From Loopers-Delight-request@loopers-delight.com  Wed Mar  1 00:03:15 2006
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From: Kelly Coyle <kellycoyle@charter.net>
Subject: sp-808
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I'm sort of interested in this box. I'm getting away from loopers per- 
se (that paradigm doesn't seem to work for me) -- what I really want  
is a small recorder that can loop whatever you're playing and then  
you can dink with it. (yes, the looperlative sounds cool). (So does  
the new Electro-Harmonix, but that seems pretty limited.) (I am *sad*  
about the Repeater.) The question I have is, does the "record strobe"  
MIDI control mean you can rig a pedal to start recording the sample?  
What does "strobe" mean here anyway?




-----
Music: http://www.kellycoyle.net
Blog: http://wwwquotidianme.blogspot.com/

From Loopers-Delight-request@loopers-delight.com  Wed Mar  1 00:07:48 2006
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Date: Tue, 28 Feb 2006 18:07:52 -0600
To: Loopers-Delight@loopers-delight.com
From: mech <mech@m3ch.net>
Subject: Re: DD20 or DL-4
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At 11:41 PM +0000 2/28/06, Stuart Wyatt wrote:
>>Stuart, are you sure you're not mixing up the DD-20 with the RC-20?
>
>On reflection..., I think I am :)

Hey -- no harm, no foul.  That's an easy mistake to make.  ;)

	--m.

-- 
_______
"Take a packet of seeds.  Take yourself out to play
  I want to see river of orchids where we had a motorway..."

From Loopers-Delight-request@loopers-delight.com  Wed Mar  1 00:12:26 2006
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One question is, is Nick who originally asked the question mixing up the two?

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Date: Tue, 28 Feb 2006 18:07:52 -0600
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At 11:41 PM +0000 2/28/06, Stuart Wyatt wrote:
>>Stuart, are you sure you're not mixing up the DD-20 with the RC-20?
>
>On reflection..., I think I am :)

Hey -- no harm, no foul.  That's an easy mistake to make.  ;)

	--m.

-- 
_______
"Take a packet of seeds.  Take yourself out to play
  I want to see river of orchids where we had a motorway..."


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From Loopers-Delight-request@loopers-delight.com  Wed Mar  1 00:17:39 2006
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Date: Tue, 28 Feb 2006 18:17:43 -0600
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Subject: Re: DD20 or DL-4
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At 11:33 PM +0100 2/28/06, Rainer Thelonius Balthasar Straschill wrote:
>I'd like to summarize the advantages/disadvantages of both in a few lines -
>but I'm sure that there are others that can tell you a lot more (especially
>about the DD20 - got mine last Saturday).
>
>[snip...]

I think that Rainer does an excellent job of summarizing both units. 
There's one extra feature I'd like to add for the DD-20, though.  If 
you also get one of the optional Roland FS footswitches (the FS-5U -- 
the unlatched version) you can use it to get a reasonably close 
approximation to some of the EDP "glitch" functionalities (ala 
LaFosse, etc).  This is the only floor unit I can think of off the 
top of my head that can do that.

Other than that, I'll simply go on to agree with the other posters 
here.  I like the DD-20 (it's great for exceptionally clean loops, as 
well as textures and polyrhythms).  However, the DL-4 is a lot more 
accessible, IMNSHO, and is easier with which to get instant 
gratification.  That last point may be especially important, 
depending upon the technical skill level of the gift recipient.

I think the "neat" factor is a lot more apparent on the DL-4.  While 
I finally consider the DD-20 just as "neat", it's a more subtle box 
and you've got to take more time to explore its options.

	--m.

-- 
_______
"Wind in my heart. Dust in my head..."

From Loopers-Delight-request@loopers-delight.com  Wed Mar  1 00:27:16 2006
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>One question is, is Nick who originally asked the question mixing up the two?

No. I meant the DD20. I ruled out the RC20 because it does not have adjustable feedback and I wanted a looper that used the delay paradigm, not a phrase sampler.
Thanks for checking and thanks to all who have replied so far.
Nick


From Loopers-Delight-request@loopers-delight.com  Wed Mar  1 00:57:38 2006
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Date: Tue, 28 Feb 2006 19:53:46 -0500
From: Bill Fox <billyfox@soundscapes.us>
Subject: Galactic Travels Playlist #465 for February 23, 2006
To: Galactic Travels Yahoogroup <galactic-travels@yahoogroups.com>,
	Ambient Hyperreal List <ambient@hyperreal.org>,
	AIMusic Yahoogroup <AIMusic@yahoogroups.com>, WDIY <info@wdiy.org>
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http://wdiy.org/programs/gt/playlists/2006/060223.html

Galactic Travels is an electronic, ambient, and space music show, that 
airs each
Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA, 93.9 
FM in
Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville and Trexlertown, 
92.9 FM on
Service Electric Cable, and webcasting on the internet.

                    Show #465                    February 23, 2006

RECAP:
On this show, I concluded the month-long focus on Klaus Schulze.  The 
Featured CD
at Midnight was CD3 from "In Blue" on Revisited Records.

The Vinyl Starter was "Live" by Klaus Schulze on Brain Recrods and 
released in
1980.

Klaus Schulze - <http://wdiy.org/programs/gt/playlists/2006/focus.html#feb>


PLAYLIST:

11:04 pm
ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
==================================
Klaus Schulze           Sense *                  Live (Brain)
Polaris                 A Way Back               Moo'n'sequences (none)
vidnaObmana and         Opening                  Motives for Recycling 
(Soleilmoon)
  Asmus Tietchens
Robert Rich             Never Alone              Electric Ladder 
(Soundscapes)
VA [Ian Boddy]          The Mystic               E-dition #11 (Groove)
VA [Robert Rich and     Edge of Nowhere          E-dition #11 (Groove)
  Ian Boddy]
VA [Shifts]             Vertonen 19              The Walls Are 
Whispering Vol. III
                                                   (EE Tapes)
Mikronesia              Slow Bleeding            Tissue Paper 
Ghosts(Gears of Sand)
Mikronesia              Untitled Love            Tissue Paper 
Ghosts(Gears of Sand)
Robert Rich and         Geode                    Lithosphere (DiN)
  Ian Boddy

12:00 am
ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
==================================
Robert Rich and         Stone *                  Lithosphere (DiN)
  Ian Boddy
Klaus Schulze           Musique Abstract         In Blue - CD3 (Revisited)
Klaus Schulze           Return of the Temple 2   In Blue - CD3 (Revisited)
Klaus Schulze           Out of the Blue          In Blue - CD3 (Revisited)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist


NEXT SHOW:
On the next Galactic Travels, I'll begin a month-long focus on E-dition 
Magazine</a>.
The Featured CD at Midnight will be the CD that came with issue #5.

The Vinyl Starter will be "Live" by Klaus Schulze on Brain Recrods and 
released in
1980.

Bill
===============================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EST/GMT-5:00 on WDIY 88.1 FM in Allentown and 
Bethlehem,
93.7 in Fogelsville and Trexlertown, 93.9 FM in Easton and Phillipsburg and
92.9 on Service Electric Cable. Listen on-line to WDIY at 
http://wdiy.org and
click on the LISTEN link or go directly to:
http://rm1.refugemedia.com/ramgen/encoder/wdiy.rm
Galactic Travels web site - http://wdiy.org/programs/gt
To subscribe to the galactic-travels mailing list, click on [Join This 
Group!]
at http://groups.yahoo.com/group/galactic-travels
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/podcasts.xml

From Loopers-Delight-request@loopers-delight.com  Wed Mar  1 01:51:48 2006
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Date: Tue, 28 Feb 2006 20:48:07 -0500
From: Bill Fox <billyfox@soundscapes.us>
Subject: Galactic Travels Monthly Top 20 Report for February, 2006
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http://wdiy.org/programs/gt/playlists/2006/top20feb.html

WDIY 88.1 FM "Galactic Travels" Top 20 for February, 2006.
Shows #462 to #465; 2-February-2006 to 23-February-2006
Reported in non-ranked, alphanumeric order.
Compiled by Bill Fox
website: http://wdiy.org/programs/gt
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/podcasts.xml


ARTIST - ALBUM TITLE - LABEL
===========================================================
Chad Hoefler - Quiet Glow - Lotuspike
Craig Padilla and Zero Ohms - Path of Least Resistance - Lotuspike
Create - From Earth To Mars - Groove
Gert Emmens - When Darkness Falls the Earth - Groove
Gert Emmens and Ruud Heij - Blind Watchers of a Vanishing Night - EH
Klaus Schulze - Dig It - Revisited
Klaus Schulze - In Blue; CD1 - Revisited
Klaus Schulze - In Blue; CD2 - Revisited
Klaus Schulze - In Blue; CD3 - Revisited
Loren Nerell, Steve Roach and Chuck Oken - Analogy Volume 1 - Groove
Mystified - The Hand of Jayanti - Blue Water
Polaris - Moo'n'sequences - none
Robert Rich - Electric Ladder - Soundscapes
Robert Rich and Ian Boddy - Lithosphere - DiN
Sound Solutions Inc. - SSI - Azra/Chlorophyll
Steve Roach - Immersion: One - Projekt
Thought Guild - Continuum - HRR
Various Artists - E-dition #11 - Groove
Various Artists - S/T - Die Stadt
Various Artists - The Walls Are Whispering Vol. III - EE Tapes

From Loopers-Delight-request@loopers-delight.com  Wed Mar  1 11:23:36 2006
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Subject: Re: DD20 or DL-4
Date: Wed, 1 Mar 2006 12:23:25 +0100
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Is DD-20 "sound on sound" in stereo?
Thomas

----- Original Message ----- 
From: "nick douglas" <nickd@mindspring.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, March 01, 2006 1:29 AM
Subject: Re: DD20 or DL-4


> >One question is, is Nick who originally asked the question mixing up the 
> >two?
>
> No. I meant the DD20. I ruled out the RC20 because it does not have 
> adjustable feedback and I wanted a looper that used the delay paradigm, 
> not a phrase sampler.
> Thanks for checking and thanks to all who have replied so far.
> Nick
>
>
> 


From Loopers-Delight-request@loopers-delight.com  Wed Mar  1 12:26:55 2006
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References: <3.0.6.32.20060228192939.013266d0@pop.mindspring.com> <000501c63d22$8ed69dd0$6402a8c0@thomas>
Subject: Re: DD20 or DL-4
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Yes it is. But I suggest you to use the dual delay with feedback to 60%-70%

Fabio Anile

http://xoomer.virgilio.it/eterogeneo/
http://music.download.com/eterogeneo/3600-8357-100294444.html?tag=quickurl


----- Original Message ----- 
From: "Thomas Maintz" 


> Is DD-20 "sound on sound" in stereo?
> Thomas


From Loopers-Delight-request@loopers-delight.com  Wed Mar  1 14:01:47 2006
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Date: Wed, 1 Mar 2006 06:01:43 -0800 (PST)
From: Luis Angulo <labalou2000@yahoo.com>
Subject: Re: DD20 or DL-4
To: Loopers-Delight@loopers-delight.com
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one of the frustrating things i find about the dl-4 is
the tap tempo feature,it seems it goes through
different interval settings and i dont find it too
intuitive,is the dd-20 better in this department?
cheers
Luis

 
--- Fabio Anile <fabio.anile@tiscali.it> wrote:

> Yes it is. But I suggest you to use the dual delay
> with feedback to 60%-70%
> 
> Fabio Anile
> 
> http://xoomer.virgilio.it/eterogeneo/
>
http://music.download.com/eterogeneo/3600-8357-100294444.html?tag=quickurl
> 
> 
> ----- Original Message ----- 
> From: "Thomas Maintz" 
> 
> 
> > Is DD-20 "sound on sound" in stereo?
> > Thomas
> 
> 
> 


www.luis-angulo.com

__________________________________________________
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Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Wed Mar  1 14:28:00 2006
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Subject: Re: DD20 or DL-4
Date: Wed, 01 Mar 2006 14:27:57 +0000
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Definitely.  The DD-20 has a a digital readout and a knob that lets you precisely set the delay time.
 -------------- Original message ----------------------
From: Luis Angulo <labalou2000@yahoo.com>
> one of the frustrating things i find about the dl-4 is
> the tap tempo feature,it seems it goes through
> different interval settings and i dont find it too
> intuitive,is the dd-20 better in this department?
> cheers
> Luis
> 
>  
> --- Fabio Anile <fabio.anile@tiscali.it> wrote:
> 
> > Yes it is. But I suggest you to use the dual delay
> > with feedback to 60%-70%
> > 
> > Fabio Anile
> > 
> > http://xoomer.virgilio.it/eterogeneo/
> >
> http://music.download.com/eterogeneo/3600-8357-100294444.html?tag=quickurl
> > 
> > 
> > ----- Original Message ----- 
> > From: "Thomas Maintz" 
> > 
> > 
> > > Is DD-20 "sound on sound" in stereo?
> > > Thomas
> > 
> > 
> > 
> 
> 
> www.luis-angulo.com
> 
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around 
> http://mail.yahoo.com 
> 


From Loopers-Delight-request@loopers-delight.com  Wed Mar  1 16:39:27 2006
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From: "joe rut" <joerut@lycos.com>
To: Loopers-Delight@loopers-delight.com
Date: Wed, 01 Mar 2006 11:39:02 -0500
Subject: Re: Do I need that EDP?
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hmmmmm..indeed.  That sounds like something worthy of my looking into.  Tha=
nks.

Joe

Stan Wrote:
> hmmm...missed that original post.
> i am an OLDSCHOOL tube amp guitar player-and have always had a hellofa ti=
me
> tryin to get these looper thanggs in the signal path and still (ab)use all
> the traits of a tube amp.
> finally found amps that had trustworthy tube efx loops. once i put the edp
> or any other rack looper in there-the clean sounds and signal levels of t=
he
> looper were maintained while yer guitar is still going straight to the fr=
ont
> of the amp for all the richness and distortion or whatever else that
> combination brings...
> it takes a lot of tweaking and matching levels but once you get it-its the
> best of both worlds-imo
> stan
>

--=20
_______________________________________________

Search for businesses by name, location, or phone number.  -Lycos Yellow Pa=
ges

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From Loopers-Delight-request@loopers-delight.com  Wed Mar  1 17:28:22 2006
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Subject: Re: Do I need that EDP?
Date: Wed, 01 Mar 2006 17:28:11 +0000
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What I do is split the signal with an ABY box before it hits the looper and then the straight guitar signal and the output from the looper into a mixer and then to the amp.

Just another idea!

Chris

 -------------- Original message ----------------------
From: "joe rut" <joerut@lycos.com>
> hmmmmm..indeed.  That sounds like something worthy of my looking into.  Thanks.
> 
> Joe
> 
> Stan Wrote:
> > hmmm...missed that original post.
> > i am an OLDSCHOOL tube amp guitar player-and have always had a hellofa time
> > tryin to get these looper thanggs in the signal path and still (ab)use all
> > the traits of a tube amp.
> > finally found amps that had trustworthy tube efx loops. once i put the edp
> > or any other rack looper in there-the clean sounds and signal levels of the
> > looper were maintained while yer guitar is still going straight to the front
> > of the amp for all the richness and distortion or whatever else that
> > combination brings...
> > it takes a lot of tweaking and matching levels but once you get it-its the
> > best of both worlds-imo
> > stan
http://r.lycos.com/r/yp_emailfooter/http://yellowpages.lycos.com/default.asp?SRC
> =lycos10
> 


From Loopers-Delight-request@loopers-delight.com  Wed Mar  1 19:19:46 2006
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Subject: Vedr. Re: Do I need that EDP?
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Hi !
   
  This was interesting. Can you give more details about your gear and the "signal route" ? Maybe why you split like you do ?
   
  Rune f
  
Christophe <cburke55@comcast.net> skrev:
    What I do is split the signal with an ABY box before it hits the looper ?and then the straight guitar signal and the output from the looper into a mixer and then to the amp.

Just another idea!

Chris

-------------- Original message ----------------------
From: "joe rut" 
> hmmmmm..indeed. That sounds like something worthy of my looking into. Thanks.
> 
> Joe
> 
> Stan Wrote:
> > hmmm...missed that original post.
> > i am an OLDSCHOOL tube amp guitar player-and have always had a hellofa time
> > tryin to get these looper thanggs in the signal path and still (ab)use all
> > the traits of a tube amp.
> > finally found amps that had trustworthy tube efx loops. once i put the edp
> > or any other rack looper in there-the clean sounds and signal levels of the
> > looper were maintained while yer guitar is still going straight to the front
> > of the amp for all the richness and distortion or whatever else that
> > combination brings...
> > it takes a lot of tweaking and matching levels but once you get it-its the
> > best of both worlds-imo
> > stan
http://r.lycos.com/r/yp_emailfooter/http://yellowpages.lycos.com/default.asp?SRC
> =lycos10
> 





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<div>Hi !</div>  <div>&nbsp;</div>  <div>This was interesting.&nbsp;Can you give more details about your&nbsp;gear and the "signal route" ? Maybe why you split like you do ?</div>  <div>&nbsp;</div>  <div>Rune f</div>  <div><BR><B><I>Christophe &lt;cburke55@comcast.net&gt;</I></B> skrev:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">  <div>What I do is split the signal with an ABY box before it hits the looper ?and then the straight guitar signal and the output from the looper into a mixer and then to the amp.<BR><BR>Just another idea!<BR><BR>Chris<BR><BR>-------------- Original message ----------------------<BR>From: "joe rut" <JOERUT@LYCOS.COM><BR>&gt; hmmmmm..indeed. That sounds like something worthy of my looking into. Thanks.<BR>&gt; <BR>&gt; Joe<BR>&gt; <BR>&gt; Stan Wrote:<BR>&gt; &gt; hmmm...missed that original post.<BR>&gt; &gt; i am an OLDSCHOOL tube amp guitar player-and have always had a hellofa time<BR>&gt;
 &gt; tryin to get these looper thanggs in the signal path and still (ab)use all<BR>&gt; &gt; the traits of a tube amp.<BR>&gt; &gt; finally found amps that had trustworthy tube efx loops. once i put the edp<BR>&gt; &gt; or any other rack looper in there-the clean sounds and signal levels of the<BR>&gt; &gt; looper were maintained while yer guitar is still going straight to the front<BR>&gt; &gt; of the amp for all the richness and distortion or whatever else that<BR>&gt; &gt; combination brings...<BR>&gt; &gt; it takes a lot of tweaking and matching levels but once you get it-its the<BR>&gt; &gt; best of both worlds-imo<BR>&gt; &gt; stan<BR>http://r.lycos.com/r/yp_emailfooter/http://yellowpages.lycos.com/default.asp?SRC<BR>&gt; =lycos10<BR>&gt; <BR><BR><BR></div></BLOCKQUOTE><BR>
--0-1974010558-1141240784=:21828--

From Loopers-Delight-request@loopers-delight.com  Wed Mar  1 19:43:39 2006
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Date: Wed, 1 Mar 2006 11:43:36 -0800 (PST)
From: Monica <coolintensity@yahoo.com>
Subject: BOSS ME-30 manual
To: Loopers-Delight@loopers-delight.com
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  Hey - this might be dreadfully lo-tech to some but I just got an       unused BOSS ME-30 for $65 - seemed worth the price -
  but no owner's manual. Does anyone know where to find a link
  to download - ideally free?
  Thanks...
  Monica


 
Asgard Guitars
"guitar technology for the new emerging edge..."
coolintensity@yahoo.com
coolintensity1@aol.com 
                                                   







			
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<div><FONT size=3></FONT>&nbsp;</div>  <div><FONT size=3></FONT>&nbsp;</div>  <div><FONT size=3></FONT>&nbsp;</div>  <div><FONT size=3></FONT>&nbsp;</div>  <div><FONT face=verdana color=#40007f>Hey - this might be dreadfully lo-tech to some but I just got an&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </FONT><FONT face=Verdana color=#40007f>unused&nbsp;BOSS ME-30 for $65 - seemed worth the price -</FONT></div>  <div><FONT face=Verdana color=#40007f>but no owner's manual. Does anyone know where to find a link</FONT></div>  <div><FONT face=Verdana color=#40007f>to download&nbsp;- ideally free?</FONT></div>  <div><FONT face=Verdana color=#40007f>Thanks...</FONT></div>  <div><FONT face=Verdana color=#40007f>Monica</FONT></div><BR><BR><DIV>
<DIV>
<DIV>
<DIV>
<DIV>
<DIV>
<DIV>&nbsp;</DIV>
<DIV>Asgard Guitars</DIV>
<DIV>"guitar technology for the new emerging edge..."</DIV>
<DIV><A href="mailto:coolintensity@yahoo.com">coolintensity@yahoo.com</A></DIV>
<DIV><A href="mailto:coolintensity1@aol.com">coolintensity1@aol.com</A> </DIV>
<DIV>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</DIV></DIV></DIV></DIV></DIV></DIV></DIV><p>
	
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From Loopers-Delight-request@loopers-delight.com  Wed Mar  1 19:49:27 2006
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From: "Art Simon" <simart@gmail.com>
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http://www.roland.com/products/en/_support/om.cfm?ln=3Den&dsp=3D0&iCncd=3D4=
8
> Hey - this might be dreadfully lo-tech to some but I just got an
> unused BOSS ME-30 for $65 - seemed worth the price -
> but no owner's manual. Does anyone know where to find a link
> to download - ideally free?
> Thanks...
> Monica

--
Art Simon
simart@null.net
http://art.simon.tripod.com
http://artsimon.iuma.com

From Loopers-Delight-request@loopers-delight.com  Wed Mar  1 20:14:38 2006
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Subject: Re: Do I need that EDP?
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well just so you know-splitting a guitar signal before it hits the preamp
means you are working w/  weakass millivolts of power-and things just get
weaker after that.
the best way, i have found, is to split, fondle, manipulate, loop and
enhance the guitar signal post preamp(line level) where the voltage is large
and powerful.
s





on 3/1/06 9:28 AM, Christophe at cburke55@comcast.net wrote:
> What I do is split the signal with an ABY box before it hits the looper and
> then the straight guitar signal and the output from the looper into a mixer
> and then to the amp.
> Just another idea!
> Chris
> 
> -------------- Original message ----------------------
> From: "joe rut" <joerut@lycos.com>
>> hmmmmm..indeed.  That sounds like something worthy of my looking into.
>> Thanks.
>> 
>> Joe
>> 
>> Stan Wrote:
>>> hmmm...missed that original post.
>>> i am an OLDSCHOOL tube amp guitar player-and have always had a hellofa time
>>> tryin to get these looper thanggs in the signal path and still (ab)use all
>>> the traits of a tube amp.
>>> finally found amps that had trustworthy tube efx loops. once i put the edp
>>> or any other rack looper in there-the clean sounds and signal levels of the
>>> looper were maintained while yer guitar is still going straight to the front
>>> of the amp for all the richness and distortion or whatever else that
>>> combination brings...
>>> it takes a lot of tweaking and matching levels but once you get it-its the
>>> best of both worlds-imo
>>> stan
> http://r.lycos.com/r/yp_emailfooter/http://yellowpages.lycos.com/default.asp?S
> RC
>> =lycos10
>> 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Wed Mar  1 22:20:31 2006
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 -------------- Original message ----------------------
From: stanitarium <stanitarium@earthlink.net>
> well just so you know-splitting a guitar signal before it hits the preamp
> means you are working w/  weakass millivolts of power-and things just get
> weaker after that.

Yes.  Both signals get preamped in the mixer.

> the best way, i have found, is to split, fondle, manipulate, loop and
> enhance the guitar signal post preamp(line level) where the voltage is large
> and powerful.

I wonder if ideally the best way isn't to mike the amp and loop that.  It varies depending, I think.  But I completely agree with you that it's a conundrum trying to incorporate the sound of the amp itself since it's the last part of the chain.  Any arrangement is going to compromise something

From Loopers-Delight-request@loopers-delight.com  Wed Mar  1 22:35:38 2006
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Seems crazy to me to even think about puting any significant amount of
processing between guitar and preamp. A wah pedal and maybe an EQ is as much
as I can contemplate there. I've been playing over 20 years, and have used
racked processors of one sort or another for most of that time, but it is
natural to me that any time-based processor shoudl be fd a signal that is as
complete as possible.

Nik

--------- Original Message --------
From: Loopers-Delight@loopers-delight.com
To: "Loopers-Delight@loopers-delight.com"
<Loopers-Delight@loopers-delight.com>
Subject: Re: Do I need that EDP?
Date: 01/03/06 22:20


I wonder if ideally the best way isn't to mike the amp and loop that. It
varies depending, I think. But I completely agree with you that it's a
conundrum trying to incorporate the sound of the amp itself since it's the
last part of the chain. Any arrangement is going to compromise something

________________________________________________
Message sent using UebiMiau 2.7.2

From Loopers-Delight-request@loopers-delight.com  Wed Mar  1 23:13:11 2006
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From: cburke55@comcast.net (Christophe)
To: Loopers-Delight@loopers-delight.com
Subject: Re: Vedr. Re: Do I need that EDP?
Date: Wed, 01 Mar 2006 23:13:07 +0000
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Hi Rune!

The full blown setup is: whichever guitar or bass into an ancient Ibanez 
multieffect unit, which I use primarily for the chorus/flanger, then anIbanez 
WD7 wah pedal,  a Boss DD3 delay, and a Boss LS2 Line Selector, which has two 
loops, one through an Electro-Harmonix Microsynthesizer and one through one or 
more overdrive pedals (the LS2 keeps all that out of the signal path when not in 
use).  The output from that goes to  the ABY box, which is a Whirlwind Selector.  
One output goes  to a Boss DD5 delay (stereo).  The other goes to a Boss RC20 
looper (the early one - no undo function) and that into a DD20 Giga Delay (also 
stereo)  The 4 stereo outputs from the DD5 and DD20 go to a stereo mixer (3 
stereo channels), usually set up so the dry and wet signals from the delays go 
to opposite sides (i.e., dry DD20 to the left and dry DD5 to the right).  And 
finally the two outputs from the mixer go to seperate amps.

The idea behind splitting the signal is to allow the guitar signal a path that 
bypasses the RC20/DD20 combination since I usually have them doing something 
together and it let's me play over the top of it without adding to the signal in 
the DD20.

What do you think?

Chris
 -------------- Original message ----------------------
From: rune fagereng <rune_fagereng@yahoo.no>
> Hi !
>    
>   This was interesting. Can you give more details about your gear and the 
> "signal route" ? Maybe why you split like you do ?
>    
>   Rune f


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From:    rune fagereng <rune_fagereng@yahoo.no>
To:    Loopers-Delight@loopers-delight.com
Subject:    Vedr. Re: Do I need that EDP?
Date:    Wed, 1 Mar 2006 19:19:49 +0000
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<div>Hi !</div>  <div>&nbsp;</div>  <div>This was interesting.&nbsp;Can you give more details about your&nbsp;gear and the "signal route" ? Maybe why you split like you do ?</div>  <div>&nbsp;</div>  <div>Rune f</div>  <div><BR><B><I>Christophe &lt;cburke55@comcast.net&gt;</I></B> skrev:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">  <div>What I do is split the signal with an ABY box before it hits the looper ?and then the straight guitar signal and the output from the looper into a mixer and then to the amp.<BR><BR>Just another idea!<BR><BR>Chris<BR><BR>-------------- Original message ----------------------<BR>From: "joe rut" <JOERUT@LYCOS.COM><BR>&gt; hmmmmm..indeed. That sounds like something worthy of my looking into. Thanks.<BR>&gt; <BR>&gt; Joe<BR>&gt; <BR>&gt; Stan Wrote:<BR>&gt; &gt; hmmm...missed that original post.<BR>&gt; &gt; i am an OLDSCHOOL tube amp guitar player-and have always had a hellofa time<BR>&gt;
 &gt; tryin to get these looper thanggs in the signal path and still (ab)use all<BR>&gt; &gt; the traits of a tube amp.<BR>&gt; &gt; finally found amps that had trustworthy tube efx loops. once i put the edp<BR>&gt; &gt; or any other rack looper in there-the clean sounds and signal levels of the<BR>&gt; &gt; looper were maintained while yer guitar is still going straight to the front<BR>&gt; &gt; of the amp for all the richness and distortion or whatever else that<BR>&gt; &gt; combination brings...<BR>&gt; &gt; it takes a lot of tweaking and matching levels but once you get it-its the<BR>&gt; &gt; best of both worlds-imo<BR>&gt; &gt; stan<BR>http://r.lycos.com/r/yp_emailfooter/http://yellowpages.lycos.com/default.asp?SRC<BR>&gt; =lycos10<BR>&gt; <BR><BR><BR></div></BLOCKQUOTE><BR>
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From Loopers-Delight-request@loopers-delight.com  Wed Mar  1 23:24:41 2006
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Subject: Re: Do I need that EDP?
Date: Wed, 01 Mar 2006 23:24:36 +0000
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 -------------- Original message ----------------------
From: "Fluke" <fluke@gotadsl.co.uk>
> Seems crazy to me to even think about puting any significant amount of
> processing between guitar and preamp. A wah pedal and maybe an EQ is as much
> as I can contemplate there. I've been playing over 20 years, and have used
> racked processors of one sort or another for most of that time, but it is
> natural to me that any time-based processor shoudl be fd a signal that is as
> complete as possible.
> 
> Nik

Don't take me too seriously about miking the amp.  Just a daydream.

I'm mostly into experimentation for my own amusement, and I don't neccesarily hook up all that stuff simultaneously.  I can't argue with you about signal quality, and more is definitely better.  I seem to find enough for what I want to do with it.  I'd never claim it's the best, though! 

From Loopers-Delight-request@loopers-delight.com  Wed Mar  1 23:33:01 2006
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From: rune fagereng <rune_fagereng@yahoo.no>
Subject: Vedr. Re: Do I need that EDP?
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hi !
   
  Maybe you can tell me how dd-20 can make sound on sound, when its a delaypedal ?

  Rune f

  Christophe <cburke55@comcast.net> skrev:
  What I do is split the signal with an ABY box before it hits the looper and then the straight guitar signal and the output from the looper into a mixer and then to the amp.

Just another idea!

Chris

-------------- Original message ----------------------
From: "joe rut" 
> hmmmmm..indeed. That sounds like something worthy of my looking into. Thanks.
> 
> Joe
> 
> Stan Wrote:
> > hmmm...missed that original post.
> > i am an OLDSCHOOL tube amp guitar player-and have always had a hellofa time
> > tryin to get these looper thanggs in the signal path and still (ab)use all
> > the traits of a tube amp.
> > finally found amps that had trustworthy tube efx loops. once i put the edp
> > or any other rack looper in there-the clean sounds and signal levels of the
> > looper were maintained while yer guitar is still going straight to the front
> > of the amp for all the richness and distortion or whatever else that
> > combination brings...
> > it takes a lot of tweaking and matching levels but once you get it-its the
> > best of both worlds-imo
> > stan
http://r.lycos.com/r/yp_emailfooter/http://yellowpages.lycos.com/default.asp?SRC
> =lycos10
> 




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<div>hi !</div>  <div>&nbsp;</div>  <div>Maybe you can tell me how dd-20 can make sound on sound, when its a delaypedal ?<BR></div>  <div>Rune f<BR></div><B><I></I></B>  <div><B><I>Christophe &lt;cburke55@comcast.net&gt;</I></B> skrev:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">What I do is split the signal with an ABY box before it hits the looper and then the straight guitar signal and the output from the looper into a mixer and then to the amp.<BR><BR>Just another idea!<BR><BR>Chris<BR><BR>-------------- Original message ----------------------<BR>From: "joe rut" <JOERUT@LYCOS.COM><BR>&gt; hmmmmm..indeed. That sounds like something worthy of my looking into. Thanks.<BR>&gt; <BR>&gt; Joe<BR>&gt; <BR>&gt; Stan Wrote:<BR>&gt; &gt; hmmm...missed that original post.<BR>&gt; &gt; i am an OLDSCHOOL tube amp guitar player-and have always had a hellofa time<BR>&gt; &gt; tryin to get these looper thanggs in the signal path and
 still (ab)use all<BR>&gt; &gt; the traits of a tube amp.<BR>&gt; &gt; finally found amps that had trustworthy tube efx loops. once i put the edp<BR>&gt; &gt; or any other rack looper in there-the clean sounds and signal levels of the<BR>&gt; &gt; looper were maintained while yer guitar is still going straight to the front<BR>&gt; &gt; of the amp for all the richness and distortion or whatever else that<BR>&gt; &gt; combination brings...<BR>&gt; &gt; it takes a lot of tweaking and matching levels but once you get it-its the<BR>&gt; &gt; best of both worlds-imo<BR>&gt; &gt; stan<BR>http://r.lycos.com/r/yp_emailfooter/http://yellowpages.lycos.com/default.asp?SRC<BR>&gt; =lycos10<BR>&gt; <BR><BR><BR></BLOCKQUOTE><BR>
--0-1138469679-1141255979=:9528--

From Loopers-Delight-request@loopers-delight.com  Thu Mar  2 05:45:28 2006
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From: cburke55@comcast.net (Christophe)
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Subject: Re: Vedr. Re: Do I need that EDP?
Date: Thu, 02 Mar 2006 05:45:25 +0000
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The DD20 has a "sounnd on sound" mode that lets you record one looped phrase up to 23 secs, with overdub.

 -------------- Original message ----------------------
From: rune fagereng <rune_fagereng@yahoo.no>
> hi !
>    
>   Maybe you can tell me how dd-20 can make sound on sound, when its a delaypedal 
> ?
> 
>   Rune f






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From:    rune fagereng <rune_fagereng@yahoo.no>
To:    Loopers-Delight@loopers-delight.com
Subject:    Vedr. Re: Do I need that EDP?
Date:    Wed, 1 Mar 2006 23:33:06 +0000
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<div>hi !</div>  <div>&nbsp;</div>  <div>Maybe you can tell me how dd-20 can make sound on sound, when its a delaypedal ?<BR></div>  <div>Rune f<BR></div><B><I></I></B>  <div><B><I>Christophe &lt;cburke55@comcast.net&gt;</I></B> skrev:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">What I do is split the signal with an ABY box before it hits the looper and then the straight guitar signal and the output from the looper into a mixer and then to the amp.<BR><BR>Just another idea!<BR><BR>Chris<BR><BR>-------------- Original message ----------------------<BR>From: "joe rut" <JOERUT@LYCOS.COM><BR>&gt; hmmmmm..indeed. That sounds like something worthy of my looking into. Thanks.<BR>&gt; <BR>&gt; Joe<BR>&gt; <BR>&gt; Stan Wrote:<BR>&gt; &gt; hmmm...missed that original post.<BR>&gt; &gt; i am an OLDSCHOOL tube amp guitar player-and have always had a hellofa time<BR>&gt; &gt; tryin to get these looper thanggs in the signal path and
 still (ab)use all<BR>&gt; &gt; the traits of a tube amp.<BR>&gt; &gt; finally found amps that had trustworthy tube efx loops. once i put the edp<BR>&gt; &gt; or any other rack looper in there-the clean sounds and signal levels of the<BR>&gt; &gt; looper were maintained while yer guitar is still going straight to the front<BR>&gt; &gt; of the amp for all the richness and distortion or whatever else that<BR>&gt; &gt; combination brings...<BR>&gt; &gt; it takes a lot of tweaking and matching levels but once you get it-its the<BR>&gt; &gt; best of both worlds-imo<BR>&gt; &gt; stan<BR>http://r.lycos.com/r/yp_emailfooter/http://yellowpages.lycos.com/default.asp?SRC<BR>&gt; =lycos10<BR>&gt; <BR><BR><BR></BLOCKQUOTE><BR>
--NextPart_Webmail_9m3u9jl4l_24997_1141278325_1--

--NextPart_Webmail_9m3u9jl4l_24997_1141278325_0--

From Loopers-Delight-request@loopers-delight.com  Thu Mar  2 07:03:57 2006
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Date: Wed, 1 Mar 2006 23:03:54 -0800 (PST)
From: Monica <coolintensity@yahoo.com>
Subject: Re: BOSS ME-30 manual
To: Loopers-Delight@loopers-delight.com
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Thanks...however this site, like the others, only has the ME-50 
  as the ME-30 is a now archaic model. Someone sent me a PDF 
  for the ME-30 but my server's not opening it.

Art Simon <simart@gmail.com> wrote:
  http://www.roland.com/products/en/_support/om.cfm?ln=en&dsp=0&iCncd=48
> Hey - this might be dreadfully lo-tech to some but I just got an
> unused BOSS ME-30 for $65 - seemed worth the price -
> but no owner's manual. Does anyone know where to find a link
> to download - ideally free?
> Thanks...
> Monica

--
Art Simon
simart@null.net
http://art.simon.tripod.com
http://artsimon.iuma.com



		
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<div><FONT face=verdana color=#40007f>Thanks...however this site, like the others, only has the ME-50 </FONT></div>  <div><FONT face=Verdana color=#40007f>as the ME-30 is a now archaic model. Someone sent me a PDF </FONT></div>  <div><FONT face=Verdana color=#40007f>for the ME-30 but my server's not opening it.</FONT><BR><BR><B><I>Art Simon &lt;simart@gmail.com&gt;</I></B> wrote:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">http://www.roland.com/products/en/_support/om.cfm?ln=en&amp;dsp=0&amp;iCncd=48<BR>&gt; Hey - this might be dreadfully lo-tech to some but I just got an<BR>&gt; unused BOSS ME-30 for $65 - seemed worth the price -<BR>&gt; but no owner's manual. Does anyone know where to find a link<BR>&gt; to download - ideally free?<BR>&gt; Thanks...<BR>&gt; Monica<BR><BR>--<BR>Art Simon<BR>simart@null.net<BR>http://art.simon.tripod.com<BR>http://artsimon.iuma.com<BR><BR></BLOCKQUOTE><BR><p>
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From Loopers-Delight-request@loopers-delight.com  Thu Mar  2 10:58:10 2006
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From: "Kris Hartung" <khartung@cableone.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: Theremin Looper - Pamelia Kurstin, the Theremin Cello, etc
Date: Thu, 2 Mar 2006 03:58:05 -0700
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Not sure if anyone has heard her play, but Pamelia Kurstin (from New York) 
played some looping sets on the Theremin here in Boise, Idaho last year (and 
actually leaving a protégé behind who will be looping at my experimental 
music festival in April), but I'm noticing that her career is really taking 
off and she's touring and giving workshops all over the world - for instance 
a looping set in London on March 10 at the VORTEX JAZZ CLUB. Andy, you 
should go introduce yourself and see what she's up to.  I'm not sure what 
she's using....maybe a DL4.

http://www.pameliakurstin.com/

Here BIO:

Pamelia Kurstin (born May 28, 1976 in Southern California) is a 
world-renowned thereminist who has played and recorded with such prestigious 
artists as David Byrne and Béla Fleck and the Flecktones and has performed 
on the television show Saturday Night Live. Her musical training on the 
upright bass has led to her unique "walking bass" theremin technique. Until 
recently (late 2005) working out of New York City, she currently lives in 
Vienna, Austria.

She was first recorded on the album Gymnopedie in 2000 as a member of the 
theremin/keyboard duo called "The Kurstins" with her then-husband, 
keyboardist Greg Kurstin. Pamelia currently performs solo and with the New 
York-based group Barbez. She can be heard to full effect on Barbez's second 
album for Important Records, Insignificance, released in the Fall of 2005. 
She appears as herself in the 2004 documentary about legendary electronic 
instrument pioneer Dr. Robert Moog, entitled Moog.

Lot's of news on her here, including a video of her experimenting with some 
new theremin cello....interesting.
http://www.thereminworld.com/kurstin.asp

Here is her current schedule (from her website above) for anyone who wants 
to track her down. She's now touring with the band Barbez.

FEBRUARY 24, 2006 in ZAGREB, CROATIA a masterclass/demonstration plus a 
performance later that evening at THE STUDENT CENTER. If you'd like 
additional info, contact DAVORKA and she can assist you with any questions!
FEBRUARY 25, 2006 DUBROVNIK, CROATIA at Art Workshop Lazareti... woohoo!!!
MARCH 10, 2006... LONDON at VORTEX JAZZ CLUB i will be opening up with a 
solo looop set for Sebastian Rochford and other incredible musicians... 
should be a really fun night! Come hang out!!!
MARCH 12 to MARCH 21, 2006.. U.S. TOUR WITH BARBEZ ... I'm back in the 
states touring with Barbez as we make our way to South by Southwest in 
Austin, TX... check the link above to see if we hit your city!!
MARCH 25, 2006 PARIS More details coming soon... I will be playing with 
SEBASTIEN TELLIER!!! first time in SO SO SO LONG... we will be playing Seb`s 
music with some amazing visuals simultaneously... i will have more info 
soon!
MARCH 29 to APRIL 1, 2006... FRANKFURT MUSIKMESSE if you happen to be there, 
i will be performing and demonstrating my moogie theremin... and hanging 
out!!


Kris 


From Loopers-Delight-request@loopers-delight.com  Thu Mar  2 11:27:37 2006
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Date: Thu, 02 Mar 2006 06:23:42 -0500
From: Bill Fox <billyfox@soundscapes.us>
Subject: Listen to Afterglow and Galactic Travels
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AFTERGLOW ON WMUH:                               
http://soundscapes.us/afterglow
================================================================================
Afterglow airs from 8:00 am to 9:30 am every Thursday morning.  Tune in 
for a
delightful mix of eclectic musical genres including a healthy dose of
Progressive Rock.  Tune in at 91.7 FM or on the internet at:
http://www.muhlenberg.edu/wmuh

I will play music from IZZ's new CD and music from other bands that will 
soon be
in concert at the New Nersey Proghouse.


GALACTIC TRAVELS ON WDIY:                            
http://wdiy.org/programs/gt
================================================================================
Tonight at 11 pm on Galactic Travels, I'll start a month-long Special 
Focus on
E-dition electronic music magazine.  The Featured CD at Midnight will be 
the CD
from issue #5.  The Vinyl Starter will be "Live" by Klaus Schulze on Brain
Records and released in 1980.  For details, see the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2006/focus.html#mar (a little 
later today.)

Galactic Travels is an electronic, ambient, and space music show that 
airs each
Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, 93.9 FM 
in Easton
and Phillipsburg, 93.7 FM in Fogelsville and Trexlertown, 92.9 FM on Service
Electric Cable, and on the internet.

From Loopers-Delight-request@loopers-delight.com  Thu Mar  2 11:27:50 2006
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AFTERGLOW ON WMUH:                               
http://soundscapes.us/afterglow
================================================================================
Afterglow airs from 8:00 am to 9:30 am every Thursday morning.  Tune in 
for a
delightful mix of eclectic musical genres including a healthy dose of
Progressive Rock.  Tune in at 91.7 FM or on the internet at:
http://www.muhlenberg.edu/wmuh

I will play music from IZZ's new CD and music from other bands that will 
soon be
in concert at the New Nersey Proghouse.


GALACTIC TRAVELS ON WDIY:                            
http://wdiy.org/programs/gt
================================================================================
Tonight at 11 pm on Galactic Travels, I'll start a month-long Special 
Focus on
E-dition electronic music magazine.  The Featured CD at Midnight will be 
the CD
from issue #5.  The Vinyl Starter will be "Live" by Klaus Schulze on Brain
Records and released in 1980.  For details, see the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2006/focus.html#mar (a little 
later today.)

Galactic Travels is an electronic, ambient, and space music show that 
airs each
Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, 93.9 FM 
in Easton
and Phillipsburg, 93.7 FM in Fogelsville and Trexlertown, 92.9 FM on Service
Electric Cable, and on the internet.

From Loopers-Delight-request@loopers-delight.com  Thu Mar  2 11:58:11 2006
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References: <20060302070354.73886.qmail@web32702.mail.mud.yahoo.com>
Subject: Re: BOSS ME-30 manual
Date: Thu, 2 Mar 2006 06:22:28 -0600
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Roland US has it .......

http://www.rolandus.com/mojo/manuals.aspx


  ----- Original Message -----=20
  From: Monica=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Thursday, March 02, 2006 1:03 AM
  Subject: Re: BOSS ME-30 manual


  Thanks...however this site, like the others, only has the ME-50=20
  as the ME-30 is a now archaic model. Someone sent me a PDF=20
  for the ME-30 but my server's not opening it.

  Art Simon <simart@gmail.com> wrote:
    =
http://www.roland.com/products/en/_support/om.cfm?ln=3Den&dsp=3D0&iCncd=3D=
48
    > Hey - this might be dreadfully lo-tech to some but I just got an
    > unused BOSS ME-30 for $65 - seemed worth the price -
    > but no owner's manual. Does anyone know where to find a link
    > to download - ideally free?
    > Thanks...
    > Monica

    --
    Art Simon
    simart@null.net
    http://art.simon.tripod.com
    http://artsimon.iuma.com






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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Roland US has it .......</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.rolandus.com/mojo/manuals.aspx">http://www.rolandus.co=
m/mojo/manuals.aspx</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dcoolintensity@yahoo.com=20
  href=3D"mailto:coolintensity@yahoo.com">Monica</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Thursday, March 02, 2006 =
1:03=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: BOSS ME-30 =
manual</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3Dverdana color=3D#40007f>Thanks...however this site, =
like the=20
  others, only has the ME-50 </FONT></DIV>
  <DIV><FONT face=3DVerdana color=3D#40007f>as the ME-30 is a now =
archaic model.=20
  Someone sent me a PDF </FONT></DIV>
  <DIV><FONT face=3DVerdana color=3D#40007f>for the ME-30 but my =
server's not=20
  opening it.</FONT><BR><BR><B><I>Art Simon &lt;<A=20
  href=3D"mailto:simart@gmail.com">simart@gmail.com</A>&gt;</I></B> =
wrote:</DIV>
  <BLOCKQUOTE class=3Dreplbq=20
  style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px =
solid"><A=20
    =
href=3D"http://www.roland.com/products/en/_support/om.cfm?ln=3Den&amp;dsp=
=3D0&amp;iCncd=3D48">http://www.roland.com/products/en/_support/om.cfm?ln=
=3Den&amp;dsp=3D0&amp;iCncd=3D48</A><BR>&gt;=20
    Hey - this might be dreadfully lo-tech to some but I just got =
an<BR>&gt;=20
    unused BOSS ME-30 for $65 - seemed worth the price -<BR>&gt; but no =
owner's=20
    manual. Does anyone know where to find a link<BR>&gt; to download - =
ideally=20
    free?<BR>&gt; Thanks...<BR>&gt; Monica<BR><BR>--<BR>Art=20
    =
Simon<BR>simart@null.net<BR>http://art.simon.tripod.com<BR>http://artsimo=
n.iuma.com<BR><BR></BLOCKQUOTE><BR>
  <P>
  <HR SIZE=3D1>
  Yahoo! Mail<BR>Bring photos to life! <A=20
  =
href=3D"http://pa.yahoo.com/*http://us.rd.yahoo.com/evt=3D39174/*http://p=
hotomail.mail.yahoo.com">New=20
  PhotoMail </A>makes sharing a breeze. </BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_00B6_01C63DC1.ADFC1880--

From Loopers-Delight-request@loopers-delight.com  Thu Mar  2 12:01:09 2006
Return-Path: <Loopers-Delight-request@loopers-delight.com>
X-Original-To: looparc@loopers-delight.com
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Received: by arsenic.violacea.com (Postfix, from userid 1004)
	id 045CB3BF01; Thu,  2 Mar 2006 12:01:08 +0000 (UTC)
Old-Return-Path: <sean@seanmormelo.com>
X-Original-To: Loopers-Delight@loopers-delight.com
Delivered-To: looper+loopers-delight@arsenic.violacea.com
Message-ID: <00a001c63df0$fab9e510$6602a8c0@DELL>
Reply-To: "Sean Mormelo" <sean@seanmormelo.com>
From: "Sean Mormelo" <sean@seanmormelo.com>
To: <Loopers-Delight@loopers-delight.com>
References: <20060302070354.73886.qmail@web32702.mail.mud.yahoo.com> <00b901c63df3$f92470a0$62bee104@hppav>
Subject: Re: BOSS ME-30 manual
Date: Thu, 2 Mar 2006 07:01:02 -0500
MIME-Version: 1.0
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OUTSTANDING!!! This should start answering some questions! Thanks.

Sean Mormelo
www.seanmormelo.com
www.myspace.com/seanmormelo
EPK- www.sonicbids.com/seanmormelo
www.CDbaby.com/seanmormelo
  ----- Original Message -----=20
  From: rdwiv=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Thursday, March 02, 2006 7:22 AM
  Subject: Re: BOSS ME-30 manual


  Roland US has it .......

  http://www.rolandus.com/mojo/manuals.aspx


    ----- Original Message -----=20
    From: Monica=20
    To: Loopers-Delight@loopers-delight.com=20
    Sent: Thursday, March 02, 2006 1:03 AM
    Subject: Re: BOSS ME-30 manual


    Thanks...however this site, like the others, only has the ME-50=20
    as the ME-30 is a now archaic model. Someone sent me a PDF=20
    for the ME-30 but my server's not opening it.

    Art Simon <simart@gmail.com> wrote:
      =
http://www.roland.com/products/en/_support/om.cfm?ln=3Den&dsp=3D0&iCncd=3D=
48
      > Hey - this might be dreadfully lo-tech to some but I just got an
      > unused BOSS ME-30 for $65 - seemed worth the price -
      > but no owner's manual. Does anyone know where to find a link
      > to download - ideally free?
      > Thanks...
      > Monica

      --
      Art Simon
      simart@null.net
      http://art.simon.tripod.com
      http://artsimon.iuma.com






-------------------------------------------------------------------------=
---
    Yahoo! Mail
    Bring photos to life! New PhotoMail makes sharing a breeze. 
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1528" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>OUTSTANDING!!! This should start =
answering some=20
questions! Thanks.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV>Sean Mormelo<BR><A=20
href=3D"http://www.seanmormelo.com">www.seanmormelo.com</A><BR><A=20
href=3D"http://www.myspace.com/seanmormelo">www.myspace.com/seanmormelo</=
A><BR>EPK-=20
<A=20
href=3D"http://www.sonicbids.com/seanmormelo">www.sonicbids.com/seanmorme=
lo</A><BR><A=20
href=3D"http://www.CDbaby.com/seanmormelo">www.CDbaby.com/seanmormelo</A>=
</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Drdwiv@webtv.net href=3D"mailto:rdwiv@webtv.net">rdwiv</A> =
</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Thursday, March 02, 2006 =
7:22=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: BOSS ME-30 =
manual</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial size=3D2>Roland US has it .......</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2><A=20
  =
href=3D"http://www.rolandus.com/mojo/manuals.aspx">http://www.rolandus.co=
m/mojo/manuals.aspx</A></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <BLOCKQUOTE=20
  style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
    <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
    <DIV=20
    style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
    <A title=3Dcoolintensity@yahoo.com=20
    href=3D"mailto:coolintensity@yahoo.com">Monica</A> </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
    title=3DLoopers-Delight@loopers-delight.com=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
    </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Thursday, March 02, =
2006 1:03=20
    AM</DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: BOSS ME-30 =
manual</DIV>
    <DIV><BR></DIV>
    <DIV><FONT face=3Dverdana color=3D#40007f>Thanks...however this =
site, like the=20
    others, only has the ME-50 </FONT></DIV>
    <DIV><FONT face=3DVerdana color=3D#40007f>as the ME-30 is a now =
archaic model.=20
    Someone sent me a PDF </FONT></DIV>
    <DIV><FONT face=3DVerdana color=3D#40007f>for the ME-30 but my =
server's not=20
    opening it.</FONT><BR><BR><B><I>Art Simon &lt;<A=20
    href=3D"mailto:simart@gmail.com">simart@gmail.com</A>&gt;</I></B> =
wrote:</DIV>
    <BLOCKQUOTE class=3Dreplbq=20
    style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff =
2px solid"><A=20
      =
href=3D"http://www.roland.com/products/en/_support/om.cfm?ln=3Den&amp;dsp=
=3D0&amp;iCncd=3D48">http://www.roland.com/products/en/_support/om.cfm?ln=
=3Den&amp;dsp=3D0&amp;iCncd=3D48</A><BR>&gt;=20
      Hey - this might be dreadfully lo-tech to some but I just got =
an<BR>&gt;=20
      unused BOSS ME-30 for $65 - seemed worth the price -<BR>&gt; but =
no=20
      owner's manual. Does anyone know where to find a link<BR>&gt; to =
download=20
      - ideally free?<BR>&gt; Thanks...<BR>&gt; Monica<BR><BR>--<BR>Art=20
      =
Simon<BR>simart@null.net<BR>http://art.simon.tripod.com<BR>http://artsimo=
n.iuma.com<BR><BR></BLOCKQUOTE><BR>
    <P>
    <HR SIZE=3D1>
    Yahoo! Mail<BR>Bring photos to life! <A=20
    =
href=3D"http://pa.yahoo.com/*http://us.rd.yahoo.com/evt=3D39174/*http://p=
hotomail.mail.yahoo.com">New=20
    PhotoMail </A>makes sharing a breeze. =
</BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_009D_01C63DC7.112E21A0--

From Loopers-Delight-request@loopers-delight.com  Thu Mar  2 12:04:07 2006
Return-Path: <Loopers-Delight-request@loopers-delight.com>
X-Original-To: looparc@loopers-delight.com
Delivered-To: looper+looparc@arsenic.violacea.com
Received: by arsenic.violacea.com (Postfix, from userid 1004)
	id 08CC23BEFB; Thu,  2 Mar 2006 12:04:06 +0000 (UTC)
Old-Return-Path: <sean@seanmormelo.com>
X-Original-To: Loopers-Delight@loopers-delight.com
Delivered-To: looper+loopers-delight@arsenic.violacea.com
Message-ID: <00a801c63df1$68e29410$6602a8c0@DELL>
Reply-To: "Sean Mormelo" <sean@seanmormelo.com>
From: "Sean Mormelo" <sean@seanmormelo.com>
To: <Loopers-Delight@loopers-delight.com>
References: <20060302070354.73886.qmail@web32702.mail.mud.yahoo.com> <00b901c63df3$f92470a0$62bee104@hppav>
Subject: Re: BOSS ME-30 manual-FALSE ALARM
Date: Thu, 2 Mar 2006 07:04:06 -0500
MIME-Version: 1.0
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	boundary="----=_NextPart_000_00A5_01C63DC7.7F1E3470"
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Resent-Message-ID: <2RgaD.A.fxC.28tBEB@arsenic>
Resent-From: Loopers-Delight@loopers-delight.com
X-Mailing-List: <Loopers-Delight@loopers-delight.com> archive/latest/58430
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Resent-Date: Thu,  2 Mar 2006 12:04:06 +0000 (UTC)

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That's the RA-50...NOT the RC-50....The Wait continues..I FAIL to =
understand Roland's Manual policy...Put the damn thing up before it =
comes out so we can all asses if it's going to work for us or not!

Sean Mormelo
www.seanmormelo.com
www.myspace.com/seanmormelo
EPK- www.sonicbids.com/seanmormelo
www.CDbaby.com/seanmormelo
  ----- Original Message -----=20
  From: rdwiv=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Thursday, March 02, 2006 7:22 AM
  Subject: Re: BOSS ME-30 manual


  Roland US has it .......

  http://www.rolandus.com/mojo/manuals.aspx


    ----- Original Message -----=20
    From: Monica=20
    To: Loopers-Delight@loopers-delight.com=20
    Sent: Thursday, March 02, 2006 1:03 AM
    Subject: Re: BOSS ME-30 manual


    Thanks...however this site, like the others, only has the ME-50=20
    as the ME-30 is a now archaic model. Someone sent me a PDF=20
    for the ME-30 but my server's not opening it.

    Art Simon <simart@gmail.com> wrote:
      =
http://www.roland.com/products/en/_support/om.cfm?ln=3Den&dsp=3D0&iCncd=3D=
48
      > Hey - this might be dreadfully lo-tech to some but I just got an
      > unused BOSS ME-30 for $65 - seemed worth the price -
      > but no owner's manual. Does anyone know where to find a link
      > to download - ideally free?
      > Thanks...
      > Monica

      --
      Art Simon
      simart@null.net
      http://art.simon.tripod.com
      http://artsimon.iuma.com






-------------------------------------------------------------------------=
---
    Yahoo! Mail
    Bring photos to life! New PhotoMail makes sharing a breeze. 
------=_NextPart_000_00A5_01C63DC7.7F1E3470
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1528" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>That's the RA-50...NOT the RC-50....The =
Wait=20
continues..I FAIL to understand Roland's Manual policy...Put the damn =
thing up=20
before it comes out so we can all asses if it's going to work for us or=20
not!</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV>Sean Mormelo<BR><A=20
href=3D"http://www.seanmormelo.com">www.seanmormelo.com</A><BR><A=20
href=3D"http://www.myspace.com/seanmormelo">www.myspace.com/seanmormelo</=
A><BR>EPK-=20
<A=20
href=3D"http://www.sonicbids.com/seanmormelo">www.sonicbids.com/seanmorme=
lo</A><BR><A=20
href=3D"http://www.CDbaby.com/seanmormelo">www.CDbaby.com/seanmormelo</A>=
</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Drdwiv@webtv.net href=3D"mailto:rdwiv@webtv.net">rdwiv</A> =
</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Thursday, March 02, 2006 =
7:22=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: BOSS ME-30 =
manual</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial size=3D2>Roland US has it .......</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2><A=20
  =
href=3D"http://www.rolandus.com/mojo/manuals.aspx">http://www.rolandus.co=
m/mojo/manuals.aspx</A></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <BLOCKQUOTE=20
  style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
    <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
    <DIV=20
    style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
    <A title=3Dcoolintensity@yahoo.com=20
    href=3D"mailto:coolintensity@yahoo.com">Monica</A> </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
    title=3DLoopers-Delight@loopers-delight.com=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
    </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Thursday, March 02, =
2006 1:03=20
    AM</DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: BOSS ME-30 =
manual</DIV>
    <DIV><BR></DIV>
    <DIV><FONT face=3Dverdana color=3D#40007f>Thanks...however this =
site, like the=20
    others, only has the ME-50 </FONT></DIV>
    <DIV><FONT face=3DVerdana color=3D#40007f>as the ME-30 is a now =
archaic model.=20
    Someone sent me a PDF </FONT></DIV>
    <DIV><FONT face=3DVerdana color=3D#40007f>for the ME-30 but my =
server's not=20
    opening it.</FONT><BR><BR><B><I>Art Simon &lt;<A=20
    href=3D"mailto:simart@gmail.com">simart@gmail.com</A>&gt;</I></B> =
wrote:</DIV>
    <BLOCKQUOTE class=3Dreplbq=20
    style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff =
2px solid"><A=20
      =
href=3D"http://www.roland.com/products/en/_support/om.cfm?ln=3Den&amp;dsp=
=3D0&amp;iCncd=3D48">http://www.roland.com/products/en/_support/om.cfm?ln=
=3Den&amp;dsp=3D0&amp;iCncd=3D48</A><BR>&gt;=20
      Hey - this might be dreadfully lo-tech to some but I just got =
an<BR>&gt;=20
      unused BOSS ME-30 for $65 - seemed worth the price -<BR>&gt; but =
no=20
      owner's manual. Does anyone know where to find a link<BR>&gt; to =
download=20
      - ideally free?<BR>&gt; Thanks...<BR>&gt; Monica<BR><BR>--<BR>Art=20
      =
Simon<BR>simart@null.net<BR>http://art.simon.tripod.com<BR>http://artsimo=
n.iuma.com<BR><BR></BLOCKQUOTE><BR>
    <P>
    <HR SIZE=3D1>
    Yahoo! Mail<BR>Bring photos to life! <A=20
    =
href=3D"http://pa.yahoo.com/*http://us.rd.yahoo.com/evt=3D39174/*http://p=
hotomail.mail.yahoo.com">New=20
    PhotoMail </A>makes sharing a breeze. =
</BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu Mar  2 14:02:23 2006
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From: "David Kirkdorffer" <vze2ncsr@verizon.net>
Subject: Re: Theremin Looper - Pamelia Kurstin, the Theremin Cello, etc
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I saw her a few years ago in Boston.  At the time she struck me as an
combination of looping novice and theremin virtuoso.  I think at the time I
saw her she was using a DL 4.  Anyway, I can imagine in the last two or
three years her looping will have improved.  And she's well plugged into a
scene.

David

----- Original Message ----- 
From: "Kris Hartung" <khartung@cableone.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, March 02, 2006 5:58 AM
Subject: Theremin Looper - Pamelia Kurstin, the Theremin Cello, etc


> Not sure if anyone has heard her play, but Pamelia Kurstin (from New York)
> played some looping sets on the Theremin here in Boise, Idaho last year
(and
> actually leaving a protégé behind who will be looping at my experimental
> music festival in April), but I'm noticing that her career is really
taking
> off and she's touring and giving workshops all over the world - for
instance
> a looping set in London on March 10 at the VORTEX JAZZ CLUB. Andy, you
> should go introduce yourself and see what she's up to.  I'm not sure what
> she's using....maybe a DL4.
>
> http://www.pameliakurstin.com/
>
> Here BIO:
>
> Pamelia Kurstin (born May 28, 1976 in Southern California) is a
> world-renowned thereminist who has played and recorded with such
prestigious
> artists as David Byrne and Béla Fleck and the Flecktones and has performed
> on the television show Saturday Night Live. Her musical training on the
> upright bass has led to her unique "walking bass" theremin technique.
Until
> recently (late 2005) working out of New York City, she currently lives in
> Vienna, Austria.
>
> She was first recorded on the album Gymnopedie in 2000 as a member of the
> theremin/keyboard duo called "The Kurstins" with her then-husband,
> keyboardist Greg Kurstin. Pamelia currently performs solo and with the New
> York-based group Barbez. She can be heard to full effect on Barbez's
second
> album for Important Records, Insignificance, released in the Fall of 2005.
> She appears as herself in the 2004 documentary about legendary electronic
> instrument pioneer Dr. Robert Moog, entitled Moog.
>
> Lot's of news on her here, including a video of her experimenting with
some
> new theremin cello....interesting.
> http://www.thereminworld.com/kurstin.asp
>
> Here is her current schedule (from her website above) for anyone who wants
> to track her down. She's now touring with the band Barbez.
>
> FEBRUARY 24, 2006 in ZAGREB, CROATIA a masterclass/demonstration plus a
> performance later that evening at THE STUDENT CENTER. If you'd like
> additional info, contact DAVORKA and she can assist you with any
questions!
> FEBRUARY 25, 2006 DUBROVNIK, CROATIA at Art Workshop Lazareti... woohoo!!!
> MARCH 10, 2006... LONDON at VORTEX JAZZ CLUB i will be opening up with a
> solo looop set for Sebastian Rochford and other incredible musicians...
> should be a really fun night! Come hang out!!!
> MARCH 12 to MARCH 21, 2006.. U.S. TOUR WITH BARBEZ ... I'm back in the
> states touring with Barbez as we make our way to South by Southwest in
> Austin, TX... check the link above to see if we hit your city!!
> MARCH 25, 2006 PARIS More details coming soon... I will be playing with
> SEBASTIEN TELLIER!!! first time in SO SO SO LONG... we will be playing
Seb`s
> music with some amazing visuals simultaneously... i will have more info
> soon!
> MARCH 29 to APRIL 1, 2006... FRANKFURT MUSIKMESSE if you happen to be
there,
> i will be performing and demonstrating my moogie theremin... and hanging
> out!!
>
>
> Kris
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Mar  2 14:04:03 2006
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On Thu, 2 Mar 2006, Kris Hartung wrote:

> Not sure if anyone has heard her play, but Pamelia Kurstin (from New York) 
> played some looping sets on the Theremin here in Boise, Idaho last year (and 
[snip]
> Andy, you should go introduce yourself and see what she's up to.  I'm 
not sure what she's using....maybe a DL4.
>
> http://www.pameliakurstin.com/

She was using a DL4 the last time I saw her: we were both at the 
Ethermusic 2005 theremin conference in Asheville last August. She's 
amazingly good on theremin, and a nice person too.

regards,
Steve B
http://www.subscapeannex.com/about_steve.html

From Loopers-Delight-request@loopers-delight.com  Thu Mar  2 17:09:44 2006
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sorry, i've been away for a bit...


On Feb 13, 2006, at 6:37 PM, Kim Flint wrote:

> Once again: if you are going to propose something, you are required =20=

> to also include at least 2 paragraphs of a review explaining why it =20=

> is essential to looping. Explain the historical context if fits =20
> into, how it was influential, what techniques it innovated, etc.
> kim

^ this is so absurd & sounds pretty fascistic i must say.


still, since i'm feeling expansive, some description for each title =20
previously mentioned:


> At 06:19 PM 2/13/2006, jb wrote:
>> let's not forget the seminal selt-titled CD:
>>
>> Holland Skin Tunnel
>>

guitar-bass-drum trio recording a sort-of (warm) white-noise, drone-=20
like, spare, fast instrumental rock that has been highly treated, =20
manipulated and so on, to the extent that it's almost noise. one =20
could postulate this album pre-figured something more melodic like =20
the My Bloody Valentine album 'loveless'. it's using the studio as an =20=

instrument ala brian eno, and altering the overall recorded sound of =20
the group into one undulating mass of near noise that has "loops" of =20
fast rhythmic guitar-drum-bass thrash coming through the haze. it =20
sounds like loops in the playing, and so i think highlights a certain =20=

aspect of looping perhaps often ignored in more recent discussions of =20=

technology. the sound of this record is not for the faint of heart, =20
but rewarding for those that can appreciate it.


>> and while we're getting off the beaten track, i can only assume =20
>> someone
>> mentioned:
>>
>> Muslimgauze
>>

simple, 8-bit dub, or perhaps 'industrial dub', i don't know what =20
people call Muslimgauze.. but it's almost all great, and there's a =20
lot of it. to me it's one of the best examples of a certain =20
historical 'low-fi' or dub aspect of looping and its entr=E9 into more =20=

trendy avenues. also reminds of a certain DIY, political sense of =20
looping in various "underground" circles, historically at least if =20
not so much today. reflects a 'hand-made' or dub style where "the =20
seams are showing" in a production sense. sometimes dance, often =20
drone, sometimes noise. lots of middle-eastern samples, dub beats, =20
looped bass lines. reminds me of those old Akai samplers...


>> :Zoviet France:
>

this also reflects the historical "drone" influence on looping. more =20
uniquely perhaps, they are a twenty-years-later example of something =20
like the kind of tape manipulation made famous by Fripp and Eno in =20
Paris in 1974 (was it?) or so. the bootlegs are out there i think... =20
stretching tape from one machine to another, disabling erase heads =20
and letting it pile on... various low-fi looping methods of long =20
samples, mostly. these :zoviet france: recordings (late '80s to late =20
'90s i think) with cassette decks and a few guitar pedals, instead of =20=

the earlier plate reverbs and reel-to-reel tape machines=96at least, =20
the earlier :zoviet france" recordings, which i think is the more =20
relevant. their "sources" are long text samples or slow industrial =20
machinery-type sounds, not the guitar playing of robert fripp. it's =20
not The Same certainly, but i think it's important as, in a sense, an =20=

interesting Evolution from that earlier work, using similar methods =20
and so forth.



>> that Ritchie Hawtin/Plastikman album where some experimental =20
>> (german i
>> think) guy built a double-armed turntable to re-make one of =20
>> Plastikman's
>> drone-y beats albums. primitive but all-the-more-effective-for-it =20
>> looping.

if i recall, this was where *(someone-i-cannot-recall) made a custom =20
turntable. it had a heavily-weighted plate, dual arms spaced apart to =20=

create a quick delay for the second output. these two outputs were =20
mixed to make an awesome beat. the original tempo and eq were =20
altered, the record played. the end sound was twice looped in a =20
sense, as the original drums were a series of alternating loops, and =20
the delayed extra tone-arm was like a loop of the aggregate. =20
hypnotic, repetitive minimal modern electronic 'techno' beats, =20
typical of Ritchie Hawtin (perhaps though a bit more minimal and =20
slow). i wish i could find a reference to this specific album on the =20
web.. perhaps it's too out-of-print. at any rate, an excellent flag =20
for mr. hawtin, a master of minimal dance music and certainly of the =20
Loop, on most of his recordings. again minimal and dub-style in some =20
ways. perhaps "Musik" is a more readily available title of his.


anyway, these opinions are of course solely my personal "two cents", =20
offered from my belief that they are interesting listening and could =20
be of value to an interested person, and are in no way meant to =20
encourage you to lie, gamble, cheat, or otherwise get into trouble.

-3nki






----- ----- ----- ----- -----

Woody Guthrie:
"This song is Copyrighted in U.S., under Seal of Copyright #154085, =20
for a period of 28 years, and anybody caught singin it without our =20
permission, will be mighty good friends of ourn, cause we don't give =20
a dern. Publish it. Write it. Sing it. Swing to it. Yodel it. We =20
wrote it, that's all we wanted to do."



--Apple-Mail-4--287977809
Content-Transfer-Encoding: quoted-printable
Content-Type: text/html;
	charset=WINDOWS-1252

<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; "><DIV>sorry, i've been away for a =
bit...</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><BR><DIV><DIV>On Feb 13, 2006, =
at 6:37 PM, Kim Flint wrote:</DIV><BR =
class=3D"Apple-interchange-newline"><BLOCKQUOTE type=3D"cite"><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Once again: if you are going to propose something, =
you are required to also include at least 2 paragraphs of a review =
explaining why it is essential to looping. Explain the historical =
context if fits into, how it was influential, what techniques it =
innovated, etc.</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">kim</DIV></BLOCKQUOTE><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>^ this is so absurd &amp; =
sounds pretty fascistic i must say.</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>still, since i'm feeling =
expansive, some description for each title previously =
mentioned:</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><BR><BLOCKQUOTE type=3D"cite"><DIV=
 style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">At 06:19 =
PM 2/13/2006, jb wrote:</DIV> <BLOCKQUOTE type=3D"cite"><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">let's not forget the seminal selt-titled =
CD:</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Holland Skin Tunnel</DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><BR></DIV></BLOCKQUOTE></BLOCKQUOTE><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>guitar-bass-drum trio =
recording a sort-of (warm) white-noise, drone-like, spare, fast =
instrumental rock that has been highly treated, manipulated and so on, =
to the extent that it's almost noise. one could postulate this album =
pre-figured something more melodic like the My Bloody Valentine album =
'loveless'. it's using the studio as an instrument ala brian eno, and =
altering the overall recorded sound of the group into one undulating =
mass of near noise that has "loops" of fast rhythmic guitar-drum-bass =
thrash coming through the haze. it sounds like loops in the playing, and =
so i think highlights a certain aspect of looping perhaps often ignored =
in more recent discussions of technology. the sound of this record is =
not for the faint of heart, but rewarding for those that can appreciate =
it.</DIV><DIV><BR class=3D"khtml-block-placeholder"></DIV><BR><BLOCKQUOTE =
type=3D"cite"><BLOCKQUOTE type=3D"cite"><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">and while we're getting off the =
beaten track, i can only assume someone</DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">mentioned:</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Muslimgauze</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><BR></DIV></BLOCKQUOTE></BLOCKQUOTE><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>simple, 8-bit dub, or =
perhaps 'industrial dub', i don't know what people call Muslimgauze.. =
but it's almost all great, and there's a lot of it. to me it's one of =
the best examples of a certain historical 'low-fi' or dub aspect of =
looping and its entr=E9 into more trendy avenues. also reminds of a =
certain DIY, political sense of looping in various "underground" =
circles, historically at least if not so much today. reflects a =
'hand-made' or dub style where "the seams are showing" in a production =
sense. sometimes dance, often drone, sometimes noise. lots of =
middle-eastern samples, dub beats, looped bass lines. reminds me of =
those old Akai samplers...</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><BR><BLOCKQUOTE =
type=3D"cite"><BLOCKQUOTE type=3D"cite"><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">:Zoviet France:</DIV> =
</BLOCKQUOTE><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; =
"><BR></DIV></BLOCKQUOTE><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>this also reflects the =
historical "drone" influence on looping. more uniquely perhaps, they are =
a twenty-years-later example of something like the kind of tape =
manipulation made famous by Fripp and Eno in Paris in 1974 (was it?) or =
so. the bootlegs are out there i think... stretching tape from one =
machine to another, disabling erase heads and letting it pile on... =
various low-fi looping methods of long samples, mostly. these :zoviet =
france: recordings (late '80s to late '90s i think) with cassette decks =
and a few guitar pedals, instead of the earlier plate reverbs and =
reel-to-reel tape machines=96at least, the earlier :zoviet france" =
recordings, which i think is the more relevant. their "sources" are long =
text samples or slow industrial machinery-type sounds, not the guitar =
playing of robert fripp. it's not The Same certainly, but i think it's =
important as, in a sense, an interesting Evolution from that earlier =
work, using similar methods and so forth.</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><BR><BLOCKQUOTE type=3D"cite"><DIV=
 style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "></DIV> <BLOCKQUOTE =
type=3D"cite"><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">that Ritchie Hawtin/Plastikman =
album where some experimental (german i</DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">think) =
guy built a double-armed turntable to re-make one of =
Plastikman's</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">drone-y beats albums. primitive =
but all-the-more-effective-for-it looping.</DIV> =
</BLOCKQUOTE></BLOCKQUOTE></DIV><BR =
class=3D"khtml-block-placeholder"><DIV>if i recall, this was where =
*(someone-i-cannot-recall) made a custom turntable. it had a =
heavily-weighted plate, dual arms spaced apart to create a quick delay =
for the second output. these two outputs were mixed to make an awesome =
beat. the original tempo and eq were altered, the record played. the end =
sound was twice looped in a sense, as the original drums were a series =
of alternating loops, and the delayed extra tone-arm was like a loop of =
the aggregate. hypnotic, repetitive minimal modern electronic 'techno' =
beats, typical of Ritchie Hawtin (perhaps though a bit more minimal and =
slow). i wish i could find a reference to this specific album on the =
web.. perhaps it's too out-of-print. at any rate, an excellent flag for =
mr. hawtin, a master of minimal dance music and certainly of the Loop, =
on most of his recordings. again minimal and dub-style in some ways. =
perhaps "Musik" is a more readily available title of his.</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>anyway, these opinions are =
of course solely my personal "two cents", offered from my belief that =
they are interesting listening and could be of value to an interested =
person, and are in no way meant to encourage you to lie, gamble, cheat, =
or otherwise get into trouble.</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>-3nki</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><BR><BR><DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =
min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =
normal normal 12px/normal Helvetica; min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT face=3D"Helvetica" size=3D"3" style=3D"font: =
12.0px Helvetica">----- ----- ----- ----- -----</FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
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From Loopers-Delight-request@loopers-delight.com  Thu Mar  2 18:05:44 2006
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Date: Thu, 2 Mar 2006 10:05:34 -0800 (PST)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Do I need that EDP?
To: Loopers Delight <Loopers-Delight@loopers-delight.com>
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This is exactly why my setup no longer uses a
traditional guitar amp.  In the grand scheme of things
it's just easier to use an amp modeler and put the
looper in the effects loop of the mixer.  Works like a
charm.  I recommend the Vox.

If you can find one, Johnson (Digitech) made some
killer amps that featured stereo effects loops that
also work nicely for such things.  I've got one of the
pure digital ones and I have to admit it sounds pretty
damn good.

Mark

--- Fluke <fluke@gotadsl.co.uk> wrote:

> Seems crazy to me to even think about puting any
> significant amount of
> processing between guitar and preamp. A wah pedal
> and maybe an EQ is as much
> as I can contemplate there. I've been playing over
> 20 years, and have used
> racked processors of one sort or another for most of
> that time, but it is
> natural to me that any time-based processor shoudl
> be fd a signal that is as
> complete as possible.
> 
> Nik
> 
> --------- Original Message --------
> From: Loopers-Delight@loopers-delight.com
> To: "Loopers-Delight@loopers-delight.com"
> <Loopers-Delight@loopers-delight.com>
> Subject: Re: Do I need that EDP?
> Date: 01/03/06 22:20
> 
> 
> I wonder if ideally the best way isn't to mike the
> amp and loop that. It
> varies depending, I think. But I completely agree
> with you that it's a
> conundrum trying to incorporate the sound of the amp
> itself since it's the
> last part of the chain. Any arrangement is going to
> compromise something
> 
> ________________________________________________
> Message sent using UebiMiau 2.7.2
> 
> 


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From Loopers-Delight-request@loopers-delight.com  Thu Mar  2 18:35:13 2006
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Yup. I have the Vox Tonelab and love it.

Nik

--------- Original Message --------
From: Loopers-Delight@loopers-delight.com
To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
Subject: Re: Do I need that EDP?
Date: 02/03/06 18:05


This is exactly why my setup no longer uses a
traditional guitar amp. In the grand scheme of things
it's just easier to use an amp modeler and put the
looper in the effects loop of the mixer. Works like a
charm. I recommend the Vox.

Mark



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From Loopers-Delight-request@loopers-delight.com  Thu Mar  2 19:17:04 2006
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Date: Thu, 2 Mar 2006 20:17:01 +0100 (CET)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: regarding amp v.s digital preamp
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Hi !
   
  I use my repeater in the fx-loop of my Mesa f-50. This works greate ! But it does not work that greate in my fender deluxes` fx loop.Too much noise. 
   
  After my guitar I use prescription fuzz (like Torn), wah wah, Boss comp, Rat dist. I dont think I loose that much signal ! ! From here the signal goes into my TC 2290 and this split the signal onto the Mesa amp and the fender amp. The loops sounds only in the Mesa. But the guitar-sound I use to play over the loops is kind of stereo because of effects and the panning. In the TC 2290s` fx-loop I use reverb, Micro synth, POG, and Ibanez delay. I use RC 20 before my fender amp, for some additional looping.
   
  I am very pleased with my gear and the sound of the TC 2290. The repeater is greate !
   
  I dont get troubled with noise or loss of signal ! But still I am very interested in trying the "all digital-thing with use of mixer"
   
  Rune F, Norway

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<div>Hi !</div>  <div>&nbsp;</div>  <div>I use my repeater in&nbsp;the fx-loop of my Mesa f-50. This works greate ! But it does not work that&nbsp;greate in my fender deluxes` fx loop.Too much noise.&nbsp;</div>  <div>&nbsp;</div>  <div>After my guitar&nbsp;I use prescription fuzz (like Torn), wah wah, Boss&nbsp;comp, Rat&nbsp;dist. I dont think I loose that much signal ! !&nbsp;From here&nbsp;the signal goes into my TC 2290 and this split the signal onto the Mesa amp and the fender amp. The loops sounds only in the Mesa. But the guitar-sound I use to play over the loops is kind of stereo&nbsp;because of effects&nbsp;and the panning.&nbsp;In the TC 2290s` fx-loop I use&nbsp;reverb, Micro synth, POG, and Ibanez delay.&nbsp;I use RC 20 before my fender amp, for some&nbsp;additional looping.</div>  <div>&nbsp;</div>  <div>I am very pleased with my gear and the sound of the TC 2290. The repeater is&nbsp;greate !</div>  <div>&nbsp;</div>  <div>I dont get troubled with noise or loss of
 signal ! But still I am very interested in trying the "all digital-thing with use of mixer"</div>  <div>&nbsp;</div>  <div>Rune F, Norway</div>
--0-188822345-1141327021=:9676--

From Loopers-Delight-request@loopers-delight.com  Thu Mar  2 19:25:44 2006
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I seem to have forgotten what settings on the reissue EH16 will allow a
loop to be fade out. I would like to basically have it loop infinitely and
then set on it again and have it slowly decay  and fade rather than
abruptly  stopping when the loop is finished playing. There are so many
damn modes and switches on this thing I am pretty sure I did this before
but now I can't get back to it.

I am using the V2 hardware with the bars setting >32 so I can manually
start/stop the loop if that matters.

thanks for any/all help.




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From Loopers-Delight-request@loopers-delight.com  Thu Mar  2 20:19:00 2006
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Date: Thu, 2 Mar 2006 12:18:58 -0800 (PST)
From: Monica <coolintensity@yahoo.com>
Subject: Re: BOSS ME-30 manual
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I just got one but thanks...also Sean. 
  Definitely not self-explanatory! 

rdwiv <rdwiv@webtv.net> wrote:
          Roland US has it .......
   
  http://www.rolandus.com/mojo/manuals.aspx
   
   
    ----- Original Message ----- 
  From: Monica 
  To: Loopers-Delight@loopers-delight.com 
  Sent: Thursday, March 02, 2006 1:03 AM
  Subject: Re: BOSS ME-30 manual
  

  Thanks...however this site, like the others, only has the ME-50 
  as the ME-30 is a now archaic model. Someone sent me a PDF 
  for the ME-30 but my server's not opening it.

Art Simon <simart@gmail.com> wrote:
  http://www.roland.com/products/en/_support/om.cfm?ln=en&dsp=0&iCncd=48
> Hey - this might be dreadfully lo-tech to some but I just got an
> unused BOSS ME-30 for $65 - seemed worth the price -
> but no owner's manual. Does anyone know where to find a link
> to download - ideally free?
> Thanks...
> Monica

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<div><FONT face=verdana color=#40007f>I just got one but thanks...also Sean. </FONT></div>  <div><FONT face=Verdana color=#40007f>Definitely not self-explanatory! </FONT><BR><BR><B><I>rdwiv &lt;rdwiv@webtv.net&gt;</I></B> wrote:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">  <META content="MSHTML 6.00.2800.1505" name=GENERATOR>  <STYLE></STYLE>    <DIV><FONT face=Arial size=2>Roland US has it .......</FONT></DIV>  <DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>  <DIV><FONT face=Arial size=2><A href="http://www.rolandus.com/mojo/manuals.aspx">http://www.rolandus.com/mojo/manuals.aspx</A></FONT></DIV>  <DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>  <DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>  <BLOCKQUOTE style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">  <DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>  <DIV style="BACKGROUND:
 #e4e4e4; FONT: 10pt arial; font-color: black"><B>From:</B> <A title=coolintensity@yahoo.com href="mailto:coolintensity@yahoo.com">Monica</A> </DIV>  <DIV style="FONT: 10pt arial"><B>To:</B> <A title=Loopers-Delight@loopers-delight.com href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A> </DIV>  <DIV style="FONT: 10pt arial"><B>Sent:</B> Thursday, March 02, 2006 1:03 AM</DIV>  <DIV style="FONT: 10pt arial"><B>Subject:</B> Re: BOSS ME-30 manual</DIV>  <DIV><BR></DIV>  <DIV><FONT face=verdana color=#40007f>Thanks...however this site, like the others, only has the ME-50 </FONT></DIV>  <DIV><FONT face=Verdana color=#40007f>as the ME-30 is a now archaic model. Someone sent me a PDF </FONT></DIV>  <DIV><FONT face=Verdana color=#40007f>for the ME-30 but my server's not opening it.</FONT><BR><BR><B><I>Art Simon &lt;<A href="mailto:simart@gmail.com">simart@gmail.com</A>&gt;</I></B> wrote:</DIV>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px;
 MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid"><A href="http://www.roland.com/products/en/_support/om.cfm?ln=en&amp;dsp=0&amp;iCncd=48">http://www.roland.com/products/en/_support/om.cfm?ln=en&amp;dsp=0&amp;iCncd=48</A><BR>&gt; Hey - this might be dreadfully lo-tech to some but I just got an<BR>&gt; unused BOSS ME-30 for $65 - seemed worth the price -<BR>&gt; but no owner's manual. Does anyone know where to find a link<BR>&gt; to download - ideally free?<BR>&gt; Thanks...<BR>&gt; Monica<BR><BR>--<BR>Art Simon<BR>simart@null.net<BR>http://art.simon.tripod.com<BR>http://artsimon.iuma.com<BR><BR></BLOCKQUOTE><BR>  <div>  <HR SIZE=1>  Yahoo! Mail<BR>Bring photos to life! <A href="http://pa.yahoo.com/*http://us.rd.yahoo.com/evt=39174/*http://photomail.mail.yahoo.com">New PhotoMail </A>makes sharing a breeze. </BLOCKQUOTE></BLOCKQUOTE><BR><BR><BR><DIV>
<DIV>
<DIV>
<DIV>
<DIV>
<DIV>
<DIV>&nbsp;</DIV>
<DIV>Asgard Guitars</DIV>
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i just "got done"reconfiguring my set-up, talk about improv, yikes!.....i sit 
and stare at this absolute mess of cables but i am more than pleased with the 
sound i have today.....beware mixers and their insidious sends, it's about 
89% of what i think about all of the time, is this healthy?.....i've given up 
playing clean, obviously it's more fun to look at all the lights.....a bit ago i 
had 4 asyncronious (no midi) loops going on, zoom2100, mo-fx, ineko (1) all 
going into the rang, all with different feedback and it all made sense to 
me.....imho the heart is the mixer, it makes many paths possible, too many if you 
ask me!.....:)mic



www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11

--part1_42.7b07500d.3138afea_boundary
Content-Type: text/html; charset="US-ASCII"
Content-Transfer-Encoding: quoted-printable

<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2">i just "got done"reconfiguring my set-u=
p, talk about improv, yikes!.....i sit and stare at this absolute mess of ca=
bles but i am more than pleased with the sound i have today.....beware mixer=
s and their insidious sends, it's about 89% of what i think about all of the=
 time, is this healthy?.....i've given up playing clean, obviously it's more=
 fun to look at all the lights.....a bit ago i had 4 asyncronious (no midi)=20=
loops going on, zoom2100, mo-fx, ineko (1) all going into the rang, all with=
 different feedback and it all made sense to me.....imho the heart is the mi=
xer, it makes many paths possible, too many if you ask me!.....:)mic<BR>
<BR>
<BR>
<BR>
www.ct-collective.com<BR>
http://mysite.verizon.net/vzepmeci/<BR>
http://www.myspace.com/klobuchar11<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT></HTML>
--part1_42.7b07500d.3138afea_boundary--

From Loopers-Delight-request@loopers-delight.com  Thu Mar  2 21:05:17 2006
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From: "Tom Ritchford" <tom@swirly.com>
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Theremin Looper - Pamelia Kurstin, the Theremin Cello, etc
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She however smokes like a chimney.  She does a bit where she plays
theremin with a lit cigarette which I gather she uses so she can have
a cigarette on stage in the middle of the set so she doesn't withdraw
from nicotine...

On 3/2/06, burnett@pobox.com <burnett@pobox.com> wrote:
> On Thu, 2 Mar 2006, Kris Hartung wrote:
>
> > Not sure if anyone has heard her play, but Pamelia Kurstin (from New Yo=
rk)
> > played some looping sets on the Theremin here in Boise, Idaho last year=
 (and
> [snip]
> > Andy, you should go introduce yourself and see what she's up to.  I'm
> not sure what she's using....maybe a DL4.
> >
> > http://www.pameliakurstin.com/
>
> She was using a DL4 the last time I saw her: we were both at the
> Ethermusic 2005 theremin conference in Asheville last August. She's
> amazingly good on theremin, and a nice person too.
>
> regards,
> Steve B
> http://www.subscapeannex.com/about_steve.html
>
>


--
     /t

http://ax.to ... extreme NY arts and music calendar
http://loopny.com ......... live looping on March 11

From Loopers-Delight-request@loopers-delight.com  Thu Mar  2 22:13:17 2006
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Date: Thu, 2 Mar 2006 16:13:15 -0600
From: "Ben M" <fantasydate@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: kind of off-topic, but a question for zoe :-)
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Zoe,

You mentioned that you are using the c411 now, and I am too.  I was just
wondering where you stuck yours on the cello?  I stuck mine on the bridge
like the picture in the manual suggested, but I am not too wild about the
sound so far.  I tried sticking it to the body between the feet of the
bridge, but there was kind of a rattle.  All of this is really nuts since I
had to jump through hoops to buy that stupid mini-XLR adapter.

Damn that Eric Friedlander!

thanks!
ben

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<div>Zoe,</div>
<div>&nbsp;</div>
<div>You mentioned that you are using the c411 now, and I am too.&nbsp; I w=
as just wondering where you stuck yours on the cello?&nbsp; I stuck mine on=
 the bridge like the picture in the manual suggested, but I am not too wild=
 about the sound so far.&nbsp; I tried sticking it to the body between the =
feet of the bridge, but there was kind of a rattle.&nbsp; All of this is re=
ally nuts since I had to jump through hoops to buy that stupid mini-XLR ada=
pter.
</div>
<div>&nbsp;</div>
<div>Damn that Eric Friedlander!</div>
<div>&nbsp;</div>
<div>thanks!</div>
<div>ben</div>

------=_Part_5347_33454885.1141337595483--

From Loopers-Delight-request@loopers-delight.com  Fri Mar  3 04:17:03 2006
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From: "Kris Hartung" <khartung@cableone.net>
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Subject: Half Space Effect Processors
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I'm putting my new three-space soft rack together, the bottom space of which 
is waiting for my Looperlative. On the top two spaces, I have my Boss VF1 
(for tone mangling), Lexicon LXP1 (for reverb), and my Lexicon LXP5 (also 
for tone mangling).  Now, what the heck to I put in that third half-space 
slot? Any ideas? What  units out there pack a lot of cool effects into a 
half space? I wish they made the Line 6 Filter Pro in a half-space, or 
better yet the electro-harmonix micro guitar synth.

Cheers,

Kris

<><><><><><><><><><><><><><>
www.krispenhartung.com (solo work)
www.boisemusician.com/newvibetrio/ (jazz trio)
info@krispenhartung.com
208-724-5604 (call me for cripes sakes!) 


From Loopers-Delight-request@loopers-delight.com  Fri Mar  3 04:21:52 2006
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How about an RNC  (Really Nice Compressor),  or even  better the RNLA 
(Really Nice Levelling Amplifier).

http://www.fmraudio.com/RNLA7239.htm    Ya gotta love the red dials.

Peder :)


----- Original Message ----- 
From: "Kris Hartung" <khartung@cableone.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, March 02, 2006 11:16 PM
Subject: Half Space Effect Processors


> I'm putting my new three-space soft rack together, the bottom space of 
> which is waiting for my Looperlative. On the top two spaces, I have my 
> Boss VF1 (for tone mangling), Lexicon LXP1 (for reverb), and my Lexicon 
> LXP5 (also for tone mangling).  Now, what the heck to I put in that third 
> half-space slot? Any ideas? What  units out there pack a lot of cool 
> effects into a half space? I wish they made the Line 6 Filter Pro in a 
> half-space, or better yet the electro-harmonix micro guitar synth.
>
> Cheers,
>
> Kris
>
> <><><><><><><><><><><><><><>
> www.krispenhartung.com (solo work)
> www.boisemusician.com/newvibetrio/ (jazz trio)
> info@krispenhartung.com
> 208-724-5604 (call me for cripes sakes!) 

From Loopers-Delight-request@loopers-delight.com  Fri Mar  3 04:28:50 2006
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Funny you suggest that (RNC). :) That's what I have on the floor, ready to 
put in the rack if I don't get anything else. I love those little 
compressors...not sure whether to put it before or after my laptop, however. 
I can do without it, however. I keep fairly consistent levels, despite all 
my processors, notebook processing, etc.

Kris

<><><><><><><><><><><><><><>
www.krispenhartung.com (solo work)
www.boisemusicians.com/newvibetrio/ (jazz trio)
info@krispenhartung.com
208-724-5604 (call me for cripes sakes!)

----- Original Message ----- 
From: "Peder Jakobsen" <peder@jakobsen.ca>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, March 02, 2006 9:21 PM
Subject: Re: Half Space Effect Processors


> How about an RNC  (Really Nice Compressor),  or even  better the RNLA 
> (Really Nice Levelling Amplifier).
>
> http://www.fmraudio.com/RNLA7239.htm    Ya gotta love the red dials.
>
> Peder :)
>
>
> ----- Original Message ----- 
> From: "Kris Hartung" <khartung@cableone.net>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Thursday, March 02, 2006 11:16 PM
> Subject: Half Space Effect Processors
>
>
>> I'm putting my new three-space soft rack together, the bottom space of 
>> which is waiting for my Looperlative. On the top two spaces, I have my 
>> Boss VF1 (for tone mangling), Lexicon LXP1 (for reverb), and my Lexicon 
>> LXP5 (also for tone mangling).  Now, what the heck to I put in that third 
>> half-space slot? Any ideas? What  units out there pack a lot of cool 
>> effects into a half space? I wish they made the Line 6 Filter Pro in a 
>> half-space, or better yet the electro-harmonix micro guitar synth.
>>
>> Cheers,
>>
>> Kris
>>
>> <><><><><><><><><><><><><><>
>> www.krispenhartung.com (solo work)
>> www.boisemusician.com/newvibetrio/ (jazz trio)
>> info@krispenhartung.com
>> 208-724-5604 (call me for cripes sakes!)
>
> 


From Loopers-Delight-request@loopers-delight.com  Fri Mar  3 11:33:00 2006
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You already have a Boss VF-1 which would be my first choice. Old Boss SE50
and SE70 can do quite a lot.

Nik

--------- Original Message --------
From: Loopers-Delight@loopers-delight.com
To: "Loopers-Delight@loopers-delight.com"
<Loopers-Delight@loopers-delight.com>
Subject: Half Space Effect Processors
Date: 03/03/06 04:17


I'm putting my new three-space soft rack together, the bottom space of which
is waiting for my Looperlative. On the top two spaces, I have my Boss VF1
(for tone mangling), Lexicon LXP1 (for reverb), and my Lexicon LXP5 (also
for tone mangling). Now, what the heck to I put in that third half-space
slot? Any ideas? What units out there pack a lot of cool effects into a
half space? I wish they made the Line 6 Filter Pro in a half-space, or
better yet the electro-harmonix micro guitar synth.

Cheers,

Kris

<><><><><><><><><><><><><><>
www.krispenhartung.com (solo work)
www.boisemusician.com/newvibetrio/ (jazz trio)
info@krispenhartung.com
208-724-5604 (call me for cripes sakes!)

________________________________________________
Message sent using UebiMiau 2.7.2

From Loopers-Delight-request@loopers-delight.com  Fri Mar  3 13:50:51 2006
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Kris, Zoom made some SERIOUS half-rack tone manglers in the Olden Days.
9100 or 9050, if memory serves. Harmony Central folks sing their praises.
Cheers,
Tim


> [Original Message]
> From: Kris Hartung <khartung@cableone.net>
> To: <Loopers-Delight@loopers-delight.com>
> Date: 3/2/2006 11:28:50 PM
> Subject: Re: Half Space Effect Processors
>
> Funny you suggest that (RNC). :) That's what I have on the floor, ready
to 
> put in the rack if I don't get anything else. I love those little 
> compressors...not sure whether to put it before or after my laptop,
however. 
> I can do without it, however. I keep fairly consistent levels, despite
all 
> my processors, notebook processing, etc.
>
> Kris
>
> <><><><><><><><><><><><><><>
> www.krispenhartung.com (solo work)
> www.boisemusicians.com/newvibetrio/ (jazz trio)
> info@krispenhartung.com
> 208-724-5604 (call me for cripes sakes!)
>
> ----- Original Message ----- 
> From: "Peder Jakobsen" <peder@jakobsen.ca>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Thursday, March 02, 2006 9:21 PM
> Subject: Re: Half Space Effect Processors
>
>
> > How about an RNC  (Really Nice Compressor),  or even  better the RNLA 
> > (Really Nice Levelling Amplifier).
> >
> > http://www.fmraudio.com/RNLA7239.htm    Ya gotta love the red dials.
> >
> > Peder :)
> >
> >
> > ----- Original Message ----- 
> > From: "Kris Hartung" <khartung@cableone.net>
> > To: <Loopers-Delight@loopers-delight.com>
> > Sent: Thursday, March 02, 2006 11:16 PM
> > Subject: Half Space Effect Processors
> >
> >
> >> I'm putting my new three-space soft rack together, the bottom space of 
> >> which is waiting for my Looperlative. On the top two spaces, I have my 
> >> Boss VF1 (for tone mangling), Lexicon LXP1 (for reverb), and my
Lexicon 
> >> LXP5 (also for tone mangling).  Now, what the heck to I put in that
third 
> >> half-space slot? Any ideas? What  units out there pack a lot of cool 
> >> effects into a half space? I wish they made the Line 6 Filter Pro in a 
> >> half-space, or better yet the electro-harmonix micro guitar synth.
> >>
> >> Cheers,
> >>
> >> Kris
> >>
> >> <><><><><><><><><><><><><><>
> >> www.krispenhartung.com (solo work)
> >> www.boisemusician.com/newvibetrio/ (jazz trio)
> >> info@krispenhartung.com
> >> 208-724-5604 (call me for cripes sakes!)
> >
> > 
>


From Loopers-Delight-request@loopers-delight.com  Fri Mar  3 13:58:25 2006
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Subject: single-space rack guitar preamps
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Hi! I'm new to the list, subscribed yesterday. I've been looking
through the archives to get a feel for things, and I noticed in the
discussion about single-spaced rackmount guitar preamps that no one
made any mention of the t.c. electronic G line - the G-Major, the new
G-Sharp and the flagship G-Force, as well as the G System which can be
either a floor unit or a rackmount unit with a floorboard. I haven't
actually played them myself, but they seem high in regard and t.c. is
not a completely unknown name...

Cheers,
KB

From Loopers-Delight-request@loopers-delight.com  Fri Mar  3 14:10:47 2006
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From: "Karl Boman" <karl.boman@gmail.com>
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Subject: Re: Jose Gonzalez
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Hello again! Another topic that caught my eye.

I've seen Jos=E9 play live twice, both solo and with Junip, and no
looping took place. The roughness on some recorded tracks may well be
a result of him recording everything at home in his apartment onto a
regular PC running Cubase. Up until the "Crosses" EP he just used one
mic, and for "Veneer" he bought another one and used them in tandem
which makes the sound quality vary some between new and old tracks.

He has a solid musical training and has played a lot before recording,
so I doubt been doing any copy-paste in Cubase. It just seems really
out of character. He did do a collaboration with Embee, I forget the
name of the song, which had lots of loops and samples, but that was
all Embee.

Cheers!
KB

ps. This can be a bit tricky and a bit of a music nerd clich=E9 - but go
for the EPs. The track "Down the Hillside" has almost as much power as
all of "Veneer" combined, excepting "Crosses", "Save Your Day" and
"Heartbeats".

From Loopers-Delight-request@loopers-delight.com  Fri Mar  3 14:21:26 2006
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The G-Force is a multi effects box that does some distortion/amp modeling.
The Major and the Sharp are just multi effects. Only the new and as yet
unproven System can really be called a Guitar Preamp.

Welcome to the list. I'm new here too!

Nik

--------- Original Message --------
From: Loopers-Delight@loopers-delight.com
To: "Loopers-Delight@loopers-delight.com"
<Loopers-Delight@loopers-delight.com>
Subject: single-space rack guitar preamps
Date: 03/03/06 13:58


Hi! I'm new to the list, subscribed yesterday. I've been looking
through the archives to get a feel for things, and I noticed in the
discussion about single-spaced rackmount guitar preamps that no one
made any mention of the t.c. electronic G line - the G-Major, the new
G-Sharp and the flagship G-Force, as well as the G System which can be
either a floor unit or a rackmount unit with a floorboard. I haven't
actually played them myself, but they seem high in regard and t.c. is
not a completely unknown name...

Cheers,
KB

________________________________________________
Message sent using UebiMiau 2.7.2

From Loopers-Delight-request@loopers-delight.com  Fri Mar  3 15:08:59 2006
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Date: Fri, 03 Mar 2006 10:05:01 -0500
From: Bill Fox <billyfox@soundscapes.us>
Subject: Galactic Travels Playlist #466 for March 2, 2006
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http://wdiy.org/programs/gt/playlists/2006/060302.html

Galactic Travels is an electronic, ambient, and space music show, that 
airs each
Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA, 93.9 
FM in
Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville and Trexlertown, 
92.9 FM on
Service Electric Cable, and webcasting on the internet.

                    Show #466                    March 2, 2006

RECAP:
On this show, I started a month-long focus on E-dition electronic music 
magazine.
The Featured CD at Midnight was the CD that came with issue #5.

The Vinyl Starter was "Live" by Klaus Schulze on Brain Recrods and 
released in
1980.

E-dition - <http://wdiy.org/programs/gt/playlists/2006/focus.html#mar>


PLAYLIST:

11:04 pm
ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
==================================
Klaus Schulze           Heart *                  Live (Brain)
Joint Intelligence      A Wreck No Phobia        In Session (Bogus Focus)
  Committee
Joint Intelligence      Grasping Jasper          In Session (Bogus Focus)
  Committee
VA [Ian Boddy]          Aurora                   E-dition #11 (Groove)
VA [Ian Boddy]          Chiasmata                E-dition #11 (Groove)
Mikronesia              Arms Bent                Tissue Paper Ghosts 
(Gears of
                                                   Sand)
Headshock               Vortex                   Music from Peak 
Experience (Bogus
                                                   Focus)
Inner Voice             Trance                   First Light (none)

12:00 am
ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
==================================
VA [Guido Meyer]        Epedic                   E-dition #5 (Groove)
VA [Tom Heasley]        Ground Zero              E-dition #5 (Groove)
VA [Remy]               Following Differences    E-dition #5 (Groove)
VA [Robert Rich]        Somnium                  E-dition #5 (Groove)
VA [David Parsons]      Kangra Yatra             E-dition #5 (Groove)
VA [Volt]               Obviously                E-dition #5 (Groove)
VA [Eloy Fritsch]       The Garden of Emotions   E-dition #5 (Groove)
VA [Red Shift]          Midnight Clean Minus     E-dition #5 (Groove)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist


NEXT SHOW:
On the next Galactic Travels, I'll continue the month-long focus on E-dition
magazine.  The Featured CD at Midnight will be the CD that came with 
issue #6.

The Vinyl Starter will be "Live" by Klaus Schulze on Brain Recrods and 
released in
1980.

Bill
===============================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EST/GMT-5:00 on WDIY 88.1 FM in Allentown and 
Bethlehem,
93.7 in Fogelsville and Trexlertown, 93.9 FM in Easton and Phillipsburg and
92.9 on Service Electric Cable. Listen on-line to WDIY at 
http://wdiy.org and
click on the LISTEN link or go directly to:
http://rm1.refugemedia.com/ramgen/encoder/wdiy.rm
Galactic Travels web site - http://wdiy.org/programs/gt
To subscribe to the galactic-travels mailing list, click on [Join This 
Group!]
at http://groups.yahoo.com/group/galactic-travels
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/podcasts.xml

From Loopers-Delight-request@loopers-delight.com  Fri Mar  3 16:17:46 2006
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From: Zoe Keating <cello@zoekeating.com>
Subject: Re: kind of off-topic, but a question for zoe :-)
Date: Fri, 3 Mar 2006 08:17:40 -0800
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I don't use the mini XLR adapter. The mic just goes straight into my  
preamp and I give it phantom power from there...

Anyway. Different for every cellist I've heard. I move it around all  
the time. Best spot for me is:

- looking face on at the cello and measuring straight down from the  
"C" foot of the bridge - approx 4 inches down and 1 inch to the left.
- closer to the bridge the more focused, but also the more thin
- farther away gets warmer but also less focused (and boomy)
- trick is to find the sweet spot in the middle.

-a variation of just 1/2 an inch makes a huge difference.

- for looping, I have a new trick....using two mics and a footswitch  
to go between them. The mics are in different spots on the cello and  
get different sounds.
Then I can record some loops with one mic and some loops with another!!

hope that helps!

On Mar 2, 2006, at 2:13 PM, Ben M wrote:

> Zoe,
>
> You mentioned that you are using the c411 now, and I am too.  I was  
> just wondering where you stuck yours on the cello?  I stuck mine on  
> the bridge like the picture in the manual suggested, but I am not  
> too wild about the sound so far.  I tried sticking it to the body  
> between the feet of the bridge, but there was kind of a rattle.   
> All of this is really nuts since I had to jump through hoops to buy  
> that stupid mini-XLR adapter.
>
> Damn that Eric Friedlander!
>
> thanks!
> ben

From Loopers-Delight-request@loopers-delight.com  Fri Mar  3 17:54:05 2006
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Just leave the space open to stash sandwiches, and snacks, or if you can
find one, Boss made a half rack mixer called a an MX10, 10 line inputs and a
stereo effects loop. A way to harness all of those tone manglers perhaps?
Bill

-----Original Message-----
From: Kris Hartung [mailto:khartung@cableone.net]
Sent: Thursday, March 02, 2006 8:17 PM
To: Loopers-Delight@loopers-delight.com
Subject: Half Space Effect Processors


I'm putting my new three-space soft rack together, the bottom space of which
is waiting for my Looperlative. On the top two spaces, I have my Boss VF1
(for tone mangling), Lexicon LXP1 (for reverb), and my Lexicon LXP5 (also
for tone mangling).  Now, what the heck to I put in that third half-space
slot? Any ideas? What  units out there pack a lot of cool effects into a
half space? I wish they made the Line 6 Filter Pro in a half-space, or
better yet the electro-harmonix micro guitar synth.

Cheers,

Kris

<><><><><><><><><><><><><><>
www.krispenhartung.com (solo work)
www.boisemusician.com/newvibetrio/ (jazz trio)
info@krispenhartung.com
208-724-5604 (call me for cripes sakes!)





From Loopers-Delight-request@loopers-delight.com  Fri Mar  3 17:57:36 2006
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Date: Fri, 3 Mar 2006 14:57:08 -0300
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I have learned to be very carefull with analisis of problems that 
involve "old school tube amp tone", because there seem to be some 
para scientific influences...

but what you say splits in two separate issues:

1)  Any loop before a "old school tube amp" must screw it up, 
independent on what loop unit you use, because the guitar is not 
going alone into it, the loops change its characteristics.
as soon as you seriously distort, be it with tubes or any pedal, you 
get the interferences between your actual guitar and the loop content 
which usually sounds terrible.
The mentioned solutions with insert and mic are not perfect either. 
The closest seems to me would be to feed the loop unit from a speaker 
simulator (not a power soak, since you do use the real speaker) at 
the output of the tube amp and then go from the looper into some flat 
monitor.
I never tried it. Since 1974 I am perfectly happy with solid state :-)

2)  the EDP is not quite as noise free as newer equipment is, which 
appears more when you put a compressor after it. tubes do compress 
somehow...


>Christophe wrote:
>
>>  > From all I've read and heard you all say, the EDP with the pedal
>>  > sounds like the
>>  > gold standard (apart from the Eventides and such) and the only
>>  > real complaint I
>>  > think I've seen is that it's not stereo.
>
>One issue that has gone around a few times on this list is that of 
>gain staging in the EDP.  I've held a few different opinions on that 
>issue over the years
>and presently think there is still a problem there (a caveat being 
>that my sample group consists of my 2 older model beige face 
>Oberheim EDPs).
>
>Being more of an old-school-guitar-into-tube amp-equals-tone type 
>guy, I've struggled off and on with my EDPs as tone-suck culprits. 
>Here's the issue
>as I see it:  A large part of the sound I want to hear is the sound 
>of my amp "breaking up" as my guitar signal hits the preamp stage of 
>a Fender tube
>amp.  Any pedals that change the way that signal hits the amp are 
>going to change the tone.  When going through an EDP, I have met an 
>unwinnable
>fight in trying to balance the loss of gain through the EDP vs. the 
>noise produced by the EDP.  Through proper gain staging (setting of 
>input and output
>levels on the EDP), I can minimize the problem, but not make it 
>disappear.  I do not feel it is possible to simultaneously A) not 
>distort the input, B) have a
>quiet loop with no hiss added by the EDP, and C) still have a full 
>gain signal hit the amp.  I can get the loop hiss under control, but 
>there goes my amp
>tone.  I can get the amp screaming, but either deal with hiss or 
>digital distortion, depending on whether I'm leaning towards the 
>input or output of the
>EDP.
>
>Loopers who are not concerned with old-school tube amp tone issues 
>probably don't care about this issue.  If you have an amp modeler or 
>something
>BEFORE the EDP and are then going into a super clean power amp just 
>to amplify your signal, you may never even notice this.  But if you 
>are trying to use
>the tone of your amp as a big part of your sound (like most guitar 
>sounds from the 1940's through the present), the EDP can be 
>frustrating.
>
>Don't get me wrong.  I still love my EDPs.  They are an amazing 
>tool.  This is just one thing to think about.
>
>Cheers
>
>Joe Rut
>
>--
>_______________________________________________
>
>Search for businesses by name, location, or phone number.  -Lycos Yellow Pages
>
>http://r.lycos.com/r/yp_emailfooter/http://yellowpages.lycos.com/default.asp?SRC=lycos10


-- 


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Fri Mar  3 18:14:31 2006
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Subject: AW: Half Space Effect Processors
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Kris,

don't you need an audio interface for your laptop and a place to put it? If
so, put that one in the remaining rack space...
...if not, a device that can do really crazy things if used properly is the
Sony GR-MP5 (don't remember the exact name, but something like this). 

	Rainer

From Loopers-Delight-request@loopers-delight.com  Fri Mar  3 18:19:49 2006
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I use a Mackie board on top of my rack.  I run to my Boss VF1 to the LXP5, 
to the laptop, to my looper, and then to the board.

I did look up the Sony GR-MP5 last night...wow, that unit is hard to find! 
Once read that John McLaughlin used one of those, and the MP7 for reverb.

Kris



----- Original Message ----- 
From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, March 03, 2006 11:14 AM
Subject: AW: Half Space Effect Processors


> Kris,
>
> don't you need an audio interface for your laptop and a place to put it? 
> If
> so, put that one in the remaining rack space...
> ...if not, a device that can do really crazy things if used properly is 
> the
> Sony GR-MP5 (don't remember the exact name, but something like this).
>
> Rainer
>
> 


From Loopers-Delight-request@loopers-delight.com  Fri Mar  3 18:20:43 2006
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BTW, I decided to get another VF1....I just love those little red boxes too 
much. I look forward to doing some interesting layering.

Kris

> -----Original Message-----
> From: Kris Hartung [mailto:khartung@cableone.net]
> Sent: Thursday, March 02, 2006 8:17 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Half Space Effect Processors
>
>
> I'm putting my new three-space soft rack together, the bottom space of 
> which
> is waiting for my Looperlative. On the top two spaces, I have my Boss VF1
> (for tone mangling), Lexicon LXP1 (for reverb), and my Lexicon LXP5 (also
> for tone mangling).  Now, what the heck to I put in that third half-space
> slot? Any ideas? What  units out there pack a lot of cool effects into a
> half space? I wish they made the Line 6 Filter Pro in a half-space, or
> better yet the electro-harmonix micro guitar synth.
>
> Cheers,
>
> Kris
>
> <><><><><><><><><><><><><><>
> www.krispenhartung.com (solo work)
> www.boisemusician.com/newvibetrio/ (jazz trio)
> info@krispenhartung.com
> 208-724-5604 (call me for cripes sakes!)
>
>
>
>
>
> 


From Loopers-Delight-request@loopers-delight.com  Fri Mar  3 18:22:57 2006
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Subject: Re: Half Space Effect Processors
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> What units out there pack a lot of
> cool effects into a
> half space? I wish they made the Line 6 Filter Pro
> in a half-space, or
> better yet the electro-harmonix micro guitar synth.

Well you just mentioned two things that go nicely on
the floor as well, so why not start exploring your
floorspace?

Seriously though, when I got to the point that your
in, I ended up realizing that I did better with less. 
I always like to quote "You can't have everything. 
Where would you put it?"  It's true.  When I got to a
point where my guitar was mangled beyond belief I
moved to synthesis for more sound options.  Now I find
I like my guitar more guitar sounding (sometimes).

Perhaps put a half rack synth it that place?

http://www.audiomidi.com/XV-2020-64-Voice-Synthesizer-P4110.aspx?CPID=392&AFID=3

I have the XV-5050 and I like it a lot.  A half rack
synth and one of those little m-audio midi controllers
could give you tons of new options.

Good luck,

Mark

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Fri Mar  3 18:53:32 2006
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Hey Kris!
How much was your "new" VF-1, if you don't mind my asking? I may "need" another VF-1, and I'm afraid that I won't be able to find one for $150 again ;-)

Yours in Sound,
Tim
www.myspace.com/timmungenast



-----Original Message-----
>From: Kris Hartung <khartung@cableone.net>
>Sent: Mar 3, 2006 1:20 PM
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: Half Space Effect Processors
>
>BTW, I decided to get another VF1....I just love those little red boxes too 
>much. I look forward to doing some interesting layering.
>
>Kris
>
>> -----Original Message-----
>> From: Kris Hartung [mailto:khartung@cableone.net]
>> Sent: Thursday, March 02, 2006 8:17 PM
>> To: Loopers-Delight@loopers-delight.com
>> Subject: Half Space Effect Processors
>>
>>
>> I'm putting my new three-space soft rack together, the bottom space of 
>> which
>> is waiting for my Looperlative. On the top two spaces, I have my Boss VF1
>> (for tone mangling), Lexicon LXP1 (for reverb), and my Lexicon LXP5 (also
>> for tone mangling).  Now, what the heck to I put in that third half-space
>> slot? Any ideas? What  units out there pack a lot of cool effects into a
>> half space? I wish they made the Line 6 Filter Pro in a half-space, or
>> better yet the electro-harmonix micro guitar synth.
>>
>> Cheers,
>>
>> Kris
>>
>> <><><><><><><><><><><><><><>
>> www.krispenhartung.com (solo work)
>> www.boisemusician.com/newvibetrio/ (jazz trio)
>> info@krispenhartung.com
>> 208-724-5604 (call me for cripes sakes!)
>>
>>
>>
>>
>>
>> 
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Mar  3 19:17:18 2006
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From: Luis Angulo <labalou2000@yahoo.com>
Subject: Re: Do I need that EDP?
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i am looking for more suggestions on this tone issue,i
am going from my GP-100 amp modeler into my mackie
1202 which has the EDP in the Aux and then into a
yamaha P.A.powered monitor.I find The sound still a
bit sterile and punch lacking  would a dedicated
guitar power amp like the mesa boogie 20/20 and a
guitar cabinet make a difference or warm it up?




> >Loopers who are not concerned with old-school tube
> amp tone issues 
> >probably don't care about this issue.  If you have
> an amp modeler or 
> >something
> >BEFORE the EDP and are then going into a super
> clean power amp just 
> >to amplify your signal, you may never even notice
> this.  But if you 
> >are trying to use
> >the tone of your amp as a big part of your sound
> (like most guitar 
> >sounds from the 1940's through the present), the
> EDP can be 
> >frustrating.
> >
> >Don't get me wrong.  I still love my EDPs.  They
> are an amazing 
> >tool.  This is just one thing to think about.
> >
> >Cheers
> >
> >Joe Rut
> >
> >--
> >_______________________________________________
> >
> >Search for businesses by name, location, or phone
> number.  -Lycos Yellow Pages
> >
>
>http://r.lycos.com/r/yp_emailfooter/http://yellowpages.lycos.com/default.asp?SRC=lycos10
> 
> 
> -- 
> 
> 
>           ---> http://Matthias.Grob.org
> 
> 


www.luis-angulo.com

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Fri Mar  3 19:27:02 2006
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Date: Fri, 3 Mar 2006 14:26:58 -0500
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I used a GP-100 for years and upgraded to a Boss GT-Pro, which has effects
routing galore...plus the ability to use 2 preamps per preset, selectable
via switch or dynamic picking, even. I run mine into a full range system- I
think a tube amp would tend to defeat the modeling. Oh, the GT-Pro has fun
looping too, like the GP-100 (short >4 secs, but fun!) The software editor
is wonderful too (all gear with a zillion parameters needs a software
editor).

Dave Eichenberger 
http://www.hazardfactor.com

 

> -----Original Message-----
> From: Luis Angulo [mailto:labalou2000@yahoo.com] 
> Sent: Friday, March 03, 2006 2:17 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Do I need that EDP?
> 
> i am looking for more suggestions on this tone issue,i am 
> going from my GP-100 amp modeler into my mackie
> 1202 which has the EDP in the Aux and then into a yamaha 
> P.A.powered monitor.I find The sound still a bit sterile and 
> punch lacking  would a dedicated guitar power amp like the 
> mesa boogie 20/20 and a guitar cabinet make a difference or 
> warm it up?
> 
> 
> 
> 
> > >Loopers who are not concerned with old-school tube
> > amp tone issues
> > >probably don't care about this issue.  If you have
> > an amp modeler or
> > >something
> > >BEFORE the EDP and are then going into a super
> > clean power amp just
> > >to amplify your signal, you may never even notice
> > this.  But if you
> > >are trying to use
> > >the tone of your amp as a big part of your sound
> > (like most guitar
> > >sounds from the 1940's through the present), the
> > EDP can be
> > >frustrating.
> > >
> > >Don't get me wrong.  I still love my EDPs.  They
> > are an amazing
> > >tool.  This is just one thing to think about.
> > >
> > >Cheers
> > >
> > >Joe Rut
> > >
> > >--
> > >_______________________________________________
> > >
> > >Search for businesses by name, location, or phone
> > number.  -Lycos Yellow Pages
> > >
> >
> >http://r.lycos.com/r/yp_emailfooter/http://yellowpages.lycos.
> com/defaul
> >t.asp?SRC=lycos10
> > 
> > 
> > --
> > 
> > 
> >           ---> http://Matthias.Grob.org
> > 
> > 
> 
> 
> www.luis-angulo.com
> 
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection 
> around http://mail.yahoo.com 
> 

From Loopers-Delight-request@loopers-delight.com  Fri Mar  3 19:42:18 2006
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Subject: RE: AW: Half Space Effect Processors
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I was going to suggest the HR-MP5 too - a very lovely little unit, sits in my rack next to a Zoom 9030. Seriously underrated both, but I'd take the MP5 any time. The pitch shifter is a bit slow and naff though, but that's to be expected from mid '90s gear at that price.

Someone has the guitar version (HR-GP5, IIRC) on eBay at the moment, but for a very silly price.

- Tony

"Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de> wrote: [ in support of the HR-MP5 ]


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From Loopers-Delight-request@loopers-delight.com  Fri Mar  3 19:51:46 2006
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Date: Fri, 3 Mar 2006 20:51:43 +0100 (CET)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: Vedr. Re: Do I need that EDP?
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Hi !
   
  One of Norways best studio-guitarist (Eivind Aarset), bandleader/composer who also plays with Jon Hassell, uses two signal-routes. Signal one after pedals (moog, EH, line 6 dly) goes to amp. This is all analog. Signal two after pedals goes to eventide an onto repeater (looper) to DI and to PA. Best of both worlds ?
   
  Rune F, Norway     

Luis Angulo <labalou2000@yahoo.com> skrev:
  i am looking for more suggestions on this tone issue,i
am going from my GP-100 amp modeler into my mackie
1202 which has the EDP in the Aux and then into a
yamaha P.A.powered monitor.I find The sound still a
bit sterile and punch lacking would a dedicated
guitar power amp like the mesa boogie 20/20 and a
guitar cabinet make a difference or warm it up?




> >Loopers who are not concerned with old-school tube
> amp tone issues 
> >probably don't care about this issue. If you have
> an amp modeler or 
> >something
> >BEFORE the EDP and are then going into a super
> clean power amp just 
> >to amplify your signal, you may never even notice
> this. But if you 
> >are trying to use
> >the tone of your amp as a big part of your sound
> (like most guitar 
> >sounds from the 1940's through the present), the
> EDP can be 
> >frustrating.
> >
> >Don't get me wrong. I still love my EDPs. They
> are an amazing 
> >tool. This is just one thing to think about.
> >
> >Cheers
> >
> >Joe Rut
> >
> >--
> >_______________________________________________
> >
> >Search for businesses by name, location, or phone
> number. -Lycos Yellow Pages
> >
>
>http://r.lycos.com/r/yp_emailfooter/http://yellowpages.lycos.com/default.asp?SRC=lycos10
> 
> 
> -- 
> 
> 
> ---> http://Matthias.Grob.org
> 
> 


www.luis-angulo.com

__________________________________________________
Do You Yahoo!?
Tired of spam? Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 



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<div>Hi !</div>  <div>&nbsp;</div>  <div>One of Norways best studio-guitarist (Eivind Aarset), bandleader/composer&nbsp;who also plays with Jon Hassell, uses two signal-routes.&nbsp;Signal one after pedals (moog, EH, line 6 dly)&nbsp;goes to&nbsp;amp. This is all analog. Signal&nbsp;two after pedals goes to eventide an onto&nbsp;repeater (looper) to DI and to PA. Best of both worlds ?</div>  <div>&nbsp;</div>  <div>Rune F, Norway&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<BR><BR><B><I>Luis Angulo &lt;labalou2000@yahoo.com&gt;</I></B> skrev:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">i am looking for more suggestions on this tone issue,i<BR>am going from my GP-100 amp modeler into my mackie<BR>1202 which has the EDP in the Aux and then into a<BR>yamaha P.A.powered monitor.I find The sound still a<BR>bit sterile and punch lacking would a dedicated<BR>guitar power amp like the mesa boogie 20/20 and a<BR>guitar cabinet make a difference
 or warm it up?<BR><BR><BR><BR><BR>&gt; &gt;Loopers who are not concerned with old-school tube<BR>&gt; amp tone issues <BR>&gt; &gt;probably don't care about this issue. If you have<BR>&gt; an amp modeler or <BR>&gt; &gt;something<BR>&gt; &gt;BEFORE the EDP and are then going into a super<BR>&gt; clean power amp just <BR>&gt; &gt;to amplify your signal, you may never even notice<BR>&gt; this. But if you <BR>&gt; &gt;are trying to use<BR>&gt; &gt;the tone of your amp as a big part of your sound<BR>&gt; (like most guitar <BR>&gt; &gt;sounds from the 1940's through the present), the<BR>&gt; EDP can be <BR>&gt; &gt;frustrating.<BR>&gt; &gt;<BR>&gt; &gt;Don't get me wrong. I still love my EDPs. They<BR>&gt; are an amazing <BR>&gt; &gt;tool. This is just one thing to think about.<BR>&gt; &gt;<BR>&gt; &gt;Cheers<BR>&gt; &gt;<BR>&gt; &gt;Joe Rut<BR>&gt; &gt;<BR>&gt; &gt;--<BR>&gt; &gt;_______________________________________________<BR>&gt; &gt;<BR>&gt; &gt;Search for businesses by name,
 location, or phone<BR>&gt; number. -Lycos Yellow Pages<BR>&gt; &gt;<BR>&gt;<BR>&gt;http://r.lycos.com/r/yp_emailfooter/http://yellowpages.lycos.com/default.asp?SRC=lycos10<BR>&gt; <BR>&gt; <BR>&gt; -- <BR>&gt; <BR>&gt; <BR>&gt; ---&gt; http://Matthias.Grob.org<BR>&gt; <BR>&gt; <BR><BR><BR>www.luis-angulo.com<BR><BR>__________________________________________________<BR>Do You Yahoo!?<BR>Tired of spam? Yahoo! Mail has the best spam protection around <BR>http://mail.yahoo.com <BR><BR></BLOCKQUOTE><BR>
--0-1076948264-1141415503=:13028--

From Loopers-Delight-request@loopers-delight.com  Fri Mar  3 20:02:04 2006
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Subject: Re: Do I need that EDP?
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>...would a dedicated
> guitar power amp like the mesa boogie 20/20 and a
> guitar cabinet make a difference or warm it up?

Absolutely. The tubes of the 20/20 will warm it up and give it a more spongy 
and reactive feel, plus a guitar cab will remove some of the harsh high end 
and warm it up from the low mid range area.  I just recently started using 
my electric guitar for jazz with a Mesa Boogie Mark I combo amp, rather than 
running straight into the board after my VF1 (which is what I use for 
avant-garde looping) and the difference is vast. I just re-affirmed my 
opinion that for live performance no amp modeling can replace the sound of 
an actual tube amp, the evolution of the tone over night as it warms up, 
etc.  When I first started this new jazz gig, I setup with my two powered PA 
speakers, the Boss  VF1 using the amp/cab simulator, and into my Mackie 
board. It was sterile and lifeless, which isn't a problem with I'm running 
tons of tone mangling effects on my guitar for my looping gigs.  If you get 
a chance, listen to some of the work that Pat Metheny and John Scofield did 
together. Pat dirties his tone up with a solid state system, whereas John is 
using a tube amp system. In my opinion, Pat's sound sounds like dog 
sh*t...harsh, raspy, etc...whereas John's tone is warm and natural sounding, 
yet has a cutting edge to it that is not harsh...a matter of taste, I admit.

Kris


From Loopers-Delight-request@loopers-delight.com  Fri Mar  3 20:08:23 2006
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From: "Ben M" <fantasydate@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: kind of off-topic, but a question for zoe :-)
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Oh Zo'!  I love your helpful ass so much!

On 3/3/06, Zoe Keating <cello@zoekeating.com> wrote:
>
> I don't use the mini XLR adapter. The mic just goes straight into my
> preamp and I give it phantom power from there...
>
> Anyway. Different for every cellist I've heard. I move it around all
> the time. Best spot for me is:
>
> - looking face on at the cello and measuring straight down from the
> "C" foot of the bridge - approx 4 inches down and 1 inch to the left.
> - closer to the bridge the more focused, but also the more thin
> - farther away gets warmer but also less focused (and boomy)
> - trick is to find the sweet spot in the middle.
>
> -a variation of just 1/2 an inch makes a huge difference.
>
> - for looping, I have a new trick....using two mics and a footswitch
> to go between them. The mics are in different spots on the cello and
> get different sounds.
> Then I can record some loops with one mic and some loops with another!!
>
> hope that helps!
>
> On Mar 2, 2006, at 2:13 PM, Ben M wrote:
>
> > Zoe,
> >
> > You mentioned that you are using the c411 now, and I am too.  I was
> > just wondering where you stuck yours on the cello?  I stuck mine on
> > the bridge like the picture in the manual suggested, but I am not
> > too wild about the sound so far.  I tried sticking it to the body
> > between the feet of the bridge, but there was kind of a rattle.
> > All of this is really nuts since I had to jump through hoops to buy
> > that stupid mini-XLR adapter.
> >
> > Damn that Eric Friedlander!
> >
> > thanks!
> > ben
>
>

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Oh Zo'!&nbsp; I love your helpful ass so much!<br><br>
<div><span class=3D"gmail_quote">On 3/3/06, <b class=3D"gmail_sendername">Z=
oe Keating</b> &lt;<a href=3D"mailto:cello@zoekeating.com">cello@zoekeating=
.com</a>&gt; wrote:</span>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">I don't use the mini XLR adapter=
. The mic just goes straight into my<br>preamp and I give it phantom power =
from there...
<br><br>Anyway. Different for every cellist I've heard. I move it around al=
l<br>the time. Best spot for me is:<br><br>- looking face on at the cello a=
nd measuring straight down from the<br>&quot;C&quot; foot of the bridge - a=
pprox 4 inches down and 1 inch to the left.
<br>- closer to the bridge the more focused, but also the more thin<br>- fa=
rther away gets warmer but also less focused (and boomy)<br>- trick is to f=
ind the sweet spot in the middle.<br><br>-a variation of just 1/2 an inch m=
akes a huge difference.
<br><br>- for looping, I have a new trick....using two mics and a footswitc=
h<br>to go between them. The mics are in different spots on the cello and<b=
r>get different sounds.<br>Then I can record some loops with one mic and so=
me loops with another!!
<br><br>hope that helps!<br><br>On Mar 2, 2006, at 2:13 PM, Ben M wrote:<br=
><br>&gt; Zoe,<br>&gt;<br>&gt; You mentioned that you are using the c411 no=
w, and I am too.&nbsp;&nbsp;I was<br>&gt; just wondering where you stuck yo=
urs on the cello?&nbsp;&nbsp;I stuck mine on
<br>&gt; the bridge like the picture in the manual suggested, but I am not<=
br>&gt; too wild about the sound so far.&nbsp;&nbsp;I tried sticking it to =
the body<br>&gt; between the feet of the bridge, but there was kind of a ra=
ttle.<br>
&gt; All of this is really nuts since I had to jump through hoops to buy<br=
>&gt; that stupid mini-XLR adapter.<br>&gt;<br>&gt; Damn that Eric Friedlan=
der!<br>&gt;<br>&gt; thanks!<br>&gt; ben<br><br></blockquote></div><br>

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From Loopers-Delight-request@loopers-delight.com  Fri Mar  3 20:09:18 2006
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    <OPEGKDJIMPJBOGCKEPDGGEKGCLAA.billwalker@baymoon.com>
Date: Fri, 3 Mar 2006 12:09:16 -0800 (PST)
Subject: RE: Half Space Effect Processors
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For empty rack spaces I think you should be thinking about products from:
http://www.funklogic.com

Why stop with boring Roland synths and effects when you could have a:
3P-III Palindrometer
DD-301 Digilog Dynamicator
AP-302 Algorhythmic Prosecutor and/or a
Valvecaster 1960 (Dual Valve Teleknobic Preampulator)

Loading up your rack with this gear will save you a lot of back pain while
still impressing, well, _lots_ of folks! :-)

Still looking for the machine that goes "ping",
Kevin
www.TheNettles.com


From Loopers-Delight-request@loopers-delight.com  Fri Mar  3 20:58:10 2006
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Date: Fri, 3 Mar 2006 15:58:08 -0500
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> For empty rack spaces I think you should be thinking about products from:
> http://www.funklogic.com

Wow, I thought super nerdy useless aftermarket gear was only commercially 
viable in the Linux world or Honda Import tuning world , but I guess there's 
a market for it in music too.    As for the RNC vertical faceplates, why 
wouldn't you just turn the box 90 degrees?

Although I don't get the jokes on the dials, I must admit these things look 
pretty damn cool.

What you may consider putting in that spare rack space is an old car radio 
with a tuner that you can use to dial into bizarre sounds and stations on 
the FM or AM band.  I think Weather Report used to do that live (Their 8:30 
Album? - oops , yah closet  Fusion geek ).

Peder



From Loopers-Delight-request@loopers-delight.com  Fri Mar  3 22:21:34 2006
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Date: Fri, 3 Mar 2006 14:21:32 -0800 (PST)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Half Space Effect Processors
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Only if you're driving it with the midi out of some
guitar/midi system.  Roland makes a few decently
priced models, but I recommend going for a dedicated
MIDI controller of some sort.  (I love the Novations
because they feel great and have aftertouch)

--- mungenast@earthlink.net wrote:

> Whoa!
> That synth is deeeeeeeeeeeeeep.
> I could get a real Wakemanesque Mellotron outa my
> guitar that way :-)
> ~Tim


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Fri Mar  3 22:29:05 2006
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Subject: Re: Half Space Effect Processors
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I'm doing a trade, but I'm seeing them on eBay (past auctions) from $175 to 
$225, Buy Now.  $150 would be a screamin' deal.

Kris

----- Original Message ----- 
From: <mungenast@earthlink.net>

> Hey Kris!
> How much was your "new" VF-1, if you don't mind my asking? I may "need" 
> another VF-1, and I'm afraid that I won't be able to find one for $150 
> again ;-)
>
> Yours in Sound,
> Tim
> www.myspace.com/timmungenast
>
>
>
> -----Original Message-----
>>From: Kris Hartung <khartung@cableone.net>
>>Sent: Mar 3, 2006 1:20 PM
>>To: Loopers-Delight@loopers-delight.com
>>Subject: Re: Half Space Effect Processors
>>
>>BTW, I decided to get another VF1....I just love those little red boxes 
>>too
>>much. I look forward to doing some interesting layering.
>>
>>Kris
>>
>>> -----Original Message-----
>>> From: Kris Hartung [mailto:khartung@cableone.net]
>>> Sent: Thursday, March 02, 2006 8:17 PM
>>> To: Loopers-Delight@loopers-delight.com
>>> Subject: Half Space Effect Processors
>>>
>>>
>>> I'm putting my new three-space soft rack together, the bottom space of
>>> which
>>> is waiting for my Looperlative. On the top two spaces, I have my Boss 
>>> VF1
>>> (for tone mangling), Lexicon LXP1 (for reverb), and my Lexicon LXP5 
>>> (also
>>> for tone mangling).  Now, what the heck to I put in that third 
>>> half-space
>>> slot? Any ideas? What  units out there pack a lot of cool effects into a
>>> half space? I wish they made the Line 6 Filter Pro in a half-space, or
>>> better yet the electro-harmonix micro guitar synth.
>>>
>>> Cheers,
>>>
>>> Kris
>>>
>>> <><><><><><><><><><><><><><>
>>> www.krispenhartung.com (solo work)
>>> www.boisemusician.com/newvibetrio/ (jazz trio)
>>> info@krispenhartung.com
>>> 208-724-5604 (call me for cripes sakes!)
>>>
>>>
>>>
>>>
>>>
>>>
>>
>>
>
> 


From Loopers-Delight-request@loopers-delight.com  Fri Mar  3 22:37:44 2006
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Now there's an idea. I also have half a rack space vacant. I am seriously
considering sawing down the middle of a Behringer patchbay and using half of
that. Yes, it will still work.

Nik

--------- Original Message --------
From: billwalker@baymoon.com
To: "Loopers-Delight@loopers-delight.com"
<Loopers-Delight@loopers-delight.com>
Subject: RE: Half Space Effect Processors
Date: 03/03/06 17:54

or if you can
find one, Boss made a half rack mixer called a an MX10, 10 line inputs and a
stereo effects loop. A way to harness all of those tone manglers perhaps?
Bill



________________________________________________
Message sent using UebiMiau 2.7.2

From Loopers-Delight-request@loopers-delight.com  Fri Mar  3 22:41:15 2006
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Kris

Todd from Denver here. Can I ask a few tonal questions about the VF-1? I mostly use such boxes for time based effects. What is the reverb, chorus, flange, delay like? Tap Tempo possible? What would you say the "character" of the chorus is? Tor lack of a better term. I am a lush chorus kind of cat and that is usually a real sticking point. I know, I know, If I am such a lush chorus kind of cat,  Ishould just cowboy up and get a T.C. Electronics Chorus/Flanger. But that seems to be alot of dough for a relatively one trick pony space-wise.  

Is anybody out there terribly familiar with the T.C. Electronics box the G-System? I have seen some passing mentions I believe. Stop me if this is a repeat question.

Todd

-----Original Message-----
>From: Kris Hartung <khartung@cableone.net>
>Sent: Mar 3, 2006 3:29 PM
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: Half Space Effect Processors
>
>I'm doing a trade, but I'm seeing them on eBay (past auctions) from $175 to 
>$225, Buy Now.  $150 would be a screamin' deal.
>
>Kris
>
>----- Original Message ----- 
>From: <mungenast@earthlink.net>
>
>> Hey Kris!
>> How much was your "new" VF-1, if you don't mind my asking? I may "need" 
>> another VF-1, and I'm afraid that I won't be able to find one for $150 
>> again ;-)
>>
>> Yours in Sound,
>> Tim
>> www.myspace.com/timmungenast
>>
>>
>>
>> -----Original Message-----
>>>From: Kris Hartung <khartung@cableone.net>
>>>Sent: Mar 3, 2006 1:20 PM
>>>To: Loopers-Delight@loopers-delight.com
>>>Subject: Re: Half Space Effect Processors
>>>
>>>BTW, I decided to get another VF1....I just love those little red boxes 
>>>too
>>>much. I look forward to doing some interesting layering.
>>>
>>>Kris
>>>
>>>> -----Original Message-----
>>>> From: Kris Hartung [mailto:khartung@cableone.net]
>>>> Sent: Thursday, March 02, 2006 8:17 PM
>>>> To: Loopers-Delight@loopers-delight.com
>>>> Subject: Half Space Effect Processors
>>>>
>>>>
>>>> I'm putting my new three-space soft rack together, the bottom space of
>>>> which
>>>> is waiting for my Looperlative. On the top two spaces, I have my Boss 
>>>> VF1
>>>> (for tone mangling), Lexicon LXP1 (for reverb), and my Lexicon LXP5 
>>>> (also
>>>> for tone mangling).  Now, what the heck to I put in that third 
>>>> half-space
>>>> slot? Any ideas? What  units out there pack a lot of cool effects into a
>>>> half space? I wish they made the Line 6 Filter Pro in a half-space, or
>>>> better yet the electro-harmonix micro guitar synth.
>>>>
>>>> Cheers,
>>>>
>>>> Kris
>>>>
>>>> <><><><><><><><><><><><><><>
>>>> www.krispenhartung.com (solo work)
>>>> www.boisemusician.com/newvibetrio/ (jazz trio)
>>>> info@krispenhartung.com
>>>> 208-724-5604 (call me for cripes sakes!)
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>
>>>
>>
>> 
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Mar  3 23:05:18 2006
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Subject: Re: Half Space Effect Processors
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VF-1: I think the reverb, chorus, delay, etc...is all very decent. It does 
have tap delay as well.

I'm sort of a chorus snob myself, and I love the chorus on this unit...in 
fact, all of the Boss units I have had in the past have had superb stereo 
chorus.  It has normal stereo chorus, 2X2 Chorus, and Space Chorus.

Kris

----- Original Message ----- 
From: "Todd Howell" <ransacker@earthlink.net>


> Kris
>
> Todd from Denver here. Can I ask a few tonal questions about the VF-1? I 
> mostly use such boxes for time based effects. What is the reverb, chorus, 
> flange, delay like? Tap Tempo possible? What would you say the "character" 
> of the chorus is? Tor lack of a better term. I am a lush chorus kind of 
> cat and that is usually a real sticking point. I know, I know, If I am 
> such a lush chorus kind of cat,  Ishould just cowboy up and get a T.C. 
> Electronics Chorus/Flanger. But that seems to be alot of dough for a 
> relatively one trick pony space-wise.
>
> Is anybody out there terribly familiar with the T.C. Electronics box the 
> G-System? I have seen some passing mentions I believe. Stop me if this is 
> a repeat question.
>
> Todd
>
> -----Original Message-----
>>From: Kris Hartung <khartung@cableone.net>
>>Sent: Mar 3, 2006 3:29 PM
>>To: Loopers-Delight@loopers-delight.com
>>Subject: Re: Half Space Effect Processors
>>
>>I'm doing a trade, but I'm seeing them on eBay (past auctions) from $175 
>>to
>>$225, Buy Now.  $150 would be a screamin' deal.
>>
>>Kris
>>
>>----- Original Message ----- 
>>From: <mungenast@earthlink.net>
>>
>>> Hey Kris!
>>> How much was your "new" VF-1, if you don't mind my asking? I may "need"
>>> another VF-1, and I'm afraid that I won't be able to find one for $150
>>> again ;-)
>>>
>>> Yours in Sound,
>>> Tim
>>> www.myspace.com/timmungenast
>>>
>>>
>>>
>>> -----Original Message-----
>>>>From: Kris Hartung <khartung@cableone.net>
>>>>Sent: Mar 3, 2006 1:20 PM
>>>>To: Loopers-Delight@loopers-delight.com
>>>>Subject: Re: Half Space Effect Processors
>>>>
>>>>BTW, I decided to get another VF1....I just love those little red boxes
>>>>too
>>>>much. I look forward to doing some interesting layering.
>>>>
>>>>Kris
>>>>
>>>>> -----Original Message-----
>>>>> From: Kris Hartung [mailto:khartung@cableone.net]
>>>>> Sent: Thursday, March 02, 2006 8:17 PM
>>>>> To: Loopers-Delight@loopers-delight.com
>>>>> Subject: Half Space Effect Processors
>>>>>
>>>>>
>>>>> I'm putting my new three-space soft rack together, the bottom space of
>>>>> which
>>>>> is waiting for my Looperlative. On the top two spaces, I have my Boss
>>>>> VF1
>>>>> (for tone mangling), Lexicon LXP1 (for reverb), and my Lexicon LXP5
>>>>> (also
>>>>> for tone mangling).  Now, what the heck to I put in that third
>>>>> half-space
>>>>> slot? Any ideas? What  units out there pack a lot of cool effects into 
>>>>> a
>>>>> half space? I wish they made the Line 6 Filter Pro in a half-space, or
>>>>> better yet the electro-harmonix micro guitar synth.
>>>>>
>>>>> Cheers,
>>>>>
>>>>> Kris
>>>>>
>>>>> <><><><><><><><><><><><><><>
>>>>> www.krispenhartung.com (solo work)
>>>>> www.boisemusician.com/newvibetrio/ (jazz trio)
>>>>> info@krispenhartung.com
>>>>> 208-724-5604 (call me for cripes sakes!)
>>>>>
>>>>>
>>>>>
>>>>>
>>>>>
>>>>>
>>>>
>>>>
>>>
>>>
>>
>>
>
> 


From Loopers-Delight-request@loopers-delight.com  Fri Mar  3 23:12:13 2006
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Date: Fri, 3 Mar 2006 18:12:11 -0500
From: "Steve Sandberg" <stevesandbergmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Microphone router!
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 Hello all -
after a hiatus from the world of looping i'm back doing some concerts -
have been doing some fun stuff involving long (2 1/2 hour!) improvised
sets and contact improvisation dancers - with my wireless mic i can
dance and sing at the same time, which is loads of fun - have been
studying some contact improv dance which is a wonderful stream of
input into music improv also -

also have a technical question which i'm wondering if anyone can help
me out with -

i have a pretty simple setup, 2 synths and a mic going into a tiny
rolls mixer going into a chaos box going into a edp looper, and that's
that -

what i would like to be able to do is have a "mic router" (does such a
thing exist?) so that most of the time the mic will be going into the
looper, but sometimes will be going direct into the amp so that the
keys are being looped but the mic is not - any ideas would be
appreciated,

thanks in advance,
steve sandberg

[p.s. have an interesting concert coming up in brooklyn on march 11,
live improvised looping to some great rather psychedelic videos - if
interested, get info at grandspace.com
cheers!

From Loopers-Delight-request@loopers-delight.com  Sat Mar  4 00:11:00 2006
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From: cburke55@comcast.net (Christophe)
To: Loopers-Delight@loopers-delight.com
Subject: Re: Do I need that EDP?
Date: Sat, 04 Mar 2006 00:10:56 +0000
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Matthias,

Straight to the heart of the problem.  Thank you!

Regards from Boston,

Chris
 -------------- Original message ----------------------
From: Matthias Grob <matilists@atarde.com.br>
> I have learned to be very carefull with analisis of problems that 
> involve "old school tube amp tone", because there seem to be some 
> para scientific influences...
> 
> but what you say splits in two separate issues:
> 
> 1)  Any loop before a "old school tube amp" must screw it up, 
> independent on what loop unit you use, because the guitar is not 
> going alone into it, the loops change its characteristics.
> as soon as you seriously distort, be it with tubes or any pedal, you 
> get the interferences between your actual guitar and the loop content 
> which usually sounds terrible.
> The mentioned solutions with insert and mic are not perfect either. 
> The closest seems to me would be to feed the loop unit from a speaker 
> simulator (not a power soak, since you do use the real speaker) at 
> the output of the tube amp and then go from the looper into some flat 
> monitor.
> I never tried it. Since 1974 I am perfectly happy with solid state :-)
> 
> 2)  the EDP is not quite as noise free as newer equipment is, which 
> appears more when you put a compressor after it. tubes do compress 
> somehow...

From Loopers-Delight-request@loopers-delight.com  Sat Mar  4 00:37:27 2006
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Subject: Gig Spam: CO, ID, UT
From: David Trenkel <improv@peak.org>
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--Apple-Mail-4--83314038
Content-Transfer-Encoding: quoted-printable
Content-Type: text/plain;
	charset=WINDOWS-1252;
	format=flowed

Hey,

My neo-fusion/hip-hop/electronic band Eleven Eyes is hitting the road=20
for most of next month, and would like to invite any loopers in the=20
area to come check out the shows. This is the longest tour we've done=20
so far, both in distance covered and length of time on the bus, so=20
it'll be a very interesting trip. Plus, it's the highest elevations=20
we've hit so far as well. I mean, physical elevations, those mountains=20=

are kinda tall...

the dates:

Thursday, 3/09/06: Quixote's True Blue, Denver CO

Friday, 3/10/06, and Saturday, 3/11/06: The Green Light, Keystone, CO

Monday, 3/13/06: The Fairplay Hotel, Fairplay, CO

Tuesday, 3/14/06: The D Note, Arvada, CO

Wednesday, 3/15/06: The Pearl Street Pub, Boulder, CO

Thursday, 3/16/06 and Friday, 3/17/06: The Eldo, Crested Butte, CO

Saturday, 3/18/06: Loaded Joe=92s, Avon, CO

Monday, 3/20/06: The Silverado II Ballroom, Winter Park, CO

Wednesday, 3/21/06: Mystic Hot Springs, Monroe UT

Thursday, 3/22/06: Terrapin Station, Boise ID

Friday, 3/23/06: Savino=92s Lounge, Hood River, OR
http://www.savinoslounge.com

And finally, Saturday, 3/24/06: back home in Eugene at the Black Forest=20=

Tavern.


--Apple-Mail-4--83314038
Content-Transfer-Encoding: quoted-printable
Content-Type: text/enriched;
	charset=WINDOWS-1252

Hey,=20


My neo-fusion/hip-hop/electronic band Eleven Eyes is hitting the road
for most of next month, and would like to invite any loopers in the
area to come check out the shows. This is the longest tour we've done
so far, both in distance covered and length of time on the bus, so
it'll be a very interesting trip. Plus, it's the highest elevations
we've hit so far as well. I mean, physical elevations, those mountains
are kinda tall...


the dates:


Thursday, 3/09/06: Quixote's True Blue, Denver CO


Friday, 3/10/06, and Saturday, 3/11/06: The Green Light, Keystone, CO


Monday, 3/13/06: The Fairplay Hotel, Fairplay, CO


Tuesday, 3/14/06: The D Note, Arvada, CO


Wednesday, 3/15/06: The Pearl Street Pub, Boulder, CO


Thursday, 3/16/06 and Friday, 3/17/06: The Eldo, Crested Butte, CO


Saturday, 3/18/06: Loaded Joe=92s, Avon, CO


Monday, 3/20/06: The Silverado II Ballroom, Winter Park, CO


Wednesday, 3/21/06: Mystic Hot Springs, Monroe UT


Thursday, 3/22/06: Terrapin Station, Boise ID


Friday, 3/23/06: Savino=92s Lounge, Hood River, OR

http://www.savinoslounge.com


And finally, Saturday, 3/24/06: back home in Eugene at the Black
Forest Tavern.

<smaller>

</smaller>=

--Apple-Mail-4--83314038--

From Loopers-Delight-request@loopers-delight.com  Sat Mar  4 01:02:34 2006
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From: "Charles Winters" <chasw44@comcast.net>
To: <Loopers-Delight@loopers-delight.com>
References: <0BCB63BA-AB17-11DA-9380-000A95A5D158@peak.org>
Subject: Re: Gig Spam: CO, ID, UT
Date: Fri, 3 Mar 2006 17:02:29 -0800
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------=_NextPart_000_000A_01C63EE4.410E9C60
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	charset="Windows-1252"
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Thanks David.  Looks like you will have some long days and nights on the =
road after 3/20.  BTW, I check out your web site, eleveneyes.org, and =
listened to your audio clips.  Wow! Its genuine New Wave Jazz, which I =
describe as jazz which breaks out of the moribund mold of smooth, =
straight ahead and all usual forms of the idiom.  Incorporating looping, =
modern beats and electronic effects definitely does that.  I esp liked =
Big Dig.  Bravo and best of luck to you and your fellow "eyes".  - CW =20

  ----- Original Message -----=20
  From: David Trenkel=20
  To: loopers-Delight@loopers-delight.com=20
  Sent: Friday, March 03, 2006 4:37 PM
  Subject: Gig Spam: CO, ID, UT


  Hey,=20

  My neo-fusion/hip-hop/electronic band Eleven Eyes is hitting the road =
for most of next month, and would like to invite any loopers in the area =
to come check out the shows. This is the longest tour we've done so far, =
both in distance covered and length of time on the bus, so it'll be a =
very interesting trip. Plus, it's the highest elevations we've hit so =
far as well. I mean, physical elevations, those mountains are kinda =
tall...

  the dates:

  Thursday, 3/09/06: Quixote's True Blue, Denver CO

  Friday, 3/10/06, and Saturday, 3/11/06: The Green Light, Keystone, CO

  Monday, 3/13/06: The Fairplay Hotel, Fairplay, CO

  Tuesday, 3/14/06: The D Note, Arvada, CO

  Wednesday, 3/15/06: The Pearl Street Pub, Boulder, CO

  Thursday, 3/16/06 and Friday, 3/17/06: The Eldo, Crested Butte, CO

  Saturday, 3/18/06: Loaded Joe=92s, Avon, CO

  Monday, 3/20/06: The Silverado II Ballroom, Winter Park, CO

  Wednesday, 3/21/06: Mystic Hot Springs, Monroe UT

  Thursday, 3/22/06: Terrapin Station, Boise ID

  Friday, 3/23/06: Savino=92s Lounge, Hood River, OR
  http://www.savinoslounge.com

  And finally, Saturday, 3/24/06: back home in Eugene at the Black =
Forest Tavern.


------=_NextPart_000_000A_01C63EE4.410E9C60
Content-Type: text/html;
	charset="Windows-1252"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Dwindows-1252">
<META content=3D"MSHTML 6.00.2900.2802" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#00ffff>
<DIV><FONT face=3DArial size=3D4>Thanks David.&nbsp; Looks like you will =
have some=20
long days and nights on the road after 3/20.&nbsp; BTW, I check out your =
web=20
site, eleveneyes.org, and listened to your audio clips.&nbsp; Wow! Its =
genuine=20
New Wave Jazz, which I describe as jazz which breaks out of the moribund =
mold of=20
smooth, straight ahead and all usual forms of the idiom.&nbsp; =
Incorporating=20
looping,&nbsp;modern beats&nbsp;and electronic effects&nbsp;definitely =
does=20
that.&nbsp; I esp liked Big Dig.&nbsp; Bravo and best of luck to you and =
your=20
fellow "eyes".&nbsp; - CW&nbsp;&nbsp;</FONT></DIV>
<DIV><FONT face=3DArial size=3D4></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dimprov@peak.org href=3D"mailto:improv@peak.org">David =
Trenkel</A>=20
</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3Dloopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:loopers-Delight@loopers-delight.com">loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, March 03, 2006 =
4:37=20
PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Gig Spam: CO, ID, =
UT</DIV>
  <DIV><BR></DIV>Hey, <BR><BR>My neo-fusion/hip-hop/electronic band =
Eleven Eyes=20
  is hitting the road for most of next month, and would like to invite =
any=20
  loopers in the area to come check out the shows. This is the longest =
tour=20
  we've done so far, both in distance covered and length of time on the =
bus, so=20
  it'll be a very interesting trip. Plus, it's the highest elevations =
we've hit=20
  so far as well. I mean, physical elevations, those mountains are kinda =

  tall...<BR><BR>the dates:<BR><BR>Thursday, 3/09/06: Quixote's True =
Blue,=20
  Denver CO<BR><BR>Friday, 3/10/06, and Saturday, 3/11/06: The Green =
Light,=20
  Keystone, CO<BR><BR>Monday, 3/13/06: The Fairplay Hotel, Fairplay,=20
  CO<BR><BR>Tuesday, 3/14/06: The D Note, Arvada, CO<BR><BR>Wednesday, =
3/15/06:=20
  The Pearl Street Pub, Boulder, CO<BR><BR>Thursday, 3/16/06 and Friday, =

  3/17/06: The Eldo, Crested Butte, CO<BR><BR>Saturday, 3/18/06: Loaded =
Joe=92s,=20
  Avon, CO<BR><BR>Monday, 3/20/06: The Silverado II Ballroom, Winter =
Park,=20
  CO<BR><BR>Wednesday, 3/21/06: Mystic Hot Springs, Monroe =
UT<BR><BR>Thursday,=20
  3/22/06: Terrapin Station, Boise ID<BR><BR>Friday, 3/23/06: Savino=92s =
Lounge,=20
  Hood River, OR<BR>http://www.savinoslounge.com<BR><BR>And finally, =
Saturday,=20
  3/24/06: back home in Eugene at the Black Forest=20
Tavern.<BR><?smaller><BR></BLOCKQUOTE><?/smaller></BODY></HTML>

------=_NextPart_000_000A_01C63EE4.410E9C60--

From Loopers-Delight-request@loopers-delight.com  Sat Mar  4 01:16:04 2006
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Disposition-Notification-To: TeKZ <tekzenchelou@yahoo.fr>
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Hi everyone on the list, nice to meet you!

Just want to say hello to all, a new looper from between France and Germany.
I try to loop with my  new Electribe SX and some other gear and toys, 
before I tried the same with my ES-1MkII and EA-1.
The two Electribes are for sale if anyone is interested, drop me a line 
off-list!
Both are about a year old and perfectly working, soon on ebay.

Hope I can learn from you all, life is short!
TeKZ

http://www.superchelou.tk/

	

	
		
___________________________________________________________________________ 
Nouveau : téléphonez moins cher avec Yahoo! Messenger ! Découvez les tarifs exceptionnels pour appeler la France et l'international.
Téléchargez sur http://fr.messenger.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Sat Mar  4 01:21:33 2006
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Subject: Re: Gig Spam: CO, ID, UT
Date: Sat, 04 Mar 2006 01:21:30 +0000
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--NextPart_Webmail_9m3u9jl4l_19643_1141435290_0
Content-Type: text/plain
Content-Transfer-Encoding: 8bit

Hey Dave,

Sigh!  Wish it were my part of the country.

God luck, and make sure you get some hiking in!

Best from Boston, 
Chris

 -------------- Original message ----------------------
From: David Trenkel <improv@peak.org>
> Hey,
> 
> My neo-fusion/hip-hop/electronic band Eleven Eyes is hitting the road 
> for most of next month, and would like to invite any loopers in the 
> area to come check out the shows. This is the longest tour we've done 
> so far, both in distance covered and length of time on the bus, so 
> it'll be a very interesting trip. Plus, it's the highest elevations 
> we've hit so far as well. I mean, physical elevations, those mountains 
> are kinda tall...
> 
> the dates:
> 
> Thursday, 3/09/06: Quixote's True Blue, Denver CO
> 
> Friday, 3/10/06, and Saturday, 3/11/06: The Green Light, Keystone, CO
> 
> Monday, 3/13/06: The Fairplay Hotel, Fairplay, CO
> 
> Tuesday, 3/14/06: The D Note, Arvada, CO
> 
> Wednesday, 3/15/06: The Pearl Street Pub, Boulder, CO
> 
> Thursday, 3/16/06 and Friday, 3/17/06: The Eldo, Crested Butte, CO
> 
> Saturday, 3/18/06: Loaded Joe’s, Avon, CO
> 
> Monday, 3/20/06: The Silverado II Ballroom, Winter Park, CO
> 
> Wednesday, 3/21/06: Mystic Hot Springs, Monroe UT
> 
> Thursday, 3/22/06: Terrapin Station, Boise ID
> 
> Friday, 3/23/06: Savino’s Lounge, Hood River, OR
> http://www.savinoslounge.com
> 
> And finally, Saturday, 3/24/06: back home in Eugene at the Black Forest 
> Tavern.
> 
> 




--NextPart_Webmail_9m3u9jl4l_19643_1141435290_0
Content-Type: message/rfc822

From:    David Trenkel <improv@peak.org>
To:    loopers-Delight@loopers-delight.com
Subject:    Gig Spam: CO, ID, UT
Date:    Sat, 4 Mar 2006 00:37:28 +0000
Content-Type: Multipart/alternative;
 boundary="NextPart_Webmail_9m3u9jl4l_19643_1141435290_1"

--NextPart_Webmail_9m3u9jl4l_19643_1141435290_1
Content-Transfer-Encoding: quoted-printable
Content-Type: text/enriched;
	charset=WINDOWS-1252

Hey,=20


My neo-fusion/hip-hop/electronic band Eleven Eyes is hitting the road
for most of next month, and would like to invite any loopers in the
area to come check out the shows. This is the longest tour we've done
so far, both in distance covered and length of time on the bus, so
it'll be a very interesting trip. Plus, it's the highest elevations
we've hit so far as well. I mean, physical elevations, those mountains
are kinda tall...


the dates:


Thursday, 3/09/06: Quixote's True Blue, Denver CO


Friday, 3/10/06, and Saturday, 3/11/06: The Green Light, Keystone, CO


Monday, 3/13/06: The Fairplay Hotel, Fairplay, CO


Tuesday, 3/14/06: The D Note, Arvada, CO


Wednesday, 3/15/06: The Pearl Street Pub, Boulder, CO


Thursday, 3/16/06 and Friday, 3/17/06: The Eldo, Crested Butte, CO


Saturday, 3/18/06: Loaded Joe=92s, Avon, CO


Monday, 3/20/06: The Silverado II Ballroom, Winter Park, CO


Wednesday, 3/21/06: Mystic Hot Springs, Monroe UT


Thursday, 3/22/06: Terrapin Station, Boise ID


Friday, 3/23/06: Savino=92s Lounge, Hood River, OR

http://www.savinoslounge.com


And finally, Saturday, 3/24/06: back home in Eugene at the Black
Forest Tavern.

<smaller>

</smaller>=

--NextPart_Webmail_9m3u9jl4l_19643_1141435290_1--

--NextPart_Webmail_9m3u9jl4l_19643_1141435290_0--

From Loopers-Delight-request@loopers-delight.com  Sat Mar  4 01:22:19 2006
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To: <Loopers-Delight@loopers-delight.com>
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I'm here in Boise, ID, David. I'll put your gig in my calender and come =
check you out.

Kris

  ----- Original Message -----=20
  From: David Trenkel=20
  To: loopers-Delight@loopers-delight.com=20
  Sent: Friday, March 03, 2006 5:37 PM
  Subject: Gig Spam: CO, ID, UT


  Hey,=20

  My neo-fusion/hip-hop/electronic band Eleven Eyes is hitting the road =
for most of next month, and would like to invite any loopers in the area =
to come check out the shows. This is the longest tour we've done so far, =
both in distance covered and length of time on the bus, so it'll be a =
very interesting trip. Plus, it's the highest elevations we've hit so =
far as well. I mean, physical elevations, those mountains are kinda =
tall...

  the dates:

  Thursday, 3/09/06: Quixote's True Blue, Denver CO

  Friday, 3/10/06, and Saturday, 3/11/06: The Green Light, Keystone, CO

  Monday, 3/13/06: The Fairplay Hotel, Fairplay, CO

  Tuesday, 3/14/06: The D Note, Arvada, CO

  Wednesday, 3/15/06: The Pearl Street Pub, Boulder, CO

  Thursday, 3/16/06 and Friday, 3/17/06: The Eldo, Crested Butte, CO

  Saturday, 3/18/06: Loaded Joe=92s, Avon, CO

  Monday, 3/20/06: The Silverado II Ballroom, Winter Park, CO

  Wednesday, 3/21/06: Mystic Hot Springs, Monroe UT

  Thursday, 3/22/06: Terrapin Station, Boise ID

  Friday, 3/23/06: Savino=92s Lounge, Hood River, OR
  http://www.savinoslounge.com

  And finally, Saturday, 3/24/06: back home in Eugene at the Black =
Forest Tavern.


------=_NextPart_000_081B_01C63EEF.6494D860
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I'm here in Boise, ID, David. I'll put =
your gig in=20
my calender and come check you out.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dimprov@peak.org href=3D"mailto:improv@peak.org">David =
Trenkel</A>=20
</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3Dloopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:loopers-Delight@loopers-delight.com">loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, March 03, 2006 =
5:37=20
PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Gig Spam: CO, ID, =
UT</DIV>
  <DIV><BR></DIV>Hey, <BR><BR>My neo-fusion/hip-hop/electronic band =
Eleven Eyes=20
  is hitting the road for most of next month, and would like to invite =
any=20
  loopers in the area to come check out the shows. This is the longest =
tour=20
  we've done so far, both in distance covered and length of time on the =
bus, so=20
  it'll be a very interesting trip. Plus, it's the highest elevations =
we've hit=20
  so far as well. I mean, physical elevations, those mountains are kinda =

  tall...<BR><BR>the dates:<BR><BR>Thursday, 3/09/06: Quixote's True =
Blue,=20
  Denver CO<BR><BR>Friday, 3/10/06, and Saturday, 3/11/06: The Green =
Light,=20
  Keystone, CO<BR><BR>Monday, 3/13/06: The Fairplay Hotel, Fairplay,=20
  CO<BR><BR>Tuesday, 3/14/06: The D Note, Arvada, CO<BR><BR>Wednesday, =
3/15/06:=20
  The Pearl Street Pub, Boulder, CO<BR><BR>Thursday, 3/16/06 and Friday, =

  3/17/06: The Eldo, Crested Butte, CO<BR><BR>Saturday, 3/18/06: Loaded =
Joe=92s,=20
  Avon, CO<BR><BR>Monday, 3/20/06: The Silverado II Ballroom, Winter =
Park,=20
  CO<BR><BR>Wednesday, 3/21/06: Mystic Hot Springs, Monroe =
UT<BR><BR>Thursday,=20
  3/22/06: Terrapin Station, Boise ID<BR><BR>Friday, 3/23/06: Savino=92s =
Lounge,=20
  Hood River, OR<BR>http://www.savinoslounge.com<BR><BR>And finally, =
Saturday,=20
  3/24/06: back home in Eugene at the Black Forest=20
Tavern.<BR><?smaller><BR></BLOCKQUOTE><?/smaller></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sat Mar  4 02:05:30 2006
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From: "alltel" <veerybird@alltel.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: lexicon omega user needs looping help
Date: Fri, 3 Mar 2006 21:05:24 -0500
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I have tried to overdub using Pro Tracks Plus, which came with my =
Lexicon Omega interface a few years ago, with no success, even though I =
can create loops and multitracks. I notice that now it comes with =
Cubase. I want to be able to overdub with the Omega. I have tried to use =
Ambiloop as stand alone, and even though I can choose the lexicon =
drivers for input and output in the audio device selection, I am not =
able to register any signal.
I play wind instruments, percussion, keyboards, and am primarily =
interested in creating ambient compositions. I am a fan of Steve Roach, =
Steve Reich, Terry Riley, Brian Eno, etc. I think my different ethnic =
flutes would be awesome for looping.
I suspect that it is my ignorance of Pro Tracks that is holding me back, =
but I have window shopped online seriously for gadgets like Boss RC 20XL =
and Digitech's Jam Man.

I presently do not own an amp. I use a Shure 57 or KSM 109 to record =
with my Omega.

Before I splurge on hardware and amp, I would like recommendations.
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
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charset=3Diso-8859-1">
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I have tried to overdub using Pro =
Tracks Plus,=20
which came with my Lexicon Omega interface a few years ago, with no =
success,=20
even though I can create loops and multitracks. I notice that now it =
comes with=20
Cubase. I want to be able to overdub with the Omega. I have tried to use =

Ambiloop as stand alone, and even though I can choose the lexicon =
drivers for=20
input and output in the audio device selection, I am not able to =
register any=20
signal.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I play wind instruments, percussion, =
keyboards, and=20
am primarily interested in creating ambient compositions. I am a fan of =
Steve=20
Roach, Steve Reich, Terry Riley, Brian Eno, etc. I think my different =
ethnic=20
flutes would be awesome for looping.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I suspect that it is my ignorance of =
Pro Tracks=20
that is holding me back, but I have&nbsp;window shopped =
online&nbsp;seriously=20
for gadgets like Boss RC 20XL and Digitech's Jam Man.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I presently do not own an amp. I use a =
Shure 57 or=20
KSM 109 to record with my Omega.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Before I splurge on hardware and amp, I =
would like=20
recommendations.</FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sat Mar  4 02:10:10 2006
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From: David Trenkel <improv@peak.org>
To: Loopers-Delight@loopers-delight.com
In-Reply-To: <000d01c63f27$4f7e4eb0$6401a8c0@charles2>
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On Friday, March 3, 2006, at 05:02 PM, Charles Winters wrote:

> Thanks David.=A0 Looks like you will have some long days and nights on=20=

> the road after 3/20.=A0

Yeah, it's a long trip. But we have a pretty reliable bus, and tripleA+=20=

to see us through :-)

> BTW, I check out your web site, eleveneyes.org, and listened to your=20=

> audio clips.=A0 Wow! Its genuine New Wave Jazz, which I describe as =
jazz=20
> which breaks out of the moribund mold of smooth, straight ahead and=20
> all usual forms of the idiom.=A0 Incorporating looping,=A0modern =
beats=A0and=20
> electronic effects=A0definitely does that.=A0

New Wave Jazz, I like that, we'll have to use it in the future. We like=20=

to call it Rough Jazz, the anti-smooth jazz.

>  I esp liked Big Dig.=A0

Thanks, I wrote that one...

> Bravo and best of luck to you and your fellow "eyes".=A0 - CW=A0=A0

And thanks for your kind comments!
> =A0=

--Apple-Mail-6--77750323
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On Friday, March 3, 2006, at 05:02 PM, Charles Winters wrote:


<excerpt><fontfamily><param>Arial</param><bigger><bigger>Thanks
David.=A0 Looks like you will have some long days and nights on the road
after 3/20.=A0=20

</bigger></bigger></fontfamily></excerpt>

Yeah, it's a long trip. But we have a pretty reliable bus, and
tripleA+ to see us through :-)


<excerpt><fontfamily><param>Arial</param><bigger><bigger>BTW, I check
out your web site, eleveneyes.org, and listened to your audio clips.=A0
Wow! Its genuine New Wave Jazz, which I describe as jazz which breaks
out of the moribund mold of smooth, straight ahead and all usual forms
of the idiom.=A0 Incorporating looping,=A0modern beats=A0and electronic
effects=A0definitely does that.=A0

</bigger></bigger></fontfamily></excerpt>

New Wave Jazz, I like that, we'll have to use it in the future. We
like to call it Rough Jazz, the anti-smooth jazz.


<excerpt><fontfamily><param>Arial</param><bigger><bigger> I esp liked
Big Dig.=A0=20

</bigger></bigger></fontfamily></excerpt>

Thanks, I wrote that one...


<excerpt><fontfamily><param>Arial</param><bigger><bigger>Bravo and
best of luck to you and your fellow "eyes".=A0 - =
CW=A0=A0</bigger></bigger></fontfamily>

</excerpt>

And thanks for your kind comments!

<excerpt>=A0</excerpt>=

--Apple-Mail-6--77750323--

From Loopers-Delight-request@loopers-delight.com  Sat Mar  4 02:11:24 2006
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On Friday, March 3, 2006, at 05:21 PM, Christophe wrote:

> Hey Dave,
>
> Sigh!  Wish it were my part of the country.

We are looking onto the possibility of an east coast tour next fall, so=20=

it may actually happen. But it's a long way from Oregon....

>
> God luck, and make sure you get some hiking in!
>
> Best from Boston,
> Chris
>
>  -------------- Original message ----------------------
> From: David Trenkel <improv@peak.org>
>> Hey,
>>
>> My neo-fusion/hip-hop/electronic band Eleven Eyes is hitting the road
>> for most of next month, and would like to invite any loopers in the
>> area to come check out the shows. This is the longest tour we've done
>> so far, both in distance covered and length of time on the bus, so
>> it'll be a very interesting trip. Plus, it's the highest elevations
>> we've hit so far as well. I mean, physical elevations, those =
mountains
>> are kinda tall...
>>
>> the dates:
>>
>> Thursday, 3/09/06: Quixote's True Blue, Denver CO
>>
>> Friday, 3/10/06, and Saturday, 3/11/06: The Green Light, Keystone, CO
>>
>> Monday, 3/13/06: The Fairplay Hotel, Fairplay, CO
>>
>> Tuesday, 3/14/06: The D Note, Arvada, CO
>>
>> Wednesday, 3/15/06: The Pearl Street Pub, Boulder, CO
>>
>> Thursday, 3/16/06 and Friday, 3/17/06: The Eldo, Crested Butte, CO
>>
>> Saturday, 3/18/06: Loaded Joe=92s, Avon, CO
>>
>> Monday, 3/20/06: The Silverado II Ballroom, Winter Park, CO
>>
>> Wednesday, 3/21/06: Mystic Hot Springs, Monroe UT
>>
>> Thursday, 3/22/06: Terrapin Station, Boise ID
>>
>> Friday, 3/23/06: Savino=92s Lounge, Hood River, OR
>> http://www.savinoslounge.com
>>
>> And finally, Saturday, 3/24/06: back home in Eugene at the Black=20
>> Forest
>> Tavern.
>>
>>
>
>
>
>
> From: David Trenkel <improv@peak.org>
> Date: Fri Mar 3, 2006  4:37:28 PM US/Pacific
> To: loopers-Delight@loopers-delight.com
> Subject: Gig Spam: CO, ID, UT
>
>
> Hey,
>
> My neo-fusion/hip-hop/electronic band Eleven Eyes is hitting the road=20=

> for most of next month, and would like to invite any loopers in the=20
> area to come check out the shows. This is the longest tour we've done=20=

> so far, both in distance covered and length of time on the bus, so=20
> it'll be a very interesting trip. Plus, it's the highest elevations=20
> we've hit so far as well. I mean, physical elevations, those mountains=20=

> are kinda tall...
>
> the dates:
>
> Thursday, 3/09/06: Quixote's True Blue, Denver CO
>
> Friday, 3/10/06, and Saturday, 3/11/06: The Green Light, Keystone, CO
>
> Monday, 3/13/06: The Fairplay Hotel, Fairplay, CO
>
> Tuesday, 3/14/06: The D Note, Arvada, CO
>
> Wednesday, 3/15/06: The Pearl Street Pub, Boulder, CO
>
> Thursday, 3/16/06 and Friday, 3/17/06: The Eldo, Crested Butte, CO
>
> Saturday, 3/18/06: Loaded Joe=A2s, Avon, CO
>
> Monday, 3/20/06: The Silverado II Ballroom, Winter Park, CO
>
> Wednesday, 3/21/06: Mystic Hot Springs, Monroe UT
>
> Thursday, 3/22/06: Terrapin Station, Boise ID
>
> Friday, 3/23/06: Savino=A2s Lounge, Hood River, OR
> http://www.savinoslounge.com
>
> And finally, Saturday, 3/24/06: back home in Eugene at the Black=20
> Forest Tavern.
>
>
>

--Apple-Mail-8--77676601
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On Friday, March 3, 2006, at 05:21 PM, Christophe wrote:


<excerpt>Hey Dave,


Sigh!  Wish it were my part of the country.

</excerpt>

We are looking onto the possibility of an east coast tour next fall,
so it may actually happen. But it's a long way from Oregon....


<excerpt>

God luck, and make sure you get some hiking in!


Best from Boston,=20

Chris


 -------------- Original message ----------------------

From: David Trenkel <<improv@peak.org>

<excerpt>Hey,


My neo-fusion/hip-hop/electronic band Eleven Eyes is hitting the road=20

for most of next month, and would like to invite any loopers in the=20

area to come check out the shows. This is the longest tour we've done=20

so far, both in distance covered and length of time on the bus, so=20

it'll be a very interesting trip. Plus, it's the highest elevations=20

we've hit so far as well. I mean, physical elevations, those mountains=20=


are kinda tall...


the dates:


Thursday, 3/09/06: Quixote's True Blue, Denver CO


Friday, 3/10/06, and Saturday, 3/11/06: The Green Light, Keystone, CO


Monday, 3/13/06: The Fairplay Hotel, Fairplay, CO


Tuesday, 3/14/06: The D Note, Arvada, CO


Wednesday, 3/15/06: The Pearl Street Pub, Boulder, CO


Thursday, 3/16/06 and Friday, 3/17/06: The Eldo, Crested Butte, CO


Saturday, 3/18/06: Loaded Joe=92s, Avon, CO


Monday, 3/20/06: The Silverado II Ballroom, Winter Park, CO


Wednesday, 3/21/06: Mystic Hot Springs, Monroe UT


Thursday, 3/22/06: Terrapin Station, Boise ID


Friday, 3/23/06: Savino=92s Lounge, Hood River, OR

http://www.savinoslounge.com


And finally, Saturday, 3/24/06: back home in Eugene at the Black
Forest=20

Tavern.



</excerpt>



<bold>

From: </bold>David Trenkel <<improv@peak.org>

<bold>Date: </bold>Fri Mar 3, 2006  4:37:28 PM US/Pacific

<bold>To: </bold>loopers-Delight@loopers-delight.com

<bold>Subject: </bold>Gig Spam: CO, ID, UT



Hey,=20


My neo-fusion/hip-hop/electronic band Eleven Eyes is hitting the road
for most of next month, and would like to invite any loopers in the
area to come check out the shows. This is the longest tour we've done
so far, both in distance covered and length of time on the bus, so
it'll be a very interesting trip. Plus, it's the highest elevations
we've hit so far as well. I mean, physical elevations, those mountains
are kinda tall...


the dates:


Thursday, 3/09/06: Quixote's True Blue, Denver CO


Friday, 3/10/06, and Saturday, 3/11/06: The Green Light, Keystone, CO


Monday, 3/13/06: The Fairplay Hotel, Fairplay, CO


Tuesday, 3/14/06: The D Note, Arvada, CO


Wednesday, 3/15/06: The Pearl Street Pub, Boulder, CO


Thursday, 3/16/06 and Friday, 3/17/06: The Eldo, Crested Butte, CO


Saturday, 3/18/06: Loaded Joe=A2s, Avon, CO


Monday, 3/20/06: The Silverado II Ballroom, Winter Park, CO


Wednesday, 3/21/06: Mystic Hot Springs, Monroe UT


Thursday, 3/22/06: Terrapin Station, Boise ID


Friday, 3/23/06: Savino=A2s Lounge, Hood River, OR

http://www.savinoslounge.com


And finally, Saturday, 3/24/06: back home in Eugene at the Black
Forest Tavern.

<smaller>



</smaller></excerpt>=

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From Loopers-Delight-request@loopers-delight.com  Sat Mar  4 12:05:31 2006
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Date: Sat, 4 Mar 2006 04:05:29 -0800 (PST)
From: Luis Angulo <labalou2000@yahoo.com>
Subject: amp modeling
To: Loopers-Delight@loopers-delight.com
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I tried the gt-8 and i am assuming is basically the
same,the one thing i dont like about all this modeling
trend is how the distortions compress and turn into
mud,most of this modeling amps have maybe only one
convincing amp sound in my opinion(on the rolands the
JC120 and the line 6 their own model off course)and a
lot of them dont really cut it live.I am more
interested in their efx proccessor flexibilty,For
recording purposes the modeling might be practical and
they do sound good on tape but with the combo amps id
rather have great efxs only with higher DSP quality
going through one killer tube amp sound!
more choices,more tweaking,less playing,more
frustrated;-)




--- hazard factor <artists@hazardfactor.com> wrote:

> I used a GP-100 for years and upgraded to a Boss
> GT-Pro, which has effects
> routing galore...plus the ability to use 2 preamps
> per preset, selectable
> via switch or dynamic picking, even. I run mine into
> a full range system- I
> think a tube amp would tend to defeat the modeling.
> Oh, the GT-Pro has fun
> looping too, like the GP-100 (short >4 secs, but
> fun!) The software editor
> is wonderful too (all gear with a zillion parameters
> needs a software
> editor).
> 
> Dave Eichenberger 
> http://www.hazardfactor.com
> 
>  
> 
> > -----Original Message-----
> > From: Luis Angulo [mailto:labalou2000@yahoo.com] 
> > Sent: Friday, March 03, 2006 2:17 PM
> > To: Loopers-Delight@loopers-delight.com
> > Subject: Re: Do I need that EDP?
> > 
> > i am looking for more suggestions on this tone
> issue,i am 
> > going from my GP-100 amp modeler into my mackie
> > 1202 which has the EDP in the Aux and then into a
> yamaha 
> > P.A.powered monitor.I find The sound still a bit
> sterile and 
> > punch lacking  would a dedicated guitar power amp
> like the 
> > mesa boogie 20/20 and a guitar cabinet make a
> difference or 
> > warm it up?
> > 
> > 
> > 
> > 
> > > >Loopers who are not concerned with old-school
> tube
> > > amp tone issues
> > > >probably don't care about this issue.  If you
> have
> > > an amp modeler or
> > > >something
> > > >BEFORE the EDP and are then going into a super
> > > clean power amp just
> > > >to amplify your signal, you may never even
> notice
> > > this.  But if you
> > > >are trying to use
> > > >the tone of your amp as a big part of your
> sound
> > > (like most guitar
> > > >sounds from the 1940's through the present),
> the
> > > EDP can be
> > > >frustrating.
> > > >
> > > >Don't get me wrong.  I still love my EDPs. 
> They
> > > are an amazing
> > > >tool.  This is just one thing to think about.
> > > >
> > > >Cheers
> > > >
> > > >Joe Rut
> > > >
> > > >--
> > > >_______________________________________________
> > > >
> > > >Search for businesses by name, location, or
> phone
> > > number.  -Lycos Yellow Pages
> > > >
> > >
> >
>
>http://r.lycos.com/r/yp_emailfooter/http://yellowpages.lycos.
> > com/defaul
> > >t.asp?SRC=lycos10
> > > 
> > > 
> > > --
> > > 
> > > 
> > >           ---> http://Matthias.Grob.org
> > > 
> > > 
> > 
> > 
> > www.luis-angulo.com
> > 
> > __________________________________________________
> > Do You Yahoo!?
> > Tired of spam?  Yahoo! Mail has the best spam
> protection 
> > around http://mail.yahoo.com 
> > 
> 
> 


www.luis-angulo.com

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From Loopers-Delight-request@loopers-delight.com  Sat Mar  4 12:27:06 2006
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Date: Sat, 4 Mar 2006 04:27:03 -0800 (PST)
From: Luis Angulo <labalou2000@yahoo.com>
Subject: reality vs virtuality
To: Loopers-Delight@loopers-delight.com
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Right Kris,i have two separate rigs,one to play with a
rock n roll band and one for the looping,it feels so
good to play through a real tube amp with those little
eccentric stomp boxes,but off course there is always
another effect i want to add to my already full
peadlboard and relearn to tap dance again,but this
forces me to keep it at minimal.With my loop rig on
the other hand is a joy to have this huge palette of
sounds at the touch of a button...although sometimes
cold to swim in a sterile sea of virtuality;-)
Luis



--- Kris Hartung <khartung@cableone.net> wrote:

> >...would a dedicated
> > guitar power amp like the mesa boogie 20/20 and a
> > guitar cabinet make a difference or warm it up?
> 
> Absolutely. The tubes of the 20/20 will warm it up
> and give it a more spongy 
> and reactive feel, plus a guitar cab will remove
> some of the harsh high end 
> and warm it up from the low mid range area.  I just
> recently started using 
> my electric guitar for jazz with a Mesa Boogie Mark
> I combo amp, rather than 
> running straight into the board after my VF1 (which
> is what I use for 
> avant-garde looping) and the difference is vast. I
> just re-affirmed my 
> opinion that for live performance no amp modeling
> can replace the sound of 
> an actual tube amp, the evolution of the tone over
> night as it warms up... 
>

www.luis-angulo.com

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From Loopers-Delight-request@loopers-delight.com  Sat Mar  4 12:31:23 2006
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Date: Sat, 4 Mar 2006 04:31:22 -0800 (PST)
From: Luis Angulo <labalou2000@yahoo.com>
Subject: Re: Vedr. Re: Do I need that EDP?
To: Loopers-Delight@loopers-delight.com
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yes this is it! but when you start carrying amps,stomp
box pedalboards racks mixers and P.A. speakers to a
gig we are back to square one;-(
cheers
Luis

--- rune fagereng <rune_fagereng@yahoo.no> wrote:

> Hi !
>    
>   One of Norways best studio-guitarist (Eivind
> Aarset), bandleader/composer who also plays with Jon
> Hassell, uses two signal-routes. Signal one after
> pedals (moog, EH, line 6 dly) goes to amp. This is
> all analog. Signal two after pedals goes to eventide
> an onto repeater (looper) to DI and to PA. Best of
> both worlds ?
>    
>   Rune F, Norway     
> 
> Luis Angulo <labalou2000@yahoo.com> skrev:
>   i am looking for more suggestions on this tone
> issue,i
> am going from my GP-100 amp modeler into my mackie
> 1202 which has the EDP in the Aux and then into a
> yamaha P.A.powered monitor.I find The sound still a
> bit sterile and punch lacking would a dedicated
> guitar power amp like the mesa boogie 20/20 and a
> guitar cabinet make a difference or warm it up?
> 
> 
> 
> 
> > >Loopers who are not concerned with old-school
> tube
> > amp tone issues 
> > >probably don't care about this issue. If you have
> > an amp modeler or 
> > >something
> > >BEFORE the EDP and are then going into a super
> > clean power amp just 
> > >to amplify your signal, you may never even notice
> > this. But if you 
> > >are trying to use
> > >the tone of your amp as a big part of your sound
> > (like most guitar 
> > >sounds from the 1940's through the present), the
> > EDP can be 
> > >frustrating.
> > >
> > >Don't get me wrong. I still love my EDPs. They
> > are an amazing 
> > >tool. This is just one thing to think about.
> > >
> > >Cheers
> > >
> > >Joe Rut
> > >
> > >--
> > >_______________________________________________
> > >
> > >Search for businesses by name, location, or phone
> > number. -Lycos Yellow Pages
> > >
> >
>
>http://r.lycos.com/r/yp_emailfooter/http://yellowpages.lycos.com/default.asp?SRC=lycos10
> > 
> > 
> > -- 
> > 
> > 
> > ---> http://Matthias.Grob.org
> > 
> > 
> 
> 
> www.luis-angulo.com
> 
> __________________________________________________
> Do You Yahoo!?
> Tired of spam? Yahoo! Mail has the best spam
> protection around 
> http://mail.yahoo.com 
> 
> 
> 


www.luis-angulo.com

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From Loopers-Delight-request@loopers-delight.com  Sat Mar  4 12:38:46 2006
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Date: Sat, 4 Mar 2006 04:38:45 -0800 (PST)
From: Luis Angulo <labalou2000@yahoo.com>
Subject: Re: Do I need that EDP?
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hey mark ive been curious about this amps,Adrian Belew
droped his refigerator to use this ones but i read
they are quite complex to program?

