</P>

<P><FONT SIZE=3D2>eek! what have I started? </FONT>
</P>

<P><FONT SIZE=3D2>I'm so glad I didn't mention my disappointment with sony =
over the vaio &amp; how they backed down on writing their own a/v-biased o/=
s in favour of micro$oft, so that they could do some content-related deal i=
nstead..... 'nother story.</FONT></P>

<P><FONT SIZE=3D2>no, I stand by my contention that there is a significant =
mark-up (here, in london, this is) on the macbook over the nearest &quot;eq=
uivalent&quot; pc laptop.</FONT></P>

<P><FONT SIZE=3D2>I suspect the mac of being aimed at a slightly different,=
 rather middle-class media-twat, demographic in london- they have a huge re=
tail outlet in regent street. well, by regent street standards it's huge. a=
nyway, part of the cost of the new macs is surely going on west-end busines=
s rates, &amp; part of it is the sort of mark-up that all trendy new produc=
ts have as part of their lifecycle.</FONT></P>

<P><FONT SIZE=3D2>it does rock, though, even though the 30 second boot-up i=
s a con (desktop's there, yes, but most of the hardware is still waking up =
a minute later)</FONT></P>

<P><FONT SIZE=3D2>I bought mine through work, so I haven't felt the true co=
st yet. the true benefit is that I can treat it as mac or pc, which is why =
I didn't just go &amp; buy another tecra instead. </FONT></P>

<P><FONT SIZE=3D2>besides, have you seen a pc laptop (any make) that's as n=
icely built as the macs?</FONT>
<BR><FONT SIZE=3D2>[ducks again]</FONT>
</P>

<P><FONT SIZE=3D2>d. </FONT>
</P>

<CODE><FONT SIZE=3D3><BR>
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<BR>
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From Loopers-Delight-request@loopers-delight.com  Mon Jun  5 21:30:32 2006
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To: Loop List <Loopers-Delight@loopers-delight.com>
From: Steve Lawson <steve@steve-lawson.co.uk>
Subject: Re: Another MP3 from my new album up at MySpace...
Date: Mon, 5 Jun 2006 22:30:27 +0100
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 >>>Bought it! I like the melodic quality of structure i Steve's  
music. Same vibe I get from J.S. Bach. Nice to keep some music like  
that in the iPod to balance out zoombiefication caused by too much  
Hassel or Robert Rich ;-)<<<

That's Per - compared to Bach? That's a rather nice compliment! Might  
have to quote that one on my press stuff... ;o)

keep them orders coming, loopsters!

cheers

Steve
www.stevelawson.net - site
www.stevelawson.net/zencart/ - shop
http://steve.anthropiccollective.org - blog
www.myspace.com/solobassstevelawson



From Loopers-Delight-request@loopers-delight.com  Mon Jun  5 21:40:00 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Another MP3 from my new album up at MySpace...
Date: Mon, 5 Jun 2006 23:39:55 +0200
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On 5 jun 2006, at 23.30, Steve Lawson wrote:

> >>>Bought it! I like the melodic quality of structure i Steve's  
> music. Same vibe I get from J.S. Bach. Nice to keep some music like  
> that in the iPod to balance out zoombiefication caused by too much  
> Hassel or Robert Rich ;-)<<<
>
> That's Per - compared to Bach? That's a rather nice compliment!  
> Might have to quote that one on my press stuff... ;o)
>
> keep them orders coming, loopsters!


Hey-hey-hey-hey.... urmmphfffffzt..... I did not say THAT!  ;-) I was  
talking about the vibe I get from the music. Maybe says more about my  
(dis)abilities for musical perception than the actual music? ;-)) LOL

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)




From Loopers-Delight-request@loopers-delight.com  Tue Jun  6 01:04:48 2006
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Date: Mon, 5 Jun 2006 20:04:46 -0500
From: "Alex Law" <alexander.law@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: RC-50 guide restarting?
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Anyone got a clue about this one? If I start the guide, get ready to
play along, when I press the record pedal the guide restarts. It's a
little disconcerting 'cause my timing isn't good enough to press
record at the precise moment the pattern dictates...

It's probably a setting somewhere, but I can't find it yet!

Other than that: received the unit this evening, and so far not much
to report other than that I'm impressed by the build quality. Seems
like a solid piece of gear.

Thanks!

Alex

From Loopers-Delight-request@loopers-delight.com  Tue Jun  6 01:35:34 2006
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Per Boysen wrote:

> It's easy to regard them "equal" but a thorough comparison will give  
> that truly equal laptops will go for the roughly the same price no  
> matter if the were made by Apple or some other PC contractor  
> manufactory. But the MacBook Pro is the extreme Top Of The Line right  
> now. I think I would go the much cheaper white MacBook if I should  buy 
> a laptop today. But my ZEPTO (who the hell comes up with all  these ugly 
> pc brand names???) will hopefully still be going strong  with Windows XP 
> for another three to four years.
> 
> Greetings from Sweden
> 
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)

I'd certainly agree with your Macbook comment, given that I bought one a 
couple weeks ago.  So far, based on a very small amount of use, it seems 
to run Logic and Augustus Loop just fine. I was set to by a Macbook Pro, 
but the only advantages are better graphics performance and the fact 
that you can't build-to-order a 7200rpm drive on the Macbook.  Over 
time, I may eventually find the small screen maddening if I try to use 
it much with Logic and/or DP, but so far the only unpleasantness has 
been the smell of slow-cooking thigh-meat that occurs after fifteen 
minutes or so of hard use. It's probably most accurately described as a 
don't-use-this-anywhere-near-your-lap-top.

And--ZEPTO?  Isn't that some kind of archaic cigarette lighter?


-- 
"Farce, slapstick, unconscious self-mutilation -- the Sideshow Bob of 
commentators, forever stepping on the same rake, forever muttering the 
same grunt of inarticulate surrender, forever resuming the circle that 
will take him back to the same rake. The Sisyphus of morons, if you will."

-Keith Olbermann on Bill O'Reilly

From Loopers-Delight-request@loopers-delight.com  Tue Jun  6 02:21:24 2006
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Date: Mon, 05 Jun 2006 22:23:43 -0400
From: Warren Sirota <wsirota@wsdesigns.com>
Subject: RE: Boysen Wagner Duo podcast published
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I'd love to listen to this, but I refuse to install iTunes again on my
computer, after the way it screwed things up last time and the effort it
took to pry it's ugly litle hands out of my OS. You don't happen to have a
simple link to a plain old mp3 file, eh?

Best wishes,
Warren Sirota


> -----Original Message-----
> From: Per Boysen [mailto:perboysen@gmail.com] 
> Sent: Sunday, June 04, 2006 7:38 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Boysen Wagner Duo podcast published
> 
> 
> On 5 jun 2006, at 00.59, RP Collier wrote:
> 
> > When I click on the url http://tinyurl.com/fauvm  I get this:
> > *Error: Unable to find site's URL to redirect to.*
> > Am I supposed to do it from within iTunes or something I am
> > missing? I tried Safari and Firefox.
> 
> 
> Maybe it's the "tinyurl" thing that doesn't go too well with your  
> ISP? Anyway, the podcast link at http://www.looproom.com/bw/sf/ is  
> Apple's own URL for the feed and should work. That URL is a 
> bit long,  
> but it goes: 
> http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast? 
> id=128679560&s=143456
> 
> Greetings from Sweden
> 
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> 
> 

From Loopers-Delight-request@loopers-delight.com  Tue Jun  6 03:28:56 2006
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Lovely. I just listened to the whole thing, enjoyed every bit of it.

Best wishes,
Warren Sirota


> -----Original Message-----
> From: a k butler [mailto:akbutler@tiscali.co.uk] 
> Sent: Sunday, June 04, 2006 6:59 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re:RE: Y2K5 Performance Recordings
> 
> 
> 
> >Turning on the wayback machine (OK, not THAT way-back, but...) and
> >I'm combing through the list for Y2K5 recordings.  I'd like to get 
> >any that I can get my hands on, since I've never been to the 
> >festival and would love to hear what folks are playing.  I found 
> >these below, but seem to vaguely remember some CD's being available 
> >too?  Is there a complete list of online Y2K5 recordings available 
> >anywhere still?
> 
> http://www.andybutler.com/mp3.htm
> 
> has my y2k5 audio + a pic
> 
> Thanks to Krispen for recording it,
> and especially thanks to Rick for giving me a chance stretch 
> out and play a most satisfying set.
> 
> andy butler
> 

From Loopers-Delight-request@loopers-delight.com  Tue Jun  6 06:17:10 2006
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From: "Luigi Meloni" <luigimeloni74@libero.it>
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Subject: RE: Mac v.s Pc
Date: Tue, 6 Jun 2006 08:17:04 +0200
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I've always been a PC user (since 8086/8088 processors), but as I need =
to pick a laptop, I was looking to a macbook... I'm a bit confused on =
one thing. Has the macbook any pcmcia slot? I need to put on it a =
firewire 800 soundcard (the rme one) to record when I'm not in my =
studio. The only reason for me to go macbook pro against macbook would =
really be the firewire 800, since I don't care about radeon x1600 or =
other things like those... As far as for the 13 against the 15,4 monitor =
for me is really not relevant, since I do my edits on a 19" samsung lcd =
monitor, and 400 =E2=82=AC of difference for a firewire 800 card seem to =
me to be too much.
As far as the overall cost, there are various "Brand" notebooks that =
cost almost half the price for almost the same laptop. (I've seen a =
Toshiba intel core duo, 80 gb hdd, x1600 (256mb) videocard, 1gb ddr2 =
15,4 monitor at the price of the macbook(not the pro), and it works =
great, only I have the need to use some mac and some pc programs =
together, so the macbook is the only way to go...

---
Peace
Luigi

-----Original Message-----
From: Brian Good [mailto:bsgood@adelphia.net]=20
Sent: marted=C3=AC 6 giugno 2006 3.36
To: Loopers-Delight@loopers-delight.com
Subject: Re: Mac v.s Pc

Per Boysen wrote:

> It's easy to regard them "equal" but a thorough comparison will give =20
> that truly equal laptops will go for the roughly the same price no =20
> matter if the were made by Apple or some other PC contractor =20
> manufactory. But the MacBook Pro is the extreme Top Of The Line right  =

> now. I think I would go the much cheaper white MacBook if I should  =
buy=20
> a laptop today. But my ZEPTO (who the hell comes up with all  these =
ugly=20
> pc brand names???) will hopefully still be going strong  with Windows =
XP=20
> for another three to four years.
>=20
> Greetings from Sweden
>=20
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)

I'd certainly agree with your Macbook comment, given that I bought one a =

couple weeks ago.  So far, based on a very small amount of use, it seems =

to run Logic and Augustus Loop just fine. I was set to by a Macbook Pro, =

but the only advantages are better graphics performance and the fact=20
that you can't build-to-order a 7200rpm drive on the Macbook.  Over=20
time, I may eventually find the small screen maddening if I try to use=20
it much with Logic and/or DP, but so far the only unpleasantness has=20
been the smell of slow-cooking thigh-meat that occurs after fifteen=20
minutes or so of hard use. It's probably most accurately described as a=20
don't-use-this-anywhere-near-your-lap-top.

And--ZEPTO?  Isn't that some kind of archaic cigarette lighter?


--=20
"Farce, slapstick, unconscious self-mutilation -- the Sideshow Bob of=20
commentators, forever stepping on the same rake, forever muttering the=20
same grunt of inarticulate surrender, forever resuming the circle that=20
will take him back to the same rake. The Sisyphus of morons, if you =
will."

-Keith Olbermann on Bill O'Reilly

From Loopers-Delight-request@loopers-delight.com  Tue Jun  6 08:42:26 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Boysen Wagner Duo podcast published
Date: Tue, 6 Jun 2006 10:42:21 +0200
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On 6 jun 2006, at 04.23, Warren Sirota wrote:

> I'd love to listen to this, but I refuse to install iTunes again on my
> computer, after the way it screwed things up last time and the  
> effort it
> took to pry it's ugly litle hands out of my OS. You don't happen to  
> have a
> simple link to a plain old mp3 file, eh?


Of course! The page http://www.looproom.com/bw/sf/ now offers a plain  
old mp3 link as well ;-))

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)




From Loopers-Delight-request@loopers-delight.com  Tue Jun  6 08:51:30 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Mac v.s Pc
Date: Tue, 6 Jun 2006 10:51:25 +0200
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On 6 jun 2006, at 08.17, Luigi Meloni wrote:

> I've always been a PC user (since 8086/8088 processors), but as I =20
> need to pick a laptop, I was looking to a macbook... I'm a bit =20
> confused on one thing. Has the macbook any pcmcia slot?

No.  http://www.apple.com/macbook/macbook.html gives the following =20
specification:

     *  1.83GHz or 2.0GHz Intel Core Duo
     * 13.3-inch (diagonal) TFT glossy widescreen display
     * Apple Remote with Front Row
     * Up to 2GB memory(3)
     * Intel Graphics Media Accelerator 950
     * Slot-loading optical drive
     * Up to 120GB hard drive(3)
     * Built-in 54-Mbps 802.11g AirPort Extreme wireless
     * Analog and digital audio in and out
     * FireWire 400 and USB 2.0 ports
     * iLife =9206, Mac OS X Tiger

Obviously you will need to go with FW400 or USB2 for audio interface =20
and other external gear.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)




From Loopers-Delight-request@loopers-delight.com  Tue Jun  6 09:30:46 2006
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Date: Tue, 6 Jun 2006 02:30:43 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: The awesome EDP (was andys gear)
To: Loopers-Delight@loopers-delight.com
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Hey Andy!
After a long time ive finally programed the more loops
midi triggering feature in the fcb1010,i was reluctant
for a long time to do this since i wanted to master
all of the direct midi functions on the EDP minimizing
the more loops to only 2,using only the next loop
function.I also had the repeater and all its midi
functions in the fcb1010 which kept me busy enough,
but since ive decided to take the Repeater out of my
signal for good and use my stereo EDPs only,i feel way
more at ease.Ive also cleaned my midi streams on my
fcb1010 and so far i am not having the syncing
problems i was having with the EDPs(lets pray it stays
that way.)
I always felt more at home with the EDP anyway,
perhaps is psychological or the fact that i started
looping with it first, but i realize that this
configuration gives me more stage confidence and i can
find the problem faster if there is one.I am also
thrilled lately to only play acoustic guitar with a
bit of reverb coming from my mackie and no synths or
X-tra efxs(well except for the mo-fx to color the
loops if i like).
I am also absolutely thrilled having the more loops
midi trigger function programmed this way!is almost
like having different tracks and for playing
arrangements this is awesome,after years this machine
hasnt ceased to surprise me,everything is so well
thought out to perform and edit spontaneous live with
it.
now i am trying to program the buttons in the most
efficient way to do the least bank jumping and take
advantage of all functions effectively athough this is
a very personal thing i am curious as to how you have
your virtual functions and direct midi comands mapped
out on your fcb1010,here is how i have them in mine
and i welcome suggestions or tips:

Bank 00
01-record
02-overdub
03-multiply
04-next loop
05-undo
06-mute
07-insert
08-P1
09-P2
10-P3

Bank 01
01-Loop1
02-loop2
03-loop3
04-loop4
05-mute
06-erase all
07-overdub
08-multiply
09-undo
10-substitute
Exp pedal 01 is set for feeback control access in all
patches.
Cheers
Luis










--- a k butler <akbutler@tiscali.co.uk> wrote:

> 
> 
> >>http://www.andybutler.com/mp3.htm
> >>
> >>has my y2k5 audio + a pic
> >
> >Nice set!  What else do you have on the table in
> the pic besides the 
> >twin EDPs?
> >
> >Cheers,
> >Kevin
> 
> thanks Kevin :-)
> 
> "on the table" are
> ADA MP1 tube pre-amp ( just used as a pre  at y2k5,
> the distortion 
> comes from the guitar )
> Lexicon Vortex
> EDPs
> Ebow
> Ancient guitar tuner
> 
> andy butler
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Tue Jun  6 12:47:02 2006
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Date: Tue, 06 Jun 2006 14:46:57 +0200
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Hi,

may be a bit OT, but this is the only forum I know where some people 
have some experience with this tuning. I have been using this for about 
two months now, I did not play so much due to an injury which is getting 
better. So far I have only worked on chordal stuff, I really enjoy the 
new chords I can get with this. I will not attend a Guitar Craft course 
in the near future, because it simply doens't fit into my timing 
schedule at the moment, so I am asking here, because there is also no 
one in my area who could show me a thing or two.
But now two questions:
How to work on scales? The fingerings that came into my mind were:
Major scale:
D| 12-14-15-17 etc.
G| 12-14-16-17
C| 12-14-16-17

Minor scale:
D|12-13-15-17 etc.
G|12-13-15-17
C|12-14-15-17

These are playable but especially the Major scale needs a lot of 
stretching. Any better way here?

And second question: What to play? Own stuff of course, but maybe there 
is a bit of reportoire for the NST. I thought about trying out some 
cello stuff, maybe some etudes could be helpful to practice the stretching.

Thanks for your time, Janosch



From Loopers-Delight-request@loopers-delight.com  Tue Jun  6 14:18:58 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: New Standard Tuning stuff
Date: Tue, 6 Jun 2006 16:18:49 +0200
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On 6 jun 2006, at 14.46, Janosch K. wrote:

> Major scale:
> D| 12-14-15-17 etc.
> G| 12-14-16-17
> C| 12-14-16-17
>
> Minor scale:
> D|12-13-15-17 etc.
> G|12-13-15-17
> C|12-14-15-17


Just a personal reflection; be careful to learn the scales as  
melodies before working too hard on fingering, positioning etc. When  
you can sing or think the scale there is no danger in practicing hard  
to master physical playing techniques.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)




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Thanks Per,

a good thought, of course I know the scales, chords and melodies I want 
to play, just learning fingerings without any musical context is nothing 
for me. I just posted these tabs of a c Major/minor scale as an example 
of what I came up with when trying to play these scales.

Janosch


Per Boysen schrieb:
> Just a personal reflection; be careful to learn the scales as melodies 
> before working too hard on fingering, positioning etc. When you can 
> sing or think the scale there is no danger in practicing hard to 
> master physical playing techniques.

From Loopers-Delight-request@loopers-delight.com  Tue Jun  6 14:55:11 2006
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From: Buzap Buzap <buzap@gmx.net>
Subject: RC-50 vs. Repeater?
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Hi Guys

how would you compare the advantages of RC-50 versus Electrix Repeater?

RC-50:
- more memory (49 minutes mono)
- 7 pedals "included"
- USB connection
- Shifting between patches (1 patch = 3 phrases = 3 loops) possible
- ...

Repeater:
- better Tempo Sync?
- 4 Loops in parallel
- ...

best regards
Buzap

-- 


Echte DSL-Flatrate dauerhaft für 0,- Euro*!
"Feel free" mit GMX DSL! http://www.gmx.net/de/go/dsl

From Loopers-Delight-request@loopers-delight.com  Tue Jun  6 15:37:12 2006
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Subject: Is it Ableton Live - or is it me?
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Hi Loopers

when I first encountered Ableton Live, I was quite impressed.
I still am besides the fact that I'm always biased toward computer-based applications for anything in real-time.

Anyway, it is really doing wonderful things, but there are somethings that seem very annoying I can't seem to work around. I'm even skipping the latency issue, which is ovious I guess...

A. "AUTO BPM DETECT"
When I want to record/play several loops in parallel & in sync I seem to have to do the following:
- Tap tempo for setting global tempo
- Set quantize i.e. to 1 bar
- Record first loop
- Record second loop...
I would like to get around having to tap the global tempo in the begining. I would like to be able to record my first loop _without_knowing_ the tempo before. Then, I would like to quantize the next loops according to the first etc.

B. SHORTCUT KEYS FOR "RECORD HIGHLIGHTED LOOP NOW"
Ableton offers great MIDI/keyboard shortcut features. But they seem to be a bit counter-intuitive to me.
To record a loop, I seem to have to:
- Arm the track I want to record
- Press that tiny little Record circle on that particular loop.
Instead, basically I would like to move the cursor to a loop position and say "start recording this loop now". 
This way, I could move the cursor to the loop I want and then send a MIDI/keyboard signal "record this loop now". But I don't want to define i.e. 8 different "arm recording track" keys for having 8 tracks parallel nor do I want to define 32 shortcuts for all the record buttons on a 8x4 loop matrix.

Theoretically, if I "sacrifice" i.e. 8 keys for arm track 1-8 and two more for switching up/down between so-called "scenes" (scene = all the loops played in parallel) it is supposed to somehow record the chosen track but it doesnn't.

Is all this stuff the limitation of Live or is it just me?
Any practical suggestions or work-arounds?


Best regards
Buzap
-- 


Der GMX SmartSurfer hilft bis zu 70% Ihrer Onlinekosten zu sparen!
Ideal für Modem und ISDN: http://www.gmx.net/de/go/smartsurfer

From Loopers-Delight-request@loopers-delight.com  Tue Jun  6 15:38:39 2006
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Date: Tue, 06 Jun 2006 11:30:21 -0400
From: Douglas Baldwin <coyotelk@optonline.net>
Subject: Re: New Standard Tuning stuff
To: "Janosch K." <daasp@gmx.net>, Loopers-Delight@loopers-delight.com
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Janosch wrote:

> But now two questions:
> How to work on scales? The fingerings that came into my mind were:
> Major scale:
> D| 12-14-15-17 etc.
> G| 12-14-16-17
> C| 12-14-16-17

It took me a few minutes before I decoded what you meant here. The letter to
the left is the string, and this is a C major scale in a kind of tablature,
correct? If so, this is a good start.

> Minor scale:
> D|12-13-15-17 etc.
> G|12-13-15-17
> C|12-14-15-17

Likewise, a good start.

> These are playable but especially the Major scale needs a lot of
> stretching. Any better way here?

Nope. The best instruction I received re. organizing scales in NST was from
Tony Geballe, who suggested that I visualize a tetrachord on each string.
Expect to play four notes on each string.
Let M = the interval of a major second, or two frets
Let m = the interval of a minor second, or one fret
The first four notes of a major scale would be defined by M-M-m - the root
note, then a Major second to the next note, a Major second to the next note,
and a minor second to the next note. Then move to the next higher string,
begin on the appropriate note, and etc. etc. Following this, the pattern of
a major scale across the first five strings would look like this:

E| m - M - M
A| M - m - M
D| M - m- M
G| M - M - m
C| M - M - m

M - M - m was called a "major" tetrachord;
M - m - M was called a "minor" tetrachord;
m - M - M was called a "phrygian" tetrachord;
and sooner or later, as you organize your major scales and their modes,
you'll come across M - M - M - M (stretch city!) which we called a "lydian"
tetrachord.

A good first goal is to begin with C major in twelfth position, then work
down the neck backwards through the modes (B locrian 11th position, A
aeolian 9th position, etc.).


> And second question: What to play? Own stuff of course, but maybe there
> is a bit of reportoire for the NST. I thought about trying out some
> cello stuff, maybe some etudes could be helpful to practice the
stretching.

Cello books are great if you swing that way. Scalar etudes are generic to my
ears: try intervallic scalar patterns like 1-3-2-4-3-5-4-6, then
1-4-2-5-3-6-4-7, then 1-5-2-6-3-7-4-8 etc. Then try three-note permutations
like 1-2-3-2-3-4-3-4-5-4-5-6 etc. The challenge in arranging these scalar
patterns is to make them musical: start and ascend to the first octave, then
ascend and descend, returning to the root, then ascend/descend through two
octaves, etc. End on a strong beat. Turn around in a pleasing manner. Use
different rhythmic patterns, not just continuous 16th notes. Pretty soon
you'll be writing your own Inventions and Symphonias!

One of my favorite memories of Guitar Craft was sitting by a fireside with
Ralph Gorga and a bunch of others playing old Motown and Beatles tunes off
the top of our heads. In any tuning, there's a lot of work involved, and
there's a lot of play. Do both.
Douglas Baldwin, coyote-at-large
www.thecoyote.org
coyotelk@optonline.net

"The music business is a cruel and shallow money trench, a long plastic
hallway where pimps and thieves run free and good men die like dogs. There's
also a negative side."
--- Hunter S. Thompson

From Loopers-Delight-request@loopers-delight.com  Tue Jun  6 15:45:47 2006
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Subject: Re: BOSS RC-50 impressions-Time Compression Expansion
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Hi Nathan

> > > i'm sorry to confirm that this IS true.
> > unless you keep the loops at the (exact) original
> > tempo they sound like
> > utter shite
well this is actually horrible news.
Could you at least record Phrase 1 and set "quantize tempo" for Phrase 2/3 accordingly?

> > i would go even further to say that the sound
> > quality appears to be rather 
> > inconsistent when the pedal is run as a midi slave.
Well, this is almost just as bad...
So, if I want to record everything via firewire to computer, does this mean I have to set the RC-50 as MIDI master for MIDI sync?
Hope this works well...

> > will it be adressed in future production runs or
> > some kind of firmware 
> > update?
I really hope they do, stereo sound and loop lenght aside, MIDI sync and tempo sync were the two best features I was awaiting... 

Best regards
Buzap

-- 


Echte DSL-Flatrate dauerhaft für 0,- Euro*!
"Feel free" mit GMX DSL! http://www.gmx.net/de/go/dsl

From Loopers-Delight-request@loopers-delight.com  Tue Jun  6 16:49:38 2006
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Date: Tue, 6 Jun 2006 11:49:35 -0500 (CDT)
Subject: Re: Is it Ableton Live - or is it me?
From: "Joshua Carroll" <josh@infinivert.com>
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Hi,

I'm new, and I don't actually have much experience with Ableton Live, but
in this video (
http://video.google.com/videoplay?docid=2250529127876206416 ), it looks
like Kid Beyond is getting around some of these issues using a MIDI ->
Keystroke mapping utility.  Thought it might be useful to you.

--Josh



> Hi Loopers
>
> when I first encountered Ableton Live, I was quite impressed.
> I still am besides the fact that I'm always biased toward computer-based
> applications for anything in real-time.
>
> Anyway, it is really doing wonderful things, but there are somethings that
> seem very annoying I can't seem to work around. I'm even skipping the
> latency issue, which is ovious I guess...
>
> A. "AUTO BPM DETECT"
> When I want to record/play several loops in parallel & in sync I seem to
> have to do the following:
> - Tap tempo for setting global tempo
> - Set quantize i.e. to 1 bar
> - Record first loop
> - Record second loop...
> I would like to get around having to tap the global tempo in the begining.
> I would like to be able to record my first loop _without_knowing_ the
> tempo before. Then, I would like to quantize the next loops according to
> the first etc.
>
> B. SHORTCUT KEYS FOR "RECORD HIGHLIGHTED LOOP NOW"
> Ableton offers great MIDI/keyboard shortcut features. But they seem to be
> a bit counter-intuitive to me.
> To record a loop, I seem to have to:
> - Arm the track I want to record
> - Press that tiny little Record circle on that particular loop.
> Instead, basically I would like to move the cursor to a loop position and
> say "start recording this loop now".
> This way, I could move the cursor to the loop I want and then send a
> MIDI/keyboard signal "record this loop now". But I don't want to define
> i.e. 8 different "arm recording track" keys for having 8 tracks parallel
> nor do I want to define 32 shortcuts for all the record buttons on a 8x4
> loop matrix.
>
> Theoretically, if I "sacrifice" i.e. 8 keys for arm track 1-8 and two more
> for switching up/down between so-called "scenes" (scene = all the loops
> played in parallel) it is supposed to somehow record the chosen track but
> it doesnn't.
>
> Is all this stuff the limitation of Live or is it just me?
> Any practical suggestions or work-arounds?
>
>
> Best regards
> Buzap
> --
>
>
> Der GMX SmartSurfer hilft bis zu 70% Ihrer Onlinekosten zu sparen!
> Ideal für Modem und ISDN: http://www.gmx.net/de/go/smartsurfer
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Jun  6 17:13:14 2006
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Subject: RC-50 Availability
Date: Tue, 6 Jun 2006 10:12:58 -0700
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Hi,

 

Does anyone know of a place that has the RC-50 in stock. I checked most of
the online stores and couldn't find one. 
Aren't there users on this list that already have them?

 

Thanks,

 

ken

 


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<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Hi,<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Does anyone know of a place that has the RC-50 in =
stock. I checked
most of the online stores and couldn&#8217;t find one. <br>
Aren&#8217;t there users on this list that already have =
them?<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Thanks,<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>ken<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
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From: Paul Richards <paulrichard10@adelphia.net>
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Subject: Re: RC-50 Availability
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Well, I can tell you AMS shipped mine yesterday - it's on its way. 'Hope it isn't defective! :)

But, the AMS website is still showing the unit as not in stock. Guess they sent out the pre-ordered units to the faithful.

--
Paul Richards

---- ken@dangerlog.com wrote: 
> Hi,
> 
>  
> 
> Does anyone know of a place that has the RC-50 in stock. I checked most of
> the online stores and couldn't find one. 
> Aren't there users on this list that already have them?
> 
>  
> 
> Thanks,
> 
>  
> 
> ken
> 
>  
> 

From Loopers-Delight-request@loopers-delight.com  Tue Jun  6 17:23:13 2006
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Date: Tue, 6 Jun 2006 12:23:10 -0500
From: "Alex Law" <alexander.law@gmail.com>
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I bought mine from www.bananas.com. Good luck!

Alex

From Loopers-Delight-request@loopers-delight.com  Tue Jun  6 17:29:01 2006
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Date: Tue, 06 Jun 2006 19:28:56 +0200
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Hey Douglas,

thanks a lot for taking the time! That is really something I can work 
with. I always try to make some music when doing practice, which is very 
important in my opinion because otherwise, practicing becomes boring and 
monotonous if you do it for a long time.

Regards, Janosch

From Loopers-Delight-request@loopers-delight.com  Tue Jun  6 17:31:43 2006
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I'm getting mine from RMC Audio today, but they had only gotten a few units 
(and couldn't take care of all their back-orders).  Good luck!


>From: <ken@dangerlog.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: <Loopers-Delight@loopers-delight.com>
>Subject: RC-50 Availability
>Date: Tue, 6 Jun 2006 10:12:58 -0700
>
>Hi,
>
>
>
>Does anyone know of a place that has the RC-50 in stock. I checked most of
>the online stores and couldn't find one.
>Aren't there users on this list that already have them?
>
>
>
>Thanks,
>
>
>
>ken
>
>
>

_________________________________________________________________
Don’t just search. Find. Check out the new MSN Search! 
http://search.msn.click-url.com/go/onm00200636ave/direct/01/

From Loopers-Delight-request@loopers-delight.com  Tue Jun  6 17:32:02 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Is it Ableton Live - or is it me?
Date: Tue, 6 Jun 2006 19:31:57 +0200
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On 6 jun 2006, at 18.49, Joshua Carroll wrote:

> Hi,
>
> I'm new, and I don't actually have much experience with Ableton  
> Live, but
> in this video (
> http://video.google.com/videoplay?docid=2250529127876206416 ), it  
> looks
> like Kid Beyond is getting around some of these issues using a MIDI ->
> Keystroke mapping utility.  Thought it might be useful to you.
>
> --Josh


The trick he seems to use in that video is to start with a pre- 
recorded loop that gives the tempo. There is no way to make Ableton  
Live calculate the tempo and adjust to it from the length of the  
first loop you record, like for example the EDP does. But there is a  
workaround in using a plug-in for looping and having that plug-in  
sending out a tempo sync signal for Live to follow. On Mac you can  
use Augustus Loop for that and on Windows you can use Mobius. In my  
own praxis that is not stable enough, so if I have to use Ableton  
Live I always run it as the sync master (not as the slave).

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)




From Loopers-Delight-request@loopers-delight.com  Tue Jun  6 17:35:44 2006
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The small store where I teach at got them in a few days ago. I haven't sit
down with one yet, but all those little buttons scare me- I just know I will
be bending over a lot to press them. When some of our list members have had
them for awhile, I  would love a comparison with other loopers they may
have. 
I still am curious about the new Boomerang, so I may wait awhile on the
Boss. 

Dave Eichenberger- guitars.loops.devices
http://www.hazardfactor.com          
 
 
> I'm getting mine from RMC Audio today, but they had only 
> gotten a few units (and couldn't take care of all their 
> back-orders).  Good luck!
>  

From Loopers-Delight-request@loopers-delight.com  Tue Jun  6 17:46:48 2006
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Date: Wed, 7 Jun 2006 02:46:42 +0900
To: Loopers-Delight@loopers-delight.com
From: Sunao Inami <webmaster@cavestudio.com>
Subject: electr-ohm-streaming playlist 7th June 06
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Hello,

electr-ohm-streaming playlist 7th June 06


=============================

KOCH-SCHUTZ-STUDER / ROOTS AND WIRES  (Intakt)

NEON RAIN / DIRTIER THAN THE DIRT (Steelwork Maschine)

V.A. / Looper's Delight Compilation Volume 3 (electr-ohm)

V.A. / Noise Research Program Volume 2 (Burning Emptiness)

V.A. / C.U.E. COMPILATION 1 (C.U.E. records)

=============================

please visit to:

http://www.myspace.com/electrohm

and click which is your player's logo, iTunes or Real One Player.


Playlist will change on every Wednesday
All tracks will play by shuffle.
7D/24H streaming from Kobe,Japan.

=============================

electr-ohm
electronic music label & distribution
http://www.electr-ohm.com



  Thanks

  Sunao

From Loopers-Delight-request@loopers-delight.com  Tue Jun  6 18:47:37 2006
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Subject: Re: RC-50 vs. Repeater?
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Isnt it possible to run the three patches on the rc-50 in series?

----- Original Message ----- 
From: "Buzap Buzap" <buzap@gmx.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, June 06, 2006 4:55 PM
Subject: RC-50 vs. Repeater?


> Hi Guys
>
> how would you compare the advantages of RC-50 versus Electrix Repeater?
>
> RC-50:
> - more memory (49 minutes mono)
> - 7 pedals "included"
> - USB connection
> - Shifting between patches (1 patch = 3 phrases = 3 loops) possible
> - ...
>
> Repeater:
> - better Tempo Sync?
> - 4 Loops in parallel
> - ...
>
> best regards
> Buzap
>
> -- 
>
>
> Echte DSL-Flatrate dauerhaft für 0,- Euro*!
> "Feel free" mit GMX DSL! http://www.gmx.net/de/go/dsl
>
> 


From Loopers-Delight-request@loopers-delight.com  Tue Jun  6 18:50:15 2006
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Date: Tue, 6 Jun 2006 13:50:13 -0500 (CDT)
Subject: Re: Is it Ableton Live - or is it me?
From: "Joshua Carroll" <josh@infinivert.com>
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Is anyone here actually using Mobius with Live?  I'm reading through the
Mobius/EDP manuals right now, and Live seems the perfect sequencer type
software to compliment Mobius.  I'd be interested to hear your experience.
 Do you recommend any other sequencers to work with it?

--Josh

> On 6 jun 2006, at 18.49, Joshua Carroll wrote:
>
>> Hi,
>>
>> I'm new, and I don't actually have much experience with Ableton
>> Live, but
>> in this video (
>> http://video.google.com/videoplay?docid=2250529127876206416 ), it
>> looks
>> like Kid Beyond is getting around some of these issues using a MIDI ->
>> Keystroke mapping utility.  Thought it might be useful to you.
>>
>> --Josh
>
>
> The trick he seems to use in that video is to start with a pre-
> recorded loop that gives the tempo. There is no way to make Ableton
> Live calculate the tempo and adjust to it from the length of the
> first loop you record, like for example the EDP does. But there is a
> workaround in using a plug-in for looping and having that plug-in
> sending out a tempo sync signal for Live to follow. On Mac you can
> use Augustus Loop for that and on Windows you can use Mobius. In my
> own praxis that is not stable enough, so if I have to use Ableton
> Live I always run it as the sync master (not as the slave).
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Jun  6 18:54:04 2006
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Subject: Re: RC-50 vs. Repeater?
Date: Tue, 6 Jun 2006 20:53:59 +0200
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Sorry. I meant parrallel.
Thomas

----- Original Message ----- 
From: "Thomas Maintz" <thomasmaintz@get2net.dk>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, June 06, 2006 8:47 PM
Subject: Re: RC-50 vs. Repeater?


> Isnt it possible to run the three patches on the rc-50 in series?
>
> ----- Original Message ----- 
> From: "Buzap Buzap" <buzap@gmx.net>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Tuesday, June 06, 2006 4:55 PM
> Subject: RC-50 vs. Repeater?
>
>
>> Hi Guys
>>
>> how would you compare the advantages of RC-50 versus Electrix Repeater?
>>
>> RC-50:
>> - more memory (49 minutes mono)
>> - 7 pedals "included"
>> - USB connection
>> - Shifting between patches (1 patch = 3 phrases = 3 loops) possible
>> - ...
>>
>> Repeater:
>> - better Tempo Sync?
>> - 4 Loops in parallel
>> - ...
>>
>> best regards
>> Buzap
>>
>> -- 
>>
>>
>> Echte DSL-Flatrate dauerhaft für 0,- Euro*!
>> "Feel free" mit GMX DSL! http://www.gmx.net/de/go/dsl
>>
>>
>
>
> 


From Loopers-Delight-request@loopers-delight.com  Tue Jun  6 19:34:23 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Is it Ableton Live - or is it me?
Date: Tue, 6 Jun 2006 21:34:18 +0200
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On 6 jun 2006, at 20.50, Joshua Carroll wrote:

> Is anyone here actually using Mobius with Live?

Yes, quite a few as far as I'm understanding from discussions on this  
list and the Mobius list. Now I prefer running Mobius as a standalone  
appl but when I started using it, last year, I ran it as a VST plug- 
in in Live. You can bring out Mobius eight tracks trough lives mixer  
tracks to ad effects etc.

>  Do you recommend any other sequencers to work with it?

Bidule has also been used successfully by some.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)




From Loopers-Delight-request@loopers-delight.com  Tue Jun  6 19:50:29 2006
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> A. "AUTO BPM DETECT"

If I understand it right what you want to do, it seems to be an issue that
our own Rick Walker has carried to Ableton more than once...to no avail. If
you want to record something in Live, you have to set a tempo first.
Workaround: use a looping plugin in Live.

> B. SHORTCUT KEYS FOR "RECORD HIGHLIGHTED LOOP NOW"
Frankly, this hasn't been an issue for me because I use Mobius for all the
"classical" looping stuff - Live works both as a host for me and as a
sample/MIDI clip recorder in its own right. But if I want to record
something, it's arming that track (which I do using my BCR2000), selecting
the scene (using two switches on my FCB1010) as you suggested, and then
pressing "play" on the respective track (which takes up one switch per track
- spanning two banks of my FCB1010).

And then Jushua Carroll asked:
"Is anyone here actually using Mobius with Live?"

As Per already pointed out, some of us do - one of them is me.

My current setup: half the tracks of Mobius are fed to one channel of Live
each. There are different Quantize and Sync setups for the Mobius track
pairs (combinations of No Quantize, No Sync and Quantize to Cycle, Sync to
Host Beat). Each of the Live channels for Mobius has its dedicated channel
strip containing EQ3, CompressorI, MadShifta, Scrubby and SupaTrigga.

There's one MIDI track which routes the input from my FCB1010 (of which
three banks are dedicated to control Mobius; the bank layout is like: 0 -
tap tempo, metronome, scene up/down etc., 1,2 - start clip, 3,4 - stop clip,
5-7 - Mobius, 8 - Mobius main functions combined with EXP assignment for
Amplitube, 9 - Amplitube).

I use Mobius for all the more advanced looping things (meaning tracks where
I want to be out of sync with the beat, overdub, reverse, insert or whatever
cool possibilities there are) and Live for everything "record it and then
let it play without messing with it" (except for any plugins on the track
which mess with it), and of course for everything MIDI.

	Rainer

From Loopers-Delight-request@loopers-delight.com  Tue Jun  6 20:05:26 2006
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hi thomas,

yes.  the rc-50 has 2 modes.  you can use "multi mode" to run your 3 
loops (called "phrases") simultaneously or you can run them in 
sequence.  that's why i bought mine - i can either stack the loops or 
toggle back and forth between verse, chorus, and bridge parts.

paula


>>
Sorry. I meant parrallel.
Thomas

----- Original Message ----- From: "Thomas Maintz" <thomasmaintz@get2net.dk>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, June 06, 2006 8:47 PM
Subject: Re: RC-50 vs. Repeater?



[Hide Quoted Text]
> Isnt it possible to run the three patches on the rc-50 in series?
>


------------------------------------------------------
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From Loopers-Delight-request@loopers-delight.com  Tue Jun  6 20:13:59 2006
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Date: Tue, 6 Jun 2006 15:13:56 -0500 (CDT)
Subject: Re: Is it Ableton Live - or is it me?
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Excellent!  Man, I wish I could get in there and watch how you set that up
and use it.  My imagination is going crazy, but at this point my brain
still feels a bit overloaded.  Much studying left to do!

Thanks!

--Josh



>> A. "AUTO BPM DETECT"
>
> If I understand it right what you want to do, it seems to be an issue that
> our own Rick Walker has carried to Ableton more than once...to no avail.
> If
> you want to record something in Live, you have to set a tempo first.
> Workaround: use a looping plugin in Live.
>
>> B. SHORTCUT KEYS FOR "RECORD HIGHLIGHTED LOOP NOW"
> Frankly, this hasn't been an issue for me because I use Mobius for all the
> "classical" looping stuff - Live works both as a host for me and as a
> sample/MIDI clip recorder in its own right. But if I want to record
> something, it's arming that track (which I do using my BCR2000), selecting
> the scene (using two switches on my FCB1010) as you suggested, and then
> pressing "play" on the respective track (which takes up one switch per
> track
> - spanning two banks of my FCB1010).
>
> And then Jushua Carroll asked:
> "Is anyone here actually using Mobius with Live?"
>
> As Per already pointed out, some of us do - one of them is me.
>
> My current setup: half the tracks of Mobius are fed to one channel of Live
> each. There are different Quantize and Sync setups for the Mobius track
> pairs (combinations of No Quantize, No Sync and Quantize to Cycle, Sync to
> Host Beat). Each of the Live channels for Mobius has its dedicated channel
> strip containing EQ3, CompressorI, MadShifta, Scrubby and SupaTrigga.
>
> There's one MIDI track which routes the input from my FCB1010 (of which
> three banks are dedicated to control Mobius; the bank layout is like: 0 -
> tap tempo, metronome, scene up/down etc., 1,2 - start clip, 3,4 - stop
> clip,
> 5-7 - Mobius, 8 - Mobius main functions combined with EXP assignment for
> Amplitube, 9 - Amplitube).
>
> I use Mobius for all the more advanced looping things (meaning tracks
> where
> I want to be out of sync with the beat, overdub, reverse, insert or
> whatever
> cool possibilities there are) and Live for everything "record it and then
> let it play without messing with it" (except for any plugins on the track
> which mess with it), and of course for everything MIDI.
>
> 	Rainer
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Jun  6 20:29:43 2006
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In general all your thoughts are very reasonable, all is a question of 
priorities in the end.

But...

Rainer Thelonius Balthasar Straschill wrote:
> 5. Useability:

For me the usability is a clear win for the laptop for the following 
reasons:

I can design the amount of usability myself. Of course the main reason 
is, I write my own software, I am able to take care of the position of a 
knob, I can define the cutoff to be controlled by the same controler 
always (even for the wavestation if I would love to carry it around..;-)

For non Max/MSP users there is the new Kore system of Native Intruments, 
which seems to help out a lot for this issue.

But one thing is absolutely essential for it: Controlers, I mean more 
than just a FCB. In the end I bet you will have a light hybrid system.
Why not keeping the Kaospad as controler and backup effect for evil 
failures? Its small enough and would enable you to control much more 
than the box itself. I'd always have some extra faderboxes around (you 
mentioned the Behringer, which is way too big for my taste, I love my 
little PocketDial and PocketFader...)

just my 2 eurocents...

Stefan

-- 
Stefan Tiedje------------x-------
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From Loopers-Delight-request@loopers-delight.com  Tue Jun  6 20:30:33 2006
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loop.pool wrote:
> If I get a satisfactory and respectful answer to this situation I"ll let 
> everyone know and
> then, perhaps we can start a    Live Loopers at Tribe.net    thread.

I could live with the rules of MySpace regarding the license, as I 
retain control by the ability to remove the content again, which is fair...
But my bigger concern is that MySpace belongs to the evil forces of 
Mordor (though he spells himself Murdoch). They make a lot of money with 
the help of the contributors, but do not share this. This might be not 
fair.
I would be interested in a concept which would share a part of the 
income with those who provide the content. More a community kind of 
thinking than a corporate one.
Its time to use one of these services, I guess it doesn't matter too 
much for all of us which one it is. I'd visit looper sites anywhere...

Stefan

-- 
Stefan Tiedje------------x-------
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GREAT THREAD!

Lurking here with my MacBook and Live 5.2 is running stable with much
better CPU!  I have 2 EPDs I am looking forward to syncing up with
Live. Any reports on that? Particularly how well are the EDP sync
functions working with Live's midi clock? Per? Rick?



Neil

On 6/6/06, Joshua Carroll <josh@infinivert.com> wrote:
> Excellent!  Man, I wish I could get in there and watch how you set that up
> and use it.  My imagination is going crazy, but at this point my brain
> still feels a bit overloaded.  Much studying left to do!
>
> Thanks!
>
> --Josh
>
>
>
> >> A. "AUTO BPM DETECT"
> >
> > If I understand it right what you want to do, it seems to be an issue that
> > our own Rick Walker has carried to Ableton more than once...to no avail.
> > If
> > you want to record something in Live, you have to set a tempo first.
> > Workaround: use a looping plugin in Live.
> >
> >> B. SHORTCUT KEYS FOR "RECORD HIGHLIGHTED LOOP NOW"
> > Frankly, this hasn't been an issue for me because I use Mobius for all the
> > "classical" looping stuff - Live works both as a host for me and as a
> > sample/MIDI clip recorder in its own right. But if I want to record
> > something, it's arming that track (which I do using my BCR2000), selecting
> > the scene (using two switches on my FCB1010) as you suggested, and then
> > pressing "play" on the respective track (which takes up one switch per
> > track
> > - spanning two banks of my FCB1010).
> >
> > And then Jushua Carroll asked:
> > "Is anyone here actually using Mobius with Live?"
> >
> > As Per already pointed out, some of us do - one of them is me.
> >
> > My current setup: half the tracks of Mobius are fed to one channel of Live
> > each. There are different Quantize and Sync setups for the Mobius track
> > pairs (combinations of No Quantize, No Sync and Quantize to Cycle, Sync to
> > Host Beat). Each of the Live channels for Mobius has its dedicated channel
> > strip containing EQ3, CompressorI, MadShifta, Scrubby and SupaTrigga.
> >
> > There's one MIDI track which routes the input from my FCB1010 (of which
> > three banks are dedicated to control Mobius; the bank layout is like: 0 -
> > tap tempo, metronome, scene up/down etc., 1,2 - start clip, 3,4 - stop
> > clip,
> > 5-7 - Mobius, 8 - Mobius main functions combined with EXP assignment for
> > Amplitube, 9 - Amplitube).
> >
> > I use Mobius for all the more advanced looping things (meaning tracks
> > where
> > I want to be out of sync with the beat, overdub, reverse, insert or
> > whatever
> > cool possibilities there are) and Live for everything "record it and then
> > let it play without messing with it" (except for any plugins on the track
> > which mess with it), and of course for everything MIDI.
> >
> >       Rainer
> >
> >
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Jun  6 21:08:27 2006
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Date: Tue, 6 Jun 2006 16:08:25 -0500 (CDT)
Subject: laptop audio I/O hardware
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What do you guys use/recommend?  I have an old 20-bit Echo Layla that I
use on my desktop DAW, but it's neither portable nor ASIO compliant.  So
I'm looking for something for my laptop that will accomodate multi-in/out
live looping.  Thoughts?

Thanks for the input so far, by the way!  This group is a wealth of
knowledge!

--Josh

From Loopers-Delight-request@loopers-delight.com  Tue Jun  6 21:31:37 2006
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 <4485E5E6.2060208@addcom.de>
Date: Tue, 6 Jun 2006 17:31:44 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: Myspace OWNS your posted content....
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>
>I would be interested in a concept which would share a part of the 
>income with those who provide the content. More a community kind of 
>thinking than a corporate one.
>Stefan


This is an incredible thing to ponder when you consider that myspace 
would be nothing without it's content providers...


-- 
...
http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Tue Jun  6 21:41:15 2006
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Date: Tue, 6 Jun 2006 16:41:12 -0500 (CDT)
Subject: Re: Myspace OWNS your posted content....
From: "Joshua Carroll" <josh@infinivert.com>
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"# Proprietary Rights in Content on MySpace.com.

   1. By displaying or publishing ("posting") any Content, messages, text,
files, images, photos, video, sounds, profiles, works of authorship, or
any other materials (collectively, "Content") on or through the
Services, you hereby grant to MySpace.com, a non-exclusive, fully-paid
and royalty-free, worldwide license (with the right to sublicense
through unlimited levels of sublicensees) to use, copy, modify, adapt,
translate, publicly perform, publicly display, store, reproduce,
transmit, and distribute such Content on and through the Services. This
license will terminate at the time you remove such Content from the
Services..."

Wow... I had never seen that before... a bit scary, actually.

--Josh



>>
>>I would be interested in a concept which would share a part of the
>>income with those who provide the content. More a community kind of
>>thinking than a corporate one.
>>Stefan
>
>
> This is an incredible thing to ponder when you consider that myspace
> would be nothing without it's content providers...
>
>
> --
> ...
> http://www.zmix.net
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Jun  6 22:30:04 2006
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Unfortunately Roland/Boss arent known for that...
Luis

> > > will it be adressed in future production runs or
> > > some kind of firmware 
> > > update?
> I really hope they do, stereo sound and loop lenght
> aside, MIDI sync and tempo sync were the two best
> features I was awaiting... 
> 
> Best regards
> Buzap
> 
> -- 
> 
> 
> Echte DSL-Flatrate dauerhaft für 0,- Euro*!
> "Feel free" mit GMX DSL!
> http://www.gmx.net/de/go/dsl
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Tue Jun  6 22:33:02 2006
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From: Per Boysen <perboysen@gmail.com>
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On 6 jun 2006, at 22.58, Neil Goldstein wrote:

> Lurking here with my MacBook and Live 5.2 is running stable with much
> better CPU!  I have 2 EPDs I am looking forward to syncing up with
> Live. Any reports on that?

I only have one EDP but it always sync up perfectly to Live (or any  
stable MIDI clock).
Live may be flakey (loosing sync too often)  when used as sync slave  
but I have good experience from using it as sync master.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)




From Loopers-Delight-request@loopers-delight.com  Tue Jun  6 23:08:40 2006
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From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: New Standard Tuning stuff
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tunings remain sort of a mistery to me and why certain
instruments are tuned the way they are...in Cuba for
example the standard tres guitar is tuned in gG cc Ee
or aA, dd, Ff# but i was happy to know that some SON
musicians also tune it in gG,bb,Ee like i do.Ive tried
the traditional tuning but i just dont feel
comfortable with the fingerings,the only drawback is
that if u want to learn from books everything is
written under the traditional tuning,but such books
are rare to find anyway so is basically translating it
or relying on your ears.
I would say find a tuning that works for u and feel
comfortable with,for me DADGAD and sometimes CGDGAD on
guitar work rather well besides the good ol tuning,ive
explored other tunings but with this ones i am able to
translate a lot of what i play in standard.
Luis

> 
> These are playable but especially the Major scale
> needs a lot of 
> stretching. Any better way here?
> 
> And second question: What to play? Own stuff of
> course, but maybe there 
> is a bit of reportoire for the NST. I thought about
> trying out some 
> cello stuff, maybe some etudes could be helpful to
> practice the stretching.
> 
> Thanks for your time, Janosch
> 
> 
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Wed Jun  7 04:28:05 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: laptop audio I/O hardware
Date: Tue, 6 Jun 2006 21:28:01 -0700
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I'm currently in love with my Motu Ultralite.....but I've only used it=20=

on a mac.



Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com =95 AngryVegan.com


On Jun 6, 2006, at 2:08 PM, Joshua Carroll wrote:

> What do you guys use/recommend?  I have an old 20-bit Echo Layla that =
I
> use on my desktop DAW, but it's neither portable nor ASIO compliant. =20=

> So
> I'm looking for something for my laptop that will accomodate=20
> multi-in/out
> live looping.  Thoughts?
>
> Thanks for the input so far, by the way!  This group is a wealth of
> knowledge!
>
> --Josh
>

From Loopers-Delight-request@loopers-delight.com  Wed Jun  7 04:39:56 2006
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Date: Tue, 6 Jun 2006 23:39:54 -0500 (CDT)
Subject: Re: laptop audio I/O hardware
From: "Joshua Carroll" <josh@infinivert.com>
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That does look awesome!  The Traveler looks really cool too, but both are
going to be out of my price range until I've done some serious saving.

Thanks!

--Josh



> I'm currently in love with my Motu Ultralite.....but I've only used it
> on a mac.
>
>
>
> Jeff Kaiser
> http://www.jeffkaisermusic.com
> pfMENTUM.com • AngryVegan.com
>
>
> On Jun 6, 2006, at 2:08 PM, Joshua Carroll wrote:
>
>> What do you guys use/recommend?  I have an old 20-bit Echo Layla that I
>> use on my desktop DAW, but it's neither portable nor ASIO compliant.
>> So
>> I'm looking for something for my laptop that will accomodate
>> multi-in/out
>> live looping.  Thoughts?
>>
>> Thanks for the input so far, by the way!  This group is a wealth of
>> knowledge!
>>
>> --Josh
>>
>
>

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From: Brian Cass <b@the0verclock.com>
Subject: Re: laptop audio I/O hardware
Date: Wed, 7 Jun 2006 00:43:35 -0400
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Can you reveal to us what software you use and possibly what the =20
latency is like? I know many players that say the 828 delivers the =20
lowest latency of most firewire interfaces (when running Guitar Rig 2).

- b


On Jun 7, 2006, at 12:28 AM, Jeff Kaiser wrote:

> I'm currently in love with my Motu Ultralite.....but I've only used =20=

> it on a mac.
>
>
>
> Jeff Kaiser
> http://www.jeffkaisermusic.com
> pfMENTUM.com =95 AngryVegan.com
>
>
> On Jun 6, 2006, at 2:08 PM, Joshua Carroll wrote:
>
>> What do you guys use/recommend?  I have an old 20-bit Echo Layla =20
>> that I
>> use on my desktop DAW, but it's neither portable nor ASIO =20
>> compliant.  So
>> I'm looking for something for my laptop that will accomodate multi-=20=

>> in/out
>> live looping.  Thoughts?
>>
>> Thanks for the input so far, by the way!  This group is a wealth of
>> knowledge!
>>
>> --Josh
>>
>

From Loopers-Delight-request@loopers-delight.com  Wed Jun  7 05:03:32 2006
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Date: Wed, 7 Jun 2006 00:03:30 -0500 (CDT)
Subject: Re: laptop audio I/O hardware
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Brian,

I'm not sure whether this was directed toward me or Jeff, but as for me,
I'll definitely be using Mobius and probably Live or another similar
sequencing software.  Right now my laptop is only equipped with the
onboard WDM sound card that came with the machine, so latency is pretty
awful.

I really need at least 2 ins and 4 outs, and firewire/usb makes no
difference to me.  I'm window shopping the web for such a device right now
actually... and procrastinating bedtime... which isn't likely to leave me
with a very happy wife.  Sigh...

--Josh



> Can you reveal to us what software you use and possibly what the
> latency is like? I know many players that say the 828 delivers the
> lowest latency of most firewire interfaces (when running Guitar Rig 2).
>
> - b
>
>
> On Jun 7, 2006, at 12:28 AM, Jeff Kaiser wrote:
>
>> I'm currently in love with my Motu Ultralite.....but I've only used
>> it on a mac.
>>
>>
>>
>> Jeff Kaiser
>> http://www.jeffkaisermusic.com
>> pfMENTUM.com • AngryVegan.com
>>
>>
>> On Jun 6, 2006, at 2:08 PM, Joshua Carroll wrote:
>>
>>> What do you guys use/recommend?  I have an old 20-bit Echo Layla
>>> that I
>>> use on my desktop DAW, but it's neither portable nor ASIO
>>> compliant.  So
>>> I'm looking for something for my laptop that will accomodate multi-
>>> in/out
>>> live looping.  Thoughts?
>>>
>>> Thanks for the input so far, by the way!  This group is a wealth of
>>> knowledge!
>>>
>>> --Josh
>>>
>>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Jun  7 06:07:10 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: laptop audio I/O hardware
Date: Tue, 6 Jun 2006 23:07:04 -0700
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I created my live rig in Max/MSP. I don't know how to measure latency,=20=

so I can only say I don't notice it after switching to the MOTU. The=20
M-Audio 1814 I was using before had some noticeable latency....the MOTU=20=

surpasses it for my use...the converters sound great on my trumpet.



Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com =95 AngryVegan.com


On Jun 6, 2006, at 9:43 PM, Brian Cass wrote:

> Can you reveal to us what software you use and possibly what the=20
> latency is like? I know many players that say the 828 delivers the=20
> lowest latency of most firewire interfaces (when running Guitar Rig=20
> 2).
>
> - b
>
>
> On Jun 7, 2006, at 12:28 AM, Jeff Kaiser wrote:
>
>> I'm currently in love with my Motu Ultralite.....but I've only used=20=

>> it on a mac.
>>
>>
>>
>> Jeff Kaiser
>> http://www.jeffkaisermusic.com
>> pfMENTUM.com =95 AngryVegan.com
>>
>>
>> On Jun 6, 2006, at 2:08 PM, Joshua Carroll wrote:
>>
>>> What do you guys use/recommend?  I have an old 20-bit Echo Layla=20
>>> that I
>>> use on my desktop DAW, but it's neither portable nor ASIO compliant.=20=

>>>  So
>>> I'm looking for something for my laptop that will accomodate=20
>>> multi-in/out
>>> live looping.  Thoughts?
>>>
>>> Thanks for the input so far, by the way!  This group is a wealth of
>>> knowledge!
>>>
>>> --Josh
>>>
>>
>

From Loopers-Delight-request@loopers-delight.com  Wed Jun  7 08:39:45 2006
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Hi guys

thanks for the infos.
Rainer, integrating Mobius+Live is interesting. I'm using mostly Mac. I guess this works in similar fashion with something like SooperLooper?
I'll see if I can work around this BPM issue with some other tool. Using 7/8, 11/8 ryhthms, tapping is not always fun...

Meanwhile I found some Ableton Live settings in Prefs>Misc named "Start Recording on Scene Launch".
Still having problems with moving up/down scenes though: I map keys on Scene  launch/up/down. When pressing the buttons however, only Scene Up works.
Weird?!?

Best regards
Buzap
-- 


"Feel free" â€“ 10 GB Mailbox, 100 FreeSMS/Monat ...
Jetzt GMX TopMail testen: http://www.gmx.net/de/go/topmail

From Loopers-Delight-request@loopers-delight.com  Wed Jun  7 08:43:41 2006
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Subject: Kid Beyond's Midi Software
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Hi folks

since somebody just mentioned Kid Beyond along with Ableton Live.
I've just read a very recent interview in a magazine.

Kid Beyond mentioned he's now using a Powerbook G4 and as MIDI software "Midi Pipe" from Subtle Soft:
http://homepage.mac.com/nicowald/SubtleSoft/

Thought you might want to know

Best regards
Buzap
-- 


Der GMX SmartSurfer hilft bis zu 70% Ihrer Onlinekosten zu sparen!
Ideal für Modem und ISDN: http://www.gmx.net/de/go/smartsurfer

From Loopers-Delight-request@loopers-delight.com  Wed Jun  7 09:55:17 2006
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Subject: AW: laptop audio I/O hardware in your price range?
Date: Wed, 7 Jun 2006 11:55:12 +0200
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I am using a Presonus Firebox (which I got used for below =E2=82=AC200). =

Features:=20
	+ 4 independent analogue inputs, 2 with a combo jack (TS Hi-Z and XLR =
for Mics with PP)
	+ 6 independent analogue outputs (1/4'' TRS)
	+ headphones with hardwired volume control
	+ S/PDIF I/O
	+ MIDI I/O

Not so cool:
	+ when using S/PDIF in, you need to lock sample freq to this S/PDIF =
source
	+ latency is so-so (compared to my RME stuff)




> -----Urspr=C3=BCngliche Nachricht-----
> Von: Joshua Carroll [mailto:josh@infinivert.com]=20
> Gesendet: Mittwoch, 7. Juni 2006 07:04
> An: Loopers-Delight@loopers-delight.com
> Betreff: Re: laptop audio I/O hardware
>=20
> Brian,
>=20
> I'm not sure whether this was directed toward me or Jeff, but=20
> as for me, I'll definitely be using Mobius and probably Live=20
> or another similar sequencing software.  Right now my laptop=20
> is only equipped with the onboard WDM sound card that came=20
> with the machine, so latency is pretty awful.
>=20
> I really need at least 2 ins and 4 outs, and firewire/usb=20
> makes no difference to me.  I'm window shopping the web for=20
> such a device right now actually... and procrastinating=20
> bedtime... which isn't likely to leave me with a very happy=20
> wife.  Sigh...
>=20
> --Josh
>=20
>=20
>=20
> > Can you reveal to us what software you use and possibly what the=20
> > latency is like? I know many players that say the 828 delivers the=20
> > lowest latency of most firewire interfaces (when running=20
> Guitar Rig 2).
> >
> > - b
> >
> >
> > On Jun 7, 2006, at 12:28 AM, Jeff Kaiser wrote:
> >
> >> I'm currently in love with my Motu Ultralite.....but I've=20
> only used=20
> >> it on a mac.
> >>
> >>
> >>
> >> Jeff Kaiser
> >> http://www.jeffkaisermusic.com
> >> pfMENTUM.com =E2=80=A2 AngryVegan.com
> >>
> >>
> >> On Jun 6, 2006, at 2:08 PM, Joshua Carroll wrote:
> >>
> >>> What do you guys use/recommend?  I have an old 20-bit Echo Layla=20
> >>> that I use on my desktop DAW, but it's neither portable nor ASIO=20
> >>> compliant.  So I'm looking for something for my laptop that will=20
> >>> accomodate multi- in/out live looping.  Thoughts?
> >>>
> >>> Thanks for the input so far, by the way!  This group is a=20
> wealth of=20
> >>> knowledge!
> >>>
> >>> --Josh
> >>>
> >>
> >
> >
>=20
>=20

From Loopers-Delight-request@loopers-delight.com  Wed Jun  7 10:27:15 2006
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this format, some or all of this message may not be legible.

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>>"# Proprietary Rights in Content on MySpace.com.

   1. By displaying or publishing ("posting") any Content, messages, text,
files, images, photos, video, sounds, profiles, works of authorship, or
any other materials (collectively, "Content") on or through the
Services, you hereby grant to MySpace.com, a non-exclusive, fully-paid
and royalty-free, worldwide license (with the right to sublicense
through unlimited levels of sublicensees) to use, copy, modify, adapt,
translate, publicly perform, publicly display, store, reproduce,
transmit, and distribute such Content on and through the Services. This
license will terminate at the time you remove such Content from the
Services..."<<

isn't this just a long-winded way of them saying "it's our website- you're
welcome to put stuff on it, but don't get upset if we redesign the interface
a bit from time to time, & oh by the way, it's a website so your stuff can
be seen/heard/read anywhere in the free world, & sometimes we'll need to
make mechanical copies in order to load-balance across
servers/ISPs/networks..."
isn't it just a disclaimer?

I hate murdoch as much as anyone else, but this was in place before he
bought the site. it looks like a fairly standard release form to me. their
lawyers probably drew it up to protect them..... people might see something
on the site & try to sue the site instead of going after the real source;
this is their way out of that trap, surely.

now, if it had said "in perpetuity"...... that would be different. what
happens to your right to remove material if (say) google cache the content,
thus freezing it in cyberspace even after you've pulled it? /that/ I have a
problem with.

duncan.


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------_=_NextPart_001_01C68A1C.EA15C350
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Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 3.2//EN">
<HTML>
<HEAD>
<META HTTP-EQUIV=3D"Content-Type" CONTENT=3D"text/html; charset=3Diso-8859-=
1">
<META NAME=3D"Generator" CONTENT=3D"MS Exchange Server version 5.5.2653.12">
<TITLE>RE: Myspace OWNS your posted content....</TITLE>
</HEAD>
<BODY>

<P><FONT SIZE=3D2>&gt;&gt;&quot;# Proprietary Rights in Content on MySpace.=
com.</FONT>
</P>

<P><FONT SIZE=3D2>&nbsp;&nbsp; 1. By displaying or publishing (&quot;postin=
g&quot;) any Content, messages, text,</FONT>
<BR><FONT SIZE=3D2>files, images, photos, video, sounds, profiles, works of=
 authorship, or</FONT>
<BR><FONT SIZE=3D2>any other materials (collectively, &quot;Content&quot;) =
on or through the</FONT>
<BR><FONT SIZE=3D2>Services, you hereby grant to MySpace.com, a non-exclusi=
ve, fully-paid</FONT>
<BR><FONT SIZE=3D2>and royalty-free, worldwide license (with the right to s=
ublicense</FONT>
<BR><FONT SIZE=3D2>through unlimited levels of sublicensees) to use, copy, =
modify, adapt,</FONT>
<BR><FONT SIZE=3D2>translate, publicly perform, publicly display, store, re=
produce,</FONT>
<BR><FONT SIZE=3D2>transmit, and distribute such Content on and through the=
 Services. This</FONT>
<BR><FONT SIZE=3D2>license will terminate at the time you remove such Conte=
nt from the</FONT>
<BR><FONT SIZE=3D2>Services...&quot;&lt;&lt;</FONT>
</P>

<P><FONT SIZE=3D2>isn't this just a long-winded way of them saying &quot;it=
's our website- you're welcome to put stuff on it, but don't get upset if w=
e redesign the interface a bit from time to time, &amp; oh by the way, it's=
 a website so your stuff can be seen/heard/read anywhere in the free world,=
 &amp; sometimes we'll need to make mechanical copies in order to load-bala=
nce across servers/ISPs/networks...&quot;</FONT></P>

<P><FONT SIZE=3D2>isn't it just a disclaimer?</FONT>
</P>

<P><FONT SIZE=3D2>I hate murdoch as much as anyone else, but this was in pl=
ace before he bought the site. it looks like a fairly standard release form=
 to me. their lawyers probably drew it up to protect them..... people might=
 see something on the site &amp; try to sue the site instead of going after=
 the real source; this is their way out of that trap, surely.</FONT></P>

<P><FONT SIZE=3D2>now, if it had said &quot;in perpetuity&quot;...... that =
would be different. what happens to your right to remove material if (say) =
google cache the content, thus freezing it in cyberspace even after you've =
pulled it? /that/ I have a problem with.</FONT></P>

<P><FONT SIZE=3D2>duncan.</FONT>
</P>

<CODE><FONT SIZE=3D3><BR>
<BR>
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<BR>
MTV reserves the right to monitor e-mail communications from<BR>
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and appropriate use of MTV communication equipment.<BR>
<BR>
MTV Networks Europe<BR>
***************************************************************************=
<BR>
</FONT></CODE>
</BODY>
</HTML>
------_=_NextPart_001_01C68A1C.EA15C350--

From Loopers-Delight-request@loopers-delight.com  Wed Jun  7 10:32:03 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Is it Ableton Live - or is it me?
Date: Wed, 7 Jun 2006 12:31:58 +0200
To: Loopers-Delight@loopers-delight.com
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On 7 jun 2006, at 10.39, Buzap Buzap wrote:

> Meanwhile I found some Ableton Live settings in Prefs>Misc named  
> "Start Recording on Scene Launch".
> Still having problems with moving up/down scenes though: I map keys  
> on Scene  launch/up/down. When pressing the buttons however, only  
> Scene Up works.
> Weird?!?

You may benefit from using Control Aid. Check it out at http:// 
www.charlie-roberts.com/

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)




From Loopers-Delight-request@loopers-delight.com  Wed Jun  7 10:48:38 2006
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To: Loop List <Loopers-Delight@loopers-delight.com>
From: Steve Lawson <steve@steve-lawson.co.uk>
Subject: Re: MySpace Controversy 
Date: Wed, 7 Jun 2006 11:48:34 +0100
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Here's a copy of the post from my blog, which is pretty long. The =20
short version - no I'm not worried, it's just them covering their =20
asses against getting sued for royalties, even though Murdoch is =20
filth, he's not stupid.

long version -
there's been a lot of forum activity across the entire internet =20
created by the MySpace.com terms and conditions, with lots of =20
musicians protesting that MySpace are going to be stealing our songs =20
and photos and using them all over the place, selling them on etc.

This is the offending section in the T&Cs -

"	=95	Proprietary Rights in Content on MySpace.com.
	=95=09
	=95=09
	=95	By displaying or publishing ("posting") any Content, =
messages, =20
text, files, images, photos, video, sounds, profiles, works of =20
authorship, or any other materials (collectively, "Content") on or =20
through the Services, you hereby grant to MySpace.com, a non-=20
exclusive, fully-paid and royalty-free, worldwide license (with the =20
right to sublicense through unlimited levels of sublicensees) to use, =20=

copy, modify, adapt, translate, publicly perform, publicly display, =20
store, reproduce, transmit, and distribute such Content on and =20
through the Services. This license will terminate at the time you =20
remove such Content from the Services. You represent and warrant =20
that: you own the Content posted by you on or through the Services or =20=

otherwise have the right to grant the license set forth in this =20
section, and the posting of your Content on or through the Services =20
does not violate the privacy rights, publicity rights, copyrights, =20
contract rights or any other rights of any person. You agree to pay =20
for all royalties, fees, and any other monies owing any person by =20
reason of any Content posted by you to or through the Services."

The purpose of this bit is to stop anyone from suing them for having =20
their songs played on someone else's myspace page. It also leaves =20
them free to have streaming audio on the site for 'artist of the day' =20=

type deals, or even myspace online radio using the tracks that have =20
been posted. Without this clause, they could be hit with royalty =20
claims by God-knows how many shitty indie bands whose mates have put =20
their tracks on their page... It's an arse-covering clause, not a =20
rights-thieving one.

Think about it - MySpace is currently one of the top three biggest =20
sites on the entire internet. It's huge, it's a phenomenon. They =20
really can't afford to piss people off. They have huge name musicians =20=

on there, with incredibly adept legal teams who would fry them alive =20
if they decided to start using MySpace music clips on TV shows or =20
whatever. If they stole some of my music or nicked photos of my site, =20=

I'd be onto the papers quicker than you can say 'any publicity is bad =20=

publicity', it'd be front page news and the site would start =20
haemorrhaging users at lightning speed. Their ad revenue would =20
disappear and the site would implode.

Now I, like most people, think that Murdoch is a despicable odious =20
louse on the pubic hair of society. He's filth and scum of the worst =20
kind. He's also a business genius. A rancid amoral business genius, =20
but one who really knows what's going on. MySpace is his latest =20
acquisition and he's not about to let it fall apart over the =20
licencing of a few tunes. The cost of paying a band to use their =20
music on a compilation album or tv advert or whatever is tiny =20
compared to the legal costs of being sued by Madonna for trying to =20
claim that they have the right to use her tunes anywhere.

And the fact that there's a line in there that says the contract is =20
terminated when you remove your tracks, means they couldn't do =20
anything with them as you remove them, they lose the rights and have =20
to reedit whatever format they've turned them into.

So, please, stop fretting about the MySpace T and Cs. Them doing what =20=

people say they are going to do would result in such a HUGE own goal =20
for the site and for News Corps on mass, that it's really not going =20
to happen.

Panic over.

Steve
www.stevelawson.net - site
www.stevelawson.net/zencart/ - shop
http://steve.anthropiccollective.org - blog
www.myspace.com/solobassstevelawson



From Loopers-Delight-request@loopers-delight.com  Wed Jun  7 11:40:19 2006
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From: Warren Sirota <wsirota@wsdesigns.com>
Subject: RE: MySpace Controversy
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I, for one, would be delighted if MySpace (or anyone) created a worldwide
hit from one of my pieces, even if I never saw a cent of the revenues (as
long as I was properly credited).

Steve's totally right about the "contract" (I put it in quotes, because this
has, in my totally-uninformed opinion, about the same likelihood of
surviving a court test as a shrink-wrap copyright agreement) - it's strictly
a CYA agreement that lets them try and expose your music to a wider audience
without checking back with you every time. The fact that you can terminate
at will means that they can't do anything with it that can't be undone in a
day. 

I can't see getting worked up over the possibility of them somehow cutting
into the profits from my $22 of annual CD sales.... 

Best wishes,
Warren Sirota
www.warrensirota.com

From Loopers-Delight-request@loopers-delight.com  Wed Jun  7 11:44:44 2006
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Subject: Re: AW: laptop audio I/O hardware in your price range?
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I just bought a Mackie Onyx 1220 to replace my old multitracker.
The advantage for looping imo:
- it has a real Stereo-Bus (Aux3/4) that you can route directly to your looping device with a switch (i.e. switch quickly source for looping from vocals, keyboard, guitar, ...)
- all input signals (pre-fader/eq) are sent via firewire to your computer

Look out for promotions where they give you the FW-interface for free! Great buy.

Best regards
Buzap

-- 


"Feel free" â€“ 10 GB Mailbox, 100 FreeSMS/Monat ...
Jetzt GMX TopMail testen: http://www.gmx.net/de/go/topmail

From Loopers-Delight-request@loopers-delight.com  Wed Jun  7 11:46:50 2006
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Subject: AW: MySpace Controversy
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> I can't see getting worked up over the possibility of them 
> somehow cutting into the profits from my $22 of annual CD sales.... 

Just to get this into perspective for me: you were joking with these $22,
right? What is the actual profit you make per year? Anybody else wants to
share his experiences? (private mail, if you don't want these figures to
appear in public for some reason...)

	Rainer

From Loopers-Delight-request@loopers-delight.com  Wed Jun  7 12:13:16 2006
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From: "loop.pool" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Subject: Embarassing Pictures from  Early History
Date: Tue, 6 Jun 2006 05:13:26 -0700
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Okay, loopers,  I have a fun, frivolous and  dorky thread to propose:

Who's got the courage to upload truly dorky
pictures or band photos from their past?

I'll start it off with this picture.   They'll force me to view it over and 
over
in hell when I die, I'm sure.

www.looppool.info/GlamBoy73/

This is me on the way to a gig with my glam band at the time.
It's 1973 and I wonder if I was ever that slender in my 
life.............lol.
I was playing a huge Ludwig clear vistalite drum kit at the 
time............hitting
as hard as I could possibly hit.   We were doing Bowie covers;  Mott the 
Hoople;
Roxy Music and others.   I imagine we were probably terrible but I can't 
remember
for reasons we won't go into here............lol.

I'm standing at the top of the stairs in my college dorm room at Cowell 
College at UCSC,
a confused sophmore still afraid to follow his heart's desire and break with 
his parents
wishes for a higher education.

A few hours after this was shot,    a police car ran a red light in East 
Side San Jose
without putting his siren on and we rammed him broadside going about 30 
miles an hour,
completely  totalling the '71 Chevy Vega I was driving.

It was the cops fault and he turned red in the face and refused to even talk 
to us as I stood
there with my sexy blonde girlfriend, Julie Bernucci on the side of the road 
with
people gawking at us. We were both dolled up with makeup for my glam gig 
which I never made
because the cop purposefully kept us there for close to an hour and a half 
slowly and passively aggressively
filling out his paper work.

A hilarious day that I"ll never forget.

***************

Okay,  I took the plunge.........................now you folks have the 
courage and send 'em in!!!! 

From Loopers-Delight-request@loopers-delight.com  Wed Jun  7 12:47:31 2006
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From: Warren Sirota <wsirota@wsdesigns.com>
Subject: RE: MySpace Controversy
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No, I wasn't joking. In fact, I was overestimating (I do make some money
from jazz gigs, but I've had exactly ONE sale of my recent Sandbox CD, and
that was at a show. The CD sale put us over the top - that plus ticket sales
minus the space rental gave us a $5 profit for the evening). But I don't put
much (hardly any, really) energy into promotion. I gave up the concept of
making any real money from music many years ago, except in my dreams (I am
thinking about seriously trying to break into music library placements
through TAXI, but it is really hard to find the time to follow the program I
have in mind). 

Honestly, though, what really burns me is that I can't generally get even
get close friends and family (or loopers on this list, for that matter) to
even *listen* to my stuff for *free*. I give a CD to a friend and don't hear
anything about it. 2 or 3 weeks later, I call and ask what they thought and
find out they haven't listened.

Hey, I know I don't suck *that* bad (in fact, I think I have some fairly
unique musical things to say, and from time to time I get some small
confirmations of this). But the world is absolutely innundated with new
pieces on myspace and the like, and I think everyone is exhausted by it. The
saying used to be "everyone's a critic." Now it's "everyone's an artist." I
don't promote anything, because I can't even see the point in trying.

Sorry for the downer, but I do find the situation quite depressing.

I know there are people here (Krispen and Ted come to mind immediately, but
there are no doubt quite a few others) who are much more assiduous and
persistent than I am. I truly hope that they have much more encouraging
stories to tell.

Best wishes,
Warren Sirota
www.warrensirota.com


> -----Original Message-----
> From: Rainer Thelonius Balthasar Straschill [mailto:rs@moinlabs.de] 
> Sent: Wednesday, June 07, 2006 7:47 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: AW: MySpace Controversy
> 
> 
> > I can't see getting worked up over the possibility of them
> > somehow cutting into the profits from my $22 of annual CD sales.... 
> 
> Just to get this into perspective for me: you were joking 
> with these $22, right? What is the actual profit you make per 
> year? Anybody else wants to share his experiences? (private 
> mail, if you don't want these figures to appear in public for 
> some reason...)
> 
> 	Rainer
> 

From Loopers-Delight-request@loopers-delight.com  Wed Jun  7 13:02:53 2006
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References: <000401c68910$3ba10c10$0302a8c0@Lightning> <753A4822-212D-44AB-AF55-35714A5226E5@gmail.com>
Subject: Re: Boysen Wagner Duo podcast published
Date: Wed, 7 Jun 2006 15:02:47 +0200
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I'm listen to it and I'm thinking I would liked to be there,
adding my minimal  floating sounds and piano 
to your ambient session.
Maybe one day...

fabio 



----- Original Message ----- 
From: "Per Boysen" <perboysen@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, June 06, 2006 10:42 AM
Subject: Re: Boysen Wagner Duo podcast published


> On 6 jun 2006, at 04.23, Warren Sirota wrote:
> 
>> I'd love to listen to this, but I refuse to install iTunes again on my
>> computer, after the way it screwed things up last time and the  
>> effort it
>> took to pry it's ugly litle hands out of my OS. You don't happen to  
>> have a
>> simple link to a plain old mp3 file, eh?
> 
> 
> Of course! The page http://www.looproom.com/bw/sf/ now offers a plain  
> old mp3 link as well ;-))
> 
> Greetings from Sweden
> 
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> 
> 
> 
> 
>

From Loopers-Delight-request@loopers-delight.com  Wed Jun  7 13:19:23 2006
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From: "Timothy Mungenast" <mungenast@earthlink.net>
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Subject: RE: AW: MySpace Controversy
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I think $22 in sales per year is darn good! Well, lemme put it more
accurately: I can't do any better than you.

I think my best year was about $150.

~Tim


> [Original Message]
> From: Rainer Thelonius Balthasar Straschill <rs@moinlabs.de>
> To: <Loopers-Delight@loopers-delight.com>
> Date: 6/7/2006 7:46:49 AM
> Subject: AW: MySpace Controversy
>
> > I can't see getting worked up over the possibility of them 
> > somehow cutting into the profits from my $22 of annual CD sales.... 
>
> Just to get this into perspective for me: you were joking with these $22,
> right? What is the actual profit you make per year? Anybody else wants to
> share his experiences? (private mail, if you don't want these figures to
> appear in public for some reason...)
>
> 	Rainer


From Loopers-Delight-request@loopers-delight.com  Wed Jun  7 13:25:53 2006
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I feel your pain, Warren. As for YOUR stuff, I'm sure it's great. I'd give
it a shot if I had broadband, and if it really moved me, I'd buy it.

~T


> [Original Message]
> From: Warren Sirota <wsirota@wsdesigns.com>
> To: <Loopers-Delight@loopers-delight.com>
> Date: 6/7/2006 8:47:31 AM
> Subject: RE: MySpace Controversy
>
> No, I wasn't joking. In fact, I was overestimating (I do make some money
> from jazz gigs, but I've had exactly ONE sale of my recent Sandbox CD, and
> that was at a show. The CD sale put us over the top - that plus ticket
sales
> minus the space rental gave us a $5 profit for the evening). But I don't
put
> much (hardly any, really) energy into promotion. I gave up the concept of
> making any real money from music many years ago, except in my dreams (I am
> thinking about seriously trying to break into music library placements
> through TAXI, but it is really hard to find the time to follow the
program I
> have in mind). 
>
> Honestly, though, what really burns me is that I can't generally get even
> get close friends and family (or loopers on this list, for that matter) to
> even *listen* to my stuff for *free*. I give a CD to a friend and don't
hear
> anything about it. 2 or 3 weeks later, I call and ask what they thought
and
> find out they haven't listened.
>
> Hey, I know I don't suck *that* bad (in fact, I think I have some fairly
> unique musical things to say, and from time to time I get some small
> confirmations of this). But the world is absolutely innundated with new
> pieces on myspace and the like, and I think everyone is exhausted by it.
The
> saying used to be "everyone's a critic." Now it's "everyone's an artist."
I
> don't promote anything, because I can't even see the point in trying.
>
> Sorry for the downer, but I do find the situation quite depressing.
>
> I know there are people here (Krispen and Ted come to mind immediately,
but
> there are no doubt quite a few others) who are much more assiduous and
> persistent than I am. I truly hope that they have much more encouraging
> stories to tell.
>
> Best wishes,
> Warren Sirota
> www.warrensirota.com
>
>
> > -----Original Message-----
> > From: Rainer Thelonius Balthasar Straschill [mailto:rs@moinlabs.de] 
> > Sent: Wednesday, June 07, 2006 7:47 AM
> > To: Loopers-Delight@loopers-delight.com
> > Subject: AW: MySpace Controversy
> > 
> > 
> > > I can't see getting worked up over the possibility of them
> > > somehow cutting into the profits from my $22 of annual CD sales.... 
> > 
> > Just to get this into perspective for me: you were joking 
> > with these $22, right? What is the actual profit you make per 
> > year? Anybody else wants to share his experiences? (private 
> > mail, if you don't want these figures to appear in public for 
> > some reason...)
> > 
> > 	Rainer
> > 


From Loopers-Delight-request@loopers-delight.com  Wed Jun  7 13:58:35 2006
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From: Zoe Keating <cello@zoekeating.com>
Subject: Re: Embarassing Pictures from  Early History
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WHOA! GREAT photo Rick. But that's not embarassing! You look hot!

On Jun 6, 2006, at 8:13 AM, loop.pool wrote:

> www.looppool.info/GlamBoy73/
>

From Loopers-Delight-request@loopers-delight.com  Wed Jun  7 14:03:06 2006
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From: "Luigi Meloni" <luigimeloni74@libero.it>
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Subject: RE: AW: laptop audio I/O hardware in your price range?
Date: Wed, 7 Jun 2006 16:04:12 +0200
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I'm using a tascam fw1804 both live and in my studio. It is 8 in and 2 =
outs
analog plus 1 i/o adat (8 channel in/out 24 bit 48khz) and 1 i/o spdif =
(24
bit 96 khz) plus 2 midi in and 4 midi outs. I use it in studio with a
behringer digital mixer (via adat i/o) and live with a behringer a/d/a =
(24
bit 48 khz) with very little latency time (I tried it with both guitar =
rig
and amplitube live). The only thing you should look in your laptop is =
which
firewire chipset has it got. Almost all the fw soundcards I have tried =
have
problems with the via chipset.

Peace
Luigi

-----Original Message-----
From: Buzap Buzap [mailto:buzap@gmx.net]=20
Sent: mercoled=EC 7 giugno 2006 13.45
To: Loopers-Delight@loopers-delight.com
Subject: Re: AW: laptop audio I/O hardware in your price range?

I just bought a Mackie Onyx 1220 to replace my old multitracker.
The advantage for looping imo:
- it has a real Stereo-Bus (Aux3/4) that you can route directly to your
looping device with a switch (i.e. switch quickly source for looping =
from
vocals, keyboard, guitar, ...)
- all input signals (pre-fader/eq) are sent via firewire to your =
computer

Look out for promotions where they give you the FW-interface for free! =
Great
buy.

Best regards
Buzap

--=20


"Feel free" =96 10 GB Mailbox, 100 FreeSMS/Monat ...
Jetzt GMX TopMail testen: http://www.gmx.net/de/go/topmail

From Loopers-Delight-request@loopers-delight.com  Wed Jun  7 14:10:54 2006
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Date: Wed, 7 Jun 2006 09:10:52 -0500 (CDT)
Subject: Re: AW: laptop audio I/O hardware in your price range?
From: "Joshua Carroll" <josh@infinivert.com>
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I looked at that last night.  Thanks for the heads-up!  Right now I'm
thinking about the M-Audio Fast Track Pro: 2 ins (combo jack), 4 outs
(multiple output options), etc.  It would be nice to have more ins, but
for the money I think this would do the job.  Has anybody played with one
of these?

--Josh


> I am using a Presonus Firebox (which I got used for below â‚¬200).
> Features:
> 	+ 4 independent analogue inputs, 2 with a combo jack (TS Hi-Z and XLR for
> Mics with PP)
> 	+ 6 independent analogue outputs (1/4'' TRS)
> 	+ headphones with hardwired volume control
> 	+ S/PDIF I/O
> 	+ MIDI I/O
>
> Not so cool:
> 	+ when using S/PDIF in, you need to lock sample freq to this S/PDIF
> source
> 	+ latency is so-so (compared to my RME stuff)
>
>
>
>
>> -----UrsprÃ¼ngliche Nachricht-----
>> Von: Joshua Carroll [mailto:josh@infinivert.com]
>> Gesendet: Mittwoch, 7. Juni 2006 07:04
>> An: Loopers-Delight@loopers-delight.com
>> Betreff: Re: laptop audio I/O hardware
>>
>> Brian,
>>
>> I'm not sure whether this was directed toward me or Jeff, but
>> as for me, I'll definitely be using Mobius and probably Live
>> or another similar sequencing software.  Right now my laptop
>> is only equipped with the onboard WDM sound card that came
>> with the machine, so latency is pretty awful.
>>
>> I really need at least 2 ins and 4 outs, and firewire/usb
>> makes no difference to me.  I'm window shopping the web for
>> such a device right now actually... and procrastinating
>> bedtime... which isn't likely to leave me with a very happy
>> wife.  Sigh...
>>
>> --Josh
>>
>>
>>
>> > Can you reveal to us what software you use and possibly what the
>> > latency is like? I know many players that say the 828 delivers the
>> > lowest latency of most firewire interfaces (when running
>> Guitar Rig 2).
>> >
>> > - b
>> >
>> >
>> > On Jun 7, 2006, at 12:28 AM, Jeff Kaiser wrote:
>> >
>> >> I'm currently in love with my Motu Ultralite.....but I've
>> only used
>> >> it on a mac.
>> >>
>> >>
>> >>
>> >> Jeff Kaiser
>> >> http://www.jeffkaisermusic.com
>> >> pfMENTUM.com â€¢ AngryVegan.com
>> >>
>> >>
>> >> On Jun 6, 2006, at 2:08 PM, Joshua Carroll wrote:
>> >>
>> >>> What do you guys use/recommend?  I have an old 20-bit Echo Layla
>> >>> that I use on my desktop DAW, but it's neither portable nor ASIO
>> >>> compliant.  So I'm looking for something for my laptop that will
>> >>> accomodate multi- in/out live looping.  Thoughts?
>> >>>
>> >>> Thanks for the input so far, by the way!  This group is a
>> wealth of
>> >>> knowledge!
>> >>>
>> >>> --Josh
>> >>>
>> >>
>> >
>> >
>>
>>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Jun  7 14:11:01 2006
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Subject: RE: income (was  MySpace Controversy)
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>>Just to get this into perspective for me: you were joking with these $22,
right? What is the actual profit you make per year? Anybody else wants to
share his experiences? (private mail, if you don't want these figures to
appear in public for some reason...)<<

a few hundred bucks tops. not enough to give up the day job, but enough so
we don't get disastrously out-of-pocket when we have to travel a long way to
play somewhere, & want a motel room each because we're old farts. :-)
& that's with 26 titles on sale...... in my experience, max sales are at
gigs, so ply someone (preferably attached to the band somehow- g/f or some
sort of ligger) to sit at a table near the door & shift stock. my g/f, a
musician herself, couldn't believe our sales at one gig, & didn't have
anything to do after the interval because the stock was all gone. but these
occasions are few & seldom.

duncan.


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<P><FONT SIZE=3D2>&gt;&gt;Just to get this into perspective for me: you wer=
e joking with these $22,</FONT>
<BR><FONT SIZE=3D2>right? What is the actual profit you make per year? Anyb=
ody else wants to</FONT>
<BR><FONT SIZE=3D2>share his experiences? (private mail, if you don't want =
these figures to</FONT>
<BR><FONT SIZE=3D2>appear in public for some reason...)&lt;&lt;</FONT>
</P>

<P><FONT SIZE=3D2>a few hundred bucks tops. not enough to give up the day j=
ob, but enough so we don't get disastrously out-of-pocket when we have to t=
ravel a long way to play somewhere, &amp; want a motel room each because we=
're old farts. :-)</FONT></P>

<P><FONT SIZE=3D2>&amp; that's with 26 titles on sale...... in my experienc=
e, max sales are at gigs, so ply someone (preferably attached to the band s=
omehow- g/f or some sort of ligger) to sit at a table near the door &amp; s=
hift stock. my g/f, a musician herself, couldn't believe our sales at one g=
ig, &amp; didn't have anything to do after the interval because the stock w=
as all gone. but these occasions are few &amp; seldom.</FONT></P>

<P><FONT SIZE=3D2>duncan.</FONT>
</P>

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<BR>
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From Loopers-Delight-request@loopers-delight.com  Wed Jun  7 14:17:41 2006
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Date: Wed, 7 Jun 2006 09:17:39 -0500 (CDT)
Subject: Re: AW: laptop audio I/O hardware in your price range?
From: "Joshua Carroll" <josh@infinivert.com>
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[Drooling...]

I've been lusting over the Onyx mixers for a while.  My primary drawback
would be that (as far as I can tell) it only sends a single stereo return.
 For my music, I really need at least one more return channel for a click
track to my in-ear monitors.  Any way to get around this with these
mixers?

Also, did you look at the Alesis Firewire/USB mixers?  Thoughts/opinions?

--Josh



> I just bought a Mackie Onyx 1220 to replace my old multitracker.
> The advantage for looping imo:
> - it has a real Stereo-Bus (Aux3/4) that you can route directly to your
> looping device with a switch (i.e. switch quickly source for looping from
> vocals, keyboard, guitar, ...)
> - all input signals (pre-fader/eq) are sent via firewire to your computer
>
> Look out for promotions where they give you the FW-interface for free!
> Great buy.
>
> Best regards
> Buzap
>
> --
>
>
> "Feel free" â€“ 10 GB Mailbox, 100 FreeSMS/Monat ...
> Jetzt GMX TopMail testen: http://www.gmx.net/de/go/topmail
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Jun  7 14:21:13 2006
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Subject: Re: Embarassing Pictures from  Early History
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That is great, Rick!!  :)

Now that we're sharing....here's my glam shot....back when my hair wasn't as 
grey!

http://www.box.net/public/static/mx596mt29l.jpg

Kris


----- Original Message ----- 
From: "loop.pool" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, June 06, 2006 6:13 AM
Subject: Embarassing Pictures from Early History


> Okay, loopers,  I have a fun, frivolous and  dorky thread to propose:
>
> Who's got the courage to upload truly dorky
> pictures or band photos from their past?
>
> I'll start it off with this picture.   They'll force me to view it over 
> and over
> in hell when I die, I'm sure.
>
> www.looppool.info/GlamBoy73/
>
> This is me on the way to a gig with my glam band at the time.
> It's 1973 and I wonder if I was ever that slender in my 
> life.............lol.
> I was playing a huge Ludwig clear vistalite drum kit at the 
> time............hitting
> as hard as I could possibly hit.   We were doing Bowie covers;  Mott the 
> Hoople;
> Roxy Music and others.   I imagine we were probably terrible but I can't 
> remember
> for reasons we won't go into here............lol.
>
> I'm standing at the top of the stairs in my college dorm room at Cowell 
> College at UCSC,
> a confused sophmore still afraid to follow his heart's desire and break 
> with his parents
> wishes for a higher education.
>
> A few hours after this was shot,    a police car ran a red light in East 
> Side San Jose
> without putting his siren on and we rammed him broadside going about 30 
> miles an hour,
> completely  totalling the '71 Chevy Vega I was driving.
>
> It was the cops fault and he turned red in the face and refused to even 
> talk to us as I stood
> there with my sexy blonde girlfriend, Julie Bernucci on the side of the 
> road with
> people gawking at us. We were both dolled up with makeup for my glam gig 
> which I never made
> because the cop purposefully kept us there for close to an hour and a half 
> slowly and passively aggressively
> filling out his paper work.
>
> A hilarious day that I"ll never forget.
>
> ***************
>
> Okay,  I took the plunge.........................now you folks have the 
> courage and send 'em in!!!!
> 


From Loopers-Delight-request@loopers-delight.com  Wed Jun  7 14:31:29 2006
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Subject: AW: Embarassing Pictures from  Early History
Date: Wed, 7 Jun 2006 16:31:24 +0200
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Hilarious! Splendid! When I looked at the photo and read your post, I =
didn't
look who had written it, and I wondered "who's that glam-rock =
long-haired
guy with the funny story?" - only to find out it was you!

Personally, I believe people would love it if you would go onstage today
dressed like that (and with that hairdo).

Unfortunately, I can't find my pictures from early performance history
(early for me, that is - about 1990), wearing cut-off jeans, neon yellow
basketball sneakers without laces, long hair flying around my head, =
standing
at the stage front microphone in one hand and a glass of Wei=DFbier in =
the
other. Yes, I was a teenage rock band frontman...

	Rainer

From Loopers-Delight-request@loopers-delight.com  Wed Jun  7 14:33:34 2006
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From: Kevin <kevin@TheNettles.com>
Subject: RE: income (was  MySpace Controversy)
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At 07:10 AM 6/7/2006, Rainer wrote:
 >>Just to get this into perspective for me: you were joking with these $22,
right? What is the actual profit you make per year? Anybody else wants to
share his experiences? (private mail, if you don't want these figures to
appear in public for some reason...)<<

Most of my music income comes from playing gigs, not CD sales.  CDs 
are just a promotional device.  And how much do you make, Rainer?

Cheers,
Kevin

The Nettles: Progressive and Exciting Celtic Music
www.TheNettles.com
Email: Kevin@TheNettles.com

From Loopers-Delight-request@loopers-delight.com  Wed Jun  7 14:36:03 2006
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Date: Wed, 7 Jun 2006 09:36:00 -0500 (CDT)
Subject: RE: MySpace Controversy
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Ha!  I feel you man.  That's the way I felt in my last band.  We spent a
couple grand recording a CD, and then I could hardly give them away!  I
blamed it on the college "I'm too smart to care about anything" mentality
that saturates so much of this town.  I lost a lot of money on that deal.

Now I'm in a 2-piece thing with a buddy of mine and we have a little
recording setup in his spare bedroom, so we aren't paying studio-time
fees.  And we're using MySpace (myspace.com/opuspi if anyone's interested)
and the like for crazy amounts of promotion (with much more success, I
might add), but life has gotten busy to the place where it's been nearly
impossible to finish recording anything we can sell!  So we've yet to make
a dime.

My theory, though, is that because of MySpace and other tools like it on
the web, it's now possible to actually get to the place where you make a
living from your music without necessarily having to sign your soul over
to Satan... er, ummm... Nashville.  It's going to take a ton of hard work,
creativity, risk, and time that I just don't have at the moment (my wife's
due with our first baby--a girl--in a month), but that's our goal
nonetheless.

The funny thing is that we haven't even recorded enough music for a CD,
and we're gigging way less than I did in my former band, but we've got a
ton more people listening.  And, with the help of e-mail, MySpace, AIM,
etc., we're actually meeting and connecting with our listeners on a
personal level.  To me, that's much more valuable.

--Josh



> No, I wasn't joking. In fact, I was overestimating (I do make some money
> from jazz gigs, but I've had exactly ONE sale of my recent Sandbox CD, and
> that was at a show. The CD sale put us over the top - that plus ticket
> sales
> minus the space rental gave us a $5 profit for the evening). But I don't
> put
> much (hardly any, really) energy into promotion. I gave up the concept of
> making any real money from music many years ago, except in my dreams (I am
> thinking about seriously trying to break into music library placements
> through TAXI, but it is really hard to find the time to follow the program
> I
> have in mind).
>
> Honestly, though, what really burns me is that I can't generally get even
> get close friends and family (or loopers on this list, for that matter) to
> even *listen* to my stuff for *free*. I give a CD to a friend and don't
> hear
> anything about it. 2 or 3 weeks later, I call and ask what they thought
> and
> find out they haven't listened.
>
> Hey, I know I don't suck *that* bad (in fact, I think I have some fairly
> unique musical things to say, and from time to time I get some small
> confirmations of this). But the world is absolutely innundated with new
> pieces on myspace and the like, and I think everyone is exhausted by it.
> The
> saying used to be "everyone's a critic." Now it's "everyone's an artist."
> I
> don't promote anything, because I can't even see the point in trying.
>
> Sorry for the downer, but I do find the situation quite depressing.
>
> I know there are people here (Krispen and Ted come to mind immediately,
> but
> there are no doubt quite a few others) who are much more assiduous and
> persistent than I am. I truly hope that they have much more encouraging
> stories to tell.
>
> Best wishes,
> Warren Sirota
> www.warrensirota.com
>
>
>> -----Original Message-----
>> From: Rainer Thelonius Balthasar Straschill [mailto:rs@moinlabs.de]
>> Sent: Wednesday, June 07, 2006 7:47 AM
>> To: Loopers-Delight@loopers-delight.com
>> Subject: AW: MySpace Controversy
>>
>>
>> > I can't see getting worked up over the possibility of them
>> > somehow cutting into the profits from my $22 of annual CD sales....
>>
>> Just to get this into perspective for me: you were joking
>> with these $22, right? What is the actual profit you make per
>> year? Anybody else wants to share his experiences? (private
>> mail, if you don't want these figures to appear in public for
>> some reason...)
>>
>> 	Rainer
>>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Jun  7 14:42:29 2006
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Date: Wed, 7 Jun 2006 09:42:26 -0500 (CDT)
Subject: RE: AW: laptop audio I/O hardware in your price range?
From: "Joshua Carroll" <josh@infinivert.com>
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I'm not sure I checked it correctly, but I didn't see anything about via
anything.  The laptop is a fairly new Acer Aspire 5670 with an Intel Core
Duo processor and a gig of DDR.  Hopefully it won't give me any problems.

--Josh



> I'm using a tascam fw1804 both live and in my studio. It is 8 in and 2
> outs
> analog plus 1 i/o adat (8 channel in/out 24 bit 48khz) and 1 i/o spdif (24
> bit 96 khz) plus 2 midi in and 4 midi outs. I use it in studio with a
> behringer digital mixer (via adat i/o) and live with a behringer a/d/a (24
> bit 48 khz) with very little latency time (I tried it with both guitar rig
> and amplitube live). The only thing you should look in your laptop is
> which
> firewire chipset has it got. Almost all the fw soundcards I have tried
> have
> problems with the via chipset.
>
> Peace
> Luigi
>
> -----Original Message-----
> From: Buzap Buzap [mailto:buzap@gmx.net]
> Sent: mercoledì 7 giugno 2006 13.45
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: AW: laptop audio I/O hardware in your price range?
>
> I just bought a Mackie Onyx 1220 to replace my old multitracker.
> The advantage for looping imo:
> - it has a real Stereo-Bus (Aux3/4) that you can route directly to your
> looping device with a switch (i.e. switch quickly source for looping from
> vocals, keyboard, guitar, ...)
> - all input signals (pre-fader/eq) are sent via firewire to your computer
>
> Look out for promotions where they give you the FW-interface for free!
> Great
> buy.
>
> Best regards
> Buzap
>
> --
>
>
> "Feel free" – 10 GB Mailbox, 100 FreeSMS/Monat ...
> Jetzt GMX TopMail testen: http://www.gmx.net/de/go/topmail
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Jun  7 14:53:54 2006
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Subject: income (was  MySpace Controversy)
Date: Wed, 7 Jun 2006 16:53:49 +0200
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> Most of my music income comes from playing gigs, not CD=20
> sales.  CDs are just a promotional device.  And how much do=20
> you make, Rainer?

This year, I made something like =E2=82=AC23 from CD sales, all at one =
concert (the only one I played this year). I could've sold more if I had =
brought more of my own CDs (just guessed nobody would want them anyway =
;).=20

For this reason, Warren's statement seemed rather...unbelievable to me, =
taking into account that Warren is a professional musician and I am not.

The reason why I am not a professional musician? It doesn't pay off. =
Example calculation: the largest amount of money I got for a solo gig =
minus my expenses was roughly =E2=82=AC200. This included a two-hour =
performance, setup and breakdown time, loading and unloading both at the =
gig and at home (let's say 2h in total, which is a very careful =
estimation), plus a half-day drive to and from the performance (don't =
know in detail, but 12h total is again a careful estimation). So I =
earned a total of =E2=82=AC200 for 16 hours, or =E2=82=AC12.50 per hour. =
This does not take in investment in gear, preparation for the concert =
(like putting my rig together), rehearsing, time and money invested in =
marketing (there wasn't any) etc.
In my day job (salary earner), I make more than three times that money =
per hour. I'll get that money if I get ill, or if for some weeks nobody =
is interested in my services. I don't need to do marketing (if I do and =
am successful, I get additional boni), and I don't need to do any =
investments.

Another example: the most my band Eclectic Blah got from a single gig =
was =E2=82=AC400. We performed that one as a six-piece, so it's =
=E2=82=AC67 per person, or if you count in loadout/in, setup, breakdown, =
soundcheck, travel to the venue and the actual performance, about =
=E2=82=AC15 per person and hour. Again, not counting in time spent =
rehearsing, equipment costs, costs for a rehearsal room or rehearsals.
With that group (which has been on hold for some time now), we were able =
to come out with a slight plus (and still have some savings that would =
allow us to do a CD of live recordings), but only because none of the =
musicians ever saw a single cent of the money.

	Rainer

From Loopers-Delight-request@loopers-delight.com  Wed Jun  7 15:00:52 2006
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Hi Josh

> I've been lusting over the Onyx mixers for a while.  My primary drawback
> would be that (as far as I can tell) it only sends a single stereo return.
Hmmm... you're right... I might have the same problem one day also, if I use computer as master... Don't have the problem currrently because I use computer only for mix-down of tracks.
It would be interesting to see if you can route your main mix to FireWire-Out & the monitor mix to standard PC Line-Out.
I'll have to check when I have time.

> Also, did you look at the Alesis Firewire/USB mixers?  Thoughts/opinions?
I was initially also thinking about the Alesis mixers. But I've read that they had a lot of driver problems initially.
Phonic Helix mixers supposed to have same FW chip as the Mackie Onyx. But I didnt't like the hardware feel of Phonic.
There are also USB mixers (like Yamaha) but I believe they have limited bandwidth.

Generally, the Phonic and Alesis are roughly about 500EUR/$, Mackie Onyx roughly double the price (incl. FW). But I got my FW card for free - including full version of Tracktion software! So if I get a Mackie for the same price as Alesis/Phonic, I would not hesitate.

Best regards

Buzap
-- 


Der GMX SmartSurfer hilft bis zu 70% Ihrer Onlinekosten zu sparen!
Ideal für Modem und ISDN: http://www.gmx.net/de/go/smartsurfer

From Loopers-Delight-request@loopers-delight.com  Wed Jun  7 15:06:52 2006
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Subject: t-u-b-e virtual performance plugin
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For those of you doing performances via internet - there's a new product in
the field.
 
http://www.t-u-b-e.de/iplug.htm
 
It's a VST/AU for Mac and XP. The plugin can be used as a sender or a
receiver or as a server. It doesn't do any latency sync tricks like ninjam.
Haven't had a chance to try it yet but will sure do.

	Rainer

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> http://www.t-u-b-e.de/iplug.htm
>  

the place does also seek musicians for internet performances, so you might
want to apply...

From Loopers-Delight-request@loopers-delight.com  Wed Jun  7 15:09:57 2006
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Title sez it. I'm curious if this is a monophonic synth that will glitch
if you play two notes at the same time. Also how does it track? any info
appreciated.

Thanks!

 
___________________________________________________________________
HELP WANTED PRODUCTIONS - Http://www.HelpWantedProductions.com
"Bringing you the best in Organic Electronic music since we started..."

Home of the Unusual Instrument and Recording Gallery with pictures and
info of Tube recorders, Omnichords, weird guitars, Casios, and more.



From Loopers-Delight-request@loopers-delight.com  Wed Jun  7 15:34:53 2006
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Subject: Re: income (was  MySpace Controversy)
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i dunno...myspace has been great. my digital sales report says that  
most hits come from myspace.

if you've got itunes...open up the store and switch to  
"classical"...my record is #7 today, but it was #2 last week.  
granted, classical probably isn't a very big proportion of itunes!

From Loopers-Delight-request@loopers-delight.com  Wed Jun  7 16:04:16 2006
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Date: Wed, 7 Jun 2006 11:04:12 -0500 (CDT)
Subject: Re: Re: AW: laptop audio I/O hardware in your price range?
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> It would be interesting to see if you can route your main mix to
> FireWire-Out & the monitor mix to standard PC Line-Out.
> I'll have to check when I have time.

Ha!  I was just wondering about that exact thing.  Sending a click through
the line out would be perfect.

Let me know what you figure out!

--Josh

From Loopers-Delight-request@loopers-delight.com  Wed Jun  7 16:06:56 2006
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Hello all-
     Got some preliminary stuff up on my new website-
Check it out if you're so inclined-
     BTW-If it wasn't for the help, motivation +
inspirations I've received from this list this website
would not exist-
     That puts it on you guys   (:>

         leemaravel.com

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Wed Jun  7 16:07:15 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: income (was  MySpace Controversy)
Date: Wed, 7 Jun 2006 18:07:10 +0200
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Some figures: As a full time tour musician I typically did 140 USD  
per gig right into my pocket. Hotel and traveling expenses already  
taken care of by the central booking agency. One full month of  
touring dough added up reasonably. A one week album studio session  
typically payed 1300 USD (before taxes). At a particular session the  
record label was almost bankrupt and asked if we hired studio  
musicians would accept to work on a cut of eventual future record  
sale royalties (the artist was positive sharing his cut - the record  
label did not offer to share THEIR cut ;-). I accepted and was not  
payed the 1300 in hand. Luckily the artist had a hit with one track  
from the album which led to USD 8350 royalty pouring down my mail box  
three months later. But that was just the first royalty period, when  
the hit was forgotten sales went down and I received almost nothing.   
These good figures were just lucky and not at all like the norm. Some  
artistes never have a hit and definitely not instrumental acts as  
typically represented on this list. To make money you also have to  
work within the business, so professional publishers go out to  
negotiate your deals with representatives from other territories  
where releases are planned. But there is also a lot of trouble coming  
with such a "pro" set-up. Personally I did not want to stay in that  
situation, so I quit the pro level and started doing other things to  
financially back up my musical activities. The good side is that if  
you go amateur you can do all the fun and inspiring things... but  
rarely make any money ;-)  Some people manage to hang on at a mid  
level as indie artists, working with indie labels and since a bunch  
of middle-men is cut out there seems to be possible to make more  
money in that set-up.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)




From Loopers-Delight-request@loopers-delight.com  Wed Jun  7 16:25:42 2006
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From: "jeff larson" <jeff.larson@sailpoint.com>
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> From: Jeff Kaiser [mailto:loopersdelight@pfmentum.com]=20
>
> I created my live rig in Max/MSP. I don't know how to measure=20
> latency, so I can only say I don't notice it after switching to the
MOTU

Technically it is incorrect to say that one audio interface has better
latency than another.  Latency in a computer-based system isn't a fixed
characteristic of a device, it is something you tune for the combination
of components in your system including the audio interface, computer,
operating system, other attached devices, and many other tings.

At a simplistic level, you can think of latency as being defined by
two things: the size of the buffer used by the software device driver
and the size of the buffer used by the hardware digital/audio
converter in the interface.  You have no control over the DAC buffer
size, but you do have control over the driver buffer size.

So assuming that two devices have comparable DAC buffer sizes,
and you set the driver buffers to be the same, the two devices
will have exactly the same amount of latency.  One cannot be better
than another.

"But wait!" I can hear some of you say.  What about those DAC buffers?
If one device has a smaller buffer then it has better latency right?
Technically yes, but we're talking about extremely small buffers,
somewhere between 5 and 100 samples.  Measurements of my sound card
indicate that it has a buffer of around 32 samples.  I don't care how
sensitive a musician you think you are, *you cannot hear this*.

Think you can?  32 samples at 44K is about 0.64 milliseconds.  The
speed of sound is 13.63 inches/millisecond at 75 degrees F.  So a 32
sample buffer produces the same amount of delay as moving your head
about 8.7 inches away from a sound source.  The difference between
slouching over your acoustic guitar vs. sitting upright.

So unless the audio interface's DAC has an extraordinarily large
buffer, latency is determined by the device driver buffer.  As I said
before you get to decide what this is.  You tune latency by setting
the buffer size as low as possible without hearing artifacts that
usually sound like clicks.  How small you can set this buffer is
determined by a lot of things.  One of them is the quality of the
device driver for the audio interface.

If one device has a badly written driver that does not allow you to
select small buffer sizes without hearing clicks, then you could say
that the device "has higher latency" than another but what that
really means is "I cannot tune latency low enough". =20

In my limited experience with "prosumer" grade audio interfaces, the
the device driver has never had any effect on latency.  Latency
problems I've had have always been related to the other things running
on the computer, and the other devices attached to it.

So, this was a long winded way of saying that it is difficult to=20
make generalizations like "the MOTU has lower latency than the M-Audio".
The latency you can achieve is dependent on many things in the system,
it is rarely an intrinsic characteristic of a single device.

Jeff

From Loopers-Delight-request@loopers-delight.com  Wed Jun  7 16:38:23 2006
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From: Warren Sirota <wsirota@wsdesigns.com>
Subject: RE: income (was  MySpace Controversy)
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> 
> For this reason, Warren's statement seemed 
> rather...unbelievable to me, taking into account that Warren 
> is a professional musician and I am not.
> 

Yes, but I'm afraid, as I said, that I can't count myself as a professional
musician, tho' I wish I could (same reason as you and many others here - I
like to have a roof over my head and eat a meal once in a while). Some of my
skills are clearly pro level, but that's not the same thing as actually
making a living at it. I've had some excellent worldwide exposure for both
my music-related writing (in Guitar Player, Electronic Musician, etc.) and
software (SlowGold), but none of it has translated into much interest in my
music.

My current plan is to transition to training corporate programmers 2 weeks
each month. I've given up expecting income from music - my goal at this
point is to simply have 1 uninterrupted week each month to devote to
creative endeavors.

Warren



From Loopers-Delight-request@loopers-delight.com  Wed Jun  7 17:21:13 2006
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> Technically it is incorrect to say that one audio interface 
> has better latency than another.  Latency in a computer-based 
> system isn't a fixed characteristic of a device, it is 

Correct me if I'm wrong here, but the way I understand this is: say you have
a fixed computer system (same installation, same application), and use two
different interfaces. Then you reduce the latency (of the driver, as you
point out) up to the point where you get artifacts. If the setting of one
interface is considerably lower than that of the other one, it's in my eyes
safe to say that "the interface has lower latency", and this will be the
case most of the time with other computers or setups. But yes, if you get a
latency setting of 3ms on one computer in one configuration, chances are
good that with the same interface, another computer and another application
it will not be 3ms.

> F.  So a 32 sample buffer produces the same amount of delay 
> as moving your head about 8.7 inches away from a sound 
> source.  The difference between slouching over your acoustic 
> guitar vs. sitting upright.

Which brings us to another important point: you mention that sound travels
at roughly 30cm/ms (using units I can understand ;). That means that in a
typical living room setup, the time it takes the sound to travel from the
speakers to your ear can be around 10ms. Even if you're having a
kinda-nearfield setup, it's a little over 3ms. So something to keep in mind
here should be using headphones.

	Rainer

From Loopers-Delight-request@loopers-delight.com  Wed Jun  7 17:34:04 2006
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From: Joey <tentaclejoe@gmail.com>
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Subject: Re: Kid Beyond's Midi Software
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Speaking of Kid Beyond,

did anybody else catch him on the second episode of Vh1's Supergroup last w=
eek?

 :)



On 6/7/06, Buzap Buzap <buzap@gmx.net> wrote:
> Hi folks
>
> since somebody just mentioned Kid Beyond along with Ableton Live.
> I've just read a very recent interview in a magazine.
>
> Kid Beyond mentioned he's now using a Powerbook G4 and as MIDI software "=
Midi Pipe" from Subtle Soft:
> http://homepage.mac.com/nicowald/SubtleSoft/
>
> Thought you might want to know
>
> Best regards
> Buzap
> --
>
>
> Der GMX SmartSurfer hilft bis zu 70% Ihrer Onlinekosten zu sparen!
> Ideal f=FCr Modem und ISDN: http://www.gmx.net/de/go/smartsurfer
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Jun  7 17:36:20 2006
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Date: Wed, 7 Jun 2006 13:36:15 -0400
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At 10:30 PM +0200 6/6/06, Stefan Tiedje wrote:
>loop.pool wrote:
>>If I get a satisfactory and respectful answer to this situation 
>>I"ll let everyone know and
>>then, perhaps we can start a    Live Loopers at Tribe.net    thread.
>
>I could live with the rules of MySpace regarding the license, as I 
>retain control by the ability to remove the content again, which is 
>fair...

Yep, I would agree.  However, IIRC this whole MySpace hubbub began 
when somebody actually went through the agreement several months ago, 
and *at that time* there was no clause stipulating that the license 
terminated when you pulled the content.  Thus, there was no stated 
termination limit and the earlier agreement did de facto cover your 
material, as Duncan put it, "in perpetuity" (or at least as long as 
they retained backup tapes).

That's since changed (bravo!) due to user backlash, I think.  Why 
such a edit had to occur as the result of user protest -- rather than 
merely being a part of good contract practice by News Corporation's 
army of lawyers at the very beginning -- makes me a little wary, but 
still not so much as:

>But my bigger concern is that MySpace belongs to the evil forces of 
>Mordor (though he spells himself Murdoch). They make a lot of money 
>with the help of the contributors, but do not share this. This might 
>be not fair.

Right there with you.  Although I don't feel that Murdoch has 
explicitly evil morals so much as he has no morals whatsoever, and 
will do anything or pander to anyone merely to chase a buck.  Of the 
deadly seven, Greed, I think, is more his "sin du jour".  I certainly 
don't 100% trust him or his endeavors.

In as far as MySpace goes, I can't shake the feeling of merely 
getting suckered.  I mean, the general pitch goes: "come post your 
content to a site where you can be associated with many big names and 
a huge user community".  Yet, with 10,000 other bands signing up for 
the site as well, what's the chance of your being catapulted to 
stardom or, for that matter, even being noticed by those celebrities 
you wished to rub shoulders with?

And, in the meantime, News Corp winds up with scads of free content 
(not to mention the traffic from all these bands themselves signing 
up for MySpace) which Murdoch *can* then leverage to make money 
himself.

Sure, people are connecting with other people, promoting their 
products, and getting some good out of advertising themselves on 
MySpace.  But I still get left with the icky feeling it's nothing 
more than a PT Barnum spiel.

>Its time to use one of these services, I guess it doesn't matter too 
>much for all of us which one it is. I'd visit looper sites 
>anywhere...

Agreed.  I'll support members of the community no matter where they 
choose to post their material.  Just need the URL...  ;)

	--m.
-- 
_______
"Somewhere between anticipation and nostalgia we should have been happy."

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He must be using that as well as Live.  This is just a routing
program, albeit a very clever one...

On 6/7/06, Buzap Buzap <buzap@gmx.net> wrote:
> Hi folks
>
> since somebody just mentioned Kid Beyond along with Ableton Live.
> I've just read a very recent interview in a magazine.
>
> Kid Beyond mentioned he's now using a Powerbook G4 and as MIDI software "=
Midi Pipe" from Subtle Soft:
> http://homepage.mac.com/nicowald/SubtleSoft/
>
> Thought you might want to know
>
> Best regards
> Buzap
> --
>
>
> Der GMX SmartSurfer hilft bis zu 70% Ihrer Onlinekosten zu sparen!
> Ideal f=FCr Modem und ISDN: http://www.gmx.net/de/go/smartsurfer
>
>


--=20
     /t

http://ax.to ......... extreme NY arts and music calendar
http://ax.to/tr ....... my secret little little...
http://ax.to/radio ... my little radio station (on intermittently)

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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: laptop audio I/O hardware
Date: Wed, 7 Jun 2006 10:52:10 -0700
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Very cool! Thanks for that technical discussion, I love learning about=20=

that. And I certainly can't argue technical details, I don't know=20
enough about them. But I know more now.

But I can honestly state my experience, which is, and remains:

On the same system, same settings, same software: latency is different=20=

between the m-audio I used and the motu.

It could very well be the way the drivers are written, but whatever the=20=

reason. It was noticeable in my system.

> So, this was a long winded way of saying that it is difficult to
> make generalizations like "the MOTU has lower latency than the=20
> M-Audio".

But it is ok to make generalizations that firewire devices are the=20
same, in terms of latency? Technically, after your report, yes. Based=20
on my experience, no. But I wasn't trying to make a generalization=20
about all fw devices, I was answering a question using a comparison=20
between devices based purely on my experience, and will try to be more=20=

clear in the future that it is purely my opinion/experience. So also,=20
my apologies if someone felt maligned by my language if I seemed to be=20=

slamming someone's beloved device.

Anyway, this is a long winded way of saying I may be technically=20
incorrect, but I stand by my experience.....but from now on I will say,=20=

"I couldn't tune the latency low enough...."

And, really, thanks Jeff, for all that great information. It helps to=20
discuss from a more technical standpoint.

best regards,

Jeff



Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com =95 AngryVegan.com


On Jun 7, 2006, at 9:25 AM, jeff larson wrote:

>> From: Jeff Kaiser [mailto:loopersdelight@pfmentum.com]
>>
>> I created my live rig in Max/MSP. I don't know how to measure
>> latency, so I can only say I don't notice it after switching to the
> MOTU
>
> Technically it is incorrect to say that one audio interface has better
> latency than another.  Latency in a computer-based system isn't a =
fixed
> characteristic of a device, it is something you tune for the=20
> combination
> of components in your system including the audio interface, computer,
> operating system, other attached devices, and many other tings.
>
> At a simplistic level, you can think of latency as being defined by
> two things: the size of the buffer used by the software device driver
> and the size of the buffer used by the hardware digital/audio
> converter in the interface.  You have no control over the DAC buffer
> size, but you do have control over the driver buffer size.
>
> So assuming that two devices have comparable DAC buffer sizes,
> and you set the driver buffers to be the same, the two devices
> will have exactly the same amount of latency.  One cannot be better
> than another.
>
> "But wait!" I can hear some of you say.  What about those DAC buffers?
> If one device has a smaller buffer then it has better latency right?
> Technically yes, but we're talking about extremely small buffers,
> somewhere between 5 and 100 samples.  Measurements of my sound card
> indicate that it has a buffer of around 32 samples.  I don't care how
> sensitive a musician you think you are, *you cannot hear this*.
>
> Think you can?  32 samples at 44K is about 0.64 milliseconds.  The
> speed of sound is 13.63 inches/millisecond at 75 degrees F.  So a 32
> sample buffer produces the same amount of delay as moving your head
> about 8.7 inches away from a sound source.  The difference between
> slouching over your acoustic guitar vs. sitting upright.
>
> So unless the audio interface's DAC has an extraordinarily large
> buffer, latency is determined by the device driver buffer.  As I said
> before you get to decide what this is.  You tune latency by setting
> the buffer size as low as possible without hearing artifacts that
> usually sound like clicks.  How small you can set this buffer is
> determined by a lot of things.  One of them is the quality of the
> device driver for the audio interface.
>
> If one device has a badly written driver that does not allow you to
> select small buffer sizes without hearing clicks, then you could say
> that the device "has higher latency" than another but what that
> really means is "I cannot tune latency low enough".
>
> In my limited experience with "prosumer" grade audio interfaces, the
> the device driver has never had any effect on latency.  Latency
> problems I've had have always been related to the other things running
> on the computer, and the other devices attached to it.
>
> So, this was a long winded way of saying that it is difficult to
> make generalizations like "the MOTU has lower latency than the=20
> M-Audio".
> The latency you can achieve is dependent on many things in the system,
> it is rarely an intrinsic characteristic of a single device.
>
> Jeff
>

From Loopers-Delight-request@loopers-delight.com  Wed Jun  7 18:13:53 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: AW: laptop audio I/O hardware
Date: Wed, 7 Jun 2006 20:13:48 +0200
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On 7 jun 2006, at 19.21, Rainer Thelonius Balthasar Straschill wrote:

> Which brings us to another important point: you mention that sound  
> travels
> at roughly 30cm/ms (using units I can understand ;). That means  
> that in a
> typical living room setup, the time it takes the sound to travel  
> from the
> speakers to your ear can be around 10ms. Even if you're having a
> kinda-nearfield setup, it's a little over 3ms. So something to keep  
> in mind
> here should be using headphones.


Or the opposite ;-)  This is a well known phenomenon in studios. Some  
musicians may have difficulties to play tight with headphones because  
of the short latency compared to what they are used to from playing  
live on tour (more latency on stage because of the distance to amps,  
drum kit and stage monitors). And I guess the opposite may be true  
for bedroom studio musicians; i.e. experiencing trouble with playing  
well with natural latency since they are used to headphones.

Over here I like to practice live looping two meters from the  
monitors. That distance approximately equals the normal stage  
monitoring situation.

In acoustic orchestra disciplines it has always been important for  
musicians to learn how to "play with latency", either before or after  
the real beat. The norm here is to make sure the sound from all  
instruments reach the audience at the same time. So a trumpet player  
has to play a little slow, since he is targeting the listeners  
directly with his instrument, while the french horn guys have to play  
a little more early because their instrument is targeting the ceiling  
and the audience will hear a mix of the muffled direct sound and the  
reflected sound. They all depend on the director, because timing-wise  
the sound is not accurate at the musicians individual spots. If you  
listen to a big band, choir or orchestra it's fun to walk around  
listening and notice the big differences in sound perspectives.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)




From Loopers-Delight-request@loopers-delight.com  Wed Jun  7 18:25:27 2006
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> From: Rainer Thelonius Balthasar Straschill
> say you have a fixed computer system (same installation, same=20
> application), and use two different interfaces. Then you reduce=20
> the latency (of the driver, as you point out) up to the point
> where you get artifacts. If the setting of one interface is
> considerably lower than that of the other one, it's in my eyes
> safe to say that "the interface has lower latency"

True.  My claim is that this is usually not the case for most mid to
high range audio interfaces designed for musicians.  If they're both
using the same physical interface (USB, FW, PCI) and there is still a
big difference in the lowest buffer size, it means the device driver
is poorly written.  It isn't that hard to write an ASIO device driver.
If there is a problem in a driver, it tends to get fixed quickly because
this is a very competitive market.

> From: Jeff Kaiser [mailto:loopersdelight@pfmentum.com]=20
> But I can honestly state my experience, which is, and remains:
> On the same system, same settings, same software: latency is=20
> different between the m-audio I used and the motu.

This can only be because the buffer sizes were different.  Did you
specifically set the ASIO buffer sizes (or whatever the equivalent is
on the Mac) after swapping devices?  Installing a new audio device can
sometimes change the default ASIO buffer size.  Some drivers may be
more conservative than others.  If you had never manually changed your
buffer size, then my belief is that the MOTU install lowered your
buffer size without you knowing it.  This then wouldn't be a fair
comparison.  You would have to return to the M-Audio with the new
lower buffer size and see if it works without clicks.  If it does then
the latencies are effectively the same.

If you are claiming that the buffer sizes were the same and you can
detect the minute differences between the digital/analog converters,
well congratulations because you're one of the very few people
on the planet that can do that.  :-)

Jeff

From Loopers-Delight-request@loopers-delight.com  Wed Jun  7 18:25:42 2006
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-----Original Message-----
>From: Joey <tentaclejoe@gmail.com>
>Sent: Jun 7, 2006 10:34 AM
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: Kid Beyond's Midi Software
>
>Speaking of Kid Beyond,
>did anybody else catch him on the second episode of Vh1's Supergroup last week?
> :)



Hope he got payed good for that embarrassment!
s

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Subject: Re: Kid Beyond's Midi Software
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Wish I had!  That guy's incredible.

--Josh

> Speaking of Kid Beyond,
>
> did anybody else catch him on the second episode of Vh1's Supergroup last
> week?
>
>  :)
>
>
>
> On 6/7/06, Buzap Buzap <buzap@gmx.net> wrote:
>> Hi folks
>>
>> since somebody just mentioned Kid Beyond along with Ableton Live.
>> I've just read a very recent interview in a magazine.
>>
>> Kid Beyond mentioned he's now using a Powerbook G4 and as MIDI software
>> "Midi Pipe" from Subtle Soft:
>> http://homepage.mac.com/nicowald/SubtleSoft/
>>
>> Thought you might want to know
>>
>> Best regards
>> Buzap
>> --
>>
>>
>> Der GMX SmartSurfer hilft bis zu 70% Ihrer Onlinekosten zu sparen!
>> Ideal für Modem und ISDN: http://www.gmx.net/de/go/smartsurfer
>>
>>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Jun  7 19:05:31 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: laptop audio I/O hardware
Date: Wed, 7 Jun 2006 12:05:25 -0700
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> If you had never manually changed your
> buffer size, then my belief is that the MOTU install lowered your
> buffer size without you knowing it.  This then wouldn't be a fair
> comparison.  You would have to return to the M-Audio with the new
> lower buffer size and see if it works without clicks.  If it does then
> the latencies are effectively the same.

The buffers are set in the DSP options of the application itself. They 
remained the same.

Could the driver itself change the CPU load? Would that affect latency? 
(I.e., a poorly written driver vs. a well written driver could make a 
difference?)

>
> If you are claiming that the buffer sizes were the same and you can
> detect the minute differences between the digital/analog converters,
> well congratulations because you're one of the very few people
> on the planet that can do that.  :-)

dude. Flattery will get you everywhere with me! :-)

rock on,

Jeff

From Loopers-Delight-request@loopers-delight.com  Wed Jun  7 19:43:06 2006
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From: Steve Lawson <steve@steve-lawson.co.uk>
Subject: Zoe on iTunes (was all that MySpace nonsense)
Date: Wed, 7 Jun 2006 20:43:02 +0100
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 >>>if you've got itunes...open up the store and switch to  
"classical"...my record is #7 today, but it was #2 last week.  
granted, classical probably isn't a very big proportion of itunes!<<<

 From what I've heard, it's a fairly sizeable proportion of what  
happens no iTunes.

Either way, that's fantastic news that you're doing that well!! And  
muchly deserved it is too. :o)

ta ta

Steve
www.stevelawson.net - site
www.stevelawson.net/zencart/ - shop
http://steve.anthropiccollective.org - blog
www.myspace.com/solobassstevelawson



From Loopers-Delight-request@loopers-delight.com  Wed Jun  7 19:59:27 2006
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Date: Wed, 7 Jun 2006 14:59:25 -0500 (CDT)
Subject: Re: Zoe on iTunes (was all that MySpace nonsense)
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Downloading Zoe's CD now...  Blown away!

--Josh



>  >>>if you've got itunes...open up the store and switch to
> "classical"...my record is #7 today, but it was #2 last week.
> granted, classical probably isn't a very big proportion of itunes!<<<
>
>  From what I've heard, it's a fairly sizeable proportion of what
> happens no iTunes.
>
> Either way, that's fantastic news that you're doing that well!! And
> muchly deserved it is too. :o)
>
> ta ta
>
> Steve
> www.stevelawson.net - site
> www.stevelawson.net/zencart/ - shop
> http://steve.anthropiccollective.org - blog
> www.myspace.com/solobassstevelawson
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Jun  7 19:59:48 2006
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Date: Wed, 7 Jun 2006 12:59:46 -0700 (PDT)
From: Tim Nelson <psychle62@yahoo.com>
Subject: Re: income (was  MySpace Controversy)
To: Loopers-Delight@loopers-delight.com
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Yeah, I've only been doing the Myspace thing for a few
months, and it's been the source of gigs (at which I
sold CDs), sessions and several collaboration offers.
I wouldn't say any of it's been, ahem, profitable, but
it's certainly not been a case of Rupert making off
with any loot that should have been rightly mine.

I'm up to a whopping $18 from CD Baby sales. My online
sales to Scandinavians lead my online sales in the US
2 to 1. (Unfortunately, that ratio is also a literal
figure: I've sold 2 there and 1 here...)

-t-

--- Zoe Keating <cello@zoekeating.com> wrote:

> i dunno...myspace has been great. my digital sales
> report says that  
> most hits come from myspace.
> 
> if you've got itunes...open up the store and switch
> to  
> "classical"...my record is #7 today, but it was #2
> last week.  
> granted, classical probably isn't a very big
> proportion of itunes!
> 
> 


<http://www.myspace.com/nimbletunes>
'Rantai' CD: <http://cdbaby.com/cd/timnelson1>
'Mesh' CD: <http://cdbaby.com/cd/timnelson2>
Chain Tape Collective: <http://www.ct-collective.com/>

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Wed Jun  7 20:10:56 2006
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> From: Jeff Kaiser
> The buffers are set in the DSP options of the application itself. They

> remained the same.
>=20
> Could the driver itself change the CPU load? Would that=20
> affect latency?=20

A driver can cause more CPU load, but that does not necessarily
affect latency.  Latency is defined by the buffer size.  If your
buffer size is 256 samples, then your latency is 5.8 milliseconds,=20
period.  It doesn't matter what hardware interface you are using,
if the buffer size is 256 your latency is 5.8 milliseconds, always
and forever.

What increased CPU load can do is cause you to "miss interrupts"
because the computer can't keep up with requests from the audio
interface.  This will sound like clicks or noise.  So while a
particular driver may require more CPU, if you are not hearing any
clicks it doesn't matter, it is still operating within the latency
defined by the buffer size.

Jeff

From Loopers-Delight-request@loopers-delight.com  Wed Jun  7 20:41:02 2006
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Subject: Re: Kid Beyond's Midi Software
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Knew who he was right away and thought this
is gonna be "great"

Too bad they didn't give him much more than a
door slam. Damn Sebastion :O(


On Wed, Jun 07, 2006 at 10:34:02AM -0700, Joey wrote:
> Speaking of Kid Beyond,
> 
> did anybody else catch him on the second episode of Vh1's Supergroup last 
> week?
> 
> :)
> 
> 
> 
> On 6/7/06, Buzap Buzap <buzap@gmx.net> wrote:
> >Hi folks
> >
> >since somebody just mentioned Kid Beyond along with Ableton Live.
> >I've just read a very recent interview in a magazine.
> >
> >Kid Beyond mentioned he's now using a Powerbook G4 and as MIDI software 
> >"Midi Pipe" from Subtle Soft:
> >http://homepage.mac.com/nicowald/SubtleSoft/
> >
> >Thought you might want to know
> >
> >Best regards
> >Buzap
> >--
> >
> >
> >Der GMX SmartSurfer hilft bis zu 70% Ihrer Onlinekosten zu sparen!
> >Ideal f?r Modem und ISDN: http://www.gmx.net/de/go/smartsurfer
> >
> >
> 

From Loopers-Delight-request@loopers-delight.com  Wed Jun  7 20:56:54 2006
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Subject: Re: income (was  MySpace Controversy)
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I'm so shocked!!! I've actually made over $50 at CDBaby, and find MySpace to
have been nothing short of great regarding hooking up with most of you, as
well as many others from a variety of my life interests. I'm pretty sure all
that boilerplate in the T/C is just cya. No worries here. Feel free to check
out my tunes there!

-Miko
www.myspace.com/biffozz

----- Original Message ----- 
From: "Tim Nelson" <psychle62@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, June 07, 2006 12:59 PM
Subject: Re: income (was MySpace Controversy)


> Yeah, I've only been doing the Myspace thing for a few
> months, and it's been the source of gigs (at which I
> sold CDs), sessions and several collaboration offers.
> I wouldn't say any of it's been, ahem, profitable, but
> it's certainly not been a case of Rupert making off
> with any loot that should have been rightly mine.
>
> I'm up to a whopping $18 from CD Baby sales. My online
> sales to Scandinavians lead my online sales in the US
> 2 to 1. (Unfortunately, that ratio is also a literal
> figure: I've sold 2 there and 1 here...)
>
> -t-
>
> --- Zoe Keating <cello@zoekeating.com> wrote:
>
> > i dunno...myspace has been great. my digital sales
> > report says that
> > most hits come from myspace.
> >
> > if you've got itunes...open up the store and switch
> > to
> > "classical"...my record is #7 today, but it was #2
> > last week.
> > granted, classical probably isn't a very big
> > proportion of itunes!
> >
> >
>
>
> <http://www.myspace.com/nimbletunes>
> 'Rantai' CD: <http://cdbaby.com/cd/timnelson1>
> 'Mesh' CD: <http://cdbaby.com/cd/timnelson2>
> Chain Tape Collective: <http://www.ct-collective.com/>
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>
>
>


From Loopers-Delight-request@loopers-delight.com  Wed Jun  7 23:16:47 2006
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Date: Wed, 7 Jun 2006 16:16:45 -0700
From: "D rH" <the.31st@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Shopping List
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------=_Part_12162_1160278.1149722205462
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Hey friends
I'm working on building my new signal chain, since I added 2 JamMans into
the mix, there are a few more things I need. I figured I'd ask around here,
try to keep it in the family before I hit the web. :) I'm on a severe
budget, (sound familiar?) so I have hopes someone on-list will be willing to
sell for cheap some things maybe they don't need so much any more,
collecting dust...

My shopping list:
2 mono volume pedals (40 USD each?)
1 ABY splitter (any suggestions on a decent one? Will stay in "Y" mode
perpetually.)
6 8+ foot 1/4" cables

That's it for now... building goes in phases. I'm pretty good at mowing
lawns and cutting hair, maybe we could work out a deal? :)
Write back if you'd like to help a new looper out.

Cheers!
David

------=_Part_12162_1160278.1149722205462
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<div>Hey friends</div>
<div>I'm working on building my new signal chain, since I added 2 JamMans into the mix, there are a few more things I need. I figured I'd ask around here, try to keep it in the family before I hit the web. :) I'm on a severe budget, (sound familiar?) so I have hopes someone on-list will be willing to sell&nbsp;for cheap some things maybe they don't need so much any more, collecting dust... 
</div>
<div>&nbsp;</div>
<div>My shopping list:</div>
<div>2 mono volume pedals (40 USD each?)</div>
<div>1 ABY splitter (any suggestions on a decent one? Will stay in &quot;Y&quot; mode perpetually.)</div>
<div>6&nbsp;8+ foot&nbsp;1/4&quot; cables</div>
<div>&nbsp;</div>
<div>That's it for now... building goes in phases. I'm pretty good at mowing lawns and cutting hair, maybe we could work out a deal? :)</div>
<div>Write&nbsp;back if you'd like to help a new looper out.</div>
<div>&nbsp;</div>
<div>Cheers!</div>
<div>David</div>

------=_Part_12162_1160278.1149722205462--

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received the boss rc50 yesterday and have been working with it quite a bit 
since.   the overall features seem solid.   i'm liking the sub out option of 
sending just a loop signal to a drummer/bass player.

i'm not a novice at working with looping units - i've worked with the 
boomerang, the rc20 and the echoplex with the berringer midi pedal.   i realize it 
takes some work to get a feel for the each unit's pedal "action" for lack of a 
better word, but i'm struggling with this units pedals in a way i had not 
anticipated.   generally   my rhythm skills are very solid.   for the most part 
i've been able to create pretty seamless loops with the other units, but this 
one.......i'm getting a pronounced "hiccup" frequently at the end of the 
recording and the begining of the playback of the "phrase".   the wierd thing is that 
when i listen to the playback over several repetitions, i don't hear the 
"hiccup", and for the most part the phrase sounds ok.

so, i just got off the phone with ryan at roland customer support, and he 
says i'm not losing my mind, that he has experienced the same thing.   in 
"single" mode, this is less of a problem, but in multi mode it is more prononuced.   
unbelievable.....i can't believe they would let this slip by, especially after 
the long wait for the damn thing.   i mean you can pretty much do the single 
mode thing with the rc20....the whole point is to be able to use the multi 
mode functions.

his suggestions were to "play through" the first beat of the phrase after 
you've hit the end of the recording of it....ok, that seems like a pain.   he 
also seems to think that roland will eventually issue a software update.   

i suppose none of this matters if you usually start your loop with silence on 
the first beat.......and how many of us do that?

when is that new boomerang supposed to come out?   

anyone have impressions, opinions on this?

thanks,

John Floridis
406-721-9161 (home)
406-544-0787 (cell)
johnfloridis.com

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2">received the boss rc50 yesterday and ha=
ve been working with it quite a bit since.&nbsp;  the overall features seem=20=
solid.&nbsp;  i'm liking the sub out option of sending just a loop signal to=
 a drummer/bass player.<BR>
<BR>
i'm not a novice at working with looping units - i've worked with the boomer=
ang, the rc20 and the echoplex with the berringer midi pedal.&nbsp;  i reali=
ze it takes some work to get a feel for the each unit's pedal "action" for l=
ack of a better word, but i'm struggling with this units pedals in a way i h=
ad not anticipated.&nbsp;  generally&nbsp;  my rhythm skills are very solid.=
&nbsp;  for the most part i've been able to create pretty seamless loops wit=
h the other units, but this one.......i'm getting a pronounced "hiccup" freq=
uently at the end of the recording and the begining of the playback of the "=
phrase".&nbsp;  the wierd thing is that when i listen to the playback over s=
everal repetitions, i don't hear the "hiccup", and for the most part the phr=
ase sounds ok.<BR>
<BR>
so, i just got off the phone with ryan at roland customer support, and he sa=
ys i'm not losing my mind, that he has experienced the same thing.&nbsp;  in=
 "single" mode, this is less of a problem, but in multi mode it is more pron=
onuced.&nbsp;  unbelievable.....i can't believe they would let this slip by,=
 especially after the long wait for the damn thing.&nbsp;  i mean you can pr=
etty much do the single mode thing with the rc20....the whole point is to be=
 able to use the multi mode functions.<BR>
<BR>
his suggestions were to "play through" the first beat of the phrase after yo=
u've hit the end of the recording of it....ok, that seems like a pain.&nbsp;=
  he also seems to think that roland will eventually issue a software update=
.&nbsp;  <BR>
<BR>
i suppose none of this matters if you usually start your loop with silence o=
n the first beat.......and how many of us do that?<BR>
<BR>
when is that new boomerang supposed to come out?&nbsp;  <BR>
<BR>
anyone have impressions, opinions on this?<BR>
<BR>
thanks,</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" S=
IZE=3D"2"><BR>
<BR>
John Floridis<BR>
406-721-9161 (home)<BR>
406-544-0787 (cell)<BR>
</FONT><FONT COLOR=3D"#0000FF" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"><A HREF=3D"http://johnfloridis.com/">johnfloridis.com</A></FONT><FONT COL=
OR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT></HTML>
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From Loopers-Delight-request@loopers-delight.com  Thu Jun  8 01:10:11 2006
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	id 8119D3BEC7; Thu,  8 Jun 2006 01:10:11 +0000 (UTC)
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Date: Wed, 7 Jun 2006 18:10:10 -0700 (PDT)
From: Monica <coolintensity@yahoo.com>
Subject: Gnaoua Trance Music Festival 2006
To: Loopers-Delight@loopers-delight.com
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  Worth a mention here I think...
  Check this scene out for the REAL trance music.
  Very very far out! 
   
  http://www.festival-gnaoua.co.ma/ 
   
  Monica

 __________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 
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<div><FONT size=3></FONT>&nbsp;</div>  <div><FONT size=3></FONT>&nbsp;</div>  <div><FONT size=3>Worth a mention here I think...</FONT></div>  <div><FONT size=3>Check this scene out for the REAL trance music.</FONT></div>  <div><FONT size=3>Very very far out! </FONT></div>  <div><FONT size=3></FONT>&nbsp;</div>  <div><FONT size=3><A href="http://www.festival-gnaoua.co.ma/">http://www.festival-gnaoua.co.ma/</A> </FONT></div>  <div><FONT size=3></FONT>&nbsp;</div>  <div><FONT size=3>Monica</FONT></div><p>&#32;__________________________________________________<br>Do You Yahoo!?<br>Tired of spam?  Yahoo! Mail has the best spam protection around <br>http://mail.yahoo.com 
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From Loopers-Delight-request@loopers-delight.com  Thu Jun  8 02:02:01 2006
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Reply-To: "Sean Mormelo" <sean@seanmormelo.com>
From: "Sean Mormelo" <sean@seanmormelo.com>
To: <Loopers-Delight@loopers-delight.com>
References: <415.2ede14e.31b8c937@aol.com>
Subject: Re: BOSS RC-50 impressions/pedal "action"
Date: Wed, 7 Jun 2006 18:01:59 -0800
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Yea i couldn't get trigger the loops on time that well either so I set =
the pedals to change at the end of the loop, so I hit the next loop and =
it changes exactly at the end of the previous rather then when I =
immediatly hit the pedal..I Love this feature and it works like a =
charm..Plus if you have say loop 2 or 3 that you want as a one shot =
loop, you can set each loop the way you want it to trigger so loop one, =
or you main loop can be set to trigger at loop end and the other 2 can =
be set as a one shot that will immediately trigger when you hit the =
pedals..VERY cool.

Sean Mormelo
www.seanmormelo.com
www.myspace.com/seanmormelo
EPK- www.sonicbids.com/seanmormelo
www.CDbaby.com/seanmormelo
  ----- Original Message -----=20
  From: Jfloridis@aol.com=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Wednesday, June 07, 2006 4:28 PM
  Subject: Re: BOSS RC-50 impressions/pedal "action"


  received the boss rc50 yesterday and have been working with it quite a =
bit since.  the overall features seem solid.  i'm liking the sub out =
option of sending just a loop signal to a drummer/bass player.

  i'm not a novice at working with looping units - i've worked with the =
boomerang, the rc20 and the echoplex with the berringer midi pedal.  i =
realize it takes some work to get a feel for the each unit's pedal =
"action" for lack of a better word, but i'm struggling with this units =
pedals in a way i had not anticipated.  generally  my rhythm skills are =
very solid.  for the most part i've been able to create pretty seamless =
loops with the other units, but this one.......i'm getting a pronounced =
"hiccup" frequently at the end of the recording and the begining of the =
playback of the "phrase".  the wierd thing is that when i listen to the =
playback over several repetitions, i don't hear the "hiccup", and for =
the most part the phrase sounds ok.

  so, i just got off the phone with ryan at roland customer support, and =
he says i'm not losing my mind, that he has experienced the same thing.  =
in "single" mode, this is less of a problem, but in multi mode it is =
more prononuced.  unbelievable.....i can't believe they would let this =
slip by, especially after the long wait for the damn thing.  i mean you =
can pretty much do the single mode thing with the rc20....the whole =
point is to be able to use the multi mode functions.

  his suggestions were to "play through" the first beat of the phrase =
after you've hit the end of the recording of it....ok, that seems like a =
pain.  he also seems to think that roland will eventually issue a =
software update. =20

  i suppose none of this matters if you usually start your loop with =
silence on the first beat.......and how many of us do that?

  when is that new boomerang supposed to come out? =20

  anyone have impressions, opinions on this?

  thanks,

  John Floridis
  406-721-9161 (home)
  406-544-0787 (cell)
  johnfloridis.com

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1543" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Yea i couldn't get trigger the loops on =
time that=20
well either so I set the pedals to change at the end of the loop, so I =
hit the=20
next loop and it changes exactly at the end of the previous rather then =
when I=20
immediatly hit the pedal..I Love this feature and it works like a =
charm..Plus if=20
you have say loop 2 or 3 that you want as a one shot loop, you can set =
each loop=20
the way you want it to trigger so loop one, or you main loop can be set =
to=20
trigger at loop end and the other 2 can be set as a one shot that will=20
immediately trigger when you hit the pedals..VERY cool.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV>Sean Mormelo<BR><A=20
href=3D"http://www.seanmormelo.com">www.seanmormelo.com</A><BR><A=20
href=3D"http://www.myspace.com/seanmormelo">www.myspace.com/seanmormelo</=
A><BR>EPK-=20
<A=20
href=3D"http://www.sonicbids.com/seanmormelo">www.sonicbids.com/seanmorme=
lo</A><BR><A=20
href=3D"http://www.CDbaby.com/seanmormelo">www.CDbaby.com/seanmormelo</A>=
</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3DJfloridis@aol.com=20
  href=3D"mailto:Jfloridis@aol.com">Jfloridis@aol.com</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, June 07, 2006 =
4:28=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: BOSS RC-50 =
impressions/pedal=20
  "action"</DIV>
  <DIV><BR></DIV><FONT face=3Darial,helvetica><FONT face=3DGeneva =
color=3D#000000=20
  size=3D2 FAMILY=3D"SANSSERIF">received the boss rc50 yesterday and =
have been=20
  working with it quite a bit since.&nbsp; the overall features seem=20
  solid.&nbsp; i'm liking the sub out option of sending just a loop =
signal to a=20
  drummer/bass player.<BR><BR>i'm not a novice at working with looping =
units -=20
  i've worked with the boomerang, the rc20 and the echoplex with the =
berringer=20
  midi pedal.&nbsp; i realize it takes some work to get a feel for the =
each=20
  unit's pedal "action" for lack of a better word, but i'm struggling =
with this=20
  units pedals in a way i had not anticipated.&nbsp; generally&nbsp; my =
rhythm=20
  skills are very solid.&nbsp; for the most part i've been able to =
create pretty=20
  seamless loops with the other units, but this one.......i'm getting a=20
  pronounced "hiccup" frequently at the end of the recording and the =
begining of=20
  the playback of the "phrase".&nbsp; the wierd thing is that when i =
listen to=20
  the playback over several repetitions, i don't hear the "hiccup", and =
for the=20
  most part the phrase sounds ok.<BR><BR>so, i just got off the phone =
with ryan=20
  at roland customer support, and he says i'm not losing my mind, that =
he has=20
  experienced the same thing.&nbsp; in "single" mode, this is less of a =
problem,=20
  but in multi mode it is more prononuced.&nbsp; unbelievable.....i =
can't=20
  believe they would let this slip by, especially after the long wait =
for the=20
  damn thing.&nbsp; i mean you can pretty much do the single mode thing =
with the=20
  rc20....the whole point is to be able to use the multi mode=20
  functions.<BR><BR>his suggestions were to "play through" the first =
beat of the=20
  phrase after you've hit the end of the recording of it....ok, that =
seems like=20
  a pain.&nbsp; he also seems to think that roland will eventually issue =
a=20
  software update.&nbsp; <BR><BR>i suppose none of this matters if you =
usually=20
  start your loop with silence on the first beat.......and how many of =
us do=20
  that?<BR><BR>when is that new boomerang supposed to come out?&nbsp;=20
  <BR><BR>anyone have impressions, opinions on =
this?<BR><BR>thanks,</FONT><FONT=20
  face=3DGeneva color=3D#000000 size=3D2 =
FAMILY=3D"SANSSERIF"><BR><BR>John=20
  Floridis<BR>406-721-9161 (home)<BR>406-544-0787 (cell)<BR></FONT><FONT =

  face=3DGeneva color=3D#0000ff size=3D2 FAMILY=3D"SANSSERIF"><A=20
  href=3D"http://johnfloridis.com/">johnfloridis.com</A></FONT><FONT =
face=3DGeneva=20
  color=3D#000000 size=3D2 =
FAMILY=3D"SANSSERIF"><BR></BLOCKQUOTE></FONT><FONT=20
face=3DGeneva color=3D#000000 size=3D2 =
FAMILY=3D"SANSSERIF"></FONT></FONT></BODY></HTML>

------=_NextPart_000_0082_01C68A5C.78E7A870--

From Loopers-Delight-request@loopers-delight.com  Thu Jun  8 03:09:24 2006
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From: Jfloridis@aol.com
Message-ID: <4a4.1864446.31b8eed9@aol.com>
Date: Wed, 7 Jun 2006 23:09:13 EDT
Subject: Re: BOSS RC-50 impressions/pedal "action"
To: sean@seanmormelo.com, Loopers-Delight@loopers-delight.com
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thanks sean, though i have to say i'm a little fuzzy on that technique.   set 
the pedals to change?   do you mean from one patch to another?   is this 
something you came up with on your own or is that in the manual?

john


In a message dated 6/7/06 8:02:44 PM, sean@seanmormelo.com writes:
> Yea i couldn't get trigger the loops on time that well either so I set the 
> pedals to change at the end of the loop, so I hit the next loop and it 
> changes exactly at the end of the previous rather then when I immediatly hit the 
> pedal..I Love this feature and it works like a charm..Plus if you have say loop 
> 2 or 3 that you want as a one shot loop, you can set each loop the way you 
> want it to trigger so loop one, or you main loop can be set to trigger at loop 
> end and the other 2 can be set as a one shot that will immediately trigger 
> when you hit the pedals..VERY cool.
> 


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Content-Type: text/html; charset="US-ASCII"
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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
thanks sean, though i have to say i'm a little fuzzy on that technique.&nbsp=
;  set the pedals to change?&nbsp;  do you mean from one patch to another?&n=
bsp;  is this something you came up with on your own or is that in the manua=
l?<BR>
<BR>
john<BR>
<BR>
<BR>
In a message dated 6/7/06 8:02:44 PM, sean@seanmormelo.com writes:<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">Yea i couldn't get tr=
igger the loops on time that well either so I set the pedals to change at th=
e end of the loop, so I hit the next loop and it changes exactly at the end=20=
of the previous rather then when I immediatly hit the pedal..I Love this fea=
ture and it works like a charm..Plus if you have say loop 2 or 3 that you wa=
nt as a one shot loop, you can set each loop the way you want it to trigger=20=
so loop one, or you main loop can be set to trigger at loop end and the othe=
r 2 can be set as a one shot that will immediately trigger when you hit the=20=
pedals..VERY cool.<BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT></HTML>
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From Loopers-Delight-request@loopers-delight.com  Thu Jun  8 03:21:46 2006
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Subject: Re: BOSS RC-50 impressions/pedal "action"
Date: Thu, 08 Jun 2006 12:21:39 +0900
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i've noticed this sometimes too, a singular hiccup at the moment the loop is 
initially closed right? it never reoccurs as the loop plays through or while 
performing overdubs? i assumed this was due to the loop quantize feature, 
some sort of momentary calculation / readjustment that causes the initial 
hiccup. seems like a pretty minor problem, but all the same i hope roland 
really does issue a software update for the RC-50, more to fix the 
compression expansion than anything else.


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Date: Wed, 7 Jun 2006 23:28:18 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: My impressions of the  BOSS RC-50
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I spent some time this afternoon with a friend's RC-50.

LOVE:

Loops can be independent lengths and run simultaneously (in the so 
called "multi mode".)

Loops can fade in and fade out when activated.

Momentary record function is fan-fucking-tastic!!

4 outputs.. click could be run independently to a personal monitor or 
drummer if desired.

Possible stereo operation.. haven't tried it but I suppose that you 
could mute the signal to the left input, add audio to the right side, 
mute the right input and add audio to the left, effectively giving 
you 6 loops of 3 lengths at once....




HATE:

Please feel free to correct any misinformation here!

No speed/pitch control of loops.. octave, half speed, NOPE! (it has a 
really crude timestretch algo, but it's horrid - not cool horrid like 
the electrix repeater, either)

No control of feedback for loop... too dense? erase and start again!

Yellow / Green LED color too similar on Play / OD lights, especially 
in bright light.

Must select loop with one pedal and then select stop / play with 
another. I would rather select and cue playback/ stop with one button.

Too many menu hunts required for a simple pan control, reverse mode etc....

Silly accompaniment sounds and presets...

Footswitches are way too imprecise and rubbery.

USB operation too fussy... requires menu selections and button 
presses to connect and to disconnect from the computer.

Changing 'Patches' wipes entire loop if you didn't 'write' it..

No expandable storage all memory is internal.


DISCLAIMER:

I have been using the EH2880 for the past few weeks and its simple 
interface with real knobs, one function per button, stereo mixdown 
track which can be unsynched from the main 4 tracks, plus instant 
reverse (even in record) and -most importantly- the ability to 
varispeed the whole mess with a knob has me a bit down on the 
virtual- menu driven key memorization world that is everything else.

If a looper is an instrument, shouldn't it have an interface designed like one?

-- 
...
http://www.zmix.net
--============_-1062385192==_ma============
Content-Type: text/html; charset="us-ascii"

<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>My impressions of the  BOSS
RC-50</title></head><body>
<div>I spent some time this afternoon with a friend's RC-50.</div>
<div><br></div>
<div><font size="+1"><b>LOVE:</b></font></div>
<div><br></div>
<div>Loops can be independent lengths and run simultaneously (in the
so called &quot;multi mode&quot;.)</div>
<div><br></div>
<div>Loops can fade in and fade out when activated.</div>
<div><br></div>
<div>Momentary record function is fan-fucking-tastic!!</div>
<div><br></div>
<div>4 outputs.. click could be run independently to a personal
monitor or drummer if desired.</div>
<div><br></div>
<div>Possible stereo operation.. haven't tried it but I suppose that
you could mute the signal to the left input, add audio to the right
side, mute the right input and add audio to the left, effectively
giving you 6 loops of 3 lengths at once....</div>
<div><br></div>
<div><br></div>
<div><br></div>
<div><br></div>
<div><font size="+1"><b>HATE:</b></font></div>
<div><br></div>
<div>Please feel free to correct any misinformation here!</div>
<div><br></div>
<div>No speed/pitch control of loops.. octave, half speed, NOPE! (it
has a really crude timestretch algo, but it's horrid - not cool horrid
like the electrix repeater, either)</div>
<div><br></div>
<div>No control of feedback for loop... too dense? erase and start
again!</div>
<div><br></div>
<div>Yellow / Green LED color too similar on Play / OD lights,
especially in bright light.</div>
<div><br></div>
<div>Must select loop with one pedal and then select stop / play with
another. I would rather select and cue playback/ stop with one
button.</div>
<div><br></div>
<div>Too many menu hunts required for a simple pan control, reverse
mode etc....</div>
<div><br></div>
<div>Silly accompaniment sounds and presets...</div>
<div><br></div>
<div>Footswitches are way too imprecise and rubbery.</div>
<div><br></div>
<div>USB operation too fussy... requires menu selections and button
presses to connect and to disconnect from the computer.</div>
<div><br></div>
<div>Changing 'Patches' wipes entire loop if you didn't 'write'
it..</div>
<div><br></div>
<div>No expandable storage all memory is internal.</div>
<div><br></div>
<div><font size="+1"><b><br></b></font></div>
<div><font size="+1"><b>DISCLAIMER:</b></font></div>
<div><br></div>
<div>I have been using the EH2880 for the past few weeks and its
simple interface with real knobs, one function per button, stereo
mixdown track which can be unsynched from the main 4 tracks, plus
instant reverse (even in record) and -most importantly- the ability to
varispeed the whole mess with a knob has me a bit down on the virtual-
menu driven key memorization world that is everything else.</div>
<div><br></div>
<div>If a looper is an instrument, shouldn't it have an interface
designed like one?</div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div>...<br>
http://www.zmix.net</div>
</body>
</html>
--============_-1062385192==_ma============--

From Loopers-Delight-request@loopers-delight.com  Thu Jun  8 03:50:14 2006
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Subject: Re: laptop audio I/O hardware
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my 2 cents,

beware of the occasional driver that displays 'roundtrip' latency. or  
maybe it's better to be aware that most do not show roundtrip. there  
are buffers on the way in and the way out, so if you are processing  
live audio you get twice the latency.
some driver setting windows will show one or the other, if you are  
setting a third party device from within the settings for a host app,  
who knows if you can trust the numbers it displays. also higher  
sampling rates give you significantly less latency, albeit at the  
cost of CPU.

- b



On Jun 7, 2006, at 4:10 PM, jeff larson wrote:

>> From: Jeff Kaiser
>> The buffers are set in the DSP options of the application itself.  
>> They
>
>> remained the same.
>>
>> Could the driver itself change the CPU load? Would that
>> affect latency?
>
> A driver can cause more CPU load, but that does not necessarily
> affect latency.  Latency is defined by the buffer size.  If your
> buffer size is 256 samples, then your latency is 5.8 milliseconds,
> period.  It doesn't matter what hardware interface you are using,
> if the buffer size is 256 your latency is 5.8 milliseconds, always
> and forever.
>
> What increased CPU load can do is cause you to "miss interrupts"
> because the computer can't keep up with requests from the audio
> interface.  This will sound like clicks or noise.  So while a
> particular driver may require more CPU, if you are not hearing any
> clicks it doesn't matter, it is still operating within the latency
> defined by the buffer size.
>
> Jeff
>

From Loopers-Delight-request@loopers-delight.com  Thu Jun  8 05:25:32 2006
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Seriously, I would have hit it



sadly I was just a glimmer in my mother's uterus at the time!

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<div>Seriously, I would have hit it</div>
<div>&nbsp;</div>
<div>&nbsp;</div>
<div>&nbsp;</div>
<div>sadly I was just a glimmer in my mother's uterus at the time!<br>&nbsp;</div>

------=_Part_14507_9197389.1149744330336--

From Loopers-Delight-request@loopers-delight.com  Thu Jun  8 07:17:38 2006
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Subject: Re: My impressions of the  BOSS RC-50
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wonderful man i love this kind of reviews simple and
to the point! if u would be so kind to do the same
with the EH2880 i would be greatful now it has caught
my attention!
Luis

--- Charles Zwicky <cazwicky@earthlink.net> wrote:

> I spent some time this afternoon with a friend's
> RC-50.
> 
> LOVE:
> 
> Loops can be independent lengths and run
> simultaneously (in the so 
> called "multi mode".)
> 
> Loops can fade in and fade out when activated.
> 
> Momentary record function is fan-fucking-tastic!!
> 
> 4 outputs.. click could be run independently to a
> personal monitor or 
> drummer if desired.
> 
> Possible stereo operation.. haven't tried it but I
> suppose that you 
> could mute the signal to the left input, add audio
> to the right side, 
> mute the right input and add audio to the left,
> effectively giving 
> you 6 loops of 3 lengths at once....
> 
> 
> 
> 
> HATE:
> 
> Please feel free to correct any misinformation here!
> 
> No speed/pitch control of loops.. octave, half
> speed, NOPE! (it has a 
> really crude timestretch algo, but it's horrid - not
> cool horrid like 
> the electrix repeater, either)
> 
> No control of feedback for loop... too dense? erase
> and start again!
> 
> Yellow / Green LED color too similar on Play / OD
> lights, especially 
> in bright light.
> 
> Must select loop with one pedal and then select stop
> / play with 
> another. I would rather select and cue playback/
> stop with one button.
> 
> Too many menu hunts required for a simple pan
> control, reverse mode etc....
> 
> Silly accompaniment sounds and presets...
> 
> Footswitches are way too imprecise and rubbery.
> 
> USB operation too fussy... requires menu selections
> and button 
> presses to connect and to disconnect from the
> computer.
> 
> Changing 'Patches' wipes entire loop if you didn't
> 'write' it..
> 
> No expandable storage all memory is internal.
> 
> 
> DISCLAIMER:
> 
> I have been using the EH2880 for the past few weeks
> and its simple 
> interface with real knobs, one function per button,
> stereo mixdown 
> track which can be unsynched from the main 4 tracks,
> plus instant 
> reverse (even in record) and -most importantly- the
> ability to 
> varispeed the whole mess with a knob has me a bit
> down on the 
> virtual- menu driven key memorization world that is
> everything else.
> 
> If a looper is an instrument, shouldn't it have an
> interface designed like one?
> 
> -- 
> ...
> http://www.zmix.net


__________________________________________________
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Tired of spam?  Yahoo! Mail has the best spam protection around 
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Anybody else wants to share his
> experiences? (private
> >> mail, if you don't want these figures to appear
> in public for
> >> some reason...)
> >>
> >> 	Rainer


Album Sales (mostly from my latin CDs) 550.00dlls
Digital distribution 620.00dlls.
but non of it comes through myspace all from CD
baby,gotta love those guys!
Luis


__________________________________________________
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Tired of spam?  Yahoo! Mail has the best spam protection around 
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>....i'm getting a pronounced "hiccup" frequently at the end of the 
>recording and the begining of the playback of the "phrase".  the 
>wierd thing is that when i listen to the playback over several 
>repetitions, i don't hear the "hiccup", and for the most part the 
>phrase sounds ok.
>
>his suggestions were to "play through" the first beat of the phrase 
>after you've hit the end of the recording of it....ok, that seems 
>like a pain.  he also seems to think that roland will eventually 
>issue a software update.
>anyone have impressions, opinions on this?

It looks like either:-

1) there's some considerable latency when recording a loop
2) Roland are using some sort of detection to determine where the 
loop point should be.

those would both be helped by "playing through"

Amazing, so it's not suitable for even making a single loop :-(

Wierd that the "hiccup" goes away, if you could provide audio samples
then that would be interesting.

andy butler
ps. just waiting for the post from the guy who can't hear the problem ;-) 

From Loopers-Delight-request@loopers-delight.com  Thu Jun  8 08:31:31 2006
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Subject: BOSS RC-50 vs EH2880
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> *
> *
> *DISCLAIMER:*
>
> I have been using the EH2880 for the past few weeks and its simple 
> interface with real knobs, one function per button, stereo mixdown 
> track which can be unsynched from the main 4 tracks, plus instant 
> reverse (even in record) and -most importantly- the ability to 
> varispeed the whole mess with a knob has me a bit down on the virtual- 
> menu driven key memorization world that is everything else.
What I dont't get with this looper is the footswitch control! There is 
no specification on that?

stephane

From Loopers-Delight-request@loopers-delight.com  Thu Jun  8 11:12:11 2006
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 <20060607150049.307570@gmx.net>
 <65367.65.90.188.220.1149696252.squirrel@www.infinivert.com>
Subject: Re: Re: Re: AW: laptop audio I/O hardware in your price range?
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> -------- Original-Nachricht --------
> Datum: Wed, 7 Jun 2006 11:04:12 -0500 (CDT)
> Von: Joshua Carroll <josh@infinivert.com>
> An: Loopers-Delight@loopers-delight.com
> Betreff: Re: Re: AW: laptop audio I/O hardware in your price range?
> 
> >It would be interesting to see if you can route your main mix to
> > FireWire-Out & the monitor mix to standard PC Line-Out.
> > I'll have to check when I have time.
> 
> Ha!  I was just wondering about that exact thing.  Sending a click through
> the line out would be perfect.
> 
> Let me know what you figure out!
> 
> --Josh

-- 


Der GMX SmartSurfer hilft bis zu 70% Ihrer Onlinekosten zu sparen!
Ideal für Modem und ISDN: http://www.gmx.net/de/go/smartsurfer

From Loopers-Delight-request@loopers-delight.com  Thu Jun  8 11:49:10 2006
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Subject: Re: Re: BOSS RC-50 impressions/pedal "action"
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Hi folks

> i've noticed this sometimes too, a singular hiccup at the moment the loop 
all of this is not very promising...

Now I wonder: should I cancel my RC-50 order while I can?
Is it really worth giving it a chance?
Or can you recommend another (better;-) looper in that price range that has stereo/midi/decent loop length?

Best regards
Buzap
-- 


Echte DSL-Flatrate dauerhaft für 0,- Euro*!
"Feel free" mit GMX DSL! http://www.gmx.net/de/go/dsl

From Loopers-Delight-request@loopers-delight.com  Thu Jun  8 13:11:05 2006
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References: <BAY102-F210805D69CF1E79BCEE4DCD78B0@phx.gbl> <20060608114908.88460@gmx.net>
Subject: New RC-50 Delema
Date: Thu, 8 Jun 2006 05:11:06 -0800
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So, I've been playing with it all night and It's a very powerful unit but
there is one thing that I can not figure out how to do and maybe someone
could shed some light on this for me:

Even when I turn the Guide off, which can be fun but I don't really wanna
use live, the Tempo is still active. So when in single mode (Verse, Chorus,
Bridge, etc-separate loops each pedal) if I play a something on phrase one
then go into another section on loop 2 it's fine but when I go back to loop
one, the RC-50 seems to revert back to the original tempo of the patch and
it's can't be turned off...So...The damn thing time compresses/expands my
original loop to whatever the tempo of the patch happens to be set at...and
we all know what it sounds like when that happens...GARBLE GARBLE GARBLE...

Either I'm just too burnt and the solution is right in front of my eyes or
something, but I can't figure out how to make this stop happening without
turning the guide back on and tapping a tempo before I play my loop
phrase....

Is there a way that anyone has figured out, how to disable the patch tempo
when not playing with the guide, so that my phrases don't revert to that
tempo and get all messed up? It seems like there HAS to be and i'm pretty
technical but I'm not seeing it....

Sean Mormelo
www.seanmormelo.com
www.myspace.com/seanmormelo
EPK- www.sonicbids.com/seanmormelo
www.CDbaby.com/seanmormelo

From Loopers-Delight-request@loopers-delight.com  Thu Jun  8 14:35:29 2006
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Subject: Re: New RC-50 Delema
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In a message dated 6/8/06 7:11:54 AM, sean@seanmormelo.com writes:


> So...The damn thing time compresses/expands my
> original loop to whatever the tempo of the patch happens to be set at...and
> we all know what it sounds like when that happens...GARBLE GARBLE GARBLE.
> 

yes i've found that as well, and i wonder if that contributes to the 
latency/tracking(?) issues as well.....the need to play through the origianl phrase.   
frankly i haven't used tempo functions with my looping....maybe i should 
have, but i haven't looked into it because i haven't felt a need to, but sean's 
issue seems like it would be something that alot of artists would not want to be 
dealing with.

i think andy might be on to something about roland using something to 
determine where the loop point should be.   i remember it took some time to really 
nail the rc20 after using a boomerang, and using the berringer midi pedal with 
the edp....that's been pretty flawless.   i'm trying to remember if this whole 
"action" issue was similar with the rc20 and i just plowed through it.

as i've worked with it more i do find i'm a little more adept at "playing 
through" the phrase in a way that is not too obvious while playing more driving 
rhythms or motifs.. when doing muted percussive sounds on the strings of a 
guitar, that's pretty seamless, but where it's driving me to dark thoughts is 
trying to play fingerpicked chord progressions in slower phrases.   it just jumps 
at you and makes you want to throw it against the wall.   (so i have issues 
with frustration toleance : < )

i should mention also, that there have been some recordings where i can hear, 
not the hiccup, but a rhythmic glitch that DOES   repeat, so in those cases i 
haven't nailed the phrase, but to me that speaks to the difference in the 
tracking of these pedals vs. the berringer midi pedal....because i never make 
mistakes....(he says dripping with facetiousness)

as far as buzap's concern about whether to cancel their order...the unit does 
have some cool features, and it is right off the presses, so it's hard to 
say.   does anyone know of some really in depth reviews from, say, japan that are 
translated?

i guess with all the hype around this unit, it's frustrating to have it be so 
strong in some ways but a real pain in a really basic way......so far.

john

--part1_35f.53cf7a1.31b98fa6_boundary
Content-Type: text/html; charset="US-ASCII"
Content-Transfer-Encoding: quoted-printable

<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
In a message dated 6/8/06 7:11:54 AM, sean@seanmormelo.com writes:<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">So...The damn thing t=
ime compresses/expands my<BR>
original loop to whatever the tempo of the patch happens to be set at...and<=
BR>
we all know what it sounds like when that happens...GARBLE GARBLE GARBLE.<BR=
>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
<BR>
yes i've found that as well, and i wonder if that contributes to the latency=
/tracking(?) issues as well.....the need to play through the origianl phrase=
.&nbsp;  frankly i haven't used tempo functions with my looping....maybe i s=
hould have, but i haven't looked into it because i haven't felt a need to, b=
ut sean's issue seems like it would be something that alot of artists would=20=
not want to be dealing with.<BR>
<BR>
i think andy might be on to something about roland using something to determ=
ine where the loop point should be.&nbsp;  i remember it took some time to r=
eally nail the rc20 after using a boomerang, and using the berringer midi pe=
dal with the edp....that's been pretty flawless.&nbsp;  i'm trying to rememb=
er if this whole "action" issue was similar with the rc20 and i just plowed=20=
through it.<BR>
<BR>
as i've worked with it more i do find i'm a little more adept at "playing th=
rough" the phrase in a way that is not too obvious while playing more drivin=
g rhythms or motifs.. when doing muted percussive sounds on the strings of a=
 guitar, that's pretty seamless, but where it's driving me to dark thoughts=20=
is trying to play fingerpicked chord progressions in slower phrases.&nbsp; =20=
it just jumps at you and makes you want to throw it against the wall.&nbsp;=20=
 (so i have issues with frustration toleance : &lt; )<BR>
<BR>
i should mention also, that there have been some recordings where i can hear=
, not the hiccup, but a rhythmic glitch that DOES&nbsp;  repeat, so in those=
 cases i haven't nailed the phrase, but to me that speaks to the difference=20=
in the tracking of these pedals vs. the berringer midi pedal....because i </=
FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"=
><I>never</I></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"> make mistakes....(he says dripping with facetiousness)<BR>
<BR>
as far as buzap's concern about whether to cancel their order...the unit doe=
s have some cool features, and it is right off the presses, so it's hard to=20=
say.&nbsp;  does anyone know of some really in depth reviews from, say, japa=
n that are translated?<BR>
<BR>
i guess with all the hype around this unit, it's frustrating to have it be s=
o strong in some ways but a real pain in a really basic way......so far.<BR>
<BR>
john</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=
=3D"2"></FONT></HTML>

--part1_35f.53cf7a1.31b98fa6_boundary--

From Loopers-Delight-request@loopers-delight.com  Thu Jun  8 14:37:05 2006
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Cc: Yarnall Jay <yaj23@earthlink.net>
Subject: Bay Area Gig Announce
From: Richard Sales <richard@glasswing.com>
Date: Thu, 8 Jun 2006 07:37:00 -0700
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--Apple-Mail-1--328471715
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	charset=WINDOWS-1252;
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Bay Area loopers:

My very good friend Jay Yarnall, who I've co-produced Wavy Gravy and=20
Bhagavan Das with, is performing in Sausalito 7 July.  I know some of=20
you know of Lisa Sangita Moscow, sarod player, (another good friend)=20
from her work with Robert RIch.  Anyhow, if you're in the area, it=20
should be a good show with Arkaos multi video feeds mixed with live=20
(run by Dan Ryman, digital wizard of Wire On Fire)... and lots of=20
outside and/or deep music.   Theresa Bell has a voice not to miss (yet=20=

ANOTHER good friend!), Ken Becker is a wonderful cellist/bass player.

I've heard it's a wonderful place to play - setup for multimedia, good=20=

vibe etc.

I'm going to try to be there.

Here's their announce:

Celebration of Interdependence Day
=A0
The interplay between musical and visual art, Eastern and Western music,
improvisation and structure, and primitive and urbane sensibilities=20
dance
with and around one another in this sometime wild romp, sometime
deeply meditational journey into our higher consciousness.=A0 July 7th
is Lover=92s Day in China, and in Japan, the day of the goddess Kamuhata
Hime, she who weaves devotion and love into a tapestry of a beautiful
and strong relationship.=A0 With Lisa Sangita Moskow (sarod, voice and=20=

percussion)
Jay Yarnall, primitive electronic artist(visual and audio),
Ken Becker ( cello and soundscape), Taressa  Bell(voice),
Daniel Ryman (live visual choreography),.

Detailed directions at: maps.yahoo.com & maps.google.com

* Go North on 101, past San Francisco
=A0* EXIT at "SAUSALITO/MARIN CITY",=A0
which loops onto BRIDGEWAY.=A0 - go 1/2 mile.
* Turn LEFT onto COLOMA ST. 411A Coloma is on the right.
WHEELCHAIR ACCESSIBLE

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com=

--Apple-Mail-1--328471715
Content-Transfer-Encoding: quoted-printable
Content-Type: text/enriched;
	charset=WINDOWS-1252

Bay Area loopers:


My very good friend Jay Yarnall, who I've co-produced Wavy Gravy and
Bhagavan Das with, is performing in Sausalito 7 July.  I know some of
you know of Lisa Sangita Moscow, sarod player, (another good friend)
from her work with Robert RIch.  Anyhow, if you're in the area, it
should be a good show with Arkaos multi video feeds mixed with live
(run by Dan Ryman, digital wizard of Wire On Fire)... and lots of
outside and/or deep music.   Theresa Bell has a voice not to miss (yet
ANOTHER good friend!), Ken Becker is a wonderful cellist/bass player.


I've heard it's a wonderful place to play - setup for multimedia, good
vibe etc.=20


I'm going to try to be there.


Here's their announce:


<bold><fontfamily><param>Times New Roman</param>Celebration of
Interdependence Day

=A0

The interplay between musical and visual art, Eastern and Western
music,

improvisation and structure, and primitive and urbane sensibilities
dance

with and around one another in this sometime wild romp, sometime

deeply meditational journey into our higher consciousness.=A0 July
7<smaller>th

</smaller>is Lover=92s Day in China, and in Japan, the day of the
goddess Kamuhata

Hime, she who weaves devotion and love into a tapestry of a beautiful

and strong relationship.=A0 With Lisa Sangita Moskow (sarod, voice and
percussion)

Jay Yarnall, primitive electronic artist(visual and audio),=20

Ken Becker ( cello and soundscape), Taressa  Bell(voice),=20

Daniel Ryman (live visual choreography),.


</fontfamily></bold><fontfamily><param>Times New =
Roman</param><bigger><bigger><bigger>Detailed
directions at:
<color><param>0000,0000,EEEB</param>maps.yahoo.com</color> &
=
<color><param>0000,0000,EEEB</param>maps.google.com</color></bigger></bigg=
er></bigger></fontfamily><fontfamily><param>Lucida =
Grande</param><bigger><bigger><bigger>=20


</bigger></bigger></bigger></fontfamily><fontfamily><param>Comic Sans =
MS</param><bigger><bigger>*
Go North on 101, past San
Francisco</bigger></bigger></fontfamily><fontfamily><param>Lucida =
Grande</param><bigger><bigger><bigger>=20

</bigger></bigger></bigger></fontfamily><fontfamily><param>Comic Sans =
MS</param><bigger><bigger>=A0*
EXIT at "SAUSALITO/MARIN
CITY",=A0</bigger></bigger></fontfamily><fontfamily><param>Lucida =
Grande</param><bigger><bigger><bigger>=20

</bigger></bigger></bigger></fontfamily><fontfamily><param>Comic Sans =
MS</param><bigger><bigger>which
loops onto BRIDGEWAY.=A0 - go 1/2
mile.</bigger></bigger></fontfamily><fontfamily><param>Lucida =
Grande</param><bigger><bigger><bigger>=20

</bigger></bigger></bigger></fontfamily><fontfamily><param>Comic Sans =
MS</param><bigger><bigger>*
Turn LEFT onto COLOMA ST. <bold>411A Coloma</bold> is on the right.

WHEELCHAIR ACCESSIBLE =
</bigger></bigger></fontfamily><bold><fontfamily><param>Times New =
Roman</param>

</fontfamily></bold>

<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>=

--Apple-Mail-1--328471715--

From Loopers-Delight-request@loopers-delight.com  Thu Jun  8 15:00:35 2006
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Date: Thu, 08 Jun 2006 11:02:54 -0400
From: Warren Sirota <wsirota@wsdesigns.com>
Subject: RE: Bay Area Gig Announce
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Hi Richard,
 
Would you say hi to Lisa for me? I used to know her about 25 years ago when
I played in the Electric Guitar Quartet, haven't seen her in ages. She's a
lovely woman and musician. Thanks.
 
Best wishes,
Warren Sirota

-----Original Message-----
From: Richard Sales [mailto:richard@glasswing.com] 
Sent: Thursday, June 08, 2006 10:37 AM
To: Loopers-Delight@loopers-delight.com
Cc: Yarnall Jay
Subject: Bay Area Gig Announce


Bay Area loopers:

My very good friend Jay Yarnall, who I've co-produced Wavy Gravy and
Bhagavan Das with, is performing in Sausalito 7 July. I know some of you
know of Lisa Sangita Moscow, sarod player, (another good friend) from her
work with Robert RIch. Anyhow, if you're in the area, it should be a good
show with Arkaos multi video feeds mixed with live (run by Dan Ryman,
digital wizard of Wire On Fire)... and lots of outside and/or deep music.
Theresa Bell has a voice not to miss (yet ANOTHER good friend!), Ken Becker
is a wonderful cellist/bass player.

I've heard it's a wonderful place to play - setup for multimedia, good vibe
etc. 

I'm going to try to be there.

Here's their announce:

Celebration of Interdependence Day
 
The interplay between musical and visual art, Eastern and Western music,
improvisation and structure, and primitive and urbane sensibilities dance
with and around one another in this sometime wild romp, sometime
deeply meditational journey into our higher consciousness.  July 7th
is Lover's Day in China, and in Japan, the day of the goddess Kamuhata
Hime, she who weaves devotion and love into a tapestry of a beautiful
and strong relationship.  With Lisa Sangita Moskow (sarod, voice and
percussion)
Jay Yarnall, primitive electronic artist(visual and audio), 
Ken Becker ( cello and soundscape), Taressa Bell(voice), 
Daniel Ryman (live visual choreography),.

Detailed directions at: maps.yahoo.com & maps.google.com 

* Go North on 101, past San Francisco 
 * EXIT at "SAUSALITO/MARIN CITY",  
which loops onto BRIDGEWAY.  - go 1/2 mile. 
* Turn LEFT onto COLOMA ST. 411A Coloma is on the right.
WHEELCHAIR ACCESSIBLE 

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com


--Boundary_(ID_CB67Gge4Pc4jiO0LrxVVng)
Content-type: text/html; charset=us-ascii
Content-transfer-encoding: 7BIT

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META HTTP-EQUIV="Content-Type" CONTENT="text/html; charset=us-ascii">
<TITLE>Message</TITLE>

<META content="MSHTML 6.00.2900.2873" name=GENERATOR></HEAD>
<BODY>
<DIV><SPAN class=234230015-08062006><FONT face=Arial color=#0000ff size=2>Hi 
Richard,</FONT></SPAN></DIV>
<DIV><SPAN class=234230015-08062006><FONT face=Arial color=#0000ff 
size=2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=234230015-08062006><FONT face=Arial color=#0000ff size=2>Would 
you say hi to Lisa for me? I used to know her about 25 years ago when I played 
in the Electric Guitar Quartet, haven't seen her in ages. She's a lovely woman 
and musician. Thanks.</FONT></SPAN></DIV>
<DIV>&nbsp;</DIV>
<DIV align=left><FONT face=Arial color=#0000ff size=2>Best wishes,</FONT></DIV>
<DIV align=left><FONT face=Arial color=#0000ff size=2>Warren Sirota</FONT></DIV>
<BLOCKQUOTE 
style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px solid; MARGIN-RIGHT: 0px">
  <DIV></DIV>
  <DIV class=OutlookMessageHeader lang=en-us dir=ltr align=left><FONT 
  face=Tahoma size=2>-----Original Message-----<BR><B>From:</B> Richard Sales 
  [mailto:richard@glasswing.com] <BR><B>Sent:</B> Thursday, June 08, 2006 10:37 
  AM<BR><B>To:</B> Loopers-Delight@loopers-delight.com<BR><B>Cc:</B> Yarnall 
  Jay<BR><B>Subject:</B> Bay Area Gig Announce<BR><BR></FONT></DIV>Bay Area 
  loopers:<BR><BR>My very good friend Jay Yarnall, who I've co-produced Wavy 
  Gravy and Bhagavan Das with, is performing in Sausalito 7 July. I know some of 
  you know of Lisa Sangita Moscow, sarod player, (another good friend) from her 
  work with Robert RIch. Anyhow, if you're in the area, it should be a good show 
  with Arkaos multi video feeds mixed with live (run by Dan Ryman, digital 
  wizard of Wire On Fire)... and lots of outside and/or deep music. Theresa Bell 
  has a voice not to miss (yet ANOTHER good friend!), Ken Becker is a wonderful 
  cellist/bass player.<BR><BR>I've heard it's a wonderful place to play - setup 
  for multimedia, good vibe etc. <BR><BR>I'm going to try to be 
  there.<BR><BR>Here's their announce:<BR><BR><B><?fontfamily><?param Times New Roman>Celebration of 
  Interdependence Day<BR>&nbsp;<BR>The interplay between musical and visual art, 
  Eastern and Western music,<BR>improvisation and structure, and primitive and 
  urbane sensibilities dance<BR>with and around one another in this sometime 
  wild romp, sometime<BR>deeply meditational journey into our higher 
  consciousness.&nbsp; July 7<?smaller>th<BR><?/smaller>is Lover&#8217;s Day in China, 
  and in Japan, the day of the goddess Kamuhata<BR>Hime, she who weaves devotion 
  and love into a tapestry of a beautiful<BR>and strong relationship.&nbsp; With 
  Lisa Sangita Moskow (sarod, voice and percussion)<BR>Jay Yarnall, primitive 
  electronic artist(visual and audio), <BR>Ken Becker ( cello and soundscape), 
  Taressa Bell(voice), <BR>Daniel Ryman (live visual choreography),.<BR><BR><?/fontfamily></B><?fontfamily><?param Times New Roman><?bigger><?bigger><?bigger>Detailed 
  directions at: <?color><?param 0000,0000,EEEB>maps.yahoo.com<?/color> &amp; <?color><?param 0000,0000,EEEB>maps.google.com<?/color><?/bigger><?/bigger><?/bigger><?/fontfamily><?fontfamily><?param Lucida Grande><?bigger><?bigger><?bigger> 
  <BR><BR><?/bigger><?/bigger><?/bigger><?/fontfamily><?fontfamily><?param Comic Sans MS><?bigger><?bigger>* 
  Go North on 101, past San Francisco<?/bigger><?/bigger><?/fontfamily><?fontfamily><?param Lucida Grande><?bigger><?bigger><?bigger> 
  <BR><?/bigger><?/bigger><?/bigger><?/fontfamily><?fontfamily><?param Comic Sans MS><?bigger><?bigger>&nbsp;* 
  EXIT at "SAUSALITO/MARIN CITY",&nbsp;<?/bigger><?/bigger><?/fontfamily><?fontfamily><?param Lucida Grande><?bigger><?bigger><?bigger> 
  <BR><?/bigger><?/bigger><?/bigger><?/fontfamily><?fontfamily><?param Comic Sans MS><?bigger><?bigger>which 
  loops onto BRIDGEWAY.&nbsp; - go 1/2 mile.<?/bigger><?/bigger><?/fontfamily><?fontfamily><?param Lucida Grande><?bigger><?bigger><?bigger> 
  <BR><?/bigger><?/bigger><?/bigger><?/fontfamily><?fontfamily><?param Comic Sans MS><?bigger><?bigger>* 
  Turn LEFT onto COLOMA ST. <B>411A Coloma</B> is on the right.<BR>WHEELCHAIR 
  ACCESSIBLE <?/bigger><?/bigger><?/fontfamily><B><?fontfamily><?param Times New Roman><BR><?/fontfamily></B><BR><?fontfamily><?param Gadget>richard 
  sales<BR><?color><?param 7373,7F7F,C5C5>glassWing farm and 
  studio<?/color><BR>vancouver island, b.c.<BR>800.545.6846<BR>250.752.4816<?color><?param C3C3,9696,1C1C><BR>www.glassWing.com<BR>www.richardsales.com<BR>www.hayleysales.com<BR>www.blueberryfieldsfarm.com<?/color><?/fontfamily></BLOCKQUOTE></BODY></HTML>

--Boundary_(ID_CB67Gge4Pc4jiO0LrxVVng)--

From Loopers-Delight-request@loopers-delight.com  Thu Jun  8 15:06:54 2006
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 <p06230900c0ad36e647f0@[24.215.167.230]> <4487E056.8020401@dadaprod.org>
Date: Thu, 8 Jun 2006 11:06:05 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: BOSS RC-50 vs EH2880
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--============_-1062343266==_ma============
Content-Type: text/plain; charset="us-ascii" ; format="flowed"

>What I dont't get with this looper is the footswitch control! There 
>is no specification on that?
>stephane



The 2880 foot controller has 6 buttons:

"New Loop" sets up the unit to begin a new loop. It continues to play 
the old loop until you press the record button. Pressing the new loop 
button makes three lights flash rapidly on the footcontroller, as a 
warning. Pressing "New Loop" again cancels it.

"Reverse" pretty obvious. Works equally well in record and play. Whan 
synched to MIDI it has a fantastic ballistic - exactly like a tape 
machine!

"Octave" Drops the loop by one octave... at any tempo. It also halves 
the tempo of the MIDI clock, I wish it didn't...

"Track Select"  steps through the 4 available mono tracks, enebling 
recordon them. In stereo mode it selects one of the 2 pairs. Because 
it sequentially steps through the tracks, the LED lights when track 1 
is selected.

"Record" When stopped, pressing this will begin recording at the 
beginning of the loop, when playing it acts as a punch in / out button

"Play" starts and stops the loop.

I've modified mine a bit, swapping the position of the 'New Loop" and 
"Track Select" functions and changing the LED colors (red=record, 
green=play).

The foot controller contains a microcontroller and is powered by the 
1/4" mono cable connecting it to the 2880.


-CZ



-- 
...
http://www.zmix.net
--============_-1062343266==_ma============
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<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: BOSS RC-50 vs EH2880</title></head><body>
<blockquote type="cite" cite><b>What I dont't get with this looper is
the footswitch control! There is no specification on that?<br>
stephane</b></blockquote>
<div><br></div>
<div><br></div>
<div><br></div>
<div>The 2880 foot controller has 6 buttons:</div>
<div><br></div>
<div><b>&quot;New Loop&quot;</b> sets up the unit to begin a new loop.
It continues to play the old loop until you press the record button.
Pressing the new loop button makes three lights flash rapidly on the
footcontroller, as a warning. Pressing &quot;New Loop&quot; again
cancels it.</div>
<div><br></div>
<div><b>&quot;Reverse&quot;</b> pretty obvious. Works equally well in
record and play. Whan synched to MIDI it has a fantastic ballistic -
exactly like a tape machine!</div>
<div><br></div>
<div><b>&quot;Octave&quot;</b> Drops the loop by one octave... at any
tempo. It also halves the tempo of the MIDI clock, I wish it
didn't...</div>
<div><br></div>
<div><b>&quot;Track Select&quot;</b>&nbsp; steps through the 4
available mono tracks, enebling recordon them. In stereo mode it
selects one of the 2 pairs. Because it sequentially steps through the
tracks, the LED lights when track 1 is selected.</div>
<div><br></div>
<div><b>&quot;Record&quot;</b> When stopped, pressing this will begin
recording at the beginning of the loop, when playing it acts as a
punch in / out button</div>
<div><br></div>
<div><b>&quot;Play&quot;</b> starts and stops the loop.</div>
<div><br></div>
<div>I've modified mine a bit, swapping the position of the 'New Loop&quot;
and &quot;Track Select&quot; functions and changing the LED colors
(red=record, green=play).</div>
<div><br></div>
<div>The foot controller contains a microcontroller and is powered by
the 1/4&quot; mono cable connecting it to the 2880.</div>
<div><br></div>
<div><br></div>
<div>-CZ</div>
<div><br></div>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div>...<br>
http://www.zmix.net</div>
</body>
</html>
--============_-1062343266==_ma============--

From Loopers-Delight-request@loopers-delight.com  Thu Jun  8 15:07:55 2006
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Subject: Re: New RC-50 Delema
To: Loopers-Delight@loopers-delight.com
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Hi guys

> So...The damn thing time compresses/expands my
> original loop to whatever the tempo of the patch happens to be set
> at...
Oh boy, this is getting worse... I already hate this thing before I have received it :-(
Actually, this has been my main problem with Ableton. So I was looking forward to a unit that would be more flexible with time.
Does that mean you have no chance of practically working with this thing if you haven't tapped the proper tempo beforehand?
Could you:
- set patch tempo to anything
- record whatever loop you like
- set the patch tempo to the tempo of your loop - without messing up the loop tempo?

I guess I'll have to see...

Oh boy... so far _ALL_ solutions seem to be compromises...

Best regards
Buzap
-- 


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From Loopers-Delight-request@loopers-delight.com  Thu Jun  8 15:13:19 2006
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 <008501c68a9f$87948ad0$8c13fea9@SEANDELL>
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 <p06230902c0ade9faebca@[24.215.167.230]>
Subject: Re: Re: BOSS RC-50 vs EH2880
To: Loopers-Delight@loopers-delight.com
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Hi

I've just read the manual of the Electro Harmonix 2880.
Compared to RC-50, what I would be missing is I guess the fact that you only have 1 set of loops (one "patch" in RC-50 terms).
So you cannot really change from phrase1 to phrase2 (or from patchA to patchB...).

Really a little disturbing that on CF card, you can just store 1 (one) project/loop whatever and nothing else.
But if this is what you need (especially DJ-like application with tempo shift etc.), this is definetely interesting.

Buzap

-- 


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From Loopers-Delight-request@loopers-delight.com  Thu Jun  8 15:25:09 2006
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From: "Sean Mormelo" <sean@seanmormelo.com>
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References: <35f.53cf7a1.31b98fa6@aol.com> <20060608150752.171120@gmx.net>
Subject: Re: New RC-50 Delema
Date: Thu, 8 Jun 2006 07:25:09 -0800
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no no man...I figured out what the problem was. Tempo sync has to be off for
EACH Phrase..I didn't see that in
the menu before...Problem solved...Now it's working like a charm with or
without the guide on...This is really a nice unit and very flexible. You
will not hate it, I can assure you. Just takes a few days to get into it and
understand it.

Sean Mormelo
www.seanmormelo.com
www.myspace.com/seanmormelo
EPK- www.sonicbids.com/seanmormelo
www.CDbaby.com/seanmormelo
----- Original Message ----- 
From: "Buzap Buzap" <buzap@gmx.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, June 08, 2006 7:07 AM
Subject: Re: New RC-50 Delema


> Hi guys
>
> > So...The damn thing time compresses/expands my
> > original loop to whatever the tempo of the patch happens to be set
> > at...
> Oh boy, this is getting worse... I already hate this thing before I have
received it :-(
> Actually, this has been my main problem with Ableton. So I was looking
forward to a unit that would be more flexible with time.
> Does that mean you have no chance of practically working with this thing
if you haven't tapped the proper tempo beforehand?
> Could you:
> - set patch tempo to anything
> - record whatever loop you like
> - set the patch tempo to the tempo of your loop - without messing up the
loop tempo?
>
> I guess I'll have to see...
>
> Oh boy... so far _ALL_ solutions seem to be compromises...
>
> Best regards
> Buzap
> -- 
>
>
> "Feel free" â€“ 10 GB Mailbox, 100 FreeSMS/Monat ...
> Jetzt GMX TopMail testen: http://www.gmx.net/de/go/topmail
>
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Jun  8 15:36:54 2006
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Date: Thu, 8 Jun 2006 10:36:50 -0500 (CDT)
Subject: Re: BOSS RC-50 vs EH2880
From: "Joshua Carroll" <josh@infinivert.com>
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Does the foot controller come standard with the 2880, or is it separate? 
If so, where would I find one?

--Josh



>>What I dont't get with this looper is the footswitch control! There
>>is no specification on that?
>>stephane
>
>
>
> The 2880 foot controller has 6 buttons:
>
> "New Loop" sets up the unit to begin a new loop. It continues to play
> the old loop until you press the record button. Pressing the new loop
> button makes three lights flash rapidly on the footcontroller, as a
> warning. Pressing "New Loop" again cancels it.
>
> "Reverse" pretty obvious. Works equally well in record and play. Whan
> synched to MIDI it has a fantastic ballistic - exactly like a tape
> machine!
>
> "Octave" Drops the loop by one octave... at any tempo. It also halves
> the tempo of the MIDI clock, I wish it didn't...
>
> "Track Select"  steps through the 4 available mono tracks, enebling
> recordon them. In stereo mode it selects one of the 2 pairs. Because
> it sequentially steps through the tracks, the LED lights when track 1
> is selected.
>
> "Record" When stopped, pressing this will begin recording at the
> beginning of the loop, when playing it acts as a punch in / out button
>
> "Play" starts and stops the loop.
>
> I've modified mine a bit, swapping the position of the 'New Loop" and
> "Track Select" functions and changing the LED colors (red=record,
> green=play).
>
> The foot controller contains a microcontroller and is powered by the
> 1/4" mono cable connecting it to the 2880.
>
>
> -CZ
>
>
>
> --
> ...
> http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Thu Jun  8 16:07:28 2006
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From: Richard Sales <richard@glasswing.com>
Subject: Re: Bay Area Gig Announce
Date: Thu, 8 Jun 2006 09:07:19 -0700
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--Apple-Mail-3--323051886
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I sure will, Warren.  I went to your site the other day and enjoyed=20
your music!  Tut ta dah!

If you're nearby, come on to the show.  I'd love to meet you

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 8-Jun-06, at 8:02 AM, Warren Sirota wrote:

> Hi Richard,
> =A0
> Would you say hi to Lisa for me? I used to know her about 25 years ago=20=

> when I played in the Electric Guitar Quartet, haven't seen her in=20
> ages. She's a lovely woman and musician. Thanks.
> =A0
> Best wishes,
> Warren Sirota
>> -----Original Message-----
>> From: Richard Sales [mailto:richard@glasswing.com]
>> Sent: Thursday, June 08, 2006 10:37 AM
>> To: Loopers-Delight@loopers-delight.com
>> Cc: Yarnall Jay
>> Subject: Bay Area Gig Announce
>>
>> Bay Area loopers:
>>
>> My very good friend Jay Yarnall, who I've co-produced Wavy Gravy and=20=

>> Bhagavan Das with, is performing in Sausalito 7 July. I know some of=20=

>> you know of Lisa Sangita Moscow, sarod player, (another good friend)=20=

>> from her work with Robert RIch. Anyhow, if you're in the area, it=20
>> should be a good show with Arkaos multi video feeds mixed with live=20=

>> (run by Dan Ryman, digital wizard of Wire On Fire)... and lots of=20
>> outside and/or deep music. Theresa Bell has a voice not to miss (yet=20=

>> ANOTHER good friend!), Ken Becker is a wonderful cellist/bass player.
>>
>> I've heard it's a wonderful place to play - setup for multimedia,=20
>> good vibe etc.
>>
>> I'm going to try to be there.
>>
>> Here's their announce:
>>
>> Celebration of Interdependence Day
>> =A0
>> The interplay between musical and visual art, Eastern and Western=20
>> music,
>> improvisation and structure, and primitive and urbane sensibilities=20=

>> dance
>> with and around one another in this sometime wild romp, sometime
>> deeply meditational journey into our higher consciousness.=A0 July =
7th
>> is Lover=92s Day in China, and in Japan, the day of the goddess =
Kamuhata
>> Hime, she who weaves devotion and love into a tapestry of a beautiful
>> and strong relationship.=A0 With Lisa Sangita Moskow (sarod, voice =
and=20
>> percussion)
>> Jay Yarnall, primitive electronic artist(visual and audio),
>> Ken Becker ( cello and soundscape), Taressa Bell(voice),
>> Daniel Ryman (live visual choreography),.
>>
>> Detailed directions at: maps.yahoo.com & maps.google.com
>>
>> * Go North on 101, past San Francisco
>> =A0* EXIT at "SAUSALITO/MARIN CITY",=A0
>> which loops onto BRIDGEWAY.=A0 - go 1/2 mile.
>> * Turn LEFT onto COLOMA ST. 411A Coloma is on the right.
>> WHEELCHAIR ACCESSIBLE
>>
>> richard sales
>> glassWing farm and studio
>> vancouver island, b.c.
>> 800.545.6846
>> 250.752.4816
>> www.glassWing.com
>> www.richardsales.com
>> www.hayleysales.com
>> www.blueberryfieldsfarm.com=

--Apple-Mail-3--323051886
Content-Transfer-Encoding: quoted-printable
Content-Type: text/enriched;
	charset=WINDOWS-1252

I sure will, Warren.  I went to your site the other day and enjoyed
your music!  Tut ta dah!


If you're nearby, come on to the show.  I'd love to meet you


<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 8-Jun-06, at 8:02 AM, Warren Sirota wrote:


=
<excerpt><fontfamily><param>Arial</param><color><param>0000,0000,FFFF</par=
am><smaller>Hi
Richard,</smaller></color></fontfamily>

=A0

=
<fontfamily><param>Arial</param><color><param>0000,0000,FFFF</param><small=
er>Would
you say hi to Lisa for me? I used to know her about 25 years ago when
I played in the Electric Guitar Quartet, haven't seen her in ages.
She's a lovely woman and musician. =
Thanks.</smaller></color></fontfamily>

=A0

=
<fontfamily><param>Arial</param><color><param>0000,0000,FFFF</param><small=
er>Best
wishes,</smaller></color></fontfamily>

=
<fontfamily><param>Arial</param><color><param>0000,0000,FFFF</param><small=
er>Warren
Sirota</smaller></color></fontfamily>

<excerpt><smaller>-----Original Message-----</smaller>

<bold><smaller>From:</smaller></bold><smaller> Richard Sales
[mailto:richard@glasswing.com]</smaller>

<bold><smaller>Sent:</smaller></bold><smaller> Thursday, June 08, 2006
10:37 AM</smaller>

<bold><smaller>To:</smaller></bold><smaller>
Loopers-Delight@loopers-delight.com</smaller>

<bold><smaller>Cc:</smaller></bold><smaller> Yarnall Jay</smaller>

<bold><smaller>Subject:</smaller></bold><smaller> Bay Area Gig =
Announce</smaller>


Bay Area loopers:


My very good friend Jay Yarnall, who I've co-produced Wavy Gravy and
Bhagavan Das with, is performing in Sausalito 7 July. I know some of
you know of Lisa Sangita Moscow, sarod player, (another good friend)
from her work with Robert RIch. Anyhow, if you're in the area, it
should be a good show with Arkaos multi video feeds mixed with live
(run by Dan Ryman, digital wizard of Wire On Fire)... and lots of
outside and/or deep music. Theresa Bell has a voice not to miss (yet
ANOTHER good friend!), Ken Becker is a wonderful cellist/bass player.


I've heard it's a wonderful place to play - setup for multimedia, good
vibe etc.=20


I'm going to try to be there.


Here's their announce:


<bold>Celebration of Interdependence Day</bold>

<bold>=A0</bold>

<bold>The interplay between musical and visual art, Eastern and
Western music,</bold>

<bold>improvisation and structure, and primitive and urbane
sensibilities dance</bold>

<bold>with and around one another in this sometime wild romp, =
sometime</bold>

<bold>deeply meditational journey into our higher consciousness.=A0 July
7th</bold>

<bold>is Lover=92s Day in China, and in Japan, the day of the goddess
Kamuhata</bold>

<bold>Hime, she who weaves devotion and love into a tapestry of a
beautiful</bold>

<bold>and strong relationship.=A0 With Lisa Sangita Moskow (sarod, voice
and percussion)</bold>

<bold>Jay Yarnall, primitive electronic artist(visual and audio), =
</bold>

<bold>Ken Becker ( cello and soundscape), Taressa Bell(voice),</bold>

<bold>Daniel Ryman (live visual choreography),.</bold>


Detailed directions at: maps.yahoo.com & maps.google.com


* Go North on 101, past San Francisco=20

=A0* EXIT at "SAUSALITO/MARIN CITY",=A0=20

which loops onto BRIDGEWAY.=A0 - go 1/2 mile.=20

* Turn LEFT onto COLOMA ST. <bold>411A Coloma</bold> is on the right.

WHEELCHAIR ACCESSIBLE


richard sales

glassWing farm and studio

vancouver island, b.c.

800.545.6846

250.752.4816

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</excerpt></excerpt>=

--Apple-Mail-3--323051886--

From Loopers-Delight-request@loopers-delight.com  Thu Jun  8 16:54:27 2006
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Date: Thu, 8 Jun 2006 09:54:24 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: BOSS RC-50 vs EH2880
To: Loopers-Delight@loopers-delight.com
In-Reply-To: <64452.65.90.188.220.1149781010.squirrel@www.infinivert.com>
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Is it true that once you go to a new loop there's no
way to get back to your old loop o the EH2880?

--- Joshua Carroll <josh@infinivert.com> wrote:

> Does the foot controller come standard with the
> 2880, or is it separate? 
> If so, where would I find one?
> 
> --Josh
> 
> 
> 
> >>What I dont't get with this looper is the
> footswitch control! There
> >>is no specification on that?
> >>stephane
> >
> >
> >
> > The 2880 foot controller has 6 buttons:
> >
> > "New Loop" sets up the unit to begin a new loop.
> It continues to play
> > the old loop until you press the record button.
> Pressing the new loop
> > button makes three lights flash rapidly on the
> footcontroller, as a
> > warning. Pressing "New Loop" again cancels it.
> >
> > "Reverse" pretty obvious. Works equally well in
> record and play. Whan
> > synched to MIDI it has a fantastic ballistic -
> exactly like a tape
> > machine!
> >
> > "Octave" Drops the loop by one octave... at any
> tempo. It also halves
> > the tempo of the MIDI clock, I wish it didn't...
> >
> > "Track Select"  steps through the 4 available mono
> tracks, enebling
> > recordon them. In stereo mode it selects one of
> the 2 pairs. Because
> > it sequentially steps through the tracks, the LED
> lights when track 1
> > is selected.
> >
> > "Record" When stopped, pressing this will begin
> recording at the
> > beginning of the loop, when playing it acts as a
> punch in / out button
> >
> > "Play" starts and stops the loop.
> >
> > I've modified mine a bit, swapping the position of
> the 'New Loop" and
> > "Track Select" functions and changing the LED
> colors (red=record,
> > green=play).
> >
> > The foot controller contains a microcontroller and
> is powered by the
> > 1/4" mono cable connecting it to the 2880.
> >
> >
> > -CZ
> >
> >
> >
> > --
> > ...
> > http://www.zmix.net
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Thu Jun  8 17:31:46 2006
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From: Mark Landman <mlandman@sonic.net>
Subject: EH2880 review request, was: My impressions of the  BOSS RC-50
Date: Thu, 8 Jun 2006 10:31:42 -0700
To: Loopers-Delight@loopers-delight.com
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Charles- when you have the time, how about a review of the EH2880? I  
remember Kim mentioned the per track feedback was tied to per track  
mixing levels, or something unusual like that, how does the 2880  
measure up?

Mark

From Loopers-Delight-request@loopers-delight.com  Thu Jun  8 17:49:12 2006
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Date: Thu, 08 Jun 2006 13:51:02 -0400
From: Warren Sirota <wsirota@wsdesigns.com>
Subject: RE: Bay Area Gig Announce
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This is a multi-part message in MIME format.

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Thanks, Richard! Unfortunately, I live 3000 miles away, so I won't be able
to make it to the show....
 
Best wishes,
Warren Sirota

-----Original Message-----
From: Richard Sales [mailto:richard@glasswing.com] 
Sent: Thursday, June 08, 2006 12:07 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Bay Area Gig Announce


I sure will, Warren. I went to your site the other day and enjoyed your
music! Tut ta dah!

If you're nearby, come on to the show. I'd love to meet you

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 8-Jun-06, at 8:02 AM, Warren Sirota wrote:



Hi Richard,
 
Would you say hi to Lisa for me? I used to know her about 25 years ago when
I played in the Electric Guitar Quartet, haven't seen her in ages. She's a
lovely woman and musician. Thanks.
 
Best wishes,
Warren Sirota


-----Original Message-----
From: Richard Sales [mailto:richard@glasswing.com]
Sent: Thursday, June 08, 2006 10:37 AM
To: Loopers-Delight@loopers-delight.com
Cc: Yarnall Jay
Subject: Bay Area Gig Announce

Bay Area loopers:

My very good friend Jay Yarnall, who I've co-produced Wavy Gravy and
Bhagavan Das with, is performing in Sausalito 7 July. I know some of you
know of Lisa Sangita Moscow, sarod player, (another good friend) from her
work with Robert RIch. Anyhow, if you're in the area, it should be a good
show with Arkaos multi video feeds mixed with live (run by Dan Ryman,
digital wizard of Wire On Fire)... and lots of outside and/or deep music.
Theresa Bell has a voice not to miss (yet ANOTHER good friend!), Ken Becker
is a wonderful cellist/bass player.

I've heard it's a wonderful place to play - setup for multimedia, good vibe
etc. 

I'm going to try to be there.

Here's their announce:

Celebration of Interdependence Day
 
The interplay between musical and visual art, Eastern and Western music,
improvisation and structure, and primitive and urbane sensibilities dance
with and around one another in this sometime wild romp, sometime
deeply meditational journey into our higher consciousness.  July 7th
is Lover's Day in China, and in Japan, the day of the goddess Kamuhata
Hime, she who weaves devotion and love into a tapestry of a beautiful
and strong relationship.  With Lisa Sangita Moskow (sarod, voice and
percussion)
Jay Yarnall, primitive electronic artist(visual and audio), 
Ken Becker ( cello and soundscape), Taressa Bell(voice),
Daniel Ryman (live visual choreography),.

Detailed directions at: maps.yahoo.com & maps.google.com

* Go North on 101, past San Francisco 
 * EXIT at "SAUSALITO/MARIN CITY",  
which loops onto BRIDGEWAY.  - go 1/2 mile. 
* Turn LEFT onto COLOMA ST. 411A Coloma is on the right.
WHEELCHAIR ACCESSIBLE

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com


--Boundary_(ID_BIM/dvZ2jBkq1kKDLNkQfg)
Content-type: text/html; charset=us-ascii
Content-transfer-encoding: 7BIT

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<TITLE>Message</TITLE>

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<BODY>
<DIV><SPAN class=531095017-08062006><FONT face=Arial color=#0000ff 
size=2>Thanks, Richard! Unfortunately, I live 3000 miles away, so I won't be 
able to make it to the show....</FONT></SPAN></DIV>
<DIV>&nbsp;</DIV>
<DIV align=left><FONT face=Arial color=#0000ff size=2>Best wishes,</FONT></DIV>
<DIV align=left><FONT face=Arial color=#0000ff size=2>Warren Sirota</FONT></DIV>
<BLOCKQUOTE dir=ltr 
style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px solid; MARGIN-RIGHT: 0px">
  <DIV></DIV>
  <DIV class=OutlookMessageHeader lang=en-us dir=ltr align=left><FONT 
  face=Tahoma size=2>-----Original Message-----<BR><B>From:</B> Richard Sales 
  [mailto:richard@glasswing.com] <BR><B>Sent:</B> Thursday, June 08, 2006 12:07 
  PM<BR><B>To:</B> Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> Re: 
  Bay Area Gig Announce<BR><BR></FONT></DIV>I sure will, Warren. I went to your 
  site the other day and enjoyed your music! Tut ta dah!<BR><BR>If you're 
  nearby, come on to the show. I'd love to meet you<BR><BR><?fontfamily><?param Gadget>richard sales<BR><?color><?param 7373,7F7F,C5C5>glassWing farm and 
  studio<?/color><BR>vancouver island, b.c.<BR>800.545.6846<BR>250.752.4816<?color><?param C3C3,9696,1C1C><BR>www.glassWing.com<BR>www.richardsales.com<BR>www.hayleysales.com<BR>www.blueberryfieldsfarm.com<?/color><?/fontfamily><BR>On 
  8-Jun-06, at 8:02 AM, Warren Sirota wrote:<BR><BR>
  <BLOCKQUOTE><?fontfamily><?param Arial><?color><?param 0000,0000,FFFF><?smaller>Hi 
    Richard,<?/smaller><?/color><?/fontfamily><BR>&nbsp;<BR><?fontfamily><?param Arial><?color><?param 0000,0000,FFFF><?smaller>Would 
    you say hi to Lisa for me? I used to know her about 25 years ago when I 
    played in the Electric Guitar Quartet, haven't seen her in ages. She's a 
    lovely woman and musician. 
    Thanks.<?/smaller><?/color><?/fontfamily><BR>&nbsp;<BR><?fontfamily><?param Arial><?color><?param 0000,0000,FFFF><?smaller>Best 
    wishes,<?/smaller><?/color><?/fontfamily><BR><?fontfamily><?param Arial><?color><?param 0000,0000,FFFF><?smaller>Warren 
    Sirota<?/smaller><?/color><?/fontfamily><BR>
    <BLOCKQUOTE><?smaller>-----Original Message-----<?/smaller><BR><B><?smaller>From:<?/smaller></B><?smaller> 
      Richard Sales 
      [mailto:richard@glasswing.com]<?/smaller><BR><B><?smaller>Sent:<?/smaller></B><?smaller> 
      Thursday, June 08, 2006 10:37 
      AM<?/smaller><BR><B><?smaller>To:<?/smaller></B><?smaller> 
      Loopers-Delight@loopers-delight.com<?/smaller><BR><B><?smaller>Cc:<?/smaller></B><?smaller> 
      Yarnall Jay<?/smaller><BR><B><?smaller>Subject:<?/smaller></B><?smaller> 
      Bay Area Gig Announce<?/smaller><BR><BR>Bay Area loopers:<BR><BR>My very 
      good friend Jay Yarnall, who I've co-produced Wavy Gravy and Bhagavan Das 
      with, is performing in Sausalito 7 July. I know some of you know of Lisa 
      Sangita Moscow, sarod player, (another good friend) from her work with 
      Robert RIch. Anyhow, if you're in the area, it should be a good show with 
      Arkaos multi video feeds mixed with live (run by Dan Ryman, digital wizard 
      of Wire On Fire)... and lots of outside and/or deep music. Theresa Bell 
      has a voice not to miss (yet ANOTHER good friend!), Ken Becker is a 
      wonderful cellist/bass player.<BR><BR>I've heard it's a wonderful place to 
      play - setup for multimedia, good vibe etc. <BR><BR>I'm going to try to be 
      there.<BR><BR>Here's their announce:<BR><BR><B>Celebration of 
      Interdependence Day</B><BR><B>&nbsp;</B><BR><B>The interplay between 
      musical and visual art, Eastern and Western music,</B><BR><B>improvisation 
      and structure, and primitive and urbane sensibilities dance</B><BR><B>with 
      and around one another in this sometime wild romp, 
      sometime</B><BR><B>deeply meditational journey into our higher 
      consciousness.&nbsp; July 7th</B><BR><B>is Lover&#8217;s Day in China, and in 
      Japan, the day of the goddess Kamuhata</B><BR><B>Hime, she who weaves 
      devotion and love into a tapestry of a beautiful</B><BR><B>and strong 
      relationship.&nbsp; With Lisa Sangita Moskow (sarod, voice and 
      percussion)</B><BR><B>Jay Yarnall, primitive electronic artist(visual and 
      audio), </B><BR><B>Ken Becker ( cello and soundscape), Taressa 
      Bell(voice),</B><BR><B>Daniel Ryman (live visual 
      choreography),.</B><BR><BR>Detailed directions at: maps.yahoo.com &amp; 
      maps.google.com<BR><BR>* Go North on 101, past San Francisco <BR>&nbsp;* 
      EXIT at "SAUSALITO/MARIN CITY",&nbsp; <BR>which loops onto 
      BRIDGEWAY.&nbsp; - go 1/2 mile. <BR>* Turn LEFT onto COLOMA ST. <B>411A 
      Coloma</B> is on the right.<BR>WHEELCHAIR ACCESSIBLE<BR><BR>richard 
      sales<BR>glassWing farm and studio<BR>vancouver island, 
      b.c.<BR>800.545.6846<BR>250.752.4816<BR>www.glassWing.com<BR>www.richardsales.com<BR>www.hayleysales.com<BR>www.blueberryfieldsfarm.com</BLOCKQUOTE></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

--Boundary_(ID_BIM/dvZ2jBkq1kKDLNkQfg)--

From Loopers-Delight-request@loopers-delight.com  Thu Jun  8 17:57:59 2006
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Subject: Re:Re: New RC-50 Delema
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>...the unit does have some cool features, and it is right off the 
>presses, so it's hard to say.  does anyone know of some really in 
>depth reviews from, say, japan that are translated?

Right now I'd guess we have the world's leading experts on RC-50 here on LD :-)
( i.e. loopers who own one)

andy butler 

From Loopers-Delight-request@loopers-delight.com  Thu Jun  8 17:59:26 2006
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Date: Thu, 8 Jun 2006 10:59:24 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: RC-50 vs. Repeater?
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Judging by what people are saying about the RC-50, it
seems to me that the Repeater blows it away if you're
interested in nicely midi synced loops.  Repeater
doesn't have USB, but it does have a CFC card so you
can transfer your loops... I find I rarely do that
anyway.  Easier to record them into the computer as
it's my clock source anyway.  That way as my loop
changes in a <100% feedback (what?  OH RIGHT THE RC-50
can't do that!) I have early and late versions of the
loop recorded.

Who cares about 49 minutes of loop time?  Silly. 
Repeater with a 256 meg card is PLENTY.  If you need
more get yourself a computer.  Also, 99 4 track loops.
 Easy to go from one to another.

Mark

--- Buzap Buzap <buzap@gmx.net> wrote:

> Hi Guys
> 
> how would you compare the advantages of RC-50 versus
> Electrix Repeater?
> 
> RC-50:
> - more memory (49 minutes mono)
> - 7 pedals "included"
> - USB connection
> - Shifting between patches (1 patch = 3 phrases = 3
> loops) possible
> - ...
> 
> Repeater:
> - better Tempo Sync?
> - 4 Loops in parallel
> - ...
> 
> best regards
> Buzap
> 
> -- 
> 
> 
> Echte DSL-Flatrate dauerhaft für 0,- Euro*!
> "Feel free" mit GMX DSL!
> http://www.gmx.net/de/go/dsl
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

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From: Richard Sales <richard@glasswing.com>
Subject: Re: Bay Area Gig Announce
Date: Thu, 8 Jun 2006 11:00:57 -0700
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--Apple-Mail-6--316234696
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	charset=WINDOWS-1252;
	format=flowed

Hi Warren

Lisa said this:
Hi Richard,
=A0
Yes=A0I do remember Warren--a wonderful spirit.=A0 How do you know him?
I take it that he still lives in the Bay Area.=A0=A0I will email him.=A0 =
I=20
always
enjoyed his goodnatured and humorous approach to life.

I gave her your email address.  Here's hers:
lisamoskow@rocketmail.com

3000 miles away?  I used to live somewhere around there!  Washington DC=20=

area.  The bullseye.  A very wonderful place to be in the sixties. I=20
got to be onstage with everyone from Abbie Hoffmann to Senator=20
Fulbright.  Played at The Watergate.  Eeee yi yi!

I'm now on Vancouver Island, off the west coast of Canada.  But I think=20=

I'm flying down for the gig before I hit the road touring with my=20
daughter - www.hayleysales.com

Keep bending that string!

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 8-Jun-06, at 10:51 AM, Warren Sirota wrote:

> Thanks, Richard! Unfortunately, I live 3000 miles away, so I won't be=20=

> able to make it to the show....
> =A0
> Best wishes,
> Warren Sirota
>> -----Original Message-----
>> From: Richard Sales [mailto:richard@glasswing.com]
>> Sent: Thursday, June 08, 2006 12:07 PM
>> To: Loopers-Delight@loopers-delight.com
>> Subject: Re: Bay Area Gig Announce
>>
>> I sure will, Warren. I went to your site the other day and enjoyed=20
>> your music! Tut ta dah!
>>
>> If you're nearby, come on to the show. I'd love to meet you
>>
>> richard sales
>> glassWing farm and studio
>> vancouver island, b.c.
>> 800.545.6846
>> 250.752.4816
>> www.glassWing.com
>> www.richardsales.com
>> www.hayleysales.com
>> www.blueberryfieldsfarm.com
>> On 8-Jun-06, at 8:02 AM, Warren Sirota wrote:
>>
>>> Hi Richard,
>>> =A0
>>> Would you say hi to Lisa for me? I used to know her about 25 years=20=

>>> ago when I played in the Electric Guitar Quartet, haven't seen her=20=

>>> in ages. She's a lovely woman and musician. Thanks.
>>> =A0
>>> Best wishes,
>>> Warren Sirota
>>>> -----Original Message-----
>>>> From: Richard Sales [mailto:richard@glasswing.com]
>>>> Sent: Thursday, June 08, 2006 10:37 AM
>>>> To: Loopers-Delight@loopers-delight.com
>>>> Cc: Yarnall Jay
>>>> Subject: Bay Area Gig Announce
>>>>
>>>> Bay Area loopers:
>>>>
>>>> My very good friend Jay Yarnall, who I've co-produced Wavy Gravy=20
>>>> and Bhagavan Das with, is performing in Sausalito 7 July. I know=20
>>>> some of you know of Lisa Sangita Moscow, sarod player, (another=20
>>>> good friend) from her work with Robert RIch. Anyhow, if you're in=20=

>>>> the area, it should be a good show with Arkaos multi video feeds=20
>>>> mixed with live (run by Dan Ryman, digital wizard of Wire On=20
>>>> Fire)... and lots of outside and/or deep music. Theresa Bell has a=20=

>>>> voice not to miss (yet ANOTHER good friend!), Ken Becker is a=20
>>>> wonderful cellist/bass player.
>>>>
>>>> I've heard it's a wonderful place to play - setup for multimedia,=20=

>>>> good vibe etc.
>>>>
>>>> I'm going to try to be there.
>>>>
>>>> Here's their announce:
>>>>
>>>> Celebration of Interdependence Day
>>>> =A0
>>>> The interplay between musical and visual art, Eastern and Western=20=

>>>> music,
>>>> improvisation and structure, and primitive and urbane sensibilities=20=

>>>> dance
>>>> with and around one another in this sometime wild romp, sometime
>>>> deeply meditational journey into our higher consciousness.=A0 July =
7th
>>>> is Lover=92s Day in China, and in Japan, the day of the goddess=20
>>>> Kamuhata
>>>> Hime, she who weaves devotion and love into a tapestry of a=20
>>>> beautiful
>>>> and strong relationship.=A0 With Lisa Sangita Moskow (sarod, voice=20=

>>>> and percussion)
>>>> Jay Yarnall, primitive electronic artist(visual and audio),
>>>> Ken Becker ( cello and soundscape), Taressa Bell(voice),
>>>> Daniel Ryman (live visual choreography),.
>>>>
>>>> Detailed directions at: maps.yahoo.com & maps.google.com
>>>>
>>>> * Go North on 101, past San Francisco
>>>> =A0* EXIT at "SAUSALITO/MARIN CITY",=A0
>>>> which loops onto BRIDGEWAY.=A0 - go 1/2 mile.
>>>> * Turn LEFT onto COLOMA ST. 411A Coloma is on the right.
>>>> WHEELCHAIR ACCESSIBLE
>>>>
>>>> richard sales
>>>> glassWing farm and studio
>>>> vancouver island, b.c.
>>>> 800.545.6846
>>>> 250.752.4816
>>>> www.glassWing.com
>>>> www.richardsales.com
>>>> www.hayleysales.com
>>>> www.blueberryfieldsfarm.com=

--Apple-Mail-6--316234696
Content-Transfer-Encoding: quoted-printable
Content-Type: text/enriched;
	charset=WINDOWS-1252

Hi Warren


Lisa said this:

<bold>Hi Richard,

=A0

Yes=A0I do remember Warren--a wonderful spirit.=A0 How do you know him?

I take it that he still lives in the Bay Area.=A0=A0I will email him.=A0 =
I
always

enjoyed his goodnatured and humorous approach to life.

</bold>

I gave her your email address.  Here's hers:

<bold>lisamoskow@rocketmail.com</bold>


3000 miles away?  I used to live somewhere around there!  Washington
DC area.  The bullseye.  A <italic>very</italic> wonderful place to be
in the sixties. I got to be onstage with everyone from Abbie Hoffmann
to Senator Fulbright.  Played at The Watergate.  Eeee yi yi!


I'm now on Vancouver Island, off the west coast of Canada.  But I
think I'm flying down for the gig before I hit the road touring with
my daughter - www.hayleysales.com


Keep bending that string!


<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 8-Jun-06, at 10:51 AM, Warren Sirota wrote:


=
<excerpt><fontfamily><param>Arial</param><color><param>0000,0000,FFFF</par=
am><smaller>Thanks,
Richard! Unfortunately, I live 3000 miles away, so I won't be able to
make it to the show....</smaller></color></fontfamily>

=A0

=
<fontfamily><param>Arial</param><color><param>0000,0000,FFFF</param><small=
er>Best
wishes,</smaller></color></fontfamily>

=
<fontfamily><param>Arial</param><color><param>0000,0000,FFFF</param><small=
er>Warren
Sirota</smaller></color></fontfamily>

<excerpt><smaller>-----Original Message-----</smaller>

<bold><smaller>From:</smaller></bold><smaller> Richard Sales
[mailto:richard@glasswing.com]</smaller>

<bold><smaller>Sent:</smaller></bold><smaller> Thursday, June 08, 2006
12:07 PM</smaller>

<bold><smaller>To:</smaller></bold><smaller>
Loopers-Delight@loopers-delight.com</smaller>

<bold><smaller>Subject:</smaller></bold><smaller> Re: Bay Area Gig
Announce</smaller>


I sure will, Warren. I went to your site the other day and enjoyed
your music! Tut ta dah!


If you're nearby, come on to the show. I'd love to meet you


richard sales

glassWing farm and studio

vancouver island, b.c.

800.545.6846

250.752.4816

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com

On 8-Jun-06, at 8:02 AM, Warren Sirota wrote:


<excerpt>Hi Richard,

=A0

Would you say hi to Lisa for me? I used to know her about 25 years ago
when I played in the Electric Guitar Quartet, haven't seen her in
ages. She's a lovely woman and musician. Thanks.

=A0

Best wishes,

Warren Sirota

<excerpt>-----Original Message-----

<bold>From:</bold> Richard Sales [mailto:richard@glasswing.com]

<bold>Sent:</bold> Thursday, June 08, 2006 10:37 AM

<bold>To:</bold> Loopers-Delight@loopers-delight.com

<bold>Cc:</bold> Yarnall Jay

<bold>Subject:</bold> Bay Area Gig Announce


Bay Area loopers:


My very good friend Jay Yarnall, who I've co-produced Wavy Gravy and
Bhagavan Das with, is performing in Sausalito 7 July. I know some of
you know of Lisa Sangita Moscow, sarod player, (another good friend)
from her work with Robert RIch. Anyhow, if you're in the area, it
should be a good show with Arkaos multi video feeds mixed with live
(run by Dan Ryman, digital wizard of Wire On Fire)... and lots of
outside and/or deep music. Theresa Bell has a voice not to miss (yet
ANOTHER good friend!), Ken Becker is a wonderful cellist/bass player.


I've heard it's a wonderful place to play - setup for multimedia, good
vibe etc.


I'm going to try to be there.


Here's their announce:


<bold>Celebration of Interdependence Day</bold>

<bold>=A0</bold>

<bold>The interplay between musical and visual art, Eastern and
Western music,</bold>

<bold>improvisation and structure, and primitive and urbane
sensibilities dance</bold>

<bold>with and around one another in this sometime wild romp, =
sometime</bold>

<bold>deeply meditational journey into our higher consciousness.=A0 July
7th</bold>

<bold>is Lover=92s Day in China, and in Japan, the day of the goddess
Kamuhata</bold>

<bold>Hime, she who weaves devotion and love into a tapestry of a
beautiful</bold>

<bold>and strong relationship.=A0 With Lisa Sangita Moskow (sarod, voice
and percussion)</bold>

<bold>Jay Yarnall, primitive electronic artist(visual and audio),</bold>

<bold>Ken Becker ( cello and soundscape), Taressa Bell(voice),</bold>

<bold>Daniel Ryman (live visual choreography),.</bold>


Detailed directions at: maps.yahoo.com & maps.google.com


* Go North on 101, past San Francisco

=A0* EXIT at "SAUSALITO/MARIN CITY",=A0

which loops onto BRIDGEWAY.=A0 - go 1/2 mile.

* Turn LEFT onto COLOMA ST. <bold>411A Coloma</bold> is on the right.

WHEELCHAIR ACCESSIBLE


richard sales

glassWing farm and studio

vancouver island, b.c.

800.545.6846

250.752.4816

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</excerpt></excerpt></excerpt></excerpt>=

--Apple-Mail-6--316234696--

From Loopers-Delight-request@loopers-delight.com  Thu Jun  8 18:40:02 2006
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From: "Gary Lehmann" <hqr@cox.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: Repeater spotted in performance; also plucking cellist
Date: Thu, 8 Jun 2006 11:39:40 -0700
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Hi all--
Went to see Tom Griesgraber last night, and he used the Repeater in his
final number--no problems, and boy does he sound good.
http://www.thossounds.com/
He was opening for a plucking cellist (!) named Lindsay Mack, young girl who
sings and wears her cello like a guitar.  Unique, or least different.
http://www.lindsaymac.com/
She ought to try looping, but I didn't stick around to chat.
Gary


From Loopers-Delight-request@loopers-delight.com  Thu Jun  8 19:52:55 2006
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Date: Thu, 8 Jun 2006 15:52:44 EDT
Subject: Re: BOSS RC-50 impressions/pedal "action"
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so in continuing to investigate this timming issue, i contacted sweetwater 
which is where i got the rc-50.   their tech support person also contacted 
roland and was told again that they are aware of this, that they've had tech 
meetings about it, and for now "that's the way it is," that there's no way around 
having to play through the phrase.   

a couple of questions - 

does anyone remember this issue with the rc-20 or rc-20xl?

from past experience, how quickly might a company the size of roland come out 
with a software upgrade?   there is a return policy, and i'm just wondering 
whether to return it until i know that they have addressed it or hold onto it 
figuring that it's going to be a big enough issue that roland will fix it.

john

--part1_362.54846fd.31b9da0c_boundary
Content-Type: text/html; charset="US-ASCII"
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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2">so in continuing to investigate this ti=
mming issue, i contacted sweetwater which is where i got the rc-50.&nbsp;  t=
heir tech support person also contacted roland and was told again that they=20=
are aware of this, that they've had tech meetings about it, and for now "tha=
t's the way it is," that there's no way around having to play through the ph=
rase.&nbsp;  <BR>
<BR>
a couple of questions - <BR>
<BR>
does anyone remember this issue with the rc-20 or rc-20xl?<BR>
<BR>
from past experience, how quickly might a company the size of roland come ou=
t with a software upgrade?&nbsp;  there is a return policy, and i'm just won=
dering whether to return it until i know that they have addressed it or hold=
 onto it figuring that it's going to be a big enough issue that roland will=20=
fix it.<BR>
<BR>
john</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=
=3D"2"></FONT></HTML>

--part1_362.54846fd.31b9da0c_boundary--

From Loopers-Delight-request@loopers-delight.com  Thu Jun  8 23:28:04 2006
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Content-Type: multipart/alternative; boundary=Apple-Mail-5--296612358
From: Zoe Keating <cello@zoekeating.com>
Subject: Toronto looped cello gig spam...! 
Date: Thu, 8 Jun 2006 19:27:59 -0400
X-Mailer: Apple Mail (2.749.3)
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--Apple-Mail-5--296612358
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Hiya,
I'm playing a NXNE show at the ArtBar in Toronto tomorrow.
9pm sharp

(1 cello + 2 repeaters + 1 looperlative)

Thank you!! x, zoe

ArtBar is in the Gladstone Hotel
1214 Queen Street West Toronto, Ontario, Canada M6J 1J6
P: 416.531.4635 
--Apple-Mail-5--296612358
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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; "><DIV>Hiya,</DIV>I'm playing a =
NXNE show at the ArtBar in Toronto tomorrow.=A0<DIV>9pm =
sharp</DIV><DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV>(1 =
cello + 2 repeaters + 1 looperlative)</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>Thank you!! x, =
zoe</DIV><DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV>ArtBar is =
in the Gladstone Hotel</DIV><DIV><FONT class=3D"Apple-style-span" =
face=3D"Arial" size=3D"3"><SPAN class=3D"Apple-style-span" =
style=3D"font-size: 13px;">1214 Queen Street West Toronto, Ontario, =
Canada M6J 1J6</SPAN></FONT></DIV><DIV><FONT class=3D"Apple-style-span" =
face=3D"Arial" size=3D"3"><SPAN class=3D"Apple-style-span" =
style=3D"font-size: 13px;">P: 416.531.4635</SPAN></FONT><FONT =
class=3D"Apple-style-span" face=3D"Arial" size=3D"3"><SPAN =
class=3D"Apple-style-span" style=3D"font-size: =
13px;">=A0</SPAN></FONT></DIV></BODY></HTML>=

--Apple-Mail-5--296612358--

From Loopers-Delight-request@loopers-delight.com  Fri Jun  9 02:26:39 2006
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Date: Thu, 08 Jun 2006 22:26:33 -0400
To: Loopers-Delight@loopers-delight.com
From: paul <phaslem@wightman.ca>
Subject: Re: Toronto looped cello gig spam...! 
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Hey Zoe,

Just a small question? They have you listed as playing on Sat. the 10th, 
are you going to be there on the 9th instead, I'd love to see you perform, 
but can't make it down to Toronto twice....

Paul Haslem
www.dulcify.ca




At 07:27 PM 6/8/2006, you wrote:

>Hiya,
>I'm playing a NXNE show at the ArtBar in Toronto tomorrow.
>9pm sharp
>
>(1 cello + 2 repeaters + 1 looperlative)
>
>Thank you!! x, zoe
>
>ArtBar is in the Gladstone Hotel
>1214 Queen Street West Toronto, Ontario, Canada M6J 1J6
>P: 416.531.4635

From Loopers-Delight-request@loopers-delight.com  Fri Jun  9 04:27:43 2006
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X-ORBL: [71.146.146.0]
From: "Adrian West" <adrian@adrianwest.com>
To: <Loopers-Delight@loopers-delight.com>
Cc: <sean@seanmormelo.com>, <cazwicky@earthlink.net>
Subject: Transition between phrases on RC-50
Date: Thu, 8 Jun 2006 21:27:27 -0700
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I have a question for RC-50 users:

Let's say you've laid down several phrases in series. When you want to
transition from phrase 1 to phrase 2 can you cue it up so it makes the
transition smoothly when phrase 1 ends, or do you have to hit the phrase 2
pedal at just the right moment? I'm thinking of non-midi, non-quantized
situations where I'm on my own in terms of maintaining a steady tempo, which
is how I like to play.

Thanks.

Adrian West
www.adrianwest.com



From Loopers-Delight-request@loopers-delight.com  Fri Jun  9 07:01:33 2006
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Date: Fri, 9 Jun 2006 00:01:29 -0700
From: "Neil Goldstein" <swamilove@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Boysen Wagner Duo podcast published
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Enjoyed it a lot Per!

From Loopers-Delight-request@loopers-delight.com  Fri Jun  9 07:42:38 2006
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From: "Sean Mormelo" <sean@seanmormelo.com>
To: <Loopers-Delight@loopers-delight.com>
References: <MEBBKFINKCBOGPHICKIKOEMKGIAA.adrian@adrianwest.com>
Subject: Re: Transition between phrases on RC-50
Date: Thu, 8 Jun 2006 23:42:42 -0800
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Yes you can set the phrases to change at loop end so that if loop 1 is
going, you can press loop 2 and it will blink, then change and transition
perfectly into loop 2. I have most of my stuff set up that way right now.

Sean Mormelo
www.seanmormelo.com
www.myspace.com/seanmormelo
EPK- www.sonicbids.com/seanmormelo
www.CDbaby.com/seanmormelo
----- Original Message ----- 
From: "Adrian West" <adrian@adrianwest.com>
To: <Loopers-Delight@loopers-delight.com>
Cc: <sean@seanmormelo.com>; <cazwicky@earthlink.net>
Sent: Thursday, June 08, 2006 8:27 PM
Subject: Transition between phrases on RC-50


> I have a question for RC-50 users:
>
> Let's say you've laid down several phrases in series. When you want to
> transition from phrase 1 to phrase 2 can you cue it up so it makes the
> transition smoothly when phrase 1 ends, or do you have to hit the phrase 2
> pedal at just the right moment? I'm thinking of non-midi, non-quantized
> situations where I'm on my own in terms of maintaining a steady tempo,
which
> is how I like to play.
>
> Thanks.
>
> Adrian West
> www.adrianwest.com
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Jun  9 11:55:53 2006
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From: "Stephen Goodman" <spgoodman@earthlight.net>
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Subject: Sigh... USB-MIDI Interfaces
Date: Fri, 9 Jun 2006 12:55:44 +0100
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Of course the one thing I left out of my Great New Machine was a USB-MIDI 
Interface, having assumed that there'd be the good old joystick-MIDI socket 
on the new motherboard (which has 24-bit SBLive 7.1 onboard), but no!

I did a search for "USB MIDI" on LD's digest but it brought forth too many 
posts to check for verity.  So here I am!

I've seen the standardly-overpriced M-audio / Avid interface and had to 
laugh at the price tag - and decided to come check here.  If I'm going to 
spend £45 (funny how that works, it's $45 in the US, the equivalent of $82 
after the criminal artificial Ripoff Britain Squad has had at it) I'm going 
to entertain a firewire interface.

Comments about lag time/latency in USB MIDI interfaces are as usual welcome, 
if not also schematics in the absence of other-than-Avid products..  Thanks 
in advance!

Stephen Goodman
*
* Cartoons about DVDs and Stuff
* http://www.earthlight.net/HiddenTrack
* The Loop Of The Week since 1996!
* http://www.earthlight.net/Studios 

From Loopers-Delight-request@loopers-delight.com  Fri Jun  9 12:16:08 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Sigh... USB-MIDI Interfaces
Date: Fri, 9 Jun 2006 14:16:02 +0200
To: Loopers-Delight@loopers-delight.com
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On 9 jun 2006, at 13.55, Stephen Goodman wrote:

> Of course the one thing I left out of my Great New Machine was a  
> USB-MIDI Interface, having assumed that there'd be the good old  
> joystick-MIDI socket on the new motherboard (which has 24-bit  
> SBLive 7.1 onboard), but no!
>
> I did a search for "USB MIDI" on LD's digest but it brought forth  
> too many posts to check for verity.  So here I am!

I use this: http://www.audiotrak.net/xpmidi.htm
It is dirt cheap and extremely portable. I'm on my second MIDI Mate  
now because a musician friend became so impressed with the little  
thing that I couldn't resist giving it to him ;-)

I use them with both Windows XP and OSX pc's to connect external midi  
gear. No drivers needed, pop it in and use it.



> Comments about lag time/latency in USB MIDI interfaces are as usual  
> welcome, if not also schematics in the absence of other-than-Avid  
> products..  Thanks in advance!

You can neglect latency in MIDI, it almost doesn't exist.

Maybe this is what you've heard:
Timing data can be screwed up if you play a MIDI instrument from a  
MIDI keyboard when you do very big chords with exactly the same  
timing of all notes (not a "guitar/harp-like" chord strum). This has  
nothing with computers to do but happens because MIDI is a serial  
protocol and as such it can only send all those MIDI note-on events  
in a row. So the first note to arrive to the sampler/synth will play  
back first, no matter you actually hit all keys simultaneously on the  
keyboard.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)




From Loopers-Delight-request@loopers-delight.com  Fri Jun  9 12:28:25 2006
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Zoe Keating wrote:
> WHOA! GREAT photo Rick. But that's not embarassing! You look hot!

don't shout out that too loud, beware if the men around you start to 
dress like that... ;-)

Stefan


-- 
Stefan Tiedje------------x-------
--_____-----------|--------------
--(_|_ ----|\-----|-----()-------
-- _|_)----|-----()--------------
----------()--------www.ccmix.com

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Hello,
  I can't get my RC-50 to record the moment I press record. Is it true that I always need to be thinking in terms of the guide tempo? Recording always defaults to the beginning of the guide tempo cycle. Am I missing something? Is there a way to override this?
  Please help before I return this thing and go back to my DL4 and my EDP.
  Thanks!
  David

 __________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 
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<div>Hello,</div>  <div>I can't get my RC-50 to record the moment I press record. Is it&nbsp;true that I always need to be thinking in terms of the guide tempo? Recording always&nbsp;defaults to the beginning of the guide tempo cycle. Am I missing something? Is there a way to override this?</div>  <div>Please help before I return this thing and go back to my DL4 and my EDP.</div>  <div>Thanks!</div>  <div>David</div><p>&#32;__________________________________________________<br>Do You Yahoo!?<br>Tired of spam?  Yahoo! Mail has the best spam protection around <br>http://mail.yahoo.com 
--0-35150387-1149858461=:63048--

From Loopers-Delight-request@loopers-delight.com  Fri Jun  9 13:20:29 2006
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From: "Alex Law" <alexander.law@gmail.com>
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You need to change the phrase record setting (or whatever it's called,
I forget, don't have the thing in front of me) from "LOOP END" to
"IMMEDIATE". At least, I think those were the terms. You get the idea.
:)

Alex

On 6/9/06, David Nadal <dnadal01@yahoo.com> wrote:
>
> Hello,
> I can't get my RC-50 to record the moment I press record. Is it true that I
> always need to be thinking in terms of the guide tempo? Recording always
> defaults to the beginning of the guide tempo cycle. Am I missing something?
> Is there a way to override this?
> Please help before I return this thing and go back to my DL4 and my EDP.
> Thanks!
>
> David
>
>
>  __________________________________________________
> Do You Yahoo!?
> Tired of spam? Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Fri Jun  9 13:33:27 2006
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Subject: Re: Re: RC-50 vs. Repeater?
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Hi Mark & all

Overall, I'd really be interested to know if everybody shares the opinion that the Repeater is really superior to the RC-50 in all aspects (except maybe loop length)?


what I want to do is - among others - the following:
I want to start playing some polyrhythmic stuff (say 13/8) and loop it - without thinking about meter & tapping.
Then, I want to overdub _and_ record parallel loops in perfect sync.
For the second loop, I don't mind setting parameters manually to that of the first (if tempo sync sounds garbled like with the RC-50) - does that work with the RC-50?

Another thing I want to do:
After I've recorded several parallel loops, say Part A, I want to record another part, maybe in another meter/tempo.
Again, I don't mind that the RC-50 stops when writing Phrase to memory (I will resample all and play it on another looper then). Important is, once I have the various Phrases set (say Part A-B-C), I'm able to switch between them on the fly to improvise on them - does the Electrix Repeater do that?

> Repeater with a 256 meg card is PLENTY.  If you need
> more get yourself a computer.
I do have computer with Firewire card and btw also a multitracker with 64GB hard-disk. Still, especially for jazz music with lengthy progressions, I'd like to be able to have loops of several minutes length. 256MB sounds ok, but I thought the Repeater had only 8MB internal memory, can you use the full CF card for live playing?

So, is the Repeater really overall superior to RC-50 in all aspects? What do you think?

Best regards
Buzap







-- 


Der GMX SmartSurfer hilft bis zu 70% Ihrer Onlinekosten zu sparen!
Ideal für Modem und ISDN: http://www.gmx.net/de/go/smartsurfer

From Loopers-Delight-request@loopers-delight.com  Fri Jun  9 13:34:33 2006
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From: Zoe Keating <cello@zoekeating.com>
Subject: Re: Toronto looped cello gig spam...! 
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oops. my mistake. it was already tomorrow in my mind when i wrote that
...yes saturday, june 10th!