--- mark sottilaro <zerocrossing2001@yahoo.com> wrote:

> This is exactly why my setup no longer uses a
> traditional guitar amp.  In the grand scheme of
> things
> it's just easier to use an amp modeler and put the
> looper in the effects loop of the mixer.  Works like
> a
> charm.  I recommend the Vox.
> 
> If you can find one, Johnson (Digitech) made some
> killer amps that featured stereo effects loops that
> also work nicely for such things.  I've got one of
> the
> pure digital ones and I have to admit it sounds
> pretty
> damn good.
> 
> Mark
> 
> --- Fluke <fluke@gotadsl.co.uk> wrote:
> 
> > Seems crazy to me to even think about puting any
> > significant amount of
> > processing between guitar and preamp. A wah pedal
> > and maybe an EQ is as much
> > as I can contemplate there. I've been playing over
> > 20 years, and have used
> > racked processors of one sort or another for most
> of
> > that time, but it is
> > natural to me that any time-based processor shoudl
> > be fd a signal that is as
> > complete as possible.
> > 
> > Nik
> > 
> > --------- Original Message --------
> > From: Loopers-Delight@loopers-delight.com
> > To: "Loopers-Delight@loopers-delight.com"
> > <Loopers-Delight@loopers-delight.com>
> > Subject: Re: Do I need that EDP?
> > Date: 01/03/06 22:20
> > 
> > 
> > I wonder if ideally the best way isn't to mike the
> > amp and loop that. It
> > varies depending, I think. But I completely agree
> > with you that it's a
> > conundrum trying to incorporate the sound of the
> amp
> > itself since it's the
> > last part of the chain. Any arrangement is going
> to
> > compromise something
> > 
> > ________________________________________________
> > Message sent using UebiMiau 2.7.2
> > 
> > 
> 
> 
> __________________________________________________
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> protection around 
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> 
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> 
> 


www.luis-angulo.com

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From Loopers-Delight-request@loopers-delight.com  Sat Mar  4 13:01:32 2006
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From: Lee Maravel <leemaravel@yahoo.com>
Subject:  Microphone router!
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Steve,
     I use a Eurorack 1604 mixer to control the mic
routing. By using the different outputs I can feed it
into my Boomerang, Vortex, Digitech Vocalist or output
it clean into my amp. I also have a Wavestation SR + a
Korg N1R and can feed them in and out of the loop as
well.
     Pretty basic solution and it works well.I believe
Behringer makes smaller mixers with at least 2 outputs
that would do the same thing. Pretty cheap nowadays.
                                 Good luck,
                                    Lee Maravel


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From Loopers-Delight-request@loopers-delight.com  Sat Mar  4 13:57:34 2006
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From: "Fluke" <fluke@gotadsl.co.uk>
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Subject: Re: amp modeling
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If you are trying to use one of these modellers with a regular guitar combo
of course it won't sound good. The only way they sound good and deliver
their best is direct to PA.

Nik

--------- Original Message --------
From: Loopers-Delight@loopers-delight.com
To: "Loopers-Delight@loopers-delight.com"
<Loopers-Delight@loopers-delight.com>
Subject: amp modeling
Date: 04/03/06 12:05


I tried the gt-8 and i am assuming is basically the
same,the one thing i dont like about all this modeling
trend is how the distortions compress and turn into
mud,most of this modeling amps have maybe only one
convincing amp sound in my opinion(on the rolands the
JC120 and the line 6 their own model off course)and a
lot of them dont really cut it live.I am more
interested in their efx proccessor flexibilty,For
recording purposes the modeling might be practical and
they do sound good on tape but with the combo amps id
rather have great efxs only with higher DSP quality
going through one killer tube amp sound!
more choices,more tweaking,less playing,more
frustrated;-)




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From Loopers-Delight-request@loopers-delight.com  Sat Mar  4 14:01:13 2006
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Hmmm. My 4u rack and separate Tonelab and power amp take up less space than
a regular Marshall head. My two full range wedges take up less space than a
4 x 12. My Vox VC-4, EDP controller and various expression pedals takes up
less space as many people's pedalboards.

Nik

--------- Original Message --------
From: Loopers-Delight@loopers-delight.com
To: "Loopers-Delight@loopers-delight.com"
<Loopers-Delight@loopers-delight.com>
Subject: Re: Vedr. Re: Do I need that EDP?
Date: 04/03/06 12:31


yes this is it! but when you start carrying amps,stomp
box pedalboards racks mixers and P.A. speakers to a
gig we are back to square one;-(
cheers
Luis

--- rune fagereng <rune_fagereng@yahoo.no> wrote:

> Hi !
>
> One of Norways best studio-guitarist (Eivind
> Aarset), bandleader/composer who also plays with Jon
> Hassell, uses two signal-routes. Signal one after
> pedals (moog, EH, line 6 dly) goes to amp. This is
> all analog. Signal two after pedals goes to eventide
> an onto repeater (looper) to DI and to PA. Best of
> both worlds ?
>
> Rune F, Norway
>
> Luis Angulo <labalou2000@yahoo.com> skrev:
> i am looking for more suggestions on this tone
> issue,i
> am going from my GP-100 amp modeler into my mackie
> 1202 which has the EDP in the Aux and then into a
> yamaha P.A.powered monitor.I find The sound still a
> bit sterile and punch lacking would a dedicated
> guitar power amp like the mesa boogie 20/20 and a
> guitar cabinet make a difference or warm it up?
>
>
>
>
> > >Loopers who are not concerned with old-school
> tube
> > amp tone issues
> > >probably don't care about this issue. If you have
> > an amp modeler or
> > >something
> > >BEFORE the EDP and are then going into a super
> > clean power amp just
> > >to amplify your signal, you may never even notice
> > this. But if you
> > >are trying to use
> > >the tone of your amp as a big part of your sound
> > (like most guitar
> > >sounds from the 1940's through the present), the
> > EDP can be
> > >frustrating.
> > >
> > >Don't get me wrong. I still love my EDPs. They
> > are an amazing
> > >tool. This is just one thing to think about.
> > >
> > >Cheers
> > >
> > >Joe Rut
> > >
> > >--
> > >_______________________________________________
> > >
> > >Search for businesses by name, location, or phone
> > number. -Lycos Yellow Pages
> > >
> >
>
>http://r.lycos.com/r/yp_emailfooter/http://yellowpages.lycos.com/default.asp?SRC=lycos10
> >
> >
> > --
> >
> >
> > ---> http://Matthias.Grob.org
> >
> >
>
>
> www.luis-angulo.com
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam? Yahoo! Mail has the best spam
> protection around
> http://mail.yahoo.com
>
>
>


www.luis-angulo.com

__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Sat Mar  4 15:20:47 2006
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Date: Sat, 4 Mar 2006 16:20:44 +0100 (CET)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: Vedr. reality vs virtuality
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Hi !
   
  Tell me have you ever tried to incorporate both rigs for a gig ?
   
  Rune F

Luis Angulo <labalou2000@yahoo.com> skrev:
  Right Kris,i have two separate rigs,one to play with a
rock n roll band and one for the looping,it feels so
good to play through a real tube amp with those little
eccentric stomp boxes,but off course there is always
another effect i want to add to my already full
peadlboard and relearn to tap dance again,but this
forces me to keep it at minimal.With my loop rig on
the other hand is a joy to have this huge palette of
sounds at the touch of a button...although sometimes
cold to swim in a sterile sea of virtuality;-)
Luis



--- Kris Hartung wrote:

> >...would a dedicated
> > guitar power amp like the mesa boogie 20/20 and a
> > guitar cabinet make a difference or warm it up?
> 
> Absolutely. The tubes of the 20/20 will warm it up
> and give it a more spongy 
> and reactive feel, plus a guitar cab will remove
> some of the harsh high end 
> and warm it up from the low mid range area. I just
> recently started using 
> my electric guitar for jazz with a Mesa Boogie Mark
> I combo amp, rather than 
> running straight into the board after my VF1 (which
> is what I use for 
> avant-garde looping) and the difference is vast. I
> just re-affirmed my 
> opinion that for live performance no amp modeling
> can replace the sound of 
> an actual tube amp, the evolution of the tone over
> night as it warms up... 
>

www.luis-angulo.com

__________________________________________________
Do You Yahoo!?
Tired of spam? Yahoo! Mail has the best spam protection around 
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<div>Hi !</div>  <div>&nbsp;</div>  <div>Tell me have you ever tried to incorporate both rigs for a gig ?</div>  <div>&nbsp;</div>  <div>Rune F<BR><BR><B><I>Luis Angulo &lt;labalou2000@yahoo.com&gt;</I></B> skrev:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">Right Kris,i have two separate rigs,one to play with a<BR>rock n roll band and one for the looping,it feels so<BR>good to play through a real tube amp with those little<BR>eccentric stomp boxes,but off course there is always<BR>another effect i want to add to my already full<BR>peadlboard and relearn to tap dance again,but this<BR>forces me to keep it at minimal.With my loop rig on<BR>the other hand is a joy to have this huge palette of<BR>sounds at the touch of a button...although sometimes<BR>cold to swim in a sterile sea of virtuality;-)<BR>Luis<BR><BR><BR><BR>--- Kris Hartung <KHARTUNG@CABLEONE.NET>wrote:<BR><BR>&gt; &gt;...would a dedicated<BR>&gt; &gt; guitar
 power amp like the mesa boogie 20/20 and a<BR>&gt; &gt; guitar cabinet make a difference or warm it up?<BR>&gt; <BR>&gt; Absolutely. The tubes of the 20/20 will warm it up<BR>&gt; and give it a more spongy <BR>&gt; and reactive feel, plus a guitar cab will remove<BR>&gt; some of the harsh high end <BR>&gt; and warm it up from the low mid range area. I just<BR>&gt; recently started using <BR>&gt; my electric guitar for jazz with a Mesa Boogie Mark<BR>&gt; I combo amp, rather than <BR>&gt; running straight into the board after my VF1 (which<BR>&gt; is what I use for <BR>&gt; avant-garde looping) and the difference is vast. I<BR>&gt; just re-affirmed my <BR>&gt; opinion that for live performance no amp modeling<BR>&gt; can replace the sound of <BR>&gt; an actual tube amp, the evolution of the tone over<BR>&gt; night as it warms up... <BR>&gt;<BR><BR>www.luis-angulo.com<BR><BR>__________________________________________________<BR>Do You Yahoo!?<BR>Tired of spam? Yahoo! Mail has the best
 spam protection around <BR>http://mail.yahoo.com <BR><BR></BLOCKQUOTE><BR>
--0-475767674-1141485644=:76368--

From Loopers-Delight-request@loopers-delight.com  Sat Mar  4 16:12:13 2006
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On 3 Mar 2006 at 8:53, Timothy Mungenast wrote:

> Kris, Zoom made some SERIOUS half-rack tone manglers in the Olden
> Days. 9100 or 9050, 

I had a 9050 which I used on every gig until it died of unknown 
causes about 6 years later. I keep meaning to replace it - it has a 
wide range of effects, including some I haven't heard anywhere else. 
They are quite cheap on on ebay.


All the best,

Nick Robinson


From Loopers-Delight-request@loopers-delight.com  Sat Mar  4 17:21:42 2006
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Only if the gig paid me twice as much. :)  Seriously, though, you bring =
up a third system that I would use...I would use my notebook and rack, =
but go directly into my tube amp rather than the Mackie board and PA. =
This would be for the looping gigs where I used my electric, rather than =
acoustic, and I didn't mind playing in mono, but still wanted to apply =
some bizarre effects to my sound. Or I could just ust my notebook and =
the tube amp, or just my rack and the tube amp...lots of options to =
completely butcher the clean and warm tone of a Mesa Boogie Mark I.=20

Kris
----- Original Message -----=20


  Hi !

  Tell me have you ever tried to incorporate both rigs for a gig ?

  Rune F

  Luis Angulo <labalou2000@yahoo.com> skrev:
    Right Kris,i have two separate rigs,one to play with a
    rock n roll band and one for the looping,it feels so
    good to play through a real tube amp with those little
    eccentric stomp boxes,but off course there is always
    another effect i want to add to my already full
    peadlboard and relearn to tap dance again,but this
    forces me to keep it at minimal.With my loop rig on
    the other hand is a joy to have this huge palette of
    sounds at the touch of a button...although sometimes
    cold to swim in a sterile sea of virtuality;-)
    Luis



    --- Kris Hartung wrote:

    > >...would a dedicated
    > > guitar power amp like the mesa boogie 20/20 and a
    > > guitar cabinet make a difference or warm it up?
    >=20
    > Absolutely. The tubes of the 20/20 will warm it up
    > and give it a more spongy=20
    > and reactive feel, plus a guitar cab will remove
    > some of the harsh high end=20
    > and warm it up from the low mid range area. I just
    > recently started using=20
    > my electric guitar for jazz with a Mesa Boogie Mark
    > I combo amp, rather than=20
    > running straight into the board after my VF1 (which
    > is what I use for=20
    > avant-garde looping) and the difference is vast. I
    > just re-affirmed my=20
    > opinion that for live performance no amp modeling
    > can replace the sound of=20
    > an actual tube amp, the evolution of the tone over
    > night as it warms up...=20
    >

    www.luis-angulo.com

    __________________________________________________
    Do You Yahoo!?
    Tired of spam? Yahoo! Mail has the best spam protection around=20
    http://mail.yahoo.com=20




------=_NextPart_000_004D_01C63F75.69CBB840
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<STYLE></STYLE>
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<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Only if the gig paid me twice as much. =
:)&nbsp;=20
Seriously, though, you bring up a third system that I would use...I =
would use my=20
notebook and rack, but go directly into my tube amp rather than the =
Mackie board=20
and PA. This would be for the looping gigs where I used my electric, =
rather than=20
acoustic, and&nbsp;I didn't mind playing in mono, but still wanted to =
apply some=20
bizarre effects to my sound. Or I could just ust my notebook and the =
tube amp,=20
or just my rack and the tube amp...lots of options to completely butcher =
the=20
clean and warm tone of a Mesa Boogie Mark I. </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV>----- Original Message ----- </DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><BR>&nbsp;</DIV>
  <DIV>Hi !</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>Tell me have you ever tried to incorporate both rigs for a gig =
?</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>Rune F<BR><BR><B><I>Luis Angulo &lt;<A=20
  =
href=3D"mailto:labalou2000@yahoo.com">labalou2000@yahoo.com</A>&gt;</I></=
B>=20
  skrev:</DIV>
  <BLOCKQUOTE class=3Dreplbq=20
  style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px =
solid">Right=20
    Kris,i have two separate rigs,one to play with a<BR>rock n roll band =
and one=20
    for the looping,it feels so<BR>good to play through a real tube amp =
with=20
    those little<BR>eccentric stomp boxes,but off course there is=20
    always<BR>another effect i want to add to my already =
full<BR>peadlboard and=20
    relearn to tap dance again,but this<BR>forces me to keep it at =
minimal.With=20
    my loop rig on<BR>the other hand is a joy to have this huge palette=20
    of<BR>sounds at the touch of a button...although sometimes<BR>cold =
to swim=20
    in a sterile sea of virtuality;-)<BR>Luis<BR><BR><BR><BR>--- Kris =
Hartung=20
    <KHARTUNG@CABLEONE.NET>wrote:<BR><BR>&gt; &gt;...would a =
dedicated<BR>&gt;=20
    &gt; guitar power amp like the mesa boogie 20/20 and a<BR>&gt; &gt; =
guitar=20
    cabinet make a difference or warm it up?<BR>&gt; <BR>&gt; =
Absolutely. The=20
    tubes of the 20/20 will warm it up<BR>&gt; and give it a more spongy =

    <BR>&gt; and reactive feel, plus a guitar cab will remove<BR>&gt; =
some of=20
    the harsh high end <BR>&gt; and warm it up from the low mid range =
area. I=20
    just<BR>&gt; recently started using <BR>&gt; my electric guitar for =
jazz=20
    with a Mesa Boogie Mark<BR>&gt; I combo amp, rather than <BR>&gt; =
running=20
    straight into the board after my VF1 (which<BR>&gt; is what I use =
for=20
    <BR>&gt; avant-garde looping) and the difference is vast. I<BR>&gt; =
just=20
    re-affirmed my <BR>&gt; opinion that for live performance no amp=20
    modeling<BR>&gt; can replace the sound of <BR>&gt; an actual tube =
amp, the=20
    evolution of the tone over<BR>&gt; night as it warms up...=20
    =
<BR>&gt;<BR><BR>www.luis-angulo.com<BR><BR>______________________________=
____________________<BR>Do=20
    You Yahoo!?<BR>Tired of spam? Yahoo! Mail has the best spam =
protection=20
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<BR><BR></BLOCKQUOTE><BR></BLOCKQUOTE></BODY></HTML>

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Good advice. Getting the spare VF-1 before they become "collectible."

However, I'm also tempted to go for the Zoom 9050 that I've heard so much
about, so the 2 different boxes can complement each other's strengths and
weaknesses........and also because the 9050 are cheap and I am broke ;-)

If I were rich, or more flush than I am now, I'd get that spare VF-1 AND
the 9050.

~Tim


> [Original Message]
> From: Kris Hartung <khartung@cableone.net>
> To: <Loopers-Delight@loopers-delight.com>
> Date: 3/3/2006 5:29:05 PM
> Subject: Re: Half Space Effect Processors
>
> I'm doing a trade, but I'm seeing them on eBay (past auctions) from $175
to 
> $225, Buy Now.  $150 would be a screamin' deal.
>
> Kris
>
> ----- Original Message ----- 
> From: <mungenast@earthlink.net>
>
> > Hey Kris!
> > How much was your "new" VF-1, if you don't mind my asking? I may "need" 
> > another VF-1, and I'm afraid that I won't be able to find one for $150 
> > again ;-)
> >
> > Yours in Sound,
> > Tim
> > www.myspace.com/timmungenast
> >
> >
> >
> > -----Original Message-----
> >>From: Kris Hartung <khartung@cableone.net>
> >>Sent: Mar 3, 2006 1:20 PM
> >>To: Loopers-Delight@loopers-delight.com
> >>Subject: Re: Half Space Effect Processors
> >>
> >>BTW, I decided to get another VF1....I just love those little red boxes 
> >>too
> >>much. I look forward to doing some interesting layering.
> >>
> >>Kris
> >>
> >>> -----Original Message-----
> >>> From: Kris Hartung [mailto:khartung@cableone.net]
> >>> Sent: Thursday, March 02, 2006 8:17 PM
> >>> To: Loopers-Delight@loopers-delight.com
> >>> Subject: Half Space Effect Processors
> >>>
> >>>
> >>> I'm putting my new three-space soft rack together, the bottom space of
> >>> which
> >>> is waiting for my Looperlative. On the top two spaces, I have my Boss 
> >>> VF1
> >>> (for tone mangling), Lexicon LXP1 (for reverb), and my Lexicon LXP5 
> >>> (also
> >>> for tone mangling).  Now, what the heck to I put in that third 
> >>> half-space
> >>> slot? Any ideas? What  units out there pack a lot of cool effects
into a
> >>> half space? I wish they made the Line 6 Filter Pro in a half-space, or
> >>> better yet the electro-harmonix micro guitar synth.
> >>>
> >>> Cheers,
> >>>
> >>> Kris
> >>>
> >>> <><><><><><><><><><><><><><>
> >>> www.krispenhartung.com (solo work)
> >>> www.boisemusician.com/newvibetrio/ (jazz trio)
> >>> info@krispenhartung.com
> >>> 208-724-5604 (call me for cripes sakes!)
> >>>
> >>>
> >>>
> >>>
> >>>
> >>>
> >>
> >>
> >
> > 
>


From Loopers-Delight-request@loopers-delight.com  Sun Mar  5 02:38:09 2006
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Yes, Kris, the VF-1's choruses *are* quite usable, but don't forget the
nice, warm detune patches!
~Tim


> [Original Message]
> From: Kris Hartung <khartung@cableone.net>
> To: <Loopers-Delight@loopers-delight.com>
> Date: 3/3/2006 6:05:18 PM
> Subject: Re: Half Space Effect Processors
>
> VF-1: I think the reverb, chorus, delay, etc...is all very decent. It
does 
> have tap delay as well.
>
> I'm sort of a chorus snob myself, and I love the chorus on this unit...in 
> fact, all of the Boss units I have had in the past have had superb stereo 
> chorus.  It has normal stereo chorus, 2X2 Chorus, and Space Chorus.
>
> Kris
>
> ----- Original Message ----- 
> From: "Todd Howell" <ransacker@earthlink.net>
>
>
> > Kris
> >
> > Todd from Denver here. Can I ask a few tonal questions about the VF-1?
I 
> > mostly use such boxes for time based effects. What is the reverb,
chorus, 
> > flange, delay like? Tap Tempo possible? What would you say the
"character" 
> > of the chorus is? Tor lack of a better term. I am a lush chorus kind of 
> > cat and that is usually a real sticking point. I know, I know, If I am 
> > such a lush chorus kind of cat,  Ishould just cowboy up and get a T.C. 
> > Electronics Chorus/Flanger. But that seems to be alot of dough for a 
> > relatively one trick pony space-wise.
> >
> > Is anybody out there terribly familiar with the T.C. Electronics box
the 
> > G-System? I have seen some passing mentions I believe. Stop me if this
is 
> > a repeat question.
> >
> > Todd
> >
> > -----Original Message-----
> >>From: Kris Hartung <khartung@cableone.net>
> >>Sent: Mar 3, 2006 3:29 PM
> >>To: Loopers-Delight@loopers-delight.com
> >>Subject: Re: Half Space Effect Processors
> >>
> >>I'm doing a trade, but I'm seeing them on eBay (past auctions) from
$175 
> >>to
> >>$225, Buy Now.  $150 would be a screamin' deal.
> >>
> >>Kris
> >>
> >>----- Original Message ----- 
> >>From: <mungenast@earthlink.net>
> >>
> >>> Hey Kris!
> >>> How much was your "new" VF-1, if you don't mind my asking? I may
"need"
> >>> another VF-1, and I'm afraid that I won't be able to find one for $150
> >>> again ;-)
> >>>
> >>> Yours in Sound,
> >>> Tim
> >>> www.myspace.com/timmungenast
> >>>
> >>>
> >>>
> >>> -----Original Message-----
> >>>>From: Kris Hartung <khartung@cableone.net>
> >>>>Sent: Mar 3, 2006 1:20 PM
> >>>>To: Loopers-Delight@loopers-delight.com
> >>>>Subject: Re: Half Space Effect Processors
> >>>>
> >>>>BTW, I decided to get another VF1....I just love those little red
boxes
> >>>>too
> >>>>much. I look forward to doing some interesting layering.
> >>>>
> >>>>Kris
> >>>>
> >>>>> -----Original Message-----
> >>>>> From: Kris Hartung [mailto:khartung@cableone.net]
> >>>>> Sent: Thursday, March 02, 2006 8:17 PM
> >>>>> To: Loopers-Delight@loopers-delight.com
> >>>>> Subject: Half Space Effect Processors
> >>>>>
> >>>>>
> >>>>> I'm putting my new three-space soft rack together, the bottom space
of
> >>>>> which
> >>>>> is waiting for my Looperlative. On the top two spaces, I have my
Boss
> >>>>> VF1
> >>>>> (for tone mangling), Lexicon LXP1 (for reverb), and my Lexicon LXP5
> >>>>> (also
> >>>>> for tone mangling).  Now, what the heck to I put in that third
> >>>>> half-space
> >>>>> slot? Any ideas? What  units out there pack a lot of cool effects
into 
> >>>>> a
> >>>>> half space? I wish they made the Line 6 Filter Pro in a half-space,
or
> >>>>> better yet the electro-harmonix micro guitar synth.
> >>>>>
> >>>>> Cheers,
> >>>>>
> >>>>> Kris
> >>>>>
> >>>>> <><><><><><><><><><><><><><>
> >>>>> www.krispenhartung.com (solo work)
> >>>>> www.boisemusician.com/newvibetrio/ (jazz trio)
> >>>>> info@krispenhartung.com
> >>>>> 208-724-5604 (call me for cripes sakes!)
> >>>>>
> >>>>>
> >>>>>
> >>>>>
> >>>>>
> >>>>>
> >>>>
> >>>>
> >>>
> >>>
> >>
> >>
> >
> > 
>


From Loopers-Delight-request@loopers-delight.com  Sun Mar  5 04:24:19 2006
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From: "Kris Hartung" <khartung@cableone.net>
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Subject: Streaming My John Abercrombie Collection Now
Date: Sat, 4 Mar 2006 21:24:11 -0700
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I need to start using my Shoutcast bandwidth, so I thought I would stream my 
John Abercrombie CD collection all night. 16 CDs.  Hopefully this will be a 
good taste for those who have never listened to him. Next is Terje Rypdal 
and John McLaughlin.

http://216.12.162.58:9030/  (Click on "Listen")

*************************************************
Krispen Hartung
Improvisational / Avant-Garde Looping Guitarist
http://www.krispenhartung.com
info@krispenhartung.com / 208-724-5603 


From Loopers-Delight-request@loopers-delight.com  Sun Mar  5 06:03:08 2006
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loop.pool wrote:
> <the first take broke down>
> 
> This expression has nothing whatsoever to do with the tape literally 
> breaking down. It refers to when a band in a recording session would 
> make such a bad musical mistake that the whole recording had to be 
> stopped and recorded over again.

I agree to that. In fact usually the first take is rarly musically good,
its fine to throw it away completely, it was just warm up. But If the 
band is bad, there is still a chance that you have to use it.

> Before the advent of digital recording,  a band had to play a song 
> from the start to the finish as perfectly as possible in order to get
> a good recording.

This was only true before tapes were used to record. The big advantage 
of tapes is, you can easily splice them.

> Even when playing to a click track it was incredibly problematic to 
> try and physically splice one well recorded portion of a song onto 
> another. 

I've done it a thousand times, not complicated at all. The only thing 
was, there was no undo. To edit rythmically correct needed some 
experience, but once learned its solid as a rock.

> It was done occasionally but it was extremely rare in most 
> recording studios,  especially more inexpensive local recording 
> studios.

I think the opposite is true, in cheap recording studios you had to get 
it on tape fast, thus people would even splice takes which are out of 
tune to each other.

> That all changed in the 80's with the advent of digital recording and
> digital crossfading.

The first digital recorders were very complicated, I am not sure if you 
could splice them. Maybe that phrase came up around that time, because 
for getting the superior quality you'd needed to have better complete takes.

> I'll never forget the very first ADAT recording session I was at. I 
> was blown away because as soon as we screwed up the first chorus, the
> engineer said, "Everybody play along with the tape and I'll punch in
> the entire band on the down beat of the chorus."

This was common practice with analog tape for decades before. Multitrack 
recording allowed to record part by part, or just punch in the track 
which was bad.

> The ADAT allowed for digital crossfading between the two sections of 
> the song.

The splice of analog tape is actually also a perfect crossfade. You cut 
in in an angle. With 24-track 2" Tapes it was a bit more problematic.

> Digital recording allowed bands to just play for one section of a 
> song.

As mentioned before this was possible decades before on analog as well. 
I remember my first own multitrack, a Fostex A-8 would do it easily.
And watch the Multiple SIDosis video, already in the 50's you could do 
this kind of stuff even with home recording equipment...

> Now if you hear the phrase  "the first take broke down"  it generally
>  means that the computers have crashed..................lol.

Yeah

Stefan

-- 

  [][]  [][][]  [][]  [][][]
[][][][][][][][][][][][][][][]

         Stefan Tiedje
         Klanggestalter
     Electronic Composition
               &
         Improvisation

            /~~~~~\
     \\\   /|() ()|\
     ))))) )|  |  |( \\\
     ///    \ \_/)/ )))))
             \___/   ///

-------------------------x----
--_____-----------|-----------
--(_|_ ----|\-----|-----()----
-- _|_)----|-----()-----------
----------()------------x-----

14, Av. Pr. Franklin Roosevelt,
94320 Thiais, France
Phone at CCMIX +33-1-49 77 51 72

From Loopers-Delight-request@loopers-delight.com  Sun Mar  5 12:54:28 2006
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Subject: Re: Half Space Effect Processors
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Not effect processors as such, but Nobels do a nice range of 1/4 space
expansion modules that can be interlinked to fill in a few holes in the rack
http://www.nobels.com/en/index.htm

-- 
Stuart Wyatt - http://swyatt.com 

From Loopers-Delight-request@loopers-delight.com  Sun Mar  5 14:21:44 2006
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Subject: Fun with Mobius!
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I've been trying to set up a computer based looping setup for the past month 
or so which will allow me to loop without thinking too much about the 
hardware involved. Initially, I started on Ambiloop, then SooperLooper for 
OSX (on my old trusty ibook, then using Linux on an old PC laptop).... I was 
plagued with problems - mainly due to my antiquated equipment, and lack of 
latency correction (very noticable when overdubbing rhythmic passages)

On Friday, I gave up and reverted back to using two echo pro's after 'jack' 
kept crashing on the ibook, and the PC linux laptop was just too slow to do 
anything with.

For some reason, I decided to give Mobius another chance and installed it on 
my desktop PC, and was blown away with how easy it was to set up the latency 
correction and assign Midi commands from the FCB1010! I was looping 
hands-free within about 5 minutes!

The interface is simple and concise... and it worked flawlessly!!!

Using my desktop PC for now means that I cannot take the rig out for gigs, 
but if I sell my Echo Pro's and filter pro, then I might have enough for a 
decent(ish) PC laptop.... :)

Are there many loopers here that use Mobius as their main looping system?
-- 
Stuart Wyatt - http://swyatt.com 

From Loopers-Delight-request@loopers-delight.com  Sun Mar  5 14:41:58 2006
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 Hello all -
after a hiatus from the world of looping i'm back to it an to the list -
have been doing some fun stuff involving long (2 1/2 hour!) improvised
sets and contact improvisation dancers - with my wireless mic i can
dance and sing at the same time, which is loads of fun - have been
studying some contact improv dance which is a wonderful stream of
input into music improv also -

also have a technical question which i'm wondering if anyone can help
me out with -

i have a pretty simple setup, 2 synths and a mic going into a tiny
rolls mixer going into a chaos box going into a edp looper, and that's
that -

what i would like to be able to do is have a "mic router" (does such a
thing exist?) so that most of the time the mic will be going into the
looper, but sometimes will be going direct into the amp so that the
keys are being looped but the mic is not - any ideas would be
appreciated,

thanks in advance,
steve sandberg

[p.s. have an interesting concert coming up in brooklyn on march 11,
live improvised looping to some great rather psychedelic videos - if
interested, get info at grandspace.com
cheers!

From Loopers-Delight-request@loopers-delight.com  Sun Mar  5 14:49:22 2006
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From: "Michael Plishka" <mike@michaelplishka.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Microphone router & hello again
Date: Sun, 5 Mar 2006 08:49:54 -0600
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Steve this came from Lee but didn't use your subject line-I almost missed it
myself.

~peace~

Michael
***************************************

Steve,
     I use a Eurorack 1604 mixer to control the mic
routing. By using the different outputs I can feed it
into my Boomerang, Vortex, Digitech Vocalist or output
it clean into my amp. I also have a Wavestation SR + a
Korg N1R and can feed them in and out of the loop as
well.
     Pretty basic solution and it works well.I believe
Behringer makes smaller mixers with at least 2 outputs
that would do the same thing. Pretty cheap nowadays.
                                 Good luck,
                                    Lee Maravel


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around
http://mail.yahoo.com




-----Original Message-----
From: Steve Sandberg [mailto:stevesandbergmusic@gmail.com]
Sent: Sunday, March 05, 2006 8:42 AM
To: Loopers-Delight@loopers-delight.com
Subject: Microphone router & hello again


 Hello all -
after a hiatus from the world of looping i'm back to it an to the list -
have been doing some fun stuff involving long (2 1/2 hour!) improvised
sets and contact improvisation dancers - with my wireless mic i can
dance and sing at the same time, which is loads of fun - have been
studying some contact improv dance which is a wonderful stream of
input into music improv also -

also have a technical question which i'm wondering if anyone can help
me out with -

i have a pretty simple setup, 2 synths and a mic going into a tiny
rolls mixer going into a chaos box going into a edp looper, and that's
that -

what i would like to be able to do is have a "mic router" (does such a
thing exist?) so that most of the time the mic will be going into the
looper, but sometimes will be going direct into the amp so that the
keys are being looped but the mic is not - any ideas would be
appreciated,

thanks in advance,
steve sandberg

[p.s. have an interesting concert coming up in brooklyn on march 11,
live improvised looping to some great rather psychedelic videos - if
interested, get info at grandspace.com
cheers!




From Loopers-Delight-request@loopers-delight.com  Sun Mar  5 14:52:02 2006
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From: Per Boysen <per@boysen.se>
Subject: Re: Fun with Mobius!
Date: Sun, 5 Mar 2006 15:51:59 +0100
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On 5 mar 2006, at 15.21, Stuart Wyatt wrote:

> I've been trying to set up a computer based looping setup for the  
> past month or so which will allow me to loop without thinking too  
> much about the hardware involved. Initially, I started on Ambiloop,  
> then SooperLooper for OSX (on my old trusty ibook, then using Linux  
> on an old PC laptop).... I was plagued with problems - mainly due  
> to my antiquated equipment, and lack of latency correction (very  
> noticable when overdubbing rhythmic passages)
>
> On Friday, I gave up and reverted back to using two echo pro's  
> after 'jack' kept crashing on the ibook, and the PC linux laptop  
> was just too slow to do anything with.
>
> For some reason, I decided to give Mobius another chance and  
> installed it on my desktop PC, and was blown away with how easy it  
> was to set up the latency correction and assign Midi commands from  
> the FCB1010! I was looping hands-free within about 5 minutes!
>
> The interface is simple and concise... and it worked flawlessly!!!
>
> Using my desktop PC for now means that I cannot take the rig out  
> for gigs, but if I sell my Echo Pro's and filter pro, then I might  
> have enough for a decent(ish) PC laptop.... :)
>
> Are there many loopers here that use Mobius as their main looping  
> system?


One here!!! (anxiously raising hand..)

If you wonder why I have almost stopped posting to this list, it's  
because of Mobius. I just feel like spamming when all I have to say  
is how great M it is ;-)

Greetings from Sweden

Per Boysen
www.looproom.com (international)
www.boysen.se (Swedish)
--->  iTunes Music Store (digital)
www.cdbaby.com/perboysen




From Loopers-Delight-request@loopers-delight.com  Sun Mar  5 16:15:56 2006
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I love those cute little red boxes....I'm infatuated with red and have been 
since I was a kid. Red fire engines...red radio flyer wagon, red tricycle, 
red tennis shoes (2 years old)...I have a red Jeep Cherokee...a red Boss 
VF1, etc...who knows what's next on the list. :) Kris



----- Original Message ----- 
From: "Stuart Wyatt" <loopersdelight@swyatt.com>
To: "loopersdelight" <loopers-delight@loopers-delight.com>
Sent: Sunday, March 05, 2006 5:54 AM
Subject: Re: Half Space Effect Processors


> Not effect processors as such, but Nobels do a nice range of 1/4 space
> expansion modules that can be interlinked to fill in a few holes in the 
> rack
> http://www.nobels.com/en/index.htm
>
> -- 
> Stuart Wyatt - http://swyatt.com
> 


From Loopers-Delight-request@loopers-delight.com  Sun Mar  5 16:48:48 2006
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Count me in this group as well!!

I'm running Mobius on an IBM Thinkpad T40, and it's working perfectly.

The first implementation of pitch shifting is released in Mobius now, 
and it's very cool.  My practice sessions are now aimed at narrowing 
down to a set of techniques that I like within Mobius.  Having multiple 
EDP's (w/ pitch shifting!) is like a dream come true - but it presents 
it's own challenges in the realm of control.

Doug

Stuart Wyatt wrote:

> I've been trying to set up a computer based looping setup for the past 
> month or so which will allow me to loop without thinking too much 
> about the hardware involved. Initially, I started on Ambiloop, then 
> SooperLooper for OSX (on my old trusty ibook, then using Linux on an 
> old PC laptop).... I was plagued with problems - mainly due to my 
> antiquated equipment, and lack of latency correction (very noticable 
> when overdubbing rhythmic passages)
>
> On Friday, I gave up and reverted back to using two echo pro's after 
> 'jack' kept crashing on the ibook, and the PC linux laptop was just 
> too slow to do anything with.
>
> For some reason, I decided to give Mobius another chance and installed 
> it on my desktop PC, and was blown away with how easy it was to set up 
> the latency correction and assign Midi commands from the FCB1010! I 
> was looping hands-free within about 5 minutes!
>
> The interface is simple and concise... and it worked flawlessly!!!
>
> Using my desktop PC for now means that I cannot take the rig out for 
> gigs, but if I sell my Echo Pro's and filter pro, then I might have 
> enough for a decent(ish) PC laptop.... :)
>
> Are there many loopers here that use Mobius as their main looping system?

From Loopers-Delight-request@loopers-delight.com  Sun Mar  5 16:50:46 2006
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Subject: Apparatii Gig Spam-San Antonio, Texas
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-------------------------------1141577443
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Apparatii is performing this Wenesday March the 8th at  Thiry Auitorium 
located in Our Lady of the Lake University at 7:30pm. The address is 411 S. W. 24th 
St. Phone number: (210) 434-6711 (ext. 8137). Admission is free. This is an 
hour long improvised soundtrack to the visuals of Kevin Cacy.

Apparatii is:

James Cobb- saxes, keyboards, laptop, effects and loops

John Cortez- keyboards, laptop, guitar and effects

Robert "Bobdog" Catlin- eight string bass, keyboards and effects

James H. Sidlo- baritone guitar, cell, effects and loops.

-------------------------------1141577443
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<HTML><HEAD>
<META charset=3DUS-ASCII http-equiv=3DContent-Type content=3D"text/html; cha=
rset=3DUS-ASCII">
<META content=3D"MSHTML 6.00.2900.2802" name=3DGENERATOR></HEAD>
<BODY style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial; BACKGROUND-COLOR: #fffff=
f">
<DIV>Apparatii is performing this Wenesday March the 8th at&nbsp; Thiry Auit=
orium located in&nbsp;Our Lady of the Lake University at 7:30pm. The address=
 is 411 S. W. 24th St. Phone number: (210) 434-6711 (ext. 8137).&nbsp;Admiss=
ion is free. This is an hour long improvised soundtrack to the visuals&nbsp;=
of Kevin Cacy.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Apparatii is:</DIV>
<DIV>&nbsp;</DIV>
<DIV>James Cobb- saxes, keyboards, laptop, effects and loops</DIV>
<DIV>&nbsp;</DIV>
<DIV>John Cortez- keyboards, laptop, guitar and effects</DIV>
<DIV>&nbsp;</DIV>
<DIV>Robert "Bobdog" Catlin- eight string bass, keyboards and effects</DIV>
<DIV>&nbsp;</DIV>
<DIV>James H. Sidlo- baritone guitar, cell, effects and loops.</DIV></BODY><=
/HTML>

-------------------------------1141577443--

From Loopers-Delight-request@loopers-delight.com  Sun Mar  5 17:14:07 2006
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Date: Sun, 5 Mar 2006 18:13:57 +0100 (CET)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: Vedr. Streaming My John Abercrombie Collection Now
To: Loopers-Delight@loopers-delight.com
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--0-667503205-1141578837=:86054
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Hi !
   
  I am sure all loopers will like:
  Nils Petter Molvær (Norwegian trompter)
  Eivind Aarset (Norwegian guitarist/looper)
  Jon Hassell (Canadian trompeter)
   
  Rune F, Norway

Kris Hartung <khartung@cableone.net> skrev:
  I need to start using my Shoutcast bandwidth, so I thought I would stream my 
John Abercrombie CD collection all night. 16 CDs. Hopefully this will be a 
good taste for those who have never listened to him. Next is Terje Rypdal 
and John McLaughlin.

http://216.12.162.58:9030/ (Click on "Listen")

*************************************************
Krispen Hartung
Improvisational / Avant-Garde Looping Guitarist
http://www.krispenhartung.com
info@krispenhartung.com / 208-724-5603 




--0-667503205-1141578837=:86054
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<div>Hi !</div>  <div>&nbsp;</div>  <div>I am sure all loopers will like:</div>  <div>Nils Petter Molvær (Norwegian trompter)</div>  <div>Eivind Aarset (Norwegian guitarist/looper)</div>  <div>Jon Hassell (Canadian trompeter)</div>  <div>&nbsp;</div>  <div>Rune F, Norway<BR><BR><B><I>Kris Hartung &lt;khartung@cableone.net&gt;</I></B> skrev:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">I need to start using my Shoutcast bandwidth, so I thought I would stream my <BR>John Abercrombie CD collection all night. 16 CDs. Hopefully this will be a <BR>good taste for those who have never listened to him. Next is Terje Rypdal <BR>and John McLaughlin.<BR><BR>http://216.12.162.58:9030/ (Click on "Listen")<BR><BR>*************************************************<BR>Krispen Hartung<BR>Improvisational / Avant-Garde Looping Guitarist<BR>http://www.krispenhartung.com<BR>info@krispenhartung.com / 208-724-5603 <BR><BR><BR></BLOCKQUOTE><BR>
--0-667503205-1141578837=:86054--

From Loopers-Delight-request@loopers-delight.com  Sun Mar  5 17:14:15 2006
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Subject: Vedr. Streaming My John Abercrombie Collection Now
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Hi !
   
  I am sure all loopers will like:
  Nils Petter Molvær (Norwegian trompter)
  Eivind Aarset (Norwegian guitarist/looper)
  Jon Hassell (Canadian trompeter)
   
  Rune F, Norway

Kris Hartung <khartung@cableone.net> skrev:
  I need to start using my Shoutcast bandwidth, so I thought I would stream my 
John Abercrombie CD collection all night. 16 CDs. Hopefully this will be a 
good taste for those who have never listened to him. Next is Terje Rypdal 
and John McLaughlin.

http://216.12.162.58:9030/ (Click on "Listen")

*************************************************
Krispen Hartung
Improvisational / Avant-Garde Looping Guitarist
http://www.krispenhartung.com
info@krispenhartung.com / 208-724-5603 




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<div>Hi !</div>  <div>&nbsp;</div>  <div>I am sure all loopers will like:</div>  <div>Nils Petter Molvær (Norwegian trompter)</div>  <div>Eivind Aarset (Norwegian guitarist/looper)</div>  <div>Jon Hassell (Canadian trompeter)</div>  <div>&nbsp;</div>  <div>Rune F, Norway<BR><BR><B><I>Kris Hartung &lt;khartung@cableone.net&gt;</I></B> skrev:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">I need to start using my Shoutcast bandwidth, so I thought I would stream my <BR>John Abercrombie CD collection all night. 16 CDs. Hopefully this will be a <BR>good taste for those who have never listened to him. Next is Terje Rypdal <BR>and John McLaughlin.<BR><BR>http://216.12.162.58:9030/ (Click on "Listen")<BR><BR>*************************************************<BR>Krispen Hartung<BR>Improvisational / Avant-Garde Looping Guitarist<BR>http://www.krispenhartung.com<BR>info@krispenhartung.com / 208-724-5603 <BR><BR><BR></BLOCKQUOTE><BR>
--0-1730810948-1141578854=:92565--

From Loopers-Delight-request@loopers-delight.com  Sun Mar  5 17:29:20 2006
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From: rune fagereng <rune_fagereng@yahoo.no>
Subject: Vedr. Fun with Mobius!
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Hi !
   
  Can you do all this with just the laptop and the FCB1010 ?
   
  Rune F, Norway   

Stuart Wyatt <loopersdelight@swyatt.com> skrev:
  I've been trying to set up a computer based looping setup for the past month 
or so which will allow me to loop without thinking too much about the 
hardware involved. Initially, I started on Ambiloop, then SooperLooper for 
OSX (on my old trusty ibook, then using Linux on an old PC laptop).... I was 
plagued with problems - mainly due to my antiquated equipment, and lack of 
latency correction (very noticable when overdubbing rhythmic passages)

On Friday, I gave up and reverted back to using two echo pro's after 'jack' 
kept crashing on the ibook, and the PC linux laptop was just too slow to do 
anything with.

For some reason, I decided to give Mobius another chance and installed it on 
my desktop PC, and was blown away with how easy it was to set up the latency 
correction and assign Midi commands from the FCB1010! I was looping 
hands-free within about 5 minutes!

The interface is simple and concise... and it worked flawlessly!!!

Using my desktop PC for now means that I cannot take the rig out for gigs, 
but if I sell my Echo Pro's and filter pro, then I might have enough for a 
decent(ish) PC laptop.... :)

Are there many loopers here that use Mobius as their main looping system?
-- 
Stuart Wyatt - http://swyatt.com 



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<div>Hi !</div>  <div>&nbsp;</div>  <div>Can you do all this with just the laptop and the FCB1010 ?</div>  <div>&nbsp;</div>  <div>Rune F, Norway&nbsp;&nbsp;&nbsp;<BR><BR><B><I>Stuart Wyatt &lt;loopersdelight@swyatt.com&gt;</I></B> skrev:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">I've been trying to set up a computer based looping setup for the past month <BR>or so which will allow me to loop without thinking too much about the <BR>hardware involved. Initially, I started on Ambiloop, then SooperLooper for <BR>OSX (on my old trusty ibook, then using Linux on an old PC laptop).... I was <BR>plagued with problems - mainly due to my antiquated equipment, and lack of <BR>latency correction (very noticable when overdubbing rhythmic passages)<BR><BR>On Friday, I gave up and reverted back to using two echo pro's after 'jack' <BR>kept crashing on the ibook, and the PC linux laptop was just too slow to do <BR>anything
 with.<BR><BR>For some reason, I decided to give Mobius another chance and installed it on <BR>my desktop PC, and was blown away with how easy it was to set up the latency <BR>correction and assign Midi commands from the FCB1010! I was looping <BR>hands-free within about 5 minutes!<BR><BR>The interface is simple and concise... and it worked flawlessly!!!<BR><BR>Using my desktop PC for now means that I cannot take the rig out for gigs, <BR>but if I sell my Echo Pro's and filter pro, then I might have enough for a <BR>decent(ish) PC laptop.... :)<BR><BR>Are there many loopers here that use Mobius as their main looping system?<BR>-- <BR>Stuart Wyatt - http://swyatt.com <BR><BR></BLOCKQUOTE><BR>
--0-648376636-1141579759=:94453--

From Loopers-Delight-request@loopers-delight.com  Sun Mar  5 17:32:11 2006
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rune fagereng wrote:

>
> Jon Hassell (Canadian trompeter)

I thought he's American and lives in LA.


-- 
* David Beardsley
* microtonal guitar
* http://biink.com/db

From Loopers-Delight-request@loopers-delight.com  Sun Mar  5 17:34:48 2006
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Wow, those look like pretty useful little modules! I have about 1/4 
rack space left in my live bass rig, between my raven labs preamp, RNC 
and Radial DI, and one of the little 4 channel stereo mixers would 
absolutely solve a problem for me. The prices are pretty cool as well. 
Ant comments as to sound quality?

Thanks for the link.
On Sunday, March 5, 2006, at 04:54 AM, Stuart Wyatt wrote:

> Not effect processors as such, but Nobels do a nice range of 1/4 space
> expansion modules that can be interlinked to fill in a few holes in 
> the rack
> http://www.nobels.com/en/index.htm
>
> -- 
> Stuart Wyatt - http://swyatt.com

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From: rune fagereng <rune_fagereng@yahoo.no>
Subject: Vedr. Re: Fun with Mobius!
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Hi !
   
  Please tell me; can you use the FCB1010 to remote both the labtop and the EDB at the same time  ?
   
  Rune F, Norway     

Doug Cox <dougcox@pdq.net> skrev:
  Count me in this group as well!!

I'm running Mobius on an IBM Thinkpad T40, and it's working perfectly.

The first implementation of pitch shifting is released in Mobius now, 
and it's very cool. My practice sessions are now aimed at narrowing 
down to a set of techniques that I like within Mobius. Having multiple 
EDP's (w/ pitch shifting!) is like a dream come true - but it presents 
it's own challenges in the realm of control.

Doug

Stuart Wyatt wrote:

> I've been trying to set up a computer based looping setup for the past 
> month or so which will allow me to loop without thinking too much 
> about the hardware involved. Initially, I started on Ambiloop, then 
> SooperLooper for OSX (on my old trusty ibook, then using Linux on an 
> old PC laptop).... I was plagued with problems - mainly due to my 
> antiquated equipment, and lack of latency correction (very noticable 
> when overdubbing rhythmic passages)
>
> On Friday, I gave up and reverted back to using two echo pro's after 
> 'jack' kept crashing on the ibook, and the PC linux laptop was just 
> too slow to do anything with.
>
> For some reason, I decided to give Mobius another chance and installed 
> it on my desktop PC, and was blown away with how easy it was to set up 
> the latency correction and assign Midi commands from the FCB1010! I 
> was looping hands-free within about 5 minutes!
>
> The interface is simple and concise... and it worked flawlessly!!!
>
> Using my desktop PC for now means that I cannot take the rig out for 
> gigs, but if I sell my Echo Pro's and filter pro, then I might have 
> enough for a decent(ish) PC laptop.... :)
>
> Are there many loopers here that use Mobius as their main looping system?



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<div>Hi !</div>  <div>&nbsp;</div>  <div>Please tell me; can you use&nbsp;the FCB1010&nbsp;to remote both the labtop and the EDB at the same time&nbsp;&nbsp;?</div>  <div>&nbsp;</div>  <div>Rune F, Norway&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<BR><BR><B><I>Doug Cox &lt;dougcox@pdq.net&gt;</I></B> skrev:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">Count me in this group as well!!<BR><BR>I'm running Mobius on an IBM Thinkpad T40, and it's working perfectly.<BR><BR>The first implementation of pitch shifting is released in Mobius now, <BR>and it's very cool. My practice sessions are now aimed at narrowing <BR>down to a set of techniques that I like within Mobius. Having multiple <BR>EDP's (w/ pitch shifting!) is like a dream come true - but it presents <BR>it's own challenges in the realm of control.<BR><BR>Doug<BR><BR>Stuart Wyatt wrote:<BR><BR>&gt; I've been trying to set up a computer based looping setup for the past <BR>&gt;
 month or so which will allow me to loop without thinking too much <BR>&gt; about the hardware involved. Initially, I started on Ambiloop, then <BR>&gt; SooperLooper for OSX (on my old trusty ibook, then using Linux on an <BR>&gt; old PC laptop).... I was plagued with problems - mainly due to my <BR>&gt; antiquated equipment, and lack of latency correction (very noticable <BR>&gt; when overdubbing rhythmic passages)<BR>&gt;<BR>&gt; On Friday, I gave up and reverted back to using two echo pro's after <BR>&gt; 'jack' kept crashing on the ibook, and the PC linux laptop was just <BR>&gt; too slow to do anything with.<BR>&gt;<BR>&gt; For some reason, I decided to give Mobius another chance and installed <BR>&gt; it on my desktop PC, and was blown away with how easy it was to set up <BR>&gt; the latency correction and assign Midi commands from the FCB1010! I <BR>&gt; was looping hands-free within about 5 minutes!<BR>&gt;<BR>&gt; The interface is simple and concise... and it worked
 flawlessly!!!<BR>&gt;<BR>&gt; Using my desktop PC for now means that I cannot take the rig out for <BR>&gt; gigs, but if I sell my Echo Pro's and filter pro, then I might have <BR>&gt; enough for a decent(ish) PC laptop.... :)<BR>&gt;<BR>&gt; Are there many loopers here that use Mobius as their main looping system?<BR><BR></BLOCKQUOTE><BR>
--0-702229095-1141580249=:28560--

From Loopers-Delight-request@loopers-delight.com  Sun Mar  5 17:45:34 2006
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Sure you can.  One way to do it would be to take a MIDI signal from the 
FCB into the EDP and then into whatever MIDI device you use to get MIDI 
into your laptop.

I'm not doing this, though.  I'm using solely Mobius as my looper right now.



rune fagereng wrote:

> Hi !
>  
> Please tell me; can you use the FCB1010 to remote both the labtop and 
> the EDB at the same time  ?
>  
> Rune F, Norway     
>
> */Doug Cox <dougcox@pdq.net>/* skrev:
>
>     Count me in this group as well!!
>
>     I'm running Mobius on an IBM Thinkpad T40, and it's working perfectly.
>
>     The first implementation of pitch shifting is released in Mobius now,
>     and it's very cool. My practice sessions are now aimed at narrowing
>     down to a set of techniques that I like within Mobius. Having
>     multiple
>     EDP's (w/ pitch shifting!) is like a dream come true - but it
>     presents
>     it's own challenges in the realm of control.
>
>     Doug
>
>     Stuart Wyatt wrote:
>
>     > I've been trying to set up a computer based looping setup for
>     the past
>     > month or so which will allow me to loop without thinking too much
>     > about the hardware involved. Initially, I started on Ambiloop, then
>     > SooperLooper for OSX (on my old trusty ibook, then using Linux
>     on an
>     > old PC laptop).... I was plagued with problems - mainly due to my
>     > antiquated equipment, and lack of latency correction (very
>     noticable
>     > when overdubbing rhythmic passages)
>     >
>     > On Friday, I gave up and reverted back to using two echo pro's
>     after
>     > 'jack' kept crashing on the ibook, and the PC linux laptop was just
>     > too slow to do anything with.
>     >
>     > For some reason, I decided to give Mobius another chance and
>     installed
>     > it on my desktop PC, and was blown away with how easy it was to
>     set up
>     > the latency correction and assign Midi commands from the FCB1010! I
>     > was looping hands-free within about 5 minutes!
>     >
>     > The interface is simple and concise... and it worked flawlessly!!!
>     >
>     > Using my desktop PC for now means that I cannot take the rig out
>     for
>     > gigs, but if I sell my Echo Pro's and filter pro, then I might have
>     > enough for a decent(ish) PC laptop.... :)
>     >
>     > Are there many loopers here that use Mobius as their main
>     looping system?
>
>

From Loopers-Delight-request@loopers-delight.com  Sun Mar  5 17:51:58 2006
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I've only ever owned one module (currently for sale on ebay) - the MS-4 Midi 
switcher, but  I do know of a guitarist  who uses a couple of mini-mixers in 
his rig, and he swears by them...  Not many people know about the Nobels 
boxes, which surprises me when you consider what you can do with them!
-- 
Stuart Wyatt - http://swyatt.com
----- Original Message ----- 
From: "David Trenkel" <improv@peak.org>


> Wow, those look like pretty useful little modules! I have about 1/4 rack 
> space left in my live bass rig, between my raven labs preamp, RNC and 
> Radial DI, and one of the little 4 channel stereo mixers would absolutely 
> solve a problem for me. The prices are pretty cool as well. Ant comments 
> as to sound quality?
>
> Thanks for the link.

From Loopers-Delight-request@loopers-delight.com  Sun Mar  5 18:09:24 2006
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On Sunday, March 5, 2006, at 09:32 AM, David Beardsley wrote:

> rune fagereng wrote:
>
>>
>> Jon Hassell (Canadian trompeter)
>
> I thought he's American and lives in LA.
>
>

Allmusic guide shows him as being born in Memphis, TN, so he's as 
'Merikin as baseball, hotdogs, Wal mart and global domination...

From Loopers-Delight-request@loopers-delight.com  Sun Mar  5 18:17:18 2006
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David Trenkel wrote:

> On Sunday, March 5, 2006, at 09:32 AM, David Beardsley wrote:
>
>> rune fagereng wrote:
>>
>>>
>>> Jon Hassell (Canadian trompeter)
>>
>>
>> I thought he's American and lives in LA.
>>
>>
>
> Allmusic guide shows him as being born in Memphis, TN, so he's as 
> 'Merikin as baseball, hotdogs, Wal mart and global domination...
>
>

At least he's not merkin.

-- 
* David Beardsley
* microtonal guitar
* http://biink.com/db

From Loopers-Delight-request@loopers-delight.com  Sun Mar  5 18:31:16 2006
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Subject: AW: Half Space Effect Processors
Date: Sun, 5 Mar 2006 19:31:10 +0100
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I remember trying a miniature mixer by Nobels (might be the same product
line) and beding disappointed because of the horrible amount of noise.
("horrible amount" meaning much more than anything I own, and I own an
unmodded Repeater). This was however some 10 to 15 years ago, so the
products might have changed.

> -----Urspr=FCngliche Nachricht-----
> Von: David Trenkel [mailto:improv@peak.org]=20
> Gesendet: Sonntag, 5. M=E4rz 2006 18:35
> An: Loopers-Delight@loopers-delight.com
> Betreff: Re: Half Space Effect Processors
>=20
> Wow, those look like pretty useful little modules! I have=20
> about 1/4 rack space left in my live bass rig, between my=20
> raven labs preamp, RNC and Radial DI, and one of the little 4=20
> channel stereo mixers would absolutely solve a problem for=20
> me. The prices are pretty cool as well.=20
> Ant comments as to sound quality?
>=20
> Thanks for the link.
> On Sunday, March 5, 2006, at 04:54 AM, Stuart Wyatt wrote:
>=20
> > Not effect processors as such, but Nobels do a nice range=20
> of 1/4 space=20
> > expansion modules that can be interlinked to fill in a few holes in=20
> > the rack http://www.nobels.com/en/index.htm
> >
> > --
> > Stuart Wyatt - http://swyatt.com
>=20
>=20

From Loopers-Delight-request@loopers-delight.com  Sun Mar  5 20:05:45 2006
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From: Per Boysen <per@boysen.se>
Subject: Re: Vedr. Re: Fun with Mobius!
Date: Sun, 5 Mar 2006 21:05:40 +0100
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> rune fagereng wrote:
>
>> Hi !
>>  Please tell me; can you use the FCB1010 to remote both the labtop  
>> and the EDB at the same time  ?

On 5 mar 2006, at 18.45, Doug Cox wrote:
> Sure you can.  One way to do it would be to take a MIDI signal from  
> the FCB into the EDP and then into whatever MIDI device you use to  
> get MIDI into your laptop.
>
> I'm not doing this, though.  I'm using solely Mobius as my looper  
> right now.


I'm kind of doing that, Rune. From my FCB1010 I bring the MIDI cable  
into the laptop and then I have set Mobius to "External EDP Control".  
This means all MIDI sent into Mobius is mirrored to the output. I  
don't usually use my EDP with Mobius but always my TC FireworX (pre  
amp multi fx device). This way I can address both Mobius and the  
FireworX from my FCB1010 and the FireworX also gets MIDI clock sync  
from Mobius (the same way I guess you would set it up with an EDP in  
pair with Mobius).

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast? 
id=128679560&s=143456



From Loopers-Delight-request@loopers-delight.com  Sun Mar  5 21:46:22 2006
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In a message dated 3/4/06 11:24:21 PM, khartung@cableone.net writes:


> Next is Terje Rypdal
> and John McLaughlin.
> 

please keep us updated kris.....thnaks



www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
In a message dated 3/4/06 11:24:21 PM, khartung@cableone.net writes:<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">Next is Terje Rypdal<=
BR>
and John McLaughlin.<BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2">please keep us updated kris.....thnaks<BR>
<BR>
<BR>
<BR>
www.ct-collective.com<BR>
http://mysite.verizon.net/vzepmeci/<BR>
http://www.myspace.com/klobuchar11<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
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From Loopers-Delight-request@loopers-delight.com  Sun Mar  5 22:14:31 2006
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Date: Sun, 5 Mar 2006 23:14:28 +0100 (CET)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: Vedr. Re: Streaming My John Abercrombie Collection Now
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Whats streaming ? 
   
  RF

Nemoguitt@aol.com skrev:
  
In a message dated 3/4/06 11:24:21 PM, khartung@cableone.net writes:


  Next is Terje Rypdal
and John McLaughlin.


please keep us updated kris.....thnaks



www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11


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<div>Whats streaming ? </div>  <div>&nbsp;</div>  <div>RF<BR><BR><B><I>Nemoguitt@aol.com</I></B> skrev:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid"><FONT face=arial,helvetica><FONT face=Geneva color=#000000 size=2 FAMILY="SANSSERIF"><BR>In a message dated 3/4/06 11:24:21 PM, khartung@cableone.net writes:<BR><BR><BR>  <BLOCKQUOTE style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px solid; MARGIN-RIGHT: 0px" cite="" TYPE="CITE"></FONT><FONT face=Geneva color=#000000 size=2 FAMILY="SANSSERIF">Next is Terje Rypdal<BR>and John McLaughlin.<BR></BLOCKQUOTE></FONT><FONT face=Geneva color=#000000 size=2 FAMILY="SANSSERIF"><BR><BR></FONT><FONT face=Geneva color=#000000 size=2 FAMILY="SANSSERIF">please keep us updated kris.....thnaks<BR><BR><BR><BR>www.ct-collective.com<BR>http://mysite.verizon.net/vzepmeci/<BR>http://www.myspace.com/klobuchar11<BR></FONT><FONT face=Geneva color=#000000 size=2
 FAMILY="SANSSERIF"></FONT></BLOCKQUOTE><BR></FONT>
--0-197428156-1141596868=:26427--

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Per my wife- a merkin is a small wig designed to cover missing pubic hair, in days of yore as it were.

                                         bryan helm
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<DIV>Per my wife- a merkin is a small wig designed to cover missing pubic hair, in days of yore as it were.</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; bryan helm<BR><BR><BR><BR></DIV></body></html>

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From Loopers-Delight-request@loopers-delight.com  Mon Mar  6 01:21:10 2006
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From: "Kris Hartung" <khartung@cableone.net>
To: <Loopers-Delight@loopers-delight.com>
References: <20060305221428.27255.qmail@web26215.mail.ukl.yahoo.com>
Subject: Re: Vedr. Re: Streaming My John Abercrombie Collection Now
Date: Sun, 5 Mar 2006 18:21:04 -0700
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In this case, it's where you connect to a server like Shoutcast, and it =
plays MP3s from your hard drive through the server, so that multiple =
people can connect to the server address and listen to the same music. =
So rather than downloading the MP3s, which is asynchronous, everyone =
tunes into the same MP3 plaing from the server. Think of it like an =
internet radio station. I can also stream live sound, anything that I =
feed to the line in of my laptop, which is how I stream my live looping =
performances.

Kris

  ----- Original Message -----=20
  From: rune fagereng=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Sunday, March 05, 2006 3:14 PM
  Subject: Vedr. Re: Streaming My John Abercrombie Collection Now


  Whats streaming ?=20

  RF

  Nemoguitt@aol.com skrev:

    In a message dated 3/4/06 11:24:21 PM, khartung@cableone.net writes:



      Next is Terje Rypdal
      and John McLaughlin.



    please keep us updated kris.....thnaks



    www.ct-collective.com
    http://mysite.verizon.net/vzepmeci/
    http://www.myspace.com/klobuchar11



------=_NextPart_000_028E_01C64081.90972060
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
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<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2802" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>In this case, it's where you connect to =
a server=20
like Shoutcast, and it plays MP3s from your hard drive through the =
server, so=20
that multiple people can connect to the server address&nbsp;and listen =
to the=20
same music. So rather than downloading the MP3s, which is asynchronous, =
everyone=20
tunes into the same MP3 plaing from the server. Think of it like an =
internet=20
radio station. I can also stream live sound, anything that I feed to the =
line in=20
of my laptop, which is how I stream my live looping =
performances.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Drune_fagereng@yahoo.no =
href=3D"mailto:rune_fagereng@yahoo.no">rune=20
  fagereng</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Sunday, March 05, 2006 =
3:14=20
PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Vedr. Re: Streaming My =
John=20
  Abercrombie Collection Now</DIV>
  <DIV><BR></DIV>
  <DIV>Whats streaming ? </DIV>
  <DIV>&nbsp;</DIV>
  <DIV>RF<BR><BR><B><I><A=20
  href=3D"mailto:Nemoguitt@aol.com">Nemoguitt@aol.com</A></I></B> =
skrev:</DIV>
  <BLOCKQUOTE class=3Dreplbq=20
  style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px =
solid"><FONT=20
    face=3Darial,helvetica><FONT face=3DGeneva color=3D#000000 size=3D2=20
    FAMILY=3D"SANSSERIF"><BR>In a message dated 3/4/06 11:24:21 PM, <A=20
    href=3D"mailto:khartung@cableone.net">khartung@cableone.net</A>=20
    writes:<BR><BR><BR>
    <BLOCKQUOTE=20
    style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff =
2px solid; MARGIN-RIGHT: 0px"=20
    cite=3D"" TYPE=3D"CITE"></FONT><FONT face=3DGeneva color=3D#000000 =
size=3D2=20
      FAMILY=3D"SANSSERIF">Next is Terje Rypdal<BR>and John=20
    McLaughlin.<BR></BLOCKQUOTE></FONT><FONT face=3DGeneva =
color=3D#000000 size=3D2=20
    FAMILY=3D"SANSSERIF"><BR><BR></FONT><FONT face=3DGeneva =
color=3D#000000 size=3D2=20
    FAMILY=3D"SANSSERIF">please keep us updated =
kris.....thnaks<BR><BR><BR><BR><A=20
    =
href=3D"http://www.ct-collective.com">www.ct-collective.com</A><BR><A=20
    =
href=3D"http://mysite.verizon.net/vzepmeci/">http://mysite.verizon.net/vz=
epmeci/</A><BR><A=20
    =
href=3D"http://www.myspace.com/klobuchar11">http://www.myspace.com/klobuc=
har11</A><BR></FONT><FONT=20
    face=3DGeneva color=3D#000000 size=3D2=20
FAMILY=3D"SANSSERIF"></FONT></BLOCKQUOTE><BR></BLOCKQUOTE></FONT></BODY><=
/HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon Mar  6 01:48:51 2006
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	id B7C283BEF4; Mon,  6 Mar 2006 01:48:51 +0000 (UTC)
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Message-ID: <20060306014850.45345.qmail@web31814.mail.mud.yahoo.com>
Date: Sun, 5 Mar 2006 17:48:50 -0800 (PST)
From: Dan <danielalbertini72@yahoo.com>
Subject: Re: unsubscribe
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yes thank you from email streams but I will regularly check in and plan to contribute as soon as possible I am a performing artist and studio musician.  I own and use a boomerang and love it!!!!  Would like to learn more about looping possibilities inherent.  Peace :o)

alltel <veerybird@alltel.net> wrote:          unsubscribe


		
---------------------------------
Brings words and photos together (easily) with
 PhotoMail  - it's free and works with Yahoo! Mail.
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yes thank you from email streams but I will regularly check in and plan to contribute as soon as possible I am a performing artist and studio musician.&nbsp; I own and use a boomerang and love it!!!!&nbsp; Would like to learn more about looping possibilities inherent.&nbsp; Peace :o)<BR><BR><B><I>alltel &lt;veerybird@alltel.net&gt;</I></B> wrote:  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">  <META content="MSHTML 6.00.2900.2627" name=GENERATOR>  <STYLE></STYLE>    <DIV><FONT face=Arial size=2>unsubscribe</FONT></DIV></BLOCKQUOTE><BR><p>
		<hr size=1>Brings words and photos together (easily) with<br> 
<a href="http://us.rd.yahoo.com/mail_us/taglines/PMall/*http://photomail.mail.yahoo.com">PhotoMail </a> - it's free and works with Yahoo! Mail.
--0-281586254-1141609730=:44800--

From Loopers-Delight-request@loopers-delight.com  Mon Mar  6 02:37:34 2006
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	id 6631F3BEF0; Mon,  6 Mar 2006 02:37:34 +0000 (UTC)
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From: "Kris Hartung" <khartung@cableone.net>
To: <Loopers-Delight@loopers-delight.com>
References: <2a3.6974ce9.313cb627@aol.com>
Subject: Re: Streaming My John Abercrombie Collection Now
Date: Sun, 5 Mar 2006 19:37:27 -0700
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Now streaming Terje Rypdal:

http://216.12.162.58:9030/  (Click on "Listen")

Kris

----- Original Message ----- 

In a message dated 3/4/06 11:24:21 PM, khartung@cableone.net writes:

Next is Terje Rypdal
and John McLaughlin.

please keep us updated kris.....thnaks

From Loopers-Delight-request@loopers-delight.com  Mon Mar  6 03:00:43 2006
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From: "Paul" <paulrichard10@adelphia.net>
To: <Loopers-Delight@loopers-delight.com>
References: <20060305221428.27255.qmail@web26215.mail.ukl.yahoo.com> <029101c640bc$3dfcba00$88b0ec0f@americas.hpqcorp.net>
Subject: Re: Vedr. Re: Streaming My John Abercrombie Collection Now
Date: Sun, 5 Mar 2006 22:00:40 -0500
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Did you stream Abercrombie's 'M' album?

Paul
  ----- Original Message -----=20
  From: Kris Hartung=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Sunday, March 05, 2006 8:21 PM
  Subject: Re: Vedr. Re: Streaming My John Abercrombie Collection Now


  In this case, it's where you connect to a server like Shoutcast, and =
it plays MP3s from your hard drive through the server, so that multiple =
people can connect to the server address and listen to the same music. =
So rather than downloading the MP3s, which is asynchronous, everyone =
tunes into the same MP3 plaing from the server. Think of it like an =
internet radio station. I can also stream live sound, anything that I =
feed to the line in of my laptop, which is how I stream my live looping =
performances.

  Kris

    ----- Original Message -----=20
    From: rune fagereng=20
    To: Loopers-Delight@loopers-delight.com=20
    Sent: Sunday, March 05, 2006 3:14 PM
    Subject: Vedr. Re: Streaming My John Abercrombie Collection Now


    Whats streaming ?=20

    RF

    Nemoguitt@aol.com skrev:

      In a message dated 3/4/06 11:24:21 PM, khartung@cableone.net =
writes:



        Next is Terje Rypdal
        and John McLaughlin.



      please keep us updated kris.....thnaks



      www.ct-collective.com
      http://mysite.verizon.net/vzepmeci/
      http://www.myspace.com/klobuchar11



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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Did you stream Abercrombie's 'M'=20
album?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Paul</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dkhartung@cableone.net =
href=3D"mailto:khartung@cableone.net">Kris=20
  Hartung</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Sunday, March 05, 2006 =
8:21=20
PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Vedr. Re: =
Streaming My John=20
  Abercrombie Collection Now</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial size=3D2>In this case, it's where you connect =
to a server=20
  like Shoutcast, and it plays MP3s from your hard drive through the =
server, so=20
  that multiple people can connect to the server address&nbsp;and listen =
to the=20
  same music. So rather than downloading the MP3s, which is =
asynchronous,=20
  everyone tunes into the same MP3 plaing from the server. Think of it =
like an=20
  internet radio station. I can also stream live sound, anything that I =
feed to=20
  the line in of my laptop, which is how I stream my live looping=20
  performances.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
  <DIV>&nbsp;</DIV>
  <BLOCKQUOTE=20
  style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
    <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
    <DIV=20
    style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
    <A title=3Drune_fagereng@yahoo.no =
href=3D"mailto:rune_fagereng@yahoo.no">rune=20
    fagereng</A> </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
    title=3DLoopers-Delight@loopers-delight.com=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
    </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Sunday, March 05, 2006 =
3:14=20
    PM</DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Vedr. Re: Streaming =
My John=20
    Abercrombie Collection Now</DIV>
    <DIV><BR></DIV>
    <DIV>Whats streaming ? </DIV>
    <DIV>&nbsp;</DIV>
    <DIV>RF<BR><BR><B><I><A=20
    href=3D"mailto:Nemoguitt@aol.com">Nemoguitt@aol.com</A></I></B> =
skrev:</DIV>
    <BLOCKQUOTE class=3Dreplbq=20
    style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff =
2px solid"><FONT=20
      face=3Darial,helvetica><FONT face=3DGeneva color=3D#000000 =
size=3D2=20
      FAMILY=3D"SANSSERIF"><BR>In a message dated 3/4/06 11:24:21 PM, <A =

      href=3D"mailto:khartung@cableone.net">khartung@cableone.net</A>=20
      writes:<BR><BR><BR>
      <BLOCKQUOTE=20
      style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff =
2px solid; MARGIN-RIGHT: 0px"=20
      cite=3D"" TYPE=3D"CITE"></FONT><FONT face=3DGeneva color=3D#000000 =
size=3D2=20
        FAMILY=3D"SANSSERIF">Next is Terje Rypdal<BR>and John=20
      McLaughlin.<BR></BLOCKQUOTE></FONT><FONT face=3DGeneva =
color=3D#000000 size=3D2=20
      FAMILY=3D"SANSSERIF"><BR><BR></FONT><FONT face=3DGeneva =
color=3D#000000 size=3D2=20
      FAMILY=3D"SANSSERIF">please keep us updated=20
      kris.....thnaks<BR><BR><BR><BR><A=20
      =
href=3D"http://www.ct-collective.com">www.ct-collective.com</A><BR><A=20
      =
href=3D"http://mysite.verizon.net/vzepmeci/">http://mysite.verizon.net/vz=
epmeci/</A><BR><A=20
      =
href=3D"http://www.myspace.com/klobuchar11">http://www.myspace.com/klobuc=
har11</A><BR></FONT><FONT=20
      face=3DGeneva color=3D#000000 size=3D2=20
  =
FAMILY=3D"SANSSERIF"></FONT></BLOCKQUOTE><BR></BLOCKQUOTE></BLOCKQUOTE></=
FONT></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon Mar  6 03:41:30 2006
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From: "Kris Hartung" <khartung@cableone.net>
To: <Loopers-Delight@loopers-delight.com>
References: <20060305221428.27255.qmail@web26215.mail.ukl.yahoo.com> <029101c640bc$3dfcba00$88b0ec0f@americas.hpqcorp.net> <015401c640ca$270a8490$68a6eb44@BlackDell>
Subject: Re: Vedr. Re: Streaming My John Abercrombie Collection Now
Date: Sun, 5 Mar 2006 20:41:24 -0700
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Don't think so...it's called "M"?

Kris

  ----- Original Message -----=20
  From: Paul=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Sunday, March 05, 2006 8:00 PM
  Subject: Re: Vedr. Re: Streaming My John Abercrombie Collection Now


  Did you stream Abercrombie's 'M' album?

  Paul
    ----- Original Message -----=20
    From: Kris Hartung=20
    To: Loopers-Delight@loopers-delight.com=20
    Sent: Sunday, March 05, 2006 8:21 PM
    Subject: Re: Vedr. Re: Streaming My John Abercrombie Collection Now


    In this case, it's where you connect to a server like Shoutcast, and =
it plays MP3s from your hard drive through the server, so that multiple =
people can connect to the server address and listen to the same music. =
So rather than downloading the MP3s, which is asynchronous, everyone =
tunes into the same MP3 plaing from the server. Think of it like an =
internet radio station. I can also stream live sound, anything that I =
feed to the line in of my laptop, which is how I stream my live looping =
performances.

    Kris

      ----- Original Message -----=20
      From: rune fagereng=20
      To: Loopers-Delight@loopers-delight.com=20
      Sent: Sunday, March 05, 2006 3:14 PM
      Subject: Vedr. Re: Streaming My John Abercrombie Collection Now


      Whats streaming ?=20

      RF

      Nemoguitt@aol.com skrev:

        In a message dated 3/4/06 11:24:21 PM, khartung@cableone.net =
writes:



          Next is Terje Rypdal
          and John McLaughlin.



        please keep us updated kris.....thnaks



        www.ct-collective.com
        http://mysite.verizon.net/vzepmeci/
        http://www.myspace.com/klobuchar11



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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2802" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Don't think so...it's called =
"M"?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dpaulrichard10@adelphia.net=20
  href=3D"mailto:paulrichard10@adelphia.net">Paul</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Sunday, March 05, 2006 =
8:00=20
PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Vedr. Re: =
Streaming My John=20
  Abercrombie Collection Now</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial size=3D2>Did you stream Abercrombie's 'M'=20
  album?</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Paul</FONT></DIV>
  <BLOCKQUOTE dir=3Dltr=20
  style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
    <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
    <DIV=20
    style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
    <A title=3Dkhartung@cableone.net =
href=3D"mailto:khartung@cableone.net">Kris=20
    Hartung</A> </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
    title=3DLoopers-Delight@loopers-delight.com=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
    </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Sunday, March 05, 2006 =
8:21=20
    PM</DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Vedr. Re: =
Streaming My=20
    John Abercrombie Collection Now</DIV>
    <DIV><BR></DIV>
    <DIV><FONT face=3DArial size=3D2>In this case, it's where you =
connect to a=20
    server like Shoutcast, and it plays MP3s from your hard drive =
through the=20
    server, so that multiple people can connect to the server =
address&nbsp;and=20
    listen to the same music. So rather than downloading the MP3s, which =
is=20
    asynchronous, everyone tunes into the same MP3 plaing from the =
server. Think=20
    of it like an internet radio station. I can also stream live sound, =
anything=20
    that I feed to the line in of my laptop, which is how I stream my =
live=20
    looping performances.</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
    <DIV>&nbsp;</DIV>
    <BLOCKQUOTE=20
    style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
      <DIV style=3D"FONT: 10pt arial">----- Original Message ----- =
</DIV>
      <DIV=20
      style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
      <A title=3Drune_fagereng@yahoo.no =
href=3D"mailto:rune_fagereng@yahoo.no">rune=20
      fagereng</A> </DIV>
      <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
      title=3DLoopers-Delight@loopers-delight.com=20
      =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
      </DIV>
      <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Sunday, March 05, =
2006 3:14=20
      PM</DIV>
      <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Vedr. Re: =
Streaming My John=20
      Abercrombie Collection Now</DIV>
      <DIV><BR></DIV>
      <DIV>Whats streaming ? </DIV>
      <DIV>&nbsp;</DIV>
      <DIV>RF<BR><BR><B><I><A=20
      href=3D"mailto:Nemoguitt@aol.com">Nemoguitt@aol.com</A></I></B> =
skrev:</DIV>
      <BLOCKQUOTE class=3Dreplbq=20
      style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff =
2px solid"><FONT=20
        face=3Darial,helvetica><FONT face=3DGeneva color=3D#000000 =
size=3D2=20
        FAMILY=3D"SANSSERIF"><BR>In a message dated 3/4/06 11:24:21 PM, =
<A=20
        href=3D"mailto:khartung@cableone.net">khartung@cableone.net</A>=20
        writes:<BR><BR><BR>
        <BLOCKQUOTE=20
        style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: =
#0000ff 2px solid; MARGIN-RIGHT: 0px"=20
        cite=3D"" TYPE=3D"CITE"></FONT><FONT face=3DGeneva =
color=3D#000000 size=3D2=20
          FAMILY=3D"SANSSERIF">Next is Terje Rypdal<BR>and John=20
        McLaughlin.<BR></BLOCKQUOTE></FONT><FONT face=3DGeneva =
color=3D#000000=20
        size=3D2 FAMILY=3D"SANSSERIF"><BR><BR></FONT><FONT face=3DGeneva =
color=3D#000000=20
        size=3D2 FAMILY=3D"SANSSERIF">please keep us updated=20
        kris.....thnaks<BR><BR><BR><BR><A=20
        =
href=3D"http://www.ct-collective.com">www.ct-collective.com</A><BR><A=20
        =
href=3D"http://mysite.verizon.net/vzepmeci/">http://mysite.verizon.net/vz=
epmeci/</A><BR><A=20
        =
href=3D"http://www.myspace.com/klobuchar11">http://www.myspace.com/klobuc=
har11</A><BR></FONT><FONT=20
        face=3DGeneva color=3D#000000 size=3D2=20
      =
FAMILY=3D"SANSSERIF"></FONT></BLOCKQUOTE><BR></BLOCKQUOTE></BLOCKQUOTE></=
BLOCKQUOTE></FONT></BODY></HTML>

------=_NextPart_000_02F2_01C64095.2B63E6B0--


From Loopers-Delight-request@loopers-delight.com  Mon Mar  6 03:42:27 2006
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Date: Mon, 6 Mar 2006 12:42:23 +0900
To: Loopers-Delight@loopers-delight.com
From: Sunao Inami <webmaster@cavestudio.com>
Subject: OT: Sunao Inami Europe tour  2006 March
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Hi LD,

I have some gigs schedules in Europe in this month.
if I meet LD subscribers at there,it would be great..


===========================

[  11th Sat Mar '06 ]

Luzern,Switzerland

at JAZZKANTINE

" JOYFUL NOISE 18"
Sunao Inami , Kobe (Laptop, Electronics) http://www.cavestudio.com/
  Marie-Cecile Reber, Luzern (Sampler, Electronics)
  Alfred Zimmerlin, Zurich (Cello)
Fredy Studer, Luzern (Drums, Percussion) http://www.fredystuder.ch/

Moderation: Sam Pirelli

start 20:30

  contacts:
  JAZZKANTINE
http://www.jsl.ch/kantine.htm
  MUSIKHOCHSCHULE LUZERN, ABTEILUNG JAZZ
  MARIAHILFGASSE 2A, CH-6004 LUZERN, SWITZERLAND
  Phone: ++41-41-412 20 56 / Fax: ++41-41-412 20 57
  e-mail jazz@mhs.fhz.ch

===========================

[ 13th Mon Mar '06 ]

Biel,Switzerland

at Restaurant St. Gervais

Sunao Inami (Reaktor5,Live4) http://www.cavestudio.com/
Dorothea Schurch (Voice)
Alfred Zimmerlin (Cello)
Martin Schuetz (Cello,Electronics)  http://www.koch-schuetz-studer.ch/
Hans Koch (Sax, Electronics) http://www.koch-schuetz-studer.ch/

start 19:00

contacts:
Restaurant St. Gervais
  Untergasse 21 CH-2502 Biel
http://www.stgervais.ch
  T +41 (0)32 322 48 22
info@stgervais.ch

===========================

[ 14th Tue Mar '06 ]

  Bern,Switzerland

at Hoersaal

Sunao Inami (Reaktor5,Live4) http://www.cavestudio.com/
Werner Hasler (Trumpet, Electronics) http://www.wernerhasler.com/
Gilbert Paeffgen (Drums,Percussion) http://www.gilbertpaeffgen.com/

  Shortmovie ink'n Go and dias by
Filip Haag http://www.filiphaag.ch/

  start 20:00

contacts:
  Hoersaal
  Schlachthofareal
  Stauffacherstrasse 80
  3014 Bern
  Phone ++41 31 331 60 37 / Fax ++41 31 331 60 37
  e-mail: info@manufactur.ch

===========================

[ 15th Wed Mar '06 ]
Frankfurt,Germany

at Tanzhaus West

Sunao Inami (Reaktor5,Live4) http://www.cavestudio.com/

  start 21:00 / 5 Euro

contacts:
tanzhaus west
  Gutleutstrasse 294, 60327 Frankfurt am Main
http://www.tanzhaus-west.de/
  Telefax: 069 / 95 90 80 96
  eMail: info@tanzhaus-west.de

===========================

[17th Fri Mar '06 ] (same day, 2 gigs)

Brussels,Belgium

at  RIC'S ART BOAT

  Eight Frozen Modules LIVE (Orthlorng Musork, Planet-Mu, Plateaux 
Resistance - USA)  http://www.eight-frozen-modules.com/
  Sunao Inami LIVE (Electr-ohm, Sub Rosa - JP)  http://www.cavestudio.com/
  Basic LIVE (humanworkshop - NL)
  Pavell Nikof LIVE (f.a.s.t. - BE)
  Radical Edward vs Solariumface (kf system - FR) (meakusma, f.a.s.t. - BE)
  Bobe van Jezu vs Larsoul (f.a.s.t. - BE)

  start 21:00 / 6 Euro

contacts:
RIC'S ART BOAT
  Quai des Peniches /Akenkaai 44 1000 Brussels
http://users.skynet.be/rics-art-boat/
  tel$B%O(B: 0476/24.09.86
  eMail: ricsartboat@skynet.be

===========================

[ 17th Fri Mar '06 ] (same day, 2 gigs)

Gent,Belgium

at Frontline (Steegske)

"BUG KLINIK SOUND"

  Live acts by
  8 FROZEN MODULES (Planet-Mu, Peace-off, Tigerbeat6, Zod, USA) 
http://www.eight-frozen-modules.com/
  SUNAO INAMI (Electr-Ohm, Sub Rosa, Japan) http://www.cavestudio.com/
THE OUTLAW ENSEMBLE (Bug Klinik, X&trick vs Deacoy) http://www.bugklinik.com/
  SGT SONAR (Bug Klinik)  http://www.bugklinik.com/
  Cloud9 vs A Boywithatoy

  Dj's
  CONTINIUM (Bug Klinik) http://www.bugklinik.com/
  DIATHRODA (Toyfabric)
  BUG KLINIK SOUND

  start 22:00

contacts:
  The Frontline
  Overpoortstraat 37 B-9000 Gent
http://www.thefrontline.be/
  tel: + 32(0)498158668 fax: + 32(0)92535974
  eMail: info@thefrontline.be


===========================

[ 22nd Wed Mar '06 ]

London,U.K.

at Red Rose Club

Sunao Inami (Computer from Japan) http://www.cavestudio.com/
Emily Hay (flute, voice fromLos Angeles)  http://www.emilyhay.com/
Chao-Ming Tung (guzheng from Taiwan - Cologne)  http://www.chaomingtung.com/
John Butcher (saxes)  http://www.johnbutcher.org.uk/
John Edwards (bass)

  start 8:00PM

contacts:
  Red Rose Club
  129 Seven Sisters Road (nearest underground Finsbury Park),London
  Tel. 020 7281 3584
  eMail: gerard.tierney@gmail.com

===========================

[ 23rd Thu Mar '06 ]

  Geneva, Switzerland

at I'Usine

AUDIO TRAUMA (f)
avec FYD +CHRYSALIDE et ACRYLIK
special-guest:
  SUNAO INAMI (jp) http://www.cavestudio.com/

  start 8:00PM

contacts:
Le Kab de I'Usine
http://www.lekab.ch/
4,Place Des Yolontaires
1204 Geneva,Switzerland
tel +41(0) 22 781 40 57
info@lekab.ch

===========================

[ 24th Fri  Mar '06 ]

Zurich, Switzerland

at Kunstraum Walcheturm

Sunao Inami (Reaktor5,Live4) http://www.cavestudio.com/
Bernhard Wagner  (Guitar,live looping) http://nosuch.biz

  start 9:00PM

contacts:
Kunstraum Walcheturm
http://www.walcheturm.ch
  Kanonengasse 20
  CH-8004 Zurich, Switzerland
Tel 0041-43-3220813 Fax 043-3220815
info@walcheturm.ch


  _____________________


  Regards

  Sunao Inami
http://www.cavestudio.com
http://www.electr-ohm.com
http://www.myspace.com/sunao

From Loopers-Delight-request@loopers-delight.com  Mon Mar  6 04:31:06 2006
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Date: Sun, 5 Mar 2006 20:31:04 -0800 (PST)
From: Lee Maravel <leemaravel@yahoo.com>
Subject: New Loopers Website
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This group has been a wealth of info for me. It's
helped me pick out my gear and a web hosting service
so I thought I'd push the envelope a bit further. 
     I've just uploaded my version of a  "site under
construction" page with one of my loops playing over a
flash intro that I built with Anim-fx, Flash 8 +
Dreamweaver 8. It's worked out pretty well except that
the entire page is one big hyperlink that takes you to
the Anim-fx website! Can anyone point me in the right
direction to defuse it, so to speak?
     The address is: leemaravel.com  and the loop
reminds me of my Reich/Glass days. Check it out if you
like (but don't click anywhere!)
                                        Thanks,
                                              Lee 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Mon Mar  6 05:15:59 2006
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From: "Paul" <paulrichard10@adelphia.net>
To: <Loopers-Delight@loopers-delight.com>
References: <20060305221428.27255.qmail@web26215.mail.ukl.yahoo.com> <029101c640bc$3dfcba00$88b0ec0f@americas.hpqcorp.net> <015401c640ca$270a8490$68a6eb44@BlackDell> <02f701c640cf$d8bed1f0$88b0ec0f@americas.hpqcorp.net>
Subject: Re: Vedr. Re: Streaming My John Abercrombie Collection Now
Date: Mon, 6 Mar 2006 00:16:01 -0500
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Yeah. It's one of the 2 or 3 (that I'm aware of) that aren't available =
on CD. I have it on vinyl. I'll chek out more details if you're =
interested.

Paul
  ----- Original Message -----=20
  From: Kris Hartung=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Sunday, March 05, 2006 10:41 PM
  Subject: Re: Vedr. Re: Streaming My John Abercrombie Collection Now


  Don't think so...it's called "M"?

  Kris

    ----- Original Message -----=20
    From: Paul=20
    To: Loopers-Delight@loopers-delight.com=20
    Sent: Sunday, March 05, 2006 8:00 PM
    Subject: Re: Vedr. Re: Streaming My John Abercrombie Collection Now


    Did you stream Abercrombie's 'M' album?

    Paul
      ----- Original Message -----=20
      From: Kris Hartung=20
      To: Loopers-Delight@loopers-delight.com=20
      Sent: Sunday, March 05, 2006 8:21 PM
      Subject: Re: Vedr. Re: Streaming My John Abercrombie Collection =
Now


      In this case, it's where you connect to a server like Shoutcast, =
and it plays MP3s from your hard drive through the server, so that =
multiple people can connect to the server address and listen to the same =
music. So rather than downloading the MP3s, which is asynchronous, =
everyone tunes into the same MP3 plaing from the server. Think of it =
like an internet radio station. I can also stream live sound, anything =
that I feed to the line in of my laptop, which is how I stream my live =
looping performances.

      Kris

        ----- Original Message -----=20
        From: rune fagereng=20
        To: Loopers-Delight@loopers-delight.com=20
        Sent: Sunday, March 05, 2006 3:14 PM
        Subject: Vedr. Re: Streaming My John Abercrombie Collection Now


        Whats streaming ?=20

        RF

        Nemoguitt@aol.com skrev:

          In a message dated 3/4/06 11:24:21 PM, khartung@cableone.net =
writes:



            Next is Terje Rypdal
            and John McLaughlin.



          please keep us updated kris.....thnaks



          www.ct-collective.com
          http://mysite.verizon.net/vzepmeci/
          http://www.myspace.com/klobuchar11



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<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
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<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Yeah. It's one of the 2 or 3 (that I'm =
aware of)=20
that aren't available on CD. I have it on vinyl. I'll chek out more =
details if=20
you're interested.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Paul</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dkhartung@cableone.net =
href=3D"mailto:khartung@cableone.net">Kris=20
  Hartung</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Sunday, March 05, 2006 =
10:41=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Vedr. Re: =
Streaming My John=20
  Abercrombie Collection Now</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial size=3D2>Don't think so...it's called =
"M"?</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <BLOCKQUOTE dir=3Dltr=20
  style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
    <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
    <DIV=20
    style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
    <A title=3Dpaulrichard10@adelphia.net=20
    href=3D"mailto:paulrichard10@adelphia.net">Paul</A> </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
    title=3DLoopers-Delight@loopers-delight.com=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
    </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Sunday, March 05, 2006 =
8:00=20
    PM</DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Vedr. Re: =
Streaming My=20
    John Abercrombie Collection Now</DIV>
    <DIV><BR></DIV>
    <DIV><FONT face=3DArial size=3D2>Did you stream Abercrombie's 'M'=20
    album?</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>Paul</FONT></DIV>
    <BLOCKQUOTE dir=3Dltr=20
    style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
      <DIV style=3D"FONT: 10pt arial">----- Original Message ----- =
</DIV>
      <DIV=20
      style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
      <A title=3Dkhartung@cableone.net =
href=3D"mailto:khartung@cableone.net">Kris=20
      Hartung</A> </DIV>
      <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
      title=3DLoopers-Delight@loopers-delight.com=20
      =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
      </DIV>
      <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Sunday, March 05, =
2006 8:21=20
      PM</DIV>
      <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Vedr. Re: =
Streaming My=20
      John Abercrombie Collection Now</DIV>
      <DIV><BR></DIV>
      <DIV><FONT face=3DArial size=3D2>In this case, it's where you =
connect to a=20
      server like Shoutcast, and it plays MP3s from your hard drive =
through the=20
      server, so that multiple people can connect to the server =
address&nbsp;and=20
      listen to the same music. So rather than downloading the MP3s, =
which is=20
      asynchronous, everyone tunes into the same MP3 plaing from the =
server.=20
      Think of it like an internet radio station. I can also stream live =
sound,=20
      anything that I feed to the line in of my laptop, which is how I =
stream my=20
      live looping performances.</FONT></DIV>
      <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
      <DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
      <DIV>&nbsp;</DIV>
      <BLOCKQUOTE=20
      style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
        <DIV style=3D"FONT: 10pt arial">----- Original Message ----- =
</DIV>
        <DIV=20
        style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
        <A title=3Drune_fagereng@yahoo.no=20
        href=3D"mailto:rune_fagereng@yahoo.no">rune fagereng</A> </DIV>
        <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
        title=3DLoopers-Delight@loopers-delight.com=20
        =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
        </DIV>
        <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Sunday, March 05, =
2006 3:14=20
        PM</DIV>
        <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Vedr. Re: =
Streaming My=20
        John Abercrombie Collection Now</DIV>
        <DIV><BR></DIV>
        <DIV>Whats streaming ? </DIV>
        <DIV>&nbsp;</DIV>
        <DIV>RF<BR><BR><B><I><A=20
        href=3D"mailto:Nemoguitt@aol.com">Nemoguitt@aol.com</A></I></B>=20
        skrev:</DIV>
        <BLOCKQUOTE class=3Dreplbq=20
        style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: =
#1010ff 2px solid"><FONT=20
          face=3Darial,helvetica><FONT face=3DGeneva color=3D#000000 =
size=3D2=20
          FAMILY=3D"SANSSERIF"><BR>In a message dated 3/4/06 11:24:21 =
PM, <A=20
          =
href=3D"mailto:khartung@cableone.net">khartung@cableone.net</A>=20
          writes:<BR><BR><BR>
          <BLOCKQUOTE=20
          style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: =
#0000ff 2px solid; MARGIN-RIGHT: 0px"=20
          cite=3D"" TYPE=3D"CITE"></FONT><FONT face=3DGeneva =
color=3D#000000 size=3D2=20
            FAMILY=3D"SANSSERIF">Next is Terje Rypdal<BR>and John=20
          McLaughlin.<BR></BLOCKQUOTE></FONT><FONT face=3DGeneva =
color=3D#000000=20
          size=3D2 FAMILY=3D"SANSSERIF"><BR><BR></FONT><FONT =
face=3DGeneva=20
          color=3D#000000 size=3D2 FAMILY=3D"SANSSERIF">please keep us =
updated=20
          kris.....thnaks<BR><BR><BR><BR><A=20
          =
href=3D"http://www.ct-collective.com">www.ct-collective.com</A><BR><A=20
          =
href=3D"http://mysite.verizon.net/vzepmeci/">http://mysite.verizon.net/vz=
epmeci/</A><BR><A=20
          =
href=3D"http://www.myspace.com/klobuchar11">http://www.myspace.com/klobuc=
har11</A><BR></FONT><FONT=20
          face=3DGeneva color=3D#000000 size=3D2=20
        =
FAMILY=3D"SANSSERIF"></FONT></BLOCKQUOTE><BR></BLOCKQUOTE></BLOCKQUOTE></=
BLOCKQUOTE></BLOCKQUOTE></FONT></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon Mar  6 05:21:36 2006
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	"Dark Seeds" <DarkSeedsNews@yahoogroups.com>,
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	"Loopers Delight" <Loopers-Delight@loopers-delight.com>,
	<phoniqlist@phoniq.net>,
	"The Ambient Way" <the_ambient_way@yahoogroups.com>
Subject: the PiNG presents Aidan Baker (solo) and ARC
Date: Mon, 6 Mar 2006 00:24:32 -0500
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THE AMBiENT PiNG  .  http://www.theambientping.com
Tuesdays @ HACiENDA . 794 Bathurst Street at Bloor . Toronto=20
(upstairs - directly across from the Bathurst subway station)=20
Doors open at 9pm . 1st set at 9:30 . PayWhatYouCan=20

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .=20

THiS Tuesday March 7th . Aidan Baker (solo) and ARC

In keeping with our mini arc (sorry, couldn't resist) of acts who=20
premiered and had their first ever performance on the PiNG stage,=20
we welcome back ARC for an evening of infectious improvisation.=20
Way, way, way back on October 12th 1999, at the ninth=20
AMBiENT PiNG TUESDAY, ARC (Aidan Baker, Rich Baker=20
and Chris Kukiel) first came together to perform. Their upcoming=20
show will make it an even dozen ARC performances @ the PiNG.
http://fade.to/arc

Opening the evening will be a solo set of sonic explorations=20
by Aidan Baker.  http://www.aidanbaker.org

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .=20

Before Sets CD . Chance Encounters in the Garden of Lights=20
by Bill Nelson=20
We're gonna have some fun this week and spin both CDs=20
at the same time of this classic 2 CD set from 1987 of=20
sonic explorations by Bill Nelson. These CDs stand on their=20
own, but when played in unison, they take on a new life which=20
seems almost intended as they morph into one another. Do this=20
at home kids, experiment and play with your media, don't leave=20
it to the professionals. http://www.billnelson.com

Between Sets CD . 12 Reductions (2005) by salvagesound
Fresh from the factory, this week we feature the new release=20
by Matthew Poulakakis' salvagesound project. Sculptured=20
sonics which echo and reverberate as found sound is=20
repurposed and salvaged into uniquely beautiful atmospheres.=20
Read more about it here in rik's *ping things* CD=20
review below and hear it Tuesday @ the PiNG.=20

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .=20

COMiNG March 14th . Michael Keith and Friends
CD Release . "the story of karl" by michaeL

"The story of Karl" is the new cd by guitarist/improviser=20
Michael Keith. Michael is a highly visible member of Toronto's=20
rapidly growing experimental and improvised music scene. This=20
CD (originally a 3 cd box, but now back to 1 !!) release event=20
will feature music from and inspired by the cd and it's=20
concept which is mostly improvised.=20

The evening will unfold much like the cd with solo, duo and trio=20
performances. Joining Michael will be experimental guzheng=20
player David Sait(MCF), drummer Joel Allen, as well as=20
guitarist/saxophonist Colin Fisher(I have eaten the city) on=20
electric bass.=20

The sounds on the new disc are all over the map. From power=20
trio metal to soft, slow solo guitar ambience. Fans of noisy=20
weird ass shit will enjoy it. Cd's will be available as well as=20
small packages of ketchup. http://geocities.com/alexiteric

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .=20

rik maclean's *ping things* CD Reviews

salvagesound . "12 Reductions (2005)"

There's a pervading darkness to salvagesound's release=20
"12 Reductions (2005)", a feeling of something haunted and=20
mysterious, enigmas and riddles and secrets all wrapped up=20
around each other in a knot that can't be undone without=20
losing yourself in it's intricacies.

Using processed field recordings and found sounds, Matthew=20
Poulakakis of salvagesound has created a wonderful collection=20
of tracks that sets fire to the imagination.

"corq" opens the disc with a series of scraping and abstract=20
sounds suggesting percussive elements, but too random and alien
to be heard as drums. It's a suspenseful piece, a very dramatic=20
work that creeps along slowly but effectively towards it's resolution.=20
"tuebe" follows, a track that brings to mind the sound of the void as=20
portrayed by a drifting drone. It's nice work, quite engaging in it's=20
minimalism as form and shape become apparent throughout. Track=20
three, "alvalva", continues along similar lines, building on a theme=20
and then diverging into new territory. Irregular chirps give this=20
track an organic sense, a feeling of life caught in the middle=20
of an industrial wasteland.=20

"terranoid" introduces metallic ringing to the mix, playing randomly=20
over top an oscillating drone. A small melody can be heard just on=20
the edge of the track, something to anchor the listener's senses but=20
too faint to identify beyond it's presence. "ixuni" comes in at track=20
number five, an oscillating drone rising and falling over top a pulsing=20
tone reminiscent of an engine. There's a feeling of movement here,=20
a really nice use of oblique motion that suggests travel and=20
distance crossed. A very effective track.

Track six, "squeue", adds more melodic elements to the mix, a=20
processed piano playing mournful melodies alongside the sounds=20
of metal bowing. It's a subtle shift in the tone of the disc, but a=20
significant one in terms of the way that the listener hears the=20
remaining tracks. "elloidal" follows, a dark and bleak aural landscape=20
to be sure but one filled with a tragic beauty and mournfulness that=20
strikes a chord inside. Tones rise and fall through the mix, the sound=20
of water and waves providing a backdrop over which everything=20
plays. Very powerful.=20

"hovertour" incorporates a repeated phrase over top a fragmented=20
sample, daring the listener to identify with the sounds played just=20
below the surface. "opheliate" continues the water imagery=20
established in earlier tracks and expands upon it with the feeling=20
of tides and drift. It's a vivid imagery, a very clear feeling of the=20
sea that both inspires and frightens. Very impressive.=20

Track nine, "decrestlers", utilizes a deep wind tunnel drone to great=20
effect, suggesting a dark and ominous environment where nothing=20
grows, nothing lives, yet still possessed of a certain haunted beauty.=20
"bosphosphorus" comes next, ominous metallic scraping and faint=20
phrases raising the hair on the back of your neck. "feleket" closes=20
the disc, a steady moan and drone piece occasionally interspersed=20
with other sounds.

"12 Reductions (2005)" is stunning work, all of the tracks creating=20
an environment and pace unique to themselves. Definitely one=20
of the best examples of sonic architecture that I've heard=20
in a long time.

"12 Reductions (2005)" by Salvagesound=20
is available now at ping things!
http://www.pingthings.com/SALVAGESOUND.htm

rik maclean - rik@pingthings.com

http://www.pingthings.com =3D ambient + electronic + chill things=20

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .=20

* Other Toronto area sonic/visual events of interest this week:
  =20
* Wednesday, March 8th . CONTACT contemporary music presents=20
   GIRLFRIEND With special guest Lori Freedman=20
   A collaboration with The Music Gallery Celebrating International=20
   Women's Day In association with Amnesty International and the=20
   Association of Canadian Women Composers . Featuring the=20
   music of Eve Beglarian, Lori Freedman, Monique Jean,=20
   Deirdre Piper, Marci Rabe, Linda Catlin Smith and Ann Southam=20
   Featuring guest artist Lori Freedman with the CONTACT=20
   contemporary music ensemble: Sarah Fraser Raff, violin;=20
   Michael Gfroerer, piano; Alex Grant, cello; Akiyo Hattori, clarinet;=20
   Christine Mourre, flute; Jerry Pergolesi, percussion
   8:00 PM . The Music Gallery 197 John Street
   $15 Adults $10 Seniors/Students

* Thursday March 9th . Improvisors' Pool
   The improvisors' pool is a weekly gathering for musicians who=20
   practice collective free improvisation. It welcomes players of=20
   all levels and backgrounds.
   7:00-9:00 . Ralph Thornton Centre 765 Queen Street East
   East of Broadview and west of De Grassi =20
  =20
* Thursday March 9th . Gravitas DVD release show=20
   visuals by John Dubinski, music by John Kameel Farah (piano,=20
   pipe organ, harpsichord, computer, synth, electronics)
   7:30pm Farah performs remix interpretation of Kepler's=20
   Music of the Spheres
   8:00pm Dubinski to give an introduction and explanation of=20
   the visuals and the project
   8:15pm live performance of Gravitas with visual projections
   197 John St. @ Stephanie (1 block N of MuchMusic)
   $15 regular/$12 member + senior/$10 student
   (at concert DVDs will be available for $15 with your ticket,=20
   but $20 to purchase through the website)
  =20
* Thursday, March 9th . Coexistence Series #5
   A monthly series of duet collaborations; this month featuring:  =20
   Alice Norton bass, Grahame Beakhust tuba, Dwight=20
   Chalmers trumpet, Jeff Luciani drums, Colin Anthony piano
   8:00pm . Tranzac Club
  =20
* Friday March 10th . The Ryan Driver Quartet
   Ryan Driver: piano/vocal, Martin Arnold: vox invader (guitar)
   Rob Clutton: bass, Jake Oelrichs: drums
   10:00 pm . Graffiti's (Baldwin at Kensington) . PWYC

* Friday March 10th . Live in Concert: CCMC and=20
   MAZINANI/VORVIS
   CCMC (Paul Dutton - oralizations; John Oswald - alto sax;=20
   Michael Snow - piano, synthesizer)=20
   MAZINANI/VORVIS (Mani Mazinani - piano;=20
   Jack Vorvis - drums)
   8 PM . Music Room, Hart House, 7 Hart House Circle, U of T
   FREE admission, all are welcome.

* Friday March 10th . I/O MEDIA  =20
   8:30 PM . InterAccess, 9 Ossington Ave. . no cover  . all ages
  =20
* Friday March 10th . Spike Fridays presents
   SCHEMA FACTOR with MADAME HAIR and DJ OSAZE  =20
   Neutral, 349A College St. . no cover . 19+

* Friday, March 10th . AIMT presents=20
   An INTERFACE SERIES with Lori Freedman
   in association with Arraymusic and the NOW Lounge=20
   I- Lori Freedman w/ lori freedman- clarinets =20
   II- Clark / Dajczer / Fedrigo
   w/ dave clark- drums, brigitte dajczer- violin, monica fedrigo- cello =
=20
   III- Anothony / Freedman / Newman
   w/ colin anothony- piano, lori freedman- clarinets,=20
   paul newman- tenor saxophone
   9pm . ARRAYMUSIC Studio 60 Atlantic Ave., Ste 218
   pwyc suggested donation- $15
  =20
* Saturday, March 11th . AIMT presents=20
   An INTERFACE SERIES with Lori Freedman
   in association with Arraymusic and the NOW Lounge=20
   I- Attariwala / Fisher / Freedman / Lewis
   w/ parmela attariwala- violin, colin fisher- tenor saxophone,=20
   lori freedman- clarinets, tilman lewis- cello
   II- Feuermusik    w/ jeremy strachan- reeds, gus weinkauf- buckets  =20
   III- Freedman / Haynes / Sorbara / Waterman=20
   w/ lori    freedman- clarinets, justin haynes- guitar,=20
   joe sorbara- drums, ellen waterman- flute
   9pm . Now Lounge, 189 Church St. . $15
  =20
* Saturday, March 11th . One: Castlemusic (Jennifer Castle) plays=20
   songs with electric guitar and voice while mother drift (Aim=E9e=20
   Dawn Robinson) dances. Two: The Thorpe (Colin Clark,=20
   Aim=E9e Dawn Robinson, and Josh Thorpe) plays double-mutations=20
   of Prince, Bjork, Robert Wyatt, and others, using tape, guitars,=20
   Casio, synth, voice, bells, banjos and so on.
   9.30 pm . Arraymusic Studio, 60 Atlantic, Ste. 218, side door . 5$
=20
* Sunday, March 12th . AIMT presents=20
   An INTERFACE SERIES with Lori Freedman
   in association with Arraymusic and the NOW Lounge=20
   Free WORKSHOP- Lori Freedman  =20
   2pm . NOW Lounge, 189 Church St.

* Sunday, March 12th . AIMT presents=20
   An INTERFACE SERIES with Lori Freedman
   in association with Arraymusic and the NOW Lounge
   I- Freedman / Piilonen / Thomson / Valdivia=20
   w/ lori freedman- clarinets, rob piilonen- flute,=20
   scott thomson- trombone, brandon valdivia- drums  =20
   II- Freedman / Perera / Shaw w/ lori freedman- clarinets,=20
   nilan perera- guitar, evan shaw- alto sax  =20
   III- Duncan / Freedman / Haley / Martin
   w/ christine duncan- voice, lori freedman- clarinets,=20
   geordie haley- guitar, jean martin- drums
   4pm . NOW Lounge, 189 Church St. . $15
  =20
* Sunday March 12th . Creative Improvisation Workshops
   Four 3-hour sessions, starting Sunday March 5th,
   running each Sunday in March, from Noon to 3p.m.
   Recital April 2nd, 1pm.  =20
   The focus of the workshop is to encourage musicians to=20
   experience the combination of latitude and discipline that=20
   distinguishes free improvisation, and to provide them with=20
   information about the resources available to them as=20
   improvisors. Emphasis is placed on the development of=20
   listening skills through playing and the material covered=20
   considers music in a comprehensive manner. Open to=20
   musicians of all levels and backgrounds, the workshop=20
   gives a clearer understanding of the process and a greater=20
   appreciation of the art of improvisation.  =20
   The workshop is organized into 4 3-hour sessions, which=20
   culminate in a hour-long recital. The recital is professionally=20
   recorded, and copies made available to participants.  =20
   Participation is open to musicians at all levels. You should=20
   plan on attending all four sessions and playing the recital.=20
   Cost is $100 per person.=20
   All sessions to be held at Studio 4, 60 Atlantic Ave.
   (southeast of King and Dufferin) Toronto.  =20
   To register, or for more information, Contact:
   Victor Bateman- tel: 416-534-7918
   email- v.bateman@sympatico.ca  =20
   Presented in affiliation with the
   Association of Improvising Musicians, Toronto.  =20
   =20
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .=20

THE AMBiENT PiNG is a social sound/art event presenting live=20
performances by Toronto's finest ambient, chillout, improv and=20
experimental music artists plus performers from around the world,=20
every Tuesday evening at HACiENDA . 794 Bathurst Street at Bloor.=20
http://www.theambientping.com=20

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .=20

Please forward this e-mail to any friends who may be interested in=20
live ambient, chillout and experimental music performances or to=20
any of your appropriate newsgroups. Thanks.

From Loopers-Delight-request@loopers-delight.com  Mon Mar  6 05:40:57 2006
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From: "loop.pool" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Subject: OT: Need help finding a jazz recording
Date: Sun, 5 Mar 2006 21:40:58 -0800
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I'm looking for a Joe Farrel Quartet album on CTI jazz from the early 70's

I think it's just called the Joe Farrel Quartet and it features John 
McLaughlin on guitar
with a beautiful haunting version of his tune,  "Follow Your Heart".

It appears never to have made it to CD and I have hunted and hunted for for 
it in used
jazz sections.

If anyone has this recording or knows where to find it, would you please 
contact me offlist?
I would love to get a high quality digital recording of the track (in either 
.aiff or .wav file if possible).

thanks a lot.

yours,   Rick Walker
          rickwalker(at)looppool(dot)info 

From Loopers-Delight-request@loopers-delight.com  Mon Mar  6 05:48:17 2006
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Oooops,   mispelling.

The self titled Joe FarreLL Quartet record on CTI records came out in 1970.
It bosted this rather stellar musical cast:

Chick Corea, John McLaughlin, Dave Holland and Jack DeJohnette (and yes, 
that does make it a quintet
not a quartet).

If you don't know Farrell's work (he died too young in 1986)  take a listen
to Chick Coreas' first two Return to Forever recordings for ECM records.

This band was amazing and represented Corea's work before he started the
rather cheesy (in my estimation) later electric incarnations of that band.

Some amazing trapset drumming by Airto Moreira and, of course, the 
incomparable
Brazilian vocalist, Flora Purim on those first RTF records.

So,  I'm looking for the JOE FARRELL QUARTET album on CTI records. 

From Loopers-Delight-request@loopers-delight.com  Mon Mar  6 06:53:54 2006
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Hey Rick,

I have a copy of that record and it is indeed fabulous and very hard to 
find. Technically it is still a quartet record because McLaughlin and 
Corea don't appear on the same tracks. That version of "Follow Your 
Heart" is pretty special, one of the loosest and grooviest 11/8's ever, 
we used to cover it in the band. I can burn you a copy and send it to 
you. The only catch is that I'm leaving to go on tour Tuesday morning, 
and have about 2.5 million things to do between now and then. If it's 
urgent, let me know and I'll definitely make time to do it.

On Sunday, March 5, 2006, at 09:48 PM, loop.pool wrote:

> Oooops,   mispelling.
>
> The self titled Joe FarreLL Quartet record on CTI records came out in 
> 1970.
> It bosted this rather stellar musical cast:
>
> Chick Corea, John McLaughlin, Dave Holland and Jack DeJohnette (and 
> yes, that does make it a quintet
> not a quartet).
>
> If you don't know Farrell's work (he died too young in 1986)  take a 
> listen
> to Chick Coreas' first two Return to Forever recordings for ECM 
> records.
>
> This band was amazing and represented Corea's work before he started 
> the
> rather cheesy (in my estimation) later electric incarnations of that 
> band.
>
> Some amazing trapset drumming by Airto Moreira and, of course, the 
> incomparable
> Brazilian vocalist, Flora Purim on those first RTF records.
>
> So,  I'm looking for the JOE FARRELL QUARTET album on CTI records.

From Loopers-Delight-request@loopers-delight.com  Mon Mar  6 07:00:48 2006
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Subject: Vedr. Re: Vedr. Re: Streaming My John Abercrombie Collection Now
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--0-712744582-1141628444=:18904
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  Is this material also possible to download/copy ?
   
  Rune f 

Kris Hartung <khartung@cableone.net> skrev:
          In this case, it's where you connect to a server like Shoutcast, and it plays MP3s from your hard drive through the server, so that multiple people can connect to the server address and listen to the same music. So rather than downloading the MP3s, which is asynchronous, everyone tunes into the same MP3 plaing from the server. Think of it like an internet radio station. I can also stream live sound, anything that I feed to the line in of my laptop, which is how I stream my live looping performances.
   
  Kris
   
    ----- Original Message ----- 
  From: rune fagereng 
  To: Loopers-Delight@loopers-delight.com 
  Sent: Sunday, March 05, 2006 3:14 PM
  Subject: Vedr. Re: Streaming My John Abercrombie Collection Now
  

  Whats streaming ? 
   
  RF

Nemoguitt@aol.com skrev:
  
In a message dated 3/4/06 11:24:21 PM, khartung@cableone.net writes:


  Next is Terje Rypdal
and John McLaughlin.


please keep us updated kris.....thnaks



www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11



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<div>&nbsp;</div>  <div>Is this material also possible to download/copy ?</div>  <div>&nbsp;</div>  <div>Rune f&nbsp;<BR><BR><B><I>Kris Hartung &lt;khartung@cableone.net&gt;</I></B> skrev:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">  <META content="MSHTML 6.00.2900.2802" name=GENERATOR>  <STYLE></STYLE>    <DIV><FONT face=Arial size=2>In this case, it's where you connect to a server like Shoutcast, and it plays MP3s from your hard drive through the server, so that multiple people can connect to the server address&nbsp;and listen to the same music. So rather than downloading the MP3s, which is asynchronous, everyone tunes into the same MP3 plaing from the server. Think of it like an internet radio station. I can also stream live sound, anything that I feed to the line in of my laptop, which is how I stream my live looping performances.</FONT></DIV>  <DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>  <DIV><FONT face=Arial
 size=2>Kris</FONT></DIV>  <DIV>&nbsp;</DIV>  <BLOCKQUOTE style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">  <DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>  <DIV style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><B>From:</B> <A title=rune_fagereng@yahoo.no href="mailto:rune_fagereng@yahoo.no">rune fagereng</A> </DIV>  <DIV style="FONT: 10pt arial"><B>To:</B> <A title=Loopers-Delight@loopers-delight.com href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A> </DIV>  <DIV style="FONT: 10pt arial"><B>Sent:</B> Sunday, March 05, 2006 3:14 PM</DIV>  <DIV style="FONT: 10pt arial"><B>Subject:</B> Vedr. Re: Streaming My John Abercrombie Collection Now</DIV>  <DIV><BR></DIV>  <DIV>Whats streaming ? </DIV>  <DIV>&nbsp;</DIV>  <DIV>RF<BR><BR><B><I><A href="mailto:Nemoguitt@aol.com">Nemoguitt@aol.com</A></I></B> skrev:</DIV>  <BLOCKQUOTE class=replbq
 style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid"><FONT face=arial,helvetica><FONT face=Geneva color=#000000 size=2 FAMILY="SANSSERIF"><BR>In a message dated 3/4/06 11:24:21 PM, <A href="mailto:khartung@cableone.net">khartung@cableone.net</A> writes:<BR><BR><BR>  <BLOCKQUOTE style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px solid; MARGIN-RIGHT: 0px" cite="" TYPE="CITE"></FONT><FONT face=Geneva color=#000000 size=2 FAMILY="SANSSERIF">Next is Terje Rypdal<BR>and John McLaughlin.<BR></BLOCKQUOTE></FONT><FONT face=Geneva color=#000000 size=2 FAMILY="SANSSERIF"><BR><BR></FONT><FONT face=Geneva color=#000000 size=2 FAMILY="SANSSERIF">please keep us updated kris.....thnaks<BR><BR><BR><BR><A href="http://www.ct-collective.com/">www.ct-collective.com</A><BR><A href="http://mysite.verizon.net/vzepmeci/">http://mysite.verizon.net/vzepmeci/</A><BR><A href="http://www.myspace.com/klobuchar11">http://www.myspace.com/klobuchar11</A><BR></FONT><FONT
 face=Geneva color=#000000 size=2 FAMILY="SANSSERIF"></FONT></BLOCKQUOTE><BR></BLOCKQUOTE></FONT></BLOCKQUOTE><BR>
--0-712744582-1141628444=:18904--

From Loopers-Delight-request@loopers-delight.com  Mon Mar  6 08:55:51 2006
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Subject: Re: Fun with Mobius!
Date: Mon, 6 Mar 2006 09:55:46 +0100
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Count me in too ;-)
This SW has changed my vision of music, I left the band I was in and now try 
to work on a solo project.
Mobius is so much fun. I just bought a Jamman so I don't have to boot the PC 
for a 5' jam but it's not 10% of the fun I have with Mobius.

Cool support from Jeff, too.

Ben.



----- Original Message ----- 
From: "Doug Cox" <dougcox@pdq.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, March 05, 2006 5:48 PM
Subject: Re: Fun with Mobius!


> Count me in this group as well!!
>
> I'm running Mobius on an IBM Thinkpad T40, and it's working perfectly.
>
> The first implementation of pitch shifting is released in Mobius now, and 
> it's very cool.  My practice sessions are now aimed at narrowing down to a 
> set of techniques that I like within Mobius.  Having multiple EDP's (w/ 
> pitch shifting!) is like a dream come true - but it presents it's own 
> challenges in the realm of control.
>
> Doug
>
> Stuart Wyatt wrote:
>
>> I've been trying to set up a computer based looping setup for the past 
>> month or so which will allow me to loop without thinking too much about 
>> the hardware involved. Initially, I started on Ambiloop, then 
>> SooperLooper for OSX (on my old trusty ibook, then using Linux on an old 
>> PC laptop).... I was plagued with problems - mainly due to my antiquated 
>> equipment, and lack of latency correction (very noticable when 
>> overdubbing rhythmic passages)
>>
>> On Friday, I gave up and reverted back to using two echo pro's after 
>> 'jack' kept crashing on the ibook, and the PC linux laptop was just too 
>> slow to do anything with.
>>
>> For some reason, I decided to give Mobius another chance and installed it 
>> on my desktop PC, and was blown away with how easy it was to set up the 
>> latency correction and assign Midi commands from the FCB1010! I was 
>> looping hands-free within about 5 minutes!
>>
>> The interface is simple and concise... and it worked flawlessly!!!
>>
>> Using my desktop PC for now means that I cannot take the rig out for 
>> gigs, but if I sell my Echo Pro's and filter pro, then I might have 
>> enough for a decent(ish) PC laptop.... :)
>>
>> Are there many loopers here that use Mobius as their main looping system?
> 


	

	
		
___________________________________________________________________________ 
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Nice set-up groups, Sunao.
I also would like playing with celloists and percussionist.
Do you know "Avalon Sutra" by Harold Budd ?

Unfortunately, no dates in Italy
It will be next time, I hope...
fabio

http://xoomer.virgilio.it/eterogeneo/
http://music.download.com/eterogeneo/3600-8357-100294444.html?tag=quickurl


----- Original Message ----- 
From: "Sunao Inami" <webmaster@cavestudio.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, March 06, 2006 4:42 AM
Subject: OT: Sunao Inami Europe tour 2006 March


> Hi LD,
>
> I have some gigs schedules in Europe in this month.
> if I meet LD subscribers at there,it would be great..
>
>
> ===========================
>
> [  11th Sat Mar '06 ]
>
> Luzern,Switzerland
>
> at JAZZKANTINE
>
> " JOYFUL NOISE 18"
> Sunao Inami , Kobe (Laptop, Electronics) http://www.cavestudio.com/
>  Marie-Cecile Reber, Luzern (Sampler, Electronics)
>  Alfred Zimmerlin, Zurich (Cello)
> Fredy Studer, Luzern (Drums, Percussion) http://www.fredystuder.ch/
>
> Moderation: Sam Pirelli
>
> start 20:30
>
>  contacts:
>  JAZZKANTINE
> http://www.jsl.ch/kantine.htm
>  MUSIKHOCHSCHULE LUZERN, ABTEILUNG JAZZ
>  MARIAHILFGASSE 2A, CH-6004 LUZERN, SWITZERLAND
>  Phone: ++41-41-412 20 56 / Fax: ++41-41-412 20 57
>  e-mail jazz@mhs.fhz.ch
>
> ===========================
>
> [ 13th Mon Mar '06 ]
>
> Biel,Switzerland
>
> at Restaurant St. Gervais
>
> Sunao Inami (Reaktor5,Live4) http://www.cavestudio.com/
> Dorothea Schurch (Voice)
> Alfred Zimmerlin (Cello)
> Martin Schuetz (Cello,Electronics)  http://www.koch-schuetz-studer.ch/
> Hans Koch (Sax, Electronics) http://www.koch-schuetz-studer.ch/
>
> start 19:00
>
> contacts:
> Restaurant St. Gervais
>  Untergasse 21 CH-2502 Biel
> http://www.stgervais.ch
>  T +41 (0)32 322 48 22
> info@stgervais.ch
>
> ===========================
>
> [ 14th Tue Mar '06 ]
>
>  Bern,Switzerland
>
> at Hoersaal
>
> Sunao Inami (Reaktor5,Live4) http://www.cavestudio.com/
> Werner Hasler (Trumpet, Electronics) http://www.wernerhasler.com/
> Gilbert Paeffgen (Drums,Percussion) http://www.gilbertpaeffgen.com/
>
>  Shortmovie ink'n Go and dias by
> Filip Haag http://www.filiphaag.ch/
>
>  start 20:00
>
> contacts:
>  Hoersaal
>  Schlachthofareal
>  Stauffacherstrasse 80
>  3014 Bern
>  Phone ++41 31 331 60 37 / Fax ++41 31 331 60 37
>  e-mail: info@manufactur.ch
>
> ===========================
>
> [ 15th Wed Mar '06 ]
> Frankfurt,Germany
>
> at Tanzhaus West
>
> Sunao Inami (Reaktor5,Live4) http://www.cavestudio.com/
>
>  start 21:00 / 5 Euro
>
> contacts:
> tanzhaus west
>  Gutleutstrasse 294, 60327 Frankfurt am Main
> http://www.tanzhaus-west.de/
>  Telefax: 069 / 95 90 80 96
>  eMail: info@tanzhaus-west.de
>
> ===========================
>
> [17th Fri Mar '06 ] (same day, 2 gigs)
>
> Brussels,Belgium
>
> at  RIC'S ART BOAT
>
>  Eight Frozen Modules LIVE (Orthlorng Musork, Planet-Mu, Plateaux 
> Resistance - USA)  http://www.eight-frozen-modules.com/
>  Sunao Inami LIVE (Electr-ohm, Sub Rosa - JP)  http://www.cavestudio.com/
>  Basic LIVE (humanworkshop - NL)
>  Pavell Nikof LIVE (f.a.s.t. - BE)
>  Radical Edward vs Solariumface (kf system - FR) (meakusma, f.a.s.t. - BE)
>  Bobe van Jezu vs Larsoul (f.a.s.t. - BE)
>
>  start 21:00 / 6 Euro
>
> contacts:
> RIC'S ART BOAT
>  Quai des Peniches /Akenkaai 44 1000 Brussels
> http://users.skynet.be/rics-art-boat/
>  tel$B%O(B: 0476/24.09.86
>  eMail: ricsartboat@skynet.be
>
> ===========================
>
> [ 17th Fri Mar '06 ] (same day, 2 gigs)
>
> Gent,Belgium
>
> at Frontline (Steegske)
>
> "BUG KLINIK SOUND"
>
>  Live acts by
>  8 FROZEN MODULES (Planet-Mu, Peace-off, Tigerbeat6, Zod, USA) 
> http://www.eight-frozen-modules.com/
>  SUNAO INAMI (Electr-Ohm, Sub Rosa, Japan) http://www.cavestudio.com/
> THE OUTLAW ENSEMBLE (Bug Klinik, X&trick vs Deacoy) 
> http://www.bugklinik.com/
>  SGT SONAR (Bug Klinik)  http://www.bugklinik.com/
>  Cloud9 vs A Boywithatoy
>
>  Dj's
>  CONTINIUM (Bug Klinik) http://www.bugklinik.com/
>  DIATHRODA (Toyfabric)
>  BUG KLINIK SOUND
>
>  start 22:00
>
> contacts:
>  The Frontline
>  Overpoortstraat 37 B-9000 Gent
> http://www.thefrontline.be/
>  tel: + 32(0)498158668 fax: + 32(0)92535974
>  eMail: info@thefrontline.be
>
>
> ===========================
>
> [ 22nd Wed Mar '06 ]
>
> London,U.K.
>
> at Red Rose Club
>
> Sunao Inami (Computer from Japan) http://www.cavestudio.com/
> Emily Hay (flute, voice fromLos Angeles)  http://www.emilyhay.com/
> Chao-Ming Tung (guzheng from Taiwan - Cologne) 
> http://www.chaomingtung.com/
> John Butcher (saxes)  http://www.johnbutcher.org.uk/
> John Edwards (bass)
>
>  start 8:00PM
>
> contacts:
>  Red Rose Club
>  129 Seven Sisters Road (nearest underground Finsbury Park),London
>  Tel. 020 7281 3584
>  eMail: gerard.tierney@gmail.com
>
> ===========================
>
> [ 23rd Thu Mar '06 ]
>
>  Geneva, Switzerland
>
> at I'Usine
>
> AUDIO TRAUMA (f)
> avec FYD +CHRYSALIDE et ACRYLIK
> special-guest:
>  SUNAO INAMI (jp) http://www.cavestudio.com/
>
>  start 8:00PM
>
> contacts:
> Le Kab de I'Usine
> http://www.lekab.ch/
> 4,Place Des Yolontaires
> 1204 Geneva,Switzerland
> tel +41(0) 22 781 40 57
> info@lekab.ch
>
> ===========================
>
> [ 24th Fri  Mar '06 ]
>
> Zurich, Switzerland
>
> at Kunstraum Walcheturm
>
> Sunao Inami (Reaktor5,Live4) http://www.cavestudio.com/
> Bernhard Wagner  (Guitar,live looping) http://nosuch.biz
>
>  start 9:00PM
>
> contacts:
> Kunstraum Walcheturm
> http://www.walcheturm.ch
>  Kanonengasse 20
>  CH-8004 Zurich, Switzerland
> Tel 0041-43-3220813 Fax 043-3220815
> info@walcheturm.ch
>
>
>  _____________________
>
>
>  Regards
>
>  Sunao Inami
> http://www.cavestudio.com
> http://www.electr-ohm.com
> http://www.myspace.com/sunao
> 


From Loopers-Delight-request@loopers-delight.com  Mon Mar  6 12:16:57 2006
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From: "Fabio Anile" <fabio.anile@tiscali.it>
To: <Loopers-Delight@loopers-delight.com>
References: <20060306070044.22304.qmail@web26211.mail.ukl.yahoo.com>
Subject: Re: Vedr. Re: Vedr. Re: Streaming My John Abercrombie Collection Now
Date: Mon, 6 Mar 2006 13:16:48 +0100
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Thanks Kris, I'm enjoin' it, now
fabio

  ----- Original Message -----=20
  From: rune fagereng=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Monday, March 06, 2006 8:00 AM
  Subject: Vedr. Re: Vedr. Re: Streaming My John Abercrombie Collection =
Now



  Is this material also possible to download/copy ?

  Rune f=20

  Kris Hartung <khartung@cableone.net> skrev:
    In this case, it's where you connect to a server like Shoutcast, and =
it plays MP3s from your hard drive through the server, so that multiple =
people can connect to the server address and listen to the same music. =
So rather than downloading the MP3s, which is asynchronous, everyone =
tunes into the same MP3 plaing from the server. Think of it like an =
internet radio station. I can also stream live sound, anything that I =
feed to the line in of my laptop, which is how I stream my live looping =
performances.

    Kris

      ----- Original Message -----=20
      From: rune fagereng=20
      To: Loopers-Delight@loopers-delight.com=20
      Sent: Sunday, March 05, 2006 3:14 PM
      Subject: Vedr. Re: Streaming My John Abercrombie Collection Now


      Whats streaming ?=20

      RF

      Nemoguitt@aol.com skrev:

        In a message dated 3/4/06 11:24:21 PM, khartung@cableone.net =
writes:



          Next is Terje Rypdal
          and John McLaughlin.



        please keep us updated kris.....thnaks



        www.ct-collective.com
        http://mysite.verizon.net/vzepmeci/
        http://www.myspace.com/klobuchar11





------=_NextPart_000_0322_01C64120.39742630
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2180" name=3DGENERATOR></HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>Thanks Kris, =
</FONT><FONT=20
face=3D"Book Antiqua" color=3D#000080>I'm enjoin' it, now</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>fabio</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000080 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Drune_fagereng@yahoo.no =
href=3D"mailto:rune_fagereng@yahoo.no">rune=20
  fagereng</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, March 06, 2006 =
8:00=20
AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Vedr. Re: Vedr. Re: =
Streaming My=20
  John Abercrombie Collection Now</DIV>
  <DIV><BR></DIV>
  <DIV>&nbsp;</DIV>
  <DIV>Is this material also possible to download/copy ?</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>Rune f&nbsp;<BR><BR><B><I>Kris Hartung &lt;<A=20
  =
href=3D"mailto:khartung@cableone.net">khartung@cableone.net</A>&gt;</I></=
B>=20
  skrev:</DIV>
  <BLOCKQUOTE class=3Dreplbq=20
  style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px =
solid">
    <META content=3D"MSHTML 6.00.2900.2802" name=3DGENERATOR>
    <STYLE></STYLE>

    <DIV><FONT face=3DArial size=3D2>In this case, it's where you =
connect to a=20
    server like Shoutcast, and it plays MP3s from your hard drive =
through the=20
    server, so that multiple people can connect to the server =
address&nbsp;and=20
    listen to the same music. So rather than downloading the MP3s, which =
is=20
    asynchronous, everyone tunes into the same MP3 plaing from the =
server. Think=20
    of it like an internet radio station. I can also stream live sound, =
anything=20
    that I feed to the line in of my laptop, which is how I stream my =
live=20
    looping performances.</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
    <DIV>&nbsp;</DIV>
    <BLOCKQUOTE=20
    style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
      <DIV style=3D"FONT: 10pt arial">----- Original Message ----- =
</DIV>
      <DIV=20
      style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
      <A title=3Drune_fagereng@yahoo.no =
href=3D"mailto:rune_fagereng@yahoo.no">rune=20
      fagereng</A> </DIV>
      <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
      title=3DLoopers-Delight@loopers-delight.com=20
      =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
      </DIV>
      <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Sunday, March 05, =
2006 3:14=20
      PM</DIV>
      <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Vedr. Re: =
Streaming My John=20
      Abercrombie Collection Now</DIV>
      <DIV><BR></DIV>
      <DIV>Whats streaming ? </DIV>
      <DIV>&nbsp;</DIV>
      <DIV>RF<BR><BR><B><I><A=20
      href=3D"mailto:Nemoguitt@aol.com">Nemoguitt@aol.com</A></I></B> =
skrev:</DIV>
      <BLOCKQUOTE class=3Dreplbq=20
      style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff =
2px solid"><FONT=20
        face=3Darial,helvetica><FONT face=3DGeneva color=3D#000000 =
size=3D2=20
        FAMILY=3D"SANSSERIF"><BR>In a message dated 3/4/06 11:24:21 PM, =
<A=20
        href=3D"mailto:khartung@cableone.net">khartung@cableone.net</A>=20
        writes:<BR><BR><BR>
        <BLOCKQUOTE=20
        style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: =
#0000ff 2px solid; MARGIN-RIGHT: 0px"=20
        cite=3D"" TYPE=3D"CITE"></FONT><FONT face=3DGeneva =
color=3D#000000 size=3D2=20
          FAMILY=3D"SANSSERIF">Next is Terje Rypdal<BR>and John=20
        McLaughlin.<BR></BLOCKQUOTE></FONT><FONT face=3DGeneva =
color=3D#000000=20
        size=3D2 FAMILY=3D"SANSSERIF"><BR><BR></FONT><FONT face=3DGeneva =
color=3D#000000=20
        size=3D2 FAMILY=3D"SANSSERIF">please keep us updated=20
        kris.....thnaks<BR><BR><BR><BR><A=20
        =
href=3D"http://www.ct-collective.com/">www.ct-collective.com</A><BR><A=20
        =
href=3D"http://mysite.verizon.net/vzepmeci/">http://mysite.verizon.net/vz=
epmeci/</A><BR><A=20
        =
href=3D"http://www.myspace.com/klobuchar11">http://www.myspace.com/klobuc=
har11</A><BR></FONT><FONT=20
        face=3DGeneva color=3D#000000 size=3D2=20
      =
FAMILY=3D"SANSSERIF"></FONT></BLOCKQUOTE><BR></BLOCKQUOTE></FONT></BLOCKQ=
UOTE><BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0322_01C64120.39742630--


From Loopers-Delight-request@loopers-delight.com  Mon Mar  6 14:09:36 2006
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Date: Mon, 6 Mar 2006 15:09:33 +0100 (CET)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: streaming !
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Hi !
   
  All of this is new to me, both the looping-gear, loopers delight and the loop- oriented music. And I have to say, I`m starting to enjoy music again !
   
  I didn`t understand how to take part in the "streaming". Please tell me: where to find this, and how to listen ? Will I be able to download this music ?
   
  Mr. boysen, you answered me earlier, but the mail has disappeared! 
   
  Rune F
   

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<div>Hi !</div>  <div>&nbsp;</div>  <div>All of this is new to me, both&nbsp;the looping-gear, loopers delight&nbsp;and&nbsp;the loop- oriented music. And I have to say, I`m starting to enjoy music again !</div>  <div>&nbsp;</div>  <div>I didn`t&nbsp;understand how to take part in the "streaming". Please tell me: where to find this, and&nbsp;how to listen ? Will I be able to download this music ?</div>  <div>&nbsp;</div>  <div>Mr. boysen, you answered me earlier, but the&nbsp;mail has&nbsp;disappeared! </div>  <div>&nbsp;</div>  <div>Rune F</div>  <div>&nbsp;</div>
--0-2025264585-1141654173=:98694--

From Loopers-Delight-request@loopers-delight.com  Mon Mar  6 14:29:09 2006
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Maybe someone can help me?
I am looking for a looper for a friend of mine, who is a singer.

She wants to stand and face the audience so she doesn't necessarily
want to look at a floorpedal and since she has her hands free I'm
looking for something she could hold in her hands or mount at the
mic-stand.

She would need:
mono or stereo
record, overdub
start, stop, retrigger
two or more tracks, ability to mute/unmute each track independently
good sound quality


is there another looper apart from the repeater that could do this?
I am not very familiar with samplers,
is there a small (on the fly) sampler with similar possibilities,
since she could retrigger samples continuously to get a loop playing?

thank you,
Matthias (L)

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>>> Are there many loopers here that use Mobius as their main looping system?

there is one more.

hurdy-gurdy/laptop/RME/bidule/möbius

Matthias (L)

http://matthias.loibner.net

From Loopers-Delight-request@loopers-delight.com  Mon Mar  6 14:42:07 2006
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References: <20060306070044.22304.qmail@web26211.mail.ukl.yahoo.com>
Subject: Re: Vedr. Re: Vedr. Re: Streaming My John Abercrombie Collection Now
Date: Mon, 6 Mar 2006 07:42:01 -0700
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Unfortunately not. I would have to upload all of the songs to my server =
and stream them from there, which would take up a lot of my server =
bandwidth. That's the nice thing about streaming to Shoutcast....you =
just stream to the public from your own hard drive.

Kris

  ----- Original Message -----=20
  From: rune fagereng=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Monday, March 06, 2006 12:00 AM
  Subject: Vedr. Re: Vedr. Re: Streaming My John Abercrombie Collection =
Now



  Is this material also possible to download/copy ?

  Rune f=20

  Kris Hartung <khartung@cableone.net> skrev:
    In this case, it's where you connect to a server like Shoutcast, and =
it plays MP3s from your hard drive through the server, so that multiple =
people can connect to the server address and listen to the same music. =
So rather than downloading the MP3s, which is asynchronous, everyone =
tunes into the same MP3 plaing from the server. Think of it like an =
internet radio station. I can also stream live sound, anything that I =
feed to the line in of my laptop, which is how I stream my live looping =
performances.

    Kris

      ----- Original Message -----=20
      From: rune fagereng=20
      To: Loopers-Delight@loopers-delight.com=20
      Sent: Sunday, March 05, 2006 3:14 PM
      Subject: Vedr. Re: Streaming My John Abercrombie Collection Now


      Whats streaming ?=20

      RF

      Nemoguitt@aol.com skrev:

        In a message dated 3/4/06 11:24:21 PM, khartung@cableone.net =
writes:



          Next is Terje Rypdal
          and John McLaughlin.



        please keep us updated kris.....thnaks



        www.ct-collective.com
        http://mysite.verizon.net/vzepmeci/
        http://www.myspace.com/klobuchar11





------=_NextPart_000_037D_01C640F1.74EC3150
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2802" name=3DGENERATOR></HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Unfortunately not. I would have to =
upload all of=20
the songs to my server and stream them from there, which would take up a =
lot of=20
my server bandwidth. That's the nice thing about streaming to =
Shoutcast....you=20
just stream to the public from your own hard drive.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Drune_fagereng@yahoo.no =
href=3D"mailto:rune_fagereng@yahoo.no">rune=20
  fagereng</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, March 06, 2006 =
12:00=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Vedr. Re: Vedr. Re: =
Streaming My=20
  John Abercrombie Collection Now</DIV>
  <DIV><BR></DIV>
  <DIV>&nbsp;</DIV>
  <DIV>Is this material also possible to download/copy ?</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>Rune f&nbsp;<BR><BR><B><I>Kris Hartung &lt;<A=20
  =
href=3D"mailto:khartung@cableone.net">khartung@cableone.net</A>&gt;</I></=
B>=20
  skrev:</DIV>
  <BLOCKQUOTE class=3Dreplbq=20
  style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px =
solid">
    <META content=3D"MSHTML 6.00.2900.2802" name=3DGENERATOR>
    <STYLE></STYLE>

    <DIV><FONT face=3DArial size=3D2>In this case, it's where you =
connect to a=20
    server like Shoutcast, and it plays MP3s from your hard drive =
through the=20
    server, so that multiple people can connect to the server =
address&nbsp;and=20
    listen to the same music. So rather than downloading the MP3s, which =
is=20
    asynchronous, everyone tunes into the same MP3 plaing from the =
server. Think=20
    of it like an internet radio station. I can also stream live sound, =
anything=20
    that I feed to the line in of my laptop, which is how I stream my =
live=20
    looping performances.</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
    <DIV>&nbsp;</DIV>
    <BLOCKQUOTE=20
    style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
      <DIV style=3D"FONT: 10pt arial">----- Original Message ----- =
</DIV>
      <DIV=20
      style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
      <A title=3Drune_fagereng@yahoo.no =
href=3D"mailto:rune_fagereng@yahoo.no">rune=20
      fagereng</A> </DIV>
      <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
      title=3DLoopers-Delight@loopers-delight.com=20
      =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
      </DIV>
      <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Sunday, March 05, =
2006 3:14=20
      PM</DIV>
      <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Vedr. Re: =
Streaming My John=20
      Abercrombie Collection Now</DIV>
      <DIV><BR></DIV>
      <DIV>Whats streaming ? </DIV>
      <DIV>&nbsp;</DIV>
      <DIV>RF<BR><BR><B><I><A=20
      href=3D"mailto:Nemoguitt@aol.com">Nemoguitt@aol.com</A></I></B> =
skrev:</DIV>
      <BLOCKQUOTE class=3Dreplbq=20
      style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff =
2px solid"><FONT=20
        face=3Darial,helvetica><FONT face=3DGeneva color=3D#000000 =
size=3D2=20
        FAMILY=3D"SANSSERIF"><BR>In a message dated 3/4/06 11:24:21 PM, =
<A=20
        href=3D"mailto:khartung@cableone.net">khartung@cableone.net</A>=20
        writes:<BR><BR><BR>
        <BLOCKQUOTE=20
        style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: =
#0000ff 2px solid; MARGIN-RIGHT: 0px"=20
        cite=3D"" TYPE=3D"CITE"></FONT><FONT face=3DGeneva =
color=3D#000000 size=3D2=20
          FAMILY=3D"SANSSERIF">Next is Terje Rypdal<BR>and John=20
        McLaughlin.<BR></BLOCKQUOTE></FONT><FONT face=3DGeneva =
color=3D#000000=20
        size=3D2 FAMILY=3D"SANSSERIF"><BR><BR></FONT><FONT face=3DGeneva =
color=3D#000000=20
        size=3D2 FAMILY=3D"SANSSERIF">please keep us updated=20
        kris.....thnaks<BR><BR><BR><BR><A=20
        =
href=3D"http://www.ct-collective.com/">www.ct-collective.com</A><BR><A=20
        =
href=3D"http://mysite.verizon.net/vzepmeci/">http://mysite.verizon.net/vz=
epmeci/</A><BR><A=20
        =
href=3D"http://www.myspace.com/klobuchar11">http://www.myspace.com/klobuc=
har11</A><BR></FONT><FONT=20
        face=3DGeneva color=3D#000000 size=3D2=20
      =
FAMILY=3D"SANSSERIF"></FONT></BLOCKQUOTE><BR></BLOCKQUOTE></FONT></BLOCKQ=
UOTE><BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_037D_01C640F1.74EC3150--


From Loopers-Delight-request@loopers-delight.com  Mon Mar  6 15:09:03 2006
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From: Per Boysen <per@boysen.se>
Subject: Re: streaming !
Date: Mon, 6 Mar 2006 16:08:58 +0100
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On 6 mar 2006, at 15.09, rune fagereng wrote:

> I didn`t understand how to take part in the "streaming". Please  
> tell me: where to find this, and how to listen ? Will I be able to  
> download this music ?
>
> Mr. boysen, you answered me earlier, but the mail has disappeared!


Did I answer queries from you on the subject "streaming"? I'm afraid  
I don't remember the what I answered - can you post the question a  
second time?

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast? 
id=128679560&s=143456



From Loopers-Delight-request@loopers-delight.com  Mon Mar  6 16:14:22 2006
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Subject: RE: Half Space Effect Processors
Date: Mon, 6 Mar 2006 10:14:06 -0600
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> From: johnsrude@peak.org [mailto:johnsrude@peak.org]=20
> For empty rack spaces I think you should be thinking about=20
> products from:
> http://www.funklogic.com

There are also some great links on this site, be sure to check out:

  http://www.sonicfinger.com/

The Virtual Studio Visitor looks cool, but sadly it looks like it
only runs on Mac and it's priced up in the ProTools range.

But I did take the plunge and get an Algorhythmic Prosecutor
and Digilog Dynamicator from Sweetwater.  I think these will
be just what I was looking for to sweeten up my mixes.

Jeff

From Loopers-Delight-request@loopers-delight.com  Tue Mar  7 00:12:42 2006
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Date: Mon, 6 Mar 2006 16:12:40 -0800 (PST)
From: Luis Angulo <labalou2000@yahoo.com>
Subject: Re: Half Space Effect Processors
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have u got a red tie yet? ive got one u can have;-)

--- Kris Hartung <khartung@cableone.net> wrote:

> I love those cute little red boxes....I'm infatuated
> with red and have been 
> since I was a kid. Red fire engines...red radio
> flyer wagon, red tricycle, 
> red tennis shoes (2 years old)...I have a red Jeep
> Cherokee...a red Boss 
> VF1, etc...who knows what's next on the list. :)
> Kris
> 
> 
> 
> ----- Original Message ----- 
> From: "Stuart Wyatt" <loopersdelight@swyatt.com>
> To: "loopersdelight"
> <loopers-delight@loopers-delight.com>
> Sent: Sunday, March 05, 2006 5:54 AM
> Subject: Re: Half Space Effect Processors
> 
> 
> > Not effect processors as such, but Nobels do a
> nice range of 1/4 space
> > expansion modules that can be interlinked to fill
> in a few holes in the 
> > rack
> > http://www.nobels.com/en/index.htm
> >
> > -- 
> > Stuart Wyatt - http://swyatt.com
> > 
> 
> 
> 


www.luis-angulo.com

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Tue Mar  7 07:41:33 2006
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Subject: Re: Vedr. Streaming My John Abercrombie Collection Now
Date: Tue, 7 Mar 2006 01:41:28 -0600
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On Mar 5, 2006, at 12:09 PM, David Trenkel wrote:
> he's as 'Merikin as (...) global domination...

oh wow. that's totally sweet.

knee jerk preschool political observations equating Jon Hassel to 
"global domination" on an internet list.

you are awesome dude. you should be on Crossfire next week.

i'm going to go polish my jackboots ...
---
Eric Williamson
www.suitandtieguy.com

From Loopers-Delight-request@loopers-delight.com  Tue Mar  7 07:59:47 2006
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On Monday, March 6, 2006, at 11:41 PM, Suit & Tie Guy wrote:

> On Mar 5, 2006, at 12:09 PM, David Trenkel wrote:
>> he's as 'Merikin as (...) global domination...
>
> oh wow. that's totally sweet.
>
> knee jerk preschool political observations equating Jon Hassel to 
> "global domination" on an internet list.

It wouldn't necessarily be so bad a thing were Jon Hasell to rule the 
world :-). Though I imagine the mandatory harmonizers might chafe a bit.

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Date: Tue, 7 Mar 2006 09:24:57 +0100 (CET)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject:  Jon Hassells music
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Hi !
   
  I just have come across Jon Hassells music and I love it. Since he`s so inspiring to me, I wanted to share this with you music-lovers.
   
  In doing this I came to say that Hassell was a Canadian trompeter. Guys that new better replayed, and said his from L.A.
   
  I notice some harsh mails regarding USAs politics because of my mistake. 
   
  I hope I`ve not started some hostile thing, all I wanted to say is that I love Jon Hassells music !
   
  Take care !
   
  Rune F, Norway    

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<div>Hi !</div>  <div>&nbsp;</div>  <div>I just have&nbsp;come across Jon Hassells music and I love it.&nbsp;Since he`s so inspiring to me, I wanted to share this with you&nbsp;music-lovers.</div>  <div>&nbsp;</div>  <div>In doing this I&nbsp;came to say that Hassell was a Canadian&nbsp;trompeter. Guys that new better replayed, and said his from L.A.</div>  <div>&nbsp;</div>  <div>I notice some harsh mails regarding USAs politics because of my&nbsp;mistake.&nbsp;</div>  <div>&nbsp;</div>  <div>I hope I`ve not started some hostile thing, all I wanted&nbsp;to say is&nbsp;that&nbsp;I love Jon Hassells music !</div>  <div>&nbsp;</div>  <div>Take care !</div>  <div>&nbsp;</div>  <div>Rune F, Norway&nbsp;&nbsp;&nbsp;&nbsp;</div>
--0-639056110-1141719897=:37530--

From Loopers-Delight-request@loopers-delight.com  Tue Mar  7 08:30:58 2006
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From: Per Boysen <per@boysen.se>
Subject: Inexpensive digital music TIP  (was: Streaming My John Abercrombie Collection Now)
Date: Tue, 7 Mar 2006 09:30:54 +0100
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On 6 mar 2006, at 15.42, Kris Hartung wrote:

> Unfortunately not. I would have to upload all of the songs to my  
> server and stream them from there, which would take up a lot of my  
> server bandwidth. That's the nice thing about streaming to  
> Shoutcast....you just stream to the public from your own hard drive.


Aha, now I understand why the listening link doesn't work: you have  
to keep your Bois computer switched on and online. Stupid me thought  
the files were uploaded to Shoutcast because that's what I had to do  
when I put on two internet radio channels at Live365.com, and as I  
recall they were using the shoutcast protocol.

Anyway (look out - here comes a great tip...), besides searching iTMS  
podcasts, I just found a Russian site to buy music digitally for  
around USD 1.49 an album! That price is for files encoded at 192 kbps  
and if you go for 320 kbps ("CD fidelity") it's a little more  
expensive, but still cheap. For many years I have been wanting to  
digitize my old vinyl records but now I just bought many of them as  
320 kbps AAC files instead, saving the cost for the ripping,  
digitizing and encoding time as well as the cost for buying an analog  
turntable. Found no Abercrombie though, Kris ;-)  but lots of  
Garbarek and Laswell stuff.

I wonder how those ruskies can get away with selling music that  
inexpensive? MP3.com once got sued for a similar activity (digitally  
duplicating CD's they had bought, forgetting about the fact that  
buying a CD only gives you license for personal use of copy of the  
particular audio recording) and lost the case, so it can't be legal  
according to American law. But I guess Russia is not yet part of the  
US... ;-)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast? 
id=128679560&s=143456



From Loopers-Delight-request@loopers-delight.com  Tue Mar  7 08:42:34 2006
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From: Per Boysen <per@boysen.se>
Subject: Re: Jon Hassells music
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On 7 mar 2006, at 09.24, rune fagereng wrote:

> t I love Jon Hassells music !


YES! Finally a thread worth reading ;-)  I too love Hassels stuff.  
Bumped into his music back in -79 and it completely blew my mind. A  
friend said he was "using synthethizers" but I didn't believe so. It  
took years to dig out the fact that he actually was playing a trumpet  
into a harmonizer, using musical phrasing he had learned from  
studying for an indian singer. In the early eighties he was touring  
to a Swedish city and I managed to go there over the day/night to  
watch the concert. That was the first time I came to hear the use of  
"Freeze Reverb", a wonderful effect that now comes bundled with  
Ableton Live right into your laptop - if you want. That concert was  
also the first time I found out that the UDU was the instrument that  
created another sound I had fallen in love with from only hearing it  
on recordings. Today I jam with udu players and it's a rather common  
instrument around here.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast? 
id=128679560&s=143456



From Loopers-Delight-request@loopers-delight.com  Tue Mar  7 08:45:11 2006
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On 7 mar 2006, at 09.30, Per Boysen wrote:

>  I just found a Russian site to buy music digitally for around USD  
> 1.49 an album!

Oops, forgot the link: http://music.allofmp3.com

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast? 
id=128679560&s=143456



From Loopers-Delight-request@loopers-delight.com  Tue Mar  7 09:04:13 2006
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Subject: Vedr. Re: Jon Hassells music
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Hi !
   
  Have you ever tried making this sound on the guitar ?
  With use of harmonizer and the "freeze reverb" ?
   
  Do you use ableton for liveplaying ?
   
  Rune f 

Per Boysen <per@boysen.se> skrev:
  On 7 mar 2006, at 09.24, rune fagereng wrote:

> t I love Jon Hassells music !


YES! Finally a thread worth reading ;-) I too love Hassels stuff. 
Bumped into his music back in -79 and it completely blew my mind. A 
friend said he was "using synthethizers" but I didn't believe so. It 
took years to dig out the fact that he actually was playing a trumpet 
into a harmonizer, using musical phrasing he had learned from 
studying for an indian singer. In the early eighties he was touring 
to a Swedish city and I managed to go there over the day/night to 
watch the concert. That was the first time I came to hear the use of 
"Freeze Reverb", a wonderful effect that now comes bundled with 
Ableton Live right into your laptop - if you want. That concert was 
also the first time I found out that the UDU was the instrument that 
created another sound I had fallen in love with from only hearing it 
on recordings. Today I jam with udu players and it's a rather common 
instrument around here.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast? 
id=128679560&s=143456





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<div>Hi !</div>  <div>&nbsp;</div>  <div>Have you ever tried&nbsp;making this sound on the guitar ?</div>  <div>With use of harmonizer and the "freeze reverb" ?</div>  <div>&nbsp;</div>  <div>Do you use ableton for liveplaying ?</div>  <div>&nbsp;</div>  <div>Rune f&nbsp;<BR><BR><B><I>Per Boysen &lt;per@boysen.se&gt;</I></B> skrev:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">On 7 mar 2006, at 09.24, rune fagereng wrote:<BR><BR>&gt; t I love Jon Hassells music !<BR><BR><BR>YES! Finally a thread worth reading ;-) I too love Hassels stuff. <BR>Bumped into his music back in -79 and it completely blew my mind. A <BR>friend said he was "using synthethizers" but I didn't believe so. It <BR>took years to dig out the fact that he actually was playing a trumpet <BR>into a harmonizer, using musical phrasing he had learned from <BR>studying for an indian singer. In the early eighties he was touring <BR>to a Swedish city and I
 managed to go there over the day/night to <BR>watch the concert. That was the first time I came to hear the use of <BR>"Freeze Reverb", a wonderful effect that now comes bundled with <BR>Ableton Live right into your laptop - if you want. That concert was <BR>also the first time I found out that the UDU was the instrument that <BR>created another sound I had fallen in love with from only hearing it <BR>on recordings. Today I jam with udu players and it's a rather common <BR>instrument around here.<BR><BR>Greetings from Sweden<BR><BR>Per Boysen<BR>www.boysen.se (Swedish)<BR>www.looproom.com (international)<BR>http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast? <BR>id=128679560&amp;s=143456<BR><BR><BR><BR></BLOCKQUOTE><BR>
--0-1304677557-1141722250=:98750--

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Subject: Re: Vedr. Re: Jon Hassells music
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On 7 mar 2006, at 10.04, rune fagereng wrote:

> Have you ever tried making this sound on the guitar ?

Yes, but I gave up after two minutes, realizing that a guitar is a  
guitar, a trumpet is a trumpet, Jon is Jon and I had yet to find out  
who the hell I am before making any significant noise with whatever  
instrument ;-)  With a guitar there are lots of other cool sounds  
available. But I think Norwegian guitarist Eivind Aarset plays guitar  
quite close to Hassels tone, although Eivind has his own identity and  
unique expression (fretless guitar played with ebow through Electro  
Harmonix Micro Synth and compressor - and a BIG EAR for micro-tonality).

> With use of harmonizer and the "freeze reverb" ?

Yes. But instead of harmonizer, these days I prefer to layer loops  
while instantly transposing pitch in my looping devices. And I tend  
to prefer monophonic instruments for looping, leaving out the guitar  
to play more flute and sax. IMHO it's more fun to make up chords that  
way compared to playing chords on a guitar ;-)  And The Fun is why I  
make music in the first place.

>  Do you use ableton for liveplaying ?

Yes, sometimes. I use Live as a mixer and to get at the built-in  
Freeze Verb and and some Pluggo effects. In the past I was using Live  
also for hosting MIDI sequences that I like to trigger to dynamically  
change parameters in my loopers but since I started using mainly  
Mobius for looping I tend to use scripts in Mobius for that. At the  
moment I'm using Mobius as a standalone application but as soon as  
Mobius will support two parallel MIDI clock outputs (one addressing  
Live and the other addressing my external pre amp/effect processor) I  
will be able to use Mobius again as VST plug-in with Live (I miss  
that lovely FreezeVerb and my Pluggo effects).

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast? 
id=128679560&s=143456



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Subject: Re: Vedr. Re: Jon Hassells music
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Per Boysen wrote:

> On 7 mar 2006, at 10.04, rune fagereng wrote:
>
>> Have you ever tried making this sound on the guitar ?
>
>
> Yes, but I gave up after two minutes, realizing that a guitar is a  
> guitar, a trumpet is a trumpet, Jon is Jon and I had yet to find out  
> who the hell I am before making any significant noise with whatever  
> instrument ;-)  With a guitar there are lots of other cool sounds  
> available. But I think Norwegian guitarist Eivind Aarset plays guitar  
> quite close to Hassels tone, although Eivind has his own identity and  
> unique expression (fretless guitar played with ebow through Electro  
> Harmonix Micro Synth and compressor - and a BIG EAR for micro-tonality). 

Haven't heard Aarset yet. Michael Brook has the Hassell tone and also 
studied with Pandit Pran Nath.

-- 
* David Beardsley
* microtonal guitar
* http://biink.com/db

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From: Per Boysen <per@boysen.se>
Subject: Re: Vedr. Re: Jon Hassells music
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On 7 mar 2006, at 10.59, David Beardsley wrote:

> Haven't heard Aarset yet. Michael Brook has the Hassell tone and  
> also studied with Pandit Pran Nath.

Interesting! I have also listened to Michael Brook but I didn't know  
he as well studied with Nath.

For those interested: Two weeks ago there was a great thread on this  
list about Brooks "Infinite Guitar" and related things (see the  
archives)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast? 
id=128679560&s=143456



From Loopers-Delight-request@loopers-delight.com  Tue Mar  7 10:27:47 2006
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Per Boysen wrote:

> On 7 mar 2006, at 10.59, David Beardsley wrote:
>
>> Haven't heard Aarset yet. Michael Brook has the Hassell tone and  
>> also studied with Pandit Pran Nath.
>
>
> Interesting! I have also listened to Michael Brook but I didn't know  
> he as well studied with Nath.


He was even on a couple of Hassell's albums.


-- 
* David Beardsley
* microtonal guitar
* http://biink.com/db

From Loopers-Delight-request@loopers-delight.com  Tue Mar  7 10:47:01 2006
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From: Per Boysen <per@boysen.se>
Subject: Aarset's albums (was:  Jon Hassells music)
Date: Tue, 7 Mar 2006 11:46:57 +0100
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>> On 7 mar 2006, at 10.59, David Beardsley wrote:
>>> Haven't heard Aarset yet. Michael Brook has the Hassell tone and   
>>> also studied with Pandit Pran Nath.
>>
>> Per Boysen wrote:
>> Interesting! I have also listened to Michael Brook but I didn't  
>> know  he as well studied with Nath.
>
> On 7 mar 2006, at 11.28, David Beardsley wrote:

> He was even on a couple of Hassell's albums.


yep, and Aarset plays with Hassel now. Here's a link to Aarset's  
albums on iTMS. You can preview listen with iTunes.
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewArtist?id=14739036

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast? 
id=128679560&s=143456



From Loopers-Delight-request@loopers-delight.com  Tue Mar  7 11:45:25 2006
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Subject: Re: Inexpensive digital music TIP  (was: Streaming My John
  Abercrombie Collection Now)
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At 12:30 AM 3/7/2006, you wrote:
>I wonder how those ruskies can get away with selling music that
>inexpensive?

It's simple really.  They steal it.  No money for labels or the 
artists. Boohoo for the labels but it really stinks for artists who 
rely on the income from either royalties or on selling their own CDs.


From Loopers-Delight-request@loopers-delight.com  Tue Mar  7 15:36:55 2006
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From: =?ISO-8859-1?Q?tEd_=AE_kiLLiAn?= <tedkillian@charter.net>
Subject: Re: Jon Hassells music
Date: Tue, 7 Mar 2006 07:37:21 -0800
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Rune,

I have to admit I'm a sucker for Hassell's music as well. Beginning with
is work with Eno on "Powerspot" and up to "Facinoma" just a few years
back, I have quite a few recordings of him. He's absolutely unique and
I've always dreamt of finding a trumpet player somewhat like that to
play with. Mark Isham is another favorite . . . and so is Nils Peter
Molvaer.

T=AEK

On Mar 7, 2006, at 12:24 AM, rune fagereng wrote:

> Hi !
> =A0
> I just have=A0come across Jon Hassells music and I love it.=A0Since =
he`s=20
> so inspiring to me, I wanted to share this with you=A0music-lovers.
> =A0
> In doing this I=A0came to say that Hassell was a Canadian=A0trompeter.=20=

> Guys that new better replayed, and said his from L.A.
> =A0
> I notice some harsh mails regarding USAs politics because of=20
> my=A0mistake.=A0
> =A0
> I hope I`ve not started some hostile thing, all I wanted=A0to say=20
> is=A0that=A0I love Jon Hassells music !
> =A0
> Take care !
> =A0
> Rune F, Norway=A0=A0=A0=A0=

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Date: Tue, 7 Mar 2006 17:18:59 +0100 (CET)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: Vedr. Re: Jon Hassells music
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--0-1453909532-1141748339=:71169
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Hi !
   
  I live not far from Oslo, the capital i Norway and the place where Eivind Aarset(guitarist for Molvaer and Hassell) and Molvear lives, so I have the pleasure of going to their conserts once in a wail. I also love Molvaers trompetplaying and I am a huge fan of Aarset too. 
   
  This is also the kind of music I like to play, if I could !
   
  best regardings Rune F, Norway   

tEd ® kiLLiAn <tedkillian@charter.net> skrev:
  Rune,

I have to admit I'm a sucker for Hassell's music as well. Beginning with
is work with Eno on "Powerspot" and up to "Facinoma" just a few years
back, I have quite a few recordings of him. He's absolutely unique and
I've always dreamt of finding a trumpet player somewhat like that to
play with. Mark Isham is another favorite . . . and so is Nils Peter
Molvaer.

T®K

On Mar 7, 2006, at 12:24 AM, rune fagereng wrote:

> Hi !
>  
> I just have come across Jon Hassells music and I love it. Since he`s 
> so inspiring to me, I wanted to share this with you music-lovers.
>  
> In doing this I came to say that Hassell was a Canadian trompeter. 
> Guys that new better replayed, and said his from L.A.
>  
> I notice some harsh mails regarding USAs politics because of 
> my mistake. 
>  
> I hope I`ve not started some hostile thing, all I wanted to say 
> is that I love Jon Hassells music !
>  
> Take care !
>  
> Rune F, Norway    


--0-1453909532-1141748339=:71169
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<div>Hi !</div>  <div>&nbsp;</div>  <div>I live not far from Oslo, the capital i Norway and the place where Eivind Aarset(guitarist for Molvaer and Hassell) and Molvear lives, so I have the pleasure of&nbsp;going to their conserts once in a wail. I also love Molvaers trompetplaying and I am a huge fan of Aarset too. </div>  <div>&nbsp;</div>  <div>This is also the kind of music I like to play, if I could !</div>  <div>&nbsp;</div>  <div>best regardings Rune F, Norway&nbsp;&nbsp;&nbsp;<BR><BR><B><I>tEd ® kiLLiAn &lt;tedkillian@charter.net&gt;</I></B> skrev:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">Rune,<BR><BR>I have to admit I'm a sucker for Hassell's music as well. Beginning with<BR>is work with Eno on "Powerspot" and up to "Facinoma" just a few years<BR>back, I have quite a few recordings of him. He's absolutely unique and<BR>I've always dreamt of finding a trumpet player somewhat like that to<BR>play with. Mark
 Isham is another favorite . . . and so is Nils Peter<BR>Molvaer.<BR><BR>T®K<BR><BR>On Mar 7, 2006, at 12:24 AM, rune fagereng wrote:<BR><BR>&gt; Hi !<BR>&gt; &nbsp;<BR>&gt; I just have&nbsp;come across Jon Hassells music and I love it.&nbsp;Since he`s <BR>&gt; so inspiring to me, I wanted to share this with you&nbsp;music-lovers.<BR>&gt; &nbsp;<BR>&gt; In doing this I&nbsp;came to say that Hassell was a Canadian&nbsp;trompeter. <BR>&gt; Guys that new better replayed, and said his from L.A.<BR>&gt; &nbsp;<BR>&gt; I notice some harsh mails regarding USAs politics because of <BR>&gt; my&nbsp;mistake.&nbsp;<BR>&gt; &nbsp;<BR>&gt; I hope I`ve not started some hostile thing, all I wanted&nbsp;to say <BR>&gt; is&nbsp;that&nbsp;I love Jon Hassells music !<BR>&gt; &nbsp;<BR>&gt; Take care !<BR>&gt; &nbsp;<BR>&gt; Rune F, Norway&nbsp;&nbsp;&nbsp;&nbsp;<BR></BLOCKQUOTE><BR>
--0-1453909532-1141748339=:71169--

From Loopers-Delight-request@loopers-delight.com  Tue Mar  7 16:20:17 2006
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Subject: Re: Jon Hassells music
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I know only "The fourth world"
Can you suggest me other interesting Hassell' works ?
fabio

----- Original Message ----- 
From: "tEd ® kiLLiAn" <tedkillian@charter.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, March 07, 2006 4:37 PM
Subject: Re: Jon Hassells music


Rune,

I have to admit I'm a sucker for Hassell's music as well. Beginning with
is work with Eno on "Powerspot" and up to "Facinoma" just a few years
back, I have quite a few recordings of him. He's absolutely unique and
I've always dreamt of finding a trumpet player somewhat like that to
play with. Mark Isham is another favorite . . . and so is Nils Peter
Molvaer.

T®K

On Mar 7, 2006, at 12:24 AM, rune fagereng wrote:

> Hi !
>
> I just have come across Jon Hassells music and I love it. Since he`s so 
> inspiring to me, I wanted to share this with you music-lovers.
>
> In doing this I came to say that Hassell was a Canadian trompeter. Guys 
> that new better replayed, and said his from L.A.
>
> I notice some harsh mails regarding USAs politics because of my mistake.
> I hope I`ve not started some hostile thing, all I wanted to say is that I 
> love Jon Hassells music !
>
> Take care !
>
> Rune F, Norway


From Loopers-Delight-request@loopers-delight.com  Tue Mar  7 16:36:11 2006
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Folks should know about this: http://jonhassell.com

and the Powerspot list:

<http://launch.groups.yahoo.com/group/powerspot/?yguid=70544219>

-- 
* David Beardsley
* microtonal guitar
* http://biink.com/db

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On 7 mar 2006, at 17.22, Fabio Anile wrote:

> I know only "The fourth world"
> Can you suggest me other interesting Hassell' works ?

http://www.jonhassell.com/

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast? 
id=128679560&s=143456



From Loopers-Delight-request@loopers-delight.com  Tue Mar  7 16:42:04 2006
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I keep going back to the "Powerspot" album.

               joe


On Tuesday, March 7, 2006, at 08:22 AM, Fabio Anile wrote:

> I know only "The fourth world"
> Can you suggest me other interesting Hassell' works ?
> fabio
>
> ----- Original Message ----- From: "tEd =AE kiLLiAn"=20
> <tedkillian@charter.net>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Tuesday, March 07, 2006 4:37 PM
> Subject: Re: Jon Hassells music
>
>
> Rune,
>
> I have to admit I'm a sucker for Hassell's music as well. Beginning=20
> with
> is work with Eno on "Powerspot" and up to "Facinoma" just a few years
> back, I have quite a few recordings of him. He's absolutely unique and
> I've always dreamt of finding a trumpet player somewhat like that to
> play with. Mark Isham is another favorite . . . and so is Nils Peter
> Molvaer.
>
> T=AEK
>
> On Mar 7, 2006, at 12:24 AM, rune fagereng wrote:
>
>> Hi !
>>
>> I just have come across Jon Hassells music and I love it. Since he`s=20=

>> so inspiring to me, I wanted to share this with you music-lovers.
>>
>> In doing this I came to say that Hassell was a Canadian trompeter.=20
>> Guys that new better replayed, and said his from L.A.
>>
>> I notice some harsh mails regarding USAs politics because of my=20
>> mistake.
>> I hope I`ve not started some hostile thing, all I wanted to say is=20
>> that I love Jon Hassells music !
>>
>> Take care !
>>
>> Rune F, Norway
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Mar  7 16:50:49 2006
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Subject: Vedr. Re: Jon Hassells music
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Hi !
   
  I love "Maarifa Street / Magic Realism 2". But I needed some time to get there.
   
  Rune f  

Sheila Olson <onelonecrow@earthlink.net> skrev:
  I keep going back to the "Powerspot" album.

joe


On Tuesday, March 7, 2006, at 08:22 AM, Fabio Anile wrote:

> I know only "The fourth world"
> Can you suggest me other interesting Hassell' works ?
> fabio
>
> ----- Original Message ----- From: "tEd ® kiLLiAn" 
> 
> To: 
> Sent: Tuesday, March 07, 2006 4:37 PM
> Subject: Re: Jon Hassells music
>
>
> Rune,
>
> I have to admit I'm a sucker for Hassell's music as well. Beginning 
> with
> is work with Eno on "Powerspot" and up to "Facinoma" just a few years
> back, I have quite a few recordings of him. He's absolutely unique and
> I've always dreamt of finding a trumpet player somewhat like that to
> play with. Mark Isham is another favorite . . . and so is Nils Peter
> Molvaer.
>
> T®K
>
> On Mar 7, 2006, at 12:24 AM, rune fagereng wrote:
>
>> Hi !
>>
>> I just have come across Jon Hassells music and I love it. Since he`s 
>> so inspiring to me, I wanted to share this with you music-lovers.
>>
>> In doing this I came to say that Hassell was a Canadian trompeter. 
>> Guys that new better replayed, and said his from L.A.
>>
>> I notice some harsh mails regarding USAs politics because of my 
>> mistake.
>> I hope I`ve not started some hostile thing, all I wanted to say is 
>> that I love Jon Hassells music !
>>
>> Take care !
>>
>> Rune F, Norway
>
>



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<div>Hi !</div>  <div>&nbsp;</div>  <div>I love "<A href="http://www.jonhassell.com/maarifa.html" target=_top><STRONG><EM>Maarifa Street / Magic Realism 2</EM></STRONG></A>". But I needed some&nbsp;time to get there.</div>  <div>&nbsp;</div>  <div>Rune f&nbsp;&nbsp;<BR><BR><B><I>Sheila Olson &lt;onelonecrow@earthlink.net&gt;</I></B> skrev:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">I keep going back to the "Powerspot" album.<BR><BR>joe<BR><BR><BR>On Tuesday, March 7, 2006, at 08:22 AM, Fabio Anile wrote:<BR><BR>&gt; I know only "The fourth world"<BR>&gt; Can you suggest me other interesting Hassell' works ?<BR>&gt; fabio<BR>&gt;<BR>&gt; ----- Original Message ----- From: "tEd ® kiLLiAn" <BR>&gt; <TEDKILLIAN@CHARTER.NET><BR>&gt; To: <LOOPERS-DELIGHT@LOOPERS-DELIGHT.COM><BR>&gt; Sent: Tuesday, March 07, 2006 4:37 PM<BR>&gt; Subject: Re: Jon Hassells music<BR>&gt;<BR>&gt;<BR>&gt; Rune,<BR>&gt;<BR>&gt; I have to admit I'm a
 sucker for Hassell's music as well. Beginning <BR>&gt; with<BR>&gt; is work with Eno on "Powerspot" and up to "Facinoma" just a few years<BR>&gt; back, I have quite a few recordings of him. He's absolutely unique and<BR>&gt; I've always dreamt of finding a trumpet player somewhat like that to<BR>&gt; play with. Mark Isham is another favorite . . . and so is Nils Peter<BR>&gt; Molvaer.<BR>&gt;<BR>&gt; T®K<BR>&gt;<BR>&gt; On Mar 7, 2006, at 12:24 AM, rune fagereng wrote:<BR>&gt;<BR>&gt;&gt; Hi !<BR>&gt;&gt;<BR>&gt;&gt; I just have come across Jon Hassells music and I love it. Since he`s <BR>&gt;&gt; so inspiring to me, I wanted to share this with you music-lovers.<BR>&gt;&gt;<BR>&gt;&gt; In doing this I came to say that Hassell was a Canadian trompeter. <BR>&gt;&gt; Guys that new better replayed, and said his from L.A.<BR>&gt;&gt;<BR>&gt;&gt; I notice some harsh mails regarding USAs politics because of my <BR>&gt;&gt; mistake.<BR>&gt;&gt; I hope I`ve not started some hostile thing,
 all I wanted to say is <BR>&gt;&gt; that I love Jon Hassells music !<BR>&gt;&gt;<BR>&gt;&gt; Take care !<BR>&gt;&gt;<BR>&gt;&gt; Rune F, Norway<BR>&gt;<BR>&gt;<BR><BR></BLOCKQUOTE><BR>
--0-1318911380-1141750244=:30667--

From Loopers-Delight-request@loopers-delight.com  Tue Mar  7 16:53:13 2006
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At 5:22 PM +0100 3/7/06, Fabio Anile wrote:
>I know only "The fourth world"
>Can you suggest me other interesting Hassell' works ?

I'll put in a plug for Aka-Darbari-Java/Magic Realism.  I picked it 
up on vinyl on it's original release back when I was in college. 
Previously, I'd only heard Hassell on one track (taken from Dream 
Theory in Malaya) collected on an Editions EG sampler.  I thought 
this album was just amazing.

Heck, sometimes I'd pull it out of the stacks merely to stare at the 
cover artwork.  Beautiful...

	--m.

-- 
_______
"You are in a maze of twisty little passages, all alike..."

From Loopers-Delight-request@loopers-delight.com  Tue Mar  7 17:03:35 2006
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ok, just wanted to chime in and say that Jon is my all-time favorite
musician (yes, for those who know me, he means a lot more to me than even
Fripp :-)

Some of his tunes (e.g. from his old album Aka-Darbari-Java) _never_ fail to
give me the goosebumps, for their sheer beauty. It seems that lots of music
that I once loved wears off with time, but not Jon's. His music always works
for me. It seems to come directly from some holy place deep inside of me.

Fabio: try several albums, my favorite is Aka-Darbari-Java but his latest
album Maarifa Street (easier to get) is surprisingly similar at times.

Michael
www.michaelpeters.de

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In a message dated 3/7/06 4:47:22 AM, per@boysen.se writes:


> play more flute and sax. IMHO it's more fun to make up chords that=A0
> way compared to playing chords on a guitar ;-)
>=20

i have started to make up chords with guitar a single note at a=20
time.....using different places on the neck to get somewhat odd tonalities..=
...with=20
feedback lowered this can morph and completely change the "chord" by inputin=
g new=20
notes.....i can't play flute so you will have to come to pittsburgh per.....=
:)mic=20




www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
In a message dated 3/7/06 4:47:22 AM, per@boysen.se writes:<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">play more flute and s=
ax. IMHO it's more fun to make up chords that=A0<BR>
way compared to playing chords on a guitar ;-)<BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2">i have started to make up chords with guitar a single note at a time.....=
using different places on the neck to get somewhat odd tonalities.....with f=
eedback lowered this can morph and completely change the "chord" by inputing=
 new notes.....i can't play flute so you will have to come to pittsburgh per=
.....:)mic <BR>
<BR>
<BR>
<BR>
www.ct-collective.com<BR>
http://mysite.verizon.net/vzepmeci/<BR>
http://www.myspace.com/klobuchar11<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT></HTML>
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From Loopers-Delight-request@loopers-delight.com  Tue Mar  7 17:13:32 2006
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From: "Fabio Anile" <fabio.anile@tiscali.it>
To: <Loopers-Delight@loopers-delight.com>
Subject: Re: Jon Hassells Music
Date: Tue, 7 Mar 2006 18:15:29 +0100
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People, thanks for all of your suggestions !
fabio
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<DIV><FONT face=3D"Book Antiqua" color=3D#000080>People, t</FONT><FONT=20
face=3D"Book Antiqua" color=3D#000080>hanks for all of your suggestions=20
!</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" =
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From Loopers-Delight-request@loopers-delight.com  Tue Mar  7 17:20:49 2006
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From: Per Boysen <per@boysen.se>
Subject: Monophobix ;-)  (was.  Jon Hassells music)
Date: Tue, 7 Mar 2006 18:20:45 +0100
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> In a message dated 3/7/06 4:47:22 AM, per@boysen.se writes:
>
>> play more flute and sax. IMHO it's more fun to make up chords that
>> way compared to playing chords on a guitar ;-)
>
>
On 7 mar 2006, at 18.05, Nemoguitt@aol.com wrote:
>
> i have started to make up chords with guitar a single note at a =20
> time.....using different places on the neck to get somewhat odd =20
> tonalities.....with feedback lowered this can morph and completely =20
> change the "chord" by inputing new notes.....

Interesting! Bernhard Wagner also did that in a very nice way when we =20=

played together in Z=FCrich. Then you can "morph" back again with the =20=

Undo button!

(OT) The blessing of the E-bow:
it prevents the guitarist from killing the music with over harmonized =20=

chords ;-))

> i can't play flute so you will have to come to pittsburgh per.....:)=20=

> mic

yes, I'd love to get over there some day ;-)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?=20
id=3D128679560&s=3D143456



From Loopers-Delight-request@loopers-delight.com  Tue Mar  7 17:53:38 2006
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Date: Tue, 7 Mar 2006 12:53:25 EST
Subject: =?ISO-8859-1?Q?Re:=20Monophobix=20;-)=A0=20(was.=A0=20Jon=20Hass?=
 =?ISO-8859-1?Q?ells=20music)?=
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In a message dated 3/7/06 12:21:05 PM, per@boysen.se writes:


> Then you can "morph" back again with the=A0
> Undo button!
>=20
>=20

i'm sorry per but "undo" is for sissies.....:).....mic



www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
In a message dated 3/7/06 12:21:05 PM, per@boysen.se writes:<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">Then you can "morph"=20=
back again with the=A0<BR>
Undo button!<BR>
<BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2">i'm sorry per but "undo" is for sissies.....:).....mic<BR>
<BR>
<BR>
<BR>
www.ct-collective.com<BR>
http://mysite.verizon.net/vzepmeci/<BR>
http://www.myspace.com/klobuchar11<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT></HTML>
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From Loopers-Delight-request@loopers-delight.com  Tue Mar  7 19:16:09 2006
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From: Ronan Chris Murphy <looper@venetowest.com>
Subject: OT: New looping related label Launches
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--Apple-Mail-6-242983404
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After years of trying to find the time to do it, I have finally 
launched Veneto West Records with a distribution deal with DGM / Inner 
Knot. The first release "Destroying Silence: An Introduction to Veneto 
West Records" is a compilation that features 4 tracks of looping by 
Lives of the Saints (my looping duo with Bill Forth) as well as tons of 
other cool non looping stuff, and the label is planning a couple 
loop-centric releases over the next year. A short little blurb about 
the compilation is below.

You can learn more about the label here:
  http://www.venetowest.com/label/

And for a limited time DGM has the compilation on sale for only $5-USD 
if you order it here:
http://www.nexternal.com/dgm/Product818

_____
Ronan Chris Murphy who many of you might know from his work as a 
producer, engineer and/or mixer for the likes of Steve Morse, Bozzio 
Levin Stevens, the CGT and over a dozen releases by King Crimson has 
started a new label focused on hard jazz, prog and experimental new 
music, or as Murphy describes it "High brow music with a punk rock 
spirit"

"Destroying Silence: An introduction to Veneto West Records:" is a new 
compilation distributed exclusively through Inner Knot featuring 
Anthony Curtis, Willie Oteri, Lives of the Saints (Murphy with Bill 
Forth of 10 seconds), Jay Terrien and Italian band Hypnoise. Many of 
these artists are supported on this 13 song CD by some of the best 
names in Progressive rock including Tony Levin (5 songs), Pat 
Mastelotto (5 Songs) Mike Keneally (4 songs) Jeff Gauther (2 songs) and 
many others. For more info check out www.venetowest.com
______


Ronan Chris Murphy
www.venetowest.com (Production & mixing: King Crimson, Chucho Valdes, 
Steve Morse, Terry Bozzio, CGT...)
www.homerecordingbootcamp.com (Workshops around the world teaching the 
art and craft of recording )
www.livesofthesaints.net (The hottest ambient noise duo since Sonny & 
Cher)
--Apple-Mail-6-242983404
Content-Transfer-Encoding: 7bit
Content-Type: text/enriched;
	charset=US-ASCII

After years of trying to find the time to do it, I have finally
launched Veneto West Records with a distribution deal with DGM / Inner
Knot. The first release
<bold><color><param>5EFC,0701,093E</param>"Destroying Silence: An
Introduction to Veneto West Records"</color></bold> is a compilation
that features 4 tracks of looping by Lives of the Saints (my looping
duo with Bill Forth) as well as tons of other cool non looping stuff,
and the label is planning a couple loop-centric releases over the next
year. A short little blurb about the compilation is below.


You can learn more about the label here: 

 http://www.venetowest.com/label/


And for a limited time DGM has the compilation on sale for only $5-USD
if you order it here: 

http://www.nexternal.com/dgm/Product818


_____

<fontfamily><param>Helvetica</param><color><param>5EFC,0833,0952</param><bigger>Ronan
Chris Murphy who many of you might know from his work as a producer,
engineer and/or mixer for the likes of Steve Morse, Bozzio Levin
Stevens, the CGT and over a dozen releases by King Crimson has started
a new label focused on hard jazz, prog and experimental new music, or
as Murphy describes it "High brow music with a punk rock spirit"


"Destroying Silence: An introduction to Veneto West Records:" is a new
compilation distributed exclusively through Inner Knot featuring
Anthony Curtis, Willie Oteri, Lives of the Saints (Murphy with Bill
Forth of 10 seconds), Jay Terrien and Italian band Hypnoise. Many of
these artists are supported on this 13 song CD by some of the best
names in Progressive rock including Tony Levin (5 songs), Pat
Mastelotto (5 Songs) Mike Keneally (4 songs) Jeff Gauther (2 songs)
and many others. For more info check out www.venetowest.com </bigger></color></fontfamily>

______



Ronan Chris Murphy

www.venetowest.com (Production & mixing: King Crimson, Chucho Valdes,
Steve Morse, Terry Bozzio, CGT...)

www.homerecordingbootcamp.com (Workshops around the world teaching the
art and craft of recording )

www.livesofthesaints.net (The hottest ambient noise duo since Sonny &
Cher)
--Apple-Mail-6-242983404--


From Loopers-Delight-request@loopers-delight.com  Tue Mar  7 19:22:56 2006
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From: TonyIsYourPal@netscape.net (Tony Douglas)
To: Loopers-Delight@loopers-delight.com
Subject: RE: Monophobix ;-) =?ISO-8859-1?B?oCh3YXMuIKBKb24gSGFzc2VsbHMgbXVzaWMp?=
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Hi there,

Per Boysen <per@boysen.se> wrote:

>(OT) The blessing of the E-bow:
>it prevents the guitarist from killing the music with over harmonized
>chords ;-))
>

Indeed. The most enjoyable part of looping is to build things up one piece at a time and let things go where they will - once you've dropped a full chord into a loop it feels like you've blocked off a whole load of other possibilities. Heck, I've left a loop whizzing around the JamMan for several minutes before deciding what the next note will be sometimes (I don't inflict that on anyone else, mind...)