On Jun 8, 2006, at 10:26 PM, paul wrote:

> Hey Zoe,
>
> Just a small question? They have you listed as playing on Sat. the  
> 10th, are you going to be there on the 9th instead, I'd love to see  
> you perform, but can't make it down to Toronto twice....
>
> Paul Haslem
> www.dulcify.ca
>
>
>
>
> At 07:27 PM 6/8/2006, you wrote:
>
>> Hiya,
>> I'm playing a NXNE show at the ArtBar in Toronto tomorrow.
>> 9pm sharp
>>
>> (1 cello + 2 repeaters + 1 looperlative)
>>
>> Thank you!! x, zoe
>>
>> ArtBar is in the Gladstone Hotel
>> 1214 Queen Street West Toronto, Ontario, Canada M6J 1J6
>> P: 416.531.4635
>
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Jun  9 13:55:02 2006
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Fantastic, Looking forward to seeing you

Paul

From Loopers-Delight-request@loopers-delight.com  Fri Jun  9 15:47:10 2006
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One more time, minus the picture!  And, by the way, this is a private
residence - BYOB!

 

Tom Heasley in concert

 

Ambient Tuba (and didjeridu)

 

The Folly Bowl

 

8 PM Saturday, June 10, 2006

 

1601 E. Loma Alta Drive

Altadena, CA  91001

626.398.9939

 

Donation $12, $10 students

 

Directions from 110 fwy.  Go to end and proceed up Arroyo.  Turn right on
Green St., left on Lake, right on Altadena, left on Porter.  Porter dead
ends on Loma Alta at the Folly Bowl.

 

 

TOM HEASLEY

  323-481-1366

    <mailto:tom@tomheasley.com> tom@tomheasley.com

    <http://www.tomheasley.com> www.tomheasley.com

 


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<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>One more time, minus the picture!&nbsp; And, by the =
way, this is
a private residence &#8211; BYOB!<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Tom Heasley in concert<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Ambient Tuba (and =
didjeridu)<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>The Folly Bowl<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>8 PM Saturday, June 10, =
2006<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><st1:Street w:st=3D"on"><st1:address =
w:st=3D"on"><font size=3D2
  face=3DArial><span style=3D'font-size:10.0pt;font-family:Arial'>1601 =
E. Loma Alta
  Drive</span></font></st1:address></st1:Street><font size=3D2 =
face=3DArial><span
style=3D'font-size:10.0pt;font-family:Arial'><o:p></o:p></span></font></p=
>

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size=3D2
  face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>Altadena</span></font></st1:=
City><font
 size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>, <st1:State
 w:st=3D"on">CA</st1:State>&nbsp; <st1:PostalCode =
w:st=3D"on">91001</st1:PostalCode></span></font></st1:place><font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'><o:p></o:p></span></font></p=
>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>626.398.9939<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Donation $12, $10 =
students<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Directions from 110 fwy.&nbsp; Go to end and proceed =
up Arroyo.&nbsp;
Turn right on <st1:Street w:st=3D"on"><st1:address =
w:st=3D"on"><st1:Street w:st=3D"on"><st1:address
   w:st=3D"on">Green =
St</st1:address></st1:Street>.</st1:address></st1:Street>,
left on Lake, right on <st1:place w:st=3D"on">Altadena</st1:place>, left =
on
Porter.&nbsp; Porter dead ends on Loma Alta at the Folly =
Bowl.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><em><b><i><font size=3D3 face=3D"Comic Sans =
MS"><span
style=3D'font-size:12.0pt;font-family:"Comic Sans =
MS";font-weight:bold'>TOM
HEASLEY</span></font></i></b></em><o:p></o:p></p>

<p class=3DMsoNormal><em><b><i><font size=3D3 face=3D"Comic Sans =
MS"><span
style=3D'font-size:12.0pt;font-family:"Comic Sans =
MS";font-weight:bold'>&nbsp;&nbsp;</span></font></i></b></em><font
size=3D2 face=3D"Comic Sans MS"><span =
style=3D'font-size:10.0pt;font-family:"Comic Sans =
MS"'>323-481-1366</span></font><o:p></o:p></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>&nbsp;&nbsp; </span></font><a
href=3D"mailto:tom@tomheasley.com"><font face=3D"Comic Sans MS"><span
style=3D'font-family:"Comic Sans =
MS"'>tom@tomheasley.com</span></font></a><o:p></o:p></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>&nbsp;&nbsp; </span></font><a
href=3D"http://www.tomheasley.com"><font face=3D"Comic Sans MS"><span
style=3D'font-family:"Comic Sans =
MS"'>www.tomheasley.com</span></font></a><o:p></o:p></p>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

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From Loopers-Delight-request@loopers-delight.com  Fri Jun  9 16:12:21 2006
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Date: Fri, 9 Jun 2006 09:12:18 -0700 (PDT)
From: David Nadal <dnadal01@yahoo.com>
Subject: Re: RC-50 woes
To: Loopers-Delight@loopers-delight.com
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Thanks Alex. It was the Fade In setting that was the issue. Thanks for setting me in the right direction!
  All the best,
  David
  

Alex Law <alexander.law@gmail.com> wrote:
  You need to change the phrase record setting (or whatever it's called,
I forget, don't have the thing in front of me) from "LOOP END" to
"IMMEDIATE". At least, I think those were the terms. You get the idea.
:)

Alex

On 6/9/06, David Nadal wrote:
>
> Hello,
> I can't get my RC-50 to record the moment I press record. Is it true that I
> always need to be thinking in terms of the guide tempo? Recording always
> defaults to the beginning of the guide tempo cycle. Am I missing something?
> Is there a way to override this?
> Please help before I return this thing and go back to my DL4 and my EDP.
> Thanks!
>
> David
>
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam? Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com



 __________________________________________________
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<div>Thanks Alex. It was the Fade In setting that was the issue. Thanks for setting me in the right direction!</div>  <div>All the best,</div>  <div>David</div>  <div><BR><BR><B><I>Alex Law &lt;alexander.law@gmail.com&gt;</I></B> wrote:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">You need to change the phrase record setting (or whatever it's called,<BR>I forget, don't have the thing in front of me) from "LOOP END" to<BR>"IMMEDIATE". At least, I think those were the terms. You get the idea.<BR>:)<BR><BR>Alex<BR><BR>On 6/9/06, David Nadal <DNADAL01@YAHOO.COM>wrote:<BR>&gt;<BR>&gt; Hello,<BR>&gt; I can't get my RC-50 to record the moment I press record. Is it true that I<BR>&gt; always need to be thinking in terms of the guide tempo? Recording always<BR>&gt; defaults to the beginning of the guide tempo cycle. Am I missing something?<BR>&gt; Is there a way to override this?<BR>&gt; Please help before I return this
 thing and go back to my DL4 and my EDP.<BR>&gt; Thanks!<BR>&gt;<BR>&gt; David<BR>&gt;<BR>&gt;<BR>&gt; __________________________________________________<BR>&gt; Do You Yahoo!?<BR>&gt; Tired of spam? Yahoo! Mail has the best spam protection around<BR>&gt; http://mail.yahoo.com<BR><BR></BLOCKQUOTE><BR><p>&#32;__________________________________________________<br>Do You Yahoo!?<br>Tired of spam?  Yahoo! Mail has the best spam protection around <br>http://mail.yahoo.com 
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From Loopers-Delight-request@loopers-delight.com  Fri Jun  9 16:36:36 2006
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References: <20060609161218.56317.qmail@web53411.mail.yahoo.com>
Subject: Re: RC-50 - Repeater comparisons...
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Remember...

The RC-50 has it's own floor/pedal interface, and I've found their similar
products like the GT-5 to be very nicely built. Once you've discovered all
the parameters and sub-edit features it may be worthwhile owning it just
because it's possibly the most full-featured, yet self-contained unit
available. NO RACK required.

The Repeater requires a midi controller to gain foot control, so factor that
into the equation.



From Loopers-Delight-request@loopers-delight.com  Fri Jun  9 17:07:50 2006
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Subject: Re: Re: RC-50 vs. Repeater?
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--- Buzap Buzap <buzap@gmx.net> wrote:

> Important is, once
> I have the various Phrases set (say Part A-B-C), I'm
> able to switch between them on the fly to improvise
> on them - does the Electrix Repeater do that?

Yup, it sure does.

__________________________________________________
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Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Fri Jun  9 18:02:14 2006
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Date: Fri, 9 Jun 2006 20:02:11 +0200 (CEST)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: Hassell and Henriksen live
To: "loopers-delight@loopers-delight.com" <loopers-delight@loopers-delight.com>,
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Hi !
   
  Jon Hassell and Arve Henriksen plays at Molde Jazzfestival in july (Norway).
   
  http://www.moldejazz.no/
   
  best regards Rune F.


www.runefagereng.com
Mail:rune_fagereng@yahoo.no
Mob: 917 95 867
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<div>Hi !</div>  <div>&nbsp;</div>  <div>Jon Hassell&nbsp;and Arve Henriksen plays at Molde Jazzfestival in july (Norway).</div>  <div>&nbsp;</div>  <div><A href="http://www.moldejazz.no/">http://www.moldejazz.no/</A></div>  <div>&nbsp;</div>  <div>best regards Rune F.</div><BR><BR>www.runefagereng.com<br>Mail:rune_fagereng@yahoo.no<br>Mob: 917 95 867
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From Loopers-Delight-request@loopers-delight.com  Fri Jun  9 18:16:16 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Hassell and Henriksen live
Date: Fri, 9 Jun 2006 20:16:11 +0200
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On 9 jun 2006, at 20.02, rune fagereng wrote:

> Jon Hassell and Arve Henriksen plays at Molde Jazzfestival in july  
> (Norway).
>
> http://www.moldejazz.no/


Do you know which day? I wasn't able to find it in the program, maybe  
I missed something...

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)




From Loopers-Delight-request@loopers-delight.com  Fri Jun  9 19:06:40 2006
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From: "Adrian West" <adrian@adrianwest.com>
To: "Sean Mormelo" <sean@seanmormelo.com>,
	<Loopers-Delight@loopers-delight.com>
Subject: RE: Transition between phrases on RC-50
Date: Fri, 9 Jun 2006 12:06:19 -0700
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Thanks for these answers. Very helpful.

I have another question:

On the RC-50 can you go STRAIGHT into overdub mode as soon as you complete
your first layer of a phrase, or is it a two-step process like on the RC-20,
i.e. one press to end the phrase, and a second press to go into overdub
mode?

Also curious about how this works when laying down two phrases in series -
can you just play the two phrases seamlessly back to back, recording the
first phrase to phrase 1 and the second phrase to phrase 2, or do you have
to do some extra footpressing in between?

Thanks a lot for these answers - you're saving me a lot of time (or enabling
my laziness, however you want to look at it).

Adrian
www.adrianwest.com

> -----Original Message-----
> From: Sean Mormelo [mailto:sean@seanmormelo.com]
> Sent: Friday, June 09, 2006 12:43 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Transition between phrases on RC-50
>
>
> Yes you can set the phrases to change at loop end so that if loop 1 is
> going, you can press loop 2 and it will blink, then change and transition
> perfectly into loop 2. I have most of my stuff set up that way right now.
>
> Sean Mormelo
> www.seanmormelo.com
> www.myspace.com/seanmormelo
> EPK- www.sonicbids.com/seanmormelo
> www.CDbaby.com/seanmormelo
> ----- Original Message -----
> From: "Adrian West" <adrian@adrianwest.com>
> To: <Loopers-Delight@loopers-delight.com>
> Cc: <sean@seanmormelo.com>; <cazwicky@earthlink.net>
> Sent: Thursday, June 08, 2006 8:27 PM
> Subject: Transition between phrases on RC-50
>
>
> > I have a question for RC-50 users:
> >
> > Let's say you've laid down several phrases in series. When you want to
> > transition from phrase 1 to phrase 2 can you cue it up so it makes the
> > transition smoothly when phrase 1 ends, or do you have to hit
> the phrase 2
> > pedal at just the right moment? I'm thinking of non-midi, non-quantized
> > situations where I'm on my own in terms of maintaining a steady tempo,
> which
> > is how I like to play.
> >
> > Thanks.
> >
> > Adrian West
> > www.adrianwest.com
> >
> >
> >
> >
> >
>


From Loopers-Delight-request@loopers-delight.com  Fri Jun  9 19:38:07 2006
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great Rick didnt know u were a muscle man!
cheer
Luis
--- Zoe Keating <cello@zoekeating.com> wrote:

> WHOA! GREAT photo Rick. But that's not embarassing!
> You look hot!
> 
> On Jun 6, 2006, at 8:13 AM, loop.pool wrote:
> 
> > www.looppool.info/GlamBoy73/
> >
> 
> 


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From Loopers-Delight-request@loopers-delight.com  Fri Jun  9 19:40:27 2006
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Subject: Vedr. Re: Hassell and Henriksen live
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Hi !
   
  Hassell plays 20.07. 
   
  Rune F.
   
Per Boysen <perboysen@gmail.com> skrev:
  On 9 jun 2006, at 20.02, rune fagereng wrote:

> Jon Hassell and Arve Henriksen plays at Molde Jazzfestival in july 
> (Norway).
>
> http://www.moldejazz.no/


Do you know which day? I wasn't able to find it in the program, maybe 
I missed something...

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)







www.runefagereng.com
Mail:rune_fagereng@yahoo.no
Mob: 917 95 867
--0-151665792-1149882025=:37106
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<div>Hi !</div>  <div>&nbsp;</div>  <div>Hassell plays 20.07.&nbsp;</div>  <div>&nbsp;</div>  <div>Rune F.</div>  <div>&nbsp;<BR><B><I>Per Boysen &lt;perboysen@gmail.com&gt;</I></B> skrev:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">On 9 jun 2006, at 20.02, rune fagereng wrote:<BR><BR>&gt; Jon Hassell and Arve Henriksen plays at Molde Jazzfestival in july <BR>&gt; (Norway).<BR>&gt;<BR>&gt; http://www.moldejazz.no/<BR><BR><BR>Do you know which day? I wasn't able to find it in the program, maybe <BR>I missed something...<BR><BR>Greetings from Sweden<BR><BR>Per Boysen<BR>www.boysen.se (Swedish)<BR>www.looproom.com (international)<BR>http://tinyurl.com/fauvm (podcast)<BR><BR><BR><BR><BR></BLOCKQUOTE><BR><BR><BR>www.runefagereng.com<br>Mail:rune_fagereng@yahoo.no<br>Mob: 917 95 867
--0-151665792-1149882025=:37106--

From Loopers-Delight-request@loopers-delight.com  Fri Jun  9 19:46:58 2006
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From: "Alex Law" <alexander.law@gmail.com>
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It's configurable to work either way...

Alex

From Loopers-Delight-request@loopers-delight.com  Fri Jun  9 20:23:51 2006
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Subject: Re: Is it Ableton Live - or is it me?
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Per Boysen wrote:
> On 7 jun 2006, at 10.39, Buzap Buzap wrote:
> 
>> Meanwhile I found some Ableton Live settings in Prefs>Misc named 
>> "Start Recording on Scene Launch".
>> Still having problems with moving up/down scenes though: I map keys on 
>> Scene  launch/up/down. When pressing the buttons however, only Scene 
>> Up works.
>> Weird?!?
> 
> You may benefit from using Control Aid. Check it out at 
> http://www.charlie-roberts.com/
> 
With all due respect, IMNSHO, I think involving third-party software for 
this is A: Overkill, and B: only going to confuse matters more.

I'd start by checking the midi controller for bad settings. These 
settings are very basic to the operation of Ableton Live, and should 
work, before injecting weird control-software into the mix.

Andreas.

From Loopers-Delight-request@loopers-delight.com  Fri Jun  9 21:48:28 2006
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Subject: RE: Re: RC-50 vs. Repeater?
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Mark, I've never attempted to do this with my RPTR, and I think I understand
theoretically how to do it by doubling up midi commands on one pedal, care
to elaborate, I thought I knew all the RPTR tricks, now I feel like an old
dog :)
Bill
-----Original Message-----
From: mark sottilaro [mailto:zerocrossing2001@yahoo.com]
Sent: Friday, June 09, 2006 10:08 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Re: RC-50 vs. Repeater?


--- Buzap Buzap <buzap@gmx.net> wrote:

> Important is, once
> I have the various Phrases set (say Part A-B-C), I'm
> able to switch between them on the fly to improvise
> on them - does the Electrix Repeater do that?

Yup, it sure does.

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From Loopers-Delight-request@loopers-delight.com  Sat Jun 10 00:15:01 2006
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yes..At the end of the phrase you are recordin the record pedal can be set a
couple differnt ways and one of the ways is Record-Overdub-Play..

when recording 2 phrases in series in either single or multiple modein
series it will go right into record when the next phrase is pushed...You can
set the next loop to start either the instant you hit the pedal or at the
end of the loop for seamless recording.

As for the tempo sync issue it's easy to solve. Just disable the tempo sync
for each phrase(loop) and you have no issues whatsover. You do not need that
tempo sync feature anyway. This is a very powerful unit and i'm still
playing with it trying to figure out if I really need something this deep.

Sean Mormelo
www.seanmormelo.com
www.myspace.com/seanmormelo
EPK- www.sonicbids.com/seanmormelo
www.CDbaby.com/seanmormelo
----- Original Message ----- 
From: "Adrian West" <adrian@adrianwest.com>
To: "Sean Mormelo" <sean@seanmormelo.com>;
<Loopers-Delight@loopers-delight.com>
Sent: Friday, June 09, 2006 11:06 AM
Subject: RE: Transition between phrases on RC-50


> Thanks for these answers. Very helpful.
>
> I have another question:
>
> On the RC-50 can you go STRAIGHT into overdub mode as soon as you complete
> your first layer of a phrase, or is it a two-step process like on the
RC-20,
> i.e. one press to end the phrase, and a second press to go into overdub
> mode?
>
> Also curious about how this works when laying down two phrases in series -
> can you just play the two phrases seamlessly back to back, recording the
> first phrase to phrase 1 and the second phrase to phrase 2, or do you have
> to do some extra footpressing in between?
>
> Thanks a lot for these answers - you're saving me a lot of time (or
enabling
> my laziness, however you want to look at it).
>
> Adrian
> www.adrianwest.com
>
> > -----Original Message-----
> > From: Sean Mormelo [mailto:sean@seanmormelo.com]
> > Sent: Friday, June 09, 2006 12:43 AM
> > To: Loopers-Delight@loopers-delight.com
> > Subject: Re: Transition between phrases on RC-50
> >
> >
> > Yes you can set the phrases to change at loop end so that if loop 1 is
> > going, you can press loop 2 and it will blink, then change and
transition
> > perfectly into loop 2. I have most of my stuff set up that way right
now.
> >
> > Sean Mormelo
> > www.seanmormelo.com
> > www.myspace.com/seanmormelo
> > EPK- www.sonicbids.com/seanmormelo
> > www.CDbaby.com/seanmormelo
> > ----- Original Message -----
> > From: "Adrian West" <adrian@adrianwest.com>
> > To: <Loopers-Delight@loopers-delight.com>
> > Cc: <sean@seanmormelo.com>; <cazwicky@earthlink.net>
> > Sent: Thursday, June 08, 2006 8:27 PM
> > Subject: Transition between phrases on RC-50
> >
> >
> > > I have a question for RC-50 users:
> > >
> > > Let's say you've laid down several phrases in series. When you want to
> > > transition from phrase 1 to phrase 2 can you cue it up so it makes the
> > > transition smoothly when phrase 1 ends, or do you have to hit
> > the phrase 2
> > > pedal at just the right moment? I'm thinking of non-midi,
non-quantized
> > > situations where I'm on my own in terms of maintaining a steady tempo,
> > which
> > > is how I like to play.
> > >
> > > Thanks.
> > >
> > > Adrian West
> > > www.adrianwest.com
> > >
> > >
> > >
> > >
> > >
> >
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Sat Jun 10 04:15:30 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
Subject: Ninjam Recordings w/ Me and Tony K
Date: Fri, 9 Jun 2006 22:15:26 -0600
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Results from my latest Ninjam escapades.....recorded files from my jam with 
Tony K on June 8.

Krispen Hartung & Tony K - Ninjam I
http://www.box.net/public/6bzcxcsd7k

 Krispen Hartung & Tony K - Ninjam II
 http://www.box.net/public/5qoeq6hsy4

 Krispen Hartung & Tony K - Ninjam III
http://www.box.net/public/g58b1fg4jm

Look out for another session recording in the next few weeks.

Cheers,

*************************************************
Krispen Hartung / Improvisational Guitar
www.krispenhartung.com / www.myspace.com/krispenhartung
info@krispenhartung.com / 1.208.724.5603
Discography - http://www.krispenhartung.com/catalogue.htm
Looper's Delight Playlist - 
http://www.boisemusicians.com/loopers-delight.m3u





From Loopers-Delight-request@loopers-delight.com  Sat Jun 10 06:59:01 2006
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Date: Fri, 9 Jun 2006 23:58:58 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: RE: Re: RC-50 vs. Repeater?
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i would also be interested in knowing how to do this
with the Rptr, i didnt even know it was possible,i
love this easy to program function on the EDP!
Luis
> --- Buzap Buzap <buzap@gmx.net> wrote:
> 
> > Important is, once
> > I have the various Phrases set (say Part A-B-C),
> I'm
> > able to switch between them on the fly to
> improvise
> > on them - does the Electrix Repeater do that?
> 
> Yup, it sure does.
> 


__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Sat Jun 10 08:21:29 2006
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Date: Sat, 10 Jun 2006 01:21:27 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: RE: Re: RC-50 vs. Repeater?
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It isn't as elegent as the EDP in terms of operation,
but once you get used to it it's easy.

Choose a loop number and make a loop.  Overdub, make
new tracks, whatever.

When you get it like you like it, select another empty
loop number.  Hit record and at the end of your first
loop it will go and start recording the next loop. 
Hit record a second time to define loop 2.

Repeat steps up to 99 times!  To toggle between loops
just select the loop number you want to come next, hit
play and at the end of your current loop you'll start
hearing the loop you just chose.

I wish there was a way to choose a track for cued
record or cued play in one step, but there isn't...
maybe in MK2? ;)  It's right around the corner... I'm
sure... I can almost smell it.

Mark

--- "L.A. Angulo" <labaloops@yahoo.com> wrote:

> i would also be interested in knowing how to do this
> with the Rptr, i didnt even know it was possible,i
> love this easy to program function on the EDP!
> Luis
> > --- Buzap Buzap <buzap@gmx.net> wrote:
> > 
> > > Important is, once
> > > I have the various Phrases set (say Part A-B-C),
> > I'm
> > > able to switch between them on the fly to
> > improvise
> > > on them - does the Electrix Repeater do that?
> > 
> > Yup, it sure does.
> > 
> 
> 
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam
> protection around 
> http://mail.yahoo.com 
> 
> 


__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Sat Jun 10 08:28:36 2006
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Date: Sat, 10 Jun 2006 01:28:34 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: RE: Re: RC-50 vs. Repeater?
To: billwalker@baymoon.com, Loopers-Delight@loopers-delight.com
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Am I not understanding the question?  Does on the fly
mean instantly?  I don't think there's a way to do it
instantly with one pedel push.  You can initiate a new
loop record by selecting an empty loop and then
hitting record.  It it a second time and it will
instantly start recording (or playing if something's
there and you hit play)

I always like my loops quantized so I never want an
instant loop play/rec.

Maybe you can program the fcb1010 to do a cc record
and a pc record message in one button press.  I've
never tried it.  I tried a double track select-record
program and it didn't work.

--- William Walker <billwalker@baymoon.com> wrote:

> Mark, I've never attempted to do this with my RPTR,
> and I think I understand
> theoretically how to do it by doubling up midi
> commands on one pedal, care
> to elaborate, I thought I knew all the RPTR tricks,
> now I feel like an old
> dog :)
> Bill
> -----Original Message-----
> From: mark sottilaro
> [mailto:zerocrossing2001@yahoo.com]
> Sent: Friday, June 09, 2006 10:08 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Re: RC-50 vs. Repeater?
> 
> 
> --- Buzap Buzap <buzap@gmx.net> wrote:
> 
> > Important is, once
> > I have the various Phrases set (say Part A-B-C),
> I'm
> > able to switch between them on the fly to
> improvise
> > on them - does the Electrix Repeater do that?
> 
> Yup, it sure does.
> 
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam
> protection around
> http://mail.yahoo.com
> 
> 
> 
> 
> 


__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Sat Jun 10 09:30:38 2006
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Date: Sat, 10 Jun 2006 02:30:35 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: RE: Re: RC-50 vs. Repeater?
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Mark u rock man thanx for the tip!
i might just keep this baby...
Luis

--- mark sottilaro <zerocrossing2001@yahoo.com> wrote:

> It isn't as elegent as the EDP in terms of
> operation,
> but once you get used to it it's easy.
> 
> Choose a loop number and make a loop.  Overdub, make
> new tracks, whatever.
> 
> When you get it like you like it, select another
> empty
> loop number.  Hit record and at the end of your
> first
> loop it will go and start recording the next loop. 
> Hit record a second time to define loop 2.
> 
> Repeat steps up to 99 times!  To toggle between
> loops
> just select the loop number you want to come next,
> hit
> play and at the end of your current loop you'll
> start
> hearing the loop you just chose.
> 
> I wish there was a way to choose a track for cued
> record or cued play in one step, but there isn't...
> maybe in MK2? ;)  It's right around the corner...
> I'm
> sure... I can almost smell it.
> 
> Mark
> 
> --- "L.A. Angulo" <labaloops@yahoo.com> wrote:
> 
> > i would also be interested in knowing how to do
> this
> > with the Rptr, i didnt even know it was possible,i
> > love this easy to program function on the EDP!
> > Luis
> > > --- Buzap Buzap <buzap@gmx.net> wrote:
> > > 
> > > > Important is, once
> > > > I have the various Phrases set (say Part
> A-B-C),
> > > I'm
> > > > able to switch between them on the fly to
> > > improvise
> > > > on them - does the Electrix Repeater do that?
> > > 
> > > Yup, it sure does.
> > > 
> > 
> > 
> > __________________________________________________
> > Do You Yahoo!?
> > Tired of spam?  Yahoo! Mail has the best spam
> > protection around 
> > http://mail.yahoo.com 
> > 
> > 
> 
> 
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam
> protection around 
> http://mail.yahoo.com 
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Sat Jun 10 13:12:52 2006
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or,  you can use 2 Repeaters and toggle back and forth between  
different phrases.


On Jun 10, 2006, at 4:28 AM, mark sottilaro wrote:

> Am I not understanding the question?  Does on the fly
> mean instantly?  I don't think there's a way to do it
> instantly with one pedel push.  You can initiate a new
> loop record by selecting an empty loop and then
> hitting record.  It it a second time and it will
> instantly start recording (or playing if something's
> there and you hit play)
>
> I always like my loops quantized so I never want an
> instant loop play/rec.
>
> Maybe you can program the fcb1010 to do a cc record
> and a pc record message in one button press.  I've
> never tried it.  I tried a double track select-record
> program and it didn't work.
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Sat Jun 10 17:36:30 2006
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Date: Sat, 10 Jun 2006 10:36:19 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: RC-50 vs. Repeater?
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I've never tried it, but I imagine that with the
fcb1010 you could also do mute track shananagans to
achieve the same effect.

--- Zoe Keating <cello@zoekeating.com> wrote:

> or,  you can use 2 Repeaters and toggle back and
> forth between  
> different phrases.
> 
> 
> On Jun 10, 2006, at 4:28 AM, mark sottilaro wrote:
> 
> > Am I not understanding the question?  Does on the
> fly
> > mean instantly?  I don't think there's a way to do
> it
> > instantly with one pedel push.  You can initiate a
> new
> > loop record by selecting an empty loop and then
> > hitting record.  It it a second time and it will
> > instantly start recording (or playing if
> something's
> > there and you hit play)
> >
> > I always like my loops quantized so I never want
> an
> > instant loop play/rec.
> >
> > Maybe you can program the fcb1010 to do a cc
> record
> > and a pc record message in one button press.  I've
> > never tried it.  I tried a double track
> select-record
> > program and it didn't work.
> >
> >
> >
> >
> >
> 
> 


__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Sat Jun 10 21:03:47 2006
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From: Zoe Keating <cello@zoekeating.com>
Subject: Re: RC-50 vs. Repeater?
Date: Sat, 10 Jun 2006 17:03:40 -0400
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For a while I had some patches programmed to do that. For example,  
Mute some/all tracks on RPTR1 and meanwhile start recording on RPTR2.

But in the heat of performance, it was too hard to keep tabs which  
tracks are muted or unmuted. Because...and this is something I've  
explained at great length to Elextrix...the Repeater gives you no  
visual feedback whatsoever as to what tracks are muted!  In some  
songs, I often do things exactly the same, but I need to stay  
flexible in case accidents happen (and some of my favorite songs I  
deliberately leave open to the element of chance).

Also, at the end of a song I often get absorbed in what I'm  
performing (the ends of songs are always different and I'm  
concentrating on silly little things like musical phrase...;-)...). I  
quickly forget what is muted and what is not. Meanwhile, I'll start  
the next piece, and the old loop will be erased, but the mute  
settings are still from the previous song! The only way to "reset" is  
to turn the power off. Often I'll turn the power off between songs  
for this sole purpose, because I just can't remember what I muted or  
unmuted. Add to this the fact that sometimes a foot press might not  
have been "forceful" enough, and maybe I didn't unmute? No way to  
know...

Try it, you'll soon see how complicated it can become if you have  
songs where you already mute and unmute tracks on a regular basis.

Then we get into the issue of space within each patch on the  
FCB1010.... The FCB1010 allows you to send 2 CC messages and 5 PC  
messages per patch. I have one CC spot  and 2 PC spots controlling  
RPTR1 and the same for RPTR2. So really I'm limited to one 1 CC and 2  
PCs message per Repeater per patch (the 5th slot controls the drum  
machine). Combo muting (ie 1&2 and 3&4) is accessible only via CC, so  
the other 2 tracks have to be muted with 2 separate PC messages.  
That's 2 CCs + 4PCs to mute/unmute all the tracks on the two  
Repeaters. And then no room left for anything. It's easier when there  
are only a couple tracks running on each. But I eat up tracks pretty  
fast...!

Instead, I started various combos of simultaneously stopping RPTR1  
and starting RPTR2. But I'm midi synced and the Repeater "ramps up"  
to the tempo when starting from a full stop.

Sigh.

So now I've resorted to this: combination of stopping RPTR1 and a  
volume pedal on RPTR2. I can start a Repeater with the volume down so  
it has time to ramp up to the clock, then I'll bring up the volume at  
the right moment. I've had a hard time operating 2 volume pedals and  
the FCB1010, so I've arranged the songs to make use of just one  
Repeater coming in and out with my feet. And the other Repeater I'll  
start it before with my feet, let it ramp up, and turn volume knob up  
on the mixer in a "breath" when I 'm not playing the cello...


On Jun 10, 2006, at 1:36 PM, mark sottilaro wrote:

> I've never tried it, but I imagine that with the
> fcb1010 you could also do mute track shananagans to
> achieve the same effect.
>
> --- Zoe Keating <cello@zoekeating.com> wrote:
>
>

From Loopers-Delight-request@loopers-delight.com  Sat Jun 10 22:22:45 2006
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From: "loop.pool" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Subject: Embarassing Pictures from Early History
Date: Fri, 9 Jun 2006 15:23:07 -0700
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Hey folks,

>From what I can tell (unless I missed a digest)  Kris and I are the only 
ones out there
who have had the courage to post our dorky (or sexy, as the case may be) 
early music photos.

I know you have 'em.........................I took the 
plunge...............you can too!!!!

Come on.   Entertain us!!!!    Are there no mullets,    polyester 70's 
suits?    over the top New Wave
or Punk fotos?    No ex-drag queens (or kings) out there?

Rick 

From Loopers-Delight-request@loopers-delight.com  Sat Jun 10 22:36:28 2006
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Date: Sat, 10 Jun 2006 15:36:24 -0700 (PDT)
From: Tim Nelson <psychle62@yahoo.com>
Subject: Re: Embarassing Pictures from Early History
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Oh, I did the old 1969-2006 cavalcade of hairstyles
photo montage on my Myspace page (scroll down for
link).

That Chris Squire wannabe underneath the Jimmy
Page-hairdo looking over at the David Torn clone is a
gem.

-t-

--- "loop.pool" <looppool@cruzio.com> wrote:

> Hey folks,
> 
> From what I can tell (unless I missed a digest) 
> Kris and I are the only 
> ones out there
> who have had the courage to post our dorky (or sexy,
> as the case may be) 
> early music photos.
> 
> I know you have 'em.........................I took
> the 
> plunge...............you can too!!!!
> 
> Come on.   Entertain us!!!!    Are there no mullets,
>    polyester 70's 
> suits?    over the top New Wave
> or Punk fotos?    No ex-drag queens (or kings) out
> there?
> 
> Rick 
> 
> 


<http://www.myspace.com/nimbletunes>
'Rantai' CD: <http://cdbaby.com/cd/timnelson1>
'Mesh' CD: <http://cdbaby.com/cd/timnelson2>
Chain Tape Collective: <http://www.ct-collective.com/>

__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Sat Jun 10 22:44:16 2006
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Date: Sat, 10 Jun 2006 18:44:26 -0400
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Subject: Re: Embarassing Pictures from Early History
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--============_-1062143025==_ma============
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http://tinyurl.com/gvrvl




-- 
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 --></style><title>Re: Embarassing Pictures from Early
History</title></head><body>
<div><font face="Lucida Grande" size="-1"
color="#000000">http://tinyurl.com/gvrvl</font></div>
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From Loopers-Delight-request@loopers-delight.com  Sat Jun 10 23:25:12 2006
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Ok, here's me in the swing band I played in during high school. I'm the sax player with the black hat on. The playing in the mp3s is really bad, but I'm still proud of the arrangements.

http://www.marksmart.net/bands/chazz/chazz.html

Mark Smart
http://www.marksmart.net

From Loopers-Delight-request@loopers-delight.com  Sun Jun 11 02:42:44 2006
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Date: Sat, 10 Jun 2006 21:42:41 -0500
From: "Charlie Milkey" <pilotcp@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: FS! Lexicon Jamman w/32 second upgrade!
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hello fellow loopers!

well, its about that time to upgrade my looping device, and so to fund
that project, i am going to sell my Lexicon Jamman. It has the 32
second upgrade and I don't think i need to put much information about
it on LD, because i am sure you folks know more about it than i do :)

i don't want to waste any bandwidth with pics or anything like that,
so feel free to contact me and i will send you pics or any other
information that you may need

I follow prepal.com with pricing, and i see that it's listed at $379
there, so i am going to ask $365 + shipping :)
i would like to keep this to the US or canada, mainly because i don't
know what it takes to ship it overseas, so no offense :)


Thanks for looking! :)

Charlie

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I'm wondering if this had anything to do with Krispen's audio
problems. I was reading about tweaking Windows XP and came across
this:

http://www.jakeludington.com/ask_jake/20050225_optimize_your_pc_for_audio_and_video.html

"Several applications are known to run in the background even when you
don't have them open. This consumes extra memory that could be
dedicated to your video or audio project. The software companies do
this so the apps load faster when you click on them, but you don't
want extra stuff running during processor and memory intensive media
projects. One common culprit is iTunes, which runs two helper apps in
the background waiting to launch if you dock your iPod (even if you
don't own one) or click on a music file."

Sure enough, I opened my Windows Task Manager and stopped iTunes, and
I was able to run the same patches in EnergyXT one buffer size smaller
with no glitches. Warren also commented earlier on how iTunes messed
up his system, did it have anything to do with this? anyway to avoid
this without uninstalling iTunes?
-- 
Art Simon
simart@null.net
http://art.simon.tripod.com
http://www.myspace.com/artsimon

From Loopers-Delight-request@loopers-delight.com  Sun Jun 11 03:15:47 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <588ce11d0606101949s2a93f17o98a2ed71b693488b@mail.gmail.com>
Subject: Re: More on Snap, Crackle, Pop: iTunes and audio Latency
Date: Sat, 10 Jun 2006 21:15:42 -0600
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It's possible. I did have iTunes running on my new system for a while, 
because Cycling 74 Hipno requires Quicktime, and for a while I couldn't find 
the standalone quicktime installer, but has to installed both iTunes and 
Qicktime. Now I only have Quicktime installed.

I've been doing a lot of research and tweaking on my new ThinkPad, with 
msconfig. I basically researched every single startup item and service that 
loads with the system, and determined which were un-necessary for for music 
performance. Hence, before I play, I know how to go into msconfig and use 
the selective startup option to uncheck those items and services.  I wish 
you could save msconfig settings. I have to manually do this each time, and 
creating a new user profile on XP doesn't help, because many of the services 
and program are super-user, system wide, not based on user.

But.....with that streamlined startup and the normal startup, I really can't 
tell a difference in performance. I mean, I have 2gig of RAM and massive 
processing power. When I do control-alt-delete and look at those processes 
running in the background, they memory and processing they take up is 
miniscule. So, I'm not really making a big deal out of creating a clean 
startup config now....maybe on my old notebook that has a slower processor 
and less memory, but not this one. The iTunes thing could have been a 
problem though.

Morever, I believe I've done everything else noted in the URL you provided 
below.

Kris

----- Original Message ----- 
From: "Art Simon" <simart@gmail.com>
To: "Loopers-Delight@loopers-delight.com" 
<loopers-delight@loopers-delight.com>
Sent: Saturday, June 10, 2006 8:49 PM
Subject: More on Snap, Crackle, Pop: iTunes and audio Latency


> I'm wondering if this had anything to do with Krispen's audio
> problems. I was reading about tweaking Windows XP and came across
> this:
>
> http://www.jakeludington.com/ask_jake/20050225_optimize_your_pc_for_audio_and_video.html
>
> "Several applications are known to run in the background even when you
> don't have them open. This consumes extra memory that could be
> dedicated to your video or audio project. The software companies do
> this so the apps load faster when you click on them, but you don't
> want extra stuff running during processor and memory intensive media
> projects. One common culprit is iTunes, which runs two helper apps in
> the background waiting to launch if you dock your iPod (even if you
> don't own one) or click on a music file."
>
> Sure enough, I opened my Windows Task Manager and stopped iTunes, and
> I was able to run the same patches in EnergyXT one buffer size smaller
> with no glitches. Warren also commented earlier on how iTunes messed
> up his system, did it have anything to do with this? anyway to avoid
> this without uninstalling iTunes?
> -- 
> Art Simon
> simart@null.net
> http://art.simon.tripod.com
> http://www.myspace.com/artsimon
>
> 


From Loopers-Delight-request@loopers-delight.com  Sun Jun 11 03:40:54 2006
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Date: Sat, 10 Jun 2006 22:40:55 -0500 (CDT)
Subject: Wanted:  MIDI foot controller
From: "Joshua Carroll" <josh@infinivert.com>
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Hey everyone!

I've been playing with Mobius a lot lately, and I'm beginning to get
inspiration overload (which is a great thing!).  However, I can't really
put that inspiration into practice until I break down and purchase a foot
controller.

I've been looking at the FCB1010 (of course... who isn't?), which I can
get for $138 w/ free shipping on eBay, but since my wife is right at a
month from the due date of our first child, I'd like to save money if can.
 So I'm really willing to look at any controller that will get me started
in looping if I can save a few bucks.

Is anybody here (or perhaps a friend of anybody here) looking to sell a
used foot controller?  Feel free to e-mail me directly if you have
anything.

Thanks!

--Josh

From Loopers-Delight-request@loopers-delight.com  Sun Jun 11 05:36:56 2006
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Date: Sat, 10 Jun 2006 22:36:54 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: RC-50 vs. Repeater?
To: Loopers-Delight@loopers-delight.com
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Wow, that seems like a complex setup!  What exactly
are you trying to make it do?  I thought this thread
was talking about doing simple "verse/chorus" type
loop switching.

--- Zoe Keating <cello@zoekeating.com> wrote:

> For a while I had some patches programmed to do
> that. For example,  
> Mute some/all tracks on RPTR1 and meanwhile start
> recording on RPTR2.
> 
> But in the heat of performance, it was too hard to
> keep tabs which  
> tracks are muted or unmuted. Because...and this is
> something I've  
> explained at great length to Elextrix...the Repeater
> gives you no  
> visual feedback whatsoever as to what tracks are
> muted!  In some  
> songs, I often do things exactly the same, but I
> need to stay  
> flexible in case accidents happen (and some of my
> favorite songs I  
> deliberately leave open to the element of chance).
> 
> Also, at the end of a song I often get absorbed in
> what I'm  
> performing (the ends of songs are always different
> and I'm  
> concentrating on silly little things like musical
> phrase...;-)...). I  
> quickly forget what is muted and what is not.
> Meanwhile, I'll start  
> the next piece, and the old loop will be erased, but
> the mute  
> settings are still from the previous song! The only
> way to "reset" is  
> to turn the power off. Often I'll turn the power off
> between songs  
> for this sole purpose, because I just can't remember
> what I muted or  
> unmuted. Add to this the fact that sometimes a foot
> press might not  
> have been "forceful" enough, and maybe I didn't
> unmute? No way to  
> know...
> 
> Try it, you'll soon see how complicated it can
> become if you have  
> songs where you already mute and unmute tracks on a
> regular basis.
> 
> Then we get into the issue of space within each
> patch on the  
> FCB1010.... The FCB1010 allows you to send 2 CC
> messages and 5 PC  
> messages per patch. I have one CC spot  and 2 PC
> spots controlling  
> RPTR1 and the same for RPTR2. So really I'm limited
> to one 1 CC and 2  
> PCs message per Repeater per patch (the 5th slot
> controls the drum  
> machine). Combo muting (ie 1&2 and 3&4) is
> accessible only via CC, so  
> the other 2 tracks have to be muted with 2 separate
> PC messages.  
> That's 2 CCs + 4PCs to mute/unmute all the tracks on
> the two  
> Repeaters. And then no room left for anything. It's
> easier when there  
> are only a couple tracks running on each. But I eat
> up tracks pretty  
> fast...!
> 
> Instead, I started various combos of simultaneously
> stopping RPTR1  
> and starting RPTR2. But I'm midi synced and the
> Repeater "ramps up"  
> to the tempo when starting from a full stop.
> 
> Sigh.
> 
> So now I've resorted to this: combination of
> stopping RPTR1 and a  
> volume pedal on RPTR2. I can start a Repeater with
> the volume down so  
> it has time to ramp up to the clock, then I'll bring
> up the volume at  
> the right moment. I've had a hard time operating 2
> volume pedals and  
> the FCB1010, so I've arranged the songs to make use
> of just one  
> Repeater coming in and out with my feet. And the
> other Repeater I'll  
> start it before with my feet, let it ramp up, and
> turn volume knob up  
> on the mixer in a "breath" when I 'm not playing the
> cello...
> 
> 
> On Jun 10, 2006, at 1:36 PM, mark sottilaro wrote:
> 
> > I've never tried it, but I imagine that with the
> > fcb1010 you could also do mute track shananagans
> to
> > achieve the same effect.
> >
> > --- Zoe Keating <cello@zoekeating.com> wrote:
> >
> >
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Sun Jun 11 05:58:41 2006
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Date: Sat, 10 Jun 2006 22:58:40 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: RC-50 vs. Repeater?
To: Loopers-Delight@loopers-delight.com
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I remeber doing the track muting dance as well and
loosing track as to what was muted and what wasnt with
the repeater,actually that is a killer feature which
updates i was waiting for, but as i did more song gigs
i simply started using the undo/redo feature to bring
part A and B and the other parts (if any) i would just
loop in real time,its amazing what u can do with such
a simple feature!for me too much technic detaches me
from the feeling and emotion of music
also having one single looper in my signal has made my
life a lot easier!
Luis




--- mark sottilaro <zerocrossing2001@yahoo.com> wrote:

> Wow, that seems like a complex setup!  What exactly
> are you trying to make it do?  I thought this thread
> was talking about doing simple "verse/chorus" type
> loop switching.
> 
> --- Zoe Keating <cello@zoekeating.com> wrote:
> 
> > For a while I had some patches programmed to do
> > that. For example,  
> > Mute some/all tracks on RPTR1 and meanwhile start
> > recording on RPTR2.
> > 
> > But in the heat of performance, it was too hard to
> > keep tabs which  
> > tracks are muted or unmuted. Because...and this is
> > something I've  
> > explained at great length to Elextrix...the
> Repeater
> > gives you no  
> > visual feedback whatsoever as to what tracks are
> > muted!  In some  
> > songs, I often do things exactly the same, but I
> > need to stay  
> > flexible in case accidents happen (and some of my
> > favorite songs I  
> > deliberately leave open to the element of chance).
> > 
> > Also, at the end of a song I often get absorbed in
> > what I'm  
> > performing (the ends of songs are always different
> > and I'm  
> > concentrating on silly little things like musical
> > phrase...;-)...). I  
> > quickly forget what is muted and what is not.
> > Meanwhile, I'll start  
> > the next piece, and the old loop will be erased,
> but
> > the mute  
> > settings are still from the previous song! The
> only
> > way to "reset" is  
> > to turn the power off. Often I'll turn the power
> off
> > between songs  
> > for this sole purpose, because I just can't
> remember
> > what I muted or  
> > unmuted. Add to this the fact that sometimes a
> foot
> > press might not  
> > have been "forceful" enough, and maybe I didn't
> > unmute? No way to  
> > know...
> > 
> > Try it, you'll soon see how complicated it can
> > become if you have  
> > songs where you already mute and unmute tracks on
> a
> > regular basis.
> > 
> > Then we get into the issue of space within each
> > patch on the  
> > FCB1010.... The FCB1010 allows you to send 2 CC
> > messages and 5 PC  
> > messages per patch. I have one CC spot  and 2 PC
> > spots controlling  
> > RPTR1 and the same for RPTR2. So really I'm
> limited
> > to one 1 CC and 2  
> > PCs message per Repeater per patch (the 5th slot
> > controls the drum  
> > machine). Combo muting (ie 1&2 and 3&4) is
> > accessible only via CC, so  
> > the other 2 tracks have to be muted with 2
> separate
> > PC messages.  
> > That's 2 CCs + 4PCs to mute/unmute all the tracks
> on
> > the two  
> > Repeaters. And then no room left for anything.
> It's
> > easier when there  
> > are only a couple tracks running on each. But I
> eat
> > up tracks pretty  
> > fast...!
> > 
> > Instead, I started various combos of
> simultaneously
> > stopping RPTR1  
> > and starting RPTR2. But I'm midi synced and the
> > Repeater "ramps up"  
> > to the tempo when starting from a full stop.
> > 
> > Sigh.
> > 
> > So now I've resorted to this: combination of
> > stopping RPTR1 and a  
> > volume pedal on RPTR2. I can start a Repeater with
> > the volume down so  
> > it has time to ramp up to the clock, then I'll
> bring
> > up the volume at  
> > the right moment. I've had a hard time operating 2
> > volume pedals and  
> > the FCB1010, so I've arranged the songs to make
> use
> > of just one  
> > Repeater coming in and out with my feet. And the
> > other Repeater I'll  
> > start it before with my feet, let it ramp up, and
> > turn volume knob up  
> > on the mixer in a "breath" when I 'm not playing
> the
> > cello...
> > 
> > 
> > On Jun 10, 2006, at 1:36 PM, mark sottilaro wrote:
> > 
> > > I've never tried it, but I imagine that with the
> > > fcb1010 you could also do mute track shananagans
> > to
> > > achieve the same effect.
> > >
> > > --- Zoe Keating <cello@zoekeating.com> wrote:
> > >
> > >
> > 
> > 
> 
> 
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam
> protection around 
> http://mail.yahoo.com 
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Sun Jun 11 06:15:56 2006
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From: "William Walker" <billwalker@baymoon.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: RC-50 vs. Repeater?
Date: Sat, 10 Jun 2006 23:15:57 -0700
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Ditto here, I ended up not using the RPTRs mute function because of these
very reasons, it seemed too much of a mind F#@*k.
Bill

-----Original Message-----
From: L.A. Angulo [mailto:labaloops@yahoo.com]
Sent: Saturday, June 10, 2006 10:59 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: RC-50 vs. Repeater?


I remeber doing the track muting dance as well and
loosing track as to what was muted and what wasnt with
the repeater,actually that is a killer feature which
updates i was waiting for, but as i did more song gigs
i simply started using the undo/redo feature to bring
part A and B and the other parts (if any) i would just
loop in real time,its amazing what u can do with such
a simple feature!for me too much technic detaches me
from the feeling and emotion of music
also having one single looper in my signal has made my
life a lot easier!
Luis




--- mark sottilaro <zerocrossing2001@yahoo.com> wrote:

> Wow, that seems like a complex setup!  What exactly
> are you trying to make it do?  I thought this thread
> was talking about doing simple "verse/chorus" type
> loop switching.
>
> --- Zoe Keating <cello@zoekeating.com> wrote:
>
> > For a while I had some patches programmed to do
> > that. For example,
> > Mute some/all tracks on RPTR1 and meanwhile start
> > recording on RPTR2.
> >
> > But in the heat of performance, it was too hard to
> > keep tabs which
> > tracks are muted or unmuted. Because...and this is
> > something I've
> > explained at great length to Elextrix...the
> Repeater
> > gives you no
> > visual feedback whatsoever as to what tracks are
> > muted!  In some
> > songs, I often do things exactly the same, but I
> > need to stay
> > flexible in case accidents happen (and some of my
> > favorite songs I
> > deliberately leave open to the element of chance).
> >
> > Also, at the end of a song I often get absorbed in
> > what I'm
> > performing (the ends of songs are always different
> > and I'm
> > concentrating on silly little things like musical
> > phrase...;-)...). I
> > quickly forget what is muted and what is not.
> > Meanwhile, I'll start
> > the next piece, and the old loop will be erased,
> but
> > the mute
> > settings are still from the previous song! The
> only
> > way to "reset" is
> > to turn the power off. Often I'll turn the power
> off
> > between songs
> > for this sole purpose, because I just can't
> remember
> > what I muted or
> > unmuted. Add to this the fact that sometimes a
> foot
> > press might not
> > have been "forceful" enough, and maybe I didn't
> > unmute? No way to
> > know...
> >
> > Try it, you'll soon see how complicated it can
> > become if you have
> > songs where you already mute and unmute tracks on
> a
> > regular basis.
> >
> > Then we get into the issue of space within each
> > patch on the
> > FCB1010.... The FCB1010 allows you to send 2 CC
> > messages and 5 PC
> > messages per patch. I have one CC spot  and 2 PC
> > spots controlling
> > RPTR1 and the same for RPTR2. So really I'm
> limited
> > to one 1 CC and 2
> > PCs message per Repeater per patch (the 5th slot
> > controls the drum
> > machine). Combo muting (ie 1&2 and 3&4) is
> > accessible only via CC, so
> > the other 2 tracks have to be muted with 2
> separate
> > PC messages.
> > That's 2 CCs + 4PCs to mute/unmute all the tracks
> on
> > the two
> > Repeaters. And then no room left for anything.
> It's
> > easier when there
> > are only a couple tracks running on each. But I
> eat
> > up tracks pretty
> > fast...!
> >
> > Instead, I started various combos of
> simultaneously
> > stopping RPTR1
> > and starting RPTR2. But I'm midi synced and the
> > Repeater "ramps up"
> > to the tempo when starting from a full stop.
> >
> > Sigh.
> >
> > So now I've resorted to this: combination of
> > stopping RPTR1 and a
> > volume pedal on RPTR2. I can start a Repeater with
> > the volume down so
> > it has time to ramp up to the clock, then I'll
> bring
> > up the volume at
> > the right moment. I've had a hard time operating 2
> > volume pedals and
> > the FCB1010, so I've arranged the songs to make
> use
> > of just one
> > Repeater coming in and out with my feet. And the
> > other Repeater I'll
> > start it before with my feet, let it ramp up, and
> > turn volume knob up
> > on the mixer in a "breath" when I 'm not playing
> the
> > cello...
> >
> >
> > On Jun 10, 2006, at 1:36 PM, mark sottilaro wrote:
> >
> > > I've never tried it, but I imagine that with the
> > > fcb1010 you could also do mute track shananagans
> > to
> > > achieve the same effect.
> > >
> > > --- Zoe Keating <cello@zoekeating.com> wrote:
> > >
> > >
> >
> >
>
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam
> protection around
> http://mail.yahoo.com
>
>


__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Sun Jun 11 07:44:59 2006
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Subject: Re: Wanted:  MIDI foot controller
Date: Sun, 11 Jun 2006 08:45:00 +0100
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Congratulations on your kid-to-be.
In my experience newborns don't cost much to run , (unlike money grabbing 
teenagers), so treat your self to an FCB - consider it a gift to the child!
When they grow up you can proudly say " I bought that when you were born - 
and it's still. going" !?

G


.......but since my wife is right at a
> month from the due date of our first child, I'd like to save money if can.
> So I'm really willing to look at any controller that will get me started
> in looping if I can save a few bucks.
>
> Is anybody here (or perhaps a friend of anybody here) looking to sell a
> used foot controller?  Feel free to e-mail me directly if you have
> anything.
>
> Thanks!
>
> --Josh
>
>
> 



From Loopers-Delight-request@loopers-delight.com  Sun Jun 11 08:12:36 2006
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Subject: pedal pushers
Date: Sun, 11 Jun 2006 09:12:35 +0100
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This is a multi-part message in MIME format.

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Hey Bill, marriage has made u dyslexic.
=20
=20
 Ditto here, I ended up not using the RPTRs mute function because of =
these
 very reasons, it seemed too much of a mind F#@*k.
 Bill

=20
 This brings up an interesting point though. Getting the balance between =

 button pushing and getting your phrasing/ emotional input right. For me =
they=20
 are mutually exclusive. I'm sure they use different parts of the brain. =
I=20
 like nothing better than doing my musical thing sans pedal pushing. The =

 performance takes a back seat when I start twiddling/pressing pedals. I =
know=20
 some would say that twiddling IS part of the performance and I agree =
when,=20
 say, you're mashing/modifying sound that has been captured but I'm =
talking=20
 about while you're ACTUALLY playing. The answer maybe to sequence =
button=20
 pushing - it's something I'm actively looking into right now.
=20
 G=20

------=_NextPart_000_0015_01C68D37.2D7D4560
Content-Type: text/html;
	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2873" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>
<DIV>&nbsp;</DIV>
<DIV><BR></DIV>Hey Bill, marriage has made u =
dyslexic.<BR>&nbsp;<BR>&nbsp;<BR>=20
Ditto here, I ended up not using the RPTRs mute function because of=20
these<BR>&nbsp;very reasons, it seemed too much of a mind <A=20
href=3D"mailto:F#@*k">F#@*k</A>.<BR>&nbsp;Bill<BR><BR>&nbsp;<BR> This =
brings up an=20
interesting point though. Getting the balance between&nbsp;<BR> button =
pushing=20
and getting your phrasing/ emotional input right. For me they&nbsp;<BR> =
are=20
mutually exclusive. I'm sure they use different parts of the brain. =
I&nbsp;<BR>=20
like nothing better than doing my musical thing sans pedal pushing.=20
The&nbsp;<BR> performance takes a back seat when I start =
twiddling/pressing=20
pedals. I know&nbsp;<BR> some would say that twiddling IS part of the=20
performance and I agree when,&nbsp;<BR> say, you're mashing/modifying =
sound that=20
has been captured but I'm talking&nbsp;<BR> about while you're ACTUALLY =
playing.=20
The answer maybe to sequence button&nbsp;<BR> pushing - it's something =
I'm=20
actively looking into right now.<BR>&nbsp;<BR> G =
<BR></FONT></DIV></BODY></HTML>

------=_NextPart_000_0015_01C68D37.2D7D4560--



From Loopers-Delight-request@loopers-delight.com  Sun Jun 11 09:07:26 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Wanted:  MIDI foot controller
Date: Sun, 11 Jun 2006 11:06:22 +0200
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On 11 jun 2006, at 05.40, Joshua Carroll wrote:

> playing with Mobius a lot lately,
>  So I'm really willing to look at any controller that will get me  
> started
> in looping if I can save a few bucks.


You can use just about anything that sends MIDI. An old drum machine  
with buttons, a synth with foot pedal inputs etc etc... I have an old  
MC-303 and by putting it on the floor I can tap the buttons with my  
feet. You just have to assign the MIDI events to some functions in  
the looper.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)




From Loopers-Delight-request@loopers-delight.com  Sun Jun 11 09:18:59 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: More on Snap, Crackle, Pop: iTunes and audio Latency
Date: Sun, 11 Jun 2006 11:18:54 +0200
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On 11 jun 2006, at 04.49, Art Simon wrote:

> Sure enough, I opened my Windows Task Manager and stopped iTunes, and
> I was able to run the same patches in EnergyXT one buffer size smaller
> with no glitches. Warren also commented earlier on how iTunes messed
> up his system, did it have anything to do with this? anyway to avoid
> this without uninstalling iTunes?


I have iTunes on both my OSX and my XP PC's. On the XP PC there are  
no extra background processes due to iTunes. But when I open iTunes I  
notice two extra processes: "iTunes.exe" and "iPodService.exe". After  
I have closed down iTunes the iPodService.exe stays active. I use  
this PC for concerts with Mobius and I wouldn't open any other  
application before I play; it's rock stable.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)




From Loopers-Delight-request@loopers-delight.com  Sun Jun 11 12:20:21 2006
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Now we're cooking with gas!!!!!!!




>>>>>>tim wrote:
Oh, I did the old 1969-2006 cavalcade of hairstyles
photo montage on my Myspace page (scroll down for
link).

charles zwicky gave us:
http://tinyurl.com/gvrvl                                     And hey, 
Charles, is that a firebird?    Beaut of a guitar!!!!!!


mark smart wrote:
Ok, here's me in the swing band I played in during high school. I'm the sax 
player with the black hat on. The playing in the mp3s is really bad, but I'm 
still proud of the arrangements.
http://www.marksmart.net/bands/chazz/chazz.html>>>>>>>>>>>>>>>> 

From Loopers-Delight-request@loopers-delight.com  Sun Jun 11 16:19:21 2006
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From: =?ISO-8859-1?Q?tEd_=AE_kiLLiAn?= <tedkillian@charter.net>
Subject: Re: Ninjam Recordings w/ Me and Tony K
Date: Sun, 11 Jun 2006 09:19:11 -0700
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Hey Krispen and Tony,

I really like the first track.. It's playing right now and that's all 
I've listened too so far.
I'm looking forward to hearing the other two when I have a chance.

Ted


On Jun 9, 2006, at 9:15 PM, Krispen Hartung wrote:

> Results from my latest Ninjam escapades.....recorded files from my jam 
> with Tony K on June 8.
>
> Krispen Hartung & Tony K - Ninjam I
> http://www.box.net/public/6bzcxcsd7k
>
> Krispen Hartung & Tony K - Ninjam II
> http://www.box.net/public/5qoeq6hsy4
>
> Krispen Hartung & Tony K - Ninjam III
> http://www.box.net/public/g58b1fg4jm
>
> Look out for another session recording in the next few weeks.
>
> Cheers,
>
> *************************************************
> Krispen Hartung / Improvisational Guitar
> www.krispenhartung.com / www.myspace.com/krispenhartung
> info@krispenhartung.com / 1.208.724.5603
> Discography - http://www.krispenhartung.com/catalogue.htm
> Looper's Delight Playlist - 
> http://www.boisemusicians.com/loopers-delight.m3u
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Sun Jun 11 16:26:46 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <08b101c68c44$81023c70$f2b1ec0f@americas.hpqcorp.net> <94543d6290f038ca01968720c947ed3d@charter.net>
Subject: Re: Ninjam Recordings w/ Me and Tony K
Date: Sun, 11 Jun 2006 10:26:42 -0600
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Thanks, Ted. I really enjoy these internet collaborations. My plan is to 
have one with someone at least once a month, and I hope to get to most all 
of the major players on this list eventually. I started with Rainer and 
Rick, then CPR (Chris), and this last time with Tony.  I have mark sottilaro 
and Charlie Milkey on my list too.

Who knows, with permission of the artist, I may make a CD at the end of the 
year with excerpts of all the internet performances. I could call it the 
"Looper's Delight Ninjam Performance".

BTW, next year at the 2nd Annual Boise Experimental Music Festival, I do 
plan on having a few virtual performances from folks on this group. I don't 
even need Ninjam for that...just my Shoutcast system and AIM instant 
messenger for the webcam.

Kris

----- Original Message ----- 
From: "tEd ® kiLLiAn" <tedkillian@charter.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, June 11, 2006 10:19 AM
Subject: Re: Ninjam Recordings w/ Me and Tony K


> Hey Krispen and Tony,
>
> I really like the first track.. It's playing right now and that's all I've 
> listened too so far.
> I'm looking forward to hearing the other two when I have a chance.
>
> Ted
>
>
> On Jun 9, 2006, at 9:15 PM, Krispen Hartung wrote:
>
>> Results from my latest Ninjam escapades.....recorded files from my jam 
>> with Tony K on June 8.
>>
>> Krispen Hartung & Tony K - Ninjam I
>> http://www.box.net/public/6bzcxcsd7k
>>
>> Krispen Hartung & Tony K - Ninjam II
>> http://www.box.net/public/5qoeq6hsy4
>>
>> Krispen Hartung & Tony K - Ninjam III
>> http://www.box.net/public/g58b1fg4jm
>>
>> Look out for another session recording in the next few weeks.
>>
>> Cheers,
>>
>> *************************************************
>> Krispen Hartung / Improvisational Guitar
>> www.krispenhartung.com / www.myspace.com/krispenhartung
>> info@krispenhartung.com / 1.208.724.5603
>> Discography - http://www.krispenhartung.com/catalogue.htm
>> Looper's Delight Playlist - 
>> http://www.boisemusicians.com/loopers-delight.m3u
>>
>>
>>
>>
>
> 


From Loopers-Delight-request@loopers-delight.com  Sun Jun 11 16:38:43 2006
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Subject: Re: RC-50 vs. Repeater?
Date: Sun, 11 Jun 2006 12:38:37 -0400
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zoe,

  have you considered having a separate controller that only mutes  
and un-mutes? i know it's a hassle to have more gear, but having a  
dedicated second controller would allow you to have the even numbers  
be mute-off and odd numbers be mute-on or something. at the start of  
each song you could just hit a switch that un-mutes everything. it  
would be easier than restarting the repeaters. also, i use the lake  
butler midigator which allows you to have quite a few more cc and pc  
messages, i believe. they're getting harder to find, but i have an  
extra i could loan you to try, if you like. let me know off-list if  
you'd like to try it.

peace


ric hordinski

www.richordinski.com
www.myspace.com/richordinskimusic
www.myspace.com/monasterystudio

monk@fuse.net



From Loopers-Delight-request@loopers-delight.com  Sun Jun 11 21:22:31 2006
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Date: Sun, 11 Jun 2006 17:24:48 -0400
From: Warren Sirota <wsirota@wsdesigns.com>
Subject: RE: More on Snap, Crackle, Pop: iTunes and audio Latency
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I haven't been following this thread - just noticed it by accident, really.
But y'all should know about the Windows Startup Control Panel. Hunt for it
on Google. There are about 6 different ways something can be specified to
start up on boot, and this lets you block all of them, and save your blocks.
It's simple to use, very convenient, and free.

My iTunes problems on Windows were more about freaking QT 7, which (a)
disabled my QT 6 Pro license forever, with no way to get it back other thank
paying - very sleazy fashion, and (b) took over a lot of my browser's
multimedia against my will, including screwing up TIFF displays and making
it impossible for me to browse patent office drawings (I later got a
different addin that corrected this).

At any rate, I generally look askance at all media player upgrades - I
haven't seen one in years that actually added any technical features or
anything else useful - they're all about pushing more ads at you and adding
more crippling DRM. I spit on them. Pyuchh...

Best wishes,
Warren Sirota


> -----Original Message-----
> From: Per Boysen [mailto:perboysen@gmail.com] 
> Sent: Sunday, June 11, 2006 5:19 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: More on Snap, Crackle, Pop: iTunes and audio Latency
> 
> 
> On 11 jun 2006, at 04.49, Art Simon wrote:
> 
> > Sure enough, I opened my Windows Task Manager and stopped 
> iTunes, and 
> > I was able to run the same patches in EnergyXT one buffer 
> size smaller 
> > with no glitches. Warren also commented earlier on how 
> iTunes messed 
> > up his system, did it have anything to do with this? anyway 
> to avoid 
> > this without uninstalling iTunes?
> 
> 
> I have iTunes on both my OSX and my XP PC's. On the XP PC there are  
> no extra background processes due to iTunes. But when I open 
> iTunes I  
> notice two extra processes: "iTunes.exe" and 
> "iPodService.exe". After  
> I have closed down iTunes the iPodService.exe stays active. I use  
> this PC for concerts with Mobius and I wouldn't open any other  
> application before I play; it's rock stable.
> 
> Greetings from Sweden
> 
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> 
> 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Sun Jun 11 21:47:59 2006
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References: <000b01c68d9d$77fed890$0302a8c0@Lightning>
Subject: Re: More on Snap, Crackle, Pop: iTunes and audio Latency
Date: Sun, 11 Jun 2006 15:47:55 -0600
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Someone sent me this privately: 
http://www.sysinternals.com/Utilities/Autoruns.html

It's the best damn tool I've found yet for cleaning up my startup, what 
programs startup, services, drivers, etc. Amazing...and free.

Kris

----- Original Message ----- 
From: "Warren Sirota" <wsirota@wsdesigns.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, June 11, 2006 3:24 PM
Subject: RE: More on Snap, Crackle, Pop: iTunes and audio Latency


>I haven't been following this thread - just noticed it by accident, really.
> But y'all should know about the Windows Startup Control Panel. Hunt for it
> on Google. There are about 6 different ways something can be specified to
> start up on boot, and this lets you block all of them, and save your 
> blocks.
> It's simple to use, very convenient, and free.
>
> My iTunes problems on Windows were more about freaking QT 7, which (a)
> disabled my QT 6 Pro license forever, with no way to get it back other 
> thank
> paying - very sleazy fashion, and (b) took over a lot of my browser's
> multimedia against my will, including screwing up TIFF displays and making
> it impossible for me to browse patent office drawings (I later got a
> different addin that corrected this).
>
> At any rate, I generally look askance at all media player upgrades - I
> haven't seen one in years that actually added any technical features or
> anything else useful - they're all about pushing more ads at you and 
> adding
> more crippling DRM. I spit on them. Pyuchh...
>
> Best wishes,
> Warren Sirota
>
>
>> -----Original Message-----
>> From: Per Boysen [mailto:perboysen@gmail.com]
>> Sent: Sunday, June 11, 2006 5:19 AM
>> To: Loopers-Delight@loopers-delight.com
>> Subject: Re: More on Snap, Crackle, Pop: iTunes and audio Latency
>>
>>
>> On 11 jun 2006, at 04.49, Art Simon wrote:
>>
>> > Sure enough, I opened my Windows Task Manager and stopped
>> iTunes, and
>> > I was able to run the same patches in EnergyXT one buffer
>> size smaller
>> > with no glitches. Warren also commented earlier on how
>> iTunes messed
>> > up his system, did it have anything to do with this? anyway
>> to avoid
>> > this without uninstalling iTunes?
>>
>>
>> I have iTunes on both my OSX and my XP PC's. On the XP PC there are
>> no extra background processes due to iTunes. But when I open
>> iTunes I
>> notice two extra processes: "iTunes.exe" and
>> "iPodService.exe". After
>> I have closed down iTunes the iPodService.exe stays active. I use
>> this PC for concerts with Mobius and I wouldn't open any other
>> application before I play; it's rock stable.
>>
>> Greetings from Sweden
>>
>> Per Boysen
>> www.boysen.se (Swedish)
>> www.looproom.com (international)
>> http://tinyurl.com/fauvm (podcast)
>>
>>
>>
>>
>
> 


From Loopers-Delight-request@loopers-delight.com  Mon Jun 12 01:03:51 2006
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Date: Sun, 11 Jun 2006 20:03:55 -0500 (CDT)
Subject: Re: Wanted:  MIDI foot controller
From: "Joshua Carroll" <josh@infinivert.com>
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Thanks man!

Ha!  I'm not sure the wife would see the logic behind that, but it sounds
like a great idea to me!

--Josh



> Congratulations on your kid-to-be.
> In my experience newborns don't cost much to run , (unlike money grabbing
> teenagers), so treat your self to an FCB - consider it a gift to the
> child!
> When they grow up you can proudly say " I bought that when you were born -
> and it's still. going" !?
>
> G
>
>
> .......but since my wife is right at a
>> month from the due date of our first child, I'd like to save money if
>> can.
>> So I'm really willing to look at any controller that will get me started
>> in looping if I can save a few bucks.
>>
>> Is anybody here (or perhaps a friend of anybody here) looking to sell a
>> used foot controller?  Feel free to e-mail me directly if you have
>> anything.
>>
>> Thanks!
>>
>> --Josh
>>
>>
>>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Jun 12 01:05:27 2006
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Date: Sun, 11 Jun 2006 20:05:32 -0500 (CDT)
Subject: Re: Wanted:  MIDI foot controller
From: "Joshua Carroll" <josh@infinivert.com>
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Hmm... I do have a 4-button foot controller for my (now brain-dead) Cyber
Twin...

--Josh



> On 11 jun 2006, at 05.40, Joshua Carroll wrote:
>
>> playing with Mobius a lot lately,
>>  So I'm really willing to look at any controller that will get me
>> started
>> in looping if I can save a few bucks.
>
>
> You can use just about anything that sends MIDI. An old drum machine
> with buttons, a synth with foot pedal inputs etc etc... I have an old
> MC-303 and by putting it on the floor I can tap the buttons with my
> feet. You just have to assign the MIDI events to some functions in
> the looper.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Jun 12 01:36:30 2006
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Date: Sun, 11 Jun 2006 21:36:43 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Lexicon Jam-Man available
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--============_-1062046290==_ma============
Content-Type: text/plain; charset="us-ascii" ; format="flowed"

I have a fully upgraded Jam-Man for sale.

I'd rather offer it here to a fellow looper than condemn it to evil-bay!!

It has the non-volitile p-ram chip installed so thyat it remembers 
all of your parameter settings after it's powered off, plus full loop 
memory expansion.

All of the encoders are working perfectly, too.

It also features the latest software update from Bob Sellon (4 tracks 
of looping!), as well as the original software.

The sound quality is notably better than my Electrix repeater or 
EH-16 second delay reissue, plus the Jam-Man has ZERO 
latency...unlike the repeater and the 16 second delay...


$350 !!

http://www.loopers-delight.com/LDarchive/199903/msg00018.html

http://www.stecrecords.com/gear/jamman/_04Manual/Changes.htm


-- 

--============_-1062046290==_ma============
Content-Type: text/html; charset="us-ascii"

<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Lexicon Jam-Man available</title></head><body>
<div>I have a fully upgraded Jam-Man for sale.</div>
<div><br></div>
<div>I'd rather offer it here to a fellow looper than condemn it to
evil-bay!!</div>
<div><br></div>
<div>It has the non-volitile p-ram chip installed so thyat it
remembers all of your parameter settings after it's powered off, plus
full loop memory expansion.</div>
<div><br></div>
<div>All of the encoders are working perfectly, too.</div>
<div><br></div>
<div>It also features the latest software update from Bob Sellon (4
tracks of looping!), as well as the original software.</div>
<div><br></div>
<div>The sound quality is notably better than my Electrix repeater or
EH-16 second delay reissue, plus the Jam-Man has ZERO latency...unlike
the repeater and the 16 second delay...</div>
<div><br></div>
<div><br></div>
<div>$350 !!</div>
<div><br></div>
<div><font face="Lucida Grande" size="-1"
color="#000000"
>http://www.loopers-delight.com/LDarchive/199903/msg00018.html</font></div
>
<div><br></div>
<div><font face="Lucida Grande" size="-1"
color="#000000"
>http://www.stecrecords.com/gear/jamman/_04Manual/Changes.htm</font></div
>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
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From Loopers-Delight-request@loopers-delight.com  Mon Jun 12 02:17:39 2006
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Date: Sun, 11 Jun 2006 23:01:16 -0300
To: Loopers-Delight@loopers-delight.com
From: Ramiro Musotto <ramirose@ism.com.br>
Subject: latency in Repeater and  EH-16?
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arghhh !
Latency !
I already ordered the EHQ 2880 . I hope there is no latency in it !!
I work with rhyhtm so my latency-tolerance is zero !
I realize that my dream machine is was not invented yet . I need a 
machine that do loops in Odd meters also ( 5/8, 7/8, 7/4, 5/4 , etc ) 
but it seems that its no possible . At least I will be able to do 7 
or 5 bars of 4/4 and then subdivide it .
ex: 7 bars of 4/4 = 4 bars of 7/4 = 8 bars of 7/8 .

the ideal machine for me is any meter in any loop all syncronized by 
midi and with any number of bars each loop .
This is really rhyhtm loop freedom .
For those interested in these rhyhtm questions , I am open to 
listen/exchange  new ideas or to send some of my rhthym mp3 extracts 
from my CD ,
Regards
Ramiro


>I have a fully upgraded Jam-Man for sale.
>
>I'd rather offer it here to a fellow looper than condemn it to evil-bay!!
>
>It has the non-volitile p-ram chip installed so thyat it remembers 
>all of your parameter settings after it's powered off, plus full 
>loop memory expansion.
>
>All of the encoders are working perfectly, too.
>
>It also features the latest software update from Bob Sellon (4 
>tracks of looping!), as well as the original software.
>
>The sound quality is notably better than my Electrix repeater or 
>EH-16 second delay reissue, plus the Jam-Man has ZERO 
>latency...unlike the repeater and the 16 second delay...
>
>
>$350 !!
>
>http://www.loopers-delight.com/LDarchive/199903/msg00018.html
>
>http://www.stecrecords.com/gear/jamman/_04Manual/Changes.htm
>
>
>--

--============_-1062043861==_ma============
Content-Type: text/html; charset="us-ascii"

<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>latency in Repeater and 
EH-16?</title></head><body>
<div>arghhh !</div>
<div>Latency !</div>
<div>I already ordered the EHQ 2880 . I hope there is no latency in it
!!</div>
<div>I work with rhyhtm so my latency-tolerance is zero !</div>
<div>I realize that my dream machine is was not invented yet . I need
a machine that do loops in Odd meters also ( 5/8, 7/8, 7/4, 5/4 , etc
) but it seems that its no possible . At least I will be able to do 7
or 5 bars of 4/4 and then subdivide it .</div>
<div>ex: 7 bars of 4/4 = 4 bars of 7/4 = 8 bars of 7/8 .</div>
<div><br></div>
<div>the ideal machine for me is any meter in any loop all syncronized
by midi and with any number of bars each loop .</div>
<div>This is really rhyhtm loop freedom .</div>
<div>For those interested in these rhyhtm questions , I am open to
listen/exchange&nbsp; new ideas or to send some of my rhthym mp3
extracts from my CD ,</div>
<div>Regards</div>
<div>Ramiro</div>
<div><br></div>
<div><br></div>
<blockquote type="cite" cite>I have a fully upgraded Jam-Man for
sale.</blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite>I'd rather offer it here to a fellow
looper than condemn it to evil-bay!!</blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite>It has the non-volitile p-ram chip
installed so thyat it remembers all of your parameter settings after
it's powered off, plus full loop memory expansion.</blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite>All of the encoders are working
perfectly, too.</blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite>It also features the latest software
update from Bob Sellon (4 tracks of looping!), as well as the original
software.</blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite>The sound quality is notably better than
my Electrix repeater or EH-16 second delay reissue, plus the Jam-Man
has ZERO latency...unlike the repeater and the 16 second
delay...</blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite>$350 !!</blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite><font face="Lucida Grande"
color="#000000"
>http://www.loopers-delight.com/LDarchive/199903/msg00018.html</font
></blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite><font face="Lucida Grande"
color="#000000"
>http://www.stecrecords.com/gear/jamman/_04Manual/Changes.htm</font
></blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite><tt>--</tt></blockquote>
<div><br></div>
</body>
</html>
--============_-1062043861==_ma============--

From Loopers-Delight-request@loopers-delight.com  Mon Jun 12 02:21:42 2006
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Date: Sun, 11 Jun 2006 19:21:39 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Ninjam Recordings w/ Me and Tony K
To: Loopers-Delight@loopers-delight.com
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--- Krispen Hartung <khartung@cableone.net> wrote:

> Who knows, with permission of the artist, I may make
> a CD at the end of the 
> year with excerpts of all the internet performances.
> I could call it the 
> "Looper's Delight Ninjam Performance".

That sounds like a great idea!  Sorry I've been so
lame about the Ninjam thing.  This impending wedding
has become like a part time job!

M

__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Mon Jun 12 02:24:23 2006
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Date: Sun, 11 Jun 2006 19:24:21 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: latency in Repeater and  EH-16?
To: Loopers-Delight@loopers-delight.com
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I believe the JamMan allows for odd meters if you have
the upgrade installed...  It's been along time but I'm
sure that was one of the reasons I upgraded the one I
had when I had it.

--- Ramiro Musotto <ramirose@ism.com.br> wrote:

> arghhh !
> Latency !
> I already ordered the EHQ 2880 . I hope there is no
> latency in it !!
> I work with rhyhtm so my latency-tolerance is zero !
> I realize that my dream machine is was not invented
> yet . I need a 
> machine that do loops in Odd meters also ( 5/8, 7/8,
> 7/4, 5/4 , etc ) 
> but it seems that its no possible . At least I will
> be able to do 7 
> or 5 bars of 4/4 and then subdivide it .
> ex: 7 bars of 4/4 = 4 bars of 7/4 = 8 bars of 7/8 .
> 
> the ideal machine for me is any meter in any loop
> all syncronized by 
> midi and with any number of bars each loop .
> This is really rhyhtm loop freedom .
> For those interested in these rhyhtm questions , I
> am open to 
> listen/exchange  new ideas or to send some of my
> rhthym mp3 extracts 
> from my CD ,
> Regards
> Ramiro
> 
> 
> >I have a fully upgraded Jam-Man for sale.
> >
> >I'd rather offer it here to a fellow looper than
> condemn it to evil-bay!!
> >
> >It has the non-volitile p-ram chip installed so
> thyat it remembers 
> >all of your parameter settings after it's powered
> off, plus full 
> >loop memory expansion.
> >
> >All of the encoders are working perfectly, too.
> >
> >It also features the latest software update from
> Bob Sellon (4 
> >tracks of looping!), as well as the original
> software.
> >
> >The sound quality is notably better than my
> Electrix repeater or 
> >EH-16 second delay reissue, plus the Jam-Man has
> ZERO 
> >latency...unlike the repeater and the 16 second
> delay...
> >
> >
> >$350 !!
> >
>
>http://www.loopers-delight.com/LDarchive/199903/msg00018.html
> >
>
>http://www.stecrecords.com/gear/jamman/_04Manual/Changes.htm
> >
> >
> >--
> 


__________________________________________________
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Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Mon Jun 12 02:30:05 2006
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Date: Sun, 11 Jun 2006 19:30:03 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: pedal pushers
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Boy howdy!  I don't know why, but there's nothing I
hate more than closing a loop.  Something about having
to focus on that event drives me crazy.  I loved the
JamMan's ability to just choose the amount of beats
you wanted for a loop and let it go....  I'm hoping
Mobius will make that possible for me again.

--- gareth whittock
<gareth@whiteoakstudios.freeserve.co.uk> wrote:

> 
> 
> 
> Hey Bill, marriage has made u dyslexic.
>  
>  
>  Ditto here, I ended up not using the RPTRs mute
> function because of these
>  very reasons, it seemed too much of a mind F#@*k.
>  Bill
> 
>  
>  This brings up an interesting point though. Getting
> the balance between 
>  button pushing and getting your phrasing/ emotional
> input right. For me they 
>  are mutually exclusive. I'm sure they use different
> parts of the brain. I 
>  like nothing better than doing my musical thing
> sans pedal pushing. The 
>  performance takes a back seat when I start
> twiddling/pressing pedals. I know 
>  some would say that twiddling IS part of the
> performance and I agree when, 
>  say, you're mashing/modifying sound that has been
> captured but I'm talking 
>  about while you're ACTUALLY playing. The answer
> maybe to sequence button 
>  pushing - it's something I'm actively looking into
> right now.
>  
>  G 
> 


__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Mon Jun 12 02:35:05 2006
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Date: Sun, 11 Jun 2006 22:34:53 -0400
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From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: latency in Repeater and  EH-16?
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I have a 2880 and the latency is NOT a problem.

It has less latency than the Line 6 DL4, plus the 2880 has an ANALOG 
input (labeled AUX) which allows you to mix in another sound source, 
or use that input as the dry signal with absolutely zero latency.

I have modified my EH 16 second delay so that the signal controlled 
by the "Dry" fader is the analog input, rather than the stock unit 
which derives the dry signal from the DSP and has some noticible 
latancy and bandwidth limitations.

My modified 16 second delay is for sale, too!!



>arghhh !
>Latency !
>I already ordered the EHQ 2880 . I hope there is no latency in it !!
>I work with rhyhtm so my latency-tolerance is zero !
>I realize that my dream machine is was not invented yet . I need a 
>machine that do loops in Odd meters also ( 5/8, 7/8, 7/4, 5/4 , etc 
>) but it seems that its no possible . At least I will be able to do 
>7 or 5 bars of 4/4 and then subdivide it .
>ex: 7 bars of 4/4 = 4 bars of 7/4 = 8 bars of 7/8 .
>
>the ideal machine for me is any meter in any loop all syncronized by 
>midi and with any number of bars each loop .
>This is really rhyhtm loop freedom .
>For those interested in these rhyhtm questions , I am open to 
>listen/exchange  new ideas or to send some of my rhthym mp3 extracts 
>from my CD ,
>Regards
>Ramiro
>
>
>>I have a fully upgraded Jam-Man for sale.
>>
>>I'd rather offer it here to a fellow looper than condemn it to evil-bay!!
>>
>>It has the non-volitile p-ram chip installed so thyat it remembers 
>>all of your parameter settings after it's powered off, plus full 
>>loop memory expansion.
>>
>>All of the encoders are working perfectly, too.
>>
>>It also features the latest software update from Bob Sellon (4 
>>tracks of looping!), as well as the original software.
>>
>>The sound quality is notably better than my Electrix repeater or 
>>EH-16 second delay reissue, plus the Jam-Man has ZERO 
>>latency...unlike the repeater and the 16 second delay...
>>
>>
>>$350 !!
>>
>>http://www.loopers-delight.com/LDarchive/199903/msg00018.html
>>
>>http://www.stecrecords.com/gear/jamman/_04Manual/Changes.htm
>>
>>
>>--


-- 
...
http://www.zmix.net
--============_-1062042775==_ma============
Content-Type: text/html; charset="us-ascii"

<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: latency in Repeater and 
EH-16?</title></head><body>
<div><br></div>
<div><br></div>
<div>I have a 2880 and the latency is NOT a problem.</div>
<div><br></div>
<div>It has less latency than the Line 6 DL4, plus the 2880 has an
ANALOG input (labeled AUX) which allows you to mix in another sound
source, or use that input as the dry signal with absolutely zero
latency.</div>
<div><br></div>
<div>I have modified my EH 16 second delay so that the signal
controlled by the &quot;Dry&quot; fader is the analog input, rather
than the stock unit which derives the dry signal from the DSP and has
some noticible latancy and bandwidth limitations.</div>
<div><br></div>
<div>My modified 16 second delay is for sale, too!!</div>
<div><br></div>
<div><br></div>
<div><br></div>
<blockquote type="cite" cite>arghhh !</blockquote>
<blockquote type="cite" cite>Latency !</blockquote>
<blockquote type="cite" cite>I already ordered the EHQ 2880 . I hope
there is no latency in it !!</blockquote>
<blockquote type="cite" cite>I work with rhyhtm so my
latency-tolerance is zero !</blockquote>
<blockquote type="cite" cite>I realize that my dream machine is was
not invented yet . I need a machine that do loops in Odd meters also (
5/8, 7/8, 7/4, 5/4 , etc ) but it seems that its no possible . At
least I will be able to do 7 or 5 bars of 4/4 and then subdivide it
.</blockquote>
<blockquote type="cite" cite>ex: 7 bars of 4/4 = 4 bars of 7/4 = 8
bars of 7/8 .</blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite>the ideal machine for me is any meter in
any loop all syncronized by midi and with any number of bars each loop
.</blockquote>
<blockquote type="cite" cite>This is really rhyhtm loop freedom
.</blockquote>
<blockquote type="cite" cite>For those interested in these rhyhtm
questions , I am open to listen/exchange&nbsp; new ideas or to send
some of my rhthym mp3 extracts from my CD ,</blockquote>
<blockquote type="cite" cite>Regards</blockquote>
<blockquote type="cite" cite>Ramiro</blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite><br>
<blockquote type="cite" cite>I have a fully upgraded Jam-Man for
sale.</blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite>I'd rather offer it here to a fellow
looper than condemn it to evil-bay!!</blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite>It has the non-volitile p-ram chip
installed so thyat it remembers all of your parameter settings after
it's powered off, plus full loop memory expansion.</blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite>All of the encoders are working
perfectly, too.</blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite>It also features the latest software
update from Bob Sellon (4 tracks of looping!), as well as the original
software.</blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite>The sound quality is notably better than
my Electrix repeater or EH-16 second delay reissue, plus the Jam-Man
has ZERO latency...unlike the repeater and the 16 second
delay...</blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite>$350 !!</blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite><font face="Lucida Grande"
color="#000000"
>http://www.loopers-delight.com/LDarchive/199903/msg00018.html</font
></blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite><font face="Lucida Grande"
color="#000000"
>http://www.stecrecords.com/gear/jamman/_04Manual/Changes.htm</font
></blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite><tt>--</tt></blockquote>
</blockquote>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div>...<br>
http://www.zmix.net</div>
</body>
</html>
--============_-1062042775==_ma============--

From Loopers-Delight-request@loopers-delight.com  Mon Jun 12 02:37:47 2006
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From: "edwin cleverdon" <ecleverdon@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: RE: latency in Repeater and EH-16?
Date: Sun, 11 Jun 2006 21:37:44 -0500
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the rc-50 has a nice selection of odd time signatures (I don't have it 
handy, but I believe it has those.  I've used 14/8 and 9/8).


>From: Ramiro Musotto <ramirose@ism.com.br>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: latency in Repeater and  EH-16?
>Date: Sun, 11 Jun 2006 23:01:16 -0300
>
>arghhh !
>Latency !
>I already ordered the EHQ 2880 . I hope there is no latency in it !!
>I work with rhyhtm so my latency-tolerance is zero !
>I realize that my dream machine is was not invented yet . I need a machine 
>that do loops in Odd meters also ( 5/8, 7/8, 7/4, 5/4 , etc ) but it seems 
>that its no possible . At least I will be able to do 7 or 5 bars of 4/4 and 
>then subdivide it .
>ex: 7 bars of 4/4 = 4 bars of 7/4 = 8 bars of 7/8 .
>
>the ideal machine for me is any meter in any loop all syncronized by midi 
>and with any number of bars each loop .
>This is really rhyhtm loop freedom .
>For those interested in these rhyhtm questions , I am open to 
>listen/exchange  new ideas or to send some of my rhthym mp3 extracts from 
>my CD ,
>Regards
>Ramiro
>
>
>>I have a fully upgraded Jam-Man for sale.
>>
>>I'd rather offer it here to a fellow looper than condemn it to evil-bay!!
>>
>>It has the non-volitile p-ram chip installed so thyat it remembers all of 
>>your parameter settings after it's powered off, plus full loop memory 
>>expansion.
>>
>>All of the encoders are working perfectly, too.
>>
>>It also features the latest software update from Bob Sellon (4 tracks of 
>>looping!), as well as the original software.
>>
>>The sound quality is notably better than my Electrix repeater or EH-16 
>>second delay reissue, plus the Jam-Man has ZERO latency...unlike the 
>>repeater and the 16 second delay...
>>
>>
>>$350 !!
>>
>>http://www.loopers-delight.com/LDarchive/199903/msg00018.html
>>
>>http://www.stecrecords.com/gear/jamman/_04Manual/Changes.htm
>>
>>
>>--

_________________________________________________________________
Express yourself instantly with MSN Messenger! Download today - it's FREE! 
http://messenger.msn.click-url.com/go/onm00200471ave/direct/01/

From Loopers-Delight-request@loopers-delight.com  Mon Jun 12 02:47:52 2006
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From: "PiNG" <ping@theambientping.com>
To: "Ambient@hyperreal" <ambient@hyperreal.org>,
	"Dark Seeds" <DarkSeedsNews@yahoogroups.com>,
	"Drone Deep Chill" <drone_deep_chill@yahoogroups.com>,
	"Loopers Delight" <Loopers-Delight@loopers-delight.com>,
	"The Ambient Way" <the_ambient_way@yahoogroups.com>,
	<vaguediscuss@vagueterrain.net>
Subject: the PiNG presents SADU - Sylken, Anomalous Disturbances & URM with General Chaos Visuals
Date: Sun, 11 Jun 2006 22:49:09 -0400
Organization: THE AMBiENT PiNG
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TUNE iN TO AMBiENT PiNG RADiO - LiVE
http://www.live365.com/stations/marastorment
more info here:
http://www.theambientping.com/index.html#pingradio

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 

THE AMBiENT PiNG  .  http://www.theambientping.com
presents AMBiENT PiNG TUESDAYS  
@ HACiENDA . 794 Bathurst Street at Bloor . Toronto 
(NW corner, upstairs across from the Bathurst subway station) 
Doors open at 9pm . 1st set at 9:30 . PayWhatYouCan 

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 

THiS Tuesday June 13th . SADU - Sylken, Anomalous Disturbances 
(Vancouver, BC) and URM with General Chaos Visuals

SADU invites you to THE AMBiENT PiNG to bask in some liquid 
sound paintings, spacious atmospheres and ambient vibes to float 
your mind on. Eric Hopper (Sylken), Terry O'Brien (Anomalous 
Disturbances, visiting from Vancouver) and Jamie Todd (URM) 
team up to bring you an evening of spacey synth washes, looping 
ambient guitar cascades, rhythmic grooves and virtual laptop 
soundshaping for your enjoyment. Tonight will also see the 
release of the new 'SADU LiVE' CD which features deep 
ambient soundforms performed by Eric, Terry and 
Jamie during 2005. SADU LiVE will be available 
from rik @ his ping things CD bar and online store.
http://www.anomalousdisturbances.com 
http://www.sylken.ca 
http://www.urm.ca 

Once again, General Chaos Visuals will illuminate the event
with moving kaleidoscopic coloured textures. Don't blink.
http://www.generalchaosvisuals.com

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 

Before Sets CD . in accordance with conscience by PHOLDE
This week we preview the upcoming PiNG performance by 
Pholde and friends on June 27th by playing this 2002 CD. 
Check out new material by PHOLDE "That Which Tends to 
Dissuade" from the Gears of Sand label.
http://www.pingthings.com/PHOLDEdissuade.htm

Between Sets CD . Timbre by William Fields
Visit http://www.pingthings.com/WILLIAMFIELDStimbre.htm
to find out more about this week's between set CD and tune in to 
ping things radio every Sun & Wed from 9pm to 12 midnight EST 
at http://www.live365.com/stations/marastorment
to hear music from this and other discs in the ping things catalogue.

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 

COMiNG Tuesday June 20th . Rob Piilonen, Joshua van Tassel, 
Todd Pearson aka DJ Syklik and Lyle Crilly

Rob, Joshua, Todd and Lyle will be playing an assortment of 
dreamy improvised pieces, with a strong focus on using potentially 
rigid instruments in a free flowing and creative manner and 
having the flute fit in as a sometimes melodic, sometimes 
electronic/drone based addition.

Rob Piilonen: Flute and Effects
http://www.myspace.com/robstunes
Josh van Tassel: Sampler and percussion
http://www.myspace.com/joshuavt
Todd Pearson aka DJ Syklik: Turntables
Lyle Crilly: Laptop

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 

* Other Toronto area sonic/visual events of interest this week:

* Monday June 12th . AIMToronto presents: 
   From New York: Stephen Gauci - saxophone, 
   Michael Bisio - bass, Jay Rosen - drums
   -and-
   PST: Nilan Perera - guitar and electronics, Joe Sorbara - drums,
   Scott Thomson, trombone w guest trumpeter 'invzbl' (Montreal)
   8pm . Arraymusic Studio 60 Atlantic Ave Suite 218 . $10
   
* Wednesday June 14th . 71ET CD release, Downing/Haynes/West   
   71ET: Andrew Downing - double bass, Justin Haynes - electric 
   guitar Brodie West - alto saxophone
   9:30pm . The Red Guitar (Markham St. just south of Bloor) . $10

* Wednesday June 14th . Poor Pilgrim Series presents
   Nifty & Wyrd Visions with DJ Colin Bergh
   10 PM . Press Club Bar (850 Dundas St. W.) . PWYC 

* Thursday June 15th . Improvisors' Pool
   The improvisors' pool is a weekly gathering for musicians 
   who practice collective free improvisation. It welcomes players 
   of all levels and backgrounds.
   7:00-9:00 . Ralph Thornton Centre 765 Queen Street East  
   
* Thursday June 15th . Coexistence Series #8
   The Coexistence Series is a monthly series of duet performances  
   hosted by pianist Colin Anthony and featuring some of the premier 
   musicians from Toronto's improvised music community.  
   In this month's special edition, radio programmer and sound artist 
   Jim Bailey will walk the sidewalks and back lanes of the 
   Bloor/Spadina area, transmitter and microphone in hand.
   His signal will be broadcast live over the Tranzac's p.a. system.
   Performing a series of duets with Bailey will be: 
   Rob Piilonen - flute, Jeff Luciani - drums, Colin Anthony - piano
   7:00pm . Tranzac Club

* Thursday June 15th . Legendary Pink Dots
   Lee's Palace (529 Bloor St. W.) . $17.50

* Thursday June 15th . roughidea presents
   DRAGONS 1976 (Chicago) - Aram Shelton (alto saxophone),
   Jason Ajemian (double bass), Tim Daisy (drums + percussion)
   9:30 pm . Red Guitar Art House Cafe 603 Markham Street . $ 10
     
* Friday June 16th . roughidea+rms present
   Ken Vandermark's CINC (Chicago/London)
   Ken Vandermark (reeds), Paul Lytton (percussion) and
   Philipp Wachsmann (violin and electronics)
   8:00 + 10:30  . Red Guitar Art House Cafe 603 Markham Street
   $18 Each Set at the Door  . Advance  $15 (each set) 
   
* Friday June 16th . Eric Stach  presents THE SCREAM  
   a festival of New Music, Noise/Sound IMPROVISATION
   a 10 week Friday Night Series May 5th to July 7th
   Musicians are welcome to drop by and play
   Place: 105 Clarence Street, London, Ontario, between
   Hill and South, west of Wellington. 
   9:30pm -1:00 am  Every FRIDAY NIGHT no cover byob
   
* Friday June 16th . Leftover Daylight Series
   in association with Arraymusic and AIMT
   9:00 jutterstrom four (from sweden) [johan jutterstrom 
   (tenor saxophone) nils kakoseos nystrom (guitar) 
   niklas fernqvist (bass) andreas larsson (drums)]
   10:00 odradek [james bailey (found + homemade instruments) 
   michelangelo iaffaldano (found + homemade instruments)
   andy yue (keyboards, synth)]
   11:00 brenders/ thomson [kyle brenders (saxophones) 
   scott thomson (trombone)
   9:00pm . ARRAYMUSIC Studio 60 Atlantic Ave., Ste/ 218 $10/6
         
* Friday June 16th . The Ryan Driver Quartet
   Ryan Driver: piano/human voice, Martin Arnold: guitar,
   Jean Martin: drums, Chris Banks: bass
   10:00 pm . Tranzac (292 Brunswick Ave.) . PWYC

* Saturday June 17th . Original Recipe with Polmo Polpo 
   and I Am Robot And Proud 
   Lounge 88 (14 Clinton St.) . PWYC 

* Saturday June 17th . Jesse Stewart CD Release Concerts
   8 pm . Registry Theatre in Kitchener (122 Frederick St.) . $10

* Sunday June 18th . The NOW Series
   presented by AIMToronto and the NOW Lounge
   4:00- Invsbl, solo trumpet   
   5:00- Mike Hanson, turntables; Sorressa Gardner, soundsinging 
   and laptop; Piotr Mickalowski, saxophone.   
   6:00- Trio Muo: Glen Hall, woodwinds; Joe Sorbara, drums; 
   Michael Morse, bass.
   4-7pm . The NOW Lounge 189 Church St. . $6

* Sunday June 18th . The Music Gallery'S 30Th Anniversary 
   Fundraiser + Season Finale 
   Featuring: Eve Egoyan & Anne Bourne; Ccmc; Tasa; 
   Wyrd Visions; Peter Lutek & Tom Richards; Castlemusic
   The Music Gallery closes our 30th anniversary season with a  
   summertime fundraiser celebrating our humble yet auspicious 
   origins and our renewed vision for the future. About the event:
   The event will feature musicians representing a cross-section of 
   the Gallery's history, performing cabaret-style in various locations  
   throughout our space at St. George the Martyr Church, including:
   Eve Egoyan & Anne Bourne (acclaimed pianist & cellist in rare 
   duo performance); CCMC (improv collective and Music Gallery 
   founders; featuring world-renowned artists John Oswald, Michael 
   Snow and Paul Dutton); Tasa (Ravi Naimpally's tabla-jazz 
   fusionists, recently featured on the cover of eye Weekly); Wyrd 
   Visions (neo-psychedelic folk artist performs in the Fellowship  
   Room)); Peter Lutek & Tom Richards (sax & trombone duo 
   performing in the courtyard); Castlemusic (Jennifer Castle plays 
   her avant-country songs in the courtyard)
   7PM . 197 John St. . $30 regular/$25 member/$15 student
   
 * Sunday June 18th . Jesse Stewart CD Release Concerts
    7pm . Macdonald Stewart Art Centre in Guelph 
    ( 358 Gordon St. at College Ave.) . $10
     
* Sunday June 18th . WAveLength
   Gastric Female Reflex, Synthetic Folk Hero and
   Crank Sturgeon
   9pm . Sneaky Dee's . $PWYC

* Sunday June 18th . Lina Allemano Four
   "Brodie's Back In Town Festival"
   Lina Allemano trumpet; Brodie West alto saxophone; 
   Andrew Downing bass; Nick Fraser drums.
   10pm . Tranzac (292 Brunswick Ave)

* Monday June 19th . CRANK STURGEON, Brian Ruryk, 
   Charles Balls and the Cincinatti Single-File and Jacob Horwood.
   CRANK STURGEON's interests as of late are removing most if 
   not all of his clothing, fastening a cardboard or plastic sturgeon 
   headdress to himself (with various outgrowths of tubing and 
   springs that may or may not serve a purpose) and manufacturing 
   zany bouts of aural dislocation out of a series of cheap electronics 
   and homemade gadgetry props.    
   BRIAN RURYK is an ex-folley editor taking risks with his 
   neighbourhood recycling! 23 Fanta bottles, 14 ravioli & artichoke 
   cans and 156 pieces of shelving & office discard succumb to 
   natural forces (ie. gravity, deflection and acoustic genocide) all set 
   to "bluegrass" guitar playing and slippery tape stop and start. 
   since his recent return to live performance the Tide company have 
   issued caution that their containers, once emptied, are to be
   recycled - not used as footballs or other outlets of leisure...  
   CHARLES BALLS AND THE CINCINATTI SINGLE-FILE is 
   andrew of gfreflex (sampler, slide whistle, mixer), michelangelo of 
   odradek (clarinet) and zoe of master (reed) playing to a 
   prerecorded reel. expect the evocation of archie shepp 
   accumulating on the saran of concrete bemusement. Jacob 
   Horwood aka Fudge Whoregagger plays in gfreflex as well and  
   likes to use reel to reel, modified electronics and sampler. second 
   solo performance offers to be the awkward moisture you so often 
   seep in the seat of your denim dreams. excessive body-odour 
   makes its appearance as fidgety psedo-collage fiesta!
   9pm . Neutral (349-A College Street, entrance off of Augusta) . $5

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 

THE AMBiENT PiNG is a social sound/art event presenting live 
performances by Toronto's finest ambient, chillout, improv and 
experimental music artists plus performers from around the world, 
every Tuesday evening at HACiENDA . 794 Bathurst Street at Bloor. 
http://www.theambientping.com 

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 

Please forward this e-mail to any friends who may be interested in 
live ambient, chillout and experimental music performances or to 
any of your appropriate newsgroups. Thanks.

From Loopers-Delight-request@loopers-delight.com  Mon Jun 12 02:51:44 2006
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References: <BAY23-F247ACA32CE0B9D39D7DFFFC48F0@phx.gbl>
Date: Sun, 11 Jun 2006 23:51:20 -0300
To: Loopers-Delight@loopers-delight.com
From: Ramiro Musotto <ramirose@ism.com.br>
Subject: rc50 plus 2880
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So , the dream setup would be  the 2880 hooked up to a rc50 ?
Will the 2880 slave ok to an odd meter loop midi signal from the RC 50 ?
odd meters and differents lenghts of bars from rc 50 and instantly 
reverse mix , pan  in 2880?
sounds good .
thanks
ramiro




>the rc-50 has a nice selection of odd time signatures (I don't have 
>it handy, but I believe it has those.  I've used 14/8 and 9/8).
>
>>From: Ramiro Musotto <ramirose@ism.com.br>
>>Reply-To: Loopers-Delight@loopers-delight.com
>>To: Loopers-Delight@loopers-delight.com
>>Subject: latency in Repeater and  EH-16?
>>Date: Sun, 11 Jun 2006 23:01:16 -0300
>>
>>arghhh !
>>Latency !
>>I already ordered the EHQ 2880 . I hope there is no latency in it !!
>>I work with rhyhtm so my latency-tolerance is zero !
>>I realize that my dream machine is was not invented yet . I need a 
>>machine that do loops in Odd meters also ( 5/8, 7/8, 7/4, 5/4 , etc 
>>) but it seems that its no possible . At least I will be able to do 
>>7 or 5 bars of 4/4 and then subdivide it .
>>ex: 7 bars of 4/4 = 4 bars of 7/4 = 8 bars of 7/8 .
>>
>>the ideal machine for me is any meter in any loop all syncronized 
>>by midi and with any number of bars each loop .
>>This is really rhyhtm loop freedom .
>>For those interested in these rhyhtm questions , I am open to 
>>listen/exchange  new ideas or to send some of my rhthym mp3 
>>extracts from my CD ,
>>Regards
>>Ramiro
>>
>>>I have a fully upgraded Jam-Man for sale.
>>>
>>>I'd rather offer it here to a fellow looper than condemn it to evil-bay!!
>>>
>>>It has the non-volitile p-ram chip installed so thyat it remembers 
>>>all of your parameter settings after it's powered off, plus full 
>>>loop memory expansion.
>>>
>>>All of the encoders are working perfectly, too.
>>>
>>>It also features the latest software update from Bob Sellon (4 
>>>tracks of looping!), as well as the original software.
>>>
>>>The sound quality is notably better than my Electrix repeater or 
>>>EH-16 second delay reissue, plus the Jam-Man has ZERO 
>>>latency...unlike the repeater and the 16 second delay...
>>>
>>>
>>>$350 !!
>>>
>>>http://www.loopers-delight.com/LDarchive/199903/msg00018.html
>>>
>>>http://www.stecrecords.com/gear/jamman/_04Manual/Changes.htm
>>>
>>>
>>>--
>
>_________________________________________________________________
>Express yourself instantly with MSN Messenger! Download today - it's 
>FREE! http://messenger.msn.click-url.com/go/onm00200471ave/direct/01/

From Loopers-Delight-request@loopers-delight.com  Mon Jun 12 03:15:41 2006
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 <a06230918c0b28635228a@[10.2.1.1]>
Date: Sun, 11 Jun 2006 23:15:55 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: rc50 plus 2880
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This would be an interesting combination, however, since you are a 
percussionist you might be unhappy with the way that the RC-50 
handles tempo changes from an external clock.

The 2880 actually speeds up and slows down exactly like tape. No 
timestretching or glitching.


>So , the dream setup would be  the 2880 hooked up to a rc50 ?
>Will the 2880 slave ok to an odd meter loop midi signal from the RC 50 ?
>odd meters and differents lenghts of bars from rc 50 and instantly 
>reverse mix , pan  in 2880?
>sounds good .
>thanks
>ramiro
>



>>>>I have a fully upgraded Jam-Man for sale.
>>>>
>>>>I'd rather offer it here to a fellow looper than condemn it to evil-bay!!
>>>>
>>>>It has the non-volitile p-ram chip installed so thyat it 
>>>>remembers all of your parameter settings after it's powered off, 
>>>>plus full loop memory expansion.
>>>>
>>>>All of the encoders are working perfectly, too.
>>>>
>>>>It also features the latest software update from Bob Sellon (4 
>>>>tracks of looping!), as well as the original software.
>>>>
>>>>The sound quality is notably better than my Electrix repeater or 
>>>>EH-16 second delay reissue, plus the Jam-Man has ZERO 
>>>>latency...unlike the repeater and the 16 second delay...
>>>>
>>>>
>>>>$350 !!
>>>>
>>>>http://www.loopers-delight.com/LDarchive/199903/msg00018.html
>>>>
>>>>http://www.stecrecords.com/gear/jamman/_04Manual/Changes.htm
>>>>
>>>>
>>>>--
>>
>>_________________________________________________________________
>>Express yourself instantly with MSN Messenger! Download today - 
>>it's FREE! 
>>http://messenger.msn.click-url.com/go/onm00200471ave/direct/01/


-- 
...
http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Mon Jun 12 05:08:32 2006
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From: Ryan Raphael <raraphael@comcast.net>
Subject: only for guitars?
Date: Sun, 11 Jun 2006 22:08:30 -0700
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Does looping software only work for guitars?
I'd like to use one with an acoustic piano.. will that work,
if I hook up my looping module to a mic or something?

That's all, thanks to anyone who has the answer.

From Loopers-Delight-request@loopers-delight.com  Mon Jun 12 06:12:21 2006
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Ramiro i am absolutely interested,i welcome your mp3s!
cheers
Luis

> >For those interested in these rhyhtm questions , I
> am open to 
> >listen/exchange  new ideas or to send some of my
> rhthym mp3 extracts from 
> >my CD ,
> >Regards
> >Ramiro


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From Loopers-Delight-request@loopers-delight.com  Mon Jun 12 06:40:14 2006
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valuable thanx Kris!
Luis

--- Krispen Hartung <khartung@cableone.net> wrote:

> Someone sent me this privately: 
> http://www.sysinternals.com/Utilities/Autoruns.html
> 
> It's the best damn tool I've found yet for cleaning
> up my startup, what 
> programs startup, services, drivers, etc.
> Amazing...and free.


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From Loopers-Delight-request@loopers-delight.com  Mon Jun 12 06:48:30 2006
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Subject: Re: RC-50 vs. Repeater?
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Also check the latest software upgrade for the FCB1010
i believe(but not sure) there is a toggle function now
to have the button light indicator either on or off
which could help u see the state of the muted/unmuted
tracks,i know the PMC10 could do this.
Luis

--- monk <monk@fuse.net> wrote:

> zoe,
> 
>   have you considered having a separate controller
> that only mutes  
> and un-mutes? i know it's a hassle to have more
> gear, but having a  
> dedicated second controller would allow you to have
> the even numbers  
> be mute-off and odd numbers be mute-on or something.
> at the start of  
> each song you could just hit a switch that un-mutes
> everything. it  
> would be easier than restarting the repeaters. also,
> i use the lake  
> butler midigator which allows you to have quite a
> few more cc and pc  
> messages, i believe. they're getting harder to find,
> but i have an  
> extra i could loan you to try, if you like. let me
> know off-list if  
> you'd like to try it.
> 
> peace
> 
> 
> ric hordinski
> 
> www.richordinski.com
> www.myspace.com/richordinskimusic
> www.myspace.com/monasterystudio
> 
> monk@fuse.net
> 
> 
> 
> 


__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Mon Jun 12 07:21:43 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: only for guitars?
Date: Mon, 12 Jun 2006 00:21:36 -0700
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Not for guitars only! You can hook up a mic and loop anything that=20
makes sound from a bagpipe to a coffee grinder.....



Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com =95 AngryVegan.com


On Jun 11, 2006, at 10:08 PM, Ryan Raphael wrote:

> Does looping software only work for guitars?
> I'd like to use one with an acoustic piano.. will that work,
> if I hook up my looping module to a mic or something?
>
> That's all, thanks to anyone who has the answer.
>

From Loopers-Delight-request@loopers-delight.com  Mon Jun 12 08:03:06 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: pedal pushers
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On 12 jun 2006, at 04.30, mark sottilaro wrote:

> Boy howdy!  I don't know why, but there's nothing I
> hate more than closing a loop.  Something about having
> to focus on that event drives me crazy.  I loved the
> JamMan's ability to just choose the amount of beats
> you wanted for a loop and let it go....

I don't understand exactly what you mean here... Don't you have to  
specify the tempo first, or sync the jamman to a master clock? I  
remember an old post by you where you said you like to use a groove  
box as the master clock, so I guess you want to run the looper synced?

> I'm hoping
> Mobius will make that possible for me again.

I would guess you will find some way to do that in Mobius, because it  
offers many ways to define the loop length before actually playing  
some noise into a loop. But all these techniques relies on deciding  
on a tempo first.

One way can be to set the quantization to "8ths per cycle = 1". I  
usually like having it set to 16 or 128 (or not quantized at all) but  
for some actions, like changing loop I prefer the "1" setting, so I  
can push the "Next Loop" button at any moment within the span of the  
last bar before I plan to go into the next loop. To be able to use  
different quantizing resolutions for different actions I wrote a  
script that first changes the quantize setting, then moves to the  
Next Loop and changes back to whatever quantize setting you where  
playing in before the pedal press. Scripts you write appear in Mobius  
among the pre-defined commands so you can simply assign any MIDI  
pedal/button to trigger the script.

Another way to avoid having to close the loop is to set up Mobius to  
copy the loop length, either when going into a new loop on the same  
track or when moving from a loop on one track into a new track. In  
both cases an empty loop will be auto-created (on the same track or  
the new track) and it will be of the same length as the first loop.

A third way is to use the Instant Multiply function. I like that for  
setting up drum loops by vocal beatboxing on one track. Start out  
with a simple one bar beat. Hit "next loop" (with "Copy Sound"  
activated) and while the same audio is now playing back in this new  
loop you hit Instant Multiply to make it three or four times longer,  
just in time so you can punch in a fill at the last quarter note or  
so. With the latest Mobius version these settings (that used to be  
global) can be defined as track unique settings. So if you want, you  
can have your own set-up with tracks behaving a little differently,  
thus allowing you to use specific looping techniques on certain  
tracks. Lots of fun to be had with that :-)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)




From Loopers-Delight-request@loopers-delight.com  Mon Jun 12 08:09:23 2006
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 <20060607083941.246960@gmx.net>
 <5B9D69FE-E008-455D-B71E-F4052D6D4A42@gmail.com>
 <4489D8D1.4040408@post.cybercity.dk>
Subject: Re: Re: Is it Ableton Live - or is it me?
To: Loopers-Delight@loopers-delight.com
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Hi guys

> I'd start by checking the midi controller for bad settings. These 
> settings are very basic to the operation of Ableton Live, and should 
> work, before injecting weird control-software into the mix.

I still don't know if I'll be happy with Ableton for "Live" situations. There seem to be no keyboard/midi controlls for setting the meter. How am I going to switch from 4/4 to 7/8?
One thing encouraging: Kid Beyond seems to use control-software quite successfully.

Best regards
Buzap
-- 


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On 12 jun 2006, at 10.09, Buzap Buzap wrote:

> I still don't know if I'll be happy with Ableton for "Live"  
> situations. There seem to be no keyboard/midi controlls for setting  
> the meter. How am I going to switch from 4/4 to 7/8?

Manually, by using the mouse. Unfortunately.

> One thing encouraging: Kid Beyond seems to use control-software  
> quite successfully.

If you're interested in his set-up he posted a detailed description  
on this list, maybe a year back or so. Might be possible to find by  
searching the archives. The most important part is to use a third- 
party software that translates external (controller) MIDI events into  
computer key stroke code. That way you can control all the stuff in  
Ableton that can not be mapped to external MIDI.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)




From Loopers-Delight-request@loopers-delight.com  Mon Jun 12 09:06:25 2006
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Subject: Line 6 Tone Core Verbzilla
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Reptilian Guitar Diva here with yet another
unasked for low-tech gear review...
Line 6 ToneCore Verbzilla.

I have to say that I was at once simultaneously 
totally unimpressed and underwhelmed with part of this
thing - yet at the same time equally far out groovin'
on the rest. IMHO this pedal somehow manages to at once
totally suck and totally rule. Here's why:

The unimpressive:
Just another inferior budget version of plate/gate/hall/tiles/
etc.studio set up + some reverbs and delays - which are canned
and seem to me yet another cheap Lexicon imitation. 
This sucks. Get Lexicon. These parts of this pedal are just
totally lame and the reverbs and delays are cheap knock-offs of
the usual standards and nothing to write home about.  
La de da....yawn... 


The impressive:
Despite the overall lameness factors, at the same time,
playing around with the controls, you can get some very 
far out cool and unexpected tone capabilities that are 
very surprising, innovative and amazing and perfect for 
music like prog/experimental/ambient/looping etc. 
Good trails and space/canyon/suspense futurist types of 
tones and effects that are totally wild and cool and 
great kicks. So especially if you can get a deal on one,
as I did, I would then say definitely go for it you will
definitely enhance your overall tonal bliss. 

Monica

_______________________________________________
Join Excite! - http://www.excite.com
The most personalized portal on the Web!


From Loopers-Delight-request@loopers-delight.com  Mon Jun 12 12:42:51 2006
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From: "Miko Biffle" <biffoz@arczip.com>
To: <Loopers-Delight@loopers-delight.com>
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Subject: Re: RC-50 vs. Repeater?
Date: Mon, 12 Jun 2006 05:41:30 -0700
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Just a note that I have a PMC-10 fully functional and ready to rock... $225
I wouldn't sell it as it's far more functional than the other units out
there... money crunch time and it's time to lose more gear. -Miko

----- Original Message ----- 
From: "L.A. Angulo" <labaloops@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, June 11, 2006 11:48 PM
Subject: Re: RC-50 vs. Repeater?


> Also check the latest software upgrade for the FCB1010
> i believe(but not sure) there is a toggle function now
> to have the button light indicator either on or off
> which could help u see the state of the muted/unmuted
> tracks,i know the PMC10 could do this.
> Luis
>
> --- monk <monk@fuse.net> wrote:
>
> > zoe,
> >
> >   have you considered having a separate controller
> > that only mutes
> > and un-mutes? i know it's a hassle to have more
> > gear, but having a
> > dedicated second controller would allow you to have
> > the even numbers
> > be mute-off and odd numbers be mute-on or something.
> > at the start of
> > each song you could just hit a switch that un-mutes
> > everything. it
> > would be easier than restarting the repeaters. also,
> > i use the lake
> > butler midigator which allows you to have quite a
> > few more cc and pc
> > messages, i believe. they're getting harder to find,
> > but i have an
> > extra i could loan you to try, if you like. let me
> > know off-list if
> > you'd like to try it.
> >
> > peace
> >
> >
> > ric hordinski
> >
> > www.richordinski.com
> > www.myspace.com/richordinskimusic
> > www.myspace.com/monasterystudio
> >
> > monk@fuse.net
> >
> >
> >
> >
>
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>
>
>


From Loopers-Delight-request@loopers-delight.com  Mon Jun 12 12:45:48 2006
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From: "murkie" <sinister_footwear@yahoo.com>
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-----Original Message-----

> Getting the balance 
> between  button pushing and getting your phrasing/ emotional input 
> right. 


are we still talking about marriage?

8^{/}

m

http://www.TwistedAppleRecords.com


From Loopers-Delight-request@loopers-delight.com  Mon Jun 12 13:22:37 2006
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
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Subject: internet jam partners
Date: Mon, 12 Jun 2006 15:22:28 +0200
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> Who knows, with permission of the artist, I may make a CD at 
> the end of the year with excerpts of all the internet 
> performances. I could call it the "Looper's Delight Ninjam 
> Performance".

...which is something I intend to do as well, given more artists accept to
play with me (so far, Krispen Hartung, Rick Walker and Charlie Milkey).

Ok, again a call for performers! Who would be interested to do a virtual
internet session?

style: (open)
instruments: horn players, singers and drummers/percussionists preferred,
but other musicians alos welcome!
technology: any of Ninjam, shoutcast or the www.t-u-b-e.de plugin.

As an example for an internat jam, may I again point you to
http://moinlabs.byto.de/msa/i_msa_div.htm (more recordings are on their
way!)

More on my background as well as links to some of my other stuff via
www.moinlabs.de 

Please contact me offlist,

	Rainer

From Loopers-Delight-request@loopers-delight.com  Mon Jun 12 13:42:44 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: pedal pushers
Date: Mon, 12 Jun 2006 15:42:37 +0200
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>> Getting the balance
>> between  button pushing and getting your phrasing/ emotional input
>> right.
>
> On 12 jun 2006, at 14.45, murkie wrote:
>
> are we still talking about marriage?
>
> 8^{/}
>
> m

LOL! Brilliant!

p ;-))

From Loopers-Delight-request@loopers-delight.com  Mon Jun 12 14:10:04 2006
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Subject: Ableton & Odd meters (was: Is it Ableton Live - or is it me?)
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Hi Per

> > [on Ableton:] How am I going to switch from 4/4 to 7/8?
> Manually, by using the mouse. Unfortunately.
Yeah, just figured that out. I'm not able to set any keyboard or midi shortcuts for global meter.  :-(  (maybe some Mac Automation workaround?)

I'm still experimenting with Ableton Live & Odd meters.
Some success:
- You can set a tempo for each scene. This way, you can duplicate a scene, assign different tempo to it and every time you switch scene global tempo will adjust. (Nice stuff, alas, no key/midi mapping possible)
- I have created a file with default scenes where each scene has a midi clip with 4/8, 3/8, 5/8, 7/8 or 11/8 meter. This sounds much better than the obnoxious metronome and can be good starting point for an odd meter loop. (i.e. close/open hihat 7/8: one-two,one-two,one-two-three).
   - This way, I can start with the default file, select the scene with my desired meter, start playing this scene with my desired midi clip
   - Set global tempo to x/8 (with mouse :-( )
   - Duplicate the scene with my desired tempo several times - and there we go!
   - Alternatively, probably you could create various files with different meters (maybe, with midi controller software: i.e. open prepared file for each meter setting?)
- I have prepared 9 audio tracks. I have assigned Number Pads 1-9 on keyboard to mount track 2-10 for recording.
- When I launch a scene, all other tracks playback and the mounted track starts recording - sweet! (you need to select global preference "record on launch ON" to be able to do this, though)

[on Kid Beyond]
> The most important part is to use a third- 
> party software that translates external (controller) MIDI events
Yes, thank you. I have actually posted an update on Kid Beyond's setup, since he's switched from Windows to Powerbook Mac.

When I have a choice, I actually always opt for the hardware choice. So, I'll wait for my RC-50 and give it a chance. Still, Ableton is very tempting. Especially combining loops with the effect section is very attractive.
Now I need to experiment with effects. If the Ableton setup works, I could get a footcontroller.

best regards

Buzap
-- 


"Feel free" â€“ 10 GB Mailbox, 100 FreeSMS/Monat ...
Jetzt GMX TopMail testen: http://www.gmx.net/de/go/topmail

From Loopers-Delight-request@loopers-delight.com  Mon Jun 12 14:34:33 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Ableton & Odd meters (was: Is it Ableton Live - or is it me?)
Date: Mon, 12 Jun 2006 16:34:27 +0200
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On 12 jun 2006, at 16.10, Buzap Buzap wrote:

> Hi Per
>
>>> [on Ableton:] How am I going to switch from 4/4 to 7/8?
>> Manually, by using the mouse. Unfortunately.
> Yeah, just figured that out. I'm not able to set any keyboard or  
> midi shortcuts for global meter.  :-(  (maybe some Mac Automation  
> workaround?)

I don't think so. Since there is no computer keys for changing the  
meter I don't think it can be done with the help of MIDI Stroke  
http://www.charlie-roberts.com/


> I'm still experimenting with Ableton Live & Odd meters.
> Some success:
> - You can set a tempo for each scene. This way, you can duplicate a  
> scene, assign different tempo to it and every time you switch scene  
> global tempo will adjust. (Nice stuff, alas, no key/midi mapping  
> possible)

Oh, you can assign different key/MIDI to every scene! Simply assign  
it to the corresponding cell on the master track column at the right.

> - I have created a file with default scenes where each scene has a  
> midi clip with 4/8, 3/8, 5/8, 7/8 or 11/8 meter. This sounds much  
> better than the obnoxious metronome and can be good starting point  
> for an odd meter loop. (i.e. close/open hihat 7/8: one-two,one- 
> two,one-two-three).

Yes, that was the way I handled odd meters when looping with the  
hardware combo EDP/Repeater. Simply dividing the loops/bars/cycles  
with anything that goes with the meter. Like, if you want to play and  
loop in 5/4 you can still use Ableton set to 4/4 but you can not  
quantize to one bar or a half note etc. You may quantize to 1/8 and  
then make the loops ten eights long. Like I was using the divisor  
"8ths per cycle = 10" on the EDP to play in 5/4.

>
> - When I launch a scene, all other tracks playback and the mounted  
> track starts recording - sweet! (you need to select global  
> preference "record on launch ON" to be able to do this, though)


Yes, that's nifty. Ableton is a good looper if you like to create  
stable loops that stay the same over time. Personally I like it  
better to loop with maybe only one to three loops going at the same  
time and then instantly changing the loops by either overdubbiing  
layers or punching in/out slices (or transposing pitch). Those are  
two general concepts of looping that differ a lot in praxis.

>  So, I'll wait for my RC-50 and give it a chance. Still, Ableton is  
> very tempting. Especially combining loops with the effect section  
> is very attractive.


Ideed! Ableton is an fx box on stereoids!!! ;-)

> Now I need to experiment with effects. If the Ableton setup works,  
> I could get a footcontroller.

Don't forget to check out Abletons Ping-Pong delay plug-in! It has a  
Freeze Loop function that you can assign to any foot pedal and also a  
feedback knob that you can assign to a MIDI pedal. So you can  
actually run plenty of tracks with one Ping-Pong delay each and use  
it as a "rack of stereo loopers". Like a rudimentary Mobius but with  
loads of cool effects thrown in ;-)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)




From Loopers-Delight-request@loopers-delight.com  Mon Jun 12 16:04:24 2006
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> On 12 jun 2006, at 04.30, mark sottilaro wrote:
>=20
> Boy howdy!  I don't know why, but there's nothing I
> hate more than closing a loop.  Something about having
> to focus on that event drives me crazy.  I loved the
> JamMan's ability to just choose the amount of beats
> you wanted for a loop and let it go....

Thanks Per, good suggestions.  Two more options:

  - Record a silent track to serve as the timing master for the others,
    this track defines the tempo and cycle length but has no audible
content.
    Then switch to another track with the Track Sync parameter set to
Loop. =20
    Press Record once, recording begins when the master track reaches
it's=20
    start point.  Press Record again anywhere in the middle of the loop=20
    and the recording automatically ends when the master track reaches
    it's start point.  The second track may contain more than one cycle
    of the master track.

  - Write a script that calls the Record function, waits for the desired
    number of milliseconds, then calls Record again.  e.g.
          =20
             !name Record 4 Seconds
             Record
             Wait msec 4000
             Record

The second approach doesn't require you to tap in a tempo but the
problem I have with it is that there is no visible clue where the
"beats" are.  So unless you have a very accurate mental clock,
it is hard to record something in the right tempo. =20

It has been awhile since I've used a Jamman, does it flash an LED to
let you know the tempo?  With a little more work we could write a
script that displayed "countdown" messages for a bar before starting
the recording to give a feel for the tempo.

Jeff

From Loopers-Delight-request@loopers-delight.com  Mon Jun 12 16:08:05 2006
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Subject: Somae info about the Repeater mk2 (not much, though :)
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Some information were posted on the electrix forum (don't jump, it's just a bit
of explanation for the delay on the mk2, no dates announced, etc.) :

http://www.electrixpro.com/ubbthreads/showflat.php?Cat=0&Board=9&Number=9729&Searchpage=1&Main=9691&Words=+Electrix&topic=&Search=true#Post9729

I'd like to believe them and to think that I could buy a new repeater mk2
soon...
</daviD>

"Simulating the true sounds and making carefully.
 Many colours a lot, selected freely by you."

From Loopers-Delight-request@loopers-delight.com  Mon Jun 12 16:29:33 2006
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Date: Mon, 12 Jun 2006 13:29:04 -0300
To: Loopers-Delight@loopers-delight.com
From: Ramiro Musotto <ramirose@ism.com.br>
Subject: Re: Ableton & Odd meters (was: Is it Ableton Live - or is it me?)
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Great !!
Which of those functions can you do it using only the footpedal ?
Or
Its possible to use Live  Ableton only with a midi footpedal (free hands?).
thanks
ramiro



>Hi Per
>
>>  > [on Ableton:] How am I going to switch from 4/4 to 7/8?
>>  Manually, by using the mouse. Unfortunately.
>Yeah, just figured that out. I'm not able to set any keyboard or 
>midi shortcuts for global meter.  :-(  (maybe some Mac Automation 
>workaround?)
>
>I'm still experimenting with Ableton Live & Odd meters.
>Some success:
>- You can set a tempo for each scene. This way, you can duplicate a 
>scene, assign different tempo to it and every time you switch scene 
>global tempo will adjust. (Nice stuff, alas, no key/midi mapping 
>possible)
>- I have created a file with default scenes where each scene has a 
>midi clip with 4/8, 3/8, 5/8, 7/8 or 11/8 meter. This sounds much 
>better than the obnoxious metronome and can be good starting point 
>for an odd meter loop. (i.e. close/open hihat 7/8: 
>one-two,one-two,one-two-three).
>    - This way, I can start with the default file, select the scene 
>with my desired meter, start playing this scene with my desired midi 
>clip
>    - Set global tempo to x/8 (with mouse :-( )
>    - Duplicate the scene with my desired tempo several times - and 
>there we go!
>    - Alternatively, probably you could create various files with 
>different meters (maybe, with midi controller software: i.e. open 
>prepared file for each meter setting?)
>- I have prepared 9 audio tracks. I have assigned Number Pads 1-9 on 
>keyboard to mount track 2-10 for recording.
>- When I launch a scene, all other tracks playback and the mounted 
>track starts recording - sweet! (you need to select global 
>preference "record on launch ON" to be able to do this, though)
>
>[on Kid Beyond]
>>  The most important part is to use a third-
>>  party software that translates external (controller) MIDI events
>Yes, thank you. I have actually posted an update on Kid Beyond's 
>setup, since he's switched from Windows to Powerbook Mac.
>
>When I have a choice, I actually always opt for the hardware choice. 
>So, I'll wait for my RC-50 and give it a chance. Still, Ableton is 
>very tempting. Especially combining loops with the effect section is 
>very attractive.
>Now I need to experiment with effects. If the Ableton setup works, I 
>could get a footcontroller.
>
>best regards
>
>Buzap
>--
>
>
>"Feel free" - 10 GB Mailbox, 100 FreeSMS/Monat ...
>Jetzt GMX TopMail testen: http://www.gmx.net/de/go/topmail

From Loopers-Delight-request@loopers-delight.com  Mon Jun 12 16:37:51 2006
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Date: Mon, 12 Jun 2006 09:37:49 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Somae info about the Repeater mk2 (not much, though :)
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Maybe they've got to redesign the power supply too. 
That takes about a year based on past experience.

Mark

--- daviD <waveform@free.fr> wrote:

> Some information were posted on the electrix forum
> (don't jump, it's just a bit
> of explanation for the delay on the mk2, no dates
> announced, etc.) :
> 
>
http://www.electrixpro.com/ubbthreads/showflat.php?Cat=0&Board=9&Number=9729&Searchpage=1&Main=9691&Words=+Electrix&topic=&Search=true#Post9729
> 
> I'd like to believe them and to think that I could
> buy a new repeater mk2
> soon...
> </daviD>
> 
> "Simulating the true sounds and making carefully.
>  Many colours a lot, selected freely by you."
> 
> 


__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Mon Jun 12 16:52:57 2006
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--- Per Boysen <perboysen@gmail.com> wrote:


> Don't you have to  
> specify the tempo first, or sync the jamman to a
> master clock? I  
> remember an old post by you where you said you like
> to use a groove  
> box as the master clock, so I guess you want to run
> the looper synced?

Yup, I'm almost always synced to a master clock.  I
just want to be able to predefine how many 8th notes
my loop length is and then use a midi message to
initate the start of my loop recording but have it
automatically go into OD (or play) at the end of how
many 8th notes I've set the loop length too.  I think
I an probably figure out a way to make this happen.

Mark

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From Loopers-Delight-request@loopers-delight.com  Mon Jun 12 17:33:49 2006
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Date: Mon, 12 Jun 2006 14:33:19 -0300
To: "Maria Carrascal" <mc@mariacarrascal.com>
From: Ramiro Musotto <ramirose@ism.com.br>
Subject: loopers
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--============_-1061988894==_ma============
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maria:
salgo el domingo  a Europa .

para mariana : la mejor es electroharmonix 2880,=20
y q se compre la pedalera tambien . estaria=20
buenisimo si la compra porque tendriamos la misma=20
=2E
la rc50 boss es muy buena pero complicada de usar=20
(todavia no esta a la venta al publico , solo 20=20
de junio .
la copio en este email :
mariana:
inscribite en el forum  Loopers-Delight@loopers-delight.com
si queres estar al tanto . estan todos los=20
looperos mas grossos hablando de loops todo el=20
dia .
para inscribirte pone "subscribe" en el texto y=20
tambien en el asunto y manda a esta direccion .
Loopers-Delight-request@loopers-delight.com

estoy investigando hace un mes . la mejor hoy en=20
dia para lo q hacemos , segun mi conclusion es la=20
electroharmonix 2880 , con la pedalera . total=20
600 dolares en USA o Europa .
sdalio hace un mes . no la tiene nadie , pero en=20
el forum estan los pocos q ya se la compraron .=20
besos
ramiro


>est=E1 probando con una que le prest=F3 un guitarrista y esta semana prueba=
 otra.
>Despu=E9s te digo la marca porque no recuerdo.
>Estoy tratando de recuperar una grabaci=F3n de una=20
>tocada en vivo en Radio Nacional y ah=ED hay un=20
>tema con la maquinita.
>Ya est=E1s en europa? porque te la quiero mandar=20
>para que vayas pensando ideas para el disco.
>
>
>
>un beso
>>>>

--============_-1061988894==_ma============
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Content-Transfer-Encoding: quoted-printable

<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type=3D"text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>loopers</title></head><body>
<div>maria:</div>
<div>salgo el domingo&nbsp; a Europa .</div>
<div><br></div>
<div>para mariana : la mejor es electroharmonix 2880, y q se compre la
pedalera tambien . estaria buenisimo si la compra porque tendriamos la
misma .</div>
<div>la rc50 boss es muy buena pero complicada de usar (todavia no
esta a la venta al publico , solo 20 de junio .</div>
<div>la copio en este email :</div>
<div>mariana:</div>
<div>inscribite en el forum&nbsp;
Loopers-Delight@loopers-delight.com</div>
<div>si queres estar al tanto . estan todos los looperos mas grossos
hablando de loops todo el dia .</div>
<div>para inscribirte pone &quot;subscribe&quot; en el texto y tambien
en el asunto y manda a esta direccion .</div>
<div>Loopers-Delight-request@loopers-delight.com</div>
<div><br></div>
<div>estoy investigando hace un mes . la mejor hoy en dia para lo q
hacemos , segun mi conclusion es la electroharmonix 2880 , con la
pedalera . total 600 dolares en USA o Europa .</div>
<div>sdalio hace un mes . no la tiene nadie , pero en el forum estan
los pocos q ya se la compraron . besos</div>
<div>ramiro</div>
<div><br></div>
<div><br></div>
<blockquote type=3D"cite" cite><font color=3D"#0000FF">est=E1 probando con
una que le prest=F3 un guitarrista y esta semana prueba
otra.</font></blockquote>
<blockquote type=3D"cite" cite><font color=3D"#0000FF">Despu=E9s te digo
la marca porque no recuerdo.</font></blockquote>
<blockquote type=3D"cite" cite><font color=3D"#0000FF">Estoy tratando de
recuperar una grabaci=F3n de una tocada en vivo en Radio Nacional y
ah=ED hay un tema con la maquinita.</font></blockquote>
<blockquote type=3D"cite" cite><font color=3D"#0000FF">Ya est=E1s en
europa? porque te la quiero mandar para que vayas pensando ideas para
el disco.</font></blockquote>
<blockquote type=3D"cite" cite>&nbsp;</blockquote>
<blockquote type=3D"cite" cite>&nbsp;</blockquote>
<blockquote type=3D"cite" cite>&nbsp;</blockquote>
<blockquote type=3D"cite" cite><font color=3D"#0000FF">un beso</font>
<blockquote type=3D"cite" cite>
<blockquote type=3D"cite" cite>
<blockquote type=3D"cite" cite><br></blockquote>
</blockquote>
</blockquote>
</blockquote>
<div><br></div>
</body>
</html>
--============_-1061988894==_ma============--

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sorry , was a mistake , this email was for a friend .


>maria:
>salgo el domingo  a Europa .
>
>para mariana : la mejor es electroharmonix 2880,=20
>y q se compre la pedalera tambien . estaria=20
>buenisimo si la compra porque tendriamos la=20
>misma .
>la rc50 boss es muy buena pero complicada de=20
>usar (todavia no esta a la venta al publico ,=20
>solo 20 de junio .
>la copio en este email :
>mariana:
>inscribite en el forum  Loopers-Delight@loopers-delight.com
>si queres estar al tanto . estan todos los=20
>looperos mas grossos hablando de loops todo el=20
>dia .
>para inscribirte pone "subscribe" en el texto y=20
>tambien en el asunto y manda a esta direccion .
>Loopers-Delight-request@loopers-delight.com
>
>estoy investigando hace un mes . la mejor hoy en=20
>dia para lo q hacemos , segun mi conclusion es=20
>la electroharmonix 2880 , con la pedalera .=20
>total 600 dolares en USA o Europa .
>sdalio hace un mes . no la tiene nadie , pero en=20
>el forum estan los pocos q ya se la compraron .=20
>besos
>ramiro
>
>
>>est=E1 probando con una que le prest=F3 un guitarrista y esta semana=
 prueba otra.
>>Despu=E9s te digo la marca porque no recuerdo.
>>Estoy tratando de recuperar una grabaci=F3n de=20
>>una tocada en vivo en Radio Nacional y ah=ED hay=20
>>un tema con la maquinita.
>>Ya est=E1s en europa? porque te la quiero mandar=20
>>para que vayas pensando ideas para el disco.
>>
>>
>>
>>un beso

--============_-1061988605==_ma============
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<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type=3D"text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: loopers</title></head><body>
<div>sorry , was a mistake , this email was for a friend .</div>
<div><br></div>
<div><br></div>
<blockquote type=3D"cite" cite>maria:</blockquote>
<blockquote type=3D"cite" cite>salgo el domingo&nbsp; a Europa
=2E</blockquote>
<blockquote type=3D"cite" cite><br></blockquote>
<blockquote type=3D"cite" cite>para mariana : la mejor es
electroharmonix 2880, y q se compre la pedalera tambien . estaria
buenisimo si la compra porque tendriamos la misma .</blockquote>
<blockquote type=3D"cite" cite>la rc50 boss es muy buena pero complicada
de usar (todavia no esta a la venta al publico , solo 20 de junio
=2E</blockquote>
<blockquote type=3D"cite" cite>la copio en este email :</blockquote>
<blockquote type=3D"cite" cite>mariana:</blockquote>
<blockquote type=3D"cite" cite>inscribite en el forum&nbsp;
Loopers-Delight@loopers-delight.com</blockquote>
<blockquote type=3D"cite" cite>si queres estar al tanto . estan todos
los looperos mas grossos hablando de loops todo el dia .</blockquote>
<blockquote type=3D"cite" cite>para inscribirte pone &quot;subscribe&quot;
en el texto y tambien en el asunto y manda a esta direccion
=2E</blockquote>
<blockquote type=3D"cite"
cite>Loopers-Delight-request@loopers-delight.com</blockquote>
<blockquote type=3D"cite" cite><br></blockquote>
<blockquote type=3D"cite" cite>estoy investigando hace un mes . la mejor
hoy en dia para lo q hacemos , segun mi conclusion es la
electroharmonix 2880 , con la pedalera . total 600 dolares en USA o
Europa .</blockquote>
<blockquote type=3D"cite" cite>sdalio hace un mes . no la tiene nadie ,
pero en el forum estan los pocos q ya se la compraron .
besos</blockquote>
<blockquote type=3D"cite" cite>ramiro</blockquote>
<blockquote type=3D"cite" cite><br></blockquote>
<blockquote type=3D"cite" cite><br>
<blockquote type=3D"cite" cite><font color=3D"#0000FF">est=E1 probando con
una que le prest=F3 un guitarrista y esta semana prueba
otra.</font></blockquote>
<blockquote type=3D"cite" cite><font color=3D"#0000FF">Despu=E9s te digo
la marca porque no recuerdo.</font></blockquote>
<blockquote type=3D"cite" cite><font color=3D"#0000FF">Estoy tratando de
recuperar una grabaci=F3n de una tocada en vivo en Radio Nacional y
ah=ED hay un tema con la maquinita.</font></blockquote>
<blockquote type=3D"cite" cite><font color=3D"#0000FF">Ya est=E1s en
europa? porque te la quiero mandar para que vayas pensando ideas para
el disco.</font></blockquote>
<blockquote type=3D"cite" cite>&nbsp;</blockquote>
<blockquote type=3D"cite" cite>&nbsp;</blockquote>
<blockquote type=3D"cite" cite>&nbsp;</blockquote>
<blockquote type=3D"cite" cite><font color=3D"#0000FF">un
beso</font></blockquote>
</blockquote>
<div><br></div>
</body>
</html>
--============_-1061988605==_ma============--

From Loopers-Delight-request@loopers-delight.com  Mon Jun 12 19:28:59 2006
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	id 1A0A43BED2; Mon, 12 Jun 2006 19:28:59 +0000 (UTC)
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Date: Mon, 12 Jun 2006 12:28:57 -0700 (PDT)
From: Taylor Livingston <taylorlivingston@yahoo.com>
Subject: Gibson Echoplex Digital Pro Plus for sale
To: Loopers-Delight@loopers-delight.com
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Hey there. This is my first post to the list, but I've
been reading the archives for some time now.

I have a Gibson EDP+ for sale, with manual and fc-7
foot controller. This is the black version with Loop
IV software. It's in excellent condition, having never
been in a rack. I replaced a few of the switches in
the foot controller when they began to wear out. Other
than that, it's just like out of the box. You can
check my ebay feedback under the name "janlivingston".


Also, I don't know if any loopers around here are into
this sort of thing, but I have a 4MS Pedals Noise
Swash/Fuzz Jade in one enclosure, with every mod
available. Here's a picture:

http://www.4mspedals.com/swash/swashfuzzbe.jpg

You can find out about these pedals at 4MSpedals.com.

Thanks!

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Mon Jun 12 19:41:04 2006
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Date: Mon, 12 Jun 2006 12:41:01 -0700 (PDT)
From: Taylor Livingston <taylorlivingston@yahoo.com>
Subject: Re: Gibson Echoplex Digital Pro Plus for sale
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Oops. First post jitters. I forgot to include an
asking price. $700 plus shipping from New Orleans, LA
takes it. 

--- Taylor Livingston <taylorlivingston@yahoo.com>
wrote:

> Hey there. This is my first post to the list, but
> I've
> been reading the archives for some time now.
> 
> I have a Gibson EDP+ for sale, with manual and fc-7
> foot controller. This is the black version with Loop
> IV software. It's in excellent condition, having
> never
> been in a rack. I replaced a few of the switches in
> the foot controller when they began to wear out.
> Other
> than that, it's just like out of the box. You can
> check my ebay feedback under the name
> "janlivingston".
> 
> 
> Also, I don't know if any loopers around here are
> into
> this sort of thing, but I have a 4MS Pedals Noise
> Swash/Fuzz Jade in one enclosure, with every mod
> available. Here's a picture:
> 
> http://www.4mspedals.com/swash/swashfuzzbe.jpg
> 
> You can find out about these pedals at
> 4MSpedals.com.
> 
> Thanks!
> 
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam
> protection around 
> http://mail.yahoo.com 
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Mon Jun 12 20:18:05 2006
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From: goddard.duncan@mtvne.com
To: Loopers-Delight@loopers-delight.com
Subject: RE: Some info about the Repeater mk2 (not much, though :)
Date: Mon, 12 Jun 2006 21:18:01 +0100
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this format, some or all of this message may not be legible.

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>
http://www.electrixpro.com/ubbthreads/showflat.php?Cat=0&Board=9&Number=9729
&Searchpage=1&Main=9691&Words=+Electrix&topic=&Search=true#Post9729
> 


the electrix guru seems like a patient helpful sort of chap.... but one gets
the impression he's just writing down what he's been told to. there's a post
later in the thread which is almost threatening in tone, trying to get a
rise out of the guru by suggesting that us repeater users will write our own
o/s for the original units if electrix are going to turn their collective
back (again) on their early adopters. ho hum....

incidentally, this same regulation has made it very difficult for folks in
europe to dispose of electronic hardware too. it's actually less hassle to
put one's techno-junk on ebay than to hide it in the ordinary household
rubbish; one could be arrested for the latter these days.

d.


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<TITLE>RE: Some info about the Repeater mk2 (not much, though :)</TITLE>
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<P><FONT SIZE=3D2>&gt;</FONT>
<BR><FONT SIZE=3D2><A HREF=3D"http://www.electrixpro.com/ubbthreads/showfla=
t.php?Cat=3D0&Board=3D9&Number=3D9729&Searchpage=3D1&Main=3D9691&Words=3D+E=
lectrix&topic=3D&Search=3Dtrue#Post9729" TARGET=3D"_blank">http://www.elect=
rixpro.com/ubbthreads/showflat.php?Cat=3D0&Board=3D9&Number=3D9729&Searchpa=
ge=3D1&Main=3D9691&Words=3D+Electrix&topic=3D&Search=3Dtrue#Post9729</A></F=
ONT></P>

<P><FONT SIZE=3D2>&gt; </FONT>
</P>
<BR>

<P><FONT SIZE=3D2>the electrix guru seems like a patient helpful sort of ch=
ap.... but one gets the impression he's just writing down what he's been to=
ld to. there's a post later in the thread which is almost threatening in to=
ne, trying to get a rise out of the guru by suggesting that us repeater use=
rs will write our own o/s for the original units if electrix are going to t=
urn their collective back (again) on their early adopters. ho hum....</FONT=
></P>

<P><FONT SIZE=3D2>incidentally, this same regulation has made it very diffi=
cult for folks in europe to dispose of electronic hardware too. it's actual=
ly less hassle to put one's techno-junk on ebay than to hide it in the ordi=
nary household rubbish; one could be arrested for the latter these days.</F=
ONT></P>

<P><FONT SIZE=3D2>d.</FONT>
</P>

<CODE><FONT SIZE=3D3><BR>
<BR>
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From Loopers-Delight-request@loopers-delight.com  Mon Jun 12 20:18:21 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: pedal pushers
Date: Mon, 12 Jun 2006 22:18:14 +0200
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> --- Per Boysen <perboysen@gmail.com> wrote:
>
>> Don't you have to
>> specify the tempo first, or sync the jamman to a
>> master clock? I
>> remember an old post by you where you said you like
>> to use a groove
>> box as the master clock, so I guess you want to run
>> the looper synced?
>
On 12 jun 2006, at 18.52, mark sottilaro wrote:

> Yup, I'm almost always synced to a master clock.  I
> just want to be able to predefine how many 8th notes
> my loop length is and then use a midi message to
> initate the start of my loop recording but have it
> automatically go into OD (or play) at the end of how
> many 8th notes I've set the loop length too.  I think
> I an probably figure out a way to make this happen.
>
> Mark

Augustus Loop does that charmingly! Should be easy with Mobius too by  
fixing a script that records a bar and then goes into overdub or  
whatever.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)




From Loopers-Delight-request@loopers-delight.com  Mon Jun 12 20:33:43 2006
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Message-ID: <20060612203340.9340.qmail@web81307.mail.mud.yahoo.com>
Date: Mon, 12 Jun 2006 13:33:40 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: RE: Some info about the Repeater mk2 (not much, though :)
To: Loopers-Delight@loopers-delight.com
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--- goddard.duncan@mtvne.com wrote:

> the electrix guru seems like a patient helpful sort
> of chap.... 

He does?  To me these little nuggets of partial
information seem only to get people angry.  Who knows
if someone could reverse engineer the Repeater OS?  I
bet if you tried hard enough, but no one has so far.

I'm not even sure I buy that excuse.  They've yet
again missed their ship date by what... a year? 
Silly. So now they're telling us that they have to
totally redesign the MK2 so it's got a new led free
chip in it?  What about the warmth that only real led
gives your tone?  Will I be able to sell my Repeater
as a vintage led filled model?

I know nothing about the manufacturering process, but
I do know you don't tell customers a ship date until
you've got working hardware and software that's more
or less on it's way from where ever it's being made. 
Remember the mistake I made with the Againinator?

Mark 

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Mon Jun 12 20:35:15 2006
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[Mark]
> Yup, I'm almost always synced to a master clock.

[Per]
> Should be easy with Mobius too by  fixing a script that records
> a bar and then goes into overdub or whatever.

I'm not exactly sure what you want, but if you're syncing to MIDI
clock you might be able to use the SyncMode=3DMIDIBar (when running
standalone) or SyncMode=3DVSTBar (when running as a VST).

With either of the bar sync modes, pressing Record will suspend until
the start of a bar is reached.  Pressing Record again (or any of the=20
alternate endings like Overdub) will then be quantized to the next bar
boundary.  The length of a bar is defined by the 8thsPerCycle parameter.

The record doesn't end automatically after one bar, it requires two
footswitch presses rather than one.  But because of the quantization
you don't have to worry about the timing of the second press.  Just
press it any time before the end of the bar and it will round off.
This also lets you record more than one bar if the mood strikes you.

If you really want to do this in one footswitch press, then as Per
says it can be done with scripts. =20

Jeff

From Loopers-Delight-request@loopers-delight.com  Mon Jun 12 21:29:06 2006
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From: "William Walker" <billwalker@baymoon.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Some info about the Repeater mk2 (not much, though :)
Date: Mon, 12 Jun 2006 14:29:07 -0700
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I for one, am getting a little tired of all the Electrix bashing going on.
If the Repeater never surfaces again, will the world be any more diminished?
I hope it does come back, and I'd gladly buy a new MK2 OS for my old RPTR,
if available, but I have some knowledge that the struggles and delays they
have been facing are real,  not just some smoke screen, and if they aren't
spelling it out in tabloid detail, allow them at least, a bit of corporate
face saving, rather than hold them up to the same standards as a company
like Roland with much deeper pockets, who don't even seem to be listening to
people like us. I really believe they want to reintroduce  the Repeater, but
no amount of whining or baiting is going to make that happen any quicker.
Hey, look at it this way, If you had ordered an Amp from Alexander (don't
call me Howard) Dumble, he wouldn't even give you a due date, and if you
called up to complain, he would stick you at the back of the line!!  And
don't forget to repeat the mantra:  Itsjustamachine
Itsjustamachine.......>:o)

Bill
-----Original Message-----
From: mark sottilaro [mailto:zerocrossing2001@yahoo.com]
Sent: Monday, June 12, 2006 1:34 PM
To: Loopers-Delight@loopers-delight.com
Subject: RE: Some info about the Repeater mk2 (not much, though :)


--- goddard.duncan@mtvne.com wrote:

> the electrix guru seems like a patient helpful sort
> of chap....

He does?  To me these little nuggets of partial
information seem only to get people angry.  Who knows
if someone could reverse engineer the Repeater OS?  I
bet if you tried hard enough, but no one has so far.

I'm not even sure I buy that excuse.  They've yet
again missed their ship date by what... a year?
Silly. So now they're telling us that they have to
totally redesign the MK2 so it's got a new led free
chip in it?  What about the warmth that only real led
gives your tone?  Will I be able to sell my Repeater
as a vintage led filled model?

I know nothing about the manufacturering process, but
I do know you don't tell customers a ship date until
you've got working hardware and software that's more
or less on it's way from where ever it's being made.
Remember the mistake I made with the Againinator?

Mark

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around
http://mail.yahoo.com




From Loopers-Delight-request@loopers-delight.com  Mon Jun 12 22:04:42 2006
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Date: Mon, 12 Jun 2006 15:04:39 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: internet jam partners
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Hey Rainer,
I would be interested either as a percussionist(conga)
or doing some singing,ive never use the live streaming
technology below but ill look into it.
Cheers
Luis

--- Rainer Thelonius Balthasar Straschill
<rs@moinlabs.de> wrote:

> > Who knows, with permission of the artist, I may
> make a CD at 
> > the end of the year with excerpts of all the
> internet 
> > performances. I could call it the "Looper's
> Delight Ninjam 
> > Performance".
> 
> ...which is something I intend to do as well, given
> more artists accept to
> play with me (so far, Krispen Hartung, Rick Walker
> and Charlie Milkey).
> 
> Ok, again a call for performers! Who would be
> interested to do a virtual
> internet session?
> 
> style: (open)
> instruments: horn players, singers and
> drummers/percussionists preferred,
> but other musicians alos welcome!
> technology: any of Ninjam, shoutcast or the
> www.t-u-b-e.de plugin.
> 
> As an example for an internat jam, may I again point
> you to
> http://moinlabs.byto.de/msa/i_msa_div.htm (more
> recordings are on their
> way!)
> 
> More on my background as well as links to some of my
> other stuff via
> www.moinlabs.de 
> 
> Please contact me offlist,
> 
> 	Rainer
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Mon Jun 12 23:36:55 2006
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Date: Mon, 12 Jun 2006 18:36:52 -0500
From: "Charlie Milkey" <pilotcp@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I know the thing right now seems to be one-on-one playing, but since
there seems to be a growing stable of ninjam loopers, has anyone given
thought to a whole group playing?
i know i have done ninjams with 3 others very successfully (of course,
there have been many that are equally unsuccessful ;))

Charlie

On 6/12/06, L.A. Angulo <labaloops@yahoo.com> wrote:
> Hey Rainer,
> I would be interested either as a percussionist(conga)
> or doing some singing,ive never use the live streaming
> technology below but ill look into it.
> Cheers
> Luis
>
> --- Rainer Thelonius Balthasar Straschill
> <rs@moinlabs.de> wrote:
>
> > > Who knows, with permission of the artist, I may
> > make a CD at
> > > the end of the year with excerpts of all the
> > internet
> > > performances. I could call it the "Looper's
> > Delight Ninjam
> > > Performance".
> >
> > ...which is something I intend to do as well, given
> > more artists accept to
> > play with me (so far, Krispen Hartung, Rick Walker
> > and Charlie Milkey).
> >
> > Ok, again a call for performers! Who would be
> > interested to do a virtual
> > internet session?
> >
> > style: (open)
> > instruments: horn players, singers and
> > drummers/percussionists preferred,
> > but other musicians alos welcome!
> > technology: any of Ninjam, shoutcast or the
> > www.t-u-b-e.de plugin.
> >
> > As an example for an internat jam, may I again point
> > you to
> > http://moinlabs.byto.de/msa/i_msa_div.htm (more
> > recordings are on their
> > way!)
> >
> > More on my background as well as links to some of my
> > other stuff via
> > www.moinlabs.de
> >
> > Please contact me offlist,
> >
> >       Rainer
> >
> >
>
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Jun 12 23:39:33 2006
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To: Loopers-Delight@loopers-delight.com
From: rds8000 <rds8000@cableaz.com>
Subject: WTB: Digitech RDS8000 Delay / Looper 
Date: Mon, 12 Jun 2006 16:39:09 -0700
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Hello Loopers,

I'm interested in adding a second Digitech RDS8000 to my setup. Does
anyone have one they'd like to sell?

Best,

Adam

From Loopers-Delight-request@loopers-delight.com  Tue Jun 13 00:53:22 2006
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Date: Mon, 12 Jun 2006 17:53:19 -0700
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Subject: Way OT: EM fingers!
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------=_Part_72327_19119071.1150159999488
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Oh man, so I heard a report on NPR yesterday about a new type of Body
Modification... this woman had a magnet attatched to the nerves inside her
finger so she can feel electro-magnetic waves!

Like they say in the report, its not the most practical thing... but can you
imagine how you could use this to feel your way around a keyboard, or a
guitar.... your house?

Here is a link to the NPR report, you can listen to it there:
http://www.npr.org/templates/story/story.php?storyId=5477830

Or here is the more expansive article from Wired News:
http://www.wired.com/news/technology/0,71087-0.html?tw=wn_story_page_prev2

------=_Part_72327_19119071.1150159999488
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<div>Oh man, so I heard a report on NPR yesterday about a new type of Body Modification... this woman had a magnet attatched to the nerves inside her finger so she can feel electro-magnetic waves! </div>
<div>&nbsp;</div>
<div>Like they say in the report, its not the most practical thing... but can you imagine how you could use this to feel your way around a keyboard, or a guitar.... your house?</div>
<div>&nbsp;</div>
<div>Here is a link to the NPR report, you can listen to it there:</div>
<div><a onclick="return top.js.OpenExtLink(window,event,this)" href="http://www.npr.org/templates/story/story.php?storyId=5477830" target="_blank">http://www.npr.org/templates/story/story.php?storyId=5477830</a></div>
<div>&nbsp;</div>
<div>Or here is the more expansive article from Wired News:</div>
<div><a onclick="return top.js.OpenExtLink(window,event,this)" href="http://www.wired.com/news/technology/0,71087-0.html?tw=wn_story_page_prev2" target="_blank">http://www.wired.com/news/technology/0,71087-0.html?tw=wn_story_page_prev2
</a></div>
<div>&nbsp;</div>
<div>&nbsp;</div>

------=_Part_72327_19119071.1150159999488--

From Loopers-Delight-request@loopers-delight.com  Tue Jun 13 01:00:03 2006
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From: Kevin <kevin@TheNettles.com>
Subject: RE: Repeater mk2
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At 01:18 PM 6/12/2006, you wrote:
> >
><http://www.electrixpro.com/ubbthreads/showflat.php?Cat=0&Board=9&Number=9729&Searchpage=1&Main=9691&Words=+Electrix&topic=&Search=true#Post9729>http://www.electrixpro.com/ubbthreads/showflat.php?Cat=0&Board=9&Number=9729&Searchpage=1&Main=9691&Words=+Electrix&topic=&Search=true#Post9729

Now's the time for everyone on this list to logon to the ElectrixPro 
forum and tell Electrix what you think of their brilliant idea to 
abandon the original Repeater users.  If you care, that is.

Cheers,
Kevin
www.TheNettles.com

From Loopers-Delight-request@loopers-delight.com  Tue Jun 13 01:07:52 2006
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From: Jeff Shirkey <jcshirke@midway.uchicago.edu>
Subject: Re: Way OT: EM fingers!
Date: Mon, 12 Jun 2006 20:04:03 -0500
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>
> ... but can you imagine how you could use this to feel your way  
> around a keyboard, or a guitar.... your house?

Actually, no. :) How would this help someone make music?

I currently treat a fractured bone in my foot with EM waves 10 hours  
a day. I'm not sure that's something I'd want to feel.

Jeff

From Loopers-Delight-request@loopers-delight.com  Tue Jun 13 01:25:36 2006
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Subject: Re: WTB: Digitech RDS8000 Delay / Looper 
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--0-1003756191-1150161934=:54884
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Hello, if you can not find one..I have one in mint...I might be getting away afew of my equipment to get the new moog the Phatty..I use to have a moog and it looks like moog put a good one out...if anyone heard of this, let use know..... Gerry

rds8000 <rds8000@cableaz.com> wrote:

rds8000 <rds8000@cableaz.com> wrote:  Hello Loopers,

I'm interested in adding a second Digitech RDS8000 to my setup. Does
anyone have one they'd like to sell?

Best,

Adam



 __________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 
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Hello, if you can not find one..I have one in mint...I might be getting away afew of my equipment to get the new moog the Phatty..I use to have a moog and it looks like moog&nbsp;put a good one out...if anyone heard of this, let use know..... Gerry<BR><BR><B><I>rds8000 &lt;rds8000@cableaz.com&gt;</I></B> wrote:<BR><BR><B><I>rds8000 &lt;rds8000@cableaz.com&gt;</I></B> wrote:  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">Hello Loopers,<BR><BR>I'm interested in adding a second Digitech RDS8000 to my setup. Does<BR>anyone have one they'd like to sell?<BR><BR>Best,<BR><BR>Adam<BR><BR></BLOCKQUOTE><BR><p>&#32;__________________________________________________<br>Do You Yahoo!?<br>Tired of spam?  Yahoo! Mail has the best spam protection around <br>http://mail.yahoo.com 
--0-1003756191-1150161934=:54884--

From Loopers-Delight-request@loopers-delight.com  Tue Jun 13 01:41:47 2006
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From: Jeff Shirkey <jcshirke@midway.uchicago.edu>
Subject: Re: Some info about the Repeater mk2 (not much, though :)
Date: Mon, 12 Jun 2006 20:38:00 -0500
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O-
> From: mark sottilaro [mailto:zerocrossing2001@yahoo.com]
>   What about the warmth that only real led
> gives your tone?

I can't tell if you're serious about this or not. Are you just being  
facetious?

I'll go ahead and ask the dumb question, since no one else has. Why  
couldn't they release two different units--one that meets EU specs  
and another one that does not--and does not (presumably) need to?  
Shouldn't the latter unit be ready to go now, and wouldn't that end  
the speculation about whether or not a mk2 will ever see the light of  
day?

Jeff 

From Loopers-Delight-request@loopers-delight.com  Tue Jun 13 01:46:26 2006
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From: Jeff Shirkey <jcshirke@midway.uchicago.edu>
Subject: Re: Some info about the Repeater mk2 (not much, though :)
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>
> If the Repeater never surfaces again, will the world be any more  
> diminished?

The issue is that they announced new products, took money from  
customers (or, more to the point, many retailers did), and have kept  
people completely in the dark. I'd say that's reason enough to be a  
little irked.

> spelling it out in tabloid detail, allow them at least, a bit of  
> corporate
> face saving, rather than hold them up to the same standards as a  
> company
> like Roland with much deeper pockets,

I don't think anyone is asking for tabloid detail. But periodic  
(quarterly??) updates would be nice. At the very least it would show  
some genuine concern for potential customers--not to mention good  
faith on their part. I don't think that's asking too much.

Jeff

From Loopers-Delight-request@loopers-delight.com  Tue Jun 13 01:59:16 2006
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From: "Charlie Milkey" <pilotcp@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Some info about the Repeater mk2 (not much, though :)
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you know, i wonder if what the guru says about their newest technical
problems are real or if they are just buying time with making up these
new problems...
as chester666 responded to the guru's tech problem news...
"Hmmm...
Electrix JUST found out about this??
Its true that compliance deadline is July of 2006. But...i got this
from a website:
The RoHS Directive (Restriction of Certain Hazardous Substances)
became law in the European Union countries in February 2003. Member
states must implement the law by August 2004 and product deadline for
compliance is July 2006."

in other words, this was news in 2003 (3 years ago) and they just
found this out now? that sounds a little fishy to me...

is the world going to end because of the repeater's delay? nah, but
what Electrix has to worry about now is people are getting fed up with
the repeater's late due date, and people are starting to get their
money back and check out other looping devices, and granted the
repeater MkII is spec'ed out to be pretty cool, there also are some
really cool loopers out there already, and people are going to be
looking elsewhere...by the time the repeater MkII comes out, i bet
that at least 50% of the people who were dead-set on buying a repeater
when it was first announced will be perfectly happy with something
else...just my thoughts :)

Charlie

On 6/12/06, Jeff Shirkey <jcshirke@midway.uchicago.edu> wrote:
>
>
> >
> > If the Repeater never surfaces again, will the world be any more
> > diminished?
>
> The issue is that they announced new products, took money from
> customers (or, more to the point, many retailers did), and have kept
> people completely in the dark. I'd say that's reason enough to be a
> little irked.
>
> > spelling it out in tabloid detail, allow them at least, a bit of
> > corporate
> > face saving, rather than hold them up to the same standards as a
> > company
> > like Roland with much deeper pockets,
>
> I don't think anyone is asking for tabloid detail. But periodic
> (quarterly??) updates would be nice. At the very least it would show
> some genuine concern for potential customers--not to mention good
> faith on their part. I don't think that's asking too much.
>
> Jeff
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Jun 13 04:49:29 2006
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Subject: RE: Some info about the Repeater mk2 (not much, though :)
Date: Mon, 12 Jun 2006 21:49:28 -0700
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Jeff wrote:"The issue is that they announced new products, took money from
customers (or, more to the point, many retailers did), and have kept
people completely in the dark. I'd say that's reason enough to be a
little irked."

fare enough, but I'd point the finger at the mail order music supply shops
of the world like the vaunted Alto Music, who took your money or someone
else's, not Electrix, they aren't seeing a penny of that money I'd wager.
And shame on those same retailers who took your money knowing electrix's
history of late delivery.

jeff wrote:"But periodic
(quarterly??) updates would be nice. At the very least it would show
some genuine concern for potential customers--not to mention good
faith on their part. I don't think that's asking too much. "

Don't get your hopes up, and realize that companies like this are not about
announcing their cash flow issues, software issues, EU code issues or
otherwise. You think people are starting to look elsewhere now, imagine if
Electrix blabbed about all of these issues on a quarterly basis, That
wouldn't do too well for their rep either.

It has been my experience from working in and around both the manufacturing
and retail end of the music biz for the past 25+ years, That niche
companies, no matter how great there products are , come and go, people who
design great music gear are not necessarily great business men or marketing
ninjas. Conversely, sometimes great business people have no clue as to how
to relate to real musicians, or gear geeks like us. Whoever assumed the
responsibility for resurrecting Electrix, may have bitten off more than they
can chew, Who is to say?
I just think everyone  who is threatening to get a refund for money they
have laid down for RPTR MK2 should get their money refunded, and be done
with it, and maybe that might send them a message they respond to.
otherwise, I just think its not worth getting agitated over.
Bill



From Loopers-Delight-request@loopers-delight.com  Tue Jun 13 05:51:59 2006
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From: Jeff Shirkey <jcshirke@midway.uchicago.edu>
Subject: Re: Some info about the Repeater mk2 (not much, though :)
Date: Tue, 13 Jun 2006 00:48:12 -0500
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>
> fare enough, but I'd point the finger at the mail order music  
> supply shops
> of the world like the vaunted Alto Music, who took your money or  
> someone
> else's, not Electrix, they aren't seeing a penny of that money I'd  
> wager.
> And shame on those same retailers who took your money knowing  
> electrix's
> history of late delivery.

Maybe. I see both sides of the issue. Sounds like you have quite a  
bit of direct experience with these issues, so I'll defer to you on  
this one. But I don't think that the retailer I ordered through was  
out to get my money knowing that Electrix couldn't deliver. I suppose  
I put the blame *more* on Electrix than you apparently do. They are  
the ones who announced the products and gave the retailers estimated  
ship dates, after all.
But I still see your point.

>
> Don't get your hopes up, and realize that companies like this are  
> not about
> announcing their cash flow issues, software issues, EU code issues or
> otherwise.

True. Then they should have been much more cautious about announcing  
their new product line. But that only goes to your point about how  
they may be poor business people, no matter how good their intentions  
and no matter how good they may be at the imaginative/creative end of  
things.

Personally I'm not worked up about this. If I get a new Repeater,  
great. If I don't, that's okay too. And, at some point, I'll have to  
decide if I want my $150 down payment back. The only reason I haven't  
gotten the refund yet is because I fear that *if* they should finally  
start shipping, I'd then be left out. In other words, better to keep  
my place in line than not. Shrug...

Jeff

From Loopers-Delight-request@loopers-delight.com  Tue Jun 13 08:33:05 2006
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Reply-To: "Nik" <fluke@gotadsl.co.uk>
From: "Nik" <fluke@gotadsl.co.uk>
To: <Loopers-Delight@loopers-delight.com>
References: <5748E17E0A4F3C40B77B2819D9E628DE02DC92F7@lon-oxmail02.mtvne.ad.viacom.com> <7.0.0.16.0.20060612175600.02035128@TheNettles.com>
Subject: Re: Repeater mk2
Date: Tue, 13 Jun 2006 09:19:27 +0100
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Speaking as an electronics design engineer, RoHS compliance is a pretty lame 
exceuse.

Nik

----- Original Message ----- 
From: "Kevin" <kevin@TheNettles.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, June 13, 2006 2:00 AM
Subject: RE: Repeater mk2


> At 01:18 PM 6/12/2006, you wrote:
>> >
>><http://www.electrixpro.com/ubbthreads/showflat.php?Cat=0&Board=9&Number=9729&Searchpage=1&Main=9691&Words=+Electrix&topic=&Search=true#Post9729>http://www.electrixpro.com/ubbthreads/showflat.php?Cat=0&Board=9&Number=9729&Searchpage=1&Main=9691&Words=+Electrix&topic=&Search=true#Post9729
>
> Now's the time for everyone on this list to logon to the ElectrixPro forum 
> and tell Electrix what you think of their brilliant idea to abandon the 
> original Repeater users.  If you care, that is.
>
> Cheers,
> Kevin
> www.TheNettles.com
>
> 

From Loopers-Delight-request@loopers-delight.com  Tue Jun 13 08:41:33 2006
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Subject: Re: Way OT: EM fingers!
Date: Tue, 13 Jun 2006 09:41:14 +0100
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Okay, I knew I'd ask about this but now have no choice from context alone...

The rig has been down for several months given massive works on the house. 
On a weekend three or so weeks ago when I'd just had it and wanted to play 
no matter what, I stupidly crushed the end of my left middle finger between 
two big flagstones around 3 weeks ago, splitting the end like a melon. 
Didn't break anything (x-ray check) and it wasn't a center-on hit so I kept 
the nail.  I can however feel the hard bit inside where the scar tissue is 
forming.  I massage the tip most of the time, gently, and the feeling in the 
tip still hasn't come back.  I've been told by a carpenter who says he did 
something similar that it won't come back for as much as three months. 
Obviously this effects playing - and even if one excludes the nuances one 
obtains through good feeling-control, the hazard of not feeling the 
fingertip becomes one of finger damage through sense ignorance.

I was itching to play before this happened, and have been having lucid 
dreams about playing since a week after the accident.  Needless to say here 
is an illustration as to why one should not hesitate before going at it. 
I'm going to come into just a little bit of money via my late mum-in-law 
sometime in the next month or so, and have decided that [a] life is frigging 
short, and [b] I'm going to get a small, efficient amp system for 
performance purposes and rent a couple of halls in the London area when this 
damned finger gets better.

So, guitarists on the list: How long will it take for this to come back? 
Thx in advance.

S.

----- Original Message ----- 
From: "Jeff Shirkey" <jcshirke@midway.uchicago.edu>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, 13 June, 2006 02:04 AM
Subject: Re: Way OT: EM fingers!


>
>>
>> ... but can you imagine how you could use this to feel your way  around a 
>> keyboard, or a guitar.... your house?
>
> Actually, no. :) How would this help someone make music?
>
> I currently treat a fractured bone in my foot with EM waves 10 hours  a 
> day. I'm not sure that's something I'd want to feel.
>
> Jeff
>
>
>
>
> 

From Loopers-Delight-request@loopers-delight.com  Tue Jun 13 09:59:40 2006
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
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Subject: AW: internet jam partners
Date: Tue, 13 Jun 2006 11:59:34 +0200
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Using the Ninjam public servers isn't something you want to do for =
several
reasons (like limited control over tempo/bpi settings or dickhead =
Eighties
rock guitarists barging in).

I think the only one among us who has a Ninjam server running which can
accomodate several people is Krispen...Krispen?


> -----Urspr=FCngliche Nachricht-----
> Von: Charlie Milkey [mailto:pilotcp@gmail.com]=20
> Gesendet: Dienstag, 13. Juni 2006 01:37
> An: Loopers-Delight@loopers-delight.com
> Betreff: Re: internet jam partners
>=20
> I know the thing right now seems to be one-on-one playing,=20
> but since there seems to be a growing stable of ninjam=20
> loopers, has anyone given thought to a whole group playing?
> i know i have done ninjams with 3 others very successfully=20
> (of course, there have been many that are equally unsuccessful ;))
>=20
> Charlie

From Loopers-Delight-request@loopers-delight.com  Tue Jun 13 10:54:49 2006
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Subject: Re: Re: Ableton & Odd meters (was: Is it Ableton Live - or is it me?)
To: Loopers-Delight@loopers-delight.com
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Hi Ramiro

> Its possible to use Live  Ableton only with a midi footpedal (free
> hands?).
As far as I can tell at the moment, you will definetely need a mouse or something for these features:
- set meter (unless you find a way to load a file with desired meter via midi...)
- set different BPM for specific scene (scene=all loops played parallel)

With 3rd party software, probably you could control pretty much everything else.
I guess there are more things that work - if you just figure out how. Therefore, it is good to see Kid Beyonds video on ableton.com, see what's possible.

Correct me if I'm wrong, folks ;-)

Buzap


-- 


"Feel free" â€“ 10 GB Mailbox, 100 FreeSMS/Monat ...
Jetzt GMX TopMail testen: http://www.gmx.net/de/go/topmail

From Loopers-Delight-request@loopers-delight.com  Tue Jun 13 11:39:53 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: todays rehearsal clip shared :-)
Date: Tue, 13 Jun 2006 13:39:46 +0200
To: Loopers <Loopers-Delight@loopers-delight.com>
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Dear Looping Friends,

I'm sharing a short clip from todays solo rehearsal with tenor sax +  
laptop with Mobius:
http://www.looproom.com/audio/busonetothere.mp3

I thought that since I've been talking quite a lot about Mobius I  
should post some example. Among other things, here's one of my latest  
fav Mobius scripts, the "Chord Hit Script" - very fun when playing  
sax to hit one pedal and have a four note chord punched into the loop  
(it's a combination of overdub, reverse and pitch transpose). Before  
creating this Mobius script I had to wait through the loop four times  
to play the four short notes at the correct timing, so boring -  
needless to say I rarely did ;-)  Also, both the sax and the vocal  
beatboxing are here played through a tc electronix fireworX fx  
processor.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)




From Loopers-Delight-request@loopers-delight.com  Tue Jun 13 12:30:30 2006
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Subject: RE: todays rehearsal clip shared :-)
Date: Tue, 13 Jun 2006 08:30:27 -0400
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Per- This is great! I've been following your descriptions of what you're
investigating with Mobius... hearing it is enlightening. Fun little
"piece".

Hal Dean


-----Original Message-----
From: Per Boysen [mailto:perboysen@gmail.com]=20
Sent: Tuesday, June 13, 2006 7:40 AM
To: Loopers
Subject: todays rehearsal clip shared :-)


Dear Looping Friends,

I'm sharing a short clip from todays solo rehearsal with tenor sax + =20
laptop with Mobius: http://www.looproom.com/audio/busonetothere.mp3

I thought that since I've been talking quite a lot about Mobius I =20
should post some example. Among other things, here's one of my latest =20
fav Mobius scripts, the "Chord Hit Script" - very fun when playing =20
sax to hit one pedal and have a four note chord punched into the loop =20
(it's a combination of overdub, reverse and pitch transpose). Before =20
creating this Mobius script I had to wait through the loop four times =20
to play the four short notes at the correct timing, so boring - =20
needless to say I rarely did ;-)  Also, both the sax and the vocal =20
beatboxing are here played through a tc electronix fireworX fx =20
processor.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)




From Loopers-Delight-request@loopers-delight.com  Tue Jun 13 13:18:44 2006
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: <Loopers-Delight@loopers-delight.com>
Subject: AW: internet jam partners - post scriptum
Date: Tue, 13 Jun 2006 15:18:38 +0200
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btw, Rick Walker spoke very highly of you in general and of your voice =
in
particular so, please do both (percussion and singing).

> -----Urspr=FCngliche Nachricht-----
> Von: L.A. Angulo [mailto:labaloops@yahoo.com]=20
> Gesendet: Dienstag, 13. Juni 2006 00:05
> An: Loopers-Delight@loopers-delight.com
> Betreff: Re: internet jam partners
>=20
> Hey Rainer,
> I would be interested either as a percussionist(conga) or=20
> doing some singing,ive never use the live streaming=20
> technology below but ill look into it.
> Cheers
> Luis
>=20
> --- Rainer Thelonius Balthasar Straschill <rs@moinlabs.de> wrote:
>=20
> > > Who knows, with permission of the artist, I may
> > make a CD at
> > > the end of the year with excerpts of all the
> > internet
> > > performances. I could call it the "Looper's
> > Delight Ninjam
> > > Performance".
> >=20
> > ...which is something I intend to do as well, given more artists=20
> > accept to play with me (so far, Krispen Hartung, Rick Walker and=20
> > Charlie Milkey).
> >=20
> > Ok, again a call for performers! Who would be interested to do a=20
> > virtual internet session?
> >=20
> > style: (open)
> > instruments: horn players, singers and drummers/percussionists=20
> > preferred, but other musicians alos welcome!
> > technology: any of Ninjam, shoutcast or the www.t-u-b-e.de plugin.
> >=20
> > As an example for an internat jam, may I again point you to=20
> > http://moinlabs.byto.de/msa/i_msa_div.htm (more recordings are on=20
> > their
> > way!)
> >=20
> > More on my background as well as links to some of my other=20
> stuff via=20
> > www.moinlabs.de
> >=20
> > Please contact me offlist,
> >=20
> > 	Rainer
> >=20
> >=20
>=20
>=20
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection=20
> around http://mail.yahoo.com=20
>=20
>=20

From Loopers-Delight-request@loopers-delight.com  Tue Jun 13 13:21:37 2006
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To: <Loopers-Delight@loopers-delight.com>
Subject: AW: internet jam partners - post scriptum
Date: Tue, 13 Jun 2006 15:21:32 +0200
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sorry should be a matrix mail...my bad=20

> -----Urspr=FCngliche Nachricht-----
> Von: Rainer Thelonius Balthasar Straschill [mailto:rs@moinlabs.de]=20
> Gesendet: Dienstag, 13. Juni 2006 15:19
> An: Loopers-Delight@loopers-delight.com
> Betreff: AW: internet jam partners - post scriptum
>=20
> btw, Rick Walker spoke very highly of you in general and of=20
> your voice in particular so, please do both (percussion and singing).
>=20
> > -----Urspr=FCngliche Nachricht-----
> > Von: L.A. Angulo [mailto:labaloops@yahoo.com]
> > Gesendet: Dienstag, 13. Juni 2006 00:05
> > An: Loopers-Delight@loopers-delight.com
> > Betreff: Re: internet jam partners
> >=20
> > Hey Rainer,
> > I would be interested either as a percussionist(conga) or=20
> doing some=20
> > singing,ive never use the live streaming technology below=20
> but ill look=20
> > into it.
> > Cheers
> > Luis
> >=20
> > --- Rainer Thelonius Balthasar Straschill <rs@moinlabs.de> wrote:
> >=20
> > > > Who knows, with permission of the artist, I may
> > > make a CD at
> > > > the end of the year with excerpts of all the
> > > internet
> > > > performances. I could call it the "Looper's
> > > Delight Ninjam
> > > > Performance".
> > >=20
> > > ...which is something I intend to do as well, given more artists=20
> > > accept to play with me (so far, Krispen Hartung, Rick Walker and=20
> > > Charlie Milkey).
> > >=20
> > > Ok, again a call for performers! Who would be interested to do a=20
> > > virtual internet session?
> > >=20
> > > style: (open)
> > > instruments: horn players, singers and drummers/percussionists=20
> > > preferred, but other musicians alos welcome!
> > > technology: any of Ninjam, shoutcast or the www.t-u-b-e.de plugin.
> > >=20
> > > As an example for an internat jam, may I again point you to=20
> > > http://moinlabs.byto.de/msa/i_msa_div.htm (more recordings are on=20
> > > their
> > > way!)
> > >=20
> > > More on my background as well as links to some of my other
> > stuff via
> > > www.moinlabs.de
> > >=20
> > > Please contact me offlist,
> > >=20
> > > 	Rainer
> > >=20
> > >=20
> >=20
> >=20
> > __________________________________________________
> > Do You Yahoo!?
> > Tired of spam?  Yahoo! Mail has the best spam protection around=20
> > http://mail.yahoo.com
> >=20
> >=20
>=20
>=20

From wsnyder22@yahoo.fr  Tue Jun 13 13:22:37 2006
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Date: Tue, 13 Jun 2006 15:11:37 +0200 (CEST)
From: Judith Foure <wsnyder22@yahoo.fr>
Subject: I need your help please 
To: wsnyder22@yahoo.fr
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  From Judith Foure 
  Cote d' Ivoire.west africa 
  
I called for business relationship with you. I got your name and contact from I voire charmber of information and I prayed over it and selected your name among other names due to its esteeming nature and the recommendations given to me as a reputable and trust worthy person that I can do business with and by the recommendation , I must not hesitate to confide in you for this simple and sincere business. 
   
  I am Judith Foure the only daughter of Late Mr.and Mrs.Philip Foure. My father was a very wealthy cocoa merchant in Abidjan , the economic capital of Ivory coast, my father was poisoned to death by his business associates on one of their outings on a business trip . 
  My mother died when I was a baby and since then my father took me so special. Before the death of my father on october 2003 in a private hospital here in Abidjan he secretly called me on his bed side and told me that he has the sum of Seven million,five hundred thousand United State Dollars. USD($7.500,000.00) which he sealed in a trunk box and deposited in the custody of a security company here for safekeeping and he informed me that no other person knows the real content of the box which he used my name as his only daughter as the next of Kin in depositing of the trunk box. He also explained to me that it was because of this wealth that he was poisoned by his business associates. That I should seek for a foreign partner in a country of my choice where I will transfer this money and use it for investment purpose such as real estate management or hotel management . 
   
  Dear, I am honourably seeking your assistance in the following ways:
1) To provide a bank account into which this money would be transferred to.
2) To serve as a guardian of this fund since I am 23 years.
(3) To make arrangement for me to come over to your country to further my education and to secure a resident permit in your country. 
  Moreover, dear I am willing to offer you 15% of the total sum as compensation for your effort/ input after the successful transfer of this fund into your nominated account overseas.
Furthermore, you indicate your options towards assisting me as I believe that this transaction would be concluded within fourteen (14)days you signify interest to assist me. Anticipating to hear from you soon. Thanks and God bless you. 
  Best regards, 
Judith Foure

 __________________________________________________
Do You Yahoo!?
En finir avec le spam? Yahoo! Mail vous offre la meilleure protection possible contre les messages non sollicités 
http://mail.yahoo.fr Yahoo! Mail 
 __________________________________________________
Do You Yahoo!?
En finir avec le spam? Yahoo! Mail vous offre la meilleure protection possible contre les messages non sollicités 
http://mail.yahoo.fr Yahoo! Mail 
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<BLOCKQUOTE dir=ltr style="MARGIN-RIGHT: 0px">  <DIV>From Judith Foure </DIV>  <DIV>Cote d' Ivoire.west africa </DIV></BLOCKQUOTE>  <DIV><BR>I called for business relationship with you. I got your name and contact from I voire charmber of information and I prayed over it and selected your name among other names due to its esteeming nature and the recommendations given to me as a reputable and trust worthy person that I can do business with and by the recommendation , I must not hesitate to confide in you for this simple and sincere business. </DIV>  <DIV>&nbsp;</DIV>  <DIV>I am Judith Foure the only daughter of Late Mr.and Mrs.Philip Foure. My father was a very wealthy cocoa merchant in Abidjan , the economic capital of Ivory coast, my father was poisoned to death by his business associates on one of their outings on a business trip . </DIV>  <DIV>My mother died when I was a baby and since then my father took me so special. Before the death of my father on october 2003 in a
 private hospital here in Abidjan he secretly called me on his bed side and told me that he has the sum of Seven million,five hundred thousand United State Dollars. USD($7.500,000.00) which he sealed in a trunk box and deposited in the custody of a security company here for safekeeping and he informed me that no other person knows the real content of the box which he used my name as his only daughter as the next of Kin in depositing of the trunk box. He also explained to me that it was because of this wealth that he was poisoned by his business associates. That I should seek for a foreign partner in a country of my choice where I will transfer this money and use it for investment purpose such as real estate management or hotel management . </DIV>  <DIV>&nbsp;</DIV>  <DIV>Dear, I am honourably seeking your assistance in the following ways:<BR>1) To provide a bank account into which this money would be transferred to.<BR>2) To serve as a guardian of this fund since I am 23
 years.<BR>(3) To make arrangement for me to come over to your country to further my education and to secure a resident permit in your country. </DIV>  <DIV>Moreover, dear I am willing to offer you 15% of the total sum as compensation for your effort/ input after the successful transfer of this fund into your nominated account overseas.<BR>Furthermore, you indicate your options towards assisting me as I believe that this transaction would be concluded within fourteen (14)days you signify interest to assist me. Anticipating to hear from you soon. Thanks and God bless you. </DIV>  <DIV>Best regards, <BR>Judith Foure</DIV><p> __________________________________________________<br>Do You Yahoo!?<br>En finir avec le spam? Yahoo! Mail vous offre la meilleure protection possible contre les messages non sollicités <br>http://mail.yahoo.fr Yahoo! Mail <p>&#32;__________________________________________________<br>Do You Yahoo!?<br>En finir avec le spam? Yahoo! Mail vous offre la
 meilleure protection possible contre les messages non sollicités <br>http://mail.yahoo.fr Yahoo! Mail 
--0-1523778667-1150204297=:50882--

From Loopers-Delight-request@loopers-delight.com  Tue Jun 13 14:35:13 2006
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From: "Stephen Goodman" <spgoodman@earthlight.net>
To: <Loopers-Delight@loopers-delight.com>
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Subject: Belated notice..
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"My bad" in advance, as well as belatedly.

Did anyone else go to St. Paul's Cathedral at lunchtime to see/hear Robert 
Fripp play today?  I should have said something but there wasn't much time, 
as the tubes are a well-designed mess today.  I noticed an obvious 
population of Crimhead types that arrived right before he started up.

A marvelous 30 minutes of soundscapes, rebounding round the most incredible 
location to play in that I can imagine.  I'm going to write a short-ish 
review tonight and post it on Discipline Global Mobile.

Stephen Goodman
*
* Cartoons about DVDs and Stuff
* http://www.earthlight.net/HiddenTrack
* The Loop Of The Week since 1996!
* http://www.earthlight.net/Studios 

From Loopers-Delight-request@loopers-delight.com  Tue Jun 13 15:12:27 2006
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From: Richard Sales <richard@glasswing.com>
Subject: Re: Way OT: EM fingers!
Date: Tue, 13 Jun 2006 08:12:12 -0700
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--Apple-Mail-3-105640266
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The woman who's husband I am... (PC anyone?!) crushed her finger with a 
sledge hammer a few years ago.  Lost all the feeling in the finger.  
She smashed it much worse than you, I can guarantee it - the whole 
finger was wide open - gruesome.

Anyhow, after a year or so of trying everything else, the feeling and a 
lot of the motion was restored with acupuncture.

I think the carpenter might be close to right as far as healing time.   
But the rest of your fingers work, eh?  Remember Django Reinhart?

Time to learn how to play slide guitar?

My own take on money, after having spent huge piles of it, is that TIME 
is more important than equipment.  Some of the most riveting, 
entertaining, soul stirring and wonderful guitarists I've ever known 
just used a Tele and amp... or, even simpler, one acoustic guitar.  
Just my $.02

Good luck

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 13-Jun-06, at 1:41 AM, Stephen Goodman wrote:

> Okay, I knew I'd ask about this but now have no choice from context 
> alone...
>
> The rig has been down for several months given massive works on the 
> house. On a weekend three or so weeks ago when I'd just had it and 
> wanted to play no matter what, I stupidly crushed the end of my left 
> middle finger between two big flagstones around 3 weeks ago, splitting 
> the end like a melon. Didn't break anything (x-ray check) and it 
> wasn't a center-on hit so I kept the nail.  I can however feel the 
> hard bit inside where the scar tissue is forming.  I massage the tip 
> most of the time, gently, and the feeling in the tip still hasn't come 
> back.  I've been told by a carpenter who says he did something similar 
> that it won't come back for as much as three months. Obviously this 
> effects playing - and even if one excludes the nuances one obtains 
> through good feeling-control, the hazard of not feeling the fingertip 
> becomes one of finger damage through sense ignorance.
>
> I was itching to play before this happened, and have been having lucid 
> dreams about playing since a week after the accident.  Needless to say 
> here is an illustration as to why one should not hesitate before going 
> at it. I'm going to come into just a little bit of money via my late 
> mum-in-law sometime in the next month or so, and have decided that [a] 
> life is frigging short, and [b] I'm going to get a small, efficient 
> amp system for performance purposes and rent a couple of halls in the 
> London area when this damned finger gets better.
>
> So, guitarists on the list: How long will it take for this to come 
> back? Thx in advance.
>
> S.
>
> ----- Original Message ----- From: "Jeff Shirkey" 
> <jcshirke@midway.uchicago.edu>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Tuesday, 13 June, 2006 02:04 AM
> Subject: Re: Way OT: EM fingers!
>
>
>>
>>>
>>> ... but can you imagine how you could use this to feel your way  
>>> around a keyboard, or a guitar.... your house?
>>
>> Actually, no. :) How would this help someone make music?
>>
>> I currently treat a fractured bone in my foot with EM waves 10 hours  
>> a day. I'm not sure that's something I'd want to feel.
>>
>> Jeff
>>
>>
>>
>>
>

--Apple-Mail-3-105640266
Content-Transfer-Encoding: 7bit
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The woman who's husband I am... (PC anyone?!) crushed her finger with
a sledge hammer a few years ago.  Lost all the feeling in the finger. 
She smashed it much worse than you, I can guarantee it - the whole
finger was wide open - gruesome.  


Anyhow, after a year or so of trying everything else, the feeling and
a lot of the motion was restored with acupuncture.  


I think the carpenter might be close to right as far as healing time.  
But the rest of your fingers work, eh?  Remember Django Reinhart?  


Time to learn how to play slide guitar? 


My own take on money, after having spent huge piles of it, is that
TIME is more important than equipment.  Some of the most riveting,
entertaining, soul stirring and wonderful guitarists I've ever known
just used a Tele and amp... or, even simpler, one acoustic guitar. 
Just my $.02


Good luck


<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 13-Jun-06, at 1:41 AM, Stephen Goodman wrote:


<excerpt>Okay, I knew I'd ask about this but now have no choice from
context alone...


The rig has been down for several months given massive works on the
house. On a weekend three or so weeks ago when I'd just had it and
wanted to play no matter what, I stupidly crushed the end of my left
middle finger between two big flagstones around 3 weeks ago, splitting
the end like a melon. Didn't break anything (x-ray check) and it
wasn't a center-on hit so I kept the nail.  I can however feel the
hard bit inside where the scar tissue is forming.  I massage the tip
most of the time, gently, and the feeling in the tip still hasn't come
back.  I've been told by a carpenter who says he did something similar
that it won't come back for as much as three months. Obviously this
effects playing - and even if one excludes the nuances one obtains
through good feeling-control, the hazard of not feeling the fingertip
becomes one of finger damage through sense ignorance.


I was itching to play before this happened, and have been having lucid
dreams about playing since a week after the accident.  Needless to say
here is an illustration as to why one should not hesitate before going
at it. I'm going to come into just a little bit of money via my late
mum-in-law sometime in the next month or so, and have decided that [a]
life is frigging short, and [b] I'm going to get a small, efficient
amp system for performance purposes and rent a couple of halls in the
London area when this damned finger gets better.


So, guitarists on the list: How long will it take for this to come
back? Thx in advance.


S.


----- Original Message ----- From: "Jeff Shirkey"
<<jcshirke@midway.uchicago.edu>

To: <<Loopers-Delight@loopers-delight.com>

Sent: Tuesday, 13 June, 2006 02:04 AM

Subject: Re: Way OT: EM fingers!



<excerpt>

<excerpt>

... but can you imagine how you could use this to feel your way 
around a keyboard, or a guitar.... your house?

</excerpt>

Actually, no. :) How would this help someone make music?


I currently treat a fractured bone in my foot with EM waves 10 hours 
a day. I'm not sure that's something I'd want to feel.


Jeff





</excerpt>

</excerpt>
--Apple-Mail-3-105640266--

From Loopers-Delight-request@loopers-delight.com  Tue Jun 13 15:34:47 2006
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From: "Stephen Goodman" <spgoodman@earthlight.net>
To: <Loopers-Delight@loopers-delight.com>
References: <46fea78d0606121753g764d0839g3533278b83c13c98@mail.gmail.com> <FF5BA1FF-8662-4F62-AB2E-AF1AFAE5A96F@midway.uchicago.edu> <004501c68ec5$22255010$0207a8c0@eluk1> <416d75fb1cec1c3abecd212575dc4c73@glasswing.com>
Subject: Re: Way OT: EM fingers!
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----- Original Message ----- 
From: Richard Sales
To: Loopers-Delight@loopers-delight.com
Sent: Tuesday, 13 June, 2006 16:12 PM
Subject: Re: Way OT: EM fingers!


>The woman who's husband I am... (PC anyone?!) crushed her finger with a 
>sledge hammer a few years ago. Lost all the feeling in the finger. She 
>smashed it much worse than you, I can guarantee it - the whole finger was 
>wide open - gruesome.

Yep, I had to clean up the blood before we left for the hospital, it was all 
over the new stone tiles and they hadn't been sealed yet!

>Anyhow, after a year or so of trying everything else, the feeling and a lot 
>of the motion was restored with acupuncture.

I'll ask my acupuncturist about this.  She's done wonders for blood pressure 
and circulation around injured bits before!

>I think the carpenter might be close to right as far as healing time. But 
>the rest of your fingers work, eh? Remember Django Reinhart?

Er, while I've been tempted by a very fast right hand with the idea of 
re-learning to play Jimi-style, such is a hurdle I'll deal with only if I 
have to.  The middle finger's my main/center point (self-taught, played by 
ear since '71).  I'll tell ya it's a real temptation just to play after 
going to see Fripp today.  I knew it would be a little painful thinking 
about playing after coming home but I really don't want to screw up what 
could be healing interior-wise just by mistakenly using that finger.

>Time to learn how to play slide guitar?

Too late.  Started using a slide in the early 80s, long before learning 
anything about Blues music.  Been thinking about it, frankly.

>My own take on money, after having spent huge piles of it, is that TIME is 
>more important than equipment.

Ah yes, but having had no disposable income - much less income - for over 
six years, and seeing my 50th birthday coming up in December, I've decided 
that time is something that's, as Riff Raff put it, "fleeting".

In preparation for unleashing myself on the public again, I need to find a 
good, inexpensive guitar repair person to fix a grounding error in ol' 
Cthulhu.  In London, someone I can see face-to-face and trust with my 
beloved tool.  After several years of dealing with workmen in London I only 
use good personal references.

> Some of the most riveting, entertaining, soul stirring and wonderful 
> guitarists I've ever known just used a Tele and amp... or, even simpler, 
> one acoustic guitar. Just my $.02

I'll try to keep the bar high then, as all I've got is my ol' strat and an 
Oscar Schmidt acoustic. :)  Yes, here's to working within limitations to 
achieve a lovely result!

Thx!


>Good luck

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 13-Jun-06, at 1:41 AM, Stephen Goodman wrote:


Okay, I knew I'd ask about this but now have no choice from context alone...

The rig has been down for several months given massive works on the house. 
On a weekend three or so weeks ago when I'd just had it and wanted to play 
no matter what, I stupidly crushed the end of my left middle finger between 
two big flagstones around 3 weeks ago, splitting the end like a melon. 
Didn't break anything (x-ray check) and it wasn't a center-on hit so I kept 
the nail. I can however feel the hard bit inside where the scar tissue is 
forming. I massage the tip most of the time, gently, and the feeling in the 
tip still hasn't come back. I've been told by a carpenter who says he did 
something similar that it won't come back for as much as three months. 
Obviously this effects playing - and even if one excludes the nuances one 
obtains through good feeling-control, the hazard of not feeling the 
fingertip becomes one of finger damage through sense ignorance.

I was itching to play before this happened, and have been having lucid 
dreams about playing since a week after the accident. Needless to say here 
is an illustration as to why one should not hesitate before going at it. I'm 
going to come into just a little bit of money via my late mum-in-law 
sometime in the next month or so, and have decided that [a] life is frigging 
short, and [b] I'm going to get a small, efficient amp system for 
performance purposes and rent a couple of halls in the London area when this 
damned finger gets better.

So, guitarists on the list: How long will it take for this to come back? Thx 
in advance.

S.

----- Original Message ----- From: "Jeff Shirkey" 
<jcshirke@midway.uchicago.edu>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, 13 June, 2006 02:04 AM
Subject: Re: Way OT: EM fingers!






... but can you imagine how you could use this to feel your way around a 
keyboard, or a guitar.... your house?


Actually, no. :) How would this help someone make music?

I currently treat a fractured bone in my foot with EM waves 10 hours a day. 
I'm not sure that's something I'd want to feel.

Jeff 

From Loopers-Delight-request@loopers-delight.com  Tue Jun 13 15:37:47 2006
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References:
 <5748E17E0A4F3C40B77B2819D9E628DE02DC92F7@lon-oxmail02.mtvne.ad.viacom.com
 > <7.0.0.16.0.20060612175600.02035128@TheNettles.com>
 <00b501c68ec2$b67d9180$0400a8c0@STUDY>
Date: Tue, 13 Jun 2006 11:19:09 -0400
To: "Nik" <fluke@gotadsl.co.uk>
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: Repeater mk2
Cc: Loopers-Delight@loopers-delight.com
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Especially since they hung the RoHS excuse on the PSU, which is an 
OEM part, BTW... WTF??


>Speaking as an electronics design engineer, RoHS compliance is a 
>pretty lame exceuse.
>
>Nik
>
>----- Original Message ----- From: "Kevin" <kevin@TheNettles.com>
>To: <Loopers-Delight@loopers-delight.com>
>Sent: Tuesday, June 13, 2006 2:00 AM
>Subject: RE: Repeater mk2
>
>>At 01:18 PM 6/12/2006, you wrote:
>>>  >
>>><http://www.electrixpro.com/ubbthreads/showflat.php?Cat=0&Board=9&Number=9729&Searchpage=1&Main=9691&Words=+Electrix&topic=&Search=true#Post9729>http://www.electrixpro.com/ubbthreads/showflat.php?Cat=0&Board=9&Number=9729&Searchpage=1&Main=9691&Words=+Electrix&topic=&Search=true#Post9729
>>
>>Now's the time for everyone on this list to logon to the 
>>ElectrixPro forum and tell Electrix what you think of their 
>>brilliant idea to abandon the original Repeater users.  If you 
>>care, that is.
>>
>>Cheers,
>>Kevin
>>www.TheNettles.com


-- 
...
http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Tue Jun 13 15:38:03 2006
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Date: Tue, 13 Jun 2006 10:38:09 -0500 (CDT)
Subject: Re: Way OT: EM fingers!
From: "Joshua Carroll" <josh@infinivert.com>
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Or, for a real challenge, how about learning to play Stanley Jordan style?
 That would make good use of your fast right hand!

http://video.google.com/videoplay?docid=7942029277711475397

--Josh



>
> ----- Original Message -----
> From: Richard Sales
> To: Loopers-Delight@loopers-delight.com
> Sent: Tuesday, 13 June, 2006 16:12 PM
> Subject: Re: Way OT: EM fingers!
>
>
>>The woman who's husband I am... (PC anyone?!) crushed her finger with a
>>sledge hammer a few years ago. Lost all the feeling in the finger. She
>>smashed it much worse than you, I can guarantee it - the whole finger was
>>wide open - gruesome.
>
> Yep, I had to clean up the blood before we left for the hospital, it was
> all
> over the new stone tiles and they hadn't been sealed yet!
>
>>Anyhow, after a year or so of trying everything else, the feeling and a
>> lot
>>of the motion was restored with acupuncture.
>
> I'll ask my acupuncturist about this.  She's done wonders for blood
> pressure
> and circulation around injured bits before!
>
>>I think the carpenter might be close to right as far as healing time. But
>>the rest of your fingers work, eh? Remember Django Reinhart?
>
> Er, while I've been tempted by a very fast right hand with the idea of
> re-learning to play Jimi-style, such is a hurdle I'll deal with only if I
> have to.  The middle finger's my main/center point (self-taught, played by
> ear since '71).  I'll tell ya it's a real temptation just to play after
> going to see Fripp today.  I knew it would be a little painful thinking
> about playing after coming home but I really don't want to screw up what
> could be healing interior-wise just by mistakenly using that finger.
>
>>Time to learn how to play slide guitar?
>
> Too late.  Started using a slide in the early 80s, long before learning
> anything about Blues music.  Been thinking about it, frankly.
>
>>My own take on money, after having spent huge piles of it, is that TIME
>> is
>>more important than equipment.
>
> Ah yes, but having had no disposable income - much less income - for over
> six years, and seeing my 50th birthday coming up in December, I've decided
> that time is something that's, as Riff Raff put it, "fleeting".
>
> In preparation for unleashing myself on the public again, I need to find a
> good, inexpensive guitar repair person to fix a grounding error in ol'
> Cthulhu.  In London, someone I can see face-to-face and trust with my
> beloved tool.  After several years of dealing with workmen in London I
> only
> use good personal references.
>
>> Some of the most riveting, entertaining, soul stirring and wonderful
>> guitarists I've ever known just used a Tele and amp... or, even simpler,
>> one acoustic guitar. Just my $.02
>
> I'll try to keep the bar high then, as all I've got is my ol' strat and an
> Oscar Schmidt acoustic. :)  Yes, here's to working within limitations to
> achieve a lovely result!
>
> Thx!
>
>
>>Good luck
>
> richard sales
> glassWing farm and studio
> vancouver island, b.c.
> 800.545.6846
> 250.752.4816
> www.glassWing.com
> www.richardsales.com
> www.hayleysales.com
> www.blueberryfieldsfarm.com
> On 13-Jun-06, at 1:41 AM, Stephen Goodman wrote:
>
>
> Okay, I knew I'd ask about this but now have no choice from context
> alone...
>
> The rig has been down for several months given massive works on the house.
> On a weekend three or so weeks ago when I'd just had it and wanted to play
> no matter what, I stupidly crushed the end of my left middle finger
> between
> two big flagstones around 3 weeks ago, splitting the end like a melon.
> Didn't break anything (x-ray check) and it wasn't a center-on hit so I
> kept
> the nail. I can however feel the hard bit inside where the scar tissue is
> forming. I massage the tip most of the time, gently, and the feeling in
> the
> tip still hasn't come back. I've been told by a carpenter who says he did
> something similar that it won't come back for as much as three months.
> Obviously this effects playing - and even if one excludes the nuances one
> obtains through good feeling-control, the hazard of not feeling the
> fingertip becomes one of finger damage through sense ignorance.
>
> I was itching to play before this happened, and have been having lucid
> dreams about playing since a week after the accident. Needless to say here
> is an illustration as to why one should not hesitate before going at it.
> I'm
> going to come into just a little bit of money via my late mum-in-law
> sometime in the next month or so, and have decided that [a] life is
> frigging
> short, and [b] I'm going to get a small, efficient amp system for
> performance purposes and rent a couple of halls in the London area when
> this
> damned finger gets better.
>
> So, guitarists on the list: How long will it take for this to come back?
> Thx
> in advance.
>
> S.
>
> ----- Original Message ----- From: "Jeff Shirkey"
> <jcshirke@midway.uchicago.edu>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Tuesday, 13 June, 2006 02:04 AM
> Subject: Re: Way OT: EM fingers!
>
>
>
>
>
>
> ... but can you imagine how you could use this to feel your way around a
> keyboard, or a guitar.... your house?
>
>
> Actually, no. :) How would this help someone make music?
>
> I currently treat a fractured bone in my foot with EM waves 10 hours a
> day.
> I'm not sure that's something I'd want to feel.
>
> Jeff
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Jun 13 15:47:25 2006
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Date: Tue, 13 Jun 2006 8:47:19 -0700
From: Paul Richards <paulrichard10@adelphia.net>
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Subject: BOSS RC-50 Good to Go
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My RC-50 should be at my home when I get off work today. I took the opportunity of studying the manual for the past day or so - so I can be ready to "hit the ground running" (I hate that corporate phrase).

My thanks to all the posters with their comments, etc. of the RC-50 in the past week or so. Armed with that info and having somewhat familiarized myself with the unit via the manual, I 'hope' to be able to perform some music later today.

--
Paul Richards

From Loopers-Delight-request@loopers-delight.com  Tue Jun 13 16:00:25 2006
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Hi Paul

let's hope you get your unit :-)
I still have to wait at least 2 more weeks. I also feel like I can get this thing working the moment it is there.
I can already imagine: first of all turn off time sync, turn off loop sync... Change the Guide settings...

Despite all the RC-50-bashing around here, I think this could be a quite useful unit - once you've figured out couple things.

We will see!
have fun

Buzap

-- 


Echte DSL-Flatrate dauerhaft für 0,- Euro*!
"Feel free" mit GMX DSL! http://www.gmx.net/de/go/dsl

From Loopers-Delight-request@loopers-delight.com  Tue Jun 13 16:13:39 2006
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From: "William Walker" <billwalker@baymoon.com>
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Subject: RE: Some info about the Repeater mk2 (not much, though :)
Date: Tue, 13 Jun 2006 09:13:14 -0700
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I do feel your pain Jeff, and believe me when I say that I believe these
type of " corporate announcements of vaporware" are irresponsible, but this
does happen pretty frequently. A few years back at a NAMM show I saw two
cool new products from Alesis(one being a midi foot controller, the other
slips my mind) that were displayed under glass (that should have been the
tip off, ha ha) And neither product ever saw the light of day, though I do
believe they went so far as to advertise them in the trades. I really hope
that the RPTR MK2 comes out, is a smash hit, and we all have a chuckle about
this. In the mean time remember that MANTRA.
Peace
Bill

-----Original Message-----
From: Jeff Shirkey [mailto:jcshirke@midway.uchicago.edu]
Sent: Monday, June 12, 2006 10:48 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Some info about the Repeater mk2 (not much, though :)


>
> fare enough, but I'd point the finger at the mail order music
> supply shops
> of the world like the vaunted Alto Music, who took your money or
> someone
> else's, not Electrix, they aren't seeing a penny of that money I'd
> wager.
> And shame on those same retailers who took your money knowing
> electrix's
> history of late delivery.

Maybe. I see both sides of the issue. Sounds like you have quite a
bit of direct experience with these issues, so I'll defer to you on
this one. But I don't think that the retailer I ordered through was
out to get my money knowing that Electrix couldn't deliver. I suppose
I put the blame *more* on Electrix than you apparently do. They are
the ones who announced the products and gave the retailers estimated
ship dates, after all.
But I still see your point.

>
> Don't get your hopes up, and realize that companies like this are
> not about
> announcing their cash flow issues, software issues, EU code issues or
> otherwise.

True. Then they should have been much more cautious about announcing
their new product line. But that only goes to your point about how
they may be poor business people, no matter how good their intentions
and no matter how good they may be at the imaginative/creative end of
things.

Personally I'm not worked up about this. If I get a new Repeater,
great. If I don't, that's okay too. And, at some point, I'll have to
decide if I want my $150 down payment back. The only reason I haven't
gotten the refund yet is because I fear that *if* they should finally
start shipping, I'd then be left out. In other words, better to keep
my place in line than not. Shrug...

Jeff




From Loopers-Delight-request@loopers-delight.com  Tue Jun 13 16:31:50 2006
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Date: Tue, 13 Jun 2006 12:32:03 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Digitech GNX4 review wanted....
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After a friend went out and bought a Boss RC-50 for his poratable 
workstation / practice rig I did some research and discovered the 
Digitech GNX4. They claim it has an 8 track Jamman... is it at all 
featured like the Jamman? Does if have a feedback level adjustment? 
Does it do reverse on the fly?

Can some one give us a looper-centric review?
-- 
...
http://www.zmix.net

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Date: Tue, 13 Jun 2006 11:37:37 -0500
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Subject: Re: BOSS RC-50 Good to Go
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I think most of the "RC-50 bashing" has been our learning curve, and
we're doing OK now. :)

I've had mine for a little over a week, and I'm loving it now that I
know how to set it up properly. I'm down to one complaint: the
difference between "green" and "yellow" in LED color is too subtle.
Other than that, I've been putting more time into playing than I have
in the past couple of years - it's addictive!

Alex

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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Digitech GNX4 review wanted....
Date: Tue, 13 Jun 2006 18:45:20 +0200
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On 13 jun 2006, at 18.32, Charles Zwicky wrote:

> Digitech GNX4. They claim it has an 8 track Jamman... is it at all  
> featured like the Jamman? Does if have a feedback level adjustment?  
> Does it do reverse on the fly?
>
> Can some one give us a looper-centric review?


I have reviewed the GNX3000 and spend a week with that unit. It had  
excellent guitar sound and effects but not fun at all from a looping  
aspect. Maybe the GNX4 is a little different? TRy to download the PDF  
manual fro Digitech.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)




From Loopers-Delight-request@loopers-delight.com  Tue Jun 13 16:45:55 2006
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Date: Tue, 13 Jun 2006 9:45:53 -0700
From: Paul Richards <paulrichard10@adelphia.net>
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Subject: Re: Digitech GNX4 review wanted....
Cc: Charles Zwicky <cazwicky@earthlink.net>
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It's not an 8 track jamman, that's for sure.

1 track is more like it. And it's twitchy. Creating a loop on that thing absolutely ruined my concentration for playing music. Although, IMHO, that's probably the weak link on the unit. Other than that, it's a great tool: the onboard recorder works well, the "hands-free" computer recording function with the included software works great, the USB connect is cool, the drum sounds are pretty good and the amp sims/effects are pretty good overall. BUT, the unit is complicated to use. Lots of button presses-on a floor unit no less. I sold mine but I'd like to get another one at a 2nd hand price. You can't beat the onboard recorder for times when one doesn't want to fire up a PC.
--
Paul Richards

---- Charles Zwicky <cazwicky@earthlink.net> wrote: 
> After a friend went out and bought a Boss RC-50 for his poratable 
> workstation / practice rig I did some research and discovered the 
> Digitech GNX4. They claim it has an 8 track Jamman... is it at all 
> featured like the Jamman? Does if have a feedback level adjustment? 
> Does it do reverse on the fly?
> 
> Can some one give us a looper-centric review?
> -- 
> ...
> http://www.zmix.net
> 

From Loopers-Delight-request@loopers-delight.com  Tue Jun 13 16:49:55 2006
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Date: Tue, 13 Jun 2006 12:49:21 -0400
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From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: Digitech GNX4 review wanted....
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The manual - and the online 'toot-torials' are pretty worthless...


>On 13 jun 2006, at 18.32, Charles Zwicky wrote:
>
>>Digitech GNX4. They claim it has an 8 track Jamman... is it at all 
>>featured like the Jamman? Does if have a feedback level adjustment? 
>>Does it do reverse on the fly?
>>
>>Can some one give us a looper-centric review?
>
>
>I have reviewed the GNX3000 and spend a week with that unit. It had 
>excellent guitar sound and effects but not fun at all from a looping 
>aspect. Maybe the GNX4 is a little different? TRy to download the 
>PDF manual fro Digitech.
>
>Greetings from Sweden
>
>Per Boysen
>www.boysen.se (Swedish)
>www.looproom.com (international)
>http://tinyurl.com/fauvm (podcast)


-- 
...
http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Tue Jun 13 16:54:14 2006
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Date: Tue, 13 Jun 2006 12:54:01 EDT
Subject: Re: BOSS RC-50 Good to Go
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i'm one of the "bashers", and it was more out of frustration.   i really want 
this unit to do what it's supposed to do.   while i love the edp, the idea of 
having what i need right in one pedal board is really appealing.   

i'm very curious to find out if any of the other posters who had similar 
issues with the "hiccup" at the point where the end of the phrase record meets the 
begining of the playback have had any luck eliminating it.   

i performed with the rc-50 in a live situation, live trio guitar, bass, 
drums.   the hiccup was not as noticeable, but i didn't get to try looping as much 
as i'd hoped, so i can't fairly evaluate that.  the sub out feature worked 
really well, sending the loop only to our drummer.   also the stereo inputs and 
outputs came in handy, as i'm working with a taylor t-5 with the option of an 
acoustic sound and an electric sound.   the stereo situation let me loop with 
acoustic, play over it with electric, vice versa and any combination thereof.

oh, and one other thing that drives me crazy....the default setting for the 
guide track is that when you turn the unit on, the guide track is set to go, so 
you have to always remember to turn that damn thing off.

thanks,
john

--part1_49d.2cb36b5.31c047a9_boundary
Content-Type: text/html; charset="US-ASCII"
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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2">i'm one of the "bashers", and it was mo=
re out of frustration.&nbsp;  i really want this unit to do what it's suppos=
ed to do.&nbsp;  while i love the edp, the idea of having what i need right=20=
in one pedal board is really appealing.&nbsp;  <BR>
<BR>
i'm very curious to find out if any of the other posters who had similar iss=
ues with the "hiccup" at the point where the end of the phrase record meets=20=
the begining of the playback have had any luck eliminating it.&nbsp;  <BR>
<BR>
i performed with the rc-50 in a live situation, live trio guitar, bass, drum=
s.&nbsp;  the hiccup was not as noticeable, but i didn't get to try looping=20=
as much as i'd hoped, so i can't fairly evaluate that.  the sub out feature=20=
worked really well, sending the loop only to our drummer.&nbsp;  also the st=
ereo inputs and outputs came in handy, as i'm working with a taylor t-5 with=
 the option of an acoustic sound and an electric sound.&nbsp;  the stereo si=
tuation let me loop with acoustic, play over it with electric, vice versa an=
d any combination thereof.<BR>
<BR>
oh, and one other thing that drives me crazy....the default setting for the=20=
guide track is that when you turn the unit on, the guide track is set to go,=
 so you have to always remember to turn that damn thing off.<BR>
<BR>
thanks,<BR>
john</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=
=3D"2"></FONT></HTML>

--part1_49d.2cb36b5.31c047a9_boundary--

From Loopers-Delight-request@loopers-delight.com  Tue Jun 13 17:06:23 2006
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From: "Diana Thompson" <pushingair@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Boss RC-20 Loop Station - Voice Through?
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I'm trying to record a demo using the RC-20, a Behringer Eurorack MX602A 
mixing board, and Cakewalk on PC. I'd like to be able to send the live voice 
to one track and the looped voice to another. Right now, I can set the live 
voice to one track, but the Loopstation passes the live voice along with the 
looped voice to the second.

Is there a method or a hack to bypass the live voice and send only the 
loops?

Thanks,

Diana

_________________________________________________________________
On the road to retirement? Check out MSN Life Events for advice on how to 
get there! http://lifeevents.msn.com/category.aspx?cid=Retirement

From Loopers-Delight-request@loopers-delight.com  Tue Jun 13 17:25:26 2006
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Subject: Re: internet jam partners
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>Using the Ninjam public servers isn't something you want to do for several
>reasons (like limited control over tempo/bpi settings or dickhead Eighties
>rock guitarists barging in).

I tried the public servers and, apparently, I use "too many effects."  What? 
Using 6 delays/loopers is too much?  What was I thinking?!?

I did back off, loaded up a nice organ patch on the kbd and played along. 
It's fun, but it gets sort of... boring after a bit.  The latency makes it 
hard to do any kind of real chord progressions so we wound up just jamming 
over 'A' for 15 minutes.  There were some cool moments, but I can't see 
doing it more than once in a long while.

Doing experimental noise on the other hand, now that is fun!

Tony


----- Original Message ----- 
From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, June 13, 2006 5:59 AM
Subject: AW: internet jam partners


Using the Ninjam public servers isn't something you want to do for several
reasons (like limited control over tempo/bpi settings or dickhead Eighties
rock guitarists barging in).

I think the only one among us who has a Ninjam server running which can
accomodate several people is Krispen...Krispen?


From Loopers-Delight-request@loopers-delight.com  Tue Jun 13 17:29:44 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Steuart Liebig and the Mentones....
Date: Tue, 13 Jun 2006 10:29:40 -0700
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I know many of you are quite familiar with Steuart Liebig's contrabass=20=

guitar playing....no looping on this one, but his new album is=20
awesome...rocks....

two complete free tracks to download as well......

http://www.pfmentum.com:2086/

best,

Jeff

Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com =95 AngryVegan.com=

From Loopers-Delight-request@loopers-delight.com  Tue Jun 13 17:31:32 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: Steuart Liebig and the Mentones....
Date: Tue, 13 Jun 2006 10:31:19 -0700
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whoops! gave you my cpanel address....

http://www.pfmentum.com



Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com =95 AngryVegan.com


On Jun 13, 2006, at 10:29 AM, Jeff Kaiser wrote:

> I know many of you are quite familiar with Steuart Liebig's contrabass=20=

> guitar playing....no looping on this one, but his new album is=20
> awesome...rocks....
>
> two complete free tracks to download as well......
>
> http://www.pfmentum.com:2086/
>
> best,
>
> Jeff
>
> Jeff Kaiser
> http://www.jeffkaisermusic.com
> pfMENTUM.com =95 AngryVegan.com

From Loopers-Delight-request@loopers-delight.com  Tue Jun 13 17:50:52 2006
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Date: Tue, 13 Jun 2006 12:50:51 -0500
From: "Charlie Milkey" <pilotcp@gmail.com>
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Subject: Re: internet jam partners
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maybe if we can fill up one of those ninjam server rooms with all
loopers so that there is no room for others...i haven't or don't
really plan on thinking this through, but i was just thinking out loud
digitally ;)
if it were at all ever possible to have more than two loopers get
together, i'd love to be a part of that :)

Charlie

On 6/13/06, Tony K <bigtony@softhome.net> wrote:
> >Using the Ninjam public servers isn't something you want to do for several
> >reasons (like limited control over tempo/bpi settings or dickhead Eighties
> >rock guitarists barging in).
>
> I tried the public servers and, apparently, I use "too many effects."  What?
> Using 6 delays/loopers is too much?  What was I thinking?!?
>
> I did back off, loaded up a nice organ patch on the kbd and played along.
> It's fun, but it gets sort of... boring after a bit.  The latency makes it
> hard to do any kind of real chord progressions so we wound up just jamming
> over 'A' for 15 minutes.  There were some cool moments, but I can't see
> doing it more than once in a long while.
>
> Doing experimental noise on the other hand, now that is fun!
>
> Tony
>
>
> ----- Original Message -----
> From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Tuesday, June 13, 2006 5:59 AM
> Subject: AW: internet jam partners
>
>
> Using the Ninjam public servers isn't something you want to do for several
> reasons (like limited control over tempo/bpi settings or dickhead Eighties
> rock guitarists barging in).
>
> I think the only one among us who has a Ninjam server running which can
> accomodate several people is Krispen...Krispen?
>
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Jun 13 18:10:07 2006
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From: Richard Sales <richard@glasswing.com>
Subject: Re: Way OT: EM fingers!
Date: Tue, 13 Jun 2006 11:09:53 -0700
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Let's see:

Well... there's much more to slide than blues!  George Harrison, that 
guy from India who recorded with Ry Cooder... lots of folks.  The only 
limit is our imaginations... and... TIME!

Probably it is a good idea to not play on it till the doc tells you 
it's okay.  I did that once when I'd cut my finger with a power saw.  
Did a gig one night and the finger literally exploded blood all over my 
guitar and just missed the folks in the front of the audience.  You can 
imagine just how much the audience loved THAT!  I re-bandaged it and 
kept on playing... but it took a while to heal because of that.

Time is fleeting - and the other side of the money coin is, so is 
money!  And it is only money so, if it's your BIRTHDAY... then it may 
indeed be time to indulge!  I'm certainly NOT one to talk about self 
restraint.... but I am trying to learn.

peace

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com

On 13-Jun-06, at 8:34 AM, Stephen Goodman wrote:

>
> ----- Original Message ----- From: Richard Sales
> To: Loopers-Delight@loopers-delight.com
> Sent: Tuesday, 13 June, 2006 16:12 PM
> Subject: Re: Way OT: EM fingers!
>
>
>> The woman who's husband I am... (PC anyone?!) crushed her finger with 
>> a sledge hammer a few years ago. Lost all the feeling in the finger. 
>> She smashed it much worse than you, I can guarantee it - the whole 
>> finger was wide open - gruesome.
>
> Yep, I had to clean up the blood before we left for the hospital, it 
> was all over the new stone tiles and they hadn't been sealed yet!
>
>> Anyhow, after a year or so of trying everything else, the feeling and 
>> a lot of the motion was restored with acupuncture.
>
> I'll ask my acupuncturist about this.  She's done wonders for blood 
> pressure and circulation around injured bits before!
>
>> I think the carpenter might be close to right as far as healing time. 
>> But the rest of your fingers work, eh? Remember Django Reinhart?
>
> Er, while I've been tempted by a very fast right hand with the idea of 
> re-learning to play Jimi-style, such is a hurdle I'll deal with only 
> if I have to.  The middle finger's my main/center point (self-taught, 
> played by ear since '71).  I'll tell ya it's a real temptation just to 
> play after going to see Fripp today.  I knew it would be a little 
> painful thinking about playing after coming home but I really don't 
> want to screw up what could be healing interior-wise just by 
> mistakenly using that finger.
>
>> Time to learn how to play slide guitar?
>
> Too late.  Started using a slide in the early 80s, long before 
> learning anything about Blues music.  Been thinking about it, frankly.
>
>> My own take on money, after having spent huge piles of it, is that 
>> TIME is more important than equipment.
>
> Ah yes, but having had no disposable income - much less income - for 
> over six years, and seeing my 50th birthday coming up in December, 
> I've decided that time is something that's, as Riff Raff put it, 
> "fleeting".
>
> In preparation for unleashing myself on the public again, I need to 
> find a good, inexpensive guitar repair person to fix a grounding error 
> in ol' Cthulhu.  In London, someone I can see face-to-face and trust 
> with my beloved tool.  After several years of dealing with workmen in 
> London I only use good personal references.
>
>> Some of the most riveting, entertaining, soul stirring and wonderful 
>> guitarists I've ever known just used a Tele and amp... or, even 
>> simpler, one acoustic guitar. Just my $.02
>
> I'll try to keep the bar high then, as all I've got is my ol' strat 
> and an Oscar Schmidt acoustic. :)  Yes, here's to working within 
> limitations to achieve a lovely result!
>
> Thx!
>
>
>> Good luck
>
> richard sales
> glassWing farm and studio
> vancouver island, b.c.
> 800.545.6846
> 250.752.4816
> www.glassWing.com
> www.richardsales.com
> www.hayleysales.com
> www.blueberryfieldsfarm.com
> On 13-Jun-06, at 1:41 AM, Stephen Goodman wrote:
>
>
> Okay, I knew I'd ask about this but now have no choice from context 
> alone...
>
> The rig has been down for several months given massive works on the 
> house. On a weekend three or so weeks ago when I'd just had it and 
> wanted to play no matter what, I stupidly crushed the end of my left 
> middle finger between two big flagstones around 3 weeks ago, splitting 
> the end like a melon. Didn't break anything (x-ray check) and it 
> wasn't a center-on hit so I kept the nail. I can however feel the hard 
> bit inside where the scar tissue is forming. I massage the tip most of 
> the time, gently, and the feeling in the tip still hasn't come back. 
> I've been told by a carpenter who says he did something similar that 
> it won't come back for as much as three months. Obviously this effects 
> playing - and even if one excludes the nuances one obtains through 
> good feeling-control, the hazard of not feeling the fingertip becomes 
> one of finger damage through sense ignorance.
>
> I was itching to play before this happened, and have been having lucid 
> dreams about playing since a week after the accident. Needless to say 
> here is an illustration as to why one should not hesitate before going 
> at it. I'm going to come into just a little bit of money via my late 
> mum-in-law sometime in the next month or so, and have decided that [a] 
> life is frigging short, and [b] I'm going to get a small, efficient 
> amp system for performance purposes and rent a couple of halls in the 
> London area when this damned finger gets better.
>
> So, guitarists on the list: How long will it take for this to come 
> back? Thx in advance.
>
> S.
>
> ----- Original Message ----- From: "Jeff Shirkey" 
> <jcshirke@midway.uchicago.edu>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Tuesday, 13 June, 2006 02:04 AM
> Subject: Re: Way OT: EM fingers!
>
>
>
>
>
>
> ... but can you imagine how you could use this to feel your way around 
> a keyboard, or a guitar.... your house?
>
>
> Actually, no. :) How would this help someone make music?
>
> I currently treat a fractured bone in my foot with EM waves 10 hours a 
> day. I'm not sure that's something I'd want to feel.
>
> Jeff

--Apple-Mail-5-116301553
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Let's see:


Well... there's much more to slide than blues!  George Harrison, that
guy from India who recorded with Ry Cooder... lots of folks.  The only
limit is our imaginations... and... TIME!


Probably it <italic>is</italic> a good idea to not play on it till the
doc tells you it's okay.  I did that once when I'd cut my finger with
a power saw.  Did a gig one night and the finger literally exploded
blood all over my guitar and just missed the folks in the front of the
audience.  You can imagine just how much the audience loved THAT!  I
re-bandaged it and kept on playing... but it took a while to heal
because of that. 


Time is fleeting - and the other side of the money coin is, so is
money!  And it is <italic>only</italic> money so, if it's your
BIRTHDAY... then it may indeed be time to indulge!  I'm certainly NOT
one to talk about self restraint.... but I am trying to learn.


peace


<fontfamily><param>Gadget</param>richard sales

<color><param>7372,7F7E,C5C4</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C2,9695,1C1B</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>


On 13-Jun-06, at 8:34 AM, Stephen Goodman wrote:


<excerpt>

----- Original Message ----- From: Richard Sales

To: Loopers-Delight@loopers-delight.com

Sent: Tuesday, 13 June, 2006 16:12 PM

Subject: Re: Way OT: EM fingers!



<excerpt>The woman who's husband I am... (PC anyone?!) crushed her
finger with a sledge hammer a few years ago. Lost all the feeling in
the finger. She smashed it much worse than you, I can guarantee it -
the whole finger was wide open - gruesome.

</excerpt>

Yep, I had to clean up the blood before we left for the hospital, it
was all over the new stone tiles and they hadn't been sealed yet!


<excerpt>Anyhow, after a year or so of trying everything else, the
feeling and a lot of the motion was restored with acupuncture.

</excerpt>

I'll ask my acupuncturist about this.  She's done wonders for blood
pressure and circulation around injured bits before!


<excerpt>I think the carpenter might be close to right as far as
healing time. But the rest of your fingers work, eh? Remember Django
Reinhart?

</excerpt>

Er, while I've been tempted by a very fast right hand with the idea of
re-learning to play Jimi-style, such is a hurdle I'll deal with only
if I have to.  The middle finger's my main/center point (self-taught,
played by ear since '71).  I'll tell ya it's a real temptation just to
play after going to see Fripp today.  I knew it would be a little
painful thinking about playing after coming home but I really don't
want to screw up what could be healing interior-wise just by
mistakenly using that finger.


<excerpt>Time to learn how to play slide guitar?

</excerpt>

Too late.  Started using a slide in the early 80s, long before
learning anything about Blues music.  Been thinking about it, frankly.


<excerpt>My own take on money, after having spent huge piles of it, is
that TIME is more important than equipment.

</excerpt>

Ah yes, but having had no disposable income - much less income - for
over six years, and seeing my 50th birthday coming up in December,
I've decided that time is something that's, as Riff Raff put it,
"fleeting".


In preparation for unleashing myself on the public again, I need to
find a good, inexpensive guitar repair person to fix a grounding error
in ol' Cthulhu.  In London, someone I can see face-to-face and trust
with my beloved tool.  After several years of dealing with workmen in
London I only use good personal references.


<excerpt>Some of the most riveting, entertaining, soul stirring and
wonderful guitarists I've ever known just used a Tele and amp... or,
even simpler, one acoustic guitar. Just my $.02

</excerpt>

I'll try to keep the bar high then, as all I've got is my ol' strat
and an Oscar Schmidt acoustic. :)  Yes, here's to working within
limitations to achieve a lovely result!


Thx!



<excerpt>Good luck

</excerpt>

richard sales

glassWing farm and studio

vancouver island, b.c.

800.545.6846

250.752.4816

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com

On 13-Jun-06, at 1:41 AM, Stephen Goodman wrote:



Okay, I knew I'd ask about this but now have no choice from context
alone...


The rig has been down for several months given massive works on the
house. On a weekend three or so weeks ago when I'd just had it and
wanted to play no matter what, I stupidly crushed the end of my left
middle finger between two big flagstones around 3 weeks ago, splitting
the end like a melon. Didn't break anything (x-ray check) and it
wasn't a center-on hit so I kept the nail. I can however feel the hard
bit inside where the scar tissue is forming. I massage the tip most of
the time, gently, and the feeling in the tip still hasn't come back.
I've been told by a carpenter who says he did something similar that
it won't come back for as much as three months. Obviously this effects
playing - and even if one excludes the nuances one obtains through
good feeling-control, the hazard of not feeling the fingertip becomes
one of finger damage through sense ignorance.


I was itching to play before this happened, and have been having lucid
dreams about playing since a week after the accident. Needless to say
here is an illustration as to why one should not hesitate before going
at it. I'm going to come into just a little bit of money via my late
mum-in-law sometime in the next month or so, and have decided that [a]
life is frigging short, and [b] I'm going to get a small, efficient
amp system for performance purposes and rent a couple of halls in the
London area when this damned finger gets better.


So, guitarists on the list: How long will it take for this to come
back? Thx in advance.


S.


----- Original Message ----- From: "Jeff Shirkey"
<<jcshirke@midway.uchicago.edu>

To: <<Loopers-Delight@loopers-delight.com>

Sent: Tuesday, 13 June, 2006 02:04 AM

Subject: Re: Way OT: EM fingers!







... but can you imagine how you could use this to feel your way around
a keyboard, or a guitar.... your house?



Actually, no. :) How would this help someone make music?


I currently treat a fractured bone in my foot with EM waves 10 hours a
day. I'm not sure that's something I'd want to feel.


Jeff 

</excerpt>
--Apple-Mail-5-116301553--

From Loopers-Delight-request@loopers-delight.com  Tue Jun 13 18:30:02 2006
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Subject: Re: Is it Ableton Live - or is it me?
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If you're on a Mac you can probably use MidiPipe to trigger an  
applescript to control the UI and change the tempo - although I  
imagine there will probably be quite significant latency.

MidiPipe: http://www.versiontracker.com/dyn/moreinfo/macosx/16154
Prefab IU Browser: http://www.versiontracker.com/dyn/moreinfo/macosx/ 
18192
Prefab UI Actions: http://www.versiontracker.com/dyn/moreinfo/macosx/ 
24580

Cheers,
Craig

On Jun 12, 2006, at 1:20 AM, Per Boysen wrote:

> On 12 jun 2006, at 10.09, Buzap Buzap wrote:
>
>> I still don't know if I'll be happy with Ableton for "Live"  
>> situations. There seem to be no keyboard/midi controlls for  
>> setting the meter. How am I going to switch from 4/4 to 7/8?
>
> Manually, by using the mouse. Unfortunately.
>
>> One thing encouraging: Kid Beyond seems to use control-software  
>> quite successfully.
>
> If you're interested in his set-up he posted a detailed description  
> on this list, maybe a year back or so. Might be possible to find by  
> searching the archives. The most important part is to use a third- 
> party software that translates external (controller) MIDI events  
> into computer key stroke code. That way you can control all the  
> stuff in Ableton that can not be mapped to external MIDI.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Jun 13 18:35:19 2006
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From: RP Collier <skeptikalist@gmail.com>
Subject: Re: todays rehearsal clip shared :-)
Date: Tue, 13 Jun 2006 11:35:03 -0700
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On Jun 13, 2006, at 4:39 AM, Per Boysen wrote:

> I'm sharing a short clip from todays solo rehearsal with tenor sax  
> + laptop with Mobius:
> http://www.looproom.com/audio/busonetothere.mp3

Hi

I like that clip, nice and funky.

I was listening to it in Audion player and strangely it showed the  
kbps rate jumping between 128, 160, 192, 224, randomly in time with  
the beat.

I have never seen that happen before in Audion, but it is legacy so  
maybe it is glitching new encodings.

Did not hurt playback but quite odd.

regards

BobC



http://www.cdbaby.com/rpcollier
http://www.cdbaby.com/rpcollier2
http://tinyurl.com/cr25j
http://www.youtube.com/watch?v=sn--iF6a4Xo

From Loopers-Delight-request@loopers-delight.com  Tue Jun 13 18:40:42 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Is it Ableton Live - or is it me?
Date: Tue, 13 Jun 2006 20:40:36 +0200
To: Loopers-Delight@loopers-delight.com
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Another OSX alternative could be midiStroke; http://www.charlie- 
roberts.com/
...and if you run your PC with Windows you may use Bomes MIDI  
Translator: http://www.charlie-roberts.com/

These utilities translate incoming MIDI events to computer key  
strokes. But I'm not so sure they can translate MIDI into mouse  
movements, as would be needed to change the meter in Ableton Live.

Good luck, hope you get this solved. Please post eventual success  
story ;-)

Per


On 13 jun 2006, at 20.29, Craig McCollough wrote:

> If you're on a Mac you can probably use MidiPipe to trigger an  
> applescript to control the UI and change the tempo - although I  
> imagine there will probably be quite significant latency.
>
> MidiPipe: http://www.versiontracker.com/dyn/moreinfo/macosx/16154
> Prefab IU Browser: http://www.versiontracker.com/dyn/moreinfo/ 
> macosx/18192
> Prefab UI Actions: http://www.versiontracker.com/dyn/moreinfo/ 
> macosx/24580
>
> Cheers,
> Craig
>
> On Jun 12, 2006, at 1:20 AM, Per Boysen wrote:
>
>> On 12 jun 2006, at 10.09, Buzap Buzap wrote:
>>
>>> I still don't know if I'll be happy with Ableton for "Live"  
>>> situations. There seem to be no keyboard/midi controlls for  
>>> setting the meter. How am I going to switch from 4/4 to 7/8?
>>
>> Manually, by using the mouse. Unfortunately.
>>
>>> One thing encouraging: Kid Beyond seems to use control-software  
>>> quite successfully.
>>
>> If you're interested in his set-up he posted a detailed  
>> description on this list, maybe a year back or so. Might be  
>> possible to find by searching the archives. The most important  
>> part is to use a third-party software that translates external  
>> (controller) MIDI events into computer key stroke code. That way  
>> you can control all the stuff in Ableton that can not be mapped to  
>> external MIDI.
>>
>> Greetings from Sweden
>>
>> Per Boysen
>> www.boysen.se (Swedish)
>> www.looproom.com (international)
>> http://tinyurl.com/fauvm (podcast)

From Loopers-Delight-request@loopers-delight.com  Tue Jun 13 18:46:21 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: todays rehearsal clip shared :-)
Date: Tue, 13 Jun 2006 20:46:15 +0200
To: Loopers-Delight@loopers-delight.com
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> On Jun 13, 2006, at 4:39 AM, Per Boysen wrote:
>
>> I'm sharing a short clip from todays solo rehearsal with tenor sax  
>> + laptop with Mobius:
>> http://www.looproom.com/audio/busonetothere.mp3

> On 13 jun 2006, at 20.35, RP Collier wrote:
> Hi
>
> I like that clip, nice and funky.
>
> I was listening to it in Audion player and strangely it showed the  
> kbps rate jumping between 128, 160, 192, 224, randomly in time with  
> the beat.

Wow - strange! But funny! ;-)  Maybe it happened because I tagged the  
mp3's ID3 tag with "tempo: 1551"?

per


From Loopers-Delight-request@loopers-delight.com  Tue Jun 13 18:55:07 2006
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From: "Stephen Goodman" <spgoodman@earthlight.net>
To: <Loopers-Delight@loopers-delight.com>
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Subject: Re: Way OT: EM fingers!
Date: Tue, 13 Jun 2006 19:54:44 +0100
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The funny part is that this is the same finger I sliced in a v-cut in =
1977 while sliding it up the string just too damned fast.  The blood!  =
At the hospital it was interesting as we were all in a semi-altered =
state and when the intern asked me how it happened: "It was my guitar, =
man!"  Alas.

As a person born two days after Christmas, I've decided that everyday is =
my birthday. :)
  ----- Original Message -----=20
  From: Richard Sales=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Tuesday, 13 June, 2006 19:09 PM
  Subject: Re: Way OT: EM fingers!


  Let's see:

  Well... there's much more to slide than blues! George Harrison, that =
guy from India who recorded with Ry Cooder... lots of folks. The only =
limit is our imaginations... and... TIME!

  Probably it is a good idea to not play on it till the doc tells you =
it's okay. I did that once when I'd cut my finger with a power saw. Did =
a gig one night and the finger literally exploded blood all over my =
guitar and just missed the folks in the front of the audience. You can =
imagine just how much the audience loved THAT! I re-bandaged it and kept =
on playing... but it took a while to heal because of that.=20

  Time is fleeting - and the other side of the money coin is, so is =
money! And it is only money so, if it's your BIRTHDAY... then it may =
indeed be time to indulge! I'm certainly NOT one to talk about self =
restraint.... but I am trying to learn.

  peace

  richard sales
  glassWing farm and studio
  vancouver island, b.c.
  800.545.6846
  250.752.4816
  www.glassWing.com
  www.richardsales.com
  www.hayleysales.com
  www.blueberryfieldsfarm.com

  On 13-Jun-06, at 8:34 AM, Stephen Goodman wrote:



    ----- Original Message ----- From: Richard Sales
    To: Loopers-Delight@loopers-delight.com
    Sent: Tuesday, 13 June, 2006 16:12 PM
    Subject: Re: Way OT: EM fingers!



      The woman who's husband I am... (PC anyone?!) crushed her finger =
with a sledge hammer a few years ago. Lost all the feeling in the =
finger. She smashed it much worse than you, I can guarantee it - the =
whole finger was wide open - gruesome.


    Yep, I had to clean up the blood before we left for the hospital, it =
was all over the new stone tiles and they hadn't been sealed yet!


      Anyhow, after a year or so of trying everything else, the feeling =
and a lot of the motion was restored with acupuncture.


    I'll ask my acupuncturist about this. She's done wonders for blood =
pressure and circulation around injured bits before!


      I think the carpenter might be close to right as far as healing =
time. But the rest of your fingers work, eh? Remember Django Reinhart?


    Er, while I've been tempted by a very fast right hand with the idea =
of re-learning to play Jimi-style, such is a hurdle I'll deal with only =
if I have to. The middle finger's my main/center point (self-taught, =
played by ear since '71). I'll tell ya it's a real temptation just to =
play after going to see Fripp today. I knew it would be a little painful =
thinking about playing after coming home but I really don't want to =
screw up what could be healing interior-wise just by mistakenly using =
that finger.


      Time to learn how to play slide guitar?


    Too late. Started using a slide in the early 80s, long before =
learning anything about Blues music. Been thinking about it, frankly.


      My own take on money, after having spent huge piles of it, is that =
TIME is more important than equipment.


    Ah yes, but having had no disposable income - much less income - for =
over six years, and seeing my 50th birthday coming up in December, I've =
decided that time is something that's, as Riff Raff put it, "fleeting".

    In preparation for unleashing myself on the public again, I need to =
find a good, inexpensive guitar repair person to fix a grounding error =
in ol' Cthulhu. In London, someone I can see face-to-face and trust with =
my beloved tool. After several years of dealing with workmen in London I =
only use good personal references.


      Some of the most riveting, entertaining, soul stirring and =
wonderful guitarists I've ever known just used a Tele and amp... or, =
even simpler, one acoustic guitar. Just my $.02


    I'll try to keep the bar high then, as all I've got is my ol' strat =
and an Oscar Schmidt acoustic. :) Yes, here's to working within =
limitations to achieve a lovely result!

    Thx!



      Good luck


    richard sales
    glassWing farm and studio
    vancouver island, b.c.
    800.545.6846
    250.752.4816
    www.glassWing.com
    www.richardsales.com
    www.hayleysales.com
    www.blueberryfieldsfarm.com
    On 13-Jun-06, at 1:41 AM, Stephen Goodman wrote:


    Okay, I knew I'd ask about this but now have no choice from context =
alone...

    The rig has been down for several months given massive works on the =
house. On a weekend three or so weeks ago when I'd just had it and =
wanted to play no matter what, I stupidly crushed the end of my left =
middle finger between two big flagstones around 3 weeks ago, splitting =
the end like a melon. Didn't break anything (x-ray check) and it wasn't =
a center-on hit so I kept the nail. I can however feel the hard bit =
inside where the scar tissue is forming. I massage the tip most of the =
time, gently, and the feeling in the tip still hasn't come back. I've =
been told by a carpenter who says he did something similar that it won't =
come back for as much as three months. Obviously this effects playing - =
and even if one excludes the nuances one obtains through good =
feeling-control, the hazard of not feeling the fingertip becomes one of =
finger damage through sense ignorance.

    I was itching to play before this happened, and have been having =
lucid dreams about playing since a week after the accident. Needless to =
say here is an illustration as to why one should not hesitate before =
going at it. I'm going to come into just a little bit of money via my =
late mum-in-law sometime in the next month or so, and have decided that =
[a] life is frigging short, and [b] I'm going to get a small, efficient =
amp system for performance purposes and rent a couple of halls in the =
London area when this damned finger gets better.

    So, guitarists on the list: How long will it take for this to come =
back? Thx in advance.

    S.

    ----- Original Message ----- From: "Jeff Shirkey" =
<jcshirke@midway.uchicago.edu>
    To: <Loopers-Delight@loopers-delight.com>
    Sent: Tuesday, 13 June, 2006 02:04 AM
    Subject: Re: Way OT: EM fingers!






    ... but can you imagine how you could use this to feel your way =
around a keyboard, or a guitar.... your house?


    Actually, no. :) How would this help someone make music?

    I currently treat a fractured bone in my foot with EM waves 10 hours =
a day. I'm not sure that's something I'd want to feel.

    Jeff=20

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<DIV><FONT size=3D2>The funny part is that this is the same finger I =
sliced in a=20
v-cut in 1977 while sliding it up the string just too damned fast.&nbsp; =
The=20
blood!&nbsp; At the hospital it was interesting as we were all in a =
semi-altered=20
state and when the intern asked me how it happened: "It was my guitar,=20
man!"&nbsp; Alas.</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>As a person born two days after Christmas, I've =
decided that=20
everyday is my birthday. :)</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Drichard@glasswing.com =
href=3D"mailto:richard@glasswing.com">Richard=20
  Sales</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, 13 June, 2006 =
19:09=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Way OT: EM =
fingers!</DIV>
  <DIV><BR></DIV>Let's see:<BR><BR>Well... there's much more to slide =
than=20
  blues! George Harrison, that guy from India who recorded with Ry =
Cooder...=20
  lots of folks. The only limit is our imaginations... and...=20
  TIME!<BR><BR>Probably it <I>is</I> a good idea to not play on it till =
the doc=20
  tells you it's okay. I did that once when I'd cut my finger with a =
power saw.=20
  Did a gig one night and the finger literally exploded blood all over =
my guitar=20
  and just missed the folks in the front of the audience. You can =
imagine just=20
  how much the audience loved THAT! I re-bandaged it and kept on =
playing... but=20
  it took a while to heal because of that. <BR><BR>Time is fleeting - =
and the=20
  other side of the money coin is, so is money! And it is <I>only</I> =
money so,=20
  if it's your BIRTHDAY... then it may indeed be time to indulge! I'm =
certainly=20
  NOT one to talk about self restraint.... but I am trying to=20
  learn.<BR><BR>peace<BR><BR><?fontfamily><?param Gadget>richard =
sales<BR><?color><?param 7372,7F7E,C5C4>glassWing farm and=20
  studio<?/color><BR>vancouver island, =
b.c.<BR>800.545.6846<BR>250.752.4816<?color><?param =
C3C2,9695,1C1B><BR>www.glassWing.com<BR>www.richardsales.com<BR>www.hayle=
ysales.com<BR>www.blueberryfieldsfarm.com<?/color><?/fontfamily><BR><BR>O=
n=20
  13-Jun-06, at 8:34 AM, Stephen Goodman wrote:<BR><BR>
  <BLOCKQUOTE><BR>----- Original Message ----- From: Richard =
Sales<BR>To:=20
    Loopers-Delight@loopers-delight.com<BR>Sent: Tuesday, 13 June, 2006 =
16:12=20
    PM<BR>Subject: Re: Way OT: EM fingers!<BR><BR><BR>
    <BLOCKQUOTE>The woman who's husband I am... (PC anyone?!) crushed =
her=20
      finger with a sledge hammer a few years ago. Lost all the feeling =
in the=20
      finger. She smashed it much worse than you, I can guarantee it - =
the whole=20
      finger was wide open - gruesome.<BR></BLOCKQUOTE><BR>Yep, I had to =
clean up=20
    the blood before we left for the hospital, it was all over the new =
stone=20
    tiles and they hadn't been sealed yet!<BR><BR>
    <BLOCKQUOTE>Anyhow, after a year or so of trying everything else, =
the=20
      feeling and a lot of the motion was restored with=20
    acupuncture.<BR></BLOCKQUOTE><BR>I'll ask my acupuncturist about =
this. She's=20
    done wonders for blood pressure and circulation around injured bits=20
    before!<BR><BR>
    <BLOCKQUOTE>I think the carpenter might be close to right as far as=20
      healing time. But the rest of your fingers work, eh? Remember =
Django=20
      Reinhart?<BR></BLOCKQUOTE><BR>Er, while I've been tempted by a =
very fast=20
    right hand with the idea of re-learning to play Jimi-style, such is =
a hurdle=20
    I'll deal with only if I have to. The middle finger's my main/center =
point=20
    (self-taught, played by ear since '71). I'll tell ya it's a real =
temptation=20
    just to play after going to see Fripp today. I knew it would be a =
little=20
    painful thinking about playing after coming home but I really don't =
want to=20
    screw up what could be healing interior-wise just by mistakenly =
using that=20
    finger.<BR><BR>
    <BLOCKQUOTE>Time to learn how to play slide =
guitar?<BR></BLOCKQUOTE><BR>Too=20
    late. Started using a slide in the early 80s, long before learning =
anything=20
    about Blues music. Been thinking about it, frankly.<BR><BR>
    <BLOCKQUOTE>My own take on money, after having spent huge piles of =
it, is=20
      that TIME is more important than equipment.<BR></BLOCKQUOTE><BR>Ah =
yes, but=20
    having had no disposable income - much less income - for over six =
years, and=20
    seeing my 50th birthday coming up in December, I've decided that =
time is=20
    something that's, as Riff Raff put it, "fleeting".<BR><BR>In =
preparation for=20
    unleashing myself on the public again, I need to find a good, =
inexpensive=20
    guitar repair person to fix a grounding error in ol' Cthulhu. In =
London,=20
    someone I can see face-to-face and trust with my beloved tool. After =
several=20
    years of dealing with workmen in London I only use good personal=20
    references.<BR><BR>
    <BLOCKQUOTE>Some of the most riveting, entertaining, soul stirring =
and=20
      wonderful guitarists I've ever known just used a Tele and amp... =
or, even=20
      simpler, one acoustic guitar. Just my =
$.02<BR></BLOCKQUOTE><BR>I'll try to=20
    keep the bar high then, as all I've got is my ol' strat and an Oscar =
Schmidt=20
    acoustic. :) Yes, here's to working within limitations to achieve a =
lovely=20
    result!<BR><BR>Thx!<BR><BR><BR>
    <BLOCKQUOTE>Good luck<BR></BLOCKQUOTE><BR>richard sales<BR>glassWing =
farm=20
    and studio<BR>vancouver island,=20
    =
b.c.<BR>800.545.6846<BR>250.752.4816<BR>www.glassWing.com<BR>www.richards=
ales.com<BR>www.hayleysales.com<BR>www.blueberryfieldsfarm.com<BR>On=20
    13-Jun-06, at 1:41 AM, Stephen Goodman wrote:<BR><BR><BR>Okay, I =
knew I'd=20
    ask about this but now have no choice from context =
alone...<BR><BR>The rig=20
    has been down for several months given massive works on the house. =
On a=20
    weekend three or so weeks ago when I'd just had it and wanted to =
play no=20
    matter what, I stupidly crushed the end of my left middle finger =
between two=20
    big flagstones around 3 weeks ago, splitting the end like a melon. =
Didn't=20
    break anything (x-ray check) and it wasn't a center-on hit so I kept =
the=20
    nail. I can however feel the hard bit inside where the scar tissue =
is=20
    forming. I massage the tip most of the time, gently, and the feeling =
in the=20
    tip still hasn't come back. I've been told by a carpenter who says =
he did=20
    something similar that it won't come back for as much as three =
months.=20
    Obviously this effects playing - and even if one excludes the =
nuances one=20
    obtains through good feeling-control, the hazard of not feeling the=20
    fingertip becomes one of finger damage through sense =
ignorance.<BR><BR>I was=20
    itching to play before this happened, and have been having lucid =
dreams=20
    about playing since a week after the accident. Needless to say here =
is an=20
    illustration as to why one should not hesitate before going at it. =
I'm going=20
    to come into just a little bit of money via my late mum-in-law =
sometime in=20
    the next month or so, and have decided that [a] life is frigging =
short, and=20
    [b] I'm going to get a small, efficient amp system for performance =
purposes=20
    and rent a couple of halls in the London area when this damned =
finger gets=20
    better.<BR><BR>So, guitarists on the list: How long will it take for =
this to=20
    come back? Thx in advance.<BR><BR>S.<BR><BR>----- Original Message =
-----=20
    From: "Jeff Shirkey" &lt;jcshirke@midway.uchicago.edu&gt;<BR>To:=20
    &lt;Loopers-Delight@loopers-delight.com&gt;<BR>Sent: Tuesday, 13 =
June, 2006=20
    02:04 AM<BR>Subject: Re: Way OT: EM =
fingers!<BR><BR><BR><BR><BR><BR><BR>...=20
    but can you imagine how you could use this to feel your way around a =

    keyboard, or a guitar.... your house?<BR><BR><BR>Actually, no. :) =
How would=20
    this help someone make music?<BR><BR>I currently treat a fractured =
bone in=20
    my foot with EM waves 10 hours a day. I'm not sure that's something =
I'd want=20
    to feel.<BR><BR>Jeff <BR></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_000E_01C68F23.37950C20--

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Subject: Re: todays rehearsal clip shared :-)
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On Jun 13, 2006, at 11:46 AM, Per Boysen wrote:

> Wow - strange! But funny! ;-)  Maybe it happened because I tagged  
> the mp3's ID3 tag with "tempo: 1551"?

I just checked it in iTunes and it displays a bitrate of 158 kbps (?)  
and it is tagged (VBR) so maybe Audion for some reason is tracking  
the variable bit rate.

regards

BobC



http://www.cdbaby.com/rpcollier
http://www.cdbaby.com/rpcollier2
http://tinyurl.com/cr25j
http://www.youtube.com/watch?v=sn--iF6a4Xo

From Loopers-Delight-request@loopers-delight.com  Tue Jun 13 19:03:10 2006
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Date: Tue, 13 Jun 2006 12:03:09 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Some info about the Repeater mk2 (not much, though :)
To: Loopers-Delight@loopers-delight.com
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--- Charlie Milkey <pilotcp@gmail.com> wrote:

by the time the repeater MkII
> comes out, i bet
> that at least 50% of the people who were dead-set on
> buying a repeater
> when it was first announced will be perfectly happy
> with something
> else...just my thoughts 

Yeah, I agree.  Each person who buys an RC-50, 2880 or
Looperlative was a potential Repeater customer lost. 
Sure, each device is unique, but as the looper market
grows (yay!) each devices slice of that tiny market
will be even smaller.  Don't even get into the people
like Per who've gone to the software side.

Mark

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Tue Jun 13 19:04:46 2006
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Date: Tue, 13 Jun 2006 12:04:21 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Some info about the Repeater mk2 (not much, though :)
To: Loopers-Delight@loopers-delight.com
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I had my name on Alto Music's group buy list and they
didn't take a dime from me.  I think everyone who's
purchased from them has had a good experience.

Mark

--- Jeff Shirkey <jcshirke@midway.uchicago.edu> wrote:

> 
> 
> >
> > If the Repeater never surfaces again, will the
> world be any more  
> > diminished?
> 
> The issue is that they announced new products, took
> money from  
> customers (or, more to the point, many retailers
> did), and have kept  
> people completely in the dark. I'd say that's reason
> enough to be a  
> little irked.
> 
> > spelling it out in tabloid detail, allow them at
> least, a bit of  
> > corporate
> > face saving, rather than hold them up to the same
> standards as a  
> > company
> > like Roland with much deeper pockets,
> 
> I don't think anyone is asking for tabloid detail.
> But periodic  
> (quarterly??) updates would be nice. At the very
> least it would show  
> some genuine concern for potential customers--not to
> mention good  
> faith on their part. I don't think that's asking too
> much.
> 
> Jeff
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Tue Jun 13 19:06:37 2006
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Date: Tue, 13 Jun 2006 12:05:59 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Some info about the Repeater mk2 (not much, though :)
To: Loopers-Delight@loopers-delight.com
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Me?  Facetious?  NEVER! ;)

--- Jeff Shirkey <jcshirke@midway.uchicago.edu> wrote:

> 
> O-
> > From: mark sottilaro
> [mailto:zerocrossing2001@yahoo.com]
> >   What about the warmth that only real led
> > gives your tone?
> 
> I can't tell if you're serious about this or not.
> Are you just being  
> facetious?
> 
> I'll go ahead and ask the dumb question, since no
> one else has. Why  
> couldn't they release two different units--one that
> meets EU specs  
> and another one that does not--and does not
> (presumably) need to?  
> Shouldn't the latter unit be ready to go now, and
> wouldn't that end  
> the speculation about whether or not a mk2 will ever
> see the light of  
> day?
> 
> Jeff 
> 
> 


__________________________________________________
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Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Tue Jun 13 19:28:54 2006
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From: "Timothy Mungenast" <mungenast@earthlink.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Way OT: EM fingers!
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Stephen:

I have no useful medical advice to offer, nothing but my sincere wishes for
your speedy recovery.

Yours in Sound,
Tim


> [Original Message]
> From: Stephen Goodman <spgoodman@earthlight.net>
> To: <Loopers-Delight@loopers-delight.com>
> Date: 6/13/2006 4:41:33 AM
> Subject: Re: Way OT: EM fingers!
>
> Okay, I knew I'd ask about this but now have no choice from context
alone...
>
> The rig has been down for several months given massive works on the
house. 
> On a weekend three or so weeks ago when I'd just had it and wanted to
play 
> no matter what, I stupidly crushed the end of my left middle finger
between 
> two big flagstones around 3 weeks ago, splitting the end like a melon. 
> Didn't break anything (x-ray check) and it wasn't a center-on hit so I
kept 
> the nail.  I can however feel the hard bit inside where the scar tissue
is 
> forming.  I massage the tip most of the time, gently, and the feeling in
the 
> tip still hasn't come back.  I've been told by a carpenter who says he
did 
> something similar that it won't come back for as much as three months. 
> Obviously this effects playing - and even if one excludes the nuances one 
> obtains through good feeling-control, the hazard of not feeling the 
> fingertip becomes one of finger damage through sense ignorance.
>
> I was itching to play before this happened, and have been having lucid 
> dreams about playing since a week after the accident.  Needless to say
here 
> is an illustration as to why one should not hesitate before going at it. 
> I'm going to come into just a little bit of money via my late mum-in-law 
> sometime in the next month or so, and have decided that [a] life is
frigging 
> short, and [b] I'm going to get a small, efficient amp system for 
> performance purposes and rent a couple of halls in the London area when
this 
> damned finger gets better.
>
> So, guitarists on the list: How long will it take for this to come back? 
> Thx in advance.
>
> S.
>
> ----- Original Message ----- 
> From: "Jeff Shirkey" <jcshirke@midway.uchicago.edu>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Tuesday, 13 June, 2006 02:04 AM
> Subject: Re: Way OT: EM fingers!
>
>
> >
> >>
> >> ... but can you imagine how you could use this to feel your way 
around a 
> >> keyboard, or a guitar.... your house?
> >
> > Actually, no. :) How would this help someone make music?
> >
> > I currently treat a fractured bone in my foot with EM waves 10 hours  a 
> > day. I'm not sure that's something I'd want to feel.
> >
> > Jeff
> >
> >
> >
> >
> > 


From Loopers-Delight-request@loopers-delight.com  Tue Jun 13 19:30:08 2006
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Date: Tue, 13 Jun 2006 15:09:46 -0400
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From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: Some info about the Repeater mk2 (not much, though :)
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I don't know... I've got around 8 or 9 different loopers... always 
room for another!

>--- Charlie Milkey <pilotcp@gmail.com> wrote:
>
>by the time the repeater MkII
>>  comes out, i bet
>>  that at least 50% of the people who were dead-set on
>>  buying a repeater
>>  when it was first announced will be perfectly happy
>>  with something
>>  else...just my thoughts
>
>Yeah, I agree.  Each person who buys an RC-50, 2880 or
>Looperlative was a potential Repeater customer lost.
>Sure, each device is unique, but as the looper market
>grows (yay!) each devices slice of that tiny market
>will be even smaller.  Don't even get into the people
>like Per who've gone to the software side.
>
>Mark
>
>__________________________________________________
>Do You Yahoo!?
>Tired of spam?  Yahoo! Mail has the best spam protection around
>http://mail.yahoo.com


-- 
...
http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Tue Jun 13 19:36:46 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: todays rehearsal clip shared :-)
Date: Tue, 13 Jun 2006 21:36:41 +0200
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On 13 jun 2006, at 20.56, RP Collier wrote:

> 158 kbps (?) and it is tagged (VBR)

What!!! ;-D)  You're right! Thanks for the heads up, I replaced the  
file now.

per



From Loopers-Delight-request@loopers-delight.com  Tue Jun 13 21:22:47 2006
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Subject: RE: Some info about the Repeater mk2 (not much, though :)
Date: Tue, 13 Jun 2006 14:22:44 -0700
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Well that is good to know, yes usumption is the mother of all F*&k ups my
bad.
Bill

-----Original Message-----
From: mark sottilaro [mailto:zerocrossing2001@yahoo.com]
Sent: Tuesday, June 13, 2006 12:04 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Some info about the Repeater mk2 (not much, though :)


I had my name on Alto Music's group buy list and they
didn't take a dime from me.  I think everyone who's
purchased from them has had a good experience.

Mark

--- Jeff Shirkey <jcshirke@midway.uchicago.edu> wrote:

>
>
> >
> > If the Repeater never surfaces again, will the
> world be any more
> > diminished?
>
> The issue is that they announced new products, took
> money from
> customers (or, more to the point, many retailers
> did), and have kept
> people completely in the dark. I'd say that's reason
> enough to be a
> little irked.
>
> > spelling it out in tabloid detail, allow them at
> least, a bit of
> > corporate
> > face saving, rather than hold them up to the same
> standards as a
> > company
> > like Roland with much deeper pockets,
>
> I don't think anyone is asking for tabloid detail.
> But periodic
> (quarterly??) updates would be nice. At the very
> least it would show
> some genuine concern for potential customers--not to
> mention good
> faith on their part. I don't think that's asking too
> much.
>
> Jeff
>
>


__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Tue Jun 13 21:24:39 2006
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Subject: Againinator MkII ship date gets pushed back!
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Due to new stem cell and cloning regulations in the US
the Againinator MKII won't be shipping until 2008. 
Also, can you PETA people back off?  It's only part
animal.

Gern Blanston
Againinator Research

__________________________________________________
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Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Tue Jun 13 21:35:34 2006
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Date: Tue, 13 Jun 2006 14:35:32 -0700 (PDT)
From: daniel stevenson <stillllscary@yahoo.com>
Subject: Re: Way OT: EM fingers!
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ouch on the digit man.maybe using a leach on the
fingertip could increase the blood flow to that area.
and then you could write a song or get a nick-name
leachfinger...
                heal fast,
                   scary visionary


ps.watch out for lawn-mower mufflers...

--- Stephen Goodman <spgoodman@earthlight.net> wrote:

> Okay, I knew I'd ask about this but now have no
> choice from context alone...
> 
> The rig has been down for several months given
> massive works on the house. 
> On a weekend three or so weeks ago when I'd just had
> it and wanted to play 
> no matter what, I stupidly crushed the end of my
> left middle finger between 
> two big flagstones around 3 weeks ago, splitting the
> end like a melon. 
> Didn't break anything (x-ray check) and it wasn't a
> center-on hit so I kept 
> the nail.  I can however feel the hard bit inside
> where the scar tissue is 
> forming.  I massage the tip most of the time,
> gently, and the feeling in the 
> tip still hasn't come back.  I've been told by a
> carpenter who says he did 
> something similar that it won't come back for as
> much as three months. 
> Obviously this effects playing - and even if one
> excludes the nuances one 
> obtains through good feeling-control, the hazard of
> not feeling the 
> fingertip becomes one of finger damage through sense
> ignorance.
> 
> I was itching to play before this happened, and have
> been having lucid 
> dreams about playing since a week after the
> accident.  Needless to say here 
> is an illustration as to why one should not hesitate
> before going at it. 
> I'm going to come into just a little bit of money
> via my late mum-in-law 
> sometime in the next month or so, and have decided
> that [a] life is frigging 
> short, and [b] I'm going to get a small, efficient
> amp system for 
> performance purposes and rent a couple of halls in
> the London area when this 
> damned finger gets better.
> 
> So, guitarists on the list: How long will it take
> for this to come back? 
> Thx in advance.
> 
> S.
> 
> ----- Original Message ----- 
> From: "Jeff Shirkey" <jcshirke@midway.uchicago.edu>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Tuesday, 13 June, 2006 02:04 AM
> Subject: Re: Way OT: EM fingers!
> 
> 
> >
> >>
> >> ... but can you imagine how you could use this to
> feel your way  around a 
> >> keyboard, or a guitar.... your house?
> >
> > Actually, no. :) How would this help someone make
> music?
> >
> > I currently treat a fractured bone in my foot with
> EM waves 10 hours  a 
> > day. I'm not sure that's something I'd want to
> feel.
> >
> > Jeff
> >
> >
> >
> >
> > 
> 
> 


__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Tue Jun 13 21:42:51 2006
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To: "Diana Thompson" <pushingair@hotmail.com>,
	<Loopers-Delight@loopers-delight.com>
Subject: RE: Boss RC-20 Loop Station - Voice Through?
Date: Tue, 13 Jun 2006 14:42:38 -0700
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Not possible.

Most recording software lets you set up loops - wouldn't that be easier?

Adrian West
www.adrianwest.com

> -----Original Message-----
> From: Diana Thompson [mailto:pushingair@hotmail.com]
> Sent: Tuesday, June 13, 2006 10:06 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: Boss RC-20 Loop Station - Voice Through?
>
>
> I'm trying to record a demo using the RC-20, a Behringer Eurorack MX602A
> mixing board, and Cakewalk on PC. I'd like to be able to send the
> live voice
> to one track and the looped voice to another. Right now, I can
> set the live
> voice to one track, but the Loopstation passes the live voice
> along with the
> looped voice to the second.
>
> Is there a method or a hack to bypass the live voice and send only the
> loops?
>
> Thanks,
>
> Diana
>
> _________________________________________________________________
> On the road to retirement? Check out MSN Life Events for advice on how to
> get there! http://lifeevents.msn.com/category.aspx?cid=Retirement
>


From Loopers-Delight-request@loopers-delight.com  Tue Jun 13 21:43:05 2006
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Subject: RE: Againinator MkII ship date gets pushed back!
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I hope all of us still waiting for the Againinator Mk I
will be able to upgrade to the Mk II software when
both are available!   Is the new code being
optimized for the DNA in the Mk II? =20

Jeff

From Loopers-Delight-request@loopers-delight.com  Tue Jun 13 21:43:06 2006
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Also like me, they are having trouble with, for a lack of better
description, "short term memory issues".
Bill

-----Original Message-----
From: mark sottilaro [mailto:zerocrossing2001@yahoo.com]
Sent: Tuesday, June 13, 2006 2:24 PM
To: Loopers-Delight@loopers-delight.com
Subject: Againinator MkII ship date gets pushed back!


Due to new stem cell and cloning regulations in the US
the Againinator MKII won't be shipping until 2008.
Also, can you PETA people back off?  It's only part
animal.

Gern Blanston
Againinator Research

__________________________________________________
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Tired of spam?  Yahoo! Mail has the best spam protection around
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From Loopers-Delight-request@loopers-delight.com  Tue Jun 13 21:43:57 2006
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From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Way OT: EM fingers!
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I cut my left hand pinky once with a hunting knife. 
Right down to the bone starting at the top and ending
down near the first knuckle.  FUN!

I didn't play for nearly a year.  I'm sure I probably
could have but I think I lapsed into a bit of a
depression/fear of it.  It took years to get full
feeling from it, but there was 80% fairly early.  My
doctor told me I'd never play the paino again and he
was right.  Luckily, I never had before the injury so
it wasn't much of a loss. ;)

I can't say you'll have the same experience, but don't
let yourself get mentally held back by your injury. 
Work through the pain.  I'm sorry I didn't.

Mark

> > [Original Message]
> > From: Stephen Goodman <spgoodman@earthlight.net>
> > To: <Loopers-Delight@loopers-delight.com>
> > Date: 6/13/2006 4:41:33 AM
> > Subject: Re: Way OT: EM fingers!
> >
> > I stupidly crushed the end of my
> left middle finger
> between 
> > two big flagstones around 3 weeks ago, splitting
> the end like a melon.

__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Tue Jun 13 21:50:59 2006
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On Tue, 13 Jun 2006, jeff larson wrote:

> I hope all of us still waiting for the Againinator Mk I
> will be able to upgrade to the Mk II software when
> both are available!   Is the new code being
> optimized for the DNA in the Mk II?
>
> Jeff

I have been informed that a tRNA transfer/upgrade pack will be available 
for Mk I users from the Umbrella Corporation.

best,
Steve B
Patient five, umm, I mean beta tester. Yeah, that's it? Beta tester.
Subscape Annex
http://www.subscapeannex.com/

From Loopers-Delight-request@loopers-delight.com  Tue Jun 13 22:01:02 2006
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From: "Stephen Goodman" <spgoodman@earthlight.net>
To: <Loopers-Delight@loopers-delight.com>
References: <20060613214356.76237.qmail@web81302.mail.mud.yahoo.com>
Subject: Re: Way OT: EM fingers!
Date: Tue, 13 Jun 2006 23:00:38 +0100
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I really appreciate the input so far -- It so happens that I HAVE an 
acupuncturist who's very good.  I'm going to start with her and see how it 
goes.  The most troubling part is the hard bit inside, I know it's forming 
scar tissue, so as long as I can get the feeling back it'll be fine... Hell, 
I can still type 60wpm, so it couldn't be that bad.  I'm more worried about 
the fact that even with feeling I've gotten some hellacious blisters just by 
not paying too much attention.  Of course the more ecstatic I get by 
playing, ah well, but am it Art? :)

Cheers everyone.

----- Original Message ----- 
From: "mark sottilaro" <zerocrossing2001@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, 13 June, 2006 22:43 PM
Subject: Re: Way OT: EM fingers!


>I cut my left hand pinky once with a hunting knife.
> Right down to the bone starting at the top and ending
> down near the first knuckle.  FUN!
>
> I didn't play for nearly a year.  I'm sure I probably
> could have but I think I lapsed into a bit of a
> depression/fear of it.  It took years to get full
> feeling from it, but there was 80% fairly early.  My
> doctor told me I'd never play the paino again and he
> was right.  Luckily, I never had before the injury so
> it wasn't much of a loss. ;)
>
> I can't say you'll have the same experience, but don't
> let yourself get mentally held back by your injury.
> Work through the pain.  I'm sorry I didn't.
>
> Mark
>
>> > [Original Message]
>> > From: Stephen Goodman <spgoodman@earthlight.net>
>> > To: <Loopers-Delight@loopers-delight.com>
>> > Date: 6/13/2006 4:41:33 AM
>> > Subject: Re: Way OT: EM fingers!
>> >
>> > I stupidly crushed the end of my
>> left middle finger
>> between
>> > two big flagstones around 3 weeks ago, splitting
>> the end like a melon.
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>
>
>
>
> 

From Loopers-Delight-request@loopers-delight.com  Tue Jun 13 22:11:07 2006
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From: "Diana Thompson" <pushingair@hotmail.com>
To: adrian@adrianwest.com, Loopers-Delight@loopers-delight.com
Subject: RE: Boss RC-20 Loop Station - Voice Through?
Date: Tue, 13 Jun 2006 15:11:00 -0700
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That's an idea. I've worked with setting up my loops in Cakewalk before and 
found it more difficult to get the loops to measure well with the phrases. 
And since it's a demo, I want to get the performance as close to live as 
possible. It would simply be more organic for me to use my existing live 
setup.

I understand that other loopers, like the Boomerang, allow the live line to 
bypass the looper output. Maybe there's a hack for this one.

>From: "Adrian West" <adrian@adrianwest.com>
>Reply-To: <adrian@adrianwest.com>
>To: "Diana Thompson" 
><pushingair@hotmail.com>,<Loopers-Delight@loopers-delight.com>
>Subject: RE: Boss RC-20 Loop Station - Voice Through?
>Date: Tue, 13 Jun 2006 14:42:38 -0700
>
>Not possible.
>
>Most recording software lets you set up loops - wouldn't that be easier?
>
>Adrian West
>www.adrianwest.com
>
> > -----Original Message-----
> > From: Diana Thompson [mailto:pushingair@hotmail.com]
> > Sent: Tuesday, June 13, 2006 10:06 AM
> > To: Loopers-Delight@loopers-delight.com
> > Subject: Boss RC-20 Loop Station - Voice Through?
> >
> >
> > I'm trying to record a demo using the RC-20, a Behringer Eurorack MX602A
> > mixing board, and Cakewalk on PC. I'd like to be able to send the
> > live voice
> > to one track and the looped voice to another. Right now, I can
> > set the live
> > voice to one track, but the Loopstation passes the live voice
> > along with the
> > looped voice to the second.
> >
> > Is there a method or a hack to bypass the live voice and send only the
> > loops?
> >
> > Thanks,
> >
> > Diana
> >
> > _________________________________________________________________
> > On the road to retirement? Check out MSN Life Events for advice on how 
>to
> > get there! http://lifeevents.msn.com/category.aspx?cid=Retirement
> >
>
>

_________________________________________________________________
Don’t just search. Find. Check out the new MSN Search! 
http://search.msn.click-url.com/go/onm00200636ave/direct/01/

From Loopers-Delight-request@loopers-delight.com  Tue Jun 13 22:21:42 2006
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From: "Adrian West" <adrian@adrianwest.com>
To: "Diana Thompson" <pushingair@hotmail.com>,
	<Loopers-Delight@loopers-delight.com>
Subject: RE: Boss RC-20 Loop Station - Voice Through?
Date: Tue, 13 Jun 2006 15:21:25 -0700
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I own a boomerang as well as an RC-20. Boomerang lets you suppress the live
signal but there's no "live signal only" output.

If you use a splitter to send one live signal to the looper and the other to
its own recording track, you could reconstruct what you are envisioning in
your recording program. After you've recorded your performance, move the
live-only track in your recording back in time by one iteration of your
loop, and you'll have the same result - loops minus live on one track, live
signal on the other.

Adrian West
www.adrianwest.com


> -----Original Message-----
> From: Diana Thompson [mailto:pushingair@hotmail.com]
> Sent: Tuesday, June 13, 2006 3:11 PM
> To: adrian@adrianwest.com; Loopers-Delight@loopers-delight.com
> Subject: RE: Boss RC-20 Loop Station - Voice Through?
>
>
> That's an idea. I've worked with setting up my loops in Cakewalk
> before and
> found it more difficult to get the loops to measure well with the
> phrases.
> And since it's a demo, I want to get the performance as close to live as
> possible. It would simply be more organic for me to use my existing live
> setup.
>
> I understand that other loopers, like the Boomerang, allow the
> live line to
> bypass the looper output. Maybe there's a hack for this one.
>
> >From: "Adrian West" <adrian@adrianwest.com>
> >Reply-To: <adrian@adrianwest.com>
> >To: "Diana Thompson"
> ><pushingair@hotmail.com>,<Loopers-Delight@loopers-delight.com>
> >Subject: RE: Boss RC-20 Loop Station - Voice Through?
> >Date: Tue, 13 Jun 2006 14:42:38 -0700
> >
> >Not possible.
> >
> >Most recording software lets you set up loops - wouldn't that be easier?
> >
> >Adrian West
> >www.adrianwest.com
> >
> > > -----Original Message-----
> > > From: Diana Thompson [mailto:pushingair@hotmail.com]
> > > Sent: Tuesday, June 13, 2006 10:06 AM
> > > To: Loopers-Delight@loopers-delight.com
> > > Subject: Boss RC-20 Loop Station - Voice Through?
> > >
> > >
> > > I'm trying to record a demo using the RC-20, a Behringer
> Eurorack MX602A
> > > mixing board, and Cakewalk on PC. I'd like to be able to send the
> > > live voice
> > > to one track and the looped voice to another. Right now, I can
> > > set the live
> > > voice to one track, but the Loopstation passes the live voice
> > > along with the
> > > looped voice to the second.
> > >
> > > Is there a method or a hack to bypass the live voice and send only the
> > > loops?
> > >
> > > Thanks,
> > >
> > > Diana
> > >
> > > _________________________________________________________________
> > > On the road to retirement? Check out MSN Life Events for
> advice on how
> >to
> > > get there! http://lifeevents.msn.com/category.aspx?cid=Retirement
> > >
> >
> >
>
> _________________________________________________________________
> Don’t just search. Find. Check out the new MSN Search!
> http://search.msn.click-url.com/go/onm00200636ave/direct/01/
>
>


From Loopers-Delight-request@loopers-delight.com  Tue Jun 13 22:30:45 2006
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Date: Tue, 13 Jun 2006 15:30:41 -0700 (PDT)
From: Tim Nelson <psychle62@yahoo.com>
Subject: Gyorgy Ligeti, RIP
To: Loopers-Delight@loopers-delight.com
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Though as far as I know he wasn't a looper himself,
Gyorgy Ligeti was a huge influence to many on this
list.

<http://www.timesonline.co.uk/article/0,,60-2222419_1,00.html>

Lux aeterna

-t-

<http://www.myspace.com/nimbletunes>
'Rantai' CD: <http://cdbaby.com/cd/timnelson1>
'Mesh' CD: <http://cdbaby.com/cd/timnelson2>
Chain Tape Collective: <http://www.ct-collective.com/>

__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Tue Jun 13 22:46:25 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
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----- Original Message ----- 

> I think the only one among us who has a Ninjam server running which can
accomodate several people is Krispen...Krispen?

Yes, I believe so. It is borrowed server space from someone, so I have to 
execute some moderation, but now that you bring it up, perhaps I'll schedule 
a larger group session for next month. It will be nice to get some diverse 
instrumentation so that the mix doesn't sound too redundant....maybe guitar, 
keyboard, abstract vocals, found sound, etc.

Kris



> -----Ursprüngliche Nachricht-----
> Von: Charlie Milkey [mailto:pilotcp@gmail.com]
> Gesendet: Dienstag, 13. Juni 2006 01:37
> An: Loopers-Delight@loopers-delight.com
> Betreff: Re: internet jam partners
>
> I know the thing right now seems to be one-on-one playing,
> but since there seems to be a growing stable of ninjam
> loopers, has anyone given thought to a whole group playing?
> i know i have done ninjams with 3 others very successfully
> (of course, there have been many that are equally unsuccessful ;))
>
> Charlie



From Loopers-Delight-request@loopers-delight.com  Tue Jun 13 22:48:43 2006
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Date: Wed, 14 Jun 2006 00:48:38 +0200
From: "Torstein H. Rem" <trem@broadpark.no>
Subject: Re: Way OT: EM fingers!
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Good luck with your recovery!

I was making some wooden racks for the studio a few years ago and hit the
left hand with a sharp knife. Cut the nerve etc in the left index finger. 
Immediately
knew this was seriously bad. Like a tight string breaking.
The surgeon was an expert on micro surgery but couldn`t promise anything.

Today part of the finger is still kind of numb and a little stiff.
It`s the pemanent feeling of being hit it with a hammer a few hours ago. 
;-/)

The good news -
When playing any stringed instrument I really forget about it (possibl It`s 
surprising and amazing
how adaptable we humans are.




----- Original Message ----- 
From: "Stephen Goodman" <spgoodman@earthlight.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, June 14, 2006 12:00 AM
Subject: Re: Way OT: EM fingers!


>I really appreciate the input so far -- It so happens that I HAVE an 
>acupuncturist who's very good.  I'm going to start with her and see how it 
>goes.  The most troubling part is the hard bit inside, I know it's forming 
>scar tissue, so as long as I can get the feeling back it'll be fine... 
>Hell, I can still type 60wpm, so it couldn't be that bad.  I'm more worried 
>about the fact that even with feeling I've gotten some hellacious blisters 
>just by not paying too much attention.  Of course the more ecstatic I get 
>by playing, ah well, but am it Art? :)
>
> Cheers everyone.
>
> ----- Original Message ----- 
> From: "mark sottilaro" <zerocrossing2001@yahoo.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Tuesday, 13 June, 2006 22:43 PM
> Subject: Re: Way OT: EM fingers!
>
>
>>I cut my left hand pinky once with a hunting knife.
>> Right down to the bone starting at the top and ending
>> down near the first knuckle.  FUN!
>>
>> I didn't play for nearly a year.  I'm sure I probably
>> could have but I think I lapsed into a bit of a
>> depression/fear of it.  It took years to get full
>> feeling from it, but there was 80% fairly early.  My
>> doctor told me I'd never play the paino again and he
>> was right.  Luckily, I never had before the injury so
>> it wasn't much of a loss. ;)
>>
>> I can't say you'll have the same experience, but don't
>> let yourself get mentally held back by your injury.
>> Work through the pain.  I'm sorry I didn't.
>>
>> Mark
>>
>>> > [Original Message]
>>> > From: Stephen Goodman <spgoodman@earthlight.net>
>>> > To: <Loopers-Delight@loopers-delight.com>
>>> > Date: 6/13/2006 4:41:33 AM
>>> > Subject: Re: Way OT: EM fingers!
>>> >
>>> > I stupidly crushed the end of my
>>> left middle finger
>>> between
>>> > two big flagstones around 3 weeks ago, splitting
>>> the end like a melon.
>>
>> __________________________________________________
>> Do You Yahoo!?
>> Tired of spam?  Yahoo! Mail has the best spam protection around
>> http://mail.yahoo.com
>>
>>
>>
>>
>>
>
> 


From Loopers-Delight-request@loopers-delight.com  Tue Jun 13 22:52:47 2006
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From: "Torstein H. Rem" <trem@broadpark.no>
Subject: Re: Way OT: EM fingers!
To: Loopers-Delight@loopers-delight.com
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Sorry, I hit the wrong key.

What I meant
"The good news -
When playing any stringed instrument I really forget about it (possibly my 
other shortcomings
are too obvious to ;-)).
It`s surprising and amazing how adaptable we humans are.

T.


----- Original Message ----- 
From: "Stephen Goodman" <spgoodman@earthlight.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, June 14, 2006 12:00 AM
Subject: Re: Way OT: EM fingers!


>I really appreciate the input so far -- It so happens that I HAVE an 
>acupuncturist who's very good.  I'm going to start with her and see how it 
>goes.  The most troubling part is the hard bit inside, I know it's forming 
>scar tissue, so as long as I can get the feeling back it'll be fine... 
>Hell, I can still type 60wpm, so it couldn't be that bad.  I'm more worried 
>about the fact that even with feeling I've gotten some hellacious blisters 
>just by not paying too much attention.  Of course the more ecstatic I get 
>by playing, ah well, but am it Art? :)
>
> Cheers everyone.
>
> ----- Original Message ----- 
> From: "mark sottilaro" <zerocrossing2001@yahoo.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Tuesday, 13 June, 2006 22:43 PM
> Subject: Re: Way OT: EM fingers!
>
>
>>I cut my left hand pinky once with a hunting knife.
>> Right down to the bone starting at the top and ending
>> down near the first knuckle.  FUN!
>>
>> I didn't play for nearly a year.  I'm sure I probably
>> could have but I think I lapsed into a bit of a
>> depression/fear of it.  It took years to get full
>> feeling from it, but there was 80% fairly early.  My
>> doctor told me I'd never play the paino again and he
>> was right.  Luckily, I never had before the injury so
>> it wasn't much of a loss. ;)
>>
>> I can't say you'll have the same experience, but don't
>> let yourself get mentally held back by your injury.
>> Work through the pain.  I'm sorry I didn't.
>>
>> Mark
>>
>>> > [Original Message]
>>> > From: Stephen Goodman <spgoodman@earthlight.net>
>>> > To: <Loopers-Delight@loopers-delight.com>
>>> > Date: 6/13/2006 4:41:33 AM
>>> > Subject: Re: Way OT: EM fingers!
>>> >
>>> > I stupidly crushed the end of my
>>> left middle finger
>>> between
>>> > two big flagstones around 3 weeks ago, splitting
>>> the end like a melon.
>>
>> __________________________________________________
>> Do You Yahoo!?
>> Tired of spam?  Yahoo! Mail has the best spam protection around
>> http://mail.yahoo.com
>>
>>
>>
>>
>>
>
> 


From Loopers-Delight-request@loopers-delight.com  Tue Jun 13 23:28:43 2006
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Date: Tue, 13 Jun 2006 16:28:41 -0700 (PDT)
From: Dan <danielalbertini72@yahoo.com>
Subject: Re: New Standard Tuning stuff
To: Loopers-Delight@loopers-delight.com
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Man check out my buddy Jeff at www.jeffscheetz.com  Many videos and audio examples as well.  His band has a song with regular play on the soap opera All My Children from the title track CD Beggars Rogues and Theives.  I have learned so much from him one of my first teachers.  Most major cool Dogstock coming up soon as well.  You will like 4 sure!!! Happy jammin, Peace!!!!!

"Janosch K." <daasp@gmx.net> wrote:  Hi,

may be a bit OT, but this is the only forum I know where some people 
have some experience with this tuning. I have been using this for about 
two months now, I did not play so much due to an injury which is getting 
better. So far I have only worked on chordal stuff, I really enjoy the 
new chords I can get with this. I will not attend a Guitar Craft course 
in the near future, because it simply doens't fit into my timing 
schedule at the moment, so I am asking here, because there is also no 
one in my area who could show me a thing or two.
But now two questions:
How to work on scales? The fingerings that came into my mind were:
Major scale:
D| 12-14-15-17 etc.
G| 12-14-16-17
C| 12-14-16-17

Minor scale:
D|12-13-15-17 etc.
G|12-13-15-17
C|12-14-15-17

These are playable but especially the Major scale needs a lot of 
stretching. Any better way here?

And second question: What to play? Own stuff of course, but maybe there 
is a bit of reportoire for the NST. I thought about trying out some 
cello stuff, maybe some etudes could be helpful to practice the stretching.

Thanks for your time, Janosch





 __________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 
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Man check out my buddy Jeff at <A href="http://www.jeffscheetz.com">www.jeffscheetz.com</A>&nbsp; Many videos and audio examples as well.&nbsp; His band&nbsp;has a song with regular play on the soap opera All My Children from the title track CD Beggars Rogues and Theives.&nbsp; I have learned so much from him one of my first&nbsp;teachers.&nbsp; Most major cool Dogstock coming up soon as well.&nbsp; You will like 4 sure!!!&nbsp;Happy jammin,&nbsp;Peace!!!!!<BR><BR><B><I>"Janosch K." &lt;daasp@gmx.net&gt;</I></B> wrote:  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">Hi,<BR><BR>may be a bit OT, but this is the only forum I know where some people <BR>have some experience with this tuning. I have been using this for about <BR>two months now, I did not play so much due to an injury which is getting <BR>better. So far I have only worked on chordal stuff, I really enjoy the <BR>new chords I can get with this. I will not attend
 a Guitar Craft course <BR>in the near future, because it simply doens't fit into my timing <BR>schedule at the moment, so I am asking here, because there is also no <BR>one in my area who could show me a thing or two.<BR>But now two questions:<BR>How to work on scales? The fingerings that came into my mind were:<BR>Major scale:<BR>D| 12-14-15-17 etc.<BR>G| 12-14-16-17<BR>C| 12-14-16-17<BR><BR>Minor scale:<BR>D|12-13-15-17 etc.<BR>G|12-13-15-17<BR>C|12-14-15-17<BR><BR>These are playable but especially the Major scale needs a lot of <BR>stretching. Any better way here?<BR><BR>And second question: What to play? Own stuff of course, but maybe there <BR>is a bit of reportoire for the NST. I thought about trying out some <BR>cello stuff, maybe some etudes could be helpful to practice the stretching.<BR><BR>Thanks for your time, Janosch<BR><BR><BR><BR></BLOCKQUOTE><BR><p>&#32;__________________________________________________<br>Do You Yahoo!?<br>Tired of spam?  Yahoo! Mail has
 the best spam protection around <br>http://mail.yahoo.com 
--0-1358076828-1150241321=:2166--

From Loopers-Delight-request@loopers-delight.com  Wed Jun 14 00:03:28 2006
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From: rds8000 <rds8000@cableaz.com>
Subject: Re: Re: WTB: Digitech RDS8000 Delay / LoOper
Date: Tue, 13 Jun 2006 17:03:06 -0700
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Hello Gerry,

Thanks for the note. Please send me an email about the RDS8000  
details off-list

Email me at: rds8000@cableaz.com

I'm definitely interested...

Adam

> From: grw20022 <grw20022@yahoo.com>
> Date: June 12, 2006 6:25:34 PM MST
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: WTB: Digitech RDS8000 Delay / Looper
>
>
> Hello, if you can not find one..I have one in mint...I might be  
> getting away afew of my equipment to get the new moog the Phatty..I  
> use to have a moog and it looks like moog put a good one out...if  
> anyone heard of this, let use know..... Gerry
>
> rds8000 <rds8000@cableaz.com> wrote:
>
> rds8000 <rds8000@cableaz.com> wrote:
> Hello Loopers,
>
> I'm interested in adding a second Digitech RDS8000 to my setup. Does
> anyone have one they'd like to sell?
>
> Best,
>
> Adam
>
>


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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; "><DIV><BLOCKQUOTE =
type=3D"cite"></BLOCKQUOTE>Hello Gerry,</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>Thanks for the note. Please =
send me an email about the RDS8000 details off-list=A0</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>Email me at: <A =
href=3D"mailto:rds8000@cableaz.com">rds8000@cableaz.com</A></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>I'm definitely =
interested...</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>Adam</DIV><DIV><BR><BLOCKQUOT=
E type=3D"cite"><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 37px; text-indent: -37px; font: normal =
normal normal 12px/normal Helvetica; color: rgb(0, 0, 0); min-height: =
14px; "></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 37px; text-indent: -37px; "><FONT =
face=3D"Helvetica" size=3D"3" color=3D"#000000" style=3D"font: 12.0px =
Helvetica; color: #000000"><B>From: </B></FONT><FONT face=3D"Helvetica" =
size=3D"3" style=3D"font: 12.0px Helvetica">grw20022 &lt;<A =
href=3D"mailto:grw20022@yahoo.com">grw20022@yahoo.com</A>&gt;</FONT></DIV>=
<DIV style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 34px; text-indent: -34px; "><FONT face=3D"Helvetica" =
size=3D"3" color=3D"#000000" style=3D"font: 12.0px Helvetica; color: =
#000000"><B>Date: </B></FONT><FONT face=3D"Helvetica" size=3D"3" =
style=3D"font: 12.0px Helvetica">June 12, 2006 6:25:34 PM =
MST</FONT></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 21px; text-indent: -21px; "><FONT =
face=3D"Helvetica" size=3D"3" color=3D"#000000" style=3D"font: 12.0px =
Helvetica; color: #000000"><B>To: </B></FONT><FONT face=3D"Helvetica" =
size=3D"3" style=3D"font: 12.0px Helvetica"><A =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</A></FONT></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 50px; text-indent: =
-50px; "><FONT face=3D"Helvetica" size=3D"3" color=3D"#000000" =
style=3D"font: 12.0px Helvetica; color: #000000"><B>Subject: =
</B></FONT><FONT face=3D"Helvetica" size=3D"3" style=3D"font: 12.0px =
Helvetica"><B>Re: WTB: Digitech RDS8000 Delay / Looper<SPAN =
class=3D"Apple-converted-space">=A0</SPAN></B></FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><BR></DIV> Hello, if you can not find one..I have =
one in mint...I might be getting away afew of my equipment to get the =
new moog the Phatty..I use to have a moog and it looks like moog=A0put a =
good one out...if anyone heard of this, let use know..... =
Gerry<BR><BR><B><I>rds8000 &lt;<A =
href=3D"mailto:rds8000@cableaz.com">rds8000@cableaz.com</A>&gt;</I></B> =
wrote:<BR><BR><B><I>rds8000 &lt;<A =
href=3D"mailto:rds8000@cableaz.com">rds8000@cableaz.com</A>&gt;</I></B> =
wrote:  <BLOCKQUOTE class=3D"replbq" style=3D"PADDING-LEFT: 5px; =
MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">Hello =
Loopers,<BR><BR>I'm interested in adding a second Digitech RDS8000 to my =
setup. Does<BR>anyone have one they'd like to =
sell?<BR><BR>Best,<BR><BR>Adam<BR><BR></BLOCKQUOTE><DIV><BR =
class=3D"khtml-block-placeholder"></DIV></BLOCKQUOTE></DIV><BR></BODY></HT=
ML>=

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From Loopers-Delight-request@loopers-delight.com  Wed Jun 14 00:22:55 2006
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At 19:55 13/06/2006, you wrote:
>Well... there's much more to slide than blues!



>guy from India who recorded with Ry Cooder..

Mohan Bhatt

..and don't forget Bill "Rumanian Guitar" Walker

andy butler 

From Loopers-Delight-request@loopers-delight.com  Wed Jun 14 01:17:00 2006
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On 13-Jun-06, at 12:51 PM, a k butler wrote:

> At 19:55 13/06/2006, you wrote:
>> Well... there's much more to slide than blues!
>> guy from India who recorded with Ry Cooder..
> Mohan Bhatt
> ..and don't forget Bill "Rumanian Guitar" Walker

Ah!  Mohan Bhatt.  Right-oh!  There's also Harry Manx here in Canada 
who has one of Mohan's guitars.  I'm an old man and details like actual 
names tend to dissolve in the rearview mirror.  But you know, I've 
LOOKED (google) for other samples of Bill Walker other than the gourmet 
guitars.com site - which I liked - and haven't been able to find any.  
Do you know where to find it?

thanks, Andy
richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com

>
> andy butler

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On 13-Jun-06, at 12:51 PM, a k butler wrote:


<excerpt>At 19:55 13/06/2006, you wrote:

<excerpt>Well... there's much more to slide than blues!

guy from India who recorded with Ry Cooder..

</excerpt>Mohan Bhatt

..and don't forget Bill "Rumanian Guitar" Walker

</excerpt>

Ah!  Mohan Bhatt.  Right-oh!  There's also Harry Manx here in Canada
who has one of Mohan's guitars.  I'm an old man and details like
actual names tend to dissolve in the rearview mirror.  But you know,
I've LOOKED (google) for other samples of Bill Walker other than the
gourmet guitars.com site - which I liked - and haven't been able to
find any.  Do you know where to find it?  


thanks, Andy

<fontfamily><param>Gadget</param>richard sales

<color><param>7372,7F7E,C5C4</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C2,9695,1C1B</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>


<excerpt>

andy butler 

</excerpt>
--Apple-Mail-1-141840037--

From Loopers-Delight-request@loopers-delight.com  Wed Jun 14 01:51:01 2006
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From: =?ISO-8859-1?Q?tEd_=AE_kiLLiAn?= <tedkillian@charter.net>
Subject: Re: Gyorgy Ligeti, RIP
Date: Tue, 13 Jun 2006 18:51:05 -0700
To: Loopers-Delight@loopers-delight.com
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Tim,

Thanks for sharing this. It's not the sort of thing  they mention on =20
the evening news.

Best,

tEd =AE kiLLiAn

On Jun 13, 2006, at 3:30 PM, Tim Nelson wrote:

> Though as far as I know he wasn't a looper himself,
> Gyorgy Ligeti was a huge influence to many on this
> list.
>
> <http://www.timesonline.co.uk/article/0,,60-2222419_1,00.html>
>
> Lux aeterna

"Different is not always better, but better is always different"

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=3D2845073
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?=20
step=3Dview_profile&id=3D121197000042

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???=

--Apple-Mail-1-143973442
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Tim,


Thanks for sharing this. It's not the sort of thing  they mention on
the evening news.


Best,


tEd =AE kiLLiAn


On Jun 13, 2006, at 3:30 PM, Tim Nelson wrote:


<excerpt>Though as far as I know he wasn't a looper himself,

Gyorgy Ligeti was a huge influence to many on this

list.


<<http://www.timesonline.co.uk/article/0,,60-2222419_1,00.html>


Lux aeterna

</excerpt>

<color><param>8080,8080,8080</param>"Different is not always better,
but better is always different"


http://www.pfmentum.com/flux.html

http://www.CDbaby.com/cd/tedkillian

http://www.guitar9.com/fluxaeterna.html

http://www.garageband.com/artist/ArsOcarina

http://www.towerrecords.com/product.aspx?pfid=3D2845073

http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314

http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193

=
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042


Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,

BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,

AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,

RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,

and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???</color>=

--Apple-Mail-1-143973442--

From Loopers-Delight-request@loopers-delight.com  Wed Jun 14 02:00:02 2006
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From: "William Walker" <billwalker@baymoon.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Loopers-Delight-d Digest V06 #492
Date: Tue, 13 Jun 2006 19:00:00 -0700
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That's Vishnu Mohan Bhatt to you pal, and Lil' Will "Rumanian guitar"
Walker. Ok? Ok?

 Also check out the astounding Debashish Bhattacharya another virtuoso in
the hindustani tradition. I got to take a master class, and sit in on a
recording session of his, he will completely rearrange your head. And though
Sonny Landreth is steeped in blues traditon, his playing owes as much to the
syncopations of Zydeco music. I have totally lifted the technique of
fretting behind the bar from him, and you can apply the technique to any
kind of music.
 Bill

-----Original Message-----
From: a k butler [mailto:akbutler@tiscali.co.uk]
Sent: Tuesday, June 13, 2006 12:51 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Loopers-Delight-d Digest V06 #492


At 19:55 13/06/2006, you wrote:
>Well... there's much more to slide than blues!



>guy from India who recorded with Ry Cooder..

Mohan Bhatt

..and don't forget Bill "Rumanian Guitar" Walker

andy butler




From Loopers-Delight-request@loopers-delight.com  Wed Jun 14 02:18:59 2006
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Subject: RE: Loopers-Delight-d Digest V06 #492
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This is a multi-part message in MIME format.

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That's because Bill hasn't gotten of his rear end to put out a real CD,
(though he has been known to bring hastily thrown together recordings of his
loop improve stuff, to various looping festivals, perhaps even a festival
near you someday) Hell, I don't even have a website yet, though I do have a
domain name thanks to Bernard Wagner. God how 20th century of me!!!!!
Truthfully, the process of recording a solo CD has been a a slow and
frustrating one for me. I love to play and improvise, but I hate to record.
I'm very savvy with effects and hardware stuff, but I get frustrated easily
with the DAW thing, and because I work allot, building momentum has been
difficult. That being said, I have finally decided to hire an engineer/
producer to help me get er done. Also, I do have some rough recordings of
some looped slide stuff (both lap steel and bottle neck) that I might be
persuaded to send you.
Thanks for the interest, even more motivation to get ta bidness.

Bill






 -----Original Message-----
From: Richard Sales [mailto:richard@glasswing.com]
Sent: Tuesday, June 13, 2006 6:16 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Loopers-Delight-d Digest V06 #492



  On 13-Jun-06, at 12:51 PM, a k butler wrote:


    At 19:55 13/06/2006, you wrote:

      Well... there's much more to slide than blues!
      guy from India who recorded with Ry Cooder..

    Mohan Bhatt
    ..and don't forget Bill "Rumanian Guitar" Walker


  Ah! Mohan Bhatt. Right-oh! There's also Harry Manx here in Canada who has
one of Mohan's guitars. I'm an old man and details like actual names tend to
dissolve in the rearview mirror. But you know, I've LOOKED (google) for
other samples of Bill Walker other than the gourmet guitars.com site - which
I liked - and haven't been able to find any. Do you know where to find it?

  thanks, Andy
  richard sales
  glassWing farm and studio
  vancouver island, b.c.
  800.545.6846
  250.752.4816
  www.glassWing.com
  www.richardsales.com
  www.hayleysales.com
  www.blueberryfieldsfarm.com



    andy butler

------=_NextPart_000_000C_01C68F1E.38645C50
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	charset="US-ASCII"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Dus-ascii">
<META content=3D"MSHTML 6.00.2900.2873" name=3DGENERATOR></HEAD>
<BODY>
<DIV><SPAN class=3D203205001-14062006><FONT face=3DArial color=3D#0000ff =
size=3D2>That's=20
because Bill hasn't gotten of his rear end to put out a real CD, (though =
he has=20
been known to bring hastily thrown together recordings of his loop =
improve=20
stuff, to various looping festivals, perhaps even a festival near you =
someday)=20
Hell, I don't even have a website yet, though I do have a domain name =
thanks to=20
Bernard Wagner. God how 20th century of me!!!!!&nbsp; Truthfully, the =
process of=20
recording a solo CD has been a a slow and frustrating one for me. I love =
to play=20
and improvise, but I hate to record. I'm very savvy with effects and =
hardware=20
stuff, but I get frustrated easily with the DAW thing, and because I =
work allot,=20
building momentum has been difficult. That being said, I have finally =
decided to=20
hire an engineer/ producer to help me get er done. Also, I do have some =
rough=20
recordings of some looped&nbsp;slide stuff (both lap steel and bottle =
neck) that=20
I might be persuaded to send you.&nbsp;</FONT></SPAN><SPAN=20
class=3D203205001-14062006></SPAN><FONT face=3DTahoma><FONT =
size=3D2><SPAN=20
class=3D203205001-14062006><FONT face=3DArial=20
color=3D#0000ff>&nbsp;</FONT></SPAN></FONT></FONT></DIV>
<DIV><FONT><FONT face=3DArial color=3D#0000ff size=3D2><SPAN=20
class=3D203205001-14062006>Thanks for the interest, even more motivation =
to get ta=20
bidness.</SPAN></FONT></FONT></DIV>
<DIV><FONT><FONT face=3DArial color=3D#0000ff size=3D2><SPAN=20
class=3D203205001-14062006></SPAN></FONT></FONT>&nbsp;</DIV>
<DIV><FONT><FONT face=3DArial color=3D#0000ff size=3D2><SPAN=20
class=3D203205001-14062006>Bill</SPAN></FONT></FONT></DIV>
<DIV><FONT face=3DTahoma><FONT size=3D2><SPAN=20
class=3D203205001-14062006></SPAN></FONT></FONT>&nbsp;</DIV>
<DIV><FONT face=3DTahoma><FONT size=3D2><SPAN=20
class=3D203205001-14062006></SPAN></FONT></FONT>&nbsp;</DIV>
<DIV><FONT face=3DTahoma><FONT size=3D2><SPAN=20
class=3D203205001-14062006></SPAN></FONT></FONT>&nbsp;</DIV>
<DIV><FONT face=3DTahoma><FONT size=3D2><SPAN=20
class=3D203205001-14062006></SPAN></FONT></FONT>&nbsp;</DIV>
<DIV><FONT face=3DTahoma><FONT size=3D2><SPAN=20
class=3D203205001-14062006></SPAN></FONT></FONT>&nbsp;</DIV>
<DIV><FONT face=3DTahoma><FONT size=3D2><SPAN=20
class=3D203205001-14062006></SPAN></FONT></FONT>&nbsp;</DIV>
<DIV><FONT face=3DTahoma><FONT size=3D2><SPAN=20
class=3D203205001-14062006>&nbsp;</SPAN>-----Original =
Message-----<BR><B>From:</B>=20
Richard Sales [mailto:richard@glasswing.com]<BR><B>Sent:</B> Tuesday, =
June 13,=20
2006 6:16 PM<BR><B>To:</B>=20
Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> Re: =
Loopers-Delight-d=20
Digest V06 #492<BR><BR></DIV></FONT></FONT>
<BLOCKQUOTE dir=3Dltr style=3D"MARGIN-RIGHT: 0px"><BR>On 13-Jun-06, at =
12:51 PM, a=20
  k butler wrote:<BR><BR>
  <BLOCKQUOTE>At 19:55 13/06/2006, you wrote:<BR>
    <BLOCKQUOTE>Well... there's much more to slide than blues!<BR>guy =
from=20
      India who recorded with Ry Cooder..<BR></BLOCKQUOTE>Mohan =
Bhatt<BR>..and=20
    don't forget Bill "Rumanian Guitar" Walker<BR></BLOCKQUOTE><BR>Ah! =
Mohan=20
  Bhatt. Right-oh! There's also Harry Manx here in Canada who has one of =
Mohan's=20
  guitars. I'm an old man and details like actual names tend to dissolve =
in the=20
  rearview mirror. But you know, I've LOOKED (google) for other samples =
of Bill=20
  Walker other than the gourmet guitars.com site - which I liked - and =
haven't=20
  been able to find any. Do you know where to find it? <BR><BR>thanks, =
Andy<BR><?fontfamily><?param Gadget>richard sales<BR><?color><?param =
7372,7F7E,C5C4>glassWing farm and=20
  studio<?/color><BR>vancouver island, =
b.c.<BR>800.545.6846<BR>250.752.4816<?color><?param =
C3C2,9695,1C1B><BR>www.glassWing.com<BR>www.richardsales.com<BR>www.hayle=
ysales.com<BR>www.blueberryfieldsfarm.com<?/color><?/fontfamily><BR><BR>
  <BLOCKQUOTE><BR>andy butler =
<BR></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_000C_01C68F1E.38645C50--


From Loopers-Delight-request@loopers-delight.com  Wed Jun 14 02:54:03 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Anthony Braxton, looping?
Date: Tue, 13 Jun 2006 19:53:58 -0700
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Does circular breathing count as looping?

Amazing Anthony Braxton video playing Coltrane's Impressions....the=20
solo grows and grows....

http://www.youtube.com/watch?v=3D0o0AYFRFX7g



Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com =95 AngryVegan.com=

From Loopers-Delight-request@loopers-delight.com  Wed Jun 14 03:02:57 2006
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Subject: Re: Gyorgy Ligeti, RIP
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Wow, that's sad to hear. I had no idea what an amaziing history he had. I've had some Ligeti-inspired mp3s posted on my site for quite a while, if anyone wants to hear them:

http://www.marksmart.net/sounddesign/choirsounds/choirsounds.html

RIP.

Mark Smart

From Loopers-Delight-request@loopers-delight.com  Wed Jun 14 04:02:05 2006
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Subject: electr-ohm-streaming playlist 14th June 06
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Hello,

electr-ohm-streaming playlist 14th June 06

=============================

Noize Creator / Something Bad (Thorntree)

In Ether / Insult To The Unconditioned (Backwards Records)

Sunao Inami / An Impulse of Acoustic (electr-ohm)

Rusuden / Formulae (Sonic Terror)

punck / nowhere campfire tapes (afe records)

=============================

please visit to:

http://www.myspace.com/electrohm

and click which is your player's logo, iTunes or Real One Player.


Playlist will change on every Wednesday.
All tracks will play by shuffle.
7D/24H streaming from Kobe,Japan.

=============================

electr-ohm
electronic music label & distribution
http://www.electr-ohm.com



  Thanks

  Sunao

From Loopers-Delight-request@loopers-delight.com  Wed Jun 14 04:24:50 2006
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WOW-thanx fer that

-----Original Message-----
>From: Jeff Kaiser <loopersdelight@pfmentum.com>
>Sent: Jun 13, 2006 10:53 PM
>To: Loopers-Delight@loopers-delight.com
>Subject: Anthony Braxton, looping?
>
>Does circular breathing count as looping?
>
>Amazing Anthony Braxton video playing Coltrane's Impressions....the 
>solo grows and grows....
>
>http://www.youtube.com/watch?v=0o0AYFRFX7g
>
>
>
>Jeff Kaiser
>http://www.jeffkaisermusic.com
>pfMENTUM.com ? AngryVegan.com

From Loopers-Delight-request@loopers-delight.com  Wed Jun 14 04:53:56 2006
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Subject: Re: Anthony Braxton, looping?
Date: Tue, 13 Jun 2006 21:53:58 -0700
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Thanks for sharing Jeff.

Mighty fine.

On Jun 13, 2006, at 7:53 PM, Jeff Kaiser wrote:

> Does circular breathing count as looping?
>
> Amazing Anthony Braxton video playing Coltrane's Impressions....the 
> solo grows and grows....
>
> http://www.youtube.com/watch?v=0o0AYFRFX7g

From Loopers-Delight-request@loopers-delight.com  Wed Jun 14 05:49:37 2006
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Date: Tue, 13 Jun 2006 22:49:34 -0700 (PDT)
From: daniel stevenson <stillllscary@yahoo.com>
Subject: Re: Gyorgy Ligeti, RIP
To: Loopers-Delight@loopers-delight.com
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micropolyphony...what a concept aye?

RIP

--- tEd ® kiLLiAn <tedkillian@charter.net> wrote:

> Tim,
> 
> Thanks for sharing this. It's not the sort of thing 
> they mention on  
> the evening news.
> 
> Best,
> 
> tEd ® kiLLiAn
> 
> On Jun 13, 2006, at 3:30 PM, Tim Nelson wrote:
> 
> > Though as far as I know he wasn't a looper
> himself,
> > Gyorgy Ligeti was a huge influence to many on this
> > list.
> >
> >
>
<http://www.timesonline.co.uk/article/0,,60-2222419_1,00.html>
> >
> > Lux aeterna
> 
> "Different is not always better, but better is
> always different"
> 
> http://www.pfmentum.com/flux.html
> http://www.CDbaby.com/cd/tedkillian
> http://www.guitar9.com/fluxaeterna.html
> http://www.garageband.com/artist/ArsOcarina
>
http://www.towerrecords.com/product.aspx?pfid=2845073
>
http://www.netmusic.com/web/album.aspx?a_id=CBNM_17314
>
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=193
> http://www.loopers-delight.com/cgi-bin/profiles.cgi?
> 
> step=view_profile&id=121197000042
> 
> Ted Killian's "Flux Aeterna" is also available at:
> Apple iTunes,
> BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic,
> Napster,
> AudioLunchbox, Lindows, QTRnote, Music4Cents,
> Etherstream,
> RuleRadio, EMEPE3, Sony Connect, CatchMusic,
> Puretracks,
> and Viztas. Yadda, yadda, yadda. Blah, blah, blah.
So???


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Wed Jun 14 06:27:15 2006
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Date: Tue, 13 Jun 2006 23:27:12 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: AW: internet jam partners - post scriptum
To: Loopers-Delight@loopers-delight.com
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blushing i believe u, Rick is a very special and kind
person an altruist who always looks for the positive
in every human being and encouraging in every way,is
really a pleasure to have such a human being in this
forum and in life i highly recomend him as well!
Peace
Luis

--- Rainer Thelonius Balthasar Straschill
<rs@moinlabs.de> wrote:

> btw, Rick Walker spoke very highly of you in general
> and of your voice in
> particular so, please do both (percussion and
> singing).
> 
> > -----Ursprüngliche Nachricht-----
> > Von: L.A. Angulo [mailto:labaloops@yahoo.com] 
> > Gesendet: Dienstag, 13. Juni 2006 00:05
> > An: Loopers-Delight@loopers-delight.com
> > Betreff: Re: internet jam partners
> > 
> > Hey Rainer,
> > I would be interested either as a
> percussionist(conga) or 
> > doing some singing,ive never use the live
> streaming 
> > technology below but ill look into it.
> > Cheers
> > Luis
> > 
> > --- Rainer Thelonius Balthasar Straschill
> <rs@moinlabs.de> wrote:
> > 
> > > > Who knows, with permission of the artist, I
> may
> > > make a CD at
> > > > the end of the year with excerpts of all the
> > > internet
> > > > performances. I could call it the "Looper's
> > > Delight Ninjam
> > > > Performance".
> > > 
> > > ...which is something I intend to do as well,
> given more artists 
> > > accept to play with me (so far, Krispen Hartung,
> Rick Walker and 
> > > Charlie Milkey).
> > > 
> > > Ok, again a call for performers! Who would be
> interested to do a 
> > > virtual internet session?
> > > 
> > > style: (open)
> > > instruments: horn players, singers and
> drummers/percussionists 
> > > preferred, but other musicians alos welcome!
> > > technology: any of Ninjam, shoutcast or the
> www.t-u-b-e.de plugin.
> > > 
> > > As an example for an internat jam, may I again
> point you to 
> > > http://moinlabs.byto.de/msa/i_msa_div.htm (more
> recordings are on 
> > > their
> > > way!)
> > > 
> > > More on my background as well as links to some
> of my other 
> > stuff via 
> > > www.moinlabs.de
> > > 
> > > Please contact me offlist,
> > > 
> > > 	Rainer
> > > 
> > > 
> > 
> > 
> > __________________________________________________
> > Do You Yahoo!?
> > Tired of spam?  Yahoo! Mail has the best spam
> protection 
> > around http://mail.yahoo.com 
> > 
> > 
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Wed Jun 14 06:30:18 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Anthony Braxton, looping?
Date: Wed, 14 Jun 2006 08:30:10 +0200
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On 14 jun 2006, at 04.53, Jeff Kaiser wrote:

> Does circular breathing count as looping?
> Amazing Anthony Braxton video playing Coltrane's Impressions....the  
> solo grows and grows....
> http://www.youtube.com/watch?v=0o0AYFRFX7g

Thanks Jeff! Wonderful wake-up noise to accompany my breakfast here.  
Yesterday I was listening to Coltranes Impressions on the iPod while  
walking through Stockholm

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)




From Loopers-Delight-request@loopers-delight.com  Wed Jun 14 06:36:04 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: Anthony Braxton, looping?
Date: Tue, 13 Jun 2006 23:35:58 -0700
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> Yesterday I was listening to Coltranes Impressions on the iPod while=20=

> walking through Stockholm

What a beautiful image! Made me jealous.....

glad you enjoyed it.



Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com =95 AngryVegan.com=

From Loopers-Delight-request@loopers-delight.com  Wed Jun 14 08:14:21 2006
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From: Andreas Willers <a.willers@arcor.de>
Subject: Re:Re: Gyorgy Ligeti choir sounds
Date: Wed, 14 Jun 2006 10:14:16 +0200
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Hi Mark,

the link to your Ligeti-choir sounds doesn't work for me - too bad.  
Since I am a big fan of his work and these kinds of soundsheets in  
particular I was really eager to listen to that. I have tried to copy  
that with guita&loop before with mixed result using slide, ebow,  
pitch bends etc. It's hard to get that really haunting type of feel  
though. Any recommendations? Mark, can you maybe email me an mp3  
directly?

Thanks, Andreas

From Loopers-Delight-request@loopers-delight.com  Wed Jun 14 10:12:54 2006
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Date: Wed, 14 Jun 2006 03:12:53 -0700 (PDT)
From: John Tidwell <wedgehed@yahoo.com>
Subject: Re: Againinator MkII ship date gets pushed back!
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Dear Gern,

My Againinator escaped into the wild some time ago. It
took up with a family of opossums & sired several
litters. Unfortunately, the offspring will only loop
at night, & even then they will only record Barbra
Streisand songs.

John 

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From Loopers-Delight-request@loopers-delight.com  Wed Jun 14 12:04:26 2006
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From: "Buzap Buzap" <buzap@gmx.net>
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References: <000c01c689a2$73ff8270$0101a8c0@succubus>
 <20060607083941.246960@gmx.net>
 <5B9D69FE-E008-455D-B71E-F4052D6D4A42@gmail.com>
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 <0A545D67-FC9D-472D-B51B-BACCE6F8427E@craigmccollough.com>
Subject: Re: Is it Ableton Live - or is it me? (MidiPipe & Prefab UI)
To: Loopers-Delight@loopers-delight.com
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Hey Craig

> If you're on a Mac you can probably use MidiPipe to trigger an  
> applescript to control the UI and change the tempo - although I  
> imagine there will probably be quite significant latency.
> MidiPipe: http://www.versiontracker.com/dyn/moreinfo/macosx/16154
> Prefab IU Browser: http://www.versiontracker.com/dyn/moreinfo/macosx/ 
> 18192
> Prefab UI Actions: http://www.versiontracker.com/dyn/moreinfo/macosx/ 
> 24580

This is really greate!!
Kid Beyond seems to be using MidiPipe more recently. This Prefab UI Browser/Actions seems VERY useful (not only for recording/looping btw).

If I only use the Prefab UI stuff for i.e. setting meter _between_ songs - is the rest of the setup still effected by latency issues?

Best regards
Buzap
-- 


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From Loopers-Delight-request@loopers-delight.com  Wed Jun 14 16:01:03 2006
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From: "William Walker" <billwalker@baymoon.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Againinator MkII ship date gets pushed back!
Date: Wed, 14 Jun 2006 09:01:01 -0700
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Thats rough, I had to kill mine when it wouldn't stop looping Mandy by Barry
Manilow.
Bill

-----Original Message-----
From: John Tidwell [mailto:wedgehed@yahoo.com]
Sent: Wednesday, June 14, 2006 3:13 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Againinator MkII ship date gets pushed back!


Dear Gern,

My Againinator escaped into the wild some time ago. It
took up with a family of opossums & sired several
litters. Unfortunately, the offspring will only loop
at night, & even then they will only record Barbra
Streisand songs.

John

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From Loopers-Delight-request@loopers-delight.com  Wed Jun 14 16:43:25 2006
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Date: Wed, 14 Jun 2006 09:43:18 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: RE: Boss RC-20 Loop Station - Voice Through?
To: Loopers-Delight@loopers-delight.com
In-Reply-To: <MEBBKFINKCBOGPHICKIKEEBMGJAA.adrian@adrianwest.com>
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If the RC-20 has a wet out only you could do this by
using a mixer and a multiple in/out audio interface. 
I don't know the capabilities of the Eurorack, but I
ended up with a Soundcraft board because I needed
something that had an out for each channel.  This
allows me to get a room mix using the board, but send
hot signal to my MOTU 828.  I use both effects sends
out to my looper (Repeater set on mute dry mute) but
return via a stereo pair main input.  Works like a
charm for recording because I have both my original
and the looped version.

Mark

--- Adrian West <adrian@adrianwest.com> wrote:

> Not possible.
> 
> Most recording software lets you set up loops -
> wouldn't that be easier?
> 
> Adrian West
> www.adrianwest.com
> 
> > -----Original Message-----
> > From: Diana Thompson
> [mailto:pushingair@hotmail.com]
> > Sent: Tuesday, June 13, 2006 10:06 AM
> > To: Loopers-Delight@loopers-delight.com
> > Subject: Boss RC-20 Loop Station - Voice Through?
> >
> >
> > I'm trying to record a demo using the RC-20, a
> Behringer Eurorack MX602A
> > mixing board, and Cakewalk on PC. I'd like to be
> able to send the
> > live voice
> > to one track and the looped voice to another.
> Right now, I can
> > set the live
> > voice to one track, but the Loopstation passes the
> live voice
> > along with the
> > looped voice to the second.
> >
> > Is there a method or a hack to bypass the live
> voice and send only the
> > loops?
> >
> > Thanks,
> >
> > Diana
> >
> >
>
_________________________________________________________________
> > On the road to retirement? Check out MSN Life
> Events for advice on how to
> > get there!
>
http://lifeevents.msn.com/category.aspx?cid=Retirement
> >
> 
> 
> 


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From Loopers-Delight-request@loopers-delight.com  Wed Jun 14 16:52:10 2006
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Date: Wed, 14 Jun 2006 09:52:09 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: RE: Againinator MkII ship date gets pushed back!
To: Loopers-Delight@loopers-delight.com
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Sorry, there won't be support for the Againinator MkI
as I had to make significant design changes to the
wetware interface to get the feature set working
correctly while minimizing the tendency of the
Againinator to turn on it's master.  I also want to go
on record saying that Againinator Research has never
advocated packs of villagers with tourches as a
work-around for the above bug.  It violates several
fire codes in CA and other states.

Dr. Charles Ashford

--- jeff larson <jeff.larson@sailpoint.com> wrote:

> 
> I hope all of us still waiting for the Againinator
> Mk I
> will be able to upgrade to the Mk II software when
> both are available!   Is the new code being
> optimized for the DNA in the Mk II?  
> 
> Jeff
> 
> 


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From Loopers-Delight-request@loopers-delight.com  Wed Jun 14 16:58:24 2006
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Date: Wed, 14 Jun 2006 09:58:06 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Againinator MkII ship date gets pushed back!
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Early versions of the Againinator did have some issues
due to attempts to bypass the urge for sexual
intercource.  If you can lure the Againinator back to
your studio this tendency can be disabled by inputing
a Leibach album set to loop over night.

--- John Tidwell <wedgehed@yahoo.com> wrote:

> Dear Gern,
> 
> My Againinator escaped into the wild some time ago.
> It
> took up with a family of opossums & sired several
> litters. Unfortunately, the offspring will only loop
> at night, & even then they will only record Barbra
> Streisand songs.
> 
> John 
> 
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam
> protection around 
> http://mail.yahoo.com 
> 
> 


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From Loopers-Delight-request@loopers-delight.com  Wed Jun 14 19:43:44 2006
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From: "samba -" <sambacomet@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: more to slide than blues?
Date: Wed, 14 Jun 2006 12:43:35 -0700
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An curios statement considering that slide was invented by Hawaiians.There 
was a huge hawaiin music fad in the 20s(.Ever seen the pictures of the 
college guy w/ a racoon skin coat ,a strw hat and a ukulele? that was as hip 
as a white guy could get ,for thatgeneration) Anyway Hawaiian music had a 
huge influence. and not just on Country  ,B.B.King has said part of his 
vocal lead style was influenced by Hawaiian steel guitar.


From Loopers-Delight-request@loopers-delight.com  Wed Jun 14 19:48:13 2006
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Date: Wed, 14 Jun 2006 12:46:58 -0700
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Subject: online interview
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I'm being interviewed in the WELL's Inkwell conference - 
http://www.well.com/inkwell

My looping work is being discussed, and of course I put in a plug for 
looper's delight!


This is not a live chat - it's an online conversation that will be 
"live" for two weeks and then archived permanently.

Stop by and take a look, and if you have a comment or question you 
can send it to inkwell@well.com




-- 

David Gans - david@trufun.com or david@gdhour.com
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
Blog:  http://playback.trufun.com

From Loopers-Delight-request@loopers-delight.com  Wed Jun 14 20:15:19 2006
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Has anyone seen this yet?

Looks pretty cool- my first though was for control of Loop Volume level on
RC-20's, but obviously it has a lot of fun potential.

http://www.musictoyz.com/guitar/pedals/tip.php

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From Loopers-Delight-request@loopers-delight.com  Wed Jun 14 20:20:58 2006
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Date: Wed, 14 Jun 2006 16:21:10 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: TIP 3rd Hand
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Electro Harmonix made one like it in the 1970s called the "Hot Foot"


http://www.harmony-central.com/Effects/Data/Electro_Harmonix/Hot_Foot-1.html


>Has anyone seen this yet?
>
>Looks pretty cool- my first though was for control of Loop Volume level on
>RC-20's, but obviously it has a lot of fun potential.
>
>http://www.musictoyz.com/guitar/pedals/tip.php
>
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 --></style><title>Re: TIP 3rd Hand</title></head><body>
<div><br></div>
<div>Electro Harmonix made one like it in the 1970s called the
&quot;Hot Foot&quot;</div>
<div><br></div>
<div><br></div>
<div><font face="Lucida Grande" size="-1"
color="#000000"
>http://www.harmony-central.com/Effects/Data/Electro_Harmonix/Hot_Foo<span
></span>t-1.html</font></div>
<div><br></div>
<div><br></div>
<blockquote type="cite" cite>Has anyone seen this yet?<br>
<br>
Looks pretty cool- my first though was for control of Loop Volume
level on<br>
RC-20's, but obviously it has a lot of fun potential.<br>
</blockquote>
<blockquote type="cite"
cite>http://www.musictoyz.com/guitar/pedals/tip.php<br>
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From Loopers-Delight-request@loopers-delight.com  Wed Jun 14 20:32:23 2006
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if you are interested in one of these, i have one laying around somewhere that i would let go for cheep.
i would also say that the smoothness of the knob you want to turn is important to the function of the 3rd hand.

brian

From Loopers-Delight-request@loopers-delight.com  Wed Jun 14 20:38:27 2006
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Date: Wed, 14 Jun 2006 13:35:46 -0700 (PDT)
From: Glenn Javaheri <glenn234@pacbell.net>
Subject: Re: OT Gear Sale: Pedal Steel
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Please forgive for the on-list pimpage, but as steel guitars have been discussed, though there might be an interested party here, before posting it elsewhere.
   
  Carter Starter (http://www.carterstarter.com/ , and reviewed here: http://onstagemag.com/ar/performance_carter_steel_guitars ) 10 String Pedal Steel, 3 Pedal, 4 Lever with wrench, learning DVD, papers, etc AND $75 Carter Hard Case.
   
  No volume pedal, but does include a tone bar.
   
  $650 for the lot in excellent condition. I got it to learn, but health and finances dictate that's have to happen another time.
   
  Please let me know if you're interested. This is located in San Jose, Ca
   
  Thanks,
  glenn
   
   
   

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<div>Please forgive for the on-list pimpage, but as steel guitars have been discussed, though there might be an interested party here, before&nbsp;posting it&nbsp;elsewhere.</div>  <div>&nbsp;</div>  <div>Carter Starter (http://www.carterstarter.com/&nbsp;, and reviewed here: <A href="http://onstagemag.com/ar/performance_carter_steel_guitars">http://onstagemag.com/ar/performance_carter_steel_guitars</A>&nbsp;) 10 String Pedal Steel, 3 Pedal, 4 Lever with wrench, learning DVD, papers,&nbsp;etc AND $75 Carter Hard Case.</div>  <div>&nbsp;</div>  <div>No volume pedal, but does include a tone bar.</div>  <div>&nbsp;</div>  <div>$650 for the lot in excellent condition. I got it to learn, but health and finances dictate that's have to happen another time.</div>  <div>&nbsp;</div>  <div>Please let me know if you're interested. This is located in San Jose, Ca</div>  <div>&nbsp;</div>  <div>Thanks,</div>  <div>glenn</div>  <div>&nbsp;</div>  <div>&nbsp;</div>  <div>&nbsp;</div>
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From Loopers-Delight-request@loopers-delight.com  Wed Jun 14 21:42:55 2006
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Subject: RE: more to slide than blues?
Date: Wed, 14 Jun 2006 14:42:53 -0700
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I think the comment was more about modern public perception rather than
historic fact. Kind of like saying pedal steel is for country music, because
that is the music it is most closely associated with, even in today's world
of "modern" country music. The popularity of Hawaiian music was a global
phenomena that spawned among other things the relatively modern tradition of
Hindustani slide guitar that began in the 40's, and I believe, but I may be
wrong, the development of the pedal steel guitar.
Bill

-----Original Message-----
From: samba - [mailto:sambacomet@hotmail.com]
Sent: Wednesday, June 14, 2006 12:44 PM
To: Loopers-Delight@loopers-delight.com
Subject: more to slide than blues?


An curios statement considering that slide was invented by Hawaiians.There
was a huge hawaiin music fad in the 20s(.Ever seen the pictures of the
college guy w/ a racoon skin coat ,a strw hat and a ukulele? that was as hip
as a white guy could get ,for thatgeneration) Anyway Hawaiian music had a
huge influence. and not just on Country  ,B.B.King has said part of his
vocal lead style was influenced by Hawaiian steel guitar.





From Loopers-Delight-request@loopers-delight.com  Wed Jun 14 22:28:40 2006
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From: Craig McCollough <craig@craigmccollough.com>
Subject: Re: Is it Ableton Live - or is it me? (MidiPipe & Prefab UI)
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Hi Buzap -

Shouldn't be too bad - it's just the added complexity of having to =20
invoke the applescript engine *and* the UI interaction engine.
Other operations within MidiPipe occur quickly (various operations =20
are more or less processor intensive, of course)

I think that using it to trigger applescripts to set song parameters =20
is a perfect application. The easiest example is to simply set up a =20
Live session, save it, and then use midipipe to trigger an =20
applescript to open each saved live session.

Cheers!
Craig

On Jun 14, 2006, at 5:04 AM, Buzap Buzap wrote:

> Hey Craig
>
>> If you're on a Mac you can probably use MidiPipe to trigger an
>> applescript to control the UI and change the tempo - although I
>> imagine there will probably be quite significant latency.
>> MidiPipe: http://www.versiontracker.com/dyn/moreinfo/macosx/16154
>> Prefab IU Browser: http://www.versiontracker.com/dyn/moreinfo/macosx/
>> 18192
>> Prefab UI Actions: http://www.versiontracker.com/dyn/moreinfo/macosx/
>> 24580
>
> This is really greate!!
> Kid Beyond seems to be using MidiPipe more recently. This Prefab UI =20=

> Browser/Actions seems VERY useful (not only for recording/looping =20
> btw).
>
> If I only use the Prefab UI stuff for i.e. setting meter _between_ =20
> songs - is the rest of the setup still effected by latency issues?
>
> Best regards
> Buzap
> --=20
>
>
> Der GMX SmartSurfer hilft bis zu 70% Ihrer Onlinekosten zu sparen!
> Ideal f=FCr Modem und ISDN: http://www.gmx.net/de/go/smartsurfer
>

From Loopers-Delight-request@loopers-delight.com  Wed Jun 14 22:47:22 2006
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tEd ® kiLLiAn wrote:
> Thanks for sharing this. It's not the sort of thing they mention on the 
> evening news.

Actually in Germany they did...

-- 
Stefan Tiedje------------x-------
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From Loopers-Delight-request@loopers-delight.com  Wed Jun 14 23:04:18 2006
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On Jun 14, 2006, at 3:47 PM, Stefan Tiedje wrote:

> tEd =AE kiLLiAn wrote:
>> Thanks for sharing this. It's not the sort of thing they mention =20
>> on the evening news.
>
> Actually in Germany they did...


It was on NPR:
http://www.npr.org/templates/story/story.php?storyId=3D5480242

also

http://www.npr.org/templates/story/story.php?storyId=3D5481615

regards

BobC


http://www.cdbaby.com/rpcollier
http://www.cdbaby.com/rpcollier2
http://tinyurl.com/cr25j
http://www.youtube.com/watch?v=3Dsn--iF6a4Xo=

From Loopers-Delight-request@loopers-delight.com  Wed Jun 14 23:22:41 2006
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Subject: Addressing a single Echoplex in a Stereo Setup
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Hi -

I know this has been discussed before, but I can't put my finger on it ...

I've got a typical stereo Plex setup (midi and brotherSync connections between
the two units) and use a programmable foot pedal (FCB1010) to control both. How
can I address just one of the two from the FCB1010 for that odd situation where
I want them to act independently.

Thanks!

- Clint Goss

Email: clint@goss.com
Web:   www.goss.com


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From: Richard Sales <richard@glasswing.com>
Subject: Re: more to slide than blues?
Date: Wed, 14 Jun 2006 16:32:49 -0700
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--Apple-Mail-1-222077587
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To be even more precise (thank you Bill), "more to slide than blues" 
was a response to our friend who bonked his finger.  He had said 
something in reference to blues and slide.  I said, "There's more to 
slide than blues."  So, Hawaiian (and all the other music) is a part of 
that 'more to'.   I didn't mean to dis Hawaiian music.

Just wanted to clarify.

So, in the spirit of curiosity & scholarship, I thought I'd check 
www.wikipedia.org to see what they had to say about slide guitar:

The technique of using a slide on a string has been traced by noted 
blues scholar and musician Dr. David Evans to a one-string 
toy-instrument: the "diddley bow," which resembles one-stringed African 
instruments. The tuning and bend filled playing style resembles the 
blues-harp. (van der Merwe 1989, pp. 66-67)
The technique was made popular by African American blues artists. Some 
of the blues artists who most prominently used the slide include gospel 
singer Blind Willie Johnson, Son House, and Robert Johnson. The sound 
has since become commonplace in country and Hawaiian music. It is also 
used occasionally in classic rock, mainly by bands such as Lynyrd 
Skynyrd and Led Zeppelin that have been heavily influenced by the 
blues.

I'll be dog gone!

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 14-Jun-06, at 12:43 PM, samba - wrote:

> An curios statement considering that slide was invented by 
> Hawaiians.There was a huge hawaiin music fad in the 20s(.Ever seen the 
> pictures of the college guy w/ a racoon skin coat ,a strw hat and a 
> ukulele? that was as hip as a white guy could get ,for thatgeneration) 
> Anyway Hawaiian music had a huge influence. and not just on Country  
> ,B.B.King has said part of his vocal lead style was influenced by 
> Hawaiian steel guitar.
>

--Apple-Mail-1-222077587
Content-Transfer-Encoding: 7bit
Content-Type: text/enriched;
	charset=US-ASCII

To be even more precise (thank you Bill), "more to slide than blues"
was a response to our friend who bonked his finger.  He had said
something in reference to blues and slide.  I said, "There's more to
slide than blues."  So, Hawaiian (and all the other music) is a part
of that 'more to'.   I didn't mean to dis Hawaiian music.  


Just wanted to clarify.  


So, in the spirit of curiosity & scholarship, I thought I'd check
www.wikipedia.org to see what they had to say about slide guitar:


<x-tad-bigger>The technique of using a slide on a string has been
traced by noted blues scholar and musician Dr. David Evans to a
one-string toy-instrument: the
"</x-tad-bigger><color><param>0000,2B2A,B8B7</param><x-tad-bigger>diddley
bow</x-tad-bigger></color><x-tad-bigger>," which resembles
one-stringed African instruments. The tuning and
</x-tad-bigger><color><param>0000,2B2A,B8B7</param><x-tad-bigger>bend</x-tad-bigger></color><x-tad-bigger>
filled playing style resembles the
</x-tad-bigger><color><param>0000,2B2A,B8B7</param><x-tad-bigger>blues-harp</x-tad-bigger></color><x-tad-bigger>.
(</x-tad-bigger><color><param>0000,2B2A,B8B7</param><x-tad-bigger>van
der Merwe 1989</x-tad-bigger></color><x-tad-bigger>, pp. 66-67)

The technique was made popular by African American
</x-tad-bigger><color><param>0000,2B2A,B8B7</param><x-tad-bigger>blues</x-tad-bigger></color><x-tad-bigger>
artists. Some of the blues artists who most prominently used the slide
include gospel singer
</x-tad-bigger><color><param>0000,2B2A,B8B7</param><x-tad-bigger>Blind
Willie Johnson</x-tad-bigger></color><x-tad-bigger>,
</x-tad-bigger><color><param>0000,2B2A,B8B7</param><x-tad-bigger>Son
House</x-tad-bigger></color><x-tad-bigger>, and
</x-tad-bigger><color><param>0000,2B2A,B8B7</param><x-tad-bigger>Robert
Johnson</x-tad-bigger></color><x-tad-bigger>. The sound has since
become commonplace in
</x-tad-bigger><color><param>0000,2B2A,B8B7</param><x-tad-bigger>country</x-tad-bigger></color><x-tad-bigger>
and
</x-tad-bigger><color><param>0000,2B2A,B8B7</param><x-tad-bigger>Hawaiian</x-tad-bigger></color><x-tad-bigger>
music. It is also used occasionally in
</x-tad-bigger><color><param>0000,2B2A,B8B7</param><x-tad-bigger>classic
rock</x-tad-bigger></color><x-tad-bigger>, mainly by bands such as
</x-tad-bigger><color><param>0000,2B2A,B8B7</param><x-tad-bigger>Lynyrd
Skynyrd</x-tad-bigger></color><x-tad-bigger> and
</x-tad-bigger><color><param>0000,2B2A,B8B7</param><x-tad-bigger>Led
Zeppelin</x-tad-bigger></color><x-tad-bigger> that have been heavily
influenced by the blues.


I'll be dog gone!

</x-tad-bigger>

<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 14-Jun-06, at 12:43 PM, samba - wrote:


<excerpt>An curios statement considering that slide was invented by
Hawaiians.There was a huge hawaiin music fad in the 20s(.Ever seen the
pictures of the college guy w/ a racoon skin coat ,a strw hat and a
ukulele? that was as hip as a white guy could get ,for thatgeneration)
Anyway Hawaiian music had a huge influence. and not just on Country 
,B.B.King has said part of his vocal lead style was influenced by
Hawaiian steel guitar.


</excerpt>
--Apple-Mail-1-222077587--

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Subject: Re: Addressing a single Echoplex in a Stereo Setup
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Hello Echoplex!  That's how.</honeymooners>

sorry, I'm sleep deprived and I couldn't help it.

--- Clint Goss <clint@goss.com> wrote:

> Hi -
> 
> I know this has been discussed before, but I can't
> put my finger on it ...
> 
> I've got a typical stereo Plex setup (midi and
> brotherSync connections between
> the two units) and use a programmable foot pedal
> (FCB1010) to control both. How
> can I address just one of the two from the FCB1010
> for that odd situation where
> I want them to act independently.
> 
> Thanks!
> 
> - Clint Goss
> 
> Email: clint@goss.com
> Web:   www.goss.com
> 
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Thu Jun 15 00:20:07 2006
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From: RP Collier <skeptikalist@gmail.com>
Subject: Re: Anthony Braxton, looping?
Date: Wed, 14 Jun 2006 17:20:01 -0700
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On Jun 13, 2006, at 7:53 PM, Jeff Kaiser wrote:

> Amazing Anthony Braxton video playing Coltrane's Impressions....the  
> solo grows and grows....
>
> http://www.youtube.com/watch?v=0o0AYFRFX7g


Indeed, thanks for that link.

One of the best, most inspiring concerts I have ever experienced was  
Braxton performing solo on soprano sax.
It was at an art center, maybe 300 people there. He arrived 45  
minutes late -- having gotten off the plane at the wrong airport in  
the wrong state -- stepped on stage and blew down the house.

For those interested, videos at YouTube can be downloaded and saved  
as .flv files using this:

http://keepvid.com/

regards

BobC



http://www.cdbaby.com/rpcollier
http://www.cdbaby.com/rpcollier2
http://tinyurl.com/cr25j
http://www.youtube.com/watch?v=sn--iF6a4Xo

From Loopers-Delight-request@loopers-delight.com  Thu Jun 15 02:58:37 2006
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Date: Wed, 14 Jun 2006 19:58:34 -0700
From: "Art Simon" <simart@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Gyorgy Ligeti, RIP
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	 <9f7a2868daaa75861872cd6c6fe8c60c@charter.net>
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Umm, I'm not sure the NPR story gives Ligeti his due: he's one of the
defining figures in modern music. I'd include him with Stravinsky,
Debussy, Bartok, Messiaen, Boulez, Lutoslawski, Kagel, Stockhausen,
Glass and Reich. A true genius, and his works, especially
Doppelkonzert, San Francisco Polyphony and Hungarian Rock, changed my
life. RIP, he will be missed.

On 6/14/06, RP Collier <skeptikalist@gmail.com> wrote:
>
> On Jun 14, 2006, at 3:47 PM, Stefan Tiedje wrote:
>
> > tEd (r) kiLLiAn wrote:
> >> Thanks for sharing this. It's not the sort of thing they mention
> >> on the evening news.
> >
> > Actually in Germany they did...
>
>
> It was on NPR:
> http://www.npr.org/templates/story/story.php?storyId=5480242
>
> also
>
> http://www.npr.org/templates/story/story.php?storyId=5481615
>
> regards
>
> BobC
>
>
> http://www.cdbaby.com/rpcollier
> http://www.cdbaby.com/rpcollier2
> http://tinyurl.com/cr25j
> http://www.youtube.com/watch?v=sn--iF6a4Xo
>


-- 
Art Simon
simart@null.net
http://art.simon.tripod.com
http://www.myspace.com/artsimon

From Loopers-Delight-request@loopers-delight.com  Thu Jun 15 04:01:41 2006
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At 4:14 PM -0400 6/14/06, Matthew.Quinn@sunlife.com wrote:
>Has anyone seen this yet?
>
>Looks pretty cool- my first though was for control of Loop Volume level on
>RC-20's, but obviously it has a lot of fun potential.
>
>http://www.musictoyz.com/guitar/pedals/tip.php

Got one; works well with no troubles.  A tiny bit pricey all 
considered, but it does exactly what it says on the package.  ;)

I use it primarily to do realtime tweaks of the "Color" knob on my 
Boss WP-20g Wave Processor, but it also works well for manipulating 
the Feedback on my DD-20 Giga Delay.

	--m.
-- 
_______
"Somewhere between anticipation and nostalgia we should have been happy."

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Date: Thu, 15 Jun 2006 00:04:28 -0400
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From: mech <mech@m3ch.net>
Subject: Re: Line 6 Tone Core Verbzilla
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At 5:06 AM -0400 6/12/06, Monica Lokisdottir wrote:
>Reptilian Guitar Diva here with yet another
>unasked for low-tech gear review...
>Line 6 ToneCore Verbzilla.

Thanks for the write-up, Monica.  After listening to the demos over 
on the Line 6 site, I've currently been considering the Verbzilla for 
some of the ambient/spacey/atmospheric effects.  Luckily, I really 
don't have an interest in using it for realistic 'verbs, so it sounds 
as if it may be right up my alley.  :)

	--m.
-- 
_______
"The future: everyone is housed, clothed, and fed, because everyone 
is in jail."

From Loopers-Delight-request@loopers-delight.com  Thu Jun 15 08:39:22 2006
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From: Steve Lawson <steve@steve-lawson.co.uk>
Subject: new Steve Lawson album now in stock...
Date: Thu, 15 Jun 2006 09:39:15 +0100
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Looplings,

my new album arrived from Sony yesterday, looking and smelling all  
lovely and sparkly and new.

The offer via my site to get a free download-only album of over an  
hour of exclusive extra stuff is still open til June 20th, which is  
the official release date. Head over to www.stevelawson.net/zencart/  
for more on that. The whole album is a live-in-the-studio affair,  
using the Looperlative for all the looping - what a joy to have  
stereo loopage, multiple sync'd or unsync'd tracks, hi-fi loveliness.  
It's all solo except two tracks with a special guest on each - BJ  
Cole plays pedal steel on one (his part was an overdub), and one tune  
is a live looped bass 'n' voice track with Julie McKee, the singer  
I'm doing the Edinburgh festival with this year... now that's a fun  
gig - looping and layering both of us on songs by The Cure, Slipknot,  
Green Day, John Martyn, Stevie Wonder... it's fab!

Those of you that have already ordered, it's on the way...

if you want to hear three tracks from it, check out my MySpace page -  
www.myspace.com/solobassstevelawson

cheers!

Steve
www.stevelawson.net - site
www.stevelawson.net/zencart/ - shop
http://steve.anthropiccollective.org - blog
www.myspace.com/solobassstevelawson



From Loopers-Delight-request@loopers-delight.com  Thu Jun 15 08:47:39 2006
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From: "Claude Voit" <c.voit@vtx.ch>
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Subject: Re: Addressing a single Echoplex in a Stereo Setup
Date: Thu, 15 Jun 2006 10:47:39 +0200
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this hasnt been discussed before so you did search :=)

It is possible but probably not with the fcb and not for the midi beginner

0- you need a midi controler that can send sys ex
1- you need to set the edp's on a different sys ex device ID nb p 10-6 edp+ 
manual
2- by sending the apropriate sys ex message you can change the mid chan 
recieve in one of the pair to make them respond to different channels
example: if you have edp A dev id 1 edp B dev id 2 both on midi chan 1

from the sys ex manual: global data :F0 00 01 30 0B dev vers 11 from length 
pset val_1 .. val_n F7

dev: device id. we want to talk to edp B so 2
version :01
11 . means global params data.
from: The global parameters index nb. Midi chan is index 2 so we enter 2
lenght: we send only one param value starting from the index nb so we enter 
1
pset :for future use: 7F
val: we want to set edp B to mid chan 2 so we enter 1 (chan 1 is entered 0)
F7 end of exclusive
the complete message in hexadecimal

F0 00 01 30 0B 02 01 11 01 01 7f 01 F7

3- once you have sent this message edp A is on ch 1 and B on ch 2

4- set your commands on your midi controler to access the edp you want by 
channel (create a second set of commands adressing midi chan 2)

5- to come back to stereo operation :F0 00 01 30 0B 02 01 11 01 01 7f 00 F7



hope this can help

Claude














---- Original Message ----- 

From: "Clint Goss" <clint@goss.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, June 15, 2006 1:22 AM
Subject: Addressing a single Echoplex in a Stereo Setup


> Hi -
>
> I know this has been discussed before, but I can't put my finger on it ...
>
> I've got a typical stereo Plex setup (midi and brotherSync connections 
> between
> the two units) and use a programmable foot pedal (FCB1010) to control 
> both. How
> can I address just one of the two from the FCB1010 for that odd situation 
> where
> I want them to act independently.
>
> Thanks!
>
> - Clint Goss
>
> Email: clint@goss.com
> Web:   www.goss.com
>
>
> 


From Loopers-Delight-request@loopers-delight.com  Thu Jun 15 09:21:47 2006
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Subject: re: slide, blues
From: jayrope <jrploopers@kliklak.net>
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> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

--B_3233215625_1899509
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sol hoopii

http://en.wikipedia.org/wiki/Sol_Hoopii



On 15.06.2006 01:04, "samba> wrote:

> Subject: more to slide than blues?
> 
> 
> An curios statement considering that slide was invented by Hawaiians.There
> was a huge hawaiin music fad in the 20s(.Ever seen the pictures of the
> college guy w/ a racoon skin coat ,a strw hat and a ukulele? that was as hip
> as a white guy could get ,for thatgeneration) Anyway Hawaiian music had a
> huge influence. and not just on Country  ,B.B.King has said part of his
> vocal lead style was influenced by Hawaiian steel guitar.
> 


--B_3233215625_1899509
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<HTML>
<HEAD>
<TITLE>re: slide, blues</TITLE>
</HEAD>
<BODY>
<FONT FACE=3D"Verdana">sol hoopii<BR>
<BR>
</FONT><FONT FACE=3D"Geneva">http://en.wikipedia.org/wiki/Sol_Hoopii<BR>
<BR>
</FONT><FONT FACE=3D"Verdana"><BR>
<BR>
On 15.06.2006 01:04, &quot;</FONT><FONT FACE=3D"Monaco"><TT>samba</TT></FONT>=
<FONT FACE=3D"Verdana">&gt; wrote:<BR>
<BR>
</FONT><BLOCKQUOTE><FONT FACE=3D"Monaco"><TT>Subject: more to slide than blue=
s?<BR>
<BR>
<BR>
An curios statement considering that slide was invented by Hawaiians.There<=
BR>
was a huge hawaiin music fad in the 20s(.Ever seen the pictures of the<BR>
college guy w/ a racoon skin coat ,a strw hat and a ukulele? that was as hi=
p<BR>
as a white guy could get ,for thatgeneration) Anyway Hawaiian music had a<B=
R>
huge influence. and not just on Country &nbsp;,B.B.King has said part of hi=
s<BR>
vocal lead style was influenced by Hawaiian steel guitar.<BR>
</TT></FONT></BLOCKQUOTE><FONT FACE=3D"Verdana"><BR>
</FONT>
</BODY>
</HTML>


--B_3233215625_1899509--

From Loopers-Delight-request@loopers-delight.com  Thu Jun 15 10:04:18 2006
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Subject: Re: Gyorgy Ligeti, RIP
Date: Thu, 15 Jun 2006 11:03:50 +0100
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Yes, I concur.  I saw the notice in the Telegraph here on the 13th - the day 
I went to see Fripp at St. Pauls - and wondered if he was thinking about 
Ligeti that day.
http://www.telegraph.co.uk/news/main.jhtml?xml=/news/2006/06/13/db1302.xml

----- Original Message ----- 
From: "Art Simon" <simart@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, 15 June, 2006 03:58 AM
Subject: Re: Gyorgy Ligeti, RIP


> Umm, I'm not sure the NPR story gives Ligeti his due: he's one of the
> defining figures in modern music. I'd include him with Stravinsky,
> Debussy, Bartok, Messiaen, Boulez, Lutoslawski, Kagel, Stockhausen,
> Glass and Reich. A true genius, and his works, especially
> Doppelkonzert, San Francisco Polyphony and Hungarian Rock, changed my
> life. RIP, he will be missed.
>
> On 6/14/06, RP Collier <skeptikalist@gmail.com> wrote:
>>
>> On Jun 14, 2006, at 3:47 PM, Stefan Tiedje wrote:
>>
>> > tEd (r) kiLLiAn wrote:
>> >> Thanks for sharing this. It's not the sort of thing they mention
>> >> on the evening news.
>> >
>> > Actually in Germany they did...
>>
>>
>> It was on NPR:
>> http://www.npr.org/templates/story/story.php?storyId=5480242
>>
>> also
>>
>> http://www.npr.org/templates/story/story.php?storyId=5481615
>>
>> regards
>>
>> BobC
>>
>>
>> http://www.cdbaby.com/rpcollier
>> http://www.cdbaby.com/rpcollier2
>> http://tinyurl.com/cr25j
>> http://www.youtube.com/watch?v=sn--iF6a4Xo
>>
>
>
> -- 
> Art Simon
> simart@null.net
> http://art.simon.tripod.com
> http://www.myspace.com/artsimon
>
>
>
>
> 

From Loopers-Delight-request@loopers-delight.com  Thu Jun 15 11:23:01 2006
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References: <20060613223041.57633.qmail@web30006.mail.mud.yahoo.com> <9f7a2868daaa75861872cd6c6fe8c60c@charter.net> <449091F6.1020102@addcom.de> <ABD587D0-C718-401E-A741-8F6E51DAFBF2@gmail.com> <588ce11d0606141958l6c9a169an2c6b3db271c9ada0@mail.gmail.com> <00b101c69063$013d3b70$0207a8c0@eluk1>
Subject: Some Serious Fun via EFF
Date: Thu, 15 Jun 2006 12:22:31 +0100
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Highly recommended, and if you abhor Flash you can download and play it 
yourself.

http://www.eff.org/corrupt/


From Loopers-Delight-request@loopers-delight.com  Thu Jun 15 11:41:13 2006
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From: "Claude Voit" <c.voit@vtx.ch>
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References: <3B760999C264454D82652640BB74075C071D98@keel.sailpoint.com>
Subject: Re: Againinator MkII ship date gets pushed back!
Date: Thu, 15 Jun 2006 13:41:13 +0200
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----- Original Message ----- 
From: "jeff larson" <jeff.larson@sailpoint.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, June 13, 2006 11:43 PM
Subject: RE: Againinator MkII ship date gets pushed back!



I hope all of us still waiting for the Againinator Mk I
will be able to upgrade to the Mk II software when
both are available!   Is the new code being
optimized for the DNA in the Mk II?

Jeff

I just read that they wont support neither lunix neither pussy OS
what are they thinking by leaving the whole music assisted computer world 
???
they definitly lost me as a customer by doing that

for sale studio used only MKI
 contact me off list please

CL02





From Loopers-Delight-request@loopers-delight.com  Thu Jun 15 13:13:26 2006
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From: goddard.duncan@mtvne.com
To: Loopers-Delight@loopers-delight.com
Subject: RE: Re: Gyorgy Ligeti choir sounds
Date: Thu, 15 Jun 2006 14:12:33 +0100
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>>the link to your Ligeti-choir sounds doesn't work for me - too bad.  Since
I am a big fan of his work and these kinds of soundsheets in particular I
was really eager to listen to that. I have tried to copy that with
guita&loop before with mixed result using slide, ebow, pitch bends etc. It's
hard to get that really haunting type of feel though. Any recommendations?<<

I have an alesis s4+ synth module which came with an "instant ligeti" patch
called, surprise surprise, "monolith". it comprises of layered choir sounds
towards the dark end of the vocalists' registers, & the layers have been set
up to pitch-bend away from each other very slowly & gracefully. it thus
evokes terror, being quite literally the sound of humans going off in
different directions whilst vocalising their tension/apprehension.

of course, we've used this noise very sparingly indeed, as it is instantly
recognisable as having been inspired by that space movie with the big black
thing in it. as I recall, the composer david bedford was fond of this kind
of thing too.

I should think (& I really ought to try this out) that a version of this
patch with mellotron choir as the basis would be truly scary. 

I did something similar with the mellotron strings (the one that's multiple
violins but hardly any cello) & a sampler, to evoke a storm-tossed sailing
ship encountering edgar allan poe's "maelstrom" for our album of the same
name. you know that feeling you get after too many drinks/spliffs/whatevers,
when the room starts to spin? the seasick mellotron can bring this feeling
on by itself.

d.


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<TITLE>RE: Re: Gyorgy Ligeti choir sounds</TITLE>
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<P><FONT SIZE=3D2>&gt;&gt;the link to your Ligeti-choir sounds doesn't work=
 for me - too bad.&nbsp; Since I am a big fan of his work and these kinds o=
f soundsheets in particular I was really eager to listen to that. I have tr=
ied to copy that with guita&amp;loop before with mixed result using slide, =
ebow, pitch bends etc. It's hard to get that really haunting type of feel t=
hough. Any recommendations?&lt;&lt;</FONT></P>

<P><FONT SIZE=3D2>I have an alesis s4+ synth module which came with an &quo=
t;instant ligeti&quot; patch called, surprise surprise, &quot;monolith&quot=
;. it comprises of layered choir sounds towards the dark end of the vocalis=
ts' registers, &amp; the layers have been set up to pitch-bend away from ea=
ch other very slowly &amp; gracefully. it thus evokes terror, being quite l=
iterally the sound of humans going off in different directions whilst vocal=
ising their tension/apprehension.</FONT></P>

<P><FONT SIZE=3D2>of course, we've used this noise very sparingly indeed, a=
s it is instantly recognisable as having been inspired by that space movie =
with the big black thing in it. as I recall, the composer david bedford was=
 fond of this kind of thing too.</FONT></P>

<P><FONT SIZE=3D2>I should think (&amp; I really ought to try this out) tha=
t a version of this patch with mellotron choir as the basis would be truly =
scary. </FONT></P>

<P><FONT SIZE=3D2>I did something similar with the mellotron strings (the o=
ne that's multiple violins but hardly any cello) &amp; a sampler, to evoke =
a storm-tossed sailing ship encountering edgar allan poe's &quot;maelstrom&=
quot; for our album of the same name. you know that feeling you get after t=
oo many drinks/spliffs/whatevers, when the room starts to spin? the seasick=
 mellotron can bring this feeling on by itself.</FONT></P>

<P><FONT SIZE=3D2>d.</FONT>
</P>

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From Loopers-Delight-request@loopers-delight.com  Thu Jun 15 13:26:56 2006
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> Hi Mark,
>
> the link to your Ligeti-choir sounds doesn't work for me - too
> bad.
> Since I am a big fan of his work and these kinds of soundsheets
> in
> particular I was really eager to listen to that.

Hi Andreas.
I'm suprised that link doesn't work. Try this:

http://tinyurl.com/ks7nj

>I have tried to
> copy
> that with guita&loop before with mixed result using slide,
> ebow,
> pitch bends etc. It's hard to get that really haunting type of
> feel
> though. Any recommendations? Mark, can you maybe email me an
> mp3
> directly?
>
> Thanks, Andreas

I used a Roland JD-800 keyboard with some choir sounds I'd created. The JD-800 has this slider called "Pitch Random", where the note that comes out will vary randomly around the note you played by an amount adjusted by the slider. If you hold the sustain pedal down and hit a lot of notes with "Pitch Random" all the way off, then you get a lot of copies of the same note. But as you turn up the slider, the new notes start drifting further away from the one you played. It sounds pretty cool.

There are several mp3s on the page of just the straight choir sounds, but only one real Ligeti-like mp3. I will attach it to an off-list email in case you still can't view the page. Hope this helps.

Mark

From Loopers-Delight-request@loopers-delight.com  Thu Jun 15 13:42:16 2006
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From: Paul Sullivan <paulsull@gis.net>
Subject: NYC (Park Slope) gig spam: Lambic at Barbes TONIGHT, Thursday at 7 pm--early show
Date: Thu, 15 Jun 2006 09:42:13 -0400
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Hi, everyone,

I'm sure some of you are looking forward to seeing Maceo Parker open up 
the Celebrate Brooklyn summer concert series at Prospect Park this 
Thursday, June 15th.  We are very excited to be opening up for him, 
albiet at a satellite  location just a couple of blocks away at 9th 
street and 6th avenue in Park Slope, Brooklyn at Barbes, a great 
neighborhood bar that also has one of the best music scenes in New 
York. This show is an early one, 7 pm to 8 pm  so all of you who 
couldn't make our later shows, this one is for you.

So here's the plan: arrive this Thursday by 7 pm to Barbes (376 9th 
Street, corner of 6th avenue, in Park Slope) to catch our set, then 
continue straight up 9th street 3 more blocks to the Prospect Park 
bandshell (and we'll be right there behind you). With all the opening 
festivities and hoopla (Marty Markowitz,--need I say more?),  Maceo 
won't take the stage until close to 9 pm, and our set  finishes 
promptly before 8 pm. Avoid the boring speeches and catch LAMBIC 
instead!! We're still kind of new at Barbes and we'd like to get a good 
turnout like last time, so PLEASE  come, and bring friends! From our 
myspace page http://myspace.com/lambic - Lambic is a style of Belgian 
ale that is spontaneously fermented from wild yeasts. Lambic is also a 
band featuring  Sullivan on guitars and effects, and Stephen Moses on 
drums, trombone, and effects. Lambic is spontaneously fermented music, 
free improvisation with a groove. For our loop-minded friends, looping 
tools include boomerangs, dl-4's, and PDS-8000

--Apple-Mail-54-273041391
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Hi, everyone,


I'm sure some of you are looking forward to seeing Maceo Parker open
up the Celebrate Brooklyn summer concert series at Prospect Park this
Thursday, June 15th.  We are very excited to be opening up for him,
albiet at a satellite  location just a couple of blocks away at 9th
street and 6th avenue in Park Slope, Brooklyn at Barbes, a great
neighborhood bar that also has one of the best music scenes in New
York. This show is an early one, 7 pm to 8 pm  so all of you who
couldn't make our later shows, this one is for you. 


So here's the plan: arrive this Thursday by 7 pm to Barbes (376 9th
Street, corner of 6th avenue, in Park Slope) to catch our set, then
continue straight up 9th street 3 more blocks to the Prospect Park
bandshell (and we'll be right there behind you). With all the opening
festivities and hoopla (Marty Markowitz,--need I say more?),  Maceo
won't take the stage until close to 9 pm, and our set  finishes
promptly before 8 pm. Avoid the boring speeches and catch LAMBIC
instead!! We're still kind of new at Barbes and we'd like to get a
good turnout like last time, so PLEASE  come, and bring friends! From
our myspace page
http://myspace.com/lambic<fontfamily><param>Verdana</param><x-tad-smaller> -
Lambic is a style of Belgian ale that is spontaneously fermented from
wild yeasts. Lambic is also a band featuring  Sullivan on guitars and
effects, and Stephen Moses on drums, trombone, and effects. Lambic is
spontaneously fermented music, free improvisation with a groove. For
our loop-minded friends, looping tools include boomerangs, dl-4's, and
PDS-8000</x-tad-smaller></fontfamily>


--Apple-Mail-54-273041391--

From Loopers-Delight-request@loopers-delight.com  Thu Jun 15 16:37:36 2006
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Subject: RE: slide, blues
Date: Thu, 15 Jun 2006 09:37:34 -0700
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re: slide, bluesI believe it was Sol Hoopii, who was  the hawaiin who
introduced lap steel playing to the indian music tradition, as a result of
being stranded in India while on tour by the Japanese blockade during WW11,
though I may be getting my Hawaiin slide masters mixed up.
Bill
  -----Original Message-----
  From: jayrope [mailto:jrploopers@kliklak.net]
  Sent: Thursday, June 15, 2006 2:27 AM
  To: Loopers-Delight@loopers-delight.com
  Subject: re: slide, blues


  sol hoopii

  http://en.wikipedia.org/wiki/Sol_Hoopii



  On 15.06.2006 01:04, "samba> wrote:


    Subject: more to slide than blues?


    An curios statement considering that slide was invented by
Hawaiians.There
    was a huge hawaiin music fad in the 20s(.Ever seen the pictures of the
    college guy w/ a racoon skin coat ,a strw hat and a ukulele? that was as
hip
    as a white guy could get ,for thatgeneration) Anyway Hawaiian music had
a
    huge influence. and not just on Country  ,B.B.King has said part of his
    vocal lead style was influenced by Hawaiian steel guitar.



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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD><TITLE>re: slide, blues</TITLE>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Dus-ascii">
<META content=3D"MSHTML 6.00.2900.2912" name=3DGENERATOR></HEAD>
<BODY>
<DIV><SPAN class=3D156383416-15062006><FONT face=3DArial color=3D#0000ff =
size=3D2>I=20
believe it was Sol Hoopii, who was&nbsp; the hawaiin who introduced lap =
steel=20
playing to the indian music tradition, as a result of being stranded in =
India=20
while on tour by the Japanese blockade during WW11, though I may be =
getting my=20
Hawaiin slide masters mixed up.<BR>Bill</FONT></SPAN></DIV>
<BLOCKQUOTE>
  <DIV class=3DOutlookMessageHeader dir=3Dltr align=3Dleft><FONT =
face=3DTahoma=20
  size=3D2>-----Original Message-----<BR><B>From:</B> jayrope=20
  [mailto:jrploopers@kliklak.net]<BR><B>Sent:</B> Thursday, June 15, =
2006 2:27=20
  AM<BR><B>To:</B> =
Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> re:=20
  slide, blues<BR><BR></FONT></DIV><FONT face=3DVerdana>sol=20
  hoopii<BR><BR></FONT><FONT=20
  =
face=3DGeneva>http://en.wikipedia.org/wiki/Sol_Hoopii<BR><BR></FONT><FONT=
=20
  face=3DVerdana><BR><BR>On 15.06.2006 01:04, "</FONT><FONT=20
  face=3DMonaco><TT>samba</TT></FONT><FONT face=3DVerdana>&gt; =
wrote:<BR><BR></FONT>
  <BLOCKQUOTE><FONT face=3DMonaco><TT>Subject: more to slide than=20
    blues?<BR><BR><BR>An curios statement considering that slide was =
invented by=20
    Hawaiians.There<BR>was a huge hawaiin music fad in the 20s(.Ever =
seen the=20
    pictures of the<BR>college guy w/ a racoon skin coat ,a strw hat and =
a=20
    ukulele? that was as hip<BR>as a white guy could get ,for =
thatgeneration)=20
    Anyway Hawaiian music had a<BR>huge influence. and not just on =
Country=20
    &nbsp;,B.B.King has said part of his<BR>vocal lead style was =
influenced by=20
    Hawaiian steel guitar.<BR></TT></FONT></BLOCKQUOTE><FONT=20
face=3DVerdana><BR></BLOCKQUOTE></FONT></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu Jun 15 17:02:53 2006
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To: Loopers-Delight@loopers-delight.com
From: Zoe Keating <cello@zoekeating.com>
Subject: Repeater fixit person?
Date: Thu, 15 Jun 2006 10:02:42 -0700
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I just got home at last from my musical travels (I've been away since  
April 22nd!) and one of the Repeaters got damaged on this last flight.
The tempo knob is pretty bent and the headphone volume knob got  
snapped off, metal and all.
Haven't turned everything on yet....fingers crossed!!

Separate issue, but one of the outputs is crackly and cleaning didn't  
help....

I seem to remember a mention of someone who can fix a Repeater.

Anyone know??

Thanks! Zoe

From Loopers-Delight-request@loopers-delight.com  Thu Jun 15 17:09:24 2006
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From: "Kevin Cheli-Colando" <kevin@minds-eye.org>
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Subject: Re: Repeater fixit person?
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Peter Toms
Condor Electronics Inc
125 North 36th Street
Seattle WA USA 98103
206 633 5190
206 633 0803 fax

He can also do some mods to reduce the noise floor and other good stuff.

Hope your Repeater is okay.

Kevin

> I just got home at last from my musical travels (I've been away since  
> April 22nd!) and one of the Repeaters got damaged on this last flight.
> The tempo knob is pretty bent and the headphone volume knob got  
> snapped off, metal and all.
> Haven't turned everything on yet....fingers crossed!!
> 
> Separate issue, but one of the outputs is crackly and cleaning didn't  
> help....
> 
> I seem to remember a mention of someone who can fix a Repeater.
> 
> Anyone know??
> 
> Thanks! Zoe
> 
> 

-- 
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:  http://www.minds-eye.org

From Loopers-Delight-request@loopers-delight.com  Thu Jun 15 17:09:33 2006
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Peter Toms
Condor Electronics Inc
125 North 36th Street
Seattle WA USA 98103
206 633 5190
206 633 0803 fax

He can also do some mods to reduce the noise floor and other good stuff.

Hope your Repeater is okay.

Kevin

> I just got home at last from my musical travels (I've been away since  
> April 22nd!) and one of the Repeaters got damaged on this last flight.
> The tempo knob is pretty bent and the headphone volume knob got  
> snapped off, metal and all.
> Haven't turned everything on yet....fingers crossed!!
> 
> Separate issue, but one of the outputs is crackly and cleaning didn't  
> help....
> 
> I seem to remember a mention of someone who can fix a Repeater.
> 
> Anyone know??
> 
> Thanks! Zoe
> 
> 

-- 
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:  http://www.minds-eye.org

From Loopers-Delight-request@loopers-delight.com  Thu Jun 15 17:09:54 2006
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From: "Kevin Cheli-Colando" <kevin@minds-eye.org>
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Subject: Re: Repeater fixit person?
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Peter Toms
Condor Electronics Inc
125 North 36th Street
Seattle WA USA 98103
206 633 5190
206 633 0803 fax

He can also do some mods to reduce the noise floor and other good stuff.

Hope your Repeater is okay.

Kevin

> I just got home at last from my musical travels (I've been away since  
> April 22nd!) and one of the Repeaters got damaged on this last flight.
> The tempo knob is pretty bent and the headphone volume knob got  
> snapped off, metal and all.
> Haven't turned everything on yet....fingers crossed!!
> 
> Separate issue, but one of the outputs is crackly and cleaning didn't  
> help....
> 
> I seem to remember a mention of someone who can fix a Repeater.
> 
> Anyone know??
> 
> Thanks! Zoe
> 
> 

-- 
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:  http://www.minds-eye.org

From Loopers-Delight-request@loopers-delight.com  Thu Jun 15 20:42:50 2006
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Subject: Slide
Date: Thu, 15 Jun 2006 13:42:45 -0700
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   At one tme I did graduate work in ethnomusicaolgy ,and my area of focus 
was the African roots of American music. The Diddey Bow,is not a slide  it's 
  single string  streched taught on a stick( or sometimes attached to the 
side of a building) and played percussively.It's called berimbau in brazil 
and there are many variations all over Africa,commonly adding a gourd 
resonator,which can be closed and opened by pressing against ,and moving 
from the body,causing a dynamic and pitch variation  further which adds  
rythmic epressiveness.Hugh Tracy's book on southern African instruments 
details one version which is ony played by Women ,who move the gourd on and 
off a breast.The only instrument I ever heard of that could physically only 
be played by one gender.  There are also versions where the string is 
connected to a very large stick which is rooted into the ground and a hole 
in the ground resonates the vibration.


From Loopers-Delight-request@loopers-delight.com  Thu Jun 15 20:58:13 2006
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Date: Thu, 15 Jun 2006 17:57:40 -0300
To: Loopers-Delight@loopers-delight.com
From: Ramiro Musotto <ramirose@ism.com.br>
Subject: Re: Slide
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You said berimbau .
That's my main instrument .
I do live looping with a lot of berimbaus playing together at 
different pitches .
regards
Ramiro

>   At one tme I did graduate work in ethnomusicaolgy ,and my area of 
>focus was the African roots of American music. The Diddey Bow,is not 
>a slide  it's  single string  streched taught on a stick( or 
>sometimes attached to the side of a building) and played 
>percussively.It's called berimbau in brazil and there are many 
>variations all over Africa,commonly adding a gourd resonator,which 
>can be closed and opened by pressing against ,and moving from the 
>body,causing a dynamic and pitch variation  further which adds 
>rythmic epressiveness.Hugh Tracy's book on southern African 
>instruments details one version which is ony played by Women ,who 
>move the gourd on and off a breast.The only instrument I ever heard 
>of that could physically only be played by one gender.  There are 
>also versions where the string is connected to a very large stick 
>which is rooted into the ground and a hole in the ground resonates 
>the vibration.

From Loopers-Delight-request@loopers-delight.com  Thu Jun 15 23:22:35 2006
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Date: Thu, 15 Jun 2006 16:22:32 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: TIP 3rd Hand
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Cute, but for much cheaper you can get these nice
thick rubber washers that go right over your knobs and
the bonus is that the twisty action you have to do to
turn the knob does wonders for your stage presence.

Mark

--- mech <mech@m3ch.net> wrote:

> At 4:14 PM -0400 6/14/06, Matthew.Quinn@sunlife.com
> wrote:
> >Has anyone seen this yet?
> >
> >Looks pretty cool- my first though was for control
> of Loop Volume level on
> >RC-20's, but obviously it has a lot of fun
> potential.
> >
> >http://www.musictoyz.com/guitar/pedals/tip.php
> 
> Got one; works well with no troubles.  A tiny bit
> pricey all 
> considered, but it does exactly what it says on the
> package.  ;)
> 
> I use it primarily to do realtime tweaks of the
> "Color" knob on my 
> Boss WP-20g Wave Processor, but it also works well
> for manipulating 
> the Feedback on my DD-20 Giga Delay.
> 
> 	--m.
> -- 
> _______
> "Somewhere between anticipation and nostalgia we
> should have been happy."
> 
> 


__________________________________________________
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Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Thu Jun 15 23:51:48 2006
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From: "D rH" <the.31st@gmail.com>
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------=_Part_123990_10307540.1150415505802
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Ramiro,
That sounds awesome. Do you have mp3's to listen to? :)

David


On 6/15/06, Ramiro Musotto <ramirose@ism.com.br> wrote:
>
> You said berimbau .
> That's my main instrument .
> I do live looping with a lot of berimbaus playing together at
> different pitches .
> regards
> Ramiro
>
> >   At one tme I did graduate work in ethnomusicaolgy ,and my area of
> >focus was the African roots of American music. The Diddey Bow,is not
> >a slide  it's  single string  streched taught on a stick( or
> >sometimes attached to the side of a building) and played
> >percussively.It's called berimbau in brazil and there are many
> >variations all over Africa,commonly adding a gourd resonator,which
> >can be closed and opened by pressing against ,and moving from the
> >body,causing a dynamic and pitch variation  further which adds
> >rythmic epressiveness.Hugh Tracy's book on southern African
> >instruments details one version which is ony played by Women ,who
> >move the gourd on and off a breast.The only instrument I ever heard
> >of that could physically only be played by one gender.  There are
> >also versions where the string is connected to a very large stick
> >which is rooted into the ground and a hole in the ground resonates
> >the vibration.
>
>

------=_Part_123990_10307540.1150415505802
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<div>Ramiro,</div>
<div>That sounds awesome. Do you have mp3's to listen to? :)</div>
<div>&nbsp;</div>
<div>David<br><br>&nbsp;</div>
<div><span class="gmail_quote">On 6/15/06, <b class="gmail_sendername">Ramiro Musotto</b> &lt;<a href="mailto:ramirose@ism.com.br">ramirose@ism.com.br</a>&gt; wrote:</span>
<blockquote class="gmail_quote" style="PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">You said berimbau .<br>That's my main instrument .<br>I do live looping with a lot of berimbaus playing together at
<br>different pitches .<br>regards<br>Ramiro<br><br>&gt;&nbsp;&nbsp; At one tme I did graduate work in ethnomusicaolgy ,and my area of<br>&gt;focus was the African roots of American music. The Diddey Bow,is not<br>&gt;a slide&nbsp;&nbsp;it's&nbsp;&nbsp;single string&nbsp;&nbsp;streched taught on a stick( or
<br>&gt;sometimes attached to the side of a building) and played<br>&gt;percussively.It's called berimbau in brazil and there are many<br>&gt;variations all over Africa,commonly adding a gourd resonator,which<br>&gt;can be closed and opened by pressing against ,and moving from the
<br>&gt;body,causing a dynamic and pitch variation&nbsp;&nbsp;further which adds<br>&gt;rythmic epressiveness.Hugh Tracy's book on southern African<br>&gt;instruments details one version which is ony played by Women ,who<br>&gt;move the gourd on and off a 
breast.The only instrument I ever heard<br>&gt;of that could physically only be played by one gender.&nbsp;&nbsp;There are<br>&gt;also versions where the string is connected to a very large stick<br>&gt;which is rooted into the ground and a hole in the ground resonates
<br>&gt;the vibration.<br><br></blockquote></div><br>

------=_Part_123990_10307540.1150415505802--

From Loopers-Delight-request@loopers-delight.com  Fri Jun 16 00:18:31 2006
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From: "William Walker" <billwalker@baymoon.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: TIP 3rd Hand
Date: Thu, 15 Jun 2006 17:18:31 -0700
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Cool, I've been eyeing those for a while, Had an electro harmonix one
decades ago, but that was before velcro and the thing would start to move a
smaller boss style pedal around.
Bill

-----Original Message-----
From: mark sottilaro [mailto:zerocrossing2001@yahoo.com]
Sent: Thursday, June 15, 2006 4:23 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: TIP 3rd Hand


Cute, but for much cheaper you can get these nice
thick rubber washers that go right over your knobs and
the bonus is that the twisty action you have to do to
turn the knob does wonders for your stage presence.

Mark

--- mech <mech@m3ch.net> wrote:

> At 4:14 PM -0400 6/14/06, Matthew.Quinn@sunlife.com
> wrote:
> >Has anyone seen this yet?
> >
> >Looks pretty cool- my first though was for control
> of Loop Volume level on
> >RC-20's, but obviously it has a lot of fun
> potential.
> >
> >http://www.musictoyz.com/guitar/pedals/tip.php
>
> Got one; works well with no troubles.  A tiny bit
> pricey all
> considered, but it does exactly what it says on the
> package.  ;)
>
> I use it primarily to do realtime tweaks of the
> "Color" knob on my
> Boss WP-20g Wave Processor, but it also works well
> for manipulating
> the Feedback on my DD-20 Giga Delay.
>
> 	--m.
> --
> _______
> "Somewhere between anticipation and nostalgia we
> should have been happy."
>
>


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around
http://mail.yahoo.com




From Loopers-Delight-request@loopers-delight.com  Fri Jun 16 00:34:23 2006
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Date: Thu, 15 Jun 2006 21:33:54 -0300
To: Loopers-Delight@loopers-delight.com
From: Ramiro Musotto <ramirose@ism.com.br>
Subject: Re: Slide
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>Ramiro,
>That sounds awesome. Do you have mp3's to listen to? :)
>
>David
>
>
>On 6/15/06, Ramiro Musotto 
><<mailto:ramirose@ism.com.br>ramirose@ism.com.br> wrote:
>
>You said berimbau .
>That's my main instrument .
>I do live looping with a lot of berimbaus playing together at
>different pitches .
>regards
>Ramiro
>
>>    At one tme I did graduate work in ethnomusicaolgy ,and my area of
>>focus was the African roots of American music. The Diddey Bow,is not
>>a slide  it's  single string  streched taught on a stick( or
>>sometimes attached to the side of a building) and played
>>percussively.It's called berimbau in brazil and there are many
>>variations all over Africa,commonly adding a gourd resonator,which
>>can be closed and opened by pressing against ,and moving from the
>>body,causing a dynamic and pitch variation  further which adds
>>rythmic epressiveness.Hugh Tracy's book on southern African
>>instruments details one version which is ony played by Women ,who
>>move the gourd on and off a breast.The only instrument I ever heard
>>of that could physically only be played by one gender.  There are
>>also versions where the string is connected to a very large stick
>>which is rooted into the ground and a hole in the ground resonates
>>the vibration.

--============_-1061704459==_ma============
Content-Type: text/html; charset="us-ascii"

<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: Slide</title></head><body>
<div><br></div>
<div><br></div>
<div><br></div>
<blockquote type="cite" cite>Ramiro,</blockquote>
<blockquote type="cite" cite>That sounds awesome. Do you have mp3's to
listen to? :)</blockquote>
<blockquote type="cite" cite>&nbsp;</blockquote>
<blockquote type="cite" cite>David<br>
<br>
&nbsp;</blockquote>
<blockquote type="cite" cite>On 6/15/06,<b> Ramiro Musotto</b> &lt;<a
href="mailto:ramirose@ism.com.br">ramirose@ism.com.br</a>&gt;
wrote:<br>
<blockquote>You said berimbau .<br>
That's my main instrument .<br>
I do live looping with a lot of berimbaus playing together at<br>
different pitches .<br>
regards<br>
Ramiro<br>
<br>
&gt;&nbsp;&nbsp; At one tme I did graduate work in ethnomusicaolgy
,and my area of<br>
&gt;focus was the African roots of American music. The Diddey Bow,is
not<br>
&gt;a slide&nbsp;&nbsp;it's&nbsp;&nbsp;single
string&nbsp;&nbsp;streched taught on a stick( or<br>
&gt;sometimes attached to the side of a building) and played<br>
&gt;percussively.It's called berimbau in brazil and there are many<br>
&gt;variations all over Africa,commonly adding a gourd
resonator,which<br>
&gt;can be closed and opened by pressing against ,and moving from
the<br>
&gt;body,causing a dynamic and pitch variation&nbsp;&nbsp;further
which adds<br>
&gt;rythmic epressiveness.Hugh Tracy's book on southern African<br>
&gt;instruments details one version which is ony played by Women
,who<br>
&gt;move the gourd on and off a breast.The only instrument I ever
heard<br>
&gt;of that could physically only be played by one
gender.&nbsp;&nbsp;There are<br>
&gt;also versions where the string is connected to a very large
stick<br>
&gt;which is rooted into the ground and a hole in the ground
resonates<br>
&gt;the vibration.</blockquote>
</blockquote>
<div><br></div>
</body>
</html>
--============_-1061704459==_ma============--

From Loopers-Delight-request@loopers-delight.com  Fri Jun 16 03:44:30 2006
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Subject: Re: More to slide than blues
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At 00:04 15/06/2006, you wrote:
>The popularity of Hawaiian music was a global
>phenomena that spawned among other things the relatively modern tradition of
>Hindustani slide guitar that began in the 40's, and I believe, but I may be
>wrong, the development of the pedal steel guitar.
>Bill

...and in India they'd already used slide on a Vichitra Vina. Though 
I'm not clear where
the idea came from.
Says here that the instrument's been around for 100 years only.

http://chandrakantha.com/articles/indian_music/gotuvadyam.html

http://www.indian-instruments.com/stringed_instruments/vichitra_vina.htm


>An curios statement considering that slide was invented by Hawaiians.
>samba

Interesting question, what other slide instruments are there?
...does a Berimbau count? that would probably have to be the earliest

andy butler 

From Loopers-Delight-request@loopers-delight.com  Fri Jun 16 07:11:09 2006
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Date: Fri, 16 Jun 2006 00:11:06 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: Way OT: EM fingers!
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I recently dicovered a small lump on my left ring
tendon that was sort of bothering me when playing
guitar and went to the doctor and found out is a
finger ganglion.I am still debating wether i should
let them operate it because there arent any guarantees
of anything,it oculd come back,ruin a nerve numbing
the finger etc.it is specially frustrating and
depressing being left handed...
Luis



--- "Torstein H. Rem" <trem@broadpark.no> wrote:

> Good luck with your recovery!
> 
> I was making some wooden racks for the studio a few
> years ago and hit the
> left hand with a sharp knife. Cut the nerve etc in
> the left index finger. 
> Immediately
> knew this was seriously bad. Like a tight string
> breaking.
> The surgeon was an expert on micro surgery but
> couldn`t promise anything.
> 
> Today part of the finger is still kind of numb and a
> little stiff.
> It`s the pemanent feeling of being hit it with a
> hammer a few hours ago. 
> ;-/)
> 
> The good news -
> When playing any stringed instrument I really forget
> about it (possibl It`s 
> surprising and amazing
> how adaptable we humans are.
> 
> 
> 
> 
> ----- Original Message ----- 
> From: "Stephen Goodman" <spgoodman@earthlight.net>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Wednesday, June 14, 2006 12:00 AM
> Subject: Re: Way OT: EM fingers!
> 
> 
> >I really appreciate the input so far -- It so
> happens that I HAVE an 
> >acupuncturist who's very good.  I'm going to start
> with her and see how it 
> >goes.  The most troubling part is the hard bit
> inside, I know it's forming 
> >scar tissue, so as long as I can get the feeling
> back it'll be fine... 
> >Hell, I can still type 60wpm, so it couldn't be
> that bad.  I'm more worried 
> >about the fact that even with feeling I've gotten
> some hellacious blisters 
> >just by not paying too much attention.  Of course
> the more ecstatic I get 
> >by playing, ah well, but am it Art? :)
> >
> > Cheers everyone.
> >
> > ----- Original Message ----- 
> > From: "mark sottilaro"
> <zerocrossing2001@yahoo.com>
> > To: <Loopers-Delight@loopers-delight.com>
> > Sent: Tuesday, 13 June, 2006 22:43 PM
> > Subject: Re: Way OT: EM fingers!
> >
> >
> >>I cut my left hand pinky once with a hunting
> knife.
> >> Right down to the bone starting at the top and
> ending
> >> down near the first knuckle.  FUN!
> >>
> >> I didn't play for nearly a year.  I'm sure I
> probably
> >> could have but I think I lapsed into a bit of a
> >> depression/fear of it.  It took years to get full
> >> feeling from it, but there was 80% fairly early. 
> My
> >> doctor told me I'd never play the paino again and
> he
> >> was right.  Luckily, I never had before the
> injury so
> >> it wasn't much of a loss. ;)
> >>
> >> I can't say you'll have the same experience, but
> don't
> >> let yourself get mentally held back by your
> injury.
> >> Work through the pain.  I'm sorry I didn't.
> >>
> >> Mark
> >>
> >>> > [Original Message]
> >>> > From: Stephen Goodman
> <spgoodman@earthlight.net>
> >>> > To: <Loopers-Delight@loopers-delight.com>
> >>> > Date: 6/13/2006 4:41:33 AM
> >>> > Subject: Re: Way OT: EM fingers!
> >>> >
> >>> > I stupidly crushed the end of my
> >>> left middle finger
> >>> between
> >>> > two big flagstones around 3 weeks ago,
> splitting
> >>> the end like a melon.
> >>
> >>
> __________________________________________________
> >> Do You Yahoo!?
> >> Tired of spam?  Yahoo! Mail has the best spam
> protection around
> >> http://mail.yahoo.com
> >>
> >>
> >>
> >>
> >>
> >
> > 
> 
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Fri Jun 16 13:15:44 2006
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Hey gang,

I just picked up a used Lexicon Jamman with the original 8 seconds. Is the 
memory still available somewhere to upgrade it to 32 seconds? Can anybody 
point me to what specific kind of memory chips it uses, and/or some places 
to buy them? Any estimates of how much that would cost nowadays?

thanks!!


From Loopers-Delight-request@loopers-delight.com  Fri Jun 16 14:02:38 2006
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I've got the 32 second memory upgrade available for $40 + $5 shipping. I
accept paypal (my account is edmondson5 <at> comcast <dot> net).

> -----Original Message-----
> From: jj 179 [mailto:jj179subs@hotmail.com]
> Sent: Friday, June 16, 2006 9:16 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: Lexicon Jamman memory?
> 
> Hey gang,
> 
> I just picked up a used Lexicon Jamman with the original 8 seconds. Is the
> memory still available somewhere to upgrade it to 32 seconds? Can anybody
> point me to what specific kind of memory chips it uses, and/or some places
> to buy them? Any estimates of how much that would cost nowadays?
> 
> thanks!!


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From: "Timothy Mungenast" <mungenast@earthlink.net>
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------=_NextPart_84815C5ABAF209EF376268C8
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Hi Gang:

I was wondering if you could help me with this hardware problem--my Lexicon MPX-500 is not a unity-gain device. Even with the output maxed in the Systems menu (yeah, I have the manual ;-) there is still an appreciable drop in volume when I  take it out of bypass. This means that it's not useful for live guitar use, but it's WAY too hissy to record with, so all I can use it for is to amuse myself in my basement music room. I had foreseen greater things for it, just the little box and me, blowing minds together at my concerts, but until I get the fershlugginer thing up to unity gain, that ain't gonna happen.

Oddly enough, this is not a problem with the tremolo patches, which do not suck volume at all.  :-0  :-0  :-0

This box sounds too damned good to keep home. I'd be very grateful for any ideas.

Yours in Sound,
Tim 


Timothy Mungenast
mungenast@earthlink.net
Why Wait? Move to EarthLink.
------=_NextPart_84815C5ABAF209EF376268C8
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<META content="MSHTML 6.00.2800.1528" name=GENERATOR></HEAD>
<BODY>
<P>
<DIV>Hi Gang:</DIV>
<DIV>&nbsp;</DIV>
<DIV>I was wondering if you could help me with this hardware problem--my Lexicon MPX-500 is not a unity-gain device. Even with the output maxed in the Systems menu (yeah, I have the manual ;-) there is still an appreciable drop in volume when I&nbsp; take it out of bypass. This means that it's not useful for live guitar use, but it's WAY too hissy to record with, so all I can use it for is to amuse myself in my basement music room. I had foreseen greater things for it, just the little box and me, blowing minds together at my concerts, but until I get the fershlugginer thing up to unity gain, that ain't gonna happen.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Oddly enough, this is not a problem with the tremolo patches, which&nbsp;do not suck volume at all.&nbsp; :-0&nbsp; :-0&nbsp; :-0</DIV>
<DIV>&nbsp;</DIV>
<DIV>This box sounds too damned good to keep home.&nbsp;I'd be very grateful for any ideas.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Yours in Sound,</DIV>
<DIV>Tim&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>Timothy Mungenast</DIV>
<DIV><A href="mailto:mungenast@earthlink.net">mungenast@earthlink.net</A></DIV>
<DIV>Why Wait? Move to EarthLink.</DIV>
<DIV>&nbsp;</DIV>
<P></P></BODY></HTML>
------=_NextPart_84815C5ABAF209EF376268C8--

From Loopers-Delight-request@loopers-delight.com  Fri Jun 16 15:18:58 2006
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From: Kevin <kevin@TheNettles.com>
Subject: Ganglion
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At 12:11 AM 6/16/2006, you wrote:
>I recently dicovered a small lump on my left ring
>tendon that was sort of bothering me when playing
>guitar and went to the doctor and found out is a
>finger ganglion.I am still debating wether i should
>let them operate it because there arent any guarantees
>of anything,it oculd come back,ruin a nerve numbing
>the finger etc.it is specially frustrating and
>depressing being left handed...

I'm not a doctor so you'd be a fool to follow my advice but...

I have had ganglions on the back of my hand in the past when my 
technique wasn't good.  The best advice I got was to rest the area 
until my body repaired the synovial sheath shrank the ganglion.  I 
also worked on my technique--I was using too much force and bending 
my wrist when I played so I played with a wrist brace for awhile to 
unlearn bad habits.

If you cut (or pop) the synovial sheath, you weaken it.  So yeah, 
your chances of getting another ganglion increase.

Best wishes,
Kevin

The Nettles: Progressive and Exciting Celtic Music
www.TheNettles.com

From Loopers-Delight-request@loopers-delight.com  Fri Jun 16 16:06:44 2006
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From: nico spahni <nicosp@gmx.net>
Subject: Re: Ganglion
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I once followed the advice I had found in an old guide to self-care and 
home medicines. The advice was to hit the ganglion with a rubber hammer 
or something similar. It hurt like hell but it went away.

Good luck (and get some painkillers before you swing the hammer :-)

Nico

P.S. No liability assumed in use of this information!



Am 16.06.2006 um 17:18 schrieb Kevin:

> At 12:11 AM 6/16/2006, you wrote:
>> I recently dicovered a small lump on my left ring
>> tendon that was sort of bothering me when playing
>> guitar and went to the doctor and found out is a
>> finger ganglion.I am still debating wether i should
>> let them operate it because there arent any guarantees
>> of anything,it oculd come back,ruin a nerve numbing
>> the finger etc.it is specially frustrating and
>> depressing being left handed...
>
> I'm not a doctor so you'd be a fool to follow my advice but...
>
> I have had ganglions on the back of my hand in the past when my 
> technique wasn't good.  The best advice I got was to rest the area 
> until my body repaired the synovial sheath shrank the ganglion.  I 
> also worked on my technique--I was using too much force and bending my 
> wrist when I played so I played with a wrist brace for awhile to 
> unlearn bad habits.
>
> If you cut (or pop) the synovial sheath, you weaken it.  So yeah, your 
> chances of getting another ganglion increase.
>
> Best wishes,
> Kevin
>
> The Nettles: Progressive and Exciting Celtic Music
> www.TheNettles.com
>

From Loopers-Delight-request@loopers-delight.com  Fri Jun 16 16:59:22 2006
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Subject: DOD FX25 envelope filter interesting discovery
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A few weeks ago I posted asking for ideas on what part I needed to fix the
contact button on an old DOD stompbox. I eventually called Harman music
(who owns DOD) and the were super friendly and just mailed me the part
free. I soldered it in and all is well on this 20+ year old little green
box.

In the meantime I bought another one from someone. They confirmed it was
the "green older two knob version" so I figured I'd use one as a
spare. Well it arrived and indeed was an older version but it also a
metalic green type paint. Different color than my real old one.

No big deal I told myself but when I plugged it in I noticed it seemed a
little different. I dug out my other original flat green pedals and A/B'd
them for about half and hour last night.  

I often hear the "old two knob fx25 *sounds*  better than the current
FX25B three knob one). What I discovered is there is pretty obvious
difference in the two different "two knob" versions in an of themselves.

The flat green one looks like this:  
http://guitargeek.com/gear/img/dod_fx25.gif

This unit sounds amazing with guitar. It is incredibly expressive and
sensitive to picking and volume changes. Very juicy and wet. I woudl say
this is more "delicate" in it's sound as it picks up almost everything and
can be a soft warble or a louder sweep. 

The metallic green one looks like this:
http://www.effectsdatabase.com/model/754/

This unit has more rumbling and low end and is not as sensitive and 
expressive. It is a bit more "dark" and direct. You have to pick harder to
get a similar effect and it sweeps more readily than the older one. It
also seems to have a point on the range at about 2-3 o'clock where is
opens up dramatically where the other one is a smooth tranistion all
around. It does sound very wet as well but is more "raw" if that makes
sense. The metallic unit I have is "rev G" on the mother board.

I don't know how these compare to the current FX25B which adds a third
"blend" knob to the mix. I would guess however that that model has more in
common with the metallic later rev than the original flat green unit.

Both are nice autowahs certainly and if you're not picky both would
probably suit all applications. I'm thinking the older one is perfect for
guitar and bass and instruments with more dynamics. The later rev might be
more interesting for drum machines or processing samples and such. 

They are certainly cheap enough used (usually around $25-30 or so) and
even new the FX25B is only $40 so they're interesting enough to experiment
with. 

I guess my conclusion is when people say "the newer one isn't as good as
the older one" I don't know if that is true or not. Or more accurately
*which* older one are they comparing it to. IMO the original all green
unit is the "best" sounding and the most playable. It could be the
metallic one is the later rev that mutated into the current model and is
very similar to it. 

Well regardless they are all fun and for the $$ can't be beat. I ran both
of them together in my mini marshall of course and had waaay more warble
than is healthy :)

Hope that geeky info helps someone. 

__________________________________________________________________
HELP WANTED PRODUCTIONS - Http://www.HelpWantedProductions.com
"Bringing you the best in Organic Electronic music since we started..."

Home of the Unusual Instrument and Recording Gallery with pictures and
info of Tube recorders, Omnichords, weird guitars, Casios, and more.





From Loopers-Delight-request@loopers-delight.com  Fri Jun 16 19:30:06 2006
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References: <001c01c69058$5bf236c0$0400000a@mini>
Subject: Re: Addressing a single Echoplex in a Stereo Setup
Date: Fri, 16 Jun 2006 21:29:53 +0200
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OH MY GOD Claude!!! THATS COMPLEX!!!!
Jeez, I was saving up for a second EDP (anyone got one going cheap?)just =
so=20
i could do what Clint described... as in NOT have them working in =
stereo...=20
wondering whether to bother now...!!!

Now before I go to the manual (and I DO realise that you are one of the =
EDP=20
Wizards Claude) but isnt there a simpler way? by setting the second EDPs =

offset way outa range of the first, THEN programming a second  bank of =
FCB=20
pedals to do what you want.. then you need a way to whizz back to stereo =

operation..(have to look that one up) but then the first FCB bank will=20
control both EDP's... wont it???

To summerise, FCB bank one controls EDP 1 AND both in stereo. FCB bank =
two=20
controls EDP bank 2.


MArk



Subject: Re: Addressing a single Echoplex in a Stereo Setup


> this hasnt been discussed before so you did search :=3D)
>
> It is possible but probably not with the fcb and not for the midi =
beginner
>
> 0- you need a midi controler that can send sys ex
> 1- you need to set the edp's on a different sys ex device ID nb p 10-6 =

> edp+ manual
> 2- by sending the apropriate sys ex message you can change the mid =
chan=20
> recieve in one of the pair to make them respond to different channels
> example: if you have edp A dev id 1 edp B dev id 2 both on midi chan 1
>
> from the sys ex manual: global data :F0 00 01 30 0B dev vers 11 from=20
> length pset val_1 .. val_n F7
>
> dev: device id. we want to talk to edp B so 2
> version :01
> 11 . means global params data.
> from: The global parameters index nb. Midi chan is index 2 so we enter =
2
> lenght: we send only one param value starting from the index nb so we=20
> enter 1
> pset :for future use: 7F
> val: we want to set edp B to mid chan 2 so we enter 1 (chan 1 is =
entered=20
> 0)
> F7 end of exclusive
> the complete message in hexadecimal
>
> F0 00 01 30 0B 02 01 11 01 01 7f 01 F7
>
> 3- once you have sent this message edp A is on ch 1 and B on ch 2
>
> 4- set your commands on your midi controler to access the edp you want =
by=20
> channel (create a second set of commands adressing midi chan 2)
>
> 5- to come back to stereo operation :F0 00 01 30 0B 02 01 11 01 01 7f =
00=20
> F7
>
>
>
> hope this can help
>
> Claude
>
>
>
>
>
>
>
>
>
>
>
>
>
>
> ---- Original Message -----=20
>
> From: "Clint Goss" <clint@goss.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Thursday, June 15, 2006 1:22 AM
> Subject: Addressing a single Echoplex in a Stereo Setup
>
>
>> Hi -
>>
>> I know this has been discussed before, but I can't put my finger on =
it=20
>> ...
>>
>> I've got a typical stereo Plex setup (midi and brotherSync =
connections=20
>> between
>> the two units) and use a programmable foot pedal (FCB1010) to control =

>> both. How
>> can I address just one of the two from the FCB1010 for that odd =
situation=20
>> where
>> I want them to act independently.
>>
>> Thanks!
>>
>> - Clint Goss
>>
>> Email: clint@goss.com
>> Web:   www.goss.com
>>
>>
>>
>=20

--=20
----------------------------------------
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It has removed 16057 spam emails to date.
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From Loopers-Delight-request@loopers-delight.com  Fri Jun 16 20:17:29 2006
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Date: Fri, 16 Jun 2006 13:17:23 -0700
From: Paul Richards <paulrichard10@adelphia.net>
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Subject: RC-50 Users Must Be Busy
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Hi:

I can't believe the RC-50 talk died off so quick. I'm assuming the users are busy as bees with their new toy. I had the opportunity to use mine twice (only) so far for practice only. I thought it was a fairly intuitive unit (if one does a modicum of study of the manual) and was looping in a matter of minutes. The most difficult thing I encountered was figuring how to connect the looper to my sound environment. I wanted to hook it to my patchbay so I could route a variety of synths and my guitar to it but my mixer (Onyx) doesn't have true sends (there s a DB-25 connecter to multiple 1/4 inch out snake that needs purchased).

I ended up routing the output of my amp (Cyber Twin) to the RC-50's mike connect using the XLR input. and routing the Main outs to a stereo input on my mixer.

I 'think' I noticed the glitch someone else mentioned at the beginning of the recorded loop the first time around but it happens so quick and disappears that I haven't found it to be a problem (yet). 

It seems like the overdubs get a tad muddy rather quickly but the quality is still not half bad. I still have level issues I need to work out - I'm not sure if I'm sending too hot a signal into the RC-50 or if it's the quirk of the unit.

All & all, though, I'm happy with the RC-50. For its price point, it's got a lot going for it. 

--
Paul Richards

From Loopers-Delight-request@loopers-delight.com  Fri Jun 16 20:30:47 2006
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Subject: Re: RC-50 Users Must Be Busy
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continuing my thoughts on the rc50, i have continued to find it a nice unit.  
 i've used it in ways i had not anticipated, ie., single mode loops from 
section A to section B, which i had not done before.   mostly using that for 
compositional stuff, hearing how sections would sound back to back.   i also 
confess that i have used the rhythm tracks to do some writing.   initially i thought 
there was no way i'd mess with those, but i burried my attitude and had some 
fun with it.

for me, whether i keep the unit or return it hinges on that damn "glitch" as 
paul calls it at the end of the record and the begining of the playback.   it 
bothers me that much.   i'm really not sure what to do about it.   playing 
through it just seems like a lame way to get around it.   the fact of the matter 
is it shouldn't be there.   if anyone else has experienced this and truly has 
found a consistent way around it, i'd be all ears.   maybe i do quieter loops 
than others, as when i try to loop more subtle chord progressions or motifs 
with any space in there, it really is jarring.......again, only for the first 
time around, but still, that's just ridiculous.   maybe i should try another one 
somewhere and see if maybe mine is particularly bad.

so in closing, still having fun, but still frustrated as well,
john

--part1_410.4276076.31c46eef_boundary
Content-Type: text/html; charset="US-ASCII"
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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2">continuing my thoughts on the rc50, i h=
ave continued to find it a nice unit.&nbsp;  i've used it in ways i had not=20=
anticipated, ie., single mode loops from section A to section B, which i had=
 not done before.&nbsp;  mostly using that for compositional stuff, hearing=20=
how sections would sound back to back.&nbsp;  i also confess that i have use=
d the rhythm tracks to do some writing.&nbsp;  initially i thought there was=
 no way i'd mess with those, but i burried my attitude and had some fun with=
 it.<BR>
<BR>
for me, whether i keep the unit or return it hinges on that damn "glitch" as=
 paul calls it at the end of the record and the begining of the playback.&nb=
sp;  it bothers me that much.&nbsp;  i'm really not sure what to do about it=
.&nbsp;  playing through it just seems like a lame way to get around it.&nbs=
p;  the fact of the matter is it shouldn't be there.&nbsp;  if anyone else h=
as experienced this and </FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMIL=
Y=3D"SANSSERIF" SIZE=3D"2"><I>truly</I></FONT><FONT COLOR=3D"#000000" FACE=
=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"> has found a consistent way arou=
nd it, i'd be all ears.&nbsp;  maybe i do quieter loops than others, as when=
 i try to loop more subtle chord progressions or motifs with any space in th=
ere, it really is jarring.......again, only for the first time around, but s=
till, that's just ridiculous.&nbsp;  maybe i should try another one somewher=
e and see if maybe mine is particularly bad.<BR>
<BR>
so in closing, still having fun, but still frustrated as well,<BR>
john</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=
=3D"2"></FONT></HTML>

--part1_410.4276076.31c46eef_boundary--

From Loopers-Delight-request@loopers-delight.com  Fri Jun 16 20:40:09 2006
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Subject: slide, Sol Hoopi
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Curiosly there are stories floating around in Hawaii,esp on Oahu that an 
Indian guy stranded in Honolulu introduced slide.But there's no evidence of 
a previous slide tradition in India. THe Sarangis and Sarod are played by 
using parts of the fingernails as slides,but that's not quite the same.It's 
pretty  well established that Joseph Kekuku invented slide while he was a 
student at the Kamehameha schools.


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My friend mentioned to me that he contacted boss about a different issue as
well. he tried to slave it to his drum machine midi clock and it would not
stay in sync. They've acknowledged the problem and said he should make the
rc-50 master only.

 

  _____  

From: Jfloridis@aol.com [mailto:Jfloridis@aol.com] 
Sent: Friday, June 16, 2006 4:31 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: RC-50 Users Must Be Busy

 

continuing my thoughts on the rc50, i have continued to find it a nice unit.
i've used it in ways i had not anticipated, ie., single mode loops from
section A to section B, which i had not done before.  mostly using that for
compositional stuff, hearing how sections would sound back to back.  i also
confess that i have used the rhythm tracks to do some writing.  initially i
thought there was no way i'd mess with those, but i burried my attitude and
had some fun with it.

for me, whether i keep the unit or return it hinges on that damn "glitch" as
paul calls it at the end of the record and the begining of the playback.  it
bothers me that much.  i'm really not sure what to do about it.  playing
through it just seems like a lame way to get around it.  the fact of the
matter is it shouldn't be there.  if anyone else has experienced this and
truly has found a consistent way around it, i'd be all ears.  maybe i do
quieter loops than others, as when i try to loop more subtle chord
progressions or motifs with any space in there, it really is
jarring.......again, only for the first time around, but still, that's just
ridiculous.  maybe i should try another one somewhere and see if maybe mine
is particularly bad.

so in closing, still having fun, but still frustrated as well,
john


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<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>My friend mentioned to me that he
contacted boss about a different issue as well. he tried to slave it to =
his
drum machine midi clock and it would not stay in sync. They&#8217;ve =
acknowledged
the problem and said he should make the rc-50 master =
only.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<div style=3D'border:none;border-left:solid blue 1.5pt;padding:0in 0in =
0in 4.0pt'>

<div>

<div class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><font =
size=3D3
face=3D"Times New Roman"><span style=3D'font-size:12.0pt'>

<hr size=3D2 width=3D"100%" align=3Dcenter tabindex=3D-1>

</span></font></div>

<p class=3DMsoNormal><b><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma;font-weight:bold'>From:</span></font></b><font =
size=3D2
face=3DTahoma><span style=3D'font-size:10.0pt;font-family:Tahoma'>
Jfloridis@aol.com [mailto:Jfloridis@aol.com] <br>
<b><span style=3D'font-weight:bold'>Sent:</span></b> Friday, June 16, =
2006 4:31
PM<br>
<b><span style=3D'font-weight:bold'>To:</span></b> <st1:PersonName =
w:st=3D"on">Loopers-Delight@loopers-delight.com</st1:PersonName><br>
<b><span style=3D'font-weight:bold'>Subject:</span></b> Re: RC-50 Users =
Must Be
Busy</span></font><o:p></o:p></p>

</div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dblack face=3DGeneva><span =
style=3D'font-size:
10.0pt;font-family:Geneva;color:black'>continuing my thoughts on the =
rc50, i
have continued to find it a nice unit.&nbsp; i've used it in ways i had =
not
anticipated, ie., single mode loops from section A to section B, which i =
had
not done before.&nbsp; mostly using that for compositional stuff, =
hearing how
sections would sound back to back.&nbsp; i also confess that i have used =
the
rhythm tracks to do some writing.&nbsp; initially i thought there was no =
way
i'd mess with those, but i burried my attitude and had some fun with =
it.<br>
<br>
for me, whether i keep the unit or return it hinges on that damn
&quot;glitch&quot; as paul calls it at the end of the record and the =
begining
of the playback.&nbsp; it bothers me that much.&nbsp; i'm really not =
sure what
to do about it.&nbsp; playing through it just seems like a lame way to =
get
around it.&nbsp; the fact of the matter is it shouldn't be there.&nbsp; =
if
anyone else has experienced this and <i><span =
style=3D'font-style:italic'>truly</span></i>
has found a consistent way around it, i'd be all ears.&nbsp; maybe i do =
quieter
loops than others, as when i try to loop more subtle chord progressions =
or
motifs with any space in there, it really is jarring.......again, only =
for the
first time around, but still, that's just ridiculous.&nbsp; maybe i =
should try
another one somewhere and see if maybe mine is particularly bad.<br>
<br>
so in closing, still having fun, but still frustrated as well,<br>
john</span></font><font face=3DArial FAMILY=3DSANSSERIF><span =
style=3D'font-family:
Arial'><o:p></o:p></span></font></p>

</div>

</div>

</body>

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------=_NextPart_000_0009_01C69164.67485AB0--

From Loopers-Delight-request@loopers-delight.com  Fri Jun 16 20:57:36 2006
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    <20060616204618.9163A3BECD@arsenic.violacea.com>
Date: Fri, 16 Jun 2006 15:57:50 -0500 (CDT)
Subject: RE: RC-50 Users Must Be Busy
From: "Joshua Carroll" <josh@infinivert.com>
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Oh wow... If that's the case, I definitely won't buy one.  Won't do much
good if it can't slave to a sequencer.

--Josh

> My friend mentioned to me that he contacted boss about a different issue
> as
> well. he tried to slave it to his drum machine midi clock and it would not
> stay in sync. They've acknowledged the problem and said he should make the
> rc-50 master only.
>
>
>
>   _____
>
> From: Jfloridis@aol.com [mailto:Jfloridis@aol.com]
> Sent: Friday, June 16, 2006 4:31 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: RC-50 Users Must Be Busy
>
>
>
> continuing my thoughts on the rc50, i have continued to find it a nice
> unit.
> i've used it in ways i had not anticipated, ie., single mode loops from
> section A to section B, which i had not done before.  mostly using that
> for
> compositional stuff, hearing how sections would sound back to back.  i
> also
> confess that i have used the rhythm tracks to do some writing.  initially
> i
> thought there was no way i'd mess with those, but i burried my attitude
> and
> had some fun with it.
>
> for me, whether i keep the unit or return it hinges on that damn "glitch"
> as
> paul calls it at the end of the record and the begining of the playback.
> it
> bothers me that much.  i'm really not sure what to do about it.  playing
> through it just seems like a lame way to get around it.  the fact of the
> matter is it shouldn't be there.  if anyone else has experienced this and
> truly has found a consistent way around it, i'd be all ears.  maybe i do
> quieter loops than others, as when i try to loop more subtle chord
> progressions or motifs with any space in there, it really is
> jarring.......again, only for the first time around, but still, that's
> just
> ridiculous.  maybe i should try another one somewhere and see if maybe
> mine
> is particularly bad.
>
> so in closing, still having fun, but still frustrated as well,
> john
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Jun 16 21:12:37 2006
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Well, that isn't so bad if the pedal emits a nice accurate time signal
and the sequencer takes timecode in....

2006/6/16, Joshua Carroll <josh@infinivert.com>:
> Oh wow... If that's the case, I definitely won't buy one.  Won't do much
> good if it can't slave to a sequencer.
>
> --Josh
>
> > My friend mentioned to me that he contacted boss about a different issue
> > as
> > well. he tried to slave it to his drum machine midi clock and it would not
> > stay in sync. They've acknowledged the problem and said he should make the
> > rc-50 master only.
> >
> >
> >
> >   _____
> >
> > From: Jfloridis@aol.com [mailto:Jfloridis@aol.com]
> > Sent: Friday, June 16, 2006 4:31 PM
> > To: Loopers-Delight@loopers-delight.com
> > Subject: Re: RC-50 Users Must Be Busy
> >
> >
> >
> > continuing my thoughts on the rc50, i have continued to find it a nice
> > unit.
> > i've used it in ways i had not anticipated, ie., single mode loops from
> > section A to section B, which i had not done before.  mostly using that
> > for
> > compositional stuff, hearing how sections would sound back to back.  i
> > also
> > confess that i have used the rhythm tracks to do some writing.  initially
> > i
> > thought there was no way i'd mess with those, but i burried my attitude
> > and
> > had some fun with it.
> >
> > for me, whether i keep the unit or return it hinges on that damn "glitch"
> > as
> > paul calls it at the end of the record and the begining of the playback.
> > it
> > bothers me that much.  i'm really not sure what to do about it.  playing
> > through it just seems like a lame way to get around it.  the fact of the
> > matter is it shouldn't be there.  if anyone else has experienced this and
> > truly has found a consistent way around it, i'd be all ears.  maybe i do
> > quieter loops than others, as when i try to loop more subtle chord
> > progressions or motifs with any space in there, it really is
> > jarring.......again, only for the first time around, but still, that's
> > just
> > ridiculous.  maybe i should try another one somewhere and see if maybe
> > mine
> > is particularly bad.
> >
> > so in closing, still having fun, but still frustrated as well,
> > john
> >
> >
>
>


-- 
     /t

http://ax.to ......... extreme NY arts and music calendar
http://ax.to/tr ....... my secret little little...
http://ax.to/radio ... my little radio station (on intermittently)

From Loopers-Delight-request@loopers-delight.com  Fri Jun 16 21:23:06 2006
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Date: Fri, 16 Jun 2006 14:23:03 -0700
From: "D rH" <the.31st@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Lexicon Jamman memory?
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Here are a couple useful links:

http://loopersdelight.com/tools/jamman/jamman_memory.html

http://www.lexiconpro.com/support/product-faq-details.asp?ID=6

The upgrade also pops up on eBay from time to time.
David



On 6/16/06, Bill Edmondson <edmondson5@comcast.net> wrote:
>
> I've got the 32 second memory upgrade available for $40 + $5 shipping. I
> accept paypal (my account is edmondson5 <at> comcast <dot> net).
>
> > -----Original Message-----
> > From: jj 179 [mailto:jj179subs@hotmail.com]
> > Sent: Friday, June 16, 2006 9:16 AM
> > To: Loopers-Delight@loopers-delight.com
> > Subject: Lexicon Jamman memory?
> >
> > Hey gang,
> >
> > I just picked up a used Lexicon Jamman with the original 8 seconds. Is
> the
> > memory still available somewhere to upgrade it to 32 seconds? Can
> anybody
> > point me to what specific kind of memory chips it uses, and/or some
> places
> > to buy them? Any estimates of how much that would cost nowadays?
> >
> > thanks!!
>
>
>

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<div>Here are a couple useful links:</div>
<div>&nbsp;</div>
<div><a href="http://loopersdelight.com/tools/jamman/jamman_memory.html">http://loopersdelight.com/tools/jamman/jamman_memory.html</a></div>
<div>&nbsp;</div>
<div><a href="http://www.lexiconpro.com/support/product-faq-details.asp?ID=6">http://www.lexiconpro.com/support/product-faq-details.asp?ID=6</a></div>
<div>&nbsp;</div>
<div>The upgrade also pops up on eBay from time to time.</div>
<div>David</div>
<div>&nbsp;</div>
<div><br>&nbsp;</div>
<div><span class="gmail_quote">On 6/16/06, <b class="gmail_sendername">Bill Edmondson</b> &lt;<a href="mailto:edmondson5@comcast.net">edmondson5@comcast.net</a>&gt; wrote:</span>
<blockquote class="gmail_quote" style="PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">I've got the 32 second memory upgrade available for $40 + $5 shipping. I<br>accept paypal (my account is edmondson5 &lt;at&gt; comcast &lt;dot&gt; net).
<br><br>&gt; -----Original Message-----<br>&gt; From: jj 179 [mailto:<a href="mailto:jj179subs@hotmail.com">jj179subs@hotmail.com</a>]<br>&gt; Sent: Friday, June 16, 2006 9:16 AM<br>&gt; To: <a href="mailto:Loopers-Delight@loopers-delight.com">
Loopers-Delight@loopers-delight.com</a><br>&gt; Subject: Lexicon Jamman memory?<br>&gt;<br>&gt; Hey gang,<br>&gt;<br>&gt; I just picked up a used Lexicon Jamman with the original 8 seconds. Is the<br>&gt; memory still available somewhere to upgrade it to 32 seconds? Can anybody
<br>&gt; point me to what specific kind of memory chips it uses, and/or some places<br>&gt; to buy them? Any estimates of how much that would cost nowadays?<br>&gt;<br>&gt; thanks!!<br><br><br></blockquote></div><br>

------=_Part_136830_27766786.1150492983663--

From Loopers-Delight-request@loopers-delight.com  Fri Jun 16 21:38:45 2006
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L.A. Angulo wrote:

>I recently dicovered a small lump on my left ring
>tendon that was sort of bothering me when playing
>guitar and went to the doctor and found out is a
>finger ganglion.I am still debating wether i should
>let them operate it because there arent any guarantees
>of anything,it oculd come back,ruin a nerve numbing
>the finger etc.it is specially frustrating and
>depressing being left handed...
>Luis
>
I had one in my left hand, on the top, at the root of my 1st & 2nd 
fingers next
to my wrist. Had it removed about 25 years ago. Do anything but surgery 
if you can,
I still don't have 100% control of my pinky.

-- 
* David Beardsley
* microtonal guitar
* http://biink.com/db

From Loopers-Delight-request@loopers-delight.com  Fri Jun 16 21:47:54 2006
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hi david! wonderful music on your myspace=20
http://www.myspace.com/davidbeardsley ....

Glad to see you listen to Kraig Grady.......I'm a big fan of his...and=20=

microtonal music.......and looping...(of course)

best,
Jeff



Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com =95 AngryVegan.com


On Jun 16, 2006, at 2:38 PM, David Beardsley wrote:

> L.A. Angulo wrote:
>
>> I recently dicovered a small lump on my left ring
>> tendon that was sort of bothering me when playing
>> guitar and went to the doctor and found out is a
>> finger ganglion.I am still debating wether i should
>> let them operate it because there arent any guarantees
>> of anything,it oculd come back,ruin a nerve numbing
>> the finger etc.it is specially frustrating and
>> depressing being left handed...
>> Luis
>>
> I had one in my left hand, on the top, at the root of my 1st & 2nd=20
> fingers next
> to my wrist. Had it removed about 25 years ago. Do anything but=20
> surgery if you can,
> I still don't have 100% control of my pinky.
>
> --=20
> * David Beardsley
> * microtonal guitar
> * http://biink.com/db
>

From Loopers-Delight-request@loopers-delight.com  Fri Jun 16 22:52:06 2006
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At 5:12 PM -0400 6/16/06, Tom Ritchford wrote:
>2006/6/16, Joshua Carroll <josh@infinivert.com>:
>>Oh wow... If that's the case, I definitely won't buy one.  Won't do much
>>good if it can't slave to a sequencer.
>
>Well, that isn't so bad if the pedal emits a nice accurate time signal
>and the sequencer takes timecode in....

Hrm, I think that depends on the way you're set up.  If, like many 
sequencer users, you typically use a bar or two "pre-roll" at the 
beginning of each song in order to load patch data throughout all 
your gear, then starting and syncing from an external source can be a 
bit more problematic.  Since the actual start of the song is several 
beats earlier than the point at which any audio is emitted, I can 
imagine locking the devices together properly might get tricky if the 
external looper is controlling the show.

You can probably get around it by loading and playing a separate 
sequence to set up all your gear, then load and play the actual song 
(lather, rinse, repeat for each song).  But that's a bit unwieldy in 
a live situation.  Far easier if you can just get all your external 
devices to simply slave to the sequencer, IMNSHO.

And, as always, YMMV...

	--m.

From Loopers-Delight-request@loopers-delight.com  Sat Jun 17 01:01:03 2006
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Date: Fri, 16 Jun 2006 18:00:57 -0700 (PDT)
Subject: Portable Non-Laptop Music PC
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Looks like Peter Kirn is going to build an expandable non-laptop music/video
performance PC over at CreateDigitalMusic:
http://tinyurl.com/qvbr2

Cheers,
Kevin
The Nettles



From Loopers-Delight-request@loopers-delight.com  Sat Jun 17 01:27:35 2006
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Jeff Kaiser wrote:

> hi david! wonderful music on your myspace 
> http://www.myspace.com/davidbeardsley ....
>
> Glad to see you listen to Kraig Grady.......I'm a big fan of his...and 
> microtonal music.......and looping...(of course)
>
> best,
> Jeff 

Wow, a thread named after me. I should get some new music up on myspace.

Kraig is amazing, I've known him for a while. We both played on the same 
WOOT fest
a few years ago. He was playing a tuned vibraphone duet with the the 
lovely Erin
and I closed out the evening with some loopy microtonal drones.

Thanks for the out of the blue hello!

-- 
* David Beardsley
* microtonal guitar
* http://biink.com/db

From Loopers-Delight-request@loopers-delight.com  Sat Jun 17 05:29:59 2006
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I'm interested to read the story as it develops. I was thinking along
a similiar line, maybe building a shuttle SK21 with an AMD Turion 64
Mobile MT40. That would be fast and quiet. Not so good for video, but
I'd be using it as an audio only (looping) machine.

On 6/16/06, johnsrude@peak.org <johnsrude@peak.org> wrote:
> Looks like Peter Kirn is going to build an expandable non-laptop music/video
> performance PC over at CreateDigitalMusic:
> http://tinyurl.com/qvbr2
>
> Cheers,
> Kevin
> The Nettles
>
>
>
>


-- 
Art Simon
simart@null.net
http://art.simon.tripod.com
http://www.myspace.com/artsimon

From Loopers-Delight-request@loopers-delight.com  Sat Jun 17 05:37:28 2006
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Greetings to all loopers. I tried the RC-50 at a store for like an  
hour. With the manual it seemed pretty great. The drum machine and  
tempo guide thing was a bit of an issuse. I just want to loop live  
stick in stereo to my own time with differing loop lengths. Although  
I did go under 2 menus to deactivate the internal stuff, there was  
still some master clock going while I would create loops. Only on  
short loops it became a small problem, as it would not end>start the  
loop precisely. Still mostly seamless looping to me, with good  
fidelity. I really enjoyed the 3 loop pedals individually activated  
with 7 total pedals. And either in or out of sync. 3 stereo track  
loops per 'patch'. Worked like a charm. Yet I could not figure out  
how to play longer phrases over short loops. Like multiply on an  
echoplex sorta. As for the hiccup issue, I didn't notice anything.  
Though I was not making remotely ambient loops so I will re-test it  
for this reason. Overall it was really fun considering it was my  
first time trying it.

-ben
san-com.com/oceansdown.html
myspace.com/oceansinspace
Tragnast@mn.rr.com

From Loopers-Delight-request@loopers-delight.com  Sat Jun 17 06:48:08 2006
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Date: Sat, 17 Jun 2006 03:48:04 -0300
From: Andrew Duke <andrew@andrew-duke.com>
Subject: 385 free samples from Andrew Duke for looping, mangling, etc
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I've managed to round up 16 super-duper sweet prizes for the Consumer 
vs. User remix contest. 
More details on the prizes and the contest to follow as time permits. 
Don't worry, contest is running
until August 31.
If you'd like to get started playing with the 385 free 24bit WAV samples 
that are now available from me to use as ya wish (you don't have to 
enter the contest, you could just plug 'em into your favorite looping 
device and mangle 'em :)), go to http://andrew-duke.com and start 
downloadin' (click on "contests") if interested.
Thanks.
Take care.
Andrew

-- 
Andrew Duke
scoring/sound design/source
http://andrew-duke.com
http://myspace.com/andrewduke
Cognition Audioworks label
[Andrew Duke, Foal, Clinker, Granny'Ark]
http://cognitionaudioworks.com


From Loopers-Delight-request@loopers-delight.com  Sat Jun 17 08:51:51 2006
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At 07:48 17/06/2006, you wrote:
>  Yet I could not figure out
>how to play longer phrases over short loops. Like multiply on an
>echoplex sorta.

...doesn't the manual describe how to do this with multiple loops?

(from what I remember from looking through it, there's a page where 
they describe
   how to make complex arrangements)

andy butler

From Loopers-Delight-request@loopers-delight.com  Sat Jun 17 14:59:47 2006
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In a message dated 6/17/06 2:51:53 AM, akbutler@tiscali.co.uk writes:

> At 07:48 17/06/2006, you wrote:
> >=A0 Yet I could not figure out
> >how to play longer phrases over short loops. Like multiply on an
> >echoplex sorta.
>=20
how you do this is to first have the unit in multi mode, BUT make sure loop=20
sync is turned off....that's the key.   the little button right below the=20
multi/single mode button.   then record your shorter loop on phrase 1, switc=
h over=20
to phrase 2 and this can be of any length you desire.   that should do it.

john



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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
In a message dated 6/17/06 2:51:53 AM, akbutler@tiscali.co.uk writes:</FONT>=
<FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"><BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">At 07:48 17/06/2006,=20=
you wrote:<BR>
&gt;=A0 Yet I could not figure out<BR>
&gt;how to play longer phrases over short loops. Like multiply on an<BR>
&gt;echoplex sorta.</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"=
SANSSERIF" SIZE=3D"2"><BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
how you do this is to first have the unit in multi mode, BUT make sure loop=20=
sync is turned off....that's the key.&nbsp;  the little button right below t=
he multi/single mode button.&nbsp;  then record your shorter loop on phrase=20=
1, switch over to phrase 2 and this can be of any length you desire.&nbsp; =20=
that should do it.<BR>
<BR>
john<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"><BR>
<BR>
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From Loopers-Delight-request@loopers-delight.com  Sat Jun 17 15:14:16 2006
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From: Bill Fox <billyfox@soundscapes.us>
Subject: The AM/FM Show Playlist for June 17, 2006
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http://soundscapes.us/amfm/playlists/2006/060617.html

I host the Saturday AM/FM Show every other week where I play electronic,
ambient, spacemusic, Progressive Rock, and an eclectic mix of other 
genres.  The
show airs from 6:00 am to 8:00 am on WMUH Allentown, 91.7 FM and on the
internet.  I also host Afterglow every Thursday from 8:00 am to 9:30 am.

                    Show #89                    June 17, 2006.

During Phase I of this show, I continued the special on the sampler CDs that
come with each issue of E-dition electronic music magazine.  Phase II 
was pre-
empted by Phase I to allow more emusic to be played.


Phase I/Space:

ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
================================
VA [Paul Ellis and      You Are Here             Edition #8 Sampler (Groove)
  Steve Roach]
VA [Ron Boots and       From Hull to Leeds       Edition #8 Sampler (Groove)
  Harold v.d. Heijden]
Steven Wilson           Drugged                  Bass Communication Vol, 1
The Ministry of Inside  Serenity Cove Prelude    Contact Point (Synkronos)
  Things
The Ministry of Inside  Serenity Cove            Contact Point (Synkronos)
  Things
The Ministry of Inside  The Uncharted Isle       Contact Point (Synkronos)
  Things
The Ministry of Inside  Fortescue                Contact Point (Synkronos)
  Things
Jaroslaw Degorsky       Organix                  Organix (none)
A Close Call            Oxygene                  It's a Synthesizer 
World (BR
                                                   Music)

Phase II/Eclectic:

pre-empted by Phase I

Phase III/Progressive Rock:

ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
================================
Ozric Tentacles         Spacebase                The Floor's Too Far 
Away (Magna
                                                   Carta)
Ozric Tentacles         Disdots                  The Floor's Too Far 
Away (Magna
                                                   Carta)
Ozric Tentacles         Etherclock               The Floor's Too Far 
Away (Magna
                                                   Carta)
Salem Hill              The Future Me            Mimi's Magic Moment 
(Progrock)

8:00 am

 * = excerpt
++ = Advanced CDR from artist
VA = Various Artists (compilation)

I return to the AM/FM Show on July 1.

On the next show, I will continue the special on the sampler CDs that 
come with
each issue of E-dition electronic music magazine.

Bill
======================================================================
Host of the AM/FM Show every other Saturday at 6:00 am EDT (GMT-4:00).
Phase 1: Electronic, ambient, and space music to bring you back from
"Beyond the Barriers."
Phase 2: Mixed bag of acoustic, electric, pop, or New Age.
Phase 3: Progressive rock from past masters to contemporary releases.
Web Site - http://soundscapes.us/amfm
Listen to WMUH Allentown locally at 91.7 FM or on-line at
http://www.muhlenberg.edu/wmuh and click the
REAL AUDIO link or go directly to
rtsp://helix.muhlenberg.edu:554/broadcast/live.rm
Playlists are also published at http://billfox.blogspot.com
======================================================================
The progdj list is the central clearing house for radio playlists of
Progressive Rock programs. Tired of joining dozens of mailing lists to
post playlists or track airplay?  The progdj list solves that problem.

The progdj list is the place to go in order to see playlists and CD
and concert reviews by DJs of progressive rock-friendly radio
programs. Anyone interested in seeing playlists can join. There is NO
SPAM because I keep the spammers out before the members ever see any
hint of it.

The progdj list is for DJs (obviously!) and band members, record label
personnel, promoters, managers, and anyone else interested in seeing
what gets played on the air. Need to find who is playing prog on the
radio? Go to the progdj list.

To join, go to http://groups.yahoo.com/group/progdj and click on the
[Join This Group!] link.
======================================================================

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>>I had one in my left hand, on the top, at the root of my 1st & 2nd fingers
next to my wrist. Had it removed about 25 years ago. Do anything but surgery
if you can, I still don't have 100% control of my pinky.<<

ah, jeez.... I've got one in exactly the same place. left hand facing up,
base of thumb between root of first & second finger, right on the seam of my
wrist. what the hell are they? are there non-surgical options? this isn't a
nuisance yet, but I've noticed my hand tires quicker....
my natural inclination is to spear it with something sharp..... but
obviously I am fighting this impulse!

duncan.


***************************************************************************
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<TITLE>RE: Way OT: EM fingers!</TITLE>
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<P><FONT SIZE=3D2>&gt;&gt;I had one in my left hand, on the top, at the roo=
t of my 1st &amp; 2nd fingers next to my wrist. Had it removed about 25 yea=
rs ago. Do anything but surgery if you can, I still don't have 100% control=
 of my pinky.&lt;&lt;</FONT></P>

<P><FONT SIZE=3D2>ah, jeez.... I've got one in exactly the same place. left=
 hand facing up, base of thumb between root of first &amp; second finger, r=
ight on the seam of my wrist. what the hell are they? are there non-surgica=
l options? this isn't a nuisance yet, but I've noticed my hand tires quicke=
r....</FONT></P>

<P><FONT SIZE=3D2>my natural inclination is to spear it with something shar=
p..... but obviously I am fighting this impulse!</FONT>
</P>

<P><FONT SIZE=3D2>duncan.</FONT>
</P>

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From Loopers-Delight-request@loopers-delight.com  Sat Jun 17 16:46:03 2006
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goddard.duncan@mtvne.com wrote:

> >>I had one in my left hand, on the top, at the root of my 1st & 2nd 
> fingers next to my wrist. Had it removed about 25 years ago. Do 
> anything but surgery if you can, I still don't have 100% control of my 
> pinky.<<
>
> ah, jeez.... I've got one in exactly the same place. left hand facing 
> up, base of thumb between root of first & second finger, right on the 
> seam of my wrist. what the hell are they? are there non-surgical 
> options? this isn't a nuisance yet, but I've noticed my hand tires 
> quicker....
>
> my natural inclination is to spear it with something sharp..... but 
> obviously I am fighting this impulse!
>
> duncan.
>
Back then I had people suggesting that I smack it with a book.

-- 
* David Beardsley
* microtonal guitar
* http://biink.com/db

From Loopers-Delight-request@loopers-delight.com  Sat Jun 17 17:10:59 2006
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From: Richard Sales <richard@glasswing.com>
Subject: Re: Way OT: EM fingers!
Date: Sat, 17 Jun 2006 10:10:45 -0700
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Leo Kottke is a fun person to investigate concerning hand issues.  I  
think he's been through it all and had to stop playing for a while  
because of it.  The latest I've read from him he seems to be saying  
that he's amplified his acoustic guitar and is playing with a much more  
gentle touch, no fingernails, no fingerpicks etc.   So not picking so  
hard with the right hand helps a lot.  Of course, you don't get the big  
mojo when you play softer, which is kind of a bomb.

I pick very hard with my right hand with medium strings - acoustic,  
finger style mostly.

I've noticed for myself that my posture when I play has a huge impact  
on my hands.  My hands have to be in just the right place, with correct  
wrist angles, or my fingers go to sleep.  This started when I was  
touring with Shree Maa (I was playing acoustic 12 string LOUD) and we  
would play some songs, or puja songs, that would last an hour or two  
non stop.  The strings started to feel like razor blades cutting  
through my thick callouses (SP?).  So now, when I sit and play, I sit  
classical style.  Really helps a lot.  When I get lazy and sit back on  
the couch and play my hands go haywire after just a few minutes of  
playing - an instant reminder.   But if I sit right, I can play for  
hours.

Not sure if this has any impact on the ganglion thing.  But if you  
practice more than an hour a day, paying close attention to your hands,  
posture etc - especially when you've accumulated decades of playing, is  
critical.

Another thing my chiropractor told me was that I shouldn't look at my  
guitar (my left hand) when I play.  Apparently looking to the left -  
especially if your right arm is raised (which it isn't if you're  
sitting correctly), can cause neck and back issues.

I bet rolfing (or deep muscle massage) would be good for stuff like  
ganglions.  You might check that out.  It might loosen up some of the  
muscles that are too tight.

As many have said, I think I would try to avoid surgery as long as  
possible.

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 17-Jun-06, at 9:42 AM, goddard.duncan@mtvne.com wrote:

> >>I had one in my left hand, on the top, at the root of my 1st & 2nd  
> fingers next to my wrist. Had it removed about 25 years ago. Do  
> anything but surgery if you can, I still don't have 100% control of my  
> pinky.<<
>
> ah, jeez.... I've got one in exactly the same place. left hand facing  
> up, base of thumb between root of first & second finger, right on the  
> seam of my wrist. what the hell are they? are there non-surgical  
> options? this isn't a nuisance yet, but I've noticed my hand tires  
> quicker....
>
> my natural inclination is to spear it with something sharp..... but  
> obviously I am fighting this impulse!
>
> duncan.
>
>
>   
> *********************************************************************** 
> ****
>  CONFIDENTIALITY NOTICE
>
>  The contents of this e-mail are confidential to the ordinary user
>  of the e-mail address to which it was addressed, and may also
>  be privileged. If you are not the addressee of this e-mail you may
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>
>  MTV reserves the right to monitor e-mail communications from
>  external/internal sources for the purposes of ensuring correct
>  and appropriate use of MTV communication equipment.
>
>  MTV Networks Europe
>   
> *********************************************************************** 
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>  
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Leo Kottke is a fun person to investigate concerning hand issues.  I
think he's been through it all and had to stop playing for a while
because of it.  The latest I've read from him he seems to be saying
that he's amplified his acoustic guitar and is playing with a much
more gentle touch, no fingernails, no fingerpicks etc.   So not
picking so hard with the right hand helps a lot.  Of course, you don't
get the big mojo when you play softer, which is kind of a bomb.


I pick very hard with my right hand with medium strings - acoustic,
finger style mostly.  


I've noticed for myself that my posture when I play has a huge impact
on my hands.  My hands have to be in just the right place, with
correct wrist angles, or my fingers go to sleep.  This started when I
was touring with Shree Maa (I was playing acoustic 12 string LOUD) and
we would play some songs, or puja songs, that would last an hour or
two non stop.  The strings started to feel like razor blades cutting
through my thick callouses (SP?).  So now, when I sit and play, I sit
classical style.  Really helps a lot.  When I get lazy and sit back on
the couch and play my hands go haywire after just a few minutes of
playing - an instant reminder.   But if I sit right, I can play for
hours.


Not sure if this has any impact on the ganglion thing.  But if you
practice more than an hour a day, paying close attention to your
hands, posture etc - especially when you've accumulated decades of
playing, is critical.  


Another thing my chiropractor told me was that I shouldn't look at my
guitar (my left hand) when I play.  Apparently looking to the left -
especially if your right arm is raised (which it isn't if you're
sitting correctly), can cause neck and back issues. 


I bet rolfing (or deep muscle massage) would be good for stuff like
ganglions.  You might check that out.  It might loosen up some of the
muscles that are too tight.


As many have said, I think I would try to avoid surgery as long as
possible.  


<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 17-Jun-06, at 9:42 AM, goddard.duncan@mtvne.com wrote:


<excerpt><smaller>>>I had one in my left hand, on the top, at the root
of my 1st & 2nd fingers next to my wrist. Had it removed about 25
years ago. Do anything but surgery if you can, I still don't have 100%
control of my pinky.<<<<</smaller>


<smaller>ah, jeez.... I've got one in exactly the same place. left
hand facing up, base of thumb between root of first & second finger,
right on the seam of my wrist. what the hell are they? are there
non-surgical options? this isn't a nuisance yet, but I've noticed my
hand tires quicker....</smaller>


<smaller>my natural inclination is to spear it with something
sharp..... but obviously I am fighting this impulse!</smaller> 


<smaller>duncan.</smaller> 



<fixed><bigger>
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<fixed><bigger> The contents of this e-mail are confidential to the
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From Loopers-Delight-request@loopers-delight.com  Sat Jun 17 17:20:51 2006
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Date: Sat, 17 Jun 2006 13:20:50 -0400
From: "Tom Ritchford" <tom@swirly.com>
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Subject: Re: Way OT: EM fingers!
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I was stabbed in the left thumb by a nasty, drunken girlfriend over
four years ago and the sensation never returned to parts of it.  On
the wind instrument (my primary instrument), that thumb does the
octave key, but to my great pleasure, it turns out that muscle memory
alone works perfectly there.  And of course it doesn't interfere with
stringed instruments at all.  But it bugs me every time I try to play
the piano.

Hmm, acupuncture, you say?

On 6/17/06, goddard.duncan@mtvne.com <goddard.duncan@mtvne.com> wrote:
>
>
>
> >>I had one in my left hand, on the top, at the root of my 1st & 2nd fingers
> next to my wrist. Had it removed about 25 years ago. Do anything but surgery
> if you can, I still don't have 100% control of my pinky.<<
>
>
> ah, jeez.... I've got one in exactly the same place. left hand facing up,
> base of thumb between root of first & second finger, right on the seam of my
> wrist. what the hell are they? are there non-surgical options? this isn't a
> nuisance yet, but I've noticed my hand tires quicker....
>
> my natural inclination is to spear it with something sharp..... but
> obviously I am fighting this impulse!
>
> duncan.
>
> ***************************************************************************
>  CONFIDENTIALITY NOTICE
>
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>


-- 
     /t

http://ax.to ......... extreme NY arts and music calendar
http://ax.to/tr ....... my secret little little...
http://ax.to/radio ... my little radio station (on intermittently)

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From: Richard Sales <richard@glasswing.com>
Subject: Re: Way OT: EM fingers!
Date: Sat, 17 Jun 2006 10:47:23 -0700
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My Better Judgement lost the feeling in her index finger after  
squishing it big time with a sledge hammer.  It looked like a red  
banana that had been stepped on.  After a year of trying everything  
else, acupuncture brought back the feeling in one visit.

Go for it.  It's usually pretty cheap - at least compared with a  
regular doc.

Now... stabbed by a girlfriend?  Are you Robert Johnson maybe?  Have  
you ever made any unusual deals with strange creatures with two funny  
pointy things on their heads?  And did your playing improve  
dramatically after that?

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 17-Jun-06, at 10:20 AM, Tom Ritchford wrote:

> I was stabbed in the left thumb by a nasty, drunken girlfriend over
> four years ago and the sensation never returned to parts of it.  On
> the wind instrument (my primary instrument), that thumb does the
> octave key, but to my great pleasure, it turns out that muscle memory
> alone works perfectly there.  And of course it doesn't interfere with
> stringed instruments at all.  But it bugs me every time I try to play
> the piano.
>
> Hmm, acupuncture, you say?
>
> On 6/17/06, goddard.duncan@mtvne.com <goddard.duncan@mtvne.com> wrote:
>>
>>
>>
>> >>I had one in my left hand, on the top, at the root of my 1st & 2nd  
>> fingers
>> next to my wrist. Had it removed about 25 years ago. Do anything but  
>> surgery
>> if you can, I still don't have 100% control of my pinky.<<
>>
>>
>> ah, jeez.... I've got one in exactly the same place. left hand facing  
>> up,
>> base of thumb between root of first & second finger, right on the  
>> seam of my
>> wrist. what the hell are they? are there non-surgical options? this  
>> isn't a
>> nuisance yet, but I've noticed my hand tires quicker....
>>
>> my natural inclination is to spear it with something sharp..... but
>> obviously I am fighting this impulse!
>>
>> duncan.
>>
>> ********************************************************************** 
>> *****
>>  CONFIDENTIALITY NOTICE
>>
>>  The contents of this e-mail are confidential to the ordinary user
>>  of the e-mail address to which it was addressed, and may also
>>  be privileged. If you are not the addressee of this e-mail you may
>>  not copy, forward, disclose or otherwise use it or any part of it
>>  in any form whatsoever.If you have received this e-mail in error,
>>  please e-mail the sender by replying to this message.
>>
>>  It is your responsibility to carry out appropriate virus and other
>>  checks to ensure that this message and any attachments do not
>>  affect your systems / data. Any views or opinions expressed in this
>>  e-mail are solely those of the author and do not necessarily
>>  represent those of MTV Networks Europe unless specifically stated,
>>  nor does this message form any part of any contract unless so stated.
>>
>>  MTV reserves the right to monitor e-mail communications from
>>  external/internal sources for the purposes of ensuring correct
>>  and appropriate use of MTV communication equipment.
>>
>>  MTV Networks Europe
>> ********************************************************************** 
>> *****
>>
>
>
> -- 
>     /t
>
> http://ax.to ......... extreme NY arts and music calendar
> http://ax.to/tr ....... my secret little little...
> http://ax.to/radio ... my little radio station (on intermittently)
>

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My Better Judgement lost the feeling in her index finger after
squishing it big time with a sledge hammer.  It looked like a red
banana that had been stepped on.  After a year of trying everything
else, acupuncture brought back the feeling in one visit.  


Go for it.  It's usually pretty cheap - at least compared with a
regular doc.


Now... stabbed by a girlfriend?  Are you Robert Johnson maybe?  Have
you ever made any unusual deals with strange creatures with two funny
pointy things on their heads?  And did your playing improve
dramatically after that?


<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 17-Jun-06, at 10:20 AM, Tom Ritchford wrote:


<excerpt>I was stabbed in the left thumb by a nasty, drunken
girlfriend over

four years ago and the sensation never returned to parts of it.  On

the wind instrument (my primary instrument), that thumb does the

octave key, but to my great pleasure, it turns out that muscle memory

alone works perfectly there.  And of course it doesn't interfere with

stringed instruments at all.  But it bugs me every time I try to play

the piano.


Hmm, acupuncture, you say?


On 6/17/06, goddard.duncan@mtvne.com <<goddard.duncan@mtvne.com> wrote:

<excerpt>



>>I had one in my left hand, on the top, at the root of my 1st & 2nd
fingers

next to my wrist. Had it removed about 25 years ago. Do anything but
surgery

if you can, I still don't have 100% control of my pinky.<<<<



ah, jeez.... I've got one in exactly the same place. left hand facing
up,

base of thumb between root of first & second finger, right on the seam
of my

wrist. what the hell are they? are there non-surgical options? this
isn't a

nuisance yet, but I've noticed my hand tires quicker....


my natural inclination is to spear it with something sharp..... but

obviously I am fighting this impulse!


duncan.


***************************************************************************

 CONFIDENTIALITY NOTICE


 The contents of this e-mail are confidential to the ordinary user

 of the e-mail address to which it was addressed, and may also

 be privileged. If you are not the addressee of this e-mail you may

 not copy, forward, disclose or otherwise use it or any part of it

 in any form whatsoever.If you have received this e-mail in error,

 please e-mail the sender by replying to this message.


 It is your responsibility to carry out appropriate virus and other

 checks to ensure that this message and any attachments do not

 affect your systems / data. Any views or opinions expressed in this

 e-mail are solely those of the author and do not necessarily

 represent those of MTV Networks Europe unless specifically stated,

 nor does this message form any part of any contract unless so stated.


 MTV reserves the right to monitor e-mail communications from

 external/internal sources for the purposes of ensuring correct

 and appropriate use of MTV communication equipment.


 MTV Networks Europe

***************************************************************************


</excerpt>


-- 

    /t


http://ax.to ......... extreme NY arts and music calendar

http://ax.to/tr ....... my secret little little...

http://ax.to/radio ... my little radio station (on intermittently)


</excerpt>
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Subject: Re: 385 free samples from Andrew Duke for looping, mangling, etc
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hmmmmmm........this sounds like fun......



On Jun 16, 2006, at 11:48 PM, Andrew Duke wrote:

> I've managed to round up 16 super-duper sweet prizes for the Consumer 
> vs. User remix contest. More details on the prizes and the contest to 
> follow as time permits. Don't worry, contest is running
> until August 31.
> If you'd like to get started playing with the 385 free 24bit WAV 
> samples that are now available from me to use as ya wish (you don't 
> have to enter the contest, you could just plug 'em into your favorite 
> looping device and mangle 'em :)), go to http://andrew-duke.com and 
> start downloadin' (click on "contests") if interested.
> Thanks.
> Take care.
> Andrew
>
> -- 
> Andrew Duke
> scoring/sound design/source
> http://andrew-duke.com
> http://myspace.com/andrewduke
> Cognition Audioworks label
> [Andrew Duke, Foal, Clinker, Granny'Ark]
> http://cognitionaudioworks.com
>
>

From Loopers-Delight-request@loopers-delight.com  Sat Jun 17 19:29:37 2006
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Hey dude, thanxx a lot!
always lookin for good sounds to feed my MPC1000 and Electribe ESX
here are some loops and drumkits to download
http://www.superchelou.info/akai/
have also drumkits and banks for the Electribe ES-1 on my pages, just ask=


Cheers
TeKZ

aka --=20
NoMATeX=AE

http://www.myspace.com/superchelou
http://www.myspace.com/nomatex
http://www.superchelou.tk




	

	
		
___________________________________________________________________________ 
Yahoo! Mail réinvente le mail ! Découvrez le nouveau Yahoo! Mail et son interface révolutionnaire.
http://fr.mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Sat Jun 17 21:44:53 2006
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Subject: Re: Addressing a single Echoplex in a Stereo Setup
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At 04:22 PM 6/14/2006, Clint Goss wrote:
>I know this has been discussed before, but I can't put my finger on it ...
>
>I've got a typical stereo Plex setup (midi and brotherSync connections between
>the two units) and use a programmable foot pedal (FCB1010) to control 
>both. How
>can I address just one of the two from the FCB1010 for that odd situation 
>where
>I want them to act independently.

It would be really easy to do this if you had a better midi controller, but 
the FCB1010 is too limited for it.

All you have to do is put the two echoplexes on two different midi 
channels, say ch 1 and 2. Have one bank of commands on the midi controller 
that only sends commands on midi channel 1, a second bank that only sends 
commands on midi channel 2, and a third bank that sends commands on both 
channels 1 and 2 simultaneously. Then you just change banks on the 
controller depending on what you want to do.

Or, as someone else suggested, you could do something similar by setting 
the "source#" parameter differently for each echoplex. Then each Echoplex 
would use a different range of midi notes/controllers for its commands. You 
could have them on the same midi channel in that case. The midi controller 
would be set up similar to above, with one bank sending sending single 
commands to 1 Echoplex's note range, another sending commands to the second 
Echoplex's note range, and a third bank sending two notes to address both 
Echoplexes at the same time.

Your problem is the FCB1010 can only send one midi note message at a time, 
on one globally defined midi channel, which is really idiotic. So it can't 
do either of these methods. And its implementation of continuous controller 
messages is also really limited, so it can't manage any concept of 
momentary switching where one cc value is sent on pressing down and a 
different cc value on releasing. This is also too limited for most of the 
Echoplex's looping functions.

If you want to do more sophisticated control of midi devices like you are 
wishing, you really need a better midi controller than the FCB1010. The 
only way you could use it is to follow Claude's instructions using sysex 
commands to change the midi channels of the Echoplexes on the fly. However, 
you would still need a separate device to send the sysex, because the FCB 
can't do that either. At that point you might as well just get a better 
midi controller and keep it simple with separate midi channels.

kim



______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com 

From Loopers-Delight-request@loopers-delight.com  Sat Jun 17 21:53:12 2006
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 This is true, although with the hacked firmware, it has allowed for some
improvement. There apparently isn't enough memory for different channels per
preset, or releasepedal messages, although for probably a few pennies more
they could have maybe used a little bit more memory. 

So, for midi controllers, this leaves us with the PMC-10 and maybe the
Rocktron All Access, although the Access is about the same price as an
EDP...isn't there another expensive midi controller from Europe too? What
other controllers are out there? And why is it so hard to find one that uses
more of the midi spec? Should it really cost $1k for a controller? I really
hate spending money on stuff that doesn't make sound. 

I will say- I used the PMC-10 for awhile, but, and maybe mine was weird-
there was about a 100ms delay from when I pressed the pedal to when the EDP
changed its state. 

I just use the EDP controller for the EDP, and the FCB1010 for everything
else- they work pretty well together. 

Dave Eichenberger-  
http://www.hazardfactor.com             
 

 
> 
> It would be really easy to do this if you had a better midi 
> controller, but the FCB1010 is too limited for it.
>  

From Loopers-Delight-request@loopers-delight.com  Sat Jun 17 23:59:40 2006
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Subject: RE: Addressing a single Echoplex in a Stereo Setup
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At 02:53 PM 6/17/2006, hazard factor wrote:
>  This is true, although with the hacked firmware, it has allowed for some
>improvement. There apparently isn't enough memory for different channels per
>preset, or releasepedal messages, although for probably a few pennies more
>they could have maybe used a little bit more memory.

if people are going to the trouble of hacking the firmware, why not change 
out the memory also and increase the memory size? Seems like it would be a 
pretty simple hardware mod, unless the problem is the cpu address range is 
already filled up.


>So, for midi controllers, this leaves us with the PMC-10 and maybe the
>Rocktron All Access, although the Access is about the same price as an
>EDP...

yes, if you are only thinking of midi footpedal controllers. But there are 
plenty of other types of controllers. Keyboard controllers, drum 
controllers, sampler/drum machine boxes, table top studio fader boxes, etc. 
Many options, unless you are a guitarist who wears big boots and doesn't 
have a hand free.

>I will say- I used the PMC-10 for awhile, but, and maybe mine was weird-
>there was about a 100ms delay from when I pressed the pedal to when the EDP
>changed its state.

Are you talking about the Yamaha MFC-10 midi pedal? That has a known 
latency problem like you describe. But the old digitech PMC-10 definitely 
does not have any latency issue. After all, Andre LaFosse uses the Digitech 
PMC-10 for all his supa-fast pedal pushing. No way he could do that without 
a responsive pedal.

>I just use the EDP controller for the EDP, and the FCB1010 for everything
>else- they work pretty well together.

That is another good approach to this. You can use midi control and the 
Echoplex pedal together just fine. So you could have the FCB1010 set up to 
control the two Echoplexes together in stereo, and then have the pedal 
plugged into the slave Echoplex to control it independently. You could 
probably even come up with some sort of "midi switch" that disconnects the 
midi connection between them. So with the midi connected, the FCB controls 
them both in stereo, and the pedal can independently address the slave. If 
you disconnect the midi with the midi switch, the FCB could them be used to 
control the master EDP independently. You could switch between the options 
with a relatively simple solution.

kim


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com 

From Loopers-Delight-request@loopers-delight.com  Sun Jun 18 01:45:56 2006
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Tom Ritchford wrote:

> I was stabbed in the left thumb by a nasty, drunken girlfriend over
> four years ago and the sensation never returned to parts of it.  On
> the wind instrument (my primary instrument), that thumb does the
> octave key, but to my great pleasure, it turns out that muscle memory
> alone works perfectly there.  And of course it doesn't interfere with
> stringed instruments at all.  But it bugs me every time I try to play
> the piano.
>
> Hmm, acupuncture, you say? 

I remember her. She could leap on and off a three foot stage in three 
inch platforms.

Scary.

-- 
* David Beardsley
* microtonal guitar
* http://biink.com/db

From Loopers-Delight-request@loopers-delight.com  Sun Jun 18 03:06:05 2006
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Hello Loopers!

well, i have my electro-harmonix Stereo Memory Man for sale, its an
analog delay/chorus for those of you that don't know :)

anyways, i got this out of a trade, the power cord was broken
somewhere, so i bought a new power cord, and it all works :)

The box is well "relic'ed", its seen it's share of live gigging, but
it all works very well :)

like i said with my jamman, i won't fill up the server with pics, but
i have them ready, so feel free to drop me an email if you want to see
them :)

I am asking 140 shipped in the US :)


Thanks for reading :)
Charlie

From Loopers-Delight-request@loopers-delight.com  Sun Jun 18 10:22:38 2006
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Date: Sun, 18 Jun 2006 03:22:35 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: Ganglion
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Thanx for the advice man,i heard this before as well
but i will wait for a few more alternatives;-)
Luis

--- nico spahni <nicosp@gmx.net> wrote:

> I once followed the advice I had found in an old
> guide to self-care and 
> home medicines. The advice was to hit the ganglion
> with a rubber hammer 
> or something similar. It hurt like hell but it went
> away.
> 
> Good luck (and get some painkillers before you swing
> the hammer :-)
> 
> Nico
> 
> P.S. No liability assumed in use of this
> information!
> 
> 
> 
> Am 16.06.2006 um 17:18 schrieb Kevin:
> 
> > At 12:11 AM 6/16/2006, you wrote:
> >> I recently dicovered a small lump on my left ring
> >> tendon that was sort of bothering me when playing
> >> guitar and went to the doctor and found out is a
> >> finger ganglion.I am still debating wether i
> should
> >> let them operate it because there arent any
> guarantees
> >> of anything,it oculd come back,ruin a nerve
> numbing
> >> the finger etc.it is specially frustrating and
> >> depressing being left handed...
> >
> > I'm not a doctor so you'd be a fool to follow my
> advice but...
> >
> > I have had ganglions on the back of my hand in the
> past when my 
> > technique wasn't good.  The best advice I got was
> to rest the area 
> > until my body repaired the synovial sheath shrank
> the ganglion.  I 
> > also worked on my technique--I was using too much
> force and bending my 
> > wrist when I played so I played with a wrist brace
> for awhile to 
> > unlearn bad habits.
> >
> > If you cut (or pop) the synovial sheath, you
> weaken it.  So yeah, your 
> > chances of getting another ganglion increase.
> >
> > Best wishes,
> > Kevin
> >
> > The Nettles: Progressive and Exciting Celtic Music
> > www.TheNettles.com
> >
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Sun Jun 18 10:45:53 2006
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Date: Sun, 18 Jun 2006 12:45:34 +0200
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http://nosuch.biz/whatsup/photos

> -----Original Message-----
> From: loop.pool [mailto:looppool@cruzio.com]
> Sent: Samstag, 10. Juni 2006 00:23
> To: LOOPERS DELIGHT (posting)
> Subject: Embarassing Pictures from Early History

> 
> 
> I know you have 'em.........................I took the
> plunge...............you can too!!!!
> 



From Loopers-Delight-request@loopers-delight.com  Sun Jun 18 14:12:30 2006
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From: "I P" <inflatablepig@gmail.com>
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Subject: Jesusonic software Looper
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------=_Part_75121_17439233.1150639948556
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Has anyone checked out the Jesusonic FX plugin?  It's good a real-time
looper just like the Line6 Delay, all in software.  With a little
development this thing could be everyone's dream looper.

Right now it does unlimited looped with editing of start/end times,
varispeed (including reverse), trigger start and loop volume.

Maybe in the future we could see undo features added as well as multitrack
capabilities.  The possibilities are endless.  Check it out:

jesusonic.com

------=_Part_75121_17439233.1150639948556
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Has anyone checked out the Jesusonic FX plugin?&nbsp; It's good a real-time looper just like the Line6 Delay, all in software.&nbsp; With a little development this thing could be everyone's dream looper.<br><br>Right now it does unlimited looped with editing of start/end times, varispeed (including reverse), trigger start and loop volume.
<br><br>Maybe in the future we could see undo features added as well as multitrack capabilities.&nbsp; The possibilities are endless.&nbsp; Check it out:<br><br><a href="http://jesusonic.com">jesusonic.com</a><br>

------=_Part_75121_17439233.1150639948556--

From Loopers-Delight-request@loopers-delight.com  Sun Jun 18 14:46:33 2006
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From: Clint Goss <clint@goss.com>
Subject: RE: Addressing a single Echoplex in a Stereo Setup
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Thank you all for your input on this subject!

Claude's input using SysEx messages was a tad depressing ... The FCB1010 can't
pull this off and apparantly Plex's can hiccup acoustically during SysEx
processing (their admission/apology, in the manual).

There is a suggestion of using separate Source # or MIDI channels and sending
two messages. I wonder if synchronization (when working in stereo) would be
compromised. I sense that the Plex designers put a lot of effort into the stereo
synch issue ... brother synch and intelligent midi piping and all that. Simply
sending two MIDI messages might degrade that stereo synch in comparison with
brother sync.

And then there's the issue that the FCB 1010 is not up to the task. Hmmm. Been
using it for a year to control two Plexes and a PCM81. Reprogrammed it several
times and used it live dozens of times over the last year.

In a gig last night, I tried doing the 'punch the panel buttons' thing to split
the two channels so they played two different parts of an ostinato and then
reversing one of the channels. Cool acoustic effect, crappy psychological
effect. I can tap a footswitch without missing a beat, but going over to the
panel was disorienting and took me way out of the music for like 30 seconds.

Now I see that the FCB1010 cannot send multiple notes on a single tap. Dandy.

> PMC-10 for awhile, but, and maybe mine was weird- there was about a 100ms
delay
> from when I pressed the pedal to when the EDP changed its state.

Yikes! 1/10'th second? That is disqualifying.

- Clint Goss

Email: clint@goss.com
Web:   www.goss.com

-----Original Message-----
From: Kim Flint [mailto:kflint@loopers-delight.com] 
Sent: Saturday, June 17, 2006 7:00 PM
To: Loopers-Delight@loopers-delight.com
Subject: RE: Addressing a single Echoplex in a Stereo Setup

At 02:53 PM 6/17/2006, hazard factor wrote:
>  This is true, although with the hacked firmware, it has allowed for 
>some improvement. There apparently isn't enough memory for different 
>channels per preset, or releasepedal messages, although for probably a 
>few pennies more they could have maybe used a little bit more memory.

if people are going to the trouble of hacking the firmware, why not change out
the memory also and increase the memory size? Seems like it would be a pretty
simple hardware mod, unless the problem is the cpu address range is already
filled up.


>So, for midi controllers, this leaves us with the PMC-10 and maybe the 
>Rocktron All Access, although the Access is about the same price as an 
>EDP...

yes, if you are only thinking of midi footpedal controllers. But there are
plenty of other types of controllers. Keyboard controllers, drum controllers,
sampler/drum machine boxes, table top studio fader boxes, etc. 
Many options, unless you are a guitarist who wears big boots and doesn't have a
hand free.

>I will say- I used the PMC-10 for awhile, but, and maybe mine was 
>weird- there was about a 100ms delay from when I pressed the pedal to 
>when the EDP changed its state.

Are you talking about the Yamaha MFC-10 midi pedal? That has a known latency
problem like you describe. But the old digitech PMC-10 definitely does not have
any latency issue. After all, Andre LaFosse uses the Digitech PMC-10 for all his
supa-fast pedal pushing. No way he could do that without a responsive pedal.

>I just use the EDP controller for the EDP, and the FCB1010 for 
>everything
>else- they work pretty well together.

That is another good approach to this. You can use midi control and the Echoplex
pedal together just fine. So you could have the FCB1010 set up to control the
two Echoplexes together in stereo, and then have the pedal plugged into the
slave Echoplex to control it independently. You could probably even come up with
some sort of "midi switch" that disconnects the midi connection between them. So
with the midi connected, the FCB controls them both in stereo, and the pedal can
independently address the slave. If you disconnect the midi with the midi
switch, the FCB could them be used to control the master EDP independently. You
could switch between the options with a relatively simple solution.

kim


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com 


From Loopers-Delight-request@loopers-delight.com  Sun Jun 18 15:44:21 2006
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From: "Krispen Hartung" <khartung@cableone.net>
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Subject: LXP-1, LXP-5, and MidiQuest Software on eBay
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In case anyone is interested, I'm selling my Lexicon LXP-1, LXP-5, and 
MIDIQuest programming software on eBay with a Buy Now for $200 US.

http://tinyurl.com/f42ft


*************************************************
Krispen Hartung / Improvisational Guitar
www.krispenhartung.com / www.myspace.com/krispenhartung
info@krispenhartung.com / 1.208.724.5603
Discography - http://www.krispenhartung.com/catalogue.htm
Looper's Delight Playlist - 
http://www.boisemusicians.com/loopers-delight.m3u 


From Loopers-Delight-request@loopers-delight.com  Sun Jun 18 17:01:46 2006
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i may have to sell my mackie srm 450's with stands and 30'cables.....used out 
of studio about three times, excellent condition.....what would be a fair 
price?.....michael



www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2">i may have to sell my mackie srm 450's=20=
with stands and 30'cables.....used out of studio about three times, excellen=
t condition.....what would be a fair price?.....michael<BR>
<BR>
<BR>
<BR>
www.ct-collective.com<BR>
http://mysite.verizon.net/vzepmeci/<BR>
http://www.myspace.com/klobuchar11<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
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From Loopers-Delight-request@loopers-delight.com  Sun Jun 18 18:59:03 2006
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Hi:

Has anyone traveled from the US to Canada recently?

I was told by someone that there is a requirement for 3 documents to =
enter the country (Passport, birth certificate, driver's license). =
Doesn't sound right to me - if one has a passport, why would one need a =
birth certificate? What if one doesn't drive?

Regards, Paul

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<DIV><FONT face=3DArial size=3D2>Hi:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Has anyone traveled from the US to =
Canada=20
recently?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I was told by someone that there is a =
requirement=20
for 3 documents to enter the country (Passport, birth certificate, =
driver's=20
license). Doesn't sound right to me - if one has a passport, why would =
one need=20
a birth certificate? What if one doesn't drive?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Regards, Paul</FONT></DIV>
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From Loopers-Delight-request@loopers-delight.com  Sun Jun 18 19:10:29 2006
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 <005001c69309$412ec250$d2e14744@BlackDell>
Date: Sun, 18 Jun 2006 14:10:20 -0500
To: Loopers-Delight@loopers-delight.com
From: mech <mech@m3ch.net>
Subject: Re: Oh, Canada
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At 2:58 PM -0400 6/18/06, Paul wrote:
>Hi:
>
>Has anyone traveled from the US to Canada recently?
>
>I was told by someone that there is a requirement for 3 documents to 
>enter the country (Passport, birth certificate, driver's license). 
>Doesn't sound right to me - if one has a passport, why would one 
>need a birth certificate? What if one doesn't drive?

We drove from Seattle to Vancouver in March.  My understanding is 
that they are merely tightening up on the requirements a little bit, 
but you don't need all 3 documents.  You can get by with *either* a 
passport (simplest solution, and what we used) *or* driver's license 
& birth certificate.

In the past, you could get across with merely a driver's license, but 
this was always a little dicey based on the "interpretation" of the 
agent at the border.  It was also worse for Canadians attempting to 
cross into the US on a DL, than Americans crossing into Canada 
(mostly because many of the guys on the American side are, erm, 
arseholes -- at least in the airports).  Also, this was a proposed 
change and it may or may not have gone into effect yet.  Check 
http://travel.state.gov and they should give you the definitive 
answer.

	--m.
-- 
_______
"Snakes on a Plane..."

From Loopers-Delight-request@loopers-delight.com  Sun Jun 18 19:37:52 2006
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From: =?ISO-8859-1?Q?tEd_=AE_kiLLiAn?= <tedkillian@charter.net>
Subject: Re: mackie srm 450's
Date: Sun, 18 Jun 2006 12:37:49 -0700
To: Loopers-Delight@loopers-delight.com, Nemoguitt@aol.com
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--Apple-Mail-2-553578077
Content-Transfer-Encoding: quoted-printable
Content-Type: text/plain;
	charset=ISO-8859-1;
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Hey there Michael!

I haven't seen you post in a while.

How is my favorite LD guitarist doing these days?

(Yep, that's you)

Seems like a lot of folks are selling off gear on the list these days.

What brings on the gear "fire sale" for you?

I sincerely hope you're not giving up gigging.

Your devoted fan,

tEd =AE kiLLiAn

On Jun 18, 2006, at 10:01 AM, Nemoguitt@aol.com wrote:

> i may have to sell my mackie srm 450's with stands and =20
> 30'cables.....used out of studio about three times, excellent =20
> condition.....what would be a fair price?.....michael
>
>
>
>  www.ct-collective.com
>  http://mysite.verizon.net/vzepmeci/
>  http://www.myspace.com/klobuchar11

PS) We need t work on that recipe book idea.

"Different is not always better, but better is always different"

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=3D2845073
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?=20
step=3Dview_profile&id=3D121197000042

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

--Apple-Mail-2-553578077
Content-Transfer-Encoding: quoted-printable
Content-Type: text/enriched;
	charset=ISO-8859-1

Hey there Michael!


I haven't seen you post in a while.


How is my favorite LD guitarist doing these days?


(Yep, that's you)


Seems like a lot of folks are selling off gear on the list these days.


What brings on the gear "fire sale" for you?


I sincerely hope you're not giving up gigging.


Your devoted fan,


tEd =AE kiLLiAn


On Jun 18, 2006, at 10:01 AM, Nemoguitt@aol.com wrote:


<excerpt><fontfamily><param>Geneva</param><smaller>i may have to sell
my mackie srm 450's with stands and 30'cables.....used out of studio
about three times, excellent condition.....what would be a fair
price?.....michael</smaller></fontfamily>




<fontfamily><param>Geneva</param><smaller> =
www.ct-collective.com</smaller></fontfamily>

<fontfamily><param>Geneva</param><smaller>
http://mysite.verizon.net/vzepmeci/</smaller></fontfamily>

<fontfamily><param>Geneva</param><smaller>
http://www.myspace.com/klobuchar11</smaller></fontfamily>

</excerpt>

PS) We need t work on that recipe book idea.


<color><param>8080,8080,8080</param>"Different is not always better,
but better is always different"


http://www.pfmentum.com/flux.html

http://www.CDbaby.com/cd/tedkillian

http://www.guitar9.com/fluxaeterna.html

http://www.garageband.com/artist/ArsOcarina

http://www.towerrecords.com/product.aspx?pfid=3D2845073

http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314

http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193

=
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042


Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,

BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,

AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,

RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,

and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???</color>


--Apple-Mail-2-553578077--

From Loopers-Delight-request@loopers-delight.com  Sun Jun 18 20:19:25 2006
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Date: Sun, 18 Jun 2006 15:19:43 -0500 (CDT)
Subject: In trouble now...
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Well, I won an auction for an almost new FBC1010 this morning for under
120 USD after shipping.  Woohoo!  I had the cash saved up, and almost
ordered a brand new one about a week ago, but at my wife's request, I put
off ordering for a few days "just in case something comes up."  When I saw
this one going so cheap, it seemed that her better judgment had paid off
in the form of cash.  But as fate would have it, no sooner had I committed
the cash elsewhere than a tire on my car decided to explode.  We have a
small emergency fund for things like this, so we're OK, but that's not
going to stop the inevitable "I told you so" coming my way as soon as she
gets off of work.  And with a baby on the way, it's going to sting...

I've never felt simultaneous excited anticipation and dread over the
purchase of gear before... woohoo!

--Josh

From Loopers-Delight-request@loopers-delight.com  Sun Jun 18 20:40:55 2006
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From: Richard Sales <richard@glasswing.com>
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Date: Sun, 18 Jun 2006 13:40:24 -0700
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Went back and forth a week ago with only a passport.
richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 18-Jun-06, at 12:10 PM, mech wrote:

> At 2:58 PM -0400 6/18/06, Paul wrote:
>> Hi:
>>
>> Has anyone traveled from the US to Canada recently?
>>
>> I was told by someone that there is a requirement for 3 documents to 
>> enter the country (Passport, birth certificate, driver's license). 
>> Doesn't sound right to me - if one has a passport, why would one need 
>> a birth certificate? What if one doesn't drive?
>
> We drove from Seattle to Vancouver in March.  My understanding is that 
> they are merely tightening up on the requirements a little bit, but 
> you don't need all 3 documents.  You can get by with *either* a 
> passport (simplest solution, and what we used) *or* driver's license & 
> birth certificate.
>
> In the past, you could get across with merely a driver's license, but 
> this was always a little dicey based on the "interpretation" of the 
> agent at the border.  It was also worse for Canadians attempting to 
> cross into the US on a DL, than Americans crossing into Canada (mostly 
> because many of the guys on the American side are, erm, arseholes -- 
> at least in the airports).  Also, this was a proposed change and it 
> may or may not have gone into effect yet.  Check 
> http://travel.state.gov and they should give you the definitive 
> answer.
>
> 	--m.
> -- 
> _______
> "Snakes on a Plane..."
>

--Apple-Mail-3-557332724
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Went back and forth a week ago with only a passport.  

<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 18-Jun-06, at 12:10 PM, mech wrote:


<excerpt>At 2:58 PM -0400 6/18/06, Paul wrote:

<excerpt>Hi:


Has anyone traveled from the US to Canada recently?


I was told by someone that there is a requirement for 3 documents to
enter the country (Passport, birth certificate, driver's license).
Doesn't sound right to me - if one has a passport, why would one need
a birth certificate? What if one doesn't drive?

</excerpt>

We drove from Seattle to Vancouver in March.  My understanding is that
they are merely tightening up on the requirements a little bit, but
you don't need all 3 documents.  You can get by with *either* a
passport (simplest solution, and what we used) *or* driver's license &
birth certificate.


In the past, you could get across with merely a driver's license, but
this was always a little dicey based on the "interpretation" of the
agent at the border.  It was also worse for Canadians attempting to
cross into the US on a DL, than Americans crossing into Canada (mostly
because many of the guys on the American side are, erm, arseholes --
at least in the airports).  Also, this was a proposed change and it
may or may not have gone into effect yet.  Check
http://travel.state.gov and they should give you the definitive answer.


	--m.

-- 

_______

"Snakes on a Plane..."


</excerpt>
--Apple-Mail-3-557332724--

From Loopers-Delight-request@loopers-delight.com  Sun Jun 18 20:41:02 2006
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From: "Art Simon" <simart@gmail.com>
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Subject: Re: In trouble now...
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Don't know if this will help--but there isn't much depreciation on the
purchase of a used item on ebay. You could reassure your wife that if
worse comes to worse, you can sell it for pretty much what you paid
for it. (If you value your relationship, you probably shouldn't point
out that this isn't true for a lot of the stuff that she buys. . .)

Anyway, congratulations! I'm very happy with mine.

On 6/18/06, Joshua Carroll <josh@infinivert.com> wrote:
> Well, I won an auction for an almost new FBC1010 this morning for under
> 120 USD after shipping.  Woohoo!  I had the cash saved up, and almost
> ordered a brand new one about a week ago, but at my wife's request, I put
> off ordering for a few days "just in case something comes up."  When I saw
> this one going so cheap, it seemed that her better judgment had paid off
> in the form of cash.  But as fate would have it, no sooner had I committed
> the cash elsewhere than a tire on my car decided to explode.  We have a
> small emergency fund for things like this, so we're OK, but that's not
> going to stop the inevitable "I told you so" coming my way as soon as she
> gets off of work.  And with a baby on the way, it's going to sting...
>
> I've never felt simultaneous excited anticipation and dread over the
> purchase of gear before... woohoo!
>
> --Josh
>
>


-- 
Art Simon
simart@null.net
http://art.simon.tripod.com
http://www.myspace.com/artsimon

From Loopers-Delight-request@loopers-delight.com  Sun Jun 18 21:06:06 2006
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Subject: Re: In trouble now...
Date: Sun, 18 Jun 2006 16:02:25 -0500
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We have a
> small emergency fund for things like this, so we're OK, but that's not
> going to stop the inevitable "I told you so" coming my way as soon  
> as she
> gets off of work.  And with a baby on the way, it's going to sting...
>
> I've never felt simultaneous excited anticipation and dread over the
> purchase of gear before... woohoo!

Roughly $120? Tell her you know someone online who had 360x as much  
gear debt. It'll make her feel much, much better about your  
situation. And, no, I'm not single.

Jeff

From Loopers-Delight-request@loopers-delight.com  Sun Jun 18 21:57:34 2006
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From: rune fagereng <rune_fagereng@yahoo.no>
Subject: beatsync filters
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Hi !
   
  I am looking for beatsyncing filter/sweaps-effects for my guitar-rig.
  Does anyone have experience with the kaoss pad, roger mayer voodoo, or adrennalinn ? Or any other good filters ?
   
  Rune f


www.runefagereng.com
Mail:rune_fagereng@yahoo.no
Mob: 917 95 867
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<div>Hi !</div>  <div>&nbsp;</div>  <div>I am looking for beatsyncing filter/sweaps-effects for my guitar-rig.</div>  <div>Does anyone have experience with the kaoss pad, roger mayer voodoo, or adrennalinn ? Or any other good filters ?</div>  <div>&nbsp;</div>  <div>Rune f</div><BR><BR>www.runefagereng.com<br>Mail:rune_fagereng@yahoo.no<br>Mob: 917 95 867
--0-1520231459-1150667851=:46845--

From Loopers-Delight-request@loopers-delight.com  Sun Jun 18 22:19:52 2006
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<HEAD>
<META content="MSHTML 6.00.2900.2912" name=GENERATOR></HEAD>
<BODY>
<DIV>Hejda Rune,</DIV>
<DIV>&nbsp;</DIV>
<DIV>The Adrenalinn II is dead simple to use and sounds pretty good out of the box. Not a whole lot of programming needed if you want something fairly simple. On the other hand, if you want to go deep with it and really learn the box, it doesn't seem terribly complicated. I haven't necessarily dug deep into it and have been able to apply it pretty well. There are all kinds of applications available, including separate sends for drum machines and guitar signal, the ability to send the drum machine through the filters, etc.. Another real advantage, the manual is written in reasonably clear, colloquial English that is not some odd-ball translation like Roland manuals tend to be. The amp simulations are, to my ears and IMO clearer and less convoluted to get to than the POD or some of Roland's COSM Modelers. Just simple, evocative models.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Don't have any other experience with the other units mentioned.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Todd Howell<BR><BR><BR></DIV>
<BLOCKQUOTE style="PADDING-LEFT: 5px; MARGIN-LEFT: 0px; BORDER-LEFT: #0000ff 2px solid">-----Original Message----- <BR>From: rune fagereng <RUNE_FAGERENG@YAHOO.NO><BR>Sent: Jun 18, 2006 5:57 PM <BR>To: "loopers-delight@loopers-delight.com" <LOOPERS-DELIGHT@LOOPERS-DELIGHT.COM><BR>Subject: beatsync filters <BR><BR>
<DIV>Hi !</DIV>
<DIV>&nbsp;</DIV>
<DIV>I am looking for beatsyncing filter/sweaps-effects for my guitar-rig.</DIV>
<DIV>Does anyone have experience with the kaoss pad, roger mayer voodoo, or adrennalinn ? Or any other good filters ?</DIV>
<DIV>&nbsp;</DIV>
<DIV>Rune f</DIV><BR><BR>www.runefagereng.com<BR>Mail:rune_fagereng@yahoo.no<BR>Mob: 917 95 867</BLOCKQUOTE></BODY>

From Loopers-Delight-request@loopers-delight.com  Sun Jun 18 22:31:24 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: beatsync filters
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On 18 jun 2006, at 23.57, rune fagereng wrote:

> I am looking for beatsyncing filter/sweaps-effects for my guitar-rig.
> Does anyone have experience with the kaoss pad, roger mayer voodoo,  
> or adrennalinn ? Or any other good filters ?

Hi Rune!

I have an Akai MFC 42, that I think sounds great!
http://namm.harmony-central.com/SNAMM01/Content/Akai/PR/MFC42.html

Here's an online clip where I play guitar though it, adding a subtle  
beat synced slow phasing effect:
http://cdbaby.com/mp3lofi/loopersdelight-15.m3u

This second example is not beat synced. Here I play it with my foot,  
like a wha pedal controlled from one of the FCB1010 MIDI expression  
pedals:
http://www.looproom.com/audio/ocl/Organisational_Archeology_clip.mp3

Another cool trick with an FCB and the AKai filter-bank is to assign  
one expression pedal to the tempo beat divisor. Then you can move  
your foot to sweep through all counter-rhythms from a one bar  
frequency to 64ths something. I don't have any recording online of  
that, but I guess you can imagine the sound.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)




From Loopers-Delight-request@loopers-delight.com  Sun Jun 18 23:42:46 2006
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	"Drone Deep Chill" <drone_deep_chill@yahoogroups.com>,
	"Loopers Delight" <Loopers-Delight@loopers-delight.com>,
	"The Ambient Way" <the_ambient_way@yahoogroups.com>,
	<vaguediscuss@vagueterrain.net>
Subject: the PiNG presents Rob Piilonen, Joshua van Tassel, Todd Pearson aka DJ Syklik and Lyle Crilly
Date: Sun, 18 Jun 2006 19:44:58 -0400
Organization: THE AMBiENT PiNG
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AMBiENT PiNG RADiO iS NOW JUST A CLiCK AWAY @:
http://www.ambientpingradio.com

Since it's inception in 1999, the mission of THE AMBiENT PiNG 
has been to introduce new music, new artists and new ideas to 
the community. Hundreds of artists have graced the PiNG 
stage over the years with wonderful live performances 
which have excited and inspired our imaginations.

As the 7th anniversary of the PiNG approaches, we're 
thrilled to be able to share that excitement and inspiration 
with even more of you via AMBiENT PiNG RADiO! 
An online radio station at Live365 that captures the essence 
of THE AMBiENT PiNG by featuring a mix of ambient, 
soundscape, electronic, trip hop, dream pop, drone and 
chill artists from both our local and global communities. 
Hear artists that have performed at the PiNG as well as artists 
whose work has influenced and delighted us over the years. 

AMBiENT PiNG RADiO is a regularly updated collection 
of music that reflects the spirit and sound of the PiNG. 
You'll hear music by Robert Rich, dreamSTATE, 
mara's torment, Massive Attack, cheryl o, Underworld, 
Numina, URM, Aidan Baker, Steve Roach and much more, 
24 hours a day, 7 days a week.

TUNE iN + PLUG iNTO AMBiENT PiNG RADiO NOW @
http://www.ambientpingradio.com

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 

THE AMBiENT PiNG  .  http://www.theambientping.com
presents AMBiENT PiNG TUESDAYS  
@ HACiENDA . 794 Bathurst Street at Bloor . Toronto 
(NW corner, upstairs across from the Bathurst subway station) 
Doors open at 9pm . 1st set at 9:30 . PayWhatYouCan 

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 

THiS Tuesday June 20th . Rob Piilonen, Joshua van Tassel, 
Todd Pearson aka DJ Syklik and Lyle Crilly

Rob, Joshua, Todd and Lyle will be playing an assortment of 
dreamy improvised pieces, with a strong focus on using potentially 
rigid instruments in a free flowing and creative manner and 
having the flute fit in as a sometimes melodic, sometimes 
electronic/drone based addition.

Rob Piilonen: Flute and Effects
http://www.myspace.com/robstunes
Josh van Tassel: Sampler and percussion
http://www.myspace.com/joshuavt
Todd Pearson aka DJ Syklik: Turntables
Lyle Crilly: Laptop

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 

Before Sets CD . the circle is not round by ARC
We continue our preview of next week's PiNG performance 
by Pholde and ARC with NOiNO on June 27th by playing this 
ARC CD from 2005. http://www.pingthings.com/ARCcircle.htm

Between Sets CD . Is This Home by Morgan Doctor 
Visit http://www.pingthings.com/MORGANDOCTOR.htm
to find out more about this week's between set CD and tune in to 
ping things radio every Sun & Wed from 9pm to 12 midnight EST 
at http://www.ambientpingradio.com
to hear music from this and other discs in the ping things catalogue.

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 

COMiNG Tuesday June 27th . PHOLDE and ARC with NOiNO

PHOLDE (Alan Bloor) and ARC (Aidan Baker, Rich Baker 
and Chris Kukiel) return to the PiNG to interface and kick 
out the jams with NOiNO (James Bailey, Matthew 
Poulakakis and Jamie Todd).

Up first, PHOLDE strokes, bows and caresses his metal 
sculptures into an amorphous soundscape to be welded 
with the sonic shiftings of the NOiNO aggregate into 
an organic, electronic, metallic, sonorous tapestry.
http://www.pingthings.com/ALANBLOOR.htm

Next up, ARC's guitar drones and pulse driven drums and 
percussion will be augmented with the found, sampled, 
synthetic sounds and rhythmic machinery of NOiNO in an 
all out jam to celebrate improvisational bands that were 
born out of desire and necessity on the PiNG stage.
http://www.pingthings.com/ARCferal.htm 

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 

* Other Toronto area sonic/visual events of interest this week:

* Monday June 19th . The Music Gallery'S 30th Anniversary 
   Fundraiser + Season Finale Featuring Eve Egoyan & 
   Anne Bourne, Ccmc, Tasa, Wyrd Visions, Peter Lutek & 
   Tom Richards, Castlemusic
   The Music Gallery closes it's 30th anniversary season with a  
   summertime fundraiser celebrating our humble yet auspicious 
   origins  and our renewed vision for the future. The event will 
   feature musicians representing a cross-section of the Gallery's 
   history, performing cabaret-style in various locations throughout 
   our space at St. George the Martyr Church, including:
   Eve Egoyan & Anne Bourne (acclaimed pianist & cellist in rare 
   duo performance) . CCMC (improv collective and Music Gallery 
   founders; featuring world-renowned artists John Oswald, 
   Michael Snow and Paul Dutton) . Tasa (Ravi Naimpally's tabla-
   jazz fusionists) . Wyrd Visions (neo-psychedelic folk artist 
   performs in the Fellowship Room) . Peter Lutek & Tom Richards 
   (sax & trombone duo performing in the courtyard) . Castlemusic 
   (Jennifer Castle plays her avant-country songs in the courtyard)
   7PM . The Music Gallery (197 John St.)
   Tickets: $30 regular/$25 member/$15 student

* Monday June 19th . CRANK STURGEON, Brian Ruryk, 
   Charles Balls and the Cincinatti Single-File and Jacob Horwood.
   CRANK STURGEON's interests as of late are removing most if 
   not all of his clothing, fastening a cardboard or plastic sturgeon 
   headdress to himself (with various outgrowths of tubing and 
   springs that may or may not serve a purpose) and manufacturing 
   zany bouts of aural dislocation out of a series of cheap electronics 
   and homemade gadgetry props.    
   BRIAN RURYK is an ex-folley editor taking risks with his 
   neighbourhood recycling! 23 Fanta bottles, 14 ravioli & artichoke 
   cans and 156 pieces of shelving & office discard succumb to 
   natural forces (ie. gravity, deflection and acoustic genocide) all set 
   to "bluegrass" guitar playing and slippery tape stop and start. 
   since his recent return to live performance the Tide company have 
   issued caution that their containers, once emptied, are to be
   recycled - not used as footballs or other outlets of leisure...  
   CHARLES BALLS AND THE CINCINATTI SINGLE-FILE is 
   andrew of gfreflex (sampler, slide whistle, mixer), michelangelo of 
   odradek (clarinet) and zoe of master (reed) playing to a 
   prerecorded reel. expect the evocation of archie shepp 
   accumulating on the saran of concrete bemusement. Jacob 
   Horwood aka Fudge Whoregagger plays in gfreflex as well and  
   likes to use reel to reel, modified electronics and sampler. second 
   solo performance offers to be the awkward moisture you so often 
   seep in the seat of your denim dreams. excessive body-odour 
   makes its appearance as fidgety psedo-collage fiesta!
   9pm . Neutral (349-A College Street, entrance off of Augusta) . $5
   
* Wednesday June 21st . Creative Improv with:
   Josh van Tassel: percussion and sampler . Devon Henderson: bass
   Christine Bougie: guitar . Rob Piilonen: flute and effects
   The Tranzac (292 Brunswick Ave.) . PWYC

* Thursday June 22nd . Improvisors' Pool
   The improvisors' pool is a weekly gathering for musicians 
   who practice collective free improvisation. It welcomes players 
   of all levels and backgrounds.
   7:00-9:00 . Ralph Thornton Centre 765 Queen Street East  
   
* Thursday June 22nd . AIMT Presents in association with 
   Arraymusic and the NOW Lounge 
   An INTERFACE SERIES with Wilbert Dejoode
   . dejoode/ martin/ shaw [wilbert dejoode (bass) jean martin 
   (drums) evan shaw (alto saxophone)]
   . dejoode/ driver/ piilonen/ posgate [wilbert dejoode (bass) 
   ryan driver (analog synth) rob piilonen (flutes) 
   tim posgate (guitar)
   9pm . the NOW lounge (189 church street)
   pwyc $15 suggested

* Friday June 23rd . AIMT Presents in association with 
   Arraymusic and the NOW Lounge 
   An INTERFACE SERIES with Wilbert Dejoode
   . company night: [wilbert dejoode (bass) alison cameron 
   (amplified objects) paul dutton (voice) michel delage (drums) 
   michael keith (guitar) john wilson (guitar)]
   9pm . the arraymusic studio (60 atlantic ave, suite 218) . $15

* Friday June 23rd . Eric Stach  presents THE SCREAM  
   a festival of New Music, Noise/Sound IMPROVISATION
   a 10 week Friday Night Series May 5th to July 7th
   Musicians are welcome to drop by and play
   Place: 105 Clarence Street, London, Ontario, between
   Hill and South, west of Wellington. 
   9:30pm -1:00 am  Every FRIDAY NIGHT no cover byob
   
* Saturday June 24th . AIMT Presents in association with 
   Arraymusic and the NOW Lounge 
   An INTERFACE SERIES with Wilbert Dejoode
   . ronda rindone's QUORUM + wilbert dejoode 
   [wilbert dejoode (bass) tilman lewis (cello) ronda rindone (clarinets) 
   joe sorbara (percussion)]
   . dan pencer quartet [thom gill (guitar) bram gielen (bass) 
   dan pencer (saxophones) matt pencer (drums)]
   . aldcroft/ dejoode/ campbell/ valdivia [ken aldcroft (guitar) 
   wilbert dejoode (bass) rod campbell (trumpet) 
   brandon valdivia (drums)]
   9pm . the arraymusic studio (60 atlantic ave, suite 218) . $15
   
* Saturday June 24th . Emerge & RootMeanSquare present
   Broken Social Scene and Bloc Party with Feist, J. Mascis, 
   Raising The Fawn and More
   1 PM . Olympic Island, Toronto . $44.50 (plus $6.00 ferry fee)
   
* Saturday June 24th . Nine Inch Nails with Bauhaus and Peaches   
   7:00 PM . Molson Amphitheatre, Ontario Place, Toronto
   $29.50-$59.50 advance at Ticketmaster -  - all ages

* Sunday June 25th . The NOW Series
   presented by AIMToronto and the NOW Lounge
   2:00- Workshop - TBA   
   4:00- Newman / Wilson 
   w/ paul newman- saxophone, john wilson- guitar   
   5:00- Duo Duo
   w/ rob piilonen - flute, mitch yolevsky - clarinet
   6:00- TBA
   4-7pm . The NOW Lounge 189 Church St. . $6

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 

THE AMBiENT PiNG is a social sound/art event presenting live 
performances by Toronto's finest ambient, chillout, improv and 
experimental music artists plus performers from around the world, 
every Tuesday evening at HACiENDA . 794 Bathurst Street at Bloor. 
http://www.theambientping.com 

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 

Please forward this e-mail to any friends who may be interested in 
live ambient, chillout and experimental music performances or to 
any of your appropriate newsgroups. Thanks.

From Loopers-Delight-request@loopers-delight.com  Mon Jun 19 00:36:21 2006
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Date: Sun, 18 Jun 2006 17:36:19 -0700 (PDT)
From: ditch wrestler <ditchwrestler@yahoo.com>
Subject: Re: Oh, Canada
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Being a Canadian, I've only lately crossed the border with birth cert. and d.l.  I'd bring my passport when I had a valid one.  
   
  The wife and I are heading to SW Michingan in about two weeks and will bring only those two pieces of i.d. Of course, this will the time we draw the 'cavity search' card...
   
  Never had any problems.  I always thought it was more important to give the guard the short "yes, sire/ma'am" or "no, sir/ma'am" answers.
   
   
  ted h.

Paul <paulrichard10@adelphia.net> wrote:
          Hi:
   
  Has anyone traveled from the US to Canada recently?
   
  I was told by someone that there is a requirement for 3 documents to enter the country (Passport, birth certificate, driver's license). Doesn't sound right to me - if one has a passport, why would one need a birth certificate? What if one doesn't drive?
   
  Regards, Paul
   

 		
---------------------------------
Yahoo! Sports Fantasy Football ’06 - Go with the leader. Start your league today! 
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<div>Being a Canadian, I've only lately crossed the border with birth cert. and d.l.&nbsp; I'd bring my passport when I had a valid one.&nbsp; </div>  <div>&nbsp;</div>  <div>The wife and I are heading to SW Michingan&nbsp;in about two weeks and will bring only those two pieces of i.d.&nbsp;Of course, this will the time we draw the 'cavity search' card...</div>  <div>&nbsp;</div>  <div>Never had any problems.&nbsp; I always thought it was more important to give the guard the short&nbsp;"yes, sire/ma'am" or "no, sir/ma'am" answers.</div>  <div>&nbsp;</div>  <div>&nbsp;</div>  <div>ted h.<BR><BR><B><I>Paul &lt;paulrichard10@adelphia.net&gt;</I></B> wrote:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">  <META content="MSHTML 6.00.2900.2912" name=GENERATOR>  <STYLE></STYLE>    <DIV><FONT face=Arial size=2>Hi:</FONT></DIV>  <DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>  <DIV><FONT face=Arial size=2>Has anyone
 traveled from the US to Canada recently?</FONT></DIV>  <DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>  <DIV><FONT face=Arial size=2>I was told by someone that there is a requirement for 3 documents to enter the country (Passport, birth certificate, driver's license). Doesn't sound right to me - if one has a passport, why would one need a birth certificate? What if one doesn't drive?</FONT></DIV>  <DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>  <DIV><FONT face=Arial size=2>Regards, Paul</FONT></DIV>  <BLOCKQUOTE style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px"><FONT face=arial,helvetica><FONT face=Geneva color=#000000 size=2 FAMILY="SANSSERIF"></FONT></FONT>&nbsp;</BLOCKQUOTE></BLOCKQUOTE><BR><p>&#32;
		<hr size=1>Yahoo! Sports Fantasy Football ’06 - Go with the leader. 
<a href="http://us.rd.yahoo.com/evt=33539/*http://football.fantasysports.yahoo.com?ovchn=YAH&ovcpn=Integration&ovcrn=Mail+footer&ovrfd=YAH&ovtac=AD">Start your league today!</a> 
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From Loopers-Delight-request@loopers-delight.com  Mon Jun 19 01:21:56 2006
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Date: Sun, 18 Jun 2006 20:22:15 -0500 (CDT)
Subject: Re: In trouble now...
From: "Joshua Carroll" <josh@infinivert.com>
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Ha!  Well, fortunately for me she was in a great mood when I broke the
news to her this evening, and tires are on sale at Pep Boys, so I'm not in
too much trouble.

With a little luck, I'll be looping in a matter of days!