"Not building a wall but making a brick," or "You can only make one dot at a time," perhaps ? ;)

- Tony


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From Loopers-Delight-request@loopers-delight.com  Tue Mar  7 20:17:54 2006
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From: "Michael Peters" <mp@mpeters.de>
To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
Subject: hassell video live 2005
Date: Tue, 7 Mar 2006 21:17:45 +0100
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somebody from the Jon Hassell mailing list just posted this link to a 3
minute concert realvideo:

-----Original Message-----
From: powerspot@yahoogroups.com [ <mailto:powerspot@yahoogroups.com>
mailto:powerspot@yahoogroups.com]
   From: "kandokoro" <Kandokoro@yahoo.com>
Subject: ? hassell video live 2005

Hi.
Does anyone know about this video:
Jon Hassell & Maarifa Street au festival d'Amiens musiques de jazz et
d'ailleurs, March 2005  
 <http://www.mondomix.com/en/videos.php?artist_id=1164&reportage_id=2707>
http://www.mondomix.com/en/videos.php?artist_id=1164&reportage_id=2707

Is there a longer version available? Is it for sale somewhere?

Thanks.



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<BODY><!-- Converted from text/plain format -->
<P><FONT face=3DArial size=3D2>somebody from the Jon Hassell mailing =
list just=20
posted this link to a 3 minute concert realvideo:<BR><BR>-----Original=20
Message-----<BR>From: powerspot@yahoogroups.com [</FONT><A=20
href=3D"mailto:powerspot@yahoogroups.com"><FONT face=3DArial=20
size=3D2>mailto:powerspot@yahoogroups.com</FONT></A><FONT face=3DArial=20
size=3D2>]<BR>&nbsp;&nbsp; From: "kandokoro"=20
&lt;Kandokoro@yahoo.com&gt;<BR>Subject: ? hassell video live=20
2005<BR><BR>Hi.<BR>Does anyone know about this video:<BR>Jon Hassell =
&amp;=20
Maarifa Street au festival d'Amiens musiques de jazz et d'ailleurs, =
March=20
2005&nbsp;&nbsp;<BR></FONT><A=20
href=3D"http://www.mondomix.com/en/videos.php?artist_id=3D1164&amp;report=
age_id=3D2707"><FONT=20
face=3DArial=20
size=3D2>http://www.mondomix.com/en/videos.php?artist_id=3D1164&amp;repor=
tage_id=3D2707</FONT></A><BR><BR><FONT=20
face=3DArial size=3D2>Is there a longer version available? Is it for =
sale=20
somewhere?<BR><BR>Thanks.<BR></FONT></P></BODY></HTML>

------=_NextPart_000_0019_01C6422C.95033F10--

From Loopers-Delight-request@loopers-delight.com  Tue Mar  7 20:30:36 2006
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as usual, its often worth checking eMusic.com, I often find work by 
artists that are mentioned here. Cheaper and no DRM than other sources, 
and a pretty diverse catalog.

Jon Hassell as a couple of things there I hadn't heard.

From Loopers-Delight-request@loopers-delight.com  Tue Mar  7 21:15:42 2006
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From: "Kris Hartung" <khartung@cableone.net>
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Subject: Terje Rypdal's New CD - Vossabrygg
Date: Tue, 7 Mar 2006 14:15:36 -0700
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Rypdal's new CD "Vossabrygg" ("Vossa Brew") just came in the mail 
today...I'm listen to it now. Wonderful, as expected. This was recorded live 
on April 12, 2003 at Vossa Jazz Festival in Norway. Here is the 
kicker...this production was partially inspired by Miles Davis' "Bitches 
Brew"....and you can hear the inspiration in the music, if you've spent any 
time listening to Miles' work.

The lineup: Terje Rypdal (guitar), Palle Mikkelborg (trumpet, synthesizer), 
Bugge Wesseltoft (electric piano, synthesizer), Stale Storlokken (hammon 
organ, electric piano, synthesizer), Marius Rypdal (electronics, samples, 
turntables), Bjorn Kjellemyr (electric and acoustic basses), Jon Christensen 
(drums), Paolo Vinaccia (drums).

This CD grooves really well, is full of improv, but has that beautiful 
reverberating and ethereal guitar melody work from Terje.  The electric 
piano really gives it that Bitches Brew feel as well. I still need to finish 
the CD, but I couldn't resist saying something about it now. It's 
interesting to see his bother/son? on the CD too...the samples and 
electronics add a nice touch to Rypdal's style.

Anyone attend this festival?

More here, and sound clips: 
http://www.amazon.com/gp/product/B000CRQZS2/qid=1141765530/sr=2-1/ref=pd_bbs_b_2_1/103-9952696-6731840?s=music&v=glance&n=5174

Reviews:

http://www.bbc.co.uk/music/jazz/reviews/rypdal_vossa.shtml
http://www.allaboutjazz.com/php/article.php?id=20615
http://www.cherwell.org/arts/music/album_review_terje_rypdal_vossabrygg

Kris
www.krispenhartung.com



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Date: Wed, 8 Mar 2006 00:09:36 +0100 (CET)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: Vedr. hassell video live 2005
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Hi !
   
  Is the video possible to buy ? Is it a complete consert ?
   
  Rune f

Michael Peters <mp@mpeters.de> skrev:
      somebody from the Jon Hassell mailing list just posted this link to a 3 minute concert realvideo:

-----Original Message-----
From: powerspot@yahoogroups.com [mailto:powerspot@yahoogroups.com]
   From: "kandokoro" <Kandokoro@yahoo.com>
Subject: ? hassell video live 2005

Hi.
Does anyone know about this video:
Jon Hassell & Maarifa Street au festival d'Amiens musiques de jazz et d'ailleurs, March 2005  
http://www.mondomix.com/en/videos.php?artist_id=1164&reportage_id=2707

Is there a longer version available? Is it for sale somewhere?

Thanks.



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<div>Hi !</div>  <div>&nbsp;</div>  <div>Is the video possible to buy ? Is it a complete consert ?</div>  <div>&nbsp;</div>  <div>Rune f<BR><BR><B><I>Michael Peters &lt;mp@mpeters.de&gt;</I></B> skrev:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">  <META content="MSHTML 6.00.2900.2802" name=GENERATOR><!-- Converted from text/plain format -->  <div><FONT face=Arial size=2>somebody from the Jon Hassell mailing list just posted this link to a 3 minute concert realvideo:<BR><BR>-----Original Message-----<BR>From: powerspot@yahoogroups.com [</FONT><A href="mailto:powerspot@yahoogroups.com"><FONT face=Arial size=2>mailto:powerspot@yahoogroups.com</FONT></A><FONT face=Arial size=2>]<BR>&nbsp;&nbsp; From: "kandokoro" &lt;Kandokoro@yahoo.com&gt;<BR>Subject: ? hassell video live 2005<BR><BR>Hi.<BR>Does anyone know about this video:<BR>Jon Hassell &amp; Maarifa Street au festival d'Amiens musiques de jazz et d'ailleurs, March
 2005&nbsp;&nbsp;<BR></FONT><A href="http://www.mondomix.com/en/videos.php?artist_id=1164&amp;reportage_id=2707"><FONT face=Arial size=2>http://www.mondomix.com/en/videos.php?artist_id=1164&amp;reportage_id=2707</FONT></A><BR><BR><FONT face=Arial size=2>Is there a longer version available? Is it for sale somewhere?<BR><BR>Thanks.<BR></FONT></div></BLOCKQUOTE><BR>
--0-1349148743-1141772976=:8761--

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Fabio,

Favorite Hassell recordings that have graduated to my CD collection
from my LP and cassette collection (I liked 'em enough to purchase
'em again) are:

	Fourth World, Vol. 1: Possible Musics

	Flash of the Spirit

	The Surgeon Of The Nightsky Restores Dead Things By The Power Of Sound

	Power Spot *

	Fascinoma *

	City: Works of Fiction

* Particular favorites.

On Mar 7, 2006, at 8:22 AM, Fabio Anile wrote:

> I know only "The fourth world"
> Can you suggest me other interesting Hassell' works ?
> fabio
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<color><param>0000,0000,0000</param>Fabio,


Favorite Hassell recordings that have graduated to my CD collection 

from my LP and cassette collection (I liked 'em enough to purchase 

'em again) are:


<italic>	Fourth World, Vol. 1: Possible Musics


	Flash of the Spirit 


	The Surgeon Of The Nightsky Restores Dead Things By The Power Of
Sound 


	Power Spot *


	Fascinoma *


	City: Works of Fiction </italic>


* Particular favorites.


On Mar 7, 2006, at 8:22 AM, Fabio Anile wrote:


</color><excerpt><color><param>0000,0000,FFFF</param>I know only "The
fourth world"

Can you suggest me other interesting Hassell' works ?

fabio</color></excerpt>
--Apple-Mail-1-268330455--

From Loopers-Delight-request@loopers-delight.com  Wed Mar  8 03:32:50 2006
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Subject: Yanni arrested for beating the shit out of his girlfriend
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Maybe she let the "mood candles" burn out.

From Loopers-Delight-request@loopers-delight.com  Wed Mar  8 03:35:13 2006
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or used all of his hair spray


>From: "Paul" <paulrichard10@adelphia.net>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: <Loopers-Delight@loopers-delight.com>
>Subject: Yanni arrested for beating the shit out of his girlfriend
>Date: Tue, 7 Mar 2006 22:32:43 -0500
>
>Maybe she let the "mood candles" burn out.
>


From Loopers-Delight-request@loopers-delight.com  Wed Mar  8 03:50:21 2006
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After she said "You're that Yanni???", all shit broke loose.

-- 
* David Beardsley
* microtonal guitar
* http://biink.com/db

From Loopers-Delight-request@loopers-delight.com  Wed Mar  8 05:02:29 2006
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Rick posted:
>If you don't know Farrell's work (he died too young in 1986)  take a listen
>to Chick Coreas' first two Return to Forever recordings for ECM records.
...
>So,  I'm looking for the JOE FARRELL QUARTET album on CTI records. 

It seems the Joe Farrell Quartet album was released on CD in 1990 then went right back out of print ( CTI ZK-40694 ). I was also into his Moon Germs LP back in the day.  Moon Germs is available on CD again and features Jack DeJohnette, Herbie Hancock and Stanley Clarke IIRC.  All these Power Spot fans should check it out.

Now i have to find the Joe Farrell Quartet album on CD, too .... someday.... The one copy I've found online so far has an outrageous price (~$60). Thanks for reminding me I need Light as a Feather on CD, too.

From Loopers-Delight-request@loopers-delight.com  Wed Mar  8 06:31:53 2006
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I contacted Mike Nelson about the Blooperang and here's his reply:

From: Mike Nelson <mnelson@boomerangmusic.com>
    It's true, it's true. The price is $279 for Blooperang (Rang Plus 
with bug), power supply and shipping. If you buy a gig bag at the 
same time it's only $20.
    The bug is very specific and you must follow this exact sequence 
to encounter it. Press RECORD and record until the memory is full. 
That means no buttons can be pressed after the inital RECORD. When 
memory fills, all the green LED's will come on. At this point the 
unit must sit untouched for a while. Now when PLAY is pressed, you 
may have very loud distorted noise play.
    If your unit is in this condition, press RECORD then PLAY/STOP. 
The noisy loop is now gone.
    So, as you can see, it's a very odd thing to do with a Rang(TM) 
sampler and the bug won't be encountered under normal use.

Mike Nelson

"Some products make you sound better;
the Boomerang(R) Phrase Sampler makes you play better."

----------

Shipping Address (send repairs & upgrades here)
3704 Oakwood
Grapevine, TX  76051

Billing Address
Boomerang Musical Products
PO Box 541595 Dallas, TX  75354-1595
1-800-530-4699 * 1-817-251-8737, Outside USA * 1-817-251-8509, Fax

http://www.boomerangmusic.com

From Loopers-Delight-request@loopers-delight.com  Wed Mar  8 09:38:51 2006
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Date: Wed, 8 Mar 2006 03:39:01 -0600
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From: mech <mech@m3ch.net>
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At 10:32 PM -0800 3/7/06, Kevin wrote:
>I contacted Mike Nelson about the Blooperang and here's his reply:

Are there still Blooperangs in stock?  I was in a situation where I 
could've used one around late summer/early fall, but figured the 
stock had to have run out by that time and dropped the idea.

	--m.

-- 
_______
"Take a packet of seeds.  Take yourself out to play
  I want to see river of orchids where we had a motorway..."

From Loopers-Delight-request@loopers-delight.com  Wed Mar  8 13:38:38 2006
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From: Kelly Coyle <kellycoyle@charter.net>
Subject: Re: Boomerang Bargain
Date: Wed, 8 Mar 2006 07:38:34 -0600
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I had an email exchange with Mike last week, and there's more news  
there:

"We will be releasing a non-looping pedal at the summer NAMM show and  
will follow quickly with a new Rang(TM) sampler based on the same  
hardware. It will be 2/3 the size of the Rang, less expensive and WAY  
more powerful: superb audio specs, super low noise floor, long record  
time, true stereo, multi level undo/redo, more loops, and a slew of  
different utility features such as a built in octave down effect for  
creating bass lines and a metronome with volume control."

Based on that, I decided *not* to buy a Blooperang, but to simply try  
to be early in line for the mk 2.










-----
Music: http://www.kellycoyle.net
Blog: http://wwwquotidianme.blogspot.com/


On Mar 8, 2006, at 12:32 AM, Kevin wrote:

> I contacted Mike Nelson about the Blooperang and here's his reply:
>
> From: Mike Nelson <mnelson@boomerangmusic.com>
>    It's true, it's true. The price is $279 for Blooperang (Rang  
> Plus with bug), power supply and shipping. If you buy a gig bag at  
> the same time it's only $20.
>    The bug is very specific and you must follow this exact sequence  
> to encounter it. Press RECORD and record until the memory is full.  
> That means no buttons can be pressed after the inital RECORD. When  
> memory fills, all the green LED's will come on. At this point the  
> unit must sit untouched for a while. Now when PLAY is pressed, you  
> may have very loud distorted noise play.
>    If your unit is in this condition, press RECORD then PLAY/STOP.  
> The noisy loop is now gone.
>    So, as you can see, it's a very odd thing to do with a Rang(TM)  
> sampler and the bug won't be encountered under normal use.
>
> Mike Nelson
>
> "Some products make you sound better;
> the Boomerang(R) Phrase Sampler makes you play better."
>
> ----------
>
> Shipping Address (send repairs & upgrades here)
> 3704 Oakwood
> Grapevine, TX  76051
>
> Billing Address
> Boomerang Musical Products
> PO Box 541595 Dallas, TX  75354-1595
> 1-800-530-4699 * 1-817-251-8737, Outside USA * 1-817-251-8509, Fax
>
> http://www.boomerangmusic.com

From Loopers-Delight-request@loopers-delight.com  Wed Mar  8 14:29:51 2006
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Kelly

Thanks for giving us a heads up on the new and improved 'Rang. Just wondering if there is going to be feedback control and midi clock sync capabilities with this new 2/3 rds sized looping box from the Boomerang folks. It is becoming more interesting as you write about it. I am sorry if I missed that somewhere in the exchange. Any other details you could provide would be appreciated. And price? What is the current price on Boomerangs? Just for point of reference.

Thanks,

Todd

-----Original Message-----
>From: Kelly Coyle <kellycoyle@charter.net>
>Sent: Mar 8, 2006 6:38 AM
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: Boomerang Bargain
>
>I had an email exchange with Mike last week, and there's more news  
>there:
>
>"We will be releasing a non-looping pedal at the summer NAMM show and  
>will follow quickly with a new Rang(TM) sampler based on the same  
>hardware. It will be 2/3 the size of the Rang, less expensive and WAY  
>more powerful: superb audio specs, super low noise floor, long record  
>time, true stereo, multi level undo/redo, more loops, and a slew of  
>different utility features such as a built in octave down effect for  
>creating bass lines and a metronome with volume control."
>
>Based on that, I decided *not* to buy a Blooperang, but to simply try  
>to be early in line for the mk 2.
>
>
>
>
>
>
>
>
>
>
>-----
>Music: http://www.kellycoyle.net
>Blog: http://wwwquotidianme.blogspot.com/
>
>
>On Mar 8, 2006, at 12:32 AM, Kevin wrote:
>
>> I contacted Mike Nelson about the Blooperang and here's his reply:
>>
>> From: Mike Nelson <mnelson@boomerangmusic.com>
>>    It's true, it's true. The price is $279 for Blooperang (Rang  
>> Plus with bug), power supply and shipping. If you buy a gig bag at  
>> the same time it's only $20.
>>    The bug is very specific and you must follow this exact sequence  
>> to encounter it. Press RECORD and record until the memory is full.  
>> That means no buttons can be pressed after the inital RECORD. When  
>> memory fills, all the green LED's will come on. At this point the  
>> unit must sit untouched for a while. Now when PLAY is pressed, you  
>> may have very loud distorted noise play.
>>    If your unit is in this condition, press RECORD then PLAY/STOP.  
>> The noisy loop is now gone.
>>    So, as you can see, it's a very odd thing to do with a Rang(TM)  
>> sampler and the bug won't be encountered under normal use.
>>
>> Mike Nelson
>>
>> "Some products make you sound better;
>> the Boomerang(R) Phrase Sampler makes you play better."
>>
>> ----------
>>
>> Shipping Address (send repairs & upgrades here)
>> 3704 Oakwood
>> Grapevine, TX  76051
>>
>> Billing Address
>> Boomerang Musical Products
>> PO Box 541595 Dallas, TX  75354-1595
>> 1-800-530-4699 * 1-817-251-8737, Outside USA * 1-817-251-8509, Fax
>>
>> http://www.boomerangmusic.com
>

From Loopers-Delight-request@loopers-delight.com  Wed Mar  8 14:48:50 2006
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From: "gus" <gus@wellwornworkshops.com>
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Subject: echoplex differences and advice please!
Date: Wed, 8 Mar 2006 15:48:43 +0100
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------=_NextPart_000_05BC_01C642C7.C779C810
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	charset="iso-8859-1"
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hi I'm new here, and I have a couple of questions for the experienced =
loopers out there.=20

Im preparing for live realtime looping performances and I'm considering =
buying an echoplex. Is it still the most comprehensive realtime looper =
out there? there is no more modern equivalent? Or decent software? =
(latency makes me think software is a no go)  I tried the boss 20 thingo =
recently and found it a bit frustrating getting looptimes exact was not =
easy and the realtime functions seamed limited, undo also took a while =
to delete (which is not so good for live) is this quicker with the =
echoplex?

Also is there a difference between the older white echoplex oberheim and =
the black gibson version. Can both support the newest software version =
the loop IV ?=20

I noticed on the rear of one of the 2 units the footswitching jacks are =
different. Can anyone tell me if there is a difference there?

thanks heaps for your help.=20
gus
------=_NextPart_000_05BC_01C642C7.C779C810
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2180" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>hi I'm new here, and I have a couple of =
questions=20
for the experienced loopers out there. </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Im preparing for live realtime looping =
performances=20
and I'm</FONT><FONT face=3DArial size=3D2> considering buying an =
echoplex. Is it=20
still the most comprehensive realtime looper out there? there is no more =
modern=20
equivalent?&nbsp;Or decent software? (latency makes me think software is =
a no=20
go) &nbsp;I tried the boss 20 thingo recently and found it a bit =
frustrating=20
getting looptimes exact was not easy and the realtime functions seamed =
limited,=20
undo also took a while to delete (which is not so good for live) is this =
quicker=20
with the echoplex?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Also is there a difference between the =
older white=20
echoplex oberheim and the black gibson version. Can both support the =
newest=20
software version the loop IV ? </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I noticed on the rear of one of the 2 =
units the=20
footswitching jacks are different. Can anyone tell me if there is a =
difference=20
there?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>thanks heaps for your =
help.&nbsp;</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>gus</FONT></DIV></BODY></HTML>

------=_NextPart_000_05BC_01C642C7.C779C810--

From Loopers-Delight-request@loopers-delight.com  Wed Mar  8 14:59:44 2006
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Date: Wed, 8 Mar 2006 08:51:33 -0500
From: rick <bs@tanawana.com>
To: Loopers-Delight@loopers-delight.com
Subject: Hardware Sequencer Suggestions
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I'm looking for some advice to replace my laptop setup with a hardware
sequencer if possible.

The "basics" of my looping is done with acoustic guitars and echoplex,
along with various sound modules for bass, drums, keys fed by the
computer which contains a large amount of short midi clips I call
up or shut off through a midi foot controller.

So basically I'm looking for a sequencer to store and call up midi loops
at will, through a foot controller. Sounds aren't important due to my
sound modules. It's more about live performance control being able to
turn on and off or switch loops or multiple loops, etc.

Last 2 I checked out were an MPC1000 and a Yamaha QY100 which both were
close but had limitations to them. Before I read another manual I
thought I'd ask here.

Thanks ---> rick :O)



From Loopers-Delight-request@loopers-delight.com  Wed Mar  8 15:19:45 2006
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From: Kelly Coyle <kellycoyle@charter.net>
Subject: Re: Boomerang Bargain
Date: Wed, 8 Mar 2006 09:19:42 -0600
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That is, literally, all I know. Current 'rangs sell for $400 at  
Zzounds. The defective rangs are $300. Mike used to contribute to  
this list, way back when, but I haven't seen him here in a while.  
He's a super nice guy. You could ask him.









On Mar 8, 2006, at 8:29 AM, Todd Howell wrote:

> Kelly
>
> Thanks for giving us a heads up on the new and improved 'Rang. Just  
> wondering if there is going to be feedback control and midi clock  
> sync capabilities with this new 2/3 rds sized looping box from the  
> Boomerang folks. It is becoming more interesting as you write about  
> it. I am sorry if I missed that somewhere in the exchange. Any  
> other details you could provide would be appreciated. And price?  
> What is the current price on Boomerangs? Just for point of reference.
>
> Thanks,
>
> Todd
>
> -----Original Message-----
>> From: Kelly Coyle <kellycoyle@charter.net>
>> Sent: Mar 8, 2006 6:38 AM
>> To: Loopers-Delight@loopers-delight.com
>> Subject: Re: Boomerang Bargain
>>
>> I had an email exchange with Mike last week, and there's more news
>> there:
>>
>> "We will be releasing a non-looping pedal at the summer NAMM show and
>> will follow quickly with a new Rang(TM) sampler based on the same
>> hardware. It will be 2/3 the size of the Rang, less expensive and WAY
>> more powerful: superb audio specs, super low noise floor, long record
>> time, true stereo, multi level undo/redo, more loops, and a slew of
>> different utility features such as a built in octave down effect for
>> creating bass lines and a metronome with volume control."
>>
>> Based on that, I decided *not* to buy a Blooperang, but to simply try
>> to be early in line for the mk 2.
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>> -----
>> Music: http://www.kellycoyle.net
>> Blog: http://wwwquotidianme.blogspot.com/
>>
>>
>> On Mar 8, 2006, at 12:32 AM, Kevin wrote:
>>
>>> I contacted Mike Nelson about the Blooperang and here's his reply:
>>>
>>> From: Mike Nelson <mnelson@boomerangmusic.com>
>>>    It's true, it's true. The price is $279 for Blooperang (Rang
>>> Plus with bug), power supply and shipping. If you buy a gig bag at
>>> the same time it's only $20.
>>>    The bug is very specific and you must follow this exact sequence
>>> to encounter it. Press RECORD and record until the memory is full.
>>> That means no buttons can be pressed after the inital RECORD. When
>>> memory fills, all the green LED's will come on. At this point the
>>> unit must sit untouched for a while. Now when PLAY is pressed, you
>>> may have very loud distorted noise play.
>>>    If your unit is in this condition, press RECORD then PLAY/STOP.
>>> The noisy loop is now gone.
>>>    So, as you can see, it's a very odd thing to do with a Rang(TM)
>>> sampler and the bug won't be encountered under normal use.
>>>
>>> Mike Nelson
>>>
>>> "Some products make you sound better;
>>> the Boomerang(R) Phrase Sampler makes you play better."
>>>
>>> ----------
>>>
>>> Shipping Address (send repairs & upgrades here)
>>> 3704 Oakwood
>>> Grapevine, TX  76051
>>>
>>> Billing Address
>>> Boomerang Musical Products
>>> PO Box 541595 Dallas, TX  75354-1595
>>> 1-800-530-4699 * 1-817-251-8737, Outside USA * 1-817-251-8509, Fax
>>>
>>> http://www.boomerangmusic.com
>>

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Wow, I'm salivating.  I can't wait to see what Mike has cooked up.=20
Thanks for the info Kelly.

Todd


On 3/8/06, Kelly Coyle <kellycoyle@charter.net> wrote:
> I had an email exchange with Mike last week, and there's more news
> there:
>
> "We will be releasing a non-looping pedal at the summer NAMM show and
> will follow quickly with a new Rang(TM) sampler based on the same
> hardware. It will be 2/3 the size of the Rang, less expensive and WAY
> more powerful: superb audio specs, super low noise floor, long record
> time, true stereo, multi level undo/redo, more loops, and a slew of
> different utility features such as a built in octave down effect for
> creating bass lines and a metronome with volume control."
>
> Based on that, I decided *not* to buy a Blooperang, but to simply try
> to be early in line for the mk 2.
>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Mar  8 17:24:39 2006
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From: jan gyn <jan_gyn@yahoo.com>
Subject: Re: OT: Need help finding a jazz recording
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That first Farrell album has one of John McLaughlin's
best solos in 'Follow Your Heart'.
-jan

--- nick douglas <nickd@mindspring.com> wrote:

> Rick posted:
> >If you don't know Farrell's work (he died too young
> in 1986)  take a listen
> >to Chick Coreas' first two Return to Forever
> recordings for ECM records.
> ...
> >So,  I'm looking for the JOE FARRELL QUARTET album
> on CTI records. 
> 
> It seems the Joe Farrell Quartet album was released
> on CD in 1990 then went right back out of print (
> CTI ZK-40694 ). I was also into his Moon Germs LP
> back in the day.  Moon Germs is available on CD
> again and features Jack DeJohnette, Herbie Hancock
> and Stanley Clarke IIRC.  All these Power Spot fans
> should check it out.
> 
> Now i have to find the Joe Farrell Quartet album on
> CD, too .... someday.... The one copy I've found
> online so far has an outrageous price (~$60). Thanks
> for reminding me I need Light as a Feather on CD,
> too.
> 
> 


__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Wed Mar  8 18:01:14 2006
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Hi Rick,

The old Yamaha QY700 is still the Daddy of all hardware sequencers in my
opinion, but whether it can do what you want - you will have to read the
manual. The QY100 is derived from the QY700, so it is likely to present you
with the same limitations, although in a much larger and more user friendly
box.

Nik

--------- Original Message --------
From: Loopers-Delight@loopers-delight.com
To: "Loopers-Delight@loopers-delight.com"
<Loopers-Delight@loopers-delight.com>
Subject: Hardware Sequencer Suggestions
Date: 08/03/06 15:00



I'm looking for some advice to replace my laptop setup with a hardware
sequencer if possible.

The "basics" of my looping is done with acoustic guitars and echoplex,
along with various sound modules for bass, drums, keys fed by the
computer which contains a large amount of short midi clips I call
up or shut off through a midi foot controller.

So basically I'm looking for a sequencer to store and call up midi loops
at will, through a foot controller. Sounds aren't important due to my
sound modules. It's more about live performance control being able to
turn on and off or switch loops or multiple loops, etc.

Last 2 I checked out were an MPC1000 and a Yamaha QY100 which both were
close but had limitations to them. Before I read another manual I
thought I'd ask here.

Thanks ---> rick :O)

________________________________________________
Message sent using UebiMiau 2.7.2

From Loopers-Delight-request@loopers-delight.com  Wed Mar  8 18:38:19 2006
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Hi Rick. I'd definitely recommend the Yamaha rm1x. It's definitely a fun 
sequencer.
a.

rick wrote:
> I'm looking for some advice to replace my laptop setup with a hardware
> sequencer if possible.
> 
> The "basics" of my looping is done with acoustic guitars and echoplex,
> along with various sound modules for bass, drums, keys fed by the
> computer which contains a large amount of short midi clips I call
> up or shut off through a midi foot controller.
> 
> So basically I'm looking for a sequencer to store and call up midi loops
> at will, through a foot controller. Sounds aren't important due to my
> sound modules. It's more about live performance control being able to
> turn on and off or switch loops or multiple loops, etc.
> 
> Last 2 I checked out were an MPC1000 and a Yamaha QY100 which both were
> close but had limitations to them. Before I read another manual I
> thought I'd ask here.
> 
> Thanks ---> rick :O)
> 
> 
> 
> 
> .
> 

From Loopers-Delight-request@loopers-delight.com  Wed Mar  8 18:46:59 2006
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From: "Tom Ritchford" <tom@swirly.com>
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Subject: cancelled: march 11 open loop
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I should have sent this before -- but the March 11 open loop was
cancelled because the bar where we were holding it closed.   grrr.

My last two shows since I started playing again have been nothing
short of disastrous -- between the one I advertised on this list and
another one, I had a total of two people showing up to see me.

It's probably going to be quite some time before I try again.

--
     /t

http://ax.to ... extreme NY arts and music calendar

From Loopers-Delight-request@loopers-delight.com  Wed Mar  8 20:06:13 2006
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Reading the manual on this one now actually. Very nice.
Essentially a QY100 with much more control.

Where I get unsure is can you switch between pattern/loops/ via
footswitch or midi foot controller with these?? The manual on the QY100
says you can with a foorswitch, but it only scrolls forward and not
backward it appears. Only hitch I can see so far for my uses.



On Wed, Mar 08, 2006 at 04:08:14PM +0000, Fluke wrote:
> Hi Rick,
> 
> The old Yamaha QY700 is still the Daddy of all hardware sequencers in my
> opinion, but whether it can do what you want - you will have to read the
> manual. The QY100 is derived from the QY700, so it is likely to present you
> with the same limitations, although in a much larger and more user friendly
> box.
> 
> Nik
> 
> --------- Original Message --------
> From: Loopers-Delight@loopers-delight.com
> To: "Loopers-Delight@loopers-delight.com"
> <Loopers-Delight@loopers-delight.com>
> Subject: Hardware Sequencer Suggestions
> Date: 08/03/06 15:00
> 
> 
> 
> I'm looking for some advice to replace my laptop setup with a hardware
> sequencer if possible.
> 
> The "basics" of my looping is done with acoustic guitars and echoplex,
> along with various sound modules for bass, drums, keys fed by the
> computer which contains a large amount of short midi clips I call
> up or shut off through a midi foot controller.
> 
> So basically I'm looking for a sequencer to store and call up midi loops
> at will, through a foot controller. Sounds aren't important due to my
> sound modules. It's more about live performance control being able to
> turn on and off or switch loops or multiple loops, etc.
> 
> Last 2 I checked out were an MPC1000 and a Yamaha QY100 which both were
> close but had limitations to them. Before I read another manual I
> thought I'd ask here.
> 
> Thanks ---> rick :O)
> 
> ________________________________________________
> Message sent using UebiMiau 2.7.2
> 

From Loopers-Delight-request@loopers-delight.com  Wed Mar  8 20:09:17 2006
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I'll check it out. Seems the suggestions are definately capable for what
I need. Getting control of loop changes via footswitch is the question
now. I'll read up on this one though. Thanks.

On Wed, Mar 08, 2006 at 07:38:11PM +0100, Andreas Wetterberg wrote:
> Hi Rick. I'd definitely recommend the Yamaha rm1x. It's definitely a fun 
> sequencer.
> a.
> 
> rick wrote:
> >I'm looking for some advice to replace my laptop setup with a hardware
> >sequencer if possible.
> >
> >The "basics" of my looping is done with acoustic guitars and echoplex,
> >along with various sound modules for bass, drums, keys fed by the
> >computer which contains a large amount of short midi clips I call
> >up or shut off through a midi foot controller.
> >
> >So basically I'm looking for a sequencer to store and call up midi loops
> >at will, through a foot controller. Sounds aren't important due to my
> >sound modules. It's more about live performance control being able to
> >turn on and off or switch loops or multiple loops, etc.
> >
> >Last 2 I checked out were an MPC1000 and a Yamaha QY100 which both were
> >close but had limitations to them. Before I read another manual I
> >thought I'd ask here.
> >
> >Thanks ---> rick :O)
> >
> >
> >
> >
> >.
> >
> 

From Loopers-Delight-request@loopers-delight.com  Wed Mar  8 20:38:10 2006
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From: Tim Nelson <psychle62@yahoo.com>
Subject: Re: cancelled: march 11 open loop
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Bummer; I'll be in NYC from Friday until Wednesday and
could have made it to this one.

Does anyone know of any loop-related events going on
in NYC in the coming week?

-t-

--- Tom Ritchford <tom@swirly.com> wrote:

> I should have sent this before -- but the March 11
> open loop was
> cancelled because the bar where we were holding it
> closed.   grrr.

<http://www.myspace.com/nimbletunes>
<http://www.ct-collective.com/>

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From Loopers-Delight-request@loopers-delight.com  Wed Mar  8 20:59:11 2006
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Hmmmm....
I think you would have to have all your loops running in parallel on muted
tracks, and use MIDI messages to unmute them individually. Maybe not such a
good idea. You would also have to deal with the infamous QY700 'Loop Bug'.
In Song mode - not pattern mode - it glitches when it loops.

Nik

--------- Original Message --------
From: Loopers-Delight@loopers-delight.com
To: "Loopers-Delight@loopers-delight.com"
<Loopers-Delight@loopers-delight.com>
Subject: Re: Hardware Sequencer Suggestions
Date: 08/03/06 20:06



Reading the manual on this one now actually. Very nice.
Essentially a QY100 with much more control.

Where I get unsure is can you switch between pattern/loops/ via
footswitch or midi foot controller with these?? The manual on the QY100
says you can with a foorswitch, but it only scrolls forward and not
backward it appears. Only hitch I can see so far for my uses.



On Wed, Mar 08, 2006 at 04:08:14PM +0000, Fluke wrote:
> Hi Rick,
>
> The old Yamaha QY700 is still the Daddy of all hardware sequencers in my
> opinion, but whether it can do what you want - you will have to read the
> manual. The QY100 is derived from the QY700, so it is likely to present
you
> with the same limitations, although in a much larger and more user
friendly
> box.
>
> Nik
>

________________________________________________
Message sent using UebiMiau 2.7.2

From Loopers-Delight-request@loopers-delight.com  Wed Mar  8 21:28:39 2006
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Date: Wed, 8 Mar 2006 16:28:29 EST
Subject: loops as heating fuel (an observation)
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my house is cold out of necessity, $, besides i do not like being hot.....my 
third floor studio has no heat.....i start out loopin with a hooded sweatshirt 
and a hat, i feel like gloves would not be a bad idea.....but after 30-40 
mins. the hat is gone the hood is down and i'm sweatin.....and i'm not jumpin 
around or anything like that.....how could that little motion produce that much 
heat?.....it's magic!.....:)mic



www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2">my house is cold out of necessity, $, b=
esides i do not like being hot.....my third floor studio has no heat.....i s=
tart out loopin with a hooded sweatshirt and a hat, i feel like gloves would=
 not be a bad idea.....but after 30-40 mins. the hat is gone the hood is dow=
n and i'm sweatin.....and i'm not jumpin around or anything like that.....ho=
w could that little motion produce that much heat?.....it's magic!.....:)mic=
<BR>
<BR>
<BR>
<BR>
www.ct-collective.com<BR>
http://mysite.verizon.net/vzepmeci/<BR>
http://www.myspace.com/klobuchar11<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT></HTML>
--part1_7b.566975cb.3140a67d_boundary--

From Loopers-Delight-request@loopers-delight.com  Wed Mar  8 21:47:33 2006
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Date: Wed, 8 Mar 2006 16:47:31 -0500
From: "Clint Allen" <clint.allen@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: loops as heating fuel (an observation)
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I had the same thing happening the other day...well, last few times in
fact...

Due to incredible gas utility costs, I have kept the heat off and have been
wearing extra clothing. BUT, when in the studio, it is amazing how much hea=
t
you can produce just through
adrenalin rushes and excitement.

The drawback is my roommate wants to strangle me. Even more.

On 3/8/06, Nemoguitt@aol.com <Nemoguitt@aol.com> wrote:
>
> my house is cold out of necessity, $, besides i do not like being
> hot.....my third floor studio has no heat.....i start out loopin with a
> hooded sweatshirt and a hat, i feel like gloves would not be a bad
> idea.....but after 30-40 mins. the hat is gone the hood is down and i'm
> sweatin.....and i'm not jumpin around or anything like that.....how could
> that little motion produce that much heat?.....it's magic!.....:)mic
>
>
>
> www.ct-collective.com
> http://mysite.verizon.net/vzepmeci/
> http://www.myspace.com/klobuchar11
>

------=_Part_11119_22249997.1141854451565
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Content-Transfer-Encoding: quoted-printable
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<div>I had the same thing happening the other day...well, last few times in=
 fact...</div>
<div>&nbsp;</div>
<div>Due to incredible gas utility costs, I have kept the heat off and have=
 been wearing extra clothing. BUT, when in the studio, it is amazing how mu=
ch heat you can produce just through</div>
<div>adrenalin rushes and excitement. <br>&nbsp;</div>
<div>The drawback is my roommate wants to strangle me. Even more.</div>
<div>&nbsp;</div>
<div><span class=3D"gmail_quote">On 3/8/06, <b class=3D"gmail_sendername"><=
a href=3D"mailto:Nemoguitt@aol.com">Nemoguitt@aol.com</a></b> &lt;<a href=
=3D"mailto:Nemoguitt@aol.com">Nemoguitt@aol.com</a>&gt; wrote:</span>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">
<div style=3D"DIRECTION: ltr"><font face=3D"arial,helvetica"><font face=3D"=
Geneva" color=3D"#000000" size=3D"2">my house is cold out of necessity, $, =
besides i do not like being hot.....my third floor studio has no heat.....i=
 start out loopin with a hooded sweatshirt and a hat, i feel like gloves wo=
uld not be a bad idea.....but after 30-40 mins. the hat is gone the hood is=
 down and i'm sweatin.....and i'm not jumpin around or anything like that..=
...how could that little motion produce that much heat?.....it's magic!....=
.:)mic
<br><br><br><br><a onclick=3D"return top.js.OpenExtLink(window,event,this)"=
 href=3D"http://www.ct-collective.com/" target=3D"_blank">www.ct-collective=
.com</a><br><a onclick=3D"return top.js.OpenExtLink(window,event,this)" hre=
f=3D"http://mysite.verizon.net/vzepmeci/" target=3D"_blank">
http://mysite.verizon.net/vzepmeci/</a><br><a onclick=3D"return top.js.Open=
ExtLink(window,event,this)" href=3D"http://www.myspace.com/klobuchar11" tar=
get=3D"_blank">http://www.myspace.com/klobuchar11</a><br></font><font face=
=3D"Geneva" color=3D"#000000" size=3D"2">
</font></font></div></blockquote></div><br>

------=_Part_11119_22249997.1141854451565--

From Loopers-Delight-request@loopers-delight.com  Wed Mar  8 22:02:57 2006
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Key places to go

http://ax.to (my mailing list)
http://nonsensenyc.com  (Jeff Stark's list.... you need to subscribe
however to get his weekly email).

Drop us a line and tell us where you're at!

There's a KILLER party on Sat. nite -- it's a little far out in
Bushwick but it goes till dawn with decent music and amazing art...
$10 to get in and cheap drinx too...  it'll be on my list.

On 3/8/06, Tim Nelson <psychle62@yahoo.com> wrote:
> Bummer; I'll be in NYC from Friday until Wednesday and
> could have made it to this one.
>
> Does anyone know of any loop-related events going on
> in NYC in the coming week?
>
> -t-
>
> --- Tom Ritchford <tom@swirly.com> wrote:
>
> > I should have sent this before -- but the March 11
> > open loop was
> > cancelled because the bar where we were holding it
> > closed.   grrr.
>
> <http://www.myspace.com/nimbletunes>
> <http://www.ct-collective.com/>
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>
>


--
     /t

http://ax.to ... extreme NY arts and music calendar

From Loopers-Delight-request@loopers-delight.com  Wed Mar  8 22:15:15 2006
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From: "Kris Hartung" <khartung@cableone.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: UPDATE: Boise Experimental Music Festival / Dominated by Loopers?
Date: Wed, 8 Mar 2006 15:15:06 -0700
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I'm forwarding you my latest update on the Boise Experimental Music =
Festival (BEMF), which I'm proud to say is TOTALLY dominated by loopers! =
Yeahhh!!!!  7 out of 12 acts are looping. So, this is really a clever =
way me to launch yet another looper's festival in the NW of the USA. :)  =
This event is really taking off...with seven major sponsors who have =
contributed either services or cold cash to support the event, a major =
3/4 page ad on our local new paper, a giant venue (avant-garde art =
gallery, with a graphics arts installment on display) with a huge raised =
stage, lights, theater style seating, etc, ticket sales through our =
largest ticket sales venue, a local internet radio station streaming the =
whole thing to the web, for all of you to listen in, experimental =
film/videos and graphics art slideshows running during intermissions and =
during performances, a live performance art act, and an experimental =
music demonstration from an ensemble at our local university, and so on. =


Kris

*****************************


Hello all -

This is a sneak preview to my personal and professional email =
distribution list on the planning of the Boise Experimental Music =
Festival (BEMF). The next major communication will be the event's =
official press release in April. I will be working with the Visual Arts =
Collective to craft this press release and get it out to the media.=20

The bulk of the planning for the festival is now complete, which =
includes the following:

Date: April 28-29
Venue: The Visual Arts Collective art gallery (located in Boise's Linen =
District) - http://www.visualartscollective.com/
Event Description:=20
The Boise Experimental Music Festival (BEMF) is a first-of-its-kind =
event for Boise and the surrounding Treasure Valley. This program =
features twelve creative music performances that fall into the =
experimental, avant-garde, or free improvisation music genres.  The =
festival will provide a new and exciting experience to Boise's music and =
art enthusiasts by bringing together a unique community of musicians and =
artists, integrating music performance with short experimental film and =
video, graphics art, and performance art. The Boise Experimental Music =
Festival will be held at the Visual Arts Collective gallery, Boise's =
premiere venue for unique art forms that push the boundaries of =
imagination.=20

Festival Website: http://www.boisemusicians.com/experimental (includes =
artist biographies, current schedule, venue information, genre sound =
samples, etc)
Sponsors:
=B7         Visual Arts Collective - =
http://www.visualartscollective.com/

=B7         The Boise Weekly - http://www.boiseweekly.com

=B7         AudioLab Sound Recording - http://www.audiolab.org/

=B7         The Boise Co-Op - http://www.boisecoop.com/

=B7         3 Shapes Aikido  - http://www.3shapesaikido.com/

=B7         Boise Community Radio - http://www.radioboise.org/

=B7         Good Boy Rufus Custom Design Services - =
http://www.goodboyrufus.com/


Ticket Sales

Ticket sales will be through Select-a-Seat (exact ticket price to be =
announced), but also available at the door =20

Music Performers
  a.. Rick Walker (Headliner from Santa Cruz, CA)
  b.. Lumper/Splitter (Headliner from Oakland, CA)
  c.. Ted Killian & Jeff Kaiser (Headliners from Medford, OR and =
Ventura, CA)
  d.. Bonefish Sam & His Power Orchestra (Headliner from Boise)
  e.. Krispen Hartung & Jared Hallock (Boise)
  f.. She Blows Neon (Alejandro Anastasio, Sensei) (Boise)
  g.. The Rex-X-Ray Band (George McLean & Nate Paradis) (Boise)
  h.. LINDA (Boise)
  i.. The Sly Brothers (Boise)
  j.. Unicorn Feather (Boise)
  k.. Jeff Rice & Ted Apel (Boise)
  l.. Gretchen Jude (Boise)
Experimental Film/Video Producers (confirmed)
  a.. Michael Peters (Germany)=20
  b.. Nico Spahni (Switzerland)=20
  c.. Tarey P. (Boise)=20
  d.. Krispen Hartung (Boise)
  e.. Thad Povey (USA)
Performance Art / Visual Art
  a.. Boise Naval Base (Boise)

*************************************************
Krispen Hartung
http://www.krispenhartung.com=20
info@krispenhartung.com / 208-724-5603 
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<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I'm forwarding you my latest update on =
the Boise=20
Experimental Music Festival (BEMF), which I'm proud to say is TOTALLY =
dominated=20
by loopers! Yeahhh!!!!&nbsp; 7 out of 12 acts are looping. So, this is =
really a=20
clever way me to launch yet another looper's festival in the NW of the =
USA.=20
:)&nbsp; This event is really taking off...with seven major sponsors who =
have=20
contributed either services or cold cash to support the event, a major =
3/4 page=20
ad on our local new paper, a giant venue (avant-garde art gallery, with =
a=20
graphics arts&nbsp;installment on display)&nbsp;with a huge raised =
stage,=20
lights, theater style seating, etc, ticket sales through our largest =
ticket=20
sales venue, a local internet radio station streaming the whole thing to =
the=20
web, for all of you to listen in, experimental&nbsp;film/videos and =
graphics art=20
slideshows&nbsp;running during intermissions and during performances, a =
live=20
performance art act, and an experimental music demonstration from an =
ensemble at=20
our local university, and so on.&nbsp;</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial =
size=3D2>*****************************</FONT></DIV>
<DIV><BR></DIV>
<DIV><FONT face=3DArial size=3D2>Hello all -</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>This is&nbsp;a&nbsp;sneak =
preview&nbsp;to my=20
personal and professional email distribution list on the planning of the =

<STRONG>Boise Experimental Music Festival</STRONG> (BEMF).&nbsp;The next =
major=20
communication will be&nbsp;the&nbsp;event's official press release=20
in&nbsp;April. I will be working with the Visual Arts Collective to =
craft this=20
press release and get it out to the media. </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>The bulk of the planning for the =
festival is now=20
complete, which includes the following:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D+0><FONT size=3D2><FONT =
face=3DArial><STRONG>Date:</STRONG> April=20
28-29</FONT></FONT></FONT></DIV>
<DIV><FONT size=3D+0><FONT face=3DArial><FONT =
size=3D2><STRONG>Venue:</STRONG> The=20
Visual Arts Collective art gallery (located in Boise's Linen District) - =

</FONT><A href=3D"http://www.visualartscollective.com/"><SPAN=20
style=3D"mso-ansi-font-size: 9.0pt"><FONT color=3D#606420=20
size=3D2>http://www.visualartscollective.com/</FONT></SPAN></A></FONT></F=
ONT></DIV>
<DIV><FONT size=3D+0><FONT face=3DArial><STRONG><FONT size=3D2>Event =
Description:=20
</FONT></STRONG><SPAN style=3D"FONT-FAMILY: Arial">
<P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><SPAN=20
style=3D"FONT-FAMILY: Arial"><FONT size=3D2>The Boise Experimental Music =
Festival=20
(BEMF) is a first-of-its-kind event for <st1:City =
w:st=3D"on">Boise</st1:City> and=20
the surrounding <st1:place w:st=3D"on"><st1:PlaceName=20
w:st=3D"on">Treasure</st1:PlaceName> <st1:PlaceType=20
w:st=3D"on">Valley</st1:PlaceType></st1:place>. This program features =
twelve=20
creative music performances that fall into the experimental, =
avant-garde, or=20
free improvisation music genres. <SPAN=20
style=3D"mso-spacerun: yes">&nbsp;</SPAN>The festival will provide a new =
and=20
exciting experience to <st1:City w:st=3D"on"><st1:place=20
w:st=3D"on">Boise</st1:place></st1:City>=92s music and art enthusiasts =
by bringing=20
together a unique community of musicians and artists, integrating music=20
performance with short experimental film and video, graphics art, and=20
performance art. The Boise Experimental Music Festival will be held at =
the=20
Visual Arts Collective gallery, <st1:City w:st=3D"on"><st1:place=20
w:st=3D"on">Boise</st1:place></st1:City>=92s premiere venue for unique =
art forms=20
that push the boundaries of imagination. =
<o:p></o:p></FONT></SPAN></P><FONT=20
size=3D2><o:p></o:p></FONT></SPAN></FONT></FONT></DIV>
<DIV><FONT size=3D2><FONT face=3DArial><STRONG>Festival =
Website:</STRONG>=20
</FONT></FONT><A =
href=3D"http://www.boisemusicians.com/experimental"><FONT=20
face=3DArial =
size=3D2>http://www.boisemusicians.com/experimental</FONT></A><FONT=20
size=3D2><FONT face=3DArial><STRONG>&nbsp;</STRONG>(includes artist =
biographies,=20
current schedule, venue information, genre sound samples,=20
etc)</FONT></FONT></DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Sponsors:</STRONG></FONT></DIV>
<DIV>
<P class=3DMsoListBullet=20
style=3D"MARGIN: 0in 0in 0pt 0.5in; mso-list: l1 level1 lfo2; tab-stops: =
list .3in"><FONT=20
size=3D2><FONT face=3DArial><SPAN=20
style=3D"FONT-SIZE: 9pt; FONT-FAMILY: Symbol; mso-fareast-font-family: =
Symbol; mso-bidi-font-family: Symbol; mso-fareast-language: EN-US"><SPAN =

style=3D"mso-list: Ignore">=B7<SPAN=20
style=3D"FONT: 7pt 'Times New =
Roman'">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
</SPAN></SPAN></SPAN><SPAN=20
style=3D"FONT-SIZE: 9pt; mso-bidi-font-family: Arial; =
mso-fareast-language: EN-US">Visual=20
Arts Collective =96 <A =
href=3D"http://www.visualartscollective.com/"><SPAN=20
style=3D"mso-ansi-font-size: 9.0pt"><FONT=20
color=3D#606420>http://www.visualartscollective.com/</FONT></SPAN></A></S=
PAN></FONT></FONT></P>
<P class=3DMsoListBullet=20
style=3D"MARGIN: 0in 0in 0pt 0.5in; mso-list: l1 level1 lfo2; tab-stops: =
list .3in"><FONT=20
size=3D2><FONT face=3DArial><SPAN=20
style=3D"FONT-SIZE: 9pt; mso-bidi-font-family: Arial; =
mso-fareast-language: EN-US"><o:p><SPAN=20
style=3D"FONT-SIZE: 9pt; FONT-FAMILY: Symbol; mso-fareast-font-family: =
Symbol; mso-bidi-font-family: Symbol; mso-fareast-language: EN-US"><SPAN =

style=3D"mso-list: Ignore">=B7<SPAN=20
style=3D"FONT: 7pt 'Times New =
Roman'">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<FONT=20
face=3DArial> <SPAN=20
style=3D"FONT-SIZE: 9pt; mso-bidi-font-family: Arial; =
mso-fareast-language: EN-US">The=20
Boise Weekly - <A=20
href=3D"http://www.boiseweekly.com">http://www.boiseweekly.com</A></SPAN>=
</FONT></SPAN></SPAN></SPAN></o:p></SPAN></FONT></FONT></P>
<P class=3DMsoListBullet=20
style=3D"MARGIN: 0in 0in 0pt 0.5in; mso-list: l1 level1 lfo2; tab-stops: =
list .3in"><FONT=20
size=3D2><FONT face=3DArial><SPAN=20
style=3D"FONT-SIZE: 9pt; FONT-FAMILY: Symbol; mso-fareast-font-family: =
Symbol; mso-bidi-font-family: Symbol; mso-fareast-language: EN-US"><SPAN =

style=3D"mso-list: Ignore">=B7<SPAN=20
style=3D"FONT: 7pt 'Times New =
Roman'">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
</SPAN></SPAN></SPAN><SPAN=20
style=3D"FONT-SIZE: 9pt; mso-bidi-font-family: Arial; =
mso-fareast-language: EN-US">AudioLab=20
Sound Recording - </SPAN><SPAN=20
style=3D"FONT-SIZE: 9pt; mso-bidi-font-family: Arial"><A=20
href=3D"http://www.audiolab.org/"><SPAN style=3D"mso-ansi-font-size: =
9.0pt"><FONT=20
color=3D#606420>http://www.audiolab.org/</FONT></SPAN></A></SPAN><SPAN=20
style=3D"FONT-SIZE: 9pt; mso-bidi-font-family: Arial; =
mso-fareast-language: EN-US"><o:p></o:p></SPAN></FONT></FONT></P>
<P class=3DMsoListBullet=20
style=3D"MARGIN: 0in 0in 0pt 0.5in; mso-list: l1 level1 lfo2; tab-stops: =
list .3in"><FONT=20
size=3D2><FONT face=3DArial><SPAN=20
style=3D"FONT-SIZE: 9pt; FONT-FAMILY: Symbol; mso-fareast-font-family: =
Symbol; mso-bidi-font-family: Symbol; mso-fareast-language: EN-US"><SPAN =

style=3D"mso-list: Ignore">=B7<SPAN=20
style=3D"FONT: 7pt 'Times New =
Roman'">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
</SPAN></SPAN></SPAN><SPAN=20
style=3D"FONT-SIZE: 9pt; mso-bidi-font-family: Arial; =
mso-fareast-language: EN-US">The=20
<st1:City w:st=3D"on"><st1:place =
w:st=3D"on">Boise</st1:place></st1:City> Co-Op -=20
</SPAN><SPAN style=3D"FONT-SIZE: 9pt; mso-bidi-font-family: Arial"><A=20
href=3D"http://www.boisecoop.com/" target=3D_front><SPAN=20
style=3D"mso-ansi-font-size: 9.0pt"><FONT=20
color=3D#606420>http://www.boisecoop.com/</FONT></SPAN></A></SPAN><SPAN=20
style=3D"FONT-SIZE: 9pt; mso-bidi-font-family: Arial; =
mso-fareast-language: EN-US"><o:p></o:p></SPAN></FONT></FONT></P>
<P class=3DMsoListBullet=20
style=3D"MARGIN: 0in 0in 0pt 0.5in; mso-list: l1 level1 lfo2; tab-stops: =
list .3in"><FONT=20
size=3D2><FONT face=3DArial><SPAN=20
style=3D"FONT-SIZE: 9pt; FONT-FAMILY: Symbol; mso-fareast-font-family: =
Symbol; mso-bidi-font-family: Symbol; mso-fareast-language: EN-US"><SPAN =

style=3D"mso-list: Ignore">=B7<SPAN=20
style=3D"FONT: 7pt 'Times New =
Roman'">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
</SPAN></SPAN></SPAN><SPAN=20
style=3D"FONT-SIZE: 9pt; mso-bidi-font-family: Arial; =
mso-fareast-language: EN-US">3=20
Shapes Aikido&nbsp;=20
<STYLE type=3Dtext/css>=0A=
<!--=0A=
.style1 {=0A=
	font-family: Arial, Helvetica, sans-serif;=0A=
	font-weight: bold;=0A=
	font-size: 24px;=0A=
	color: #000000;=0A=
}=0A=
.style2 {font-size: 20px}=0A=
-->=0A=
</STYLE>
- <A href=3D"http://www.3shapesaikido.com/"><SPAN=20
style=3D"mso-ansi-font-size: 9.0pt"><FONT=20
color=3D#606420>http://www.3shapesaikido.com/</FONT></SPAN></A><o:p></o:p=
></SPAN></FONT></FONT></P>
<P class=3DMsoListBullet=20
style=3D"MARGIN: 0in 0in 0pt 0.5in; mso-list: l1 level1 lfo2; tab-stops: =
list .3in"><FONT=20
size=3D2><FONT face=3DArial><SPAN=20
style=3D"FONT-SIZE: 9pt; FONT-FAMILY: Symbol; mso-fareast-font-family: =
Symbol; mso-bidi-font-family: Symbol; mso-fareast-language: EN-US"><SPAN =

style=3D"mso-list: Ignore">=B7<SPAN=20
style=3D"FONT: 7pt 'Times New =
Roman'">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
</SPAN></SPAN></SPAN><st1:City w:st=3D"on"><st1:place w:st=3D"on"><SPAN=20
style=3D"FONT-SIZE: 9pt; mso-bidi-font-family: Arial; =
mso-fareast-language: EN-US">Boise</SPAN></st1:place></st1:City><SPAN=20
style=3D"FONT-SIZE: 9pt; mso-bidi-font-family: Arial; =
mso-fareast-language: EN-US">=20
Community Radio - <A href=3D"http://www.radioboise.org/"><SPAN=20
style=3D"mso-ansi-font-size: 9.0pt"><FONT=20
color=3D#606420>http://www.radioboise.org/</FONT></SPAN></A><o:p></o:p></=
SPAN></FONT></FONT></P>
<P class=3DMsoListBullet=20
style=3D"MARGIN: 0in 0in 0pt 0.5in; mso-list: l1 level1 lfo2; tab-stops: =
list .3in"><FONT=20
size=3D2><FONT face=3DArial><SPAN=20
style=3D"FONT-SIZE: 9pt; FONT-FAMILY: Symbol; mso-fareast-font-family: =
Symbol; mso-bidi-font-family: Symbol; mso-fareast-language: EN-US"><SPAN =

style=3D"mso-list: Ignore">=B7<SPAN=20
style=3D"FONT: 7pt 'Times New =
Roman'">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
</SPAN></SPAN></SPAN><SPAN=20
style=3D"FONT-SIZE: 9pt; mso-bidi-font-family: Arial; =
mso-fareast-language: EN-US">Good=20
Boy Rufus Custom Design Services - <A =
href=3D"http://www.goodboyrufus.com/"><SPAN=20
style=3D"mso-ansi-font-size: 9.0pt"><FONT=20
color=3D#606420>http://www.goodboyrufus.com/</FONT></SPAN></A></SPAN></FO=
NT></FONT></P></DIV>
<DIV><STRONG><FONT face=3DArial size=3D2></FONT></STRONG>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Ticket =
Sales</STRONG></FONT></DIV>
<DIV><STRONG><FONT face=3DArial =
size=3D2></FONT></STRONG>&nbsp;</DIV><FONT=20
face=3DArial size=3D2>Ticket sales will be through Select-a-Seat =
(exact&nbsp;ticket=20
price&nbsp;to be announced),&nbsp;but also available at the =
door&nbsp;</FONT>=20
<DIV><STRONG><FONT face=3DArial size=3D2></FONT></STRONG>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Music =
Performers</STRONG></FONT></DIV>
<UL>
  <LI>
  <DIV class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><SPAN=20
  style=3D"FONT-FAMILY: Arial"><FONT size=3D2>Rick Walker (Headliner =
from <st1:City=20
  w:st=3D"on">Santa Cruz</st1:City>, <st1:State=20
  w:st=3D"on">CA</st1:State>)</FONT></SPAN></DIV>
  <LI>
  <DIV class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><SPAN=20
  style=3D"FONT-FAMILY: Arial"><FONT size=3D2>Lumper/Splitter (Headliner =
from=20
  <st1:City w:st=3D"on">Oakland</st1:City>, <st1:State=20
  w:st=3D"on">CA</st1:State>)</FONT></SPAN></DIV>
  <LI>
  <DIV class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><SPAN=20
  style=3D"FONT-FAMILY: Arial"><FONT size=3D2>Ted Killian &amp; Jeff =
Kaiser=20
  (Headliners from <st1:City w:st=3D"on">Medford</st1:City>, <st1:State=20
  w:st=3D"on">OR</st1:State> and <st1:place w:st=3D"on"><st1:City=20
  w:st=3D"on">Ventura</st1:City>, <st1:State=20
  w:st=3D"on">CA</st1:State></st1:place>)</FONT></SPAN></DIV>
  <LI>
  <DIV class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><SPAN=20
  style=3D"FONT-FAMILY: Arial"><FONT size=3D2>Bonefish Sam &amp; His =
Power Orchestra=20
  (Headliner from Boise)</FONT></SPAN></DIV>
  <LI>
  <DIV class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><SPAN=20
  style=3D"FONT-FAMILY: Arial"><FONT size=3D2>Krispen Hartung &amp; =
Jared Hallock=20
  (Boise)</FONT></SPAN></DIV>
  <LI>
  <DIV class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><SPAN=20
  style=3D"FONT-FAMILY: Arial"><FONT size=3D2>She Blows Neon (Alejandro =
Anastasio,=20
  Sensei)&nbsp;(Boise)</FONT></SPAN></DIV>
  <LI>
  <DIV class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><SPAN=20
  style=3D"FONT-FAMILY: Arial"><FONT size=3D2>The Rex-X-Ray Band (George =
McLean=20
  &amp; Nate Paradis) (Boise)</FONT></SPAN></DIV>
  <LI>
  <DIV class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><SPAN=20
  style=3D"FONT-FAMILY: Arial"><FONT size=3D2>LINDA =
(Boise)</FONT></SPAN></DIV>
  <LI>
  <DIV class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><SPAN=20
  style=3D"FONT-FAMILY: Arial"><FONT size=3D2>The Sly Brothers=20
  (Boise)</FONT></SPAN></DIV>
  <LI>
  <DIV class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><SPAN=20
  style=3D"FONT-FAMILY: Arial"><FONT size=3D2>Unicorn Feather=20
  (Boise)</FONT></SPAN></DIV>
  <LI>
  <DIV class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><SPAN=20
  style=3D"FONT-FAMILY: Arial"><FONT size=3D2>Jeff Rice &amp; Ted Apel=20
  (Boise)</FONT></SPAN></DIV>
  <LI>
  <DIV class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><SPAN=20
  style=3D"FONT-FAMILY: Arial"><FONT size=3D2>Gretchen Jude=20
  (Boise)</FONT></SPAN></DIV></LI></UL>
<DIV><FONT face=3DArial size=3D2><STRONG>Experimental Film/Video =
Producers=20
(confirmed)</STRONG></FONT></DIV>
<UL>
  <LI><FONT face=3DArial size=3D2>Michael Peters (Germany)</FONT>=20
  <LI><FONT face=3DArial size=3D2>Nico Spahni (Switzerland)</FONT>=20
  <LI><FONT face=3DArial size=3D2>Tarey P. (Boise)</FONT>=20
  <LI><FONT face=3DArial size=3D2>Krispen Hartung (Boise)</FONT>
  <LI><FONT face=3DArial size=3D2>Thad Povey (USA)</FONT></LI></UL>
<DIV><FONT face=3DArial size=3D2><STRONG>Performance Art&nbsp;/ Visual=20
Art</STRONG></FONT></DIV>
<UL>
  <LI><FONT face=3DArial size=3D2>Boise Naval Base =
(Boise)</FONT></LI></UL>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial=20
size=3D2>*************************************************<BR>Krispen=20
Hartung<BR></FONT><A href=3D"http://www.krispenhartung.com"><FONT =
face=3DArial=20
size=3D2>http://www.krispenhartung.com</FONT></A><FONT face=3DArial =
size=3D2>=20
<BR></FONT><A href=3D"mailto:info@krispenhartung.com"><FONT face=3DArial =

size=3D2>info@krispenhartung.com</FONT></A><FONT face=3DArial size=3D2> =
/ 208-724-5603=20
</FONT></DIV></BODY></HTML>

------=_NextPart_000_0881_01C642C3.14E51050--


From Loopers-Delight-request@loopers-delight.com  Wed Mar  8 22:23:23 2006
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Date: Wed, 8 Mar 2006 17:23:22 -0500
From: "Steve Sandberg" <stevesandbergmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: looping event in nyc on march 11
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hey there tim -
i'm doing a looping concert with videos in brooklyn on sat. march 11, 8pm =
=3D
go to grandspace.com for details -
would be great to see you there -
the videos are really interesting, 2 45-minute abstract videos created
by an artist named david finkelstein -
i'll be looping with an edp, breath controlled synth and vocals and
david will be playing piano with me for the second video -
cheers, steve

From Loopers-Delight-request@loopers-delight.com  Wed Mar  8 22:53:16 2006
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From: "loop.pool" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Subject: Re: Yanni arrested for beating the shit out of his girlfriend
Date: Wed, 8 Mar 2006 14:53:21 -0800
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You guys are so mean.

I really like Yawny.

From Loopers-Delight-request@loopers-delight.com  Wed Mar  8 23:13:18 2006
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From: Doug Cox <dougcox@pdq.net>
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Let's hope he likes you, too Rick.  Or we might read about stitches in 
yer head :D

loop.pool wrote:

> You guys are so mean.
>
> I really like Yawny.
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Mar  8 23:33:29 2006
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http://www.thesmokinggun.com/archive/0307061yanni1.html

-- 
* David Beardsley
* microtonal guitar
* http://biink.com/db

From Loopers-Delight-request@loopers-delight.com  Wed Mar  8 23:34:47 2006
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Subject: RE: UPDATE: Boise Experimental Music Festival / Dominated by Loopers?
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Kudos to you, Kris. I really admire your enery and industry. Well done.

Best wishes,
Warren Sirota

From Loopers-Delight-request@loopers-delight.com  Wed Mar  8 23:37:14 2006
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Date: Wed, 8 Mar 2006 15:37:12 -0800 (PST)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Hardware Sequencer Suggestions
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I'm a BIG fan of the E-MU Command Stations.  Sadly
they're discontinued, but still available on ebay.  I
think they're one of the only hardware sequencers on
the market with velocity and aftertouch on the pads. 
For bonus they throw in a (crappy) ribbon controller! 
Also, has built in sound ROM so less to drag around. 
Multiple outputs mean you can route drums to one set
of stereo outs and sounds to feed a looper into the
second.

--- Andreas Wetterberg <awetterberg@post.cybercity.dk>
wrote:

> Hi Rick. I'd definitely recommend the Yamaha rm1x.
> It's definitely a fun 
> sequencer.
> a.
> 
> rick wrote:
> > I'm looking for some advice to replace my laptop
> setup with a hardware
> > sequencer if possible.
> > 
> > The "basics" of my looping is done with acoustic
> guitars and echoplex,
> > along with various sound modules for bass, drums,
> keys fed by the
> > computer which contains a large amount of short
> midi clips I call
> > up or shut off through a midi foot controller.
> > 
> > So basically I'm looking for a sequencer to store
> and call up midi loops
> > at will, through a foot controller. Sounds aren't
> important due to my
> > sound modules. It's more about live performance
> control being able to
> > turn on and off or switch loops or multiple loops,
> etc.
> > 
> > Last 2 I checked out were an MPC1000 and a Yamaha
> QY100 which both were
> > close but had limitations to them. Before I read
> another manual I
> > thought I'd ask here.
> > 
> > Thanks ---> rick :O)
> > 
> > 
> > 
> > 
> > .
> > 
> 
> 


__________________________________________________
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Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Wed Mar  8 23:43:09 2006
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Date: Wed, 08 Mar 2006 18:43:05 -0500
Subject: Echoplex up on ebay - AndreLaFosse autographed version - link
From: todd reynolds <todd@toddreynolds.com>
To: LD <Loopers-Delight@loopers-delight.com>
Message-ID: <C034D639.15EC9%todd@toddreynolds.com>
Thread-Topic: Echoplex up on ebay - AndreLaFosse autographed version - link
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> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

--B_3224688189_10819658
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Hi everyone...=20

Just wanted to let you know a friend of mine has stuck his edp up on ebay..=
.

Bid away... This guy keeps his gear pristine, like, really pristine, and
this piece was used at Andre=B9s Monkey surround show in New York.

He=B9s not an LD member, and I wanted y=B9all to have first crack in case anyon=
e
needs one...=20

http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=3D7396766967&indexURL=3D1#eb=
a
yphotohosting

All best,

Todd


---------------------------------------------------------------------------=
-
-----
=B3Virtue is just repression waiting to go bad=B2 - Trevor Exter

=B3Classical music is related to the past more than it is related to the
creative part of sound=B2 - Ornette Coleman
---------------------------------------------------------------------------=
-
------=20
Todd Reynolds
42-09 47th Ave 1C
Sunnyside, NY  11104
=20
Ph.    718 392-3773
Mob.   917 576-6166
Fax    419 781-5502
=20
http://www.toddreynolds.com


todd@toddreynolds.com
9175766166@vtext.com (155 characters or less)
AIM ID: toddreyn




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<HTML>
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<TITLE>Echoplex up on ebay - AndreLaFosse autographed version - link</TITLE=
>
</HEAD>
<BODY>
<FONT FACE=3D"Palatino"><SPAN STYLE=3D'font-size:14.0px'>Hi everyone... <BR>
<BR>
Just wanted to let you know a friend of mine has stuck his edp up on ebay..=
.<BR>
<BR>
Bid away... This guy keeps his gear pristine, like, really pristine, and th=
is piece was used at Andre&#8217;s Monkey surround show in New York. &nbsp;<=
BR>
<BR>
He&#8217;s not an LD member, and I wanted y&#8217;all to have first crack i=
n case anyone needs one... <BR>
<BR>
<a href=3D"http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=3D7396766967&inde=
xURL=3D1#ebayphotohosting">http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&amp;i=
tem=3D7396766967&amp;indexURL=3D1#ebayphotohosting</a><BR>
<BR>
All best,<BR>
<BR>
Todd<BR>
<BR>
<BR>
</SPAN><FONT SIZE=3D"2"><SPAN STYLE=3D'font-size:12.0px'>----------------------=
-----------------------------------------------------------<BR>
&#8220;Virtue is just repression waiting to go bad&#8221; - Trevor Exter<BR=
>
<BR>
&#8220;Classical music is related to the past more than it is related to th=
e creative part of sound&#8221; - Ornette Coleman<BR>
---------------------------------------------------------------------------=
------- <BR>
Todd Reynolds<BR>
42-09 47th Ave 1C<BR>
Sunnyside, NY &nbsp;11104<BR>
&nbsp;<BR>
Ph. &nbsp;&nbsp;&nbsp;718 392-3773<BR>
Mob. &nbsp;&nbsp;917 576-6166<BR>
Fax &nbsp;&nbsp;&nbsp;419 781-5502<BR>
&nbsp;<BR>
<a href=3D"http://www.toddreynolds.com">http://www.toddreynolds.com</a><BR>
<BR>
<BR>
todd@toddreynolds.com<BR>
9175766166@vtext.com (155 characters or less)<BR>
AIM ID: toddreyn<BR>
</SPAN></FONT><FONT SIZE=3D"4"><SPAN STYLE=3D'font-size:18.0px'><BR>
</SPAN></FONT><SPAN STYLE=3D'font-size:14.0px'><BR>
</SPAN></FONT>
</BODY>
</HTML>


--B_3224688189_10819658--


From Loopers-Delight-request@loopers-delight.com  Wed Mar  8 23:44:07 2006
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From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: echoplex differences and advice please!
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It's all relative to what you're trying to do.  I
think most people here woudl agree that the big 2
loopers are the EDP and the (discontinued) Repeater. 
While there are only a handful of units out there, the
people who have them swear that the Looperlative is
great.  Check out the "tools" page on the LD website.

Mark

--- gus <gus@wellwornworkshops.com> wrote:

> hi I'm new here, and I have a couple of questions
> for the experienced loopers out there. 
> 
> Im preparing for live realtime looping performances
> and I'm considering buying an echoplex. Is it still
> the most comprehensive realtime looper out there?

__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Wed Mar  8 23:51:59 2006
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From: "loop.pool" <looppool@cruzio.com>
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Subject: Re: Yanni arrested for beating the shit out of his girlfriend
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Seriously, though,   for a 'new age' musician,  this is a career ender.

From Loopers-Delight-request@loopers-delight.com  Thu Mar  9 00:07:20 2006
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Subject: Re: Yanni arrested for beating the shit out of his girlfriend
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Well, he can always sell his 6.6 million dollar pad in Florida.


----- Original Message ----- 
From: "loop.pool" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, March 08, 2006 6:52 PM
Subject: Re: Yanni arrested for beating the shit out of his girlfriend


> Seriously, though,   for a 'new age' musician,  this is a career ender.
>

From Loopers-Delight-request@loopers-delight.com  Thu Mar  9 00:25:58 2006
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Subject: RE: Yanni arrested for beating the shit out of his girlfriend
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Whaddaya get when you play New Age Music backwards????






New Age Music......


Hey there are probably those people who think I sound like New Age Music!!
I prefer New Wage Music....

;)
Bill







From Loopers-Delight-request@loopers-delight.com  Thu Mar  9 01:10:45 2006
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 Loopers?
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<HEAD>
<META content=3D"MSHTML 6.00.2800.1498" name=3DGENERATOR></HEAD>
<BODY>
<DIV>Bravo Kris! This sounds like a bold thing to do anywhere. I never thin=
k of Boise as being a hub of experimental music, but oftentimes the greates=
t treasures artistically, are in unexpected places.&nbsp;Innovations ain't =
just for the coasts! Props to you for putting your heart where your art is!=
 Tell us how it goes.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Todd<BR><BR><BR>-----Original Message----- <BR>From: Kris Hartung <KHA=
RTUNG@CABLEONE.NET><BR>Sent: Mar 8, 2006 3:15 PM <BR>To: Loopers-Delight@lo=
opers-delight.com <BR>Subject: UPDATE: Boise Experimental Music Festival / =
Dominated by Loopers? <BR><BR></DIV><ZZZHTML xmlns:o=3D"urn:schemas-microso=
ft-com:office:office" xmlns:st1=3D"urn:schemas-microsoft-com:office:smartta=
gs"><ZZZHEAD><ZZZMETA content=3D"text/html; charset=3Diso-8859-1" http-equi=
v=3D"Content-Type"><ZZZMETA name=3D"GENERATOR" content=3D"MSHTML 6.00.2900.=
2802">
<STYLE></STYLE>
</ZZZHEAD><ZZZBODY bgColor=3D"#ffffff">
<DIV><FONT face=3DArial size=3D2>I'm forwarding you my latest update on the=
 Boise Experimental Music Festival (BEMF), which I'm proud to say is TOTALL=
Y dominated by loopers! Yeahhh!!!!&nbsp; 7 out of 12 acts are looping. So, =
this is really a clever way me to launch yet another looper's festival in t=
he NW of the USA. :)&nbsp; This event is really taking off...with seven maj=
or sponsors who have contributed either services or cold cash to support th=
e event, a major 3/4 page ad on our local new paper, a giant venue (avant-g=
arde art gallery, with a graphics arts&nbsp;installment on display)&nbsp;wi=
th a huge raised stage, lights, theater style seating, etc, ticket sales th=
rough our largest ticket sales venue, a local internet radio station stream=
ing the whole thing to the web, for all of you to listen in, experimental&n=
bsp;film/videos and graphics art slideshows&nbsp;running during intermissio=
ns and during performances, a live performance art act, and an experimental=
 music demonstration from an ensemble at our local university, and so on.&n=
bsp;</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>*****************************</FONT></DIV>
<DIV><BR></DIV>
<DIV><FONT face=3DArial size=3D2>Hello all -</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>This is&nbsp;a&nbsp;sneak preview&nbsp;to =
my personal and professional email distribution list on the planning of the=
 <STRONG>Boise Experimental Music Festival</STRONG> (BEMF).&nbsp;The next m=
ajor communication will be&nbsp;the&nbsp;event's official press release in&=
nbsp;April. I will be working with the Visual Arts Collective to craft this=
 press release and get it out to the media. </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>The bulk of the planning for the festival =
is now complete, which includes the following:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D+0><FONT size=3D2><FONT face=3DArial><STRONG>Date:</STRON=
G> April 28-29</FONT></FONT></FONT></DIV>
<DIV><FONT size=3D+0><FONT face=3DArial><FONT size=3D2><STRONG>Venue:</STRO=
NG> The Visual Arts Collective art gallery (located in Boise's Linen Distri=
ct) - </FONT><A href=3D"http://www.visualartscollective.com/"><SPAN style=
=3D"mso-ansi-font-size: 9.0pt"><FONT color=3D#606420 size=3D2>http://www.vi=
sualartscollective.com/</FONT></SPAN></A></FONT></FONT></DIV>
<DIV><FONT size=3D+0><FONT face=3DArial><STRONG><FONT size=3D2>Event Descri=
ption: </FONT></STRONG><SPAN style=3D"FONT-FAMILY: Arial">
<P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><SPAN style=3D"FONT-FAMI=
LY: Arial"><FONT size=3D2>The Boise Experimental Music Festival (BEMF) is a=
 first-of-its-kind event for <?xml:namespace prefix =3D st1 /><st1:City w:s=
t=3D"on">Boise</st1:City> and the surrounding <st1:place w:st=3D"on"><st1:P=
laceName w:st=3D"on">Treasure</st1:PlaceName> <st1:PlaceType w:st=3D"on">Va=
lley</st1:PlaceType></st1:place>. This program features twelve creative mus=
ic performances that fall into the experimental, avant-garde, or free impro=
visation music genres. <SPAN style=3D"mso-spacerun: yes">&nbsp;</SPAN>The f=
estival will provide a new and exciting experience to <st1:City w:st=3D"on"=
><st1:place w:st=3D"on">Boise</st1:place></st1:City>&#146;s music and art e=
nthusiasts by bringing together a unique community of musicians and artists=
, integrating music performance with short experimental film and video, gra=
phics art, and performance art. The Boise Experimental Music Festival will =
be held at the Visual Arts Collective gallery, <st1:City w:st=3D"on"><st1:p=
lace w:st=3D"on">Boise</st1:place></st1:City>&#146;s premiere venue for uni=
que art forms that push the boundaries of imagination. <?xml:namespace pref=
ix =3D o /><o:p></o:p></FONT></SPAN></P><FONT size=3D2><o:p></o:p></FONT></=
SPAN></FONT></FONT></DIV>
<DIV><FONT size=3D2><FONT face=3DArial><STRONG>Festival Website:</STRONG> <=
/FONT></FONT><A href=3D"http://www.boisemusicians.com/experimental"><FONT f=
ace=3DArial size=3D2>http://www.boisemusicians.com/experimental</FONT></A><=
FONT size=3D2><FONT face=3DArial><STRONG>&nbsp;</STRONG>(includes artist bi=
ographies, current schedule, venue information, genre sound samples, etc)</=
FONT></FONT></DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Sponsors:</STRONG></FONT></DIV>
<DIV>
<P class=3DMsoListBullet style=3D"MARGIN: 0in 0in 0pt 0.5in; mso-list: l1 l=
evel1 lfo2; tab-stops: list .3in"><FONT size=3D2><FONT face=3DArial><SPAN s=
tyle=3D"FONT-SIZE: 9pt; FONT-FAMILY: Symbol; mso-fareast-font-family: Symbo=
l; mso-bidi-font-family: Symbol; mso-fareast-language: EN-US"><SPAN style=
=3D"mso-list: Ignore">=B7<SPAN style=3D"FONT: 7pt 'Times New Roman'">&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN></SPAN></SPAN><SPAN style=
=3D"FONT-SIZE: 9pt; mso-bidi-font-family: Arial; mso-fareast-language: EN-U=
S">Visual Arts Collective &#150; <A href=3D"http://www.visualartscollective=
.com/"><SPAN style=3D"mso-ansi-font-size: 9.0pt"><FONT color=3D#606420>http=
://www.visualartscollective.com/</FONT></SPAN></A></SPAN></FONT></FONT></P>
<P class=3DMsoListBullet style=3D"MARGIN: 0in 0in 0pt 0.5in; mso-list: l1 l=
evel1 lfo2; tab-stops: list .3in"><FONT size=3D2><FONT face=3DArial><SPAN s=
tyle=3D"FONT-SIZE: 9pt; mso-bidi-font-family: Arial; mso-fareast-language: =
EN-US"><o:p><SPAN style=3D"FONT-SIZE: 9pt; FONT-FAMILY: Symbol; mso-fareast=
-font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-language: E=
N-US"><SPAN style=3D"mso-list: Ignore">=B7<SPAN style=3D"FONT: 7pt 'Times N=
ew Roman'">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<FONT face=3DAri=
al> <SPAN style=3D"FONT-SIZE: 9pt; mso-bidi-font-family: Arial; mso-fareast=
-language: EN-US">The Boise Weekly - <A href=3D"http://www.boiseweekly.com"=
>http://www.boiseweekly.com</A></SPAN></FONT></SPAN></SPAN></SPAN></o:p></S=
PAN></FONT></FONT></P>
<P class=3DMsoListBullet style=3D"MARGIN: 0in 0in 0pt 0.5in; mso-list: l1 l=
evel1 lfo2; tab-stops: list .3in"><FONT size=3D2><FONT face=3DArial><SPAN s=
tyle=3D"FONT-SIZE: 9pt; FONT-FAMILY: Symbol; mso-fareast-font-family: Symbo=
l; mso-bidi-font-family: Symbol; mso-fareast-language: EN-US"><SPAN style=
=3D"mso-list: Ignore">=B7<SPAN style=3D"FONT: 7pt 'Times New Roman'">&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN></SPAN></SPAN><SPAN style=
=3D"FONT-SIZE: 9pt; mso-bidi-font-family: Arial; mso-fareast-language: EN-U=
S">AudioLab Sound Recording - </SPAN><SPAN style=3D"FONT-SIZE: 9pt; mso-bid=
i-font-family: Arial"><A href=3D"http://www.audiolab.org/"><SPAN style=3D"m=
so-ansi-font-size: 9.0pt"><FONT color=3D#606420>http://www.audiolab.org/</F=
ONT></SPAN></A></SPAN><SPAN style=3D"FONT-SIZE: 9pt; mso-bidi-font-family: =
Arial; mso-fareast-language: EN-US"><o:p></o:p></SPAN></FONT></FONT></P>
<P class=3DMsoListBullet style=3D"MARGIN: 0in 0in 0pt 0.5in; mso-list: l1 l=
evel1 lfo2; tab-stops: list .3in"><FONT size=3D2><FONT face=3DArial><SPAN s=
tyle=3D"FONT-SIZE: 9pt; FONT-FAMILY: Symbol; mso-fareast-font-family: Symbo=
l; mso-bidi-font-family: Symbol; mso-fareast-language: EN-US"><SPAN style=
=3D"mso-list: Ignore">=B7<SPAN style=3D"FONT: 7pt 'Times New Roman'">&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN></SPAN></SPAN><SPAN style=
=3D"FONT-SIZE: 9pt; mso-bidi-font-family: Arial; mso-fareast-language: EN-U=
S">The <st1:City w:st=3D"on"><st1:place w:st=3D"on">Boise</st1:place></st1:=
City> Co-Op - </SPAN><SPAN style=3D"FONT-SIZE: 9pt; mso-bidi-font-family: A=
rial"><A href=3D"http://www.boisecoop.com/" target=3D_front><SPAN style=3D"=
mso-ansi-font-size: 9.0pt"><FONT color=3D#606420>http://www.boisecoop.com/<=
/FONT></SPAN></A></SPAN><SPAN style=3D"FONT-SIZE: 9pt; mso-bidi-font-family=
: Arial; mso-fareast-language: EN-US"><o:p></o:p></SPAN></FONT></FONT></P>
<P class=3DMsoListBullet style=3D"MARGIN: 0in 0in 0pt 0.5in; mso-list: l1 l=
evel1 lfo2; tab-stops: list .3in"><FONT size=3D2><FONT face=3DArial><SPAN s=
tyle=3D"FONT-SIZE: 9pt; FONT-FAMILY: Symbol; mso-fareast-font-family: Symbo=
l; mso-bidi-font-family: Symbol; mso-fareast-language: EN-US"><SPAN style=
=3D"mso-list: Ignore">=B7<SPAN style=3D"FONT: 7pt 'Times New Roman'">&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN></SPAN></SPAN><SPAN style=
=3D"FONT-SIZE: 9pt; mso-bidi-font-family: Arial; mso-fareast-language: EN-U=
S">3 Shapes Aikido&nbsp;=20
<STYLE type=3Dtext/css>
<ZZZ!--
.style1 {
=09font-family: Arial, Helvetica, sans-serif;
=09font-weight: bold;
=09font-size: 24px;
=09color: #000000;
}
.style2 {font-size: 20px}
-->
</STYLE>
- <A href=3D"http://www.3shapesaikido.com/"><SPAN style=3D"mso-ansi-font-si=
ze: 9.0pt"><FONT color=3D#606420>http://www.3shapesaikido.com/</FONT></SPAN=
></A><o:p></o:p></SPAN></FONT></FONT></P>
<P class=3DMsoListBullet style=3D"MARGIN: 0in 0in 0pt 0.5in; mso-list: l1 l=
evel1 lfo2; tab-stops: list .3in"><FONT size=3D2><FONT face=3DArial><SPAN s=
tyle=3D"FONT-SIZE: 9pt; FONT-FAMILY: Symbol; mso-fareast-font-family: Symbo=
l; mso-bidi-font-family: Symbol; mso-fareast-language: EN-US"><SPAN style=
=3D"mso-list: Ignore">=B7<SPAN style=3D"FONT: 7pt 'Times New Roman'">&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN></SPAN></SPAN><st1:City w=
:st=3D"on"><st1:place w:st=3D"on"><SPAN style=3D"FONT-SIZE: 9pt; mso-bidi-f=
ont-family: Arial; mso-fareast-language: EN-US">Boise</SPAN></st1:place></s=
t1:City><SPAN style=3D"FONT-SIZE: 9pt; mso-bidi-font-family: Arial; mso-far=
east-language: EN-US"> Community Radio - <A href=3D"http://www.radioboise.o=
rg/"><SPAN style=3D"mso-ansi-font-size: 9.0pt"><FONT color=3D#606420>http:/=
/www.radioboise.org/</FONT></SPAN></A><o:p></o:p></SPAN></FONT></FONT></P>
<P class=3DMsoListBullet style=3D"MARGIN: 0in 0in 0pt 0.5in; mso-list: l1 l=
evel1 lfo2; tab-stops: list .3in"><FONT size=3D2><FONT face=3DArial><SPAN s=
tyle=3D"FONT-SIZE: 9pt; FONT-FAMILY: Symbol; mso-fareast-font-family: Symbo=
l; mso-bidi-font-family: Symbol; mso-fareast-language: EN-US"><SPAN style=
=3D"mso-list: Ignore">=B7<SPAN style=3D"FONT: 7pt 'Times New Roman'">&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN></SPAN></SPAN><SPAN style=
=3D"FONT-SIZE: 9pt; mso-bidi-font-family: Arial; mso-fareast-language: EN-U=
S">Good Boy Rufus Custom Design Services - <A href=3D"http://www.goodboyruf=
us.com/"><SPAN style=3D"mso-ansi-font-size: 9.0pt"><FONT color=3D#606420>ht=
tp://www.goodboyrufus.com/</FONT></SPAN></A></SPAN></FONT></FONT></P></DIV>
<DIV><STRONG><FONT face=3DArial size=3D2></FONT></STRONG>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Ticket Sales</STRONG></FONT></DIV>
<DIV><STRONG><FONT face=3DArial size=3D2></FONT></STRONG>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Ticket sales will be through Select-a-Seat=
 (exact&nbsp;ticket price&nbsp;to be announced),&nbsp;but also available at=
 the door&nbsp;</FONT> </DIV>
<DIV><STRONG><FONT face=3DArial size=3D2></FONT></STRONG>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Music Performers</STRONG></FONT></=
DIV>
<UL>
<LI>
<DIV class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><SPAN style=3D"FONT-FA=
MILY: Arial"><FONT size=3D2>Rick Walker (Headliner from <st1:City w:st=3D"o=
n">Santa Cruz</st1:City>, <st1:State w:st=3D"on">CA</st1:State>)</FONT></SP=
AN></DIV>
<LI>
<DIV class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><SPAN style=3D"FONT-FA=
MILY: Arial"><FONT size=3D2>Lumper/Splitter (Headliner from <st1:City w:st=
=3D"on">Oakland</st1:City>, <st1:State w:st=3D"on">CA</st1:State>)</FONT></=
SPAN></DIV>
<LI>
<DIV class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><SPAN style=3D"FONT-FA=
MILY: Arial"><FONT size=3D2>Ted Killian &amp; Jeff Kaiser (Headliners from =
<st1:City w:st=3D"on">Medford</st1:City>, <st1:State w:st=3D"on">OR</st1:St=
ate> and <st1:place w:st=3D"on"><st1:City w:st=3D"on">Ventura</st1:City>, <=
st1:State w:st=3D"on">CA</st1:State></st1:place>)</FONT></SPAN></DIV>
<LI>
<DIV class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><SPAN style=3D"FONT-FA=
MILY: Arial"><FONT size=3D2>Bonefish Sam &amp; His Power Orchestra (Headlin=
er from Boise)</FONT></SPAN></DIV>
<LI>
<DIV class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><SPAN style=3D"FONT-FA=
MILY: Arial"><FONT size=3D2>Krispen Hartung &amp; Jared Hallock (Boise)</FO=
NT></SPAN></DIV>
<LI>
<DIV class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><SPAN style=3D"FONT-FA=
MILY: Arial"><FONT size=3D2>She Blows Neon (Alejandro Anastasio, Sensei)&nb=
sp;(Boise)</FONT></SPAN></DIV>
<LI>
<DIV class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><SPAN style=3D"FONT-FA=
MILY: Arial"><FONT size=3D2>The Rex-X-Ray Band (George McLean &amp; Nate Pa=
radis) (Boise)</FONT></SPAN></DIV>
<LI>
<DIV class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><SPAN style=3D"FONT-FA=
MILY: Arial"><FONT size=3D2>LINDA (Boise)</FONT></SPAN></DIV>
<LI>
<DIV class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><SPAN style=3D"FONT-FA=
MILY: Arial"><FONT size=3D2>The Sly Brothers (Boise)</FONT></SPAN></DIV>
<LI>
<DIV class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><SPAN style=3D"FONT-FA=
MILY: Arial"><FONT size=3D2>Unicorn Feather (Boise)</FONT></SPAN></DIV>
<LI>
<DIV class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><SPAN style=3D"FONT-FA=
MILY: Arial"><FONT size=3D2>Jeff Rice &amp; Ted Apel (Boise)</FONT></SPAN><=
/DIV>
<LI>
<DIV class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><SPAN style=3D"FONT-FA=
MILY: Arial"><FONT size=3D2>Gretchen Jude (Boise)</FONT></SPAN></DIV></LI><=
/UL>
<DIV><FONT face=3DArial size=3D2><STRONG>Experimental Film/Video Producers =
(confirmed)</STRONG></FONT></DIV>
<UL>
<LI><FONT face=3DArial size=3D2>Michael Peters (Germany)</FONT>=20
<LI><FONT face=3DArial size=3D2>Nico Spahni (Switzerland)</FONT>=20
<LI><FONT face=3DArial size=3D2>Tarey P. (Boise)</FONT>=20
<LI><FONT face=3DArial size=3D2>Krispen Hartung (Boise)</FONT>=20
<LI><FONT face=3DArial size=3D2>Thad Povey (USA)</FONT></LI></UL>
<DIV><FONT face=3DArial size=3D2><STRONG>Performance Art&nbsp;/ Visual Art<=
/STRONG></FONT></DIV>
<UL>
<LI><FONT face=3DArial size=3D2>Boise Naval Base (Boise)</FONT></LI></UL>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>******************************************=
*******<BR>Krispen Hartung<BR></FONT><A href=3D"http://www.krispenhartung.c=
om"><FONT face=3DArial size=3D2>http://www.krispenhartung.com</FONT></A><FO=
NT face=3DArial size=3D2> <BR></FONT><A href=3D"mailto:info@krispenhartung.=
com"><FONT face=3DArial size=3D2>info@krispenhartung.com</FONT></A><FONT fa=
ce=3DArial size=3D2> / 208-724-5603 </FONT></DIV></ZZZBODY></ZZZHTML></BODY=
>

From Loopers-Delight-request@loopers-delight.com  Thu Mar  9 01:22:52 2006
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Date: Wed, 8 Mar 2006 20:22:50 -0500
From: "Todd Pafford" <calenlas@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: echoplex differences and advice please!
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Didn't we just have this conversation?  Talk about looping!  :)

Gus, check out the LD archives for the past month and you'll see a
whole boatload of advice regarding the EDP, Repeater, Looperlative,
Mobius, etc.

Todd

On 3/8/06, mark sottilaro <zerocrossing2001@yahoo.com> wrote:
> It's all relative to what you're trying to do.  I
> think most people here woudl agree that the big 2
> loopers are the EDP and the (discontinued) Repeater.
> While there are only a handful of units out there, the
> people who have them swear that the Looperlative is
> great.  Check out the "tools" page on the LD website.
>
> Mark
>
> --- gus <gus@wellwornworkshops.com> wrote:
>
> > hi I'm new here, and I have a couple of questions
> > for the experienced loopers out there.
> >
> > Im preparing for live realtime looping performances
> > and I'm considering buying an echoplex. Is it still
> > the most comprehensive realtime looper out there?
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Mar  9 02:44:41 2006
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Date: Wed, 08 Mar 2006 21:44:32 -0500
From: Dan Ash <Daniel.Ash@Verizon.net>
Subject: re: cancelled: march 11 open loop
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Tom,

That's too bad.

Wasn't there a snowstorm the night of the last loop event in Brooklyn?  
That might have been a factor.

Hope you're not really throwing in the trowel.

Dan Ash
White Plains, NY


From Loopers-Delight-request@loopers-delight.com  Thu Mar  9 03:19:22 2006
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Subject: =?ISO-8859-1?Q?Re:=20OT:=20Sunao=20Inami=20Europe=20tour=A0=2020?=
 =?ISO-8859-1?Q?06=20March?=
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sunao.....what a great looking tour!.....this is wonderful!.....mic



www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2">sunao.....what a great looking tour!...=
..this is wonderful!.....mic<BR>
<BR>
<BR>
<BR>
www.ct-collective.com<BR>
http://mysite.verizon.net/vzepmeci/<BR>
http://www.myspace.com/klobuchar11<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
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From Loopers-Delight-request@loopers-delight.com  Thu Mar  9 09:51:17 2006
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big legged woman gonna carry me to ma grave born under
a bad sign...

--- Doug Cox <dougcox@pdq.net> wrote:

> Let's hope he likes you, too Rick.  Or we might read
> about stitches in 
> yer head :D
> 
> loop.pool wrote:
> 
> > You guys are so mean.
> >
> > I really like Yawny.
> >
> >
> 
> 


www.luis-angulo.com

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Thu Mar  9 10:57:16 2006
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From: "Claude Voit" <c.voit@vtx.ch>
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Subject: Re: Hardware Sequencer Suggestions
Date: Thu, 9 Mar 2006 11:57:17 +0100
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you can direct acces the 16 "sections" of the RM1x by small sys ex messages 
like

f0 43 7e 00 10 7f f7  means switch to next section (quantized at bar or 8th 
boundary)
f0 43 7e 00 04 7f f7 is switch to section 5

rm1x is very tight and can be master or slave to midiclock and send the 
whole start,stop continue kit

if you have the right footcontroler it is excellent

it even has some very workable sound sets

Claude

>
> I'll check it out. Seems the suggestions are definately capable for what
> I need. Getting control of loop changes via footswitch is the question
> now. I'll read up on this one though. Thanks.
>
> On Wed, Mar 08, 2006 at 07:38:11PM +0100, Andreas Wetterberg wrote:
>> Hi Rick. I'd definitely recommend the Yamaha rm1x. It's definitely a fun
>> sequencer.
>> a.
>>

From Loopers-Delight-request@loopers-delight.com  Thu Mar  9 11:40:32 2006
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Date: Thu, 09 Mar 2006 06:36:33 -0500
From: Bill Fox <billyfox@soundscapes.us>
Subject: Listen to Afterglow, Galactic Travels, and the AM/FM Show
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AFTERGLOW ON WMUH:                               
http://soundscapes.us/afterglow
================================================================================
Afterglow airs from 8:00 am to 9:30 am every Thursday morning.  Tune in 
for a
delightful mix of eclectic musical genres including a healthy dose of
Progressive Rock.  Tune in at 91.7 FM or on the internet at:
http://www.muhlenberg.edu/wmuh

I will play the music of IZZ and Pinnacle, two bands that will soon be in
concert at the New Nersey Proghouse.

I will host an extra episode of Afterglow this Friday, March 10, from 
2:00 to
5:00 pm.  If you can't get to a radio on Thursday mornings, perhaps this 
will
give you a chance to hear great Progressive Rock on the radio.


GALACTIC TRAVELS ON WDIY:                            
http://wdiy.org/programs/gt
================================================================================
Tonight at 11 pm on Galactic Travels, I'll start a month-long Special 
Focus on
E-dition electronic music magazine.  The Featured CD at Midnight will be 
the CD
from issue #6.  The Vinyl Starter will be "Live" by Klaus Schulze on Brain
Records and released in 1980.  For details, see the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2006/focus.html#mar

Galactic Travels is an electronic, ambient, and space music show that 
airs each
Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, 93.9 FM 
in Easton
and Phillipsburg, 93.7 FM in Fogelsville and Trexlertown, 92.9 FM on Service
Electric Cable, and on the internet.


THE AM/FM SHOW ON WMUH:                               
http://soundscapes.us/amfm
================================================================================
My next stint on the AM/FM Show will be Saturday, March 11 at 6:00 am.  
I will
continue the special on E-dition Magazine's sampler CDs.  I will also 
play music
from IZZ's new CD and music from other bands that will soon be in 
concert at the
New Nersey Proghouse.

Tune in to WMUH Allentown at 91.7 FM, broadcasting from the campus of 
Muhlenberg
College.  I alternate hosting the show with Bruce.  When I am at the 
helm, the
show features electronic, ambient, and spacemusic at the beginning, an 
eclectic
mix of genres in the middle, and winds up with Progressive Rock.  WMUH's web
site is http://www.muhlenberg.edu/wmuh

All times are EST / GMT-5

From Loopers-Delight-request@loopers-delight.com  Thu Mar  9 13:30:05 2006
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From: goddard.duncan@mtvne.com
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Subject: RE: Hardware Sequencer Suggestions
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>>I'm a BIG fan of the E-MU Command Stations.<<

I have some issues with the XL-7 I just bought. there are some edit commands
that, when performed, cause the thing to stop. thus, it is not as useful as
it could've been as a live sequencer.
for instance- & this is the one that bothers me the most- you might want to
transpose a track relative to the other tracks you have running. entering
the pattern edit menu allows you to select a transpose page, but this
requires you to select the track you wish to perform the transpose on. 

which in turn means deselecting one or more of the "live" tracks, since the
same 16 buttons that control which tracks are playing also control which are
acted upon by your choice of modifier. an obvious bug that they never dealt
with. so you end up with everything muted except the track you wanted to
transpose..... even if you could live with that for half a bar or so, the
next thing that happens is that you press enter & the machine stops
abruptly, having executed the operation.

also, running the sequencer in pattern /or/ song mode from an external clock
is unpredictable. the clocking itself is fine, but the sequencer picks up
song-pointers or something erroneously, & often starts a bar-&-a-half into a
pattern. I would make it the master clock (it has, like my korg ES-1, a
tap-tempo button) but for the edit problems above. I can live with stopping
my sequencer by accident once or twice a set, but if I make it the master, I
would also be stopping or disturbing a maq 16/3, a jam-man, a repeater, two
echo-pros......

I don't know whether it's possible to select tracks by midi controller. I
hope to establish this shortly, because at the moment I'm having to take my
paws off my kahler-equipped precision bass to mute/unmute stuff. I could
program the changes instead (in song mode) but we want to be more
spontaneous than that, obviously.

I made the switch to the XL-7 precisely because it could do all this stuff
(controller knobs, pattern & song modes, built-in proteus module- I make
flash rams of my own sounds) but now I'm wondering if I wasn't better off
with my sequentix p3, even though it's still a bit arse when it comes to
programming long chord sequences. that's the biggest issue I have with it,
despite the designer's best attempts to interpret & realise my wishes.

I'd also like the emu a lot more if you could run tracks of different
lengths (but exact multiples/submultiples of each other) in one pattern. so
I could have a chord sequence over, say, 16 bars, with a bassline of one bar
running alongside it. this would make it easier to make live changes to the
bass line while the chords do their thing. I can do this on the p3 quite
easily, & the loops don't have to be mathematically-related either.

one day someone will get this stuff right in a hardware box. until then, we
have to struggle along..... sigh.

I wonder if an alesis MMT8 might do what you need?

duncan/r.m.i.


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<TITLE>RE: Hardware Sequencer Suggestions</TITLE>
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<P><FONT SIZE=3D2>&gt;&gt;I'm a BIG fan of the E-MU Command Stations.&lt;&l=
t;</FONT>
</P>

<P><FONT SIZE=3D2>I have some issues with the XL-7 I just bought. there are=
 some edit commands that, when performed, cause the thing to stop. thus, it=
 is not as useful as it could've been as a live sequencer.</FONT></P>

<P><FONT SIZE=3D2>for instance- &amp; this is the one that bothers me the m=
ost- you might want to transpose a track relative to the other tracks you h=
ave running. entering the pattern edit menu allows you to select a transpos=
e page, but this requires you to select the track you wish to perform the t=
ranspose on. </FONT></P>

<P><FONT SIZE=3D2>which in turn means deselecting one or more of the &quot;=
live&quot; tracks, since the same 16 buttons that control which tracks are =
playing also control which are acted upon by your choice of modifier. an ob=
vious bug that they never dealt with. so you end up with everything muted e=
xcept the track you wanted to transpose..... even if you could live with th=
at for half a bar or so, the next thing that happens is that you press ente=
r &amp; the machine stops abruptly, having executed the operation.</FONT></=
P>

<P><FONT SIZE=3D2>also, running the sequencer in pattern /or/ song mode fro=
m an external clock is unpredictable. the clocking itself is fine, but the =
sequencer picks up song-pointers or something erroneously, &amp; often star=
ts a bar-&amp;-a-half into a pattern. I would make it the master clock (it =
has, like my korg ES-1, a tap-tempo button) but for the edit problems above=
. I can live with stopping my sequencer by accident once or twice a set, bu=
t if I make it the master, I would also be stopping or disturbing a maq 16/=
3, a jam-man, a repeater, two echo-pros......</FONT></P>

<P><FONT SIZE=3D2>I don't know whether it's possible to select tracks by mi=
di controller. I hope to establish this shortly, because at the moment I'm =
having to take my paws off my kahler-equipped precision bass to mute/unmute=
 stuff. I could program the changes instead (in song mode) but we want to b=
e more spontaneous than that, obviously.</FONT></P>

<P><FONT SIZE=3D2>I made the switch to the XL-7 precisely because it could =
do all this stuff (controller knobs, pattern &amp; song modes, built-in pro=
teus module- I make flash rams of my own sounds) but now I'm wondering if I=
 wasn't better off with my sequentix p3, even though it's still a bit arse =
when it comes to programming long chord sequences. that's the biggest issue=
 I have with it, despite the designer's best attempts to interpret &amp; re=
alise my wishes.</FONT></P>

<P><FONT SIZE=3D2>I'd also like the emu a lot more if you could run tracks =
of different lengths (but exact multiples/submultiples of each other) in on=
e pattern. so I could have a chord sequence over, say, 16 bars, with a bass=
line of one bar running alongside it. this would make it easier to make liv=
e changes to the bass line while the chords do their thing. I can do this o=
n the p3 quite easily, &amp; the loops don't have to be mathematically-rela=
ted either.</FONT></P>

<P><FONT SIZE=3D2>one day someone will get this stuff right in a hardware b=
ox. until then, we have to struggle along..... sigh.</FONT>
</P>

<P><FONT SIZE=3D2>I wonder if an alesis MMT8 might do what you need?</FONT>
</P>

<P><FONT SIZE=3D2>duncan/r.m.i.</FONT>
</P>

<CODE><FONT SIZE=3D3><BR>
<BR>
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From Loopers-Delight-request@loopers-delight.com  Thu Mar  9 15:25:42 2006
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Date: Thu, 9 Mar 2006 07:25:39 -0800 (PST)
From: Dumeril Seven <dumeril7@yahoo.com>
Subject: Re: Hardware Sequencer Suggestions
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> Hmmmm....
> I think you would have to have all your loops running in parallel on muted
> tracks, and use MIDI messages to unmute them individually. Maybe not such a
> good idea. You would also have to deal with the infamous QY700 'Loop Bug'.
> In Song mode - not pattern mode - it glitches when it loops.
> 
> Nik

Another option would be one of the Command Station units that we're made by
Emu.  They allow you to set up synced MIDI loops, and mute/umute, fade, pan,
filter and transmorgrify them on the fly with a bunch of front-panel switches
and knobs (its a tabletop unit).  I don't know for certain if you can
mute/unmute the loops via MIDI, but the MIDI implementation is pretty
comprehensive so I wouldn't be surprised if you could.  In addition, they have
solid synth engines with excellent filters and ROM expansion for more sounds. 
The only hitch is that Emu no longer makes them and they can only be found on
the used market.  E-bay always has several.

D7


Dumeril7                    dumeril7@SPAMBEGONEyahoo.com
Anti-spam measures in place -- remove "SPAMBEGONE" from
my e-mail address if you want to use it....

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Thu Mar  9 15:37:39 2006
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Subject: Music sample up at Myspace...
Date: Thu, 9 Mar 2006 07:39:19 -0800
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Greetings all...

I've finally created a MySpace music account, and have a few samples of my
work posted there. I'm also linked up to the Chain Tape Collective which is
a group that was founded right here among interested Loopers Delight folks.

There are links to CT-Collective works as well as the Santa Cruz ICS X-Ray
lodge (which hooks you up to the greater body of ICS lodges throughout the
universe).

Any feedback, comments, complaints would be most appreciated!

Miko Biffle
"Running scared from all the usual distractions!"
Biffoz on MySpace  www.myspace.com/biffozz
The Chain Tape Collective! http://www.ct-collective.com/
Now playing "Rough" www.cdbaby.com/biffoz


From Loopers-Delight-request@loopers-delight.com  Thu Mar  9 16:55:13 2006
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Date: Thu, 9 Mar 2006 10:46:43 -0500
From: rick <bs@tanawana.com>
To: Loopers-Delight@loopers-delight.com
Subject: Lot of good suggestion . . .
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Alot of good suggestions to consider. Most I was familiar with
and some new thoughts. Practically all these suggestions will
cover my needs.

BUT, seems the tricky part is control by midi foot controller.
Being I own the Behringer fcb1010 model I don't know if it is
capable of doing what I need it to dowith these units. Getting
this end figured out is the key(and the problem for me) I think.



On Wed, Mar 08, 2006 at 08:51:33AM -0500, rick wrote:
> 
> I'm looking for some advice to replace my laptop setup with a hardware
> sequencer if possible.
> 
> The "basics" of my looping is done with acoustic guitars and echoplex,
> along with various sound modules for bass, drums, keys fed by the
> computer which contains a large amount of short midi clips I call
> up or shut off through a midi foot controller.
> 
> So basically I'm looking for a sequencer to store and call up midi loops
> at will, through a foot controller. Sounds aren't important due to my
> sound modules. It's more about live performance control being able to
> turn on and off or switch loops or multiple loops, etc.
> 
> Last 2 I checked out were an MPC1000 and a Yamaha QY100 which both were
> close but had limitations to them. Before I read another manual I
> thought I'd ask here.
> 
> Thanks ---> rick :O)
> 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Thu Mar  9 19:15:38 2006
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Date: Thu, 9 Mar 2006 14:15:37 -0500
From: "Tom Ritchford" <tom@swirly.com>
Sender: tom.ritchford@gmail.com
To: Loopers-Delight@loopers-delight.com
Subject: Re: cancelled: march 11 open loop
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That's "towel" not "trowel"!  :-D

Yes, the weather was against us.  But I've been doing this for a long
time.  I run a fairly popular events mailing list here too that I use
to advertise this stuff.   In previous times, I've done things like
getting ads in newspapers and handing out lots and lots of fliers.=20
And yet I'd be really, really surprised if I had a show and a dozen
people showed up.

Considering the amount of gear I take out and the time and money it
takes me to get out, there's a level of patheticness that I can't
really stomach here.


People just aren't so interested in going out and listening to music
any more.  If you have thousands of tracks from all the world's
musicians on a little box the size of a cigarette package, there
really isn't much incentive to go out and just listen.  Sure, going
out for a *show*, or to dance... logical.  But not to listen.

Older people are more listeners -- but a lot of them aren't interested
in weird music any more.  And they don't seem to come out.

Younger people want either a spectacle or dance music and I can't
provide that.  And I'm not *such* an amazing musician that they'll
just show up to admire my chops (and really, when does that happen
nowadays?)

    /t


On 3/8/06, Dan Ash <Daniel.Ash@verizon.net> wrote:
> Tom,
>
> That's too bad.
>
> Wasn't there a snowstorm the night of the last loop event in Brooklyn?
> That might have been a factor.
>
> Hope you're not really throwing in the trowel.
>
> Dan Ash
> White Plains, NY
>
>
>


--
     /t

http://ax.to ... extreme NY arts and music calendar

From Loopers-Delight-request@loopers-delight.com  Thu Mar  9 19:21:03 2006
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Date: Thu, 9 Mar 2006 14:21:01 -0500
From: "Clint Allen" <clint.allen@gmail.com>
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------=_Part_9303_27589918.1141932061566
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I can't promise to do much, but hopefully I will be able to add a few
individuals at these shows (myself included) in the next few months as I an=
d
two of my collaborators/friends relocate to the Brooklyn area...
Clint Allen


On 3/9/06, Tom Ritchford <tom@swirly.com> wrote:
>
> That's "towel" not "trowel"!  :-D
>
> Yes, the weather was against us.  But I've been doing this for a long
> time.  I run a fairly popular events mailing list here too that I use
> to advertise this stuff.   In previous times, I've done things like
> getting ads in newspapers and handing out lots and lots of fliers.
> And yet I'd be really, really surprised if I had a show and a dozen
> people showed up.
>
> Considering the amount of gear I take out and the time and money it
> takes me to get out, there's a level of patheticness that I can't
> really stomach here.
>
>
> People just aren't so interested in going out and listening to music
> any more.  If you have thousands of tracks from all the world's
> musicians on a little box the size of a cigarette package, there
> really isn't much incentive to go out and just listen.  Sure, going
> out for a *show*, or to dance... logical.  But not to listen.
>
> Older people are more listeners -- but a lot of them aren't interested
> in weird music any more.  And they don't seem to come out.
>
> Younger people want either a spectacle or dance music and I can't
> provide that.  And I'm not *such* an amazing musician that they'll
> just show up to admire my chops (and really, when does that happen
> nowadays?)
>
>    /t
>
>
> On 3/8/06, Dan Ash <Daniel.Ash@verizon.net> wrote:
> > Tom,
> >
> > That's too bad.
> >
> > Wasn't there a snowstorm the night of the last loop event in Brooklyn?
> > That might have been a factor.
> >
> > Hope you're not really throwing in the trowel.
> >
> > Dan Ash
> > White Plains, NY
> >
> >
> >
>
>
> --
>     /t
>
> http://ax.to ... extreme NY arts and music calendar
>
>

------=_Part_9303_27589918.1141932061566
Content-Type: text/html; charset=ISO-8859-1
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<div>I can't promise to do much, but hopefully I will be able to add a few =
individuals at these shows (myself included) in the next few months as I an=
d two of my collaborators/friends relocate to the Brooklyn area...</div>

<div>Clint Allen<br><br>&nbsp;</div>
<div><span class=3D"gmail_quote">On 3/9/06, <b class=3D"gmail_sendername">T=
om Ritchford</b> &lt;<a href=3D"mailto:tom@swirly.com">tom@swirly.com</a>&g=
t; wrote:</span>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">That's &quot;towel&quot; not &qu=
ot;trowel&quot;!&nbsp;&nbsp;:-D<br><br>Yes, the weather was against us.&nbs=
p;&nbsp;But I've been doing this for a long
<br>time.&nbsp;&nbsp;I run a fairly popular events mailing list here too th=
at I use<br>to advertise this stuff.&nbsp;&nbsp; In previous times, I've do=
ne things like<br>getting ads in newspapers and handing out lots and lots o=
f fliers.<br>And yet I'd be really, really surprised if I had a show and a =
dozen
<br>people showed up.<br><br>Considering the amount of gear I take out and =
the time and money it<br>takes me to get out, there's a level of patheticne=
ss that I can't<br>really stomach here.<br><br><br>People just aren't so in=
terested in going out and listening to music
<br>any more.&nbsp;&nbsp;If you have thousands of tracks from all the world=
's<br>musicians on a little box the size of a cigarette package, there<br>r=
eally isn't much incentive to go out and just listen.&nbsp;&nbsp;Sure, goin=
g<br>out for a *show*, or to dance... logical.&nbsp;&nbsp;But not to listen=
.
<br><br>Older people are more listeners -- but a lot of them aren't interes=
ted<br>in weird music any more.&nbsp;&nbsp;And they don't seem to come out.=
<br><br>Younger people want either a spectacle or dance music and I can't<b=
r>provide that.&nbsp;&nbsp;And I'm not *such* an amazing musician that they=
'll
<br>just show up to admire my chops (and really, when does that happen<br>n=
owadays?)<br><br>&nbsp;&nbsp; /t<br><br><br>On 3/8/06, Dan Ash &lt;<a href=
=3D"mailto:Daniel.Ash@verizon.net">Daniel.Ash@verizon.net</a>&gt; wrote:<br=
>&gt; Tom,
<br>&gt;<br>&gt; That's too bad.<br>&gt;<br>&gt; Wasn't there a snowstorm t=
he night of the last loop event in Brooklyn?<br>&gt; That might have been a=
 factor.<br>&gt;<br>&gt; Hope you're not really throwing in the trowel.
<br>&gt;<br>&gt; Dan Ash<br>&gt; White Plains, NY<br>&gt;<br>&gt;<br>&gt;<b=
r><br><br>--<br>&nbsp;&nbsp;&nbsp;&nbsp;/t<br><br><a href=3D"http://ax.to">=
http://ax.to</a> ... extreme NY arts and music calendar<br><br></blockquote=
></div><br>

------=_Part_9303_27589918.1141932061566--

From Loopers-Delight-request@loopers-delight.com  Thu Mar  9 19:28:30 2006
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From: "joe rut" <joerut@lycos.com>
To: Loopers-Delight@loopers-delight.com
Date: Thu, 09 Mar 2006 14:28:18 -0500
Subject: RE: Yanni arrested for beating the shit out of his girlfriend
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Yanni was close to the edge already, having been up arguing all night with =
John Tesh and Kenny G on a coke binge.

> ----- Original Message -----
> From: "Louis Rossi" <tarbit@hotmail.com>
> To: Loopers-Delight@loopers-delight.com
> Subject: RE: Yanni arrested for beating the shit out of his girlfriend
> Date: Tue, 07 Mar 2006 22:35:05 -0500
>=20
>=20
> or used all of his hair spray
>=20
>=20
> > From: "Paul" <paulrichard10@adelphia.net>
> > Reply-To: Loopers-Delight@loopers-delight.com
> > To: <Loopers-Delight@loopers-delight.com>
> > Subject: Yanni arrested for beating the shit out of his girlfriend
> > Date: Tue, 7 Mar 2006 22:32:43 -0500
> >
> > Maybe she let the "mood candles" burn out.
> >

>

--=20
_______________________________________________

Search for businesses by name, location, or phone number.  -Lycos Yellow Pa=
ges

http://r.lycos.com/r/yp_emailfooter/http://yellowpages.lycos.com/default.as=
p?SRC=3Dlycos10

From Loopers-Delight-request@loopers-delight.com  Thu Mar  9 19:54:26 2006
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joe rut wrote:

>Yanni was close to the edge already, having been up arguing all night with John Tesh and Kenny G on a coke binge.
>  
>
"While some casual listeners might recoil at the details of Yanni's 
personal life, hard core fans understand all too well that this sort of 
thing is standard fare for the sex, drugs, and scented candles lifestyle 
of a new age musician. The gallons of Pinot Noir before each gig, the 
lines of coke snorted off a druid's ass, the underage sex slaves- Yanni 
doesn't just write filthy lyrics about everlasting love and natural 
harmony, he lives them."

http://www.ridiculopathy.com/news_detail.php?id=1530

-- 
* David Beardsley
* microtonal guitar
* http://biink.com/db

From Loopers-Delight-request@loopers-delight.com  Thu Mar  9 20:12:19 2006
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I thought he was up all night jamming with "Esteban".


---- joe rut <joerut@lycos.com> wrote: 
> Yanni was close to the edge already, having been up arguing all night with John Tesh and Kenny G on a coke binge.
> 
> > ----- Original Message -----
> > From: "Louis Rossi" <tarbit@hotmail.com>
> > To: Loopers-Delight@loopers-delight.com
> > Subject: RE: Yanni arrested for beating the shit out of his girlfriend
> > Date: Tue, 07 Mar 2006 22:35:05 -0500
> > 
> > 
> > or used all of his hair spray
> > 
> > 
> > > From: "Paul" <paulrichard10@adelphia.net>
> > > Reply-To: Loopers-Delight@loopers-delight.com
> > > To: <Loopers-Delight@loopers-delight.com>
> > > Subject: Yanni arrested for beating the shit out of his girlfriend
> > > Date: Tue, 7 Mar 2006 22:32:43 -0500
> > >
> > > Maybe she let the "mood candles" burn out.
> > >
> 
> >
> 
> -- 
> _______________________________________________
> 
> Search for businesses by name, location, or phone number.  -Lycos Yellow Pages
> 
> http://r.lycos.com/r/yp_emailfooter/http://yellowpages.lycos.com/default.asp?SRC=lycos10
> 

From Loopers-Delight-request@loopers-delight.com  Thu Mar  9 20:22:26 2006
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	id 506673BEE6; Thu,  9 Mar 2006 20:22:25 +0000 (UTC)
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Date: Thu, 9 Mar 2006 12:22:22 -0800 (PST)
From: Adam Hart <adamcurtishart@yahoo.com>
Subject: Echoplex / Boss Dr 880 sync problem
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I am having trouble sending clocks from my Boss Dr 880 to my Echoplex.  The 770 worked pretty well but I can't seem to get the 880 to work at all.
   
  I have messed with all of the Boss Dr 880 midi output settings and also the Echoplex settings.  I can't seem to recieve any clocks for syncing....  arg!
   
  Does anyone know why this could be?
   
  Thanks,
  Adam

		
---------------------------------
Yahoo! Mail
Bring photos to life! New PhotoMail  makes sharing a breeze. 
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<div>I am having trouble sending clocks from my Boss Dr 880 to my Echoplex.&nbsp; The 770 worked pretty well but I can't seem to get&nbsp;the 880&nbsp;to work at all.</div>  <div>&nbsp;</div>  <div>I have messed with all of the Boss Dr 880 midi output settings and also the Echoplex settings.&nbsp; I can't seem to recieve any clocks for syncing....&nbsp; arg!</div>  <div>&nbsp;</div>  <div>Does anyone know why this could be?</div>  <div>&nbsp;</div>  <div>Thanks,</div>  <div>Adam</div><p>
		<hr size=1>Yahoo! Mail<br>
Bring photos to life! <a href="http://pa.yahoo.com/*http://us.rd.yahoo.com/evt=39174/*http://photomail.mail.yahoo.com">New PhotoMail </a> makes sharing a breeze. 

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From Loopers-Delight-request@loopers-delight.com  Thu Mar  9 21:13:16 2006
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Date: Thu, 9 Mar 2006 16:13:14 -0500
From: "Tom Ritchford" <tom@swirly.com>
Sender: tom.ritchford@gmail.com
To: Loopers-Delight@loopers-delight.com
Subject: Re: cancelled: march 11 open loop
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	 <26ba8d120603091115t1b983095wedce17c78e3014c1@mail.gmail.com>
	 <2fb9e4730603091121w4fe27938x931d9b2e42f62a89@mail.gmail.com>
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Good move!  Where in Brooklyn?!

On 3/9/06, Clint Allen <clint.allen@gmail.com> wrote:
>
> I can't promise to do much, but hopefully I will be able to add a few
> individuals at these shows (myself included) in the next few months as I =
and
> two of my collaborators/friends relocate to the Brooklyn area...
>
> Clint Allen
>
>
>
> On 3/9/06, Tom Ritchford <tom@swirly.com> wrote:
> > That's "towel" not "trowel"!  :-D
> >
> > Yes, the weather was against us.  But I've been doing this for a long
> > time.  I run a fairly popular events mailing list here too that I use
> > to advertise this stuff.   In previous times, I've done things like
> > getting ads in newspapers and handing out lots and lots of fliers.
> > And yet I'd be really, really surprised if I had a show and a dozen
> > people showed up.
> >
> > Considering the amount of gear I take out and the time and money it
> > takes me to get out, there's a level of patheticness that I can't
> > really stomach here.
> >
> >
> > People just aren't so interested in going out and listening to music
> > any more.  If you have thousands of tracks from all the world's
> > musicians on a little box the size of a cigarette package, there
> > really isn't much incentive to go out and just listen.  Sure, going
> > out for a *show*, or to dance... logical.  But not to listen.
> >
> > Older people are more listeners -- but a lot of them aren't interested
> > in weird music any more.  And they don't seem to come out.
> >
> > Younger people want either a spectacle or dance music and I can't
> > provide that.  And I'm not *such* an amazing musician that they'll
> > just show up to admire my chops (and really, when does that happen
> > nowadays?)
> >
> >    /t
> >
> >
> > On 3/8/06, Dan Ash <Daniel.Ash@verizon.net> wrote:
> > > Tom,
> > >
> > > That's too bad.
> > >
> > > Wasn't there a snowstorm the night of the last loop event in Brooklyn=
?
> > > That might have been a factor.
> > >
> > > Hope you're not really throwing in the trowel.
> > >
> > > Dan Ash
> > > White Plains, NY
> > >
> > >
> > >
> >
> >
> > --
> >     /t
> >
> > http://ax.to ... extreme NY arts and music calendar
> >
> >
>
>


--
     /t

http://ax.to ... extreme NY arts and music calendar

From Loopers-Delight-request@loopers-delight.com  Thu Mar  9 21:26:12 2006
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From: cburke55@comcast.net (Christophe)
To: Loopers-Delight@loopers-delight.com
Subject: RE: Yanni arrested for beating the shit out of his girlfriend
Date: Thu, 09 Mar 2006 21:26:08 +0000
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I thought it was "Yoni" !

 -------------- Original message ----------------------
From: paulrichard10@adelphia.net
> I thought he was up all night jamming with "Esteban".
> 
> 
> ---- joe rut <joerut@lycos.com> wrote: 
> > Yanni was close to the edge already, having been up arguing all night with 
> John Tesh and Kenny G on a coke binge.
> > 
> > > ----- Original Message -----
> > > From: "Louis Rossi" <tarbit@hotmail.com>
> > > To: Loopers-Delight@loopers-delight.com
> > > Subject: RE: Yanni arrested for beating the shit out of his girlfriend
> > > Date: Tue, 07 Mar 2006 22:35:05 -0500
> > > 
> > > 
> > > or used all of his hair spray
> > > 
> > > 
> > > > From: "Paul" <paulrichard10@adelphia.net>
> > > > Reply-To: Loopers-Delight@loopers-delight.com
> > > > To: <Loopers-Delight@loopers-delight.com>
> > > > Subject: Yanni arrested for beating the shit out of his girlfriend
> > > > Date: Tue, 7 Mar 2006 22:32:43 -0500
> > > >
> > > > Maybe she let the "mood candles" burn out.
> > > >
> > 
> > >
> > 
> > -- 
> > _______________________________________________
> > 
> > Search for businesses by name, location, or phone number.  -Lycos Yellow Pages
> > 
> > 
> http://r.lycos.com/r/yp_emailfooter/http://yellowpages.lycos.com/default.asp?SRC
> =lycos10
> > 
> 


From Loopers-Delight-request@loopers-delight.com  Thu Mar  9 21:38:35 2006
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Subject: Re: cancelled: march 11 open loop
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 -------------- Original message ----------------------
From: "Tom Ritchford" <tom@swirly.com>

> Older people are more listeners -- but a lot of them aren't interested
> in weird music any more.  And they don't seem to come out.

We're interested - we just don't have the energy to go out!

From Loopers-Delight-request@loopers-delight.com  Thu Mar  9 22:07:56 2006
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From: Paul Sullivan <paulsull@gis.net>
Subject: NYC gig spam (looping content): LAMBIC @ the Waterfront Ale House this Saturday 3/11 from 11 pm-2 am
Date: Thu, 9 Mar 2006 17:07:54 -0500
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--Apple-Mail-33-426117013
Content-Transfer-Encoding: quoted-printable
Content-Type: text/plain;
	charset=WINDOWS-1252;
	format=flowed

That's right, the celebrated improvising rock/jazz/electronic/whatever=20=

band is performing at one of their favorite places, the Waterfront Ale=20=

House in Brooklyn, this Saturday, March 11th, from 11pm to 2am. PLEASE=20=

come out, it should be a great show at a great place with great food=20
(before 11pm) and an awesome beer lineup (Lambic is all about the=20
beer)! Also, there is NO COVER CHARGE. Much loopage: looping tools=20
include 2 boomerangs, dl-4, pds-8000. headrush...Saturday night is=20
turning out to be a night full of looping! First Steve Sandberg's=20
Brooklyn show at 8 pm, then Lambic at 11! Hope to see anyone from the=20
list there, please come up and say hi...

Lambic is:

Paul Sullivan--guitars and effects

Stephen Moses--drums, trombone and effects

The Waterfront Ale House
155 Atlantic Ave (between Henry and Clinton), Brooklyn, NY
718 522-3794

F train to Bergen St--walk 3 blocks north to Atlantic Ave, then left=20
(west) on atlantic 1 1/2 blocks OR
R train to Court Street, walk south to Atlantic Avenue , take a right=20
and walk 1 1/2 blocks west. OR
2,3 4,5 train to Borough Hall, exit at Court Street, walk approx. 5=20
blocks south on Court to Atlantic ave. Take a right on Atlantic Ave and=20=

walk 1 1/2 blocks west.

"Lambic is a style of Belgian ale that is spontaneously fermented from=20=

wild yeasts. Lambic is also a band that creates spontaneously fermented=20=

music, free improvisation with a groove. It=92s joyful music that can =
and=20
does go everywhere. Like it=92s namesake, Lambic is always changing and=20=

evolving, sometimes messy, but always exciting. We never know where=20
it=92s going to go, and that is the point.=94

--Apple-Mail-33-426117013
Content-Transfer-Encoding: quoted-printable
Content-Type: text/enriched;
	charset=WINDOWS-1252

That's right, the celebrated improvising rock/jazz/electronic/whatever
band is performing at one of their favorite places, the Waterfront Ale
House in Brooklyn, this Saturday, March 11th, from 11pm to 2am. PLEASE
come out, it should be a great show at a great place with great food
(before 11pm) and an awesome beer lineup (Lambic is all about the
beer)! Also, there is NO COVER CHARGE. Much loopage: looping tools
include 2 boomerangs, dl-4, pds-8000. headrush...Saturday night is
turning out to be a night full of looping! First Steve Sandberg's
Brooklyn show at 8 pm, then Lambic at 11! Hope to see anyone from the
list there, please come up and say hi...


Lambic is:


Paul Sullivan--guitars and effects


Stephen Moses--drums, trombone and effects


The Waterfront Ale House

155 Atlantic Ave (between Henry and Clinton), Brooklyn, NY

718 522-3794


F train to Bergen St--walk 3 blocks north to Atlantic Ave, then left
(west) on atlantic 1 1/2 blocks OR

R train to Court Street, walk south to Atlantic Avenue , take a right
and walk 1 1/2 blocks west. OR

2,3 4,5 train to Borough Hall, exit at Court Street, walk approx. 5
blocks south on Court to Atlantic ave. Take a right on Atlantic Ave
and walk 1 1/2 blocks west.


<fontfamily><param>Verdana</param><x-tad-smaller>"Lambic is a style of
Belgian ale that is spontaneously fermented from wild yeasts. Lambic
is also a band that creates spontaneously fermented music, free
improvisation with a groove. It=92s joyful music that can and does go
everywhere. Like it=92s namesake, Lambic is always changing and
evolving, sometimes messy, but always exciting. We never know where
it=92s going to go, and that is the point.=94

</x-tad-smaller></fontfamily>=

--Apple-Mail-33-426117013--

From Loopers-Delight-request@loopers-delight.com  Thu Mar  9 22:46:41 2006
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Date: Thu, 09 Mar 2006 17:46:33 -0500
From: Dan Ash <Daniel.Ash@Verizon.net>
Subject: Re: cancelled: march 11 open loop
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This is a multi-part message in MIME format.
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> Hope you're not really throwing in the trowel.

>> That's "towel" not "trowel"!  

That depends on who's digging it and who's throwin' it.

Dan Ash
White Plains, NY


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<pre wrap="">&gt; Hope you're not really throwing in the trowel.

&gt;&gt; That's "towel" not "trowel"!  <img
 src="cid:part1.08040007.01020307@Verizon.net" alt=":-D"
 class="moz-txt-smily" height="19" width="19" align="middle">

That depends on who's digging it and who's throwin' it.

Dan Ash
White Plains, NY
</pre>
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>From: Dan Ash <Daniel.Ash@Verizon.net>
UNSUBSCRIBE

_________________________________________________________________
careerone.com.au 
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From Loopers-Delight-request@loopers-delight.com  Thu Mar  9 23:15:57 2006
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David Trenkel wrote:
> New Wave Jazz, I like that, we'll have to use it in the future. We like 
> to call it Rough Jazz, the anti-smooth jazz.

Rough Jazz sounds much more interesting if you didn't listen to it yet, 
and I think it fits better than New Wave Jazz.

Just my 2 eurocents...;-)

Stefan

-- 

  [][]  [][][]  [][]  [][][]
[][][][][][][][][][][][][][][]

         Stefan Tiedje
         Klanggestalter
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               &
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            /~~~~~\
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-------------------------x----
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-- _|_)----|-----()-----------
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14, Av. Pr. Franklin Roosevelt,
94320 Thiais, France
Phone at CCMIX +33-1-57 42 91 09

From Loopers-Delight-request@loopers-delight.com  Thu Mar  9 23:27:37 2006
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>From the original text by Claude Voit
 
DO NOT REPLY TO THIS MESSAGE OR YOUR COMPUTER WILL SHOW YOU VERY UNPOLITE
MESSAGES FROM ALL AROUND THE WORLD

					 
1-  go to your browser preferences and set you Email client to send plain
text (NO HTML) with No signature file

2-  click next line link mailto:Loopers-Delight-request@loopers-delight.com

3-  delete your signature, etc... make your message blank 

4-  double click (highlight) the sacred word on next line


SACRED WORD--> unsubscribe <--SACRED WORD


then copy (ctrl+C)

5-  place cursor in Subject of the message

Paste (ctrl+V)

6-  place cursor in Body of the message

Paste (ctrl+V)

7-  click send


Bye bye

Claude

					


From Loopers-Delight-request@loopers-delight.com  Fri Mar 10 00:46:48 2006
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> David Trenkel wrote:
>> New Wave Jazz, I like that, we'll have to use it in the future. We like
>> to call it Rough Jazz, the anti-smooth jazz.
>
> Rough Jazz sounds much more interesting if you didn't listen to it yet,
> and I think it fits better than New Wave Jazz.
>

I prefer Hard Jazz; that is, if it's not already taken.


From Loopers-Delight-request@loopers-delight.com  Fri Mar 10 01:06:16 2006
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>> David Trenkel wrote:
>>> New Wave Jazz, I like that, we'll have to use it in the future. We like
>>> to call it Rough Jazz, the anti-smooth jazz.
>>
>> Rough Jazz sounds much more interesting if you didn't listen to it yet,
>> and I think it fits better than New Wave Jazz.
>>
>
> I prefer Hard Jazz; that is, if it's not already taken.
>
We've had them all applied to the band so far, Nu-Jazz, JazzTronica (a
personal (non)favorite :-), Acid Jazz (we prefer Antacid Jazz),
ultimately, it comes down to people's need to categorize, I don't what
they call it as long as they're still calling :-)

Anyone who was planning on coming to the Denver gig tonight, sorry, we're
stuck in Craig Colorado in a blizzard with roads closed and no chance of
getting there tonight.  Bummer.We've been driving 3 days already and no
gigs yet, so we are itching to play. We will pretty certainly make it to
Keystone tomorrow, and the rest of the tour should be good. And we'll be
close by in Boulder next week.

You can catch our full tour schedule at http://www.eleveneyes.org

From Loopers-Delight-request@loopers-delight.com  Fri Mar 10 05:24:39 2006
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From: John Tidwell <wedgehed@yahoo.com>
Subject: RE: Yanni arrested for beating the shit out of his girlfriend
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She probably brought home the MST3K episode of
MITCHELL.

"Yanni, isn't that your ex under the sheets with Joe
Don Baker? And why are those robots laughing?"

THWAPPPPPP!

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Fri Mar 10 11:36:16 2006
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Its looking more and more like Williamsburg at this point.

and any helpful info offline is greatly, greatly appreciated!!!

Clint

On 3/9/06, Tom Ritchford <tom@swirly.com> wrote:
>
> Good move!  Where in Brooklyn?!
>
> On 3/9/06, Clint Allen <clint.allen@gmail.com> wrote:
> >
> > I can't promise to do much, but hopefully I will be able to add a few
> > individuals at these shows (myself included) in the next few months as =
I
> and
> > two of my collaborators/friends relocate to the Brooklyn area...
> >
> > Clint Allen
> >
> >
> >
> > On 3/9/06, Tom Ritchford <tom@swirly.com> wrote:
> > > That's "towel" not "trowel"!  :-D
> > >
> > > Yes, the weather was against us.  But I've been doing this for a long
> > > time.  I run a fairly popular events mailing list here too that I use
> > > to advertise this stuff.   In previous times, I've done things like
> > > getting ads in newspapers and handing out lots and lots of fliers.
> > > And yet I'd be really, really surprised if I had a show and a dozen
> > > people showed up.
> > >
> > > Considering the amount of gear I take out and the time and money it
> > > takes me to get out, there's a level of patheticness that I can't
> > > really stomach here.
> > >
> > >
> > > People just aren't so interested in going out and listening to music
> > > any more.  If you have thousands of tracks from all the world's
> > > musicians on a little box the size of a cigarette package, there
> > > really isn't much incentive to go out and just listen.  Sure, going
> > > out for a *show*, or to dance... logical.  But not to listen.
> > >
> > > Older people are more listeners -- but a lot of them aren't intereste=
d
> > > in weird music any more.  And they don't seem to come out.
> > >
> > > Younger people want either a spectacle or dance music and I can't
> > > provide that.  And I'm not *such* an amazing musician that they'll
> > > just show up to admire my chops (and really, when does that happen
> > > nowadays?)
> > >
> > >    /t
> > >
> > >
> > > On 3/8/06, Dan Ash <Daniel.Ash@verizon.net> wrote:
> > > > Tom,
> > > >
> > > > That's too bad.
> > > >
> > > > Wasn't there a snowstorm the night of the last loop event in
> Brooklyn?
> > > > That might have been a factor.
> > > >
> > > > Hope you're not really throwing in the trowel.
> > > >
> > > > Dan Ash
> > > > White Plains, NY
> > > >
> > > >
> > > >
> > >
> > >
> > > --
> > >     /t
> > >
> > > http://ax.to ... extreme NY arts and music calendar
> > >
> > >
> >
> >
>
>
> --
>      /t
>
> http://ax.to ... extreme NY arts and music calendar
>
>

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Its looking more and more like Williamsburg at this point. <br>
<br>
and any helpful info offline is greatly, greatly appreciated!!!<br>
<br>
Clint<br><br><div><span class=3D"gmail_quote">On 3/9/06, <b class=3D"gmail_=
sendername">Tom Ritchford</b> &lt;<a href=3D"mailto:tom@swirly.com">tom@swi=
rly.com</a>&gt; wrote:</span><blockquote class=3D"gmail_quote" style=3D"bor=
der-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-=
left: 1ex;">
Good move!&nbsp;&nbsp;Where in Brooklyn?!<br><br>On 3/9/06, Clint Allen &lt=
;<a href=3D"mailto:clint.allen@gmail.com">clint.allen@gmail.com</a>&gt; wro=
te:<br>&gt;<br>&gt; I can't promise to do much, but hopefully I will be abl=
e to add a few
<br>&gt; individuals at these shows (myself included) in the next few month=
s as I and<br>&gt; two of my collaborators/friends relocate to the Brooklyn=
 area...<br>&gt;<br>&gt; Clint Allen<br>&gt;<br>&gt;<br>&gt;<br>&gt; On 3/9=
/06, Tom Ritchford &lt;
<a href=3D"mailto:tom@swirly.com">tom@swirly.com</a>&gt; wrote:<br>&gt; &gt=
; That's &quot;towel&quot; not &quot;trowel&quot;!&nbsp;&nbsp;:-D<br>&gt; &=
gt;<br>&gt; &gt; Yes, the weather was against us.&nbsp;&nbsp;But I've been =
doing this for a long
<br>&gt; &gt; time.&nbsp;&nbsp;I run a fairly popular events mailing list h=
ere too that I use<br>&gt; &gt; to advertise this stuff.&nbsp;&nbsp; In pre=
vious times, I've done things like<br>&gt; &gt; getting ads in newspapers a=
nd handing out lots and lots of fliers.
<br>&gt; &gt; And yet I'd be really, really surprised if I had a show and a=
 dozen<br>&gt; &gt; people showed up.<br>&gt; &gt;<br>&gt; &gt; Considering=
 the amount of gear I take out and the time and money it<br>&gt; &gt; takes=
 me to get out, there's a level of patheticness that I can't
<br>&gt; &gt; really stomach here.<br>&gt; &gt;<br>&gt; &gt;<br>&gt; &gt; P=
eople just aren't so interested in going out and listening to music<br>&gt;=
 &gt; any more.&nbsp;&nbsp;If you have thousands of tracks from all the wor=
ld's<br>
&gt; &gt; musicians on a little box the size of a cigarette package, there<=
br>&gt; &gt; really isn't much incentive to go out and just listen.&nbsp;&n=
bsp;Sure, going<br>&gt; &gt; out for a *show*, or to dance... logical.&nbsp=
;&nbsp;But not to listen.
<br>&gt; &gt;<br>&gt; &gt; Older people are more listeners -- but a lot of =
them aren't interested<br>&gt; &gt; in weird music any more.&nbsp;&nbsp;And=
 they don't seem to come out.<br>&gt; &gt;<br>&gt; &gt; Younger people want=
 either a spectacle or dance music and I can't
<br>&gt; &gt; provide that.&nbsp;&nbsp;And I'm not *such* an amazing musici=
an that they'll<br>&gt; &gt; just show up to admire my chops (and really, w=
hen does that happen<br>&gt; &gt; nowadays?)<br>&gt; &gt;<br>&gt; &gt;&nbsp=
;&nbsp;&nbsp;&nbsp;/t<br>&gt; &gt;
<br>&gt; &gt;<br>&gt; &gt; On 3/8/06, Dan Ash &lt;<a href=3D"mailto:Daniel.=
Ash@verizon.net">Daniel.Ash@verizon.net</a>&gt; wrote:<br>&gt; &gt; &gt; To=
m,<br>&gt; &gt; &gt;<br>&gt; &gt; &gt; That's too bad.<br>&gt; &gt; &gt;<br=
>
&gt; &gt; &gt; Wasn't there a snowstorm the night of the last loop event in=
 Brooklyn?<br>&gt; &gt; &gt; That might have been a factor.<br>&gt; &gt; &g=
t;<br>&gt; &gt; &gt; Hope you're not really throwing in the trowel.<br>
&gt; &gt; &gt;<br>&gt; &gt; &gt; Dan Ash<br>&gt; &gt; &gt; White Plains, NY=
<br>&gt; &gt; &gt;<br>&gt; &gt; &gt;<br>&gt; &gt; &gt;<br>&gt; &gt;<br>&gt;=
 &gt;<br>&gt; &gt; --<br>&gt; &gt;&nbsp;&nbsp;&nbsp;&nbsp; /t<br>&gt; &gt;<=
br>&gt; &gt; <a href=3D"http://ax.to">
http://ax.to</a> ... extreme NY arts and music calendar<br>&gt; &gt;<br>&gt=
; &gt;<br>&gt;<br>&gt;<br><br><br>--<br>&nbsp;&nbsp;&nbsp;&nbsp; /t<br><br>=
<a href=3D"http://ax.to">http://ax.to</a> ... extreme NY arts and music cal=
endar<br><br></blockquote>
</div><br>

------=_Part_17258_2242586.1141990574560--

From Loopers-Delight-request@loopers-delight.com  Fri Mar 10 20:16:25 2006
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From: "Wavecomputer360" <wavecomputer360@gmx.de>
To: <Loopers-Delight@loopers-delight.com>
Subject: Alesis Bitrman for sale
Date: Fri, 10 Mar 2006 21:10:24 +0100
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------=_NextPart_000_004C_01C64487.0CABD7A0
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Hi all,

I need some cash and have to sell one of my Alesis Bitrmen. I know some =
of you were looking for one a while ago so this might be your chance to =
finally get hold of one. This unit was purchased about one and a half =
years ago, it shows some minor scratches on the front panel (the =
adhesive cover was removed at some point) and around the wallwart jack =
but technically it works flawlessly. You=B4ll see the scratches only at =
close examination as they are very light, actually. Unfortunately, the =
manual got lost when I last moved house but I think I can get hold of a =
photocopied version somehow, should you feel this is a necessity for =
you.

I=B4ve seen them go on evilBay for a hell of a lot of money recently but =
before I try evilBay I=B4d rather give someone on this list a chance. I =
need cash so please don=B4t make me a silly offer like "twenty-five =
bucks, and you pay shipping" or so :-). I will ship anywhere on this =
planet at your expense (could be pricey, thanks DHL).

If you have any info, please get back to me. I can send you a picture if =
you wish. In case you=B4never dealt with me, check my evilBay profile =
"ppg360" :-).

Thanks for reading, regards,

Stephen.


_________________________________________________________________________=
_____________

"Human beings are a disease, the cancer of this planet, you=B4re a =
plague. And we are the cure." (Agent Smith)

Now available: "Hoellenengel", the new album by Stephen Parsick.

For info and audio, please check www.parsick.com

It=B4s out: "Oughtibridge", the new [=B4ramp] album, recorded live in =
England.

For info and audio, please visit the official [=B4ramp] website at =
www.doombient.com






------=_NextPart_000_004C_01C64487.0CABD7A0
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.2014.210" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial>Hi all,</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial>I need some cash and have to sell one of my =
Alesis=20
Bitrmen.&nbsp;I know some of you were looking for one a while ago so =
this might=20
be your chance to finally get hold of one. This unit was purchased=20
about&nbsp;one and a half years ago, it shows some minor scratches on =
the front=20
panel (the adhesive cover was removed at some point) and around the =
wallwart=20
jack but technically it works flawlessly. You=B4ll see the scratches =
only at close=20
examination as they are very light, actually. Unfortunately, the manual =
got lost=20
when I last moved house but I think I can get hold of a photocopied =
version=20
somehow, should you feel this is a necessity for you.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial>I=B4ve seen them go on evilBay for a hell of a =
lot of money=20
recently but before I try evilBay I=B4d rather give someone on this list =
a chance.=20
I need cash so please don=B4t make me a silly offer like "twenty-five =
bucks, and=20
you pay shipping" or so :-). I will ship anywhere on this planet at your =
expense=20
(could be pricey, thanks DHL).</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial>If you have any info, please get back to me. I =
can send=20
you a picture if you wish. In case you=B4never dealt with me, check my =
evilBay=20
profile "ppg360" :-).</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial>Thanks for reading, regards,</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial>Stephen.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT=20
face=3DArial><BR>________________________________________________________=
______________________________</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial>"Human beings are a disease, the cancer of this =
planet,=20
you=B4re a plague. And we are the cure." (Agent Smith)</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial>Now available: "Hoellenengel", the new album by =
Stephen=20
Parsick.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial>For info and audio, please check <A=20
href=3D"http://www.parsick.com">www.parsick.com</A></FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial>It=B4s out: "Oughtibridge", the new [=B4ramp] =
album, recorded=20
live in England.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial>For info and audio, please visit the official =
[=B4ramp]=20
website at <A =
href=3D"http://www.doombient.com">www.doombient.com</A></FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial></FONT>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial><BR></FONT>&nbsp;</DIV></BODY></HTML>

------=_NextPart_000_004C_01C64487.0CABD7A0--

From Loopers-Delight-request@loopers-delight.com  Fri Mar 10 23:01:08 2006
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Date: Fri, 10 Mar 2006 18:01:06 -0500
From: phaslem@wightman.ca
To: Loopers-Delight@loopers-delight.com
Subject: Steve Lawson and Bernhard Wagner's recordings
References: <005101c6447e$ef5aa120$1e9efe91@inap>
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For the last couple of months I've been listening to Bernhard's cd "the fourth
night" which I treated myself to for Christmas and then I purchased all of
Steve Lawson's downloadable cds. Now I generally have about 2 1/2 hrs driving
time every day going to and from work and it's been such a pleasure with this
music to listen to. Both of them do music that is quite different from 
the sort
of music that I play, even though we all do looping, but I've found such
inspiration and ideas to try out from listening to their work. Of course I've
known from the forum that both of them are very well respected loopers and
musicians, but honestly I was not prepared for the high level of artistry that
was presented in their music. I hope that I have an opportunity to hear them
live at some point.

If you don't have their cd's.... do yourself a favour and get them, you won't
regret it.

Paul Haslem

www.dulcify.ca
Ontario, Canada

From Loopers-Delight-request@loopers-delight.com  Fri Mar 10 23:08:41 2006
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To: Loop List <Loopers-Delight@loopers-delight.com>
From: Steve Lawson <steve@steve-lawson.co.uk>
Subject: Next Recycle Collective gig in London (March 16th)
Date: Fri, 10 Mar 2006 23:08:34 +0000
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Hi all,

the next Recycle Collective gig in London is next Thursday, 16th =20
March, and the theme is 'three flavours of guitar' -

Thomas Leeb - acoustic guitar - from Austria, lives in California, in =20=

a Hedges/Keaggy/Forcione/Roche vibe. Amazing musician.
BJ Cole - pedal steel/looping - one of the finest ambient musicians =20
I've ever heard.
Me - bass/loopage - doing what I do.

We'll all be playing solo, and as a trio.

Doors 7pm, first music 8pm, Tickets =A37/=A35 available in advance from =20=

www.stevelawson.net/store

weblinks -

www.recyclecollective.com (all information)
www.darbucka.com (the venue)
www.thomasleeb.com (watch the video clips, he's great)
www.bjcole.co.uk
www.myspace.com/solobassstevelawson
www.myspace.com/therecyclecollective (downloadable tracks here)

see you there!
Steve
www.stevelawson.net - site
www.stevelawson.net/store/ - shop
http://steve.anthropiccollective.org - blog



From Loopers-Delight-request@loopers-delight.com  Sat Mar 11 00:24:19 2006
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From: "hazard factor" <artists@hazardfactor.com>
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Subject: Guitar Player article
Date: Fri, 10 Mar 2006 19:24:20 -0500
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Congrats to the loopers interviewed for the new Guitar Player article about
looping. Lots of great info to get people exposed to the diverse music made
out there and the amazing array of devices that create it. Maybe this will
spur some hardware sales and show the manufacturers that we ain't goin away.

Dave Eichenberger 
http://www.hazardfactor.com

From Loopers-Delight-request@loopers-delight.com  Sat Mar 11 00:28:58 2006
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Can someone scan that article and share? Who was featured?

Kris

----- Original Message ----- 
From: "hazard factor" <artists@hazardfactor.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, March 10, 2006 5:24 PM
Subject: Guitar Player article


> Congrats to the loopers interviewed for the new Guitar Player article 
> about
> looping. Lots of great info to get people exposed to the diverse music 
> made
> out there and the amazing array of devices that create it. Maybe this will
> spur some hardware sales and show the manufacturers that we ain't goin 
> away.
>
> Dave Eichenberger
> http://www.hazardfactor.com
>
> 


From Loopers-Delight-request@loopers-delight.com  Sat Mar 11 01:46:28 2006
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Date: Fri, 10 Mar 2006 20:42:24 -0500
From: Bill Fox <billyfox@soundscapes.us>
Subject: The AM/FM Show Playlist for February 25, 2006
To: Ambient Hyperreal List <ambient@hyperreal.org>,
	AIMusic Yahoogroup <AIMusic@yahoogroups.com>
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http://soundscapes.us/amfm/playlists/2006/060225.html

I host the Saturday AM/FM Show every other week where I play electronic,
ambient, spacemusic, Progressive Rock, and an eclectic mix of other 
genres.  The
show airs from 6:00 am to 8:00 am on WMUH Allentown, 91.7 FM and on the
internet.  I also host Afterglow every Thursday from 8:00 am to 9:30 am.

                    Show #83                    February 25, 2006.

During Phase I of this show, I continued the special on the sampler CDs that
come with each issue of E-dition electronic music magazine.


Phase I/Space:

ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
================================
VA [Edgar Froese]       Daliesquador             Edition #7 Sampler (Groove)
VA [Hemisphere]         Night of the Living      Edition #7 Sampler (Groove)
                          Machine
VA [Rudy Adrian]        Midnight Fantasy Angel   Edition #7 Sampler (Groove)
Jeffrey Koepper         Distant Light            Etherea (Air Space)
John Lakveet            Checkmate to B. Russell  The Force of Reason 
(Groove)

Phase II/Eclectic:

ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
================================
Fred Lykes              Moonlight Dance          Star Bound (none)
Fred Lykes              Planetary Voyager        Star Bound (none)
Sonny Lim               Malie                    Slack Key Guitar (Palm)
Sonny Lim               How D'Ya Do              Slack Key Guitar (Palm)
Patrick Doyle           The Story Continues      Harry Potter and the 
Goblet of
                                                   Fire (WB)
Patrick Doyle           Frank Dies               HPatGoF (WB)
Patrick Doyle           The Quidditch World Cup  HPatGoF (WB)
Patrick Doyle           The Dark Mark            HPatGoF (WB)
Patrick Doyle           Foreign Visitors Arrive  HPatGoF (WB)
Patrick Doyle           The Goblet of Fire       HPatGoF (WB)

Phase III/Progressive Rock:

ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
================================
Mithrandir              For You the Old Women    For You the Old Women
                                                   (SynPhonic)
IZZ                     Star Evil Gnoma Su       I Move (Doone)
IZZ                     Another Door             I Move (Doone)
IZZ                     Something True           I Move (Doone)
Pinnacle                Love In Our Hands        Meld (Everything To Excess)
Mahavishnu Project      Resolution               Phase 2 (Aggregate)

8:00 am

 * = excerpt
++ = Advanced CDR from artist
VA = Various Artists (compilation)

I return to the AM/FM Show on March 11.

On the next show, I will continue the special on the sampler CDs that 
come with
each issue of E-dition electronic music magazine.

Bill
==========================================================================================================
Host of the AM/FM Show every other Saturday at 6:00 am EST (GMT-5:00).
Phase 1: Electronic, ambient, and space music to bring you back from 
"Beyond the Barriers."
Phase 2: Mixed bag of acoustic, electric, pop, or New Age.
Phase 3: Progressive rock from past masters to contemporary releases.
Web Site - http://soundscapes.us/amfm
Listen to WMUH Allentown locally at 91.7 FM or on-line at 
http://www.muhlenberg.edu/wmuh and click the
REAL AUDIO link or go directly to 
rtsp://helix.muhlenberg.edu:554/broadcast/live.rm
==========================================================================================================
The progdj list is the central clearing house for radio playlists of 
Progressive Rock programs. Tired of
joining dozens of mailing lists to post playlists or track airplay?  The 
progdj list solves that problem.

The progdj list is the place to go in order to see playlists and CD and 
concert reviews by DJs of
progressive rock-friendly radio programs. Anyone interested in seeing 
playlists can join. There is NO
SPAM because I keep the spammers out before the members ever see any 
hint of it.

The progdj list is for DJs (obviously!) and band members, record label 
personnel, promoters, managers, and
anyone else interested in seeing what gets played on the air. Need to 
find who is playing prog on the
radio? Go to the progdj list.

To join, go to http://groups.yahoo.com/group/progdj and click on the 
[Join This Group!] link.
==========================================================================================================

From Loopers-Delight-request@loopers-delight.com  Sat Mar 11 02:12:55 2006
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From: "Timothy Mungenast" <mungenast@earthlink.net>
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Subject: RE: Alesis Bitrman for sale
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"I´ve seen them go on evilBay for a hell of a lot of money recently "

How much? ;-)  

I didn't see any on eBay when I checked yesterday, but then you probably know better ways to find item histories ...I'm an eBay newbie. (Say that 3 times fast.)

I had to pass on an Ineko that was only going for $90 or something like that. I can justify an Ineko, but only if I give up the Bitrman. Hence my curiosity about Bitrman prices.

BTW, WMBR here in Cambridge MA played something from the LD3      disc, and it was awesome! ....um...I'll have to check my notes to see whose song it was...lots of looped dialog. Great sounds. I'm going to have to buy the disc.

~Tim Mungenast
www.myspace.com/timmungenast
www.cdbaby.com/all/timgoat
www.mungenast.com



----- Original Message ----- 
From: Wavecomputer360 
To: Loopers-Delight@loopers-delight.com
Sent: 3/10/2006 3:16:25 PM 
Subject: Alesis Bitrman for sale


Hi all,

I need some cash and have to sell one of my Alesis Bitrmen. I know some of you were looking for one a while ago so this might be your chance to finally get hold of one. This unit was purchased about one and a half years ago, it shows some minor scratches on the front panel (the adhesive cover was removed at some point) and around the wallwart jack but technically it works flawlessly. You´ll see the scratches only at close examination as they are very light, actually. Unfortunately, the manual got lost when I last moved house but I think I can get hold of a photocopied version somehow, should you feel this is a necessity for you.

I´ve seen them go on evilBay for a hell of a lot of money recently but before I try evilBay I´d rather give someone on this list a chance. I need cash so please don´t make me a silly offer like "twenty-five bucks, and you pay shipping" or so :-). I will ship anywhere on this planet at your expense (could be pricey, thanks DHL).

If you have any info, please get back to me. I can send you a picture if you wish. In case you´never dealt with me, check my evilBay profile "ppg360" :-).

Thanks for reading, regards,

Stephen.


______________________________________________________________________________________

"Human beings are a disease, the cancer of this planet, you´re a plague. And we are the cure." (Agent Smith)

Now available: "Hoellenengel", the new album by Stephen Parsick.

For info and audio, please check www.parsick.com

It´s out: "Oughtibridge", the new [´ramp] album, recorded live in England.

For info and audio, please visit the official [´ramp] website at www.doombient.com




 
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<BODY bgColor=#ffffff>
<DIV><FONT face=Arial>"I´ve seen them go on evilBay for a hell of a lot of money recently "</FONT></DIV>
<DIV><FONT face=Arial></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial>How much? ;-)&nbsp; </FONT></DIV>
<DIV><FONT face=Arial></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial>I didn't see any on eBay when I checked yesterday, but then you probably know&nbsp;better ways&nbsp;to find item histories ...I'm an eBay&nbsp;newbie. (Say that 3 times fast.)</FONT></DIV>
<DIV><FONT face=Arial></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial>I had to pass on an Ineko that was only going for $90 or something like that. I can justify an Ineko, but only if I give up the Bitrman. Hence my curiosity about Bitrman prices.</FONT></DIV>
<DIV><FONT face=Arial></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial>BTW, WMBR here in Cambridge MA played something from the LD3&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; disc, and it was awesome! ....um...I'll have to check my notes to see whose song it was...lots of looped dialog. Great sounds. I'm going to have to buy the disc.</FONT></DIV>
<DIV><FONT face=Arial></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial>~Tim Mungenast</FONT></DIV>
<DIV><FONT face=Arial><A href="http://www.myspace.com/timmungenast">www.myspace.com/timmungenast</A></FONT></DIV>
<DIV><FONT face=Arial><A href="http://www.cdbaby.com/all/timgoat">www.cdbaby.com/all/timgoat</A></FONT></DIV>
<DIV><FONT face=Arial><A href="http://www.mungenast.com">www.mungenast.com</A></FONT></DIV>
<DIV><FONT face=Arial></FONT>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV></DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px solid">
<DIV style="FONT: 10pt Arial">----- Original Message ----- </DIV>
<DIV style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><B>From:</B> <A title=wavecomputer360@gmx.de href="mailto:wavecomputer360@gmx.de">Wavecomputer360</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To: </B><A title=Loopers-Delight@loopers-delight.com href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A></DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> 3/10/2006 3:16:25 PM </DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Alesis Bitrman for sale</DIV>
<DIV><BR></DIV><FONT size=2>
<DIV><FONT face=Arial>Hi all,</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=Arial>I need some cash and have to sell one of my Alesis Bitrmen.&nbsp;I know some of you were looking for one a while ago so this might be your chance to finally get hold of one. This unit was purchased about&nbsp;one and a half years ago, it shows some minor scratches on the front panel (the adhesive cover was removed at some point) and around the wallwart jack but technically it works flawlessly. You´ll see the scratches only at close examination as they are very light, actually. Unfortunately, the manual got lost when I last moved house but I think I can get hold of a photocopied version somehow, should you feel this is a necessity for you.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=Arial>I´ve seen them go on evilBay for a hell of a lot of money recently but before I try evilBay I´d rather give someone on this list a chance. I need cash so please don´t make me a silly offer like "twenty-five bucks, and you pay shipping" or so :-). I will ship anywhere on this planet at your expense (could be pricey, thanks DHL).</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=Arial>If you have any info, please get back to me. I can send you a picture if you wish. In case you´never dealt with me, check my evilBay profile "ppg360" :-).</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=Arial>Thanks for reading, regards,</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=Arial>Stephen.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=Arial><BR>______________________________________________________________________________________</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=Arial>"Human beings are a disease, the cancer of this planet, you´re a plague. And we are the cure." (Agent Smith)</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=Arial>Now available: "Hoellenengel", the new album by Stephen Parsick.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=Arial>For info and audio, please check <A href="http://www.parsick.com">www.parsick.com</A></FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=Arial>It´s out: "Oughtibridge", the new [´ramp] album, recorded live in England.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=Arial>For info and audio, please visit the official [´ramp] website at <A href="http://www.doombient.com">www.doombient.com</A></FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=Arial></FONT>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=Arial><BR></FONT>&nbsp;</DIV></FONT></BLOCKQUOTE></BODY></HTML>
------=_NextPart_84815C5ABAF209EF376268C8--

From Loopers-Delight-request@loopers-delight.com  Sat Mar 11 05:23:12 2006
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On 3/10/06, Clint Allen <clint.allen@gmail.com> wrote:
> Its looking more and more like Williamsburg at this point.
>
>  and any helpful info offline is greatly, greatly appreciated!!!

Oh, *really*?!  Well, I live in Williamsburg... so this is seeming
very promising.  There are clubs around there that I think are
bookable -- but group efforts are much better.

Drop me a line offlist and we can chat!



>
>  Clint
>
>
> On 3/9/06, Tom Ritchford <tom@swirly.com> wrote:
> > Good move!  Where in Brooklyn?!
> >
> > On 3/9/06, Clint Allen <clint.allen@gmail.com> wrote:
> > >
> > > I can't promise to do much, but hopefully I will be able to add a few
> > > individuals at these shows (myself included) in the next few months a=
s I
> and
> > > two of my collaborators/friends relocate to the Brooklyn area...
> > >
> > > Clint Allen
> > >
> > >
> > >
> > > On 3/9/06, Tom Ritchford < tom@swirly.com> wrote:
> > > > That's "towel" not "trowel"!  :-D
> > > >
> > > > Yes, the weather was against us.  But I've been doing this for a lo=
ng
> > > > time.  I run a fairly popular events mailing list here too that I u=
se
> > > > to advertise this stuff.   In previous times, I've done things like
> > > > getting ads in newspapers and handing out lots and lots of fliers.
> > > > And yet I'd be really, really surprised if I had a show and a dozen
> > > > people showed up.
> > > >
> > > > Considering the amount of gear I take out and the time and money it
> > > > takes me to get out, there's a level of patheticness that I can't
> > > > really stomach here.
> > > >
> > > >
> > > > People just aren't so interested in going out and listening to musi=
c
> > > > any more.  If you have thousands of tracks from all the world's
> > > > musicians on a little box the size of a cigarette package, there
> > > > really isn't much incentive to go out and just listen.  Sure, going
> > > > out for a *show*, or to dance... logical.  But not to listen.
> > > >
> > > > Older people are more listeners -- but a lot of them aren't interes=
ted
> > > > in weird music any more.  And they don't seem to come out.
> > > >
> > > > Younger people want either a spectacle or dance music and I can't
> > > > provide that.  And I'm not *such* an amazing musician that they'll
> > > > just show up to admire my chops (and really, when does that happen
> > > > nowadays?)
> > > >
> > > >    /t
> > > >
> > > >
> > > > On 3/8/06, Dan Ash <Daniel.Ash@verizon.net> wrote:
> > > > > Tom,
> > > > >
> > > > > That's too bad.
> > > > >
> > > > > Wasn't there a snowstorm the night of the last loop event in
> Brooklyn?
> > > > > That might have been a factor.
> > > > >
> > > > > Hope you're not really throwing in the trowel.
> > > > >
> > > > > Dan Ash
> > > > > White Plains, NY
> > > > >
> > > > >
> > > > >
> > > >
> > > >
> > > > --
> > > >     /t
> > > >
> > > > http://ax.to ... extreme NY arts and music calendar
> > > >
> > > >
> > >
> > >
> >
> >
> > --
> >      /t
> >
> > http://ax.to ... extreme NY arts and music calendar
> >
> >
>
>


--
     /t

http://ax.to ... extreme NY arts and music calendar

From Loopers-Delight-request@loopers-delight.com  Sat Mar 11 05:27:25 2006
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So I managed to find a Saturday night gig, astonishingly enough,
though it's not an open loop thing.

The good part is that there is guaranteed to be an audience (I'm
playing the chill room at a rave), the bad part is that there's only a
small PA and I discovered tonight that the person who borrowed my PA
speakers a few years ago blew out the speakers and then *threw out the
cabinets* quite a long time ago and didn't bother to tell me.  GRR.

If any of you has a PA and transportation :-D and can be there
tomorrow night, let me know!

Unfortunately, I cannot tell you where this is as I'm not allowed to
send this to any lists -- contact me off-list if you're interested.


On 3/8/06, Tom Ritchford <tom@swirly.com> wrote:
> I should have sent this before -- but the March 11 open loop was
> cancelled because the bar where we were holding it closed.   grrr.
>
> My last two shows since I started playing again have been nothing
> short of disastrous -- between the one I advertised on this list and
> another one, I had a total of two people showing up to see me.
>
> It's probably going to be quite some time before I try again.
>
> --
>      /t
>
> http://ax.to ... extreme NY arts and music calendar
>


--
     /t

http://ax.to ... extreme NY arts and music calendar

From Loopers-Delight-request@loopers-delight.com  Sat Mar 11 09:11:04 2006
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Date: Sat, 11 Mar 2006 04:07:05 -0500
From: Bill Fox <billyfox@soundscapes.us>
Subject: Listen to the AM/FM Show
To: undisclosed-recipients: ;
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THE AM/FM SHOW ON WMUH:                               
http://soundscapes.us/amfm
================================================================================ 

My next stint on the AM/FM Show will be in less than two hours from now 
at 6:00
am EST/GMT-5.  I will  continue the special on E-dition Magazine's 
sampler CDs.
I will also play music from IZZ's new CD and music from other bands that 
will
soon be in concert at the New Jersey Proghouse.

Tune in to WMUH Allentown at 91.7 FM, broadcasting from the campus of 
Muhlenberg
College.  I alternate hosting the show with Bruce.  When I am at the 
helm, the
show features electronic, ambient, and spacemusic at the beginning, an 
eclectic
mix of genres in the middle, and winds up with Progressive Rock.  Listen 
on-line
to WMUH at http://www.muhlenberg.edu/wmuh and click the REAL AUDIO link 
or go
directly to: rtsp://helix.muhlenberg.edu:554/broadcast/live.rm

From Loopers-Delight-request@loopers-delight.com  Sat Mar 11 11:02:09 2006
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Date: Sat, 11 Mar 2006 12:02:06 +0100 (CET)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: Vedr. Re: Guitar Player article
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Hi !
   
  I too looked for the artikel. In what magazine was it ? When ?
   
  It would be greate if somone scan and shared it !
   
  Rune F, Norway   

Kris Hartung <khartung@cableone.net> skrev:
  Can someone scan that article and share? Who was featured?

Kris

----- Original Message ----- 
From: "hazard factor" 
To: 
Sent: Friday, March 10, 2006 5:24 PM
Subject: Guitar Player article


> Congrats to the loopers interviewed for the new Guitar Player article 
> about
> looping. Lots of great info to get people exposed to the diverse music 
> made
> out there and the amazing array of devices that create it. Maybe this will
> spur some hardware sales and show the manufacturers that we ain't goin 
> away.
>
> Dave Eichenberger
> http://www.hazardfactor.com
>
> 




--0-1152662686-1142074926=:46463
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<div>Hi !</div>  <div>&nbsp;</div>  <div>I too looked for the artikel. In what magazine was it ? When ?</div>  <div>&nbsp;</div>  <div>It would be greate if somone scan and shared it !</div>  <div>&nbsp;</div>  <div>Rune F, Norway&nbsp;&nbsp;&nbsp;<BR><BR><B><I>Kris Hartung &lt;khartung@cableone.net&gt;</I></B> skrev:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">Can someone scan that article and share? Who was featured?<BR><BR>Kris<BR><BR>----- Original Message ----- <BR>From: "hazard factor" <ARTISTS@HAZARDFACTOR.COM><BR>To: <LOOPERS-DELIGHT@LOOPERS-DELIGHT.COM><BR>Sent: Friday, March 10, 2006 5:24 PM<BR>Subject: Guitar Player article<BR><BR><BR>&gt; Congrats to the loopers interviewed for the new Guitar Player article <BR>&gt; about<BR>&gt; looping. Lots of great info to get people exposed to the diverse music <BR>&gt; made<BR>&gt; out there and the amazing array of devices that create it. Maybe this will<BR>&gt; spur
 some hardware sales and show the manufacturers that we ain't goin <BR>&gt; away.<BR>&gt;<BR>&gt; Dave Eichenberger<BR>&gt; http://www.hazardfactor.com<BR>&gt;<BR>&gt; <BR><BR><BR></BLOCKQUOTE><BR>
--0-1152662686-1142074926=:46463--

From Loopers-Delight-request@loopers-delight.com  Sat Mar 11 14:36:11 2006
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This is in the new issue of the US magazine 'Guitar Player' with Derek
Trucks on the cover. It also has a great analysis of the music of the
Mahavishnu Orchestra in it too. I don't have a copy yet, but the store I
teach at has them- I get a free copy at the end of the month. Definately
worth checking out.
 
Dave Eichenberger- guitars.loops.devices
http://www.hazardfactor.com 


________________________________

	From: rune fagereng [mailto:rune_fagereng@yahoo.no] 
	Sent: Saturday, March 11, 2006 6:02 AM
	To: Loopers-Delight@loopers-delight.com
	Subject: Vedr. Re: Guitar Player article
	
	
	Hi !
	 
	I too looked for the artikel. In what magazine was it ? When ?
	 
	It would be greate if somone scan and shared it !
	 
	Rune F, Norway   
	
	Kris Hartung <khartung@cableone.net> skrev:

	

From Loopers-Delight-request@loopers-delight.com  Sat Mar 11 15:51:07 2006
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From: Nemoguitt@aol.com
Message-ID: <2ed.2a5e266.31444be3@aol.com>
Date: Sat, 11 Mar 2006 10:50:59 EST
Subject: LD CD #3
To: Loopers-Delight@loopers-delight.com
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In a message dated 3/10/06 9:13:45 PM, mungenast@earthlink.net writes:


> I'm going to have to buy the disc.
> 
who can i get one of these from?.....mic




www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
In a message dated 3/10/06 9:13:45 PM, mungenast@earthlink.net writes:<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">I'm going to have to=20=
buy the disc.<BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
who can i get one of these from?.....mic<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"><BR>
<BR>
<BR>
<BR>
www.ct-collective.com<BR>
http://mysite.verizon.net/vzepmeci/<BR>
http://www.myspace.com/klobuchar11<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT></HTML>
--part1_2ed.2a5e266.31444be3_boundary--

From Loopers-Delight-request@loopers-delight.com  Sat Mar 11 16:10:32 2006
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From: "Wavecomputer360" <wavecomputer360@gmx.de>
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Subject: Re: LD CD #3
Date: Sat, 11 Mar 2006 17:06:21 +0100
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me, for starters... :-)

Stephen

____________________________________________________________________

"Ambition makes you look pretty ugly." (Thom Yorke/Radiohead -- =
"Paranoid Android")=20

Now available: "Hoellenengel" -- the new album by Stephen Parsick.

For info and audio, please check www.parsick.com

It=B4s out: "oughtibridge", the new [=B4ramp] album, recorded live in =
England.

For info and audio, please visit the official [=B4ramp] website at =
www.doombient.com




  ----- Original Message -----=20
  From: Nemoguitt@aol.com=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Saturday, March 11, 2006 4:50 PM
  Subject: LD CD #3



  In a message dated 3/10/06 9:13:45 PM, mungenast@earthlink.net writes:



    I'm going to have to buy the disc.


  who can i get one of these from?.....mic




  www.ct-collective.com
  http://mysite.verizon.net/vzepmeci/
  http://www.myspace.com/klobuchar11


------=_NextPart_000_000C_01C6452E.1F0E97A0
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.2014.210" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial>me, for starters... :-)</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial>Stephen</FONT></DIV>
<DIV><FONT=20
face=3DArial><BR>________________________________________________________=
____________</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial>"Ambition makes you look pretty ugly." (Thom=20
Yorke/Radiohead -- "Paranoid Android") </FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial>Now available: "Hoellenengel" -- the new album =
by Stephen=20
Parsick.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial>For info and audio, please check <A=20
href=3D"http://www.parsick.com">www.parsick.com</A></FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial>It=B4s out: "oughtibridge", the new [=B4ramp] =
album, recorded=20
live in England.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial>For info and audio, please visit the official =
[=B4ramp]=20
website at <A =
href=3D"http://www.doombient.com">www.doombient.com</A></FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial></FONT>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: =
0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A href=3D"mailto:Nemoguitt@aol.com"=20
  title=3DNemoguitt@aol.com>Nemoguitt@aol.com</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  href=3D"mailto:Loopers-Delight@loopers-delight.com"=20
  =
title=3DLoopers-Delight@loopers-delight.com>Loopers-Delight@loopers-delig=
ht.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Saturday, March 11, 2006 =
4:50=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> LD CD #3</DIV>
  <DIV><BR></DIV><FONT face=3Darial,helvetica><FONT color=3D#000000 =
face=3DGeneva=20
  size=3D2 FAMILY=3D"SANSSERIF"><BR>In a message dated 3/10/06 9:13:45 =
PM, <A=20
  href=3D"mailto:mungenast@earthlink.net">mungenast@earthlink.net</A>=20
  writes:<BR><BR><BR>
  <BLOCKQUOTE=20
  style=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; =
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px"=20
  TYPE=3D"CITE" CITE></FONT><FONT color=3D#000000 face=3DGeneva size=3D2 =

    FAMILY=3D"SANSSERIF">I'm going to have to buy the=20
  disc.<BR></BLOCKQUOTE></FONT><FONT color=3D#000000 face=3DGeneva =
size=3D2=20
  FAMILY=3D"SANSSERIF"><BR>who can i get one of these=20
  from?.....mic<BR></FONT><FONT color=3D#000000 face=3DGeneva size=3D2=20
  FAMILY=3D"SANSSERIF"><BR><BR><BR><BR><A=20
  href=3D"http://www.ct-collective.com">www.ct-collective.com</A><BR><A=20
  =
href=3D"http://mysite.verizon.net/vzepmeci/">http://mysite.verizon.net/vz=
epmeci/</A><BR><A=20
  =
href=3D"http://www.myspace.com/klobuchar11">http://www.myspace.com/klobuc=
har11</A><BR></BLOCKQUOTE></FONT><FONT=20
color=3D#000000 face=3DGeneva size=3D2 =
FAMILY=3D"SANSSERIF"></FONT></FONT></BODY></HTML>

------=_NextPart_000_000C_01C6452E.1F0E97A0--

From Loopers-Delight-request@loopers-delight.com  Sat Mar 11 17:57:02 2006
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>This is in the new issue of the US magazine 'Guitar Player'

hi Dave,

what month?

andy butler
(I was one of the email interviewees, along with Matthias Grob,
neither of us got told when it would be out)

>with Derek
>Trucks on the cover. It also has a great analysis of the music of the
>Mahavishnu Orchestra in it too. I don't have a copy yet, but the store I
>teach at has them- I get a free copy at the end of the month. Definately
>worth checking out.

From Loopers-Delight-request@loopers-delight.com  Sat Mar 11 18:09:26 2006
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From: =?ISO-8859-1?Q?tEd_=AE_kiLLiAn?= <tedkillian@charter.net>
Subject: Re: Vedr. Re: Guitar Player article
Date: Sat, 11 Mar 2006 10:09:58 -0800
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Andy,

It's in the April 2006 issue. Starts on page 88 and continues through 
page 94
(including ads).

Cheers,

Ted

On Mar 11, 2006, at 9:54 AM, a k butler wrote:

> what month?
>
> andy butler
> (I was one of the email interviewees, along with Matthias Grob,
> neither of us got told when it would be out)

From Loopers-Delight-request@loopers-delight.com  Sat Mar 11 19:46:26 2006
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Date: Sat, 11 Mar 2006 14:42:13 -0500
From: Bill Fox <billyfox@soundscapes.us>
Subject: The AM/FM Show for March 11, 2006
To: undisclosed-recipients: ;
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http://soundscapes.us/amfm/playlists/2006/060311.html

I host the Saturday AM/FM Show every other week where I play electronic,
ambient, spacemusic, Progressive Rock, and an eclectic mix of other 
genres.  The
show airs from 6:00 am to 8:00 am on WMUH Allentown, 91.7 FM and on the
internet.  I also host Afterglow every Thursday from 8:00 am to 9:30 am.

                    Show #84                    March 11, 2006.

During Phase I of this show, I continued the special on the sampler CDs that
come with each issue of E-dition electronic music magazine.

During Phase III, I played the music of bands that will soon be playing 
at the
New Jersey Proghouse; IZZ tonight, Pinnacle in two weeks, and Echolyn in 
May.


Phase I/Space:

ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
================================
VA [Parallel Worlds]    Detailed Matter          Edition #7 Sampler (Groove)
VA [Ian Tescee]         Zero Gravity             Edition #7 Sampler (Groove)
VA [Maxxess]            Red Earth                Edition #7 Sampler (Groove)
VA [John Lakveet]       Leibniz and Contingency  Edition #7 Sampler (Groove)
Arcane                  33 1/3 RPM Side One      33 1/3 RPM (Neu Harmony)

Phase II/Eclectic:

ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
================================
Eric Tingstad           Torna a Surriento        A Trip Through Tuscany 
(Gallery)
Eric Tingstad           Santa Lucia              A Trip Through Tuscany 
(Gallery)
Deuter                  East of the Full Moon    East of the Full Moon (New
                                                   Earth)
Trio Pianissimo         Sleep & Dream            Change (Aggregate)

Phase III/Progressive Rock:

ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
================================
IZZ                     Deafening Silence        My River Flows (Doone)
Echolyn                 As the World             Jersey Tomato Vol. 2 (none)
Echolyn                 The Cheese Stands Alone  Jersey Tomato Vol. 2 (none)
Pinnacle                Timberline               A Man's Reach... 
(Everything To
                                                   Excess)

8:00 am

 * = excerpt
++ = Advanced CDR from artist
VA = Various Artists (compilation)

I return to the AM/FM Show on April 8.

On the next show, I will continue the special on the sampler CDs that 
come with
each issue of E-dition electronic music magazine.

Bill
==========================================================================================================
Host of the AM/FM Show every other Saturday at 6:00 am EST (GMT-5:00).
Phase 1: Electronic, ambient, and space music to bring you back from 
"Beyond the Barriers."
Phase 2: Mixed bag of acoustic, electric, pop, or New Age.
Phase 3: Progressive rock from past masters to contemporary releases.
Web Site - http://soundscapes.us/amfm
Listen to WMUH Allentown locally at 91.7 FM or on-line at 
http://www.muhlenberg.edu/wmuh and click the
REAL AUDIO link or go directly to 
rtsp://helix.muhlenberg.edu:554/broadcast/live.rm
==========================================================================================================
The progdj list is the central clearing house for radio playlists of 
Progressive Rock programs. Tired of
joining dozens of mailing lists to post playlists or track airplay?  The 
progdj list solves that problem.

The progdj list is the place to go in order to see playlists and CD and 
concert reviews by DJs of
progressive rock-friendly radio programs. Anyone interested in seeing 
playlists can join. There is NO
SPAM because I keep the spammers out before the members ever see any 
hint of it.

The progdj list is for DJs (obviously!) and band members, record label 
personnel, promoters, managers, and
anyone else interested in seeing what gets played on the air. Need to 
find who is playing prog on the
radio? Go to the progdj list.

To join, go to http://groups.yahoo.com/group/progdj and click on the 
[Join This Group!] link.
========================================================================================================== 

From Loopers-Delight-request@loopers-delight.com  Sat Mar 11 20:17:34 2006
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<html><div style='background-color:'><DIV class=RTE>
<P>Hi Bill</P>
<P>Please take me off your mailing list.</P>
<P>Thanks, </P>
<P>Rob Cathcart</P>
<P>&nbsp;</P>
<P><BR><BR>&nbsp;</P></DIV>
<DIV></DIV>
<BLOCKQUOTE style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #a0c6e5 2px solid; MARGIN-RIGHT: 0px"><FONT style="FONT-SIZE: 11px; FONT-FAMILY: tahoma,sans-serif">
<HR color=#a0c6e5 SIZE=1>

<DIV></DIV>From:&nbsp;&nbsp;<I>Bill Fox &lt;billyfox@soundscapes.us&gt;</I><BR>Reply-To:&nbsp;&nbsp;<I>Loopers-Delight@loopers-delight.com</I><BR>To:&nbsp;&nbsp;<I>undisclosed-recipients: ;</I><BR>Subject:&nbsp;&nbsp;<I>Listen to the AM/FM Show</I><BR>Date:&nbsp;&nbsp;<I>Sat, 11 Mar 2006 04:07:05 -0500</I><BR>&gt;THE AM/FM SHOW ON WMUH:&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <BR>&gt;http://soundscapes.us/amfm<BR>&gt;================================================================================<BR>&gt;<BR>&gt;My next stint on the AM/FM Show will be in less than two hours from <BR>&gt;now at 6:00<BR>&gt;am EST/GMT-5.&nbsp;&nbsp;I will&nbsp;&nbsp;continue the special on E-dition Magazine's <BR>&gt;sampler CDs.<BR>&gt;I will also play music from IZZ's 
new CD and music from other bands <BR>&gt;that will<BR>&gt;soon be in concert at the New Jersey Proghouse.<BR>&gt;<BR>&gt;Tune in to WMUH Allentown at 91.7 FM, broadcasting from the campus <BR>&gt;of Muhlenberg<BR>&gt;College.&nbsp;&nbsp;I alternate hosting the show with Bruce.&nbsp;&nbsp;When I am at the <BR>&gt;helm, the<BR>&gt;show features electronic, ambient, and spacemusic at the beginning, <BR>&gt;an eclectic<BR>&gt;mix of genres in the middle, and winds up with Progressive Rock.&nbsp;&nbsp;<BR>&gt;Listen on-line<BR>&gt;to WMUH at http://www.muhlenberg.edu/wmuh and click the REAL AUDIO <BR>&gt;link or go<BR>&gt;directly to: rtsp://helix.muhlenberg.edu:554/broadcast/live.rm<BR>&gt;<BR></FONT></BLOCKQUOTE></div></html>

From Loopers-Delight-request@loopers-delight.com  Sat Mar 11 20:22:45 2006
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From: "Tom Ritchford" <tom@swirly.com>
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Hah, cancelled.  But this really cheered me up.  This was unconnected
with the looping list -- it's someone who came to a lot of open loops
when they were happening in the East Village and called me up when a
slot came empty because he liked my work.  (They had other troubles
and decided just to go with a single PA and not have the chill room at
all!)

They're doing a wine and cheese opening in a few weeks and want me to
play for that, though.

So a nice coincidence, that someone random cares about my material
enough to want me to play somewhere.  I think I should take this is a
Positive Omen.

     /t

On 3/11/06, Tom Ritchford <tom@swirly.com> wrote:
> So I managed to find a Saturday night gig, astonishingly enough,
> though it's not an open loop thing.
>
> The good part is that there is guaranteed to be an audience (I'm
> playing the chill room at a rave), the bad part is that there's only a
> small PA and I discovered tonight that the person who borrowed my PA
> speakers a few years ago blew out the speakers and then *threw out the
> cabinets* quite a long time ago and didn't bother to tell me.  GRR.
>
> If any of you has a PA and transportation :-D and can be there
> tomorrow night, let me know!
>
> Unfortunately, I cannot tell you where this is as I'm not allowed to
> send this to any lists -- contact me off-list if you're interested.
>
>
> On 3/8/06, Tom Ritchford <tom@swirly.com> wrote:
> > I should have sent this before -- but the March 11 open loop was
> > cancelled because the bar where we were holding it closed.   grrr.
> >
> > My last two shows since I started playing again have been nothing
> > short of disastrous -- between the one I advertised on this list and
> > another one, I had a total of two people showing up to see me.
> >
> > It's probably going to be quite some time before I try again.
> >
> > --
> >      /t
> >
> > http://ax.to ... extreme NY arts and music calendar
> >
>
>
> --
>      /t
>
> http://ax.to ... extreme NY arts and music calendar
>


--
     /t

http://ax.to ... extreme NY arts and music calendar

From Loopers-Delight-request@loopers-delight.com  Sat Mar 11 21:04:43 2006
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Subject: RE: RE: Vedr. Re: Guitar Player article
Date: Sat, 11 Mar 2006 16:04:44 -0500
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Ohh sorry- as Ted pointed out, it is April. Great article, actually!