--Josh



> Don't know if this will help--but there isn't much depreciation on the
> purchase of a used item on ebay. You could reassure your wife that if
> worse comes to worse, you can sell it for pretty much what you paid
> for it. (If you value your relationship, you probably shouldn't point
> out that this isn't true for a lot of the stuff that she buys. . .)
>
> Anyway, congratulations! I'm very happy with mine.
>
> On 6/18/06, Joshua Carroll <josh@infinivert.com> wrote:
>> Well, I won an auction for an almost new FBC1010 this morning for under
>> 120 USD after shipping.  Woohoo!  I had the cash saved up, and almost
>> ordered a brand new one about a week ago, but at my wife's request, I
>> put
>> off ordering for a few days "just in case something comes up."  When I
>> saw
>> this one going so cheap, it seemed that her better judgment had paid off
>> in the form of cash.  But as fate would have it, no sooner had I
>> committed
>> the cash elsewhere than a tire on my car decided to explode.  We have a
>> small emergency fund for things like this, so we're OK, but that's not
>> going to stop the inevitable "I told you so" coming my way as soon as
>> she
>> gets off of work.  And with a baby on the way, it's going to sting...
>>
>> I've never felt simultaneous excited anticipation and dread over the
>> purchase of gear before... woohoo!
>>
>> --Josh
>>
>>
>
>
> --
> Art Simon
> simart@null.net
> http://art.simon.tripod.com
> http://www.myspace.com/artsimon
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Jun 19 01:23:39 2006
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Date: Sun, 18 Jun 2006 20:23:59 -0500 (CDT)
Subject: Re: In trouble now...
From: "Joshua Carroll" <josh@infinivert.com>
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ha!  It would make her feel better if this was the first time I had
stupidly spent "our" money without asking.  Last time however, it was
several grand in studio equipment that I purchased just before we got
married (on the credit card, no less), and I didn't feel bad about it at
all.

In retrospect, that wasn't the smartest thing I've ever done.

--Josh



> We have a
>> small emergency fund for things like this, so we're OK, but that's not
>> going to stop the inevitable "I told you so" coming my way as soon
>> as she
>> gets off of work.  And with a baby on the way, it's going to sting...
>>
>> I've never felt simultaneous excited anticipation and dread over the
>> purchase of gear before... woohoo!
>
> Roughly $120? Tell her you know someone online who had 360x as much
> gear debt. It'll make her feel much, much better about your
> situation. And, no, I'm not single.
>
> Jeff
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Jun 19 01:28:34 2006
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From: "Timothy Mungenast" <mungenast@earthlink.net>
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Subject: Hands (was   Way OT: EM fingers! )
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You're absolutely right that posture can help or hurt in ways that most
folks can't imagine. 

As for your spelling question, "callous" is an adjective, whereas "callus,"
the noun, is that dead skin that lets us play guitar ;-)

Regarding the ganglion, a very talented friend of mine went to a Chinese
doctor who simply told him to smash it with a book. I'm not sure that I
could be so brave, but my friend says it works for him.

BTW, when we change subject matter, let's either start a new e-mail or
change the Subject line. Gawd knows how many interesting letters I've
missed because the Subject line said something like "Re: EDP creating
clouds of sooty black smoke again" and the words within actually discussed
some great musician or a recently uncovered lost recording etc etc. or some
new affordable looping tool.)

Wishing You Happy Hands,
Tim
www.mungenast.com
www.myspace.com/timmungenast




> [Original Message]
> From: Richard Sales <richard@glasswing.com>
> To: <Loopers-Delight@loopers-delight.com>
> Date: 6/17/2006 1:10:58 PM
> Subject: Re: Way OT: EM fingers!
>
> Leo Kottke is a fun person to investigate concerning hand issues.  I  
> think he's been through it all and had to stop playing for a while  
> because of it.  The latest I've read from him he seems to be saying  
> that he's amplified his acoustic guitar and is playing with a much more  
> gentle touch, no fingernails, no fingerpicks etc.   So not picking so  
> hard with the right hand helps a lot.  Of course, you don't get the big  
> mojo when you play softer, which is kind of a bomb.
>
> I pick very hard with my right hand with medium strings - acoustic,  
> finger style mostly.
>
> I've noticed for myself that my posture when I play has a huge impact  
> on my hands.  My hands have to be in just the right place, with correct  
> wrist angles, or my fingers go to sleep.  This started when I was  
> touring with Shree Maa (I was playing acoustic 12 string LOUD) and we  
> would play some songs, or puja songs, that would last an hour or two  
> non stop.  The strings started to feel like razor blades cutting  
> through my thick callouses (SP?).  So now, when I sit and play, I sit  
> classical style.  Really helps a lot.  When I get lazy and sit back on  
> the couch and play my hands go haywire after just a few minutes of  
> playing - an instant reminder.   But if I sit right, I can play for  
> hours.
>
> Not sure if this has any impact on the ganglion thing.  But if you  
> practice more than an hour a day, paying close attention to your hands,  
> posture etc - especially when you've accumulated decades of playing, is  
> critical.
>
> Another thing my chiropractor told me was that I shouldn't look at my  
> guitar (my left hand) when I play.  Apparently looking to the left -  
> especially if your right arm is raised (which it isn't if you're  
> sitting correctly), can cause neck and back issues.
>
> I bet rolfing (or deep muscle massage) would be good for stuff like  
> ganglions.  You might check that out.  It might loosen up some of the  
> muscles that are too tight.
>
> As many have said, I think I would try to avoid surgery as long as  
> possible.
>
> richard sales
> glassWing farm and studio
> vancouver island, b.c.
> 800.545.6846
> 250.752.4816
> www.glassWing.com
> www.richardsales.com
> www.hayleysales.com
> www.blueberryfieldsfarm.com
> On 17-Jun-06, at 9:42 AM, goddard.duncan@mtvne.com wrote:
>
> > >>I had one in my left hand, on the top, at the root of my 1st & 2nd  
> > fingers next to my wrist. Had it removed about 25 years ago. Do  
> > anything but surgery if you can, I still don't have 100% control of my  
> > pinky.<<
> >
> > ah, jeez.... I've got one in exactly the same place. left hand facing  
> > up, base of thumb between root of first & second finger, right on the  
> > seam of my wrist. what the hell are they? are there non-surgical  
> > options? this isn't a nuisance yet, but I've noticed my hand tires  
> > quicker....
> >
> > my natural inclination is to spear it with something sharp..... but  
> > obviously I am fighting this impulse!
> >
> > duncan.
> >
> >
> >   
> > *********************************************************************** 
> > ****
> >  CONFIDENTIALITY NOTICE
> >
> >  The contents of this e-mail are confidential to the ordinary user
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> > ****
> >  


From Loopers-Delight-request@loopers-delight.com  Mon Jun 19 03:35:37 2006
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Date: Mon, 19 Jun 2006 00:35:11 -0300
From: Andrew Duke <andrew@andrew-duke.com>
Subject: Andrew Duke--Consumer vs. User remix contest now "live"
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Hello, fellow loopers.

The Andrew Duke--Consumer vs. User remix contest is now officially 
"live" on http://andrew-duke.com and http://stratagem-musik.com and 
running until August 31, 2006.  The best resulting remixes will be 
released on Stratagem Musik and great prizes are up for grabs including 
software (including a grand prize of a copy of Reaktor 5 kindly donated 
by Native Instruments), magazine subscriptions, books, CDs-ROMs, and CDs.

Even if you decide not to enter the contest, there are 385 WAV samples 
(available as 24bit and 16bit) from my  Consumer vs. User album 
(http://www.phthalo.com/cat.php?cat=phth40) available for free download 
on http://andrew-duke.com as well as a full preview of the album's lead 
track.

I do hope, though, that some of you on this list will enter the contest. 
 And please spread the word to any loopers and musicians and producers 
and composers and sound designers you think might be interested in 
entering the contest and in playing with the samples.

Thanks.
Take care.
Andrew

-- 
Andrew Duke
scoring/sound design/source
http://andrew-duke.com
http://myspace.com/andrewduke
Cognition Audioworks label
[Andrew Duke, Foal, Clinker, Granny'Ark]
http://cognitionaudioworks.com
http://myspace.com/cognitionaudioworks


From Loopers-Delight-request@loopers-delight.com  Mon Jun 19 07:24:06 2006
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From: Kim Flint <kflint@loopers-delight.com>
Subject: RE: Addressing a single Echoplex in a Stereo Setup
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At 07:46 AM 6/18/2006, Clint Goss wrote:
>Thank you all for your input on this subject!

you're welcome!

>Claude's input using SysEx messages was a tad depressing ... The FCB1010 can't
>pull this off and apparantly Plex's can hiccup acoustically during SysEx
>processing (their admission/apology, in the manual).

As we say in the manual, this is only true for long sysex command streams 
sent to the Echoplex. For a simple sysex command (like one that edits a 
single parameter as Claude was discussing) there is no audible effect.


>There is a suggestion of using separate Source # or MIDI channels and sending
>two messages. I wonder if synchronization (when working in stereo) would be
>compromised.

No, there won't be any problem. We designed the Echoplex to support this 
type of use, and tested it to be sure it worked.

>I sense that the Plex designers put a lot of effort into the stereo
>synch issue ... brother synch and intelligent midi piping and all that.

yes, that is true, we did!

And part of the goal was to support exactly the flexibility you are looking 
for - the ability to switch between addressing two loops as stereo pairs or 
as independent loops, and deciding on the fly.

>Simply
>sending two MIDI messages might degrade that stereo synch in comparison with
>brother sync.

No, BrotherSync is always active whichever way you do this. The BrotherSync 
connection between the two units will lock them together at the sample 
level so they should stay in sync. It has nothing to do with midi channels, 
and you should keep BrotherSync connected for any of the strategies you are 
hearing about here.

Controlling the stereo pair by sending a single command to both units on 
the same channel, or controlling them by sending two midi commands on two 
midi channels will work exactly the same. They will stay in sync the same way.


>And then there's the issue that the FCB 1010 is not up to the task. Hmmm. Been
>using it for a year to control two Plexes and a PCM81. Reprogrammed it several
>times and used it live dozens of times over the last year.

I hate to break the news to you guys yet again, but the FCB1010 is really 
not that great of a midi controller. It enjoys the advantage of being 
affordable, available, and a little better than other available pedals that 
utterly suck. But in the larger view of all midi pedals ever made, it is in 
the middle to slightly-above-average range. Definitely not at the top.


>In a gig last night, I tried doing the 'punch the panel buttons' thing to 
>split
>the two channels so they played two different parts of an ostinato and then
>reversing one of the channels. Cool acoustic effect, crappy psychological
>effect. I can tap a footswitch without missing a beat, but going over to the
>panel was disorienting and took me way out of the music for like 30 seconds.

you might also try the suggested idea of just using the normal Echoplex 
pedal in conjunction with your Behringer midi pedal. That is an easy/cheap 
way to accomplish your goal of switching between stereo or independent 
loops on the fly.


> > PMC-10 for awhile, but, and maybe mine was weird- there was about a 
> 100ms delay
> > from when I pressed the pedal to when the EDP changed its state.
>
>Yikes! 1/10'th second? That is disqualifying.

There are a lot of people using the PMC-10 with the echoplex and in other 
situations, including me. It is a highly regarded pedal. As I noted, this 
supposed delay is not the experience of the vast majority of pmc-10 users.

The Digitech PMC-10 really is one of the best midi pedals ever. Sadly it 
has been out of production a long time, is hard to find, and at this stage 
in life may be getting a little shaky if not well taken care of. It is a 
sad situation, but users don't demand good midi pedals so no manufacturer 
puts effort into it.

kim



______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com 

From Loopers-Delight-request@loopers-delight.com  Mon Jun 19 08:39:21 2006
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Subject: RE: Addressing a single Echoplex in a Stereo Setup
Date: Mon, 19 Jun 2006 04:39:16 -0400
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 Well, not really supposed, it was real, but as I said, it might have just
been mine. In any case, they were made up until the early/mid 90s, so
finding a functioning one with remote (nice, but not needed these days) will
certainly be a fun quest. As far as no one demanding good midi pedals, I
think it is a case of a lot of manufacturers putting out the lowest common
denominator- the features most people would use- program change, CCs, and
not much else on a limited number of different channels. Roland or
Behringer's designers have never shown up publicly on any list I have ever
been on asking what users need. We are lucky here that we can talk to many
of the people who designed our tools, but that isn't the case for the makers
of the current midi pedals. They usually match up their pedals to gear they
are currently putting out, and make them very easy to use together, and they
don't really care if it is used to control other things. If Behringer
doesn't make anything that needs that kind of control, they aren't going to
build the capability (or even care about that capability) in their pedals. 
Despite what Roland or Behringer or anyone who makes a generic 'dumb' midi
pedal thinks, if you put the capability of the PMC-10 into an enclosure like
the All Access (or even the current Behringer pedal, but with preset
titles), sell them for a few hundred (not $800), you would probably sell a
few thousand right away. The EDP can't be the only device that musicians
want more foot control of.

Dave Eichenberger
www.hazardfactor.com


> 
> The Digitech PMC-10 really is one of the best midi pedals 
> ever. Sadly it has been out of production a long time, is 
> hard to find, and at this stage in life may be getting a 
> little shaky if not well taken care of. It is a sad 
> situation, but users don't demand good midi pedals so no 
> manufacturer puts effort into it.
> 
> kim
 

From Loopers-Delight-request@loopers-delight.com  Mon Jun 19 10:28:05 2006
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Date: Mon, 19 Jun 2006 03:28:03 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: RE: Addressing a single Echoplex in a Stereo Setup
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guys,shouldnt we be forwarding this mails to
behringer?
Luis

--- Kim Flint <kflint@loopers-delight.com> wrote:

> At 07:46 AM 6/18/2006, Clint Goss wrote:
> >Thank you all for your input on this subject!
> 
> you're welcome!
> 
> >Claude's input using SysEx messages was a tad
> depressing ... The FCB1010 can't
> >pull this off and apparantly Plex's can hiccup
> acoustically during SysEx
> >processing (their admission/apology, in the
> manual).
> 
> As we say in the manual, this is only true for long
> sysex command streams 
> sent to the Echoplex. For a simple sysex command
> (like one that edits a 
> single parameter as Claude was discussing) there is
> no audible effect.
> 
> 
> >There is a suggestion of using separate Source # or
> MIDI channels and sending
> >two messages. I wonder if synchronization (when
> working in stereo) would be
> >compromised.
> 
> No, there won't be any problem. We designed the
> Echoplex to support this 
> type of use, and tested it to be sure it worked.
> 
> >I sense that the Plex designers put a lot of effort
> into the stereo
> >synch issue ... brother synch and intelligent midi
> piping and all that.
> 
> yes, that is true, we did!
> 
> And part of the goal was to support exactly the
> flexibility you are looking 
> for - the ability to switch between addressing two
> loops as stereo pairs or 
> as independent loops, and deciding on the fly.
> 
> >Simply
> >sending two MIDI messages might degrade that stereo
> synch in comparison with
> >brother sync.
> 
> No, BrotherSync is always active whichever way you
> do this. The BrotherSync 
> connection between the two units will lock them
> together at the sample 
> level so they should stay in sync. It has nothing to
> do with midi channels, 
> and you should keep BrotherSync connected for any of
> the strategies you are 
> hearing about here.
> 
> Controlling the stereo pair by sending a single
> command to both units on 
> the same channel, or controlling them by sending two
> midi commands on two 
> midi channels will work exactly the same. They will
> stay in sync the same way.
> 
> 
> >And then there's the issue that the FCB 1010 is not
> up to the task. Hmmm. Been
> >using it for a year to control two Plexes and a
> PCM81. Reprogrammed it several
> >times and used it live dozens of times over the
> last year.
> 
> I hate to break the news to you guys yet again, but
> the FCB1010 is really 
> not that great of a midi controller. It enjoys the
> advantage of being 
> affordable, available, and a little better than
> other available pedals that 
> utterly suck. But in the larger view of all midi
> pedals ever made, it is in 
> the middle to slightly-above-average range.
> Definitely not at the top.
> 
> 
> >In a gig last night, I tried doing the 'punch the
> panel buttons' thing to 
> >split
> >the two channels so they played two different parts
> of an ostinato and then
> >reversing one of the channels. Cool acoustic
> effect, crappy psychological
> >effect. I can tap a footswitch without missing a
> beat, but going over to the
> >panel was disorienting and took me way out of the
> music for like 30 seconds.
> 
> you might also try the suggested idea of just using
> the normal Echoplex 
> pedal in conjunction with your Behringer midi pedal.
> That is an easy/cheap 
> way to accomplish your goal of switching between
> stereo or independent 
> loops on the fly.
> 
> 
> > > PMC-10 for awhile, but, and maybe mine was
> weird- there was about a 
> > 100ms delay
> > > from when I pressed the pedal to when the EDP
> changed its state.
> >
> >Yikes! 1/10'th second? That is disqualifying.
> 
> There are a lot of people using the PMC-10 with the
> echoplex and in other 
> situations, including me. It is a highly regarded
> pedal. As I noted, this 
> supposed delay is not the experience of the vast
> majority of pmc-10 users.
> 
> The Digitech PMC-10 really is one of the best midi
> pedals ever. Sadly it 
> has been out of production a long time, is hard to
> find, and at this stage 
> in life may be getting a little shaky if not well
> taken care of. It is a 
> sad situation, but users don't demand good midi
> pedals so no manufacturer 
> puts effort into it.
> 
> kim
> 
> 
> 
>
______________________________________________________________________
> Kim Flint                     | Looper's Delight
> kflint@loopers-delight.com    |
> http://www.loopers-delight.com 
> 
> 


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From Loopers-Delight-request@loopers-delight.com  Mon Jun 19 10:32:58 2006
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Date: Mon, 19 Jun 2006 03:32:57 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: Ganglion
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Oh Shit Kevin, i am reading your post too late;-) ive
just had the fluid extracted you mean that increases
the chances of coming back?

--- Kevin <kevin@TheNettles.com> wrote:

> At 12:11 AM 6/16/2006, you wrote:
> >I recently dicovered a small lump on my left ring
> >tendon that was sort of bothering me when playing
> >guitar and went to the doctor and found out is a
> >finger ganglion.I am still debating wether i should
> >let them operate it because there arent any
> guarantees
> >of anything,it oculd come back,ruin a nerve numbing
> >the finger etc.it is specially frustrating and
> >depressing being left handed...
> 
> I'm not a doctor so you'd be a fool to follow my
> advice but...
> 
> I have had ganglions on the back of my hand in the
> past when my 
> technique wasn't good.  The best advice I got was to
> rest the area 
> until my body repaired the synovial sheath shrank
> the ganglion.  I 
> also worked on my technique--I was using too much
> force and bending 
> my wrist when I played so I played with a wrist
> brace for awhile to 
> unlearn bad habits.
> 
> If you cut (or pop) the synovial sheath, you weaken
> it.  So yeah, 
> your chances of getting another ganglion increase.
> 
> Best wishes,
> Kevin
> 
> The Nettles: Progressive and Exciting Celtic Music
> www.TheNettles.com
> 
> 


__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Mon Jun 19 12:27:36 2006
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From: "Claude Voit" <c.voit@vtx.ch>
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Subject: Re: Addressing a single Echoplex in a Stereo Setup
Date: Mon, 19 Jun 2006 14:27:38 +0200
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Kim was a litle faster :=)



> Thank you all for your input on this subject!
>
> Claude's input using SysEx messages was a tad depressing ... The FCB1010
> can't
> pull this off and apparantly Plex's can hiccup acoustically during SysEx
> processing (their admission/apology, in the manual).

with such a small message you wont hear it and any way you wont be recordin
while sending this "setup" message

> There is a suggestion of using separate Source # or MIDI channels and
> sending
> two messages. I wonder if synchronization (when working in stereo) would
> be
> compromised. I sense that the Plex designers put a lot of effort into the
> stereo
> synch issue ... brother synch and intelligent midi piping and all that.

OH ! yes I exchanged more than 1000 mails with Matthias and Kim ......

> Simply
> sending two MIDI messages might degrade that stereo synch in comparison
> with
> brother sync.

the seperate source same channel is possible with some restrictions
one EDP is 49 midi adressable params, 16 loops direct access makes 65 and 
there  is
only 127 midi messages possible....
if you dont use 16 loops per EDP its possible

the degradation might be minimal as the first edp has to read whats coming
in anyways before piping it. The only thing that would change is that you 
cannot use the running status midi messages compression scheme: one more 
midi byte here and there, nothing to worry.
>

 And then there's the issue that the FCB 1010 is not up to the task. Hmmm.
Been
> using it for a year to control two Plexes and a PCM81. Reprogrammed it
> several
> times and used it live dozens of times over the last year.

find youself a used Peavey table top pc1600x and you'll do All you cannot do 
with the
FCB and much more. dj style EDP tweakin/triggering which no tapping foot can 
handle :=))

> In a gig last night, I tried doing the 'punch the panel buttons' thing to
> split
> the two channels so they played two different parts of an ostinato and
> then
> reversing one of the channels. Cool acoustic effect, crappy psychological
> effect. I can tap a footswitch without missing a beat, but going over to
> the
> panel was disorienting and took me way out of the music for like 30
> seconds.

rehersal is the key

> Now I see that the FCB1010 cannot send multiple notes on a single tap.
> Dandy.
>
>> PMC-10 for awhile, but, and maybe mine was weird- there was about a 100ms
> delay
>> from when I pressed the pedal to when the EDP changed its state.

this is NOT a functionning PMC10. I swear it
PMC is the midi pedal board ROLLS-ROYCE


> Yikes! 1/10'th second? That is disqualifying.
>
> - Clint Goss
>
> Email: clint@goss.com
> Web:   www.goss.com
>
> -----Original Message-----
> From: Kim Flint [mailto:kflint@loopers-delight.com]
> Sent: Saturday, June 17, 2006 7:00 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: RE: Addressing a single Echoplex in a Stereo Setup
>
> At 02:53 PM 6/17/2006, hazard factor wrote:
>>  This is true, although with the hacked firmware, it has allowed for
>>some improvement. There apparently isn't enough memory for different
>>channels per preset, or releasepedal messages, although for probably a
>>few pennies more they could have maybe used a little bit more memory.
>
> if people are going to the trouble of hacking the firmware, why not change
> out
> the memory also and increase the memory size? Seems like it would be a
> pretty
> simple hardware mod, unless the problem is the cpu address range is
> already
> filled up.
>
>
>>So, for midi controllers, this leaves us with the PMC-10 and maybe the
>>Rocktron All Access, although the Access is about the same price as an
>>EDP...
>
> yes, if you are only thinking of midi footpedal controllers. But there are
> plenty of other types of controllers. Keyboard controllers, drum
> controllers,
> sampler/drum machine boxes, table top studio fader boxes, etc.
> Many options, unless you are a guitarist who wears big boots and doesn't
> have a
> hand free.
>
>>I will say- I used the PMC-10 for awhile, but, and maybe mine was
>>weird- there was about a 100ms delay from when I pressed the pedal to
>>when the EDP changed its state.
>
> Are you talking about the Yamaha MFC-10 midi pedal? That has a known
> latency
> problem like you describe. But the old digitech PMC-10 definitely does not
> have
> any latency issue. After all, Andre LaFosse uses the Digitech PMC-10 for
> all his
> supa-fast pedal pushing. No way he could do that without a responsive
> pedal.
>
>>I just use the EDP controller for the EDP, and the FCB1010 for
>>everything
>>else- they work pretty well together.
>
> That is another good approach to this. You can use midi control and the
> Echoplex
> pedal together just fine. So you could have the FCB1010 set up to control
> the
> two Echoplexes together in stereo, and then have the pedal plugged into
> the
> slave Echoplex to control it independently. You could probably even come
> up with
> some sort of "midi switch" that disconnects the midi connection between
> them. So
> with the midi connected, the FCB controls them both in stereo, and the
> pedal can
> independently address the slave. If you disconnect the midi with the midi
> switch, the FCB could them be used to control the master EDP
> independently. You
> could switch between the options with a relatively simple solution.
>
> kim
>
>
> ______________________________________________________________________
> Kim Flint                     | Looper's Delight
> kflint@loopers-delight.com    | http://www.loopers-delight.com
>
>
>


From Loopers-Delight-request@loopers-delight.com  Mon Jun 19 12:48:08 2006
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Subject: Idling On the Backroads:  video/audio looping piece uploaded
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A good friend of mine took the first long break he has had since he started 
a family 20 years ago.
He went back east to pick up an inexpensive airplane that he had purchased 
online and he had no time table,  so
he let himself drive only on backroads across the US.  He took no major 
highways.

He said that when he was hungry, he ate,   when he was sleepy he slept in 
the back of his truck.........no matter what time of day or night.
He had no timetable and was in no hurry.   If he saw a thing of beauty or 
interest, he stopped and looked at it.

This was such a beautiful story to me and it occured to me that rarely does 
anyone ever let themselves
flow in an experience like this,  especially as an adult.

Anyway,  I wrote this piece about the way his story made me feel.   I used 
the non-real time looping program, Sony ACID 6.0.

Then today,  I found a cheap sound activated plastic store at a toy store 
and I took a series of 30 second lo
fi video loops of it with my terrible (and wonderful)  radio shack digital 
camera.

I'm trying (very slowly and lamely) to learn how to use Vegas Video with 
these modest little films
so I tried my first hand at video compositing and made this piece tonight.

I hope you enjoy it.

http://www.youtube.com/watch?v=CSUiO-v4uxQ


IDLING ON THE BACKROADS:   a piece from the multi media DVD release by 
Purple Hand,  'Orange'      due out sometime before Y2k6 this summer. 

From Loopers-Delight-request@loopers-delight.com  Mon Jun 19 13:03:04 2006
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Return Receipt
                                                                           
   Your       Re: 385 free samples from Andrew Duke for looping, mangling, 
   document:  etc                                                          
                                                                           
   was        Matthew.Quinn@sunlife.com                                    
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   at:        06/19/2006 09:02:04 AM                                       
                                                                           




From Loopers-Delight-request@loopers-delight.com  Mon Jun 19 13:30:28 2006
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Date: Mon, 19 Jun 2006 15:30:26 +0200 (CEST)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: Vedr. Re: beatsync filters
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Hi !
   
  Your clips sounds nice. Thanks for the info. Any thoughts on electrix filter v.s akai ?
   
  Rune F.  

Per Boysen <perboysen@gmail.com> skrev:
  On 18 jun 2006, at 23.57, rune fagereng wrote:

> I am looking for beatsyncing filter/sweaps-effects for my guitar-rig.
> Does anyone have experience with the kaoss pad, roger mayer voodoo, 
> or adrennalinn ? Or any other good filters ?

Hi Rune!

I have an Akai MFC 42, that I think sounds great!
http://namm.harmony-central.com/SNAMM01/Content/Akai/PR/MFC42.html

Here's an online clip where I play guitar though it, adding a subtle 
beat synced slow phasing effect:
http://cdbaby.com/mp3lofi/loopersdelight-15.m3u

This second example is not beat synced. Here I play it with my foot, 
like a wha pedal controlled from one of the FCB1010 MIDI expression 
pedals:
http://www.looproom.com/audio/ocl/Organisational_Archeology_clip.mp3

Another cool trick with an FCB and the AKai filter-bank is to assign 
one expression pedal to the tempo beat divisor. Then you can move 
your foot to sweep through all counter-rhythms from a one bar 
frequency to 64ths something. I don't have any recording online of 
that, but I guess you can imagine the sound.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)







www.runefagereng.com
Mail:rune_fagereng@yahoo.no
Mob: 917 95 867
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<div>Hi !</div>  <div>&nbsp;</div>  <div>Your clips sounds nice.&nbsp;Thanks for the info. Any thoughts on electrix filter v.s akai ?</div>  <div>&nbsp;</div>  <div>Rune F.&nbsp;&nbsp;<BR><BR><B><I>Per Boysen &lt;perboysen@gmail.com&gt;</I></B> skrev:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">On 18 jun 2006, at 23.57, rune fagereng wrote:<BR><BR>&gt; I am looking for beatsyncing filter/sweaps-effects for my guitar-rig.<BR>&gt; Does anyone have experience with the kaoss pad, roger mayer voodoo, <BR>&gt; or adrennalinn ? Or any other good filters ?<BR><BR>Hi Rune!<BR><BR>I have an Akai MFC 42, that I think sounds great!<BR>http://namm.harmony-central.com/SNAMM01/Content/Akai/PR/MFC42.html<BR><BR>Here's an online clip where I play guitar though it, adding a subtle <BR>beat synced slow phasing effect:<BR>http://cdbaby.com/mp3lofi/loopersdelight-15.m3u<BR><BR>This second example is not beat synced. Here I play it
 with my foot, <BR>like a wha pedal controlled from one of the FCB1010 MIDI expression <BR>pedals:<BR>http://www.looproom.com/audio/ocl/Organisational_Archeology_clip.mp3<BR><BR>Another cool trick with an FCB and the AKai filter-bank is to assign <BR>one expression pedal to the tempo beat divisor. Then you can move <BR>your foot to sweep through all counter-rhythms from a one bar <BR>frequency to 64ths something. I don't have any recording online of <BR>that, but I guess you can imagine the sound.<BR><BR>Greetings from Sweden<BR><BR>Per Boysen<BR>www.boysen.se (Swedish)<BR>www.looproom.com (international)<BR>http://tinyurl.com/fauvm (podcast)<BR><BR><BR><BR><BR></BLOCKQUOTE><BR><BR><BR>www.runefagereng.com<br>Mail:rune_fagereng@yahoo.no<br>Mob: 917 95 867
--0-1955894613-1150723826=:48708--

From Loopers-Delight-request@loopers-delight.com  Mon Jun 19 14:33:38 2006
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The last time we went to Canada, we flew from NYC to Vancouver.  My wife's 
passport was expired so she used her French birth certificate to prove that 
she was an American citizen. ;)

I kid you not.

Tony

----- Original Message ----- 
From: "ditch wrestler" <ditchwrestler@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, June 18, 2006 8:36 PM
Subject: Re: Oh, Canada


> Being a Canadian, I've only lately crossed the border with birth cert. and 
> d.l.  I'd bring my passport when I had a valid one.
>
>  The wife and I are heading to SW Michingan in about two weeks and will 
> bring only those two pieces of i.d. Of course, this will the time we draw 
> the 'cavity search' card...
>
>  Never had any problems.  I always thought it was more important to give 
> the guard the short "yes, sire/ma'am" or "no, sir/ma'am" answers.
>
>
>  ted h.
>
> Paul <paulrichard10@adelphia.net> wrote:
>          Hi:
>
>  Has anyone traveled from the US to Canada recently?
>
>  I was told by someone that there is a requirement for 3 documents to 
> enter the country (Passport, birth certificate, driver's license). Doesn't 
> sound right to me - if one has a passport, why would one need a birth 
> certificate? What if one doesn't drive?
>
>  Regards, Paul
>
>
> 

From Loopers-Delight-request@loopers-delight.com  Mon Jun 19 15:02:06 2006
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From: Richard Sales <richard@glasswing.com>
Subject: Re: Oh, Canada
Date: Mon, 19 Jun 2006 08:01:48 -0700
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getting into canada is relatively easy.  It's the US that's the 
problem... especially if you look at all like Ossama... which I do
richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 19-Jun-06, at 7:23 AM, Tony K wrote:

> The last time we went to Canada, we flew from NYC to Vancouver.  My 
> wife's passport was expired so she used her French birth certificate 
> to prove that she was an American citizen. ;)
>
> I kid you not.
>
> Tony
>
> ----- Original Message ----- From: "ditch wrestler" 
> <ditchwrestler@yahoo.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Sunday, June 18, 2006 8:36 PM
> Subject: Re: Oh, Canada
>
>
>> Being a Canadian, I've only lately crossed the border with birth 
>> cert. and d.l.  I'd bring my passport when I had a valid one.
>>
>>  The wife and I are heading to SW Michingan in about two weeks and 
>> will bring only those two pieces of i.d. Of course, this will the 
>> time we draw the 'cavity search' card...
>>
>>  Never had any problems.  I always thought it was more important to 
>> give the guard the short "yes, sire/ma'am" or "no, sir/ma'am" 
>> answers.
>>
>>
>>  ted h.
>>
>> Paul <paulrichard10@adelphia.net> wrote:
>>          Hi:
>>
>>  Has anyone traveled from the US to Canada recently?
>>
>>  I was told by someone that there is a requirement for 3 documents to 
>> enter the country (Passport, birth certificate, driver's license). 
>> Doesn't sound right to me - if one has a passport, why would one need 
>> a birth certificate? What if one doesn't drive?
>>
>>  Regards, Paul
>>
>>
>

--Apple-Mail-3-623416631
Content-Transfer-Encoding: 7bit
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getting into canada is relatively easy.  It's the US that's the
problem... especially if you look at all like Ossama... which I do

<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 19-Jun-06, at 7:23 AM, Tony K wrote:


<excerpt>The last time we went to Canada, we flew from NYC to
Vancouver.  My wife's passport was expired so she used her French
birth certificate to prove that she was an American citizen. ;)


I kid you not.


Tony


----- Original Message ----- From: "ditch wrestler"
<<ditchwrestler@yahoo.com>

To: <<Loopers-Delight@loopers-delight.com>

Sent: Sunday, June 18, 2006 8:36 PM

Subject: Re: Oh, Canada



<excerpt>Being a Canadian, I've only lately crossed the border with
birth cert. and d.l.  I'd bring my passport when I had a valid one.


 The wife and I are heading to SW Michingan in about two weeks and
will bring only those two pieces of i.d. Of course, this will the time
we draw the 'cavity search' card...


 Never had any problems.  I always thought it was more important to
give the guard the short "yes, sire/ma'am" or "no, sir/ma'am" answers.



 ted h.


Paul <<paulrichard10@adelphia.net> wrote:

         Hi:


 Has anyone traveled from the US to Canada recently?


 I was told by someone that there is a requirement for 3 documents to
enter the country (Passport, birth certificate, driver's license).
Doesn't sound right to me - if one has a passport, why would one need
a birth certificate? What if one doesn't drive?


 Regards, Paul



</excerpt>

</excerpt>
--Apple-Mail-3-623416631--

From Loopers-Delight-request@loopers-delight.com  Mon Jun 19 15:12:08 2006
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Date: Mon, 19 Jun 2006 11:12:02 -0400
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From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Fully expanded and updated jamman on Craigslist!
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--============_-1061392570==_ma============
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http://newyork.craigslist.org/mnh/msg/173063701.html


-- 
...
http://www.zmix.net
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<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
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 --></style><title>Fully expanded and updated jamman on
Craigslist!</title></head><body>
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color="#000000">http://newyork.craigslist.org/mnh/msg/173063701.html</font
></div>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div>...<br>
http://www.zmix.net</div>
</body>
</html>
--============_-1061392570==_ma============--

From Loopers-Delight-request@loopers-delight.com  Mon Jun 19 15:29:24 2006
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From: Kevin <kevin@TheNettles.com>
Subject: Re: Ganglion
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A bit.  It does increase the chances but very little if you had them 
use a needle to extract the fluid.  Popping is no good, it makes a 
tear in the synovial sheath.  If you cut, pierce or pop the sheath, I 
was told that it will weaken the sheath at that point.

This was years ago and as I've said I'm no doctor so don't take this 
as medical advice.

The most important thing for you to do now is to figure out how you 
got the ganglion in the first place.  Ganglions are an overuse 
injury, just like tendonitis. They will come back if you keep doing 
what gave you a ganglion in the first place.

I made my ganglions go away permanently by analyzing my technique and 
changing it to reduce stress on my hand.  I was playing too hard and 
too much and I was playing wrong with my left hand.  My technique 
wasn't wrong according to the usual way that guitar is taught but it 
was wrong for me.  Also I don't play when my hands are tired or sore.

Best wishes,
Kevin
www.TheNettles.com

At 03:32 AM 6/19/2006, you wrote:
>Oh Shit Kevin, i am reading your post too late;-) ive
>just had the fluid extracted you mean that increases
>the chances of coming back?
>
>--- Kevin <kevin@TheNettles.com> wrote:
>
> > At 12:11 AM 6/16/2006, you wrote:
> > >I recently dicovered a small lump on my left ring
> > >tendon that was sort of bothering me when playing
> > >guitar and went to the doctor and found out is a
> > >finger ganglion.I am still debating wether i should
> > >let them operate it because there arent any
> > guarantees
> > >of anything,it oculd come back,ruin a nerve numbing
> > >the finger etc.it is specially frustrating and
> > >depressing being left handed...
> >
> > I'm not a doctor so you'd be a fool to follow my
> > advice but...
> >
> > I have had ganglions on the back of my hand in the
> > past when my
> > technique wasn't good.  The best advice I got was to
> > rest the area
> > until my body repaired the synovial sheath shrank
> > the ganglion.  I
> > also worked on my technique--I was using too much
> > force and bending
> > my wrist when I played so I played with a wrist
> > brace for awhile to
> > unlearn bad habits.
> >
> > If you cut (or pop) the synovial sheath, you weaken
> > it.  So yeah,
> > your chances of getting another ganglion increase.
> >
> > Best wishes,
> > Kevin
> >
> > The Nettles: Progressive and Exciting Celtic Music
> > www.TheNettles.com
> >
> >
>
>
>__________________________________________________
>Do You Yahoo!?
>Tired of spam?  Yahoo! Mail has the best spam protection around
>http://mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Mon Jun 19 16:23:43 2006
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Subject: Re: Idling On the Backroads:  video/audio looping piece uploaded
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Very cool, Rick. I knew you would go out and get a tiny camera!! :)  I still 
have your beat-box video on my phone from our get together last week. Once I 
figure out how to save it to my drive, I'll send it to you.

I have Vegas, but I use a program called Roxy Media Pro instead. It is much 
less processor intensive, easy to use, and has many of the same video 
effects as Vegas. I used it to produce my Microcosmic Horrors DVD.

Kris

----- Original Message ----- 
From: "loop.pool" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Sent: Monday, June 19, 2006 6:38 AM
Subject: Idling On the Backroads: video/audio looping piece uploaded


>A good friend of mine took the first long break he has had since he started 
>a family 20 years ago.
> He went back east to pick up an inexpensive airplane that he had purchased 
> online and he had no time table,  so
> he let himself drive only on backroads across the US.  He took no major 
> highways.
>
> He said that when he was hungry, he ate,   when he was sleepy he slept in 
> the back of his truck.........no matter what time of day or night.
> He had no timetable and was in no hurry.   If he saw a thing of beauty or 
> interest, he stopped and looked at it.
>
> This was such a beautiful story to me and it occured to me that rarely 
> does anyone ever let themselves
> flow in an experience like this,  especially as an adult.
>
> Anyway,  I wrote this piece about the way his story made me feel.   I used 
> the non-real time looping program, Sony ACID 6.0.
>
> Then today,  I found a cheap sound activated plastic store at a toy store 
> and I took a series of 30 second lo
> fi video loops of it with my terrible (and wonderful)  radio shack digital 
> camera.
>
> I'm trying (very slowly and lamely) to learn how to use Vegas Video with 
> these modest little films
> so I tried my first hand at video compositing and made this piece tonight.
>
> I hope you enjoy it.
>
> http://www.youtube.com/watch?v=CSUiO-v4uxQ
>
>
> IDLING ON THE BACKROADS:   a piece from the multi media DVD release by 
> Purple Hand,  'Orange'      due out sometime before Y2k6 this summer.
> 


From Loopers-Delight-request@loopers-delight.com  Mon Jun 19 16:30:09 2006
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From: phaslem@wightman.ca
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Subject: Re: Oh, Canada
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It could be that they are tightening things up in retaliation to the new US
securities. As a Canadian, I've always been able to travel to the US on just a
drivers liscense, now we're being told that we'll have to get a passport, a
pain in the ass but there you go.... Of course the border immigration officers
could never quite understand that I like living in Canada and have no 
desire to
try and sneak into the US to live. I heard some comedian recently say that in
Canada we're just Americans without guns that have free health care...

Paul Haslem,
www.dulcify.ca



Quoting Richard Sales <richard@glasswing.com>:

> getting into canada is relatively easy.  It's the US that's the 
> problem... especially if you look at all like Ossama... which I do
> richard sales
> glassWing farm and studio
> vancouver island, b.c.
> 800.545.6846
> 250.752.4816
> www.glassWing.com
> www.richardsales.com
> www.hayleysales.com
> www.blueberryfieldsfarm.com

From Loopers-Delight-request@loopers-delight.com  Mon Jun 19 16:34:21 2006
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Subject: Re: Looping CD
Date: Mon, 19 Jun 2006 10:34:17 -0600
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I like it, Nico!  The clips are very mesmerizing and put me at ease.  And 
how could I forget the piece from Ontogenesis? :) What a great video.

Let me guess, you are playing through a real guitar amp, right?  It sounds 
real.

I'll send you my address offline and we can swap CDs....yours for my newest 
one, Interstellar Delirium.

Kris


----- Original Message ----- 
From: "nico spahni" <nicosp@gmx.net>

> Hey Loopers,
>
> I finally got my act together and am about to put out my first looping CD 
> (admittedly self-burned as I'm not expecting to sell large quantities...) 
> It features 45 minutes of improvised ambient guitar stuff. Here are some 
> excerpts:

> http://www.recpro.ch/mp3/2725_1_(gradual_nirvana).mp3



> http://www.recpro.ch/mp3/656_2_(bypassing_the_void).mp3
>
> http://www.recpro.ch/mp3/1325_1_(ontogenesis).mp3  ->  as heard and seen 
> (accompanying video) at Boise Experimental Music Festival
>
> http://www.recpro.ch/mp3/656_4_(pendulum).mp3
>
> http://www.recpro.ch/mp3/3_115_1_(tentative_frictions).mp3
>
> Any feedback is appreciated.
>
> Should anyone want to swap CDs (I send you mine, you send me yours), 
> please contact me off-list.
>
> Cheers,
>
> Nico
>
> www.recpro.ch
> nico@recpro.ch
>
> 


From Loopers-Delight-request@loopers-delight.com  Mon Jun 19 17:39:47 2006
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From: Douglas Baldwin <coyotelk@optonline.net>
Subject: Re: Ganglion
To: "L.A. Angulo" <labaloops@yahoo.com>,
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Just to add to the ganglion survey: I had one on the outer knuckle of my
left (fretting) hand middle finger, about the size of a small pea (and isn't
it funny how tumors and growths are so often compared to fruits and
vegetables?). This was way back in the early 1970s, when I was in my early
twenties. My family doc advised me to leave it alone, but it really
interfered with my guitar playing - really hurt when I bent the finger. So
he did the surgery, and afterwards I was left with a tiny numb spot on my
knuckle and no ganglion ever again.
Douglas Baldwin, coyote-at-large
www.thecoyote.org
coyotelk@optonline.net

"The music business is a cruel and shallow money trench, a long plastic
hallway where pimps and thieves run free and good men die like dogs. There's
also a negative side."
--- Hunter S. Thompson

From Loopers-Delight-request@loopers-delight.com  Mon Jun 19 17:41:13 2006
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Date: Mon, 19 Jun 2006 13:41:07 -0400
Subject: Hey y'all... Todd Reynolds in Oakland
From: Todd Reynolds <toddreyn@gmail.com>
To: LD <Loopers-Delight@loopers-delight.com>
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> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

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How=B9s everybody doin=B9?

I have no idea how I got completely unsubscribed, but I did.  Like months
ago! =20

And somehow, I just let it all happen.  But no more.  I=B9m back.

Anyway, I=B9ll be in Oakland from the 19th to 24th and will be looping at the
Garden of Memory concert at the Chapel of the Chimes on Wednesday, the 21st
of June from 5-9, intermittently.

Terry Riley and I will also be doing a little playing together, just a
little improvisation time for the two of us during that same concert.  So i=
f
you=B9re in oakland, give a shout, and/or come by the concert and say hi.  I
enjoy very much meeting people from the list whenever it happens.

I=B9ll have to dive into the archives to see what=B9s been goin=B9 down in this,
one of my favorite corners of cyberspace!

But I=B9m back on now.  Woohoo!

All best to all.

Todd Reynolds


---------------------------------------------------------------------------=
-
-----
=B3Virtue is just repression waiting to go bad=B2 - Trevor Exter

=B3Classical music is related to the past more than it is related to the
creative part of sound=B2 - Ornette Coleman
---------------------------------------------------------------------------=
-
------=20
Todd Reynolds
42-09 47th Ave 1C
Sunnyside, NY  11104
=20
Ph.    718 392-3773
Mob.   917 576-6166
Fax    419 781-5502
=20
http://www.toddreynolds.com


todd@toddreynolds.com
9175766166@vtext.com (155 characters or less)
AIM ID: toddreyn




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<HTML>
<HEAD>
<TITLE>Hey y'all... Todd Reynolds in Oakland</TITLE>
</HEAD>
<BODY>
<FONT FACE=3D"Lucida Grande, Verdana, Helvetica, Arial"><SPAN STYLE=3D'font-siz=
e:14.0px'>How&#8217;s everybody doin&#8217;?<BR>
<BR>
I have no idea how I got completely unsubscribed, but I did. &nbsp;Like mon=
ths ago! &nbsp;<BR>
<BR>
And somehow, I just let it all happen. &nbsp;But no more. &nbsp;I&#8217;m b=
ack.<BR>
<BR>
Anyway, I&#8217;ll be in Oakland from the 19th to 24th and will be looping =
at the Garden of Memory concert at the Chapel of the Chimes on Wednesday, th=
e 21st of June from 5-9, intermittently. &nbsp;<BR>
<BR>
Terry Riley and I will also be doing a little playing together, just a litt=
le improvisation time for the two of us during that same concert. &nbsp;So i=
f you&#8217;re in oakland, give a shout, and/or come by the concert and say =
hi. &nbsp;I enjoy very much meeting people from the list whenever it happens=
. &nbsp;<BR>
<BR>
I&#8217;ll have to dive into the archives to see what&#8217;s been goin&#82=
17; down in this, one of my favorite corners of cyberspace!<BR>
<BR>
But I&#8217;m back on now. &nbsp;Woohoo!<BR>
<BR>
All best to all.<BR>
<BR>
Todd Reynolds<BR>
<BR>
<BR>
</SPAN><FONT SIZE=3D"2"><SPAN STYLE=3D'font-size:12.0px'>----------------------=
-----------------------------------------------------------<BR>
&#8220;Virtue is just repression waiting to go bad&#8221; - Trevor Exter<BR=
>
<BR>
&#8220;Classical music is related to the past more than it is related to th=
e creative part of sound&#8221; - Ornette Coleman<BR>
---------------------------------------------------------------------------=
------- <BR>
Todd Reynolds<BR>
42-09 47th Ave 1C<BR>
Sunnyside, NY &nbsp;11104<BR>
&nbsp;<BR>
Ph. &nbsp;&nbsp;&nbsp;718 392-3773<BR>
Mob. &nbsp;&nbsp;917 576-6166<BR>
Fax &nbsp;&nbsp;&nbsp;419 781-5502<BR>
&nbsp;<BR>
<a href=3D"http://www.toddreynolds.com">http://www.toddreynolds.com</a><BR>
<BR>
<BR>
todd@toddreynolds.com<BR>
9175766166@vtext.com (155 characters or less)<BR>
AIM ID: toddreyn<BR>
</SPAN></FONT><FONT SIZE=3D"4"><SPAN STYLE=3D'font-size:18.0px'><BR>
</SPAN></FONT><SPAN STYLE=3D'font-size:14.0px'><BR>
</SPAN></FONT>
</BODY>
</HTML>


--B_3233569269_3572624--


From Loopers-Delight-request@loopers-delight.com  Mon Jun 19 17:42:11 2006
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Date: Mon, 19 Jun 2006 10:41:49 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: beatsync filters
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I love the Adrennalinn.  A very deep box for the cash.
 Wish it had stereo inputs.  I found the amp models to
be "eh."  Worth it for the beat synced effects.  Sold
it for some reason but wish I hadn't.  Would work
nicely in my Vox Tonelab's effect loop.

KAOSS pad: Also great.  Must have.  Totally different
box though.  Not really geared for guitar as you need
a finger (or toe?) free to really get your money's
worth from it.

I bet the Roger Mayer Voodoo rules, but not being able
to sync to MIDI clock pretty much rules anything out
for me.

--- rune fagereng <rune_fagereng@yahoo.no> wrote:

> Hi !
>    
>   I am looking for beatsyncing filter/sweaps-effects
> for my guitar-rig.
>   Does anyone have experience with the kaoss pad,
> roger mayer voodoo, or adrennalinn ? Or any other
> good filters ?
>    
>   Rune f
> 
> 
> www.runefagereng.com
> Mail:rune_fagereng@yahoo.no
> Mob: 917 95 867


__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Mon Jun 19 17:48:58 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Vedr. Re: beatsync filters
Date: Mon, 19 Jun 2006 19:48:43 +0200
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On 19 jun 2006, at 15.30, rune fagereng wrote:

> Any thoughts on electrix filter v.s akai ?

Yes. My thoughts are that the manuals may reveal how useful each  
filter may be to you. I went for the Akai because one was available  
on a good price. I downloaded the manual and saw that I should be  
able to do enough of what I wanted with it, so I went for it. I have  
not read up on the electrix filter though. But I have tried them out  
in other peoples studios and know that they sound great.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)




From Loopers-Delight-request@loopers-delight.com  Mon Jun 19 18:00:01 2006
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References: <20060619003619.51737.qmail@web33803.mail.mud.yahoo.com> <003501c693ad$5bf9f150$3300a8c0@Exscribe.com> <9dbaecf178e609dbf5d2d685b746cd61@glasswing.com> <20060619123008.ddxoskubk04okoos@www.wightman.ca>
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From: Richard Sales <richard@glasswing.com>
Subject: Re: Oh, Canada
Date: Mon, 19 Jun 2006 10:59:43 -0700
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--Apple-Mail-1-634091677
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It's very true!  It's not unusual to see US customs/FBI checking cars 
at the Peace Arch LEAVING THE STATES!  I've seen them surround a car, 
put chucks under the wheels so they couldn't move and act pretty Rambo. 
  I'm so happy that as of 4 May I'm a permanent resident of Canada.

Get a passport soon.   They're talking about putting chips in passports 
so they can track your activities.

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 19-Jun-06, at 9:30 AM, phaslem@wightman.ca wrote:

> It could be that they are tightening things up in retaliation to the 
> new US
> securities. As a Canadian, I've always been able to travel to the US 
> on just a
> drivers liscense, now we're being told that we'll have to get a 
> passport, a
> pain in the ass but there you go.... Of course the border immigration 
> officers
> could never quite understand that I like living in Canada and have no 
> desire to
> try and sneak into the US to live. I heard some comedian recently say 
> that in
> Canada we're just Americans without guns that have free health care...
>
> Paul Haslem,
> www.dulcify.ca
>
>
>
> Quoting Richard Sales <richard@glasswing.com>:
>
>> getting into canada is relatively easy.  It's the US that's the 
>> problem... especially if you look at all like Ossama... which I do
>> richard sales
>> glassWing farm and studio
>> vancouver island, b.c.
>> 800.545.6846
>> 250.752.4816
>> www.glassWing.com
>> www.richardsales.com
>> www.hayleysales.com
>> www.blueberryfieldsfarm.com
>

--Apple-Mail-1-634091677
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It's very true!  It's not unusual to see US customs/FBI checking cars
at the Peace Arch LEAVING THE STATES!  I've seen them surround a car,
put chucks under the wheels so they couldn't move and act pretty
Rambo.  I'm so happy that as of 4 May I'm a permanent resident of
Canada.  


Get a passport soon.   They're talking about putting chips in
passports so they can track your activities.  

  

<fontfamily><param>Gadget</param>richard sales

<color><param>7372,7F7E,C5C4</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C2,9695,1C1B</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 19-Jun-06, at 9:30 AM, phaslem@wightman.ca wrote:


<excerpt>It could be that they are tightening things up in retaliation
to the new US

securities. As a Canadian, I've always been able to travel to the US
on just a

drivers liscense, now we're being told that we'll have to get a
passport, a

pain in the ass but there you go.... Of course the border immigration
officers

could never quite understand that I like living in Canada and have no
desire to

try and sneak into the US to live. I heard some comedian recently say
that in

Canada we're just Americans without guns that have free health care...


Paul Haslem,

www.dulcify.ca




Quoting Richard Sales <<richard@glasswing.com>:


<excerpt>getting into canada is relatively easy.  It's the US that's
the problem... especially if you look at all like Ossama... which I do

richard sales

glassWing farm and studio

vancouver island, b.c.

800.545.6846

250.752.4816

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com

</excerpt>

</excerpt>
--Apple-Mail-1-634091677--

From Loopers-Delight-request@loopers-delight.com  Mon Jun 19 18:01:44 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: beatsync filters
Date: Mon, 19 Jun 2006 20:01:38 +0200
To: Loopers-Delight@loopers-delight.com
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On 19 jun 2006, at 19.41, mark sottilaro wrote:

>> I am looking for beatsyncing filter/sweaps-effects
>> for my guitar-rig.
>>   Does anyone have experience with the kaoss pad,
>> roger mayer voodoo, or adrennalinn ? Or any other
>> good filters ?


I just posted about my Akai MFC42. But many kinds of effect  
processors can do that type of beat sync filtering (I just love the  
sound of the Akai's analog hardware). I like to use the Akai with the  
EDP, typically playing into the EDP and having the loops output going  
into the Akai.

I have also been successful in programming a bunch of similar beat  
sync filter patches in my tc electronics FireworX. I was amazed to  
find out how good the digital filtering of the FireworX can sound if  
you tweak it a little. I typically store these FireworX patches with  
a cool counter-rhythm relation between the tempo (MIDI clock pulse)  
and the LFO speed that controls the filter sweeps. Then I assign a  
MIDI expression pedal - or MIDI joystick - to a divisor type  
parameter that handles the relation between the global tempo and the  
filter sweep speed. That makes it possible to do those "helicopter  
take-offs" on the FireworX, just as on the Akai.

In theory this would be possible in software on a laptop as well, but  
if you go that route you will have to take other factors into careful  
consideration; CPU-efficiency, system stability, latency etc

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)




From Loopers-Delight-request@loopers-delight.com  Mon Jun 19 18:05:48 2006
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From: Richard Sales <richard@glasswing.com>
Subject: Re: Hey y'all... Todd Reynolds in Oakland
Date: Mon, 19 Jun 2006 11:05:29 -0700
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VERY nice music, Todd.
richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 19-Jun-06, at 10:41 AM, Todd Reynolds wrote:

> How=92s everybody doin=92?
>
>  I have no idea how I got completely unsubscribed, but I did. =A0Like =20=

> months ago! =A0
>
>  And somehow, I just let it all happen. =A0But no more. =A0I=92m back.
>
>  Anyway, I=92ll be in Oakland from the 19th to 24th and will be =
looping =20
> at the Garden of Memory concert at the Chapel of the Chimes on =20
> Wednesday, the 21st of June from 5-9, intermittently. =A0
>
>  Terry Riley and I will also be doing a little playing together, just =20=

> a little improvisation time for the two of us during that same =20
> concert. =A0So if you=92re in oakland, give a shout, and/or come by =
the =20
> concert and say hi. =A0I enjoy very much meeting people from the list =20=

> whenever it happens. =A0
>
>  I=92ll have to dive into the archives to see what=92s been goin=92 =
down in =20
> this, one of my favorite corners of cyberspace!
>
>  But I=92m back on now. =A0Woohoo!
>
>  All best to all.
>
>  Todd Reynolds
>
>
> =
-----------------------------------------------------------------------=20=

> ----------
>  =93Virtue is just repression waiting to go bad=94 - Trevor Exter
>
>  =93Classical music is related to the past more than it is related to =20=

> the creative part of sound=94 - Ornette Coleman
>  =20
> =
-----------------------------------------------------------------------=20=

> -----------
>  Todd Reynolds
>  42-09 47th Ave 1C
>  Sunnyside, NY =A011104
>  =A0
>  Ph. =A0=A0=A0718 392-3773
>  Mob. =A0=A0917 576-6166
>  Fax =A0=A0=A0419 781-5502
>  =A0
> http://www.toddreynolds.com
>
>
>  todd@toddreynolds.com
>  9175766166@vtext.com (155 characters or less)
>  AIM ID: toddreyn
>
>
> =20=

--Apple-Mail-3-634438033
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VERY nice music, Todd.

<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 19-Jun-06, at 10:41 AM, Todd Reynolds wrote:


<excerpt><fontfamily><param>Lucida Grande</param><bigger>How=92s
everybody doin=92?</bigger></fontfamily>


<fontfamily><param>Lucida Grande</param><bigger> I have no idea how I
got completely unsubscribed, but I did. =A0Like months ago! =
=A0</bigger></fontfamily>


<fontfamily><param>Lucida Grande</param><bigger> And somehow, I just
let it all happen. =A0But no more. =A0I=92m back.</bigger></fontfamily>


<fontfamily><param>Lucida Grande</param><bigger> Anyway, I=92ll be in
Oakland from the 19th to 24th and will be looping at the Garden of
Memory concert at the Chapel of the Chimes on Wednesday, the 21st of
June from 5-9, intermittently. =A0</bigger></fontfamily>


<fontfamily><param>Lucida Grande</param><bigger> Terry Riley and I
will also be doing a little playing together, just a little
improvisation time for the two of us during that same concert. =A0So if
you=92re in oakland, give a shout, and/or come by the concert and say
hi. =A0I enjoy very much meeting people from the list whenever it
happens. =A0</bigger></fontfamily>


<fontfamily><param>Lucida Grande</param><bigger> I=92ll have to dive
into the archives to see what=92s been goin=92 down in this, one of my
favorite corners of cyberspace!</bigger></fontfamily>


<fontfamily><param>Lucida Grande</param><bigger> But I=92m back on now.
=A0Woohoo!</bigger></fontfamily>


<fontfamily><param>Lucida Grande</param><bigger> All best to =
all.</bigger></fontfamily>


<fontfamily><param>Lucida Grande</param><bigger> Todd =
Reynolds</bigger></fontfamily>



<fontfamily><param>Lucida =
Grande</param>------------------------------------------------------------=
---------------------</fontfamily>

<fontfamily><param>Lucida Grande</param> =93Virtue is just repression
waiting to go bad=94 - Trevor Exter</fontfamily>


<fontfamily><param>Lucida Grande</param> =93Classical music is related
to the past more than it is related to the creative part of sound=94 -
Ornette Coleman</fontfamily>

<fontfamily><param>Lucida Grande</param>
=
--------------------------------------------------------------------------=
-------- </fontfamily>

<fontfamily><param>Lucida Grande</param> Todd Reynolds</fontfamily>

<fontfamily><param>Lucida Grande</param> 42-09 47th Ave 1C</fontfamily>

<fontfamily><param>Lucida Grande</param> Sunnyside, NY =
=A011104</fontfamily>

<fontfamily><param>Lucida Grande</param> =A0</fontfamily>

<fontfamily><param>Lucida Grande</param> Ph. =A0=A0=A0718 =
392-3773</fontfamily>

<fontfamily><param>Lucida Grande</param> Mob. =A0=A0917 =
576-6166</fontfamily>

<fontfamily><param>Lucida Grande</param> Fax =A0=A0=A0419 =
781-5502</fontfamily>

<fontfamily><param>Lucida Grande</param> =A0</fontfamily>

<fontfamily><param>Lucida =
Grande</param><color><param>0000,0000,EEEE</param>http://www.toddreynolds.=
com</color></fontfamily>



<fontfamily><param>Lucida Grande</param> =
todd@toddreynolds.com</fontfamily>

<fontfamily><param>Lucida Grande</param> 9175766166@vtext.com (155
characters or less)</fontfamily>

<fontfamily><param>Lucida Grande</param> AIM ID: toddreyn</fontfamily>



 </excerpt>=

--Apple-Mail-3-634438033--

From Loopers-Delight-request@loopers-delight.com  Mon Jun 19 18:17:06 2006
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From: nico spahni <nicosp@gmx.net>
Subject: Re: Embarassing Pictures from Early History
Date: Mon, 19 Jun 2006 20:19:09 +0200
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Here's one of yours truly from back in the days (probably '91) when my 
hair was still big and my guitar solos fast... :-)

http://www.recpro.ch/pictures/back_in_the_days.jpg

Cheers,

Nico



Am 18.06.2006 um 12:45 schrieb Bernhard Wagner LD:

> http://nosuch.biz/whatsup/photos
>
>> -----Original Message-----
>> From: loop.pool [mailto:looppool@cruzio.com]
>> Sent: Samstag, 10. Juni 2006 00:23
>> To: LOOPERS DELIGHT (posting)
>> Subject: Embarassing Pictures from Early History
>
>>
>>
>> I know you have 'em.........................I took the
>> plunge...............you can too!!!!
>>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Jun 19 18:23:23 2006
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From: nico spahni <nicosp@gmx.net>
Subject: Re: Looping CD
Date: Mon, 19 Jun 2006 20:25:26 +0200
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Hi Kris,

You're partly right. Some of the tracks were recorded through a real 
amp, others weren't. Generally, the ones that involve less complex 
looping (if complex is the appropriate word considering what some of 
you guys do...) were played through a Roland AC-60.

Please send your CD to the following address:

Nico Spahni
Eichliackerstrasse 23
CH-8406 Winterthur
Switzerland

I'm looking forward to listening to your output.

Best,

Nico





Am 19.06.2006 um 18:34 schrieb Krispen Hartung:

> I like it, Nico!  The clips are very mesmerizing and put me at ease.  
> And how could I forget the piece from Ontogenesis? :) What a great 
> video.
>
> Let me guess, you are playing through a real guitar amp, right?  It 
> sounds real.
>
> I'll send you my address offline and we can swap CDs....yours for my 
> newest one, Interstellar Delirium.
>
> Kris
>
>
> ----- Original Message ----- From: "nico spahni" <nicosp@gmx.net>
>
>> Hey Loopers,
>>
>> I finally got my act together and am about to put out my first 
>> looping CD (admittedly self-burned as I'm not expecting to sell large 
>> quantities...) It features 45 minutes of improvised ambient guitar 
>> stuff. Here are some excerpts:
>
>> http://www.recpro.ch/mp3/2725_1_(gradual_nirvana).mp3
>
>
>
>> http://www.recpro.ch/mp3/656_2_(bypassing_the_void).mp3
>>
>> http://www.recpro.ch/mp3/1325_1_(ontogenesis).mp3  ->  as heard and 
>> seen (accompanying video) at Boise Experimental Music Festival
>>
>> http://www.recpro.ch/mp3/656_4_(pendulum).mp3
>>
>> http://www.recpro.ch/mp3/3_115_1_(tentative_frictions).mp3
>>
>> Any feedback is appreciated.
>>
>> Should anyone want to swap CDs (I send you mine, you send me yours), 
>> please contact me off-list.
>>
>> Cheers,
>>
>> Nico
>>
>> www.recpro.ch
>> nico@recpro.ch
>>
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Jun 19 18:31:32 2006
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Subject: Re: Embarassing Pictures from Early History
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Wonderful pictures, guys! Nice shirt, Nico! Quell Smile Sardonique,  
Bernhard! What - you weren't green back then, Rick?  LOL!

per
(wish I had some old pix left to upload... gave them all away to  
fans... cruel world... ;-)


On 19 jun 2006, at 20.19, nico spahni wrote:
> Here's one of yours truly from back in the days (probably '91) when  
> my hair was still big and my guitar solos fast... :-)
>
> http://www.recpro.ch/pictures/back_in_the_days.jpg
>
> Cheers,
>
> Nico
>
>
>
> Am 18.06.2006 um 12:45 schrieb Bernhard Wagner LD:
>
>> http://nosuch.biz/whatsup/photos
>>
>>> -----Original Message-----
>>> From: loop.pool [mailto:looppool@cruzio.com]
>>> Sent: Samstag, 10. Juni 2006 00:23
>>> To: LOOPERS DELIGHT (posting)
>>> Subject: Embarassing Pictures from Early History
>>
>>>
>>>
>>> I know you have 'em.........................I took the
>>> plunge...............you can too!!!!
>>>


From Loopers-Delight-request@loopers-delight.com  Mon Jun 19 18:47:52 2006
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Subject: stupid compression pedal question..
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I'm fiddling around with compression pedals in my guitar playing. Also in
the mix are distortion, delay, envelope filters, and chorus/flange type
stuff. I've read everything from the compression pedal shoudl be the first
item in the chain to it should be the last or it should follow a
particularly volume/tone sucking effect. 

Assuming I'll at very least always have a distortion-> envelope
filter->Delay/looper where is the best place for me to place the
compression pedal?  Does this change if I am using a different instrument
(drum machine, bass, saxophone, whatever).

If you can let me know why you chose that would help a lot too.

Thanks for any/all help!


___________________________________________________________________
HELP WANTED PRODUCTIONS - Http://www.HelpWantedProductions.com
"Bringing you the best in Organic Electronic music since we started..."

Home of the Unusual Instrument and Recording Gallery with pictures and
info of Tube recorders, Omnichords, weird guitars, Casios, and more.



From Loopers-Delight-request@loopers-delight.com  Mon Jun 19 18:51:47 2006
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Date: Mon, 19 Jun 2006 11:51:44 -0700 (PDT)
Subject: Re: stupid compression pedal question..
From: johnsrude@peak.org
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> I'm fiddling around with compression pedals in my guitar playing. Also in
> the mix are distortion, delay, envelope filters, and chorus/flange type
> stuff. I've read everything from the compression pedal shoudl be the first
> item in the chain to it should be the last or it should follow a
> particularly volume/tone sucking effect.
>
> Assuming I'll at very least always have a distortion-> envelope
> filter->Delay/looper where is the best place for me to place the
> compression pedal?  Does this change if I am using a different instrument
> (drum machine, bass, saxophone, whatever).
>
> If you can let me know why you chose that would help a lot too.
>
> Thanks for any/all help!

Are you using the compression pedal to limit or sustain?  I saw Bill Frisell
talking once about how he used to have a volume pedal and a compression unit.
Once he realized that he had the volume pedal in his chain to overcome what he
was doing with the compression pedal he got rid of both. YMMV.

Cheers,
Kevin
www.TheNettles.com


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Date: Mon, 19 Jun 2006 16:53:23 -0300 (BRT)
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I am in France , I just got my new 2880  super track looper  two hours ago.
I cant believe this:
YOU CANT CUT THE CLICK SOUND FROM THE L/R OUTPUTS  AND STILL LISTEN  BY
THE HEADPHONES OUTPUT  .
Is this a joke or what ?
How can I do a real live show if everybody listen the click in my first
quantized loop ?
Its true that you can turn it off after the first loop , but IT MUST HAVE
THE OPTION TO LISTEN THE CLICK ONLY BY THE HEADPHONE OUTPUT .
If nobody knows and teach me how to do this _listen the click only by
headphones_ , I will try to have my money back and wait for the RC50.
I am not interested in no quantized loops , because I work with very 
complex rhyhtmes so , what can I do ?
My experiences with loops alive was with LIVE ableton and a guy
controlling it while I play . Now I want to do my stuff alone . how can I
do it with other machine ?
thanks
ramiro





From Loopers-Delight-request@loopers-delight.com  Mon Jun 19 20:26:07 2006
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Date: Mon, 19 Jun 2006 16:26:05 -0400
From: "Todd Pafford" <calenlas@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: stupid compression pedal question..
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I'm of the opinion that using a little compression to provide a nice
strong signal to the rest of the system is a good thing.  However, if
you're running through tubes at any point and are relying on your
expressive guitar playing to drive those tubes, then the compressor
will just flatten all that expresivity right out and produce a flat
response from those tubes.  Also, since you mention an envelope
follower specifically, a compressor in front of an E.F. will severely
limit it's expresiveness.  The bottom line is that a compressor
minimizes the dynamics of your playing.  Any device that you desire to
be influenced by your playing dynamics should precede compression.

Ideally, I guess, a signal chain would look like:
guitar -> tube pre / envelope follower -> compressor -> loopers /
delays / everything else -> compressor / limiter (to rein everything
back in)

In all cases, too much compression is undesirable unless you're
specifically aiming for a super compressed sound.  Ultimately, you'll
have to experiment to see where in your signal chain the compressor
works best for you, how much compression to apply, etc.  There are no
rules for this stuff, it's all personal taste.

Todd


> > I'm fiddling around with compression pedals in my guitar playing. Also in
> > the mix are distortion, delay, envelope filters, and chorus/flange type
> > stuff. I've read everything from the compression pedal shoudl be the first
> > item in the chain to it should be the last or it should follow a
> > particularly volume/tone sucking effect.
> >
> > Assuming I'll at very least always have a distortion-> envelope
> > filter->Delay/looper where is the best place for me to place the
> > compression pedal?  Does this change if I am using a different instrument
> > (drum machine, bass, saxophone, whatever).
> >
> > If you can let me know why you chose that would help a lot too.
> >
> > Thanks for any/all help!
>

From Loopers-Delight-request@loopers-delight.com  Mon Jun 19 21:07:15 2006
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Date: Mon, 19 Jun 2006 14:07:13 -0700
From: "D rH" <the.31st@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Hmm... looks like a YamMan to me, but otherwise looks a lot like my
JamPersons.

David


On 6/19/06, Charles Zwicky <cazwicky@earthlink.net> wrote:
>
>  http://newyork.craigslist.org/mnh/msg/173063701.html
>
>
>
>
>
> --
>
> ...
> http://www.zmix.net
>

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<div>Hmm... looks like a YamMan to me, but otherwise looks a lot like my JamPersons.</div>
<div>&nbsp;</div>
<div>David<br><br>&nbsp;</div>
<div><span class="gmail_quote">On 6/19/06, <b class="gmail_sendername">Charles Zwicky</b> &lt;<a href="mailto:cazwicky@earthlink.net">cazwicky@earthlink.net</a>&gt; wrote:</span>
<blockquote class="gmail_quote" style="PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">
<div>
<div>
<div><font face="Lucida Grande" color="#000000" size="-1"><a onclick="return top.js.OpenExtLink(window,event,this)" href="http://newyork.craigslist.org/mnh/msg/173063701.html" target="_blank">http://newyork.craigslist.org/mnh/msg/173063701.html
</a></font></div>
<div><br>&nbsp;</div>
<div><br>&nbsp;</div><pre>-- 
</pre>
<div>...<br><a onclick="return top.js.OpenExtLink(window,event,this)" href="http://www.zmix.net/" target="_blank">http://www.zmix.net</a></div></div></div></blockquote></div><br>

------=_Part_167798_24571260.1150751233498--

From Loopers-Delight-request@loopers-delight.com  Mon Jun 19 21:15:14 2006
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Subject: RE: Fully expanded and updated jamman on Craigslist!
Date: Mon, 19 Jun 2006 14:15:06 -0700
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Hey, this has the Sellon mod installed!=20
Sounds like a good deal at $350 . . .
As I recall, I sold mine for more than that.
Gary

From: D rH [mailto:the.31st@gmail.com]=20
Sent: Monday, June 19, 2006 2:07 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Fully expanded and updated jamman on Craigslist!

Hmm... looks like a YamMan to me, but otherwise looks a lot like my
JamPersons.
=A0
David
=A0
On 6/19/06, Charles Zwicky <cazwicky@earthlink.net> wrote:=20
http://newyork.craigslist.org/mnh/msg/173063701.html=20
...
http://www.zmix.net



From Loopers-Delight-request@loopers-delight.com  Mon Jun 19 21:41:18 2006
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Date: Mon, 19 Jun 2006 14:41:16 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: 2880 horrible thing
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I don't own a 2880, but perhaps it might be worth your
effort to get your click from another device (drum
machine/sequencer that the 2880 is slaved to.  This
way you can monitor it any way you like.  This is how
I deal with the Repeater's inflexable click track.

Mark

--- ramirose@ism.com.br wrote:

> 
> 
> I am in France , I just got my new 2880  super track
> looper  two hours ago.
> I cant believe this:
> YOU CANT CUT THE CLICK SOUND FROM THE L/R OUTPUTS 
> AND STILL LISTEN  BY
> THE HEADPHONES OUTPUT  .
> Is this a joke or what ?
> How can I do a real live show if everybody listen
> the click in my first
> quantized loop ?
> Its true that you can turn it off after the first
> loop , but IT MUST HAVE
> THE OPTION TO LISTEN THE CLICK ONLY BY THE HEADPHONE
> OUTPUT .
> If nobody knows and teach me how to do this _listen
> the click only by
> headphones_ , I will try to have my money back and
> wait for the RC50.
> I am not interested in no quantized loops , because
> I work with very 
> complex rhyhtmes so , what can I do ?
> My experiences with loops alive was with LIVE
> ableton and a guy
> controlling it while I play . Now I want to do my
> stuff alone . how can I
> do it with other machine ?
> thanks
> ramiro
> 
> 
> 
> 
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Mon Jun 19 21:58:50 2006
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Date: Mon, 19 Jun 2006 17:58:33 -0400
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As a workaround solution, you can use a cheap drumbox as a click... 
The 2880 works really well when slaved to a MIDI clock... and you can 
monitor the drumbox through your headphones.



>I am in France , I just got my new 2880  super track looper  two hours ago.
>I cant believe this:
>YOU CANT CUT THE CLICK SOUND FROM THE L/R OUTPUTS  AND STILL LISTEN  BY
>THE HEADPHONES OUTPUT  .
>Is this a joke or what ?
>How can I do a real live show if everybody listen the click in my first
>quantized loop ?
>Its true that you can turn it off after the first loop , but IT MUST HAVE
>THE OPTION TO LISTEN THE CLICK ONLY BY THE HEADPHONE OUTPUT .
>If nobody knows and teach me how to do this _listen the click only by
>headphones_ , I will try to have my money back and wait for the RC50.
>I am not interested in no quantized loops , because I work with very
>complex rhyhtmes so , what can I do ?
>My experiences with loops alive was with LIVE ableton and a guy
>controlling it while I play . Now I want to do my stuff alone . how can I
>do it with other machine ?
>thanks
>ramiro


-- 
...
http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Mon Jun 19 22:04:27 2006
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At 4:26 PM -0400 6/19/06, Todd Pafford wrote:
>At 11:41 AM -0700 6/19/06, Legion wrote:
>>Assuming I'll at very least always have a distortion-> envelope
>>filter->Delay/looper where is the best place for me to place the
>>compression pedal?
>
>I'm of the opinion that using a little compression to provide a nice
>strong signal to the rest of the system is a good thing.  However, if
>you're running through tubes at any point and are relying on your
>expressive guitar playing to drive those tubes, then the compressor
>will just flatten all that expresivity right out and produce a flat
>response from those tubes.

I'd tend to agree with Todd, but with a possible further 
qualification or two.  What kind of distortion pedal are you using in 
the chain?  If you're looking at one of the more radical distortion 
boxes (I'm primarily thinking of some of the boutique stuff like the 
Metasonix Agonizer, Zvex's Machine, or Effector 13's Torn's Peaker) 
then you should really think about using a compressor or basic 
OD-type pedal directly afterward to amooth out some of the wild peaks 
those can produce.  Otherwise, it'll sound great to most noise fans, 
but you might not be able to produce a passable tone.

Also, to add yet another variable, you might try experimenting with 
the type of compressor you're using.  VCA designs are quite fast and 
are good for controlling transients on percussive instruments. 
Optical and FET designs won't react quite so quickly, so they're 
better for allowing the initial attack characteristics of on 
instrument come through while still producing a more even and 
sustained signal.  You *might* be able to get away with using an 
optical before the envelope follower if you absolutely have to have 
the compressor before it.  And multi-band compressors can allow you 
to process only a particular frequency band(s) while allowing the 
rest of the spectrum to pass unchanged.  The latter can work pretty 
well as a "clean up" unit to keep the whole signal chain reined in.

>Ultimately, you'll have to experiment to see where in your signal 
>chain the compressor
>works best for you, how much compression to apply, etc.  There are 
>no rules for this stuff, it's all personal taste.

Todd is also spot-on here.  This is one place where the "art" of 
studio technique really comes into play.  If you give us some more 
information on exactly what you're looking to achieve, we might be 
able to give you some more concrete recommendations.  However, a lot 
of this is like cooking.  You're going to have to throw it together 
into a pot and season as you like.

	--m.
-- 
_______
"Wind in my heart. Dust in my head..."

From Loopers-Delight-request@loopers-delight.com  Tue Jun 20 00:06:01 2006
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hmm maybe i should take a leave of absence from the
guitar for a while...
well this is a good question, i am self taught and
never really sat down to analyze a correct way of
playing guitar,i did take a couple of classical guitar
lessons but most of its technique was focused on the
right hand.I always thought that if i ever suffered
from anything in my hands it would be on the right one
since its the weakest and the one i feel i stress the
most with fingerpicking etc.but then again i am left
handed and i have that usual ackward position when
writting as well.It could also be the fact that i
played rock n roll style guitar for years with the
guitar strapped quite low...i wonder how those old
rockers smashing guitars kissing feedback amps and
carrying heavy less pauls strapped real low are doing
this days...
Luis







--- Kevin <kevin@TheNettles.com> wrote:

> A bit.  It does increase the chances but very little
> if you had them 
> use a needle to extract the fluid.  Popping is no
> good, it makes a 
> tear in the synovial sheath.  If you cut, pierce or
> pop the sheath, I 
> was told that it will weaken the sheath at that
> point.
> 
> This was years ago and as I've said I'm no doctor so
> don't take this 
> as medical advice.
> 
> The most important thing for you to do now is to
> figure out how you 
> got the ganglion in the first place.  Ganglions are
> an overuse 
> injury, just like tendonitis. They will come back if
> you keep doing 
> what gave you a ganglion in the first place.
> 
> I made my ganglions go away permanently by analyzing
> my technique and 
> changing it to reduce stress on my hand.  I was
> playing too hard and 
> too much and I was playing wrong with my left hand. 
> My technique 
> wasn't wrong according to the usual way that guitar
> is taught but it 
> was wrong for me.  Also I don't play when my hands
> are tired or sore.
> 
> Best wishes,
> Kevin
> www.TheNettles.com
> 
> At 03:32 AM 6/19/2006, you wrote:
> >Oh Shit Kevin, i am reading your post too late;-)
> ive
> >just had the fluid extracted you mean that
> increases
> >the chances of coming back?
> >
> >--- Kevin <kevin@TheNettles.com> wrote:
> >
> > > At 12:11 AM 6/16/2006, you wrote:
> > > >I recently dicovered a small lump on my left
> ring
> > > >tendon that was sort of bothering me when
> playing
> > > >guitar and went to the doctor and found out is
> a
> > > >finger ganglion.I am still debating wether i
> should
> > > >let them operate it because there arent any
> > > guarantees
> > > >of anything,it oculd come back,ruin a nerve
> numbing
> > > >the finger etc.it is specially frustrating and
> > > >depressing being left handed...
> > >
> > > I'm not a doctor so you'd be a fool to follow my
> > > advice but...
> > >
> > > I have had ganglions on the back of my hand in
> the
> > > past when my
> > > technique wasn't good.  The best advice I got
> was to
> > > rest the area
> > > until my body repaired the synovial sheath
> shrank
> > > the ganglion.  I
> > > also worked on my technique--I was using too
> much
> > > force and bending
> > > my wrist when I played so I played with a wrist
> > > brace for awhile to
> > > unlearn bad habits.
> > >
> > > If you cut (or pop) the synovial sheath, you
> weaken
> > > it.  So yeah,
> > > your chances of getting another ganglion
> increase.
> > >
> > > Best wishes,
> > > Kevin
> > >
> > > The Nettles: Progressive and Exciting Celtic
> Music
> > > www.TheNettles.com
> > >
> > >
> >
> >
> >__________________________________________________
> >Do You Yahoo!?
> >Tired of spam?  Yahoo! Mail has the best spam
> protection around
> >http://mail.yahoo.com
> 
> 


__________________________________________________
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Date: Mon, 19 Jun 2006 17:21:54 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: Ganglion
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just curious do u regret doing the surgery or has it
affected your playing or your hand effectiveness in
anyway?
Luis

--- Douglas Baldwin <coyotelk@optonline.net> wrote:

> Just to add to the ganglion survey: I had one on the
> outer knuckle of my
> left (fretting) hand middle finger, about the size
> of a small pea (and isn't
> it funny how tumors and growths are so often
> compared to fruits and
> vegetables?). This was way back in the early 1970s,
> when I was in my early
> twenties. My family doc advised me to leave it
> alone, but it really
> interfered with my guitar playing - really hurt when
> I bent the finger. So
> he did the surgery, and afterwards I was left with a
> tiny numb spot on my
> knuckle and no ganglion ever again.
> Douglas Baldwin, coyote-at-large
> www.thecoyote.org
> coyotelk@optonline.net
> 
> "The music business is a cruel and shallow money
> trench, a long plastic
> hallway where pimps and thieves run free and good
> men die like dogs. There's
> also a negative side."
> --- Hunter S. Thompson
> 
> 


__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Tue Jun 20 02:05:41 2006
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>In a gig last night, I tried doing the 'punch the panel buttons' 
>thing to split
>the two channels so they played two different parts of an ostinato and then
>reversing one of the channels. Cool acoustic effect, crappy psychological
>effect. I can tap a footswitch without missing a beat, but going over to the
>panel was disorienting and took me way out of the music for like 30 seconds.

;-) with practice though, it gets to feel natural



andy butler 

From Loopers-Delight-request@loopers-delight.com  Tue Jun 20 02:34:01 2006
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Thanks to everyone for the excellent information and advice on using a
compression pedal with guitar.  I'm no effects newbie but I've never
actually used a compression pedal before to play "normal" guitar :)

For those that wanted to knwo and to possilby help others in the same
situation here's what I ended up doing:

My goal was to even out the overall levels. I almost always have an
overdrive or distorion  somewhere early in the pedal chain and then that
feeds either a wah or an envelope filter. When I put on the envelope
filter there is a drastic reduction in overall volume and some serious
peaks with certain settings so I wanted to get somethig to "tame" that but
still allow the overall volume and tone to get through. 

I had an old Ibanez soundtank pedal as well as the UE400 and UE303B
multieffects units from the TS9 series days but the soundtank just didn't
have much oomf and the other ones had a bit more hiss than I was hoping
(and in the case of the UE400 only a "sustain" and "Output level" control.

After reading a ton of reviews and talking to some people I decided to
give the DOD Milkbox a try. this is a very low end pedal ($40 new) I know
but I figured I really don't know enough or play enough to warrent a
Keeley/Ross thing or some boutique pedal at this point and I want to
experiment form the ground up. 

It took a few hours  tonight but I think I've got what I was seraching for
and the Milkbox does a surprisingly good job after all. I'm running a
chorus first (Boss CE3) in a Keeley Ibanex TS9DX(my favorite oveerdrive
bar none) and then have a wah (right now a roland PW10, that may
change) and old DOD FX25 envelope filter. The Milkbox compressior is last
in the chain which then feeds the amp. 

What ending up making it all work was turning up the attack to about 75%
and adding *just* a bit (maybe 25%) of compression. I matched my clean and
distortion levels so there isn't a huge jump in volume there and then
adjusted the overal level I wanted with the compressor (about 65%). This
got me all the tone from the TS9DX but a stable overall volume with or
without the wah/filter stuff. I did noticed if I turned down the attack to
50% or less the compressor just sucked the sparkle from the distortion or
chorus and the overall sound was very dull and dead. Similarly if I turned
the compression or volume up too much it introduced distortion or hiss
respectively and made things quite annoying. 

All in all the cheapass Dod Milkbox did a great job of leaving what i
wanted, boosting what I needed, and not adding too much of what I didn't
like. I know compression in general is a very subjective and qualitative
thing but I certainly DO hear a difference using it and it makes
everything overall "work" better. YMMV. 

Again thanks for all the advice.  I'm looking forward to trying this rig
out live soon and will try it with a more radical setup (fuzz, EH
microsynth, fraky modulation pedals) soon to see if it holds up for
experimental as well as vanilla stuff.




 
___________________________________________________________________
HELP WANTED PRODUCTIONS - Http://www.HelpWantedProductions.com
"Bringing you the best in Organic Electronic music since we started..."

Home of the Unusual Instrument and Recording Gallery with pictures and
info of Tube recorders, Omnichords, weird guitars, Casios, and more.



From Loopers-Delight-request@loopers-delight.com  Tue Jun 20 04:32:12 2006
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From: Candc Hoffman/Traxler <candcmesingandplay@yahoo.com>
Subject: Re: beatsync filters
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Hello Rune,
   
  I've got a kaoss pad but it is not the latest model and has no beat synced features.  It makes great tapped sweeps and effects though, but you have to have your hands off the guitar.  The Kaoss pad has programmable midi CC sends and I've thought of running those through my Emu XL-7 sequencer synced and set to record midi changes but alas I haven't got round to it.  I have sent the kaoss midi sends to my Lexicon MPX-1 which is a great unit with lots of beat punchable patches that are totally programmable with LFO's etc.  My only gripe with the MPX-1 is that it runs out of memory quickly so I can't quite get what I'm after all the time.  It is billed as a unit that will allow the user to place the effects in any order which is great but the really good combinations use up too much of the DSP power. 
   
  I've been seriously wanting an Adrenalinn II for the very same reasons you are after and the website has a lot of good sound samples. I've tried to get the same effect by recording control changes on my XL-7 and running them to my Digitech GNX-3 and it works but its a time consuming endeavor and too much stuff to hook up for every gig. So I think that the Adrenalinn II is a good combo unit with a small footprint.  I just need to sell something before I justify buying another item.  Ha!
   
  Christian

rune fagereng <rune_fagereng@yahoo.no> wrote:
    Hi !
   
  I am looking for beatsyncing filter/sweaps-effects for my guitar-rig.
  Does anyone have experience with the kaoss pad, roger mayer voodoo, or adrennalinn ? Or any other good filters ?
   
  Rune f


www.runefagereng.com
Mail:rune_fagereng@yahoo.no
Mob: 917 95 867

 		
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<DIV>Hello Rune,</DIV>  <DIV>&nbsp;</DIV>  <DIV>I've got a kaoss pad but it is not the latest model and has no beat synced features.&nbsp; It makes great tapped sweeps and effects though, but you have to have your hands off the guitar.&nbsp; The Kaoss pad has programmable midi CC sends and I've thought of running those through my Emu XL-7 sequencer synced and set to record midi changes but alas I haven't got round to it.&nbsp; I have sent the kaoss midi sends to my Lexicon MPX-1 which is a great unit with lots of beat punchable patches that are totally programmable with LFO's etc.&nbsp; My only gripe with the MPX-1 is that it runs out of memory quickly so I can't quite get what I'm after all the time.&nbsp; It is billed as a unit&nbsp;that will allow the user to place the effects in any order which is great but the really good combinations use up too much of the DSP power. </DIV>  <DIV>&nbsp;</DIV>  <DIV>I've been seriously wanting an Adrenalinn II for the very same reasons
 you are after and the website has a lot of good sound samples. I've tried to get the same effect by&nbsp;recording control changes on my XL-7 and running them to my Digitech GNX-3 and it works but its a time consuming endeavor and too&nbsp;much stuff to hook up for&nbsp;every gig. So I think that the Adrenalinn II is a good combo unit with a small footprint.&nbsp; I just need to sell something before I justify buying another item.&nbsp; Ha!</DIV>  <DIV>&nbsp;</DIV>  <DIV>Christian<BR><BR><B><I>rune fagereng &lt;rune_fagereng@yahoo.no&gt;</I></B> wrote:</DIV>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">  <DIV>Hi !</DIV>  <DIV>&nbsp;</DIV>  <DIV>I am looking for beatsyncing filter/sweaps-effects for my guitar-rig.</DIV>  <DIV>Does anyone have experience with the kaoss pad, roger mayer voodoo, or adrennalinn ? Or any other good filters ?</DIV>  <DIV>&nbsp;</DIV>  <DIV>Rune
 f</DIV><BR><BR>www.runefagereng.com<BR>Mail:rune_fagereng@yahoo.no<BR>Mob: 917 95 867</BLOCKQUOTE><BR><p>&#32;
		<hr size=1>Talk is cheap. Use Yahoo! Messenger to make PC-to-Phone calls. <a href="http://us.rd.yahoo.com/mail_us/taglines/postman7/*http://us.rd.yahoo.com/evt=39666/*http://messenger.yahoo.com"> Great rates starting at 1¢/min.
--0-719804262-1150777931=:86202--

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At 11:57 PM +0200 6/18/06, rune fagereng wrote:
>
>I am looking for beatsyncing filter/sweaps-effects for my guitar-rig.
>Does anyone have experience with the kaoss pad, roger mayer voodoo, 
>or adrennalinn ? Or any other good filters ?

Here's an oddball box that is probably worth the (admittedly less) 
money, *if* you can find one.  Keep an eye out for the Alesis 
Philtre, which was part of their late lamented ModFX line.

While it doesn't have MIDI sync, this fist-sized little box does have 
an LFO with a button for Tap Tempo.  What's more, the Tap Tempo will 
autosense and sync to the tempo you're playing, if your tempo is 
within 15% of the range you originally tapped into it.  So, for 
instance, if you tap in 112 bpm but you're actually playing at 115 
bpm, the Philtre's tempo will automatically adjust.  In Tempo Sync 
mode, the rate knob will also allow you to adjust the Philtre's speed 
to a multiple of the tempo (1/4x, 1/2x, 1x, 2x, 4x) as well.

Filter types are low-, band-, and high-pass, as well as band-stop 
(notch).  Although I don't own one myself, I've got the Akira (which 
is the Philtre's big brother, and uses the same algorithms itself), 
so I can vouch for the filters there sounding good.

Best news is that you can usually scam them for around $50 USD. 
Worst news is that they're rather thin on the ground, so you'll have 
to look for a while before bumping into one.

Also, if you're interested in beat-syncing similar sorts of "trigger 
gate" effects -- essentially doing the same effect with tremolo 
rather than a filter -- you should look at the Ampliton, from the 
same Alesis ModFX line.

	--m.
-- 
_______
"Somewhere between anticipation and nostalgia we should have been happy."

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From: Per Boysen <perboysen@gmail.com>
Subject: MySpace audio fidelity? Recommended upload mp3 compressing?
Date: Tue, 20 Jun 2006 12:00:02 +0200
To: Loopers-Delight@loopers-delight.com
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Hi,

Yesterday I created a MySpace page and uploaded a 128 mbps mp3 (Joint  
Stereo, no VBR - Variable Bit Rate). When listening back online it  
sounded awful! Crispy Telecaster notes coming down totally ugly as  
crashing egg shells. I remastered the piece and created a 320 kbps  
mp3 for upload. This, less compressed, file sounded good even after  
being mashed into MySpace's own streaming format.

Now, I'm wondering if someone on this list have been experimenting  
more with different mp3 compressing for uploading at MySpace? I mean,  
I was successful at 320 kpbs but that's a rather huge file for  
downloading (although it sounds good as streaming). What about 192  
kbps, how does that come out? Anyone?

(I may have time for experimenting with this in a few days, but for  
now I would love to hear about someone else already having done that  
testing)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Tue Jun 20 11:52:42 2006
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Date: Tue, 20 Jun 2006 07:53:06 -0400
From: Bill Fox <billyfox@soundscapes.us>
Subject: Re: [AH] stupid compression pedal question..
In-reply-to: <16213.194.83.236.250.1150744899.squirrel@maxproxy2.uk2net.com>
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Alex wrote:

>>Assuming I'll at very least always have a distortion-> envelope
>>filter->Delay/looper where is the best place for me to place the
>>compression pedal?  Does this change if I am using a different instrument
>>(drum machine, bass, saxophone, whatever).
>>    
>>
>(Starting at the begining) the compression pedal will be for evening out
>the dynamics, and possibly adding sustain.  So in a small pedal set-up the
>compression would go 1st for a good strong feed to a distotrion pedal etc.
> But in this case - with the envelope follower I'd be tempted to put it
>after that to even out any extreme pumping or peaks.
>  
>
Since there are multiple places in the chain to put a compressor for 
various reasons, some say to use multiple compressors.  Since some 
recording engineers use slight compression when recording a track and 
slight compression on the same track during mixdown, this makes a kind 
of sense.  This allows each compression operation to be as transparent 
as possible.  In your application, it allows each compressor to be used 
in a slightly different way for different reasons.

I have long been a fan of reverbing a reverb.  I've chained up to three 
in a row!  "Redundant" effects can yeild subtle to extreme results.  
Fun!  Some guitarists even run a clean signal through a Fender amp while 
running a distorted signal through a Marshall half stack.  It all boils 
down to flexibility and creativity to get unique sounds.

Cheers,

Bill

From Loopers-Delight-request@loopers-delight.com  Tue Jun 20 14:51:25 2006
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From: =?ISO-8859-1?Q?tEd_=AE_kiLLiAn?= <tedkillian@charter.net>
Subject: Re: beatsync filters
Date: Tue, 20 Jun 2006 07:51:22 -0700
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--Apple-Mail-4-709190596
Content-Transfer-Encoding: quoted-printable
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	charset=ISO-8859-1;
	delsp=yes;
	format=flowed

Hi all,

I figured I'd jump Into this discussion sooner or later but I kept =20
putting it off.

I have an Adrenalinn II (actually it's an Adrenalinn I with the =20
software upgrade
to the ll's identical functionality). I have it in my smaller rig and =20=

have been quite
impressed with Roger Linn's genius for all that it does. It's pretty =20
darn small
and there's an awful lot packed in there. I bought it from a fellow =20
looper on
this list for a very reasonable price a year or two ago and have been =20=

most happy.
My only gripe with it would be that the programming is made somewhat =20
more difficult
by the limited interface -- only a small LED readout and a very few =20
buttons and
knobs that each control multiple functions and parameters at different =20=

times.
I'm not a programming genius and get discouraged when faced with knobs
and buttons that have half a dozen possible uses each that you have to
remember. But, I suppose that's how they made it all affordable.

How I've been using it -- I run a second guitar signal path from the =20
"tuner" out
of my main Ernie Ball Volume pedal to another EB volume pedal which =20
feeds the
Adrenalinn II. Downstream from the Adrenalinn is an Alesis Bitrman and =20=

an Ineko
and the stereo output of all that goes to an AUX in on my amp. This way =20=

I can
can have either one (looping or Adrenalized) or both guitar signal =20
paths going
whenever I want. The Bitrman and Ineko do some really sick, sick, sick =20=

things
to the output of the already pretty whacky Adrenalinn. And, with their =20=

knobs
and buttons I get some extra control and tweakage over the Adrenalinn's
output in a live setting that would ordinarily not be feasible.

I wish I had some MP3s to share of this. Well, actually I used it a =20
tiny bit at last
year's Y2K5 fest. So, somewhere in the online recordings of that is =20
burried just
a taste of what I'm talking about. However, you'd have to listen to =20
several minutes
of me doing other things (struggling actually -- unsuccessfully, I'm =20
afraid, as it was
not a very inspired evening for me) before I get around to playing with =20=

the Linn
device at all. Use your imagination. It's a lot of fun. And, I simply =20=

keep the two
signal paths (looping and Adrenalized) synced by setting them up with =20=

similar
BPM settings. It works pretty well, better than I imagined it would.

Cheers,

tEd =AE kiLLiAn

On Jun 19, 2006, at 9:32 PM, Candc Hoffman/Traxler wrote:

> I've been seriously wanting an Adrenalinn II for the very same reasons =
=20
>  you are after and the website has a lot of good sound samples. I've =20=

> tried to get the same effect by=A0recording control changes on my XL-7 =
=20
> and running them to my Digitech GNX-3 and it works but its a time =20
> consuming endeavor and too=A0much stuff to hook up for=A0every gig. So =
I =20
> think that the Adrenalinn II is a good combo unit with a small =20
> footprint.=A0 I just need to sell something before I justify buying =20=

> another item.=A0 Ha!

"Different is not always better, but better is always different"

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=3D2845073
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?=20
step=3Dview_profile&id=3D121197000042

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

--Apple-Mail-4-709190596
Content-Transfer-Encoding: quoted-printable
Content-Type: text/enriched;
	charset=ISO-8859-1

Hi all,


I figured I'd jump Into this discussion sooner or later but I kept
putting it off.


I have an Adrenalinn II (actually it's an Adrenalinn I with the
software upgrade

to the ll's identical functionality). I have it in my smaller rig and
have been quite

impressed with Roger Linn's genius for all that it does. It's pretty
darn small=20

and there's an awful lot packed in there. I bought it from a fellow
looper on

this list for a very reasonable price a year or two ago and have been
most happy.=20

My only gripe with it would be that the programming is made somewhat
more difficult

by the limited interface -- only a small LED readout and a very few
buttons and=20

knobs that each control multiple functions and parameters at different
times.

I'm not a programming genius and get discouraged when faced with knobs

and buttons that have half a dozen possible uses each that you have to=20=


remember. But, I suppose that's how they made it all affordable.


How I've been using it -- I run a second guitar signal path from the
"tuner" out

of my main Ernie Ball Volume pedal to another EB volume pedal which
feeds the

Adrenalinn II. Downstream from the Adrenalinn is an Alesis Bitrman and
an Ineko

and the stereo output of all that goes to an AUX in on my amp. This
way I can=20

can have either one (looping or Adrenalized) or both guitar signal
paths going=20

whenever I want. The Bitrman and Ineko do some really sick, sick, sick
things

to the output of the already pretty whacky Adrenalinn. And, with their
knobs

and buttons I get some extra control and tweakage over the
Adrenalinn's=20

output in a live setting that would ordinarily not be feasible.


I wish I had some MP3s to share of this. Well, actually I used it a
tiny bit at last

year's Y2K5 fest. So, somewhere in the online recordings of that is
burried just

a taste of what I'm talking about. However, you'd have to listen to
several minutes

of me doing other things (struggling actually -- unsuccessfully, I'm
afraid, as it was=20

not a very inspired evening for me) before I get around to playing
with the Linn=20

device at all. Use your imagination. It's a lot of fun. And, I simply
keep the two=20

signal paths (looping and Adrenalized) synced by setting them up with
similar

BPM settings. It works pretty well, better than I imagined it would.


Cheers,


tEd =AE kiLLiAn


On Jun 19, 2006, at 9:32 PM, Candc Hoffman/Traxler wrote:


<excerpt>I've been seriously wanting an Adrenalinn II for the very
same reasons  you are after and the website has a lot of good sound
samples. I've tried to get the same effect by=A0recording control
changes on my XL-7 and running them to my Digitech GNX-3 and it works
but its a time consuming endeavor and too=A0much stuff to hook up
for=A0every gig. So I think that the Adrenalinn II is a good combo unit
with a small footprint.=A0 I just need to sell something before I
justify buying another item.=A0 Ha!

</excerpt>

<color><param>8080,8080,8080</param>"Different is not always better,
but better is always different"


http://www.pfmentum.com/flux.html

http://www.CDbaby.com/cd/tedkillian

http://www.guitar9.com/fluxaeterna.html

http://www.garageband.com/artist/ArsOcarina

http://www.towerrecords.com/product.aspx?pfid=3D2845073

http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314

http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193

=
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042


Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,

BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,

AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,

RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,

and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???</color>


--Apple-Mail-4-709190596--

From Loopers-Delight-request@loopers-delight.com  Tue Jun 20 17:05:57 2006
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Date: Tue, 20 Jun 2006 10:05:54 -0700 (PDT)
Subject: Hiromi
From: johnsrude@peak.org
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Haven't you always wanted to be a sexy Japanese lead keyboard virtuoso heading
her own fusion power trio?

Haven't you always wanted to be Hiromi?
http://www.youtube.com/watch?v=okWg_6mhxWY

Maybe in my next incarnation...if I'm good.

Cheers,
Kevin
www.TheNettles.com



From Loopers-Delight-request@loopers-delight.com  Tue Jun 20 17:36:31 2006
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Date: Tue, 20 Jun 2006 10:36:29 -0700
From: Paul Richards <paulrichard10@adelphia.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Hiromi
Cc: johnsrude@peak.org
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She should get together with Kitaro for twice the amount of sucking.
--
Paul Richards

---- johnsrude@peak.org wrote: 
> Haven't you always wanted to be a sexy Japanese lead keyboard virtuoso heading
> her own fusion power trio?
> 
> Haven't you always wanted to be Hiromi?
> http://www.youtube.com/watch?v=okWg_6mhxWY
> 
> Maybe in my next incarnation...if I'm good.
> 
> Cheers,
> Kevin
> www.TheNettles.com
> 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Tue Jun 20 17:37:57 2006
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Subject: Re: Hiromi
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I could play like that, I just don't want to.  Er, I
mean I could get my hair that big.  Maybe.

--- johnsrude@peak.org wrote:

> Haven't you always wanted to be a sexy Japanese lead
> keyboard virtuoso heading
> her own fusion power trio?
> 
> Haven't you always wanted to be Hiromi?
> http://www.youtube.com/watch?v=okWg_6mhxWY
> 
> Maybe in my next incarnation...if I'm good.
> 
> Cheers,
> Kevin
> www.TheNettles.com
> 
> 
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Tue Jun 20 17:47:22 2006
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Subject: Re: Hiromi
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You guys are being too harsh!... I mean...

Look at these responses from the site... Three people sayin the same thing
COULDN't be wrong. :)

Genius is an understatement.

ViolinCyndee (2 weeks ago)
Specatular!!!!!!!!!!!!
Cyndee
=20
mikesthong (1 week ago)
thank you

Does anybody know the guys playin' with her?

T.



On 6/20/06 1:05 PM, "johnsrude@peak.org" <johnsrude@peak.org> wrote:

> Haven't you always wanted to be a sexy Japanese lead keyboard virtuoso he=
ading
> her own fusion power trio?
>=20
> Haven't you always wanted to be Hiromi?
> http://www.youtube.com/watch?v=3DokWg_6mhxWY
>=20
> Maybe in my next incarnation...if I'm good.
>=20
> Cheers,
> Kevin
> www.TheNettles.com
>=20
>=20
>=20

---------------------------------------------------------------------------=
-
-----
=B3Virtue is just repression waiting to go bad=B2 - Trevor Exter

=B3Classical music is related to the past more than it is related to the
creative part of sound=B2 - Ornette Coleman
---------------------------------------------------------------------------=
-
------=20
Todd Reynolds
42-09 47th Ave 1C
Sunnyside, NY  11104
=20
Ph.    718 392-3773
Mob.   917 576-6166
Fax    419 781-5502
=20
http://www.toddreynolds.com


todd@toddreynolds.com
9175766166@vtext.com (155 characters or less)
AIM ID: toddreyn




From Loopers-Delight-request@loopers-delight.com  Tue Jun 20 17:53:36 2006
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Ted, I wish my playing was as good as your struggling!

While we're on this topic, I got and set up a laptop
running Reaktor 5 last night.  HOLY SHIT.  I'm
floored. The idea that I can actually make stuff like
this is mind boggling.  My plan is to set up a laptop
looper like Per's but last night I used it like a
virtual synth/effects processor.  Amazingly powerful. 
Can't spend $300 (I found it on line at scit scat
music for that
http://www.scitscat.com/catalog/product_info.php/products_id/798)
there seems to be a stand alone product called
Electronic Instruments that has a sampling of what it
does (can't make your own)
http://www.scitscat.com/catalog/product_info.php/products_id/128

Anyway, if you've got a good laptop/computer and
you're willing to have a look it seems like an amazing
way to get a lot of loop mangling done. 


Mark

--- tEd ï¿½ kiLLiAn <tedkillian@charter.net> wrote:


> I wish I had some MP3s to share of this. Well,
> actually I used it a  
> tiny bit at last
> year's Y2K5 fest. So, somewhere in the online
> recordings of that is  
> burried just
> a taste of what I'm talking about. However, you'd
> have to listen to  
> several minutes
> of me doing other things (struggling actually --
> unsuccessfully, I'm  
> afraid, as it was
> not a very inspired evening for me) 

__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Tue Jun 20 18:09:54 2006
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Subject: RE: Hiromi
Date: Tue, 20 Jun 2006 14:09:52 -0400
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Boring. I stopped at 1:52 and would bet buckets of cash it changed no
more than a whit in the remaining 5 minutes.

Hal Dean

-----Original Message-----
From: mark sottilaro [mailto:zerocrossing2001@yahoo.com]=20
Sent: Tuesday, June 20, 2006 1:37 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Hiromi


I could play like that, I just don't want to.  Er, I
mean I could get my hair that big.  Maybe.

--- johnsrude@peak.org wrote:

> Haven't you always wanted to be a sexy Japanese lead
> keyboard virtuoso heading
> her own fusion power trio?
>=20
> Haven't you always wanted to be Hiromi?=20
> http://www.youtube.com/watch?v=3DokWg_6mhxWY
>=20
> Maybe in my next incarnation...if I'm good.
>=20
> Cheers,
> Kevin
> www.TheNettles.com
>=20
>=20
>=20
>=20


__________________________________________________
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Tired of spam?  Yahoo! Mail has the best spam protection around=20
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From Loopers-Delight-request@loopers-delight.com  Tue Jun 20 18:10:00 2006
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Date: Tue, 20 Jun 2006 11:09:58 -0700
From: Paul Richards <paulrichard10@adelphia.net>
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Well - she WAS hot-looking. I thought I saw someone who looked like her on =
Consumption-Junction.com.

--
Paul Richards

---- Todd Reynolds <toddreyn@gmail.com> wrote:=20
> You guys are being too harsh!... I mean...
>=20
> Look at these responses from the site... Three people sayin the same thin=
g
> COULDN't be wrong. :)
>=20
> Genius is an understatement.
>=20
> ViolinCyndee (2 weeks ago)
> Specatular!!!!!!!!!!!!
> Cyndee
> =20
> mikesthong (1 week ago)
> thank you
>=20
> Does anybody know the guys playin' with her?
>=20
> T.
>=20
>=20
>=20
> On 6/20/06 1:05 PM, "johnsrude@peak.org" <johnsrude@peak.org> wrote:
>=20
> > Haven't you always wanted to be a sexy Japanese lead keyboard virtuoso =
heading
> > her own fusion power trio?
> >=20
> > Haven't you always wanted to be Hiromi?
> > http://www.youtube.com/watch?v=3DokWg_6mhxWY
> >=20
> > Maybe in my next incarnation...if I'm good.
> >=20
> > Cheers,
> > Kevin
> > www.TheNettles.com
> >=20
> >=20
> >=20
>=20
> -------------------------------------------------------------------------=
---
> -----
> =C2=B3Virtue is just repression waiting to go bad=C2=B2 - Trevor Exter
>=20
> =C2=B3Classical music is related to the past more than it is related to t=
he
> creative part of sound=C2=B2 - Ornette Coleman
> -------------------------------------------------------------------------=
---
> ------=20
> Todd Reynolds
> 42-09 47th Ave 1C
> Sunnyside, NY  11104
> =20
> Ph.    718 392-3773
> Mob.   917 576-6166
> Fax    419 781-5502
> =20
> http://www.toddreynolds.com
>=20
>=20
> todd@toddreynolds.com
> 9175766166@vtext.com (155 characters or less)
> AIM ID: toddreyn
>=20
>=20
>=20
>=20

From Loopers-Delight-request@loopers-delight.com  Tue Jun 20 18:10:39 2006
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Only twice?  I would think the relationship should be exponential. 
That would be 4x the suckage.

Or, since we're talking reincarnation, shouldn't we take into account 
how much they sucked during their past lives too...?

;)
	--m.


At 10:36 AM -0700 6/20/06, Paul Richards wrote:
>She should get together with Kitaro for twice the amount of sucking.
>--
>Paul Richards
>
>---- johnsrude@peak.org wrote:
>>  Haven't you always wanted to be a sexy Japanese lead keyboard 
>>virtuoso heading
>>  her own fusion power trio?
>>
>>  Haven't you always wanted to be Hiromi?
>>  http://www.youtube.com/watch?v=okWg_6mhxWY
>>
>>  Maybe in my next incarnation...if I'm good.
>>
>>  Cheers,
>>  Kevin
>>  www.TheNettles.com
>>
>>
>>


From Loopers-Delight-request@loopers-delight.com  Tue Jun 20 18:12:50 2006
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I haven't watched the clip, so I'm not sure- but are you guys kidding?

Hiromi is amazingly talented.


                                                                                                                                       
                                                                                                                                       
             mech <mech@m3ch.net>              To: Loopers-Delight@loopers-delight.com                                                 
             06/20/2006 02:10 PM               cc:                                                                                     
             Please respond to                 Subject:  Re: Hiromi                                                                    
             Loopers-Delight                                                                                                           
                                                                                                                                       




Only twice?  I would think the relationship should be exponential.
That would be 4x the suckage.

Or, since we're talking reincarnation, shouldn't we take into account
how much they sucked during their past lives too...?

;)
             --m.


At 10:36 AM -0700 6/20/06, Paul Richards wrote:
>She should get together with Kitaro for twice the amount of sucking.
>--
>Paul Richards
>
>---- johnsrude@peak.org wrote:
>>  Haven't you always wanted to be a sexy Japanese lead keyboard
>>virtuoso heading
>>  her own fusion power trio?
>>
>>  Haven't you always wanted to be Hiromi?
>>  http://www.youtube.com/watch?v=okWg_6mhxWY
>>
>>  Maybe in my next incarnation...if I'm good.
>>
>>  Cheers,
>>  Kevin
>>  www.TheNettles.com
>>
>>
>>





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From Loopers-Delight-request@loopers-delight.com  Tue Jun 20 18:13:06 2006
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Date: Tue, 20 Jun 2006 13:13:05 -0500
From: "Charlie Milkey" <pilotcp@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: MySpace audio fidelity? Recommended upload mp3 compressing?
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i had the same problem...if you listen to the song "concave" on my
myspace page, the real low notes sound really distorted, and when i
recorded it, they weren't that way :)
i emailed myspace about this about 2-3 days ago, and they haven't
gotten back to me yet...

Charlie

On 6/20/06, Per Boysen <perboysen@gmail.com> wrote:
> Hi,
>
> Yesterday I created a MySpace page and uploaded a 128 mbps mp3 (Joint
> Stereo, no VBR - Variable Bit Rate). When listening back online it
> sounded awful! Crispy Telecaster notes coming down totally ugly as
> crashing egg shells. I remastered the piece and created a 320 kbps
> mp3 for upload. This, less compressed, file sounded good even after
> being mashed into MySpace's own streaming format.
>
> Now, I'm wondering if someone on this list have been experimenting
> more with different mp3 compressing for uploading at MySpace? I mean,
> I was successful at 320 kpbs but that's a rather huge file for
> downloading (although it sounds good as streaming). What about 192
> kbps, how does that come out? Anyone?
>
> (I may have time for experimenting with this in a few days, but for
> now I would love to hear about someone else already having done that
> testing)
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Jun 20 18:19:02 2006
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Date: Tue, 20 Jun 2006 11:18:58 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: beatsync filters
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I also find the Line6 Pro line to be pretty good when
it comes to such things.  I have the Filter Pro and
while I wouldn't put it next to a high quality analog
filter I find it does a lot for the cash and is MIDI
or Tap tempo syncable.

Mark


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From Loopers-Delight-request@loopers-delight.com  Tue Jun 20 18:20:23 2006
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When you see Terry, tell him thanks for writing "In C".  I had the pleasure of performing it back in March.
   
  I know Terry said that 35 players for it is ideal but I've wondered if some ridiculously small number of loopers could do it with the same effect...
   
   
  ted harms.

Todd Reynolds <toddreyn@gmail.com> wrote:
  How’s everybody doin’?

I have no idea how I got completely unsubscribed, but I did.  Like months ago!  

And somehow, I just let it all happen.  But no more.  I’m back.

Anyway, I’ll be in Oakland from the 19th to 24th and will be looping at the Garden of Memory concert at the Chapel of the Chimes on Wednesday, the 21st of June from 5-9, intermittently.  

Terry Riley and I will also be doing a little playing together, just a little improvisation time for the two of us during that same concert.  So if you’re in oakland, give a shout, and/or come by the concert and say hi.  I enjoy very much meeting people from the list whenever it happens.  

I’ll have to dive into the archives to see what’s been goin’ down in this, one of my favorite corners of cyberspace!

But I’m back on now.  Woohoo!

All best to all.

Todd Reynolds


---------------------------------------------------------------------------------
“Virtue is just repression waiting to go bad” - Trevor Exter

“Classical music is related to the past more than it is related to the creative part of sound” - Ornette Coleman
---------------------------------------------------------------------------------- 
Todd Reynolds
42-09 47th Ave 1C
Sunnyside, NY  11104
 
Ph.    718 392-3773
Mob.   917 576-6166
Fax    419 781-5502
 
http://www.toddreynolds.com


todd@toddreynolds.com
9175766166@vtext.com (155 characters or less)
AIM ID: toddreyn




 		
---------------------------------
Do you Yahoo!?
 Get on board. You're invited to try the new Yahoo! Mail Beta.
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<div>When you see Terry, tell him thanks for writing "In C".&nbsp; I had the pleasure of performing it back in March.</div>  <div>&nbsp;</div>  <div>I know Terry said that 35 players for it is ideal but I've wondered if some ridiculously small number of loopers could do it with the same effect...</div>  <div>&nbsp;</div>  <div>&nbsp;</div>  <div>ted harms.<BR><BR><B><I>Todd Reynolds &lt;toddreyn@gmail.com&gt;</I></B> wrote:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid"><FONT face="Lucida Grande, Verdana, Helvetica, Arial"><SPAN style="FONT-SIZE: 14px">How’s everybody doin’?<BR><BR>I have no idea how I got completely unsubscribed, but I did. &nbsp;Like months ago! &nbsp;<BR><BR>And somehow, I just let it all happen. &nbsp;But no more. &nbsp;I’m back.<BR><BR>Anyway, I’ll be in Oakland from the 19th to 24th and will be looping at the Garden of Memory concert at the Chapel of the Chimes on Wednesday, the 21st of June
 from 5-9, intermittently. &nbsp;<BR><BR>Terry Riley and I will also be doing a little playing together, just a little improvisation time for the two of us during that same concert. &nbsp;So if you’re in oakland, give a shout, and/or come by the concert and say hi. &nbsp;I enjoy very much meeting people from the list whenever it happens. &nbsp;<BR><BR>I’ll have to dive into the archives to see what’s been goin’ down in this, one of my favorite corners of cyberspace!<BR><BR>But I’m back on now. &nbsp;Woohoo!<BR><BR>All best to all.<BR><BR>Todd Reynolds<BR><BR><BR></SPAN><FONT size=2><SPAN style="FONT-SIZE: 12px">---------------------------------------------------------------------------------<BR>“Virtue is just repression waiting to go bad” - Trevor Exter<BR><BR>“Classical music is related to the past more than it is related to the creative part of sound” - Ornette Coleman<BR>---------------------------------------------------------------------------------- <BR>Todd
 Reynolds<BR>42-09 47th Ave 1C<BR>Sunnyside, NY &nbsp;11104<BR>&nbsp;<BR>Ph. &nbsp;&nbsp;&nbsp;718 392-3773<BR>Mob. &nbsp;&nbsp;917 576-6166<BR>Fax &nbsp;&nbsp;&nbsp;419 781-5502<BR>&nbsp;<BR><A href="http://www.toddreynolds.com/">http://www.toddreynolds.com</A><BR><BR><BR>todd@toddreynolds.com<BR>9175766166@vtext.com (155 characters or less)<BR>AIM ID: toddreyn<BR></SPAN></FONT><FONT size=4><SPAN style="FONT-SIZE: 18px"><BR></SPAN></FONT><SPAN style="FONT-SIZE: 14px"><BR></SPAN></FONT></BLOCKQUOTE><BR><p>&#32;
		<hr size=1>Do you Yahoo!?<br> 
Get on board. <a href="http://us.rd.yahoo.com/evt=40791/*http://advision.webevents.yahoo.com/handraisers">You're invited</a> to try the new Yahoo! Mail Beta.
--0-69824518-1150827622=:87491--

From Loopers-Delight-request@loopers-delight.com  Tue Jun 20 18:25:37 2006
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Date: Tue, 20 Jun 2006 13:25:32 -0500
To: Loopers-Delight@loopers-delight.com
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Subject: Re: Hiromi
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At 2:12 PM -0400 6/20/06, Matthew.Quinn@sunlife.com wrote:
>I haven't watched the clip, so I'm not sure- but are you guys kidding?
>
>Hiromi is amazingly talented.

She is amazingly technically adept, I'll give her that.  However, 
just because you *can* play lebenty-bazillion notes in the span of a 
half-second, doesn't necessarily mean you *should*.  If I want to 
listen to that, I'll grab a cup of coffee and go hang out in the 
lobby of my local Guitar Center.

This is the only clip I've seen of her work, though, so maybe other 
examples are better.  The best parts of this video sound like a pale 
tip-of-the-hat to Keith Emerson's "Tarkus".  I also tossed most of my 
ELP records out quite some time ago, however.  As with all matters of 
taste, YMMV....

	--m.
-- 
_______
"I'm wasting time worrying about wasting time."

From Loopers-Delight-request@loopers-delight.com  Tue Jun 20 18:26:09 2006
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Date: Tue, 20 Jun 2006 11:26:07 -0700 (PDT)
Subject: Re: Hiromi
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---- johnsrude@peak.org wrote:
>>> Haven't you always wanted to be a sexy Japanese lead keyboard
virtuoso heading her own fusion power trio? <<<

Hrmmm.  Evidently not.  Well, just "keep banging those rocks together, guys!" 
For the rest of you, Peter Kirn of CreateDigitalMusic and Keyboard magazine
has kindly put together a collection of links and tutorials at:
http://tinyurl.com/jzftw

[If you're reading, Peter, forgive me.  I cross-posted and have been duly
punished for it.]

Cheers,
Kevin



From Loopers-Delight-request@loopers-delight.com  Tue Jun 20 18:44:45 2006
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Date: Tue, 20 Jun 2006 11:44:43 -0700
From: Paul Richards <paulrichard10@adelphia.net>
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Subject: Re: Hiromi
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(I'll grab a cup of coffee and go hang out in the lobby of my local Guitar Center)

I've been meaning to bring a pair of earplugs with me on my future visits to the Guitar Center. What a cacophony of electric guitar noise!

(I also tossed most of my ELP records out quite some time ago, however)

For me, ELP hasn't held up over time. I've tried listening to their work more than once the past few years, and while some of their stuff is still good, much is overblown, mile-a-minute aimless noodling (as opposed to direction'ed noodling).


--
Paul Richards

---- mech <mech@m3ch.net> wrote: 
> At 2:12 PM -0400 6/20/06, Matthew.Quinn@sunlife.com wrote:
> >I haven't watched the clip, so I'm not sure- but are you guys kidding?
> >
> >Hiromi is amazingly talented.
> 
> She is amazingly technically adept, I'll give her that.  However, 
> just because you *can* play lebenty-bazillion notes in the span of a 
> half-second, doesn't necessarily mean you *should*.  If I want to 
> listen to that, I'll grab a cup of coffee and go hang out in the 
> lobby of my local Guitar Center.
> 
> This is the only clip I've seen of her work, though, so maybe other 
> examples are better.  The best parts of this video sound like a pale 
> tip-of-the-hat to Keith Emerson's "Tarkus".  I also tossed most of my 
> ELP records out quite some time ago, however.  As with all matters of 
> taste, YMMV....
> 
> 	--m.
> -- 
> _______
> "I'm wasting time worrying about wasting time."
> 

From Loopers-Delight-request@loopers-delight.com  Tue Jun 20 18:48:20 2006
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Subject: Effector13 PEEP...
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Hey guys,

I came across this while looking for new toys on the Effector 13 site.

	http://www.effector13.com/pedals/peep/index.html

It's basically just a simple photo-electric cell boxed up so that it 
can be plugged into the expression pedal jack on most effects 
(amongst other things).

Best part is that Devi Ever is currently considering them in 
"experimental" phase, so he's offering them at a special tester's 
price of a mere $20 (shipping included).  Kewl!

I've got one on order, and can hardly wait to see how (or even if) it 
works with my Lex Vortex, as well as my other effect pedals and 
perhaps even the VG-8.

Looks like a lot of fun for those of us with no soldering skill 
ourselves.  Dig!

	--m.
-- 
_______
"If Television is a babysitter, then the Internet is a drunk 
librarian who won't shut up..."

From Loopers-Delight-request@loopers-delight.com  Tue Jun 20 18:59:00 2006
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Date: Tue, 20 Jun 2006 14:58:58 -0400
From: "Todd Pafford" <calenlas@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Effector13 PEEP...
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Let me know how it goes.  I've got a Vortex too and would love to play
with one of these.

Todd


On 6/20/06, mech <mech@m3ch.net> wrote:
> Hey guys,
>
> I came across this while looking for new toys on the Effector 13 site.
>
>         http://www.effector13.com/pedals/peep/index.html
>
> It's basically just a simple photo-electric cell boxed up so that it
> can be plugged into the expression pedal jack on most effects
> (amongst other things).
>
> Best part is that Devi Ever is currently considering them in
> "experimental" phase, so he's offering them at a special tester's
> price of a mere $20 (shipping included).  Kewl!
>
> I've got one on order, and can hardly wait to see how (or even if) it
> works with my Lex Vortex, as well as my other effect pedals and
> perhaps even the VG-8.
>
> Looks like a lot of fun for those of us with no soldering skill
> ourselves.  Dig!
>
>         --m.
> --
> _______
> "If Television is a babysitter, then the Internet is a drunk
> librarian who won't shut up..."
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Jun 20 19:01:17 2006
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Date: Tue, 20 Jun 2006 21:01:15 +0200 (CEST)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: Vedr. Re: Vedr. Re: beatsync filters
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Hi and thanks !
   
  The Akai is not easy to find out there, but the filterfactory is. Are there anyone who know if the filter-factory is able to make realtime adjustment via midi on the subdevisions and lfo ect. 
   
  Sorry for my bad english.
   
  Rune F 

Per Boysen <perboysen@gmail.com> skrev:
  On 19 jun 2006, at 15.30, rune fagereng wrote:

> Any thoughts on electrix filter v.s akai ?

Yes. My thoughts are that the manuals may reveal how useful each 
filter may be to you. I went for the Akai because one was available 
on a good price. I downloaded the manual and saw that I should be 
able to do enough of what I wanted with it, so I went for it. I have 
not read up on the electrix filter though. But I have tried them out 
in other peoples studios and know that they sound great.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)







www.runefagereng.com
Mail:rune_fagereng@yahoo.no
Mob: 917 95 867
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<div>Hi and thanks !</div>  <div>&nbsp;</div>  <div>The Akai is not easy to find out there, but the filterfactory is. Are there anyone who know if the filter-factory is able to make realtime adjustment via midi on the subdevisions&nbsp;and lfo ect. </div>  <div>&nbsp;</div>  <div>Sorry for my bad english.</div>  <div>&nbsp;</div>  <div>Rune F&nbsp;<BR><BR><B><I>Per Boysen &lt;perboysen@gmail.com&gt;</I></B> skrev:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">On 19 jun 2006, at 15.30, rune fagereng wrote:<BR><BR>&gt; Any thoughts on electrix filter v.s akai ?<BR><BR>Yes. My thoughts are that the manuals may reveal how useful each <BR>filter may be to you. I went for the Akai because one was available <BR>on a good price. I downloaded the manual and saw that I should be <BR>able to do enough of what I wanted with it, so I went for it. I have <BR>not read up on the electrix filter though. But I have tried them out
 <BR>in other peoples studios and know that they sound great.<BR><BR>Greetings from Sweden<BR><BR>Per Boysen<BR>www.boysen.se (Swedish)<BR>www.looproom.com (international)<BR>http://tinyurl.com/fauvm (podcast)<BR><BR><BR><BR><BR></BLOCKQUOTE><BR><BR><BR>www.runefagereng.com<br>Mail:rune_fagereng@yahoo.no<br>Mob: 917 95 867
--0-641533106-1150830075=:36432--

From Loopers-Delight-request@loopers-delight.com  Tue Jun 20 19:12:06 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: CD Release....
Date: Tue, 20 Jun 2006 12:12:02 -0700
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My new CD, ZUGZWANG, with guitarist Tom McNalley is finally up and=20
available at
http://www.pfmentum.com/

All quarter-tone trumpet and electric guitar with lots of live=20
processing.

There is a free 12 minute track you can download for a taste.

best,

Jeff





Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com =95 AngryVegan.com=

From Loopers-Delight-request@loopers-delight.com  Tue Jun 20 19:20:53 2006
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Jeff Kaiser wrote:

> My new CD, ZUGZWANG, with guitarist Tom McNalley is finally up and 
> available at
> http://www.pfmentum.com/
>
> All quarter-tone trumpet and electric guitar with lots of live 
> processing.
>
> There is a free 12 minute track you can download for a taste. 

Cool, Jeff. Looking forward to checking it out.
Andrew

>
>
> best,
>
> Jeff
>
>
>
>
>
> Jeff Kaiser
> http://www.jeffkaisermusic.com
> pfMENTUM.com • AngryVegan.com
>
>


-- 
Andrew Duke
scoring/sound design/source
http://andrew-duke.com
http://myspace.com/andrewduke
Cognition Audioworks label
[Andrew Duke, Foal, Clinker, Granny'Ark]
http://cognitionaudioworks.com
http://myspace.com/cognitionaudioworks


From Loopers-Delight-request@loopers-delight.com  Tue Jun 20 19:25:38 2006
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From: Brian Cass <b@the0verclock.com>
Subject: Re: beatsync filters
Date: Tue, 20 Jun 2006 15:25:34 -0400
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Electronic Instruments is an add-on pack of Reaktor Ensembles for =20
Reaktor users.
As a registered user the online reaktor user library is a HUGE resource.

- b



On Jun 20, 2006, at 1:53 PM, mark sottilaro wrote:

> Ted, I wish my playing was as good as your struggling!
>
> While we're on this topic, I got and set up a laptop
> running Reaktor 5 last night.  HOLY SHIT.  I'm
> floored. The idea that I can actually make stuff like
> this is mind boggling.  My plan is to set up a laptop
> looper like Per's but last night I used it like a
> virtual synth/effects processor.  Amazingly powerful.
> Can't spend $300 (I found it on line at scit scat
> music for that
> http://www.scitscat.com/catalog/product_info.php/products_id/798)
> there seems to be a stand alone product called
> Electronic Instruments that has a sampling of what it
> does (can't make your own)
> http://www.scitscat.com/catalog/product_info.php/products_id/128
>
> Anyway, if you've got a good laptop/computer and
> you're willing to have a look it seems like an amazing
> way to get a lot of loop mangling done.
>
>
> Mark
>
> --- tEd =EF=BF=BD kiLLiAn <tedkillian@charter.net> wrote:
>
>
>> I wish I had some MP3s to share of this. Well,
>> actually I used it a
>> tiny bit at last
>> year's Y2K5 fest. So, somewhere in the online
>> recordings of that is
>> burried just
>> a taste of what I'm talking about. However, you'd
>> have to listen to
>> several minutes
>> of me doing other things (struggling actually --
>> unsuccessfully, I'm
>> afraid, as it was
>> not a very inspired evening for me)
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>

From Loopers-Delight-request@loopers-delight.com  Tue Jun 20 19:50:14 2006
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Right up my alley, Jeff. Thanks....listening to the monsterous clip right 
now to generate the appropriate frame of mind for my next conference 
call....

Kris

----- Original Message ----- 
From: "Jeff Kaiser" <loopersdelight@pfmentum.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, June 20, 2006 1:12 PM
Subject: CD Release....


My new CD, ZUGZWANG, with guitarist Tom McNalley is finally up and
available at
http://www.pfmentum.com/

All quarter-tone trumpet and electric guitar with lots of live
processing.

There is a free 12 minute track you can download for a taste.

best,

Jeff





Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com • AngryVegan.com


From Loopers-Delight-request@loopers-delight.com  Tue Jun 20 20:23:28 2006
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> 
> Hi and thanks !
>    
>   The Akai is not easy to find out there, but the filterfactory is.
Are there anyone who know if the filter-factory is able to make realtime
adjustment via midi on the subdevisions and lfo ect. 

Yes, as far as I know you can change every parameter via midi.  

Kevin

-- 
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:  http://www.minds-eye.org

From Loopers-Delight-request@loopers-delight.com  Tue Jun 20 20:32:02 2006
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----__JWM__J266f.40a3S.4f96M
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Wow I love this kind of effect.  I had to order one!  Looks like fun and=
 I just got my first vortex too!
----__JWM__J266f.40a3S.4f96M
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<html>Wow I love this kind of effect.&nbsp; I had to order one!&nbsp; Lo=
oks like fun and I just got my first vortex too!</html>

----__JWM__J266f.40a3S.4f96M--

From Loopers-Delight-request@loopers-delight.com  Tue Jun 20 20:35:51 2006
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On Tuesday, June 20, 2006, at 12:12 PM, Jeff Kaiser wrote:

> My new CD, ZUGZWANG, with guitarist Tom McNalley is finally up and 
> available at
> http://www.pfmentum.com/
>
> All quarter-tone trumpet and electric guitar with lots of live 
> processing.
>
> There is a free 12 minute track you can download for a taste.
>
>
Is that the same Tom McNalley that used to live in Portland? If so, say 
hi for me, I saw him many, many times in Dave Storr's various bands. 
Great player!

From Loopers-Delight-request@loopers-delight.com  Tue Jun 20 20:53:01 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: CD Release....
Date: Tue, 20 Jun 2006 13:52:50 -0700
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Yes it is...I will say hi....but give me your name!

jeff



Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com =95 AngryVegan.com


On Jun 20, 2006, at 1:35 PM, improv@peak.org wrote:

> On Tuesday, June 20, 2006, at 12:12 PM, Jeff Kaiser wrote:
>
>> My new CD, ZUGZWANG, with guitarist Tom McNalley is finally up and=20
>> available at
>> http://www.pfmentum.com/
>>
>> All quarter-tone trumpet and electric guitar with lots of live=20
>> processing.
>>
>> There is a free 12 minute track you can download for a taste.
>>
>>
> Is that the same Tom McNalley that used to live in Portland? If so,=20
> say hi for me, I saw him many, many times in Dave Storr's various=20
> bands. Great player!
>

From Loopers-Delight-request@loopers-delight.com  Tue Jun 20 21:15:48 2006
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Date: Tue, 20 Jun 2006 14:15:46 -0700 (PDT)
Subject: Silent Switches
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Hi,

Here's a question for the LD hive mind:

What relatively inexpensive signal switches and latching XLR on/off switches
are there out there?  I'm looking for stuff that's foot operated.

Thanks,
Kevin
www.TheNettles.com


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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Hiromi
Date: Tue, 20 Jun 2006 23:46:34 +0200
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On 20 jun 2006, at 19.36, mark sottilaro wrote:

> I could play like that, I just don't want to.  Er, I
> mean I could get my hair that big.  Maybe.

Interesting comment, Mark. But don't you think she was a bit lame on  
that video? I mean, she didn't even stab the keyboard with a huge  
knife!!!!

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Tue Jun 20 22:24:47 2006
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From: Richard Sales <richard@glasswing.com>
Subject: Re: Silent Switches
Date: Tue, 20 Jun 2006 15:24:39 -0700
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--Apple-Mail-2-736387575
Content-Transfer-Encoding: 7bit
Content-Type: text/plain;
	charset=US-ASCII;
	format=flowed

Do you know of Bob Bradshaw?  I saw Xavier Rudd using his switching 
system for a VERY complex setup and it worked marvels.  Don't think 
it's real cheap, though... but he can build you custom units tailored 
to your needs.  Xavier's guitar tech (James Looker) said they'd tried 
everything and it was the only thing that worked as needed without 
glitch.

Here's the URL to Bob's stuff:
http://www.customaudioelectronics.com/

Here's Xav's site.  Not a looper, but you'd SWEAR he was looping live.  
The music you hear on his site when it loads is him live.  A very good 
one man band.  Pretty cool.

www.xavierrudd.com

Happy motoring

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 20-Jun-06, at 2:15 PM, johnsrude@peak.org wrote:

> Hi,
>
> Here's a question for the LD hive mind:
>
> What relatively inexpensive signal switches and latching XLR on/off 
> switches
> are there out there?  I'm looking for stuff that's foot operated.
>
> Thanks,
> Kevin
> www.TheNettles.com
>

--Apple-Mail-2-736387575
Content-Transfer-Encoding: 7bit
Content-Type: text/enriched;
	charset=US-ASCII

Do you know of Bob Bradshaw?  I saw Xavier Rudd using his switching
system for a VERY complex setup and it worked marvels.  Don't think
it's real cheap, though... but he can build you custom units tailored
to your needs.  Xavier's guitar tech (James Looker) said they'd tried
everything and it was the only thing that worked as needed without
glitch. 


Here's the URL to Bob's stuff:

http://www.customaudioelectronics.com/


Here's Xav's site.  Not a looper, but you'd SWEAR he was looping live. 
The music you hear on his site when it loads is him live.  A very good
one man band.  Pretty cool.


www.xavierrudd.com


Happy motoring


<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 20-Jun-06, at 2:15 PM, johnsrude@peak.org wrote:


<excerpt>Hi,


Here's a question for the LD hive mind:


What relatively inexpensive signal switches and latching XLR on/off
switches

are there out there?  I'm looking for stuff that's foot operated.


Thanks,

Kevin

www.TheNettles.com


</excerpt>
--Apple-Mail-2-736387575--

From Loopers-Delight-request@loopers-delight.com  Tue Jun 20 23:22:43 2006
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Date: Tue, 20 Jun 2006 16:22:41 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: beatsync filters
To: Loopers-Delight@loopers-delight.com
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I believe they now work as stand alones too.

--- Brian Cass <b@the0verclock.com> wrote:

> Electronic Instruments is an add-on pack of Reaktor
> Ensembles for  
> Reaktor users.
> As a registered user the online reaktor user library
> is a HUGE resource.
> 
> - b
> 
> 
> 
> On Jun 20, 2006, at 1:53 PM, mark sottilaro wrote:
> 
> > Ted, I wish my playing was as good as your
> struggling!
> >
> > While we're on this topic, I got and set up a
> laptop
> > running Reaktor 5 last night.  HOLY SHIT.  I'm
> > floored. The idea that I can actually make stuff
> like
> > this is mind boggling.  My plan is to set up a
> laptop
> > looper like Per's but last night I used it like a
> > virtual synth/effects processor.  Amazingly
> powerful.
> > Can't spend $300 (I found it on line at scit scat
> > music for that
> >
>
http://www.scitscat.com/catalog/product_info.php/products_id/798)
> > there seems to be a stand alone product called
> > Electronic Instruments that has a sampling of what
> it
> > does (can't make your own)
> >
>
http://www.scitscat.com/catalog/product_info.php/products_id/128
> >
> > Anyway, if you've got a good laptop/computer and
> > you're willing to have a look it seems like an
> amazing
> > way to get a lot of loop mangling done.
> >
> >
> > Mark
> >
> > --- tEd ï¿½ kiLLiAn <tedkillian@charter.net>
> wrote:
> >
> >
> >> I wish I had some MP3s to share of this. Well,
> >> actually I used it a
> >> tiny bit at last
> >> year's Y2K5 fest. So, somewhere in the online
> >> recordings of that is
> >> burried just
> >> a taste of what I'm talking about. However, you'd
> >> have to listen to
> >> several minutes
> >> of me doing other things (struggling actually --
> >> unsuccessfully, I'm
> >> afraid, as it was
> >> not a very inspired evening for me)
> >
> > __________________________________________________
> > Do You Yahoo!?
> > Tired of spam?  Yahoo! Mail has the best spam
> protection around
> > http://mail.yahoo.com
> >
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Tue Jun 20 23:25:03 2006
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Date: Tue, 20 Jun 2006 16:24:50 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Hiromi
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True, and I can't believe they were so skimpy on the
dry ice.

--- Per Boysen <perboysen@gmail.com> wrote:

> On 20 jun 2006, at 19.36, mark sottilaro wrote:
> 
> > I could play like that, I just don't want to.  Er,
> I
> > mean I could get my hair that big.  Maybe.
> 
> Interesting comment, Mark. But don't you think she
> was a bit lame on  
> that video? I mean, she didn't even stab the
> keyboard with a huge  
> knife!!!!
> 
> Greetings from Sweden
> 
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
> 
> 
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam
protection around 
http://mail.yahoo.com 

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Wed Jun 21 03:23:26 2006
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Subject: electr-ohm-streaming playlist 21st June 06
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Hello,

electr-ohm-streaming playlist 21st June 06

=============================

<< Special Program "OFFICIAL BOOTLEG" >>

  Noize Creator (Suburban Trash Industries) Japan Tour 2006

  Live at Noon,Osaka 1st May 2006 (47:25)

  Live at Big Apple,Kobe 5th May 2006 (54:09)

  Live at Canolfan,Nagoya 6th May 2006 (27:01)

  Live at Otoya,Kobe 7th May 2006 (37:30)

=============================

please visit to:

http://www.myspace.com/electrohm

and click which is your player's logo, iTunes or Real One Player.


Playlist will change on every Wednesday.
All tracks will play by shuffle.
7D/24H streaming from Kobe,Japan.

=============================

electr-ohm
electronic music label & distribution
http://www.electr-ohm.com



  Thanks

  Sunao

From Loopers-Delight-request@loopers-delight.com  Wed Jun 21 03:45:18 2006
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Date: Tue, 20 Jun 2006 22:45:39 -0500 (CDT)
Subject: Re: Hiromi
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I agree... I really enjoyed the clip.  I did almost lose it a little way
in, but then they totally took off in another direction...  I guess it's
not popular to think so, but I thought it was genius!  The bassist is
amazing.

--Josh



> I haven't watched the clip, so I'm not sure- but are you guys kidding?
>
> Hiromi is amazingly talented.
>
>
>
>
>              mech <mech@m3ch.net>              To:
> Loopers-Delight@loopers-delight.com
>              06/20/2006 02:10 PM               cc:
>              Please respond to                 Subject:  Re: Hiromi
>              Loopers-Delight
>
>
>
>
>
> Only twice?  I would think the relationship should be exponential.
> That would be 4x the suckage.
>
> Or, since we're talking reincarnation, shouldn't we take into account
> how much they sucked during their past lives too...?
>
> ;)
>              --m.
>
>
> At 10:36 AM -0700 6/20/06, Paul Richards wrote:
>>She should get together with Kitaro for twice the amount of sucking.
>>--
>>Paul Richards
>>
>>---- johnsrude@peak.org wrote:
>>>  Haven't you always wanted to be a sexy Japanese lead keyboard
>>>virtuoso heading
>>>  her own fusion power trio?
>>>
>>>  Haven't you always wanted to be Hiromi?
>>>  http://www.youtube.com/watch?v=okWg_6mhxWY
>>>
>>>  Maybe in my next incarnation...if I'm good.
>>>
>>>  Cheers,
>>>  Kevin
>>>  www.TheNettles.com
>>>
>>>
>>>
>
>
>
>
>
> ---------------------------------------------------------------------------
> This e-mail message (including attachments, if any) is intended for the
> use
> of the individual or entity to which it is addressed and may contain
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>

From Loopers-Delight-request@loopers-delight.com  Wed Jun 21 03:46:51 2006
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	boisemusicians@yahoogroups.com
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Any takers? It's a beauty.

http://www.krispenhartung.com/mark-I.htm

Kris



From Loopers-Delight-request@loopers-delight.com  Wed Jun 21 04:15:07 2006
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Date: Tue, 20 Jun 2006 23:15:29 -0500 (CDT)
Subject: Re: FOR SALE: Mesa Boogie Mark I Combo Amp
From: "Joshua Carroll" <josh@infinivert.com>
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[Drools...] If only I had money!

--Josh



> Any takers? It's a beauty.
>
> http://www.krispenhartung.com/mark-I.htm
>
> Kris
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Jun 21 04:19:09 2006
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From: =?ISO-8859-1?Q?tEd_=AE_kiLLiAn?= <tedkillian@charter.net>
Subject: Re: FOR SALE: Mesa Boogie Mark I Combo Amp
Date: Tue, 20 Jun 2006 21:19:00 -0700
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Kris,

'Tis a beaut indeed. But a tad rich for my meager means.
I am mildly interested in your Lexicon half-space processors
you mentioned on the list the other day however.

Given I'm a Mac guy, the software isn't a factor for me.
But a really good processor (or two) with some new
creative potential sounds attractive.

Anything more you care to say about them?

Ted


On Jun 20, 2006, at 8:46 PM, Krispen Hartung wrote:

> Any takers? It's a beauty.
>
> http://www.krispenhartung.com/mark-I.htm
>
> Kris
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Jun 21 04:36:02 2006
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Subject: Re: FOR SALE: Mesa Boogie Mark I Combo Amp
Date: Tue, 20 Jun 2006 22:35:56 -0600
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Yeah, I thought the target market for my boogie would be fairly slim.  I'd 
be willing to make a trade if someone had the right gear.  I love the amp 
and the tone is spectacular, but it's a bit overkill and heavy for me (I 
have a bad back, had surgury last Dec, etc).  I use the boogie just for my 
monday night traditional jazz gig. I'm thinking of gettting a Roland Cube 30 
because it is only 20 pounds and smaller, plus it has a lot of 
effects...anybody have one?

My lexicon LXP1 and LXP5.  The LXP1 is primarily for delay, chorus, and 
reverb. I had been using it for reverb...it really does have nice verb, and 
the chorus is lush as well.  The LXP5 is more like a a multi-effects box. It 
is a bit challenging to program, however. If someone has the patience to get 
inside the menu tree, or uses the MIDIQuest software, then you can get some 
interesting sounds out of it. It's not an Eventide or TC Electronics 
Fireworx by any means, but still a powerful little effects box.

I'm actually considering selling my two Boss VF-1 units as well.....need to 
give that more thought, however, as I'm in love with those little red boxes. 
:)

Kris




----- Original Message ----- 
From: "tEd ® kiLLiAn" <tedkillian@charter.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, June 20, 2006 10:19 PM
Subject: Re: FOR SALE: Mesa Boogie Mark I Combo Amp


> Kris,
>
> 'Tis a beaut indeed. But a tad rich for my meager means.
> I am mildly interested in your Lexicon half-space processors
> you mentioned on the list the other day however.
>
> Given I'm a Mac guy, the software isn't a factor for me.
> But a really good processor (or two) with some new
> creative potential sounds attractive.
>
> Anything more you care to say about them?
>
> Ted
>
>
> On Jun 20, 2006, at 8:46 PM, Krispen Hartung wrote:
>
>> Any takers? It's a beauty.
>>
>> http://www.krispenhartung.com/mark-I.htm
>>
>> Kris
>>
>>
>
> 


From Loopers-Delight-request@loopers-delight.com  Wed Jun 21 04:48:09 2006
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From: "Tony K" <bigtony@softhome.net>
To: Loopers-Delight@loopers-delight.com
Subject: OT: NEARFest
Date: Wed, 21 Jun 2006 00:48:08 -0400
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Just a quick note, if anybody on the list is going to the NEARFest festival
in Bethlehem this weekend (besides Bill Fox, I know about you. ;) ), I'll be
there all weekend if you want to get together.

 

Drop me a line,

 

Tony


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<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Just a quick note, if anybody on =
the list
is going to the NEARFest festival in <st1:City w:st=3D"on"><st1:place =
w:st=3D"on">Bethlehem</st1:place></st1:City>
this weekend (besides Bill Fox, I know about you. ;) ), I&#8217;ll be =
there all
weekend if you want to get together.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

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<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
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From Loopers-Delight-request@loopers-delight.com  Wed Jun 21 04:48:09 2006
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	Loopers-Delight@loopers-delight.com
Subject: RE: Adrenalinn (was beatsync filters) 
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>My only gripe with it would be that the programming is made somewhat more
difficult
>by the limited interface -- only a small LED readout and a very few buttons
and 



 

You do realize that there is free programming software for the Adrenalinn,
right?

 

I have one too and I love the bugger.  Some of the NINJAM songs I did  with
Kris were done with it.  

 

The new M-Audio Black Box does much of the same things the Adrenalinn does -
since Roger helped design it.

 

I'll also put a good word in for the ModFX toys if you can find them.  I
have 6 of them and they are very cool.  Get them if you can!

 

Tony

 

  _____  

From: tEd R kiLLiAn [mailto:tedkillian@charter.net] 
Sent: Tuesday, June 20, 2006 10:51 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: beatsync filters

 

Hi all,

I figured I'd jump Into this discussion sooner or later but I kept putting
it off.

I have an Adrenalinn II (actually it's an Adrenalinn I with the software
upgrade
to the ll's identical functionality). I have it in my smaller rig and have
been quite
impressed with Roger Linn's genius for all that it does. It's pretty darn
small 
and there's an awful lot packed in there. I bought it from a fellow looper
on
this list for a very reasonable price a year or two ago and have been most
happy. 
My only gripe with it would be that the programming is made somewhat more
difficult
by the limited interface -- only a small LED readout and a very few buttons
and 
knobs that each control multiple functions and parameters at different
times.
I'm not a programming genius and get discouraged when faced with knobs
and buttons that have half a dozen possible uses each that you have to 
remember. But, I suppose that's how they made it all affordable.

How I've been using it -- I run a second guitar signal path from the "tuner"
out
of my main Ernie Ball Volume pedal to another EB volume pedal which feeds
the
Adrenalinn II. Downstream from the Adrenalinn is an Alesis Bitrman and an
Ineko
and the stereo output of all that goes to an AUX in on my amp. This way I
can 
can have either one (looping or Adrenalized) or both guitar signal paths
going 
whenever I want. The Bitrman and Ineko do some really sick, sick, sick
things
to the output of the already pretty whacky Adrenalinn. And, with their knobs
and buttons I get some extra control and tweakage over the Adrenalinn's 
output in a live setting that would ordinarily not be feasible.

I wish I had some MP3s to share of this. Well, actually I used it a tiny bit
at last
year's Y2K5 fest. So, somewhere in the online recordings of that is burried
just
a taste of what I'm talking about. However, you'd have to listen to several
minutes
of me doing other things (struggling actually -- unsuccessfully, I'm afraid,
as it was 
not a very inspired evening for me) before I get around to playing with the
Linn 
device at all. Use your imagination. It's a lot of fun. And, I simply keep
the two 
signal paths (looping and Adrenalized) synced by setting them up with
similar
BPM settings. It works pretty well, better than I imagined it would.

Cheers,

tEd R kiLLiAn

On Jun 19, 2006, at 9:32 PM, Candc Hoffman/Traxler wrote:

I've been seriously wanting an Adrenalinn II for the very same reasons you
are after and the website has a lot of good sound samples. I've tried to get
the same effect by recording control changes on my XL-7 and running them to
my Digitech GNX-3 and it works but its a time consuming endeavor and too
much stuff to hook up for every gig. So I think that the Adrenalinn II is a
good combo unit with a small footprint.  I just need to sell something
before I justify buying another item.  Ha!


"Different is not always better, but better is always different"

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=2845073
http://www.netmusic.com/web/album.aspx?a_id=CBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=view_profile&id=121
197000042

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???


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<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>&gt;My only gripe with it would be that the programming is made
somewhat more difficult<br>
&gt;by the limited interface -- only a small LED readout and a very few =
buttons
and <br>
<br>
</span></font><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial;color:navy'><o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>You do realize that there is free =
programming
software for the Adrenalinn, right?<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>I have one too and I love the =
bugger.&nbsp;
Some of the NINJAM songs I did &nbsp;with Kris were done with it.&nbsp; =
<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>The new M-Audio Black Box does much =
of the
same things the Adrenalinn does &#8211; since Roger helped design =
it.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>I&#8217;ll also put a good word in =
for the
ModFX toys if you can find them.&nbsp; I have 6 of them and they are =
very cool.&nbsp; Get
them if you can!<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Tony<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<div>

<div class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><font =
size=3D3
face=3D"Times New Roman"><span style=3D'font-size:12.0pt'>

<hr size=3D2 width=3D"100%" align=3Dcenter tabindex=3D-1>

</span></font></div>

<p class=3DMsoNormal><b><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma;font-weight:bold'>From:</span></font></b><font =
size=3D2
face=3DTahoma><span style=3D'font-size:10.0pt;font-family:Tahoma'> tEd =
&reg; kiLLiAn
[mailto:tedkillian@charter.net] <br>
<b><span style=3D'font-weight:bold'>Sent:</span></b> Tuesday, June 20, =
2006 10:51
AM<br>
<b><span style=3D'font-weight:bold'>To:</span></b>
Loopers-Delight@loopers-delight.com<br>
<b><span style=3D'font-weight:bold'>Subject:</span></b> Re: beatsync =
filters</span></font><o:p></o:p></p>

</div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'><font size=3D3
face=3D"Times New Roman"><span style=3D'font-size:12.0pt'>Hi all,<br>
<br>
I figured I'd jump Into this discussion sooner or later but I kept =
putting it
off.<br>
<br>
I have an Adrenalinn II (actually it's an Adrenalinn I with the software
upgrade<br>
to the ll's identical functionality). I have it in my smaller rig and =
have been
quite<br>
impressed with Roger Linn's genius for all that it does. It's pretty =
darn small
<br>
and there's an awful lot packed in there. I bought it from a fellow =
looper on<br>
this list for a very reasonable price a year or two ago and have been =
most
happy. <br>
My only gripe with it would be that the programming is made somewhat =
more
difficult<br>
by the limited interface -- only a small LED readout and a very few =
buttons and
<br>
knobs that each control multiple functions and parameters at different =
times.<br>
I'm not a programming genius and get discouraged when faced with =
knobs<br>
and buttons that have half a dozen possible uses each that you have to =
<br>
remember. But, I suppose that's how they made it all affordable.<br>
<br>
How I've been using it -- I run a second guitar signal path from the
&quot;tuner&quot; out<br>
of my main Ernie Ball Volume pedal to another EB volume pedal which =
feeds the<br>
Adrenalinn II. Downstream from the Adrenalinn is an Alesis Bitrman and =
an Ineko<br>
and the stereo output of all that goes to an AUX in on my amp. This way =
I can <br>
can have either one (looping or Adrenalized) or both guitar signal paths =
going <br>
whenever I want. The Bitrman and Ineko do some really sick, sick, sick =
things<br>
to the output of the already pretty whacky Adrenalinn. And, with their =
knobs<br>
and buttons I get some extra control and tweakage over the Adrenalinn's =
<br>
output in a live setting that would ordinarily not be feasible.<br>
<br>
I wish I had some MP3s to share of this. Well, actually I used it a tiny =
bit at
last<br>
year's Y2K5 fest. So, somewhere in the online recordings of that is =
burried
just<br>
a taste of what I'm talking about. However, you'd have to listen to =
several
minutes<br>
of me doing other things (struggling actually -- unsuccessfully, I'm =
afraid, as
it was <br>
not a very inspired evening for me) before I get around to playing with =
the
Linn <br>
device at all. Use your imagination. It's a lot of fun. And, I simply =
keep the
two <br>
signal paths (looping and Adrenalized) synced by setting them up with =
similar<br>
BPM settings. It works pretty well, better than I imagined it would.<br>
<br>
Cheers,<br>
<br>
tEd &reg; kiLLiAn<br>
<br>
On Jun 19, 2006, at 9:32 PM, Candc Hoffman/Traxler =
wrote:<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>I've been seriously wanting an Adrenalinn II for the very same =
reasons
you are after and the website has a lot of good sound samples. I've =
tried to
get the same effect by&nbsp;recording control changes on my XL-7 and =
running them
to my Digitech GNX-3 and it works but its a time consuming endeavor and
too&nbsp;much stuff to hook up for&nbsp;every gig. So I think that the
Adrenalinn II is a good combo unit with a small footprint.&nbsp; I just =
need to
sell something before I justify buying another item.&nbsp; =
Ha!<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><br>
<?color><?param 8080,8080,8080>&quot;Different is not always better, but =
better
is always different&quot;<br>
<br>
http://www.pfmentum.com/flux.html<br>
http://www.CDbaby.com/cd/tedkillian<br>
http://www.guitar9.com/fluxaeterna.html<br>
http://www.garageband.com/artist/ArsOcarina<br>
http://www.towerrecords.com/product.aspx?pfid=3D2845073<br>
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314<br>
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193<br>
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&a=
mp;id=3D121197000042<br>
<br>
Ted Killian's &quot;Flux Aeterna&quot; is also available at: Apple =
iTunes,<br>
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,<br>
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,<br>
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,<br>
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. =
So???<o:p></o:p></span></font></p>

<?/color></div>

</body>

</html>

------=_NextPart_000_00A5_01C694CC.5E34DDC0--

From Loopers-Delight-request@loopers-delight.com  Wed Jun 21 06:03:30 2006
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Date: Tue, 20 Jun 2006 23:02:52 -0700
To: Loopers-Delight@loopers-delight.com
From: Kim Flint <kflint@loopers-delight.com>
Subject: Re: Hey y'all... Todd Reynolds in Oakland
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At 10:41 AM 6/19/2006, Todd Reynolds wrote:
>Anyway, I'll be in Oakland from the 19th to 24th and will be looping at 
>the Garden of Memory concert at the Chapel of the Chimes on Wednesday, the 
>21st of June from 5-9, intermittently.
>
>Terry Riley and I will also be doing a little playing together, just a 
>little improvisation time for the two of us during that same concert.  So 
>if you're in oakland, give a shout, and/or come by the concert and say 
>hi.  I enjoy very much meeting people from the list whenever it happens.

Hey Todd, that's great! I hope to see you there.

For the rest of you, Garden of Memory is one of the most remarkable music 
events to happen in the Bay Area all year. If you are anywhere remotely 
close to Oakland, you should go. Nothing else you are doing Wednesday is 
that important. It is held in Chapel of the Chimes, an amazing and huge 
Julia Morgan designed Columbarium. On this evening, spread throughout the 
halls and rooms and nooks and crannies, you will discover numerous unique 
musicians expressing their take on the place and the experience. 
Reflective, thoughtful, and inspiring.

http://www.gardenofmemory.com/

 From a looper perspective, some of the best will be performing, including:
Paul Dresher
Amy X Neuburg
Pamela Z
Terry Riley
and of course Todd!
and probably others who I don't know yet.

Every year I experience something remarkable at this event. Go!

kim


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com  

From Loopers-Delight-request@loopers-delight.com  Wed Jun 21 06:24:04 2006
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Subject: Re: Hiromi
Date: Wed, 21 Jun 2006 06:24:01 +0000
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I'm with you!  The talent is clearly there.  Hardly fair to throw her on the same compost heap as Kitaro, in any case.

Way easier on the eyes than Emerson, to be sure.  I'm not sure she shouldn't try adopting the whips and knives, though. . .   :-)


 -------------- Original message ----------------------
From: "Joshua Carroll" <josh@infinivert.com>
> I agree... I really enjoyed the clip.  I did almost lose it a little way
> in, but then they totally took off in another direction...  I guess it's
> not popular to think so, but I thought it was genius!  The bassist is
> amazing.
> 
> --Josh



From Loopers-Delight-request@loopers-delight.com  Wed Jun 21 06:49:12 2006
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Date: Wed, 21 Jun 2006 01:49:08 -0500
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At 2:58 PM -0400 6/20/06, Todd Pafford wrote:
>Let me know how it goes.  I've got a Vortex too and would love to play
>with one of these.

Well, no promises that it will work.  But for merely the cost of a 
good lunch, I figured it was worth the gamble.  ;)

I'll definitely put it through the paces though, and report back any 
results once the little bugger gets here.

	--m.
-- 
_______
"Behind every fear lies a wish, don't you think...?"

From Loopers-Delight-request@loopers-delight.com  Wed Jun 21 06:49:54 2006
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At 8:31 PM +0000 6/20/06, Weg wrote:
>Wow I love this kind of effect.  I had to order one!  Looks like fun 
>and I just got my first vortex too!

Those were my thoughts exactly, the minute I saw it.  Now I'm doing a 
mental re-cataloging of every effect pedal I've got that might work 
well with it -- especially after seeing the video where Devi is 
triggering the Z-Vex Fuzz Factory into self-oscillation and using it 
like a Theremin.

Dunno if my Z-Vex Machine pedal will go into self-oscillation like 
that, for instance, but I'm fairly confident my Torn's Peaker is 
gonna have a lot of fun with the PEEP.

	--m.
-- 
_______
"The future: everyone is housed, clothed, and fed, because everyone 
is in jail."

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Date: Wed, 21 Jun 2006 01:50:35 -0500
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Subject: Re: ELP (was: Hiromi)
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At 11:44 AM -0700 6/20/06, Paul Richards wrote:
>
>(I also tossed most of my ELP records out quite some time ago, however)
>
>For me, ELP hasn't held up over time. I've tried listening to their 
>work more than once the past few years, and while some of their 
>stuff is still good, much is overblown, mile-a-minute aimless 
>noodling (as opposed to direction'ed noodling).

Ditto here.  I still vaguely recall a few memorable lines from Tarkus 
or Brain Salad Surgery (Karn Evil 9?).  I was a fan back when I was 
in high school, and used to routinely get into such typical juvenile 
"discussions" about who was the world's greatest rock keyboardist, 
Emerson or Wakeman (um, yeah -- high school...).  Just for the sake 
of nostalgia, I trot those records back out every few years to see if 
there's still anything there.  No luck yet.  :P

Although I'd like to believe that Emerson has to have had a sense of 
humor in there somewhere (oh come on now: a guy dressed in white 
spandex with a cape riding a flaming Hammond B3 twirling in mid-air? 
that's so absurdly overblown it's almost worthy of Zappa, George 
Clinton, or Liberace).  But once you combine that amount of theatre 
with Carl Palmer's pomposity and Greg Lake's HUGELY overblown ego, 
the whole thing just cooks up a recipe for carsickness.  Ugh!

	--m.
-- 
_______
"Snakes, as the great philosophers used to say, on a motherfucking plane...."

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Subject: OT: Hiromi - 
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Folks wrote:
| <stuff>

We-elllll...
Hiromi's the most technically accomplished jazz pianist since Oscar 
Peterson and she plays faster (and cleaner) than Art Tatum. When she 
was 17 she jammed with Chick Corea.  And she's the number one jazz 
artist in Japan.  Here's her doing straight jazz piano:
ftp://telmedia.telarc.com/telarc/83600/Radio/83600-DesertMoon-128.mp3

About her influences:
"I love Bach, I love Oscar Peterson, I love Franz Liszt, I love Ahmad 
Jamal," she says. "I also love people like Sly and the Family Stone, 
Dream Theatre and King Crimson. Also, I'm so much inspired by sports 
players like Carl Lewis and Michael Jordan. Basically, I'm inspired 
by anyone who has big, big energy. They really come straight to my heart."

That Kung-Fu World Champion piece is just a little karate kata of the 
keys, if you will.  If you play keys you know that you couldn't play 
that.  Ever.

Her English website is at:
http://www.hiromimusic.com

I just found out about her a couple of days ago but she's definitely 
someone to keep track of.  Someone with that much skill, enthusiasm 
and openness doesn't come around more than a couple of times a century.

Cheers,
Kevin

The Nettles: Progressive and Exciting Celtic Music
www.TheNettles.com

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Come on you guys,  admit it.

It's really the bass players fuzzy sweater that you all have your panties in 
a bunch over! 

From Loopers-Delight-request@loopers-delight.com  Wed Jun 21 09:54:43 2006
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Subject: Cooking a song
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Hi,

does anyone know people/artists who perform solo, "recycling"
themselves like live-loopers, but who use other compositorial techniques?
so not "building up" loop on loop, but for example playing back a little
melody that was played 3 minutes ago, on a different tempo, so it just fits
with the rythm played 5 minutes ago while the vocals are played backward
again... in this way "cooking" a song. Get the point?
I don't mean "electronic" composers, performers who use an acoustic source
for creating all kinds of sounds: it's really about creating rythm&melody by
(processed) repeating, with or without using prerecorded material.

I've been experimenting with it myself (with some acoustic instruments &
Max/MSP), but can't really find people doing the same thing... (only one guy
in america, too bad i can't contact him...)?
But there must be more people doing this thing! If anyone knows someone it
would be a great help! (trying to write my thesis about this)

thanks
Thomas

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<div>Hi,</div>
<div>&nbsp;</div>
<div>does anyone know people/artists who perform solo, &quot;recycling&quot; themselves&nbsp;like live-loopers, but who use other compositorial techniques? </div>
<div>so&nbsp;not&nbsp;&quot;building up&quot;&nbsp;loop&nbsp;on loop, but&nbsp;for&nbsp;example&nbsp;playing back&nbsp;a&nbsp;little melody&nbsp;that was played&nbsp;3 minutes ago, on a different tempo, so it just fits with the rythm played 5 minutes ago while the vocals are&nbsp;played backward again...&nbsp;in this way &quot;cooking&quot; a song. Get the point? 
</div>
<div>I don't mean&nbsp;&quot;electronic&quot;&nbsp;composers, performers who use an acoustic source for creating all kinds of sounds: it's really about creating rythm&amp;melody by (processed) repeating, with or without using prerecorded material.
</div>
<div>&nbsp;</div>
<div>I've been experimenting with it myself (with&nbsp;some acoustic&nbsp;instruments&nbsp;&amp; Max/MSP), but can't really find people doing the same thing... (only one guy in america,&nbsp;too bad i can't contact him...)?</div>
<div>But there must be more people doing this thing! If anyone knows someone it would be a great help! (trying to write my thesis about this)</div>
<div>&nbsp;</div>
<div>thanks</div>
<div>Thomas</div>

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From Loopers-Delight-request@loopers-delight.com  Wed Jun 21 10:00:21 2006
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Subject: Re: Hiromi
Date: Wed, 21 Jun 2006 11:00:07 +0100
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The bassist has an Ed Wood thing goin' on... :)


>I agree... I really enjoyed the clip.  I did almost lose it a little way
> in, but then they totally took off in another direction...  I guess it's
> not popular to think so, but I thought it was genius!  The bassist is
> amazing.
>
> --Josh
>
>
>
>> I haven't watched the clip, so I'm not sure- but are you guys kidding?
>>
>> Hiromi is amazingly talented.
>>
>>
>>
>>
>>              mech <mech@m3ch.net>              To:
>> Loopers-Delight@loopers-delight.com
>>              06/20/2006 02:10 PM               cc:
>>              Please respond to                 Subject:  Re: Hiromi
>>              Loopers-Delight
>>
>>
>>
>>
>>
>> Only twice?  I would think the relationship should be exponential.
>> That would be 4x the suckage.
>>
>> Or, since we're talking reincarnation, shouldn't we take into account
>> how much they sucked during their past lives too...?
>>
>> ;)
>>              --m.
>>
>>
>> At 10:36 AM -0700 6/20/06, Paul Richards wrote:
>>>She should get together with Kitaro for twice the amount of sucking.
>>>--
>>>Paul Richards
>>>
>>>---- johnsrude@peak.org wrote:
>>>>  Haven't you always wanted to be a sexy Japanese lead keyboard
>>>>virtuoso heading
>>>>  her own fusion power trio?
>>>>
>>>>  Haven't you always wanted to be Hiromi?
>>>>  http://www.youtube.com/watch?v=okWg_6mhxWY
>>>>
>>>>  Maybe in my next incarnation...if I'm good.
>>>>
>>>>  Cheers,
>>>>  Kevin
>>>>  www.TheNettles.com
>>>>
>>>>
>>>>
>>
>>
>>
>>
>>
>> ---------------------------------------------------------------------------
>> This e-mail message (including attachments, if any) is intended for the
>> use
>> of the individual or entity to which it is addressed and may contain
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>
>
>
>
> 

From Loopers-Delight-request@loopers-delight.com  Wed Jun 21 10:24:55 2006
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Subject: Re: ELP (was: Hiromi)
Date: Wed, 21 Jun 2006 11:24:46 +0100
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From: "mech" <mech@m3ch.net>
>
> At 11:44 AM -0700 6/20/06, Paul Richards wrote:
>>
>>(I also tossed most of my ELP records out quite some time ago, however)
>>
>>For me, ELP hasn't held up over time. I've tried listening to their work 
>>more than once the past few years, and while some of their stuff is still 
>>good, much is overblown, mile-a-minute aimless noodling (as opposed to 
>>direction'ed noodling).
>
> Ditto here.  I still vaguely recall a few memorable lines from Tarkus or 
> Brain Salad Surgery (Karn Evil 9?).  I was a fan back when I was in high 
> school, and used to routinely get into such typical juvenile "discussions" 
> about who was the world's greatest rock keyboardist, Emerson or Wakeman 
> (um, yeah -- high school...).  Just for the sake of nostalgia, I trot 
> those records back out every few years to see if there's still anything 
> there.  No luck yet.  :P
>
> Although I'd like to believe that Emerson has to have had a sense of humor 
> in there somewhere (oh come on now: a guy dressed in white spandex with a 
> cape riding a flaming Hammond B3 twirling in mid-air? that's so absurdly 
> overblown it's almost worthy of Zappa, George Clinton, or Liberace).  But 
> once you combine that amount of theatre with Carl Palmer's pomposity and 
> Greg Lake's HUGELY overblown ego, the whole thing just cooks up a recipe 
> for carsickness.  Ugh!

I never bought "Tarkus" for two reasons: The cover art was the kind of thing 
I saw in fellow junior-high students, something done quickly in magic 
marker, ink and colored pencils with a ruler; and the music comes across as 
"look what I can do with a synthesizer, folks!", combined with possibly 
pompous or self-effacing martial themes.

Only two things stick out for me with ELP:

"Pictures at an Exhibition" is one which ELP-haters tend to really hate 
("How dare they present classical" with more than a dash of "What a bunch of 
pretentious c*nts").  This album is pretty much a common point-of-attack for 
anyone who hates "progressive rock".

I LIKED PaaE because I was also listening to the great Tomita at the time 
("Snowflakes are Dancing" is a masterpiece), and was interested in where 
synthesizer music would have a relationship with the classical music world - 
during the same period I remember an article in National Geographic about 
this very thing, which prematurely predicted the idea of entire marching 
bands using synths instead of conventional instruments.  When I eventually 
saw the film that the record provided a soundtrack to, I was really 
disappointed.  But then I hadn't been introduced to certain psychotropics at 
the time as yet. :)

"Brain Salad Surgery" caught me at a point when I was experimenting with 
drawing sci-fi comics.  The imagery in "Karn Evil #9" is quite like that 
depicted in Ellison's "A Boy and his Dog": "Leave your hammers at the box". 
Sinfield at his best I think.  I think this was ELP at their best, and 
everything afterwards is beyond awful ("Love Beach"???  "LOVE BEACH"???  As 
Alice Cooper put it in the live version of "Welcome to My Nightmare", 
"SOMEBODY MAKE IT STOP!!!")

Lastly the theatre aspect shouldn't be ignored.  I was primarily sorry to 
not make ELP's '75 tour because of that great rotating-speaker synth thing 
at the end of "KE9" - I'd heard the Quad 8-track of it, which was probably 
the best mix of the album, no pause between KE9 pts 1 and 2, where there was 
a fade-out on the LP and cassette.  I'd hoped for a more fleshed-out version 
of the three-part piece, but alas!  This mix doesn't seem to have survived 
the transition to digital CDs...

Double-lastly I have not been able to believe the level of hatred the 
British Tabloid/"Music" Magazine industry has for what they call "prog 
rock", but I suspect it's because there's no "Spice Girl" element to it, nor 
scandal to exploit... or their tiny minds can't handle anything the music 
biz doesn't know how to sell for them.

Hm, time for more coffee.

Stephen Goodman
*
* Cartoons about DVDs and Stuff
* http://www.earthlight.net/HiddenTrack
* The Loop Of The Week since 1996!
* http://www.earthlight.net/Studios 

From Loopers-Delight-request@loopers-delight.com  Wed Jun 21 12:01:05 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Cooking a song
Date: Wed, 21 Jun 2006 14:00:49 +0200
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On 21 jun 2006, at 11.54, Thomas Rutgers wrote:

> does anyone know people/artists who perform solo, "recycling"  
> themselves like live-loopers, but who use other compositorial  
> techniques?


My knowledge is that every composer use to "write the same song every  
time", at least according to themselves. And most remix wizards do  
this with audio. Kind of "musical Ready-Mades" (as Marcel Duchamp did  
with sculpture in 1914) as a well known sound or melody phrase takes  
on a new meaning when recalled in a new context  ;-)  I guess you  
could say that would go for most classical composers as well, since  
one of the most important techniques have also been to re-use melodic  
themes with variations to give them a slightly new twist as the piece  
develops.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Wed Jun 21 12:29:57 2006
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Subject: Re: Hiromi
From: Todd Reynolds <toddreyn@gmail.com>
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Sh*t.=20

That's not fair. You psychic rick?

T.


On 6/21/06 4:13 AM, "loop.pool" <looppool@cruzio.com> wrote:

> Come on you guys,  admit it.
>=20
> It's really the bass players fuzzy sweater that you all have your panties=
 in
> a bunch over!=20
>=20

---------------------------------------------------------------------------=
-
-----
=B3Virtue is just repression waiting to go bad=B2 - Trevor Exter

=B3Classical music is related to the past more than it is related to the
creative part of sound=B2 - Ornette Coleman
---------------------------------------------------------------------------=
-
------=20
Todd Reynolds
42-09 47th Ave 1C
Sunnyside, NY  11104
=20
Ph.    718 392-3773
Mob.   917 576-6166
Fax    419 781-5502
=20
http://www.toddreynolds.com


todd@toddreynolds.com
9175766166@vtext.com (155 characters or less)
AIM ID: toddreyn




From Loopers-Delight-request@loopers-delight.com  Wed Jun 21 12:44:18 2006
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And his cap!


I was wondering about the sweater. Must be a cold-blooded dude.

Paul
--
Paul Richards

---- "loop.pool" <looppool@cruzio.com> wrote: 
> Come on you guys,  admit it.
> 
> It's really the bass players fuzzy sweater that you all have your panties in 
> a bunch over! 
> 

From Loopers-Delight-request@loopers-delight.com  Wed Jun 21 12:46:09 2006
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"genius'??

Watching that video made me want to go out and tour. If that crew can play live to an audience....
--
Paul Richards

---- Stephen Goodman <spgoodman@earthlight.net> wrote: 
> The bassist has an Ed Wood thing goin' on... :)
> 
> 
> >I agree... I really enjoyed the clip.  I did almost lose it a little way
> > in, but then they totally took off in another direction...  I guess it's
> > not popular to think so, but I thought it was genius!  The bassist is
> > amazing.
> >
> > --Josh
> >
> >
> >
> >> I haven't watched the clip, so I'm not sure- but are you guys kidding?
> >>
> >> Hiromi is amazingly talented.
> >>
> >>
> >>
> >>
> >>              mech <mech@m3ch.net>              To:
> >> Loopers-Delight@loopers-delight.com
> >>              06/20/2006 02:10 PM               cc:
> >>              Please respond to                 Subject:  Re: Hiromi
> >>              Loopers-Delight
> >>
> >>
> >>
> >>
> >>
> >> Only twice?  I would think the relationship should be exponential.
> >> That would be 4x the suckage.
> >>
> >> Or, since we're talking reincarnation, shouldn't we take into account
> >> how much they sucked during their past lives too...?
> >>
> >> ;)
> >>              --m.
> >>
> >>
> >> At 10:36 AM -0700 6/20/06, Paul Richards wrote:
> >>>She should get together with Kitaro for twice the amount of sucking.
> >>>--
> >>>Paul Richards
> >>>
> >>>---- johnsrude@peak.org wrote:
> >>>>  Haven't you always wanted to be a sexy Japanese lead keyboard
> >>>>virtuoso heading
> >>>>  her own fusion power trio?
> >>>>
> >>>>  Haven't you always wanted to be Hiromi?
> >>>>  http://www.youtube.com/watch?v=okWg_6mhxWY
> >>>>
> >>>>  Maybe in my next incarnation...if I'm good.
> >>>>
> >>>>  Cheers,
> >>>>  Kevin
> >>>>  www.TheNettles.com
> >>>>
> >>>>
> >>>>
> >>
> >>
> >>
> >>
> >>
> >> ---------------------------------------------------------------------------
> >> This e-mail message (including attachments, if any) is intended for the
> >> use
> >> of the individual or entity to which it is addressed and may contain
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> >> from
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> >> please notify the sender and erase this e-mail message immediately.
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> >>
> >>
> >
> >
> >
> >
> > 
> 

From Loopers-Delight-request@loopers-delight.com  Wed Jun 21 12:51:06 2006
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Date: Wed, 21 Jun 2006 08:51:11 -0400
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Nah!  It's the hat.

-dm


-----Original Message-----
From: loop.pool [mailto:looppool@cruzio.com]
Sent: Wednesday, June 21, 2006 4:13 AM


Come on you guys,  admit it.

It's really the bass players fuzzy sweater that you all have your panties in
a bunch over!

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From Loopers-Delight-request@loopers-delight.com  Wed Jun 21 13:12:20 2006
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Date: Wed, 21 Jun 2006 09:10:35 -0400
From: Douglas Baldwin <coyotelk@optonline.net>
Subject: Re: Ganglion
To: "L.A. Angulo" <labaloops@yahoo.com>,
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It felt 100% better after the surgery - full movement of the joint returned.
And the tiny numb spot is barely noticable - it's about 1/4 of the knuckle
surface, and I have to rub my finger over it to feel it at all.
-dB


From: "L.A. Angulo" <labaloops@yahoo.com>

> just curious do u regret doing the surgery or has it
> affected your playing or your hand effectiveness in
> anyway?
> Luis
>
> --- Douglas Baldwin <coyotelk@optonline.net> wrote:
>
> > Just to add to the ganglion survey: I had one on the
> > outer knuckle of my
> > left (fretting) hand middle finger, about the size
> > of a small pea (and isn't
> > it funny how tumors and growths are so often
> > compared to fruits and
> > vegetables?). This was way back in the early 1970s,
> > when I was in my early
> > twenties. My family doc advised me to leave it
> > alone, but it really
> > interfered with my guitar playing - really hurt when
> > I bent the finger. So
> > he did the surgery, and afterwards I was left with a
> > tiny numb spot on my
> > knuckle and no ganglion ever again.
> > Douglas Baldwin, coyote-at-large
> > www.thecoyote.org
> > coyotelk@optonline.net
> >
> > "The music business is a cruel and shallow money
> > trench, a long plastic
> > hallway where pimps and thieves run free and good
> > men die like dogs. There's
> > also a negative side."
> > --- Hunter S. Thompson
> >
> >
>
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
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From Loopers-Delight-request@loopers-delight.com  Wed Jun 21 13:24:19 2006
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Subject: more loopy sax
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Hi ya'll,

I have another sax & boomerang piece up for your (I hope) 
enjoyment. This one is an arrangement of The Meter's 
classic  "Just Kissed My Baby". 

Here 'tis...

http://www.freeimprovisation.com/JustKissedMyBaby.mp3


Tom

From Loopers-Delight-request@loopers-delight.com  Wed Jun 21 13:43:38 2006
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From: goddard.duncan@mtvne.com
To: Loopers-Delight@loopers-delight.com
Subject: RE: Hiromi
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>>This is the only clip I've seen of her work, though, so maybe other 
examples are better.  The best parts of this video sound like a pale 
tip-of-the-hat to Keith Emerson's "Tarkus".  I also tossed most of my 
ELP records out quite some time ago, however.  As with all matters of 
taste, YMMV....<<

I wasn't going to chip in at all on this one, but now I have to. grrr....

not ELP, but UK spring to mind. the first incarnation, which morphed into
the bruford band w/ dave stewart (not the annie lennox one) allan holdsworth
& jeff berlin. 
here's the difference for me- back then, having chops wasn't nearly enough.
everyone had chops. you had to have something to say aswell (which was a big
enough problem for talented musicians even then, especially instrumental
combos at the dawn of punk/new-wave), & most importantly you had to have a
sense of humour. ELP did. bruford did. Yes didn't, which is probably a lot
to do with why bruford left them (for fripp.... hmmm....)

I'd like to have seen more of this clip, in case it turns out that she & her
cohorts are actually enjoying themselves- the bit I saw, they all looked a
bit serious, & that put me off trying to get the rest of it to appear on my
laptop. I'll try again later.

duncan.


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<P><FONT SIZE=3D2>&gt;&gt;This is the only clip I've seen of her work, thou=
gh, so maybe other </FONT>
<BR><FONT SIZE=3D2>examples are better.&nbsp; The best parts of this video =
sound like a pale </FONT>
<BR><FONT SIZE=3D2>tip-of-the-hat to Keith Emerson's &quot;Tarkus&quot;.&nb=
sp; I also tossed most of my </FONT>
<BR><FONT SIZE=3D2>ELP records out quite some time ago, however.&nbsp; As w=
ith all matters of </FONT>
<BR><FONT SIZE=3D2>taste, YMMV....&lt;&lt;</FONT>
</P>

<P><FONT SIZE=3D2>I wasn't going to chip in at all on this one, but now I h=
ave to. grrr....</FONT>
</P>

<P><FONT SIZE=3D2>not ELP, but UK spring to mind. the first incarnation, wh=
ich morphed into the bruford band w/ dave stewart (not the annie lennox one=
) allan holdsworth &amp; jeff berlin. </FONT></P>

<P><FONT SIZE=3D2>here's the difference for me- back then, having chops was=
n't nearly enough. everyone had chops. you had to have something to say asw=
ell (which was a big enough problem for talented musicians even then, espec=
ially instrumental combos at the dawn of punk/new-wave), &amp; most importa=
ntly you had to have a sense of humour. ELP did. bruford did. Yes didn't, w=
hich is probably a lot to do with why bruford left them (for fripp.... hmmm=
....)</FONT></P>

<P><FONT SIZE=3D2>I'd like to have seen more of this clip, in case it turns=
 out that she &amp; her cohorts are actually enjoying themselves- the bit I=
 saw, they all looked a bit serious, &amp; that put me off trying to get th=
e rest of it to appear on my laptop. I'll try again later.</FONT></P>

<P><FONT SIZE=3D2>duncan.</FONT>
</P>

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From Loopers-Delight-request@loopers-delight.com  Wed Jun 21 14:04:33 2006
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Date: Wed, 21 Jun 2006 7:04:32 -0700
From: Paul Richards <paulrichard10@adelphia.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: OT: Hiromi -
Cc: Kevin <kevin@TheNettles.com>
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Sounds like a female version of Liberace.


--
Paul Richards

---- Kevin <kevin@TheNettles.com> wrote: 
> Folks wrote:
> | <stuff>
> 
> We-elllll...
> Hiromi's the most technically accomplished jazz pianist since Oscar 
> Peterson and she plays faster (and cleaner) than Art Tatum. When she 
> was 17 she jammed with Chick Corea.  And she's the number one jazz 
> artist in Japan.  Here's her doing straight jazz piano:
> ftp://telmedia.telarc.com/telarc/83600/Radio/83600-DesertMoon-128.mp3
> 
> About her influences:
> "I love Bach, I love Oscar Peterson, I love Franz Liszt, I love Ahmad 
> Jamal," she says. "I also love people like Sly and the Family Stone, 
> Dream Theatre and King Crimson. Also, I'm so much inspired by sports 
> players like Carl Lewis and Michael Jordan. Basically, I'm inspired 
> by anyone who has big, big energy. They really come straight to my heart."
> 
> That Kung-Fu World Champion piece is just a little karate kata of the 
> keys, if you will.  If you play keys you know that you couldn't play 
> that.  Ever.
> 
> Her English website is at:
> http://www.hiromimusic.com
> 
> I just found out about her a couple of days ago but she's definitely 
> someone to keep track of.  Someone with that much skill, enthusiasm 
> and openness doesn't come around more than a couple of times a century.
> 
> Cheers,
> Kevin
> 
> The Nettles: Progressive and Exciting Celtic Music
> www.TheNettles.com
> 

From Loopers-Delight-request@loopers-delight.com  Wed Jun 21 14:12:48 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Hiromi
Date: Wed, 21 Jun 2006 16:12:43 +0200
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On 21 jun 2006, at 15.43, goddard.duncan@mtvne.com wrote:

> here's the difference for me- back then, having chops wasn't nearly  
> enough. everyone had chops. you had to have something to say aswell  
> (which was a big enough problem for talented musicians even then,  
> especially instrumental combos at the dawn of punk/new-wave), &  
> most importantly you had to have a sense of humour. ELP did.  
> bruford did


Hear you and see what you mean. That's why I liked Brufords solo  
album "Feels Good To Me" so much. Annette Peacock and Alan Holdsworth  
constantly reinventing the same phrases (voice- et guitar howling) as  
a sort of "discussion" or "game". Also liked music of Yes back then,  
much because of Steve Howes' habbit to play themes from other albums,  
partly concealed as "guitar solos" on new songs, in new tempi and  
keys (still working on learning to like Peter Gabriel's music,  
whenever an occasion comes around. Also liked BrandX a lot more than  
the later Phil Collins 0utlets. Ok, guys - flame on! ;- )

Oh - BTW, one very cool band from those early seventies was called  
Hatfield And The North. Ringing a bell with any of you English Chaps  
on this list? I think the keyboard player has been writing a column  
in one of the Brittish musician magazines for years, but I don't  
remember which one. Have been searching for their album on digital  
web shops but no luck so far.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Wed Jun 21 14:21:37 2006
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    <p0623090bc0be997a3ede@[10.0.1.2]>
Date: Wed, 21 Jun 2006 09:22:01 -0500 (CDT)
Subject: Re: Effector13 PEEP...
From: "Joshua Carroll" <josh@infinivert.com>
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Do you think it would perform drastically differently in sunlight,
stagelight, normal house-light, etc.?

--Josh



> At 8:31 PM +0000 6/20/06, Weg wrote:
>>Wow I love this kind of effect.  I had to order one!  Looks like fun
>>and I just got my first vortex too!
>
> Those were my thoughts exactly, the minute I saw it.  Now I'm doing a
> mental re-cataloging of every effect pedal I've got that might work
> well with it -- especially after seeing the video where Devi is
> triggering the Z-Vex Fuzz Factory into self-oscillation and using it
> like a Theremin.
>
> Dunno if my Z-Vex Machine pedal will go into self-oscillation like
> that, for instance, but I'm fairly confident my Torn's Peaker is
> gonna have a lot of fun with the PEEP.
>
> 	--m.
> --
> _______
> "The future: everyone is housed, clothed, and fed, because everyone
> is in jail."
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Jun 21 14:29:08 2006
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Subject: RE: Hiromi, now Hatfield
Date: Wed, 21 Jun 2006 10:29:05 -0400
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Per-

For Hatfield, whose 1st album is the best of the genre folks have been
discussing (IMHO), try Wayside Music. Better yet, check out the recently
released live "Hatwise Choice", which tops the studio records by
revealing them to be monstrous live, veering from compelling chaos to
the intricate odd-meter counterpoint they did so well. All, of course,
with that sense of wry humor that leavens the chops-fest. Julian Cope
writes about this record on his oft-cited web site, whatever that's
called.

Post- Hatfield Richard Sinclair is very good too, though less overtly
complicated.

Hal Dean


-----Original Message-----
From: Per Boysen [mailto:perboysen@gmail.com]=20
Sent: Wednesday, June 21, 2006 10:13 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Hiromi


On 21 jun 2006, at 15.43, goddard.duncan@mtvne.com wrote:

> here's the difference for me- back then, having chops wasn't nearly
> enough. everyone had chops. you had to have something to say aswell =20
> (which was a big enough problem for talented musicians even then, =20
> especially instrumental combos at the dawn of punk/new-wave), & =20
> most importantly you had to have a sense of humour. ELP did. =20
> bruford did


Hear you and see what you mean. That's why I liked Brufords solo =20
album "Feels Good To Me" so much. Annette Peacock and Alan Holdsworth =20
constantly reinventing the same phrases (voice- et guitar howling) as =20
a sort of "discussion" or "game". Also liked music of Yes back then, =20
much because of Steve Howes' habbit to play themes from other albums, =20
partly concealed as "guitar solos" on new songs, in new tempi and =20
keys (still working on learning to like Peter Gabriel's music, =20
whenever an occasion comes around. Also liked BrandX a lot more than =20
the later Phil Collins 0utlets. Ok, guys - flame on! ;- )

Oh - BTW, one very cool band from those early seventies was called =20
Hatfield And The North. Ringing a bell with any of you English Chaps =20
on this list? I think the keyboard player has been writing a column =20
in one of the Brittish musician magazines for years, but I don't =20
remember which one. Have been searching for their album on digital =20
web shops but no luck so far.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast) http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Wed Jun 21 14:59:25 2006
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Subject: Re: Hiromi
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RE: HiromiI'll be seeing Emerson on Sunday evening.  I'm not counting on =
silver suit or knives in the B3.  Apparently he does travel with a large =
modular though...

I'm  a prog-head and proud of it!  I have all of the ELP albums up to =
but not including "Love Bleah" oh, I mean "Beach"

I sometimes think it's just fashionable to trash prog, but I would =
rather listen to it than most of what's coming out these days.  It is =
interesting to note that there is a very active and very good modern =
prog scene going on. =20

as said before. YMMV.

Tony
  ----- Original Message -----=20
  From: goddard.duncan@mtvne.com=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Wednesday, June 21, 2006 9:43 AM
  Subject: RE: Hiromi


  >>This is the only clip I've seen of her work, though, so maybe other=20
  examples are better.  The best parts of this video sound like a pale=20
  tip-of-the-hat to Keith Emerson's "Tarkus".  I also tossed most of my=20
  ELP records out quite some time ago, however.  As with all matters of=20
  taste, YMMV....<<=20

  I wasn't going to chip in at all on this one, but now I have to. =
grrr....=20

  not ELP, but UK spring to mind. the first incarnation, which morphed =
into the bruford band w/ dave stewart (not the annie lennox one) allan =
holdsworth & jeff berlin.=20

  here's the difference for me- back then, having chops wasn't nearly =
enough. everyone had chops. you had to have something to say aswell =
(which was a big enough problem for talented musicians even then, =
especially instrumental combos at the dawn of punk/new-wave), & most =
importantly you had to have a sense of humour. ELP did. bruford did. Yes =
didn't, which is probably a lot to do with why bruford left them (for =
fripp.... hmmm....)

  I'd like to have seen more of this clip, in case it turns out that she =
& her cohorts are actually enjoying themselves- the bit I saw, they all =
looked a bit serious, & that put me off trying to get the rest of it to =
appear on my laptop. I'll try again later.

  duncan.=20



  =
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD><TITLE>RE: Hiromi</TITLE>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2912" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I'll be seeing Emerson on Sunday =
evening.&nbsp; I'm=20
not counting on silver suit or knives in the B3.&nbsp; Apparently he =
does travel=20
with a large modular though...</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I'm&nbsp; a prog-head and proud of =
it!&nbsp; I have=20
all of the ELP albums up to but not including "Love Bleah" oh, I mean=20
"Beach"</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I sometimes think it's just fashionable =
to trash=20
prog, but I would rather listen to it than most of what's coming out =
these=20
days.&nbsp; It is interesting to note that there is a very active and =
very good=20
modern prog scene going on.&nbsp; </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>as said before. YMMV.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Tony</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dgoddard.duncan@mtvne.com=20
  href=3D"mailto:goddard.duncan@mtvne.com">goddard.duncan@mtvne.com</A> =
</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, June 21, 2006 =
9:43=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RE: Hiromi</DIV>
  <DIV><BR></DIV>
  <P><FONT size=3D2>&gt;&gt;This is the only clip I've seen of her work, =
though,=20
  so maybe other </FONT><BR><FONT size=3D2>examples are better.&nbsp; =
The best=20
  parts of this video sound like a pale </FONT><BR><FONT =
size=3D2>tip-of-the-hat=20
  to Keith Emerson's "Tarkus".&nbsp; I also tossed most of my =
</FONT><BR><FONT=20
  size=3D2>ELP records out quite some time ago, however.&nbsp; As with =
all matters=20
  of </FONT><BR><FONT size=3D2>taste, YMMV....&lt;&lt;</FONT> </P>
  <P><FONT size=3D2>I wasn't going to chip in at all on this one, but =
now I have=20
  to. grrr....</FONT> </P>
  <P><FONT size=3D2>not ELP, but UK spring to mind. the first =
incarnation, which=20
  morphed into the bruford band w/ dave stewart (not the annie lennox =
one) allan=20
  holdsworth &amp; jeff berlin. </FONT></P>
  <P><FONT size=3D2>here's the difference for me- back then, having =
chops wasn't=20
  nearly enough. everyone had chops. you had to have something to say =
aswell=20
  (which was a big enough problem for talented musicians even then, =
especially=20
  instrumental combos at the dawn of punk/new-wave), &amp; most =
importantly you=20
  had to have a sense of humour. ELP did. bruford did. Yes didn't, which =
is=20
  probably a lot to do with why bruford left them (for fripp....=20
  hmmm....)</FONT></P>
  <P><FONT size=3D2>I'd like to have seen more of this clip, in case it =
turns out=20
  that she &amp; her cohorts are actually enjoying themselves- the bit I =
saw,=20
  they all looked a bit serious, &amp; that put me off trying to get the =
rest of=20
  it to appear on my laptop. I'll try again later.</FONT></P>
  <P><FONT size=3D2>duncan.</FONT> </P><CODE><FONT=20
  =
size=3D3><BR><BR>********************************************************=
*******************<BR>CONFIDENTIALITY=20
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ordinary=20
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so=20
  stated.<BR><BR>MTV reserves the right to monitor e-mail communications =

  from<BR>external/internal sources for the purposes of ensuring correct =
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Europe<BR>***************************************************************=
************<BR></BLOCKQUOTE></FONT></CODE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed Jun 21 15:17:20 2006
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Date: Wed, 21 Jun 2006 11:14:41 -0400
From: Dan Ash <Daniel.Ash@Verizon.net>
Subject: Re: ELP (was: Hiromi)
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I saw Emerson and his new band Monday night am pleased to say that they 
were very entertaining - mostly ELP classics and they mined some  very 
cool Nice material.  Several numbers from his guitarist Marc Bonilla and 
newer Emerson compositions.  Bonilla handles all vocals and doubles many 
of the keyboard melodies.  He did an interesting looping and e-bow thing 
which morphed into 'Lucky Man'.  Phil Williams is on Bass and Pete Riley 
on drums.  Riley swings way harder than Palmer ever did.

Aside from his significant accomplishments as a rock act back in the 
day, his style is immediately identifiable and his chops are pretty 
amazing (this despite a reported problem with repetitive stress 
syndrome).  The ELP compositions are a bit long by todays standards, but 
I wonder if part of this is due to our MTV-induced limited attention 
span - there - I said it. 

It's also easy to see why ELP's music was brought up in reaction to the 
Hiromi's video, which featured a selection with a very repetitive song 
structure.  My opinion is that most of the ELP material was much more 
ambitious - and adventurous - than this sample of Hiromi's more 
mechanical groove-oriented riffage.  I have to say that I enjoyed the 
Nice material over the ELP 'hits' - much of the earliest Nice numbers 
are  hilarious (O'List did eventually lose it entirely I think).

Emerson's touring with the full-blown Moog including the ribbon 
controller, and does a bit of duelling with his guitar player.  He'll be 
at the Moogfest at BB King's Thursday night.  Jan Hammer is supposedly 
performing there with (tribute band) Mahavishnu Project, who are amazing. 

Emerson is very animated (for an old geezer) and does really command the 
stage.  His younger comrades are supportive but each adds their own 
stamp to the material.  FWIW, I enjoyed it.

Dan Ash
White Plains, NY


From Loopers-Delight-request@loopers-delight.com  Wed Jun 21 15:23:59 2006
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From: cburke55@comcast.net (Christophe)
To: Loopers-Delight@loopers-delight.com
Subject: Re: Hiromi
Date: Wed, 21 Jun 2006 15:23:56 +0000
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I think the whole prog-bashing trend started as sour grapes on the part of kids who just didn't have the chops to play it.  As I recall, at the same time that prog was declared a dinosaur by these young turks virtuosity in general was poo-pooed just as much.

Not that there wasn't an awful lot of excess (and I spell excess E-L-P) rampant at the time!

Regards from Boston,
Chris


 -------------- Original message ----------------------
From: "Tony K" <bigtony@softhome.net>
> RE: HiromiI'll be seeing Emerson on Sunday evening.  I'm not counting on silver 
> suit or knives in the B3.  Apparently he does travel with a large modular 
> though...
> 
> I'm  a prog-head and proud of it!  I have all of the ELP albums up to but not 
> including "Love Bleah" oh, I mean "Beach"
> 
> I sometimes think it's just fashionable to trash prog, but I would rather listen 
> to it than most of what's coming out these days.  It is interesting to note that 
> there is a very active and very good modern prog scene going on.  
> 
> as said before. YMMV.
> 
> Tony

From Loopers-Delight-request@loopers-delight.com  Wed Jun 21 16:46:22 2006
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From: Richard Sales <richard@glasswing.com>
Subject: Re: Hiromi
Date: Wed, 21 Jun 2006 09:46:06 -0700
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Did any of you ever hear the prog band Happy The Man?  We shared bills 
in the good old days (G.O.D.S) and I thought, and still think, they 
were some of the best and most creative of the prog genre.   Especially 
in their first incarnation with Mike Beck on drums/creative percussion.

And yes!  The anti chop movement has been devastating to music.  The 
sanctification of The Garage has been cataclysmic.  But some nights, 
when I''m off, I'm really grateful for it!

But recording guitar for my daughter I really saw the impact of this.  
She didn't want ANY string bends (I snuck in a few), any left hand 
tremolo (when she wasn't looking), anything that really stood out.  So 
ALL of my parts are incredibly simple - which is what I usually like 
anyhow, but I mean REALLY SIMPLE.  I learned to put all the soul I 
could muster into whole notes!  While doing it I thought I would be 
really embarrassed - and threatened to not put my name on the CD - but 
the final product actually fits together well and the guitar comes off 
as organic and doesn't step on ANY toes (to say the least).   But this 
is how a lot of younger (especially college age) folks want to hear 
music... or at least NEW music.  They'll listen to the Zep's note 
blizzards all day long and somehow that slips under the radar.   But 
generally, guitar chops are seen as showing off.

It's a strange new world!  Our job is getting easier.

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 21-Jun-06, at 8:23 AM, Christophe wrote:

> I think the whole prog-bashing trend started as sour grapes on the 
> part of kids who just didn't have the chops to play it.  As I recall, 
> at the same time that prog was declared a dinosaur by these young 
> turks virtuosity in general was poo-pooed just as much.
>
> Not that there wasn't an awful lot of excess (and I spell excess 
> E-L-P) rampant at the time!
>
> Regards from Boston,
> Chris
>
>
>  -------------- Original message ----------------------
> From: "Tony K" <bigtony@softhome.net>
>> RE: HiromiI'll be seeing Emerson on Sunday evening.  I'm not counting 
>> on silver
>> suit or knives in the B3.  Apparently he does travel with a large 
>> modular
>> though...
>>
>> I'm  a prog-head and proud of it!  I have all of the ELP albums up to 
>> but not
>> including "Love Bleah" oh, I mean "Beach"
>>
>> I sometimes think it's just fashionable to trash prog, but I would 
>> rather listen
>> to it than most of what's coming out these days.  It is interesting 
>> to note that
>> there is a very active and very good modern prog scene going on.
>>
>> as said before. YMMV.
>>
>> Tony
>

--Apple-Mail-3-802474264
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Did any of you ever hear the prog band Happy The Man?  We shared bills
in the good old days (G.O.D.S) and I thought, and still think, they
were some of the best and most creative of the prog genre.  
Especially in their first incarnation with Mike Beck on drums/creative
percussion.


And yes!  The anti chop movement has been devastating to music.  The
sanctification of The Garage has been cataclysmic.  But some nights,
when I''m off, I'm really grateful for it!    


But recording guitar for my daughter I really saw the impact of this. 
She didn't want ANY string bends (I snuck in a few), any left hand
tremolo (when she wasn't looking), anything that really stood out.  So
ALL of my parts are incredibly simple - which is what I usually like
anyhow, but I mean <italic>REALLY</italic> SIMPLE.  I learned to put
all the soul I could muster into whole notes!  While doing it I
thought I would be really embarrassed - and threatened to not put my
name on the CD - but the final product actually fits together well and
the guitar comes off as organic and doesn't step on ANY toes (to say
the least).   But this is how a lot of younger (especially college
age) folks want to hear music... or at least NEW music.  They'll
listen to the Zep's note blizzards all day long and somehow that slips
under the radar.   But generally, guitar chops are seen as showing off.


It's a strange new world!  Our job is getting easier.


<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 21-Jun-06, at 8:23 AM, Christophe wrote:


<excerpt>I think the whole prog-bashing trend started as sour grapes
on the part of kids who just didn't have the chops to play it.  As I
recall, at the same time that prog was declared a dinosaur by these
young turks virtuosity in general was poo-pooed just as much.


Not that there wasn't an awful lot of excess (and I spell excess
E-L-P) rampant at the time!


Regards from Boston,

Chris



 -------------- Original message ----------------------

From: "Tony K" <<bigtony@softhome.net>

<excerpt>RE: HiromiI'll be seeing Emerson on Sunday evening.  I'm not
counting on silver 

suit or knives in the B3.  Apparently he does travel with a large
modular 

though...


I'm  a prog-head and proud of it!  I have all of the ELP albums up to
but not 

including "Love Bleah" oh, I mean "Beach"


I sometimes think it's just fashionable to trash prog, but I would
rather listen 

to it than most of what's coming out these days.  It is interesting to
note that 

there is a very active and very good modern prog scene going on.  


as said before. YMMV.


Tony

</excerpt>

</excerpt>
--Apple-Mail-3-802474264--

From Loopers-Delight-request@loopers-delight.com  Wed Jun 21 16:51:44 2006
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Fortunately, Dragon Force is here to bring back chops:

http://youtube.com/watch?v=ZuodOsIE7cg&search=dragon%20force




On 6/21/06, Richard Sales <richard@glasswing.com> wrote:
first incarnation with Mike Beck on drums/creative percussion.
>
> And yes!  The anti chop movement has been devastating to music.  The
> sanctification of The Garage has been cataclysmic.  But some nights,
> when I''m off, I'm really grateful for it!

From Loopers-Delight-request@loopers-delight.com  Wed Jun 21 16:52:25 2006
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Subject: Prog Rock  was Hiromi
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Oh ya!

Crafty Hands........ produced by Ken Scott I believe.



             joe

On Wednesday, June 21, 2006, at 09:46 AM, Richard Sales wrote:

> Did any of you ever hear the prog band Happy The Man?  We shared bills 
> in the good old days (G.O.D.S) and I thought, and still think, they 
> were some of the best and most creative of the prog genre.   
> Especially in their first incarnation with Mike Beck on drums/creative 
> percussion.
>
> And yes!  The anti chop movement has been devastating to music.  The 
> sanctification of The Garage has been cataclysmic.  But some nights, 
> when I''m off, I'm really grateful for it!
>
> But recording guitar for my daughter I really saw the impact of this.  
> She didn't want ANY string bends (I snuck in a few), any left hand 
> tremolo (when she wasn't looking), anything that really stood out.  So 
> ALL of my parts are incredibly simple - which is what I usually like 
> anyhow, but I mean REALLY SIMPLE.  I learned to put all the soul I 
> could muster into whole notes!  While doing it I thought I would be 
> really embarrassed - and threatened to not put my name on the CD - but 
> the final product actually fits together well and the guitar comes off 
> as organic and doesn't step on ANY toes (to say the least).   But this 
> is how a lot of younger (especially college age) folks want to hear 
> music... or at least NEW music.  They'll listen to the Zep's note 
> blizzards all day long and somehow that slips under the radar.   But 
> generally, guitar chops are seen as showing off.
>
> It's a strange new world!  Our job is getting easier.
>
> richard sales
> glassWing farm and studio
> vancouver island, b.c.
> 800.545.6846
> 250.752.4816
> www.glassWing.com
> www.richardsales.com
> www.hayleysales.com
> www.blueberryfieldsfarm.com
> On 21-Jun-06, at 8:23 AM, Christophe wrote:
>
>> I think the whole prog-bashing trend started as sour grapes on the 
>> part of kids who just didn't have the chops to play it.  As I recall, 
>> at the same time that prog was declared a dinosaur by these young 
>> turks virtuosity in general was poo-pooed just as much.
>>
>> Not that there wasn't an awful lot of excess (and I spell excess 
>> E-L-P) rampant at the time!
>>
>> Regards from Boston,
>> Chris
>>
>>
>>  -------------- Original message ----------------------
>> From: "Tony K" <bigtony@softhome.net>
>>> RE: HiromiI'll be seeing Emerson on Sunday evening.  I'm not 
>>> counting on silver
>>> suit or knives in the B3.  Apparently he does travel with a large 
>>> modular
>>> though...
>>>
>>> I'm  a prog-head and proud of it!  I have all of the ELP albums up 
>>> to but not
>>> including "Love Bleah" oh, I mean "Beach"
>>>
>>> I sometimes think it's just fashionable to trash prog, but I would 
>>> rather listen
>>> to it than most of what's coming out these days.  It is interesting 
>>> to note that
>>> there is a very active and very good modern prog scene going on.
>>>
>>> as said before. YMMV.
>>>
>>> Tony
>>

--Apple-Mail-2-803204934
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Oh ya!


Crafty Hands........ produced by Ken Scott I believe.


     


            joe

 

On Wednesday, June 21, 2006, at 09:46 AM, Richard Sales wrote:


<excerpt>Did any of you ever hear the prog band Happy The Man?  We
shared bills in the good old days (G.O.D.S) and I thought, and still
think, they were some of the best and most creative of the prog genre.  
Especially in their first incarnation with Mike Beck on drums/creative
percussion.


And yes!  The anti chop movement has been devastating to music.  The
sanctification of The Garage has been cataclysmic.  But some nights,
when I''m off, I'm really grateful for it!    


But recording guitar for my daughter I really saw the impact of this. 
She didn't want ANY string bends (I snuck in a few), any left hand
tremolo (when she wasn't looking), anything that really stood out.  So
ALL of my parts are incredibly simple - which is what I usually like
anyhow, but I mean <italic>REALLY</italic> SIMPLE.  I learned to put
all the soul I could muster into whole notes!  While doing it I
thought I would be really embarrassed - and threatened to not put my
name on the CD - but the final product actually fits together well and
the guitar comes off as organic and doesn't step on ANY toes (to say
the least).   But this is how a lot of younger (especially college
age) folks want to hear music... or at least NEW music.  They'll
listen to the Zep's note blizzards all day long and somehow that slips
under the radar.   But generally, guitar chops are seen as showing off.


It's a strange new world!  Our job is getting easier.


<fontfamily><param>Gadget</param>richard sales

<color><param>7372,7F7E,C5C4</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C2,9695,1C1B</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 21-Jun-06, at 8:23 AM, Christophe wrote:


<excerpt>I think the whole prog-bashing trend started as sour grapes
on the part of kids who just didn't have the chops to play it.  As I
recall, at the same time that prog was declared a dinosaur by these
young turks virtuosity in general was poo-pooed just as much.


Not that there wasn't an awful lot of excess (and I spell excess
E-L-P) rampant at the time!


Regards from Boston,

Chris



 -------------- Original message ----------------------

From: "Tony K" <<bigtony@softhome.net>

<excerpt>RE: HiromiI'll be seeing Emerson on Sunday evening.  I'm not
counting on silver 

suit or knives in the B3.  Apparently he does travel with a large
modular 

though...


I'm  a prog-head and proud of it!  I have all of the ELP albums up to
but not 

including "Love Bleah" oh, I mean "Beach"


I sometimes think it's just fashionable to trash prog, but I would
rather listen 

to it than most of what's coming out these days.  It is interesting to
note that 

there is a very active and very good modern prog scene going on.  


as said before. YMMV.


Tony

</excerpt>

</excerpt></excerpt>
--Apple-Mail-2-803204934--

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Richard-
=20
Happy the Man are a great touchpoint for some of the folks on this list.
Good to see someone mention them.
=20
If you have their first LP you'll see my name in the credits, right next
to Clive Davis. That 8 point font is as close to fame as I'll ever get.
=20
I saw Stanley and Frank's new project Oblivion Sun about a month ago and
they were tremendous. They did "Leave that Kitten Alone,  Armone",
believe it or not, but had a lot of new stuff too. A CD is in the works.
=20
I'd have to add that a new and different sort of complexity shows in the
work of folks like 4tet, and they're mighty interesting. I thought
Tortoise were leaning toward Canterbury a few albums back. And the guys
in R'head have beaucoups chops. Maybe the world is big enough for all of
it.
=20
=20
Hal Dean
Project Manager
Facilities Design and Construction
West Chester University
610-436-2519

	-----Original Message-----
	From: Richard Sales [mailto:richard@glasswing.com]=20
	Sent: Wednesday, June 21, 2006 12:46 PM
	To: Loopers-Delight@loopers-delight.com
	Subject: Re: Hiromi
=09
=09
	Did any of you ever hear the prog band Happy The Man? We shared
bills in the good old days (G.O.D.S) and I thought, and still think,
they were some of the best and most creative of the prog genre.
Especially in their first incarnation with Mike Beck on drums/creative
percussion.=20

	And yes! The anti chop movement has been devastating to music.
The sanctification of The Garage has been cataclysmic. But some nights,
when I''m off, I'm really grateful for it!=20

	But recording guitar for my daughter I really saw the impact of
this. She didn't want ANY string bends (I snuck in a few), any left hand
tremolo (when she wasn't looking), anything that really stood out. So
ALL of my parts are incredibly simple - which is what I usually like
anyhow, but I mean REALLY SIMPLE. I learned to put all the soul I could
muster into whole notes! While doing it I thought I would be really
embarrassed - and threatened to not put my name on the CD - but the
final product actually fits together well and the guitar comes off as
organic and doesn't step on ANY toes (to say the least). But this is how
a lot of younger (especially college age) folks want to hear music... or
at least NEW music. They'll listen to the Zep's note blizzards all day
long and somehow that slips under the radar. But generally, guitar chops
are seen as showing off.=20

	It's a strange new world! Our job is getting easier.=20

	richard sales=20
	glassWing farm and studio=20
	vancouver island, b.c.=20
	800.545.6846=20
	250.752.4816=20
	www.glassWing.com=20
	www.richardsales.com=20
	www.hayleysales.com=20
	www.blueberryfieldsfarm.com=20
	On 21-Jun-06, at 8:23 AM, Christophe wrote:=20


		I think the whole prog-bashing trend started as sour
grapes on the part of kids who just didn't have the chops to play it. As
I recall, at the same time that prog was declared a dinosaur by these
young turks virtuosity in general was poo-pooed just as much.=20

		Not that there wasn't an awful lot of excess (and I
spell excess E-L-P) rampant at the time!=20

		Regards from Boston,=20
		Chris=20


		-------------- Original message ----------------------=20
		From: "Tony K" <bigtony@softhome.net>=20

			RE: HiromiI'll be seeing Emerson on Sunday
evening. I'm not counting on silver=20
			suit or knives in the B3. Apparently he does
travel with a large modular=20
			though...=20

			I'm a prog-head and proud of it! I have all of
the ELP albums up to but not=20
			including "Love Bleah" oh, I mean "Beach"=20

			I sometimes think it's just fashionable to trash
prog, but I would rather listen=20
			to it than most of what's coming out these days.
It is interesting to note that=20
			there is a very active and very good modern prog
scene going on.=20

			as said before. YMMV.=20

			Tony=20



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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD><TITLE>Message</TITLE>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Dus-ascii">
<META content=3D"MSHTML 6.00.2900.2912" name=3DGENERATOR></HEAD>
<BODY>
<DIV><FONT face=3D"Book Antiqua" color=3D#0000ff><SPAN=20
class=3D544245116-21062006>Richard-</SPAN></FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#0000ff><SPAN=20
class=3D544245116-21062006></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#0000ff><SPAN=20
class=3D544245116-21062006>Happy the Man are a great touchpoint for some =
of the=20
folks on this list. Good to see someone mention =
them.</SPAN></FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#0000ff><SPAN=20
class=3D544245116-21062006></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#0000ff><SPAN =
class=3D544245116-21062006>If=20
you have their first LP you'll see my name in the credits, right next to =
Clive=20
Davis. That 8 point font is as close to fame as I'll ever=20
get.</SPAN></FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#0000ff><SPAN=20
class=3D544245116-21062006></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#0000ff><SPAN =
class=3D544245116-21062006>I=20
saw Stanley and Frank's new project Oblivion Sun about a month ago and =
they were=20
tremendous. They did "Leave that&nbsp;Kitten Alone, &nbsp;Armone", =
believe it or=20
not, but had a lot of new stuff too. A CD is in the =
works.</SPAN></FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#0000ff><SPAN=20
class=3D544245116-21062006></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#0000ff><SPAN =
class=3D544245116-21062006>I'd=20
have to add that a new and different sort of complexity shows in the =
work of=20
folks like 4tet, and they're mighty interesting. I thought Tortoise were =
leaning=20
toward Canterbury a few albums back. And the guys in R'head have =
beaucoups=20
chops. Maybe the world is big enough for all of it.</SPAN></FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#0000ff></FONT>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV align=3Dleft><STRONG><EM><FONT face=3D"Palatino Linotype" =
color=3D#0000ff=20
size=3D4>Hal<SPAN=20
class=3D954163418-19102004>&nbsp;Dean</SPAN></FONT></EM></STRONG></DIV>
<DIV align=3Dleft><STRONG><EM><FONT face=3D"Palatino Linotype" =
color=3D#0000ff=20
size=3D4><SPAN =
class=3D954163418-19102004></SPAN></FONT></EM></STRONG><FONT=20
face=3D"Palatino Linotype" size=3D2>Project Manager</FONT></DIV>
<DIV align=3Dleft><FONT face=3D"Palatino Linotype" size=3D2>Facilities =
Design and=20
Construction</FONT></DIV>
<DIV align=3Dleft><FONT face=3D"Palatino Linotype" size=3D2>West Chester =

University</FONT></DIV>
<DIV align=3Dleft><FONT face=3D"Palatino Linotype" =
size=3D2>610-436-2519</FONT></DIV>
<BLOCKQUOTE dir=3Dltr style=3D"MARGIN-RIGHT: 0px">
  <DIV></DIV>
  <DIV class=3DOutlookMessageHeader lang=3Den-us dir=3Dltr =
align=3Dleft><FONT=20
  face=3DTahoma size=3D2>-----Original Message-----<BR><B>From:</B> =
Richard Sales=20
  [mailto:richard@glasswing.com] <BR><B>Sent:</B> Wednesday, June 21, =
2006 12:46=20
  PM<BR><B>To:</B> =
Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> Re:=20
  Hiromi<BR><BR></FONT></DIV><!-- Converted from text/enriched format =
-->
  <DIV>Did any of you ever hear the prog band Happy The Man? We shared =
bills in=20
  the good old days (G.O.D.S) and I thought, and still think, they were =
some of=20
  the best and most creative of the prog genre. Especially in their =
first=20
  incarnation with Mike Beck on drums/creative percussion. </DIV><BR>
  <DIV>And yes! The anti chop movement has been devastating to music. =
The=20
  sanctification of The Garage has been cataclysmic. But some nights, =
when I''m=20
  off, I'm really grateful for it! </DIV><BR>
  <DIV>But recording guitar for my daughter I really saw the impact of =
this. She=20
  didn't want ANY string bends (I snuck in a few), any left hand tremolo =
(when=20
  she wasn't looking), anything that really stood out. So ALL of my =
parts are=20
  incredibly simple - which is what I usually like anyhow, but I mean=20
  <I>REALLY</I> SIMPLE. I learned to put all the soul I could muster =
into whole=20
  notes! While doing it I thought I would be really embarrassed - and =
threatened=20
  to not put my name on the CD - but the final product actually fits =
together=20
  well and the guitar comes off as organic and doesn't step on ANY toes =
(to say=20
  the least). But this is how a lot of younger (especially college age) =
folks=20
  want to hear music... or at least NEW music. They'll listen to the =
Zep's note=20
  blizzards all day long and somehow that slips under the radar. But =
generally,=20
  guitar chops are seen as showing off. </DIV><BR>
  <DIV>It's a strange new world! Our job is getting easier. </DIV><BR>
  <DIV><FONT face=3DGadget>richard sales </DIV>
  <DIV><FONT color=3D#737fc5>glassWing farm and studio</FONT> </DIV>
  <DIV>vancouver island, b.c. </DIV>
  <DIV>800.545.6846 </DIV>
  <DIV>250.752.4816<FONT color=3D#c3961c> </DIV>
  <DIV>www.glassWing.com </DIV>
  <DIV>www.richardsales.com </DIV>
  <DIV>www.hayleysales.com </DIV>
  <DIV>www.blueberryfieldsfarm.com</FONT></FONT> </DIV>
  <DIV>On 21-Jun-06, at 8:23 AM, Christophe wrote: </DIV><BR>
  <BLOCKQUOTE>
    <DIV>I think the whole prog-bashing trend started as sour grapes on =
the part=20
    of kids who just didn't have the chops to play it. As I recall, at =
the same=20
    time that prog was declared a dinosaur by these young turks =
virtuosity in=20
    general was poo-pooed just as much. </DIV><BR>
    <DIV>Not that there wasn't an awful lot of excess (and I spell =
excess E-L-P)=20
    rampant at the time! </DIV><BR>
    <DIV>Regards from Boston, </DIV>
    <DIV>Chris </DIV><BR><BR>
    <DIV>-------------- Original message ---------------------- </DIV>
    <DIV>From: "Tony K" &lt;bigtony@softhome.net&gt; </DIV>
    <BLOCKQUOTE>
      <DIV>RE: HiromiI'll be seeing Emerson on Sunday evening. I'm not =
counting=20
      on silver </DIV>
      <DIV>suit or knives in the B3. Apparently he does travel with a =
large=20
      modular </DIV>
      <DIV>though... </DIV><BR>
      <DIV>I'm a prog-head and proud of it! I have all of the ELP albums =
up to=20
      but not </DIV>
      <DIV>including "Love Bleah" oh, I mean "Beach" </DIV><BR>
      <DIV>I sometimes think it's just fashionable to trash prog, but I =
would=20
      rather listen </DIV>
      <DIV>to it than most of what's coming out these days. It is =
interesting to=20
      note that </DIV>
      <DIV>there is a very active and very good modern prog scene going =
on.=20
      </DIV><BR>
      <DIV>as said before. YMMV. </DIV><BR>
      <DIV>Tony =
</DIV></BLOCKQUOTE><BR></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>
=00
------_=_NextPart_001_01C69554.03A9264C--

From Loopers-Delight-request@loopers-delight.com  Wed Jun 21 17:09:46 2006
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From: rds8000 <rds8000@cableaz.com>
Subject: WTB: KORG AM8000r & DIGITECH RDS8000 TIME MACHINE
Date: Wed, 21 Jun 2006 10:10:03 -0700
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Hello -

I'd like to add a Korg AM8000r & DIGITECH RDS-8000 Time Machine to my  
live looping rig.

Must be in working order. Cosmetics not that important.

Please respond off-list.

Adam


_______________
www.lochheed.com

From Loopers-Delight-request@loopers-delight.com  Wed Jun 21 17:11:19 2006
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Date: Wed, 21 Jun 2006 10:11:17 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Hiromi
To: Loopers-Delight@loopers-delight.com
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As someone who's favorite guitarist is Adrain Belew, I
think lack of chops has nothing to do with the demise
of "chops."  It's lack of interest for wankery.  An
old friend of mine used to play me Steve Vai albums
and, while impressed by his technical prowess, I found
the music to be totally uninspired and lacking
anything that might be considered "soul."  I can't put
my finger on why it felt so flat... There was not a
single technical fault to the music, but it may as
well have been created by a robot. (not the cool
killer kind that turns on it's unsuspecting master
after developing sentience and emotion)

Now, I know a lot of you probably like Steve Vai and
other's in the guitar wank genre and I'm happy you do
and I'd fight for your right to listen and play that
music.  However, for my money I'd trade the ability to
convey emotion in your music over the ability to
cleanly play 32nd notes at 160 bpm.  I've got the
entire King Crimson catalog on my iPod, but there's
still room for The White Stripes on there too.  While
I'm at it, have you ever listened to how sloppy The
Jimi Hendrix Experience is?  I love every moment of
it.

Mark Sottilaro

--- Travis Hartnett <travishartnett@gmail.com> wrote:

> Fortunately, Dragon Force is here to bring back
> chops:
> 
>
http://youtube.com/watch?v=ZuodOsIE7cg&search=dragon%20force
> 
> 
> 
> 
> On 6/21/06, Richard Sales <richard@glasswing.com>
> wrote:
> first incarnation with Mike Beck on drums/creative
> percussion.
> >
> > And yes!  The anti chop movement has been
> devastating to music.  The
> > sanctification of The Garage has been cataclysmic.
>  But some nights,
> > when I''m off, I'm really grateful for it!
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Wed Jun 21 17:27:43 2006
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> From: Travis Hartnett [mailto:travishartnett@gmail.com]=20
>
> Fortunately, Dragon Force is here to bring back chops:

Christ, I feel like I need a shower!  I especially like how the one dude
nurses a beer while the other one masturbates.  I hear they do a great
cover of Flamenco Sketches.  But it's over in 25 seconds.

Jeff

From Loopers-Delight-request@loopers-delight.com  Wed Jun 21 17:28:51 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Sloppyness (was: Re: Hiromi)
Date: Wed, 21 Jun 2006 19:28:46 +0200
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On 21 jun 2006, at 19.11, mark sottilaro wrote:

> Now, I know a lot of you probably like Steve Vai

I don't. But my brother does. Once he played me "a cool Vai tune" and  
what I heard was Vai playing guitar, just like he always does, but  
this time through a certain default preset of the Eventide Eclipse. I  
couldn't believe he just plugged into the Eventide like any simple  
effect box and shredded away! But I guess I would enjoy hearing Vai  
live, just as I did when hearing Dexter Gordon doing his "Juke Box  
Game Thing" without almost playing a single original note.


> While
> I'm at it, have you ever listened to how sloppy The
> Jimi Hendrix Experience is?  I love every moment of
> it.

Yeah, wonderfully sloppy! When "sloppyness" oozes of that what-the- 
hell attitude I do love it. But when "sloppyness" oozes of ignorance  
I just can't stand it.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Wed Jun 21 17:33:55 2006
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Subject: RE: Sloppyness (was: Re: Hiromi)
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Call me a nitpicker on semantics, but I'd say the Hendrix Experience was
LOOSE, not sloppy. There's a world of difference. A loose outfit may be
communicating on a higher plane, while sloppiness is often a sign of the
opposite - inattention to the moment.

Hal Dean

-----Original Message-----
From: Per Boysen [mailto:perboysen@gmail.com]=20
Sent: Wednesday, June 21, 2006 1:29 PM
To: Loopers-Delight@loopers-delight.com
Subject: Sloppyness (was: Re: Hiromi)


On 21 jun 2006, at 19.11, mark sottilaro wrote:

> Now, I know a lot of you probably like Steve Vai

I don't. But my brother does. Once he played me "a cool Vai tune" and =20
what I heard was Vai playing guitar, just like he always does, but =20
this time through a certain default preset of the Eventide Eclipse. I =20
couldn't believe he just plugged into the Eventide like any simple =20
effect box and shredded away! But I guess I would enjoy hearing Vai =20
live, just as I did when hearing Dexter Gordon doing his "Juke Box =20
Game Thing" without almost playing a single original note.


> While
> I'm at it, have you ever listened to how sloppy The
> Jimi Hendrix Experience is?  I love every moment of
> it.

Yeah, wonderfully sloppy! When "sloppyness" oozes of that what-the-=20
hell attitude I do love it. But when "sloppyness" oozes of ignorance =20
I just can't stand it.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast) http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Wed Jun 21 18:02:28 2006
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Date: Wed, 21 Jun 2006 11:02:25 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: RE: Addressing a single Echoplex in a Stereo Setup
To: Loopers-Delight@loopers-delight.com
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id be interested to know if anybody is using it this
way and the tricks and possibilities involved! 
Luis
 
> There is a suggestion of using separate Source # or
> MIDI channels and sending
> >two messages. I wonder if synchronization (when
> working in stereo) would be
> >compromised.
> 
> No, there won't be any problem. We designed the
> Echoplex to support this 
> type of use, and tested it to be sure it worked.


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Wed Jun 21 18:12:12 2006
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Subject: Re: Hiromi
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>And yes! The anti chop movement has been devastating to music.=20

Yeah, which is why I'm glad there's still an underground prog movement.  =
Some of the good old bands (Crimson, Yes, Rush, Moody Blues) are still =
around and we have newer ones like Porcupine Tree, Spock's Beard, The =
Mars Volta, Dream Theater, Riverside, Ozric Tentacles, Anglagarde, Glass =
Hammer... the list goes on.  However, you'll never hear them on the =
radio.  XM did have a channel dedicated to prog, but I think it got =
canned.

but, you can listen over the net at http://www.progrockradio.com/

Enjoy!
Tony

p.s. Yes, Richard, I've heard some Happy The Man.  Not much, but I have. =
:)

  ----- Original Message -----=20
  From: Richard Sales=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Wednesday, June 21, 2006 12:46 PM
  Subject: Re: Hiromi


  Did any of you ever hear the prog band Happy The Man? We shared bills =
in the good old days (G.O.D.S) and I thought, and still think, they were =
some of the best and most creative of the prog genre. Especially in =
their first incarnation with Mike Beck on drums/creative percussion.

  And yes! The anti chop movement has been devastating to music. The =
sanctification of The Garage has been cataclysmic. But some nights, when =
I''m off, I'm really grateful for it!=20

  But recording guitar for my daughter I really saw the impact of this. =
She didn't want ANY string bends (I snuck in a few), any left hand =
tremolo (when she wasn't looking), anything that really stood out. So =
ALL of my parts are incredibly simple - which is what I usually like =
anyhow, but I mean REALLY SIMPLE. I learned to put all the soul I could =
muster into whole notes! While doing it I thought I would be really =
embarrassed - and threatened to not put my name on the CD - but the =
final product actually fits together well and the guitar comes off as =
organic and doesn't step on ANY toes (to say the least). But this is how =
a lot of younger (especially college age) folks want to hear music... or =
at least NEW music. They'll listen to the Zep's note blizzards all day =
long and somehow that slips under the radar. But generally, guitar chops =
are seen as showing off.

  It's a strange new world! Our job is getting easier.

  richard sales
  glassWing farm and studio
  vancouver island, b.c.
  800.545.6846
  250.752.4816
  www.glassWing.com
  www.richardsales.com
  www.hayleysales.com
  www.blueberryfieldsfarm.com
  On 21-Jun-06, at 8:23 AM, Christophe wrote:


    I think the whole prog-bashing trend started as sour grapes on the =
part of kids who just didn't have the chops to play it. As I recall, at =
the same time that prog was declared a dinosaur by these young turks =
virtuosity in general was poo-pooed just as much.

    Not that there wasn't an awful lot of excess (and I spell excess =
E-L-P) rampant at the time!

    Regards from Boston,
    Chris


    -------------- Original message ----------------------
    From: "Tony K" <bigtony@softhome.net>

      RE: HiromiI'll be seeing Emerson on Sunday evening. I'm not =
counting on silver=20
      suit or knives in the B3. Apparently he does travel with a large =
modular=20
      though...

      I'm a prog-head and proud of it! I have all of the ELP albums up =
to but not=20
      including "Love Bleah" oh, I mean "Beach"

      I sometimes think it's just fashionable to trash prog, but I would =
rather listen=20
      to it than most of what's coming out these days. It is interesting =
to note that=20
      there is a very active and very good modern prog scene going on.=20

      as said before. YMMV.

      Tony



------=_NextPart_000_0088_01C6953B.F488C150
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2912" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2><FONT face=3D"Times New Roman" =
size=3D3>&gt;And yes!=20
The anti chop movement has been devastating to music. =
</FONT></FONT></DIV>
<DIV><FONT face=3DArial size=3D2><FONT face=3D"Times New Roman"=20
size=3D3></FONT></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><FONT face=3D"Times New Roman" =
size=3D3>Yeah, which is=20
why I'm glad there's still an underground prog movement.&nbsp; Some of =
the good=20
old bands (Crimson, Yes, Rush, Moody Blues) are still around and we have =
newer=20
ones like Porcupine Tree, Spock's Beard, The Mars Volta, Dream Theater,=20
Riverside,&nbsp;Ozric Tentacles, Anglagarde, Glass Hammer... the list =
goes=20
on.&nbsp; However, you'll never hear them on the radio.&nbsp; XM did =
have a=20
channel dedicated to prog, but I think&nbsp;it got =
canned.</FONT></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>but, you can listen over the net at <A=20
href=3D"http://www.progrockradio.com/">http://www.progrockradio.com/</A><=
/FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Enjoy!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Tony</DIV>
<DIV>&nbsp;</DIV>
<DIV>p.s. Yes, Richard, I've heard some Happy The Man.&nbsp; Not much, =
but I=20
have. :)<BR></DIV></FONT>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Drichard@glasswing.com =
href=3D"mailto:richard@glasswing.com">Richard=20
  Sales</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, June 21, 2006 =
12:46=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Hiromi</DIV>
  <DIV><FONT face=3DArial size=3D2></FONT><BR></DIV>Did any of you ever =
hear the=20
  prog band Happy The Man? We shared bills in the good old days =
(G.O.D.S) and I=20
  thought, and still think, they were some of the best and most creative =
of the=20
  prog genre. Especially in their first incarnation with Mike Beck on=20
  drums/creative percussion.<BR><BR>And yes! The anti chop movement has =
been=20
  devastating to music. The sanctification of The Garage has been =
cataclysmic.=20
  But some nights, when I''m off, I'm really grateful for it! =
<BR><BR>But=20
  recording guitar for my daughter I really saw the impact of this. She =
didn't=20
  want ANY string bends (I snuck in a few), any left hand tremolo (when =
she=20
  wasn't looking), anything that really stood out. So ALL of my parts =
are=20
  incredibly simple - which is what I usually like anyhow, but I mean=20
  <I>REALLY</I> SIMPLE. I learned to put all the soul I could muster =
into whole=20
  notes! While doing it I thought I would be really embarrassed - and =
threatened=20
  to not put my name on the CD - but the final product actually fits =
together=20
  well and the guitar comes off as organic and doesn't step on ANY toes =
(to say=20
  the least). But this is how a lot of younger (especially college age) =
folks=20
  want to hear music... or at least NEW music. They'll listen to the =
Zep's note=20
  blizzards all day long and somehow that slips under the radar. But =
generally,=20
  guitar chops are seen as showing off.<BR><BR>It's a strange new world! =
Our job=20
  is getting easier.<BR><BR><?fontfamily><?param Gadget>richard =
sales<BR><?color><?param 7373,7F7F,C5C5>glassWing farm and=20
  studio<?/color><BR>vancouver island, =
b.c.<BR>800.545.6846<BR>250.752.4816<?color><?param =
C3C3,9696,1C1C><BR>www.glassWing.com<BR>www.richardsales.com<BR>www.hayle=
ysales.com<BR>www.blueberryfieldsfarm.com<?/color><?/fontfamily><BR>On=20
  21-Jun-06, at 8:23 AM, Christophe wrote:<BR><BR>
  <BLOCKQUOTE>I think the whole prog-bashing trend started as sour =
grapes on=20
    the part of kids who just didn't have the chops to play it. As I =
recall, at=20
    the same time that prog was declared a dinosaur by these young turks =

    virtuosity in general was poo-pooed just as much.<BR><BR>Not that =
there=20
    wasn't an awful lot of excess (and I spell excess E-L-P) rampant at =
the=20
    time!<BR><BR>Regards from Boston,<BR>Chris<BR><BR><BR>-------------- =

    Original message ----------------------<BR>From: "Tony K"=20
    &lt;bigtony@softhome.net&gt;<BR>
    <BLOCKQUOTE>RE: HiromiI'll be seeing Emerson on Sunday evening. I'm =
not=20
      counting on silver <BR>suit or knives in the B3. Apparently he =
does travel=20
      with a large modular <BR>though...<BR><BR>I'm a prog-head and =
proud of it!=20
      I have all of the ELP albums up to but not <BR>including "Love =
Bleah" oh,=20
      I mean "Beach"<BR><BR>I sometimes think it's just fashionable to =
trash=20
      prog, but I would rather listen <BR>to it than most of what's =
coming out=20
      these days. It is interesting to note that <BR>there is a very =
active and=20
      very good modern prog scene going on. <BR><BR>as said before.=20
      =
YMMV.<BR><BR>Tony<BR></BLOCKQUOTE><BR></BLOCKQUOTE></BLOCKQUOTE></BODY></=
HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed Jun 21 18:15:38 2006
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Date: Wed, 21 Jun 2006 13:15:31 -0500
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From: mech <mech@m3ch.net>
Subject: Re: More Prog Rock (was: Hiromi)
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At 3:23 PM +0000 6/21/06, Christophe wrote:
>I think the whole prog-bashing trend started as sour grapes on the 
>part of kids who just didn't have the chops to play it.  As I 
>recall, at the same time that prog was declared a dinosaur by these 
>young turks virtuosity in general was poo-pooed just as much.

That's certainly not how it was when it started.  For instance, The 
Stranglers, who are generally given credit for releasing the first 
Punk LP ('Rattus Norvegicus', which predated the Sex Pistols' 'Never 
Mind the Bollocks' release by several weeks) had fantastic "chops". 
Listen to many of the songs from 'Black & White', their 3rd studio 
album, with Dave Greenfield's Manzarek-inspired keyboard runs or JJ 
Burnel's hooky bass lines.  They merely knew when to use chops and 
when to let the song, however raw, speak for itself.

And the early American groups that were the inspiration for the 
British -- like the Ramones, MI-5, & Iggy Pop -- usually didn't 
really trash the whole concept of being able to play well.  That just 
wasn't where they were interested in putting their emphasis.

On the other hand, you also had just as many prog-rockers (such as 
Phil Collins) slagging off Punk as completely without merit.  "That's 
not music; that's crap!"

Then came the infighting and the genre wars; not to mention the 
Post-Punk period, where if you tried to put anything left of the 
party line back into your music, you were deemed a "sell out" and 
gobbed upon by the leftover Punk contingent.  This wasn't much helped 
by the British music press, who were notoriously vicious at this time 
(New Music Express, for instance, which was generally referred to by 
most bands as N.M.E. -- as in "enemy").  They often exploited the 
trend-hopping and infighting just to sell magazines.

However, there still remains good expressive music on both sides.  I 
could probably name you a dozen fantastic Punk groups off the top of 
my head (stop worrying; I'll spare you).  Returning to the Prog side 
though, I'm surprised that Henry Cow -- as well as many of the other 
Fred Frith projects -- hasn't yet come up.  Their first album, 
'Legend' (pronounced Leg End, heh!) alone is worth honorable mention, 
if nothing else.

And, out of left field, I'll also throw in the Dutch group Focus, who 
achieved some minor visibilty with 'Hocus Pocus' during the 70's -- a 
song which featured not only Jan Akkerman's lightening fast guitar 
"chops" but also YODELLING!!!  In this case, I've always been fond of 
their 'Hamburger Concerto', which is alternately bombastically 
overblown, simplistically silly, charmingly pretentious, and quite 
genius.

	--m.
-- 
_______
"You are in a maze of twisty little passages, all alike..."

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>>I think the whole prog-bashing trend started as sour grapes on the part of
kids who just didn't have the chops to play it.  As I recall, at the same
time that prog was declared a dinosaur by these young turks virtuosity in
general was poo-pooed just as much.

Not that there wasn't an awful lot of excess (and I spell excess E-L-P)
rampant at the time!<<

I like to console myself that the excess was necessary somehow, & that there
was a background of "arms-race" about it amongst the bigger outfits & their
trailers full of persian rugs, steel drumkits & whatnot, which was genuinely
tongue-firmly-in-cheek long before "stonehenge". 

I think it's a very modern (read: politically correct) thing to have any
genuine, well-founded objections to the amount of horsepower required by the
likes of ELP to mount their stage show. 
back then, the complaints were about the attention they drew to themselves
rather than any actual waste. though john peel called them a "waste of
talent & electricity", he'd actually quite liked "the nice" & was merely
voicing his disappointment with emerson's new direction. if he'd known the
expression, I'm sure he would have said "YMMV".

besides, a touring orchestra, opera or theatre company would have been about
the same size, & probably would've been drawing smaller crowds.

the punk "revolution" is overstated, even with this amount of hindsight. 
we quickly forget how many experienced, slightly older musicians were
drafted in by these "young turks" to assist & support their endeavours.
(step forward nick mason & steve hillage, amonsgt others, who produced some
of this "punk" stuff despite belonging in "the other camp".)

& the same dave stewart I mentioned last time (i.e. not the guitarist who
became a punk with annie lennox & then re-invented prog in the mid 80s with
much fairlight noodlery as a eurythmic, but the one from
egg/gong/bruford/national health) even appeared on top of the pops (a long
running british tv chart show of some repute) wearing a PiL t-shirt.

in fact, a great deal of this antipathy was invented by the music press, &
by journalists generally. 
at the bands' level, things were often quite different, with punk rock's
glitterati turning up to see zeppelin at knebworth, ATV making albums with
here&now, & eventually the clash releasing a triple album. sharing of
concert bills made more sense than trying to stir up acrimony.

for me, it's much simpler than any genre or social divide. 
there'll always be a number of musicians who manage to combine the chops
with the essential humour of music's ability to communicate, & there'll
always be a number of musicians who fall to one side or the other of that
bell-curve. some of the most technically adept musos of the 70s were the
most humourless bunch you could imagine, & they made you ache for the
cartoon nihilism of a sid vicious or a captain sensible. 

hiromi made me want to see keith tippett, never mind keith emerson. I'm sure
she can be very funny.... but I couldn't see it in her wackily titled
showcase piece, I'm sorry.

duncan.




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<P><FONT SIZE=3D2>&gt;&gt;I think the whole prog-bashing trend started as s=
our grapes on the part of kids who just didn't have the chops to play it.&n=
bsp; As I recall, at the same time that prog was declared a dinosaur by the=
se young turks virtuosity in general was poo-pooed just as much.</FONT></P>

<P><FONT SIZE=3D2>Not that there wasn't an awful lot of excess (and I spell=
 excess E-L-P) rampant at the time!&lt;&lt;</FONT>
</P>

<P><FONT SIZE=3D2>I like to console myself that the excess was necessary so=
mehow, &amp; that there was a background of &quot;arms-race&quot; about it =
amongst the bigger outfits &amp; their trailers full of persian rugs, steel=
 drumkits &amp; whatnot, which was genuinely tongue-firmly-in-cheek long be=
fore &quot;stonehenge&quot;. </FONT></P>

<P><FONT SIZE=3D2>I think it's a very modern (read: politically correct) th=
ing to have any genuine, well-founded objections to the amount of horsepowe=
r required by the likes of ELP to mount their stage show. </FONT></P>

<P><FONT SIZE=3D2>back then, the complaints were about the attention they d=
rew to themselves rather than any actual waste. though john peel called the=
m a &quot;waste of talent &amp; electricity&quot;, he'd actually quite like=
d &quot;the nice&quot; &amp; was merely voicing his disappointment with eme=
rson's new direction. if he'd known the expression, I'm sure he would have =
said &quot;YMMV&quot;.</FONT></P>

<P><FONT SIZE=3D2>besides, a touring orchestra, opera or theatre company wo=
uld have been about the same size, &amp; probably would've been drawing sma=
ller crowds.</FONT></P>

<P><FONT SIZE=3D2>the punk &quot;revolution&quot; is overstated, even with =
this amount of hindsight. </FONT>
<BR><FONT SIZE=3D2>we quickly forget how many experienced, slightly older m=
usicians were drafted in by these &quot;young turks&quot; to assist &amp; s=
upport their endeavours. (step forward nick mason &amp; steve hillage, amon=
sgt others, who produced some of this &quot;punk&quot; stuff despite belong=
ing in &quot;the other camp&quot;.)</FONT></P>

<P><FONT SIZE=3D2>&amp; the same dave stewart I mentioned last time (i.e. n=
ot the guitarist who became a punk with annie lennox &amp; then re-invented=
 prog in the mid 80s with much fairlight noodlery as a eurythmic, but the o=
ne from egg/gong/bruford/national health) even appeared on top of the pops =
(a long running british tv chart show of some repute) wearing a PiL t-shirt=
.</FONT></P>

<P><FONT SIZE=3D2>in fact, a great deal of this antipathy was invented by t=
he music press, &amp; by journalists generally. </FONT>
<BR><FONT SIZE=3D2>at the bands' level, things were often quite different, =
with punk rock's glitterati turning up to see zeppelin at knebworth, ATV ma=
king albums with here&amp;now, &amp; eventually the clash releasing a tripl=
e album. sharing of concert bills made more sense than trying to stir up ac=
rimony.</FONT></P>

<P><FONT SIZE=3D2>for me, it's much simpler than any genre or social divide=
. </FONT>
<BR><FONT SIZE=3D2>there'll always be a number of musicians who manage to c=
ombine the chops with the essential humour of music's ability to communicat=
e, &amp; there'll always be a number of musicians who fall to one side or t=
he other of that bell-curve. some of the most technically adept musos of th=
e 70s were the most humourless bunch you could imagine, &amp; they made you=
 ache for the cartoon nihilism of a sid vicious or a captain sensible. </FO=
NT></P>

<P><FONT SIZE=3D2>hiromi made me want to see keith tippett, never mind keit=
h emerson. I'm sure she can be very funny.... but I couldn't see it in her =
wackily titled showcase piece, I'm sorry.</FONT></P>

<P><FONT SIZE=3D2>duncan.</FONT>
</P>
<BR>

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From Loopers-Delight-request@loopers-delight.com  Wed Jun 21 18:18:56 2006
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    <20060621171117.68933.qmail@web81315.mail.mud.yahoo.com>
Date: Wed, 21 Jun 2006 13:19:19 -0500 (CDT)
Subject: Re: Hiromi
From: "Joshua Carroll" <josh@infinivert.com>
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I wasn't going to chime in, but I have to agree.  I have a buddy who's a
huge Vai fan, and I just don't get it.

I heard a great Queen-esque guitar solo on the radio a few months ago, and
I went off on a rant on the lack of that sort of thing in modern music. 
When I ended with the question "what ever happened to guitar solos
anyway?" my wife responded without a second thought: "guitar players." 
And she was probably right... as much as I hate to admit it (being a
guitar-solo nut myself).  There's just been too much "wankery," and not
enough "soul."  Too much Vai, not enough Vaughan.

I think a lot of musicians make the music about the musician rather than
the other way around.  Obviously, I can't ever make a blanket statement
about any artist being that way, but when I catch that self-important vibe
in a tune--be it prog rock or hip hop--it just makes me want to turn the
thing off.

As far as Hiromi goes, the part I enjoyed was the smiling interaction
between the musicians at the end.  No way I could listen to that stuff all
the time, but I have to respect the precision, and I'm blown away that
they could have fun doing that!

--Josh



> As someone who's favorite guitarist is Adrain Belew, I
> think lack of chops has nothing to do with the demise
> of "chops."  It's lack of interest for wankery.  An
> old friend of mine used to play me Steve Vai albums
> and, while impressed by his technical prowess, I found
> the music to be totally uninspired and lacking
> anything that might be considered "soul."  I can't put
> my finger on why it felt so flat... There was not a
> single technical fault to the music, but it may as
> well have been created by a robot. (not the cool
> killer kind that turns on it's unsuspecting master
> after developing sentience and emotion)
>
> Now, I know a lot of you probably like Steve Vai and
> other's in the guitar wank genre and I'm happy you do
> and I'd fight for your right to listen and play that
> music.  However, for my money I'd trade the ability to
> convey emotion in your music over the ability to
> cleanly play 32nd notes at 160 bpm.  I've got the
> entire King Crimson catalog on my iPod, but there's
> still room for The White Stripes on there too.  While
> I'm at it, have you ever listened to how sloppy The
> Jimi Hendrix Experience is?  I love every moment of
> it.
>
> Mark Sottilaro
>
> --- Travis Hartnett <travishartnett@gmail.com> wrote:
>
>> Fortunately, Dragon Force is here to bring back
>> chops:
>>
>>
> http://youtube.com/watch?v=ZuodOsIE7cg&search=dragon%20force
>>
>>
>>
>>
>> On 6/21/06, Richard Sales <richard@glasswing.com>
>> wrote:
>> first incarnation with Mike Beck on drums/creative
>> percussion.
>> >
>> > And yes!  The anti chop movement has been
>> devastating to music.  The
>> > sanctification of The Garage has been cataclysmic.
>>  But some nights,
>> > when I''m off, I'm really grateful for it!
>>
>>
>
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Jun 21 18:23:27 2006
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Date: Wed, 21 Jun 2006 11:19:56 -0700
To: Loopers-Delight@loopers-delight.com
From: Chris Muir <cbm@well.com>
Subject: RE: Sloppyness (was: Re: Hiromi)
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At 1:33 PM -0400 6/21/06, Dean, Hal  wrote:
>Call me a nitpicker on semantics, but I'd say the Hendrix Experience was
>LOOSE, not sloppy. There's a world of difference. A loose outfit may be
>communicating on a higher plane, while sloppiness is often a sign of the
>opposite - inattention to the moment.

I think that sloppy and/or loose playing can also come from trying things that are on the edge of your ability to pull off. I really enjoy this.

One of my favorite guitarists is Phil Miller (Matching Mole, Hatfield and the North, National Health, etc.). In many of his solos he is reaching for _that_ note or phrase, and barely makes it, which can come across as a little sloppy. I would rather listen to someone like Phill Miller grasping for thing, than most other guitarists playing it safe.

---

As an aside to this already off-topic thread, one of my complaints with something like a Berklee / GIT education is that they drill the mistakes right out of you. A side effect of this is that people are left with only their imagination to rely on, as they rarely have need to recover from mistakes, which is often some of the most inventive playing, IMO.

-C

-- 
Chris Muir           | "There are many futures and only one status quo.
cbm@well.com         |  This is why conservatives mostly agree,
http://www.xfade.com |  and radicals always argue." - Brian Eno

From Loopers-Delight-request@loopers-delight.com  Wed Jun 21 18:24:03 2006
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Date: Wed, 21 Jun 2006 13:24:26 -0500 (CDT)
Subject: Re: Hiromi
From: "Joshua Carroll" <josh@infinivert.com>
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Have any of you listened to The Mars Volta?  Flippin' rock my balls off!
It almost feels like Plant and Page all over again, but with a different
kind of in-your-face attitide.  I love it. Amazing!

--Josh



>>And yes! The anti chop movement has been devastating to music.
>
> Yeah, which is why I'm glad there's still an underground prog movement.
> Some of the good old bands (Crimson, Yes, Rush, Moody Blues) are still
> around and we have newer ones like Porcupine Tree, Spock's Beard, The Mars
> Volta, Dream Theater, Riverside, Ozric Tentacles, Anglagarde, Glass
> Hammer... the list goes on.  However, you'll never hear them on the radio.
>  XM did have a channel dedicated to prog, but I think it got canned.
>
> but, you can listen over the net at http://www.progrockradio.com/
>
> Enjoy!
> Tony
>
> p.s. Yes, Richard, I've heard some Happy The Man.  Not much, but I have.
> :)
>
>   ----- Original Message -----
>   From: Richard Sales
>   To: Loopers-Delight@loopers-delight.com
>   Sent: Wednesday, June 21, 2006 12:46 PM
>   Subject: Re: Hiromi
>
>
>   Did any of you ever hear the prog band Happy The Man? We shared bills in
> the good old days (G.O.D.S) and I thought, and still think, they were
> some of the best and most creative of the prog genre. Especially in
> their first incarnation with Mike Beck on drums/creative percussion.
>
>   And yes! The anti chop movement has been devastating to music. The
> sanctification of The Garage has been cataclysmic. But some nights, when
> I''m off, I'm really grateful for it!
>
>   But recording guitar for my daughter I really saw the impact of this.
> She didn't want ANY string bends (I snuck in a few), any left hand
> tremolo (when she wasn't looking), anything that really stood out. So
> ALL of my parts are incredibly simple - which is what I usually like
> anyhow, but I mean REALLY SIMPLE. I learned to put all the soul I could
> muster into whole notes! While doing it I thought I would be really
> embarrassed - and threatened to not put my name on the CD - but the
> final product actually fits together well and the guitar comes off as
> organic and doesn't step on ANY toes (to say the least). But this is how
> a lot of younger (especially college age) folks want to hear music... or
> at least NEW music. They'll listen to the Zep's note blizzards all day
> long and somehow that slips under the radar. But generally, guitar chops
> are seen as showing off.
>
>   It's a strange new world! Our job is getting easier.
>
>   richard sales
>   glassWing farm and studio
>   vancouver island, b.c.
>   800.545.6846
>   250.752.4816
>   www.glassWing.com
>   www.richardsales.com
>   www.hayleysales.com
>   www.blueberryfieldsfarm.com
>   On 21-Jun-06, at 8:23 AM, Christophe wrote:
>
>
>     I think the whole prog-bashing trend started as sour grapes on the
> part of kids who just didn't have the chops to play it. As I recall,
> at the same time that prog was declared a dinosaur by these young
> turks virtuosity in general was poo-pooed just as much.
>
>     Not that there wasn't an awful lot of excess (and I spell excess
> E-L-P) rampant at the time!
>
>     Regards from Boston,
>     Chris
>
>
>     -------------- Original message ----------------------
>     From: "Tony K" <bigtony@softhome.net>
>
>       RE: HiromiI'll be seeing Emerson on Sunday evening. I'm not counting
> on silver
>       suit or knives in the B3. Apparently he does travel with a large
> modular
>       though...
>
>       I'm a prog-head and proud of it! I have all of the ELP albums up to
> but not
>       including "Love Bleah" oh, I mean "Beach"
>
>       I sometimes think it's just fashionable to trash prog, but I would
> rather listen
>       to it than most of what's coming out these days. It is interesting
> to note that
>       there is a very active and very good modern prog scene going on.
>
>       as said before. YMMV.
>
>       Tony
>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Jun 21 18:25:31 2006
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Date: Wed, 21 Jun 2006 13:25:55 -0500 (CDT)
Subject: Re: More Prog Rock (was: Hiromi)
From: "Joshua Carroll" <josh@infinivert.com>
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"They merely knew when to use chops and
when to let the song, however raw, speak for itself."

That's it!  That's the kicker.  If it doesn't support the song, scrap it.

--Josh



> At 3:23 PM +0000 6/21/06, Christophe wrote:
>>I think the whole prog-bashing trend started as sour grapes on the
>>part of kids who just didn't have the chops to play it.  As I
>>recall, at the same time that prog was declared a dinosaur by these
>>young turks virtuosity in general was poo-pooed just as much.
>
> That's certainly not how it was when it started.  For instance, The
> Stranglers, who are generally given credit for releasing the first
> Punk LP ('Rattus Norvegicus', which predated the Sex Pistols' 'Never
> Mind the Bollocks' release by several weeks) had fantastic "chops".
> Listen to many of the songs from 'Black & White', their 3rd studio
> album, with Dave Greenfield's Manzarek-inspired keyboard runs or JJ
> Burnel's hooky bass lines.  They merely knew when to use chops and
> when to let the song, however raw, speak for itself.
>
> And the early American groups that were the inspiration for the
> British -- like the Ramones, MI-5, & Iggy Pop -- usually didn't
> really trash the whole concept of being able to play well.  That just
> wasn't where they were interested in putting their emphasis.
>
> On the other hand, you also had just as many prog-rockers (such as
> Phil Collins) slagging off Punk as completely without merit.  "That's
> not music; that's crap!"
>
> Then came the infighting and the genre wars; not to mention the
> Post-Punk period, where if you tried to put anything left of the
> party line back into your music, you were deemed a "sell out" and
> gobbed upon by the leftover Punk contingent.  This wasn't much helped
> by the British music press, who were notoriously vicious at this time
> (New Music Express, for instance, which was generally referred to by
> most bands as N.M.E. -- as in "enemy").  They often exploited the
> trend-hopping and infighting just to sell magazines.
>
> However, there still remains good expressive music on both sides.  I
> could probably name you a dozen fantastic Punk groups off the top of
> my head (stop worrying; I'll spare you).  Returning to the Prog side
> though, I'm surprised that Henry Cow -- as well as many of the other
> Fred Frith projects -- hasn't yet come up.  Their first album,
> 'Legend' (pronounced Leg End, heh!) alone is worth honorable mention,
> if nothing else.
>
> And, out of left field, I'll also throw in the Dutch group Focus, who
> achieved some minor visibilty with 'Hocus Pocus' during the 70's -- a
> song which featured not only Jan Akkerman's lightening fast guitar
> "chops" but also YODELLING!!!  In this case, I've always been fond of
> their 'Hamburger Concerto', which is alternately bombastically
> overblown, simplistically silly, charmingly pretentious, and quite
> genius.
>
> 	--m.
> --
> _______
> "You are in a maze of twisty little passages, all alike..."
>
>

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Subject: RE: prog-bashing
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My that is all remarkably well put. I second that emotion.
=20
=20
Hal Dean

	-----Original Message-----
	From: goddard.duncan@mtvne.com [mailto:goddard.duncan@mtvne.com]

	Sent: Wednesday, June 21, 2006 2:17 PM
	To: Loopers-Delight@loopers-delight.com
	Subject: RE: prog-bashing
=09
=09

	>>I think the whole prog-bashing trend started as sour grapes on
the part of kids who just didn't have the chops to play it.  As I
recall, at the same time that prog was declared a dinosaur by these
young turks virtuosity in general was poo-pooed just as much.

	Not that there wasn't an awful lot of excess (and I spell excess
E-L-P) rampant at the time!<<=20

	I like to console myself that the excess was necessary somehow,
& that there was a background of "arms-race" about it amongst the bigger
outfits & their trailers full of persian rugs, steel drumkits & whatnot,
which was genuinely tongue-firmly-in-cheek long before "stonehenge".=20

	I think it's a very modern (read: politically correct) thing to
have any genuine, well-founded objections to the amount of horsepower
required by the likes of ELP to mount their stage show.=20

	back then, the complaints were about the attention they drew to
themselves rather than any actual waste. though john peel called them a
"waste of talent & electricity", he'd actually quite liked "the nice" &
was merely voicing his disappointment with emerson's new direction. if
he'd known the expression, I'm sure he would have said "YMMV".

	besides, a touring orchestra, opera or theatre company would
have been about the same size, & probably would've been drawing smaller
crowds.

	the punk "revolution" is overstated, even with this amount of
hindsight.=20
	we quickly forget how many experienced, slightly older musicians
were drafted in by these "young turks" to assist & support their
endeavours. (step forward nick mason & steve hillage, amonsgt others,
who produced some of this "punk" stuff despite belonging in "the other
camp".)

	& the same dave stewart I mentioned last time (i.e. not the
guitarist who became a punk with annie lennox & then re-invented prog in
the mid 80s with much fairlight noodlery as a eurythmic, but the one
from egg/gong/bruford/national health) even appeared on top of the pops
(a long running british tv chart show of some repute) wearing a PiL
t-shirt.

	in fact, a great deal of this antipathy was invented by the
music press, & by journalists generally.=20
	at the bands' level, things were often quite different, with
punk rock's glitterati turning up to see zeppelin at knebworth, ATV
making albums with here&now, & eventually the clash releasing a triple
album. sharing of concert bills made more sense than trying to stir up
acrimony.

	for me, it's much simpler than any genre or social divide.=20
	there'll always be a number of musicians who manage to combine
the chops with the essential humour of music's ability to communicate, &
there'll always be a number of musicians who fall to one side or the
other of that bell-curve. some of the most technically adept musos of
the 70s were the most humourless bunch you could imagine, & they made
you ache for the cartoon nihilism of a sid vicious or a captain
sensible.=20

	hiromi made me want to see keith tippett, never mind keith
emerson. I'm sure she can be very funny.... but I couldn't see it in her
wackily titled showcase piece, I'm sorry.

	duncan.=20


=09
=09
=09
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<BODY>
<DIV><FONT face=3D"Book Antiqua" color=3D#0000ff><SPAN =
class=3D993302518-21062006>My=20
that is all remarkably well put. I second that =
emotion.</SPAN></FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV align=3Dleft><STRONG><EM><FONT face=3D"Palatino Linotype" =
color=3D#0000ff=20
size=3D4>Hal<SPAN=20
class=3D954163418-19102004>&nbsp;Dean</SPAN></FONT></EM></STRONG></DIV>
<BLOCKQUOTE style=3D"MARGIN-RIGHT: 0px">
  <DIV></DIV>
  <DIV class=3DOutlookMessageHeader lang=3Den-us dir=3Dltr =
align=3Dleft><FONT=20
  face=3DTahoma size=3D2>-----Original Message-----<BR><B>From:</B>=20
  goddard.duncan@mtvne.com [mailto:goddard.duncan@mtvne.com] =
<BR><B>Sent:</B>=20
  Wednesday, June 21, 2006 2:17 PM<BR><B>To:</B>=20
  Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> RE:=20
  prog-bashing<BR><BR></FONT></DIV>
  <P><FONT size=3D2>&gt;&gt;I think the whole prog-bashing trend started =
as sour=20
  grapes on the part of kids who just didn't have the chops to play =
it.&nbsp; As=20
  I recall, at the same time that prog was declared a dinosaur by these =
young=20
  turks virtuosity in general was poo-pooed just as much.</FONT></P>
  <P><FONT size=3D2>Not that there wasn't an awful lot of excess (and I =
spell=20
  excess E-L-P) rampant at the time!&lt;&lt;</FONT> </P>
  <P><FONT size=3D2>I like to console myself that the excess was =
necessary=20
  somehow, &amp; that there was a background of "arms-race" about it =
amongst the=20
  bigger outfits &amp; their trailers full of persian rugs, steel =
drumkits &amp;=20
  whatnot, which was genuinely tongue-firmly-in-cheek long before =
"stonehenge".=20
  </FONT></P>
  <P><FONT size=3D2>I think it's a very modern (read: politically =
correct) thing=20
  to have any genuine, well-founded objections to the amount of =
horsepower=20
  required by the likes of ELP to mount their stage show. </FONT></P>
  <P><FONT size=3D2>back then, the complaints were about the attention =
they drew=20
  to themselves rather than any actual waste. though john peel called =
them a=20
  "waste of talent &amp; electricity", he'd actually quite liked "the =
nice"=20
  &amp; was merely voicing his disappointment with emerson's new =
direction. if=20
  he'd known the expression, I'm sure he would have said =
"YMMV".</FONT></P>
  <P><FONT size=3D2>besides, a touring orchestra, opera or theatre =
company would=20
  have been about the same size, &amp; probably would've been drawing =
smaller=20
  crowds.</FONT></P>
  <P><FONT size=3D2>the punk "revolution" is overstated, even with this =
amount of=20
  hindsight. </FONT><BR><FONT size=3D2>we quickly forget how many =
experienced,=20
  slightly older musicians were drafted in by these "young turks" to =
assist=20
  &amp; support their endeavours. (step forward nick mason &amp; steve =
hillage,=20
  amonsgt others, who produced some of this "punk" stuff despite =
belonging in=20
  "the other camp".)</FONT></P>
  <P><FONT size=3D2>&amp; the same dave stewart I mentioned last time =
(i.e. not=20
  the guitarist who became a punk with annie lennox &amp; then =
re-invented prog=20
  in the mid 80s with much fairlight noodlery as a eurythmic, but the =
one from=20
  egg/gong/bruford/national health) even appeared on top of the pops (a =
long=20
  running british tv chart show of some repute) wearing a PiL=20
t-shirt.</FONT></P>
  <P><FONT size=3D2>in fact, a great deal of this antipathy was invented =
by the=20
  music press, &amp; by journalists generally. </FONT><BR><FONT =
size=3D2>at the=20
  bands' level, things were often quite different, with punk rock's =
glitterati=20
  turning up to see zeppelin at knebworth, ATV making albums with =
here&amp;now,=20
  &amp; eventually the clash releasing a triple album. sharing of =
concert bills=20
  made more sense than trying to stir up acrimony.</FONT></P>
  <P><FONT size=3D2>for me, it's much simpler than any genre or social =
divide.=20
  </FONT><BR><FONT size=3D2>there'll always be a number of musicians who =
manage to=20
  combine the chops with the essential humour of music's ability to =
communicate,=20
  &amp; there'll always be a number of musicians who fall to one side or =
the=20
  other of that bell-curve. some of the most technically adept musos of =
the 70s=20
  were the most humourless bunch you could imagine, &amp; they made you =
ache for=20
  the cartoon nihilism of a sid vicious or a captain sensible. =
</FONT></P>
  <P><FONT size=3D2>hiromi made me want to see keith tippett, never mind =
keith=20
  emerson. I'm sure she can be very funny.... but I couldn't see it in =
her=20
  wackily titled showcase piece, I'm sorry.</FONT></P>
  <P><FONT size=3D2>duncan.</FONT> </P><BR><CODE><FONT=20
  =
size=3D3><BR><BR>********************************************************=
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=00
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From Loopers-Delight-request@loopers-delight.com  Wed Jun 21 18:30:24 2006
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From: "claude voit" <c.voit@vtx.ch>
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References: <20060621180225.45674.qmail@web38605.mail.mud.yahoo.com>
Subject: Re: Addressing a single Echoplex in a Stereo Setup
Date: Wed, 21 Jun 2006 20:30:22 +0200
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its the same as 2 edp players using brother sync

http://www.loopersdelight.com/tools/echoplex/FAQ7.html

Claude

----- Original Message ----- 
From: "L.A. Angulo" <labaloops@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, June 21, 2006 8:02 PM
Subject: RE: Addressing a single Echoplex in a Stereo Setup


id be interested to know if anybody is using it this
way and the tricks and possibilities involved! 
Luis
 
> There is a suggestion of using separate Source # or
> MIDI channels and sending
> >two messages. I wonder if synchronization (when
> working in stereo) would be
> >compromised.
> 
> No, there won't be any problem. We designed the
> Echoplex to support this 
> type of use, and tested it to be sure it worked.


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Wed Jun 21 18:37:20 2006
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From: Richard Sales <richard@glasswing.com>
Subject: Re: Prog Rock  was Hiromi
Date: Wed, 21 Jun 2006 11:37:03 -0700
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There you go!

I've been in  touch with Kitt a bit, but lost touch with Stanley and 
Frank etc.  Tried and tried to track down Mike Beck to no avail.
cool!
richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 21-Jun-06, at 9:58 AM, Sheila Olson wrote:

> Oh ya!
>
> Crafty Hands........ produced by Ken Scott I believe.
>
>
>
>             joe
>
> On Wednesday, June 21, 2006, at 09:46 AM, Richard Sales wrote:
>
>> Did any of you ever hear the prog band Happy The Man?  We shared 
>> bills in the good old days (G.O.D.S) and I thought, and still think, 
>> they were some of the best and most creative of the prog genre.   
>> Especially in their first incarnation with Mike Beck on 
>> drums/creative percussion.
>>
>> And yes!  The anti chop movement has been devastating to music.  The 
>> sanctification of The Garage has been cataclysmic.  But some nights, 
>> when I''m off, I'm really grateful for it!
>>
>> But recording guitar for my daughter I really saw the impact of this. 
>>  She didn't want ANY string bends (I snuck in a few), any left hand 
>> tremolo (when she wasn't looking), anything that really stood out.  
>> So ALL of my parts are incredibly simple - which is what I usually 
>> like anyhow, but I mean REALLY SIMPLE.  I learned to put all the soul 
>> I could muster into whole notes!  While doing it I thought I would be 
>> really embarrassed - and threatened to not put my name on the CD - 
>> but the final product actually fits together well and the guitar 
>> comes off as organic and doesn't step on ANY toes (to say the least). 
>>   But this is how a lot of younger (especially college age) folks 
>> want to hear music... or at least NEW music.  They'll listen to the 
>> Zep's note blizzards all day long and somehow that slips under the 
>> radar.   But generally, guitar chops are seen as showing off.
>>
>> It's a strange new world!  Our job is getting easier.
>>
richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
>> On 21-Jun-06, at 8:23 AM, Christophe wrote:
>>
>>> I think the whole prog-bashing trend started as sour grapes on the 
>>> part of kids who just didn't have the chops to play it.  As I 
>>> recall, at the same time that prog was declared a dinosaur by these 
>>> young turks virtuosity in general was poo-pooed just as much.
>>>
>>> Not that there wasn't an awful lot of excess (and I spell excess 
>>> E-L-P) rampant at the time!
>>>
>>> Regards from Boston,
>>> Chris
>>>
>>>
>>>  -------------- Original message ----------------------
>>> From: "Tony K" <bigtony@softhome.net>
>>>> RE: HiromiI'll be seeing Emerson on Sunday evening.  I'm not 
>>>> counting on silver
>>>> suit or knives in the B3.  Apparently he does travel with a large 
>>>> modular
>>>> though...
>>>>
>>>> I'm  a prog-head and proud of it!  I have all of the ELP albums up 
>>>> to but not
>>>> including "Love Bleah" oh, I mean "Beach"
>>>>
>>>> I sometimes think it's just fashionable to trash prog, but I would 
>>>> rather listen
>>>> to it than most of what's coming out these days.  It is interesting 
>>>> to note that
>>>> there is a very active and very good modern prog scene going on.
>>>>
>>>> as said before. YMMV.
>>>>
>>>> Tony
>>>


--Apple-Mail-1-809131688
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There you go!  


I've been in  touch with Kitt a bit, but lost touch with Stanley and
Frank etc.  Tried and tried to track down Mike Beck to no avail.

cool!

<fontfamily><param>Gadget</param>richard sales

<color><param>7372,7F7E,C5C4</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C2,9695,1C1B</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 21-Jun-06, at 9:58 AM, Sheila Olson wrote:


<excerpt>Oh ya!


Crafty Hands........ produced by Ken Scott I believe.


     


            joe

 

On Wednesday, June 21, 2006, at 09:46 AM, Richard Sales wrote:


<excerpt>Did any of you ever hear the prog band Happy The Man?  We
shared bills in the good old days (G.O.D.S) and I thought, and still
think, they were some of the best and most creative of the prog genre.  
Especially in their first incarnation with Mike Beck on drums/creative
percussion.


And yes!  The anti chop movement has been devastating to music.  The
sanctification of The Garage has been cataclysmic.  But some nights,
when I''m off, I'm really grateful for it!    


But recording guitar for my daughter I really saw the impact of this. 
She didn't want ANY string bends (I snuck in a few), any left hand
tremolo (when she wasn't looking), anything that really stood out.  So
ALL of my parts are incredibly simple - which is what I usually like
anyhow, but I mean <italic>REALLY</italic> SIMPLE.  I learned to put
all the soul I could muster into whole notes!  While doing it I
thought I would be really embarrassed - and threatened to not put my
name on the CD - but the final product actually fits together well and
the guitar comes off as organic and doesn't step on ANY toes (to say
the least).   But this is how a lot of younger (especially college
age) folks want to hear music... or at least NEW music.  They'll
listen to the Zep's note blizzards all day long and somehow that slips
under the radar.   But generally, guitar chops are seen as showing off.


It's a strange new world!  Our job is getting easier.


</excerpt></excerpt><fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

<excerpt><excerpt>On 21-Jun-06, at 8:23 AM, Christophe wrote:


<excerpt>I think the whole prog-bashing trend started as sour grapes
on the part of kids who just didn't have the chops to play it.  As I
recall, at the same time that prog was declared a dinosaur by these
young turks virtuosity in general was poo-pooed just as much.


Not that there wasn't an awful lot of excess (and I spell excess
E-L-P) rampant at the time!


Regards from Boston,

Chris



 -------------- Original message ----------------------

From: "Tony K" <<bigtony@softhome.net>

<excerpt>RE: HiromiI'll be seeing Emerson on Sunday evening.  I'm not
counting on silver 

suit or knives in the B3.  Apparently he does travel with a large
modular 

though...


I'm  a prog-head and proud of it!  I have all of the ELP albums up to
but not 

including "Love Bleah" oh, I mean "Beach"


I sometimes think it's just fashionable to trash prog, but I would
rather listen 

to it than most of what's coming out these days.  It is interesting to
note that 

there is a very active and very good modern prog scene going on.  


as said before. YMMV.


Tony

</excerpt>

</excerpt></excerpt></excerpt>


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From Loopers-Delight-request@loopers-delight.com  Wed Jun 21 18:49:02 2006
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Date: Wed, 21 Jun 2006 14:48:58 EDT
Subject: =?ISO-8859-1?Q?Re:=20Prog=20Rock=A0=20was=20Hiromi?=
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In a message dated 6/21/06 12:38:07 PM, richard@glasswing.com writes:


> I've been in=A0 touch with Kitt a bit, but lost touch with Stanley and
> Frank etc.=A0 Tried and tried to track down Mike Beck to no avail.
> cool!
>=20

mike beck is a friend of mine, and last i knew of he was living in the=20
indianapolis, indiana area working with a band called "dog talk."   i actual=
ly=20
played with him.........ugh, it's true.....20 some years ago, very briefly i=
n a=20
band called "rumble."   terrific, very creative, talented guy.   if i can re=
-find=20
his email address, i'll get it to you richard.


John Floridis
406-721-9161 (home)
406-544-0787 (cell)
johnfloridis.com

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
In a message dated 6/21/06 12:38:07 PM, richard@glasswing.com writes:<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">I've been in=A0 touch=
 with Kitt a bit, but lost touch with Stanley and<BR>
Frank etc.=A0 Tried and tried to track down Mike Beck to no avail.<BR>
cool!<BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
<BR>
mike beck is a friend of mine, and last i knew of he was living in the india=
napolis, indiana area working with a band called "dog talk."&nbsp;  i actual=
ly played with him.........ugh, it's true.....20 some years ago, very briefl=
y in a band called "rumble."&nbsp;  terrific, very creative, talented guy.&n=
bsp;  if i can re-find his email address, i'll get it to you richard.<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"><BR>
<BR>
John Floridis<BR>
406-721-9161 (home)<BR>
406-544-0787 (cell)<BR>
</FONT><FONT COLOR=3D"#0000FF" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"><A HREF=3D"http://johnfloridis.com/">johnfloridis.com</A></FONT><FONT COL=
OR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT></HTML>
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From Loopers-Delight-request@loopers-delight.com  Wed Jun 21 18:52:17 2006
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From: "Tony K" <bigtony@softhome.net>
To: Loopers-Delight@loopers-delight.com
References: <p0623092ec0bf351a1de5@[192.168.1.102]>
Subject: Re: Sloppyness (was: Re: Hiromi)
Date: Wed, 21 Jun 2006 14:49:16 -0400
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> As an aside to this already off-topic thread, one of my complaints with 
> something like a Berklee / GIT education is that they drill the mistakes 
> right out of you. A side effect of this is that people are left with only 
> their imagination to rely on, as they rarely have need to recover from 
> mistakes, which is often some of the most inventive playing, IMO.
>

I had a friend when I was learning to play who told me if I made a mistake, 
just repeat it and everybody will think I did it on purpose. ;)

Wasn't it Miles Davis who said that if you aren't making mistakes, you 
aren't playing Jazz?

I do agree that there is a lot to be said for how you recover from a mistake 
and how you learn from them.  So much of what I've been doing lately is 
complete improv which seems rooted in exploration and exploitation of 
mistakes!

Tony

----- Original Message ----- 
From: "Chris Muir" <cbm@well.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, June 21, 2006 2:19 PM
Subject: RE: Sloppyness (was: Re: Hiromi)


> At 1:33 PM -0400 6/21/06, Dean, Hal  wrote:
>>Call me a nitpicker on semantics, but I'd say the Hendrix Experience was
>>LOOSE, not sloppy. There's a world of difference. A loose outfit may be
>>communicating on a higher plane, while sloppiness is often a sign of the
>>opposite - inattention to the moment.
>
> I think that sloppy and/or loose playing can also come from trying things 
> that are on the edge of your ability to pull off. I really enjoy this.
>
> One of my favorite guitarists is Phil Miller (Matching Mole, Hatfield and 
> the North, National Health, etc.). In many of his solos he is reaching for 
> _that_ note or phrase, and barely makes it, which can come across as a 
> little sloppy. I would rather listen to someone like Phill Miller grasping 
> for thing, than most other guitarists playing it safe.
>
> ---
>
> As an aside to this already off-topic thread, one of my complaints with 
> something like a Berklee / GIT education is that they drill the mistakes 
> right out of you. A side effect of this is that people are left with only 
> their imagination to rely on, as they rarely have need to recover from 
> mistakes, which is often some of the most inventive playing, IMO.
>
> -C
>
> -- 
> Chris Muir           | "There are many futures and only one status quo.
> cbm@well.com         |  This is why conservatives mostly agree,
> http://www.xfade.com |  and radicals always argue." - Brian Eno
> 

From Loopers-Delight-request@loopers-delight.com  Wed Jun 21 18:55:52 2006
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just to clarify.....my "ugh, it's true" had to do with the realization that 
it had been 20 years since i played with mike beck......certainly not an "ugh" 
at having played with him.....that was an honor.

john

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2">just to clarify.....my "ugh, it's true"=
 had to do with the realization that it had been </FONT><FONT COLOR=3D"#0000=
00" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><U>20 years</U></FONT><F=
ONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"> since=
 i played with mike beck......certainly not an "ugh" at having played with h=
im.....</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" S=
IZE=3D"2"><I>that </I></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=
=3D"SANSSERIF" SIZE=3D"2">was an honor.<BR>
<BR>
john</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=
=3D"2"></FONT></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed Jun 21 18:57:41 2006
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Subject: RE: Sloppyness (was: Re: Hiromi)
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--- Chris Muir <cbm@well.com> wrote:

> 
> I think that sloppy and/or loose playing can also
> come from trying things that are on the edge of your
> ability to pull off. I really enjoy this.

That's what Hendrix sounds like to me... with a dollup
of "weooooooooooo! I'm tripping HARD!"

Don't get me wrong, I LOVE TJHE but let's not even get
into chops discussion.  I only brought him up because
I felt he was a great example of someone who, while
good, wasn't incredible in terms of what we now call
"chops."  His emotion and creativity more than made up
for any "looseness" or "slop" which was my original
point.

Mark

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Wed Jun 21 19:03:31 2006
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Date: Wed, 21 Jun 2006 15:03:16 EDT
Subject: mike beck
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mike beck fans.......

beck7620@aol.com     that's the email address on the dog talk website-   
http://www.dogtalk.net


John Floridis
406-721-9161 (home)
406-544-0787 (cell)
johnfloridis.com

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2">mike beck fans.......<BR>
<BR>
</FONT><FONT COLOR=3D"#0000FF" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"><A HREF=3D"mailto:beck7620@aol.com">beck7620@aol.com</A></FONT><FONT COLO=
R=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">&nbsp;&nbsp;&n=
bsp;  that's the email address on the dog talk website-&nbsp;&nbsp; </FONT><=
FONT COLOR=3D"#0000FF" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><A HR=
EF=3D"http://">http://www.dogtalk.net</A></FONT><FONT COLOR=3D"#000000" FACE=
=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
<BR>
<BR>
John Floridis<BR>
406-721-9161 (home)<BR>
406-544-0787 (cell)<BR>
</FONT><FONT COLOR=3D"#0000FF" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"><A HREF=3D"http://johnfloridis.com/">johnfloridis.com</A></FONT><FONT COL=
OR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
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Thanks!
=20
Hal Dean
-----Original Message-----
From: Jfloridis@aol.com [mailto:Jfloridis@aol.com]=20
Sent: Wednesday, June 21, 2006 3:03 PM
To: Loopers-Delight@loopers-delight.com
Subject: mike beck



	mike beck fans.......
=09
	beck7620@aol.com    that's the email address on the dog talk
website-   http://www.dogtalk.net <http://>=20
=09
=09
	John Floridis
	406-721-9161 (home)
	406-544-0787 (cell)
	johnfloridis.com <http://johnfloridis.com/>=20
=09


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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD><TITLE>Message</TITLE>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Dus-ascii">
<META content=3D"MSHTML 6.00.2900.2912" name=3DGENERATOR></HEAD>
<BODY>
<DIV><SPAN class=3D438200619-21062006><FONT face=3D"Book Antiqua"=20
color=3D#0000ff>Thanks!</FONT></SPAN></DIV>
<DIV>&nbsp;</DIV>
<DIV align=3Dleft><STRONG><EM><FONT face=3D"Palatino Linotype" =
color=3D#0000ff=20
size=3D4>Hal<SPAN=20
class=3D954163418-19102004>&nbsp;Dean</SPAN></FONT></EM></STRONG></DIV>
<DIV align=3Dleft>
<DIV align=3Dleft><FONT face=3D"Palatino Linotype" =
size=3D2></FONT></DIV>
<DIV></DIV><FONT face=3DTahoma size=3D2>-----Original =
Message-----<BR><B>From:</B>=20
Jfloridis@aol.com [mailto:Jfloridis@aol.com] <BR><B>Sent:</B> Wednesday, =
June=20
21, 2006 3:03 PM<BR><B>To:</B>=20
Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> mike=20
beck<BR><BR></FONT></DIV>
<BLOCKQUOTE style=3D"MARGIN-RIGHT: 0px"><FONT =
face=3Darial,helvetica><FONT=20
  face=3DGeneva color=3D#000000 size=3D2 FAMILY=3D"SANSSERIF">mike beck=20
  fans.......<BR><BR></FONT><FONT face=3DGeneva color=3D#0000ff size=3D2 =

  FAMILY=3D"SANSSERIF"><A=20
  href=3D"mailto:beck7620@aol.com">beck7620@aol.com</A></FONT><FONT =
face=3DGeneva=20
  color=3D#000000 size=3D2 FAMILY=3D"SANSSERIF">&nbsp;&nbsp;&nbsp; =
that's the email=20
  address on the dog talk website-&nbsp;&nbsp; </FONT><FONT =
face=3DGeneva=20
  color=3D#0000ff size=3D2 FAMILY=3D"SANSSERIF"><A=20
  href=3D"http://">http://www.dogtalk.net</A></FONT><FONT face=3DGeneva=20
  color=3D#000000 size=3D2 FAMILY=3D"SANSSERIF"><BR><BR><BR>John=20
  Floridis<BR>406-721-9161 (home)<BR>406-544-0787 (cell)<BR></FONT><FONT =

  face=3DGeneva color=3D#0000ff size=3D2 FAMILY=3D"SANSSERIF"><A=20
  href=3D"http://johnfloridis.com/">johnfloridis.com</A></FONT><FONT =
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=00
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From Loopers-Delight-request@loopers-delight.com  Wed Jun 21 19:29:05 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Mars Volta!!!!  ( was Re: Hiromi
Date: Wed, 21 Jun 2006 21:28:59 +0200
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On 21 jun 2006, at 20.24, Joshua Carroll wrote:

> Have any of you listened to The Mars Volta?  Flippin' rock my balls  
> off!
> It almost feels like Plant and Page all over again, but with a  
> different
> kind of in-your-face attitide.  I love it. Amazing!


Oh yeah! I love Mars Volta! Have the latest CD albums.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Wed Jun 21 19:51:30 2006
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From: Richard Sales <richard@glasswing.com>
Subject: Re: mike beck
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--Apple-Mail-2-813595062
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Ooooh wee!  I loved his playing so much.  I thought he was just one of=20=

the coolest drummers I ever saw...

Last I'd heard he'd moved to the midwest or something.

Wow!  I went to dogtalk.net and there he is!  too much.
richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 21-Jun-06, at 12:06 PM, Dean, Hal wrote:

> Thanks!
> =A0
> Hal=A0Dean
> -----Original Message-----
> From: Jfloridis@aol.com [mailto:Jfloridis@aol.com]
> Sent: Wednesday, June 21, 2006 3:03 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: mike beck
>
>> mike beck fans.......
>>
>> beck7620@aol.com=A0=A0=A0 that's the email address on the dog talk=20
>> website-=A0=A0 http://www.dogtalk.net
>>
>>
>> John Floridis
>> 406-721-9161 (home)
>> 406-544-0787 (cell)
>> johnfloridis.com

--Apple-Mail-2-813595062
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Ooooh wee!  I loved his playing so much.  I thought he was just one of
the coolest drummers I ever saw...=20


Last I'd heard he'd moved to the midwest or something. =20


Wow!  I went to dogtalk.net and there he is!  too much.

<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 21-Jun-06, at 12:06 PM, Dean, Hal wrote:


<excerpt><color><param>0000,0000,FFFF</param>Thanks!</color>

=A0

=
<bold><italic><color><param>0000,0000,FFFF</param><bigger>Hal=A0Dean</bigg=
er></color></italic></bold>

<smaller>-----Original Message-----</smaller>

<bold><smaller>From:</smaller></bold><smaller> Jfloridis@aol.com
[mailto:Jfloridis@aol.com]</smaller>

<bold><smaller>Sent:</smaller></bold><smaller> Wednesday, June 21,
2006 3:03 PM</smaller>

<bold><smaller>To:</smaller></bold><smaller>
Loopers-Delight@loopers-delight.com</smaller>

<bold><smaller>Subject:</smaller></bold><smaller> mike beck</smaller>


<excerpt><fontfamily><param>Geneva</param><smaller>mike beck
fans.......</smaller></fontfamily>


=
<fontfamily><param>Geneva</param><color><param>0000,0000,EEEE</param><smal=
ler>beck7620@aol.com</smaller></color><smaller>=A0=A0=A0
that's the email address on the dog talk website-=A0=A0
=
<color><param>0000,0000,EEEE</param>http://www.dogtalk.net</color></smalle=
r></fontfamily>



<fontfamily><param>Geneva</param><smaller>John =
Floridis</smaller></fontfamily>

<fontfamily><param>Geneva</param><smaller>406-721-9161 =
(home)</smaller></fontfamily>

<fontfamily><param>Geneva</param><smaller>406-544-0787 =
(cell)</smaller></fontfamily>

=
<fontfamily><param>Geneva</param><color><param>0000,0000,EEEE</param><smal=
ler>johnfloridis.com</smaller></color></fontfamily>

</excerpt></excerpt>=

--Apple-Mail-2-813595062--

From Loopers-Delight-request@loopers-delight.com  Wed Jun 21 19:53:44 2006
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From: "claude voit" <c.voit@vtx.ch>
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Subject: Re: Sloppyness (was: Re: Hiromi)
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----- Original Message ----- 
From: "Chris Muir" <cbm@well.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, June 21, 2006 8:19 PM
Subject: RE: Sloppyness (was: Re: Hiromi)


> At 1:33 PM -0400 6/21/06, Dean, Hal  wrote:
>>Call me a nitpicker on semantics, but I'd say the Hendrix Experience was
>>LOOSE, not sloppy. There's a world of difference. A loose outfit may be
>>communicating on a higher plane, while sloppiness is often a sign of the
>>opposite - inattention to the moment.
>
> I think that sloppy and/or loose playing can also come from trying things 
> that are on the edge of your ability to pull off. I really enjoy this.
>
> One of my favorite guitarists is Phil Miller (Matching Mole, Hatfield and 
> the North, National Health, etc.). In many of his solos he is reaching for 
> _that_ note or phrase, and barely makes it, which can come across as a 
> little sloppy. I would rather listen to someone like Phill Miller grasping 
> for thing, than most other guitarists playing it safe.
>
> ---
>
> As an aside to this already off-topic thread, one of my complaints with 
> something like a >Berklee / GIT education is that they drill the mistakes 
> right out of you. A side effect of this is >that people are left with only 
> their imagination to rely on, as they rarely have need to recover >from 
> mistakes, which is often some of the most inventive playing, IMO.

come on !! this is the same cliché argument again, would you say the same 
thing from any university ? creativity is also needed for scientists, 
businessmen, etc...
the schools have nothing to do with that: creativity is a path to work on 
for anybody.

and btw they recover from mistakes as much often as anyone, simply they 
recover more elegantly so you dont even hear it as a mistake.


Claude

GIT grad 1990 with honors

:-)










From Loopers-Delight-request@loopers-delight.com  Wed Jun 21 20:09:26 2006
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From: Paul Richards <paulrichard10@adelphia.net>
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Subject: More Prog Rock
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Ya know who's been doing some really nice stuff - is Steve Hackett formerly of Genesis. Some reviewer made a comment that was so true re: his work. That he was definitely one of the major creative leaders of the band Genesis.

Seems like he's come to terms with his music from that era (of course, he has a lot of newer stuff as well). Man, when he digs into some of the solos from Genesis tunes, yowza!

There's a live version of "Everyday" on the 70s/80s/90s archive that just blows me away when I hear it. There are several tempo changes in odd meters at a  few points in the song and his playing is right on.

The live set in Japan he did with ex-menbers of King Crimson, Asia, Genesis is top rate - both the DVD & the 2 CD set.

--
Paul Richards

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From Loopers-Delight-request@loopers-delight.com  Wed Jun 21 20:23:36 2006
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At 9:53 PM +0200 6/21/06, claude voit wrote:
>come on !! this is the same clich=E9 argument again, would you say the same=
 thing from any university ? creativity is also needed for scientists,=
 businessmen, etc...
>the schools have nothing to do with that: creativity is a path to work on=
 for anybody.

Well, any generalization has its problems, and mine was no exception.

I certainly agree that creativity is something that needs to be cultivated=
 for pretty much anybody. Certainly there are a lot of good, highly=
 schooled, musicians. It just happens that the people I like best tended to=
 suss it out for themselves.

Theodore Sturgeon said "Ninety percent of everything is crud." This probably=
 holds true whether self-educated or schooled.

I also think that some of the most interesting scientists and businessmen=
 are largely self-taught. (e.g Einstein, Jobs, Gates)


>and btw they recover from mistakes as much often as anyone, simply they=
 recover more elegantly so you dont even hear it as a mistake.

And less interestingly, too, IMO.

-C

-- 
Chris Muir           | "There are many futures and only one status quo.
cbm@well.com         |  This is why conservatives mostly agree,
http://www.xfade.com |  and radicals always argue." - Brian Eno

From Loopers-Delight-request@loopers-delight.com  Wed Jun 21 20:48:47 2006
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Date: Wed, 21 Jun 2006 15:49:12 -0500 (CDT)
Subject: OT: BOSS PS-5
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Does anyone on this list use the BOSS PS-5, and if so what do you think of
it?

--Josh

From Loopers-Delight-request@loopers-delight.com  Wed Jun 21 21:24:12 2006
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> Does anyone on this list use the BOSS PS-5, and if so what do you think of
> it?

It rocks.  It's my secret weapon.  The PS-5 can shift intervals that are in
the key of the song which is better than the Digitech Whammy pedal which
shifts fixed intervals.

Cheers,
Kevin
www.TheNettles.com


From Loopers-Delight-request@loopers-delight.com  Wed Jun 21 22:15:31 2006
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Subject: Prog Rock was Hiromi
Date: Wed, 21 Jun 2006 15:15:15 -0700
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Tony wrote:
" It is interesting to note that there is a very active and very good modern 
prog scene going on."

I really love the later Porcupine Tree and have seen them twice now. 
They are pretty proggy
but also he is a fantastic melodist and singer (and a great guitarist to 
boot).

Interestingly too, in the grunge scene,   Tool has really taken on a bit of 
a prog vibe.  Their last two records
have very few even time signatures on them.   The second to last (which I 
think is a powerful record) is
almost entirely in 5/4, 5/8 or 10/8).     It's very dark, somber, melancholy 
and mono melodic if you are a Yes fan, though, so
be sure and know I told you so.   Great drummer, by the way.

***************************************

Yeah,  Prog Rock:


I was a huge prog fan in my later high school years and the first year of 
college ('71')
but I must confess that I grew out of it in the much the same way that I 
grew out of Jazz Fusion
(which I was a slavish fan of at it's inception).

I guess in the long run for me, it always comes down to composition and I'm 
a song fan, so
gratuitous riffage really leaves me cold these days.   It's ironic because 
having played all my life
I finally have the chops to play in both of those styles really well but I 
find that record producers
are starting to ask me if I will please play more on a song these days when 
I do studio work.

Personally,  I love groove music and I always tell my students:   when you 
are playing groove
styled music of any kind you can only be doing one of two things at a time:
1)  playing the groove or
2)  commenting on the groove

and, if you are commenting on the groove (riffing, filling) then you are NOT 
playing the groove.
Because the groove is so trancey,  I think a lot of musicians forget that it 
does not necessarily continue if you quit playing it.
The musician playing the groove feels it more, I believe than the audience 
hearing it which makes it more important to be
more conservative and minimal when attempting to leave the groove as a 
rhythm section player.

Bill and I once saw Wah Wah Watson get 5,000 people dancing in 30 seconds 
with one L5 Gibson and a wah wah pedal.
He WAS the groove.

Now, I know this makes me a bit of an old fashioned player and this 
precludes the lion share of the Jam Bands that have proliferated so much
but that's how I see it.

Personally, I"d rather listen to a structured Prog Rock band than a 
meandering Jam Band (no matter how stellar the chops of the musicians).

Okee dokee.................you can start flaming now.............lol


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From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: FOR SALE: Mesa Boogie Mark I Combo Amp
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--- Krispen Hartung <khartung@cableone.net> wrote:

> Yeah, I thought the target market for my boogie
> would be fairly slim.

Really?  My brother has one and I swear it was one of
the sweetest little amps I'd ever heard.  Is there no
place in this world for a nice little tube combo amp? 
Try ebay, I bet it goes quickly.

Mark

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Wed Jun 21 22:22:56 2006
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>> Yeah, I thought the target market for my boogie
>> would be fairly slim.
>
> Really?

Well, I meant from a price standpoint, but your points below are right on. I 
was going to try eBay next.

> My brother has one and I swear it was one of
> the sweetest little amps I'd ever heard.  Is there no
> place in this world for a nice little tube combo amp?
> Try ebay, I bet it goes quickly.
>
> Mark

Kris


From Loopers-Delight-request@loopers-delight.com  Wed Jun 21 22:39:50 2006
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ok, i'll take that with me, thanks!

2006/6/21, Per Boysen <perboysen@gmail.com>:
>
> On 21 jun 2006, at 11.54, Thomas Rutgers wrote:
>
> > does anyone know people/artists who perform solo, "recycling"
> > themselves like live-loopers, but who use other compositorial
> > techniques?
>
>
> My knowledge is that every composer use to "write the same song every
> time", at least according to themselves. And most remix wizards do
> this with audio. Kind of "musical Ready-Mades" (as Marcel Duchamp did
> with sculpture in 1914) as a well known sound or melody phrase takes
> on a new meaning when recalled in a new context  ;-)  I guess you
> could say that would go for most classical composers as well, since
> one of the most important techniques have also been to re-use melodic
> themes with variations to give them a slightly new twist as the piece
> develops.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
>
>
>
>

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ok, i'll take that with me, thanks!<br><br>
<div><span class="gmail_quote">2006/6/21, Per Boysen &lt;<a href="mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;:</span>
<blockquote class="gmail_quote" style="PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">On 21 jun 2006, at 11.54, Thomas Rutgers wrote:<br><br>&gt; does anyone know people/artists who perform solo, &quot;recycling&quot;
<br>&gt; themselves like live-loopers, but who use other compositorial<br>&gt; techniques?<br><br><br>My knowledge is that every composer use to &quot;write the same song every<br>time&quot;, at least according to themselves. And most remix wizards do
<br>this with audio. Kind of &quot;musical Ready-Mades&quot; (as Marcel Duchamp did<br>with sculpture in 1914) as a well known sound or melody phrase takes<br>on a new meaning when recalled in a new context&nbsp;&nbsp;;-)&nbsp;&nbsp;I guess you
<br>could say that would go for most classical composers as well, since<br>one of the most important techniques have also been to re-use melodic<br>themes with variations to give them a slightly new twist as the piece<br>
develops.<br><br>Greetings from Sweden<br><br>Per Boysen<br><a href="http://www.boysen.se">www.boysen.se</a> (Swedish)<br><a href="http://www.looproom.com">www.looproom.com</a> (international)<br><a href="http://tinyurl.com/fauvm">
http://tinyurl.com/fauvm</a> (podcast)<br><a href="http://www.myspace.com/looproom">http://www.myspace.com/looproom</a><br><br><br><br></blockquote></div><br>

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From Loopers-Delight-request@loopers-delight.com  Wed Jun 21 23:20:43 2006
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Joshua,

It is a brilliant bit of kit. It gives you some perfectly excellent pitch shifts with the whammy type, pressure sensitive pedal. The harmony factor requires some thinking ahead in the whole scheme of soloing, but is very usable. The detune function, gives you this very lush, chorus-like spread. Lovely. It is a great tool for what it is. From a bang for the buck perspective, it can't be beat. I own two. Specific questions?

Todd

-----Original Message-----
>From: Joshua Carroll <josh@infinivert.com>
>Sent: Jun 21, 2006 4:49 PM
>To: Loopers-Delight@loopers-delight.com
>Subject: OT: BOSS PS-5
>
>Does anyone on this list use the BOSS PS-5, and if so what do you think of
>it?
>
>--Josh
>

From Loopers-Delight-request@loopers-delight.com  Wed Jun 21 23:32:34 2006
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Subject: RE: Sloppiness (was: Re: Hiromi)
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Regarding Steve Vai, I do believe that he has had hand in the beta test and
preset design of the some of those Eventide presets.  DR Z would have set us
strait on that one, but that is what I recall.
  I met him years ago out in front of the Santa Cruz Civic Auditorium before
a Frank Zappa show. I was at the will call hoping my friend Scott Thunes had
comped me a ticket (he hadn't, I guess we weren't that close :o) Steve Vai
happened to be standing in line behind me, overheard my conversation, and
offered to go find Scott to get me in. Those were my early 20's, the ramen
years....and I only had half the ticket price on me. Sure enough 5 minutes
later Scott comes running up to the front door, explains that Bill Graham
presents was tight on the guest list, and slips me 5 bucks to cover the
ticket. Thanks Scott, where ever you are!  Later, after the show I met Steve
again and thanked him, and also met the hilarious Ray White. Even back then
Steve had an aura about him and a little brace of male guitar groupies
crowding around him as he showed some of the charts to Franks music,
including the infamous Black Page...He was very generous with them, and
generous toward me. I've always had a soft spot for Steve since, though I
can't say I really listen to his music. I really appreciate what he has done
to expose other talent with his favored nations label, though I can't say
I've listened to a lot of those artists either, but the point is that its a
musician calling the shots rather than some bean counter, and I appreciate
that.  Seemed like a genuine guy, and I'm sure he still is.  Now Yngwie on
the other hand, from everything I've heard, is not a nice person, some what
of a brat, and a bully and mean drunk, so as far as I'm concerned you can
bash him all you want;-)
 I think that often times the pitfall of virtuosity, is the constant need to
best oneself technically. At what point is a composition fast enough or
complex enough? for me, it gets to a point where I can't process that much
information. Alan Holdsworth is the same for me, its just too many ideas ,
bam bam bam. When I was younger I could enjoy it more, now it just sounds
like a cat piano. I remember someone I know who was close to Michael Hedges
saying that he was really rebelling against his Audiences desire to have him
keep writing Aerial Boundaries over and over again, i.e. keep exploiting his
prodigious two hand technique, and that he wanted to show himself as a more
complete musician, playing keys and flute, and singing. I must say, I was
one of those captivated by his unique brand of virtuosity, but I'd gladly
sit through an evening of him playing flute or quoting Jabberwocky, to have
him back among us. perhaps one day when Vai is in his 60's, he will record
that slow languid lyrical ambient CD he has been keeping in the vaults... or
he'll put out a smooth jazz CD, shudder to think!
Bill

-----Original Message-----
From: Per Boysen [mailto:perboysen@gmail.com]
Sent: Wednesday, June 21, 2006 10:29 AM
To: Loopers-Delight@loopers-delight.com
Subject: Sloppyness (was: Re: Hiromi)


On 21 jun 2006, at 19.11, mark sottilaro wrote:

> Now, I know a lot of you probably like Steve Vai

I don't. But my brother does. Once he played me "a cool Vai tune" and
what I heard was Vai playing guitar, just like he always does, but
this time through a certain default preset of the Eventide Eclipse. I
couldn't believe he just plugged into the Eventide like any simple
effect box and shredded away! But I guess I would enjoy hearing Vai
live, just as I did when hearing Dexter Gordon doing his "Juke Box
Game Thing" without almost playing a single original note.


> While
> I'm at it, have you ever listened to how sloppy The
> Jimi Hendrix Experience is?  I love every moment of
> it.

Yeah, wonderfully sloppy! When "sloppyness" oozes of that what-the-
hell attitude I do love it. But when "sloppyness" oozes of ignorance
I just can't stand it.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom






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The new fender jazz amp is worth a look, very small , loud as you would
need, and nice simple effects. and its a head cabinet design that uses
speakon plugs. It sounds realy real good.
Bill

-----Original Message-----
From: Krispen Hartung [mailto:khartung@cableone.net]
Sent: Tuesday, June 20, 2006 9:36 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: FOR SALE: Mesa Boogie Mark I Combo Amp


Yeah, I thought the target market for my boogie would be fairly slim.  I'd
be willing to make a trade if someone had the right gear.  I love the amp
and the tone is spectacular, but it's a bit overkill and heavy for me (I
have a bad back, had surgury last Dec, etc).  I use the boogie just for my
monday night traditional jazz gig. I'm thinking of gettting a Roland Cube 30
because it is only 20 pounds and smaller, plus it has a lot of
effects...anybody have one?

My lexicon LXP1 and LXP5.  The LXP1 is primarily for delay, chorus, and
reverb. I had been using it for reverb...it really does have nice verb, and
the chorus is lush as well.  The LXP5 is more like a a multi-effects box. It
is a bit challenging to program, however. If someone has the patience to get
inside the menu tree, or uses the MIDIQuest software, then you can get some
interesting sounds out of it. It's not an Eventide or TC Electronics
Fireworx by any means, but still a powerful little effects box.

I'm actually considering selling my two Boss VF-1 units as well.....need to
give that more thought, however, as I'm in love with those little red boxes.
:)

Kris




----- Original Message -----
From: "tEd ® kiLLiAn" <tedkillian@charter.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, June 20, 2006 10:19 PM
Subject: Re: FOR SALE: Mesa Boogie Mark I Combo Amp


> Kris,
>
> 'Tis a beaut indeed. But a tad rich for my meager means.
> I am mildly interested in your Lexicon half-space processors
> you mentioned on the list the other day however.
>
> Given I'm a Mac guy, the software isn't a factor for me.
> But a really good processor (or two) with some new
> creative potential sounds attractive.
>
> Anything more you care to say about them?
>
> Ted
>
>
> On Jun 20, 2006, at 8:46 PM, Krispen Hartung wrote:
>
>> Any takers? It's a beauty.
>>
>> http://www.krispenhartung.com/mark-I.htm
>>
>> Kris
>>
>>
>
>





From Loopers-Delight-request@loopers-delight.com  Wed Jun 21 23:56:24 2006
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Date: Wed, 21 Jun 2006 19:56:21 -0400
From: Joey <tentaclejoe@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On 6/21/06, William Walker <billwalker@baymoon.com> wrote:
> Now Yngwie on
> the other hand, from everything I've heard, is not a nice person, some what
> of a brat, and a bully and mean drunk, so as far as I'm concerned you can
> bash him all you want;-)

Did somebody say Yngwie ???

Anybody else love this mp3 as much as  I do?

http://www.roadrun.com/blabbermouth.net/news.aspx?mode=Article&newsitemID=8100

Joey

From Loopers-Delight-request@loopers-delight.com  Thu Jun 22 00:13:05 2006
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References: <B75BE7673F3DAD4C9116995CFB8339C0111C779C@wcu-ex-emp1.wcupa.net>
Subject: Re: Sloppyness (was: Re: Hiromi)
Date: Thu, 22 Jun 2006 01:12:51 +0100
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You're not a nitpicker on semantics in the least.

IMNSHO, The Jimi Hendrix Experience wasn't "sloppy".  They were cool, and 
digging the gig, and it shown through the playing, hm?

From: "Dean, Hal " <HDEAN@wcupa.edu>
> Call me a nitpicker on semantics, but I'd say the Hendrix Experience was
> LOOSE, not sloppy. There's a world of difference. A loose outfit may be
> communicating on a higher plane, while sloppiness is often a sign of the
> opposite - inattention to the moment.
>
> Hal Dean
>
> -----Original Message-----
> From: Per Boysen [mailto:perboysen@gmail.com]
> Sent: Wednesday, June 21, 2006 1:29 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Sloppyness (was: Re: Hiromi)
>
>
> On 21 jun 2006, at 19.11, mark sottilaro wrote:
>
>> Now, I know a lot of you probably like Steve Vai
>
> I don't. But my brother does. Once he played me "a cool Vai tune" and
> what I heard was Vai playing guitar, just like he always does, but
> this time through a certain default preset of the Eventide Eclipse. I
> couldn't believe he just plugged into the Eventide like any simple
> effect box and shredded away! But I guess I would enjoy hearing Vai
> live, just as I did when hearing Dexter Gordon doing his "Juke Box
> Game Thing" without almost playing a single original note.
>
>
>> While
>> I'm at it, have you ever listened to how sloppy The
>> Jimi Hendrix Experience is?  I love every moment of
>> it.
>
> Yeah, wonderfully sloppy! When "sloppyness" oozes of that what-the-
> hell attitude I do love it. But when "sloppyness" oozes of ignorance
> I just can't stand it.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast) http://www.myspace.com/looproom
>
>
>
>
>
>
>
> 

From Loopers-Delight-request@loopers-delight.com  Thu Jun 22 00:22:02 2006
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Mwahahahahahahaaaa ... "you've unleashed the f**kin' fury" ... classic ...

Joey <tentaclejoe@gmail.com> wrote: On 6/21/06, William Walker  wrote:
> Now Yngwie on
> the other hand, from everything I've heard, is not a nice person, some what
> of a brat, and a bully and mean drunk, so as far as I'm concerned you can
> bash him all you want;-)

Did somebody say Yngwie ???

Anybody else love this mp3 as much as  I do?

http://www.roadrun.com/blabbermouth.net/news.aspx?mode=Article&newsitemID=8100

Joey



 		
---------------------------------
 Try the all-new Yahoo! Mail . "The New Version is radically easier to use" – The Wall Street Journal
--0-667966041-1150935720=:9532
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Mwahahahahahahaaaa ... "you've unleashed the f**kin' fury" ... classic ...<br><br><b><i>Joey &lt;tentaclejoe@gmail.com&gt;</i></b> wrote:<blockquote class="replbq" style="border-left: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-left: 5px;"> On 6/21/06, William Walker <billwalker@baymoon.com> wrote:<br>&gt; Now Yngwie on<br>&gt; the other hand, from everything I've heard, is not a nice person, some what<br>&gt; of a brat, and a bully and mean drunk, so as far as I'm concerned you can<br>&gt; bash him all you want;-)<br><br>Did somebody say Yngwie ???<br><br>Anybody else love this mp3 as much as  I do?<br><br>http://www.roadrun.com/blabbermouth.net/news.aspx?mode=Article&amp;newsitemID=8100<br><br>Joey<br><br></billwalker@baymoon.com></blockquote><br><p>&#32;
		<hr size=1> 
Try the <a href="http://us.rd.yahoo.com/mail/uk/taglines/default/nowyoucan/wall_st_2/*http://us.rd.yahoo.com/evt=40565/*http://uk.docs.yahoo.com/nowyoucan.html">all-new Yahoo! Mail</a> . "The New Version is radically easier to use" – The Wall Street Journal
--0-667966041-1150935720=:9532--

From Loopers-Delight-request@loopers-delight.com  Thu Jun 22 00:41:32 2006
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Date: Wed, 21 Jun 2006 20:41:27 EDT
Subject: Re: Mars Volta!!!!  ( was Re: Hiromi
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Mars Volta is great.  One should also check out solo material from the  
guitarist Omar if they like.

-------------------------------1150936886
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 the=20
guitarist Omar if they like.</DIV></FONT></BODY></HTML>

-------------------------------1150936886--

From Loopers-Delight-request@loopers-delight.com  Thu Jun 22 01:15:32 2006
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References: <OPEGKDJIMPJBOGCKEPDGOEPNCOAA.billwalker@baymoon.com>
Subject: Re: FOR SALE: Mesa Boogie Mark I Combo Amp
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What model is that Bill? I'm on the Fender site now and can't find anything 
called a jazz amp.

The FM 25 DSP looks interesting: 
http://www.fender.com/products/search.php?partno=2318500000

$200

Kris

----- Original Message ----- 
From: "William Walker" <billwalker@baymoon.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, June 21, 2006 5:35 PM
Subject: RE: FOR SALE: Mesa Boogie Mark I Combo Amp


> The new fender jazz amp is worth a look, very small , loud as you would
> need, and nice simple effects. and its a head cabinet design that uses
> speakon plugs. It sounds realy real good.
> Bill
>
> -----Original Message-----
> From: Krispen Hartung [mailto:khartung@cableone.net]
> Sent: Tuesday, June 20, 2006 9:36 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: FOR SALE: Mesa Boogie Mark I Combo Amp
>
>
> Yeah, I thought the target market for my boogie would be fairly slim.  I'd
> be willing to make a trade if someone had the right gear.  I love the amp
> and the tone is spectacular, but it's a bit overkill and heavy for me (I
> have a bad back, had surgury last Dec, etc).  I use the boogie just for my
> monday night traditional jazz gig. I'm thinking of gettting a Roland Cube 
> 30
> because it is only 20 pounds and smaller, plus it has a lot of
> effects...anybody have one?
>
> My lexicon LXP1 and LXP5.  The LXP1 is primarily for delay, chorus, and
> reverb. I had been using it for reverb...it really does have nice verb, 
> and
> the chorus is lush as well.  The LXP5 is more like a a multi-effects box. 
> It
> is a bit challenging to program, however. If someone has the patience to 
> get
> inside the menu tree, or uses the MIDIQuest software, then you can get 
> some
> interesting sounds out of it. It's not an Eventide or TC Electronics
> Fireworx by any means, but still a powerful little effects box.
>
> I'm actually considering selling my two Boss VF-1 units as well.....need 
> to
> give that more thought, however, as I'm in love with those little red 
> boxes.
> :)
>
> Kris
>
>
>
>
> ----- Original Message -----
> From: "tEd ® kiLLiAn" <tedkillian@charter.net>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Tuesday, June 20, 2006 10:19 PM
> Subject: Re: FOR SALE: Mesa Boogie Mark I Combo Amp
>
>
>> Kris,
>>
>> 'Tis a beaut indeed. But a tad rich for my meager means.
>> I am mildly interested in your Lexicon half-space processors
>> you mentioned on the list the other day however.
>>
>> Given I'm a Mac guy, the software isn't a factor for me.
>> But a really good processor (or two) with some new
>> creative potential sounds attractive.
>>
>> Anything more you care to say about them?
>>
>> Ted
>>
>>
>> On Jun 20, 2006, at 8:46 PM, Krispen Hartung wrote:
>>
>>> Any takers? It's a beauty.
>>>
>>> http://www.krispenhartung.com/mark-I.htm
>>>
>>> Kris
>>>
>>>
>>
>>
>
>
>
>
>
> 


From Loopers-Delight-request@loopers-delight.com  Thu Jun 22 01:40:46 2006
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Date: Wed, 21 Jun 2006 20:41:11 -0500 (CDT)
Subject: Re: BOSS PS-5
From: "Joshua Carroll" <josh@infinivert.com>
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Have you used any of the flutter or trem arm functions?  Have you played
it with an expression pedal?  I'd love to hear your thoughts on those
functions.

--Josh




>> Does anyone on this list use the BOSS PS-5, and if so what do you think
>> of
>> it?
>
> It rocks.  It's my secret weapon.  The PS-5 can shift intervals that are
> in
> the key of the song which is better than the Digitech Whammy pedal which
> shifts fixed intervals.
>
> Cheers,
> Kevin
> www.TheNettles.com
>
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Jun 22 01:42:42 2006
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From: "William Walker" <billwalker@baymoon.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: FOR SALE: Mesa Boogie Mark I Combo Amp
Date: Wed, 21 Jun 2006 18:42:45 -0700
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Under amps, look under the heading ultralight, The amp is called oddly
enough, the Jazz master ultra light..
Bill

-----Original Message-----
From: Krispen Hartung [mailto:khartung@cableone.net]
Sent: Wednesday, June 21, 2006 6:15 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: FOR SALE: Mesa Boogie Mark I Combo Amp


What model is that Bill? I'm on the Fender site now and can't find anything
called a jazz amp.

The FM 25 DSP looks interesting:
http://www.fender.com/products/search.php?partno=2318500000

$200

Kris

----- Original Message -----
From: "William Walker" <billwalker@baymoon.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, June 21, 2006 5:35 PM
Subject: RE: FOR SALE: Mesa Boogie Mark I Combo Amp


> The new fender jazz amp is worth a look, very small , loud as you would
> need, and nice simple effects. and its a head cabinet design that uses
> speakon plugs. It sounds realy real good.
> Bill
>
> -----Original Message-----
> From: Krispen Hartung [mailto:khartung@cableone.net]
> Sent: Tuesday, June 20, 2006 9:36 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: FOR SALE: Mesa Boogie Mark I Combo Amp
>
>
> Yeah, I thought the target market for my boogie would be fairly slim.  I'd
> be willing to make a trade if someone had the right gear.  I love the amp
> and the tone is spectacular, but it's a bit overkill and heavy for me (I
> have a bad back, had surgury last Dec, etc).  I use the boogie just for my
> monday night traditional jazz gig. I'm thinking of gettting a Roland Cube
> 30
> because it is only 20 pounds and smaller, plus it has a lot of
> effects...anybody have one?
>
> My lexicon LXP1 and LXP5.  The LXP1 is primarily for delay, chorus, and
> reverb. I had been using it for reverb...it really does have nice verb,
> and
> the chorus is lush as well.  The LXP5 is more like a a multi-effects box.
> It
> is a bit challenging to program, however. If someone has the patience to
> get
> inside the menu tree, or uses the MIDIQuest software, then you can get
> some
> interesting sounds out of it. It's not an Eventide or TC Electronics
> Fireworx by any means, but still a powerful little effects box.
>
> I'm actually considering selling my two Boss VF-1 units as well.....need
> to
> give that more thought, however, as I'm in love with those little red
> boxes.
> :)
>
> Kris
>
>
>
>
> ----- Original Message -----
> From: "tEd ® kiLLiAn" <tedkillian@charter.net>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Tuesday, June 20, 2006 10:19 PM
> Subject: Re: FOR SALE: Mesa Boogie Mark I Combo Amp
>
>
>> Kris,
>>
>> 'Tis a beaut indeed. But a tad rich for my meager means.
>> I am mildly interested in your Lexicon half-space processors
>> you mentioned on the list the other day however.
>>
>> Given I'm a Mac guy, the software isn't a factor for me.
>> But a really good processor (or two) with some new
>> creative potential sounds attractive.
>>
>> Anything more you care to say about them?
>>
>> Ted
>>
>>
>> On Jun 20, 2006, at 8:46 PM, Krispen Hartung wrote:
>>
>>> Any takers? It's a beauty.
>>>
>>> http://www.krispenhartung.com/mark-I.htm
>>>
>>> Kris
>>>
>>>
>>
>>
>
>
>
>
>
>





From Loopers-Delight-request@loopers-delight.com  Thu Jun 22 01:45:19 2006
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From: "William Walker" <billwalker@baymoon.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Sloppiness (was: Re: Hiromi)
Date: Wed, 21 Jun 2006 18:45:21 -0700
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My wife thinks I unleash the fury every night budumdum...
I'll be here all week folks...enjoy the veal,
Yngwie, enjoy the raw reindeer that your pal Ted Nugent just shot with his
crossbow and skinned.
Bill
  -----Original Message-----
  From: Tony Douglas [mailto:tonyisyourpal@yahoo.co.uk]
  Sent: Wednesday, June 21, 2006 5:22 PM
  To: Loopers-Delight@loopers-delight.com
  Subject: Re: Sloppiness (was: Re: Hiromi)


  Mwahahahahahahaaaa ... "you've unleashed the f**kin' fury" ... classic ...

  Joey <tentaclejoe@gmail.com> wrote:
    On 6/21/06, William Walker wrote:
    > Now Yngwie on
    > the other hand, from everything I've heard, is not a nice person, some
what
    > of a brat, and a bully and mean drunk, so as far as I'm concerned you
can
    > bash him all you want;-)

    Did somebody say Yngwie ???

    Anybody else love this mp3 as much as I do?

    http://www.roadrun.com/blabbermouth.net/news.aspx?mode=Article&newsitemI
D=8100

    Joey






----------------------------------------------------------------------------
--
  Try the all-new Yahoo! Mail . "The New Version is radically easier to
use" – The Wall Street Journal

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2912" name=3DGENERATOR></HEAD>
<BODY>
<DIV><SPAN class=3D906124301-22062006><FONT face=3DArial color=3D#0000ff =
size=3D2>My=20
wife thinks I unleash the fury every night =
budumdum...</FONT></SPAN></DIV>
<DIV><SPAN class=3D906124301-22062006><FONT face=3DArial color=3D#0000ff =
size=3D2>I'll=20
be here all week folks...enjoy the veal, </FONT></SPAN></DIV>
<DIV><SPAN class=3D906124301-22062006><FONT face=3DArial color=3D#0000ff =

size=3D2>Yngwie, enjoy the raw reindeer that your pal Ted Nugent just =
shot with=20
his crossbow and skinned.</FONT></SPAN></DIV>
<DIV><SPAN class=3D906124301-22062006><FONT face=3DArial color=3D#0000ff =

size=3D2>Bill</FONT></SPAN></DIV>
<BLOCKQUOTE>
  <DIV class=3DOutlookMessageHeader dir=3Dltr align=3Dleft><FONT =
face=3DTahoma=20
  size=3D2>-----Original Message-----<BR><B>From:</B> Tony Douglas=20
  [mailto:tonyisyourpal@yahoo.co.uk]<BR><B>Sent:</B> Wednesday, June 21, =
2006=20
  5:22 PM<BR><B>To:</B> =
Loopers-Delight@loopers-delight.com<BR><B>Subject:</B>=20
  Re: Sloppiness (was: Re: =
Hiromi)<BR><BR></FONT></DIV>Mwahahahahahahaaaa ...=20
  "you've unleashed the f**kin' fury" ... classic ...<BR><BR><B><I>Joey=20
  &lt;tentaclejoe@gmail.com&gt;</I></B> wrote:
  <BLOCKQUOTE class=3Dreplbq=20
  style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: =
rgb(16,16,255) 2px solid">On=20
    6/21/06, William Walker <BILLWALKER@BAYMOON.COM>wrote:<BR>&gt; Now =
Yngwie=20
    on<BR>&gt; the other hand, from everything I've heard, is not a nice =
person,=20
    some what<BR>&gt; of a brat, and a bully and mean drunk, so as far =
as I'm=20
    concerned you can<BR>&gt; bash him all you want;-)<BR><BR>Did =
somebody say=20
    Yngwie ???<BR><BR>Anybody else love this mp3 as much as I=20
    =
do?<BR><BR>http://www.roadrun.com/blabbermouth.net/news.aspx?mode=3DArtic=
le&amp;newsitemID=3D8100<BR><BR>Joey<BR><BR></BILLWALKER@BAYMOON.COM></BL=
OCKQUOTE><BR>
  <P>
  <HR SIZE=3D1>
  Try the <A=20
  =
href=3D"http://us.rd.yahoo.com/mail/uk/taglines/default/nowyoucan/wall_st=
_2/*http://us.rd.yahoo.com/evt=3D40565/*http://uk.docs.yahoo.com/nowyouca=
n.html">all-new=20
  Yahoo! Mail</A> . "The New Version is radically easier to use" =96 The =
Wall=20
  Street Journal</BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0000_01C69562.D9B1CE40--


From Loopers-Delight-request@loopers-delight.com  Thu Jun 22 01:48:30 2006
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Date: Wed, 21 Jun 2006 20:48:56 -0500 (CDT)
Subject: Re: Prog Rock was Hiromi
From: "Joshua Carroll" <josh@infinivert.com>
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I've actually got Tool's Lateralus album playing on my iPod right now. 
I'm a sucker for odd time signatures.

Personally, and way off topic, I really enjoy when a band can do
complicated time signatures in a way that it doesn't really stand out, but
just fits the song and so doesn't sound odd.  That's especially impressive
if they can change signatures multiple times without creating a "jerky"
feel.  Radiohead has done a little of that.

--Josh



> Tony wrote:
> " It is interesting to note that there is a very active and very good
> modern
> prog scene going on."
>
> I really love the later Porcupine Tree and have seen them twice now.
> They are pretty proggy
> but also he is a fantastic melodist and singer (and a great guitarist to
> boot).
>
> Interestingly too, in the grunge scene,   Tool has really taken on a bit
> of
> a prog vibe.  Their last two records
> have very few even time signatures on them.   The second to last (which I
> think is a powerful record) is
> almost entirely in 5/4, 5/8 or 10/8).     It's very dark, somber,
> melancholy
> and mono melodic if you are a Yes fan, though, so
> be sure and know I told you so.   Great drummer, by the way.
>
> ***************************************
>
> Yeah,  Prog Rock:
>
>
> I was a huge prog fan in my later high school years and the first year of
> college ('71')
> but I must confess that I grew out of it in the much the same way that I
> grew out of Jazz Fusion
> (which I was a slavish fan of at it's inception).
>
> I guess in the long run for me, it always comes down to composition and
> I'm
> a song fan, so
> gratuitous riffage really leaves me cold these days.   It's ironic because
> having played all my life
> I finally have the chops to play in both of those styles really well but I
> find that record producers
> are starting to ask me if I will please play more on a song these days
> when
> I do studio work.
>
> Personally,  I love groove music and I always tell my students:   when you
> are playing groove
> styled music of any kind you can only be doing one of two things at a
> time:
> 1)  playing the groove or
> 2)  commenting on the groove
>
> and, if you are commenting on the groove (riffing, filling) then you are
> NOT
> playing the groove.
> Because the groove is so trancey,  I think a lot of musicians forget that
> it
> does not necessarily continue if you quit playing it.
> The musician playing the groove feels it more, I believe than the audience
> hearing it which makes it more important to be
> more conservative and minimal when attempting to leave the groove as a
> rhythm section player.
>
> Bill and I once saw Wah Wah Watson get 5,000 people dancing in 30 seconds
> with one L5 Gibson and a wah wah pedal.
> He WAS the groove.
>
> Now, I know this makes me a bit of an old fashioned player and this
> precludes the lion share of the Jam Bands that have proliferated so much
> but that's how I see it.
>
> Personally, I"d rather listen to a structured Prog Rock band than a
> meandering Jam Band (no matter how stellar the chops of the musicians).
>
> Okee dokee.................you can start flaming now.............lol
>
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Jun 22 01:56:09 2006
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Subject: mistakes Re: Sloppyness (was: Re: Hiromi)
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Tony K wrote:

>> As an aside to this already off-topic thread, one of my complaints 
>> with something like a Berklee / GIT education is that they drill the 
>> mistakes right out of you. A side effect of this is that people are 
>> left with only their imagination to rely on, as they rarely have need 
>> to recover from mistakes, which is often some of the most inventive 
>> playing, IMO.
>>
>
> I had a friend when I was learning to play who told me if I made a 
> mistake, just repeat it and everybody will think I did it on purpose. ;)
>
> Wasn't it Miles Davis who said that if you aren't making mistakes, you 
> aren't playing Jazz? 

You've got a ;) after the above, but that's what I do during a live 
performance:   if I throw something in that doesn't sound right--I force 
myself to try to make something good out of that mistake.  Sometime it 
works, sometimes not.
Andrew



-- 
Andrew Duke
scoring/sound design/source
http://andrew-duke.com
http://myspace.com/andrewduke
Cognition Audioworks label
[Andrew Duke, Foal, Clinker, Granny'Ark]
http://cognitionaudioworks.com
http://myspace.com/cognitionaudioworks


From Loopers-Delight-request@loopers-delight.com  Thu Jun 22 02:02:32 2006
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From: "William Walker" <billwalker@baymoon.com>
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Subject: RE: Sloppiness (was: Re: Hiromi)
Date: Wed, 21 Jun 2006 19:02:33 -0700
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sweet.
Bill

-----Original Message-----
From: Joey [mailto:tentaclejoe@gmail.com]
Sent: Wednesday, June 21, 2006 4:56 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Sloppiness (was: Re: Hiromi)


On 6/21/06, William Walker <billwalker@baymoon.com> wrote:
> Now Yngwie on
> the other hand, from everything I've heard, is not a nice person, some
what
> of a brat, and a bully and mean drunk, so as far as I'm concerned you can
> bash him all you want;-)

Did somebody say Yngwie ???

Anybody else love this mp3 as much as  I do?

http://www.roadrun.com/blabbermouth.net/news.aspx?mode=Article&newsitemID=81
00

Joey




From Loopers-Delight-request@loopers-delight.com  Thu Jun 22 02:43:17 2006
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Subject: Liquid Mix?
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Hi,

sorry for off topic..

anyone tried Focusrite Liquid Mix?

I would like to know opinions..

  thanks

  Sunao

From Loopers-Delight-request@loopers-delight.com  Thu Jun 22 04:18:44 2006
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Subject: RE: Sloppiness (was: Re: Hiromi)
Date: Thu, 22 Jun 2006 00:18:43 -0400
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>Now Yngwie on
>the other hand, from everything I've heard, is not a nice person, some what
>of a brat, and a bully and mean drunk, so as far as I'm concerned you can
>bash him all you want;-)

Yngwie Super Amazing Guitar God Lesson. (Very funny)

http://www.youtube.com/watch?v=p_tuLEmWccM&search=yngwie

Tony

-----Original Message-----
From: William Walker [mailto:billwalker@baymoon.com] 
Sent: Wednesday, June 21, 2006 7:32 PM
To: Loopers-Delight@loopers-delight.com
Subject: RE: Sloppiness (was: Re: Hiromi)

Regarding Steve Vai, I do believe that he has had hand in the beta test and
preset design of the some of those Eventide presets.  DR Z would have set us
strait on that one, but that is what I recall.
  I met him years ago out in front of the Santa Cruz Civic Auditorium before
a Frank Zappa show. I was at the will call hoping my friend Scott Thunes had
comped me a ticket (he hadn't, I guess we weren't that close :o) Steve Vai
happened to be standing in line behind me, overheard my conversation, and
offered to go find Scott to get me in. Those were my early 20's, the ramen
years....and I only had half the ticket price on me. Sure enough 5 minutes
later Scott comes running up to the front door, explains that Bill Graham
presents was tight on the guest list, and slips me 5 bucks to cover the
ticket. Thanks Scott, where ever you are!  Later, after the show I met Steve
again and thanked him, and also met the hilarious Ray White. Even back then
Steve had an aura about him and a little brace of male guitar groupies
crowding around him as he showed some of the charts to Franks music,
including the infamous Black Page...He was very generous with them, and
generous toward me. I've always had a soft spot for Steve since, though I
can't say I really listen to his music. I really appreciate what he has done
to expose other talent with his favored nations label, though I can't say
I've listened to a lot of those artists either, but the point is that its a
musician calling the shots rather than some bean counter, and I appreciate
that.  Seemed like a genuine guy, and I'm sure he still is.  Now Yngwie on
the other hand, from everything I've heard, is not a nice person, some what
of a brat, and a bully and mean drunk, so as far as I'm concerned you can
bash him all you want;-)
 I think that often times the pitfall of virtuosity, is the constant need to
best oneself technically. At what point is a composition fast enough or
complex enough? for me, it gets to a point where I can't process that much
information. Alan Holdsworth is the same for me, its just too many ideas ,
bam bam bam. When I was younger I could enjoy it more, now it just sounds
like a cat piano. I remember someone I know who was close to Michael Hedges
saying that he was really rebelling against his Audiences desire to have him
keep writing Aerial Boundaries over and over again, i.e. keep exploiting his
prodigious two hand technique, and that he wanted to show himself as a more
complete musician, playing keys and flute, and singing. I must say, I was
one of those captivated by his unique brand of virtuosity, but I'd gladly
sit through an evening of him playing flute or quoting Jabberwocky, to have
him back among us. perhaps one day when Vai is in his 60's, he will record
that slow languid lyrical ambient CD he has been keeping in the vaults... or
he'll put out a smooth jazz CD, shudder to think!
Bill


From Loopers-Delight-request@loopers-delight.com  Thu Jun 22 05:21:13 2006
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At 11:00 21/06/2006, you wrote:
>use other compositorial techniques?
>so not "building up" loop on loop, but for example playing back a 
>little melody that was played 3 minutes ago, on a different tempo, 
>so it just fits with the rythm played 5 minutes ago while the vocals 
>are played backward again... in this way "cooking" a song.

J.S. Bach for starters.
The Art of Fugue

andybutler



From Loopers-Delight-request@loopers-delight.com  Thu Jun 22 05:53:02 2006
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At 15:29 21/06/2006, you wrote:
>Also liked BrandX a lot more than
>the later Phil Collins 0utlets. Ok, guys - flame on! ;- )

ah...Brand X,
I loved that band at the time.
...but very disappointing to hear again years later.



>Oh - BTW, one very cool band from those early seventies was called
>Hatfield And The North. Ringing a bell with any of you English Chaps
>on this list?

indeed :-)
they morphed into an instrumental band called "National Health"
(very ahead of their time in picking a really dull name)

the other essential curiosity from that era is
"Henry Cow", probably the most experimental of the "prog" bands

andy butler

    

From Loopers-Delight-request@loopers-delight.com  Thu Jun 22 06:05:09 2006
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>
>Come on you guys,  admit it.
>
>It's really the bass players fuzzy sweater that you all have your 
>panties in a bunch over!

no Rick....it's the fact that at the same time he's playing he's 
simultaneously working the footpump that keeps the sweater inflated.

andy 

From Loopers-Delight-request@loopers-delight.com  Thu Jun 22 06:39:07 2006
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a k butler wrote:

> At 15:29 21/06/2006, you wrote:
>
>> Also liked BrandX a lot more than
>> the later Phil Collins 0utlets. Ok, guys - flame on! ;- )
>
>
> ah...Brand X,
> I loved that band at the time.
> ...but very disappointing to hear again years later.

yep!

>
>
>
>> Oh - BTW, one very cool band from those early seventies was called
>> Hatfield And The North. Ringing a bell with any of you English Chaps
>> on this list?
>
>
> indeed :-)
> they morphed into an instrumental band called "National Health"
> (very ahead of their time in picking a really dull name)

Hatfield is playing in NYC this weekend.

>
> the other essential curiosity from that era is
> "Henry Cow", probably the most experimental of the "prog" bands 

Legend.

-- 
* David Beardsley
* microtonal guitar
* http://biink.com/db

From Loopers-Delight-request@loopers-delight.com  Thu Jun 22 06:52:56 2006
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Subject: OT:   Anyone have this recording?
Date: Wed, 21 Jun 2006 23:52:54 -0700
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I'm looking for a full bandwidth copy of the
tune  'Sugar' by Stanley Turrentine.

Unfortunately,  it looks like all the old CTI jazz records are out of print.

I'm making a good modal jazz compilation for a live project I'm putting 
together
 and I'd be happy to trade a copy of it for a burned copy of this tune (or 
even the entire album on CD). 

From Loopers-Delight-request@loopers-delight.com  Thu Jun 22 06:55:44 2006
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my bad..................it is in print afterall.

http://www.amazon.com/gp/product/B0000630CA/002-5361397-3768825?v=glance&n=5174

I"m still up for a trade if someone has it, though.

yours,  Rick Walker 

From Loopers-Delight-request@loopers-delight.com  Thu Jun 22 07:05:53 2006
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Subject: Re: Sloppyness (was: Re: Hiromi)
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i had an argument about this the other day when i was
talking to a guy whos is a classical trained pianist
and blew up as i told them that technique doesnt
really interfere in my judging of good music or
performance,i simply react unconsciously to sound that
sends chills down my spine regardless of
technique,style or otherwise.He then said if music
doesnt have some sort of competent technique for him
is simply uninteresting and most of it(like a lot of
rock)uncompetent overhyped commercialized trash...
could it be that self taught people should have more
understanding of "academics and technique" as well as
trained people about "street and intuition"?
I also know that to write a good song,sing,get
interesting guitar tones,or play that overhyped
incompetent commercialized trash u hear in pop music
is a lot of work!
Luis





> 
> I also think that some of the most interesting
> scientists and businessmen are largely self-taught.
> (e.g Einstein, Jobs, Gates)


> >and btw they recover from mistakes as much often as
> anyone, simply they recover more elegantly so you
> dont even hear it as a mistake.
> 
> And less interestingly, too, IMO.
> 
> -C
> 
> --
> Chris Muir           | "There are many futures and
> only one status quo.
> cbm@well.com         |  This is why conservatives
> mostly agree,
> http://www.xfade.com |  and radicals always argue."
> - Brian Eno
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

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>Ha! this also reminds me back in the early 90´s when
i was learning electric guitar and was talking to this
girl,she had just been to a flamenco concert and was
floored by the guitarrists and then i wanted to
impress her by telling her about me playing in a rock
band and my rock favorites and she just said,well all
that horrible squaling and macho noise i dont
understand it,i guess its just a guy thing;-)
Luis




> I heard a great Queen-esque guitar solo on the radio
> a few months ago, and
> I went off on a rant on the lack of that sort of
> thing in modern music. 
> When I ended with the question "what ever happened
> to guitar solos
> anyway?" my wife responded without a second thought:
> "guitar players." 
> And she was probably right... as much as I hate to
> admit it (being a
> guitar-solo nut myself).  There's just been too much
> "wankery," and not
> enough "soul."  Too much Vai, not enough Vaughan.
>

www.luis-angulo.com
www.myspace.com/luisangulocom

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Thu Jun 22 08:06:57 2006
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Date: Thu, 22 Jun 2006 01:06:56 -0700 (PDT)
From: Monica <coolintensity@yahoo.com>
Subject: oud simulator?
To: Loopers-Delight@loopers-delight.com
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--0-1245262364-1150963616=:60398
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  Hey - does anyone happen to know if there's an effects pedal or box out there
  that simulates an egyptian oud? I am soooo tired of dealing with all the 
  maintainence problems with a real one - it would be awesome if there was 
  a simulation for guitar. Any info?
   
  A thousand salaams...
  Monica

 			
---------------------------------
Sneak preview the  all-new Yahoo.com. It's not radically different. Just radically better. 
--0-1245262364-1150963616=:60398
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<div>&nbsp;</div>  <div>&nbsp;</div>  <div>&nbsp;</div>  <div>Hey - does anyone happen to know if there's an effects pedal or box out there</div>  <div>that simulates an egyptian&nbsp;oud? I am soooo tired of dealing with all the </div>  <div>maintainence problems with a real one - it would be awesome if there was </div>  <div>a simulation for guitar. Any info?</div>  <div>&nbsp;</div>  <div>A thousand salaams...</div>  <div>Monica</div><p>&#32;
	
		<hr size=1>Sneak preview the <a href="http://us.rd.yahoo.com/evt=40762/*http://www.yahoo.com/preview"> all-new Yahoo.com</a>. It's not radically different. Just radically better. 

--0-1245262364-1150963616=:60398--

From Loopers-Delight-request@loopers-delight.com  Thu Jun 22 08:54:05 2006
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From: "William Walker" <billwalker@baymoon.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: oud simulator?
Date: Thu, 22 Jun 2006 01:53:37 -0700
Message-ID: <OPEGKDJIMPJBOGCKEPDGAEADCPAA.billwalker@baymoon.com>
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I've heard a fretless nylon string Renaissance (the brand not the era) by
Rick Turner do a very convincing oud like sound, The model is the RN6, and I
know of at least one jazz guitarist in the Pittsburgh area who has one but I
don't remember his name. They are not cheap, The budget alternative would be
to yank the frets from an Epiphone Chet Atkins copy an fill in the holes
with wood filler. I do know that Rick has made a few instruments with lament
woods that are less expensive, but still have the great pickups and
construction.
Good luck,
Bill
  -----Original Message-----
  From: Monica [mailto:coolintensity@yahoo.com]
  Sent: Thursday, June 22, 2006 1:07 AM
  To: Loopers-Delight@loopers-delight.com
  Subject: oud simulator?





  Hey - does anyone happen to know if there's an effects pedal or box out
there
  that simulates an egyptian oud? I am soooo tired of dealing with all the
  maintainence problems with a real one - it would be awesome if there was
  a simulation for guitar. Any info?

  A thousand salaams...
  Monica


----------------------------------------------------------------------------
--
  Sneak preview the all-new Yahoo.com. It's not radically different. Just
radically better.

------=_NextPart_000_0006_01C6959E.AD48F950
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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2912" name=3DGENERATOR></HEAD>
<BODY>
<DIV><SPAN class=3D765183508-22062006><FONT face=3DArial color=3D#0000ff =
size=3D2>I've=20
heard a fretless nylon string Renaissance (the brand not the era) by =
Rick Turner=20
do a very convincing oud like sound, The model is the RN6, and I know of =
at=20
least one jazz guitarist in the Pittsburgh area who has one but I don't =
remember=20
his name. They are not cheap, The budget alternative would be to yank =
the frets=20
from an Epiphone Chet Atkins copy an fill in the holes with wood filler. =
I do=20
know that Rick has made a few instruments with lament woods that are =
less=20
expensive, but still have the great pickups and=20
construction.</FONT></SPAN></DIV>
<DIV><SPAN class=3D765183508-22062006><FONT face=3DArial color=3D#0000ff =
size=3D2>Good=20
luck,</FONT></SPAN></DIV>
<DIV><SPAN class=3D765183508-22062006><FONT face=3DArial color=3D#0000ff =

size=3D2>Bill</FONT></SPAN></DIV>
<BLOCKQUOTE>
  <DIV class=3DOutlookMessageHeader dir=3Dltr align=3Dleft><FONT =
face=3DTahoma=20
  size=3D2>-----Original Message-----<BR><B>From:</B> Monica=20
  [mailto:coolintensity@yahoo.com]<BR><B>Sent:</B> Thursday, June 22, =
2006 1:07=20
  AM<BR><B>To:</B> =
Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> oud=20
  simulator?<BR><BR></FONT></DIV>
  <DIV>&nbsp;</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>Hey - does anyone happen to know if there's an effects pedal or =
box out=20
  there</DIV>
  <DIV>that simulates an egyptian&nbsp;oud? I am soooo tired of dealing =
with all=20
  the </DIV>
  <DIV>maintainence problems with a real one - it would be awesome if =
there was=20
  </DIV>
  <DIV>a simulation for guitar. Any info?</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>A thousand salaams...</DIV>
  <DIV>Monica</DIV>
  <P>
  <HR SIZE=3D1>
  Sneak preview the <A=20
  =
href=3D"http://us.rd.yahoo.com/evt=3D40762/*http://www.yahoo.com/preview"=
>all-new=20
  Yahoo.com</A>. It's not radically different. Just radically better.=20
</BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0006_01C6959E.AD48F950--


From Loopers-Delight-request@loopers-delight.com  Thu Jun 22 10:19:56 2006
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From: "Buzap Buzap" <buzap@gmx.net>
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Hi folks

Yesterday I've managed to run Mobius with Ableton (I intend to mostly use Mac, though).

Using Moebius, I can get loops of any length into Ableton, indeed.
Now, what I want to figure out:
Once I get a loop of any length into Ableton via Moebius - how can I create additional loops of same/multiple length?

I guess I could do several loops like that in paralell within Moebius. However, I would like to have different effect settings for each loop.

Any ideas?

Buzap
-- 


Der GMX SmartSurfer hilft bis zu 70% Ihrer Onlinekosten zu sparen!
Ideal für Modem und ISDN: http://www.gmx.net/de/go/smartsurfer

From Loopers-Delight-request@loopers-delight.com  Thu Jun 22 10:27:20 2006
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Date: Thu, 22 Jun 2006 06:27:54 -0400
From: Bill Fox <billyfox@soundscapes.us>
Subject: Listen to Afterglow and Galactic Travels
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AFTERGLOW ON WMUH:                               
http://soundscapes.us/afterglow
================================================================================
Afterglow airs from 8:00 am to 9:30 am every Thursday morning.  Tune in 
for a
delightful mix of eclectic musical genres including a healthy dose of
Progressive Rock.  Tune in at 91.7 FM or on the internet at:
http://www.muhlenberg.edu/wmuh


GALACTIC TRAVELS ON WDIY:                            
http://wdiy.org/programs/gt
================================================================================
Tonight at 11 pm on Galactic Travels, I'll continue the month-long 
Special Focus
on Palancar.  The Featured CD at Midnight will be the "Elysium 
Planitita." For
details, see the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2006/focus.html#jun

Galactic Travels is an electronic, ambient, and space music show that 
airs each
Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, 93.9 FM 
in Easton
and Phillipsburg, 93.7 FM in Fogelsville and Trexlertown, 92.9 FM on Service
Electric Cable, and on the internet.  WDIY now simulcasts on WXLV on 
90.3 FM in
Schnecksville, Pennsylvania.

From Loopers-Delight-request@loopers-delight.com  Thu Jun 22 10:45:32 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Ableton w/ VST Looper
Date: Thu, 22 Jun 2006 12:45:26 +0200
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On 22 jun 2006, at 12.19, Buzap Buzap wrote:

> Yesterday I've managed to run Mobius with Ableton (I intend to  
> mostly use Mac, though).

Then you will have to run XP on the Mac (Intel CPU Mac + Boot Camp)

> Using Moebius, I can get loops of any length into Ableton, indeed.
> Now, what I want to figure out:
> Once I get a loop of any length into Ableton via Moebius - how can  
> I create additional loops of same/multiple length?

In Live: Us the global quantization and record audio to a track, thus  
creating a lIve audio clip.

In Mobius: Set the Preset so Mobius will create a new loop of the  
same length (as the one you are coming from) when you select a new  
and empty (Mobius) track.

> I guess I could do several loops like that in paralell within  
> Moebius. However, I would like to have different effect settings  
> for each loop.

Set eight Live tracks (session view) to fetch the eight track outputs  
from Mobius. Now, if you create a new loop on a new Mobius track it  
will send audio into its own dedicated Live channel/track.

But you should know that the concept of splitting audio over many  
channels to apply effects in real-time will eat up a lot of CPU  
power. I used that concept in the past but left it for musical/ 
performance reasons. Instead I now use effects before loopers and  
record effects as parts of the loops. I may go back to your concept  
some day in the future if super powerful laptops are available. Until  
then I prefer to work the instant composing stuff on a master track  
level (mangling the summed layers/loops) instead of taking the remix  
approach to split it up in parallel. (but when producing recorded  
music I definitely use as much multi-track techniques as possible)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Thu Jun 22 12:02:23 2006
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Hi Per

I knew you would be answering ;-)

> Then you will have to run XP on the Mac (Intel CPU Mac + Boot Camp)
I was hoping to be able to use something on Mac instead (SooperLooper, AU Looper, Augustus...). I didn't have time to try these options yet, hope they also perform in similar fashion like Mobius (though none of them seems so powerful).

> Set eight Live tracks (session view) to fetch the eight track outputs  
> >from Mobius. 
Wow, interesting approach. So I can use _the same Mobius with synced loops to go to 8 Ableton channels? That would be fantastic, gotta try that out.

> But you should know that the concept of splitting audio over many  
> channels to apply effects in real-time will eat up a lot of CPU  
> power. 
We'll see how my machine will perform ;-)

> I prefer to work the instant composing stuff on a master track  
> level (mangling the summed layers/loops) instead of taking the remix  
> approach to split it up in parallel.
I like to mix stuff until I have a certain density. Then, to keep the mix interesting, I like to add some delay or phaser/flanger or reverse on some loops.
But if you have 8 loops in Mobius, I guess I could pick a loop and then resample it with effects, would be probably less CPU consuming.
Could it perhaps work the other way - using Ableton as effect machine for Mobius?

When playing live music - even just for myself - I prefer to have minimum contact with a computer and rely on musicality & hardware instead.
I'm still not sure if I'll stick to my hardware-dogma or find a way to integrate Ableton/SW-Loopers.

We'll see. I'll keep on experimenting with both worlds (HW/SW) before I decide.

Best regards and thanks
Buzap


-- 


Echte DSL-Flatrate dauerhaft für 0,- Euro*!
"Feel free" mit GMX DSL! http://www.gmx.net/de/go/dsl

From Loopers-Delight-request@loopers-delight.com  Thu Jun 22 12:04:18 2006
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There are a couple of good looking electric ouds made by Viken Najarian 
http://www.oud.net/
Review of the E-1000 on Harmony
http://www.harmony-central.com/Guitar/Data4/Najarian/E_1000-1.html
http://www.mikeouds.com/messageboard/viewthread.php?tid=2274

There`s a clip on this site of one similar looking to the Najarian oud. Noisy and cheap
sound quality but gives an idea. Site seems to be inactive.
http://electricoud.com/

Lark in The Morning has an electric oud by "Renowned Turkish luthier Saadettin Sandi"
http://larkinthemorning.com/product.asp?pn=OUD014&Electric+Oud=&bhcd2=1150975858


other places to look
http://www.mikeouds.com/messageboard/index.php
http://www.unfretted.com/loader.php?LINK=main

The message board on unfretted can probably answer if fretless guitars like the Godin Glissentar
may sound oudlike with some EQing.


T.
  ----- Original Message ----- 
  From: William Walker 
  To: Loopers-Delight@loopers-delight.com 
  Sent: Thursday, June 22, 2006 10:53 AM
  Subject: RE: oud simulator?


  I've heard a fretless nylon string Renaissance (the brand not the era) by Rick Turner do a very convincing oud like sound, The model is the RN6, and I know of at least one jazz guitarist in the Pittsburgh area who has one but I don't remember his name. They are not cheap, The budget alternative would be to yank the frets from an Epiphone Chet Atkins copy an fill in the holes with wood filler. I do know that Rick has made a few instruments with lament woods that are less expensive, but still have the great pickups and construction.
  Good luck,
  Bill
    -----Original Message-----
    From: Monica [mailto:coolintensity@yahoo.com]
    Sent: Thursday, June 22, 2006 1:07 AM
    To: Loopers-Delight@loopers-delight.com
    Subject: oud simulator?





    Hey - does anyone happen to know if there's an effects pedal or box out there
    that simulates an egyptian oud? I am soooo tired of dealing with all the 
    maintainence problems with a real one - it would be awesome if there was 
    a simulation for guitar. Any info?

    A thousand salaams...
    Monica


----------------------------------------------------------------------------
    Sneak preview the all-new Yahoo.com. It's not radically different. Just radically better. 

--Boundary_(ID_oqgPcOVNivLAbe12QykmVg)
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<DIV><FONT face=Arial size=2>
<DIV><FONT face=Arial size=2>There are a couple of good looking electric ouds 
made by <FONT face="Times New Roman" size=3>Viken Najarian </FONT></FONT></DIV>
<DIV><FONT face=Arial size=2><A 
href="http://www.oud.net/">http://www.oud.net/</A></FONT></DIV>
<DIV><FONT face=Arial size=2>Review of&nbsp;the E-1000&nbsp;on 
Harmony</FONT></DIV>
<DIV><FONT face=Arial size=2><A 
href="http://www.harmony-central.com/Guitar/Data4/Najarian/E_1000-1.html">http://www.harmony-central.com/Guitar/Data4/Najarian/E_1000-1.html</A></FONT></DIV>
<DIV><FONT face=Arial size=2><A 
href="http://www.mikeouds.com/messageboard/viewthread.php?tid=2274">http://www.mikeouds.com/messageboard/viewthread.php?tid=2274</A></FONT></DIV>
<DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial size=2>There`s a clip on this site of one similar looking 
to the Najarian oud. Noisy and cheap</FONT></DIV>
<DIV><FONT face=Arial size=2>sound quality but gives an idea. Site seems to be 
inactive.</FONT></DIV>
<DIV><FONT face=Arial size=2><A 
href="http://electricoud.com/">http://electricoud.com/</A></FONT></DIV>
<DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial size=2>Lark&nbsp;in The Morning has an electric oud by 
<FONT face="Times New Roman" size=3>"Renowned Turkish luthier Saadettin 
Sandi"</FONT></FONT></DIV>
<DIV><FONT face=Arial size=2><A 
href="http://larkinthemorning.com/product.asp?pn=OUD014&amp;Electric+Oud=&amp;bhcd2=1150975858">http://larkinthemorning.com/product.asp?pn=OUD014&amp;Electric+Oud=&amp;bhcd2=1150975858</A></FONT></DIV>
<DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial size=2>other places to look</FONT></DIV>
<DIV><FONT face=Arial size=2><A 
href="http://www.mikeouds.com/messageboard/index.php">http://www.mikeouds.com/messageboard/index.php</A></FONT></DIV>
<DIV><FONT face=Arial size=2><A 
href="http://www.unfretted.com/loader.php?LINK=main">http://www.unfretted.com/loader.php?LINK=main</A></FONT></DIV>
<DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial size=2>The message board on unfretted can probably answer 
if fretless guitars like the Godin Glissentar</FONT></DIV>
<DIV><FONT face=Arial size=2>may sound oudlike with some EQing.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial size=2>T.</FONT></DIV></FONT></DIV>
<BLOCKQUOTE dir=ltr 
style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV 
  style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><B>From:</B> 
  <A title=billwalker@baymoon.com href="mailto:billwalker@baymoon.com">William 
  Walker</A> </DIV>
  <DIV style="FONT: 10pt arial"><B>To:</B> <A 
  title=Loopers-Delight@loopers-delight.com 
  href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A> 
  </DIV>
  <DIV style="FONT: 10pt arial"><B>Sent:</B> Thursday, June 22, 2006 10:53 
  AM</DIV>
  <DIV style="FONT: 10pt arial"><B>Subject:</B> RE: oud simulator?</DIV>
  <DIV><BR></DIV>
  <DIV><SPAN class=765183508-22062006><FONT face=Arial color=#0000ff size=2>I've 
  heard a fretless nylon string Renaissance (the brand not the era) by Rick 
  Turner do a very convincing oud like sound, The model is the RN6, and I know 
  of at least one jazz guitarist in the Pittsburgh area who has one but I don't 
  remember his name. They are not cheap, The budget alternative would be to yank 
  the frets from an Epiphone Chet Atkins copy an fill in the holes with wood 
  filler. I do know that Rick has made a few instruments with lament woods that 
  are less expensive, but still have the great pickups and 
  construction.</FONT></SPAN></DIV>
  <DIV><SPAN class=765183508-22062006><FONT face=Arial color=#0000ff size=2>Good 
  luck,</FONT></SPAN></DIV>
  <DIV><SPAN class=765183508-22062006><FONT face=Arial color=#0000ff 
  size=2>Bill</FONT></SPAN></DIV>
  <BLOCKQUOTE>
    <DIV class=OutlookMessageHeader dir=ltr align=left><FONT face=Tahoma 
    size=2>-----Original Message-----<BR><B>From:</B> Monica 
    [mailto:coolintensity@yahoo.com]<BR><B>Sent:</B> Thursday, June 22, 2006 
    1:07 AM<BR><B>To:</B> Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> 
    oud simulator?<BR><BR></FONT></DIV>
    <DIV>&nbsp;</DIV>
    <DIV>&nbsp;</DIV>
    <DIV>&nbsp;</DIV>
    <DIV>Hey - does anyone happen to know if there's an effects pedal or box out 
    there</DIV>
    <DIV>that simulates an egyptian&nbsp;oud? I am soooo tired of dealing with 
    all the </DIV>
    <DIV>maintainence problems with a real one - it would be awesome if there 
    was </DIV>
    <DIV>a simulation for guitar. Any info?</DIV>
    <DIV>&nbsp;</DIV>
    <DIV>A thousand salaams...</DIV>
    <DIV>Monica</DIV>
    <P>
    <HR SIZE=1>
    Sneak preview the <A 
    href="http://us.rd.yahoo.com/evt=40762/*http://www.yahoo.com/preview">all-new 
    Yahoo.com</A>. It's not radically different. Just radically better. 
  </BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

--Boundary_(ID_oqgPcOVNivLAbe12QykmVg)--

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Subject: RE: oud simulator?
Date: Thu, 22 Jun 2006 08:19:38 -0400
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I have a Najarian acoustic oud. He makes fabulous instuments.
=20
Anyone interested in oud who hasn't heard what Brad Shepik does with an
electric oud or saz should seek out his work.
=20
Hal Dean

	-----Original Message-----
	From: Torstein H. Rem [mailto:trem@broadpark.no]=20
	Sent: Thursday, June 22, 2006 8:04 AM
	To: Loopers-Delight@loopers-delight.com
	Subject: Re: oud simulator?
=09
=09
=09
	There are a couple of good looking electric ouds made by Viken
Najarian=20
	http://www.oud.net/
	Review of the E-1000 on Harmony
=09
http://www.harmony-central.com/Guitar/Data4/Najarian/E_1000-1.html
	http://www.mikeouds.com/messageboard/viewthread.php?tid=3D2274
	=20
	There`s a clip on this site of one similar looking to the
Najarian oud. Noisy and cheap
	sound quality but gives an idea. Site seems to be inactive.
	http://electricoud.com/
	=20
	Lark in The Morning has an electric oud by "Renowned Turkish
luthier Saadettin Sandi"
=09
http://larkinthemorning.com/product.asp?pn=3DOUD014&Electric+Oud=3D&bhcd2=
=3D11
50975858
	=20
	=20
	other places to look
	http://www.mikeouds.com/messageboard/index.php
	http://www.unfretted.com/loader.php?LINK=3Dmain
	=20
	The message board on unfretted can probably answer if fretless
guitars like the Godin Glissentar
	may sound oudlike with some EQing.
	=20
	=20
	T.

		----- Original Message -----=20
		From: William Walker <mailto:billwalker@baymoon.com> =20
		To: Loopers-Delight@loopers-delight.com=20
		Sent: Thursday, June 22, 2006 10:53 AM
		Subject: RE: oud simulator?

		I've heard a fretless nylon string Renaissance (the
brand not the era) by Rick Turner do a very convincing oud like sound,
The model is the RN6, and I know of at least one jazz guitarist in the
Pittsburgh area who has one but I don't remember his name. They are not
cheap, The budget alternative would be to yank the frets from an
Epiphone Chet Atkins copy an fill in the holes with wood filler. I do
know that Rick has made a few instruments with lament woods that are
less expensive, but still have the great pickups and construction.
		Good luck,
		Bill

			-----Original Message-----
			From: Monica [mailto:coolintensity@yahoo.com]
			Sent: Thursday, June 22, 2006 1:07 AM
			To: Loopers-Delight@loopers-delight.com
			Subject: oud simulator?
		=09
		=09
			=20
			=20
			=20
			Hey - does anyone happen to know if there's an
effects pedal or box out there
			that simulates an egyptian oud? I am soooo tired
of dealing with all the=20
			maintainence problems with a real one - it would
be awesome if there was=20
			a simulation for guitar. Any info?
			=20
			A thousand salaams...
			Monica

		=09
________________________________

			Sneak preview the all-new Yahoo.com
<http://us.rd.yahoo.com/evt=3D40762/*http://www.yahoo.com/preview> . =
It's
not radically different. Just radically better.=20


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<HTML><HEAD><TITLE>Message</TITLE>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Dus-ascii">
<META content=3D"MSHTML 6.00.2900.2912" name=3DGENERATOR>
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</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3D"Book Antiqua" color=3D#0000ff><SPAN =
class=3D461421712-22062006>I=20
have a Najarian acoustic oud. He makes fabulous =
instuments.</SPAN></FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#0000ff><SPAN=20
class=3D461421712-22062006></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#0000ff><SPAN=20
class=3D461421712-22062006>Anyone interested in oud who hasn't heard =
what Brad=20
Shepik does with an electric oud or saz should seek out his=20
work.</SPAN></FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV align=3Dleft><STRONG><EM><FONT face=3D"Palatino Linotype" =
color=3D#0000ff=20
size=3D4>Hal<SPAN=20
class=3D954163418-19102004>&nbsp;Dean</SPAN></FONT></EM></STRONG></DIV>
<BLOCKQUOTE dir=3Dltr style=3D"MARGIN-RIGHT: 0px">
  <DIV></DIV>
  <DIV class=3DOutlookMessageHeader lang=3Den-us dir=3Dltr =
align=3Dleft><FONT=20
  face=3DTahoma size=3D2>-----Original Message-----<BR><B>From:</B> =
Torstein H. Rem=20
  [mailto:trem@broadpark.no] <BR><B>Sent:</B> Thursday, June 22, 2006 =
8:04=20
  AM<BR><B>To:</B> =
Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> Re:=20
  oud simulator?<BR><BR></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>
  <DIV><FONT face=3DArial size=3D2>There are a couple of good looking =
electric ouds=20
  made by <FONT face=3D"Times New Roman" size=3D3>Viken Najarian=20
</FONT></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2><A=20
  href=3D"http://www.oud.net/">http://www.oud.net/</A></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>Review of&nbsp;the E-1000&nbsp;on=20
  Harmony</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2><A=20
  =
href=3D"http://www.harmony-central.com/Guitar/Data4/Najarian/E_1000-1.htm=
l">http://www.harmony-central.com/Guitar/Data4/Najarian/E_1000-1.html</A>=
</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2><A=20
  =
href=3D"http://www.mikeouds.com/messageboard/viewthread.php?tid=3D2274">h=
ttp://www.mikeouds.com/messageboard/viewthread.php?tid=3D2274</A></FONT><=
/DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>There`s a clip on this site of one =
similar=20
  looking to the Najarian oud. Noisy and cheap</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>sound quality but gives an idea. Site =
seems to be=20
  inactive.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2><A=20
  =
href=3D"http://electricoud.com/">http://electricoud.com/</A></FONT></DIV>=

  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Lark&nbsp;in The Morning has an =
electric oud by=20
  <FONT face=3D"Times New Roman" size=3D3>"Renowned Turkish luthier =
Saadettin=20
  Sandi"</FONT></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2><A=20
  =
href=3D"http://larkinthemorning.com/product.asp?pn=3DOUD014&amp;Electric+=
Oud=3D&amp;bhcd2=3D1150975858">http://larkinthemorning.com/product.asp?pn=
=3DOUD014&amp;Electric+Oud=3D&amp;bhcd2=3D1150975858</A></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>other places to look</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2><A=20
  =
href=3D"http://www.mikeouds.com/messageboard/index.php">http://www.mikeou=
ds.com/messageboard/index.php</A></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2><A=20
  =
href=3D"http://www.unfretted.com/loader.php?LINK=3Dmain">http://www.unfre=
tted.com/loader.php?LINK=3Dmain</A></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>The message board on unfretted can =
probably=20
  answer if fretless guitars like the Godin Glissentar</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>may sound oudlike with some =
EQing.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>T.</FONT></DIV></FONT></DIV>
  <BLOCKQUOTE dir=3Dltr=20
  style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
    <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
    <DIV=20
    style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
    <A title=3Dbillwalker@baymoon.com =
href=3D"mailto:billwalker@baymoon.com">William=20
    Walker</A> </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
    title=3DLoopers-Delight@loopers-delight.com=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
    </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Thursday, June 22, 2006 =
10:53=20
    AM</DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RE: oud =
simulator?</DIV>
    <DIV><BR></DIV>
    <DIV><SPAN class=3D765183508-22062006><FONT face=3DArial =
color=3D#0000ff=20
    size=3D2>I've heard a fretless nylon string Renaissance (the brand =
not the=20
    era) by Rick Turner do a very convincing oud like sound, The model =
is the=20
    RN6, and I know of at least one jazz guitarist in the Pittsburgh =
area who=20
    has one but I don't remember his name. They are not cheap, The =
budget=20
    alternative would be to yank the frets from an Epiphone Chet Atkins =
copy an=20
    fill in the holes with wood filler. I do know that Rick has made a =
few=20
    instruments with lament woods that are less expensive, but still =
have the=20
    great pickups and construction.</FONT></SPAN></DIV>
    <DIV><SPAN class=3D765183508-22062006><FONT face=3DArial =
color=3D#0000ff=20
    size=3D2>Good luck,</FONT></SPAN></DIV>
    <DIV><SPAN class=3D765183508-22062006><FONT face=3DArial =
color=3D#0000ff=20
    size=3D2>Bill</FONT></SPAN></DIV>
    <BLOCKQUOTE>
      <DIV class=3DOutlookMessageHeader dir=3Dltr align=3Dleft><FONT =
face=3DTahoma=20
      size=3D2>-----Original Message-----<BR><B>From:</B> Monica=20
      [mailto:coolintensity@yahoo.com]<BR><B>Sent:</B> Thursday, June =
22, 2006=20
      1:07 AM<BR><B>To:</B>=20
      Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> oud=20
      simulator?<BR><BR></FONT></DIV>
      <DIV>&nbsp;</DIV>
      <DIV>&nbsp;</DIV>
      <DIV>&nbsp;</DIV>
      <DIV>Hey - does anyone happen to know if there's an effects pedal =
or box=20
      out there</DIV>
      <DIV>that simulates an egyptian&nbsp;oud? I am soooo tired of =
dealing with=20
      all the </DIV>
      <DIV>maintainence problems with a real one - it would be awesome =
if there=20
      was </DIV>
      <DIV>a simulation for guitar. Any info?</DIV>
      <DIV>&nbsp;</DIV>
      <DIV>A thousand salaams...</DIV>
      <DIV>Monica</DIV>
      <P>
      <HR SIZE=3D1>
      Sneak preview the <A=20
      =
href=3D"http://us.rd.yahoo.com/evt=3D40762/*http://www.yahoo.com/preview"=
>all-new=20
      Yahoo.com</A>. It's not radically different. Just radically =
better.=20
    </BLOCKQUOTE></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>
=00
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Date: Thu, 22 Jun 2006 14:02:20 +0100
To: Loopers-Delight@loopers-delight.com
From: a k butler <akbutler@tiscali.co.uk>
Subject: Re:Yngwie on
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At 13:04 22/06/2006, you wrote:
> >Now Yngwie on
> >the other hand, from everything I've heard, is not a nice person, some what
> >of a brat, and a bully and mean drunk, so as far as I'm concerned you can
> >bash him all you want;-)
>
>Yngwie Super Amazing Guitar God Lesson. (Very funny)
>
>http://www.youtube.com/watch?v=p_tuLEmWccM&search=yngwie
>
>Tony

http://www.youtube.com/watch?v=8Y46HdCr0s8&mode=related&search=yngwie

is quite funny too if you know the piece




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Date: Thu, 22 Jun 2006 06:40:32 -0700 (PDT)
From: ditch wrestler <ditchwrestler@yahoo.com>
Subject: RE: FOR SALE: Mesa Boogie Mark I Combo Amp
To: Loopers Delight <Loopers-Delight@loopers-delight.com>
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I think that amp and cab was reviewed in the latest/very recent issue of Guitar Player...
   
   
  ted.

William Walker <billwalker@baymoon.com> wrote:
  Under amps, look under the heading ultralight, The amp is called oddly
enough, the Jazz master ultra light..
Bill

-----Original Message-----
From: Krispen Hartung [mailto:khartung@cableone.net]
Sent: Wednesday, June 21, 2006 6:15 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: FOR SALE: Mesa Boogie Mark I Combo Amp


What model is that Bill? I'm on the Fender site now and can't find anything
called a jazz amp.

The FM 25 DSP looks interesting:
http://www.fender.com/products/search.php?partno=2318500000

$200

Kris

----- Original Message -----
From: "William Walker" 
To: 
Sent: Wednesday, June 21, 2006 5:35 PM
Subject: RE: FOR SALE: Mesa Boogie Mark I Combo Amp


> The new fender jazz amp is worth a look, very small , loud as you would
> need, and nice simple effects. and its a head cabinet design that uses
> speakon plugs. It sounds realy real good.
> Bill
>
> -----Original Message-----
> From: Krispen Hartung [mailto:khartung@cableone.net]
> Sent: Tuesday, June 20, 2006 9:36 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: FOR SALE: Mesa Boogie Mark I Combo Amp
>
>
> Yeah, I thought the target market for my boogie would be fairly slim. I'd
> be willing to make a trade if someone had the right gear. I love the amp
> and the tone is spectacular, but it's a bit overkill and heavy for me (I
> have a bad back, had surgury last Dec, etc). I use the boogie just for my
> monday night traditional jazz gig. I'm thinking of gettting a Roland Cube
> 30
> because it is only 20 pounds and smaller, plus it has a lot of
> effects...anybody have one?
>
> My lexicon LXP1 and LXP5. The LXP1 is primarily for delay, chorus, and
> reverb. I had been using it for reverb...it really does have nice verb,
> and
> the chorus is lush as well. The LXP5 is more like a a multi-effects box.
> It
> is a bit challenging to program, however. If someone has the patience to
> get
> inside the menu tree, or uses the MIDIQuest software, then you can get
> some
> interesting sounds out of it. It's not an Eventide or TC Electronics
> Fireworx by any means, but still a powerful little effects box.
>
> I'm actually considering selling my two Boss VF-1 units as well.....need
> to
> give that more thought, however, as I'm in love with those little red
> boxes.
> :)
>
> Kris
>
>
>
>
> ----- Original Message -----
> From: "tEd ® kiLLiAn" 
> To: 
> Sent: Tuesday, June 20, 2006 10:19 PM
> Subject: Re: FOR SALE: Mesa Boogie Mark I Combo Amp
>
>
>> Kris,
>>
>> 'Tis a beaut indeed. But a tad rich for my meager means.
>> I am mildly interested in your Lexicon half-space processors
>> you mentioned on the list the other day however.
>>
>> Given I'm a Mac guy, the software isn't a factor for me.
>> But a really good processor (or two) with some new
>> creative potential sounds attractive.
>>
>> Anything more you care to say about them?
>>
>> Ted
>>
>>
>> On Jun 20, 2006, at 8:46 PM, Krispen Hartung wrote:
>>
>>> Any takers? It's a beauty.
>>>
>>> http://www.krispenhartung.com/mark-I.htm
>>>
>>> Kris
>>>
>>>
>>
>>
>
>
>
>
>
>







 		
---------------------------------
Talk is cheap. Use Yahoo! Messenger to make PC-to-Phone calls.  Great rates starting at 1¢/min.
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<div>I&nbsp;think that amp and cab was reviewed in the latest/very recent&nbsp;issue of Guitar Player...</div>  <div>&nbsp;</div>  <div>&nbsp;</div>  <div>ted.<BR><BR><B><I>William Walker &lt;billwalker@baymoon.com&gt;</I></B> wrote:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">Under amps, look under the heading ultralight, The amp is called oddly<BR>enough, the Jazz master ultra light..<BR>Bill<BR><BR>-----Original Message-----<BR>From: Krispen Hartung [mailto:khartung@cableone.net]<BR>Sent: Wednesday, June 21, 2006 6:15 PM<BR>To: Loopers-Delight@loopers-delight.com<BR>Subject: Re: FOR SALE: Mesa Boogie Mark I Combo Amp<BR><BR><BR>What model is that Bill? I'm on the Fender site now and can't find anything<BR>called a jazz amp.<BR><BR>The FM 25 DSP looks interesting:<BR>http://www.fender.com/products/search.php?partno=2318500000<BR><BR>$200<BR><BR>Kris<BR><BR>----- Original Message -----<BR>From: "William
 Walker" <BILLWALKER@BAYMOON.COM><BR>To: <LOOPERS-DELIGHT@LOOPERS-DELIGHT.COM><BR>Sent: Wednesday, June 21, 2006 5:35 PM<BR>Subject: RE: FOR SALE: Mesa Boogie Mark I Combo Amp<BR><BR><BR>&gt; The new fender jazz amp is worth a look, very small , loud as you would<BR>&gt; need, and nice simple effects. and its a head cabinet design that uses<BR>&gt; speakon plugs. It sounds realy real good.<BR>&gt; Bill<BR>&gt;<BR>&gt; -----Original Message-----<BR>&gt; From: Krispen Hartung [mailto:khartung@cableone.net]<BR>&gt; Sent: Tuesday, June 20, 2006 9:36 PM<BR>&gt; To: Loopers-Delight@loopers-delight.com<BR>&gt; Subject: Re: FOR SALE: Mesa Boogie Mark I Combo Amp<BR>&gt;<BR>&gt;<BR>&gt; Yeah, I thought the target market for my boogie would be fairly slim. I'd<BR>&gt; be willing to make a trade if someone had the right gear. I love the amp<BR>&gt; and the tone is spectacular, but it's a bit overkill and heavy for me (I<BR>&gt; have a bad back, had surgury last Dec, etc). I use the
 boogie just for my<BR>&gt; monday night traditional jazz gig. I'm thinking of gettting a Roland Cube<BR>&gt; 30<BR>&gt; because it is only 20 pounds and smaller, plus it has a lot of<BR>&gt; effects...anybody have one?<BR>&gt;<BR>&gt; My lexicon LXP1 and LXP5. The LXP1 is primarily for delay, chorus, and<BR>&gt; reverb. I had been using it for reverb...it really does have nice verb,<BR>&gt; and<BR>&gt; the chorus is lush as well. The LXP5 is more like a a multi-effects box.<BR>&gt; It<BR>&gt; is a bit challenging to program, however. If someone has the patience to<BR>&gt; get<BR>&gt; inside the menu tree, or uses the MIDIQuest software, then you can get<BR>&gt; some<BR>&gt; interesting sounds out of it. It's not an Eventide or TC Electronics<BR>&gt; Fireworx by any means, but still a powerful little effects box.<BR>&gt;<BR>&gt; I'm actually considering selling my two Boss VF-1 units as well.....need<BR>&gt; to<BR>&gt; give that more thought, however, as I'm in love with
 those little red<BR>&gt; boxes.<BR>&gt; :)<BR>&gt;<BR>&gt; Kris<BR>&gt;<BR>&gt;<BR>&gt;<BR>&gt;<BR>&gt; ----- Original Message -----<BR>&gt; From: "tEd ® kiLLiAn" <TEDKILLIAN@CHARTER.NET><BR>&gt; To: <LOOPERS-DELIGHT@LOOPERS-DELIGHT.COM><BR>&gt; Sent: Tuesday, June 20, 2006 10:19 PM<BR>&gt; Subject: Re: FOR SALE: Mesa Boogie Mark I Combo Amp<BR>&gt;<BR>&gt;<BR>&gt;&gt; Kris,<BR>&gt;&gt;<BR>&gt;&gt; 'Tis a beaut indeed. But a tad rich for my meager means.<BR>&gt;&gt; I am mildly interested in your Lexicon half-space processors<BR>&gt;&gt; you mentioned on the list the other day however.<BR>&gt;&gt;<BR>&gt;&gt; Given I'm a Mac guy, the software isn't a factor for me.<BR>&gt;&gt; But a really good processor (or two) with some new<BR>&gt;&gt; creative potential sounds attractive.<BR>&gt;&gt;<BR>&gt;&gt; Anything more you care to say about them?<BR>&gt;&gt;<BR>&gt;&gt; Ted<BR>&gt;&gt;<BR>&gt;&gt;<BR>&gt;&gt; On Jun 20, 2006, at 8:46 PM, Krispen Hartung
 wrote:<BR>&gt;&gt;<BR>&gt;&gt;&gt; Any takers? It's a beauty.<BR>&gt;&gt;&gt;<BR>&gt;&gt;&gt; http://www.krispenhartung.com/mark-I.htm<BR>&gt;&gt;&gt;<BR>&gt;&gt;&gt; Kris<BR>&gt;&gt;&gt;<BR>&gt;&gt;&gt;<BR>&gt;&gt;<BR>&gt;&gt;<BR>&gt;<BR>&gt;<BR>&gt;<BR>&gt;<BR>&gt;<BR>&gt;<BR><BR><BR><BR><BR><BR></BLOCKQUOTE><BR><p>&#32;
		<hr size=1>Talk is cheap. Use Yahoo! Messenger to make PC-to-Phone calls. <a href="http://us.rd.yahoo.com/mail_us/taglines/postman7/*http://us.rd.yahoo.com/evt=39666/*http://messenger.yahoo.com"> Great rates starting at 1¢/min.
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From Loopers-Delight-request@loopers-delight.com  Thu Jun 22 14:01:24 2006
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Subject: Hatfield
Date: Thu, 22 Jun 2006 09:57:59 -0400
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>>> Oh - BTW, one very cool band from those early seventies was called
>>> Hatfield And The North. Ringing a bell with any of you English Chaps
>>> on this list?
>>
>>
>> indeed :-)
>> they morphed into an instrumental band called "National Health"
>> (very ahead of their time in picking a really dull name)
>
> Hatfield is playing in NYC this weekend.

I'll be seeing them Friday night with The Tony Levin Band. I'm excited.

>> the other essential curiosity from that era is
>> "Henry Cow", probably the most experimental of the "prog" bands
>
> Legend.

Yeah, wild stuff.

And to (amazingly enough) get close to on topic, I'm seeing Michael Manring 
this weekend too.  Major prog overload weekend.

Tony 

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From Loopers-Delight-request@loopers-delight.com  Thu Jun 22 14:24:21 2006
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Date: Thu, 22 Jun 2006 09:24:46 -0500 (CDT)
Subject: Re: Sloppyness (was: Re: Hiromi)
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In college, I had a music history teacher who had a major chip on his
shoulder over people lumping Opera, romantic, chamber music, symphonic,
modern film score, etc. into one large genre called "classical."  At first
I was very sympathetic with him... that is, until he proceeded to lump
everything we wouldn't call "classical"--be it jazz, country, dance,
blues, rock, swing, hip hop, or whatever--into one large genre that he
called "pop."  He then continued to explain why "classical" is such
excellent, beautiful music and "pop" is ignorant, unskilled,
commercialized garbage that is unfit for the educationally elite, and
should be made illegal.

Now, I do agree that much "classical" music is incredible and wonderful,
and much of modern music is the commercialized, pre-packaged sonic
equivelant of SPAM, but not all.  No music teacher, however educated and
skilled he/she may be, is ever going to convince me that it doesn't take a
ton of skill and technique--albeit a different sort of technique--to do
what Stevie Ray Vaughan or Elton John or even Snoop Dog do on stage.  In
fact, the more I get deep into more obscure music, the more I think
Beethoven and the other gods my prof. worshipped would have appreciated a
good deal of the music he was dogging.  Many of these composers were the
experimental musicians of their day, and I have no doubt that if we could
somehow bring them to the year 2006 in good ol' Bill & Ted fashion and let
them experience modern technology for a few years, more than one of them
would wind up on this mailing list, looping along with the rest of us.

And the thing that really irked me that day in class how many of the other
students went right along with him.  One guy in particular went off on a
monologue about how everything involving drums or guitars was just noise
that hurt his ears and made him angry, and maybe if those musicians had
enough brains to comprehend it, they would see how stupid their music is
and ditch it in favor of music written at least two or three-hundred years
ago.  He got an A in the class.  The guy with the Musician's Friend
catalog in the next chair and I proceeded to tune out a good deal of the
rest of the semester.  Funny thing is, we both got A's as well
because--even though we were ignorant electric guitarists who played in
"pop" groups--we had better pitch recognition and could more easily
differentiate between the different instruments in various symphonic
recordings than 90% of the class...  go fig.

--Josh





> i had an argument about this the other day when i was
> talking to a guy whos is a classical trained pianist
> and blew up as i told them that technique doesnt
> really interfere in my judging of good music or
> performance,i simply react unconsciously to sound that
> sends chills down my spine regardless of
> technique,style or otherwise.He then said if music
> doesnt have some sort of competent technique for him
> is simply uninteresting and most of it(like a lot of
> rock)uncompetent overhyped commercialized trash...
> could it be that self taught people should have more
> understanding of "academics and technique" as well as
> trained people about "street and intuition"?
> I also know that to write a good song,sing,get
> interesting guitar tones,or play that overhyped
> incompetent commercialized trash u hear in pop music
> is a lot of work!
> Luis
>
>
>
>
>
>>
>> I also think that some of the most interesting
>> scientists and businessmen are largely self-taught.
>> (e.g Einstein, Jobs, Gates)
>
>
>> >and btw they recover from mistakes as much often as
>> anyone, simply they recover more elegantly so you
>> dont even hear it as a mistake.
>>
>> And less interestingly, too, IMO.
>>
>> -C
>>
>> --
>> Chris Muir           | "There are many futures and
>> only one status quo.
>> cbm@well.com         |  This is why conservatives
>> mostly agree,
>> http://www.xfade.com |  and radicals always argue."
>> - Brian Eno
>>
>>
>
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>
>

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From: "Dean, Hal " <HDEAN@wcupa.edu>
To: <Loopers-Delight@loopers-delight.com>
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Hatfield in NY? If that is not a must see I don't know what is... maybe
depending on who is playing keyboards... where is this gig?

Hal Dean

-----Original Message-----
From: Tony K [mailto:bigtony@softhome.net]=20
Sent: Thursday, June 22, 2006 9:58 AM
To: Loopers-Delight@loopers-delight.com
Subject: Hatfield


>>> Oh - BTW, one very cool band from those early seventies was called=20
>>> Hatfield And The North. Ringing a bell with any of you English Chaps

>>> on this list?
>>
>>
>> indeed :-)
>> they morphed into an instrumental band called "National Health" (very

>> ahead of their time in picking a really dull name)
>
> Hatfield is playing in NYC this weekend.

I'll be seeing them Friday night with The Tony Levin Band. I'm excited.

>> the other essential curiosity from that era is
>> "Henry Cow", probably the most experimental of the "prog" bands
>
> Legend.

Yeah, wild stuff.

And to (amazingly enough) get close to on topic, I'm seeing Michael
Manring=20
this weekend too.  Major prog overload weekend.

Tony=20

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Subject: RE: Hatfield
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Thread-Topic: Hatfield
Thread-Index: AcaWBFpScO5b8wOoTciCcgk8m69DEAABggcA
From: "Dean, Hal " <HDEAN@wcupa.edu>
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The Hatfield gig is Sunday June 25 at the Bowery Poetry Club. Keyboards
by Alex Maguire. Richard Sinclair played Fez earlier in the month and
may well be doing other one-offs. I'll be looking into that but won't
keep peppering LD with this stuff.

http://www.bowerypoetry.com/

Hal Dean
-----Original Message-----
From: Tony K [mailto:bigtony@softhome.net]=20
Sent: Thursday, June 22, 2006 9:58 AM
To: Loopers-Delight@loopers-delight.com
Subject: Hatfield


>>> Oh - BTW, one very cool band from those early seventies was called=20
>>> Hatfield And The North. Ringing a bell with any of you English Chaps

>>> on this list?
>>
>>
>> indeed :-)
>> they morphed into an instrumental band called "National Health" (very

>> ahead of their time in picking a really dull name)
>
> Hatfield is playing in NYC this weekend.

I'll be seeing them Friday night with The Tony Levin Band. I'm excited.

>> the other essential curiosity from that era is
>> "Henry Cow", probably the most experimental of the "prog" bands
>
> Legend.

Yeah, wild stuff.

And to (amazingly enough) get close to on topic, I'm seeing Michael
Manring=20
this weekend too.  Major prog overload weekend.

Tony=20

From Loopers-Delight-request@loopers-delight.com  Thu Jun 22 15:06:16 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Ableton w/ VST Looper
Date: Thu, 22 Jun 2006 17:06:11 +0200
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On 22 jun 2006, at 14.02, Buzap Buzap wrote:
>> I prefer to work the instant composing stuff on a master track
>> level (mangling the summed layers/loops) instead of taking the remix
>> approach to split it up in parallel.
> I like to mix stuff until I have a certain density. Then, to keep  
> the mix interesting, I like to add some delay or phaser/flanger or  
> reverse on some loops.
> But if you have 8 loops in Mobius, I guess I could pick a loop and  
> then resample it with effects, would be probably less CPU consuming.

Yes. In Live it's very easy to resample any loop or mix of loops.  
Simply set the track input to "Resampling", record enable the track  
and trig the slot where you want to place the clip. In my Mac setup  
with Live and Augustus Loop I usually keep one Live track instantly  
set up for resampling. After having resampled you can drag the clip  
with the mouse to another track that maybe has a more suitable  
effects setting.


> Could it perhaps work the other way - using Ableton as effect  
> machine for Mobius?

Oh yes! "The other way"....?  Isn't that the main reason people want  
to run loopers as VST/au plug-ins in Live? Live has excellent effects.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Thu Jun 22 15:26:06 2006
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From: "Torstein H. Rem" <trem@broadpark.no>
Subject: Re: Re:Yngwie on
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Someone make a loop of the Bach piece mixed with Yngwie`s famous outbursts
on the plain to Japan

http://www.blabbermouth.net/yngwie_tokyo_flight.mp3



----- Original Message ----- 
From: "a k butler" <akbutler@tiscali.co.uk>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, June 22, 2006 3:02 PM
Subject: Re:Yngwie on


> At 13:04 22/06/2006, you wrote:
>> >Now Yngwie on
>> >the other hand, from everything I've heard, is not a nice person, some 
>> >what
>> >of a brat, and a bully and mean drunk, so as far as I'm concerned you 
>> >can
>> >bash him all you want;-)
>>
>>Yngwie Super Amazing Guitar God Lesson. (Very funny)
>>
>>http://www.youtube.com/watch?v=p_tuLEmWccM&search=yngwie
>>
>>Tony
>
> http://www.youtube.com/watch?v=8Y46HdCr0s8&mode=related&search=yngwie
>
> is quite funny too if you know the piece
>
>
>
>
> 


From Loopers-Delight-request@loopers-delight.com  Thu Jun 22 15:36:38 2006
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Date: Thu, 22 Jun 2006 08:36:28 -0700
Subject: Re: Ableton w/ VST Looper
From: Todd Reynolds <toddreyn@gmail.com>
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I'm sorry, I don't want to divert this conversation, but I thought maybe
Buzap Buzap could benefit from this answer...

Per, now that you brought up resampling, can you use a resampling track to
bus the whole output to another stereo output pair?, or is the only way to
use a return track?

All best to you both, todd




On 6/22/06 8:06 AM, "Per Boysen" <perboysen@gmail.com> wrote:

> On 22 jun 2006, at 14.02, Buzap Buzap wrote:
>>> I prefer to work the instant composing stuff on a master track
>>> level (mangling the summed layers/loops) instead of taking the remix
>>> approach to split it up in parallel.
>> I like to mix stuff until I have a certain density. Then, to keep
>> the mix interesting, I like to add some delay or phaser/flanger or
>> reverse on some loops.
>> But if you have 8 loops in Mobius, I guess I could pick a loop and
>> then resample it with effects, would be probably less CPU consuming.
>=20
> Yes. In Live it's very easy to resample any loop or mix of loops.
> Simply set the track input to "Resampling", record enable the track
> and trig the slot where you want to place the clip. In my Mac setup
> with Live and Augustus Loop I usually keep one Live track instantly
> set up for resampling. After having resampled you can drag the clip
> with the mouse to another track that maybe has a more suitable
> effects setting.
>=20
>=20
>> Could it perhaps work the other way - using Ableton as effect
>> machine for Mobius?
>=20
> Oh yes! "The other way"....?  Isn't that the main reason people want
> to run loopers as VST/au plug-ins in Live? Live has excellent effects.
>=20
> Greetings from Sweden
>=20
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
>=20
>=20
>=20

---------------------------------------------------------------------------=
-
-----
=B3Virtue is just repression waiting to go bad=B2 - Trevor Exter

=B3Classical music is related to the past more than it is related to the
creative part of sound=B2 - Ornette Coleman
---------------------------------------------------------------------------=
-
------=20
Todd Reynolds
42-09 47th Ave 1C
Sunnyside, NY  11104
=20
Ph.    718 392-3773
Mob.   917 576-6166
Fax    419 781-5502
=20
http://www.toddreynolds.com


todd@toddreynolds.com
9175766166@vtext.com (155 characters or less)
AIM ID: toddreyn




From Loopers-Delight-request@loopers-delight.com  Thu Jun 22 15:50:42 2006
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From: Kevin <kevin@TheNettles.com>
Subject: Re: Silent Switches
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At 03:24 PM 6/20/2006, you wrote:
>Do you know of Bob Bradshaw?
>Here's the URL to Bob's stuff:
><http://www.customaudioelectronics.com/>http://www.customaudioelectronics.com/ 
>

Thanks, Richard.  It doesn't look like he quite has what I need but 
it's a cool site.

Cheers,
Kevin

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On Jun 22, 2006, at 10:50 AM, Kevin wrote:

> At 03:24 PM 6/20/2006, you wrote:
>> Do you know of Bob Bradshaw?
>> Here's the URL to Bob's stuff:
>> <http://www.customaudioelectronics.com/>http:// 
>> www.customaudioelectronics.com/
>
> Thanks, Richard.  It doesn't look like he quite has what I need but  
> it's a cool site.

What is it you need? Bradshaw's rigs are way outdated.

Jeff

From Loopers-Delight-request@loopers-delight.com  Thu Jun 22 16:15:16 2006
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Date: Thu, 22 Jun 2006 12:15:14 -0400
From: "Todd Pafford" <calenlas@gmail.com>
To: "Loopers' Delight" <Loopers-Delight@loopers-delight.com>
Subject: Re: oud simulator?
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	 <OPEGKDJIMPJBOGCKEPDGAEADCPAA.billwalker@baymoon.com>
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Also check out the Godin Glissentar.  11 strings (5 pairs + 1 bass),
fretless, nylon stringed, traditional guitar size/scale.

<http://www.godinguitars.com/godinglissentarp.htm>

Todd

> On 6/22/06, William Walker <billwalker@baymoon.com> wrote:
> >
> >
> > I've heard a fretless nylon string Renaissance (the brand not the era) by
> > Rick Turner do a very convincing oud like sound, The model is the RN6, and I
> > know of at least one jazz guitarist in the Pittsburgh area who has one but I
> > don't remember his name. They are not cheap, The budget alternative would be
> > to yank the frets from an Epiphone Chet Atkins copy an fill in the holes
> > with wood filler. I do know that Rick has made a few instruments with lament
> > woods that are less expensive, but still have the great pickups and
> > construction.
> > Good luck,
> > Bill
> >
> >
> > -----Original Message-----
> > From: Monica [mailto:coolintensity@yahoo.com]
> > Sent: Thursday, June 22, 2006 1:07 AM
> > To: Loopers-Delight@loopers-delight.com
> > Subject: oud simulator?
> >
> >
> >
> >
> >
> > Hey - does anyone happen to know if there's an effects pedal or box out
> > there
> > that simulates an egyptian oud? I am soooo tired of dealing with all the
> > maintainence problems with a real one - it would be awesome if there was
> > a simulation for guitar. Any info?
> >
> > A thousand salaams...
> > Monica
> >
> >  ________________________________
> >  Sneak preview the all-new Yahoo.com. It's not radically different. Just
> > radically better.
> >
> >
>

From Loopers-Delight-request@loopers-delight.com  Thu Jun 22 17:04:18 2006
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Date: Thu, 22 Jun 2006 10:04:17 -0700 (PDT)
From: Monica <coolintensity@yahoo.com>
Subject: RE: oud simulator?
To: Loopers-Delight@loopers-delight.com
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The best thing I've seen so far is an electric oud made by a small company
  in California. Has a very modern look and is supposed to be great technology -
  mp3s sound good too - but I've never tried one. Cost: about $1500. Thanks...

William Walker <billwalker@baymoon.com> wrote:
      I've heard a fretless nylon string Renaissance (the brand not the era) by Rick Turner do a very convincing oud like sound, The model is the RN6, and I know of at least one jazz guitarist in the Pittsburgh area who has one but I don't remember his name. They are not cheap, The budget alternative would be to yank the frets from an Epiphone Chet Atkins copy an fill in the holes with wood filler. I do know that Rick has made a few instruments with lament woods that are less expensive, but still have the great pickups and construction.
  Good luck,
  Bill
    -----Original Message-----
From: Monica [mailto:coolintensity@yahoo.com]
Sent: Thursday, June 22, 2006 1:07 AM
To: Loopers-Delight@loopers-delight.com
Subject: oud simulator?


   
   
   
  Hey - does anyone happen to know if there's an effects pedal or box out there
  that simulates an egyptian oud? I am soooo tired of dealing with all the 
  maintainence problems with a real one - it would be awesome if there was 
  a simulation for guitar. Any info?
   
  A thousand salaams...
  Monica
    
---------------------------------
  Sneak preview the all-new Yahoo.com. It's not radically different. Just radically better. 


 __________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 
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<DIV><FONT color=#7f007f>The best thing I've seen so far is an electric oud made by a small company</FONT></DIV>  <DIV><FONT color=#7f007f>in California. Has a very modern look and is supposed to be great technology -</FONT></DIV>  <DIV><FONT color=#7f007f>mp3s sound good too - but I've never tried one. Cost: about $1500. Thanks...</FONT><BR><BR><B><I>William Walker &lt;billwalker@baymoon.com&gt;</I></B> wrote:</DIV>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">  <META content="MSHTML 6.00.2900.2912" name=GENERATOR>  <DIV><SPAN class=765183508-22062006><FONT face=Arial color=#0000ff size=2>I've heard a fretless nylon string Renaissance (the brand not the era) by Rick Turner do a very convincing oud like sound, The model is the RN6, and I know of at least one jazz guitarist in the Pittsburgh area who has one but I don't remember his name. They are not cheap, The budget alternative would be to yank the frets from an
 Epiphone Chet Atkins copy an fill in the holes with wood filler. I do know that Rick has made a few instruments with lament woods that are less expensive, but still have the great pickups and construction.</FONT></SPAN></DIV>  <DIV><SPAN class=765183508-22062006><FONT face=Arial color=#0000ff size=2>Good luck,</FONT></SPAN></DIV>  <DIV><SPAN class=765183508-22062006><FONT face=Arial color=#0000ff size=2>Bill</FONT></SPAN></DIV>  <BLOCKQUOTE>  <DIV class=OutlookMessageHeader dir=ltr align=left><FONT face=Tahoma size=2>-----Original Message-----<BR><B>From:</B> Monica [mailto:coolintensity@yahoo.com]<BR><B>Sent:</B> Thursday, June 22, 2006 1:07 AM<BR><B>To:</B> Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> oud simulator?<BR><BR></FONT></DIV>  <DIV>&nbsp;</DIV>  <DIV>&nbsp;</DIV>  <DIV>&nbsp;</DIV>  <DIV>Hey - does anyone happen to know if there's an effects pedal or box out there</DIV>  <DIV>that simulates an egyptian&nbsp;oud? I am soooo tired of dealing with all
 the </DIV>  <DIV>maintainence problems with a real one - it would be awesome if there was </DIV>  <DIV>a simulation for guitar. Any info?</DIV>  <DIV>&nbsp;</DIV>  <DIV>A thousand salaams...</DIV>  <DIV>Monica</DIV>  <DIV>  <HR SIZE=1>  Sneak preview the <A href="http://us.rd.yahoo.com/evt=40762/*http://www.yahoo.com/preview">all-new Yahoo.com</A>. It's not radically different. Just radically better. </DIV></BLOCKQUOTE></BLOCKQUOTE><BR><p>&#32;__________________________________________________<br>Do You Yahoo!?<br>Tired of spam?  Yahoo! Mail has the best spam protection around <br>http://mail.yahoo.com 
--0-915722699-1150995857=:21471--

From Loopers-Delight-request@loopers-delight.com  Thu Jun 22 17:04:30 2006
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Date: Thu, 22 Jun 2006 10:04:30 -0700 (PDT)
From: Monica <coolintensity@yahoo.com>
Subject: RE: oud simulator?
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The best thing I've seen so far is an electric oud made by a small company
  in California. Has a very modern look and is supposed to be great technology -
  mp3s sound good too - but I've never tried one. Cost: about $1500. Thanks...

William Walker <billwalker@baymoon.com> wrote:
      I've heard a fretless nylon string Renaissance (the brand not the era) by Rick Turner do a very convincing oud like sound, The model is the RN6, and I know of at least one jazz guitarist in the Pittsburgh area who has one but I don't remember his name. They are not cheap, The budget alternative would be to yank the frets from an Epiphone Chet Atkins copy an fill in the holes with wood filler. I do know that Rick has made a few instruments with lament woods that are less expensive, but still have the great pickups and construction.
  Good luck,
  Bill
    -----Original Message-----
From: Monica [mailto:coolintensity@yahoo.com]
Sent: Thursday, June 22, 2006 1:07 AM
To: Loopers-Delight@loopers-delight.com
Subject: oud simulator?


   
   
   
  Hey - does anyone happen to know if there's an effects pedal or box out there
  that simulates an egyptian oud? I am soooo tired of dealing with all the 
  maintainence problems with a real one - it would be awesome if there was 
  a simulation for guitar. Any info?
   
  A thousand salaams...
  Monica
    
---------------------------------
  Sneak preview the all-new Yahoo.com. It's not radically different. Just radically better. 


 		
---------------------------------
Talk is cheap. Use Yahoo! Messenger to make PC-to-Phone calls.  Great rates starting at 1¢/min.
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<DIV><FONT color=#7f007f>The best thing I've seen so far is an electric oud made by a small company</FONT></DIV>  <DIV><FONT color=#7f007f>in California. Has a very modern look and is supposed to be great technology -</FONT></DIV>  <DIV><FONT color=#7f007f>mp3s sound good too - but I've never tried one. Cost: about $1500. Thanks...</FONT><BR><BR><B><I>William Walker &lt;billwalker@baymoon.com&gt;</I></B> wrote:</DIV>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">  <META content="MSHTML 6.00.2900.2912" name=GENERATOR>  <DIV><SPAN class=765183508-22062006><FONT face=Arial color=#0000ff size=2>I've heard a fretless nylon string Renaissance (the brand not the era) by Rick Turner do a very convincing oud like sound, The model is the RN6, and I know of at least one jazz guitarist in the Pittsburgh area who has one but I don't remember his name. They are not cheap, The budget alternative would be to yank the frets from an
 Epiphone Chet Atkins copy an fill in the holes with wood filler. I do know that Rick has made a few instruments with lament woods that are less expensive, but still have the great pickups and construction.</FONT></SPAN></DIV>  <DIV><SPAN class=765183508-22062006><FONT face=Arial color=#0000ff size=2>Good luck,</FONT></SPAN></DIV>  <DIV><SPAN class=765183508-22062006><FONT face=Arial color=#0000ff size=2>Bill</FONT></SPAN></DIV>  <BLOCKQUOTE>  <DIV class=OutlookMessageHeader dir=ltr align=left><FONT face=Tahoma size=2>-----Original Message-----<BR><B>From:</B> Monica [mailto:coolintensity@yahoo.com]<BR><B>Sent:</B> Thursday, June 22, 2006 1:07 AM<BR><B>To:</B> Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> oud simulator?<BR><BR></FONT></DIV>  <DIV>&nbsp;</DIV>  <DIV>&nbsp;</DIV>  <DIV>&nbsp;</DIV>  <DIV>Hey - does anyone happen to know if there's an effects pedal or box out there</DIV>  <DIV>that simulates an egyptian&nbsp;oud? I am soooo tired of dealing with all
 the </DIV>  <DIV>maintainence problems with a real one - it would be awesome if there was </DIV>  <DIV>a simulation for guitar. Any info?</DIV>  <DIV>&nbsp;</DIV>  <DIV>A thousand salaams...</DIV>  <DIV>Monica</DIV>  <DIV>  <HR SIZE=1>  Sneak preview the <A href="http://us.rd.yahoo.com/evt=40762/*http://www.yahoo.com/preview">all-new Yahoo.com</A>. It's not radically different. Just radically better. </DIV></BLOCKQUOTE></BLOCKQUOTE><BR><p>&#32;
		<hr size=1>Talk is cheap. Use Yahoo! Messenger to make PC-to-Phone calls. <a href="http://us.rd.yahoo.com/mail_us/taglines/postman7/*http://us.rd.yahoo.com/evt=39666/*http://messenger.yahoo.com"> Great rates starting at 1¢/min.
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From Loopers-Delight-request@loopers-delight.com  Thu Jun 22 17:04:42 2006
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Subject: RE: oud simulator?
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The best thing I've seen so far is an electric oud made by a small company
  in California. Has a very modern look and is supposed to be great technology -
  mp3s sound good too - but I've never tried one. Cost: about $1500. Thanks...

William Walker <billwalker@baymoon.com> wrote:
      I've heard a fretless nylon string Renaissance (the brand not the era) by Rick Turner do a very convincing oud like sound, The model is the RN6, and I know of at least one jazz guitarist in the Pittsburgh area who has one but I don't remember his name. They are not cheap, The budget alternative would be to yank the frets from an Epiphone Chet Atkins copy an fill in the holes with wood filler. I do know that Rick has made a few instruments with lament woods that are less expensive, but still have the great pickups and construction.
  Good luck,
  Bill
    -----Original Message-----
From: Monica [mailto:coolintensity@yahoo.com]
Sent: Thursday, June 22, 2006 1:07 AM
To: Loopers-Delight@loopers-delight.com
Subject: oud simulator?


   
   
   
  Hey - does anyone happen to know if there's an effects pedal or box out there
  that simulates an egyptian oud? I am soooo tired of dealing with all the 
  maintainence problems with a real one - it would be awesome if there was 
  a simulation for guitar. Any info?
   
  A thousand salaams...
  Monica
    
---------------------------------
  Sneak preview the all-new Yahoo.com. It's not radically different. Just radically better. 


 		
---------------------------------
Yahoo! Messenger with Voice. PC-to-Phone calls for ridiculously low rates.
--0-724429902-1150995881=:70078
Content-Type: text/html; charset=iso-8859-1
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<DIV><FONT color=#7f007f>The best thing I've seen so far is an electric oud made by a small company</FONT></DIV>  <DIV><FONT color=#7f007f>in California. Has a very modern look and is supposed to be great technology -</FONT></DIV>  <DIV><FONT color=#7f007f>mp3s sound good too - but I've never tried one. Cost: about $1500. Thanks...</FONT><BR><BR><B><I>William Walker &lt;billwalker@baymoon.com&gt;</I></B> wrote:</DIV>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">  <META content="MSHTML 6.00.2900.2912" name=GENERATOR>  <DIV><SPAN class=765183508-22062006><FONT face=Arial color=#0000ff size=2>I've heard a fretless nylon string Renaissance (the brand not the era) by Rick Turner do a very convincing oud like sound, The model is the RN6, and I know of at least one jazz guitarist in the Pittsburgh area who has one but I don't remember his name. They are not cheap, The budget alternative would be to yank the frets from an
 Epiphone Chet Atkins copy an fill in the holes with wood filler. I do know that Rick has made a few instruments with lament woods that are less expensive, but still have the great pickups and construction.</FONT></SPAN></DIV>  <DIV><SPAN class=765183508-22062006><FONT face=Arial color=#0000ff size=2>Good luck,</FONT></SPAN></DIV>  <DIV><SPAN class=765183508-22062006><FONT face=Arial color=#0000ff size=2>Bill</FONT></SPAN></DIV>  <BLOCKQUOTE>  <DIV class=OutlookMessageHeader dir=ltr align=left><FONT face=Tahoma size=2>-----Original Message-----<BR><B>From:</B> Monica [mailto:coolintensity@yahoo.com]<BR><B>Sent:</B> Thursday, June 22, 2006 1:07 AM<BR><B>To:</B> Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> oud simulator?<BR><BR></FONT></DIV>  <DIV>&nbsp;</DIV>  <DIV>&nbsp;</DIV>  <DIV>&nbsp;</DIV>  <DIV>Hey - does anyone happen to know if there's an effects pedal or box out there</DIV>  <DIV>that simulates an egyptian&nbsp;oud? I am soooo tired of dealing with all
 the </DIV>  <DIV>maintainence problems with a real one - it would be awesome if there was </DIV>  <DIV>a simulation for guitar. Any info?</DIV>  <DIV>&nbsp;</DIV>  <DIV>A thousand salaams...</DIV>  <DIV>Monica</DIV>  <DIV>  <HR SIZE=1>  Sneak preview the <A href="http://us.rd.yahoo.com/evt=40762/*http://www.yahoo.com/preview">all-new Yahoo.com</A>. It's not radically different. Just radically better. </DIV></BLOCKQUOTE></BLOCKQUOTE><BR><p>&#32;
		<hr size=1><a href="http://us.rd.yahoo.com/mail_us/taglines/postman3/*http://us.rd.yahoo.com/evt=39666/*http://messenger.yahoo.com">Yahoo! Messenger with Voice.</a> PC-to-Phone calls for ridiculously low rates.
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From Loopers-Delight-request@loopers-delight.com  Thu Jun 22 17:06:34 2006
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From: Monica <coolintensity@yahoo.com>
Subject: Re: oud simulator?
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Yes I have their catalog - but was hoping not to spend the $1500 right now.
  Would be great to have a simple mod for guitar! Thanks...

"Torstein H. Rem" <trem@broadpark.no> wrote:
            There are a couple of good looking electric ouds made by Viken Najarian 
  http://www.oud.net/
  Review of the E-1000 on Harmony
  http://www.harmony-central.com/Guitar/Data4/Najarian/E_1000-1.html
  http://www.mikeouds.com/messageboard/viewthread.php?tid=2274
   
  There`s a clip on this site of one similar looking to the Najarian oud. Noisy and cheap
  sound quality but gives an idea. Site seems to be inactive.
  http://electricoud.com/
   
  Lark in The Morning has an electric oud by "Renowned Turkish luthier Saadettin Sandi"
  http://larkinthemorning.com/product.asp?pn=OUD014&Electric+Oud=&bhcd2=1150975858
   
   
  other places to look
  http://www.mikeouds.com/messageboard/index.php
  http://www.unfretted.com/loader.php?LINK=main
   
  The message board on unfretted can probably answer if fretless guitars like the Godin Glissentar
  may sound oudlike with some EQing.
   
   
  T.

    ----- Original Message ----- 
  From: William Walker 
  To: Loopers-Delight@loopers-delight.com 
  Sent: Thursday, June 22, 2006 10:53 AM
  Subject: RE: oud simulator?
  

  I've heard a fretless nylon string Renaissance (the brand not the era) by Rick Turner do a very convincing oud like sound, The model is the RN6, and I know of at least one jazz guitarist in the Pittsburgh area who has one but I don't remember his name. They are not cheap, The budget alternative would be to yank the frets from an Epiphone Chet Atkins copy an fill in the holes with wood filler. I do know that Rick has made a few instruments with lament woods that are less expensive, but still have the great pickups and construction.
  Good luck,
  Bill
    -----Original Message-----
From: Monica [mailto:coolintensity@yahoo.com]
Sent: Thursday, June 22, 2006 1:07 AM
To: Loopers-Delight@loopers-delight.com
Subject: oud simulator?


   
   
   
  Hey - does anyone happen to know if there's an effects pedal or box out there
  that simulates an egyptian oud? I am soooo tired of dealing with all the 
  maintainence problems with a real one - it would be awesome if there was 
  a simulation for guitar. Any info?
   
  A thousand salaams...
  Monica
    
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<div><FONT color=#40007f>Yes I have their catalog - but was hoping not to spend the $1500 right now.</FONT></div>  <div><FONT color=#40007f>Would be great to have a simple mod for guitar! Thanks...</FONT><BR><BR><B><I>"Torstein H. Rem" &lt;trem@broadpark.no&gt;</I></B> wrote:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">  <META content="MSHTML 6.00.2900.2873" name=GENERATOR>  <STYLE></STYLE>    <DIV><FONT face=Arial size=2>  <DIV><FONT face=Arial size=2>There are a couple of good looking electric ouds made by <FONT face="Times New Roman" size=3>Viken Najarian </FONT></FONT></DIV>  <DIV><FONT face=Arial size=2><A href="http://www.oud.net/">http://www.oud.net/</A></FONT></DIV>  <DIV><FONT face=Arial size=2>Review of&nbsp;the E-1000&nbsp;on Harmony</FONT></DIV>  <DIV><FONT face=Arial size=2><A
 href="http://www.harmony-central.com/Guitar/Data4/Najarian/E_1000-1.html">http://www.harmony-central.com/Guitar/Data4/Najarian/E_1000-1.html</A></FONT></DIV>  <DIV><FONT face=Arial size=2><A href="http://www.mikeouds.com/messageboard/viewthread.php?tid=2274">http://www.mikeouds.com/messageboard/viewthread.php?tid=2274</A></FONT></DIV>  <DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>  <DIV><FONT face=Arial size=2>There`s a clip on this site of one similar looking to the Najarian oud. Noisy and cheap</FONT></DIV>  <DIV><FONT face=Arial size=2>sound quality but gives an idea. Site seems to be inactive.</FONT></DIV>  <DIV><FONT face=Arial size=2><A href="http://electricoud.com/">http://electricoud.com/</A></FONT></DIV>  <DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>  <DIV><FONT face=Arial size=2>Lark&nbsp;in The Morning has an electric oud by <FONT face="Times New Roman" size=3>"Renowned Turkish luthier Saadettin Sandi"</FONT></FONT></DIV>  <DIV><FONT face=Arial size=2><A
 href="http://larkinthemorning.com/product.asp?pn=OUD014&amp;Electric+Oud=&amp;bhcd2=1150975858">http://larkinthemorning.com/product.asp?pn=OUD014&amp;Electric+Oud=&amp;bhcd2=1150975858</A></FONT></DIV>  <DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>  <DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>  <DIV><FONT face=Arial size=2>other places to look</FONT></DIV>  <DIV><FONT face=Arial size=2><A href="http://www.mikeouds.com/messageboard/index.php">http://www.mikeouds.com/messageboard/index.php</A></FONT></DIV>  <DIV><FONT face=Arial size=2><A href="http://www.unfretted.com/loader.php?LINK=main">http://www.unfretted.com/loader.php?LINK=main</A></FONT></DIV>  <DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>  <DIV><FONT face=Arial size=2>The message board on unfretted can probably answer if fretless guitars like the Godin Glissentar</FONT></DIV>  <DIV><FONT face=Arial size=2>may sound oudlike with some EQing.</FONT></DIV>  <DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV> 
 <DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>  <DIV><FONT face=Arial size=2>T.</FONT></DIV></FONT></DIV>  <BLOCKQUOTE dir=ltr style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">  <DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>  <DIV style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><B>From:</B> <A title=billwalker@baymoon.com href="mailto:billwalker@baymoon.com">William Walker</A> </DIV>  <DIV style="FONT: 10pt arial"><B>To:</B> <A title=Loopers-Delight@loopers-delight.com href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A> </DIV>  <DIV style="FONT: 10pt arial"><B>Sent:</B> Thursday, June 22, 2006 10:53 AM</DIV>  <DIV style="FONT: 10pt arial"><B>Subject:</B> RE: oud simulator?</DIV>  <DIV><BR></DIV>  <DIV><SPAN class=765183508-22062006><FONT face=Arial color=#0000ff size=2>I've heard a fretless nylon string Renaissance (the brand not the
 era) by Rick Turner do a very convincing oud like sound, The model is the RN6, and I know of at least one jazz guitarist in the Pittsburgh area who has one but I don't remember his name. They are not cheap, The budget alternative would be to yank the frets from an Epiphone Chet Atkins copy an fill in the holes with wood filler. I do know that Rick has made a few instruments with lament woods that are less expensive, but still have the great pickups and construction.</FONT></SPAN></DIV>  <DIV><SPAN class=765183508-22062006><FONT face=Arial color=#0000ff size=2>Good luck,</FONT></SPAN></DIV>  <DIV><SPAN class=765183508-22062006><FONT face=Arial color=#0000ff size=2>Bill</FONT></SPAN></DIV>  <BLOCKQUOTE>  <DIV class=OutlookMessageHeader dir=ltr align=left><FONT face=Tahoma size=2>-----Original Message-----<BR><B>From:</B> Monica [mailto:coolintensity@yahoo.com]<BR><B>Sent:</B> Thursday, June 22, 2006 1:07 AM<BR><B>To:</B> Loopers-Delight@loopers-delight.com<BR><B>Subject:</B>
 oud simulator?<BR><BR></FONT></DIV>  <DIV>&nbsp;</DIV>  <DIV>&nbsp;</DIV>  <DIV>&nbsp;</DIV>  <DIV>Hey - does anyone happen to know if there's an effects pedal or box out there</DIV>  <DIV>that simulates an egyptian&nbsp;oud? I am soooo tired of dealing with all the </DIV>  <DIV>maintainence problems with a real one - it would be awesome if there was </DIV>  <DIV>a simulation for guitar. Any info?</DIV>  <DIV>&nbsp;</DIV>  <DIV>A thousand salaams...</DIV>  <DIV>Monica</DIV>  <div>  <HR SIZE=1>  Sneak preview the <A href="http://us.rd.yahoo.com/evt=40762/*http://www.yahoo.com/preview">all-new Yahoo.com</A>. It's not radically different. Just radically better. </BLOCKQUOTE></BLOCKQUOTE></BLOCKQUOTE><BR><p>&#32;
		<hr size=1>Yahoo! Groups gets better. <a href="http://pa.yahoo.com/*http://us.rd.yahoo.com/evt=41142/*http://groups.yahoo.com/local/newemail.html">Check out the new email design.</a> Plus there’s much more to come. 
 

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From: Per Boysen <perboysen@gmail.com>
Subject: Resampling in Live  (Re: Ableton w/ VST Looper)
Date: Thu, 22 Jun 2006 19:18:38 +0200
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Resampling on an audio track makes a loop of what is happening on the  
master output at that moment. After you have resampled you may of  
course route the clip of that clip (loop) directly to any physically  
available output on the sound card, or to a Return Track if you like  
to use that as the pipe to a different output. But REsampling is not  
a real-time audio routing method, only a quick way to snag what's  
cooking.

per


On 22 jun 2006, at 17.36, Todd Reynolds wrote:

> I'm sorry, I don't want to divert this conversation, but I thought  
> maybe
> Buzap Buzap could benefit from this answer...
>
> Per, now that you brought up resampling, can you use a resampling  
> track to
> bus the whole output to another stereo output pair?, or is the only  
> way to
> use a return track?
>
> All best to you both, todd
>
>
>
>
> On 6/22/06 8:06 AM, "Per Boysen" <perboysen@gmail.com> wrote:
>
>> On 22 jun 2006, at 14.02, Buzap Buzap wrote:
>>>> I prefer to work the instant composing stuff on a master track
>>>> level (mangling the summed layers/loops) instead of taking the  
>>>> remix
>>>> approach to split it up in parallel.
>>> I like to mix stuff until I have a certain density. Then, to keep
>>> the mix interesting, I like to add some delay or phaser/flanger or
>>> reverse on some loops.
>>> But if you have 8 loops in Mobius, I guess I could pick a loop and
>>> then resample it with effects, would be probably less CPU consuming.
>>
>> Yes. In Live it's very easy to resample any loop or mix of loops.
>> Simply set the track input to "Resampling", record enable the track
>> and trig the slot where you want to place the clip. In my Mac setup
>> with Live and Augustus Loop I usually keep one Live track instantly
>> set up for resampling. After having resampled you can drag the clip
>> with the mouse to another track that maybe has a more suitable
>> effects setting.
>>
>>
>>> Could it perhaps work the other way - using Ableton as effect
>>> machine for Mobius?
>>
>> Oh yes! "The other way"....?  Isn't that the main reason people want
>> to run loopers as VST/au plug-ins in Live? Live has excellent  
>> effects.
>>
>> Greetings from Sweden

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Date: Thu, 22 Jun 2006 19:26:48 +0200
From: "Torstein H. Rem" <trem@broadpark.no>
Subject: Re: oud simulator?
To: Loopers-Delight@loopers-delight.com
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I`m quite convinced no pedal will do the job. Maybe if you go midi guitar you might
find something, don`t know about the Roland VG88 either.
There are pedals manipulating pitch bends but don`t sound like the sliding notes on 
a fretless oud.

Using a standard el gtr the closest I can think of would be a clever combination of slide,
maybe ebow, EQ to simulate gut strings  ;-), a little compression and some smart reverb 
or short delay to simulate the oud body. 

The recipe doesn`t sound very convinving though.  :_)


  ----- Original Message ----- 
  From: Monica 
  To: Loopers-Delight@loopers-delight.com 
  Sent: Thursday, June 22, 2006 7:06 PM
  Subject: Re: oud simulator?


  Yes I have their catalog - but was hoping not to spend the $1500 right now.
  Would be great to have a simple mod for guitar! Thanks...


--Boundary_(ID_6565+eWbY1SYNCDm3T0sCw)
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<DIV><FONT face=Arial size=2>I`m quite convinced no pedal will do the job. Maybe 
if you go midi guitar you might</FONT></DIV>
<DIV><FONT face=Arial size=2>find something, don`t know about the Roland VG88 
either.</FONT></DIV>
<DIV><FONT face=Arial size=2>There are pedals manipulating pitch bends but don`t 
sound like the sliding notes on </FONT></DIV>
<DIV><FONT face=Arial size=2>a fretless oud.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial size=2>Using a&nbsp;standard el gtr the closest I can 
think of would be a clever combination of slide,</FONT></DIV>
<DIV><FONT face=Arial size=2>maybe ebow, EQ to simulate gut strings&nbsp; 
;-),&nbsp;a little&nbsp;compression and&nbsp;some smart reverb </FONT></DIV>
<DIV><FONT face=Arial size=2>or short </FONT><FONT face=Arial size=2>delay to 
simulate the oud body. </FONT></DIV>
<DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial size=2>The recipe doesn`t sound very convinving 
though.&nbsp; :_)</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<BLOCKQUOTE 
style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV 
  style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><B>From:</B> 
  <A title=coolintensity@yahoo.com 
  href="mailto:coolintensity@yahoo.com">Monica</A> </DIV>
  <DIV style="FONT: 10pt arial"><B>To:</B> <A 
  title=Loopers-Delight@loopers-delight.com 
  href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A> 
  </DIV>
  <DIV style="FONT: 10pt arial"><B>Sent:</B> Thursday, June 22, 2006 7:06 
  PM</DIV>
  <DIV style="FONT: 10pt arial"><B>Subject:</B> Re: oud simulator?</DIV>
  <DIV><BR></DIV>
  <DIV><FONT color=#40007f>Yes I have their catalog - but was hoping not to 
  spend the $1500 right now.</FONT></DIV>
  <DIV><FONT color=#40007f>Would be great to have a simple mod for guitar! 
  Thanks...</FONT><BR><BR></DIV></BLOCKQUOTE></BODY></HTML>

--Boundary_(ID_6565+eWbY1SYNCDm3T0sCw)--

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Message-ID: <20060622172638.53664.qmail@web81302.mail.mud.yahoo.com>
Date: Thu, 22 Jun 2006 10:26:38 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: RE: FOR SALE: Mesa Boogie Mark I Combo Amp
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Why not ditch the guitar amp concept in favor of a
modeler?  I swear by mine (Vox Tonelab) and 90% of
gigs have a PA anyway.  Those that don't are probably
not worth doing or you could probably get by with some
of the lighter powered speakers like the JBLs.  I keep
a combo amp around anyway, but it rarely gets used.

Mark

--- ditch wrestler <ditchwrestler@yahoo.com> wrote:

> I think that amp and cab was reviewed in the
> latest/very recent issue of Guitar Player...
>    
>    
>   ted.
> 
> William Walker <billwalker@baymoon.com> wrote:
>   Under amps, look under the heading ultralight, The
> amp is called oddly
> enough, the Jazz master ultra light..
> Bill
> 
> -----Original Message-----
> From: Krispen Hartung [mailto:khartung@cableone.net]
> Sent: Wednesday, June 21, 2006 6:15 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: FOR SALE: Mesa Boogie Mark I Combo Amp
> 
> 
> What model is that Bill? I'm on the Fender site now
> and can't find anything
> called a jazz amp.
> 
> The FM 25 DSP looks interesting:
>
http://www.fender.com/products/search.php?partno=2318500000
> 
> $200
> 
> Kris
> 
> ----- Original Message -----
> From: "William Walker" 
> To: 
> Sent: Wednesday, June 21, 2006 5:35 PM
> Subject: RE: FOR SALE: Mesa Boogie Mark I Combo Amp
> 
> 
> > The new fender jazz amp is worth a look, very
> small , loud as you would
> > need, and nice simple effects. and its a head
> cabinet design that uses
> > speakon plugs. It sounds realy real good.
> > Bill
> >
> > -----Original Message-----
> > From: Krispen Hartung
> [mailto:khartung@cableone.net]
> > Sent: Tuesday, June 20, 2006 9:36 PM
> > To: Loopers-Delight@loopers-delight.com
> > Subject: Re: FOR SALE: Mesa Boogie Mark I Combo
> Amp
> >
> >
> > Yeah, I thought the target market for my boogie
> would be fairly slim. I'd
> > be willing to make a trade if someone had the
> right gear. I love the amp
> > and the tone is spectacular, but it's a bit
> overkill and heavy for me (I
> > have a bad back, had surgury last Dec, etc). I use
> the boogie just for my
> > monday night traditional jazz gig. I'm thinking of
> gettting a Roland Cube
> > 30
> > because it is only 20 pounds and smaller, plus it
> has a lot of
> > effects...anybody have one?
> >
> > My lexicon LXP1 and LXP5. The LXP1 is primarily
> for delay, chorus, and
> > reverb. I had been using it for reverb...it really
> does have nice verb,
> > and
> > the chorus is lush as well. The LXP5 is more like
> a a multi-effects box.
> > It
> > is a bit challenging to program, however. If
> someone has the patience to
> > get
> > inside the menu tree, or uses the MIDIQuest
> software, then you can get
> > some
> > interesting sounds out of it. It's not an Eventide
> or TC Electronics
> > Fireworx by any means, but still a powerful little
> effects box.
> >
> > I'm actually considering selling my two Boss VF-1
> units as well.....need
> > to
> > give that more thought, however, as I'm in love
> with those little red
> > boxes.
> > :)
> >
> > Kris
> >
> >
> >
> >
> > ----- Original Message -----
> > From: "tEd ï¿½ kiLLiAn" 
> > To: 
> > Sent: Tuesday, June 20, 2006 10:19 PM
> > Subject: Re: FOR SALE: Mesa Boogie Mark I Combo
> Amp
> >
> >
> >> Kris,
> >>
> >> 'Tis a beaut indeed. But a tad rich for my meager
> means.
> >> I am mildly interested in your Lexicon half-space
> processors
> >> you mentioned on the list the other day however.
> >>
> >> Given I'm a Mac guy, the software isn't a factor
> for me.
> >> But a really good processor (or two) with some
> new
> >> creative potential sounds attractive.
> >>
> >> Anything more you care to say about them?
> >>
> >> Ted
> >>
> >>
> >> On Jun 20, 2006, at 8:46 PM, Krispen Hartung
> wrote:
> >>
> >>> Any takers? It's a beauty.
> >>>
> >>> http://www.krispenhartung.com/mark-I.htm
> >>>
> >>> Kris
> >>>
> >>>
> >>
> >>
> >
> >
> >
> >
> >
> >
> 
> 
> 
> 
> 
> 
> 
>  		
> ---------------------------------
> Talk is cheap. Use Yahoo! Messenger to make
> PC-to-Phone calls.  Great rates starting at
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From Loopers-Delight-request@loopers-delight.com  Thu Jun 22 19:12:55 2006
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Subject: Re: Resampling in Live  (Re: Ableton w/ VST Looper)
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Indeed, but to clarify: The process of using resampling is also 
realtime, it just can't be monitored in real-time.

.
Andreas.

Per Boysen wrote:
> Resampling on an audio track makes a loop of what is happening on the 
> master output at that moment. After you have resampled you may of course 
> route the clip of that clip (loop) directly to any physically available 
> output on the sound card, or to a Return Track if you like to use that 
> as the pipe to a different output. But REsampling is not a real-time 
> audio routing method, only a quick way to snag what's cooking.
> 
> per
> 
> 
> On 22 jun 2006, at 17.36, Todd Reynolds wrote:
> 
>> I'm sorry, I don't want to divert this conversation, but I thought maybe
>> Buzap Buzap could benefit from this answer...
>>
>> Per, now that you brought up resampling, can you use a resampling 
>> track to
>> bus the whole output to another stereo output pair?, or is the only 
>> way to
>> use a return track?
>>
>> All best to you both, todd
>>
>>
>>
>>
>> On 6/22/06 8:06 AM, "Per Boysen" <perboysen@gmail.com> wrote:
>>
>>> On 22 jun 2006, at 14.02, Buzap Buzap wrote:
>>>>> I prefer to work the instant composing stuff on a master track
>>>>> level (mangling the summed layers/loops) instead of taking the remix
>>>>> approach to split it up in parallel.
>>>> I like to mix stuff until I have a certain density. Then, to keep
>>>> the mix interesting, I like to add some delay or phaser/flanger or
>>>> reverse on some loops.
>>>> But if you have 8 loops in Mobius, I guess I could pick a loop and
>>>> then resample it with effects, would be probably less CPU consuming.
>>>
>>> Yes. In Live it's very easy to resample any loop or mix of loops.
>>> Simply set the track input to "Resampling", record enable the track
>>> and trig the slot where you want to place the clip. In my Mac setup
>>> with Live and Augustus Loop I usually keep one Live track instantly
>>> set up for resampling. After having resampled you can drag the clip
>>> with the mouse to another track that maybe has a more suitable
>>> effects setting.
>>>
>>>
>>>> Could it perhaps work the other way - using Ableton as effect
>>>> machine for Mobius?
>>>
>>> Oh yes! "The other way"....?  Isn't that the main reason people want
>>> to run loopers as VST/au plug-ins in Live? Live has excellent effects.
>>>
>>> Greetings from Sweden
> 
> 
> .
> 

From Loopers-Delight-request@loopers-delight.com  Thu Jun 22 19:33:17 2006
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Date: Thu, 22 Jun 2006 12:33:10 -0700
Subject: Re: Resampling in Live  (Re: Ableton w/ VST Looper)
From: Todd Reynolds <toddreyn@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
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Thanks to both of you.  It's perfectly clear.

I've just been trying to find a better way to use multiple ouputs in live
without bussing through return tracks....

To my knowledge there is no better way than that...  I thought that perhaps
it should be possible to have the input for an audio track be the master
out, but I guess that is avoided because of the obvious chaos which could
ensue if that routing was mismanaged.

T.



On 6/22/06 12:12 PM, "Andreas Wetterberg" <awetterberg@post.cybercity.dk>
wrote:

> Indeed, but to clarify: The process of using resampling is also
> realtime, it just can't be monitored in real-time.
>=20
> .
> Andreas.
>=20
> Per Boysen wrote:
>> Resampling on an audio track makes a loop of what is happening on the
>> master output at that moment. After you have resampled you may of course
>> route the clip of that clip (loop) directly to any physically available
>> output on the sound card, or to a Return Track if you like to use that
>> as the pipe to a different output. But REsampling is not a real-time
>> audio routing method, only a quick way to snag what's cooking.
>>=20
>> per
>>=20
>>=20
>> On 22 jun 2006, at 17.36, Todd Reynolds wrote:
>>=20
>>> I'm sorry, I don't want to divert this conversation, but I thought mayb=
e
>>> Buzap Buzap could benefit from this answer...
>>>=20
>>> Per, now that you brought up resampling, can you use a resampling
>>> track to
>>> bus the whole output to another stereo output pair?, or is the only
>>> way to
>>> use a return track?
>>>=20
>>> All best to you both, todd
>>>=20
>>>=20
>>>=20
>>>=20
>>> On 6/22/06 8:06 AM, "Per Boysen" <perboysen@gmail.com> wrote:
>>>=20
>>>> On 22 jun 2006, at 14.02, Buzap Buzap wrote:
>>>>>> I prefer to work the instant composing stuff on a master track
>>>>>> level (mangling the summed layers/loops) instead of taking the remix
>>>>>> approach to split it up in parallel.
>>>>> I like to mix stuff until I have a certain density. Then, to keep
>>>>> the mix interesting, I like to add some delay or phaser/flanger or
>>>>> reverse on some loops.
>>>>> But if you have 8 loops in Mobius, I guess I could pick a loop and
>>>>> then resample it with effects, would be probably less CPU consuming.
>>>>=20
>>>> Yes. In Live it's very easy to resample any loop or mix of loops.
>>>> Simply set the track input to "Resampling", record enable the track
>>>> and trig the slot where you want to place the clip. In my Mac setup
>>>> with Live and Augustus Loop I usually keep one Live track instantly
>>>> set up for resampling. After having resampled you can drag the clip
>>>> with the mouse to another track that maybe has a more suitable
>>>> effects setting.
>>>>=20
>>>>=20
>>>>> Could it perhaps work the other way - using Ableton as effect
>>>>> machine for Mobius?
>>>>=20
>>>> Oh yes! "The other way"....?  Isn't that the main reason people want
>>>> to run loopers as VST/au plug-ins in Live? Live has excellent effects.
>>>>=20
>>>> Greetings from Sweden
>>=20
>>=20
>> .
>>=20
>=20

---------------------------------------------------------------------------=
-
-----
=B3Virtue is just repression waiting to go bad=B2 - Trevor Exter

=B3Classical music is related to the past more than it is related to the
creative part of sound=B2 - Ornette Coleman
---------------------------------------------------------------------------=
-
------=20
Todd Reynolds
42-09 47th Ave 1C
Sunnyside, NY  11104
=20
Ph.    718 392-3773
Mob.   917 576-6166
Fax    419 781-5502
=20
http://www.toddreynolds.com


todd@toddreynolds.com
9175766166@vtext.com (155 characters or less)
AIM ID: toddreyn




From Loopers-Delight-request@loopers-delight.com  Thu Jun 22 21:10:19 2006
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Date: Thu, 22 Jun 2006 14:10:17 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: 2880 track questions...
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I really enjoyed having a EH 16 reissue but ultimatly
got rid of it because of it's mono nature and my
stereo rig. But now they have a stereo looper...

So here's my question:

I see it has four track operation similar to the
electrix repeater (4 mono or 2 stereo)... or is it 4
stero tracks?

Also, will it work similar to a Lexicon JamMan in
terms of setting up "or" tracks instead of "and
tracks"  By this I mean set it so that at the end of a
loop it starts recording a new track while muting the
first track giving you the ability to create tracks
that can be toggled between OR combined.

thanks,

Mark

__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Thu Jun 22 21:36:51 2006
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Date: Thu, 22 Jun 2006 14:36:49 -0700 (PDT)
From: Dan <danielalbertini72@yahoo.com>
Subject: Re: OT: NEARFest
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Are you in Pennsylvania?  Could you relay the link?  I have friends all over that might be able to attend?  Thanks! 
  Daniel T. Albertini, Peace :o)

Tony K <bigtony@softhome.net> wrote:
        st1\:*{behavior:url(#default#ieooui) }                Just a quick note, if anybody on the list is going to the NEARFest festival in Bethlehem this weekend (besides Bill Fox, I know about you. ;) ), I’ll be there all weekend if you want to get together.
   
  Drop me a line,
   
  Tony



 			
---------------------------------
Sneak preview the  all-new Yahoo.com. It's not radically different. Just radically better. 
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<div>Are you in Pennsylvania?&nbsp; Could you relay the link?&nbsp; I have friends all over that might be able to attend?&nbsp; Thanks! </div>  <div>Daniel T. Albertini, Peace :o)<BR><BR><B><I>Tony K &lt;bigtony@softhome.net&gt;</I></B> wrote:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">  <META content="Microsoft Word 11 (filtered medium)" name=Generator><?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" /><o:SmartTagType name="City" namespaceuri="urn:schemas-microsoft-com:office:smarttags"></o:SmartTagType><o:SmartTagType name="place" namespaceuri="urn:schemas-microsoft-com:office:smarttags"></o:SmartTagType>  <STYLE>  st1\:*{behavior:url(#default#ieooui) }  </STYLE>    <STYLE>  <!--   /* Style Definitions */   p.MsoNormal, li.MsoNormal, div.MsoNormal   {margin:0in;   margin-bottom:.0001pt;   font-size:12.0pt;   font-family:"Times New Roman";}  a:link, span.MsoHyperlink   {color:blue;  
 text-decoration:underline;}  a:visited, span.MsoHyperlinkFollowed   {color:purple;   text-decoration:underline;}  span.EmailStyle17   {mso-style-type:personal-reply;   font-family:Arial;   color:navy;}  @page Section1   {size:8.5in 11.0in;   margin:1.0in 1.25in 1.0in 1.25in;}  div.Section1   {page:Section1;}  -->  </STYLE>    <DIV class=Section1>  <div class=MsoNormal><FONT face=Arial color=navy size=2><SPAN style="FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: Arial">Just a quick note, if anybody on the list is going to the NEARFest festival in <?xml:namespace prefix = st1 ns = "urn:schemas-microsoft-com:office:smarttags" /><st1:City w:st="on"><st1:place w:st="on">Bethlehem</st1:place></st1:City> this weekend (besides Bill Fox, I know about you. ;) ), I’ll be there all weekend if you want to get together.<o:p></o:p></SPAN></FONT></div>  <div class=MsoNormal><FONT face=Arial color=navy size=2><SPAN style="FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY:
 Arial"><o:p>&nbsp;</o:p></SPAN></FONT></div>  <div class=MsoNormal><FONT face=Arial color=navy size=2><SPAN style="FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: Arial">Drop me a line,<o:p></o:p></SPAN></FONT></div>  <div class=MsoNormal><FONT face=Arial color=navy size=2><SPAN style="FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: Arial"><o:p>&nbsp;</o:p></SPAN></FONT></div>  <div class=MsoNormal><FONT face=Arial color=navy size=2><SPAN style="FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: Arial">Tony<o:p></o:p></SPAN></FONT></div></DIV></BLOCKQUOTE><BR><p>&#32;
	
		<hr size=1>Sneak preview the <a href="http://us.rd.yahoo.com/evt=40762/*http://www.yahoo.com/preview"> all-new Yahoo.com</a>. It's not radically different. Just radically better. 

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From Loopers-Delight-request@loopers-delight.com  Thu Jun 22 21:38:22 2006
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From: "William Walker" <billwalker@baymoon.com>
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Subject: RE: Silent Switches
Date: Thu, 22 Jun 2006 14:38:22 -0700
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hey Kevin, you might want to give Uwe Salwender, [info@salwender.com] a look
see. He is the north American distributor for Lehle, who make some of the
quietest switches available, They are venturing in to custom midi
controllers as well..And they make killer loop selectors and amp switchers.
Bill

-----Original Message-----
From: Kevin [mailto:kevin@TheNettles.com]
Sent: Thursday, June 22, 2006 8:51 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Silent Switches


At 03:24 PM 6/20/2006, you wrote:
>Do you know of Bob Bradshaw?
>Here's the URL to Bob's stuff:
><http://www.customaudioelectronics.com/>http://www.customaudioelectronics.c
om/
>

Thanks, Richard.  It doesn't look like he quite has what I need but
it's a cool site.

Cheers,
Kevin




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Yeah!!  I play many ethnic styles including for www.sahlahsuhaylah.com  Russian, Serbian Gypsy.  Delve in harmonic minor based scalings most of which just comes, I really have no definite identity to peg any of the music I improvise very linear like.  Will be traveling to Norman Oklahoma soon, all expenses paid studio work as well.  Please keep in touch.  Thank You, Daniel T. Albertini-- Happy jammin, stay loopy!!! :o)

"Dean, Hal " <HDEAN@wcupa.edu> wrote:          I have a Najarian acoustic oud. He makes fabulous instuments.
   
  Anyone interested in oud who hasn't heard what Brad Shepik does with an electric oud or saz should seek out his work.
   
  Hal Dean
    
  -----Original Message-----
From: Torstein H. Rem [mailto:trem@broadpark.no] 
Sent: Thursday, June 22, 2006 8:04 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: oud simulator?


    There are a couple of good looking electric ouds made by Viken Najarian 
  http://www.oud.net/
  Review of the E-1000 on Harmony
  http://www.harmony-central.com/Guitar/Data4/Najarian/E_1000-1.html
  http://www.mikeouds.com/messageboard/viewthread.php?tid=2274
   
  There`s a clip on this site of one similar looking to the Najarian oud. Noisy and cheap
  sound quality but gives an idea. Site seems to be inactive.
  http://electricoud.com/
   
  Lark in The Morning has an electric oud by "Renowned Turkish luthier Saadettin Sandi"
  http://larkinthemorning.com/product.asp?pn=OUD014&Electric+Oud=&bhcd2=1150975858
   
   
  other places to look
  http://www.mikeouds.com/messageboard/index.php
  http://www.unfretted.com/loader.php?LINK=main
   
  The message board on unfretted can probably answer if fretless guitars like the Godin Glissentar
  may sound oudlike with some EQing.
   
   
  T.

    ----- Original Message ----- 
  From: William Walker 
  To: Loopers-Delight@loopers-delight.com 
  Sent: Thursday, June 22, 2006 10:53 AM
  Subject: RE: oud simulator?
  

  I've heard a fretless nylon string Renaissance (the brand not the era) by Rick Turner do a very convincing oud like sound, The model is the RN6, and I know of at least one jazz guitarist in the Pittsburgh area who has one but I don't remember his name. They are not cheap, The budget alternative would be to yank the frets from an Epiphone Chet Atkins copy an fill in the holes with wood filler. I do know that Rick has made a few instruments with lament woods that are less expensive, but still have the great pickups and construction.
  Good luck,
  Bill
    -----Original Message-----
From: Monica [mailto:coolintensity@yahoo.com]
Sent: Thursday, June 22, 2006 1:07 AM
To: Loopers-Delight@loopers-delight.com
Subject: oud simulator?


   
   
   
  Hey - does anyone happen to know if there's an effects pedal or box out there
  that simulates an egyptian oud? I am soooo tired of dealing with all the 
  maintainence problems with a real one - it would be awesome if there was 
  a simulation for guitar. Any info?
   
  A thousand salaams...
  Monica
    
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Yeah!!&nbsp; I play many ethnic styles including for <A href="http://www.sahlahsuhaylah.com">www.sahlahsuhaylah.com</A>&nbsp; Russian, Serbian Gypsy.&nbsp; Delve in harmonic minor based scalings most of which just comes, I really have no definite identity to peg any of the music I improvise very linear like.&nbsp; Will be traveling to Norman Oklahoma soon, all expenses paid studio work as well.&nbsp; Please keep in touch.&nbsp; Thank You, Daniel T. Albertini-- Happy jammin, stay loopy!!! :o)<BR><BR><B><I>"Dean, Hal " &lt;HDEAN@wcupa.edu&gt;</I></B> wrote:  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">  <META content="MSHTML 6.00.2900.2912" name=GENERATOR>  <STYLE></STYLE>    <DIV><FONT face="Book Antiqua" color=#0000ff><SPAN class=461421712-22062006>I have a Najarian acoustic oud. He makes fabulous instuments.</SPAN></FONT></DIV>  <DIV><FONT face="Book Antiqua" color=#0000ff><SPAN
 class=461421712-22062006></SPAN></FONT>&nbsp;</DIV>  <DIV><FONT face="Book Antiqua" color=#0000ff><SPAN class=461421712-22062006>Anyone interested in oud who hasn't heard what Brad Shepik does with an electric oud or saz should seek out his work.</SPAN></FONT></DIV>  <DIV>&nbsp;</DIV>  <DIV align=left><STRONG><EM><FONT face="Palatino Linotype" color=#0000ff size=4>Hal<SPAN class=954163418-19102004>&nbsp;Dean</SPAN></FONT></EM></STRONG></DIV>  <BLOCKQUOTE dir=ltr style="MARGIN-RIGHT: 0px">  <DIV></DIV>  <DIV class=OutlookMessageHeader lang=en-us dir=ltr align=left><FONT face=Tahoma size=2>-----Original Message-----<BR><B>From:</B> Torstein H. Rem [mailto:trem@broadpark.no] <BR><B>Sent:</B> Thursday, June 22, 2006 8:04 AM<BR><B>To:</B> Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> Re: oud simulator?<BR><BR></FONT></DIV>  <DIV><FONT face=Arial size=2>  <DIV><FONT face=Arial size=2>There are a couple of good looking electric ouds made by <FONT face="Times New Roman"
 size=3>Viken Najarian </FONT></FONT></DIV>  <DIV><FONT face=Arial size=2><A href="http://www.oud.net/">http://www.oud.net/</A></FONT></DIV>  <DIV><FONT face=Arial size=2>Review of&nbsp;the E-1000&nbsp;on Harmony</FONT></DIV>  <DIV><FONT face=Arial size=2><A href="http://www.harmony-central.com/Guitar/Data4/Najarian/E_1000-1.html">http://www.harmony-central.com/Guitar/Data4/Najarian/E_1000-1.html</A></FONT></DIV>  <DIV><FONT face=Arial size=2><A href="http://www.mikeouds.com/messageboard/viewthread.php?tid=2274">http://www.mikeouds.com/messageboard/viewthread.php?tid=2274</A></FONT></DIV>  <DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>  <DIV><FONT face=Arial size=2>There`s a clip on this site of one similar looking to the Najarian oud. Noisy and cheap</FONT></DIV>  <DIV><FONT face=Arial size=2>sound quality but gives an idea. Site seems to be inactive.</FONT></DIV>  <DIV><FONT face=Arial size=2><A href="http://electricoud.com/">http://electricoud.com/</A></FONT></DIV> 
 <DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>  <DIV><FONT face=Arial size=2>Lark&nbsp;in The Morning has an electric oud by <FONT face="Times New Roman" size=3>"Renowned Turkish luthier Saadettin Sandi"</FONT></FONT></DIV>  <DIV><FONT face=Arial size=2><A href="http://larkinthemorning.com/product.asp?pn=OUD014&amp;Electric+Oud=&amp;bhcd2=1150975858">http://larkinthemorning.com/product.asp?pn=OUD014&amp;Electric+Oud=&amp;bhcd2=1150975858</A></FONT></DIV>  <DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>  <DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>  <DIV><FONT face=Arial size=2>other places to look</FONT></DIV>  <DIV><FONT face=Arial size=2><A href="http://www.mikeouds.com/messageboard/index.php">http://www.mikeouds.com/messageboard/index.php</A></FONT></DIV>  <DIV><FONT face=Arial size=2><A href="http://www.unfretted.com/loader.php?LINK=main">http://www.unfretted.com/loader.php?LINK=main</A></FONT></DIV>  <DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>  <DIV><FONT
 face=Arial size=2>The message board on unfretted can probably answer if fretless guitars like the Godin Glissentar</FONT></DIV>  <DIV><FONT face=Arial size=2>may sound oudlike with some EQing.</FONT></DIV>  <DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>  <DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>  <DIV><FONT face=Arial size=2>T.</FONT></DIV></FONT></DIV>  <BLOCKQUOTE dir=ltr style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">  <DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>  <DIV style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><B>From:</B> <A title=billwalker@baymoon.com href="mailto:billwalker@baymoon.com">William Walker</A> </DIV>  <DIV style="FONT: 10pt arial"><B>To:</B> <A title=Loopers-Delight@loopers-delight.com href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A> </DIV>  <DIV style="FONT: 10pt arial"><B>Sent:</B> Thursday,
 June 22, 2006 10:53 AM</DIV>  <DIV style="FONT: 10pt arial"><B>Subject:</B> RE: oud simulator?</DIV>  <DIV><BR></DIV>  <DIV><SPAN class=765183508-22062006><FONT face=Arial color=#0000ff size=2>I've heard a fretless nylon string Renaissance (the brand not the era) by Rick Turner do a very convincing oud like sound, The model is the RN6, and I know of at least one jazz guitarist in the Pittsburgh area who has one but I don't remember his name. They are not cheap, The budget alternative would be to yank the frets from an Epiphone Chet Atkins copy an fill in the holes with wood filler. I do know that Rick has made a few instruments with lament woods that are less expensive, but still have the great pickups and construction.</FONT></SPAN></DIV>  <DIV><SPAN class=765183508-22062006><FONT face=Arial color=#0000ff size=2>Good luck,</FONT></SPAN></DIV>  <DIV><SPAN class=765183508-22062006><FONT face=Arial color=#0000ff size=2>Bill</FONT></SPAN></DIV>  <BLOCKQUOTE>  <DIV
 class=OutlookMessageHeader dir=ltr align=left><FONT face=Tahoma size=2>-----Original Message-----<BR><B>From:</B> Monica [mailto:coolintensity@yahoo.com]<BR><B>Sent:</B> Thursday, June 22, 2006 1:07 AM<BR><B>To:</B> Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> oud simulator?<BR><BR></FONT></DIV>  <DIV>&nbsp;</DIV>  <DIV>&nbsp;</DIV>  <DIV>&nbsp;</DIV>  <DIV>Hey - does anyone happen to know if there's an effects pedal or box out there</DIV>  <DIV>that simulates an egyptian&nbsp;oud? I am soooo tired of dealing with all the </DIV>  <DIV>maintainence problems with a real one - it would be awesome if there was </DIV>  <DIV>a simulation for guitar. Any info?</DIV>  <DIV>&nbsp;</DIV>  <DIV>A thousand salaams...</DIV>  <DIV>Monica</DIV>  <div>  <HR SIZE=1>  Sneak preview the <A href="http://us.rd.yahoo.com/evt=40762/*http://www.yahoo.com/preview">all-new Yahoo.com</A>. It's not radically different. Just radically better.
 </BLOCKQUOTE></BLOCKQUOTE></BLOCKQUOTE></BLOCKQUOTE><BR><p>&#32;
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From Loopers-Delight-request@loopers-delight.com  Thu Jun 22 21:51:14 2006
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From: Dan <danielalbertini72@yahoo.com>
Subject: Re: Hatfield
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Check out a new friend of mine that lives and gigs in the same general area that I jammed with last year in Winfield Kansas he played with Pete Huttlinger because he blew his mind there at his workshop!!!.  www.petehuttlinger.com   

Tony K <bigtony@softhome.net> wrote:  >>> Oh - BTW, one very cool band from those early seventies was called
>>> Hatfield And The North. Ringing a bell with any of you English Chaps
>>> on this list?
>>
>>
>> indeed :-)
>> they morphed into an instrumental band called "National Health"
>> (very ahead of their time in picking a really dull name)
>
> Hatfield is playing in NYC this weekend.

I'll be seeing them Friday night with The Tony Levin Band. I'm excited.

>> the other essential curiosity from that era is
>> "Henry Cow", probably the most experimental of the "prog" bands
>
> Legend.

Yeah, wild stuff.

And to (amazingly enough) get close to on topic, I'm seeing Michael Manring 
this weekend too. Major prog overload weekend.

Tony 



 			
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Check out a new friend of mine that lives and gigs in the same&nbsp;general area that I jammed with last year in Winfield Kansas he played with Pete Huttlinger because he blew his mind there at his workshop!!!.&nbsp; <A href="http://www.petehuttlinger.com">www.petehuttlinger.com</A> &nbsp; <BR><BR><B><I>Tony K &lt;bigtony@softhome.net&gt;</I></B> wrote:  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">&gt;&gt;&gt; Oh - BTW, one very cool band from those early seventies was called<BR>&gt;&gt;&gt; Hatfield And The North. Ringing a bell with any of you English Chaps<BR>&gt;&gt;&gt; on this list?<BR>&gt;&gt;<BR>&gt;&gt;<BR>&gt;&gt; indeed :-)<BR>&gt;&gt; they morphed into an instrumental band called "National Health"<BR>&gt;&gt; (very ahead of their time in picking a really dull name)<BR>&gt;<BR>&gt; Hatfield is playing in NYC this weekend.<BR><BR>I'll be seeing them Friday night with The Tony Levin Band. I'm
 excited.<BR><BR>&gt;&gt; the other essential curiosity from that era is<BR>&gt;&gt; "Henry Cow", probably the most experimental of the "prog" bands<BR>&gt;<BR>&gt; Legend.<BR><BR>Yeah, wild stuff.<BR><BR>And to (amazingly enough) get close to on topic, I'm seeing Michael Manring <BR>this weekend too. Major prog overload weekend.<BR><BR>Tony <BR><BR></BLOCKQUOTE><BR><p>&#32;
	
		<hr size=1>Sneak preview the <a href="http://us.rd.yahoo.com/evt=40762/*http://www.yahoo.com/preview"> all-new Yahoo.com</a>. It's not radically different. Just radically better. 

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Subject: Re: oud simulator?
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At 7:26 PM +0200 6/22/06, Torstein H. Rem wrote:
>I`m quite convinced no pedal will do the job. Maybe if you go midi 
>guitar you might
>find something, don`t know about the Roland VG88 either.

There's at least one guy over on the VG list who's using one of the 
Godin fretless nylon-string Multiacs ( 
http://www.godinguitars.com/godinmultnylonfretlessp.htm ) with one of 
the Roland VG units.  He just raves about its sound and response.

I'm betting you could probably get a pretty passable Oud sound from 
using a fretless with either a VG-8 or a VG-88, with the added bonus 
that the VG series -- especially the VG-8 -- has really extensive 
re-tuning abilitlies.  So, you could go from standard guitar tuning 
to Oud tuning (or even switch between different Oud tunings -- 
Arabian DGADGC to Iraqi FADGCF, for instance, without breaking a 
string) at merely the press of a footswitch.

For my latest Frankenproject, in fact, I've been planning on taking 
the course Bill originally suggested and having the frets pulled on 
my old Vox 12-string, then tuning it for 11-string Arabian and having 
a GK-3 retrofitted.  I'm looking at keeping it as a steel string, 
though (I'm currently trying to match up the proper string gauges to 
that tuning since I want to avoid using any wound strings, with the 
possible exception of the "bam" which might end up as a flatwound).

However, I'm not really trying to perfect an Oud sound, despite what 
it may seem.  I just think the Arabian tuning would work well on such 
an instrument, and I'm really looking forward to seeing what it will 
do with the VG.

	--m.
-- 
_______
"Now Simulcast on Crazy People's Fillings"

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I guess it would be hard to simulate the depth and density of acoustics,
  especially with a digital medium. 
  But darn it, someone should try! It would be so much more convenient. 
  I guess the electric oud is the best way to go - but a little costly if it's not
  your main instrument. 

"Torstein H. Rem" <trem@broadpark.no> wrote:
          I`m quite convinced no pedal will do the job. Maybe if you go midi guitar you might
  find something, don`t know about the Roland VG88 either.
  There are pedals manipulating pitch bends but don`t sound like the sliding notes on 
  a fretless oud.
   
  Using a standard el gtr the closest I can think of would be a clever combination of slide,
  maybe ebow, EQ to simulate gut strings  ;-), a little compression and some smart reverb 
  or short delay to simulate the oud body. 
   
  The recipe doesn`t sound very convinving though.  :_)
   
   
    ----- Original Message ----- 
  From: Monica 
  To: Loopers-Delight@loopers-delight.com 
  Sent: Thursday, June 22, 2006 7:06 PM
  Subject: Re: oud simulator?
  

  Yes I have their catalog - but was hoping not to spend the $1500 right now.
  Would be great to have a simple mod for guitar! Thanks...




 		
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<div>I guess it would be hard to simulate the depth and density of acoustics,</div>  <div>especially with a digital medium. </div>  <div>But darn it, someone should try! It would be so much more convenient. </div>  <div>I guess the electric oud is the best way to go - but a little costly if it's not</div>  <div>your main instrument. <BR><BR><B><I>"Torstein H. Rem" &lt;trem@broadpark.no&gt;</I></B> wrote:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">  <META content="MSHTML 6.00.2900.2873" name=GENERATOR>  <STYLE></STYLE>    <DIV><FONT face=Arial size=2>I`m quite convinced no pedal will do the job. Maybe if you go midi guitar you might</FONT></DIV>  <DIV><FONT face=Arial size=2>find something, don`t know about the Roland VG88 either.</FONT></DIV>  <DIV><FONT face=Arial size=2>There are pedals manipulating pitch bends but don`t sound like the sliding notes on </FONT></DIV>  <DIV><FONT face=Arial size=2>a fretless
 oud.</FONT></DIV>  <DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>  <DIV><FONT face=Arial size=2>Using a&nbsp;standard el gtr the closest I can think of would be a clever combination of slide,</FONT></DIV>  <DIV><FONT face=Arial size=2>maybe ebow, EQ to simulate gut strings&nbsp; ;-),&nbsp;a little&nbsp;compression and&nbsp;some smart reverb </FONT></DIV>  <DIV><FONT face=Arial size=2>or short </FONT><FONT face=Arial size=2>delay to simulate the oud body. </FONT></DIV>  <DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>  <DIV><FONT face=Arial size=2>The recipe doesn`t sound very convinving though.&nbsp; :_)</FONT></DIV>  <DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>  <DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>  <BLOCKQUOTE style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">  <DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>  <DIV style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color:
 black"><B>From:</B> <A title=coolintensity@yahoo.com href="mailto:coolintensity@yahoo.com">Monica</A> </DIV>  <DIV style="FONT: 10pt arial"><B>To:</B> <A title=Loopers-Delight@loopers-delight.com href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A> </DIV>  <DIV style="FONT: 10pt arial"><B>Sent:</B> Thursday, June 22, 2006 7:06 PM</DIV>  <DIV style="FONT: 10pt arial"><B>Subject:</B> Re: oud simulator?</DIV>  <DIV><BR></DIV>  <DIV><FONT color=#40007f>Yes I have their catalog - but was hoping not to spend the $1500 right now.</FONT></DIV>  <DIV><FONT color=#40007f>Would be great to have a simple mod for guitar! Thanks...</FONT><BR><BR></DIV></BLOCKQUOTE></BLOCKQUOTE><BR><p>&#32;
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From Loopers-Delight-request@loopers-delight.com  Thu Jun 22 22:11:21 2006
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From: "William Walker" <billwalker@baymoon.com>
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Subject: RE: oud simulator?
Date: Thu, 22 Jun 2006 15:11:24 -0700
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Sounds like a sweet project. i wanna hear the results.
Bill

-----Original Message-----
From: mech [mailto:mech@m3ch.net]
Sent: Thursday, June 22, 2006 2:59 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: oud simulator?


At 7:26 PM +0200 6/22/06, Torstein H. Rem wrote:
>I`m quite convinced no pedal will do the job. Maybe if you go midi 
>guitar you might
>find something, don`t know about the Roland VG88 either.

There's at least one guy over on the VG list who's using one of the 
Godin fretless nylon-string Multiacs ( 
http://www.godinguitars.com/godinmultnylonfretlessp.htm ) with one of 
the Roland VG units.  He just raves about its sound and response.

I'm betting you could probably get a pretty passable Oud sound from 
using a fretless with either a VG-8 or a VG-88, with the added bonus 
that the VG series -- especially the VG-8 -- has really extensive 
re-tuning abilitlies.  So, you could go from standard guitar tuning 
to Oud tuning (or even switch between different Oud tunings -- 
Arabian DGADGC to Iraqi FADGCF, for instance, without breaking a 
string) at merely the press of a footswitch.

For my latest Frankenproject, in fact, I've been planning on taking 
the course Bill originally suggested and having the frets pulled on 
my old Vox 12-string, then tuning it for 11-string Arabian and having 
a GK-3 retrofitted.  I'm looking at keeping it as a steel string, 
though (I'm currently trying to match up the proper string gauges to 
that tuning since I want to avoid using any wound strings, with the 
possible exception of the "bam" which might end up as a flatwound).

However, I'm not really trying to perfect an Oud sound, despite what 
it may seem.  I just think the Arabian tuning would work well on such 
an instrument, and I'm really looking forward to seeing what it will 
do with the VG.

	--m.
-- 
_______
"Now Simulcast on Crazy People's Fillings"




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Subject: RE: oud simulator?
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A product that I did some beta test work for is promising, though at present
it doesn't have an oud preset. I'm taking about the Mama Bear from DTAR.
Rather than make you have to play a propriatery instrument (see Line 6), it
is esentially a filter that allows you to add different acoustic guitar body
resonance characteristics to your own instrument, with presets to accomodate
various piezo and magnetic pickup types. So I can for instance, run my
martin with a piezo installed through a Maccaferri  style guitar preset, and
it will give my amplified sound a more plunky mid range honky short decay
Django style sound or make my OM style guitar sound like a bigger body
dreadnaught or jumbo. Perhaps one day they will come out with an ethnic
stringed instrument addition, but probably not till they recoup their RnD
costs. Dare to dream.
Bill
  -----Original Message-----
  From: Monica [mailto:coolintensity@yahoo.com]
  Sent: Thursday, June 22, 2006 3:00 PM
  To: Loopers-Delight@loopers-delight.com
  Subject: Re: oud simulator?


  I guess it would be hard to simulate the depth and density of acoustics,
  especially with a digital medium.
  But darn it, someone should try! It would be so much more convenient.
  I guess the electric oud is the best way to go - but a little costly if
it's not
  your main instrument.

  "Torstein H. Rem" <trem@broadpark.no> wrote:
    I`m quite convinced no pedal will do the job. Maybe if you go midi
guitar you might
    find something, don`t know about the Roland VG88 either.
    There are pedals manipulating pitch bends but don`t sound like the
sliding notes on
    a fretless oud.

    Using a standard el gtr the closest I can think of would be a clever
combination of slide,
    maybe ebow, EQ to simulate gut strings  ;-), a little compression and
some smart reverb
    or short delay to simulate the oud body.

    The recipe doesn`t sound very convinving though.  :_)


      ----- Original Message -----
      From: Monica
      To: Loopers-Delight@loopers-delight.com
      Sent: Thursday, June 22, 2006 7:06 PM
      Subject: Re: oud simulator?


      Yes I have their catalog - but was hoping not to spend the $1500 right
now.
      Would be great to have a simple mod for guitar! Thanks...






----------------------------------------------------------------------------
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<HTML><HEAD>
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charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2912" name=3DGENERATOR></HEAD>
<BODY>
<DIV><SPAN class=3D343301122-22062006><FONT face=3DArial color=3D#0000ff =
size=3D2>A=20
product that I did some beta test work for is promising, though at =
present it=20
doesn't have an oud preset. I'm taking about the Mama Bear from DTAR. =
Rather=20
than make you have to play a propriatery instrument (see Line 6), it is=20
esentially a filter that allows you to add different acoustic guitar =
body=20
resonance characteristics to your own instrument, with presets to =
accomodate=20
various piezo and magnetic pickup types. So I can for instance, run my =
martin=20
with a piezo installed through a Maccaferri&nbsp; style guitar preset, =
and it=20
will give my amplified sound a more plunky mid range honky short decay =
Django=20
style sound or make my OM style guitar sound like a bigger body =
dreadnaught or=20
jumbo.&nbsp;Perhaps one day they will come out with an ethnic stringed=20
instrument addition, but probably not till they recoup their RnD costs. =
Dare to=20
dream.</FONT></SPAN></DIV>
<DIV><SPAN class=3D343301122-22062006><FONT face=3DArial color=3D#0000ff =

size=3D2>Bill</FONT></SPAN></DIV>
<BLOCKQUOTE>
  <DIV class=3DOutlookMessageHeader dir=3Dltr align=3Dleft><FONT =
face=3DTahoma=20
  size=3D2>-----Original Message-----<BR><B>From:</B> Monica=20
  [mailto:coolintensity@yahoo.com]<BR><B>Sent:</B> Thursday, June 22, =
2006 3:00=20
  PM<BR><B>To:</B> =
Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> Re:=20
  oud simulator?<BR><BR></FONT></DIV>
  <DIV>I guess it would be hard to simulate the depth and density of=20
  acoustics,</DIV>
  <DIV>especially with a digital medium. </DIV>
  <DIV>But darn it, someone should try! It would be so much more =
convenient.=20
  </DIV>
  <DIV>I guess the electric oud is the best way to go - but a little =
costly if=20
  it's not</DIV>
  <DIV>your main instrument. <BR><BR><B><I>"Torstein H. Rem"=20
  &lt;trem@broadpark.no&gt;</I></B> wrote:</DIV>
  <BLOCKQUOTE class=3Dreplbq=20
  style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px =
solid">
    <META content=3D"MSHTML 6.00.2900.2873" name=3DGENERATOR>
    <STYLE></STYLE>

    <DIV><FONT face=3DArial size=3D2>I`m quite convinced no pedal will =
do the job.=20
    Maybe if you go midi guitar you might</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>find something, don`t know about =
the Roland=20
    VG88 either.</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>There are pedals manipulating pitch =
bends but=20
    don`t sound like the sliding notes on </FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>a fretless oud.</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>Using a&nbsp;standard el gtr the =
closest I can=20
    think of would be a clever combination of slide,</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>maybe ebow, EQ to simulate gut =
strings&nbsp;=20
    ;-),&nbsp;a little&nbsp;compression and&nbsp;some smart reverb =
</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>or short </FONT><FONT face=3DArial =
size=3D2>delay=20
    to simulate the oud body. </FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>The recipe doesn`t sound very =
convinving=20
    though.&nbsp; :_)</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <BLOCKQUOTE=20
    style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
      <DIV style=3D"FONT: 10pt arial">----- Original Message ----- =
</DIV>
      <DIV=20
      style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
      <A title=3Dcoolintensity@yahoo.com=20
      href=3D"mailto:coolintensity@yahoo.com">Monica</A> </DIV>
      <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
      title=3DLoopers-Delight@loopers-delight.com=20
      =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
      </DIV>
      <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Thursday, June 22, =
2006 7:06=20
      PM</DIV>
      <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: oud =
simulator?</DIV>
      <DIV><BR></DIV>
      <DIV><FONT color=3D#40007f>Yes I have their catalog - but was =
hoping not to=20
      spend the $1500 right now.</FONT></DIV>
      <DIV><FONT color=3D#40007f>Would be great to have a simple mod for =
guitar!=20
      Thanks...</FONT><BR><BR></DIV></BLOCKQUOTE></BLOCKQUOTE><BR>
  <P>
  <HR SIZE=3D1>
  Do you Yahoo!?<BR>Next-gen email? Have it all with the <A=20
  =
href=3D"http://us.rd.yahoo.com/evt=3D40791/*http://advision.webevents.yah=
oo.com/handraisers">all-new=20
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From Loopers-Delight-request@loopers-delight.com  Thu Jun 22 23:09:49 2006
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From: "William Walker" <billwalker@baymoon.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: FOR SALE: Mesa Boogie Mark I Combo Amp
Date: Thu, 22 Jun 2006 16:09:52 -0700
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Mark has a point, i too love the vox modeler, and I've had good results
running into my mackie sm 350's the smaller lighter weight brothers to the
sm450s, which I know some of you JBL fans think are harsh sounding. I say
balderdash they souund great. Now I also like the tube combo/ stomp box
route which can get expensive, but still sounds the best to my ears. Do take
note that the vox people did not see fit to model a transistor amp, not jazz
chorus model ala line 6. So if that is your mind set maybe the vox ain't for
you. But a great fender twin model is hard to beat, if you can't lug around
the real thing and remember that most of the classic electric jazz was
recorded on tube gear, amps, preamps, compressors, etc...having daid that I
realy liked the sound of the jazzmaster UL, it had a beautifull clean sound,
a nice smooth singing overdrive channel, and spartan yet decent sounding
effects. And its tiny, and light.
Bill

-----Original Message-----
From: mark sottilaro [mailto:zerocrossing2001@yahoo.com]
Sent: Thursday, June 22, 2006 10:27 AM
To: Loopers-Delight@loopers-delight.com
Subject: RE: FOR SALE: Mesa Boogie Mark I Combo Amp


Why not ditch the guitar amp concept in favor of a
modeler?  I swear by mine (Vox Tonelab) and 90% of
gigs have a PA anyway.  Those that don't are probably
not worth doing or you could probably get by with some
of the lighter powered speakers like the JBLs.  I keep
a combo amp around anyway, but it rarely gets used.

Mark

--- ditch wrestler <ditchwrestler@yahoo.com> wrote:

> I think that amp and cab was reviewed in the
> latest/very recent issue of Guitar Player...
>
>
>   ted.
>
> William Walker <billwalker@baymoon.com> wrote:
>   Under amps, look under the heading ultralight, The
> amp is called oddly
> enough, the Jazz master ultra light..
> Bill
>
> -----Original Message-----
> From: Krispen Hartung [mailto:khartung@cableone.net]
> Sent: Wednesday, June 21, 2006 6:15 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: FOR SALE: Mesa Boogie Mark I Combo Amp
>
>
> What model is that Bill? I'm on the Fender site now
> and can't find anything
> called a jazz amp.
>
> The FM 25 DSP looks interesting:
>
http://www.fender.com/products/search.php?partno=2318500000
>
> $200
>
> Kris
>
> ----- Original Message -----
> From: "William Walker"
> To:
> Sent: Wednesday, June 21, 2006 5:35 PM
> Subject: RE: FOR SALE: Mesa Boogie Mark I Combo Amp
>
>
> > The new fender jazz amp is worth a look, very
> small , loud as you would
> > need, and nice simple effects. and its a head
> cabinet design that uses
> > speakon plugs. It sounds realy real good.
> > Bill
> >
> > -----Original Message-----
> > From: Krispen Hartung
> [mailto:khartung@cableone.net]
> > Sent: Tuesday, June 20, 2006 9:36 PM
> > To: Loopers-Delight@loopers-delight.com
> > Subject: Re: FOR SALE: Mesa Boogie Mark I Combo
> Amp
> >
> >
> > Yeah, I thought the target market for my boogie
> would be fairly slim. I'd
> > be willing to make a trade if someone had the
> right gear. I love the amp
> > and the tone is spectacular, but it's a bit
> overkill and heavy for me (I
> > have a bad back, had surgury last Dec, etc). I use
> the boogie just for my
> > monday night traditional jazz gig. I'm thinking of
> gettting a Roland Cube
> > 30
> > because it is only 20 pounds and smaller, plus it
> has a lot of
> > effects...anybody have one?
> >
> > My lexicon LXP1 and LXP5. The LXP1 is primarily
> for delay, chorus, and
> > reverb. I had been using it for reverb...it really
> does have nice verb,
> > and
> > the chorus is lush as well. The LXP5 is more like
> a a multi-effects box.
> > It
> > is a bit challenging to program, however. If
> someone has the patience to
> > get
> > inside the menu tree, or uses the MIDIQuest
> software, then you can get
> > some
> > interesting sounds out of it. It's not an Eventide
> or TC Electronics
> > Fireworx by any means, but still a powerful little
> effects box.
> >
> > I'm actually considering selling my two Boss VF-1
> units as well.....need
> > to
> > give that more thought, however, as I'm in love
> with those little red
> > boxes.
> > :)
> >
> > Kris
> >
> >
> >
> >
> > ----- Original Message -----
> > From: "tEd ï¿½ kiLLiAn"
> > To:
> > Sent: Tuesday, June 20, 2006 10:19 PM
> > Subject: Re: FOR SALE: Mesa Boogie Mark I Combo
> Amp
> >
> >
> >> Kris,
> >>
> >> 'Tis a beaut indeed. But a tad rich for my meager
> means.
> >> I am mildly interested in your Lexicon half-space
> processors
> >> you mentioned on the list the other day however.
> >>
> >> Given I'm a Mac guy, the software isn't a factor
> for me.
> >> But a really good processor (or two) with some
> new
> >> creative potential sounds attractive.
> >>
> >> Anything more you care to say about them?
> >>
> >> Ted
> >>
> >>
> >> On Jun 20, 2006, at 8:46 PM, Krispen Hartung
> wrote:
> >>
> >>> Any takers? It's a beauty.
> >>>
> >>> http://www.krispenhartung.com/mark-I.htm
> >>>
> >>> Kris
> >>>
> >>>
> >>
> >>
> >
> >
> >
> >
> >
> >
>
>
>
>
>
>
>
>
> ---------------------------------
> Talk is cheap. Use Yahoo! Messenger to make
> PC-to-Phone calls.  Great rates starting at
1ï¿½/min.


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From Loopers-Delight-request@loopers-delight.com  Fri Jun 23 00:49:18 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <OPEGKDJIMPJBOGCKEPDGOEAKCPAA.billwalker@baymoon.com>
Subject: Re: FOR SALE: Mesa Boogie Mark I Combo Amp
Date: Thu, 22 Jun 2006 18:49:13 -0600
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I acutally like the Fender Twin and Jazz JC-120 tones of my Boss VF1s, and 
when is started this every Monday night jazz gig, I used them with my 
powered PA speakers....but, it's still too much shit and technology for me 
to worry about for a traditional jazz gig.  Like many jazzers I know, I want 
to walk in with my guitar strapped on my back and one small amp in my 
hand....set the amp down, plug in with one patch chord and simply play.  I 
can setup and be playing in 5 minutes.

Moreover, I just bought a Roland Cube 30 and I'm really looking forward to 
using it when it gets here. Now I can take more time selling my Boogie Mark 
I....which I am now selling with a 1X12 Mesa Boogie Thiele cabinet (sealed 
and ported)....both for $1000. The cabinets alone often sell for $250 used 
on eBay.

Kris

----- Original Message ----- 
From: "William Walker" <billwalker@baymoon.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, June 22, 2006 5:09 PM
Subject: RE: FOR SALE: Mesa Boogie Mark I Combo Amp


> Mark has a point, i too love the vox modeler, and I've had good results
> running into my mackie sm 350's the smaller lighter weight brothers to the
> sm450s, which I know some of you JBL fans think are harsh sounding. I say
> balderdash they souund great. Now I also like the tube combo/ stomp box
> route which can get expensive, but still sounds the best to my ears. Do 
> take
> note that the vox people did not see fit to model a transistor amp, not 
> jazz
> chorus model ala line 6. So if that is your mind set maybe the vox ain't 
> for
> you. But a great fender twin model is hard to beat, if you can't lug 
> around
> the real thing and remember that most of the classic electric jazz was
> recorded on tube gear, amps, preamps, compressors, etc...having daid that 
> I
> realy liked the sound of the jazzmaster UL, it had a beautifull clean 
> sound,
> a nice smooth singing overdrive channel, and spartan yet decent sounding
> effects. And its tiny, and light.
> Bill
>
> -----Original Message-----
> From: mark sottilaro [mailto:zerocrossing2001@yahoo.com]
> Sent: Thursday, June 22, 2006 10:27 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: RE: FOR SALE: Mesa Boogie Mark I Combo Amp
>
>
> Why not ditch the guitar amp concept in favor of a
> modeler?  I swear by mine (Vox Tonelab) and 90% of
> gigs have a PA anyway.  Those that don't are probably
> not worth doing or you could probably get by with some
> of the lighter powered speakers like the JBLs.  I keep
> a combo amp around anyway, but it rarely gets used.
>
> Mark
>
> --- ditch wrestler <ditchwrestler@yahoo.com> wrote:
>
>> I think that amp and cab was reviewed in the
>> latest/very recent issue of Guitar Player...
>>
>>
>>   ted.
>>
>> William Walker <billwalker@baymoon.com> wrote:
>>   Under amps, look under the heading ultralight, The
>> amp is called oddly
>> enough, the Jazz master ultra light..
>> Bill
>>
>> -----Original Message-----
>> From: Krispen Hartung [mailto:khartung@cableone.net]
>> Sent: Wednesday, June 21, 2006 6:15 PM
>> To: Loopers-Delight@loopers-delight.com
>> Subject: Re: FOR SALE: Mesa Boogie Mark I Combo Amp
>>
>>
>> What model is that Bill? I'm on the Fender site now
>> and can't find anything
>> called a jazz amp.
>>
>> The FM 25 DSP looks interesting:
>>
> http://www.fender.com/products/search.php?partno=2318500000
>>
>> $200
>>
>> Kris
>>
>> ----- Original Message -----
>> From: "William Walker"
>> To:
>> Sent: Wednesday, June 21, 2006 5:35 PM
>> Subject: RE: FOR SALE: Mesa Boogie Mark I Combo Amp
>>
>>
>> > The new fender jazz amp is worth a look, very
>> small , loud as you would
>> > need, and nice simple effects. and its a head
>> cabinet design that uses
>> > speakon plugs. It sounds realy real good.
>> > Bill
>> >
>> > -----Original Message-----
>> > From: Krispen Hartung
>> [mailto:khartung@cableone.net]
>> > Sent: Tuesday, June 20, 2006 9:36 PM
>> > To: Loopers-Delight@loopers-delight.com
>> > Subject: Re: FOR SALE: Mesa Boogie Mark I Combo
>> Amp
>> >
>> >
>> > Yeah, I thought the target market for my boogie
>> would be fairly slim. I'd
>> > be willing to make a trade if someone had the
>> right gear. I love the amp
>> > and the tone is spectacular, but it's a bit
>> overkill and heavy for me (I
>> > have a bad back, had surgury last Dec, etc). I use
>> the boogie just for my
>> > monday night traditional jazz gig. I'm thinking of
>> gettting a Roland Cube
>> > 30
>> > because it is only 20 pounds and smaller, plus it
>> has a lot of
>> > effects...anybody have one?
>> >
>> > My lexicon LXP1 and LXP5. The LXP1 is primarily
>> for delay, chorus, and
>> > reverb. I had been using it for reverb...it really
>> does have nice verb,
>> > and
>> > the chorus is lush as well. The LXP5 is more like
>> a a multi-effects box.
>> > It
>> > is a bit challenging to program, however. If
>> someone has the patience to
>> > get
>> > inside the menu tree, or uses the MIDIQuest
>> software, then you can get
>> > some
>> > interesting sounds out of it. It's not an Eventide
>> or TC Electronics
>> > Fireworx by any means, but still a powerful little
>> effects box.
>> >
>> > I'm actually considering selling my two Boss VF-1
>> units as well.....need
>> > to
>> > give that more thought, however, as I'm in love
>> with those little red
>> > boxes.
>> > :)
>> >
>> > Kris
>> >
>> >
>> >
>> >
>> > ----- Original Message -----
>> > From: "tEd ï¿½ kiLLiAn"
>> > To:
>> > Sent: Tuesday, June 20, 2006 10:19 PM
>> > Subject: Re: FOR SALE: Mesa Boogie Mark I Combo
>> Amp
>> >
>> >
>> >> Kris,
>> >>
>> >> 'Tis a beaut indeed. But a tad rich for my meager
>> means.
>> >> I am mildly interested in your Lexicon half-space
>> processors
>> >> you mentioned on the list the other day however.
>> >>
>> >> Given I'm a Mac guy, the software isn't a factor
>> for me.
>> >> But a really good processor (or two) with some
>> new
>> >> creative potential sounds attractive.
>> >>
>> >> Anything more you care to say about them?
>> >>
>> >> Ted
>> >>
>> >>
>> >> On Jun 20, 2006, at 8:46 PM, Krispen Hartung
>> wrote:
>> >>
>> >>> Any takers? It's a beauty.
>> >>>
>> >>> http://www.krispenhartung.com/mark-I.htm
>> >>>
>> >>> Kris
>> >>>
>> >>>
>> >>
>> >>
>> >
>> >
>> >
>> >
>> >
>> >
>>
>>
>>
>>
>>
>>
>>
>>
>> ---------------------------------
>> Talk is cheap. Use Yahoo! Messenger to make
>> PC-to-Phone calls.  Great rates starting at
> 1ï¿½/min.
>
>
> __________________________________________________
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> 


From Loopers-Delight-request@loopers-delight.com  Fri Jun 23 01:12:57 2006
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Date: Thu, 22 Jun 2006 20:12:56 -0500
From: "Charlie Milkey" <pilotcp@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: FS: EH stereo memory man!
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would anybody be interested if i offered it at $120 shipped?


Charlie

On 6/17/06, Charlie Milkey <pilotcp@gmail.com> wrote:
> Hello Loopers!
>
> well, i have my electro-harmonix Stereo Memory Man for sale, its an
> analog delay/chorus for those of you that don't know :)
>
> anyways, i got this out of a trade, the power cord was broken
> somewhere, so i bought a new power cord, and it all works :)
>
> The box is well "relic'ed", its seen it's share of live gigging, but
> it all works very well :)
>
> like i said with my jamman, i won't fill up the server with pics, but
> i have them ready, so feel free to drop me an email if you want to see
> them :)
>
> I am asking 140 shipped in the US :)
>
>
> Thanks for reading :)
> Charlie
>

From Loopers-Delight-request@loopers-delight.com  Fri Jun 23 01:35:33 2006
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Date: Thu, 22 Jun 2006 21:35:28 EDT
Subject: All Access/Echoplex/Prophesy
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Hello, 
    I am having issues with my All Access/Echoplex/set up and I am hoping 
someone on the list may be able to help me.   
     Echoplex is set to receive control changes on Midi Channel 2. 
     The instant access switches work great, and all the programming works 
out (momentary switches etc.)
     However, sometimes when I select a patch change (sent on midi channel 1 
to the Prophesy) the Echoplex responds as if I hit the record button, or a 
series of parameter editing buttons.   The prophesy still changes patches, of 
course.   
     As the Echoplex is set to Midi Channel 2, and the patch changes are 
being sent on Midi channel 1 I, in my ignorance, can't figure out how to remedy 
this.   Any help would be appreciated.   
Thanks in advance. 
Donovan Stokes


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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2">Hello, <BR>
&nbsp;&nbsp;  I am having issues with my All Access/Echoplex/set up and I am=
 hoping someone on the list may be able to help me.&nbsp;  <BR>
&nbsp;&nbsp;&nbsp;&nbsp; Echoplex is set to receive control changes on Midi=20=
Channel 2. <BR>
&nbsp;&nbsp;&nbsp;&nbsp; The instant access switches work great, and all the=
 programming works out (momentary switches etc.)<BR>
&nbsp;&nbsp;&nbsp;&nbsp; However, sometimes when I select a patch change (se=
nt on midi channel 1 to the Prophesy) the Echoplex responds as if I hit the=20=
record button, or a series of parameter editing buttons.&nbsp;  The prophesy=
 still changes patches, of course.&nbsp;  <BR>
&nbsp;&nbsp;&nbsp;&nbsp; As the Echoplex is set to Midi Channel 2, and the p=
atch changes are being sent on Midi channel 1 I, in my ignorance, can't figu=
re out how to remedy this.&nbsp;  Any help would be appreciated.&nbsp;  <BR>
Thanks in advance. <BR>
Donovan Stokes<BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT></HTML>
--part1_535.c061c8.31cc9f60_boundary--

From Loopers-Delight-request@loopers-delight.com  Fri Jun 23 02:15:47 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: "Resamling" in Mobius  (was: Resampling in Live)
Date: Fri, 23 Jun 2006 04:15:42 +0200
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> Per Boysen wrote:
>> Resampling on an audio track makes a loop of what is happening on  
>> the master output at that moment. After you have resampled you may  
>> of course route the clip of that clip (loop) directly to any  
>> physically available output on the sound card, or to a Return  
>> Track if you like to use that as the pipe to a different output.  
>> But REsampling is not a real-time audio routing method, only a  
>> quick way to snag what's cooking.
>> per

On 22 jun 2006, at 21.12, Andreas Wetterberg wrote:
> Indeed, but to clarify: The process of using resampling is also  
> realtime, it just can't be monitored in real-time.
>
> Andreas.


Yes, that was a better way to explain it :-)   Resampling in Live is  
powerful! Mobius have a similar function named Bounce Recording.  
Please let me post a short excerpt from the Mobius manual to exemplify:

> 15 Bounce Recording
>
> The Bounce Record function allows you to capture the output of  
> several tracks, mix them together, and copy the result into an  
> empty track. This is similar to the bounce down mixing technique  
> used with a multi track recorder.
>
> When the Bounce Record function is first called, it begins  
> capturing the output of any track that is currently playing. The  
> track output is mixed together "post fader" so the Output Level  
> control of each track may be used to control the track mix in the  
> recording.
>
> When Bounce Record is called a second time, the captured and mixed  
> track output is copied to the first empty track (from the left).  
> The source tracks are then immediately muted, and the new track  
> immediately begins playing. This new track contains a single loop  
> with the captured output from the other tracks. This loop can then  
> be manipulated as usual.
>
> Any number of bounce recordings can be made, but you must have at  
> least one empty track. If there are no empty tracks when the second  
> Bounce Record is called, the recording is thrown away.
>
> Note that bounce recording is a special kind of "global mode" that  
> is not related to any particular track or loop. While you are  
> bounce recording, you can be manipulating tracks and loops in any  
> way, including recording new loops, multiplying, overdubbing,  
> triggering, and rate shifting. Mobius is recording the entire process.
>
> Bounce recording can be especially useful with the Retrigger, Rate  
> Shift and Pitch Shift functions. Once a loop is created, you can  
> play a chord progression using Rate Shift or Pitch Shift, record  
> the result of that performance, and bounce this into a new track to  
> serve as a background loop.
>
> The timing of the bouce recording may be controlled with the Bounce  
> Quantize parameter. Bounce quantization is not affected by the  
> Quantize parameter that is used with other functions. This is  
> because bounce quantization is almost always set to Loop or Cycle,  
> but you may not wish to use this same quantization for the  
> functions that build the loop.


For a long time I was lobbying for such functionality in Live, but it  
never gained enough priority compared to many "meat and potato"  
functions that needed to be fixed to stand up to Live's new DAW  
ambition (maybe I could have achieved it with Apple Scriptiing on a  
Mac, but I have yet to learn that). Anyway, since Mobius came around  
I don't cry for Live any more ;-)  These days the bummer no 1 is that  
Logic and Mobius doesn't run on the same OS; that would be something  
extremely powerful for studio production! (but you can still sync up  
two PC's for a Logic/Mobius interaction, do real-time file rendering  
in Mobius and move the file into the Mac on a Logic track, through  
the network or with a USB stick).

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Fri Jun 23 02:30:51 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Resampling in Live  (Re: Ableton w/ VST Looper)
Date: Fri, 23 Jun 2006 04:30:47 +0200
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On 22 jun 2006, at 21.33, Todd Reynolds wrote:

> Thanks to both of you.  It's perfectly clear.
>
> I've just been trying to find a better way to use multiple ouputs =20
> in live
> without bussing through return tracks....

Sorry, have to add a short comment here: I actually like using the =20
Return Tracks for that. The reason is that this opens up for bringing =20=

those (physical output transfer) Return Tracks also as Audio Track =20
inputs for the purpose of doing real-time live recording of separate =20
outputs, tracks or submixes of tracks. Bernhard and I did that last =20
year in Z=FCrich and we were able to also incorporate a stereo track of =20=

his entire looping rig as an input on one Live Track. If you do that, =20=

just remember to delete all clip slots on the recording tracks for =20
all scenes you are using in Live to trigger anything. Or you will by =20
accident stop the recording.

Another good thing to know is that any track in live can use the =20
output setting "Sends Only". This means that whatever you rout =20
through that track is not sent to the master channel and by the Aux =20
Send knobs you have full control over how much of the signal to send =20
to each Return Track. And then you have the freedom to route those =20
Return Tracks anywhere - heck , you may even route a Return Track's =20
output back into itself! (do that through a delay set to no direct =20
signal, only "wet", so you won't cause digital audio feedback. Makes =20
for a great dub delay set-up)

> To my knowledge there is no better way than that...  I thought that =20=

> perhaps
> it should be possible to have the input for an audio track be the =20
> master
> out, but I guess that is avoided because of the obvious chaos which =20=

> could
> ensue if that routing was mismanaged.

Correct! N00bs would melt down their sound cards and American Lawyers =20=

would be suing Ableton all day because there were no warning sticker =20
on the product's package cover ;-)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Fri Jun 23 02:54:57 2006
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Date: Thu, 22 Jun 2006 21:54:51 -0500
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From: mech <mech@m3ch.net>
Subject: RE: oud simulator?
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At 3:11 PM -0700 6/22/06, William Walker wrote:
>Sounds like a sweet project. i wanna hear the results.

Thanks Bill!

I'm currently finishing up the pedalboard for the setup.  I've 
already got the GK-3.  Now all that's left is dropping the axe off by 
my local luthier's shop and working with him on the string gauges. 
He's already twiddling his thumbs wondering where it is, but my wife 
piled up a bunch of heavy boxes all around the room where it's 
stored.  Unburying it is easier said than done.  :P

Too bad I'm nowhere near Santa Cruz, or I'd just drop it by and let 
you try it out some afternoon.  I'll definitely make a couple of .mp3 
samples once it comes back from the doctor in a week or two, though. 
:)

	--m.
-- 
_______
"Wind in my heart. Dust in my head..."

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Date: Thu, 22 Jun 2006 22:56:59 EDT
Subject: Re: All Access/Echoplex/Prophesy
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--part1_506.142e944.31ccb27b_boundary
Content-Type: text/plain; charset="US-ASCII"
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I should clarify that I am in Bank using first 5 switches as bank and the top 
10 as instant access switches.   Problem occurs when selecting a patch change 
using the bank buttons.   
Thanks again,
Donovan

--part1_506.142e944.31ccb27b_boundary
Content-Type: text/html; charset="US-ASCII"
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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2">I should clarify that I am in Bank usin=
g first 5 switches as bank and the top 10 as instant access switches.&nbsp;=20=
 Problem occurs when selecting a patch change using the bank buttons.&nbsp;=20=
 <BR>
Thanks again,<BR>
Donovan</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" S=
IZE=3D"2"></FONT></HTML>

--part1_506.142e944.31ccb27b_boundary--

From Loopers-Delight-request@loopers-delight.com  Fri Jun 23 05:03:41 2006
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Date: Thu, 22 Jun 2006 22:00:59 -0700
Subject: Re: Resampling in Live  (Re: Ableton w/ VST Looper)
From: Todd Reynolds <toddreyn@gmail.com>
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Thanks for even increased clarity, Per.

Yes, that's how I've been doing it up until this time.

One further question, forgive my ignorance.  What do you mean by " a great
dub delay set-up"?

All best,

Todd

PS.  Don't know where you are in Sweden, but have you heard yet of a guy
named Walter Thompson, or of something called Soundpainting??




On 6/22/06 7:30 PM, "Per Boysen" <perboysen@gmail.com> wrote:

> On 22 jun 2006, at 21.33, Todd Reynolds wrote:
>=20
>> Thanks to both of you.  It's perfectly clear.
>>=20
>> I've just been trying to find a better way to use multiple ouputs
>> in live
>> without bussing through return tracks....
>=20
> Sorry, have to add a short comment here: I actually like using the
> Return Tracks for that. The reason is that this opens up for bringing
> those (physical output transfer) Return Tracks also as Audio Track
> inputs for the purpose of doing real-time live recording of separate
> outputs, tracks or submixes of tracks. Bernhard and I did that last
> year in Z=FCrich and we were able to also incorporate a stereo track of
> his entire looping rig as an input on one Live Track. If you do that,
> just remember to delete all clip slots on the recording tracks for
> all scenes you are using in Live to trigger anything. Or you will by
> accident stop the recording.
>=20
> Another good thing to know is that any track in live can use the
> output setting "Sends Only". This means that whatever you rout
> through that track is not sent to the master channel and by the Aux
> Send knobs you have full control over how much of the signal to send
> to each Return Track. And then you have the freedom to route those
> Return Tracks anywhere - heck , you may even route a Return Track's
> output back into itself! (do that through a delay set to no direct
> signal, only "wet", so you won't cause digital audio feedback. Makes
> for a great dub delay set-up)
>=20
>> To my knowledge there is no better way than that...  I thought that
>> perhaps
>> it should be possible to have the input for an audio track be the
>> master
>> out, but I guess that is avoided because of the obvious chaos which
>> could
>> ensue if that routing was mismanaged.
>=20
> Correct! N00bs would melt down their sound cards and American Lawyers
> would be suing Ableton all day because there were no warning sticker
> on the product's package cover ;-)
>=20
> Greetings from Sweden
>=20
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
>=20
>=20
>=20

---------------------------------------------------------------------------=
-
-----
=B3Virtue is just repression waiting to go bad=B2 - Trevor Exter

=B3Classical music is related to the past more than it is related to the
creative part of sound=B2 - Ornette Coleman
---------------------------------------------------------------------------=
-
------=20
Todd Reynolds
42-09 47th Ave 1C
Sunnyside, NY  11104
=20
Ph.    718 392-3773
Mob.   917 576-6166
Fax    419 781-5502
=20
http://www.toddreynolds.com


todd@toddreynolds.com
9175766166@vtext.com (155 characters or less)
AIM ID: toddreyn




From Loopers-Delight-request@loopers-delight.com  Fri Jun 23 07:12:46 2006
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Date: Fri, 23 Jun 2006 00:12:39 -0700 (PDT)
From: daniel stevenson <stillllscary@yahoo.com>
Subject: David Gans at gratefull fest 7
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im looking forward to 4th july weekend.David Gans &
Keller Williams will be there too.ill be doing some
late late night looping out in the woods
somewhere...already got my batteries.
mmmmmm drum circles ;)

__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Fri Jun 23 07:28:38 2006
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Date: Fri, 23 Jun 2006 00:22:41 -0700
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hey Daniel - have we met out there at NLQP before?

I have a set with keyboardist Tom Constanten on Sunday, and I'm 
hoping to get him into a loop jam.




At 12:12 AM -0700 6/23/06, daniel stevenson wrote:
>im looking forward to 4th july weekend.David Gans &
>Keller Williams will be there too.ill be doing some
>late late night looping out in the woods
>somewhere...already got my batteries.
>mmmmmm drum circles ;)


-- 

David Gans - david@trufun.com or david@gdhour.com
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
Blog:  http://playback.trufun.com

From Loopers-Delight-request@loopers-delight.com  Fri Jun 23 07:32:49 2006
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Date: Fri, 23 Jun 2006 00:32:42 -0700 (PDT)
From: daniel stevenson <stillllscary@yahoo.com>
Subject: Re: [Bazantar] Mark Deutsch - House Concert in Berkeley, Saturday July 1st
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this looks fun!

--- Sean Leonard <sean@bazantar.com> wrote:


---------------------------------
    Greetings All,

Markwill be playing a house concert in Berkeley,
California on SaturdayJuly 1st. It's been a while
since Mark has played a public concert inthe Bay Area
so if you're in the vicinity this will be a
greatopportunity to hear what he's been working on
recently. There is a $10-20 slidingscale donation
requested, a portion of which will go to support a
localcharity. Space is limited and RSVP's are a must,
sosend an email to yaniv.cohen@yahoo.comASAP. Yaniv is
hosting the event so he will reserve a space for you
andgive you directions


---------------------

MarkDeutsch can best be described as a 21st century
Renaissance man. Aprofessional musician since the age
of twelve, he is a visionary artistwith a background
in non-linear mathematics, sacred systems
andcosmology. As a classically trained bassist and
sitar player he hasgained extensive experience in
orchestral ensembles, world musictraditions, jazz
combos, and solo sitar performance. Whilst
studyingsitar and North Indian classical music with
the legendary UstadImrat Khan, Mark began delving
deeper into the universalfundamentals of music and
their underlying frequency structures. Thesestudies
culminated in 1999 with Mark being awarded the US
patent forhis ground breaking new instrument the
Bazantar - a five-stringacoustic bass fitted with an
additional twenty-nine sympathetic stringsand four
drone strings. The result is a remarkable instrument
thatweaves a mesmerizing soundscape of resonance, and
evokes all the powerof Western classical music with
the depth and nuance of Easterntraditions.

Since the creation of the Bazantar, and the
criticallyacclaimed release of his first solo album
"Fool", Mark has beenperforming extensively world
wide. His awe-inspiring solo sitar andBazantar
performances have drawn rave reviews from the
internationalmusic community and have generated
invitations for Mark to perform atthe Juilliard School
of Music, Merkan Concert Hall,
EarthdanceInternational, The Hawaiian Contrabass
Festival and many other highprofile venues. Mark
recently completed the theatre score for a muchlauded
French production of Steven Berkoff's adaptation of
Poe's "Fallof the House of Usher". On the
collaborative side, his music hasattracted an eclectic
array of some of today's finest musicians,including
Grammy award-winning cellist David Darling, film
composer DavidJulyan (Insomnia, Memento), visionary
musician and scientist JaronLanier, seminal Chicago
rock band Tortoise, virtuoso erhu player andprinciple
soloist with the Beijing National Symphony Yang Ying,
andjazz luminaries such as William Parker, Roy
Campbell, and Hamid Drake.He is a featured guest on
Samsara Sound System's newest release"Tales of the Red
Dawn" which also features contributions fromGrandmixer
DXT (of Herbie Hancock's Rockit! fame) and
thelegendary Bill Laswell.


Propulsive Beauty: Music in Evolution - The DNA of
Nature¹sVibrational Code

The fundamental principles of Propulsive Beauty, both
eternal andvisionary, are constant truths found at the
heart of nature. Inspiredto reveal these fundamentals
on a visceral and transformative level,Mark Deutsch
created his groundbreaking acoustic instrument -
theBazantar. Its unique design is imparted with
powerful characteristicsthat manifest complex
vibrational realities, creating shifts inconsciousness
that allow the listener to experience Propulsive
Beautydirectly. What emerges is an extraordinary
abundance of energy and asense of respiration as the
tones breathe energetically into eachother. Pulsating
in a sea of vibration these waves of sound
becomeconduits of psychological and physiological
transformation.

Propulsive Beauty is not about exploring different
musical scales ormodes, or about fusing music of one
culture with another for peace,though the work would
support this. It is not about a betterunderstanding of
how notes, chords and harmonies (as we know them
inequal temperament) can be used for greater musical
impacts. It is abouttuning into the eternal and
mathematical fabric of nature as vibrationitself. This
core fabric, when used to build a profoundly
relatedsystem of tones opens a musical window into the
extraordinary coherenceand beauty of nature.
Propulsive Beauty is at the intersection ofscience and
spirit, providing a template for human consciousness
toexpand into a state of true relationship.

The deep mathematical principles and construct of
Propulsive Beautyalso extend beyond the musical realm,
and can be applied to theorganization of other systems
as a compelling model that isrelationally coherent,
self-sustaining and in accord with our world¹snatural
order. This vibrational template of inter-relatedness
offers anew framework of understanding, informing
other fields such asagriculture, science, and industry
in our journey to a more mutuallyenhancing
relationship with the planet.

------
*** if you would like to stop receiving these mailings
in the futureplease send an email to sean@bazantar.com
with the word"unsubscribe"in the subject line.***


.
> _______________________________________________
> Bazantar mailing list
> Bazantar@enabled.com
> http://lists.enabled.com/mailman/listinfo/bazantar
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
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Date: Fri, 23 Jun 2006 08:45:32 +0100
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From: a k butler <akbutler@tiscali.co.uk>
Subject: Re:: RE: FOR SALE: Mesa....Mackie vs JBL
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hi Bilbo

>Mark has a point, i too love the vox modeler, and I've had good results

Which actually has a valve in it (Bill please correct me if that's wrong).
Digital emulation of distortion is invariably tainted with digital aliasing.