Dave Eichenberger 
http://www.hazardfactor.com
 
> >This is in the new issue of the US magazine 'Guitar Player'
> 
> hi Dave,
> 
> what month?
> 
> andy butler
> (I was one of the email interviewees, along with Matthias 
> Grob, neither of us got told when it would be out)
>  

From Loopers-Delight-request@loopers-delight.com  Sat Mar 11 22:53:11 2006
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Date: Sat, 11 Mar 2006 14:57:43 -0800
To: Loopers-Delight@loopers-delight.com
From: Kim Flint <kflint@loopers-delight.com>
Subject: Re: LD CD #3
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At 07:50 AM 3/11/2006, Nemoguitt@aol.com wrote:
>>I'm going to have to buy the disc.
>
>who can i get one of these from?.....mic

Michael,

go to the Looper's Delight CD page, there are links to ordering sites for 
all of the LD cd projects:

http://www.loopers-delight.com/cd/LoopersDelightCDs.html

kim


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com 

From Loopers-Delight-request@loopers-delight.com  Sat Mar 11 23:59:27 2006
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In a message dated 3/11/06 5:53:29 PM, kflint@loopers-delight.com writes:


> http://www.loopers-delight.com/cd/LoopersDelightCDs.html
> 
> 

thnaks kim!.....mic



www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
In a message dated 3/11/06 5:53:29 PM, kflint@loopers-delight.com writes:<BR=
>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">http://www.loopers-de=
light.com/cd/LoopersDelightCDs.html<BR>
<BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2">thnaks kim!.....mic<BR>
<BR>
<BR>
<BR>
www.ct-collective.com<BR>
http://mysite.verizon.net/vzepmeci/<BR>
http://www.myspace.com/klobuchar11<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT></HTML>
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From Loopers-Delight-request@loopers-delight.com  Sun Mar 12 05:16:02 2006
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From: "Kris Hartung" <khartung@cableone.net>
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Subject: LXP5 Problem - Stereo Output Now Mono
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I'm having some problems with my Lexicon LXP5.  It seems to be producing a 
mono output even though I'm using both L and R outputs to my board, plus 
using both L and R inputs from my Boss VF1. I tested this by using a panned 
delay on my VF1 and removing the LXP5. The panning is there. Add the LXP5 
and the stereo output is bridged into a mono signal. Even the factory 
default LXP5 patches do this. I don't recall this unit doing this last year, 
so somehow I've changed something on the unit via MIDI, or the the hardware 
has gone haywire.

Anyone know what might be causing this?

Kris


From Loopers-Delight-request@loopers-delight.com  Sun Mar 12 08:39:59 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Old Lurker, New Poster.....
Date: Sun, 12 Mar 2006 00:39:56 -0800
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Howdy,

I've been an on-again/off-again member of this list, mostly lurked in 
the past. I signed onto the list again, and I thought I'd introduce 
myself, as I'll be at the Boise Festival playing a duo with the 
marvelous/fantastic Ted Killian AND in trio with Ted Killian and Rick 
Walker. I'm really looking forward to the Festival, and to meeting 
those of you that will be in attendance. (Thanks, Ted and Kris, for the 
invitation.)

FYI, I use a looper built in max/msp (Andrew Pask wrote the core, I 
built my own interface), I left behind my two DL4s....they just started 
weighing too much on the road! If you'd like to hear a sample of my 
work, you can check out a mp3 from my latest album, The Choir Boys with 
Stings, done with Andrew, Steuart Liebig and GE Stinson (we all use 
loopers....at different times) at:

http://www.pfmentum.com

Looking forward to being more a part of the community and chatting with 
everyone, especially that guy Steve whats-his-name from London....oh 
yeah, Lawson! (You out there, Steve? I'm mixing, really!) (Those of you 
that don't know Steve, should really check out his music!)...

Best,

Jeff



Jeff Kaiser
http://www.jeffkaisermusic.com
http://www.myspace.com/jeffkaisermusic

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Date: Sun, 12 Mar 2006 09:52:25 +0100 (CET)
From: rune fagereng <rune_fagereng@yahoo.no>
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Hi !
   
  Has anyone a copy of the Ableton Tutorial Dvd ?
   
  Possible to buy or copy ? 
   
  Rune F

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<div>Hi !</div>  <div>&nbsp;</div>  <div>Has anyone a copy of the Ableton Tutorial Dvd ?</div>  <div>&nbsp;</div>  <div>Possible to buy or copy ?&nbsp;</div>  <div>&nbsp;</div>  <div>Rune F</div>
--0-2061685723-1142153545=:11738--

From Loopers-Delight-request@loopers-delight.com  Sun Mar 12 09:39:29 2006
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first of all, which tutorial dvd? There are a couple.
Secondly, they're all copyrighted, so copying them would be *illegal* - 
don't request copies online!

A.


rune fagereng wrote:
> Hi !
>  
> Has anyone a copy of the Ableton Tutorial Dvd ?
>  
> Possible to buy or copy ? 
>  
> Rune F

From Loopers-Delight-request@loopers-delight.com  Sun Mar 12 09:39:38 2006
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Subject: Re: Old Lurker, New Poster.....
Date: Sun, 12 Mar 2006 10:39:31 +0100
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On 12 mar 2006, at 09.39, Jeff Kaiser wrote:

>  you can check out a mp3 from my latest album, The Choir Boys with  
> Stings, done with Andrew, Steuart Liebig and GE Stinson (we all use  
> loopers....at different times) at:
> http://www.pfmentum.com

Thank you! Listening to that eight minute clip right now and enjoying  
it a lot.  ;-)
Yes, I too like Steve Lawsons stuff. I bought Grace And Attitude...  
oops,..  meant "Gratitude". Had to check the title by iTunes - but  
anyway, the mistake was "Freudian" and that disc is a damn fine one  
IMHO.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast? 
id=128679560&s=143456



From Loopers-Delight-request@loopers-delight.com  Sun Mar 12 10:14:01 2006
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Hi !
   
  I myself uses Live 5. So you never do any copying, or is it the request thats bad. It wont happen again ! 
   
  Rune F
   
  

Andreas Wetterberg <awetterberg@post.cybercity.dk> skrev:
  first of all, which tutorial dvd? There are a couple.
Secondly, they're all copyrighted, so copying them would be *illegal* - 
don't request copies online!

A.


rune fagereng wrote:
> Hi !
> 
> Has anyone a copy of the Ableton Tutorial Dvd ?
> 
> Possible to buy or copy ? 
> 
> Rune F



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<div>Hi !</div>  <div>&nbsp;</div>  <div>I myself&nbsp;uses Live 5. So you never do any copying, or is it the request thats bad. It wont happen again ! </div>  <div>&nbsp;</div>  <div>Rune F</div>  <div>&nbsp;</div>  <div><BR><BR><B><I>Andreas Wetterberg &lt;awetterberg@post.cybercity.dk&gt;</I></B> skrev:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">first of all, which tutorial dvd? There are a couple.<BR>Secondly, they're all copyrighted, so copying them would be *illegal* - <BR>don't request copies online!<BR><BR>A.<BR><BR><BR>rune fagereng wrote:<BR>&gt; Hi !<BR>&gt; <BR>&gt; Has anyone a copy of the Ableton Tutorial Dvd ?<BR>&gt; <BR>&gt; Possible to buy or copy ? <BR>&gt; <BR>&gt; Rune F<BR><BR></BLOCKQUOTE><BR>
--0-1918979404-1142158439=:20161--

From Loopers-Delight-request@loopers-delight.com  Sun Mar 12 10:49:57 2006
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On 12 mar 2006, at 11.13, rune fagereng wrote:

>  Ableton Tutorial Dvd ?


I don't know about any Tutorial Dvd, but if you open Live 5 and check  
under the Help menu there you will find "Lessons Table of Content".

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast? 
id=128679560&s=143456



From Loopers-Delight-request@loopers-delight.com  Sun Mar 12 15:02:48 2006
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Hi Jeff -

Anyone who plays a quarter-tone trumpet and also loops deserves to play at a 
festival like this! :)  I really look forward to hearing you and Ted play 
together, and even more so, you, Ted, and Rick on the second day of the 
event.   I really like the guitar/trumpet duo format, especially since I 
received a copy of Digital/Spiritual from Kevin Brunkhorst and Paul 
Tynan...great work!

Speaking of MAX/MSP, a young lady at the festival will be doing a 10 min 
intermission piece with that program (Gretchen Jude...see the festival site 
for more info). She is an electronic music student at Boise State 
University.  You might get a kick out of that. And I'm sure Rick will, 
because she's doing almost everything with her voice. She sent me a demo CD 
and it is quite sophisticated. I would so quite sophisticated "for Boise," 
but I've learned in putting together this event that Boise is no more or 
less progressive in terms of folks playing experimental, avant-garde, or 
free improv music than any other place, relative to the population...that 
would be a comment in light of per capita stats.  There a lot of folks 
coming out of the woodwork playing music I never thought existed here. I 
just needed to provide a major venue to bring them together. Although I've 
just had no luck whatsoever in finding horn players who I can improv with, 
let a lone looping.

Any who, I'll get out and check out more of your sound clips now. See you 
next month! And I'd love to see you commenting more on this discussion 
group.

Kris
www.krispenhartung.com
www.boisemusicians.com/experimental
http://myspace.com/krispenhartung

> Howdy,
>
> I've been an on-again/off-again member of this list, mostly lurked in the 
> past. I signed onto the list again, and I thought I'd introduce myself, as 
> I'll be at the Boise Festival playing a duo with the marvelous/fantastic 
> Ted Killian AND in trio with Ted Killian and Rick Walker. I'm really 
> looking forward to the Festival, and to meeting those of you that will be 
> in attendance. (Thanks, Ted and Kris, for the invitation.)
>
> FYI, I use a looper built in max/msp (Andrew Pask wrote the core, I built 
> my own interface), I left behind my two DL4s....they just started weighing 
> too much on the road! If you'd like to hear a sample of my work, you can 
> check out a mp3 from my latest album, The Choir Boys with Stings, done 
> with Andrew, Steuart Liebig and GE Stinson (we all use loopers....at 
> different times) at:
>
> http://www.pfmentum.com
>
> Looking forward to being more a part of the community and chatting with 
> everyone, especially that guy Steve whats-his-name from London....oh yeah, 
> Lawson! (You out there, Steve? I'm mixing, really!) (Those of you that 
> don't know Steve, should really check out his music!)...
>
> Best,
>
> Jeff
>
>
>
> Jeff Kaiser
> http://www.jeffkaisermusic.com
> http://www.myspace.com/jeffkaisermusic
>
> 


From Loopers-Delight-request@loopers-delight.com  Sun Mar 12 15:03:26 2006
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Subject: Re: LXP5 Problem - Stereo Output Now Mono
Date: Sun, 12 Mar 2006 16:03:18 +0100
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On 12 mar 2006, at 06.15, Kris Hartung wrote:

> I'm having some problems with my Lexicon LXP5.  It seems to be  
> producing a mono output even though I'm using both L and R outputs  
> to my board, plus using both L and R inputs from my Boss VF1. I  
> tested this by using a panned delay on my VF1 and removing the  
> LXP5. The panning is there. Add the LXP5 and the stereo output is  
> bridged into a mono signal. Even the factory default LXP5 patches  
> do this. I don't recall this unit doing this last year, so somehow  
> I've changed something on the unit via MIDI, or the the hardware  
> has gone haywire.
>
> Anyone know what might be causing this?


Hard to tell on so little information given out on the problem. The  
most important fact is if you daisy chain the LXP5 in the signal  
chain or if you put it all wet at an effect send/return loop of a  
mixer? And if course if the way you are now connecting it is the same  
as you did last year, when you "had stereo".

Then it also depends on what you use the LXP5 for. Some presets  
change the input stereo spread more than others. I have a LXP5 but I  
never used it for anything except reverb and I always put it in a  
send/return effect loop on a mixer. I never bothered to feed it a  
stereo input either, because I thought it sounded cool anyway. But it  
was, and is, definitely putting out a stereo signal.

When using a stereo input to the LXP5 the most affected parameters  
are the early reflection bounces in some reverb/delay ("multi")  
patches, if my manual readers memory serves me right (my Lexicon  
manual got lost somewhere back in the early nineties).

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast? 
id=128679560&s=143456



From Loopers-Delight-request@loopers-delight.com  Sun Mar 12 15:40:40 2006
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The Lexicon group just pointed out the problem.  The LXP5 and LXP1 bridge 
the L/R inputs into mono. So I need to put the LXP5 as first in my signal 
chain, before the VF-1. What a drag.

k-

----- Original Message ----- 
From: "Per Boysen" <per@boysen.se>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, March 12, 2006 8:03 AM
Subject: Re: LXP5 Problem - Stereo Output Now Mono


> On 12 mar 2006, at 06.15, Kris Hartung wrote:
>
>> I'm having some problems with my Lexicon LXP5.  It seems to be  producing 
>> a mono output even though I'm using both L and R outputs  to my board, 
>> plus using both L and R inputs from my Boss VF1. I  tested this by using 
>> a panned delay on my VF1 and removing the  LXP5. The panning is there. 
>> Add the LXP5 and the stereo output is  bridged into a mono signal. Even 
>> the factory default LXP5 patches  do this. I don't recall this unit doing 
>> this last year, so somehow  I've changed something on the unit via MIDI, 
>> or the the hardware  has gone haywire.
>>
>> Anyone know what might be causing this?
>
>
> Hard to tell on so little information given out on the problem. The  most 
> important fact is if you daisy chain the LXP5 in the signal  chain or if 
> you put it all wet at an effect send/return loop of a  mixer? And if 
> course if the way you are now connecting it is the same  as you did last 
> year, when you "had stereo".
>
> Then it also depends on what you use the LXP5 for. Some presets  change 
> the input stereo spread more than others. I have a LXP5 but I  never used 
> it for anything except reverb and I always put it in a  send/return effect 
> loop on a mixer. I never bothered to feed it a  stereo input either, 
> because I thought it sounded cool anyway. But it  was, and is, definitely 
> putting out a stereo signal.
>
> When using a stereo input to the LXP5 the most affected parameters  are 
> the early reflection bounces in some reverb/delay ("multi")  patches, if 
> my manual readers memory serves me right (my Lexicon  manual got lost 
> somewhere back in the early nineties).
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast? 
> id=128679560&s=143456
>
>
>
> 


From Loopers-Delight-request@loopers-delight.com  Sun Mar 12 16:30:27 2006
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Date: Sun, 12 Mar 2006 11:30:21 EST
Subject: Re: Vedr. Re: Ableton Tutorial
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-------------------------------1142181021
Content-Type: text/plain; charset="US-ASCII"
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British mag Computer Music has an issue dedicated to Abelton Live tutorials  
out right now.
 
Harry  Weinberg, Esq.
Law Offices of Harry Weinberg
11 Beach Street - 8th  Floor
New York, N.Y. 10013
(212)  989-2908

-------------------------------1142181021
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
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<META http-equiv=3DContent-Type content=3D"text/html; charset=3DUS-ASCII">
<META content=3D"MSHTML 6.00.2900.2802" name=3DGENERATOR></HEAD>
<BODY id=3Drole_body style=3D"FONT-SIZE: 10pt; COLOR: #000000; FONT-FAMILY:=20=
Arial"=20
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e_document=20
face=3DArial color=3D#000000 size=3D2>
<DIV>British mag Computer Music has an issue dedicated to Abelton Live tutor=
ials=20
out right now.</DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT lang=3D0 face=3DArial size=3D2 FAMILY=3D"SANSSERIF" PTSIZE=3D"10"=
>Harry=20
Weinberg, Esq.<BR>Law Offices of Harry Weinberg<BR>11 Beach Street - 8th=20
Floor<BR>New York, N.Y. 10013<BR>(212)=20
989-2908</FONT></DIV></FONT></BODY></HTML>

-------------------------------1142181021--

From Loopers-Delight-request@loopers-delight.com  Sun Mar 12 16:50:00 2006
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Date: Sun, 12 Mar 2006 11:49:55 EST
Subject: guitar/trumpet duo
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In a message dated 3/12/06 10:02:53 AM, khartung@cableone.net writes:


> I really like the guitar/trumpet duo format,
> 

kris.....you should also check out TRIANGULIZONA "LOOP PROJECT" 
www.trianangulizona.com
two of the nicest fellows you would want to meet.....their music is very 
sparse and haunting.....i'm waiting for them to do a fest in CROATIA.....also 
kris, your fest sounds like it will be really great, wish i could make it!.....mic



www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11

--part1_2bc.6708aea.3145ab33_boundary
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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
In a message dated 3/12/06 10:02:53 AM, khartung@cableone.net writes:<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">I really like the gui=
tar/trumpet duo format,<BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2">kris.....you should also check out TRIANGULIZONA "LOOP PROJECT" www.trian=
angulizona.com<BR>
two of the nicest fellows you would want to meet.....their music is very spa=
rse and haunting.....i'm waiting for them to do a fest in CROATIA.....also k=
ris, your fest sounds like it will be really great, wish i could make it!...=
..mic<BR>
<BR>
<BR>
<BR>
www.ct-collective.com<BR>
http://mysite.verizon.net/vzepmeci/<BR>
http://www.myspace.com/klobuchar11<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT></HTML>
--part1_2bc.6708aea.3145ab33_boundary--

From Loopers-Delight-request@loopers-delight.com  Sun Mar 12 17:03:07 2006
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Welcome aboard Jeff!

Well, I know you've actualy subscribed (on and off again) for a while
but it's great to see you de-lurk. Now, if we can just get Dr. Bob to =20=

(LOL).

Let me say it publically. Jeff is a tremendous talent, a real human =20
being
and one of my best friends in all of the whole world. Welcome my friend.

I'm looking forward to Boise too -- for both our "bad ass duo" on Friday
and our "bad ass trio" with Rick Walker on Saturday.

I'm looking forward to seeing and hearing EVERYONE there as a matter of =20=

fact.
I've only seen/heard Kris do solo stuff live. It'll be great to see him =20=

in a group
context.

Also looking forward to seeing/hearing Lumper/Splittter again. Joe and
Lucio are great musicians (and great guys) too who add a certain amount
of full-tilt madness to any event.

It's gonna be great!

tEd =AE kiLLiAn

"Different is not always better, but better is always different"

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=3D2845073
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?=20
step=3Dview_profile&id=3D121197000042

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

On Mar 12, 2006, at 12:39 AM, Jeff Kaiser wrote:

> Howdy,
>
> I've been an on-again/off-again member of this list, mostly lurked in =20=

> the past. I signed onto the list again, and I thought I'd introduce =20=

> myself, as I'll be at the Boise Festival playing a duo with the =20
> marvelous/fantastic Ted Killian AND in trio with Ted Killian and Rick =20=

> Walker. I'm really looking forward to the Festival, and to meeting =20
> those of you that will be in attendance. (Thanks, Ted and Kris, for =20=

> the invitation.)
>
> FYI, I use a looper built in max/msp (Andrew Pask wrote the core, I =20=

> built my own interface), I left behind my two DL4s....they just =20
> started weighing too much on the road! If you'd like to hear a sample =20=

> of my work, you can check out a mp3 from my latest album, The Choir =20=

> Boys with Stings, done with Andrew, Steuart Liebig and GE Stinson (we =20=

> all use loopers....at different times) at:
>
> http://www.pfmentum.com
>
> Looking forward to being more a part of the community and chatting =20
> with everyone, especially that guy Steve whats-his-name from =20
> London....oh yeah, Lawson! (You out there, Steve? I'm mixing, really!) =
=20
> (Those of you that don't know Steve, should really check out his =20
> music!)...
>
> Best,
>
> Jeff
>
> Jeff Kaiser
> http://www.jeffkaisermusic.com
> http://www.myspace.com/jeffkaisermusic


--Apple-Mail-1-667051509
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Welcome aboard Jeff!


Well, I know you've actualy subscribed (on and off again) for a while=20

but it's great to see you de-lurk. Now, if we can just get Dr. Bob to
(LOL).


Let me say it publically. Jeff is a tremendous talent, a real human
being

and one of my best friends in all of the whole world. Welcome my
friend.


I'm looking forward to Boise too -- for both our "bad ass duo" on
Friday=20

and our "bad ass trio" with Rick Walker on Saturday.


I'm looking forward to seeing and hearing EVERYONE there as a matter
of fact.

I've only seen/heard Kris do solo stuff live. It'll be great to see
him in a group

context.


Also looking forward to seeing/hearing Lumper/Splittter again. Joe and

Lucio are great musicians (and great guys) too who add a certain amount

of full-tilt madness to any event.


It's gonna be great!


tEd =AE kiLLiAn


<color><param>807F,807F,807F</param>"Different is not always better,
but better is always different"


http://www.pfmentum.com/flux.html

http://www.CDbaby.com/cd/tedkillian

http://www.guitar9.com/fluxaeterna.html

http://www.garageband.com/artist/ArsOcarina

http://www.towerrecords.com/product.aspx?pfid=3D2845073

http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314

http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193

=
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042


Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,

BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,

AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,

RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,

and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???</color>


On Mar 12, 2006, at 12:39 AM, Jeff Kaiser wrote:


<excerpt>Howdy,


I've been an on-again/off-again member of this list, mostly lurked in
the past. I signed onto the list again, and I thought I'd introduce
myself, as I'll be at the Boise Festival playing a duo with the
marvelous/fantastic Ted Killian AND in trio with Ted Killian and Rick
Walker. I'm really looking forward to the Festival, and to meeting
those of you that will be in attendance. (Thanks, Ted and Kris, for
the invitation.)


FYI, I use a looper built in max/msp (Andrew Pask wrote the core, I
built my own interface), I left behind my two DL4s....they just
started weighing too much on the road! If you'd like to hear a sample
of my work, you can check out a mp3 from my latest album, The Choir
Boys with Stings, done with Andrew, Steuart Liebig and GE Stinson (we
all use loopers....at different times) at:


http://www.pfmentum.com


Looking forward to being more a part of the community and chatting
with everyone, especially that guy Steve whats-his-name from
London....oh yeah, Lawson! (You out there, Steve? I'm mixing, really!)
(Those of you that don't know Steve, should really check out his
music!)...


Best,


Jeff


Jeff Kaiser

http://www.jeffkaisermusic.com

http://www.myspace.com/jeffkaisermusic

</excerpt>


--Apple-Mail-1-667051509--

From Loopers-Delight-request@loopers-delight.com  Sun Mar 12 18:09:45 2006
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From: Per Boysen <per@boysen.se>
Subject: Re: guitar/trumpet duo
Date: Sun, 12 Mar 2006 19:09:39 +0100
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On 12 mar 2006, at 17.49, Nemoguitt@aol.com wrote:

> kris.....you should also check out TRIANGULIZONA "LOOP PROJECT" =20
> www.trianangulizona.com
> two of the nicest fellows you would want to meet.....their music is =20=

> very sparse and haunting.....

Agreed! I too enjoyed hearing them play in Z=FCrich.

> i'm waiting for them to do a fest in CROATIA.....also kris, your =20
> fest sounds like it will be really great, wish i could make =20
> it!.....mic

You should go there Michael, you lucky bastard at least being on the =20
same continent!!!!  ;-)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?=20
id=3D128679560&s=3D143456



From Loopers-Delight-request@loopers-delight.com  Sun Mar 12 18:20:20 2006
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From: a k butler <akbutler@tiscali.co.uk>
Subject: Re:  LXP5 Problem - Stereo Output Now Mono
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At 15:02 12/03/06, you wrote:
>I'm having some problems with my Lexicon LXP5.  It seems to be 
>producing a mono output even though I'm using both L and R outputs 
>to my board,

hi Kris,

Possibly it's  this (I don't know the LXP5, but other Lex stuff has 
similar problems)

Likely there's a "switch" which is activated when a jack is inserted, in order
to change from mono to stereo connection.
these become tarnished and cease to function correctly, but will work 
again if the contacts are cleaned.

...don't know though, because usually that fault produces the exact 
opposite result (you don't get both channels when iserting just one jack).
Can't hurt to clean the sockets anyway, who knows, that might fix it.

andy butler
www.andybutler.com  

From Loopers-Delight-request@loopers-delight.com  Sun Mar 12 18:26:44 2006
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Subject: Re: guitar/trumpet duo
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Depending on how this first festival goes, next year, I'll be expanding the 
it to include more folks from around the country, and world. If I can get 
200-300 people to show at this one, multi-national will be very promising. 
I'm doing as much promotion as any other pro act that comes into down, so 
we'll see. This experimental festival is an experiment unto itself!

Kris

----- Original Message ----- 

On 12 mar 2006, at 17.49, Nemoguitt@aol.com wrote:

> i'm waiting for them to do a fest in CROATIA.....also kris, your  fest 
> sounds like it will be really great, wish i could make  it!.....mic

You should go there Michael, you lucky bastard at least being on the
same continent!!!!  ;-)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?
id=128679560&s=143456





From Loopers-Delight-request@loopers-delight.com  Sun Mar 12 19:33:18 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: Old Lurker, New Poster.....
Date: Sun, 12 Mar 2006 11:33:13 -0800
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> quite sophisticated "for Boise," but I've learned in putting together=20=

> this event that Boise is no more or less progressive in terms of folks=20=

> playing experimental, avant-garde, or free improv music than any other=20=

> place, relative to the population...that would be a comment in light=20=

> of per capita stats.  There a lot of folks coming out of the woodwork=20=

> playing music I never thought existed here. I just needed to provide a=20=

> major venue to bring them together.

This is so true. When first starting our series/festival in Ventura, CA=20=

in the late 80s, I was quite surprised to see the people also "coming=20
out of the woodwork" to both perform and listen (That is how I met Ted=20=

Killian). Another friend in Bakersfield, CA (known for oilfields and=20
agriculture) started running a series a few years ago....and people=20
come out to hear and participate. Performers and audience are out=20
there, it is just a matter of connecting...and it sounds like you've=20
done it in Boise. Very cool. I think this is so important, for the=20
evolution of culture, to get rid of the myth that art can only be done=20=

on a high level in the "big cities" Such as NYC, LA, and  SF. It can be=20=

done anywhere.

The Loopers-Delight list seems to have many members who prove this=20
regularly.

Is this OT now...? My apologies...

Jeff

Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com =95 AngryVegan.com

From Loopers-Delight-request@loopers-delight.com  Sun Mar 12 20:47:20 2006
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From: "William Walker" <billwalker@baymoon.com>
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Subject: in praise of EDP
Date: Sun, 12 Mar 2006 12:47:20 -0800
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 Dear List,
 Those of you who have seen me play know that I have been a Repeater user
and advocate for some time. If it hadn't been for my brother Rick's
generosity, I might never have started using one, as he bought me one as a
result of a friend of his gifting him some money. Just recently Rick gave me
his broken white face EDP, telling me I could have as long as I got it
fixed. Well I got it fixed, and with the help and generosity of Andy Butler,
I was able to side step the midi programming learning curve associated with
getting the EDP to work with an FCB1010. I must say, all of the rumors are
true :) The EDP is an amazing tool, that makes spontaneous flow and
composition so much easier than what I have experienced with the Repeater. I
still love the Repeater, and all of the cool pitch shifting, time
stretching, and great midi implementation, but it is not nearly the
spontaneous creation machine that the EDP is. I think one of the reasons I
avoided getting one, is because every one else and his or her dog was using
one, and I was trying to steer clear of everyone else's looping methodology,
but I realize now more than ever that, it aint the tools, its the mechanic
(so to speak). I am also realizing that some of the things I avoided about
the EDP don't really bother me at all, its mono operation, the sampling
rate, etc... yes it would be great to have better band width, and headroom,
and full stereo operation, but with Looperlative just around the corner,
that will be a reality soon enough. But even then, I think the EDP will
stand on its own, because it is a very deep machine, and it has its own
personality, and its own set of functions. It also works wonderfully in
tandem with my Repeater, and lately I have been creating loops on the EDP,
and then resampling those loops with the Repeater for some truly amazing
sounds. I'm having a second renaissance with looping, after having gone
through a period of boredom, where I felt like I had exhausted every loop
strategy I could think of, and had run out of ideas. So thanks Rick and
Andy, and to all the folks who had a hand in designing the EDP, its helping
me to recapture the joy of looping.
Bill


From Loopers-Delight-request@loopers-delight.com  Sun Mar 12 21:08:05 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: Old Lurker, New Poster.....
Date: Sun, 12 Mar 2006 13:08:02 -0800
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On Mar 12, 2006, at 12:46 PM, Kris Hartung wrote:

> Hey Jeff, can you send me a few links to your sound clips?
>
> Kris

Sure. FYI, All of the following were recorded direct, with no=20
overdubs.....I love electronics....

The Choir Boys with Strings:
http://www.pfmentum.com/sounds/PFMCD037_7.mp3

The Choir Boys:
http://www.pfmentum.com/sounds/wheelingrebus.mp3
http://www.pfmentum.com/sounds/dimeffigies.mp3

Some unreleased rough mixes (Will be out in May):
quarter-tone trumpet/electric guitar Duo with Tom McNalley (sample 3=20
has more looping than the others, 1 is pretty aggressive=20
electronically)

http://www.jeffkaisermusic.com/kais_mc_1.mp3
http://www.jeffkaisermusic.com/kais_mc_2.mp3
http://www.jeffkaisermusic.com/kais_mc_3.mp3

And some non-electronic stuff from my Alchemical Mass for "big band"=20
and Choir:
http://www.pfmentum.com/sounds/introitus.mp3
http://www.pfmentum.com/sounds/kyrie.mp3

Jeff

Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com =95 AngryVegan.com

From Loopers-Delight-request@loopers-delight.com  Sun Mar 12 21:19:56 2006
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Subject: Looping in Grand Rapids in a week... Any of us there?
From: todd reynolds <todd@toddreynolds.com>
To: LD <Loopers-Delight@loopers-delight.com>
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> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

--B_3225025193_10428395
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Hi folks, I was wondering if any of us on the list are close to grand
rapids, michigan.  I=B9ll be in residence at Grand Valley State University fo=
r
a week, beginning the 19th, looping my heart out.

Anybody close with whom I could visit?

T.

---------------------------------------------------------------------------=
-
-----
=B3Virtue is just repression waiting to go bad=B2 - Trevor Exter

=B3Classical music is related to the past more than it is related to the
creative part of sound=B2 - Ornette Coleman
---------------------------------------------------------------------------=
-
------=20
Todd Reynolds
42-09 47th Ave 1C
Sunnyside, NY  11104
=20
Ph.    718 392-3773
Mob.   917 576-6166
Fax    419 781-5502
=20
http://www.toddreynolds.com


todd@toddreynolds.com
9175766166@vtext.com (155 characters or less)
AIM ID: toddreyn




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<FONT FACE=3D"Palatino"><SPAN STYLE=3D'font-size:14.0px'>Hi folks, I was wonder=
ing if any of us on the list are close to grand rapids, michigan. &nbsp;I&#8=
217;ll be in residence at Grand Valley State University for a week, beginnin=
g the 19th, looping my heart out. &nbsp;<BR>
<BR>
Anybody close with whom I could visit?<BR>
<BR>
T.<BR>
<BR>
</SPAN><FONT SIZE=3D"2"><SPAN STYLE=3D'font-size:12.0px'>----------------------=
-----------------------------------------------------------<BR>
&#8220;Virtue is just repression waiting to go bad&#8221; - Trevor Exter<BR=
>
<BR>
&#8220;Classical music is related to the past more than it is related to th=
e creative part of sound&#8221; - Ornette Coleman<BR>
---------------------------------------------------------------------------=
------- <BR>
Todd Reynolds<BR>
42-09 47th Ave 1C<BR>
Sunnyside, NY &nbsp;11104<BR>
&nbsp;<BR>
Ph. &nbsp;&nbsp;&nbsp;718 392-3773<BR>
Mob. &nbsp;&nbsp;917 576-6166<BR>
Fax &nbsp;&nbsp;&nbsp;419 781-5502<BR>
&nbsp;<BR>
<a href=3D"http://www.toddreynolds.com">http://www.toddreynolds.com</a><BR>
<BR>
<BR>
todd@toddreynolds.com<BR>
9175766166@vtext.com (155 characters or less)<BR>
AIM ID: toddreyn<BR>
</SPAN></FONT><FONT SIZE=3D"4"><SPAN STYLE=3D'font-size:18.0px'><BR>
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From Loopers-Delight-request@loopers-delight.com  Sun Mar 12 22:43:24 2006
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William Walker wrote:

> Dear List,
> Those of you who have seen me play know that I have been a Repeater user
>and advocate for some time. If it hadn't been for my brother Rick's
>generosity, I might never have started using one, (...)I'm having a second renaissance with looping, after having gone
>through a period of boredom, where I felt like I had exhausted every loop
>strategy I could think of, and had run out of ideas. 
>
Fun, fun, fun!  Both Repeater and EDP have their uniquenesses, but 
here's something I've been doing with EDP recently with it's 
re-definable loop length: take a rather bland/open 4/4 beat loop, all in 
the I chord (but pleasantly ambiguous!), and go to next loop, copying on 
the fly with Multiply, doing an immediate overdubbing, forcing 3/4 time, 
with other chords (like I, IV, V, whatever).  Presto! quite a change, 
with some potentially interesting serendipity...and the original is 
waiting for you to return to the 4/4.  (Obviously, you can get fancier 
with the beats/measure!)

(I know this pales in comparison to what some of our loop-masters are 
doing, but hope this fits in as meaningful info!)

David

From Loopers-Delight-request@loopers-delight.com  Sun Mar 12 23:45:08 2006
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From: Per Boysen <per@boysen.se>
Subject: Re: in praise of EDP
Date: Mon, 13 Mar 2006 00:45:00 +0100
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> William Walker wrote:
>
>> Dear List,  8< 8< 8< 8<......


Dear William Walker,

I confess that I agree. The EDP rocks my world!

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast? 
id=128679560&s=143456



From Loopers-Delight-request@loopers-delight.com  Mon Mar 13 01:11:44 2006
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Yes, i feel like a cave man with it at this point, but then again, that is
half the fun. i'm looking at the manual right now which I downloaded off the
web, Oh boy here we go...  and having just found a copy of Guitar Player
with the great coverage of Looping, and mentions of and quotes from
Matthias, Andre, Andy,Kim, AmyX, and Rick, Congrats to all. A very
flattering and positive veiw of what we do..
Bill

-----Original Message-----
From: Per Boysen [mailto:per@boysen.se]
Sent: Sunday, March 12, 2006 3:45 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: in praise of EDP


> William Walker wrote:
>
>> Dear List,  8< 8< 8< 8<......


Dear William Walker,

I confess that I agree. The EDP rocks my world!

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?
id=128679560&s=143456






From Loopers-Delight-request@loopers-delight.com  Mon Mar 13 01:46:34 2006
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From: =?ISO-8859-1?Q?tEd_=AE_kiLLiAn?= <tedkillian@charter.net>
Subject: Re: in praise of EDP
Date: Sun, 12 Mar 2006 17:47:09 -0800
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--Apple-Mail-4-698472315
Content-Transfer-Encoding: quoted-printable
Content-Type: text/plain;
	charset=ISO-8859-1;
	delsp=yes;
	format=flowed

Hi all,

I have to admit, the EDP is the one piece of kit that I've held on to =20=

about the longest
and gotten the most amount of good out of (since, '96 just before I =20
joined this list) at one go.
I keep finding new stuff to do with it and I'm only still just using =20
Loop III (the old software).
Silly me, I've had the chips for the new software for a few years now =20=

and have just never
gotten around to installing 'em -- hope they work when I do get around =20=

to it (LOL).

I got a pair on day one and have used 'em singly and paired for stereo =20=

in various
different gear configurations the whole time. They have a lot of loop =20=

mileage on
them and I never get tired of finding some new wrinkle in what they can =20=

do. I sure
wish I'd been able to pick the brains of a few folks who are no longer =20=

with us
(on the list that is) to get a little deeper knowledge when they were =20=

passing through..

I hate manuals. I tend to read 'em and only get more confused. I =20
suppose that's
why I haven't installed the Loop IV software in my EDPs yet. I don't =20
want to read
another doggone tome and start at "square one" all over again -- which =20=

is what
seems to happen whenever I buy some new piece of kit or upgrade some old
piece with new chips. Gotta learn where everything is all over again.

Sometimes a body just wants to stay put and learn what one already has, =20=

thoroughly,
before moving on. I have to learn new software all the time for work. I =20=

don't like
music making to be like that . . . continually hard and a pain thin the =20=

butt.

tEd =AE kiLLiAn

"Different is not always better, but better is always different"

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=3D2845073
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?=20
step=3Dview_profile&id=3D121197000042

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???=

--Apple-Mail-4-698472315
Content-Transfer-Encoding: quoted-printable
Content-Type: text/enriched;
	charset=ISO-8859-1

Hi all,


I have to admit, the EDP is the one piece of kit that I've held on to
about the longest

and gotten the most amount of good out of (since, '96 just before I
joined this list) at one go.

I keep finding new stuff to do with it and I'm only still just using
Loop III (the old software).

Silly me, I've had the chips for the new software for a few years now
and have just never=20

gotten around to installing 'em -- hope they work when I do get around
to it (LOL).


I got a pair on day one and have used 'em singly and paired for stereo
in various

different gear configurations the whole time. They have a lot of loop
mileage on=20

them and I never get tired of finding some new wrinkle in what they
can do. I sure

wish I'd been able to pick the brains of a few folks who are no longer
with us

(on the list that is) to get a little deeper knowledge when they were
passing through..=20


I hate manuals. I tend to read 'em and only get more confused. I
suppose that's

why I haven't installed the Loop IV software in my EDPs yet. I don't
want to read=20

another doggone tome and start at "square one" all over again -- which
is what=20

seems to happen whenever I buy some new piece of kit or upgrade some
old=20

piece with new chips. Gotta learn where everything is all over again.


Sometimes a body just wants to stay put and learn what one already
has, thoroughly,

before moving on. I have to learn new software all the time for work.
I don't like

music making to be like that . . . continually hard and a pain thin
the butt.=20


tEd =AE kiLLiAn


<color><param>807E,807E,807E</param>"Different is not always better,
but better is always different"


http://www.pfmentum.com/flux.html

http://www.CDbaby.com/cd/tedkillian

http://www.guitar9.com/fluxaeterna.html

http://www.garageband.com/artist/ArsOcarina

http://www.towerrecords.com/product.aspx?pfid=3D2845073

http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314

http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193

=
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042


Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,

BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,

AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,

RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,

and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???</color>=

--Apple-Mail-4-698472315--

From Loopers-Delight-request@loopers-delight.com  Mon Mar 13 04:12:38 2006
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	id C322E3BF24; Mon, 13 Mar 2006 04:12:38 +0000 (UTC)
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From: "PiNG" <ping@theambientping.com>
To: "Ambient@hyperreal" <ambient@hyperreal.org>,
	"Dark Seeds" <DarkSeedsNews@yahoogroups.com>,
	"Drone Deep Chill" <drone_deep_chill@yahoogroups.com>,
	"Loopers Delight" <Loopers-Delight@loopers-delight.com>,
	<phoniqlist@phoniq.net>,
	"The Ambient Way" <the_ambient_way@yahoogroups.com>
Subject: the PiNG presents Michael Keith and Friends (David Sait, Joel Allen & Colin Fisher)
Date: Sun, 12 Mar 2006 23:13:01 -0500
Organization: THE AMBiENT PiNG
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THE AMBiENT PiNG  .  http://www.theambientping.com
Tuesdays @ HACiENDA . 794 Bathurst Street at Bloor . Toronto 
(upstairs - directly across from the Bathurst subway station) 
Doors open at 9pm . 1st set at 9:30 . PayWhatYouCan 

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 

THiS Tuesday March 14th . Michael Keith and Friends
CD Release . "the story of karl" by michaeL

"The story of Karl" is the new cd by guitarist/improviser 
Michael Keith. Michael is a highly visible member of Toronto's 
rapidly growing experimental and improvised music scene. This 
CD (originally a 3 cd box, but now back to 1 !!) release event 
will feature music from and inspired by the cd and it's 
concept which is mostly improvised. 

The evening will unfold much like the cd with solo, duo and trio 
performances. Joining Michael will be experimental guzheng 
player David Sait(MCF), drummer Joel Allen, as well as 
guitarist/saxophonist Colin Fisher(I have eaten the city) on 
electric bass. 

The sounds on the new disc are all over the map. From power 
trio metal to soft, slow solo guitar ambience. Fans of noisy 
weird ass shit will enjoy it. Cd's will be available as well as 
small packages of ketchup. http://geocities.com/alexiteric

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 

Before Sets CD . INTONE by PHOLDE 
Rumbling in like a late winter arctic storm, we take a moment 
to reacquaint our ears to the sonic overtones of PHOLDE from 
this 2000 CD. Textural one of a kind packaging matches the 
ambience which unfolds from this disc. Don't miss Alan Bloor 
when he returns to the PiNG as PHOLDE on April 11th. 
Also on the bill that night will be Greg Lauzon for his first 
live performance with his recently built Spring Dulcimer, 
a Hammered Dulcimer like instrument except that it
uses springs instead of wire strings. Don't miss it.
http://www.theambientping.com/pholde/home.html
http://www.greglauzon.com

Between Sets CD . Re:Karma by Darshan Ambient
Tonight we feature Michael Allison of Darshan Ambient who 
has released this fine compilation of work from earlier discs 
and unreleased tracks. Read more about it here in rik's *ping 
things* CD review below and hear it Tuesday @ the PiNG. 
http://www.darshanambient.net

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 

COMiNG Tuesday March 21st . Interweaver and NOT_digital

Leif Bloomquist (Interweaver, Schema Factor) returns to the 
Ping; bringing with him a set of electro-ambience incorporating 
deep sonic drones, playful energetic synth sounds, and 
manipulated beats. Special guest madame HAIR will merge 
her evocative vocals to add an extra dimension to the music.
http://www.leifbloomquist.net

Braving the 401 to come in from Windsor ON, NOT_digital 
brings their organic electronica to the PiNG stage for the second 
set. NOT_digital is Erik Ingalls and NOT_digital live is Erik 
Ingalls: guitar, synth-guitar, keyboards & vocals and Stephen 
Hargreaves: bass, keyboards & backing vocals. The sounds 
pass from soothing through intense to crashing. The lyrics 
concern a questioning of modern values and of reality itself. 
http://www.myspace.com/notdigital
http://notdigital.on.to

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 

rik maclean's *ping things* CD Reviews

Darshan Ambient . "Re:Karma"

Having had a career that has spanned over ten years, Michael 
Allison of Darshan Ambient has now released a compilation 
of work from earlier discs and unreleased tracks. "Re:Karma" 
is a fine collection of songs that show the breadth of his talent 
as well as introducing a side of his work that some fans might 
not be aware of.

Fans of Darshan Ambient's ambient work will no doubt be 
impressed by tracks such as "The Ocean Whispers", "A Walk 
Along the Ganges" and "Slow Drift", beautiful pieces that are 
very much in keeping with the lush ambience of "Providence" 
and "The Zen Master's Diary". Of particular note is the previously 
unreleased track "The Cool River" which opens the disc, a track 
taken from 1994 where a slight melody plays over top a sustained 
background of pads. Serene, dreamlike, and beautiful in it's flow, 
"The Cool River" is a beautiful piece that stands with the best 
of his more ambient moments.

Tracks like "Boundless" and "Tiger in the Grass" are slightly 
more indicative of the overall sound of the disc, percussion 
driven pieces where piano and synth lines float along the 
soundstream in chilled laid-back grooves. Of these more 
groove-based tracks, "Soul Chameleon" stands out as a 
complex percussive piece where shimmering tones and 
pads mingle and dance around each other. Very inspired.

Without doubt, "Re:Karma" is an excellent collection, fully 
displaying the talents of a very accomplished and talented 
electronic artist. Both an excellent place for new fans to be 
introduced to the music of Darshan Ambient, and a place 
for older fans to become reacquainted. Highly recommended.

"Re:Karma" by Darshan Ambient is available now at ping things!
http://www.pingthings.com/DArekarma.htm

rik maclean - rik@pingthings.com

http://www.pingthings.com = ambient + electronic + chill things 

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 

* Other Toronto area sonic/visual events of interest this week:

* Thursday March 16th . BOYS DO GIRLS
   Nine Great Male Singer/Songwriters singing the songs of 
   their favourite Female Singer/Songwriters
   Russell DeCarle does Cindy Walker
   Michael Johnston does Dolly Parton
   Harrison Kennedy does Memphis Minnie
   Paul Reddick does Gillian Welch
   Justin Rutledge does Oh Susanna
   Bob Snider does Sylvia Tyson
   Kurt Swinghammer does Carole King
   David Wall does Laura Nyro
   with emcee Michael "A Man Called" Wrycraft
   8:30pm sharp . Hugh's Room . $12 advance, $14 at door
   
* Friday, March 17th . Leftover Daylight Series
   in association with Arraymusic and AIMT
   Tribute to Derek Bailey
   w/ colin fisher- guitar, justin haynes- guitar, michael keith-  
   guitar, geordie haley- guitar, nilan perera- guitar, rob clutton-  
   bass, nick fraser- drums
   9pm . ARRAYMUSIC Studio 60 Atlantic Ave., Ste 218 . $10/6
   
* Saturday, March 18th . Mercer Union presents:
   Music Series, Programme #4 & #5 
   a double bill featuring the music of Josh Thorpe and 
   John Mark Sherlock
   Josh Thorpe's part of the night contains two half-hour
   pieces. The first, a solo, will involve music boxes,
   objects, recordings, amplification, and unintelligible
   text by Gertrude Stein. The second (in three sections)
   involves Jennifer Castle and Anna Linda Siddall
   singing, Rob Clutton on double bass, Mike Kane on
   keyboard, and Josh on acoustic guitar. To produce this
   piece the band listens on headphones to Socrate, an
   old favourite by Erik Satie, and improvises to it as
   best they know how.   
   John Mark Sherlock's portion of the evening will
   feature some new work played on a single organ stop of
   his own devising as well as another less recent piece
   called salvage/wrecking.
   9PM . Mercer Union, A Centre for Contemporary Art
   37 Lisgar Street . Free
   
* Sunday, March 19th . AIMToronto presents a workshop on 
   grants and the grant-writing process 
   One of the goals of AIMToronto is to raise the profile of the 
   Toronto   improvised music community, nationally and locally. 
   By applying for more grants, we increase the visibility of this 
   type of activity within the existing music infra-structure. 
   By presenting this workshop/panel discussion, AIMToronto 
   hopes to encourage everyone in the improvised/experimental 
   music community to seek funding for their projects. The 
   discussion will be followed by a Q&A. panel discussion: 
   "Experimental/Improvised Music and the Canadian Arts 
   Granting Agencies" with Jean Martin (drummer, composer), 
   Nick Fraser (drummer, composer) and Brenda House 
   (Music Officer for the Toronto Arts Council)
   2pm . NOW Lounge, 189 Church St.

* Sunday, March 19th . The NOW Series
   presented by AIMT and the NOW Lounge
   4:00 - Aldcroft / Wilson / Keith
   w/ ken aldcroft- guitar, john wilson- guitar, michael keith- guitar
   5:00- Michelangelo / Bailey / Yue
   w/ michelangelo- home-made instruments, jim bailey- amplified  
   objects, any yue- synth
   6:00-PST w/ nilan perera- guitar, joe sorbara- drums, 
   scott thomson- trombone
   4pm . NOW Lounge, 189 Church St. . $6
   
* Sunday March 19th . Creative Improvisation Workshops
   Four 3-hour sessions, starting Sunday March 5th,
   running each Sunday in March, from Noon to 3p.m.
   Recital April 2nd, 1pm.   
   The focus of the workshop is to encourage musicians to 
   experience the combination of latitude and discipline that 
   distinguishes free improvisation, and to provide them with 
   information about the resources available to them as 
   improvisors. Emphasis is placed on the development of 
   listening skills through playing and the material covered 
   considers music in a comprehensive manner. Open to 
   musicians of all levels and backgrounds, the workshop 
   gives a clearer understanding of the process and a greater 
   appreciation of the art of improvisation.   
   The workshop is organized into 4 3-hour sessions, which 
   culminate in a hour-long recital. The recital is professionally 
   recorded, and copies made available to participants.   
   Participation is open to musicians at all levels. You should 
   plan on attending all four sessions and playing the recital. 
   Cost is $100 per person. 
   All sessions to be held at Studio 4, 60 Atlantic Ave.
   (southeast of King and Dufferin) Toronto.   
   To register, or for more information, Contact:
   Victor Bateman- tel: 416-534-7918
   email- v.bateman@sympatico.ca   
   Presented in affiliation with the
   Association of Improvising Musicians, Toronto.  
   
* Monday March 20th . Marcel Au Coin trio
   Marcel Au Coin keyboards
   Chris Banks bass
   Jake Oelrichs drums
   8pm . Dominion on Queen . 500 Queen St. E. 
   (1 light east of parliament) . $5

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 

THE AMBiENT PiNG is a social sound/art event presenting live 
performances by Toronto's finest ambient, chillout, improv and 
experimental music artists plus performers from around the world, 
every Tuesday evening at HACiENDA . 794 Bathurst Street at Bloor. 
http://www.theambientping.com 

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 

Please forward this e-mail to any friends who may be interested in 
live ambient, chillout and experimental music performances or to 
any of your appropriate newsgroups. Thanks.

From Loopers-Delight-request@loopers-delight.com  Mon Mar 13 12:30:16 2006
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Date: Mon, 13 Mar 2006 13:30:17 +0100
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Hello,
as I'm new to the list I don't know if this new gear has already been 
discussed here...

electro-harmonix 2880 Super Multitrack Looper (see ehx.com for more)

Does anybody know anything about the price for this?
Seems as if compact flash is coming up strong; think it's a pity that 
the RC50 doesn't feature CF.

Greetings from Germany,
Dirk

From Loopers-Delight-request@loopers-delight.com  Mon Mar 13 16:58:32 2006
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Date: Mon, 13 Mar 2006 13:58:11 -0300
To: Loopers-Delight@loopers-delight.com
From: Matthias Grob <matilists@atarde.com.br>
Subject: Re: in praise of EDP
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oh, dear Ted,
I know, we also delayed the change to OSX, but then when we did it, 
it was worth the effort, right?

but Loop IV does not force you to do anything different, we kept all 
the old functions. There may be some minor details that could cause a 
surprise.
but first you will love that there is a display for FeedBack :-)

enjoy!
Matthias

>
>I hate manuals. I tend to read 'em and only get more confused. I 
>suppose that's
>why I haven't installed the Loop IV software in my EDPs yet. I don't 
>want to read
>another doggone tome and start at "square one" all over again -- which is what
>seems to happen whenever I buy some new piece of kit or upgrade some old
>piece with new chips. Gotta learn where everything is all over again.
>
>Sometimes a body just wants to stay put and learn what one already 
>has, thoroughly,
>before moving on. I have to learn new software all the time for 
>work. I don't like
>music making to be like that . . . continually hard and a pain thin the butt.
>
>tEd ® kiLLiAn

-- 


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Mon Mar 13 17:04:06 2006
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Hey Matthias! Congratulations on your picture in Guitar Player magazine. It=
 is good to finally have a face to connect to the name, however old the pic=
ture may be ;-)
They definitely gave you and several of our past and present members some m=
uch-deserved adulation.
~Tim


-----Original Message-----
>From: Matthias Grob <matilists@atarde.com.br>
>Sent: Mar 13, 2006 11:58 AM
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: in praise of EDP
>
>oh, dear Ted,
>I know, we also delayed the change to OSX, but then when we did it,=20
>it was worth the effort, right?
>
>but Loop IV does not force you to do anything different, we kept all=20
>the old functions. There may be some minor details that could cause a=20
>surprise.
>but first you will love that there is a display for FeedBack :-)
>
>enjoy!
>Matthias
>
>>
>>I hate manuals. I tend to read 'em and only get more confused. I=20
>>suppose that's
>>why I haven't installed the Loop IV software in my EDPs yet. I don't=20
>>want to read
>>another doggone tome and start at "square one" all over again -- which is=
 what
>>seems to happen whenever I buy some new piece of kit or upgrade some old
>>piece with new chips. Gotta learn where everything is all over again.
>>
>>Sometimes a body just wants to stay put and learn what one already=20
>>has, thoroughly,
>>before moving on. I have to learn new software all the time for=20
>>work. I don't like
>>music making to be like that . . . continually hard and a pain thin the b=
utt.
>>
>>tEd =AE kiLLiAn
>
>--=20
>
>
>          ---> http://Matthias.Grob.org
>

From Loopers-Delight-request@loopers-delight.com  Mon Mar 13 17:34:30 2006
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Date: Mon, 13 Mar 2006 14:34:12 -0300
To: Loopers-Delight@loopers-delight.com
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oh, great! the article does not seem to be online yet...
I sent a extremely recent picture to the editor on request
but he may have picked any other picture from my site, where you see 
me too many times, at all ages (rather ridiculous, I will change it 
soon and give more enphasis to the music sample page :-)


>Hey Matthias! Congratulations on your picture in Guitar Player 
>magazine. It is good to finally have a face to connect to the name, 
>however old the picture may be ;-)
>They definitely gave you and several of our past and present members 
>some much-deserved adulation.
>~Tim
>

-- 


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Mon Mar 13 18:14:27 2006
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I need a 2nd EDP (newer Gibson with Loop IV perfered)!

On 3/13/06, Matthias Grob <matilists@atarde.com.br> wrote:
> oh, great! the article does not seem to be online yet...
> I sent a extremely recent picture to the editor on request
> but he may have picked any other picture from my site, where you see
> me too many times, at all ages (rather ridiculous, I will change it
> soon and give more enphasis to the music sample page :-)
>
>
> >Hey Matthias! Congratulations on your picture in Guitar Player
> >magazine. It is good to finally have a face to connect to the name,
> >however old the picture may be ;-)
> >They definitely gave you and several of our past and present members
> >some much-deserved adulation.
> >~Tim
> >
>
> --
>
>
>           ---> http://Matthias.Grob.org
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Mar 13 20:08:15 2006
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Subject: Eventide H8000 for sale
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Hi Guys,

I'm an old lurker/poster just back recently. I'm going through some 
major gear changes at the moment, and would like to unload my Eventide 
H8000. I'd like to get 4000US for it. Please contact me off list if you 
would like to know more.

Cheers


Andrew


www.trippyhorns.com

From lauramcfadden01@yahoo.com  Mon Mar 13 20:31:52 2006
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<STRONG>FROM: THE GAMING CONTROL BOARD<BR>INTERNATIONAL PROMOTIONS/PRIZE
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Foster's Australian Grand Prix<BR />

From Loopers-Delight-request@loopers-delight.com  Mon Mar 13 21:32:02 2006
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From: Per Boysen <per@boysen.se>
Subject: ---> for Weg
Date: Mon, 13 Mar 2006 22:31:57 +0100
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Weg,

When mailing you at  <theweg@netzero.net> my mails have been bouncing  
back twice. Just want you to know why you may not have received my  
answer on the private mail "Mobius on Windows vs. SooperLooper on  
Linux".

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast? 
id=128679560&s=143456



From Loopers-Delight-request@loopers-delight.com  Tue Mar 14 00:05:19 2006
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Thanks Per, I did not receive them, try theweg@netzero.com if you don't =
mind and let me know the outcome.  I had trouble sending to the list as =
.com so I switched it to match what I see when I log into my email.
 =

Thanks,
Weg

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<html><P>Thanks Per, I did not receive them, try <A href=3D"mailto:thewe=
g@netzero.com">theweg@netzero.com</A> if you don't mind and let me know =
the outcome.&nbsp; I had trouble sending to the list as .com so I switch=
ed it to match what I see when I log into my email.</P>
<P>&nbsp;</P>
<P>Thanks,</P>
<P>Weg</P></html>

----__JWM__J4b1a.027aS.0784M--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 14 00:22:33 2006
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From: "Weg" <theweg@netzero.net>
Date: Tue, 14 Mar 2006 00:21:44 GMT
To: Loopers-Delight@loopers-delight.com
Subject: Re: in praise of EDP
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Ditto,  I love my two EDP's, "The Beige & The Black"
 =

Weg

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<html><P>Ditto,&nbsp; I love my two EDP's, "The Beige &amp; The Black"</=
P>
<P>&nbsp;</P>
<P>Weg</P></html>

----__JWM__J1156.1f47S.06c8M--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 14 00:28:56 2006
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Date: Mon, 13 Mar 2006 19:36:28 -0500
From: "David Kirkdorffer" <vze2ncsr@verizon.net>
Subject: MySpace is for Loopers too!
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Well, I finally joined the MySpace generation.  I'm not sure what I will =
mean.  I'm not sure it needs to mean anything. =20

If you're curious about my Looping and suchlike, pop over to: =
http://www.myspace.com/undomusic

If you're already on MySpace, let me know!

David Kirkdorffer
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<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1528" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3Darial,helvetica><FONT face=3DGeneva color=3D#000000 =
size=3D2=20
FAMILY=3D"SANSSERIF">Well, I finally joined the MySpace =
generation.&nbsp; I'm not=20
sure what I will mean.&nbsp; I'm not sure it needs to mean =
anything.&nbsp;=20
</FONT></FONT></DIV>
<DIV><FONT face=3Darial,helvetica><FONT face=3DGeneva color=3D#000000 =
size=3D2=20
FAMILY=3D"SANSSERIF"></FONT></FONT>&nbsp;</DIV>
<DIV><FONT face=3Darial,helvetica><FONT face=3DGeneva color=3D#000000 =
size=3D2=20
FAMILY=3D"SANSSERIF">If you're curious about my Looping and suchlike, =
pop over to:=20
<A=20
href=3D"http://www.myspace.com/undomusic">http://www.myspace.com/undomusi=
c</A></FONT></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>If you're already on MySpace, let me=20
know!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>David =
Kirkdorffer</FONT></DIV></BODY></HTML>

------=_NextPart_000_0016_01C646D5.6C83E780--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 14 01:33:05 2006
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	id 2047E3BF3B; Tue, 14 Mar 2006 01:33:04 +0000 (UTC)
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Date: Mon, 13 Mar 2006 20:32:58 -0500
From: Dan Ash <Daniel.Ash@Verizon.net>
Subject: Re: in praise of EDP
To: Loopers-Delight@loopers-delight.com
Message-id: <44161D4A.1050808@Verizon.net>
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 >> I haven't installed the Loop IV software in my EDPs yet. I don't want
 >> to read another doggone tome and start at "square one" all over again

I've barely scratched the surface of what's possible with my 
Axon/Repeater/Fantom rack, and
totally agree...  Even the relatively modest upgrade of my Axon recently 
is like learning
a new instrument when I was just getting my arms around the (then) 
current incarnation.

Thank goodness for user memory locations.  And the new Axon editor!

On a somewhat-related note: can anyone tell me if the FCB1010 
programming utility is any good?

Dan Ash
White Plains, NY




From Loopers-Delight-request@loopers-delight.com  Tue Mar 14 01:56:42 2006
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Date: Mon, 13 Mar 2006 21:56:14 -0400
From: Andrew Duke <andrew@andrew-duke.com>
Subject: Re: MySpace is for Loopers too!
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David Kirkdorffer wrote:

> Well, I finally joined the MySpace generation.  I'm not sure what I 
> will mean.  I'm not sure it needs to mean anything. 
>  
> If you're curious about my Looping and suchlike, pop over to: 
> http://www.myspace.com/undomusic
>  
> If you're already on MySpace, let me know!
>  
> David Kirkdorffer

http://myspace.com/andrewduke

Who else?

Andrew


-- 
Andrew Duke
scoring/sound design/source
http://andrew-duke.com
http://myspace.com/andrewduke
Cognition Audioworks label
[Andrew Duke, Foal, Clinker, Granny'Ark]
http://cognitionaudioworks.com



--Boundary_(ID_IFs4T8xpueoOkM1t2ZZAag)
Content-type: text/html; charset=us-ascii
Content-transfer-encoding: 7BIT

<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
  <title></title>
</head>
<body>
David Kirkdorffer wrote:<br>
<blockquote type="cite" cite="mid001901c646ff$55f8a080$0affff0a@hppav">  
  <meta http-equiv="Content-Type" content="text/html; ">
 
  <meta content="MSHTML 6.00.2800.1528" name="GENERATOR">
 
  <style></style>  
  <div><font face="arial,helvetica"><font face="Geneva" color="#000000"
 size="2" family="SANSSERIF">Well, I finally joined the MySpace generation.&nbsp;
I'm not  sure what I will mean.&nbsp; I'm not sure it needs to mean anything.&nbsp;
 </font></font></div>
 
  <div>&nbsp;</div>
 
  <div><font face="arial,helvetica"><font face="Geneva" color="#000000"
 size="2" family="SANSSERIF">If you're curious about my Looping and suchlike,
pop over to:  <a href="http://www.myspace.com/undomusic">http://www.myspace.com/undomusic</a></font></font></div>
 
  <div>&nbsp;</div>
 
  <div><font face="Arial" size="2">If you're already on MySpace, let me  know!</font></div>
 
  <div>&nbsp;</div>
 
  <div><font face="Arial" size="2">David Kirkdorffer</font></div>
</blockquote>
<a class="moz-txt-link-freetext" href="http://myspace.com/andrewduke">http://myspace.com/andrewduke</a><br>
<br>
Who else?<br>
<br>
Andrew<br>
<br>
<br>
<pre class="moz-signature" cols="$mailwrapcol">-- 
Andrew Duke
scoring/sound design/source
<a class="moz-txt-link-freetext" href="http://andrew-duke.com">http://andrew-duke.com</a>
<a class="moz-txt-link-freetext" href="http://myspace.com/andrewduke">http://myspace.com/andrewduke</a>
Cognition Audioworks label
[Andrew Duke, Foal, Clinker, Granny'Ark]
<a class="moz-txt-link-freetext" href="http://cognitionaudioworks.com">http://cognitionaudioworks.com</a>
</pre>
<br>
</body>
</html>

--Boundary_(ID_IFs4T8xpueoOkM1t2ZZAag)--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 14 02:15:11 2006
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Date: Mon, 13 Mar 2006 21:15:08 -0500
From: "Clint Allen" <clint.allen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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------=_Part_10310_31542765.1142302508749
Content-Type: text/plain; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable
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http://www.myspace.com/clintallen

when MySpace is actually up/running, of course...

Clint

On 3/13/06, Andrew Duke <andrew@andrew-duke.com> wrote:
>
> David Kirkdorffer wrote:
>
> Well, I finally joined the MySpace generation.  I'm not sure what I will
> mean.  I'm not sure it needs to mean anything.
>
> If you're curious about my Looping and suchlike, pop over to:
> http://www.myspace.com/undomusic
>
> If you're already on MySpace, let me know!
>
> David Kirkdorffer
> http://myspace.com/andrewduke
>
> Who else?
>
> Andrew
>
>
> --
> Andrew Duke
> scoring/sound design/source
> http://andrew-duke.com
> http://myspace.com/andrewduke
> Cognition Audioworks label
> [Andrew Duke, Foal, Clinker, Granny'Ark]
> http://cognitionaudioworks.com
>
>
>

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Content-Transfer-Encoding: quoted-printable
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<a href=3D"http://www.myspace.com/clintallen">http://www.myspace.com/clinta=
llen</a><br>
<br>
when MySpace is actually up/running, of course...<br>
<br>
Clint<br><br><div><span class=3D"gmail_quote">On 3/13/06, <b class=3D"gmail=
_sendername">Andrew Duke</b> &lt;<a href=3D"mailto:andrew@andrew-duke.com">=
andrew@andrew-duke.com</a>&gt; wrote:</span><blockquote class=3D"gmail_quot=
e" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt =
0.8ex; padding-left: 1ex;">
<div style=3D"direction: ltr;">


 =20


David Kirkdorffer wrote:<br>
<blockquote type=3D"cite" cite=3D"http://mid001901c646ff$55f8a080$0affff0a@=
hppav"></blockquote></div><div style=3D"direction: ltr;"><span class=3D"e" =
id=3D"q_109f6783265e9dda_1"> =20
 =20
=20
 =20
=20
   =20
  <div><font face=3D"arial,helvetica"><font color=3D"#000000" face=3D"Genev=
a" size=3D"2">Well, I finally joined the MySpace generation.&nbsp;
I'm not  sure what I will mean.&nbsp; I'm not sure it needs to mean anythin=
g.&nbsp;
 </font></font></div>
=20
  <div>&nbsp;</div>
=20
  <div><font face=3D"arial,helvetica"><font color=3D"#000000" face=3D"Genev=
a" size=3D"2">If you're curious about my Looping and suchlike,
pop over to:  <a href=3D"http://www.myspace.com/undomusic" target=3D"_blank=
" onclick=3D"return top.js.OpenExtLink(window,event,this)">http://www.myspa=
ce.com/undomusic</a></font></font></div>
=20
  <div>&nbsp;</div>
=20
  <div><font face=3D"Arial" size=3D"2">If you're already on MySpace, let me=
  know!</font></div>
=20
  <div>&nbsp;</div>
=20
  <div><font face=3D"Arial" size=3D"2">David Kirkdorffer</font></div></span=
></div><div style=3D"direction: ltr;">

<a href=3D"http://myspace.com/andrewduke" target=3D"_blank" onclick=3D"retu=
rn top.js.OpenExtLink(window,event,this)">http://myspace.com/andrewduke</a>=
<br>
<br>
Who else?<br>
<br>
Andrew<br></div><div style=3D"direction: ltr;"><span class=3D"sg">
<br>
<br>
<pre cols=3D"$mailwrapcol">-- <br>Andrew Duke<br>scoring/sound design/sourc=
e<br><a href=3D"http://andrew-duke.com" target=3D"_blank" onclick=3D"return=
 top.js.OpenExtLink(window,event,this)">http://andrew-duke.com</a><br><a hr=
ef=3D"http://myspace.com/andrewduke" target=3D"_blank" onclick=3D"return to=
p.js.OpenExtLink(window,event,this)">
http://myspace.com/andrewduke</a><br>Cognition Audioworks label<br>[Andrew =
Duke, Foal, Clinker, Granny'Ark]<br><a href=3D"http://cognitionaudioworks.c=
om" target=3D"_blank" onclick=3D"return top.js.OpenExtLink(window,event,thi=
s)">
http://cognitionaudioworks.com</a>
</pre>
<br>



</span></div></blockquote></div><br>

------=_Part_10310_31542765.1142302508749--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 14 02:23:04 2006
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From: Matthew F.McCabe <mmccabe@finleysound.com>
Subject: Re: MySpace is for Loopers too!
Date: Mon, 13 Mar 2006 18:19:00 -0800
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Still not sure why I need another page to maintain...but I'm there too.

http://www.myspace.com/kingnevermusic

Matt

---
King Never
http://www.kingnever.com


--Apple-Mail-1-786783522
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<fontfamily><param>Arial</param><smaller>

</smaller></fontfamily>Still not sure why I need another page to
maintain...but I'm there too.  


http://www.myspace.com/kingnevermusic


Matt


---

King Never

http://www.kingnever.com



--Apple-Mail-1-786783522--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 14 02:33:49 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: MySpace is for Loopers too!
Date: Mon, 13 Mar 2006 18:33:45 -0800
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> http://myspace.com/andrewduke
>
>  Who else?
>
>  Andrew

I'm there.....

http://www.myspace.com/jeffkaisermusic



From Loopers-Delight-request@loopers-delight.com  Tue Mar 14 02:53:20 2006
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From: "Miko Biffle" <biffoz@arczip.com>
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Me tooz... page is pretty new, and I'm trying to rotate stuff in weekly with
my feeble dialup account.

www.myspace.com/biffozz

Miko Biffle
"Running scared from all the usual distractions!"
C'mon over to MySpace! www.myspace.com/biffozz
Now playing "Rough" www.cdbaby.com/biffoz
The Chain Tape Collective! http://www.ct-collective.com/


From Loopers-Delight-request@loopers-delight.com  Tue Mar 14 02:58:34 2006
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Message-ID: <20060314025832.79134.qmail@web30003.mail.mud.yahoo.com>
Date: Mon, 13 Mar 2006 18:58:32 -0800 (PST)
From: Tim Nelson <psychle62@yahoo.com>
Subject: Re: MySpace is for Loopers too!
To: Loopers-Delight@loopers-delight.com
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--- Andrew Duke <andrew@andrew-duke.com> wrote:

> Who else?

I'm there. (see sig file)

-t-


<http://www.myspace.com/nimbletunes>
<http://www.ct-collective.com/>

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Tue Mar 14 03:14:30 2006
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On Mar 13, 2006, at 6:36 PM, David Kirkdorffer wrote:
> If you're already on MySpace, let me know!

i actually started a myspace group as a directory for LD members who 
have myspace spaces: http://groups.myspace.com/loopersdelight

you should join. it is voluntary-only ... i sent out invitations when i 
started it only to get the ball rolling.
---
Eric Williamson
www.suitandtieguy.com

From Loopers-Delight-request@loopers-delight.com  Tue Mar 14 05:13:29 2006
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Date: Mon, 13 Mar 2006 22:12:57 -0700
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------=_NextPart_000_050E_01C646EB.48605710
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Excellent. I just added a friend request to your inbox.

Here's mine: http://www.myspace.com/krispenhartung (now that I figured =
out the shorter URL)

Now, the bigger question, what are we all going to do with these network =
of friends on myspace? So far it seems fairly ineffectual. Are we =
planning a looper's conspiracy?  Will we get something advantageous out =
of this maze of data points connected in cyberspace?  Or are we just =
populating are days with more internet administration? :)

Kris



  Well, I finally joined the MySpace generation.  I'm not sure what I =
will mean.  I'm not sure it needs to mean anything. =20

  If you're curious about my Looping and suchlike, pop over to: =
http://www.myspace.com/undomusic

  If you're already on MySpace, let me know!

  David Kirkdorffer
------=_NextPart_000_050E_01C646EB.48605710
Content-Type: text/html;
	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2802" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Excellent. I just added a friend =
request to your=20
inbox.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Here's mine: <A=20
href=3D"http://www.myspace.com/krispenhartung">http://www.myspace.com/kri=
spenhartung</A>&nbsp;(now=20
that I figured out the shorter URL)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Now, the bigger question, what are we =
all going to=20
do with these network of friends on myspace? So far it seems fairly =
ineffectual.=20
Are we planning a looper's conspiracy?&nbsp; Will we get something =
advantageous=20
out of this maze of data points connected in cyberspace?&nbsp; Or are we =
just=20
populating are days with more internet administration? :)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><BR></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV><FONT face=3Darial,helvetica><FONT face=3DGeneva color=3D#000000 =
size=3D2=20
  FAMILY=3D"SANSSERIF">Well, I finally joined the MySpace =
generation.&nbsp; I'm=20
  not sure what I will mean.&nbsp; I'm not sure it needs to mean =
anything.&nbsp;=20
  </FONT></FONT></DIV>
  <DIV><FONT face=3Darial,helvetica><FONT face=3DGeneva color=3D#000000 =
size=3D2=20
  FAMILY=3D"SANSSERIF"></FONT></FONT>&nbsp;</DIV>
  <DIV><FONT face=3Darial,helvetica><FONT face=3DGeneva color=3D#000000 =
size=3D2=20
  FAMILY=3D"SANSSERIF">If you're curious about my Looping and suchlike, =
pop over=20
  to: <A=20
  =
href=3D"http://www.myspace.com/undomusic">http://www.myspace.com/undomusi=
c</A></FONT></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>If you're already on MySpace, let me=20
  know!</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>David=20
Kirkdorffer</FONT></DIV></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_050E_01C646EB.48605710--


From Loopers-Delight-request@loopers-delight.com  Tue Mar 14 05:24:09 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: MySpace is for Loopers too!
Date: Mon, 13 Mar 2006 21:24:05 -0800
To: Loopers-Delight@loopers-delight.com
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> So far it seems fairly ineffectual.


Ah, but now we are not just starving artists.

We are highly listened-to starving artists......!

Jeff


Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com =95 AngryVegan.com

From Loopers-Delight-request@loopers-delight.com  Tue Mar 14 05:34:36 2006
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From: Ronan Chris Murphy <looper@venetowest.com>
Subject: Re: MySpace is for Loopers too!
Date: Mon, 13 Mar 2006 21:34:10 -0800
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Me to!! Its for my label but its where I pimp my looping efforts.

   http://www.myspace.com/venetowestrecords

Ronan Chris Murphy
www.venetowest.com (Production & mixing: King Crimson, Chucho Valdes, 
Steve Morse, Terry Bozzio, CGT...)
www.homerecordingbootcamp.com (Workshops around the world teaching the 
art and craft of recording )
www.livesofthesaints.net (The hottest ambient noise duo since Sonny & 
Cher)
--Apple-Mail-4-798493137
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Me to!! Its for my label but its where I pimp my looping efforts.


  http://www.myspace.com/venetowestrecords


<x-tad-smaller>Ronan Chris Murphy

www.venetowest.com (Production & mixing: King Crimson, Chucho Valdes,
Steve Morse, Terry Bozzio, CGT...)

www.homerecordingbootcamp.com (Workshops around the world teaching the
art and craft of recording )

www.livesofthesaints.net (The hottest ambient noise duo since Sonny &
Cher)</x-tad-smaller>
--Apple-Mail-4-798493137--


From Loopers-Delight-request@loopers-delight.com  Tue Mar 14 06:06:31 2006
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Date: Tue, 14 Mar 2006 01:06:31 -0500 (EST)
Subject: Re: MySpace is for Loopers too!
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oh yes, all the kids are doin' it.

terrible interface and flashing ads though.

http://www.myspace.com/zoecello



>> http://myspace.com/andrewduke
>>
>>  Who else?
>>
>>  Andrew
>
> I'm there.....
>
> http://www.myspace.com/jeffkaisermusic
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Mar 14 06:14:04 2006
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Date: Tue, 14 Mar 2006 01:14:03 -0500
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On 3/13/06, Dan Ash <Daniel.Ash@verizon.net> wrote:
> On a somewhat-related note: can anyone tell me if the FCB1010
> programming utility is any good?

Dan,

There are a number of different FCB editors available:  several for
the PC, at least one is Java (suitable for Mac, Linux, or PC), and
there may be more I'm not familar with.  They all basically do the
same thing, but with different user interfaces.  Try 'em out and pick
the one that's right for you.  Whichever you choose will be vastly
easier than what has come to be known as the riverdance.  (Though the
riverdance is useful if you need to quickly tweak your setup on the
fly.)

Poke around the FCB1010 Yahoo Group for more info.
<http://groups.yahoo.com/group/fcb1010/>

Todd

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I thought it was something to do while I wait for LD postings to pop =
into my e-mail box...

  ----- Original Message -----=20
  From: Kris Hartung=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Tuesday, March 14, 2006 12:12 AM
  Subject: Re: MySpace is for Loopers too!


  Excellent. I just added a friend request to your inbox.

  Here's mine: http://www.myspace.com/krispenhartung (now that I figured =
out the shorter URL)

  Now, the bigger question, what are we all going to do with these =
network of friends on myspace? So far it seems fairly ineffectual. Are =
we planning a looper's conspiracy?  Will we get something advantageous =
out of this maze of data points connected in cyberspace?  Or are we just =
populating are days with more internet administration? :)

  Kris



    Well, I finally joined the MySpace generation.  I'm not sure what I =
will mean.  I'm not sure it needs to mean anything. =20

    If you're curious about my Looping and suchlike, pop over to: =
http://www.myspace.com/undomusic

    If you're already on MySpace, let me know!

    David Kirkdorffer
------=_NextPart_000_000E_01C64706.17F759A0
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I thought it was something to do while =
I wait for=20
LD postings to pop into my e-mail box...</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dkhartung@cableone.net =
href=3D"mailto:khartung@cableone.net">Kris=20
  Hartung</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, March 14, 2006 =
12:12=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: MySpace is for =
Loopers=20
  too!</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial size=3D2>Excellent. I just added a friend =
request to your=20
  inbox.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Here's mine: <A=20
  =
href=3D"http://www.myspace.com/krispenhartung">http://www.myspace.com/kri=
spenhartung</A>&nbsp;(now=20
  that I figured out the shorter URL)</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Now, the bigger question, what are we =
all going=20
  to do with these network of friends on myspace? So far it seems fairly =

  ineffectual. Are we planning a looper's conspiracy?&nbsp; Will we get=20
  something advantageous out of this maze of data points connected in=20
  cyberspace?&nbsp; Or are we just populating are days with more =
internet=20
  administration? :)</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><BR></DIV>
  <BLOCKQUOTE dir=3Dltr=20
  style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
    <DIV><FONT face=3Darial,helvetica><FONT face=3DGeneva =
color=3D#000000 size=3D2=20
    FAMILY=3D"SANSSERIF">Well, I finally joined the MySpace =
generation.&nbsp; I'm=20
    not sure what I will mean.&nbsp; I'm not sure it needs to mean=20
    anything.&nbsp; </FONT></FONT></DIV>
    <DIV><FONT face=3Darial,helvetica><FONT face=3DGeneva =
color=3D#000000 size=3D2=20
    FAMILY=3D"SANSSERIF"></FONT></FONT>&nbsp;</DIV>
    <DIV><FONT face=3Darial,helvetica><FONT face=3DGeneva =
color=3D#000000 size=3D2=20
    FAMILY=3D"SANSSERIF">If you're curious about my Looping and =
suchlike, pop over=20
    to: <A=20
    =
href=3D"http://www.myspace.com/undomusic">http://www.myspace.com/undomusi=
c</A></FONT></FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>If you're already on MySpace, let =
me=20
    know!</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>David=20
Kirkdorffer</FONT></DIV></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_000E_01C64706.17F759A0--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 14 06:24:37 2006
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Date: Tue, 14 Mar 2006 01:24:38 -0500 (EST)
Subject: Re: MySpace is for Loopers too!
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It's fun to see everyone's pictures up there!

>
> i actually started a myspace group as a directory for LD members who
> have myspace spaces: http://groups.myspace.com/loopersdelight

From Loopers-Delight-request@loopers-delight.com  Tue Mar 14 06:38:05 2006
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OMG - you guys are so hip with your myspace and all!

But I've found the next big thing and I'm on the leading edge with it:

http://isolatr.com/

From Loopers-Delight-request@loopers-delight.com  Tue Mar 14 06:57:16 2006
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Well, I'm there as well, and I'm not too sure why, either=85yet.
Richard Roberts
ZERO OHMS

"We are no longer the same after hearing certain sounds, and this is =20
more the case when we hear organized sounds, sounds organized by =20
another human being: music."
- Karlheinz Stockhausen




From Loopers-Delight-request@loopers-delight.com  Tue Mar 14 07:04:16 2006
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Allow me to un-lurk for a moment,

Hey Jeff (Kaiser), my group, with Koorosh, played after The Choir Boys at
the Blu Monkey in December, you and Andrew sounded great.

Oh yeah, I'm on myspace too. I feel like such a follower.

http://www.myspace.com/darenburns

re-lurk...

-- 
Daren Burns
Bass Player/Composer/Teacher/Good Guy
http://www.darenburns.com
http://www.darknumbers.com



From Loopers-Delight-request@loopers-delight.com  Tue Mar 14 07:30:32 2006
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Subject: Re: MySpace is for Loopers too!
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At 9:56 PM -0400 3/13/06, Andrew Duke wrote:
>http://myspace.com/andrewduke
>
>Who else?

http://www.myspace.com/davidgans


Of the four songs I have up there, "Dawn's Early light" is a loop piece.





-- 

David Gans - david@trufun.com or david@gdhour.com
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
Blog:  http://playback.trufun.com

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too!</title></head><body>
<div>At 9:56 PM -0400 3/13/06, Andrew Duke wrote:</div>
<blockquote type="cite" cite>http://myspace.com/andrewduke<br>
<br>
Who else?</blockquote>
<div><br></div>
<div>http://www.myspace.com/davidgans</div>
<div><br></div>
<div><br></div>
<div>Of the four songs I have up there, &quot;Dawn's Early light&quot;
is a loop piece.</div>
<div><br></div>
<div><br></div>
<div><br></div>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
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David Gans - david@trufun.com or david@gdhour.com<br>
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA
94610-2730<br>
Blog:&nbsp; http://playback.trufun.com<br>
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From Loopers-Delight-request@loopers-delight.com  Tue Mar 14 07:35:55 2006
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Subject: RE: in praise of EDP
Date: Tue, 14 Mar 2006 08:35:51 +0100
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> Ditto,  I love my two EDP's, "The Beige & The Black" 
 
are the beige and the black completely compatible?
 
-Michael 

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<DIV dir=3Dltr align=3Dleft><SPAN class=3D796103507-14032006>&gt; =
</SPAN>Ditto,&nbsp;=20
I love my two EDP's, "The Beige &amp; The Black"<SPAN=20
class=3D796103507-14032006><FONT face=3DArial =
size=3D2>&nbsp;</FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN =
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<DIV dir=3Dltr align=3Dleft><SPAN class=3D796103507-14032006><FONT =
face=3DArial=20
size=3D2>are the beige and the black completely =
compatible?</FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN =
class=3D796103507-14032006></SPAN>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D796103507-14032006><FONT =
face=3DArial=20
size=3D2>-Michael</FONT>&nbsp;</SPAN></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue Mar 14 08:29:40 2006
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I've got two pages -

me - http://www.myspace.com/solobassstevelawson
the Recycle Collective - http://www.myspace.com/therecyclecollective

It's working quite well for me - I've sold a few CDs, and been  
offered some gigs through it, as well as having people turn up at  
gigs who found out about them through MySpace.

Just a shame it's a) owned by that scumbag Murdoch and b) just about  
the ugliest interface of any website on the planet...

ta ta!

Steve
www.stevelawson.net - site
www.stevelawson.net/store/ - shop
http://steve.anthropiccollective.org - blog



From Loopers-Delight-request@loopers-delight.com  Tue Mar 14 09:38:20 2006
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From: Steve Lawson <steve@steve-lawson.co.uk>
Subject: Looperlative MP3s
Date: Tue, 14 Mar 2006 09:38:12 +0000
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Hi all,

I've recently uploaded a few MP3s to the Recycle Collective MySpace  
page - www.myspace.com/therecyclecollective - the first one is an  
older duet with Cleveland Watkiss, which was done with my two EDP  
setup. The other two are live tracks with Theo Travis, where I'm just  
using the Looperlative for loopage. Theo's using two DL4s.

Enjoy!

Steve
www.stevelawson.net - site
www.stevelawson.net/store/ - shop
http://steve.anthropiccollective.org - blog



From Loopers-Delight-request@loopers-delight.com  Tue Mar 14 13:22:16 2006
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>>Who else?

http://www.myspace.com/simeonharris


cheers!

sim


From Loopers-Delight-request@loopers-delight.com  Tue Mar 14 13:24:22 2006
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> At 9:56 PM -0400 3/13/06, Andrew Duke wrote:
>> http://myspace.com/andrewduke
>> 
>> Who else?

Hate myspace, there anyway:
http://www.myspace.com/subscapeannex

best,
Steve B
http://www.subscapeannex.com/about_steve.html

From Loopers-Delight-request@loopers-delight.com  Tue Mar 14 13:31:46 2006
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Subject: Re: Listen to the AM/FM Show
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rob cathcart wrote:

> Hi Bill
> Please take me off your mailing list.
> Thanks,
> Rob Cathcart

Hi Rob,

Sorry.  You're not on my list.  You're getting my valid message via 
Loopers Delight.  I recommend a mail filter for the Subject: "Listen to 
the AM/FM Show"

Cheers,

Bill

From Loopers-Delight-request@loopers-delight.com  Tue Mar 14 13:36:04 2006
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On 14 mar 2006, at 01.36, David Kirkdorffer wrote:

> Well, I finally joined the MySpace generation.  I'm not sure what I  
> will mean.  I'm not sure it needs to mean anything.
> If you're curious about my Looping and suchlike, pop over to:  
> http://www.myspace.com/undomusic

I really like that music, David! It was also inspiring to read that  
undomusic manifesto you posted there. Great work!

>  If you're already on MySpace, let me know!

Not yet. I may look into it if I should run out of disc space at the  
looproom.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast? 
id=128679560&s=143456



From Loopers-Delight-request@loopers-delight.com  Tue Mar 14 13:42:58 2006
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David Kirkdorffer wrote:

> Well, I finally joined the MySpace generation.  I'm not sure what I 
> will mean.  I'm not sure it needs to mean anything.
> If you're curious about my Looping and suchlike, pop over to: 
> http://www.myspace.com/undomusic
> If you're already on MySpace, let me know!
> David Kirkdorffer

I'm at  http://www.myspace.com/billfox for those who might like to 
become MySpace friends.

Cheers,

Bill

From Loopers-Delight-request@loopers-delight.com  Tue Mar 14 14:24:19 2006
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LOL - good one, Sean.


> -----Original Message-----
> From: Sean Echevarria [mailto:sean.loop@creepingfog.com] 
> Sent: Tuesday, March 14, 2006 1:38 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: MySpace is for Loopers too!
> 
> 
> OMG - you guys are so hip with your myspace and all!
> 
> But I've found the next big thing and I'm on the leading edge with it:
> 
> http://isolatr.com/
> 

From Loopers-Delight-request@loopers-delight.com  Tue Mar 14 16:52:26 2006
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----__JWM__J11ea.3a84S.77b7M
Content-Transfer-Encoding: quoted-printable
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My Beige and Black EDP's sync perfectly.  I have a Gibson Beige bought i=
n 99 and upgraded to Loop IV.  I keep them in separate racks so I don't =
have to lug too much gear but if I want to use both I bring it all.  I r=
ecently purchased a Bose PAS system which is mono so one is really all I=
 need to use with it.
 =

Weg

----__JWM__J11ea.3a84S.77b7M
Content-Transfer-Encoding: quoted-printable
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<html><P>My Beige and Black EDP's sync perfectly.&nbsp; I have a Gibson =
Beige bought in 99 and upgraded to Loop IV.&nbsp; I keep them in separat=
e racks so I don't have to lug too much gear but if I want to use both I=
 bring it all.&nbsp; I recently purchased&nbsp;a Bose PAS system which i=
s mono so one is really all I need to use with it.</P>
<P>&nbsp;</P>
<P>Weg</P></html>

----__JWM__J11ea.3a84S.77b7M--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 14 17:30:51 2006
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Myspace? You mean Spyware R Us? Yeah, I'm there, too.

www.myspace.com/timmungenast

I don't have any loop stuff up there yet, just my psychedelic rock stuff.

I hate the 40-second page loads, knowing that the delay is due to cookies being deposited on my hard drive, but hey, that's how the guy stays in business providing a free service--so-called "pink contracts" with unsavory firms like doubleclick. 

Bitch, gripe, mumble ... mumble, bitch, gripe  :-)
(That's an R. Crumb reference, young'uns :-)

Sure, there are downsides, but for now, I really like what myspace offers.

~Tim
also at
www.mungenast.com
www.cdbaby.com/all/timgoat

 



-----Original Message-----
>From: Jeff Kaiser <loopersdelight@pfmentum.com>
>Sent: Mar 13, 2006 9:33 PM
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: MySpace is for Loopers too!
>
>> http://myspace.com/andrewduke
>>
>>  Who else?
>>
>>  Andrew
>
>I'm there.....
>
>http://www.myspace.com/jeffkaisermusic
>
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Mar 14 19:07:56 2006
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At 8:29 AM +0000 3/14/06, Steve Lawson wrote:
>
>It's working quite well for me - I've sold a few CDs, and been 
>offered some gigs through it, as well as having people turn up at 
>gigs who found out about them through MySpace.
>
>Just a shame it's a) owned by that scumbag Murdoch and b) just about 
>the ugliest interface of any website on the planet...

Those latter two are the main reasons why I've never set up camp 
there.  Although it looks as if people are finding real value from 
the service, so I may actually have to capitulate.

Doesn't help that every time I finally force myself to go to sign up, 
I find that some pimply-faced pre-adolescent has already snarfed the 
pseud I was after.

"Bitch, gripe, mumble ... mumble, bitch, gripe"

	--m. (who actually appreciated Tim's Crumb reference...)

-- 
_______
"Behind every fear lies a wish, don't you think...?"

From Loopers-Delight-request@loopers-delight.com  Tue Mar 14 19:11:11 2006
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From: mungenast@earthlink.net
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To: Loopers-Delight@loopers-delight.com
Subject: mumble, bitch, gripeRe: MySpace stuff
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Thanks, Mech!
~T


-----Original Message-----
>From: mech <mech@m3ch.net>
>Sent: Mar 14, 2006 2:07 PM
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: MySpace stuff
>
>At 8:29 AM +0000 3/14/06, Steve Lawson wrote:
>>
>>It's working quite well for me - I've sold a few CDs, and been 
>>offered some gigs through it, as well as having people turn up at 
>>gigs who found out about them through MySpace.
>>
>>Just a shame it's a) owned by that scumbag Murdoch and b) just about 
>>the ugliest interface of any website on the planet...
>
>Those latter two are the main reasons why I've never set up camp 
>there.  Although it looks as if people are finding real value from 
>the service, so I may actually have to capitulate.
>
>Doesn't help that every time I finally force myself to go to sign up, 
>I find that some pimply-faced pre-adolescent has already snarfed the 
>pseud I was after.
>
>"Bitch, gripe, mumble ... mumble, bitch, gripe"
>
>	--m. (who actually appreciated Tim's Crumb reference...)
>
>-- 
>_______
>"Behind every fear lies a wish, don't you think...?"
>

From Loopers-Delight-request@loopers-delight.com  Wed Mar 15 00:03:37 2006
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Date: Tue, 14 Mar 2006 16:03:35 -0800 (PST)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: MySpace for Loopers
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I signed up, but frankly I don't get it.  Seems like
it sucks and is mostly broken.  I can't seem to figure
out how to upload music... I guess I really don't
care.  Find me here and find my music at
zerocrossing.net

--- Richard Roberts <zeroohms@surfbest.net> wrote:

> Well, I'm there as well, and I'm not too sure why,
> either…yet.
> Richard Roberts
> ZERO OHMS
> 
> "We are no longer the same after hearing certain
> sounds, and this is  
> more the case when we hear organized sounds, sounds
> organized by  
> another human being: music."
> - Karlheinz Stockhausen
> 
> 
> 
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Wed Mar 15 00:44:41 2006
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	id 2E33E3BEDA; Wed, 15 Mar 2006 00:44:41 +0000 (UTC)
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Date: Wed, 15 Mar 2006 11:44:39 +1100
Subject: Re: MySpace for Loopers
From: Dave <daves@eleventh-hour.com.au>
To: <Loopers-Delight@loopers-delight.com>
Message-ID: <C03DAEA7.7F3C%daves@eleventh-hour.com.au>
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i think myspace works best on safari or firefox - that may account for the
broken bit. but as for it sucking....

i know people who have a large percentage of their fan base sourced thru
myspace. can be a great networking tool if you get yourself out there - sen=
d
out friend requests to like minded people, and your little network grows

on 15/3/06 11:03 AM, mark sottilaro at zerocrossing2001@yahoo.com wrote:

> I signed up, but frankly I don't get it.  Seems like
> it sucks and is mostly broken.  I can't seem to figure
> out how to upload music... I guess I really don't
> care.  Find me here and find my music at
> zerocrossing.net
>=20
> --- Richard Roberts <zeroohms@surfbest.net> wrote:
>=20
>> Well, I'm there as well, and I'm not too sure why,
>> either=85yet.
>> Richard Roberts
>> ZERO OHMS
>>=20
>> "We are no longer the same after hearing certain
>> sounds, and this is
>> more the case when we hear organized sounds, sounds
>> organized by =20
>> another human being: music."
>> - Karlheinz Stockhausen
>>=20
>>=20
>>=20
>>=20
>>=20
>=20
>=20
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>=20
>=20

From Loopers-Delight-request@loopers-delight.com  Wed Mar 15 00:58:35 2006
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Date: Tue, 14 Mar 2006 16:58:33 -0800 (PST)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Old Lurker, New Poster.....
To: Loopers-Delight@loopers-delight.com
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I'm a big fan of the small town.  Finding people to
jam with was a million times easier, even for non
mainstream music, in Ithaca, NY.  Finding someone
willing to jam in San Francisco seems next to
impossible.

Mark

--- Jeff Kaiser <loopersdelight@pfmentum.com> wrote:

> This is so true. When first starting our
> series/festival in Ventura, CA 
> in the late 80s, I was quite surprised to see the
> people also "coming 
> out of the woodwork" to both perform and listen


__________________________________________________
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Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Wed Mar 15 01:09:31 2006
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From: "Paul" <paulrichard10@adelphia.net>
To: <Loopers-Delight@loopers-delight.com>
References: <20060315005833.52821.qmail@web81309.mail.mud.yahoo.com>
Subject: Unusual Gig in Pittsburgh last week - Arch Hall Jr & the Archers
Date: Tue, 14 Mar 2006 20:09:28 -0500
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If you're familiar with the 'B movies Eegah, Wild Guitar, The Choppers and 
The Sadist, you know who Arch Hall Jr is. These are films made in the 60's 
and some of them featured Arch Hall Jr. as a prospective "Teen Idol". He 
performed with his band (no looping to my knowledge) and made a couple of 
personal appearances at a showing of The Sadist (which is actually quite a 
good film) and at a meet & greet.

Apparently Arch Hall Jr & the Archers have a few more gigs planned around 
the US. One in Memphis in May for example. It was amazing seeing a film star 
from these strange (but good in their own way) movies 40 years later, since 
the films were originally made, in the flesh. I heard that he had only made 
one other personal appearance in the last 40 years!

Regards, Paul 

From Loopers-Delight-request@loopers-delight.com  Wed Mar 15 01:23:23 2006
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From: mwsmart@insightbb.com
To: Loopers-Delight@loopers-delight.com
Subject: Continuum Looping
Date: Wed, 15 Mar 2006 01:23:21 +0000
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--NextPart_Webmail_9m3u9jl4l_28796_1142385801_0
Content-Type: text/plain
Content-Transfer-Encoding: 8bit

Hi all.
I posted a short example of my Continuum demo from the NAMM show, where I used Ableton Live to loop several Reaktor sounds controlled by the Continuum Fingerboard:

http://www.marksmart.net/instruments/continuum/continuum.html

Enjoy.

Mark Smart
--NextPart_Webmail_9m3u9jl4l_28796_1142385801_0
Content-Type: text/html
Content-Transfer-Encoding: 8bit

<html>
<!-- BEGIN WEBMAIL STATIONERY -->
<head></head>
<body>
<!-- WEBMAIL STATIONERY noneset -->
<P>Hi all.</P>
<P>I posted a short example of my Continuum demo from the NAMM show, where I used Ableton Live to loop several Reaktor sounds controlled by the Continuum Fingerboard:</P>
<P>&nbsp;</P>
<P><A href="http://www.marksmart.net/instruments/continuum/continuum.html">http://www.marksmart.net/instruments/continuum/continuum.html</A></P>
<P>&nbsp;</P>
<P>Enjoy.</P>
<P>&nbsp;</P>
<P>Mark Smart</P>
<!-- END WEBMAIL STATIONERY -->

</body>
</html>

--NextPart_Webmail_9m3u9jl4l_28796_1142385801_0--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 15 01:44:14 2006
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Date: Tue, 14 Mar 2006 17:44:09 -0800 (PST)
From: Monica <coolintensity@yahoo.com>
Subject: Re: Another Unusual Gig in Pittsburgh last week - Rick Wakeman
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Yeah...also - I'm in Pgh. -but not much longer -
  and Rick Wakeman also played this month like 2 miles from my place -
  and I was somehow entirely oblivious to this happening. 
  Monica

Paul <paulrichard10@adelphia.net> wrote:
  If you're familiar with the 'B movies Eegah, Wild Guitar, The Choppers and 
The Sadist, you know who Arch Hall Jr is. These are films made in the 60's 
and some of them featured Arch Hall Jr. as a prospective "Teen Idol". He 
performed with his band (no looping to my knowledge) and made a couple of 
personal appearances at a showing of The Sadist (which is actually quite a 
good film) and at a meet & greet.

Apparently Arch Hall Jr & the Archers have a few more gigs planned around 
the US. One in Memphis in May for example. It was amazing seeing a film star 
from these strange (but good in their own way) movies 40 years later, since 
the films were originally made, in the flesh. I heard that he had only made 
one other personal appearance in the last 40 years!

Regards, Paul 




 
Asgard Guitars
"guitar technology for the new emerging edge..."
coolintensity@yahoo.com
coolintensity1@aol.com 
                                                   







		
---------------------------------
Yahoo! Mail
Bring photos to life! New PhotoMail  makes sharing a breeze. 
--0-1087780615-1142387049=:34913
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<div><FONT color=#40007f>Yeah...also&nbsp;- I'm in Pgh. -but not&nbsp;much longer -</FONT></div>  <div><FONT color=#40007f>and Rick Wakeman also played this month like 2 miles from my place -</FONT></div>  <div><FONT color=#40007f>and I was somehow entirely oblivious to this happening. <IMG src="http://us.i1.yimg.com/us.yimg.com/i/mesg/tsmileys2/25.gif"></FONT></div>  <div><FONT color=#40007f>Monica</FONT><BR><BR><B><I>Paul &lt;paulrichard10@adelphia.net&gt;</I></B> wrote:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">If you're familiar with the 'B movies Eegah, Wild Guitar, The Choppers and <BR>The Sadist, you know who Arch Hall Jr is. These are films made in the 60's <BR>and some of them featured Arch Hall Jr. as a prospective "Teen Idol". He <BR>performed with his band (no looping to my knowledge) and made a couple of <BR>personal appearances at a showing of The Sadist (which is actually quite a <BR>good film) and at a
 meet &amp; greet.<BR><BR>Apparently Arch Hall Jr &amp; the Archers have a few more gigs planned around <BR>the US. One in Memphis in May for example. It was amazing seeing a film star <BR>from these strange (but good in their own way) movies 40 years later, since <BR>the films were originally made, in the flesh. I heard that he had only made <BR>one other personal appearance in the last 40 years!<BR><BR>Regards, Paul <BR><BR></BLOCKQUOTE><BR><BR><BR><DIV>
<DIV>
<DIV>
<DIV>
<DIV>
<DIV>
<DIV>&nbsp;</DIV>
<DIV>Asgard Guitars</DIV>
<DIV>"guitar technology for the new emerging edge..."</DIV>
<DIV><A href="mailto:coolintensity@yahoo.com">coolintensity@yahoo.com</A></DIV>
<DIV><A href="mailto:coolintensity1@aol.com">coolintensity1@aol.com</A> </DIV>
<DIV>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</DIV></DIV></DIV></DIV></DIV></DIV></DIV><p>
		<hr size=1>Yahoo! Mail<br>
Bring photos to life! <a href="http://pa.yahoo.com/*http://us.rd.yahoo.com/evt=39174/*http://photomail.mail.yahoo.com">New PhotoMail </a> makes sharing a breeze. 

--0-1087780615-1142387049=:34913--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 15 03:47:05 2006
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Subject: Unrounded Multiply question
Date: Tue, 14 Mar 2006 22:47:09 -0500
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I am having a blast with this unrounded multiply thing on my EDP. However,
there is a problem that has happened a few times, and I wanted to know if it
is 1. supposed to happen, or 2. something horribly wrong.

OK, I make a noisy background loop, let it fade a bit, then throw a bass
line over top. The original loop is 22 secs, the bass line is 7 seconds. In
the middle of the longer loop, I press multiply as I start playing the bass
part...the timer starts counting. At the end of my 4 bar phrase, I end with
record. Now, normally this just starts the 4 bar phrase from the beginning,
like it is supposed to, with the new bass part on top. But what has happened
quite a few times (enough to scare me from using it when I am recording all
this), is That the new loop starts at the right length, but I hear a few
milliseconds of the first bass note, and then the new windowed loop plays
back without the rest of the bass part! Now, I am left with a shorter loop,
which the only way to recover from is hit multiply again, and end with
record (usually the second time it works properly) while playing a new bass
part, but I still have those few milliseconds of the old one there. 
This can happen either with the front panel or the footswitch, and my EDP is
from 98, but with completely updated guts and software (thanks Shane). I
want to know if I am double pressing something by mistake or what- any
ideas?

Dave Eichenberger
http://www.hazardfactor.com

From Loopers-Delight-request@loopers-delight.com  Wed Mar 15 04:58:36 2006
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From: "Kris Hartung" <khartung@cableone.net>
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Subject: Sheet Music for Bill Frisell's "Strange Meeting"
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Does anyone have the sheet music for Bill Frisell's "Strange Meeting". I'm 
going to chart the song out myself in Finale, but I thought I'd check first. 
It's in the book "Bill Frisell: An Anthology", but I don't want to buy the 
whole book just for that tune.  If anyone has this, would you be willing to 
scan it to PDF for me?

Kris


*************************************************
Krispen Hartung
www.krispenhartung.com
www.boisemusicians.com/experimental
www.myspace.com/krispenhartung
info@krispenhartung.com / 1.208.724.5603
Discography - http://www.krispenhartung.com/catalogue.htm 


From Loopers-Delight-request@loopers-delight.com  Wed Mar 15 05:03:14 2006
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Subject: Re: Sheet Music for Bill Frisell's "Strange Meeting"
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Nevermind...I just bought the book. It's cheap!!! :) Check it out...I can't 
wait to start reading some of the charts.

http://tinyurl.com/ohlj7

Kris

----- Original Message ----- 
From: "Kris Hartung" <khartung@cableone.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, March 14, 2006 9:58 PM
Subject: Sheet Music for Bill Frisell's "Strange Meeting"


> Does anyone have the sheet music for Bill Frisell's "Strange Meeting". I'm 
> going to chart the song out myself in Finale, but I thought I'd check 
> first. It's in the book "Bill Frisell: An Anthology", but I don't want to 
> buy the whole book just for that tune.  If anyone has this, would you be 
> willing to scan it to PDF for me?
>
> Kris
>
>
> *************************************************
> Krispen Hartung
> www.krispenhartung.com
> www.boisemusicians.com/experimental
> www.myspace.com/krispenhartung
> info@krispenhartung.com / 1.208.724.5603
> Discography - http://www.krispenhartung.com/catalogue.htm
>
> 


From Loopers-Delight-request@loopers-delight.com  Wed Mar 15 07:37:15 2006
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Subject: RE: MySpace for Loopers
Date: Wed, 15 Mar 2006 08:37:10 +0100
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> I signed up, but frankly I don't get it.  Seems like it sucks 
> and is mostly broken.  I can't seem to figure out how to 
> upload music... 

you probably signed up normally first (as we probably all did) ... wrong!
there is a special "artist signup" link that you have to use, only there you
can upload your music.

-Michael
www.myspace.com/veloopity
www.michaelpeters.de


From Loopers-Delight-request@loopers-delight.com  Wed Mar 15 09:26:32 2006
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From: Per Boysen <per@boysen.se>
Subject: Re: Unrounded Multiply question
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On 15 mar 2006, at 04.47, hazard factor wrote:

>  In
> the middle of the longer loop, I press multiply as I start playing  
> the bass
> part...the timer starts counting. At the end of my 4 bar phrase, I  
> end with
> record. Now, normally this just starts the 4 bar phrase from the  
> beginning,
> like it is supposed to, with the new bass part on top. But what has  
> happened
> quite a few times (enough to scare me from using it when I am  
> recording all
> this), is That the new loop starts at the right length, but I hear  
> a few
> milliseconds of the first bass note, and then the new windowed loop  
> plays
> back without the rest of the bass part! Now, I am left with a  
> shorter loop,
> which the only way to recover from is hit multiply again, and end with
> record (usually the second time it works properly) while playing a  
> new bass
> part, but I still have those few milliseconds of the old one there.


How strange! I have used unrounded multiply a lot but never ran into  
this. Will follow this thread to see if anyone else knows what is  
happening here.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast? 
id=128679560&s=143456



From Loopers-Delight-request@loopers-delight.com  Wed Mar 15 10:06:05 2006
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Subject: Re: Unrounded Multiply question
Date: Wed, 15 Mar 2006 11:05:40 +0100
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did you check your feedback setting and make sure it was not a long  
multiply you started with?

From Loopers-Delight-request@loopers-delight.com  Wed Mar 15 11:25:08 2006
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Subject: Re: MySpace is for Loopers too!   
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...me too....

www.myspace.com/livelooper

if I didn't add you to friends yet then that's purely an 
administrative error on my part
(sorry)

For all it's faults and ugliness, myspace seems to be a good place 
for promotion.
Although I just used it to put online some very old music I don't 
have space for on my website.


andy butler
www.andybutler.com

From Loopers-Delight-request@loopers-delight.com  Wed Mar 15 12:32:22 2006
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Does anyone know what happened to audible-ism.com and this guy with his
self-built electronic instruments (such as the tape Magnatron)?

-Michael

From Loopers-Delight-request@loopers-delight.com  Wed Mar 15 13:40:42 2006
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I don't get all this adds for my space.. Don't you think that it comes a 
time to get organize to propose a independent way to propose music to 
people? This is the aim I fix myself by creating dadaprod.. There 's a 
lot of project everywhere anyway.. But I only write this mail, because I 
really think that a group organised around a looping mailing list can 
really do something better than help another compagny to make profit.. 
The more older than us, know that my space is just another compagny, 
that will try to take advantage from musician: business is completely 
incompatible with art! that for us, the basic principle

So as I see, all this message, I just feel like organising a special 
section in dadaprod, that basically will propose new tracks everymonth, 
as far as looping people will release tracks. Obviously, this kind of 
released could happen everywhere, but I really feel like getting 
organising to propose to a large audience music without contributing to 
private compagnies like myspace..

stephane

excuse me for this sort of "political" message on a list, that is not 
supposed to carry such messages. But I really do think (without being 
polemic) that I am talking about music for musicians..



-- 

_____________________________________________________________________
plateforme de te'le'chargement libre, label autoge're', me'dia inde'pendant
-----------------------
http://www.dadaprod.org
_____________________________________________________________________

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From: Bill Fox <billyfox@soundscapes.us>
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Dear Friends,

As some of you know by now, Pinnacle will be at the New Jersey Proghouse 
on Saturday, March 25.  The doors open at 7:00 pm and opening act Fear 
of Flying kicks off the evening at 7:30 pm.

This is a rare event because (1) it's Pinnacle's CD Release Party and 
(2) Pinnacle has not performed in public since opening for Spock's Beard 
in 2003.  We spent most of the intervening time holed up in the studio 
creating "Meld."  But we've been practicing our asses off since late 
last year and are ready to play music from both of our CDs.

Tickets are going fast so please order them on-line now at 
<http://njproghouse.com/tickets/index.php?event_id=33> and SAVE $5 over 
the price at the door.  That'll leave you an extra fin to apply towards 
buying our new CD "Meld" which just arrived from the manufacturer.  By 
the way, it looks and sounds fantastic, if you don't mind me saying so.  
But don't take my word for it.  Cover art and sound montage are 
available at the Pinnacle and New Jersey Proghouse websites listed below.

Cheers,

Bill
Pinnacle + http://pinnacleband.com + http://myspace.com/pinnacleband
New Jersey Proghouse + http://njproghouse.com

From Loopers-Delight-request@loopers-delight.com  Wed Mar 15 14:43:39 2006
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From: Bill Fox <billyfox@soundscapes.us>
Subject: Correction
In-reply-to: <4418222B.50401@soundscapes.us>
To: Bill Fox <billyfox@soundscapes.us>
Cc: Pinnacleband Yahoogroups List <pinnacleband@yahoogroups.com>,
	NJProghouse Yahoogroups List <njproghouse@yahoogroups.com>,
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Bill Fox wrote:

> As some of you know by now, Pinnacle will be at the New Jersey 
> Proghouse on Saturday, March 25.  The doors open at 7:00 pm and 
> opening act Fear of Flying kicks off the evening at 7:30 pm.

Pinnacle's MySpace website is at http://myspace.com/pinnaclegroup
Sorry for the bad link in my previous message.

Cheers,

Bill

From Loopers-Delight-request@loopers-delight.com  Wed Mar 15 15:56:23 2006
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Date: Wed, 15 Mar 2006 11:31:04 -0400
From: Andrew Duke <andrew@andrew-duke.com>
Subject: re: artist signups? Re: MySpace for Loopers
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Michael Peters wrote:

>>I signed up, but frankly I don't get it.  Seems like it sucks 
>>and is mostly broken.  I can't seem to figure out how to 
>>upload music... 
>>    
>>
>
>you probably signed up normally first (as we probably all did) ... wrong!
>there is a special "artist signup" link that you have to use, only there you
>can upload your music.
>
>-Michael
>www.myspace.com/veloopity
>www.michaelpeters.de
>
Hi, Michael.
Thanks for pointing this link out.
My question:
I have a myspace page; if I now go
to the artist signup link and fill out the
info and hit "sign up", does it
a) add the artist parts to my already existent
myspace page
or
b) keep my initial page and in addition
create a brand new artist page from scratch?
or
c)wipe out my initial page and create an
artist page in its place?

I don't want to hit "sign up" and have the time
I spent on my non-artist page be for nought
(ie choice "c"), thus I haven't signed up yet.
Might be paranoid about this, but don't want
to have to redo things just for the sake of being
able to include music on my already existent
site.

Your help appreciated.

Thanks.
Andrew

-- 
Andrew Duke
scoring/sound design/source
http://andrew-duke.com
http://myspace.com/andrewduke
Cognition Audioworks label
[Andrew Duke, Foal, Clinker, Granny'Ark]
http://cognitionaudioworks.com



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<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
  <title></title>
</head>
<body>
Michael Peters wrote:<br>
<blockquote type="cite"
 cite="mid01c601c64803$458abda0$fe78a8c0@mpeserver">
  <blockquote type="cite">
    <pre wrap="">I signed up, but frankly I don't get it.  Seems like it sucks 
and is mostly broken.  I can't seem to figure out how to 
upload music... 
    </pre>
  </blockquote>
  <pre wrap=""><!---->
you probably signed up normally first (as we probably all did) ... wrong!
there is a special "artist signup" link that you have to use, only there you
can upload your music.

-Michael
<a class="moz-txt-link-abbreviated" href="http://www.myspace.com/veloopity">www.myspace.com/veloopity</a>
<a class="moz-txt-link-abbreviated" href="http://www.michaelpeters.de">www.michaelpeters.de</a></pre>
</blockquote>
Hi, Michael.<br>
Thanks for pointing this link out.<br>
My question:<br>
I have a myspace page; if I now go<br>
to the artist signup link and fill out the<br>
info and hit "sign up", does it <br>
a) add the artist parts to my already existent <br>
myspace page<br>
or<br>
b) keep my initial page and in addition<br>
create a brand new artist page from scratch?<br>
or<br>
c)wipe out my initial page and create an<br>
artist page in its place?<br>
<br>
I don't want to hit "sign up" and have the time<br>
I spent on my non-artist page be for nought<br>
(ie choice "c"), thus I haven't signed up yet.<br>
Might be paranoid about this, but don't want<br>
to have to redo things just for the sake of being<br>
able to include music on my already existent<br>
site.<br>
<br>
Your help appreciated.<br>
<br>
Thanks.<br>
Andrew<br>
<pre class="moz-signature" cols="$mailwrapcol">-- 
Andrew Duke
scoring/sound design/source
<a class="moz-txt-link-freetext" href="http://andrew-duke.com">http://andrew-duke.com</a>
<a class="moz-txt-link-freetext" href="http://myspace.com/andrewduke">http://myspace.com/andrewduke</a>
Cognition Audioworks label
[Andrew Duke, Foal, Clinker, Granny'Ark]
<a class="moz-txt-link-freetext" href="http://cognitionaudioworks.com">http://cognitionaudioworks.com</a>
</pre>
<br>
</body>
</html>

--Boundary_(ID_v66QxouNX5d1hIq+OGwwOg)--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 15 16:12:05 2006
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From: "hazard factor" <artists@hazardfactor.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Unrounded Multiply question
Date: Wed, 15 Mar 2006 11:12:09 -0500
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I am not sure I understand. I don't see how feedback is linked to multiply.
I have duplicated this at many different feedback values. It doesn't happen
all the time, but maybe 30% of the time.

Dave Eichenberger
http://www.hazardfactor.com

 
> 
> did you check your feedback setting and make sure it was not 
> a long multiply you started with?
> 

From Loopers-Delight-request@loopers-delight.com  Wed Mar 15 17:50:24 2006
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From: =?ISO-8859-1?Q?Philipp_Z=FCrcher?= <zurrigo@bluemail.ch>
Subject: Re: Unrounded Multiply question
Date: Wed, 15 Mar 2006 18:50:01 +0100
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not sure if I'm right here, but depending on the loop mode (stutter,  
expert, loop, delay...) the feedback knob does different things

also, if you are using a pedal plugged into the feedback socket on  
the back panel, that might affect things

best let us know your exact hardware setup and some parameter  
settings (round mode, loop mode and insert mode before all) that you  
are using when the problem occurs

best

phil

http://www.mem.li

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In a message dated 3/14/06 12:00:28 PM, theweg@netzero.net writes:


> I recently purchased=A0a Bose PAS system
>=20

weg.....how do you like it?



www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
In a message dated 3/14/06 12:00:28 PM, theweg@netzero.net writes:<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">I recently purchased=
=A0a Bose PAS system<BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2">weg.....how do you like it?<BR>
<BR>
<BR>
<BR>
www.ct-collective.com<BR>
http://mysite.verizon.net/vzepmeci/<BR>
http://www.myspace.com/klobuchar11<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT></HTML>
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Date: Wed, 15 Mar 2006 13:14:36 -0500
From: "Clint Allen" <clint.allen@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: artist signups? Re: MySpace for Loopers
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Andrew,
Look in the FAQ section of the site. There is a link you can follow that is
for converting your
regular page into an Artist's page.

I willl say that I tried this several months ago and it was ultimately
easier for me to "migrate"
everything on my own...It is a pain either way.

Clint Allen

On 3/15/06, Andrew Duke <andrew@andrew-duke.com> wrote:
>
> Michael Peters wrote:
>
>  I signed up, but frankly I don't get it.  Seems like it sucks
> and is mostly broken.  I can't seem to figure out how to
> upload music...
>
>  you probably signed up normally first (as we probably all did) ... wrong=
!
> there is a special "artist signup" link that you have to use, only there =
you
> can upload your music.
>
> -Michael
> www.myspace.com/veloopity
> www.michaelpeters.de
>
>  Hi, Michael.
> Thanks for pointing this link out.
> My question:
> I have a myspace page; if I now go
> to the artist signup link and fill out the
> info and hit "sign up", does it
> a) add the artist parts to my already existent
> myspace page
> or
> b) keep my initial page and in addition
> create a brand new artist page from scratch?
> or
> c)wipe out my initial page and create an
> artist page in its place?
>
> I don't want to hit "sign up" and have the time
> I spent on my non-artist page be for nought
> (ie choice "c"), thus I haven't signed up yet.
> Might be paranoid about this, but don't want
> to have to redo things just for the sake of being
> able to include music on my already existent
> site.
>
> Your help appreciated.
>
> Thanks.
> Andrew
>
> --
> Andrew Duke
> scoring/sound design/source
> http://andrew-duke.com
> http://myspace.com/andrewduke
> Cognition Audioworks label
> [Andrew Duke, Foal, Clinker, Granny'Ark]
> http://cognitionaudioworks.com
>
>
>

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Andrew,<br>
Look in the FAQ section of the site. There is a link you can follow that is=
 for converting your<br>
regular page into an Artist's page. <br>
<br>
I willl say that I tried this several months ago and it was ultimately easi=
er for me to &quot;migrate&quot;<br>
everything on my own...It is a pain either way.<br>
<br>
Clint Allen<br><br><div><span class=3D"gmail_quote">On 3/15/06, <b class=3D=
"gmail_sendername">Andrew Duke</b> &lt;<a href=3D"mailto:andrew@andrew-duke=
.com">andrew@andrew-duke.com</a>&gt; wrote:</span><blockquote class=3D"gmai=
l_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0p=
t 0pt 0.8ex; padding-left: 1ex;">
<div style=3D"direction: ltr;">


 =20


Michael Peters wrote:<br>
<blockquote type=3D"cite" cite=3D"http://mid01c601c64803$458abda0$fe78a8c0@=
mpeserver">
  <blockquote type=3D"cite">
    <pre>I signed up, but frankly I don't get it.  Seems like it sucks <br>=
and is mostly broken.  I can't seem to figure out how to <br>upload music..=
. <br>    </pre>
  </blockquote>
  <pre>you probably signed up normally first (as we probably all did) ... w=
rong!<br>there is a special &quot;artist signup&quot; link that you have to=
 use, only there you<br>can upload your music.<br><br>-Michael<br><a href=
=3D"http://www.myspace.com/veloopity" target=3D"_blank" onclick=3D"return t=
op.js.OpenExtLink(window,event,this)">
www.myspace.com/veloopity</a><br><a href=3D"http://www.michaelpeters.de" ta=
rget=3D"_blank" onclick=3D"return top.js.OpenExtLink(window,event,this)">ww=
w.michaelpeters.de</a></pre>
</blockquote>
Hi, Michael.<br>
Thanks for pointing this link out.<br>
My question:<br>
I have a myspace page; if I now go<br>
to the artist signup link and fill out the<br>
info and hit &quot;sign up&quot;, does it <br>
a) add the artist parts to my already existent <br>
myspace page<br>
or<br>
b) keep my initial page and in addition<br>
create a brand new artist page from scratch?<br>
or<br>
c)wipe out my initial page and create an<br>
artist page in its place?<br>
<br>
I don't want to hit &quot;sign up&quot; and have the time<br>
I spent on my non-artist page be for nought<br>
(ie choice &quot;c&quot;), thus I haven't signed up yet.<br>
Might be paranoid about this, but don't want<br>
to have to redo things just for the sake of being<br>
able to include music on my already existent<br>
site.<br>
<br>
Your help appreciated.<br>
<br>
Thanks.<br>
Andrew<br></div><div style=3D"direction: ltr;"><span class=3D"sg">
<pre cols=3D"$mailwrapcol">-- <br>Andrew Duke<br>scoring/sound design/sourc=
e<br><a href=3D"http://andrew-duke.com" target=3D"_blank" onclick=3D"return=
 top.js.OpenExtLink(window,event,this)">http://andrew-duke.com</a><br><a hr=
ef=3D"http://myspace.com/andrewduke" target=3D"_blank" onclick=3D"return to=
p.js.OpenExtLink(window,event,this)">
http://myspace.com/andrewduke</a><br>Cognition Audioworks label<br>[Andrew =
Duke, Foal, Clinker, Granny'Ark]<br><a href=3D"http://cognitionaudioworks.c=
om" target=3D"_blank" onclick=3D"return top.js.OpenExtLink(window,event,thi=
s)">
http://cognitionaudioworks.com</a>
</pre>
<br>



</span></div></blockquote></div><br>

------=_Part_5439_15883517.1142446476452--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 15 18:59:06 2006
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Subject: Re: RE: Unrounded Multiply question
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>I am not sure I understand. I don't see how feedback is linked to multiply.
>I have duplicated this at many different feedback values. It doesn't happen
>all the time, but maybe 30% of the time.

I'm Baffled.........
you're not in Delay Mode are you?

There's only 3 ways to Mult without overdubbing the input audio.
1) Use Input Mode, and reduce inp vol with pedal
2) Use Delay Mode, and hit Overdub (=Freez) before the Mult ( or use 
the pedal as in 1)
3) Use Flip Mode , (which no sane person uses)

like Philip & Per already said,
tell us more.

EDP Params? esprecially "Loop/Delay"

FCB7 or MIDI Controller?

Feedback Pedal?

How long is "a few milliseconds of bassline"
a) just a v.short glitch, which would correspond to the time for the 
Input to close
b) 400ms corresponding to a long press




andy butler

From Loopers-Delight-request@loopers-delight.com  Wed Mar 15 19:07:04 2006
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------=_Part_4916_23796101.1142449622720
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Anyone out there from the Philadelphia area reading the list? I'm a
non-looping guitarist looking to get together and play music with some like
minded people who may or may not be loopers. I'm into lots of instrumental
indie rock and post rock (for lack of better terms) and electronica as well
as minimalism and other classical type musics. Drop me a line if this sound=
s
at all appealing and I can direct you to some of my music and maybe we can
put something together.

Chris

------=_Part_4916_23796101.1142449622720
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<div>Anyone out there from the Philadelphia area reading the list? I'm a no=
n-looping guitarist looking to get together and play music with some like m=
inded people who may or may not be loopers. I'm into lots of instrumental i=
ndie rock and post rock (for lack of better terms) and electronica as well =
as minimalism and other classical type musics. Drop me a line if this sound=
s at all appealing and I can direct you to some of my music and maybe we ca=
n put something together.
</div>
<div>&nbsp;</div>
<div>Chris</div>

------=_Part_4916_23796101.1142449622720--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 15 19:24:15 2006
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From: "Weg" <theweg@netzero.net>
Date: Wed, 15 Mar 2006 19:22:12 GMT
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Subject: Re: in praise of EDP
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----__JWM__J64a6.6829S.15d2M
Content-Transfer-Encoding: quoted-printable
Content-Disposition: inline
Content-Type: text/plain

I recently purchased a Bose PAS system


weg.....how do you like it?
I was hoping I would not like it at that price!  I got it on the 45 day =
trial since it isn't sold anywhere around Charleston, WV where I live.  =
My wife noticed the sound immediately and told me how much better she th=
ought it sounded.  I am convinced so far not to send it back.  I tried i=
t in a small room and loved it.  I took it to a larger room with high ce=
ilings and felt confident that it was performing as described.  I use a =
Godin Multiac Steel through a GR33 into my Explorer (EDP-Lex.MPX110-Elec=
.Repeater) and had previously used a Fender Acoustisonic amp supplied by=
 the room with a mic on the speaker.   The recording engineer (also the =
drummer) noticed I was not coming through the mic as loud as usual but w=
hen we listened to the recording I was right there easily heard.  I then=
 told him that I was using the Bose which was 12 feet away from the amp =
mic, we were all impressed with the sound dispersion.  I've also tried m=
y GNX3 through it and felt it sounded better through the Bose.  Another =
aspect is the weight,  I'd much rather carry the Bose.  I purchased the =
heavier base case with wheels in an attempt to help save my 46 year old =
back.  I was carring a Mesa Boogie DC5 and a Carvin acoustic amp and wan=
ted to cut back.  I like the Bose but it could not replace a mesa and I =
really like the Carvin but the Bose blows it away. I love tube amps by t=
he way, I own several Mesa's and Fenders and Ampegs but I hate to carry =
them anymore.  The Bose seems to do just what it says.  I've tried hooki=
ng a Mackie 1604 with drum machines, synths, acoustics and voices going =
through it.  Once I got it adjusted it sounded pretty good through the B=
ose, another reason to keep it....  On a small show that is all I think =
I'll need but on a large stage I'll be forced to bring it and the Mackie=
 SRM450s too.  I doubt I'll need anything else for a while if ever.  The=
 other guitarist in the rock band is thinking of getting one too so we c=
an run stereo, we'll see!  Oh and I have not taken it off the flat respo=
nse setting yet to try out the other presets.....  Just lazy I guess....=

 =

If anyone has specific questions let me know and I try it out.
 =

Weg

----__JWM__J64a6.6829S.15d2M
Content-Transfer-Encoding: quoted-printable
Content-Disposition: inline
Content-Type: text/html

<html><BLOCKQUOTE style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-L=
EFT: #0000ff 2px solid; MARGIN-RIGHT: 0px" cite=3D"" TYPE=3D"CITE"><FONT=
 face=3DGeneva color=3D#000000 size=3D2 FAMILY=3D"SANSSERIF">I recently =
purchased&nbsp;a Bose PAS system<BR></BLOCKQUOTE></FONT><FONT face=3DGen=
eva color=3D#000000 size=3D2 FAMILY=3D"SANSSERIF">
<P><BR><BR></FONT><FONT face=3DGeneva color=3D#000000 size=3D2 FAMILY=3D=
"SANSSERIF">weg.....how do you like it?</FONT></P>
<P>I was hoping I would not like it at that price!&nbsp; I got it on the=
 45 day trial since it isn't sold anywhere around Charleston, WV where I=
 live. &nbsp;My wife noticed the sound immediately and told me how much =
better she thought it sounded.&nbsp; I am convinced so far not to send i=
t back.&nbsp; I tried it in a small room and loved it.&nbsp; I took it t=
o a larger room with high ceilings and felt confident that it was perfor=
ming as described.&nbsp; I use a Godin Multiac Steel through a GR33 into=
 my Explorer (EDP-Lex.MPX110-Elec.Repeater) and had previously used a Fe=
nder Acoustisonic amp supplied by the room with a mic on the speaker.&nb=
sp; &nbsp;The recording engineer (also the drummer) noticed I was not co=
ming through the mic as loud as usual but when we listened to the record=
ing I was right there easily heard.&nbsp; I then told him that I was usi=
ng the Bose which was 12 feet away from the amp mic, we were all impress=
ed with the sound dispersion.&nbsp; I've also tried my GNX3 through it a=
nd felt it sounded better through the Bose.&nbsp; Another aspect is the =
weight,&nbsp; I'd much rather carry the Bose.&nbsp; I purchased the heav=
ier base case with wheels in an attempt to help save my 46 year old back=
.&nbsp; I was carring a Mesa Boogie DC5 and a Carvin acoustic amp and wa=
nted to cut back.&nbsp; I like the Bose but it could not replace a mesa =
and I really like the Carvin but the Bose blows it away. I love tube amp=
s by the way, I own several Mesa's and Fenders and Ampegs but I hate to =
carry them anymore.&nbsp; The Bose seems to do just what it says.&nbsp; =
I've tried hooking a Mackie 1604 with drum machines, synths, acoustics a=
nd voices going through it.&nbsp; Once I got it adjusted it sounded pret=
ty good through the Bose, another reason to keep it....&nbsp; On a small=
 show that is all I think I'll need but on a large stage I'll be forced =
to bring it and the Mackie SRM450s too.&nbsp; I doubt I'll need anything=
 else for a while if ever.&nbsp; The other guitarist in the rock band is=
 thinking of getting one too so we can run stereo, we'll see!&nbsp; Oh a=
nd I have not taken it off the flat response setting yet to try out the =
other presets.....&nbsp; Just lazy I guess....</P>
<P>&nbsp;</P>
<P>If anyone has specific questions let me know and I try it out.</P>
<P>&nbsp;</P>
<P>Weg</P></html>

----__JWM__J64a6.6829S.15d2M--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 15 20:47:17 2006
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From: "loop.pool" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Subject: EDP footswitch button availibility
Date: Wed, 15 Mar 2006 12:47:19 -0800
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Does anyone either have some extra footswitch buttons
or know of a source for them for the proprietary EDP footpedals?

I need to replace several of mine that have failed.

Any help or advice would be greatly appreciated,

yours,  Rick

From Loopers-Delight-request@loopers-delight.com  Wed Mar 15 21:38:22 2006
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From: "joe rut" <joerut@lycos.com>
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Rick-

Mountain Switch, Part # DS412R

go to http://www.mouser.com  and search for part #10PA005

that's where I got mine last time  (which was a year or so ago, so hopefull=
y they still stock them

Joe


--=20
_______________________________________________

Search for businesses by name, location, or phone number.  -Lycos Yellow Pa=
ges

http://r.lycos.com/r/yp_emailfooter/http://yellowpages.lycos.com/default.as=
p?SRC=3Dlycos10

From Loopers-Delight-request@loopers-delight.com  Thu Mar 16 00:21:42 2006
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From: "loop.pool" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Cc: "Rick Walker/Loop.pooL" <looppool@cruzio.com>,
	"Mr Dick" <purplehand@hotmail.com>
Subject: EDP replacement switch SUPPLY
Date: Wed, 15 Mar 2006 16:21:14 -0800
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Travis Hartnett sent this to me and I include it for future reference (if 
it's not already posted)


Replacing Footswitches

Sometimes the footswitches break on the EFC-7. Fortunately they are 
inexpensive and easy to replace. Here is the ordering information:

The footswitch part# is:
10PA005

at http://www.mouser.com 

From Loopers-Delight-request@loopers-delight.com  Thu Mar 16 02:32:04 2006
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Loop mode. EFC Pedal. I am using exp pedal on my FCB1010 board for midi
feedback. The amount of bassline is a short glitch. I only ever use the EDP
in loop mode, with midi control of feedback. Like I said, this doesn't
happen all the time, either. And I don't change settings much at all. The
input audio *should* be looped, but it is cut off- almost as if it only
records when the multiply is being pressed (like a SUS function), but that
shouldn't be the case. The loop is clearly multiplied, and ended with
record, with the display showing the new loop length. I stop playing the
bass line when I press record, expecting to hear it. Now, I got into the
habit of playing over the press of record, because I can't always count on
the bass being recorded- just the first 50-100 milliseconds or so. What
baffles me is that this is inconsistent behavior. I was looping for about 3
hours last night, and I was able to duplicate this 3 times, but the rest of
the time it worked. This is with the settings unchanged throughout the
night. 

Dave Eichenberger

http://www.hazardfactor.com 
> 
> >I am not sure I understand. I don't see how feedback is 
> linked to multiply.
> >I have duplicated this at many different feedback values. It doesn't 
> >happen all the time, but maybe 30% of the time.
> 
> I'm Baffled.........
> you're not in Delay Mode are you?
> 
> There's only 3 ways to Mult without overdubbing the input audio.
> 1) Use Input Mode, and reduce inp vol with pedal
> 2) Use Delay Mode, and hit Overdub (=Freez) before the Mult ( 
> or use the pedal as in 1)
> 3) Use Flip Mode , (which no sane person uses)
> 
> like Philip & Per already said,
> tell us more.
> 
> EDP Params? esprecially "Loop/Delay"
> 
> FCB7 or MIDI Controller?
> 
> Feedback Pedal?
> 
> How long is "a few milliseconds of bassline"
> a) just a v.short glitch, which would correspond to the time 
> for the Input to close
> b) 400ms corresponding to a long press
> 
> 
> 
> 
> andy butler
> 

From Loopers-Delight-request@loopers-delight.com  Thu Mar 16 04:15:46 2006
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From: Kevin <kevin@TheNettles.com>
Subject: Re: Sheet Music for Bill Frisell's "Strange Meeting"
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Kris, if you like Bill Frisell, you should check out the video, "The 
Guitar Artistry of Bill Frisell".  Cheapest price I've seen is at:
http://www.sheetmusicplus.com/a/item.html?id=75945&item=3392125

In it , he explains a lot about his approach to the guitar as well as 
how he composed "Strange Meeting".  He also bravely tries to play the 
bass and guitar parts of "Strange Meeting" both at once!  There's 
also a nice version of "Strange Meeting" played by the classic Bill 
Frisell trio with Kermit Driscoll and Joey Baron.  It's one of those 
quietly inspirational videos that I watch a couple of times a year.

Cheers,
Kevin

The Nettles: Progressive and Exciting Celtic Music
www.TheNettles.com

From Loopers-Delight-request@loopers-delight.com  Thu Mar 16 05:20:05 2006
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Subject: Gig Spam Bridgeport, CT
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This is a multi-part message in MIME format.
--------------070906040903000905040001
Content-Type: text/plain; charset=us-ascii; format=flowed
Content-Transfer-Encoding: 7bit

I'm pleased to say I've been asked to play a set with Hot Bitch Arsenal 
<http://www.hotbitcharsenal.com>, the outfit led by Kim Galibert, who 
has posted here a number of times about this project and his other 
outfit called IO <http://www.iosonic.com>.

It's at a local spot called The Acoustic Cafe 
<http://www.acousticafe.com/> known for performances by local and 
regional singer/songwriters, and occasionally hosts artists in more 
esoteric genres.

The band features Christina Abbott on vocals, and I'll be performing 
with my looping rig for the first time.  Kim is running two instances of 
Ableton Live and there will be much loopage and dynamic visual content.  

Please introduce yourself if you're able to make it.

Dan Ash
White Plains, NY





--------------070906040903000905040001
Content-Type: text/html; charset=us-ascii
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<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
  <meta http-equiv="Content-Type" content="text/html;charset=ISO-8859-1">
  <title></title>
</head>
<body text="#000000" bgcolor="#ffffff">
I'm pleased to say I've been asked to play a set with <a
 href="http://www.hotbitcharsenal.com">Hot Bitch Arsenal</a>, the
outfit led by Kim Galibert, who has posted here a number of times about
this project and his other outfit called <a
 href="http://www.iosonic.com">IO</a>.<br>
<br>
It's at a local spot called <a href="http://www.acousticafe.com/">The
Acoustic Cafe</a> known for performances by local and regional
singer/songwriters, and occasionally hosts artists in more esoteric
genres.<br>
<br>
The band features Christina Abbott on vocals, and I'll be performing
with my looping rig for the first time.&nbsp; Kim is running two instances
of Ableton Live and there will be much loopage and dynamic visual
content.&nbsp;&nbsp; <br>
<br>
Please introduce yourself if you're able to make it.<br>
<br>
Dan Ash<br>
White Plains, NY<br>
<br>
<br>
<br>
<br>
</body>
</html>

--------------070906040903000905040001--


From Loopers-Delight-request@loopers-delight.com  Thu Mar 16 05:24:09 2006
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Sorry for the noise... I neglected to post the date - it's this Friday 
3/17 9:00 PM

-------- Original Message --------
Subject: 	Gig Spam Bridgeport, CT
Date: 	Thu, 16 Mar 2006 00:19:58 -0500
From: 	Dan Ash <Daniel.Ash@Verizon.net>
To: 	Loopers-Delight@loopers-delight.com



I'm pleased to say I've been asked to play a set with Hot Bitch Arsenal 
<http://www.hotbitcharsenal.com>, the outfit led by Kim Galibert, who 
has posted here a number of times about this project and his other 
outfit called IO <http://www.iosonic.com>.

It's at a local spot called The Acoustic Cafe 
<http://www.acousticafe.com/> known for performances by local and 
regional singer/songwriters, and occasionally hosts artists in more 
esoteric genres.

The band features Christina Abbott on vocals, and I'll be performing 
with my looping rig for the first time.  Kim is running two instances of 
Ableton Live and there will be much loopage and dynamic visual content.  

Please introduce yourself if you're able to make it.

Dan Ash
White Plains, NY






From Loopers-Delight-request@loopers-delight.com  Thu Mar 16 05:37:51 2006
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Subject: Re: Sheet Music for Bill Frisell's "Strange Meeting"
Date: Wed, 15 Mar 2006 22:37:46 -0700
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Bill actually talked on a video? Amazing. :) He seems so shy that I can't 
imagine him saying much beyond "I can't see you...but I can hear 
you...[awkward pause....applause]. Thanks for the tip. I do have the live 
trio CD...it's one of my all time favorites in my entire CD collection.  I 
like that version of Strange Meeting much better than the version on his 
work with Dave Holland and Elvin Jones....that one seems a bit rushed for 
me, though Holland's Quartet works are, to me, the epitome of modern jazz.

Kris

----- Original Message ----- 
From: "Kevin" <kevin@TheNettles.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, March 15, 2006 9:15 PM
Subject: Re: Sheet Music for Bill Frisell's "Strange Meeting"


> Kris, if you like Bill Frisell, you should check out the video, "The 
> Guitar Artistry of Bill Frisell".  Cheapest price I've seen is at:
> http://www.sheetmusicplus.com/a/item.html?id=75945&item=3392125
>
> In it , he explains a lot about his approach to the guitar as well as how 
> he composed "Strange Meeting".  He also bravely tries to play the bass and 
> guitar parts of "Strange Meeting" both at once!  There's also a nice 
> version of "Strange Meeting" played by the classic Bill Frisell trio with 
> Kermit Driscoll and Joey Baron.  It's one of those quietly inspirational 
> videos that I watch a couple of times a year.
>
> Cheers,
> Kevin
>
> The Nettles: Progressive and Exciting Celtic Music
> www.TheNettles.com
>
> 


From Loopers-Delight-request@loopers-delight.com  Thu Mar 16 06:36:19 2006
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At 09:37 PM 3/15/2006, you wrote:
>Bill actually talked on a video?

Well, he tries to.  When words fail him, he continues the explanation 
on the guitar, where his true voice is.

Have you seen him live?  Live performance is when he's at his best.

Cheers,
Kevin


The Nettles: Progressive and Exciting Celtic Music
www.TheNettles.com

From Loopers-Delight-request@loopers-delight.com  Thu Mar 16 09:12:27 2006
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From: =?ISO-8859-1?Q?Philipp_Z=FCrcher?= <zurrigo@bluemail.ch>
Subject: unrounded multiply question/praise the edp
Date: Thu, 16 Mar 2006 10:12:04 +0100
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sorry I can't help you to figure it out, then

I am using a "simple mind/minimum weight" setup with the original  
footpedal and a "blind" plug in the feedback socket (that makes me  
use the long multiply as a "feedback pedal"

check it out and praise the edp for its maximum of functions that are  
all making sense in musical terms and are availiable through only  
seven red buttons

phil


From Loopers-Delight-request@loopers-delight.com  Thu Mar 16 09:33:43 2006
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From: Per Boysen <per@boysen.se>
Subject: Re: unrounded multiply question/praise the edp
Date: Thu, 16 Mar 2006 10:33:40 +0100
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On 16 mar 2006, at 10.12, Philipp Z=FCrcher wrote:

> I am using a "simple mind/minimum weight" setup with the original =20
> footpedal and a "blind" plug in the feedback socket (that makes me =20
> use the long multiply as a "feedback pedal"

Wow, that was a smart idea! Good for a portable looping solution :-)
(I too use a blind plug in the back, but so far only for Replace Mode =20=

while using a MIDI feedback pedal).

> check it out and praise the edp for its maximum of functions that =20
> are all making sense in musical terms and are availiable through =20
> only seven red buttons

But you need some fast way to step between the EDP programs! Like a =20
tiny "MIDI program change sender". Then each EDP program can be set =20
to react for different musical purposes although you are still using =20
only those seven buttons ;-)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?=20
id=3D128679560&s=3D143456



From Loopers-Delight-request@loopers-delight.com  Thu Mar 16 09:46:01 2006
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From: =?ISO-8859-1?Q?Philipp_Z=FCrcher?= <zurrigo@bluemail.ch>
Subject: Re: unrounded multiply question/praise the edp
Date: Thu, 16 Mar 2006 10:45:38 +0100
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>
> But you need some fast way to step between the EDP programs! Like a  
> tiny "MIDI program change sender". Then each EDP program can be set  
> to react for different musical purposes although you are still  
> using only those seven buttons ;-)

hi per

thanks for your reply. - I am doing a preset change in stop mode,  
using the insert and mute button - but that's obviously not what you  
mean: I am really keen to hear if a tiny MIDI program change sender  
does exist in the real world

pleez let me know asap

greetings from ever so wintery switzerland

phil

From Loopers-Delight-request@loopers-delight.com  Thu Mar 16 11:40:10 2006
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From: Bill Fox <billyfox@soundscapes.us>
Subject: Listen to Afterglow and Galactic Travels
To: undisclosed-recipients: ;
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AFTERGLOW ON WMUH:                               
http://soundscapes.us/afterglow
================================================================================
Afterglow airs from 8:00 am to 9:30 am every Thursday morning.  Tune in 
for a
delightful mix of eclectic musical genres including a healthy dose of
Progressive Rock.  Tune in at 91.7 FM or on the internet at:
http://www.muhlenberg.edu/wmuh

I will play the music of that will soon be in concert at the New Nersey
Proghouse.  That includes bands like Echolyn, Pinnacle, and Fear of Flying.


GALACTIC TRAVELS ON WDIY:                            
http://wdiy.org/programs/gt
================================================================================
Tonight at 11 pm on Galactic Travels, I'll continue the month-long 
Special Focus
on E-dition electronic music magazine.  The Featured CD at Midnight will 
be the
CD from issue #7.  The Vinyl Starter will be "Audentity" by Klaus 
Schulze on IC
Records and released in 1983.  For details, see the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2006/focus.html#mar

Galactic Travels is an electronic, ambient, and space music show that 
airs each
Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, 93.9 FM 
in Easton
and Phillipsburg, 93.7 FM in Fogelsville and Trexlertown, 92.9 FM on Service
Electric Cable, and on the internet.  WDIY currently simulcasts on WXLV in
Schnecksville at 90.3 FM.

All times are EST / GMT-5

From Loopers-Delight-request@loopers-delight.com  Thu Mar 16 11:57:58 2006
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From: Per Boysen <per@boysen.se>
Subject: MIDI pc controller for EDP (was: unrounded multiply question/praise the edp)
Date: Thu, 16 Mar 2006 12:57:54 +0100
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>> But you need some fast way to step between the EDP programs! Like =20
>> a tiny "MIDI program change sender". Then each EDP program can be =20
>> set to react for different musical purposes although you are still =20=

>> using only those seven buttons ;-)
>
>
> On 16 mar 2006, at 10.45, Philipp Z=FCrcher wrote:
>  I am really keen to hear if a tiny MIDI program change sender does =20=

> exist in the real world
>
> pleez let me know asap


I brought this up on this list a couple of months ago. One suggestion =20=

posted by Tod Reynolds was the MIDI Mouse:
http://news.harmony-central.com/Newp/1995/midi-mouse.html
The Mouse and the analog EDP pedal would be cute Portable Pair for =20
light-weight EDP gigging ;-)

Another, although larger, option is the MIDI Mate:
http://www.rocktron.com/products/midimate.html

Then we have the small MIDI X Change:
http://www.thomann.de/thoiw5_rocktron_midi_xchange_prodinfo.html?=20
sn=3D8d5b446bcca07de11a303e55c14369a8
A warning though: it needs a special MIDI cable that Rocktron =20
manufactures (makes it go off my shopping list)

Finally I found the ADA MPC:
http://www.adadepot.com/adagear/gearpages/pedals/ADA-MPC.htm

I'd like to go with something like a portable number pad, similar to =20
what sits to the right on a PC keyboard. But it should just send MIDI =20=

Change. I've never needed to use more than nine programs, instantly =20
accessible, with my EDP, so a number pad style hand controller would =20
do the job just fine. As you perform the timing critical actions with =20=

your feet it makes sense to me having a hand controller on the side =20
for jumping between the EDP programs. That makes it possible to =20
manipulate audio loops with feet at the same time you are using the =20
hand pad to change what functions are actually assigned to your foot =20
buttons (EDP programs).

Per=20=

From Loopers-Delight-request@loopers-delight.com  Thu Mar 16 14:39:21 2006
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From: "Kris Hartung" <khartung@cableone.net>
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Subject: Re: Sheet Music for Bill Frisell's "Strange Meeting"
Date: Thu, 16 Mar 2006 07:39:15 -0700
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I saw Frisell live in Seattle a few years ago, at the Jazz Alley.  I was 
about 15 feet from him. It was a great performance....Bill and a hammond 
organ player, and drummer....my all time favorite jazz combo configuration. 
What I heard sounded nothing like any of his CDs. It was far more hip in my 
opinion. And at one point, he really opened up and was playing some hard 
bebop lines. He mixed it up quite a bit...did some looping, some of his more 
laid back material,  etc. He was playing through a hollow body jazz guitar, 
which sounded horrendous when he used distortion.

Kris

----- Original Message ----- 

> At 09:37 PM 3/15/2006, you wrote:
>>Bill actually talked on a video?
>
> Well, he tries to.  When words fail him, he continues the explanation on 
> the guitar, where his true voice is.
>
> Have you seen him live?  Live performance is when he's at his best.
>
> Cheers,
> Kevin
>
>
> The Nettles: Progressive and Exciting Celtic Music
> www.TheNettles.com
>
> 


From Loopers-Delight-request@loopers-delight.com  Thu Mar 16 14:43:38 2006
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From: "Louis Rossi" <tarbit@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Sheet Music for Bill Frisell's "Strange Meeting"
Date: Thu, 16 Mar 2006 09:43:34 -0500
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Don't know if this was posted yet... FYI, it is piano/lead sheet form not 
guitar transcriptions

http://www.halleonard.com/item_toc.jsp?keywords=frisell+&itemid=2500341&order=0

Cheers
Lou


>From: "Kris Hartung" <khartung@cableone.net>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: <Loopers-Delight@loopers-delight.com>
>Subject: Re: Sheet Music for Bill Frisell's "Strange Meeting"
>Date: Thu, 16 Mar 2006 07:39:15 -0700
>
>I saw Frisell live in Seattle a few years ago, at the Jazz Alley.  I was 
>about 15 feet from him. It was a great performance....Bill and a hammond 
>organ player, and drummer....my all time favorite jazz combo configuration. 
>What I heard sounded nothing like any of his CDs. It was far more hip in my 
>opinion. And at one point, he really opened up and was playing some hard 
>bebop lines. He mixed it up quite a bit...did some looping, some of his 
>more laid back material,  etc. He was playing through a hollow body jazz 
>guitar, which sounded horrendous when he used distortion.
>
>Kris
>
>----- Original Message -----
>
>>At 09:37 PM 3/15/2006, you wrote:
>>>Bill actually talked on a video?
>>
>>Well, he tries to.  When words fail him, he continues the explanation on 
>>the guitar, where his true voice is.
>>
>>Have you seen him live?  Live performance is when he's at his best.
>>
>>Cheers,
>>Kevin
>>
>>
>>The Nettles: Progressive and Exciting Celtic Music
>>www.TheNettles.com
>>
>>
>
>


From Loopers-Delight-request@loopers-delight.com  Thu Mar 16 15:36:07 2006
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From: =?ISO-8859-1?Q?tEd_=AE_kiLLiAn?= <tedkillian@charter.net>
Subject: Re: Sheet Music for Bill Frisell's "Strange Meeting"
Date: Thu, 16 Mar 2006 07:34:17 -0800
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--Apple-Mail-9-1007299916
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Kris,

On Mar 16, 2006, at 6:39 AM, Kris Hartung wrote:

> I saw Frisell live in Seattle a few years ago,

Seattle. That the only place I've ever been able to catch him either.
It figures. That's where he lives now -- as of about 2000 or so.

I saw him at the grand opening of the Experience Music Project.
He had the full "americana" band with him and Joey Barron was
drumming (he's just about my favorite drummer of all time). The
group included Greg Leitz on dobro and another guitarist I don't
seem to remember filling in here and there.

Another Seattle resident, Larry Corryell opened -- solo all by himself.
That was a blast. Kay, my wife bought the tickets for my birthday.
I have to admit it was sweet. She even sat through the whole thing
without complaining or heading to the restroom. Heheh.

BTW, "Strange Meeting" also appears on the album "Power Tools"
in an incarnation I find particularly nice.

Cheers,

tEd =AE kiLLiAn

"Different is not always better, but better is always different"

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=3D2845073
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?=20
step=3Dview_profile&id=3D121197000042

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???=

--Apple-Mail-9-1007299916
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Kris,


On Mar 16, 2006, at 6:39 AM, Kris Hartung wrote:


<excerpt>I saw Frisell live in Seattle a few years ago,=20

</excerpt>

Seattle. That the only place I've ever been able to catch him either.

It figures. That's where he lives now -- as of about 2000 or so.=20


I saw him at the grand opening of the Experience Music Project.

He had the full "americana" band with him and Joey Barron was

drumming (he's just about my favorite drummer of all time). The

group included Greg Leitz on dobro and another guitarist I don't

seem to remember filling in here and there.=20


Another Seattle resident, Larry Corryell opened -- solo all by himself.

That was a blast. Kay, my wife bought the tickets for my birthday.

I have to admit it was sweet. She even sat through the whole thing

without complaining or heading to the restroom. Heheh.


BTW, "Strange Meeting" also appears on the album "Power Tools"

in an incarnation I find particularly nice.=20


Cheers,


tEd =AE kiLLiAn


<color><param>8080,8080,8080</param>"Different is not always better,
but better is always different"


http://www.pfmentum.com/flux.html

http://www.CDbaby.com/cd/tedkillian

http://www.guitar9.com/fluxaeterna.html

http://www.garageband.com/artist/ArsOcarina

http://www.towerrecords.com/product.aspx?pfid=3D2845073

http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314

http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193

=
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042


Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,

BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,

AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,

RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,

and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???</color>=

--Apple-Mail-9-1007299916--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 16 15:37:03 2006
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Subject: What instrument-What cd
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The movie "Passion of the Christ" have some nice soundscores. I do like that strange sounding horn-instrument. Does anyone know what instrument this is? And are there some cds out there with "good music" and this instrument ?
   
  best regards Rune F

--0-33793928-1142523421=:8910
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<div>The movie "Passion of the Christ" have some nice soundscores. I do like that strange sounding horn-instrument. Does anyone know what instrument this is? And are there some cds out there with "good music" and this instrument&nbsp;?</div>  <div>&nbsp;</div>  <div>best regards Rune F</div>
--0-33793928-1142523421=:8910--

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From: =?ISO-8859-1?Q?tEd_=AE_kiLLiAn?= <tedkillian@charter.net>
Subject: Re: unrounded multiply question/praise the edp
Date: Thu, 16 Mar 2006 07:35:46 -0800
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--Apple-Mail-10-1007389027
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Hi,

What is this "blind plug" of which you speak?

On Mar 16, 2006, at 1:12 AM, Philipp Z=FCrcher wrote:

> "blind" plug

Just curious,

tEd =AE kiLLiAn

"Different is not always better, but better is always different"

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=3D2845073
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?=20
step=3Dview_profile&id=3D121197000042

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???=

--Apple-Mail-10-1007389027
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Hi,


What is this "blind plug" of which you speak?


On Mar 16, 2006, at 1:12 AM, Philipp Z=FCrcher wrote:


<excerpt>"blind" plug

</excerpt>

Just curious,


tEd =AE kiLLiAn


<color><param>8080,8080,8080</param>"Different is not always better,
but better is always different"


http://www.pfmentum.com/flux.html

http://www.CDbaby.com/cd/tedkillian

http://www.guitar9.com/fluxaeterna.html

http://www.garageband.com/artist/ArsOcarina

http://www.towerrecords.com/product.aspx?pfid=3D2845073

http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314

http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193

=
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042


Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,

BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,

AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,

RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,

and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???</color>=

--Apple-Mail-10-1007389027--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 16 15:51:57 2006
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From: "Louis Rossi" <tarbit@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Sheet Music for Bill Frisell's "Strange Meeting"
Date: Thu, 16 Mar 2006 10:51:49 -0500
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>From: tEd ® kiLLiAn <tedkillian@charter.net>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: Sheet Music for Bill Frisell's "Strange Meeting"
>Date: Thu, 16 Mar 2006 07:34:17 -0800
>
>Kris,
>
>On Mar 16, 2006, at 6:39 AM, Kris Hartung wrote:
 >
>>I saw Frisell live in Seattle a few years ago,
>
>Seattle. That the only place I've ever been able to catch him either.
>It figures. That's where he lives now -- as of about 2000 or so.

He left NYC over 15 yrs ago to live in Seattle :(

>BTW, "Strange Meeting" also appears on the album "Power Tools"
>in an incarnation I find particularly nice.

Yeah, I love the power tools record. It was very important to me & I finally 
found it on CD as I had it on tape. It has a lot of loops from the EHX 16 
sec. Speaking of I spotted an original for $600 at a vintage gtr shop in BK. 
It's looked a lot simpler then the reissue. Too bad the screwed up a very 
cool thing…


From Loopers-Delight-request@loopers-delight.com  Thu Mar 16 16:37:57 2006
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To: Loopers-Delight@loopers-delight.com
From: RP Collier <skeptikalist@gmail.com>
Subject: mp3 file
Date: Thu, 16 Mar 2006 08:37:51 -0800
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  I figure as long as the file is up, in case anyone might be  
interested:

I was loading a page, a film clip of Zappa playing a bicycle on the  
Steve Allen show 1963, while listening to reggae web radio and got  
these periodic bursts of Zappa/Allen audio merging into the reggae. I  
was able to capture the last bit of it and put it on an mp3 file  
available at:

http://savefile.com/projects/673660

Savefile will eventually delete the file but it should be up for a  
while longer.

Apologies to those who get this as a crosspost.

regards

BobCo


http://www.cdbaby.com/rpcollier2
http://www.cdbaby.com/rpcollier
http://tinyurl.com/cr25

From Loopers-Delight-request@loopers-delight.com  Thu Mar 16 16:51:58 2006
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From: Kevin <kevin@TheNettles.com>
Subject: Re: Sheet Music for Bill Frisell's "Strange Meeting"
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At 06:39 AM 3/16/2006, you wrote:
>He was playing through a hollow body jazz guitar, which sounded 
>horrendous when he used distortion.

Probably not the guitar, probably the ProCo Rat pedal he likes to 
use.  It can be very ugly, if you want it to be.

Cheers,
Kevin

The Nettles: Progressive and Exciting Celtic Music
www.TheNettles.com

From Loopers-Delight-request@loopers-delight.com  Thu Mar 16 16:54:13 2006
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At 07:34 AM 3/16/2006, you wrote:
Seattle. That the only place I've ever been able to catch him either.
>It figures. That's where he lives now -- as of about 2000 or so.

You could have caught him in Eugene recently.  He was down there with 
his "Unspeakable Orchestra".

Cheers,
Kevin

The Nettles: Progressive and Exciting Celtic Music
www.TheNettles.com

From Loopers-Delight-request@loopers-delight.com  Thu Mar 16 17:10:47 2006
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From: Per Boysen <per@boysen.se>
Subject: Re: unrounded multiply question/praise the edp
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On 16 mar 2006, at 16.35, tEd =AE kiLLiAn wrote:
> What is this "blind plug" of which you speak?


Normally you plug an analog volume pedal into the rear "feedback"  =20
jack of the EDP. A "blind plug" is when human loopers abuse that  =20
jack by filling it up with a plug that doesn't have a chord that =20
leads anywhere. For the EDP this is a true "blind date" because it =20
still believes there is a Voume Pedal waiting at the opposite end. A =20
misbelief that makes EDP offer the user all kind of useful =20
alternative modes to loop in.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?=20
id=3D128679560&s=3D143456



From Loopers-Delight-request@loopers-delight.com  Thu Mar 16 17:13:38 2006
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From: "Marco Ronci" <m.ronci@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: What instrument-What cd
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------=_Part_1858_14573042.1142529216166
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Did't see the movie but i'll try to guess...
duduk ?

2006/3/16, rune fagereng <rune_fagereng@yahoo.no>:
>
> The movie "Passion of the Christ" have some nice soundscores. I do like
> that strange sounding horn-instrument. Does anyone know what instrument t=
his
> is? And are there some cds out there with "good music" and this instrumen=
t ?
>
> best regards Rune F
>

------=_Part_1858_14573042.1142529216166
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Did't see the movie but i'll try to guess...<br>
duduk ?<br><br><div><span class=3D"gmail_quote">2006/3/16, rune fagereng &l=
t;<a href=3D"mailto:rune_fagereng@yahoo.no">rune_fagereng@yahoo.no</a>&gt;:=
</span><blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rg=
b(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<div>The movie &quot;Passion of the Christ&quot; have some nice soundscores=
. I do
like that strange sounding horn-instrument. Does anyone know what
instrument this is? And are there some cds out there with &quot;good music&=
quot;
and this instrument&nbsp;?</div>  <div>&nbsp;</div>  <div>best regards Rune=
 F</div>
</blockquote></div><br>

------=_Part_1858_14573042.1142529216166--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 16 17:16:03 2006
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Date: Thu, 16 Mar 2006 18:16:01 +0100 (CET)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: Vedr. Re: unrounded multiply question/praise the edp
To: Loopers-Delight@loopers-delight.com
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--0-1297169657-1142529361=:94450
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Does this work with the repeater too ?
   
  Rune f

Per Boysen <per@boysen.se> skrev:
  On 16 mar 2006, at 16.35, tEd ® kiLLiAn wrote:
> What is this "blind plug" of which you speak?


Normally you plug an analog volume pedal into the rear "feedback" 
jack of the EDP. A "blind plug" is when human loopers abuse that 
jack by filling it up with a plug that doesn't have a chord that 
leads anywhere. For the EDP this is a true "blind date" because it 
still believes there is a Voume Pedal waiting at the opposite end. A 
misbelief that makes EDP offer the user all kind of useful 
alternative modes to loop in.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast? 
id=128679560&s=143456





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<div>Does this work with the repeater too ?</div>  <div>&nbsp;</div>  <div>Rune f<BR><BR><B><I>Per Boysen &lt;per@boysen.se&gt;</I></B> skrev:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">On 16 mar 2006, at 16.35, tEd ® kiLLiAn wrote:<BR>&gt; What is this "blind plug" of which you speak?<BR><BR><BR>Normally you plug an analog volume pedal into the rear "feedback" <BR>jack of the EDP. A "blind plug" is when human loopers abuse that <BR>jack by filling it up with a plug that doesn't have a chord that <BR>leads anywhere. For the EDP this is a true "blind date" because it <BR>still believes there is a Voume Pedal waiting at the opposite end. A <BR>misbelief that makes EDP offer the user all kind of useful <BR>alternative modes to loop in.<BR><BR>Greetings from Sweden<BR><BR>Per Boysen<BR>www.boysen.se (Swedish)<BR>www.looproom.com (international)<BR>http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?
 <BR>id=128679560&amp;s=143456<BR><BR><BR><BR></BLOCKQUOTE><BR>
--0-1297169657-1142529361=:94450--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 16 17:41:21 2006
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Clint Allen wrote:

> Andrew,
> Look in the FAQ section of the site. There is a link you can follow 
> that is for converting your
> regular page into an Artist's page.
>
> I willl say that I tried this several months ago and it was ultimately 
> easier for me to "migrate"
> everything on my own...It is a pain either way.
>
> Clint Allen


Thanks, Clint.
I've decided to leave my myspace page as is.
If people want to hear mp3s from me, hopefully
they'll click on the link to my webpage on my
myspace page.  I don't have the time or patience
to create a new artist page just for the sake of
being able to put 4 mp3s online, ditto for migration.
Thanks again.
Take care.
Andrew





-- 
Andrew Duke
scoring/sound design/source
http://andrew-duke.com
http://myspace.com/andrewduke
Cognition Audioworks label
[Andrew Duke, Foal, Clinker, Granny'Ark]
http://cognitionaudioworks.com



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<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
  <meta http-equiv="Content-Type" content="text/html;charset=ISO-8859-1">
  <title></title>
</head>
<body>
Clint Allen wrote:<br>
<blockquote type="cite"
 cite="mid2fb9e4730603151014n5cf24e37u6ba3976f58c06c62@mail.gmail.com">Andrew,<br>
 Look in the FAQ section of the site. There is a link you can follow that
is for converting your<br>
 regular page into an Artist's page. <br>
 <br>
 I willl say that I tried this several months ago and it was ultimately easier
for me to "migrate"<br>
 everything on my own...It is a pain either way.<br>
 <br>
 Clint Allen</blockquote>
<pre wrap=""><!---->
Thanks, Clint.
I've decided to leave my myspace page as is.
If people want to hear mp3s from me, hopefully
they'll click on the link to my webpage on my
myspace page.  I don't have the time or patience
to create a new artist page just for the sake of
being able to put 4 mp3s online, ditto for migration.
Thanks again.
Take care.
Andrew

</pre>
<br>
<br>
<br>
<pre class="moz-signature" cols="$mailwrapcol">-- 
Andrew Duke
scoring/sound design/source
<a class="moz-txt-link-freetext" href="http://andrew-duke.com">http://andrew-duke.com</a>
<a class="moz-txt-link-freetext" href="http://myspace.com/andrewduke">http://myspace.com/andrewduke</a>
Cognition Audioworks label
[Andrew Duke, Foal, Clinker, Granny'Ark]
<a class="moz-txt-link-freetext" href="http://cognitionaudioworks.com">http://cognitionaudioworks.com</a>
</pre>
<br>
</body>
</html>

--Boundary_(ID_rwXrMCYFB9AuPeAm0CrbZg)--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 16 17:44:03 2006
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From: Per Boysen <per@boysen.se>
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No. And i forgot to say that it's for the recent EDP Loop4 operating =20
system.

per



On 16 mar 2006, at 18.16, rune fagereng wrote:

> Does this work with the repeater too ?
>
> Rune f
>
> Per Boysen <per@boysen.se> skrev:
> On 16 mar 2006, at 16.35, tEd =AE kiLLiAn wrote:
> > What is this "blind plug" of which you speak?
>
>
> Normally you plug an analog volume pedal into the rear "feedback"
> jack of the EDP. A "blind plug" is when human loopers abuse that
> jack by filling it up with a plug that doesn't have a chord that
> leads anywhere. For the EDP this is a true "blind date" because it
> still believes there is a Voume Pedal waiting at the opposite end. A
> misbelief that makes EDP offer the user all kind of useful
> alternative modes to loop in.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?
> id=3D128679560&s=3D143456

From Loopers-Delight-request@loopers-delight.com  Thu Mar 16 18:42:06 2006
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trying to control the looping unit in Native Instruments Guitar Rig 2 with 
my Line 6 FBV shortboard but it seems
I have to hit the switches twice for a controller message to send.
What gives... anybody been through this or similar?
Any help would be great thanks in advance.
Regards,
aaron.


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<div>trying to control the looping unit in Native Instruments Guitar Rig 2 with <BR>my Line 6 FBV shortboard but it seems<BR>I have to hit the switches twice for a controller message to send.<BR>What gives... anybody been through this or similar?<BR>Any help would be great thanks in advance.<BR>Regards,<BR>aaron.<BR></div>
--0-1529632552-1142534523=:40477--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 16 18:49:23 2006
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From: Luis Angulo <labalou2000@yahoo.com>
Subject: Re: What instrument-What cd
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The armenian duduk is my favorite instrument its so
deep i still cant get enough of Peter Gabriels
"passion" soundtrack!



--- Marco Ronci <m.ronci@gmail.com> wrote:

> Did't see the movie but i'll try to guess...
> duduk ?
> 
> 2006/3/16, rune fagereng <rune_fagereng@yahoo.no>:
> >
> > The movie "Passion of the Christ" have some nice
> soundscores. I do like
> > that strange sounding horn-instrument. Does anyone
> know what instrument this
> > is? And are there some cds out there with "good
> music" and this instrument ?
> >
> > best regards Rune F
> >
> 


www.luis-angulo.com

__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Thu Mar 16 18:58:01 2006
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You're confusing The Last Temptation of Christ with The Passion of the
Christ. Peter Gabriel scored the former, not the latter.

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You're confusing The Last Temptation of&nbsp;Christ with&nbsp;The&nbsp;Pass=
ion of the Christ. Peter Gabriel scored the former, not the latter.<br>

------=_Part_2659_469719.1142535479061--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 16 19:01:15 2006
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no i am not confusing them, ive seen both i just
commented on the instrument itself.

--- Christopher Bell <cwwbell@gmail.com> wrote:

> You're confusing The Last Temptation of Christ with
> The Passion of the
> Christ. Peter Gabriel scored the former, not the
> latter.
> 


www.luis-angulo.com

__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Thu Mar 16 19:26:25 2006
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From: Jeff Shirkey <jcshirke@midway.uchicago.edu>
Subject: Re: Guitar Rig 2 Midi question
Date: Thu, 16 Mar 2006 13:23:21 -0600
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Hi,

I can't help you with your MIDI question, unfortunately. But, since  
you own GR 2, I was curious how you liked it. I'm definitely  
interested in it myself. Amplitube 2 will be out by the end of the  
month, so I'm also considering it.

Jeff

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    <7.0.0.16.0.20060316085319.01b9aa68@TheNettles.com>
Date: Thu, 16 Mar 2006 11:52:42 -0800 (PST)
Subject: Re: Sheet Music for Bill Frisell's "Strange Meeting"
From: johnsrude@peak.org
To: Loopers-Delight@loopers-delight.com
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> At 07:34 AM 3/16/2006, you wrote:
> Seattle. That the only place I've ever been able to catch him either.
>>It figures. That's where he lives now -- as of about 2000 or so.

It looks like he's going to be all over the place in the next few weeks,
including southern Oregon, California, NYC, Sweden, Norway, Spain,
Switzerland, etc., etc.

See Bill Frisell's tour dates at:
http://www.billfrisell.com/index-tour.htm

Cheers,
Kevin


From Loopers-Delight-request@loopers-delight.com  Thu Mar 16 19:57:28 2006
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Subject: Re: Looperlative MP3s
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Hi Steve,

Thanks, enjoyed the tracks - some lovely soprano sax playing.

Ian.



----- Original Message ----- 
From: "Steve Lawson" <steve@steve-lawson.co.uk>
To: "Loop List" <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, March 14, 2006 9:38 AM
Subject: Looperlative MP3s


> Hi all,
> 
> I've recently uploaded a few MP3s to the Recycle Collective MySpace  
> page - www.myspace.com/therecyclecollective - the first one is an  
> older duet with Cleveland Watkiss, which was done with my two EDP  
> setup. The other two are live tracks with Theo Travis, where I'm just  
> using the Looperlative for loopage. Theo's using two DL4s.
> 
> Enjoy!
> 
> Steve
> www.stevelawson.net - site
> www.stevelawson.net/store/ - shop
> http://steve.anthropiccollective.org - blog
> 
> 
> 
> 
>

From Loopers-Delight-request@loopers-delight.com  Thu Mar 16 19:58:48 2006
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johnsrude@peak.org wrote:

>It looks like he's going to be all over the place in the next few weeks,
>including southern Oregon, California, NYC, Sweden, Norway, Spain,
>Switzerland, etc., etc.
>
>See Bill Frisell's tour dates at:
>http://www.billfrisell.com/index-tour.htm
>  
>
Hot dog! A week at the VV. I'm there.

-- 
* David Beardsley
* microtonal guitar
* http://biink.com/db

From Loopers-Delight-request@loopers-delight.com  Thu Mar 16 20:08:33 2006
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Date: Thu, 16 Mar 2006 15:08:30 -0500
From: "Christopher Bell" <cwwbell@gmail.com>
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Subject: Re: What instrument-What cd
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'i still cant get enough of Peter Gabriels
"passion" soundtrack!'

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'i still cant get enough of Peter Gabriels<br>&quot;passion&quot; soundtrac=
k!'<br>

------=_Part_4022_1038603.1142539710915--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 16 22:03:34 2006
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Per wrote:
"I'd like to go with something like a portable number pad, similar to
what sits to the right on a PC keyboard. But it should just send MIDI
Change. I've never needed to use more than nine programs, instantly
accessible, with my EDP, so a number pad style hand controller would
do the job just fine. As you perform the timing critical actions with
your feet it makes sense to me having a hand controller on the side
for jumping between the EDP programs. That makes it possible to
manipulate audio loops with feet at the same time you are using the
hand pad to change what functions are actually assigned to your foot
buttons (EDP programs)."


I'm loving my M-Audio Trigger Finger (a present from my brother, by the 
way), Per.
It's no larger than one of those 12" mac laptops and very thin so it's not
very big for transport and it has 16 finger controlled pads on it for
anything from CC messages to triggering samples or, in my case,
playing my Repeater like a chromatic instrument.


How are the boys doing?

yours,  Rick 

From Loopers-Delight-request@loopers-delight.com  Thu Mar 16 22:56:33 2006
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From: "Ian Popperwell" <popperwell@iname.com>
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Subject: Line6 Echo Park
Date: Thu, 16 Mar 2006 22:57:18 -0000
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This is a multi-part message in MIME format.

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BlankHi,

I've been off the list for a while and am glad to be back. I've just =
bought the Line6 Echo Park, the new unprogrammable version of the DL4 =
without a looper - oh, that makes it sound rubbish doesn't it... It's a =
single stomp box type delay pedal with pretty much the same delay models =
in it as the DL4 - but with some useful shortcuts to make the =
non-programmability more pallatable. I'm using it at gigs alongside my =
DL4 and really like it (compact + a great sound) - thought it worth =
bringing to the attention of the list.

Ian.



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<DIV>Hi,</DIV>
<DIV>&nbsp;</DIV>
<DIV>I've been off the list for a while and am glad to be back. I've =
just bought=20
the Line6 Echo Park, the new unprogrammable version of the DL4 without a =
looper=20
- oh, that makes it sound rubbish doesn't it... It's a single stomp box =
type=20
delay pedal with pretty much the same delay models in it as the DL4 - =
but with=20
some useful shortcuts to make the non-programmability more pallatable. =
I'm using=20
it at gigs alongside my DL4 and really like it (compact + a great sound) =
-=20
thought it worth bringing to the attention of the list.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Ian.</DIV>
<DIV>&nbsp;</DIV>
<P>&nbsp;</P></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu Mar 16 23:08:59 2006
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From: daviD <waveform@free.fr>
Subject: Jack-OSX and SooperLooper
Date: Fri, 17 Mar 2006 00:08:50 +0100
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Hi,

I'm currently testing SooperLooper, and being very happy with it.
When it works. Well, when Jack works.

Two days ago, I used SL without any problem on my iBook, with an 
external USB audio interface (Edirol UA20). Very nice and clean GUI 
btw, though I searched a "stop/pause" button for quite a few minutes 
(does such a thing exist ?).

Yesterday, I wanted to try the internal microphone (without the USB 
interface) and succeeded in getting lots of feebacky noises with the 
iBook's internal mic and speakers. To do this, I assigned the in/outs 
differently in Jack's router (which is not terribly intuitive but it 
worked well so far).

The problem is that now, Jack only sees the internal mic/speakers and 
sooperlooper in the router (and iTunes if I launch it, too), but my 
UA20 is nowhere to be seen.

I've just spent an hour trying everything I could think of, rebooting 
OSX, reinstalling the latest version of Jack and slowly losing my 
sanity.
And I'm a developper/engineer, technology isn't supposed to do this to 
me :)

Does anyone have an idea of what could be causing the problem here ?
The UA20 is correctly seen in the OSX preferences panel, i can use it 
to play music and the input works correctly (the meter in the pref. 
panel reacts correctly), but Jack is a bad boy and doesn't want to 
speak to it.

And i really want to make some loops right now...

Any help about this would be really appreciated.
Thanks in advance,
</daviD>

"Simulating the true styles and making carefully !
  Many colours a lot, selected freely by you !"

From Loopers-Delight-request@loopers-delight.com  Thu Mar 16 23:26:20 2006
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From: RP Collier <skeptikalist@gmail.com>
Subject: Re: Jack-OSX and SooperLooper
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On Mar 16, 2006, at 3:08 PM, daviD wrote:

> The UA20 is correctly seen in the OSX preferences panel, i can use  
> it to play music and the input works correctly (the meter in the  
> pref. panel reacts correctly), but Jack is a bad boy and doesn't  
> want to speak to it.
>
> And i really want to make some loops right now...
>
> Any help about this would be really appreciated.

Hi

Haven't used Jack yet but I did come across an audio problem worth  
noting for osX'ers.

Some devices/software cause an arbitrary shift in the default  
sampling rate.

Open the Audio Midi setup in utilities and check the Hz # for audio I/O.
For most things it should be 44.1, but some activities bump it up to  
96.0 and then do not revert to default. Then applications expecting  
44Hz think the configuration is broken or I guess just unrecognizable.
If this is the case type or select 44.1 rate in the I/O fields.

Quite irritating.

regards

BobCo


http://www.cdbaby.com/rpcollier2
http://www.cdbaby.com/rpcollier
http://tinyurl.com/cr25

From Loopers-Delight-request@loopers-delight.com  Thu Mar 16 23:26:51 2006
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The film is "The Last Temptation of Christ", but the soundtrack album is called "Passion". I think it's one of Gabriel's best recordings, because of the combination of electronic instruments and traditional instruments, like the doudouk.

- Tony

"Christopher Bell" <cwwbell@gmail.com> wrote:

>'i still cant get enough of Peter Gabriels
>"passion" soundtrack!'
>

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From Loopers-Delight-request@loopers-delight.com  Thu Mar 16 23:40:47 2006
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Subject: Re: What instrument-What cd
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Don't forget Passion Sources on Peter's lable.  A very
cool compilation of music that inspired the
soundtrack.

--- Christopher Bell <cwwbell@gmail.com> wrote:

> 'i still cant get enough of Peter Gabriels
> "passion" soundtrack!'
> 


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From: "David Kirkdorffer" <vze2ncsr@verizon.net>
Subject: Re: artist signups? Re: MySpace for Loopers
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References: <01c601c64803$458abda0$fe78a8c0@mpeserver>
 <44183338.7040704@andrew-duke.com>
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Actually, I didn't know what was what when I started in myspace last =
wek, and I converted a personal page I had created into a band page and =
placed mp3s.  So, you don't need to do anything special, I don't think.  =


David Kirkdorffer

http://myspace.com/undomusic


  ----- Original Message -----=20
  From: Andrew Duke=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Thursday, March 16, 2006 12:40 PM
  Subject: Re: artist signups? Re: MySpace for Loopers


  Clint Allen wrote:

    Andrew,
    Look in the FAQ section of the site. There is a link you can follow =
that is for converting your
    regular page into an Artist's page.=20

    I willl say that I tried this several months ago and it was =
ultimately easier for me to "migrate"
    everything on my own...It is a pain either way.

    Clint Allen

Thanks, Clint.
I've decided to leave my myspace page as is.
If people want to hear mp3s from me, hopefully
they'll click on the link to my webpage on my
myspace page.  I don't have the time or patience
to create a new artist page just for the sake of
being able to put 4 mp3s online, ditto for migration.
Thanks again.
Take care.
Andrew





--=20
Andrew Duke
scoring/sound design/source
http://andrew-duke.com
http://myspace.com/andrewduke
Cognition Audioworks label
[Andrew Duke, Foal, Clinker, Granny'Ark]
http://cognitionaudioworks.com


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content=3Dtext/html;charset=3DISO-8859-1>
<META content=3D"MSHTML 6.00.2800.1528" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Actually, I didn't know what was what =
when I=20
started in myspace last wek, and I converted a personal page I had =
created into=20
a band page and placed mp3s.&nbsp; So, you don't need to do anything =
special, I=20
don't think.&nbsp; </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>David Kirkdorffer</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://myspace.com/undomusic">http://myspace.com/undomusic</A></F=
ONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dandrew@andrew-duke.com =
href=3D"mailto:andrew@andrew-duke.com">Andrew=20
  Duke</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Thursday, March 16, 2006 =
12:40=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: artist signups? =
Re: MySpace=20
  for Loopers</DIV>
  <DIV><BR></DIV>Clint Allen wrote:<BR>
  <BLOCKQUOTE=20
  cite=3Dmid2fb9e4730603151014n5cf24e37u6ba3976f58c06c62@mail.gmail.com=20
  type=3D"cite">Andrew,<BR>Look in the FAQ section of the site. There is =
a link=20
    you can follow that is for converting your<BR>regular page into an =
Artist's=20
    page. <BR><BR>I willl say that I tried this several months ago and =
it was=20
    ultimately easier for me to "migrate"<BR>everything on my own...It =
is a pain=20
    either way.<BR><BR>Clint Allen</BLOCKQUOTE><PRE wrap=3D""><!---->
Thanks, Clint.
I've decided to leave my myspace page as is.
If people want to hear mp3s from me, hopefully
they'll click on the link to my webpage on my
myspace page.  I don't have the time or patience
to create a new artist page just for the sake of
being able to put 4 mp3s online, ditto for migration.
Thanks again.
Take care.
Andrew

</PRE><BR><BR><BR><PRE class=3Dmoz-signature cols=3D"$mailwrapcol">--=20
Andrew Duke
scoring/sound design/source
<A class=3Dmoz-txt-link-freetext =
href=3D"http://andrew-duke.com">http://andrew-duke.com</A>
<A class=3Dmoz-txt-link-freetext =
href=3D"http://myspace.com/andrewduke">http://myspace.com/andrewduke</A>
Cognition Audioworks label
[Andrew Duke, Foal, Clinker, Granny'Ark]
<A class=3Dmoz-txt-link-freetext =
href=3D"http://cognitionaudioworks.com">http://cognitionaudioworks.com</A=
>
</PRE><BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0014_01C6492B.3CBD5420--

From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 00:06:42 2006
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Date: Thu, 16 Mar 2006 19:06:35 -0500
From: TonyIsYourPal@netscape.net (Tony Douglas)
To: Loopers-Delight@loopers-delight.com
Subject: RE: MIDI pc controller for EDP (was: unrounded multiply question/praise the edp)
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Hi Per,

Don't know if anyone's suggested it before and I've been too dopey-eyed to notice, but what you're talking about sounds like the ancient Roland RC-3 remote controller. There's one on eBay UK at the moment (less than a day to go), link to the auction is ... 

http://cgi.ebay.co.uk/ROLAND-RC-3-MIDI-PROGRAM-CHANGER-1989_W0QQitemZ7396729959QQcategoryZ38090QQrdZ1QQcmdZViewItem

- Tony

Per Boysen <per@boysen.se> wrote:

>I'd like to go with something like a portable number pad, similar to
>what sits to the right on a PC keyboard. But it should just send MIDI
>Change. I've never needed to use more than nine programs, instantly
>accessible, with my EDP, so a number pad style hand controller would
>do the job just fine. As you perform the timing critical actions with
>your feet it makes sense to me having a hand controller on the side
>for jumping between the EDP programs. That makes it possible to
>manipulate audio loops with feet at the same time you are using the
>hand pad to change what functions are actually assigned to your foot
>buttons (EDP programs).
>
>Per
>

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From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 01:58:58 2006
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Date: Thu, 16 Mar 2006 17:55:47 -0800
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Hi all,

  I've been doing a lot of looping this year since I went stereo with a 
2nd EDP+.  I'm on one of my existential 'why do we loop' trips again.  
This time though, I'm not asking 'why we loop' but 'what are we trying 
to say' when we create a looping piece?  My recent looping pieces seem 
to be defined by the texture of the sound I put into them.  The texture 
determines the mood.  After I build it up then I'll try to contrast it 
with a new loop.  After building that up, I'll return to the initial 
loop like a theme restatement thing.  The whole process though is very 
abstract, the meaning is defined and always shifting with whatever happy 
accidents occur in the loop itself.

  How are others doing this?  Before you start building a loop, do you 
have a preconceived idea of what the loop should express or do you just 
let the sound of the loop guide you?  Those out there who perform for an 
audience, do you ever introduce a loop like, "this is a loop about <my 
dog><France><groundhog day><whatever>"?  One of the exciting things I'm 
finding about looping is it's a whole new musical form of communication 
with a new language of techniques and a new way of saying things. 

Dennis

From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 03:47:55 2006
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Date: Thu, 16 Mar 2006 19:47:53 -0800 (PST)
From: ditch wrestler <ditchwrestler@yahoo.com>
Subject: Re: (Sheet Music for) Bill Frisell's ("Strange Meeting")
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  I'm a pretty big Bill fan and seen three times live - the most recent was in Erie, PA this past May with the Unspeakable Orchestra.
   
  Shy?  Hell, yes.  I think at all the concerts he said about three words other than introducing the band.  I got backstage at concet #2 (art gallery in Buffalo w/ tony schear and joey baron ) and got a few more words out of him but joey was a riot.
   
  Bill's pretty mellow - not sure if it's from too much pot or what; in a few interviews I've read he does come across as rather articulate - maybe he puts an effort into them...
   
  I've got about 2 dozen of his cd's - either as leader, co-leader, or a guest.  My favourites are probably "Have A Little Faith" and "This Land" (which have the same players on them and I've always viewed them together as a double album) but he had a really great run of Nashville, Gone Just Like a Train and Good Man Happy Dog.  The recent live album - East West - is also a keeper.
   
   
  ted harms.
  

Kevin <kevin@TheNettles.com> wrote:
  At 09:37 PM 3/15/2006, you wrote:
>Bill actually talked on a video?

Well, he tries to. When words fail him, he continues the explanation 
on the guitar, where his true voice is.

Have you seen him live? Live performance is when he's at his best.

Cheers,
Kevin


The Nettles: Progressive and Exciting Celtic Music
www.TheNettles.com



		
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<div>&nbsp;</div>  <div>I'm a pretty big Bill fan and&nbsp;seen&nbsp;three times live - the most recent was in Erie, PA this past May with the Unspeakable Orchestra.</div>  <div>&nbsp;</div>  <div>Shy?&nbsp; Hell, yes.&nbsp; I think at all the concerts he said about three words other than introducing the band.&nbsp; I got backstage at concet&nbsp;#2 (art gallery in Buffalo w/ tony schear and joey baron ) and got a few more words out of him but joey was a riot.</div>  <div>&nbsp;</div>  <div>Bill's&nbsp;pretty mellow - not sure if it's from too much pot or what; in a few interviews I've read he does come across as rather articulate - maybe he puts an effort into them...</div>  <div>&nbsp;</div>  <div>I've got about 2 dozen of his cd's - either as leader, co-leader,&nbsp;or a guest.&nbsp; My favourites are probably "Have A Little Faith" and "This Land" (which have the same players on them and I've always viewed them together as a double album) but he had a really great run of
 Nashville, Gone Just Like a Train and Good Man Happy Dog.&nbsp; The recent live album - East West - is also a keeper.</div>  <div>&nbsp;</div>  <div>&nbsp;</div>  <div>ted harms.</div>  <div><BR><BR><B><I>Kevin &lt;kevin@TheNettles.com&gt;</I></B> wrote:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">At 09:37 PM 3/15/2006, you wrote:<BR>&gt;Bill actually talked on a video?<BR><BR>Well, he tries to. When words fail him, he continues the explanation <BR>on the guitar, where his true voice is.<BR><BR>Have you seen him live? Live performance is when he's at his best.<BR><BR>Cheers,<BR>Kevin<BR><BR><BR>The Nettles: Progressive and Exciting Celtic Music<BR>www.TheNettles.com<BR><BR></BLOCKQUOTE><BR><p>
		<hr size=1> Yahoo! Mail<br> 
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From: =?ISO-8859-1?Q?tEd_=AE_kiLLiAn?= <tedkillian@charter.net>
Subject: Re: what a loop has to say
Date: Thu, 16 Mar 2006 20:14:57 -0800
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Dennis,

On Mar 16, 2006, at 5:55 PM, Dennis Montgomery wrote:

> Those out there who perform for an audience, do you ever introduce a =20=

> loop like, "this is a loop about <my dog><France><groundhog =20
> day><whatever>"?  One of the exciting things I'm finding about looping =
=20
> is it's a whole new musical form of communication with a new language =20=

> of techniques and a new way of saying things.
> Dennis

Well, on rare occasions I will introduce a musical piece that way -- =20
but mostly as sort of an "in joke." People who know me well know my =20
musical grey matter doesn't work that way. I am really not wired that =20=

way at all (and fail particularly miserably whenever I don't go with =20
the way my head works). "Hey, y'all! Thanks for comin' out tonight. =20
This next song is about a blue helicopter."

Another exception is when I am trying (in vain mostly) to recreate the =20=

spirit and mood (and a few of the recognizable riffs and other =20
earmarks) of a piece from my CD. I'm a terrible cover musician to begin =20=

with -- even when I'm covering myself. I can just about do it sometimes =20=

but it isn't a very satisfying experience for me. Who knows about the =20=

audience, heheheh. Don't ask don't tell.