>running into my mackie sm 350's the smaller lighter weight brothers to the
>sm450s, which I know some of you JBL fans think are harsh sounding. I say
>balderdash they souund great.

I heard a lot of the "Mackie" sound during y2k5 (thanks Bill/Rick).

The  Mackie sm's have a quality to them which I would call "shouty" 
which increases
as the volume goes up, kind of like someone shouting at you through 
cupped hands,
and I kind of had an impression that the bass notes were emerging 
somewhat slowly, ( again at higher
volume).
...but compared to other setups I've heard they're nice.

Whether the JBLs would sound better at the exact same volume I don't 
know, but they're
very natural sounding at lower/mid volume.

I'd guess that the main difference is how the speakers respond to 
high volume, with
the JBLs going a bit soft, and the Mackies getting "punchy".

andy butler

From Loopers-Delight-request@loopers-delight.com  Fri Jun 23 08:38:28 2006
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From: "Buzap Buzap" <buzap@gmx.net>
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Subject: Ethnic Music Loopers? (Oud)
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Hi folks

glad to see that there are so many people here who seem to loop based on ethnic instruments (I thought here were only progressive guitar / electro guys ;-) - I also like that style btw).

I like to use various ethnic instruments for looping - was actually considering in the faaaar future of getting an oud - didn't know it is so complicated to handle.

Now I'm curious, if you happen to loop ethnic music, do you have any samples to listen to (or a page)?

Best regards

Buzap


-- 


Der GMX SmartSurfer hilft bis zu 70% Ihrer Onlinekosten zu sparen!
Ideal für Modem und ISDN: http://www.gmx.net/de/go/smartsurfer

From Loopers-Delight-request@loopers-delight.com  Fri Jun 23 08:51:36 2006
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Hi Per, Todd & co

thanks for the many ideas.
I guess I have to try them out when I have time. If resample is using the Main Mix, Return Tracks might be interesting for bouncing few tracks (wasn't there actually a fetarure to group clips?).
Basically, I want to resample a clip while I'm messing with it's effects.

Btw, I've just discovered the Crossfaders in Ableton. I find it actually quite useful not really for _cross_fading but rather starting a new scene with some tracks and having the other tracks fade in gradually via Crossfader.
Whish they had crossfading between various scenes.

Concerning Mobius:
Is there anything really comparable in Mac? Did you try running it via Virtualisation (like qemu or Parallels)? Really a shame...

Best regards and thanks for all the input

Buzap


-- 


Echte DSL-Flatrate dauerhaft für 0,- Euro*!
"Feel free" mit GMX DSL! http://www.gmx.net/de/go/dsl

From Loopers-Delight-request@loopers-delight.com  Fri Jun 23 09:03:11 2006
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To: Loopers-Delight@loopers-delight.com
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On 6/23/06, Todd Reynolds <toddreyn@gmail.com> wrote:

> One further question, forgive my ignorance.  What do you mean by " a great
> dub delay set-up"?

A way do come up with some King Tubby / Lee Perry inspired echo
bouncing. Catching a sound into a loop and let it bounce around;
eventually distorting it a bit by over-feedback'ing, having it go in
and out of sync whith the main mix, changing it's pitch (as a matter
of "tape speed"). In Live you can try it by arming a Return Track with
a Ping Pong Delay followd by a Compressor. Assign some controller
stick/fader/pedal to (1) the Ping Pong delay's equalizer and another
to (2) the Ping Pong delay's tempo division ("loop length"). Then set
one of the Return Tracks send knobs to send to itself and be sure to
keep a third controller assigned to the Return Track's level fader (so
you can keep hoovering over the magic spot where the sound never fades
but doesn't get overloaded into distortion).


> PS.  Don't know where you are in Sweden, but have you heard yet of a guy
> named Walter Thompson, or of something called Soundpainting??

No, but please tell me!  "Soundpainting" sounds interesting :-)  I'm
in Stockholm.   Where does Walter hide?

-- 
Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom

From Loopers-Delight-request@loopers-delight.com  Fri Jun 23 09:24:30 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Resampling in Live  (Re: Ableton w/ VST Looper)
Date: Fri, 23 Jun 2006 11:24:25 +0200
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On 23 jun 2006, at 10.51, Buzap Buzap wrote:

>  (wasn't there actually a fetarure to group clips?).

Yes, it's called "scenes" - check that out in the PDF manual for =20
details. To fire off a scene you click one of the slots on the master =20=

track (in session view - "the mixer"). You can also bind any MIDI =20
event or computer key to those master track slots. What happens then =20
is that all Clips on all tracks at the same horizontal line as the =20
triggering "scene slot" is triggered (according to their individual =20
"lunch clip" setting).

> Basically, I want to resample a clip while I'm messing with it's =20
> effects.

You can do that (see the Live Manual quote I posted a while back).


> Btw, I've just discovered the Crossfaders in Ableton. I find it =20
> actually quite useful not really for _cross_fading but rather =20
> starting a new scene with some tracks and having the other tracks =20
> fade in gradually via Crossfader.
> Whish they had crossfading between various scenes.

Crossfade is setting is track based. Scenes are horizontal. But if =20
you put some thinking into it you may find a way.

> Concerning Mobius:
> Is there anything really comparable in Mac?

No. Closest in regard of pitch shifting (=E1 la Electrix Repeater) =20
comes AU-Looper, but it's just a tool for developers and sadly =20
doesn't work properly concerning MIDI binding for real-time control. =20
Sooper-Looper also comes close in regard of staying with and =20
developing the EDP tradition. It was originally a Linux looper but =20
works very well now as an AU plug-in in OS X. My personal favorite =20
for OSX is Augustus Loop. It was originally a tape delay sim AU plug-=20
in but has lately been enhanced with some looping and syncing =20
options. But it still has that cool "free-wheeling" tape loop feel =20
that is hard to get with Mobius or Sooper-Looper. For example, you =20
can feed Augustus with MIDI clips (if run as AU in Live) that work =20
the pitch in real-time - while you are overdubbing into the loop. The =20=

easiest implementation of that would be to play only one note on your =20=

instrument and step through the MIDI sequences to create melodies in =20
the loop. But then you can use your imagination to combine what you =20
play with what pitch-triggering sequence you feed the loop at the =20
same time. For the looping musician this calls for some "split-=20
vision" musical thinking just as the piano player needs to develop to =20=

be able to play freely with left and right hand. Interesting and =20
funny stuff....

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Fri Jun 23 10:46:15 2006
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Subject: Re: All Access/Echoplex/Prophesy
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Hi
You must analyse the MIdi that comes out of the all access
on the pc get the midiox application http://www.midiox.com/ so you can see 
if the all access is spiting messages where he shouldnt

AAccess out---computer In---computer thru-----edp


Claude



----- Original Message ----- 
From: <Donearlsto@aol.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, June 23, 2006 3:35 AM
Subject: All Access/Echoplex/Prophesy


> Hello,
>    I am having issues with my All Access/Echoplex/set up and I am hoping
> someone on the list may be able to help me.
>     Echoplex is set to receive control changes on Midi Channel 2.
>     The instant access switches work great, and all the programming works
> out (momentary switches etc.)
>     However, sometimes when I select a patch change (sent on midi channel 
> 1
> to the Prophesy) the Echoplex responds as if I hit the record button, or a
> series of parameter editing buttons.   The prophesy still changes patches, 
> of
> course.
>     As the Echoplex is set to Midi Channel 2, and the patch changes are
> being sent on Midi channel 1 I, in my ignorance, can't figure out how to 
> remedy
> this.   Any help would be appreciated.
> Thanks in advance.
> Donovan Stokes
>
> 


From Loopers-Delight-request@loopers-delight.com  Fri Jun 23 14:27:17 2006
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In a message dated 6/23/06 6:46:28 AM, c.voit@vtx.ch writes:


> You must analyse the MIdi that comes out of the all access
> on the pc get the midiox application http://www.midiox.com/ so you can see
> if th
> 

Thanks, will do, don't suppose there is a Mac version somewhere?

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
In a message dated 6/23/06 6:46:28 AM, c.voit@vtx.ch writes:<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">You must analyse the=20=
MIdi that comes out of the all access<BR>
on the pc get the midiox application http://www.midiox.com/ so you can see<B=
R>
if th<BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2">Thanks, will do, don't suppose there is a Mac version somewhere?<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT></HTML>
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Subject: Re: [Bazantar] Mark Deutsch - House Concert in Berkeley, Saturday July 1st
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I know Mark Deutsch and his instrument very well, it is always an excellent 
performance, well worth the experience just to see what he has designed and 
patented.   
Nothing electronically oriented, at least when I have seen him, but likely 
anyone on this list would enjoy it. 

Donovan Stokes


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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2">I know Mark Deutsch and his instrument=20=
very well, it is always an excellent performance, well worth the experience=20=
just to see what he has designed and patented.&nbsp;  <BR>
Nothing electronically oriented, at least when I have seen him, but likely a=
nyone on this list would enjoy it. <BR>
<BR>
Donovan Stokes<BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT></HTML>
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From: Richard Sales <richard@glasswing.com>
Subject: Dumb question again
Date: Fri, 23 Jun 2006 08:48:01 -0700
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Hi again

So I''m going to get a Looperlative but have an unusual opportunity to=20=

get a cheaper unit in the mean time.  A friend wants to buy me one so=20
we can fiddle while I'm in the Bay Area.  I know this is not a simple=20
question and there's no clear and simple answer but...

I can buy an old LExicon JamMan on ebay.  There's two that don't appear=20=

to have the upgrades.
The Digitech Jamman
Boss RC 50
Or...????
When I first asked about this some folks said to get a cheaper unit and=20=

see how the world of looping works for me etc.  I guess it makes sense.=20=

  I'm aiming to do something like Bill Walker does - acoustic stuff...=20=

inspired by Michael Hedges etc.  What do you use, Bill?

Should I just bit the bullet and buy the looper and control pedals etc?=20=

  Part of me says to go ahead and do that but the frugal part of me says=20=

test the water first.

And I'm sorry I mentioned the dreaded 'chops' word the other day.  I=20
think I was misunderstood.  For me, chops is simply the ability to play=20=

what you want to play well.  It has nothing to do with pyrotechnics,=20
which I don't pursue... or going to Berklee or 32nd notes etc.  My=20
particular interest in chops is being able to make the guitar moan...=20
and drawing out the glorious tone of the instrument & making it work.

As one of you said, it all boils down to creativity.   I support any=20
music that's creative and has passion.  I just start to day dream out=20
when that's not there.

I appreciate found music and mistakes.  And I recorded Miles Davis once=20=

(with Jim Smith)... so I am deep into the glory of accidents with=20
music.  I love Eric Dolphy and Blind Willie Johnson, Charles Ives and=20
Charlie Parker, Robert Johnson and Robert Dylan - it's a very long=20
list.  Actually, I try to not judge other's music really.  It's not my=20=

business.  I was just impressed with how INCREDIBLY simple my daughter=20=

wanted the guitar to be.  Simple is very good.   In some ways simple is=20=

much harder than complex.  It's just, once you figure out the parts, it=20=

LOOKS like you've been playing the guitar for a month or two.  But=20
that's just ego and ego... well...

Anyhow, back to the looper.  I don't need any effects etc or reverse=20
looping etc for my current needs.  Just simple looping and a relatively=20=

easy way to switch from Loop A to B, maybe to C and back and forth. =20
And I'm very sorry to ask this.  I know it's an incredibly stupid and=20
hard question to answer without more data.

Thanks

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 22-Jun-06, at 5:49 PM, Krispen Hartung wrote:

> I acutally like the Fender Twin and Jazz JC-120 tones of my Boss VF1s,=20=

> and when is started this every Monday night jazz gig, I used them with=20=

> my powered PA speakers....but, it's still too much shit and technology=20=

> for me to worry about for a traditional jazz gig.  Like many jazzers I=20=

> know, I want to walk in with my guitar strapped on my back and one=20
> small amp in my hand....set the amp down, plug in with one patch chord=20=

> and simply play.  I can setup and be playing in 5 minutes.
>
> Moreover, I just bought a Roland Cube 30 and I'm really looking=20
> forward to using it when it gets here. Now I can take more time=20
> selling my Boogie Mark I....which I am now selling with a 1X12 Mesa=20
> Boogie Thiele cabinet (sealed and ported)....both for $1000. The=20
> cabinets alone often sell for $250 used on eBay.
>
> Kris
>
> ----- Original Message ----- From: "William Walker"=20
> <billwalker@baymoon.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Thursday, June 22, 2006 5:09 PM
> Subject: RE: FOR SALE: Mesa Boogie Mark I Combo Amp
>
>
>> Mark has a point, i too love the vox modeler, and I've had good=20
>> results
>> running into my mackie sm 350's the smaller lighter weight brothers=20=

>> to the
>> sm450s, which I know some of you JBL fans think are harsh sounding. I=20=

>> say
>> balderdash they souund great. Now I also like the tube combo/ stomp=20=

>> box
>> route which can get expensive, but still sounds the best to my ears.=20=

>> Do take
>> note that the vox people did not see fit to model a transistor amp,=20=

>> not jazz
>> chorus model ala line 6. So if that is your mind set maybe the vox=20
>> ain't for
>> you. But a great fender twin model is hard to beat, if you can't lug=20=

>> around
>> the real thing and remember that most of the classic electric jazz =
was
>> recorded on tube gear, amps, preamps, compressors, etc...having daid=20=

>> that I
>> realy liked the sound of the jazzmaster UL, it had a beautifull clean=20=

>> sound,
>> a nice smooth singing overdrive channel, and spartan yet decent=20
>> sounding
>> effects. And its tiny, and light.
>> Bill
>>
>> -----Original Message-----
>> From: mark sottilaro [mailto:zerocrossing2001@yahoo.com]
>> Sent: Thursday, June 22, 2006 10:27 AM
>> To: Loopers-Delight@loopers-delight.com
>> Subject: RE: FOR SALE: Mesa Boogie Mark I Combo Amp
>>
>>
>> Why not ditch the guitar amp concept in favor of a
>> modeler?  I swear by mine (Vox Tonelab) and 90% of
>> gigs have a PA anyway.  Those that don't are probably
>> not worth doing or you could probably get by with some
>> of the lighter powered speakers like the JBLs.  I keep
>> a combo amp around anyway, but it rarely gets used.
>>
>> Mark
>>
>> --- ditch wrestler <ditchwrestler@yahoo.com> wrote:
>>
>>> I think that amp and cab was reviewed in the
>>> latest/very recent issue of Guitar Player...
>>>
>>>
>>>   ted.
>>>
>>> William Walker <billwalker@baymoon.com> wrote:
>>>   Under amps, look under the heading ultralight, The
>>> amp is called oddly
>>> enough, the Jazz master ultra light..
>>> Bill
>>>
>>> -----Original Message-----
>>> From: Krispen Hartung [mailto:khartung@cableone.net]
>>> Sent: Wednesday, June 21, 2006 6:15 PM
>>> To: Loopers-Delight@loopers-delight.com
>>> Subject: Re: FOR SALE: Mesa Boogie Mark I Combo Amp
>>>
>>>
>>> What model is that Bill? I'm on the Fender site now
>>> and can't find anything
>>> called a jazz amp.
>>>
>>> The FM 25 DSP looks interesting:
>>>
>> http://www.fender.com/products/search.php?partno=3D2318500000
>>>
>>> $200
>>>
>>> Kris
>>>
>>> ----- Original Message -----
>>> From: "William Walker"
>>> To:
>>> Sent: Wednesday, June 21, 2006 5:35 PM
>>> Subject: RE: FOR SALE: Mesa Boogie Mark I Combo Amp
>>>
>>>
>>> > The new fender jazz amp is worth a look, very
>>> small , loud as you would
>>> > need, and nice simple effects. and its a head
>>> cabinet design that uses
>>> > speakon plugs. It sounds realy real good.
>>> > Bill
>>> >
>>> > -----Original Message-----
>>> > From: Krispen Hartung
>>> [mailto:khartung@cableone.net]
>>> > Sent: Tuesday, June 20, 2006 9:36 PM
>>> > To: Loopers-Delight@loopers-delight.com
>>> > Subject: Re: FOR SALE: Mesa Boogie Mark I Combo
>>> Amp
>>> >
>>> >
>>> > Yeah, I thought the target market for my boogie
>>> would be fairly slim. I'd
>>> > be willing to make a trade if someone had the
>>> right gear. I love the amp
>>> > and the tone is spectacular, but it's a bit
>>> overkill and heavy for me (I
>>> > have a bad back, had surgury last Dec, etc). I use
>>> the boogie just for my
>>> > monday night traditional jazz gig. I'm thinking of
>>> gettting a Roland Cube
>>> > 30
>>> > because it is only 20 pounds and smaller, plus it
>>> has a lot of
>>> > effects...anybody have one?
>>> >
>>> > My lexicon LXP1 and LXP5. The LXP1 is primarily
>>> for delay, chorus, and
>>> > reverb. I had been using it for reverb...it really
>>> does have nice verb,
>>> > and
>>> > the chorus is lush as well. The LXP5 is more like
>>> a a multi-effects box.
>>> > It
>>> > is a bit challenging to program, however. If
>>> someone has the patience to
>>> > get
>>> > inside the menu tree, or uses the MIDIQuest
>>> software, then you can get
>>> > some
>>> > interesting sounds out of it. It's not an Eventide
>>> or TC Electronics
>>> > Fireworx by any means, but still a powerful little
>>> effects box.
>>> >
>>> > I'm actually considering selling my two Boss VF-1
>>> units as well.....need
>>> > to
>>> > give that more thought, however, as I'm in love
>>> with those little red
>>> > boxes.
>>> > :)
>>> >
>>> > Kris
>>> >
>>> >
>>> >
>>> >
>>> > ----- Original Message -----
>>> > From: "tEd =EF=BF=BD kiLLiAn"
>>> > To:
>>> > Sent: Tuesday, June 20, 2006 10:19 PM
>>> > Subject: Re: FOR SALE: Mesa Boogie Mark I Combo
>>> Amp
>>> >
>>> >
>>> >> Kris,
>>> >>
>>> >> 'Tis a beaut indeed. But a tad rich for my meager
>>> means.
>>> >> I am mildly interested in your Lexicon half-space
>>> processors
>>> >> you mentioned on the list the other day however.
>>> >>
>>> >> Given I'm a Mac guy, the software isn't a factor
>>> for me.
>>> >> But a really good processor (or two) with some
>>> new
>>> >> creative potential sounds attractive.
>>> >>
>>> >> Anything more you care to say about them?
>>> >>
>>> >> Ted
>>> >>
>>> >>
>>> >> On Jun 20, 2006, at 8:46 PM, Krispen Hartung
>>> wrote:
>>> >>
>>> >>> Any takers? It's a beauty.
>>> >>>
>>> >>> http://www.krispenhartung.com/mark-I.htm
>>> >>>
>>> >>> Kris
>>> >>>
>>> >>>
>>> >>
>>> >>
>>> >
>>> >
>>> >
>>> >
>>> >
>>> >
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>> ---------------------------------
>>> Talk is cheap. Use Yahoo! Messenger to make
>>> PC-to-Phone calls.  Great rates starting at
>> 1=EF=BF=BD/min.
>>
>>
>> __________________________________________________
>> Do You Yahoo!?
>> Tired of spam?  Yahoo! Mail has the best spam protection around
>> http://mail.yahoo.com
>>
>>
>>
>>
>

--Apple-Mail-2-971789545
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Hi again


So I''m going to get a Looperlative but have an unusual opportunity to
get a cheaper unit in the mean time.  A friend wants to buy me one so
we can fiddle while I'm in the Bay Area.  I know this is not a simple
question and there's no clear and simple answer but...=20


I can buy an old LExicon JamMan on ebay.  There's two that don't
appear to have the upgrades.

The Digitech Jamman

Boss RC 50

Or...????

When I first asked about this some folks said to get a cheaper unit
and see how the world of looping works for me etc.  I guess it makes
sense.  I'm aiming to do something like Bill Walker does - acoustic
stuff... inspired by Michael Hedges etc.  What do you use, Bill?


Should I just bit the bullet and buy the looper and control pedals
etc?  Part of me says to go ahead and do that but the frugal part of
me says test the water first. =20


And I'm sorry I mentioned the dreaded 'chops' word the other day.  I
think I was misunderstood.  For me, chops is simply the ability to
play what <italic>you</italic> want to play well.  It has nothing to
do with pyrotechnics, which I don't pursue... or going to Berklee or
32nd notes etc.  My particular interest in chops is being able to make
the guitar moan... and drawing out the glorious tone of the instrument
& making it work.  =20


As one of you said, it all boils down to creativity.   I support any
music that's creative and has passion.  I just start to day dream out
when that's not there.=20


I appreciate found music and mistakes.  And I recorded Miles Davis
once (with Jim Smith)... so I am deep into the glory of accidents with
music.  I love Eric Dolphy and Blind Willie Johnson, Charles Ives and
Charlie Parker, Robert Johnson and Robert Dylan - it's a very long
list.  Actually, I try to not judge other's music really.  It's not my
business.  I was just impressed with how INCREDIBLY simple my daughter
wanted the guitar to be.  Simple is very good.   In some ways simple
is much harder than complex.  It's just, once you figure out the
parts, it LOOKS like you've been playing the guitar for a month or
two.  But that's just ego and ego... well...


Anyhow, back to the looper.  I don't need any effects etc or reverse
looping etc for my current needs.  Just simple looping and a
relatively easy way to switch from Loop A to B, maybe to C and back
and forth.  And I'm very sorry to ask this.  I know it's an incredibly
stupid and hard question to answer without more data.=20


Thanks


<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 22-Jun-06, at 5:49 PM, Krispen Hartung wrote:


<excerpt>I acutally like the Fender Twin and Jazz JC-120 tones of my
Boss VF1s, and when is started this every Monday night jazz gig, I
used them with my powered PA speakers....but, it's still too much shit
and technology for me to worry about for a traditional jazz gig.  Like
many jazzers I know, I want to walk in with my guitar strapped on my
back and one small amp in my hand....set the amp down, plug in with
one patch chord and simply play.  I can setup and be playing in 5
minutes.


Moreover, I just bought a Roland Cube 30 and I'm really looking
forward to using it when it gets here. Now I can take more time
selling my Boogie Mark I....which I am now selling with a 1X12 Mesa
Boogie Thiele cabinet (sealed and ported)....both for $1000. The
cabinets alone often sell for $250 used on eBay.


Kris


----- Original Message ----- From: "William Walker"
<<billwalker@baymoon.com>

To: <<Loopers-Delight@loopers-delight.com>

Sent: Thursday, June 22, 2006 5:09 PM

Subject: RE: FOR SALE: Mesa Boogie Mark I Combo Amp



<excerpt>Mark has a point, i too love the vox modeler, and I've had
good results

running into my mackie sm 350's the smaller lighter weight brothers to
the

sm450s, which I know some of you JBL fans think are harsh sounding. I
say

balderdash they souund great. Now I also like the tube combo/ stomp box

route which can get expensive, but still sounds the best to my ears.
Do take

note that the vox people did not see fit to model a transistor amp,
not jazz

chorus model ala line 6. So if that is your mind set maybe the vox
ain't for

you. But a great fender twin model is hard to beat, if you can't lug
around

the real thing and remember that most of the classic electric jazz was

recorded on tube gear, amps, preamps, compressors, etc...having daid
that I

realy liked the sound of the jazzmaster UL, it had a beautifull clean
sound,

a nice smooth singing overdrive channel, and spartan yet decent
sounding

effects. And its tiny, and light.

Bill


-----Original Message-----

From: mark sottilaro [mailto:zerocrossing2001@yahoo.com]

Sent: Thursday, June 22, 2006 10:27 AM

To: Loopers-Delight@loopers-delight.com

Subject: RE: FOR SALE: Mesa Boogie Mark I Combo Amp



Why not ditch the guitar amp concept in favor of a

modeler?  I swear by mine (Vox Tonelab) and 90% of

gigs have a PA anyway.  Those that don't are probably

not worth doing or you could probably get by with some

of the lighter powered speakers like the JBLs.  I keep

a combo amp around anyway, but it rarely gets used.


Mark


--- ditch wrestler <<ditchwrestler@yahoo.com> wrote:


<excerpt>I think that amp and cab was reviewed in the

latest/very recent issue of Guitar Player...



  ted.


William Walker <<billwalker@baymoon.com> wrote:

  Under amps, look under the heading ultralight, The

amp is called oddly

enough, the Jazz master ultra light..

Bill


-----Original Message-----

From: Krispen Hartung [mailto:khartung@cableone.net]

Sent: Wednesday, June 21, 2006 6:15 PM

To: Loopers-Delight@loopers-delight.com

Subject: Re: FOR SALE: Mesa Boogie Mark I Combo Amp



What model is that Bill? I'm on the Fender site now

and can't find anything

called a jazz amp.


The FM 25 DSP looks interesting:


</excerpt>http://www.fender.com/products/search.php?partno=3D2318500000

<excerpt>

$200


Kris


----- Original Message -----

From: "William Walker"

To:

Sent: Wednesday, June 21, 2006 5:35 PM

Subject: RE: FOR SALE: Mesa Boogie Mark I Combo Amp



> The new fender jazz amp is worth a look, very

small , loud as you would

> need, and nice simple effects. and its a head

cabinet design that uses

> speakon plugs. It sounds realy real good.

> Bill

>

> -----Original Message-----

> From: Krispen Hartung

[mailto:khartung@cableone.net]

> Sent: Tuesday, June 20, 2006 9:36 PM

> To: Loopers-Delight@loopers-delight.com

> Subject: Re: FOR SALE: Mesa Boogie Mark I Combo

Amp

>

>

> Yeah, I thought the target market for my boogie

would be fairly slim. I'd

> be willing to make a trade if someone had the

right gear. I love the amp

> and the tone is spectacular, but it's a bit

overkill and heavy for me (I

> have a bad back, had surgury last Dec, etc). I use

the boogie just for my

> monday night traditional jazz gig. I'm thinking of

gettting a Roland Cube

> 30

> because it is only 20 pounds and smaller, plus it

has a lot of

> effects...anybody have one?

>

> My lexicon LXP1 and LXP5. The LXP1 is primarily

for delay, chorus, and

> reverb. I had been using it for reverb...it really

does have nice verb,

> and

> the chorus is lush as well. The LXP5 is more like

a a multi-effects box.

> It

> is a bit challenging to program, however. If

someone has the patience to

> get

> inside the menu tree, or uses the MIDIQuest

software, then you can get

> some

> interesting sounds out of it. It's not an Eventide

or TC Electronics

> Fireworx by any means, but still a powerful little

effects box.

>

> I'm actually considering selling my two Boss VF-1

units as well.....need

> to

> give that more thought, however, as I'm in love

with those little red

> boxes.

> :)

>

> Kris

>

>

>

>

> ----- Original Message -----

> From: "tEd =EF=BF=BD kiLLiAn"

> To:

> Sent: Tuesday, June 20, 2006 10:19 PM

> Subject: Re: FOR SALE: Mesa Boogie Mark I Combo

Amp

>

>

>> Kris,

>>

>> 'Tis a beaut indeed. But a tad rich for my meager

means.

>> I am mildly interested in your Lexicon half-space

processors

>> you mentioned on the list the other day however.

>>

>> Given I'm a Mac guy, the software isn't a factor

for me.

>> But a really good processor (or two) with some

new

>> creative potential sounds attractive.

>>

>> Anything more you care to say about them?

>>

>> Ted

>>

>>

>> On Jun 20, 2006, at 8:46 PM, Krispen Hartung

wrote:

>>

>>> Any takers? It's a beauty.

>>>

>>> http://www.krispenhartung.com/mark-I.htm

>>>

>>> Kris

>>>

>>>

>>

>>

>

>

>

>

>

>









---------------------------------

Talk is cheap. Use Yahoo! Messenger to make

PC-to-Phone calls.  Great rates starting at

</excerpt>1=EF=BF=BD/min.



__________________________________________________

Do You Yahoo!?

Tired of spam?  Yahoo! Mail has the best spam protection around

http://mail.yahoo.com





</excerpt>

</excerpt>=

--Apple-Mail-2-971789545--

From Loopers-Delight-request@loopers-delight.com  Fri Jun 23 15:52:21 2006
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From: "William Walker" <billwalker@baymoon.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: : RE: FOR SALE: Mesa....Mackie vs JBL
Date: Fri, 23 Jun 2006 08:52:18 -0700
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yes that is correct the vox has a tube in it, and I know what you mean about
the Mackies, they are perhaps a bit punchy, and I also think they are prone
to sounding a bit harsh particularly if the wall ac is running brown, (low
wall current) but then most powered PA gear will sound murky if the voltage
supply is not right. The reason I mention this is when we played at the
Henry Miller Library last fall, the whole system was sounding overtaxed to
my ears and the voltage meter on my power conditioner was reading closer to
100 volts not the 110-120, which dirtied up the  sound a bit.
Cheerio
Bill


-----Original Message-----
From: a k butler [mailto:akbutler@tiscali.co.uk]
Sent: Friday, June 23, 2006 12:46 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re:: RE: FOR SALE: Mesa....Mackie vs JBL


hi Bilbo

>Mark has a point, i too love the vox modeler, and I've had good results

Which actually has a valve in it (Bill please correct me if that's wrong).
Digital emulation of distortion is invariably tainted with digital aliasing.

>running into my mackie sm 350's the smaller lighter weight brothers to the
>sm450s, which I know some of you JBL fans think are harsh sounding. I say
>balderdash they souund great.

I heard a lot of the "Mackie" sound during y2k5 (thanks Bill/Rick).

The  Mackie sm's have a quality to them which I would call "shouty"
which increases
as the volume goes up, kind of like someone shouting at you through
cupped hands,
and I kind of had an impression that the bass notes were emerging
somewhat slowly, ( again at higher
volume).
...but compared to other setups I've heard they're nice.

Whether the JBLs would sound better at the exact same volume I don't
know, but they're
very natural sounding at lower/mid volume.

I'd guess that the main difference is how the speakers respond to
high volume, with
the JBLs going a bit soft, and the Mackies getting "punchy".

andy butler




From Loopers-Delight-request@loopers-delight.com  Fri Jun 23 16:42:49 2006
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Subject: Re: Re:: RE: FOR SALE: Mesa....Mackie vs JBL
Date: Fri, 23 Jun 2006 09:43:25 -0700
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I have a nice set of Acme Lo-B 1x10 3-way speakers, and they're super smooth
and 'even' sounding. Next to very nice home stereo and theater speaker
setups they fare ok... and I've played through my housemate's bitchin' home
theater system. He sells audio equipment for a living... www.valueaudio.com
and my sounds come across well on them also. When I visit recording studios
and play, my patches sound similar to my home setup.

I've found that virtually *all* my sounds that are balanced for recording
purposes using studio monitors sound extremely bright, and honky on the
Mackie SRM-450's. I've often thought of getting a pair of harsher, brighter
speakers to make a bank of performance sounds that I would use for the
Mackies, but screw it... I'll live in my nice little audio universe.

Miko Biffle -- "Running scared from all the usual distractions..."
C'mon over to MySpace! www.myspace.com/biffozz
Now playing 'Rough' www.cdbaby.com/biffoz
The Chain Tape Collective! www.ct-collective.com/

----- Original Message ----- 
From: "a k butler" <akbutler@tiscali.co.uk>
> I heard a lot of the "Mackie" sound during y2k5 (thanks Bill/Rick).

> The  Mackie sm's have a quality to them which I would call "shouty" which
increases as the volume goes up, kind of like someone shouting at you
through cupped hands, and I kind of had an impression that the bass notes
were emerging somewhat slowly, ( again at higher volume)... but compared to
other setups I've heard they're nice.

> Whether the JBLs would sound better at the exact same volume I don't know,
but they're very natural sounding at lower/mid volume. I'd guess that the
main difference is how the speakers respond to high volume, with the JBLs
going a bit soft, and the Mackies getting "punchy". andy butler


From Loopers-Delight-request@loopers-delight.com  Fri Jun 23 17:10:49 2006
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Date: Fri, 23 Jun 2006 10:10:46 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: RE: FOR SALE: Mesa Boogie Mark I Combo Amp
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--- William Walker <billwalker@baymoon.com> wrote:

> Mark has a point, 

I thought you couldn't notice it with my hair style!


> Do take
> note that the vox people did not see fit to model a
> transistor amp, not jazz
> chorus model ala line 6. So if that is your mind set
> maybe the vox ain't for
> you. 

Wait!  There's MORE!  I did find a way to get a good
JC120 sound out of the Tonelab!  I forget how now...
I'll check tonight and let you know.  I know the key
was leaving out either the amp modeling stage or cab
modeling stage.  Also, I found I got better results
when I use the VF-1's stereo chorus (which I know Kris
has a couple of)

I have to say that as much as I like some of the
stompbox models of the Tonelab, when I'm in the studio
I ditch them in favor of the VF-1's which I feel are
really great (and MIDI syncable which the tonelab
sadly isn't)  Don't sell them Kris, you'll be sad. 
Also I found they're one of the best processor out
there for putting distortion on keyboard sounds
(though not for guitar)

Mark

Mark

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From Loopers-Delight-request@loopers-delight.com  Fri Jun 23 17:25:04 2006
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Date: Fri, 23 Jun 2006 10:24:55 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Dumb question again
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--- Richard Sales <richard@glasswing.com> wrote:

> So I''m going to get a Looperlative but have an
> unusual opportunity to 
> get a cheaper unit in the mean time.  A friend wants
> to buy me one so 
> we can fiddle while I'm in the Bay Area.  I know
> this is not a simple 
> question and there's no clear and simple answer
> but...

I'm in the Bay area!  Does your friend need a local
friend?  None of my friends seem to be buying me
loopers. I barely get a card on my birthday! ;) 

> I can buy an old LExicon JamMan on ebay.  There's
> two that don't appear 
> to have the upgrades.
> The Digitech Jamman
> Boss RC 50
> Or...????

I'd say get the used JamMan.  The RC-50 seems to be
back ordered and the word on the street is their sync
ability seems to be less than stellar.  JamMan has no
sync so if you're playing with a friend you'll
probably want good sync.

>   I'm aiming to do something like Bill Walker does -
> acoustic stuff... 
> inspired by Michael Hedges etc.  What do you use,
> Bill?

I'll respond for Bill as he and I both are Repeater
users (Hi Bill!)  If you can find one used I say get
that (about $500 same as an RC-50) IMO it's still tied
for first place in the world of loopers.

> Should I just bit the bullet and buy the looper and
> control pedals etc? 
>   Part of me says to go ahead and do that but the
> frugal part of me says 
> test the water first.

The thing about getting a good looper like the EDP,
Looperlative or Repeater is that they hold their
value. Before I returned my Looperlative I had several
offers to buy it for what I paid.


> Anyhow, back to the looper.  I don't need any
> effects etc or reverse 
> looping etc for my current needs.  Just simple
> looping and a relatively 
> easy way to switch from Loop A to B, maybe to C and
> back and forth. 

Lexicon JamMan is really well set up for that type of
looping.  Repeater does it but it's a tad more awkward
(IMO) though with both you'll need a MIDI controller. 
Judging by the video it seems the RC-50 does a good
job too.  Also check out the Electro-harmonix 2880,
that seems sweet and is also about $500.
 
> And I'm very sorry to ask this.  I know it's an
> incredibly stupid and 
> hard question to answer without more data.

If we're not here to answer questions like this, what
are we here for?

Good luck,

Mark

__________________________________________________
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Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Fri Jun 23 17:29:21 2006
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Does anyone use a fernandes sustainer guitar?  I picked one up cheap 
on ebay but find the battery drain quite depressing. I wrote to their 
tech people asking if I could use a 9v power supply instead, but he 
said it would "cause damage" - this seems unlikely - anyone else 
tried it?


All the best,

Nick Robinson


From Loopers-Delight-request@loopers-delight.com  Fri Jun 23 17:34:48 2006
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--Apple-Mail-4-978187443
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On 23-Jun-06, at 10:24 AM, mark sottilaro wrote:
>
> I'm in the Bay area!  Does your friend need a local
> friend?  None of my friends seem to be buying me
> loopers. I barely get a card on my birthday! ;)

Thanks Mark!  When's your birthday?!  I"ll see if I can get the JamMan

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
>

--Apple-Mail-4-978187443
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On 23-Jun-06, at 10:24 AM, mark sottilaro wrote:

<excerpt>

I'm in the Bay area!  Does your friend need a local

friend?  None of my friends seem to be buying me

loopers. I barely get a card on my birthday! ;) 

</excerpt>

Thanks Mark!  When's your birthday?!  I"ll see if I can get the JamMan


<fontfamily><param>Gadget</param>richard sales

<color><param>7372,7F7E,C5C4</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C2,9695,1C1B</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

<excerpt>

</excerpt>
--Apple-Mail-4-978187443--

From Loopers-Delight-request@loopers-delight.com  Fri Jun 23 18:12:36 2006
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Date: Fri, 23 Jun 2006 11:12:34 -0700 (PDT)
From: daniel stevenson <stillllscary@yahoo.com>
Subject: Re: David Gans at gratefull fest 7
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could be David...so many
faces,names,blurs,colors,trails(to hike)i will most
definitely check out your set and hope to hear some
looping from you.what loop-gear are you bringing?have
you played with Tom Constanten many times?its going to
be a fun weekend!!!
                   to the future,
                       scary visionary

--- David Gans <david@trufun.com> wrote:

> 
> 
> hey Daniel - have we met out there at NLQP before?
> 
> I have a set with keyboardist Tom Constanten on
> Sunday, and I'm 
> hoping to get him into a loop jam.
> 
> 
> 
> 
> At 12:12 AM -0700 6/23/06, daniel stevenson wrote:
> >im looking forward to 4th july weekend.David Gans &
> >Keller Williams will be there too.ill be doing some
> >late late night looping out in the woods
> >somewhere...already got my batteries.
> >mmmmmm drum circles ;)
> 
> 
> -- 
> 
> David Gans - david@trufun.com or david@gdhour.com
> Truth and Fun, Inc., 484 Lake Park Ave. #102,
> Oakland CA 94610-2730
> Blog:  http://playback.trufun.com
> 
> 


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From Loopers-Delight-request@loopers-delight.com  Fri Jun 23 18:14:09 2006
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Date: Fri, 23 Jun 2006 13:14:05 -0500
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At 10:10 AM -0700 6/23/06, mark sottilaro wrote:
>
>Wait!  There's MORE!  I did find a way to get a good
>JC120 sound out of the Tonelab!  I forget how now...
>I'll check tonight and let you know.  I know the key
>was leaving out either the amp modeling stage or cab
>modeling stage.  Also, I found I got better results
>when I use the VF-1's stereo chorus (which I know Kris
>has a couple of)

Hey Mark!  Have you ever tried running keyboards or bass through your 
Tonelab?  If so, how well did it take to processing instruments 
having a full-range of frequency content, especially the low end?

I've got a powered PA monitor that I'd like to warm up a bit (Gemini 
GX-350; think of it as in the same ballpark as a Mackie or JBL Eon) 
and I'm thinking the Tonelab might give a better playing response 
than your average tube mic preamp.  Dunno how well the Tonelab deals 
with a full frequency spectrum though...

TIA!
	--m.
-- 
_______
"Behind every fear lies a wish, don't you think...?"

From Loopers-Delight-request@loopers-delight.com  Fri Jun 23 18:16:16 2006
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Date: Fri, 23 Jun 2006 11:12:57 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Dumb question again
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Heh, I was kidding about the card but good luck with
JamMan, I bet you'll like it.

Mark

--- Richard Sales <richard@glasswing.com> wrote:

> On 23-Jun-06, at 10:24 AM, mark sottilaro wrote:
> >
> > I'm in the Bay area!  Does your friend need a
> local
> > friend?  None of my friends seem to be buying me
> > loopers. I barely get a card on my birthday! ;)
> 
> Thanks Mark!  When's your birthday?!  I"ll see if I
> can get the JamMan
> 
> richard sales
> glassWing farm and studio
> vancouver island, b.c.
> 800.545.6846
> 250.752.4816
> www.glassWing.com
> www.richardsales.com
> www.hayleysales.com
> www.blueberryfieldsfarm.com
> >
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Fri Jun 23 18:23:58 2006
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Date: Fri, 23 Jun 2006 11:20:59 -0700
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At 11:12 AM -0700 6/23/06, daniel stevenson wrote:
>could be David...so many
>faces,names,blurs,colors,trails(to hike)i will most
>definitely check out your set and hope to hear some
>looping from you.what loop-gear are you bringing?have
>you played with Tom Constanten many times?its going to
>be a fun weekend!!!

I have played with TC on a number of occasions.   He's a great player.

I will have my EDP and my RC-20XL with me, doing my "cloud" experiments.



-- 

David Gans - david@trufun.com or david@gdhour.com
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
Blog:  http://playback.trufun.com

From Loopers-Delight-request@loopers-delight.com  Fri Jun 23 18:24:04 2006
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Date: Fri, 23 Jun 2006 11:24:01 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: RE: FOR SALE: Mesa Boogie Mark I Combo Amp
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The good thing about the tonelab is that you can
bypass the preamp or cab models if you'd like.  I've
never tried keyboards but I run my acoustic guitar and
bass through it with pretty good results.  Remember
most guitar preamps roll off quite quickly after 8K or
so and you're not going ot want your keyboard sounds
to do that.... or maybe you do.  Low end wont' be an
issue, but bass has a drop-d bridge set up and it
seems to do fine. (I come out of the tonelab and go
into a Soundcraft board and on to Mackie studio
monitors.)

If I remember I'll run the output of one of my synths
though it and see how it works.

Mark

--- mech <mech@m3ch.net> wrote:

> At 10:10 AM -0700 6/23/06, mark sottilaro wrote:
> >
> >Wait!  There's MORE!  I did find a way to get a
> good
> >JC120 sound out of the Tonelab!  I forget how
> now...
> >I'll check tonight and let you know.  I know the
> key
> >was leaving out either the amp modeling stage or
> cab
> >modeling stage.  Also, I found I got better results
> >when I use the VF-1's stereo chorus (which I know
> Kris
> >has a couple of)
> 
> Hey Mark!  Have you ever tried running keyboards or
> bass through your 
> Tonelab?  If so, how well did it take to processing
> instruments 
> having a full-range of frequency content, especially
> the low end?
> 
> I've got a powered PA monitor that I'd like to warm
> up a bit (Gemini 
> GX-350; think of it as in the same ballpark as a
> Mackie or JBL Eon) 
> and I'm thinking the Tonelab might give a better
> playing response 
> than your average tube mic preamp.  Dunno how well
> the Tonelab deals 
> with a full frequency spectrum though...
> 
> TIA!
> 	--m.
> -- 
> _______
> "Behind every fear lies a wish, don't you think...?"
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Fri Jun 23 18:56:44 2006
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Date: Fri, 23 Jun 2006 13:51:42 -0500
To: Loopers-Delight@loopers-delight.com
From: mech <mech@m3ch.net>
Subject: RE: Vox Tonelab (was: FOR SALE: Mesa Boogie Mark I Combo Amp)
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Excellent!  I'm running a Stick setup, so I think this might just do 
the trick.  I was a little concerned by all the Harmony Central 
reviews complaining that "I wish I could get more bass out of my 
Tonelab".  But if you're running a drop-d bass through it with no 
difficulties, I think it'll have enough tonal response to handle it.

Let me know if you are able to do any experiments this weekend (I'm 
sincerely curious about how well the synths work through it too). 
And thanks for the feedback!!!  :)

	--m.


At 11:24 AM -0700 6/23/06, mark sottilaro wrote:
>The good thing about the tonelab is that you can
>bypass the preamp or cab models if you'd like.  I've
>never tried keyboards but I run my acoustic guitar and
>bass through it with pretty good results.  Remember
>most guitar preamps roll off quite quickly after 8K or
>so and you're not going ot want your keyboard sounds
>to do that.... or maybe you do.  Low end wont' be an
>issue, but bass has a drop-d bridge set up and it
>seems to do fine. (I come out of the tonelab and go
>into a Soundcraft board and on to Mackie studio
>monitors.)
>
>If I remember I'll run the output of one of my synths
>though it and see how it works.
>
>Mark
>
>--- mech <mech@m3ch.net> wrote:
>
>>  At 10:10 AM -0700 6/23/06, mark sottilaro wrote:
>>  >
>>  >Wait!  There's MORE!  I did find a way to get a
>>  good
>>  >JC120 sound out of the Tonelab!  I forget how
>>  now...
>>  >I'll check tonight and let you know.  I know the
>>  key
>>  >was leaving out either the amp modeling stage or
>>  cab
>>  >modeling stage.  Also, I found I got better results
>>  >when I use the VF-1's stereo chorus (which I know
>>  Kris
>>  >has a couple of)
>>
>>  Hey Mark!  Have you ever tried running keyboards or
>>  bass through your
>>  Tonelab?  If so, how well did it take to processing
>>  instruments
>>  having a full-range of frequency content, especially
>>  the low end?
>>
>>  I've got a powered PA monitor that I'd like to warm
>>  up a bit (Gemini
>>  GX-350; think of it as in the same ballpark as a
>>  Mackie or JBL Eon)
>>  and I'm thinking the Tonelab might give a better
>>  playing response
>>  than your average tube mic preamp.  Dunno how well
>>  the Tonelab deals
>>  with a full frequency spectrum though...
>>
>>  TIA!
>>	--m.
>>  --
>>  _______
>>  "Behind every fear lies a wish, don't you think...?"
>>
>>
>
>
>__________________________________________________
>Do You Yahoo!?
>Tired of spam?  Yahoo! Mail has the best spam protection around
>http://mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Fri Jun 23 19:56:45 2006
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Subject: Lealoop
Date: Fri, 23 Jun 2006 21:56:40 +0200
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finally my friend Leander Reininghaus's myspace page is here ... please go
and listen to his track Barnard's Loop (played on guitar and EDP) which
still gives me the goosebumps _every_ time. And please support him by
commenting, adding as myspace friend ... he really is a great musician.
www.myspace.com/lealoop

-Michael

From Loopers-Delight-request@loopers-delight.com  Fri Jun 23 22:24:51 2006
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From: "William Walker" <billwalker@baymoon.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Dumb question again
Date: Fri, 23 Jun 2006 15:24:30 -0700
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Hi Richard,
Well, I will have to send you a CD of my stuff, as the acoustic stuff is but
one side to my musical schizophrenia. I used two Line 6 modellers for that
bit of improving I did for the Gourmet Guitars vid, but I also use a
Repeater, an LP-1, and an Echoplex as well. I'm most familiar at this point
with the DL4's and the Repeater though I'm getting more skilled at the LP-1
and Echoplex. Of the currently available floor stuff, I really like the
boomerang, and the new RC50, though its lack of feedback control has some
folks panties in a bunch. But both units are self contained and sound really
good, and have a lot of memory.  regarding the more expensive loopers, you
do get a considerable increase in functionality with the more sophisticated
rack mount loopers, each having there own strengths and weaknesses, however
I enjoy using my DL-4's as much as any of the pricier  boxes. I'd make a
list of what your needs are and see which looper fits the bill the best. Do
you need long memory time, the ability to half speed record, reverse
function, or variable feedback? Also remember that the more limited boxes
still have much to offer, and sometimes an effects limitations can act to
inspire. I personally know of a used Repeater for sale, though I'm not sure
what version the software is yet. Regarding the RC-50's, The store I work at
part time in Santa Cruz has two available, and are selling for whatever the
MAP pricing is on the internet.
God luck and get going.
Bill
  -----Original Message-----
  From: Richard Sales [mailto:richard@glasswing.com]
  Sent: Friday, June 23, 2006 8:48 AM
  To: Loopers-Delight@loopers-delight.com
  Subject: Dumb question again


  Hi again

  So I''m going to get a Looperlative but have an unusual opportunity to get
a cheaper unit in the mean time. A friend wants to buy me one so we can
fiddle while I'm in the Bay Area. I know this is not a simple question and
there's no clear and simple answer but...

  I can buy an old LExicon JamMan on ebay. There's two that don't appear to
have the upgrades.
  The Digitech Jamman
  Boss RC 50
  Or...????
  When I first asked about this some folks said to get a cheaper unit and
see how the world of looping works for me etc. I guess it makes sense. I'm
aiming to do something like Bill Walker does - acoustic stuff... inspired by
Michael Hedges etc. What do you use, Bill?

  Should I just bit the bullet and buy the looper and control pedals etc?
Part of me says to go ahead and do that but the frugal part of me says test
the water first.

  And I'm sorry I mentioned the dreaded 'chops' word the other day. I think
I was misunderstood. For me, chops is simply the ability to play what you
want to play well. It has nothing to do with pyrotechnics, which I don't
pursue... or going to Berklee or 32nd notes etc. My particular interest in
chops is being able to make the guitar moan... and drawing out the glorious
tone of the instrument & making it work.

  As one of you said, it all boils down to creativity. I support any music
that's creative and has passion. I just start to day dream out when that's
not there.

  I appreciate found music and mistakes. And I recorded Miles Davis once
(with Jim Smith)... so I am deep into the glory of accidents with music. I
love Eric Dolphy and Blind Willie Johnson, Charles Ives and Charlie Parker,
Robert Johnson and Robert Dylan - it's a very long list. Actually, I try to
not judge other's music really. It's not my business. I was just impressed
with how INCREDIBLY simple my daughter wanted the guitar to be. Simple is
very good. In some ways simple is much harder than complex. It's just, once
you figure out the parts, it LOOKS like you've been playing the guitar for a
month or two. But that's just ego and ego... well...

  Anyhow, back to the looper. I don't need any effects etc or reverse
looping etc for my current needs. Just simple looping and a relatively easy
way to switch from Loop A to B, maybe to C and back and forth. And I'm very
sorry to ask this. I know it's an incredibly stupid and hard question to
answer without more data.

  Thanks

  richard sales
  glassWing farm and studio
  vancouver island, b.c.
  800.545.6846
  250.752.4816
  www.glassWing.com
  www.richardsales.com
  www.hayleysales.com
  www.blueberryfieldsfarm.com
  On 22-Jun-06, at 5:49 PM, Krispen Hartung wrote:


    I acutally like the Fender Twin and Jazz JC-120 tones of my Boss VF1s,
and when is started this every Monday night jazz gig, I used them with my
powered PA speakers....but, it's still too much shit and technology for me
to worry about for a traditional jazz gig. Like many jazzers I know, I want
to walk in with my guitar strapped on my back and one small amp in my
hand....set the amp down, plug in with one patch chord and simply play. I
can setup and be playing in 5 minutes.

    Moreover, I just bought a Roland Cube 30 and I'm really looking forward
to using it when it gets here. Now I can take more time selling my Boogie
Mark I....which I am now selling with a 1X12 Mesa Boogie Thiele cabinet
(sealed and ported)....both for $1000. The cabinets alone often sell for
$250 used on eBay.

    Kris

    ----- Original Message ----- From: "William Walker"
<billwalker@baymoon.com>
    To: <Loopers-Delight@loopers-delight.com>
    Sent: Thursday, June 22, 2006 5:09 PM
    Subject: RE: FOR SALE: Mesa Boogie Mark I Combo Amp



      Mark has a point, i too love the vox modeler, and I've had good
results
      running into my mackie sm 350's the smaller lighter weight brothers to
the
      sm450s, which I know some of you JBL fans think are harsh sounding. I
say
      balderdash they souund great. Now I also like the tube combo/ stomp
box
      route which can get expensive, but still sounds the best to my ears.
Do take
      note that the vox people did not see fit to model a transistor amp,
not jazz
      chorus model ala line 6. So if that is your mind set maybe the vox
ain't for
      you. But a great fender twin model is hard to beat, if you can't lug
around
      the real thing and remember that most of the classic electric jazz was
      recorded on tube gear, amps, preamps, compressors, etc...having daid
that I
      realy liked the sound of the jazzmaster UL, it had a beautifull clean
sound,
      a nice smooth singing overdrive channel, and spartan yet decent
sounding
      effects. And its tiny, and light.
      Bill

      -----Original Message-----
      From: mark sottilaro [mailto:zerocrossing2001@yahoo.com]
      Sent: Thursday, June 22, 2006 10:27 AM
      To: Loopers-Delight@loopers-delight.com
      Subject: RE: FOR SALE: Mesa Boogie Mark I Combo Amp


      Why not ditch the guitar amp concept in favor of a
      modeler? I swear by mine (Vox Tonelab) and 90% of
      gigs have a PA anyway. Those that don't are probably
      not worth doing or you could probably get by with some
      of the lighter powered speakers like the JBLs. I keep
      a combo amp around anyway, but it rarely gets used.

      Mark

      --- ditch wrestler <ditchwrestler@yahoo.com> wrote:


        I think that amp and cab was reviewed in the
        latest/very recent issue of Guitar Player...


        ted.

        William Walker <billwalker@baymoon.com> wrote:
        Under amps, look under the heading ultralight, The
        amp is called oddly
        enough, the Jazz master ultra light..
        Bill

        -----Original Message-----
        From: Krispen Hartung [mailto:khartung@cableone.net]
        Sent: Wednesday, June 21, 2006 6:15 PM
        To: Loopers-Delight@loopers-delight.com
        Subject: Re: FOR SALE: Mesa Boogie Mark I Combo Amp


        What model is that Bill? I'm on the Fender site now
        and can't find anything
        called a jazz amp.

        The FM 25 DSP looks interesting:


      http://www.fender.com/products/search.php?partno=2318500000


        $200

        Kris

        ----- Original Message -----
        From: "William Walker"
        To:
        Sent: Wednesday, June 21, 2006 5:35 PM
        Subject: RE: FOR SALE: Mesa Boogie Mark I Combo Amp


        > The new fender jazz amp is worth a look, very
        small , loud as you would
        > need, and nice simple effects. and its a head
        cabinet design that uses
        > speakon plugs. It sounds realy real good.
        > Bill
        >
        > -----Original Message-----
        > From: Krispen Hartung
        [mailto:khartung@cableone.net]
        > Sent: Tuesday, June 20, 2006 9:36 PM
        > To: Loopers-Delight@loopers-delight.com
        > Subject: Re: FOR SALE: Mesa Boogie Mark I Combo
        Amp
        >
        >
        > Yeah, I thought the target market for my boogie
        would be fairly slim. I'd
        > be willing to make a trade if someone had the
        right gear. I love the amp
        > and the tone is spectacular, but it's a bit
        overkill and heavy for me (I
        > have a bad back, had surgury last Dec, etc). I use
        the boogie just for my
        > monday night traditional jazz gig. I'm thinking of
        gettting a Roland Cube
        > 30
        > because it is only 20 pounds and smaller, plus it
        has a lot of
        > effects...anybody have one?
        >
        > My lexicon LXP1 and LXP5. The LXP1 is primarily
        for delay, chorus, and
        > reverb. I had been using it for reverb...it really
        does have nice verb,
        > and
        > the chorus is lush as well. The LXP5 is more like
        a a multi-effects box.
        > It
        > is a bit challenging to program, however. If
        someone has the patience to
        > get
        > inside the menu tree, or uses the MIDIQuest
        software, then you can get
        > some
        > interesting sounds out of it. It's not an Eventide
        or TC Electronics
        > Fireworx by any means, but still a powerful little
        effects box.
        >
        > I'm actually considering selling my two Boss VF-1
        units as well.....need
        > to
        > give that more thought, however, as I'm in love
        with those little red
        > boxes.
        > :)
        >
        > Kris
        >
        >
        >
        >
        > ----- Original Message -----
        > From: "tEd ï¿½ kiLLiAn"
        > To:
        > Sent: Tuesday, June 20, 2006 10:19 PM
        > Subject: Re: FOR SALE: Mesa Boogie Mark I Combo
        Amp
        >
        >
        >> Kris,
        >>
        >> 'Tis a beaut indeed. But a tad rich for my meager
        means.
        >> I am mildly interested in your Lexicon half-space
        processors
        >> you mentioned on the list the other day however.
        >>
        >> Given I'm a Mac guy, the software isn't a factor
        for me.
        >> But a really good processor (or two) with some
        new
        >> creative potential sounds attractive.
        >>
        >> Anything more you care to say about them?
        >>
        >> Ted
        >>
        >>
        >> On Jun 20, 2006, at 8:46 PM, Krispen Hartung
        wrote:
        >>
        >>> Any takers? It's a beauty.
        >>>
        >>> http://www.krispenhartung.com/mark-I.htm
        >>>
        >>> Kris
        >>>
        >>>
        >>
        >>
        >
        >
        >
        >
        >
        >








        ---------------------------------
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
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<BODY>
<DIV><SPAN class=3D312415615-23062006><FONT face=3DArial color=3D#0000ff =
size=3D2>Hi=20
Richard, </FONT></SPAN></DIV>
<DIV><SPAN class=3D312415615-23062006><FONT face=3DArial color=3D#0000ff =
size=3D2>Well,=20
I will have to send you a CD of my stuff, as the acoustic stuff is but =
one side=20
to my musical schizophrenia. I used two Line 6 modellers for that bit of =

improving I did for the Gourmet Guitars vid, but I also use a Repeater, =
an LP-1,=20
and an Echoplex as well. I'm most familiar at this point with the DL4's =
and the=20
Repeater though I'm getting more skilled at the LP-1 and Echoplex. Of =
the=20
currently available floor stuff, I really like the boomerang, and the =
new RC50,=20
though its lack of feedback control has some folks panties in a bunch. =
But both=20
units are self contained and sound really good, and have a lot of =
memory.&nbsp;=20
regarding the more expensive loopers, you do get a considerable increase =
in=20
functionality with the more sophisticated rack mount loopers, each =
having there=20
own strengths and weaknesses, however I enjoy using my DL-4's as much as =
any of=20
the pricier&nbsp; boxes. I'd make a list of what your needs are and see =
which=20
looper fits the bill the best. Do you need long memory time, the ability =
to half=20
speed record, reverse function, or variable feedback? Also remember that =
the=20
more limited boxes still have much to offer, and sometimes an effects=20
limitations can act to inspire. I personally know of a used Repeater for =
sale,=20
though I'm not sure what version the software is yet. Regarding the =
RC-50's, The=20
store I work at part time in Santa Cruz has two available, and are =
selling for=20
whatever the MAP pricing is on the internet.</FONT></SPAN></DIV>
<DIV><SPAN class=3D312415615-23062006><FONT face=3DArial color=3D#0000ff =
size=3D2>God=20
luck and get going.</FONT></SPAN></DIV>
<DIV><SPAN class=3D312415615-23062006><FONT face=3DArial color=3D#0000ff =

size=3D2>Bill</FONT></SPAN></DIV>
<BLOCKQUOTE dir=3Dltr style=3D"MARGIN-RIGHT: 0px">
  <DIV class=3DOutlookMessageHeader dir=3Dltr align=3Dleft><FONT =
face=3DTahoma=20
  size=3D2>-----Original Message-----<BR><B>From:</B> Richard Sales=20
  [mailto:richard@glasswing.com]<BR><B>Sent:</B> Friday, June 23, 2006 =
8:48=20
  AM<BR><B>To:</B> =
Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> Dumb=20
  question again<BR><BR></FONT></DIV>Hi again<BR><BR>So I''m going to =
get a=20
  Looperlative but have an unusual opportunity to get a cheaper unit in =
the mean=20
  time. A friend wants to buy me one so we can fiddle while I'm in the =
Bay Area.=20
  I know this is not a simple question and there's no clear and simple =
answer=20
  but... <BR><BR>I can buy an old LExicon JamMan on ebay. There's two =
that don't=20
  appear to have the upgrades.<BR>The Digitech Jamman<BR>Boss RC=20
  50<BR>Or...????<BR>When I first asked about this some folks said to =
get a=20
  cheaper unit and see how the world of looping works for me etc. I =
guess it=20
  makes sense. I'm aiming to do something like Bill Walker does - =
acoustic=20
  stuff... inspired by Michael Hedges etc. What do you use, =
Bill?<BR><BR>Should=20
  I just bit the bullet and buy the looper and control pedals etc? Part =
of me=20
  says to go ahead and do that but the frugal part of me says test the =
water=20
  first. <BR><BR>And I'm sorry I mentioned the dreaded 'chops' word the =
other=20
  day. I think I was misunderstood. For me, chops is simply the ability =
to play=20
  what <I>you</I> want to play well. It has nothing to do with =
pyrotechnics,=20
  which I don't pursue... or going to Berklee or 32nd notes etc. My =
particular=20
  interest in chops is being able to make the guitar moan... and drawing =
out the=20
  glorious tone of the instrument &amp; making it work. <BR><BR>As one =
of you=20
  said, it all boils down to creativity. I support any music that's =
creative and=20
  has passion. I just start to day dream out when that's not there. =
<BR><BR>I=20
  appreciate found music and mistakes. And I recorded Miles Davis once =
(with Jim=20
  Smith)... so I am deep into the glory of accidents with music. I love =
Eric=20
  Dolphy and Blind Willie Johnson, Charles Ives and Charlie Parker, =
Robert=20
  Johnson and Robert Dylan - it's a very long list. Actually, I try to =
not judge=20
  other's music really. It's not my business. I was just impressed with =
how=20
  INCREDIBLY simple my daughter wanted the guitar to be. Simple is very =
good. In=20
  some ways simple is much harder than complex. It's just, once you =
figure out=20
  the parts, it LOOKS like you've been playing the guitar for a month or =
two.=20
  But that's just ego and ego... well...<BR><BR>Anyhow, back to the =
looper. I=20
  don't need any effects etc or reverse looping etc for my current =
needs. Just=20
  simple looping and a relatively easy way to switch from Loop A to B, =
maybe to=20
  C and back and forth. And I'm very sorry to ask this. I know it's an=20
  incredibly stupid and hard question to answer without more data.=20
  <BR><BR>Thanks<BR><BR><?fontfamily><?param Gadget>richard =
sales<BR><?color><?param 7373,7F7F,C5C5>glassWing farm and=20
  studio<?/color><BR>vancouver island, =
b.c.<BR>800.545.6846<BR>250.752.4816<?color><?param =
C3C3,9696,1C1C><BR>www.glassWing.com<BR>www.richardsales.com<BR>www.hayle=
ysales.com<BR>www.blueberryfieldsfarm.com<?/color><?/fontfamily><BR>On=20
  22-Jun-06, at 5:49 PM, Krispen Hartung wrote:<BR><BR>
  <BLOCKQUOTE>I acutally like the Fender Twin and Jazz JC-120 tones of =
my Boss=20
    VF1s, and when is started this every Monday night jazz gig, I used =
them with=20
    my powered PA speakers....but, it's still too much shit and =
technology for=20
    me to worry about for a traditional jazz gig. Like many jazzers I =
know, I=20
    want to walk in with my guitar strapped on my back and one small amp =
in my=20
    hand....set the amp down, plug in with one patch chord and simply =
play. I=20
    can setup and be playing in 5 minutes.<BR><BR>Moreover, I just =
bought a=20
    Roland Cube 30 and I'm really looking forward to using it when it =
gets here.=20
    Now I can take more time selling my Boogie Mark I....which I am now =
selling=20
    with a 1X12 Mesa Boogie Thiele cabinet (sealed and ported)....both =
for=20
    $1000. The cabinets alone often sell for $250 used on=20
    eBay.<BR><BR>Kris<BR><BR>----- Original Message ----- From: "William =
Walker"=20
    &lt;billwalker@baymoon.com&gt;<BR>To:=20
    &lt;Loopers-Delight@loopers-delight.com&gt;<BR>Sent: Thursday, June =
22, 2006=20
    5:09 PM<BR>Subject: RE: FOR SALE: Mesa Boogie Mark I Combo =
Amp<BR><BR><BR>
    <BLOCKQUOTE>Mark has a point, i too love the vox modeler, and I've =
had=20
      good results<BR>running into my mackie sm 350's the smaller =
lighter weight=20
      brothers to the<BR>sm450s, which I know some of you JBL fans think =
are=20
      harsh sounding. I say<BR>balderdash they souund great. Now I also =
like the=20
      tube combo/ stomp box<BR>route which can get expensive, but still =
sounds=20
      the best to my ears. Do take<BR>note that the vox people did not =
see fit=20
      to model a transistor amp, not jazz<BR>chorus model ala line 6. So =
if that=20
      is your mind set maybe the vox ain't for<BR>you. But a great =
fender twin=20
      model is hard to beat, if you can't lug around<BR>the real thing =
and=20
      remember that most of the classic electric jazz was<BR>recorded on =
tube=20
      gear, amps, preamps, compressors, etc...having daid that =
I<BR>realy liked=20
      the sound of the jazzmaster UL, it had a beautifull clean =
sound,<BR>a nice=20
      smooth singing overdrive channel, and spartan yet decent=20
      sounding<BR>effects. And its tiny, and =
light.<BR>Bill<BR><BR>-----Original=20
      Message-----<BR>From: mark sottilaro=20
      [mailto:zerocrossing2001@yahoo.com]<BR>Sent: Thursday, June 22, =
2006 10:27=20
      AM<BR>To: Loopers-Delight@loopers-delight.com<BR>Subject: RE: FOR =
SALE:=20
      Mesa Boogie Mark I Combo Amp<BR><BR><BR>Why not ditch the guitar =
amp=20
      concept in favor of a<BR>modeler? I swear by mine (Vox Tonelab) =
and 90%=20
      of<BR>gigs have a PA anyway. Those that don't are probably<BR>not =
worth=20
      doing or you could probably get by with some<BR>of the lighter =
powered=20
      speakers like the JBLs. I keep<BR>a combo amp around anyway, but =
it rarely=20
      gets used.<BR><BR>Mark<BR><BR>--- ditch wrestler=20
      &lt;ditchwrestler@yahoo.com&gt; wrote:<BR><BR>
      <BLOCKQUOTE>I think that amp and cab was reviewed in =
the<BR>latest/very=20
        recent issue of Guitar Player...<BR><BR><BR>ted.<BR><BR>William =
Walker=20
        &lt;billwalker@baymoon.com&gt; wrote:<BR>Under amps, look under =
the=20
        heading ultralight, The<BR>amp is called oddly<BR>enough, the =
Jazz=20
        master ultra light..<BR>Bill<BR><BR>-----Original =
Message-----<BR>From:=20
        Krispen Hartung [mailto:khartung@cableone.net]<BR>Sent: =
Wednesday, June=20
        21, 2006 6:15 PM<BR>To: =
Loopers-Delight@loopers-delight.com<BR>Subject:=20
        Re: FOR SALE: Mesa Boogie Mark I Combo Amp<BR><BR><BR>What model =
is that=20
        Bill? I'm on the Fender site now<BR>and can't find =
anything<BR>called a=20
        jazz amp.<BR><BR>The FM 25 DSP looks=20
      =
interesting:<BR><BR></BLOCKQUOTE>http://www.fender.com/products/search.ph=
p?partno=3D2318500000<BR>
      <BLOCKQUOTE><BR>$200<BR><BR>Kris<BR><BR>----- Original Message=20
        -----<BR>From: "William Walker"<BR>To:<BR>Sent: Wednesday, June =
21, 2006=20
        5:35 PM<BR>Subject: RE: FOR SALE: Mesa Boogie Mark I Combo=20
        Amp<BR><BR><BR>&gt; The new fender jazz amp is worth a look,=20
        very<BR>small , loud as you would<BR>&gt; need, and nice simple =
effects.=20
        and its a head<BR>cabinet design that uses<BR>&gt; speakon =
plugs. It=20
        sounds realy real good.<BR>&gt; Bill<BR>&gt;<BR>&gt; =
-----Original=20
        Message-----<BR>&gt; From: Krispen=20
        Hartung<BR>[mailto:khartung@cableone.net]<BR>&gt; Sent: Tuesday, =
June=20
        20, 2006 9:36 PM<BR>&gt; To: =
Loopers-Delight@loopers-delight.com<BR>&gt;=20
        Subject: Re: FOR SALE: Mesa Boogie Mark I=20
        Combo<BR>Amp<BR>&gt;<BR>&gt;<BR>&gt; Yeah, I thought the target =
market=20
        for my boogie<BR>would be fairly slim. I'd<BR>&gt; be willing to =
make a=20
        trade if someone had the<BR>right gear. I love the amp<BR>&gt; =
and the=20
        tone is spectacular, but it's a bit<BR>overkill and heavy for me =

        (I<BR>&gt; have a bad back, had surgury last Dec, etc). I =
use<BR>the=20
        boogie just for my<BR>&gt; monday night traditional jazz gig. =
I'm=20
        thinking of<BR>gettting a Roland Cube<BR>&gt; 30<BR>&gt; because =
it is=20
        only 20 pounds and smaller, plus it<BR>has a lot of<BR>&gt;=20
        effects...anybody have one?<BR>&gt;<BR>&gt; My lexicon LXP1 and =
LXP5.=20
        The LXP1 is primarily<BR>for delay, chorus, and<BR>&gt; reverb. =
I had=20
        been using it for reverb...it really<BR>does have nice =
verb,<BR>&gt;=20
        and<BR>&gt; the chorus is lush as well. The LXP5 is more =
like<BR>a a=20
        multi-effects box.<BR>&gt; It<BR>&gt; is a bit challenging to =
program,=20
        however. If<BR>someone has the patience to<BR>&gt; get<BR>&gt; =
inside=20
        the menu tree, or uses the MIDIQuest<BR>software, then you can=20
        get<BR>&gt; some<BR>&gt; interesting sounds out of it. It's not =
an=20
        Eventide<BR>or TC Electronics<BR>&gt; Fireworx by any means, but =
still a=20
        powerful little<BR>effects box.<BR>&gt;<BR>&gt; I'm actually =
considering=20
        selling my two Boss VF-1<BR>units as well.....need<BR>&gt; =
to<BR>&gt;=20
        give that more thought, however, as I'm in love<BR>with those =
little=20
        red<BR>&gt; boxes.<BR>&gt; :)<BR>&gt;<BR>&gt;=20
        Kris<BR>&gt;<BR>&gt;<BR>&gt;<BR>&gt;<BR>&gt; ----- Original =
Message=20
        -----<BR>&gt; From: "tEd =EF=BF=BD kiLLiAn"<BR>&gt; To:<BR>&gt; =
Sent: Tuesday,=20
        June 20, 2006 10:19 PM<BR>&gt; Subject: Re: FOR SALE: Mesa =
Boogie Mark I=20
        Combo<BR>Amp<BR>&gt;<BR>&gt;<BR>&gt;&gt; =
Kris,<BR>&gt;&gt;<BR>&gt;&gt;=20
        'Tis a beaut indeed. But a tad rich for my =
meager<BR>means.<BR>&gt;&gt;=20
        I am mildly interested in your Lexicon=20
        half-space<BR>processors<BR>&gt;&gt; you mentioned on the list =
the other=20
        day however.<BR>&gt;&gt;<BR>&gt;&gt; Given I'm a Mac guy, the =
software=20
        isn't a factor<BR>for me.<BR>&gt;&gt; But a really good =
processor (or=20
        two) with some<BR>new<BR>&gt;&gt; creative potential sounds=20
        attractive.<BR>&gt;&gt;<BR>&gt;&gt; Anything more you care to =
say about=20
        them?<BR>&gt;&gt;<BR>&gt;&gt; =
Ted<BR>&gt;&gt;<BR>&gt;&gt;<BR>&gt;&gt; On=20
        Jun 20, 2006, at 8:46 PM, Krispen=20
        Hartung<BR>wrote:<BR>&gt;&gt;<BR>&gt;&gt;&gt; Any takers? It's a =

        beauty.<BR>&gt;&gt;&gt;<BR>&gt;&gt;&gt;=20
        =
http://www.krispenhartung.com/mark-I.htm<BR>&gt;&gt;&gt;<BR>&gt;&gt;&gt; =

        =
Kris<BR>&gt;&gt;&gt;<BR>&gt;&gt;&gt;<BR>&gt;&gt;<BR>&gt;&gt;<BR>&gt;<BR>&=
gt;<BR>&gt;<BR>&gt;<BR>&gt;<BR>&gt;<BR><BR><BR><BR><BR><BR><BR><BR><BR>--=
-------------------------------<BR>Talk=20
        is cheap. Use Yahoo! Messenger to make<BR>PC-to-Phone calls. =
Great rates=20
        starting=20
      =
at<BR></BLOCKQUOTE>1=EF=BF=BD/min.<BR><BR><BR>___________________________=
_______________________<BR>Do=20
      You Yahoo!?<BR>Tired of spam? Yahoo! Mail has the best spam =
protection=20
      =
around<BR>http://mail.yahoo.com<BR><BR><BR><BR><BR></BLOCKQUOTE><BR></BLO=
CKQUOTE></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Fri Jun 23 23:00:32 2006
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From: "William Walker" <billwalker@baymoon.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: FOR SALE: Mesa Boogie Mark I Combo Amp
Date: Fri, 23 Jun 2006 16:00:15 -0700
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Well Mark I'd be curious as to how you did the JC120 thingy on the tonelab
(and why???? in gods name) and  Actually like most of the stomp box effects
on the tonelab allot except, the overdrive and distortion models on the
front end; a klon clone, even more exaggerated mid range honk than the
original, a tube screamer model , that just doesn't rattle my cage, and a
rat model, zzzzzzzz, among others, though the octavia octave, and ring
modulator effects are quite nice. My solution was, until a week ago, to
pirate my fulltone fulldrive from my gig rig pedal board, and stick it in
the tonelabs effects loop (which is at the front of the chain). Well last
week I got my new twin tube pedal from Seymour Duncan, and I am just dumb
struck at how good this thing sounds driving the front end of the tonelab.
Since it uses two subminiature tubes running at high plate voltage, it adds
tremendous dynamics and dimension not to mention two channels of anything
from clean boost with a hint of extra fatness, to very saturated, yet smooth
and singing overdrive, all with great touch sensitivity. I just submitted a
review to Harmony Central, in which I shamelessly gushed about how good it
sounds. Since I like many of the delay and modulation presets on the tone
lab, and I'm not a big flange or chorus guy,  I was just searching for a
more natural sounding overdrive to compliment the tweed, black face, early
marshall, and vox models I tend to use, and boy does this puppy fit the
bill.
Bill

-----Original Message-----
From: mark sottilaro [mailto:zerocrossing2001@yahoo.com]
Sent: Friday, June 23, 2006 10:11 AM
To: Loopers-Delight@loopers-delight.com
Subject: RE: FOR SALE: Mesa Boogie Mark I Combo Amp


--- William Walker <billwalker@baymoon.com> wrote:

> Mark has a point,

I thought you couldn't notice it with my hair style!


> Do take
> note that the vox people did not see fit to model a
> transistor amp, not jazz
> chorus model ala line 6. So if that is your mind set
> maybe the vox ain't for
> you.

Wait!  There's MORE!  I did find a way to get a good
JC120 sound out of the Tonelab!  I forget how now...
I'll check tonight and let you know.  I know the key
was leaving out either the amp modeling stage or cab
modeling stage.  Also, I found I got better results
when I use the VF-1's stereo chorus (which I know Kris
has a couple of)

I have to say that as much as I like some of the
stompbox models of the Tonelab, when I'm in the studio
I ditch them in favor of the VF-1's which I feel are
really great (and MIDI syncable which the tonelab
sadly isn't)  Don't sell them Kris, you'll be sad.
Also I found they're one of the best processor out
there for putting distortion on keyboard sounds
(though not for guitar)

Mark

Mark

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From Loopers-Delight-request@loopers-delight.com  Sat Jun 24 03:13:27 2006
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Subject: Re: FOR SALE: Mesa Boogie Mark I Combo Amp
Date: Fri, 23 Jun 2006 21:13:22 -0600
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Don't worry Mark, I won't sell both of my VF1's! :)   They are amazing 
little boxes.

Bill, what's wrong with the JC120?  I can't tell whether you were making a 
fecicios comment about them or not. Forgive me if you weren't. Some amazing 
jazz players, like Pat Martino and Mike Stearn, have used those amps. 
Frankly, there really isn't such a thing as a "jazz amp." Jazzers of all 
calibers use what fits their taste...I've seen it all, from solid state 
Polytones, Rolands, and Gibsons, to tube Fenders, Boogies, and Music Man. 
Some guitarists, like McLaughlin, have even bi-passed amps altogether at 
times, plugging directly into processors and then directly into the board. 
The breadth of taste is pretty amazing.

...I do wish I had my old Polytone Teeny Brute back...I was such an idiot 
for selling that years ago.

Kris

----- Original Message ----- 
From: "William Walker" <billwalker@baymoon.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, June 23, 2006 5:00 PM
Subject: RE: FOR SALE: Mesa Boogie Mark I Combo Amp


> Well Mark I'd be curious as to how you did the JC120 thingy on the tonelab
> (and why???? in gods name) and  Actually like most of the stomp box 
> effects
> on the tonelab allot except, the overdrive and distortion models on the
> front end; a klon clone, even more exaggerated mid range honk than the
> original, a tube screamer model , that just doesn't rattle my cage, and a
> rat model, zzzzzzzz, among others, though the octavia octave, and ring
> modulator effects are quite nice. My solution was, until a week ago, to
> pirate my fulltone fulldrive from my gig rig pedal board, and stick it in
> the tonelabs effects loop (which is at the front of the chain). Well last
> week I got my new twin tube pedal from Seymour Duncan, and I am just dumb
> struck at how good this thing sounds driving the front end of the tonelab.
> Since it uses two subminiature tubes running at high plate voltage, it 
> adds
> tremendous dynamics and dimension not to mention two channels of anything
> from clean boost with a hint of extra fatness, to very saturated, yet 
> smooth
> and singing overdrive, all with great touch sensitivity. I just submitted 
> a
> review to Harmony Central, in which I shamelessly gushed about how good it
> sounds. Since I like many of the delay and modulation presets on the tone
> lab, and I'm not a big flange or chorus guy,  I was just searching for a
> more natural sounding overdrive to compliment the tweed, black face, early
> marshall, and vox models I tend to use, and boy does this puppy fit the
> bill.
> Bill
>
> -----Original Message-----
> From: mark sottilaro [mailto:zerocrossing2001@yahoo.com]
> Sent: Friday, June 23, 2006 10:11 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: RE: FOR SALE: Mesa Boogie Mark I Combo Amp
>
>
> --- William Walker <billwalker@baymoon.com> wrote:
>
>> Mark has a point,
>
> I thought you couldn't notice it with my hair style!
>
>
>> Do take
>> note that the vox people did not see fit to model a
>> transistor amp, not jazz
>> chorus model ala line 6. So if that is your mind set
>> maybe the vox ain't for
>> you.
>
> Wait!  There's MORE!  I did find a way to get a good
> JC120 sound out of the Tonelab!  I forget how now...
> I'll check tonight and let you know.  I know the key
> was leaving out either the amp modeling stage or cab
> modeling stage.  Also, I found I got better results
> when I use the VF-1's stereo chorus (which I know Kris
> has a couple of)
>
> I have to say that as much as I like some of the
> stompbox models of the Tonelab, when I'm in the studio
> I ditch them in favor of the VF-1's which I feel are
> really great (and MIDI syncable which the tonelab
> sadly isn't)  Don't sell them Kris, you'll be sad.
> Also I found they're one of the best processor out
> there for putting distortion on keyboard sounds
> (though not for guitar)
>
> Mark
>
> Mark
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>
>
>
>
> 


From Loopers-Delight-request@loopers-delight.com  Sat Jun 24 08:59:45 2006
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At 23:24 23/06/2006, you wrote:
> > looping etc for my current needs.  Just simple
> > looping and a relatively
> > easy way to switch from Loop A to B, maybe to C and
> > back and forth.
>
>Lexicon JamMan is really well set up for that type of
>looping.

if you're midi synced it is
....otherwise the fact that all the loops have the same length
as the first makes the ABC thing very impractical

andy 

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Subject: Re: fernades guitars?
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At 23:24 23/06/2006, you wrote:
>Subject: fernades guitars?
>Message-ID: <449C32F9.9895.19DCEA1@nick.12testing.net>
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>
>Does anyone use a fernandes sustainer guitar?  I picked one up cheap
>on ebay but find the battery drain quite depressing. I wrote to their
>tech people asking if I could use a 9v power supply instead, but he
>said it would "cause damage" - this seems unlikely -

if you use a 9V unregulated supply it's just possible that the 
Voltage might end
up somewhat over 9V, which might damage some components.
....but as you say, even that's very unlikely

bet you could run the 9V as phantom power down a regular guitar lead


andy butler 

From Loopers-Delight-request@loopers-delight.com  Sat Jun 24 13:11:02 2006
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thanks for the advice...

I think it's a principle that's very common in almnost every composition,
transforming motives and using them again etc...

but what i'm looking for is people who do this live solo, with the help
of live-sampling techniques...
& by this way taking the "looping" idea one step further...?

greets Thomas



2006/6/21, a k butler <akbutler@tiscali.co.uk>:
>
> At 11:00 21/06/2006, you wrote:
> >use other compositorial techniques?
> >so not "building up" loop on loop, but for example playing back a
> >little melody that was played 3 minutes ago, on a different tempo,
> >so it just fits with the rythm played 5 minutes ago while the vocals
> >are played backward again... in this way "cooking" a song.
>
> J.S. Bach for starters.
> The Art of Fugue
>
> andybutler
>
>
>
>

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<div>thanks for the advice...</div>
<div>&nbsp;</div>
<div>I think it's a principle that's very common in almnost every composition, transforming motives and using them again etc...</div>
<div>&nbsp;</div>
<div>but what i'm looking for is people who do this live solo, with the help of&nbsp;live-sampling techniques...</div>
<div>&amp; by this way taking the &quot;looping&quot; idea one step further...?</div>
<div>&nbsp;</div>
<div>greets Thomas</div>
<div><br><br>&nbsp;</div>
<div><span class="gmail_quote">2006/6/21, a k butler &lt;<a href="mailto:akbutler@tiscali.co.uk">akbutler@tiscali.co.uk</a>&gt;:</span>
<blockquote class="gmail_quote" style="PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">At 11:00 21/06/2006, you wrote:<br>&gt;use other compositorial techniques?<br>&gt;so not &quot;building up&quot; loop on loop, but for example playing back a
<br>&gt;little melody that was played 3 minutes ago, on a different tempo,<br>&gt;so it just fits with the rythm played 5 minutes ago while the vocals<br>&gt;are played backward again... in this way &quot;cooking&quot; a song.
<br><br>J.S. Bach for starters.<br>The Art of Fugue<br><br>andybutler<br><br><br><br></blockquote></div><br>

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From Loopers-Delight-request@loopers-delight.com  Sat Jun 24 13:31:36 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Cooking a song
Date: Sat, 24 Jun 2006 15:31:30 +0200
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On 24 jun 2006, at 15.11, Thomas Rutgers wrote:

> I think it's a principle that's very common in almnost every  
> composition, transforming motives and using them again etc...
>
> but what i'm looking for is people who do this live solo, with the  
> help of live-sampling techniques...
> & by this way taking the "looping" idea one step further...?
>
> greets Thomas


Isn't that what we call "live looping"? For example Andy Butler, that  
recently posted in this thread, likes to work with musical structures  
in focus (as opposed to working only with "pure sound", with  
"transition" or with "sheer attitude", "deconstruction"... or  
whatever expressions different artists stick with). Another live  
looper that comes to my mind is Steve Lawson; I just received his  
latest album in the mail and he is as musically structured as ever -  
producing multi thematic music with a fret less bass and a  
Looperlative eight track looping device. The cool thing with Steve  
IMHO is that he makes use of good chops (yeah, that WORD - here we go  
again....) to twist the emotional side of music that is well  
structured by theory, moulding it into something different.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Sat Jun 24 14:36:37 2006
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a big CONGRATS to DAVE EICHENBERGER for getting into this months 
G.P......koolness!.....i think my LOOPPOLKA band concept will get my mug on da cover 
baby!.....:).....michael



www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2">a big CONGRATS to DAVE EICHENBERGER for=
 getting into this months G.P......koolness!.....i think my LOOPPOLKA band c=
oncept will get my mug on da cover baby!.....:).....michael<BR>
<BR>
<BR>
<BR>
www.ct-collective.com<BR>
http://mysite.verizon.net/vzepmeci/<BR>
http://www.myspace.com/klobuchar11<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT></HTML>
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From Loopers-Delight-request@loopers-delight.com  Sat Jun 24 15:01:15 2006
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From: =?ISO-8859-1?Q?tEd_=AE_kiLLiAn?= <tedkillian@charter.net>
Subject: Re: LXP-1, LXP-5, and MidiQuest Software on eBay
Date: Sat, 24 Jun 2006 08:01:11 -0700
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Hi there,

Looks like the auction ended on these already. If I can make up my mind 
maybe I can still make
an offer on them at some point -- if you're not in to big of a hurry. I 
also need to buy a 3rd EDP
sometime in the near future. It'll be hard to allocate funds for both, 
but I think I can do it.

Cheers,

Ted

On Jun 18, 2006, at 8:35 AM, Krispen Hartung wrote:

> In case anyone is interested, I'm selling my Lexicon LXP-1, LXP-5, and 
> MIDIQuest programming software on eBay with a Buy Now for $200 US.
>
> http://tinyurl.com/f42ft

From Loopers-Delight-request@loopers-delight.com  Sat Jun 24 17:03:53 2006
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Date: Sat, 24 Jun 2006 13:12:55 -0400
From: "David Kirkdorffer" <vze2ncsr@verizon.net>
Subject: Re: ELP (was: Hiromi)
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In 1985, I was working as an intern in Redan Recorders, a recording studio
in London.

One of the clients who came in for a two-day session was Keith Emerson.
This session was different from all the others while I was at the studio:

1) No-one except the recording engineer, Mr. Emerson and his producer were
allowed in to the control room at any time;
2) When I arrived at work at 9.00am each day, I was asked to head straight
to a local liquor store, wait till they open and to buy a bottle of Johnny
Walker Black Label and a bottle of Johnny Walker Red Label.

During the session, the engineer - who was normally a very jolly man and who
joked a lot - would come out everynow and again.  He didn't look jolly.  He
would silently make some tea for himself.

David Kirkdorffer

From Loopers-Delight-request@loopers-delight.com  Sat Jun 24 17:50:09 2006
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Date: Sat, 24 Jun 2006 13:59:03 -0400
From: "David Kirkdorffer" <vze2ncsr@verizon.net>
Subject: (was Punk reaction to Prog) - MAGMA
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According to an article in a recent Mojo, one Johnny Rotten's favorite bands
in 1974-1975 (when he had long hair) was MAGMA.

MAGMA were a French band lead by its drummer, Christian Vander.  MAGMA
invented their own language in which to sing.  Most of their music involved
a distant planet Kobaia who are invaded by the Orc, or something like that.

MAGMA can be heard here: http://youtube.com/watch?v=jN8ncmwAofk&search=magma
and here: http://www.magma-tv.com/#70

If you are a fan of Progie strains of music and you have not heard MAGMA, I
can't recommend them strongly enough.

A good place to start would be:

Live:
http://www.amazon.com/gp/product/B000059ZDX/sr=8-3/qid=1151170791/ref=pd_bbs_3/002-5929728-3615217?ie=UTF8

and

Udu Wudu:
http://www.amazon.com/gp/product/B0000C6VSO/sr=8-4/qid=1151170791/ref=pd_bbs_4/002-5929728-3615217?ie=UTF8


David Kirkdorffer



----- Original Message ----- 
From: "mech" <mech@m3ch.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, June 21, 2006 2:15 PM
Subject: Re: More Prog Rock (was: Hiromi)


> At 3:23 PM +0000 6/21/06, Christophe wrote:
> >I think the whole prog-bashing trend started as sour grapes on the
> >part of kids who just didn't have the chops to play it.  As I
> >recall, at the same time that prog was declared a dinosaur by these
> >young turks virtuosity in general was poo-pooed just as much.
>
> That's certainly not how it was when it started.  For instance, The
> Stranglers, who are generally given credit for releasing the first
> Punk LP ('Rattus Norvegicus', which predated the Sex Pistols' 'Never
> Mind the Bollocks' release by several weeks) had fantastic "chops".
> Listen to many of the songs from 'Black & White', their 3rd studio
> album, with Dave Greenfield's Manzarek-inspired keyboard runs or JJ
> Burnel's hooky bass lines.  They merely knew when to use chops and
> when to let the song, however raw, speak for itself.
>
> And the early American groups that were the inspiration for the
> British -- like the Ramones, MI-5, & Iggy Pop -- usually didn't
> really trash the whole concept of being able to play well.  That just
> wasn't where they were interested in putting their emphasis.
>
> On the other hand, you also had just as many prog-rockers (such as
> Phil Collins) slagging off Punk as completely without merit.  "That's
> not music; that's crap!"
>
> Then came the infighting and the genre wars; not to mention the
> Post-Punk period, where if you tried to put anything left of the
> party line back into your music, you were deemed a "sell out" and
> gobbed upon by the leftover Punk contingent.  This wasn't much helped
> by the British music press, who were notoriously vicious at this time
> (New Music Express, for instance, which was generally referred to by
> most bands as N.M.E. -- as in "enemy").  They often exploited the
> trend-hopping and infighting just to sell magazines.
>
> However, there still remains good expressive music on both sides.  I
> could probably name you a dozen fantastic Punk groups off the top of
> my head (stop worrying; I'll spare you).  Returning to the Prog side
> though, I'm surprised that Henry Cow -- as well as many of the other
> Fred Frith projects -- hasn't yet come up.  Their first album,
> 'Legend' (pronounced Leg End, heh!) alone is worth honorable mention,
> if nothing else.
>
> And, out of left field, I'll also throw in the Dutch group Focus, who
> achieved some minor visibilty with 'Hocus Pocus' during the 70's -- a
> song which featured not only Jan Akkerman's lightening fast guitar
> "chops" but also YODELLING!!!  In this case, I've always been fond of
> their 'Hamburger Concerto', which is alternately bombastically
> overblown, simplistically silly, charmingly pretentious, and quite
> genius.
>
> --m.
> -- 
> _______
> "You are in a maze of twisty little passages, all alike..."
>

From Loopers-Delight-request@loopers-delight.com  Sat Jun 24 19:27:48 2006
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Subject: Re: ELP (was: Hiromi)
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----- Original Message ----- 
From: "David Kirkdorffer" <vze2ncsr@verizon.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, 24 June, 2006 18:12 PM
Subject: Re: ELP (was: Hiromi)


> In 1985, I was working as an intern in Redan Recorders, a recording studio
> in London.
>
> One of the clients who came in for a two-day session was Keith Emerson.
> This session was different from all the others while I was at the studio:
>
> 1) No-one except the recording engineer, Mr. Emerson and his producer were
> allowed in to the control room at any time;
> 2) When I arrived at work at 9.00am each day, I was asked to head straight
> to a local liquor store, wait till they open and to buy a bottle of Johnny
> Walker Black Label and a bottle of Johnny Walker Red Label.
>
> During the session, the engineer - who was normally a very jolly man and 
> who
> joked a lot - would come out everynow and again.  He didn't look jolly. 
> He
> would silently make some tea for himself.

Sounds like a latter form of Brown M&Ms Syndrome...  :) 

From Loopers-Delight-request@loopers-delight.com  Sat Jun 24 19:29:39 2006
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Date: Sat, 24 Jun 2006 12:29:37 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: OT: Tonelab JC-120 emulation
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--- William Walker <billwalker@baymoon.com> wrote:

> Well Mark I'd be curious as to how you did the JC120
> thingy on the tonelab

Here's my settings.  Of course with a different
guitar/pa setup your mileage will vary.

First I start with the Boutique Clean amp model
gain: 2.3
vr gain 7.8
treb 2.4
mid 7.2
bass 10
TURN OFF THE CAB models.  This is the key I think.

Wait, you're asking, where's the chorus?  Good
question.  While the Tonelab's effects are good, since
I'm always slaved to a MIDI clock I like my presets
set up to follow them too.  For that I love the VF-1. 
So much so I bought two!

Here's how that's set up:
I started off with a patch called "3D CHORUS"  it's
basically a 4 band EQ that I turn off and roland's
nice stereo chours that I love so much.
Polarity: Invert
rate BPM/whole note
depth 80
predelay 10ms
low cut: flat
high cut: flat
effect level 100%

then I make sure the master bpm is set for MIDI and
viola, it syncs up all nice.  Would it stand up next
to the real thing?  I don't know but I love the sound
anyway and I haven't owned a JC-120 since the mid 80s.
 Basically I wish someone would make an amp modeler
that would have everything synced like I like it, but
it seems no one is/will.  The Vox was supposed to be a
way to loose the rack for small gigs, and I still keep
alt presets set up when I don't want to drag out the
FV-1... but I never use them.  I know, NI's guitar
rig.... Give me some time, I'm just now awaking to the
wonders of Laptop looping.  Man did I have an amazing
night with Mobius last night.

Mark


> (and why???? in gods name) and  Actually like most
> of the stomp box effects
> on the tonelab allot except, the overdrive and
> distortion models on the
> front end; a klon clone, even more exaggerated mid
> range honk than the
> original, a tube screamer model , that just doesn't
> rattle my cage, and a
> rat model, zzzzzzzz, among others, though the
> octavia octave, and ring
> modulator effects are quite nice. My solution was,
> until a week ago, to
> pirate my fulltone fulldrive from my gig rig pedal
> board, and stick it in
> the tonelabs effects loop (which is at the front of
> the chain). Well last
> week I got my new twin tube pedal from Seymour
> Duncan, and I am just dumb
> struck at how good this thing sounds driving the
> front end of the tonelab.
> Since it uses two subminiature tubes running at high
> plate voltage, it adds
> tremendous dynamics and dimension not to mention two
> channels of anything
> from clean boost with a hint of extra fatness, to
> very saturated, yet smooth
> and singing overdrive, all with great touch
> sensitivity. I just submitted a
> review to Harmony Central, in which I shamelessly
> gushed about how good it
> sounds. Since I like many of the delay and
> modulation presets on the tone
> lab, and I'm not a big flange or chorus guy,  I was
> just searching for a
> more natural sounding overdrive to compliment the
> tweed, black face, early
> marshall, and vox models I tend to use, and boy does
> this puppy fit the
> bill.
> Bill
> 
> -----Original Message-----
> From: mark sottilaro
> [mailto:zerocrossing2001@yahoo.com]
> Sent: Friday, June 23, 2006 10:11 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: RE: FOR SALE: Mesa Boogie Mark I Combo Amp
> 
> 
> --- William Walker <billwalker@baymoon.com> wrote:
> 
> > Mark has a point,
> 
> I thought you couldn't notice it with my hair style!
> 
> 
> > Do take
> > note that the vox people did not see fit to model
> a
> > transistor amp, not jazz
> > chorus model ala line 6. So if that is your mind
> set
> > maybe the vox ain't for
> > you.
> 
> Wait!  There's MORE!  I did find a way to get a good
> JC120 sound out of the Tonelab!  I forget how now...
> I'll check tonight and let you know.  I know the key
> was leaving out either the amp modeling stage or cab
> modeling stage.  Also, I found I got better results
> when I use the VF-1's stereo chorus (which I know
> Kris
> has a couple of)
> 
> I have to say that as much as I like some of the
> stompbox models of the Tonelab, when I'm in the
> studio
> I ditch them in favor of the VF-1's which I feel are
> really great (and MIDI syncable which the tonelab
> sadly isn't)  Don't sell them Kris, you'll be sad.
> Also I found they're one of the best processor out
> there for putting distortion on keyboard sounds
> (though not for guitar)
> 
> Mark
> 
> Mark
> 
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam
> protection around
> http://mail.yahoo.com
> 
> 
> 
> 
> 


__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Sat Jun 24 19:44:21 2006
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Subject: Re: Re: Dumb question again
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True, I'd forgotten about that limitation.  Still, I
always seemed to get a lot of mileage out of it.  I
was more concerned about it's mono nature but I hear
there's some sort of upgrade from Bob that allows
stereo loops.  Never got to that.

Mark

--- a k butler <akbutler@tiscali.co.uk> wrote:

> At 23:24 23/06/2006, you wrote:
> > > looping etc for my current needs.  Just simple
> > > looping and a relatively
> > > easy way to switch from Loop A to B, maybe to C
> and
> > > back and forth.
> >
> >Lexicon JamMan is really well set up for that type
> of
> >looping.
> 
> if you're midi synced it is
> ....otherwise the fact that all the loops have the
> same length
> as the first makes the ABC thing very impractical
> 
> andy 
> 
> 


__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Sat Jun 24 19:56:25 2006
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Date: Sat, 24 Jun 2006 12:56:22 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Mobius part 2
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OK, a while ago I fooled around with Mobius and
Sooperlooper unsuccessfully.  Not sure why, probably
under powered in the computer dept.  Well last week my
Toshiba dual core 2gighz machine showed up on my
doorstep (literally, I can't believe UPS fucking left
it on my doorstep with no signature or attempt to
leave it with a neighbor or have me pick it up at
UPS!)

It's a nice little laptop and Toshiba direct had a
great deal going so it ended up being a little more
costly than a Macbook, but I got a bigger screen and
more memory and a nicer video card.  Also, it's blue.

For the first week I just played around with
softsynths.  Man I love some of the instruments that
come with Reaktor 5.  Anyone make a good Reaktor based
looper?

But the real win was last night when I started up
Mobius.  (M-Audio Firewire Solo and a MOTU Fastlane
MIDI USB) After a little futz'n getting the right
audio card settings, the application worked like a
dream. 8 stereo tracks of sweet loops.  Must be very
mindful of levels, but over all I had an amazing time
and I never looked at the manual at all.  Very nicely
laid out especially if you're someone who's used an
EDP.  It latched on to my clock coming from a Mac
desktop running Digital Performer and aside from one
glitch (ending an overdub caused it to loose sync.  I
couldn't replicate it though) it all worked perfectly.
 My next project is to get it to work with "or" tracks
instead of "and" tracks as seems to be it's default. 
Now I see what Per's been talking about.  The possibilites....

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Sat Jun 24 20:22:24 2006
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From: "William Walker" <billwalker@baymoon.com>
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Subject: RE: FOR SALE: Mesa Boogie Mark I Combo Amp
Date: Sat, 24 Jun 2006 13:22:27 -0700
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Well, yes I was being a bit sarcastic. I believe the JC120 came to promise
fro two reasons,
 1. It has self contained stereo chorused that at least gives its sterile
sound a bit of dimension. 2. It is  very dependable and loud, a favorite of
cartage and rental services as back line for touring bands.
 As one who has had to use provided back line amps, I always hope that a
fender twin is present and its tubes aren't so gassed as to make it sound
flabby. otherwise I would settle for a jazz chorus, and I never had a
problem with its clean sound, however, I can't believe that after all these
years , Roland has never gotten the clue that the distortion sound on these
things is basically useless, not to mention the reverb is pretty tin can
sounding as well. And this is a company that excels at signal processors. Go
figure. I had a mini brute, which I took to Berklee years ago. Ii was a nice
warm clean sounding solid state amp, made even louder by the EVM speaker I
managed to somehow cram in to its little cabinet. Later I had a Pearce G1
amp, because it actually had a very usable overdrive channel, soon after I
added a Pearce extension cabinet w/ slave power amp for stereo ,and later I
switched to a Pearce preamp running through a boogie power amp. I finally
abandoned the rack mount amp dance about ten years ago and went back to tube
combos for most of my live gigs, and a modeling amp when doing the looping
thing. I know a lot of great music has been played on these amps, and
certainly if what you desire is uber clean, the JC120 has few modern peers,
but for me, clean tube sounds better than clean solid state, and it feels
better, though the natural compression of a tube amp can be mimicked with a
good compressor (my old Pearce amps had a built in limiter similar to the
Gibson Lab series amps, which Dan Pearce helped design). If you want
something like a JC120, but without the back ache, You might try to find a
used JC77, the discontinued baby brother to the JC120. I found a link on
EBAY
http://cgi.ebay.com/Roland-JC77-Jazz-Chorus-Guitar-Amp-with-Xtras_W0QQitemZ1
40000830625QQihZ004QQcategoryZ47094QQssPageNameZWDVWQQrdZ1QQcmdZViewItem
 I have developed a fondness for amps with a two ten speaker configuration,
I own a 70's vibrolux reverb, and 60's vox AC10 twin, and as a gigging
middle aged guy I appreciate the fact that I'm not risking a hernia every
time I load my amp in my trunk. I also like the tighter bass response the
tens give, they just seem punchier to me..
Cheers
Bill






-----Original Message-----
From: Krispen Hartung [mailto:khartung@cableone.net]
Sent: Friday, June 23, 2006 8:13 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: FOR SALE: Mesa Boogie Mark I Combo Amp


Don't worry Mark, I won't sell both of my VF1's! :)   They are amazing
little boxes.

Bill, what's wrong with the JC120?  I can't tell whether you were making a
fecicios comment about them or not. Forgive me if you weren't. Some amazing
jazz players, like Pat Martino and Mike Stearn, have used those amps.
Frankly, there really isn't such a thing as a "jazz amp." Jazzers of all
calibers use what fits their taste...I've seen it all, from solid state
Polytones, Rolands, and Gibsons, to tube Fenders, Boogies, and Music Man.
Some guitarists, like McLaughlin, have even bi-passed amps altogether at
times, plugging directly into processors and then directly into the board.
The breadth of taste is pretty amazing.

...I do wish I had my old Polytone Teeny Brute back...I was such an idiot
for selling that years ago.

Kris

----- Original Message -----
From: "William Walker" <billwalker@baymoon.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, June 23, 2006 5:00 PM
Subject: RE: FOR SALE: Mesa Boogie Mark I Combo Amp


> Well Mark I'd be curious as to how you did the JC120 thingy on the tonelab
> (and why???? in gods name) and  Actually like most of the stomp box
> effects
> on the tonelab allot except, the overdrive and distortion models on the
> front end; a klon clone, even more exaggerated mid range honk than the
> original, a tube screamer model , that just doesn't rattle my cage, and a
> rat model, zzzzzzzz, among others, though the octavia octave, and ring
> modulator effects are quite nice. My solution was, until a week ago, to
> pirate my fulltone fulldrive from my gig rig pedal board, and stick it in
> the tonelabs effects loop (which is at the front of the chain). Well last
> week I got my new twin tube pedal from Seymour Duncan, and I am just dumb
> struck at how good this thing sounds driving the front end of the tonelab.
> Since it uses two subminiature tubes running at high plate voltage, it
> adds
> tremendous dynamics and dimension not to mention two channels of anything
> from clean boost with a hint of extra fatness, to very saturated, yet
> smooth
> and singing overdrive, all with great touch sensitivity. I just submitted
> a
> review to Harmony Central, in which I shamelessly gushed about how good it
> sounds. Since I like many of the delay and modulation presets on the tone
> lab, and I'm not a big flange or chorus guy,  I was just searching for a
> more natural sounding overdrive to compliment the tweed, black face, early
> marshall, and vox models I tend to use, and boy does this puppy fit the
> bill.
> Bill
>
> -----Original Message-----
> From: mark sottilaro [mailto:zerocrossing2001@yahoo.com]
> Sent: Friday, June 23, 2006 10:11 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: RE: FOR SALE: Mesa Boogie Mark I Combo Amp
>
>
> --- William Walker <billwalker@baymoon.com> wrote:
>
>> Mark has a point,
>
> I thought you couldn't notice it with my hair style!
>
>
>> Do take
>> note that the vox people did not see fit to model a
>> transistor amp, not jazz
>> chorus model ala line 6. So if that is your mind set
>> maybe the vox ain't for
>> you.
>
> Wait!  There's MORE!  I did find a way to get a good
> JC120 sound out of the Tonelab!  I forget how now...
> I'll check tonight and let you know.  I know the key
> was leaving out either the amp modeling stage or cab
> modeling stage.  Also, I found I got better results
> when I use the VF-1's stereo chorus (which I know Kris
> has a couple of)
>
> I have to say that as much as I like some of the
> stompbox models of the Tonelab, when I'm in the studio
> I ditch them in favor of the VF-1's which I feel are
> really great (and MIDI syncable which the tonelab
> sadly isn't)  Don't sell them Kris, you'll be sad.
> Also I found they're one of the best processor out
> there for putting distortion on keyboard sounds
> (though not for guitar)
>
> Mark
>
> Mark
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>
>
>
>
>





From Loopers-Delight-request@loopers-delight.com  Sat Jun 24 20:36:58 2006
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Date: Sat, 24 Jun 2006 16:45:38 -0400
From: "David Kirkdorffer" <vze2ncsr@verizon.net>
Subject: JAzz Chorus - was: Re: FOR SALE: Mesa Boogie Mark I Combo Amp
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Yes.  The distortion on the Jazz Chorus is strange.  It's all flabby and
rubbery.  It's not a classic sound at all.  And has little recommend it.
It's not the kind of thing people ever use really.   Therefore I like
recording it.  :-)


----- Original Message ----- 
From: "William Walker" <billwalker@baymoon.com>
Sent: Saturday, June 24, 2006 4:22 PM
Subject: RE: FOR SALE: Mesa Boogie Mark I Combo Amp


> Well, yes I was being a bit sarcastic. I believe the JC120 came to promise
> fro two reasons,
>  1. It has self contained stereo chorused that at least gives its sterile
> sound a bit of dimension. 2. It is  very dependable and loud, a favorite
of
> cartage and rental services as back line for touring bands.
>  As one who has had to use provided back line amps, I always hope that a
> fender twin is present and its tubes aren't so gassed as to make it sound
> flabby. otherwise I would settle for a jazz chorus, and I never had a
> problem with its clean sound, however, I can't believe that after all
these
> years , Roland has never gotten the clue that the distortion sound on
these
> things is basically useless, not to mention the reverb is pretty tin can
> sounding as well. And this is a company that excels at signal processors.
Go
> figure. I had a mini brute, which I took to Berklee years ago. Ii was a
nice
> warm clean sounding solid state amp, made even louder by the EVM speaker I
> managed to somehow cram in to its little cabinet. Later I had a Pearce G1
> amp, because it actually had a very usable overdrive channel, soon after I
> added a Pearce extension cabinet w/ slave power amp for stereo ,and later
I
> switched to a Pearce preamp running through a boogie power amp. I finally
> abandoned the rack mount amp dance about ten years ago and went back to
tube
> combos for most of my live gigs, and a modeling amp when doing the looping
> thing. I know a lot of great music has been played on these amps, and
> certainly if what you desire is uber clean, the JC120 has few modern
peers,
> but for me, clean tube sounds better than clean solid state, and it feels
> better, though the natural compression of a tube amp can be mimicked with
a
> good compressor (my old Pearce amps had a built in limiter similar to the
> Gibson Lab series amps, which Dan Pearce helped design). If you want
> something like a JC120, but without the back ache, You might try to find a
> used JC77, the discontinued baby brother to the JC120. I found a link on
> EBAY
>
http://cgi.ebay.com/Roland-JC77-Jazz-Chorus-Guitar-Amp-with-Xtras_W0QQitemZ1
> 40000830625QQihZ004QQcategoryZ47094QQssPageNameZWDVWQQrdZ1QQcmdZViewItem
>  I have developed a fondness for amps with a two ten speaker
configuration,
> I own a 70's vibrolux reverb, and 60's vox AC10 twin, and as a gigging
> middle aged guy I appreciate the fact that I'm not risking a hernia every
> time I load my amp in my trunk. I also like the tighter bass response the
> tens give, they just seem punchier to me..
> Cheers
> Bill
>
>
>
>
>
>
> -----Original Message-----
> From: Krispen Hartung [mailto:khartung@cableone.net]
> Sent: Friday, June 23, 2006 8:13 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: FOR SALE: Mesa Boogie Mark I Combo Amp
>
>
> Don't worry Mark, I won't sell both of my VF1's! :)   They are amazing
> little boxes.
>
> Bill, what's wrong with the JC120?  I can't tell whether you were making a
> fecicios comment about them or not. Forgive me if you weren't. Some
amazing
> jazz players, like Pat Martino and Mike Stearn, have used those amps.
> Frankly, there really isn't such a thing as a "jazz amp." Jazzers of all
> calibers use what fits their taste...I've seen it all, from solid state
> Polytones, Rolands, and Gibsons, to tube Fenders, Boogies, and Music Man.
> Some guitarists, like McLaughlin, have even bi-passed amps altogether at
> times, plugging directly into processors and then directly into the board.
> The breadth of taste is pretty amazing.
>
> ...I do wish I had my old Polytone Teeny Brute back...I was such an idiot
> for selling that years ago.
>
> Kris
>
> ----- Original Message -----
> From: "William Walker" <billwalker@baymoon.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Friday, June 23, 2006 5:00 PM
> Subject: RE: FOR SALE: Mesa Boogie Mark I Combo Amp
>
>
> > Well Mark I'd be curious as to how you did the JC120 thingy on the
tonelab
> > (and why???? in gods name) and  Actually like most of the stomp box
> > effects
> > on the tonelab allot except, the overdrive and distortion models on the
> > front end; a klon clone, even more exaggerated mid range honk than the
> > original, a tube screamer model , that just doesn't rattle my cage, and
a
> > rat model, zzzzzzzz, among others, though the octavia octave, and ring
> > modulator effects are quite nice. My solution was, until a week ago, to
> > pirate my fulltone fulldrive from my gig rig pedal board, and stick it
in
> > the tonelabs effects loop (which is at the front of the chain). Well
last
> > week I got my new twin tube pedal from Seymour Duncan, and I am just
dumb
> > struck at how good this thing sounds driving the front end of the
tonelab.
> > Since it uses two subminiature tubes running at high plate voltage, it
> > adds
> > tremendous dynamics and dimension not to mention two channels of
anything
> > from clean boost with a hint of extra fatness, to very saturated, yet
> > smooth
> > and singing overdrive, all with great touch sensitivity. I just
submitted
> > a
> > review to Harmony Central, in which I shamelessly gushed about how good
it
> > sounds. Since I like many of the delay and modulation presets on the
tone
> > lab, and I'm not a big flange or chorus guy,  I was just searching for a
> > more natural sounding overdrive to compliment the tweed, black face,
early
> > marshall, and vox models I tend to use, and boy does this puppy fit the
> > bill.
> > Bill
> >
> > -----Original Message-----
> > From: mark sottilaro [mailto:zerocrossing2001@yahoo.com]
> > Sent: Friday, June 23, 2006 10:11 AM
> > To: Loopers-Delight@loopers-delight.com
> > Subject: RE: FOR SALE: Mesa Boogie Mark I Combo Amp
> >
> >
> > --- William Walker <billwalker@baymoon.com> wrote:
> >
> >> Mark has a point,
> >
> > I thought you couldn't notice it with my hair style!
> >
> >
> >> Do take
> >> note that the vox people did not see fit to model a
> >> transistor amp, not jazz
> >> chorus model ala line 6. So if that is your mind set
> >> maybe the vox ain't for
> >> you.
> >
> > Wait!  There's MORE!  I did find a way to get a good
> > JC120 sound out of the Tonelab!  I forget how now...
> > I'll check tonight and let you know.  I know the key
> > was leaving out either the amp modeling stage or cab
> > modeling stage.  Also, I found I got better results
> > when I use the VF-1's stereo chorus (which I know Kris
> > has a couple of)
> >
> > I have to say that as much as I like some of the
> > stompbox models of the Tonelab, when I'm in the studio
> > I ditch them in favor of the VF-1's which I feel are
> > really great (and MIDI syncable which the tonelab
> > sadly isn't)  Don't sell them Kris, you'll be sad.
> > Also I found they're one of the best processor out
> > there for putting distortion on keyboard sounds
> > (though not for guitar)
> >
> > Mark
> >
> > Mark
> >
> > __________________________________________________
> > Do You Yahoo!?
> > Tired of spam?  Yahoo! Mail has the best spam protection around
> > http://mail.yahoo.com
> >
> >
> >
> >
> >
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Sat Jun 24 20:49:09 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Mobius part 2
Date: Sat, 24 Jun 2006 22:49:04 +0200
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On 24 jun 2006, at 21.56, mark sottilaro wrote:

> It's a nice little laptop and Toshiba direct had a
> great deal going so it ended up being a little more
> costly than a Macbook, but I got a bigger screen and
> more memory and a nicer video card.  Also, it's blue.

Business Blue! Not bad. My pc laptop is named ZEPTO, colored in grey  
and ugly as hell. I'm punking it up with trashy gaffa tape and an  
iPod sticker from Apple ;-)

> Anyone make a good Reaktor based
> looper?

Yes, I know someone has been working on that. Was it Andreas Wetterberg?


> But the real win was last night when I started up
> Mobius.

Just wait until you check out some cool scripts for Mobius - a  
mindblowing "effect box".

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Sat Jun 24 21:04:55 2006
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mark sottilaro wrote:
> OK, a while ago I fooled around with Mobius and
> Sooperlooper unsuccessfully.  Not sure why, probably
> under powered in the computer dept.  Well last week my
> Toshiba dual core 2gighz machine showed up on my
> doorstep (literally, I can't believe UPS fucking left
> it on my doorstep with no signature or attempt to
> leave it with a neighbor or have me pick it up at
> UPS!)

(immorality alert..)
Well then you never received it! Call the computer company! "Where's my 
2ghzDual!?" I'm sorry, but delivery people need to be taught an effin' 
lesson sometimes... Besides, if the computer company don't get a 
signature on their track-n-trace they'll probably claim it themselves.
;)

> For the first week I just played around with
> softsynths.  Man I love some of the instruments that
> come with Reaktor 5.  Anyone make a good Reaktor based
> looper?

I've made a tiny little looping module for reaktor - it can do 
stuttering loop mult/div, overdubs, replace, sync and even do feedback 
percentages above 100, to bring up old noises from your loop, plus you 
can easily insert effects in the feedback chain for more craziness. I 
keep meaning to touch it up and share it, but... yeah.. don't seem to 
get around to it. Bug me by sending me enough emails, I guess.

I'm getting a dual 2ghz with 2gigs of ram on tuesday... can't wait!

Andreas.

From Loopers-Delight-request@loopers-delight.com  Sat Jun 24 21:10:16 2006
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Hi Mark,
happy to know you've made the same step I did.
I was starting to feel the time was coming exactly when seeing all the 
rumbling ideas coming around those sw loopers.
My set up is transforming itself from an eight rack space to a 4 rack 
space and I'm only gaining power and flexibility.
One of the main things I have always being considering is the capability 
of the user interface: I feel that having the deepest visual control 
over what's happening to my audio signal is a descriminating fact, 
capable of letting me play or forcing me to a position of control, this 
last option being the worst situation I love.
So, happy to know you're enjoyng Mobius, I've never seen such a will to 
develop an already excellent tool as I'm experiencing within its growing 
community.

my best,
Luca

mark sottilaro wrote:

>OK, a while ago I fooled around with Mobius and
>Sooperlooper unsuccessfully.  Not sure why, probably
>under powered in the computer dept.  Well last week my
>Toshiba dual core 2gighz machine showed up on my
>doorstep (literally, I can't believe UPS fucking left
>it on my doorstep with no signature or attempt to
>leave it with a neighbor or have me pick it up at
>UPS!)
>
>It's a nice little laptop and Toshiba direct had a
>great deal going so it ended up being a little more
>costly than a Macbook, but I got a bigger screen and
>more memory and a nicer video card.  Also, it's blue.
>
>For the first week I just played around with
>softsynths.  Man I love some of the instruments that
>come with Reaktor 5.  Anyone make a good Reaktor based
>looper?
>
>But the real win was last night when I started up
>Mobius.  (M-Audio Firewire Solo and a MOTU Fastlane
>MIDI USB) After a little futz'n getting the right
>audio card settings, the application worked like a
>dream. 8 stereo tracks of sweet loops.  Must be very
>mindful of levels, but over all I had an amazing time
>and I never looked at the manual at all.  Very nicely
>laid out especially if you're someone who's used an
>EDP.  It latched on to my clock coming from a Mac
>desktop running Digital Performer and aside from one
>glitch (ending an overdub caused it to loose sync.  I
>couldn't replicate it though) it all worked perfectly.
> My next project is to get it to work with "or" tracks
>instead of "and" tracks as seems to be it's default. 
>Now I see what Per's been talking about.  The possibilites....
>
>__________________________________________________
>Do You Yahoo!?
>Tired of spam?  Yahoo! Mail has the best spam protection around 
>http://mail.yahoo.com 
>
>
>.
>
>  
>

From Loopers-Delight-request@loopers-delight.com  Sat Jun 24 21:15:46 2006
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From: "William Walker" <billwalker@baymoon.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: JAzz Chorus - was: Re: FOR SALE: Mesa Boogie Mark I Combo Amp
Date: Sat, 24 Jun 2006 14:15:50 -0700
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One mans poison is another mans pudding.
Bill

-----Original Message-----
From: David Kirkdorffer [mailto:vze2ncsr@verizon.net]
Sent: Saturday, June 24, 2006 1:46 PM
To: Loopers-Delight@loopers-delight.com
Subject: JAzz Chorus - was: Re: FOR SALE: Mesa Boogie Mark I Combo Amp


Yes.  The distortion on the Jazz Chorus is strange.  It's all flabby and
rubbery.  It's not a classic sound at all.  And has little recommend it.
It's not the kind of thing people ever use really.   Therefore I like
recording it.  :-)


----- Original Message -----
From: "William Walker" <billwalker@baymoon.com>
Sent: Saturday, June 24, 2006 4:22 PM
Subject: RE: FOR SALE: Mesa Boogie Mark I Combo Amp


> Well, yes I was being a bit sarcastic. I believe the JC120 came to promise
> fro two reasons,
>  1. It has self contained stereo chorused that at least gives its sterile
> sound a bit of dimension. 2. It is  very dependable and loud, a favorite
of
> cartage and rental services as back line for touring bands.
>  As one who has had to use provided back line amps, I always hope that a
> fender twin is present and its tubes aren't so gassed as to make it sound
> flabby. otherwise I would settle for a jazz chorus, and I never had a
> problem with its clean sound, however, I can't believe that after all
these
> years , Roland has never gotten the clue that the distortion sound on
these
> things is basically useless, not to mention the reverb is pretty tin can
> sounding as well. And this is a company that excels at signal processors.
Go
> figure. I had a mini brute, which I took to Berklee years ago. Ii was a
nice
> warm clean sounding solid state amp, made even louder by the EVM speaker I
> managed to somehow cram in to its little cabinet. Later I had a Pearce G1
> amp, because it actually had a very usable overdrive channel, soon after I
> added a Pearce extension cabinet w/ slave power amp for stereo ,and later
I
> switched to a Pearce preamp running through a boogie power amp. I finally
> abandoned the rack mount amp dance about ten years ago and went back to
tube
> combos for most of my live gigs, and a modeling amp when doing the looping
> thing. I know a lot of great music has been played on these amps, and
> certainly if what you desire is uber clean, the JC120 has few modern
peers,
> but for me, clean tube sounds better than clean solid state, and it feels
> better, though the natural compression of a tube amp can be mimicked with
a
> good compressor (my old Pearce amps had a built in limiter similar to the
> Gibson Lab series amps, which Dan Pearce helped design). If you want
> something like a JC120, but without the back ache, You might try to find a
> used JC77, the discontinued baby brother to the JC120. I found a link on
> EBAY
>
http://cgi.ebay.com/Roland-JC77-Jazz-Chorus-Guitar-Amp-with-Xtras_W0QQitemZ1
> 40000830625QQihZ004QQcategoryZ47094QQssPageNameZWDVWQQrdZ1QQcmdZViewItem
>  I have developed a fondness for amps with a two ten speaker
configuration,
> I own a 70's vibrolux reverb, and 60's vox AC10 twin, and as a gigging
> middle aged guy I appreciate the fact that I'm not risking a hernia every
> time I load my amp in my trunk. I also like the tighter bass response the
> tens give, they just seem punchier to me..
> Cheers
> Bill
>
>
>
>
>
>
> -----Original Message-----
> From: Krispen Hartung [mailto:khartung@cableone.net]
> Sent: Friday, June 23, 2006 8:13 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: FOR SALE: Mesa Boogie Mark I Combo Amp
>
>
> Don't worry Mark, I won't sell both of my VF1's! :)   They are amazing
> little boxes.
>
> Bill, what's wrong with the JC120?  I can't tell whether you were making a
> fecicios comment about them or not. Forgive me if you weren't. Some
amazing
> jazz players, like Pat Martino and Mike Stearn, have used those amps.
> Frankly, there really isn't such a thing as a "jazz amp." Jazzers of all
> calibers use what fits their taste...I've seen it all, from solid state
> Polytones, Rolands, and Gibsons, to tube Fenders, Boogies, and Music Man.
> Some guitarists, like McLaughlin, have even bi-passed amps altogether at
> times, plugging directly into processors and then directly into the board.
> The breadth of taste is pretty amazing.
>
> ...I do wish I had my old Polytone Teeny Brute back...I was such an idiot
> for selling that years ago.
>
> Kris
>
> ----- Original Message -----
> From: "William Walker" <billwalker@baymoon.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Friday, June 23, 2006 5:00 PM
> Subject: RE: FOR SALE: Mesa Boogie Mark I Combo Amp
>
>
> > Well Mark I'd be curious as to how you did the JC120 thingy on the
tonelab
> > (and why???? in gods name) and  Actually like most of the stomp box
> > effects
> > on the tonelab allot except, the overdrive and distortion models on the
> > front end; a klon clone, even more exaggerated mid range honk than the
> > original, a tube screamer model , that just doesn't rattle my cage, and
a
> > rat model, zzzzzzzz, among others, though the octavia octave, and ring
> > modulator effects are quite nice. My solution was, until a week ago, to
> > pirate my fulltone fulldrive from my gig rig pedal board, and stick it
in
> > the tonelabs effects loop (which is at the front of the chain). Well
last
> > week I got my new twin tube pedal from Seymour Duncan, and I am just
dumb
> > struck at how good this thing sounds driving the front end of the
tonelab.
> > Since it uses two subminiature tubes running at high plate voltage, it
> > adds
> > tremendous dynamics and dimension not to mention two channels of
anything
> > from clean boost with a hint of extra fatness, to very saturated, yet
> > smooth
> > and singing overdrive, all with great touch sensitivity. I just
submitted
> > a
> > review to Harmony Central, in which I shamelessly gushed about how good
it
> > sounds. Since I like many of the delay and modulation presets on the
tone
> > lab, and I'm not a big flange or chorus guy,  I was just searching for a
> > more natural sounding overdrive to compliment the tweed, black face,
early
> > marshall, and vox models I tend to use, and boy does this puppy fit the
> > bill.
> > Bill
> >
> > -----Original Message-----
> > From: mark sottilaro [mailto:zerocrossing2001@yahoo.com]
> > Sent: Friday, June 23, 2006 10:11 AM
> > To: Loopers-Delight@loopers-delight.com
> > Subject: RE: FOR SALE: Mesa Boogie Mark I Combo Amp
> >
> >
> > --- William Walker <billwalker@baymoon.com> wrote:
> >
> >> Mark has a point,
> >
> > I thought you couldn't notice it with my hair style!
> >
> >
> >> Do take
> >> note that the vox people did not see fit to model a
> >> transistor amp, not jazz
> >> chorus model ala line 6. So if that is your mind set
> >> maybe the vox ain't for
> >> you.
> >
> > Wait!  There's MORE!  I did find a way to get a good
> > JC120 sound out of the Tonelab!  I forget how now...
> > I'll check tonight and let you know.  I know the key
> > was leaving out either the amp modeling stage or cab
> > modeling stage.  Also, I found I got better results
> > when I use the VF-1's stereo chorus (which I know Kris
> > has a couple of)
> >
> > I have to say that as much as I like some of the
> > stompbox models of the Tonelab, when I'm in the studio
> > I ditch them in favor of the VF-1's which I feel are
> > really great (and MIDI syncable which the tonelab
> > sadly isn't)  Don't sell them Kris, you'll be sad.
> > Also I found they're one of the best processor out
> > there for putting distortion on keyboard sounds
> > (though not for guitar)
> >
> > Mark
> >
> > Mark
> >
> > __________________________________________________
> > Do You Yahoo!?
> > Tired of spam?  Yahoo! Mail has the best spam protection around
> > http://mail.yahoo.com
> >
> >
> >
> >
> >
>
>
>
>
>




From Loopers-Delight-request@loopers-delight.com  Sat Jun 24 21:34:08 2006
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Subject: Re: Tonelab JC-120 emulation
Date: Sat, 24 Jun 2006 15:34:03 -0600
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Thanks, Mark, I think I'll try out yoru VF1 settings two on one of mine..you 
have two too? They look nice side by side, don't they...

Kris

----- Original Message ----- 
From: "mark sottilaro" <zerocrossing2001@yahoo.com>
To: <billwalker@baymoon.com>; <Loopers-Delight@loopers-delight.com>
Sent: Saturday, June 24, 2006 1:29 PM
Subject: OT: Tonelab JC-120 emulation


> --- William Walker <billwalker@baymoon.com> wrote:
>
>> Well Mark I'd be curious as to how you did the JC120
>> thingy on the tonelab
>
> Here's my settings.  Of course with a different
> guitar/pa setup your mileage will vary.
>
> First I start with the Boutique Clean amp model
> gain: 2.3
> vr gain 7.8
> treb 2.4
> mid 7.2
> bass 10
> TURN OFF THE CAB models.  This is the key I think.
>
> Wait, you're asking, where's the chorus?  Good
> question.  While the Tonelab's effects are good, since
> I'm always slaved to a MIDI clock I like my presets
> set up to follow them too.  For that I love the VF-1.
> So much so I bought two!
>
> Here's how that's set up:
> I started off with a patch called "3D CHORUS"  it's
> basically a 4 band EQ that I turn off and roland's
> nice stereo chours that I love so much.
> Polarity: Invert
> rate BPM/whole note
> depth 80
> predelay 10ms
> low cut: flat
> high cut: flat
> effect level 100%
>
> then I make sure the master bpm is set for MIDI and
> viola, it syncs up all nice.  Would it stand up next
> to the real thing?  I don't know but I love the sound
> anyway and I haven't owned a JC-120 since the mid 80s.
> Basically I wish someone would make an amp modeler
> that would have everything synced like I like it, but
> it seems no one is/will.  The Vox was supposed to be a
> way to loose the rack for small gigs, and I still keep
> alt presets set up when I don't want to drag out the
> FV-1... but I never use them.  I know, NI's guitar
> rig.... Give me some time, I'm just now awaking to the
> wonders of Laptop looping.  Man did I have an amazing
> night with Mobius last night.
>
> Mark
>
>
>> (and why???? in gods name) and  Actually like most
>> of the stomp box effects
>> on the tonelab allot except, the overdrive and
>> distortion models on the
>> front end; a klon clone, even more exaggerated mid
>> range honk than the
>> original, a tube screamer model , that just doesn't
>> rattle my cage, and a
>> rat model, zzzzzzzz, among others, though the
>> octavia octave, and ring
>> modulator effects are quite nice. My solution was,
>> until a week ago, to
>> pirate my fulltone fulldrive from my gig rig pedal
>> board, and stick it in
>> the tonelabs effects loop (which is at the front of
>> the chain). Well last
>> week I got my new twin tube pedal from Seymour
>> Duncan, and I am just dumb
>> struck at how good this thing sounds driving the
>> front end of the tonelab.
>> Since it uses two subminiature tubes running at high
>> plate voltage, it adds
>> tremendous dynamics and dimension not to mention two
>> channels of anything
>> from clean boost with a hint of extra fatness, to
>> very saturated, yet smooth
>> and singing overdrive, all with great touch
>> sensitivity. I just submitted a
>> review to Harmony Central, in which I shamelessly
>> gushed about how good it
>> sounds. Since I like many of the delay and
>> modulation presets on the tone
>> lab, and I'm not a big flange or chorus guy,  I was
>> just searching for a
>> more natural sounding overdrive to compliment the
>> tweed, black face, early
>> marshall, and vox models I tend to use, and boy does
>> this puppy fit the
>> bill.
>> Bill
>>
>> -----Original Message-----
>> From: mark sottilaro
>> [mailto:zerocrossing2001@yahoo.com]
>> Sent: Friday, June 23, 2006 10:11 AM
>> To: Loopers-Delight@loopers-delight.com
>> Subject: RE: FOR SALE: Mesa Boogie Mark I Combo Amp
>>
>>
>> --- William Walker <billwalker@baymoon.com> wrote:
>>
>> > Mark has a point,
>>
>> I thought you couldn't notice it with my hair style!
>>
>>
>> > Do take
>> > note that the vox people did not see fit to model
>> a
>> > transistor amp, not jazz
>> > chorus model ala line 6. So if that is your mind
>> set
>> > maybe the vox ain't for
>> > you.
>>
>> Wait!  There's MORE!  I did find a way to get a good
>> JC120 sound out of the Tonelab!  I forget how now...
>> I'll check tonight and let you know.  I know the key
>> was leaving out either the amp modeling stage or cab
>> modeling stage.  Also, I found I got better results
>> when I use the VF-1's stereo chorus (which I know
>> Kris
>> has a couple of)
>>
>> I have to say that as much as I like some of the
>> stompbox models of the Tonelab, when I'm in the
>> studio
>> I ditch them in favor of the VF-1's which I feel are
>> really great (and MIDI syncable which the tonelab
>> sadly isn't)  Don't sell them Kris, you'll be sad.
>> Also I found they're one of the best processor out
>> there for putting distortion on keyboard sounds
>> (though not for guitar)
>>
>> Mark
>>
>> Mark
>>
>> __________________________________________________
>> Do You Yahoo!?
>> Tired of spam?  Yahoo! Mail has the best spam
>> protection around
>> http://mail.yahoo.com
>>
>>
>>
>>
>>
>
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>
> 


From Loopers-Delight-request@loopers-delight.com  Sat Jun 24 21:37:12 2006
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Subject: Re: Mobius part 2
Date: Sat, 24 Jun 2006 15:37:05 -0600
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> Anyone make a good Reaktor based looper?

This probably doesn't count, bu I basically run all the Reaktor VSTs in my 
VST host Chainer, along with Mobius as the second to the last VST in the 
Chain (reverb VST is the last).  I loop Metaphysical and Krypt sounds all of 
the time....very nice to have in my system.

Kris


From Loopers-Delight-request@loopers-delight.com  Sat Jun 24 21:45:04 2006
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You crammed an EV in a Polytone? Impressive. I should have tried that with 
my Teeny Brute...I did notice those Polyetone speakers are quite odd, which 
tiny cones. I'm wondering if they special made them that way as a part of 
their sound, etc. They are quite amazing for solid state amps. I think part 
of the reason is that they are crammed full of padding inside and they are 
sealed. That seems to mellow out the tone a bit...show knows...I just wish I 
had mine back.

Actually, they are still making the smaller version of the JC-120, which is 
the JC-90:

http://www.rolandus.com/products/productdetails.aspx?ObjectId=250&ParentId=57

It is stereo as well. I thought the JC77 was mono.  I used to have the 
JC-90. It was  a lot easier to pack around, but I found the it to be too mid 
rangy and nasely for my taste.

Kris

----- Original Message ----- 
From: "William Walker" <billwalker@baymoon.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, June 24, 2006 2:22 PM
Subject: RE: FOR SALE: Mesa Boogie Mark I Combo Amp


> Well, yes I was being a bit sarcastic. I believe the JC120 came to promise
> fro two reasons,
> 1. It has self contained stereo chorused that at least gives its sterile
> sound a bit of dimension. 2. It is  very dependable and loud, a favorite 
> of
> cartage and rental services as back line for touring bands.
> As one who has had to use provided back line amps, I always hope that a
> fender twin is present and its tubes aren't so gassed as to make it sound
> flabby. otherwise I would settle for a jazz chorus, and I never had a
> problem with its clean sound, however, I can't believe that after all 
> these
> years , Roland has never gotten the clue that the distortion sound on 
> these
> things is basically useless, not to mention the reverb is pretty tin can
> sounding as well. And this is a company that excels at signal processors. 
> Go
> figure. I had a mini brute, which I took to Berklee years ago. Ii was a 
> nice
> warm clean sounding solid state amp, made even louder by the EVM speaker I
> managed to somehow cram in to its little cabinet. Later I had a Pearce G1
> amp, because it actually had a very usable overdrive channel, soon after I
> added a Pearce extension cabinet w/ slave power amp for stereo ,and later 
> I
> switched to a Pearce preamp running through a boogie power amp. I finally
> abandoned the rack mount amp dance about ten years ago and went back to 
> tube
> combos for most of my live gigs, and a modeling amp when doing the looping
> thing. I know a lot of great music has been played on these amps, and
> certainly if what you desire is uber clean, the JC120 has few modern 
> peers,
> but for me, clean tube sounds better than clean solid state, and it feels
> better, though the natural compression of a tube amp can be mimicked with 
> a
> good compressor (my old Pearce amps had a built in limiter similar to the
> Gibson Lab series amps, which Dan Pearce helped design). If you want
> something like a JC120, but without the back ache, You might try to find a
> used JC77, the discontinued baby brother to the JC120. I found a link on
> EBAY
> http://cgi.ebay.com/Roland-JC77-Jazz-Chorus-Guitar-Amp-with-Xtras_W0QQitemZ1
> 40000830625QQihZ004QQcategoryZ47094QQssPageNameZWDVWQQrdZ1QQcmdZViewItem
> I have developed a fondness for amps with a two ten speaker configuration,
> I own a 70's vibrolux reverb, and 60's vox AC10 twin, and as a gigging
> middle aged guy I appreciate the fact that I'm not risking a hernia every
> time I load my amp in my trunk. I also like the tighter bass response the
> tens give, they just seem punchier to me..
> Cheers
> Bill
>
>
>
>
>
>
> -----Original Message-----
> From: Krispen Hartung [mailto:khartung@cableone.net]
> Sent: Friday, June 23, 2006 8:13 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: FOR SALE: Mesa Boogie Mark I Combo Amp
>
>
> Don't worry Mark, I won't sell both of my VF1's! :)   They are amazing
> little boxes.
>
> Bill, what's wrong with the JC120?  I can't tell whether you were making a
> fecicios comment about them or not. Forgive me if you weren't. Some 
> amazing
> jazz players, like Pat Martino and Mike Stearn, have used those amps.
> Frankly, there really isn't such a thing as a "jazz amp." Jazzers of all
> calibers use what fits their taste...I've seen it all, from solid state
> Polytones, Rolands, and Gibsons, to tube Fenders, Boogies, and Music Man.
> Some guitarists, like McLaughlin, have even bi-passed amps altogether at
> times, plugging directly into processors and then directly into the board.
> The breadth of taste is pretty amazing.
>
> ...I do wish I had my old Polytone Teeny Brute back...I was such an idiot
> for selling that years ago.
>
> Kris
>
> ----- Original Message -----
> From: "William Walker" <billwalker@baymoon.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Friday, June 23, 2006 5:00 PM
> Subject: RE: FOR SALE: Mesa Boogie Mark I Combo Amp
>
>
>> Well Mark I'd be curious as to how you did the JC120 thingy on the 
>> tonelab
>> (and why???? in gods name) and  Actually like most of the stomp box
>> effects
>> on the tonelab allot except, the overdrive and distortion models on the
>> front end; a klon clone, even more exaggerated mid range honk than the
>> original, a tube screamer model , that just doesn't rattle my cage, and a
>> rat model, zzzzzzzz, among others, though the octavia octave, and ring
>> modulator effects are quite nice. My solution was, until a week ago, to
>> pirate my fulltone fulldrive from my gig rig pedal board, and stick it in
>> the tonelabs effects loop (which is at the front of the chain). Well last
>> week I got my new twin tube pedal from Seymour Duncan, and I am just dumb
>> struck at how good this thing sounds driving the front end of the 
>> tonelab.
>> Since it uses two subminiature tubes running at high plate voltage, it
>> adds
>> tremendous dynamics and dimension not to mention two channels of anything
>> from clean boost with a hint of extra fatness, to very saturated, yet
>> smooth
>> and singing overdrive, all with great touch sensitivity. I just submitted
>> a
>> review to Harmony Central, in which I shamelessly gushed about how good 
>> it
>> sounds. Since I like many of the delay and modulation presets on the tone
>> lab, and I'm not a big flange or chorus guy,  I was just searching for a
>> more natural sounding overdrive to compliment the tweed, black face, 
>> early
>> marshall, and vox models I tend to use, and boy does this puppy fit the
>> bill.
>> Bill
>>
>> -----Original Message-----
>> From: mark sottilaro [mailto:zerocrossing2001@yahoo.com]
>> Sent: Friday, June 23, 2006 10:11 AM
>> To: Loopers-Delight@loopers-delight.com
>> Subject: RE: FOR SALE: Mesa Boogie Mark I Combo Amp
>>
>>
>> --- William Walker <billwalker@baymoon.com> wrote:
>>
>>> Mark has a point,
>>
>> I thought you couldn't notice it with my hair style!
>>
>>
>>> Do take
>>> note that the vox people did not see fit to model a
>>> transistor amp, not jazz
>>> chorus model ala line 6. So if that is your mind set
>>> maybe the vox ain't for
>>> you.
>>
>> Wait!  There's MORE!  I did find a way to get a good
>> JC120 sound out of the Tonelab!  I forget how now...
>> I'll check tonight and let you know.  I know the key
>> was leaving out either the amp modeling stage or cab
>> modeling stage.  Also, I found I got better results
>> when I use the VF-1's stereo chorus (which I know Kris
>> has a couple of)
>>
>> I have to say that as much as I like some of the
>> stompbox models of the Tonelab, when I'm in the studio
>> I ditch them in favor of the VF-1's which I feel are
>> really great (and MIDI syncable which the tonelab
>> sadly isn't)  Don't sell them Kris, you'll be sad.
>> Also I found they're one of the best processor out
>> there for putting distortion on keyboard sounds
>> (though not for guitar)
>>
>> Mark
>>
>> Mark
>>
>> __________________________________________________
>> Do You Yahoo!?
>> Tired of spam?  Yahoo! Mail has the best spam protection around
>> http://mail.yahoo.com
>>
>>
>>
>>
>>
>
>
>
>
>
> 


From Loopers-Delight-request@loopers-delight.com  Sat Jun 24 23:57:27 2006
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Date: Sat, 24 Jun 2006 18:57:19 -0500
From: Joshua Carroll <josh@infinivert.com>
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Subject: Re: FOR SALE: Mesa Boogie Mark I Combo Amp
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As long as we're talking guitar amps, has anyone else here played
through the Crate V-Series amps?&nbsp; I know, I know.&nbsp; Crate?&nbsp; Really?&nbsp;
Yep.&nbsp; I've always hated Crate gear in general, but I tell you, I'm
playing the <a href="http://www.musiciansfriend.com/product?sku=487828">V32</a>,
and it has the sweetest tone of any amp I've owned.&nbsp; The clean rivals
any Fender I've heard, the spring reverb may even be a little more
lush, and the drive is something like a Marshall, but warmer.&nbsp; And for
the price, there seriously isn't anything that sounds better IMHO.&nbsp; A
buddy of mine plays a 30-watt Orange that cost him over 3 times what I
paid, and sound guys always like my tone better.<br>
<br>
I hear their little 15 watt-ers sound pretty incredible too if you're
looking for something lightweight.<br>
<br>
--Josh<br>
<br>
<br>
<br>
Krispen Hartung wrote:
<blockquote
 cite="mid029901c697d7$726bad60$0cb1ec0f@americas.hpqcorp.net"
 type="cite">You crammed an EV in a Polytone? Impressive. I should have
tried that with my Teeny Brute...I did notice those Polyetone speakers
are quite odd, which tiny cones. I'm wondering if they special made
them that way as a part of their sound, etc. They are quite amazing for
solid state amps. I think part of the reason is that they are crammed
full of padding inside and they are sealed. That seems to mellow out
the tone a bit...show knows...I just wish I had mine back.
  <br>
  <br>
Actually, they are still making the smaller version of the JC-120,
which is the JC-90:
  <br>
  <br>
<a class="moz-txt-link-freetext" href="http://www.rolandus.com/products/productdetails.aspx?ObjectId=250&ParentId=57">http://www.rolandus.com/products/productdetails.aspx?ObjectId=250&amp;ParentId=57</a>
  <br>
  <br>
It is stereo as well. I thought the JC77 was mono.&nbsp; I used to have the
JC-90. It was&nbsp; a lot easier to pack around, but I found the it to be
too mid rangy and nasely for my taste.
  <br>
  <br>
Kris
  <br>
  <br>
----- Original Message ----- From: "William Walker"
<a class="moz-txt-link-rfc2396E" href="mailto:billwalker@baymoon.com">&lt;billwalker@baymoon.com&gt;</a>
  <br>
To: <a class="moz-txt-link-rfc2396E" href="mailto:Loopers-Delight@loopers-delight.com">&lt;Loopers-Delight@loopers-delight.com&gt;</a>
  <br>
Sent: Saturday, June 24, 2006 2:22 PM
  <br>
Subject: RE: FOR SALE: Mesa Boogie Mark I Combo Amp
  <br>
  <br>
  <br>
  <blockquote type="cite">Well, yes I was being a bit sarcastic. I
believe the JC120 came to promise
    <br>
fro two reasons,
    <br>
1. It has self contained stereo chorused that at least gives its
sterile
    <br>
sound a bit of dimension. 2. It is&nbsp; very dependable and loud, a
favorite of
    <br>
cartage and rental services as back line for touring bands.
    <br>
As one who has had to use provided back line amps, I always hope that a
    <br>
fender twin is present and its tubes aren't so gassed as to make it
sound
    <br>
flabby. otherwise I would settle for a jazz chorus, and I never had a
    <br>
problem with its clean sound, however, I can't believe that after all
these
    <br>
years , Roland has never gotten the clue that the distortion sound on
these
    <br>
things is basically useless, not to mention the reverb is pretty tin
can
    <br>
sounding as well. And this is a company that excels at signal
processors. Go
    <br>
figure. I had a mini brute, which I took to Berklee years ago. Ii was a
nice
    <br>
warm clean sounding solid state amp, made even louder by the EVM
speaker I
    <br>
managed to somehow cram in to its little cabinet. Later I had a Pearce
G1
    <br>
amp, because it actually had a very usable overdrive channel, soon
after I
    <br>
added a Pearce extension cabinet w/ slave power amp for stereo ,and
later I
    <br>
switched to a Pearce preamp running through a boogie power amp. I
finally
    <br>
abandoned the rack mount amp dance about ten years ago and went back to
tube
    <br>
combos for most of my live gigs, and a modeling amp when doing the
looping
    <br>
thing. I know a lot of great music has been played on these amps, and
    <br>
certainly if what you desire is uber clean, the JC120 has few modern
peers,
    <br>
but for me, clean tube sounds better than clean solid state, and it
feels
    <br>
better, though the natural compression of a tube amp can be mimicked
with a
    <br>
good compressor (my old Pearce amps had a built in limiter similar to
the
    <br>
Gibson Lab series amps, which Dan Pearce helped design). If you want
    <br>
something like a JC120, but without the back ache, You might try to
find a
    <br>
used JC77, the discontinued baby brother to the JC120. I found a link
on
    <br>
EBAY
    <br>
<a class="moz-txt-link-freetext" href="http://cgi.ebay.com/Roland-JC77-Jazz-Chorus-Guitar-Amp-with-Xtras_W0QQitemZ1">http://cgi.ebay.com/Roland-JC77-Jazz-Chorus-Guitar-Amp-with-Xtras_W0QQitemZ1</a>
    <br>
40000830625QQihZ004QQcategoryZ47094QQssPageNameZWDVWQQrdZ1QQcmdZViewItem
    <br>
I have developed a fondness for amps with a two ten speaker
configuration,
    <br>
I own a 70's vibrolux reverb, and 60's vox AC10 twin, and as a gigging
    <br>
middle aged guy I appreciate the fact that I'm not risking a hernia
every
    <br>
time I load my amp in my trunk. I also like the tighter bass response
the
    <br>
tens give, they just seem punchier to me..
    <br>
Cheers
    <br>
Bill
    <br>
    <br>
    <br>
    <br>
    <br>
    <br>
    <br>
-----Original Message-----
    <br>
From: Krispen Hartung [<a class="moz-txt-link-freetext" href="mailto:khartung@cableone.net">mailto:khartung@cableone.net</a>]
    <br>
Sent: Friday, June 23, 2006 8:13 PM
    <br>
To: <a class="moz-txt-link-abbreviated" href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</a>
    <br>
Subject: Re: FOR SALE: Mesa Boogie Mark I Combo Amp
    <br>
    <br>
    <br>
Don't worry Mark, I won't sell both of my VF1's! :)&nbsp;&nbsp; They are amazing
    <br>
little boxes.
    <br>
    <br>
Bill, what's wrong with the JC120?&nbsp; I can't tell whether you were
making a
    <br>
fecicios comment about them or not. Forgive me if you weren't. Some
amazing
    <br>
jazz players, like Pat Martino and Mike Stearn, have used those amps.
    <br>
Frankly, there really isn't such a thing as a "jazz amp." Jazzers of
all
    <br>
calibers use what fits their taste...I've seen it all, from solid state
    <br>
Polytones, Rolands, and Gibsons, to tube Fenders, Boogies, and Music
Man.
    <br>
Some guitarists, like McLaughlin, have even bi-passed amps altogether
at
    <br>
times, plugging directly into processors and then directly into the
board.
    <br>
The breadth of taste is pretty amazing.
    <br>
    <br>
...I do wish I had my old Polytone Teeny Brute back...I was such an
idiot
    <br>
for selling that years ago.
    <br>
    <br>
Kris
    <br>
    <br>
----- Original Message -----
    <br>
From: "William Walker" <a class="moz-txt-link-rfc2396E" href="mailto:billwalker@baymoon.com">&lt;billwalker@baymoon.com&gt;</a>
    <br>
To: <a class="moz-txt-link-rfc2396E" href="mailto:Loopers-Delight@loopers-delight.com">&lt;Loopers-Delight@loopers-delight.com&gt;</a>
    <br>
Sent: Friday, June 23, 2006 5:00 PM
    <br>
Subject: RE: FOR SALE: Mesa Boogie Mark I Combo Amp
    <br>
    <br>
    <br>
    <blockquote type="cite">Well Mark I'd be curious as to how you did
the JC120 thingy on the tonelab
      <br>
(and why???? in gods name) and&nbsp; Actually like most of the stomp box
      <br>
effects
      <br>
on the tonelab allot except, the overdrive and distortion models on the
      <br>
front end; a klon clone, even more exaggerated mid range honk than the
      <br>
original, a tube screamer model , that just doesn't rattle my cage, and
a
      <br>
rat model, zzzzzzzz, among others, though the octavia octave, and ring
      <br>
modulator effects are quite nice. My solution was, until a week ago, to
      <br>
pirate my fulltone fulldrive from my gig rig pedal board, and stick it
in
      <br>
the tonelabs effects loop (which is at the front of the chain). Well
last
      <br>
week I got my new twin tube pedal from Seymour Duncan, and I am just
dumb
      <br>
struck at how good this thing sounds driving the front end of the
tonelab.
      <br>
Since it uses two subminiature tubes running at high plate voltage, it
      <br>
adds
      <br>
tremendous dynamics and dimension not to mention two channels of
anything
      <br>
from clean boost with a hint of extra fatness, to very saturated, yet
      <br>
smooth
      <br>
and singing overdrive, all with great touch sensitivity. I just
submitted
      <br>
a
      <br>
review to Harmony Central, in which I shamelessly gushed about how good
it
      <br>
sounds. Since I like many of the delay and modulation presets on the
tone
      <br>
lab, and I'm not a big flange or chorus guy,&nbsp; I was just searching for
a
      <br>
more natural sounding overdrive to compliment the tweed, black face,
early
      <br>
marshall, and vox models I tend to use, and boy does this puppy fit the
      <br>
bill.
      <br>
Bill
      <br>
      <br>
-----Original Message-----
      <br>
From: mark sottilaro [<a class="moz-txt-link-freetext" href="mailto:zerocrossing2001@yahoo.com">mailto:zerocrossing2001@yahoo.com</a>]
      <br>
Sent: Friday, June 23, 2006 10:11 AM
      <br>
To: <a class="moz-txt-link-abbreviated" href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</a>
      <br>
Subject: RE: FOR SALE: Mesa Boogie Mark I Combo Amp
      <br>
      <br>
      <br>
--- William Walker <a class="moz-txt-link-rfc2396E" href="mailto:billwalker@baymoon.com">&lt;billwalker@baymoon.com&gt;</a> wrote:
      <br>
      <br>
      <blockquote type="cite">Mark has a point,
        <br>
      </blockquote>
      <br>
I thought you couldn't notice it with my hair style!
      <br>
      <br>
      <br>
      <blockquote type="cite">Do take
        <br>
note that the vox people did not see fit to model a
        <br>
transistor amp, not jazz
        <br>
chorus model ala line 6. So if that is your mind set
        <br>
maybe the vox ain't for
        <br>
you.
        <br>
      </blockquote>
      <br>
Wait!&nbsp; There's MORE!&nbsp; I did find a way to get a good
      <br>
JC120 sound out of the Tonelab!&nbsp; I forget how now...
      <br>
I'll check tonight and let you know.&nbsp; I know the key
      <br>
was leaving out either the amp modeling stage or cab
      <br>
modeling stage.&nbsp; Also, I found I got better results
      <br>
when I use the VF-1's stereo chorus (which I know Kris
      <br>
has a couple of)
      <br>
      <br>
I have to say that as much as I like some of the
      <br>
stompbox models of the Tonelab, when I'm in the studio
      <br>
I ditch them in favor of the VF-1's which I feel are
      <br>
really great (and MIDI syncable which the tonelab
      <br>
sadly isn't)&nbsp; Don't sell them Kris, you'll be sad.
      <br>
Also I found they're one of the best processor out
      <br>
there for putting distortion on keyboard sounds
      <br>
(though not for guitar)
      <br>
      <br>
Mark
      <br>
      <br>
Mark
      <br>
      <br>
__________________________________________________
      <br>
Do You Yahoo!?
      <br>
Tired of spam?&nbsp; Yahoo! Mail has the best spam protection around
      <br>
<a class="moz-txt-link-freetext" href="http://mail.yahoo.com">http://mail.yahoo.com</a>
      <br>
      <br>
      <br>
      <br>
      <br>
      <br>
    </blockquote>
    <br>
    <br>
    <br>
    <br>
    <br>
    <br>
  </blockquote>
  <br>
  <br>
  <br>
  <br>
  <br>
</blockquote>
</body>
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From Loopers-Delight-request@loopers-delight.com  Sat Jun 24 23:59:52 2006
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Subject: Re: FOR SALE: Mesa Boogie Mark I Combo Amp
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Oh yeah, I might add that I can't get anywhere near the sound of the
Boogie Mark I when it comes to heavy, rock sounds just in the amp, but
I have an old RAT pedal from my dad's rig that sound like a dream
through it.<br>
<br>
--Josh<br>
<br>
<br>
<br>
Joshua Carroll wrote:
<blockquote cite="mid449DD15F.60306@infinivert.com" type="cite">
  <meta content="text/html;charset=ISO-8859-1" http-equiv="Content-Type">
As long as we're talking guitar amps, has anyone else here played
through the Crate V-Series amps?&nbsp; I know, I know.&nbsp; Crate?&nbsp; Really?&nbsp;
Yep.&nbsp; I've always hated Crate gear in general, but I tell you, I'm
playing the <a href="http://www.musiciansfriend.com/product?sku=487828">V32</a>,
and it has the sweetest tone of any amp I've owned.&nbsp; The clean rivals
any Fender I've heard, the spring reverb may even be a little more
lush, and the drive is something like a Marshall, but warmer.&nbsp; And for
the price, there seriously isn't anything that sounds better IMHO.&nbsp; A
buddy of mine plays a 30-watt Orange that cost him over 3 times what I
paid, and sound guys always like my tone better.<br>
  <br>
I hear their little 15 watt-ers sound pretty incredible too if you're
looking for something lightweight.<br>
  <br>
--Josh<br>
  <br>
  <br>
  <br>
Krispen Hartung wrote:
  <blockquote
 cite="mid029901c697d7$726bad60$0cb1ec0f@americas.hpqcorp.net"
 type="cite">You crammed an EV in a Polytone? Impressive. I should have
tried that with my Teeny Brute...I did notice those Polyetone speakers
are quite odd, which tiny cones. I'm wondering if they special made
them that way as a part of their sound, etc. They are quite amazing for
solid state amps. I think part of the reason is that they are crammed
full of padding inside and they are sealed. That seems to mellow out
the tone a bit...show knows...I just wish I had mine back. <br>
    <br>
Actually, they are still making the smaller version of the JC-120,
which is the JC-90: <br>
    <br>
    <a class="moz-txt-link-freetext"
 href="http://www.rolandus.com/products/productdetails.aspx?ObjectId=250&amp;ParentId=57">http://www.rolandus.com/products/productdetails.aspx?ObjectId=250&amp;ParentId=57</a>
    <br>
    <br>
It is stereo as well. I thought the JC77 was mono.&nbsp; I used to have the
JC-90. It was&nbsp; a lot easier to pack around, but I found the it to be
too mid rangy and nasely for my taste. <br>
    <br>
Kris <br>
    <br>
----- Original Message ----- From: "William Walker"
    <a class="moz-txt-link-rfc2396E"
 href="mailto:billwalker@baymoon.com">&lt;billwalker@baymoon.com&gt;</a>
    <br>
To: <a class="moz-txt-link-rfc2396E"
 href="mailto:Loopers-Delight@loopers-delight.com">&lt;Loopers-Delight@loopers-delight.com&gt;</a>
    <br>
Sent: Saturday, June 24, 2006 2:22 PM <br>
Subject: RE: FOR SALE: Mesa Boogie Mark I Combo Amp <br>
    <br>
    <br>
    <blockquote type="cite">Well, yes I was being a bit sarcastic. I
believe the JC120 came to promise <br>
fro two reasons, <br>
1. It has self contained stereo chorused that at least gives its
sterile <br>
sound a bit of dimension. 2. It is&nbsp; very dependable and loud, a
favorite of <br>
cartage and rental services as back line for touring bands. <br>
As one who has had to use provided back line amps, I always hope that a
      <br>
fender twin is present and its tubes aren't so gassed as to make it
sound <br>
flabby. otherwise I would settle for a jazz chorus, and I never had a <br>
problem with its clean sound, however, I can't believe that after all
these <br>
years , Roland has never gotten the clue that the distortion sound on
these <br>
things is basically useless, not to mention the reverb is pretty tin
can <br>
sounding as well. And this is a company that excels at signal
processors. Go <br>
figure. I had a mini brute, which I took to Berklee years ago. Ii was a
nice <br>
warm clean sounding solid state amp, made even louder by the EVM
speaker I <br>
managed to somehow cram in to its little cabinet. Later I had a Pearce
G1 <br>
amp, because it actually had a very usable overdrive channel, soon
after I <br>
added a Pearce extension cabinet w/ slave power amp for stereo ,and
later I <br>
switched to a Pearce preamp running through a boogie power amp. I
finally <br>
abandoned the rack mount amp dance about ten years ago and went back to
tube <br>
combos for most of my live gigs, and a modeling amp when doing the
looping <br>
thing. I know a lot of great music has been played on these amps, and <br>
certainly if what you desire is uber clean, the JC120 has few modern
peers, <br>
but for me, clean tube sounds better than clean solid state, and it
feels <br>
better, though the natural compression of a tube amp can be mimicked
with a <br>
good compressor (my old Pearce amps had a built in limiter similar to
the <br>
Gibson Lab series amps, which Dan Pearce helped design). If you want <br>
something like a JC120, but without the back ache, You might try to
find a <br>
used JC77, the discontinued baby brother to the JC120. I found a link
on <br>
EBAY <br>
      <a class="moz-txt-link-freetext"
 href="http://cgi.ebay.com/Roland-JC77-Jazz-Chorus-Guitar-Amp-with-Xtras_W0QQitemZ1">http://cgi.ebay.com/Roland-JC77-Jazz-Chorus-Guitar-Amp-with-Xtras_W0QQitemZ1</a>
      <br>
40000830625QQihZ004QQcategoryZ47094QQssPageNameZWDVWQQrdZ1QQcmdZViewItem
      <br>
I have developed a fondness for amps with a two ten speaker
configuration, <br>
I own a 70's vibrolux reverb, and 60's vox AC10 twin, and as a gigging <br>
middle aged guy I appreciate the fact that I'm not risking a hernia
every <br>
time I load my amp in my trunk. I also like the tighter bass response
the <br>
tens give, they just seem punchier to me.. <br>
Cheers <br>
Bill <br>
      <br>
      <br>
      <br>
      <br>
      <br>
      <br>
-----Original Message----- <br>
From: Krispen Hartung [<a class="moz-txt-link-freetext"
 href="mailto:khartung@cableone.net">mailto:khartung@cableone.net</a>] <br>
Sent: Friday, June 23, 2006 8:13 PM <br>
To: <a class="moz-txt-link-abbreviated"
 href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</a>
      <br>
Subject: Re: FOR SALE: Mesa Boogie Mark I Combo Amp <br>
      <br>
      <br>
Don't worry Mark, I won't sell both of my VF1's! :)&nbsp;&nbsp; They are amazing <br>
little boxes. <br>
      <br>
Bill, what's wrong with the JC120?&nbsp; I can't tell whether you were
making a <br>
fecicios comment about them or not. Forgive me if you weren't. Some
amazing <br>
jazz players, like Pat Martino and Mike Stearn, have used those amps. <br>
Frankly, there really isn't such a thing as a "jazz amp." Jazzers of
all <br>
calibers use what fits their taste...I've seen it all, from solid state
      <br>
Polytones, Rolands, and Gibsons, to tube Fenders, Boogies, and Music
Man. <br>
Some guitarists, like McLaughlin, have even bi-passed amps altogether
at <br>
times, plugging directly into processors and then directly into the
board. <br>
The breadth of taste is pretty amazing. <br>
      <br>
...I do wish I had my old Polytone Teeny Brute back...I was such an
idiot <br>
for selling that years ago. <br>
      <br>
Kris <br>
      <br>
----- Original Message ----- <br>
From: "William Walker" <a class="moz-txt-link-rfc2396E"
 href="mailto:billwalker@baymoon.com">&lt;billwalker@baymoon.com&gt;</a>
      <br>
To: <a class="moz-txt-link-rfc2396E"
 href="mailto:Loopers-Delight@loopers-delight.com">&lt;Loopers-Delight@loopers-delight.com&gt;</a>
      <br>
Sent: Friday, June 23, 2006 5:00 PM <br>
Subject: RE: FOR SALE: Mesa Boogie Mark I Combo Amp <br>
      <br>
      <br>
      <blockquote type="cite">Well Mark I'd be curious as to how you
did
the JC120 thingy on the tonelab <br>
(and why???? in gods name) and&nbsp; Actually like most of the stomp box <br>
effects <br>
on the tonelab allot except, the overdrive and distortion models on the
        <br>
front end; a klon clone, even more exaggerated mid range honk than the <br>
original, a tube screamer model , that just doesn't rattle my cage, and
a <br>
rat model, zzzzzzzz, among others, though the octavia octave, and ring <br>
modulator effects are quite nice. My solution was, until a week ago, to
        <br>
pirate my fulltone fulldrive from my gig rig pedal board, and stick it
in <br>
the tonelabs effects loop (which is at the front of the chain). Well
last <br>
week I got my new twin tube pedal from Seymour Duncan, and I am just
dumb <br>
struck at how good this thing sounds driving the front end of the
tonelab. <br>
Since it uses two subminiature tubes running at high plate voltage, it <br>
adds <br>
tremendous dynamics and dimension not to mention two channels of
anything <br>
from clean boost with a hint of extra fatness, to very saturated, yet <br>
smooth <br>
and singing overdrive, all with great touch sensitivity. I just
submitted <br>
a <br>
review to Harmony Central, in which I shamelessly gushed about how good
it <br>
sounds. Since I like many of the delay and modulation presets on the
tone <br>
lab, and I'm not a big flange or chorus guy,&nbsp; I was just searching for
a <br>
more natural sounding overdrive to compliment the tweed, black face,
early <br>
marshall, and vox models I tend to use, and boy does this puppy fit the
        <br>
bill. <br>
Bill <br>
        <br>
-----Original Message----- <br>
From: mark sottilaro [<a class="moz-txt-link-freetext"
 href="mailto:zerocrossing2001@yahoo.com">mailto:zerocrossing2001@yahoo.com</a>]
        <br>
Sent: Friday, June 23, 2006 10:11 AM <br>
To: <a class="moz-txt-link-abbreviated"
 href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</a>
        <br>
Subject: RE: FOR SALE: Mesa Boogie Mark I Combo Amp <br>
        <br>
        <br>
--- William Walker <a class="moz-txt-link-rfc2396E"
 href="mailto:billwalker@baymoon.com">&lt;billwalker@baymoon.com&gt;</a>
wrote: <br>
        <br>
        <blockquote type="cite">Mark has a point, <br>
        </blockquote>
        <br>
I thought you couldn't notice it with my hair style! <br>
        <br>
        <br>
        <blockquote type="cite">Do take <br>
note that the vox people did not see fit to model a <br>
transistor amp, not jazz <br>
chorus model ala line 6. So if that is your mind set <br>
maybe the vox ain't for <br>
you. <br>
        </blockquote>
        <br>
Wait!&nbsp; There's MORE!&nbsp; I did find a way to get a good <br>
JC120 sound out of the Tonelab!&nbsp; I forget how now... <br>
I'll check tonight and let you know.&nbsp; I know the key <br>
was leaving out either the amp modeling stage or cab <br>
modeling stage.&nbsp; Also, I found I got better results <br>
when I use the VF-1's stereo chorus (which I know Kris <br>
has a couple of) <br>
        <br>
I have to say that as much as I like some of the <br>
stompbox models of the Tonelab, when I'm in the studio <br>
I ditch them in favor of the VF-1's which I feel are <br>
really great (and MIDI syncable which the tonelab <br>
sadly isn't)&nbsp; Don't sell them Kris, you'll be sad. <br>
Also I found they're one of the best processor out <br>
there for putting distortion on keyboard sounds <br>
(though not for guitar) <br>
        <br>
Mark <br>
        <br>
Mark <br>
        <br>
__________________________________________________ <br>
Do You Yahoo!? <br>
Tired of spam?&nbsp; Yahoo! Mail has the best spam protection around <br>
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        <br>
        <br>
        <br>
        <br>
        <br>
      </blockquote>
      <br>
      <br>
      <br>
      <br>
      <br>
      <br>
    </blockquote>
    <br>
    <br>
    <br>
    <br>
    <br>
  </blockquote>
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From Loopers-Delight-request@loopers-delight.com  Sun Jun 25 01:42:38 2006
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Subject: RE: fernandes guitars?
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Hmmm, I play a Fernandes Monterey Elite w/ Sustainer and I've not
experienced any noticeable drain on it. 

As a matter-of-fact, the current Duracell 9V I have in it, I've been
sustaining and looping with for longer than two months and it's still 
pretty strong. I usually practice or play something each day, too. I don't
use the sustainer every day, though...

Have you checked the internal wiring for any shorts or damage?

Best of Luck!

Ed in NJ
http://www.myspace.com/edward_yuhas



From Loopers-Delight-request@loopers-delight.com  Sun Jun 25 02:09:08 2006
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Date: Sat, 24 Jun 2006 19:09:07 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: amp talk
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Id like to jump on the groove of this thread now
brothers,i just had a gig with an amp named "Koch" all
i can tell you is that i am floored by the sound of
this beauties the do "cook" like their name!i borrowed
it from a guitarrist friend of my bass player,he has
the multitone 50 watt head combined with the TS212H
speaker cabinet i am telling  you this combination its
absolutely beautiful!it is compact(you also have the
combo option but is more of a back
breaker),powerful,looks good and the most versatile
amp i know out there with 3 channels plus great
reverb.It compresses beautiful and the dirty channels
are nothing but great you can get any sound from the
old cats weather is jazz or rock with this amp plus
the reverb has the authentic ennio marricone 60´s surf
sound.The minute i plugged in i heard the sounds ive
been trying to get from long time and now i realize it
was due to the amps ive used in the past,although i
have a good les paul,tele and strat.I am afraid for me
is going to get harder and harder to play with digital
simulators now,the dutch got it right check them out!
http://www.koch-amps.com/
Luis



    
    Well, yes I was being a bit sarcastic. Ibelieve
the JC120 came to promise 
fro two reasons, 
1. It has self contained stereo chorused that at least
gives itssterile 
sound a bit of dimension. 2. It is  very dependable
and loud, afavorite of 
cartage and rental services as back line for touring
bands. 
As one who has had to use provided back line amps, I
always hope that a      
fender twin is present and its tubes aren't so gassed
as to make itsound 
flabby. otherwise I would settle for a jazz chorus,
and I never had a 
problem with its clean sound, however, I can't believe
that after allthese 
years , Roland has never gotten the clue that the
distortion sound onthese 
things is basically useless, not to mention the reverb
is pretty tincan 
sounding as well. And this is a company that excels at
signalprocessors. Go 
figure. I had a mini brute, which I took to Berklee
years ago. Ii was anice 
warm clean sounding solid state amp, made even louder
by the EVMspeaker I 
managed to somehow cram in to its little cabinet.
Later I had a PearceG1 
amp, because it actually had a very usable overdrive
channel, soonafter I 
added a Pearce extension cabinet w/ slave power amp
for stereo ,andlater I 
switched to a Pearce preamp running through a boogie
power amp. Ifinally 
abandoned the rack mount amp dance about ten years ago
and went back totube 
combos for most of my live gigs, and a modeling amp
when doing thelooping 
thing. I know a lot of great music has been played on
these amps, and 
certainly if what you desire is uber clean, the JC120
has few modernpeers, 
but for me, clean tube sounds better than clean solid
state, and itfeels 
better, though the natural compression of a tube amp
can be mimickedwith a 
good compressor (my old Pearce amps had a built in
limiter similar tothe 
Gibson Lab series amps, which Dan Pearce helped
design). If you want 
something like a JC120, but without the back ache, You
might try tofind a 
used JC77, the discontinued baby brother to the JC120.
I found a linkon 
EBAY 
     
http://cgi.ebay.com/Roland-JC77-Jazz-Chorus-Guitar-Amp-with-Xtras_W0QQitemZ1
     
40000830625QQihZ004QQcategoryZ47094QQssPageNameZWDVWQQrdZ1QQcmdZViewItem
     
I have developed a fondness for amps with a two ten
speakerconfiguration, 
I own a 70's vibrolux reverb, and 60's vox AC10 twin,
and as a gigging 
middle aged guy I appreciate the fact that I'm not
risking a herniaevery 
time I load my amp in my trunk. I also like the
tighter bass responsethe 
tens give, they just seem punchier to me.. 
Cheers 
Bill 
      
      
      
      
      
      
-----Original Message----- 
From: Krispen Hartung [mailto:khartung@cableone.net] 
Sent: Friday, June 23, 2006 8:13 PM 
To: Loopers-Delight@loopers-delight.com      
Subject: Re: FOR SALE: Mesa Boogie Mark I Combo Amp 
      
      
Don't worry Mark, I won't sell both of my VF1's! :)  
They are amazing 
little boxes. 
      
Bill, what's wrong with the JC120?  I can't tell
whether you weremaking a 
fecicios comment about them or not. Forgive me if you
weren't. Someamazing 
jazz players, like Pat Martino and Mike Stearn, have
used those amps. 
Frankly, there really isn't such a thing as a "jazz
amp." Jazzers ofall 
calibers use what fits their taste...I've seen it all,
from solid state      
Polytones, Rolands, and Gibsons, to tube Fenders,
Boogies, and MusicMan. 
Some guitarists, like McLaughlin, have even bi-passed
amps altogetherat 
times, plugging directly into processors and then
directly into theboard. 
The breadth of taste is pretty amazing. 
      
...I do wish I had my old Polytone Teeny Brute
back...I was such anidiot 
for selling that years ago. 
      
Kris 
      
----- Original Message ----- 
From: "William Walker" <billwalker@baymoon.com>      
To: <Loopers-Delight@loopers-delight.com>      
Sent: Friday, June 23, 2006 5:00 PM 
Subject: RE: FOR SALE: Mesa Boogie Mark I Combo Amp 
      
      
      Well Mark I'd be curious as to how youdidthe
JC120 thingy on the tonelab 
(and why???? in gods name) and  Actually like most of
the stomp box 
effects 
on the tonelab allot except, the overdrive and
distortion models on the        
front end; a klon clone, even more exaggerated mid
range honk than the 
original, a tube screamer model , that just doesn't
rattle my cage, anda 
rat model, zzzzzzzz, among others, though the octavia
octave, and ring 
modulator effects are quite nice. My solution was,
until a week ago, to        
pirate my fulltone fulldrive from my gig rig pedal
board, and stick itin 
the tonelabs effects loop (which is at the front of
the chain). Welllast 
week I got my new twin tube pedal from Seymour Duncan,
and I am justdumb 
struck at how good this thing sounds driving the front
end of thetonelab. 
Since it uses two subminiature tubes running at high
plate voltage, it 
adds 
tremendous dynamics and dimension not to mention two
channels ofanything 
from clean boost with a hint of extra fatness, to very
saturated, yet 
smooth 
and singing overdrive, all with great touch
sensitivity. I justsubmitted 
a 
review to Harmony Central, in which I shamelessly
gushed about how goodit 
sounds. Since I like many of the delay and modulation
presets on thetone 
lab, and I'm not a big flange or chorus guy,  I was
just searching fora 
more natural sounding overdrive to compliment the
tweed, black face,early 
marshall, and vox models I tend to use, and boy does
this puppy fit the        
bill. 
Bill 
        
-----Original Message----- 
From: mark sottilaro
[mailto:zerocrossing2001@yahoo.com]        
Sent: Friday, June 23, 2006 10:11 AM 
To: Loopers-Delight@loopers-delight.com        
Subject: RE: FOR SALE: Mesa Boogie Mark I Combo Amp 
        
        
--- William Walker <billwalker@baymoon.com>wrote: 
        
        Mark has a point, 
                
I thought you couldn't notice it with my hair style! 
        
        
        Do take 
note that the vox people did not see fit to model a 
transistor amp, not jazz 
chorus model ala line 6. So if that is your mind set 
maybe the vox ain't for 
you. 
                
Wait!  There's MORE!  I did find a way to get a good 
JC120 sound out of the Tonelab!  I forget how now... 
I'll check tonight and let you know.  I know the key 
was leaving out either the amp modeling stage or cab 
modeling stage.  Also, I found I got better results 
when I use the VF-1's stereo chorus (which I know Kris

has a couple of) 
        
I have to say that as much as I like some of the 
stompbox models of the Tonelab, when I'm in the studio

I ditch them in favor of the VF-1's which I feel are 
really great (and MIDI syncable which the tonelab 
sadly isn't)  Don't sell them Kris, you'll be sad. 
Also I found they're one of the best processor out 
there for putting distortion on keyboard sounds 
(though not for guitar) 
        
Mark 
        
Mark 
        
__________________________________________________ 
Do You Yahoo!? 
Tired of spam?  Yahoo! Mail has the best spam
protection around 
        http://mail.yahoo.com        
        
        
        
        
        
            
      
      
      
      
      
        
    
    
    
    
  


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From Loopers-Delight-request@loopers-delight.com  Sun Jun 25 03:02:12 2006
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Date: Sat, 24 Jun 2006 20:02:09 -0700 (PDT)
From: ditch wrestler <ditchwrestler@yahoo.com>
Subject: Crate (was Mesa Boogie)
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I'm wondering if anybody here has tried out the Crate Powerblock amp?
   
  http://www.musiciansfriend.com/product/Crate-CPB150-PowerBlock-Stereo-Guitar-Amp?sku=487829
   
  I haven't tried one myself but I'm wondering if I'm already fighting a bit of a battle tone-wise since I'm a bassist.  I'm sure I'd need to use my ART pre-amp when was using it with my double bass but hopefully it wouldn't be a problem with my electric's (active emg's in both).
   
   
  ted harms.

Joshua Carroll <josh@infinivert.com> wrote:
    As long as we're talking guitar amps, has anyone else here played through the Crate V-Series amps?  I know, I know.  Crate?  Really?  Yep...

 		
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Yahoo! Groups gets better. Check out the new email design. Plus there’s much more to come.  
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<div>I'm wondering if anybody here has tried out the Crate Powerblock amp?</div>  <div>&nbsp;</div>  <div><A href="http://www.musiciansfriend.com/product/Crate-CPB150-PowerBlock-Stereo-Guitar-Amp?sku=487829">http://www.musiciansfriend.com/product/Crate-CPB150-PowerBlock-Stereo-Guitar-Amp?sku=487829</A></div>  <div>&nbsp;</div>  <div>I haven't tried one myself but I'm wondering if I'm already fighting a bit of a battle tone-wise since I'm a bassist.&nbsp; I'm sure I'd need to use my ART pre-amp when&nbsp;was using it with my double bass but hopefully it wouldn't be a problem with my electric's (active emg's in both).</div>  <div>&nbsp;</div>  <div>&nbsp;</div>  <div>ted harms.<BR><BR><B><I>Joshua Carroll &lt;josh@infinivert.com&gt;</I></B> wrote:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">  <div>As long as we're talking guitar amps, has anyone else here played through the Crate V-Series amps?&nbsp; I know, I
 know.&nbsp; Crate?&nbsp; Really?&nbsp; Yep...</div></BLOCKQUOTE><p>&#32;
		<hr size=1>Yahoo! Groups gets better. <a href="http://pa.yahoo.com/*http://us.rd.yahoo.com/evt=41142/*http://groups.yahoo.com/local/newemail.html">Check out the new email design.</a> Plus there’s much more to come. 
 

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From Loopers-Delight-request@loopers-delight.com  Sun Jun 25 03:07:56 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
Subject: Thoughts on the Eclipse, Fireworx, G-Force, and PCM81
Date: Sat, 24 Jun 2006 21:07:51 -0600
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I'd like to get your thoughts on the Eventide Eclipse, TC Electronic 
Fireworx, TC Electrronics G-Force, and Lexicon PCM81. If I had to invest in 
only one of these, which would give me the most tone mangling / effect 
goodies for the buck?  The Fireworx appears to have a lot of different types 
of effects, more than the other two from what I can tell, but I'd like to 
hear from some of you who own these units.

I'm looking for a unit, preferrable, that has all the standard delay, 
reverb, pitch, and chorus/modulation effects, but also ring mod, hopefully 
some quasi-synth guitar like effects, Filter, and whatever else it can 
muster.  I've heard some really ethereal and rich pad-like sounds from the 
Eventides, which I really like, so that is a must.

Why you ask? Now that my laptop system is complete and serving me well, I'm 
building a botique, yet simple rack system on the side...Looperlative, two 
VF1s', and whatever I decide from the above five units.

Kris


From Loopers-Delight-request@loopers-delight.com  Sun Jun 25 03:19:08 2006
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Date: Sat, 24 Jun 2006 20:19:01 -0700
Subject: Re: Mobius part 2
From: Todd Reynolds <toddreyn@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
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Dear mark, Per, Andreas...

THAT DOES IT!  I have to now go out and buy my first ever PC in order to ru=
n
Mobius.  This is gonna drive me crazy if I don't.

What is the most affordable, small and powerful enough PC laptop I can buy
to augment my 17 inch powerbook, operating with a Traveler?  Any hints??
Since I don't know windows architecture or assemblage whatsoever, I'd love =
a
hint or two should you all be willing...

All best,

Todd




On 6/24/06 2:04 PM, "Andreas Wetterberg" <awetterberg@post.cybercity.dk>
wrote:

> mark sottilaro wrote:
>> OK, a while ago I fooled around with Mobius and
>> Sooperlooper unsuccessfully.  Not sure why, probably
>> under powered in the computer dept.  Well last week my
>> Toshiba dual core 2gighz machine showed up on my
>> doorstep (literally, I can't believe UPS fucking left
>> it on my doorstep with no signature or attempt to
>> leave it with a neighbor or have me pick it up at
>> UPS!)
>=20
> (immorality alert..)
> Well then you never received it! Call the computer company! "Where's my
> 2ghzDual!?" I'm sorry, but delivery people need to be taught an effin'
> lesson sometimes... Besides, if the computer company don't get a
> signature on their track-n-trace they'll probably claim it themselves.
> ;)
>=20
>> For the first week I just played around with
>> softsynths.  Man I love some of the instruments that
>> come with Reaktor 5.  Anyone make a good Reaktor based
>> looper?
>=20
> I've made a tiny little looping module for reaktor - it can do
> stuttering loop mult/div, overdubs, replace, sync and even do feedback
> percentages above 100, to bring up old noises from your loop, plus you
> can easily insert effects in the feedback chain for more craziness. I
> keep meaning to touch it up and share it, but... yeah.. don't seem to
> get around to it. Bug me by sending me enough emails, I guess.
>=20
> I'm getting a dual 2ghz with 2gigs of ram on tuesday... can't wait!
>=20
> Andreas.
>=20

---------------------------------------------------------------------------=
-
-----
=B3Virtue is just repression waiting to go bad=B2 - Trevor Exter

=B3Classical music is related to the past more than it is related to the
creative part of sound=B2 - Ornette Coleman
---------------------------------------------------------------------------=
-
------=20
Todd Reynolds
42-09 47th Ave 1C
Sunnyside, NY  11104
=20
Ph.    718 392-3773
Mob.   917 576-6166
Fax    419 781-5502
=20
http://www.toddreynolds.com


todd@toddreynolds.com
9175766166@vtext.com (155 characters or less)
AIM ID: toddreyn




From Loopers-Delight-request@loopers-delight.com  Sun Jun 25 03:39:19 2006
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From: Matthew F.McCabe <mmccabe@finleysound.com>
Subject: Re: All Access/Echoplex/Prophesy
Date: Sat, 24 Jun 2006 20:32:30 -0700
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--Apple-Mail-1--1047024911
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I'd double check to make sure you've cleared all the CC data out of=20
those patch changes.  I was having the same problem and even though I=20
didn't program the CC data in at the time (I think it was leftover from=20=

a previous configuration - I change my set-up way too frequently) it=20
was still there.

Matt

---
King Never
http://www.kingnever.com

On Jun 22, 2006, at 6:35 PM, Donearlsto@aol.com wrote:

> Hello,
>  =A0=A0 I am having issues with my All Access/Echoplex/set up and I am=20=

> hoping someone on the list may be able to help me.=A0
>  =A0=A0=A0=A0 Echoplex is set to receive control changes on Midi =
Channel 2.
>  =A0=A0=A0=A0 The instant access switches work great, and all the =
programming=20
> works out (momentary switches etc.)
>  =A0=A0=A0=A0 However, sometimes when I select a patch change (sent on =
midi=20
> channel 1 to the Prophesy) the Echoplex responds as if I hit the=20
> record button, or a series of parameter editing buttons.=A0 The =
prophesy=20
> still changes patches, of course.=A0
>  =A0=A0=A0=A0 As the Echoplex is set to Midi Channel 2, and the patch =
changes=20
> are being sent on Midi channel 1 I, in my ignorance, can't figure out=20=

> how to remedy this.=A0 Any help would be appreciated.=A0
>  Thanks in advance.
>  Donovan Stokes
>

--Apple-Mail-1--1047024911
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I'd double check to make sure you've cleared all the CC data out of
those patch changes.  I was having the same problem and even though I
didn't program the CC data in at the time (I think it was leftover
from a previous configuration - I change my set-up way too frequently)
it was still there.


Matt


---

King Never

http://www.kingnever.com


On Jun 22, 2006, at 6:35 PM, Donearlsto@aol.com wrote:


<excerpt><fontfamily><param>Geneva</param><smaller>Hello, =
</smaller></fontfamily>

<fontfamily><param>Geneva</param><smaller> =A0=A0 I am having issues =
with
my All Access/Echoplex/set up and I am hoping someone on the list may
be able to help me.=A0 </smaller></fontfamily>

<fontfamily><param>Geneva</param><smaller> =A0=A0=A0=A0 Echoplex is set =
to
receive control changes on Midi Channel 2. </smaller></fontfamily>

<fontfamily><param>Geneva</param><smaller> =A0=A0=A0=A0 The instant =
access
switches work great, and all the programming works out (momentary
switches etc.)</smaller></fontfamily>

<fontfamily><param>Geneva</param><smaller> =A0=A0=A0=A0 However, =
sometimes
when I select a patch change (sent on midi channel 1 to the Prophesy)
the Echoplex responds as if I hit the record button, or a series of
parameter editing buttons.=A0 The prophesy still changes patches, of
course.=A0 </smaller></fontfamily>

<fontfamily><param>Geneva</param><smaller> =A0=A0=A0=A0 As the Echoplex =
is set
to Midi Channel 2, and the patch changes are being sent on Midi
channel 1 I, in my ignorance, can't figure out how to remedy this.=A0
Any help would be appreciated.=A0 </smaller></fontfamily>

<fontfamily><param>Geneva</param><smaller> Thanks in advance. =
</smaller></fontfamily>

<fontfamily><param>Geneva</param><smaller> Donovan =
Stokes</smaller></fontfamily>


</excerpt>=

--Apple-Mail-1--1047024911--

From Loopers-Delight-request@loopers-delight.com  Sun Jun 25 03:43:48 2006
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From: Matthew F.McCabe <mmccabe@finleysound.com>
Subject: Re: All Access/Echoplex/Prophesy
Date: Sat, 24 Jun 2006 20:37:01 -0700
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--Apple-Mail-2--1046753939
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Oh.  You are banking up and down when this happens?  Make sure you have=20=

"Bank Style" set to "None".  I think the default is "First" which will=20=

send the MIDI data of the first patch in the new bank.  Page 14 in the=20=

manual has more info.

Matt

---
King Never
http://www.kingnever.com

On Jun 22, 2006, at 7:56 PM, Donearlsto@aol.com wrote:

> I should clarify that I am in Bank using first 5 switches as bank and=20=

> the top 10 as instant access switches.=A0 Problem occurs when =
selecting=20
> a patch change using the bank buttons.=A0
>  Thanks again,
>  Donovan=

--Apple-Mail-2--1046753939
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Oh.  You are banking up and down when this happens?  Make sure you
have "Bank Style" set to "None".  I think the default is "First" which
will send the MIDI data of the first patch in the new bank.  Page 14
in the manual has more info.


Matt


---

King Never

http://www.kingnever.com


On Jun 22, 2006, at 7:56 PM, Donearlsto@aol.com wrote:


<excerpt><fontfamily><param>Geneva</param><smaller>I should clarify
that I am in Bank using first 5 switches as bank and the top 10 as
instant access switches.=A0 Problem occurs when selecting a patch change
using the bank buttons.=A0</smaller></fontfamily>

<fontfamily><param>Geneva</param><smaller> Thanks =
again,</smaller></fontfamily>

<fontfamily><param>Geneva</param><smaller> =
Donovan</smaller></fontfamily></excerpt>=

--Apple-Mail-2--1046753939--

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Subject: Re: Crate (was Mesa Boogie)
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I know a guy who has the Powerblock, and I wasn't too impressed.&nbsp; It
just sounds blatantly solid-state.&nbsp; But with an ART pre-amp, who knows?<br>
<br>
--Josh<br>
<br>
<br>
<br>
ditch wrestler wrote:
<blockquote
 cite="mid20060625030209.55859.qmail@web34310.mail.mud.yahoo.com"
 type="cite">
  <div>I'm wondering if anybody here has tried out the Crate Powerblock
amp?</div>
  <div>&nbsp;</div>
  <div><a
 href="http://www.musiciansfriend.com/product/Crate-CPB150-PowerBlock-Stereo-Guitar-Amp?sku=487829">http://www.musiciansfriend.com/product/Crate-CPB150-PowerBlock-Stereo-Guitar-Amp?sku=487829</a></div>
  <div>&nbsp;</div>
  <div>I haven't tried one myself but I'm wondering if I'm already
fighting a bit of a battle tone-wise since I'm a bassist.&nbsp; I'm sure I'd
need to use my ART pre-amp when&nbsp;was using it with my double bass but
hopefully it wouldn't be a problem with my electric's (active emg's in
both).</div>
  <div>&nbsp;</div>
  <div>&nbsp;</div>
  <div>ted harms.<br>
  <br>
  <b><i>Joshua Carroll <a class="moz-txt-link-rfc2396E" href="mailto:josh@infinivert.com">&lt;josh@infinivert.com&gt;</a></i></b> wrote:</div>
  <blockquote class="replbq"
 style="border-left: 2px solid rgb(16, 16, 255); padding-left: 5px; margin-left: 5px;">
    <div>As long as we're talking guitar amps, has anyone else here
played through the Crate V-Series amps?&nbsp; I know, I know.&nbsp; Crate?&nbsp;
Really?&nbsp; Yep...</div>
  </blockquote>
  <p> </p>
  <hr size="1">Yahoo! Groups gets better. <a
 href="http://pa.yahoo.com/*http://us.rd.yahoo.com/evt=41142/*http://groups.yahoo.com/local/newemail.html">Check
out the new email design.</a> Plus there&#8217;s much more to come. </blockquote>
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From Loopers-Delight-request@loopers-delight.com  Sun Jun 25 03:56:24 2006
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I've got an <a
 href="http://okmediapc.com/product_info.php?products_id=65">Acer Aspire</a>
that I love!&nbsp; Granted, I'm just getting into the looping game, but for
the video, etc. that I've played with on it, I've been very happy with
the performance.&nbsp; If you get one, you'll probably want to reinstall
Windows to change from FAT32 to NTFS and leave out a bunch of the Acer
bundled software.&nbsp; You might also want to partition it differently than
50/50.&nbsp; But for the money, IMHO, it's a great machine.<br>
<br>
--Josh<br>
<br>
<br>
<br>
Todd Reynolds wrote:
<blockquote cite="midC0C34EB5.181E5%25toddreyn@gmail.com" type="cite">
  <pre wrap="">Dear mark, Per, Andreas...

THAT DOES IT!  I have to now go out and buy my first ever PC in order to run
Mobius.  This is gonna drive me crazy if I don't.

What is the most affordable, small and powerful enough PC laptop I can buy
to augment my 17 inch powerbook, operating with a Traveler?  Any hints??
Since I don't know windows architecture or assemblage whatsoever, I'd love a
hint or two should you all be willing...

All best,

Todd




On 6/24/06 2:04 PM, "Andreas Wetterberg" <a class="moz-txt-link-rfc2396E" href="mailto:awetterberg@post.cybercity.dk">&lt;awetterberg@post.cybercity.dk&gt;</a>
wrote:

  </pre>
  <blockquote type="cite">
    <pre wrap="">mark sottilaro wrote:
    </pre>
    <blockquote type="cite">
      <pre wrap="">OK, a while ago I fooled around with Mobius and
Sooperlooper unsuccessfully.  Not sure why, probably
under powered in the computer dept.  Well last week my
Toshiba dual core 2gighz machine showed up on my
doorstep (literally, I can't believe UPS fucking left
it on my doorstep with no signature or attempt to
leave it with a neighbor or have me pick it up at
UPS!)
      </pre>
    </blockquote>
    <pre wrap="">(immorality alert..)
Well then you never received it! Call the computer company! "Where's my
2ghzDual!?" I'm sorry, but delivery people need to be taught an effin'
lesson sometimes... Besides, if the computer company don't get a
signature on their track-n-trace they'll probably claim it themselves.
;)

    </pre>
    <blockquote type="cite">
      <pre wrap="">For the first week I just played around with
softsynths.  Man I love some of the instruments that
come with Reaktor 5.  Anyone make a good Reaktor based
looper?
      </pre>
    </blockquote>
    <pre wrap="">I've made a tiny little looping module for reaktor - it can do
stuttering loop mult/div, overdubs, replace, sync and even do feedback
percentages above 100, to bring up old noises from your loop, plus you
can easily insert effects in the feedback chain for more craziness. I
keep meaning to touch it up and share it, but... yeah.. don't seem to
get around to it. Bug me by sending me enough emails, I guess.

I'm getting a dual 2ghz with 2gigs of ram on tuesday... can't wait!

Andreas.

    </pre>
  </blockquote>
  <pre wrap=""><!---->
----------------------------------------------------------------------------
-----
&sup3;Virtue is just repression waiting to go bad&sup2; - Trevor Exter

&sup3;Classical music is related to the past more than it is related to the
creative part of sound&sup2; - Ornette Coleman
----------------------------------------------------------------------------
------ 
Todd Reynolds
42-09 47th Ave 1C
Sunnyside, NY  11104
 
Ph.    718 392-3773
Mob.   917 576-6166
Fax    419 781-5502
 
<a class="moz-txt-link-freetext" href="http://www.toddreynolds.com">http://www.toddreynolds.com</a>


<a class="moz-txt-link-abbreviated" href="mailto:todd@toddreynolds.com">todd@toddreynolds.com</a>
<a class="moz-txt-link-abbreviated" href="mailto:9175766166@vtext.com">9175766166@vtext.com</a> (155 characters or less)
AIM ID: toddreyn







  </pre>
</blockquote>
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From Loopers-Delight-request@loopers-delight.com  Sun Jun 25 04:57:23 2006
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Thoughts on the Eclipse, Fireworx, G-Force, and PCM81
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i've been checking out the G-force and eclipse myself, and from what
i've seen the eclipse is far superior to the G-force...to me it seems
like the g-force is too "conventional" to make weird noises...

I should say that this isn't real-life experiences, but just from
research, so that might totally void anything i said :)

if you really want to go nuts on your loops, check out the harmonizer
H7600. Just read the preset manual
http://www.eventide.com/pdfs/h7600pm.pdf and be amazed...maybe once i
become president of the US or figure out how to be an heir to donald
trump i will buy it ;)

Charlie

On 6/24/06, Krispen Hartung <khartung@cableone.net> wrote:
> I'd like to get your thoughts on the Eventide Eclipse, TC Electronic
> Fireworx, TC Electrronics G-Force, and Lexicon PCM81. If I had to invest in
> only one of these, which would give me the most tone mangling / effect
> goodies for the buck?  The Fireworx appears to have a lot of different types
> of effects, more than the other two from what I can tell, but I'd like to
> hear from some of you who own these units.
>
> I'm looking for a unit, preferrable, that has all the standard delay,
> reverb, pitch, and chorus/modulation effects, but also ring mod, hopefully
> some quasi-synth guitar like effects, Filter, and whatever else it can
> muster.  I've heard some really ethereal and rich pad-like sounds from the
> Eventides, which I really like, so that is a must.
>
> Why you ask? Now that my laptop system is complete and serving me well, I'm
> building a botique, yet simple rack system on the side...Looperlative, two
> VF1s', and whatever I decide from the above five units.
>
> Kris
>
>
>

From Loopers-Delight-request@loopers-delight.com  Sun Jun 25 06:30:13 2006
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At 12:44 PM 6/24/2006, mark sottilaro wrote:
>True, I'd forgotten about that limitation.  Still, I
>always seemed to get a lot of mileage out of it.  I
>was more concerned about it's mono nature but I hear
>there's some sort of upgrade from Bob that allows
>stereo loops.  Never got to that.

only the output of the JamMan is stereo with Bob's upgrade. You can do 
panning effects. The JamMan summed the inputs to mono for the loop, so it 
is not true stereo no matter what you do.

kim


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com 

From Loopers-Delight-request@loopers-delight.com  Sun Jun 25 06:37:41 2006
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Subject: Re: 2880 track questions...
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At 02:10 PM 6/22/2006, mark sottilaro wrote:
>Also, will it work similar to a Lexicon JamMan in
>terms of setting up "or" tracks instead of "and
>tracks"  By this I mean set it so that at the end of a
>loop it starts recording a new track while muting the
>first track giving you the ability to create tracks
>that can be toggled between OR combined.

I asked about this when I got a demo of the 2880 at NAMM. It only does one 
4 track loop. It cannot do multiple A/B/C/etc loops. No switching between 
different loops for different sections of a song.

Same with the memory card. You can only store one loop on the card. (no 
matter how big the memory card is.)  The EH guy doing the demo suggested 
the only way to do multiple loops is to have several memory cards, and pull 
one out and put in another when you want to switch to the next loop. In 
other words, if multiple loops if important to you, the 2880 is probably 
not your looper.

kim


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com 

From Loopers-Delight-request@loopers-delight.com  Sun Jun 25 08:35:19 2006
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Subject: Re: Thoughts on the Eclipse, Fireworx, G-Force, and PCM81
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--Apple-Mail-4--1028860468
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I=92ve owned all of these. Each offers unique pleasures, to be sure, =20
but the serious contenders for max mangling are only the Eventide and =20=

the FireworX, and I'd go for the Eventide without hesitating.

My takes on each:
PCM-81...a big disappointment as a mangler, even with all the add-on =20
preset cards; opaque (but admittedly deep) interface, and really not =20
a multi-effector; it=92s a multi-delay--get the PSP software version =20
and forget this one.

G-Force...routing and modulation heaven with a great interface, =20
always have 8 types of effect available in any possible order/config, =20=

but effects quite conventional; pitch-shifting nowhere near as cool =20
as the Eventide. With clever, patient programming, it can do some =20
wild morphing stuff because of the deep mod options and many =20
simultaneous fx, not because of having unusual effects.

FireworX...should have been a G-Force on steroids, since it=92s packed =20=

with odd effects for sonic mayhem, but it's seriously crippled by low =20=

horsepower; even tho its got lots of modules to pick from, it=92s =20
impossible to load more than 2 or 3 without maxing the thing out. =20
Same mod power and great interface as the G-F, but what's the point =20
of infinite routing options if you've only got 2-3 effects going?? I =20
sold my G-Force to get one and regretted it immediately. I hated =20
pretty much all the presets and never found anything in it I loved =20
exploring. I'm sure it would repay deep, committed investigation =20
because of the weird effects available, esp. in concert with other =20
devices. Too bad neither tc device will send its ultra mod power to =20
external devices via MIDI control...

The Eclipse will only disappoint if you=92re expecting or used to the =20=

kind of endless programmability you=92d get with a tc, or DSP-Eventide; =20=

it=92s a two slot device with fixed algorithms, but these are rich and =20=

complex, covering all the basics in deluxe style, and filtered multi-=20
delays exceptionally well...plus it=92s got that multi-pitch-shifting =20=

thing that nothing else can quite duplicate. It sounds so magnificent =20=

you=92d never regret having one, unless it only makes you yearn for an =20=

H8000.

You=92ve already got really cool ring-mod-ing and some rudimentary =20
"synth-fx" with your VF-1s; actually, it seems that low-end hardware =20
is where you=92re most likely to find the richest collection of unique-=20=

if-cheesy fx, all of which would benefit enormously from an Eventide =20
fairy-dusting down-stream.

You already know my opinion of Reaktor as the weirdest and most =20
endlessly re-thinkable multi-fx to beat, right? Too bad that's not =20
working yet with the Receptor.....

Have fun!
dc





On Jun 24, 2006, at 8:07 PM, Krispen Hartung wrote:

> I'd like to get your thoughts on the Eventide Eclipse, TC =20
> Electronic Fireworx, TC Electrronics G-Force, and Lexicon PCM81.


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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">I=92ve owned all of these. Each =
offers unique pleasures, to be sure, but the serious contenders for max =
mangling are only=A0the Eventide and=A0the FireworX, and I'd go for the =
Eventide without hesitating.<DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>My takes on =
each:</DIV><DIV>PCM-81...a big disappointment as a mangler, even with =
all the add-on preset cards; opaque (but admittedly deep) interface, and =
really not a multi-effector; it=92s a multi-delay--get the=A0PSP =
software version and forget this one.</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>G-Force...routing and =
modulation heaven with a great interface, always have 8 types of effect =
available in any possible order/config, but effects quite conventional; =
pitch-shifting nowhere near as cool as the Eventide. With clever, =
patient programming, it can do some wild morphing stuff because of the =
deep mod options and many simultaneous fx, not because of having unusual =
effects.</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>FireworX...should have been =
a G-Force on steroids, since it=92s packed with odd effects for sonic =
mayhem, but it's seriously crippled by low horsepower; even tho its got =
lots of modules to pick from, it=92s=A0impossible to load more than 2 or =
3 without maxing the thing out. Same mod power and great interface as =
the G-F, but what's the point of infinite routing options if you've only =
got 2-3 effects going?? I sold my G-Force to get one and regretted it =
immediately. I hated pretty much all the presets and never found =
anything in it I loved exploring. I'm sure it would repay deep, =
committed investigation because of the weird effects available, esp. in =
concert with other devices. Too bad neither tc device will send its =
ultra mod power to external devices via MIDI control...</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>The Eclipse will only =
disappoint if you=92re expecting or used to the kind of endless =
programmability you=92d get with a tc, or DSP-Eventide; it=92s a two =
slot device with fixed algorithms, but these are rich and complex, =
covering all the basics in deluxe style, and filtered multi-delays =
exceptionally well...plus it=92s got that multi-pitch-shifting thing =
that nothing else can quite duplicate. It sounds so magnificent you=92d =
never regret having one, unless it only makes you yearn for an =
H8000.=A0</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>You=92ve already got really =
cool ring-mod-ing and some rudimentary "synth-fx" with your VF-1s; =
actually, it seems that low-end hardware is where you=92re most likely =
to find the richest collection of unique-if-cheesy fx, all of which =
would benefit enormously from an Eventide fairy-dusting =
down-stream.=A0</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>You already know my opinion =
of Reaktor as the weirdest and most endlessly re-thinkable multi-fx to =
beat, right? Too bad that's not working yet with the =
Receptor.....</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>Have =
fun!</DIV><DIV>dc</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR><DIV><DIV>On Jun 24, =
2006, at 8:07 PM, Krispen Hartung wrote:</DIV><BR =
class=3D"Apple-interchange-newline"><BLOCKQUOTE type=3D"cite"><P =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Lucida Grande" =
size=3D"4" style=3D"font: 14.0px Lucida Grande">I'd like to get your =
thoughts on the Eventide Eclipse, TC Electronic Fireworx, TC =
Electrronics G-Force, and Lexicon PCM81.</FONT></P> =
</BLOCKQUOTE></DIV><BR></DIV></BODY></HTML>=

--Apple-Mail-4--1028860468--

From Loopers-Delight-request@loopers-delight.com  Sun Jun 25 09:18:48 2006
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On 24 Jun 2006 at 21:42, ejyuhas wrote:

> Hmmm, I play a Fernandes Monterey Elite w/ Sustainer and I've not
> experienced any noticeable drain on it. 

According to theier website, the latest guitar (the Nomad) has a 
battery life of 20 minutes.

> pretty strong. I usually practice or play something each day, too. I
> don't use the sustainer every day, though...

There is battery drain all the time - when it dies, the entire guitar 
dies.

> Have you checked the internal wiring for any shorts or damage?

Can't see anything obvious. I owonder if the guage of strings has any 
effect?
All the best,

Nick Robinson


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Any 14"-or-below Intel DuoCore laptop with 1gig of ram or more. 
Thousands to choose from, probably.

...

Andreas

Todd Reynolds wrote:
> Dear mark, Per, Andreas...
> 
> THAT DOES IT!  I have to now go out and buy my first ever PC in order to run
> Mobius.  This is gonna drive me crazy if I don't.
> 
> What is the most affordable, small and powerful enough PC laptop I can buy
> to augment my 17 inch powerbook, operating with a Traveler?  Any hints??
> Since I don't know windows architecture or assemblage whatsoever, I'd love a
> hint or two should you all be willing...
> 
> All best,
> 
> Todd
> 
> 
> 
> 
> On 6/24/06 2:04 PM, "Andreas Wetterberg" <awetterberg@post.cybercity.dk>
> wrote:
> 
>> mark sottilaro wrote:
>>> OK, a while ago I fooled around with Mobius and
>>> Sooperlooper unsuccessfully.  Not sure why, probably
>>> under powered in the computer dept.  Well last week my
>>> Toshiba dual core 2gighz machine showed up on my
>>> doorstep (literally, I can't believe UPS fucking left
>>> it on my doorstep with no signature or attempt to
>>> leave it with a neighbor or have me pick it up at
>>> UPS!)
>> (immorality alert..)
>> Well then you never received it! Call the computer company! "Where's my
>> 2ghzDual!?" I'm sorry, but delivery people need to be taught an effin'
>> lesson sometimes... Besides, if the computer company don't get a
>> signature on their track-n-trace they'll probably claim it themselves.
>> ;)
>>
>>> For the first week I just played around with
>>> softsynths.  Man I love some of the instruments that
>>> come with Reaktor 5.  Anyone make a good Reaktor based
>>> looper?
>> I've made a tiny little looping module for reaktor - it can do
>> stuttering loop mult/div, overdubs, replace, sync and even do feedback
>> percentages above 100, to bring up old noises from your loop, plus you
>> can easily insert effects in the feedback chain for more craziness. I
>> keep meaning to touch it up and share it, but... yeah.. don't seem to
>> get around to it. Bug me by sending me enough emails, I guess.
>>
>> I'm getting a dual 2ghz with 2gigs of ram on tuesday... can't wait!
>>
>> Andreas.
>>
> 
> ----------------------------------------------------------------------------
> -----
> ³Virtue is just repression waiting to go bad² - Trevor Exter
> 
> ³Classical music is related to the past more than it is related to the
> creative part of sound² - Ornette Coleman
> ----------------------------------------------------------------------------
> ------ 
> Todd Reynolds
> 42-09 47th Ave 1C
> Sunnyside, NY  11104
>  
> Ph.    718 392-3773
> Mob.   917 576-6166
> Fax    419 781-5502
>  
> http://www.toddreynolds.com
> 
> 
> todd@toddreynolds.com
> 9175766166@vtext.com (155 characters or less)
> AIM ID: toddreyn
> 
> 
> 
> 
> 
> .
> 

From Loopers-Delight-request@loopers-delight.com  Sun Jun 25 10:52:45 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Thoughts on the Eclipse, Fireworx, G-Force, and PCM81
Date: Sun, 25 Jun 2006 12:52:38 +0200
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On 25 jun 2006, at 05.07, Krispen Hartung wrote:

> I'd like to get your thoughts on the Eventide Eclipse, TC  
> Electronic Fireworx, TC Electrronics G-Force, and Lexicon PCM81.

Hi Kris,

I own a Fireworx and I have once borrowed an Eclipse for two months  
(to decide which one I should go for and also to write a test review  
of the Eclipse for a guitar player magazine here in Sweden). I  
finally went for the Fireworx because I found one on a sale at a very  
good price. I also like that the Fireworx is smaller and lighter. The  
Eclipse is quite big and heavy. But sound-wise I think they are  
rather equal. What the Eclipse has that you won't get with the  
Fireworx is the option to use pre-programmed scales for the pitch  
shift function. This means you can use a MIDI footpedal to change  
scale and have the machine add two notes behind the note you are  
playing, thus creating three piece chords that follow the scale of  
the key. To do that with the Fireworx you have to stay away from the  
third note when programming the patch, so you can play either a  
"major" or a "minor" third with your live instrument while having the  
machine adding fifths or quarter intervals behind you. In a way I  
like this "musician-craft" approach better, because it's more free  
and doesn't lock the performer into a given key.

It took some time to get into how to program the Fireworx, but since  
I finally managed to wrap my brains around it I just love it. Both  
the Fireworx and the Eventide lack the CPU power to play patches that  
use all available effects. Especially high resolution reverb is using  
lots of CPU. So you have to constantly zap between patches when you  
perform and lay down loop layers.

One final word on the Fireworx's effect feeback loop: it sucks  
because of latency. When setting up patches inside the Fireworx you  
can put a "feedback send" or "feedback return" at any place of the  
effect chain. This means that part of the signal will be sent to the  
units physical feedback output and retrieved from the feedback input  
(digital or analog - but if you use the main analog input for your  
signal source/instrument only the digital effect send is available,  
and vice versa) But the signal is getting so delayed in that process  
that it's not usable. Speaking about "effect loops" there is also  
another kind of effect loop that you can set up completely inside the  
Fireworx program, but this is another thing and it's working  
perfectly well (define an "insert send" at any part of an effect  
chain and retrieve that signal with a "insert return" block at an  
earlier part so you can "cook" the sound even more by going through  
the same effects again. It's a quite open system and if you have the  
theoretical knowledge about how to create certain sound with the  
normal effect arsenal you should be able to come up with almost  
everything on a fireworx - as long as the CPU power stays with you  
that is ;-)

However, you can hook up the Fireworx digitally in an effect loop to  
some other software or hardware and then there is no latency at all.  
I sometimes use the Fireworx in Logic, connected digitally to the RMX  
Multiface audio interface and in praxis it's just as having a bunch  
of new - non CPU bogging - plug-ins. This option also comes with the  
Eclipse, but I never tried it.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Sun Jun 25 10:58:54 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Mobius part 2
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On 25 jun 2006, at 05.19, Todd Reynolds wrote:

> Dear mark, Per, Andreas...
>
> THAT DOES IT!  I have to now go out and buy my first ever PC in  
> order to run
> Mobius.  This is gonna drive me crazy if I don't.
>
> What is the most affordable, small and powerful enough PC laptop I  
> can buy
> to augment my 17 inch powerbook, operating with a Traveler?

Last years model is always extremely inexpensive. A 2 GHz centrino  
laptop will run eight tracks of audio loops well. But it may not be  
able to do it while also processing a lot of effect plug-ins.

> Any hints??
> Since I don't know windows architecture or assemblage whatsoever,  
> I'd love a
> hint or two should you all be willing...

Just don't install a lot of other software on the Windows XP machine  
and it will be fine. I had both Symantec Anti Virus and Ghost from  
the beginning, because I wanted to use the pc on the internet, but I  
finally had to wipe the drive and reinstall Windows XP Service Pack 2  
without any extra online update service from Microsoft and without  
the Anti Virus and Ghost stuff. This gave me a Mobius PC that boots  
up in a seconds and never crashes. What more do you need? Well, a Mac  
for the INternet - eventually ;-)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Sun Jun 25 11:11:20 2006
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From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: Thoughts on the Eclipse, Fireworx, G-Force, and PCM81
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love this reviews guys keep them coming!
cheers
L.a

--- David Coffin <dpcoffin@earthlink.net> wrote:

> I’ve owned all of these. Each offers unique
> pleasures, to be sure,  
> but the serious contenders for max mangling are only
> the Eventide and  
> the FireworX, and I'd go for the Eventide without
> hesitating.
> 
> My takes on each:
> PCM-81...a big disappointment as a mangler, even
> with all the add-on  
> preset cards; opaque (but admittedly deep)
> interface, and really not  
> a multi-effector; it’s a multi-delay--get the PSP
> software version  
> and forget this one.
> 
> G-Force...routing and modulation heaven with a great
> interface,  
> always have 8 types of effect available in any
> possible order/config,  
> but effects quite conventional; pitch-shifting
> nowhere near as cool  
> as the Eventide. With clever, patient programming,
> it can do some  
> wild morphing stuff because of the deep mod options
> and many  
> simultaneous fx, not because of having unusual
> effects.
> 
> FireworX...should have been a G-Force on steroids,
> since it’s packed  
> with odd effects for sonic mayhem, but it's
> seriously crippled by low  
> horsepower; even tho its got lots of modules to pick
> from, it’s  
> impossible to load more than 2 or 3 without maxing
> the thing out.  
> Same mod power and great interface as the G-F, but
> what's the point  
> of infinite routing options if you've only got 2-3
> effects going?? I  
> sold my G-Force to get one and regretted it
> immediately. I hated  
> pretty much all the presets and never found anything
> in it I loved  
> exploring. I'm sure it would repay deep, committed
> investigation  
> because of the weird effects available, esp. in
> concert with other  
> devices. Too bad neither tc device will send its
> ultra mod power to  
> external devices via MIDI control...
> 
> The Eclipse will only disappoint if you’re expecting
> or used to the  
> kind of endless programmability you’d get with a tc,
> or DSP-Eventide;  
> it’s a two slot device with fixed algorithms, but
> these are rich and  
> complex, covering all the basics in deluxe style,
> and filtered multi- 
> delays exceptionally well...plus it’s got that
> multi-pitch-shifting  
> thing that nothing else can quite duplicate. It
> sounds so magnificent  
> you’d never regret having one, unless it only makes
> you yearn for an  
> H8000.
> 
> You’ve already got really cool ring-mod-ing and some
> rudimentary  
> "synth-fx" with your VF-1s; actually, it seems that
> low-end hardware  
> is where you’re most likely to find the richest
> collection of unique- 
> if-cheesy fx, all of which would benefit enormously
> from an Eventide  
> fairy-dusting down-stream.
> 
> You already know my opinion of Reaktor as the
> weirdest and most  
> endlessly re-thinkable multi-fx to beat, right? Too
> bad that's not  
> working yet with the Receptor.....
> 
> Have fun!
> dc
> 
> 
> 
> 
> 
> On Jun 24, 2006, at 8:07 PM, Krispen Hartung wrote:
> 
> > I'd like to get your thoughts on the Eventide
> Eclipse, TC  
> > Electronic Fireworx, TC Electrronics G-Force, and
> Lexicon PCM81.
> 
> 


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From Loopers-Delight-request@loopers-delight.com  Sun Jun 25 11:28:46 2006
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Date: Sun, 25 Jun 2006 13:28:43 +0200
From: "Torstein H. Rem" <trem@broadpark.no>
Subject: Re: fernandes guitars?
To: Loopers-Delight@loopers-delight.com
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Maybe try asking Ned Evett about how he does it. He uses the Fernandez
Sustainer models, even sells them modded with the glass fretboard.

http://www.nedevett.com/guitars.html
http://www.fretlessguitar.com/

And/or ask the folks on the fretless forum
http://www.unfretted.com/loader.php?LINK=main

T.


----- Original Message ----- 
From: <nick@12testing.net>
To: <Loopers-Delight@loopers-delight.com>; "ejyuhas" <ejyuhas@earthlink.net>
Sent: Sunday, June 25, 2006 11:18 AM
Subject: RE: fernandes guitars?


> On 24 Jun 2006 at 21:42, ejyuhas wrote:
>
>> Hmmm, I play a Fernandes Monterey Elite w/ Sustainer and I've not
>> experienced any noticeable drain on it.
>
> According to theier website, the latest guitar (the Nomad) has a
> battery life of 20 minutes.
>
>> pretty strong. I usually practice or play something each day, too. I
>> don't use the sustainer every day, though...
>
> There is battery drain all the time - when it dies, the entire guitar
> dies.
>
>> Have you checked the internal wiring for any shorts or damage?
>
> Can't see anything obvious. I owonder if the guage of strings has any
> effect?
> All the best,
>
> Nick Robinson
>
>
> 


From Loopers-Delight-request@loopers-delight.com  Sun Jun 25 12:11:18 2006
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Date: Sun, 25 Jun 2006 05:11:16 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Novax Bass-guitar
To: Loopers-Delight@loopers-delight.com
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anybody in this forum playing this bass-guitars?
http://www.novaxguitars.com/index.html
they seem ideal for looping!
Luis

www.luis-angulo.com
www.myspace.com/luisangulocom

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From Loopers-Delight-request@loopers-delight.com  Sun Jun 25 12:38:21 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <C0C34EB5.181E5%toddreyn@gmail.com> <449E6590.1080104@post.cybercity.dk>
Subject: Re: Mobius part 2
Date: Sun, 25 Jun 2006 06:38:16 -0600
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Go for the ThinkPad...the Lenovo site let's you configure and order to your 
specifications.

Kris

----- Original Message ----- 
From: "Andreas Wetterberg" <awetterberg@post.cybercity.dk>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, June 25, 2006 4:29 AM
Subject: Re: Mobius part 2


> Any 14"-or-below Intel DuoCore laptop with 1gig of ram or more. Thousands 
> to choose from, probably.
>
> ...
>
> Andreas
>
> Todd Reynolds wrote:
>> Dear mark, Per, Andreas...
>>
>> THAT DOES IT!  I have to now go out and buy my first ever PC in order to 
>> run
>> Mobius.  This is gonna drive me crazy if I don't.
>>
>> What is the most affordable, small and powerful enough PC laptop I can 
>> buy
>> to augment my 17 inch powerbook, operating with a Traveler?  Any hints??
>> Since I don't know windows architecture or assemblage whatsoever, I'd 
>> love a
>> hint or two should you all be willing...
>>
>> All best,
>>
>> Todd
>>
>>
>>
>>
>> On 6/24/06 2:04 PM, "Andreas Wetterberg" <awetterberg@post.cybercity.dk>
>> wrote:
>>
>>> mark sottilaro wrote:
>>>> OK, a while ago I fooled around with Mobius and
>>>> Sooperlooper unsuccessfully.  Not sure why, probably
>>>> under powered in the computer dept.  Well last week my
>>>> Toshiba dual core 2gighz machine showed up on my
>>>> doorstep (literally, I can't believe UPS fucking left
>>>> it on my doorstep with no signature or attempt to
>>>> leave it with a neighbor or have me pick it up at
>>>> UPS!)
>>> (immorality alert..)
>>> Well then you never received it! Call the computer company! "Where's my
>>> 2ghzDual!?" I'm sorry, but delivery people need to be taught an effin'
>>> lesson sometimes... Besides, if the computer company don't get a
>>> signature on their track-n-trace they'll probably claim it themselves.
>>> ;)
>>>
>>>> For the first week I just played around with
>>>> softsynths.  Man I love some of the instruments that
>>>> come with Reaktor 5.  Anyone make a good Reaktor based
>>>> looper?
>>> I've made a tiny little looping module for reaktor - it can do
>>> stuttering loop mult/div, overdubs, replace, sync and even do feedback
>>> percentages above 100, to bring up old noises from your loop, plus you
>>> can easily insert effects in the feedback chain for more craziness. I
>>> keep meaning to touch it up and share it, but... yeah.. don't seem to
>>> get around to it. Bug me by sending me enough emails, I guess.
>>>
>>> I'm getting a dual 2ghz with 2gigs of ram on tuesday... can't wait!
>>>
>>> Andreas.
>>>
>>
>> ----------------------------------------------------------------------------
>> -----
>> ³Virtue is just repression waiting to go bad² - Trevor Exter
>>
>> ³Classical music is related to the past more than it is related to the
>> creative part of sound² - Ornette Coleman
>> ----------------------------------------------------------------------------
>> ------ 
>> Todd Reynolds
>> 42-09 47th Ave 1C
>> Sunnyside, NY  11104
>>  Ph.    718 392-3773
>> Mob.   917 576-6166
>> Fax    419 781-5502
>>  http://www.toddreynolds.com
>>
>>
>> todd@toddreynolds.com
>> 9175766166@vtext.com (155 characters or less)
>> AIM ID: toddreyn
>>
>>
>>
>>
>>
>> .
>>
>
> 


From Loopers-Delight-request@loopers-delight.com  Sun Jun 25 14:11:06 2006
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Subject: Re: Thoughts on the Eclipse, Fireworx, G-Force, and PCM81
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Hi Kris,
I've worked with all these effects and I have a Fireworx and an Orville 
in my rack.
I can second all what David Coffin has said, I just add one thing:
The Fireworx has great filters, a great compressor and a very nice 
formant algorithm.
I am using the Fwx mainly for loops post processing but I also want to 
keep it available for my main guitar input as it has a "sound" which is 
very different form the Orville ( and also from the Eclipse, which is 
more "thick" compared to the Orville).
The Fwx sound can be described as "sterile" by some, but I think it is 
one of the most clean and "percussive" ones I've ever heard from these 
kind of processors; so I like it, specially on very clean parts.
Its reverbs are nothing compared to Eventides and Lexicon.
It is a box that is lacking of a deeper evolution and has a few 
limitations ( as has already been touched by David and Per) but it is 
one of those boxes which has a very distinctive character.
If I could bring up another ( elder), very interesting box, it would be 
the Sony Dps V77.
Anyway, if I should choose one between the ones you wrote I would go 
with the Eclipse, all in all it is the most complete one and it is the 
one which has the best reverbs and delays.

my best,
luca
www.unguitar.com


Krispen Hartung wrote:

> I'd like to get your thoughts on the Eventide Eclipse, TC Electronic 
> Fireworx, TC Electrronics G-Force, and Lexicon PCM81. If I had to 
> invest in only one of these, which would give me the most tone 
> mangling / effect goodies for the buck?  The Fireworx appears to have 
> a lot of different types of effects, more than the other two from what 
> I can tell, but I'd like to hear from some of you who own these units.
>
> I'm looking for a unit, preferrable, that has all the standard delay, 
> reverb, pitch, and chorus/modulation effects, but also ring mod, 
> hopefully some quasi-synth guitar like effects, Filter, and whatever 
> else it can muster.  I've heard some really ethereal and rich pad-like 
> sounds from the Eventides, which I really like, so that is a must.
>
> Why you ask? Now that my laptop system is complete and serving me 
> well, I'm building a botique, yet simple rack system on the 
> side...Looperlative, two VF1s', and whatever I decide from the above 
> five units.
>
> Kris
>
>
>
> .
>

From Loopers-Delight-request@loopers-delight.com  Sun Jun 25 15:22:07 2006
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Subject: Re: All Access/Echoplex/Prophesy
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In a message dated 6/24/06 11:43:59 PM, mmccabe@finleysound.com writes:


> Oh.=A0 You are banking up and down when this happens?=A0 Make sure you hav=
e
> "Bank Style" set to "None".=A0 I think the default is "First" which will
> send the MIDI data of the first patch in the new bank.=A0 Page 14 in the
> manual has more info.
>=20
>=20

Hello Matt,
Thanks for responding.=20
I have Bank style set to "none," so it happens NOT when I hit the Bank "up"=20
or "down" but the bottom row of buttons (1-5)to select the preset (it is set=
 to=20
Bank by 5).    Also, the confusing thing is that CC information for each=20
preset is correct, showing nothing sent on the Echoplex channel.

The Rocktron guy claims that whenever I select a Preset button the=20
information form all the Instant Access switches is sent at the same time, a=
nd that this=20
is the source of my problem.   He also says there is no way to avoid this. =20=
 =20
This doesn't make sense to me, but he claims that it is impossible to select=
=20
a present button and send only the information programmed to that Preset if=20
you want to have access to the Instant Access switches.   I am sincerely hop=
ing=20
this is not the case.   Otherwise I will have to investigate some of the oth=
er=20
modes, like "Song" mode I suppose.=20

At any rate, I still have the same problem as before, but have since=20
discovered that the Echoplex will only respond to the All Access Preset butt=
ons=20
strangely (which I DON'T want it to do) when it is in certain configurations=
.    I=20
haven't figured it all out, but thus far I have determined that if I have=20
overdubbed anything, or have cleared the loop with a long press I am in dang=
er, but=20
if the echoplex has never recorded anything, I am safe.  =20
So far I can avoid it most of the time by hitting a few extra button presses=
.=20
  Or I end up hitting the undo button and getting unwanted sounds.   It stil=
l=20
seems like there is something funky going on though, so let me know if you=20
have any other ideas.=20

Thanks again for your help,=20
Donovan=20

--part1_528.129ee6e.31d0041a_boundary
Content-Type: text/html; charset="ISO-8859-1"
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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
In a message dated 6/24/06 11:43:59 PM, mmccabe@finleysound.com writes:<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">Oh.=A0 You are bankin=
g up and down when this happens?=A0 Make sure you have<BR>
"Bank Style" set to "None".=A0 I think the default is "First" which will<BR>
send the MIDI data of the first patch in the new bank.=A0 Page 14 in the<BR>
manual has more info.<BR>
<BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2">Hello Matt,<BR>
Thanks for responding. <BR>
I have Bank style set to "none," so it happens NOT when I hit the Bank "up"=20=
or "down" but the bottom row of buttons (1-5)to select the preset (it is set=
 to Bank by 5).&nbsp;&nbsp;  Also, the confusing thing is that CC informatio=
n for each preset is correct, showing nothing sent on the Echoplex channel.<=
BR>
<BR>
The Rocktron guy claims that whenever I select a Preset button the informati=
on form all the Instant Access switches is sent at the same time, and that t=
his is the source of my problem.&nbsp;  He also says there is no way to avoi=
d this.&nbsp;&nbsp;  This doesn't make sense to me, but he claims that it is=
 impossible to select a present button and send only the information program=
med to that Preset if you want to have access to the Instant Access switches=
.&nbsp;  I am sincerely hoping this is not the case.&nbsp;  Otherwise I will=
 have to investigate some of the other modes, like "Song" mode I suppose. <B=
R>
<BR>
At any rate, I still have the same problem as before, but have since discove=
red that the Echoplex will only respond to the All Access Preset buttons str=
angely (which I DON'T want it to do) when it is in certain configurations.&n=
bsp;&nbsp;  I haven't figured it all out, but thus far I have determined tha=
t if I have overdubbed anything, or have cleared the loop with a long press=20=
I am in danger, but if the echoplex has never recorded anything, I am safe.&=
nbsp;  <BR>
So far I can avoid it most of the time by hitting a few extra button presses=
.&nbsp;  Or I end up hitting the undo button and getting unwanted sounds.&nb=
sp;  It still seems like there is something funky going on though, so let me=
 know if you have any other ideas. <BR>
<BR>
Thanks again for your help, <BR>
Donovan <BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT></HTML>
--part1_528.129ee6e.31d0041a_boundary--

From Loopers-Delight-request@loopers-delight.com  Sun Jun 25 15:24:49 2006
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To: Loopers-Delight@loopers-delight.com
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Subject: Re: Thoughts on the Eclipse, Fireworx, G-Force, and PCM81
Date: Sun, 25 Jun 2006 09:24:45 -0600
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Thanks, Dave. Good points here. It's down to the Ecipse or Fireworx for =
me now...I need to read Per's comments, as he owns a Fireworx.  Yup, my =
VF1s have ring mod and synth tones...very nice, so that is not a show =
stopper if the new unit I buy does not have them.

On Reaktor....how are you using it as an effects processor? What modules =
are using, FastFX?  Not Metaphysical, as it is just a sound generator. =
Maybe I am missing something, but so far using Reaktor as an effect =
processor has not jumped out at me. Just let me know which of the 4 or 5 =
modules of the Reaktor suite you use, and I'll do some exploring.

Kris

  ----- Original Message -----=20
  From: David Coffin=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Sunday, June 25, 2006 2:35 AM
  Subject: Re: Thoughts on the Eclipse, Fireworx, G-Force, and PCM81


  I=92ve owned all of these. Each offers unique pleasures, to be sure, =
but the serious contenders for max mangling are only the Eventide and =
the FireworX, and I'd go for the Eventide without hesitating.


  My takes on each:
  PCM-81...a big disappointment as a mangler, even with all the add-on =
preset cards; opaque (but admittedly deep) interface, and really not a =
multi-effector; it=92s a multi-delay--get the PSP software version and =
forget this one.


  G-Force...routing and modulation heaven with a great interface, always =
have 8 types of effect available in any possible order/config, but =
effects quite conventional; pitch-shifting nowhere near as cool as the =
Eventide. With clever, patient programming, it can do some wild morphing =
stuff because of the deep mod options and many simultaneous fx, not =
because of having unusual effects.


  FireworX...should have been a G-Force on steroids, since it=92s packed =
with odd effects for sonic mayhem, but it's seriously crippled by low =
horsepower; even tho its got lots of modules to pick from, it=92s =
impossible to load more than 2 or 3 without maxing the thing out. Same =
mod power and great interface as the G-F, but what's the point of =
infinite routing options if you've only got 2-3 effects going?? I sold =
my G-Force to get one and regretted it immediately. I hated pretty much =
all the presets and never found anything in it I loved exploring. I'm =
sure it would repay deep, committed investigation because of the weird =
effects available, esp. in concert with other devices. Too bad neither =
tc device will send its ultra mod power to external devices via MIDI =
control...


  The Eclipse will only disappoint if you=92re expecting or used to the =
kind of endless programmability you=92d get with a tc, or DSP-Eventide; =
it=92s a two slot device with fixed algorithms, but these are rich and =
complex, covering all the basics in deluxe style, and filtered =
multi-delays exceptionally well...plus it=92s got that =
multi-pitch-shifting thing that nothing else can quite duplicate. It =
sounds so magnificent you=92d never regret having one, unless it only =
makes you yearn for an H8000.=20


  You=92ve already got really cool ring-mod-ing and some rudimentary =
"synth-fx" with your VF-1s; actually, it seems that low-end hardware is =
where you=92re most likely to find the richest collection of =
unique-if-cheesy fx, all of which would benefit enormously from an =
Eventide fairy-dusting down-stream.=20


  You already know my opinion of Reaktor as the weirdest and most =
endlessly re-thinkable multi-fx to beat, right? Too bad that's not =
working yet with the Receptor.....


  Have fun!
  dc










  On Jun 24, 2006, at 8:07 PM, Krispen Hartung wrote:


    I'd like to get your thoughts on the Eventide Eclipse, TC Electronic =
Fireworx, TC Electrronics G-Force, and Lexicon PCM81.



------=_NextPart_000_0407_01C69839.328C6F60
Content-Type: text/html;
	charset="Windows-1252"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Dwindows-1252">
<META content=3D"MSHTML 6.00.2900.2912" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY=20
style=3D"WORD-WRAP: break-word; khtml-nbsp-mode: space; =
khtml-line-break: after-white-space"=20
bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Thanks, Dave. Good points here. It's =
down to the=20
Ecipse or Fireworx for me now...I need to read Per's comments, as he =
owns a=20
Fireworx.&nbsp; Yup, my VF1s have ring mod and synth tones...very nice, =
so that=20
is not a show stopper if the new unit I buy does not have =
them.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>On Reaktor....how are you using it as =
an effects=20
processor? What modules are using, FastFX?&nbsp; Not Metaphysical, as it =
is just=20
a sound generator. Maybe I am missing something, but so far using =
Reaktor as an=20
effect processor has not jumped out at me. Just let me know which of the =
4 or 5=20
modules of the Reaktor suite you use, and I'll do some =
exploring.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Ddpcoffin@earthlink.net =
href=3D"mailto:dpcoffin@earthlink.net">David=20
  Coffin</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Sunday, June 25, 2006 =
2:35 AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Thoughts on the =
Eclipse,=20
  Fireworx, G-Force, and PCM81</DIV>
  <DIV><BR></DIV>I=92ve owned all of these. Each offers unique =
pleasures, to be=20
  sure, but the serious contenders for max mangling are only&nbsp;the =
Eventide=20
  and&nbsp;the FireworX, and I'd go for the Eventide without hesitating.
  <DIV><BR class=3Dkhtml-block-placeholder></DIV>
  <DIV>My takes on each:</DIV>
  <DIV>PCM-81...a big disappointment as a mangler, even with all the =
add-on=20
  preset cards; opaque (but admittedly deep) interface, and really not a =

  multi-effector; it=92s a multi-delay--get the&nbsp;PSP software =
version and=20
  forget this one.</DIV>
  <DIV><BR class=3Dkhtml-block-placeholder></DIV>
  <DIV>G-Force...routing and modulation heaven with a great interface, =
always=20
  have 8 types of effect available in any possible order/config, but =
effects=20
  quite conventional; pitch-shifting nowhere near as cool as the =
Eventide. With=20
  clever, patient programming, it can do some wild morphing stuff =
because of the=20
  deep mod options and many simultaneous fx, not because of having =
unusual=20
  effects.</DIV>
  <DIV><BR class=3Dkhtml-block-placeholder></DIV>
  <DIV>FireworX...should have been a G-Force on steroids, since it=92s =
packed with=20
  odd effects for sonic mayhem, but it's seriously crippled by low =
horsepower;=20
  even tho its got lots of modules to pick from, it=92s&nbsp;impossible =
to load=20
  more than 2 or 3 without maxing the thing out. Same mod power and =
great=20
  interface as the G-F, but what's the point of infinite routing options =
if=20
  you've only got 2-3 effects going?? I sold my G-Force to get one and =
regretted=20
  it immediately. I hated pretty much all the presets and never found =
anything=20
  in it I loved exploring. I'm sure it would repay deep, committed =
investigation=20
  because of the weird effects available, esp. in concert with other =
devices.=20
  Too bad neither tc device will send its ultra mod power to external =
devices=20
  via MIDI control...</DIV>
  <DIV><BR class=3Dkhtml-block-placeholder></DIV>
  <DIV>The Eclipse will only disappoint if you=92re expecting or used to =
the kind=20
  of endless programmability you=92d get with a tc, or DSP-Eventide; =
it=92s a two=20
  slot device with fixed algorithms, but these are rich and complex, =
covering=20
  all the basics in deluxe style, and filtered multi-delays =
exceptionally=20
  well...plus it=92s got that multi-pitch-shifting thing that nothing =
else can=20
  quite duplicate. It sounds so magnificent you=92d never regret having =
one,=20
  unless it only makes you yearn for an H8000.&nbsp;</DIV>
  <DIV><BR class=3Dkhtml-block-placeholder></DIV>
  <DIV>You=92ve already got really cool ring-mod-ing and some =
rudimentary=20
  "synth-fx" with your VF-1s; actually, it seems that low-end hardware =
is where=20
  you=92re most likely to find the richest collection of =
unique-if-cheesy fx, all=20
  of which would benefit enormously from an Eventide fairy-dusting=20
  down-stream.&nbsp;</DIV>
  <DIV><BR class=3Dkhtml-block-placeholder></DIV>
  <DIV>You already know my opinion of Reaktor as the weirdest and most =
endlessly=20
  re-thinkable multi-fx to beat, right? Too bad that's not working yet =
with the=20
  Receptor.....</DIV>
  <DIV><BR class=3Dkhtml-block-placeholder></DIV>
  <DIV>Have fun!</DIV>
  <DIV>dc</DIV>
  <DIV><BR class=3Dkhtml-block-placeholder></DIV>
  <DIV><BR class=3Dkhtml-block-placeholder></DIV>
  <DIV><BR class=3Dkhtml-block-placeholder></DIV>
  <DIV><BR class=3Dkhtml-block-placeholder></DIV>
  <DIV><BR>
  <DIV>
  <DIV>On Jun 24, 2006, at 8:07 PM, Krispen Hartung wrote:</DIV><BR=20
  class=3DApple-interchange-newline>
  <BLOCKQUOTE type=3D"cite">
    <P style=3D"MARGIN: 0px"><FONT style=3D"FONT: 14px Lucida Grande"=20
    face=3D"Lucida Grande" size=3D4>I'd like to get your thoughts on the =
Eventide=20
    Eclipse, TC Electronic Fireworx, TC Electrronics G-Force, and =
Lexicon=20
    =
PCM81.</FONT></P></BLOCKQUOTE></DIV><BR></DIV></BLOCKQUOTE></BODY></HTML>=


------=_NextPart_000_0407_01C69839.328C6F60--


From Loopers-Delight-request@loopers-delight.com  Sun Jun 25 15:28:19 2006
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To: Loopers-Delight@loopers-delight.com
References: <036401c69804$8d0edb10$0cb1ec0f@americas.hpqcorp.net> <F0AC2585-8913-49D0-8425-34C72B4A6DBA@gmail.com>
Subject: Re: Thoughts on the Eclipse, Fireworx, G-Force, and PCM81
Date: Sun, 25 Jun 2006 09:28:14 -0600
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Thanks, Per. The effects loop and lack of pre-programmed scales on the 
fireworx is not a problem fo me, as I would not use either function.  When 
you say the Eclipse is big and heavy, you just mean the length of it in the 
rack, right? Both are 1 space units.

I'm still up in the air, but I'll read on. I'd buy both if I could afford 
it.

Kris

----- Original Message ----- 
From: "Per Boysen" <perboysen@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, June 25, 2006 4:52 AM
Subject: Re: Thoughts on the Eclipse, Fireworx, G-Force, and PCM81


> On 25 jun 2006, at 05.07, Krispen Hartung wrote:
>
>> I'd like to get your thoughts on the Eventide Eclipse, TC  Electronic 
>> Fireworx, TC Electrronics G-Force, and Lexicon PCM81.
>
> Hi Kris,
>
> I own a Fireworx and I have once borrowed an Eclipse for two months  (to 
> decide which one I should go for and also to write a test review  of the 
> Eclipse for a guitar player magazine here in Sweden). I  finally went for 
> the Fireworx because I found one on a sale at a very  good price. I also 
> like that the Fireworx is smaller and lighter. The  Eclipse is quite big 
> and heavy. But sound-wise I think they are  rather equal. What the Eclipse 
> has that you won't get with the  Fireworx is the option to use 
> pre-programmed scales for the pitch  shift function. This means you can 
> use a MIDI footpedal to change  scale and have the machine add two notes 
> behind the note you are  playing, thus creating three piece chords that 
> follow the scale of  the key. To do that with the Fireworx you have to 
> stay away from the  third note when programming the patch, so you can play 
> either a  "major" or a "minor" third with your live instrument while 
> having the  machine adding fifths or quarter intervals behind you. In a 
> way I  like this "musician-craft" approach better, because it's more free 
> and doesn't lock the performer into a given key.
>
> It took some time to get into how to program the Fireworx, but since  I 
> finally managed to wrap my brains around it I just love it. Both  the 
> Fireworx and the Eventide lack the CPU power to play patches that  use all 
> available effects. Especially high resolution reverb is using  lots of 
> CPU. So you have to constantly zap between patches when you  perform and 
> lay down loop layers.
>
> One final word on the Fireworx's effect feeback loop: it sucks  because of 
> latency. When setting up patches inside the Fireworx you  can put a 
> "feedback send" or "feedback return" at any place of the  effect chain. 
> This means that part of the signal will be sent to the  units physical 
> feedback output and retrieved from the feedback input  (digital or 
> analog - but if you use the main analog input for your  signal 
> source/instrument only the digital effect send is available,  and vice 
> versa) But the signal is getting so delayed in that process  that it's not 
> usable. Speaking about "effect loops" there is also  another kind of 
> effect loop that you can set up completely inside the  Fireworx program, 
> but this is another thing and it's working  perfectly well (define an 
> "insert send" at any part of an effect  chain and retrieve that signal 
> with a "insert return" block at an  earlier part so you can "cook" the 
> sound even more by going through  the same effects again. It's a quite 
> open system and if you have the  theoretical knowledge about how to create 
> certain sound with the  normal effect arsenal you should be able to come 
> up with almost  everything on a fireworx - as long as the CPU power stays 
> with you  that is ;-)
>
> However, you can hook up the Fireworx digitally in an effect loop to  some 
> other software or hardware and then there is no latency at all.  I 
> sometimes use the Fireworx in Logic, connected digitally to the RMX 
> Multiface audio interface and in praxis it's just as having a bunch  of 
> new - non CPU bogging - plug-ins. This option also comes with the 
> Eclipse, but I never tried it.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
>
>
>
> 


From Loopers-Delight-request@loopers-delight.com  Sun Jun 25 15:30:46 2006
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Date: Sun, 25 Jun 2006 08:30:45 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Mobius part 2
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I was looking into the Native Instruments Electronic
Instruments XT 2 package to complement Reaktor.  I
take it you think it's worth it?  Fast Effects seems
like something right up my ally.

Mark

--- Krispen Hartung <khartung@cableone.net> wrote:

> > Anyone make a good Reaktor based looper?
> 
> This probably doesn't count, bu I basically run all
> the Reaktor VSTs in my 
> VST host Chainer, along with Mobius as the second to
> the last VST in the 
> Chain (reverb VST is the last).  I loop Metaphysical
> and Krypt sounds all of 
> the time....very nice to have in my system.
> 
> Kris
> 
> 
> 


__________________________________________________
Do You Yahoo!?
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From Loopers-Delight-request@loopers-delight.com  Sun Jun 25 15:31:15 2006
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References: <036401c69804$8d0edb10$0cb1ec0f@americas.hpqcorp.net> <449E9882.3010505@unguitar.com>
Subject: Re: Thoughts on the Eclipse, Fireworx, G-Force, and PCM81
Date: Sun, 25 Jun 2006 09:31:09 -0600
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Thanks, Luca.

Well, I do like clean so that is a plus for me on the Fireworx.  The Reverb 
quality is not an issue for me as I add reverb only after my looping unit, 
and I plan to use the Eclipse or Fireworx before the looper. I'm a firm 
advocate of adding reverb after and never before my looping device. I'll be 
using one of my VF1's for post loop reverb....good enough for live 
applications.

Kris

----- Original Message ----- 
From: "Luca Formentini" <luca@unguitar.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, June 25, 2006 8:06 AM
Subject: Re: Thoughts on the Eclipse, Fireworx, G-Force, and PCM81


> Hi Kris,
> I've worked with all these effects and I have a Fireworx and an Orville in 
> my rack.
> I can second all what David Coffin has said, I just add one thing:
> The Fireworx has great filters, a great compressor and a very nice formant 
> algorithm.
> I am using the Fwx mainly for loops post processing but I also want to 
> keep it available for my main guitar input as it has a "sound" which is 
> very different form the Orville ( and also from the Eclipse, which is more 
> "thick" compared to the Orville).
> The Fwx sound can be described as "sterile" by some, but I think it is one 
> of the most clean and "percussive" ones I've ever heard from these kind of 
> processors; so I like it, specially on very clean parts.
> Its reverbs are nothing compared to Eventides and Lexicon.
> It is a box that is lacking of a deeper evolution and has a few 
> limitations ( as has already been touched by David and Per) but it is one 
> of those boxes which has a very distinctive character.
> If I could bring up another ( elder), very interesting box, it would be 
> the Sony Dps V77.
> Anyway, if I should choose one between the ones you wrote I would go with 
> the Eclipse, all in all it is the most complete one and it is the one 
> which has the best reverbs and delays.
>
> my best,
> luca
> www.unguitar.com
>
>
> Krispen Hartung wrote:
>
>> I'd like to get your thoughts on the Eventide Eclipse, TC Electronic 
>> Fireworx, TC Electrronics G-Force, and Lexicon PCM81. If I had to invest 
>> in only one of these, which would give me the most tone mangling / effect 
>> goodies for the buck?  The Fireworx appears to have a lot of different 
>> types of effects, more than the other two from what I can tell, but I'd 
>> like to hear from some of you who own these units.
>>
>> I'm looking for a unit, preferrable, that has all the standard delay, 
>> reverb, pitch, and chorus/modulation effects, but also ring mod, 
>> hopefully some quasi-synth guitar like effects, Filter, and whatever else 
>> it can muster.  I've heard some really ethereal and rich pad-like sounds 
>> from the Eventides, which I really like, so that is a must.
>>
>> Why you ask? Now that my laptop system is complete and serving me well, 
>> I'm building a botique, yet simple rack system on the 
>> side...Looperlative, two VF1s', and whatever I decide from the above five 
>> units.
>>
>> Kris
>>
>>
>>
>> .
>>
>
> 


From Loopers-Delight-request@loopers-delight.com  Sun Jun 25 15:39:24 2006
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Message-ID: <20060625153923.22837.qmail@web81310.mail.mud.yahoo.com>
Date: Sun, 25 Jun 2006 08:39:23 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: RE: FOR SALE: Mesa Boogie Mark I Combo Amp
To: Loopers-Delight@loopers-delight.com
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I'm totally with you Bill, all the reasons you gave
are why I ended up ditching the JC120 so many moons
ago.  However I hear harmonica users love them.  Also,
there was something about that one super clean with
shimmering chours sound it did that just hit the spot
for me.  No matter what my rig is like I always start
off with trying to recapture that sound.

--- William Walker <billwalker@baymoon.com> wrote:

> Well, yes I was being a bit sarcastic. I believe the
> JC120 came to promise
> fro two reasons,
>  1. It has self contained stereo chorused that at
> least gives its sterile
> sound a bit of dimension. 

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From Loopers-Delight-request@loopers-delight.com  Sun Jun 25 16:37:22 2006
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Date: Sun, 25 Jun 2006 12:17:56 -0400
From: Douglas Baldwin <coyotelk@optonline.net>
Subject: Re: amp talk
To: "L.A. Angulo" <labaloops@yahoo.com>,
	Loopers-Delight@loopers-delight.com
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Yo brother-
    I just reviewed the Koch StudioTone in the August issue of Guitar One.
The StudioToine is a Class A amp with EL84 power tubes while the MultiTone
is Class AB with EL34 tubes. But if construction and attention to versatile
tone are similar (and I'll bet they are), I'll bet that amp just ROCKED. I
gave it the One Award. My only regret was that I didn't have a Mesa Boogie
Lone Star Special at the same time to compare it with. That's the only other
Class A amp I've experienced that would be in the same league.  Koch seems
like a great company: dedicated reps, great build quality, walking it like
they talk it (with very little hype).