My music (at least while I'm doing it) isn't about expressing something =20=

that can be expressed in any other way (at the time). It's about =20
discovery, about finding a new path and (as corny and pompous assed as =20=

it may sound) it's about expressing what seems to be inexpressible. I'm =20=

finding out as I'm doing it.

I can really only give titles to things after the fact, if there =20
happens to be a recording. When I'm doing it (actually performing), the =20=

verbal part of my brain better be totally turned off or a true musical =20=

"train wreck" is certain to ensue.

I make no judgment on others (or you in particular) for being another =20=

way. Actually, I feel that I am the one who is deficient here. I would =20=

love to be able to sit down on my guitar stool and think in the =20
abstract . . . okay, I am now going to evoke . . . spring, a sunny day, =20=

lost innocence, memories of whatever . . . lost love, my dog, my truck, =20=

my doughnut, heheheh. Really!

It only seems to happen "in the moment" for me. A part of my brain must =20=

be broken. That's all I can say. I admire the heck out of anyone who =20
can think of something beforehand and "express" it musically. I can't =20=

do it. I've tried too many years and have finally learned what I'm =20
sortta good and what I'm not very good at at all.

I also absolutely cannot sing and play at the same time. I picked up =20
the guitar at age 10 and I am now 53. You'd think that somewhere along =20=

the line I could've mastered at least a simple campfire song by now, =20
huh? Nope. Not even one. I really think the two areas are closely =20
related.

The musical part of my brain cannot operate while my verbal part is =20
going. So, as far as the title of this thread goes, "what a loop has to =20=

say" I'd have to say I need to hear it first, and think about it a =20
while (maybe even sleep on it) -- then I may have some vague idea. =20
Otherwise, I ain't got a clue.

My hat is off to you.

tEd =AE kiLLiAn

"Different is not always better, but better is always different"

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=3D2845073
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?=20
step=3Dview_profile&id=3D121197000042

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???=

--Apple-Mail-11-1052940517
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Dennis,


On Mar 16, 2006, at 5:55 PM, Dennis Montgomery wrote:


<excerpt>Those out there who perform for an audience, do you ever
introduce a loop like, "this is a loop about <<my
dog><<France><<groundhog day><<whatever>"?  One of the exciting things
I'm finding about looping is it's a whole new musical form of
communication with a new language of techniques and a new way of
saying things.=20

Dennis

</excerpt>

Well, on rare occasions I will introduce a musical piece that way --
but mostly as sort of an "in joke." People who know me well know my
musical grey matter doesn't work that way. I am really not wired that
way at all (and fail particularly miserably whenever I don't go with
the way my head works). "Hey, y'all! Thanks for comin' out tonight.
This next song is about a blue helicopter."


Another exception is when I am trying (in vain mostly) to recreate the
spirit and mood (and a few of the recognizable riffs and other
earmarks) of a piece from my CD. I'm a terrible cover musician to
begin with -- even when I'm covering myself. I can just about do it
sometimes but it isn't a very satisfying experience for me. Who knows
about the audience, heheheh. Don't ask don't tell.


My music (at least while I'm doing it) isn't about expressing
something that can be expressed in any other way (at the time). It's
about discovery, about finding a new path and (as corny and pompous
assed as it may sound) it's about expressing what seems to be
inexpressible. I'm finding out as I'm doing it.


I can really only give titles to things after the fact, if there
happens to be a recording. When I'm doing it (actually performing),
the verbal part of my brain better be totally turned off or a true
musical "train wreck" is certain to ensue.


I make no judgment on others (or you in particular) for being another
way. Actually, I feel that I am the one who is deficient here. I would
love to be able to sit down on my guitar stool and think in the
abstract . . . okay, I am now going to evoke . . . spring, a sunny
day, lost innocence, memories of whatever . . . lost love, my dog, my
truck, my doughnut, heheheh. Really!


It only seems to happen "in the moment" for me. A part of my brain
must be broken. That's all I can say. I admire the heck out of anyone
who can think of something beforehand and "express" it musically. I
can't do it. I've tried too many years and have finally learned what
I'm sortta good and what I'm not very good at at all.=20


I also <italic>absolutely</italic> cannot sing and play at the same
time. I picked up the guitar at age 10 and I am now 53. You'd think
that somewhere along the line I could've mastered at least a simple
campfire song by now, huh? Nope. Not even one. I really think the two
areas are closely related.


The musical part of my brain cannot operate while my verbal part is
going. So, as far as the title of this thread goes, "what a loop has
to say" I'd have to say I need to hear it first, and think about it a
while (maybe even sleep on it) -- then I may have some vague idea.
Otherwise, I ain't got a clue.


My hat is off to you.=20


tEd =AE kiLLiAn


<color><param>8080,8080,8080</param>"Different is not always better,
but better is always different"


http://www.pfmentum.com/flux.html

http://www.CDbaby.com/cd/tedkillian

http://www.guitar9.com/fluxaeterna.html

http://www.garageband.com/artist/ArsOcarina

http://www.towerrecords.com/product.aspx?pfid=3D2845073

http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314

http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193

=
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042


Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,

BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,

AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,

RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,

and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???</color>=

--Apple-Mail-11-1052940517--

From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 04:28:59 2006
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From: =?ISO-8859-1?Q?tEd_=AE_kiLLiAn?= <tedkillian@charter.net>
Subject: Re: Sheet Music for Bill Frisell's "Strange Meeting"
Date: Thu, 16 Mar 2006 20:29:37 -0800
To: Loopers-Delight@loopers-delight.com
X-Mailer: Apple Mail (2.623)
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Hmmmm,

Bill is playing next Wednesday night with his "858 Quartet" featuring
Hank Roberts (cello), Eyvind Kang (violin) & Jenny Scheinman (violin).

It's at the SOU (Southern Oregon University) Recital Hall so I'm =20
expecting
it will be more an exploration of the type of material on his "Richter =20=

858"
than a typical Frisell gig.

I just bought a ticket for it online this evening. Anyone else see this
lineup recently?

The Recital Hall has excellent acoustics, it normally hosts classical
music performances and such. I guess this group qualifies as a
"string quartet" of sorts.

Now I have something to look forward to.

tEd =AE kiLLiAn

"Different is not always better, but better is always different"

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=3D2845073
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?=20
step=3Dview_profile&id=3D121197000042

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???=

--Apple-Mail-12-1053820746
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<color><param>0000,0000,0000</param>Hmmmm,


Bill is playing next Wednesday night with his "858 Quartet" featuring=20

Hank Roberts (cello), Eyvind Kang (violin) & Jenny Scheinman (violin).=20=



It's at the SOU (Southern Oregon University) Recital Hall so I'm
expecting=20

it will be more an exploration of the type of material on his "Richter
858"

than a typical Frisell gig.


I just bought a ticket for it online this evening. Anyone else see
this=20

lineup recently?


The Recital Hall has excellent acoustics, it normally hosts classical

music performances and such. I guess this group qualifies as a=20

"string quartet" of sorts.


Now I have something to look forward to.


</color>tEd =AE kiLLiAn


<color><param>8080,8080,8080</param>"Different is not always better,
but better is always different"


http://www.pfmentum.com/flux.html

http://www.CDbaby.com/cd/tedkillian

http://www.guitar9.com/fluxaeterna.html

http://www.garageband.com/artist/ArsOcarina

http://www.towerrecords.com/product.aspx?pfid=3D2845073

http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314

http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193

=
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042


Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,

BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,

AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,

RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,

and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???</color>=

--Apple-Mail-12-1053820746--

From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 04:29:52 2006
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From: "Kris Hartung" <khartung@cableone.net>
To: <Loopers-Delight@loopers-delight.com>
References: <20060317034753.74872.qmail@web33807.mail.mud.yahoo.com>
Subject: Re: (Sheet Music for) Bill Frisell's ("Strange Meeting")
Date: Thu, 16 Mar 2006 21:29:47 -0700
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Do you have any of his work with Paul Motion? I still need to pick that =
up...hard to find.

Kris

  ----- Original Message -----=20
  From: ditch wrestler=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Thursday, March 16, 2006 8:47 PM
  Subject: Re: (Sheet Music for) Bill Frisell's ("Strange Meeting")



  I'm a pretty big Bill fan and seen three times live - the most recent =
was in Erie, PA this past May with the Unspeakable Orchestra.

  Shy?  Hell, yes.  I think at all the concerts he said about three =
words other than introducing the band.  I got backstage at concet #2 =
(art gallery in Buffalo w/ tony schear and joey baron ) and got a few =
more words out of him but joey was a riot.

  Bill's pretty mellow - not sure if it's from too much pot or what; in =
a few interviews I've read he does come across as rather articulate - =
maybe he puts an effort into them...

  I've got about 2 dozen of his cd's - either as leader, co-leader, or a =
guest.  My favourites are probably "Have A Little Faith" and "This Land" =
(which have the same players on them and I've always viewed them =
together as a double album) but he had a really great run of Nashville, =
Gone Just Like a Train and Good Man Happy Dog.  The recent live album - =
East West - is also a keeper.


  ted harms.


  Kevin <kevin@TheNettles.com> wrote:
    At 09:37 PM 3/15/2006, you wrote:
    >Bill actually talked on a video?

    Well, he tries to. When words fail him, he continues the explanation =

    on the guitar, where his true voice is.

    Have you seen him live? Live performance is when he's at his best.

    Cheers,
    Kevin


    The Nettles: Progressive and Exciting Celtic Music
    www.TheNettles.com






-------------------------------------------------------------------------=
-----
  Yahoo! Mail
  Use Photomail to share photos without annoying attachments.
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Do you have any of his work with Paul =
Motion? I=20
still need to pick that up...hard to find.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dditchwrestler@yahoo.com =
href=3D"mailto:ditchwrestler@yahoo.com">ditch=20
  wrestler</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Thursday, March 16, 2006 =
8:47=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: (Sheet Music for) =
Bill=20
  Frisell's ("Strange Meeting")</DIV>
  <DIV><BR></DIV>
  <DIV>&nbsp;</DIV>
  <DIV>I'm a pretty big Bill fan and&nbsp;seen&nbsp;three times live - =
the most=20
  recent was in Erie, PA this past May with the Unspeakable =
Orchestra.</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>Shy?&nbsp; Hell, yes.&nbsp; I think at all the concerts he said =
about=20
  three words other than introducing the band.&nbsp; I got backstage at=20
  concet&nbsp;#2 (art gallery in Buffalo w/ tony schear and joey baron ) =
and got=20
  a few more words out of him but joey was a riot.</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>Bill's&nbsp;pretty mellow - not sure if it's from too much pot or =
what;=20
  in a few interviews I've read he does come across as rather articulate =
- maybe=20
  he puts an effort into them...</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>I've got about 2 dozen of his cd's - either as leader, =
co-leader,&nbsp;or=20
  a guest.&nbsp; My favourites are probably "Have A Little Faith" and =
"This=20
  Land" (which have the same players on them and I've always viewed them =

  together as a double album) but he had a really great run of =
Nashville, Gone=20
  Just Like a Train and Good Man Happy Dog.&nbsp; The recent live album =
- East=20
  West - is also a keeper.</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>ted harms.</DIV>
  <DIV><BR><BR><B><I>Kevin &lt;kevin@TheNettles.com&gt;</I></B> =
wrote:</DIV>
  <BLOCKQUOTE class=3Dreplbq=20
  style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px =
solid">At=20
    09:37 PM 3/15/2006, you wrote:<BR>&gt;Bill actually talked on a=20
    video?<BR><BR>Well, he tries to. When words fail him, he continues =
the=20
    explanation <BR>on the guitar, where his true voice is.<BR><BR>Have =
you seen=20
    him live? Live performance is when he's at his=20
    best.<BR><BR>Cheers,<BR>Kevin<BR><BR><BR>The Nettles: Progressive =
and=20
    Exciting Celtic Music<BR>www.TheNettles.com<BR><BR></BLOCKQUOTE><BR>
  <P>
  <HR SIZE=3D1>
  Yahoo! Mail<BR><A=20
  =
href=3D"http://pa.yahoo.com/*http://us.rd.yahoo.com/evt=3D38867/*http://p=
hotomail.mail.yahoo.com">Use=20
  Photomail</A> to share photos without annoying=20
attachments.</BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_09E9_01C64940.C035BE40--


From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 04:32:33 2006
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Subject: RE: what a loop has to say
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Well--
Much of my recent looping has been at my solo gigs, which have not been
frequent, but--
I find myself copping the groove and key (but not the exact progression) of
whatever piece I have just performed. Since I use sequences a lot in my
solo, this works pretty well--the piece (I AM NOODLING) builds to much
noise, which I usually end by going into another sequence, sometimes
declaring, "Now here's a real song."
So I have to think (and thanks for asking) that my loop is saying, "I can
actually play, this is the real me, and we now return to phony baloney show
business music."
Gary



From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 04:53:35 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: what a loop has to say
Date: Thu, 16 Mar 2006 20:53:32 -0800
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On Mar 16, 2006, at 8:14 PM, tEd =AE kiLLiAn wrote:

> I make no judgment on others (or you in particular) for being another=20=

> way. Actually, I feel that I am the one who is deficient here. I would=20=

> love to be able to sit down on my guitar stool and think in the=20
> abstract . . . okay, I am now going to evoke . . . spring, a sunny=20
> day, lost innocence, memories of whatever . . . lost love, my dog, my=20=

> truck, my doughnut, heheheh. Really!

I don't think you are being deficient at all. I think the desire to=20
apply a referenced "meaning" to a loop outside of the music is fine, no=20=

judgment here either. But is the application/explanation of meaning=20
really what the music is about? If you are using lyrics it is one=20
thing. Lyrics reference the word-based meaning directly. But your lack=20=

of desire to apply meaning to the abstract (your instrumental music),=20
my dear friend Ted, is...anything but deficient. If anything, I think=20
it is being more true to the music, by allowing the music to be itself=20=

and to present itself to others on its own terms free of applied=20
meaning that might not only be meaningless to the audience, but even=20
take away from the experience... But now, of course, we get on to the=20
eternal discussion of programmatic versus absolute music...

-Jeff

Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com =95 AngryVegan.com

From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 04:54:50 2006
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Subject: Re: what a loop has to say
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When looping live in my typical free-improv mode, I usually start by 
clearing my mind as much as possible and starting with the closest mental 
state I can get to a "tabula rasa."  From that instant onward, what I play 
is direct result of my real-time intellectual reflections and feelings, my 
mood, etc. Those feelings and reflections are either generated in real-time 
by the music, or they are generated independently of the music, as I tend to 
be simultaneously both inside and outside of my music (and myself) while I 
am performing. After a few songs, I usually start noticing a thematic thread 
of continuity through each piece. I'm guessing that there is sort of a 
creative feedback process occurring, which gains momentum and eventually 
rounds out the whole evening performance as a holistic experience.

I suppose this is why most of my CDs are based on themes. Each song tells a 
story that leads to another and is connected either emotionally or 
intellectually. And usually I don't make sense out of these themes and firm 
them up completely until after I listen to the recording of my performance 
several times and I am allowed to interpret my own music in a different 
context. For example, the CD I have coming out next month is called 
"Interstellar Delirium".  There were subtle thoughts and feelings of sci-fi 
lingering inside of me when I recorded the music, and when I sat down and 
listen to the music, the theme just hit me....BAMM!  I had imagery and 
thoughts of a spaceman who is cutoff and abandoned by his 
mothership...afterwhich he lingers in the vacuum of space, slowing 
suffocating from a dwindling oxygen supply, and slowing freezing to 
death...during that time, he has a series of hallucinations, each of which 
inspired the names of the tunes on the CD.  It just works out this way for 
me when I perform and produce CDs.

As far as talking to the audience...I avoid it as much as possible. I'm sort 
of like Frisell in this regard. I say thank you a few times and nervously 
smile or laughwhile people applaud...that's about it.

Kris

----- Original Message ----- 


> Hi all,
>
>  I've been doing a lot of looping this year since I went stereo with a 2nd 
> EDP+.  I'm on one of my existential 'why do we loop' trips again.  This 
> time though, I'm not asking 'why we loop' but 'what are we trying to say' 
> when we create a looping piece?  My recent looping pieces seem to be 
> defined by the texture of the sound I put into them.  The texture 
> determines the mood.  After I build it up then I'll try to contrast it 
> with a new loop.  After building that up, I'll return to the initial loop 
> like a theme restatement thing.  The whole process though is very 
> abstract, the meaning is defined and always shifting with whatever happy 
> accidents occur in the loop itself.
>
>  How are others doing this?  Before you start building a loop, do you have 
> a preconceived idea of what the loop should express or do you just let the 
> sound of the loop guide you?  Those out there who perform for an audience, 
> do you ever introduce a loop like, "this is a loop about <my 
> dog><France><groundhog day><whatever>"?  One of the exciting things I'm 
> finding about looping is it's a whole new musical form of communication 
> with a new language of techniques and a new way of saying things.
> Dennis
>
> 


From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 05:01:07 2006
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Yep, to me a loop says, "Freedom."
G



From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 05:28:59 2006
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> Yep, to me a loop says, "Freedom."
> G

Speaking of which, does anyone find it easier to freely improvise when you 
aren't using layers and layers of effects, tone mangling devices, etc?  I've 
found this to be the case with me. I love all the cool effects at my 
disposal - the Boss VF-1, hundreds of VST effects, LXP5, etc - but they 
sometimes produce artificial restrictions or boundaries on my creativity. I 
tend to be more intentionally and genuinely creative, and less enamored and 
influenced by technology, when I just play with a clean guitar sound with 
just a touch of reverb and delay for ambiance.  You have nothing but the 
notes, basically, no window dressing to distract the creative process. I'm 
sure this is quite subjective and relative, but I'd be curious what others 
think of this.  I guess just the simple sound of the guitar forces me to 
think more out of the box, rather than relying on the box.  For example, you 
have a effect patch that has two octaves and panning delays that go on 
forrrrrrrever....you play one "note"...just one human data-point of 
interaction, and the gear takes credit for the rest of the interesting sound 
for the next minute. And I start to think to myself, what is really creative 
about that? I could play 10 notes in 3 minutes and produce a song that 
requires very little creative energy.  It would be interesting to take all 
of our looping songs and strip every single cool effect from them, resulting 
in just the initially, humanly generated notes and natural sound of the 
instrument...what might we discover? How much of the intrigue of the song is 
generated by the gear vs. human creative energy?   These are just open 
questions for discussion. I'm not necessarily making any categorical point 
here.

And in this regard, I really respect a lot of the work of Derek Bailey, 
where its just him and his hollowbody guitar...quite amazing what a guy can 
do with just a guitar and amp.

...I'm off to bed now.  It's been a long day.

Kris


From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 05:40:01 2006
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Subject: The ThinkPad T60p - On the Way!
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Well, I finally got around to ordering a new notebook for music =
performance application (just tonight). This thing should kick royal =
butt, and rightly so for $3500. It just came out recently and has the =
new Intel duo core processor in it. I custom configured the whole thing =
with the sales rep on the phone. Here it is:

Model: Lenovo (IBM) ThinkPad T60p (SKU# 2623D8U) - =
http://tinyurl.com/zt4w5
Processor: Intel Core Duo T2500 2 GHz ( Dual-Core)
RAM: 2 GB
Hardrive: 100 GB (7200 RPM)
Cache Memory: 2 MB - L2 cache=20
Networking: Network adapter - Ethernet, Fast Ethernet, Gigabit Ethernet, =
Bluetooth, IEEE 802.11b, IEEE 802.11a, IEEE 802.11g
Optical Storage: DVD=A6RW (=A6R DL) / DVD-RAM - plug-in module
Display: 14.1" TFT active matrix SXGA+ (1400 x 1050) - 24-bit (16.7 =
million colors)=20
Graphics Controller: ATI MOBILITY FIRE GL V5200 - 256 M
Warranty:  3 YR TP PROTECTION + 3 YR DEPOT TO 3 YR ONSITE

...etc

Can't wait to get this thing up and running!

Kris

------=_NextPart_000_0A6E_01C6494A.8CFD35D0
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2802" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff background=3D"">
<DIV><FONT face=3DArial size=3D2>Well, I finally got around to ordering =
a new=20
notebook for music performance application (just tonight). =
This&nbsp;thing=20
should kick royal butt, and rightly so for $3500. It just came out =
recently and=20
has the new Intel duo core processor in it. I custom configured the =
whole thing=20
with the sales rep on the phone. Here it is:</FONT></DIV>
<DIV><BR><FONT face=3DArial><FONT size=3D2><STRONG>Model:</STRONG> =
Lenovo (IBM)=20
ThinkPad T60p (SKU# 2623D8U) - </FONT></FONT><A=20
href=3D"http://tinyurl.com/zt4w5"><FONT face=3DArial=20
size=3D2>http://tinyurl.com/zt4w5</FONT></A></DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Processor:</STRONG> Intel Core =
Duo T2500 2=20
GHz ( Dual-Core)<BR><STRONG>RAM:</STRONG> 2 =
GB<BR><STRONG>Hardrive:</STRONG> 100=20
GB (7200 RPM)<BR><STRONG>Cache Memory:</STRONG> 2 MB - L2 cache =
</FONT></DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Networking:</STRONG> Network =
adapter -=20
Ethernet, Fast Ethernet, Gigabit Ethernet, Bluetooth, IEEE 802.11b, IEEE =

802.11a, IEEE 802.11g</FONT></DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Optical Storage:</STRONG> =
DVD=A6RW (=A6R DL) /=20
DVD-RAM - plug-in module</FONT></DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Display:</STRONG> 14.1" TFT =
active matrix=20
SXGA+ (1400 x 1050) - 24-bit (16.7 million colors) </FONT></DIV>
<DIV><FONT size=3D2><FONT size=3D1><FONT face=3DArial =
size=3D2><STRONG>Graphics=20
Controller:</STRONG> ATI MOBILITY FIRE GL V5200 - 256 M</FONT></DIV>
<DIV></FONT></FONT><FONT face=3DArial=20
size=3D2><STRONG>Warranty</STRONG>:&nbsp;&nbsp;3 YR TP PROTECTION + 3 YR =
DEPOT TO=20
3 YR ONSITE</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>...etc</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Can't wait to get this thing up and=20
running!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV></BODY></HTML>

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Date: Fri, 17 Mar 2006 02:08:10 -0500
From: "Todd Pafford" <calenlas@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: what a loop has to say
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Ted,

Regarding this whole verbal/musical brain schizm, if you're deficient
then so am I.  When truly involved with the music my verbal processes
shut down almost completely.  I don't think it's uncommon really.

Todd

On 3/16/06, tEd (r) kiLLiAn <tedkillian@charter.net> wrote:
> My music (at least while I'm doing it) isn't about expressing something
> that can be expressed in any other way (at the time). It's about
> discovery, about finding a new path and (as corny and pompous assed as
> it may sound) it's about expressing what seems to be inexpressible. I'm
> finding out as I'm doing it.
> ...
> I can really only give titles to things after the fact, if there
> happens to be a recording. When I'm doing it (actually performing), the
> verbal part of my brain better be totally turned off or a true musical
> "train wreck" is certain to ensue.
> ...
> It only seems to happen "in the moment" for me. A part of my brain must
> be broken. That's all I can say. I admire the heck out of anyone who
> can think of something beforehand and "express" it musically. I can't
> do it. I've tried too many years and have finally learned what I'm
> sortta good and what I'm not very good at at all.
> ...
> The musical part of my brain cannot operate while my verbal part is
> going. So, as far as the title of this thread goes, "what a loop has to
> say" I'd have to say I need to hear it first, and think about it a
> while (maybe even sleep on it) -- then I may have some vague idea.
> Otherwise, I ain't got a clue.
>

From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 07:28:36 2006
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From: daviD <waveform@free.fr>
Subject: =?ISO-8859-1?Q?R=E9p_:_Jack-OSX_and_SooperLooper?=
Date: Fri, 17 Mar 2006 08:28:28 +0100
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Hi,

> De: RP Collier <skeptikalist@gmail.com>
> Date: 17 mars 2006 00:26:14 GMT+01:00
> =C0: Loopers-Delight@loopers-delight.com
> Objet: R=E9p : Jack-OSX and SooperLooper
>
> Haven't used Jack yet but I did come across an audio problem worth=20
> noting for osX'ers.
> Some devices/software cause an arbitrary shift in the default sampling=20=

> rate.
> Open the Audio Midi setup in utilities and check the Hz # for audio=20
> I/O.
> For most things it should be 44.1, but some activities bump it up to=20=

> 96.0 and then do not revert to default. Then applications expecting=20
> 44Hz think the configuration is broken or I guess just unrecognizable.
> If this is the case type or select 44.1 rate in the I/O fields.

Well, this wans't the problem but it pointed me in the right direction=20=

;)
I re-opened Jack's preferences to check the samplerate and noticed=20
that, among the several options that are only available when the server=20=

is not running, one was called "interface". I stopped the server,=20
replugged the UA20 and noticed that I could force Jack to notice it by=20=

selecting the UA20 instead of internal audio here. I thought I had=20
checked everything yesterday, I was wrong.

I'll try this with SooperLooper this evening but it should work now.

Thanks :)
</daviD>

"Simulating the true styles and making carefully !
  Many colours a lot, selected freely by you !"

From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 07:55:53 2006
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Date: Thu, 16 Mar 2006 23:55:51 -0800 (PST)
From: Luis Angulo <labalou2000@yahoo.com>
Subject: Re: What instrument-What cd
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oh yes,i have it and its wonderful to see where Peters
inspiration came from!
cheers
Luis

--- mark sottilaro <zerocrossing2001@yahoo.com> wrote:

> Don't forget Passion Sources on Peter's lable.  A
> very
> cool compilation of music that inspired the
> soundtrack.
> 
> --- Christopher Bell <cwwbell@gmail.com> wrote:
> 
> > 'i still cant get enough of Peter Gabriels
> > "passion" soundtrack!'
> > 
> 
> 
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam
> protection around 
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> 
> 


www.luis-angulo.com

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From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 08:11:48 2006
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Subject: Re: what a loop has to say
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Believe me, there have been times when I've just closed the loop, and found
such a dire, dark thing before me I nearly had to flee! I'm not talking
about a flawed loop with a mistake or anything--but rather something totally
unexpected and unique--challenging me to understand it and add to it
meaningfully.

Miko Biffle
"Running scared from all the usual distractions!"
C;mon over to MySpace! www.myspace.com/biffozz
Now playing "Rough" www.cdbaby.com/biffoz
The Chain Tape Collective! http://www.ct-collective.com/

On Mar 16, 2006, at 8:14 PM, tEd ® kiLLiAn wrote:
>> I make no judgment on others (or you in particular) for being another
>> way. Actually, I feel that I am the one who is deficient here. I would
>> love to be able to sit down on my guitar stool and think in the
>> abstract . . . okay, I am now going to evoke . . . spring, a sunny
>> day, lost innocence, memories of whatever . . . lost love, my dog, my
>> truck, my doughnut, heheheh. Really!

> I don't think you are being deficient at all. I think the desire to
> apply a referenced "meaning" to a loop outside of the music is fine, no
> judgment here either. But is the application/explanation of meaning
> really what the music is about? If you are using lyrics it is one
> thing. Lyrics reference the word-based meaning directly. But your lack
> of desire to apply meaning to the abstract (your instrumental music),
> my dear friend Ted, is...anything but deficient. If anything, I think
> it is being more true to the music, by allowing the music to be itself
> and to present itself to others on its own terms free of applied
> meaning that might not only be meaningless to the audience, but even
> take away from the experience... But now, of course, we get on to the
> eternal discussion of programmatic versus absolute music... -Jeff

> Jeff Kaiser
> http://www.jeffkaisermusic.com
> pfMENTUM.com • AngryVegan.com


From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 08:13:56 2006
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>no i am not confusing them, ive seen both i just
>commented on the instrument itself.

well.............. you got me confused :-)

So, what's the instrument on "Passion"?
(which I haven't seen)

andy



>--- Christopher Bell <cwwbell@gmail.com> wrote:
>
> > You're confusing The Last Temptation of Christ with
> > The Passion of the
> > Christ. Peter Gabriel scored the former, not the
> > latter.

From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 08:14:04 2006
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Date: Fri, 17 Mar 2006 00:14:04 -0800 (PST)
From: Luis Angulo <labalou2000@yahoo.com>
Subject: Re: The ThinkPad T60p - On the Way!
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oh man,that seems like an audio royal king,now u wanna
give us a link to the poormans version of it(that is
under 1000.00 dlls?


--- Kris Hartung <khartung@cableone.net> wrote:

> Well, I finally got around to ordering a new
> notebook for music performance application (just
> tonight). This thing should kick royal butt, and
> rightly so for $3500. It just came out recently and
> has the new Intel duo core processor in it. I custom
> configured the whole thing with the sales rep on the
> phone. Here it is:
> 
> Model: Lenovo (IBM) ThinkPad T60p (SKU# 2623D8U) -
> http://tinyurl.com/zt4w5
> Processor: Intel Core Duo T2500 2 GHz ( Dual-Core)
> RAM: 2 GB
> Hardrive: 100 GB (7200 RPM)
> Cache Memory: 2 MB - L2 cache 
> Networking: Network adapter - Ethernet, Fast
> Ethernet, Gigabit Ethernet, Bluetooth, IEEE 802.11b,
> IEEE 802.11a, IEEE 802.11g
> Optical Storage: DVD¦RW (¦R DL) / DVD-RAM - plug-in
> module
> Display: 14.1" TFT active matrix SXGA+ (1400 x 1050)
> - 24-bit (16.7 million colors) 
> Graphics Controller: ATI MOBILITY FIRE GL V5200 -
> 256 M
> Warranty:  3 YR TP PROTECTION + 3 YR DEPOT TO 3 YR
> ONSITE
> 
> ...etc
> 
> Can't wait to get this thing up and running!
> 
> Kris
> 


www.luis-angulo.com

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From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 08:14:26 2006
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Date: Fri, 17 Mar 2006 02:14:15 -0600
To: Loopers-Delight@loopers-delight.com
From: mech <mech@m3ch.net>
Subject: Re: Line6 Echo Park
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At 10:57 PM +0000 3/16/06, Ian Popperwell wrote:
>
>I've been off the list for a while and am glad to be back. I've just 
>bought the Line6 Echo Park, the new unprogrammable version of the 
>DL4 without a looper - oh, that makes it sound rubbish doesn't it... 
>It's a single stomp box type delay pedal with pretty much the same 
>delay models in it as the DL4 - but with some useful shortcuts to 
>make the non-programmability more pallatable. I'm using it at gigs 
>alongside my DL4 and really like it (compact + a great sound) - 
>thought it worth bringing to the
>attention of the list.

Ian,

I believe the Echo Park actually came up as a discussion item very 
soon after its initial release.  At that time the early adopters 
complained about a high S/N ratio and poorer fidelity than on the DL4 
or Echo Pro, so many people just went on about their normal lives 
afterward.

However, there doesn't ever seem to be a "final word" on gear.  Tell 
us, have you noticed any noise issues with your unit?  In terms of 
sound quality and background hiss, how does it stack up on a 
head-to-head against your DL4?

	--m.

-- 
_______
"Take a packet of seeds.  Take yourself out to play
  I want to see river of orchids where we had a motorway..."

From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 08:21:08 2006
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From: Per Boysen <per@boysen.se>
Subject: Re: MIDI pc controller for EDP (was: unrounded multiply question/praise the edp)
Date: Fri, 17 Mar 2006 09:21:04 +0100
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On 17 mar 2006, at 01.06, Tony Douglas wrote:

> Hi Per,
>
> Don't know if anyone's suggested it before and I've been too dopey-=20
> eyed to notice, but what you're talking about sounds like the =20
> ancient Roland RC-3 remote controller. There's one on eBay UK at =20
> the moment (less than a day to go), link to the auction is ...
>
> http://cgi.ebay.co.uk/ROLAND-RC-3-MIDI-PROGRAM-=20
> CHANGER-1989_W0QQitemZ7396729959QQcategoryZ38090QQrdZ1QQcmdZViewItem
>
> - Tony


Wow, that look exactly like the thingy I had envisioned! But it seem =20
too expensive for me. I guess the price "=A31.44 " means one hundred =20
and forty four pound and not "one pound and forty four cents"? If you =20=

look at the bottom of that page the post mail fee is written  "=A33.14" =20=

and I just doesn't seem correct that the stamps should be twice as =20
expensive as the Roland device! Very cool thing BTW. You could put it =20=

on the cafe table when your co-workers display their iPods and cell =20
phones ;-))))  That True Futuristic Retro Vibe!

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?=20
id=3D128679560&s=3D143456



From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 08:38:59 2006
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To: Loopers-Delight@loopers-delight.com
Subject: KORE
Date: Fri, 17 Mar 2006 08:38:57 +0000
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anybody else seen this?

it's the new vst environment / audio production / performance software / 
sound platform from Native Instruments

http://www.nativeinstruments.com/index.php?id=kore_us

"All of your VST and Audio Units instruments and effects can be loaded into 
the KORE software. These are then presented in a clearly structured, uniform 
software and hardware interface. The graphical layout of the control 
elements in the software corresponds exactly to the layout of the KORE 
hardware controller.
Finding, loading and managing presets as well as editing any sound's 
parameters all takes place within KORE itself. KORE delivers a clear 
overview of your work space and maximum usability."

it comes with a little hardware controller

it looks very cool and for those of you running software loopers with lots 
of plugins, i reckon it could be a great asset!

cheers

sim


www.simeonharris.co.uk


From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 08:39:41 2006
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Subject: Product Spam: LooperTools 1.0 Has Been Released
Date: Fri, 17 Mar 2006 00:39:43 -0800
Organization: On-The-Mark Systems, Inc.
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------=_NextPart_000_002D_01C6495B.48B57160
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	charset="US-ASCII"
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I'd like to announce the 1.0 final release of LooperTools SE for the
DigiTech JamMan.  It is available for trial and purchase at
http://www.LooperTools.com. After several beta releases and some great
suggestions, the product is ready!

Work on the Pro version has already commenced, and we are looking at a
release timeframe of sometime in April. Upgrade pricing will be available.

Act now and get a copy at the special introductory price of just $34.99!
 
Steve Mark
On-The-Mark Systems, Inc.
Maker of LooperTools SE Software

 

------=_NextPart_000_002D_01C6495B.48B57160
Content-Type: text/html;
	charset="US-ASCII"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Dus-ascii">
<META content=3D"MSHTML 6.00.2900.2802" name=3DGENERATOR></HEAD>
<BODY>
<DIV><FONT face=3DVerdana><FONT size=3D2><SPAN =
class=3D937573608-17032006>I'd like to=20
announce the 1.0 final release of&nbsp;</SPAN></FONT></FONT>LooperTools =
SE<SPAN=20
class=3D937573608-17032006><FONT face=3DVerdana size=3D2> for the =
DigiTech=20
JamMan.&nbsp; It is&nbsp;</FONT></SPAN>available for trial and purchase =
at=20
http://www.LooperTools.com. After several beta releases and some great=20
suggestions, the product is ready<SPAN class=3D937573608-17032006><FONT=20
face=3DVerdana size=3D2>!</FONT></SPAN><BR><BR>Work on the Pro version =
has already=20
commenced, and we are looking at a release timeframe of sometime in =
April.=20
Upgrade pricing will be available.<BR><BR>Act now and get a copy at the =
special=20
introductory price of just $34.99!<BR><SPAN =
class=3D937573608-17032006><FONT=20
face=3DVerdana size=3D2>&nbsp;</FONT></SPAN></DIV>
<DIV><SPAN class=3D937573608-17032006><FONT face=3DVerdana =
size=3D2>Steve=20
Mark</FONT></SPAN></DIV>
<DIV><SPAN class=3D937573608-17032006><FONT face=3DVerdana =
size=3D2>On-The-Mark=20
Systems, Inc.</FONT></SPAN></DIV>
<DIV><SPAN class=3D937573608-17032006><FONT face=3DVerdana =
size=3D2>Maker of=20
LooperTools SE</FONT>&nbsp;<FONT face=3DVerdana=20
size=3D2>Software</FONT></SPAN><BR></DIV>
<DIV><SPAN class=3D937573608-17032006>&nbsp;</SPAN></DIV></BODY></HTML>

------=_NextPart_000_002D_01C6495B.48B57160--

From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 08:56:57 2006
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 <0a3801c64983$af5aba60$45b2ec0f@americas.hpqcorp.net>
Date: Fri, 17 Mar 2006 02:56:40 -0600
To: Loopers-Delight@loopers-delight.com
From: mech <mech@m3ch.net>
Subject: Re: what a loop has to say
Cc: <Free-Improvisation@googlegroups.com>
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At 10:28 PM -0700 3/16/06, Kris Hartung wrote:
>
>Speaking of which, does anyone find it easier to freely improvise 
>when you aren't using layers and layers of effects, tone mangling 
>devices, etc?  I've found this to be the case with me. I love all 
>the cool effects at my disposal - the Boss VF-1, hundreds of VST 
>effects, LXP5, etc - but they sometimes produce artificial 
>restrictions or boundaries on my creativity.

What a great question, and as an effects junky and self-confessed 
"gear whore", I can completely relate.

With that in mind, I'd ask a question to clarify the situation you're 
speaking of.  When you use effects, do you use them to augment the 
existing tonalities or to transform the instrument into something 
completely different?

I find that when I use effects as ornamentation -- to "dress up" the 
existing sound -- I can very often paint myself into a similar corner 
as you are describing.  It seems that past a certain point it becomes 
difficult to wrangle the burbling mess into something meaningful.  At 
that instant, I'm frequently left with the impression that I'm doing 
nothing more than trying to hide the original instrument; obscuring 
it rather than trying to cull some bit of truth from it.

On the other hand, I frequently use effects in a transformative 
manner -- where the effect is an indistinguishable and integral part 
of the sound.  Best example I can give is from the last improv 
session our group did a couple weeks ago.  On one cut, I had found a 
excellent slide guitar patch on my Yamaha VL70-m, which I happened to 
be playing with my WX-11 wind controller.  It sounded pretty good by 
itself (despite the fact that the tone module is monophonic) but then 
I ran it through an intelligent harmonizer and started playing a bit 
with chord voicings.  Suddenly, it dropped into a full-blown pedal 
steel, complete with Nashville-inspired slides and transpositions.

In that instance, the effect *became* the sound.  There were no 
problems of the sort you mention, because the effect was used to 
create a brand new instrument, rather than merely add more extra 
dimension to an existing one.

Similarly, I often "play" reverbs, setting the mix to a completely 
wet feed and using the original instrument as nothing more than an 
impulse generator.  In that case, the effect itself is once again the 
instrument.

Of course, there are other (and completely different) problems that 
can arise from building new instruments out of amalgamations of 
various boxes, but I find that they're more often related to 
orchestration and performance technique.

	--m.

-- 
_______
"You are in a maze of twisty little passages, all alike..."

From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 08:58:39 2006
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From: =?ISO-8859-1?Q?Philipp_Z=FCrcher?= <zurrigo@bluemail.ch>
Subject: Re: unrounded multiply question/praise the edp
Date: Fri, 17 Mar 2006 09:58:15 +0100
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>
Hiya Ted

Per's explanation of my "blind plug" is exactly right - I just took =20
an old patch cable with a 1/4 inch plug and deprived it from its =20
sight (soldered off the visual nerves) to finally plug it into the =20
FEEDBACK (not the volume) socket.

Praise the good old EDP for it's own blindness - 'cause he (she?) =20
thinks: Oh, a feedback pedal is being inserted from behind.

And what it (she, he? - damn!) does:

If you are using the modes where you can choose between Knob and =20
Pedal settings (Long Multiply in Stutter Mode for example) you can =20
switch between the Knob setting (say 50 per cent) and 100 per cent if =20=

you leave the contacts within the blind plug open - 0 per cent if you =20=

choose to close it respectively (or both options if you are using a =20
momentary switch foot pedal instead of a blind plug)

Hope this helps

Phil

> What is this "blind plug" of which you speak?
>
> On Mar 16, 2006, at 1:12 AM, Philipp Z=FCrcher wrote:
>
>> "blind" plug
>
> Just curious,
>
> tEd =AE kiLLiAn Yadda, yadda, yadda. Blah, blah, blah. So???


--Apple-Mail-1-1069938757
Content-Transfer-Encoding: quoted-printable
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	charset=ISO-8859-1

<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; "><DIV><BLOCKQUOTE =
type=3D"cite"><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; font: normal normal normal =
12px/normal Helvetica; min-height: 14px; "><BR></DIV></BLOCKQUOTE>Hiya =
Ted</DIV><DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV>Per's =
explanation of my "blind plug" is exactly right - I just took an old =
patch cable with a 1/4 inch plug and deprived it from its sight =
(soldered off the visual nerves) to finally plug it into the FEEDBACK =
(not the volume) socket.</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>Praise the good old EDP for =
it's own blindness - 'cause he (she?) thinks: Oh, a feedback pedal is =
being inserted from behind.</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>And what it (she, he? - =
damn!) does:</DIV><DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV>If=
 you are using the modes where you can choose between Knob and Pedal =
settings (Long Multiply in Stutter Mode for example) you can switch =
between the Knob setting (say 50 per cent) and 100 per cent if you leave =
the contacts within the blind plug open - 0 per cent if you choose to =
close it respectively (or both options if you are using a momentary =
switch foot pedal instead of a blind plug)</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>Hope this =
helps</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>Phil</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BLOCKQUOTE =
type=3D"cite"><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; font: normal normal normal =
12px/normal Helvetica; min-height: 14px; "></DIV><DIV style=3D"margin-top:=
 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
face=3D"Helvetica" size=3D"3" style=3D"font: 12.0px Helvetica">What is =
this "blind plug" of which you speak?</FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =
min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
face=3D"Helvetica" size=3D"3" style=3D"font: 12.0px Helvetica">On Mar =
16, 2006, at 1:12 AM, Philipp Z=FCrcher wrote:</FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =
min-height: 14px; "><BR></DIV> <BLOCKQUOTE type=3D"cite"><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT face=3D"Helvetica" size=3D"3" style=3D"font: =
12.0px Helvetica">"blind" plug</FONT></DIV> </BLOCKQUOTE><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =
min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
face=3D"Helvetica" size=3D"3" style=3D"font: 12.0px Helvetica">Just =
curious,</FONT></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; font: normal normal normal =
12px/normal Helvetica; min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT face=3D"Helvetica" size=3D"3" style=3D"font: =
12.0px Helvetica">tEd =AE kiLLiAn</FONT><FONT face=3D"Helvetica" =
size=3D"3" color=3D"#808080" style=3D"font: 12.0px Helvetica; color: =
#808080">=A0Yadda, yadda, yadda. Blah, blah, blah. So???</FONT></DIV> =
</BLOCKQUOTE></DIV><BR></BODY></HTML>=

--Apple-Mail-1-1069938757--

From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 09:30:55 2006
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From: Per Boysen <per@boysen.se>
Subject: Re: what a loop has to say
Date: Fri, 17 Mar 2006 10:30:52 +0100
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On 17 mar 2006, at 06.28, Kris Hartung wrote:

> Speaking of which, does anyone find it easier to freely improvise  
> when you aren't using layers and layers of effects, tone mangling  
> devices, etc?  I've found this to be the case with me. I love all  
> the cool effects at my disposal - the Boss VF-1, hundreds of VST  
> effects, LXP5, etc - but they sometimes produce artificial  
> restrictions or boundaries on my creativity. I tend to be more  
> intentionally and genuinely creative, and less enamored and  
> influenced by technology, when I just play with a clean guitar  
> sound with just a touch of reverb and delay for ambiance.  You have  
> nothing but the notes, basically, no window dressing to distract  
> the creative process. I'm sure this is quite subjective and  
> relative, but I'd be curious what others think of this.


Interesting topic, Kris! I think that in the best of wolds it  
shouldn't matter how many effects you are using. What matters is that  
you should not be aware of those effects when you play. You should  
only be aware of the music that flows through you. The moment you  
start thinking about effects as being "effects", then is the time for  
either stripping down your rack or going back to rehears with those  
effects according to the "300 percent over learning method", that  
will let you forget about it all but still being able to  
unconsciously draw on that knowledge in the heat of the performance.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast? 
id=128679560&s=143456



From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 09:35:36 2006
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From: Per Boysen <per@boysen.se>
Subject: Re: what a loop has to say
Date: Fri, 17 Mar 2006 10:35:34 +0100
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On 17 mar 2006, at 02.55, Dennis Montgomery wrote:

>  I've been doing a lot of looping this year since I went stereo  
> with a 2nd EDP+.  I'm on one of my existential 'why do we loop'  
> trips again.  This time though, I'm not asking 'why we loop' but  
> 'what are we trying to say' when we create a looping piece?  My  
> recent looping pieces seem to be defined by the texture of the  
> sound I put into them.  The texture determines the mood.  After I  
> build it up then I'll try to contrast it with a new loop.  After  
> building that up, I'll return to the initial loop like a theme  
> restatement thing.  The whole process though is very abstract, the  
> meaning is defined and always shifting with whatever happy  
> accidents occur in the loop itself.
>
>  How are others doing this?  Before you start building a loop, do  
> you have a preconceived idea of what the loop should express or do  
> you just let the sound of the loop guide you?  Those out there who  
> perform for an audience, do you ever introduce a loop like, "this  
> is a loop about <my dog><France><groundhog day><whatever>"?  One of  
> the exciting things I'm finding about looping is it's a whole new  
> musical form of communication with a new language of techniques and  
> a new way of saying things.


I think that live looping music needs to sort with a musical style or  
a certain personal artistic expression and not present itself as  
simply "live looping music". That's because live looping is a  
performance technique as well as an instrument while it's the music  
that is an art form. If you sing you should of course present the  
tunes with the song title, addressing the lyrics the common way. But  
if your looping music is instrumental you have to respect that people  
do experience music differently in a deeply personal way. So the  
reason you can't really tell a listener "what the music is about" is  
that the music is always about the specific listener. And who are you  
to tell him about that?

Then, speaking about instrumental music, there are many "theoretical  
concept" techniques to create strong instrumental music with a  
"content". These methods are almost the same for all performing  
artists, musicians as well as actors. You have to create the emotions  
inside yourself that goes with what you want to express musically.  
Every performer has to build up and constantly work on his personal  
"library of emotions", often by connecting to memories from his/her  
own life. But it may also work for some people to simply make up  
typical emotional settings as mental images. The trick to make it  
work in performance is to keep it all handy for "switching on".  
Applying this technique to your instrumental music performing it may  
make sense for you to think about "my dog", but you should not tell  
the audience about that, just use it as a shortcut to get into the  
right mood ;-)

Finally, live looping music is different in one way. It does present  
the audience with the process in which the music is being created. It  
doesn't, like music performed by en ensemble of simultaneously  
playing musicians, present a finished piece of music from the first  
beat after the count-in. So the "timing" takes on a new meaning for a  
performing looper. It's not only about "tight playing" but also about  
being clear about how you present the layers when you build up the  
musical piece. You may have to think a little extra about leading the  
listeners so they will be able to follow you through the sonic  
terrain you are about to conquer.

BTW, here's an interesting web page I found on theoretical strategies  
for improvising instrumental music:
http://www.essl.at/bibliogr/improvisation-e.html

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast? 
id=128679560&s=143456



From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 09:39:38 2006
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From: daniel stevenson <stillllscary@yahoo.com>
Subject: Re: what a loop has to say
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i do find the clean acoustic guitar to be my muse.yet ill mangle it with reverse and speed control.varible delay times seems to keep the sound pure.maybe just a phase im goin thru but nothing beats a good ole acoustic source into a looper.
                                      my best regards,
                                                                scary visionary.

Kris Hartung <khartung@cableone.net> wrote:
  > Yep, to me a loop says, "Freedom."
> G

Speaking of which, does anyone find it easier to freely improvise when you 
aren't using layers and layers of effects, tone mangling devices, etc? I've 
found this to be the case with me. I love all the cool effects at my 
disposal - the Boss VF-1, hundreds of VST effects, LXP5, etc - but they 
sometimes produce artificial restrictions or boundaries on my creativity. I 
tend to be more intentionally and genuinely creative, and less enamored and 
influenced by technology, when I just play with a clean guitar sound with 
just a touch of reverb and delay for ambiance. You have nothing but the 
notes, basically, no window dressing to distract the creative process. I'm 
sure this is quite subjective and relative, but I'd be curious what others 
think of this. I guess just the simple sound of the guitar forces me to 
think more out of the box, rather than relying on the box. For example, you 
have a effect patch that has two octaves and panning delays that go on 
forrrrrrrever....you play one "note"...just one human data-point of 
interaction, and the gear takes credit for the rest of the interesting sound 
for the next minute. And I start to think to myself, what is really creative 
about that? I could play 10 notes in 3 minutes and produce a song that 
requires very little creative energy. It would be interesting to take all 
of our looping songs and strip every single cool effect from them, resulting 
in just the initially, humanly generated notes and natural sound of the 
instrument...what might we discover? How much of the intrigue of the song is 
generated by the gear vs. human creative energy? These are just open 
questions for discussion. I'm not necessarily making any categorical point 
here.

And in this regard, I really respect a lot of the work of Derek Bailey, 
where its just him and his hollowbody guitar...quite amazing what a guy can 
do with just a guitar and amp.

...I'm off to bed now. It's been a long day.

Kris




		
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<div>i do find the clean acoustic guitar to be my muse.yet ill mangle it with reverse and speed control.varible delay times&nbsp;seems to keep the sound pure.maybe just a phase im goin thru but nothing beats a good ole acoustic source into a looper.</div>  <div>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; my best regards,</div>  <div>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; scary visionary.<BR><BR><B><I>Kris Hartung &lt;khartung@cableone.net&gt;</I></B> wrote:</div>  <BLOCKQUOTE class=replbq
 style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">&gt; Yep, to me a loop says, "Freedom."<BR>&gt; G<BR><BR>Speaking of which, does anyone find it easier to freely improvise when you <BR>aren't using layers and layers of effects, tone mangling devices, etc? I've <BR>found this to be the case with me. I love all the cool effects at my <BR>disposal - the Boss VF-1, hundreds of VST effects, LXP5, etc - but they <BR>sometimes produce artificial restrictions or boundaries on my creativity. I <BR>tend to be more intentionally and genuinely creative, and less enamored and <BR>influenced by technology, when I just play with a clean guitar sound with <BR>just a touch of reverb and delay for ambiance. You have nothing but the <BR>notes, basically, no window dressing to distract the creative process. I'm <BR>sure this is quite subjective and relative, but I'd be curious what others <BR>think of this. I guess just the simple sound of the guitar forces me to <BR>think
 more out of the box, rather than relying on the box. For example, you <BR>have a effect patch that has two octaves and panning delays that go on <BR>forrrrrrrever....you play one "note"...just one human data-point of <BR>interaction, and the gear takes credit for the rest of the interesting sound <BR>for the next minute. And I start to think to myself, what is really creative <BR>about that? I could play 10 notes in 3 minutes and produce a song that <BR>requires very little creative energy. It would be interesting to take all <BR>of our looping songs and strip every single cool effect from them, resulting <BR>in just the initially, humanly generated notes and natural sound of the <BR>instrument...what might we discover? How much of the intrigue of the song is <BR>generated by the gear vs. human creative energy? These are just open <BR>questions for discussion. I'm not necessarily making any categorical point <BR>here.<BR><BR>And in this regard, I really respect a lot of the work of
 Derek Bailey, <BR>where its just him and his hollowbody guitar...quite amazing what a guy can <BR>do with just a guitar and amp.<BR><BR>...I'm off to bed now. It's been a long day.<BR><BR>Kris<BR><BR><BR></BLOCKQUOTE><BR><p>
		<hr size=1> Yahoo! Mail<br> 
<a href="http://pa.yahoo.com/*http://us.rd.yahoo.com/evt=38867/*http://photomail.mail.yahoo.com">Use Photomail</a> to share photos without annoying attachments.
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From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 09:58:13 2006
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From: Per Boysen <per@boysen.se>
Subject: Re: The ThinkPad T60p - On the Way!
Date: Fri, 17 Mar 2006 10:58:10 +0100
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On 17 mar 2006, at 06.39, Kris Hartung wrote:

> Model: Lenovo (IBM) ThinkPad T60p (SKU# 2623D8U) - http://=20
> tinyurl.com/zt4w5
> Processor: Intel Core Duo T2500 2 GHz ( Dual-Core)
> RAM: 2 GB
> Hardrive: 100 GB (7200 RPM)
> Cache Memory: 2 MB - L2 cache
> Networking: Network adapter - Ethernet, Fast Ethernet, Gigabit =20
> Ethernet, Bluetooth, IEEE 802.11b, IEEE 802.11a, IEEE 802.11g
> Optical Storage: DVD=A6RW (=A6R DL) / DVD-RAM - plug-in module
> Display: 14.1" TFT active matrix SXGA+ (1400 x 1050) - 24-bit (16.7 =20=

> million colors)
> Graphics Controller: ATI MOBILITY FIRE GL V5200 - 256 M
> Warranty:  3 YR TP PROTECTION + 3 YR DEPOT TO 3 YR ONSITE


Congratulations! I'm looking forward to reading your reports when =20
you're up-n-running on that beast. Great that you could through in =20
the  money for the full 2 MB RAM right away. I had to go with 1 GB =20
and an empty slot for future RAM expansion. I too picked a 7200 RPM =20
hard drive, but I'm not so sure that was the right thing. Because of =20
this fast drive the lappy gets rather hot and it is more fan noisy =20
than my Powerbook that has a "slow" 5400 RPM drive. Normally sales =20
people recommend faster drives, and especially for music, but if you =20
do not intend to use it for multi track hard drive recording it may =20
make more sense to go for a 5400 RPM drive and lots of RAM? I don't =20
think my drive is very active when I do heavy live looping in Mobius. =20=

Please not that this is just some loose speculation on my side ;-)   =20
But I hate that whining sound, so I still do most work on the =20
Powerbook - except for playing Mobius.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?=20
id=3D128679560&s=3D143456



From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 11:14:48 2006
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From: "loop.pool" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Subject: WHAT A LOOP HAS TO SAY
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Dennis Montgomery said:

"Before you start building a loop, do you
have a preconceived idea of what the loop should express or do you just
let the sound of the loop guide you?"


I have to say that because I have a strong tendency  to be both too 
intellectual in my musical approach
and also to controlling in my over all aproach to music that I have come to 
love
the fact that a live looping device can capture amazing serendipity.

I've fallen in love with playing an instrument that I don't have control of 
and looping a phrase that takes on
a lot of beauty do merely to the fact that it is repeating.

I've been playing a purple anodized, inexpensive pocket trumpet that I got 
for peanuts at the NAMM show.
I'll never be a good trumpet player in my life but I'm coming up with some 
very, very cool looping shit with it and I
may even have the courage to play it at the Boise Experimental Music 
Festival that I"ll be headlining at the end of April.
Scares the crap out of me to consider taking it but I think I"m gonna 
anyway.

There is something very beautiful to me about randomly looping something and 
then having it define where you should go next.
That is one of the reasons I love the EDP so much because I can at any given 
instant, use techniques that allow me
to suddenly recontextualize the fascinating timbral world into music.

John Cage said that "Music is just Organized Sound"

our looping gear allows us to organize an amazing pallet of sounds that we 
are not necessarily in control of.

If one is too controlling (one of my music and emotional character defects) 
then improvising live in front of an audience can
be a truly liberating experience.

I just did a featured spot at the first 3 day Dark Elektronika Festival in 
San Francisco (Binaural Dimensions).
I wrote a long detailed blog about this experience at tribe.net ( 
http://people.tribe.net/looppool/blog&topicId=1c50aa89-b3fd-4b9f-bb79-c789f114d2b6 ) 
so I won't go into more detail here, but suffice it to say that I lost my 
DSP processor which meant that I was completely
unable to pitch shift,  square wave tremolo,  reverb or otherwise modulate 
my simple found sound sources for the concert.''

Everything that I had worked hard for the week before went completely out of 
the window in one fell swoop.  I was devasted.

This put me in an emotional tizzy and I felt like running away.  All the 
other acts were really heavy with huge subsonic slabs of electronica.
Anyway,  I apologized to the audience and said that the 'darkness' of my 
performance had to come from the way I was feeling and the
primal instruments themselves and not the 
processing.........................I thought I just sucked terribly but the 
context of the performance
pushed me into places I didn't want to go and people really liked what ended 
up happening.

A sweet woman said that she had seen every act at all three days of the 
festival and that she found my performance the most inspiring.
She said she wanted to go home and start making 
music.....................................lol,   I thought I sucked!!!!!! 
But Serendipity
and chance saved the day.   I was approached by many musicians over the 
course of the evening who complimented me on my performance
and I ended up loving the evening even though in the middle of the 
performance I though it ranked with the worst failures I'd ever mounted
on stage.

Yeah,   Serendipity and Live Looping..............................it's 
pretty dang cool to be on the edge and let your gear force you into places 
that make you grow as an artist. 

From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 11:29:41 2006
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Kris asked:
"Speaking of which, does anyone find it easier to freely improvise when you
aren't using layers and layers of effects, tone mangling devices, etc?"


"Less is More"

"Space is the Place"  -   Sun Ra


Absolutely , Kris.................................I always have this 
paradigm in my mind when I go onstage.
Take a Papua New Guinea master musician who has played all of his or her 
life.

Have them discover an Analogue Synthesizer hooked up to an amplifier and 
turned on in the middle of the forest.

what kind of music would that amazing and deep musician make on something 
that they don't understand or have
never even encountered.

*****************************************************************

At the same time,    I view effects devices as  instruments themseslves.

If you are presented with a Wok Wisk that is playing through a cheesy Alesis 
MidiVerb2 infinite reverb (one of my favorite sounds
 in the world and one that cannot be duplicated with even the most expensive 
Eventide DSP box)   it is a certain sound and it
dictates how you can use it.

The Wok Wisk by itself completely changes it's timbral 
context..............................putting anything else through that 
cheesy
DSP process and the same thing doesn't happen.

"Timbre is God"  -------------    Frank Zappa 

From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 11:36:33 2006
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> From: "Dennis Montgomery" <morpheus@speakeasy.net>
>  How are others doing this?  Before you start building a loop, do you have 
> a preconceived idea of what the loop should express or do you just let the 
> sound of the loop guide you?

For me, my looping is purely organic - I have no conception of the piece 
that is about to be performed.... (it simply creates itself)... I normally 
keep the backing loops very minimalistic. If you keep the canvas minimal, it 
allows for much a much more complex evolution of the piece (if that makes 
sense)

It is only recently that I have really started to use effects. I do however 
keep my effects limited. I have an octave/compressed double bass pizzicato 
sound, ring modulation (when plucked, creates drum sounds), a couple of 
flanged/phased patches and of course tap-tempo delay. There are other 
patches that I'm working on though. Each effect patch turns the violin into 
a relatively different instrument.

For some reason, I've never post-effected loops. I like to keep the looping 
pure (what goes in, comes out).

I posted a snippet of my first successful jam using effects and Mobius the 
other day at http://swyatt.com/mp3/2006/130306-02.mp3 - its not as organic 
as I wanted it to be though, as I'm still trying to program the FCB1010 to 
operate the way that I want it to....
-- 
Stuart Wyatt - http://swyatt.com

From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 11:43:26 2006
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Subject: Re: MIDI pc controller for EDP (was: unrounded multiply question/praise the edp)
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Hi Per,

No, it really was sitting at one pound, forty four pence. I think it's one of those things that Roland put out in the late '80s because it seemed like a good idea, but everybody else just scratched their head at it.

They don't show up that often, so there might be a run on it before it finishes tonight though.

Nothing surprises me on price in the great eBay bring'n'buy sale. I picked up a fully functional S-770 sampler (£5000 new in the late 80s) for £50 the other week.

- Tony

Per Boysen <per@boysen.se> wrote:

>Wow, that look exactly like the thingy I had envisioned! But it seem
>too expensive for me. I guess the price "£1.44 " means one hundred
>and forty four pound and not "one pound and forty four cents"? If you
>look at the bottom of that page the post mail fee is written  "£3.14"
>and I just doesn't seem correct that the stamps should be twice as
>expensive as the Roland device! 


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From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 12:20:50 2006
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From: Per Boysen <per@boysen.se>
Subject: Re: what a loop has to say
Date: Fri, 17 Mar 2006 13:20:44 +0100
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On 17 mar 2006, at 12.36, Stuart Wyatt wrote:
>
> I posted a snippet of my first successful jam using effects and  
> Mobius the other day at http://swyatt.com/mp3/2006/130306-02.mp3 -  
> its not as organic as I wanted it to be though, as I'm still trying  
> to program the FCB1010 to operate the way that I want it to....

That's a nice piece. I don't feel the need for more organic quality.  
Actually I like that stiff and machine-like mode you establish with  
the fist loop, that you keep all through the piece. Especially since  
you are using a non organic sound to play free in an organic way  
along that loop.

> For some reason, I've never post-effected loops. I like to keep the  
> looping pure (what goes in, comes out).

I too like that way of playing. I have all effects pre looping and  
play them "as an instrument" (to be looped).

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast? 
id=128679560&s=143456



From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 12:28:15 2006
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From: Per Boysen <per@boysen.se>
Subject: Re: MIDI pc controller for EDP (was: unrounded multiply question/praise the edp)
Date: Fri, 17 Mar 2006 13:28:12 +0100
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On 17 mar 2006, at 12.43, Tony Douglas wrote:

> No, it really was sitting at one pound, forty four pence. I think =20
> it's one of those things that Roland put out in the late '80s =20
> because it seemed like a good idea, but everybody else just =20
> scratched their head at it.

That's marvelous! Thanks for the heads up, I'll check it out.

> Nothing surprises me on price in the great eBay bring'n'buy sale. I =20=

> picked up a fully functional S-770 sampler (=A35000 new in the late =20=

> 80s) for =A350 the other week.

I had an S-330 for my looping rig in 1991. It was a great live =20
sampler! Even though the memory was small it would let you program =20
lots of MIDI mapping setups and access the stored samples in many =20
different ways: like reading it first in forward direction and then =20
in reverse direction before reaching the loop point. Perfect for =20
twisted soundscapes! Especially if you cut one stereo channel sample =20
a little shorter so the left and right channel would never get back =20
in time after the very first loop played back.  Not even modern "pro" =20=

software samplers can do this.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?=20
id=3D128679560&s=3D143456



From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 14:27:54 2006
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<HEAD>
<META content=3D"MSHTML 6.00.2900.2769" name=3DGENERATOR></HEAD>
<BODY>
<DIV>Kris</DIV>
<DIV>&nbsp;</DIV>
<DIV>For that kind of dosh, we expect to wake you up in the morning with a =
cup of tea as well. Sounds grand. What are the software programs you intend=
 to run? With that kind of memory and processor power, you whould have zero=
 latency difficulties and and glitching. Sorry if I missed you mentioning t=
his before.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Controller?</DIV>
<DIV>&nbsp;</DIV>
<DIV>Todd<BR><BR><BR>-----Original Message----- <BR>From: Kris Hartung <KHA=
RTUNG@CABLEONE.NET><BR>Sent: Mar 16, 2006 10:39 PM <BR>To: Loopers-Delight@=
loopers-delight.com <BR>Subject: The ThinkPad T60p - On the Way! <BR><BR></=
DIV><ZZZHTML><ZZZHEAD><ZZZMETA content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3D"Content-Type"><ZZZMETA content=3D"MSHTML 6.00.2900.2802" name=
=3D"GENERATOR">
<STYLE></STYLE>
</ZZZHEAD><ZZZBODY background=3D"" bgColor=3D"#ffffff">
<DIV><FONT face=3DArial size=3D2>Well, I finally got around to ordering a n=
ew notebook for music performance application (just tonight). This&nbsp;thi=
ng should kick royal butt, and rightly so for $3500. It just came out recen=
tly and has the new Intel duo core processor in it. I custom configured the=
 whole thing with the sales rep on the phone. Here it is:</FONT></DIV>
<DIV><BR><FONT face=3DArial><FONT size=3D2><STRONG>Model:</STRONG> Lenovo (=
IBM) ThinkPad T60p (SKU# 2623D8U) - </FONT></FONT><A href=3D"http://tinyurl=
.com/zt4w5"><FONT face=3DArial size=3D2>http://tinyurl.com/zt4w5</FONT></A>=
</DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Processor:</STRONG> Intel Core Duo=
 T2500 2 GHz ( Dual-Core)<BR><STRONG>RAM:</STRONG> 2 GB<BR><STRONG>Hardrive=
:</STRONG> 100 GB (7200 RPM)<BR><STRONG>Cache Memory:</STRONG> 2 MB - L2 ca=
che </FONT></DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Networking:</STRONG> Network adapt=
er - Ethernet, Fast Ethernet, Gigabit Ethernet, Bluetooth, IEEE 802.11b, IE=
EE 802.11a, IEEE 802.11g</FONT></DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Optical Storage:</STRONG> DVD=A6RW=
 (=A6R DL) / DVD-RAM - plug-in module</FONT></DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Display:</STRONG> 14.1" TFT active=
 matrix SXGA+ (1400 x 1050) - 24-bit (16.7 million colors) </FONT></DIV>
<DIV><FONT size=3D2><FONT size=3D1><FONT face=3DArial size=3D2><STRONG>Grap=
hics Controller:</STRONG> ATI MOBILITY FIRE GL V5200 - 256 M</FONT></DIV>
<DIV></FONT></FONT><FONT face=3DArial size=3D2><STRONG>Warranty</STRONG>:&n=
bsp;&nbsp;3 YR TP PROTECTION + 3 YR DEPOT TO 3 YR ONSITE</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>...etc</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Can't wait to get this thing up and runnin=
g!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV></ZZZBODY></ZZZHTML></B=
ODY>

From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 14:29:12 2006
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On Thu, 16 Mar 2006, Dennis Montgomery wrote:
[snip]
> How are others doing this?  Before you start building a loop, do you have a 
> preconceived idea of what the loop should express or do you just let the 
> sound of the loop guide you?  Those out there who perform for an audience, do 
> you ever introduce a loop like, "this is a loop about <my 
> dog><France><groundhog day><whatever>"?  One of the exciting things I'm 
> finding about looping is it's a whole new musical form of communication with 
> a new language of techniques and a new way of saying things. 
> Dennis

Most of the time, I let the sound of the loop define where I'm going, what 
it needs to do next, what additional loops and layers it wants to play 
with next, when it wants to take a break and sit back and listen to the 
other loops play, and when it invites me to come play with it.

Other times, I will specifically set out to capture a mood, convey a 
concept, or use an outside influence to set a tone. For example, I've done 
several art gallery openings. When I play an art gallery opening, I always 
walk around and look at the pieces in the art show before I start, then 
use my reaction to the art that night to play what I get from the art. (In 
my mind, the art show is the lead, I'm the support, and I feel it good 
manners to collaborate with the artist who is sharing their space with me 
that night.

best,
Steve B
http://www.subscapeannex.com/about_steve.html

From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 14:44:02 2006
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From: "Louis Rossi" <tarbit@hotmail.com>
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Subject: Re: Frisell's 858 Quartet 
Date: Fri, 17 Mar 2006 09:43:55 -0500
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Yeah I saw Frisell's 858 Quartet w/ horn players Ron Miles & Greg Tardy at 
Zenkel hall in NY. They played along to the films of Jim Woodring. Very 
different then his other groups I've seen. More compositons, which were very 
beautiful. & On a tech. note even though he had his rig he did not looping 
except a few reverse harmonics w/ the line 6 box...


>From: tEd ® kiLLiAn <tedkillian@charter.net>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: Sheet Music for Bill Frisell's "Strange Meeting"
>Date: Thu, 16 Mar 2006 20:29:37 -0800
>
>Hmmmm,
>
>Bill is playing next Wednesday night with his "858 Quartet" featuring
>Hank Roberts (cello), Eyvind Kang (violin) & Jenny Scheinman (violin).
>
>It's at the SOU (Southern Oregon University) Recital Hall so I'm  expecting
>it will be more an exploration of the type of material on his "Richter  
>858"
>than a typical Frisell gig.
>
>I just bought a ticket for it online this evening. Anyone else see this
>lineup recently?
>
>The Recital Hall has excellent acoustics, it normally hosts classical
>music performances and such. I guess this group qualifies as a
>"string quartet" of sorts.
>
>Now I have something to look forward to.
>
>tEd ® kiLLiAn
>
>"Different is not always better, but better is always different"
>
>http://www.pfmentum.com/flux.html
>http://www.CDbaby.com/cd/tedkillian
>http://www.guitar9.com/fluxaeterna.html
>http://www.garageband.com/artist/ArsOcarina
>http://www.towerrecords.com/product.aspx?pfid=2845073
>http://www.netmusic.com/web/album.aspx?a_id=CBNM_17314
>http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=193
>http://www.loopers-delight.com/cgi-bin/profiles.cgi? 
>step=view_profile&id=121197000042
>
>Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
>BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
>AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
>RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
>and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???


From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 14:48:10 2006
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From: "Louis Rossi" <tarbit@hotmail.com>
To: Loopers-Delight@loopers-delight.com
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Kris,

ECM put out this out a few years ago & you should be able to find it online

http://www.ecmrecords.com/Catalogue/ECM/1900/1902.php?lvredir=712&cat=%2FArtists%2FMotian+Paul+Trio%23%23Paul+Motian+Trio&catid=0&doctype=Catalogue&order=releasedate&rubchooser=901&mainrubchooser=9

Cheers
Lou


>From: "Kris Hartung" <khartung@cableone.net>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: <Loopers-Delight@loopers-delight.com>
>Subject: Re: (Sheet Music for) Bill Frisell's ("Strange Meeting")
>Date: Thu, 16 Mar 2006 21:29:47 -0700
>
>Do you have any of his work with Paul Motion? I still need to pick that 
>up...hard to find.
>
>Kris
>
>   ----- Original Message -----
>   From: ditch wrestler
>   To: Loopers-Delight@loopers-delight.com
>   Sent: Thursday, March 16, 2006 8:47 PM
>   Subject: Re: (Sheet Music for) Bill Frisell's ("Strange Meeting")
>
>
>
>   I'm a pretty big Bill fan and seen three times live - the most recent 
>was in Erie, PA this past May with the Unspeakable Orchestra.
>
>   Shy?  Hell, yes.  I think at all the concerts he said about three words 
>other than introducing the band.  I got backstage at concet #2 (art gallery 
>in Buffalo w/ tony schear and joey baron ) and got a few more words out of 
>him but joey was a riot.
>
>   Bill's pretty mellow - not sure if it's from too much pot or what; in a 
>few interviews I've read he does come across as rather articulate - maybe 
>he puts an effort into them...
>
>   I've got about 2 dozen of his cd's - either as leader, co-leader, or a 
>guest.  My favourites are probably "Have A Little Faith" and "This Land" 
>(which have the same players on them and I've always viewed them together 
>as a double album) but he had a really great run of Nashville, Gone Just 
>Like a Train and Good Man Happy Dog.  The recent live album - East West - 
>is also a keeper.
>
>
>   ted harms.
>
>
>   Kevin <kevin@TheNettles.com> wrote:
>     At 09:37 PM 3/15/2006, you wrote:
>     >Bill actually talked on a video?
>
>     Well, he tries to. When words fail him, he continues the explanation
>     on the guitar, where his true voice is.
>
>     Have you seen him live? Live performance is when he's at his best.
>
>     Cheers,
>     Kevin
>
>
>     The Nettles: Progressive and Exciting Celtic Music
>     www.TheNettles.com
>
>
>
>
>
>
>------------------------------------------------------------------------------
>   Yahoo! Mail
>   Use Photomail to share photos without annoying attachments.


From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 15:08:07 2006
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To: <Loopers-Delight@loopers-delight.com>
References: <20060211160139.60A553BEF7@arsenic.violacea.com> <441A1723.8050401@speakeasy.net> <2eaa57a77732aba8cc7b5609afec1d9d@charter.net> <8bbb113c0a0a4df6f5fc724936f0b189@pfmentum.com> <003201c6499a$c9870c60$74b85545@Biffoz>
Subject: Re: what a loop has to say
Date: Fri, 17 Mar 2006 08:08:00 -0700
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> Believe me, there have been times when I've just closed the loop, and
> found
> such a dire, dark thing before me I nearly had to flee! I'm not talking
> about a flawed loop with a mistake or anything--but rather something
> totally
> unexpected and unique--challenging me to understand it and add to it
> meaningfully.

It's amazing isn't it? I empathize with the dark comment. The last live
performance I did with a percussionist with me was that way...I was just in
a weird, dark, and nebulous mood.  And it didn't help that my guitar was
tuned down a whole third. :) At one point in time, the percussionist just
stopped playing and looked at me as if saying "what dark, evil planet is
your mind on right now...are you insane?".   The freedom on knowing that you
have absolutely no creative limitations and you can push the boundaries as
far as you dare is exhilarating.  Do we need a artistic permit to get away
with this?

Kris

>
> Miko Biffle
> "Running scared from all the usual distractions!"
> C;mon over to MySpace! www.myspace.com/biffozz
> Now playing "Rough" www.cdbaby.com/biffoz
> The Chain Tape Collective! http://www.ct-collective.com/
>
> On Mar 16, 2006, at 8:14 PM, tEd ® kiLLiAn wrote:
>>> I make no judgment on others (or you in particular) for being another
>>> way. Actually, I feel that I am the one who is deficient here. I would
>>> love to be able to sit down on my guitar stool and think in the
>>> abstract . . . okay, I am now going to evoke . . . spring, a sunny
>>> day, lost innocence, memories of whatever . . . lost love, my dog, my
>>> truck, my doughnut, heheheh. Really!
>
>> I don't think you are being deficient at all. I think the desire to
>> apply a referenced "meaning" to a loop outside of the music is fine, no
>> judgment here either. But is the application/explanation of meaning
>> really what the music is about? If you are using lyrics it is one
>> thing. Lyrics reference the word-based meaning directly. But your lack
>> of desire to apply meaning to the abstract (your instrumental music),
>> my dear friend Ted, is...anything but deficient. If anything, I think
>> it is being more true to the music, by allowing the music to be itself
>> and to present itself to others on its own terms free of applied
>> meaning that might not only be meaningless to the audience, but even
>> take away from the experience... But now, of course, we get on to the
>> eternal discussion of programmatic versus absolute music... -Jeff
>
>> Jeff Kaiser
>> http://www.jeffkaisermusic.com
>> pfMENTUM.com • AngryVegan.com
>
>
>


From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 15:09:45 2006
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Date: Fri, 17 Mar 2006 15:09:43 +0000
From: "David Morton" <dmorton@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: (Sheet Music for) Bill Frisell's ("Strange Meeting")
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	 <09ec01c6497b$6d445e40$45b2ec0f@americas.hpqcorp.net>
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Lots of it has been rereleased lately, for example all three 'On
Broadway' volumes are available now.

It helps if you spell Paul Motian's name correctly when searching for them.=
 :-)

On 3/17/06, Kris Hartung <khartung@cableone.net> wrote:
>
> Do you have any of his work with Paul Motion? I still need to pick that
> up...hard to find.
>
>
> Kris
>
>
>
> ----- Original Message -----
> From: ditch wrestler
> To: Loopers-Delight@loopers-delight.com
> Sent: Thursday, March 16, 2006 8:47 PM
> Subject: Re: (Sheet Music for) Bill Frisell's ("Strange Meeting")
>
>
>
> I'm a pretty big Bill fan and seen three times live - the most recent was=
 in
> Erie, PA this past May with the Unspeakable Orchestra.
>
> Shy?  Hell, yes.  I think at all the concerts he said about three words
> other than introducing the band.  I got backstage at concet #2 (art galle=
ry
> in Buffalo w/ tony schear and joey baron ) and got a few more words out o=
f
> him but joey was a riot.
>
> Bill's pretty mellow - not sure if it's from too much pot or what; in a f=
ew
> interviews I've read he does come across as rather articulate - maybe he
> puts an effort into them...
>
> I've got about 2 dozen of his cd's - either as leader, co-leader, or a
> guest.  My favourites are probably "Have A Little Faith" and "This Land"
> (which have the same players on them and I've always viewed them together=
 as
> a double album) but he had a really great run of Nashville, Gone Just Lik=
e a
> Train and Good Man Happy Dog.  The recent live album - East West - is als=
o a
> keeper.
>
>
> ted harms.
>
>
> Kevin <kevin@TheNettles.com> wrote:
> At 09:37 PM 3/15/2006, you wrote:
> >Bill actually talked on a video?
>
> Well, he tries to. When words fail him, he continues the explanation
> on the guitar, where his true voice is.
>
> Have you seen him live? Live performance is when he's at his best.
>
> Cheers,
> Kevin
>
>
> The Nettles: Progressive and Exciting Celtic Music
> www.TheNettles.com
>
>
>
>
>  ________________________________
>  Yahoo! Mail
> Use Photomail to share photos without annoying attachments.
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 15:13:24 2006
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Date: Fri, 17 Mar 2006 07:13:22 -0800 (PST)
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Subject: pre loop prep
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this may be a sad fact...but if i dont smoke like a hobbit my music suffers.it may be im too in touch with reality when not slightly "altered".and a few times a year for something special...."shrooms"takes the music to a level of vision quest proportions.
  this is not an endorsement of abuse.it may be the clouded perspective of a damaged mind.i believe these things help my expression.
                                        keep marc emery free.
                                                                        scary visionary

		
---------------------------------
Brings words and photos together (easily) with
 PhotoMail  - it's free and works with Yahoo! Mail.
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<div>this may be a sad fact...but if i dont smoke like a hobbit my music suffers.it may be&nbsp;im too in touch with reality when not slightly "altered".and a few times a year for something special...."shrooms"takes the music to a level of vision quest proportions.</div>  <div>this is not an endorsement of abuse.it may be the clouded perspective of a damaged mind.i believe these things help my expression.</div>  <div>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; keep marc emery free.</div> 
 <div>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; scary visionary</div><p>
		<hr size=1>Brings words and photos together (easily) with<br> 
<a href="http://us.rd.yahoo.com/mail_us/taglines/PMall/*http://photomail.mail.yahoo.com">PhotoMail </a> - it's free and works with Yahoo! Mail.
--0-860320149-1142608402=:21542--

From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 15:14:06 2006
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To: <Loopers-Delight@loopers-delight.com>
References: <20060317081404.29126.qmail@web52803.mail.yahoo.com>
Subject: Re: The ThinkPad T60p - On the Way!
Date: Fri, 17 Mar 2006 08:14:01 -0700
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> oh man,that seems like an audio royal king,now u wanna
> give us a link to the poormans version of it(that is
> under 1000.00 dlls?

I think the T60 SKU's start at $1299 list (see below), which means you =
can probably get one for around a grand. But that is the Intel solo, not =
duo processor. Duos list prices for the T60s start at $1500. The SKU is =
below, but you can always customize even more on the phone with the =
sales rep, which is a good thing to do. Ordering from the web is very =
limited in terms of options.=20

Here is theh page that shows all the models and list prices: =
http://tinyurl.com/h5rqd (by the way, I think tinyurl is the greatest =
thing since sliced bread!)

Kris


ThinkPad T60                 1953D5U      1953-D5U      $1,299
 40.0 GB / 5400 rpm,
 Intel Core Solo
 processor T1300,
 256 MB, CD-RW/DVD-ROM
 Combo, 14.1-in TFT
 1024 x 768, Intel
 945GM, Intel Graphics
 Media Accelerator 950
 chipset, 6-cell
 battery, Intel
 PRO/Wireless 3945ABG

----- Original Message -----=20
From: "Luis Angulo" <labalou2000@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, March 17, 2006 1:14 AM
Subject: Re: The ThinkPad T60p - On the Way!


> oh man,that seems like an audio royal king,now u wanna
> give us a link to the poormans version of it(that is
> under 1000.00 dlls?
>=20
>=20
> --- Kris Hartung <khartung@cableone.net> wrote:
>=20
>> Well, I finally got around to ordering a new
>> notebook for music performance application (just
>> tonight). This thing should kick royal butt, and
>> rightly so for $3500. It just came out recently and
>> has the new Intel duo core processor in it. I custom
>> configured the whole thing with the sales rep on the
>> phone. Here it is:
>>=20
>> Model: Lenovo (IBM) ThinkPad T60p (SKU# 2623D8U) -
>> http://tinyurl.com/zt4w5
>> Processor: Intel Core Duo T2500 2 GHz ( Dual-Core)
>> RAM: 2 GB
>> Hardrive: 100 GB (7200 RPM)
>> Cache Memory: 2 MB - L2 cache=20
>> Networking: Network adapter - Ethernet, Fast
>> Ethernet, Gigabit Ethernet, Bluetooth, IEEE 802.11b,
>> IEEE 802.11a, IEEE 802.11g
>> Optical Storage: DVD=A6RW (=A6R DL) / DVD-RAM - plug-in
>> module
>> Display: 14.1" TFT active matrix SXGA+ (1400 x 1050)
>> - 24-bit (16.7 million colors)=20
>> Graphics Controller: ATI MOBILITY FIRE GL V5200 -
>> 256 M
>> Warranty:  3 YR TP PROTECTION + 3 YR DEPOT TO 3 YR
>> ONSITE
>>=20
>> ...etc
>>=20
>> Can't wait to get this thing up and running!
>>=20
>> Kris
>>=20
>=20
>=20
> www.luis-angulo.com
>=20
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around=20
> http://mail.yahoo.com=20
>=20
>
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
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<STYLE></STYLE>
</HEAD>
<BODY>
<DIV><FONT face=3DArial size=3D2>&gt; oh man,that seems like an audio =
royal king,now=20
u wanna<BR>&gt; give us a link to the poormans version of it(that =
is<BR>&gt;=20
under 1000.00 dlls?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I think the T60 SKU's start at $1299 =
list (see=20
below), which means you can probably get one for around a grand. But =
that is the=20
Intel solo, not duo processor. Duos list prices for the T60s start at =
$1500. The=20
SKU is below, but you can always customize even more on the phone with =
the sales=20
rep, which is a good thing to do. Ordering from the web is very limited =
in terms=20
of options. </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Here is theh page that shows all the =
models and=20
list prices: </FONT><A href=3D"http://tinyurl.com/h5rqd"><FONT =
face=3DArial=20
size=3D2>http://tinyurl.com/h5rqd</FONT></A><FONT face=3DArial size=3D2> =
(by the way,=20
I think tinyurl is the greatest thing since sliced bread!)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>ThinkPad=20
T60&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;=20
1953D5U&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
1953-D5U&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
$1,299<BR> 40.0 GB / 5400 rpm,<BR> Intel Core Solo<BR> processor =
T1300,<BR> 256=20
MB, CD-RW/DVD-ROM<BR> Combo, 14.1-in TFT<BR> 1024 x 768, Intel<BR> =
945GM, Intel=20
Graphics<BR> Media Accelerator 950<BR> chipset, 6-cell<BR> battery, =
Intel<BR>=20
PRO/Wireless 3945ABG<BR></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>----- Original Message ----- </FONT>
<DIV><FONT face=3DArial size=3D2>From: "Luis Angulo" &lt;</FONT><A=20
href=3D"mailto:labalou2000@yahoo.com"><FONT face=3DArial=20
size=3D2>labalou2000@yahoo.com</FONT></A><FONT face=3DArial =
size=3D2>&gt;</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>To: &lt;</FONT><A=20
href=3D"mailto:Loopers-Delight@loopers-delight.com"><FONT face=3DArial=20
size=3D2>Loopers-Delight@loopers-delight.com</FONT></A><FONT =
face=3DArial=20
size=3D2>&gt;</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Sent: Friday, March 17, 2006 1:14 =
AM</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Subject: Re: The ThinkPad T60p - On the =

Way!</FONT></DIV></DIV>
<DIV><FONT face=3DArial><BR><FONT size=3D2></FONT></FONT></DIV><FONT =
face=3DArial=20
size=3D2>&gt; oh man,that seems like an audio royal king,now u =
wanna<BR>&gt; give=20
us a link to the poormans version of it(that is<BR>&gt; under 1000.00=20
dlls?<BR>&gt; <BR>&gt; <BR>&gt; --- Kris Hartung &lt;</FONT><A=20
href=3D"mailto:khartung@cableone.net"><FONT face=3DArial=20
size=3D2>khartung@cableone.net</FONT></A><FONT face=3DArial =
size=3D2>&gt;=20
wrote:<BR>&gt; <BR>&gt;&gt; Well, I finally got around to ordering a=20
new<BR>&gt;&gt; notebook for music performance application =
(just<BR>&gt;&gt;=20
tonight). This thing should kick royal butt, and<BR>&gt;&gt; rightly so =
for=20
$3500. It just came out recently and<BR>&gt;&gt; has the new Intel duo =
core=20
processor in it. I custom<BR>&gt;&gt; configured the whole thing with =
the sales=20
rep on the<BR>&gt;&gt; phone. Here it is:<BR>&gt;&gt; <BR>&gt;&gt; =
Model: Lenovo=20
(IBM) ThinkPad T60p (SKU# 2623D8U) -<BR>&gt;&gt; </FONT><A=20
href=3D"http://tinyurl.com/zt4w5"><FONT face=3DArial=20
size=3D2>http://tinyurl.com/zt4w5</FONT></A><BR><FONT face=3DArial =
size=3D2>&gt;&gt;=20
Processor: Intel Core Duo T2500 2 GHz ( Dual-Core)<BR>&gt;&gt; RAM: 2=20
GB<BR>&gt;&gt; Hardrive: 100 GB (7200 RPM)<BR>&gt;&gt; Cache Memory: 2 =
MB - L2=20
cache <BR>&gt;&gt; Networking: Network adapter - Ethernet, =
Fast<BR>&gt;&gt;=20
Ethernet, Gigabit Ethernet, Bluetooth, IEEE 802.11b,<BR>&gt;&gt; IEEE =
802.11a,=20
IEEE 802.11g<BR>&gt;&gt; Optical Storage: DVD=A6RW (=A6R DL) / DVD-RAM - =

plug-in<BR>&gt;&gt; module<BR>&gt;&gt; Display: 14.1" TFT active matrix =
SXGA+=20
(1400 x 1050)<BR>&gt;&gt; - 24-bit (16.7 million colors) <BR>&gt;&gt; =
Graphics=20
Controller: ATI MOBILITY FIRE GL V5200 -<BR>&gt;&gt; 256 M<BR>&gt;&gt;=20
Warranty:&nbsp; 3 YR TP PROTECTION + 3 YR DEPOT TO 3 YR<BR>&gt;&gt;=20
ONSITE<BR>&gt;&gt; <BR>&gt;&gt; ...etc<BR>&gt;&gt; <BR>&gt;&gt; Can't =
wait to=20
get this thing up and running!<BR>&gt;&gt; <BR>&gt;&gt; Kris<BR>&gt;&gt; =

<BR>&gt; <BR>&gt; <BR>&gt; </FONT><A =
href=3D"http://www.luis-angulo.com"><FONT=20
face=3DArial size=3D2>www.luis-angulo.com</FONT></A><BR><FONT =
face=3DArial size=3D2>&gt;=20
<BR>&gt; __________________________________________________<BR>&gt; Do =
You=20
Yahoo!?<BR>&gt; Tired of spam?&nbsp; Yahoo! Mail has the best spam =
protection=20
around <BR>&gt; </FONT><A href=3D"http://mail.yahoo.com"><FONT =
face=3DArial=20
size=3D2>http://mail.yahoo.com</FONT></A><FONT face=3DArial size=3D2> =
<BR>&gt;=20
<BR>&gt;</FONT></BODY></HTML>

------=_NextPart_000_0ABD_01C6499A.BF5D93D0--


From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 15:29:10 2006
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Subject: Re: what a loop has to say
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From: "mech" <mech@m3ch.net>


> With that in mind, I'd ask a question to clarify the situation you're 
> speaking of.  When you use effects, do you use them to augment the 
> existing tonalities or to transform the instrument into something 
> completely different?

For me both. I do have some effects that completely mangle my original tone 
until it doesn't sound like a guitar anymore, but others that are more 
transparent and just flavor (mild or spicy) to my original tone. I suppose 
effects that have a fairly immediate effect on my tone are less of an issue 
in terms of taking credit for the overall output, vs me taking credit for 
creating something interesting to begin with. The example I have with the 
long delays is a good one.  There are just some effects that take your 
original tone and then take a life of their own...those are the one's 
stealing the credit for creativity.  I play one note, and the gear 
arpeggiates, produces a completely elongated and lush pad of sounds that 
have nothing to do with my original raw guitar note. So, I guess this is a 
matter of degree and qualifying which type of effects, rather than making a 
blanket statement about all effects. Some or more obtrusive than others.

> I find that when I use effects as ornamentation -- to "dress up" the 
> existing sound -- I can very often paint myself into a similar corner as 
> you are describing.  It seems that past a certain point it becomes 
> difficult to wrangle the burbling mess into something meaningful.  At that 
> instant, I'm frequently left with the impression that I'm doing nothing 
> more than trying to hide the original instrument; obscuring it rather than 
> trying to cull some bit of truth from it.

Yep. I agree competely. That's my point. It's like we can have a love-hate 
relationship with our gear.

> On the other hand, I frequently use effects in a transformative manner --  
> where the effect is an indistinguishable and integral part of the sound. 
> Best example I can give is from the last improv session our group did a 
> couple weeks ago.  On one cut, I had found a excellent slide guitar patch 
> on my Yamaha VL70-m, which I happened to be playing with my WX-11 wind 
> controller.  It sounded pretty good by itself (despite the fact that the 
> tone module is monophonic) but then I ran it through an intelligent 
> harmonizer and started playing a bit with chord voicings.  Suddenly, it 
> dropped into a full-blown pedal steel, complete with Nashville-inspired 
> slides and transpositions.
>
> In that instance, the effect *became* the sound.  There were no problems 
> of the sort you mention, because the effect was used to create a brand new 
> instrument, rather than merely add more extra dimension to an existing 
> one.

Yes, you are in agreement with my clarification above on the two different 
types of sound. A similar situation for me is the guitar synth patch on my 
VF-1. Sure, it completely transforms my original guitar sound, but when I 
play an E as a quarter note, that's what I get in the output, not a 20 
second effect that I have no control over, or for which I can't take credit.

It seems harsh, but effects can and often to take the place of talent.  It 
is easy to hind behind the cool effects, rather than using raw talent and 
having the effects just enhance what you do. I suppose I could claim the 
same about looping. I know and have seen solo looping guitarist who really 
couldn't stand on their own as soloist without the looping gear. They use 
their limited talent to build layers of sounds that end up sounding rather 
sophisticated, but require very little technical ability...playing a few 
quarter and whole notes here and there, using some lush delays and pads, 
etc. Yet when I see someone that can play like Joe Pass, or even half of 
Pass, sit down and play, I know this guy doesn't need anything but his 
instrument to express himself...a looping device would be an enhancement of 
his talent, not a substitute.

Kris


>
> -- 
> _______
> "You are in a maze of twisty little passages, all alike..."
>
> 


From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 15:38:29 2006
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Subject: Re: what a loop has to say
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Agreed, Per, though I would clarify even more (for me) that it is about
being aware of the music, but also who or what is generating the music and
taking responsibility for this. If I play one note and my gear generates an
entire 5 minute song by randominzing that note, sequencing,, etc...that's
hardly a case of me being aware of my own music. That's letting the gear to
the work for me.  That's not even musicianship in my book. My 10 month old
kids can do this.  So simply being aware of the music and letting it flow
through me is not a complete criteria as I see it....but I know what you are
getting at here and agree with your concept. Again, there are varying
degrees of what we are talking about here, and all exceptions noted.

Kris


> Interesting topic, Kris! I think that in the best of wolds it  shouldn't
> matter how many effects you are using. What matters is that  you should
> not be aware of those effects when you play. You should  only be aware of
> the music that flows through you. The moment you  start thinking about
> effects as being "effects", then is the time for  either stripping down
> your rack or going back to rehears with those  effects according to the
> "300 percent over learning method", that  will let you forget about it all
> but still being able to  unconsciously draw on that knowledge in the heat
> of the performance.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?
> id=128679560&s=143456
>
>
>
>


From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 15:39:32 2006
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From: Per Boysen <per@boysen.se>
Subject: Re: The ThinkPad T60p - On the Way!
Date: Fri, 17 Mar 2006 16:39:29 +0100
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On 17 mar 2006, at 16.14, Kris Hartung wrote:

> Here is theh page that shows all the models and list prices: http:// 
> tinyurl.com/h5rqd


Nice to see that they now come also with a "customized touch pad". I  
used to have a ThinkPad and I just hated that TrackPoint stick.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast? 
id=128679560&s=143456



From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 15:44:29 2006
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Subject: Re: what a loop has to say
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Well Kris, that very much depends on where you draw the line of 
musicianship, and what you consider music. If it takes ages to set up a 
randomization patch, do the scripting for the post-recording sequencing, 
and handling the massive amounts of data that is sometimes required 
(like in a max/msp patch) is that then still not part of the musical 
process?

I believe mr. LaFosse and others would make great use of that one note, 
and even though it's just technological tom-foolery it is still highly 
musical, and beyond the reach of your average 10-month old.

Most of my looping these days is based on a more-or-less random audio 
input, that does not make it less musical, at least to my ears.
Andreas

Kris Hartung wrote:
> [...]it is about
> being aware of the music, but also who or what is generating the music and
> taking responsibility for this. If I play one note and my gear generates an
> entire 5 minute song by randominzing that note, sequencing,, etc...that's
> hardly a case of me being aware of my own music. That's letting the gear to
> the work for me.  That's not even musicianship in my book. My 10 month old
> kids can do this.  So simply being aware of the music and letting it flow
> through me is not a complete criteria as I see it....but I know what you 
> are
> getting at here and agree with your concept. Again, there are varying
> degrees of what we are talking about here, and all exceptions noted.
> 
> Kris

>>
> 
> 
> 
> .
> 

From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 15:46:33 2006
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Subject: Re: what a loop has to say
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My wife once told me that when I sit down with my acoustic guitar and =
just play freely, that what she hears sound more creative than anything =
else I do with my gear, looping, etc. I find that sort of interesting =
(sometimes discouraging)...makes me start to question what is really =
necessary for me to express myself artistically, vs. hiding behind the =
gear. Heck, if I can sit down at a gig with just my acoustic, and =
satisfy both myself and others artistically, I'd probably be retired =
right now with all the money I would have saved!  :)

But I just love the effects, and I openly admit that "sometimes" they do =
substitute for true, raw creativity. I would be surprised if anyone on =
this list who uses a lot of gear thought or felt otherwise.  It would =
take quite a artistic genius to ALWAYS, 100% of the time, have effects =
acquiesce to one's talent and creativity, rather than the other way =
around. Either an artistic genius, or a complete liar.

Kris

  ----- Original Message -----=20
  From: daniel stevenson=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Friday, March 17, 2006 2:39 AM
  Subject: Re: what a loop has to say


  i do find the clean acoustic guitar to be my muse.yet ill mangle it =
with reverse and speed control.varible delay times seems to keep the =
sound pure.maybe just a phase im goin thru but nothing beats a good ole =
acoustic source into a looper.
                                      my best regards,
                                                                scary =
visionary.

  Kris Hartung <khartung@cableone.net> wrote:
    > Yep, to me a loop says, "Freedom."
    > G

    Speaking of which, does anyone find it easier to freely improvise =
when you=20
    aren't using layers and layers of effects, tone mangling devices, =
etc? I've=20
    found this to be the case with me. I love all the cool effects at my =

    disposal - the Boss VF-1, hundreds of VST effects, LXP5, etc - but =
they=20
    sometimes produce artificial restrictions or boundaries on my =
creativity. I=20
    tend to be more intentionally and genuinely creative, and less =
enamored and=20
    influenced by technology, when I just play with a clean guitar sound =
with=20
    just a touch of reverb and delay for ambiance. You have nothing but =
the=20
    notes, basically, no window dressing to distract the creative =
process. I'm=20
    sure this is quite subjective and relative, but I'd be curious what =
others=20
    think of this. I guess just the simple sound of the guitar forces me =
to=20
    think more out of the box, rather than relying on the box. For =
example, you=20
    have a effect patch that has two octaves and panning delays that go =
on=20
    forrrrrrrever....you play one "note"...just one human data-point of=20
    interaction, and the gear takes credit for the rest of the =
interesting sound=20
    for the next minute. And I start to think to myself, what is really =
creative=20
    about that? I could play 10 notes in 3 minutes and produce a song =
that=20
    requires very little creative energy. It would be interesting to =
take all=20
    of our looping songs and strip every single cool effect from them, =
resulting=20
    in just the initially, humanly generated notes and natural sound of =
the=20
    instrument...what might we discover? How much of the intrigue of the =
song is=20
    generated by the gear vs. human creative energy? These are just open =

    questions for discussion. I'm not necessarily making any categorical =
point=20
    here.

    And in this regard, I really respect a lot of the work of Derek =
Bailey,=20
    where its just him and his hollowbody guitar...quite amazing what a =
guy can=20
    do with just a guitar and amp.

    ...I'm off to bed now. It's been a long day.

    Kris







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<META http-equiv=3DContent-Type content=3D"text/html; =
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>My wife once told me that when I sit =
down with my=20
acoustic guitar and just play freely, that what she hears sound more =
creative=20
than anything else I do with my gear, looping, etc. I find that sort of=20
interesting (sometimes discouraging)...makes me start to question what =
is really=20
necessary for me to express&nbsp;myself artistically, vs. hiding behind =
the=20
gear. Heck, if I can sit down at a gig with just my acoustic, and =
satisfy both=20
myself and others artistically, I'd probably be retired right now with =
all the=20
money I would have saved!&nbsp; :)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>But I just love the effects, and I =
openly admit=20
that "sometimes" they do substitute for true, raw creativity. I would be =

surprised if anyone on this list who uses a lot of gear thought or felt=20
otherwise.&nbsp; It would take quite a artistic genius&nbsp;to ALWAYS, =
100% of=20
the time, have effects acquiesce to one's talent and creativity, rather =
than the=20
other way around. Either an artistic genius, or a complete =
liar.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dstillllscary@yahoo.com =
href=3D"mailto:stillllscary@yahoo.com">daniel=20
  stevenson</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, March 17, 2006 =
2:39=20
AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: what a loop has to =
say</DIV>
  <DIV><BR></DIV>
  <DIV>i do find the clean acoustic guitar to be my muse.yet ill mangle =
it with=20
  reverse and speed control.varible delay times&nbsp;seems to keep the =
sound=20
  pure.maybe just a phase im goin thru but nothing beats a good ole =
acoustic=20
  source into a looper.</DIV>
  =
<DIV>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
  my best regards,</DIV>
  =
<DIV>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;=20
  scary visionary.<BR><BR><B><I>Kris Hartung=20
  &lt;khartung@cableone.net&gt;</I></B> wrote:</DIV>
  <BLOCKQUOTE class=3Dreplbq=20
  style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px =
solid">&gt;=20
    Yep, to me a loop says, "Freedom."<BR>&gt; G<BR><BR>Speaking of =
which, does=20
    anyone find it easier to freely improvise when you <BR>aren't using =
layers=20
    and layers of effects, tone mangling devices, etc? I've <BR>found =
this to be=20
    the case with me. I love all the cool effects at my <BR>disposal - =
the Boss=20
    VF-1, hundreds of VST effects, LXP5, etc - but they <BR>sometimes =
produce=20
    artificial restrictions or boundaries on my creativity. I <BR>tend =
to be=20
    more intentionally and genuinely creative, and less enamored and=20
    <BR>influenced by technology, when I just play with a clean guitar =
sound=20
    with <BR>just a touch of reverb and delay for ambiance. You have =
nothing but=20
    the <BR>notes, basically, no window dressing to distract the =
creative=20
    process. I'm <BR>sure this is quite subjective and relative, but I'd =
be=20
    curious what others <BR>think of this. I guess just the simple sound =
of the=20
    guitar forces me to <BR>think more out of the box, rather than =
relying on=20
    the box. For example, you <BR>have a effect patch that has two =
octaves and=20
    panning delays that go on <BR>forrrrrrrever....you play one =
"note"...just=20
    one human data-point of <BR>interaction, and the gear takes credit =
for the=20
    rest of the interesting sound <BR>for the next minute. And I start =
to think=20
    to myself, what is really creative <BR>about that? I could play 10 =
notes in=20
    3 minutes and produce a song that <BR>requires very little creative =
energy.=20
    It would be interesting to take all <BR>of our looping songs and =
strip every=20
    single cool effect from them, resulting <BR>in just the initially, =
humanly=20
    generated notes and natural sound of the <BR>instrument...what might =
we=20
    discover? How much of the intrigue of the song is <BR>generated by =
the gear=20
    vs. human creative energy? These are just open <BR>questions for =
discussion.=20
    I'm not necessarily making any categorical point =
<BR>here.<BR><BR>And in=20
    this regard, I really respect a lot of the work of Derek Bailey, =
<BR>where=20
    its just him and his hollowbody guitar...quite amazing what a guy =
can <BR>do=20
    with just a guitar and amp.<BR><BR>...I'm off to bed now. It's been =
a long=20
    day.<BR><BR>Kris<BR><BR><BR></BLOCKQUOTE><BR>
  <P>
  <HR SIZE=3D1>
  Yahoo! Mail<BR><A=20
  =
href=3D"http://pa.yahoo.com/*http://us.rd.yahoo.com/evt=3D38867/*http://p=
hotomail.mail.yahoo.com">Use=20
  Photomail</A> to share photos without annoying=20
attachments.</BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 15:56:23 2006
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From: Kevin <kevin@TheNettles.com>
Subject: Re: blind plug (was: unrounded multiply question/praise the
  edp)
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>If you are using the modes where you can choose between Knob and 
>Pedal settings (Long Multiply in Stutter Mode for example) you can 
>switch between the Knob setting (say 50 per cent) and 100 per cent 
>if you leave the contacts within the blind plug open - 0 per cent if 
>you choose to close it respectively (or both options if you are 
>using a momentary switch foot pedal instead of a blind plug)

Hi, I'm an idiot! :-)

Sorry, I just had to get that out of the way.  I've been biting my 
tongue since the "Jack" discussion: "So, uh, you don't know Jack?"

Anyway, I don't understand your explanation.  Could you elaborate?

Thanks,
Kevin

The Nettles: Progressive and Exciting Celtic Music
www.TheNettles.com

From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 16:06:04 2006
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To: <Loopers-Delight@loopers-delight.com>
References: <20060317045728.YVEP17690.fed1rmmtao04.cox.net@Desktop2002> <0a3801c64983$af5aba60$45b2ec0f@americas.hpqcorp.net> <564A3A87-98C8-4D99-8B70-C1AA30EE3738@boysen.se> <0af001c649d8$d46aa400$45b2ec0f@americas.hpqcorp.net> <441AD958.8000702@post.cybercity.dk>
Subject: Re: what a loop has to say
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> Well Kris, that very much depends on where you draw the line of 
> musicianship, and what you consider music.

Absolutely. It's not so cut and dried, but very fuzzy...which is why this 
thread will likely go on for a long time.

If it takes ages to set up a
> randomization patch, do the scripting for the post-recording sequencing, 
> and handling the massive amounts of data that is sometimes required (like 
> in a max/msp patch) is that then still not part of the musical process?

I call that craft, not art or musicianship. It's just my strong opinion on 
the subject. It is a part of the musical process, I agree, but not what I 
consider the driving force behind musical art. That transcents gear in my 
opinion. I defer to Rick's comments on musicians from other cultures. 
Whatever they have inside of them that sparks the miricle of creativity, we 
have too have inside, but you don't find it in 1's and 0s inside of a chip 
or processor. That's after the fact, or before the fact if you are using it 
to prepare for performance.

> I believe mr. LaFosse and others would make great use of that one note, 
> and even though it's just technological tom-foolery it is still highly 
> musical, and beyond the reach of your average 10-month old.

Sure, my kids can't program a unit to complete transform one basic note into 
an entire song, but someone else can for them. Again, what is the musician 
taking credit for? The note? The processor and engineering that transforms 
the note?  What do we mean by saying "making use of that one note?"  Who is 
making use if it?  These are more rhetorical questions, of course, subject 
to wildly varying, subjective, and contradictory responses!

> Most of my looping these days is based on a more-or-less random audio 
> input, that does not make it less musical, at least to my ears.
> Andreas

That's cool. I do that on occasion, using the SunRa VST plugin...I don't 
take credit for the output or consider it a facet of my artistic creativity. 
It's just fun to play with.

Kris

> Kris Hartung wrote:
>> [...]it is about
>> being aware of the music, but also who or what is generating the music 
>> and
>> taking responsibility for this. If I play one note and my gear generates 
>> an
>> entire 5 minute song by randominzing that note, sequencing,, etc...that's
>> hardly a case of me being aware of my own music. That's letting the gear 
>> to
>> the work for me.  That's not even musicianship in my book. My 10 month 
>> old
>> kids can do this.  So simply being aware of the music and letting it flow
>> through me is not a complete criteria as I see it....but I know what you 
>> are
>> getting at here and agree with your concept. Again, there are varying
>> degrees of what we are talking about here, and all exceptions noted.
>>
>> Kris
>
>>>
>>
>>
>>
>> .
>>
>
> 


From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 16:11:49 2006
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Boy I wish I had the time to respond to this the way I'd like- maybe I'll
get to it next week when I get back from Amsterdam......

Basically though, IMO- NO effects box can do anything unless a person is
operating it. Until that's not the case, you have to accept that they are
tools that requires some skill (how much is debatable) to 'play'.

There are a lot of paralells in this conversation with the age old 'Is the
turntable an instrument?' debate, but what they both boil down to IMO is
the fact that neither a turntable or an effects unit is particularly
impressive without someone skillfully operating it.  I mean, if you follow
the logic of 'hiding behind gear', where do you draw the line? When you
pluck an acoustic guitar, you aren't making the sound- very basic
technology (strings vibrating over a sound hole) creates the sound. Are you
then hiding behind the technology of the acoustic guitar? I guess only
vocalists would be considered pure musicians then.  ; )

To me- if I can use it (whether 'it' be a bass, a wood block, a Flanger, a
laptop or a Repeater) to make noise, it's an instrument. From there the
only thing that matters is how the artist chooses to use the sound creation
device.

Well that got a little more lengthy than I thought I was going to
go.....just some Friday morning ramblings.



                                                                                                                                       
                                                                                                                                       
             "Kris Hartung"                    To: Loopers-Delight@loopers-delight.com                                                 
             <khartung@cableone.net>           cc:                                                                                     
             03/17/2006 10:46 AM               Subject:  Re: what a loop has to say                                                    
             Please respond to                                                                                                         
             Loopers-Delight                                                                                                           
                                                                                                                                       
                                                                                                                                       




My wife once told me that when I sit down with my acoustic guitar and just
play freely, that what she hears sound more creative than anything else I
do with my gear, looping, etc. I find that sort of interesting (sometimes
discouraging)...makes me start to question what is really necessary for me
to express myself artistically, vs. hiding behind the gear. Heck, if I can
sit down at a gig with just my acoustic, and satisfy both myself and others
artistically, I'd probably be retired right now with all the money I would
have saved!  :)

But I just love the effects, and I openly admit that "sometimes" they do
substitute for true, raw creativity. I would be surprised if anyone on this
list who uses a lot of gear thought or felt otherwise.  It would take quite
a artistic genius to ALWAYS, 100% of the time, have effects acquiesce to
one's talent and creativity, rather than the other way around. Either an
artistic genius, or a complete liar.

Kris

 ----- Original Message -----
 From: daniel stevenson
 To: Loopers-Delight@loopers-delight.com
 Sent: Friday, March 17, 2006 2:39 AM
 Subject: Re: what a loop has to say

 i do find the clean acoustic guitar to be my muse.yet ill mangle it with
 reverse and speed control.varible delay times seems to keep the sound
 pure.maybe just a phase im goin thru but nothing beats a good ole acoustic
 source into a looper.
                                     my best regards,
                                                               scary
 visionary.

 Kris Hartung <khartung@cableone.net> wrote:
  > Yep, to me a loop says, "Freedom."
  > G

  Speaking of which, does anyone find it easier to freely improvise when
  you
  aren't using layers and layers of effects, tone mangling devices, etc?
  I've
  found this to be the case with me. I love all the cool effects at my
  disposal - the Boss VF-1, hundreds of VST effects, LXP5, etc - but they
  sometimes produce artificial restrictions or boundaries on my creativity.
  I
  tend to be more intentionally and genuinely creative, and less enamored
  and
  influenced by technology, when I just play with a clean guitar sound with

  just a touch of reverb and delay for ambiance. You have nothing but the
  notes, basically, no window dressing to distract the creative process.
  I'm
  sure this is quite subjective and relative, but I'd be curious what
  others
  think of this. I guess just the simple sound of the guitar forces me to
  think more out of the box, rather than relying on the box. For example,
  you
  have a effect patch that has two octaves and panning delays that go on
  forrrrrrrever....you play one "note"...just one human data-point of
  interaction, and the gear takes credit for the rest of the interesting
  sound
  for the next minute. And I start to think to myself, what is really
  creative
  about that? I could play 10 notes in 3 minutes and produce a song that
  requires very little creative energy. It would be interesting to take all

  of our looping songs and strip every single cool effect from them,
  resulting
  in just the initially, humanly generated notes and natural sound of the
  instrument...what might we discover? How much of the intrigue of the song
  is
  generated by the gear vs. human creative energy? These are just open
  questions for discussion. I'm not necessarily making any categorical
  point
  here.

  And in this regard, I really respect a lot of the work of Derek Bailey,
  where its just him and his hollowbody guitar...quite amazing what a guy
  can
  do with just a guitar and amp.

  ...I'm off to bed now. It's been a long day.

  Kris





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From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 16:13:10 2006
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I am also curious if anyone has tried the Echo Park's stablemate, the reverb pedal whose name escapes me.

~Tim
www.myspace.com/timmungenast



-----Original Message-----
>From: mech <mech@m3ch.net>
>Sent: Mar 17, 2006 3:14 AM
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: Line6 Echo Park
>
>At 10:57 PM +0000 3/16/06, Ian Popperwell wrote:
>>
>>I've been off the list for a while and am glad to be back. I've just 
>>bought the Line6 Echo Park, the new unprogrammable version of the 
>>DL4 without a looper - oh, that makes it sound rubbish doesn't it... 
>>It's a single stomp box type delay pedal with pretty much the same 
>>delay models in it as the DL4 - but with some useful shortcuts to 
>>make the non-programmability more pallatable. I'm using it at gigs 
>>alongside my DL4 and really like it (compact + a great sound) - 
>>thought it worth bringing to the
>>attention of the list.
>
>Ian,
>
>I believe the Echo Park actually came up as a discussion item very 
>soon after its initial release.  At that time the early adopters 
>complained about a high S/N ratio and poorer fidelity than on the DL4 
>or Echo Pro, so many people just went on about their normal lives 
>afterward.
>
>However, there doesn't ever seem to be a "final word" on gear.  Tell 
>us, have you noticed any noise issues with your unit?  In terms of 
>sound quality and background hiss, how does it stack up on a 
>head-to-head against your DL4?
>
>	--m.
>
>-- 
>_______
>"Take a packet of seeds.  Take yourself out to play
>  I want to see river of orchids where we had a motorway..."
>

From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 16:17:04 2006
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From: "Kris Hartung" <khartung@cableone.net>
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Subject: Re: The ThinkPad T60p - On the Way!
Date: Fri, 17 Mar 2006 09:16:59 -0700
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I'll be using, EnergyXT (VST host), Mobius, PSP84, PSP42, Pluggo, Antares 
Filter, Antares Kantos, and a whole slew of other VST effects.  I wish this 
thing would make tea of coffee for me in the morning!

Right now, my only potential concern with the unit is the soundcard (which 
is my concern with any notebook), but I will likely just use my SoundBlaster 
Audigy 2 ZS Notebook, plugged into the PCMCIA slot. But I will try out the 
existing soundcard and load the Universal ASIO Driver - 
http://www.asio4all.com/  I wish they allowed a custom configuration of the 
soundcard.

Kris

For that kind of dosh, we expect to wake you up in the morning with a cup of 
tea as well. Sounds grand. What are the software programs you intend to run? 
With that kind of memory and processor power, you whould have zero latency 
difficulties and and glitching. Sorry if I missed you mentioning this 
before.

Controller?

Todd


-----Original Message----- 
From: Kris Hartung
Sent: Mar 16, 2006 10:39 PM
To: Loopers-Delight@loopers-delight.com
Subject: The ThinkPad T60p - On the Way!


Well, I finally got around to ordering a new notebook for music performance 
application (just tonight). This thing should kick royal butt, and rightly 
so for $3500. It just came out recently and has the new Intel duo core 
processor in it. I custom configured the whole thing with the sales rep on 
the phone. Here it is:

Model: Lenovo (IBM) ThinkPad T60p (SKU# 2623D8U) - http://tinyurl.com/zt4w5
Processor: Intel Core Duo T2500 2 GHz ( Dual-Core)
RAM: 2 GB
Hardrive: 100 GB (7200 RPM)
Cache Memory: 2 MB - L2 cache
Networking: Network adapter - Ethernet, Fast Ethernet, Gigabit Ethernet, 
Bluetooth, IEEE 802.11b, IEEE 802.11a, IEEE 802.11g
Optical Storage: DVD¦RW (¦R DL) / DVD-RAM - plug-in module
Display: 14.1" TFT active matrix SXGA+ (1400 x 1050) - 24-bit (16.7 million 
colors)
Graphics Controller: ATI MOBILITY FIRE GL V5200 - 256 M
Warranty:  3 YR TP PROTECTION + 3 YR DEPOT TO 3 YR ONSITE

...etc

Can't wait to get this thing up and running!

Kris 


From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 16:18:07 2006
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From: Kevin <kevin@TheNettles.com>
Subject: Effects (Was: what a loop has to say)
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At 10:28 PM -0700 3/16/06, Kris Hartung wrote:
>Speaking of which, does anyone find it easier to freely improvise 
>when you aren't using layers and layers of effects, tone mangling 
>devices, etc?  I've found this to be the case with me. I love all 
>the cool effects at my disposal - the Boss VF-1, hundreds of VST 
>effects, LXP5, etc - but they sometimes produce artificial 
>restrictions or boundaries on my creativity.

I go through periods of expansion and contraction in my effects chain 
on my guitar.  I have an analytical mind but it gets in the way of my 
creative mind.  So I've finally decided I don't like playing with 
altered tunings, multi-effects boards, sound modules or anything that 
requires non-musical thought.  I like listening to other people do it, mind.

So I'm now down to a guitar with the effect loops:
1. pitch-shifter-->distortion-->wah-->chorus
2. clean acoustic

with an EQ (for solo boost), delay, reverb and volume following.

In addition:
   a mic that I can play various objects or sing through
   a drum brain for "playing drums" with triggers

I find it easier to turn knobs than to use patches.  I only use 
record, overdub, undo, multiply and feedback on my EDP which I  keep 
on the same settings all the time.  I prefer continuity in effect. I 
guess I'm an analog guy in a digital world.

I have a good palette of sounds to paint with.  But I still think my 
signal chain is too complex.

Cheers,
Kevin

The Nettles: Progressive and Exciting Celtic Music
www.TheNettles.com

From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 16:18:45 2006
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From: Per Boysen <per@boysen.se>
Subject: Re: what a loop has to say
Date: Fri, 17 Mar 2006 17:18:43 +0100
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>> Most of my looping these days is based on a more-or-less random  
>> audio input, that does not make it less musical, at least to my ears.
>> Andreas

On 17 mar 2006, at 17.05, Kris Hartung wrote:
>
> That's cool. I do that on occasion, using the SunRa VST plugin...I  
> don't take credit for the output or consider it a facet of my  
> artistic creativity. It's just fun to play with.


Isn't that what this discussion is about? Kris loves jazz guitar and  
likes it when you hear the "player" aspect in the sound produced.  
There are musical styles that is mainly based on the player aspect  
and there are other styles that is based on pure sound, whatever  
instrument, if any, used as sound source. It may be difficult to  
compare apples to oranges ;-)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast? 
id=128679560&s=143456



From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 16:26:54 2006
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Date: Fri, 17 Mar 2006 11:26:52 -0500 (EST)
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Subject: Guitar Rig 2
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--0-1528457429-1142612812=:36072
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Hi, Jeff
   
  just getting started with the unit but so far I am really pleased especially with the modifiers.
  The basic amp sounds are far superior to my pod xt while I find the fx units a bit limited.
  Way better than Amplitube.
  I havent tried Nigel that runs off the UAD card??? but I can't see you going wrong with
  GK2.
  Highly recommended.
  regards,
  aaron
   
  www.aaronwilkinson.com
   
   
  

I can't help you with your MIDI question, unfortunately. But, since  
you own GR 2, I was curious how you liked it. I'm definitely  
interested in it myself. Amplitube 2 will be out by the end of the  
month, so I'm also considering it.

Jeff
   
   
  trying to control the looping unit in Native Instruments Guitar Rig 2 with 
my Line 6 FBV shortboard but it seems
I have to hit the switches twice for a controller message to send.
What gives... anybody been through this or similar?
Any help would be great thanks in advance.
Regards,
aaron

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<DIV>Hi, Jeff</DIV>  <DIV>&nbsp;</DIV>  <DIV>just getting started with the unit but so far I am really pleased especially with the modifiers.</DIV>  <DIV>The basic amp sounds are far superior to my pod xt while I find the fx units a bit limited.</DIV>  <DIV>Way better than Amplitube.</DIV>  <DIV>I havent tried Nigel that runs off the UAD card??? but I can't see you going wrong with</DIV>  <DIV>GK2.</DIV>  <DIV>Highly recommended.</DIV>  <DIV>regards,</DIV>  <DIV>aaron</DIV>  <DIV>&nbsp;</DIV>  <DIV><A href="http://www.aaronwilkinson.com">www.aaronwilkinson.com</A></DIV>  <DIV>&nbsp;</DIV>  <DIV>&nbsp;</DIV>  <DIV><BR><BR>I can't help you with your MIDI question, unfortunately. But, since&nbsp; <BR>you own GR 2, I was curious how you liked it. I'm definitely&nbsp; <BR>interested in it myself. Amplitube 2 will be out by the end of the&nbsp; <BR>month, so I'm also considering it.<BR><BR>Jeff</DIV>  <DIV>&nbsp;</DIV>  <DIV>&nbsp;</DIV>  <DIV>trying to control the looping unit in Native
 Instruments Guitar Rig 2 with <BR>my Line 6 FBV shortboard but it seems<BR>I have to hit the switches twice for a controller message to send.<BR>What gives... anybody been through this or similar?<BR>Any help would be great thanks in advance.<BR>Regards,<BR>aaron</DIV>
--0-1528457429-1142612812=:36072--

From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 16:27:49 2006
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I think this is a great point.  When you start down this path of 
invalidating an artistic expression because of how it was created, and 
create some sort of continuum of "good/artistic" vs. "bad/generated by 
'gear'", then you might come to the conclusion that you can only be 
valid by standing naked in front of the audience, using only the 
voice/body to create.  While this might be interesting (!), it's not the 
only valid, artistic, or "good" way to create music.

I know - that's an extreme example, but I find extreme examples help 
illuminate the model under examination.

After all - the acoustic guitar is a very complex device all on it's 
own.  If someone said "yeah, that's all real pretty and everything - but 
lets see him do it with NO guitar", it would probably be considered a 
ridiculous statement.

So, on this matter, I find myself willing to accept a wide range of 
inputs/processing/outputs as valid, artistic expression.  It's the end 
result, not the process, that I choose to evaluate against my own 
personal tastes.

The preceding is worth exactly what you paid for it :D


matthew.quinn@sunlife.com wrote:

>Boy I wish I had the time to respond to this the way I'd like- maybe I'll
>get to it next week when I get back from Amsterdam......
>
>Basically though, IMO- NO effects box can do anything unless a person is
>operating it. Until that's not the case, you have to accept that they are
>tools that requires some skill (how much is debatable) to 'play'.
>
>There are a lot of paralells in this conversation with the age old 'Is the
>turntable an instrument?' debate, but what they both boil down to IMO is
>the fact that neither a turntable or an effects unit is particularly
>impressive without someone skillfully operating it.  I mean, if you follow
>the logic of 'hiding behind gear', where do you draw the line? When you
>pluck an acoustic guitar, you aren't making the sound- very basic
>technology (strings vibrating over a sound hole) creates the sound. Are you
>then hiding behind the technology of the acoustic guitar? I guess only
>vocalists would be considered pure musicians then.  ; )
>
>To me- if I can use it (whether 'it' be a bass, a wood block, a Flanger, a
>laptop or a Repeater) to make noise, it's an instrument. From there the
>only thing that matters is how the artist chooses to use the sound creation
>device.
>
>Well that got a little more lengthy than I thought I was going to
>go.....just some Friday morning ramblings.
>
>
>
>                                                                                                                                       
>                                                                                                                                       
>             "Kris Hartung"                    To: Loopers-Delight@loopers-delight.com                                                 
>             <khartung@cableone.net>           cc:                                                                                     
>             03/17/2006 10:46 AM               Subject:  Re: what a loop has to say                                                    
>             Please respond to                                                                                                         
>             Loopers-Delight                                                                                                           
>                                                                                                                                       
>                                                                                                                                       
>
>
>
>
>My wife once told me that when I sit down with my acoustic guitar and just
>play freely, that what she hears sound more creative than anything else I
>do with my gear, looping, etc. I find that sort of interesting (sometimes
>discouraging)...makes me start to question what is really necessary for me
>to express myself artistically, vs. hiding behind the gear. Heck, if I can
>sit down at a gig with just my acoustic, and satisfy both myself and others
>artistically, I'd probably be retired right now with all the money I would
>have saved!  :)
>
>But I just love the effects, and I openly admit that "sometimes" they do
>substitute for true, raw creativity. I would be surprised if anyone on this
>list who uses a lot of gear thought or felt otherwise.  It would take quite
>a artistic genius to ALWAYS, 100% of the time, have effects acquiesce to
>one's talent and creativity, rather than the other way around. Either an
>artistic genius, or a complete liar.
>
>Kris
>
> ----- Original Message -----
> From: daniel stevenson
> To: Loopers-Delight@loopers-delight.com
> Sent: Friday, March 17, 2006 2:39 AM
> Subject: Re: what a loop has to say
>
> i do find the clean acoustic guitar to be my muse.yet ill mangle it with
> reverse and speed control.varible delay times seems to keep the sound
> pure.maybe just a phase im goin thru but nothing beats a good ole acoustic
> source into a looper.
>                                     my best regards,
>                                                               scary
> visionary.
>
> Kris Hartung <khartung@cableone.net> wrote:
>  > Yep, to me a loop says, "Freedom."
>  > G
>
>  Speaking of which, does anyone find it easier to freely improvise when
>  you
>  aren't using layers and layers of effects, tone mangling devices, etc?
>  I've
>  found this to be the case with me. I love all the cool effects at my
>  disposal - the Boss VF-1, hundreds of VST effects, LXP5, etc - but they
>  sometimes produce artificial restrictions or boundaries on my creativity.
>  I
>  tend to be more intentionally and genuinely creative, and less enamored
>  and
>  influenced by technology, when I just play with a clean guitar sound with
>
>  just a touch of reverb and delay for ambiance. You have nothing but the
>  notes, basically, no window dressing to distract the creative process.
>  I'm
>  sure this is quite subjective and relative, but I'd be curious what
>  others
>  think of this. I guess just the simple sound of the guitar forces me to
>  think more out of the box, rather than relying on the box. For example,
>  you
>  have a effect patch that has two octaves and panning delays that go on
>  forrrrrrrever....you play one "note"...just one human data-point of
>  interaction, and the gear takes credit for the rest of the interesting
>  sound
>  for the next minute. And I start to think to myself, what is really
>  creative
>  about that? I could play 10 notes in 3 minutes and produce a song that
>  requires very little creative energy. It would be interesting to take all
>
>  of our looping songs and strip every single cool effect from them,
>  resulting
>  in just the initially, humanly generated notes and natural sound of the
>  instrument...what might we discover? How much of the intrigue of the song
>  is
>  generated by the gear vs. human creative energy? These are just open
>  questions for discussion. I'm not necessarily making any categorical
>  point
>  here.
>
>  And in this regard, I really respect a lot of the work of Derek Bailey,
>  where its just him and his hollowbody guitar...quite amazing what a guy
>  can
>  do with just a guitar and amp.
>
>  ...I'm off to bed now. It's been a long day.
>
>  Kris
>
>
>
>
>
> Yahoo! Mail
> Use Photomail to share photos without annoying attachments.
>
>
>
>
>
>
>
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>  
>

From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 16:30:37 2006
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From: TonyIsYourPal@netscape.net (Tony Douglas)
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I think Eno summarised this as a fairly simple question :

"Is the art in the paint, or is the art in the idea ?"

Of course, this isn't an "either/or", but a continuum of possibilities.

For me, the art's (mostly) in the idea. How the idea was realised is, in many ways, not terribly relevant. Was it a loop ? Was it a room full of musicians playing one note each every three minutes ? Who really cares ?

Having ideas without ability is awful, especially for the poor soul with the ideas who can't realise them. Ability without ideas is differently awful, but awful all the same. 

No ideas and no ability, well ... (insert joke about your least favourite musical genre here).

Just my tuppence worth. (Some would say I'm overcharging.)

- Tony


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From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 16:35:16 2006
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> I mean, if you follow the logic of 'hiding behind gear', where do you draw 
> the line?

You don't. It's a spectrum, or a bell curve. No lines, no black and white.

> When you pluck an acoustic guitar, you aren't making the sound- very basic
> technology (strings vibrating over a sound hole) creates the sound. Are 
> you
> then hiding behind the technology of the acoustic guitar? I guess only
> vocalists would be considered pure musicians then.  ; )

Perhaps. I've seen this argued before, but that would be the extreme end of 
the spectrum and bell curve. With certain assumptions, one could make a 
valid argument for this.

> To me- if I can use it (whether 'it' be a bass, a wood block, a Flanger, a
> laptop or a Repeater) to make noise, it's an instrument. From there the
> only thing that matters is how the artist chooses to use the sound 
> creation
> device.

I agree with you, philosophically here, but there are still glaring examples 
where not a lot of talent and artistic creativity in producing a piece of 
music, but is relying primarily on processing after the fact. I can't be 
convinced otherwise, because I see it in the flesh frequently.  It is easy 
to say that we are all just using instruments and promote this "I'm Okay, 
You're Okay" approach, but in my opinion this is also an all to convenient 
way to avoid the talent and creativity component, will varies in radical 
degrees in performances.  The fact remains, there are people out there that 
havne't really mastered there instruments or who are intermediate players 
(and who will openly admit this) still struggligg with their main 
instrument, who use gear to compensate for that. It's not right or wrong, 
good or bad...I just see it and think it needs to be recognized.

I'm talking way too much here and getting more acute in my opinions. I 
apologize for that. I'll refrain from responding for a while.

Kris




> Well that got a little more lengthy than I thought I was going to
> go.....just some Friday morning ramblings.
>
>
>
>
>
>             "Kris Hartung"                    To: 
> Loopers-Delight@loopers-delight.com
>             <khartung@cableone.net>           cc:
>             03/17/2006 10:46 AM               Subject:  Re: what a loop 
> has to say
>             Please respond to
>             Loopers-Delight
>
>
>
>
>
>
> My wife once told me that when I sit down with my acoustic guitar and just
> play freely, that what she hears sound more creative than anything else I
> do with my gear, looping, etc. I find that sort of interesting (sometimes
> discouraging)...makes me start to question what is really necessary for me
> to express myself artistically, vs. hiding behind the gear. Heck, if I can
> sit down at a gig with just my acoustic, and satisfy both myself and 
> others
> artistically, I'd probably be retired right now with all the money I would
> have saved!  :)
>
> But I just love the effects, and I openly admit that "sometimes" they do
> substitute for true, raw creativity. I would be surprised if anyone on 
> this
> list who uses a lot of gear thought or felt otherwise.  It would take 
> quite
> a artistic genius to ALWAYS, 100% of the time, have effects acquiesce to
> one's talent and creativity, rather than the other way around. Either an
> artistic genius, or a complete liar.
>
> Kris
>
> ----- Original Message -----
> From: daniel stevenson
> To: Loopers-Delight@loopers-delight.com
> Sent: Friday, March 17, 2006 2:39 AM
> Subject: Re: what a loop has to say
>
> i do find the clean acoustic guitar to be my muse.yet ill mangle it with
> reverse and speed control.varible delay times seems to keep the sound
> pure.maybe just a phase im goin thru but nothing beats a good ole acoustic
> source into a looper.
>                                     my best regards,
>                                                               scary
> visionary.
>
> Kris Hartung <khartung@cableone.net> wrote:
>  > Yep, to me a loop says, "Freedom."
>  > G
>
>  Speaking of which, does anyone find it easier to freely improvise when
>  you
>  aren't using layers and layers of effects, tone mangling devices, etc?
>  I've
>  found this to be the case with me. I love all the cool effects at my
>  disposal - the Boss VF-1, hundreds of VST effects, LXP5, etc - but they
>  sometimes produce artificial restrictions or boundaries on my creativity.
>  I
>  tend to be more intentionally and genuinely creative, and less enamored
>  and
>  influenced by technology, when I just play with a clean guitar sound with
>
>  just a touch of reverb and delay for ambiance. You have nothing but the
>  notes, basically, no window dressing to distract the creative process.
>  I'm
>  sure this is quite subjective and relative, but I'd be curious what
>  others
>  think of this. I guess just the simple sound of the guitar forces me to
>  think more out of the box, rather than relying on the box. For example,
>  you
>  have a effect patch that has two octaves and panning delays that go on
>  forrrrrrrever....you play one "note"...just one human data-point of
>  interaction, and the gear takes credit for the rest of the interesting
>  sound
>  for the next minute. And I start to think to myself, what is really
>  creative
>  about that? I could play 10 notes in 3 minutes and produce a song that
>  requires very little creative energy. It would be interesting to take all
>
>  of our looping songs and strip every single cool effect from them,
>  resulting
>  in just the initially, humanly generated notes and natural sound of the
>  instrument...what might we discover? How much of the intrigue of the song
>  is
>  generated by the gear vs. human creative energy? These are just open
>  questions for discussion. I'm not necessarily making any categorical
>  point
>  here.
>
>  And in this regard, I really respect a lot of the work of Derek Bailey,
>  where its just him and his hollowbody guitar...quite amazing what a guy
>  can
>  do with just a guitar and amp.
>
>  ...I'm off to bed now. It's been a long day.
>
>  Kris
>
>
>
>
>
> Yahoo! Mail
> Use Photomail to share photos without annoying attachments.
>
>
>
>
>
>
>
> ---------------------------------------------------------------------------
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> use
> of the individual or entity to which it is addressed and may contain
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> ---------------------------------------------------------------------------
>
>
> 


From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 16:39:45 2006
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At 07:46 AM 3/17/2006, you wrote:
>My wife once told me that when I sit down with my acoustic guitar 
>and just play freely, that what she hears sound more creative than 
>anything else I do with my gear, looping, etc. I find that sort of 
>interesting (sometimes discouraging)...makes me start to question 
>what is really necessary for me to express myself artistically, vs. 
>hiding behind the gear. Heck, if I can sit down at a gig with just 
>my acoustic, and satisfy both myself and others artistically, I'd 
>probably be retired right now with all the money I would have saved!  :)

Yes, that's a cycle I'm going around all the time: Expansion and contraction.

By using effects, I open up my mind to different sounds.  This sends 
me back to my clean acoustic guitar to see if I can approximate the 
sound acoustically with my fingers. Often the sounds appear without 
forethought during a solo.  Strings rattling against the frets sound 
like distortion.  Octaves sound like chorus.  Harmonics sound like 
feedback. Ostinatos sound like delays. The guitar body is a drum.

I love new colors but I can't let the palette get in the way of the painting.

Cheers,
Kevin

The Nettles: Progressive and Exciting Celtic Music
www.TheNettles.com

From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 16:40:13 2006
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My last comment on this thread: Just remember, not everyone can be a 
driftwood artist. :)  Not sure if everyone will remember this phrase and the 
source....

K- 


From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 16:43:24 2006
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Birds.  Sea birds. :)


Kris Hartung wrote:

> My last comment on this thread: Just remember, not everyone can be a 
> driftwood artist. :)  Not sure if everyone will remember this phrase 
> and the source....
>
> K-
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 16:44:05 2006
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>>>"I'm talking way too much here and getting more acute in my opinions. I
apologize for that. I'll refrain from responding for a while."


Please don't- this is a great conversation. I just wish I was going to be
around to continue it for the rest of the day......



>>>>>>>> "The fact remains, there are people out there that
havne't really mastered there instruments or who are intermediate players
(and who will openly admit this) still struggligg with their main
instrument, who use gear to compensate for that."


#1- In my mind, a better question would be 'Is there anyone who *HAS*
mastered their instrument? Even the people we consider masters probably
would not ever say that about themselves. But that's another convo....

When you say 'use gear to compensate', that's where you lose me. Let's
assume someone is an intermediate player who has realized that he can usea
certain piece of gear to execute the strategies of his mind- how is that
wrong? Is it more correct to play 4 notes instead of playing 1 & having a
delay that repeats 3 times?

I do agree that if you remove all gear from the equation, and sit 2 peopel
down head to head on acoustic guitars, you will be able to better tell who
is the technically superior guitar player- but IMO, this has *zero* to do
with who is the superior musician.  : )



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From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 16:48:01 2006
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At 08:27 AM 3/17/2006, you wrote:
>I think this is a great point.  When you start down this path of 
>invalidating an artistic expression because of how it was created, 
>and create some sort of continuum of "good/artistic" vs. 
>"bad/generated by 'gear'", then you might come to the conclusion 
>that you can only be valid by standing naked in front of the 
>audience, using only the voice/body to create.  While this might be 
>interesting (!), it's not the only valid, artistic, or "good" way to 
>create music.

This discussion is developing a dichotomy that isn't constructive. 
Kind of like most discussions about religion.

It's all music, we all make music, let's accept that as a given.  The 
original thread had to do with Kris's conflict about his technique 
(effects) getting in the way of his creativity.  This is a valid 
artistic concern which really needs to be answered individually by 
each of us in our own hearts.  There's no right answer here, there is 
no answer that applies to all of us.  It's just part of the creative process.

Cheers,
Kevin

The Nettles: Progressive and Exciting Celtic Music
www.TheNettles.com

From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 16:51:26 2006
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Matthew, on his way out the door, has said exactly what's in my head 
about this discussion.

Even Jandek can move people, in deep, life-changing ways.  But he can 
just barely play the guitar.

D

>When you say 'use gear to compensate', that's where you lose me. Let's
>assume someone is an intermediate player who has realized that he can usea
>certain piece of gear to execute the strategies of his mind- how is that
>wrong? Is it more correct to play 4 notes instead of playing 1 & having a
>delay that repeats 3 times?
>
>I do agree that if you remove all gear from the equation, and sit 2 peopel
>down head to head on acoustic guitars, you will be able to better tell who
>is the technically superior guitar player- but IMO, this has *zero* to do
>with who is the superior musician.  : )
>  
>

From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 16:58:36 2006
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Subject: Re: what a loop has to say
References: <OFFA1CE9D2.3458CD32-ON85257134.00583975@ca.sunlife> <441AE382.40202@pdq.net> <7.0.0.16.0.20060317084223.01bf6430@TheNettles.com>
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I would agree with you, if that was the only point that was being made 
in this thread.  It's not.  There's a lot of direct and indirect bashing 
of the possible artistic output from musicians who don't meet some sort 
of "grade" regarding technical ability on their instrument.  I do not 
agree with that stance, and I'm simply saying what I believe.

I consider myself an above average guitar player, within the styles that 
I like to play.  But that doesn't mean that I apply a lesser value to 
the artistic output of someone who can't play well, uses effects to 
accomplish their mission, etc.  If the output is something that matches 
with my tastes - then I consider it priceless.

D

Kevin wrote:

> At 08:27 AM 3/17/2006, you wrote:
>
>> I think this is a great point.  When you start down this path of 
>> invalidating an artistic expression because of how it was created, 
>> and create some sort of continuum of "good/artistic" vs. 
>> "bad/generated by 'gear'", then you might come to the conclusion that 
>> you can only be valid by standing naked in front of the audience, 
>> using only the voice/body to create.  While this might be interesting 
>> (!), it's not the only valid, artistic, or "good" way to create music.
>
>
> This discussion is developing a dichotomy that isn't constructive. 
> Kind of like most discussions about religion.
>
> It's all music, we all make music, let's accept that as a given.  The 
> original thread had to do with Kris's conflict about his technique 
> (effects) getting in the way of his creativity.  This is a valid 
> artistic concern which really needs to be answered individually by 
> each of us in our own hearts.  There's no right answer here, there is 
> no answer that applies to all of us.  It's just part of the creative 
> process.
>
> Cheers,
> Kevin
>
> The Nettles: Progressive and Exciting Celtic Music
> www.TheNettles.com
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 17:06:36 2006
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Subject: Re: what a loop has to say
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I lied.

> When you say 'use gear to compensate', that's where you lose me.

I'll provide a simple illustration. As you guitar players know, playing a 
clean and articulate arpeggio in 8th or 16th notes takes some time to 
"master". If you can't do it, it's just as easy to program your processor to 
arpeggiate a single note you play, and do so in a particular key.  Some may 
say that's just using a processor like an instrument.  That's a nice blanket 
statement that can mean a million things. I call it a cop out, BUT only 
relative to intent. If I intend an desire to play somehting, but can't do it 
because I need  few more years of practice to do it...so I resort to the 
gear, I am compensasting for my lack of technical ability. If I can play 
something, but choose to use the gear to do it for me to allow me to focus 
on something else artistically, I think that is a different situation.  It 
don't think it is compensating for lack of skill, but making a consious 
choice to focus skill elsewhere. I know this will not go over will with some 
folks, especially if they are using gear to compensate for skills, but are 
not comfortable admitting this. I'll fully admit here, I can't play 
fingersyle jazz like Joe Pass, playing both bass lines and melody. I am 
certain I could if I  focused on just that for a year or so, but I can't 
right now. But I can use my looping gear to produce similar output. Am I 
compensating for lack of skill? Yes. I believe so, and I'll fully admit 
this...if I could do otherwise, I'd do it, as part of being evolving as a 
musician.

> I do agree that if you remove all gear from the equation, and sit 2 peopel
> down head to head on acoustic guitars, you will be able to better tell who
> is the technically superior guitar player- but IMO, this has *zero* to do
> with who is the superior musician.  : )

That's a good point. How fast you can play, how many chords and scales you 
know, for instance, may have nothing to do with artistic merit as a 
musician. Because remember, not everyone can be a driftwood artist. It takes 
a special person with incredible artistic vision to identify the appropriate 
piece of driftwood on the beach and claim it as art.  That transcends 
technical ability. :)

Kris


Kris


From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 17:13:37 2006
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>>Most of the time, I let the sound of the loop define where I'm going, what

it needs to do next, what additional loops and layers it wants to play 
with next, when it wants to take a break and sit back and listen to the 
other loops play, and when it invites me to come play with it.<<

I recognise this. 

sometimes it will be a chunk of audio in a looper, sometimes a line or two
in a looping hardware sequencer (doepfer maq, notron, whatever), sometimes
something our guitarist has going around in his jam-man. 

whatever it is, it will "seed" the whole improv, & may disappear only to
re-appear later on, perhaps in a modified form. 

with careful use of effects &/or patches, the looping material can give the
impression of live & controlled evolution, as though someone is devoting
some concentration to it's manipulation when, in fact, it's just
free-running. 
meanwhile, slightly more complex beings are interacting with it. 

it's a bit like having a junior member of the band, who isn't quite sure how
far they can push their chops, so they just find a groove & stay in it for a
while. indeed, I find myself wondering if "junior" is the right word, since
as a bass player I find staying in one groove for a long time is actually
very hard & requires some disciplne I simply don't have.
hmmm....

duncan.


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<TITLE>RE: [LOOP] what a loop has to say</TITLE>
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<P><FONT SIZE=3D2>&gt;&gt;Most of the time, I let the sound of the loop def=
ine where I'm going, what </FONT>
<BR><FONT SIZE=3D2>it needs to do next, what additional loops and layers it=
 wants to play </FONT>
<BR><FONT SIZE=3D2>with next, when it wants to take a break and sit back an=
d listen to the </FONT>
<BR><FONT SIZE=3D2>other loops play, and when it invites me to come play wi=
th it.&lt;&lt;</FONT>
</P>

<P><FONT SIZE=3D2>I recognise this. </FONT>
</P>

<P><FONT SIZE=3D2>sometimes it will be a chunk of audio in a looper, someti=
mes a line or two in a looping hardware sequencer (doepfer maq, notron, wha=
tever), sometimes something our guitarist has going around in his jam-man. =
</FONT></P>

<P><FONT SIZE=3D2>whatever it is, it will &quot;seed&quot; the whole improv=
, &amp; may disappear only to re-appear later on, perhaps in a modified for=
m. </FONT></P>

<P><FONT SIZE=3D2>with careful use of effects &amp;/or patches, the looping=
 material can give the impression of live &amp; controlled evolution, as th=
ough someone is devoting some concentration to it's manipulation when, in f=
act, it's just free-running. </FONT></P>

<P><FONT SIZE=3D2>meanwhile, slightly more complex beings are interacting w=
ith it. </FONT>
</P>

<P><FONT SIZE=3D2>it's a bit like having a junior member of the band, who i=
sn't quite sure how far they can push their chops, so they just find a groo=
ve &amp; stay in it for a while. indeed, I find myself wondering if &quot;j=
unior&quot; is the right word, since as a bass player I find staying in one=
 groove for a long time is actually very hard &amp; requires some disciplne=
 I simply don't have.</FONT></P>

<P><FONT SIZE=3D2>hmmm....</FONT>
</P>

<P><FONT SIZE=3D2>duncan.</FONT>
</P>

<CODE><FONT SIZE=3D3><BR>
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<HEAD><TITLE>RE: [LOOP] what a loop has to say</TITLE>
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<DIV>Hey Duncan!</DIV>
<DIV>&nbsp;</DIV>
<DIV>I gave your Knutsford disc a few more spins last week, and it remains =
a very satisfying listen.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Cheers,</DIV>
<DIV>Tim<BR><BR><BR>-----Original Message----- <BR>From: goddard.duncan@mtv=
ne.com <BR>Sent: Mar 17, 2006 12:13 PM <BR>To: Loopers-Delight@loopers-deli=
ght.com <BR>Subject: RE: [LOOP] what a loop has to say <BR><BR></DIV><ZZZHT=
ML><ZZZHEAD><ZZZMETA CONTENT=3D"text/html; charset=3DISO-8859-1" HTTP-EQUIV=
=3D"Content-Type"><ZZZMETA CONTENT=3D"MS Exchange Server version 5.5.2653.1=
2" NAME=3D"Generator"></ZZZHEAD><ZZZBODY>
<P><FONT size=3D2>&gt;&gt;Most of the time, I let the sound of the loop def=
ine where I'm going, what </FONT><BR><FONT size=3D2>it needs to do next, wh=
at additional loops and layers it wants to play </FONT><BR><FONT size=3D2>w=
ith next, when it wants to take a break and sit back and listen to the </FO=
NT><BR><FONT size=3D2>other loops play, and when it invites me to come play=
 with it.&lt;&lt;</FONT> </P>
<P><FONT size=3D2>I recognise this. </FONT></P>
<P><FONT size=3D2>sometimes it will be a chunk of audio in a looper, someti=
mes a line or two in a looping hardware sequencer (doepfer maq, notron, wha=
tever), sometimes something our guitarist has going around in his jam-man. =
</FONT></P>
<P><FONT size=3D2>whatever it is, it will "seed" the whole improv, &amp; ma=
y disappear only to re-appear later on, perhaps in a modified form. </FONT>=
</P>
<P><FONT size=3D2>with careful use of effects &amp;/or patches, the looping=
 material can give the impression of live &amp; controlled evolution, as th=
ough someone is devoting some concentration to it's manipulation when, in f=
act, it's just free-running. </FONT></P>
<P><FONT size=3D2>meanwhile, slightly more complex beings are interacting w=
ith it. </FONT></P>
<P><FONT size=3D2>it's a bit like having a junior member of the band, who i=
sn't quite sure how far they can push their chops, so they just find a groo=
ve &amp; stay in it for a while. indeed, I find myself wondering if "junior=
" is the right word, since as a bass player I find staying in one groove fo=
r a long time is actually very hard &amp; requires some disciplne I simply =
don't have.</FONT></P>
<P><FONT size=3D2>hmmm....</FONT> </P>
<P><FONT size=3D2>duncan.</FONT> </P><CODE><FONT size=3D3>
<DIV><BR><BR>**************************************************************=
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was addressed, and may also<BR>be privileged. If you are not the addressee =
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or any part of it<BR>in any form whatsoever.If you have received this e-mai=
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ks Europe unless specifically stated,<BR>nor does this message form any par=
t of any contract unless so stated.<BR><BR>MTV reserves the right to monito=
r e-mail communications from<BR>external/internal sources for the purposes =
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In a message dated 3/17/06 6:36:38 AM, loopersdelight@swyatt.com writes:


> For some reason, I've never post-effected loops. I like to keep the looping
> pure (what goes in, comes out).
> 

why stuart?.....great thread btw!.....mic



www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
In a message dated 3/17/06 6:36:38 AM, loopersdelight@swyatt.com writes:<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">For some reason, I've=
 never post-effected loops. I like to keep the looping<BR>
pure (what goes in, comes out).<BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2">why stuart?.....great thread btw!.....mic<BR>
<BR>
<BR>
<BR>
www.ct-collective.com<BR>
http://mysite.verizon.net/vzepmeci/<BR>
http://www.myspace.com/klobuchar11<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT></HTML>
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From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 17:34:07 2006
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From: "Kris Hartung" <khartung@cableone.net>
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Subject: Re: what a loop has to say
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> This discussion is developing a dichotomy that isn't constructive. Kind of 
> like most discussions about religion.

I apologize if I've contributed to anything not constructive. I know I can 
come across as skeptical, harsh, or even high brow sometimes, in email...not 
intent to offend anyone. Sometimes my passion for these topics gets me into 
trouble.

This is a great thread....will be interesting to see other contributions.

Kris 


From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 17:37:15 2006
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Subject: Re: Line6 Echo Park
Date: Fri, 17 Mar 2006 17:37:16 -0000
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Oh, I hadn't noticeed any noise - I'll give them a try against each other 
and let you know.

Ian.

----- Original Message ----- 
From: "mech" <mech@m3ch.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, March 17, 2006 8:14 AM
Subject: Re: Line6 Echo Park


> At 10:57 PM +0000 3/16/06, Ian Popperwell wrote:
>>
>>I've been off the list for a while and am glad to be back. I've just 
>>bought the Line6 Echo Park, the new unprogrammable version of the DL4 
>>without a looper - oh, that makes it sound rubbish doesn't it... It's a 
>>single stomp box type delay pedal with pretty much the same delay models 
>>in it as the DL4 - but with some useful shortcuts to make the 
>>non-programmability more pallatable. I'm using it at gigs alongside my DL4 
>>and really like it (compact + a great sound) - thought it worth bringing 
>>to the
>>attention of the list.
>
> Ian,
>
> I believe the Echo Park actually came up as a discussion item very soon 
> after its initial release.  At that time the early adopters complained 
> about a high S/N ratio and poorer fidelity than on the DL4 or Echo Pro, so 
> many people just went on about their normal lives afterward.
>
> However, there doesn't ever seem to be a "final word" on gear.  Tell us, 
> have you noticed any noise issues with your unit?  In terms of sound 
> quality and background hiss, how does it stack up on a head-to-head 
> against your DL4?
>
> --m.
>
> -- 
> _______
> "Take a packet of seeds.  Take yourself out to play
>  I want to see river of orchids where we had a motorway..."
>
>
> 


From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 17:50:59 2006
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From: Per Boysen <per@boysen.se>
Subject: Re: what a loop has to say
Date: Fri, 17 Mar 2006 18:50:57 +0100
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THis is an interesting discussion, but can we just take a look at it  
from a different perspective?

Can a musician hide behind extremely developed playing abilities?
If so, what is he trying to compensate for?
And what does it take for a listener to see through the hoax?

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast? 
id=128679560&s=143456



From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 18:07:34 2006
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Date: Fri, 17 Mar 2006 10:07:30 -0800 (PST)
Subject: Re: what a loop has to say
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> #1- In my mind, a better question would be 'Is there anyone who *HAS*
> mastered their instrument?

The guitar is a seductive instrument.  In three months you can master the
basics well enough to play but if you play for the rest of your life you will
never be master of all the guitar's possibilities.

Cheers,
Kevin
www.TheNettles.com



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In a message dated 3/17/06 10:29:29 AM, khartung@cableone.net writes:


> I know and have seen solo looping guitarist who really
> couldn't stand on their own as soloist without the looping gear.
> 

that's me baby!.....i could perhaps keep someone interested for about 10 
mins. playing a guitar all by myself, i have never considered myself a solo 
guitarist, not even a 1/16 pass.....:).....i would much rather play with others be 
it duet or larger.....my grandson, miles, age 9 sometimes jams with me (from an 
early age he has always wanted to be the "leader", what a gas!).....he brings 
a delightful <seriousness> to music.....two days ago he sez to me "dat" for 
some reason he has always called me that, "dat, what REWARD do you get for your 
music?".....after commenting on the most interesting use of the word REWARD, 
i paused and said "it allows me to create "something" where there was only 
silence".....as you can see from that answer, i would rather "loop" than talk so 
i hope the little punk stops askin me all these questions.....it takes a lot 
for me to kill a loop, each is a child out on an adventure.....i use effects 
because i have them and only, mind you, when i want to.....i am the MASTER of my 
loops!.....my loops say "please sir, may we go forth and try to make the 
world smile a little?".....i'm so shallow!.....:).....mic



www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
In a message dated 3/17/06 10:29:29 AM, khartung@cableone.net writes:<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">I know and have seen=20=
solo looping guitarist who really<BR>
couldn't stand on their own as soloist without the looping gear.<BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2">that's me baby!.....i could perhaps keep someone interested for about 10=20=
mins. playing a guitar all by myself, i have never considered myself a solo=20=
guitarist, not even a 1/16 pass.....:).....i would much rather play with oth=
ers be it duet or larger.....my grandson, miles, age 9 sometimes jams with m=
e (from an early age he has always wanted to be the "leader", what a gas!)..=
...he brings a delightful &lt;seriousness&gt; to music.....two days ago he s=
ez to me "dat" for some reason he has always called me that, "dat, what REWA=
RD do you get for your music?".....after commenting on the most interesting=20=
use of the word REWARD, i paused and said "it allows me to create "something=
" where there was only silence".....as you can see from that answer, i would=
 rather "loop" than talk so i hope the little punk stops askin me all these=20=
questions.....it takes a lot for me to kill a loop, each is a child out on a=
n adventure.....i use effects because i have them and only, mind you, when i=
 want to.....i am the MASTER of my loops!.....my loops say "please sir, may=20=
we go forth and try to make the world smile a little?".....i'm so shallow!..=
...:).....mic<BR>
<BR>
<BR>
<BR>
www.ct-collective.com<BR>
http://mysite.verizon.net/vzepmeci/<BR>
http://www.myspace.com/klobuchar11<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT></HTML>
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From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 18:11:38 2006
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Date: Fri, 17 Mar 2006 10:11:37 -0800 (PST)
Subject: Re: what a loop has to say
From: johnsrude@peak.org
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> I apologize if I've contributed to anything not constructive...

On the contrary, you started something very constructive.  You asked a very
penetrating question that all of us who create must deal with.  Great thread!

Peace,
Kevin
www.TheNettles.com


From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 18:15:30 2006
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Subject: Re: what a loop has to say
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> THis is an interesting discussion, but can we just take a look at it 
> from a different perspective?
>
> Can a musician hide behind extremely developed playing abilities? If so, 
> what is he trying to compensate for?
> And what does it take for a listener to see through the hoax?

I can't resist. I like how you reversed the perspective. Nice!  Personally, 
yes, I do think it is possible to compensate for lack of creativity by 
showcasing chops. And I'm guilty of this too...heck, I'm guilty of 
everything I guess. If I'm in a poor state of mind at a performance for 
whatever reason and can't create myself out of a paper bag, I resort to 
chops. I wow the audience or distract them with flamboyant playing, fast and 
fluttering phrases, scales, right hand technique, etc.  It's easy to do, but 
when folks compliment me on this after the show, it doesn't mean much to me. 
I'd rather have someone way, wow that song really touched me artistically, 
than you sure are a fast and proficient player!  That latter statement is 
sort of depressing and a moot point. Well yes, I guess that goes without 
saying given that I've played guitar for 26 years and I practiced 6 hours a 
day in my late teens, studied jazz, classical, etc.

What does it take for the listener to see through the hoax? Good question. I 
suppose with some training, a non-musician could learn how to discern, let's 
say, the difference between playing a rather non-innovative scale at 
lightening speed, and playing a really <relative term>interesting</relative 
term> phrase that he or she has never heard before, or that conveys a unique 
emotion based on note choice.

What's the phrase that someone in the music industry coined in regard to 
players that are really technical, but not very creative or artistic? 
Something about impressing us, but not convincing us? I can't recall.

Kris


From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 18:15:34 2006
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Wow.  I posted the original question last night and come back to find 8 
LDdigests in my mailbox...cool.  Seems the thread has had a few 
unrounded multiply/reverse/overdub button pushes while I've been sleeping.

Where to begin?  I use a few synthesizers as my primary looping sound 
sources.  I also run a Fernandes guitar (with sustainer) processed 
through a DSI Poly Evolver Kybd for my guitar sounds so I'm not even 
going to touch the effects vs. no-effects discussion :-)

I just finished recording my 1st CD full of looping pieces and I notice 
I didn't name any of them at the time of recording.  As others have 
mentioned, now I'm relistening to them and trying to decide how to name 
them descriptively (or maybe just call them 1, 2, 3, etc...).  I haven't 
yet really tried to determine a feeling/theme beforehand then express it 
with a looping piece, but it feels important for me to be able to 
develop that ability.  Adding vocals are a quick way to do that.  I was 
at last years looping festival for the Saturday performances.  I can't 
recall his name but he was the 2nd or 3rd performer.  He built up a 
foundation loop of whispered phrases then built from there (with bass 
guitar I believe).  I thought it was brilliant.  Like providing a 
subliminal undercurrent of the piece's meaning...not clearly stated like 
a song title but bubbling around underneath trying to surface.

I think what's cool with looping is the freedom to create pieces ranging 
from total sonic anarchy to The Girl from Ipanema.  I find creating 
complete abstract music to be very challenging and the tools we now have 
make it possible to fly (or fall) with real-time composition.  It's a 
great time to be a musician :-)

Dennis


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In a message dated 3/17/06 12:51:02 PM, per@boysen.se writes:


> Can a musician hide behind extremely developed playing abilities?
> If so, what is he trying to compensate for?
> 

my niece.....an excellent pianist, really good.....when i asked her to play 
me one of "her" tunes, she couldn't, she had none.....can she jam?.....didn't 
have the faintest idea how to do that.....it blew my mind and opened my eyes to 
how varied our views of music are.....per, what did you mean "see thru the 
hoax".....mic



www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
In a message dated 3/17/06 12:51:02 PM, per@boysen.se writes:<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">Can a musician hide b=
ehind extremely developed playing abilities?<BR>
If so, what is he trying to compensate for?<BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2">my niece.....an excellent pianist, really good.....when i asked her to pl=
ay me one of "her" tunes, she couldn't, she had none.....can she jam?.....di=
dn't have the faintest idea how to do that.....it blew my mind and opened my=
 eyes to how varied our views of music are.....per, what did you mean "see t=
hru the hoax".....mic<BR>
<BR>
<BR>
<BR>
www.ct-collective.com<BR>
http://mysite.verizon.net/vzepmeci/<BR>
http://www.myspace.com/klobuchar11<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT></HTML>
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From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 18:30:55 2006
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Date: Fri, 17 Mar 2006 13:30:53 -0500 (EST)
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To add to the current debate, I would say there are varying levels of hidin=
g behind technology and to see what the true motivation is. That gets you o=
n a slippery slope one you start the debate. Personally, I realize my own s=
et of limitations when I play. I am not particularly fast, but can be fluen=
t when I take my time with things. I guess that looping allows me to build =
in small micro-steps sometimes, avoiding the need to make "the big statemen=
t now" kind of thing. I also realize that when I've tried to be some manner=
 of shredder (trust that I was unimpressive) that I've done things that sou=
nded completely unreal for me. I am not a blues, straight into the amp kind=
 of cat and I realize that when I've tried to play like that, it is just no=
t that interesting. So hence, I have a big board on the floor with all mann=
er of processing goodies. Whatever gives you your true voice is what I woul=
d say. Whatever, that is go with that and celebrate it. It is a big world a=
nd someone will appreciate your uniqueness be you Fripp, Frissell or just p=
lain me doodling to my border collie and cats.=20

That is how I see it. I of course could very well be wrong.=20

Todd

-----Original Message-----
>From: Kris Hartung <khartung@cableone.net>
>Sent: Mar 17, 2006 11:35 AM
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: what a loop has to say
>
>> I mean, if you follow the logic of 'hiding behind gear', where do you dr=
aw=20
>> the line?
>
>You don't. It's a spectrum, or a bell curve. No lines, no black and white.
>
>> When you pluck an acoustic guitar, you aren't making the sound- very bas=
ic
>> technology (strings vibrating over a sound hole) creates the sound. Are=
=20
>> you
>> then hiding behind the technology of the acoustic guitar? I guess only
>> vocalists would be considered pure musicians then.  ; )
>
>Perhaps. I've seen this argued before, but that would be the extreme end o=
f=20
>the spectrum and bell curve. With certain assumptions, one could make a=20
>valid argument for this.
>
>> To me- if I can use it (whether 'it' be a bass, a wood block, a Flanger,=
 a
>> laptop or a Repeater) to make noise, it's an instrument. From there the
>> only thing that matters is how the artist chooses to use the sound=20
>> creation
>> device.
>
>I agree with you, philosophically here, but there are still glaring exampl=
es=20
>where not a lot of talent and artistic creativity in producing a piece of=
=20
>music, but is relying primarily on processing after the fact. I can't be=
=20
>convinced otherwise, because I see it in the flesh frequently.  It is easy=
=20
>to say that we are all just using instruments and promote this "I'm Okay,=
=20
>You're Okay" approach, but in my opinion this is also an all to convenient=
=20
>way to avoid the talent and creativity component, will varies in radical=
=20
>degrees in performances.  The fact remains, there are people out there tha=
t=20
>havne't really mastered there instruments or who are intermediate players=
=20
>(and who will openly admit this) still struggligg with their main=20
>instrument, who use gear to compensate for that. It's not right or wrong,=
=20
>good or bad...I just see it and think it needs to be recognized.
>
>I'm talking way too much here and getting more acute in my opinions. I=20
>apologize for that. I'll refrain from responding for a while.
>
>Kris
>
>
>
>
>> Well that got a little more lengthy than I thought I was going to
>> go.....just some Friday morning ramblings.
>>
>>
>>
>>
>>
>>             "Kris Hartung"                    To:=20
>> Loopers-Delight@loopers-delight.com
>>             <khartung@cableone.net>           cc:
>>             03/17/2006 10:46 AM               Subject:  Re: what a loop=
=20
>> has to say
>>             Please respond to
>>             Loopers-Delight
>>
>>
>>
>>
>>
>>
>> My wife once told me that when I sit down with my acoustic guitar and ju=
st
>> play freely, that what she hears sound more creative than anything else =
I
>> do with my gear, looping, etc. I find that sort of interesting (sometime=
s
>> discouraging)...makes me start to question what is really necessary for =
me
>> to express myself artistically, vs. hiding behind the gear. Heck, if I c=
an
>> sit down at a gig with just my acoustic, and satisfy both myself and=20
>> others
>> artistically, I'd probably be retired right now with all the money I wou=
ld
>> have saved!  :)
>>
>> But I just love the effects, and I openly admit that "sometimes" they do
>> substitute for true, raw creativity. I would be surprised if anyone on=
=20
>> this
>> list who uses a lot of gear thought or felt otherwise.  It would take=20
>> quite
>> a artistic genius to ALWAYS, 100% of the time, have effects acquiesce to
>> one's talent and creativity, rather than the other way around. Either an
>> artistic genius, or a complete liar.
>>
>> Kris
>>
>> ----- Original Message -----
>> From: daniel stevenson
>> To: Loopers-Delight@loopers-delight.com
>> Sent: Friday, March 17, 2006 2:39 AM
>> Subject: Re: what a loop has to say
>>
>> i do find the clean acoustic guitar to be my muse.yet ill mangle it with
>> reverse and speed control.varible delay times seems to keep the sound
>> pure.maybe just a phase im goin thru but nothing beats a good ole acoust=
ic
>> source into a looper.
>>                                     my best regards,
>>                                                               scary
>> visionary.
>>
>> Kris Hartung <khartung@cableone.net> wrote:
>>  > Yep, to me a loop says, "Freedom."
>>  > G
>>
>>  Speaking of which, does anyone find it easier to freely improvise when
>>  you
>>  aren't using layers and layers of effects, tone mangling devices, etc?
>>  I've
>>  found this to be the case with me. I love all the cool effects at my
>>  disposal - the Boss VF-1, hundreds of VST effects, LXP5, etc - but they
>>  sometimes produce artificial restrictions or boundaries on my creativit=
y.
>>  I
>>  tend to be more intentionally and genuinely creative, and less enamored
>>  and
>>  influenced by technology, when I just play with a clean guitar sound wi=
th
>>
>>  just a touch of reverb and delay for ambiance. You have nothing but the
>>  notes, basically, no window dressing to distract the creative process.
>>  I'm
>>  sure this is quite subjective and relative, but I'd be curious what
>>  others
>>  think of this. I guess just the simple sound of the guitar forces me to
>>  think more out of the box, rather than relying on the box. For example,
>>  you
>>  have a effect patch that has two octaves and panning delays that go on
>>  forrrrrrrever....you play one "note"...just one human data-point of
>>  interaction, and the gear takes credit for the rest of the interesting
>>  sound
>>  for the next minute. And I start to think to myself, what is really
>>  creative
>>  about that? I could play 10 notes in 3 minutes and produce a song that
>>  requires very little creative energy. It would be interesting to take a=
ll
>>
>>  of our looping songs and strip every single cool effect from them,
>>  resulting
>>  in just the initially, humanly generated notes and natural sound of the
>>  instrument...what might we discover? How much of the intrigue of the so=
ng
>>  is
>>  generated by the gear vs. human creative energy? These are just open
>>  questions for discussion. I'm not necessarily making any categorical
>>  point
>>  here.
>>
>>  And in this regard, I really respect a lot of the work of Derek Bailey,
>>  where its just him and his hollowbody guitar...quite amazing what a guy
>>  can
>>  do with just a guitar and amp.
>>
>>  ...I'm off to bed now. It's been a long day.
>>
>>  Kris
>>
>>
>>
>>
>>
>> Yahoo! Mail
>> Use Photomail to share photos without annoying attachments.
>>
>>
>>
>>
>>
>>
>>
>> ------------------------------------------------------------------------=
---
>> This e-mail message (including attachments, if any) is intended for the=
=20
>> use
>> of the individual or entity to which it is addressed and may contain
>> information that is privileged, proprietary , confidential and exempt fr=
om
>> disclosure.  If you are not the intended recipient, you are notified tha=
t
>> any dissemination, distribution or copying of this communication is
>> strictly prohibited.  If you have received this communication in error,
>> please notify the sender and erase this e-mail message immediately.
>> ------------------------------------------------------------------------=
---
>>
>>
>>=20
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 18:38:53 2006
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<HEAD>
<META content="MSHTML 6.00.2900.2802" name=GENERATOR></HEAD>
<BODY>
<DIV>Scary Visionary</DIV>
<DIV>&nbsp;</DIV>
<DIV>I can empathize with this as an idea. I remember having so many moments of gigantic realization and connectedness whilst ingesting various substances. However, they didn't allow me to function and do the mundane things like pay the mortgage and other bills, be a responsible and connected son and most of all&nbsp; a good boyfriend/husband/partner. It made me really disconnected from the world. I would love to find some way of replicating those feelings of listening to Daniel Lanois' Acadie and being&nbsp;altered on some perfectly lovely hydroponic/Godiva brownies whilst watching a meteor shower. But that ain't gonna happen and me still be able to keep a job and my wife happy. I respect that way of getting to dance with the muse however. I've no philosophical problem with it. Does it allow you to connect with others on a higher spiritual/emotional plain? Just wondering.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Ransacker<BR><BR><BR>-----Original Message----- <BR>From: daniel stevenson <STILLLLSCARY@YAHOO.COM><BR>Sent: Mar 17, 2006 10:13 AM <BR>To: loopers-delight@loopers-delight.com <BR>Subject: pre loop prep <BR><BR></DIV>
<DIV>this may be a sad fact...but if i dont smoke like a hobbit my music suffers.it may be&nbsp;im too in touch with reality when not slightly "altered".and a few times a year for something special...."shrooms"takes the music to a level of vision quest proportions.</DIV>
<DIV>this is not an endorsement of abuse.it may be the clouded perspective of a damaged mind.i believe these things help my expression.</DIV>
<DIV>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; keep marc emery free.</DIV>
<DIV>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; scary visionary</DIV>
<P>
<DIV>
<HR SIZE=1>
</DIV>
<DIV>Brings words and photos together (easily) with<BR><A href="http://us.rd.yahoo.com/mail_us/taglines/PMall/*http://photomail.mail.yahoo.com">PhotoMail </A>- it's free and works with Yahoo! Mail.</DIV></BODY>

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why, thank you sir. 
I'm the one with the 80s style rolled-up jacket sleeves, to my shame.

I listened to it myself only last week. we obtained the audio samples from
the bbc library; the staff at jodrell bank were astonished to hear them, as
they didn't know the recordings (from the 50s) had survived. they were
experimenting with arthur c clarke's crazy notion that radio waves could be
bounced off of objects in earth-orbit to extend their range beyond the
visible horizon..... &, in lieu of an actual comms satellite (none had been
launched at this point), they used the surface of the moon. hence "hello
moon! hello moon!". 

"skeletopes" got it's name from our guitarist's oldest, then a mere 5 years
old. we tried to explain to him that the large "satellite" dish was a
telescope but he couldn't equate this with it's scaffoldy structure. there's
a word for this type of fortuitous malapropism that eludes me presently.

oh, & we had our mellotron there, in the same room as bernard lovell's grand
piano, in the little planetarium.
these days, the planetarium is no more, though the main observatory
survives. instead, we gig at a newer planetarium at the national space
centre in leicester, where there's a bloke who used to do the laser show for
pink floyd. the centre itself, aswell as being the public face of british
space endeavour (whatever it is these days) was the control centre for the
mars lander known as "beagle", the poor thing.
we're playing there next saturday, actually- the 25th. mr ian boddy will be
joining us for some larking about.

duncan/radio massacre international.
-----Original Message-----
From: mungenast@earthlink.net [mailto:mungenast@earthlink.net]
Sent: 17 March 2006 17:24
To: Loopers-Delight@loopers-delight.com
Subject: Knustford in May RE: [LOOP] what a loop has to say


Hey Duncan!

I gave your Knutsford disc a few more spins last week, and it remains a very
satisfying listen.

Cheers,
Tim


-----Original Message----- 
From: goddard.duncan@mtvne.com 
Sent: Mar 17, 2006 12:13 PM 
To: Loopers-Delight@loopers-delight.com 
Subject: RE: [LOOP] what a loop has to say 


>>Most of the time, I let the sound of the loop define where I'm going, what

it needs to do next, what additional loops and layers it wants to play 
with next, when it wants to take a break and sit back and listen to the 
other loops play, and when it invites me to come play with it.<< 
I recognise this. 
sometimes it will be a chunk of audio in a looper, sometimes a line or two
in a looping hardware sequencer (doepfer maq, notron, whatever), sometimes
something our guitarist has going around in his jam-man. 
whatever it is, it will "seed" the whole improv, & may disappear only to
re-appear later on, perhaps in a modified form. 
with careful use of effects &/or patches, the looping material can give the
impression of live & controlled evolution, as though someone is devoting
some concentration to it's manipulation when, in fact, it's just
free-running. 
meanwhile, slightly more complex beings are interacting with it. 
it's a bit like having a junior member of the band, who isn't quite sure how
far they can push their chops, so they just find a groove & stay in it for a
while. indeed, I find myself wondering if "junior" is the right word, since
as a bass player I find staying in one groove for a long time is actually
very hard & requires some disciplne I simply don't have.
hmmm.... 
duncan. 


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<TITLE>RE: Knustford in May (was: what a loop has to say)</TITLE>
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<P><FONT SIZE=3D2>why, thank you sir. </FONT>
<BR><FONT SIZE=3D2>I'm the one with the 80s style rolled-up jacket =
sleeves, to my shame.</FONT>
</P>

<P><FONT SIZE=3D2>I listened to it myself only last week. we obtained =
the audio samples from the bbc library; the staff at jodrell bank were =
astonished to hear them, as they didn't know the recordings (from the =
50s) had survived. they were experimenting with arthur c clarke's crazy =
notion that radio waves could be bounced off of objects in earth-orbit =
to extend their range beyond the visible horizon..... &amp;, in lieu of =
an actual comms satellite (none had been launched at this point), they =
used the surface of the moon. hence &quot;hello moon! hello =
moon!&quot;. </FONT></P>

<P><FONT SIZE=3D2>&quot;skeletopes&quot; got it's name from our =
guitarist's oldest, then a mere 5 years old. we tried to explain to him =
that the large &quot;satellite&quot; dish was a telescope but he =
couldn't equate this with it's scaffoldy structure. there's a word for =
this type of fortuitous malapropism that eludes me =
presently.</FONT></P>

<P><FONT SIZE=3D2>oh, &amp; we had our mellotron there, in the same =
room as bernard lovell's grand piano, in the little planetarium.</FONT>
<BR><FONT SIZE=3D2>these days, the planetarium is no more, though the =
main observatory survives. instead, we gig at a newer planetarium at =
the national space centre in leicester, where there's a bloke who used =
to do the laser show for pink floyd. the centre itself, aswell as being =
the public face of british space endeavour (whatever it is these days) =
was the control centre for the mars lander known as &quot;beagle&quot;, =
the poor thing.</FONT></P>

<P><FONT SIZE=3D2>we're playing there next saturday, actually- the =
25th. mr ian boddy will be joining us for some larking about.</FONT>
</P>

<P><FONT SIZE=3D2>duncan/radio massacre international.</FONT>
<BR><FONT SIZE=3D2>-----Original Message-----</FONT>
<BR><FONT SIZE=3D2>From: mungenast@earthlink.net [<A =
HREF=3D"mailto:mungenast@earthlink.net">mailto:mungenast@earthlink.net</=
A>]</FONT>
<BR><FONT SIZE=3D2>Sent: 17 March 2006 17:24</FONT>
<BR><FONT SIZE=3D2>To: Loopers-Delight@loopers-delight.com</FONT>
<BR><FONT SIZE=3D2>Subject: Knustford in May RE: [LOOP] what a loop has =
to say</FONT>
</P>
<BR>

<P><FONT SIZE=3D2>Hey Duncan!</FONT>
</P>

<P><FONT SIZE=3D2>I gave your Knutsford disc a few more spins last =
week, and it remains a very satisfying listen.</FONT>
</P>

<P><FONT SIZE=3D2>Cheers,</FONT>
<BR><FONT SIZE=3D2>Tim</FONT>
</P>
<BR>

<P><FONT SIZE=3D2>-----Original Message----- </FONT>
<BR><FONT SIZE=3D2>From: goddard.duncan@mtvne.com </FONT>
<BR><FONT SIZE=3D2>Sent: Mar 17, 2006 12:13 PM </FONT>
<BR><FONT SIZE=3D2>To: Loopers-Delight@loopers-delight.com </FONT>
<BR><FONT SIZE=3D2>Subject: RE: [LOOP] what a loop has to say </FONT>
</P>
<BR>

<P><FONT SIZE=3D2>&gt;&gt;Most of the time, I let the sound of the loop =
define where I'm going, what </FONT>
<BR><FONT SIZE=3D2>it needs to do next, what additional loops and =
layers it wants to play </FONT>
<BR><FONT SIZE=3D2>with next, when it wants to take a break and sit =
back and listen to the </FONT>
<BR><FONT SIZE=3D2>other loops play, and when it invites me to come =
play with it.&lt;&lt; </FONT>
<BR><FONT SIZE=3D2>I recognise this. </FONT>
<BR><FONT SIZE=3D2>sometimes it will be a chunk of audio in a looper, =
sometimes a line or two in a looping hardware sequencer (doepfer maq, =
notron, whatever), sometimes something our guitarist has going around =
in his jam-man. </FONT></P>

<P><FONT SIZE=3D2>whatever it is, it will &quot;seed&quot; the whole =
improv, &amp; may disappear only to re-appear later on, perhaps in a =
modified form. </FONT></P>

<P><FONT SIZE=3D2>with careful use of effects &amp;/or patches, the =
looping material can give the impression of live &amp; controlled =
evolution, as though someone is devoting some concentration to it's =
manipulation when, in fact, it's just free-running. </FONT></P>

<P><FONT SIZE=3D2>meanwhile, slightly more complex beings are =
interacting with it. </FONT>
<BR><FONT SIZE=3D2>it's a bit like having a junior member of the band, =
who isn't quite sure how far they can push their chops, so they just =
find a groove &amp; stay in it for a while. indeed, I find myself =
wondering if &quot;junior&quot; is the right word, since as a bass =
player I find staying in one groove for a long time is actually very =
hard &amp; requires some disciplne I simply don't have.</FONT></P>

<P><FONT SIZE=3D2>hmmm.... </FONT>
<BR><FONT SIZE=3D2>duncan. </FONT>
</P>
<BR>

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From: goddard.duncan@mtvne.com
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Subject: RE: what a loop has to say
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>>Can a musician hide behind extremely developed playing abilities?<<

I read this as "can someone who hasn't actually got all that much to say
with his music, disguise this fact with a blinding array of technical
virtuosity?" & I think we've probably all seen examples of this from time to
time.

I was going to say "fripp" & run for the door, but I've more than half me
pint left & I'm not wasting good beer just because I can't keep me mouth
shut!  :-)

duncan.


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<P><FONT SIZE=3D2>&gt;&gt;Can a musician hide behind extremely developed pl=
aying abilities?&lt;&lt;</FONT>
</P>

<P><FONT SIZE=3D2>I read this as &quot;can someone who hasn't actually got =
all that much to say with his music, disguise this fact with a blinding arr=
ay of technical virtuosity?&quot; &amp; I think we've probably all seen exa=
mples of this from time to time.</FONT></P>

<P><FONT SIZE=3D2>I was going to say &quot;fripp&quot; &amp; run for the do=
or, but I've more than half me pint left &amp; I'm not wasting good beer ju=
st because I can't keep me mouth shut!&nbsp; :-)</FONT></P>

<P><FONT SIZE=3D2>duncan.</FONT>
</P>

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<HEAD><TITLE>RE: Knustford in May (was: what a loop has to say)</TITLE>
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<DIV>Thanks for the background info!</DIV>
<DIV>&nbsp;</DIV>
<DIV>BTW, have you had a chance to listen to "The Un-stableboy" yet, in both seconds of your spare time?</DIV>
<DIV>;-)</DIV>
<DIV>&nbsp;</DIV>
<DIV>~Tim</DIV>
<DIV><BR><BR><BR>-----Original Message----- <BR>From: goddard.duncan@mtvne.com <BR>Sent: Mar 17, 2006 1:47 PM <BR>To: mungenast@earthlink.net, Loopers-Delight@loopers-delight.com <BR>Subject: RE: Knustford in May (was: what a loop has to say) <BR><BR></DIV><ZZZHTML><ZZZHEAD><ZZZMETA CONTENT="text/html; charset=ISO-8859-1" HTTP-EQUIV="Content-Type"><ZZZMETA CONTENT="MS Exchange Server version 5.5.2653.12" NAME="Generator"></ZZZHEAD><ZZZBODY>
<P><FONT size=2>why, thank you sir. </FONT><BR><FONT size=2>I'm the one with the 80s style rolled-up jacket sleeves, to my shame.</FONT> </P>
<P><FONT size=2>I listened to it myself only last week. we obtained the audio samples from the bbc library; the staff at jodrell bank were astonished to hear them, as they didn't know the recordings (from the 50s) had survived. they were experimenting with arthur c clarke's crazy notion that radio waves could be bounced off of objects in earth-orbit to extend their range beyond the visible horizon..... &amp;, in lieu of an actual comms satellite (none had been launched at this point), they used the surface of the moon. hence "hello moon! hello moon!". </FONT></P>
<P><FONT size=2>"skeletopes" got it's name from our guitarist's oldest, then a mere 5 years old. we tried to explain to him that the large "satellite" dish was a telescope but he couldn't equate this with it's scaffoldy structure. there's a word for this type of fortuitous malapropism that eludes me presently.</FONT></P>
<P><FONT size=2>oh, &amp; we had our mellotron there, in the same room as bernard lovell's grand piano, in the little planetarium.</FONT> <BR><FONT size=2>these days, the planetarium is no more, though the main observatory survives. instead, we gig at a newer planetarium at the national space centre in leicester, where there's a bloke who used to do the laser show for pink floyd. the centre itself, aswell as being the public face of british space endeavour (whatever it is these days) was the control centre for the mars lander known as "beagle", the poor thing.</FONT></P>
<P><FONT size=2>we're playing there next saturday, actually- the 25th. mr ian boddy will be joining us for some larking about.</FONT> </P>
<P><FONT size=2>duncan/radio massacre international.</FONT> <BR><FONT size=2>-----Original Message-----</FONT> <BR><FONT size=2>From: mungenast@earthlink.net [<A href="mailto:mungenast@earthlink.net">mailto:mungenast@earthlink.net</A>]</FONT> <BR><FONT size=2>Sent: 17 March 2006 17:24</FONT> <BR><FONT size=2>To: Loopers-Delight@loopers-delight.com</FONT> <BR><FONT size=2>Subject: Knustford in May RE: [LOOP] what a loop has to say</FONT> </P>
<DIV><BR></DIV>
<P><FONT size=2>Hey Duncan!</FONT> </P>
<P><FONT size=2>I gave your Knutsford disc a few more spins last week, and it remains a very satisfying listen.</FONT> </P>
<P><FONT size=2>Cheers,</FONT> <BR><FONT size=2>Tim</FONT> </P>
<DIV><BR></DIV>
<P><FONT size=2>-----Original Message----- </FONT><BR><FONT size=2>From: goddard.duncan@mtvne.com </FONT><BR><FONT size=2>Sent: Mar 17, 2006 12:13 PM </FONT><BR><FONT size=2>To: Loopers-Delight@loopers-delight.com </FONT><BR><FONT size=2>Subject: RE: [LOOP] what a loop has to say </FONT></P>
<DIV><BR></DIV>
<P><FONT size=2>&gt;&gt;Most of the time, I let the sound of the loop define where I'm going, what </FONT><BR><FONT size=2>it needs to do next, what additional loops and layers it wants to play </FONT><BR><FONT size=2>with next, when it wants to take a break and sit back and listen to the </FONT><BR><FONT size=2>other loops play, and when it invites me to come play with it.&lt;&lt; </FONT><BR><FONT size=2>I recognise this. </FONT><BR><FONT size=2>sometimes it will be a chunk of audio in a looper, sometimes a line or two in a looping hardware sequencer (doepfer maq, notron, whatever), sometimes something our guitarist has going around in his jam-man. </FONT></P>
<P><FONT size=2>whatever it is, it will "seed" the whole improv, &amp; may disappear only to re-appear later on, perhaps in a modified form. </FONT></P>
<P><FONT size=2>with careful use of effects &amp;/or patches, the looping material can give the impression of live &amp; controlled evolution, as though someone is devoting some concentration to it's manipulation when, in fact, it's just free-running. </FONT></P>
<P><FONT size=2>meanwhile, slightly more complex beings are interacting with it. </FONT><BR><FONT size=2>it's a bit like having a junior member of the band, who isn't quite sure how far they can push their chops, so they just find a groove &amp; stay in it for a while. indeed, I find myself wondering if "junior" is the right word, since as a bass player I find staying in one groove for a long time is actually very hard &amp; requires some disciplne I simply don't have.</FONT></P>
<P><FONT size=2>hmmm.... </FONT><BR><FONT size=2>duncan. </FONT></P>
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From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 19:21:32 2006
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You don't have to read this philosophical drivel.....BUT...the nice thing 
with this thread, I think, is that most everyone on this list has to some 
extent integrated technology into the identify of their sound, whether that 
be a looping device or a complicated array of effects processors, whether it 
is to completely redefine their sound or merely enhance it. We are amongst 
friends in that respect.  There is another school of thought, a purist one, 
probably not fostered in this group, that would suggest that we are all 
guilty of masking talent with gimmicks and gadgetry. And I would openly 
admit that this group has a valid argument, given the set of assumptions and 
values upon which their argument rests. All of our viewpoints here rest on a 
set of assumptions and personal or community based values. So we're not 
touting the Truth here, merely investigating and exploring what we can infer 
from a common set of assumptions, or reconsile different assumptions. I like 
this sort of activity. It stimulates my brain, and also makes me aware that 
we can be contradicted at any point in time with a parallel set of 
assumptions and arguments.

In this above light, I don't really think his is a debate (in the strict 
term), as it is a comparison and contrast of assumptions and the inferences 
we can draw from them. No one can dispute a subjective value, like liking 
the color red, but we can question the logic involved in inferring things 
from those values. I go back to the famous analytic and linguistic 
philosopher Wittgenstein's concept that there are really no legitimate 
arguments once you get clear on the assumptions and meanings of the terms we 
use.  This is all language games, an interesting cluster fuck of 
complementary and/or contradictory assumptions and their respective 
inferences. Have you ever seen two people argue endlessly about whether 
something they see is actually denoted by one term or another? That's a 
language game, based on different assumptions. The argument wouldn't even 
start until they agreed on the terms and then started making inferences from 
that point onward.  In my experience, 99% of the arguments I hear or read in 
the area of music and art, are language games.  They never begin with a 
clarification of the assumptions, which lay the foundation for discussion 
and prevent unnecessary bantering.