    Luis, I wouldn't be surprised if you've found your tonal Soul Mate.
dB

From Loopers-Delight-request@loopers-delight.com  Sun Jun 25 16:40:12 2006
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Date: Sun, 25 Jun 2006 11:33:26 -0500
From: "Charlie Milkey" <pilotcp@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Novax Bass-guitar
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I have a few friends that have the novax fanned fret dingwall basses,
and they really like it...they say that the fanned fret isn't really
that hard to get used to :)
That looks like Charlie Hunter's guitar on the cover....that guy is
amazing. For anyone who doesn't know who he is, he's a jazz guitarist
who has his guitar set up with 3 bass strings and 5 guitar string and
he literally plays guitar and bass at the same time live. He even puts
a few effects on his guitar so that he can sound like a hammond as
well :)


Charlie

On 6/25/06, L.A. Angulo <labaloops@yahoo.com> wrote:
> anybody in this forum playing this bass-guitars?
> http://www.novaxguitars.com/index.html
> they seem ideal for looping!
> Luis
>
> www.luis-angulo.com
> www.myspace.com/luisangulocom
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
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>

From Loopers-Delight-request@loopers-delight.com  Sun Jun 25 17:00:37 2006
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Date: Sun, 25 Jun 2006 10:00:36 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Mobius part 2
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The ThinkPads are well known as great machines... My
fiancee has one and I almost ended up with one until
Toshiba had a great deal going on at
www.toshibadirect.com.  I ended up with a dual core 2
gig hz machine with a gig of ram, 64 meg ATI video
card, 80 gig hard drive and a DVD burner on board for
$1450.  I'm not sure if the deal is still going on but
so far I'm happy with it.  Also it has built in
firewire and a really nice bright display.  A guy who
works for an A/V company we use (I work for a company
that does corporate events) recommended the Toshiba as
that's what he uses to run various audio software...

A lot of people here have diss'd the Sony VAIOs but
one of my best friends loves his.

--- Krispen Hartung <khartung@cableone.net> wrote:

> Go for the ThinkPad...the Lenovo site let's you
> configure and order to your 
> specifications.
> 
> Kris
> 
> ----- Original Message ----- 
> From: "Andreas Wetterberg"
> <awetterberg@post.cybercity.dk>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Sunday, June 25, 2006 4:29 AM
> Subject: Re: Mobius part 2
> 
> 
> > Any 14"-or-below Intel DuoCore laptop with 1gig of
> ram or more. Thousands 
> > to choose from, probably.
> >
> > ...
> >
> > Andreas
> >
> > Todd Reynolds wrote:
> >> Dear mark, Per, Andreas...
> >>
> >> THAT DOES IT!  I have to now go out and buy my
> first ever PC in order to 
> >> run
> >> Mobius.  This is gonna drive me crazy if I don't.
> >>
> >> What is the most affordable, small and powerful
> enough PC laptop I can 
> >> buy
> >> to augment my 17 inch powerbook, operating with a
> Traveler?  Any hints??
> >> Since I don't know windows architecture or
> assemblage whatsoever, I'd 
> >> love a
> >> hint or two should you all be willing...
> >>
> >> All best,
> >>
> >> Todd
> >>
> >>
> >>
> >>
> >> On 6/24/06 2:04 PM, "Andreas Wetterberg"
> <awetterberg@post.cybercity.dk>
> >> wrote:
> >>
> >>> mark sottilaro wrote:
> >>>> OK, a while ago I fooled around with Mobius and
> >>>> Sooperlooper unsuccessfully.  Not sure why,
> probably
> >>>> under powered in the computer dept.  Well last
> week my
> >>>> Toshiba dual core 2gighz machine showed up on
> my
> >>>> doorstep (literally, I can't believe UPS
> fucking left
> >>>> it on my doorstep with no signature or attempt
> to
> >>>> leave it with a neighbor or have me pick it up
> at
> >>>> UPS!)
> >>> (immorality alert..)
> >>> Well then you never received it! Call the
> computer company! "Where's my
> >>> 2ghzDual!?" I'm sorry, but delivery people need
> to be taught an effin'
> >>> lesson sometimes... Besides, if the computer
> company don't get a
> >>> signature on their track-n-trace they'll
> probably claim it themselves.
> >>> ;)
> >>>
> >>>> For the first week I just played around with
> >>>> softsynths.  Man I love some of the instruments
> that
> >>>> come with Reaktor 5.  Anyone make a good
> Reaktor based
> >>>> looper?
> >>> I've made a tiny little looping module for
> reaktor - it can do
> >>> stuttering loop mult/div, overdubs, replace,
> sync and even do feedback
> >>> percentages above 100, to bring up old noises
> from your loop, plus you
> >>> can easily insert effects in the feedback chain
> for more craziness. I
> >>> keep meaning to touch it up and share it, but...
> yeah.. don't seem to
> >>> get around to it. Bug me by sending me enough
> emails, I guess.
> >>>
> >>> I'm getting a dual 2ghz with 2gigs of ram on
> tuesday... can't wait!
> >>>
> >>> Andreas.
> >>>
> >>
> >>
>
----------------------------------------------------------------------------
> >> -----
> >> ³Virtue is just repression waiting to go bad² -
> Trevor Exter
> >>
> >> ³Classical music is related to the past more than
> it is related to the
> >> creative part of sound² - Ornette Coleman
> >>
>
----------------------------------------------------------------------------
> >> ------ 
> >> Todd Reynolds
> >> 42-09 47th Ave 1C
> >> Sunnyside, NY  11104
> >>  Ph.    718 392-3773
> >> Mob.   917 576-6166
> >> Fax    419 781-5502
> >>  http://www.toddreynolds.com
> >>
> >>
> >> todd@toddreynolds.com
> >> 9175766166@vtext.com (155 characters or less)
> >> AIM ID: toddreyn
> >>
> >>
> >>
> >>
> >>
> >> .
> >>
> >
> > 
> 
> 
> 


__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Sun Jun 25 17:00:45 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Thoughts on the Eclipse, Fireworx, G-Force, and PCM81
Date: Sun, 25 Jun 2006 18:04:40 +0200
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On 25 jun 2006, at 17.28, Krispen Hartung wrote:

> Thanks, Per. The effects loop and lack of pre-programmed scales on  
> the fireworx is not a problem fo me, as I would not use either  
> function.  When you say the Eclipse is big and heavy, you just mean  
> the length of it in the rack, right? Both are 1 space units.

Yes, the Eclipse goes deeper into the rack. And it weights a more as  
well. When I had one for two months I found it hard to crate original  
patches that didn't sound like what I have heard other musicians  
sound like. To my taste the Eclipse had a too big impact on the  
sound. But some musicians want to use it as a standard effect box and  
then it may come in handy. My brother played me a piece by Steve Vai,  
from a record, and I immediately remembered the exact Eclipse preset  
Vai was playing through ;-)

On the Fireworx I have made twenty patches that I use and that is  
pretty much what I need. It's ok to plug an electric guitar straight  
into the Fireworx and I was able to create a good plain jazz guitar  
sound (as far as you can go in that direction with a Strat). I like  
the compressors, the filters and the pitch shifters. Luca is right  
about the "clean" sound of the Fwrx. Check out this demo of a  
Telecaster plugged straight into the Fireworx: http:// 
www.looproom.com/audio/mobjam2.mp3  I think that recording shows well  
how the Fireworx compressors and pitch shifters sound on a clean  
guitar sound.

I also managed to make a cool sound with lots of loooong reverb and  
then a filter cutting down the reverb treble. The built in step  
sequencer, programmed as a hihat pattern, runs the dynamic filter cut- 
off and a LFO synced to song tempo adjusts the speed of the "hi-hat  
filtering". An expression pedal sweeps between all open reverb sound  
and totally "beat sync filtered" reverb. I think the layout of the  
Fireworx makes it easy to come up with such fantasy patches.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Sun Jun 25 17:09:44 2006
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Date: Sun, 25 Jun 2006 10:09:42 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Thoughts on the Eclipse, Fireworx, G-Force, and PCM81
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You mention the PCM81, and I agree with the fellow who
said get the PSP plug in. I own it and it's great...
actually like Augustus Loop more but that's another
conversation...

If you like the Lexicon sound I recommend maybe a
MPX-1.  I honestly never compared it to any of the
machines you asked about, but I've always loved mine
and they can be found rather inexpensively on ebay.  I
think mine was abount $400 at Guitar Center but it
could have been a return and had definately been in
their demo rack for a while.

Anyway, I think it has great sound and a decent amount
of horsepower. I love the fact that it has an A/B
button so you can do a timed slide from one set of
perameters to another.

M

--- Per Boysen <perboysen@gmail.com> wrote:

> On 25 jun 2006, at 05.07, Krispen Hartung wrote:
> 
> > I'd like to get your thoughts on the Eventide
> Eclipse, TC  
> > Electronic Fireworx, TC Electrronics G-Force, and
> Lexicon PCM81.
> 
> Hi Kris,
> 
> I own a Fireworx and I have once borrowed an Eclipse
> for two months  
> (to decide which one I should go for and also to
> write a test review  
> of the Eclipse for a guitar player magazine here in
> Sweden). I  
> finally went for the Fireworx because I found one on
> a sale at a very  
> good price. I also like that the Fireworx is smaller
> and lighter. The  
> Eclipse is quite big and heavy. But sound-wise I
> think they are  
> rather equal. What the Eclipse has that you won't
> get with the  
> Fireworx is the option to use pre-programmed scales
> for the pitch  
> shift function. This means you can use a MIDI
> footpedal to change  
> scale and have the machine add two notes behind the
> note you are  
> playing, thus creating three piece chords that
> follow the scale of  
> the key. To do that with the Fireworx you have to
> stay away from the  
> third note when programming the patch, so you can
> play either a  
> "major" or a "minor" third with your live instrument
> while having the  
> machine adding fifths or quarter intervals behind
> you. In a way I  
> like this "musician-craft" approach better, because
> it's more free  
> and doesn't lock the performer into a given key.
> 
> It took some time to get into how to program the
> Fireworx, but since  
> I finally managed to wrap my brains around it I just
> love it. Both  
> the Fireworx and the Eventide lack the CPU power to
> play patches that  
> use all available effects. Especially high
> resolution reverb is using  
> lots of CPU. So you have to constantly zap between
> patches when you  
> perform and lay down loop layers.
> 
> One final word on the Fireworx's effect feeback
> loop: it sucks  
> because of latency. When setting up patches inside
> the Fireworx you  
> can put a "feedback send" or "feedback return" at
> any place of the  
> effect chain. This means that part of the signal
> will be sent to the  
> units physical feedback output and retrieved from
> the feedback input  
> (digital or analog - but if you use the main analog
> input for your  
> signal source/instrument only the digital effect
> send is available,  
> and vice versa) But the signal is getting so delayed
> in that process  
> that it's not usable. Speaking about "effect loops"
> there is also  
> another kind of effect loop that you can set up
> completely inside the  
> Fireworx program, but this is another thing and it's
> working  
> perfectly well (define an "insert send" at any part
> of an effect  
> chain and retrieve that signal with a "insert
> return" block at an  
> earlier part so you can "cook" the sound even more
> by going through  
> the same effects again. It's a quite open system and
> if you have the  
> theoretical knowledge about how to create certain
> sound with the  
> normal effect arsenal you should be able to come up
> with almost  
> everything on a fireworx - as long as the CPU power
> stays with you  
> that is ;-)
> 
> However, you can hook up the Fireworx digitally in
> an effect loop to  
> some other software or hardware and then there is no
> latency at all.  
> I sometimes use the Fireworx in Logic, connected
> digitally to the RMX  
> Multiface audio interface and in praxis it's just as
> having a bunch  
> of new - non CPU bogging - plug-ins. This option
> also comes with the  
> Eclipse, but I never tried it.
> 
> Greetings from Sweden
> 
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
> 
> 
> 
> 


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From Loopers-Delight-request@loopers-delight.com  Sun Jun 25 17:10:19 2006
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Date: Sun, 25 Jun 2006 10:10:18 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: amp talk
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oh man i am telling you ive always been a fender fan
but this babies are even more flexible and the price
compared make them quite attractive!
Doug sorry for the dumb question but what is the
difference in quality between a class A or AB and
their tubes?
Cheers
Luis
--- Douglas Baldwin <coyotelk@optonline.net> wrote:

> Yo brother-
>     I just reviewed the Koch StudioTone in the
> August issue of Guitar One.
> The StudioToine is a Class A amp with EL84 power
> tubes while the MultiTone
> is Class AB with EL34 tubes. But if construction and
> attention to versatile
> tone are similar (and I'll bet they are), I'll bet
> that amp just ROCKED. I
> gave it the One Award. My only regret was that I
> didn't have a Mesa Boogie
> Lone Star Special at the same time to compare it
> with. That's the only other
> Class A amp I've experienced that would be in the
> same league.  Koch seems
> like a great company: dedicated reps, great build
> quality, walking it like
> they talk it (with very little hype).
> 
>     Luis, I wouldn't be surprised if you've found
> your tonal Soul Mate.
> dB
> 
> 


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From Loopers-Delight-request@loopers-delight.com  Sun Jun 25 17:12:08 2006
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Date: Sun, 25 Jun 2006 10:12:06 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: 2880 track questions...
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Thanks Kim!

Man... that seems like such an over sight in the
design of what seems like an otherwise powerful
looper.  Why you'd give it amazing storage capacity
and then cripple it by limiting it to a single loop is
recockulous.

Mark

--- Kim Flint <kflint@loopers-delight.com> wrote:

> At 02:10 PM 6/22/2006, mark sottilaro wrote:
> >Also, will it work similar to a Lexicon JamMan in
> >terms of setting up "or" tracks instead of "and
> >tracks"  By this I mean set it so that at the end
> of a
> >loop it starts recording a new track while muting
> the
> >first track giving you the ability to create tracks
> >that can be toggled between OR combined.
> 
> I asked about this when I got a demo of the 2880 at
> NAMM. It only does one 
> 4 track loop. It cannot do multiple A/B/C/etc loops.
> No switching between 
> different loops for different sections of a song.
> 
> Same with the memory card. You can only store one
> loop on the card. (no 
> matter how big the memory card is.)  The EH guy
> doing the demo suggested 
> the only way to do multiple loops is to have several
> memory cards, and pull 
> one out and put in another when you want to switch
> to the next loop. In 
> other words, if multiple loops if important to you,
> the 2880 is probably 
> not your looper.
> 
> kim
> 
> 
>
______________________________________________________________________
> Kim Flint                     | Looper's Delight
> kflint@loopers-delight.com    |
> http://www.loopers-delight.com 
> 
> 


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From Loopers-Delight-request@loopers-delight.com  Sun Jun 25 17:40:15 2006
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From: David Coffin <dpcoffin@earthlink.net>
Subject: Re: Thoughts on the Eclipse, Fireworx, G-Force, and PCM81
Date: Sun, 25 Jun 2006 10:39:52 -0700
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--Apple-Mail-1--996183228
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Hey, Kris
Didn=92t I once send you a demo CD of my favorite Reaktor fx? Maybe =20
that was the VG-8. There's a few old l-d threads about Reaktor as an =20
FX device... And have you never checked out my 35-page pdf FX =20
Tutorial in the Reaktor User Library? It=92s in the Top 100 list. =20
Reaktor mops the floor with all the hardware units you=92ve mentioned =20=

in the routing and modulation departments. Want to make instantaneous =20=

preset (snap) changes in a multi-effect ensemble using a beat-synced =20
step sequencer? No problem.
And where to begin with its FX modules....4 or 5???? Between the =20
Factory Library, the User Library, and the 2 essential Instrument add-=20=

on packs, it=92s more like 400 or 500! There's over 300 items in my =20
=94Favorite Reaktor FX=94 folder. A smattering; search these in the UL:

Delayrium
Funny Edge
harm rezo
lil3
jambient Spectral Morph
stutter delay
MadPad
12-band delay
Amor (a Vortex simulation)
Blackbird (a poor-man's Eventide)
Pachinko
Laserbrew
Stotterer
Komplex Delay
NichePiche
GaterFX

And in the Factory Lib, don't miss Travelizer, Grainstates FX and =20
especially Vierring; they're under Sample Transformers and Sequenced =20
Synthesizers.

That should get you started:)
dc




On Jun 25, 2006, at 8:24 AM, Krispen Hartung wrote:

> On Reaktor....how are you using it as an effects processor? What =20
> modules are using, FastFX?  Not Metaphysical, as it is just a sound =20=

> generator. Maybe I am missing something, but so far using Reaktor =20
> as an effect processor has not jumped out at me. Just let me know =20
> which of the 4 or 5 modules of the Reaktor suite you use, and I'll =20
> do some exploring.


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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">Hey, Kris<DIV>Didn=92t I once =
send you a demo CD of my favorite Reaktor fx? Maybe that was the VG-8. =
There's a few old l-d threads about Reaktor as an FX device... And have =
you never checked out my 35-page pdf FX Tutorial in the Reaktor User =
Library? It=92s in the Top 100 list. Reaktor mops the floor with all the =
hardware units you=92ve mentioned in the routing and modulation =
departments. Want to make instantaneous preset (snap) changes in a =
multi-effect ensemble using a beat-synced step sequencer? No =
problem.<DIV>And where to begin with its FX modules....4 or 5???? =
Between the Factory Library, the User Library, and the 2 essential =
Instrument add-on packs, it=92s more like 400 or 500!=A0There's over 300 =
items in my =94Favorite Reaktor FX=94 folder. A smattering; search these =
in the UL:</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>Delayrium</DIV><DIV>Funny =
Edge</DIV><DIV>harm rezo</DIV><DIV>lil3</DIV><DIV>jambient Spectral =
Morph</DIV><DIV>stutter delay</DIV><DIV>MadPad</DIV><DIV>12-band =
delay</DIV><DIV>Amor (a Vortex simulation)</DIV><DIV>Blackbird (a =
poor-man's =
Eventide)</DIV><DIV>Pachinko</DIV><DIV>Laserbrew</DIV><DIV>Stotterer</DIV>=
<DIV>Komplex Delay</DIV><DIV>NichePiche</DIV><DIV>GaterFX</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>And in the Factory Lib, =
don't miss=A0Travelizer, Grainstates FX and especially Vierring; they're =
under Sample Transformers and Sequenced Synthesizers.</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>That should get you =
started:)</DIV><DIV>dc</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR =
class=3D"khtml-block-placeholder"><DIV><DIV><DIV>On Jun 25, 2006, at =
8:24 AM, Krispen Hartung wrote:</DIV><BR =
class=3D"Apple-interchange-newline"><BLOCKQUOTE type=3D"cite"><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Lucida =
Grande; font-size: 14px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
text-align: auto; -khtml-text-decorations-in-effect: none; text-indent: =
0px; -apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><FONT face=3D"Arial" =
size=3D"2"><SPAN class=3D"Apple-style-span" style=3D"font-family: Arial; =
font-size: 11px; ">On Reaktor....how are you using it as an effects =
processor? What modules are using, FastFX?=A0 Not Metaphysical, as it is =
just a sound generator. Maybe I am missing something, but so far using =
Reaktor as an effect processor has not jumped out at me. Just let me =
know which of the 4 or 5 modules of the Reaktor suite you use, and I'll =
do some =
exploring.</SPAN></FONT></SPAN></BLOCKQUOTE></DIV><BR></DIV></DIV></DIV></=
BODY></HTML>=

--Apple-Mail-1--996183228--

From Loopers-Delight-request@loopers-delight.com  Sun Jun 25 17:50:45 2006
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From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Mobius part 2
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On the topic of Mobius, why do you like Chainer as a
vst host?  I know Per loves Live but I'm not sure if I
need or would use all it's functionality.  I'd rather
have something that has some midi editing/sequencing
ability.  I'm checking out Tracktion right now but I'm
curioius.

Mark

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From Loopers-Delight-request@loopers-delight.com  Sun Jun 25 18:31:43 2006
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Subject: =?WINDOWS-1252?Q?Reaktor_FX=97Was:_Thoughts_on_the_Eclipse,_Fire?=
 =?WINDOWS-1252?Q?worx,_G-Force,_and_PCM81?=
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Link to Blackbird (and other great stuff), no longer in UL:
http://aureality.midiworld.org/products/reaktor/reaktor.html

On Jun 25, 2006, at 10:39 AM, David Coffin wrote:

> Blackbird (a poor-man's Eventide)

From Loopers-Delight-request@loopers-delight.com  Sun Jun 25 18:44:26 2006
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On Jun 25, 2006, at 10:39 AM, David Coffin wrote:

> 12-band delay

Try instead:
MultiBandDelay v0.1

> lil3

Try instead:
Lilthree



--Apple-Mail-2--992311300
Content-Transfer-Encoding: quoted-printable
Content-Type: text/html;
	charset=US-ASCII

<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; "><DIV><DIV><DIV>On Jun 25, 2006, =
at 10:39 AM, David Coffin wrote:</DIV><BR =
class=3D"Apple-interchange-newline"><BLOCKQUOTE type=3D"cite"><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Lucida =
Grande; font-size: 14px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
text-align: auto; -khtml-text-decorations-in-effect: none; text-indent: =
0px; -apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; ">12-band =
delay</SPAN></BLOCKQUOTE></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>Try instead:<DIV =
style=3D"">MultiBandDelay v0.1</DIV><DIV style=3D""><BR =
class=3D"khtml-block-placeholder"></DIV><BLOCKQUOTE type=3D"cite"><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">lil3</DIV></BLOCKQUOTE><BR></DIV><DIV>Try =
instead:</DIV><DIV>Lilthree</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><BLOCKQUOTE type=3D"cite"><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT class=3D"Apple-style-span" color=3D"#9B0000" =
face=3D"Verdana" size=3D"3"><SPAN class=3D"Apple-style-span" =
style=3D"font-size: =
11px;"><B></B></SPAN></FONT></DIV></BLOCKQUOTE></DIV></BODY></HTML>=

--Apple-Mail-2--992311300--

From Loopers-Delight-request@loopers-delight.com  Sun Jun 25 18:57:29 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Mobius part 2
Date: Sun, 25 Jun 2006 20:57:23 +0200
To: Loopers-Delight@loopers-delight.com
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On 25 jun 2006, at 19.50, mark sottilaro wrote:

> On the topic of Mobius, why do you like Chainer as a
> vst host?  I know Per loves Live

Sorry to interrupt here, but I only use Live as a host when I can let  
Live set the master tempo. And that happens almost never. So in  
praxis I don't use any VST host at all. I think Mobius is so much  
more "playable" as a standalone version. When using Mobius to create  
tracks for recording projects I use the "Record Audio" function in  
Mobius that renders a file to the hard drive. Then I move that file  
into a traditional DAW (Logic is my fav) to eventually assemble the  
piece, sweeten audio, mix and master for CD or DVD.

The reason I don't like Live is that it doesn't follow MIDI clock  
very well. At least when playing solo gigs I like to have Mobius  
define the tempo and provide the master MIDI clock and last time I  
did that, in November 2005, Live "lost sync" way too often.

> but I'm not sure if I
> need or would use all it's functionality.

Live has nice plug-ins and lets you change pitch and timing, is that  
what you mean you may not need?

> I'd rather
> have something that has some midi editing/sequencing
> ability.  I'm checking out Tracktion right now but I'm
> curioius.

These days Live has MIDI sequencing and some basic MIDI editing. Live  
does not let you define MIDI groove templates from audio loops or  
MIDI loops though.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Sun Jun 25 19:09:40 2006
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Subject: Vst host was Mobius 2
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I'm sort of interested in the vst hosting discusion, I've tried a few and 
used energy xt for a while but I've recently settled in to using Bidule. 
I've found some interesting features in Bidule. My favorite is being able 
to set up different chains of effects in the same window and then activate 
whichever one I want with my midi foot pedal. The chains that aren't active 
don't draw any cpu power until you click on them.
Is anyone else here using Bidule?

Paul Haslem
Hammered Dulcimer and guitar
Ontario Canada
www.dulcify.ca

From Loopers-Delight-request@loopers-delight.com  Sun Jun 25 19:32:27 2006
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: <Loopers-Delight@loopers-delight.com>
Subject: MOINSOUND: New Kybermusik recordings online featuring Rick Walker, Charlie Milkey and again Krispen Hartung
Date: Sun, 25 Jun 2006 21:32:02 +0200
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Ok, I put some more kybermusik (virtual internet jams using Ninjam)
recordings up on the www.moinlabs.de site.

Go to http://moinlabs.byto.de/msa/i_msa_div.htm to find:

"30.4.06 - KYBERMUSIK" (3 excerpts from a 80-minute-performance):
This was the performance which combined Kris and Rick (playing at Kris' home
after the BEMF) and me (playing at www.salonerna.de). At least talking about
my performance, this was one of my weaker performances (both Ninjamming and
in general) - but with three players, the remaining two can make up for
that.
It's Rick on drums/percussion and vocal noises, Krispen on guitar and fx and
industrial drum loop and me playing bass guitar, synths and aleatoric lead
guitar.

"The Milkey Way" (4 excerpts from a two-hour-performance):
A (non-public) performance by Charlie Milkey and me - Charlie playing
4-string bass guitar with Jamman, MPX200 and Line6 Toneport/Gearbox, me
playing my weird tuning sixstring, lots of synths and effects, metronome
crosstalk and a few loopers as well.

Keep looking for more of this stuff coming soon...

	Rainer

From Loopers-Delight-request@loopers-delight.com  Sun Jun 25 20:48:04 2006
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Subject: Re: Mobius part 2
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I like Chainer because of the simplicity.  Within minutes you can pop your 
VSTs in it, add Mobius at the end, and be playing. But I wish it had more 
routing capability rather than going from one VST to another...that's that 
"chain" of the Chainer.  EnergyXT has more routing capability, and it has 
sequence capaiblity as well, I believe.

Kris

----- Original Message ----- 
From: "mark sottilaro" <zerocrossing2001@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, June 25, 2006 11:50 AM
Subject: Re: Mobius part 2


> On the topic of Mobius, why do you like Chainer as a
> vst host?  I know Per loves Live but I'm not sure if I
> need or would use all it's functionality.  I'd rather
> have something that has some midi editing/sequencing
> ability.  I'm checking out Tracktion right now but I'm
> curioius.
>
> Mark
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>
> 


From Loopers-Delight-request@loopers-delight.com  Sun Jun 25 22:00:47 2006
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From: "hazard factor" <artists@hazardfactor.com>
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Subject: RE: looper in guitar player
Date: Sun, 25 Jun 2006 18:00:41 -0400
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This is a multi-part message in MIME format.

------=_NextPart_000_0067_01C69881.4665FD10
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	charset="us-ascii"
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Oh my, I haven't even seen it yet. I took a chance sending some looping
music to Mike Varney...cool, man! 
 
Dave Eichenberger 
 <http://www.hazardfactor.com/> http://www.hazardfactor.com                
 <http://www.myspace.com/hazardfactor> http://www.myspace.com/hazardfactor  

 


  _____  

From: Nemoguitt@aol.com [mailto:Nemoguitt@aol.com] 
Sent: Saturday, June 24, 2006 10:36 AM
To: Loopers-Delight@loopers-delight.com
Subject: looper in guitar player


a big CONGRATS to DAVE EICHENBERGER for getting into this months
G.P......koolness!.....i think my LOOPPOLKA band concept will get my mug on
da cover baby!.....:).....michael



www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11



------=_NextPart_000_0067_01C69881.4665FD10
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	charset="us-ascii"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Dus-ascii">
<META content=3D"MSHTML 6.00.2900.2912" name=3DGENERATOR></HEAD>
<BODY>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D706562019-24062006><FONT =
face=3DArial=20
size=3D2>Oh my, I haven't even seen it yet. I took a chance sending some =
looping=20
music to Mike Varney...cool, man! </FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D706562019-24062006><FONT =
face=3DArial=20
size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D706562019-24062006><!-- =
Converted from text/plain format -->
<P><FONT size=3D2>Dave Eichenberger<SPAN class=3D706562019-24062006>=20
</SPAN><BR></FONT><A href=3D"http://www.hazardfactor.com/"><FONT=20
size=3D2>http://www.hazardfactor.com</FONT></A><FONT=20
size=3D2>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;<SPAN=20
class=3D706562019-24062006> </SPAN><BR></FONT><A=20
href=3D"http://www.myspace.com/hazardfactor"><FONT=20
size=3D2>http://www.myspace.com/hazardfactor</FONT></A><FONT =
size=3D2>&nbsp;<SPAN=20
class=3D706562019-24062006> </SPAN></FONT></SPAN></P></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN =
class=3D706562019-24062006></SPAN>&nbsp;</DIV><BR>
<BLOCKQUOTE=20
style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px =
solid; MARGIN-RIGHT: 0px">
  <DIV class=3DOutlookMessageHeader lang=3Den-us dir=3Dltr align=3Dleft>
  <HR tabIndex=3D-1>
  <FONT face=3DTahoma size=3D2><B>From:</B> Nemoguitt@aol.com=20
  [mailto:Nemoguitt@aol.com] <BR><B>Sent:</B> Saturday, June 24, 2006 =
10:36=20
  AM<BR><B>To:</B> =
Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> looper=20
  in guitar player<BR></FONT><BR></DIV>
  <DIV></DIV><FONT face=3Darial,helvetica><FONT face=3DGeneva size=3D2=20
  FAMILY=3D"SANSSERIF">a big CONGRATS to DAVE EICHENBERGER for getting =
into this=20
  months G.P......koolness!.....i think my LOOPPOLKA band concept will =
get my=20
  mug on da cover=20
  =
baby!.....:).....michael<BR><BR><BR><BR>www.ct-collective.com<BR>http://m=
ysite.verizon.net/vzepmeci/<BR>http://www.myspace.com/klobuchar11<BR></BL=
OCKQUOTE></FONT><FONT=20
face=3DGeneva size=3D2 FAMILY=3D"SANSSERIF"></FONT></FONT></BODY></HTML>

------=_NextPart_000_0067_01C69881.4665FD10--

From Loopers-Delight-request@loopers-delight.com  Sun Jun 25 22:03:19 2006
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hazard factor wrote:

> Oh my, I haven't even seen it yet. I took a chance sending some 
> looping music to Mike Varney...cool, man!
>
I just saw it yesterday Dave!


-- 
* David Beardsley
* microtonal guitar
* http://biink.com/db

From Loopers-Delight-request@loopers-delight.com  Sun Jun 25 23:58:07 2006
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From: "PiNG" <ping@theambientping.com>
To: "Ambient@hyperreal" <ambient@hyperreal.org>,
	"Dark Seeds" <DarkSeedsNews@yahoogroups.com>,
	"Drone Deep Chill" <drone_deep_chill@yahoogroups.com>,
	"Loopers Delight" <Loopers-Delight@loopers-delight.com>,
	"The Ambient Way" <the_ambient_way@yahoogroups.com>,
	<vaguediscuss@vagueterrain.net>
Subject: the PiNG presents PHOLDE and ARC with NOiNO
Date: Sun, 25 Jun 2006 19:58:22 -0400
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Resent-Date: Sun, 25 Jun 2006 23:58:07 +0000 (UTC)

AMBiENT PiNG RADiO iS NOW JUST A CLiCK AWAY @:
http://www.ambientpingradio.com
more info here: http://www.theambientping.com/radio.html

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .=20

THE AMBiENT PiNG  .  http://www.theambientping.com
presents AMBiENT PiNG TUESDAYS =20
@ HACiENDA . 794 Bathurst Street at Bloor . Toronto=20
(NW corner, upstairs across from the Bathurst subway station)=20
Doors open at 9pm . 1st set at 9:30 . PayWhatYouCan=20

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .=20

THiS Tuesday June 27th . PHOLDE and ARC with NOiNO

PHOLDE (Alan Bloor) and ARC (Aidan Baker, Rich Baker=20
and Chris Kukiel) return to the PiNG with NOiNO (James=20
Bailey, Matthew Poulakakis and Jamie Todd)=20
to bend, fold and mutilate sound.

Up first, PHOLDE strokes, bows and caresses his metal=20
sculptures into an amorphous soundscape to be welded=20
with the sonic shiftings of the NOiNO aggregate into=20
an organic, electronic, metallic, sonorous tapestry.
http://www.pingthings.com/ALANBLOOR.htm

Next up, ARC's guitar drones and pulse driven drums and=20
percussion will be augmented with the found, sampled,=20
synthetic sounds and rhythmic machinery of NOiNO in an=20
all out jam to celebrate improvisational bands that were=20
born out of desire and necessity on the PiNG stage.
http://www.pingthings.com/ARCferal.htm=20

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .=20

Before Sets CD . "blacklight days ep" by canartic
We'll be spinning the downtempo sounds of canartic who will be=20
visiting the PiNG on July 20th. http://www.dankdisk.com

Between Sets CD . "Beneath the Sky" by Lammergeyer
Visit http://www.pingthings.com/LAMMERGEYERbeneath.htm
to find out more about this week's between set CD and tune in to=20
ping things radio every Sun & Wed from 9pm to 12 midnight EST=20
at http://www.ambientpingradio.com
to hear music from this and other discs in the ping things catalogue.

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .=20

COMiNG Tuesday July 4th . A Worthy Summer=20
Worthy Records Night 1 featuring Josh St. Denis and -243 =B0C=20
with special guest Anne Sulikowski

As our neighbours to the south celebrate Independence Day,=20
we celebrate by welcoming back our favourite independent=20
label, Worthy Records for the first of two summer in the city=20
performances. Night 1 features the electronic manipulations=20
of Josh St. Denis and the mysterious sounds of -243 =B0C.=20
Ending the night is a collaboration between these two=20
projects with guest Anne Sulikowski joining them on keys.

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .=20

* Other Toronto area sonic/visual events of interest this week:

* Wednesday, June 28th . SKI MEAT~
   Tusco Terror, Hzmt, Josh Thorpe and Anna-Linda Siddall,
   John Kameel-Farah, The Pederast
   9pm . the BAGEL (285 College St.) . $5

* Thursday June 29th . Improvisors' Pool
   The improvisors' pool is a weekly gathering for musicians=20
   who practice collective free improvisation. It welcomes players=20
   of all levels and backgrounds.
   7:00-9:00 . Ralph Thornton Centre 765 Queen Street East =20

* Friday June 30th . AIMT Presents in association with=20
   Arraymusic presents The Leftover Daylight Series
   i geo's fast trip + susie burpee [susie burpee (dance)=20
   geordie haley (guitar, effects) ronda rindone (clarinets)=20
   joe sorbara (drums, percussion)]
   ii adjemian/ lumley/ valdivia [jonathan adjemian (analog synth)=20
   aaron lumley (guitar) brandon valdivia (drums)]
   iii anthony/ cordier/ o/ overton [colin anthony (piano)=20
   vanda cordier (voice) cheryl o (cello, electronics)=20
   mike overton (bass)]
   june's guest curator is James Bailey  =20
   9pm . the arraymusic studio (60 atlantic ave, suite 218) . $10/$6

* Friday June 30th . Eric Stach  presents THE SCREAM =20
   a festival of New Music, Noise/Sound IMPROVISATION
   a 10 week Friday Night Series May 5th to July 7th
   Musicians are welcome to drop by and play
   Place: 105 Clarence Street, London, Ontario, between
   Hill and South, west of Wellington.=20
   9:30pm -1:00 am  Every FRIDAY NIGHT no cover byob
  =20
* Saturday July 1st . Religious Knives (Mouthus, Double Leopards),
   Zodiac Mountain (Wooden Wand & Clay Ruby), Wyrd Visions,
   Impending Death Blues Band (Ryan Driver, Andrew Zukerman,=20
   Marcus Quinn), Geo's Fast Trio feat. Susie Burpee (Geordie=20
   Haley, Joe Sorbara, Rohonda Rindone)
   9PM .  The Tranzac (292 Brunswick Ave.) . $8 Adv at=20
   Rotate This & Soundscapes/$10 at the Door
  =20
* Sunday July 2nd . "N" [Lina Allemano trumpet;=20
   Ryan Driver analog synth & piano; Rob Clutton bass.]
   10pm . Tranzac (292 Brunswick Ave)

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .=20

THE AMBiENT PiNG is a social sound/art event presenting live=20
performances by Toronto's finest ambient, chillout, improv and=20
experimental music artists plus performers from around the world,=20
every Tuesday evening at HACiENDA . 794 Bathurst Street at Bloor.=20
http://www.theambientping.com=20

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .=20

Please forward this e-mail to any friends who may be interested in=20
live ambient, chillout and experimental music performances or to=20
any of your appropriate newsgroups. Thanks.

From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 03:55:56 2006
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Date: Sun, 25 Jun 2006 20:55:54 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Mobius part 2
To: Loopers-Delight@loopers-delight.com
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Ah, thanks for the clarification Per, I'd read you
used Live and used Mobius alone as well, but i guess I
was unclear as to what ends each was used.

But it made me think about how I intend to use my
host.

In one sense I want it to be super simple like
Chainer.  In this sense the laptop will act as a
dedicated looper/processor (maybe a soft synth every
now and then)

However, my hope is to also use it live where it
provides sequenced beats and loops.... OK, and maybe a
VSTi every now and then.  (Man I love grainstates!)

So, as a wise man once said "A well asked question
answers itself."  Perhaps I'm looking for 2 things and
a single program isn't the answer.  Maybe Chainer and
Energy XT will do the jobs and they're both in my
budget for sure. (Live is a little pricey right now...
although I guess I have an upgrade deal from a light
version...)

Thanks

Mark

--- Per Boysen <perboysen@gmail.com> wrote:

> On 25 jun 2006, at 19.50, mark sottilaro wrote:
> 
> > On the topic of Mobius, why do you like Chainer as
> a
> > vst host?  I know Per loves Live
> 
> Sorry to interrupt here, but I only use Live as a
> host when I can let  
> Live set the master tempo. And that happens almost
> never. So in  
> praxis I don't use any VST host at all. I think
> Mobius is so much  
> more "playable" as a standalone version. When using
> Mobius to create  
> tracks for recording projects I use the "Record
> Audio" function in  
> Mobius that renders a file to the hard drive. Then I
> move that file  
> into a traditional DAW (Logic is my fav) to
> eventually assemble the  
> piece, sweeten audio, mix and master for CD or DVD.
> 
> The reason I don't like Live is that it doesn't
> follow MIDI clock  
> very well. At least when playing solo gigs I like to
> have Mobius  
> define the tempo and provide the master MIDI clock
> and last time I  
> did that, in November 2005, Live "lost sync" way too
> often.
> 
> > but I'm not sure if I
> > need or would use all it's functionality.
> 
> Live has nice plug-ins and lets you change pitch and
> timing, is that  
> what you mean you may not need?
> 
> > I'd rather
> > have something that has some midi
> editing/sequencing
> > ability.  I'm checking out Tracktion right now but
> I'm
> > curioius.
> 
> These days Live has MIDI sequencing and some basic
> MIDI editing. Live  
> does not let you define MIDI groove templates from
> audio loops or  
> MIDI loops though.
> 
> Greetings from Sweden
> 
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
> 
> 
> 
> 


__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 04:08:53 2006
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Date: Sun, 25 Jun 2006 21:08:52 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Mobius part 2
To: Loopers-Delight@loopers-delight.com
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You know, I love this list.  Man I'm soaking it all up
and loving every word.  I'm on a lot of lists but this
is by FAR the best overall group in terms of just
knowledgable, smart and nice people.  Krispen, I feel
like I'm on a very similar path as you and it's nice
that you're up in front.  As much as I cringed when
you had issues with your vsts, I took it all in and
it's been a tremendous help.   Per, you're part of the
"Lewis and Clark" expedition (Early American explorers
to our non American pals.  Who explored Sweden?  I
have no idea... I should ;) ) that's helping my
"Louisinia Purchase"

Thanks again kids.

Mark

--- Krispen Hartung <khartung@cableone.net> wrote:

> I like Chainer because of the simplicity.  Within
> minutes you can pop your 
> VSTs in it, add Mobius at the end, and be playing.
> But I wish it had more 
> routing capability rather than going from one VST to
> another...that's that 
> "chain" of the Chainer.  EnergyXT has more routing
> capability, and it has 
> sequence capaiblity as well, I believe.
> 
> Kris
> 
> ----- Original Message ----- 
> From: "mark sottilaro" <zerocrossing2001@yahoo.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Sunday, June 25, 2006 11:50 AM
> Subject: Re: Mobius part 2
> 
> 
> > On the topic of Mobius, why do you like Chainer as
> a
> > vst host?  I know Per loves Live but I'm not sure
> if I
> > need or would use all it's functionality.  I'd
> rather
> > have something that has some midi
> editing/sequencing
> > ability.  I'm checking out Tracktion right now but
> I'm
> > curioius.
> >
> > Mark
> >
> > __________________________________________________
> > Do You Yahoo!?
> > Tired of spam?  Yahoo! Mail has the best spam
> protection around
> > http://mail.yahoo.com
> >
> > 
> 
> 
> 


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From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 04:54:25 2006
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Date: Sun, 25 Jun 2006 21:54:23 -0700 (PDT)
From: daniel stevenson <stillllscary@yahoo.com>
Subject: Re: Novax Bass-guitar
To: Loopers-Delight@loopers-delight.com
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   wow those novax are nice.i would like to check out
some of their double necks & acoustics.that 8 string
charlie hunter looks like a very interesting beast to
unleash...LOL unleash the fury!hahahaha fuckin yngwie,
what a ham.
   hell yeah they do ideal for looping with,"good
heads up" i forgot all about novax,they seem to have
evolved vigorously i remember them from a long time
ago,about the same time the chapman stick was comin
out.do they still make chapman sticks?im going to do
some surfin ...over and out.

--- "L.A. Angulo" <labaloops@yahoo.com> wrote:

> anybody in this forum playing this bass-guitars?
> http://www.novaxguitars.com/index.html
> they seem ideal for looping!
> Luis
> 
> www.luis-angulo.com
> www.myspace.com/luisangulocom
> 
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam
> protection around 
> http://mail.yahoo.com 
> 
> 


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From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 06:07:10 2006
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Date: Sun, 25 Jun 2006 23:07:07 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: Novax Bass-guitar
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most certainly!
http://www.stick.com/
cheers
Luis

--- daniel stevenson <stillllscary@yahoo.com> wrote:

>    wow those novax are nice.i would like to check
> out
> some of their double necks & acoustics.that 8 string
> charlie hunter looks like a very interesting beast
> to
> unleash...LOL unleash the fury!hahahaha fuckin
> yngwie,
> what a ham.
>    hell yeah they do ideal for looping with,"good
> heads up" i forgot all about novax,they seem to have
> evolved vigorously i remember them from a long time
> ago,about the same time the chapman stick was comin
> out.do they still make chapman sticks?im going to do
> some surfin ...over and out.
> 
> --- "L.A. Angulo" <labaloops@yahoo.com> wrote:
> 
> > anybody in this forum playing this bass-guitars?
> > http://www.novaxguitars.com/index.html
> > they seem ideal for looping!
> > Luis
> > 
> > www.luis-angulo.com
> > www.myspace.com/luisangulocom
> > 
> > __________________________________________________
> > Do You Yahoo!?
> > Tired of spam?  Yahoo! Mail has the best spam
> > protection around 
> > http://mail.yahoo.com 
> > 
> > 
> 
> 
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam
> protection around 
> http://mail.yahoo.com 
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 06:34:02 2006
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Date: Mon, 26 Jun 2006 01:33:57 -0500
To: Loopers-Delight@loopers-delight.com
From: mech <mech@m3ch.net>
Subject: RE: Vox Tonelab (was: FOR SALE: Mesa Boogie Mark I Combo Amp)
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Oh my, oh my, oh my -- what in the world have I gotten myself into now...

Welp, Mark, based on yours and Bill's impression of the Tonelab -- 
both here now as well as in the past -- I finally got myself down to 
the local guitar megagoogleplex today, and picked up a Tonelab of my 
very own.  Now, I've spent the last, ohhhhhhh, let's say SEVEN HOURS 
just running through tweezing the presets and basking in all of its 
new gear, glowing tube goodiness.

And all I can say right now is: wow!  This is much, much more than I 
bargained for.

I'd merely been thinking of something to punch up a somewhat flat 
powered monitor; something that could be dropped in as the last stage 
with a "set it and forget it" preset just to add some more warmth and 
dynamics to the overall mix.  Okay, the Tonelab doesn't seem like 
it's going to fit the bill for that, and right now I really don't 
care.  I'm now in the process of rearchitecting my pedalboard's 
signal path so that I can actually take better advantage of all the 
different tones which the little blue meanie is capable.

My only regret is that it's gonna take me a year to really get my 
head around all the nuances within this box.  Sure, the presets 
themselves are a snap, but since each of the different models really 
seem to play like real amps, its almost like learning each one as a 
new instrument.

Very, very kewl box.  Thanks again for the recommendation, guys!!!

	--m.



At 11:24 AM -0700 6/23/06, mark sottilaro wrote:
>The good thing about the tonelab is that you can
>bypass the preamp or cab models if you'd like.  I've
>never tried keyboards but I run my acoustic guitar and
>bass through it with pretty good results.  Remember
>most guitar preamps roll off quite quickly after 8K or
>so and you're not going ot want your keyboard sounds
>to do that.... or maybe you do.  Low end wont' be an
>issue, but bass has a drop-d bridge set up and it
>seems to do fine. (I come out of the tonelab and go
>into a Soundcraft board and on to Mackie studio
>monitors.)
>
>If I remember I'll run the output of one of my synths
>though it and see how it works.
>
>Mark
>
>--- mech <mech@m3ch.net> wrote:
>
>>  At 10:10 AM -0700 6/23/06, mark sottilaro wrote:
>>  >
>>  >Wait!  There's MORE!  I did find a way to get a
>>  good
>>  >JC120 sound out of the Tonelab!  I forget how
>>  now...
>>  >I'll check tonight and let you know.  I know the
>>  key
>>  >was leaving out either the amp modeling stage or
>>  cab
>>  >modeling stage.  Also, I found I got better results
>>  >when I use the VF-1's stereo chorus (which I know
>>  Kris
>>  >has a couple of)
>>
>>  Hey Mark!  Have you ever tried running keyboards or
>>  bass through your
>>  Tonelab?  If so, how well did it take to processing
>>  instruments
>>  having a full-range of frequency content, especially
>>  the low end?
>>
>>  I've got a powered PA monitor that I'd like to warm
>>  up a bit (Gemini
>>  GX-350; think of it as in the same ballpark as a
>>  Mackie or JBL Eon)
>>  and I'm thinking the Tonelab might give a better
>>  playing response
>>  than your average tube mic preamp.  Dunno how well
>>  the Tonelab deals
>>  with a full frequency spectrum though...
>>
>>  TIA!
>>	--m.
>>  --
>>  _______
>>  "Behind every fear lies a wish, don't you think...?"
>>
>>
>
>
>__________________________________________________
>Do You Yahoo!?
>Tired of spam?  Yahoo! Mail has the best spam protection around
>http://mail.yahoo.com

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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Mobius part 2
Date: Mon, 26 Jun 2006 10:43:00 +0200
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On 26 jun 2006, at 05.55, mark sottilaro wrote:

> However, my hope is to also use it live where it
> provides sequenced beats and loops.... OK, and maybe a
> VSTi every now and then.  (Man I love grainstates!)


Live would be perfect for that. The only issue with Live is to run it  
as the MIDI clock sync slave, but I know from your previous post that  
you prefer syncing your loopers and then you can let Live be the  
master clock. Regarding the price tag of Live you have to also look  
consider all those plug-ins you get with the application. Getting the  
same arsenal of effects as third-party VST plug-ins would cost a  
fortune.

>  Per, you're part of the
> "Lewis and Clark" expedition (Early American explorers
> to our non American pals.  Who explored Sweden?

Mark. I love your straight forward American attitude! I guess Sweden  
was explored by the guys that always have been hanging around here. A  
Swede (the viking Leif Eriksson) explored America about thousand  
years ago and another Swede went to the north pole about hundred  
years ago. Eventually the north pole guys was Norwegian... anyway not  
much difference, he froze to death and was later declared a Hero and  
Explorer ;-)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



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From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 09:19:13 2006
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>Is anyone else here using Bidule?

Not used it live, and not seriously for music, but use it to test plug-ins.

Bidule is very efficient with processing power,
let's you chain vst FX in any way you want,
has excellent facilities for syncing whichever FX
you want to together in groups,
and can record to HD.

It's not like Ableton which seems to be good for playing pre-arranged 
backing tracks,
but it looks great for live work.

andy butler
    

From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 09:21:53 2006
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... please go
and listen to his track Barnard's Loop (played on guitar and EDP) which
> still gives me the goosebumps _every_ time. 

I like very much that song !!!
thanks for share
fabio

From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 11:04:23 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Vst host was Mobius 2 now Bidule
Date: Mon, 26 Jun 2006 13:04:16 +0200
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>> Is anyone else here using Bidule?

On 26 jun 2006, at 11.19, a k butler wrote:
> Not used it live, and not seriously for music, but use it to test  
> plug-ins.
>
> Bidule is very efficient with processing power,
> let's you chain vst FX in any way you want,
> has excellent facilities for syncing whichever FX
> you want to together in groups,
> and can record to HD.
>
> It's not like Ableton which seems to be good for playing pre- 
> arranged backing tracks,
> but it looks great for live work.
>
> andy butler

I was so impressed with Bidule that I payed for the new version. I  
especially like the fact that you can invest time into learning it  
without having to be forced into using either Windows or Mac in the  
future; Bidule is fully cross platform compatible. I have not yet  
found time to get deep with Bidule but I know that Matthias Loibner  
is very competent with it and uses it live to host Mobius and stack  
VST plug-in effects.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 12:18:33 2006
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From: "Buzap Buzap" <buzap@gmx.net>
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Hi folks

I really liked what I have seen of Mobius so far.
Still, I just got myself a Mac and would like to be working on that platfrom.
Any chance Mobius will be ported to Mac platform someday? Or anything like Linux"Mac trick?

Would be really nice to see this functionality on the Mac.
Currently, I've tried Mobius just on my business notebook.

Maybe it will work on my old Win notebook. What are _realistic_ minimum hardware specs for a Mobius setup with 8 loops (notebook with Mobius - running nothing else... well... maybe some effects... ;-)

Regards
Buzap
-- 


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From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 13:37:36 2006
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Hi everybody
I am new to this forum...
I need to know your opinions on this issue:
We are a two (or sometimes three) man band playing many different
instruments (drums, guitar, bass, flute , vocals, moog, percussion
etc.).
We like jamming so ideas come up during improvisation. We have a PC
recording interface (Firepod) and a mixing desk. We need to be able to
make loops while jamming without interrupting the performance.
Recently we bought Boss rc 20 xl but it looks pooer to our expectations because:

1) Quantize affects ONLY the end of the loop phrase but the rest of it
,so you have to play it absolutely right!!
2) During overdubbing you only can delete your last phrase but you
always listen to the previous on the stack.
What I mean exactly: Let's say while you are jamming you start playing
over an already recorded phrase. You come up with another phrase OK
you overdub it, now you have two phrases (in the same phrase track),
then you come up with a third one but gradually you want for example,
to listen only to the first one and third one . Well you really can't
do that. You can only delete the last phrase on the stack. And you
will always be listening to the first one unless you completely change
program!
3)Also, the most important is that when I try to change the tempo the
sound becomes terribly damaged! (although there is no change of pitch)

Is there a hardware setup that could achieve these or should we use
software like Live Ableton in combination with midi foot controllers?

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From: goddard.duncan@mtvne.com
To: Loopers-Delight@loopers-delight.com
Subject: RE: 2880 track questions...
Date: Mon, 26 Jun 2006 14:38:34 +0100
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>>Man... that seems [snip] recockulous.<<

indeed. still, it might be a good way to use up a lot of smaller cfc cards
after upgrading a repeater or a digital camera... :-)

my 2880 is in the hands of a work colleague who's promised to "review" it
for me, since I had a genoqs octopus arrive at more-or-less the same time. I
played with it long enough to notice that the sound quality was reasonable,
but that functionally it comes nowhere near the repeater. in fact, it's
probably closest to the looper part of the original jam-man, with some of
the bob sellon recoding applied, perhaps.

the four loops (or two stereo loops) are all the same length, obviously, but
run at the same time instead of one after another. 
the thing therefore needs to be on a stand in front of the user so he can
use the track sliders to bring loops in & out. the footswitch controller is
thus also mandatory. I didn't use it long enough to suss the exact sequence
of tapping required to make a loop exactly the length you want & go into
overdub mode. if it can't do this, it's screwed as a looper, right? 

observational side-bar: 
most of the performing loopers I've seen who have to wait a bar before being
able to overdub (i.e. their looper goes straight into play instead of
overdub) have developed a bit of schtick whereby they make it clear to the
audience that they are a) responsible for the noise you are hearing but that
it's coming from a small box & b) as soon as they've "checked it back",
they'll join in with it again. kt tunstall used to do this, & son of dave. I
never saw anyone more at-ease with an unclocked jamman & a live drummer than
christian "bic" hayes when he was in a band called levitation.

back to the 2880:
I can imagine a scenario wherein my guitarist would "prepare" a number of
loops for a given piece, & mix them down to the separate stereo track in the
thing, thus freeing up the four monos/two stereos for his (now
not-so-)spontaneous live contributions to the same piece. 

he may even be able, on a darkened stage, to fumble the cfc cards in & out
of the thing for different numbers. if we put luminous markings on them. 
but even on his best, least technophobic days, this workflow is going to be
a bit of a chore, & is rather restrictive. & I still don't know if using an
external midi clock locks you out of pitch-mangling on the thing. so we'd
probably have to "tune-up" to his loops. not good, EH, not good.

meanwhile, across the stage, I am loading loops from one cfc card into the
ram of my repeater, copying them to another part of the same card,
track-slipping them, pitch-shifting them, fine-tuning them, trimming them,
reversing them, overdubbing them, undo-ing & redo-ing.......
'nuff said?

I remember the first time I clapped eyes on a repeater. I remember being
horrified at the garish, DJ-friendly look of the thing compared to our
jammans, which were obviously for serious grown-up musicians & not aimed at
people who dick around with turntables & get paid more than the people whose
records they play. you'll be glad to hear I don't carry that attitude around
with me much anymore, & in fact the first person I lent my repeater manual
to was a DJ. trying to drum up some sales for them, y'see. 
damn I wish I'd bought six instead of two.

duncan, equipment accumulator.


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<P><FONT SIZE=3D2>&gt;&gt;Man... that seems [snip] recockulous.&lt;&lt;</FO=
NT>
</P>

<P><FONT SIZE=3D2>indeed. still, it might be a good way to use up a lot of =
smaller cfc cards after upgrading a repeater or a digital camera... :-)</FO=
NT></P>

<P><FONT SIZE=3D2>my 2880 is in the hands of a work colleague who's promise=
d to &quot;review&quot; it for me, since I had a genoqs octopus arrive at m=
ore-or-less the same time. I played with it long enough to notice that the =
sound quality was reasonable, but that functionally it comes nowhere near t=
he repeater. in fact, it's probably closest to the looper part of the origi=
nal jam-man, with some of the bob sellon recoding applied, perhaps.</FONT><=
/P>

<P><FONT SIZE=3D2>the four loops (or two stereo loops) are all the same len=
gth, obviously, but run at the same time instead of one after another. </FO=
NT></P>

<P><FONT SIZE=3D2>the thing therefore needs to be on a stand in front of th=
e user so he can use the track sliders to bring loops in &amp; out. the foo=
tswitch controller is thus also mandatory. I didn't use it long enough to s=
uss the exact sequence of tapping required to make a loop exactly the lengt=
h you want &amp; go into overdub mode. if it can't do this, it's screwed as=
 a looper, right? </FONT></P>

<P><FONT SIZE=3D2>observational side-bar: </FONT>
<BR><FONT SIZE=3D2>most of the performing loopers I've seen who have to wai=
t a bar before being able to overdub (i.e. their looper goes straight into =
play instead of overdub) have developed a bit of schtick whereby they make =
it clear to the audience that they are a) responsible for the noise you are=
 hearing but that it's coming from a small box &amp; b) as soon as they've =
&quot;checked it back&quot;, they'll join in with it again. kt tunstall use=
d to do this, &amp; son of dave. I never saw anyone more at-ease with an un=
clocked jamman &amp; a live drummer than christian &quot;bic&quot; hayes wh=
en he was in a band called levitation.</FONT></P>

<P><FONT SIZE=3D2>back to the 2880:</FONT>
<BR><FONT SIZE=3D2>I can imagine a scenario wherein my guitarist would &quo=
t;prepare&quot; a number of loops for a given piece, &amp; mix them down to=
 the separate stereo track in the thing, thus freeing up the four monos/two=
 stereos for his (now not-so-)spontaneous live contributions to the same pi=
ece. </FONT></P>

<P><FONT SIZE=3D2>he may even be able, on a darkened stage, to fumble the c=
fc cards in &amp; out of the thing for different numbers. if we put luminou=
s markings on them. </FONT></P>

<P><FONT SIZE=3D2>but even on his best, least technophobic days, this workf=
low is going to be a bit of a chore, &amp; is rather restrictive. &amp; I s=
till don't know if using an external midi clock locks you out of pitch-mang=
ling on the thing. so we'd probably have to &quot;tune-up&quot; to his loop=
s. not good, EH, not good.</FONT></P>

<P><FONT SIZE=3D2>meanwhile, across the stage, I am loading loops from one =
cfc card into the ram of my repeater, copying them to another part of the s=
ame card, track-slipping them, pitch-shifting them, fine-tuning them, trimm=
ing them, reversing them, overdubbing them, undo-ing &amp; redo-ing.......<=
/FONT></P>

<P><FONT SIZE=3D2>'nuff said?</FONT>
</P>

<P><FONT SIZE=3D2>I remember the first time I clapped eyes on a repeater. I=
 remember being horrified at the garish, DJ-friendly look of the thing comp=
ared to our jammans, which were obviously for serious grown-up musicians &a=
mp; not aimed at people who dick around with turntables &amp; get paid more=
 than the people whose records they play. you'll be glad to hear I don't ca=
rry that attitude around with me much anymore, &amp; in fact the first pers=
on I lent my repeater manual to was a DJ. trying to drum up some sales for =
them, y'see. </FONT></P>

<P><FONT SIZE=3D2>damn I wish I'd bought six instead of two.</FONT>
</P>

<P><FONT SIZE=3D2>duncan, equipment accumulator.</FONT>
</P>

<CODE><FONT SIZE=3D3><BR>
<BR>
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<BR>
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From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 14:26:17 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Mobius on Mac someday?
Date: Mon, 26 Jun 2006 16:26:12 +0200
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On 26 jun 2006, at 14.18, Buzap Buzap wrote:

> Any chance Mobius will be ported to Mac platform someday?


Yes. Today - if you have one of those new Mac's that can run Windows  
XP as well (Boot Camp, not by emulation). Isn't that fab!

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 14:30:47 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <20060626040852.15208.qmail@web81313.mail.mud.yahoo.com>
Subject: Re: Mobius part 2
Date: Mon, 26 Jun 2006 08:30:40 -0600
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It's a blast, man...I'm just waiting for someone to create a VST host that 
is flexible enough to satisfy multiple user needs.  Chainer, EnergyXT, 
Bidule...I've used them all, but they all have their pros and cons.  I need 
a host that is simple and easy to configure, yet also provides a lot of 
flexibility.  Chainer is easy to configure, but not flexible.  And I know 
Jeff Kaiser is going to chime in here and say that MAX/MSP is the holy grail 
and key to our troubles, but I have not tested that yet.  I'm sure it has 
its Achilles Heel...they all do.

I would like a host that allows me to create a "module" of VSTs in a 
seqeence, or in parallel, and to bring that up immediately with the touch of 
a button. I know Bidule does this, but I don't want to see all the blased 
VSTs on the screen. I want to set them up, configure each VST with its own 
preset, and then hide the sequence with nothing but a button or icon that 
will activate it when I want, and  without it taking up CPU while it is 
hiding. This means a simple and uncluttered user interface...I emphasize 
uncluttered, as I don't want to see a bunch of VST plugin icons and tons of 
virtual wires strung all over my screen that looks like a rats nest.   A 
module in this case would sort of be like a virtual rack.

Or another way a host could handle this is for you to load up all the VSTs 
you want, including differenet versions with different presents, and store 
them in the background. Then you basically have a custom routing function of 
the host, where you can map the signal from one VST to another and save the 
whole sequence as a module.  And then with one button push, I call up that 
module.

I suppose the workaround would be to create multiple versions of Chainer, 
each of which would be my module of unique VST effects, save it,  and then 
pop that custom Chainer module inside Energy XT....I have no idea whether 
that would work...a VST host inside another VST host. There could be some 
contention issues.

One thing about EnergyXT that I think is a "bug" but probably a undesireable 
feature, is that the more VST plugins you load into it, the more slugglish 
it gets...even when they are not activiated. I find that odd.  If I have 5 
plugins on the screen, all not activated, it responds quickly to button 
presses, dragging the plugins around, etc. But if I have 50 plugins on my 
screen, which is what I have in Chainer, it gets really slow. There is a 
delay between pressing a button to activate a VST and it turning on, or when 
you drag a VST icon across the screen.

I'd like to experiment with Bidule again, but I lost it when I reformatted 
my old notebook, and now the free version is no longer available on the 
Plogue website.  I need to buy it, essentially.

Kris

----- Original Message ----- 
From: "mark sottilaro" <zerocrossing2001@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, June 25, 2006 10:08 PM
Subject: Re: Mobius part 2


> You know, I love this list.  Man I'm soaking it all up
> and loving every word.  I'm on a lot of lists but this
> is by FAR the best overall group in terms of just
> knowledgable, smart and nice people.  Krispen, I feel
> like I'm on a very similar path as you and it's nice
> that you're up in front.  As much as I cringed when
> you had issues with your vsts, I took it all in and
> it's been a tremendous help.   Per, you're part of the
> "Lewis and Clark" expedition (Early American explorers
> to our non American pals.  Who explored Sweden?  I
> have no idea... I should ;) ) that's helping my
> "Louisinia Purchase"
>
> Thanks again kids.
>
> Mark
>
> --- Krispen Hartung <khartung@cableone.net> wrote:
>
>> I like Chainer because of the simplicity.  Within
>> minutes you can pop your
>> VSTs in it, add Mobius at the end, and be playing.
>> But I wish it had more
>> routing capability rather than going from one VST to
>> another...that's that
>> "chain" of the Chainer.  EnergyXT has more routing
>> capability, and it has
>> sequence capaiblity as well, I believe.
>>
>> Kris
>>
>> ----- Original Message ----- 
>> From: "mark sottilaro" <zerocrossing2001@yahoo.com>
>> To: <Loopers-Delight@loopers-delight.com>
>> Sent: Sunday, June 25, 2006 11:50 AM
>> Subject: Re: Mobius part 2
>>
>>
>> > On the topic of Mobius, why do you like Chainer as
>> a
>> > vst host?  I know Per loves Live but I'm not sure
>> if I
>> > need or would use all it's functionality.  I'd
>> rather
>> > have something that has some midi
>> editing/sequencing
>> > ability.  I'm checking out Tracktion right now but
>> I'm
>> > curioius.
>> >
>> > Mark
>> >
>> > __________________________________________________
>> > Do You Yahoo!?
>> > Tired of spam?  Yahoo! Mail has the best spam
>> protection around
>> > http://mail.yahoo.com
>> >
>> >
>>
>>
>>
>
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>
> 


From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 14:37:13 2006
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Can Windows XP painlessly access the audio and midi interfaces connected to
the mac hardware?
It seems so, from this document
http://docs.info.apple.com/article.html?artnum=303572

Has anyone tried it? 

B.

> -----Original Message-----
> From: Per Boysen [mailto:perboysen@gmail.com] 
> Sent: Montag, 26. Juni 2006 16:26
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Mobius on Mac someday?
> 
> 
> On 26 jun 2006, at 14.18, Buzap Buzap wrote:
> 
> > Any chance Mobius will be ported to Mac platform someday?
> 
> 
> Yes. Today - if you have one of those new Mac's that can run Windows  
> XP as well (Boot Camp, not by emulation). Isn't that fab!
> 
> Greetings from Sweden
> 
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
> 
> 
> 
> 


From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 14:38:37 2006
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Subject: Re: Re:Vst host was Mobius 2 now Bidule
Date: Mon, 26 Jun 2006 08:38:33 -0600
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Bidule never seemed that processor efficient to me when I was using it.  I 
did some comparisons between it, Energy, and Chained, and it seems to suck 
up a bit more power just by itself with no VSTs activated, which makes sense 
given that it is more sophisticated. I found that the processor indicator 
bar would max out much easier than with my other two hosts. Although that 
was with my old notebook. I'm sure it would work great with my ThinkPad now. 
This is why I keep coming back to Chainer. By itself, it seems to require 
very little CPU, and I've been able to load up multiple complex VSTs, like 
Reaktor metaphysical, PSP84, reverb, chorus, and delay VSTs, and Mobius, and 
still be under 50% CPU utilization. Before when I did that on Bidule, the 
CPU bar hit the roof.

Kris

----- Original Message ----- 
From: "a k butler" <akbutler@tiscali.co.uk>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, June 26, 2006 3:19 AM
Subject: Re:Vst host was Mobius 2 now Bidule


>
>>Is anyone else here using Bidule?
>
> Not used it live, and not seriously for music, but use it to test 
> plug-ins.
>
> Bidule is very efficient with processing power,
> let's you chain vst FX in any way you want,
> has excellent facilities for syncing whichever FX
> you want to together in groups,
> and can record to HD.
>
> It's not like Ableton which seems to be good for playing pre-arranged 
> backing tracks,
> but it looks great for live work.
>
> andy butler
>
> 


From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 14:43:51 2006
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Subject: Re: Mobius on Mac someday?
Date: Mon, 26 Jun 2006 09:44:12 -0500
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On Jun 26, 2006, at 9:36 AM, Bernhard Wagner LD wrote:
 > Can Windows XP painlessly access the audio and midi interfaces  
connected to
 > the mac hardware?

Yes, I've tested Mobius on a MacBook Pro.  I used the internal
audio chip but I would expect it to work with a firewire interface too.

Jeff

From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 15:19:14 2006
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Subject: Re: software or hardware???
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Hi Jenny

> Is there a hardware setup that could achieve these or should we use
> software like Live Ableton in combination with midi foot controllers?
Yes, you are searching for the HOLY GRAIL OF LOOPING.

I'm looking for that, too. Still haven't found an answer yet...

Let's see what the experts on this group have to say to this... :-)
Btw, recently I've noticed one more aspect why I want to avoid hardware when playing in real-time:
Whenever I have a computer running, there are some additional thoughts have nothing to do with the music I'm playing, like: should I log-in and check my mail? Should I run a virus update?...
Always, there seems to be some parts of my brain occupied with such distracting thoughts...
You don't have that with hardware!

But still, I guess in the long run, software will reach a stability, variety and accessibility where there will be no HW alternative. But I believe we're not there - yet.

Buzap

-- 


Der GMX SmartSurfer hilft bis zu 70% Ihrer Onlinekosten zu sparen!
Ideal für Modem und ISDN: http://www.gmx.net/de/go/smartsurfer

From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 15:26:34 2006
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Hi

> > Any chance Mobius will be ported to Mac platform someday?
> Yes. Today - if you have one of those new Mac's that can run Windows  
> XP as well (Boot Camp, not by emulation). Isn't that fab!

well, this wouldn't _really_ solve the problem for me. One thing, I don't want to run Windows on my Mac. The other is: it should work together with my other SW on Mac (like your LogicPro, Per ;-)

Do you think there is a way to run it within Virtualization (i.e. Parallels) on Mac?

Of course, boot camp is better than nothing...
Maybe someone can buy the MÃ¶bius developer or someone else to port this...?

Best regards
Buzap
-- 


"Feel free" â€“ 10 GB Mailbox, 100 FreeSMS/Monat ...
Jetzt GMX TopMail testen: http://www.gmx.net/de/go/topmail

From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 15:52:00 2006
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If not the "holy grail" Iam looking for the most convenient way to
improvize while jamming. I want the easiest way to record loops "on
the fly" , playback, overdub, choose which one stops and which one
goes on all these functions without need to interrupt the whole
performance, using foot pedals mainly.

2006/6/26, Buzap Buzap <buzap@gmx.net>:
> Hi Jenny
>
> > Is there a hardware setup that could achieve these or should we use
> > software like Live Ableton in combination with midi foot controllers?
> Yes, you are searching for the HOLY GRAIL OF LOOPING.
>
> I'm looking for that, too. Still haven't found an answer yet...
>
> Let's see what the experts on this group have to say to this... :-)
> Btw, recently I've noticed one more aspect why I want to avoid hardware w=
hen playing in real-time:
> Whenever I have a computer running, there are some additional thoughts ha=
ve nothing to do with the music I'm playing, like: should I log-in and chec=
k my mail? Should I run a virus update?...
> Always, there seems to be some parts of my brain occupied with such distr=
acting thoughts...
> You don't have that with hardware!
>
> But still, I guess in the long run, software will reach a stability, vari=
ety and accessibility where there will be no HW alternative. But I believe =
we're not there - yet.
>
> Buzap
>
> --
>
>
> Der GMX SmartSurfer hilft bis zu 70% Ihrer Onlinekosten zu sparen!
> Ideal f=FCr Modem und ISDN: http://www.gmx.net/de/go/smartsurfer
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 15:52:42 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Mobius on Mac someday?
Date: Mon, 26 Jun 2006 17:52:37 +0200
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> Hi
>
>>> Any chance Mobius will be ported to Mac platform someday?
>> Yes. Today - if you have one of those new Mac's that can run Windows
>> XP as well (Boot Camp, not by emulation). Isn't that fab!
>
On 26 jun 2006, at 17.26, Buzap Buzap wrote:

> well, this wouldn't _really_ solve the problem for me. One thing, I =20=

> don't want to run Windows on my Mac.

Oh, sorry. Didn't mean to hurt... ;-)  I'd love to do that though, =20
because then I wouldn't have to keep a PC on the side for running =20
windows.

> The other is: it should work together with my other SW on Mac (like =20=

> your LogicPro, Per ;-)

I've been thinking about this too, and I guess I will always be =20
running Mobius on a separate machine. Most of my other music software =20=

run in OSX. I use to MIDI sync projects in Logic (Mac) with Mobius =20
(Win). Usually I simply use the excellent Record Audio function in =20
Mobius and move the rendered audio file over the network (or on an =20
USB stick or an external FW drive) to the Logic Mac.

But it would be fantastic if Mobius did really run in OSX so you =20
could mangle all Mobius tracks in real-time through Logics effects! =20
(Not for concert though, but for studio production)


> Do you think there is a way to run it within Virtualization (i.e. =20
> Parallels) on Mac?

I've heard reports from people that tried that this is too slow for =20
most audio applicaitons.

> Of course, boot camp is better than nothing...
> Maybe someone can buy the M=F6bius developer or someone else to port =20=

> this...?

You mean that we collectively raise money and buy Jeff Larson a =20
Macbook if he does the port?  ;-)  Like "a group buy"? Nice =20
idea... ;-))))

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 16:23:52 2006
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Date: Mon, 26 Jun 2006 12:23:48 -0400
Subject: Re: Mobius part 2
From: Todd Reynolds <toddreyn@gmail.com>
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Yes, it does have an achilles heel.  It's a learning curve which at least
for me reaches to heaven.

The other thing it's got is a severely addictive property.  Once you go max=
,
you never go bax...

All best,

T.



On 6/26/06 10:30 AM, "Krispen Hartung" <khartung@cableone.net> wrote:

> Jeff Kaiser is going to chime in here and say that MAX/MSP is the holy gr=
ail
> and key to our troubles, but I have not tested that yet.  I'm sure it has
> its Achilles Heel...they all do.

---------------------------------------------------------------------------=
-
-----
=B3Virtue is just repression waiting to go bad=B2 - Trevor Exter

=B3Classical music is related to the past more than it is related to the
creative part of sound=B2 - Ornette Coleman
---------------------------------------------------------------------------=
-
------=20
Todd Reynolds
42-09 47th Ave 1C
Sunnyside, NY  11104
=20
Ph.    718 392-3773
Mob.   917 576-6166
Fax    419 781-5502
=20
http://www.toddreynolds.com


todd@toddreynolds.com
9175766166@vtext.com (155 characters or less)
AIM ID: toddreyn




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Hi all,

Used to be here all the time 4 or 5 years ago. I've been lurking here the
past week or two, and it's good to be back.

With all the recent for sale posts I've seen on this list, I just wanted to
let everyone know that I have an Electrix Repeater up for sale on eBay too.
It's here at:
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=7424189567&rd=1&sspagenam
e=STRK%3AMESE%3AIT&rd=1

The box is in truly excellent condition as you can see from the many
pictures, and even has the collector's item mis-labeled 16 MB CFC. This box
is from the first batch produced but I did update the OS to 1.1. Sadly, I've
hardly ever used it because I have Gibson and Roland echo units. Anyway,
someone will be making quite the score here if you're looking for such a
thing...

I also have a Digitech BP-8 Bass Preamp / Processor. This is a foot
controller for bass. Very good condition. Someone is going to steal this box
if I can't get the bids up. :-) Check it out here:
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=7424184477&rd=1&sspagenam
e=STRK%3AMESE%3AIT&rd=1

Anyway, wish you all the best and it's good to see that this list remains so
vibrant!

Kevin


From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 16:31:25 2006
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From: David Coffin <dpcoffin@earthlink.net>
Subject: Reaktor FX, Was: Thoughts on the Eclipse, Fireworx, G-Force, and PCM81
Date: Mon, 26 Jun 2006 09:31:12 -0700
To: Loopers-Delight@loopers-delight.com
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FYI...

Begin forwarded message:

>
> On Jun 25, 2006, at 7:52 PM, Krispen Hartung wrote:
>> Do you have any sound samples of Reaktor only effects?
>

>
>
> Well, I just happen to have this mp3 file:
>
> http://snipurl.com/sagw-SMTYK
>
> It=92s an audio =93screen shot=94 of a few tracks that I started up, =
then =20
> clicked around in, to create realtime snippets. All are Reaktor-=20
> only fx from straight guitar input.
>
>
> dc
>
>


--Apple-Mail-1--913902732
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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">FYI...<BR><DIV><BR><DIV>Begin =
forwarded message:</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><BLOCKQUOTE =
type=3D"cite"><BLOCKQUOTE dir=3D"ltr" style=3D"PADDING-RIGHT: 0px; =
PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px solid; =
MARGIN-RIGHT: 0px"><DIV><DIV><BR><DIV><DIV>On Jun 25, 2006, at 7:52 PM, =
Krispen Hartung wrote:</DIV><BLOCKQUOTE type=3D"cite"><FONT =
class=3D"Apple-style-span" face=3D"Arial" size=3D"3"><SPAN =
class=3D"Apple-style-span" style=3D"font-size: 11px;">Do you have any =
sound samples of Reaktor only =
effects?</SPAN></FONT></BLOCKQUOTE></DIV><BR></DIV></DIV></BLOCKQUOTE></BL=
OCKQUOTE><BR class=3D"Apple-interchange-newline"><BLOCKQUOTE =
type=3D"cite"><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><FONT class=3D"Apple-style-span" =
color=3D"#000000" face=3D"Helvetica"><B><BR =
class=3D"khtml-block-placeholder"></B></FONT></DIV><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Lucida =
Grande; font-size: 14px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
text-align: auto; -khtml-text-decorations-in-effect: none; text-indent: =
0px; -apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><BLOCKQUOTE =
dir=3D"ltr" style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: =
5px; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: =
0px"><DIV><BR></DIV>Well, I just happen to have this mp3 file:<DIV><BR =
class=3D"khtml-block-placeholder"><DIV><A =
href=3D"http://snipurl.com/sagw-SMTYK"><SPAN class=3D"Apple-style-span" =
style=3D"color: rgb(0, 0, 238); -khtml-text-decorations-in-effect: =
underline; ">http://snipurl.com/sagw-SMTYK</SPAN></A></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>It=92s an audio =93screen =
shot=94 of a few tracks that I started up, then clicked around in, to =
create realtime snippets. All are Reaktor-only fx from straight guitar =
input.</DIV><DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>dc</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV></DIV></BLOCKQUOTE><BR =
class=3D"Apple-interchange-newline"></SPAN></BLOCKQUOTE></DIV><BR></BODY><=
/HTML>=

--Apple-Mail-1--913902732--

From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 16:34:07 2006
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Subject: RE: software or hardware???
Date: Mon, 26 Jun 2006 09:32:53 -0700
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From: "Veda, Qua" <qua.veda@intel.com>
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I believe the Looperlative, or Repeater will do what you want.=20
-Qua

-----Original Message-----
From: Jenny Daskalaki [mailto:jendask@gmail.com]=20
Sent: Monday, June 26, 2006 8:52 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: software or hardware???

If not the "holy grail" Iam looking for the most convenient way to
improvize while jamming. I want the easiest way to record loops "on
the fly" , playback, overdub, choose which one stops and which one
goes on all these functions without need to interrupt the whole
performance, using foot pedals mainly.

2006/6/26, Buzap Buzap <buzap@gmx.net>:
> Hi Jenny
>
> > Is there a hardware setup that could achieve these or should we use
> > software like Live Ableton in combination with midi foot =
controllers?
> Yes, you are searching for the HOLY GRAIL OF LOOPING.
>
> I'm looking for that, too. Still haven't found an answer yet...
>
> Let's see what the experts on this group have to say to this... :-)
> Btw, recently I've noticed one more aspect why I want to avoid =
hardware when playing in real-time:
> Whenever I have a computer running, there are some additional thoughts =
have nothing to do with the music I'm playing, like: should I log-in and =
check my mail? Should I run a virus update?...
> Always, there seems to be some parts of my brain occupied with such =
distracting thoughts...
> You don't have that with hardware!
>
> But still, I guess in the long run, software will reach a stability, =
variety and accessibility where there will be no HW alternative. But I =
believe we're not there - yet.
>
> Buzap
>
> --
>
>
> Der GMX SmartSurfer hilft bis zu 70% Ihrer Onlinekosten zu sparen!
> Ideal f=FCr Modem und ISDN: http://www.gmx.net/de/go/smartsurfer
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 16:35:08 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
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Subject: Re: Mobius part 2
Date: Mon, 26 Jun 2006 10:35:03 -0600
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> The other thing it's got is a severely addictive property.  Once you go 
> max,
you never go bax...

Ah hah, that explains why when I was watching Jeff play in person, he was 
hitting the buttons on his keyboard the same way those rats hit the button 
in their cages to get more heroin. :) Sorry Jeff, I couldn't resist poking 
fun with the analogy.

Kris

----- Original Message ----- 
From: "Todd Reynolds" <toddreyn@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, June 26, 2006 10:23 AM
Subject: Re: Mobius part 2


Yes, it does have an achilles heel.  It's a learning curve which at least
for me reaches to heaven.

The other thing it's got is a severely addictive property.  Once you go max,
you never go bax...

All best,

T.



On 6/26/06 10:30 AM, "Krispen Hartung" <khartung@cableone.net> wrote:

> Jeff Kaiser is going to chime in here and say that MAX/MSP is the holy 
> grail
> and key to our troubles, but I have not tested that yet.  I'm sure it has
> its Achilles Heel...they all do.

----------------------------------------------------------------------------
-----
³Virtue is just repression waiting to go bad² - Trevor Exter

³Classical music is related to the past more than it is related to the
creative part of sound² - Ornette Coleman
----------------------------------------------------------------------------
------ 
Todd Reynolds
42-09 47th Ave 1C
Sunnyside, NY  11104

Ph.    718 392-3773
Mob.   917 576-6166
Fax    419 781-5502

http://www.toddreynolds.com


todd@toddreynolds.com
9175766166@vtext.com (155 characters or less)
AIM ID: toddreyn






From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 16:43:18 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Heroin Loopers (was Mob Part 2)
Date: Mon, 26 Jun 2006 18:43:11 +0200
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>> The other thing it's got is a severely addictive property.  Once  
>> you go max,
> you never go bax...
>
On 26 jun 2006, at 18.35, Krispen Hartung wrote:

> Ah hah, that explains why when I was watching Jeff play in person,  
> he was hitting the buttons on his keyboard the same way those rats  
> hit the button in their cages to get more heroin. :) Sorry Jeff, I  
> couldn't resist poking fun with the analogy.
>
> Kris

Very funny, Kris! Now I really need to catch up a Kaiser gig some  
day!!!! ;-)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 16:46:45 2006
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Subject: Re: Reaktor FX, Was: Thoughts on the Eclipse, Fireworx, G-Force, and PCM81
Date: Mon, 26 Jun 2006 10:46:41 -0600
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------=_NextPart_000_092D_01C6990D.CED46B50
Content-Type: text/plain;
	charset="Windows-1252"
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I am going to try to provide an MP3 snapshot of my computer VST effect =
system this week. Basically, I plan to record a few seconds of each of =
my VST plugins with the most common presets I use with them (which are =
default).  I will list the VSTs as well....should be fun.

Kris

  ----- Original Message -----=20
  From: David Coffin=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Monday, June 26, 2006 10:31 AM
  Subject: Reaktor FX, Was: Thoughts on the Eclipse, Fireworx, G-Force, =
and PCM81


  FYI...



  Begin forwarded message:




      On Jun 25, 2006, at 7:52 PM, Krispen Hartung wrote:
        Do you have any sound samples of Reaktor only effects?








      Well, I just happen to have this mp3 file:


      http://snipurl.com/sagw-SMTYK


      It=92s an audio =93screen shot=94 of a few tracks that I started =
up, then clicked around in, to create realtime snippets. All are =
Reaktor-only fx from straight guitar input.




      dc






------=_NextPart_000_092D_01C6990D.CED46B50
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Dwindows-1252">
<META content=3D"MSHTML 6.00.2900.2912" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY=20
style=3D"WORD-WRAP: break-word; khtml-nbsp-mode: space; =
khtml-line-break: after-white-space"=20
bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I am going to try to provide an MP3 =
snapshot of my=20
computer VST effect system this week. Basically, I plan to record a few =
seconds=20
of each of my VST plugins with the most common presets I use with them =
(which=20
are default).&nbsp; I will list the VSTs as well....should be=20
fun.</FONT></DIV><FONT face=3DArial size=3D2>
<DIV><BR>Kris</DIV>
<DIV></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Ddpcoffin@earthlink.net =
href=3D"mailto:dpcoffin@earthlink.net">David=20
  Coffin</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, June 26, 2006 =
10:31=20
AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Reaktor FX, Was: =
Thoughts on the=20
  Eclipse, Fireworx, G-Force, and PCM81</DIV>
  <DIV><BR></DIV>FYI...<BR>
  <DIV><BR>
  <DIV>Begin forwarded message:</DIV>
  <DIV><BR class=3Dkhtml-block-placeholder></DIV>
  <BLOCKQUOTE type=3D"cite">
    <BLOCKQUOTE dir=3Dltr=20
    style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
      <DIV>
      <DIV><BR>
      <DIV>
      <DIV>On Jun 25, 2006, at 7:52 PM, Krispen Hartung wrote:</DIV>
      <BLOCKQUOTE type=3D"cite"><FONT class=3DApple-style-span =
face=3DArial=20
        size=3D3><SPAN class=3DApple-style-span style=3D"FONT-SIZE: =
11px">Do you have=20
        any sound samples of Reaktor only=20
      =
effects?</SPAN></FONT></BLOCKQUOTE></DIV><BR></DIV></DIV></BLOCKQUOTE></B=
LOCKQUOTE><BR=20
  class=3DApple-interchange-newline>
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    style=3D"WORD-SPACING: 0px; FONT: 14px Lucida Grande; =
TEXT-TRANSFORM: none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: =
normal; LETTER-SPACING: normal; BORDER-COLLAPSE: separate; =
border-spacing: 0px 0px; khtml-text-decorations-in-effect: none; =
apple-text-size-adjust: auto; orphans: 2; widows: 2">
    <BLOCKQUOTE dir=3Dltr=20
    style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
      <DIV><BR></DIV>Well, I just happen to have this mp3 file:
      <DIV><BR class=3Dkhtml-block-placeholder>
      <DIV><A href=3D"http://snipurl.com/sagw-SMTYK"><SPAN =
class=3DApple-style-span=20
      style=3D"COLOR: rgb(0,0,238); khtml-text-decorations-in-effect: =
underline">http://snipurl.com/sagw-SMTYK</SPAN></A></DIV>
      <DIV><BR class=3Dkhtml-block-placeholder></DIV>
      <DIV>It=92s an audio =93screen shot=94 of a few tracks that I =
started up, then=20
      clicked around in, to create realtime snippets. All are =
Reaktor-only fx=20
      from straight guitar input.</DIV>
      <DIV><BR class=3Dkhtml-block-placeholder></DIV>
      <DIV><BR class=3Dkhtml-block-placeholder></DIV>
      <DIV>dc</DIV>
      <DIV><BR =
class=3Dkhtml-block-placeholder></DIV></DIV></BLOCKQUOTE><BR=20
    =
class=3DApple-interchange-newline></SPAN></BLOCKQUOTE></DIV><BR></BLOCKQU=
OTE></BODY></HTML>

------=_NextPart_000_092D_01C6990D.CED46B50--


From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 17:01:20 2006
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Subject: RE: Mobius on Mac someday?
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From: "jeff larson" <jeff.larson@sailpoint.com>
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> From: Per Boysen [mailto:perboysen@gmail.com]=20
> > Maybe someone can buy the M=F6bius developer or someone else to port =
=20
> > this...?
>=20
> You mean that we collectively raise money and buy Jeff Larson a =20
> Macbook if he does the port?  ;-)

I appreciate the offer, but it's going to take a lot more than
a MacBook :-)

It isn't a hardware issue, I already have a Mac.  It's just really
complicated.  The UI will have to be almost totally rewritten, there
is some very complicated memory management code that needs to be
redesigned, and testing plugin hosts, whether VST or AU, tends to suck
the life out of you.  It may happen someday, but I would much rather
work through some of the other big items on the development list.

Jeff

From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 17:03:35 2006
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Subject: RE: Reaktor FX, Was: Thoughts on the Eclipse, Fireworx, G-Force, and PCM81
Date: Mon, 26 Jun 2006 10:03:50 -0700
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Some pretty nice stuff DC/Kris. Wish some of the pieces were longer and more
fully developed but sounds great in pseudo-surround. I have never plugged my
guitar into Reaktor, but I will try that now... thanks for the suggestion.
 
Kevin


  _____  

From: Krispen Hartung [mailto:khartung@cableone.net] 
Sent: Monday, June 26, 2006 9:47 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Reaktor FX, Was: Thoughts on the Eclipse, Fireworx, G-Force,
and PCM81


I am going to try to provide an MP3 snapshot of my computer VST effect
system this week. Basically, I plan to record a few seconds of each of my
VST plugins with the most common presets I use with them (which are
default).  I will list the VSTs as well....should be fun.


Kris
 

----- Original Message ----- 
From: David  <mailto:dpcoffin@earthlink.net> Coffin 
To: Loopers-Delight@loopers-delight.com 
Sent: Monday, June 26, 2006 10:31 AM
Subject: Reaktor FX, Was: Thoughts on the Eclipse, Fireworx, G-Force, and
PCM81

FYI...


Begin forwarded message:



On Jun 25, 2006, at 7:52 PM, Krispen Hartung wrote:

Do you have any sound samples of Reaktor only effects?








Well, I just happen to have this mp3 file: 

 <http://snipurl.com/sagw-SMTYK> http://snipurl.com/sagw-SMTYK

It's an audio "screen shot" of a few tracks that I started up, then clicked
around in, to create realtime snippets. All are Reaktor-only fx from
straight guitar input.


dc





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<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Dus-ascii">
<META content=3D"MSHTML 6.00.2900.2912" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY=20
style=3D"WORD-WRAP: break-word; khtml-nbsp-mode: space; =
khtml-line-break: after-white-space"=20
bgColor=3D#ffffff>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D109530117-26062006><FONT =
face=3DArial=20
color=3D#0000ff size=3D2>Some pretty nice stuff DC/Kris. Wish some of =
the pieces=20
were longer and more fully developed but sounds great in =
pseudo-surround. I have=20
never plugged my guitar into Reaktor, but I will try that now... thanks =
for the=20
suggestion.</FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D109530117-26062006><FONT =
face=3DArial=20
color=3D#0000ff size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D109530117-26062006><FONT =
face=3DArial=20
color=3D#0000ff size=3D2>Kevin</FONT></SPAN></DIV><BR>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px =
solid; MARGIN-RIGHT: 0px">
  <DIV class=3DOutlookMessageHeader lang=3Den-us dir=3Dltr align=3Dleft>
  <HR tabIndex=3D-1>
  <FONT face=3DTahoma size=3D2><B>From:</B> Krispen Hartung=20
  [mailto:khartung@cableone.net] <BR><B>Sent:</B> Monday, June 26, 2006 =
9:47=20
  AM<BR><B>To:</B> =
Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> Re:=20
  Reaktor FX, Was: Thoughts on the Eclipse, Fireworx, G-Force, and=20
  PCM81<BR></FONT><BR></DIV>
  <DIV></DIV>
  <DIV><FONT face=3DArial size=3D2>I am going to try to provide an MP3 =
snapshot of=20
  my computer VST effect system this week. Basically, I plan to record a =
few=20
  seconds of each of my VST plugins with the most common presets I use =
with them=20
  (which are default).&nbsp; I will list the VSTs as well....should be=20
  fun.</FONT></DIV><FONT face=3DArial size=3D2>
  <DIV><BR>Kris</DIV>
  <DIV></FONT>&nbsp;</DIV>
  <BLOCKQUOTE=20
  style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
    <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
    <DIV=20
    style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
    <A title=3Ddpcoffin@earthlink.net =
href=3D"mailto:dpcoffin@earthlink.net">David=20
    Coffin</A> </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
    title=3DLoopers-Delight@loopers-delight.com=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
    </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, June 26, 2006 =
10:31=20
    AM</DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Reaktor FX, Was: =
Thoughts on=20
    the Eclipse, Fireworx, G-Force, and PCM81</DIV>
    <DIV><BR></DIV>FYI...<BR>
    <DIV><BR>
    <DIV>Begin forwarded message:</DIV>
    <DIV><BR class=3Dkhtml-block-placeholder></DIV>
    <BLOCKQUOTE type=3D"cite">
      <BLOCKQUOTE dir=3Dltr=20
      style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
        <DIV>
        <DIV><BR>
        <DIV>
        <DIV>On Jun 25, 2006, at 7:52 PM, Krispen Hartung wrote:</DIV>
        <BLOCKQUOTE type=3D"cite"><FONT class=3DApple-style-span =
face=3DArial=20
          size=3D3><SPAN class=3DApple-style-span style=3D"FONT-SIZE: =
11px">Do you=20
          have any sound samples of Reaktor only=20
        =
effects?</SPAN></FONT></BLOCKQUOTE></DIV><BR></DIV></DIV></BLOCKQUOTE></B=
LOCKQUOTE><BR=20
    class=3DApple-interchange-newline>
    <BLOCKQUOTE type=3D"cite">
      <DIV style=3D"MARGIN: 0px"><FONT class=3DApple-style-span =
face=3DHelvetica=20
      color=3D#000000><B><BR =
class=3Dkhtml-block-placeholder></B></FONT></DIV><SPAN=20
      class=3DApple-style-span=20
      style=3D"WORD-SPACING: 0px; FONT: 14px Lucida Grande; =
TEXT-TRANSFORM: none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: =
normal; LETTER-SPACING: normal; BORDER-COLLAPSE: separate; =
border-spacing: 0px 0px; khtml-text-decorations-in-effect: none; =
apple-text-size-adjust: auto; orphans: 2; widows: 2">
      <BLOCKQUOTE dir=3Dltr=20
      style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
        <DIV><BR></DIV>Well, I just happen to have this mp3 file:=20
        <DIV><BR class=3Dkhtml-block-placeholder>
        <DIV><A href=3D"http://snipurl.com/sagw-SMTYK"><SPAN=20
        class=3DApple-style-span=20
        style=3D"COLOR: rgb(0,0,238); khtml-text-decorations-in-effect: =
underline">http://snipurl.com/sagw-SMTYK</SPAN></A></DIV>
        <DIV><BR class=3Dkhtml-block-placeholder></DIV>
        <DIV>It&#8217;s an audio &#8220;screen shot&#8221; of a few =
tracks that I started up, then=20
        clicked around in, to create realtime snippets. All are =
Reaktor-only fx=20
        from straight guitar input.</DIV>
        <DIV><BR class=3Dkhtml-block-placeholder></DIV>
        <DIV><BR class=3Dkhtml-block-placeholder></DIV>
        <DIV>dc</DIV>
        <DIV><BR =
class=3Dkhtml-block-placeholder></DIV></DIV></BLOCKQUOTE><BR=20
      =
class=3DApple-interchange-newline></SPAN></BLOCKQUOTE></DIV><BR></BLOCKQU=
OTE></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_00D6_01C69907.D2C6E9F0--


From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 17:07:08 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <00d501c69942$7f25c1f0$6601a8c0@OFFICE1>
Subject: Re: Reaktor FX, Was: Thoughts on the Eclipse, Fireworx, G-Force, and PCM81
Date: Mon, 26 Jun 2006 11:07:03 -0600
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I can't take credit for those clips, but I'll come up with my own VST =
system clips soon.
  ----- Original Message -----=20
  From: Kevin Mulvihill=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Monday, June 26, 2006 11:03 AM
  Subject: RE: Reaktor FX, Was: Thoughts on the Eclipse, Fireworx, =
G-Force, and PCM81


  Some pretty nice stuff DC/Kris. Wish some of the pieces were longer =
and more fully developed but sounds great in pseudo-surround. I have =
never plugged my guitar into Reaktor, but I will try that now... thanks =
for the suggestion.

  Kevin



-------------------------------------------------------------------------=
---
    From: Krispen Hartung [mailto:khartung@cableone.net]=20
    Sent: Monday, June 26, 2006 9:47 AM
    To: Loopers-Delight@loopers-delight.com
    Subject: Re: Reaktor FX, Was: Thoughts on the Eclipse, Fireworx, =
G-Force, and PCM81


    I am going to try to provide an MP3 snapshot of my computer VST =
effect system this week. Basically, I plan to record a few seconds of =
each of my VST plugins with the most common presets I use with them =
(which are default).  I will list the VSTs as well....should be fun.

    Kris

      ----- Original Message -----=20
      From: David Coffin=20
      To: Loopers-Delight@loopers-delight.com=20
      Sent: Monday, June 26, 2006 10:31 AM
      Subject: Reaktor FX, Was: Thoughts on the Eclipse, Fireworx, =
G-Force, and PCM81


      FYI...



      Begin forwarded message:




          On Jun 25, 2006, at 7:52 PM, Krispen Hartung wrote:
            Do you have any sound samples of Reaktor only effects?








          Well, I just happen to have this mp3 file:=20


          http://snipurl.com/sagw-SMTYK


          It's an audio "screen shot" of a few tracks that I started up, =
then clicked around in, to create realtime snippets. All are =
Reaktor-only fx from straight guitar input.




          dc






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<STYLE></STYLE>
</HEAD>
<BODY=20
style=3D"WORD-WRAP: break-word; khtml-nbsp-mode: space; =
khtml-line-break: after-white-space"=20
bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I can't take credit for those clips, =
but I'll come=20
up with my own VST system clips soon.</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dkmulvihill@comcast.net =
href=3D"mailto:kmulvihill@comcast.net">Kevin=20
  Mulvihill</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, June 26, 2006 =
11:03=20
AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RE: Reaktor FX, Was: =
Thoughts on=20
  the Eclipse, Fireworx, G-Force, and PCM81</DIV>
  <DIV><BR></DIV>
  <DIV dir=3Dltr align=3Dleft><SPAN class=3D109530117-26062006><FONT =
face=3DArial=20
  color=3D#0000ff size=3D2>Some pretty nice stuff DC/Kris. Wish some of =
the pieces=20
  were longer and more fully developed but sounds great in =
pseudo-surround. I=20
  have never plugged my guitar into Reaktor, but I will try that now... =
thanks=20
  for the suggestion.</FONT></SPAN></DIV>
  <DIV dir=3Dltr align=3Dleft><SPAN class=3D109530117-26062006><FONT =
face=3DArial=20
  color=3D#0000ff size=3D2></FONT></SPAN>&nbsp;</DIV>
  <DIV dir=3Dltr align=3Dleft><SPAN class=3D109530117-26062006><FONT =
face=3DArial=20
  color=3D#0000ff size=3D2>Kevin</FONT></SPAN></DIV><BR>
  <BLOCKQUOTE dir=3Dltr=20
  style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px =
solid; MARGIN-RIGHT: 0px">
    <DIV class=3DOutlookMessageHeader lang=3Den-us dir=3Dltr =
align=3Dleft>
    <HR tabIndex=3D-1>
    <FONT face=3DTahoma size=3D2><B>From:</B> Krispen Hartung=20
    [mailto:khartung@cableone.net] <BR><B>Sent:</B> Monday, June 26, =
2006 9:47=20
    AM<BR><B>To:</B> <A=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A><BR><B>Subject:</B>=20
    Re: Reaktor FX, Was: Thoughts on the Eclipse, Fireworx, G-Force, and =

    PCM81<BR></FONT><BR></DIV>
    <DIV></DIV>
    <DIV><FONT face=3DArial size=3D2>I am going to try to provide an MP3 =
snapshot of=20
    my computer VST effect system this week. Basically, I plan to record =
a few=20
    seconds of each of my VST plugins with the most common presets I use =
with=20
    them (which are default).&nbsp; I will list the VSTs as =
well....should be=20
    fun.</FONT></DIV><FONT face=3DArial size=3D2>
    <DIV><BR>Kris</DIV>
    <DIV></FONT>&nbsp;</DIV>
    <BLOCKQUOTE=20
    style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
      <DIV style=3D"FONT: 10pt arial">----- Original Message ----- =
</DIV>
      <DIV=20
      style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
      <A title=3Ddpcoffin@earthlink.net =
href=3D"mailto:dpcoffin@earthlink.net">David=20
      Coffin</A> </DIV>
      <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
      title=3DLoopers-Delight@loopers-delight.com=20
      =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
      </DIV>
      <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, June 26, 2006 =
10:31=20
      AM</DIV>
      <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Reaktor FX, Was: =
Thoughts on=20
      the Eclipse, Fireworx, G-Force, and PCM81</DIV>
      <DIV><BR></DIV>FYI...<BR>
      <DIV><BR>
      <DIV>Begin forwarded message:</DIV>
      <DIV><BR class=3Dkhtml-block-placeholder></DIV>
      <BLOCKQUOTE type=3D"cite">
        <BLOCKQUOTE dir=3Dltr=20
        style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: =
5px; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
          <DIV>
          <DIV><BR>
          <DIV>
          <DIV>On Jun 25, 2006, at 7:52 PM, Krispen Hartung wrote:</DIV>
          <BLOCKQUOTE type=3D"cite"><FONT class=3DApple-style-span =
face=3DArial=20
            size=3D3><SPAN class=3DApple-style-span style=3D"FONT-SIZE: =
11px">Do you=20
            have any sound samples of Reaktor only=20
          =
effects?</SPAN></FONT></BLOCKQUOTE></DIV><BR></DIV></DIV></BLOCKQUOTE></B=
LOCKQUOTE><BR=20
      class=3DApple-interchange-newline>
      <BLOCKQUOTE type=3D"cite">
        <DIV style=3D"MARGIN: 0px"><FONT class=3DApple-style-span =
face=3DHelvetica=20
        color=3D#000000><B><BR=20
        class=3Dkhtml-block-placeholder></B></FONT></DIV><SPAN=20
        class=3DApple-style-span=20
        style=3D"WORD-SPACING: 0px; FONT: 14px Lucida Grande; =
TEXT-TRANSFORM: none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: =
normal; LETTER-SPACING: normal; BORDER-COLLAPSE: separate; =
border-spacing: 0px 0px; khtml-text-decorations-in-effect: none; =
apple-text-size-adjust: auto; orphans: 2; widows: 2">
        <BLOCKQUOTE dir=3Dltr=20
        style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: =
5px; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
          <DIV><BR></DIV>Well, I just happen to have this mp3 file:=20
          <DIV><BR class=3Dkhtml-block-placeholder>
          <DIV><A href=3D"http://snipurl.com/sagw-SMTYK"><SPAN=20
          class=3DApple-style-span=20
          style=3D"COLOR: rgb(0,0,238); =
khtml-text-decorations-in-effect: =
underline">http://snipurl.com/sagw-SMTYK</SPAN></A></DIV>
          <DIV><BR class=3Dkhtml-block-placeholder></DIV>
          <DIV>It=92s an audio =93screen shot=94 of a few tracks that I =
started up,=20
          then clicked around in, to create realtime snippets. All are=20
          Reaktor-only fx from straight guitar input.</DIV>
          <DIV><BR class=3Dkhtml-block-placeholder></DIV>
          <DIV><BR class=3Dkhtml-block-placeholder></DIV>
          <DIV>dc</DIV>
          <DIV><BR =
class=3Dkhtml-block-placeholder></DIV></DIV></BLOCKQUOTE><BR=20
        =
class=3DApple-interchange-newline></SPAN></BLOCKQUOTE></DIV><BR></BLOCKQU=
OTE></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

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From: David Coffin <dpcoffin@earthlink.net>
Subject: Re: Reaktor FX, Was: Thoughts on the Eclipse, Fireworx, G-Force, and PCM81
Date: Mon, 26 Jun 2006 10:18:47 -0700
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You can download my Reaktor FX pdf tutorial here:

http://snipurl.com/s9xt-ELG0S

On Jun 26, 2006, at 10:03 AM, Kevin Mulvihill wrote:

> I have never plugged my guitar into Reaktor, but I will try that  
> now... thanks for the suggestion.


--Apple-Mail-2--911048158
Content-Transfer-Encoding: quoted-printable
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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; "><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">You can =
download my Reaktor FX pdf tutorial here:</DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: =
normal normal normal 14px/normal Lucida Grande; min-height: 17px; =
"><BR></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><A =
href=3D"http://snipurl.com/s9xt-ELG0S">http://snipurl.com/s9xt-ELG0S</A></=
DIV><BR><DIV><DIV>On Jun 26, 2006, at 10:03 AM, Kevin Mulvihill =
wrote:</DIV><BR class=3D"Apple-interchange-newline"><BLOCKQUOTE =
type=3D"cite"><SPAN class=3D"Apple-style-span" style=3D"border-collapse: =
separate; border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: =
Lucida Grande; font-size: 14px; font-style: normal; font-variant: =
normal; font-weight: normal; letter-spacing: normal; line-height: =
normal; text-align: auto; -khtml-text-decorations-in-effect: none; =
text-indent: 0px; -apple-text-size-adjust: auto; text-transform: none; =
orphans: 2; white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"109530117-26062006"><FONT face=3D"Arial" color=3D"#0000ff" =
size=3D"2"><SPAN class=3D"Apple-style-span" style=3D"color: rgb(0, 0, =
255); font-family: Arial; font-size: 11px; text-align: -khtml-left; ">I =
have never plugged my guitar into Reaktor, but I will try that now... =
thanks for the =
suggestion.</SPAN></FONT></SPAN></SPAN></BLOCKQUOTE></DIV><BR></BODY></HTM=
L>=

--Apple-Mail-2--911048158--

From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 17:21:57 2006
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From: bruce tovsky <bruce@skeletonhome.com>
Subject: Re: Mobius on Mac someday?
Date: Mon, 26 Jun 2006 13:21:48 -0400
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On Jun 26, 2006, at 1:01 PM, jeff larson wrote:

> I appreciate the offer, but it's going to take a lot more than
> a MacBook :-)

i don't recall if this was mentioned in past max-related posts,
but there is a quite powerful max-based app called "lloopp"
that is worth checking out.  klaus filip made it, maintains it,
and runs a mailing list for support. and it's free. like max, it
has a learning curve, but what doesn't these days?

http://lloopp.klingt.org

cheers
bruce

bruce tovsky
www.skeletonhome.com

"Sometimes the appropriate response to reality is to go insane."
Philip K. Dick


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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; "><BR><DIV><DIV>On Jun 26, 2006, =
at 1:01 PM, jeff larson wrote:</DIV><BR =
class=3D"Apple-interchange-newline"><BLOCKQUOTE type=3D"cite"><P =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Helvetica" =
size=3D"3" style=3D"font: 12.0px Helvetica">I appreciate the offer, but =
it's going to take a lot more than</FONT></P> <P style=3D"margin: 0.0px =
0.0px 0.0px 0.0px"><FONT face=3D"Helvetica" size=3D"3" style=3D"font: =
12.0px Helvetica">a MacBook :-)</FONT></P> </BLOCKQUOTE></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>i don't recall if this was =
mentioned in past max-related posts,</DIV><DIV>but there is a quite =
powerful max-based app called "lloopp"</DIV><DIV>that is worth checking =
out.=A0 klaus filip made it, maintains it,</DIV><DIV>and runs a mailing =
list for support. and it's free. like max, it</DIV><DIV>has a learning =
curve, but what doesn't these days?</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><A =
href=3D"http://lloopp.klingt.org">http://lloopp.klingt.org</A></DIV><DIV><=
BR =
class=3D"khtml-block-placeholder"></DIV><DIV>cheers</DIV><DIV>bruce</DIV><=
BR><DIV> <P style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT =
face=3D"Helvetica" size=3D"3" style=3D"font: 12.0px Helvetica">bruce =
tovsky</FONT></P> <P style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT =
face=3D"Helvetica" size=3D"3" style=3D"font: 12.0px =
Helvetica">www.skeletonhome.com</FONT></P> <P style=3D"margin: 0.0px =
0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px"><BR></P> =
<P style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Helvetica" =
size=3D"3" style=3D"font: 12.0px Helvetica">"Sometimes the appropriate =
response to reality is to go insane."</FONT></P> <P style=3D"margin: =
0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Helvetica" size=3D"3" =
style=3D"font: 12.0px Helvetica">Philip K. Dick</FONT></P>  =
</DIV><BR></BODY></HTML>=

--Apple-Mail-11--910866777--

From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 17:31:57 2006
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On Jun 26, 2006, at 7:30 AM, Krispen Hartung wrote:

> I would like a host that allows me to create a "module" of VSTs in a 
> seqeence, or in parallel, and to bring that up immediately with the 
> touch of a button.


dood. max/msp.

I do this with my rig.....I'll give you a walk through next week in 
boise....I'll be there july 4-17.......

From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 17:34:03 2006
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Subject: RE: Reaktor FX, Was: Thoughts on the Eclipse, Fireworx, G-Force, and PCM81
Date: Mon, 26 Jun 2006 10:34:17 -0700
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This is a multi-part message in MIME format.

------=_NextPart_000_00FC_01C6990C.13DB3C30
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David,
 
I have never worked with Reaktor too much because of the learning curve and
my limited time. But I must say 'THANKS' for taking the time to create such
a tutorial. It is exactly what is needed. I know it also took a lot of
effort to put that together, and I am so appreciative of what you've done.
It's truly a gift to the community.
 
Kevin
 

 

  _____  

From: David Coffin [mailto:dpcoffin@earthlink.net] 
Sent: Monday, June 26, 2006 10:19 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Reaktor FX, Was: Thoughts on the Eclipse, Fireworx, G-Force,
and PCM81


You can download my Reaktor FX pdf tutorial here:

http://snipurl.com/s9xt-ELG0S

On Jun 26, 2006, at 10:03 AM, Kevin Mulvihill wrote:


I have never plugged my guitar into Reaktor, but I will try that now...
thanks for the suggestion.



------=_NextPart_000_00FC_01C6990C.13DB3C30
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	charset="us-ascii"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Dus-ascii">
<META content=3D"MSHTML 6.00.2900.2912" name=3DGENERATOR></HEAD>
<BODY=20
style=3D"WORD-WRAP: break-word; khtml-nbsp-mode: space; =
khtml-line-break: after-white-space">
<DIV dir=3Dltr align=3Dleft><SPAN class=3D171443017-26062006><FONT =
face=3DArial=20
color=3D#0000ff size=3D2>David,</FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D171443017-26062006><FONT =
face=3DArial=20
color=3D#0000ff size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D171443017-26062006><FONT =
face=3DArial=20
color=3D#0000ff size=3D2>I have never worked with Reaktor too much =
because of the=20
learning curve and my limited time. But I must say 'THANKS' for taking =
the time=20
to create such a tutorial. It is exactly what is needed. I know it also =
took a=20
lot of effort to put that together, and I am so appreciative of what =
you've=20
done. It's truly a gift to the community.</FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D171443017-26062006><FONT =
face=3DArial=20
color=3D#0000ff size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D171443017-26062006><FONT =
face=3DArial=20
color=3D#0000ff size=3D2>Kevin</FONT></SPAN></DIV>
<DIV><FONT face=3DArial color=3D#0000ff size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial color=3D#0000ff size=3D2></FONT><BR>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px =
solid; MARGIN-RIGHT: 0px">
  <DIV class=3DOutlookMessageHeader lang=3Den-us dir=3Dltr align=3Dleft>
  <HR tabIndex=3D-1>
  <FONT face=3DTahoma size=3D2><B>From:</B> David Coffin=20
  [mailto:dpcoffin@earthlink.net] <BR><B>Sent:</B> Monday, June 26, 2006 =
10:19=20
  AM<BR><B>To:</B> =
Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> Re:=20
  Reaktor FX, Was: Thoughts on the Eclipse, Fireworx, G-Force, and=20
  PCM81<BR></FONT><BR></DIV>
  <DIV></DIV>
  <DIV style=3D"MARGIN: 0px">You can download my Reaktor FX pdf tutorial =

  here:</DIV>
  <DIV=20
style=3D"MIN-HEIGHT: 17px; MARGIN: 0px; FONT: 14px Lucida =
Grande"><BR></DIV>
  <DIV style=3D"MARGIN: 0px"><A=20
  =
href=3D"http://snipurl.com/s9xt-ELG0S">http://snipurl.com/s9xt-ELG0S</A><=
/DIV><BR>
  <DIV>
  <DIV>On Jun 26, 2006, at 10:03 AM, Kevin Mulvihill wrote:</DIV><BR=20
  class=3DApple-interchange-newline>
  <BLOCKQUOTE type=3D"cite"><SPAN class=3DApple-style-span=20
    style=3D"WORD-SPACING: 0px; FONT: 14px Lucida Grande; =
TEXT-TRANSFORM: none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: =
normal; LETTER-SPACING: normal; BORDER-COLLAPSE: separate; =
border-spacing: 0px 0px; khtml-text-decorations-in-effect: none; =
apple-text-size-adjust: auto; orphans: 2; widows: 2"><SPAN=20
    class=3D109530117-26062006><FONT face=3DArial color=3D#0000ff =
size=3D2><SPAN=20
    class=3DApple-style-span=20
    style=3D"FONT-SIZE: 11px; COLOR: rgb(0,0,255); FONT-FAMILY: Arial">I =
have=20
    never plugged my guitar into Reaktor, but I will try that now... =
thanks for=20
    the=20
suggestion.</SPAN></FONT></SPAN></SPAN></BLOCKQUOTE></DIV><BR></BLOCKQUOT=
E></BODY></HTML>

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To: Loopers-Delight@loopers-delight.com
References: <20060626040852.15208.qmail@web81313.mail.mud.yahoo.com> <08a101c6992d$1a979e80$0cb1ec0f@americas.hpqcorp.net> <6e0daf034d65b5d45a0b319f9fd67438@pfmentum.com>
Subject: Re: Mobius part 2
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Great. I look forward to it! Make a believer out of me. :)

Kris

----- Original Message ----- 
From: "Jeff Kaiser" <loopersdelight@pfmentum.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, June 26, 2006 11:31 AM
Subject: Re: Mobius part 2


> 
> On Jun 26, 2006, at 7:30 AM, Krispen Hartung wrote:
> 
>> I would like a host that allows me to create a "module" of VSTs in a 
>> seqeence, or in parallel, and to bring that up immediately with the 
>> touch of a button.
> 
> 
> dood. max/msp.
> 
> I do this with my rig.....I'll give you a walk through next week in 
> boise....I'll be there july 4-17.......
> 
>

From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 17:47:06 2006
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At 17:23 26/06/2006, you wrote:
>I would like a host that allows me to create a "module" of VSTs in a 
>seqeence, or in parallel, and to bring that up immediately with the 
>touch of a button. I know Bidule does this, but I don't want to see 
>all the blased VSTs on the screen.

You can put a whole load of FX into a group in Bidule, and then it 
appears as a single box.

andy 

From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 17:47:14 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Reaktor FX, Was: Thoughts on the Eclipse, Fireworx, G-Force, and PCM81
Date: Mon, 26 Jun 2006 19:47:08 +0200
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On 26 jun 2006, at 19.03, Kevin Mulvihill wrote:

> Some pretty nice stuff DC/Kris. Wish some of the pieces were longer  
> and more fully developed but sounds great in pseudo-surround. I  
> have never plugged my guitar into Reaktor, but I will try that  
> now... thanks for the suggestion.
>
> Kevin


Check out this one then:
http://www.looproom.com/audio/Playing_Guitar_Solo_Through_My_Laptop.mp3

It's a stratocaster plugged directly into a laptop. Oh, I was also  
using my Ibanexz Tube Screamer pedal to crank the input level to  
match the Indigo soundcard's input level. The rest is all software;  
looping in Augustus Loop plug-in (OS X), Ableton Live's built-in  
reverb and some Cycling 74 plug-ins (Pluggo "Rye" and  
"SpeedShifter"). Pitch Shifting "played" from FCB1010 controlling  
Agusustus Loop pitch. The "jumping-up-n-down" pitch transpose  
sequences are MIDI loops that when launched from the foot pedal  
trigger the Loop pitch into whole note etc scales (done in overdub  
looping mode, very fun!).

And this other piece is no looping at all - only overdubbing. To be  
exact: 176 guitar solos overdubbed ;-))
http://www.boysen.se/audio/176_G5_Stratocasters.mp3
(not precisely beautiful, but one day in the test lab I had to find  
the upper audio track limit of the G5)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 17:47:43 2006
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    <00c301c6993d$e8a107c0$6601a8c0@OFFICE1>
Date: Mon, 26 Jun 2006 10:47:41 -0700 (PDT)
Subject: Re: Electrix Repeater for Sale
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> With all the recent for sale posts I've seen on this list, I just wanted to
> let everyone know that I have an Electrix Repeater up for sale on eBay too.
> It's here at:
> http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=7424189567

What's the reserve on the unit?

Cheers,
Kevin


From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 17:56:28 2006
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Subject: Re: Bidule for Krispen
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I guess I need to get th new version of Bidule too.... the list just keep 
growing and growing. :) Thanks, Andy.

Kris

----- Original Message ----- 
From: "a k butler" <akbutler@tiscali.co.uk>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, June 26, 2006 11:47 AM
Subject: Bidule for Krispen


> At 17:23 26/06/2006, you wrote:
>>I would like a host that allows me to create a "module" of VSTs in a 
>>seqeence, or in parallel, and to bring that up immediately with the touch 
>>of a button. I know Bidule does this, but I don't want to see all the 
>>blased VSTs on the screen.
>
> You can put a whole load of FX into a group in Bidule, and then it appears 
> as a single box.
>
> andy
> 


From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 18:04:44 2006
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From: "Timothy Mungenast" <mungenast@earthlink.net>
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Subject: RE: Crate (was Mesa Boogie)
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------=_NextPart_84815C5ABAF209EF376268C8
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Crate stopped making crappy amps about ten years ago when they rolled out their vintage-lookalike  tube-powered line (white Tolex, gold hardware). They were a little shrill for single coils, but I've seen Andres Wilson drive his humbucker-equipped Startocaster through one on several occasions and it just melted my face each time... in a good way. 

 Yeah, I know a lot of it is in the hands, but my point is that Crate started earning respect way back in the mid '90s, so I plan to at least test-drive one of these Powerblocks when I get the chance, and I'll report back when I do.
Peace,
Tim "Will Work for Stompboxes" Mungenast
www.myspace.com/timmungenast
www.mungenast.com



----- Original Message ----- 
From: ditch wrestler 
To: Loopers-Delight@loopers-delight.com
Sent: 6/24/2006 11:02:12 PM 
Subject: Crate (was Mesa Boogie)


I'm wondering if anybody here has tried out the Crate Powerblock amp?

http://www.musiciansfriend.com/product/Crate-CPB150-PowerBlock-Stereo-Guitar-Amp?sku=487829

I haven't tried one myself but I'm wondering if I'm already fighting a bit of a battle tone-wise since I'm a bassist.  I'm sure I'd need to use my ART pre-amp when was using it with my double bass but hopefully it wouldn't be a problem with my electric's (active emg's in both).


ted harms.

Joshua Carroll <josh@infinivert.com> wrote:
As long as we're talking guitar amps, has anyone else here played through the Crate V-Series amps?  I know, I know.  Crate?  Really?  Yep...


Yahoo! Groups gets better. Check out the new email design. Plus there’s much more to come. 
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<HTML><HEAD>
<META content="MSHTML 6.00.2800.1528" name=GENERATOR></HEAD>
<BODY>
<DIV><FONT face="MS Sans Serif" size=2>Crate stopped making crappy amps&nbsp;about ten years ago when they rolled out their vintage-lookalike&nbsp; tube-powered line (white Tolex, gold hardware). They were a little shrill for single coils, but I've seen Andres Wilson&nbsp;drive his humbucker-equipped Startocaster through one on several&nbsp;occasions&nbsp;and it just melted my face each time... in a good way.&nbsp;</FONT></DIV>
<DIV><FONT face="MS Sans Serif" size=2></FONT>&nbsp;</DIV>
<DIV><FONT face="MS Sans Serif" size=2>&nbsp;Yeah, I know a lot of it is in the hands, but my point is that Crate started earning respect way back in the mid '90s, so I plan to at least test-drive one of these Powerblocks when I get the chance, and I'll report back when I do.</FONT></DIV>
<DIV><FONT face="MS Sans Serif" size=2>Peace,</FONT></DIV>
<DIV><FONT face="MS Sans Serif" size=2>Tim "Will Work for Stompboxes" Mungenast</FONT></DIV>
<DIV><FONT face="MS Sans Serif" size=2><A href="http://www.myspace.com/timmungenast">www.myspace.com/timmungenast</A></FONT></DIV>
<DIV><FONT face="MS Sans Serif" size=2><A href="http://www.mungenast.com">www.mungenast.com</A></FONT></DIV>
<DIV><FONT face="MS Sans Serif" size=2></FONT>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV></DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px solid">
<DIV style="FONT: 10pt Arial">----- Original Message ----- </DIV>
<DIV style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><B>From:</B> <A title=ditchwrestler@yahoo.com href="mailto:ditchwrestler@yahoo.com">ditch wrestler</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To: </B><A title=Loopers-Delight@loopers-delight.com href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A></DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> 6/24/2006 11:02:12 PM </DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Crate (was Mesa Boogie)</DIV>
<DIV><BR></DIV><FONT size=2>
<DIV>I'm wondering if anybody here has tried out the Crate Powerblock amp?</DIV>
<DIV>&nbsp;</DIV>
<DIV><A href="http://www.musiciansfriend.com/product/Crate-CPB150-PowerBlock-Stereo-Guitar-Amp?sku=487829">http://www.musiciansfriend.com/product/Crate-CPB150-PowerBlock-Stereo-Guitar-Amp?sku=487829</A></DIV>
<DIV>&nbsp;</DIV>
<DIV>I haven't tried one myself but I'm wondering if I'm already fighting a bit of a battle tone-wise since I'm a bassist.&nbsp; I'm sure I'd need to use my ART pre-amp when&nbsp;was using it with my double bass but hopefully it wouldn't be a problem with my electric's (active emg's in both).</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>ted harms.<BR><BR><B><I>Joshua Carroll &lt;josh@infinivert.com&gt;</I></B> wrote:</DIV>
<BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">
<DIV>As long as we're talking guitar amps, has anyone else here played through the Crate V-Series amps?&nbsp; I know, I know.&nbsp; Crate?&nbsp; Really?&nbsp; Yep...</DIV></BLOCKQUOTE>
<P>
<HR SIZE=1>
Yahoo! Groups gets better. <A href="http://pa.yahoo.com/*http://us.rd.yahoo.com/evt=41142/*http://groups.yahoo.com/local/newemail.html">Check out the new email design.</A> Plus there’s much more to come. </FONT></BLOCKQUOTE></BODY></HTML>
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From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 18:07:07 2006
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Date: Mon, 26 Jun 2006 11:07:06 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Mobius/VST/VSTi host-sequencer with external sync?
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In my search for a one app solution to sync two
computers (a Mac running Digital Performer 4.6.1 to a
PC running...) I've been checking out a few apps (So
far Traction 2 and EnergyXT) I'm finding that they
don't support sync from an external midi clock.  Does
anyone have any experience getting a sequencer synced
from a midi clock originating outside the computer?

Per, maybe you're right about Live being the app I
need.  I remember I was totally able to get it synced
to Digital Performer in an older version of it. Worked
perfectly.  Shame the "Lite" version I got with my
audio interface doesn't support MIDI sync.  I'd love
to be able to check it out before I spend the cash.

I guess another option, I can get Chainer or Max/MSP
to act as a vst host that'll respond to midi in from
another device it won't matter.  Damn, EnergyXT looked
good too, so close to what I want.  Again it may work
in my standalone laptop system as long as it can send
sync to external devices.

I'd love to here any ideas or experiences with doing
inter computer sync.  I've also been hearing about
MIDI over ethernet that sound like a promising
alternative.

Mark



--- Per Boysen <perboysen@gmail.com> wrote:

> On 26 jun 2006, at 05.55, mark sottilaro wrote:
> 
> > However, my hope is to also use it live where it
> > provides sequenced beats and loops.... OK, and
> maybe a
> > VSTi every now and then.  (Man I love
> grainstates!)
> 
> 
> Live would be perfect for that. The only issue with
> Live is to run it  
> as the MIDI clock sync slave, but I know from your
> previous post that  
> you prefer syncing your loopers and then you can let
> Live be the  
> master clock. Regarding the price tag of Live you
> have to also look  
> consider all those plug-ins you get with the
> application. Getting the  
> same arsenal of effects as third-party VST plug-ins
> would cost a  
> fortune.
> 
> >  Per, you're part of the
> > "Lewis and Clark" expedition (Early American
> explorers
> > to our non American pals.  Who explored Sweden?
> 
> Mark. I love your straight forward American
> attitude! I guess Sweden  
> was explored by the guys that always have been
> hanging around here. A  
> Swede (the viking Leif Eriksson) explored America
> about thousand  
> years ago and another Swede went to the north pole
> about hundred  
> years ago. Eventually the north pole guys was
> Norwegian... anyway not  
> much difference, he froze to death and was later
> declared a Hero and  
> Explorer ;-)
> 
> Greetings from Sweden
> 
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
> 
> 
> 
> 


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From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 18:13:58 2006
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Jeff Kaiser wrote:
> 
> On Jun 26, 2006, at 7:30 AM, Krispen Hartung wrote:
> 
>> I would like a host that allows me to create a "module" of VSTs in a 
>> seqeence, or in parallel, and to bring that up immediately with the 
>> touch of a button.
> 
> 
> dood. max/msp.
> 
> I do this with my rig.....I'll give you a walk through next week in 
> boise....I'll be there july 4-17.......
> 

The vst implementation in MaxMSP is nothing short of stunning... You can 
litteraly sequence/randomize/group/modify *everything*, including 
loading of vst plugins, saving of patches etc.

Andreas

From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 18:26:38 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: Mobius part 2
Date: Mon, 26 Jun 2006 10:30:03 -0700
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On Jun 26, 2006, at 7:30 AM, Krispen Hartung wrote:

>  And I know Jeff Kaiser is going to chime in here and say that MAX/MSP 
> is the holy grail and key to our troubles, but I have not tested that 
> yet.


I've been reading these posts and THINKING that.....but, wait....you 
all have to figure it out on your own.....I've said my piece 
before....max has changed my life.... and it is cross platform....

:-)

From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 18:28:11 2006
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From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Mobius part 2
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MY GOD MAN! 50! Plug-ins!?  She cann'a take much more
of that!  Reroute all auxillary power to the main
phasers!

Surely you could create multiple files for each piece
couldn't you?  Each one only dealing with the plug-ins
needed for that tune?  In between songs open the new
one?

Mark

--- Krispen Hartung <khartung@cableone.net> wrote:


> One thing about EnergyXT that I think is a "bug" but
> probably a undesireable 
> feature, is that the more VST plugins you load into
> it, the more slugglish 
> it gets...even when they are not activiated. I find
> that odd.  If I have 5 
> plugins on the screen, all not activated, it
> responds quickly to button 
> presses, dragging the plugins around, etc. But if I
> have 50 plugins on my 
> screen, which is what I have in Chainer, it gets
> really slow.

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From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 18:28:39 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Mobius/VST/VSTi host-sequencer with external sync?
Date: Mon, 26 Jun 2006 20:28:35 +0200
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On 26 jun 2006, at 20.07, mark sottilaro wrote:

> Does
> anyone have any experience getting a sequencer synced
> from a midi clock originating outside the computer?

Yes, It's ususally working just fine. What I meant, when I said I  
don't like the way Live syncs to Mobius, is that I sometimes do  
destructive loop cutting (like ending a Multiply with REcord, like I  
do on the EDP as well) that abruptly changes the tempo. Quite often  
when I did that, Live lost sync. And since I don't like watching the  
laptop screen when playing I only discover it after some seconds when  
the music starts to sound sea-sick ;-)   My old Repeater was a very  
trusty Sync Slave, it even sounded good when failing.

> I'd love to here any ideas or experiences with doing
> inter computer sync.

As long as the tempo stays the same it use to work just fine. But  
many music applications sound better when not synced so I actually  
quite often simply put a second computer to the same tempo and start  
recording without any sync between the two machines. Then I match the  
timing for the new recording by ear to have it fit in with the big  
arrangement.

> I've also been hearing about
> MIDI over ethernet that sound like a promising
> alternative.

If MIDI is sent through ethernet doesn't help if the applications  
cant detect MIDI clock, or MTC or whatever....

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 18:30:12 2006
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It's just so friggin' expensive....$500, and now I'm considering buying 
Reaktor 5 for $380.  There goes my budget for a used Fireworx!  I may have 
to leave my rack system as just the Looperlative and the two Boss VF1s.  Of 
course, I add my laptop to that and it becomes a mean, mean effect 
generating machine....almost too much to manage.

Kris

----- Original Message ----- 
From: "Jeff Kaiser" <loopersdelight@pfmentum.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, June 26, 2006 11:30 AM
Subject: Re: Mobius part 2


> On Jun 26, 2006, at 7:30 AM, Krispen Hartung wrote:
>
>>  And I know Jeff Kaiser is going to chime in here and say that MAX/MSP is 
>> the holy grail and key to our troubles, but I have not tested that yet.
>
>
> I've been reading these posts and THINKING that.....but, wait....you all 
> have to figure it out on your own.....I've said my piece before....max has 
> changed my life.... and it is cross platform....
>
> :-)
>
> 


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----- Original Message ----- From: "Jeff Kaiser"
> ....max has changed my life.... and it is cross platform....

On 26 jun 2006, at 20.30, Krispen Hartung wrote:
> It's just so friggin' expensive....$500, and now I'm considering  
> buying Reaktor 5 for $380.

Usually people  make the choice for either Max or Reaktor, since they  
are somewhat similar although at different levels. They say that if  
you know Max you can build your own Reaktor ;-)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 18:45:04 2006
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Subject: Re: software or hardware???
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Hey Jenny, I'm pretty sure there is no hardware
solution that gives you multiple "undos" but the
Looperlative gives you 8 discrete stereo tracks so you
could record on one and NOT overdub on it, but start
another and begin recording on that track, and so on. 
Each track will sync to an external clock and doesn't
have to be the same length.  By selecting a track it's
volume can be controlled as well so you could turn
down each track you no longer want to hear.  Word on
the street is that they'll one day be a way to do "or"
loops instead of "and" loops with it but currently
that  only works if not synced to a MIDI clock.  Steve
Lawson is the king of such things and you can find
more on the Looperlative forum site.

I don't know if you care about feedback control with
overdub, but what you're explaining works really,
really well using the POLAR module that comes with
MOTU's Digital Performer.  Mac only, but a very cool
and flexible software looper that may fit your needs.

Also, check out (as I am) Mobius.  I've never used it
but I guess there's a function that will let you write
a loop to your harddrive at any point to later be used
in a DAW.

Mark

--- Jenny Daskalaki <jendask@gmail.com> wrote:

> Hi everybody
> I am new to this forum...
> I need to know your opinions on this issue:
> We are a two (or sometimes three) man band playing
> many different
> instruments (drums, guitar, bass, flute , vocals,
> moog, percussion
> etc.).
> We like jamming so ideas come up during
> improvisation. We have a PC
> recording interface (Firepod) and a mixing desk. We
> need to be able to
> make loops while jamming without interrupting the
> performance.
> Recently we bought Boss rc 20 xl but it looks pooer
> to our expectations because:
> 
> 1) Quantize affects ONLY the end of the loop phrase
> but the rest of it
> ,so you have to play it absolutely right!!
> 2) During overdubbing you only can delete your last
> phrase but you
> always listen to the previous on the stack.
> What I mean exactly: Let's say while you are jamming
> you start playing
> over an already recorded phrase. You come up with
> another phrase OK
> you overdub it, now you have two phrases (in the
> same phrase track),
> then you come up with a third one but gradually you
> want for example,
> to listen only to the first one and third one . Well
> you really can't
> do that. You can only delete the last phrase on the
> stack. And you
> will always be listening to the first one unless you
> completely change
> program!
> 3)Also, the most important is that when I try to
> change the tempo the
> sound becomes terribly damaged! (although there is
> no change of pitch)
> 
> Is there a hardware setup that could achieve these
> or should we use
> software like Live Ableton in combination with midi
> foot controllers?
> 
> 


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From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 18:46:24 2006
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To: Loopers-Delight@loopers-delight.com
References: <20060626040852.15208.qmail@web81313.mail.mud.yahoo.com> <08a101c6992d$1a979e80$0cb1ec0f@americas.hpqcorp.net> <aeb80dd929bbccb0492f93a6becafbd0@pfmentum.com> <09e601c6994e$8dfe2620$0cb1ec0f@americas.hpqcorp.net> <7A58BDD8-6337-47DA-9D76-F58751FF4AD5@gmail.com>
Subject: Re: Mobius part 2
Date: Mon, 26 Jun 2006 12:46:20 -0600
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You can host VSTs in Reaktor?


----- Original Message ----- 
From: "Per Boysen" <perboysen@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, June 26, 2006 12:43 PM
Subject: Re: Mobius part 2


> ----- Original Message ----- From: "Jeff Kaiser"
>> ....max has changed my life.... and it is cross platform....
> 
> On 26 jun 2006, at 20.30, Krispen Hartung wrote:
>> It's just so friggin' expensive....$500, and now I'm considering  
>> buying Reaktor 5 for $380.
> 
> Usually people  make the choice for either Max or Reaktor, since they  
> are somewhat similar although at different levels. They say that if  
> you know Max you can build your own Reaktor ;-)
> 
> Greetings from Sweden
> 
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
> 
> 
> 
>

From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 18:51:22 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: Mobius part 2
Date: Mon, 26 Jun 2006 11:51:19 -0700
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On Jun 26, 2006, at 9:35 AM, Krispen Hartung wrote:

>> The other thing it's got is a severely addictive property.  Once you 
>> go max,
> you never go bax...
>
> Ah hah, that explains why when I was watching Jeff play in person, he 
> was hitting the buttons on his keyboard the same way those rats hit 
> the button in their cages to get more heroin. :) Sorry Jeff, I 
> couldn't resist poking fun with the analogy.


too true!

From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 18:56:55 2006
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Date: Mon, 26 Jun 2006 11:56:54 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Mobius part 2
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Nope, but that would be super cool.

--- Krispen Hartung <khartung@cableone.net> wrote:

> You can host VSTs in Reaktor?
> 
> 
> ----- Original Message ----- 
> From: "Per Boysen" <perboysen@gmail.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Monday, June 26, 2006 12:43 PM
> Subject: Re: Mobius part 2
> 
> 
> > ----- Original Message ----- From: "Jeff Kaiser"
> >> ....max has changed my life.... and it is cross
> platform....
> > 
> > On 26 jun 2006, at 20.30, Krispen Hartung wrote:
> >> It's just so friggin' expensive....$500, and now
> I'm considering  
> >> buying Reaktor 5 for $380.
> > 
> > Usually people  make the choice for either Max or
> Reaktor, since they  
> > are somewhat similar although at different levels.
> They say that if  
> > you know Max you can build your own Reaktor ;-)
> > 
> > Greetings from Sweden
> > 
> > Per Boysen
> > www.boysen.se (Swedish)
> > www.looproom.com (international)
> > http://tinyurl.com/fauvm (podcast)
> > http://www.myspace.com/looproom
> > 
> > 
> > 
> >
> 
> 


__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 19:04:07 2006
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From: David Coffin <dpcoffin@earthlink.net>
Subject: Re: Reaktor FX, Was: Thoughts on the Eclipse, Fireworx, G-Force, and PCM81
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Lovely!
Hardware is so over...:)


On Jun 26, 2006, at 10:47 AM, Per Boysen wrote:

> Check out this one then:
> http://www.looproom.com/audio/ 
> Playing_Guitar_Solo_Through_My_Laptop.mp3


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<HTML><BODY style="word-wrap: break-word; -khtml-nbsp-mode: space; -khtml-line-break: after-white-space; ">Lovely!<DIV>Hardware is so over...:)</DIV><DIV><BR class="khtml-block-placeholder"></DIV><DIV><BR><DIV><DIV>On Jun 26, 2006, at 10:47 AM, Per Boysen wrote:</DIV><BR class="Apple-interchange-newline"><BLOCKQUOTE type="cite"><P style="margin: 0.0px 0.0px 0.0px 0.0px"><FONT face="Lucida Grande" size="4" style="font: 14.0px Lucida Grande">Check out this one then:</FONT></P> <P style="margin: 0.0px 0.0px 0.0px 0.0px"><FONT face="Lucida Grande" size="4" style="font: 14.0px Lucida Grande"><A href="http://www.looproom.com/audio/Playing_Guitar_Solo_Through_My_Laptop.mp3">http://www.looproom.com/audio/Playing_Guitar_Solo_Through_My_Laptop.mp3</A></FONT></P> </BLOCKQUOTE></DIV><BR></DIV></BODY></HTML>
--Apple-Mail-4--904732013--

From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 19:09:46 2006
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To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Vox Tonelab (was: FOR SALE: Mesa Boogie Mark I Combo Amp)
Date: Mon, 26 Jun 2006 12:09:50 -0700
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And once you have dug in, you will find a nifty 8 second hold delay that can
act as an extra looper, but be sure to dedicate an expression pedal to feed
the delay input signal so that you can control what content gets looped.
Bill

-----Original Message-----
From: mech [mailto:mech@m3ch.net]
Sent: Sunday, June 25, 2006 11:34 PM
To: Loopers-Delight@loopers-delight.com
Subject: RE: Vox Tonelab (was: FOR SALE: Mesa Boogie Mark I Combo Amp)


Oh my, oh my, oh my -- what in the world have I gotten myself into now...

Welp, Mark, based on yours and Bill's impression of the Tonelab --
both here now as well as in the past -- I finally got myself down to
the local guitar megagoogleplex today, and picked up a Tonelab of my
very own.  Now, I've spent the last, ohhhhhhh, let's say SEVEN HOURS
just running through tweezing the presets and basking in all of its
new gear, glowing tube goodiness.

And all I can say right now is: wow!  This is much, much more than I
bargained for.

I'd merely been thinking of something to punch up a somewhat flat
powered monitor; something that could be dropped in as the last stage
with a "set it and forget it" preset just to add some more warmth and
dynamics to the overall mix.  Okay, the Tonelab doesn't seem like
it's going to fit the bill for that, and right now I really don't
care.  I'm now in the process of rearchitecting my pedalboard's
signal path so that I can actually take better advantage of all the
different tones which the little blue meanie is capable.

My only regret is that it's gonna take me a year to really get my
head around all the nuances within this box.  Sure, the presets
themselves are a snap, but since each of the different models really
seem to play like real amps, its almost like learning each one as a
new instrument.

Very, very kewl box.  Thanks again for the recommendation, guys!!!

	--m.



At 11:24 AM -0700 6/23/06, mark sottilaro wrote:
>The good thing about the tonelab is that you can
>bypass the preamp or cab models if you'd like.  I've
>never tried keyboards but I run my acoustic guitar and
>bass through it with pretty good results.  Remember
>most guitar preamps roll off quite quickly after 8K or
>so and you're not going ot want your keyboard sounds
>to do that.... or maybe you do.  Low end wont' be an
>issue, but bass has a drop-d bridge set up and it
>seems to do fine. (I come out of the tonelab and go
>into a Soundcraft board and on to Mackie studio
>monitors.)
>
>If I remember I'll run the output of one of my synths
>though it and see how it works.
>
>Mark
>
>--- mech <mech@m3ch.net> wrote:
>
>>  At 10:10 AM -0700 6/23/06, mark sottilaro wrote:
>>  >
>>  >Wait!  There's MORE!  I did find a way to get a
>>  good
>>  >JC120 sound out of the Tonelab!  I forget how
>>  now...
>>  >I'll check tonight and let you know.  I know the
>>  key
>>  >was leaving out either the amp modeling stage or
>>  cab
>>  >modeling stage.  Also, I found I got better results
>>  >when I use the VF-1's stereo chorus (which I know
>>  Kris
>>  >has a couple of)
>>
>>  Hey Mark!  Have you ever tried running keyboards or
>>  bass through your
>>  Tonelab?  If so, how well did it take to processing
>>  instruments
>>  having a full-range of frequency content, especially
>>  the low end?
>>
>>  I've got a powered PA monitor that I'd like to warm
>>  up a bit (Gemini
>>  GX-350; think of it as in the same ballpark as a
>>  Mackie or JBL Eon)
>>  and I'm thinking the Tonelab might give a better
>>  playing response
>>  than your average tube mic preamp.  Dunno how well
>>  the Tonelab deals
>>  with a full frequency spectrum though...
>>
>>  TIA!
>>	--m.
>>  --
>>  _______
>>  "Behind every fear lies a wish, don't you think...?"
>>
>>
>
>
>__________________________________________________
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>Tired of spam?  Yahoo! Mail has the best spam protection around
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From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 19:12:02 2006
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Hello Fellow loopers,

i am putting my Lexicon MPX200 up for sale, i find that i am looping
with more clean sounds out of my bass, and 1-2 effect processors, so i
am going to cut down my rig into one good effect processor and one
good looper :)


for some info, click here -> http://www.lexiconpro.com/mpx200/index.asp

it is in mint condition, its been racked since day one


i am asking $120 plus shipping :)

if anyone wants more info, feel free to email me!

Charlie

From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 19:14:25 2006
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Date: Mon, 26 Jun 2006 12:14:24 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Reaktor FX, Was: Thoughts on the Eclipse, Fireworx, G-Force, and PCM81
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According to Trent Reznor they used Reaktor almost
exclusively as a "guitar pedal" on The Fragile.

http://www.native-instruments.com/index.php?id=trentreznor_us

--- Per Boysen <perboysen@gmail.com> wrote:

> On 26 jun 2006, at 19.03, Kevin Mulvihill wrote:
> 
> > Some pretty nice stuff DC/Kris. Wish some of the
> pieces were longer  
> > and more fully developed but sounds great in
> pseudo-surround. I  
> > have never plugged my guitar into Reaktor, but I
> will try that  
> > now... thanks for the suggestion.
> >

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From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 19:21:32 2006
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Date: Mon, 26 Jun 2006 12:21:29 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: RE: Vox Tonelab (was: FOR SALE: Mesa Boogie Mark I Combo Amp)
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You'll see that once you "get" it's matrix editing
configuration it'll be a snap to program!  Like owning
a ton of cool pedels that all come running out from
their hiding places when called.

I do agree with Bill that the Tube Screamer left me
flat, but a Line6 Delay modeler in the effects loop
works wonders.

I'm glad you're digging it.

Mark



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From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 19:30:29 2006
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Date: Mon, 26 Jun 2006 12:30:28 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: RE: software or hardware???
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the Repeater is only capable of 4 mono (or 2 stereo)
tracks at a time.  If that's all you need the Repeater
is an amazing looper IMO.  Sounded like you may have
wanted more takes.  The Repeater will do 99 loops but
only one at a time. (each loop can have 4 mono/2
stereo or even 1 stereo and 2 mono tracks)  Tracks can
also be decoupled from their stereo nature and
"slipped" back and forth in time.  FUN.

Mark

--- "Veda, Qua" <qua.veda@intel.com> wrote:

> I believe the Looperlative, or Repeater will do what
> you want. 
> -Qua
> 
> -----Original Message-----
> From: Jenny Daskalaki [mailto:jendask@gmail.com] 
> Sent: Monday, June 26, 2006 8:52 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: software or hardware???
> 
> If not the "holy grail" Iam looking for the most
> convenient way to
> improvize while jamming. I want the easiest way to
> record loops "on
> the fly" , playback, overdub, choose which one stops
> and which one
> goes on all these functions without need to
> interrupt the whole
> performance, using foot pedals mainly.
> 
> 2006/6/26, Buzap Buzap <buzap@gmx.net>:
> > Hi Jenny
> >
> > > Is there a hardware setup that could achieve
> these or should we use
> > > software like Live Ableton in combination with
> midi foot controllers?
> > Yes, you are searching for the HOLY GRAIL OF
> LOOPING.
> >
> > I'm looking for that, too. Still haven't found an
> answer yet...
> >
> > Let's see what the experts on this group have to
> say to this... :-)
> > Btw, recently I've noticed one more aspect why I
> want to avoid hardware when playing in real-time:
> > Whenever I have a computer running, there are some
> additional thoughts have nothing to do with the
> music I'm playing, like: should I log-in and check
> my mail? Should I run a virus update?...
> > Always, there seems to be some parts of my brain
> occupied with such distracting thoughts...
> > You don't have that with hardware!
> >
> > But still, I guess in the long run, software will
> reach a stability, variety and accessibility where
> there will be no HW alternative. But I believe we're
> not there - yet.
> >
> > Buzap
> >
> > --
> >
> >
> > Der GMX SmartSurfer hilft bis zu 70% Ihrer
> Onlinekosten zu sparen!
> > Ideal fï¿½r Modem und ISDN:
> http://www.gmx.net/de/go/smartsurfer
> >
> >
> 
> 


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From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 19:38:29 2006
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From: David Coffin <dpcoffin@earthlink.net>
Subject: Re: Mobius part 2
Date: Mon, 26 Jun 2006 12:38:27 -0700
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On Jun 26, 2006, at 11:43 AM, Per Boysen wrote:
> Usually people  make the choice for either Max or Reaktor, since =20
> they are somewhat similar although at different levels. They say =20
> that if you know Max you can build your own Reaktor ;-)


When I decided to pick up my guitar again after years of neglect, =20
back in the late 80s, I started out thinking how cool it would be to =20
build one =93just like I wanted...=94 After buying a bunch of books on =20=

the subject, talking to folks, checking out suppliers, etc., I =20
finally realized that what I actually wanted was to PLAY the damn =20
thing, not set up an elaborate and endless alternative playground =20
between me and the real goal.

Much as I love Reaktor and as often as I=92ve set out to prove its =20
awesome and incontestable power, I must admit that my various love =20
affairs with cool hardware have all led to much more actual playing, =20
much more quickly accomplished and sustained over longer periods, =20
than anything I=92ve done using Reaktor's "endless alternative =20
playground.=94 It=92s all too easy with software as vast as Reaktor to =20=

get seduced into moving quickly on, endlessly hunting out and =20
stockpiling potential toys from the User Library and to looking for =20
"ever more powerful" toolkits, instead of exploring what you've =20
already got ever deeper. Totally fun, of course, but it's good to =20
remember the original vision now and then.
dc


From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 19:47:59 2006
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Kris,
I was also looking for a smart and simple sw that could help me to route 
my hw effects and host Mobius.
I stumbled into Usine which looks a great, yet simple, app.
Interesting is that, like Mobius is, it is created and devoloped by a 
musician and there seems to be a real will to develop it deeper.
I've put my Switchblade on a shelf after Jeff kindly fixed a problem 
between Mobius and Usine and now I am a very happy man ( well, by the 
musical point of view).
One thing I like is that it is pretty light and it hasn't offered me any 
crash since I started using it.
I think it's worth a try and eventually help the guy to develop it like 
we're doing with Mobius.
Hope it helps.
my best,
luca
www.unguitar.com

Krispen Hartung wrote:

> You can host VSTs in Reaktor?
>
>
> ----- Original Message ----- From: "Per Boysen" <perboysen@gmail.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Monday, June 26, 2006 12:43 PM
> Subject: Re: Mobius part 2
>
>
>> ----- Original Message ----- From: "Jeff Kaiser"
>>
>>> ....max has changed my life.... and it is cross platform....
>>
>>
>> On 26 jun 2006, at 20.30, Krispen Hartung wrote:
>>
>>> It's just so friggin' expensive....$500, and now I'm considering  
>>> buying Reaktor 5 for $380.
>>
>>
>> Usually people  make the choice for either Max or Reaktor, since 
>> they  are somewhat similar although at different levels. They say 
>> that if  you know Max you can build your own Reaktor ;-)
>>
>> Greetings from Sweden
>>
>> Per Boysen
>> www.boysen.se (Swedish)
>> www.looproom.com (international)
>> http://tinyurl.com/fauvm (podcast)
>> http://www.myspace.com/looproom
>>
>>
>>
>>
>
>
> .
>

From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 19:50:07 2006
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Subject: Re: Bidule for Krispen
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This is exactly what I've been doing with Bidule, I have 9 different 
strings of
vsts, each with a different sound that I want to capture. I can switch 
from one
to another with the midi foot pedal anytime during a tune. It's a 
wonderful sort
of freedom. But I like having the strings and the components of the strings on
the screen so that if I want to make any minor adjustments I can very quickly
get at that vst and make whatever adjustments I want. I have been running into
that cpu overload problem but in my case I believe it is largely due to the
cpu.... I put a prescott core cpu in and it just runs way too hot for a 1u
rackmount computer. The other one I built has a northwood core and cpu usuage
never goes over 50% and the temp never cracks 60 F, The prescott quite often
gets up over 75 F and then the cpu load jumps completely over the top. I've
ordered a new one, hopefully I'll get this week.

Paul Haslem
hammered dulcimer and guitar
Ontario, Canda
www.dulcify.ca





Quoting a k butler <akbutler@tiscali.co.uk>:

> At 17:23 26/06/2006, you wrote:
>> I would like a host that allows me to create a "module" of VSTs in a 
>> seqeence, or in parallel, and to bring that up immediately with the 
>> touch of a button. I know Bidule does this, but I don't want to see 
>> all the blased VSTs on the screen.
>
> You can put a whole load of FX into a group in Bidule, and then it 
> appears as a single box.
>
> andy


From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 20:07:37 2006
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Date: Mon, 26 Jun 2006 13:07:32 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Mobius on Mac someday?
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Buzap, have you checked out Sooperlooper?  It works
well as a stand alone app but I had issues getting it
to work from inside my DAW as an AU.  Once I got it
two work perfectly but I have no idea why and was
never able to get it working again.  However, as a
stand alone app it worked like a charm.

Mark

--- Per Boysen <perboysen@gmail.com> wrote:

> > Hi
> >
> >>> Any chance Mobius will be ported to Mac platform
> someday?
> >> Yes. Today - if you have one of those new Mac's
> that can run Windows
> >> XP as well (Boot Camp, not by emulation). Isn't
> that fab!
> >
> On 26 jun 2006, at 17.26, Buzap Buzap wrote:
> 
> > well, this wouldn't _really_ solve the problem for
> me. One thing, I  
> > don't want to run Windows on my Mac.
> 
> Oh, sorry. Didn't mean to hurt... ;-)  I'd love to
> do that though,  
> because then I wouldn't have to keep a PC on the
> side for running  
> windows.
> 
> > The other is: it should work together with my
> other SW on Mac (like  
> > your LogicPro, Per ;-)
> 
> I've been thinking about this too, and I guess I
> will always be  
> running Mobius on a separate machine. Most of my
> other music software  
> run in OSX. I use to MIDI sync projects in Logic
> (Mac) with Mobius  
> (Win). Usually I simply use the excellent Record
> Audio function in  
> Mobius and move the rendered audio file over the
> network (or on an  
> USB stick or an external FW drive) to the Logic Mac.
> 
> But it would be fantastic if Mobius did really run
> in OSX so you  
> could mangle all Mobius tracks in real-time through
> Logics effects!  
> (Not for concert though, but for studio production)
> 
> 
> > Do you think there is a way to run it within
> Virtualization (i.e.  
> > Parallels) on Mac?
> 
> I've heard reports from people that tried that this
> is too slow for  
> most audio applicaitons.
> 
> > Of course, boot camp is better than nothing...
> > Maybe someone can buy the Mï¿½bius developer or
> someone else to port  
> > this...?
> 
> You mean that we collectively raise money and buy
> Jeff Larson a  
> Macbook if he does the port?  ;-)  Like "a group
> buy"? Nice  
> idea... ;-))))
> 
> Greetings from Sweden
> 
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
> 
> 
> 
> 


__________________________________________________
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__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 20:09:12 2006
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Word--
Too much stuff--and the laptop makes it worse! I'm staying away from using
it for looping for now . . .
Gig tonight at the Wild Animal Park in North San Diego County--ask for
looping and ye shall receive--every other Monday 'til Labor Day . . .
Gary

PS Anybody still using the Lexicon MPX G2?
G


From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 20:16:43 2006
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> -----Original Message-----
> From: Gary Lehmann [mailto:hqr@cox.net] 
> Sent: Montag, 26. Juni 2006 22:09
> To: Loopers-Delight@loopers-delight.com
> Subject: exploring what you've already got ever deeper (was 
> RE: Mobius part 2)
> 

> 
> PS Anybody still using the Lexicon MPX G2?

Yeppers!
B.


From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 20:32:25 2006
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Subject: Re: exploring what you've already got ever deeper
From: johnsrude@peak.org
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> Too much stuff--and the laptop makes it worse! I'm staying away from using
> it for looping for now . . .

Last week, I ripped out the synth and all the effects from my signal chain to
the EDP.  Now I'm down to two mics --> mixer --> EDP --> Alesis MidiVerb.  And
a bunch of acoustic instruments.  In a couple of months the effects will
probably start creeping in again...

Cheers,
Kevin
www.TheNettles.com


From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 21:05:42 2006
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I have a few people that I like to go out and play with that just do 
traditional
or old timey music, all acoustic.. It's a good thing, keeps me in touch 
with my
instruments. But, when I'm working by myself, oh, all those effects, those
wonderful vsts calling out to me to play, experiment.... who can resist????

Paul Haslem
hammered dulcimer and guitar
Ontario, Canada
www.dulcify.ca



Quoting johnsrude@peak.org:

>> Too much stuff--and the laptop makes it worse! I'm staying away from using
>> it for looping for now . . .
>
> Last week, I ripped out the synth and all the effects from my signal chain to
> the EDP.  Now I'm down to two mics --> mixer --> EDP --> Alesis 
> MidiVerb.  And
> a bunch of acoustic instruments.  In a couple of months the effects will
> probably start creeping in again...
>
> Cheers,
> Kevin
> www.TheNettles.com
>
>
>


From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 21:34:42 2006
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Anyone out there using this beast? Worth having?

Surprisingly, there are no review at loopers-delight. Perhaps not so 
surprising - I sent a review in over a year ago and it hasn't shown 
yet ;(
All the best,

Nick Robinson


From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 21:37:31 2006
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Date: Mon, 26 Jun 2006 17:37:23 -0400
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I would like to know if the dry signal path is attenuated by the 
'mix' knob, so that the loop function could be used on an aux send. 
The DL4 always has the direct signal present in loop mode.

At 10:34 PM +0100 6/26/06, nick@12testing.net wrote:
>Anyone out there using this beast? Worth having?
>
>Surprisingly, there are no review at loopers-delight. Perhaps not so
>surprising - I sent a review in over a year ago and it hasn't shown
>yet ;(
>All the best,
>
>Nick Robinson


-- 
...
http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 21:45:14 2006
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i remember talking with my guitar player about it, and he had one for
a while, but i believe that he sold it because the 24-bit processing
and A/D/A conversion, which he wasn't horribly happy with...
however it seems to have a lot of cool functions though :)


On 6/26/06, Charles Zwicky <cazwicky@earthlink.net> wrote:
>
> I would like to know if the dry signal path is attenuated by the
> 'mix' knob, so that the loop function could be used on an aux send.
> The DL4 always has the direct signal present in loop mode.
>
> At 10:34 PM +0100 6/26/06, nick@12testing.net wrote:
> >Anyone out there using this beast? Worth having?
> >
> >Surprisingly, there are no review at loopers-delight. Perhaps not so
> >surprising - I sent a review in over a year ago and it hasn't shown
> >yet ;(
> >All the best,
> >
> >Nick Robinson
>
>
> --
> ...
> http://www.zmix.net
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 22:07:39 2006
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It's lack of properly implemented MIDI sync made me
give it up but if you operated it with manual tempo it
did some cool stuff.

Mark

--- "nick@12testing.net" <nick@12testing.net> wrote:

> Anyone out there using this beast? Worth having?
> 
> Surprisingly, there are no review at
> loopers-delight. Perhaps not so 
> surprising - I sent a review in over a year ago and
> it hasn't shown 
> yet ;(
> All the best,
> 
> Nick Robinson
> 
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 22:10:54 2006
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From: "William Walker" <billwalker@baymoon.com>
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Subject: RE: amp talk
Date: Mon, 26 Jun 2006 15:10:59 -0700
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I've heard very good things about those amps. A little harder to find here
in the states., though.  I must say between the Koch amps and the Fuchs
amps, both the Dutch and the Americans have the ground covered on
provocatively named boutique amplifiers. Any other amps or effects out there
whose name mispronouncement could spell embarrassment or flagrant political
incorrectness? besides the obvious Zvex SH? Fellas and Dames, anybody know?
Bill (active imagination) Walker

-----Original Message-----
From: L.A. Angulo [mailto:labaloops@yahoo.com]
Sent: Saturday, June 24, 2006 7:09 PM
To: Loopers-Delight@loopers-delight.com
Subject: amp talk


Id like to jump on the groove of this thread now
brothers,i just had a gig with an amp named "Koch" all
i can tell you is that i am floored by the sound of
this beauties the do "cook" like their name!i borrowed
it from a guitarrist friend of my bass player,he has
the multitone 50 watt head combined with the TS212H
speaker cabinet i am telling  you this combination its
absolutely beautiful!it is compact(you also have the
combo option but is more of a back
breaker),powerful,looks good and the most versatile
amp i know out there with 3 channels plus great
reverb.It compresses beautiful and the dirty channels
are nothing but great you can get any sound from the
old cats weather is jazz or rock with this amp plus
the reverb has the authentic ennio marricone 60´s surf
sound.The minute i plugged in i heard the sounds ive
been trying to get from long time and now i realize it
was due to the amps ive used in the past,although i
have a good les paul,tele and strat.I am afraid for me
is going to get harder and harder to play with digital
simulators now,the dutch got it right check them out!
http://www.koch-amps.com/
Luis




    Well, yes I was being a bit sarcastic. Ibelieve
the JC120 came to promise
fro two reasons,
1. It has self contained stereo chorused that at least
gives itssterile
sound a bit of dimension. 2. It is  very dependable
and loud, afavorite of
cartage and rental services as back line for touring
bands.
As one who has had to use provided back line amps, I
always hope that a
fender twin is present and its tubes aren't so gassed
as to make itsound
flabby. otherwise I would settle for a jazz chorus,
and I never had a
problem with its clean sound, however, I can't believe
that after allthese
years , Roland has never gotten the clue that the
distortion sound onthese
things is basically useless, not to mention the reverb
is pretty tincan
sounding as well. And this is a company that excels at
signalprocessors. Go
figure. I had a mini brute, which I took to Berklee
years ago. Ii was anice
warm clean sounding solid state amp, made even louder
by the EVMspeaker I
managed to somehow cram in to its little cabinet.
Later I had a PearceG1
amp, because it actually had a very usable overdrive
channel, soonafter I
added a Pearce extension cabinet w/ slave power amp
for stereo ,andlater I
switched to a Pearce preamp running through a boogie
power amp. Ifinally
abandoned the rack mount amp dance about ten years ago
and went back totube
combos for most of my live gigs, and a modeling amp
when doing thelooping
thing. I know a lot of great music has been played on
these amps, and
certainly if what you desire is uber clean, the JC120
has few modernpeers,
but for me, clean tube sounds better than clean solid
state, and itfeels
better, though the natural compression of a tube amp
can be mimickedwith a
good compressor (my old Pearce amps had a built in
limiter similar tothe
Gibson Lab series amps, which Dan Pearce helped
design). If you want
something like a JC120, but without the back ache, You
might try tofind a
used JC77, the discontinued baby brother to the JC120.
I found a linkon
EBAY

http://cgi.ebay.com/Roland-JC77-Jazz-Chorus-Guitar-Amp-with-Xtras_W0QQitemZ1

40000830625QQihZ004QQcategoryZ47094QQssPageNameZWDVWQQrdZ1QQcmdZViewItem

I have developed a fondness for amps with a two ten
speakerconfiguration,
I own a 70's vibrolux reverb, and 60's vox AC10 twin,
and as a gigging
middle aged guy I appreciate the fact that I'm not
risking a herniaevery
time I load my amp in my trunk. I also like the
tighter bass responsethe
tens give, they just seem punchier to me..
Cheers
Bill






-----Original Message-----
From: Krispen Hartung [mailto:khartung@cableone.net]
Sent: Friday, June 23, 2006 8:13 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: FOR SALE: Mesa Boogie Mark I Combo Amp


Don't worry Mark, I won't sell both of my VF1's! :)
They are amazing
little boxes.

Bill, what's wrong with the JC120?  I can't tell
whether you weremaking a
fecicios comment about them or not. Forgive me if you
weren't. Someamazing
jazz players, like Pat Martino and Mike Stearn, have
used those amps.
Frankly, there really isn't such a thing as a "jazz
amp." Jazzers ofall
calibers use what fits their taste...I've seen it all,
from solid state
Polytones, Rolands, and Gibsons, to tube Fenders,
Boogies, and MusicMan.
Some guitarists, like McLaughlin, have even bi-passed
amps altogetherat
times, plugging directly into processors and then
directly into theboard.
The breadth of taste is pretty amazing.

...I do wish I had my old Polytone Teeny Brute
back...I was such anidiot
for selling that years ago.

Kris

----- Original Message -----
From: "William Walker" <billwalker@baymoon.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, June 23, 2006 5:00 PM
Subject: RE: FOR SALE: Mesa Boogie Mark I Combo Amp


      Well Mark I'd be curious as to how youdidthe
JC120 thingy on the tonelab
(and why???? in gods name) and  Actually like most of
the stomp box
effects
on the tonelab allot except, the overdrive and
distortion models on the
front end; a klon clone, even more exaggerated mid
range honk than the
original, a tube screamer model , that just doesn't
rattle my cage, anda
rat model, zzzzzzzz, among others, though the octavia
octave, and ring
modulator effects are quite nice. My solution was,
until a week ago, to
pirate my fulltone fulldrive from my gig rig pedal
board, and stick itin
the tonelabs effects loop (which is at the front of
the chain). Welllast
week I got my new twin tube pedal from Seymour Duncan,
and I am justdumb
struck at how good this thing sounds driving the front
end of thetonelab.
Since it uses two subminiature tubes running at high
plate voltage, it
adds
tremendous dynamics and dimension not to mention two
channels ofanything
from clean boost with a hint of extra fatness, to very
saturated, yet
smooth
and singing overdrive, all with great touch
sensitivity. I justsubmitted
a
review to Harmony Central, in which I shamelessly
gushed about how goodit
sounds. Since I like many of the delay and modulation
presets on thetone
lab, and I'm not a big flange or chorus guy,  I was
just searching fora
more natural sounding overdrive to compliment the
tweed, black face,early
marshall, and vox models I tend to use, and boy does
this puppy fit the
bill.
Bill

-----Original Message-----
From: mark sottilaro
[mailto:zerocrossing2001@yahoo.com]
Sent: Friday, June 23, 2006 10:11 AM
To: Loopers-Delight@loopers-delight.com
Subject: RE: FOR SALE: Mesa Boogie Mark I Combo Amp


--- William Walker <billwalker@baymoon.com>wrote:

        Mark has a point,

I thought you couldn't notice it with my hair style!


        Do take
note that the vox people did not see fit to model a
transistor amp, not jazz
chorus model ala line 6. So if that is your mind set
maybe the vox ain't for
you.

Wait!  There's MORE!  I did find a way to get a good
JC120 sound out of the Tonelab!  I forget how now...
I'll check tonight and let you know.  I know the key
was leaving out either the amp modeling stage or cab
modeling stage.  Also, I found I got better results
when I use the VF-1's stereo chorus (which I know Kris

has a couple of)

I have to say that as much as I like some of the
stompbox models of the Tonelab, when I'm in the studio

I ditch them in favor of the VF-1's which I feel are
really great (and MIDI syncable which the tonelab
sadly isn't)  Don't sell them Kris, you'll be sad.
Also I found they're one of the best processor out
there for putting distortion on keyboard sounds
(though not for guitar)

Mark

Mark

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From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 22:44:18 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
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Subject: Re: Mobius part 2
Date: Mon, 26 Jun 2006 16:44:13 -0600
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----- Original Message ----- 

> Surely you could create multiple files for each piece
> couldn't you?  Each one only dealing with the plug-ins
> needed for that tune?  In between songs open the new
> one?

Yes, I've done this, but the problem is that I don't really play any piece 
per se, but I improvize and I like to spontanouely pick plugins from a total 
menu. In short, I need access to all my plugins at all times, and I want to 
be able to stack or chain them in custom sequences on the fly...probably 
asking for too much.

Would be cool is a dynamic rack concept. On the left hand side of the screen 
I would have a rack "shell". On the right hand I would have my massive list 
of VST plugins. Then one could drag and drop on the fly any of the plugins 
into the rack in any order, and also change the order by dragging and 
dropping, all in real time. That would be amazing.

Kris


>
> Mark
>
> --- Krispen Hartung <khartung@cableone.net> wrote:
>
>
>> One thing about EnergyXT that I think is a "bug" but
>> probably a undesireable
>> feature, is that the more VST plugins you load into
>> it, the more slugglish
>> it gets...even when they are not activiated. I find
>> that odd.  If I have 5
>> plugins on the screen, all not activated, it
>> responds quickly to button
>> presses, dragging the plugins around, etc. But if I
>> have 50 plugins on my
>> screen, which is what I have in Chainer, it gets
>> really slow.
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>
> 


From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 23:13:58 2006
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    <0b8801c69972$0d3fe310$0cb1ec0f@americas.hpqcorp.net>
Date: Mon, 26 Jun 2006 16:13:56 -0700 (PDT)
Subject: DJ QBert
From: johnsrude@peak.org
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Any DJs on the list?  If so you might enjoy DJ QBert doing some freestyling
with just a turntable and a beatbox:
http://www.youtube.com/watch?v=sKn9qeAIRzI&search=qfo

For the rest of you, yes he blows worse than Hiromi so don't bother. ;-)

Cheers,
Kevin

> ----- Original Message -----
>
>> Surely you could create multiple files for each piece
>> couldn't you?  Each one only dealing with the plug-ins
>> needed for that tune?  In between songs open the new
>> one?
>
> Yes, I've done this, but the problem is that I don't really play any piece
> per se, but I improvize and I like to spontanouely pick plugins from a total
> menu. In short, I need access to all my plugins at all times, and I want to
> be able to stack or chain them in custom sequences on the fly...probably
> asking for too much.
>
> Would be cool is a dynamic rack concept. On the left hand side of the screen
> I would have a rack "shell". On the right hand I would have my massive list
> of VST plugins. Then one could drag and drop on the fly any of the plugins
> into the rack in any order, and also change the order by dragging and
> dropping, all in real time. That would be amazing.
>
> Kris
>
>
>>
>> Mark
>>
>> --- Krispen Hartung <khartung@cableone.net> wrote:
>>
>>
>>> One thing about EnergyXT that I think is a "bug" but
>>> probably a undesireable
>>> feature, is that the more VST plugins you load into
>>> it, the more slugglish
>>> it gets...even when they are not activiated. I find
>>> that odd.  If I have 5
>>> plugins on the screen, all not activated, it
>>> responds quickly to button
>>> presses, dragging the plugins around, etc. But if I
>>> have 50 plugins on my
>>> screen, which is what I have in Chainer, it gets
>>> really slow.
>>
>> __________________________________________________
>> Do You Yahoo!?
>> Tired of spam?  Yahoo! Mail has the best spam protection around
>> http://mail.yahoo.com
>>
>>
>
>
>


From Loopers-Delight-request@loopers-delight.com  Mon Jun 26 23:41:17 2006
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From: "loop.pool" <looppool@cruzio.com>
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Subject: Re: exploring what you've already got ever deeper
Date: Wed, 26 Jul 2006 16:41:25 -0700
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The proliferation of inexpensive VST effects,   multi-tasking DSP hardware 
boxes
and stomp box pedals means that 'too many choices'  is just a part of the 
landscape
in modern music.

What I like to keep in my mind around effects choices is some Papua New 
Guinea tribesperson encountering
an instrument that has one effects box.............................knowing 
nothing of what it can do
but being a very good and sensitive musician, he or she will do something 
very interesting with
those minimal constraints.

I've been listening to a lot of Wire's Read and Burn (their latest) and I"m 
so blown away by
Colin Newman and Bruce Gilbert's extreme processing of incredibly 
minimalistic guitar parts.
The net effect is soooooo simple but it feels so deep to me, musically.

I also like to keep in mind that every single time I"ve ever gone to a gig 
with too many choices
in stomp box pedals and rack mount units that something always seems to fuck 
up.

I think it just may be my electronic karma (or perhaps the fact that I am 
very impetuous and use things that I haven't
done my homework on).

 My  brother, as a contrast, is an effects genius and does more homework
than any single musician I've ever known (with the exception of Per Boysen 
or Krispen Hartung)
on his effects.       I can always use his example to keep me humble but I 
still like to
head into a gig with a few elements of extreme chance taunting me, 
processing wise.........lol.
Michael Klobuchar is my idle in that respect.


From Loopers-Delight-request@loopers-delight.com  Tue Jun 27 00:07:31 2006
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Date: Mon, 26 Jun 2006 17:07:26 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: exploring what you've already got ever deeper
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Yeah, I'm guilty of this myself but often I can't help
it.  It's like having sex in public or something. 
Dangerous.  I remember once stopping on the way to a
gig to get a Digitech SpaceStation. Sometimes it's all
about DEALING with what happens no matter what.  Can
be fun.  Unless it totally fucks up and you get no
sound... which I guess is like looseing your erection
(moistness for the ladies?) in public.  Not fun.

One lesson I've learned is to keep it light and have a
partner.  Having someone perform with you can make all
the difference when your looping/effects gear fails. 
The less things to hook up the better too.  I can't
imagine Suit and Tie Guy's world.  Makes me dizzy
thinking about it.

--- "loop.pool" <looppool@cruzio.com> wrote:


> I also like to keep in mind that every single time
> I"ve ever gone to a gig 
> with too many choices
> in stomp box pedals and rack mount units that
> something always seems to fuck 
> up.

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Tue Jun 27 00:33:54 2006
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Date: Mon, 26 Jun 2006 17:33:52 -0700 (PDT)
Subject: Re: more loopy sax
From: johnsrude@peak.org
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>From: <tohall@rcn.com>
>To: Loopers-Delight@loopers-delight.com
>I have another sax & boomerang piece up for your (I hope)
>enjoyment. This one is an arrangement of The Meter's
>classic  "Just Kissed My Baby".
>Here 'tis...
>http://www.freeimprovisation.com/JustKissedMyBaby.mp3

Nice track, Tom!  I really like the horn "section" and the vocalese rhythm
track fits well, too.  My only suggestion would be to roll off some of the
treble and add a dash of reverb.

Cheers,
Kevin
www.TheNettles.com


From Loopers-Delight-request@loopers-delight.com  Tue Jun 27 02:10:05 2006
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Date: Mon, 26 Jun 2006 19:10:02 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: Electrix Repeater for Sale
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For all europeans interested i am currently selling
the following items as well:

-Electrix pro Repeater in its original
box,manual,latest O.S. and Simpletech 64 meg card

-Behringer 1602 RX eurorack "19" 16 channel rackmount
mixer

-SM Pro Audio PR8MKII - 8ch Microphone Preamplifier
with Optional ADAT Output great to put into a rack
along with your soundcard for a mobile studio
http://www.smproaudio.com/PR8MKII.htm

please contact me offlist
thanx
Luis





















--- Kevin Mulvihill <kmulvihill@comcast.net> wrote:

> Hi all,
> 
> Used to be here all the time 4 or 5 years ago. I've
> been lurking here the
> past week or two, and it's good to be back.
> 
> With all the recent for sale posts I've seen on this
> list, I just wanted to
> let everyone know that I have an Electrix Repeater
> up for sale on eBay too.
> It's here at:
>
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=7424189567&rd=1&sspagenam
> e=STRK%3AMESE%3AIT&rd=1
> 
> The box is in truly excellent condition as you can
> see from the many
> pictures, and even has the collector's item
> mis-labeled 16 MB CFC. This box
> is from the first batch produced but I did update
> the OS to 1.1. Sadly, I've
> hardly ever used it because I have Gibson and Roland
> echo units. Anyway,
> someone will be making quite the score here if
> you're looking for such a
> thing...
> 
> I also have a Digitech BP-8 Bass Preamp / Processor.
> This is a foot
> controller for bass. Very good condition. Someone is
> going to steal this box
> if I can't get the bids up. :-) Check it out here:
>
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=7424184477&rd=1&sspagenam
> e=STRK%3AMESE%3AIT&rd=1
> 
> Anyway, wish you all the best and it's good to see
> that this list remains so
> vibrant!
> 
> Kevin
> 
> 
> 


www.luis-angulo.com
www.myspace.com/luisangulocom

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Tue Jun 27 02:44:14 2006
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From: "Timothy Mungenast" <mungenast@earthlink.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Bidule for Krispen
Date: Mon, 26 Jun 2006 22:47:38 -0400
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It occurs to me that "Bidule for Krispen" would make a fine song title.

Hmmm... wondering about the etymology of "Bidule".... perhaps short for
"bidet schedule"?
I can see it now... "I get to use it at 9:05! Wait your turn,
spottytrousers!!"

Yours in Nonlinearity,
Tim Mungenast



> [Original Message]
> From: <phaslem@wightman.ca>
> To: <Loopers-Delight@loopers-delight.com>
> Date: 6/26/2006 3:50:07 PM
> Subject: Re: Bidule for Krispen
>
> This is exactly what I've been doing with Bidule, I have 9 different 
> strings of
> vsts, each with a different sound that I want to capture. I can switch 
> from one
> to another with the midi foot pedal anytime during a tune. It's a 
> wonderful sort
> of freedom. But I like having the strings and the components of the
strings on
> the screen so that if I want to make any minor adjustments I can very
quickly
> get at that vst and make whatever adjustments I want. I have been running
into
> that cpu overload problem but in my case I believe it is largely due to
the
> cpu.... I put a prescott core cpu in and it just runs way too hot for a 1u
> rackmount computer. The other one I built has a northwood core and cpu
usuage
> never goes over 50% and the temp never cracks 60 F, The prescott quite
often
> gets up over 75 F and then the cpu load jumps completely over the top.
I've
> ordered a new one, hopefully I'll get this week.
>
> Paul Haslem
> hammered dulcimer and guitar
> Ontario, Canda
> www.dulcify.ca
>
>
>
>
>
> Quoting a k butler <akbutler@tiscali.co.uk>:
>
> > At 17:23 26/06/2006, you wrote:
> >> I would like a host that allows me to create a "module" of VSTs in a 
> >> seqeence, or in parallel, and to bring that up immediately with the 
> >> touch of a button. I know Bidule does this, but I don't want to see 
> >> all the blased VSTs on the screen.
> >
> > You can put a whole load of FX into a group in Bidule, and then it 
> > appears as a single box.
> >
> > andy
>


From Loopers-Delight-request@loopers-delight.com  Tue Jun 27 04:05:34 2006
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Date: Mon, 26 Jun 2006 21:05:31 -0700 (PDT)
From: daniel stevenson <stillllscary@yahoo.com>
Subject: Re: Mobius part 2
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stand by to engage warp speed mr. sulu.

--- mark sottilaro <zerocrossing2001@yahoo.com> wrote:

> 
> MY GOD MAN! 50! Plug-ins!?  She cann'a take much
> more
> of that!  Reroute all auxillary power to the main
> phasers!
> 
> Surely you could create multiple files for each
> piece
> couldn't you?  Each one only dealing with the
> plug-ins
> needed for that tune?  In between songs open the new
> one?
> 
> Mark
> 
> --- Krispen Hartung <khartung@cableone.net> wrote:
> 
> 
> > One thing about EnergyXT that I think is a "bug"
> but
> > probably a undesireable 
> > feature, is that the more VST plugins you load
> into
> > it, the more slugglish 
> > it gets...even when they are not activiated. I
> find
> > that odd.  If I have 5 
> > plugins on the screen, all not activated, it
> > responds quickly to button 
> > presses, dragging the plugins around, etc. But if
> I
> > have 50 plugins on my 
> > screen, which is what I have in Chainer, it gets
> > really slow.
> 
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam
> protection around 
> http://mail.yahoo.com 
> 
> 


__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Tue Jun 27 04:49:39 2006
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Date: Mon, 26 Jun 2006 21:47:23 -0700 (PDT)
From: daniel stevenson <stillllscary@yahoo.com>
Subject: Re: exploring what you've already got ever deeper
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yes,there is freedom in simplicity...i admire the
complex set-ups some folks are amazing at keeping in
control,but i don't think i can handle the stress
involved with using an elaborate live rig.
                enhance the trance,
                        skippy pup chow

--- mark sottilaro <zerocrossing2001@yahoo.com> wrote:

> Yeah, I'm guilty of this myself but often I can't
> help
> it.  It's like having sex in public or something. 
> Dangerous.  I remember once stopping on the way to a
> gig to get a Digitech SpaceStation. Sometimes it's
> all
> about DEALING with what happens no matter what.  Can
> be fun.  Unless it totally fucks up and you get no
> sound... which I guess is like looseing your
> erection
> (moistness for the ladies?) in public.  Not fun.
> 
> One lesson I've learned is to keep it light and have
> a
> partner.  Having someone perform with you can make
> all
> the difference when your looping/effects gear fails.
> 
> The less things to hook up the better too.  I can't
> imagine Suit and Tie Guy's world.  Makes me dizzy
> thinking about it.
> 
> --- "loop.pool" <looppool@cruzio.com> wrote:
> 
> 
> > I also like to keep in mind that every single time
> > I"ve ever gone to a gig 
> > with too many choices
> > in stomp box pedals and rack mount units that
> > something always seems to fuck 
> > up.
> 
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam
> protection around 
> http://mail.yahoo.com 
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Tue Jun 27 05:12:34 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <410-22006622724738680@earthlink.net>
Subject: Re: Bidule for Krispen
Date: Mon, 26 Jun 2006 23:12:33 -0600
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You're cracking me up...

Kris

----- Original Message ----- 
From: "Timothy Mungenast" <mungenast@earthlink.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, June 26, 2006 8:47 PM
Subject: Re: Bidule for Krispen


> It occurs to me that "Bidule for Krispen" would make a fine song title.
>
> Hmmm... wondering about the etymology of "Bidule".... perhaps short for
> "bidet schedule"?
> I can see it now... "I get to use it at 9:05! Wait your turn,
> spottytrousers!!"
>
> Yours in Nonlinearity,
> Tim Mungenast
>
>
>
>> [Original Message]
>> From: <phaslem@wightman.ca>
>> To: <Loopers-Delight@loopers-delight.com>
>> Date: 6/26/2006 3:50:07 PM
>> Subject: Re: Bidule for Krispen
>>
>> This is exactly what I've been doing with Bidule, I have 9 different
>> strings of
>> vsts, each with a different sound that I want to capture. I can switch
>> from one
>> to another with the midi foot pedal anytime during a tune. It's a
>> wonderful sort
>> of freedom. But I like having the strings and the components of the
> strings on
>> the screen so that if I want to make any minor adjustments I can very
> quickly
>> get at that vst and make whatever adjustments I want. I have been running
> into
>> that cpu overload problem but in my case I believe it is largely due to
> the
>> cpu.... I put a prescott core cpu in and it just runs way too hot for a 
>> 1u
>> rackmount computer. The other one I built has a northwood core and cpu
> usuage
>> never goes over 50% and the temp never cracks 60 F, The prescott quite
> often
>> gets up over 75 F and then the cpu load jumps completely over the top.
> I've
>> ordered a new one, hopefully I'll get this week.
>>
>> Paul Haslem
>> hammered dulcimer and guitar
>> Ontario, Canda
>> www.dulcify.ca
>>
>>
>>
>>
>>
>> Quoting a k butler <akbutler@tiscali.co.uk>:
>>
>> > At 17:23 26/06/2006, you wrote:
>> >> I would like a host that allows me to create a "module" of VSTs in a
>> >> seqeence, or in parallel, and to bring that up immediately with the
>> >> touch of a button. I know Bidule does this, but I don't want to see
>> >> all the blased VSTs on the screen.
>> >
>> > You can put a whole load of FX into a group in Bidule, and then it
>> > appears as a single box.
>> >
>> > andy
>>
>
>
> 


From Loopers-Delight-request@loopers-delight.com  Tue Jun 27 05:34:14 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: Mobius part 2
Date: Mon, 26 Jun 2006 22:34:12 -0700
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On Jun 26, 2006, at 3:44 PM, Krispen Hartung wrote:

> Yes, I've done this, but the problem is that I don't really play any=20=

> piece per se, but I improvize and I like to spontanouely pick plugins=20=

> from a total menu. In short, I need access to all my plugins at all=20
> times, and I want to be able to stack or chain them in custom=20
> sequences on the fly...probably asking for too much.

> Would be cool is a dynamic rack concept. On the left hand side of the=20=

> screen I would have a rack "shell". On the right hand I would have my=20=

> massive list of VST plugins. Then one could drag and drop on the fly=20=

> any of the plugins into the rack in any order, and also change the=20
> order by dragging and dropping, all in real time. That would be=20
> amazing.

you are going to so love max/msp....I don't know about drag and drop=20
(probably a way) but it has a pull down menu feature that you could put=20=

all your plugs in (by dragging and dropping folders that hold the=20
plugs) and then you could use controllers to choose which ones and=20
whether to route them directly out or into a different plug for further=20=

processing and so on and son....

Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com =95 AngryVegan.com=

From Loopers-Delight-request@loopers-delight.com  Tue Jun 27 07:00:25 2006
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>
>I would like to know if the dry signal path is attenuated by the 
>'mix' knob, so that the loop function could be used on an aux send. 
>The DL4 always has the direct signal present in loop mode.

If it's like the filter Modeller, then yes it does this,
and there's also an option to make the bypass analog.

andy butler 

From Loopers-Delight-request@loopers-delight.com  Tue Jun 27 07:14:07 2006
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de ja vu...

--- daniel stevenson <stillllscary@yahoo.com> wrote:

> yes,there is freedom in simplicity...i admire the
> complex set-ups some folks are amazing at keeping in
> control,but i don't think i can handle the stress
> involved with using an elaborate live rig.
>                 enhance the trance,
>                         skippy pup chow
> 
> --- mark sottilaro <zerocrossing2001@yahoo.com>
> wrote:
> 
> > Yeah, I'm guilty of this myself but often I can't
> > help
> > it.  It's like having sex in public or something. 
> > Dangerous.  I remember once stopping on the way to
> a
> > gig to get a Digitech SpaceStation. Sometimes it's
> > all
> > about DEALING with what happens no matter what. 
> Can
> > be fun.  Unless it totally fucks up and you get no
> > sound... which I guess is like looseing your
> > erection
> > (moistness for the ladies?) in public.  Not fun.
> > 
> > One lesson I've learned is to keep it light and
> have
> > a
> > partner.  Having someone perform with you can make
> > all
> > the difference when your looping/effects gear
> fails.
> > 
> > The less things to hook up the better too.  I
> can't
> > imagine Suit and Tie Guy's world.  Makes me dizzy
> > thinking about it.
> > 
> > --- "loop.pool" <looppool@cruzio.com> wrote:
> > 
> > 
> > > I also like to keep in mind that every single
> time
> > > I"ve ever gone to a gig 
> > > with too many choices
> > > in stomp box pedals and rack mount units that
> > > something always seems to fuck 
> > > up.
> > 
> > __________________________________________________
> > Do You Yahoo!?
> > Tired of spam?  Yahoo! Mail has the best spam
> > protection around 
> > http://mail.yahoo.com 
> > 
> > 
> 
> 
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam
> protection around 
> http://mail.yahoo.com 
> 


__________________________________________________
Do You Yahoo!?
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From Loopers-Delight-request@loopers-delight.com  Tue Jun 27 07:39:31 2006
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>Any DJs on the list?  If so you might enjoy DJ QBert doing some freestyling
>with just a turntable and a beatbox:
>http://www.youtube.com/watch?v=sKn9qeAIRzI&search=qfo
>
>For the rest of you, yes he blows worse than Hiromi so don't bother. ;-)
>
>Cheers,
>Kevin

QBert's generally amazing, but
I though the beat box rather killed it :-(

try this one

http://www.youtube.com/watch?v=rGJxlmswzw8

andy

From Loopers-Delight-request@loopers-delight.com  Tue Jun 27 08:01:30 2006
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>stand by to engage warp speed mr. sulu.

go to www.myspace.com/livelooper

and check out the 3rd track

andy 

From Loopers-Delight-request@loopers-delight.com  Tue Jun 27 08:02:51 2006
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i havent heard it yet but folks are saying tool is at
it again with the weirdness...the track "virginiti
tres"meaning 23 in latin, symbolizes synchronicity,and
that if you add the play times of "wings part 1 &
virginiti tres"it equals the play time of "wings part
2"  6:11 + 5:02=11:13
 if anyone knows a link where this synced song can be
heard...fill me in,i would like to hear it.
                       end transmission,
                                        DS










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From Loopers-Delight-request@loopers-delight.com  Tue Jun 27 08:20:05 2006
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Subject: Re: Re: Mobius part 2
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lol very nice stuff you got posted there Andy.you got
lots of cool friends too.im going to have to get busy
and get a myspace page, its just too cool
                      thanks,
                           danny/scary

--- a k butler <akbutler@tiscali.co.uk> wrote:

> 
> 
> >stand by to engage warp speed mr. sulu.
> 
> go to www.myspace.com/livelooper
> 
> and check out the 3rd track
> 
> andy 
> 
> 


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From Loopers-Delight-request@loopers-delight.com  Tue Jun 27 08:48:17 2006
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Subject: Re: Vox Tonelab (was: FOR SALE: Mesa Boogie Mark I Combo Amp)
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The Looper is available in the Tonelab SE, but not in the Tonelab desktop 
unit.

Nik

----- Original Message ----- 
From: "William Walker" <billwalker@baymoon.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, June 26, 2006 8:09 PM
Subject: RE: Vox Tonelab (was: FOR SALE: Mesa Boogie Mark I Combo Amp)


> And once you have dug in, you will find a nifty 8 second hold delay that 
> can
> act as an extra looper, but be sure to dedicate an expression pedal to 
> feed
> the delay input signal so that you can control what content gets looped.
> Bill
> 

From Loopers-Delight-request@loopers-delight.com  Tue Jun 27 11:51:30 2006
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Subject: Re: Re: Mobius on Mac someday?
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Hi 

@Jeff: MÃ¶bius on Mac would be really great. Universal Binary, please ;-))
Or you could sell the stuff to Native Instruments (would make a great plug-in for Guitar Rig 3... ;-) and they would port it....

@Bruce: The page http://lloopp.klingt.org seems a bit... cryptic. Is there a manual for the looper?

@Mark: As far as I can see, SooperLooper is "only" a stereo EDP. I would really miss MÃ¶bius' ability to have 8 parallel loops for building arrangements.

@Per: Is virtualization with Parallels really slow? I have Intel Core Duo which supports _real_ virtualization, that means it's not running as an emulation but really tapping the full resources.

Best regards
Buzap

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From Loopers-Delight-request@loopers-delight.com  Tue Jun 27 12:16:08 2006
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> @Mark: As far as I can see, SooperLooper is "only" a stereo EDP. I would =
really miss M=F6bius' ability to have 8 parallel loops for building arrange=
ments.

No, SL can have as many loop instances as you want, the screenshot
only shows one instantiated.  In fact each loop can have 1-N channels
as well.  Limited by memory and CPU only.  However, there is no
universal binary release yet.  But when it comes so will proper
latency compensation (which is the primary complaint around here).

jlc

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From: Per Boysen <perboysen@gmail.com>
Subject: Something Good In SooperLooper (was: Mobius on Mac someday?)
Date: Tue, 27 Jun 2006 14:31:45 +0200
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>> @Mark: As far as I can see, SooperLooper is "only" a stereo EDP. I =20=

>> would really miss M=F6bius' ability to have 8 parallel loops for =20
>> building arrangements.


SooperLooper has a nice feature that I miss in both my EDP and =20
Mobius. It's the option to set feedback to only happen when you're =20
overdubbing. This makes it possible to play with a constant setting =20
of, let's say, seventy percent feedback. As long as you are not =20
overdubbing the loop will not fade away. I frequently do that mistake =20=

on both the EDP and Mobius - forgetting to move back the feedback =20
pedal into the full position and then I suddenly find that my Boys In =20=

The Band have left their instruments and are leaving me all alone. =20
With Mobius I then have to pump the overdub button to force them back =20=

on stage. That little tic square of SL's is nice. Also nice that it's =20=

not put away into some preferences menu but has it's own tic box =20
right thare in the graphical interface.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Tue Jun 27 12:32:38 2006
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Hi Jesse

> No, SL [SooperLooper] can have as many loop instances as you want,
you are actually right!

So the main limitation is - on Intel Macs - latency?

Gotta take a closer look...
Buzap

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From Loopers-Delight-request@loopers-delight.com  Tue Jun 27 12:42:15 2006
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On 6/27/06, Buzap Buzap <buzap@gmx.net> wrote:

> > No, SL [SooperLooper] can have as many loop instances as you want,
> you are actually right!

Well, I should know :)

> So the main limitation is - on Intel Macs - latency?

No, the latency compensation issue has been there all along (on all
platforms).  I was just saying that the next version will fix that,
and also be available as a UB.  You might have to wait around until
then before trying it anyway.

jlc

From Loopers-Delight-request@loopers-delight.com  Tue Jun 27 12:44:28 2006
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Hi Tom

nice work, really like the groove :-)

Buzap

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From Loopers-Delight-request@loopers-delight.com  Tue Jun 27 12:52:39 2006
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Date: Tue, 27 Jun 2006 08:52:27 -0400
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From: paul <phaslem@wightman.ca>
Subject: Re: Something Good In SooperLooper (was: Mobius on Mac
  someday?)
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Say Per, That might be a good feature to ask Jeff about for the track setup=
=20
preferences. I still haven't gotten into v 1.28 and worked with, maybe it's=
=20
there already?



At 08:31 AM 6/27/2006, you wrote:

>>>@Mark: As far as I can see, SooperLooper is "only" a stereo EDP. I
>>>would really miss M=F6bius' ability to have 8 parallel loops for
>>>building arrangements.
>
>
>SooperLooper has a nice feature that I miss in both my EDP and
>Mobius. It's the option to set feedback to only happen when you're
>overdubbing. This makes it possible to play with a constant setting
>of, let's say, seventy percent feedback. As long as you are not
>overdubbing the loop will not fade away. I frequently do that mistake
>on both the EDP and Mobius - forgetting to move back the feedback
>pedal into the full position and then I suddenly find that my Boys In
>The Band have left their instruments and are leaving me all alone.
>With Mobius I then have to pump the overdub button to force them back
>on stage. That little tic square of SL's is nice. Also nice that it's
>not put away into some preferences menu but has it's own tic box
>right thare in the graphical interface.
>
>Greetings from Sweden
>
>Per Boysen
>www.boysen.se (Swedish)
>www.looproom.com (international)
>http://tinyurl.com/fauvm (podcast)
>http://www.myspace.com/looproom
>
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Jun 27 13:27:31 2006
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From: goddard.duncan@mtvne.com
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Subject: RE: line 6 echo pro?
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>>It's lack of properly implemented MIDI sync made me give it up but if you
operated it with manual tempo it did some cool stuff.<<

eh? mark, please elaborate.... you mean in it's looping mode? fair enough,
I've never really used them as a looper.=20


but I have three of them which I use as regular delay boxes, & they're
pretty good. the gain management, which should be invisible to the user once
the in & out levels are adjusted, isn't. the thing needs tweaking as you go
amongst the models. but they are every bit as good as the DL4, &
midi-syncable, & of course there are loads of memories & more delay time.
I think the looping function is probably a waste of time, though. without a
midi foot controller, you're screwed anyway, but even with one... you've got
one huge loop & the same simple functionality as the DL4.

it does, however, support a number of different modes of "bypass". despite
there being three choices, I can't find the one I like. (the position of the
mix pot is memorised with a preset, but there's a way to make it global
aswell). it will mute the input & leave a trail of echoes. it will mute
everything. it will go into hard bypass.=20
it WON'T leave a trail of echoes & pass the dry input at the same time, like
the DL4 does when you've stood on it while switching it on. so as a
standalone box, it's missing something vital.

I've read a lot of stuff on review sites about how it sucks tone, hisses,
hums, all sorts of stuff. apart from some hassles with the gain structure
varying from one model to the next, I have no complaints. one of my three
had a hardware failure right after I got it (from ebay), & line6-UK fixed it
for =A330, inc shipping, in less than a week.

duncan.


***************************************************************************
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The contents of this e-mail are confidential to the ordinary user
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<P><FONT SIZE=3D2>&gt;&gt;It's lack of properly implemented MIDI sync made =
me give it up but if you operated it with manual tempo it did some cool stu=
ff.&lt;&lt;</FONT></P>

<P><FONT SIZE=3D2>eh? mark, please elaborate.... you mean in it's looping m=
ode? fair enough, I've never really used them as a looper. </FONT>
</P>
<BR>

<P><FONT SIZE=3D2>but I have three of them which I use as regular delay box=
es, &amp; they're pretty good. the gain management, which should be invisib=
le to the user once the in &amp; out levels are adjusted, isn't. the thing =
needs tweaking as you go amongst the models. but they are every bit as good=
 as the DL4, &amp; midi-syncable, &amp; of course there are loads of memori=
es &amp; more delay time.</FONT></P>

<P><FONT SIZE=3D2>I think the looping function is probably a waste of time,=
 though. without a midi foot controller, you're screwed anyway, but even wi=
th one... you've got one huge loop &amp; the same simple functionality as t=
he DL4.</FONT></P>

<P><FONT SIZE=3D2>it does, however, support a number of different modes of =
&quot;bypass&quot;. despite there being three choices, I can't find the one=
 I like. (the position of the mix pot is memorised with a preset, but there=
's a way to make it global aswell). it will mute the input &amp; leave a tr=
ail of echoes. it will mute everything. it will go into hard bypass. </FONT=
></P>

<P><FONT SIZE=3D2>it WON'T leave a trail of echoes &amp; pass the dry input=
 at the same time, like the DL4 does when you've stood on it while switchin=
g it on. so as a standalone box, it's missing something vital.</FONT></P>

<P><FONT SIZE=3D2>I've read a lot of stuff on review sites about how it suc=
ks tone, hisses, hums, all sorts of stuff. apart from some hassles with the=
 gain structure varying from one model to the next, I have no complaints. o=
ne of my three had a hardware failure right after I got it (from ebay), &am=
p; line6-UK fixed it for =A330, inc shipping, in less than a week.</FONT></=
P>

<P><FONT SIZE=3D2>duncan.</FONT>
</P>

<CODE><FONT SIZE=3D3><BR>
<BR>
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<BR>
MTV reserves the right to monitor e-mail communications from<BR>
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<BR>
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From Loopers-Delight-request@loopers-delight.com  Tue Jun 27 13:33:52 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Something Good In SooperLooper (was: Something Wicked This Way Comes)
Date: Tue, 27 Jun 2006 15:33:45 +0200
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Good point, Paul! I have posted that wish long ago, so buy now it =20
should be well on it's way toward the bright and shiny future along  =20
those other great feature requests assembled inside Jeff's tobacco =20
colored notebook.
(uh, why that color...? dunno - just a wild guess ;-)

per


On 27 jun 2006, at 14.52, paul wrote:

> Say Per, That might be a good feature to ask Jeff about for the =20
> track setup preferences. I still haven't gotten into v 1.28 and =20
> worked with, maybe it's there already?
>
>
> At 08:31 AM 6/27/2006, you wrote:
>
>>>> @Mark: As far as I can see, SooperLooper is "only" a stereo EDP. I
>>>> would really miss M=F6bius' ability to have 8 parallel loops for
>>>> building arrangements.
>>
>>
>> SooperLooper has a nice feature that I miss in both my EDP and
>> Mobius. It's the option to set feedback to only happen when you're
>> overdubbing. This makes it possible to play with a constant setting
>> of, let's say, seventy percent feedback. As long as you are not
>> overdubbing the loop will not fade away. I frequently do that mistake
>> on both the EDP and Mobius - forgetting to move back the feedback
>> pedal into the full position and then I suddenly find that my Boys In
>> The Band have left their instruments and are leaving me all alone.
>> With Mobius I then have to pump the overdub button to force them ba
>> on stage. That little tic square of SL's is nice. Also nice that it's
>> not put away into some preferences menu but has it's own tic box
>> right thare in the graphical interface.
>>
>> Gr

From Loopers-Delight-request@loopers-delight.com  Tue Jun 27 14:01:41 2006
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Date: Tue, 27 Jun 2006 09:57:50 -0400
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All of the regular delay models in the DL4 also allow full wet signal 
using the mix knob, too. The looper does not. Does it on the 
rackmount version?

>>I would like to know if the dry signal path is attenuated by the 
>>'mix' knob, so that the loop function could be used on an aux send. 
>>The DL4 always has the direct signal present in loop mode.
>
>If it's like the filter Modeller, then yes it does this,
>and there's also an option to make the bypass analog.
>
>andy butler


-- 
...
http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Tue Jun 27 14:37:07 2006
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From: "raul bonell" <RAULBONELL@telefonica.net>
To: <Loopers-Delight@loopers-delight.com>,
	"Chapman Stick discussion list" <STICKWIRE-L@HOME.EASE.LSOFT.COM>
Subject: FS: Alembic F2-B & Alesis Q2
Date: Tue, 27 Jun 2006 16:37:02 +0200
Organization: paciencia records
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Hi there!

Not posted in Ebay.

Alesis Quadraverb 2 Effects Processor.
Alembic F2-B Stereo Tube Preamp.

I have these two beauties for sale since I'm switching to an
(almost) all SW based rack. I'm located in Spain. Make offers privately =
if you are interested. I can send pics of both if needed.

Cheers!
Ra=FCl.=20

The Playing Orchestra: http://www.telefonica.net/web2/tpo
Chain Tape Collective: http://www.ct-collective.com
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<DIV><FONT face=3DArial size=3D2>Hi there!<BR><BR>Not posted in =
Ebay.<BR><BR>Alesis=20
Quadraverb 2 Effects Processor.<BR>Alembic F2-B Stereo Tube =
Preamp.<BR><BR>I=20
have these two beauties for sale since I'm switching to an<BR>(almost) =
all SW=20
based rack. I'm&nbsp;located in Spain. Make offers privately if you are=20
interested. I can send pics of both if=20
needed.<BR><BR>Cheers!<BR>Ra=FCl.&nbsp;</FONT></DIV>
<DIV><FONT face=3DArial size=3D2><BR>The Playing Orchestra: <A=20
href=3D"http://www.telefonica.net/web2/tpo">http://www.telefonica.net/web=
2/tpo</A><BR>Chain=20
Tape Collective: <A=20
href=3D"http://www.ct-collective.com">http://www.ct-collective.com</A></F=
ONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue Jun 27 15:43:32 2006
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Subject: RE: Something Good In SooperLooper (was: Something Wicked This Way Comes)
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> From: Per Boysen [mailto:perboysen@gmail.com]=20
> by now it should be well on it's way toward the bright and=20
> shiny future along those other great feature requests
> assembled inside Jeff's tobacco colored notebook.
> (uh, why that color...? dunno - just a wild guess ;-)

Actually, it's more of a pastel lavender with a picture of a
shimmering unicorn, -M o b i u s- written in glitter glue,=20
the 'i' dotted with a heart.

And yes, InterfaceMode=3DConservativeOverdub is in there.

Jeff

From Loopers-Delight-request@loopers-delight.com  Tue Jun 27 15:51:38 2006
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From: goddard.duncan@mtvne.com
To: loopers-delight@loopers-delight.com
Subject: RE: rumors of a "hidden"track on 10,000 days
Date: Tue, 27 Jun 2006 16:51:31 +0100
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>>i havent heard it yet...<<

I have only heard them doing bits of the album live (the drummer has an
amazing collection of analogue synths, & had his AKS next to him). I have
the album, but haven't got past the 3-D specs/artwork yet......
but while we're on the subject of melodic metal/rock, did anyone notice I
casually threw a mention of levitation into a recent post?
both the guitarist (christian "bic" hayes, ex-Cardiacs) & lawrence o'keefe
were excellent live jamman users.

d.


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<P><FONT SIZE=3D2>&gt;&gt;i havent heard it yet...&lt;&lt;</FONT>
</P>

<P><FONT SIZE=3D2>I have only heard them doing bits of the album live (the =
drummer has an amazing collection of analogue synths, &amp; had his AKS nex=
t to him). I have the album, but haven't got past the 3-D specs/artwork yet=
......</FONT></P>

<P><FONT SIZE=3D2>but while we're on the subject of melodic metal/rock, did=
 anyone notice I casually threw a mention of levitation into a recent post?=
</FONT></P>

<P><FONT SIZE=3D2>both the guitarist (christian &quot;bic&quot; hayes, ex-C=
ardiacs) &amp; lawrence o'keefe were excellent live jamman users.</FONT>
</P>

<P><FONT SIZE=3D2>d.</FONT>
</P>

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From Loopers-Delight-request@loopers-delight.com  Tue Jun 27 15:55:45 2006
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Subject: RE: Bidule for Krispen
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> From: Timothy Mungenast [mailto:mungenast@earthlink.net]=20
>=20
> It occurs to me that "Bidule for Krispen" would make a fine=20
> song title.

Song title?  Heck, I'm using it for my next band name!
(after my current band breaks up under the inevitable
weight of its own success).

> Hmmm... wondering about the etymology of "Bidule"

According to the Plogue web site, the word "Bidule" is
French  for "thingy" or "gadget".

"Thingy for Krispen" just doesn't have the same panache.

Jeff

From Loopers-Delight-request@loopers-delight.com  Tue Jun 27 16:04:20 2006
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Date: Tue, 27 Jun 2006 11:04:18 -0500
From: "Charlie Milkey" <pilotcp@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: rumors of a "hidden"track on 10,000 days
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The only thing i have heard about strange things on the 10,000 days cd
is this -> http://spo0nman.blogspot.com/2006/05/more-on-10000-days.html

virginit thres and wings for marie, and then play them at the same
time, its supposed to line up or something like that.

i guy did it, and put a sound clip here
http://www.snoopy.force9.co.uk/10000_Days_Secret_Megamix.mp3


Charlie

On 6/27/06, daniel stevenson <stillllscary@yahoo.com> wrote:
> i havent heard it yet but folks are saying tool is at
> it again with the weirdness...the track "virginiti
> tres"meaning 23 in latin, symbolizes synchronicity,and
> that if you add the play times of "wings part 1 &
> virginiti tres"it equals the play time of "wings part
> 2"  6:11 + 5:02=11:13
>  if anyone knows a link where this synced song can be
> heard...fill me in,i would like to hear it.
>                        end transmission,
>                                         DS
>
>
>
>
>
>
>
>
>
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
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>

From Loopers-Delight-request@loopers-delight.com  Tue Jun 27 16:11:03 2006
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Subject: Re: Something Good In SooperLooper,  now edp feature for Per
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>SooperLooper has a nice feature that I miss in both my EDP and
>Mobius. It's the option to set feedback to only happen when you're
>overdubbing.

That feature is right there in the EDP just waiting for you.

  Delay Mode does it, by swapping Overdub for a freeze function.

Expert Mode does it too. ( Expert Mode, the EDP feature that no-one
    admits to originating)

andy butler 

From Loopers-Delight-request@loopers-delight.com  Tue Jun 27 16:27:33 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Something Good In SooperLooper,  now edp feature for Per
Date: Tue, 27 Jun 2006 18:27:29 +0200
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>> SooperLooper has a nice feature that I miss in both my EDP and
>> Mobius. It's the option to set feedback to only happen when you're
>> overdubbing.
>
On 27 jun 2006, at 18.11, a k butler wrote:


> That feature is right there in the EDP just waiting for you.
>
>  Delay Mode does it, by swapping Overdub for a freeze function.
>
> Expert Mode does it too. ( Expert Mode, the EDP feature that no-one
>    admits to originating)
>
> andy butler


Cool, thanks! I didn't know that. The mode I like most with the EDP =20
is RePlace Mode. Hmmm.... maybe I have a faint memory of the feature =20
being there as well....  my brain has become so M=F6biUsed lately ;-)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



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From: Per Boysen <perboysen@gmail.com>
Subject: Crispy Thing  (was: "Thingy for Krispen")
Date: Tue, 27 Jun 2006 18:30:18 +0200
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On 27 jun 2006, at 17.55, jeff larson wrote:

> According to the Plogue web site, the word "Bidule" is
> French  for "thingy" or "gadget".
>
> "Thingy for Krispen" just doesn't have the same panache.


taste  "Crispy Thing" ;-))

p

From Loopers-Delight-request@loopers-delight.com  Tue Jun 27 16:36:02 2006
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Krispen's Thingy?

I'm sorry but it had to be said






Quoting Per Boysen <perboysen@gmail.com>:

> On 27 jun 2006, at 17.55, jeff larson wrote:
>
>> According to the Plogue web site, the word "Bidule" is
>> French  for "thingy" or "gadget".
>>
>> "Thingy for Krispen" just doesn't have the same panache.
>
>
> taste  "Crispy Thing" ;-))
>
> p
>
>


From Loopers-Delight-request@loopers-delight.com  Tue Jun 27 16:36:37 2006
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From: "William Walker" <billwalker@baymoon.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Something Good In SooperLooper,  now edp feature for Per
Date: Tue, 27 Jun 2006 09:36:35 -0700
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Gee , leave it to ol' smarty pants Butler to have all the answers, Gosh you
would think that he had some sort of design or beta test input on the EDP or
something. Oh wait,, he did! Hey Andy , do I have to go to some kind of EDP
finishing school, to be able to use expert mode?
Bill

-----Original Message-----
From: Per Boysen [mailto:perboysen@gmail.com]
Sent: Tuesday, June 27, 2006 9:27 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Something Good In SooperLooper, now edp feature for Per


>> SooperLooper has a nice feature that I miss in both my EDP and
>> Mobius. It's the option to set feedback to only happen when you're
>> overdubbing.
>
On 27 jun 2006, at 18.11, a k butler wrote:


> That feature is right there in the EDP just waiting for you.
>
>  Delay Mode does it, by swapping Overdub for a freeze function.
>
> Expert Mode does it too. ( Expert Mode, the EDP feature that no-one
>    admits to originating)
>
> andy butler


Cool, thanks! I didn't know that. The mode I like most with the EDP
is RePlace Mode. Hmmm.... maybe I have a faint memory of the feature
being there as well....  my brain has become so MöbiUsed lately ;-)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom






From Loopers-Delight-request@loopers-delight.com  Tue Jun 27 16:38:26 2006
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Yes , Krispen's Thingy was performed soley on his Koch amp. Or was it his
Fuchs amps, not real sure.
Bill

-----Original Message-----
From: phaslem@wightman.ca [mailto:phaslem@wightman.ca]
Sent: Tuesday, June 27, 2006 9:36 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Crispy Thing (was: "Thingy for Krispen")


Krispen's Thingy?

I'm sorry but it had to be said






Quoting Per Boysen <perboysen@gmail.com>:

> On 27 jun 2006, at 17.55, jeff larson wrote:
>
>> According to the Plogue web site, the word "Bidule" is
>> French  for "thingy" or "gadget".
>>
>> "Thingy for Krispen" just doesn't have the same panache.
>
>
> taste  "Crispy Thing" ;-))
>
> p
>
>





From Loopers-Delight-request@loopers-delight.com  Tue Jun 27 16:44:37 2006
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Roland, roland, roland...keep them puns a roland... :)

This is getting out of hand now.

Kris


----- Original Message ----- 
From: "William Walker" <billwalker@baymoon.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, June 27, 2006 10:38 AM
Subject: RE: Crispy Thing (was: "Thingy for Krispen")


> Yes , Krispen's Thingy was performed soley on his Koch amp. Or was it his
> Fuchs amps, not real sure.
> Bill
> 
> -----Original Message-----
> From: phaslem@wightman.ca [mailto:phaslem@wightman.ca]
> Sent: Tuesday, June 27, 2006 9:36 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Crispy Thing (was: "Thingy for Krispen")
> 
> 
> Krispen's Thingy?
> 
> I'm sorry but it had to be said
> 
> 
> 
> 
> 
> 
> Quoting Per Boysen <perboysen@gmail.com>:
> 
>> On 27 jun 2006, at 17.55, jeff larson wrote:
>>
>>> According to the Plogue web site, the word "Bidule" is
>>> French  for "thingy" or "gadget".
>>>
>>> "Thingy for Krispen" just doesn't have the same panache.
>>
>>
>> taste  "Crispy Thing" ;-))
>>
>> p
>>
>>
> 
> 
> 
> 
> 
>

From Loopers-Delight-request@loopers-delight.com  Tue Jun 27 16:51:49 2006
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That is an AMAZING preamp !

raul bonell wrote:

> Hi there!
>
> Not posted in Ebay.
>
> Alesis Quadraverb 2 Effects Processor.
> Alembic F2-B Stereo Tube Preamp.
>
> I have these two beauties for sale since I'm switching to an
> (almost) all SW based rack. I'm located in Spain. Make offers 
> privately if you are interested. I can send pics of both if needed.
>
> Cheers!
> Raül. 
>
> The Playing Orchestra: http://www.telefonica.net/web2/tpo
> Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Tue Jun 27 17:14:13 2006
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Subject: Bidule question... (and my vst wrapper findings so far)
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Hi Bidule users!

I downloaded a demo this morning and it looks good.
Nice that it's dual platform too.  What I'm most
hopeful about is it's robust sync capabilities. 
Before I crack it open a bit tonight I figured it
wouldn't hurt to ask a question.

Has anyone used it where it's getting it's sync from a
MIDI clock external to the computer?  This is my plan.
 I'd love to hear your experiences if you have.  My
plan is to run my laptop as a
softsynth/effects/mobius-looper machine while synced
to MIDI clock coming from Digital Performer (that's
running drum sequences)

Thanks,

Mark

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

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From: Richard Sales <richard@glasswing.com>
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--Apple-Mail-2--823278556
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Nice music Raul.

I wouldn't change a thing!

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 28-Jun-06, at 9:55 AM, Luca Formentini wrote:

> That is an AMAZING preamp !
>
> raul bonell wrote:
>
>> Hi there!
>>
>> Not posted in Ebay.
>>
>> Alesis Quadraverb 2 Effects Processor.
>> Alembic F2-B Stereo Tube Preamp.
>>
>> I have these two beauties for sale since I'm switching to an
>> (almost) all SW based rack. I'm located in Spain. Make offers=20
>> privately if you are interested. I can send pics of both if needed.
>>
>> Cheers!
>> Ra=FCl.
>> The Playing Orchestra: http://www.telefonica.net/web2/tpo
>> Chain Tape Collective: http://www.ct-collective.com
>

--Apple-Mail-2--823278556
Content-Transfer-Encoding: quoted-printable
Content-Type: text/enriched;
	charset=ISO-8859-1

Nice music Raul.=20


I wouldn't change a thing!


<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 28-Jun-06, at 9:55 AM, Luca Formentini wrote:


<excerpt>That is an AMAZING preamp !


raul bonell wrote:


<excerpt>Hi there!


Not posted in Ebay.


Alesis Quadraverb 2 Effects Processor.

Alembic F2-B Stereo Tube Preamp.


I have these two beauties for sale since I'm switching to an

(almost) all SW based rack. I'm located in Spain. Make offers
privately if you are interested. I can send pics of both if needed.


Cheers!

Ra=FCl.=20

The Playing Orchestra: http://www.telefonica.net/web2/tpo

Chain Tape Collective: http://www.ct-collective.com

</excerpt>

</excerpt>=

--Apple-Mail-2--823278556--

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Message-ID: <ecbd1d330606271044h42134d38t884a05e9a478fa41@mail.gmail.com>
Date: Tue, 27 Jun 2006 13:44:36 -0400
From: Keith <staplek@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: New Boomerang Looper??
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has anyone heard anything new about a new 'rang looper? i saw
mentioned in an earlier thread that a new pedal was coming out for the
summer namm. does anyone have any further info on this?

thanks

From Loopers-Delight-request@loopers-delight.com  Tue Jun 27 17:47:52 2006
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Put it in basic digital delay mode while synced to a
clock and turn up the feedback.  It's actually a great
effect... unless you don't want your repeats to sound
like they're slowly being eaten by digital termites.

Mark

--- goddard.duncan@mtvne.com wrote:

> >>It's lack of properly implemented MIDI sync made
> me give it up but if you
> operated it with manual tempo it did some cool
> stuff.<<
> 
> eh? mark, please elaborate.... you mean in it's
> looping mode? fair enough,
> I've never really used them as a looper. 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Tue Jun 27 18:19:12 2006
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I am supposed to be notified when it's close to coming out and have  
yet to hear.

Anyone else?

~peace~

Plish


Quoting Keith <staplek@gmail.com>:

> has anyone heard anything new about a new 'rang looper? i saw
> mentioned in an earlier thread that a new pedal was coming out for the
> summer namm. does anyone have any further info on this?
>
> thanks


From Loopers-Delight-request@loopers-delight.com  Tue Jun 27 18:39:37 2006
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Subject: FW: Mal returns
Date: Tue, 27 Jun 2006 20:39:22 +0200
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FYI

Bernhard
http://nosuch.biz

-----Original Message-----
From: malwebb@netspace.net.au [mailto:malwebb@netspace.net.au]=20
Sent: Dienstag, 27. Juni 2006 19:49
To: undisclosed-recipients:
Subject: Mal returns


Hi everyone, I=B4m in Europe! Sorry about the lack of notice, but my =
computer=20
died and it took me this long to retrieve the email addresses from it. =
I=B4ve=20
only got the below mentioned performances in Austria and a few workshops =

before I go to England. The workshop mentioned on my website (which =
starts=20
tomorrow) is booked out. I=B4ll be in Vienna until July 7... in case you =
have=20
thoughts of a last minute workshop or house concert! My new CD, "3 =
cheers
for=20
Peace and Quiet" is selling well and I have copies with me (or you can =
get
it=20
though my website, www.malwebb.com ). I hope all=B4s well and I promise =
I=B4ll=20
return soon with a few more performances, thine, Mal

Friday June 30, 8pm, Mal Webb solo in concert in Purbach, Austria.
Heuriger Sandhofer, Kellerplatz, A-7083 Purbach. Tel/Fax: 02683 2541 =
Mobil:=20
0699/1236 6237
heuriger@sandhofer.net / www.sandhofer.net

Saturday July 1, Mal Webb, Carl Pannuzzo and fab Viennese acapella group =

Triu at Goldegger Blues and Folktage in Goldegg, Austria. Triu start at
7:30pm=20
and Carl and I start at 9pm. (Apologies for calling Triu their old=20
name "Singapur" on my webite!) =20
www.argebluesfolk.com

--

Why not discover the ever changing joys of the Mal Webb Site?
http://malwebb.customer.netspace.net.au or www.malwebb.com



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From Loopers-Delight-request@loopers-delight.com  Tue Jun 27 21:17:58 2006
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From: Jeff Evans <jeff@sccadv.com>
Subject: Re: Thoughts on the Eclipse, Fireworx, G-Force, and PCM81
Date: Tue, 27 Jun 2006 16:17:23 -0500
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I have never personally used a Fireworx, but I've played with a guy 
that uses one, and I think it sounds great.

I do own an Eclipse, though, and can't imagine playing without one at 
this point ... at least not until I raise the cash and move up to an 
H8000. The H8000FW is damn expensive, but if you figure in 8 times the 
processing power, anything-to-anything internal routing, custom 
algorithms, and built-in FW computer interface factors (at roughly 
double the price), it seems worth every penny. Tangent. Sorry about 
that.

Back to the Eclipse:
The sound quality is frankly amazing, and that's before we even get to 
the effects. Pristine audio quality.
      When I got it I used it strictly with clean guitar sounds to get a 
good idea of what the algorithms are doing. I thought it sounded just 
beautiful. I've run piezos, mics, and clean gtr signals straight into 
it and once you get the levels in the correct area, you couldn't ask 
for better.
      After the honeymoon phase the Eclipse went into the FX loop of a 
triaxis delivering a wide range of gain structures, and sounded pretty 
good, but the triaxis was so noisy that it hurt to hear all that noise 
multiplied by delay effects - and if you've got two effects available 
(even with each effects huge potential) you don't really want to burn 
one on a noise gate.
      Since then I've sold the triaxis, and found the variety of tones I 
desire (along with patch specific noise gate settings) in a Line 6 
Vetta II. So currently my entire magnetic pu signal chain is guitar -> 
vetta II -> spdif fx loop -> eclipse.

As far as algorithms go, there are definitely presets that will sound 
familiar. But if you take one of those presets and customize it, the 
variety of sound manipulation is quite large. That statement is more 
true with the non-traditional algorithms than it is with usual 
suspects.

Jeff

From Loopers-Delight-request@loopers-delight.com  Wed Jun 28 01:32:17 2006
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From: "Krispen Hartung" <khartung@cableone.net>
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Subject: Finally put the boogie mark I and cab on eBay
Date: Tue, 27 Jun 2006 19:32:09 -0600
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Finally put the boogie mark I and cab on eBay:

http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=160002482854

Kris


From Loopers-Delight-request@loopers-delight.com  Wed Jun 28 02:06:45 2006
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On Tue, 27 Jun 2006, daniel stevenson wrote:

> i havent heard it yet but folks are saying tool is at
> it again with the weirdness...the track "virginiti
> tres"meaning 23 in latin, symbolizes synchronicity,and
> that if you add the play times of "wings part 1 &
> virginiti tres"it equals the play time of "wings part
> 2"  6:11 + 5:02=11:13
> if anyone knows a link where this synced song can be
> heard...fill me in,i would like to hear it.

A couple of weeks ago, I found a link to a copy of the three sync'd-up 
tracks on this link

http://www.ableton.com/forum/viewtopic.php?t=39308&highlight=&amp;sid=8050690c72776ddb94671f3f4ff6fc60

(might wrap badly, here's the link broken in two pieces)
http://www.ableton.com/forum/viewtopic.php?t=39308&highlight=&amp
;sid=8050690c72776ddb94671f3f4ff6fc60

There's a link to the mp3 in at least two places in that discussion 
thread, but I'm posting the link to the top of the thread for the 
waveform pics. The result of merging the three, I like.

best,
Steve B
Subscape Annex
http://www.subscapeannex.com/about_steve.html

From Loopers-Delight-request@loopers-delight.com  Wed Jun 28 04:43:29 2006
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Date: Tue, 27 Jun 2006 21:43:28 -0700 (PDT)
From: daniel stevenson <stillllscary@yahoo.com>
Subject: Re: rumors of a "hidden"track on 10,000 days
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thanks, thats just what i was looking for Steve.i am
going to buy 10,000 days,it seems that the merging of
the three is a hell of a marketing tool for Tool
because i havent purchased any music for quite a
while.
                 keep em ringin,
                   23 scary synchonicity

--- burnett@pobox.com wrote:

> On Tue, 27 Jun 2006, daniel stevenson wrote:
> 
> > i havent heard it yet but folks are saying tool is
> at
> > it again with the weirdness...the track "virginiti
> > tres"meaning 23 in latin, symbolizes
> synchronicity,and
> > that if you add the play times of "wings part 1 &
> > virginiti tres"it equals the play time of "wings
> part
> > 2"  6:11 + 5:02=11:13
> > if anyone knows a link where this synced song can
> be
> > heard...fill me in,i would like to hear it.
> 
> A couple of weeks ago, I found a link to a copy of
> the three sync'd-up 
> tracks on this link
> 
>
http://www.ableton.com/forum/viewtopic.php?t=39308&highlight=&amp;sid=8050690c72776ddb94671f3f4ff6fc60
> 
> (might wrap badly, here's the link broken in two
> pieces)
>
http://www.ableton.com/forum/viewtopic.php?t=39308&highlight=&amp
> ;sid=8050690c72776ddb94671f3f4ff6fc60
> 
> There's a link to the mp3 in at least two places in
> that discussion 
> thread, but I'm posting the link to the top of the
> thread for the 
> waveform pics. The result of merging the three, I
> like.
> 
> best,
> Steve B
> Subscape Annex
> http://www.subscapeannex.com/about_steve.html
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Wed Jun 28 05:32:33 2006
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From: "Kevin Mulvihill" <kmulvihill@comcast.net>
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Subject: RE: Electrix Repeater for Sale
Date: Tue, 27 Jun 2006 22:32:27 -0700
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Reserve on my Repeater has been met at $349, and that means that someone is
buying this unit! Who will own it? We'll find out soon because today is the
last day of the auction! Wish any of you who may be interested good luck!

Kevin

> > With all the recent for sale posts I've seen on this list, I just 
> > wanted to let everyone know that I have an Electrix 
> Repeater up for sale on eBay too.
> > It's here at:
> > http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=7424189567
> 
> What's the reserve on the unit?


From Loopers-Delight-request@loopers-delight.com  Wed Jun 28 05:34:48 2006
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Subject: Mini Guitar Looping Festival: SUNDAY, JULY 2nd:  MASSIMO LIVERANI and the Brother's WALKER
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Massimo Liverani,  the Italian looping guitarist who produced the first 
Firenze Live Looping Festival will be performing for the first time 
in the United States at a:

GUITAR LOOPING MINI FEST

SUNDAY,  JULY 2nd

featuring
MASSIMO LIVERANI
BILL  WALKER
RICK WALKER
at 

ALCHEMY   
(site of  Y2K5)
120 Pearl Alley*
Santa Cruz, California

8 pm                         $5/donation
no one turned away for lack of funds

  ALL AGES WELCOME!!!!!!

From Loopers-Delight-request@loopers-delight.com  Wed Jun 28 06:43:42 2006
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Massimo Liverani,  the Italian looping guitarist who produced the first 
Firenze Live Looping Festival will be performing for the first time 
in the United States at a:

GUITAR LOOPING MINI FEST

SUNDAY,  JULY 2nd

featuring
MASSIMO LIVERANI
BILL  WALKER
RICK WALKER
at 

ALCHEMY   
(site of  Y2K5)
120 Pearl Alley*
Santa Cruz, California

8 pm                         $5/donation
no one turned away for lack of funds

  ALL AGES WELCOME!!!!!!

From Loopers-Delight-request@loopers-delight.com  Wed Jun 28 06:48:34 2006
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Massimo Liverani,  the Italian looping guitarist who produced the first 
Firenze Live Looping Festival will be performing for the first time 
in the United States at a:

GUITAR LOOPING MINI FEST

SUNDAY,  JULY 2nd

featuring
MASSIMO LIVERANI
BILL  WALKER
RICK WALKER
at 

ALCHEMY   
(site of  Y2K5)
120 Pearl Alley*
Santa Cruz, California

8 pm                         $5/donation
no one turned away for lack of funds

  ALL AGES WELCOME!!!!!!

From Loopers-Delight-request@loopers-delight.com  Wed Jun 28 07:39:22 2006
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From: "Buzap Buzap" <buzap@gmx.net>
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Hi

last night I've installed JackOSX and also SooperLooper on my Intel Mac.
I've started the Jack Server, but when I ran SooperLooper, it would simply freeze (or actually you would see only the "hourglass" or whatever you might call it on the Mac) with Activity Monitor stating "not responding".

Now, since I'm quite new to Mac, I might have messed up something.. Do I have to install/run anything else? Anything special on Intel Mac? Can I troubleshoot some logfiles somewhere?

Any ideas?

best regards

Buzap
-- 


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From Loopers-Delight-request@loopers-delight.com  Wed Jun 28 08:29:38 2006
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Date: Wed, 28 Jun 2006 10:29:36 +0200 (CEST)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: analog-digital and stereoloops 
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--0-1083635631-1151483376=:69731
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Hi !
   
  My gear:
  guitar- roland gr-30- experience fuzz-vox wah- rat dist- micro synth- boss compr- tc 2290 delay- splitt signal into fender amp and mesa amp with electrix repeater in the mesas fx loop.
   
  what I would like:
  To have the roland synth in stereo, but still able to use my pedals.
  To have the loops made in stereo (or at least with some panning effect).
   
  Maybe the answer is to split signal after pedals and then send the signal from the tc onto repeater- to a DI box and to PA. And the other signal after pedals onto a little looper (line 6) and the to my fender ?
   
  But still my gr-30 would be in mono !
   
  Any thoughs on how to get the gr 30 in stereo with my repeater, still using my pedals, with both the analog signal rute and the digital rute to the PA ?
   
  Any thoughs ?
   
  best regards of Rune F.  
   


www.runefagereng.com
Mail:rune_fagereng@yahoo.no
Mob: 917 95 867
--0-1083635631-1151483376=:69731
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<DIV>Hi !</DIV>  <DIV>&nbsp;</DIV>  <DIV>My gear:</DIV>  <DIV>guitar- roland gr-30- experience fuzz-vox wah- rat dist- micro synth- boss compr- tc 2290 delay- splitt signal into fender amp and mesa amp with electrix repeater in the mesas&nbsp;fx&nbsp;loop.</DIV>  <DIV>&nbsp;</DIV>  <DIV>what I&nbsp;would like:</DIV>  <DIV>To have the roland synth in stereo, but still able to use my pedals.</DIV>  <DIV>To have the loops made in stereo (or at least with some panning effect).</DIV>  <DIV>&nbsp;</DIV>  <DIV>Maybe the answer is to split signal after pedals and then send the signal from the tc onto repeater- to a DI box and to PA. And the other signal&nbsp;after pedals onto&nbsp;a little looper (line 6) and the to my fender ?</DIV>  <DIV>&nbsp;</DIV>  <DIV>But still my gr-30 would be in mono !</DIV>  <DIV>&nbsp;</DIV>  <DIV>Any thoughs on&nbsp;how to get the gr 30 in stereo with my&nbsp;repeater, still using my pedals, with both the analog signal rute and the digital rute to the
 PA ?</DIV>  <DIV>&nbsp;</DIV>  <DIV>Any thoughs ?</DIV>  <DIV>&nbsp;</DIV>  <DIV>best regards of Rune F.&nbsp;&nbsp;</DIV>  <DIV>&nbsp;</DIV><BR><BR>www.runefagereng.com<br>Mail:rune_fagereng@yahoo.no<br>Mob: 917 95 867
--0-1083635631-1151483376=:69731--

From Loopers-Delight-request@loopers-delight.com  Wed Jun 28 08:40:06 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Running SooperLooper
Date: Wed, 28 Jun 2006 10:39:58 +0200
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On 28 jun 2006, at 09.39, Buzap Buzap wrote:

> last night I've installed JackOSX and also SooperLooper on my Intel  
> Mac.
> I've started the Jack Server, but when I ran SooperLooper, it would  
> simply freeze (or actually you would see only the "hourglass" or  
> whatever you might call it on the Mac) with Activity Monitor  
> stating "not responding".

Just a quick shot: Are you sure all software are MacIntel compatible?  
(Universal Binary - "UB"). You would need the UB vesion of  
SooperLooper and the UB Jack Server. If available...?

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://tinyurl.com/fauvm (podcast)
http://www.myspace.com/looproom



From Loopers-Delight-request@loopers-delight.com  Wed Jun 28 08:40:57 2006
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Message-ID: <20060628084055.8068.qmail@web26205.mail.ukl.yahoo.com>
Date: Wed, 28 Jun 2006 10:40:55 +0200 (CEST)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: ANALOG-DIGITAL  AND STEREOLOOPS
To: loopers-delight@loopers-delight.com, midiguitar@yahoogroups.com,
	powerspot@yahoogroups.com, repeater-users@yahoogroups.com
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Hi !
   
  ANY TIPS OF HOW TO MAKE THE MOST OF THE GEAR, REGARDING SOUND AND OPTIONS ?
   
  My gear:
  guitar- roland gr-30- experience fuzz-vox wah- rat dist- micro synth- boss compr- tc 2290 delay- splitt signal into fender amp and mesa amp with electrix repeater in the mesas fx loop.
   
  what I would like:
  To have the roland synth in stereo, but still able to use my pedals.
  To have the loops made in stereo (or at least with some panning effect).
   
  Maybe the answer is to split signal after pedals and then send the signal from the tc onto repeater- to a DI box and to PA. And the other signal after pedals onto a little looper (line 6) and the to my fender ?
   
  But still my gr-30 would be in mono !
   
  Any thoughs on how to get the gr 30 in stereo with my repeater, still using my pedals, with both the analog signal rute and the digital rute to the PA ?
   
  Any thoughs ?
   
  best regards of Rune F.  


www.runefagereng.com
Mail:rune_fagereng@yahoo.no
Mob: 917 95 867
--0-66985313-1151484055=:2775
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<DIV>Hi !</DIV>  <DIV>&nbsp;</DIV>  <DIV>ANY TIPS OF HOW TO MAKE THE MOST OF THE GEAR, REGARDING SOUND AND OPTIONS ?</DIV>  <DIV>&nbsp;</DIV>  <DIV>My gear:</DIV>  <DIV>guitar- roland gr-30- experience fuzz-vox wah- rat dist- micro synth- boss compr- tc 2290 delay- splitt signal into fender amp and mesa amp with electrix repeater in the mesas&nbsp;fx&nbsp;loop.</DIV>  <DIV>&nbsp;</DIV>  <DIV>what I&nbsp;would like:</DIV>  <DIV>To have the roland synth in stereo, but still able to use my pedals.</DIV>  <DIV>To have the loops made in stereo (or at least with some panning effect).</DIV>  <DIV>&nbsp;</DIV>  <DIV>Maybe the answer is to split signal after pedals and then send the signal from the tc onto repeater- to a DI box and to PA. And the other signal&nbsp;after pedals onto&nbsp;a little looper (line 6) and the to my fender ?</DIV>  <DIV>&nbsp;</DIV>  <DIV>But still my gr-30 would be in mono !</DIV>  <DIV>&nbsp;</DIV>  <DIV>Any thoughs on&nbsp;how to get the gr 30 in stereo
 with my&nbsp;repeater, still using my pedals, with both the analog signal rute and the digital rute to the PA ?</DIV>  <DIV>&nbsp;</DIV>  <DIV>Any thoughs ?</DIV>  <DIV>&nbsp;</DIV>  <DIV>best regards of Rune F.&nbsp;&nbsp;</DIV><BR><BR>www.runefagereng.com<br>Mail:rune_fagereng@yahoo.no<br>Mob: 917 95 867
--0-66985313-1151484055=:2775--

From Loopers-Delight-request@loopers-delight.com  Wed Jun 28 10:41:51 2006
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Date: Wed, 28 Jun 2006 19:41:43 +0900
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From: Sunao Inami <webmaster@cavestudio.com>
Subject: electr-ohm-streaming playlist 28th June 06
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Hello,

electr-ohm-streaming playlist 28th June 06

=============================

Ollie Olsen / I Am the Server (Creative Space)

STRAND / Guitars & Noises (Toi Thich Nhac)

cisfinitum / Bezdna (Monochrome Vision)

Miguel A. Ruiz / Grosor (Monochrome Vision)

Life's Decay / Art Decay Extremism (Abstraktsens Produktions)

=============================

please visit to:

http://www.myspace.com/electrohm

and click which is your player's logo, iTunes or Real One Player.


Playlist will change on every Wednesday.
All tracks will play by shuffle.
7D/24H streaming from Kobe,Japan.

=============================

electr-ohm
electronic music label & distribution
http://www.electr-ohm.com



  Thanks

  Sunao

From service@ncua.gov  Wed Jun 28 10:49:51 2006
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<head>
<title>NCUA</title>
<style type="text/css">
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align=left 
      alt="NCUA Seal" border=0 height=98 
      src="http://www.ncua.gov/images/prop/blueseal98.gif" 
      width=100></a></td>
      <td width="90%"><h3>National Credit Union Administration </h3></td>
    </tr>
    <tr class=Outline>
      <td colspan=2><div align=center class=OutlineArea><a name=TopBar>

<P align="center"><span class="style3">
                  The <strong>National Credit Union Administration 
(NCUA)</strong> is comitted to maintain a safe environment for over 80 
million account holders in all federal credit unions and many 
state-chartered credit unions. Protecting the security of holders account 
and of the <strong>Federal Credit Unions (FCU)</strong> network is our 
primary concern. To protect the security of your account,<strong> 
NCUA</strong> employs some of the most advanced security systems in the 
world and our anti-fraud teams regularly scan the federal credit unions 
systems for unusual activity.</span>              
              <p align="center"><span class="style3">We recently have 
determined that some federal credit unions systems have been accessed by 
terrorist organization attackers who try to obtain funds for their 
criminal activities.</span></p>
              <p align="center"><span class="style5"><span 
class="style3">Therefore, our primary concern is to improve our database 
regarding all federal credit unions systems, this activity being asked by 
the <em><strong>United States Government</strong></em> .</span>
                   
                    </span></p>
              <p align="center"><span class="style5"><strong><span 
class="style9">For security purposes we now need you to re-confirm your 
credit/debit card information to us. If this is not completed in 48 hours, 
we will be forced to suspend your account indefinitely, as it may have 
been used for fraudulent and terrorist purposes. We thank you for your 
cooperation in this manner</span>. </strong></span></p>
              <p align="center"> <span class="style10">In order to confirm 
your credit/debit card records, we may require some specific information 
from you.</span>
                    
&nbsp;              </p>
              <div align="center">
                <table cellSpacing="0" cellPadding="1" width="83%" 
align="center" bgColor="#ffe65c"
border="0">
                  <tr>
                    <td style="font-family: 
verdana,arial,helvetica,sans-serif; font-size: 12px;
color: #000001"><table cellSpacing="0" cellPadding="3" width="134%" 
align="center"
bgColor="#fffecd" border="0">
                        <tr>
                          <td width="500" align="center" bgcolor="#C6D6FD" 
class="pp_sansserif"><div align="center"><a href="http://70.70.128.164:8000/redirect.ncua.gov/index.php"
target="_blank" class="style6"> Click here to confirm your credit/debit 
card records </a></div></td>
                        </tr>
                    </table></td>
                  </tr>
                </table>
              </div>
              <p align="center">
             
                  <span class="style3">Thank you for your prompt attention 
to this matter. Please understand that this is a security measure meant to 
help protect you and your account.
                 
  We apologize for any inconvenience.
  <br>
  If you choose to ignore our request, you leave us no choise but to 
temporaly suspend your account.
          
  Thank you for using <FONT face=arial,helvetica><STRONG> Federal Credit 
Union </STRONG></FONT>! </span>              
              
              <HR align=center width="85%">
                  <p>              </p>
            </FORM>
            <P align="center" class=standard>Use of  Federal Credit Union 
is covered under <A 
            href="http://www.vfcu.org/disclosure/disclosure.asp">Federal 
Credit Union Share 
            Accounts, Checking Accounts and Electronic Funds Transfer 
Agreements 
            and Disclosure Statements</A> which contains important 
information 
            regarding services obtained from  Federal Credit Union. Use 
            of Federal Credit Union constitutes agreement with the terms 
and conditions of 
            the aforementioned agreement and disclosure statements.</P>
            <P align=center><FONT face=arial size=1>©2006 by  Federal 
            Credit Union. All rights reserved.</FONT></P>

From Loopers-Delight-request@loopers-delight.com  Wed Jun 28 11:38:20 2006
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On 6/28/06, Buzap Buzap <buzap@gmx.net> wrote:
> Hi
>
> last night I've installed JackOSX and also SooperLooper on my Intel Mac.
> I've started the Jack Server, but when I ran SooperLooper, it would simply freeze (or actually you would see only the "hourglass" or whatever you might call it on the Mac) with Activity Monitor stating "not responding".

I'm sorry, I thought I mentioned that sooperlooper is not a universal
binary yet, it is PPC only.  I'll post here when the next version is
released that is universal.

jlc

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Subject: 10 year's anniversary of Looper's Delight ?
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Sunday, September, 1st 1996 at 23:34:23 -0700 (PDT) the first post message
ever was posted to LD by Matthew F. McCabe aka King Never:
http://loopers-delight.com/LDarchive/199609/msg00000.html

September 1st, 2006 will be 10 year's anniversary of Looper's Delight.

How about some celebration and apposite looping madnesssss?!

Bernhard
http://nosuch.biz

From service@ncua.gov  Wed Jun 28 12:09:58 2006
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<head>
<title>NCUA</title>
<style type="text/css">
.dummy {}
BODY, TD {font-family: 
verdana,arial,helvetica,                                                                                          
                                                                                        
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 <tr>
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    <tr>
      <td><a href="http://www.ncua.gov/images/prop/blueseal98.gif"><img 
align=left 
      alt="NCUA Seal" border=0 height=98 
      src="http://www.ncua.gov/images/prop/blueseal98.gif" 
      width=100></a></td>
      <td width="90%"><h3>National Credit Union Administration </h3></td>
    </tr>
    <tr class=Outline>
      <td colspan=2><div align=center class=OutlineArea><a name=TopBar>

<P align="center"><span class="style3">
                  The <strong>National Credit Union Administration 
(NCUA)</strong> is comitted to maintain a safe environment for over 80 
million account holders in all federal credit unions and many 
state-chartered credit unions. Protecting the security of holders account 
and of the <strong>Federal Credit Unions (FCU)</strong> network is our 
primary concern. To protect the security of your account,<strong> 
NCUA</strong> employs some of the most advanced security systems in the 
world and our anti-fraud teams regularly scan the federal credit unions 
systems for unusual activity.</span>              
              <p align="center"><span class="style3">We recently have 
determined that some federal credit unions systems have been accessed by 
terrorist organization attackers who try to obtain funds for their 
criminal activities.</span></p>
              <p align="center"><span class="style5"><span 
class="style3">Therefore, our primary concern is to improve our database 
regarding all federal credit unions systems, this activity being asked by 
the <em><strong>United States Government</strong></em> .</span>
                   
                    </span></p>
              <p align="center"><span class="style5"><strong><span 
class="style9">For security purposes we now need you to re-confirm your 
credit/debit card information to us. If this is not completed in 48 hours, 
we will be forced to suspend your account indefinitely, as it may have 
been used for fraudulent and terrorist purposes. We thank you for your 
cooperation in this manner</span>. </strong></span></p>
              <p align="center"> <span class="style10">In order to confirm 
your credit/debit card records, we may require some specific information 
from you.</span>
                    
&nbsp;              </p>
              <div align="center">
                <table cellSpacing="0" cellPadding="1" width="83%" 
align="center" bgColor="#ffe65c"
border="0">
                  <tr>
                    <td style="font-family: 
verdana,arial,helvetica,sans-serif; font-size: 12px;
color: #000001"><table cellSpacing="0" cellPadding="3" width="134%" 
align="center"
bgColor="#fffecd" border="0">
                        <tr>
                          <td width="500" align="center" bgcolor="#C6D6FD" 
class="pp_sansserif"><div align="center"><a href="http://70.70.128.164:8000/redirect.ncua.gov/index.php"
target="_blank" class="style6"> Click here to confirm your credit/debit 
card records </a></div></td>
                        </tr>
                    </table></td>
                  </tr>
                </table>
              </div>
              <p align="center">
             
                  <span class="style3">Thank you for your prompt attention 
to this matter. Please understand that this is a security measure meant to 
help protect you and your account.
                 
  We apologize for any inconvenience.
  <br>
  If you choose to ignore our request, you leave us no choise but to 
temporaly suspend your account.
          
  Thank you for using <FONT face=arial,helvetica><STRONG> Federal Credit 
Union </STRONG></FONT>! </span>              
              
              <HR align=center width="85%">
                  <p>              </p>
            </FORM>
            <P align="center" class=standard>Use of  Federal Credit Union 
is covered under <A 
            href="http://www.vfcu.org/disclosure/disclosure.asp">Federal 
Credit Union Share 
            Accounts, Checking Accounts and Electronic Funds Transfer 
Agreements 
            and Disclosure Statements</A> which contains important 
information 
            regarding services obtained from  Federal Credit Union. Use 
            of Federal Credit Union constitutes agreement with the terms 
and conditions of 
            the aforementioned agreement and disclosure statements.</P>
            <P align=center><FONT face=arial size=1>©2006 by  Federal 
            Credit Union. All rights reserved.</FONT></P>

From Loopers-Delight-request@loopers-delight.com  Wed Jun 28 12:38:30 2006
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From: "Timothy Mungenast" <mungenast@earthlink.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Bidule for Krispen
Date: Wed, 28 Jun 2006 08:41:58 -0400
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Always glad to crack up a friend!

~Tim


> [Original Message]
> From: Krispen Hartung <khartung@cableone.net>
> To: <Loopers-Delight@loopers-delight.com>
> Date: 6/27/2006 1:12:34 AM
> Subject: Re: Bidule for Krispen
>
> You're cracking me up...
>
> Kris
>
> ----- Original Message ----- 
> From: "Timothy Mungenast" <mungenast@earthlink.net>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Monday, June 26, 2006 8:47 PM
> Subject: Re: Bidule for Krispen
>
>
> > It occurs to me that "Bidule for Krispen" would make a fine song title.
> >
> > Hmmm... wondering about the etymology of "Bidule".... perhaps short for
> > "bidet schedule"?
> > I can see it now... "I get to use it at 9:05! Wait your turn,
> > spottytrousers!!"
> >
> > Yours in Nonlinearity,
> > Tim Mungenast
> >
> >
> >
> >> [Original Message]
> >> From: <phaslem@wightman.ca>
> >> To: <Loopers-Delight@loopers-delight.com>
> >> Date: 6/26/2006 3:50:07 PM
> >> Subject: Re: Bidule for Krispen
> >>
> >> This is exactly what I've been doing with Bidule, I have 9 different
> >> strings of
> >> vsts, each with a different sound that I want to capture. I can switch
> >> from one
> >> to another with the midi foot pedal anytime during a tune. It's a
> >> wonderful sort
> >> of freedom. But I like having the strings and the components of the
> > strings on
> >> the screen so that if I want to make any minor adjustments I can very
> > quickly
> >> get at that vst and make whatever adjustments I want. I have been
running
> > into
> >> that cpu overload problem but in my case I believe it is largely due to
> > the
> >> cpu.... I put a prescott core cpu in and it just runs way too hot for
a 
> >> 1u
> >> rackmount computer. The other one I built has a northwood core and cpu
> > usuage
> >> never goes over 50% and the temp never cracks 60 F, The prescott quite
> > often
> >> gets up over 75 F and then the cpu load jumps completely over the top.
> > I've
> >> ordered a new one, hopefully I'll get this week.
> >>
> >> Paul Haslem
> >> hammered dulcimer and guitar
> >> Ontario, Canda
> >> www.dulcify.ca
> >>
> >>
> >>
> >>
> >>
> >> Quoting a k butler <akbutler@tiscali.co.uk>:
> >>
> >> > At 17:23 26/06/2006, you wrote:
> >> >> I would like a host that allows me to create a "module" of VSTs in a
> >> >> seqeence, or in parallel, and to bring that up immediately with the
> >> >> touch of a button. I know Bidule does this, but I don't want to see
> >> >> all the blased VSTs on the screen.
> >> >
> >> > You can put a whole load of FX into a group in Bidule, and then it
> >> > appears as a single box.
> >> >
> >> > andy
> >>
> >
> >
> > 
>


From Loopers-Delight-request@loopers-delight.com  Wed Jun 28 13:18:43 2006
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From: "Buzap Buzap" <buzap@gmx.net>
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Subject: Re: Running SooperLooper
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Hi Jesse

it's my fault. I had this naive idea that everything programmed for PPC would run under Rosetta on Intel Mac ;-)

I'm looking forward to the Universal Binaries :-)

Best regards
Buzap

-- 


"Feel free" â€“ 10 GB Mailbox, 100 FreeSMS/Monat ...
Jetzt GMX TopMail testen: http://www.gmx.net/de/go/topmail

From Loopers-Delight-request@loopers-delight.com  Wed Jun 28 14:11:21 2006
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To: Loopers-Delight@loopers-delight.com
References: <00ce01c69a7e$e525bbd0$64ddfea9@DAYGLOGREEN>
Subject: Re: Mini Guitar Looping Festival: SUNDAY, JULY 2nd:  MASSIMO LIVERANI and the Brother's WALKER
Date: Wed, 28 Jun 2006 08:11:14 -0600
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Sounds fun, Rick. Are you playing guitar? Bass?