Kris

----- Original Message ----- 
From: "Todd Howell" <ransacker@earthlink.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, March 17, 2006 11:30 AM
Subject: Re: what a loop has to say


To add to the current debate, I would say there are varying levels of hiding 
behind technology and to see what the true motivation is. That gets you on a 
slippery slope one you start the debate. Personally, I realize my own set of 
limitations when I play. I am not particularly fast, but can be fluent when 
I take my time with things. I guess that looping allows me to build in small 
micro-steps sometimes, avoiding the need to make "the big statement now" 
kind of thing. I also realize that when I've tried to be some manner of 
shredder (trust that I was unimpressive) that I've done things that sounded 
completely unreal for me. I am not a blues, straight into the amp kind of 
cat and I realize that when I've tried to play like that, it is just not 
that interesting. So hence, I have a big board on the floor with all manner 
of processing goodies. Whatever gives you your true voice is what I would 
say. Whatever, that is go with that and celebrate it. It is a big world and 
someone will appreciate your uniqueness be you Fripp, Frissell or just plain 
me doodling to my border collie and cats.

That is how I see it. I of course could very well be wrong.

Todd

-----Original Message-----
>From: Kris Hartung <khartung@cableone.net>
>Sent: Mar 17, 2006 11:35 AM
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: what a loop has to say
>
>> I mean, if you follow the logic of 'hiding behind gear', where do you 
>> draw
>> the line?
>
>You don't. It's a spectrum, or a bell curve. No lines, no black and white.
>
>> When you pluck an acoustic guitar, you aren't making the sound- very 
>> basic
>> technology (strings vibrating over a sound hole) creates the sound. Are
>> you
>> then hiding behind the technology of the acoustic guitar? I guess only
>> vocalists would be considered pure musicians then.  ; )
>
>Perhaps. I've seen this argued before, but that would be the extreme end of
>the spectrum and bell curve. With certain assumptions, one could make a
>valid argument for this.
>
>> To me- if I can use it (whether 'it' be a bass, a wood block, a Flanger, 
>> a
>> laptop or a Repeater) to make noise, it's an instrument. From there the
>> only thing that matters is how the artist chooses to use the sound
>> creation
>> device.
>
>I agree with you, philosophically here, but there are still glaring 
>examples
>where not a lot of talent and artistic creativity in producing a piece of
>music, but is relying primarily on processing after the fact. I can't be
>convinced otherwise, because I see it in the flesh frequently.  It is easy
>to say that we are all just using instruments and promote this "I'm Okay,
>You're Okay" approach, but in my opinion this is also an all to convenient
>way to avoid the talent and creativity component, will varies in radical
>degrees in performances.  The fact remains, there are people out there that
>havne't really mastered there instruments or who are intermediate players
>(and who will openly admit this) still struggligg with their main
>instrument, who use gear to compensate for that. It's not right or wrong,
>good or bad...I just see it and think it needs to be recognized.
>
>I'm talking way too much here and getting more acute in my opinions. I
>apologize for that. I'll refrain from responding for a while.
>
>Kris
>
>
>
>
>> Well that got a little more lengthy than I thought I was going to
>> go.....just some Friday morning ramblings.
>>
>>
>>
>>
>>
>>             "Kris Hartung"                    To:
>> Loopers-Delight@loopers-delight.com
>>             <khartung@cableone.net>           cc:
>>             03/17/2006 10:46 AM               Subject:  Re: what a loop
>> has to say
>>             Please respond to
>>             Loopers-Delight
>>
>>
>>
>>
>>
>>
>> My wife once told me that when I sit down with my acoustic guitar and 
>> just
>> play freely, that what she hears sound more creative than anything else I
>> do with my gear, looping, etc. I find that sort of interesting (sometimes
>> discouraging)...makes me start to question what is really necessary for 
>> me
>> to express myself artistically, vs. hiding behind the gear. Heck, if I 
>> can
>> sit down at a gig with just my acoustic, and satisfy both myself and
>> others
>> artistically, I'd probably be retired right now with all the money I 
>> would
>> have saved!  :)
>>
>> But I just love the effects, and I openly admit that "sometimes" they do
>> substitute for true, raw creativity. I would be surprised if anyone on
>> this
>> list who uses a lot of gear thought or felt otherwise.  It would take
>> quite
>> a artistic genius to ALWAYS, 100% of the time, have effects acquiesce to
>> one's talent and creativity, rather than the other way around. Either an
>> artistic genius, or a complete liar.
>>
>> Kris
>>
>> ----- Original Message -----
>> From: daniel stevenson
>> To: Loopers-Delight@loopers-delight.com
>> Sent: Friday, March 17, 2006 2:39 AM
>> Subject: Re: what a loop has to say
>>
>> i do find the clean acoustic guitar to be my muse.yet ill mangle it with
>> reverse and speed control.varible delay times seems to keep the sound
>> pure.maybe just a phase im goin thru but nothing beats a good ole 
>> acoustic
>> source into a looper.
>>                                     my best regards,
>>                                                               scary
>> visionary.
>>
>> Kris Hartung <khartung@cableone.net> wrote:
>>  > Yep, to me a loop says, "Freedom."
>>  > G
>>
>>  Speaking of which, does anyone find it easier to freely improvise when
>>  you
>>  aren't using layers and layers of effects, tone mangling devices, etc?
>>  I've
>>  found this to be the case with me. I love all the cool effects at my
>>  disposal - the Boss VF-1, hundreds of VST effects, LXP5, etc - but they
>>  sometimes produce artificial restrictions or boundaries on my 
>> creativity.
>>  I
>>  tend to be more intentionally and genuinely creative, and less enamored
>>  and
>>  influenced by technology, when I just play with a clean guitar sound 
>> with
>>
>>  just a touch of reverb and delay for ambiance. You have nothing but the
>>  notes, basically, no window dressing to distract the creative process.
>>  I'm
>>  sure this is quite subjective and relative, but I'd be curious what
>>  others
>>  think of this. I guess just the simple sound of the guitar forces me to
>>  think more out of the box, rather than relying on the box. For example,
>>  you
>>  have a effect patch that has two octaves and panning delays that go on
>>  forrrrrrrever....you play one "note"...just one human data-point of
>>  interaction, and the gear takes credit for the rest of the interesting
>>  sound
>>  for the next minute. And I start to think to myself, what is really
>>  creative
>>  about that? I could play 10 notes in 3 minutes and produce a song that
>>  requires very little creative energy. It would be interesting to take 
>> all
>>
>>  of our looping songs and strip every single cool effect from them,
>>  resulting
>>  in just the initially, humanly generated notes and natural sound of the
>>  instrument...what might we discover? How much of the intrigue of the 
>> song
>>  is
>>  generated by the gear vs. human creative energy? These are just open
>>  questions for discussion. I'm not necessarily making any categorical
>>  point
>>  here.
>>
>>  And in this regard, I really respect a lot of the work of Derek Bailey,
>>  where its just him and his hollowbody guitar...quite amazing what a guy
>>  can
>>  do with just a guitar and amp.
>>
>>  ...I'm off to bed now. It's been a long day.
>>
>>  Kris
>>
>>
>>
>>
>>
>> Yahoo! Mail
>> Use Photomail to share photos without annoying attachments.
>>
>>
>>
>>
>>
>>
>>
>> ---------------------------------------------------------------------------
>> This e-mail message (including attachments, if any) is intended for the
>> use
>> of the individual or entity to which it is addressed and may contain
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>> from
>> disclosure.  If you are not the intended recipient, you are notified that
>> any dissemination, distribution or copying of this communication is
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>> please notify the sender and erase this e-mail message immediately.
>> ---------------------------------------------------------------------------
>>
>>
>>
>
>



From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 19:57:08 2006
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ok, so Jimmy Page said, "If you use it at the right time and it works, 
then it's valid."  i think it's always up to the musician (or any kind 
of artist) to decide if a certain instrument, technique or effect 
"works" at a given time.  that said, it's also the prerogative of an 
audience to make judgements based on whatever criteria they find 
relevant.  but purism always seems a bit arbitrary to me, whatever the 
genre.

you can use an instrument (a guitar, a hardware looper, software, etc.) 
to make music or you can use it to self-aggrandize.  if you're just 
showing off or faking a technique you haven't mastered, then the music 
is bound to be boring.  music made for the sake of the music, to me, 
sounds better, no matter how "unskilled" or naive the player.

personally, i hope if my motives are pure and the audience is genuinely 
listening, they'll like what they hear.  unless it sucks.  :)

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From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 20:28:30 2006
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
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Subject: hiding behind technology (was: what a loop has to say)
Date: Fri, 17 Mar 2006 21:28:24 +0100
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ok, here's another kind of position in this debate:

The instrument I play is "effects". I sometimes hide these effects behind
playing on something non-effect, like a guitar or keyboard.

From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 21:29:58 2006
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From: Per Boysen <per@boysen.se>
Subject: Re: hiding behind technology (was: what a loop has to say)
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On 17 mar 2006, at 21.28, Rainer Thelonius Balthasar Straschill wrote:

> ok, here's another kind of position in this debate:
>
> The instrument I play is "effects". I sometimes hide these effects  
> behind
> playing on something non-effect, like a guitar or keyboard.


Not bad, that post  ;-)) Made my day, you FX Shredder!

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast? 
id=128679560&s=143456



From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 21:33:14 2006
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Kris wrote:
"I agree with you, philosophically here, but there are still glaring 
examples
where not a lot of talent and artistic creativity in producing a piece of
music, but is relying primarily on processing after the fact."

Sure, Kris, and there are a lot of shitty acoustic jazz guitarists in the 
world.
The gear doesn't make it shitty........................the lack of 
creativity and/or skill does.

It's true of all music and in a way,  it may not be necessary to have a 
philosophy about it.

Just don't buy the person's album............................don't attend 
their next show.

Or better yet,   use the same gear and make a piece of music that you think 
is worthwhile.

respectfully,   Rick 

From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 21:36:04 2006
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This has been a wonderful stimulating discussion and I'm glad
to have read it.

With that in mind,  would everybody PLEASE STOP COPYING ENTIRE PREVIOUS 
POSTS
into their replies?

I got 7 digests today on this thread alone.

If you take the time to just quote the relevant quip you are replying to 
it's a hell of a lot easier
and , more importantly,  quicker to read.

thanks,   r. 

From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 21:41:39 2006
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From: Per Boysen <per@boysen.se>
Subject: Digest (was: what a loop says:  REQUEST)
Date: Fri, 17 Mar 2006 22:41:36 +0100
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On 17 mar 2006, at 22.36, loop.pool wrote:

> digests

Why is it you take the digest? Why not having separate mails and  
having them auto-filtered into a mail box?

per

From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 21:51:28 2006
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a kiss to Rick
luca

loop.pool wrote:

> Kris wrote:
> "I agree with you, philosophically here, but there are still glaring 
> examples
> where not a lot of talent and artistic creativity in producing a piece of
> music, but is relying primarily on processing after the fact."
>
> Sure, Kris, and there are a lot of shitty acoustic jazz guitarists in 
> the world.
> The gear doesn't make it shitty........................the lack of 
> creativity and/or skill does.
>
> It's true of all music and in a way,  it may not be necessary to have 
> a philosophy about it.
>
> Just don't buy the person's album............................don't 
> attend their next show.
>
> Or better yet,   use the same gear and make a piece of music that you 
> think is worthwhile.
>
> respectfully,   Rick
>
> .
>

From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 22:18:05 2006
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From: daviD <waveform@free.fr>
Subject: Re: Digest
Date: Fri, 17 Mar 2006 23:17:58 +0100
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> De: Per Boysen <per@boysen.se>
> Date: 17 mars 2006 22:41:36 GMT+01:00
>
> On 17 mar 2006, at 22.36, loop.pool wrote:
>> digests
>
> Why is it you take the digest? Why not having separate mails and 
> having them auto-filtered into a mail box?
> per

Because different people have different habits regarding emails and the 
reading thereof
Because some of us read mails using webmail (for personal mails at work 
for example)
Because filtering "relevant" info is much faster with digests
Because some people don't want hundreds of emails in their inbox at the 
end of the day
(this list is far from being exhaustive ;)

And I wholeheartedly agree with loop.pool : it is usually considered 
basic netiquette to remove the parts of mails that are not needed to 
understand what you're saying (and I'm not even speaking of headers and 
signatures). If several people fail to do this, the signal to noise 
ratio of the list quickly degenerates...

</daviD>

"Simulating the true styles and making carefully !
  Many colours a lot, selected freely by you !"

From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 23:05:37 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: hiding behind technology (was: what a loop has to say)
Date: Fri, 17 Mar 2006 15:05:32 -0800
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On Mar 17, 2006, at 12:28 PM, Rainer Thelonius Balthasar Straschill=20
wrote:

> ok, here's another kind of position in this debate:
>
> The instrument I play is "effects". I sometimes hide these effects=20
> behind
> playing on something non-effect, like a guitar or keyboard.
>


That is good! Made me smile.
Thank you!

I hate the term "effects" in this kind of conversation...it sounds too=20=

much like something that is applied to the music, instead being the=20
music. The same reason I don't like the word "technology." There is too=20=

much of a dichotomy being created between instruments and "effects."=20
They are all instruments. My Max/MSP patch is a software instrument, my=20=

horn is a wind instrument. But then again, if we get rid of that=20
dichotomy, much of this conversation is done...

best,

Jeff

Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com =95 AngryVegan.com

From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 23:25:11 2006
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Subject: Real-Time Improv Looping Performance Streamed to Web - March 24
Date: Fri, 17 Mar 2006 16:25:06 -0700
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This is a multi-part message in MIME format.

------=_NextPart_000_0D3D_01C649DF.5A4FC630
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	charset="iso-8859-1"
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Hello all,

It's that time again. It has been a while since I streamed a real-time =
looping performance to the web. Here are the details:

What: Improvisational Real-Time Looping Performance Streamed to Web
Who: Me on acoustic guitar, looping (with Mobius), computer generated =
sound effects, and whatever else makes it way into the signal stream
Where: Streamed world-wide to the web in real-time at =
http://216.12.162.58:9030/ (Click on "Listen")
Date: March 24, 2006 (Friday)
Time: 12-1pm Mountain (Boise), 11am-12pm Pacific (San Francisco), 1-2pm =
Central (Houston), 2-3pm Eastern (Boston), 7-8pm Greenwich Mean Time =
(GMT)=20
Gear: Taylor acoustic guitar, two Boss VF-1 units, Lexicon LXP1, Lexicon =
LXP5, Mobius (looping software), Behringer FCB MIDI controller...(no =
computer-based VST effect system this time around

Feel free to plug the stream output into your mixer and record along =
with me, if you like. I'd love to hear the mix!

If you want to comment on the performance, you can send instant messages =
to:

kris_hartung (yahoo)
krispenhartung (AIM)
kris.hartung@hp.com (MSN)
272583693 (ICQ)

Look out for a duo performance in the near future as well, between me =
and Rainer, and perhaps someon here in Boise.

Cheers,

Kris
www.krispenhartung.com
info@krispenhartung.com



------=_NextPart_000_0D3D_01C649DF.5A4FC630
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2802" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY>
<DIV><FONT face=3DArial size=3D2>Hello all,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>It's that time again. It has been a =
while since I=20
streamed&nbsp;a real-time looping performance to the web. Here are the=20
details:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>What:</STRONG> Improvisational =
Real-Time=20
Looping Performance Streamed to Web<BR><STRONG>Who</STRONG>: Me on =
acoustic=20
guitar, looping (with Mobius), computer generated sound effects, and =
whatever=20
else makes it way into the signal stream<BR><STRONG>Where:</STRONG> =
Streamed=20
world-wide to the web in real-time at </FONT><A=20
href=3D"http://216.12.162.58:9030/"><FONT face=3DArial=20
size=3D2>http://216.12.162.58:9030/</FONT></A><FONT face=3DArial =
size=3D2>&nbsp;(Click=20
on "Listen")<BR><STRONG>Date</STRONG>: March 24, 2006=20
(Friday)<BR><STRONG>Time:</STRONG> 12-1pm Mountain (Boise), 11am-12pm =
Pacific=20
(San Francisco), 1-2pm Central&nbsp;(Houston), 2-3pm Eastern (Boston), =
7-8pm=20
Greenwich Mean Time (GMT)&nbsp;</FONT></DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Gear:</STRONG> Taylor acoustic =
guitar, two=20
Boss VF-1 units, Lexicon LXP1, Lexicon LXP5, Mobius (looping software),=20
Behringer FCB MIDI controller...(no computer-based VST effect system =
this time=20
around</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Feel free to plug the stream =
output&nbsp;into your=20
mixer and record along with me, if you like. I'd love to hear the =
mix!<BR><BR>If=20
you want to comment on the performance, you can send instant messages=20
to:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>kris_hartung (yahoo)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>krispenhartung (AIM)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"mailto:kris.hartung@hp.com">kris.hartung@hp.com</A>&nbsp;(MSN)</F=
ONT></DIV>
<DIV><FONT face=3DArial size=3D2>272583693 (ICQ)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Look out for a duo performance in the =
near future=20
as well, between me and Rainer, and perhaps someon here in =
Boise.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Cheers,</FONT></DIV><FONT face=3DArial =
size=3D2>
<DIV><BR>Kris</DIV>
<DIV><A =
href=3D"http://www.krispenhartung.com">www.krispenhartung.com</A></DIV>
<DIV><A =
href=3D"mailto:info@krispenhartung.com">info@krispenhartung.com</A></DIV>=

<DIV></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV></BODY></HTML>

------=_NextPart_000_0D3D_01C649DF.5A4FC630--


From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 23:32:45 2006
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From: "loop.pool" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Subject: REQUEST 
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per asked:
"Why is it you take the digest? Why not having separate mails and
having them auto-filtered into a mail box?"


Because it is much quicker to deal with seeing the list of a lot of posts 
and knowing which ones I want
to open and which ones I want to not read (i.e.,  anything having to do with 
the RC 20,  Boomerang, Headrush,
et. al. because I don't own them).     The whole point is speeding up the 
e-mail process which can be
very time consuming in a day.

I don't think it is too much to do to ask people to edit their responses.

Kim, our fearless leader, has requested us to do so for years now because it 
saves bandwidth. 

From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 23:40:29 2006
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From: Per Boysen <per@boysen.se>
Subject: Re: REQUEST 
Date: Sat, 18 Mar 2006 00:40:26 +0100
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On 18 mar 2006, at 00.32, loop.pool wrote:

> per asked:
>> "Why is it you take the digest? Why not having separate mails and
>> having them auto-filtered into a mail box?"
>
> Because it is much quicker to deal with seeing the list of a lot of  
> posts and knowing which ones I want
> to open and which ones I want to not read (i.e.,  anything having  
> to do with the RC 20,  Boomerang, Headrush,
> et. al. because I don't own them).     The whole point is speeding  
> up the e-mail process which can be
> very time consuming in a day.

Really? Then I need to check out the digest form. I thought nothing  
is faster than separate mails.

> I don't think it is too much to do to ask people to edit their  
> responses

Of course! That's expected from anyone, no matter digest driven or not.

per

From Loopers-Delight-request@loopers-delight.com  Fri Mar 17 23:43:29 2006
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Subject: Re: what a loop has to say
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> ..... but purism always seems a bit arbitrary to me, whatever the genre.

I became heavily involved in solo acoustic guitar and singing for about 5
years, and the longer I was involved in that genre, the more claustrophobic
it felt. Even without effects and technology, there was a purist 'attitude'
that questioned abstract song forms, lyrics, *intent*?! etc. I found it a
very conservative clique, and finally decided to ADD effects to make my
point very clear that I was serving my muse, not their expectations or
traditions. As much as I enjoy solo acoustic performance, I'm more inclined
to mix it up just to keep myself outside of that particular box. (Or course
I'll be looping as well... )

-Miko


From Loopers-Delight-request@loopers-delight.com  Sat Mar 18 00:14:02 2006
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Subject: E-H Multirack Looper
Date: Fri, 17 Mar 2006 19:13:59 -0500
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Some big pics and other info about E-H's multitrack looper...kind of a
Repeater-lite? 
http://www.harmony-central.com/Newp/2006/Electro-Harmonix-2880.html


Dave Eichenberger 
http://www.hazardfactor.com

From Loopers-Delight-request@loopers-delight.com  Sat Mar 18 02:09:05 2006
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From: "Kris Hartung" <khartung@cableone.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: Streaming my entire discography right now
Date: Fri, 17 Mar 2006 19:08:59 -0700
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This is a multi-part message in MIME format.

------=_NextPart_000_0DAA_01C649F6.3F26AEC0
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This evening I'm streaming songs, in random order and in CD quality, =
from my entire 4 CD discography, including the recent LD colloration =
project, Xperimentus....

Dial in if you want some good background music while you have a beer or =
glass of wine, etc.

http://216.12.162.58:9030/ (Click on "Listen")

Cheers,

Kris

*************************************************
Krispen Hartung
Improvisational Guitar
www.krispenhartung.com
www.boisemusicians.com/experimental
www.myspace.com/krispenhartung
info@krispenhartung.com / 1.208.724.5603=20
Discography - http://www.krispenhartung.com/catalogue.htm
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<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2802" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY>
<DIV><FONT face=3DArial size=3D2>This evening I'm streaming songs, in =
random order=20
and in CD quality, from my entire 4 CD discography, including the recent =
LD=20
colloration project, Xperimentus....</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Dial in if you want some good =
background music=20
while you have a beer or glass of wine, etc.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><A href=3D""><FONT face=3DArial=20
size=3D2>http://216.12.162.58:9030/</FONT></A><FONT face=3DArial =
size=3D2>&nbsp;(Click=20
on "Listen")</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Cheers,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial=20
size=3D2>*************************************************<BR>Krispen=20
Hartung<BR>Improvisational Guitar<BR></FONT><A=20
href=3D"http://www.krispenhartung.com"><FONT face=3DArial=20
size=3D2>www.krispenhartung.com</FONT></A><BR><A=20
href=3D"http://www.boisemusicians.com/experimental"><FONT face=3DArial=20
size=3D2>www.boisemusicians.com/experimental</FONT></A><BR><A=20
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href=3D"mailto:info@krispenhartung.com"><FONT face=3DArial=20
size=3D2>info@krispenhartung.com</FONT></A><FONT face=3DArial size=3D2> =
/=20
1.208.724.5603 <BR>Discography - </FONT><A=20
href=3D"http://www.krispenhartung.com/catalogue.htm"><FONT face=3DArial=20
size=3D2>http://www.krispenhartung.com/catalogue.htm</FONT></A></DIV></BO=
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------=_NextPart_000_0DAA_01C649F6.3F26AEC0--


From Loopers-Delight-request@loopers-delight.com  Sat Mar 18 02:19:14 2006
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Are there any effects on it?

:)

+----O----+

(this is me, trying to give you a big hug) :)

Doug

Kris Hartung wrote:

> This evening I'm streaming songs, in random order and in CD quality, 
> from my entire 4 CD discography, including the recent LD colloration 
> project, Xperimentus....
>  
> Dial in if you want some good background music while you have a beer 
> or glass of wine, etc.
>  
> http://216.12.162.58:9030/ (Click on "Listen")
>  
>

From Loopers-Delight-request@loopers-delight.com  Sat Mar 18 02:22:12 2006
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Fuck yes...loads of them, and proud of it. I'm hiding my deficiencies as a 
musician. :)  I'm glad we all have a sense of humor. I love you guys...

Kris

----- Original Message ----- 
From: "Doug Cox" <dougcox@pdq.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, March 17, 2006 7:19 PM
Subject: Re: Streaming my entire discography right now


> Are there any effects on it?
>
> :)
>
> +----O----+
>
> (this is me, trying to give you a big hug) :)
>
> Doug
>
> Kris Hartung wrote:
>
>> This evening I'm streaming songs, in random order and in CD quality, from 
>> my entire 4 CD discography, including the recent LD colloration project, 
>> Xperimentus....
>>  Dial in if you want some good background music while you have a beer or 
>> glass of wine, etc.
>>  http://216.12.162.58:9030/ (Click on "Listen")
>>
>
> 


From Loopers-Delight-request@loopers-delight.com  Sat Mar 18 02:22:56 2006
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Subject: Re: what a loop has to say
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Per,

On Mar 17, 2006, at 9:50 AM, Per Boysen wrote:

> Can a musician hide behind extremely developed playing abilities?
> If so, what is he trying to compensate for?
> And what does it take for a listener to see through the hoax?
>
Good point. They might be hiding the fact that they haven't had a single
"original" idea in years -- if ever.

From Loopers-Delight-request@loopers-delight.com  Sat Mar 18 03:06:36 2006
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Date: Fri, 17 Mar 2006 19:06:33 -0800
From: "Art Simon" <simart@gmail.com>
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I'm listening to "Impossible Shades of Blue" (while drinking a beer)
right now. Great Stuff! (um, the music I mean). Thanks for the stream.

On 3/17/06, Kris Hartung <khartung@cableone.net> wrote:
>
> This evening I'm streaming songs, in random order and in CD quality, from=
 my
> entire 4 CD discography, including the recent LD colloration project,
> Xperimentus....
>
> Dial in if you want some good background music while you have a beer or
> glass of wine, etc.
>
> http://216.12.162.58:9030/ (Click on "Listen")
>
> Cheers,
>
> Kris
>
> *************************************************
> Krispen Hartung
> Improvisational Guitar
> www.krispenhartung.com
> www.boisemusicians.com/experimental
> www.myspace.com/krispenhartung
> info@krispenhartung.com / 1.208.724.5603
> Discography - http://www.krispenhartung.com/catalogue.htm


--
Art Simon
simart@null.net
http://art.simon.tripod.com
http://artsimon.iuma.com

From Loopers-Delight-request@loopers-delight.com  Sat Mar 18 03:08:47 2006
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Cool. Thanks!  I'm working on a pint of Spaten Optimator at the  moment...my 
favorite German import here in the US....it's sort of fun listening to my 
own music....

Kris

----- Original Message ----- 
From: "Art Simon" <simart@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, March 17, 2006 8:06 PM
Subject: Re: Streaming my entire discography right now


I'm listening to "Impossible Shades of Blue" (while drinking a beer)
right now. Great Stuff! (um, the music I mean). Thanks for the stream.

On 3/17/06, Kris Hartung <khartung@cableone.net> wrote:
>
> This evening I'm streaming songs, in random order and in CD quality, from 
> my
> entire 4 CD discography, including the recent LD colloration project,
> Xperimentus....
>
> Dial in if you want some good background music while you have a beer or
> glass of wine, etc.
>
> http://216.12.162.58:9030/ (Click on "Listen")
>
> Cheers,
>
> Kris
>
> *************************************************
> Krispen Hartung
> Improvisational Guitar
> www.krispenhartung.com
> www.boisemusicians.com/experimental
> www.myspace.com/krispenhartung
> info@krispenhartung.com / 1.208.724.5603
> Discography - http://www.krispenhartung.com/catalogue.htm


--
Art Simon
simart@null.net
http://art.simon.tripod.com
http://artsimon.iuma.com



From Loopers-Delight-request@loopers-delight.com  Sat Mar 18 03:12:10 2006
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Message-ID: <588ce11d0603171912l4a989ad6q6736d31f3af38867@mail.gmail.com>
Date: Fri, 17 Mar 2006 19:12:07 -0800
From: "Art Simon" <simart@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Streaming my entire discography right now
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	 <588ce11d0603171906x2b1cb8f5k3924d96f22d061e5@mail.gmail.com>
	 <0e3301c64a39$443393e0$45b2ec0f@americas.hpqcorp.net>
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Optimator is a great beer. In San Francisco there is a great
restaurant "Suppenkuche" that has it on tap. I'm drinking a Pyramid
Snow Cap. Not a bad beer, and as I live only a couple of blocks from
the Berkeley brewery, I feel a responsibility to support local
business. : )

On 3/17/06, Kris Hartung <khartung@cableone.net> wrote:
> Cool. Thanks!  I'm working on a pint of Spaten Optimator at the  moment..=
.my
> favorite German import here in the US....it's sort of fun listening to my
> own music....
>
> Kris
>
> ----- Original Message -----
> From: "Art Simon" <simart@gmail.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Friday, March 17, 2006 8:06 PM
> Subject: Re: Streaming my entire discography right now
>
>
> I'm listening to "Impossible Shades of Blue" (while drinking a beer)
> right now. Great Stuff! (um, the music I mean). Thanks for the stream.
>
> On 3/17/06, Kris Hartung <khartung@cableone.net> wrote:
> >
> > This evening I'm streaming songs, in random order and in CD quality, fr=
om
> > my
> > entire 4 CD discography, including the recent LD colloration project,
> > Xperimentus....
> >
> > Dial in if you want some good background music while you have a beer or
> > glass of wine, etc.
> >
> > http://216.12.162.58:9030/ (Click on "Listen")
> >
> > Cheers,
> >
> > Kris
> >
> > *************************************************
> > Krispen Hartung
> > Improvisational Guitar
> > www.krispenhartung.com
> > www.boisemusicians.com/experimental
> > www.myspace.com/krispenhartung
> > info@krispenhartung.com / 1.208.724.5603
> > Discography - http://www.krispenhartung.com/catalogue.htm
>
>
> --
> Art Simon
> simart@null.net
> http://art.simon.tripod.com
> http://artsimon.iuma.com
>
>
>
>


--
Art Simon
simart@null.net
http://art.simon.tripod.com
http://artsimon.iuma.com

From Loopers-Delight-request@loopers-delight.com  Sat Mar 18 03:35:36 2006
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References: <0dad01c64a30$ec4f1850$45b2ec0f@americas.hpqcorp.net>
Subject: Re: Streaming my entire discography right now
Date: Fri, 17 Mar 2006 19:35:27 -0800
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I'm listening to "Mind of Clay" with Vincent Miresse sitting in. Nice =
piece of work, hypnotic rhythms layered under beautiful guitar and synth =
(I think).  I'm still impressed with this Shoutcast technology.  One can =
stream recordings or live performances to a global audience.  That way =
people can hear a show even if its sold out or they are in another =
location. - CW

  ----- Original Message -----=20
  From: Kris Hartung=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Friday, March 17, 2006 6:08 PM
  Subject: Streaming my entire discography right now


  This evening I'm streaming songs, in random order and in CD quality, =
from my entire 4 CD discography, including the recent LD colloration =
project, Xperimentus....

  Dial in if you want some good background music while you have a beer =
or glass of wine, etc.

  http://216.12.162.58:9030/ (Click on "Listen")

  Cheers,

  Kris

  *************************************************
  Krispen Hartung
  Improvisational Guitar
  www.krispenhartung.com
  www.boisemusicians.com/experimental
  www.myspace.com/krispenhartung
  info@krispenhartung.com / 1.208.724.5603=20
  Discography - http://www.krispenhartung.com/catalogue.htm
------=_NextPart_000_0127_01C649F9.F1B4A530
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2802" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#00ffff>
<DIV><FONT face=3DArial size=3D4>I'm listening to "Mind of Clay" with =
Vincent=20
Miresse sitting in. Nice piece of work, hypnotic rhythms layered under =
beautiful=20
guitar and synth (I think).&nbsp; I'm still impressed with this =
Shoutcast=20
technology.&nbsp;&nbsp;One can stream recordings or live performances to =
a=20
global audience.&nbsp; That way people can hear a show even if its sold =
out or=20
they are in another location. - CW</FONT></DIV>
<DIV><FONT face=3DArial size=3D4></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dkhartung@cableone.net =
href=3D"mailto:khartung@cableone.net">Kris=20
  Hartung</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, March 17, 2006 =
6:08=20
PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Streaming my entire =
discography=20
  right now</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial size=3D2>This evening I'm streaming songs, in =
random order=20
  and in CD quality, from my entire 4 CD discography, including the =
recent LD=20
  colloration project, Xperimentus....</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Dial in if you want some good =
background music=20
  while you have a beer or glass of wine, etc.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><A href=3D"http://216.12.162.58:9030/"><FONT face=3DArial=20
  size=3D2>http://216.12.162.58:9030/</FONT></A><FONT face=3DArial=20
  size=3D2>&nbsp;(Click on "Listen")</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Cheers,</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial=20
  size=3D2>*************************************************<BR>Krispen=20
  Hartung<BR>Improvisational Guitar<BR></FONT><A=20
  href=3D"http://www.krispenhartung.com"><FONT face=3DArial=20
  size=3D2>www.krispenhartung.com</FONT></A><BR><A=20
  href=3D"http://www.boisemusicians.com/experimental"><FONT face=3DArial =

  size=3D2>www.boisemusicians.com/experimental</FONT></A><BR><A=20
  href=3D"http://www.myspace.com/krispenhartung"><FONT face=3DArial=20
  size=3D2>www.myspace.com/krispenhartung</FONT></A><BR><A=20
  href=3D"mailto:info@krispenhartung.com"><FONT face=3DArial=20
  size=3D2>info@krispenhartung.com</FONT></A><FONT face=3DArial =
size=3D2> /=20
  1.208.724.5603 <BR>Discography - </FONT><A=20
  href=3D"http://www.krispenhartung.com/catalogue.htm"><FONT =
face=3DArial=20
  =
size=3D2>http://www.krispenhartung.com/catalogue.htm</FONT></A></DIV></BL=
OCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sat Mar 18 03:35:54 2006
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From: "-Aaron -" <virtualaaron@mail.com>
To: Loopers-Delight@loopers-delight.com
Date: Fri, 17 Mar 2006 22:37:09 -0500
Subject: *First Post* need advice on midi sync looper
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Hi All, you are an active lot arn't you? 90 emails in my first 24 hours!

I want a device that will loop audio, quantized, in sync with a midi time c=
lock.
If the midi clock speeds up (tempo) the looper will speed up too(and rise i=
n pitch).
I want to be able to record different loops and switch between them.
I want to be able to reverse, and then record, and then reverse again.
Above ALL ELSE I want it to be rock solid reliable.

The EDP seems to do all this bar the pitching thing (what happens to an EDP=
 if you speed up the Midi??)
Don't know alot about the Repeater, is it reliable?
What about this new EH 2880?

Thanks!

--=20
___________________________________________________
Play 100s of games for FREE! http://games.mail.com/

From Loopers-Delight-request@loopers-delight.com  Sat Mar 18 03:50:01 2006
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Subject: Re: Streaming my entire discography right now
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I'm listening to "Mind of Clay" with Vincent Miresse sitting in. Nice =
piece of work, hypnotic rhythms layered under beautiful guitar and synth =
(I think).  I'm still impressed with this Shoutcast technology.  One can =
stream recordings or live performances to a global audience.  That way =
people can hear a show even if its sold out or they are in another =
location. - CW

Thanks, CW. Yes, that's the guitar synth patch of the Boss VF-1, =
triggered by my acoustic guitar, of course.  Playing with Vinnie was a =
lot of fun. We haven't improvised together for a few months, but we play =
jazz together down town every Monday night.....I try to push the limits =
as much as possible within the jazz charts.=20

I have put a page together that describes how anyone can take advantage =
of this live streaming technology with Shoutcast, for $10 a month.=20

http://www.krispenhartung.com/webcast.htm

I'm just waiting for this to spread like wildfire in the looping =
community eventually. I'm puzzled by the hold-up. With a laptop and an =
internet connection, the system is fairly straight forward. =20

Rainer and I have been experimenting a lot in the last few months, with =
various server configurations for streaming our duo performances to the =
web. I believe he plans to make a report of his observations, findings, =
and recommendations. =20

Ninjam is cool, but until they make it possible to have a private =
performer session open to the public, it's not much use to me. The last =
time Rainer and I entered Ninjam, within minutes there were 5 other =
people playing with us...it was cacophony. I've already made a request =
to the Ninjam folks to make it possible for me to purchase there server =
time on demand. I like their system...just not the "open jam" =
environment.

How about this...I'll let someone use my Shoutcast server account and =
get you up and running to stream a performance to the web, if you are =
interesting. Just let me know. I'll give you my account settings to get =
things up and running...why not? I'm not using my entire bandwidth each =
month, so I'm willing to share the love. :)

Cheers,

Kris



------=_NextPart_000_0E87_01C64A04.5A2979B0
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	charset="iso-8859-1"
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<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2802" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#00ffff>
<DIV><FONT face=3DArial size=3D2>I'm listening to "Mind of Clay" with =
Vincent=20
Miresse sitting in. Nice piece of work, hypnotic rhythms layered under =
beautiful=20
guitar and synth (I think).&nbsp; I'm still impressed with this =
Shoutcast=20
technology.&nbsp;&nbsp;One can stream recordings or live performances to =
a=20
global audience.&nbsp; That way people can hear a show even if its sold =
out or=20
they are in another location. - CW</FONT></DIV>
<DIV><FONT face=3DArial size=3D4></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Thanks, CW. Yes, that's the guitar =
synth patch of=20
the Boss VF-1, triggered by my acoustic guitar, of course.&nbsp; Playing =
with=20
Vinnie was a lot of fun. We haven't improvised together for a few =
months, but we=20
play jazz together down town every Monday night.....I try to push the =
limits as=20
much as possible within the jazz charts. </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I&nbsp;have&nbsp;put a page together =
that describes=20
how anyone can take advantage of this live streaming technology with =
Shoutcast,=20
for $10 a month. </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.krispenhartung.com/webcast.htm">http://www.krispenhart=
ung.com/webcast.htm</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I'm just waiting for this to spread =
like wildfire=20
in the looping community eventually. I'm puzzled by =
the&nbsp;hold-up.&nbsp;With=20
a laptop and an internet connection, the system is fairly straight=20
forward.&nbsp; </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Rainer and I have been experimenting a =
lot in the=20
last few months, with various server configurations for streaming our =
duo=20
performances to the web. I believe he plans to make a report of his=20
observations, findings, and recommendations.&nbsp; </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Ninjam is cool, but until they make it =
possible to=20
have a private performer session open to the public, it's not much use =
to me.=20
The last time Rainer and I entered Ninjam, within minutes there were 5 =
other=20
people playing with us...it was cacophony. I've already made a request =
to the=20
Ninjam folks to make it possible for me to purchase there server time on =
demand.=20
I like their system...just not the "open jam" environment.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>How about this...I'll let someone use =
my Shoutcast=20
server account and get you up and running to stream a performance to the =
web, if=20
you are interesting. Just let me know. I'll give you my account settings =
to get=20
things up and running...why not? I'm not using my entire bandwidth each =
month,=20
so I'm willing to share the love. :)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Cheers,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV><FONT face=3DArial size=3D4></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2></FONT><A=20
  href=3D"http://www.krispenhartung.com/catalogue.htm"><FONT =
face=3DArial=20
  size=3D2></FONT></A>&nbsp;</DIV></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0E87_01C64A04.5A2979B0--


From Loopers-Delight-request@loopers-delight.com  Sat Mar 18 05:41:14 2006
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Luca wrote:
"a kiss to Rick"


<blush>    

  a kiss from one of my favorite musicians on the planet? 

 I'll take that,  heterophilic FX shredder that I am.

From Loopers-Delight-request@loopers-delight.com  Sat Mar 18 07:39:37 2006
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From: Per Boysen <per@boysen.se>
Subject: Re: E-H Multirack Looper
Date: Sat, 18 Mar 2006 08:39:33 +0100
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On 18 mar 2006, at 01.13, hazard factor wrote:

> Some big pics and other info about E-H's multitrack looper...kind of a
> Repeater-lite?
> http://www.harmony-central.com/Newp/2006/Electro-Harmonix-2880.html


Interesting! But as with the Looperlative, it's almost impossible to  
get an understanding of the device when no manual is available.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast? 
id=128679560&s=143456



From Loopers-Delight-request@loopers-delight.com  Sat Mar 18 07:45:12 2006
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From: Per Boysen <per@boysen.se>
Subject: Re: Streaming my entire discography right now
Date: Sat, 18 Mar 2006 08:45:10 +0100
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On 18 mar 2006, at 04.06, Art Simon wrote:

> I'm listening to "Impossible Shades of Blue" (while drinking a beer)
> right now. Great Stuff! (um, the music I mean). Thanks for the stream.


Yeah - right now that piece is also ringing through my genlecs here =20
in Stockholm. But I'm having a fruit m=FCsli breakfast as I'm =20
listening. Great stuff - both the food and the music. Sounds really =20
good, Kris!!!!  :-)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?=20
id=3D128679560&s=3D143456



From Loopers-Delight-request@loopers-delight.com  Sat Mar 18 08:16:57 2006
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> Interesting! But as with the Looperlative, it's almost impossible to  
> get an understanding of the device when no manual is available.
> 

Rough draft of the manual is here..
http://www.looperlative.com/lp1-user-manual-002.pdf


From Loopers-Delight-request@loopers-delight.com  Sat Mar 18 08:34:22 2006
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On 18 mar 2006, at 03.08, Kris Hartung wrote:
> http://216.12.162.58:9030/ (Click on "Listen")


Hey, this music is great! I feel so inspired by listening. BRAVO!!!!

p

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Just got back from playing a St Patrick's Day gig.  Very high 
energy.  My fingers are sore and my mind is pleasantly empty.  Good 
music to listen to while I decompress.  My drink?  Guinness draft 
straight from the bar taps in a generous Imperial pint.

Cheers,
Kevin


The Nettles: Progressive and Exciting Celtic Music
www.TheNettles.com

From Loopers-Delight-request@loopers-delight.com  Sat Mar 18 10:24:23 2006
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At 10:15 AM 3/17/2006, you wrote:
>Can a musician hide behind extremely developed playing abilities?

Dizzy Gillespie

>And what does it take for a listener to see through the hoax?

Miles Davis

>What's the phrase that someone in the music industry coined in 
>regard to players that are really technical, but not very creative or artistic?

There are two different words in German for musical technique and 
musicality.  What are those words again? I forget.

Cheers,
Kevin


The Nettles: Progressive and Exciting Celtic Music
www.TheNettles.com

From Loopers-Delight-request@loopers-delight.com  Sat Mar 18 12:42:41 2006
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>
> There are two different words in German for musical technique and  
> musicality.  What are those words again? I forget.
>
> Cheers,
> Kevin

musikantisch (for the first mentionned)

musikalisch (for the second one)


that what you meant?

cheers

phil

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What a loop (or a guitar, or an effect, or a style of music, or  
instrumental technique, or...) has to say is what YOU are and what YOU  
have to say.

Everything else is a tool that you are using to outwardly create that  
expression.  Everything.

The only usefulness of valuing skill in the use of one tool over skill  
in another lies in the determination of what skills are necessary to  
play the music you want to play.

and I believe (perhaps naively) that the audience can always see  
through a hoax.

in & out,
Tom
www.freeimprovisation.com

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On Fri, 17 Mar 2006, Rainer Thelonius Balthasar Straschill wrote:

> ok, here's another kind of position in this debate:
>
> The instrument I play is "effects". I sometimes hide these effects behind
> playing on something non-effect, like a guitar or keyboard.

In a current project I'm working on, that's exactly what I'm doing: I'm 
working with a tuba player, whose mic'd tuba feeds into my effects 
chain of lots of pedals and 3-5 looper pedals. I'm live looping, 
effecting, passing the loop to another of the loopers, layering, and 
playing his variably-processed loops back at him, while he's welcome to 
play more live over my looping back at him. I'm not using at present, any 
sound-making devices myself, I'm playing with his sounds as they sound 
like something I can work with. It's fun.

best,
Steve B
http://www.subscapeannex.com/about_steve.html

From Loopers-Delight-request@loopers-delight.com  Sat Mar 18 17:09:12 2006
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On Mar 18, 2006, at 2:24 AM, Kevin wrote:

> At 10:15 AM 3/17/2006, you wrote:
>> Can a musician hide behind extremely developed playing abilities?
>
> Dizzy Gillespie
>
>> And what does it take for a listener to see through the hoax?
>
> Miles Davis

Is this a joke.....?

>
> There are two different words in German for musical technique and=20
> musicality.  What are those words again? I forget.

Why? Do they mean something different than musical technique and=20
musicality in English.......?

curiously yours,

Jeff


Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com =95 AngryVegan.com

From Loopers-Delight-request@loopers-delight.com  Sat Mar 18 17:25:41 2006
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Subject: RE: hiding behind technology (was: what a loop has to say)
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What a great and subtle discussion.

I always experience this dichotomy strongly. I usually feel (rightly or
wrongly) that in a live performance, I have to prove I can really play
guitar early in the show, and then everyone can relax and we can have a good
time. I'm losing this feeling more and more, though (probably because it's
harder and harder to prove...)

I think the "rules" are different for live and recorded music. I think that
the live performance experience imposes a requirement that most of us feel
to somehow impress the audience, to make them feel like not just anyone
could be sitting up there in front of a rack of gear and making these great
sounds. I don't think this is a bad thing. It's just not easy with Tech.
Recordings don't have this "virtuosity" requirement (at least not always),
since how they're made is usually obscure.

Live, if the technology appears to be too much like magic, then the effect
can be numbing. That's one reason that I like to play in ensembles with
less-magical technology, and specifically to use the high tech as one
element among many in a show.

I also think that the creative energy that you invest in customizing the
tech ahead of time shows in the results that you get. It's not my doctrine
or judgement, but my own experience that if I take a preset in a synth sound
or effect and tweak it, add some modulation behavior, or whatever, that then
the sound becomes "mine". I play it, it has a personality, it doesn't feel
like a magic arpeggiator wand. The time spent mastering a device's advanced
functions makes it more of an instrument and less of a trick.

Still, there's definitely a preference in the ears of many people, often
including myself, for acoustic sounds. I try to always have lots of them. I
don't think the audio audience in general is that open-minded, but maybe
they're right - maybe the true affinity of the human soul in music is for
musical forms and sounds that we've evolved from our tribal and genetic
roots. On the other hand, all this stuff is lying around begging to be used.
How can you not play with it? How nuts would that be? And how can you not
push the envelope on it once you have it? 

When I was growing up, I was told that exploration was the destiny of the
species. Or maybe it was just too much Star Trek.

Sorry for the length.

Warren Sirota
emo-Technician

From Loopers-Delight-request@loopers-delight.com  Sat Mar 18 18:18:12 2006
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>> For some reason, I've never post-effected loops. I like to keep the 
>> looping
>> pure (what goes in, comes out).
>>
>
> why stuart?.....great thread btw!.....mic
>

I don't have a clear answer to be quite honest! I suppose you can just say 
that it feels wrong for what I do... a gut feeling. I tried it a few times 
when I had the Repeater, but it just didn't do anything for me... 

From Loopers-Delight-request@loopers-delight.com  Sat Mar 18 18:37:37 2006
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In a message dated 3/17/06 4:36:25 PM, looppool@cruzio.com writes:


> PLEASE STOP COPYING ENTIRE PREVIOUS
> POSTS
> 

well gee.....i sure hope i can remember what i read only a few moments 
ago.....you're askin alot there rickeeee!!!!!.....many old folk on this 
list.....:).....i totally agree with you, i love when you get a one word reply to a 
"copied" 5 paragraph post.....BLOWS MY MIND, what's left of it.....mic



www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11

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In a message dated 3/17/06 4:36:25 PM, looppool@cruzio.com writes:<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
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00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">PLEASE STOP COPYING E=
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POSTS<BR>
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<BR>
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...:).....i totally agree with you, i love when you get a one word reply to=20=
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<BR>
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From Loopers-Delight-request@loopers-delight.com  Sat Mar 18 18:43:08 2006
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In German (thanks, Phil!):
Musikantisch means musical technique.  Musikalisch means 
musicality  Both are continuums and both vary in single person from 
time to time and from place to place but I'm going to simplify.

A person can have great musikantisch (technique) but lousy 
musikalisch (musicality).  Likewise a person can have great 
musicality and lousy technique.

If a person has great musicality, I don't really care about their 
technique as long as they can express their musicality.  You could 
look on several excellent classical composers as mediocre piano 
players who need a whole orchestra to make their music sound 
good.  Finger and breath control, effects, sequencers, orchestras, 
that's all part of technique.  Miles Davis had mediocre technique but 
his musicality?...amazing.

If a person has great technique, someone with great musicality can 
use them to realize their vision.  I've played with folks who have 
wonderful technique but mediocre musicality.  What the wonderful 
technique gives these folks in performance is the ability to realize 
and elaborate on musical ideas presented by others who have more musicality.

If a person has mediocre musicality and technique I really don't have 
any time for them.  Sorry, life is short.

If a person has great musicality and technique then they are among 
the truly blessed and it's a pleasure to listen to them.  Kris is one 
of those folks.

Cheers,
Kevin

The Nettles: Progressive and Exciting Celtic Music
www.TheNettles.com

From Loopers-Delight-request@loopers-delight.com  Sat Mar 18 18:55:07 2006
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From Loopers-Delight-request@loopers-delight.com  Sat Mar 18 20:24:04 2006
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Subject: Re: Line6 Echo Park
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As suggested, I've just given my (new) Echo Park a good A/B test against my 
(old) DL4 - testing for noise and quality differences.

In terms of quality - I mainly use it on the flute and sometimes wind synth 
sounds, I have found the quality completely comparable with the DL4 
(although I've only had it a week though).

In terms of noise though, far from the EP being noisier, the DL4 was 
slightly noisier in terms of S/N (hiss/etc. but the DL4 also had an element 
of 50HZ in the output which the EP didn't.

My test was running both pedals from power supplies and the mixer channel 
gain up full.

So, for me, the Echo Park clearly isn't a replacement in any way for the 
DL4, but as another good versitile delay pedal I'm pleased with it.


----- Original Message ----- 
From: "mech" <mech@m3ch.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, March 17, 2006 8:14 AM
Subject: Re: Line6 Echo Park


> At 10:57 PM +0000 3/16/06, Ian Popperwell wrote:
>>
>>I've been off the list for a while and am glad to be back. I've just 
>>bought the Line6 Echo Park, the new unprogrammable version of the DL4 
>>without a looper - oh, that makes it sound rubbish doesn't it... It's a 
>>single stomp box type delay pedal with pretty much the same delay models 
>>in it as the DL4 - but with some useful shortcuts to make the 
>>non-programmability more pallatable. I'm using it at gigs alongside my DL4 
>>and really like it (compact + a great sound) - thought it worth bringing 
>>to the
>>attention of the list.
>
> Ian,
>
> I believe the Echo Park actually came up as a discussion item very soon 
> after its initial release.  At that time the early adopters complained 
> about a high S/N ratio and poorer fidelity than on the DL4 or Echo Pro, so 
> many people just went on about their normal lives afterward.
>
> However, there doesn't ever seem to be a "final word" on gear.  Tell us, 
> have you noticed any noise issues with your unit?  In terms of sound 
> quality and background hiss, how does it stack up on a head-to-head 
> against your DL4?
>
> --m.
>
> -- 
> _______
> "Take a packet of seeds.  Take yourself out to play
>  I want to see river of orchids where we had a motorway..."
>
>
> 


From Loopers-Delight-request@loopers-delight.com  Sat Mar 18 21:08:23 2006
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Subject: Best Cheap Guitar Synth
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Hi,

I'm wondering which guitar synth is the best for $200 or 
less.  Pre-owned price is fine, most of my gear has originally been 
owned by someone else.  Discontinued products are often ideal for my purposes.

Things I'd like:

  - Cheap

-  Prefer 1/4" input over hexaphonic input.  More flexible. If it 
only has MIDI input then it's useless to me.

  - No latency.

  - Easy to use.

  - I prefer pedal switches to knobs and knobs to patches.

  - (If it's got patches then good presets I tweak once and forget about.)

  - It doesn't need effects.  I can apply effects post-synth.  In 
fact, I prefer it.

  - Did I mention cheap?

I realize that this is a tall order so I might not get all the 
features above but a good match of most of them would be great.

Thanks!

Cheers,
Kevin

The Nettles: Progressive and Exciting Celtic Music
www.TheNettles.com

From Loopers-Delight-request@loopers-delight.com  Sat Mar 18 22:13:23 2006
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Subject: OT:  Digitech RP300
Date: Sat, 18 Mar 2006 16:13:27 -0600
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Hi all!

I've got a Digitech RP300 that I've used twice for gigs and that's it.  I've
bought single pedals to replace it.

$150 or best offer.

Anyone interested?  Ask me for pics if you want them. I'll put it up on Ebay
if no one form here wants it.

~peace~

Michael

From Loopers-Delight-request@loopers-delight.com  Sat Mar 18 22:16:45 2006
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Subject: Re: Best Cheap Guitar Synth
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Electro-Harmonix Micro Synth.

Otherwise it's a used Roland GR of some sort and you do need a Hex pickup.

Nik

--------- Original Message --------
From: Loopers-Delight@loopers-delight.com
To: "Loopers-Delight@loopers-delight.com"
<Loopers-Delight@loopers-delight.com>
Subject: Best Cheap Guitar Synth
Date: 18/03/06 21:08


Hi,

I'm wondering which guitar synth is the best for $200 or
less. Pre-owned price is fine, most of my gear has originally been
owned by someone else. Discontinued products are often ideal for my
purposes.

Things I'd like:

- Cheap

- Prefer 1/4" input over hexaphonic input. More flexible. If it
only has MIDI input then it's useless to me.

- No latency.

- Easy to use.

- I prefer pedal switches to knobs and knobs to patches.

- (If it's got patches then good presets I tweak once and forget about.)

- It doesn't need effects. I can apply effects post-synth. In
fact, I prefer it.

- Did I mention cheap?

I realize that this is a tall order so I might not get all the
features above but a good match of most of them would be great.

Thanks!

Cheers,
Kevin

The Nettles: Progressive and Exciting Celtic Music
www.TheNettles.com

________________________________________________
Message sent using UebiMiau 2.7.2

From Loopers-Delight-request@loopers-delight.com  Sun Mar 19 03:22:18 2006
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On 3/17/06, daviD <waveform@free.fr> wrote:

> I re-opened Jack's preferences to check the samplerate and noticed
> that, among the several options that are only available when the server
> is not running, one was called "interface". I stopped the server,
> replugged the UA20 and noticed that I could force Jack to notice it by
> selecting the UA20 instead of internal audio here. I thought I had
> checked everything yesterday, I was wrong.

Yes, JACK can only use one interface at a time (the one chosen from
the preferences before startup).  You have to create an aggregate
audio device (needs tiger) and choose that if you want to attempt
using more than one hardware interface simultaneously.

And no, SooperLooper has no Stop.  Use Mute if you don't want to hear
the loop, time keeps on rolling.  Unmute, Trigger or One-shot will get
you "playing" again.

jlc

From Loopers-Delight-request@loopers-delight.com  Sun Mar 19 03:43:27 2006
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From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Invitation and Video Performance:  Two Nights in Framingham  
 April 1,2
Cc: eyecandy@egroups.com, boss-improv@topica.com,
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Hi folks,

I'll be doing a Video Performance with Immersions on April 2, and my 
wife and I will be having a party (potluck dinner and DVD screening) 
on April 1.

Immersions:

The  Immersions event will occur on Sunday April 2, at 8 PM at the 
Amazing Things Arts Center, 44 Nicholas Road, Framingham MA. Phone 
508-405-ARTS.

This performance will feature the core group, Dean Stiglitz on flute 
that doesn't like one, Ramona Herboldsheimer (exquisite hammered 
dulcimer textures), and myself, on video that sure as %^&* doesn't 
look like TV.

We will be performing improvisations in which the music and video 
interact and build off each other.

Admission is $8 (advance) , or $10 (door).

Doctor T had been performing improvised projections to music since 
1974, His flowing visual improvisations blend realism and 
abstraction. He mixes DVDs Containing original video and animations 
culled from 35 years of image-making, using  multiple video mixers 
controlled with a Midi percussion controller. 

Dean Stiglitz is a flautist, composer, flute-maker , inventor, and 
synthesist. He improvises  on a hybrid flute-synthesizer system that 
he has created using an embedded microphone and a custom patched 
modular synthesizer.

Ramona Herboldsheimer is a delightfully intuitive performer on 
amplified hammered dulcimer.   Dean and Ramona are long standing 
members of The Lothars.

Party:

My wife Marya and I will be reviving a family tradition and 
celebrating All Fool's Day with a potluck 'Fool's Feast' (No 
Fooling-:)

The dining festivities will start  at 6PM. Later in the evening, I'll 
be showing two DVD's culled from my live performances during 2005, 
"The Space Broom Experiment" and "Immersions 2005". I just might have 
finished the DVD's by this time, in which case this will be a DVD 
release party as well.

Come celebrate your inner fool!  RSVP for directions.

-- 
"Once the search is in progress, something will be found"  

-- Brian Eno and Peter Schmidt


		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

From Loopers-Delight-request@loopers-delight.com  Sun Mar 19 09:38:03 2006
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Subject: Re: Streaming my entire discography right now
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> music to listen to while I decompress.  My drink? 
> Guinness draft 
> straight from the bar taps in a generous Imperial
> pint.

oh yes best beer on earth man!!wait...Czech beer oh la
la,whats up with the beers topic i thought loopers
were more green smokers;-)





> 
> Cheers,
> Kevin
> 
> 
> The Nettles: Progressive and Exciting Celtic Music
> www.TheNettles.com
> 
> 


www.luis-angulo.com

__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Sun Mar 19 10:07:08 2006
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Subject: Martin C. Herberg
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I saw Martin C. Herberg last night very impressive
show!he did beautiful sounscapes using old delay units
and his new axon chip synth but what impressed me the
most was his mind blowing version of paint it black
with no effects not even reverb in a drop D tuning,
playing a drone alternating the E and D strings with
his thumb in 3/4 and putting a comb between his
spanish guitar strings while playing the melody with a
flying flamenco tremolo technique,then he kept
changing keys,counterpointing keeping the melody going
applying strange harmonies and detuning all the
strings while playing to complete chaos and
dissonance,just awesome!
i saw him 8 years ago doing loops back then but now he
seems obssesed with echos instead,very inspiring!
Luis

www.luis-angulo.com

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Sun Mar 19 10:07:08 2006
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I saw Martin C. Herberg last night very impressive
show!he did beautiful sounscapes using old delay units
and his new axon chip synth but what impressed me the
most was his mind blowing version of paint it black
with no effects not even reverb in a drop D tuning,
playing a drone alternating the E and D strings with
his thumb in 3/4 and putting a comb between his
spanish guitar strings while playing the melody with a
flying flamenco tremolo technique,then he kept
changing keys,counterpointing keeping the melody going
applying strange harmonies and detuning all the
strings while playing to complete chaos and
dissonance,just awesome!
i saw him 8 years ago doing loops back then but now he
seems obssesed with echos instead,very inspiring!
Luis

www.luis-angulo.com

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Sun Mar 19 10:07:21 2006
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From: Luis Angulo <labalou2000@yahoo.com>
Subject: Martin C. Herberg
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I saw Martin C. Herberg last night very impressive
show!he did beautiful sounscapes using old delay units
and his new axon chip synth but what impressed me the
most was his mind blowing version of paint it black
with no effects not even reverb in a drop D tuning,
playing a drone alternating the E and D strings with
his thumb in 3/4 and putting a comb between his
spanish guitar strings while playing the melody with a
flying flamenco tremolo technique,then he kept
changing keys,counterpointing keeping the melody going
applying strange harmonies and detuning all the
strings while playing to complete chaos and
dissonance,just awesome!
i saw him 8 years ago doing loops back then but now he
seems obssesed with echos instead,very inspiring!
Luis

www.luis-angulo.com

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Sun Mar 19 11:14:06 2006
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Date: Sun, 19 Mar 2006 12:14:01 +0100
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> > There are two different words in German for musical technique and
musicality.  What are those words again?
> musikantisch (for the first mentionned)
> musikalisch (for the second one)

are you sure "musikantisch" is German, and not Swiss? I've never heard that
word before :-)

Michael (German)
www.michaelpeters.de

From Loopers-Delight-request@loopers-delight.com  Sun Mar 19 11:19:56 2006
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thanks for your streams Kris ... 

for those who asked for more streaming inspiration - go to the projects page
on www.ct-collective.com, choose one of CT's 21 projects,  and click 'stream
this album'. There are many loopers in the CT Collective, so you're gonna
feel at home :-)  and there is lots of stuff waiting to be heard (and to be
commented on) ... currently, 397 mindblowing tracks from 86 musicians ...

-Michael
www.michaelpeters.de

From Loopers-Delight-request@loopers-delight.com  Sun Mar 19 13:34:39 2006
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Date: Sun, 19 Mar 2006 05:34:38 -0800 (PST)
From: Lee Maravel <leemaravel@yahoo.com>
Subject: What a loop has to say...
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There are several points that I surprisingly have not
seen brought up as to the inherent value of looping.
     I can expand my sonic palette, so to speak while
in the process. My expression is no longer limited by
the availability of other musicians.
     Also, and for me the most important aspect, is
the ability to place myself in an environment where
I'm "working without a net"- I sold all the gear I had
that had an "undo" or "erase" function to achieve
this. Once your in your in. No pussyfooting.
     I've played keyboards for over 30 years starting
with piano. The first stage is the "naive" phase where
you're getting your feet wet and there is a sense of
wonder in playing even (and because of) tho you have
no knowledge as to theory + technique. Simple things
sound great.
     2nd stage we try to gain control, technique and
understanding of the music process. We want to be
respected as "musicians" and learn theory to make
"sense" of what we're doing. A lot of the fun is
replaced with a sense of small strides +
accomplishments laboriously exercising muscles
repetitiously. At this point I was a victim of my own
cliches.
     3rd stage is the beauty. Technique becomes second
nature. All the knowledge + tools we've developed fade
to a place deep within us and we approach playing
music more like we did in the 1st phase where it was
actually exciting. No mental exercises. No being
clever. No illusion of control. And yet, we've
expanded our vocabularies so that we're capable of
much more but not bound by it.
     Years ago I became bored with everything I
played. I tried many ways to "jump start" my creative
process. I traded in my extensive midi keyboard gear
and opted to go back to pure piano ala Keith Jarrett
(not as good but who is?)-That was great for 10
minutes 'till I had the old nagging feeling that there
was still something missing. Sold the piano gear and
tried to play the stick with a midi hookup. This was
an attempt to recapture the naive 1st stage and
recreate my early learning process. Got frustrated
after 8 months and gained a new appreciation for my
keyboard proficiency. 
     For me, music is discovery. It's exploration. I
create nothing but am afforded the privilege of being
a portal where the music can pass through. The music
is simply better than I'll ever be. Looping is about
fear and trust if I'm doing it right + keeping myself
(ego) out of it. There are no mistakes.
     I currently use a Boomerang+ and a Lexicon
Vortex. Sound sources are a Wavestation SR and a Korg
N1r. All this is triggered by a Roland AX-1 controller
(strap-on) with a ribbon. The ribbon is essential for
it allows me to achieve a more intimate contact with
the notes for vibrato, pitch bend, hammer-ons,
whatever. I always envied the string players ability
to "touch" the sound source. A trade-off I suppose,
for most guitarists I know try hard to "change" their
sounds which comes easier to keyboardists. 
     I've gotten off track. Appropriate. Thanks for
letting me share. (:>
                     We loop because we can-
                                      Lee Maravel
         

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Sun Mar 19 13:52:29 2006
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From: cburke55@comcast.net (Christophe)
To: Loopers-Delight@loopers-delight.com
Subject: Re: Best Cheap Guitar Synth
Date: Sun, 19 Mar 2006 13:52:26 +0000
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Agree!  The EH Micro Synthesizer is a great piece of kit.

Chris

 -------------- Original message ----------------------
From: "Fluke" <fluke@gotadsl.co.uk>
> Electro-Harmonix Micro Synth.
> 
> Otherwise it's a used Roland GR of some sort and you do need a Hex pickup.
> 
> Nik
> 
> --------- Original Message --------
> From: Loopers-Delight@loopers-delight.com
> To: "Loopers-Delight@loopers-delight.com"
> <Loopers-Delight@loopers-delight.com>
> Subject: Best Cheap Guitar Synth
> Date: 18/03/06 21:08
> 
> 
> Hi,
> 
> I'm wondering which guitar synth is the best for $200 or
> less. Pre-owned price is fine, most of my gear has originally been
> owned by someone else. Discontinued products are often ideal for my
> purposes.

From Loopers-Delight-request@loopers-delight.com  Sun Mar 19 13:58:33 2006
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To: Loopers-Delight@loopers-delight.com
Subject: Re: what a loop has to say
Date: Sun, 19 Mar 2006 13:58:30 +0000
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"If it sounds good, it is good."

- Duke Ellington

 -------------- Original message ----------------------
From: <tohall@rcn.com>
> 
> What a loop (or a guitar, or an effect, or a style of music, or  
> instrumental technique, or...) has to say is what YOU are and what YOU  
> have to say.
> 
> Everything else is a tool that you are using to outwardly create that  
> expression.  Everything.
> 
> The only usefulness of valuing skill in the use of one tool over skill  
> in another lies in the determination of what skills are necessary to  
> play the music you want to play.
> 
> and I believe (perhaps naively) that the audience can always see  
> through a hoax.
> 
> in & out,
> Tom
> www.freeimprovisation.com
> 


From Loopers-Delight-request@loopers-delight.com  Sun Mar 19 14:31:27 2006
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> > I'm wondering which guitar synth is the best for $200 or
> > less. Pre-owned price is fine, most of my gear has originally been
> > owned by someone else. Discontinued products are often ideal for my
> > purposes.

> Agree!  The EH Micro Synthesizer is a great piece of kit.


What about the akai Deep impact bass synth pedal?
http://www.jeffnet.org/~addicott/gear/akai.html

or, the boss SYB pedals?  Or the current Digitech bass synth filter pedal?



Cheers,
Alwyn

From Loopers-Delight-request@loopers-delight.com  Sun Mar 19 16:39:00 2006
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Something just occured to me, Michael. It would be interesting to create a 
"master" LD .m3u file. It would be one monster file that folks can submit 
their streams to. For instance, I would provide the text inside the m3u file 
below for Y2K5, plus my own personal items, you could add the CT Collective 
items, etc.  I just think this would be an awesome tool and inventory 
showcase of all the looping we do out there. This could potentially contain 
hundreds and hundreds of songs and folks could scroll through.

http://www.boisemusicians.com/y2k5.m3u

I'm willing to host and maintain the file, if Kim is willing to link to it 
on the LD site.

Basically, submissions to the file would need to look like this:

#EXTINF: [Song Title - Artist Name - CD or Event]
[Some URL to a direct mp3 file]

For example:

#EXTINF: Groovy Space Faring Machine - Krispen Hartung - Internet 
Performance
http://www.krispenhartung.com/groovy.mp3

Kris



----- Original Message ----- 
From: "Michael Peters" <mp@mpeters.de>
To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
Sent: Sunday, March 19, 2006 4:19 AM
Subject: more streams


> thanks for your streams Kris ...
>
> for those who asked for more streaming inspiration - go to the projects 
> page
> on www.ct-collective.com, choose one of CT's 21 projects,  and click 
> 'stream
> this album'. There are many loopers in the CT Collective, so you're gonna
> feel at home :-)  and there is lots of stuff waiting to be heard (and to 
> be
> commented on) ... currently, 397 mindblowing tracks from 86 musicians ...
>
> -Michael
> www.michaelpeters.de
>
> 


From Loopers-Delight-request@loopers-delight.com  Sun Mar 19 17:13:27 2006
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From: "jon attwood" <jon@yellow6.com>
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Subject: Help!  not enough hands....
Date: Sun, 19 Mar 2006 17:13:30 -0000
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Hi.
 
this is my first post here, tho i've been using loops for many years...
 
I am planning some live dates this year and would like to make my live
setup a little more robust so have a question.
 
I currently use a laptop running NI Battery which is loaded with loops.
These are triggered externally using an ancient Boss DR-5 Dr.Rhythm
using notes in patterns to MIDI trigger loops.  Seems a strange setup
maybe, but this is done as the DR-5 has footswitch control to move from
one pattern to the next.  This means that i can set the tempo on it and,
rather than be stuck with a fixed 'backing track', can shift from one
section / batch of loops to the next when it feels right by hitting the
pattern advance via the footswitch.
 
So, the question... do any of you know of another way i could do this,
removing the DR-5 from the equation.  Basically, some software which can
run the loops (either singly or overlayed) and be shifted from one loop
to the next with some sort of foot controller. (i also will be playing
guitar and using RC-20 and DL-4 on top so have my hands full!)
 
many thanks in advance for your help
 
jon.
 
      - y e l l o w 6 -
       <http://www.yellow6.com/> www.yellow6.com
 
 - make mine music -
www.makeminemusic.co.uk <http://www.makeminemusic.co.uk/> 
 

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<BODY>
<DIV><SPAN class=3D468320617-19032006><FONT face=3DArial=20
size=3D2>Hi.</FONT></SPAN></DIV>
<DIV><SPAN class=3D468320617-19032006><FONT face=3DArial=20
size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D468320617-19032006><FONT face=3DArial size=3D2>this =
is my first=20
post here, tho i've been using loops for many =
years...</FONT></SPAN></DIV>
<DIV><SPAN class=3D468320617-19032006><FONT face=3DArial=20
size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D468320617-19032006><FONT face=3DArial size=3D2>I am =
planning some=20
live dates this year and would like to make my live setup a little more =
robust=20
so have a question.</FONT></SPAN></DIV>
<DIV><SPAN class=3D468320617-19032006><FONT face=3DArial=20
size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D468320617-19032006><FONT face=3DArial size=3D2>I =
currently use a=20
laptop running NI Battery which is loaded with loops.&nbsp; These are =
triggered=20
externally using an ancient Boss DR-5 Dr.Rhythm using notes in patterns =
to MIDI=20
trigger loops.&nbsp; Seems a strange setup maybe, but this is done as =
the DR-5=20
has footswitch control to move from one pattern to the next.&nbsp; This =
means=20
that i can set the tempo on it and, rather than be stuck with a fixed =
'backing=20
track', can shift from one section / batch of loops to the next when it =
feels=20
right by hitting the pattern advance via the =
footswitch.</FONT></SPAN></DIV>
<DIV><SPAN class=3D468320617-19032006><FONT face=3DArial=20
size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D468320617-19032006><FONT face=3DArial size=3D2>So, =
the question...=20
do any of you know of another way i could do this, removing the DR-5 =
from the=20
equation.&nbsp; Basically, some software which can run the loops (either =
singly=20
or overlayed) and be shifted from one loop to the next with some sort of =
foot=20
controller. (i also will be playing guitar and using RC-20 and DL-4 on =
top so=20
have my hands full!)</FONT></SPAN></DIV>
<DIV><SPAN class=3D468320617-19032006><FONT face=3DArial=20
size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D468320617-19032006><FONT face=3DArial size=3D2>many =
thanks in=20
advance for your help</FONT></SPAN></DIV>
<DIV><SPAN class=3D468320617-19032006><FONT face=3DArial=20
size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D468320617-19032006><FONT face=3DArial=20
size=3D2>jon.</FONT></SPAN></DIV>
<DIV><SPAN class=3D468320617-19032006><FONT face=3DArial=20
size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D468320617-19032006>
<DIV><FONT face=3DVerdana><FONT size=3D2>&nbsp;&nbsp;&nbsp;&nbsp; =
&nbsp;</FONT><FONT=20
size=3D3><STRONG>-&nbsp;y&nbsp;e&nbsp;l&nbsp;l&nbsp;o&nbsp;w&nbsp;6=20
-</STRONG></FONT></FONT></DIV>
<DIV><FONT face=3DVerdana><FONT size=3D2>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
</FONT><A=20
href=3D"http://www.yellow6.com/"><FONT=20
size=3D2>www.yellow6.com</FONT></A></FONT></DIV>
<DIV><FONT face=3DVerdana size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2><FONT face=3DVerdana>&nbsp;<FONT size=3D3><EM>- make =
mine=20
music&nbsp;-</EM></FONT></FONT></FONT></DIV>
<DIV><FONT face=3DVerdana size=3D2><A=20
href=3D"http://www.makeminemusic.co.uk/">www.makeminemusic.co.uk</A></FON=
T></DIV>
<DIV><FONT face=3DVerdana size=3D2></FONT>&nbsp;</DIV><FONT face=3DArial =

size=3D2></FONT></SPAN></DIV></BODY></HTML>

------=_NextPart_000_000B_01C64B78.73625260--

From Loopers-Delight-request@loopers-delight.com  Sun Mar 19 17:25:46 2006
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From: "Kris Hartung" <khartung@cableone.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: Audio Interface for Notebook Users
Date: Sun, 19 Mar 2006 10:25:31 -0700
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I'm interested in finding out what audio interfaces all you notebook 
computer users are using in place of (bi-passing) the internal soundcard? 
USB? Firewire? Can you share what you are using? I'm interesting in 
something that is compact but also high quality.

Kris



From Loopers-Delight-request@loopers-delight.com  Sun Mar 19 17:27:47 2006
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: <Loopers-Delight@loopers-delight.com>
Subject: Help!  not enough hands....
Date: Sun, 19 Mar 2006 18:27:37 +0100
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To try do do a recommendation which fits, I'll first try to summarize =
how I
understand your setup works.

Battery holds prerecorded loops ("sample loop") in a way that if you =
send it
e.g. C3, it will play groove #1 once, if you send C#3, it will play =
groove
#2 once etc.
The DR5 has different MIDI patterns set up which send one MIDI note =
(e.g.
C3) periodically, so that whenn the respective pattern is playing, the =
loop
plays continuously. And you switch between different MIDI patterns (e.g. =
to
the one playing C#3 over and over) with a footswitch.

Ok, my suggestion would be to remove both the DR5 and Battery from the
equation, use Ableton Live! and a MIDI foot controller (like a Behringer
FCB1010 or digitech PCM-10). You import your loops into Live! as clips =
and
then use commands from the foot controller (like CC or note commands) to
trigger the clips or move between clips.

	Rainer


________________________________

	Von: jon attwood [mailto:jon@yellow6.com]=20
	Gesendet: Sonntag, 19. M=E4rz 2006 18:14
	An: Loopers-Delight@loopers-delight.com
	Betreff: Help! not enough hands....
=09
=09
	Hi.
	=20
	this is my first post here, tho i've been using loops for many
years...
	=20
	I am planning some live dates this year and would like to make my
live setup a little more robust so have a question.
	=20
	I currently use a laptop running NI Battery which is loaded with
loops.  These are triggered externally using an ancient Boss DR-5 =
Dr.Rhythm
using notes in patterns to MIDI trigger loops.  Seems a strange setup =
maybe,
but this is done as the DR-5 has footswitch control to move from one =
pattern
to the next.  This means that i can set the tempo on it and, rather than =
be
stuck with a fixed 'backing track', can shift from one section / batch =
of
loops to the next when it feels right by hitting the pattern advance via =
the
footswitch.
	=20
	So, the question... do any of you know of another way i could do
this, removing the DR-5 from the equation.  Basically, some software =
which
can run the loops (either singly or overlayed) and be shifted from one =
loop
to the next with some sort of foot controller. (i also will be playing
guitar and using RC-20 and DL-4 on top so have my hands full!)
	=20
	many thanks in advance for your help
	=20
	jon.
	=20
		      - y e l l o w 6 -
	      www.yellow6.com <http://www.yellow6.com/>=20
	=20
	 - make mine music -
	www.makeminemusic.co.uk <http://www.makeminemusic.co.uk/>=20
=09

From Loopers-Delight-request@loopers-delight.com  Sun Mar 19 17:30:28 2006
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Definitely firewire (or usb2).
I have a Motu 828 MK2. I was going to go for a Motu Traveller but then I
thought, is it really worth the hassle of unplugging all those cables, take
out the sound card from the rack and bring it to a gig or to travel.
Plus the Motu Traveler has connections (like midi I/O) on the side of the
box, which makes it useless when racked.
For travelling, I got a Behringer FCA202. I haven't tried it yet but it
looks great. Firewire at 100 bucks is a great deal. 

-----Original Message-----
From: Kris Hartung [mailto:khartung@cableone.net] 
Sent: 19 March 2006 17:26
To: Loopers-Delight@loopers-delight.com
Subject: Audio Interface for Notebook Users

I'm interested in finding out what audio interfaces all you notebook
computer users are using in place of (bi-passing) the internal soundcard? 
USB? Firewire? Can you share what you are using? I'm interesting in
something that is compact but also high quality.

Kris




From Loopers-Delight-request@loopers-delight.com  Sun Mar 19 17:36:20 2006
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PCMCIA card, Echo Indigo for me.  Very low latency, very high quality 
audio, and very compact.  Also reasonably priced!

Kris Hartung wrote:

> I'm interested in finding out what audio interfaces all you notebook 
> computer users are using in place of (bi-passing) the internal 
> soundcard? USB? Firewire? Can you share what you are using? I'm 
> interesting in something that is compact but also high quality.
>
> Kris
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Sun Mar 19 17:44:15 2006
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: <Loopers-Delight@loopers-delight.com>
Subject: AW: Audio Interface for Notebook Users
Date: Sun, 19 Mar 2006 18:43:56 +0100
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Generally, there is a huge choice available today, but defining some
requirement spec will narrow down the choices to one or two.

Important choices (from the top of my head and not prioritized and not
complete) might be:

1. Interface: There's USB/USB2, Firewire and RME's proprietary =
interface. If
you don't have a RME Cardbus PCMCIA card, this might throw this out for =
cost
reasons. USB implementations on the Mac suck, so if you're a Mac user,
forget those.
2. Power: do you need to power your interface via the laptop? If you're =
a
x86 user (which I believe you are), this would reduce the choice to USB.
3. number of micpres necessary
4. symmetric outs necessary
5. kind of digital I/O (if any) - there are only a few devices which =
offer
both coaxial and optical S/PDIF
6. numer of MIDI ports. More than one pair also greatly reduces the =
number
of choices.
7. latency requirements: I don't know of anything faster than RME's =
stuff.
8. audio quality requirements
9. type of connectors
10. size/package: the smallest thing I've seen was the (smaller) Edirol
firewire interface
11. etcetc...

I had been dealing with this issues to some detail, so if you come back =
with
a clearer spec, I might give some suggestions. Currently I have as =
external
audio interfaces:

1. Terratec Phase26 USB. Consumer-style (connectors, levels). Has both =
coax
and optical digital ports. Huge latency, unstable ASIO drivers
2. Presonus Firebox. quite small a package, got two micpre/Hi-Z inputs =
with
phantom and two independent line ins, coax digital, symmetrical outs (6) =
and
latency is also ok. Very basic internal software mixer.
3. RME digiface via Cardbus PCMCIA. You'll need an AD-DA-converter for =
this
one, and I use it in combination with my Behringer ADA8000s. Super-low
latency. Powerful internal mixer. two MIDI pairs. total of 26 channels =
I/O.
Wordclock sync. If you can live without micpres, the Multiface might be =
a
choice for you.

	Rainer

> -----Urspr=FCngliche Nachricht-----
> Von: Kris Hartung [mailto:khartung@cableone.net]=20
> Gesendet: Sonntag, 19. M=E4rz 2006 18:26
> An: Loopers-Delight@loopers-delight.com
> Betreff: Audio Interface for Notebook Users
>=20
> I'm interested in finding out what audio interfaces all you=20
> notebook computer users are using in place of (bi-passing)=20
> the internal soundcard?=20
> USB? Firewire? Can you share what you are using? I'm=20
> interesting in something that is compact but also high quality.
>=20
> Kris
>=20
>=20
>=20
>=20

From Loopers-Delight-request@loopers-delight.com  Sun Mar 19 17:54:19 2006
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Yes. Indigo are great for mobile users since firewire soundcards on pcs
can't be powered by pcmcia. The only truely mobiles cards for pc laptops are
the Motu Traveler and the Indigo pcmcia cards.
 

-----Original Message-----
From: Doug Cox [mailto:dougcox@pdq.net] 
Sent: 19 March 2006 17:36
To: Loopers-Delight@loopers-delight.com
Subject: Re: Audio Interface for Notebook Users

PCMCIA card, Echo Indigo for me.  Very low latency, very high quality audio,
and very compact.  Also reasonably priced!

Kris Hartung wrote:

> I'm interested in finding out what audio interfaces all you notebook 
> computer users are using in place of (bi-passing) the internal 
> soundcard? USB? Firewire? Can you share what you are using? I'm 
> interesting in something that is compact but also high quality.
>
> Kris
>
>
>
>


From Loopers-Delight-request@loopers-delight.com  Sun Mar 19 17:59:15 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: Audio Interface for Notebook Users
Date: Sun, 19 Mar 2006 09:58:55 -0800
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I would recommend the M-Audio stuff for portability. I currently use=20
the firewire 1814, and have used the 410 as well. However, I am quite=20
tempted by the MOTU Ultralight....although there is no lightpipe. All=20
of those are very compact, durable, great for gigging.. The quality of=20=

the M-Audio pres are ok, but they certainly won't compare to the high=20
price stuff, of course. Always a costs-benefit thing.....always a=20
trade-off one way or the other. It also seems that the firewire will=20
also give you more ins/outs and higher resolution so you could use the=20=

interface for other things besides gigging, like mobile recording.



Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com =95 AngryVegan.com

On Mar 19, 2006, at 9:25 AM, Kris Hartung wrote:

> I'm interested in finding out what audio interfaces all you notebook=20=

> computer users are using in place of (bi-passing) the internal=20
> soundcard? USB? Firewire? Can you share what you are using? I'm=20
> interesting in something that is compact but also high quality.
>
> Kris
>
>
>

From Loopers-Delight-request@loopers-delight.com  Sun Mar 19 18:10:28 2006
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From: Dan Ash <Daniel.Ash@Verizon.net>
Subject: re: *First Post* need advice on midi sync looper
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Welcome to the list -Aaron -

 >>I want a device that will loop audio, quantized, in sync with a midi 
time clock.
If the midi clock speeds up (tempo) the looper will speed up too(and 
rise in pitch).<<

I'd think you would want the pitch to *not* change when the midi clock 
signal speeds up. This allows transitions of all the sync'd instruments 
together, and frees you to make incremental time changes without 
worrying about what 'key' you're now in. I suspect the fretless guitar 
players would be able to navigate these waters, but I'd have a little 
trouble with every slight tempo change.

To answer you're question about the Repeater, I have had mine for about 
a year.  I'm always sync'd to some device or other, and  it's pretty 
stable.  I have had instances when I've had to power down and restart, 
but tend to blame the 'upstream' instruments - clocking device, CC data 
from a foot controller, etc.  I should mention that during performance, 
if you slow the tempo dramatically, your loops will take on a grainy 
quality - even new tracks laid over the existing ones.  Sometimes 
starting a 'fresh' loop is the only way to get rid of that.  I haven't 
seen comments about this 'feechur' on the list before.  Maybe that 
should be a separate thread.

The Repeater worked flawlessly Friday night in my first public looping 
gig with Kim Galibert and Hot Bitch Arsenal.  Boy was that fun!

Dan Ash
White Plains, NY


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On 3/19/06, Kris Hartung <khartung@cableone.net> wrote:
> I'm interested in finding out what audio interfaces all you notebook
> computer users are using in place of (bi-passing) the internal soundcard?

Metric Halo Mobile I/O ULN-2:

http://www.mhlabs.com/metric_halo/products/mio/uln2/

it's a wonderful sounding thing.

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It looks good, but it sounds expensive compared to what a motu traveler can
offer (apart from the preamps maybe) 

-----Original Message-----
From: David Morton [mailto:dmorton@gmail.com] 
Sent: 19 March 2006 18:09
To: Loopers-Delight@loopers-delight.com
Subject: Re: Audio Interface for Notebook Users

On 3/19/06, Kris Hartung <khartung@cableone.net> wrote:
> I'm interested in finding out what audio interfaces all you notebook 
> computer users are using in place of (bi-passing) the internal soundcard?

Metric Halo Mobile I/O ULN-2:

http://www.mhlabs.com/metric_halo/products/mio/uln2/

it's a wonderful sounding thing.


From Loopers-Delight-request@loopers-delight.com  Sun Mar 19 18:39:27 2006
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hi Kevin,

That's a small budget for guitar synthing.

You want a guitar to midi thing?
...or synthy sounding FX?

If you can find a used Yamaha G-50 then that will do a fair job of 
converting a regular guitar into MIDI, allowing you to plug into any 
midi controlled synth you like. ( won't do chords without the hex p/u 
of course).
Then , of course, you don't have much budget left over for a synth :-(

It's designed by the guys who make the Axon gear,  so I guess some 
Axon stuff also
has the mono input, but I've seen the Yamaha going cheap (and bought one)

If you aren't into the midi thing, then running your guitar into a 
distortion followed by a filter of some kind will do rather nicely if 
the Electro Harmonix stuff is too pricey.



andy butler
www.andybutler.com


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On 3/19/06, mrweasel <mrweasel@eircom.net> wrote:
> It looks good, but it sounds expensive compared to what a motu traveler c=
an
> offer (apart from the preamps maybe)

I like some MOTU stuff, I have an 896HD on my desktop setup, but I
don't use its mic pres.

I considered the Traveller when I needed a something for the laptop,
but the ULN2 won (its preamps are superb) and as far as I'm concerned
the ULN2 is worth every penny.

From Loopers-Delight-request@loopers-delight.com  Sun Mar 19 19:09:17 2006
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I suppose it makes sense if you use predominently microphones. When you
invest more than 800 or 900 in an mobile audio interface, you might just as
well pay a bit extra to get good preamps if thats what you mostly use.
I don t really use my motu s preamps either.
 

-----Original Message-----
From: David Morton [mailto:dmorton@gmail.com] 
Sent: 19 March 2006 19:01
To: Loopers-Delight@loopers-delight.com
Subject: Re: Audio Interface for Notebook Users

On 3/19/06, mrweasel <mrweasel@eircom.net> wrote:
> It looks good, but it sounds expensive compared to what a motu 
> traveler can offer (apart from the preamps maybe)

I like some MOTU stuff, I have an 896HD on my desktop setup, but I don't use
its mic pres.

I considered the Traveller when I needed a something for the laptop, but the
ULN2 won (its preamps are superb) and as far as I'm concerned the ULN2 is
worth every penny.


From Loopers-Delight-request@loopers-delight.com  Sun Mar 19 19:16:41 2006
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MOTU Traveller Firewire Interface

On Mar 19, 2006, at 10:25 AM, Kris Hartung wrote:

> I'm interested in finding out what audio interfaces all you notebook 
> computer users are using in place of (bi-passing) the internal 
> soundcard? USB? Firewire? Can you share what you are using? I'm 
> interesting in something that is compact but also high quality.
>
> Kris
>
>
>

From Loopers-Delight-request@loopers-delight.com  Sun Mar 19 19:18:31 2006
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>  It would be interesting to create a "master" LD .m3u file. It 
> would be one monster file that folks can submit their streams to.

hey Kris,
that's a neat idea,

meanwhile, here's something to be going on with
( my y2k5 set as a stream)

www.andybutler.com/y2k5.m3u  

From Loopers-Delight-request@loopers-delight.com  Sun Mar 19 19:19:00 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: Audio Interface for Notebook Users
Date: Sun, 19 Mar 2006 11:18:57 -0800
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The ULN2 sounds really good. It is a superb, high-quality piece of=20
equipment. And is highly recommended.

(BTW, I also have an 896 on my desktop that I love.)

My decision to go with the m-audio was based on several decisions.=20
(These are the same reasons I would probably go with the Ultralight=20
now):

1) Durability
2) Size/Weight
3) Functionality
3) Cost

When you are lugging around a lot of gear, every inch and ounce counts.=20=

(somebody should have fun with that.)

And while pres make a very big difference, in a standard house system=20
at a club with less than pristine acoustics.....will the difference=20
really be noticed?

For me, the $500 and something dollar difference has been well spent=20
(?) on other things....mainly, um, beer....

cheers,

Jeff

Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com =95 AngryVegan.com
On Mar 19, 2006, at 11:00 AM, David Morton wrote:

> On 3/19/06, mrweasel <mrweasel@eircom.net> wrote:
>> It looks good, but it sounds expensive compared to what a motu=20
>> traveler can
>> offer (apart from the preamps maybe)
>
> I like some MOTU stuff, I have an 896HD on my desktop setup, but I
> don't use its mic pres.
>
> I considered the Traveller when I needed a something for the laptop,
> but the ULN2 won (its preamps are superb) and as far as I'm concerned
> the ULN2 is worth every penny.
>

From Loopers-Delight-request@loopers-delight.com  Sun Mar 19 19:24:44 2006
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>
> are you sure "musikantisch" is German, and not Swiss? I've never  
> heard that
> word before :-)
>
> Michael (German)
> www.michaelpeters.de
>

Make sure you look it up in the Duden (Standard German dictionary)

Although "musikantisch" is rather referring to the joy of making  
music than its technique - "musikalisch" much wider in meaning:  
including musical skills as well as musical terms in general.

In English: Can a person be as musical as a musical instrument?

Don't know. - But beware: There might be as much confusion between  
the American and the English as there is between the German and the  
Swiss...






From Loopers-Delight-request@loopers-delight.com  Sun Mar 19 19:39:27 2006
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Subject: re: *First Post* need advice on midi sync looper
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What Aaron said.  If you want a looper that chases a
moving clock, the Repeater is king.  Also, you can do
the inverse of having the tempo change and pitch stay
the same, and move the pitch around.  Shame your only
chance of buying one is the used market, but such is
the looper market right now.

--- Dan Ash <Daniel.Ash@Verizon.net> wrote:

> Welcome to the list -Aaron -
> 
>  >>I want a device that will loop audio, quantized,
> in sync with a midi 
> time clock.
> If the midi clock speeds up (tempo) the looper will
> speed up too(and 
> rise in pitch).<<
> 
> I'd think you would want the pitch to *not* change
> when the midi clock 
> signal speeds up. This allows transitions of all the
> sync'd instruments 
> together, and frees you to make incremental time
> changes without 
> worrying about what 'key' you're now in. I suspect
> the fretless guitar 
> players would be able to navigate these waters, but
> I'd have a little 
> trouble with every slight tempo change.
> 
> To answer you're question about the Repeater, I have
> had mine for about 
> a year.  I'm always sync'd to some device or other,
> and  it's pretty 
> stable.  I have had instances when I've had to power
> down and restart, 
> but tend to blame the 'upstream' instruments -
> clocking device, CC data 
> from a foot controller, etc.  I should mention that
> during performance, 
> if you slow the tempo dramatically, your loops will
> take on a grainy 
> quality - even new tracks laid over the existing
> ones.  Sometimes 
> starting a 'fresh' loop is the only way to get rid
> of that.  I haven't 
> seen comments about this 'feechur' on the list
> before.  Maybe that 
> should be a separate thread.
> 
> The Repeater worked flawlessly Friday night in my
> first public looping 
> gig with Kim Galibert and Hot Bitch Arsenal.  Boy
> was that fun!
> 
> Dan Ash
> White Plains, NY
> 
> 
> 


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From Loopers-Delight-request@loopers-delight.com  Sun Mar 19 19:40:36 2006
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From: Kevin <kevin@TheNettles.com>
Subject: Re: Best Cheap Guitar Synth
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Andy wrote:
>You want a guitar to midi thing or synthy sounding FX?

I want something that will take the guitar as signal and allow me to 
do synth-like manipulation of it.  I already have a GR-33 but the 
latency on fast passages drives me nuts.

>If you aren't into the midi thing, then running your guitar into a 
>distortion followed by a filter of some kind will do rather nicely...

This is kind of intriguing.  What do you mean?  What kinds of filters?

NIk wrote:
>Electro-Harmonix Micro Synth.

Thanks, I'm definitely looking at this.  Does anybody have any 
experience with the EH Micro Synth?

Thanks,
Kevin

The Nettles: Progressive and Exciting Celtic Music
www.TheNettles.com

From Loopers-Delight-request@loopers-delight.com  Sun Mar 19 19:46:15 2006
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Subject: Re:Re: Best Cheap Guitar Synth
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I know I harp on this a lot, but I've spent thousands
on guitar synth gear never to be really happy with how
it behaved (yodelling SUCKS)

If your broke, listen to Andy and get some sort of
distortion with some filters.  Couple that with a
volume pedal (I like mine after the distortion and
before the filter and delay) and you can get some
pretty synthy tones out of your guitar with no
glitching.  Add and ebow and fun will result.

If you're really into getting some true synth tones,
my recommendation is to buy something like a Roland
2020 or SH-32 and a cheap keyboard midi controller.  A
few weeks of practice and you'll be up and running.

Mark

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From Loopers-Delight-request@loopers-delight.com  Sun Mar 19 20:09:19 2006
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Date: Sun, 19 Mar 2006 14:09:14 -0600
To: Loopers-Delight@loopers-delight.com
From: mech <mech@m3ch.net>
Subject: Re: Audio Interface for Notebook Users
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At 10:25 AM -0700 3/19/06, Kris Hartung wrote:
>I'm interested in finding out what audio interfaces all you notebook 
>computer users are using in place of (bi-passing) the internal 
>soundcard? USB? Firewire? Can you share what you are using? I'm 
>interesting in something that is compact but also high quality.

I'm using an Edirol FA-101 Firewire interface.  Sounds excellent, and 
has given me no issues.  It has 10 inputs/outputs (although, to be 
fair, 2 are for S/PDIF and you've got to allot 2 outs for the mains) 
plus MIDI.  I'm using the extra I/O as effect sends & returns, and 
doing all my mixing in software.

One of my primary criteria was Balanced I/O on all audio jacks -- 
which eliminated most of the M-Audio interfaces, since they've 
started playing silly games with that.  Another was size -- which, 
unfortunately, knocked out the MOTU interfaces; although I understand 
they've got a brand new half-rack which might be worth checking out. 
Finally, price eliminated the RME's for me, even though I've got a 
lot of respect for those.

The FA-101 met all my criteria and gives me fantastic audio quality as well.

I've also got an older M-Audio Quattro -- USB 4 channel I/O with MIDI 
-- which sounds great and has never given me a single problem.  I 
just needed to upgrade since USB1 limited its number of available 
channels, and I wanted to go Firewire to eliminate the wall-wart.

I'm currently looking at the Echo Indigo models for one of my other 
laptops (better specs than the onboard audio, and ultra-portable).  I 
just can't decide on whether I'd rather go for the Indigo I/O or the 
Indigo DJ...

	--m.

-- 
_______
"Snakes on a Plane..."

From Loopers-Delight-request@loopers-delight.com  Sun Mar 19 20:29:53 2006
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> (Mark Sottilaro) If you want a looper that chases a
> moving clock, the Repeater is king.

Be warned though that the Midi sync feature of the Repeater can be a little 
unreliable (at least it was on my fateful unit). The few times I synced it 
to a DJ's laptop, it kept doing random things like doubling the tempo.... 
One of these times was at a gig :(
-- 
Stuart Wyatt - http://swyatt.com

From Loopers-Delight-request@loopers-delight.com  Sun Mar 19 20:31:20 2006
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(snip)
I have a trusty Edirol UA-5 (USB 1.1)... 2 in and 2 out.... nothing amazing, 
but it works for me and the latency is very low. I'm currently using it with 
Mobius.
-- 
Stuart Wyatt - http://swyatt.com 

From Loopers-Delight-request@loopers-delight.com  Sun Mar 19 21:06:27 2006
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Subject: incorporating the equipment into the gesamtkunstwerk (was:*First Post* need advice on midi sync looper)
Date: Sun, 19 Mar 2006 22:06:17 +0100
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This is one of the examples where it requires you to incorporate the =
tech
failures into the Gesamtkunstwerk (a term coined by Richard Wagner to
describe music, lyrics, theatre elements and everything around it =
becoming
one big piece of art)...I remember having a repeater dropping out of =
sync
during a performance while I was singing, so I started to sing lyrics =
about
people subjected to equipment failures and did a call and response thing
with the repeater resyncing and dropping out again...

> -----Urspr=FCngliche Nachricht-----
> Von: Stuart Wyatt [mailto:loopersdelight@swyatt.com]=20
> Gesendet: Sonntag, 19. M=E4rz 2006 21:30
> An: Loopers-Delight@loopers-delight.com
> Betreff: Re: *First Post* need advice on midi sync looper
>=20
>=20
>=20
> > (Mark Sottilaro) If you want a looper that chases a moving=20
> clock, the=20
> > Repeater is king.
>=20
> Be warned though that the Midi sync feature of the Repeater=20
> can be a little unreliable (at least it was on my fateful=20
> unit). The few times I synced it to a DJ's laptop, it kept=20
> doing random things like doubling the tempo....=20
> One of these times was at a gig :(
> --
> Stuart Wyatt - http://swyatt.com
>=20
>=20

From Loopers-Delight-request@loopers-delight.com  Sun Mar 19 21:11:35 2006
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Date: Sun, 19 Mar 2006 15:11:28 -0600
To: Loopers-Delight@loopers-delight.com
From: mech <mech@m3ch.net>
Subject: Re: Best Cheap Guitar Synth
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At 11:41 AM -0800 3/19/06, Kevin wrote:
>
>I want something that will take the guitar as signal and allow me to 
>do synth-like manipulation of it.  I already have a GR-33 but the 
>latency on fast passages drives me nuts.

The Roland VG technology can probably give you what you're looking 
for, with no latency (since it processes the existing signal, rather 
than using MIDI conversion, or "pitch-to-glitch" as it's occasionally 
known.

The original Roland VG-8 has been going for pretty good prices over 
on Ebay.  I picked up one a couple months ago for a little over $250 
(excellent condition, and included a flight case and extra Boss EV-5 
expression pedal).  I've seen 'em going for as little as ~$150 for 
the VG-8 alone.  It requires a GK pickup, but I've seen used GK-2a's 
passing for $60-90, which puts the whole setup at just a little over 
your budget.

If you want to go a little cheaper, look for a Boss WP-20g.  It 
includes some of the models from the later VG-88, and has some synthy 
sounds onboard (unfortunately, it doesn't have an integrated filter). 
It still requires the GK pickup, but only goes for about $90-120 used 
-- which probably puts the whole setup under your $200 limit.

>>If you aren't into the midi thing, then running your guitar into a 
>>distortion followed by a filter of some kind will do rather 
>>nicely...
>
>This is kind of intriguing.  What do you mean?  What kinds of filters?

I can personally recommend the Line 6 Filter Pro (and, by extension, 
the FM-4 stompbox).  It's not quite as good as a real analog filter 
(ala Sherman Filter Bank or Electrix Filter Factory), but it's 90% 
there.  Since it's a modelling processor, you've got a lot of 
different algorithms to try.  Also, you've some of the models will do 
monophonic pitch tracking and output synth sounds, although I think 
you may get frustrated with the tracking on some of the fast lines.

Check it out on their website at 
http://www.line6.com/products/detail/33/ .  The manual for the FM-4 
is at http://www.line6.com/support/manuals/ , under the "4-Button 
Stompboxes" section.

	--m.

-- 
_______
"Snakes on a Plane..."

From Loopers-Delight-request@loopers-delight.com  Sun Mar 19 21:27:35 2006
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On 3/19/06, Stuart Wyatt <loopersdelight@swyatt.com> wrote:
> (snip)
> I have a trusty Edirol UA-5 (USB 1.1)... 2 in and 2 out.... nothing amazi=
ng,
> but it works for me and the latency is very low. I'm currently using it w=
ith
> Mobius.

I have one of those. It was the first decent computer audio interface
I ever owned, and it's still in use on the PC I use to run AudioMulch.
I've no complaints, it's a really workmanlike bit of kit.

From Loopers-Delight-request@loopers-delight.com  Sun Mar 19 21:42:23 2006
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Add my enthusiastic vote for the Echo Indigo line (2in/2out or 4out).
Their drivers are solid and provide multiple independent virtual outputs
with a mixer so that multiple applications can have their own outputs.

    ...Tim...   

-----Original Message-----
From: Doug Cox [mailto:dougcox@pdq.net] 
Subject: Re: Audio Interface for Notebook Users

PCMCIA card, Echo Indigo for me.  Very low latency, very high quality audio,
and very compact.  Also reasonably priced!

Kris Hartung wrote:

> I'm interested in finding out what audio interfaces all you notebook 
> computer users are using in place of (bi-passing) the internal 

From Loopers-Delight-request@loopers-delight.com  Sun Mar 19 22:07:28 2006
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Subject: Re: Best Cheap Guitar Synth
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> (mech wrote) I can personally recommend the Line 6 Filter Pro (and, by 
> extension, the FM-4 stompbox).

I can also recommend the Filter Pro. It has a load of weird and whacky 
sounds, and is one of the few filters I've tried that really works on my 
electric violin. Unfortunately, Line6 stopped making them a few years ago... 
but they do appear in dribs and drabs on ebay (There is one in the UK and 
one in Canada at the moment).

Whilst the echo pro's sell at a high premium (£200-£300), the filter pro's 
tend to go for about half that, which might just fit in to your budget. 

From Loopers-Delight-request@loopers-delight.com  Sun Mar 19 23:26:06 2006
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This is a multi-part message in MIME format.

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Holy moly...talk about a response! Let me see if I can summarize:

1. Echo IO http://www.echoaudio.com/Products/CardBus/IndigoIO/index.php =
- $200
2. Echo DJ - =
http://www.echoaudio.com/Products/CardBus/IndigoDJ/index.php - $200
3. MOTU Traveler - http://www.motu.com/products/motuaudio/traveler/ - =
$849
4. MOTU Ultralite - http://www.motu.com/products/motuaudio/ultralite/ - =
$549
5. MOTU 828 MKII - http://www.motu.com/products/motuaudio/828/ - $749
6. M-Audio 1814 - =
http://www.m-audio.com/products/en_us/FireWire1814-main.html - $499
7. M-Audio Mobilepre USB - =
http://www.m-audio.com/products/en_us/MobilePreUSB-main.html - $149
8. Metric Halo Mobile I/O ULN-2 - =
http://www.mhlabs.com/metric_halo/products/mio/uln2/ - $1075
9. Edirol FA-101 Firewire interface - =
http://www.audioamigo.com/edifa101.html - $500
10. Edirol UA-5 (USB 1.1) - =
http://www.edirol.net/products/en/UA-5/index.html - $300
11. SoundBlaster Audigy 2 ZS Notebook  - =
http://www.creative.com/products/product.asp?category=3D1&subcategory=3D2=
04&product=3D10769 - $100

Most of these are totally overkill for me...there's no flippin' way I'm =
spending $500-800 on an audio interface, but given the number of inputes =
these more expensive units have and what they can do, the price does =
seem right.

Now, for my user requirements:

- 1 stereo ouput, 1 stereo input, 1 mic input (optional)
- Small and portable (no rack mount units), the size of a sandwich =
preferrably
- USB, Firewire, or PCMCIA (PCMCIA is best, IF AND ONLY IF it does not =
disable my laptop's soundcard...my Audigy 2 ZS does, which I do not =
like)
- $300 or less

Given this, the Echos look good, as do the M-AudioMobilepre and Edirol =
UA-5.

Kris


------=_NextPart_000_123D_01C64B71.CEDDD530
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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2802" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY>
<DIV><FONT face=3DArial size=3D2>Holy moly...talk about a response! Let =
me see if I=20
can summarize:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>1. Echo IO </FONT><A=20
href=3D"http://www.echoaudio.com/Products/CardBus/IndigoIO/index.php"><FO=
NT=20
face=3DArial=20
size=3D2>http://www.echoaudio.com/Products/CardBus/IndigoIO/index.php</FO=
NT></A><FONT=20
face=3DArial size=3D2>&nbsp;- $200</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>2. Echo DJ - </FONT><A=20
href=3D"http://www.echoaudio.com/Products/CardBus/IndigoDJ/index.php"><FO=
NT=20
face=3DArial=20
size=3D2>http://www.echoaudio.com/Products/CardBus/IndigoDJ/index.php</FO=
NT></A><FONT=20
face=3DArial size=3D2>&nbsp;- $200</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>3. MOTU Traveler - </FONT><A=20
href=3D"http://www.motu.com/products/motuaudio/traveler/"><FONT =
face=3DArial=20
size=3D2>http://www.motu.com/products/motuaudio/traveler/</FONT></A><FONT=
=20
face=3DArial size=3D2>&nbsp;- $849</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>4. MOTU Ultralite - </FONT><A=20
href=3D"http://www.motu.com/products/motuaudio/ultralite/"><FONT =
face=3DArial=20
size=3D2>http://www.motu.com/products/motuaudio/ultralite/</FONT></A><FON=
T=20
face=3DArial size=3D2>&nbsp;- $549</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>5. MOTU 828 MKII - </FONT><A=20
href=3D"http://www.motu.com/products/motuaudio/828/"><FONT face=3DArial=20
size=3D2>http://www.motu.com/products/motuaudio/828/</FONT></A><FONT =
face=3DArial=20
size=3D2>&nbsp;- $749</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>6. M-Audio 1814 - </FONT><A=20
href=3D"http://www.m-audio.com/products/en_us/FireWire1814-main.html"><FO=
NT=20
face=3DArial=20
size=3D2>http://www.m-audio.com/products/en_us/FireWire1814-main.html</FO=
NT></A><FONT=20
face=3DArial size=3D2>&nbsp;- $499</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>7. M-Audio Mobilepre USB - </FONT><A=20
href=3D"http://www.m-audio.com/products/en_us/MobilePreUSB-main.html"><FO=
NT=20
face=3DArial=20
size=3D2>http://www.m-audio.com/products/en_us/MobilePreUSB-main.html</FO=
NT></A><FONT=20
face=3DArial size=3D2>&nbsp;- $149</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>8. Metric Halo Mobile I/O ULN-2 - =
</FONT><A=20
href=3D"http://www.mhlabs.com/metric_halo/products/mio/uln2/"><FONT =
face=3DArial=20
size=3D2>http://www.mhlabs.com/metric_halo/products/mio/uln2/</FONT></A><=
FONT=20
face=3DArial size=3D2>&nbsp;- $1075</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>9. Edirol FA-101 Firewire interface - =
</FONT><A=20
href=3D"http://www.audioamigo.com/edifa101.html"><FONT face=3DArial=20
size=3D2>http://www.audioamigo.com/edifa101.html</FONT></A><FONT =
face=3DArial=20
size=3D2>&nbsp;- $500</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>10. Edirol UA-5 (USB 1.1) - </FONT><A=20
href=3D"http://www.edirol.net/products/en/UA-5/index.html"><FONT =
face=3DArial=20
size=3D2>http://www.edirol.net/products/en/UA-5/index.html</FONT></A><FON=
T=20
face=3DArial size=3D2>&nbsp;- $300</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>11. SoundBlaster Audigy 2 ZS =
Notebook&nbsp; -=20
</FONT><A=20
href=3D"http://www.creative.com/products/product.asp?category=3D1&amp;sub=
category=3D204&amp;product=3D10769"><FONT=20
face=3DArial=20
size=3D2>http://www.creative.com/products/product.asp?category=3D1&amp;su=
bcategory=3D204&amp;product=3D10769</FONT></A><FONT=20
face=3DArial size=3D2>&nbsp;- $100</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Most of these are totally overkill for =
me...there's=20
no flippin' way I'm spending $500-800 on an audio interface, but given =
the=20
number of inputes these more expensive units have and what they can do, =
the=20
price does seem right.</FONT></DIV>
<DIV><FONT><BR><FONT face=3DArial size=3D2>Now, for my user=20
requirements:</FONT></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>- 1 stereo ouput, 1 stereo input, 1 mic =
input=20
(optional)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>- Small and portable (no rack mount =
units), the=20
size of a sandwich preferrably</FONT></DIV>
<DIV><FONT><FONT face=3DArial size=3D2>- USB, Firewire, or PCMCIA =
(PCMCIA is best,=20
IF AND ONLY IF it does not disable my laptop's soundcard...my Audigy 2 =
ZS does,=20
which I do not like)</FONT></FONT></DIV>
<DIV><FONT><FONT face=3DArial size=3D2>- $300 or =
less</FONT></FONT></DIV>
<DIV><FONT><FONT face=3DArial size=3D2></FONT></FONT>&nbsp;</DIV>
<DIV><FONT><FONT face=3DArial size=3D2>Given this, the Echos look good, =
as do the=20
M-AudioMobilepre and Edirol UA-5.</FONT></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT size=3D2><BR><FONT =
face=3DArial></FONT></FONT></DIV></FONT></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sun Mar 19 23:30:29 2006
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From: Mark Hamburg <mark_hamburg@baymoon.com>
Subject: Re: Best Cheap Guitar Synth
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On Mar 19, 2006, at 1:11 PM, mech wrote:

> I can personally recommend the Line 6 Filter Pro (and, by  
> extension, the FM-4 stompbox).  It's not quite as good as a real  
> analog filter (ala Sherman Filter Bank or Electrix Filter Factory),  
> but it's 90% there.  Since it's a modelling processor, you've got a  
> lot of different algorithms to try.  Also, you've some of the  
> models will do monophonic pitch tracking and output synth sounds,  
> although I think you may get frustrated with the tracking on some  
> of the fast lines.

I've got an FM4 that I keep meaning to find the time to sell. It's a  
great weird sounds box. I'm just finding I'm not using those sort of  
sounds these days.

I would need to see what the going rate is, but I'm sure it would be  
under your $200 threshold.

Mark

From Loopers-Delight-request@loopers-delight.com  Sun Mar 19 23:32:13 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: Audio Interface for Notebook Users
Date: Sun, 19 Mar 2006 15:32:08 -0800
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Try the M-Audio 410.



Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com =95 AngryVegan.com
On Mar 19, 2006, at 3:26 PM, Kris Hartung wrote:

> Holy moly...talk about a response! Let me see if I can summarize:
> =A0
> 1. Echo IO =20
> http://www.echoaudio.com/Products/CardBus/IndigoIO/index.php=A0- $200
> 2. Echo DJ - =20
> http://www.echoaudio.com/Products/CardBus/IndigoDJ/index.php=A0- $200
> 3. MOTU Traveler - http://www.motu.com/products/motuaudio/traveler/=A0- =
=20
> $849
> 4. MOTU Ultralite - =20
> http://www.motu.com/products/motuaudio/ultralite/=A0- $549
> 5. MOTU 828 MKII - http://www.motu.com/products/motuaudio/828/=A0- =
$749
> 6. M-Audio 1814 - =20
> http://www.m-audio.com/products/en_us/FireWire1814-main.html=A0- $499
> 7. M-Audio Mobilepre USB - =20
> http://www.m-audio.com/products/en_us/MobilePreUSB-main.html=A0- $149
> 8. Metric Halo Mobile I/O ULN-2 - =20
> http://www.mhlabs.com/metric_halo/products/mio/uln2/=A0- $1075
> 9. Edirol FA-101 Firewire interface - =20
> http://www.audioamigo.com/edifa101.html=A0- $500
> 10. Edirol UA-5 (USB 1.1) - =20
> http://www.edirol.net/products/en/UA-5/index.html=A0- $300
> 11. SoundBlaster Audigy 2 ZS Notebook=A0 - =20
> http://www.creative.com/products/product.asp?=20
> category=3D1&subcategory=3D204&product=3D10769=A0- $100
> =A0
> Most of these are totally overkill for me...there's no flippin' way =20=

> I'm spending $500-800 on an audio interface, but given the number of =20=

> inputes these more expensive units have and what they can do, the =20
> price does seem right.
>
> Now, for my user requirements:
> =A0
> - 1 stereo ouput, 1 stereo input, 1 mic input (optional)
> - Small and portable (no rack mount units), the size of a sandwich =20
> preferrably
> - USB, Firewire, or PCMCIA (PCMCIA is best, IF AND ONLY IF it does not =
=20
> disable my laptop's soundcard...my Audigy 2 ZS does, which I do not =20=

> like)
> - $300 or less
> =A0
> Given this, the Echos look good, as do the M-AudioMobilepre and Edirol =
=20
> UA-5.
> =A0
> Kris
>
>

From Loopers-Delight-request@loopers-delight.com  Sun Mar 19 23:50:15 2006
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    <006701c64b9d$fc502fa0$0501a8c0@trill>
Date: Sun, 19 Mar 2006 15:50:13 -0800 (PST)
Subject: RE: Audio Interface for Notebook Users
From: improv@peak.org
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I've had an Echo Indigo i/o for 3 years, and until 2 weeks ago, it was
great. Low latency, surprsingly great sound, easy to use, reliable, etc.
On the first night of our current tour, it died on a gig, wouldn't power
up and Ableton wouldn't recognize it when plugged in. Very frustrating,
I've had to resort to using the built in soundcard, which is pretty high
latency and only OK sounding. This means ditching all the live VST
instrument stuff I've been doing, as well as the looping in Mobius/Live,
the latency is too high to make it work in time. I'm still able to trigger
pre-recorded loops in Live, I just have to compensate by hitting the
footswitch WAY ahead of the beat. Fortunately, our drummer is pretty good
at following loops, even when mis-triggered.


On a positive note, an email to Echo got an RA# from them, they will
attempt to repair it for free, which is very cool as it is way out of
warranty.

While I'm complaining about gear, one more whine. Why do gear makers make
effects that power up non-bypassed! We've had a couple of gigs where power
has been sketchy, several times my pedalboard has lost power in the middle
of sets. When it comes back on, both my evolver and Moogerfooger are in
active mode. Since I usually have a pretty high-gain distortion patch on
the evolver, it means my bass goes into total feedback before I can bypass
the evolver. Highly frustrating. After this trip, I plan to squeeze an
effects loop switcher/true bypass switch onto the pedalboard.

Tim Thompson wrote:

>Add my enthusiastic vote for the Echo Indigo line (2in/2out or 4out).
>Their drivers are solid and provide multiple independent virtual outputs
>with a mixer so that multiple applications can have their own outputs.
>
>    ...Tim...
>



From Loopers-Delight-request@loopers-delight.com  Mon Mar 20 00:13:20 2006
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Subject: Re: Audio Interface for Notebook Users
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Looks good...comes with Live too.

Kris

----- Original Message ----- 
From: "Jeff Kaiser" <loopersdelight@pfmentum.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, March 19, 2006 4:32 PM
Subject: Re: Audio Interface for Notebook Users


Try the M-Audio 410.



Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com • AngryVegan.com
On Mar 19, 2006, at 3:26 PM, Kris Hartung wrote:

> Holy moly...talk about a response! Let me see if I can summarize:
>
> 1. Echo IO  http://www.echoaudio.com/Products/CardBus/IndigoIO/index.php - 
> $200
> 2. Echo DJ - 
>  http://www.echoaudio.com/Products/CardBus/IndigoDJ/index.php - $200
> 3. MOTU Traveler - http://www.motu.com/products/motuaudio/traveler/ - 
> $849
> 4. MOTU Ultralite -  http://www.motu.com/products/motuaudio/ultralite/ - 
> $549
> 5. MOTU 828 MKII - http://www.motu.com/products/motuaudio/828/ - $749
> 6. M-Audio 1814 - 
> http://www.m-audio.com/products/en_us/FireWire1814-main.html - $499
> 7. M-Audio Mobilepre USB - 
> http://www.m-audio.com/products/en_us/MobilePreUSB-main.html - $149
> 8. Metric Halo Mobile I/O ULN-2 - 
> http://www.mhlabs.com/metric_halo/products/mio/uln2/ - $1075
> 9. Edirol FA-101 Firewire interface - 
> http://www.audioamigo.com/edifa101.html - $500
> 10. Edirol UA-5 (USB 1.1) - 
> http://www.edirol.net/products/en/UA-5/index.html - $300
> 11. SoundBlaster Audigy 2 ZS Notebook - 
> http://www.creative.com/products/product.asp? 
> category=1&subcategory=204&product=10769 - $100
>
> Most of these are totally overkill for me...there's no flippin' way  I'm 
> spending $500-800 on an audio interface, but given the number of  inputes 
> these more expensive units have and what they can do, the  price does seem 
> right.
>
> Now, for my user requirements:
>
> - 1 stereo ouput, 1 stereo input, 1 mic input (optional)
> - Small and portable (no rack mount units), the size of a sandwich 
> preferrably
> - USB, Firewire, or PCMCIA (PCMCIA is best, IF AND ONLY IF it does not 
> disable my laptop's soundcard...my Audigy 2 ZS does, which I do not  like)
> - $300 or less
>
> Given this, the Echos look good, as do the M-AudioMobilepre and Edirol 
> UA-5.
>
> Kris
>
>



From Loopers-Delight-request@loopers-delight.com  Mon Mar 20 00:19:38 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: Audio Interface for Notebook Users
Date: Sun, 19 Mar 2006 16:19:34 -0800
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It is more than you need, as far as ins/outs.....but it is nice to have=20=

them available for whatever might come your way. Plusses: Firewire=20
powered, compact, and they hit the street for a little less than=20
$300...jeez, you'd think I work for these guys (I don't).....



Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com =95 AngryVegan.com
On Mar 19, 2006, at 4:13 PM, Kris Hartung wrote:

> Looks good...comes with Live too.
>
> Kris
>
> ----- Original Message ----- From: "Jeff Kaiser"=20
> <loopersdelight@pfmentum.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Sunday, March 19, 2006 4:32 PM
> Subject: Re: Audio Interface for Notebook Users
>
>
> Try the M-Audio 410.
>
>
>
> Jeff Kaiser
> http://www.jeffkaisermusic.com
> pfMENTUM.com =95 AngryVegan.com
> On Mar 19, 2006, at 3:26 PM, Kris Hartung wrote:
>
>> Holy moly...talk about a response! Let me see if I can summarize:
>>
>> 1. Echo IO =20
>> http://www.echoaudio.com/Products/CardBus/IndigoIO/index.php - $200
>> 2. Echo DJ - =20
>> http://www.echoaudio.com/Products/CardBus/IndigoDJ/index.php - $200
>> 3. MOTU Traveler - http://www.motu.com/products/motuaudio/traveler/ -=20=

>> $849
>> 4. MOTU Ultralite - =20
>> http://www.motu.com/products/motuaudio/ultralite/ - $549
>> 5. MOTU 828 MKII - http://www.motu.com/products/motuaudio/828/ - $749
>> 6. M-Audio 1814 -=20
>> http://www.m-audio.com/products/en_us/FireWire1814-main.html - $499
>> 7. M-Audio Mobilepre USB -=20
>> http://www.m-audio.com/products/en_us/MobilePreUSB-main.html - $149
>> 8. Metric Halo Mobile I/O ULN-2 -=20
>> http://www.mhlabs.com/metric_halo/products/mio/uln2/ - $1075
>> 9. Edirol FA-101 Firewire interface -=20
>> http://www.audioamigo.com/edifa101.html - $500
>> 10. Edirol UA-5 (USB 1.1) -=20
>> http://www.edirol.net/products/en/UA-5/index.html - $300
>> 11. SoundBlaster Audigy 2 ZS Notebook -=20
>> http://www.creative.com/products/product.asp?=20
>> category=3D1&subcategory=3D204&product=3D10769 - $100
>>
>> Most of these are totally overkill for me...there's no flippin' way =20=

>> I'm spending $500-800 on an audio interface, but given the number of =20=

>> inputes these more expensive units have and what they can do, the =20
>> price does seem right.
>>
>> Now, for my user requirements:
>>
>> - 1 stereo ouput, 1 stereo input, 1 mic input (optional)
>> - Small and portable (no rack mount units), the size of a sandwich=20
>> preferrably
>> - USB, Firewire, or PCMCIA (PCMCIA is best, IF AND ONLY IF it does=20
>> not disable my laptop's soundcard...my Audigy 2 ZS does, which I do=20=

>> not  like)
>> - $300 or less
>>
>> Given this, the Echos look good, as do the M-AudioMobilepre and=20
>> Edirol UA-5.
>>
>> Kris
>>
>>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Mar 20 01:18:04 2006
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Subject: Re: Audio Interface for Notebook Users
Date: Sun, 19 Mar 2006 18:17:59 -0700
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Jeff, are the 2 inputs stereo or mono (2X8)? Also, does software read each 
input as a separate device? It would be great to be able to take input from 
my guitar, process it, spit it back out, but also take input from the 
mixer's output and stream to the web.

Kris

----- Original Message ----- 
From: "Jeff Kaiser" <loopersdelight@pfmentum.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, March 19, 2006 5:19 PM
Subject: Re: Audio Interface for Notebook Users


It is more than you need, as far as ins/outs.....but it is nice to have
them available for whatever might come your way. Plusses: Firewire
powered, compact, and they hit the street for a little less than
$300...jeez, you'd think I work for these guys (I don't).....



Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com • AngryVegan.com
On Mar 19, 2006, at 4:13 PM, Kris Hartung wrote:

> Looks good...comes with Live too.
>
> Kris
>
> ----- Original Message ----- From: "Jeff Kaiser" 
> <loopersdelight@pfmentum.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Sunday, March 19, 2006 4:32 PM
> Subject: Re: Audio Interface for Notebook Users
>
>
> Try the M-Audio 410.
>
>
>
> Jeff Kaiser
> http://www.jeffkaisermusic.com
> pfMENTUM.com • AngryVegan.com
> On Mar 19, 2006, at 3:26 PM, Kris Hartung wrote:
>
>> Holy moly...talk about a response! Let me see if I can summarize:
>>
>> 1. Echo IO 
>>  http://www.echoaudio.com/Products/CardBus/IndigoIO/index.php - $200
>> 2. Echo DJ - 
>> http://www.echoaudio.com/Products/CardBus/IndigoDJ/index.php - $200
>> 3. MOTU Traveler - http://www.motu.com/products/motuaudio/traveler/ - 
>> $849
>> 4. MOTU Ultralite -  http://www.motu.com/products/motuaudio/ultralite/ - 
>> $549
>> 5. MOTU 828 MKII - http://www.motu.com/products/motuaudio/828/ - $749
>> 6. M-Audio 1814 - 
>> http://www.m-audio.com/products/en_us/FireWire1814-main.html - $499
>> 7. M-Audio Mobilepre USB - 
>> http://www.m-audio.com/products/en_us/MobilePreUSB-main.html - $149
>> 8. Metric Halo Mobile I/O ULN-2 - 
>> http://www.mhlabs.com/metric_halo/products/mio/uln2/ - $1075
>> 9. Edirol FA-101 Firewire interface - 
>> http://www.audioamigo.com/edifa101.html - $500
>> 10. Edirol UA-5 (USB 1.1) - 
>> http://www.edirol.net/products/en/UA-5/index.html - $300
>> 11. SoundBlaster Audigy 2 ZS Notebook - 
>> http://www.creative.com/products/product.asp? 
>> category=1&subcategory=204&product=10769 - $100
>>
>> Most of these are totally overkill for me...there's no flippin' way  I'm 
>> spending $500-800 on an audio interface, but given the number of  inputes 
>> these more expensive units have and what they can do, the  price does 
>> seem right.
>>
>> Now, for my user requirements:
>>
>> - 1 stereo ouput, 1 stereo input, 1 mic input (optional)
>> - Small and portable (no rack mount units), the size of a sandwich 
>> preferrably
>> - USB, Firewire, or PCMCIA (PCMCIA is best, IF AND ONLY IF it does not 
>> disable my laptop's soundcard...my Audigy 2 ZS does, which I do not 
>> like)
>> - $300 or less
>>
>> Given this, the Echos look good, as do the M-AudioMobilepre and Edirol 
>> UA-5.
>>
>> Kris
>>
>>
>
>
>



From Loopers-Delight-request@loopers-delight.com  Mon Mar 20 01:39:52 2006
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From: "Kris Hartung" <khartung@cableone.net>
To: <Loopers-Delight@loopers-delight.com>
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Subject: Looper's Delight Playlist - Send your MP3 links
Date: Sun, 19 Mar 2006 18:39:47 -0700
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Okay, I'm ready to start adding links to what could eventually be the 
world's large and most gigantor MP3 playlist.  If you have have looping MP3s 
that you want in this playlist, send them to me using the format below. Send 
them one line after another, no spaces between each entry (as shown below), 
that way I can just paste into my playlist file.

#EXTINF:  Song Title - Artist - CD or Event
http://URL to your MP3 file

Here is the playlist, currently just Y2K5 recordings:

http://www.boisemusicians.com/loopers-delight.m3u

Kris




From Loopers-Delight-request@loopers-delight.com  Mon Mar 20 01:46:21 2006
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On Sun, 19 Mar 2006, Kevin wrote:

> >If you aren't into the midi thing, then running your guitar into a 
> >distortion followed by a filter of some kind will do rather nicely...
> This is kind of intriguing.  What do you mean?  What kinds of filters?

The EH site  has ton's of MP3s of their products including all their
filter pedals which will give you an idea of what's out there: 
http://ehx.com/ehx2/Default.asp?q=f&f=%2FCatalog%2F19%5FFilters

An autofilter and fuzz pedal will do the trick. I use an EH Mini Qtron and
Boss FZ2 which has a two band EQ. There is a world of "synthy" tones in
this combination and it's certainly less that $200.

You could also try the Boss SY3B pedal. It's monophonic on it's synth
tones but has two autowah settings as well as a great Waveshaper which
you can use polyphonicall and they all  have filter cutoff and resonance
controls. 

> >Electro-Harmonix Micro Synth.
> Thanks, I'm definitely looking at this.  Does anybody have any 
> experience with the EH Micro Synth?

As a processor it's fantastic. It has a built in Square wave fuzz and
great raspy raw filter which you can set to sweep fast/slow etc. Also it
has an octaver. The catch is it is monophonic for playing lines and there
is a lot of triggering issues if you don't get it *just* right.

My reccomendation if you want super fast playing is to just process your
guitar signal and forget "guitar synths" altogether. At $200 you won't
find anything to really do the trick. If you can go to $400-500 then
you're talking (get a used Roland VG8 system which tracks great as opposed
to your GR33). You can get plenty of juicy "synth" type sounds from
autowah and Envelope follower pedals. (do some internet serachs on
these items to find out more and hear examples) With a distorion in front
of that you've got your typical 70s "guitar synth". 

___________________________________________________________________
HELP WANTED PRODUCTIONS - Http://www.HelpWantedProductions.com
"Bringing you the best in Organic Electronic music since we started..."

Home of the Unusual Instrument and Recording Gallery with pictures and
info of Tube recorders, Omnichords, weird guitars, Casios, and more.



From Loopers-Delight-request@loopers-delight.com  Mon Mar 20 01:55:03 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: Audio Interface for Notebook Users
Date: Sun, 19 Mar 2006 17:55:00 -0800
To: Loopers-Delight@loopers-delight.com
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Well, now you've got me. I hooked it up for what I need, and haven't=20
explored all the possibilities. When I use it with max/msp, I use one=20
input, and then create the output routings in max. You can make the=20
ins/outs go wherever you want in the max environment....  So to answer=20=

your question regarding the routing: If you are using max/msp: yes, you=20=

can do whatever you want very easily! (Sorry, just had to make a plug=20
for max)

:-)

Let's see, I've just opened the software for the 1814 (I don't have a=20
410 here, but I think they are very similar in the software they use.)

Regarding inputs: Yes, 1/2 and 3/4 can each be linked as stereo, or=20
left as independent.

And yes, they can be assigned to outputs as stereo pairs. Each one has=20=

an independent assign button to go to outputs 1/2 or 3/4.

In my Mac, it looks like one device...but I would think there is a way=20=

to route 3/4 via software in the way you needed. I just don't know how.

Jeff

BTW, great idea...to route it to a live web stream....





Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com =95 AngryVegan.com
On Mar 19, 2006, at 5:17 PM, Kris Hartung wrote:

> Jeff, are the 2 inputs stereo or mono (2X8)? Also, does software read=20=

> each input as a separate device? It would be great to be able to take=20=

> input from my guitar, process it, spit it back out, but also take=20
> input from the mixer's output and stream to the web.
>
> Kris
>
> ----- Original Message ----- From: "Jeff Kaiser"=20
> <loopersdelight@pfmentum.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Sunday, March 19, 2006 5:19 PM
> Subject: Re: Audio Interface for Notebook Users
>
>
> It is more than you need, as far as ins/outs.....but it is nice to =
have
> them available for whatever might come your way. Plusses: Firewire
> powered, compact, and they hit the street for a little less than
> $300...jeez, you'd think I work for these guys (I don't).....
>
>
>
> Jeff Kaiser
> http://www.jeffkaisermusic.com
> pfMENTUM.com =95 AngryVegan.com
> On Mar 19, 2006, at 4:13 PM, Kris Hartung wrote:
>
>> Looks good...comes with Live too.
>>
>> Kris
>>
>> ----- Original Message ----- From: "Jeff Kaiser"=20
>> <loopersdelight@pfmentum.com>
>> To: <Loopers-Delight@loopers-delight.com>
>> Sent: Sunday, March 19, 2006 4:32 PM
>> Subject: Re: Audio Interface for Notebook Users
>>
>>
>> Try the M-Audio 410.
>>
>>
>>
>> Jeff Kaiser
>> http://www.jeffkaisermusic.com
>> pfMENTUM.com =95 AngryVegan.com
>> On Mar 19, 2006, at 3:26 PM, Kris Hartung wrote:
>>
>>> Holy moly...talk about a response! Let me see if I can summarize:
>>>
>>> 1. Echo IO =20
>>> http://www.echoaudio.com/Products/CardBus/IndigoIO/index.php - $200
>>> 2. Echo DJ -=20
>>> http://www.echoaudio.com/Products/CardBus/IndigoDJ/index.php - $200
>>> 3. MOTU Traveler - http://www.motu.com/products/motuaudio/traveler/=20=

>>> - $849
>>> 4. MOTU Ultralite - =20
>>> http://www.motu.com/products/motuaudio/ultralite/ - $549
>>> 5. MOTU 828 MKII - http://www.motu.com/products/motuaudio/828/ - =
$749
>>> 6. M-Audio 1814 -=20
>>> http://www.m-audio.com/products/en_us/FireWire1814-main.html - $499
>>> 7. M-Audio Mobilepre USB -=20
>>> http://www.m-audio.com/products/en_us/MobilePreUSB-main.html - $149
>>> 8. Metric Halo Mobile I/O ULN-2 -=20
>>> http://www.mhlabs.com/metric_halo/products/mio/uln2/ - $1075
>>> 9. Edirol FA-101 Firewire interface -=20
>>> http://www.audioamigo.com/edifa101.html - $500
>>> 10. Edirol UA-5 (USB 1.1) -=20
>>> http://www.edirol.net/products/en/UA-5/index.html - $300
>>> 11. SoundBlaster Audigy 2 ZS Notebook -=20
>>> http://www.creative.com/products/product.asp?=20
>>> category=3D1&subcategory=3D204&product=3D10769 - $100
>>>
>>> Most of these are totally overkill for me...there's no flippin' way =20=

>>> I'm spending $500-800 on an audio interface, but given the number of=20=

>>>  inputes these more expensive units have and what they can do, the =20=

>>> price does seem right.
>>>
>>> Now, for my user requirements:
>>>
>>> - 1 stereo ouput, 1 stereo input, 1 mic input (optional)
>>> - Small and portable (no rack mount units), the size of a sandwich=20=

>>> preferrably
>>> - USB, Firewire, or PCMCIA (PCMCIA is best, IF AND ONLY IF it does=20=

>>> not disable my laptop's soundcard...my Audigy 2 ZS does, which I do=20=

>>> not like)
>>> - $300 or less
>>>
>>> Given this, the Echos look good, as do the M-AudioMobilepre and=20
>>> Edirol UA-5.
>>>
>>> Kris
>>>
>>>
>>
>>
>>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Mar 20 03:08:08 2006
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Subject: Re: Audio Interface for Notebook Users
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Got it. This answers my question. The 410, then, has two mono inputs, which 
is what I need and no more for the time being.

A question for those who use the Indigo IO....does it disable your current 
soundcard? Or can you still use both at different times?

Kris

----- Original Message ----- 
From: "Jeff Kaiser" <loopersdelight@pfmentum.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, March 19, 2006 6:55 PM
Subject: Re: Audio Interface for Notebook Users


Well, now you've got me. I hooked it up for what I need, and haven't
explored all the possibilities. When I use it with max/msp, I use one
input, and then create the output routings in max. You can make the
ins/outs go wherever you want in the max environment....  So to answer
your question regarding the routing: If you are using max/msp: yes, you
can do whatever you want very easily! (Sorry, just had to make a plug
for max)

:-)

Let's see, I've just opened the software for the 1814 (I don't have a
410 here, but I think they are very similar in the software they use.)

Regarding inputs: Yes, 1/2 and 3/4 can each be linked as stereo, or
left as independent.

And yes, they can be assigned to outputs as stereo pairs. Each one has
an independent assign button to go to outputs 1/2 or 3/4.

In my Mac, it looks like one device...but I would think there is a way
to route 3/4 via software in the way you needed. I just don't know how.

Jeff

BTW, great idea...to route it to a live web stream....





Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com • AngryVegan.com
On Mar 19, 2006, at 5:17 PM, Kris Hartung wrote:

> Jeff, are the 2 inputs stereo or mono (2X8)? Also, does software read each 
> input as a separate device? It would be great to be able to take input 
> from my guitar, process it, spit it back out, but also take input from the 
> mixer's output and stream to the web.
>
> Kris
>
> ----- Original Message ----- From: "Jeff Kaiser" 
> <loopersdelight@pfmentum.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Sunday, March 19, 2006 5:19 PM
> Subject: Re: Audio Interface for Notebook Users
>
>
> It is more than you need, as far as ins/outs.....but it is nice to have
> them available for whatever might come your way. Plusses: Firewire
> powered, compact, and they hit the street for a little less than
> $300...jeez, you'd think I work for these guys (I don't).....
>
>
>
> Jeff Kaiser
> http://www.jeffkaisermusic.com
> pfMENTUM.com • AngryVegan.com
> On Mar 19, 2006, at 4:13 PM, Kris Hartung wrote:
>
>> Looks good...comes with Live too.
>>
>> Kris
>>
>> ----- Original Message ----- From: "Jeff Kaiser" 
>> <loopersdelight@pfmentum.com>
>> To: <Loopers-Delight@loopers-delight.com>
>> Sent: Sunday, March 19, 2006 4:32 PM
>> Subject: Re: Audio Interface for Notebook Users
>>
>>
>> Try the M-Audio 410.
>>
>>
>>
>> Jeff Kaiser
>> http://www.jeffkaisermusic.com
>> pfMENTUM.com • AngryVegan.com
>> On Mar 19, 2006, at 3:26 PM, Kris Hartung wrote:
>>
>>> Holy moly...talk about a response! Let me see if I can summarize:
>>>
>>> 1. Echo IO 
>>>  http://www.echoaudio.com/Products/CardBus/IndigoIO/index.php - $200
>>> 2. Echo DJ - 
>>> http://www.echoaudio.com/Products/CardBus/IndigoDJ/index.php - $200
>>> 3. MOTU Traveler - http://www.motu.com/products/motuaudio/traveler/ - 
>>> $849
>>> 4. MOTU Ultralite -  http://www.motu.com/products/motuaudio/ultralite/ - 
>>> $549
>>> 5. MOTU 828 MKII - http://www.motu.com/products/motuaudio/828/ - $749
>>> 6. M-Audio 1814 - 
>>> http://www.m-audio.com/products/en_us/FireWire1814-main.html - $499
>>> 7. M-Audio Mobilepre USB - 
>>> http://www.m-audio.com/products/en_us/MobilePreUSB-main.html - $149
>>> 8. Metric Halo Mobile I/O ULN-2 - 
>>> http://www.mhlabs.com/metric_halo/products/mio/uln2/ - $1075
>>> 9. Edirol FA-101 Firewire interface - 
>>> http://www.audioamigo.com/edifa101.html - $500
>>> 10. Edirol UA-5 (USB 1.1) - 
>>> http://www.edirol.net/products/en/UA-5/index.html - $300
>>> 11. SoundBlaster Audigy 2 ZS Notebook - 
>>> http://www.creative.com/products/product.asp? 
>>> category=1&subcategory=204&product=10769 - $100
>>>
>>> Most of these are totally overkill for me...there's no flippin' way  I'm 
>>> spending $500-800 on an audio interface, but given the number of inputes 
>>> these more expensive units have and what they can do, the  price does 
>>> seem right.
>>>
>>> Now, for my user requirements:
>>>
>>> - 1 stereo ouput, 1 stereo input, 1 mic input (optional)
>>> - Small and portable (no rack mount units), the size of a sandwich 
>>> preferrably
>>> - USB, Firewire, or PCMCIA (PCMCIA is best, IF AND ONLY IF it does not 
>>> disable my laptop's soundcard...my Audigy 2 ZS does, which I do not 
>>> like)
>>> - $300 or less
>>>
>>> Given this, the Echos look good, as do the M-AudioMobilepre and Edirol 
>>> UA-5.
>>>
>>> Kris
>>>
>>>
>>
>>
>>
>
>
>



From Loopers-Delight-request@loopers-delight.com  Mon Mar 20 03:12:30 2006
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On my Thinkpad T40, the Indigo does not disable the internal soundcard.  
You can use both (assuming your audio application allows it).

Kris Hartung wrote:

> Got it. This answers my question. The 410, then, has two mono inputs, 
> which is what I need and no more for the time being.
>
> A question for those who use the Indigo IO....does it disable your 
> current soundcard? Or can you still use both at different times?
>
> Kris
>
> ----- Original Message ----- From: "Jeff Kaiser" 
> <loopersdelight@pfmentum.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Sunday, March 19, 2006 6:55 PM
> Subject: Re: Audio Interface for Notebook Users
>
>
> Well, now you've got me. I hooked it up for what I need, and haven't
> explored all the possibilities. When I use it with max/msp, I use one
> input, and then create the output routings in max. You can make the
> ins/outs go wherever you want in the max environment....  So to answer
> your question regarding the routing: If you are using max/msp: yes, you
> can do whatever you want very easily! (Sorry, just had to make a plug
> for max)
>
> :-)
>
> Let's see, I've just opened the software for the 1814 (I don't have a
> 410 here, but I think they are very similar in the software they use.)
>
> Regarding inputs: Yes, 1/2 and 3/4 can each be linked as stereo, or
> left as independent.
>
> And yes, they can be assigned to outputs as stereo pairs. Each one has
> an independent assign button to go to outputs 1/2 or 3/4.
>
> In my Mac, it looks like one device...but I would think there is a way
> to route 3/4 via software in the way you needed. I just don't know how.
>
> Jeff
>
> BTW, great idea...to route it to a live web stream....
>
>
>
>
>
> Jeff Kaiser
> http://www.jeffkaisermusic.com
> pfMENTUM.com • AngryVegan.com
> On Mar 19, 2006, at 5:17 PM, Kris Hartung wrote:
>
>> Jeff, are the 2 inputs stereo or mono (2X8)? Also, does software read 
>> each input as a separate device? It would be great to be able to take 
>> input from my guitar, process it, spit it back out, but also take 
>> input from the mixer's output and stream to the web.
>>
>> Kris
>>
>> ----- Original Message ----- From: "Jeff Kaiser" 
>> <loopersdelight@pfmentum.com>
>> To: <Loopers-Delight@loopers-delight.com>
>> Sent: Sunday, March 19, 2006 5:19 PM
>> Subject: Re: Audio Interface for Notebook Users
>>
>>
>> It is more than you need, as far as ins/outs.....but it is nice to have
>> them available for whatever might come your way. Plusses: Firewire
>> powered, compact, and they hit the street for a little less than
>> $300...jeez, you'd think I work for these guys (I don't).....
>>
>>
>>
>> Jeff Kaiser
>> http://www.jeffkaisermusic.com
>> pfMENTUM.com • AngryVegan.com
>> On Mar 19, 2006, at 4:13 PM, Kris Hartung wrote:
>>
>>> Looks good...comes with Live too.
>>>
>>> Kris
>>>
>>> ----- Original Message ----- From: "Jeff Kaiser" 
>>> <loopersdelight@pfmentum.com>
>>> To: <Loopers-Delight@loopers-delight.com>
>>> Sent: Sunday, March 19, 2006 4:32 PM
>>> Subject: Re: Audio Interface for Notebook Users
>>>
>>>
>>> Try the M-Audio 410.
>>>
>>>
>>>
>>> Jeff Kaiser
>>> http://www.jeffkaisermusic.com
>>> pfMENTUM.com • AngryVegan.com
>>> On Mar 19, 2006, at 3:26 PM, Kris Hartung wrote:
>>>
>>>> Holy moly...talk about a response! Let me see if I can summarize:
>>>>
>>>> 1. Echo IO 
>>>>  http://www.echoaudio.com/Products/CardBus/IndigoIO/index.php - $200
>>>> 2. Echo DJ - 
>>>> http://www.echoaudio.com/Products/CardBus/IndigoDJ/index.php - $200
>>>> 3. MOTU Traveler - http://www.motu.com/products/motuaudio/traveler/ 
>>>> - $849
>>>> 4. MOTU Ultralite -  
>>>> http://www.motu.com/products/motuaudio/ultralite/ - $549
>>>> 5. MOTU 828 MKII - http://www.motu.com/products/motuaudio/828/ - $749
>>>> 6. M-Audio 1814 - 
>>>> http://www.m-audio.com/products/en_us/FireWire1814-main.html - $499
>>>> 7. M-Audio Mobilepre USB - 
>>>> http://www.m-audio.com/products/en_us/MobilePreUSB-main.html - $149
>>>> 8. Metric Halo Mobile I/O ULN-2 - 
>>>> http://www.mhlabs.com/metric_halo/products/mio/uln2/ - $1075
>>>> 9. Edirol FA-101 Firewire interface - 
>>>> http://www.audioamigo.com/edifa101.html - $500
>>>> 10. Edirol UA-5 (USB 1.1) - 
>>>> http://www.edirol.net/products/en/UA-5/index.html - $300
>>>> 11. SoundBlaster Audigy 2 ZS Notebook - 
>>>> http://www.creative.com/products/product.asp? 
>>>> category=1&subcategory=204&product=10769 - $100
>>>>
>>>> Most of these are totally overkill for me...there's no flippin' 
>>>> way  I'm spending $500-800 on an audio interface, but given the 
>>>> number of inputes these more expensive units have and what they can 
>>>> do, the  price does seem right.
>>>>
>>>> Now, for my user requirements:
>>>>
>>>> - 1 stereo ouput, 1 stereo input, 1 mic input (optional)
>>>> - Small and portable (no rack mount units), the size of a sandwich 
>>>> preferrably
>>>> - USB, Firewire, or PCMCIA (PCMCIA is best, IF AND ONLY IF it does 
>>>> not disable my laptop's soundcard...my Audigy 2 ZS does, which I do 
>>>> not like)
>>>> - $300 or less
>>>>
>>>> Given this, the Echos look good, as do the M-AudioMobilepre and 
>>>> Edirol UA-5.
>>>>
>>>> Kris
>>>>
>>>>
>>>
>>>
>>>
>>
>>
>>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Mar 20 03:19:56 2006
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    <12bf01c64bcb$81c42ec0$45b2ec0f@americas.hpqcorp.net>
Date: Sun, 19 Mar 2006 19:19:54 -0800 (PST)
Subject: Re: Audio Interface for Notebook Users
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> A question for those who use the Indigo IO....does it disable your current
> soundcard? Or can you still use both at different times?
>

Y'know, in all the years I've been using the indigo, I've never bothered
to check that. And now that it isn't working, I can't. But I'd always
assumed I could using something like ASIO4All, just never tried.

From Loopers-Delight-request@loopers-delight.com  Mon Mar 20 03:25:51 2006
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From: "-Aaron -" <virtualaaron@mail.com>
To: Loopers-Delight@loopers-delight.com
Date: Sun, 19 Mar 2006 22:27:58 -0500
Subject: Re: *First Post* need advice on midi sync looper
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"I'd think you would want the pitch to *not* change when the midi=20
clock signal speeds up."

No, I want it to change, It's all part of my 'organic' approach ;). Im not =
the slightest bit interested in timestretch/pitchshifting pagan magic. I wa=
nt it like a reel to reel etc.
If the repeater is in any way unreliable with locking to a clock then I wil=
l happily snob its extra features. And by a few reports it is a bit inconsi=
stant in this department.
So, is the EDP rock-solid-bang-on every time. Or is it prone to the odd tam=
trum too?
Are these the only two 'pro' candidates for midi syncing and quantizing?

The "start a loop and have it quantize to MTC" funtion is what it's all abo=
ut for me, and I want something that will do that every time, for extensive=
 live use.

> >>>>>>>>>>>>>
> > (Mark Sottilaro) If you want a looper that chases a
> > moving clock, the Repeater is king.
>=20
> Be warned though that the Midi sync feature of the Repeater can be=20
> a little unreliable (at least it was on my fateful unit). The few=20
> times I synced it to a DJ's laptop, it kept doing random things=20
> like doubling the tempo.... One of these times was at a gig :(
> -- Stuart Wyatt - http://swyatt.com


--=20
___________________________________________________
Play 100s of games for FREE! http://games.mail.com/

From Loopers-Delight-request@loopers-delight.com  Mon Mar 20 03:33:21 2006
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The EDP will not follow a changing MIDI clock.  Once the clock changes 
too significantly, the EDP stops trying to sync.  It does not change 
pitch, nor timestretch, at all.

-Aaron - wrote:

>"I'd think you would want the pitch to *not* change when the midi 
>clock signal speeds up."
>
>No, I want it to change, It's all part of my 'organic' approach ;). Im not the slightest bit interested in timestretch/pitchshifting pagan magic. I want it like a reel to reel etc.
>If the repeater is in any way unreliable with locking to a clock then I will happily snob its extra features. And by a few reports it is a bit inconsistant in this department.
>So, is the EDP rock-solid-bang-on every time. Or is it prone to the odd tamtrum too?
>Are these the only two 'pro' candidates for midi syncing and quantizing?
>
>The "start a loop and have it quantize to MTC" funtion is what it's all about for me, and I want something that will do that every time, for extensive live use.
>
>  
>
>>>(Mark Sottilaro) If you want a looper that chases a
>>>moving clock, the Repeater is king.
>>>      
>>>
>>Be warned though that the Midi sync feature of the Repeater can be 
>>a little unreliable (at least it was on my fateful unit). The few 
>>times I synced it to a DJ's laptop, it kept doing random things 
>>like doubling the tempo.... One of these times was at a gig :(
>>-- Stuart Wyatt - http://swyatt.com
>>    
>>
>
>
>  
>

From crpanel@141.com  Mon Mar 20 03:51:39 2006
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From: "Egudu" <crpanel@141.com>
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To: <willindavisflny@webtv.net>
Subject: BUSINESS REQUEST
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X-Note: This E-mail was scanned for spam.


FROM THE DESK OF:	PROFESSOR EGUDU JEREMIAH
	                Private E-Mail: jeremiahegudu@sify.com
                        LAGOS - NIGERIA.

Dear Sir,

REQUEST FOR URGENT BUSINESS RELATIONSHIP.  -  STRICTLY CONFIDENTIAL.

Firstly, I sincerely apologize for breaking into your privacy; however I ha=
ve decided to contact you through this medium due to the urgency of this pr=
oposed business transaction. I got your contact over the Internet during my=
 search for assistance in this mutually beneficial business transaction. I =
must first solicit your strictest confidentiality in this transaction. This=
 is by virtue of its nature as being utterly CONFIDENTIAL And =93TOP SECRET=
=94. Though I know that a transaction of this magnitude will make any one a=
pprehensive and worried, considering the fact that we have not met each oth=
er before, but I am assuring you that all will be well at the end of the da=
y.

I am Prof. Egudu Jeremiah an Accountant by profession and also a Director G=
eneral in the Nigerian National Petroleum Corporation (NNPC). Right now I a=
m presently the chairman of the Contract Awards/Review and Payment Approval=
s committee of the Nigerian National Petroleum Corporation. My colleagues a=
nd I are presently looking for a very reliable and God-fearing person to ha=
ndle a highly confidential business transaction for us, which involves the =
transfer of a huge sum of money to a foreign account requiring  maximum CON=
FIDENCE.  My colleagues and I are top Officials of the Federal Government C=
ontract Review and Award Panel. Our duties include evaluation, Vetting, and=
 Approval for payment of Contract jobs done for the N.N.P.C etc. In order t=
o commence this business we solicit for your assistance with the transfer o=
f the said funds into any bank account you will provide for this business.

The source of these funds is as follows: In the first quarter of 2005 this =
committee was mandated to review and award contracts to the tune of over US=
$400 million US dollars to a group of five firms for the supply, constructi=
on and installation of Oil Pipe lines in Warri and Port Harcourt environs. =
During this process my colleagues and I decided and agreed among ourselves =
to deliberately over-inflate the total contract sum from US$400million to U=
S$416 million with the main intention of sharing the remaining sum of US$16=
 million amongst ourselves. The Federal Government of Nigeria has since ear=
ly this year approved the sum of US$416 million for us as the contract paym=
ent, and the sum of US$400 million has also been paid out to the foreign co=
mpanies concerned as contract entitlements for the various jobs done, but s=
ince the companies are entitled to US$400 million dollars only, we are now =
left with US$16 million dollars balance in the account which we intend to d=
isburse amongst ourselves quickly, but by virtue of  our positions as civil=
 servants and members of  this panel, we cannot do this by ourselves, as  w=
e are prohibited by the Code of Conduct Bureau(Civil Service  laws) from op=
ening and/or operating foreign accounts in our names while still in Governm=
ent service, making it impossible for us to acquire the money in our  names=
 right now. Consequently, I have therefore been delegated as a matter of tr=
ust and urgency by my colleagues in the panel to look for an overseas partn=
er into whose account we would transfer the sum of US$16 million. Hence I a=
m writing you this letter.

My Colleagues and I have agreed that if you or your company can act as the =
beneficiary of these funds on our behalf, you or your Company will retain 2=
0% of the total amount (US$16 million), while 60% will be for us (OFFICIALS=
) and the remaining 20% will be used in offsetting all debts/expenses and T=
axes incurred both local and foreign in the cause of this transfer. Needles=
s to say, the trust reposed on you at this juncture is Enormous. In return =
we demand your complete honesty and trust. You must however NOTE therefore,=
 that this transaction will be strictly based on the following terms and co=
nditions as we have stated below;
a)	Our conviction of your transparent honesty and diligence
b)	That you would treat this transaction with utmost secrecy and confidenti=
ality
c)	That you will not ask for more share or try to sit on the funds once it =
is under your custody, or any form of blackmail.
d)	That upon receipt of the funds you will release the funds as instructed =
by us after you have removed your share of 20% from the total amount.

Please, note that this transaction is 100% safe, legal and risk free and we=
 hope to conclude this transaction 7 bank working days from the date of rec=
eipt of the necessary requirements from you. We are looking forward to doin=
g business with you and solicit your Total Confidentiality in this transact=
ion. There is no cause for alarm. I give you my word that you are completel=
y safe in doing business with us. Transactions like this have Been successf=
ully carried out in the past by most Government executives. Here in my coun=
try there is great economic and political disarray and thus looting and cor=
ruption is rampant and the order of the day amongst high ranking government=
 officials, thus explaining why you might have heard stories of  how money =
is been looted out of Nigeria most especially by our past Presidents, they =
are doing it for their own selfish interest while we are doing it because w=
e have to secure a good future for ourselves and our Families, so that when=
 we retire from active service we do not languish in poverty. Presently we =
are grossly underpaid as compared to our counterparts in the western world.=
 My country is blessed with so many natural resources but the revenue from =
these are being embezzled on a daily basis by those in the corridors of pow=
er without a thought for others. I will explain more to you when I have hea=
rd from you.

Please acknowledge the receipt of this letter using the above email address=
. I will bring you into the complete picture of this pending business trans=
action when I have heard from you and also receive your confidential teleph=
one and fax numbers to enable me fax to you all necessary information you n=
eed to know about our pending business transaction. I will also forward to =
you copy of my International passport so you know whom you are dealing with=
. Your urgent response will be highly appreciated to enable us still transf=
er the funds under the first financial quarter of the year 2006.

Thank you and God Bless.

Yours faithfully,

Prof. Egudu Jeremiah

N.B. PLEASE BE INFORMED THAT THIS BUSINESS TRANSACTION IS 100% LEGAL AND CO=
MPLETELY FREE FROM TERRORIST, DRUG MONEY OR MONEY LAUNDERING. THIS IS A COM=
PLETE LEGITIMATE BUSINESS TRANSACTION.







 

From Loopers-Delight-request@loopers-delight.com  Mon Mar 20 04:49:00 2006
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From: "PiNG" <ping@theambientping.com>
To: "Ambient@hyperreal" <ambient@hyperreal.org>,
	"Dark Seeds" <DarkSeedsNews@yahoogroups.com>,
	"Drone Deep Chill" <drone_deep_chill@yahoogroups.com>,
	"Loopers Delight" <Loopers-Delight@loopers-delight.com>,
	<phoniqlist@phoniq.net>,
	"The Ambient Way" <the_ambient_way@yahoogroups.com>
Subject: the PiNG presents Interweaver and NOT_digital
Date: Sun, 19 Mar 2006 23:49:00 -0500
Organization: THE AMBiENT PiNG
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THE AMBiENT PiNG  .  http://www.theambientping.com
Tuesdays @ HACiENDA . 794 Bathurst Street at Bloor . Toronto=20
(upstairs - directly across from the Bathurst subway station)=20
Doors open at 9pm . 1st set at 9:30 . PayWhatYouCan=20

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .=20

THiS Tuesday March 21st . Interweaver and NOT_digital

Leif Bloomquist (Interweaver, Schema Factor) returns to the=20
PiNG; bringing with him a set of electro-ambience incorporating=20
deep sonic drones, playful energetic synth sounds, and=20
manipulated beats. http://www.leifbloomquist.net

Braving the 401 to come in from Windsor ON, NOT_digital=20
brings their organic electronica to the PiNG stage for the second=20
set. The past few years have seen NOT_digital grow from a few
scribblings in a book to full live performances and a more than full=20
length CD release. It started with simple electronic loops and found=20
sounds sampling, continued with melodic and structural ideas and=20
finished with complex orchestral and vocal harmonies. These all=20
serving to soothe, frustrate, and question both the creators and=20
the listeners. The live performance NOT_digital is Erik Ingalls and=20
Stephen Hargreaves. These sounds are much more alive and=20
intense than those heard captured to a simple CD.=20
http://www.myspace.com/notdigital
http://notdigital.on.to

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .=20

Before Sets CD . Passage by dreamSTATE
To start the evening off we return to last year's CD release of=20
dreamSTATE's ambient soundscapes from the Bread & Water=20
multimedia installation in the Huron Historic Gaol. As Passage=20
was inspired by Lynn Harrigan's book of poetry Moon Sea=20
Crossing, this will be a preview of a little of what is to come=20
at next week's PiNG when Lynn joins dreamSTATE and=20
The Devil in the Design for the second set.
http://www.dreamstate.to
http://www.lynnharrigan.com
http://www.myspace.com/ogison

Between Sets CD . Terraforms by Sylken
This week we feature the latest from Eric Hopper's project=20
Sylken. Featuring a collection of players from the PiNG=20
community as well as some far away friends, Sylken delivers=20
a beautiful series of tracks which once again evoke the project=20
name. Read more about it here in rik's *ping things* CD=20
review below and hear it Tuesday @ the PiNG.=20

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .=20

COMiNG Tuesday March 28th . Vessel =3D Menno Krant +=20
The Devil in the Design and dreamSTATE with=20
The Devil in the Design + Lynn Harrigan

VESSEL; A collaborative performance with=20
Phil Ogison {The Devil in The Design} and Menno Krant

Vessel: This project represents the interface of two artistic=20
disciplines, visual art and music. Modern Artist Menno Krant;=20
painter and Phil Ogison; Ambient Guitarist and Electronics=20
Improviser, combine their unique gifts in a series of five=20
performances, which explore the definition of music as fine art=20
and the body as vessel for sound and colour. The first of these=20
performances will take place March 28.06 in Toronto.

Menno Krant is a self-taught visionary artist whose unique=20
painting techniques have given him international recognition and=20
acclaim. Mr. Krant has been the subject of many documentaries=20
and scholarly dissertations. Phil Ogison has been involved in=20
the experimental visual and audio art scene since the mid 1960s.=20
He continues to work in both areas with a current emphasis on=20
performing ambient/experimental music with a variety of artists,=20
notably members of the Worthy Records collective and=20
THE AMBiENT PiNG Community in Toronto. Phil's music=20
is available on the world wide web, through ping things=20
and The Canadian Music Centre.
http://tditd.tripod.com/vessel
http://www.mennokrant.com
http://www.myspace.com/ogison

To close the evening, a mixed set of ambient electronic=20
soundscapes, sequences and poetry by dreamSTATE=20
with The Devil in The Design and Lynn Harrigan.
http://www.dreamstate.to
http://www.lynnharrigan.com
http://www.myspace.com/ogison

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .=20

rik maclean's *ping things* CD Reviews

Sylken . "Terraforms"

Eric Hopper's project Sylken returns with "Terraforms", a beautiful=20
example of the ambient ideal. Working with some of the brightest=20
talents in the AMBiENT PiNG community including frequent=20
collaborator Steven Sauve, along with Wally Jericho, Jamie Todd=20
of dreamSTATE, Terry O'Brien of Anomalous Disturbances and=20
Gregory Kyryluk of Alpha Wave Movement, Hopper has collected=20
a series of melodic ambient tracks of great beauty and wonder.

>From the throbbing pulse of opening track "Terra Rising", where=20
graceful arpeggios and deep pads blend together with each other=20
to form a delicate web of sound, the listener is caught up in the=20
beauty inherent in all of Sylken's work. A lovely way to start=20
the disc.

"Landfalls" follows, a track that suggests a rainforest, an=20
environment rich with vivid colour and beauty, lush keyboard=20
washes bringing to mind thick forests of greenery. A wonderful=20
example of environmental ambience.

Track three "Breath of Life" slows down the tempo slightly, a=20
fragile and beautiful piece where occasional piano dances around=20
sweeping soundscapes that pass through the sound field like a=20
slow wind. Fragile and lovely.

"Enfoldment" brings about a womb-like listening experience where=20
the senses become focused entirely on the music, Wally Jericho's=20
sax bringing an otherworldly beauty to the piece.

"The Shores of Space" is a fine example of space music, a track=20
that evokes the sensation of slow orbits around alien planets.=20
Oblique movement and gently building waves of sound are=20
underscored by soft melodies suggestive of stars. Beautiful.

Title track "Terraforms" is a lovely percolating soundscape that=20
brings to mind the birth of planets, continents slowly taking shape=20
over the course of millions of years. Wally Jericho appears again,=20
lovely trumpet work giving the track an organic feeling, the spark=20
of a soul that reminds us that the earth is just as much of a living=20
thing as you or I.

"World of One" blends pads and drones, echoing tones and=20
keening notes to suggest a pulse, a heartbeat, the beginnings of=20
life. Subtly shifting tones and the tinkling of glass play throughout,=20
a stunning work of minimalist wonder.

Track eight, "Gaia's lament" is a poignant piece, a slowly drifting=20
series of pads that float around the senses, playing on the edge of=20
our awareness. Nuance and infrequent shifts give shape to the track,=20
a million instants of change so subtle that they're lost in the blink=20
of an eye if you aren't already in tune with them.

"The Drift of Time" follows, a delicate melodic ambient track=20
where pads rise and fall in strength over top a mesmerizing=20
tonal pattern. Stunning.

"Zen Sky", featuring a guest appearance by Gregory Kyryluk of=20
Alpha Wave Movement, closes the disc. A shimmering otherworldly=20
piece filled with glittering notes and musical phrases, "Zen Sky"=20
encapsulates the whole disc experience for the listener.=20
A wonderful piece, and a lovely way to close the disc.

Listening to "Terraforms" I can't help but be put under the spell of=20
Sylken's charms. All of the tracks bring to mind a variety of different=20
emotions and feelings throughout the course of the disc's length, a=20
testimony to the talent and artistry inherent in the music that it can =
be=20
so evocative. Once again Sylken has succeeded in creating music=20
that brilliantly captures a mood, a feeling, a time and a space.=20
Stunning work that comes highly recommended, as does=20
the rest of the Sylken catalogue.

"Terraforms" by Sylken is available now at ping things!
http://www.pingthings.com/SYLKENterra.htm

Interested in finding out more about Sylken? ping things has an=20
exclusive interview with Eric Hopper in our featured section!=20
Check it out at  http://www.pingthings.com/PTfeaturesNF.htm

Interested in hearing some tracks from "Terraforms"?=20
Tune into ping things radio every Sunday evening=20
from 9pm to midnight EST at=20
http://www.live365.com/stations/marastorment=20
to hear music from Sylken and other artists=20
in the ping things catalogue!

rik maclean - rik@pingthings.com

http://www.pingthings.com =3D ambient + electronic + chill things=20

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .=20

* Other Toronto area sonic/visual events of interest this week:

* Monday March 20th . Marcel Au Coin trio
   Marcel Au Coin keyboards
   Chris Banks bass
   Jake Oelrichs drums
   8pm . Dominion on Queen . 500 Queen St. E.=20
   (1 light east of parliament) . $5

* Thursday March 23rd . Improvisors' Pool
   The improvisors' pool is a weekly gathering for musicians who=20
   practice collective free improvisation. It welcomes players=20
   of all levels and backgrounds.
   7:00-9:00 . Ralph Thornton Centre . 765 Queen Street East
  =20
* Thursday March 23rd .  marcel aucoin trio
   marcel aucoin keyboards
   chris banks=A0 bass
   jake oelrichs drums
   9:30pm . supermarket 268 augusta avenue=20

* Thursday/Friday March 23rd/24th . Tim Posgate's Jazzstory
   Tim Posgate, Rob Clutton, Lina Allemano and=20
   special guest: Nick Fraser
   9pm . The Red Guitar 603 Markham St.
  =20
* Friday, March 24th . Leftover Daylight Series
   in association with Arraymusic and AIMT
   i- Cooney / Haley=A0/ Thomson
   w/ shannon cooney dancer / geordie haley guitar /=20
   scott thomson trombone  =20
   ii-=A0Fisher / Jovicevic / Piilonen / Shugarman / Sorbara
   w/=A0=A0colin fisher saxophone / jasna jovicevic reeds /=20
   rob piilonen flute / sarah shugarman violin / joe sorbara drums   =A0
   iii-=A0Dan Pencer Quartet
   w/ dan pencer saxophone /=A0thom gill guitar / bram gielen bass /=20
   matt pencer drums
   9pm . ARRAYMUSIC Studio 60 Atlantic Ave., Ste 218 . $10/6
  =20
* Friday March 24th . Dave Clark's Woodshed Orchestra
   w/ special guests: the silent 5 & the Mountainside band  =20
   The Woodshed Orchestra features the likes of Blake=20
   Howard-drums, Doug Friesen-bass & tuba, Michael=20
   Johnston-piano & accordion, Tom Howell-violin & piano,
   Joe Lapinski-guitar and Dave Clark-guitar-vocals & piano.=20
   The DCWO will takes some giant steps off of big cliffs and into=20
   the freak zone with free form stylings suited to all who would=20
   attend. The silent 5 brings about the trace-like momentum of a=20
   desert wind. The mountainside band rumbles and rolls its way=20
   through the bush and out onto the beach.
   10pm . the Tranzac 292 Brunswick Ave . p.w.y.c.
    =20
* Friday March 24th . CKLN 88.1 and Mark Hundevad present a=20
   memorial concert for legendary free jazz trumpeter Raphe Malik.
   Featuring Sabir Mateen and Kenny Baldwin on saxophones,=20
   Brandi Disterheft on bass, and Mark Hundevad on drums,
   vibes and percussion.
   9pm . Cabbagetown Community Arts Center=20
   454 Parliament Street . $20
  =20
* Friday, March 24th . Synchro presents BENJAMIN BOLES=20
   with resident DJs DENISE BENSON & ANDREW ALLSGOOD
   Andy Poolhall, 489 College St., Toronto
   no cover before midnight - $5 after - 19+
  =20
* Saturday March 25th . vague terrain presents...
   11t1 / I am robot and proud / sourfly /=20
   dj ether.mann - vague terrain / vj / nokami
   This month we will be showcasing a trio of producers working=20
   within the always-ambiguous territories of IDM. This event will=20
   be the official launch Toronto based 11t1's debut album "tracks"=20
   to be released on the Suburb record label (out of London) this=20
   spring. 11t1, will be playing a variety of "pop-influenced,=20
   jazz-tinged, hip-hop misappropriated, quasi-generative" material=20
   from this new album at our event. Our second guest is I am Robot=20
   and Proud who will be premiering some of his signature electronic=20
   pop from his forthcoming album "The Electricity in your House=20
   wants to Sing" due out later this month on Darla records. Last=20
   but not least is a (fairly rare) set by bleep n' bass studio shut-in=20
   Sourfly. Rounding out the night will be a VJ performance by=20
   Nokami and an opening DJ set by vague terrain resident=20
   ether.mann.
   9pm - 2am . art bar / the gladstone hotel 1214 queen st. west . $5

* Sunday March 26th . The NOW Series
   presented by AIMT and the NOW Lounge
   2-3:30- Nick Fraser=92s grant writing workshop   =A0
   4:00- "Unconscious 3"
   John Wilson - Guitar, Jay Hay - Saxophones, Eric Allen - Drums   =A0
   5:00- Nilan Perera - Guitar / Colin Fisher - Sax & Guitar   =A0
   6:00- TBA
   NOW Lounge, 189 Church St. . $6  =20
  =20
* Sunday March 26th . HENRY KAISER, LUKAS LIGETI,=20
   JOHN OSWALD, MICHAEL SNOW & CASEY SOKOL
   8 PM . The Music Gallery, 197 John St., Toronto
   all ages . $20 regular/$15 member + senior/$10 student
  =20
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .=20

THE AMBiENT PiNG is a social sound/art event presenting live=20
performances by Toronto's finest ambient, chillout, improv and=20
experimental music artists plus performers from around the world,=20
every Tuesday evening at HACiENDA . 794 Bathurst Street at Bloor.=20
http://www.theambientping.com=20

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .=20

Please forward this e-mail to any friends who may be interested in=20
live ambient, chillout and experimental music performances or to=20
any of your appropriate newsgroups. Thanks.

From Loopers-Delight-request@loopers-delight.com  Mon Mar 20 06:29:23 2006
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Date: Mon, 20 Mar 2006 00:23:34 -0600
From: Shayne Cafferata <scafferata@sasktel.net>
Subject: Re: Best Cheap Guitar Synth
To: Loopers-Delight@loopers-delight.com
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This is a multi-part message in MIME format.

--Boundary_(ID_05M4ccWZG+xXNNGraUmZRg)
Content-type: text/plain; charset=us-ascii; format=flowed
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altho' it will be considered "old and glitchy" by most,  one of the best 
cheap guitar synth purchases i've made is a korg x911. it has a 1/4" 
audio input, so you can use anything, not just guitar, as a controller. 
it's main  functions are either a monosynth very similar to the ms10 or 
a unique polyphonic filter effect with fairly precise envelope-shaping 
capability and optional distortion.
as a monosynth w/guitar controller, i've been able to get some great 
analog synthbass as well as higher octave flute-type leads. since i've 
learned to play with a very clean staccato technique, i've encountered 
very little glitching or lag. the triggering is pretty much instantaneous.
as a polyphonic filter effect w/guitar controller, the results are more 
varied. you can get an eh micro-synth type of sound with dirt and wank. 
you can get cleaner synth-like tones. in this mode the original sound 
source is being processed, and when you play polyphonically, glitching 
abounds, but i love it and have learned to more or less control it's 
intensity and frequency of occurrence. the glitching has a burbling 
musicality to it and not at all like the glitching on a gr700.
the greatest asset of the x911 is being able to send anything through 
it. the monosynth works amazingly with strictly monophonic sources such 
as voice and electronic wind instruments. the filter effect can tranform 
mediocre drum machines into a grimy vortex of groove. after owning one 
for over five years, i still use it regularly and rarely pass up a 
chance to rave about it.
hey i didn't know the vg-8's had dropped that much in price! wow, maybe 
time to pick one up...

shayne
....still waiting for my dd20...on back order...sigh

> I want something that will take the guitar as signal and allow me to 
> do synth-like manipulation of it.  I already have a GR-33 but the 
> latency on fast passages drives me nuts.
>
> The Roland VG technology can probably give you what you're looking 
> for, with no latency (since it processes the existing signal, rather 
> than using MIDI conversion, or "pitch-to-glitch" as it's occasionally 
> known.
>
> The original Roland VG-8 has been going for pretty good prices over on 
> Ebay.  I picked up one a couple months ago for a little over $250 
> (excellent condition, and included a flight case and extra Boss EV-5 
> expression pedal).  I've seen 'em going for as little as ~$150 for the 
> VG-8 alone.  It requires a GK pickup, but I've seen used GK-2a's 
> passing for $60-90, which puts the whole setup at just a little over 
> your budget. 


--Boundary_(ID_05M4ccWZG+xXNNGraUmZRg)
Content-type: text/html; charset=us-ascii
Content-transfer-encoding: 7BIT

<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
  <meta http-equiv="Content-Type" content="text/html;charset=ISO-8859-1">
  <title></title>
</head>
<body text="#000000" bgcolor="#ffffff">
<meta http-equiv="Content-Type" content="text/html;charset=ISO-8859-1">
<title></title>
altho' it will be considered "old and glitchy" by most,&nbsp; one of the
best cheap guitar synth purchases i've made is a korg x911. it has a
1/4" audio input, so you can use anything, not just guitar, as a
controller. it's main&nbsp; functions are either a monosynth very similar to
the ms10 or a unique polyphonic filter effect with fairly precise
envelope-shaping capability and optional distortion.<br>
as a monosynth w/guitar controller, i've been able to get some great
analog synthbass as well as higher octave flute-type leads. since i've
learned to play with a very clean staccato technique, i've encountered
very little glitching or lag. the triggering is pretty much
instantaneous.<br>
as a polyphonic filter effect w/guitar controller, the results are more
varied. you can get an eh micro-synth type of sound with dirt and wank.
you can get cleaner synth-like tones. in this mode the original sound
source is being processed, and when you play polyphonically, glitching
abounds, but i love it and have learned to more or less control it's
intensity and frequency of occurrence. the glitching has a burbling
musicality to it and not at all like the glitching on a gr700.<br>
the greatest asset of the x911 is being able to send anything through
it. the monosynth works amazingly with strictly monophonic sources such
as voice and electronic wind instruments. the filter effect can
tranform mediocre drum machines into a grimy vortex of groove. after
owning one for over five years, i still use it regularly and rarely
pass up a chance to rave about it.<br>
hey i didn't know the vg-8's had dropped that much in price! wow, maybe
time to pick one up...<br>
<br>
shayne<br>
....still waiting for my dd20...on back order...sigh<br>
<br>
<blockquote type="cite">I want something that will take the guitar as
signal and allow me to do synth-like manipulation of it.&nbsp; I already
have a GR-33 but the latency on fast passages drives me nuts. <br>
  <br>
The Roland VG technology can probably give you what you're looking for,
with no latency (since it processes the existing signal, rather than
using MIDI conversion, or "pitch-to-glitch" as it's occasionally known.
  <br>
  <br>
The original Roland VG-8 has been going for pretty good prices over on
Ebay.&nbsp; I picked up one a couple months ago for a little over $250
(excellent condition, and included a flight case and extra Boss EV-5
expression pedal).&nbsp; I've seen 'em going for as little as ~$150 for the
VG-8 alone.&nbsp; It requires a GK pickup, but I've seen used GK-2a's
passing for $60-90, which puts the whole setup at just a little over
your budget.
</blockquote>
</body>
</html>

--Boundary_(ID_05M4ccWZG+xXNNGraUmZRg)--

From Loopers-Delight-request@loopers-delight.com  Mon Mar 20 12:01:16 2006
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From: a k butler <akbutler@tiscali.co.uk>
Subject: Re:Looper's Delight Playlist - Send your MP3 links
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At 03:25 20/03/06, you wrote:
>Here is the playlist, currently just Y2K5 recordings:
>
>http://www.boisemusicians.com/loopers-delight.m3u
>
>Kris

nice!

now I have Ted Killian playing......excellent

apparently the m3u format won't work on Firefox tho'

...do any mac users get the stream to work?

andy butler

   

From Loopers-Delight-request@loopers-delight.com  Mon Mar 20 12:17:35 2006
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From: Per Boysen <per@boysen.se>
Subject: Re: more streams
Date: Mon, 20 Mar 2006 13:13:53 +0100
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On 19 mar 2006, at 17.38, Kris Hartung wrote:
> http://www.boisemusicians.com/y2k5.m3u

Streaming back fine here in iTunes on a Mac ;-)
Artists name coming up in the display.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast? 
id=128679560&s=143456



From Loopers-Delight-request@loopers-delight.com  Mon Mar 20 12:52:53 2006
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Works just fine here - PC, Firefox and windows media player all the way.

Andr'.

a k butler wrote:
> At 03:25 20/03/06, you wrote:
>> Here is the playlist, currently just Y2K5 recordings:
>>
>> http://www.boisemusicians.com/loopers-delight.m3u
>>
>> Kris
> 
> nice!
> 
> now I have Ted Killian playing......excellent
> 
> apparently the m3u format won't work on Firefox tho'
> 
> ...do any mac users get the stream to work?
> 
> andy butler
> 
>  
> 
> .
> 

From Loopers-Delight-request@loopers-delight.com  Mon Mar 20 13:43:12 2006
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From: a k butler <akbutler@tiscali.co.uk>
Subject: Re: Re:Re: Best Cheap Guitar Synth
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>If your broke, listen to Andy and get some sort of
>distortion with some filters.  Couple that with a
>volume pedal (I like mine after the distortion and
>before the filter and delay) and you can get some
>pretty synthy tones out of your guitar with no
>glitching.  Add and ebow and fun will result.

yep, that's the ticket.

After, what's an analog synth but an oscillator running through a filter.

The guitar becomes the oscillator, so you just need a filter.
Then all the distortion does is add a load of harmonics (changing the 
"oscillator waveform" )
which give the filter more to work on.

Even the common wah-wah can sound synthy, if you put the distortion 
in front of it.

If you can get a filter that triggers on each note, that helps,
..and a similar, but more organic sound can be had if the filter frequency
responds to the volume of your playing (envelope follower).

The EH micro-synth has an octave divider too,
that's actually a synthesized tone an octave below the one you put in
( so if you play more than one note it really glitches).
So if you go for a simple distortion> filter setup you could
always add an octave divider later (Boss OC2 is recommended).

The Akai MFC-42 filter is available cheap these days, that's probably 
worth checking out
(I've never tried one, but Per recommends)

I actually have, and use the Line 6 Filter Pro.
It does have synth sounds as well as filters, so worth checking out.
I have to say though, that I'm not totally won over by it.
Although it produces a lot of different sounds in one box the synth tones are
very "digital" sounding, especially in the upper registers.
( either bad programming by line 6, or just that they didn't have the 
processing power to do it properly).
I had to work quite hard to get sounds I thought were acceptable.

other cheap filters

MAM Warp 9 , the most synth like, but difficult to program.

MAM Res 3 , easy to use, ...quirky

Zoom 1201 has a set of nice auto-filters, some of them triggered, and 
some responding to envelope.

andy butler
www.andybutler.com info & mp3s










From Loopers-Delight-request@loopers-delight.com  Mon Mar 20 13:54:12 2006
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Hi all

I'm writing an essay on 'the wider role of the laptop in music' I have to 
research three different styles where it is used, I thought I might just 
throw this into the 'community' if anyone has any interesting input it would 
be appreciated.  Styles that spring to mind so far are, experimental, 
electronic(a) and some kind of beat orientated music

Cheers
Dan
web.mac.com/danmayfield


From Loopers-Delight-request@loopers-delight.com  Mon Mar 20 13:59:35 2006
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Forgive me if I'm wrong, but isn't that more or less one genre? 
experimental, beat oriented electronic music? ;-)

I'd take a close look on the experimental side of it, esp. the IDM and 
perhaps noise-genres, some of which use custom scripting to generate 
output - this approach is getting pretty close to AI-participation and 
it's very interesting to see and hear software interacting with the 
player in quite complex ways.

Andreas

Dan Mayfield wrote:
> 
> Hi all
> 
> I'm writing an essay on 'the wider role of the laptop in music' I have 
> to research three different styles where it is used, I thought I might 
> just throw this into the 'community' if anyone has any interesting input 
> it would be appreciated.  Styles that spring to mind so far are, 
> experimental, electronic(a) and some kind of beat orientated music
> 
> Cheers
> Dan
> web.mac.com/danmayfield
> 
> 
> 
> .
> 

From Loopers-Delight-request@loopers-delight.com  Mon Mar 20 14:09:33 2006
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From: Kelly Coyle <kellycoyle@charter.net>
Subject: Re: Best Cheap Guitar Synth
Date: Mon, 20 Mar 2006 08:09:29 -0600
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The Adrenalinn can do all of this, too. It has a variety of filters  
(the step filter is pretty cool) along with what I find to be nice  
sounding amp sims (you can turn them off) and a very strange drum  
machine (also can be turned off). Used = $300 or so, these days.




-----
Music: http://www.kellycoyle.net
Blog: http://wwwquotidianme.blogspot.com/


On Mar 20, 2006, at 7:40 AM, a k butler wrote:

>
>> If your broke, listen to Andy and get some sort of
>> distortion with some filters.  Couple that with a
>> volume pedal (I like mine after the distortion and
>> before the filter and delay) and you can get some
>> pretty synthy tones out of your guitar with no
>> glitching.  Add and ebow and fun will result.
>
> yep, that's the ticket.
>
> After, what's an analog synth but an oscillator running through a  
> filter.
>
> The guitar becomes the oscillator, so you just need a filter.
> Then all the distortion does is add a load of harmonics (changing  
> the "oscillator waveform" )
> which give the filter more to work on.
>
> Even the common wah-wah can sound synthy, if you put the distortion  
> in front of it.
>
> If you can get a filter that triggers on each note, that helps,
> ..and a similar, but more organic sound can be had if the filter  
> frequency
> responds to the volume of your playing (envelope follower).
>
> The EH micro-synth has an octave divider too,
> that's actually a synthesized tone an octave below the one you put in
> ( so if you play more than one note it really glitches).
> So if you go for a simple distortion> filter setup you could
> always add an octave divider later (Boss OC2 is recommended).
>
> The Akai MFC-42 filter is available cheap these days, that's  
> probably worth checking out
> (I've never tried one, but Per recommends)
>
> I actually have, and use the Line 6 Filter Pro.
> It does have synth sounds as well as filters, so worth checking out.
> I have to say though, that I'm not totally won over by it.
> Although it produces a lot of different sounds in one box the synth  
> tones are
> very "digital" sounding, especially in the upper registers.
> ( either bad programming by line 6, or just that they didn't have  
> the processing power to do it properly).
> I had to work quite hard to get sounds I thought were acceptable.
>
> other cheap filters
>
> MAM Warp 9 , the most synth like, but difficult to program.
>
> MAM Res 3 , easy to use, ...quirky
>
> Zoom 1201 has a set of nice auto-filters, some of them triggered,  
> and some responding to envelope.
>
> andy butler
> www.andybutler.com info & mp3s
>
>
>
>
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Mar 20 14:44:08 2006
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Subject: RE: Looper's Delight Playlist - Send your MP3 links
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> apparently the m3u format won't work on Firefox tho'

yes it does, but you first have to install an mp3 player software, such as
Winamp. Winamp would register the m3u filetype and tell the browser that you
use. You can also install it manually I think.

-Michael
www.michaelpeters.de

From Loopers-Delight-request@loopers-delight.com  Mon Mar 20 14:56:44 2006
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From: Per Boysen <per@boysen.se>
Subject: Re: Looper's Delight Playlist - Send your MP3 links
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>> apparently the m3u format won't work on Firefox tho'
> On 20 mar 2006, at 15.44, Michael Peters wrote:

> yes it does, but you first have to install an mp3 player software,  
> such as
> Winamp.

If you use a Mac you do not have to install an mp3 player, since  
iTunes is already part of the system. Kris streaming link opened fine  
in OS X / iTunes here, but not Andy's. Maybe Andy and Kris can  
compare their scripting text files to solve this?

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast? 
id=128679560&s=143456



From Loopers-Delight-request@loopers-delight.com  Mon Mar 20 15:13:56 2006
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Hm. This is my work machine and it had Windows media player on it out of 
the box, as far as I know - it reads m3u without problems.

andreas.

Michael Peters wrote:
>> apparently the m3u format won't work on Firefox tho'
> 
> yes it does, but you first have to install an mp3 player software, such as
> Winamp. Winamp would register the m3u filetype and tell the browser that you
> use. You can also install it manually I think.
> 
> -Michael
> www.michaelpeters.de
> 
> 
> .
> 

From Loopers-Delight-request@loopers-delight.com  Mon Mar 20 16:06:15 2006
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Date: Mon, 20 Mar 2006 08:06:13 -0800 (PST)
From: scott hansen <evanpeewee@yahoo.com>
Subject: best cheap gtr synth..../role of laptop
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best cheap gtr synth-
  well you could get a digitech synth wah, it's cheap and works well (for me).
  any cheap o multi-effects unit (i currently use digitech rp100 and zoom g2-together)
  that can combine a pitchshifting option w/ some type of filtering (envelope, etc)
  and use it in conjuction w/ volume pedal works well.
  the funny thing is the preset on my g2 that is dedicated as the "gtr synth" sounds nothing like a gtr synth to me.
   
  role of laptop-
  well if you're going to tackle this, i think that you'd want to be familiar w/ the different types of cds/music that uses this technology.(and boy i bet there are lots out there)
  to me, i think it needs to be divided into, is it an instrument or just a tool for recording?
  if its a tool for recording, to me it seems like that is dominated by dance music (which usually uses loops)-and i don't know too much about current dance music. but the thing it offers is easy and portabiltiy--the ex. i remember reading about was creator of 'alias' tv show came up w/ the theme song for show on flight back to US on his laptop-and the theme was that techno-oriented dance style (which i thought sounded cool back in '01)...and i'm sure there are 100s of stories of artists/musicians who work like this and put out music, i just don't know of all/others...
  i only know of a few people (and i know there are more, just my limited resources and time)-but the ones who use the laptop as an instrument, from what i've heard, have been jim o'rourke (don't have that album), fennesz, and oren ambarchi....all 3 are guitarists, and 2 albums i've heard of each of the last 2, generally tend to be processed noise, that at times borders on ambient music....which if i were to catagorize, would probably be placed under "experimental"--they seem to be the leading lights of 'underground, small -independant-based labels' (whatever that means)...the other source would to be to look at the mego and touch labels, seems to be lots of folks there.
  since there have been lots of 'laptop' threads here, you'll probably want to get the advice of those who use it in their different capacities.
  my 2 cents....s----

		
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<div>best cheap gtr synth-</div>  <div>well you could get a digitech synth wah, it's cheap and works well (for me).</div>  <div>any cheap o multi-effects unit (i currently use digitech rp100 and zoom g2-together)</div>  <div>that can combine a pitchshifting option w/ some type of filtering (envelope, etc)</div>  <div>and use it in conjuction w/ volume pedal works well.</div>  <div>the funny thing is the preset on my g2 that is dedicated as the "gtr synth" sounds nothing like a gtr synth to me.</div>  <div>&nbsp;</div>  <div>role of laptop-</div>  <div>well if you're going to tackle this, i think that you'd want to be familiar w/ the different types of cds/music that uses this technology.(and boy i bet there are lots out there)</div>  <div>to me, i think it needs to be divided into, is it an instrument or just a tool for recording?</div>  <div>if its a tool for recording, to me it seems like that is dominated by dance music (which usually uses loops)-and i don't know too much about
 current dance music. but the thing it offers is easy and portabiltiy--the ex. i remember reading about was creator of 'alias' tv show came up w/ the theme song for show on flight back to US on his laptop-and the theme was that techno-oriented dance style (which i thought sounded cool back in '01)...and i'm sure there are 100s of stories of artists/musicians who work like this and put out music, i just don't know of all/others...</div>  <div>i only know of a few people (and i know there are more, just my limited resources and time)-but the ones who use the laptop as an instrument, from what i've heard, have been jim o'rourke (don't have that album), fennesz, and oren ambarchi....all 3 are guitarists, and 2 albums i've heard of each of the last 2, generally tend to be processed noise, that at times borders on ambient music....which if i were to catagorize, would probably be placed under "experimental"--they seem to be the leading lights of 'underground, small -independant-based
 labels' (whatever that means)...the other source would to be to look at the mego and touch labels, seems to be lots of folks there.</div>  <div>since there have been lots of 'laptop' threads here, you'll probably want to get the advice of those who use it in their different capacities.</div>  <div>my 2 cents....s----</div><p>
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From Loopers-Delight-request@loopers-delight.com  Mon Mar 20 17:45:13 2006
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From: goddard.duncan@mtvne.com
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Subject: RE: Knustford in May (was: what a loop has to say)
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indeed I have, & thoroughly enjoyed it. will submit you a more in-depth
"review" in due course, though it was what prompted me to offer to send you
some of our other, less electronic works of years past.
d.
-----Original Message-----
From: mungenast@earthlink.net [mailto:mungenast@earthlink.net]
Sent: 17 March 2006 18:55
To: Loopers-Delight@loopers-delight.com
Subject: RE: Knustford in May (was: what a loop has to say)


Thanks for the background info!
 