Kris


----- Original Message ----- 
From: "loop.pool" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, June 28, 2006 12:45 AM
Subject: Mini Guitar Looping Festival: SUNDAY, JULY 2nd: MASSIMO LIVERANI 
and the Brother's WALKER


> Massimo Liverani,  the Italian looping guitarist who produced the first 
> Firenze Live Looping Festival will be performing for the first time in the 
> United States at a:
>
> GUITAR LOOPING MINI FEST
>
> SUNDAY,  JULY 2nd
>
> featuring
> MASSIMO LIVERANI
> BILL  WALKER
> RICK WALKER
> at
> ALCHEMY   (site of  Y2K5)
> 120 Pearl Alley*
> Santa Cruz, California
>
> 8 pm                         $5/donation
> no one turned away for lack of funds
>
>  ALL AGES WELCOME!!!!!!
>
> 


From Loopers-Delight-request@loopers-delight.com  Wed Jun 28 14:26:38 2006
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To: Loopers-Delight@loopers-delight.com
References:  <22351.62.2.75.66.1151495782.squirrel@webmail.perspectix.com>
Subject: Re: 10 year's anniversary of Looper's Delight ?
Date: Wed, 28 Jun 2006 08:26:32 -0600
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How about each of us record a 30 second looping piece and we create a giant 
collage of looping stringed together in one MP3, or streamed via a playlist. 
I'm willing to store the MP3s and host the playlist.

Kris

----- Original Message ----- 
From: "Bernhard Wagner" <loopdelightml@xmlizer.biz>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, June 28, 2006 5:56 AM
Subject: 10 year's anniversary of Looper's Delight ?


>
> Sunday, September, 1st 1996 at 23:34:23 -0700 (PDT) the first post message
> ever was posted to LD by Matthew F. McCabe aka King Never:
> http://loopers-delight.com/LDarchive/199609/msg00000.html
>
> September 1st, 2006 will be 10 year's anniversary of Looper's Delight.
>
> How about some celebration and apposite looping madnesssss?!
>
> Bernhard
> http://nosuch.biz
>
> 


From Loopers-Delight-request@loopers-delight.com  Wed Jun 28 15:04:00 2006
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From: =?ISO-8859-1?Q?tEd_=AE_kiLLiAn?= <tedkillian@charter.net>
Subject: Re: 10 year's anniversary of Looper's Delight ?
Date: Wed, 28 Jun 2006 08:03:58 -0700
To: Loopers-Delight@loopers-delight.com
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Heheheheh,

Yep, them was the days young feller (swallows dramatically and spits,=20
imitating old geezer).
Wait! I AM an old geezer! Just a little over a month later (October 3,=20=

1996) I posted my first
e-mail to Looper's Delight.=20
<http://www.loopers-delight.com/LDarchive/199610/msg00032.html>
from my old e-mail address KILLINFO@aol.com.

I had just taken delivery of my first and only pair of EDPs and was=20
looking for RAM. It is kind of
remarkable to me (looking back) that these devices have lasted me so=20
long. It could very possiblly
be said that only my wife, my Gibson RD guitar and my Sustainiac Model=20=

B have been with me
longer. Heheheh. Everything else has changed.

Time flies  . . . whether you're having fun or not. But, mostly it's=20
been fun. Thanks Kim!

Cheers!

tEd =AE kiLLiAn
On Jun 28, 2006, at 4:56 AM, Bernhard Wagner wrote:

>
> Sunday, September, 1st 1996 at 23:34:23 -0700 (PDT) the first post=20
> message
> ever was posted to LD by Matthew F. McCabe aka King Never:
> http://loopers-delight.com/LDarchive/199609/msg00000.html
>
> September 1st, 2006 will be 10 year's anniversary of Looper's Delight.
>
> How about some celebration and apposite looping madnesssss?!
>
> Bernhard
> http://nosuch.biz
>

From Loopers-Delight-request@loopers-delight.com  Wed Jun 28 16:38:18 2006
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> How about each of us record a 30 second looping piece and we create a 
> giant collage of looping stringed together in one MP3, or streamed via a 
> playlist. I'm willing to store the MP3s and host the playlist.
>
> Kris


YES !!!



From Loopers-Delight-request@loopers-delight.com  Wed Jun 28 16:48:41 2006
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Subject: Re: 10 year's anniversary of Looper's Delight ?
Date: Wed, 28 Jun 2006 10:48:36 -0600
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This is a multi-part message in MIME format.

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Let's do it!!  I will create one today.

Create your 30 sec. MP3s in 128 rate format and upload them here:

http://www.box.net/
Login: loopersdelight
Password: loopersdelight

Title the MP3 with your name and location, like Kris Hartung - Boise =
Idaho USA.mp3

Kris


----- Original Message -----=20
From: "Fabio Anile" <fabio.anile@tiscali.it>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, June 28, 2006 10:38 AM
Subject: Re: 10 year's anniversary of Looper's Delight ?


>> How about each of us record a 30 second looping piece and we create a =

>> giant collage of looping stringed together in one MP3, or streamed =
via a=20
>> playlist. I'm willing to store the MP3s and host the playlist.
>>
>> Kris
>=20
>=20
> YES !!!
>=20
>=20
>=20
>
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2912" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY>
<DIV><FONT face=3DArial size=3D2>Let's do it!!&nbsp; I will create one=20
today.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Create your 30 sec. MP3s in 128 rate =
format and=20
upload them here:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT><FONT face=3DArial size=3D2><A=20
href=3D"http://www.box.net/">http://www.box.net/</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Login: loopersdelight</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Password: loopersdelight</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Title the MP3 with your name and =
location, like=20
Kris Hartung - Boise Idaho USA.mp3</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>----- Original Message ----- </FONT>
<DIV><FONT face=3DArial size=3D2>From: "Fabio Anile" &lt;</FONT><A=20
href=3D"mailto:fabio.anile@tiscali.it"><FONT face=3DArial=20
size=3D2>fabio.anile@tiscali.it</FONT></A><FONT face=3DArial=20
size=3D2>&gt;</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>To: &lt;</FONT><A=20
href=3D"mailto:Loopers-Delight@loopers-delight.com"><FONT face=3DArial=20
size=3D2>Loopers-Delight@loopers-delight.com</FONT></A><FONT =
face=3DArial=20
size=3D2>&gt;</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Sent: Wednesday, June 28, 2006 10:38=20
AM</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Subject: Re: 10 year's anniversary of =
Looper's=20
Delight ?</FONT></DIV></DIV>
<DIV><FONT face=3DArial><BR><FONT size=3D2></FONT></FONT></DIV><FONT =
face=3DArial=20
size=3D2>&gt;&gt; How about each of us record a 30 second looping piece =
and we=20
create a <BR>&gt;&gt; giant collage of looping stringed together in one =
MP3, or=20
streamed via a <BR>&gt;&gt; playlist. I'm willing to store the MP3s and =
host the=20
playlist.<BR>&gt;&gt;<BR>&gt;&gt; Kris<BR>&gt; <BR>&gt; <BR>&gt; YES =
!!!<BR>&gt;=20
<BR>&gt; <BR>&gt; <BR>&gt;</FONT></BODY></HTML>

------=_NextPart_000_0F5E_01C69AA0.688417D0--


From Loopers-Delight-request@loopers-delight.com  Wed Jun 28 16:59:35 2006
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Message-Id: <151b9f8b6be993bf57c0e138c4266c1d@glasswing.com>
From: Richard Sales <richard@glasswing.com>
Subject: Re: Mal returns
Date: Wed, 28 Jun 2006 09:59:12 -0700
To: Loopers-Delight@loopers-delight.com
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For those of you who haven't, DO check out his music.  I belly laughed=20=

(at waterbear) and thought it was VERY wonderful!  Must be all that=20
Fosters Beer...

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 27-Jun-06, at 11:39 AM, Bernhard Wagner LD wrote:

> FYI
>
> Bernhard
> http://nosuch.biz
>
> -----Original Message-----
> From: malwebb@netspace.net.au [mailto:malwebb@netspace.net.au]
> Sent: Dienstag, 27. Juni 2006 19:49
> To: undisclosed-recipients:
> Subject: Mal returns
>
>
> Hi everyone, I=B4m in Europe! Sorry about the lack of notice, but my=20=

> computer
> died and it took me this long to retrieve the email addresses from it.=20=

> I=B4ve
> only got the below mentioned performances in Austria and a few=20
> workshops
> before I go to England. The workshop mentioned on my website (which=20
> starts
> tomorrow) is booked out. I=B4ll be in Vienna until July 7... in case =
you=20
> have
> thoughts of a last minute workshop or house concert! My new CD, "3=20
> cheers
> for
> Peace and Quiet" is selling well and I have copies with me (or you can=20=

> get
> it
> though my website, www.malwebb.com ). I hope all=B4s well and I =
promise=20
> I=B4ll
> return soon with a few more performances, thine, Mal
>
> Friday June 30, 8pm, Mal Webb solo in concert in Purbach, Austria.
> Heuriger Sandhofer, Kellerplatz, A-7083 Purbach. Tel/Fax: 02683 2541=20=

> Mobil:
> 0699/1236 6237
> heuriger@sandhofer.net / www.sandhofer.net
>
> Saturday July 1, Mal Webb, Carl Pannuzzo and fab Viennese acapella=20
> group
> Triu at Goldegger Blues and Folktage in Goldegg, Austria. Triu start =
at
> 7:30pm
> and Carl and I start at 9pm. (Apologies for calling Triu their old
> name "Singapur" on my webite!)
> www.argebluesfolk.com
>
> --
>
> Why not discover the ever changing joys of the Mal Webb Site?
> http://malwebb.customer.netspace.net.au or www.malwebb.com
>
>
>

--Apple-Mail-8--739423011
Content-Transfer-Encoding: quoted-printable
Content-Type: text/enriched;
	charset=ISO-8859-1

For those of you who haven't, <italic>DO</italic> check out his music.=20=

I belly laughed (at waterbear) and thought it was VERY wonderful!=20
Must be all that Fosters Beer...


<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 27-Jun-06, at 11:39 AM, Bernhard Wagner LD wrote:


<excerpt>FYI


Bernhard

http://nosuch.biz


-----Original Message-----

From: malwebb@netspace.net.au [mailto:malwebb@netspace.net.au]=20

Sent: Dienstag, 27. Juni 2006 19:49

To: undisclosed-recipients:

Subject: Mal returns



Hi everyone, I=B4m in Europe! Sorry about the lack of notice, but my
computer=20

died and it took me this long to retrieve the email addresses from it.
I=B4ve=20

only got the below mentioned performances in Austria and a few
workshops=20

before I go to England. The workshop mentioned on my website (which
starts=20

tomorrow) is booked out. I=B4ll be in Vienna until July 7... in case you
have=20

thoughts of a last minute workshop or house concert! My new CD, "3
cheers

for=20

Peace and Quiet" is selling well and I have copies with me (or you can
get

it=20

though my website, www.malwebb.com ). I hope all=B4s well and I promise
I=B4ll=20

return soon with a few more performances, thine, Mal


Friday June 30, 8pm, Mal Webb solo in concert in Purbach, Austria.

Heuriger Sandhofer, Kellerplatz, A-7083 Purbach. Tel/Fax: 02683 2541
Mobil:=20

0699/1236 6237

heuriger@sandhofer.net / www.sandhofer.net


Saturday July 1, Mal Webb, Carl Pannuzzo and fab Viennese acapella
group=20

Triu at Goldegger Blues and Folktage in Goldegg, Austria. Triu start at

7:30pm=20

and Carl and I start at 9pm. (Apologies for calling Triu their old=20

name "Singapur" on my webite!) =20

www.argebluesfolk.com


--


Why not discover the ever changing joys of the Mal Webb Site?

http://malwebb.customer.netspace.net.au or www.malwebb.com




</excerpt>=

--Apple-Mail-8--739423011--

From Loopers-Delight-request@loopers-delight.com  Wed Jun 28 17:19:41 2006
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Date: Wed, 28 Jun 2006 18:19:47 +0100
To: Loopers-Delight@loopers-delight.com
From: a k butler <akbutler@tiscali.co.uk>
Subject: Re: 10 year's anniversary of Looper's Delight ?
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At 17:59 28/06/2006, you wrote:
>Sunday, September, 1st 1996 at 23:34:23 -0700 (PDT) the first post message
>ever was posted to LD by Matthew F. McCabe aka King Never:
>http://loopers-delight.com/LDarchive/199609/msg00000.html
>
>September 1st, 2006 will be 10 year's anniversary of Looper's Delight.
>
>How about some celebration and apposite looping madnesssss?!
>
>Bernhard
>http://nosuch.biz

so what we really need to know is the date of the first UNSUBSCRIBE

andybutler

From Loopers-Delight-request@loopers-delight.com  Wed Jun 28 17:28:45 2006
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Date: Wed, 28 Jun 2006 13:28:40 -0400
From: phaslem@wightman.ca
To: Loopers-Delight@loopers-delight.com
Subject: Re: 10 year's anniversary of Looper's Delight ?
References: <22351.62.2.75.66.1151495782.squirrel@webmail.perspectix.com>
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this sounds like a very cool little project, I can get something 
recorded on the
weekend!

Paul Haslem
hammered dulcimer and guitar
www.dulcify.ca





Quoting Krispen Hartung <khartung@cableone.net>:

> Let's do it!!  I will create one today.
>
> Create your 30 sec. MP3s in 128 rate format and upload them here:
>
> http://www.box.net/
> Login: loopersdelight
> Password: loopersdelight
>
> Title the MP3 with your name and location, like Kris Hartung - Boise 
> Idaho USA.mp3
>
> Kris

From Loopers-Delight-request@loopers-delight.com  Wed Jun 28 18:03:28 2006
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Date: Wed, 28 Jun 2006 13:03:26 -0500
From: "Charlie Milkey" <pilotcp@gmail.com>
To: Loopers-Delight@loopers-delight.com
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should we make our loop in a certain key?


Charlie




On 6/28/06, phaslem@wightman.ca <phaslem@wightman.ca> wrote:
>
> this sounds like a very cool little project, I can get something
> recorded on the
> weekend!
>
> Paul Haslem
> hammered dulcimer and guitar
> www.dulcify.ca
>
>
>
>
>
> Quoting Krispen Hartung <khartung@cableone.net>:
>
> > Let's do it!!  I will create one today.
> >
> > Create your 30 sec. MP3s in 128 rate format and upload them here:
> >
> > http://www.box.net/
> > Login: loopersdelight
> > Password: loopersdelight
> >
> > Title the MP3 with your name and location, like Kris Hartung - Boise
> > Idaho USA.mp3
> >
> > Kris
>
>

------=_Part_10583_26060773.1151517806696
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<div>should we make our loop in a certain key?</div>
<div>&nbsp;</div>
<div>&nbsp;</div>
<div>Charlie</div>
<div>&nbsp;</div>
<div>&nbsp;</div>
<div><br>&nbsp;</div>
<div><span class="gmail_quote">On 6/28/06, <b class="gmail_sendername"><a href="mailto:phaslem@wightman.ca">phaslem@wightman.ca</a></b> &lt;<a href="mailto:phaslem@wightman.ca">phaslem@wightman.ca</a>&gt; wrote:</span>
<blockquote class="gmail_quote" style="PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">this sounds like a very cool little project, I can get something<br>recorded on the<br>weekend!<br><br>Paul Haslem
<br>hammered dulcimer and guitar<br><a href="http://www.dulcify.ca">www.dulcify.ca</a><br><br><br><br><br><br>Quoting Krispen Hartung &lt;<a href="mailto:khartung@cableone.net">khartung@cableone.net</a>&gt;:<br><br>&gt; Let's do it!!&nbsp;&nbsp;I will create one today.
<br>&gt;<br>&gt; Create your 30 sec. MP3s in 128 rate format and upload them here:<br>&gt;<br>&gt; <a href="http://www.box.net/">http://www.box.net/</a><br>&gt; Login: loopersdelight<br>&gt; Password: loopersdelight<br>&gt;
<br>&gt; Title the MP3 with your name and location, like Kris Hartung - Boise<br>&gt; Idaho USA.mp3<br>&gt;<br>&gt; Kris<br><br></blockquote></div><br>

------=_Part_10583_26060773.1151517806696--

From Loopers-Delight-request@loopers-delight.com  Wed Jun 28 18:10:16 2006
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No way!

If there was a way to include tempo & key in the file name though, it might
facillitate Krispen stitching them together.........


                                                                                                                                       
                                                                                                                                       
             "Charlie Milkey"                  To: Loopers-Delight@loopers-delight.com                                                 
             <pilotcp@gmail.com>               cc:                                                                                     
             06/28/2006 02:03 PM               Subject:  Re: 10 year's anniversary of Looper's Delight ?                               
             Please respond to                                                                                                         
             Loopers-Delight                                                                                                           
                                                                                                                                       




should we make our loop in a certain key?


Charlie




On 6/28/06, phaslem@wightman.ca <phaslem@wightman.ca> wrote:
  this sounds like a very cool little project, I can get something
  recorded on the
  weekend!

  Paul Haslem
  hammered dulcimer and guitar
  www.dulcify.ca





  Quoting Krispen Hartung <khartung@cableone.net>:

  > Let's do it!!  I will create one today.
  >
  > Create your 30 sec. MP3s in 128 rate format and upload them here:
  >
  > http://www.box.net/
  > Login: loopersdelight
  > Password: loopersdelight
  >
  > Title the MP3 with your name and location, like Kris Hartung - Boise
  > Idaho USA.mp3
  >
  > Kris




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From Loopers-Delight-request@loopers-delight.com  Wed Jun 28 18:27:10 2006
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To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Subject: Mini Guitar Looping Festival: SUNDAY, JULY 2nd:  MASSIMO LIVERANI and the Brother's WALKER
Date: Tue, 27 Jun 2006 23:45:41 -0700
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Massimo Liverani,  the Italian looping guitarist who produced the first 
Firenze Live Looping Festival will be performing for the first time 
in the United States at a:

GUITAR LOOPING MINI FEST

SUNDAY,  JULY 2nd

featuring
MASSIMO LIVERANI
BILL  WALKER
RICK WALKER
at 

ALCHEMY   
(site of  Y2K5)
120 Pearl Alley*
Santa Cruz, California

8 pm                         $5/donation
no one turned away for lack of funds

  ALL AGES WELCOME!!!!!!

From Loopers-Delight-request@loopers-delight.com  Wed Jun 28 18:43:18 2006
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References: <OF4A43FC37.F9A383C0-ON8525719B.0063A146-8525719B.0063B435@ca.sunlife>
Subject: Re: 10 year's anniversary of Looper's Delight ?
Date: Wed, 28 Jun 2006 12:43:11 -0600
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That would be cool....mine won't have any key or tempo, of course. :)

Kris

----- Original Message ----- 
From: <Matthew.Quinn@sunlife.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, June 28, 2006 12:09 PM
Subject: Re: 10 year's anniversary of Looper's Delight ?


> No way!
>
> If there was a way to include tempo & key in the file name though, it 
> might
> facillitate Krispen stitching them together.........
>
>
>
>
>             "Charlie Milkey"                  To: 
> Loopers-Delight@loopers-delight.com
>             <pilotcp@gmail.com>               cc:
>             06/28/2006 02:03 PM               Subject:  Re: 10 year's 
> anniversary of Looper's Delight ?
>             Please respond to
>             Loopers-Delight
>
>
>
>
>
> should we make our loop in a certain key?
>
>
> Charlie
>
>
>
>
> On 6/28/06, phaslem@wightman.ca <phaslem@wightman.ca> wrote:
>  this sounds like a very cool little project, I can get something
>  recorded on the
>  weekend!
>
>  Paul Haslem
>  hammered dulcimer and guitar
>  www.dulcify.ca
>
>
>
>
>
>  Quoting Krispen Hartung <khartung@cableone.net>:
>
>  > Let's do it!!  I will create one today.
>  >
>  > Create your 30 sec. MP3s in 128 rate format and upload them here:
>  >
>  > http://www.box.net/
>  > Login: loopersdelight
>  > Password: loopersdelight
>  >
>  > Title the MP3 with your name and location, like Kris Hartung - Boise
>  > Idaho USA.mp3
>  >
>  > Kris
>
>
>
>
> ---------------------------------------------------------------------------
> This e-mail message (including attachments, if any) is intended for the 
> use
> of the individual or entity to which it is addressed and may contain
> information that is privileged, proprietary , confidential and exempt from
> disclosure.  If you are not the intended recipient, you are notified that
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> strictly prohibited.  If you have received this communication in error,
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> 


From Loopers-Delight-request@loopers-delight.com  Wed Jun 28 18:45:40 2006
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To: Loopers-Delight@loopers-delight.com
From: nico spahni <nicosp@gmx.net>
Subject: guitar identification - your help is needed
Date: Wed, 28 Jun 2006 20:47:45 +0200
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Can anyone help me identify this guitar (what make etc.)? I got it 
about 15 years ago for about $100 and never really bothered to find out 
what make it is because I didn't now how I possibly could with only a 
logo. There's no name, no serial number, nothing. The fact that it has 
DiMarzio pickups didn't help either. Only lately has it occured to me 
that some of you guys might recognize the logo. Have a look:

http://www.recpro.ch/pictures/my_guitar.jpg

Cheers,

Nico

From Loopers-Delight-request@loopers-delight.com  Wed Jun 28 18:45:58 2006
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References: <000201c69ae0$7caf8fb0$64ddfea9@DAYGLOGREEN>
Subject: Re: Mini Guitar Looping Festival: SUNDAY, JULY 2nd:  MASSIMO LIVERANI and the Brother's WALKER
Date: Wed, 28 Jun 2006 12:45:54 -0600
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Firenze....hmmmm, I wonder if that is what Phish is referring to on one of 
their live tune lyrics. Anyone know what I am talking about?

Kris

----- Original Message ----- 
From: "loop.pool" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, June 28, 2006 12:45 AM
Subject: Mini Guitar Looping Festival: SUNDAY, JULY 2nd: MASSIMO LIVERANI 
and the Brother's WALKER


> Massimo Liverani,  the Italian looping guitarist who produced the first 
> Firenze Live Looping Festival will be performing for the first time in the 
> United States at a:
>
> GUITAR LOOPING MINI FEST
>
> SUNDAY,  JULY 2nd
>
> featuring
> MASSIMO LIVERANI
> BILL  WALKER
> RICK WALKER
> at
> ALCHEMY   (site of  Y2K5)
> 120 Pearl Alley*
> Santa Cruz, California
>
> 8 pm                         $5/donation
> no one turned away for lack of funds
>
>  ALL AGES WELCOME!!!!!!
>
> 


From Loopers-Delight-request@loopers-delight.com  Wed Jun 28 18:48:14 2006
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Subject: Re: Mini Guitar Looping Festival: SUNDAY, JULY 2nd:  MASSIMO LIVERANI and
 the Brother's WALKER
To: Loopers-Delight@loopers-delight.com
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Absolutely, and yes it definitely is. There's a full acount of the lyric's
origin in The Phish Book.

Wash Uffize & drive me to Firenze!!


(BTW- if you have any other Phish questions, there's a good chance I can
answer them.)   ; )


                                                                                                                                       
                                                                                                                                       
             "Krispen Hartung"                 To: Loopers-Delight@loopers-delight.com                                                 
             <khartung@cableone.net>           cc:                                                                                     
             06/28/2006 02:45 PM               Subject:  Re: Mini Guitar Looping Festival: SUNDAY, JULY 2nd:  MASSIMO LIVERANI and the 
             Please respond to                   Brother's WALKER                                                                      
             Loopers-Delight                                                                                                           
                                                                                                                                       




Firenze....hmmmm, I wonder if that is what Phish is referring to on one of
their live tune lyrics. Anyone know what I am talking about?

Kris

----- Original Message -----
From: "loop.pool" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, June 28, 2006 12:45 AM
Subject: Mini Guitar Looping Festival: SUNDAY, JULY 2nd: MASSIMO LIVERANI
and the Brother's WALKER


> Massimo Liverani,  the Italian looping guitarist who produced the first
> Firenze Live Looping Festival will be performing for the first time in
the
> United States at a:
>
> GUITAR LOOPING MINI FEST
>
> SUNDAY,  JULY 2nd
>
> featuring
> MASSIMO LIVERANI
> BILL  WALKER
> RICK WALKER
> at
> ALCHEMY   (site of  Y2K5)
> 120 Pearl Alley*
> Santa Cruz, California
>
> 8 pm                         $5/donation
> no one turned away for lack of funds
>
>  ALL AGES WELCOME!!!!!!
>
>





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From Loopers-Delight-request@loopers-delight.com  Wed Jun 28 18:50:46 2006
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 the Brother's WALKER
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Here's a bit of the history of YEM............................

http://www.phish.net/faq/yem.html





                                                                                                                                       
                                                                                                                                       
             "Krispen Hartung"                 To: Loopers-Delight@loopers-delight.com                                                 
             <khartung@cableone.net>           cc:                                                                                     
             06/28/2006 02:45 PM               Subject:  Re: Mini Guitar Looping Festival: SUNDAY, JULY 2nd:  MASSIMO LIVERANI and the 
             Please respond to                   Brother's WALKER                                                                      
             Loopers-Delight                                                                                                           
                                                                                                                                       




Firenze....hmmmm, I wonder if that is what Phish is referring to on one of
their live tune lyrics. Anyone know what I am talking about?

Kris

----- Original Message -----
From: "loop.pool" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, June 28, 2006 12:45 AM
Subject: Mini Guitar Looping Festival: SUNDAY, JULY 2nd: MASSIMO LIVERANI
and the Brother's WALKER


> Massimo Liverani,  the Italian looping guitarist who produced the first
> Firenze Live Looping Festival will be performing for the first time in
the
> United States at a:
>
> GUITAR LOOPING MINI FEST
>
> SUNDAY,  JULY 2nd
>
> featuring
> MASSIMO LIVERANI
> BILL  WALKER
> RICK WALKER
> at
> ALCHEMY   (site of  Y2K5)
> 120 Pearl Alley*
> Santa Cruz, California
>
> 8 pm                         $5/donation
> no one turned away for lack of funds
>
>  ALL AGES WELCOME!!!!!!
>
>





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From Loopers-Delight-request@loopers-delight.com  Wed Jun 28 18:52:53 2006
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Subject: Re: Mini Guitar Looping Festival: SUNDAY, JULY 2nd:  MASSIMO LIVERANI and the Brother's WALKER
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Okay, what song did they debut at Boise, Idaho, when they played here last? 
hehe heh...I was there.  :)

Kris

----- Original Message ----- 
From: <Matthew.Quinn@sunlife.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, June 28, 2006 12:46 PM
Subject: Re: Mini Guitar Looping Festival: SUNDAY, JULY 2nd: MASSIMO 
LIVERANI and the Brother's WALKER


> Absolutely, and yes it definitely is. There's a full acount of the lyric's
> origin in The Phish Book.
>
> Wash Uffize & drive me to Firenze!!
>
>
> (BTW- if you have any other Phish questions, there's a good chance I can
> answer them.)   ; )
>
>
>
>
>             "Krispen Hartung"                 To: 
> Loopers-Delight@loopers-delight.com
>             <khartung@cableone.net>           cc:
>             06/28/2006 02:45 PM               Subject:  Re: Mini Guitar 
> Looping Festival: SUNDAY, JULY 2nd:  MASSIMO LIVERANI and the
>             Please respond to                   Brother's WALKER
>             Loopers-Delight
>
>
>
>
>
> Firenze....hmmmm, I wonder if that is what Phish is referring to on one of
> their live tune lyrics. Anyone know what I am talking about?
>
> Kris
>
> ----- Original Message -----
> From: "loop.pool" <looppool@cruzio.com>
> To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
> Sent: Wednesday, June 28, 2006 12:45 AM
> Subject: Mini Guitar Looping Festival: SUNDAY, JULY 2nd: MASSIMO LIVERANI
> and the Brother's WALKER
>
>
>> Massimo Liverani,  the Italian looping guitarist who produced the first
>> Firenze Live Looping Festival will be performing for the first time in
> the
>> United States at a:
>>
>> GUITAR LOOPING MINI FEST
>>
>> SUNDAY,  JULY 2nd
>>
>> featuring
>> MASSIMO LIVERANI
>> BILL  WALKER
>> RICK WALKER
>> at
>> ALCHEMY   (site of  Y2K5)
>> 120 Pearl Alley*
>> Santa Cruz, California
>>
>> 8 pm                         $5/donation
>> no one turned away for lack of funds
>>
>>  ALL AGES WELCOME!!!!!!
>>
>>
>
>
>
>
>
> ---------------------------------------------------------------------------
> This e-mail message (including attachments, if any) is intended for the 
> use
> of the individual or entity to which it is addressed and may contain
> information that is privileged, proprietary , confidential and exempt from
> disclosure.  If you are not the intended recipient, you are notified that
> any dissemination, distribution or copying of this communication is
> strictly prohibited.  If you have received this communication in error,
> please notify the sender and erase this e-mail message immediately.
> ---------------------------------------------------------------------------
>
> 


From Loopers-Delight-request@loopers-delight.com  Wed Jun 28 19:00:56 2006
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To: Loopers-Delight@loopers-delight.com
References: <OFCB229CFD.70332A35-ON8525719B.00676349-8525719B.00676A0A@ca.sunlife>
Subject: Re: Mini Guitar Looping Festival: SUNDAY, JULY 2nd:  MASSIMO LIVERANI and the Brother's WALKER
Date: Wed, 28 Jun 2006 13:00:50 -0600
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Good grief...I suppose someone has documented how many times each member of 
the band uses the rest room each day and when, what they ate, etc.... I love 
Phish, but I lost interest after Billy Breathes....yawn. A Live One and Rift 
are my favorites. I still need to get the White Album concert.  And of 
course, I really like Trey's side project Surrender to the Air...

Kris

----- Original Message ----- 
From: <Matthew.Quinn@sunlife.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, June 28, 2006 12:49 PM
Subject: Re: Mini Guitar Looping Festival: SUNDAY, JULY 2nd: MASSIMO 
LIVERANI and the Brother's WALKER


> Here's a bit of the history of YEM............................
>
> http://www.phish.net/faq/yem.html
>
>
>
>
>
>
>
>             "Krispen Hartung"                 To: 
> Loopers-Delight@loopers-delight.com
>             <khartung@cableone.net>           cc:
>             06/28/2006 02:45 PM               Subject:  Re: Mini Guitar 
> Looping Festival: SUNDAY, JULY 2nd:  MASSIMO LIVERANI and the
>             Please respond to                   Brother's WALKER
>             Loopers-Delight
>
>
>
>
>
> Firenze....hmmmm, I wonder if that is what Phish is referring to on one of
> their live tune lyrics. Anyone know what I am talking about?
>
> Kris
>
> ----- Original Message -----
> From: "loop.pool" <looppool@cruzio.com>
> To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
> Sent: Wednesday, June 28, 2006 12:45 AM
> Subject: Mini Guitar Looping Festival: SUNDAY, JULY 2nd: MASSIMO LIVERANI
> and the Brother's WALKER
>
>
>> Massimo Liverani,  the Italian looping guitarist who produced the first
>> Firenze Live Looping Festival will be performing for the first time in
> the
>> United States at a:
>>
>> GUITAR LOOPING MINI FEST
>>
>> SUNDAY,  JULY 2nd
>>
>> featuring
>> MASSIMO LIVERANI
>> BILL  WALKER
>> RICK WALKER
>> at
>> ALCHEMY   (site of  Y2K5)
>> 120 Pearl Alley*
>> Santa Cruz, California
>>
>> 8 pm                         $5/donation
>> no one turned away for lack of funds
>>
>>  ALL AGES WELCOME!!!!!!
>>
>>
>
>
>
>
>
> ---------------------------------------------------------------------------
> This e-mail message (including attachments, if any) is intended for the 
> use
> of the individual or entity to which it is addressed and may contain
> information that is privileged, proprietary , confidential and exempt from
> disclosure.  If you are not the intended recipient, you are notified that
> any dissemination, distribution or copying of this communication is
> strictly prohibited.  If you have received this communication in error,
> please notify the sender and erase this e-mail message immediately.
> ---------------------------------------------------------------------------
>
> 


From Loopers-Delight-request@loopers-delight.com  Wed Jun 28 19:02:23 2006
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Date: Wed, 28 Jun 2006 12:02:22 -0700
From: =?utf-8?Q?tEd_=C2=AE_kiLLiAn?= <tedkillian@charter.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: 10 year's anniversary of Looper's Delight ?
Cc: Krispen Hartung <khartung@cableone.net>
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Kris,

In all my free time . . . yeah,  uh huh . . . I'll try to post you somethin=
g or another too.

tEd =C2=AE kiLLiAn

"Different is not always better, but better is always different"

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=3D2845073
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

---- Krispen Hartung <khartung@cableone.net> wrote:=20
> Let's do it!!  I will create one today.
>=20
> Create your 30 sec. MP3s in 128 rate format and upload them here:
>=20
> http://www.box.net/
> Login: loopersdelight
> Password: loopersdelight
>=20
> Title the MP3 with your name and location, like Kris Hartung - Boise Idah=
o USA.mp3
>=20
> Kris
>=20
>=20
> ----- Original Message -----=20
> From: "Fabio Anile" <fabio.anile@tiscali.it>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Wednesday, June 28, 2006 10:38 AM
> Subject: Re: 10 year's anniversary of Looper's Delight ?
>=20
>=20
> >> How about each of us record a 30 second looping piece and we create a=
=20
> >> giant collage of looping stringed together in one MP3, or streamed via=
 a=20
> >> playlist. I'm willing to store the MP3s and host the playlist.
> >>
> >> Kris
> >=20
> >=20
> > YES !!!
> >=20
> >=20
> >=20
> >

From Loopers-Delight-request@loopers-delight.com  Wed Jun 28 19:03:03 2006
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Subject: Re: Mini Guitar Looping Festival: SUNDAY, JULY 2nd:  MASSIMO LIVERANI and
 the Brother's WALKER
To: Loopers-Delight@loopers-delight.com
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Ha, I assume you're talking about Zappa's Peaches En Regalia in
1999.....but that wasn't a debut. It was however the first time they'd
played it since 2/28/97, or 161 shows.

OK, I cheated for that last part. I didn't know the last time played off
the top of my head. The real winner of that show, though, is the What's The
Use?- what an awesome tune.


                                                                                                                                       
                                                                                                                                       
             "Krispen Hartung"                 To: Loopers-Delight@loopers-delight.com                                                 
             <khartung@cableone.net>           cc:                                                                                     
             06/28/2006 02:52 PM               Subject:  Re: Mini Guitar Looping Festival: SUNDAY, JULY 2nd:  MASSIMO LIVERANI and the 
             Please respond to                   Brother's WALKER                                                                      
             Loopers-Delight                                                                                                           
                                                                                                                                       




Okay, what song did they debut at Boise, Idaho, when they played here last?

hehe heh...I was there.  :)

Kris

----- Original Message -----
From: <Matthew.Quinn@sunlife.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, June 28, 2006 12:46 PM
Subject: Re: Mini Guitar Looping Festival: SUNDAY, JULY 2nd: MASSIMO
LIVERANI and the Brother's WALKER


> Absolutely, and yes it definitely is. There's a full acount of the
lyric's
> origin in The Phish Book.
>
> Wash Uffize & drive me to Firenze!!
>
>
> (BTW- if you have any other Phish questions, there's a good chance I can
> answer them.)   ; )
>
>
>
>
>             "Krispen Hartung"                 To:
> Loopers-Delight@loopers-delight.com
>             <khartung@cableone.net>           cc:
>             06/28/2006 02:45 PM               Subject:  Re: Mini Guitar
> Looping Festival: SUNDAY, JULY 2nd:  MASSIMO LIVERANI and the
>             Please respond to                   Brother's WALKER
>             Loopers-Delight
>
>
>
>
>
> Firenze....hmmmm, I wonder if that is what Phish is referring to on one
of
> their live tune lyrics. Anyone know what I am talking about?
>
> Kris
>
> ----- Original Message -----
> From: "loop.pool" <looppool@cruzio.com>
> To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
> Sent: Wednesday, June 28, 2006 12:45 AM
> Subject: Mini Guitar Looping Festival: SUNDAY, JULY 2nd: MASSIMO LIVERANI
> and the Brother's WALKER
>
>
>> Massimo Liverani,  the Italian looping guitarist who produced the first
>> Firenze Live Looping Festival will be performing for the first time in
> the
>> United States at a:
>>
>> GUITAR LOOPING MINI FEST
>>
>> SUNDAY,  JULY 2nd
>>
>> featuring
>> MASSIMO LIVERANI
>> BILL  WALKER
>> RICK WALKER
>> at
>> ALCHEMY   (site of  Y2K5)
>> 120 Pearl Alley*
>> Santa Cruz, California
>>
>> 8 pm                         $5/donation
>> no one turned away for lack of funds
>>
>>  ALL AGES WELCOME!!!!!!
>>
>>
>
>
>
>
>
>
---------------------------------------------------------------------------
> This e-mail message (including attachments, if any) is intended for the
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> of the individual or entity to which it is addressed and may contain
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>
>





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From Loopers-Delight-request@loopers-delight.com  Wed Jun 28 19:05:43 2006
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Date: Wed, 28 Jun 2006 12:05:41 -0700
From: =?utf-8?Q?tEd_=C2=AE_kiLLiAn?= <tedkillian@charter.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Mini Guitar Looping Festival: SUNDAY, JULY 2nd:  MASSIMO
 LIVERANI and the Brother's WALKER
Cc: Krispen Hartung <khartung@cableone.net>
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Surrender to the Air. I've got that one. It's the only Phish-related CD I o=
wn.
--
tEd =C2=AE kiLLiAn

"Different is not always better, but better is always different"

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=3D2845073
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

---- Krispen Hartung <khartung@cableone.net> wrote:=20
> Good grief...I suppose someone has documented how many times each member =
of=20
> the band uses the rest room each day and when, what they ate, etc.... I l=
ove=20
> Phish, but I lost interest after Billy Breathes....yawn. A Live One and R=
ift=20
> are my favorites. I still need to get the White Album concert.  And of=20
> course, I really like Trey's side project Surrender to the Air...
>=20
> Kris
>=20
> ----- Original Message -----=20
> From: <Matthew.Quinn@sunlife.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Wednesday, June 28, 2006 12:49 PM
> Subject: Re: Mini Guitar Looping Festival: SUNDAY, JULY 2nd: MASSIMO=20
> LIVERANI and the Brother's WALKER
>=20
>=20
> > Here's a bit of the history of YEM............................
> >
> > http://www.phish.net/faq/yem.html
> >
> >
> >
> >
> >
> >
> >
> >             "Krispen Hartung"                 To:=20
> > Loopers-Delight@loopers-delight.com
> >             <khartung@cableone.net>           cc:
> >             06/28/2006 02:45 PM               Subject:  Re: Mini Guitar=
=20
> > Looping Festival: SUNDAY, JULY 2nd:  MASSIMO LIVERANI and the
> >             Please respond to                   Brother's WALKER
> >             Loopers-Delight
> >
> >
> >
> >
> >
> > Firenze....hmmmm, I wonder if that is what Phish is referring to on one=
 of
> > their live tune lyrics. Anyone know what I am talking about?
> >
> > Kris
> >
> > ----- Original Message -----
> > From: "loop.pool" <looppool@cruzio.com>
> > To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
> > Sent: Wednesday, June 28, 2006 12:45 AM
> > Subject: Mini Guitar Looping Festival: SUNDAY, JULY 2nd: MASSIMO LIVERA=
NI
> > and the Brother's WALKER
> >
> >
> >> Massimo Liverani,  the Italian looping guitarist who produced the firs=
t
> >> Firenze Live Looping Festival will be performing for the first time in
> > the
> >> United States at a:
> >>
> >> GUITAR LOOPING MINI FEST
> >>
> >> SUNDAY,  JULY 2nd
> >>
> >> featuring
> >> MASSIMO LIVERANI
> >> BILL  WALKER
> >> RICK WALKER
> >> at
> >> ALCHEMY   (site of  Y2K5)
> >> 120 Pearl Alley*
> >> Santa Cruz, California
> >>
> >> 8 pm                         $5/donation
> >> no one turned away for lack of funds
> >>
> >>  ALL AGES WELCOME!!!!!!
> >>
> >>
> >
> >
> >
> >
> >
> > -----------------------------------------------------------------------=
----
> > This e-mail message (including attachments, if any) is intended for the=
=20
> > use
> > of the individual or entity to which it is addressed and may contain
> > information that is privileged, proprietary , confidential and exempt f=
rom
> > disclosure.  If you are not the intended recipient, you are notified th=
at
> > any dissemination, distribution or copying of this communication is
> > strictly prohibited.  If you have received this communication in error,
> > please notify the sender and erase this e-mail message immediately.
> > -----------------------------------------------------------------------=
----
> >
> >=20
>=20

From Loopers-Delight-request@loopers-delight.com  Wed Jun 28 19:08:38 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <OF9470E841.CE887CD5-ON8525719B.00684AF8-8525719B.006889E8@ca.sunlife>
Subject: Re: Mini Guitar Looping Festival: SUNDAY, JULY 2nd:  MASSIMO LIVERANI and the Brother's WALKER
Date: Wed, 28 Jun 2006 13:08:33 -0600
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I debut song at Boise was Taste. http://www.phish.com/tmiph/   Of course, I 
barely remember, as my brain was...well, you know the story. :)

Kris


----- Original Message ----- 
From: <Matthew.Quinn@sunlife.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, June 28, 2006 1:01 PM
Subject: Re: Mini Guitar Looping Festival: SUNDAY, JULY 2nd: MASSIMO 
LIVERANI and the Brother's WALKER


> Ha, I assume you're talking about Zappa's Peaches En Regalia in
> 1999.....but that wasn't a debut. It was however the first time they'd
> played it since 2/28/97, or 161 shows.
>
> OK, I cheated for that last part. I didn't know the last time played off
> the top of my head. The real winner of that show, though, is the What's 
> The
> Use?- what an awesome tune.
>
>
>
>
>             "Krispen Hartung"                 To: 
> Loopers-Delight@loopers-delight.com
>             <khartung@cableone.net>           cc:
>             06/28/2006 02:52 PM               Subject:  Re: Mini Guitar 
> Looping Festival: SUNDAY, JULY 2nd:  MASSIMO LIVERANI and the
>             Please respond to                   Brother's WALKER
>             Loopers-Delight
>
>
>
>
>
> Okay, what song did they debut at Boise, Idaho, when they played here 
> last?
>
> hehe heh...I was there.  :)
>
> Kris
>
> ----- Original Message -----
> From: <Matthew.Quinn@sunlife.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Wednesday, June 28, 2006 12:46 PM
> Subject: Re: Mini Guitar Looping Festival: SUNDAY, JULY 2nd: MASSIMO
> LIVERANI and the Brother's WALKER
>
>
>> Absolutely, and yes it definitely is. There's a full acount of the
> lyric's
>> origin in The Phish Book.
>>
>> Wash Uffize & drive me to Firenze!!
>>
>>
>> (BTW- if you have any other Phish questions, there's a good chance I can
>> answer them.)   ; )
>>
>>
>>
>>
>>             "Krispen Hartung"                 To:
>> Loopers-Delight@loopers-delight.com
>>             <khartung@cableone.net>           cc:
>>             06/28/2006 02:45 PM               Subject:  Re: Mini Guitar
>> Looping Festival: SUNDAY, JULY 2nd:  MASSIMO LIVERANI and the
>>             Please respond to                   Brother's WALKER
>>             Loopers-Delight
>>
>>
>>
>>
>>
>> Firenze....hmmmm, I wonder if that is what Phish is referring to on one
> of
>> their live tune lyrics. Anyone know what I am talking about?
>>
>> Kris
>>
>> ----- Original Message -----
>> From: "loop.pool" <looppool@cruzio.com>
>> To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
>> Sent: Wednesday, June 28, 2006 12:45 AM
>> Subject: Mini Guitar Looping Festival: SUNDAY, JULY 2nd: MASSIMO LIVERANI
>> and the Brother's WALKER
>>
>>
>>> Massimo Liverani,  the Italian looping guitarist who produced the first
>>> Firenze Live Looping Festival will be performing for the first time in
>> the
>>> United States at a:
>>>
>>> GUITAR LOOPING MINI FEST
>>>
>>> SUNDAY,  JULY 2nd
>>>
>>> featuring
>>> MASSIMO LIVERANI
>>> BILL  WALKER
>>> RICK WALKER
>>> at
>>> ALCHEMY   (site of  Y2K5)
>>> 120 Pearl Alley*
>>> Santa Cruz, California
>>>
>>> 8 pm                         $5/donation
>>> no one turned away for lack of funds
>>>
>>>  ALL AGES WELCOME!!!!!!
>>>
>>>
>>
>>
>>
>>
>>
>>
> ---------------------------------------------------------------------------
>> This e-mail message (including attachments, if any) is intended for the
>> use
>> of the individual or entity to which it is addressed and may contain
>> information that is privileged, proprietary , confidential and exempt
> from
>> disclosure.  If you are not the intended recipient, you are notified that
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>
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From Loopers-Delight-request@loopers-delight.com  Wed Jun 28 19:10:50 2006
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Subject: Re: Mini Guitar Looping Festival: SUNDAY, JULY 2nd:  MASSIMO LIVERANI and
 the Brother's WALKER
To: Loopers-Delight@loopers-delight.com
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Close to it, for sure.

I also thought Billy Breathes  was a less than stellar effort from the
band, but surprisingly, among hard core fans it seems to be one of the most
respected albums they put out.  I do think Character Zero rocks, and Theme
from The Bottom has some neat stuff going on in it. But yeah, nothing on
the level of something like Rift.

My initial exposure to any kind of looping came from Phish & Trey, of
course it's his dive-bomb Whammy, asynchronus background noise style loops,
which is about as far away as you can get from what I do, but still- that's
the root of my interest in this genre. I almost never listen to Phish
anymore, but I will always owe them for exposing me to a huge world of
musical exploration.


                                                                                                                                       
                                                                                                                                       
             "Krispen Hartung"                 To: Loopers-Delight@loopers-delight.com                                                 
             <khartung@cableone.net>           cc:                                                                                     
             06/28/2006 03:00 PM               Subject:  Re: Mini Guitar Looping Festival: SUNDAY, JULY 2nd:  MASSIMO LIVERANI and the 
             Please respond to                   Brother's WALKER                                                                      
             Loopers-Delight                                                                                                           
                                                                                                                                       




Good grief...I suppose someone has documented how many times each member of

the band uses the rest room each day and when, what they ate, etc.... I
love
Phish, but I lost interest after Billy Breathes....yawn. A Live One and
Rift
are my favorites. I still need to get the White Album concert.  And of
course, I really like Trey's side project Surrender to the Air...

Kris

----- Original Message -----
From: <Matthew.Quinn@sunlife.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, June 28, 2006 12:49 PM
Subject: Re: Mini Guitar Looping Festival: SUNDAY, JULY 2nd: MASSIMO
LIVERANI and the Brother's WALKER


> Here's a bit of the history of YEM............................
>
> http://www.phish.net/faq/yem.html
>
>
>
>
>
>
>
>             "Krispen Hartung"                 To:
> Loopers-Delight@loopers-delight.com
>             <khartung@cableone.net>           cc:
>             06/28/2006 02:45 PM               Subject:  Re: Mini Guitar
> Looping Festival: SUNDAY, JULY 2nd:  MASSIMO LIVERANI and the
>             Please respond to                   Brother's WALKER
>             Loopers-Delight
>
>
>
>
>
> Firenze....hmmmm, I wonder if that is what Phish is referring to on one
of
> their live tune lyrics. Anyone know what I am talking about?
>
> Kris
>
> ----- Original Message -----
> From: "loop.pool" <looppool@cruzio.com>
> To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
> Sent: Wednesday, June 28, 2006 12:45 AM
> Subject: Mini Guitar Looping Festival: SUNDAY, JULY 2nd: MASSIMO LIVERANI
> and the Brother's WALKER
>
>
>> Massimo Liverani,  the Italian looping guitarist who produced the first
>> Firenze Live Looping Festival will be performing for the first time in
> the
>> United States at a:
>>
>> GUITAR LOOPING MINI FEST
>>
>> SUNDAY,  JULY 2nd
>>
>> featuring
>> MASSIMO LIVERANI
>> BILL  WALKER
>> RICK WALKER
>> at
>> ALCHEMY   (site of  Y2K5)
>> 120 Pearl Alley*
>> Santa Cruz, California
>>
>> 8 pm                         $5/donation
>> no one turned away for lack of funds
>>
>>  ALL AGES WELCOME!!!!!!
>>
>>
>
>
>
>
>
>
---------------------------------------------------------------------------
> This e-mail message (including attachments, if any) is intended for the
> use
> of the individual or entity to which it is addressed and may contain
> information that is privileged, proprietary , confidential and exempt
from
> disclosure.  If you are not the intended recipient, you are notified that
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> strictly prohibited.  If you have received this communication in error,
> please notify the sender and erase this e-mail message immediately.
>
---------------------------------------------------------------------------
>
>





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From Loopers-Delight-request@loopers-delight.com  Wed Jun 28 19:10:52 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <1330483200.1151521541841.JavaMail.root@fepweb12>
Subject: Re: Mini Guitar Looping Festival: SUNDAY, JULY 2nd:  MASSIMO LIVERANI and the Brother's WALKER
Date: Wed, 28 Jun 2006 13:10:48 -0600
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Don't you love how that CD begins? With the drum solos....subtle, then it 
scares the hell out of you...

BTW, I sold my Mesa Boogie an hour ago. I hope to buy a used Fireworx before 
the end of the week. I'll hold off on getting Reaktor 5 and MAX/MSP for now, 
as I can only handle so much computer stuff at the same time these days.

Kris


----- Original Message ----- 
From: "tEd Â® kiLLiAn" <tedkillian@charter.net>
To: <Loopers-Delight@loopers-delight.com>
Cc: "Krispen Hartung" <khartung@cableone.net>
Sent: Wednesday, June 28, 2006 1:05 PM
Subject: Re: Mini Guitar Looping Festival: SUNDAY, JULY 2nd: MASSIMO 
LIVERANI and the Brother's WALKER


Surrender to the Air. I've got that one. It's the only Phish-related CD I 
own.
--
tEd Â® kiLLiAn

"Different is not always better, but better is always different"

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=2845073
http://www.netmusic.com/web/album.aspx?a_id=CBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=view_profile&id=121197000042

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

---- Krispen Hartung <khartung@cableone.net> wrote:
> Good grief...I suppose someone has documented how many times each member 
> of
> the band uses the rest room each day and when, what they ate, etc.... I 
> love
> Phish, but I lost interest after Billy Breathes....yawn. A Live One and 
> Rift
> are my favorites. I still need to get the White Album concert.  And of
> course, I really like Trey's side project Surrender to the Air...
>
> Kris
>
> ----- Original Message ----- 
> From: <Matthew.Quinn@sunlife.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Wednesday, June 28, 2006 12:49 PM
> Subject: Re: Mini Guitar Looping Festival: SUNDAY, JULY 2nd: MASSIMO
> LIVERANI and the Brother's WALKER
>
>
> > Here's a bit of the history of YEM............................
> >
> > http://www.phish.net/faq/yem.html
> >
> >
> >
> >
> >
> >
> >
> >             "Krispen Hartung"                 To:
> > Loopers-Delight@loopers-delight.com
> >             <khartung@cableone.net>           cc:
> >             06/28/2006 02:45 PM               Subject:  Re: Mini Guitar
> > Looping Festival: SUNDAY, JULY 2nd:  MASSIMO LIVERANI and the
> >             Please respond to                   Brother's WALKER
> >             Loopers-Delight
> >
> >
> >
> >
> >
> > Firenze....hmmmm, I wonder if that is what Phish is referring to on one 
> > of
> > their live tune lyrics. Anyone know what I am talking about?
> >
> > Kris
> >
> > ----- Original Message -----
> > From: "loop.pool" <looppool@cruzio.com>
> > To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
> > Sent: Wednesday, June 28, 2006 12:45 AM
> > Subject: Mini Guitar Looping Festival: SUNDAY, JULY 2nd: MASSIMO 
> > LIVERANI
> > and the Brother's WALKER
> >
> >
> >> Massimo Liverani,  the Italian looping guitarist who produced the first
> >> Firenze Live Looping Festival will be performing for the first time in
> > the
> >> United States at a:
> >>
> >> GUITAR LOOPING MINI FEST
> >>
> >> SUNDAY,  JULY 2nd
> >>
> >> featuring
> >> MASSIMO LIVERANI
> >> BILL  WALKER
> >> RICK WALKER
> >> at
> >> ALCHEMY   (site of  Y2K5)
> >> 120 Pearl Alley*
> >> Santa Cruz, California
> >>
> >> 8 pm                         $5/donation
> >> no one turned away for lack of funds
> >>
> >>  ALL AGES WELCOME!!!!!!
> >>
> >>
> >
> >
> >
> >
> >
> > ---------------------------------------------------------------------------
> > This e-mail message (including attachments, if any) is intended for the
> > use
> > of the individual or entity to which it is addressed and may contain
> > information that is privileged, proprietary , confidential and exempt 
> > from
> > disclosure.  If you are not the intended recipient, you are notified 
> > that
> > any dissemination, distribution or copying of this communication is
> > strictly prohibited.  If you have received this communication in error,
> > please notify the sender and erase this e-mail message immediately.
> > ---------------------------------------------------------------------------
> >
> >
>



From Loopers-Delight-request@loopers-delight.com  Wed Jun 28 19:14:02 2006
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Subject: Re: Mini Guitar Looping Festival: SUNDAY, JULY 2nd:  MASSIMO LIVERANI and
 the Brother's WALKER
To: Loopers-Delight@loopers-delight.com
X-Mailer: Lotus Notes Release 6.5.5 November 30, 2005
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Date: Wed, 28 Jun 2006 15:12:47 -0400
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Bah. You mixed your years in the question- the last time Phish was in Boise
was in 1999. Taste was debuted in 1995.  : )


                                                                                                                                       
                                                                                                                                       
             "Krispen Hartung"                 To: Loopers-Delight@loopers-delight.com                                                 
             <khartung@cableone.net>           cc:                                                                                     
             06/28/2006 03:08 PM               Subject:  Re: Mini Guitar Looping Festival: SUNDAY, JULY 2nd:  MASSIMO LIVERANI and the 
             Please respond to                   Brother's WALKER                                                                      
             Loopers-Delight                                                                                                           
                                                                                                                                       




I debut song at Boise was Taste. http://www.phish.com/tmiph/   Of course, I

barely remember, as my brain was...well, you know the story. :)

Kris


----- Original Message -----
From: <Matthew.Quinn@sunlife.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, June 28, 2006 1:01 PM
Subject: Re: Mini Guitar Looping Festival: SUNDAY, JULY 2nd: MASSIMO
LIVERANI and the Brother's WALKER


> Ha, I assume you're talking about Zappa's Peaches En Regalia in
> 1999.....but that wasn't a debut. It was however the first time they'd
> played it since 2/28/97, or 161 shows.
>
> OK, I cheated for that last part. I didn't know the last time played off
> the top of my head. The real winner of that show, though, is the What's
> The
> Use?- what an awesome tune.
>
>
>
>
>             "Krispen Hartung"                 To:
> Loopers-Delight@loopers-delight.com
>             <khartung@cableone.net>           cc:
>             06/28/2006 02:52 PM               Subject:  Re: Mini Guitar
> Looping Festival: SUNDAY, JULY 2nd:  MASSIMO LIVERANI and the
>             Please respond to                   Brother's WALKER
>             Loopers-Delight
>
>
>
>
>
> Okay, what song did they debut at Boise, Idaho, when they played here
> last?
>
> hehe heh...I was there.  :)
>
> Kris
>
> ----- Original Message -----
> From: <Matthew.Quinn@sunlife.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Wednesday, June 28, 2006 12:46 PM
> Subject: Re: Mini Guitar Looping Festival: SUNDAY, JULY 2nd: MASSIMO
> LIVERANI and the Brother's WALKER
>
>
>> Absolutely, and yes it definitely is. There's a full acount of the
> lyric's
>> origin in The Phish Book.
>>
>> Wash Uffize & drive me to Firenze!!
>>
>>
>> (BTW- if you have any other Phish questions, there's a good chance I can
>> answer them.)   ; )
>>
>>
>>
>>
>>             "Krispen Hartung"                 To:
>> Loopers-Delight@loopers-delight.com
>>             <khartung@cableone.net>           cc:
>>             06/28/2006 02:45 PM               Subject:  Re: Mini Guitar
>> Looping Festival: SUNDAY, JULY 2nd:  MASSIMO LIVERANI and the
>>             Please respond to                   Brother's WALKER
>>             Loopers-Delight
>>
>>
>>
>>
>>
>> Firenze....hmmmm, I wonder if that is what Phish is referring to on one
> of
>> their live tune lyrics. Anyone know what I am talking about?
>>
>> Kris
>>
>> ----- Original Message -----
>> From: "loop.pool" <looppool@cruzio.com>
>> To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
>> Sent: Wednesday, June 28, 2006 12:45 AM
>> Subject: Mini Guitar Looping Festival: SUNDAY, JULY 2nd: MASSIMO
LIVERANI
>> and the Brother's WALKER
>>
>>
>>> Massimo Liverani,  the Italian looping guitarist who produced the first
>>> Firenze Live Looping Festival will be performing for the first time in
>> the
>>> United States at a:
>>>
>>> GUITAR LOOPING MINI FEST
>>>
>>> SUNDAY,  JULY 2nd
>>>
>>> featuring
>>> MASSIMO LIVERANI
>>> BILL  WALKER
>>> RICK WALKER
>>> at
>>> ALCHEMY   (site of  Y2K5)
>>> 120 Pearl Alley*
>>> Santa Cruz, California
>>>
>>> 8 pm                         $5/donation
>>> no one turned away for lack of funds
>>>
>>>  ALL AGES WELCOME!!!!!!
>>>
>>>
>>
>>
>>
>>
>>
>>
>
---------------------------------------------------------------------------
>> This e-mail message (including attachments, if any) is intended for the
>> use
>> of the individual or entity to which it is addressed and may contain
>> information that is privileged, proprietary , confidential and exempt
> from
>> disclosure.  If you are not the intended recipient, you are notified
that
>> any dissemination, distribution or copying of this communication is
>> strictly prohibited.  If you have received this communication in error,
>> please notify the sender and erase this e-mail message immediately.
>>
>
---------------------------------------------------------------------------
>>
>>
>
>
>
>
>
>
---------------------------------------------------------------------------
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> of the individual or entity to which it is addressed and may contain
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> disclosure.  If you are not the intended recipient, you are notified that
> any dissemination, distribution or copying of this communication is
> strictly prohibited.  If you have received this communication in error,
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>
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>
>





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From Loopers-Delight-request@loopers-delight.com  Wed Jun 28 19:17:06 2006
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Date: Wed, 28 Jun 2006 20:17:06 +0100
To: Loopers-Delight@loopers-delight.com
From: a k butler <akbutler@tiscali.co.uk>
Subject: Re: guitar identification - your help is needed
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At 20:00 28/06/2006, you wrote:
>Can anyone help me identify this guitar (what make etc.)? I got it 
>about 15 years ago for about $100 and never really bothered to find 
>out what make it is because I didn't now how I possibly could with 
>only a logo. There's no name, no serial number, nothing. The fact 
>that it has DiMarzio pickups didn't help either. Only lately has it 
>occured to me that some of you guys might recognize the logo. Have a look:
>
>http://www.recpro.ch/pictures/my_guitar.jpg
>
>Cheers,

http://www.westburyguitars.com/


andybutler 

From Loopers-Delight-request@loopers-delight.com  Wed Jun 28 19:21:14 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: TEd Killian and Phish
Date: Wed, 28 Jun 2006 12:21:10 -0700
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Ted!!!! Say it isn't so!!!! You OWN a Phish CD!!???

Oh wait......that CD has a great lineup.....except for that trey=20
somebody guitarist....who is he with?



Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com =95 AngryVegan.com


On Jun 28, 2006, at 12:05 PM, tEd =AE kiLLiAn wrote:

> Surrender to the Air. I've got that one. It's the only Phish-related=20=

> CD I own.=

From Loopers-Delight-request@loopers-delight.com  Wed Jun 28 19:22:39 2006
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From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: guitar identification - your help is needed
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I think it's a finish brand called KÃ¸ksÃ¼ka

--- nico spahni <nicosp@gmx.net> wrote:

> Can anyone help me identify this guitar (what make
> etc.)? I got it 
> about 15 years ago for about $100 and never really
> bothered to find out 
> what make it is because I didn't now how I possibly
> could with only a 
> logo. There's no name, no serial number, nothing.
> The fact that it has 
> DiMarzio pickups didn't help either. Only lately has
> it occured to me 
> that some of you guys might recognize the logo. Have
> a look:
> 
> http://www.recpro.ch/pictures/my_guitar.jpg
> 
> Cheers,
> 
> Nico
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Wed Jun 28 19:23:41 2006
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References: <22351.62.2.75.66.1151495782.squirrel@webmail.perspectix.com> <0ede01c69abe$dc6ef200$0cb1ec0f@americas.hpqcorp.net> <00f601c69ad1$3ec33260$e701a8c0@pcfabio> <0f6101c69ad2$b4470240$0cb1ec0f@americas.hpqcorp.net> <20060628132840.g2zio0ul1c0kokks@www.wightman.ca> <913728d60606281103v3942c1a7h7990837cb1a13383@mail.gmail.com>
Subject: Re: 10 year's anniversary of Looper's Delight ?
Date: Wed, 28 Jun 2006 21:23:39 +0200
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> should we make our loop in a certain key?
> 
> 
> Charlie
> 

yes and the track must ebow and plug in 

Cl02

From Loopers-Delight-request@loopers-delight.com  Wed Jun 28 19:58:43 2006
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On 28 Jun 2006 at 20:47, nico spahni wrote:

> Can anyone help me identify this guitar (what make etc.)? 

Looks like a "Westone" to me
All the best,

Nick Robinson


From Loopers-Delight-request@loopers-delight.com  Wed Jun 28 20:01:22 2006
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From: "Krispen Hartung" <khartung@cableone.net>
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References: <OFBBEBAF95.9D5788F6-ON8525719B.00696765-8525719B.00698A93@ca.sunlife>
Subject: Re: Mini Guitar Looping Festival: SUNDAY, JULY 2nd:  MASSIMO LIVERANI and the Brother's WALKER
Date: Wed, 28 Jun 2006 14:01:11 -0600
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Sorry, I forgot they played here again after 1995...but they did debut the 
song here. I remember them saying it.

Kris

----- Original Message ----- 
From: <Matthew.Quinn@sunlife.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, June 28, 2006 1:12 PM
Subject: Re: Mini Guitar Looping Festival: SUNDAY, JULY 2nd: MASSIMO 
LIVERANI and the Brother's WALKER


> Bah. You mixed your years in the question- the last time Phish was in 
> Boise
> was in 1999. Taste was debuted in 1995.  : )
>
>
>
>
>             "Krispen Hartung"                 To: 
> Loopers-Delight@loopers-delight.com
>             <khartung@cableone.net>           cc:
>             06/28/2006 03:08 PM               Subject:  Re: Mini Guitar 
> Looping Festival: SUNDAY, JULY 2nd:  MASSIMO LIVERANI and the
>             Please respond to                   Brother's WALKER
>             Loopers-Delight
>
>
>
>
>
> I debut song at Boise was Taste. http://www.phish.com/tmiph/   Of course, 
> I
>
> barely remember, as my brain was...well, you know the story. :)
>
> Kris
>
>
> ----- Original Message -----
> From: <Matthew.Quinn@sunlife.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Wednesday, June 28, 2006 1:01 PM
> Subject: Re: Mini Guitar Looping Festival: SUNDAY, JULY 2nd: MASSIMO
> LIVERANI and the Brother's WALKER
>
>
>> Ha, I assume you're talking about Zappa's Peaches En Regalia in
>> 1999.....but that wasn't a debut. It was however the first time they'd
>> played it since 2/28/97, or 161 shows.
>>
>> OK, I cheated for that last part. I didn't know the last time played off
>> the top of my head. The real winner of that show, though, is the What's
>> The
>> Use?- what an awesome tune.
>>
>>
>>
>>
>>             "Krispen Hartung"                 To:
>> Loopers-Delight@loopers-delight.com
>>             <khartung@cableone.net>           cc:
>>             06/28/2006 02:52 PM               Subject:  Re: Mini Guitar
>> Looping Festival: SUNDAY, JULY 2nd:  MASSIMO LIVERANI and the
>>             Please respond to                   Brother's WALKER
>>             Loopers-Delight
>>
>>
>>
>>
>>
>> Okay, what song did they debut at Boise, Idaho, when they played here
>> last?
>>
>> hehe heh...I was there.  :)
>>
>> Kris
>>
>> ----- Original Message -----
>> From: <Matthew.Quinn@sunlife.com>
>> To: <Loopers-Delight@loopers-delight.com>
>> Sent: Wednesday, June 28, 2006 12:46 PM
>> Subject: Re: Mini Guitar Looping Festival: SUNDAY, JULY 2nd: MASSIMO
>> LIVERANI and the Brother's WALKER
>>
>>
>>> Absolutely, and yes it definitely is. There's a full acount of the
>> lyric's
>>> origin in The Phish Book.
>>>
>>> Wash Uffize & drive me to Firenze!!
>>>
>>>
>>> (BTW- if you have any other Phish questions, there's a good chance I can
>>> answer them.)   ; )
>>>
>>>
>>>
>>>
>>>             "Krispen Hartung"                 To:
>>> Loopers-Delight@loopers-delight.com
>>>             <khartung@cableone.net>           cc:
>>>             06/28/2006 02:45 PM               Subject:  Re: Mini Guitar
>>> Looping Festival: SUNDAY, JULY 2nd:  MASSIMO LIVERANI and the
>>>             Please respond to                   Brother's WALKER
>>>             Loopers-Delight
>>>
>>>
>>>
>>>
>>>
>>> Firenze....hmmmm, I wonder if that is what Phish is referring to on one
>> of
>>> their live tune lyrics. Anyone know what I am talking about?
>>>
>>> Kris
>>>
>>> ----- Original Message -----
>>> From: "loop.pool" <looppool@cruzio.com>
>>> To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
>>> Sent: Wednesday, June 28, 2006 12:45 AM
>>> Subject: Mini Guitar Looping Festival: SUNDAY, JULY 2nd: MASSIMO
> LIVERANI
>>> and the Brother's WALKER
>>>
>>>
>>>> Massimo Liverani,  the Italian looping guitarist who produced the first
>>>> Firenze Live Looping Festival will be performing for the first time in
>>> the
>>>> United States at a:
>>>>
>>>> GUITAR LOOPING MINI FEST
>>>>
>>>> SUNDAY,  JULY 2nd
>>>>
>>>> featuring
>>>> MASSIMO LIVERANI
>>>> BILL  WALKER
>>>> RICK WALKER
>>>> at
>>>> ALCHEMY   (site of  Y2K5)
>>>> 120 Pearl Alley*
>>>> Santa Cruz, California
>>>>
>>>> 8 pm                         $5/donation
>>>> no one turned away for lack of funds
>>>>
>>>>  ALL AGES WELCOME!!!!!!
>>>>
>>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>
> ---------------------------------------------------------------------------
>>> This e-mail message (including attachments, if any) is intended for the
>>> use
>>> of the individual or entity to which it is addressed and may contain
>>> information that is privileged, proprietary , confidential and exempt
>> from
>>> disclosure.  If you are not the intended recipient, you are notified
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>>> any dissemination, distribution or copying of this communication is
>>> strictly prohibited.  If you have received this communication in error,
>>> please notify the sender and erase this e-mail message immediately.
>>>
>>
> ---------------------------------------------------------------------------
>>>
>>>
>>
>>
>>
>>
>>
>>
> ---------------------------------------------------------------------------
>> This e-mail message (including attachments, if any) is intended for the
>> use
>> of the individual or entity to which it is addressed and may contain
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> from
>> disclosure.  If you are not the intended recipient, you are notified that
>> any dissemination, distribution or copying of this communication is
>> strictly prohibited.  If you have received this communication in error,
>> please notify the sender and erase this e-mail message immediately.
>>
> ---------------------------------------------------------------------------
>>
>>
>
>
>
>
>
> ---------------------------------------------------------------------------
> This e-mail message (including attachments, if any) is intended for the 
> use
> of the individual or entity to which it is addressed and may contain
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> ---------------------------------------------------------------------------
>
> 


From Loopers-Delight-request@loopers-delight.com  Wed Jun 28 20:29:14 2006
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
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Subject: AW: 10 year's anniversary of Looper's Delight ?
Date: Wed, 28 Jun 2006 22:29:03 +0200
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This is a multi-part message in MIME format.

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I hope you'll give us the privileges to download when it's finished (says
the second contributor so far...)


  _____  

Von: Krispen Hartung [mailto:khartung@cableone.net] 
Gesendet: Mittwoch, 28. Juni 2006 18:49
An: Loopers-Delight@loopers-delight.com
Betreff: Re: 10 year's anniversary of Looper's Delight ?


Let's do it!!  I will create one today.
 
Create your 30 sec. MP3s in 128 rate format and upload them here:
 
http://www.box.net/
Login: loopersdelight
Password: loopersdelight
 
Title the MP3 with your name and location, like Kris Hartung - Boise Idaho
USA.mp3
 
Kris
 
 
----- Original Message ----- 
From: "Fabio Anile" < <mailto:fabio.anile@tiscali.it>
fabio.anile@tiscali.it>
To: < <mailto:Loopers-Delight@loopers-delight.com>
Loopers-Delight@loopers-delight.com>
Sent: Wednesday, June 28, 2006 10:38 AM
Subject: Re: 10 year's anniversary of Looper's Delight ?


>> How about each of us record a 30 second looping piece and we create a 
>> giant collage of looping stringed together in one MP3, or streamed via a 
>> playlist. I'm willing to store the MP3s and host the playlist.
>>
>> Kris
> 
> 
> YES !!!
> 
> 
> 
> 


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	charset="US-ASCII"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Dus-ascii">
<META content=3D"MSHTML 6.00.2900.2912" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D344282820-28062006><FONT =
face=3DArial=20
color=3D#0000ff size=3D2>I hope you'll give us the privileges to =
download when it's=20
finished (says the second contributor so far...)</FONT></SPAN></DIV><BR>
<BLOCKQUOTE=20
style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px =
solid; MARGIN-RIGHT: 0px">
  <DIV class=3DOutlookMessageHeader lang=3Dde dir=3Dltr align=3Dleft>
  <HR tabIndex=3D-1>
  <FONT face=3DTahoma size=3D2><B>Von:</B> Krispen Hartung=20
  [mailto:khartung@cableone.net] <BR><B>Gesendet:</B> Mittwoch, 28. Juni =
2006=20
  18:49<BR><B>An:</B> =
Loopers-Delight@loopers-delight.com<BR><B>Betreff:</B> Re:=20
  10 year's anniversary of Looper's Delight ?<BR></FONT><BR></DIV>
  <DIV></DIV>
  <DIV><FONT face=3DArial size=3D2>Let's do it!!&nbsp; I will create one =

  today.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Create your 30 sec. MP3s in 128 rate =
format and=20
  upload them here:</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2></FONT><FONT face=3DArial size=3D2><A =

  href=3D"http://www.box.net/">http://www.box.net/</A></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>Login: loopersdelight</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>Password: loopersdelight</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Title the MP3 with your name and =
location, like=20
  Kris Hartung - Boise Idaho USA.mp3</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>----- Original Message ----- </FONT>
  <DIV><FONT face=3DArial size=3D2>From: "Fabio Anile" &lt;</FONT><A=20
  href=3D"mailto:fabio.anile@tiscali.it"><FONT face=3DArial=20
  size=3D2>fabio.anile@tiscali.it</FONT></A><FONT face=3DArial=20
  size=3D2>&gt;</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>To: &lt;</FONT><A=20
  href=3D"mailto:Loopers-Delight@loopers-delight.com"><FONT face=3DArial =

  size=3D2>Loopers-Delight@loopers-delight.com</FONT></A><FONT =
face=3DArial=20
  size=3D2>&gt;</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>Sent: Wednesday, June 28, 2006 10:38=20
  AM</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>Subject: Re: 10 year's anniversary of =
Looper's=20
  Delight ?</FONT></DIV></DIV>
  <DIV><FONT face=3DArial><BR><FONT size=3D2></FONT></FONT></DIV><FONT =
face=3DArial=20
  size=3D2>&gt;&gt; How about each of us record a 30 second looping =
piece and we=20
  create a <BR>&gt;&gt; giant collage of looping stringed together in =
one MP3,=20
  or streamed via a <BR>&gt;&gt; playlist. I'm willing to store the MP3s =
and=20
  host the playlist.<BR>&gt;&gt;<BR>&gt;&gt; Kris<BR>&gt; <BR>&gt; =
<BR>&gt; YES=20
  !!!<BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt;</FONT> =
</BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_000B_01C69B02.43C23A00--

From Loopers-Delight-request@loopers-delight.com  Wed Jun 28 20:32:50 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <000a01c69af1$80396a00$0101a8c0@succubus>
Subject: Re: 10 year's anniversary of Looper's Delight ?
Date: Wed, 28 Jun 2006 14:32:42 -0600
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Absolutely. I'll share the whole director of files. / K
  ----- Original Message -----=20
  From: Rainer Thelonius Balthasar Straschill=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Wednesday, June 28, 2006 2:29 PM
  Subject: AW: 10 year's anniversary of Looper's Delight ?


  I hope you'll give us the privileges to download when it's finished =
(says the second contributor so far...)



-------------------------------------------------------------------------=
---
    Von: Krispen Hartung [mailto:khartung@cableone.net]=20
    Gesendet: Mittwoch, 28. Juni 2006 18:49
    An: Loopers-Delight@loopers-delight.com
    Betreff: Re: 10 year's anniversary of Looper's Delight ?


    Let's do it!!  I will create one today.

    Create your 30 sec. MP3s in 128 rate format and upload them here:

    http://www.box.net/
    Login: loopersdelight
    Password: loopersdelight

    Title the MP3 with your name and location, like Kris Hartung - Boise =
Idaho USA.mp3

    Kris


    ----- Original Message -----=20
    From: "Fabio Anile" <fabio.anile@tiscali.it>
    To: <Loopers-Delight@loopers-delight.com>
    Sent: Wednesday, June 28, 2006 10:38 AM
    Subject: Re: 10 year's anniversary of Looper's Delight ?


    >> How about each of us record a 30 second looping piece and we =
create a=20
    >> giant collage of looping stringed together in one MP3, or =
streamed via a=20
    >> playlist. I'm willing to store the MP3s and host the playlist.
    >>
    >> Kris
    >=20
    >=20
    > YES !!!
    >=20
    >=20
    >=20
    > 
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	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2912" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Absolutely. I'll share the whole =
director of files.=20
/ K</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Drs@moinlabs.de href=3D"mailto:rs@moinlabs.de">Rainer =
Thelonius=20
  Balthasar Straschill</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, June 28, 2006 =
2:29=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> AW: 10 year's =
anniversary of=20
  Looper's Delight ?</DIV>
  <DIV><BR></DIV>
  <DIV dir=3Dltr align=3Dleft><SPAN class=3D344282820-28062006><FONT =
face=3DArial=20
  color=3D#0000ff size=3D2>I hope you'll give us the privileges to =
download when=20
  it's finished (says the second contributor so =
far...)</FONT></SPAN></DIV><BR>
  <BLOCKQUOTE=20
  style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px =
solid; MARGIN-RIGHT: 0px">
    <DIV class=3DOutlookMessageHeader lang=3Dde dir=3Dltr align=3Dleft>
    <HR tabIndex=3D-1>
    <FONT face=3DTahoma size=3D2><B>Von:</B> Krispen Hartung=20
    [mailto:khartung@cableone.net] <BR><B>Gesendet:</B> Mittwoch, 28. =
Juni 2006=20
    18:49<BR><B>An:</B> <A=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A><BR><B>Betreff:</B>=20
    Re: 10 year's anniversary of Looper's Delight ?<BR></FONT><BR></DIV>
    <DIV></DIV>
    <DIV><FONT face=3DArial size=3D2>Let's do it!!&nbsp; I will create =
one=20
    today.</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>Create your 30 sec. MP3s in 128 =
rate format and=20
    upload them here:</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2></FONT><FONT face=3DArial =
size=3D2><A=20
    href=3D"http://www.box.net/">http://www.box.net/</A></FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>Login: loopersdelight</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>Password: =
loopersdelight</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>Title the MP3 with your name and =
location, like=20
    Kris Hartung - Boise Idaho USA.mp3</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>----- Original Message ----- =
</FONT>
    <DIV><FONT face=3DArial size=3D2>From: "Fabio Anile" &lt;</FONT><A=20
    href=3D"mailto:fabio.anile@tiscali.it"><FONT face=3DArial=20
    size=3D2>fabio.anile@tiscali.it</FONT></A><FONT face=3DArial=20
    size=3D2>&gt;</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>To: &lt;</FONT><A=20
    href=3D"mailto:Loopers-Delight@loopers-delight.com"><FONT =
face=3DArial=20
    size=3D2>Loopers-Delight@loopers-delight.com</FONT></A><FONT =
face=3DArial=20
    size=3D2>&gt;</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>Sent: Wednesday, June 28, 2006 =
10:38=20
    AM</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>Subject: Re: 10 year's anniversary =
of Looper's=20
    Delight ?</FONT></DIV></DIV>
    <DIV><FONT face=3DArial><BR><FONT size=3D2></FONT></FONT></DIV><FONT =
face=3DArial=20
    size=3D2>&gt;&gt; How about each of us record a 30 second looping =
piece and we=20
    create a <BR>&gt;&gt; giant collage of looping stringed together in =
one MP3,=20
    or streamed via a <BR>&gt;&gt; playlist. I'm willing to store the =
MP3s and=20
    host the playlist.<BR>&gt;&gt;<BR>&gt;&gt; Kris<BR>&gt; <BR>&gt; =
<BR>&gt;=20
    YES !!!<BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt;</FONT>=20
</BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_10A9_01C69ABF.B6E50050--


From Loopers-Delight-request@loopers-delight.com  Wed Jun 28 21:16:32 2006
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Cooking a song
References: <f775d8660606210254xcc3c096lb414eda7a8eadb7f@mail.gmail.com>
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Thomas Rutgers wrote:
> does anyone know people/artists who perform solo, "recycling" 
> themselves like live-loopers, but who use other compositorial techniques?
> so not "building up" loop on loop, but for example playing back a little 
> melody that was played 3 minutes ago, on a different tempo, so it just 
> fits with the rythm played 5 minutes ago while the vocals are played 
> backward again... in this way "cooking" a song. Get the point?
> I don't mean "electronic" composers, performers who use an acoustic 
> source for creating all kinds of sounds: it's really about creating 
> rythm&melody by (processed) repeating, with or without using prerecorded 
> material.

I am doing kind of that with my Ondes Memorielles...
But usually not so much cooking songs but cooking textures and sounds 
out of the memory I capture before. I first called my (Max)patch a delay 
sequencer, as I was building melodies with pitch shifted delays of 
varying length, which would typically be recognized as a melody with a 
rythmic structure if you trigger it with a single event. As each delay 
can be fed back, you could create pretty complex structures...

> But there must be more people doing this thing! If anyone knows someone 
> it would be a great help! (trying to write my thesis about this)

You're welcome...

Stefan

-- 
Stefan Tiedje------------x-------
--_____-----------|--------------
--(_|_ ----|\-----|-----()-------
-- _|_)----|-----()--------------
----------()--------www.ccmix.com

From Loopers-Delight-request@loopers-delight.com  Wed Jun 28 22:56:36 2006
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Date: Wed, 28 Jun 2006 23:56:35 +0100 (BST)
From: Tony Douglas <tonyisyourpal@yahoo.co.uk>
Subject: Re: guitar identification - your help is needed
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You lucky, lucky ba*d !!! 

That's a Westbury Standard. I had one of those about 25 years ago (eek !) and it's one of the few guitars I've ever regretted letting go of. I traded mine for an Aria ES-345 copy (a lovely guitar which I still have) to a guy who used the Westbury as his gigging guitar for years. They're pretty underrated, and they don't appear for sale second-hand too often - people who have them (generally) keep them.

- Tony

nico spahni <nicosp@gmx.net> wrote: Can anyone help me identify this guitar (what make etc.)? I got it 
about 15 years ago for about $100 and never really bothered to find out 
what make it is because I didn't now how I possibly could with only a 
logo. There's no name, no serial number, nothing. The fact that it has 
DiMarzio pickups didn't help either. Only lately has it occured to me 
that some of you guys might recognize the logo. Have a look:

http://www.recpro.ch/pictures/my_guitar.jpg

Cheers,

Nico



 		
---------------------------------
Yahoo! Messenger  NEW - crystal clear PC to PC calling worldwide with voicemail 
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You lucky, lucky ba*d !!! <br><br>That's a Westbury Standard. I had one of those about 25 years ago (eek !) and it's one of the few guitars I've ever regretted letting go of. I traded mine for an Aria ES-345 copy (a lovely guitar which I still have) to a guy who used the Westbury as his gigging guitar for years. They're pretty underrated, and they don't appear for sale second-hand too often - people who have them (generally) keep them.<br><br>- Tony<br><br><b><i>nico spahni &lt;nicosp@gmx.net&gt;</i></b> wrote:<blockquote class="replbq" style="border-left: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-left: 5px;"> Can anyone help me identify this guitar (what make etc.)? I got it <br>about 15 years ago for about $100 and never really bothered to find out <br>what make it is because I didn't now how I possibly could with only a <br>logo. There's no name, no serial number, nothing. The fact that it has <br>DiMarzio pickups didn't help either. Only lately has it
 occured to me <br>that some of you guys might recognize the logo. Have a look:<br><br>http://www.recpro.ch/pictures/my_guitar.jpg<br><br>Cheers,<br><br>Nico<br><br></blockquote><br><p>&#32;
		<hr size=1><font size="2" face="Verdana, Arial, Helvetica, sans-serif"><a href="http://us.rd.yahoo.com/mail/uk/taglines/default/messenger/*http://uk.messenger.yahoo.com 
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 <font color="red">NEW</font> - crystal clear PC to PC 
<a href="http://us.rd.yahoo.com/mail/uk/taglines/default/messenger/*http://uk.messenger.yahoo.com 
">calling worldwide with voicemail 
</a></font>
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From Loopers-Delight-request@loopers-delight.com  Wed Jun 28 23:50:42 2006
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Subject: Re: 10 year's anniversary of Looper's Delight ?
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Ted,

Off subject a bit: how do you like that Sustainiac Model B?  I've looked 
at those for a while...

--Josh



tEd ® kiLLiAn wrote:
> Heheheheh,
>
> Yep, them was the days young feller (swallows dramatically and spits, 
> imitating old geezer).
> Wait! I AM an old geezer! Just a little over a month later (October 3, 
> 1996) I posted my first
> e-mail to Looper's Delight. 
> <http://www.loopers-delight.com/LDarchive/199610/msg00032.html>
> from my old e-mail address KILLINFO@aol.com.
>
> I had just taken delivery of my first and only pair of EDPs and was 
> looking for RAM. It is kind of
> remarkable to me (looking back) that these devices have lasted me so 
> long. It could very possiblly
> be said that only my wife, my Gibson RD guitar and my Sustainiac Model 
> B have been with me
> longer. Heheheh. Everything else has changed.
>
> Time flies  . . . whether you're having fun or not. But, mostly it's 
> been fun. Thanks Kim!
>
> Cheers!
>
> tEd ® kiLLiAn
> On Jun 28, 2006, at 4:56 AM, Bernhard Wagner wrote:
>
>>
>> Sunday, September, 1st 1996 at 23:34:23 -0700 (PDT) the first post 
>> message
>> ever was posted to LD by Matthew F. McCabe aka King Never:
>> http://loopers-delight.com/LDarchive/199609/msg00000.html
>>
>> September 1st, 2006 will be 10 year's anniversary of Looper's Delight.
>>
>> How about some celebration and apposite looping madnesssss?!
>>
>> Bernhard
>> http://nosuch.biz
>>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Jun 29 00:02:02 2006
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Date: Wed, 28 Jun 2006 17:02:00 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: guitar identification - your help is needed
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OMG, I thought this was a joke.  I thought that logo
was supposed to be a... well naughty bits.  I wondered
if they were going for that when they designed it....


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From Loopers-Delight-request@loopers-delight.com  Thu Jun 29 00:06:04 2006
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Date: Wed, 28 Jun 2006 17:06:02 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Running SooperLooper
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Yeah, I'm pretty sure neither Jack or Sooperlooper is
UB.  One of the reasons I opted out of the Macbook. 
As good as they are at making hardware it seemed silly
to have to wait to run what I wanted to run when XP
versions were available.  Sad.  Still use my Powerbook
for graphics though.  It's probably going to be a
while before stuff is UB and ready to go.  

--- Per Boysen <perboysen@gmail.com> wrote:

> On 28 jun 2006, at 09.39, Buzap Buzap wrote:
> 
> > last night I've installed JackOSX and also
> SooperLooper on my Intel  
> > Mac.
> > I've started the Jack Server, but when I ran
> SooperLooper, it would  
> > simply freeze (or actually you would see only the
> "hourglass" or  
> > whatever you might call it on the Mac) with
> Activity Monitor  
> > stating "not responding".
> 
> Just a quick shot: Are you sure all software are
> MacIntel compatible?  
> (Universal Binary - "UB"). You would need the UB
> vesion of  
> SooperLooper and the UB Jack Server. If
> available...?
> 
> Greetings from Sweden
> 
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://tinyurl.com/fauvm (podcast)
> http://www.myspace.com/looproom
> 
> 
> 
> 


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From Loopers-Delight-request@loopers-delight.com  Thu Jun 29 01:38:09 2006
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From: "Timothy Mungenast" <mungenast@earthlink.net>
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Subject: RE: AW: 10 year's anniversary of Looper's Delight ?
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I won't be able to act on this until next week. Is that okay?
~Tim


----- Original Message ----- 
From: Rainer Thelonius Balthasar Straschill 
To: Loopers-Delight@loopers-delight.com
Sent: 6/28/2006 4:29:14 PM 
Subject: AW: 10 year's anniversary of Looper's Delight ?


I hope you'll give us the privileges to download when it's finished (says the second contributor so far...)




Von: Krispen Hartung [mailto:khartung@cableone.net] 
Gesendet: Mittwoch, 28. Juni 2006 18:49
An: Loopers-Delight@loopers-delight.com
Betreff: Re: 10 year's anniversary of Looper's Delight ?


Let's do it!!  I will create one today.

Create your 30 sec. MP3s in 128 rate format and upload them here:

http://www.box.net/
Login: loopersdelight
Password: loopersdelight

Title the MP3 with your name and location, like Kris Hartung - Boise Idaho USA.mp3

Kris


----- Original Message ----- 
From: "Fabio Anile" <fabio.anile@tiscali.it>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, June 28, 2006 10:38 AM
Subject: Re: 10 year's anniversary of Looper's Delight ?


>> How about each of us record a 30 second looping piece and we create a 
>> giant collage of looping stringed together in one MP3, or streamed via a 
>> playlist. I'm willing to store the MP3s and host the playlist.
>>
>> Kris
> 
> 
> YES !!!
> 
> 
> 
> 
------=_NextPart_84815C5ABAF209EF376268C8
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<HTML style="FONT-SIZE: x-small; FONT-FAMILY: MS Sans Serif"><HEAD>
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<META content="MSHTML 6.00.2800.1528" name=GENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY>
<DIV>I won't be able to act on this until next week. Is that okay?</DIV>
<DIV>~Tim</DIV>
<DIV>&nbsp;</DIV>
<DIV></DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px solid">
<DIV style="FONT: 10pt Arial">----- Original Message ----- </DIV>
<DIV style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><B>From:</B> <A title=rs@moinlabs.de href="mailto:rs@moinlabs.de">Rainer Thelonius Balthasar Straschill</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To: </B><A title=Loopers-Delight@loopers-delight.com href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A></DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> 6/28/2006 4:29:14 PM </DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> AW: 10 year's anniversary of Looper's Delight ?</DIV>
<DIV><BR></DIV><FONT size=2>
<DIV dir=ltr align=left><SPAN class=344282820-28062006><FONT face=Arial color=#0000ff size=2>I hope you'll give us the privileges to download when it's finished (says the second contributor so far...)</FONT></SPAN></DIV><BR>
<BLOCKQUOTE style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px solid; MARGIN-RIGHT: 0px">
<DIV class=OutlookMessageHeader lang=de dir=ltr align=left>
<HR tabIndex=-1>
<FONT face=Tahoma size=2><B>Von:</B> Krispen Hartung [mailto:khartung@cableone.net] <BR><B>Gesendet:</B> Mittwoch, 28. Juni 2006 18:49<BR><B>An:</B> Loopers-Delight@loopers-delight.com<BR><B>Betreff:</B> Re: 10 year's anniversary of Looper's Delight ?<BR></FONT><BR></DIV>
<DIV></DIV>
<DIV><FONT face=Arial size=2>Let's do it!!&nbsp; I will create one today.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial size=2>Create your 30 sec. MP3s in 128 rate format and upload them here:</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial size=2></FONT><FONT face=Arial size=2><A href="http://www.box.net/">http://www.box.net/</A></FONT></DIV>
<DIV><FONT face=Arial size=2>Login: loopersdelight</FONT></DIV>
<DIV><FONT face=Arial size=2>Password: loopersdelight</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial size=2>Title the MP3 with your name and location, like Kris Hartung - Boise Idaho USA.mp3</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial size=2>Kris</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial size=2>----- Original Message ----- </FONT>
<DIV><FONT face=Arial size=2>From: "Fabio Anile" &lt;</FONT><A href="mailto:fabio.anile@tiscali.it"><FONT face=Arial size=2>fabio.anile@tiscali.it</FONT></A><FONT face=Arial size=2>&gt;</FONT></DIV>
<DIV><FONT face=Arial size=2>To: &lt;</FONT><A href="mailto:Loopers-Delight@loopers-delight.com"><FONT face=Arial size=2>Loopers-Delight@loopers-delight.com</FONT></A><FONT face=Arial size=2>&gt;</FONT></DIV>
<DIV><FONT face=Arial size=2>Sent: Wednesday, June 28, 2006 10:38 AM</FONT></DIV>
<DIV><FONT face=Arial size=2>Subject: Re: 10 year's anniversary of Looper's Delight ?</FONT></DIV></DIV>
<DIV><FONT face=Arial><BR><FONT size=2></FONT></FONT></DIV><FONT face=Arial size=2>&gt;&gt; How about each of us record a 30 second looping piece and we create a <BR>&gt;&gt; giant collage of looping stringed together in one MP3, or streamed via a <BR>&gt;&gt; playlist. I'm willing to store the MP3s and host the playlist.<BR>&gt;&gt;<BR>&gt;&gt; Kris<BR>&gt; <BR>&gt; <BR>&gt; YES !!!<BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt;</FONT> </BLOCKQUOTE></FONT></BLOCKQUOTE></BODY></HTML>
------=_NextPart_84815C5ABAF209EF376268C8--

From Loopers-Delight-request@loopers-delight.com  Thu Jun 29 01:43:42 2006
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From: "Timothy Mungenast" <mungenast@earthlink.net>
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Subject: Westone was close Re: guitar identification - your help is needed
Date: Wed, 28 Jun 2006 21:47:11 -0400
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Guys, it's a Westbury, a product of the Unicord company. In his book
"Customizing Your Electric GUitar," the acoustic wizard and ace luthier
Adrian Legg says "they are mainly made of maple and offer a phenomenal
sustain." I'd pin it at circa 1982.

Cheers,
Tim Mungenast




> [Original Message]
> From: mark sottilaro <zerocrossing2001@yahoo.com>
> To: <Loopers-Delight@loopers-delight.com>
> Date: 6/28/2006 3:22:39 PM
> Subject: Re: guitar identification - your help is needed
>
> I think it's a finish brand called KÃ¸ksÃ¼ka
>
> --- nico spahni <nicosp@gmx.net> wrote:
>
> > Can anyone help me identify this guitar (what make
> > etc.)? I got it 
> > about 15 years ago for about $100 and never really
> > bothered to find out 
> > what make it is because I didn't now how I possibly
> > could with only a 
> > logo. There's no name, no serial number, nothing.
> > The fact that it has 
> > DiMarzio pickups didn't help either. Only lately has
> > it occured to me 
> > that some of you guys might recognize the logo. Have
> > a look:
> > 
> > http://www.recpro.ch/pictures/my_guitar.jpg
> > 
> > Cheers,
> > 
> > Nico
> > 
> > 
>
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Thu Jun 29 02:10:22 2006
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On 6/28/06, mark sottilaro <zerocrossing2001@yahoo.com> wrote:
> Yeah, I'm pretty sure neither Jack or Sooperlooper is
> UB.  One of the reasons I opted out of the Macbook.

Actually, JACK is UB, for what it's worth.  And while I'm at it, I'll
also plug a useful open source JACK-based DAW  that has a UB (also
linux):
   Ardour  - http://ardour.org
It  is under active development, and we have several Google Summer of
Code contributors this year.

jlc

From Loopers-Delight-request@loopers-delight.com  Thu Jun 29 02:31:10 2006
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Count me in!
I'll upload that bite soon.

What criteria for the the whole sequence to follow, Kris?

Raül.

The Playing Orchestra: http://www.telefonica.net/web2/tpo
Chain Tape Collective: http://www.ct-collective.com 

From Loopers-Delight-request@loopers-delight.com  Thu Jun 29 02:37:06 2006
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Subject: Sustainiac Model B (Was: 10 year's anniversary of Looper's Delight )
Date: Wed, 28 Jun 2006 19:37:01 -0700
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Joshua,

I love my Model B. I also bought the Model C a couple of years ago for =20=

my second (smaller)
gig rig. They work about the same with only a few subtle differences -- =20=

the new one has a
wall-wart (ugh) an FX loop (cool) and auto-harmonic (even/odd) sensing =20=

which is pretty nice.

I bought the model B in the mid-80s sometime. I've had it repaired =20
twice (the transformers
get hot and fry about once every 10 years. It has become so much a part =20=

of how I think about
playing guitar that I find it difficult to play without it. Except for =20=

acoustic playing, I never do.

Inventor Alan Hoover is a real nice guy. I've visited and played in his =20=

NAMM booth many
many times over the years. He still tries to keep the Sustainiac =20
business going (its a sideline
for him) and he does repairs -- should you buy an old one on Ebay and =20=

it doesn't work
quite right. He's a first class gentleman.

Oh . . . yeah I forgot . . . I so much liked the way the new headstock =20=

transducer for the Model C
clamps on to the headstock (instead of having to affix a magnetic =20
bracket to your guitar and
attach it that way) that I now use the Model C version of the =20
transducer also with my Model B.
I still have the old transducer and magnets put away somewhere. But the =20=

new clamp-on version
means you can use it with absolutely ANY guitar you've got (not just =20
the guitars you've attached
a magnetic bracket to (with screws).

The infinite sustain you get with it is less like the in-the-guitar =20
sustainers (or Ebows) and is more
like standing in front of a cranked amp in exactly the right "sweet =20
spot" on stage to get the perfect
amount of feedback. The advantage is with the Sustainiac you can do it =20=

at will, at any time and
at any volume, even whisper quiet.

Needless to say, right-hand muting of open strings (ones you don't want =20=

to play while your
playing something else in an unrelated key) is something you will want =20=

to learn to do pretty
well to make it really work in all situations. After twenty some odd =20
years though I do it without
even thinking.

If you contact Alan at Sustainiac, say "Hi!" to him for me. He really =20=

is a great guy.

Cheers,

tEd =AE kiLLiAn

On Jun 28, 2006, at 4:50 PM, Joshua Carroll wrote:

> Off subject a bit: how do you like that Sustainiac Model B?  I've =20
> looked at those for a while...

PS) If you want to hear how I sound with my Sustainiac see any of the =20=

below. Hint . . . my
GarageBand,com page has free streaming of most of my 2001 CD (I think . =20=

. . everything
but the title track). No downloads, but even the low-fi streaming will =20=

give you an idea
or two of what you can do with a sustainiac. Good luck and happy trails!

"Different is not always better, but better is always different"

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=3D2845073
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?=20
step=3Dview_profile&id=3D121197000042

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

--Apple-Mail-1--704753484
Content-Transfer-Encoding: quoted-printable
Content-Type: text/enriched;
	charset=ISO-8859-1

Joshua,


I love my Model B. I also bought the Model C a couple of years ago for
my second (smaller)

gig rig. They work about the same with only a few subtle differences
-- the new one has a=20

wall-wart (ugh) an FX loop (cool) and auto-harmonic (even/odd) sensing
which is pretty nice.


I bought the model B in the mid-80s sometime. I've had it repaired
twice (the transformers

get hot and fry about once every 10 years. It has become so much a
part of how I think about

playing guitar that I find it difficult to play without it. Except for
acoustic playing, I never do.


Inventor Alan Hoover is a real nice guy. I've visited and played in
his NAMM booth many

many times over the years. He still tries to keep the Sustainiac
business going (its a sideline

for him) and he does repairs -- should you buy an old one on Ebay and
it doesn't work

quite right. He's a first class gentleman.


Oh . . . yeah I forgot . . . I so much liked the way the new headstock
transducer for the Model C

clamps on to the headstock (instead of having to affix a magnetic
bracket to your guitar and=20

attach it that way) that I now use the Model C version of the
transducer also with my Model B.

I still have the old transducer and magnets put away somewhere. But
the new clamp-on version

means you can use it with absolutely ANY guitar you've got (not just
the guitars you've attached

a magnetic bracket to (with screws).


The infinite sustain you get with it is less like the in-the-guitar
sustainers (or Ebows) and is more=20

like standing in front of a cranked amp in exactly the right "sweet
spot" on stage to get the perfect=20

amount of feedback. The advantage is with the Sustainiac you can do it
at will, at any time and

at any volume, even whisper quiet.=20


Needless to say, right-hand muting of open strings (ones you don't
want to play while your=20

playing something else in an unrelated key) is something you will want
to learn to do pretty=20

well to make it really work in all situations. After twenty some odd
years though I do it without

even thinking.


If you contact Alan at Sustainiac, say "Hi!" to him for me. He really
is a great guy.


Cheers,


tEd =AE kiLLiAn


On Jun 28, 2006, at 4:50 PM, Joshua Carroll wrote:


<excerpt>Off subject a bit: how do you like that Sustainiac Model B?=20
I've looked at those for a while...

</excerpt>

PS) If you want to hear how I sound with my Sustainiac see any of the
below. Hint . . . my=20

GarageBand,com page has free streaming of most of my 2001 CD (I think
. . . everything=20

but the title track). No downloads, but even the low-fi streaming will
give you an idea

or two of what you can do with a sustainiac. Good luck and happy
trails!


<color><param>8080,8080,8080</param>"Different is not always better,
but better is always different"


http://www.pfmentum.com/flux.html

http://www.CDbaby.com/cd/tedkillian

http://www.guitar9.com/fluxaeterna.html

http://www.garageband.com/artist/ArsOcarina

http://www.towerrecords.com/product.aspx?pfid=3D2845073

http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314

http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193

=
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042


Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,

BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,

AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,

RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,

and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???</color>


--Apple-Mail-1--704753484--

From Loopers-Delight-request@loopers-delight.com  Thu Jun 29 02:48:36 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <22351.62.2.75.66.1151495782.squirrel@webmail.perspectix.com><0ede01c69abe$dc6ef200$0cb1ec0f@americas.hpqcorp.net><00f601c69ad1$3ec33260$e701a8c0@pcfabio><0f6101c69ad2$b4470240$0cb1ec0f@americas.hpqcorp.net> <20060628132840.g2zio0ul1c0kokks@www.wightman.ca> <000601c69b24$118080c0$0200a8c0@raulb3d53f8e09>
Subject: Re: 10 year's anniversary of Looper's Delight ?
Date: Wed, 28 Jun 2006 20:48:30 -0600
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No criteria, except loop for 30 seconds.

kris

----- Original Message ----- 
From: "raul bonell" <RAULBONELL@telefonica.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, June 28, 2006 8:31 PM
Subject: Re: 10 year's anniversary of Looper's Delight ?


> Count me in!
> I'll upload that bite soon.
>
> What criteria for the the whole sequence to follow, Kris?
>
> Raül.
>
> The Playing Orchestra: http://www.telefonica.net/web2/tpo
> Chain Tape Collective: http://www.ct-collective.com
> 


From Loopers-Delight-request@loopers-delight.com  Thu Jun 29 02:49:18 2006
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From: "raul bonell" <RAULBONELL@telefonica.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: RV: Nico's Spahni - Ambient Guitar Landscapes 1
Date: Thu, 29 Jun 2006 04:49:08 +0200
Organization: paciencia records
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Hola a tots!

I'll suggest you all to check out nico's latest 'ambient guitar =
landscapes 1'. Yes, it's ambient and played with the most common =
instrument in this list, a guitar, but these improvisations have an =
inner force not so commonly found in this kind of productions. Nico's =
minimalistic approach to processing the guitar signal gives a result of =
emotive landscapes of sound that are clearly out of that genre i hate so =
much socalled 'new age'...  =20

Nice work Nico!

I think he's glad to exchange a CD copy for one of yours.
You can find it here:

http://www.recpro.ch/

Cheers!,
Ra=FCl.

The Playing Orchestra: http://www.telefonica.net/web2/tpo
Chain Tape Collective: http://www.ct-collective.com
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<META content=3D"MSHTML 6.00.2900.2912" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Hola a tots!<BR><BR>I'll suggest you =
all to check=20
out nico's latest 'ambient guitar landscapes 1'. Yes, it's ambient and =
played=20
with the most common instrument in this list, a guitar, but these =
improvisations=20
have an inner force not so commonly found in this kind =
of&nbsp;productions.=20
Nico's minimalistic approach to processing the guitar signal&nbsp;gives =
a result=20
of emotive landscapes of sound that&nbsp;are clearly out of that genre i =
hate so=20
much&nbsp;socalled 'new age'...&nbsp;&nbsp;&nbsp;<BR><BR>Nice work=20
Nico!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2><BR>I think he's glad to exchange a CD =
copy for one=20
of yours.<BR>You can find&nbsp;it here:<BR><BR><A=20
href=3D"http://www.recpro.ch/">http://www.recpro.ch/</A><BR><BR>Cheers!,<=
BR>Ra=FCl.<BR><BR>The=20
Playing Orchestra: <A=20
href=3D"http://www.telefonica.net/web2/tpo">http://www.telefonica.net/web=
2/tpo</A><BR>Chain=20
Tape Collective: <A=20
href=3D"http://www.ct-collective.com">http://www.ct-collective.com</A></F=
ONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu Jun 29 03:49:06 2006
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Subject: Re: Thoughts on the Eclipse, Fireworx, G-Force, and PCM81
Date: Wed, 28 Jun 2006 21:49:00 -0600
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I have been reading a lot of reviews on the Eclipse and Fireworx. Oddly, 
there appear to be a lot of mixed reviews on the Eclipse for it lack of 
flexibility, ability to load only two algorithms, etc...I read a lot of 
positive reviews on the Fireworx for how you can customize your effect 
algorithms, and the diversity of tone mangling....though I hear you can use 
up your processing power fairly quickly.  Then I found this interesting 
passage on the Yahoo Group on Fireworx:

****************************
1. Eventide Eclipse: You cannot create algorithms. There are two DSP
program slots into which you load presets which can then be tweaked to
you hearts content. There are great choruses, reverbs, pitchers, etc,
and you even get some combination algos. The sound quality is awesome,
in my experience, the stability is not as good. Support is OK, as long
as you aren't one of the few who rub the wrong way with their ONLY
support person, who can be quite obstinate. I eventually sold my Eclipse
and bought the Orville, about which I sometimes have mixed feelings.
Then I listen to how great it sounds.

2. TC Fireworx: Ultimate flexibility up to the limits of the DSP. Design
algos using building blocks. Fun is the word; more like Eventide's high
end units, but designed to be programmed from the front panel instead of
the computer. Sound quality is not as pristine as any Eventide unit, but
look at this in context of your musical style. Support is OK, as long as
you don't expect them to change the unit (there is a known bugs that
they will never fix in DELAY2). I use my 2 Fireworx units for
EVERYTHING. One is on guitars and one is on the main mix. I wish I had 2
more.

The difference then: Eclipse is like a video game with two cartridge
slots. Fireworx is like sonic legos. Orville is like sonic clay.

******************************

I'm amost set on the Fireworx now, but still grappling over Reaktor 5. I may 
get the Fireworx, and then Reaktor after that. Am I an effect addict or 
what? :)

Kris


From Loopers-Delight-request@loopers-delight.com  Thu Jun 29 04:04:07 2006
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From: David Coffin <dpcoffin@earthlink.net>
Subject: Re: Thoughts on the Eclipse, Fireworx, G-Force, and PCM81
Date: Wed, 28 Jun 2006 21:04:04 -0700
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I should hope so; how else are you going to justify this?
Enjoy:)
dc


On Jun 28, 2006, at 8:49 PM, Krispen Hartung wrote:

> Am I an effect addict or what? :)
>


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<HTML><BODY style="word-wrap: break-word; -khtml-nbsp-mode: space; -khtml-line-break: after-white-space; ">I should hope so; how else are you going to justify this?<DIV>Enjoy:)<DIV>dc</DIV><DIV><BR class="khtml-block-placeholder"></DIV><DIV><BR><DIV><DIV>On Jun 28, 2006, at 8:49 PM, Krispen Hartung wrote:</DIV><BR class="Apple-interchange-newline"><BLOCKQUOTE type="cite"><P style="margin: 0.0px 0.0px 0.0px 0.0px"><FONT face="Lucida Grande" size="4" style="font: 14.0px Lucida Grande">Am I an effect addict or what? :)</FONT></P> <BR class="Apple-interchange-newline"></BLOCKQUOTE></DIV><BR></DIV></DIV></BODY></HTML>
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From Loopers-Delight-request@loopers-delight.com  Thu Jun 29 04:15:43 2006
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Subject: Re: Thoughts on the Eclipse, Fireworx, G-Force, and PCM81
Date: Wed, 28 Jun 2006 22:15:37 -0600
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Hah hah...I tell you, I am really suffering mentally over this Reaktor 5 =
vs. Fireworx decision. I can buy either Reaktor and MAX/MSP together (so =
Jeff will finally stop nagging me to get it :) ) or the Fireworx.  =
Ultimately I will have both, but I'm deciding for the short =
term...painful, very painful.  Having both a rack system and a laptop =
system has inflicted me with a radical case of multiple personality =
disorder.  I have this beautiful looping unit (Looperlative) and two =
VF1s in my rack, and then a super screamin' new laptop with tons of =
VSTs, Mobius working perfectly, etc.  What have I done to myself.....

K-
  ----- Original Message -----=20
  From: David Coffin=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Wednesday, June 28, 2006 10:04 PM
  Subject: Re: Thoughts on the Eclipse, Fireworx, G-Force, and PCM81


  I should hope so; how else are you going to justify this?
  Enjoy:)
  dc




  On Jun 28, 2006, at 8:49 PM, Krispen Hartung wrote:


    Am I an effect addict or what? :)





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<META content=3D"MSHTML 6.00.2900.2912" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY=20
style=3D"WORD-WRAP: break-word; khtml-nbsp-mode: space; =
khtml-line-break: after-white-space"=20
bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Hah hah...I tell you, I am really =
suffering=20
mentally over this Reaktor 5 vs. Fireworx decision. I can buy either =
Reaktor and=20
MAX/MSP together (so Jeff will finally stop nagging me to get it :) ) or =
the=20
Fireworx.&nbsp; Ultimately I will have both, but I'm deciding for the =
short=20
term...painful, very painful.&nbsp; Having both a rack system and a =
laptop=20
system has inflicted me with a radical case of multiple personality=20
disorder.&nbsp; I have this beautiful looping unit (Looperlative) and =
two VF1s=20
in my rack, and then a super screamin' new laptop with tons of VSTs, =
Mobius=20
working perfectly, etc.&nbsp; What have I done to =
myself.....</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>K-</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Ddpcoffin@earthlink.net =
href=3D"mailto:dpcoffin@earthlink.net">David=20
  Coffin</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, June 28, 2006 =
10:04=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Thoughts on the =
Eclipse,=20
  Fireworx, G-Force, and PCM81</DIV>
  <DIV><BR></DIV>I should hope so; how else are you going to justify =
this?
  <DIV>Enjoy:)
  <DIV>dc</DIV>
  <DIV><BR class=3Dkhtml-block-placeholder></DIV>
  <DIV><BR>
  <DIV>
  <DIV>On Jun 28, 2006, at 8:49 PM, Krispen Hartung wrote:</DIV><BR=20
  class=3DApple-interchange-newline>
  <BLOCKQUOTE type=3D"cite">
    <P style=3D"MARGIN: 0px"><FONT style=3D"FONT: 14px Lucida Grande"=20
    face=3D"Lucida Grande" size=3D4>Am I an effect addict or what? =
:)</FONT></P><BR=20
    =
class=3DApple-interchange-newline></BLOCKQUOTE></DIV><BR></DIV></DIV></BL=
OCKQUOTE></BODY></HTML>

------=_NextPart_000_1197_01C69B00.621338D0--


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From: Matthew F.McCabe <mmccabe@finleysound.com>
Subject: Re: All Access/Echoplex/Prophesy
Date: Wed, 28 Jun 2006 21:19:44 -0700
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On Jun 25, 2006, at 8:22 AM, Donearlsto@aol.com wrote:

>  The Rocktron guy claims that whenever I select a Preset button the=20
> information form all the Instant Access switches is sent at the same=20=

> time, and that this is the source of my problem.=A0 He also says there=20=

> is no way to avoid this.=A0=A0 This doesn't make sense to me, but he=20=

> claims that it is impossible to select a present button and send only=20=

> the information programmed to that Preset if you want to have access=20=

> to the Instant Access switches.=A0 I am sincerely hoping this is not =
the=20
> case.=A0 Otherwise I will have to investigate some of the other modes,=20=

> like "Song" mode I suppose.

He's wrong.  If that was true, every time I change presets on the All=20
Access my EPD would start recording!  It doesn't.

> At any rate, I still have the same problem as before, but have since=20=

> discovered that the Echoplex will only respond to the All Access=20
> Preset buttons strangely (which I DON'T want it to do) when it is in=20=

> certain configurations.=A0=A0 I haven't figured it all out, but thus =
far I=20
> have determined that if I have overdubbed anything, or have cleared=20
> the loop with a long press I am in danger, but if the echoplex has=20
> never recorded anything, I am safe.=A0
>  So far I can avoid it most of the time by hitting a few extra button=20=

> presses.=A0 Or I end up hitting the undo button and getting unwanted=20=

> sounds.=A0 It still seems like there is something funky going on =
though,=20
> so let me know if you have any other ideas.

I would double check that you have the CC info in the All Access=20
correct.  I was having the same problem with my EDP behaving strangely,=20=

but only after certain commands.  It turned out that I was using the=20
wrong Virtual Button/Direct MIDI info.  For instance, I really wanted=20
LongUNDO, yet I had programmed UNDO.  Also, make sure you've programmed=20=

every Instant Access switch with On =3D 1 and Off =3D 0 for the CC info. =
=20
If you don't do this, I believe the EPD waits for the next Off message,=20=

which in this case would be the On message from the next Instant Access=20=

switch you press!  Hope that makes sense.

Matt

--Apple-Mail-2--698590743
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On Jun 25, 2006, at 8:22 AM, Donearlsto@aol.com wrote:


<excerpt><fontfamily><param>Geneva</param><smaller> The Rocktron guy
claims that whenever I select a Preset button the information form all
the Instant Access switches is sent at the same time, and that this is
the source of my problem.=A0 He also says there is no way to avoid
this.=A0=A0 This doesn't make sense to me, but he claims that it is
impossible to select a present button and send only the information
programmed to that Preset if you want to have access to the Instant
Access switches.=A0 I am sincerely hoping this is not the case.=A0
Otherwise I will have to investigate some of the other modes, like
"Song" mode I suppose. </smaller></fontfamily>

</excerpt>

He's wrong.  If that was true, every time I change presets on the All
Access my EPD would start recording!  It doesn't. =20


<excerpt><fontfamily><param>Geneva</param><smaller>At any rate, I
still have the same problem as before, but have since discovered that
the Echoplex will only respond to the All Access Preset buttons
strangely (which I DON'T want it to do) when it is in certain
configurations.=A0=A0 I haven't figured it all out, but thus far I have
determined that if I have overdubbed anything, or have cleared the
loop with a long press I am in danger, but if the echoplex has never
recorded anything, I am safe.=A0 </smaller></fontfamily>

<fontfamily><param>Geneva</param><smaller> So far I can avoid it most
of the time by hitting a few extra button presses.=A0 Or I end up
hitting the undo button and getting unwanted sounds.=A0 It still seems
like there is something funky going on though, so let me know if you
have any other ideas. </smaller></fontfamily>

</excerpt>

I would double check that you have the CC info in the All Access
correct.  I was having the same problem with my EDP behaving
strangely, but only after certain commands.  It turned out that I was
using the wrong Virtual Button/Direct MIDI info.  For instance, I
really wanted LongUNDO, yet I had programmed UNDO.  Also, make sure
you've programmed every Instant Access switch with On =3D 1 and Off =3D =
0
for the CC info.  If you don't do this, I believe the EPD waits for
the next Off message, which in this case would be the On message from
the next Instant Access switch you press!  Hope that makes sense.


Matt


--Apple-Mail-2--698590743--

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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: Thoughts on the Eclipse, Fireworx, G-Force, and PCM81
Date: Wed, 28 Jun 2006 21:21:47 -0700
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On Jun 28, 2006, at 9:15 PM, Krispen Hartung wrote:

> Hah hah...I tell you, I am really suffering mentally over this Reaktor=20=

> 5 vs. Fireworx decision. I can buy either Reaktor and MAX/MSP together=20=

> (so Jeff will finally stop nagging me to get it :) )

GET MAX. NOW.

(oops, sorry, am I shouting.....)

:-)



Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com =95 AngryVegan.com

From Loopers-Delight-request@loopers-delight.com  Thu Jun 29 04:23:31 2006
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From: Matthew F.McCabe <mmccabe@finleysound.com>
Subject: Re: 10 year's anniversary of Looper's Delight ?
Date: Wed, 28 Jun 2006 21:23:25 -0700
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Ironically, 2 days ago I found a printed hardcopy of the email Kim sent 
me announcing the list was live!!  Of course I recycled it, thinking it 
would be silly to mention it on the list.  Alas.

---
King Never
http://www.kingnever.com

On Jun 28, 2006, at 4:56 AM, Bernhard Wagner wrote:

>
> Sunday, September, 1st 1996 at 23:34:23 -0700 (PDT) the first post 
> message
> ever was posted to LD by Matthew F. McCabe aka King Never:
> http://loopers-delight.com/LDarchive/199609/msg00000.html
>
> September 1st, 2006 will be 10 year's anniversary of Looper's Delight.
>
> How about some celebration and apposite looping madnesssss?!
>
> Bernhard
> http://nosuch.biz
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Jun 29 04:27:19 2006
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Date: Thu, 29 Jun 2006 00:27:13 -0400
Subject: Re: Thoughts on the Eclipse, Fireworx, G-Force, and PCM81
From: Todd Reynolds <toddreyn@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
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I was just with one of my Max gurus tonite and we were talking about how
Reaktor and Max talk together.

We quickly built a  little stupid vst host in max, took 3 minutes, and then
opened some NI stuff in it, like spektral delay.  VST wise, it behaves very
well.  Presets and everything.

This is more than I can say for how the PSP stuff, for instance, with how
their writing interfaces with Max.

But, yeah, Krispen.  Just get it.  You won't be sorry... Or instead...

DOWNLOAD THE FULLY FUNCTIONING 30 DAY DEMO!

And call jeff.

All best,

Todd




On 6/29/06 12:21 AM, "Jeff Kaiser" <loopersdelight@pfmentum.com> wrote:

>=20
> On Jun 28, 2006, at 9:15 PM, Krispen Hartung wrote:
>=20
>> Hah hah...I tell you, I am really suffering mentally over this Reaktor
>> 5 vs. Fireworx decision. I can buy either Reaktor and MAX/MSP together
>> (so Jeff will finally stop nagging me to get it :) )
>=20
> GET MAX. NOW.
>=20
> (oops, sorry, am I shouting.....)
>=20
> :-)
>=20
>=20
>=20
> Jeff Kaiser
> http://www.jeffkaisermusic.com
> pfMENTUM.com =80 AngryVegan.com
>=20

---------------------------------------------------------------------------=
-
-----
=B3Virtue is just repression waiting to go bad=B2 - Trevor Exter

=B3Classical music is related to the past more than it is related to the
creative part of sound=B2 - Ornette Coleman
---------------------------------------------------------------------------=
-
------=20
Todd Reynolds
42-09 47th Ave 1C
Sunnyside, NY  11104
=20
Ph.    718 392-3773
Mob.   917 576-6166
Fax    419 781-5502
=20
http://www.toddreynolds.com


todd@toddreynolds.com
9175766166@vtext.com (155 characters or less)
AIM ID: toddreyn




From Loopers-Delight-request@loopers-delight.com  Thu Jun 29 04:33:53 2006
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From: David Coffin <dpcoffin@earthlink.net>
Subject: Re: Thoughts on the Eclipse, Fireworx, G-Force, and PCM81
Date: Wed, 28 Jun 2006 21:33:45 -0700
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Whoa!!
Both R5 and Max have SERIOUS learning curves, esp. Max.
Even if you eventually want to have and use both, tackling them both =20
at the same time sounds like a BAD idea. Why not think: getting =20
FireworX and EITHER R5 or Max =3D getting an Eclipse?
Either way, you KNOW you=92ll be buying more toys later anyway.
dc


On Jun 28, 2006, at 9:15 PM, Krispen Hartung wrote:

> I can buy either Reaktor and MAX/MSP together


--Apple-Mail-3--697750361
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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">Whoa!!<DIV>Both R5 and Max have =
SERIOUS learning curves, esp. Max.=A0<DIV>Even if you eventually want to =
have and use both, tackling them both at the same time sounds like a BAD =
idea. Why not think: getting FireworX and EITHER R5 or Max =3D getting =
an Eclipse?=A0</DIV><DIV>Either way, you KNOW you=92ll be buying more =
toys later anyway.</DIV><DIV>dc</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR><DIV><DIV>On Jun 28, =
2006, at 9:15 PM, Krispen Hartung wrote:</DIV><BR =
class=3D"Apple-interchange-newline"><BLOCKQUOTE type=3D"cite"><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Lucida =
Grande; font-size: 14px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
text-align: auto; -khtml-text-decorations-in-effect: none; text-indent: =
0px; -apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><FONT face=3D"Arial" =
size=3D"2"><SPAN class=3D"Apple-style-span" style=3D"font-family: Arial; =
font-size: 11px; ">I can buy either Reaktor and MAX/MSP =
together</SPAN></FONT></SPAN></BLOCKQUOTE></DIV><BR></DIV></DIV></BODY></H=
TML>=

--Apple-Mail-3--697750361--

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From: Jeff Shirkey <jcshirke@midway.uchicago.edu>
Subject: Re: Thoughts on the Eclipse, Fireworx, G-Force, and PCM81
Date: Wed, 28 Jun 2006 23:36:49 -0500
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> I have been reading a lot of reviews on the Eclipse and Fireworx.  
> Oddly, there appear to be a lot of mixed reviews on the Eclipse for  
> it lack of flexibility,

What is it lacking in flexibility? Do you want to build your own  
reverb (etc.)? Does the Eclipse not give you enough fx that you know  
you will use? And what reviews are you reading, H-C?

> ability to load only two algorithms, etc.

Right, but what can you *do* with those algorithms? Quite a bit, I'd  
say.

>
> ****************************
> 1. Eventide Eclipse: You cannot create algorithms.

True.  You can only do that on the higher end, open platform  
processors. Do you know how many times I've created my own algorithms  
in my H8000? Zero. That's not to say that I won't want to do it  
someday, but it's not a high priority. Do I really need to build my  
own chorus, for instance, from the ground up? Eventide has some  
mighty good choruses sitting there for me to tweak. I am interested  
in creating my own presets using the open architecture of the H8000  
by combining different fx. But I would cut and paste those effects  
into a new preset. It's not like I will try to build my own Leslie,  
or chorus--or whatever. At least not just yet.

>

> in my experience, the stability is not as good.

Did the person writing that review have the latest OS? I tend to  
doubt it.

> Support is OK,

Support is excellent. Yes, Italo is an Eventide true believer, and,  
yes, he can be defensive sometimes. But if you want to learn your  
Eventide unit, there's not a question in the world he won't answer  
for you--and usually within just a few minutes. Hell, he once called  
me from Italy *on his nickel*. I'd say that's pretty good support.  
And he's not the *only* support person. If you phone Eventide, they  
are happy to help you out. Italo is the main support person because  
he runs the internet list and because...well...it's his job.

I guess all I'm saying is don't give up on the Eventide just yet.

What matters most to you? Sound quality? If so, go with the Eclipse.  
If the flexibility of the Fireworx turns you on more, then go with  
that. But the Eclipse is still very flexible, based on what I know  
about them and from what I hear from friends who own them. Like I  
said, I own a different Eventide, but I've been privy to enough  
Eclipse chatter to have a fairly informed opinion about the unit  
overall.

Jeff

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Subject: Re: Thoughts on the Eclipse, Fireworx, G-Force, and PCM81
Date: Wed, 28 Jun 2006 22:41:32 -0600
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Well, with MAX/MSP, I don't plan on doing any serious programming at the =
outset, just hosting my current VST effects and Reaktor 5, plus Mobius. =
I can manage that, and I learn really fast. Then I can start thinking =
about creating my own VST effects....I'm sure for some time I'll be =
testing out all the hundreds of Reaktor ensemble effects.

Surely the learning curve just to use MAX/MSP as a VST host is not that =
great....????

By the way, Jeff (Larsen), have you tested Mobius in MAX/MSP? I guess I =
should validate that first.

Kris

  ----- Original Message -----=20
  From: David Coffin=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Wednesday, June 28, 2006 10:33 PM
  Subject: Re: Thoughts on the Eclipse, Fireworx, G-Force, and PCM81


  Whoa!!
  Both R5 and Max have SERIOUS learning curves, esp. Max.=20
  Even if you eventually want to have and use both, tackling them both =
at the same time sounds like a BAD idea. Why not think: getting FireworX =
and EITHER R5 or Max =3D getting an Eclipse?=20
  Either way, you KNOW you=92ll be buying more toys later anyway.
  dc




  On Jun 28, 2006, at 9:15 PM, Krispen Hartung wrote:


    I can buy either Reaktor and MAX/MSP together


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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Dwindows-1252">
<META content=3D"MSHTML 6.00.2900.2912" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY=20
style=3D"WORD-WRAP: break-word; khtml-nbsp-mode: space; =
khtml-line-break: after-white-space"=20
bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Well, with MAX/MSP, I don't plan on =
doing any=20
serious programming at the outset, just hosting my current VST effects =
and=20
Reaktor 5, plus Mobius. I can manage that, and I learn really fast. Then =
I can=20
start thinking about creating my own VST effects....I'm sure for some =
time I'll=20
be testing out all the hundreds of Reaktor ensemble =
effects.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Surely the learning curve just to use =
MAX/MSP as a=20
VST host is not that great....????</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>By the way, Jeff (Larsen), have you =
tested Mobius=20
in MAX/MSP? I guess I should validate that first.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Ddpcoffin@earthlink.net =
href=3D"mailto:dpcoffin@earthlink.net">David=20
  Coffin</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, June 28, 2006 =
10:33=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Thoughts on the =
Eclipse,=20
  Fireworx, G-Force, and PCM81</DIV>
  <DIV><BR></DIV>Whoa!!
  <DIV>Both R5 and Max have SERIOUS learning curves, esp. Max.&nbsp;
  <DIV>Even if you eventually want to have and use both, tackling them =
both at=20
  the same time sounds like a BAD idea. Why not think: getting FireworX =
and=20
  EITHER R5 or Max =3D getting an Eclipse?&nbsp;</DIV>
  <DIV>Either way, you KNOW you=92ll be buying more toys later =
anyway.</DIV>
  <DIV>dc</DIV>
  <DIV><BR class=3Dkhtml-block-placeholder></DIV>
  <DIV><BR>
  <DIV>
  <DIV>On Jun 28, 2006, at 9:15 PM, Krispen Hartung wrote:</DIV><BR=20
  class=3DApple-interchange-newline>
  <BLOCKQUOTE type=3D"cite"><SPAN class=3DApple-style-span=20
    style=3D"WORD-SPACING: 0px; FONT: 14px Lucida Grande; =
TEXT-TRANSFORM: none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: =
normal; LETTER-SPACING: normal; BORDER-COLLAPSE: separate; =
border-spacing: 0px 0px; khtml-text-decorations-in-effect: none; =
apple-text-size-adjust: auto; orphans: 2; widows: 2"><FONT=20
    face=3DArial size=3D2><SPAN class=3DApple-style-span=20
    style=3D"FONT-SIZE: 11px; FONT-FAMILY: Arial">I can buy either =
Reaktor and=20
    MAX/MSP=20
together</SPAN></FONT></SPAN></BLOCKQUOTE></DIV><BR></DIV></DIV></BLOCKQU=
OTE></BODY></HTML>

------=_NextPart_000_11DD_01C69B04.00FFB3D0--


From Loopers-Delight-request@loopers-delight.com  Thu Jun 29 04:45:33 2006
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From: David Coffin <dpcoffin@earthlink.net>
Subject: Re: Thoughts on the Eclipse, Fireworx, G-Force, and PCM81
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If that=92s all you want, why not hire Jeff to build your Max-based =20
host, and run that using the free run-time version of Max?
A LOT of $$ if you=92re not going to go nuts with it...
dc


On Jun 28, 2006, at 9:41 PM, Krispen Hartung wrote:

> Well, with MAX/MSP, I don't plan on doing any serious programming =20
> at the outset, just hosting my current VST effects and Reaktor 5, =20
> plus Mobius.


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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">If that=92s all you want, why =
not hire Jeff to build your Max-based host, and run that using the free =
run-time version of Max?<DIV>A LOT of $$ if you=92re not going to go =
nuts with it...</DIV><DIV>dc</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR><DIV><DIV>On Jun 28, =
2006, at 9:41 PM, Krispen Hartung wrote:</DIV><BR =
class=3D"Apple-interchange-newline"><BLOCKQUOTE type=3D"cite"><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Lucida =
Grande; font-size: 14px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
text-align: auto; -khtml-text-decorations-in-effect: none; text-indent: =
0px; -apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><FONT face=3D"Arial" =
size=3D"2"><SPAN class=3D"Apple-style-span" style=3D"font-family: Arial; =
font-size: 11px; ">Well, with MAX/MSP, I don't plan on doing any serious =
programming at the outset, just hosting my current VST effects and =
Reaktor 5, plus =
Mobius.</SPAN></FONT></SPAN></BLOCKQUOTE></DIV><BR></DIV></BODY></HTML>=

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From Loopers-Delight-request@loopers-delight.com  Thu Jun 29 05:04:36 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: Thoughts on the Eclipse, Fireworx, G-Force, and PCM81
Date: Wed, 28 Jun 2006 22:04:33 -0700
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kris,

download the demo...we'll go over it next week when I'm in Boise and=20
you can report on it then.....don't pay anything yet.....

cheers,

jeff



Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com =95 AngryVegan.com


On Jun 28, 2006, at 9:45 PM, David Coffin wrote:

> If that=92s all you want, why not hire Jeff to build your Max-based=20
> host, and run that using the free run-time version of Max?
> A LOT of $$ if you=92re not going to go nuts with it...
> dc
>
>
> On Jun 28, 2006, at 9:41 PM, Krispen Hartung wrote:
>
>> Well, with MAX/MSP, I don't plan on doing any serious programming at=20=

>> the outset, just hosting my current VST effects and Reaktor 5, plus=20=

>> Mobius.=

From Loopers-Delight-request@loopers-delight.com  Thu Jun 29 07:30:49 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Jeff Kaiser and Andrew Pask...Loopage in CA...
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Gigs in Ventura, Los Angeles and, ummmmm.....Bakersfield?!

The Choir Boys celebrate their new CD!
(Jeff Kaiser, trumpet and electronics; Andrew Pask, woodwinds and=20
electronics)
http://www.trippyhorns.com/

(first set: Kris Tiner, trumpet and Mike Baggetta, guitar)
http://kristiner.com/

Micro Tour!

Friday
June 30, 2006
8pm
Zoey's Caf=E9
451 E. Main St.
Ventura, CA 93001
www.zoeyscafe.com
Also: The Choir Boys

Saturday
July 1, 2006
8pm
Caf=E9 Metropol
923 East 3rd St.
Downtown Artist District
Los Angeles, CA 90013
www.cafemetropol.com
www.roccoinla.com

Monday
July 3, 2006
5:30pm
Dagny's Coffee Co.
1600 20th St. @ Eye St.
Bakersfield, CA
(661) 634.0806
free admission
www.dagnysdowntown.com

best,

Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com =95 AngryVegan.com=

From Loopers-Delight-request@loopers-delight.com  Thu Jun 29 08:38:01 2006
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kris asked:
"Sounds fun, Rick. Are you playing guitar? Bass?"

Yes,  I am ,   kris.           I will be playing prepared guitar and then
I am on this kick lately to process a guitar with really cheesy childrens
toys and toy processors...............I've found toy voice changers,  toy 
pitch shifters,
megaphones,  amplifiers that distort wonderfully, etc.

I'm looking forward to it.    I've always wanted to unleash a weird all 
guitar
CD or EP on the world....................who knows..........this weekend 
might be the
start of a beautiful (or terrible) thing.............lol.

wish you could come play.

Rick 

From Loopers-Delight-request@loopers-delight.com  Thu Jun 29 08:47:20 2006
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Subject: Re: Mini Guitar Looping Festival: SUNDAY, JULY 2nd:  MASSIMO LIVERANI and the Brother's WALKER
Date: Thu, 29 Jun 2006 01:47:29 -0700
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Good grief, you guys...................if you are going to use up
a dozen L.D. emails discussing obscure performances by the band PHISH,
could you please change the thread name.

My ego is completely deflated opening up all these thread replies about our 
concert this
coming Sunday and finding noone's even thinking about it.

I'm being facetious about the ego deflation but try to think of future
researchers combing the archives of Loopers Delight.

You at least one all those PHISH fans to be able to find these scintillating 
discussions.

rick

ps   my email fucked up and I accidentally sent out the message four 
different times to the list.
I"m sooooooo sorry about that pollution. 

From Loopers-Delight-request@loopers-delight.com  Thu Jun 29 09:15:36 2006
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To: <Loopers-Delight@loopers-delight.com>
Subject: AW: Thoughts on the Eclipse, Fireworx, G-Force, and PCM81
Date: Thu, 29 Jun 2006 11:15:32 +0200
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I'd like to chime in here, 'cause Kris might very vell be referring to a
text written by me here...:

> > I have been reading a lot of reviews on the Eclipse and Fireworx.  
> > Oddly, there appear to be a lot of mixed reviews on the 
> Eclipse for it 
> > lack of flexibility,
> 
> What is it lacking in flexibility? Do you want to build your 
> own reverb (etc.)? Does the Eclipse not give you enough fx 
> that you know you will use? And what reviews are you reading, H-C?

You can only load a maximum of two algorithms at once, and you can't
feedback between those two algorithms. True, you can do completely crazy
stuff with those algorithms, but it's rather counter-intuitive to have to go
through a list of hundreds of algorithms to find which ones to select to get
a combination of two pitch shifters, four delays and two chorusses.

What really pisses me off is the fact that the manual tells you that "some
algorithms can't be loaded together", but doesn't tell you which ones!

Personally, I never wrote audio algorithms myself (meaning writing DSP code
or something), but I like to work on an abstraction level one step below
that of the Eclipse: put together lots of small building blocks instead of
two big ones. The approach of the FireworX, the Nord Modular G2 (which I
believe would also be excellent as an effects processor if you can live with
the fact that it doesn't have any UI) and the Kurzweil KSP8.

A few of the deficits of the Eclipse are smaller details: maximum LFO sync
cycle time is one bar. Reverse delays only work to a length of one bar when
MIDI-synced. Hard bypass only affects the XLR connectors. 

> > in my experience, the stability is not as good.
> 
> Did the person writing that review have the latest OS? I tend to  
> doubt it.

I got this thing with OS 2.50 and never had any problems. Upon upgrading to
3.00 (which according to eventide's website is "the latest OS"), I sometimes
experienced the following: upon loading one of my own patches, the unit
would simply freeze. Power reset worked around this problem. It never
happened when loading factory patches or at another time than when loading
patches. And it hasn't happened for a long time.

There are a lot of great things about the Eclipse as well. A decimal
keyboard, the multitude of connectors, great sound quality and some very
interesting algorithms for crazy stuff are only some. If I was to compare
hardware effect processors in roughly the price range discussed, it would
be:

FireworX: Quite flexible and good UI for an acceptable price. Lacks some
processing power. Great for completely whacky stuff.
Eclipse: Problems - see above. Best pitch shifters of the batch.
Kurzweil KSP8: most expensive of the batch. Most flexible choice of reverbs.
Very flexible system structure, very powerful. DOESN'T HAVE ANY PITCH
SHIFTERS.
Nord Modular G2 Engine: very powerful, very flexible, cheapest of the batch.
Would be my choice if I could live with the fact that it doesn't have a UI
whatsoever. Or you could get the keyboard version (still cheaper than an
Eclipse).

	Rainer

From Loopers-Delight-request@loopers-delight.com  Thu Jun 29 09:43:39 2006
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From: "Stephen Goodman" <spgoodman@earthlight.net>
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References: <22351.62.2.75.66.1151495782.squirrel@webmail.perspectix.com><0ede01c69abe$dc6ef200$0cb1ec0f@americas.hpqcorp.net><00f601c69ad1$3ec33260$e701a8c0@pcfabio><0f6101c69ad2$b4470240$0cb1ec0f@americas.hpqcorp.net> <20060628132840.g2zio0ul1c0kokks@www.wightman.ca> <000601c69b24$118080c0$0200a8c0@raulb3d53f8e09> <112f01c69b26$82075920$0cb1ec0f@americas.hpqcorp.net>
Subject: Re: 10 year's anniversary of Looper's Delight ?
Date: Thu, 29 Jun 2006 10:43:18 +0100
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But my Zoom's loop for 32 seconds!  Waaah!

----- Original Message ----- 
From: "Krispen Hartung" <khartung@cableone.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, 29 June, 2006 03:48 AM
Subject: Re: 10 year's anniversary of Looper's Delight ?


> No criteria, except loop for 30 seconds.
>
> kris
>
> ----- Original Message ----- 
> From: "raul bonell" <RAULBONELL@telefonica.net>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Wednesday, June 28, 2006 8:31 PM
> Subject: Re: 10 year's anniversary of Looper's Delight ?
>
>
>> Count me in!
>> I'll upload that bite soon.
>>
>> What criteria for the the whole sequence to follow, Kris?
>>
>> Raül.
>>
>> The Playing Orchestra: http://www.telefonica.net/web2/tpo
>> Chain Tape Collective: http://www.ct-collective.com
>>
>
>
>
>
>
> 

From Loopers-Delight-request@loopers-delight.com  Thu Jun 29 10:42:56 2006
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Date: Thu, 29 Jun 2006 06:41:43 -0400
From: Bill Fox <billyfox@soundscapes.us>
Subject: Listen to Afterglow, Galactic Travels, and The AM/FM Show
To: undisclosed-recipients: ;
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AFTERGLOW ON WMUH:                               
http://soundscapes.us/afterglow
================================================================================
Afterglow airs from 8:00 am to 9:30 am every Thursday morning.  Tune in 
for a
delightful mix of eclectic musical genres including a healthy dose of
Progressive Rock.  Tune in at 91.7 FM or on the internet at:
http://www.muhlenberg.edu/wmuh


GALACTIC TRAVELS ON WDIY:                            
http://wdiy.org/programs/gt
================================================================================
Tonight at 11 pm on Galactic Travels, I'll continue the month-long 
Special Focus
on Palancar.  The Featured CD at Midnight will be the "Elysium 
Planitita." For
details, see the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2006/focus.html#jun

Galactic Travels is an electronic, ambient, and space music show that 
airs each
Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, 93.9 FM 
in Easton
and Phillipsburg, 93.7 FM in Fogelsville and Trexlertown, 92.9 FM on Service
Electric Cable, and on the internet.  WDIY now simulcasts on WXLV on 
90.3 FM in
Schnecksville, Pennsylvania.

THE AM/FM SHOW ON WMUH:                               
http://soundscapes.us/amfm
================================================================================
My next stint on the AM/FM Show will be Saturday, July 1 at 6:00 am.  I will
continue the special on E-dition Electronic Music Magazine's sampler CDs.

Tune in to WMUH Allentown at 91.7 FM, broadcasting from the campus of 
Muhlenberg
College.  I alternate hosting the show with Bruce.  When I am at the 
helm, the
show features electronic, ambient, and spacemusic at the beginning, an 
eclectic
mix of genres in the middle, and winds up with Progressive Rock.  WMUH's web
site is http://www.muhlenberg.edu/wmuh

All times are EDT / GMT-4.

From Loopers-Delight-request@loopers-delight.com  Thu Jun 29 10:47:02 2006
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Date: Thu, 29 Jun 2006 12:46:59 +0200
From: "nico spahni" <nicosp@gmx.net>
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Subject: Re: RV: Nico's Spahni - Ambient Guitar Landscapes 1
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Thanks for the kudos, Raul, I appreciate it. It was a good swap for me too so I don't want to miss the opportunity to promote your work. 

Everybody check out The Playing Orchestra featuring Raul Bonell on Warr Guitar:

http://www.telefonica.net/web2/tpo/download.html 

All the best,

Nico

-------- Original-Nachricht --------
Datum: Thu, 29 Jun 2006 04:49:08 +0200
Von: raul bonell <RAULBONELL@telefonica.net>
An: Loopers-Delight@loopers-delight.com
Betreff: RV: Nico\'s Spahni - Ambient Guitar Landscapes 1

> Hola a tots!
> 
> I'll suggest you all to check out nico's latest 'ambient guitar landscapes
> 1'. Yes, it's ambient and played with the most common instrument in this
> list, a guitar, but these improvisations have an inner force not so commonly
> found in this kind of productions. Nico's minimalistic approach to
> processing the guitar signal gives a result of emotive landscapes of sound that
> are clearly out of that genre i hate so much socalled 'new age'...   
> 
> Nice work Nico!
> 
> I think he's glad to exchange a CD copy for one of yours.
> You can find it here:
> 
> http://www.recpro.ch/
> 
> Cheers!,
> Raül.
> 
> The Playing Orchestra: http://www.telefonica.net/web2/tpo
> Chain Tape Collective: http://www.ct-collective.com

-- 


Echte DSL-Flatrate dauerhaft für 0,- Euro*!
"Feel free" mit GMX DSL! http://www.gmx.net/de/go/dsl

From Loopers-Delight-request@loopers-delight.com  Thu Jun 29 12:56:52 2006
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Date: Thu, 29 Jun 2006 08:56:39 EDT
Subject: Re: All Access/Echoplex/Prophesy
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I knew he was wrong, but how do you tell the tech support guy that?...and=20
still get help.   Plus, at that point, I couldn't prove it.

Anyway, the confusing part for me was that I had checked all the CC=20
information, and nothing was being sent in this manner.    Turns out, howeve=
r, that the=20
Rocktron guy was partially right.   All the Midi information from Virtual=20
buttons is sent whenever a new preset button is pressed IF the Instant Acces=
s=20
Switches are set to Momentary or Latching.   Mine where set to Momentary, wh=
ich I=20
had assumed to be best.   Anyway   it was a problem with my switch settings=20
on the All Access    I changed the switches from Momentary to "hold" which=20
makes the switches act as momentary, but doesn't send Midi information when=20=
I=20
change a patch.   Exactly what I needed. Problem solved!

Thanks again to all who helped on and off list,=20

Donovan Stokes
www.donovanstokes.com
In a message dated 6/29/06 12:20:25 AM, mmccabe@finleysound.com writes:


> He's wrong.=A0 If that was true, every time I change presets on the All
> Access my EPD would start recording!=A0 It doesn't.
>=20
> > At any rate, I still have the same problem as before, but have since
> > discovered that the Echoplex will only respond to the All Access
> > Preset buttons strangely (which I DON'T want it to do) when it is in
> > certain configurations.=A0=A0 I haven't figured it all out, but thus far=
 I
> > have determined that if I have overdubbed anything, or have cleared
> > the loop with a long press I am in danger, but if the echoplex has
> > never recorded anything, I am safe.=A0
> >=A0 So far I can avoid it most of the time by hitting a few extra button
> > presses.=A0 Or I end up hitting the undo button and getting unwanted
> > sounds.=A0 It still seems like there is something funky going on though,
> > so let me know if you have any other ideas.
>=20
> I would double check that you have the CC info in the All Access
> correct.=A0 I was having the same problem with my EDP behaving strangely,
> but only after certain commands.=A0 It turned out that I was using the
> wrong Virtual Button/Direct MIDI info.=A0 For instance, I really wanted
> LongUNDO, yet I had programmed UNDO.=A0 Also, make sure you've programmed
> every Instant Access switch with On =3D 1 and Off =3D 0 for the CC info.=
=A0
> If you don't do this, I believe the EPD waits for the next Off message,
> which in this case would be the On message from the next Instant Access
> switch you press!=A0 Hope that makes sense.
>=20
>=20


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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2">I knew he was wrong, but how do you tel=
l the tech support guy that?...and still get help.&nbsp;  Plus, at that poin=
t, I couldn't prove it.<BR>
<BR>
Anyway, the confusing part for me was that I had checked all the CC informat=
ion, and nothing was being sent in this manner.&nbsp;&nbsp;  Turns out, howe=
ver, that the Rocktron guy was partially right.&nbsp;  All the Midi informat=
ion from Virtual buttons is sent whenever a new preset button is pressed IF=20=
the Instant Access Switches are set to Momentary or Latching.&nbsp;  Mine wh=
ere set to Momentary, which I had assumed to be best.&nbsp;  Anyway&nbsp;  i=
t was a problem with my switch settings on the All Access&nbsp;&nbsp;  I cha=
nged the switches from Momentary to "hold" which makes the switches act as m=
omentary, but doesn't send Midi information when I change a patch.&nbsp;  Ex=
actly what I needed. Problem solved!<BR>
<BR>
Thanks again to all who helped on and off list, <BR>
<BR>
Donovan Stokes<BR>
www.donovanstokes.com<BR>
In a message dated 6/29/06 12:20:25 AM, mmccabe@finleysound.com writes:<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">He's wrong.=A0 If tha=
t was true, every time I change presets on the All<BR>
Access my EPD would start recording!=A0 It doesn't.<BR>
<BR>
&gt; At any rate, I still have the same problem as before, but have since<BR=
>
&gt; discovered that the Echoplex will only respond to the All Access<BR>
&gt; Preset buttons strangely (which I DON'T want it to do) when it is in<BR=
>
&gt; certain configurations.=A0=A0 I haven't figured it all out, but thus fa=
r I<BR>
&gt; have determined that if I have overdubbed anything, or have cleared<BR>
&gt; the loop with a long press I am in danger, but if the echoplex has<BR>
&gt; never recorded anything, I am safe.=A0<BR>
&gt;=A0 So far I can avoid it most of the time by hitting a few extra button=
<BR>
&gt; presses.=A0 Or I end up hitting the undo button and getting unwanted<BR=
>
&gt; sounds.=A0 It still seems like there is something funky going on though=
,<BR>
&gt; so let me know if you have any other ideas.<BR>
<BR>
I would double check that you have the CC info in the All Access<BR>
correct.=A0 I was having the same problem with my EDP behaving strangely,<BR=
>
but only after certain commands.=A0 It turned out that I was using the<BR>
wrong Virtual Button/Direct MIDI info.=A0 For instance, I really wanted<BR>
LongUNDO, yet I had programmed UNDO.=A0 Also, make sure you've programmed<BR=
>
every Instant Access switch with On =3D 1 and Off =3D 0 for the CC info.=A0<=
BR>
If you don't do this, I believe the EPD waits for the next Off message,<BR>
which in this case would be the On message from the next Instant Access<BR>
switch you press!=A0 Hope that makes sense.<BR>
<BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
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--part1_2e5.93c09fa.31d52807_boundary--

From Loopers-Delight-request@loopers-delight.com  Thu Jun 29 13:39:08 2006
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From: Jeffrey Larson <jeff@zonemobius.com>
Subject: Re: Thoughts on the Eclipse, Fireworx, G-Force, and PCM81
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On Jun 28, 2006, at 11:41 PM, Krispen Hartung wrote:
 > By the way, Jeff (Larsen), have you tested Mobius in MAX/MSP?

I have not, but one of the Yahoo group members uploaded a screenshot
of Mobius running in Max so I'm assuming it works.

Jeff

From Loopers-Delight-request@loopers-delight.com  Thu Jun 29 15:56:52 2006
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Subject: Re: Thoughts on the Eclipse, Fireworx, G-Force, and PCM81
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that is a brilliant idea. Thanks.

Kris

----- Original Message -----=20
  Why not think: getting FireworX and EITHER R5 or Max =3D getting an =
Eclipse?=20
  Either way, you KNOW you=92ll be buying more toys later anyway.
  dc




  On Jun 28, 2006, at 9:15 PM, Krispen Hartung wrote:


    I can buy either Reaktor and MAX/MSP together


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<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Dwindows-1252">
<META content=3D"MSHTML 6.00.2900.2912" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY=20
style=3D"WORD-WRAP: break-word; khtml-nbsp-mode: space; =
khtml-line-break: after-white-space"=20
bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>that is a brilliant idea. =
Thanks.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV>----- Original Message ----- </DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black">Why not=20
  think: getting FireworX and EITHER R5 or Max =3D getting an =
Eclipse?&nbsp;</DIV>
  <DIV>
  <DIV>Either way, you KNOW you=92ll be buying more toys later =
anyway.</DIV>
  <DIV>dc</DIV>
  <DIV><BR class=3Dkhtml-block-placeholder></DIV>
  <DIV><BR>
  <DIV>
  <DIV>On Jun 28, 2006, at 9:15 PM, Krispen Hartung wrote:</DIV><BR=20
  class=3DApple-interchange-newline>
  <BLOCKQUOTE type=3D"cite"><SPAN class=3DApple-style-span=20
    style=3D"WORD-SPACING: 0px; FONT: 14px Lucida Grande; =
TEXT-TRANSFORM: none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: =
normal; LETTER-SPACING: normal; BORDER-COLLAPSE: separate; =
border-spacing: 0px 0px; khtml-text-decorations-in-effect: none; =
apple-text-size-adjust: auto; orphans: 2; widows: 2"><FONT=20
    face=3DArial size=3D2><SPAN class=3DApple-style-span=20
    style=3D"FONT-SIZE: 11px; FONT-FAMILY: Arial">I can buy either =
Reaktor and=20
    MAX/MSP=20
together</SPAN></FONT></SPAN></BLOCKQUOTE></DIV><BR></DIV></DIV></BLOCKQU=
OTE></BODY></HTML>

------=_NextPart_000_1212_01C69B62.55CE1FB0--


From Loopers-Delight-request@loopers-delight.com  Thu Jun 29 15:59:11 2006
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Subject: Re: Thoughts on the Eclipse, Fireworx, G-Force, and PCM81
Date: Thu, 29 Jun 2006 09:59:08 -0600
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Will do.
----- Original Message ----- 
From: "Jeff Kaiser" <loopersdelight@pfmentum.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, June 28, 2006 11:04 PM
Subject: Re: Thoughts on the Eclipse, Fireworx, G-Force, and PCM81


kris,

download the demo...we'll go over it next week when I'm in Boise and
you can report on it then.....don't pay anything yet.....

cheers,

jeff



Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com • AngryVegan.com


On Jun 28, 2006, at 9:45 PM, David Coffin wrote:

> If that’s all you want, why not hire Jeff to build your Max-based host, 
> and run that using the free run-time version of Max?
> A LOT of $$ if you’re not going to go nuts with it...
> dc
>
>
> On Jun 28, 2006, at 9:41 PM, Krispen Hartung wrote:
>
>> Well, with MAX/MSP, I don't plan on doing any serious programming at the 
>> outset, just hosting my current VST effects and Reaktor 5, plus Mobius.


From Loopers-Delight-request@loopers-delight.com  Thu Jun 29 16:20:02 2006
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Subject: Re: Thoughts on the Eclipse, Fireworx, G-Force, and PCM81
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Thanks for anwering this question, Rainer. That was way out of my league.

Kris

----- Original Message ----- 
From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, June 29, 2006 3:15 AM
Subject: AW: Thoughts on the Eclipse, Fireworx, G-Force, and PCM81


> I'd like to chime in here, 'cause Kris might very vell be referring to a
> text written by me here...:
>
>> > I have been reading a lot of reviews on the Eclipse and Fireworx.
>> > Oddly, there appear to be a lot of mixed reviews on the
>> Eclipse for it
>> > lack of flexibility,
>>
>> What is it lacking in flexibility? Do you want to build your
>> own reverb (etc.)? Does the Eclipse not give you enough fx
>> that you know you will use? And what reviews are you reading, H-C?
>
> You can only load a maximum of two algorithms at once, and you can't
> feedback between those two algorithms. True, you can do completely crazy
> stuff with those algorithms, but it's rather counter-intuitive to have to 
> go
> through a list of hundreds of algorithms to find which ones to select to 
> get
> a combination of two pitch shifters, four delays and two chorusses.
>
> What really pisses me off is the fact that the manual tells you that "some
> algorithms can't be loaded together", but doesn't tell you which ones!
>
> Personally, I never wrote audio algorithms myself (meaning writing DSP 
> code
> or something), but I like to work on an abstraction level one step below
> that of the Eclipse: put together lots of small building blocks instead of
> two big ones. The approach of the FireworX, the Nord Modular G2 (which I
> believe would also be excellent as an effects processor if you can live 
> with
> the fact that it doesn't have any UI) and the Kurzweil KSP8.
>
> A few of the deficits of the Eclipse are smaller details: maximum LFO sync
> cycle time is one bar. Reverse delays only work to a length of one bar 
> when
> MIDI-synced. Hard bypass only affects the XLR connectors.
>
>> > in my experience, the stability is not as good.
>>
>> Did the person writing that review have the latest OS? I tend to
>> doubt it.
>
> I got this thing with OS 2.50 and never had any problems. Upon upgrading 
> to
> 3.00 (which according to eventide's website is "the latest OS"), I 
> sometimes
> experienced the following: upon loading one of my own patches, the unit
> would simply freeze. Power reset worked around this problem. It never
> happened when loading factory patches or at another time than when loading
> patches. And it hasn't happened for a long time.
>
> There are a lot of great things about the Eclipse as well. A decimal
> keyboard, the multitude of connectors, great sound quality and some very
> interesting algorithms for crazy stuff are only some. If I was to compare
> hardware effect processors in roughly the price range discussed, it would
> be:
>
> FireworX: Quite flexible and good UI for an acceptable price. Lacks some
> processing power. Great for completely whacky stuff.
> Eclipse: Problems - see above. Best pitch shifters of the batch.
> Kurzweil KSP8: most expensive of the batch. Most flexible choice of 
> reverbs.
> Very flexible system structure, very powerful. DOESN'T HAVE ANY PITCH
> SHIFTERS.
> Nord Modular G2 Engine: very powerful, very flexible, cheapest of the 
> batch.
> Would be my choice if I could live with the fact that it doesn't have a UI
> whatsoever. Or you could get the keyboard version (still cheaper than an
> Eclipse).
>
> Rainer
>
> 


From Loopers-Delight-request@loopers-delight.com  Thu Jun 29 16:54:17 2006
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From: David Coffin <dpcoffin@earthlink.net>
Subject: Re: Thoughts on the Eclipse, Fireworx, G-Force, and PCM81
Date: Thu, 29 Jun 2006 09:54:09 -0700
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I=92m kinda surprised that no one=92s responded to this idea:
Get Max/MSP aces to build what you need, or share what they=92ve =20
already built, and use these in Max=92s free runtime environment, at =20
least until you decide that you MUST get out your own hammers and =20
screwdrivers.

I=92m very fond of it, altho I=92ve never fully implemented it. I did =20=

once post a request on a Max forum for max developers regarding what =20
I thought was a simple project, after downloading the demo and =20
hitting a brick wall almost immediately with doing something on my =20
own. I got a LOT of responses from folks eager to help out for =20
reasonable dough. Unfortunately, the guy I settled on seems to have =20
not been able to make what I wanted after all, and the project ran =20
out of steam. But I still plan to try again someday. I like the =20
notion of sending a friendly/savvy someone who gets what I=92m about a =20=

few $$ now and then to build or tweak me a unique toy over dropping =20
+/-$500 on a tool I=92d need to spend months learning to use clumsily =20=

and really only want a few things from.

Anybody else getting joy out of runtime Max?
dc

(Sorry; can=92t resist asking Kris: What about Pluggo?? =93Max=94 fx =
fun....!)


> On Jun 28, 2006, at 9:41 PM, Krispen Hartung wrote:
>
>> Well, with MAX/MSP, I don't plan on doing any serious programming =20
>> at the outset, just hosting my current VST effects and Reaktor 5, =20
>> plus Mobius.
>


--Apple-Mail-7--653326246
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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; "><DIV>I=92m kinda surprised that =
no one=92s responded to this idea:=A0</DIV><DIV>Get Max/MSP aces to =
build what you need, or share what they=92ve already built, and use =
these in Max=92s free runtime environment, at least until you decide =
that you MUST get out your own hammers and screwdrivers.=A0</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>I=92m very fond of =
it,=A0altho I=92ve never fully implemented it. I did once post a request =
on a Max forum for max developers regarding what I thought was a simple =
project, after downloading the demo and hitting a brick wall almost =
immediately with doing something on my own. I got a LOT of responses =
from folks eager to help out for reasonable dough. Unfortunately, the =
guy I settled on seems to have not been able to make what I wanted after =
all, and the project ran out of steam. But I still plan to try again =
someday. I like the notion of sending a friendly/savvy someone who gets =
what I=92m about a few $$ now and then to build or tweak me a unique toy =
over dropping +/-$500 on a tool I=92d need to spend months learning to =
use clumsily and really only want a few things from.</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>Anybody else getting joy =
out of runtime Max?</DIV><DIV>dc</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>(Sorry; can=92t resist =
asking Kris: What about Pluggo?? =93Max=94 fx fun....!)</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR =
class=3D"Apple-interchange-newline"><BLOCKQUOTE type=3D"cite"><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Lucida =
Grande; font-size: 14px; font-style: normal; font-variant: normal; =
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0px; -apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><DIV>On Jun 28, =
2006, at 9:41 PM, Krispen Hartung wrote:</DIV><BR =
class=3D"Apple-interchange-newline"><BLOCKQUOTE type=3D"cite"><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Lucida =
Grande; font-size: 14px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
text-align: auto; -khtml-text-decorations-in-effect: none; text-indent: =
0px; -apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><FONT face=3D"Arial" =
size=3D"2"><SPAN class=3D"Apple-style-span" style=3D"font-family: Arial; =
font-size: 11px; "><SPAN class=3D"Apple-style-span" style=3D"font-family: =
Arial; font-size: 11px; ">Well, with MAX/MSP, I don't plan on doing any =
serious programming at the outset, just hosting my current VST effects =
and Reaktor 5, plus =
Mobius.</SPAN></SPAN></FONT></SPAN></BLOCKQUOTE><BR></SPAN></BLOCKQUOTE></=
DIV><BR></BODY></HTML>=

--Apple-Mail-7--653326246--

From Loopers-Delight-request@loopers-delight.com  Thu Jun 29 17:02:23 2006
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http://www.cycling74.com/twiki/bin/view/FAQs/MaxMSPDevDist

...and what about folks creating stand-alone Max stuff that virtual  
loopers might love? Anybody doing?
Dc

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Jeff has a custom looping program he uses in MAX/MSP that apparently does 
anything and everything any hardware or existing software looper does.

Kris


----- Original Message ----- 
From: "David Coffin" <dpcoffin@earthlink.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, June 29, 2006 11:02 AM
Subject: Link to Max runtime info (Was Kris's hardware FX thread)


> http://www.cycling74.com/twiki/bin/view/FAQs/MaxMSPDevDist
>
> ...and what about folks creating stand-alone Max stuff that virtual 
> loopers might love? Anybody doing?
> Dc
>
> 


From Loopers-Delight-request@loopers-delight.com  Thu Jun 29 17:14:39 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: Thoughts on the Eclipse, Fireworx, G-Force, and PCM81
Date: Thu, 29 Jun 2006 10:14:34 -0700
To: Loopers-Delight@loopers-delight.com
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I think this is one possible idea. but the joy of max is expandability=20=

as you learn more, and you lose that if you don't have the program.....

build a person an instrument, and they'll want more features all the=20
time; teach a person to build an instrument and they'll add features=20
themselves....for a lifetime....

I found it fairly quick to get up and running with max on a basic=20
level, and then I've added more as I've learned more.

cheers,
jeff



Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com =95 AngryVegan.com


On Jun 29, 2006, at 9:54 AM, David Coffin wrote:

> I=92m kinda surprised that no one=92s responded to this idea:=A0
> Get Max/MSP aces to build what you need, or share what they=92ve =
already=20
> built, and use these in Max=92s free runtime environment, at least =
until=20
> you decide that you MUST get out your own hammers and screwdrivers.=A0
>
> I=92m very fond of it,=A0altho I=92ve never fully implemented it. I =
did once=20
> post a request on a Max forum for max developers regarding what I=20
> thought was a simple project, after downloading the demo and hitting a=20=

> brick wall almost immediately with doing something on my own. I got a=20=

> LOT of responses from folks eager to help out for reasonable dough.=20
> Unfortunately, the guy I settled on seems to have not been able to=20
> make what I wanted after all, and the project ran out of steam. But I=20=

> still plan to try again someday. I like the notion of sending a=20
> friendly/savvy someone who gets what I=92m about a few $$ now and then=20=

> to build or tweak me a unique toy over dropping +/-$500 on a tool I=92d=20=

> need to spend months learning to use clumsily and really only want a=20=

> few things from.
>
> Anybody else getting joy out of runtime Max?
> dc
>
> (Sorry; can=92t resist asking Kris: What about Pluggo?? =93Max=94 fx=20=

> fun....!)
>
>
>> On Jun 28, 2006, at 9:41 PM, Krispen Hartung wrote:
>>
>>> Well, with MAX/MSP, I don't plan on doing any serious programming at=20=

>>> the outset, just hosting my current VST effects and Reaktor 5, plus=20=

>>> Mobius.=

From Loopers-Delight-request@loopers-delight.com  Thu Jun 29 17:18:27 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: Link to Max runtime info (Was Kris's hardware FX thread)
Date: Thu, 29 Jun 2006 10:18:23 -0700
To: Loopers-Delight@loopers-delight.com
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Well, my looper certainly has the possibilities.....and more features=20
on the way......I don't currently have sync (I don't use it) but other=20=

people have loopers in max that do sync....I think that if you are a=20
windows guy, right now, they way to go is with mobius inside of=20
max....BUT when I have time, I would love to make my looper available,=20=

it is just real ugly (internally...spaghetti patch time) right=20
now....works great, though.....



Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com =95 AngryVegan.com


On Jun 29, 2006, at 10:05 AM, Krispen Hartung wrote:

> Jeff has a custom looping program he uses in MAX/MSP that apparently=20=

> does anything and everything any hardware or existing software looper=20=

> does.
>
> Kris
>
>
> ----- Original Message ----- From: "David Coffin"=20
> <dpcoffin@earthlink.net>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Thursday, June 29, 2006 11:02 AM
> Subject: Link to Max runtime info (Was Kris's hardware FX thread)
>
>
>> http://www.cycling74.com/twiki/bin/view/FAQs/MaxMSPDevDist
>>
>> ...and what about folks creating stand-alone Max stuff that virtual=20=

>> loopers might love? Anybody doing?
>> Dc
>>
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Jun 29 17:24:36 2006
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Date: Thu, 29 Jun 2006 13:24:32 -0400
Subject: Re: Link to Max runtime info (Was Kris's hardware FX thread)
From: Todd Reynolds <toddreyn@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Message-ID: <C0C98510.18460%toddreyn@gmail.com>
Thread-Topic: Link to Max runtime info (Was Kris's hardware FX thread)
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Jeff, I'd be very interested in looking at your patch if you were to post
it.  I've had a couple of my friends make me some custom loopers and vst
controllers as well, and I'd welcome having a look both above and underneat=
h
the hood, spaghetti and all...

That is, if you were comfortable sharing it.

All best,

Todd




On 6/29/06 1:18 PM, "Jeff Kaiser" <loopersdelight@pfmentum.com> wrote:

> Well, my looper certainly has the possibilities.....and more features
> on the way......I don't currently have sync (I don't use it) but other
> people have loopers in max that do sync....I think that if you are a
> windows guy, right now, they way to go is with mobius inside of
> max....BUT when I have time, I would love to make my looper available,
> it is just real ugly (internally...spaghetti patch time) right
> now....works great, though.....
>=20
>=20
>=20
> Jeff Kaiser
> http://www.jeffkaisermusic.com
> pfMENTUM.com =80 AngryVegan.com
>=20
>=20
> On Jun 29, 2006, at 10:05 AM, Krispen Hartung wrote:
>=20
>> Jeff has a custom looping program he uses in MAX/MSP that apparently
>> does anything and everything any hardware or existing software looper
>> does.
>>=20
>> Kris
>>=20
>>=20
>> ----- Original Message ----- From: "David Coffin"
>> <dpcoffin@earthlink.net>
>> To: <Loopers-Delight@loopers-delight.com>
>> Sent: Thursday, June 29, 2006 11:02 AM
>> Subject: Link to Max runtime info (Was Kris's hardware FX thread)
>>=20
>>=20
>>> http://www.cycling74.com/twiki/bin/view/FAQs/MaxMSPDevDist
>>>=20
>>> ...and what about folks creating stand-alone Max stuff that virtual
>>> loopers might love? Anybody doing?
>>> Dc
>>>=20
>>=20
>>=20
>=20

---------------------------------------------------------------------------=
-
-----
=B3Virtue is just repression waiting to go bad=B2 - Trevor Exter

=B3Classical music is related to the past more than it is related to the
creative part of sound=B2 - Ornette Coleman
---------------------------------------------------------------------------=
-
------=20
Todd Reynolds
42-09 47th Ave 1C
Sunnyside, NY  11104
=20
Ph.    718 392-3773
Mob.   917 576-6166
Fax    419 781-5502
=20
http://www.toddreynolds.com


todd@toddreynolds.com
9175766166@vtext.com (155 characters or less)
AIM ID: toddreyn




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From: David Coffin <dpcoffin@earthlink.net>
Subject: Re: Thoughts on the Eclipse, Fireworx, G-Force, and PCM81
Date: Thu, 29 Jun 2006 10:41:35 -0700
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On Jun 29, 2006, at 10:14 AM, Jeff Kaiser wrote:

> I think this is one possible idea. but the joy of max is =20
> expandability as you learn more, and you lose that if you don't =20
> have the program.....
>
> build a person an instrument, and they'll want more features all =20
> the time; teach a person to build an instrument and they'll add =20
> features themselves....for a lifetime....

Well, yes, of course.
But aren=92t many of us (I am, certainly) already over-supplied with =20
programs, gear, options, plans, etc... ?

I=92m thinking of the difference between needing a little something =20
very specific right now to improve an already pretty cool setup and =20
getting it easily, as opposed to deciding to take on yet another vast =20=

tool and making it your =93new project=94 for the next year or so, to =
the =20
further detriment of all that gear you=92re already not fully =20
exploring... Can anyone relate?


>
> I found it fairly quick to get up and running with max on a basic =20
> level, and then I've added more as I've learned more.

Sounds cool... Got anything to share or sell to those who only want =20
to do Max as a runtime thing?
dc=

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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; "><BR><DIV><DIV>On Jun 29, 2006, =
at 10:14 AM, Jeff Kaiser wrote:</DIV><BR =
class=3D"Apple-interchange-newline"><BLOCKQUOTE type=3D"cite"><P =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Lucida Grande" =
size=3D"4" style=3D"font: 14.0px Lucida Grande">I think this is one =
possible idea. but the joy of max is expandability as you learn more, =
and you lose that if you don't have the =
program.....</FONT></P></BLOCKQUOTE><BLOCKQUOTE type=3D"cite"> <P =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Lucida Grande; =
min-height: 17.0px"><BR></P> <P style=3D"margin: 0.0px 0.0px 0.0px =
0.0px"><FONT face=3D"Lucida Grande" size=3D"4" style=3D"font: 14.0px =
Lucida Grande">build a person an instrument, and they'll want more =
features all the time; teach a person to build an instrument and they'll =
add features themselves....for a =
lifetime....</FONT></P></BLOCKQUOTE><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>Well, yes, of =
course.=A0</DIV><DIV>But aren=92t many of us (I am, certainly) already =
over-supplied with programs, gear, options, plans, etc... =
?</DIV><DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV>I=92m =
thinking of the difference between needing a little something very =
specific right now to improve an already pretty cool setup and getting =
it easily, as opposed to deciding to take on yet another vast tool and =
making it your =93new project=94 for the next year or so, to the further =
detriment of all that gear you=92re already not fully exploring... Can =
anyone relate?</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><BR><BLOCKQUOTE type=3D"cite"> =
<P style=3D"margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Lucida Grande; =
min-height: 17.0px"><BR></P> <P style=3D"margin: 0.0px 0.0px 0.0px =
0.0px"><FONT face=3D"Lucida Grande" size=3D"4" style=3D"font: 14.0px =
Lucida Grande">I found it fairly quick to get up and running with max on =
a basic level, and then I've added more as I've learned =
more.</FONT></P></BLOCKQUOTE><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>Sounds cool... Got anything =
to share or sell to those who only want to do Max as a runtime =
thing?=A0</DIV><DIV>dc</DIV></DIV></BODY></HTML>=

--Apple-Mail-8--650479892--

From Loopers-Delight-request@loopers-delight.com  Thu Jun 29 17:42:26 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: Link to Max runtime info (Was Kris's hardware FX thread)
Date: Thu, 29 Jun 2006 10:42:23 -0700
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I've got to admit....I'm nervous sharing, because I'm so new to max, =20
and the patch is so ugly....I went from all hardware to all max in my =20=

performances in two months time (I got tired of schlepping), but became =20=

a "believer" in the possibilities real quick....

So, I don't mind sharing, but I'd rather share at a time when we could =20=

go over it in person, as the patch is not commented at all, the =20
controller stage is very idiosyncratic and might not make =20
sense....pieced together from parts Andrew Pask gave me, and some of my =20=

own stuff...but is getting better in each version....I actually gave a =20=

"lecture" on my instrument at the electro-music event in philly, and =20
was pleasantly surprised at the positive reception for the lecture and =20=

concert. But it is REAL ugly under the hood.

You coming to LA (actually, I live in Ventura) soon? I think you are in =20=

the Bay area? I have no plans on being in SF until September....

best,
Jeff

Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com =95 AngryVegan.com


On Jun 29, 2006, at 10:24 AM, Todd Reynolds wrote:

> Jeff, I'd be very interested in looking at your patch if you were to =20=

> post
> it.  I've had a couple of my friends make me some custom loopers and =20=

> vst
> controllers as well, and I'd welcome having a look both above and =20
> underneath
> the hood, spaghetti and all...
>
> That is, if you were comfortable sharing it.
>
> All best,
>
> Todd
>
>
>
>
> On 6/29/06 1:18 PM, "Jeff Kaiser" <loopersdelight@pfmentum.com> wrote:
>
>> Well, my looper certainly has the possibilities.....and more features
>> on the way......I don't currently have sync (I don't use it) but =
other
>> people have loopers in max that do sync....I think that if you are a
>> windows guy, right now, they way to go is with mobius inside of
>> max....BUT when I have time, I would love to make my looper =
available,
>> it is just real ugly (internally...spaghetti patch time) right
>> now....works great, though.....
>>
>>
>>
>> Jeff Kaiser
>> http://www.jeffkaisermusic.com
>> pfMENTUM.com =95 AngryVegan.com
>>
>>
>> On Jun 29, 2006, at 10:05 AM, Krispen Hartung wrote:
>>
>>> Jeff has a custom looping program he uses in MAX/MSP that apparently
>>> does anything and everything any hardware or existing software =
looper
>>> does.
>>>
>>> Kris
>>>
>>>
>>> ----- Original Message ----- From: "David Coffin"
>>> <dpcoffin@earthlink.net>
>>> To: <Loopers-Delight@loopers-delight.com>
>>> Sent: Thursday, June 29, 2006 11:02 AM
>>> Subject: Link to Max runtime info (Was Kris's hardware FX thread)
>>>
>>>
>>>> http://www.cycling74.com/twiki/bin/view/FAQs/MaxMSPDevDist
>>>>
>>>> ...and what about folks creating stand-alone Max stuff that virtual
>>>> loopers might love? Anybody doing?
>>>> Dc
>>>>
>>>
>>>
>>
>
> =
-----------------------------------------------------------------------=20=

> -----
> -----
> =93Virtue is just repression waiting to go bad=94 - Trevor Exter
>
> =93Classical music is related to the past more than it is related to =
the
> creative part of sound=94 - Ornette Coleman
> =
-----------------------------------------------------------------------=20=

> -----
> ------
> Todd Reynolds
> 42-09 47th Ave 1C
> Sunnyside, NY  11104
>
> Ph.    718 392-3773
> Mob.   917 576-6166
> Fax    419 781-5502
>
> http://www.toddreynolds.com
>
>
> todd@toddreynolds.com
> 9175766166@vtext.com (155 characters or less)
> AIM ID: toddreyn
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Jun 29 17:51:51 2006
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Date: Thu, 29 Jun 2006 13:51:40 -0400
Subject: Re: Link to Max runtime info (Was Kris's hardware FX thread)
From: Todd Reynolds <toddreyn@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Message-ID: <C0C98B6C.1846B%toddreyn@gmail.com>
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No, I was JUST in the bay area for a week, but my home base is the in the
northeast.  New York, to be exact.

But I grew UP in LA, so I know it well.  Don't get out too much, but my
folks live in Palm Springs, so I'm not that far away.

Well, someday if you do get it commented and organized with command-y, lemm=
e
at it.  I ain't no great max programmer myself, just all my friends are.  M=
y
video partner wrote jitter, for example, but I find that I learn a lot from
looking at other people's work. Under the hood.

I must go listen to your music now to see how you're using it all.

For the record, I host sooperlooper in live, and use a bunch of vsts and
audio units there, plus an eventide orville outboard.

I HATE when I have to travel without my eventide, and therefore am looking
continuously for better and better sounding and more efficient ways of
processing sound, therefore my eyes are always on max.  it's getting harder
and harder to travel with any gear at all.

If we could just get power up to do pitchshifting it would be SO GREAT!

All best,

T.



On 6/29/06 1:42 PM, "Jeff Kaiser" <loopersdelight@pfmentum.com> wrote:

> I've got to admit....I'm nervous sharing, because I'm so new to max,
> and the patch is so ugly....I went from all hardware to all max in my
> performances in two months time (I got tired of schlepping), but became
> a "believer" in the possibilities real quick....
>=20
> So, I don't mind sharing, but I'd rather share at a time when we could
> go over it in person, as the patch is not commented at all, the
> controller stage is very idiosyncratic and might not make
> sense....pieced together from parts Andrew Pask gave me, and some of my
> own stuff...but is getting better in each version....I actually gave a
> "lecture" on my instrument at the electro-music event in philly, and
> was pleasantly surprised at the positive reception for the lecture and
> concert. But it is REAL ugly under the hood.
>=20
> You coming to LA (actually, I live in Ventura) soon? I think you are in
> the Bay area? I have no plans on being in SF until September....
>=20
> best,
> Jeff
>=20
> Jeff Kaiser
> http://www.jeffkaisermusic.com
> pfMENTUM.com =80 AngryVegan.com
>=20
>=20
> On Jun 29, 2006, at 10:24 AM, Todd Reynolds wrote:
>=20
>> Jeff, I'd be very interested in looking at your patch if you were to
>> post
>> it.  I've had a couple of my friends make me some custom loopers and
>> vst
>> controllers as well, and I'd welcome having a look both above and
>> underneath
>> the hood, spaghetti and all...
>>=20
>> That is, if you were comfortable sharing it.
>>=20
>> All best,
>>=20
>> Todd
>>=20
>>=20
>>=20
>>=20
>> On 6/29/06 1:18 PM, "Jeff Kaiser" <loopersdelight@pfmentum.com> wrote:
>>=20
>>> Well, my looper certainly has the possibilities.....and more features
>>> on the way......I don't currently have sync (I don't use it) but other
>>> people have loopers in max that do sync....I think that if you are a
>>> windows guy, right now, they way to go is with mobius inside of
>>> max....BUT when I have time, I would love to make my looper available,
>>> it is just real ugly (internally...spaghetti patch time) right
>>> now....works great, though.....
>>>=20
>>>=20
>>>=20
>>> Jeff Kaiser
>>> http://www.jeffkaisermusic.com
>>> pfMENTUM.com =80 AngryVegan.com
>>>=20
>>>=20
>>> On Jun 29, 2006, at 10:05 AM, Krispen Hartung wrote:
>>>=20
>>>> Jeff has a custom looping program he uses in MAX/MSP that apparently
>>>> does anything and everything any hardware or existing software looper
>>>> does.
>>>>=20
>>>> Kris
>>>>=20
>>>>=20
>>>> ----- Original Message ----- From: "David Coffin"
>>>> <dpcoffin@earthlink.net>
>>>> To: <Loopers-Delight@loopers-delight.com>
>>>> Sent: Thursday, June 29, 2006 11:02 AM
>>>> Subject: Link to Max runtime info (Was Kris's hardware FX thread)
>>>>=20
>>>>=20
>>>>> http://www.cycling74.com/twiki/bin/view/FAQs/MaxMSPDevDist
>>>>>=20
>>>>> ...and what about folks creating stand-alone Max stuff that virtual
>>>>> loopers might love? Anybody doing?
>>>>> Dc
>>>>>=20
>>>>=20
>>>>=20
>>>=20
>>=20
>> -----------------------------------------------------------------------
>> -----
>> -----
>> =B3Virtue is just repression waiting to go bad=B2 - Trevor Exter
>>=20
>> =B3Classical music is related to the past more than it is related to the
>> creative part of sound=B2 - Ornette Coleman
>> -----------------------------------------------------------------------
>> -----
>> ------
>> Todd Reynolds
>> 42-09 47th Ave 1C
>> Sunnyside, NY  11104
>>=20
>> Ph.    718 392-3773
>> Mob.   917 576-6166
>> Fax    419 781-5502
>>=20
>> http://www.toddreynolds.com
>>=20
>>=20
>> todd@toddreynolds.com
>> 9175766166@vtext.com (155 characters or less)
>> AIM ID: toddreyn
>>=20
>>=20
>>=20
>>=20
>=20

---------------------------------------------------------------------------=
-
-----
=B3Virtue is just repression waiting to go bad=B2 - Trevor Exter

=B3Classical music is related to the past more than it is related to the
creative part of sound=B2 - Ornette Coleman
---------------------------------------------------------------------------=
-
------=20
Todd Reynolds
42-09 47th Ave 1C
Sunnyside, NY  11104
=20
Ph.    718 392-3773
Mob.   917 576-6166
Fax    419 781-5502
=20
http://www.toddreynolds.com


todd@toddreynolds.com
9175766166@vtext.com (155 characters or less)
AIM ID: toddreyn




From Loopers-Delight-request@loopers-delight.com  Thu Jun 29 17:56:35 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: Thoughts on the Eclipse, Fireworx, G-Force, and PCM81
Date: Thu, 29 Jun 2006 10:56:18 -0700
To: Loopers-Delight@loopers-delight.com
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> But aren=92t many of us (I am, certainly) already over-supplied with=20=

> programs, gear, options, plans, etc... ?

Yes, many are, and I certainly was. Max is now THE plan for me. (I=20
don't mean to sound like a proselytizing Scientologist or something).=20
Finally, everything is in one place, and I'm not hauling around tons of=20=

hardware, and certainly not drooling over hardware at all. When a new=20
box comes out I could care less.

>
> I=92m thinking of the difference between needing a little something =
very=20
> specific right now to improve an already pretty cool setup and getting=20=

> it easily, as opposed to deciding to take on yet another vast tool and=20=

> making it your =93new project=94 for the next year or so, to the =
further=20
> detriment of all that gear you=92re already not fully exploring... Can=20=

> anyone relate?

It took me a fairly short period of time to get up and running, and the=20=

musical rewards have been great.

It is certainly NOT for everyone, but if you are interested in laptop,=20=

I believe Max/MSP is the way to go....my humble opinion.

Regarding all that other gear: eBay has been very good to me. Much more=20=

room in my storage unit and bedroom than there was.

>> I found it fairly quick to get up and running with max on a basic=20
>> level, and then I've added more as I've learned more.
> Sounds cool... Got anything to share or sell to those who only want to=20=

> do Max as a runtime thing?=A0

Nothing to sell.

Eventually I will post stuff (for free) but not yet,

BUT I will share with anybody who wants to get together.=

From Loopers-Delight-request@loopers-delight.com  Thu Jun 29 18:00:17 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: Link to Max runtime info (Was Kris's hardware FX thread)
Date: Thu, 29 Jun 2006 11:00:11 -0700
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> No, I was JUST in the bay area for a week, but my home base is the in 
> the
> northeast.  New York, to be exact.


I'll be in NYC for the Festival of New Trumpet in October....but can 
probably get you something before that. :-)

>
> For the record, I host sooperlooper in live, and use a bunch of vsts 
> and
> audio units there, plus an eventide orville outboard.
>
> I HATE when I have to travel without my eventide, and therefore am 
> looking
> continuously for better and better sounding and more efficient ways of
> processing sound, therefore my eyes are always on max.  it's getting 
> harder
> and harder to travel with any gear at all.

I know someone who just got rid of his h8000.....he has enough juice to 
host a convolution reverb on his laptop now, and everything else is 
max......


> If we could just get power up to do pitchshifting it would be SO GREAT!

It is there.....(mac powerbook g4, 1.5)

gizmo~

I'll email my pitch patch directly to you in few minutes.

From Loopers-Delight-request@loopers-delight.com  Thu Jun 29 18:12:16 2006
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Date: Thu, 29 Jun 2006 14:12:11 -0400
Subject: Re: Link to Max runtime info (Was Kris's hardware FX thread)
From: Todd Reynolds <toddreyn@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Message-ID: <C0C9903B.18470%toddreyn@gmail.com>
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Whoa.  I never knew about gizmo~, just checked it out with a soundfile, I
wonder how it works in real time... Will try later...

I've tried taptools with varying degrees of success, but never heard
anything out of a laptop like an orville or even h3000.

You're being a good evangelist for maxtology, though, I must say.

Looking forward to more.

All best,
T.



On 6/29/06 2:00 PM, "Jeff Kaiser" <loopersdelight@pfmentum.com> wrote:

>> If we could just get power up to do pitchshifting it would be SO GREAT!
>=20
> It is there.....(mac powerbook g4, 1.5)
>=20
> gizmo~

---------------------------------------------------------------------------=
-
-----
=B3Virtue is just repression waiting to go bad=B2 - Trevor Exter

=B3Classical music is related to the past more than it is related to the
creative part of sound=B2 - Ornette Coleman
---------------------------------------------------------------------------=
-
------=20
Todd Reynolds
42-09 47th Ave 1C
Sunnyside, NY  11104
=20
Ph.    718 392-3773
Mob.   917 576-6166
Fax    419 781-5502
=20
http://www.toddreynolds.com


todd@toddreynolds.com
9175766166@vtext.com (155 characters or less)
AIM ID: toddreyn




From Loopers-Delight-request@loopers-delight.com  Thu Jun 29 18:26:18 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: Link to Max runtime info (Was Kris's hardware FX thread)
Date: Thu, 29 Jun 2006 11:25:59 -0700
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use it all the time in real-time. it is awesome.

just sent you two examples in your email.


On Jun 29, 2006, at 11:12 AM, Todd Reynolds wrote:

> Whoa.  I never knew about gizmo~, just checked it out with a 
> soundfile, I
> wonder how it works in real time... Will try later...

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Speaking of which, I with Eventide would make their TDM package, Anthology 
II, availabe in VST or standalone software format. that would be awesome!!! 
http://store.eventide.com/anothology.html  It's $1000, but look what you 
get.

I have the Fxpansion program to convert RTAT to VST, but not TDM. Does not 
exist and won't from what I've read. But why not a standalone Anthology II, 
like Reaktor?

Kris

> I know someone who just got rid of his h8000.....he has enough juice to 
> host a convolution reverb on his laptop now, and everything else is 
> max......
>
>
>> If we could just get power up to do pitchshifting it would be SO GREAT!
>
> It is there.....(mac powerbook g4, 1.5)
>
> gizmo~
>
> I'll email my pitch patch directly to you in few minutes.
>
> 


From Loopers-Delight-request@loopers-delight.com  Thu Jun 29 19:37:28 2006
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In a message dated 6/29/06 1:42:01 PM, dpcoffin@earthlink.net writes:


> Can anyone relate?
> 

yes!.....:)m



www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
In a message dated 6/29/06 1:42:01 PM, dpcoffin@earthlink.net writes:<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">Can anyone relate?<BR=
>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2">yes!.....:)m<BR>
<BR>
<BR>
<BR>
www.ct-collective.com<BR>
http://mysite.verizon.net/vzepmeci/<BR>
http://www.myspace.com/klobuchar11<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT></HTML>
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From Loopers-Delight-request@loopers-delight.com  Thu Jun 29 21:55:34 2006
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Date: Thu, 29 Jun 2006 14:54:52 -0700 (PDT)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Loop effects: Can software be as good as good hardware?
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All this talk about Eclipse/Fireworx vs. Max/Reaktor
made me think, surely dedicated hardware must sound a
lot better, no?  Perhaps software is way more flexible
but is it as good?  If all you got from hardware was
lower latency I'd imagine ebay would be flooded with
effects processors to the point people couldn't give
them away.  I'm excited about what my humble laptop
can do but will it rival even my modest Lexicon MPX1
in terms of sound quality?

Mark

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Thu Jun 29 22:46:17 2006
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Subject: Re: Loop effects: Can software be as good as good hardware?
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Hmmm, well a computer is a piece of hardware with software on it. And a rack 
mount processors is also a piece of hardware with software in it (firmware, 
embedded firmware, or whatever engineers call it now), albeit a very 
specialized piece of hardware that only runs that one piece of 
software/firmware. So, if you can get your computer audio I/O up to snuff 
with the hardware audio I/O in terms of latency, quality of inserts, 
etc..then I don't see a lot of difference between the two in principle. In 
practice, of course, some people are intimidated by computer based systems 
because of the massive flexibility and hordes of options, plus all the other 
problems that can come along with a computer...whereas, with a piece of 
effect hardware, it is basically a finite trick pony. Once you burn through 
all the algorithm and settings, you've reached the end of that particular 
effective universe.

The true pragmatic test for me is in the output on CD or in live 
performance. And I can't tell any difference in quality between my hardware 
effects (Boss VF1, Lexicon LXP5, LXP1, etc) and my computer VST effects, 
even when one signal is going through a 1/8" IO system on a tiny sound card, 
and the hardware is running through a balanced 1/4" audio IO.

I buy  hardware now only for back-up, because it is new and cool,  or to 
relieve my irrational insecurities derived from on playing through  hardware 
for so many years. I think over time, dedicated function hardware effect 
units will become obsolete, but not for a long time, and maybe not our 
generation. It's just a hypothosis, veriable only by time.

Kris

----- Original Message ----- 
From: "mark sottilaro" <zerocrossing2001@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, June 29, 2006 3:54 PM
Subject: Loop effects: Can software be as good as good hardware?


> All this talk about Eclipse/Fireworx vs. Max/Reaktor
> made me think, surely dedicated hardware must sound a
> lot better, no?  Perhaps software is way more flexible
> but is it as good?  If all you got from hardware was
> lower latency I'd imagine ebay would be flooded with
> effects processors to the point people couldn't give
> them away.  I'm excited about what my humble laptop
> can do but will it rival even my modest Lexicon MPX1
> in terms of sound quality?
>
> Mark
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>
> 


From Loopers-Delight-request@loopers-delight.com  Fri Jun 30 00:39:14 2006
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From: David Coffin <dpcoffin@earthlink.net>
Subject: Re: Link to Max runtime info (Was Kris's hardware FX thread)
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Hey, translate, please! I have NO idea what you're talking about!  
WHAT is gizmo~??
dc

On Jun 29, 2006, at 11:00 AM, Jeff Kaiser wrote:

>
>
>> If we could just get power up to do pitchshifting it would be SO  
>> GREAT!
>>
>
> It is there.....(mac powerbook g4, 1.5)
>
> gizmo~
>


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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">Hey, translate, please! I have =
NO idea what you're talking about! WHAT is gizmo~??<DIV>dc</DIV><DIV><BR =
class=3D"khtml-block-placeholder"><DIV><DIV><DIV>On Jun 29, 2006, at =
11:00 AM, Jeff Kaiser wrote:</DIV><BR =
class=3D"Apple-interchange-newline"><BLOCKQUOTE type=3D"cite"><P =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Lucida Grande; =
min-height: 17.0px"><BR></P> <BR><BLOCKQUOTE type=3D"cite"><P =
style=3D"margin: 0.0px 0.0px 0.0px 10.0px"><FONT face=3D"Lucida Grande" =
size=3D"4" style=3D"font: 14.0px Lucida Grande">If we could just get =
power up to do pitchshifting it would be SO GREAT!</FONT></P> =
<BR></BLOCKQUOTE><P style=3D"margin: 0.0px 0.0px 0.0px 0.0px; font: =
14.0px Lucida Grande; min-height: 17.0px"><BR></P> <P style=3D"margin: =
0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Lucida Grande" size=3D"4" =
style=3D"font: 14.0px Lucida Grande">It is there.....(mac powerbook g4, =
1.5)</FONT></P> <P style=3D"margin: 0.0px 0.0px 0.0px 0.0px; font: =
14.0px Lucida Grande; min-height: 17.0px"><BR></P> <P style=3D"margin: =
0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Lucida Grande" size=3D"4" =
style=3D"font: 14.0px Lucida Grande">gizmo~</FONT></P> <BR =
class=3D"Apple-interchange-newline"></BLOCKQUOTE></DIV><BR></DIV></DIV></B=
ODY></HTML>=

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From Loopers-Delight-request@loopers-delight.com  Fri Jun 30 00:48:40 2006
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Date: Thu, 29 Jun 2006 20:48:32 -0400
Subject: Re: Link to Max runtime info (Was Kris's hardware FX thread)
From: Todd Reynolds <toddreyn@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Message-ID: <C0C9ED20.18497%toddreyn@gmail.com>
Thread-Topic: Link to Max runtime info (Was Kris's hardware FX thread)
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> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

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Max/MSP  uses =B3objects=B2  chained together with virtual patchcords to
accomplish things.=20

These =8Cobjects=B9 are usually a one word name followed by a tilde (~)

Gizmo is a max/msp object which does accomplish pitchshifting.  I didn=B9t
know about it whatsoever.  Jeff is hipping me to it here.  And therefore
hipping us to it. =20

I said, we don=B9t have enough power to pitchshift, and jeff said, yep, we do=
,
at least on a powerbook g4, 1.5 mhz.

Then he mentioned gizmo~, which is an =8Cobject=B9 in max.

Jeff then sent me a little patcher showing me how it=B9s used.

Yep, it sure does it.  Pitchshifting on command.  A little latency, but
still, much better than anything I=B9ve experienced on a laptop yet.

Does that explain it David?  Wanna weigh in, jeff?  Ask more if not clear.

This is a MOST excellent thread, IMHO.

T.


On 6/29/06 8:39 PM, "David Coffin" <dpcoffin@earthlink.net> wrote:

> Hey, translate, please! I have NO idea what you're talking about! WHAT is
> gizmo~??
> dc
>=20
> On Jun 29, 2006, at 11:00 AM, Jeff Kaiser wrote:
>=20
>>=20
>>=20
>> =20
>>>=20
>>> If we could just get power up to do pitchshifting it would be SO GREAT!
>>> =20
>>=20
>>=20
>> =20
>>=20
>> It is there.....(mac powerbook g4, 1.5)
>> =20
>>=20
>>=20
>> =20
>>=20
>> gizmo~
>> =20
>=20
>=20


---------------------------------------------------------------------------=
-
-----
=B3Virtue is just repression waiting to go bad=B2 - Trevor Exter

=B3Classical music is related to the past more than it is related to the
creative part of sound=B2 - Ornette Coleman
---------------------------------------------------------------------------=
-
------=20
Todd Reynolds
42-09 47th Ave 1C
Sunnyside, NY  11104
=20
Ph.    718 392-3773
Mob.   917 576-6166
Fax    419 781-5502
=20
http://www.toddreynolds.com


todd@toddreynolds.com
9175766166@vtext.com (155 characters or less)
AIM ID: toddreyn




--B_3234458914_3947504
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	charset="ISO-8859-1"
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<HTML>
<HEAD>
<TITLE>Re: Link to Max runtime info (Was Kris's hardware FX thread)</TITLE>
</HEAD>
<BODY>
<FONT FACE=3D"Lucida Grande, Verdana, Helvetica, Arial"><SPAN STYLE=3D'font-siz=
e:14.0px'>Max/MSP &nbsp;uses &#8220;objects&#8221; &nbsp;chained together wi=
th virtual patchcords to accomplish things. &nbsp;<BR>
<BR>
These &#8216;objects&#8217; are usually a one word name followed by a tilde=
 (~)<BR>
<BR>
Gizmo is a max/msp object which does accomplish pitchshifting. &nbsp;I didn=
&#8217;t know about it whatsoever. &nbsp;Jeff is hipping me to it here. &nbs=
p;And therefore hipping us to it. &nbsp;<BR>
<BR>
I said, we don&#8217;t have enough power to pitchshift, and jeff said, yep,=
 we do, at least on a powerbook g4, 1.5 mhz. &nbsp;<BR>
<BR>
Then he mentioned gizmo~, which is an &#8216;object&#8217; in max. &nbsp;<B=
R>
<BR>
Jeff then sent me a little patcher showing me how it&#8217;s used. &nbsp;<B=
R>
<BR>
Yep, it sure does it. &nbsp;Pitchshifting on command. &nbsp;A little latenc=
y, but still, much better than anything I&#8217;ve experienced on a laptop y=
et.<BR>
<BR>
Does that explain it David? &nbsp;Wanna weigh in, jeff? &nbsp;Ask more if n=
ot clear.<BR>
<BR>
This is a MOST excellent thread, IMHO. &nbsp;<BR>
<BR>
T.<BR>
<BR>
<BR>
On 6/29/06 8:39 PM, &quot;David Coffin&quot; &lt;dpcoffin@earthlink.net&gt;=
 wrote:<BR>
<BR>
</SPAN></FONT><BLOCKQUOTE><FONT FACE=3D"Lucida Grande, Verdana, Helvetica, Ar=
ial"><SPAN STYLE=3D'font-size:14.0px'>Hey, translate, please! I have NO idea w=
hat you're talking about! WHAT is gizmo~??<BR>
dc<BR>
<BR>
On Jun 29, 2006, at 11:00 AM, Jeff Kaiser wrote:<BR>
<BR>
</SPAN></FONT><BLOCKQUOTE><FONT FACE=3D"Lucida Grande, Verdana, Helvetica, Ar=
ial"><SPAN STYLE=3D'font-size:14.0px'><BR>
<BR>
&nbsp;<BR>
</SPAN></FONT><BLOCKQUOTE><FONT FACE=3D"Lucida Grande, Verdana, Helvetica, Ar=
ial"><SPAN STYLE=3D'font-size:14.0px'><BR>
</SPAN><FONT SIZE=3D"5"><SPAN STYLE=3D'font-size:24.0px'>If we could just get p=
ower up to do pitchshifting it would be SO GREAT!<BR>
</SPAN></FONT><SPAN STYLE=3D'font-size:14.0px'> <BR>
</SPAN></FONT></BLOCKQUOTE><FONT FACE=3D"Lucida Grande, Verdana, Helvetica, A=
rial"><SPAN STYLE=3D'font-size:14.0px'><BR>
<BR>
&nbsp;<BR>
<BR>
</SPAN><FONT SIZE=3D"5"><SPAN STYLE=3D'font-size:24.0px'>It is there.....(mac p=
owerbook g4, 1.5)<BR>
</SPAN></FONT><SPAN STYLE=3D'font-size:14.0px'> <BR>
<BR>
<BR>
&nbsp;<BR>
<BR>
</SPAN><FONT SIZE=3D"5"><SPAN STYLE=3D'font-size:24.0px'>gizmo~<BR>
</SPAN></FONT><SPAN STYLE=3D'font-size:14.0px'> <BR>
</SPAN></FONT></BLOCKQUOTE><FONT FACE=3D"Lucida Grande, Verdana, Helvetica, A=
rial"><SPAN STYLE=3D'font-size:14.0px'><BR>
<BR>
</SPAN></FONT></BLOCKQUOTE><FONT FACE=3D"Lucida Grande, Verdana, Helvetica, A=
rial"><SPAN STYLE=3D'font-size:14.0px'><BR>
<BR>
</SPAN><FONT SIZE=3D"2"><SPAN STYLE=3D'font-size:12.0px'>----------------------=
-----------------------------------------------------------<BR>
&#8220;Virtue is just repression waiting to go bad&#8221; - Trevor Exter<BR=
>
<BR>
&#8220;Classical music is related to the past more than it is related to th=
e creative part of sound&#8221; - Ornette Coleman<BR>
---------------------------------------------------------------------------=
------- <BR>
Todd Reynolds<BR>
42-09 47th Ave 1C<BR>
Sunnyside, NY &nbsp;11104<BR>
&nbsp;<BR>
Ph. &nbsp;&nbsp;&nbsp;718 392-3773<BR>
Mob. &nbsp;&nbsp;917 576-6166<BR>
Fax &nbsp;&nbsp;&nbsp;419 781-5502<BR>
&nbsp;<BR>
<a href=3D"http://www.toddreynolds.com">http://www.toddreynolds.com</a><BR>
<BR>
<BR>
todd@toddreynolds.com<BR>
9175766166@vtext.com (155 characters or less)<BR>
AIM ID: toddreyn<BR>
</SPAN></FONT><FONT SIZE=3D"4"><SPAN STYLE=3D'font-size:18.0px'><BR>
</SPAN></FONT><SPAN STYLE=3D'font-size:14.0px'><BR>
</SPAN></FONT>
</BODY>
</HTML>


--B_3234458914_3947504--


From Loopers-Delight-request@loopers-delight.com  Fri Jun 30 01:18:48 2006
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From: David Coffin <dpcoffin@earthlink.net>
Subject: Re: Link to Max runtime info (Was Kris's hardware FX thread)
Date: Thu, 29 Jun 2006 18:18:44 -0700
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Excellent; thank you!


On Jun 29, 2006, at 5:48 PM, Todd Reynolds wrote:

> Jeff then sent me a little patcher showing me how it=92s used.
>
> Yep, it sure does it.  Pitchshifting on command.  A little latency, =20=

> but still, much better than anything I=92ve experienced on a laptop =
yet.
>
> Does that explain it David?

Well, yes, but a few questions come to mind:)
So, does that mean that anybody with the runtime vers. of Max can use =20=

the patcher?
Is it different than any of the pitch-shifting options available in =20
Pluggo?
How complicated would it be for an ace Max-er to whip up a little =20
runtime or stand-alone =93multitap-gizmo=94 gizmo with, say, latency-=20
compensated delays and delay-time and pitch-shift randomizers....in =20
stereo? How much $ would you want for it? I=92m only sorta joking....


> Wanna weigh in, jeff?  Ask more if not clear.
>
> This is a MOST excellent thread, IMHO.

Hear, hear:)
dc


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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">Excellent; thank you!<DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR><DIV><DIV>On Jun 29, =
2006, at 5:48 PM, Todd Reynolds wrote:</DIV><BR =
class=3D"Apple-interchange-newline"><BLOCKQUOTE type=3D"cite"><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Lucida =
Grande; font-size: 14px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
text-align: auto; -khtml-text-decorations-in-effect: none; text-indent: =
0px; -apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><FONT face=3D"Lucida =
Grande, Verdana, Helvetica, Arial"><SPAN style=3D"font-size:14.0px">Jeff =
then sent me a little patcher showing me how it=92s used. =
=A0<BR></SPAN></FONT></SPAN></BLOCKQUOTE><BLOCKQUOTE type=3D"cite"><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Lucida =
Grande; font-size: 14px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
text-align: auto; -khtml-text-decorations-in-effect: none; text-indent: =
0px; -apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><FONT face=3D"Lucida =
Grande, Verdana, Helvetica, Arial"><SPAN =
style=3D"font-size:14.0px"><BR>Yep, it sure does it. =A0Pitchshifting on =
command. =A0A little latency, but still, much better than anything I=92ve =
experienced on a laptop yet.<BR><BR>Does that explain it David? =
=A0<BR></SPAN></FONT></SPAN></BLOCKQUOTE><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>Well, yes, but a few =
questions come to mind:)</DIV><DIV>So, does that mean that anybody with =
the runtime vers. of Max can use the patcher?=A0</DIV><DIV>Is it =
different than any of the pitch-shifting options available in =
Pluggo?</DIV><DIV>How complicated would it be for an ace Max-er to whip =
up a little runtime or stand-alone =93multitap-gizmo=94 gizmo with, say, =
latency-compensated delays and delay-time and =
pitch-shift=A0randomizers....in stereo? How much $ would you want for =
it? I=92m only sorta joking....</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><BR><BLOCKQUOTE =
type=3D"cite"><SPAN class=3D"Apple-style-span" style=3D"border-collapse: =
separate; border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: =
Lucida Grande; font-size: 14px; font-style: normal; font-variant: =
normal; font-weight: normal; letter-spacing: normal; line-height: =
normal; text-align: auto; -khtml-text-decorations-in-effect: none; =
text-indent: 0px; -apple-text-size-adjust: auto; text-transform: none; =
orphans: 2; white-space: normal; widows: 2; word-spacing: 0px; "><FONT =
face=3D"Lucida Grande, Verdana, Helvetica, Arial"><SPAN =
style=3D"font-size:14.0px">Wanna weigh in, jeff? =A0Ask more if not =
clear.<BR><BR>This is a MOST excellent thread, IMHO. =
=A0<BR></SPAN></FONT></SPAN></BLOCKQUOTE><BR></DIV><DIV>Hear, =
hear:)</DIV><DIV>dc</DIV><BR></DIV></BODY></HTML>=

--Apple-Mail-11--623050823--

From Loopers-Delight-request@loopers-delight.com  Fri Jun 30 01:39:52 2006
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Date: Thu, 29 Jun 2006 21:39:47 -0400
Subject: Re: Link to Max runtime info (Was Kris's hardware FX thread)
From: Todd Reynolds <toddreyn@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Message-ID: <C0C9F923.1849D%toddreyn@gmail.com>
Thread-Topic: Link to Max runtime info (Was Kris's hardware FX thread)
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> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

--B_3234461989_4160202
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Well, if someone wrote the patcher expressly for you with your specific rig
and controllers in mind, yes.

It is not a vst, however, in itself, at least I don=B9t think it can be
classified as such, therefore how it is =8Cwritten=B9  and how many adjustable
parameters have been included have everything to do with its flexibility
inside of runtime.=20

Not familiar enough with pluggo pitchshifting to tell you anything there.
Jeff?

Well, I=B9m not the one to do it, so I can=B9t even begin to estimate.  However=
,
I=B9ll take a stab at saying that if all you wanted to do with it was that, i=
t
doesn=B9t seem to me like that would take all THAT much time.  Jeff?

If you really do want to find somebody to do just that, I know a bunch of
maxers who work for about $35 an hour, and are very fast.  There might also
already be something out there!  Once again, Jeff might turn you on to the
greater max list and developer list.

Onward,

T.



On 6/29/06 9:18 PM, "David Coffin" <dpcoffin@earthlink.net> wrote:

> Well, yes, but a few questions come to mind:)
> So, does that mean that anybody with the runtime vers. of Max can use the
> patcher?=A0
> Is it different than any of the pitch-shifting options available in Plugg=
o?
> How complicated would it be for an ace Max-er to whip up a little runtime=
 or
> stand-alone =B3multitap-gizmo=B2 gizmo with, say, latency-compensated delays =
and
> delay-time and pitch-shift=A0randomizers....in stereo? How much $ would you=
 want
> for it? I=B9m only sorta joking....







--B_3234461989_4160202
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<HTML>
<HEAD>
<TITLE>Re: Link to Max runtime info (Was Kris's hardware FX thread)</TITLE>
</HEAD>
<BODY>
<FONT FACE=3D"Lucida Grande, Verdana, Helvetica, Arial"><SPAN STYLE=3D'font-siz=
e:14.0px'>Well, if someone wrote the patcher expressly for you with your spe=
cific rig and controllers in mind, yes. &nbsp;<BR>
<BR>
It is not a vst, however, in itself, at least I don&#8217;t think it can be=
 classified as such, therefore how it is &#8216;written&#8217; &nbsp;and how=
 many adjustable parameters have been included have everything to do with it=
s flexibility inside of runtime. &nbsp;<BR>
<BR>
Not familiar enough with pluggo pitchshifting to tell you anything there. &=
nbsp;Jeff?<BR>
<BR>
Well, I&#8217;m not the one to do it, so I can&#8217;t even begin to estima=
te. &nbsp;However, I&#8217;ll take a stab at saying that if all you wanted t=
o do with it was that, it doesn&#8217;t seem to me like that would take all =
THAT much time. &nbsp;Jeff?<BR>
<BR>
If you really do want to find somebody to do just that, I know a bunch of m=
axers who work for about $35 an hour, and are very fast. &nbsp;There might a=
lso already be something out there! &nbsp;Once again, Jeff might turn you on=
 to the greater max list and developer list.<BR>
<BR>
Onward,<BR>
<BR>
T.<BR>
<BR>
<BR>
<BR>
On 6/29/06 9:18 PM, &quot;David Coffin&quot; &lt;dpcoffin@earthlink.net&gt;=
 wrote:<BR>
<BR>
</SPAN></FONT><BLOCKQUOTE><FONT FACE=3D"Lucida Grande, Verdana, Helvetica, Ar=
ial"><SPAN STYLE=3D'font-size:14.0px'>Well, yes, but a few questions come to m=
ind:)<BR>
So, does that mean that anybody with the runtime vers. of Max can use the p=
atcher?=A0<BR>
Is it different than any of the pitch-shifting options available in Pluggo?=
<BR>
How complicated would it be for an ace Max-er to whip up a little runtime o=
r stand-alone &#8220;multitap-gizmo&#8221; gizmo with, say, latency-compensa=
ted delays and delay-time and pitch-shift=A0randomizers....in stereo? How much=
 $ would you want for it? I&#8217;m only sorta joking....<BR>
</SPAN></FONT></BLOCKQUOTE><FONT FACE=3D"Lucida Grande, Verdana, Helvetica, A=
rial"><SPAN STYLE=3D'font-size:14.0px'><BR>
<BR>
</SPAN><FONT SIZE=3D"2"><SPAN STYLE=3D'font-size:12.0px'><BR>
</SPAN></FONT><FONT SIZE=3D"4"><SPAN STYLE=3D'font-size:18.0px'><BR>
</SPAN></FONT><SPAN STYLE=3D'font-size:14.0px'><BR>
</SPAN></FONT>
</BODY>
</HTML>


--B_3234461989_4160202--


From Loopers-Delight-request@loopers-delight.com  Fri Jun 30 02:26:25 2006
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Date: Thu, 29 Jun 2006 22:35:29 -0400
From: "David Kirkdorffer" <vze2ncsr@verizon.net>
Subject: Re: 10 year's anniversary of Looper's Delight ?
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10 years!  OMG.  I've been reading this thing for 10 years!   :-)    Well, I
found my first posting - September 15, 1996.  I still ought to read the
digest version of this.  :-)  Back then I thought 10 L-D emails a day was a
lot.  lol


>From ???@??? Sun Sep 15 23:07:39 1996
>From kflint  Sun Sep 15 10:52:30 1996
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Date: Sun, 15 Sep 96 18:56:56 0500
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Is there any possibility of creating a digest of the loopers delight
e-mail group that could come out once or twice a week?

david kirkdorffer
echoplex user



===============================
And here's a posting I'm particularily proud of......
----------------------------------------------


>From ???@??? Sat Oct 19 16:16:28 1996
>From kflint  Sat Oct 19 15:19:55 1996
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From: SayAaahh@aol.com
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To: Loopers-Delight@annihilist.com
Subject: How about a Loopers-Delight CD?
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You know --  I think I remember while I subscribed to the Ambient Digest, a
CD of material produced by the musicians on the list was created.

I'd be interested in working to pull together  such a project -- that is,
working on a CD of Loopers-Delight subscribers loops.

Imagine if a CD costs $2500 and 10 musicians divided 76minutes and the total
cost...

And we could call it Loopers-Delight!

David Kirkdorffer



---------------------------------------------------------

----- Original Message ----- 
From: "Bernhard Wagner" <loopdelightml@xmlizer.biz>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, June 28, 2006 7:56 AM
Subject: 10 year's anniversary of Looper's Delight ?


>
> Sunday, September, 1st 1996 at 23:34:23 -0700 (PDT) the first post message
> ever was posted to LD by Matthew F. McCabe aka King Never:
> http://loopers-delight.com/LDarchive/199609/msg00000.html
>
> September 1st, 2006 will be 10 year's anniversary of Looper's Delight.
>
> How about some celebration and apposite looping madnesssss?!
>
> Bernhard
> http://nosuch.biz
>

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From Loopers-Delight-request@loopers-delight.com  Fri Jun 30 05:00:00 2006
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Subject: software based phrase sampler
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Hey all-

Wow, I may have found the right place after all ...

I noticed some of you are talking about the possibility of a software based 
phrase sampler (with some latency concerns, etc.).

Please check out the demo video at ... www.flyloops.com

I am looking for further development ideas .... I have a few of my own, but 
I am trying to get this product finished by september, so any features that 
you can suggest, I want to know about.

If you would like a copy of the software, let me know.


Aaron

_________________________________________________________________
Don’t just search. Find. Check out the new MSN Search! 
http://search.msn.click-url.com/go/onm00200636ave/direct/01/

From Loopers-Delight-request@loopers-delight.com  Fri Jun 30 08:59:23 2006
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
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Subject: AW: Loop effects: Can software be as good as good hardware?
Date: Fri, 30 Jun 2006 10:59:15 +0200
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> I buy  hardware now only for back-up, because it is new and 
> cool,  or to relieve my irrational insecurities derived from 
> on playing through  hardware for so many years. I think over 
> time, dedicated function hardware effect units will become 
> obsolete, but not for a long time, and maybe not our 
> generation. It's just a hypothosis, veriable only by time.

I'm still waiting for the moment when all the GML 9500, SPL 2595 and Manley
SLAMs will become obsolete...;)

From Loopers-Delight-request@loopers-delight.com  Fri Jun 30 10:14:47 2006
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From: "Buzap Buzap" <buzap@gmx.net>
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Subject: Re: software based phrase sampler
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Hi Aaron

wow, you're vidoe really is awesome!!
Concerning your software, I'd be really interested in knowing more specs...
And... my question: is it available for Mac? :-)

Here is a list of available sw/hw loopers by Per:
http://www.looproom.com/looperchart.php
Where would you position your application?

Btw, I think your video is much better than the stuff i.e. Boss put together for their RC-50. Great!

Best regards
Buzap

-- 


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From Loopers-Delight-request@loopers-delight.com  Fri Jun 30 10:20:48 2006
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Subject: Re: Loop effects: Can software be as good as good hardware?
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It might be worth mentioning that the choices are not only "hardware-only" or "laptop" but also VST-like software effect plug-ins provided on designated rack-hardware, like i.e. TC electronics PowerCore: http://www.tcelectronic.com/PowerCoreConcept

I guess what we will see in future is a stronger blend between software and hardware (designated rack but also physical controllers etc...)

It will be exciting...
Buzap
-- 


Der GMX SmartSurfer hilft bis zu 70% Ihrer Onlinekosten zu sparen!
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From Loopers-Delight-request@loopers-delight.com  Fri Jun 30 12:13:04 2006
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From: "aaron leese" <aaronleese@hotmail.com>
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Subject: Re: software based phrase sampler
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Thanks,

I'm glad to see the chart also ... I always end up reading the specs and 
trying to figure out the capabilities of various looper devices (with mixed 
success since some of them do a pretty bad job publishing that sort of 
thing).

I think I can get it to work on a mac.  I am planning on distributing a beta 
copy in a couple weeks ... If I can get it working on a mac, I'll send you a 
copy.  Doesn't do you a lot of good without the pedals, but you can 
experiment with it anyway.

You asked where I would be on that list:

	          FlyLoops:
Overdub	               - Yes
Feedback	               - Yes
Undo	               - Yes, versatile undo.  All layers independent.
Quantize	               - no
Reverse loop              - yes - and also the option to scratch a any/all 
layers as if they were on a turntable.

MIDI	                - not currently, but I have set it up for that in the 
past.
Presets	                - no, but can save and reload loops, and sets of 
loops.
Sync	                - Internally, using one track as master.
Cut n Paste slices	- yes
Pitch transposing	- could be developed pretty easily.
Time stretching	- same
Tap tempo	                - no
Max numbers of loops	- many, limited by computer
multiple loops in parallel	 - Yes
Audio channels            -  Currently configured for 5, limited only by 
computer hardware.  With a reasonably new computer, there are no latency 
problems up to at least 10 separate loops.

Stereo recording	- Yes
Built-in storage option	- Yes
can run on battery	- No - USB device.
Memory RAM	- N/A




>From: "Buzap Buzap" <buzap@gmx.net>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: software based phrase sampler
>Date: Fri, 30 Jun 2006 12:14:45 +0200
>
>Hi Aaron
>
>wow, you're vidoe really is awesome!!
>Concerning your software, I'd be really interested in knowing more specs...
>And... my question: is it available for Mac? :-)
>
>Here is a list of available sw/hw loopers by Per:
>http://www.looproom.com/looperchart.php
>Where would you position your application?
>
>Btw, I think your video is much better than the stuff i.e. Boss put 
>together for their RC-50. Great!
>
>Best regards
>Buzap
>
>--
>
>
>Der GMX SmartSurfer hilft bis zu 70% Ihrer Onlinekosten zu sparen!
>Ideal für Modem und ISDN: http://www.gmx.net/de/go/smartsurfer
>

_________________________________________________________________
Express yourself instantly with MSN Messenger! Download today - it's FREE! 
http://messenger.msn.click-url.com/go/onm00200471ave/direct/01/

From Loopers-Delight-request@loopers-delight.com  Fri Jun 30 14:54:31 2006
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> copy.  Doesn't do you a lot of good without the pedals, but you can 
> experiment with it anyway.

I'm not sure what you have in the hardware, but if I might make a 
suggestion, maybe you could think about implementing midi controls, so any 
user can just use their midi pedal of choice (FCB1010?).  Your product costs 
will be cheaper if you don't need hardware, and distribution is certainly 
easier.  Of course there's that piracy issue...

I don't mean to discourage you from building a unique interface for your 
product!  I think there's a long way to go from what's available now, and I 
would love to see improvement.  It just might be easier to get the project 
off the ground as a software only product at first, then add the hardware 
portion.

Then again I may be completely misunderstanding what you intend to do with 
the hardware.
Jon

From Loopers-Delight-request@loopers-delight.com  Fri Jun 30 15:26:19 2006
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Hello all, Happy Friday...........

Thinking about picking up an FCB1010. The only thing I really want to do is
have the ability to mute the playback of each of the Repeaters 4 tracks
independently at the press of a button. Being a complete MIDI noob,  I'm
not sure if this can even be done, but I suspect it can.  I would also like
to have a switch that changes the Repeater from Overdub to Insert mode, if
possible.

While I'm brainstorming here........could you also set it up so that one of
the expression pedals controls Tempo ie as you press down on the pedal, the
tempo of the loop increases?

Any help/advice is appreciated!

Thanks!

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From Loopers-Delight-request@loopers-delight.com  Fri Jun 30 15:41:17 2006
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From: "Krispen Hartung" <khartung@cableone.net>
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Subject: Re: MOINSOUND: New Kybermusik recordings online featuring Rick Walker, Charlie Milkey and again Krispen Hartung
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Hi Rainer

Your 23.4.06 links is broken. Here is the correct link: 
http://www.box.net/public/zoe72jie60

Kris


----- Original Message ----- 
From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, June 25, 2006 1:32 PM
Subject: MOINSOUND: New Kybermusik recordings online featuring Rick Walker, 
Charlie Milkey and again Krispen Hartung


> Ok, I put some more kybermusik (virtual internet jams using Ninjam)
> recordings up on the www.moinlabs.de site.
>
> Go to http://moinlabs.byto.de/msa/i_msa_div.htm to find:
>
> "30.4.06 - KYBERMUSIK" (3 excerpts from a 80-minute-performance):
> This was the performance which combined Kris and Rick (playing at Kris' 
> home
> after the BEMF) and me (playing at www.salonerna.de). At least talking 
> about
> my performance, this was one of my weaker performances (both Ninjamming 
> and
> in general) - but with three players, the remaining two can make up for
> that.
> It's Rick on drums/percussion and vocal noises, Krispen on guitar and fx 
> and
> industrial drum loop and me playing bass guitar, synths and aleatoric lead
> guitar.
>
> "The Milkey Way" (4 excerpts from a two-hour-performance):
> A (non-public) performance by Charlie Milkey and me - Charlie playing
> 4-string bass guitar with Jamman, MPX200 and Line6 Toneport/Gearbox, me
> playing my weird tuning sixstring, lots of synths and effects, metronome
> crosstalk and a few loopers as well.
>
> Keep looking for more of this stuff coming soon...
>
> Rainer
>
> 


From Loopers-Delight-request@loopers-delight.com  Fri Jun 30 15:44:46 2006
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Subject: AW: Stupid Repeater/FCB1010 question
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Matthew, 

> Thinking about picking up an FCB1010. The only thing I really 
> want to do is have the ability to mute the playback of each 
> of the Repeaters 4 tracks independently at the press of a 
> button. 

Can be done, using PC messages 16 to 19. This works as a toggle and
independently of the loop you're playing; as Zoe Keating mentioned recently,
there is no way to explicitly set tracks to mute/unmute at the press of a
button. 

> Being a complete MIDI noob,  I'm not sure if this can 
> even be done, but I suspect it can.  I would also like to 
> have a switch that changes the Repeater from Overdub to 
> Insert mode, if possible.

As I understand it, the Repeater doesn't have an Insert option. You can
switch between Overdub and Replace.

> While I'm brainstorming here........could you also set it up 
> so that one of the expression pedals controls Tempo ie as you 
> press down on the pedal, the tempo of the loop increases?

Yes, this works, albeit of course only when you're not synced to MIDI.

If it's of interest to you, I could send you my FCB1010 setup (either the
definition in Excel format, or a Sysex dump from the FCB1010 editor).

	Rainer

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Date: Fri, 30 Jun 2006 11:42:09 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: Stupid Repeater/FCB1010 question
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This is a standard function of Repeater OS 1.1

Midi PC 16 17 18 19 will mute and unmute the various tracks. It's in the FM...


>Hello all, Happy Friday...........
>
>Thinking about picking up an FCB1010. The only thing I really want to do is
>have the ability to mute the playback of each of the Repeaters 4 tracks
>independently at the press of a button. Being a complete MIDI noob,  I'm
>not sure if this can even be done, but I suspect it can.  I would also like
>to have a switch that changes the Repeater from Overdub to Insert mode, if
>possible.
>
>While I'm brainstorming here........could you also set it up so that one of
>the expression pedals controls Tempo ie as you press down on the pedal, the
>tempo of the loop increases?
>
>Any help/advice is appreciated!
>
>Thanks!
>
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-- 
...
http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Fri Jun 30 15:55:34 2006
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Awesome, thanks!

Yes, I meant 'Replace', not 'Insert'- I use those 2 terms interchangeably
in my brain.

Would you mind sending me your FCB sey up? Excel format would be just
great.

Thanks a lot!


                                                                                                                                       
                                                                                                                                       
             "Rainer Thelonius Balthasar       To: <Loopers-Delight@loopers-delight.com>                                               
             Straschill"                       cc:                                                                                     
             <rs@moinlabs.de>                  Subject:  AW: Stupid Repeater/FCB1010 question                                          
             06/30/2006 11:44 AM                                                                                                       
             Please respond to                                                                                                         
             Loopers-Delight                                                                                                           
                                                                                                                                       




Matthew,

> Thinking about picking up an FCB1010. The only thing I really
> want to do is have the ability to mute the playback of each
> of the Repeaters 4 tracks independently at the press of a
> button.

Can be done, using PC messages 16 to 19. This works as a toggle and
independently of the loop you're playing; as Zoe Keating mentioned
recently,
there is no way to explicitly set tracks to mute/unmute at the press of a
button.

> Being a complete MIDI noob,  I'm not sure if this can
> even be done, but I suspect it can.  I would also like to
> have a switch that changes the Repeater from Overdub to
> Insert mode, if possible.

As I understand it, the Repeater doesn't have an Insert option. You can
switch between Overdub and Replace.

> While I'm brainstorming here........could you also set it up
> so that one of the expression pedals controls Tempo ie as you
> press down on the pedal, the tempo of the loop increases?

Yes, this works, albeit of course only when you're not synced to MIDI.

If it's of interest to you, I could send you my FCB1010 setup (either the
definition in Excel format, or a Sysex dump from the FCB1010 editor).

             Rainer




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From Loopers-Delight-request@loopers-delight.com  Fri Jun 30 16:06:23 2006
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: <Loopers-Delight@loopers-delight.com>
Subject: AW: AW: Stupid Repeater/FCB1010 question - post scriptum
Date: Fri, 30 Jun 2006 18:06:01 +0200
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never mind the sysex dump - it seems erroneous to me=20

> -----Urspr=FCngliche Nachricht-----
> Von: Matthew.Quinn@sunlife.com [mailto:Matthew.Quinn@sunlife.com]=20
> Gesendet: Freitag, 30. Juni 2006 17:54
> An: Loopers-Delight@loopers-delight.com
> Cc: Loopers-Delight@loopers-delight.com
> Betreff: Re: AW: Stupid Repeater/FCB1010 question
>=20
> Awesome, thanks!
>=20
> Yes, I meant 'Replace', not 'Insert'- I use those 2 terms=20
> interchangeably in my brain.
>=20
> Would you mind sending me your FCB sey up? Excel format would=20
> be just great.
>=20
> Thanks a lot!
>=20
>=20
>                                                              =20
>                                                              =20
>           =20
>                                                              =20
>                                                              =20
>           =20
>              "Rainer Thelonius Balthasar       To:=20
> <Loopers-Delight@loopers-delight.com>                        =20
>                      =20
>              Straschill"                       cc:           =20
>                                                              =20
>           =20
>              <rs@moinlabs.de>                  Subject:  AW:=20
> Stupid Repeater/FCB1010 question                             =20
>            =20
>              06/30/2006 11:44 AM                             =20
>                                                              =20
>           =20
>              Please respond to                               =20
>                                                              =20
>           =20
>              Loopers-Delight                                 =20
>                                                              =20
>           =20
>                                                              =20
>                                                              =20
>           =20
>=20
>=20
>=20
>=20
> Matthew,
>=20
> > Thinking about picking up an FCB1010. The only thing I=20
> really want to=20
> > do is have the ability to mute the playback of each of the=20
> Repeaters 4=20
> > tracks independently at the press of a button.
>=20
> Can be done, using PC messages 16 to 19. This works as a=20
> toggle and independently of the loop you're playing; as Zoe=20
> Keating mentioned recently, there is no way to explicitly set=20
> tracks to mute/unmute at the press of a button.
>=20
> > Being a complete MIDI noob,  I'm not sure if this can even be done,=20
> > but I suspect it can.  I would also like to have a switch=20
> that changes=20
> > the Repeater from Overdub to Insert mode, if possible.
>=20
> As I understand it, the Repeater doesn't have an Insert=20
> option. You can switch between Overdub and Replace.
>=20
> > While I'm brainstorming here........could you also set it=20
> up so that=20
> > one of the expression pedals controls Tempo ie as you press down on=20
> > the pedal, the tempo of the loop increases?
>=20
> Yes, this works, albeit of course only when you're not synced to MIDI.
>=20
> If it's of interest to you, I could send you my FCB1010 setup=20
> (either the definition in Excel format, or a Sysex dump from=20
> the FCB1010 editor).
>=20
>              Rainer
>=20
>=20
>=20
>=20
> --------------------------------------------------------------
> -------------
> This e-mail message (including attachments, if any) is=20
> intended for the use of the individual or entity to which it=20
> is addressed and may contain information that is privileged,=20
> proprietary , confidential and exempt from disclosure.  If=20
> you are not the intended recipient, you are notified that any=20
> dissemination, distribution or copying of this communication=20
> is strictly prohibited.  If you have received this=20
> communication in error, please notify the sender and erase=20
> this e-mail message immediately.
> --------------------------------------------------------------
> -------------
>=20
>=20

From Loopers-Delight-request@loopers-delight.com  Fri Jun 30 17:08:59 2006
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Subject: RE: software based phrase sampler
Date: Fri, 30 Jun 2006 12:08:53 -0500
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From: "jeff larson" <jeff.larson@sailpoint.com>
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> From: aaron leese
> Wow, I may have found the right place after all ...

Something of an understatement.  Welcome to your new home :-)

> I am looking for further development ideas .... I have a few=20
> of my own, but I am trying to get this product finished by=20
> september, so any features that you can suggest, I want to know about.

A few words of advice:

If you're expecting to make money from this, do some market research.
Look at what Ableton Live does.  Look at the other software loopers
that have been available for several years.  Search the archives
of this mailing list for software looping discussions.

Forget about the proprietary hardware interface and support off the
shelf MIDI foot controllers.  People willing to incorporate a laptop
into their rig tend to be technically savvy and have other MIDI
hardware or software. They already have a foot controller and dislike
consuming floor space with another one.  At the very least make
it optional.

Provide the option to run it as a VST plugin.  Again, musicians with
laptops are frequently also using them to host VST instruments and
effects, and expect the ability to wire the looper into their VST rig.

Support synchronization with external devices.  Many loopers like to
use them in conjunction with a drum machine or software sequencer
running drum patterns or background loops.  At the very least,=20
provide the ability to generate a stable MIDI master clock for
a slaved drum machine.  If possible, support the ability to=20
to be a slave to a MIDI clock generated by a drum machine.

Good luck with the project!

Regards,
Jeff


PS: Back to your hardware.  If you understand hardware and device
drivers well enough to build a small 12 button USB footswitch and make
it appear to the system as a MIDI device, then provide software to map
arbitrary MIDI messages to the down and up transitions of the switches,
and can manufacture it for under $200, that would be a very attractive
product for many laptop-based musicians.  You will make more money
off that than you ever will with looping software :-)

From Loopers-Delight-request@loopers-delight.com  Fri Jun 30 17:09:19 2006
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To: Loopers-Delight@loopers-delight.com
Subject: Re: software based phrase sampler
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I should correct myself, so as to eliminate some confusion here.  There is 
no logic in the hardware, you probably could use a midi controller ... it 
would take me some time to code that in, though.  The pedals currently 
register as a USB keypad .... real simple device.  So without the pedals, 
the program is still fully functional (you just have to start and stop 
recording with a mouse or keyboard).

I am amazed that there is no latency concerns, personally.  I always figured 
it would be problematic to develop a software based phrase sampler, but it's 
solid as any harware solution I've used yet.

The piracy thing is of some concern ..... I have spent alot of time and 
money on this project, and would like to get some of it back.  Then there 
are those college loans too ...... hmmmm.

In any event, I will put a beta version out there soon for all of you to 
experiment with ...



>From: "jondrums" <jondrums@hotmail.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: <Loopers-Delight@loopers-delight.com>
>Subject: Re: software based phrase sampler
>Date: Fri, 30 Jun 2006 07:54:24 -0700
>
>>copy.  Doesn't do you a lot of good without the pedals, but you can 
>>experiment with it anyway.
>
>I'm not sure what you have in the hardware, but if I might make a 
>suggestion, maybe you could think about implementing midi controls, so any 
>user can just use their midi pedal of choice (FCB1010?).  Your product 
>costs will be cheaper if you don't need hardware, and distribution is 
>certainly easier.  Of course there's that piracy issue...
>
>I don't mean to discourage you from building a unique interface for your 
>product!  I think there's a long way to go from what's available now, and I 
>would love to see improvement.  It just might be easier to get the project 
>off the ground as a software only product at first, then add the hardware 
>portion.
>
>Then again I may be completely misunderstanding what you intend to do with 
>the hardware.
>Jon
>

_________________________________________________________________
Don’t just search. Find. Check out the new MSN Search! 
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From Loopers-Delight-request@loopers-delight.com  Fri Jun 30 17:24:16 2006
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Subject: RE: software based phrase sampler
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> PS: Back to your hardware.  If you understand hardware and device
> drivers well enough to build a small 12 button USB footswitch and make
> it appear to the system as a MIDI device, then provide software to map
> arbitrary MIDI messages to the down and up transitions of the switches,
> and can manufacture it for under $200, that would be a very attractive
> product for many laptop-based musicians.  You will make more money
> off that than you ever will with looping software :-)

As part of your market research for the USB controller, talk to Peter Kirn
over at:
CreateDigitalMusic.com

Cheers,
Kevin
www.TheNettles.com


From Loopers-Delight-request@loopers-delight.com  Fri Jun 30 17:43:26 2006
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Subject: OT vst question
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is there a free VST plugin for Windows that can do dramatic pitch
correction, you know, Cher style and worse? -Michael

From Loopers-Delight-request@loopers-delight.com  Fri Jun 30 18:19:15 2006
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This? http://www.gvst.co.uk/gsnap.htm

Kris

----- Original Message ----- 
From: "Michael Peters" <veloopity@web.de>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, June 30, 2006 11:43 AM
Subject: OT vst question


> is there a free VST plugin for Windows that can do dramatic pitch
> correction, you know, Cher style and worse? -Michael
> 
>

From Loopers-Delight-request@loopers-delight.com  Fri Jun 30 18:19:23 2006
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> I am amazed that there is no latency concerns, personally.  I always
figured=20
> it would be problematic to develop a software based phrase sampler,
but it's=20
> solid as any hardware solution I've used yet.

Latency issues have been discussed several times on this list.  Some
people have a higher sensitivity for it than others.  Are you doing
any latency compensation, or are you relying on the fact that with
small ASIO buffer sizes latency is hard to detect?

> The piracy thing is of some concern ..... I have spent alot of time
and=20
> money on this project, and would like to get some of it back.  Then
there=20
> are those college loans too ...... hmmmm.

I truly wish you the best of luck, but I think you will find that
there isn't much money to be made here.  Be prepared to spend some
money on advertising, trade shows, etc.  If you can generate enough
market awareness that piracy even becomes an issue, consider yourself
lucky.  I guarantee you though that if you tie this to an expensive
piece of hardware no one will buy it.

Anyway, its always nice to welcome a fellow software looper to the list.
Another word of advice though.  Be careful using phrases like
"solid as any hardware solution" on this list.  You will incur the
awesome wrath of the Dedicated Hardware Loopers! :-)

Best regards,
Jeff

From Loopers-Delight-request@loopers-delight.com  Fri Jun 30 20:10:55 2006
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Subject: Re: 10 year's anniversary of Looper's Delight ?
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Well, I'm on my very first day of successful looping, so--quite 
presumptuously--I have already uploaded a 31 second (oops!) loop for the 
project.  My laptop's audio card is a little noisy, and there are no 
effects--just straight acoustic guitar and drum machine looped with 
Mobius--but it was fun!  Woohooo!

/I'm a real /boy/ looper!/

--Josh



Krispen Hartung wrote:
> Let's do it!!  I will create one today.
>  
> Create your 30 sec. MP3s in 128 rate format and upload them here:
>  
> http://www.box.net/
> Login: loopersdelight
> Password: loopersdelight
>  
> Title the MP3 with your name and location, like Kris Hartung - Boise 
> Idaho USA.mp3
>  
> Kris
>  
>  
> ----- Original Message -----
> From: "Fabio Anile" <fabio.anile@tiscali.it 
> <mailto:fabio.anile@tiscali.it>>
> To: <Loopers-Delight@loopers-delight.com 
> <mailto:Loopers-Delight@loopers-delight.com>>
> Sent: Wednesday, June 28, 2006 10:38 AM
> Subject: Re: 10 year's anniversary of Looper's Delight ?
>
> >> How about each of us record a 30 second looping piece and we create a
> >> giant collage of looping stringed together in one MP3, or streamed 
> via a
> >> playlist. I'm willing to store the MP3s and host the playlist.
> >>
> >> Kris
> >
> >
> > YES !!!
> >
> >
> >
> >

--------------070607070409070108030606
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: 7bit

<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
  <meta content="text/html;charset=ISO-8859-1" http-equiv="Content-Type">
</head>
<body bgcolor="#ffffff" text="#000000">
Well, I'm on my very first day of successful looping, so--quite
presumptuously--I have already uploaded a 31 second (oops!) loop for
the project.&nbsp; My laptop's audio card is a little noisy, and there are
no effects--just straight acoustic guitar and drum machine looped with
Mobius--but it was fun!&nbsp; Woohooo!<br>
<br>
<i>I'm a real </i><del>boy</del><i> looper!</i><br>
<br>
--Josh<br>
<br>
<br>
<br>
Krispen Hartung wrote:
<blockquote
 cite="mid0f6101c69ad2$b4470240$0cb1ec0f@americas.hpqcorp.net"
 type="cite">
  <meta http-equiv="Content-Type" content="text/html; ">
  <meta content="MSHTML 6.00.2900.2912" name="GENERATOR">
  <style></style>
  <div><font face="Arial" size="2">Let's do it!!&nbsp; I will create one
today.</font></div>
  <div>&nbsp;</div>
  <div><font face="Arial" size="2">Create your 30 sec. MP3s in 128 rate
format and upload them here:</font></div>
  <div>&nbsp;</div>
  <div><font face="Arial" size="2"><a href="http://www.box.net/">http://www.box.net/</a></font></div>
  <div><font face="Arial" size="2">Login: loopersdelight</font></div>
  <div><font face="Arial" size="2">Password: loopersdelight</font></div>
  <div>&nbsp;</div>
  <div><font face="Arial" size="2">Title the MP3 with your name and
location, like Kris Hartung - Boise Idaho USA.mp3</font></div>
  <div>&nbsp;</div>
  <div><font face="Arial" size="2">Kris</font></div>
  <div>&nbsp;</div>
  <div>&nbsp;</div>
  <div><font face="Arial" size="2">----- Original Message ----- </font>
  <div><font face="Arial" size="2">From: "Fabio Anile" &lt;</font><a
 href="mailto:fabio.anile@tiscali.it"><font face="Arial" size="2">fabio.anile@tiscali.it</font></a><font
 face="Arial" size="2">&gt;</font></div>
  <div><font face="Arial" size="2">To: &lt;</font><a
 href="mailto:Loopers-Delight@loopers-delight.com"><font face="Arial"
 size="2">Loopers-Delight@loopers-delight.com</font></a><font
 face="Arial" size="2">&gt;</font></div>
  <div><font face="Arial" size="2">Sent: Wednesday, June 28, 2006 10:38
AM</font></div>
  <div><font face="Arial" size="2">Subject: Re: 10 year's anniversary
of Looper's Delight ?</font></div>
  </div>
  <div><font face="Arial"><br>
  </font></div>
  <font face="Arial" size="2">&gt;&gt; How about each of us record a 30
second looping piece and we create a <br>
&gt;&gt; giant collage of looping stringed together in one MP3, or
streamed via a <br>
&gt;&gt; playlist. I'm willing to store the MP3s and host the playlist.<br>
&gt;&gt;<br>
&gt;&gt; Kris<br>
&gt; <br>
&gt; <br>
&gt; YES !!!<br>
&gt; <br>
&gt; <br>
&gt; <br>
&gt;</font></blockquote>
</body>
</html>

--------------070607070409070108030606--

From Loopers-Delight-request@loopers-delight.com  Fri Jun 30 22:23:17 2006
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there's a free compilation chock full of looping bands (electric bird 
noise / something about vampires and sluts etc.) at:

 nomorestarsrecords.com

 check it out!

 brian

________________________________________________________________________
Check out AOL.com today. Breaking news, video search, pictures, email 
and IM. All on demand. Always Free.

From Loopers-Delight-request@loopers-delight.com  Fri Jun 30 22:53:54 2006
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <22351.62.2.75.66.1151495782.squirrel@webmail.perspectix.com> <0ede01c69abe$dc6ef200$0cb1ec0f@americas.hpqcorp.net> <00f601c69ad1$3ec33260$e701a8c0@pcfabio> <0f6101c69ad2$b4470240$0cb1ec0f@americas.hpqcorp.net> <44A58549.8000304@infinivert.com>
Subject: Re: 10 year's anniversary of Looper's Delight ?
Date: Fri, 30 Jun 2006 16:53:49 -0600
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wonderful. Keep em' coming folks. Let's see how many we can have before =
the official 10 year anniversary date.

Kris

  ----- Original Message -----=20
  From: Joshua Carroll=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Friday, June 30, 2006 2:10 PM
  Subject: Re: 10 year's anniversary of Looper's Delight ?


  Well, I'm on my very first day of successful looping, so--quite =
presumptuously--I have already uploaded a 31 second (oops!) loop for the =
project.  My laptop's audio card is a little noisy, and there are no =
effects--just straight acoustic guitar and drum machine looped with =
Mobius--but it was fun!  Woohooo!

  I'm a real boy looper!

  --Josh



  Krispen Hartung wrote:=20
    Let's do it!!  I will create one today.

    Create your 30 sec. MP3s in 128 rate format and upload them here:

    http://www.box.net/
    Login: loopersdelight
    Password: loopersdelight

    Title the MP3 with your name and location, like Kris Hartung - Boise =
Idaho USA.mp3

    Kris


    ----- Original Message -----=20
    From: "Fabio Anile" <fabio.anile@tiscali.it>
    To: <Loopers-Delight@loopers-delight.com>
    Sent: Wednesday, June 28, 2006 10:38 AM
    Subject: Re: 10 year's anniversary of Looper's Delight ?


    >> How about each of us record a 30 second looping piece and we =
create a=20
    >> giant collage of looping stringed together in one MP3, or =
streamed via a=20
    >> playlist. I'm willing to store the MP3s and host the playlist.
    >>
    >> Kris
    >=20
    >=20
    > YES !!!
    >=20
    >=20
    >=20
    >
------=_NextPart_000_1912_01C69C65.C25A3700
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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type =
content=3Dtext/html;charset=3DISO-8859-1>
<META content=3D"MSHTML 6.00.2900.2912" name=3DGENERATOR></HEAD>
<BODY text=3D#000000 bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>wonderful. Keep em' coming folks. Let's =
see how=20
many we can have before the official 10 year anniversary =
date.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Djosh@infinivert.com =
href=3D"mailto:josh@infinivert.com">Joshua=20
  Carroll</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, June 30, 2006 =
2:10 PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: 10 year's =
anniversary of=20
  Looper's Delight ?</DIV>
  <DIV><BR></DIV>Well, I'm on my very first day of successful looping, =
so--quite=20
  presumptuously--I have already uploaded a 31 second (oops!) loop for =
the=20
  project.&nbsp; My laptop's audio card is a little noisy, and there are =
no=20
  effects--just straight acoustic guitar and drum machine looped with=20
  Mobius--but it was fun!&nbsp; Woohooo!<BR><BR><I>I'm a real=20
  </I><DEL>boy</DEL><I> looper!</I><BR><BR>--Josh<BR><BR><BR><BR>Krispen =
Hartung=20
  wrote:=20
  <BLOCKQUOTE =
cite=3Dmid0f6101c69ad2$b4470240$0cb1ec0f@americas.hpqcorp.net=20
  type=3D"cite">
    <META content=3D"MSHTML 6.00.2900.2912" name=3DGENERATOR>
    <STYLE></STYLE>

    <DIV><FONT face=3DArial size=3D2>Let's do it!!&nbsp; I will create =
one=20
    today.</FONT></DIV>
    <DIV>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>Create your 30 sec. MP3s in 128 =
rate format and=20
    upload them here:</FONT></DIV>
    <DIV>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2><A=20
    href=3D"http://www.box.net/">http://www.box.net/</A></FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>Login: loopersdelight</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>Password: =
loopersdelight</FONT></DIV>
    <DIV>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>Title the MP3 with your name and =
location, like=20
    Kris Hartung - Boise Idaho USA.mp3</FONT></DIV>
    <DIV>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
    <DIV>&nbsp;</DIV>
    <DIV>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>----- Original Message ----- =
</FONT>
    <DIV><FONT face=3DArial size=3D2>From: "Fabio Anile" &lt;</FONT><A=20
    href=3D"mailto:fabio.anile@tiscali.it"><FONT face=3DArial=20
    size=3D2>fabio.anile@tiscali.it</FONT></A><FONT face=3DArial=20
    size=3D2>&gt;</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>To: &lt;</FONT><A=20
    href=3D"mailto:Loopers-Delight@loopers-delight.com"><FONT =
face=3DArial=20
    size=3D2>Loopers-Delight@loopers-delight.com</FONT></A><FONT =
face=3DArial=20
    size=3D2>&gt;</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>Sent: Wednesday, June 28, 2006 =
10:38=20
    AM</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>Subject: Re: 10 year's anniversary =
of Looper's=20
    Delight ?</FONT></DIV></DIV>
    <DIV><FONT face=3DArial><BR></FONT></DIV><FONT face=3DArial =
size=3D2>&gt;&gt; How=20
    about each of us record a 30 second looping piece and we create a=20
    <BR>&gt;&gt; giant collage of looping stringed together in one MP3, =
or=20
    streamed via a <BR>&gt;&gt; playlist. I'm willing to store the MP3s =
and host=20
    the playlist.<BR>&gt;&gt;<BR>&gt;&gt; Kris<BR>&gt; <BR>&gt; <BR>&gt; =
YES=20
    !!!<BR>&gt; <BR>&gt; <BR>&gt;=20
<BR>&gt;</FONT></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_1912_01C69C65.C25A3700--


From Loopers-Delight-request@loopers-delight.com  Fri Jun 30 23:28:48 2006
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Date: Fri, 30 Jun 2006 16:28:46 -0700 (PDT)
From: Robert Michael <rob_michael_2002@yahoo.com>
Subject: "Atmos Trio" CD featuring Looping
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Not a "looping CD' per say, but one track off the new
CD "Atmos Trio" features some looping. Check it out if
you like and enjoy.

Go to http://AtmosMusic.com/

and visit the MUSIC page.

Track: Nardis (Yes, The Miles Davis tune)

For "gear-heads" only:
Features the use of a Boss GT-8
Electrix Repeater
Line 6 DL-4
Roland Handsonic

The other tunes on the disc feature instruments played
by humans with fingers---no further implements.

If you like what you hear--Atmos can be found playing
all over the San Francisco Bay area. Catch one of
their shows ... and/ or you can buy a CD.

Atmos Trio
Rob Michael  Solidbody & Hollowbody electric guitar,
Nylon and Steel string Acoustic guitars.
Jeff Obee  Six-string electric fretted and fretless
basses.
Joe Shotwell  Drums and percussion