BTW, have you had a chance to listen to "The Un-stableboy" yet, in both
seconds of your spare time?
;-)
 
~Tim
 


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<DIV><FONT face="AmericanTypewriter Medium" color=#0000ff size=2><SPAN 
class=462043817-20032006>indeed I have, &amp; thoroughly enjoyed it. will submit 
you a more in-depth "review" in due course, though it was what prompted me to 
offer to send you some of our other, less electronic works of years 
past.</SPAN></FONT></DIV>
<DIV><FONT face="AmericanTypewriter Medium" color=#0000ff size=2><SPAN 
class=462043817-20032006>d.</SPAN></FONT></DIV>
<DIV class=OutlookMessageHeader dir=ltr align=left><FONT face=Tahoma 
size=2>-----Original Message-----<BR><B>From:</B> mungenast@earthlink.net 
[mailto:mungenast@earthlink.net]<BR><B>Sent:</B> 17 March 2006 
18:55<BR><B>To:</B> Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> RE: 
Knustford in May (was: what a loop has to say)<BR><BR></FONT></DIV>
<DIV>Thanks for the background info!</DIV>
<DIV><FONT face="AmericanTypewriter Medium" color=#0000ff 
size=2></FONT>&nbsp;</DIV>
<DIV>BTW, have you had a chance to listen to "The Un-stableboy" yet, in both 
seconds of your spare time?</DIV>
<DIV>;-)</DIV>
<DIV><FONT face="AmericanTypewriter Medium" color=#0000ff 
size=2></FONT>&nbsp;</DIV>
<DIV>~Tim</DIV>
<DIV>&nbsp;</DIV></ZZZBODY></ZZZHTML><CODE><FONT SIZE=3><BR>
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From: goddard.duncan@mtvne.com
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Subject: RE: gesamtkunstwerk
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>>>This is one of the examples where it requires you to incorporate the tech
failures into the Gesamtkunstwerk (a term coined by Richard Wagner to
describe music, lyrics, theatre elements and everything around it becoming
one big piece of art)...I remember having a repeater dropping out of sync
during a performance while I was singing, so I started to sing lyrics about
people subjected to equipment failures and did a call and response thing
with the repeater resyncing and dropping out again...<<
> > (Mark Sottilaro) If you want a looper that chases a moving 
> clock, the 
> > Repeater is king.
> 
> Be warned though that the Midi sync feature of the Repeater 
> can be a little unreliable (at least it was on my fateful 
> unit). The few times I synced it to a DJ's laptop, it kept 
> doing random things like doubling the tempo.... 
> One of these times was at a gig :(
> --
> Stuart Wyatt<<<

aiiieeee!...... amongst these three posts lies the truth..... caveat
loop-or. 

I can add thusly: the repeater is indeed great at following an external
clock, & doing what it sees fit by way of time compression or stretching to
make the loops fit the new tempo. it does occasionally decide to go to
double tempo /but only (in my case) when recording a new loop from scratch &
the external clock is still selected but absent/. this seems to confuse it. 
& it will occasionally do stuff like this when you are on stage or on the
radio. mine has stopped suddenly when it was carrying the bulk of a
performance (i.e. we were resting some sporadic noises on a bed of loopiness
when the loopiness suddenly went away). it says stuff like "not ready" or
"cfc too slow" seemingly at random, when at other times the same combination
of operations doesn't seem to bother it. can cfc get fragmented?

"honour thy mistake as a hidden intention" says fripp, & there's something
similar from john bonham about "if you make a mistake, do it two or three
times so people think you meant it that way"..... so if the repeater drops
out suddenly, we pretend it was supposed to.

d.


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<P><FONT SIZE=3D2>&gt;&gt;&gt;This is one of the examples where it requires=
 you to incorporate the tech</FONT>
<BR><FONT SIZE=3D2>failures into the Gesamtkunstwerk (a term coined by Rich=
ard Wagner to</FONT>
<BR><FONT SIZE=3D2>describe music, lyrics, theatre elements and everything =
around it becoming</FONT>
<BR><FONT SIZE=3D2>one big piece of art)...I remember having a repeater dro=
pping out of sync</FONT>
<BR><FONT SIZE=3D2>during a performance while I was singing, so I started t=
o sing lyrics about</FONT>
<BR><FONT SIZE=3D2>people subjected to equipment failures and did a call an=
d response thing</FONT>
<BR><FONT SIZE=3D2>with the repeater resyncing and dropping out again...&lt=
;&lt;</FONT>
<BR><FONT SIZE=3D2>&gt; &gt; (Mark Sottilaro) If you want a looper that cha=
ses a moving </FONT>
<BR><FONT SIZE=3D2>&gt; clock, the </FONT>
<BR><FONT SIZE=3D2>&gt; &gt; Repeater is king.</FONT>
<BR><FONT SIZE=3D2>&gt; </FONT>
<BR><FONT SIZE=3D2>&gt; Be warned though that the Midi sync feature of the =
Repeater </FONT>
<BR><FONT SIZE=3D2>&gt; can be a little unreliable (at least it was on my f=
ateful </FONT>
<BR><FONT SIZE=3D2>&gt; unit). The few times I synced it to a DJ's laptop, =
it kept </FONT>
<BR><FONT SIZE=3D2>&gt; doing random things like doubling the tempo.... </F=
ONT>
<BR><FONT SIZE=3D2>&gt; One of these times was at a gig :(</FONT>
<BR><FONT SIZE=3D2>&gt; --</FONT>
<BR><FONT SIZE=3D2>&gt; Stuart Wyatt&lt;&lt;&lt;</FONT>
</P>

<P><FONT SIZE=3D2>aiiieeee!...... amongst these three posts lies the truth.=
.... caveat loop-or. </FONT>
</P>

<P><FONT SIZE=3D2>I can add thusly: the repeater is indeed great at followi=
ng an external clock, &amp; doing what it sees fit by way of time compressi=
on or stretching to make the loops fit the new tempo. it does occasionally =
decide to go to double tempo /but only (in my case) when recording a new lo=
op from scratch &amp; the external clock is still selected but absent/. thi=
s seems to confuse it. </FONT></P>

<P><FONT SIZE=3D2>&amp; it will occasionally do stuff like this when you ar=
e on stage or on the radio. mine has stopped suddenly when it was carrying =
the bulk of a performance (i.e. we were resting some sporadic noises on a b=
ed of loopiness when the loopiness suddenly went away). it says stuff like =
&quot;not ready&quot; or &quot;cfc too slow&quot; seemingly at random, when=
 at other times the same combination of operations doesn't seem to bother i=
t. can cfc get fragmented?</FONT></P>

<P><FONT SIZE=3D2>&quot;honour thy mistake as a hidden intention&quot; says=
 fripp, &amp; there's something similar from john bonham about &quot;if you=
 make a mistake, do it two or three times so people think you meant it that=
 way&quot;..... so if the repeater drops out suddenly, we pretend it was su=
pposed to.</FONT></P>

<P><FONT SIZE=3D2>d.</FONT>
</P>

<CODE><FONT SIZE=3D3><BR>
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<HEAD><TITLE>RE: Knustford in May (was: what a loop has to say)</TITLE>
<META content=3D"MSHTML 6.00.2900.2802" name=3DGENERATOR></HEAD>
<BODY>
<DIV>1.I am glad you liked it!</DIV>
<DIV>2. I look forward to your further feedback.</DIV>
<DIV>3. Since I so enjoyed your previous Audio Care Packages, I would grate=
fully receive anything else of yours that you felt like sending "Stateside.=
"</DIV>
<DIV>&nbsp;</DIV>
<DIV>Yours in the Joy of Sound,</DIV>
<DIV>Tim</DIV>
<DIV><BR><BR><BR>-----Original Message----- <BR>From: goddard.duncan@mtvne.=
com <BR>Sent: Mar 20, 2006 12:45 PM <BR>To: Loopers-Delight@loopers-delight=
.com <BR>Subject: RE: Knustford in May (was: what a loop has to say) <BR><B=
R></DIV><ZZZHTML><ZZZHEAD><ZZZMETA CONTENT=3D"text/html; charset=3DISO-8859=
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<DIV><FONT face=3D"AmericanTypewriter Medium" color=3D#0000ff size=3D2><SPA=
N class=3D462043817-20032006>indeed I have, &amp; thoroughly enjoyed it. wi=
ll submit you a more in-depth "review" in due course, though it was what pr=
ompted me to offer to send you some of our other, less electronic works of =
years past.</SPAN></FONT></DIV>
<DIV><FONT face=3D"AmericanTypewriter Medium" color=3D#0000ff size=3D2><SPA=
N class=3D462043817-20032006>d.</SPAN></FONT></DIV>
<DIV class=3DOutlookMessageHeader dir=3Dltr align=3Dleft><FONT face=3DTahom=
a size=3D2>-----Original Message-----<BR><B>From:</B> mungenast@earthlink.n=
et [mailto:mungenast@earthlink.net]<BR><B>Sent:</B> 17 March 2006 18:55<BR>=
<B>To:</B> Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> RE: Knust=
ford in May (was: what a loop has to say)<BR><BR></FONT></DIV>
<DIV>Thanks for the background info!</DIV>
<DIV><FONT face=3D"AmericanTypewriter Medium" color=3D#0000ff size=3D2></FO=
NT>&nbsp;</DIV>
<DIV>BTW, have you had a chance to listen to "The Un-stableboy" yet, in bot=
h seconds of your spare time?</DIV>
<DIV>;-)</DIV>
<DIV><FONT face=3D"AmericanTypewriter Medium" color=3D#0000ff size=3D2></FO=
NT>&nbsp;</DIV>
<DIV>~Tim</DIV>
<DIV>&nbsp;</DIV></ZZZBODY></ZZZHTML><CODE><FONT size=3D3>
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or any part of it<BR>in any form whatsoever.If you have received this e-mai=
l in error,<BR>please e-mail the sender by replying to this message.<BR><BR=
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ks to ensure that this message and any attachments do not<BR>affect your sy=
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Date: Mon, 20 Mar 2006 14:12:17 -0500
From: "Todd Pafford" <calenlas@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I'd love to hear that Paint It Black.  It's the only Stone's song I
can stomach and that sounds like an exciting treatment of it.  Thanks
for the info.  I intend to look him up on the web. :)

Todd

On 3/19/06, Luis Angulo <labalou2000@yahoo.com> wrote:
> I saw Martin C. Herberg last night very impressive
> show!he did beautiful sounscapes using old delay units
> and his new axon chip synth but what impressed me the
> most was his mind blowing version of paint it black
> with no effects not even reverb in a drop D tuning,
> playing a drone alternating the E and D strings with
> his thumb in 3/4 and putting a comb between his
> spanish guitar strings while playing the melody with a
> flying flamenco tremolo technique,then he kept
> changing keys,counterpointing keeping the melody going
> applying strange harmonies and detuning all the
> strings while playing to complete chaos and
> dissonance,just awesome!
> i saw him 8 years ago doing loops back then but now he
> seems obssesed with echos instead,very inspiring!
> Luis
>
> www.luis-angulo.com
>

From Loopers-Delight-request@loopers-delight.com  Mon Mar 20 19:28:25 2006
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(Forwarded to the list as my initial reply apparently went straight to Jon.=
)

As far as foot controllers are concerned, the Behringer FCB1010 will
probably take care of all your needs and is only $150.  Great value
there.  Throw in $50 or so for a USB<->MIDI interface and you're good
to go.  Chances are you could just control Battery with the FCB and
accomplish everything you want.  I'm not sure how complicated your
MIDI commands to Battery need to be, but each button of the FCB can
send 5 PCs, a Note, and 2 CCs at the same time.  You get 100 of those
buttons or patches (in banks of 10) plus the two expression pedals.

Good Luck,
Todd


On 3/19/06, jon attwood <jon@yellow6.com> wrote:
>
> I currently use a laptop running NI Battery which is loaded with loops.
> These are triggered externally using an ancient Boss DR-5 Dr.Rhythm using
> notes in patterns to MIDI trigger loops.  Seems a strange setup maybe, bu=
t
> this is done as the DR-5 has footswitch control to move from one pattern =
to
> the next.  This means that i can set the tempo on it and, rather than be
> stuck with a fixed 'backing track', can shift from one section / batch of
> loops to the next when it feels right by hitting the pattern advance via =
the
> footswitch.
>
> So, the question... do any of you know of another way i could do this,
> removing the DR-5 from the equation.  Basically, some software which can =
run
> the loops (either singly or overlayed) and be shifted from one loop to th=
e
> next with some sort of foot controller. (i also will be playing guitar an=
d
> using RC-20 and DL-4 on top so have my hands full!)
>

From Loopers-Delight-request@loopers-delight.com  Mon Mar 20 19:43:36 2006
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Subject: Re: Looper's Delight Playlist - Send your MP3 links
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My whole m3u script basically look like this:

#EXTINF: Y2K5 - Adrian West
http://www.box.net/public/static/3olpjy2eqd.mp3
#EXTINF: Rick's Intro - Andy Butler - Y2K5
http://myweb.tiscali.co.uk/mp3files/00-ricks-intro.mp3
#EXTINF: Kasaundi - Andy Butler - Y2K5
http://myweb.tiscali.co.uk/mp3files/01-kasaundi.mp3
#EXTINF: Aquarium 2 - Andy Butler - Y2K5
http://myweb.tiscali.co.uk/mp3files/02-aquarium2.mp3
...and so on

The only difference I could see with Any's file is that it started with:

#EXTM3U

Kris
----- Original Message ----- 
From: "Per Boysen" <per@boysen.se>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, March 20, 2006 7:56 AM
Subject: Re: Looper's Delight Playlist - Send your MP3 links


>>> apparently the m3u format won't work on Firefox tho'
>> On 20 mar 2006, at 15.44, Michael Peters wrote:
> 
>> yes it does, but you first have to install an mp3 player software,  
>> such as
>> Winamp.
> 
> If you use a Mac you do not have to install an mp3 player, since  
> iTunes is already part of the system. Kris streaming link opened fine  
> in OS X / iTunes here, but not Andy's. Maybe Andy and Kris can  
> compare their scripting text files to solve this?
> 
> Greetings from Sweden
> 
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast? 
> id=128679560&s=143456
> 
> 
> 
>

From Loopers-Delight-request@loopers-delight.com  Mon Mar 20 19:49:34 2006
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Is it just me, or has myspace crashed again?
I've not been able to access it all day.
~Tim

From Loopers-Delight-request@loopers-delight.com  Mon Mar 20 20:37:46 2006
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Gawd, I wish I'd been there!
~Tim
www.myspace.com/timmungenast
www.mungenast.com


-----Original Message-----
>From: Todd Pafford <calenlas@gmail.com>
>Sent: Mar 20, 2006 2:12 PM
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: Martin C. Herberg
>
>I'd love to hear that Paint It Black.  It's the only Stone's song I
>can stomach and that sounds like an exciting treatment of it.  Thanks
>for the info.  I intend to look him up on the web. :)
>
>Todd
>
>On 3/19/06, Luis Angulo <labalou2000@yahoo.com> wrote:
>> I saw Martin C. Herberg last night very impressive
>> show!he did beautiful sounscapes using old delay units
>> and his new axon chip synth but what impressed me the
>> most was his mind blowing version of paint it black
>> with no effects not even reverb in a drop D tuning,
>> playing a drone alternating the E and D strings with
>> his thumb in 3/4 and putting a comb between his
>> spanish guitar strings while playing the melody with a
>> flying flamenco tremolo technique,then he kept
>> changing keys,counterpointing keeping the melody going
>> applying strange harmonies and detuning all the
>> strings while playing to complete chaos and
>> dissonance,just awesome!
>> i saw him 8 years ago doing loops back then but now he
>> seems obssesed with echos instead,very inspiring!
>> Luis
>>
>> www.luis-angulo.com
>>
>

From Loopers-Delight-request@loopers-delight.com  Mon Mar 20 21:16:44 2006
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Subject: Re: Re:Re: Best Cheap Guitar Synth
Date: Mon, 20 Mar 2006 21:16:55 -0000
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Hi Andy,

I wondered about the differences in quality and tracking between the Filter 
Pro and the stomp box version - I imagine that the differences in audio 
spec/features are the same as the DL4/Echo-Pro (both of which I have). I'm 
interested in using a filter unit of some kind on flute and saxes.

Thanks.
Ian.

----- Original Message ----- 
From: "a k butler" <akbutler@tiscali.co.uk>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, March 20, 2006 1:40 PM
Subject: Re: Re:Re: Best Cheap Guitar Synth


>
>>If your broke, listen to Andy and get some sort of
>>distortion with some filters.  Couple that with a
>>volume pedal (I like mine after the distortion and
>>before the filter and delay) and you can get some
>>pretty synthy tones out of your guitar with no
>>glitching.  Add and ebow and fun will result.
>
> yep, that's the ticket.
>
> After, what's an analog synth but an oscillator running through a filter.
>
> The guitar becomes the oscillator, so you just need a filter.
> Then all the distortion does is add a load of harmonics (changing the 
> "oscillator waveform" )
> which give the filter more to work on.
>
> Even the common wah-wah can sound synthy, if you put the distortion in 
> front of it.
>
> If you can get a filter that triggers on each note, that helps,
> ..and a similar, but more organic sound can be had if the filter frequency
> responds to the volume of your playing (envelope follower).
>
> The EH micro-synth has an octave divider too,
> that's actually a synthesized tone an octave below the one you put in
> ( so if you play more than one note it really glitches).
> So if you go for a simple distortion> filter setup you could
> always add an octave divider later (Boss OC2 is recommended).
>
> The Akai MFC-42 filter is available cheap these days, that's probably 
> worth checking out
> (I've never tried one, but Per recommends)
>
> I actually have, and use the Line 6 Filter Pro.
> It does have synth sounds as well as filters, so worth checking out.
> I have to say though, that I'm not totally won over by it.
> Although it produces a lot of different sounds in one box the synth tones 
> are
> very "digital" sounding, especially in the upper registers.
> ( either bad programming by line 6, or just that they didn't have the 
> processing power to do it properly).
> I had to work quite hard to get sounds I thought were acceptable.
>
> other cheap filters
>
> MAM Warp 9 , the most synth like, but difficult to program.
>
> MAM Res 3 , easy to use, ...quirky
>
> Zoom 1201 has a set of nice auto-filters, some of them triggered, and some 
> responding to envelope.
>
> andy butler
> www.andybutler.com info & mp3s
>
>
>
>
>
>
>
>
>
>
>
> 


From Loopers-Delight-request@loopers-delight.com  Mon Mar 20 21:45:29 2006
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Kris Hartung wrote:
> Can you share what you are using? I'm interesting in something that
> is compact but also high quality.

I did use a Multiface from RME, very high quality, but no Mic preamps.
Since my 15" Powerbook was stolen I was forced to switch to a 12"
Powerbook, I ran it with an old 828 and with a Quatafire 610. The
Quatafire I really love, decent quality for the price (of course not the
same as the Multiface, but for live its definitely good enough). Big
advantage: its bus powered and has 2 Midi ins and outs, and is the
smallest interface available, fits in your pocket. Recommended...


Stefan

-- 

  [][]  [][][]  [][]  [][][]
[][][][][][][][][][][][][][][]

         Stefan Tiedje
         Klanggestalter
     Electronic Composition
               &
         Improvisation

            /~~~~~\
     \\\   /|() ()|\
     ))))) )|  |  |( \\\
     ///    \ \_/)/ )))))
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-------------------------x----
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-- _|_)----|-----()-----------
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14, Av. Pr. Franklin Roosevelt,
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Subject: adding pitch shift to stereo EDP+'s
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Hi all,

  if I wanted to add the ability to pitch shift loops to my stereo EDP+ 
setup, what piece of gear would you recommend? 

Thanks,
  Dennis

From Loopers-Delight-request@loopers-delight.com  Mon Mar 20 22:24:33 2006
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Subject: AW: adding pitch shift to stereo EDP+'s
Date: Mon, 20 Mar 2006 23:24:27 +0100
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Do you want to shift the input or the output only, or both? Do you want =
to
have loops that move up in pitch each turn around? Are you ok with using =
a
mixer in addition to the EDPs and the shifter? How much do you want to
spend?=20

> -----Urspr=FCngliche Nachricht-----
> Von: Dennis Montgomery [mailto:morpheus@speakeasy.net]=20
> Gesendet: Montag, 20. M=E4rz 2006 23:18
> An: Loopers-Delight@loopers-delight.com
> Betreff: adding pitch shift to stereo EDP+'s
>=20
> Hi all,
>=20
>   if I wanted to add the ability to pitch shift loops to my=20
> stereo EDP+ setup, what piece of gear would you recommend?=20
>=20
> Thanks,
>   Dennis
>=20
>=20

From Loopers-Delight-request@loopers-delight.com  Mon Mar 20 22:32:53 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: adding pitch shift to stereo EDP+'s
Date: Mon, 20 Mar 2006 23:32:46 +0100
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On 20 mar 2006, at 23.18, Dennis Montgomery wrote:
> if I wanted to add the ability to pitch shift loops to my stereo EDP 
> + setup, what piece of gear would you recommend?


A repeater is fine for pitch shifting that keeps the loop length  
intact.  Mobius software looper for Win XP does it well without time- 
stretching, like a sampler. Time-stretching is coming to Mobius  
though, but still in beta. Many external hardware effect processors  
does fine pitch transposing. Myself I have a TC Electronics FireworX  
that I'm very happy with. I have also tried an Eventide Eclipse that  
did fine pitch shifting. There is also the POG from TC Electronics  
that sounds good when transposing audio. I think there are some more  
that I can't remember right now, but others may chime in on pitch  
shifting....?

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast? 
id=128679560&s=143456


From Loopers-Delight-request@loopers-delight.com  Mon Mar 20 22:38:16 2006
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Subject: Re: Looper's Delight Playlist - Send your MP3 links
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Thanks for all the songs, everyone! I have 64 of them in the playlist now.

http://www.boisemusicians.com/loopers-delight.m3u

I've been using the MusicMatch software to listen to the list, which seems 
to work great too.

Keep 'em coming!

Kris 


From Loopers-Delight-request@loopers-delight.com  Mon Mar 20 22:56:23 2006
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Subject: Re: Audio Interface for Notebook Users
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Thanks for the tip, Stefan. Your info led me to this website:

http://digitalaudioworks.com/index.asp?PageAction=VIEWCATS&Category=129

It shows the Indigo PCMCIA cards, but the RME card too.

I think PCMCIA route is the best for me...I'd rather not have an extra 
device attached to my notebook.

Hence, what I have now for PCMCIA options are:

1. SoundBlaster Audigy 2 ZS Notebook  - 
http://www.creative.com/products/product.asp?category=1&subcategory=204&product=10769   
- $100
2. Echo IO http://www.echoaudio.com/Products/CardBus/IndigoIO/index.php  - 
$200
3. Echo DJ - http://www.echoaudio.com/Products/CardBus/IndigoDJ/index.php - 
$200
4. RME Hammerfall HDSP Laptop Cardbus - 
http://www.rme-audio.com/english/hdsp/cardpci.htm#CARDBUS - $299

I definitely won't be buying the Soundblaster again....even though the 
quality is great for what I'm using it now, I don't like the fact that it 
completely disables your notebooks current soundcard.

With this new ThinkPad T60p I just bought, it has Intel's High Definition 
Audio built into the chipset. I am really curious how or if I'll be able to 
take advantage of this with one of the above options. Even more interesting 
is if the soundcard on the T60p itself takes advantae of it...I'll find out 
when I plug in.

Kris


> Kris Hartung wrote:
>> Can you share what you are using? I'm interesting in something that
>> is compact but also high quality.
>
> I did use a Multiface from RME, very high quality, but no Mic preamps.
> Since my 15" Powerbook was stolen I was forced to switch to a 12"
> Powerbook, I ran it with an old 828 and with a Quatafire 610. The
> Quatafire I really love, decent quality for the price (of course not the
> same as the Multiface, but for live its definitely good enough). Big
> advantage: its bus powered and has 2 Midi ins and outs, and is the
> smallest interface available, fits in your pocket. Recommended...
>
>
> Stefan
>
> -- 
>
>  [][]  [][][]  [][]  [][][]
> [][][][][][][][][][][][][][][]
>
>         Stefan Tiedje
>         Klanggestalter
>     Electronic Composition
>               &
>         Improvisation
>
>            /~~~~~\
>     \\\   /|() ()|\
>     ))))) )|  |  |( \\\
>     ///    \ \_/)/ )))))
>             \___/   ///
>
> -------------------------x----
> --_____-----------|-----------
> --(_|_ ----|\-----|-----()----
> -- _|_)----|-----()-----------
> ----------()------------x-----
>
> 14, Av. Pr. Franklin Roosevelt,
> 94320 Thiais, France
> Phone at CCMIX +33-1-57 42 91 09
>
> 


From Loopers-Delight-request@loopers-delight.com  Mon Mar 20 23:01:00 2006
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Subject: RE: Audio Interface for Notebook Users
Date: Mon, 20 Mar 2006 15:00:55 -0800
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Does anyone know of an ExpressCard (successor to CardBus) music card?  I've
searched but cannot find one.  I have a new Dell laptop and that's the only
card interface on it and like Kris I don't want to cary another box around.

Steve 

> -----Original Message-----
> From: Kris Hartung [mailto:khartung@cableone.net] 
> Sent: Monday, March 20, 2006 2:56 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Audio Interface for Notebook Users
> 
> Thanks for the tip, Stefan. Your info led me to this website:
> 
> http://digitalaudioworks.com/index.asp?PageAction=VIEWCATS&Cat
egory=129
> 
> It shows the Indigo PCMCIA cards, but the RME card too.
> 
> I think PCMCIA route is the best for me...I'd rather not have 
> an extra device attached to my notebook.
> 
> Hence, what I have now for PCMCIA options are:
> 
> 1. SoundBlaster Audigy 2 ZS Notebook  - 
> http://www.creative.com/products/product.asp?category=1&subcat
egory=204&product=10769   
> - $100
> 2. Echo IO 
> http://www.echoaudio.com/Products/CardBus/IndigoIO/index.php  
> - $200 3. Echo DJ - 
> http://www.echoaudio.com/Products/CardBus/IndigoDJ/index.php 
> - $200 4. RME Hammerfall HDSP Laptop Cardbus - 
> http://www.rme-audio.com/english/hdsp/cardpci.htm#CARDBUS - $299
> 
> I definitely won't be buying the Soundblaster again....even 
> though the quality is great for what I'm using it now, I 
> don't like the fact that it completely disables your 
> notebooks current soundcard.
> 
> With this new ThinkPad T60p I just bought, it has Intel's 
> High Definition Audio built into the chipset. I am really 
> curious how or if I'll be able to take advantage of this with 
> one of the above options. Even more interesting is if the 
> soundcard on the T60p itself takes advantae of it...I'll find 
> out when I plug in.
> 
> Kris
> 
> 
> > Kris Hartung wrote:
> >> Can you share what you are using? I'm interesting in 
> something that 
> >> is compact but also high quality.
> >
> > I did use a Multiface from RME, very high quality, but no 
> Mic preamps.
> > Since my 15" Powerbook was stolen I was forced to switch to a 12"
> > Powerbook, I ran it with an old 828 and with a Quatafire 610. The 
> > Quatafire I really love, decent quality for the price (of 
> course not 
> > the same as the Multiface, but for live its definitely good 
> enough). 
> > Big
> > advantage: its bus powered and has 2 Midi ins and outs, and is the 
> > smallest interface available, fits in your pocket. Recommended...
> >
> >
> > Stefan
> >
> > --
> >
> >  [][]  [][][]  [][]  [][][]
> > [][][][][][][][][][][][][][][]
> >
> >         Stefan Tiedje
> >         Klanggestalter
> >     Electronic Composition
> >               &
> >         Improvisation
> >
> >            /~~~~~\
> >     \\\   /|() ()|\
> >     ))))) )|  |  |( \\\
> >     ///    \ \_/)/ )))))
> >             \___/   ///
> >
> > -------------------------x----
> > --_____-----------|-----------
> > --(_|_ ----|\-----|-----()----
> > -- _|_)----|-----()-----------
> > ----------()------------x-----
> >
> > 14, Av. Pr. Franklin Roosevelt,
> > 94320 Thiais, France
> > Phone at CCMIX +33-1-57 42 91 09
> >
> > 
> 

From Loopers-Delight-request@loopers-delight.com  Mon Mar 20 23:09:56 2006
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Subject: Re: Audio Interface for Notebook Users
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I'm glad you asked that. You mean PCI Express, right? MY T60p has both the 
older PCMCIA slot and the newer one that you mention. It would be nice to 
take advantage of that for music!

Kris

----- Original Message ----- 

> Does anyone know of an ExpressCard (successor to CardBus) music card? 
> I've
> searched but cannot find one.  I have a new Dell laptop and that's the 
> only
> card interface on it and like Kris I don't want to cary another box 
> around.
>
> Steve
>
>> -----Original Message-----
>> From: Kris Hartung [mailto:khartung@cableone.net]
>> Sent: Monday, March 20, 2006 2:56 PM
>> To: Loopers-Delight@loopers-delight.com
>> Subject: Re: Audio Interface for Notebook Users
>>
>> Thanks for the tip, Stefan. Your info led me to this website:
>>
>> http://digitalaudioworks.com/index.asp?PageAction=VIEWCATS&Cat
> egory=129
>>
>> It shows the Indigo PCMCIA cards, but the RME card too.
>>
>> I think PCMCIA route is the best for me...I'd rather not have
>> an extra device attached to my notebook.
>>
>> Hence, what I have now for PCMCIA options are:
>>
>> 1. SoundBlaster Audigy 2 ZS Notebook  -
>> http://www.creative.com/products/product.asp?category=1&subcat
> egory=204&product=10769
>> - $100
>> 2. Echo IO
>> http://www.echoaudio.com/Products/CardBus/IndigoIO/index.php
>> - $200 3. Echo DJ -
>> http://www.echoaudio.com/Products/CardBus/IndigoDJ/index.php
>> - $200 4. RME Hammerfall HDSP Laptop Cardbus -
>> http://www.rme-audio.com/english/hdsp/cardpci.htm#CARDBUS - $299
>>
>> I definitely won't be buying the Soundblaster again....even
>> though the quality is great for what I'm using it now, I
>> don't like the fact that it completely disables your
>> notebooks current soundcard.
>>
>> With this new ThinkPad T60p I just bought, it has Intel's
>> High Definition Audio built into the chipset. I am really
>> curious how or if I'll be able to take advantage of this with
>> one of the above options. Even more interesting is if the
>> soundcard on the T60p itself takes advantae of it...I'll find
>> out when I plug in.
>>
>> Kris
>>
>>
>> > Kris Hartung wrote:
>> >> Can you share what you are using? I'm interesting in
>> something that
>> >> is compact but also high quality.
>> >
>> > I did use a Multiface from RME, very high quality, but no
>> Mic preamps.
>> > Since my 15" Powerbook was stolen I was forced to switch to a 12"
>> > Powerbook, I ran it with an old 828 and with a Quatafire 610. The
>> > Quatafire I really love, decent quality for the price (of
>> course not
>> > the same as the Multiface, but for live its definitely good
>> enough).
>> > Big
>> > advantage: its bus powered and has 2 Midi ins and outs, and is the
>> > smallest interface available, fits in your pocket. Recommended...
>> >
>> >
>> > Stefan
>> >
>> > --
>> >
>> >  [][]  [][][]  [][]  [][][]
>> > [][][][][][][][][][][][][][][]
>> >
>> >         Stefan Tiedje
>> >         Klanggestalter
>> >     Electronic Composition
>> >               &
>> >         Improvisation
>> >
>> >            /~~~~~\
>> >     \\\   /|() ()|\
>> >     ))))) )|  |  |( \\\
>> >     ///    \ \_/)/ )))))
>> >             \___/   ///
>> >
>> > -------------------------x----
>> > --_____-----------|-----------
>> > --(_|_ ----|\-----|-----()----
>> > -- _|_)----|-----()-----------
>> > ----------()------------x-----
>> >
>> > 14, Av. Pr. Franklin Roosevelt,
>> > 94320 Thiais, France
>> > Phone at CCMIX +33-1-57 42 91 09
>> >
>> >
>>
>
> 


From Loopers-Delight-request@loopers-delight.com  Mon Mar 20 23:14:51 2006
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Date: Mon, 20 Mar 2006 16:01:48 -0600
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To: Loopers-Delight@loopers-delight.com
Subject: [gig] AMM Live on the Internet, March 25th, 2006
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Fellow Loopers,

It's that time again, Atomic Mobius Machine is playing live, for you, on the
internet. We will be playing March 25th from 5pm-8pm/PST on AwesomeRadio.net.
It's a new time, and a shorter duration.. :) Hopefully more people will be able
to tune in, and won't pass out.. hehe... 

Atomic Mobius Machine is best classified as Electronic Ambient Trance music
(we've started calling it 'ambient loopadelic'), and features Dan Moore, Ross
Artese, and Chris Roberts, on various musical instruments, electronics, and
computers. On the looping equipment side there is a DL/4, a EDP, as well as
Acid and Reason... :)

This time we'll have Muruga Booker virtually sitting in with us from Ann Arbor,
Michigan. He is a world class drummer, and amazing person all around... For you
geeks out there, we will be using the NINJAM software to collaborate with
Muruga... :)

And speaking of 'virtual', we'll also have WorkDude and Lord, and Lady,
Babblefish joining us.. :)

Please tune into AwesomeRadio.net, at www.awesomeradio.net, Saturday, March
25th, at 5pm/pst for some really trippy music. Technically speaking, it's a
shoutcast stream (ie. mp3 format) and can easily be listened to with WinAmp
(www.winamp.com) or Windows MediaPlayer under Windows, iTunes will work for you
on the Mac, and XMMS (www.xmms.org/) under Linux... 

AwesomeRadio serves 3 streams, with increasing quality/bandwidth requirements.
Here are the addresses to use: 

broadband radio.awesomeradio.net:8000 
24/22 mono radio.awesomeradio.net:8006 
16/16 mono radio.awesomeradio.net:8004 

Atomic Mobius Machine broadcasts a nice sounding stereo feed on the broadband
stream, but, if your internet connection can't handle that, please use one of
the other addresses. 

Feel free to visit our website: www.atomomach.com. 

AwesomeRadio also has an IRC chat room, for those so inclined. You can use a
Java client (linked from the website), or an OS native client, such as mIRC for
Windows. The IRC network is irc.SoundNWaves.net, and the channel is
#awesomeradio. Of course, while we are playing we won't be chatting much, but
there will be other listeners in there, so... 

I hope you can tune in for some of the show... :) 

peace
-cpr




----------------------------------------------------------------
This message was sent using IMP, the Internet Messaging Program.

From Loopers-Delight-request@loopers-delight.com  Mon Mar 20 23:16:55 2006
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From: "Steve Mark" <steve@otms.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Audio Interface for Notebook Users
Date: Mon, 20 Mar 2006 15:16:51 -0800
Organization: On-The-Mark Systems, Inc.
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Yes, the PCIe notebooks support ExpressCard.  Mine only came with the newer
"standard."  It's funny, I didn't even think to ask about it when I bought
it, and when I go to the Dell website, it's either not stated or it's in the
fine print.  Really makes you feel good about dropping $3k on a laptop that
has an interface with no support.  I can't even find a
CardBus-to-ExpressCard converter/adapter.

Steve 

> -----Original Message-----
> From: Kris Hartung [mailto:khartung@cableone.net] 
> Sent: Monday, March 20, 2006 3:10 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Audio Interface for Notebook Users
> 
> I'm glad you asked that. You mean PCI Express, right? MY T60p 
> has both the older PCMCIA slot and the newer one that you 
> mention. It would be nice to take advantage of that for music!
> 
> Kris
> 
> ----- Original Message ----- 
> 
> > Does anyone know of an ExpressCard (successor to CardBus) 
> music card? 
> > I've
> > searched but cannot find one.  I have a new Dell laptop and 
> that's the 
> > only card interface on it and like Kris I don't want to 
> cary another 
> > box around.
> >
> > Steve
> >
> >> -----Original Message-----
> >> From: Kris Hartung [mailto:khartung@cableone.net]
> >> Sent: Monday, March 20, 2006 2:56 PM
> >> To: Loopers-Delight@loopers-delight.com
> >> Subject: Re: Audio Interface for Notebook Users
> >>
> >> Thanks for the tip, Stefan. Your info led me to this website:
> >>
> >> http://digitalaudioworks.com/index.asp?PageAction=VIEWCATS&Cat
> > egory=129
> >>
> >> It shows the Indigo PCMCIA cards, but the RME card too.
> >>
> >> I think PCMCIA route is the best for me...I'd rather not have an 
> >> extra device attached to my notebook.
> >>
> >> Hence, what I have now for PCMCIA options are:
> >>
> >> 1. SoundBlaster Audigy 2 ZS Notebook  - 
> >> http://www.creative.com/products/product.asp?category=1&subcat
> > egory=204&product=10769
> >> - $100
> >> 2. Echo IO
> >> http://www.echoaudio.com/Products/CardBus/IndigoIO/index.php
> >> - $200 3. Echo DJ -
> >> http://www.echoaudio.com/Products/CardBus/IndigoDJ/index.php
> >> - $200 4. RME Hammerfall HDSP Laptop Cardbus - 
> >> http://www.rme-audio.com/english/hdsp/cardpci.htm#CARDBUS - $299
> >>
> >> I definitely won't be buying the Soundblaster again....even though 
> >> the quality is great for what I'm using it now, I don't 
> like the fact 
> >> that it completely disables your notebooks current soundcard.
> >>
> >> With this new ThinkPad T60p I just bought, it has Intel's High 
> >> Definition Audio built into the chipset. I am really 
> curious how or 
> >> if I'll be able to take advantage of this with one of the above 
> >> options. Even more interesting is if the soundcard on the 
> T60p itself 
> >> takes advantae of it...I'll find out when I plug in.
> >>
> >> Kris
> >>
> >>
> >> > Kris Hartung wrote:
> >> >> Can you share what you are using? I'm interesting in
> >> something that
> >> >> is compact but also high quality.
> >> >
> >> > I did use a Multiface from RME, very high quality, but no
> >> Mic preamps.
> >> > Since my 15" Powerbook was stolen I was forced to switch to a 12"
> >> > Powerbook, I ran it with an old 828 and with a Quatafire 
> 610. The 
> >> > Quatafire I really love, decent quality for the price (of
> >> course not
> >> > the same as the Multiface, but for live its definitely good
> >> enough).
> >> > Big
> >> > advantage: its bus powered and has 2 Midi ins and outs, 
> and is the 
> >> > smallest interface available, fits in your pocket. Recommended...
> >> >
> >> >
> >> > Stefan
> >> >
> >> > --
> >> >
> >> >  [][]  [][][]  [][]  [][][]
> >> > [][][][][][][][][][][][][][][]
> >> >
> >> >         Stefan Tiedje
> >> >         Klanggestalter
> >> >     Electronic Composition
> >> >               &
> >> >         Improvisation
> >> >
> >> >            /~~~~~\
> >> >     \\\   /|() ()|\
> >> >     ))))) )|  |  |( \\\
> >> >     ///    \ \_/)/ )))))
> >> >             \___/   ///
> >> >
> >> > -------------------------x----
> >> > --_____-----------|-----------
> >> > --(_|_ ----|\-----|-----()----
> >> > -- _|_)----|-----()-----------
> >> > ----------()------------x-----
> >> >
> >> > 14, Av. Pr. Franklin Roosevelt,
> >> > 94320 Thiais, France
> >> > Phone at CCMIX +33-1-57 42 91 09
> >> >
> >> >
> >>
> >
> > 
> 

From Loopers-Delight-request@loopers-delight.com  Mon Mar 20 23:23:35 2006
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Date: Mon, 20 Mar 2006 23:23:33 +0000
From: "David Morton" <dmorton@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: adding pitch shift to stereo EDP+'s
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On 3/20/06, Per Boysen <perboysen@gmail.com> wrote:

> There is also the POG from TC Electronics

You meant to type Electro Harmonix :-)

There's the new EHX HOG too, that I have yet to hear in the flesh (so
to speak) but which shows considerable promise.

From Loopers-Delight-request@loopers-delight.com  Mon Mar 20 23:26:39 2006
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***
Do you want to shift the input or the output only, or both? Do you want to
have loops that move up in pitch each turn around? Are you ok with using a
mixer in addition to the EDPs and the shifter? How much do you want to
spend? 
***

As much flexibility as possible and I already use a mixer so no problem there.  It has
2 unused effects loops I can utilize.  Should have mentioned at the start, I'm looking for a standalone hardware solution.  As far as price, it's the usual...as little as I have to as much as I can  :-) 

Dennis  


From Loopers-Delight-request@loopers-delight.com  Mon Mar 20 23:47:44 2006
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From: "Kris Hartung" <khartung@cableone.net>
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Well hopefully, if you buy a new laptop it has both the older PCMCIA slot 
and the newer ExpressCard slot. The T60p does...I made sure of this so I 
wouldn't be screwed with backward compatibility issues. I had the sales rep 
confirm this several time...now, will this still have the older PCMCIA slot? 
:)   I'll use the standard slot until gear for the new one is available.

Kris
----- Original Message ----- 
From: "Steve Mark" <steve@otms.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, March 20, 2006 4:16 PM
Subject: RE: Audio Interface for Notebook Users


> Yes, the PCIe notebooks support ExpressCard.  Mine only came with the 
> newer
> "standard."  It's funny, I didn't even think to ask about it when I bought
> it, and when I go to the Dell website, it's either not stated or it's in 
> the
> fine print.  Really makes you feel good about dropping $3k on a laptop 
> that
> has an interface with no support.  I can't even find a
> CardBus-to-ExpressCard converter/adapter.
>
> Steve
>
>> -----Original Message-----
>> From: Kris Hartung [mailto:khartung@cableone.net]
>> Sent: Monday, March 20, 2006 3:10 PM
>> To: Loopers-Delight@loopers-delight.com
>> Subject: Re: Audio Interface for Notebook Users
>>
>> I'm glad you asked that. You mean PCI Express, right? MY T60p
>> has both the older PCMCIA slot and the newer one that you
>> mention. It would be nice to take advantage of that for music!
>>
>> Kris
>>
>> ----- Original Message ----- 
>>
>> > Does anyone know of an ExpressCard (successor to CardBus)
>> music card?
>> > I've
>> > searched but cannot find one.  I have a new Dell laptop and
>> that's the
>> > only card interface on it and like Kris I don't want to
>> cary another
>> > box around.
>> >
>> > Steve
>> >
>> >> -----Original Message-----
>> >> From: Kris Hartung [mailto:khartung@cableone.net]
>> >> Sent: Monday, March 20, 2006 2:56 PM
>> >> To: Loopers-Delight@loopers-delight.com
>> >> Subject: Re: Audio Interface for Notebook Users
>> >>
>> >> Thanks for the tip, Stefan. Your info led me to this website:
>> >>
>> >> http://digitalaudioworks.com/index.asp?PageAction=VIEWCATS&Cat
>> > egory=129
>> >>
>> >> It shows the Indigo PCMCIA cards, but the RME card too.
>> >>
>> >> I think PCMCIA route is the best for me...I'd rather not have an
>> >> extra device attached to my notebook.
>> >>
>> >> Hence, what I have now for PCMCIA options are:
>> >>
>> >> 1. SoundBlaster Audigy 2 ZS Notebook  -
>> >> http://www.creative.com/products/product.asp?category=1&subcat
>> > egory=204&product=10769
>> >> - $100
>> >> 2. Echo IO
>> >> http://www.echoaudio.com/Products/CardBus/IndigoIO/index.php
>> >> - $200 3. Echo DJ -
>> >> http://www.echoaudio.com/Products/CardBus/IndigoDJ/index.php
>> >> - $200 4. RME Hammerfall HDSP Laptop Cardbus -
>> >> http://www.rme-audio.com/english/hdsp/cardpci.htm#CARDBUS - $299
>> >>
>> >> I definitely won't be buying the Soundblaster again....even though
>> >> the quality is great for what I'm using it now, I don't
>> like the fact
>> >> that it completely disables your notebooks current soundcard.
>> >>
>> >> With this new ThinkPad T60p I just bought, it has Intel's High
>> >> Definition Audio built into the chipset. I am really
>> curious how or
>> >> if I'll be able to take advantage of this with one of the above
>> >> options. Even more interesting is if the soundcard on the
>> T60p itself
>> >> takes advantae of it...I'll find out when I plug in.
>> >>
>> >> Kris
>> >>
>> >>
>> >> > Kris Hartung wrote:
>> >> >> Can you share what you are using? I'm interesting in
>> >> something that
>> >> >> is compact but also high quality.
>> >> >
>> >> > I did use a Multiface from RME, very high quality, but no
>> >> Mic preamps.
>> >> > Since my 15" Powerbook was stolen I was forced to switch to a 12"
>> >> > Powerbook, I ran it with an old 828 and with a Quatafire
>> 610. The
>> >> > Quatafire I really love, decent quality for the price (of
>> >> course not
>> >> > the same as the Multiface, but for live its definitely good
>> >> enough).
>> >> > Big
>> >> > advantage: its bus powered and has 2 Midi ins and outs,
>> and is the
>> >> > smallest interface available, fits in your pocket. Recommended...
>> >> >
>> >> >
>> >> > Stefan
>> >> >
>> >> > --
>> >> >
>> >> >  [][]  [][][]  [][]  [][][]
>> >> > [][][][][][][][][][][][][][][]
>> >> >
>> >> >         Stefan Tiedje
>> >> >         Klanggestalter
>> >> >     Electronic Composition
>> >> >               &
>> >> >         Improvisation
>> >> >
>> >> >            /~~~~~\
>> >> >     \\\   /|() ()|\
>> >> >     ))))) )|  |  |( \\\
>> >> >     ///    \ \_/)/ )))))
>> >> >             \___/   ///
>> >> >
>> >> > -------------------------x----
>> >> > --_____-----------|-----------
>> >> > --(_|_ ----|\-----|-----()----
>> >> > -- _|_)----|-----()-----------
>> >> > ----------()------------x-----
>> >> >
>> >> > 14, Av. Pr. Franklin Roosevelt,
>> >> > 94320 Thiais, France
>> >> > Phone at CCMIX +33-1-57 42 91 09
>> >> >
>> >> >
>> >>
>> >
>> >
>>
>
> 


From Loopers-Delight-request@loopers-delight.com  Tue Mar 21 00:16:33 2006
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Message-ID: <20060321001631.90492.qmail@web81303.mail.mud.yahoo.com>
Date: Mon, 20 Mar 2006 16:16:31 -0800 (PST)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: *First Post* need advice on midi sync looper
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The issue isn't the Repeater, it's the laptop's midi
out.  I've had that issue too until I figured out it
was a setting in my DAW.  I had it set to output MMC
which is NOT what I needed.  (you need MIDI time code)
 After that it grabs on to that mother and does not
let go.  I've gone down to 20 bpm and up to 200+. 
There's somewhat of a lag if you make a quick change,
but it's nice and organic like elastic.  Took me a bit
to figure out my issue, and it was frustrating.  It
happend kind of randomly and I'd get a crazy pulse of
speed or lag.  Never happened when synced to my drum
machine, so I knew it was my computer's MIDI output.
(I am still using Digital Performer and it's been
flawless ever since)

So, the Repeater's finicky, but dead on once you feed
it what it wants.

Mark

--- Doug Cox <dougcox@pdq.net> wrote:

> The EDP will not follow a changing MIDI clock.  Once
> the clock changes 
> too significantly, the EDP stops trying to sync.  It
> does not change 
> pitch, nor timestretch, at all.
> 
> -Aaron - wrote:
> 
> >"I'd think you would want the pitch to *not* change
> when the midi 
> >clock signal speeds up."
> >
> >No, I want it to change, It's all part of my
> 'organic' approach ;). Im not the slightest bit
> interested in timestretch/pitchshifting pagan magic.
> I want it like a reel to reel etc.
> >If the repeater is in any way unreliable with
> locking to a clock then I will happily snob its
> extra features. And by a few reports it is a bit
> inconsistant in this department.
> >So, is the EDP rock-solid-bang-on every time. Or is
> it prone to the odd tamtrum too?
> >Are these the only two 'pro' candidates for midi
> syncing and quantizing?
> >
> >The "start a loop and have it quantize to MTC"
> funtion is what it's all about for me, and I want
> something that will do that every time, for
> extensive live use.
> >
> >  
> >
> >>>(Mark Sottilaro) If you want a looper that chases
> a
> >>>moving clock, the Repeater is king.
> >>>      
> >>>
> >>Be warned though that the Midi sync feature of the
> Repeater can be 
> >>a little unreliable (at least it was on my fateful
> unit). The few 
> >>times I synced it to a DJ's laptop, it kept doing
> random things 
> >>like doubling the tempo.... One of these times was
> at a gig :(
> >>-- Stuart Wyatt - http://swyatt.com
> >>    
> >>
> >
> >
> >  
> >
> 
> 


__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Tue Mar 21 00:18:07 2006
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Date: Mon, 20 Mar 2006 16:18:06 -0800 (PST)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re:Looper's Delight Playlist - Send your MP3 links
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have it it...

http://www.zerocrossing.net/music.html

__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Tue Mar 21 02:08:58 2006
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From: =?ISO-8859-1?Q?tEd_=AE_kiLLiAn?= <tedkillian@charter.net>
Subject: Re: Looper's Delight Playlist - Send your MP3 links
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--Apple-Mail-2--756459336
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I haven't been following all of this thread. Is this what you want?

<http://www.garageband.com/artist/ArsOcarina>

It's usually in my signature . . . when I remember to use one.

tEd =AE kiLLiAn

"Different is not always better, but better is always different"

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=3D2845073
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?=20
step=3Dview_profile&id=3D121197000042

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???=

--Apple-Mail-2--756459336
Content-Transfer-Encoding: quoted-printable
Content-Type: text/enriched;
	charset=ISO-8859-1

I haven't been following all of this thread. Is this what you want?


<<http://www.garageband.com/artist/ArsOcarina>


It's usually in my signature . . . when I remember to use one.


tEd =AE kiLLiAn


<color><param>8080,8080,8080</param>"Different is not always better,
but better is always different"


http://www.pfmentum.com/flux.html

http://www.CDbaby.com/cd/tedkillian

http://www.guitar9.com/fluxaeterna.html

http://www.garageband.com/artist/ArsOcarina

http://www.towerrecords.com/product.aspx?pfid=3D2845073

http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314

http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193

=
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042


Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,

BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,

AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,

RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,

and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???</color>=

--Apple-Mail-2--756459336--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 21 02:30:05 2006
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Date: Mon, 20 Mar 2006 18:30:03 -0800 (PST)
From: Glenn Javaheri <glenn234@pacbell.net>
Subject: semi OT first Thomas Dolby tour in ages
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Thomas Dolby's first venture back into
music/performing in ages including at a club called
"the Independent" in San Francisco with opening band
"Loop!Station", plus other dates around the country:

http://version.thomasdolby.com/

From Loopers-Delight-request@loopers-delight.com  Tue Mar 21 03:39:40 2006
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From: Zoe Keating <cello@zoekeating.com>
Subject: GIG SPAM: looped cellos in France
Date: Mon, 20 Mar 2006 19:39:35 -0800
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Ok, I'm pleased to announce to the list my first performance in  
France! Anyone on Looper's Delight who lives near Beauvais? I might  
need a translator as I can only speak a few words of bad Canadian  
French!

Rencontres d'Ensembles de Violoncelles de Beauvais
May 16
8:30 pm

Rostropovitch Auditorium
Espace Culturel Francois Mitterand
Rue de Buzanval
Beauvais, France

http://www.celloensemble.com/

From Loopers-Delight-request@loopers-delight.com  Tue Mar 21 05:02:29 2006
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Subject: Re: Best Cheap Guitar Synth
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At 01:11 PM 3/19/2006, you wrote:
>I can personally recommend the Line 6 Filter Pro (and, by extension, 
>the FM-4 stompbox).  It's not quite as good as a real analog filter 
>(ala Sherman Filter Bank or Electrix Filter Factory), but it's 90% 
>there.  Since it's a modelling processor, you've got a lot of 
>different algorithms to try.  Also, you've some of the models will 
>do monophonic pitch tracking and output synth sounds, although I 
>think you may get frustrated with the tracking on some of the fast lines.

The FM-4 looks to be a little glitchy, judging from the user manual 
and the comments on the list.  Does anyone have experience with the 
Electrix Filter Factory?  That may be the filter for me.

Thanks,
Kevin

The Nettles: Progressive and Exciting Celtic Music
www.TheNettles.com

From Loopers-Delight-request@loopers-delight.com  Tue Mar 21 05:12:22 2006
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At 05:44 PM 3/19/2006, you wrote:
>If you can go to $400-500 then
>you're talking (get a used Roland VG8 system which tracks great as opposed
>to your GR33).

For $400-500, I think I'd go with an Evolver--that's a wonderfully sick beast!

Thanks,
Kevin

The Nettles: Progressive and Exciting Celtic Music
www.TheNettles.com
Phone: 541.757.1933
Fax: 541.738.0604
Email: Kevin@TheNettles.com

From Loopers-Delight-request@loopers-delight.com  Tue Mar 21 05:18:24 2006
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At 05:44 PM 3/19/2006, you wrote:
> > >Electro-Harmonix Micro Synth.
>As a processor it's fantastic. It has a built in Square wave fuzz and
>great raspy raw filter which you can set to sweep fast/slow etc. Also it
>has an octaver. The catch is it is monophonic for playing lines and there
>is a lot of triggering issues if you don't get it *just* right.

Ooh. Triggering issues.  I am so out of here!  The distortion plus 
filtering solution looks like a good one.

What are folk's favourite filters?

Cheers,
Kevin

From Loopers-Delight-request@loopers-delight.com  Tue Mar 21 05:23:15 2006
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At 05:40 AM 3/20/2006, Andy wrote:
>Even the common wah-wah can sound synthy, if you put the distortion 
>in front of it.

Yeah, I was using that on a gig on Friday.  I used the wah to put the 
guitar into permanent Fernandes-Sustainer-like feedback.

>The Akai MFC-42 filter is available cheap these days, that's 
>probably worth checking out

Thanks, Andy. Anybody have any comments on the Akai MFC-42?

Thanks,
Kevin

The Nettles: Progressive and Exciting Celtic Music
www.TheNettles.com

From Loopers-Delight-request@loopers-delight.com  Tue Mar 21 06:42:05 2006
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maybe i'm late but i haven't seen much discussion of
this here. doesn't seem too impressive, especially
with "play-along drum patterns" urk.

http://www.axetopia.com/news/06_01/New_Boss_Loop_station.html

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>Hi Andy,
>
>I wondered about the differences in quality and tracking between the 
>Filter Pro and the stomp box version - I imagine that the 
>differences in audio spec/features are the same as the DL4/Echo-Pro 
>(both of which I have). I'm interested in using a filter unit of 
>some kind on flute and saxes.

Sorry, I don't have the stomp box.
..but I also imagine as you do.

The Pro version will midi-sync, which is very useful for the random 
LFO patterns which are probably the unit's best trick.
The Pro also has an analog bypass option, but i don't know if the 
pedal has this.

the " Tron Up & Down" patches would be nice on sax, as the filter 
freq responds to volume.

Maybe the pedal version sounds better on the synth patches,
if it's a bit more lo-fi then it may take off some of the digital edginess

andy


From Loopers-Delight-request@loopers-delight.com  Tue Mar 21 08:40:55 2006
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If you're thinking of going the distortion -> filter route, how about
the moog lowpass filter pedal?  though im not sure about the price..

then there is also the  Frostwave Resonator
http://www.frostwave.com/theresonator/index.html

Both of these you can plug a control pedal into, or add some extra
things like LFO's to get some animation in the filter sound...

Cheers,
Alwyn

From Loopers-Delight-request@loopers-delight.com  Tue Mar 21 08:45:31 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: semi OT first Thomas Dolby tour in ages
Date: Tue, 21 Mar 2006 09:45:23 +0100
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On 21 mar 2006, at 03.30, Glenn Javaheri wrote:

> Thomas Dolby's first venture back into
> music/performing in ages including at a club called
> "the Independent" in San Francisco with opening band
> "Loop!Station", plus other dates around the country:
>
> http://version.thomasdolby.com/


any frisco kids on the list gong there?

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast? 
id=128679560&s=143456




From Loopers-Delight-request@loopers-delight.com  Tue Mar 21 09:01:08 2006
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     Kevin,

     I've owned the FM-4, and though I would never have described it as "glitchy", it didn't sound
convincing to me.  More like it was trying to emulate 16 different "real filters" and doing a
barely passable job at all of them.  I'm sure that other users find it more than adequate, that
was just my impression.  By itself it was okay, kinda fun for a few hours...  But then put it in a
signal chain with other stomp boxes and suddenly it doesn't sound so good anymore.  Same goes for
their other coloured boxes.  The MM-4 was my favorite out of that bunch, but it just didn't hold
up in a more complex signal path.  I sold it and got a TC Stereo Chorus Flanger instead.  Now
there's a sexy beast...

     The Filter Factory on the other hand, sounds as clear and as deep as a snow-fed mountain
stream.  The only problem I have with it is that the distortion segment is a bit lame.  But that's
neither here nor there.  You also may want to look into the Filter Queen, almost the same exact
unit while taking up half the space.  I've owned both and have kept the Filter Factory.

     I also owned an Evolver for 6 months or so.  One of the worst possible user interfaces ever
to exist on a piece of gear.  While the PolyEvolver keyboard goes a long way towards rectifying
the Evolver's UI, it still doesn't show what it got under it's skirt.  This is something that I'd
want to see at a glance, like say, a Nord Lead or a Korg Oasys with their LED illuminated rotary
knobs.  Electrix gear shows everything, you can tell what sound it's going to make even before
turning it on.  The only exception to this is that the Repeater is lacking a few small things like
track mute indicators.

     Stephen



<<The FM-4 looks to be a little glitchy, judging from the user manual 
and the comments on the list.  Does anyone have experience with the 
Electrix Filter Factory?  That may be the filter for me.>>

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From Loopers-Delight-request@loopers-delight.com  Tue Mar 21 10:15:35 2006
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Warren Sirota wrote:
> I always experience this dichotomy strongly. I usually feel (rightly 
> or wrongly) that in a live performance, I have to prove I can really 
> play guitar early in the show, and then everyone can relax and we can
> have a good time.

I really came to electronics the other way round, as there is always the
expectation of the audience, that the performer has to be "good" (at
least better than the average audience member). I always wanted to force
the audience to accept that virtuosity is not an issue of the music itself.

> I think that the live performance experience imposes a requirement 
> that most of us feel to somehow impress the audience, to make them 
> feel like not just anyone could be sitting up there in front of a 
> rack of gear and making these great sounds.

The art of making good music is, to let the audience forget their
expectations. One crucial part of that skill is, to let go the wish to
impress anybody. Thats the biggest trap for any artist (not only in
music). Art is, at least for me, a process of freeing myself and let the
audience be part of this whole process.
The best way to impress an  audience is not wanting to impress them, but
just be yourself and that way become a mirror.
But one thing I learned on my path - in the end you can't avoid the 
virtuosity (the longer you play an instrument within this process, the 
more skills you'll develop naturally...), but there is no need to point 
to it.

> That's one reason that I like to play in ensembles with less-magical
> technology, and specifically to use the high tech as one element
> among many in a show.

Thats why I prefer to play with other musicians who play "normal" 
instruments (no looping from their side). The whole process is more 
clear, the only explanation I might give: all the sounds you hear are 
from the played instrument, no prerecorded additions...

Yes my instrument is "electronics" (I would not want to call it effects, 
this is pointing into the wrong direction)

I call my instrument now "Les ondes memorielles". It might help the 
audience in recognizing it as an instrument.

Stefan

-- 

  [][]  [][][]  [][]  [][][]
[][][][][][][][][][][][][][][]

         Stefan Tiedje
         Klanggestalter
     Electronic Composition
               &
         Improvisation

            /~~~~~\
     \\\   /|() ()|\
     ))))) )|  |  |( \\\
     ///    \ \_/)/ )))))
             \___/   ///

-------------------------x----
--_____-----------|-----------
--(_|_ ----|\-----|-----()----
-- _|_)----|-----()-----------
----------()------------x-----

14, Av. Pr. Franklin Roosevelt,
94320 Thiais, France
Phone at CCMIX +33-1-57 42 91 09

From Loopers-Delight-request@loopers-delight.com  Tue Mar 21 10:29:19 2006
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Subject: Re: Looper's Delight Playlist - Send your MP3 links
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Hi Kris, nice idea !
Here're my links.

Bye
Fabio


In a pearly way - Fabio Anile
http://dw.com.com/redir?&destUrl=http%3a%2f%2fmusic-files.download.com%2fsd%2fsF_2XiRjidwllhJSlswfg5fKCghjmweR9dt41v0mWrleArigRJhYjFX64PaD_J596uDqanYTi9w9Yw1rU09m2MplWNOjADd4%2fmp3download%2f100696140%2f192%2feterogeneo-In_a_pearly_way.mp3&edId=3&siteId=32&oI

Dark Shark - Fabio Anile :
http://dw.com.com/redir?&destUrl=http%3a%2f%2fmusic-files.download.com%2fsd%2fVnFNYdnf5D-VoCkt-OY41w2BEQBwWfPed4UDh8atSzhmFCwoOr1oBy332TsNo-rFVRP7LjU6c46Ry665zamR8VWaK27aCrJw%2fmp3download%2f100572428%2f192%2feterogeneo-Dark_Shark.mp3&edId=3&siteId=32&oId=361

Liquid day - Fabio Anile
http://dw.com.com/redir?&destUrl=http%3a%2f%2fmusic-files.download.com%2fsd%2fL0ebdkHQd5VdoJrhKs8PVVfk7w4BSMNEtGC02kMWyT7WvgU-UEQ1XqExxFcrdcxMQ1rZ96m_JVAplbHk_K_gPVVduC-WIXPx%2fmp3download%2f100294448%2f192%2feterogeneo-Liquid_Day.mp3&edId=3&siteId=32&oId=361

Before the storm - Fabio Anile
http://www.vitaminic.it/track/547370/download/a980/00980945/fabio%20anile%20-%20Before%20the%20storm.mp3

La Musique - Fabio Anile
http://dw.com.com/redir?&destUrl=http%3a%2f%2fmusic-files.download.com%2fsd%2ftI3Or-kl-WHuBTChXOrs4c_CpcRjNvMcR7Wo1pM7uEjjNN6v4KgtZu2Y2PhsAVb42jJU_4olId4eOslU7Ai4elzE7ieIruqh%2fmp3download%2f100404332%2f192%2feterogeneo-La_musique.mp3&edId=3&siteId=32&oId=361

Dune Fredde - Fabio Anile
http://www.vitaminic.it/track/547372/download/a980/00980947/fabio%20anile%20-%20Dune%20fredde%20II.mp3

Loop 77 - Fabio Anile
http://www.vitaminic.it/track/547371/download/a980/00980946/fabio%20anile%20-%20Loop%2077.mp3

Sud - Fabio Anile
http://www.vitaminic.it/track/547368/download/a980/00980943/fabio%20anile%20-%20Sud.mp3





----- Original Message ----- 
From: "Kris Hartung" <khartung@cableone.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, March 20, 2006 2:39 AM
Subject: Looper's Delight Playlist - Send your MP3 links


> Okay, I'm ready to start adding links to what could eventually be the 
> world's large and most gigantor MP3 playlist.  If you have have looping 
> MP3s that you want in this playlist, send them to me using the format 
> below. Send them one line after another, no spaces between each entry (as 
> shown below), that way I can just paste into my playlist file.
>
> #EXTINF:  Song Title - Artist - CD or Event
> http://URL to your MP3 file
>
> Here is the playlist, currently just Y2K5 recordings:
>
> http://www.boisemusicians.com/loopers-delight.m3u
>
> Kris
>
>
>
> 


From Loopers-Delight-request@loopers-delight.com  Tue Mar 21 10:53:44 2006
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Subject: Re: what a loop has to say
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Satriani?
Vai?
Van Halen?

Nik

----- Original Message ----- 
From: <goddard.duncan@mtvne.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, March 17, 2006 6:52 PM
Subject: RE: what a loop has to say


>>>Can a musician hide behind extremely developed playing abilities?<<
>
> I read this as "can someone who hasn't actually got all that much to say
> with his music, disguise this fact with a blinding array of technical
> virtuosity?" & I think we've probably all seen examples of this from time 
> to
> time.
>
> I was going to say "fripp" & run for the door, but I've more than half me
> pint left & I'm not wasting good beer just because I can't keep me mouth
> shut!  :-)
>
> duncan.
>
> 

From Loopers-Delight-request@loopers-delight.com  Tue Mar 21 11:09:29 2006
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References: <110a01c64b7a$206a5290$45b2ec0f@americas.hpqcorp.net> <441F2276.9070006@addcom.de> <00ab01c64c71$71ae6db0$61b0ec0f@americas.hpqcorp.net>
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Kris Hartung wrote:
> 4. RME Hammerfall HDSP Laptop Cardbus - 
> http://www.rme-audio.com/english/hdsp/cardpci.htm#CARDBUS - $299

Don't get this wrong, this is only the cardbus card without the 
Multiface which you would need as well and is much more expensive than 
just the cardbus card. Its good converters have its price...

Stefan

-- 

  [][]  [][][]  [][]  [][][]
[][][][][][][][][][][][][][][]

         Stefan Tiedje
         Klanggestalter
     Electronic Composition
               &
         Improvisation

            /~~~~~\
     \\\   /|() ()|\
     ))))) )|  |  |( \\\
     ///    \ \_/)/ )))))
             \___/   ///

-------------------------x----
--_____-----------|-----------
--(_|_ ----|\-----|-----()----
-- _|_)----|-----()-----------
----------()------------x-----

14, Av. Pr. Franklin Roosevelt,
94320 Thiais, France
Phone at CCMIX +33-1-57 42 91 09

From Loopers-Delight-request@loopers-delight.com  Tue Mar 21 11:26:41 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: what a loop has to say
Date: Tue, 21 Mar 2006 12:19:54 +0100
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>> I read this as "can someone who hasn't actually got all that much =20
>> to say
>> with his music, disguise this fact with a blinding array of technical
>> virtuosity?" & I think we've probably all seen examples of this =20
>> from time to
>> time.


Why should a musician disguise that he "hasn't much to say with his =20
music"? Myself I enjoy a lot of music that only exists for the =20
purpose of "not saying much". Like for example all these piano bar =20
players that sit down behind the piano at fashionable caf=E9s to =20
provide a background atmosphere. And what about Satie, Eno and John =20
Cage? Well, those guys may not be virtuosos, but many piano bar =20
musicians in fact are! The thrill is to hear them twist the tempi of =20
well known "schlagers" with excessive ritardandi and virtuoso =20
arpeggio ornamentation. That really doesn't say much - but it sounds =20
cool while you are having coffee and bisques.

What sometimes makes me feel bad is the culture that makes us expect =20
certain things from artists. And even worse; when some artists =20
internalize these expectation and kind of starts to pretend as if =20
they are doing something different than they are. That's just sad.

I must also say that I enjoyed Stefan Tiedjes post a lot and agree to =20=

everything he said there on this topic.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?=20
id=3D128679560&s=3D143456




From Loopers-Delight-request@loopers-delight.com  Tue Mar 21 11:33:55 2006
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I just posted the last too fast...

Kris Hartung wrote:
> I think PCMCIA route is the best for me...I'd rather not have an extra 
> device attached to my notebook.

I wouldn't be so sure about that. In general assume the cardbus solution 
isn't necessarily better than a built in. Allone the connections are 
likely to create problems later. Are you really going to sacrifice the 
processing power with 96kHz?. I'd rather trust a good 44.1 kHz converter 
than a bad 96 kHz. Specs are for selling stuff. The aim of these cards 
are home musicians, not professionals. None of the mentioned cards let 
you plug in your instrument or a microphone directly. You would be 
forced to add a mixer (which you might want ta have anyway...).

The Quatafire is so small, you won't consider it as an extra device and 
it has a built in Midi interface which will get rid of one other box in 
exchange.

> Hence, what I have now for PCMCIA options are:
> 
> 1. SoundBlaster Audigy 2 ZS Notebook  - 
> http://www.creative.com/products/product.asp?category=1&subcategory=204&product=10769   
> - $100

No Mic/Inst input, only stereo in and out. I would not expect it to be 
better than the built in High Definition parts of your ThinkPad

> 2. Echo IO http://www.echoaudio.com/Products/CardBus/IndigoIO/index.php  
> - $200

Same as above

> 3. Echo DJ - 
> http://www.echoaudio.com/Products/CardBus/IndigoDJ/index.php - $200

Doesn't seem to have any inputs. (You're not a DJ, are you?)

> 4. RME Hammerfall HDSP Laptop Cardbus - 
> http://www.rme-audio.com/english/hdsp/cardpci.htm#CARDBUS - $299

This will have an extra box and you will have to add something like at 
least $700 to the mentioned price (though it has really world class 
converters)

> I definitely won't be buying the Soundblaster again....even though the 
> quality is great for what I'm using it now, I don't like the fact that 
> it completely disables your notebooks current soundcard.

This is more an operating system issue I guess, might be the case with 
any solution ? The general technical issue with mixing sound cards, you 
will be forced to use the biggest vector size, the smallest sampling 
rate, the longest latency of the two. Especially internal sound cards 
are never optimized for latency, but always for price.

The Quatafire will give you 4 analog ins and 8 analog outs. The same is 
true for the Presonus Firebox. I think if you even consider a cardbus 
"solution" these are the two I would think of. You might consider to 
exchange your mixer with a fader box.

Stefan


-- 

  [][]  [][][]  [][]  [][][]
[][][][][][][][][][][][][][][]

         Stefan Tiedje
         Klanggestalter
     Electronic Composition
               &
         Improvisation

            /~~~~~\
     \\\   /|() ()|\
     ))))) )|  |  |( \\\
     ///    \ \_/)/ )))))
             \___/   ///

-------------------------x----
--_____-----------|-----------
--(_|_ ----|\-----|-----()----
-- _|_)----|-----()-----------
----------()------------x-----

14, Av. Pr. Franklin Roosevelt,
94320 Thiais, France
Phone at CCMIX +33-1-57 42 91 09

From Loopers-Delight-request@loopers-delight.com  Tue Mar 21 11:46:34 2006
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Date: Tue, 21 Mar 2006 03:46:31 -0800 (PST)
From: r i c k m o n d <rickmond@yahoo.com>
Reply-To: rcw@midwickhill.com
Subject: Re: RC-50 Loop Factory? durrh...
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durhh, my bad. i tried to search the archives for
'loop factory' threads and of course there weren't
any. it's actually called the rc-50 loop station and
the catalogue i received misnamed it >< ... guess i'm
just 12 loops behind.

--- r i c k m o n d <rickmond@yahoo.com> wrote:

> maybe i'm late but i haven't seen much discussion of
> this here. doesn't seem too impressive, especially
> with "play-along drum patterns" urk.
> 
>
http://www.axetopia.com/news/06_01/New_Boss_Loop_station.html
> 
> "Artists in any medium are nothing more than mere
> hooligans who cannot live within their income of
> admiration." - Quentin Crisp
> 
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam
> protection around 
> http://mail.yahoo.com 
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Tue Mar 21 11:50:23 2006
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Zoe Keating wrote:
> Rencontres d'Ensembles de Violoncelles de Beauvais
> May 16
> 8:30 pm

Beauvais seems to be the center of the Cello world.
Which prooves that the theory that all interesting stuff happens in the 
metropoles is wrong.

If I find an easy way to get there and back again, I'd love to hear you 
live. Unfortunately my french is probably even worse than yours...-(

Stefan

-- 

  [][]  [][][]  [][]  [][][]
[][][][][][][][][][][][][][][]

         Stefan Tiedje
         Klanggestalter
     Electronic Composition
               &
         Improvisation

            /~~~~~\
     \\\   /|() ()|\
     ))))) )|  |  |( \\\
     ///    \ \_/)/ )))))
             \___/   ///

-------------------------x----
--_____-----------|-----------
--(_|_ ----|\-----|-----()----
-- _|_)----|-----()-----------
----------()------------x-----

14, Av. Pr. Franklin Roosevelt,
94320 Thiais, France
Phone at CCMIX +33-1-57 42 91 09

From Loopers-Delight-request@loopers-delight.com  Tue Mar 21 12:03:58 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Audio Interface for Notebook Users
Date: Tue, 21 Mar 2006 13:03:16 +0100
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Hi,

I''m using two solutions that I'm very happy with. The Indigo Echo i/ 
o and the RME Multiface. If you listen carefully, the Multiface  
sounds a little better on playback. Not much and not enough to  
justify dragging it to a gig, since it is not a PCMCIA solution but a  
combination of a PCMIA card and a break-out box. But if I need  
multiple analog (or digital) in- and output I would bring the RME.

Both solutions lack built-in mic preamps, a fact that many file as  
something negative. But I would rather have that and use the saved  
money for a standalone preamp. I have three external mic preamps: a  
small (cigarette package sized) one with an added fly mic for reed/ 
air instruments, (2) a PreSonus VXP analog preamp with good  
compressor, expander and dynamic filters (rarely taking it out of the  
studio for gigs) and (3) finally I have a TC Electronics FireworX  
multi effect processor, that does well as a mic amp too.

My preferred laptop set up for live gigs is the small fly mic/preamp  
(eventually electric line instruments plugged directly into the  
second input of the Fireworx), the Fireworx going into the Echo i/o  
in stereo. If possible, I like to also bring an external compressor  
(RNG) to balance the stereo output before the PA stage box. Then I  
also bring a FCB1010 foot controller and a Faderfox mini hand mixer  
and some instrument to make noise with.

per

From Loopers-Delight-request@loopers-delight.com  Tue Mar 21 14:05:25 2006
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From: Warren Sirota <wsirota@wsdesigns.com>
Subject: RE: Looper's Delight Playlist - Send your MP3 links
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Hi Kris,

Here are a couple of links for me. Thanks for doing in this. As has often
happened of late, I am mightily impressed by your ideas, industry and
generosity. No to mention your music, which I am really enjoying, as I
slowly get to know it.

Best wishes,
Warren Sirota


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#EXTINF: Calling Dr. Love - The Sandbox http://www.warrensirota.com/Sandbox/drLove.mp3
#EXTINF: Martian Sunrise - The Sandbox http://www.warrensirota.com/Sandbox/martian%20sunrise.mp3
#EXTINF: Ramble In The Bramble - Warren Sirota http://www.warrensirota.com/Solostuff/ramble%20in%20the%20bramble.mp3
#EXTINF: Cool Jewel - Warren Sirota http://www.warrensirota.com/Solostuff/coolJewel.mp3

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From Loopers-Delight-request@loopers-delight.com  Tue Mar 21 15:53:06 2006
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To: Loopers-Delight@loopers-delight.com
From: Chris Sewell <chris@gguitars.com>
Subject: Looperlative LP-1 Now Available at G Guitars
Date: Tue, 21 Mar 2006 10:53:02 -0500
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I have 2 in stock. G Guitars is the first dealer for this amazing  
machine. I've been using it for about an hour and it is AMAZING. I  
will get no work done today I assure you.
I have 2 to sell with more on the way.
You can have yours tomorrow.
$1495 includes shipping.
Let me know
Chris

www.gguitars.com

From Loopers-Delight-request@loopers-delight.com  Tue Mar 21 16:52:21 2006
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Date: Tue, 21 Mar 2006 11:51:54 -0500
From: Douglas Baldwin <coyotelk@optonline.net>
Subject: Re: Re:Re: Best Cheap Guitar Synth
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I'm weighing in really late on this, but I've been deep into the Boss GT-3
(guitar multi-fx pedal) ever since it first came out. The GT-3 has an
excellent synth-like feature (actually *four* if I remember correctly) which
tracks really about perfect (in mono) in one mode. Along with numerous
*deep* filter and distortion sounds and a gajillion blank patches to build
your own custom creations, the GT-3 is a powerful effects processor that
could do some serious synth-like sounds. I've got a few patches stored that
do the mini-Moog thing stupidly well. Toss a Digitech Whammy into the
outboard FX loop and you're living in synth city! I know the GT series is up
to the GT-8 and GT-Pro, but that's my point exactly: I'll bet you could
score a GT-3 (or GT-5 or GT-6) for maybe $150 on eBay, then grab one of
those "unpopular" second-edition Whammys for $50. There's your guitar synth
simulator for $200!
    As for me, I'm dreaming about buying five more GT-3s and using an RMC
piezo bridge pickup to split my guitar output into six signals. Send each
signal/string to a seperate GT-3 and we're talking polyphonic mutated
sickola heaviosity!

Douglas Baldwin, coyote-at-large
coyotelk@optonline.net

"The music business is a cruel and shallow money trench, a long plastic
hallway where pimps and thieves run free and good men die like dogs. There's
also a negative side."
--- Hunter S. Thompson

From Loopers-Delight-request@loopers-delight.com  Tue Mar 21 17:06:34 2006
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As king of the cheeseball, lo fi,  not very clean signal, pitch shifted 
loopers
I must chime in that Digitech makes a relatively cheap floor pedal called
the Vocal 300 (and I believe the Vocal 400 with USB connectivity) that goes
for around $300 that comes with an expression pedal which also allows
for simultaneous other effects to played.    It has a one octave up and down 
range.
(and a rad square wave tremelo function).

Before I had it,  I used the Red Digitech Whammy pedal that costs around 
$200
new but doesn't have all the extra effects that the Vocal 300 has.

Both these units are noisy as hell and lo fi.

I actually destroyed both of them with constant touring and the last time I 
played
at the NAMM show demo with the looperlative,  Steve Lawson said he really 
enjoyed
hearing the much improved fidelity of my performances.

A lot of this was due to the incredible fidelity of the Looperlative but 
also credit must
be given to the lack of the Vocal 300 in my effects chain.

It's too bad.....................I miss that unit (and it was purple to 
boot and a christmas present from
my wife) and I haven't found anything I can afford since then that had it's 
performance flexibility.
I'm just not in the economic bracket to get an Eventide, unfortunately, nor 
does it look like I ever
will be.

I saw a singer the other night who had two microphones on the same 
stand..........one for straight unprocessed vocals and one for processed 
vocals and I think that may be my future live strategy:
run one line of lo fi but very fun effects (and I love how radical pitch 
shifting can greatly extend the timbral range and power of simple found 
objects) and one for fidelities' sake on things that I"ll process after the 
looping. 

From Loopers-Delight-request@loopers-delight.com  Tue Mar 21 17:17:21 2006
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>>>> I read this as "can someone who hasn't actually got all that much  
>> to say
>> with his music, disguise this fact with a blinding array of technical
>> virtuosity?" & I think we've probably all seen examples of this  
>> from time to
>> time.


Why should a musician disguise that he "hasn't much to say with his  
music"?[snipette]
What sometimes makes me feel bad is the culture that makes us expect  
certain things from artists. And even worse; when some artists  
internalize these expectation and kind of starts to pretend as if  
they are doing something different than they are. That's just sad.<<

I totally totally agree.
I didn't say or mean to imply that such "nothing much to say"-ness was a bad
thing, just that it happens & is occasionally hidden by a dazzling display
of technique. 
it's like having a dictionary-like grasp of one's language but not being
able to tell a story with all those words; it doesn't make you any less
interesting or worthwhile.

jeez.... aren't we all a bit PC, though, avoiding offence or value
judgements like this? I'm going to stick my neck out (for a change)- nik, I
personally would take "hot for teacher" over anything on the last "king
crimson" album. there, I've said it. :-)
I never liked any of frank zappa's records but I thought his "in his own
words" book was great.

duncan. 


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<TITLE>RE: what a loop has to say</TITLE>
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<P><FONT SIZE=3D2>&gt;&gt;&gt;&gt; I read this as &quot;can someone who has=
n't actually got all that much&nbsp; </FONT>
<BR><FONT SIZE=3D2>&gt;&gt; to say</FONT>
<BR><FONT SIZE=3D2>&gt;&gt; with his music, disguise this fact with a blind=
ing array of technical</FONT>
<BR><FONT SIZE=3D2>&gt;&gt; virtuosity?&quot; &amp; I think we've probably =
all seen examples of this&nbsp; </FONT>
<BR><FONT SIZE=3D2>&gt;&gt; from time to</FONT>
<BR><FONT SIZE=3D2>&gt;&gt; time.</FONT>
</P>
<BR>

<P><FONT SIZE=3D2>Why should a musician disguise that he &quot;hasn't much =
to say with his&nbsp; </FONT>
<BR><FONT SIZE=3D2>music&quot;?[snipette]</FONT>
<BR><FONT SIZE=3D2>What sometimes makes me feel bad is the culture that mak=
es us expect&nbsp; </FONT>
<BR><FONT SIZE=3D2>certain things from artists. And even worse; when some a=
rtists&nbsp; </FONT>
<BR><FONT SIZE=3D2>internalize these expectation and kind of starts to pret=
end as if&nbsp; </FONT>
<BR><FONT SIZE=3D2>they are doing something different than they are. That's=
 just sad.&lt;&lt;</FONT>
</P>

<P><FONT SIZE=3D2>I totally totally agree.</FONT>
<BR><FONT SIZE=3D2>I didn't say or mean to imply that such &quot;nothing mu=
ch to say&quot;-ness was a bad thing, just that it happens &amp; is occasio=
nally hidden by a dazzling display of technique. </FONT></P>

<P><FONT SIZE=3D2>it's like having a dictionary-like grasp of one's languag=
e but not being able to tell a story with all those words; it doesn't make =
you any less interesting or worthwhile.</FONT></P>

<P><FONT SIZE=3D2>jeez.... aren't we all a bit PC, though, avoiding offence=
 or value judgements like this? I'm going to stick my neck out (for a chang=
e)- nik, I personally would take &quot;hot for teacher&quot; over anything =
on the last &quot;king crimson&quot; album. there, I've said it. :-)</FONT>=
</P>

<P><FONT SIZE=3D2>I never liked any of frank zappa's records but I thought =
his &quot;in his own words&quot; book was great.</FONT>
</P>

<P><FONT SIZE=3D2>duncan. </FONT>
</P>

<CODE><FONT SIZE=3D3><BR>
<BR>
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<BR>
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From Loopers-Delight-request@loopers-delight.com  Tue Mar 21 17:21:42 2006
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Subject: Re: Audio Interface for Notebook Users
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From: "Stefan Tiedje" <Stefan-Tiedje@addcom.de>

>> 1. SoundBlaster Audigy 2 ZS Notebook  - 
>> http://www.creative.com/products/product.asp?category=1&subcategory=204&product=10769   
>>  -  $100

> No Mic/Inst input, only stereo in and out. I would not expect it to be 
> better than the built in High Definition parts of your ThinkPad

I think your comments on the quality of these PCMCIA units is not entirely 
and unanimously on base, relative to desired outcomes of differenet 
musicians, home or professioa, relative standards of quality, and use cases. 
You say  "The aim of these cards are home musicians, not professionals." 
This is somewhat of a black and white statement.  There are a lot of 
"professional" musicians, however we define that,  who use what audiofiles 
might consider sub-standard quality gear. For that matter, a rock guitarist 
using an 8 bit effects stompbox should be completely out of the picture 
here. Certainly, for super hi fi production, like making movie soundtracks, 
or multi-tracking bands, etc...these cards are not the way to go.  However, 
there is a whole separate range of use cases where they are perfectly fine. 
For instance, I already use this Soundblaster card above in my other 
notebook computer. I used it for my last two CDs and all my live 
performances, and I've never heard a single comment on lack of quality or 
fidelity. I'd be willing to bet that if we did a blind test of CDs, using 
PCMCIA and higher qualiter firewire/USB units, it would be very difficult to 
tell a difference, mainly becuase there are too many factors at play here 
that effect the quality. One effects processor in the signal chain can 
nullify the "pristine" quality of a D/A converter. It's the whole system, 
the holistic gear context taht drives the overall output. And honestly, I 
can't tell the difference myself between my recordings, or others' 
recordings using these inexpesive audio interface, and others that folks 
make with USB or Fireware based audio interfaces.  And the Soundblaster card 
does indeed, and entirely blow away the quality of the stock soundcard on 
the notebook.  I can't say whether this will be the case for the ThinkPad 
T60p and the Intel High Definition Audio integrated, however. I will wait to 
try out the T60 audio I/O before I buy a PCMCIA card.

>> 2. Echo IO 
>> ttp://www.echoaudio.com/Products/CardBus/IndigoIO/index.php  - $200

> Same as above

Same as above for me too...but even more so here. The reviews of this IO 
unit seem to indicate that it produces higher quality results than the 
Soundblaster. So I'm guessing the IO is more than what I need...unless I 
decide to start producing moving sound tracks, recording entire bands, 
etc..for commerical viability. For solo looping with the guitar, I think the 
IO is a perfect option for quality and portability, size, etc.  Again, I'll 
wait to here the T60p audio I/O first....who knows, maybe I'll get lucky! 
:)

>> 3. Echo DJ - 
>> http://www.echoaudio.com/Products/CardBus/IndigoDJ/index.php - $200
>
> Doesn't seem to have any inputs. (You're not a DJ, are you?)

It has a stereo input, but two stereo outputs...not much different than the 
IO.  I don't need it, but the addtional stereo output might be useful to 
someone.

>> 4. RME Hammerfall HDSP Laptop Cardbus - 
>> http://www.rme-audio.com/english/hdsp/cardpci.htm#CARDBUS - $299
>
> This will have an extra box and you will have to add something like at 
> least $700 to the mentioned price (though it has really world class 
> converters)

Good catch on this one. Thanks!

Kris


From Loopers-Delight-request@loopers-delight.com  Tue Mar 21 17:26:15 2006
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Date: Tue, 21 Mar 2006 13:26:15 -0400
From: Andrew Duke <andrew@andrew-duke.com>
Subject: EMU1616M Re: Audio Interface for Notebook Users
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I'm very happy with my EMU1616M.  Use it for live performances,
recording sessions outside the studio, and in the studio.
Andrew

-- 
Andrew Duke
scoring/sound design/source
http://andrew-duke.com
http://myspace.com/andrewduke
Cognition Audioworks label
[Andrew Duke, Foal, Clinker, Granny'Ark]
http://cognitionaudioworks.com


From Loopers-Delight-request@loopers-delight.com  Tue Mar 21 17:26:47 2006
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Subject: Re: Audio Interface for Notebook Users
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I like your assessment here, Per, as it aligns to my situation. I too don't 
need high quality mic-preamps, because my signal doesn't enter my computer 
until it has been brought to line level by another unit in my rack. I just 
need a PCMCIA card that will capture that line level input, allow me to 
process it with VST effects, and then spit it back out through the output. 
I need it to do this in a transparent way, and not degrade the quality of 
the input signal. The Soundblaster card I'm using on my old notebook does 
this very well. I imagine the IO will be even better. I plan to buy it, if 
the ThinkPad T60p's audio I/O doesn't suffice.

Kris

----- Original Message ----- 
> Hi,
>
> I''m using two solutions that I'm very happy with. The Indigo Echo i/ o 
> and the RME Multiface. If you listen carefully, the Multiface  sounds a 
> little better on playback. Not much and not enough to  justify dragging it 
> to a gig, since it is not a PCMCIA solution but a  combination of a PCMIA 
> card and a break-out box. But if I need  multiple analog (or digital) in- 
> and output I would bring the RME.
>
> Both solutions lack built-in mic preamps, a fact that many file as 
> something negative. But I would rather have that and use the saved  money 
> for a standalone preamp. I have three external mic preamps: a  small 
> (cigarette package sized) one with an added fly mic for reed/ air 
> instruments, (2) a PreSonus VXP analog preamp with good  compressor, 
> expander and dynamic filters (rarely taking it out of the  studio for 
> gigs) and (3) finally I have a TC Electronics FireworX  multi effect 
> processor, that does well as a mic amp too.
>
> My preferred laptop set up for live gigs is the small fly mic/preamp 
> (eventually electric line instruments plugged directly into the  second 
> input of the Fireworx), the Fireworx going into the Echo i/o  in stereo. 
> If possible, I like to also bring an external compressor  (RNG) to balance 
> the stereo output before the PA stage box. Then I  also bring a FCB1010 
> foot controller and a Faderfox mini hand mixer  and some instrument to 
> make noise with.
>
> per
>
> 


From Loopers-Delight-request@loopers-delight.com  Tue Mar 21 18:01:36 2006
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Subject: Re: Re:Re: Best Cheap Guitar Synth
Date: Tue, 21 Mar 2006 18:01:39 -0000
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Thanks.


----- Original Message ----- 
From: "a k butler" <akbutler@tiscali.co.uk>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, March 21, 2006 8:33 AM
Subject: Re: Re:Re: Best Cheap Guitar Synth


>
>>Hi Andy,
>>
>>I wondered about the differences in quality and tracking between the 
>>Filter Pro and the stomp box version - I imagine that the differences in 
>>audio spec/features are the same as the DL4/Echo-Pro (both of which I 
>>have). I'm interested in using a filter unit of some kind on flute and 
>>saxes.
>
> Sorry, I don't have the stomp box.
> ..but I also imagine as you do.
>
> The Pro version will midi-sync, which is very useful for the random LFO 
> patterns which are probably the unit's best trick.
> The Pro also has an analog bypass option, but i don't know if the pedal 
> has this.
>
> the " Tron Up & Down" patches would be nice on sax, as the filter freq 
> responds to volume.
>
> Maybe the pedal version sounds better on the synth patches,
> if it's a bit more lo-fi then it may take off some of the digital edginess
>
> andy
>
>
> 


From Loopers-Delight-request@loopers-delight.com  Tue Mar 21 18:04:18 2006
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Date: Tue, 21 Mar 2006 10:04:16 -0800 (PST)
Subject: RE: what a loop has to say
From: johnsrude@peak.org
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> I never liked any of frank zappa's records but I thought his "in his own
> words" book was great.

My favorite Zappa album is "Shut up and play yer guitar".

Cheers,
Kevin


From Loopers-Delight-request@loopers-delight.com  Tue Mar 21 18:08:27 2006
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You might want to give Zappa's "The Grand Wazoo" a listen.

    joe
On Tuesday, March 21, 2006, at 10:04 AM, johnsrude@peak.org wrote:

>> I never liked any of frank zappa's records but I thought his "in his 
>> own
>> words" book was great.
>
> My favorite Zappa album is "Shut up and play yer guitar".
>
> Cheers,
> Kevin
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Mar 21 18:10:15 2006
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Subject: Re: what a loop has to say
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Can you imagine if Zappa were alive during the bush years?
Man I miss him.

On Mar 21, 2006, at 1:04 PM, johnsrude@peak.org wrote:

>> I never liked any of frank zappa's records but I thought his "in  
>> his own
>> words" book was great.
>>
>
> My favorite Zappa album is "Shut up and play yer guitar".
>
> Cheers,
> Kevin
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Mar 21 18:11:26 2006
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On 21 mar 2006, at 18.17, goddard.duncan@mtvne.com wrote:
> I never liked any of frank zappa's records but I thought his "in  
> his own words" book was great.

I didn't like his stuff either, but now I've just found out that I  
do. Surprisingly. Those cartoonish ultra fast jazz fusion solos that  
used to sound like noise to my ears have now gained a terrific "genre  
commentating value". I also like the crazy Flo and Eddie vocals that  
I found "just stupid" in the seventies. Taste changes ;-)  Need get a  
copy of The Grand Wazoo, can't wait to check that one out with my  
"new ears".

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast? 
id=128679560&s=143456




From Loopers-Delight-request@loopers-delight.com  Tue Mar 21 18:12:02 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: adding pitch shift to stereo EDP+'s
Date: Tue, 21 Mar 2006 19:11:59 +0100
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On 21 mar 2006, at 18.06, loop.pool wrote:

> I saw a singer the other night who had two microphones on the same  
> stand..........one for straight unprocessed vocals and one for  
> processed vocals


Interesting. I saw a trumpet player using four different mics on  
stage. Each mic going into a different fx line-up. So instead of  
stomping a pedal to catch a loop he simply directed his horn into the  
mic that fed a delay unit and vice versa.

>  I love how radical pitch shifting can greatly extend the timbral  
> range and power of simple found objects)

Another cool aspect with pitch shifting is how monitor leakage  
sometimes can morph into beautiful background layers. As much as I  
can, with respect for neighbors, I like to rehearse and record live  
looping with monitor speakers instead of headphones.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast? 
id=128679560&s=143456




From Loopers-Delight-request@loopers-delight.com  Tue Mar 21 18:12:16 2006
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Date: Tue, 21 Mar 2006 10:12:15 -0800 (PST)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: F/S Mint MONOMACHINE Drummachine-sequencer-synth
To: Loopers-Delight@loopers-delight.com
In-Reply-To: <2398.128.193.37.212.1142964256.squirrel@webmail.peak.org>
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Well, to make room for the Looperlative I had to do
some soul searching and something had to go.  As much
as I love this amazing box, I've ignored it's
sequencer for the most part in favor of doing that on
my computer.  It has some amazing sounds and a
presence that samples just don't have, but in my
scheme it just doesn't have a prominant enough role.

http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=7400598513

have it it!  It's only 8 months old and has never left
my studio.

for more info go to http://www.monomachine.com

Mark

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Tue Mar 21 18:15:23 2006
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Subject: Re: what DOES a damned loop has to say?
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RE: what a loop has to say> jeez.... aren't we all a bit PC, though,
avoiding offence or value judgements like this? I'm going to stick my neck
out (for a change)- nik, I personally would take "hot for teacher" over
anything on the last "king crimson" album. there, I've said it. :-)  duncan.

Right on Duncan!

I find it interesting that in this group, and other 'academic' groups like
ba-newmus, that musicians who actually allow their sexuality, irreverence,
high-spirited-ness, impulsiveness and idomatic ideas to have somewhat equal
reign---right alongside their anal-itical, quasi-intellectual, academic
qualities---get judged as boneheads.

These are all qualities that define us as human right? Is it that
embarrassing to actualy admit it, or are we trying to selectively 'evolve'
to a state where those qualities have fallen by the wayside? I don't *want*
to lose those qualities, and in fact cherish them as 'quality of life'
factors. Do we really need to practice such denial, to prove we're
intelligent beings? I'll definitely take an order of greasy fries, along
with that wheatgrass juice Dilbert!

Miko Biffle
"Running scared from all the usual distractions!"
C;mon over to MySpace! www.myspace.com/biffozz
Now playing "Rough" www.cdbaby.com/biffoz
The Chain Tape Collective! http://www.ct-collective.com/


From Loopers-Delight-request@loopers-delight.com  Tue Mar 21 18:23:59 2006
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>> On 21 mar 2006, at 18.06, loop.pool wrote: I saw a singer the other night
who had two microphones on the same stand..........one for straight
unprocessed vocals and one for processed vocals.

> Interesting. I saw a trumpet player using four different mics on stage.
Each mic going into a different fx line-up. So instead of stomping a pedal
to catch a loop he simply directed his horn into the mic that fed a delay
unit and vice versa.

Mike Patton--saw Bungle a few years back for the 'California' tour, and
Patton was using 3 mics. A clean one; another one into fx chain which
included keyboard synths with audio input; and the good 'ol harmonica style
mic into distortion. He would ring modulate his voice and beyond. I could
see him signaling the monitor guy to kill his monitor for particularly
extreme processing events. It was truly awesome to see him self-process his
voice to accomplish the amazing sounds and changes required for their
complex material.

Ronnie Montrose--years ago he had a huge pedal board with 5 Ernie Ball
volume pedals, and he could blend various effect sends with the array. Very
studio-like setup--it was extremely transparent and effective. (no pun
intended)

Miko Biffle
"Running scared from all the usual distractions!"
C;mon over to MySpace! www.myspace.com/biffozz
Now playing "Rough" www.cdbaby.com/biffoz
The Chain Tape Collective! http://www.ct-collective.com/


From Loopers-Delight-request@loopers-delight.com  Tue Mar 21 18:25:14 2006
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Me too, but what has EVH done recently? What really memorable, original
songs has he written since DLR left? Now I'm going to stick my neck out: I
would take ANYTHING off DLRs first three solo albums over anything EVH has
done since the split.

And DLRs first solo two solo albums are a further illustration. Steve Vai,
in spite of his technical ability, has not played on anything as good since.

As for Fripp - some of his solo work and a little of his KC output is truely
magical and inspirational. Almost as cool as his contributions to 'Heroes',
'Scary Monsters' and 'Parallel Lines'.

Nik


--------- Original Message --------
From: Loopers-Delight@loopers-delight.com
To: "Loopers-Delight@loopers-delight.com"
<Loopers-Delight@loopers-delight.com>
Subject: RE: what a loop has to say
Date: 21/03/06 17:17
nik, I personally would take "hot for teacher" over anything on the last
"king crimson" album. there, I've said it. :-)
I never liked any of frank zappa's records but I thought his "in his own
words" book was great.
duncan.



________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Tue Mar 21 18:27:20 2006
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Here's another bit oif iconoclasm. I love some of his songwriting: Sheik
Yerbouti, Joe's Garage, Ship Arriving Too Late... et al. But I never thought
mush of his guitar playing.

Nik

--------- Original Message --------
From: Loopers-Delight@loopers-delight.com
To: "Loopers-Delight@loopers-delight.com"
<Loopers-Delight@loopers-delight.com>
Subject: RE: what a loop has to say
Date: 21/03/06 18:04


> I never liked any of frank zappa's records but I thought his "in his own
> words" book was great.

My favorite Zappa album is "Shut up and play yer guitar".

Cheers,
Kevin

________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Tue Mar 21 18:33:41 2006
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...And we may as well ask 'what does any piece oif music have to say?'

Nik

--------- Original Message --------
From: Loopers-Delight@loopers-delight.com
To: "Loopers-Delight@loopers-delight.com"
<Loopers-Delight@loopers-delight.com>
Subject: Re: what DOES a damned loop has to say?
Date: 21/03/06 18:15

Right on Duncan!

I find it interesting that in this group, and other 'academic' groups like
ba-newmus, that musicians who actually allow their sexuality, irreverence,
high-spirited-ness, impulsiveness and idomatic ideas to have somewhat equal
reign---right alongside their anal-itical, quasi-intellectual, academic
qualities---get judged as boneheads.

These are all qualities that define us as human right? Is it that
embarrassing to actualy admit it, or are we trying to selectively 'evolve'
to a state where those qualities have fallen by the wayside? I don't *want*
to lose those qualities, and in fact cherish them as 'quality of life'
factors. Do we really need to practice such denial, to prove we're
intelligent beings? I'll definitely take an order of greasy fries, along
with that wheatgrass juice Dilbert!

Miko Biffle


________________________________________________
Message sent using UebiMiau 2.7.2

From Loopers-Delight-request@loopers-delight.com  Tue Mar 21 18:34:36 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: what a loop has to say
Date: Tue, 21 Mar 2006 19:34:27 +0100
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On 21 mar 2006, at 19.27, Fluke wrote:

> Here's another bit oif iconoclasm. I love some of his songwriting:  
> Sheik
> Yerbouti, Joe's Garage, Ship Arriving Too Late... et al. But I  
> never thought
> mush of his guitar playing.


No. He couldn't really play the guitar properly. That's what I like  
with his guitar solos. He knew it and just did it way over the top,  
four hundred percent overkill. "Cartoonish" is the world! Lovely  
cartoonish. It just makes me warm and fuzzy to hear it  ;-)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast? 
id=128679560&s=143456




From Loopers-Delight-request@loopers-delight.com  Tue Mar 21 18:38:28 2006
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From: "Miko Biffle" <biffoz@arczip.com>
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Subject: Re: what a damned loop has to say
Date: Tue, 21 Mar 2006 10:41:14 -0800
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> Me too, but what has EVH done recently? What really memorable, original
songs has he written since DLR left? Now I'm going to stick my neck out: I
would take ANYTHING off DLRs first three solo albums over anything EVH has
done since the split.

 Let's just say that many of us have other life issues and lessons we're
dealing with, and have failed to manage ourselves in ways that would allow
us to continue producing work at our highest level... me included. It's sad
but true. Recovery is a bitch...

> As for Fripp - some of his solo work and a little of his KC output is
truely magical and inspirational. Almost as cool as his contributions to
'Heroes', 'Scary Monsters' and 'Parallel Lines'.

Fripp's input on side projects seems much less contrived to me. 'Scary
Monsters' is the most unbelieveable recording.

 As testimony for Vai, I would nominate his performance on PIL's 'generic'
recording, with Ginger Baker, Bill Laswell and Nicky Skopelitis as an
all-time high as well. Absolutely killer playing and chemistry.

Finally... what anyone is doing today is beside the point. If they've
contributed anything, we're in their debt. For whatever reason, not everyone
is going to continually pop out classic material. We all have our ups and
downs, and I'd like to attempt being generous and allow those who have
fallen on harder times the possibility of some dignity and recovery. I'd do
the same for any of you!

Miko Biffle
"Running scared from all the usual distractions!"
C'mon over to MySpace! www.myspace.com/biffozz
Now playing "Rough" www.cdbaby.com/biffoz
The Chain Tape Collective! http://www.ct-collective.com/


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Date: Tue, 21 Mar 2006 10:44:11 -0800 (PST)
From: Rafko M <rafko_m@yahoo.com>
Subject: Re: Audio Interface for Notebook Users
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After a thorough research on this subject, I found out that if one needs multiple audio IN/OUTS, MIDI IN/OUT, HI-Z input, good mic preamps, low latency, etc., there are two excellent laptop interfaces in the category of "under $500"
   
  1) Yamaha i88x - this might be overall a better choice, except that it is larger in size 
      (480 x 373 x 44mm), i.e. not as portable as the second one. This is a firewire   
      interface. You should be able to find it for $380 new. This one apparently competes 
      well with MOTU's and Digidesign's more expensive interfaces. 
   
  2)  E-MU 1616M. Connects via included PCMCIA card. It's around $500.
   
  Both of these interfaces were reviewed in 'Sound on Sound' and a number of other tech magazines. 
   
  Rafko
Kris Hartung <khartung@cableone.net> wrote:
  From: "Stefan Tiedje" 

>> 1. SoundBlaster Audigy 2 ZS Notebook - 
>> http://www.creative.com/products/product.asp?category=1&subcategory=204&product=10769 
>> - $100

> No Mic/Inst input, only stereo in and out. I would not expect it to be 
> better than the built in High Definition parts of your ThinkPad

I think your comments on the quality of these PCMCIA units is not entirely 
and unanimously on base, relative to desired outcomes of differenet 
musicians, home or professioa, relative standards of quality, and use cases. 
You say "The aim of these cards are home musicians, not professionals." 
This is somewhat of a black and white statement. There are a lot of 
"professional" musicians, however we define that, who use what audiofiles 
might consider sub-standard quality gear. For that matter, a rock guitarist 
using an 8 bit effects stompbox should be completely out of the picture 
here. Certainly, for super hi fi production, like making movie soundtracks, 
or multi-tracking bands, etc...these cards are not the way to go. However, 
there is a whole separate range of use cases where they are perfectly fine. 
For instance, I already use this Soundblaster card above in my other 
notebook computer. I used it for my last two CDs and all my live 
performances, and I've never heard a single comment on lack of quality or 
fidelity. I'd be willing to bet that if we did a blind test of CDs, using 
PCMCIA and higher qualiter firewire/USB units, it would be very difficult to 
tell a difference, mainly becuase there are too many factors at play here 
that effect the quality. One effects processor in the signal chain can 
nullify the "pristine" quality of a D/A converter. It's the whole system, 
the holistic gear context taht drives the overall output. And honestly, I 
can't tell the difference myself between my recordings, or others' 
recordings using these inexpesive audio interface, and others that folks 
make with USB or Fireware based audio interfaces. And the Soundblaster card 
does indeed, and entirely blow away the quality of the stock soundcard on 
the notebook. I can't say whether this will be the case for the ThinkPad 
T60p and the Intel High Definition Audio integrated, however. I will wait to 
try out the T60 audio I/O before I buy a PCMCIA card.

>> 2. Echo IO 
>> ttp://www.echoaudio.com/Products/CardBus/IndigoIO/index.php - $200

> Same as above

Same as above for me too...but even more so here. The reviews of this IO 
unit seem to indicate that it produces higher quality results than the 
Soundblaster. So I'm guessing the IO is more than what I need...unless I 
decide to start producing moving sound tracks, recording entire bands, 
etc..for commerical viability. For solo looping with the guitar, I think the 
IO is a perfect option for quality and portability, size, etc. Again, I'll 
wait to here the T60p audio I/O first....who knows, maybe I'll get lucky! 
:)

>> 3. Echo DJ - 
>> http://www.echoaudio.com/Products/CardBus/IndigoDJ/index.php - $200
>
> Doesn't seem to have any inputs. (You're not a DJ, are you?)

It has a stereo input, but two stereo outputs...not much different than the 
IO. I don't need it, but the addtional stereo output might be useful to 
someone.

>> 4. RME Hammerfall HDSP Laptop Cardbus - 
>> http://www.rme-audio.com/english/hdsp/cardpci.htm#CARDBUS - $299
>
> This will have an extra box and you will have to add something like at 
> least $700 to the mentioned price (though it has really world class 
> converters)

Good catch on this one. Thanks!

Kris




		
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<div>After a thorough research on this subject, I found out that if one needs multiple audio IN/OUTS, MIDI IN/OUT, HI-Z input, good mic preamps, low latency,&nbsp;etc., there are two&nbsp;excellent laptop interfaces in the category of "under $500"</div>  <div>&nbsp;</div>  <div>1) Yamaha&nbsp;i88x - this might be overall a better choice, except that it is larger in size </div>  <div>&nbsp;&nbsp;&nbsp; (480 x 373 x 44mm), i.e. not as portable as the second one. This is a firewire&nbsp;&nbsp; </div>  <div>&nbsp;&nbsp;&nbsp;&nbsp;interface. You should be able to find it for $380 new. This one apparently competes </div>  <div>&nbsp;&nbsp;&nbsp; well with MOTU's&nbsp;and Digidesign's more expensive interfaces.&nbsp;</div>  <div>&nbsp;</div>  <div>2)&nbsp; E-MU 1616M.&nbsp;Connects via included PCMCIA card. It's around $500.</div>  <div>&nbsp;</div>  <div>Both of these interfaces were reviewed&nbsp;in 'Sound on Sound' and a number of other&nbsp;tech&nbsp;magazines. </div> 
 <div>&nbsp;</div>  <div>Rafko<BR><B><I>Kris Hartung &lt;khartung@cableone.net&gt;</I></B> wrote:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">From: "Stefan Tiedje" <STEFAN-TIEDJE@ADDCOM.DE><BR><BR>&gt;&gt; 1. SoundBlaster Audigy 2 ZS Notebook - <BR>&gt;&gt; http://www.creative.com/products/product.asp?category=1&amp;subcategory=204&amp;product=10769 <BR>&gt;&gt; - $100<BR><BR>&gt; No Mic/Inst input, only stereo in and out. I would not expect it to be <BR>&gt; better than the built in High Definition parts of your ThinkPad<BR><BR>I think your comments on the quality of these PCMCIA units is not entirely <BR>and unanimously on base, relative to desired outcomes of differenet <BR>musicians, home or professioa, relative standards of quality, and use cases. <BR>You say "The aim of these cards are home musicians, not professionals." <BR>This is somewhat of a black and white statement. There are a lot of <BR>"professional"
 musicians, however we define that, who use what audiofiles <BR>might consider sub-standard quality gear. For that matter, a rock guitarist <BR>using an 8 bit effects stompbox should be completely out of the picture <BR>here. Certainly, for super hi fi production, like making movie soundtracks, <BR>or multi-tracking bands, etc...these cards are not the way to go. However, <BR>there is a whole separate range of use cases where they are perfectly fine. <BR>For instance, I already use this Soundblaster card above in my other <BR>notebook computer. I used it for my last two CDs and all my live <BR>performances, and I've never heard a single comment on lack of quality or <BR>fidelity. I'd be willing to bet that if we did a blind test of CDs, using <BR>PCMCIA and higher qualiter firewire/USB units, it would be very difficult to <BR>tell a difference, mainly becuase there are too many factors at play here <BR>that effect the quality. One effects processor in the signal chain can <BR>nullify
 the "pristine" quality of a D/A converter. It's the whole system, <BR>the holistic gear context taht drives the overall output. And honestly, I <BR>can't tell the difference myself between my recordings, or others' <BR>recordings using these inexpesive audio interface, and others that folks <BR>make with USB or Fireware based audio interfaces. And the Soundblaster card <BR>does indeed, and entirely blow away the quality of the stock soundcard on <BR>the notebook. I can't say whether this will be the case for the ThinkPad <BR>T60p and the Intel High Definition Audio integrated, however. I will wait to <BR>try out the T60 audio I/O before I buy a PCMCIA card.<BR><BR>&gt;&gt; 2. Echo IO <BR>&gt;&gt; ttp://www.echoaudio.com/Products/CardBus/IndigoIO/index.php - $200<BR><BR>&gt; Same as above<BR><BR>Same as above for me too...but even more so here. The reviews of this IO <BR>unit seem to indicate that it produces higher quality results than the <BR>Soundblaster. So I'm guessing the IO is
 more than what I need...unless I <BR>decide to start producing moving sound tracks, recording entire bands, <BR>etc..for commerical viability. For solo looping with the guitar, I think the <BR>IO is a perfect option for quality and portability, size, etc. Again, I'll <BR>wait to here the T60p audio I/O first....who knows, maybe I'll get lucky! <BR>:)<BR><BR>&gt;&gt; 3. Echo DJ - <BR>&gt;&gt; http://www.echoaudio.com/Products/CardBus/IndigoDJ/index.php - $200<BR>&gt;<BR>&gt; Doesn't seem to have any inputs. (You're not a DJ, are you?)<BR><BR>It has a stereo input, but two stereo outputs...not much different than the <BR>IO. I don't need it, but the addtional stereo output might be useful to <BR>someone.<BR><BR>&gt;&gt; 4. RME Hammerfall HDSP Laptop Cardbus - <BR>&gt;&gt; http://www.rme-audio.com/english/hdsp/cardpci.htm#CARDBUS - $299<BR>&gt;<BR>&gt; This will have an extra box and you will have to add something like at <BR>&gt; least $700 to the mentioned price (though it has really
 world class <BR>&gt; converters)<BR><BR>Good catch on this one. Thanks!<BR><BR>Kris<BR><BR><BR></BLOCKQUOTE><BR><p>
		<hr size=1>Relax. Yahoo! Mail 
<a href="http://us.rd.yahoo.com/mail_us/taglines/virusall/*http://communications.yahoo.com/features.php?page=221">virus scanning</a> helps detect nasty viruses!
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From Loopers-Delight-request@loopers-delight.com  Tue Mar 21 18:45:25 2006
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Subject: Re: what DOES a damned loop has to say?
Date: Tue, 21 Mar 2006 10:48:09 -0800
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Good question... I wish I knew! Sometimes the damndest things have meaning
to *someone* and far be it for me to deny them their experience. I pick and
judge right along with everyone else, so yes I have favorites. Without
*narrative*, does anyone really have an answer to your question? It's all
subjective, innit? -Miko

> ...And we may as well ask 'what does any piece oif music have to say?'
> Nik

>> Right on Duncan!
>> I find it interesting that in this group, and other 'academic' groups
like
>> ba-newmus, that musicians who actually allow their sexuality,
irreverence,
>> high-spirited-ness, impulsiveness and idomatic ideas to have somewhat
equal
>> reign---right alongside their anal-itical, quasi-intellectual, academic
>> qualities---get judged as boneheads.

>> These are all qualities that define us as human right? Is it that
>> embarrassing to actualy admit it, or are we trying to selectively
'evolve'
>> to a state where those qualities have fallen by the wayside? I don't
*want*
>> to lose those qualities, and in fact cherish them as 'quality of life'
>> factors. Do we really need to practice such denial, to prove we're
>> intelligent beings? I'll definitely take an order of greasy fries, along
>> with that wheatgrass juice Dilbert!

>> Miko Biffle


From Loopers-Delight-request@loopers-delight.com  Tue Mar 21 18:49:42 2006
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No.
Emphatically not.
EVH and Vai are both great guitarists no matter who is prancing about on
stage with them. But they are NOT great composers. DLR is a much better
songwriter - within his genre. He can take their improvised noodlings and
create a rock song.

Nik

--------- Original Message --------
From: "Kelly Coyle" <kellycoyle@charter.net>
To: "Fluke" <fluke@gotadsl.co.uk>
Subject: Re: what a loop has to say
Date: 21/03/06 18:30


So the take-home message is that DLR is the cause of great guitar
playing?






On Mar 21, 2006, at 12:25 PM, Fluke wrote:

> Me too, but what has EVH done recently? What really memorable,
> original
> songs has he written since DLR left? Now I'm going to stick my neck
> out: I
> would take ANYTHING off DLRs first three solo albums over anything
> EVH has
> done since the split.
>
> And DLRs first solo two solo albums are a further illustration.
> Steve Vai,
> in spite of his technical ability, has not played on anything as
> good since.
>

________________________________________________
Message sent using UebiMiau 2.7.2

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Subject: RE: what a loop has to say
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Instead of asking "What a loop has to say." the better question is:
"What do you have to say?"

All the rest is just implementation.  Tell me a story.

Cheers,
Kevin
www.TheNettle.com


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Stephen said: 
>      The Filter Factory on the other hand, sounds as clear 
> and as deep as a snow-fed mountain stream.  The only problem 
> I have with it is that the distortion segment is a bit lame.  
> But that's neither here nor there.  You also may want to look 
> into the Filter Queen, almost the same exact unit while 
> taking up half the space.  I've owned both and have kept the 
> Filter Factory.

I can't say the same about the distortion. I liked it very much for very
subtle to mild distortion (like for putting on a drum mix). But it's not the
kind of distortion for completely destroying a signal with harmonics all
over the place.

	Rainer

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Date: Tue, 21 Mar 2006 11:45:03 -0800
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> Stephen said:
> >      The Filter Factory on the other hand, sounds as clear and as deep
as a snow-fed mountain stream.  The only problem I have with it is that the
distortion segment is a bit lame.  But that's neither here nor there.  You
also may want to look into the Filter Queen, almost the same exact unit
while taking up half the space.  I've owned both and have kept the Filter
Factory.

> I can't say the same about the distortion. I liked it very much for very
subtle to mild distortion (like for putting on a drum mix). But it's not the
kind of distortion for completely destroying a signal with harmonics all
over the place. Rainer

Don't these units have an fx loop that can be toggled between pre and post?
Maybe I'm thinking of one of the other units, but they seemed pretty
versatile. Maybe you could put your favorite fuzz noise grenade into the fx
loop?

Miko Biffle
"Running scared from all the usual distractions!"
C;mon over to MySpace! www.myspace.com/biffozz
Now playing "Rough" www.cdbaby.com/biffoz
The Chain Tape Collective! http://www.ct-collective.com/


From Loopers-Delight-request@loopers-delight.com  Tue Mar 21 20:21:19 2006
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Doug, the kind of wretched excess you envision is truly rock and roll.
If I had a beer in my hand, I'd raise it in your honor.
~Tim
www.myspace.com/timmungenast


-----Original Message-----
>From: Douglas Baldwin <coyotelk@optonline.net>
>Sent: Mar 21, 2006 11:51 AM
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: Re:Re: Best Cheap Guitar Synth
>
>I'm weighing in really late on this, but I've been deep into the Boss GT-3
>(guitar multi-fx pedal) ever since it first came out. The GT-3 has an
>excellent synth-like feature (actually *four* if I remember correctly) which
>tracks really about perfect (in mono) in one mode. Along with numerous
>*deep* filter and distortion sounds and a gajillion blank patches to build
>your own custom creations, the GT-3 is a powerful effects processor that
>could do some serious synth-like sounds. I've got a few patches stored that
>do the mini-Moog thing stupidly well. Toss a Digitech Whammy into the
>outboard FX loop and you're living in synth city! I know the GT series is up
>to the GT-8 and GT-Pro, but that's my point exactly: I'll bet you could
>score a GT-3 (or GT-5 or GT-6) for maybe $150 on eBay, then grab one of
>those "unpopular" second-edition Whammys for $50. There's your guitar synth
>simulator for $200!
>    As for me, I'm dreaming about buying five more GT-3s and using an RMC
>piezo bridge pickup to split my guitar output into six signals. Send each
>signal/string to a seperate GT-3 and we're talking polyphonic mutated
>sickola heaviosity!
>
>Douglas Baldwin, coyote-at-large
>coyotelk@optonline.net
>
>"The music business is a cruel and shallow money trench, a long plastic
>hallway where pimps and thieves run free and good men die like dogs. There's
>also a negative side."
>--- Hunter S. Thompson
>

From Loopers-Delight-request@loopers-delight.com  Tue Mar 21 20:25:43 2006
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Subject: OT: toy megaphone schematic?
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Hi gang:

Anyone know where I can get a schematic for the toy megaphone made by a company called PC Sound?
It's a purple-and-fuschia megaphone that does awesome robot sounds etc.
I made on eintoi a stompbox and now I need some guidance, esp. a schematic. 

Thanks,
Tim

From Loopers-Delight-request@loopers-delight.com  Tue Mar 21 20:39:06 2006
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i second the fries.  what's more, impulsiveness, high spiritedness, 
"low brow" and low-fi are not just quality-of-life issues, they're 
quality-of-art issues.  in their time, shakespeare's plays were 
"lowbrow" entertainment, like "hot for teacher" ... not that diamond 
dave is the new bill shakespeare ... :)

anyway, i'm very interested in the nearly-exhausted thread about 
laptops/audio interface options.  would anyone like to post their 
current live performance laptop setup, for comparison purposes?



>>
RE: what a loop has to say> jeez.... aren't we all a bit PC, though,
avoiding offence or value judgements like this? I'm going to stick my neck
out (for a change)- nik, I personally would take "hot for teacher" over
anything on the last "king crimson" album. there, I've said it.    duncan.

Right on Duncan!

I find it interesting that in this group, and other 'academic' groups like
ba-newmus, that musicians who actually allow their sexuality, irreverence,
high-spirited-ness, impulsiveness and idomatic ideas to have somewhat equal
reign---right alongside their anal-itical, quasi-intellectual, academic
qualities---get judged as boneheads.

These are all qualities that define us as human right? Is it that
embarrassing to actualy admit it, or are we trying to selectively 'evolve'
to a state where those qualities have fallen by the wayside? I don't *want*
to lose those qualities, and in fact cherish them as 'quality of life'
factors. Do we really need to practice such denial, to prove we're
intelligent beings? I'll definitely take an order of greasy fries, along
with that wheatgrass juice Dilbert!

Miko Biffle


------------------------------------------------------
This message was sent using BlueFrog's Webmail System
http://www.bluefrog.com

From Loopers-Delight-request@loopers-delight.com  Tue Mar 21 20:40:10 2006
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Subject: Re: Re:Re: Best Cheap Guitar Synth
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> From: Douglas Baldwin
> As for me, I'm dreaming about buying five more GT-3s and using an RMC
piezo bridge pickup to split my guitar output into six signals. Send each
signal/string to a seperate GT-3 and we're talking polyphonic mutated
sickola heaviosity!

I'll vouch for the GT series as well. I prefer the GT-5 because it has a
built in power supply, and some delay tricks that the latter GT's messed up
for some weird reason. Anyway, I've had 3 GT-5's, a GT-3, a GX-700 which was
quite a nice rack processor, and maybe a few unique tricks up it's sleeve as
well. I tried the GT-6, and it didn't resolve the delay and loop issues so I
just repurchased a GT-5 and am really happy with it. The GT-5 doesn't have
much delay, but you can loop it crazily, spilling into the next patch
repeatedly (all with different fx and distos!). Nearly all of my recorded
work is with some form of Boss amp modelling.

Miko Biffle
"Running scared from all the usual distractions!"
C;mon over to MySpace! www.myspace.com/biffozz
Now playing "Rough" www.cdbaby.com/biffoz
The Chain Tape Collective! http://www.ct-collective.com/


From Loopers-Delight-request@loopers-delight.com  Tue Mar 21 20:43:47 2006
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
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Subject: AW: adding pitch shift to stereo EDP+'s
Date: Tue, 21 Mar 2006 21:43:43 +0100
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Ok, are the effects loops pre or post send? (If they're not pre, you =
might
not be able to generally optain the result you're looking for).

Regarding the shifters themselves. I was always fairly content with my =
old
digitech StudioQuad (which also has the nice property of four channels =
I/O,
so you could install it both pre and post EDPs and use different patches =
for
shifting either the outs or the ins). When I want good pitch shifting, I =
use
the Eclipse (which has a price which can easily compete with a pair of =
EDPs
;).

To play into Rick's hands here, I'll recommend the Zoom 1201 (1HU rack =
unit)
here, for two reasons: first, it's very cheap. second, you control the
amount of pitch shift with a 11-position switch and another dial which
changes between shift up and shift down. This allows by turning these =
two
dials while having a melodic loop play through it for some quasitonal
weirdness. The quality: don't shift more than a fourth or a fifth at =
most,
unless you are prepared for some very pitch-shifted-sounding material.
The FireworX doesn't for my taste live up to the quality level I'd =
expect
from a device which tells me the name of the software manufacturer
responsible for the pitch shifting at every startup.

	Rainer

> -----Urspr=FCngliche Nachricht-----
> Von: Dennis Montgomery [mailto:morpheus@speakeasy.net]=20
> Gesendet: Dienstag, 21. M=E4rz 2006 00:23
> An: Loopers-Delight@loopers-delight.com
> Betreff: Re: adding pitch shift to stereo EDP+'s
>=20
> ***
> Do you want to shift the input or the output only, or both?=20
> Do you want to have loops that move up in pitch each turn=20
> around? Are you ok with using a mixer in addition to the EDPs=20
> and the shifter? How much do you want to spend?=20
> ***
>=20
> As much flexibility as possible and I already use a mixer so=20
> no problem there.  It has
> 2 unused effects loops I can utilize.  Should have mentioned=20
> at the start, I'm looking for a standalone hardware solution.=20
>  As far as price, it's the usual...as little as I have to as=20
> much as I can  :-)=20
>=20
> Dennis =20
>=20
>=20
>=20

From Loopers-Delight-request@loopers-delight.com  Tue Mar 21 20:57:21 2006
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Date: Tue, 21 Mar 2006 15:57:20 -0500 (EST)
Subject: Laptop setups
From: "Stuart Wyatt" <loopersdelight@swyatt.com>
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> [snip] would anyone like to post their
> current live performance laptop setup, for comparison purposes?

I've just recently sold my two echo pro's on ebay (for ~£300 each!), and
am about to buy a Packard Bell P4 3.2Ghz 1GB laptop for my live rig
(running Mobius).

I have a MidiSport 1x1 USB interface, Edirol UA-5 USB audio interface,
Behringer FCB1010 floor controller (and might purchase a 2nd for full
control) & Evolution MK-425C USB keyboard.

I have a Yamaha MG10/2 mixer which then goes into a Boss GT6 before going
into the audio interface.

My instruments are 6 string electric violin, mandola, slide guitar,
flutes, didge and hopefully (if the hardware allows) virtual
synths/samplers.

I'm getting quite excited :)

- Stuart Wyatt http://swyatt.com

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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Laptop Set-up....
Date: Tue, 21 Mar 2006 13:00:02 -0800
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On Mar 21, 2006, at 12:39 PM, mizfeldman@bluefrog.com wrote:
>
> anyway, i'm very interested in the nearly-exhausted thread about=20
> laptops/audio interface options.  would anyone like to post their=20
> current live performance laptop setup, for comparison purposes?

For my live shows:

Powerbook 1.5GHZ
My own instrument created in MAX/MSP
M-Audio Firewire1814

I use zero outboard processors.

Laptop ontrolled by:

doepfer drehbank (about to go away)
m-audio oxygen8 (notes are used as on/off switches for modules)
4 Roland EV-5 pedals

It is fed my quarter-tone trumpet via Shure Beta56/57

You guys would love my looper.....created in max/msp....synchronous /=20
asynchronous loops, independent stereo tracks: each with their own=20
real-time vari-speed with or without pitch change, stereo placement=20
control, and more...thanks to the wonderful Andrew Pask for that.....

Jeff


Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com =95 AngryVegan.com

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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
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Subject: Laptop setups
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Toshiba Sattelite Pro 2600 (PIVM 2GHz, 1GB RAM), Presonus Firebox, Behringer
BCR2000, Behringer FCB1010, pair of headphones (haven't decided which, but
most probably a pair of earplug thingies) and headset mic (Beyer).

And a guitar or bass guitar and a MIDI keyboard I can get my hands on at the
site of the performance.

Without the guitar and keyboard, this all fits into a small rucksack.

	Rainer

From Loopers-Delight-request@loopers-delight.com  Tue Mar 21 21:09:07 2006
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Date: Tue, 21 Mar 2006 23:08:55 +0200 (EET)
Subject: Michael Manring:Using Loopers As A Practice Tool
From: "Costas Andreou" <contact@costasandreou.com>
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Hello everyone!
Michael Manring has written an article about using loopers as a practice
tool.
It is published on the International Institute of Bassists website:
http://www.instituteofbass.com/bass_lessons/michael_manring/loopers/

greetings
Costas Andreou


||bass||loops||electronics||
http://www.costasandreou.com
contact@costasandreou.com

From Loopers-Delight-request@loopers-delight.com  Tue Mar 21 21:11:54 2006
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Date: Tue, 21 Mar 2006 16:11:43 EST
Subject: Re: adding pitch shift to stereo EDP+'s
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dennis.....perhaps an alesis "ineko"......you can send a mono out from each 
edp into the ineko and then have stereo outs from it, you will be able to pitch 
shift each edp seperately (L-R).....it will do a whole bunch 
more.....no-midi.....but knobs on a very small table top box.....mic



www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2">dennis.....perhaps an alesis "ineko"...=
...you can send a mono out from each edp into the ineko and then have stereo=
 outs from it, you will be able to pitch shift each edp seperately (L-R)....=
.it will do a whole bunch more.....no-midi.....but knobs on a very small tab=
le top box.....mic<BR>
<BR>
<BR>
<BR>
www.ct-collective.com<BR>
http://mysite.verizon.net/vzepmeci/<BR>
http://www.myspace.com/klobuchar11<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT></HTML>
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From Loopers-Delight-request@loopers-delight.com  Tue Mar 21 21:17:57 2006
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Date: Tue, 21 Mar 2006 16:17:51 -0500
From: TonyIsYourPal@netscape.net (Tony Douglas)
To: Loopers-Delight@loopers-delight.com
Subject: Re: what DOES a damned loop has to say?
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I have stayed out of this debate so far, but I will merely bow to Edwin Morgan and John Cage:

i have nothing to say and i am saying it and that is poetry

(Opening The Cage : Fourteen Variations on Fourteen Words)

- Tony


__________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Tue Mar 21 21:19:36 2006
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From: Chris Sewell <chris@gguitars.com>
Subject: Re: Laptop setups
Date: Tue, 21 Mar 2006 16:19:30 -0500
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Godin Multiac
D Tar Mama Bear
Powerbook G4 1.5 gig
FireWire 410
Live 5.0
Looperlative LP1
Berhinger FCB1010
ElectroHarmonix Pog
Lexicon Delay
Jameson
Guiness


Lots o fun.



On Mar 21, 2006, at 4:03 PM, Rainer Thelonius Balthasar Straschill  
wrote:

> Toshiba Sattelite Pro 2600 (PIVM 2GHz, 1GB RAM), Presonus Firebox,  
> Behringer
> BCR2000, Behringer FCB1010, pair of headphones (haven't decided  
> which, but
> most probably a pair of earplug thingies) and headset mic (Beyer).
>
> And a guitar or bass guitar and a MIDI keyboard I can get my hands  
> on at the
> site of the performance.
>
> Without the guitar and keyboard, this all fits into a small rucksack.
>
>     Rainer
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Mar 21 21:30:56 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Laptop setups
Date: Tue, 21 Mar 2006 22:30:49 +0100
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For live looping:
Zepto 15", Intel Pentium M 755 2.0 GHz Dothan (Centrino), 1 G ram (so  
far, may go for 2 if needed), 60 GB 7200 RPM drive. Indigo  Echo i/o  
PCMCIA sound card. FCB1010, Faderfox LV1, Faderfox LX1. Pocket size  
mic amp + fly mic: Power Module audio-technica (XLR output). I can  
easily move this little mic between different instruments. One year  
ago I was planning to get a headset for voice and beat-boxing but  
then I added flute to my instrument arsenal and now I don't need a  
headset an more (hose clip for mic mounted close to mouth on the  
flute). TC electronic FireworX for sound shaping before looping (had  
to make my own patches, the factory presets were miles awy from my  
taste). As software: Mobius, mostly run as standalone (eventual  
reverb created "as instrument" in the FireworX and looped as it is).  
Istruments used are Alto Travers flute, voice and tenor sax on the  
fly mic input (left FireworX input) and electric guitar as direct  
line input (right FireworX input).

per

From Loopers-Delight-request@loopers-delight.com  Tue Mar 21 21:34:35 2006
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Subject: Re: Looper's Delight Playlist - Send your MP3 links
Date: Tue, 21 Mar 2006 14:33:57 -0700
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Note to all - only send me URLs that go directly to, and end with *.mp3. 
The playlist won't recognize URLs that call out a script, which eventually 
launches an MP3 file.

Kris


>> #EXTINF:  Song Title - Artist - CD or Event
>> http://URL to your MP3 file
>>
>> Here is the playlist, currently just Y2K5 recordings:
>>
>> http://www.boisemusicians.com/loopers-delight.m3u
>>
>> Kris
>>
>>
>>
>>
>
>
> 


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Date: Tue, 21 Mar 2006 16:53:51 EST
Subject: filter factory
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In a message dated 3/21/06 4:01:14 AM, vsyevolod@yahoo.com writes:


> The Filter Factory on the other hand, sounds as clear and as deep as a=20
> snow-fed mountain
> stream.=A0
>=20

stephen.....i have a ff also but i have been disapointed   in it.....how do=20
you use your's?.....i may be using mine "incorrectly"......it was in the aux=
=20
send of my mackie 1202 going to my mo-fx (all i use on this is the delay/loo=
per)=20
into the ff then out to my rang.....i've taken it out of my signal chain=20
altogether as of late.....i'm looking at it now and it looks kool with its=20
brothers and sisters mofx-warpfactory-filterfactory but all i use as i have=20=
said is=20
the delay on the mo-fx.....its like a "retro" stage prop with all the knobs=20=
and=20
lites, can't have enuf of those!.....mic
n.p. L.D. COMPILATION # 3.....loverly!



www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
In a message dated 3/21/06 4:01:14 AM, vsyevolod@yahoo.com writes:<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">The Filter Factory on=
 the other hand, sounds as clear and as deep as a snow-fed mountain<BR>
stream.=A0<BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2">stephen.....i have a ff also but i have been disapointed&nbsp;  in it....=
.how do you use your's?.....i may be using mine "incorrectly"......it was in=
 the aux send of my mackie 1202 going to my mo-fx (all i use on this is the=20=
delay/looper) into the ff then out to my rang.....i've taken it out of my si=
gnal chain altogether as of late.....i'm looking at it now and it looks kool=
 with its brothers and sisters mofx-warpfactory-filterfactory but all i use=20=
as i have said is the delay on the mo-fx.....its like a "retro" stage prop w=
ith all the knobs and lites, can't have enuf of those!.....mic<BR>
n.p. L.D. COMPILATION # 3.....loverly!<BR>
<BR>
<BR>
<BR>
www.ct-collective.com<BR>
http://mysite.verizon.net/vzepmeci/<BR>
http://www.myspace.com/klobuchar11<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT></HTML>
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To: <Loopers-Delight@loopers-delight.com>
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Subject: Re: Laptop Set-up....
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You must be a human compressor, Jeff. I see no outboard compressor in your 
signal chain. :) I am very interested in trying out a total notebook system 
as you present here, or at least one that consists of nothing but my new 
ThinkPad notebook and the Looperlative. Although I am DYING to see how this 
Intel duo core processor handles both my VST effects and Mobius at the same 
time.  I will be one happy man when I walk into a gig with nothing but my 
guitar and a notebook. Let's see if I can make this my new goal for Y2K6.

Kris

*********************
For my live shows:

Powerbook 1.5GHZ
My own instrument created in MAX/MSP
M-Audio Firewire1814

I use zero outboard processors.

Laptop ontrolled by:

doepfer drehbank (about to go away)
m-audio oxygen8 (notes are used as on/off switches for modules)
4 Roland EV-5 pedals

It is fed my quarter-tone trumpet via Shure Beta56/57

You guys would love my looper.....created in max/msp....synchronous /
asynchronous loops, independent stereo tracks: each with their own
real-time vari-speed with or without pitch change, stereo placement
control, and more...thanks to the wonderful Andrew Pask for that.....

Jeff


Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com • AngryVegan.com



From Loopers-Delight-request@loopers-delight.com  Tue Mar 21 21:59:18 2006
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Totally agree on the x911. Definately one of my favorites effects. It it
glitchy to say the least, but it makes some great sounds. Aside
from the "traditional" monosynth swells and filter sweeps, one
of my favorite uses is to set the tracking sensisivity to "off"
and just let it glitch like mad. Hit a chord and let it feedback
and it will burble and bubble madly for minutes. Great fun.

Also be aware the x911 patch on the FM-4 doesn't even come close to the 
real thing. Though the FM-4 has some nice sounds itself.

The x911 can be a bit pricey to pick up though, $300-$400 dollars seems
typical.

Other choices:
eh micro synth: pretty cool, but perhaps a bit pricey for what it does
boss vf-1: has some "synth patches" that aren't too bad, but far from
            the total analog freakout of the x911
old 90's korg bass multieffects: I forget the model numbers, but there
            were a couple of models of korg multieffect pedals in the 
       	   early 90's that had passable "synth bass" effects. (A4 and A5
	   models are what I'm thinking of I belive)

Adrian

Shayne Cafferata wrote:
> altho' it will be considered "old and glitchy" by most,  one of the best 
> cheap guitar synth purchases i've made is a korg x911. it has a 1/4" 
> audio input, so you can use anything, not just guitar, as a controller. 
> it's main  functions are either a monosynth very similar to the ms10 or 
> a unique polyphonic filter effect with fairly precise envelope-shaping 
> capability and optional distortion.
> as a monosynth w/guitar controller, i've been able to get some great 
> analog synthbass as well as higher octave flute-type leads. since i've 
> learned to play with a very clean staccato technique, i've encountered 
> very little glitching or lag. the triggering is pretty much instantaneous.
> as a polyphonic filter effect w/guitar controller, the results are more 
> varied. you can get an eh micro-synth type of sound with dirt and wank. 
> you can get cleaner synth-like tones. in this mode the original sound 
> source is being processed, and when you play polyphonically, glitching 
> abounds, but i love it and have learned to more or less control it's 
> intensity and frequency of occurrence. the glitching has a burbling 
> musicality to it and not at all like the glitching on a gr700.
> the greatest asset of the x911 is being able to send anything through 
> it. the monosynth works amazingly with strictly monophonic sources such 
> as voice and electronic wind instruments. the filter effect can tranform 
> mediocre drum machines into a grimy vortex of groove. after owning one 
> for over five years, i still use it regularly and rarely pass up a 
> chance to rave about it.

From Loopers-Delight-request@loopers-delight.com  Tue Mar 21 22:10:42 2006
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Subject: Re: Best Cheap Guitar Synth
References: <7.0.0.16.0.20060319110635.01e16a88@TheNettles.com> <Pine.LNX.4.21.0603191732230.20226-100000@bunsen.sv1.telcogurus.net> <7.0.0.16.0.20060320211440.01e49480@TheNettles.com>
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Kevin wrote:
> At 05:44 PM 3/19/2006, you wrote:
> 
>> > >Electro-Harmonix Micro Synth.
>> As a processor it's fantastic. It has a built in Square wave fuzz and
>> great raspy raw filter which you can set to sweep fast/slow etc. Also it
>> has an octaver. The catch is it is monophonic for playing lines and there
>> is a lot of triggering issues if you don't get it *just* right.
> 
> 
> Ooh. Triggering issues.  I am so out of here!  The distortion plus 
> filtering solution looks like a good one.
> 
> What are folk's favourite filters?

moog moogerfooger low pass filter

If you are going the fuzz+filter route, I'd also suggest adding in
an octave pedal. A cheap danelectro "chili dog" or a boss oc-2 will
really help in getting a synthy sound.

One of my favorite synthy sounds is:
     dano "chilli dog" octave (more or less a boss oc-2 clone) ->
     dano "french toast" octave fuzz (m/l a foxx tone machine clone) ->
     moogerfooger low pass with a pedal to sweep the cutoff
         (though a cheap DOD envelope filter is nice as well)


     Throwing a phaser/trem/chorus in there somewhere is also fun.

     the danos+dod setup is probably ~$150 off of ebay.

Note that the octave pedals are pretty much monophonic, so keep
that in mind.

If I understand correctly, a EH microsynth is basicaly just a
octave->fuzz->filter.


Adrian
http://www.phasmatodea.net

From Loopers-Delight-request@loopers-delight.com  Tue Mar 21 22:12:36 2006
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Subject: Re: Looper's Delight Playlist - Send your MP3 links
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Excellent. Got 'em in there now!

http://www.boisemusicians.com/loopers-delight.m3u

Not sure about anyone else, but I often have to refresh my browser several 
times to get the latest file...clearing the html cache I suppose.

Kris


----- Original Message ----- 
From: "Warren Sirota" <wsirota@wsdesigns.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, March 21, 2006 7:07 AM
Subject: RE: Looper's Delight Playlist - Send your MP3 links


> Hi Kris,
>
> Here are a couple of links for me. Thanks for doing in this. As has often
> happened of late, I am mightily impressed by your ideas, industry and
> generosity. No to mention your music, which I am really enjoying, as I
> slowly get to know it.
>
> Best wishes,
> Warren Sirota
>
> 


From Loopers-Delight-request@loopers-delight.com  Tue Mar 21 22:26:24 2006
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> If you are going the fuzz+filter route, I'd also suggest adding in
> an octave pedal. A cheap danelectro "chili dog" or a boss oc-2 will
> Note that the octave pedals are pretty much monophonic, so keep
> that in mind.

I agree adding an octave pedal will definetley make things more
synthy. however then you also reintroduce tracking/glitching issues which
is what he's trying to get away from. 

> If I understand correctly, a EH microsynth is basicaly just a
> octave->fuzz->filter.

Kind of. It also has a bizarre type attack/decay envelope and the various
triggering sliders let you adjust swell and such. The filter can be set to
sweep up and down on both ends9something most filters don't do. 

Now that i think about the EH Graphic Fuzz and a cheapass Dod Envelope
follower or the Mini Qtron woudl be an awesome guitar synth. The fuzz is
nice and squarish, the EQ section drastcically adds harmonics/etc to carve
synth thpe sounds, andit even has a sensitivinty mode which allows for
expressive distortion to be added based on how you play. add that into (or
put he filter fist) and you've got an incredibly exp[ressive fulliy
tracking "synth" type processed sound in two boxes with full like
tweakability on the fly.

___________________________________________________________________
HELP WANTED PRODUCTIONS - Http://www.HelpWantedProductions.com
"Bringing you the best in Organic Electronic music since we started..."

Home of the Unusual Instrument and Recording Gallery with pictures and
info of Tube recorders, Omnichords, weird guitars, Casios, and more.



From Loopers-Delight-request@loopers-delight.com  Tue Mar 21 22:31:12 2006
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KH> Although I am DYING to see how this
KH> Intel duo core processor handles both my VST effects and Mobius at the same 
KH> time.

I had to get me a new notebook a few weeks ago. I got me a Sony Vaio
FE11 with Intel Dual Core. On my last machine (P4M 2.GHz) my setup
needed around 66% cpu now it went down to 31%, which makes me quite
happy and enthusiastic to try out new stuff, like pitch shifting in
Möbius...

BUT...
the best thing is, that the built-in (SigmaTel) soundcard comes with
an ASIO driver! It goes down to 5ms pretty easy, did not try it hard
though. So if you don't mind minijacks, you may leave the external
soundcard at home for some gigs.

Matthias L

From Loopers-Delight-request@loopers-delight.com  Tue Mar 21 22:34:31 2006
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Wow....this is encouraging!  What's the speed of your duo core processor? I 
hope the ThinkPad T60p has a similar situation as your soundcard...that will 
be so convenient to be able to use the current 1/8" jacks.

Kris


----- Original Message ----- 
From: "Matthias L" <numbernine@gmx.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, March 21, 2006 3:10 PM
Subject: Re[2]: Laptop Set-up....


> KH> Although I am DYING to see how this
> KH> Intel duo core processor handles both my VST effects and Mobius at the 
> same
> KH> time.
>
> I had to get me a new notebook a few weeks ago. I got me a Sony Vaio
> FE11 with Intel Dual Core. On my last machine (P4M 2.GHz) my setup
> needed around 66% cpu now it went down to 31%, which makes me quite
> happy and enthusiastic to try out new stuff, like pitch shifting in
> Möbius...
>
> BUT...
> the best thing is, that the built-in (SigmaTel) soundcard comes with
> an ASIO driver! It goes down to 5ms pretty easy, did not try it hard
> though. So if you don't mind minijacks, you may leave the external
> soundcard at home for some gigs.
>
> Matthias L
>
> 


From Loopers-Delight-request@loopers-delight.com  Tue Mar 21 22:47:06 2006
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It's a 1.86GHz, they say there is a big step between a 1.86 and a 2GHz
cpu, but at the time I needed it it was the only available notebook,
also the 1.86 should need less power which results in less heat. My
old notebook possibly broke down from heat.

I can't tell how much I was surprised to find an ASIO driver
installed.

Matthias

KH> Wow....this is encouraging!  What's the speed of your duo core processor? I 
KH> hope the ThinkPad T60p has a similar situation as your soundcard...that will 
KH> be so convenient to be able to use the current 1/8" jacks.

KH> Kris


KH> ----- Original Message ----- 
KH> From: "Matthias L" <numbernine@gmx.net>
KH> To: <Loopers-Delight@loopers-delight.com>
KH> Sent: Tuesday, March 21, 2006 3:10 PM
KH> Subject: Re[2]: Laptop Set-up....


>> KH> Although I am DYING to see how this
>> KH> Intel duo core processor handles both my VST effects and Mobius at the 
>> same
>> KH> time.
>>
>> I had to get me a new notebook a few weeks ago. I got me a Sony Vaio
>> FE11 with Intel Dual Core. On my last machine (P4M 2.GHz) my setup
>> needed around 66% cpu now it went down to 31%, which makes me quite
>> happy and enthusiastic to try out new stuff, like pitch shifting in
>> Möbius...
>>
>> BUT...
>> the best thing is, that the built-in (SigmaTel) soundcard comes with
>> an ASIO driver! It goes down to 5ms pretty easy, did not try it hard
>> though. So if you don't mind minijacks, you may leave the external
>> soundcard at home for some gigs.
>>
>> Matthias L
>>
>> 

From Loopers-Delight-request@loopers-delight.com  Tue Mar 21 22:47:15 2006
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To: Loopers-Delight@loopers-delight.com
From: RP Collier <skeptikalist@gmail.com>
Subject: OT: toy megaphone schematic?
Date: Tue, 21 Mar 2006 14:47:09 -0800
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On Mar 21, 2006, at 12:25 PM, mungenast@earthlink.net wrote:


> Anyone know where I can get a schematic for the toy megaphone made  
> by a company called PC Sound?
>


Hi.
Make magazine had something on a megaphone/vocoder so you might dig  
around there.

this page:
http://www.makezine.com/04/circuitbending

has some circuit bending links if you scroll to the bottom. I would  
query some of the bender sites, they are always happily abusing toys  
of various sorts and may know where to direct your query.

And for anyone interested in audio circuits here is a link from  
master circuit bender Reed Ghazala:

http://www.epanorama.net/links/circuitsites.html

regards

BobCo


http://www.cdbaby.com/rpcollier2
http://www.cdbaby.com/rpcollier
http://tinyurl.com/cr25

From Loopers-Delight-request@loopers-delight.com  Wed Mar 22 02:28:16 2006
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Mucho thankyou-o!


> [Original Message]
> From: RP Collier <skeptikalist@gmail.com>
> To: <Loopers-Delight@loopers-delight.com>
> Date: 3/21/2006 5:47:15 PM
> Subject: OT: toy megaphone schematic?
>
> On Mar 21, 2006, at 12:25 PM, mungenast@earthlink.net wrote:
>
>
> > Anyone know where I can get a schematic for the toy megaphone made  
> > by a company called PC Sound?
> >
>
>
> Hi.
> Make magazine had something on a megaphone/vocoder so you might dig  
> around there.
>
> this page:
> http://www.makezine.com/04/circuitbending
>
> has some circuit bending links if you scroll to the bottom. I would  
> query some of the bender sites, they are always happily abusing toys  
> of various sorts and may know where to direct your query.
>
> And for anyone interested in audio circuits here is a link from  
> master circuit bender Reed Ghazala:
>
> http://www.epanorama.net/links/circuitsites.html
>
> regards
>
> BobCo
>
>
> http://www.cdbaby.com/rpcollier2
> http://www.cdbaby.com/rpcollier
> http://tinyurl.com/cr25


From Loopers-Delight-request@loopers-delight.com  Wed Mar 22 03:26:48 2006
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From: "loop.pool" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Subject: Re: semi OT first Thomas Dolby tour in ages
Date: Tue, 21 Mar 2006 19:26:45 -0800
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Per asked:

"any frisco kids on the list gong there?"


I'm so there I can't see straight, Per.    I only wish  I was wealthy enough 
to just fly you over to do
a week's worth of shows culminating in us going to see that show.

So far I cannot find any information on the availibity of tickets.
The venue,  S.F.'s the INDEPENDENT  doesn't even have the date listed yet.

Speaking of Mr. Dolby,

Is anyone familiar with the melancholy tune off of Astrounauts and Heretics 
called
"I love You, Goodbye"?

I think this song more perfectly captures the gothic humid sadness of New 
Orleans and that whole region
better than any single song I can think of with the exception of a couple of 
beautiful Sonny Landreth tunes.

It has the most beautiful line about that magical and somehow, ghostly area,

"It has a spirit that cannot be broken".       Even after the terrible 
hurricane, I think it is still true.

I love Thomas Dolby. 

From Loopers-Delight-request@loopers-delight.com  Wed Mar 22 03:35:44 2006
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To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Subject: Zappas' guitar playing:  was:  What a loop has to say
Date: Tue, 21 Mar 2006 19:35:42 -0800
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Per wrote about Frank Zappa:
"No. He couldn't really play the guitar properly. That's what I like
with his guitar solos. He knew it and just did it way over the top,  "



Man,  Per,  I saw Zappa play an all instrumental gig at the Fillmore 
Auditorium
once with the classic  George Duke, Underwoods band with Tom Fowler
playing electric trombone instead of a bassist.

You could a' fooled me.   His guitar playing was off the hook and fantastic.
To say he couldn't play guitar properly didn't match anything I know about 
guitar
playing from having played with excellent guitarists all of my life.

He may have not been up to Al DiMeola technical skills but that was much to
my delight, I have to say. 

From Loopers-Delight-request@loopers-delight.com  Wed Mar 22 03:50:44 2006
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Date: Tue, 21 Mar 2006 21:49:43 -0600
To: Loopers-Delight@loopers-delight.com
From: mech <mech@m3ch.net>
Subject: Re: Laptop Set-up...
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At 3:39 PM -0500 3/21/06, mizfeldman@bluefrog.com wrote:
>
>anyway, i'm very interested in the nearly-exhausted thread about 
>laptops/audio interface options.  would anyone like to post their 
>current live performance laptop setup, for comparison purposes?

Laptop Setup #1:

	Chapman Stick (10-string Polycarb or 12-string Maple Grand)
	Sustainiac Model 'C' Feedback Sustainer
	12" Powerbook 1.5 Mhz, 2 Gigs RAM (running Ableton Live 5)
	Edirol FA-101 Audio Interface
	M-Audio DPM-3 Preamp
	Art TCS Dual Optical/VCA Compressor
	TC Electronic Powercore Firewire
	Lexicon Vortex w/ Proel exp. pedal
	Keeley-modified Boss Blues Driver
	Yamaha Magic Stomp
	Crate SM2-SRS
	Digitech PMC-10 Footcontroller w/ EV-5 exp. pedal

(Soon to be added here: Roland VG-8 + Boss WP-20g.  I'm waiting for 
my 12-string to come back from having its GK-3 pickup installed. 
I've got all the other gear just sitting here driving me crazy.)

Laptop Setup #2

	17" Powerbook 1.67 Mhz, 1.5 Gigs RAM (running Ableton Live 5 
& various soft synths)
	Internal soundcard (aargh!  Currently considering either Echo 
I/O or Echo DJ)
	Alesis Photon X25 USB MIDI controller
	Faderfox LV-1 MIDI Fader Module

I tend to use either Live's built-in recording or Expert Sleepers' 
Augustus Loop as my looping software.

	--m.

-- 
_______
"If Television is a babysitter, then the Internet is a drunk 
librarian who won't shut up..."

From Loopers-Delight-request@loopers-delight.com  Wed Mar 22 04:15:06 2006
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From: Jeff Shirkey <jcshirke@midway.uchicago.edu>
Subject: Re: Zappas' guitar playing:  was:  What a loop has to say
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On Mar 21, 2006, at 9:35 PM, loop.pool wrote:

> Per wrote about Frank Zappa:
> "No. He couldn't really play the guitar properly. That's what I like
> with his guitar solos. He knew it and just did it way over the top,  "

What is "playing the guitar properly" anyway??

Fwiw, I like Zappa. He wasn't a masterful technician, but he was  
certainly very capable, and he sure knew what he was doing, too.

Jeff

From Loopers-Delight-request@loopers-delight.com  Wed Mar 22 04:18:32 2006
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It always sounded/looked to me like he was composing in his head, and 
just absolutely *prying* the notes out of the guitar just as he decided 
what was next.  Sometimes it looked and sounded like he wouldn't be able 
to play even an 1/8th note run... and then he'd just dominate the 
instrument and force it to expel the notes.

I miss you Frankie!  RIP.



Jeff Shirkey wrote:

>
> On Mar 21, 2006, at 9:35 PM, loop.pool wrote:
>
>> Per wrote about Frank Zappa:
>> "No. He couldn't really play the guitar properly. That's what I like
>> with his guitar solos. He knew it and just did it way over the top,  "
>
>
> What is "playing the guitar properly" anyway??
>
> Fwiw, I like Zappa. He wasn't a masterful technician, but he was  
> certainly very capable, and he sure knew what he was doing, too.
>
> Jeff
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Mar 22 04:33:49 2006
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Subject: Re: Zappas' guitar playing:  was:  What a loop has to say
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'Chops' sometimes don't account for idosyncracratic players like Zappa,
Page, Hendrix... You might be able to hit the notes, but there's a
fascinating synergy of primitive muscle, sloppiness with absolute
commitment, blended with innate musicality, which can't really be learned...
that's what really makes your style yours. 10 guys play a lick... 9 sound
very similar... one sounds unbelieveable. How did he do that??? Zappa did
that.

Zappa was also very involved in ingenious effects routing, including piezos
under the nut, going direct, etc.

Miko Biffle
"Running scared from all the usual distractions!"
C'mon over to MySpace! www.myspace.com/biffozz
Now playing 'Rough' www.cdbaby.com/biffoz
The Chain Tape Collective! http://www.ct-collective.com/


From Loopers-Delight-request@loopers-delight.com  Wed Mar 22 04:41:22 2006
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Date: Tue, 21 Mar 2006 20:41:21 -0800 (PST)
From: S V G <vsyevolod@yahoo.com>
Subject: Re: Best Cheap Guitar Synth
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     Miko,

     The Filter Factory and Filter Queen do not have FX loops.  The Mo-FX and the Repeater are the
only units that feature that.


     Rainier,

     Sorry, I should state things more as my opinion and not as a put down of a device per say. 
When I reach for distortion, I want to have a rich, creamy, thick sound that melts in your mouth. 
The quality of the Filter Factory distortion (and the Mo-FX, though its distortion has a somewhat
different character) is more on the brittle side.  That being said, I have used it to good effect,
especially when I combine the distortion from both the Mo-FX and the Filter Factory together. 
This can be heard on the organ sound in the following MP3:   http://tinyurl.com/zkehv

     Stephen




> Stephen said:
> >      The Filter Factory on the other hand, sounds as clear and as deep
as a snow-fed mountain stream.  The only problem I have with it is that the
distortion segment is a bit lame.  But that's neither here nor there.  You
also may want to look into the Filter Queen, almost the same exact unit
while taking up half the space.  I've owned both and have kept the Filter
Factory.

> Also Sprach Rainier:
> I can't say the same about the distortion. I liked it very much for very
subtle to mild distortion (like for putting on a drum mix). But it's not the
kind of distortion for completely destroying a signal with harmonics all
over the place. Rainer

> Zo Zaid Miko:
Don't these units have an fx loop that can be toggled between pre and post?
Maybe I'm thinking of one of the other units, but they seemed pretty
versatile. Maybe you could put your favorite fuzz noise grenade into the fx
loop?



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Date: Tue, 21 Mar 2006 21:00:10 -0800 (PST)
From: S V G <vsyevolod@yahoo.com>
Subject: Re:  Filter Factory
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     Mic,

     How do I use my Filter Factory?  Like you I run aux sends or sub outs from my Mackie (used to
be a 1604 or 3204, now a 24-8) first into the Mo-FX then into the FF, and back into two channel
strips on the Mackie, (if I were you, I'd not send the Mo/FF to the rang, but send another clean
sub or aux to the 'Rang).  I do the same with stereo sends and returns for both the Repeater and
the Vocoder separately.  Are you having problems with sound quality?  Or just concerned about the
amount of real estate it is taking up?  One thing to be sure to check is that you have the Mo-FX
set to "Auto" not "Thru" or else you will have a latency loop.  I use the delay mix set to "100",
then the Filter Factory I set to somewhere around 50/50 wet/dry.  I hardly ever use the Flanger
(way too harsh sounding to my ear) or the tremolo (not much need for it) and only sometimes the
distortion (about 5% of the time).  I've got a photo of my setup here:

     http://tinyurl.com/kktbk

          Stephen



>> stephen.....i have a ff also but i have been disapointed  in it.....how do you use
your's?.....i may be using mine "incorrectly"......it was in the aux send of my mackie 1202 going
to my mo-fx (all i use on this is the delay/looper) into the ff then out to my rang.....i've taken
it out of my signal chain altogether as of late.....i'm looking at it now and it looks kool with
its brothers and sisters mofx-warpfactory-filterfactory but all i use as i have said is the delay
on the mo-fx.....its like a "retro" stage prop with all the knobs and lites, can't have enuf of
those!.....mic <<

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From Loopers-Delight-request@loopers-delight.com  Wed Mar 22 05:07:07 2006
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Subject: Re: Best Cheap Guitar Synth
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At 08:41 PM 3/21/2006, you wrote:
>The quality of the Filter Factory distortion (and the Mo-FX, though 
>its distortion has a somewhat
>different character) is more on the brittle side.  That being said, 
>I have used it to good effect,
>especially when I combine the distortion from both the Mo-FX and the 
>Filter Factory together.
>This can be heard on the organ sound in the following 
>MP3:   http://tinyurl.com/zkehv

Which track?  There's a variety to choose from.

Thanks,
Kevin
www.TheNettles.com

From Loopers-Delight-request@loopers-delight.com  Wed Mar 22 05:18:05 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: Laptop Set-up....
Date: Tue, 21 Mar 2006 21:18:00 -0800
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yo kris!
The last module does it: PSP Audio's Vintage Warmer (VST object in max=20=

is great for hosting all these, though I've also written my own weird=20
limiters)....though, I'm thinking about Elemental Audio's=20
Neodynium....anyone using it out there?

Your notebook is perfect, will do way more than my current Powerbook....



Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com =95 AngryVegan.com
On Mar 21, 2006, at 1:54 PM, Kris Hartung wrote:

> You must be a human compressor, Jeff. I see no outboard compressor in=20=

> your signal chain. :) I am very interested in trying out a total=20
> notebook system as you present here, or at least one that consists of=20=

> nothing but my new ThinkPad notebook and the Looperlative. Although I=20=

> am DYING to see how this Intel duo core processor handles both my VST=20=

> effects and Mobius at the same time.  I will be one happy man when I=20=

> walk into a gig with nothing but my guitar and a notebook. Let's see=20=

> if I can make this my new goal for Y2K6.
>
> Kris
>
> *********************
> For my live shows:
>
> Powerbook 1.5GHZ
> My own instrument created in MAX/MSP
> M-Audio Firewire1814
>
> I use zero outboard processors.
>
> Laptop ontrolled by:
>
> doepfer drehbank (about to go away)
> m-audio oxygen8 (notes are used as on/off switches for modules)
> 4 Roland EV-5 pedals
>
> It is fed my quarter-tone trumpet via Shure Beta56/57
>
> You guys would love my looper.....created in max/msp....synchronous /
> asynchronous loops, independent stereo tracks: each with their own
> real-time vari-speed with or without pitch change, stereo placement
> control, and more...thanks to the wonderful Andrew Pask for that.....
>
> Jeff
>
>
> Jeff Kaiser
> http://www.jeffkaisermusic.com
> pfMENTUM.com =95 AngryVegan.com
>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Mar 22 05:48:39 2006
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Subject: Re: Zappas' guitar playing:  was:  What a loop has to say
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i always thought frank looked comfortable with an axe in his hands....kind of like a conductors wand.i couldnt tell who was playing what solo's on the albums most of the time, but i could hear frank in steves playing back in those days.i thought "jazz from hell"a true masterpiece of gear and musicianship.(plus no wacky vocals)
         zappa~~~~~~~dimeola. find my voice somewhere in the middle
                                                 always a good time to think,
                                                                                           scary.

"loop.pool" <looppool@cruzio.com> wrote:
  Per wrote about Frank Zappa:
"No. He couldn't really play the guitar properly. That's what I like
with his guitar solos. He knew it and just did it way over the top, "



Man, Per, I saw Zappa play an all instrumental gig at the Fillmore 
Auditorium
once with the classic George Duke, Underwoods band with Tom Fowler
playing electric trombone instead of a bassist.

You could a' fooled me. His guitar playing was off the hook and fantastic.
To say he couldn't play guitar properly didn't match anything I know about 
guitar
playing from having played with excellent guitarists all of my life.

He may have not been up to Al DiMeola technical skills but that was much to
my delight, I have to say. 



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<div>i always thought frank looked comfortable with an axe in his hands....kind of like a conductors wand.i couldnt tell who was playing what solo's on the albums most of the time, but i could hear frank in steves playing back in those days.i thought "jazz from hell"a true masterpiece of gear and musicianship.(plus no wacky vocals)</div>  <div>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; zappa~~~~~~~dimeola. find my voice somewhere in the middle</div>  <div>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; always a good time to think,</div> 
 <div>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;scary.<BR><BR><B><I>"loop.pool" &lt;looppool@cruzio.com&gt;</I></B> wrote:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">Per wrote about Frank Zappa:<BR>"No. He couldn't really play the guitar properly. That's what I like<BR>with his guitar solos. He knew it and just did it way over the top, "<BR><BR><BR><BR>Man, Per, I saw Zappa play an all instrumental gig at the Fillmore
 <BR>Auditorium<BR>once with the classic George Duke, Underwoods band with Tom Fowler<BR>playing electric trombone instead of a bassist.<BR><BR>You could a' fooled me. His guitar playing was off the hook and fantastic.<BR>To say he couldn't play guitar properly didn't match anything I know about <BR>guitar<BR>playing from having played with excellent guitarists all of my life.<BR><BR>He may have not been up to Al DiMeola technical skills but that was much to<BR>my delight, I have to say. <BR><BR></BLOCKQUOTE><BR><p>__________________________________________________<br>Do You Yahoo!?<br>Tired of spam?  Yahoo! Mail has the best spam protection around <br>http://mail.yahoo.com 
--0-772341537-1143006517=:88109--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 22 07:52:49 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Laptop Set-up....
Date: Wed, 22 Mar 2006 08:52:43 +0100
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On 22 mar 2006, at 06.18, Jeff Kaiser wrote:

> The last module does it: PSP Audio's Vintage Warmer (VST object in  
> max is great for hosting all these, though I've also written my own  
> weird limiters)....though, I'm thinking about Elemental Audio's  
> Neodynium....anyone using it out there?

Yes. I use it whenever I need its unique sound (dynamic compressing).  
On of Neodynums good sides is that it does its job with very little  
latency. I think it worked quite well on direct input electric guitar  
in my laptop. Although I have not tried it myself, a college keeps  
telling me that he got a great sound on a recorded acoustic guitar  
out of Neodynum. From knowing Neodynum I imagine he is right.

Another software compressor that may be used with almost no latency  
(fulfills its job within the plugin working buffer) is the Sonalkis  
one. It does colors the audio with a "traditional analog tone", but I  
like that. Sonalkis is the only software compressor I may use for  
live audio - when host application built-in latency compensation is  
not active, as it is when audio is first recorded before processed.  
One good use is to slap a stereo Sonalkis on the host applications  
master stereo out. When you get the levels right you can "play the  
mix" by your live audio input (the instrument played through the  
laptop). But usually I save up computer power by using a hardware  
compressor after the laptop (but before the PA) instead. My hardware  
RNC doesn't sound as good as the software Sonalkis, but almost.

I too use the PSP VintageWarmer a lot. But in a different way that  
the two mentioned above. VW colors the sound even more and sometimes  
you need exactly that. It has a good two band multi compressing  
option. Can easily destroy music of overused ;-)  I never use it for  
live input streams because of its huge latency. VW can feel  
"dynamically sloppy" on some audio material, like for example drums,  
but PSP also offers the MixPressor (part of their MixPack) that is  
incredibly snappy - on recorded material, lots of latency here.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast? 
id=128679560&s=143456




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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Zappas' guitar playing:  was:  What a loop has to say
Date: Wed, 22 Mar 2006 08:53:13 +0100
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On 22 mar 2006, at 05.36, Miko Biffle wrote:

> 'Chops' sometimes don't account for idosyncracratic players like  
> Zappa,
> Page, Hendrix... You might be able to hit the notes, but there's a
> fascinating synergy of primitive muscle, sloppiness with absolute
> commitment, blended with innate musicality, which can't really be  
> learned...
> that's what really makes your style yours. 10 guys play a lick... 9  
> sound
> very similar... one sounds unbelieveable. How did he do that???  
> Zappa did
> that.

Well said! That's what I meant by "couldn't play, knew it and overdid  
it". I should maybe have put a big smiley there ;-)

per

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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: Laptop Set-up....
Date: Wed, 22 Mar 2006 00:07:39 -0800
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Excellent info. Thanks, Per. I need to lose some latency, so I =20
appreciate the tips. I do like the color of the Vintage Warmer on the =20=

trumpet...



Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com =95 AngryVegan.com
On Mar 21, 2006, at 11:52 PM, Per Boysen wrote:

> On 22 mar 2006, at 06.18, Jeff Kaiser wrote:
>
>> The last module does it: PSP Audio's Vintage Warmer (VST object in =20=

>> max is great for hosting all these, though I've also written my own =20=

>> weird limiters)....though, I'm thinking about Elemental Audio's =20
>> Neodynium....anyone using it out there?
>
> Yes. I use it whenever I need its unique sound (dynamic compressing). =20=

> On of Neodynums good sides is that it does its job with very little =20=

> latency. I think it worked quite well on direct input electric guitar =20=

> in my laptop. Although I have not tried it myself, a college keeps =20
> telling me that he got a great sound on a recorded acoustic guitar out =
=20
> of Neodynum. =46rom knowing Neodynum I imagine he is right.
>
> Another software compressor that may be used with almost no latency =20=

> (fulfills its job within the plugin working buffer) is the Sonalkis =20=

> one. It does colors the audio with a "traditional analog tone", but I =20=

> like that. Sonalkis is the only software compressor I may use for live =
=20
> audio - when host application built-in latency compensation is not =20
> active, as it is when audio is first recorded before processed. One =20=

> good use is to slap a stereo Sonalkis on the host applications master =20=

> stereo out. When you get the levels right you can "play the mix" by =20=

> your live audio input (the instrument played through the laptop). But =20=

> usually I save up computer power by using a hardware compressor after =20=

> the laptop (but before the PA) instead. My hardware RNC doesn't sound =20=

> as good as the software Sonalkis, but almost.
>
> I too use the PSP VintageWarmer a lot. But in a different way that the =
=20
> two mentioned above. VW colors the sound even more and sometimes you =20=

> need exactly that. It has a good two band multi compressing option. =20=

> Can easily destroy music of overused ;-)  I never use it for live =20
> input streams because of its huge latency. VW can feel "dynamically =20=

> sloppy" on some audio material, like for example drums, but PSP also =20=

> offers the MixPressor (part of their MixPack) that is incredibly =20
> snappy - on recorded material, lots of latency here.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?=20
> id=3D128679560&s=3D143456
>
>
>
>

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Date: Wed, 22 Mar 2006 00:13:21 -0800
Subject: Re: Zappas' guitar playing:  was:  What a loop has to say
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concur


on 3/21/06 8:36 PM, Miko Biffle at biffoz@arczip.com wrote:

> 'Chops' sometimes don't account for idosyncracratic players like Zappa,
> Page, Hendrix... You might be able to hit the notes, but there's a
> fascinating synergy of primitive muscle, sloppiness with absolute
> commitment, blended with innate musicality, which can't really be learned...
> that's what really makes your style yours. 10 guys play a lick... 9 sound
> very similar... one sounds unbelieveable. How did he do that??? Zappa did
> that.
> 
> Zappa was also very involved in ingenious effects routing, including piezos
> under the nut, going direct, etc.
> 
> Miko Biffle
> "Running scared from all the usual distractions!"
> C'mon over to MySpace! www.myspace.com/biffozz
> Now playing 'Rough' www.cdbaby.com/biffoz
> The Chain Tape Collective! http://www.ct-collective.com/
> 
> 

From Loopers-Delight-request@loopers-delight.com  Wed Mar 22 09:20:51 2006
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>Well said! That's what I meant by "couldn't play, knew it and overdid
>it". I should maybe have put a big smiley there ;-)
>per

Sure, there's loads of guitarists who can play fast even scales way 
better than zappa ever could.
..but what about other aspects of technique?

It's a very "guitarist" thing to rate musical ability like that :-)
For instance, a French Horn player would more likely be judged on 
their tone than their ability to shred.

Zappa's tone, control of feedback, subtle use of wah wah, &so on
....all aspects of technique which are not so easy to emulate.

andy
( I agree with Per, I just like listening to it :-)







From Loopers-Delight-request@loopers-delight.com  Wed Mar 22 10:12:49 2006
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MessagePerhaps I don't understand clearly the problem and the setup but =
would something like a digitech Jamman works?
You can transfer you loops from battery inside the JM with usb and use =
the footswitch to cue the next loop. Once the current loop has ended, =
the next one will starts and loop until you schedule the next and so on. =
You would also be able to overdub on a loop until you trigger the next =
one.

Ben.
------=_NextPart_000_0080_01C64DA1.8B2D40F0
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
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<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
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</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>
<DIV><FONT face=3DArial size=3D2>Perhaps I don't understand clearly the =
problem and=20
the setup but would something like a digitech Jamman works?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>You can transfer you loops from battery =
inside the=20
JM with usb&nbsp;and use the footswitch to cue the next loop. Once the =
current=20
loop has ended, the next one will starts and loop until you schedule the =
next=20
and so on. You would also be able to overdub on a loop until you trigger =
the=20
next one.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial =
size=3D2>Ben.</FONT></FONT></DIV></DIV></BODY></HTML>

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___________________________________________________________________________ 
Nouveau : téléphonez moins cher avec Yahoo! Messenger ! Découvez les tarifs exceptionnels pour appeler la France et l'international.
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From Loopers-Delight-request@loopers-delight.com  Wed Mar 22 13:12:52 2006
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From: "Claude Voit" <c.voit@vtx.ch>
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Subject: Zappa be in you
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http://www.youtube.com/results?related=zappa

From Loopers-Delight-request@loopers-delight.com  Wed Mar 22 14:32:10 2006
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From: "joe rut" <joerut@lycos.com>
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Hola-

I try to stay out of "I like this/I don't like this discussions", but man, =
I just gotta say that there are very few guitarists that can hold my attent=
ion playing a=20
long "guitar solo".  Frank was one of them.  I always felt like he truly "c=
omposed" on the spot, and his fountain of musical ideas seemed effortlessly=
=20
limitless on a good night.  In terms of playing guitar "properly", all I ca=
n say is he had a style that was all his own.  I could pick his playing out=
 of a lineup=20
in just a few notes, sometimes only one.  Granted, a lot of his solos are o=
f the same sort (modal explorations over one chord ostinato vamps) but it=
=20
almost amazes me even more that he could wrangle so many ideas out of a sim=
ple formula.  And tone that just killed me.

Anyway, just wanted to give Frank some props.  Miss him.

Joe


--=20
_______________________________________________

Search for businesses by name, location, or phone number.  -Lycos Yellow Pa=
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Sorry. Its actually $1395.
Thanks
On Mar 21, 2006, at 10:53 AM, Chris Sewell wrote:

> I have 2 in stock. G Guitars is the first dealer for this amazing  
> machine. I've been using it for about an hour and it is AMAZING. I  
> will get no work done today I assure you.
> I have 2 to sell with more on the way.
> You can have yours tomorrow.
> $1495 includes shipping.
> Let me know
> Chris
>
> www.gguitars.com
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Mar 22 15:29:28 2006
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Subject: stumbling around in the dark.....
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....& accidentally stepping on a midi volume pedal & waking the whole
audience up with an unintentionally loud blast of notes?

here's one of those pre-coffee, first-thing-in-the-morning ideas I have from
time to time.

most midi volume & expression pedals have three conductors connected to the
parent device. two of these are a ground wire & a source of 5V from inside
the device, while the third is the voltage returned from the potentiometer
inside the pedal.
so- the pedal has a supply of 5V readily available.

this means that you can add a 500 ohm resistor inside & a nice bright LED
somewhere on the outer surface of the pedal. you could extend this idea to
multiple pedals or footswitches, & even colour-code them. 

hmm....... I'll have to have a look & see if this is workable on the
standard footswitches we use with jam-mans & repeaters & the like. 
the fcb1010 has it's own power supply & one could easily make the whole
thing light up like a christmas tree without taxing the circuitry unduly.

of course, I'd advise against any such modifications if a) you can't work a
soldering iron & b) the equipment concerned is under a warranty you wish to
preserve.

naturally, I shall be taking the rest of the afternoon off & rushing home to
try this out.....

duncan/r.m.i.


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<TITLE>stumbling around in the dark.....</TITLE>
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<P><FONT SIZE=3D2>....&amp; accidentally stepping on a midi volume pedal &a=
mp; waking the whole audience up with an unintentionally loud blast of note=
s?</FONT></P>

<P><FONT SIZE=3D2>here's one of those pre-coffee, first-thing-in-the-mornin=
g ideas I have from time to time.</FONT>
</P>

<P><FONT SIZE=3D2>most midi volume &amp; expression pedals have three condu=
ctors connected to the parent device. two of these are a ground wire &amp; =
a source of 5V from inside the device, while the third is the voltage retur=
ned from the potentiometer inside the pedal.</FONT></P>

<P><FONT SIZE=3D2>so- the pedal has a supply of 5V readily available.</FONT>
</P>

<P><FONT SIZE=3D2>this means that you can add a 500 ohm resistor inside &am=
p; a nice bright LED somewhere on the outer surface of the pedal. you could=
 extend this idea to multiple pedals or footswitches, &amp; even colour-cod=
e them. </FONT></P>

<P><FONT SIZE=3D2>hmm....... I'll have to have a look &amp; see if this is =
workable on the standard footswitches we use with jam-mans &amp; repeaters =
&amp; the like. </FONT></P>

<P><FONT SIZE=3D2>the fcb1010 has it's own power supply &amp; one could eas=
ily make the whole thing light up like a christmas tree without taxing the =
circuitry unduly.</FONT></P>

<P><FONT SIZE=3D2>of course, I'd advise against any such modifications if a=
) you can't work a soldering iron &amp; b) the equipment concerned is under=
 a warranty you wish to preserve.</FONT></P>

<P><FONT SIZE=3D2>naturally, I shall be taking the rest of the afternoon of=
f &amp; rushing home to try this out.....</FONT>
</P>

<P><FONT SIZE=3D2>duncan/r.m.i.</FONT>
</P>

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From Loopers-Delight-request@loopers-delight.com  Wed Mar 22 15:37:37 2006
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From: Dennis Montgomery <morpheus@speakeasy.net>
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Zappa.  I really miss his presence as a musical satirist during these 
bush years.  He had the audience and independent clout to speak out.  
Kinda disappointing that the major musical voice of dissension this 
millenium has been The Dixie Chicks :-)

I was thinking how one of his quotes was appropriate to our recent 
'effects vs pure instrument' debate.  He once said, "The ULTIMATE RULE 
ought to be: If it sounds GOOD to YOU, it's bitchin'; if it sounds BAD 
to YOU, it's shitty."  I like that.  The 2nd Zappa album I got was the 
'Shut Up n Play Yer Guitar' box set.  I liked it but it never really 
grabbed me...I love his work as a composer much more than as a guitar 
player.

Dennis

From Loopers-Delight-request@loopers-delight.com  Wed Mar 22 15:50:01 2006
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From: Chris Sewell <chris@gguitars.com>
Subject: Re: stumbling around in the dark.....
Date: Wed, 22 Mar 2006 10:49:53 -0500
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That brings up a good point. That being footpedal technique. Ive been  
trying to incorporate this into my practice routine. Eventually I  
hope to find any switch as easy as finding an open chord. Play a  
phrase/hit a switch, etc. The FCB is cool because you can feel the  
switches without activating them like I did with the voodoo labs. But  
it would be nice if it just became second nature.

From Loopers-Delight-request@loopers-delight.com  Wed Mar 22 16:12:32 2006
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Subject: Re: Zappas' guitar playing: was: What a loop has to say
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Speaking og Zappa, has anyone seen the movie Rock School (not "School of  
Rock") - A documentary about a guy in Philadelphia who teaches kids (from the  
very small to late teens) to play rock & roll.  The students who excel  end up 
in a band learning Zappa tunes and the culmination of the movie is their  trip 
to Germany for a Zappa Festival where they play the ..... heck out of some  
complex tunes.  Good movie  .....
 
Law Offices  of Harry Weinberg
11 Beach Street
New York, N.Y. 10013
(212)  989-2908

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From Loopers-Delight-request@loopers-delight.com  Wed Mar 22 16:14:26 2006
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Subject: Re: Zappas' guitar playing: was: What a loop has to say
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Dennis Montgomery wrote:

> Zappa.  I really miss his presence as a musical satirist during these 
> bush years.  He had the audience and independent clout to speak out.  
> Kinda disappointing that the major musical voice of dissension this 
> millenium has been The Dixie Chicks :-) 

I still remember vividly stumbling upon Zappa's music for the very first 
time:
I grew up (5-16 years old) in a small town of less than 500 people
and babysat for a few families to make some extra
$ (guess this small town was enlightened enough
even back in the 1980s to realize that guys can
be good babysitters as well as girls).
Anyway, this family whom I had never babysat
before called me at the last minute because their
regular sitter was sick.  Usual routine until the
kids had been put to bed and I noticed they
had a big record collection (a first for families
I babysat; the others had little to no vinyl).
I went through those records voraciously and
devoured the covers and sounds: Zappa (those covers, those song titles, 
those songs!),
Genesis (back when Peter Gabriel was still
a member), Tangerine Dream, and on and on.
Unfortunately I never got to babysit for that
family again (they had a regular sitter, after all),
but I can look back on that twist of fate as
a delicious entryway into new sounds.
Andrew

-- 
Andrew Duke
scoring/sound design/source
http://andrew-duke.com
http://myspace.com/andrewduke
Cognition Audioworks label
[Andrew Duke, Foal, Clinker, Granny'Ark]
http://cognitionaudioworks.com


From Loopers-Delight-request@loopers-delight.com  Wed Mar 22 16:15:21 2006
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From: "Joshua Morin" <joshua@joshuamorin.com>
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Subject: Question about digitech Jamman
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Hi Loopers.

 

Just a quick question.

 

I use a Digitech Jamman for my shows and I loop my rhythm parts on the fly
so that I can solo overtop during my performances. 

 

My question is that it seems like I can't get the settings right for when I
play a soft song and when I play a loud song. When I am fingerpicking a song
and I record and play back the loop it comes out at the perfect level. But
then if I am strumming hard and I record and playback the loop it is too
loud.

 

Is there any way to adjust or fine tune this? Or maybe I have my settings
wrong?

 

Any help would be greatly appreciated.

 

Thanks.

Joshua Morin
Artist/Songwriter

Original Acoustic-Rock Music
 <http://www.joshuamorin.com> www.joshuamorin.com

www.myspace.com/joshuamorin





 

 


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<body lang=3DEN-US link=3Dblue vlink=3Dpurple>

<div class=3DSection1>

<p class=3DMsoNormal><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma'>Hi Loopers&#8230;<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma'>Just a quick =
question&#8230;<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma'>I use a Digitech Jamman for my shows and I loop my =
rhythm
parts on the fly so that I can solo overtop during my performances. =
<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma'>My question is that it seems like I can&#8217;t get =
the
settings right for when I play a soft song and when I play a loud song. =
When I
am fingerpicking a song and I record and play back the loop it comes out =
at the
perfect level. But then if I am strumming hard and I record and playback =
the
loop it is too loud&#8230;<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma'>Is there any way to adjust or fine tune this? Or =
maybe I
have my settings wrong?<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma'>Any help would be greatly =
appreciated.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma'>Thanks.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><strong><b><font size=3D2 face=3DTahoma><span =
style=3D'font-size:
10.0pt;font-family:Tahoma'>Joshua =
Morin</span></font></b></strong><b><font
size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;font-family:Tahoma;font-weight:
bold'><br>
<strong><b><font face=3DTahoma><span =
style=3D'font-family:Tahoma'>Artist/Songwriter</span></font></b></strong>=
</span></font></b><o:p></o:p></p>

<p class=3DMsoNormal><strong><b><font size=3D2 face=3DTahoma><span =
style=3D'font-size:
10.0pt;font-family:Tahoma'>Original Acoustic-Rock =
Music</span></font></b></strong><b><font
size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;font-family:Tahoma;font-weight:
bold'><br>
</span></font></b><a href=3D"http://www.joshuamorin.com"><font size=3D2
face=3DTahoma><span =
style=3D'font-size:10.0pt;font-family:Tahoma'>www.joshuamorin.com</span><=
/font></a><o:p></o:p></p>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><a =
href=3D"http://www.myspace.com/joshuamorin">www.myspace.com/joshuamorin</=
a><o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><br>
<br>
<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>&nbsp;</span><o:p></o:p></font></p>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

</div>

</body>

</html>

------=_NextPart_000_00E0_01C64DA1.EBE9CF80--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 22 16:21:00 2006
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To: Loopers-Delight@loopers-delight.com
From: Kevin <kevin@TheNettles.com>
Subject: Re: Zappa's guitar playing:
In-Reply-To: <7.0.0.16.0.20060322085759.02878520@tiscali.co.uk>
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 <7.0.0.16.0.20060322085759.02878520@tiscali.co.uk>
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At 01:18 AM 3/22/2006, you wrote:
>Zappa's tone, control of feedback, subtle use of wah wah, &so on
>....all aspects of technique which are not so easy to emulate.

Zappa was also able to shred polyrhythmically. For example, Zappa 
could play the first three notes of a figure as if they were part of 
a quintuplet (five notes in the space of a quarter note) and then at 
the end play a triplet instead of the last two 16th notes.  This is a 
key part of his lines and is explained better than I can at:
http://www.vai.com/LittleBlackDots/tempomental.html

It's important to keep in mind that musically there were two Zappas: 
the composer-arranger and the improviser.  When he was on tour, he 
composed  on-the-fly during his solos which he taped.  Back in the 
studio, he would take his solo tapes and rework these into 
compositions.  It's my understanding that Zappa didn't practice 
guitar much.  So the longer he toured, the better his solos were.

I'm not a big Zappa fan, but I really appreciate and respect some of his work.

Cheers,
Kevin

The Nettles: Progressive and Exciting Celtic Music
www.TheNettles.com

From Loopers-Delight-request@loopers-delight.com  Wed Mar 22 16:29:28 2006
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From: Kevin <kevin@TheNettles.com>
Subject: Re: Zappa be in you
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At 05:12 AM 3/22/2006, you wrote:
>http://www.youtube.com/results?related=zappa

The "Pound for a Brown" video is a good example of Zappa's classical 
composing chops with the Yellow Shark Ensemble Modern although my 
favourite from the "Yellow Shark"  is "G-Spot Tornado".

Cheers,
Kevin

The Nettles: Progressive and Exciting Celtic Music
www.TheNettles.com

From Loopers-Delight-request@loopers-delight.com  Wed Mar 22 16:31:38 2006
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From: Kevin <kevin@TheNettles.com>
Subject: Re: Zappas' guitar playing: was: What a loop has to say
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At 06:35 AM 3/22/2006, you wrote:
>in just a few notes, sometimes only one.  Granted, a lot of his 
>solos are of the same sort (modal explorations over one chord 
>ostinato vamps) but it
>almost amazes me even more that he could wrangle so many ideas out 
>of a simple formula.  And tone that just killed me.

One could say the same thing of Miles Davis.

Cheers,
Kevin

The Nettles: Progressive and Exciting Celtic Music
www.TheNettles.com

From Loopers-Delight-request@loopers-delight.com  Wed Mar 22 16:34:08 2006
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Date: Wed, 22 Mar 2006 11:33:56 EST
Subject: Loopers Delight Meeting at Frankfurt Musik Messe ?
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--part1_300.13f0a7d.3152d674_boundary
Content-Type: text/plain; charset="ISO-8859-1"
Content-Transfer-Encoding: quoted-printable

 Hi fellow loopers,

forgive me if this has been suggested before (soory, too busy to catch up on=
=20
all posts in the last few weeks)=A0 but wouldn't it be nice to meet at the=20
Frankfurt Musik Messe (http://musik.messefrankfurt.com/frankfurt/en/) which=20=
is=20
coming up next week=A0 (March 29-April 1st) ?
For those of you attending I'll be demonstrating (and looping as much as the=
=20
booth space permits ;-) some fine czech guitars (Prochazka guitars=A0=20
http://www.guitar-makers.com/) for all four days probably at 11am, 1 and 3 p=
m in Hall 3=20
at Booth E54. Stop by if you are not too busy and say hello. It has been gre=
at=20
fun meeting and hearing some of you at the International Looping Festival in=
=20
Zurich and would be interesting to meet you again and those who have yet=20
remained anonymous...

Maybe we could also find a time for all of us to get together, exchange idea=
s=20
and the latest news ?

Regards

Christian Rover
chrisrover@aol.com
www.christianrover.com

--part1_300.13f0a7d.3152d674_boundary
Content-Type: text/html; charset="ISO-8859-1"
Content-Transfer-Encoding: quoted-printable

<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Ari=
al" FAMILY=3D"SANSSERIF" SIZE=3D"2"> Hi fellow loopers,<BR>
<BR>
forgive me if this has been suggested before (soory, too busy to catch up on=
 all posts in the last few weeks)=A0 but wouldn't it be nice to meet at the=20=
Frankfurt Musik Messe (http://musik.messefrankfurt.com/frankfurt/en/) which=20=
is coming up next week=A0 (March 29-April 1st) ?<BR>
For those of you attending I'll be demonstrating (and looping as much as the=
 booth space permits ;-) some fine czech guitars (Prochazka guitars=A0 http:=
//www.guitar-makers.com/) for all four days probably at 11am, 1 and 3 pm in=20=
Hall 3 at Booth E54. Stop by if you are not too busy and say hello. It has b=
een great fun meeting and hearing some of you at the International Looping F=
estival in Zurich and would be interesting to meet you again and those who h=
ave yet remained anonymous...<BR>
<BR>
Maybe we could also find a time for all of us to get together, exchange idea=
s and the latest news ?<BR>
<BR>
Regards<BR>
<BR>
Christian Rover<BR>
chrisrover@aol.com<BR>
www.christianrover.com<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT></HTML>
--part1_300.13f0a7d.3152d674_boundary--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 22 16:56:55 2006
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	id 3C1B43BEEE; Wed, 22 Mar 2006 16:56:55 +0000 (UTC)
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Cc: Kris Hartung <khartung@cableone.net>,
	Kris Hartung <kris.hartung@hp.com>
From: Paul Mimlitsch <pmimlitsch@mac.com>
Subject: looping soundfiles
Date: Wed, 22 Mar 2006 09:56:42 -0700
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Greetings.  Just uploaded some new "texturly" soundfiles to my website: 
<< http://homepage.mac.com/pmimlitsch/lep/lep.html >>.  They would be 
"A1", "A2", "A3" under the "Atmospherics" heading on the home page.  If 
inclined, give 'em a listen, enjoy (if inclined). Take care. - Paul

From Loopers-Delight-request@loopers-delight.com  Wed Mar 22 17:07:04 2006
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I saw him on one of his several "I was just kidding about quitting, folks, I can still play, honest!" tours, circa 1986, and boy was he ever making a point to the Berklee kids in the audience: don't count me out, I'm still baaaaad.

Seriously, I'd have to be reincarnated 3 times to play that well.

~Tim


-----Original Message-----
>From: "loop.pool" <looppool@cruzio.com>
>Sent: Mar 21, 2006 10:35 PM
>To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
>Subject: Zappas' guitar playing:  was:  What a loop has to say
>
>Per wrote about Frank Zappa:
>"No. He couldn't really play the guitar properly. That's what I like
>with his guitar solos. He knew it and just did it way over the top,  "
>
>
>
>Man,  Per,  I saw Zappa play an all instrumental gig at the Fillmore 
>Auditorium
>once with the classic  George Duke, Underwoods band with Tom Fowler
>playing electric trombone instead of a bassist.
>
>You could a' fooled me.   His guitar playing was off the hook and fantastic.
>To say he couldn't play guitar properly didn't match anything I know about 
>guitar
>playing from having played with excellent guitarists all of my life.
>
>He may have not been up to Al DiMeola technical skills but that was much to
>my delight, I have to say. 
>

From Loopers-Delight-request@loopers-delight.com  Wed Mar 22 17:17:29 2006
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Reminds me of how, waaaay back in my dazed-and-confused Seveties community college years, I had just begun guitar and was mentioning to this biker dude that I thought that Pagey's lead in Heartbreaker was maybe a bit haphazard. He said "well can YOU play it, motherf*cker?!?" The man had a point. Nearly 30 years later, my answer is still, "um...kinda...almost....eeeeh, I got nothin'!" (LOL)

Having said that, I draw equal inspiration from master players and inspired primitives and all points in between, knowing full well that some of those "inspired primitives" are packing serious musical heat and can do some things I can't do. Keeps me open minded and humble.

~Timbus Humilius
www.myspace.com/timmungenast
www.cdbaby.com/all/timgoat



-----Original Message-----
>From: stanitarium <stanitarium@earthlink.net>
>Sent: Mar 22, 2006 3:13 AM
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: Zappas' guitar playing:  was:  What a loop has to say
>
>concur
>
>
>on 3/21/06 8:36 PM, Miko Biffle at biffoz@arczip.com wrote:
>
>> 'Chops' sometimes don't account for idosyncracratic players like Zappa,
>> Page, Hendrix... You might be able to hit the notes, but there's a
>> fascinating synergy of primitive muscle, sloppiness with absolute
>> commitment, blended with innate musicality, which can't really be learned...
>> that's what really makes your style yours. 10 guys play a lick... 9 sound
>> very similar... one sounds unbelieveable. How did he do that??? Zappa did
>> that.
>> 
>> Zappa was also very involved in ingenious effects routing, including piezos
>> under the nut, going direct, etc.
>> 
>> Miko Biffle
>> "Running scared from all the usual distractions!"
>> C'mon over to MySpace! www.myspace.com/biffozz
>> Now playing 'Rough' www.cdbaby.com/biffoz
>> The Chain Tape Collective! http://www.ct-collective.com/
>> 
>> 
>

From Loopers-Delight-request@loopers-delight.com  Wed Mar 22 17:26:27 2006
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Subject: Re: stumbling around in the dark.....
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<HEAD><TITLE>stumbling around in the dark.....</TITLE>
<META content=3D"MSHTML 6.00.2900.2802" name=3DGENERATOR></HEAD>
<BODY>
<DIV>...and THIS reminds me of when a friend of mine, befuddled by crappy s=
tage lighting, plugged his expression pedal into the wrong jack of his VG8,=
 and instead of swelling volume during solos, he was scrolling up and down =
through patches (LOL). Sounded cool, though! I was almost disappointed when=
 he caught the error and fixed it.</DIV>
<DIV>&nbsp;</DIV>
<DIV>~Tim<BR><BR><BR>-----Original Message----- <BR>From: goddard.duncan@mt=
vne.com <BR>Sent: Mar 22, 2006 10:29 AM <BR>To: Loopers-Delight@loopers-del=
ight.com <BR>Subject: stumbling around in the dark..... <BR><BR></DIV><ZZZH=
TML><ZZZHEAD><ZZZMETA CONTENT=3D"text/html; charset=3DISO-8859-1" HTTP-EQUI=
V=3D"Content-Type"><ZZZMETA CONTENT=3D"MS Exchange Server version 5.5.2653.=
12" NAME=3D"Generator"></ZZZHEAD><ZZZBODY>
<P><FONT size=3D2>....&amp; accidentally stepping on a midi volume pedal &a=
mp; waking the whole audience up with an unintentionally loud blast of note=
s?</FONT></P>
<P><FONT size=3D2>here's one of those pre-coffee, first-thing-in-the-mornin=
g ideas I have from time to time.</FONT> </P>
<P><FONT size=3D2>most midi volume &amp; expression pedals have three condu=
ctors connected to the parent device. two of these are a ground wire &amp; =
a source of 5V from inside the device, while the third is the voltage retur=
ned from the potentiometer inside the pedal.</FONT></P>
<P><FONT size=3D2>so- the pedal has a supply of 5V readily available.</FONT=
> </P>
<P><FONT size=3D2>this means that you can add a 500 ohm resistor inside &am=
p; a nice bright LED somewhere on the outer surface of the pedal. you could=
 extend this idea to multiple pedals or footswitches, &amp; even colour-cod=
e them. </FONT></P>
<P><FONT size=3D2>hmm....... I'll have to have a look &amp; see if this is =
workable on the standard footswitches we use with jam-mans &amp; repeaters =
&amp; the like. </FONT></P>
<P><FONT size=3D2>the fcb1010 has it's own power supply &amp; one could eas=
ily make the whole thing light up like a christmas tree without taxing the =
circuitry unduly.</FONT></P>
<P><FONT size=3D2>of course, I'd advise against any such modifications if a=
) you can't work a soldering iron &amp; b) the equipment concerned is under=
 a warranty you wish to preserve.</FONT></P>
<P><FONT size=3D2>naturally, I shall be taking the rest of the afternoon of=
f &amp; rushing home to try this out.....</FONT> </P>
<P><FONT size=3D2>duncan/r.m.i.</FONT> </P><CODE><FONT size=3D3>
<DIV><BR><BR>**************************************************************=
*************<BR>CONFIDENTIALITY NOTICE<BR><BR>The contents of this e-mail =
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<BR><BR>MTV Networks Europe<BR>********************************************=
*******************************<BR></DIV></FONT></CODE></ZZZBODY></ZZZHTML>=
</BODY>

From Loopers-Delight-request@loopers-delight.com  Wed Mar 22 17:43:55 2006
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: <Loopers-Delight@loopers-delight.com>
Subject: Zappa's G-Spot
Date: Wed, 22 Mar 2006 18:43:49 +0100
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The story goes that the production of the Yellow Shark came about when Zappa
heard that the Ensemble Modern actually had G-Spot Tornado in their
repertoire, a piece which Zappa believed was unplayable for humans.

> The "Pound for a Brown" video is a good example of Zappa's 
> classical composing chops with the Yellow Shark Ensemble 
> Modern although my favourite from the "Yellow Shark"  is 
> "G-Spot Tornado".

From Loopers-Delight-request@loopers-delight.com  Wed Mar 22 17:54:43 2006
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Cc: Kris Hartung <khartung@cableone.net>
Subject: Re: looping soundfiles
Date: Wed, 22 Mar 2006 17:54:42 +0000
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--NextPart_Webmail_9m3u9jl4l_11159_1143050082_0
Content-Type: text/plain
Content-Transfer-Encoding: 8bit

I have some full length mp3s on my site I would like to contribute:

Stolen Moments by Oliver Nelson:
http://www.marksmart.net/gearhack/jazzpedalboard/StolenMoments22.mp3

Shiny Stickings by Frank Foster:
http://www.marksmart.net/gearhack/jazzpedalboard/ShinyStockings.mp3

West Coast Blues by Wes Montgomery:
http://www.marksmart.net/gearhack/jazzpedalboard/WestCoastBluesLong.mp3

The Girl From Ipanema by Antonio Carlos Jobim:
http://www.marksmart.net/gearhack/jazzpedalboard/IpanemaLong.mp3

Bock to Bock by Buddy Montgomery:
http://www.marksmart.net/gearhack/jazzpedalboard/BockToBock.mp3

Mark Smart
http://www.marksmart.net
--NextPart_Webmail_9m3u9jl4l_11159_1143050082_0
Content-Type: text/html
Content-Transfer-Encoding: 8bit

<html>
<!-- BEGIN WEBMAIL STATIONERY -->
<head></head>
<body>
<!-- WEBMAIL STATIONERY notheme -->
<P>I have some full length mp3s on my site I&nbsp;would like&nbsp;to contribute:</P>
<P>&nbsp;</P>
<P>Stolen Moments by Oliver Nelson:</P>
<P><A href="http://www.marksmart.net/gearhack/jazzpedalboard/StolenMoments22.mp3">http://www.marksmart.net/gearhack/jazzpedalboard/StolenMoments22.mp3</A></P>
<P>&nbsp;</P>
<P>Shiny Stickings by Frank Foster:</P>
<P><A href="http://www.marksmart.net/gearhack/jazzpedalboard/ShinyStockings.mp3">http://www.marksmart.net/gearhack/jazzpedalboard/ShinyStockings.mp3</A></P>
<P>&nbsp;</P>
<P>West Coast Blues by Wes Montgomery:</P>
<P><A href="http://www.marksmart.net/gearhack/jazzpedalboard/WestCoastBluesLong.mp3">http://www.marksmart.net/gearhack/jazzpedalboard/WestCoastBluesLong.mp3</A></P>
<P>&nbsp;</P>
<P>The Girl From Ipanema by Antonio Carlos Jobim:</P>
<P><A href="http://www.marksmart.net/gearhack/jazzpedalboard/IpanemaLong.mp3">http://www.marksmart.net/gearhack/jazzpedalboard/IpanemaLong.mp3</A></P>
<P>&nbsp;</P>
<P>Bock to Bock by Buddy Montgomery:</P>
<P><A href="http://www.marksmart.net/gearhack/jazzpedalboard/BockToBock.mp3">http://www.marksmart.net/gearhack/jazzpedalboard/BockToBock.mp3</A></P>
<P>&nbsp;</P>
<P>Mark Smart</P>
<P><A href="http://www.marksmart.net">http://www.marksmart.net</A></P>
<!-- END WEBMAIL STATIONERY -->

</body>
</html>

--NextPart_Webmail_9m3u9jl4l_11159_1143050082_0--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 22 17:55:01 2006
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From: Chris Sewell <chris@gguitars.com>
Subject: Re: Zappa's G-Spot
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I cant imagine the music he would make if he had ProTools, Logic, and  
some Virtual Instruments.
On Mar 22, 2006, at 12:43 PM, Rainer Thelonius Balthasar Straschill  
wrote:

> The story goes that the production of the Yellow Shark came about  
> when Zappa
> heard that the Ensemble Modern actually had G-Spot Tornado in their
> repertoire, a piece which Zappa believed was unplayable for humans.
>
>
>> The "Pound for a Brown" video is a good example of Zappa's
>> classical composing chops with the Yellow Shark Ensemble
>> Modern although my favourite from the "Yellow Shark"  is
>> "G-Spot Tornado".
>>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Mar 22 17:55:30 2006
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To: Loopers-Delight@loopers-delight.com
From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Political Zappa
Date: Wed, 22 Mar 2006 09:55:26 -0800
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http://tinyurl.com/kotde

Zappa was as amazing in a political forum as onstage.



Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com =95 AngryVegan.com=

From Loopers-Delight-request@loopers-delight.com  Wed Mar 22 18:18:42 2006
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From: "David Morton" <dmorton@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Looperlative LP-1 Now Available at G Guitars
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On 3/22/06, Chris Sewell <chris@gguitars.com> wrote:
> Sorry. Its actually $1395.

Will you ship to the UK?

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Subject: RE: Help!  not enough hands....
Date: Wed, 22 Mar 2006 18:18:36 -0000
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This looks far too easy!  I've not tried a JamMan but it does look like
it would do what I want - the only drawback being that it's mono not
stereo
 
I'll have to check it out
 
thanks to Ben, Todd and Rainer for their replies and assistance
 
jon.
 
      - y e l l o w 6 -
       <http://www.yellow6.com/> www.yellow6.com
 
 - make mine music -
www.makeminemusic.co.uk <http://www.makeminemusic.co.uk/> 
 

-----Original Message-----
From: Ben [mailto:benoitruelle@yahoo.fr] 
Sent: 22 March 2006 10:13
To: Loopers-Delight@loopers-delight.com
Subject: Re: Help! not enough hands....



Perhaps I don't understand clearly the problem and the setup but would
something like a digitech Jamman works?
You can transfer you loops from battery inside the JM with usb and use
the footswitch to cue the next loop. Once the current loop has ended,
the next one will starts and loop until you schedule the next and so on.
You would also be able to overdub on a loop until you trigger the next
one.
 
Ben.


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<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN =
class=3D468131518-22032006>This=20
looks far too easy!&nbsp; I've not tried a JamMan but it does look like =
it would=20
do what I want - the only drawback being that it's mono not=20
stereo</SPAN></FONT></DIV>
<DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN=20
class=3D468131518-22032006></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN =
class=3D468131518-22032006>I'll=20
have to check it out</SPAN></FONT></DIV>
<DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN=20
class=3D468131518-22032006></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN =
class=3D468131518-22032006>thanks=20
to Ben, Todd and Rainer for their replies and =
assistance</SPAN></FONT></DIV>
<DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN=20
class=3D468131518-22032006></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN=20
class=3D468131518-22032006>jon.</SPAN></FONT></DIV>
<DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN=20
class=3D468131518-22032006></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN =
class=3D468131518-22032006>
<DIV><FONT face=3DVerdana><FONT size=3D2>&nbsp;&nbsp;&nbsp;&nbsp; =
&nbsp;</FONT><FONT=20
size=3D3><STRONG>-&nbsp;y&nbsp;e&nbsp;l&nbsp;l&nbsp;o&nbsp;w&nbsp;6=20
-</STRONG></FONT></FONT></DIV>
<DIV><FONT face=3DVerdana><FONT size=3D2>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
</FONT><A=20
href=3D"http://www.yellow6.com/"><FONT=20
size=3D2>www.yellow6.com</FONT></A></FONT></DIV>
<DIV><FONT face=3DVerdana size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2><FONT face=3DVerdana>&nbsp;<FONT size=3D3><EM>- make =
mine=20
music&nbsp;-</EM></FONT></FONT></FONT></DIV>
<DIV><FONT face=3DVerdana size=3D2><A=20
href=3D"http://www.makeminemusic.co.uk/">www.makeminemusic.co.uk</A></FON=
T></DIV>
<DIV><FONT face=3DVerdana =
size=3D2></FONT>&nbsp;</DIV></SPAN></FONT></DIV>
<BLOCKQUOTE dir=3Dltr style=3D"MARGIN-RIGHT: 0px">
  <DIV></DIV>
  <DIV class=3DOutlookMessageHeader lang=3Den-us dir=3Dltr =
align=3Dleft><FONT=20
  face=3DTahoma size=3D2>-----Original Message-----<BR><B>From:</B> Ben=20
  [mailto:benoitruelle@yahoo.fr] <BR><B>Sent:</B> 22 March 2006=20
  10:13<BR><B>To:</B> =
Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> Re:=20
  Help! not enough hands....<BR><BR></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>
  <DIV><FONT face=3DArial size=3D2>Perhaps I don't understand clearly =
the problem=20
  and the setup but would something like a digitech Jamman =
works?</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>You can transfer you loops from =
battery inside=20
  the JM with usb&nbsp;and use the footswitch to cue the next loop. Once =
the=20
  current loop has ended, the next one will starts and loop until you =
schedule=20
  the next and so on. You would also be able to overdub on a loop until =
you=20
  trigger the next one.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial=20
size=3D2>Ben.</FONT></FONT></DIV></DIV></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed Mar 22 18:22:16 2006
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Date: Wed, 22 Mar 2006 10:22:14 -0800 (PST)
From: S V G <vsyevolod@yahoo.com>
Subject:  Re: Best Cheap Guitar Synth
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>This can be heard on the organ sound in the following 
>MP3:   http://tinyurl.com/zkehv

Which track?  There's a variety to choose from.



     Oooops, I didn't get my tinyURL done correctly...  My last two posts meant to point to the
song Firedancing which might be found here:  http://tinyurl.com/ryzd9  but definately can be found
here:
http://www.sohl.com/Improvisations/Cassini%20Division/index.htm  halfway down the page.

     The photo that I meant to show is definately at:
http://www.sohl.com/Improvisations/Cassini%20Division/index.htm

     Stephen




__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
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From: Chris Sewell <chris@gguitars.com>
Subject: Re: Looperlative LP-1 Now Available at G Guitars
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Yes. Shipping would be about $45.
Thanks
Chris
On Mar 22, 2006, at 1:18 PM, David Morton wrote:

> On 3/22/06, Chris Sewell <chris@gguitars.com> wrote:
>
>> Sorry. Its actually $1395.
>>
>
> Will you ship to the UK?
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Mar 22 18:35:24 2006
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Subject: RE: NED (was Zappa's G-Spot)
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>>I cant imagine the music he would make if he had ProTools, Logic, and some
Virtual Instruments.<<

ah, he'd probably've hated them...... he was a synclavier man, no?

I've been looking at an "aren't synclaviers great?" site the last couple of
days, having had one fall on my foot at munich airport a few years ago, &
then gaping in awe upon finally hearing what one can do at an audio-post
place in milan. 
on this site, pete townsend is quoted as saying that the synclavier is a
totally right-brain experience & he doesn't have to keep switching between
right & left brain like he does with a computer. hmmm......

http://www.digitaltoycupboard.com/uniquesync.html

duncan.


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<P><FONT SIZE=3D2>&gt;&gt;I cant imagine the music he would make if he had =
ProTools, Logic, and some Virtual Instruments.&lt;&lt;</FONT>
</P>

<P><FONT SIZE=3D2>ah, he'd probably've hated them...... he was a synclavier=
 man, no?</FONT>
</P>

<P><FONT SIZE=3D2>I've been looking at an &quot;aren't synclaviers great?&q=
uot; site the last couple of days, having had one fall on my foot at munich=
 airport a few years ago, &amp; then gaping in awe upon finally hearing wha=
t one can do at an audio-post place in milan. </FONT></P>

<P><FONT SIZE=3D2>on this site, pete townsend is quoted as saying that the =
synclavier is a totally right-brain experience &amp; he doesn't have to kee=
p switching between right &amp; left brain like he does with a computer. hm=
mm......</FONT></P>

<P><FONT SIZE=3D2><A HREF=3D"http://www.digitaltoycupboard.com/uniquesync.h=
tml" TARGET=3D"_blank">http://www.digitaltoycupboard.com/uniquesync.html</A=
></FONT>
</P>

<P><FONT SIZE=3D2>duncan.</FONT>
</P>

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In a message dated 3/22/06 12:00:37 AM, vsyevolod@yahoo.com writes:


> http://tinyurl.com/kktbk
> 

thnaks steven.....mic



www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
In a message dated 3/22/06 12:00:37 AM, vsyevolod@yahoo.com writes:<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">http://tinyurl.com/kk=
tbk<BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2">thnaks steven.....mic<BR>
<BR>
<BR>
<BR>
www.ct-collective.com<BR>
http://mysite.verizon.net/vzepmeci/<BR>
http://www.myspace.com/klobuchar11<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT></HTML>
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From Loopers-Delight-request@loopers-delight.com  Wed Mar 22 18:50:48 2006
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From: "murkie" <sinister_footwear@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: NED (was Zappa's G-Spot)
Date: Wed, 22 Mar 2006 13:50:43 -0500
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as a former Synclavier owner i would recommend them highly...
 
if you're in the market for a boat anchor.
 
m

  _____  

From: goddard.duncan@mtvne.com [mailto:goddard.duncan@mtvne.com] 
Sent: Wednesday, March 22, 2006 1:35 PM
To: Loopers-Delight@loopers-delight.com
Subject: RE: NED (was Zappa's G-Spot)



>>I cant imagine the music he would make if he had ProTools, Logic, and some
Virtual Instruments.<< 

ah, he'd probably've hated them...... he was a synclavier man, no? 

I've been looking at an "aren't synclaviers great?" site the last couple of
days, having had one fall on my foot at munich airport a few years ago, &
then gaping in awe upon finally hearing what one can do at an audio-post
place in milan. 

on this site, pete townsend is quoted as saying that the synclavier is a
totally right-brain experience & he doesn't have to keep switching between
right & left brain like he does with a computer. hmmm......

http://www.digitaltoycupboard.com/uniquesync.html 

duncan. 



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<HTML><HEAD><TITLE>RE: NED (was Zappa's G-Spot)</TITLE>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Dus-ascii">
<META content=3D"MSHTML 6.00.2900.2802" name=3DGENERATOR></HEAD>
<BODY>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D163224918-22032006><FONT =
face=3DArial=20
color=3D#0000ff size=3D2>as a former Synclavier owner i would recommend =
them=20
highly...</FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D163224918-22032006><FONT =
face=3DArial=20
color=3D#0000ff size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D163224918-22032006><FONT =
face=3DArial=20
color=3D#0000ff size=3D2>if you're in the market for a boat=20
anchor.</FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D163224918-22032006><FONT =
face=3DArial=20
color=3D#0000ff size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D163224918-22032006><FONT =
face=3DArial=20
color=3D#0000ff size=3D2>m</FONT></SPAN></DIV><BR>
<DIV class=3DOutlookMessageHeader lang=3Den-us dir=3Dltr align=3Dleft>
<HR tabIndex=3D-1>
<FONT face=3DTahoma size=3D2><B>From:</B> goddard.duncan@mtvne.com=20
[mailto:goddard.duncan@mtvne.com] <BR><B>Sent:</B> Wednesday, March 22, =
2006=20
1:35 PM<BR><B>To:</B> =
Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> RE:=20
NED (was Zappa's G-Spot)<BR></FONT><BR></DIV>
<DIV></DIV>
<P><FONT size=3D2>&gt;&gt;I cant imagine the music he would make if he =
had=20
ProTools, Logic, and some Virtual Instruments.&lt;&lt;</FONT> </P>
<P><FONT size=3D2>ah, he'd probably've hated them...... he was a =
synclavier man,=20
no?</FONT> </P>
<P><FONT size=3D2>I've been looking at an "aren't synclaviers great?" =
site the=20
last couple of days, having had one fall on my foot at munich airport a =
few=20
years ago, &amp; then gaping in awe upon finally hearing what one can do =
at an=20
audio-post place in milan. </FONT></P>
<P><FONT size=3D2>on this site, pete townsend is quoted as saying that =
the=20
synclavier is a totally right-brain experience &amp; he doesn't have to =
keep=20
switching between right &amp; left brain like he does with a computer.=20
hmmm......</FONT></P>
<P><FONT size=3D2><A =
href=3D"http://www.digitaltoycupboard.com/uniquesync.html"=20
target=3D_blank>http://www.digitaltoycupboard.com/uniquesync.html</A></FO=
NT> </P>
<P><FONT size=3D2>duncan.</FONT> </P><CODE><FONT=20
size=3D3><BR><BR>********************************************************=
*******************<BR>CONFIDENTIALITY=20
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From Loopers-Delight-request@loopers-delight.com  Wed Mar 22 20:27:59 2006
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Date: Wed, 22 Mar 2006 15:27:57 -0500 (GMT-05:00)
From: mungenast@earthlink.net
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To: Loopers-Delight@loopers-delight.com
Subject: GT-5 vs VF-1
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Hey, Sonic Explorers!

I've been intrigued by recent posts about the Boss GT-5. Since I'm starting to find the rackmount form factor annoying as hell, I need to know:
is there anything my VF-1 can do that the GT-5 cannot? Put another way, would I be giving anything up by using a GT-5 instead?

Thanks,
Tim
www.myspace.com/timmungenast
www.cdbaby.com/all/timgoat
www.mungenast.com

From Loopers-Delight-request@loopers-delight.com  Wed Mar 22 20:52:51 2006
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Date: Wed, 22 Mar 2006 12:49:37 -0800
From: Dennis Montgomery <morpheus@speakeasy.net>
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Thanks for all the ideas on this.  I'm taking a shot with the Digitech 
VX400...
http://www.musiciansfriend.com/product/Live/Sound/Signal/Processors?sku=150845
It's got a lot of cool features I can use in my looping setup and the 
price was very nice.

Dennis

From Loopers-Delight-request@loopers-delight.com  Wed Mar 22 21:22:22 2006
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From: "Kris Hartung" <khartung@cableone.net>
To: <Loopers-Delight@loopers-delight.com>
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Subject: Re: looping soundfiles
Date: Wed, 22 Mar 2006 14:05:52 -0700
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All done, Mark...your website included in the description line of each =
tune. Hey, you do How Insensitive? I love that tune...much less played =
than the Girl with Emhazima. :)  No Monk, man?

Kris

  ----- Original Message -----=20
  From: mwsmart@insightbb.com=20
  To: Loopers-Delight@loopers-delight.com=20
  Cc: Kris Hartung=20
  Sent: Wednesday, March 22, 2006 10:54 AM
  Subject: Re: looping soundfiles


  I have some full length mp3s on my site I would like to contribute:



  Stolen Moments by Oliver Nelson:

  http://www.marksmart.net/gearhack/jazzpedalboard/StolenMoments22.mp3



  Shiny Stickings by Frank Foster:

  http://www.marksmart.net/gearhack/jazzpedalboard/ShinyStockings.mp3



  West Coast Blues by Wes Montgomery:

  =
http://www.marksmart.net/gearhack/jazzpedalboard/WestCoastBluesLong.mp3



  The Girl From Ipanema by Antonio Carlos Jobim:

  http://www.marksmart.net/gearhack/jazzpedalboard/IpanemaLong.mp3



  Bock to Bock by Buddy Montgomery:

  http://www.marksmart.net/gearhack/jazzpedalboard/BockToBock.mp3



  Mark Smart

  http://www.marksmart.net

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
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charset=3Diso-8859-1"><!-- BEGIN WEBMAIL STATIONERY -->
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>All done, Mark...your website included =
in the=20
description line of each tune. Hey, you do How Insensitive? I love that=20
tune...much less played than the Girl with Emhazima. :)&nbsp; No Monk,=20
man?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dmwsmart@insightbb.com=20
  href=3D"mailto:mwsmart@insightbb.com">mwsmart@insightbb.com</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Cc:</B> <A =
title=3Dkhartung@cableone.net=20
  href=3D"mailto:khartung@cableone.net">Kris Hartung</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, March 22, 2006 =
10:54=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: looping =
soundfiles</DIV>
  <DIV><BR></DIV><!-- WEBMAIL STATIONERY notheme -->
  <P>I have some full length mp3s on my site I&nbsp;would like&nbsp;to=20
  contribute:</P>
  <P>&nbsp;</P>
  <P>Stolen Moments by Oliver Nelson:</P>
  <P><A=20
  =
href=3D"http://www.marksmart.net/gearhack/jazzpedalboard/StolenMoments22.=
mp3">http://www.marksmart.net/gearhack/jazzpedalboard/StolenMoments22.mp3=
</A></P>
  <P>&nbsp;</P>
  <P>Shiny Stickings by Frank Foster:</P>
  <P><A=20
  =
href=3D"http://www.marksmart.net/gearhack/jazzpedalboard/ShinyStockings.m=
p3">http://www.marksmart.net/gearhack/jazzpedalboard/ShinyStockings.mp3</=
A></P>
  <P>&nbsp;</P>
  <P>West Coast Blues by Wes Montgomery:</P>
  <P><A=20
  =
href=3D"http://www.marksmart.net/gearhack/jazzpedalboard/WestCoastBluesLo=
ng.mp3">http://www.marksmart.net/gearhack/jazzpedalboard/WestCoastBluesLo=
ng.mp3</A></P>
  <P>&nbsp;</P>
  <P>The Girl From Ipanema by Antonio Carlos Jobim:</P>
  <P><A=20
  =
href=3D"http://www.marksmart.net/gearhack/jazzpedalboard/IpanemaLong.mp3"=
>http://www.marksmart.net/gearhack/jazzpedalboard/IpanemaLong.mp3</A></P>=

  <P>&nbsp;</P>
  <P>Bock to Bock by Buddy Montgomery:</P>
  <P><A=20
  =
href=3D"http://www.marksmart.net/gearhack/jazzpedalboard/BockToBock.mp3">=
http://www.marksmart.net/gearhack/jazzpedalboard/BockToBock.mp3</A></P>
  <P>&nbsp;</P>
  <P>Mark Smart</P>
  <P><A=20
href=3D"http://www.marksmart.net">http://www.marksmart.net</A></P></BLOCK=
QUOTE><!-- END WEBMAIL STATIONERY --></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed Mar 22 23:01:28 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: OT: Matheney podcast
Date: Thu, 23 Mar 2006 00:01:22 +0100
To: Loopers <Loopers-Delight@loopers-delight.com>
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Here's a podcast tip for those who enjoyed the work of Pat Matheney:


> The Song X Podumentary
>
> Guitarist Pat Metheny explores his influences, recordings and more  
> on his new podcast series.  Also, be sure to check out Pat's music  
> in the iTunes Music Store.
>
> PAT METHENY recounts Ornette Coleman's early influence and the  
> story that led up to the historic session and recent reissue of the  
> modern jazz classic SONG X.
>
> http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast? 
> id=129228134
> http://www.patmethenygroup.com/podcasts/pmgln_rss.xml

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast? 
id=128679560&s=143456




From Loopers-Delight-request@loopers-delight.com  Thu Mar 23 02:29:27 2006
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Has anyone had experience or and thoughts to offer on the MusicXPC 
computers?  "Tweaked for music production"???

Dan Montgomery
music.download.com/danmontgomery
www.myspace.com/precentor


From Loopers-Delight-request@loopers-delight.com  Thu Mar 23 05:06:58 2006
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From: "JP Mercury" <swirlee@stickist.com>
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Subject: ANN: Freewheeling 0.5.1 RELEASE -
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Hello Loopy Folk,

Time again for a software release.
Here is the long awaited...

Freewheeling 0.5.1
------------------

http://freewheeling.sourceforge.net/

Summary:

FreeWheeling is a Linux audio tool for live looping. It provides a highly
configurable, fluid user interface for instrumentalists to capture loops in
real-time. 

Article:

http://www.linuxjournal.com/article/8445

Changes:

v0.5.1

	    (CHANGE LOG AS OF MARCH 22, 2006)
	
	    Thank you to all for good ideas and inspiration over the summer
	    and winter. Many thanks to Paul Davis for hooking me up with
	    a great Linux Audio development gig. And thanks to an anonymous
	    donor for his contribution, and to Dubphil and Paul Brossier for 
	    beta testing.
	
	    ** FreeWheeling now requires libgnutls11-dev (gnutls-openssl)
	       instead of openssl (Thanks, Piem).

	    New Features
            ------------
	
	    * Significantly less memory usage-- more than 20 megabytes less.
	      Thanks to Drobilla for pointing out the issue with thread
	      stack size.

	    * New scripts (see scripts/ folder) to help you manage
	      a library of loops. You can now bath move, delete, and 
	      archive loops & scenes by date.
	       
	    * Jack transport sync-	
	
	      - Master and slave mode

	        For sync to work, you must first create a pulse,
	        either by recording a loop and pressing F1, or by tapping
	        a pulse by tapping F2 twice.

	        Freewheeling tries to become the Jack timebase master,
	        but if another app is master, it switches to slave mode.

	        In master mode, Freewheeling generates beats and bar counts
	        for every repetition of the currently selected pulse.
	        In slave mode, Freewheeling receives beats and bar counts
	        and syncronizes the currently selected pulse to them.
	
	        For both master and slave modes, you can adjust the number of 
	        bars/beats per pulse using:
	
	        Ctrl/Shift + S - adjust timebase

		You can also switch between sync to bars or sync to beats
	        using:

	        Alt + S - switch bars/beats sync
	  
	        Note that in master mode, FW is currently hard-wired to
	        generate 4 beats per bar. Since this is preliminary code,
	        not a big deal.
	
	    * New user interface 

              - Progress bar for saving and loading loops and scenes
	
	      - Better organization of help page with clear sections      
	    
	      - Mouse support
	        - Click on loops triggers them. 
		- Space + Click erases loops. 
   	        - Mousewheel on loops now adjusts loop volumes--
	          very convenient when you are mixing and playing with
	          improvisations.
	
	          These can be configured.
	          See 'loop-clicked' in .fweelin.rc.
			
	      - Joystick support
	        - Joystick buttons can now trigger events.
	          For example, I have used FW with a DDR dance mat to 
	          trigger loops. 
	
		  See 'joybutton' in .fweelin.rc.

	      - New 'engage' and 'shot' options in trigger-loop.
	        'Engage' forces a loop to ON or OFF,
		overriding the default toggle behavior.
		You can use it to create triggers that play short bursts,
	        rather than long loops.
	        
		'Shot' to be implemented.
	
	    * Stability improvements

	      - Better thread safety and design improvements to the real-time
	        memory manager have improved stability.
	
	    * Significant improvements to loop/scene management and browsing
	  
	      - You can now give loops and scenes your own names
	      	- New names are stored within the filename of library files
	      - Expanded browser window shows several items at once
              - Browser now sorts so that newer loops and scenes are first

	    * Better handling of looppoints

	      - Resolved issue with clicking at the looppoint on reloaded
	        loops.
              - Resolved sporadic clicks on syncronized loops.
	      
	    * Better handling of loading/saving loops

	    * Adjustable video loop delay
	    
	      - You can now adjust the performance of FreeWheeling
	        by changing the delay between video refreshes.
	        Several people asked for this feature, because
	        FW is processor-heavy on the video side.
	 
	        The video thread does run at a low priority,
	        and so it should not affect the performance of other
	        realtime audio threads. However, the system may get
	        sluggish, and if this happens, you may want to increase
	        the delay in .fweelin.rc:

                <var videodelay="20"/>

	    Fixes
	    -----

	    * Fixed 'glibc double free' segfault- FW should now run
	      when compiled with GCC 4.0.
	
	    * Adjusted the way F2 tap tempo works-
	      tapping a new tempo with F2 is now more responsive,
	      but less tolerant of mistakes 
	
	    * Fixed 'pure virtual method called' segfault
	
	    * Fixed segfault when browsing past end of FluidSynth patch list
	
	    * Various fixes to reduce CPU hogging
	
	    * Merged patches from Piem's debian package:
	      MaxVol, compile fixes for GCC 4.0, and removal of non-free
	      elements

	    * FW can now run without physical JACK inputs or outputs.
	      Thanks to Piem for this patch.

Enjoy!

-- JP Mercury


-- 
This message has been scanned for viruses and
dangerous content by MailScanner, and is
believed to be clean.

From Loopers-Delight-request@loopers-delight.com  Thu Mar 23 11:24:19 2006
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Date: Thu, 23 Mar 2006 06:18:42 -0500
From: Bill Fox <billyfox@soundscapes.us>
Subject: Listen to Afterglow and Galactic Travels
To: undisclosed-recipients: ;
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AFTERGLOW ON WMUH:                               
http://soundscapes.us/afterglow
================================================================================
Afterglow airs from 8:00 am to 9:30 am every Thursday morning.  Tune in 
for a
delightful mix of eclectic musical genres including a healthy dose of
Progressive Rock.  Tune in at 91.7 FM or on the internet at:
http://www.muhlenberg.edu/wmuh

I will play the music of bands that will soon be in concert at the New 
Nersey
Proghouse.


GALACTIC TRAVELS ON WDIY:                            
http://wdiy.org/programs/gt
================================================================================
Tonight at 11 pm on Galactic Travels, I'll continue the month-long 
Special Focus
on E-dition electronic music magazine.  The Featured CD at Midnight will 
be the
CD from issue #8.  The Vinyl Starter will be "Audentity" by Klaus 
Schulze on IC
Records and released in 1983.  For details, see the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2006/focus.html#mar

Galactic Travels is an electronic, ambient, and space music show that 
airs each
Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, 93.9 FM 
in Easton
and Phillipsburg, 93.7 FM in Fogelsville and Trexlertown, 92.9 FM on Service
Electric Cable, and on the internet.  WDIY now simulcasts on WXLV on 
90.3 FM in
Schnecksville, Pennsylvania.

All times are EST / GMT-5

From Loopers-Delight-request@loopers-delight.com  Thu Mar 23 13:18:55 2006
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From: "Joshua Morin" <joshua@joshuamorin.com>
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Subject: Does someone know the answer to this??
Date: Thu, 23 Mar 2006 08:19:12 -0500
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This is a multi-part message in MIME format.

------=_NextPart_000_00E4_01C64E52.79047D60
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	charset="us-ascii"
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Hi Loopers.

 

Just a quick question.

 

I use a Digitech Jamman for my shows and I loop my rhythm parts on the fly
so that I can solo overtop during my performances. 

 

My question is that it seems like I can't get the settings right for when I
play a soft song and when I play a loud song. When I am fingerpicking a song
and I record and play back the loop it comes out at the perfect level. But
then if I am strumming hard and I record and playback the loop it is too
loud.

 

Is there any way to adjust or fine tune this? Or maybe I have my settings
wrong?

 

Any help would be greatly appreciated.

 

Thanks.

Joshua Morin
Artist/Songwriter

Original Acoustic-Rock Music
 <http://www.joshuamorin.com> www.joshuamorin.com

www.myspace.com/joshuamorin

 


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<div class=3DSection1>

<p class=3DMsoNormal><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma'>Hi Loopers&#8230;<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma'>Just a quick =
question&#8230;<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma'>I use a Digitech Jamman for my shows and I loop my =
rhythm
parts on the fly so that I can solo overtop during my performances. =
<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma'>My question is that it seems like I can&#8217;t get =
the
settings right for when I play a soft song and when I play a loud song. =
When I
am fingerpicking a song and I record and play back the loop it comes out =
at the
perfect level. But then if I am strumming hard and I record and playback =
the
loop it is too loud&#8230;<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma'>Is there any way to adjust or fine tune this? Or =
maybe I
have my settings wrong?<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma'>Any help would be greatly =
appreciated.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma'>Thanks.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><strong><b><font size=3D2 face=3DTahoma><span =
style=3D'font-size:
10.0pt;font-family:Tahoma'>Joshua =
Morin</span></font></b></strong><b><font
size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;font-family:Tahoma;font-weight:
bold'><br>
<strong><b><font face=3DTahoma><span =
style=3D'font-family:Tahoma'>Artist/Songwriter</span></font></b></strong>=
</span></font></b><o:p></o:p></p>

<p class=3DMsoNormal><strong><b><font size=3D2 face=3DTahoma><span =
style=3D'font-size:
10.0pt;font-family:Tahoma'>Original Acoustic-Rock =
Music</span></font></b></strong><b><font
size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;font-family:Tahoma;font-weight:
bold'><br>
</span></font></b><a href=3D"http://www.joshuamorin.com"
title=3D"http://www.joshuamorin.com"><font size=3D2 face=3DTahoma
title=3D"http://www.joshuamorin.com"><span =
title=3D"http://www.joshuamorin.com"><span
style=3D'font-size:10.0pt;font-family:Tahoma'>www.joshuamorin.com</span><=
/span></font></a><o:p></o:p></p>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><a href=3D"http://www.myspace.com/joshuamorin"
title=3D"http://www.myspace.com/joshuamorin">www.myspace.com/joshuamorin<=
/a><o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span></font></p>

</div>

</body>

</html>

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compressors. look into them.




On Mar 23, 2006, at 8:19 AM, Joshua Morin wrote:

> Hi Loopers=85
>
>
>
> Just a quick question=85
>
>
>
> I use a Digitech Jamman for my shows and I loop my rhythm parts on =20
> the fly so that I can solo overtop during my performances.
>
>
>
> My question is that it seems like I can=92t get the settings right =20
> for when I play a soft song and when I play a loud song. When I am =20
> fingerpicking a song and I record and play back the loop it comes =20
> out at the perfect level. But then if I am strumming hard and I =20
> record and playback the loop it is too loud=85
>
>
>
> Is there any way to adjust or fine tune this? Or maybe I have my =20
> settings wrong?
>
>
>
> Any help would be greatly appreciated.
>
>
>
> Thanks.
>
> Joshua Morin
> Artist/Songwriter
>
> Original Acoustic-Rock Music
> www.joshuamorin.com
>
> www.myspace.com/joshuamorin
>
>
>
>

ric hordinski

monk@fuse.net

www.richordinski.com

www.myspace.com/richordinskimusic

513.260.1043


--Apple-Mail-18--540088156
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	charset=WINDOWS-1252

<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">compressors. look into =
them.<DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR><DIV><DIV>On Mar 23, =
2006, at 8:19 AM, Joshua Morin wrote:</DIV><BR =
class=3D"Apple-interchange-newline"><BLOCKQUOTE type=3D"cite"><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><DIV =
class=3D"Section1"><P class=3D"MsoNormal"><FONT size=3D"2" =
face=3D"Tahoma"><SPAN style=3D"font-size:10.0pt; font-family:Tahoma; =
font-size: 13.3333px; "><SPAN class=3D"Apple-style-span" =
style=3D"font-family: Tahoma; font-size: 13.3333px; ">Hi =
Loopers=85</SPAN><O:P style=3D"font-family: Tahoma; font-size: =
13.3333px; "></O:P></SPAN></FONT></P><P class=3D"MsoNormal"><FONT =
size=3D"2" face=3D"Tahoma"><SPAN style=3D"font-size:10.0pt; =
font-family:Tahoma; font-size: 13.3333px; "><O:P style=3D"font-family: =
Tahoma; font-size: 13.3333px; "><SPAN class=3D"Apple-style-span" =
style=3D"font-family: Tahoma; font-size: 13.3333px; =
">=A0</SPAN></O:P></SPAN></FONT></P><P class=3D"MsoNormal"><FONT =
size=3D"2" face=3D"Tahoma"><SPAN style=3D"font-size:10.0pt; =
font-family:Tahoma; font-size: 13.3333px; "><SPAN =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13.3333px; ">Just a quick question=85</SPAN><O:P style=3D"font-family: =
Tahoma; font-size: 13.3333px; "></O:P></SPAN></FONT></P><P =
class=3D"MsoNormal"><FONT size=3D"2" face=3D"Tahoma"><SPAN =
style=3D"font-size:10.0pt; font-family:Tahoma; font-size: 13.3333px; =
"><O:P style=3D"font-family: Tahoma; font-size: 13.3333px; "><SPAN =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13.3333px; ">=A0</SPAN></O:P></SPAN></FONT></P><P =
class=3D"MsoNormal"><FONT size=3D"2" face=3D"Tahoma"><SPAN =
style=3D"font-size:10.0pt; font-family:Tahoma; font-size: 13.3333px; =
"><SPAN class=3D"Apple-style-span" style=3D"font-family: Tahoma; =
font-size: 13.3333px; ">I use a Digitech Jamman for my shows and I loop =
my rhythm parts on the fly so that I can solo overtop during my =
performances.</SPAN><O:P style=3D"font-family: Tahoma; font-size: =
13.3333px; "></O:P></SPAN></FONT></P><P class=3D"MsoNormal"><FONT =
size=3D"2" face=3D"Tahoma"><SPAN style=3D"font-size:10.0pt; =
font-family:Tahoma; font-size: 13.3333px; "><O:P style=3D"font-family: =
Tahoma; font-size: 13.3333px; "><SPAN class=3D"Apple-style-span" =
style=3D"font-family: Tahoma; font-size: 13.3333px; =
">=A0</SPAN></O:P></SPAN></FONT></P><P class=3D"MsoNormal"><FONT =
size=3D"2" face=3D"Tahoma"><SPAN style=3D"font-size:10.0pt; =
font-family:Tahoma; font-size: 13.3333px; "><SPAN =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13.3333px; ">My question is that it seems like I can=92t get the =
settings right for when I play a soft song and when I play a loud song. =
When I am fingerpicking a song and I record and play back the loop it =
comes out at the perfect level. But then if I am strumming hard and I =
record and playback the loop it is too loud=85</SPAN><O:P =
style=3D"font-family: Tahoma; font-size: 13.3333px; =
"></O:P></SPAN></FONT></P><P class=3D"MsoNormal"><FONT size=3D"2" =
face=3D"Tahoma"><SPAN style=3D"font-size:10.0pt; font-family:Tahoma; =
font-size: 13.3333px; "><O:P style=3D"font-family: Tahoma; font-size: =
13.3333px; "><SPAN class=3D"Apple-style-span" style=3D"font-family: =
Tahoma; font-size: 13.3333px; ">=A0</SPAN></O:P></SPAN></FONT></P><P =
class=3D"MsoNormal"><FONT size=3D"2" face=3D"Tahoma"><SPAN =
style=3D"font-size:10.0pt; font-family:Tahoma; font-size: 13.3333px; =
"><SPAN class=3D"Apple-style-span" style=3D"font-family: Tahoma; =
font-size: 13.3333px; ">Is there any way to adjust or fine tune this? Or =
maybe I have my settings wrong?</SPAN><O:P style=3D"font-family: Tahoma; =
font-size: 13.3333px; "></O:P></SPAN></FONT></P><P =
class=3D"MsoNormal"><FONT size=3D"2" face=3D"Tahoma"><SPAN =
style=3D"font-size:10.0pt; font-family:Tahoma; font-size: 13.3333px; =
"><O:P style=3D"font-family: Tahoma; font-size: 13.3333px; "><SPAN =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13.3333px; ">=A0</SPAN></O:P></SPAN></FONT></P><P =
class=3D"MsoNormal"><FONT size=3D"2" face=3D"Tahoma"><SPAN =
style=3D"font-size:10.0pt; font-family:Tahoma; font-size: 13.3333px; =
"><SPAN class=3D"Apple-style-span" style=3D"font-family: Tahoma; =
font-size: 13.3333px; ">Any help would be greatly =
appreciated.</SPAN><O:P style=3D"font-family: Tahoma; font-size: =
13.3333px; "></O:P></SPAN></FONT></P><P class=3D"MsoNormal"><FONT =
size=3D"2" face=3D"Tahoma"><SPAN style=3D"font-size:10.0pt; =
font-family:Tahoma; font-size: 13.3333px; "><O:P style=3D"font-family: =
Tahoma; font-size: 13.3333px; "><SPAN class=3D"Apple-style-span" =
style=3D"font-family: Tahoma; font-size: 13.3333px; =
">=A0</SPAN></O:P></SPAN></FONT></P><P class=3D"MsoNormal"><FONT =
size=3D"2" face=3D"Tahoma"><SPAN style=3D"font-size:10.0pt; =
font-family:Tahoma; font-size: 13.3333px; "><SPAN =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13.3333px; ">Thanks.</SPAN><O:P style=3D"font-family: Tahoma; font-size: =
13.3333px; "></O:P></SPAN></FONT></P><P class=3D"MsoNormal"><STRONG =
style=3D"font-family: Times New Roman; font-size: 16px; font-weight: =
bold; "><B style=3D"font-family: Times New Roman; font-size: 16px; =
font-weight: bold; "><FONT size=3D"2" face=3D"Tahoma"><SPAN =
style=3D"font-size: 10.0pt;font-family:Tahoma; font-size: 13.3333px; =
font-weight: bold; "><SPAN class=3D"Apple-style-span" =
style=3D"font-family: Tahoma; font-size: 13.3333px; font-weight: bold; =
">Joshua Morin</SPAN></SPAN></FONT></B></STRONG><B style=3D"font-family: =
Times New Roman; font-size: 16px; font-weight: bold; "><FONT size=3D"2" =
face=3D"Tahoma"><SPAN =
style=3D"font-size:10.0pt;font-family:Tahoma;font-weight: bold; =
font-size: 13.3333px; "><BR style=3D"font-family: Tahoma; font-size: =
13.3333px; font-weight: bold; "><STRONG style=3D"font-family: Tahoma; =
font-size: 13.3333px; font-weight: bold; "><B style=3D"font-family: =
Tahoma; font-size: 13.3333px; font-weight: bold; "><FONT =
face=3D"Tahoma"><SPAN style=3D"font-family:Tahoma; font-size: 13.3333px; =
font-weight: bold; "><SPAN class=3D"Apple-style-span" =
style=3D"font-family: Tahoma; font-size: 13.3333px; font-weight: bold; =
">Artist/Songwriter</SPAN></SPAN></FONT></B></STRONG></SPAN></FONT></B><O:=
P style=3D"font-family: Times New Roman; font-size: 16px; "></O:P></P><P =
class=3D"MsoNormal"><STRONG style=3D"font-family: Times New Roman; =
font-size: 16px; font-weight: bold; "><B style=3D"font-family: Times New =
Roman; font-size: 16px; font-weight: bold; "><FONT size=3D"2" =
face=3D"Tahoma"><SPAN style=3D"font-size: 10.0pt;font-family:Tahoma; =
font-size: 13.3333px; font-weight: bold; "><SPAN =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13.3333px; font-weight: bold; ">Original Acoustic-Rock =
Music</SPAN></SPAN></FONT></B></STRONG><B style=3D"font-family: Times =
New Roman; font-size: 16px; font-weight: bold; "><FONT size=3D"2" =
face=3D"Tahoma"><SPAN =
style=3D"font-size:10.0pt;font-family:Tahoma;font-weight: bold; =
font-size: 13.3333px; "><BR style=3D"font-family: Tahoma; font-size: =
13.3333px; font-weight: bold; "></SPAN></FONT></B><A =
href=3D"http://www.joshuamorin.com" =
title=3D"http://www.joshuamorin.com"><FONT size=3D"2" face=3D"Tahoma" =
title=3D"http://www.joshuamorin.com"><SPAN =
title=3D"http://www.joshuamorin.com"><SPAN =
style=3D"font-size:10.0pt;font-family:Tahoma; color: rgb(0, 0, 255); =
font-size: 13.3333px; -khtml-text-decorations-in-effect: underline; =
"><SPAN class=3D"Apple-style-span" style=3D"color: rgb(0, 0, 255); =
font-family: Tahoma; font-size: 13.3333px; =
-khtml-text-decorations-in-effect: underline; =
">www.joshuamorin.com</SPAN></SPAN></SPAN></FONT></A><O:P =
style=3D"font-family: Times New Roman; font-size: 16px; "></O:P></P><P =
class=3D"MsoNormal"><FONT size=3D"3" face=3D"Times New Roman"><SPAN =
style=3D"font-size: 12.0pt; font-family: Times New Roman; font-size: =
16px; "><A href=3D"http://www.myspace.com/joshuamorin" =
title=3D"http://www.myspace.com/joshuamorin"><SPAN =
class=3D"Apple-style-span" style=3D"color: rgb(0, 0, 255); font-family: =
Times New Roman; font-size: 16px; -khtml-text-decorations-in-effect: =
underline; ">www.myspace.com/joshuamorin</SPAN></A><O:P =
style=3D"font-family: Times New Roman; font-size: 16px; =
"></O:P></SPAN></FONT></P><P class=3D"MsoNormal"><FONT size=3D"2" =
face=3D"Arial"><SPAN style=3D"font-size:10.0pt; font-family:Arial; =
font-size: 13.3333px; "><O:P style=3D"font-family: Arial; font-size: =
13.3333px; "><SPAN class=3D"Apple-style-span" style=3D"font-family: =
Arial; font-size: 13.3333px; ">=A0</SPAN></O:P></SPAN></FONT></P></DIV><BR=
 class=3D"Apple-interchange-newline"></SPAN></BLOCKQUOTE></DIV><BR><DIV> =
<DIV>ric hordinski</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><A =
href=3D"mailto:monk@fuse.net">monk@fuse.net</A></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>www.richordinski.com</DIV><DI=
V><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>www.myspace.com/richordinskim=
usic</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>513.260.1043</DIV> =
</DIV><BR></DIV></BODY></HTML>=

--Apple-Mail-18--540088156--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 23 14:42:36 2006
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Date: Thu, 23 Mar 2006 09:42:30 -0500
From: Douglas Baldwin <coyotelk@optonline.net>
Subject: Re: GT-5 vs VF-1
To: mungenast@earthlink.net, Loopers-Delight@loopers-delight.com
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Tim Wrote: > Since I'm starting to find the rackmount form factor annoying
as hell, I need to know:
> is there anything my VF-1 can do that the GT-5 cannot? Put another way,
would I be giving anything up by using a GT-5 instead?

An excellent question! I'm eager to find out, too. Anyone who has used both,
please post pronto! (I'm very busy at the moment, or I'd spend a half-hour
or two trolling Google for info myself.)

dB, coyote

From Loopers-Delight-request@loopers-delight.com  Thu Mar 23 15:45:24 2006
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Date: Thu, 23 Mar 2006 09:44:33 -0600
From: David Small <dsmall@uh.edu>
Subject: Fwd: Re: Does someone know the answer to this??
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<html>
Monk: I am also a fingerpicker and somewhat new to looping. I wonder
<br>
if you or other loopers can address this (elementary) question: you=20
<br>
mention that you play solo over your rhythm part &quot;on the fly.&quot;
OK, so <br>
you lay down the rhythm part first. Does that mean that you strum and
<br>
record the rhythm part while you are singing a verse? or while someone
<br>
else is playing the melody on their instrument? If you play solo, as I
do, <br>
it would seem to be somewhat bland to the audience if all you were <br>
playing was the rhythm back-up the first time through. This has puzzled
<br>
me since I started using my Echoplex a few months ago. Thank you for
<br>
your consideration and best wishes in your musical endeavors.<br>
<br>
David<br>
Pearland, Texas&nbsp;&nbsp; <br>
&nbsp;<br>
<br>
<blockquote type=3Dcite class=3Dcite cite>Resent-date: Thu, 23 Mar 2006
14:16:02 +0000 (UTC)<br>
Date: Thu, 23 Mar 2006 09:15:52 -0500<br>
Resent-from: Loopers-Delight@loopers-delight.com<br>
From: monk &lt;monk@fuse.net&gt;<br>
Subject: Re: Does someone know the answer to this??<br>
Resent-sender: Loopers-Delight-request@loopers-delight.com<br>
To: Loopers-Delight@loopers-delight.com<br>
Reply-to: Loopers-Delight@loopers-delight.com<br>
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archive/latest/59147<br>
<br>
compressors. look into them.<br>
<br>
<br>
<br>
<br>
On Mar 23, 2006, at 8:19 AM, Joshua Morin wrote:<br>
<br>
<blockquote type=3Dcite class=3Dcite cite><font face=3D"Tahoma" size=3D2>Hi
Loopers=85<br>
</font><br>
<font face=3D"Tahoma" size=3D2>&nbsp;<br>
</font><br>
<font face=3D"Tahoma" size=3D2>Just a quick question=85<br>
</font><br>
<font face=3D"Tahoma" size=3D2>&nbsp;<br>
</font><br>
<font face=3D"Tahoma" size=3D2>I use a Digitech Jamman for my shows and I
loop my rhythm parts on the fly so that I can solo overtop during my
performances.<br>
</font><br>
<font face=3D"Tahoma" size=3D2>&nbsp;<br>
</font><br>
<font face=3D"Tahoma" size=3D2>My question is that it seems like I can=92t g=
et
the settings right for when I play a soft song and when I play a loud
song. When I am fingerpicking a song and I record and play back the loop
it comes out at the perfect level. But then if I am strumming hard and I
record and playback the loop it is too loud=85<br>
</font><br>
<font face=3D"Tahoma" size=3D2>&nbsp;<br>
</font><br>
<font face=3D"Tahoma" size=3D2>Is there any way to adjust or fine tune this?
Or maybe I have my settings wrong?<br>
</font><br>
<font face=3D"Tahoma" size=3D2>&nbsp;<br>
</font><br>
<font face=3D"Tahoma" size=3D2>Any help would be greatly appreciated.<br>
</font><br>
<font face=3D"Tahoma" size=3D2>&nbsp;<br>
</font><br>
<font face=3D"Tahoma" size=3D2>Thanks.<br>
</font><br>
<font face=3D"Tahoma" size=3D2><b>Joshua Morin<br>
Artist/Songwriter<br>
</b></font><br>
<font face=3D"Tahoma" size=3D2><b>Original Acoustic-Rock Music<br>
</b><a href=3D"http://www.joshuamorin.com">www.joshuamorin.com</a><br>
</font><br>
<font face=3D"Times New Roman, Times"><a=
 href=3D"http://www.myspace.com/joshuamorin"=
 eudora=3D"autourl">www.myspace.com/joshuamorin</a><br>
</font><br>
<font size=3D2>&nbsp;<br>
</font></blockquote><br>
ric hordinski<br>
<br>
<a href=3D"mailto:monk@fuse.net">monk@fuse.net</a><br>
<br>
<a href=3D"http://www.richordinski.com/"=
 eudora=3D"autourl">www.richordinski.com</a><br>
<br>
<a href=3D"http://www.myspace.com/richordinskimusic"=
 eudora=3D"autourl">www.myspace.com/richordinskimusic</a><br>
<br>
513.260.1043<br>
</blockquote></html>

From Loopers-Delight-request@loopers-delight.com  Thu Mar 23 16:12:24 2006
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Date: Thu, 23 Mar 2006 11:12:18 -0500
From: "Todd Pafford" <calenlas@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Does someone know the answer to this??
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The problem here is that your input level is varying dramatically.=20
The solution is to give yourself some sort of control over the signal
level going into the Jamman.  There are a couple of ways to do this.

1) Manual control via a volume pedal, preamp volume knob, etc.  Pros:
You have complete control over the volume at all times.  Cons:  You've
got to constantly be on guard controlling the input level.

2) Automatic level adjustment via a compressor or limiter.  Pros:
Level adjustments are taken care of automatically, and a constant
level is maintained.  Cons: Loss of instrument dynamics and a
modification of the natural sound of your instrument.

The choice is yours.  If you lean towards a compressor, I advise doing
a little research via the web about how to properly use a compressor.=20
A little compression is often a good thing, but too much or poorly
adjusted compression sounds awful.

Hope this helps,
Todd


On 3/23/06, monk <monk@fuse.net> wrote:
> compressors. look into them.

> On Mar 23, 2006, at 8:19 AM, Joshua Morin wrote:

> My question is that it seems like I can't get the settings right for when=
 I
> play a soft song and when I play a loud song. When I am fingerpicking a s=
ong
> and I record and play back the loop it comes out at the perfect level. Bu=
t
> then if I am strumming hard and I record and playback the loop it is too
> loud=85

From Loopers-Delight-request@loopers-delight.com  Thu Mar 23 16:57:38 2006
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From: "David Kirkdorffer" <vze2ncsr@verizon.net>
Subject: Re: Does someone know the answer to this??
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If you have two basic modes on laying, fingerpicking and strumming, then
another level controlling option is to use a pedal like a "micro amp" or a
"graphic eq" that you can turn off and on as needed and to even things out a
bit for you.

David

----- Original Message ----- 
From: "Todd Pafford" <calenlas@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, March 23, 2006 11:12 AM
Subject: Re: Does someone know the answer to this??


The problem here is that your input level is varying dramatically.
The solution is to give yourself some sort of control over the signal
level going into the Jamman.  There are a couple of ways to do this.

1) Manual control via a volume pedal, preamp volume knob, etc.  Pros:
You have complete control over the volume at all times.  Cons:  You've
got to constantly be on guard controlling the input level.

2) Automatic level adjustment via a compressor or limiter.  Pros:
Level adjustments are taken care of automatically, and a constant
level is maintained.  Cons: Loss of instrument dynamics and a
modification of the natural sound of your instrument.

The choice is yours.  If you lean towards a compressor, I advise doing
a little research via the web about how to properly use a compressor.
A little compression is often a good thing, but too much or poorly
adjusted compression sounds awful.

Hope this helps,
Todd


On 3/23/06, monk <monk@fuse.net> wrote:
> compressors. look into them.

> On Mar 23, 2006, at 8:19 AM, Joshua Morin wrote:

> My question is that it seems like I can't get the settings right for when
I
> play a soft song and when I play a loud song. When I am fingerpicking a
song
> and I record and play back the loop it comes out at the perfect level. But
> then if I am strumming hard and I record and playback the loop it is too
> loud…

From Loopers-Delight-request@loopers-delight.com  Thu Mar 23 17:39:57 2006
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From: Warren Sirota <wsirota@wsdesigns.com>
Subject: RE: Re: Does someone know the answer to this??
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>If you play solo, as I do, 
>it would seem to be somewhat bland to the audience if all you were 
>playing was the rhythm back-up the first time through. This has puzzled 
>me since I started using my Echoplex a few months ago. Thank you for 
>your consideration and best wishes in your musical endeavors.

>David
>Pearland, Texas   

This is, to me, "the unanswerable question of live looping," if you're
trying to play conventionally-structured songs. I knew one guitar/bass duo
where the bass player would play the melodies during the 1st cycle through
the tune while the guitarist recorded a chord loop, then the bass player
would revert to normal bass parts and the guitarist solo over bass and
chords. Or else you could just play over pre-recorded backing tracks - not
to everyone's taste, but it is a possibility (in which case, maybe you don't
even need a live looper - a CD with your backing tracks could do as well).
Or else, you could change what you're trying to play to cater more to the
looper's strengths...

Best wishes,
Warren Sirota 

From Loopers-Delight-request@loopers-delight.com  Thu Mar 23 17:50:54 2006
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Date: Thu, 23 Mar 2006 12:58:45 -0500
From: "David Kirkdorffer" <vze2ncsr@verizon.net>
Subject: Re: Re: Does someone know the answer to this??
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I have one track I play live sometimes called "Goodbye" in which I start out
recording the solo and overtrack a few of those, and then add in the rythme
and bass parts afterwards.  Forces me to count out the solo,  and pray that
I don't slip up 'cos timing is everything.



----- Original Message ----- 
From: "Warren Sirota" <wsirota@wsdesigns.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, March 23, 2006 12:40 PM
Subject: RE: Re: Does someone know the answer to this??


> >If you play solo, as I do,
> >it would seem to be somewhat bland to the audience if all you were
> >playing was the rhythm back-up the first time through. This has puzzled
> >me since I started using my Echoplex a few months ago. Thank you for
> >your consideration and best wishes in your musical endeavors.
>
> >David
> >Pearland, Texas
>
> This is, to me, "the unanswerable question of live looping," if you're
> trying to play conventionally-structured songs. I knew one guitar/bass duo
> where the bass player would play the melodies during the 1st cycle through
> the tune while the guitarist recorded a chord loop, then the bass player
> would revert to normal bass parts and the guitarist solo over bass and
> chords. Or else you could just play over pre-recorded backing tracks - not
> to everyone's taste, but it is a possibility (in which case, maybe you
don't
> even need a live looper - a CD with your backing tracks could do as well).
> Or else, you could change what you're trying to play to cater more to the
> looper's strengths...
>
> Best wishes,
> Warren Sirota
>

From Loopers-Delight-request@loopers-delight.com  Thu Mar 23 18:14:58 2006
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David - are you in Pearland?  I'm in SW Houston.  Contact me offlist and 
maybe we can get together and jam sometime!

Doug

David Kirkdorffer wrote:

>I have one track I play live sometimes called "Goodbye" in which I start out
>recording the solo and overtrack a few of those, and then add in the rythme
>and bass parts afterwards.  Forces me to count out the solo,  and pray that
>I don't slip up 'cos timing is everything.
>
>
>
>----- Original Message ----- 
>From: "Warren Sirota" <wsirota@wsdesigns.com>
>To: <Loopers-Delight@loopers-delight.com>
>Sent: Thursday, March 23, 2006 12:40 PM
>Subject: RE: Re: Does someone know the answer to this??
>
>
>  
>
>>>If you play solo, as I do,
>>>it would seem to be somewhat bland to the audience if all you were
>>>playing was the rhythm back-up the first time through. This has puzzled
>>>me since I started using my Echoplex a few months ago. Thank you for
>>>your consideration and best wishes in your musical endeavors.
>>>      
>>>
>>>David
>>>Pearland, Texas
>>>      
>>>
>>This is, to me, "the unanswerable question of live looping," if you're
>>trying to play conventionally-structured songs. I knew one guitar/bass duo
>>where the bass player would play the melodies during the 1st cycle through
>>the tune while the guitarist recorded a chord loop, then the bass player
>>would revert to normal bass parts and the guitarist solo over bass and
>>chords. Or else you could just play over pre-recorded backing tracks - not
>>to everyone's taste, but it is a possibility (in which case, maybe you
>>    
>>
>don't
>  
>
>>even need a live looper - a CD with your backing tracks could do as well).
>>Or else, you could change what you're trying to play to cater more to the
>>looper's strengths...
>>
>>Best wishes,
>>Warren Sirota
>>
>>    
>>
>
>
>  
>

From Loopers-Delight-request@loopers-delight.com  Thu Mar 23 18:15:53 2006
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A compressor isn't the what is going to help here. What I am saying is that
the looping pedal is recording my soft fingerpicking at 1x the loudness and
then when I play harder it is recording at 1.25x.

 

If I were to put a compressor then it would sound like I would need to
compress and keep the same loudness as when I fingerpick the whole show.
That doesn't sound right? Did I miss something?

 

Joshua

 

 

  _____  

From: monk [mailto:monk@fuse.net] 
Sent: Thursday, March 23, 2006 9:16 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Does someone know the answer to this??

 

compressors. look into them.

 

 

 

 

On Mar 23, 2006, at 8:19 AM, Joshua Morin wrote:

 

Hi Loopers.

 

Just a quick question.

 

I use a Digitech Jamman for my shows and I loop my rhythm parts on the fly
so that I can solo overtop during my performances.

 

My question is that it seems like I can't get the settings right for when I
play a soft song and when I play a loud song. When I am fingerpicking a song
and I record and play back the loop it comes out at the perfect level. But
then if I am strumming hard and I record and playback the loop it is too
loud.

 

Is there any way to adjust or fine tune this? Or maybe I have my settings
wrong?

 

Any help would be greatly appreciated.

 

Thanks.

Joshua Morin
Artist/Songwriter

Original Acoustic-Rock Music
 <http://www.joshuamorin.com> www.joshuamorin.com

 <http://www.myspace.com/joshuamorin> www.myspace.com/joshuamorin

 

 

 

ric hordinski

 

monk@fuse.net

 

www.richordinski.com

 

www.myspace.com/richordinskimusic

 

513.260.1043

 


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<p class=3DMsoNormal><font size=3D2 color=3Dblue face=3DTahoma><span =
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is
going to help here. What I am saying is that the looping pedal is =
recording my
soft fingerpicking at 1x the loudness and then when I play harder it is
recording at 1.25x.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dblue face=3DTahoma><span =
style=3D'font-size:
10.0pt;font-family:Tahoma;color:blue'><o:p>&nbsp;</o:p></span></font></p>=


<p class=3DMsoNormal><font size=3D2 color=3Dblue face=3DTahoma><span =
style=3D'font-size:
10.0pt;font-family:Tahoma;color:blue'>If I were to put a compressor then =
it
would sound like I would need to compress and keep the same loudness as =
when I
fingerpick the whole show&#8230; That doesn&#8217;t sound right? Did I =
miss
something?<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dblue face=3DTahoma><span =
style=3D'font-size:
10.0pt;font-family:Tahoma;color:blue'><o:p>&nbsp;</o:p></span></font></p>=


<p class=3DMsoNormal><font size=3D2 color=3Dblue face=3DTahoma><span =
style=3D'font-size:
10.0pt;font-family:Tahoma;color:blue'>Joshua<o:p></o:p></span></font></p>=


<p class=3DMsoNormal><font size=3D2 color=3Dblue face=3DTahoma><span =
style=3D'font-size:
10.0pt;font-family:Tahoma;color:blue'><o:p>&nbsp;</o:p></span></font></p>=


<p class=3DMsoNormal><font size=3D2 color=3Dblue face=3DTahoma><span =
style=3D'font-size:
10.0pt;font-family:Tahoma;color:blue'><o:p>&nbsp;</o:p></span></font></p>=


<div>

<div class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><font =
size=3D3
face=3D"Times New Roman"><span style=3D'font-size:12.0pt'>

<hr size=3D2 width=3D"100%" align=3Dcenter tabindex=3D-1>

</span></font></div>

<p class=3DMsoNormal><b><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma;font-weight:bold'>From:</span></font></b><font =
size=3D2
face=3DTahoma><span style=3D'font-size:10.0pt;font-family:Tahoma'> monk
[mailto:monk@fuse.net] <br>
<b><span style=3D'font-weight:bold'>Sent:</span></b> Thursday, March 23, =
2006
9:16 AM<br>
<b><span style=3D'font-weight:bold'>To:</span></b>
Loopers-Delight@loopers-delight.com<br>
<b><span style=3D'font-weight:bold'>Subject:</span></b> Re: Does someone =
know the
answer to this??</span></font><o:p></o:p></p>

</div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>compressors. look into them.<o:p></o:p></span></font></p>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

<div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>On Mar 23, 2006, at 8:19 AM, Joshua Morin =
wrote:<o:p></o:p></span></font></p>

</div>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'><font size=3D3
face=3D"Times New Roman"><span =
style=3D'font-size:12.0pt'><o:p>&nbsp;</o:p></span></font></p>

<div>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span
class=3Dapple-style-span><span style=3D'border-spacing: 0px =
0px;text-align:auto;
-khtml-text-decorations-in-effect: none;-apple-text-size-adjust: auto;
orphans: 2;widows: 2;word-spacing:0px'><font size=3D2 color=3Dblack =
face=3DTahoma><span
style=3D'font-size:10.0pt;font-family:Tahoma;color:black'>Hi =
Loopers&#8230;<o:p></o:p></span></font></span></p>

</span>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span
class=3Dapple-style-span><font size=3D3 face=3D"Times New Roman"><span
style=3D'font-size:12.0pt'><o:p>&nbsp;</o:p></span></font></span></p>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span
class=3Dapple-style-span><font size=3D2 color=3Dblack =
face=3DTahoma><span
style=3D'font-size:10.0pt;font-family:Tahoma;color:black'>Just a quick
question&#8230;<o:p></o:p></span></font></span></p>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span
class=3Dapple-style-span><font size=3D3 face=3D"Times New Roman"><span
style=3D'font-size:12.0pt'><o:p>&nbsp;</o:p></span></font></span></p>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span
class=3Dapple-style-span><font size=3D2 color=3Dblack =
face=3DTahoma><span
style=3D'font-size:10.0pt;font-family:Tahoma;color:black'>I use a =
Digitech Jamman
for my shows and I loop my rhythm parts on the fly so that I can solo =
overtop
during my performances.<o:p></o:p></span></font></span></p>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span
class=3Dapple-style-span><font size=3D3 face=3D"Times New Roman"><span
style=3D'font-size:12.0pt'><o:p>&nbsp;</o:p></span></font></span></p>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span
class=3Dapple-style-span><font size=3D2 color=3Dblack =
face=3DTahoma><span
style=3D'font-size:10.0pt;font-family:Tahoma;color:black'>My question is =
that it
seems like I can&#8217;t get the settings right for when I play a soft =
song and
when I play a loud song. When I am fingerpicking a song and I record and =
play
back the loop it comes out at the perfect level. But then if I am =
strumming
hard and I record and playback the loop it is too =
loud&#8230;<o:p></o:p></span></font></span></p>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span
class=3Dapple-style-span><font size=3D3 face=3D"Times New Roman"><span
style=3D'font-size:12.0pt'><o:p>&nbsp;</o:p></span></font></span></p>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span
class=3Dapple-style-span><font size=3D2 color=3Dblack =
face=3DTahoma><span
style=3D'font-size:10.0pt;font-family:Tahoma;color:black'>Is there any =
way to
adjust or fine tune this? Or maybe I have my settings =
wrong?<o:p></o:p></span></font></span></p>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span
class=3Dapple-style-span><font size=3D3 face=3D"Times New Roman"><span
style=3D'font-size:12.0pt'><o:p>&nbsp;</o:p></span></font></span></p>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span
class=3Dapple-style-span><font size=3D2 color=3Dblack =
face=3DTahoma><span
style=3D'font-size:10.0pt;font-family:Tahoma;color:black'>Any help would =
be
greatly appreciated.<o:p></o:p></span></font></span></p>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span
class=3Dapple-style-span><font size=3D3 face=3D"Times New Roman"><span
style=3D'font-size:12.0pt'><o:p>&nbsp;</o:p></span></font></span></p>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span
class=3Dapple-style-span><font size=3D2 color=3Dblack =
face=3DTahoma><span
style=3D'font-size:10.0pt;font-family:Tahoma;color:black'>Thanks.<o:p></o=
:p></span></font></span></p>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span
class=3Dapple-style-span><b><font size=3D2 color=3Dblack =
face=3DTahoma><span
style=3D'font-size:10.0pt;font-family:Tahoma;color:black;font-weight:bold=
'>Joshua
Morin</span></font></b></span><b><font size=3D2 color=3Dblack =
face=3DTahoma><span
style=3D'font-size:10.0pt;font-family:Tahoma;color:black;font-weight:bold=
'><br>
<span =
class=3Dapple-style-span>Artist/Songwriter</span></span></font></b><o:p><=
/o:p></p>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span
class=3Dapple-style-span><b><font size=3D2 color=3Dblack =
face=3DTahoma><span
style=3D'font-size:10.0pt;font-family:Tahoma;color:black;font-weight:bold=
'>Original
Acoustic-Rock Music</span></font></b></span><b><font size=3D2 =
color=3Dblack
face=3DTahoma><span =
style=3D'font-size:10.0pt;font-family:Tahoma;color:black;
font-weight:bold'><br>
</span></font></b><font color=3Dblack><span style=3D'color:black'><a
href=3D"http://www.joshuamorin.com" =
title=3D"http://www.joshuamorin.com"><span
class=3Dapple-style-span><span =
style=3D'-khtml-text-decorations-in-effect: underline'><font
size=3D2 face=3DTahoma title=3D"http://www.joshuamorin.com"><span
title=3D"http://www.joshuamorin.com"><span =
style=3D'-khtml-text-decorations-in-effect: underline'><span
style=3D'font-size:10.0pt;font-family:Tahoma'>www.joshuamorin.com</span><=
/span></span></font></span></span></a><o:p></o:p></span></font></p>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><font
size=3D3 color=3Dblack face=3D"Times New Roman"><span =
style=3D'font-size:12.0pt;
color:black'><a href=3D"http://www.myspace.com/joshuamorin"
title=3D"http://www.myspace.com/joshuamorin"><span =
class=3Dapple-style-span><span
style=3D'-khtml-text-decorations-in-effect: =
underline'>www.myspace.com/joshuamorin</span></span></a><o:p></o:p></span=
></font></p>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span
class=3Dapple-style-span><font size=3D3 face=3D"Times New Roman"><span
style=3D'font-size:12.0pt'><o:p>&nbsp;</o:p></span></font></span></p>

</div>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'><font size=3D3
face=3D"Times New Roman"><span =
style=3D'font-size:12.0pt'><o:p>&nbsp;</o:p></span></font></p>

</div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

<div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>ric hordinski<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><a =
href=3D"mailto:monk@fuse.net">monk@fuse.net</a><o:p></o:p></span></font><=
/p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>www.richordinski.com<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>www.myspace.com/richordinskimusic<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>513.260.1043<o:p></o:p></span></font></p>

</div>

</div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

</div>

</div>

</body>

</html>

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From Loopers-Delight-request@loopers-delight.com  Thu Mar 23 18:15:57 2006
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Date: Thu, 23 Mar 2006 10:15:56 -0800 (PST)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: stumbling around in the dark.....
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Even in well lite gigs I've had stuff like this
happen.  I had this happen the last gig I played in
Santa Cruz with the Walker Brothers. Although I set my
Korg KAOSS pad to not send patch change info via MIDI,
mid way through a gig it forgot and started to.  I was
holding a chord via a Sustainiac and I did a rapid
scroll to get to one of the presets and it all went
kerflewy.  You just have to roll with it and laugh and
move on.

Mark

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Thu Mar 23 18:20:08 2006
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On Thu, 23 Mar 2006, Joshua Morin wrote:

> A compressor isn't the what is going to help here. What I am saying is that
> the looping pedal is recording my soft fingerpicking at 1x the loudness and
> then when I play harder it is recording at 1.25x.
>
> If I were to put a compressor then it would sound like I would need to
> compress and keep the same loudness as when I fingerpick the whole show.
> That doesn't sound right? Did I miss something?

As a suggestion, if you put the compressor before the looping pedal, I 
think it should help balance the relative loudness of your soft and hard 
playing.

regards,
Steve B
http:/www.subscapeannex.com/about_steve.html

From Loopers-Delight-request@loopers-delight.com  Thu Mar 23 18:20:13 2006
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From: "Joshua Morin" <joshua@joshuamorin.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Re: Does someone know the answer to this??
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Hey David,

 

This is Joshua (I am not sure if you meant monk or myself since I started
the thread off). Anyhow, I record the verse or chorus (whatever I plan to
solo over) as I am singing so no one notices. I find that it is helpful this
way also because the tempo changes during the song (naturally up and down).
I don't find that recording my verse at the beginning of the song in order
to solo later works. I then have to tap the tempo in before I solo to
resample and I just can't be bothered.

 

Hope that this helps.

 

Joshua Morin
Artist/Songwriter

Original Acoustic-Rock Music
613.297.5962
 <http://www.joshuamorin.com> www.joshuamorin.com
joshua@joshuamorin.com

 

 

  _____  

From: David Small [mailto:dsmall@uh.edu] 
Sent: Thursday, March 23, 2006 10:45 AM
To: monk@fuse.net
Cc: Loopers-Delight@loopers-delight.com
Subject: Fwd: Re: Does someone know the answer to this??

 

Monk: I am also a fingerpicker and somewhat new to looping. I wonder 
if you or other loopers can address this (elementary) question: you 
mention that you play solo over your rhythm part "on the fly." OK, so 
you lay down the rhythm part first. Does that mean that you strum and 
record the rhythm part while you are singing a verse? or while someone 
else is playing the melody on their instrument? If you play solo, as I do, 
it would seem to be somewhat bland to the audience if all you were 
playing was the rhythm back-up the first time through. This has puzzled 
me since I started using my Echoplex a few months ago. Thank you for 
your consideration and best wishes in your musical endeavors.

David
Pearland, Texas   
 




Resent-date: Thu, 23 Mar 2006 14:16:02 +0000 (UTC)
Date: Thu, 23 Mar 2006 09:15:52 -0500
Resent-from: Loopers-Delight@loopers-delight.com
From: monk <monk@fuse.net>
Subject: Re: Does someone know the answer to this??
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compressors. look into them.




On Mar 23, 2006, at 8:19 AM, Joshua Morin wrote:




Hi Loopers.

 

Just a quick question.

 

I use a Digitech Jamman for my shows and I loop my rhythm parts on the fly
so that I can solo overtop during my performances.

 

My question is that it seems like I can't get the settings right for when I
play a soft song and when I play a loud song. When I am fingerpicking a song
and I record and play back the loop it comes out at the perfect level. But
then if I am strumming hard and I record and playback the loop it is too
loud.

 

Is there any way to adjust or fine tune this? Or maybe I have my settings
wrong?

 

Any help would be greatly appreciated.

 

Thanks.

Joshua Morin
Artist/Songwriter

Original Acoustic-Rock Music
www.joshuamorin.com

www.myspace.com/joshuamorin

 


ric hordinski

monk@fuse.net

www.richordinski.com <http://www.richordinski.com/> 

www.myspace.com/richordinskimusic

513.260.1043


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<p class=3DMsoNormal><font size=3D2 color=3Dblue face=3DTahoma><span =
style=3D'font-size:
10.0pt;font-family:Tahoma;color:blue'>Hey =
David,<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dblue face=3DTahoma><span =
style=3D'font-size:
10.0pt;font-family:Tahoma;color:blue'><o:p>&nbsp;</o:p></span></font></p>=


<p class=3DMsoNormal><font size=3D2 color=3Dblue face=3DTahoma><span =
style=3D'font-size:
10.0pt;font-family:Tahoma;color:blue'>This is Joshua (I am not sure if =
you
meant monk or myself since I started the thread off). Anyhow, I record =
the verse
or chorus (whatever I plan to solo over) as I am singing so no one =
notices. I
find that it is helpful this way also because the tempo changes during =
the song
(naturally up and down). I don&#8217;t find that recording my verse at =
the
beginning of the song in order to solo later works. I then have to tap =
the
tempo in before I solo to resample and I just can&#8217;t be =
bothered&#8230;<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dblue face=3DTahoma><span =
style=3D'font-size:
10.0pt;font-family:Tahoma;color:blue'><o:p>&nbsp;</o:p></span></font></p>=


<p class=3DMsoNormal><font size=3D2 color=3Dblue face=3DTahoma><span =
style=3D'font-size:
10.0pt;font-family:Tahoma;color:blue'>Hope that this =
helps&#8230;<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dblue face=3DTahoma><span =
style=3D'font-size:
10.0pt;font-family:Tahoma;color:blue'><o:p>&nbsp;</o:p></span></font></p>=


<p class=3DMsoNormal><strong><b><font size=3D2 face=3DTahoma><span =
style=3D'font-size:
10.0pt;font-family:Tahoma'>Joshua =
Morin</span></font></b></strong><b><font
size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;font-family:Tahoma;font-weight:
bold'><br>
<strong><b><font face=3DTahoma><span =
style=3D'font-family:Tahoma'>Artist/Songwriter</span></font></b></strong>=
</span></font></b><o:p></o:p></p>

<p class=3DMsoNormal><strong><b><font size=3D2 face=3DTahoma><span =
style=3D'font-size:
10.0pt;font-family:Tahoma'>Original Acoustic-Rock =
Music</span></font></b></strong><b><font
size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;font-family:Tahoma;font-weight:
bold'><br>
<strong><b><font face=3DTahoma><span =
style=3D'font-family:Tahoma'>613.297.5962</span></font></b></strong><br>
</span></font></b><a href=3D"http://www.joshuamorin.com"><font size=3D2
face=3DTahoma><span =
style=3D'font-size:10.0pt;font-family:Tahoma'>www.joshuamorin.com</span><=
/font></a><br>
<font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;font-family:Tahoma'><a
href=3D"mailto:joshua@joshuamorin.com">joshua@joshuamorin.com</a></span><=
/font><o:p></o:p></p>

<p class=3DMsoNormal><font size=3D2 color=3Dblue face=3DTahoma><span =
style=3D'font-size:
10.0pt;font-family:Tahoma;color:blue'><o:p>&nbsp;</o:p></span></font></p>=


<p class=3DMsoNormal><font size=3D2 color=3Dblue face=3DTahoma><span =
style=3D'font-size:
10.0pt;font-family:Tahoma;color:blue'><o:p>&nbsp;</o:p></span></font></p>=


<div>

<div class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><font =
size=3D3
face=3D"Times New Roman"><span style=3D'font-size:12.0pt'>

<hr size=3D2 width=3D"100%" align=3Dcenter tabindex=3D-1>

</span></font></div>

<p class=3DMsoNormal><b><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma;font-weight:bold'>From:</span></font></b><font =
size=3D2
face=3DTahoma><span style=3D'font-size:10.0pt;font-family:Tahoma'> David =
Small
[mailto:dsmall@uh.edu] <br>
<b><span style=3D'font-weight:bold'>Sent:</span></b> Thursday, March 23, =
2006
10:45 AM<br>
<b><span style=3D'font-weight:bold'>To:</span></b> monk@fuse.net<br>
<b><span style=3D'font-weight:bold'>Cc:</span></b>
Loopers-Delight@loopers-delight.com<br>
<b><span style=3D'font-weight:bold'>Subject:</span></b> Fwd: Re: Does =
someone
know the answer to this??</span></font><o:p></o:p></p>

</div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>Monk: I am also a fingerpicker and somewhat new to looping. I =
wonder <br>
if you or other loopers can address this (elementary) question: you <br>
mention that you play solo over your rhythm part &quot;on the fly.&quot; =
OK, so
<br>
you lay down the rhythm part first. Does that mean that you strum and =
<br>
record the rhythm part while you are singing a verse? or while someone =
<br>
else is playing the melody on their instrument? If you play solo, as I =
do, <br>
it would seem to be somewhat bland to the audience if all you were <br>
playing was the rhythm back-up the first time through. This has puzzled =
<br>
me since I started using my Echoplex a few months ago. Thank you for =
<br>
your consideration and best wishes in your musical endeavors.<br>
<br>
David<br>
<st1:place w:st=3D"on"><st1:City w:st=3D"on">Pearland</st1:City>, =
<st1:State w:st=3D"on">Texas</st1:State></st1:place>&nbsp;&nbsp;
<br>
&nbsp;<br>
<br>
<br>
<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>Resent-date: Thu, 23 Mar 2006 14:16:02 +0000 (UTC)<br>
Date: Thu, 23 Mar 2006 09:15:52 -0500<br>
Resent-from: Loopers-Delight@loopers-delight.com<br>
From: monk &lt;monk@fuse.net&gt;<br>
Subject: Re: Does someone know the answer to this??<br>
Resent-sender: Loopers-Delight-request@loopers-delight.com<br>
To: Loopers-Delight@loopers-delight.com<br>
Reply-to: Loopers-Delight@loopers-delight.com<br>
X-Mailer: Apple Mail (2.746.2)<br>
X-Loop: Loopers-Delight@loopers-delight.com<br>
Delivered-to: looper+loopers-delight@arsenic.violacea.com<br>
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X-Original-To: Loopers-Delight@loopers-delight.com<br>
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&nbsp;Antispam-Data: 2006.03.23.055104<br>
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archive/latest/59147<br>
<br>
compressors. look into them.<br>
<br>
<br>
<br>
<br>
On Mar 23, 2006, at 8:19 AM, Joshua Morin wrote:<br>
<br>
<br>
<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma'>Hi Loopers&#8230;<br>
</span></font><br>
<font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;font-family:Tahoma'>&nbsp;<br>
</span></font><br>
<font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;font-family:Tahoma'>Just
a quick question&#8230;<br>
</span></font><br>
<font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;font-family:Tahoma'>&nbsp;<br>
</span></font><br>
<font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;font-family:Tahoma'>I
use a Digitech Jamman for my shows and I loop my rhythm parts on the fly =
so
that I can solo overtop during my performances.<br>
</span></font><br>
<font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;font-family:Tahoma'>&nbsp;<br>
</span></font><br>
<font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;font-family:Tahoma'>My
question is that it seems like I can&#8217;t get the settings right for =
when I
play a soft song and when I play a loud song. When I am fingerpicking a =
song
and I record and play back the loop it comes out at the perfect level. =
But then
if I am strumming hard and I record and playback the loop it is too =
loud&#8230;<br>
</span></font><br>
<font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;font-family:Tahoma'>&nbsp;<br>
</span></font><br>
<font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;font-family:Tahoma'>Is
there any way to adjust or fine tune this? Or maybe I have my settings =
wrong?<br>
</span></font><br>
<font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;font-family:Tahoma'>&nbsp;<br>
</span></font><br>
<font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;font-family:Tahoma'>Any
help would be greatly appreciated.<br>
</span></font><br>
<font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;font-family:Tahoma'>&nbsp;<br>
</span></font><br>
<font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;font-family:Tahoma'>Thanks.<br>
</span></font><br>
<b><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;font-family:Tahoma;
font-weight:bold'>Joshua Morin<br>
Artist/Songwriter<br>
</span></font></b><br>
<b><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;font-family:Tahoma;
font-weight:bold'>Original Acoustic-Rock Music<br>
</span></font></b><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma'><a =
href=3D"http://www.joshuamorin.com">www.joshuamorin.com</a><br>
</span></font><br>
<a href=3D"http://www.myspace.com/joshuamorin" =
eudora=3Dautourl>www.myspace.com/joshuamorin</a><br>
<br>
<font size=3D2><span =
style=3D'font-size:10.0pt'>&nbsp;</span></font><o:p></o:p></p>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><br>
ric hordinski<br>
<br>
<a href=3D"mailto:monk@fuse.net">monk@fuse.net</a><br>
<br>
<a href=3D"http://www.richordinski.com/" =
eudora=3Dautourl>www.richordinski.com</a><br>
<br>
<a href=3D"http://www.myspace.com/richordinskimusic" =
eudora=3Dautourl>www.myspace.com/richordinskimusic</a><br>
<br>
513.260.1043<o:p></o:p></span></font></p>

</div>

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From Loopers-Delight-request@loopers-delight.com  Thu Mar 23 18:27:12 2006
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Subject: RE: Does someone know the answer to this??
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I must be missing something here...

Just so I can understand a little better... I will use dbs just for example
purposes... 

Soft playing: 1 db loudness 
When played back Looper pedal then plays: 1db loudness

Hard playing: 4 db loudness
When played back Looper pedal plays: 6 db loudness

Is the above normal? (Do I have a defective pedal?)

If so, why wouldn't the pedal play back 4db in the second example. It
shouldn't be recording at a ratio should it?

Thanks in advance,
Joshua Morin
Artist/Songwriter
Original Acoustic-Rock Music
www.joshuamorin.com







-----Original Message-----
From: Todd Pafford [mailto:calenlas@gmail.com] 
Sent: Thursday, March 23, 2006 11:12 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Does someone know the answer to this??

The problem here is that your input level is varying dramatically. 
The solution is to give yourself some sort of control over the signal
level going into the Jamman.  There are a couple of ways to do this.

1) Manual control via a volume pedal, preamp volume knob, etc.  Pros:
You have complete control over the volume at all times.  Cons:  You've
got to constantly be on guard controlling the input level.

2) Automatic level adjustment via a compressor or limiter.  Pros:
Level adjustments are taken care of automatically, and a constant
level is maintained.  Cons: Loss of instrument dynamics and a
modification of the natural sound of your instrument.

The choice is yours.  If you lean towards a compressor, I advise doing
a little research via the web about how to properly use a compressor. 
A little compression is often a good thing, but too much or poorly
adjusted compression sounds awful.

Hope this helps,
Todd


On 3/23/06, monk <monk@fuse.net> wrote:
> compressors. look into them.

> On Mar 23, 2006, at 8:19 AM, Joshua Morin wrote:

> My question is that it seems like I can't get the settings right for when
I
> play a soft song and when I play a loud song. When I am fingerpicking a
song
> and I record and play back the loop it comes out at the perfect level. But
> then if I am strumming hard and I record and playback the loop it is too
> loud.

From Loopers-Delight-request@loopers-delight.com  Thu Mar 23 18:27:19 2006
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From: David Coffin <dpcoffin@earthlink.net>
Subject: Re: GT-5 vs VF-1
Date: Thu, 23 Mar 2006 10:26:48 -0800
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I've had 'em both, but unfortunately it's been quite a while since I  
was up on all their specs. As I remember, tho, the VF came out a good  
bit later than the GT, so it has a few newer (mostly pretty odd-ball,  
not to say lame-ass, tho that's what I thought) effects on it; it's  
more of the GT-6 vintage that way, and it definitely can load more  
simultaneous fx slots; in general, it has more bells and whistles,  
besides being conceived more as a general-purpose effector that a  
guitar-oriented one. But I never found anything it could do that  
would make it more interesting to me than the GT-5, which has  
remained my favorite Roland/Boss all-in-one effect...not counting, of  
course, the mighty VG-8/88s. I never warmed up to the VF, for some  
reason. Best bet is to download the manuals to them both, and start  
reading. Only you will know what you'd find essential.
Best,
dc

On Mar 23, 2006, at 6:42 AM, Douglas Baldwin wrote:

> Tim Wrote: > Since I'm starting to find the rackmount form factor  
> annoying
> as hell, I need to know:
>
>> is there anything my VF-1 can do that the GT-5 cannot? Put another  
>> way,
>>
> would I be giving anything up by using a GT-5 instead?
>

From Loopers-Delight-request@loopers-delight.com  Thu Mar 23 18:31:08 2006
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At 9:44 AM -0600 3/23/06, David Small wrote:

>If you play solo, as I do,
>it would seem to be somewhat bland to the audience if all you were
>playing was the rhythm back-up the first time through.

Think of all the zillions of solo performers who have nothing else to 
do but play that rhythm backup!

I consider myself a songwriter who uses looping, rather than a looper 
per se, if you know what I mean.  So I very often record the changes 
while I'm singing.



-- 

David Gans - david@trufun.com or david@gdhour.com
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
Blog:  http://playback.trufun.com

From Loopers-Delight-request@loopers-delight.com  Thu Mar 23 18:34:44 2006
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I just realized something, confirmed after a little googling... ther IS something I'd give up by switching from the impressive GT-3/5/6/8etc.... all the great non-guitar algorithms that just happen to sound wonderful with guitar, like the ISOLATOR...WHERE WOULD I BE WITHOUT THE "EMERGENCY" PRESET? No, I'm serious. It's wonderful with guitar, as are many of the vocal- and keyboard-oriented patches like Male-Female, Female-Male, Robot Voice. Won't get any of those with a GT.

And yet, I am sooooo sick of worrying about MIDI cables, MIDI controllers, my expression pedals, all of their cables, the freakin' power supply for the MIDI controller. (Multiply times the number of rack units I want to take to the gig.)

Maybe I'd just save the rack for artsy gigs where I have more time to set up, and get a GT for the rock gigs where I have 10 minutes AT MOST to set up on a tiny, poorly lit stage.

Speaking of rock gigs, have any of you ever used a Vortex in a rock band, live? I find that many oif the patches that sound great in the living room just disappear amid the bass and drums. 

~Tim 

-----Original Message-----
>From: Douglas Baldwin <coyotelk@optonline.net>
>Sent: Mar 23, 2006 9:42 AM
>To: mungenast@earthlink.net, Loopers-Delight@loopers-delight.com
>Subject: Re: GT-5 vs VF-1
>
>Tim Wrote: > Since I'm starting to find the rackmount form factor annoying
>as hell, I need to know:
>> is there anything my VF-1 can do that the GT-5 cannot? Put another way,
>would I be giving anything up by using a GT-5 instead?
>
>An excellent question! I'm eager to find out, too. Anyone who has used both,
>please post pronto! (I'm very busy at the moment, or I'd spend a half-hour
>or two trolling Google for info myself.)
>
>dB, coyote
>

From Loopers-Delight-request@loopers-delight.com  Thu Mar 23 18:36:08 2006
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thanks dave, and everybody so far...

-----Original Message-----
>From: David Coffin <dpcoffin@earthlink.net>
>Sent: Mar 23, 2006 1:26 PM
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: GT-5 vs VF-1
>
>I've had 'em both, but unfortunately it's been quite a while since I  
>was up on all their specs. As I remember, tho, the VF came out a good  
>bit later than the GT, so it has a few newer (mostly pretty odd-ball,  
>not to say lame-ass, tho that's what I thought) effects on it; it's  
>more of the GT-6 vintage that way, and it definitely can load more  
>simultaneous fx slots; in general, it has more bells and whistles,  
>besides being conceived more as a general-purpose effector that a  
>guitar-oriented one. But I never found anything it could do that  
>would make it more interesting to me than the GT-5, which has  
>remained my favorite Roland/Boss all-in-one effect...not counting, of  
>course, the mighty VG-8/88s. I never warmed up to the VF, for some  
>reason. Best bet is to download the manuals to them both, and start  
>reading. Only you will know what you'd find essential.
>Best,
>dc
>
>On Mar 23, 2006, at 6:42 AM, Douglas Baldwin wrote:
>
>> Tim Wrote: > Since I'm starting to find the rackmount form factor  
>> annoying
>> as hell, I need to know:
>>
>>> is there anything my VF-1 can do that the GT-5 cannot? Put another  
>>> way,
>>>
>> would I be giving anything up by using a GT-5 instead?
>>
>

From Loopers-Delight-request@loopers-delight.com  Thu Mar 23 18:56:17 2006
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The VF1 is great for mangling the sound, but the guitar amp simulators are
nowhere near as good as the GT series. In fact, the older GP100 sounds much
better in the guitar department. I use my VF1 for acoustic guitar and it
rocks.

Dave Eichenberger 
http://www.hazardfactor.com

 
> 
> thanks dave, and everybody so far...
>  

From Loopers-Delight-request@loopers-delight.com  Thu Mar 23 19:31:30 2006
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To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>,
	"CT-Collective" <Chain-Tape-Collective@yahoogroups.com>
Subject: OT - welcome, Karsten Schulze
Date: Thu, 23 Mar 2006 20:31:25 +0100
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who is Karsten Schulze? he's a good friend of mine, and a wonderful
musician, who has just come out of his hole and made a first little myspace
page, as an introduction to the online world. It doesn't contain any looping
as far as I know, but among other (mostly earlier) beautiful stuff, there is
a very wonderful little new harmonium piece ("slanting advancement"),
actually a preview for his forthcoming harmonium-only album.

Karsten, for those who know my own work, was the 'inventor' of the my2k
project - he had the idea for a daily musical diary in the beginning of the
year 2000. I was so intrigued by this idea back then that I started my own
my2k project, told other people, and several loopers joined in - at the end
of the year, only Jeff McLeod and David Cooper Orton had made it through, so
there were four finished my2k collections at the end of 2000 (plus several
unfinished, but nonetheless interesting, collections).

Please welcome Karsten to the online world of loopers and open-minded
musicians, visit his myspace page, and leave friend requests and comments.

	http://www.myspace.com/karsikaschu  


-Michael
www.michaelpeters.de

From Loopers-Delight-request@loopers-delight.com  Thu Mar 23 19:33:14 2006
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 Ohh I always went direct into a PA- never tried it on the front of an amp.
Maybe I will check out that blues model again this afternoon.

Dave Eichenberger 
http://www.hazardfactor.com

 
> Better than the VF-1's models? 
> 
> Cool. I actually like the VF-1's amp models, some of them...
> 
> The VF-1's "Blues" model is a terrific all-purpose amp model 
> and even sounds good into the front end of my creaky old 
> amps. I have actually made it my default clean tone. Great 
> for anything from "Then Play On"!
> 
 

From Loopers-Delight-request@loopers-delight.com  Thu Mar 23 20:24:05 2006
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From: "venkateshwara swami" <swami.venkateshwara@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: This company is giving out ipods
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Hi there.

I don't usually send these on but you're going to want to see this. We
can get an ipod nano free.

http://giftresource321.com/?r=3DgTGEM1EUNCU1AGsAAyEN&i=3Dgmail&z=3D1&tc=3D2

From Loopers-Delight-request@loopers-delight.com  Thu Mar 23 22:08:16 2006
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Hi,

I'm delighted to announce that my cohort Steve and I, aka *The Sandbox*,
will be giving our first Manhattan concert at Dominic Frasca's ultra-cool
The Monkey, at 26th between Bway and 6th in NY. Sunday evening, Apr. 23,
8PM. Steve will be adding his acoustic drum kit to the Handsonic he normally
plays, and I will be playing version 0.7.nnnn of the mythical D'Loop
software (it really is making progress towards being widely beta-able, but
the day jobs make it a slow process, folks). Oh yeah, I'll also have my MIDI
guitars (including the nylon-string Godin) and a mic for some text-based
stuff I like to do.

We're celebrating the release of our first CD, *Play Date*, and really could
use some support from the New Yorkers here. Please buy tickets before all my
relatives buy out the house! I need to make some *new* friends.

More description and reservations at
http://www.themonkeynyc.com/upcomingshows.htm
Audio samples at http://warrensirota.com/sandbox and
http://www.warrensirota.com/Solostuff/default.htm

Thanks - hope to see you there.
 

From Loopers-Delight-request@loopers-delight.com  Thu Mar 23 22:09:02 2006
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Date: Thu, 23 Mar 2006 14:09:00 -0800 (PST)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: This company is giving out ipods
To: Loopers-Delight@loopers-delight.com
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I'm giving out free opinions too, and mine is that
anyone dumb enough to fall for one of these scams
deserves everything they get.  Please refrain from
totally OT spam/scam fwds to this list.

Mark

--- venkateshwara swami
<swami.venkateshwara@gmail.com> wrote:

> Hi there.
> 
> I don't usually send these on but you're going to
> want to see this. We
> can get an ipod nano free.
> 
>
http://giftresource321.com/?r=gTGEM1EUNCU1AGsAAyEN&i=gmail&z=1&tc=2
> 
> 


__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Thu Mar 23 22:38:12 2006
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Date: Thu, 23 Mar 2006 14:38:10 -0800 (PST)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: RE: GT-5 vs VF-1
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I don't know about the GT-5's amp models, though from
a demo (with headphones) at a Guitar Center I thought
they sounded pretty brittle and lifeless.  The VF-1
has a few decent ones... but nothing to base your
sound on IMO.  I love the VF-1 for it's MIDI syncable
effects at a bargain price.  Also, it seems to be
really well suited for distorting keyboard sounds, as
many guitar preamp sims seem bad at.

--- hazard factor <artists@hazardfactor.com> wrote:

>  Ohh I always went direct into a PA- never tried it
> on the front of an amp.
> Maybe I will check out that blues model again this
> afternoon.
> 
> Dave Eichenberger 
> http://www.hazardfactor.com
> 
>  
> > Better than the VF-1's models? 
> > 
> > Cool. I actually like the VF-1's amp models, some
> of them...
> > 
> > The VF-1's "Blues" model is a terrific all-purpose
> amp model 
> > and even sounds good into the front end of my
> creaky old 
> > amps. I have actually made it my default clean
> tone. Great 
> > for anything from "Then Play On"!
> > 
>  
> 
> 


__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Thu Mar 23 22:49:05 2006
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Date: Thu, 23 Mar 2006 14:49:04 -0800 (PST)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: looping soundfiles
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Very nice!

--- Paul Mimlitsch <pmimlitsch@mac.com> wrote:

> Greetings.  Just uploaded some new "texturly"
> soundfiles to my website: 
> << http://homepage.mac.com/pmimlitsch/lep/lep.html
> >>.  They would be 
> "A1", "A2", "A3" under the "Atmospherics" heading on
> the home page.  If 
> inclined, give 'em a listen, enjoy (if inclined).
> Take care. - Paul
> 
> 


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From Loopers-Delight-request@loopers-delight.com  Thu Mar 23 23:05:47 2006
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Date: Thu, 23 Mar 2006 15:05:45 -0800 (PST)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Best Cheap Guitar Synth
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Do you have any examples of it's sound?  Does it just
take a traditional audio input?

--- Adrian Likins <adrian@likins.com> wrote:

> 
> Totally agree on the x911. Definately one of my
> favorites effects. It it
> glitchy to say the least, but it makes some great
> sounds.

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From Loopers-Delight-request@loopers-delight.com  Thu Mar 23 23:10:31 2006
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From: "William Walker" <billwalker@baymoon.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: stumbling around in the dark.....
Date: Thu, 23 Mar 2006 15:10:30 -0800
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 funny, I didn't notice it at all, perhaps it was because I so engrossed in
the video images of insects in various acts of coitus
further proof that Looping and video go together like hand in glove.

Yeah Baby

Bill


-----Original Message-----
From: mark sottilaro [mailto:zerocrossing2001@yahoo.com]
Sent: Thursday, March 23, 2006 10:16 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: stumbling around in the dark.....


Even in well lite gigs I've had stuff like this
happen.  I had this happen the last gig I played in
Santa Cruz with the Walker Brothers. Although I set my
Korg KAOSS pad to not send patch change info via MIDI,
mid way through a gig it forgot and started to.  I was
holding a chord via a Sustainiac and I did a rapid
scroll to get to one of the presets and it all went
kerflewy.  You just have to roll with it and laugh and
move on.

Mark

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From Loopers-Delight-request@loopers-delight.com  Thu Mar 23 23:11:45 2006
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Date: Thu, 23 Mar 2006 18:11:44 -0500
From: "Todd Pafford" <calenlas@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: stumbling around in the dark.....
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	 <20060323181556.69998.qmail@web81309.mail.mud.yahoo.com>
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I think we all have stories like these.  In the spirit of mutual
sympathy, here's mine. :)

One evening I found myself jamming in front of a small audience with a
group of excellent musicians most of whom had never played with the
others.  Feeling adventurous we decided to give Yes's Roundabout a go.
 It actually worked out really well.  I'm playing guitar and as it
comes time for me to cover Steve Howe's solo I find myself on the
wrong side of my pedal board....meaning the thing is behind me and
upside down.  So I quickly turn around and have to deal with a now
completely backwards pedal board.  Hoping for the best, I give a
button a push that's supposed to boost my volume for the lead.=20
Instead I hit the button for a quiet clean tone.  Oops!  Where'd the
guitar go?  Luckily this particular solo breaks in the middle and
allows the keyboards to rip for a few bars at which point I quickly
put everything back in order and came out screaming for the second
half.

So let that be a lesson to the youngsters:  If you're playing
something as difficult as a Yes song with a band of strangers, don't
go wandering around the stage.  Sit your arse down and pay attention!=20
:)  (On the other hand, I always did like the second half of the solo
better anyway.)

Todd

From Loopers-Delight-request@loopers-delight.com  Fri Mar 24 00:29:54 2006
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Date: Thu, 23 Mar 2006 16:29:52 -0800 (PST)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: semi OT first Thomas Dolby tour in ages
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I bought my ticket this morning!

http://www.ticketweb.com/user/?region=sfbay&query=detail&event=658853

see ya there!

--- "loop.pool" <looppool@cruzio.com> wrote:

> Per asked:
> 
> "any frisco kids on the list gong there?"
> 
> 
> I'm so there I can't see straight, Per.    I only
> wish  I was wealthy enough 
> to just fly you over to do
> a week's worth of shows culminating in us going to
> see that show.
> 
> So far I cannot find any information on the
> availibity of tickets.
> The venue,  S.F.'s the INDEPENDENT  doesn't even
> have the date listed yet.
> 
> Speaking of Mr. Dolby,
> 
> Is anyone familiar with the melancholy tune off of
> Astrounauts and Heretics 
> called
> "I love You, Goodbye"?
> 
> I think this song more perfectly captures the gothic
> humid sadness of New 
> Orleans and that whole region
> better than any single song I can think of with the
> exception of a couple of 
> beautiful Sonny Landreth tunes.
> 
> It has the most beautiful line about that magical
> and somehow, ghostly area,
> 
> "It has a spirit that cannot be broken".       Even
> after the terrible 
> hurricane, I think it is still true.
> 
> I love Thomas Dolby. 
> 
> 


__________________________________________________
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Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Fri Mar 24 00:40:31 2006
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Date: Thu, 23 Mar 2006 16:40:29 -0800 (PST)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: filter factory
To: Loopers-Delight@loopers-delight.com
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I'd put any filter before the MO-FX.  I've never used
the Filter Factory, but I did have a MO-FX and it was
one of the last things in my loop chain.  I always
like my filter stuff before reverb or delay. 
Sometimes after too, but always before.

--- Nemoguitt@aol.com wrote:

> 
> In a message dated 3/21/06 4:01:14 AM,
> vsyevolod@yahoo.com writes:
> 
> 
> > The Filter Factory on the other hand, sounds as
> clear and as deep as a 
> > snow-fed mountain
> > stream. 
> > 
> 
> stephen.....i have a ff also but i have been
> disapointed   in it.....how do 
> you use your's?.....i may be using mine
> "incorrectly"......it was in the aux 
> send of my mackie 1202 going to my mo-fx (all i use
> on this is the delay/looper) 
> into the ff then out to my rang.....i've taken it
> out of my signal chain 
> altogether as of late.....i'm looking at it now and
> it looks kool with its 
> brothers and sisters mofx-warpfactory-filterfactory
> but all i use as i have said is 
> the delay on the mo-fx.....its like a "retro" stage
> prop with all the knobs and 
> lites, can't have enuf of those!.....mic
> n.p. L.D. COMPILATION # 3.....loverly!
> 
> 
> 
> www.ct-collective.com
> http://mysite.verizon.net/vzepmeci/
> http://www.myspace.com/klobuchar11
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Fri Mar 24 00:52:01 2006
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Date: Thu, 23 Mar 2006 16:51:59 -0800 (PST)
Subject: Electrix Filter King vs. Queen
From: johnsrude@peak.org
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What's the difference between the Electrix Filter King and the Electrix Filter
Queen?

Thanks,
Kevin
www.TheNettles.com


From Loopers-Delight-request@loopers-delight.com  Fri Mar 24 02:14:07 2006
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From: =?ISO-8859-1?Q?tEd_=AE_kiLLiAn?= <tedkillian@charter.net>
Subject: OT - JUST WHEN YOU THINK THAT NOBODY WILL EVER READ YOUR OPINION (OR CARE)
Date: Thu, 23 Mar 2006 18:14:57 -0800
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--Apple-Mail-1--496943223
Content-Transfer-Encoding: quoted-printable
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	charset=ISO-8859-1;
	delsp=yes;
	format=flowed

Well, this is sort of off topic. But, I was gratified to discover today =20=

something
that I find no less than absoultely amazing.

A year ago (or maybe two) I responded to a call for written comments =20
from some
lobbying group (I think it was Common Cause or something like it) that =20=

had
e-mailed me (and gazillions of others) regarding some upcoming meetings
that were going to be held in Washington D.C. to review the issue of  =20=

"localism"
(local programming control and broadcast content) as affected by the =20
FCC's
continuing deregulation (and continuing centralization) of the radio =20
airwaves.

How often does someone ask your opinion and you really feel like they =20=

really
mean it and believe you have something to say? Not very often if you're =20=

like me.
Well, as it turns out my comments were some of the few selected to be =20=

published
in a paper that was eventually submitted before the FCC (whatever the =20=

heck
THAT means). It may not mean much. I may accomplish exactly diddly =20
squat.
But, I feel kinda proud that my simple little comments got forwarded on =20=

to
somebody -- even if it winds up in somebody's trash can. I got heard. =20=

Somebody,
somewhere read it after all.

You can view the 28 page PDF here:

http://www.afm.org/public/press/localismreplycommentsFINAL.pdf

My little insignificant blurb is on page 9. I may be nuts, but I'm =20
kinda proud.

Striking a blow against the empire . .

tEd =AE kiLLiAn

"Different is not always better, but better is always different"

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=3D2845073
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?=20
step=3Dview_profile&id=3D121197000042

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???=

--Apple-Mail-1--496943223
Content-Transfer-Encoding: quoted-printable
Content-Type: text/enriched;
	charset=ISO-8859-1

Well, this is sort of off topic. But, I was gratified to discover
today something=20

that I find no less than absoultely amazing.


A year ago (or maybe two) I responded to a call for written comments
from some

lobbying group (I think it was Common Cause or something like it) that
had=20

e-mailed me (and gazillions of others) regarding some upcoming
meetings=20

that were going to be held in Washington D.C. to review the issue of=20
"localism"=20

(local programming control and broadcast content) as affected by the
FCC's=20

continuing deregulation (and continuing centralization) of the radio
airwaves.


How often does someone ask your opinion and you really feel like they
really

mean it and believe you have something to say? Not very often if
you're like me.

Well, as it turns out my comments were some of the few selected to be
published=20

in a paper that was eventually submitted before the FCC (whatever the
heck=20

THAT means). It may not mean much. I may accomplish exactly diddly
squat.

But, I feel kinda proud that my simple little comments got forwarded
on to

somebody -- even if it winds up in somebody's trash can. I got heard.
Somebody,

somewhere read it after all.


You can view the 28 page PDF here:=20


http://www.afm.org/public/press/localismreplycommentsFINAL.pdf


My little insignificant blurb is on page 9. I may be nuts, but I'm
kinda proud.


Striking a blow against the empire . .=20


tEd =AE kiLLiAn


<color><param>8080,8080,8080</param>"Different is not always better,
but better is always different"


http://www.pfmentum.com/flux.html

http://www.CDbaby.com/cd/tedkillian

http://www.guitar9.com/fluxaeterna.html

http://www.garageband.com/artist/ArsOcarina

http://www.towerrecords.com/product.aspx?pfid=3D2845073

http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314

http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193

=
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042


Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,

BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,

AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,

RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,

and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???</color>=

--Apple-Mail-1--496943223--

From Loopers-Delight-request@loopers-delight.com  Fri Mar 24 02:25:29 2006
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Rafko M wrote:
> After a thorough research on this subject, I found out that if one needs 
> multiple audio IN/OUTS, MIDI IN/OUT, HI-Z input, good mic preamps, low 
> latency, etc., there are two excellent laptop interfaces in the category 
> of "under $500"
>  
> 1) Yamaha i88x - this might be overall a better choice, except that it 
> is larger in size
>     (480 x 373 x 44mm), i.e. not as portable as the second one. This is 
> a firewire  
>     interface. You should be able to find it for $380 new. This one 
> apparently competes
>     well with MOTU's and Digidesign's more expensive interfaces. 
>  
> 2)  E-MU 1616M. Connects via included PCMCIA card. It's around $500.
>  
> Both of these interfaces were reviewed in 'Sound on Sound' and a number 
> of other tech magazines.
>  
> Rafko

I was just helping a friend with a similar purchase, and we stumbled 
across a couple new interfaces from Alesis.  Apparently only the smaller 
of the two is shipping right now.  I know absolutely nothing about their 
sound, reliability, or anything else, but they do look like they offer a 
fair bit of functionality for the price.  The smaller one looks like it 
only has two line-out channels, which makes it not so looper-friendly, 
but the larger one has 8.


http://www.alesis.com/product.php?id=95

and

http://www.alesis.com/product.php?id=96

Brian

From Loopers-Delight-request@loopers-delight.com  Fri Mar 24 02:36:01 2006
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Date: Thu, 23 Mar 2006 20:35:57 -0600
To: <Loopers-Delight@loopers-delight.com>
From: mech <mech@m3ch.net>
Subject: Insects & Coitus (was RE: stumbling around in the dark.....)
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At 3:10 PM -0800 3/23/06, William Walker wrote:
>
>the video images of insects in various acts of coitus
>further proof that Looping and video go together like hand in glove.

Or go together like...

Oh hell, that one's just too easy.  Nevermind.

	--m.

-- 
_______
"Snakes on a Plane..."

From Loopers-Delight-request@loopers-delight.com  Fri Mar 24 02:49:41 2006
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 <44235892.7000602@adelphia.net>
Date: Thu, 23 Mar 2006 20:49:37 -0600
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From: mech <mech@m3ch.net>
Subject: Re: Audio Interface for Notebook Users
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At 9:25 PM -0500 3/23/06, Brian Good wrote:
>
>I was just helping a friend with a similar purchase, and we stumbled 
>across a couple new interfaces from Alesis.  Apparently only the 
>smaller of the two is shipping right now.  I know absolutely nothing 
>about their sound, reliability, or anything else, but they do look 
>like they offer a fair bit of functionality for the price.  The 
>smaller one looks like it only has two line-out channels, which 
>makes it not so looper-friendly, but the larger one has 8.

It may be a non-issue (since these are Firewire, and a different 
basic architecture) but I've got a two-channel audio interface built 
into my Alesis Photon X25 USB MIDI controller.  I've stopped even 
attempting to use it.  It has a tendency to randomly blast huge noise 
bursts after some unspecified period.  This is especially fun with 
headphones on (like I need any extra help going deaf).  It won't stop 
until you reboot the computer.

I didn't really care all that much (once my ears stopped ringing). 
Frankly, I bought the darn thing primarily for its Axyz controller. 
Anything additional is pretty much cake, so I just wrote off that 
functionality.

As I said, it might not apply to this series.  However, I'm somewhat 
leery of the Alesis audio interfaces now, at least in terms of 
quality control.

	--m.

-- 
_______
"You are in a maze of twisty little passages, all alike..."

From Loopers-Delight-request@loopers-delight.com  Fri Mar 24 03:37:42 2006
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mech wrote:
> At 9:25 PM -0500 3/23/06, Brian Good wrote:
> 
>>
>> I was just helping a friend with a similar purchase, and we stumbled 
>> across a couple new interfaces from Alesis.  Apparently only the 
>> smaller of the two is shipping right now.  I know absolutely nothing 
>> about their sound, reliability, or anything else, but they do look 
>> like they offer a fair bit of functionality for the price.  The 
>> smaller one looks like it only has two line-out channels, which makes 
>> it not so looper-friendly, but the larger one has 8.
> 
> 
> It may be a non-issue (since these are Firewire, and a different basic 
> architecture) but I've got a two-channel audio interface built into my 
> Alesis Photon X25 USB MIDI controller.  I've stopped even attempting to 
> use it.  It has a tendency to randomly blast huge noise bursts after 
> some unspecified period.  This is especially fun with headphones on 
> (like I need any extra help going deaf).  It won't stop until you reboot 
> the computer.
> 
> I didn't really care all that much (once my ears stopped ringing). 
> Frankly, I bought the darn thing primarily for its Axyz controller. 
> Anything additional is pretty much cake, so I just wrote off that 
> functionality.
> 
> As I said, it might not apply to this series.  However, I'm somewhat 
> leery of the Alesis audio interfaces now, at least in terms of quality 
> control.
> 
>     --m.

Heh.  That's why you probably don't want to buy version 1.0 of anything, 
or version 5.0 from some companies.  Personally I've had bad luck with 
an early M-Audio Firewire 410, for example.  It seems to know when it's 
being used in a live performance, because I've had it fail two out of 
the three times I've used it that way.  To be fair, it was running under 
Windows, where it was more problematic than in my Mac setup, so maybe it 
was a Microsoft problem, rather than an M-Audio one.  But there's 
nothing quite as much fun as downloading a replacement driver via Wifi 
during a dress rehearsal from a stage in the middle of the Arizona high 
desert.

Brian

From Loopers-Delight-request@loopers-delight.com  Fri Mar 24 03:47:43 2006
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Subject: Re: Audio Interface for Notebook Users
Date: Thu, 23 Mar 2006 20:47:39 -0700
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Just to close out on this...I bought the Indigo Echo IO today, and I 
recieved my ThinkPad T60p yesterday...they said it would take 4-6 weeks to 
get it, and it took 4 day! Wow.  I'm almost through installing all my audio 
programs and configuring them....what a pain, but well worth it.  I really 
love the finger print reader for logging on to this computer....very sci-fi! 
I love not having to type.

Kris

----- Original Message ----- 
From: "Kris Hartung" <khartung@cableone.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, March 21, 2006 10:26 AM
Subject: Re: Audio Interface for Notebook Users


>I like your assessment here, Per, as it aligns to my situation. I too don't 
>need high quality mic-preamps, because my signal doesn't enter my computer 
>until it has been brought to line level by another unit in my rack. I just 
>need a PCMCIA card that will capture that line level input, allow me to 
>process it with VST effects, and then spit it back out through the output. 
>I need it to do this in a transparent way, and not degrade the quality of 
>the input signal. The Soundblaster card I'm using on my old notebook does 
>this very well. I imagine the IO will be even better. I plan to buy it, if 
>the ThinkPad T60p's audio I/O doesn't suffice.
>
> Kris
>
> ----- Original Message ----- 
>> Hi,
>>
>> I''m using two solutions that I'm very happy with. The Indigo Echo i/ o 
>> and the RME Multiface. If you listen carefully, the Multiface  sounds a 
>> little better on playback. Not much and not enough to  justify dragging 
>> it to a gig, since it is not a PCMCIA solution but a  combination of a 
>> PCMIA card and a break-out box. But if I need  multiple analog (or 
>> digital) in- and output I would bring the RME.
>>
>> Both solutions lack built-in mic preamps, a fact that many file as 
>> something negative. But I would rather have that and use the saved  money 
>> for a standalone preamp. I have three external mic preamps: a  small 
>> (cigarette package sized) one with an added fly mic for reed/ air 
>> instruments, (2) a PreSonus VXP analog preamp with good  compressor, 
>> expander and dynamic filters (rarely taking it out of the  studio for 
>> gigs) and (3) finally I have a TC Electronics FireworX  multi effect 
>> processor, that does well as a mic amp too.
>>
>> My preferred laptop set up for live gigs is the small fly mic/preamp 
>> (eventually electric line instruments plugged directly into the  second 
>> input of the Fireworx), the Fireworx going into the Echo i/o  in stereo. 
>> If possible, I like to also bring an external compressor  (RNG) to 
>> balance the stereo output before the PA stage box. Then I  also bring a 
>> FCB1010 foot controller and a Faderfox mini hand mixer  and some 
>> instrument to make noise with.
>>
>> per
>>
>>
>
>
> 


From Loopers-Delight-request@loopers-delight.com  Fri Mar 24 03:51:49 2006
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Date: Thu, 23 Mar 2006 22:59:33 -0500
From: "David Kirkdorffer" <vze2ncsr@verizon.net>
Subject: Re: stumbling around in the dark.....
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In the spirit of sharing....

I remember playing a show in highschool with what we can loosely call "a
band."  A few days earlier the other guitarist mentioned me that Nick Mason
(drummer in Pink Floyd) might come to the show (long story...). So, up on
stage we're playing "We Don't Need No Education" or (whatever it's really
called) - which I really didn't know how to play.  That's when my friend
told me "He's here!  He' here!"  To say I was mortified would be to apply
the benefit of 25 years of hindsight searching for the right word to
describe extreme embarrassment, panic, wonder and more panic.

He took us all out for a few beers afterwards, so that was cool.

David



----- Original Message ----- 
From: "Todd Pafford" <calenlas@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, March 23, 2006 6:11 PM
Subject: Re: stumbling around in the dark.....


I think we all have stories like these.  In the spirit of mutual
sympathy, here's mine. :)

One evening I found myself jamming in front of a small audience with a
group of excellent musicians most of whom had never played with the
others.  Feeling adventurous we decided to give Yes's Roundabout a go.
 It actually worked out really well.  I'm playing guitar and as it
comes time for me to cover Steve Howe's solo I find myself on the
wrong side of my pedal board....meaning the thing is behind me and
upside down.  So I quickly turn around and have to deal with a now
completely backwards pedal board.  Hoping for the best, I give a
button a push that's supposed to boost my volume for the lead.
Instead I hit the button for a quiet clean tone.  Oops!  Where'd the
guitar go?  Luckily this particular solo breaks in the middle and
allows the keyboards to rip for a few bars at which point I quickly
put everything back in order and came out screaming for the second
half.

So let that be a lesson to the youngsters:  If you're playing
something as difficult as a Yes song with a band of strangers, don't
go wandering around the stage.  Sit your arse down and pay attention!
:)  (On the other hand, I always did like the second half of the solo
better anyway.)

Todd

From Loopers-Delight-request@loopers-delight.com  Fri Mar 24 03:52:52 2006
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Date: Thu, 23 Mar 2006 23:00:39 -0500
From: "David Kirkdorffer" <vze2ncsr@verizon.net>
Subject: video during shows --  (was: Re: stumbling around in the dark.....)
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I know I'm swimming against the tide on this one, but I am 9 times out of 10
not a fan of moving video during looping performances, or live music per
se -- unless the video is synchronized to the music or vise-versa.  Random
associations of images and sounds rarely do much to inform eachother and
generally (for me) detract from either the images or the sonics.




----- Original Message ----- 
From: "William Walker" <billwalker@baymoon.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, March 23, 2006 6:10 PM
Subject: RE: stumbling around in the dark.....


> funny, I didn't notice it at all, perhaps it was because I so engrossed in
> the video images of insects in various acts of coitus
> further proof that Looping and video go together like hand in glove.
>
> Yeah Baby
>
> Bill
>
>
> -----Original Message-----
> From: mark sottilaro [mailto:zerocrossing2001@yahoo.com]
> Sent: Thursday, March 23, 2006 10:16 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: stumbling around in the dark.....
>
>
> Even in well lite gigs I've had stuff like this
> happen.  I had this happen the last gig I played in
> Santa Cruz with the Walker Brothers. Although I set my
> Korg KAOSS pad to not send patch change info via MIDI,
> mid way through a gig it forgot and started to.  I was
> holding a chord via a Sustainiac and I did a rapid
> scroll to get to one of the presets and it all went
> kerflewy.  You just have to roll with it and laugh and
> move on.
>
> Mark
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Mar 24 03:53:41 2006
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Subject: Re: Electrix Filter King vs. Queen
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size, if I remember - 1/2 rack vs. full rack, right?


----- Original Message ----- 
From: <johnsrude@peak.org>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, March 23, 2006 7:51 PM
Subject: Electrix Filter King vs. Queen


> What's the difference between the Electrix Filter King and the Electrix
Filter
> Queen?
>
> Thanks,
> Kevin
> www.TheNettles.com
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Mar 24 04:21:07 2006
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Subject: Anyway to add memory to a Boss RC-20?
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Hey comrades:

I recently picked up an older Boss RC-20 (roughly 5 minutes of sample time). 
I'm just curious if there's any way to add more memory to it.  I'd imagine the
storage is some flavor of flash memory on a chip or card, although I haven't
opened the pedal up to see.  Does anyone have any ideas if there's any way to
do this?

Thanks and best regards,
Dave


From Loopers-Delight-request@loopers-delight.com  Fri Mar 24 04:28:57 2006
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From: "PiNG" <ping@theambientping.com>
To: "Ambient@hyperreal" <ambient@hyperreal.org>,
	"Dark Seeds" <DarkSeedsNews@yahoogroups.com>,
	"Drone Deep Chill" <drone_deep_chill@yahoogroups.com>,
	"Loopers Delight" <Loopers-Delight@loopers-delight.com>,
	<phoniqlist@phoniq.net>,
	"The Ambient Way" <the_ambient_way@yahoogroups.com>
Subject: dreamSTATE - Ten Minute PASSAGE
Date: Thu, 23 Mar 2006 23:29:38 -0500
Organization: THE AMBiENT PiNG
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I've created a 10 minute "megamix" mp3 of the entire arc of our 
PASSAGE CD and uploaded it to the dreamSTATE mp3 page. 
We hope it entices people to buy the CD for the complete 
one-hour experience (after taking the short trip a few times in 
their mp3 players.) I know I get a kick out of hearing this
"Reader's Digest" version so I hope you check it out. 

Here's direct links for streaming or downloading:

HiFi - http://www.dreamstate.to/audio/ten_minute_passage.mp3
LoFi - http://www.dreamstate.to/audio/ten_minute_passage_32k.mp3

PASSAGE info, CD reviews, individual samples, 
online sales and all that at:
http://cdbaby.com/cd/dreamstate2/from/trans

Cheers,
Scott M2

http://www.dreamSTATE.to
ambientelectronicsoundscapes

From Loopers-Delight-request@loopers-delight.com  Fri Mar 24 04:32:41 2006
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Date: Thu, 23 Mar 2006 22:32:36 -0600
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Subject: Re: Audio Interface for Notebook Users
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At 10:37 PM -0500 3/23/06, Brian Good wrote:
>
>Heh.  That's why you probably don't want to buy version 1.0 of 
>anything, or version 5.0 from some companies.

Oh yeah, I know exactly what you mean.  However, Alesis seems to have 
this crazy R&D department that occasionally comes up with totally 
off-the-wall stuff, which is extremely cool but completely misses the 
market (for instance, their ModFX/Ineko/Akira effects).  That stuff 
never seems to make it to rev 2.x.

>Personally I've had bad luck with an early M-Audio Firewire 410, for example.

Weirdly enough, my M-Audio Quattro was the only time I can remember 
where my experience was just exactly the opposite.  I got one of the 
very first units out of the assembly line (one of the ones that bear 
the "Mac Only" stickers).  A local music store had been sitting on it 
a while, so I got a deal.  After they got into full production, there 
were complaints left and right about 'em (just check Harmony 
Central).  But my early-production model with the latest drivers 
worked flawlessly -- still does.  And this is even on my old Sony 
Vaio, despite the little sticker and instructions that say that it 
shouldn't work with an Intel machine at all.

That's the exception, though.  Usually, your advice to avoid new 
releases is right on.

	--m.

-- 
_______
"If Television is a babysitter, then the Internet is a drunk 
librarian who won't shut up..."

From Loopers-Delight-request@loopers-delight.com  Fri Mar 24 06:53:56 2006
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Date: Fri, 24 Mar 2006 00:47:01 -0600
From: Shayne Cafferata <scafferata@sasktel.net>
Subject: x911 example
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googling x911 example:
http://gnosticrocket.blogspot.com/2006_02_01_gnosticrocket_archive.html
and x911 mp3:
http://www.larrybell.org/id9.htm
no doubt there's more...

From Loopers-Delight-request@loopers-delight.com  Fri Mar 24 07:35:47 2006
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Date: Fri, 24 Mar 2006 01:35:39 -0600
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Subject: Re: Electrix Filter King vs. Queen
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At 11:01 PM -0500 3/23/06, David Kirkdorffer wrote:
>  > What's the difference between the Electrix Filter King and the Electrix
>  > Filter Queen?
>
>size, if I remember - 1/2 rack vs. full rack, right?

Yep, two rack space half-rack size (huh?) for the Filter Queen, and 
two rack space full-size for the Filter Factory.

And MIDI.  The Filter Factory has it, while it's lacking on the 
Filter Queen.  The I/O is a bit different too, I think.  The Filter 
Factory has additional RCA jacks for the DJ market, and the Filter 
Queen has a footpedal jack for something like an EV-5 to manually 
sweep the filter.  I don't know if those features are mirrored on 
both units or not.

Also, one of the reviewers on Sonicstate claimed there was a 
difference in character between the two (but didn't elaborate).  It's 
analog, though, so you could probably just as well claim that there's 
a difference in character between two individual Filter Factories, or 
two Filter Queens.

Both the manuals are online at 
http://www.electrixpro.com/support/manuals.html , so you can verify 
the configurations for certain.  But, overall, I don't think there's 
a whole lotta difference between the two, especially if MIDI is not a 
differentiating factor for you.

	--m.

-- 
_______
"Wind in my heart. Dust in my head..."

From Loopers-Delight-request@loopers-delight.com  Fri Mar 24 07:46:50 2006
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From: Mark Hamburg <mark_hamburg@baymoon.com>
Subject: Re: Electrix Filter King vs. Queen
Date: Thu, 23 Mar 2006 23:50:45 -0800
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On Mar 23, 2006, at 11:35 PM, mech wrote:

> Also, one of the reviewers on Sonicstate claimed there was a  
> difference in character between the two (but didn't elaborate).   
> It's analog, though, so you could probably just as well claim that  
> there's a difference in character between two individual Filter  
> Factories, or two Filter Queens.

As I recall, the Filter Factory will go into self-oscillation almost  
too easily while the Filter Queen lacks the ability to self  
oscillate. According to an Electrix representative, too many people  
were causing damage to other equipment and their hearing with self  
oscillation on the Filter Factory.

Mark

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From: Jeff Kaiser <loopersdelight@pfmentum.com>
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> My little insignificant blurb is on page 9. I may be nuts, but I'm=20
> kinda proud.


A very fine "insignificant blurb." Way to go, Ted. We should all be so=20=

well spoken.

best,

Jeff

Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com =95 AngryVegan.com


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--- johnsrude@peak.org wrote:

> What's the difference between the Electrix Filter
> King and the Electrix Filter Queen?

The Filter Queen was the half-space wide x 2 space
tall device in the original Electrix line. (I got mine
in the great "raise money for Repeater R&D" blowout
circa 2001.) 

The Filter King was talked about during one of the
company's rescusitation attempts, basically an
upgraded and (I think) full-width model, but I'm not
sure it ever came out.

-t-

<http://www.myspace.com/nimbletunes>
<http://www.ct-collective.com/>

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Fri Mar 24 08:53:33 2006
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At 11:35 PM 3/23/2006, you wrote:
>At 11:01 PM -0500 3/23/06, David Kirkdorffer wrote:
>>  > What's the difference between the Electrix Filter King and the Electrix
>>  > Filter Queen?
>>
>>size, if I remember - 1/2 rack vs. full rack, right?

I'm sorry but I think you're thinking of the Filter Factory.  I was 
wondering about the difference between the Electrix Filter King and 
Queen.  The King was just released but seems identical to the Queen.

Thanks,
Kevin
www.TheNettles.com

From Loopers-Delight-request@loopers-delight.com  Fri Mar 24 09:08:59 2006
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At 12:53 AM -0800 3/24/06, Kevin wrote:
>
>I'm sorry but I think you're thinking of the Filter Factory.  I was 
>wondering about the difference between the Electrix Filter King and 
>Queen.  The King was just released but seems identical to the Queen.

Ah, now I see where you're coming from.  The Filter King is 
supposedly the updated version of the Filter Queen, which was 
announced by Electrix for NAMM before last.  So far, it's going on 
two years, and still no further details on any of those Mk 2 products 
beyond the flysheet .pdf that's up on the front page of their website.

I'm still hopeful we'll see something from these guys (especially 
Repeater Mk 2), but I know an awful lot of people who have given up 
and written them off.  Who knows when, or if, we'll ever actually see 
a Filter King...

	--m.

-- 
_______
"I want to reach my hand into the dark and *feel* what reaches back..."

From Loopers-Delight-request@loopers-delight.com  Fri Mar 24 09:51:30 2006
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>Speaking of rock gigs, have any of you ever used a Vortex in a rock 
>band, live? I find that many oif the patches that sound great in the 
>living room just disappear amid the bass and drums.

hi Tim

I didn't have a problem in a rehearsal studio type situation,
but if you mean playing with a "professional" pa then I'd
think about making easy uncomplicated sounds that a "sound guy"
might be able to live with.

Generally the fine details of a patch are always going be somewhat 
lost when you blend your guitar with other sounds. An echo at low 
volume will tend to disappear completely.
In any case, what sounds good on solo guitar isn't always going to 
work in a band context.

the supplied vortex presets are probably worth avoiding

Try going for simpler echoes,
turn up the echo volume, and turn down the no. of repeats.
Use simpler values for echo divide ( like putting them both = 2)

...and plenty of Vortex extreme modulation brought in with the pedal :-)

andy butler
www.andybutler.com mp3 and home of the Vortex Database


From Loopers-Delight-request@loopers-delight.com  Fri Mar 24 10:44:52 2006
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On 21 Mar 2006 at 19:26, loop.pool wrote:

> Is anyone familiar with the melancholy tune off of Astrounauts and
> Heretics called "I love You, Goodbye"?

Yes - a long time favourite of mine. I know it from the single 
version of "close but no cigar" - Dolby & Van Halen - an unlikley but 
intriguing combination.

Managed to pick up a fernandes dragonfly with sustainer technology 
for only =A3200 on ebay - can't wait to get it looping!


All the best,

Nick Robinson


From Loopers-Delight-request@loopers-delight.com  Fri Mar 24 11:02:56 2006
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here's the article without pictures


http://www.guitarplayer.com/story.asp?sectioncode=5&storycode=13444

andy butler 

From Loopers-Delight-request@loopers-delight.com  Fri Mar 24 12:03:27 2006
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Date: Fri, 24 Mar 2006 07:04:46 -0500
From: Warren Sirota <wsirota@wsdesigns.com>
Subject: RE: OT - JUST WHEN YOU THINK THAT NOBODY WILL EVER READ YOUR OPINION
 (OR CARE)
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This is a multi-part message in MIME format.

--Boundary_(ID_V0RY10ltpgTgEl8QX1bRUw)
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Good work, Ted. Thanks for doing what you can to participate and improve our
faux-democracy.
 
Best wishes,
Warren Sirota

-----Original Message-----
From: tEd R kiLLiAn [mailto:tedkillian@charter.net] 
Sent: Thursday, March 23, 2006 9:15 PM
To: Loopers-Delight@loopers-delight.com
Subject: OT - JUST WHEN YOU THINK THAT NOBODY WILL EVER READ YOUR OPINION
(OR CARE)


Well, this is sort of off topic. But, I was gratified to discover today
something 
that I find no less than absoultely amazing.

A year ago (or maybe two) I responded to a call for written comments from
some
lobbying group (I think it was Common Cause or something like it) that had 
e-mailed me (and gazillions of others) regarding some upcoming meetings 
that were going to be held in Washington D.C. to review the issue of
"localism" 
(local programming control and broadcast content) as affected by the FCC's 
continuing deregulation (and continuing centralization) of the radio
airwaves.

How often does someone ask your opinion and you really feel like they really
mean it and believe you have something to say? Not very often if you're like
me.
Well, as it turns out my comments were some of the few selected to be
published 
in a paper that was eventually submitted before the FCC (whatever the heck 
THAT means). It may not mean much. I may accomplish exactly diddly squat.
But, I feel kinda proud that my simple little comments got forwarded on to
somebody -- even if it winds up in somebody's trash can. I got heard.
Somebody,
somewhere read it after all.

You can view the 28 page PDF here: 

http://www.afm.org/public/press/localismreplycommentsFINAL.pdf

My little insignificant blurb is on page 9. I may be nuts, but I'm kinda
proud.

Striking a blow against the empire . . 

tEd R kiLLiAn

"Different is not always better, but better is always different"

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=2845073
http://www.netmusic.com/web/album.aspx?a_id=CBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=view_profile&id=121
197000042

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???


--Boundary_(ID_V0RY10ltpgTgEl8QX1bRUw)
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<DIV><SPAN class=609500012-24032006><FONT face=Arial color=#0000ff size=2>Good 
work, Ted. Thanks for doing what you can to participate and improve our 
faux-democracy.</FONT></SPAN></DIV>
<DIV>&nbsp;</DIV>
<DIV align=left><FONT face=Arial size=2>Best wishes,</FONT></DIV>
<DIV align=left><FONT face=Arial size=2>Warren Sirota</FONT></DIV>
<BLOCKQUOTE 
style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px solid; MARGIN-RIGHT: 0px">
  <DIV></DIV>
  <DIV class=OutlookMessageHeader lang=en-us dir=ltr align=left><FONT 
  face=Tahoma size=2>-----Original Message-----<BR><B>From:</B> tEd &reg; kiLLiAn 
  [mailto:tedkillian@charter.net] <BR><B>Sent:</B> Thursday, March 23, 2006 9:15 
  PM<BR><B>To:</B> Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> OT - 
  JUST WHEN YOU THINK THAT NOBODY WILL EVER READ YOUR OPINION (OR 
  CARE)<BR><BR></FONT></DIV>Well, this is sort of off topic. But, I was 
  gratified to discover today something <BR>that I find no less than absoultely 
  amazing.<BR><BR>A year ago (or maybe two) I responded to a call for written 
  comments from some<BR>lobbying group (I think it was Common Cause or something 
  like it) that had <BR>e-mailed me (and gazillions of others) regarding some 
  upcoming meetings <BR>that were going to be held in Washington D.C. to review 
  the issue of "localism" <BR>(local programming control and broadcast content) 
  as affected by the FCC's <BR>continuing deregulation (and continuing 
  centralization) of the radio airwaves.<BR><BR>How often does someone ask your 
  opinion and you really feel like they really<BR>mean it and believe you have 
  something to say? Not very often if you're like me.<BR>Well, as it turns out 
  my comments were some of the few selected to be published <BR>in a paper that 
  was eventually submitted before the FCC (whatever the heck <BR>THAT means). It 
  may not mean much. I may accomplish exactly diddly squat.<BR>But, I feel kinda 
  proud that my simple little comments got forwarded on to<BR>somebody -- even 
  if it winds up in somebody's trash can. I got heard. Somebody,<BR>somewhere 
  read it after all.<BR><BR>You can view the 28 page PDF here: 
  <BR><BR>http://www.afm.org/public/press/localismreplycommentsFINAL.pdf<BR><BR>My 
  little insignificant blurb is on page 9. I may be nuts, but I'm kinda 
  proud.<BR><BR>Striking a blow against the empire . . <BR><BR>tEd &reg; 
  kiLLiAn<BR><BR><?color><?param 8080,8080,8080>"Different is not always better, 
  but better is always 
  different"<BR><BR>http://www.pfmentum.com/flux.html<BR>http://www.CDbaby.com/cd/tedkillian<BR>http://www.guitar9.com/fluxaeterna.html<BR>http://www.garageband.com/artist/ArsOcarina<BR>http://www.towerrecords.com/product.aspx?pfid=2845073<BR>http://www.netmusic.com/web/album.aspx?a_id=CBNM_17314<BR>http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=193<BR>http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=view_profile&amp;id=121197000042<BR><BR>Ted 
  Killian's "Flux Aeterna" is also available at: Apple iTunes,<BR>BuyMusic, 
  Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,<BR>AudioLunchbox, Lindows, 
  QTRnote, Music4Cents, Etherstream,<BR>RuleRadio, EMEPE3, Sony Connect, 
  CatchMusic, Puretracks,<BR>and Viztas. Yadda, yadda, yadda. Blah, blah, blah. 
  So???<?/color></BLOCKQUOTE></BODY></HTML>

--Boundary_(ID_V0RY10ltpgTgEl8QX1bRUw)--

From Loopers-Delight-request@loopers-delight.com  Fri Mar 24 13:07:50 2006
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From: Warren Sirota <wsirota@wsdesigns.com>
Subject: RE: video during shows --  (was: Re: stumbling around in the dark.....)
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I have a question I've been asking myself about this. I'm performing at the
Monkey next month, and it has a projection video screen. I've been wondering
whether to duplicate my laptop display to the screen, showing the looping
software interface. I think it would be kind of cool - in a way, it's like a
"form-follows-function", Bauhaus kind of thing to do. OTOH, maybe that's
just a distraction from the music, and I shouldn't overplay the intellectual
aspects of what's going on onstage. After all, I'm not showing a display
designed to be a piece of art, it's more like watching the inner workings of
watch. It will, though, have an obvious synchronization with sonic and
physical (footcontroller presses, etc) events. Opinions?

Best wishes,
Warren Sirota

From Loopers-Delight-request@loopers-delight.com  Fri Mar 24 13:18:20 2006
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Date: Fri, 24 Mar 2006 13:18:18 +0000
From: "David Morton" <dmorton@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: video during shows -- (was: Re: stumbling around in the dark.....)
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On 3/24/06, Warren Sirota <wsirota@wsdesigns.com> wrote:
> I have a question I've been asking myself about this. I'm performing at t=
he
> Monkey next month, and it has a projection video screen. I've been wonder=
ing
> whether to duplicate my laptop display to the screen, showing the looping
> software interface.

My initial reaction is that were I in the audience (which I won't be
'cos I'm the other side of the big pond) I would be appalled to find I
had the choice of watching a computer display, squeezing my eyes
tightly shut or running screaming out into the night.

I spend way too much time staring at computers of one sort or another
and really wouldn't want to be confronted with such a display during
my off time.

Sorry if that's an overly-negative response, but it's an honest one.

From Loopers-Delight-request@loopers-delight.com  Fri Mar 24 13:25:50 2006
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Subject: RE : video during shows -- (was: Re: stumbling around in the dark.....)
Date: Fri, 24 Mar 2006 14:25:39 +0100
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on the other hand, and although I also
do spend a LOT of time looking at computer displays,
I would be very curious of trying to figure
what is going on on this display during the show,
what software is that, what does this or that mean,
how does the software interact with what I hear, etc etc...
and this would probably not spoil my music enjoyment,
but also lead me to go and ask questions to the performer after the
show.
it takes all sorts ...

Francois


-----Message d'origine-----
De : David Morton [mailto:dmorton@gmail.com]=20
Envoy=E9 : vendredi 24 mars 2006 14:18
=C0 : Loopers-Delight@loopers-delight.com
Objet : Re: video during shows -- (was: Re: stumbling around in the
dark.....)


On 3/24/06, Warren Sirota <wsirota@wsdesigns.com> wrote:
> I have a question I've been asking myself about this. I'm performing
at the
> Monkey next month, and it has a projection video screen. I've been
wondering
> whether to duplicate my laptop display to the screen, showing the
looping
> software interface.

My initial reaction is that were I in the audience (which I won't be
'cos I'm the other side of the big pond) I would be appalled to find I
had the choice of watching a computer display, squeezing my eyes
tightly shut or running screaming out into the night.

I spend way too much time staring at computers of one sort or another
and really wouldn't want to be confronted with such a display during
my off time.

Sorry if that's an overly-negative response, but it's an honest one.




From Loopers-Delight-request@loopers-delight.com  Fri Mar 24 13:35:43 2006
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From: Warren Sirota <wsirota@wsdesigns.com>
Subject: RE: video during shows -- (was: Re: stumbling around in the dark.....)
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David, honesty is what I'm seeking. It was a sincere question. It's valuable
to me to know your true reaction. Thank you.

Best wishes,
Warren Sirota


> -----Original Message-----
> From: David Morton [mailto:dmorton@gmail.com] 
> Sent: Friday, March 24, 2006 8:18 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: video during shows -- (was: Re: stumbling around 
> in the dark.....)

> My initial reaction is that were I in the audience (which I 
> won't be 'cos I'm the other side of the big pond) I would be 
> appalled to find I had the choice of watching a computer 
> display, squeezing my eyes tightly shut or running screaming 
> out into the night.
> 
> I spend way too much time staring at computers of one sort or 
> another and really wouldn't want to be confronted with such a 
> display during my off time.
> 
> Sorry if that's an overly-negative response, but it's an honest one.
> 

From Loopers-Delight-request@loopers-delight.com  Fri Mar 24 13:42:57 2006
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Date: Fri, 24 Mar 2006 08:44:50 -0500
From: Warren Sirota <wsirota@wsdesigns.com>
Subject: RE: RE : video during shows -- (was: Re: stumbling around in the
 dark.....)
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Francois, you get the plus side of the display. When I see a performer =
using
effects, I'm always sort of curious what he's stomping on at any given
instant, and what it's doing. Of course, a lot of things are just =
obvious,
but some aren't. But maybe that's kind of "inside baseball" (whatever =
that
means) - too technical to be interesting for most and not artistically
engaging in its own right.=20

I'm grasping for the right analogy here (and already leaning towards =
*not*
showing the display due to both the sheer intensity of David's reaction =
and
also my wife's reaction, which was also negative). I guess maybe it's =
like
this: When I go to a concert, I like to see the pianist's fingers. But I
don't need to see the piano hammers moving.

Best wishes,
Warren Sirota


> -----Original Message-----
> From: 1000times [mailto:frenchloops@free.fr]=20
> Sent: Friday, March 24, 2006 8:26 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: RE : video during shows -- (was: Re: stumbling=20
> around in the dark.....)
>=20
>=20
>=20
> on the other hand, and although I also
> do spend a LOT of time looking at computer displays,
> I would be very curious of trying to figure
> what is going on on this display during the show,
> what software is that, what does this or that mean,
> how does the software interact with what I hear, etc etc...
> and this would probably not spoil my music enjoyment,
> but also lead me to go and ask questions to the performer=20
> after the show. it takes all sorts ...
>=20
> Francois
>=20
>=20
> -----Message d'origine-----
> De : David Morton [mailto:dmorton@gmail.com]=20
> Envoy=E9 : vendredi 24 mars 2006 14:18
> =C0 : Loopers-Delight@loopers-delight.com
> Objet : Re: video during shows -- (was: Re: stumbling around in the
> dark.....)
>=20
>=20
> On 3/24/06, Warren Sirota <wsirota@wsdesigns.com> wrote:
> > I have a question I've been asking myself about this. I'm performing
> at the
> > Monkey next month, and it has a projection video screen. I've been
> wondering
> > whether to duplicate my laptop display to the screen, showing the
> looping
> > software interface.
>=20
> My initial reaction is that were I in the audience (which I=20
> won't be 'cos I'm the other side of the big pond) I would be=20
> appalled to find I had the choice of watching a computer=20
> display, squeezing my eyes tightly shut or running screaming=20
> out into the night.
>=20
> I spend way too much time staring at computers of one sort or=20
> another and really wouldn't want to be confronted with such a=20
> display during my off time.
>=20
> Sorry if that's an overly-negative response, but it's an honest one.
>=20
>=20
>=20
>=20

From Loopers-Delight-request@loopers-delight.com  Fri Mar 24 13:44:22 2006
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Date: Fri, 24 Mar 2006 08:44:20 -0500 (EST)
Subject: Re: RE : video during shows -- (was: Re: stumbling around in the 
     dark.....)
From: "Stuart Wyatt" <loopersdelight@swyatt.com>
To: Loopers-Delight@loopers-delight.com
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I've got some support gigs coming up at a local venue (if my health allows
it) which has a video DJ & multiple cameras running on a G5 console. I'm
planning to give him a VGA out from the laptop, so that the audience can
at least see the concept of what I'm doing on stage.

I'd say go for it!

- Stuart Wyatt http://swyatt.com

From Loopers-Delight-request@loopers-delight.com  Fri Mar 24 14:13:32 2006
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References: <p06230905c0449ac4c4f4@[10.0.1.5]> <008001c64c6e$c4f5e280$61b0ec0f@americas.hpqcorp.net>
Subject: Re: Looper's Delight Playlist - Send your MP3 links
Date: Fri, 24 Mar 2006 07:13:26 -0700
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A number of folks where this file is hosted for the time being. I have it on 
my website under the Looper's Delight Logo and descriptive text: 
http://www.krispenhartung.com/  (that way you can download it, if you want)

.....hopefully we can get it linked on the LD site sometime, somewhere.

Kris



> Thanks for all the songs, everyone! I have 64 of them in the playlist now.
>
> http://www.boisemusicians.com/loopers-delight.m3u
>
> I've been using the MusicMatch software to listen to the list, which seems 
> to work great too.
>
> Keep 'em coming!
>
> Kris
>
> 


From Loopers-Delight-request@loopers-delight.com  Fri Mar 24 14:33:01 2006
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Date: Fri, 24 Mar 2006 06:32:59 -0800 (PST)
From: daniel stevenson <stillllscary@yahoo.com>
Subject: Re: Insects & Coitus (was RE: stumbling around in the dark.....)
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anyone ever hear startled insects~curse of the pheromones? its a good listen,and works well with human coitus...

mech <mech@m3ch.net> wrote:   At 3:10 PM -0800 3/23/06, William Walker wrote:
>
>the video images of insects in various acts of coitus
>further proof that Looping and video go together like hand in glove.

Or go together like...

Oh hell, that one's just too easy. Nevermind.

--m.

-- 
_______
"Snakes on a Plane..."



		
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anyone ever hear startled insects~curse of the pheromones? its a good listen,and works well with human coitus...<BR><BR><B><I>mech &lt;mech@m3ch.net&gt;</I></B> wrote:   <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">At 3:10 PM -0800 3/23/06, William Walker wrote:<BR>&gt;<BR>&gt;the video images of insects in various acts of coitus<BR>&gt;further proof that Looping and video go together like hand in glove.<BR><BR>Or go together like...<BR><BR>Oh hell, that one's just too easy. Nevermind.<BR><BR>--m.<BR><BR>-- <BR>_______<BR>"Snakes on a Plane..."<BR><BR></BLOCKQUOTE><BR><p>
		<hr size=1>New Yahoo! Messenger with Voice. <a href="http://us.rd.yahoo.com/mail_us/taglines/postman5/*http://us.rd.yahoo.com/evt=39666/*http://beta.messenger.yahoo.com 
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From Loopers-Delight-request@loopers-delight.com  Fri Mar 24 14:41:12 2006
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Subject: Re: video during shows --  (was: Re: stumbling around in the dark.....)
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skinny puppy's too dark park and last rites tours were the pinacle of anything video ive ever wittnessed. it got inside your head in a big way.i would like to improvise sound while watching such images...

David Kirkdorffer <vze2ncsr@verizon.net> wrote:  I know I'm swimming against the tide on this one, but I am 9 times out of 10
not a fan of moving video during looping performances, or live music per
se -- unless the video is synchronized to the music or vise-versa. Random
associations of images and sounds rarely do much to inform eachother and
generally (for me) detract from either the images or the sonics.




----- Original Message ----- 
From: "William Walker" 
To: 
Sent: Thursday, March 23, 2006 6:10 PM
Subject: RE: stumbling around in the dark.....


> funny, I didn't notice it at all, perhaps it was because I so engrossed in
> the video images of insects in various acts of coitus
> further proof that Looping and video go together like hand in glove.
>
> Yeah Baby
>
> Bill
>
>
> -----Original Message-----
> From: mark sottilaro [mailto:zerocrossing2001@yahoo.com]
> Sent: Thursday, March 23, 2006 10:16 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: stumbling around in the dark.....
>
>
> Even in well lite gigs I've had stuff like this
> happen. I had this happen the last gig I played in
> Santa Cruz with the Walker Brothers. Although I set my
> Korg KAOSS pad to not send patch change info via MIDI,
> mid way through a gig it forgot and started to. I was
> holding a chord via a Sustainiac and I did a rapid
> scroll to get to one of the presets and it all went
> kerflewy. You just have to roll with it and laugh and
> move on.
>
> Mark
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam? Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>
>
>
>



		
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skinny puppy's too dark park and last rites tours were the pinacle of anything video ive ever wittnessed. it got inside your head in a big way.i would like to improvise sound&nbsp;while watching such images...<BR><BR><B><I>David Kirkdorffer &lt;vze2ncsr@verizon.net&gt;</I></B> wrote:  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">I know I'm swimming against the tide on this one, but I am 9 times out of 10<BR>not a fan of moving video during looping performances, or live music per<BR>se -- unless the video is synchronized to the music or vise-versa. Random<BR>associations of images and sounds rarely do much to inform eachother and<BR>generally (for me) detract from either the images or the sonics.<BR><BR><BR><BR><BR>----- Original Message ----- <BR>From: "William Walker" <BILLWALKER@BAYMOON.COM><BR>To: <LOOPERS-DELIGHT@LOOPERS-DELIGHT.COM><BR>Sent: Thursday, March 23, 2006 6:10 PM<BR>Subject: RE: stumbling around in the
 dark.....<BR><BR><BR>&gt; funny, I didn't notice it at all, perhaps it was because I so engrossed in<BR>&gt; the video images of insects in various acts of coitus<BR>&gt; further proof that Looping and video go together like hand in glove.<BR>&gt;<BR>&gt; Yeah Baby<BR>&gt;<BR>&gt; Bill<BR>&gt;<BR>&gt;<BR>&gt; -----Original Message-----<BR>&gt; From: mark sottilaro [mailto:zerocrossing2001@yahoo.com]<BR>&gt; Sent: Thursday, March 23, 2006 10:16 AM<BR>&gt; To: Loopers-Delight@loopers-delight.com<BR>&gt; Subject: Re: stumbling around in the dark.....<BR>&gt;<BR>&gt;<BR>&gt; Even in well lite gigs I've had stuff like this<BR>&gt; happen. I had this happen the last gig I played in<BR>&gt; Santa Cruz with the Walker Brothers. Although I set my<BR>&gt; Korg KAOSS pad to not send patch change info via MIDI,<BR>&gt; mid way through a gig it forgot and started to. I was<BR>&gt; holding a chord via a Sustainiac and I did a rapid<BR>&gt; scroll to get to one of the presets and it all
 went<BR>&gt; kerflewy. You just have to roll with it and laugh and<BR>&gt; move on.<BR>&gt;<BR>&gt; Mark<BR>&gt;<BR>&gt; __________________________________________________<BR>&gt; Do You Yahoo!?<BR>&gt; Tired of spam? Yahoo! Mail has the best spam protection around<BR>&gt; http://mail.yahoo.com<BR>&gt;<BR>&gt;<BR>&gt;<BR>&gt;<BR><BR></BLOCKQUOTE><BR><p>
		<hr size=1>New <a href="http://us.rd.yahoo.com/mail_us/taglines/postman4/*http://us.rd.yahoo.com/evt=39666/*http://beta.messenger.yahoo.com
">Yahoo! Messenger with Voice.</a> Call regular phones from your PC for low, low rates.
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From Loopers-Delight-request@loopers-delight.com  Fri Mar 24 14:51:34 2006
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I Love You, Goodbye

I would never normally go bowling
On a friday morning in New Orleans
But I like to come here to remember
The kind of places you took me
Like the time we stole a Datsun
And drove all night to the everglades
Until we crashed it in a big electric storm
And stood there listening to the bayou rain

The county sheriff had a hair - lip
Louisiana's pride and joy
He said politley as he cuffed me
"I never busted an English boy ...
But I will accept a contribution
To the Opelousas' Charity Ball
But you better drive this dirty Datsun
Into the Gulf of Mexico"

Under a Cajun moon I lay me open
There is a spirit here that won't be broken
Some words are sad to sing
Some leave me tongue-tied
(But the hardest thing to tell you )
But the hardest words I know
Are I love you goodbye
I love you goodbye

Typhoon Pierre delayed my plane till morning
(Jusqu'au matin)
Let the bontemps rouler from your accordion
(L'accordien)
Under a cajun moon I lay me open
(Y a un esprit partout)
There is a spirit here that won't be broken
(Simple words are sad to sing
Some words are sad to sing
(They leave me tongue-tied)
Some leave you tongue-tied
(But the hardest thing to tell you my friend)
But the hardest words I know
(Is I love you goodbye)
Are I love you goodbye
(Je t'aime, au revoir)
I love you goodbye
(Je t'aime, toujours)
I love you, goodbye=20

--
Paul =20
---- "nick@12testing.net" <nick@12testing.net> wrote:=20
> On 21 Mar 2006 at 19:26, loop.pool wrote:
>=20
> > Is anyone familiar with the melancholy tune off of Astrounauts and
> > Heretics called "I love You, Goodbye"?
>=20
> Yes - a long time favourite of mine. I know it from the single
> version of "close but no cigar" - Dolby & Van Halen - an unlikley but
> intriguing combination.
>=20
> Managed to pick up a fernandes dragonfly with sustainer technology
> for only =C2=A3200 on ebay - can't wait to get it looping!
>=20
>=20
> All the best,
>=20
> Nick Robinson
>=20
>=20

From Loopers-Delight-request@loopers-delight.com  Fri Mar 24 14:53:41 2006
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Date: Fri, 24 Mar 2006 06:53:39 -0800 (PST)
From: daniel stevenson <stillllscary@yahoo.com>
Subject: RE: video during shows --  (was: Re: stumbling around in the dark.....)
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go with your gut...we havent developed these new insticts for nothing
  

Warren Sirota <wsirota@wsdesigns.com> wrote:
  I have a question I've been asking myself about this. I'm performing at the
Monkey next month, and it has a projection video screen. I've been wondering
whether to duplicate my laptop display to the screen, showing the looping
software interface. I think it would be kind of cool - in a way, it's like a
"form-follows-function", Bauhaus kind of thing to do. OTOH, maybe that's
just a distraction from the music, and I shouldn't overplay the intellectual
aspects of what's going on onstage. After all, I'm not showing a display
designed to be a piece of art, it's more like watching the inner workings of
watch. It will, though, have an obvious synchronization with sonic and
physical (footcontroller presses, etc) events. Opinions?

Best wishes,
Warren Sirota



		
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<div>go with your gut...we havent developed these new insticts for nothing</div>  <div><BR><BR><B><I>Warren Sirota &lt;wsirota@wsdesigns.com&gt;</I></B> wrote:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">I have a question I've been asking myself about this. I'm performing at the<BR>Monkey next month, and it has a projection video screen. I've been wondering<BR>whether to duplicate my laptop display to the screen, showing the looping<BR>software interface. I think it would be kind of cool - in a way, it's like a<BR>"form-follows-function", Bauhaus kind of thing to do. OTOH, maybe that's<BR>just a distraction from the music, and I shouldn't overplay the intellectual<BR>aspects of what's going on onstage. After all, I'm not showing a display<BR>designed to be a piece of art, it's more like watching the inner workings of<BR>watch. It will, though, have an obvious synchronization with sonic and<BR>physical (footcontroller
 presses, etc) events. Opinions?<BR><BR>Best wishes,<BR>Warren Sirota<BR><BR></BLOCKQUOTE><BR><p>
		<hr size=1>Blab-away for as little as 1¢/min. Make <a href="http://us.rd.yahoo.com/mail_us/taglines/postman2/*http://us.rd.yahoo.com/evt=39663/*http://voice.yahoo.com"> PC-to-Phone Calls</a> using Yahoo! Messenger with Voice.
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From Loopers-Delight-request@loopers-delight.com  Fri Mar 24 14:59:32 2006
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Great stories!
~Tim


-----Original Message-----
>From: David Kirkdorffer <vze2ncsr@verizon.net>
>Sent: Mar 23, 2006 10:59 PM
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: stumbling around in the dark.....
>
>In the spirit of sharing....
>
>I remember playing a show in highschool with what we can loosely call "a
>band."  A few days earlier the other guitarist mentioned me that Nick Mason
>(drummer in Pink Floyd) might come to the show (long story...). So, up on
>stage we're playing "We Don't Need No Education" or (whatever it's really
>called) - which I really didn't know how to play.  That's when my friend
>told me "He's here!  He' here!"  To say I was mortified would be to apply
>the benefit of 25 years of hindsight searching for the right word to
>describe extreme embarrassment, panic, wonder and more panic.
>
>He took us all out for a few beers afterwards, so that was cool.
>
>David
>
>
>
>----- Original Message ----- 
>From: "Todd Pafford" <calenlas@gmail.com>
>To: <Loopers-Delight@loopers-delight.com>
>Sent: Thursday, March 23, 2006 6:11 PM
>Subject: Re: stumbling around in the dark.....
>
>
>I think we all have stories like these.  In the spirit of mutual
>sympathy, here's mine. :)
>
>One evening I found myself jamming in front of a small audience with a
>group of excellent musicians most of whom had never played with the
>others.  Feeling adventurous we decided to give Yes's Roundabout a go.
> It actually worked out really well.  I'm playing guitar and as it
>comes time for me to cover Steve Howe's solo I find myself on the
>wrong side of my pedal board....meaning the thing is behind me and
>upside down.  So I quickly turn around and have to deal with a now
>completely backwards pedal board.  Hoping for the best, I give a
>button a push that's supposed to boost my volume for the lead.
>Instead I hit the button for a quiet clean tone.  Oops!  Where'd the
>guitar go?  Luckily this particular solo breaks in the middle and
>allows the keyboards to rip for a few bars at which point I quickly
>put everything back in order and came out screaming for the second
>half.
>
>So let that be a lesson to the youngsters:  If you're playing
>something as difficult as a Yes song with a band of strangers, don't
>go wandering around the stage.  Sit your arse down and pay attention!
>:)  (On the other hand, I always did like the second half of the solo
>better anyway.)
>
>Todd
>

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Date: Fri, 24 Mar 2006 10:10:36 -0500 (GMT-05:00)
From: mungenast@earthlink.net
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To: Loopers-Delight@loopers-delight.com
Subject: Vortex, fuzz, Ted Killian's caramel ring mod setting Re: Vortex in
 a rock band
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Thanks for your thoughtful and useful advice, Andy!
I appreciate your wisdom.

" if you mean playing with a "professional" pa "

I run my rig mono into an ancient tube amp, but yeah, I will try your ideas. The factory presets do sound pretty nice, in a "livingroom" kind of way, but yeah, I can see how they would need to be tweaked for the special task of being heard over the drums and cymbals etc.

I find the same trouble with fuzz. It's great for solo gigs, but in a band, somehow the waveform just gets lost in the cymbals, even when I have the box set loud enough for infinite feedback. Funny, I can feel my back getting pulverized by the sound from my amp, but I can't really hear it. Not sure how Jimi got away with it, exceept that I am not going through a painfully loud plexi Super Lead like he was. (LOL) Fuzz is a strange animal. So is sound in general!

Now if I can get the Vortex to make Ted Killian's molten caramel ring modulation, which was part of why I bought a Vortex in the first place, I can die happy ;-)

With Gratitude,
Tim


-----Original Message-----
>From: a k butler <akbutler@tiscali.co.uk>
>Sent: Mar 24, 2006 4:49 AM
>To: Loopers-Delight@loopers-delight.com
>Subject: Vortex in a rock band
>
>
>>Speaking of rock gigs, have any of you ever used a Vortex in a rock 
>>band, live? I find that many oif the patches that sound great in the 
>>living room just disappear amid the bass and drums.
>
>hi Tim
>
>I didn't have a problem in a rehearsal studio type situation,
>but if you mean playing with a "professional" pa then I'd
>think about making easy uncomplicated sounds that a "sound guy"
>might be able to live with.
>
>Generally the fine details of a patch are always going be somewhat 
>lost when you blend your guitar with other sounds. An echo at low 
>volume will tend to disappear completely.
>In any case, what sounds good on solo guitar isn't always going to 
>work in a band context.
>
>the supplied vortex presets are probably worth avoiding
>
>Try going for simpler echoes,
>turn up the echo volume, and turn down the no. of repeats.
>Use simpler values for echo divide ( like putting them both = 2)
>
>...and plenty of Vortex extreme modulation brought in with the pedal :-)
>
>andy butler
>www.andybutler.com mp3 and home of the Vortex Database
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Mar 24 15:21:54 2006
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From: Kevin <kevin@TheNettles.com>
Subject: RE: video during shows
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At 05:09 AM 3/24/2006, you wrote:
>I've been wondering
>whether to duplicate my laptop display to the screen, showing the looping
>software interface.

"Pay no attention to the  man behind the curtain."  Dorothy got all 
distracted from the show when she did so.

If you want to easily do synched video with your performance, perhaps 
"sCrAmBlEd?HaCkZ!" will be released in time for you to put it on a 
second laptop with all your favorite Teletubbies shows:
http://musicthing.blogspot.com/2006/03/live-remix-machine-with-human-beatbox.html

Incidentally, are there any good VJ mailing lists or sites?  I'd love 
to work with a video artist.

Cheers,
Kevin

The Nettles: Progressive and Exciting Celtic Music
www.TheNettles.com
Phone: 541.757.1933
Fax: 541.738.0604
Email: Kevin@TheNettles.com

From Loopers-Delight-request@loopers-delight.com  Fri Mar 24 15:38:16 2006
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From: =?ISO-8859-1?Q?tEd_=AE_kiLLiAn?= <tedkillian@charter.net>
Subject: Re: Vortex, fuzz, Ted Killian's caramel ring mod setting Re: Vortex in a rock band
Date: Fri, 24 Mar 2006 07:39:02 -0800
To: loopers-Delight@loopers-delight.com
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--Apple-Mail-4--448698605
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Heheheh,

On Mar 24, 2006, at 7:10 AM, mungenast@earthlink.net wrote:

> Now if I can get the Vortex to make Ted Killian's molten caramel ring =20=

> modulation, which was part of why I bought a Vortex in the first =20
> place, I can die happy ;-)

I already told you how . . . I thought. Really I did. All I remember of =20=

it off the top of my head. I told somebody on this list at least.

If I could only get my Vortex to do what Andy butler gets HIS to do I =20=

could die a happy man.

tEd =AE kiLLiAn

"Different is not always better, but better is always different"

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=3D2845073
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?=20
step=3Dview_profile&id=3D121197000042

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???=

--Apple-Mail-4--448698605
Content-Transfer-Encoding: quoted-printable
Content-Type: text/enriched;
	charset=ISO-8859-1

Heheheh,


On Mar 24, 2006, at 7:10 AM, mungenast@earthlink.net wrote:


<excerpt>Now if I can get the Vortex to make Ted Killian's molten
caramel ring modulation, which was part of why I bought a Vortex in
the first place, I can die happy ;-)

</excerpt>

I already told you how . . . I thought. Really I did. All I remember
of it off the top of my head. I told somebody on this list at least.


If I could only get my Vortex to do what Andy butler gets HIS to do I
could die a happy man.


tEd =AE kiLLiAn


<color><param>8080,8080,8080</param>"Different is not always better,
but better is always different"


http://www.pfmentum.com/flux.html

http://www.CDbaby.com/cd/tedkillian

http://www.guitar9.com/fluxaeterna.html

http://www.garageband.com/artist/ArsOcarina

http://www.towerrecords.com/product.aspx?pfid=3D2845073

http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314

http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193

=
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042


Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,

BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,

AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,

RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,

and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???</color>=

--Apple-Mail-4--448698605--

From Loopers-Delight-request@loopers-delight.com  Fri Mar 24 15:41:55 2006
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From: mungenast@earthlink.net
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To: Loopers-Delight@loopers-delight.com
Subject: RE: OT - JUST WHEN YOU THINK THAT NOBODY WILL EVER READ YOUR
 OPINION (OR CARE)
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<HEAD><TITLE>Message</TITLE>
<META content=3D"MSHTML 6.00.2900.2802" name=3DGENERATOR></HEAD>
<BODY>
<DIV>"Blow against the empire"... I get the reference!</DIV>
<DIV>&nbsp;</DIV>
<DIV>Nice going, Ted! Congratulations!</DIV>
<DIV>&nbsp;</DIV>
<DIV>Yours in Free Speech Radio,</DIV>
<DIV>Tim<BR><BR><BR>-----Original Message----- <BR>From: Warren Sirota <WSI=
ROTA@WSDESIGNS.COM><BR>Sent: Mar 24, 2006 7:04 AM <BR>To: Loopers-Delight@l=
oopers-delight.com <BR>Subject: RE: OT - JUST WHEN YOU THINK THAT NOBODY WI=
LL EVER READ YOUR OPINION (OR CARE) <BR><BR></DIV><ZZZHTML><ZZZHEAD><ZZZMET=
A CONTENT=3D"text/html; charset=3Dus-ascii" HTTP-EQUIV=3D"Content-Type"><ZZ=
ZMETA name=3D"GENERATOR" content=3D"MSHTML 6.00.2900.2802"></ZZZHEAD><ZZZBO=
DY>
<DIV><SPAN class=3D609500012-24032006><FONT face=3DArial color=3D#0000ff si=
ze=3D2>Good work, Ted. Thanks for doing what you can to participate and imp=
rove our faux-democracy.</FONT></SPAN></DIV>
<DIV>&nbsp;</DIV>
<DIV align=3Dleft><FONT face=3DArial size=3D2>Best wishes,</FONT></DIV>
<DIV align=3Dleft><FONT face=3DArial size=3D2>Warren Sirota</FONT></DIV>
<BLOCKQUOTE style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000=
0ff 2px solid; MARGIN-RIGHT: 0px">
<DIV></DIV>
<DIV class=3DOutlookMessageHeader lang=3Den-us dir=3Dltr align=3Dleft><FONT=
 face=3DTahoma size=3D2>-----Original Message-----<BR><B>From:</B> tEd =AE =
kiLLiAn [mailto:tedkillian@charter.net] <BR><B>Sent:</B> Thursday, March 23=
, 2006 9:15 PM<BR><B>To:</B> Loopers-Delight@loopers-delight.com<BR><B>Subj=
ect:</B> OT - JUST WHEN YOU THINK THAT NOBODY WILL EVER READ YOUR OPINION (=
OR CARE)<BR><BR></FONT></DIV>Well, this is sort of off topic. But, I was gr=
atified to discover today something <BR>that I find no less than absoultely=
 amazing.<BR><BR>A year ago (or maybe two) I responded to a call for writte=
n comments from some<BR>lobbying group (I think it was Common Cause or some=
thing like it) that had <BR>e-mailed me (and gazillions of others) regardin=
g some upcoming meetings <BR>that were going to be held in Washington D.C. =
to review the issue of "localism" <BR>(local programming control and broadc=
ast content) as affected by the FCC's <BR>continuing deregulation (and cont=
inuing centralization) of the radio airwaves.<BR><BR>How often does someone=
 ask your opinion and you really feel like they really<BR>mean it and belie=
ve you have something to say? Not very often if you're like me.<BR>Well, as=
 it turns out my comments were some of the few selected to be published <BR=
>in a paper that was eventually submitted before the FCC (whatever the heck=
 <BR>THAT means). It may not mean much. I may accomplish exactly diddly squ=
at.<BR>But, I feel kinda proud that my simple little comments got forwarded=
 on to<BR>somebody -- even if it winds up in somebody's trash can. I got he=
ard. Somebody,<BR>somewhere read it after all.<BR><BR>You can view the 28 p=
age PDF here: <BR><BR>http://www.afm.org/public/press/localismreplycomments=
FINAL.pdf<BR><BR>My little insignificant blurb is on page 9. I may be nuts,=
 but I'm kinda proud.<BR><BR>Striking a blow against the empire . . <BR><BR=
>tEd =AE kiLLiAn<BR><BR><?color><?param 8080,8080,8080>"Different is not al=
ways better, but better is always different"<BR><BR>http://www.pfmentum.com=
/flux.html<BR>http://www.CDbaby.com/cd/tedkillian<BR>http://www.guitar9.com=
/fluxaeterna.html<BR>http://www.garageband.com/artist/ArsOcarina<BR>http://=
www.towerrecords.com/product.aspx?pfid=3D2845073<BR>http://www.netmusic.com=
/web/album.aspx?a_id=3DCBNM_17314<BR>http://www.indiejazz.com/ProductDetail=
sView.aspx?ProductID=3D193<BR>http://www.loopers-delight.com/cgi-bin/profil=
es.cgi?step=3Dview_profile&amp;id=3D121197000042<BR><BR>Ted Killian's "Flux=
 Aeterna" is also available at: Apple iTunes,<BR>BuyMusic, Rhapsody, MusicM=
atch, MusicNet, DiscLogic, Napster,<BR>AudioLunchbox, Lindows, QTRnote, Mus=
ic4Cents, Etherstream,<BR>RuleRadio, EMEPE3, Sony Connect, CatchMusic, Pure=
tracks,<BR>and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???<?/color=
></BLOCKQUOTE></ZZZBODY></ZZZHTML></BODY>

From Loopers-Delight-request@loopers-delight.com  Fri Mar 24 15:46:28 2006
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From: mungenast@earthlink.net
Reply-To: mungenast@earthlink.net
To: Loopers-Delight@loopers-delight.com
Subject: Re: Vortex, fuzz, Ted Killian's caramel ring mod setting Re: Vortex
 in a rock band
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Actually, Ted, what you said was that too much time had already passed and =
you were not sure how the sound was made, which is cool and understandable.=
 If you had actually given me the settings, I would have made a register ou=
t of them and regaled/tortured audiences with the descending "wwwwwwrrrrrrm=
mmmmmvrrrrrrrrrrmmmmmm" sound. (From the "Flux Aeterna" song with the faux =
samishen loop.)

Your Friend and Fan,
Tim



-----Original Message-----
>From: tEd =AE kiLLiAn <tedkillian@charter.net>
>Sent: Mar 24, 2006 10:39 AM
>To: loopers-Delight@loopers-delight.com
>Subject: Re: Vortex, fuzz, Ted Killian's caramel ring mod setting Re: Vort=
ex in a rock band
>
>Heheheh,
>
>On Mar 24, 2006, at 7:10 AM, mungenast@earthlink.net wrote:
>
>> Now if I can get the Vortex to make Ted Killian's molten caramel ring =
=20
>> modulation, which was part of why I bought a Vortex in the first =20
>> place, I can die happy ;-)
>
>I already told you how . . . I thought. Really I did. All I remember of =
=20
>it off the top of my head. I told somebody on this list at least.
>
>If I could only get my Vortex to do what Andy butler gets HIS to do I =20
>could die a happy man.
>
>tEd =AE kiLLiAn
>
>"Different is not always better, but better is always different"
>
>http://www.pfmentum.com/flux.html
>http://www.CDbaby.com/cd/tedkillian
>http://www.guitar9.com/fluxaeterna.html
>http://www.garageband.com/artist/ArsOcarina
>http://www.towerrecords.com/product.aspx?pfid=3D2845073
>http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
>http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
>http://www.loopers-delight.com/cgi-bin/profiles.cgi?=20
>step=3Dview_profile&id=3D121197000042
>
>Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
>BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
>AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
>RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
>and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

From Loopers-Delight-request@loopers-delight.com  Fri Mar 24 15:46:36 2006
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From: "Charles Winters" <chasw44@comcast.net>
To: <Loopers-Delight@loopers-delight.com>
References: <001601c64f44$1e549d30$0202a8c0@Lightning>
Subject: Re: video during shows --  (was: Re: stumbling around in the dark.....)
Date: Fri, 24 Mar 2006 07:46:32 -0800
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Good idea Warren.  I say go for it.  There is a long history of people 
projecting images on screens during music concerts, usually with some sort 
of synchronization of the image with the music.  You idea of showing the 
software GUI is a novel one and not without its risks.  My son John often 
performs his acoustic guitar music along with a laptop running Ableton Live, 
but he makes a point of orienting the laptop so the audience cannot see the 
screen.  The audience's perception of him playing the guitar and 
occasionally working the midi keyboard, the foot controller and the mouse 
while the music unfolds creates feelings of wonder and mystery.  Seeing the 
computer screen would detract from that effect and break the spell, he 
maintains.

Instead, his (or maybe my) ambition is to augment his regular performance 
with an ordinary LCD projector, hooked up to his laptop, projecting the 
images his music makes through the standard iTunes player.  iTunes has the 
best visualizer app I've yet seen, vastly superior to the one bundled with 
WMPlayer.   I imagine the end result will be a modern version of what Bill 
Graham used to provide for rock bands at the old Avalon Ballroom in SF. 
Downright hypnotic. - CW
www.johnwinters.biz


----- Original Message ----- 
From: "Warren Sirota" <wsirota@wsdesigns.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, March 24, 2006 5:09 AM
Subject: RE: video during shows -- (was: Re: stumbling around in the 
dark.....)


>I have a question I've been asking myself about this. I'm performing at the
> Monkey next month, and it has a projection video screen. I've been 
> wondering
> whether to duplicate my laptop display to the screen, showing the looping
> software interface. I think it would be kind of cool - in a way, it's like 
> a
> "form-follows-function", Bauhaus kind of thing to do. OTOH, maybe that's
> just a distraction from the music, and I shouldn't overplay the 
> intellectual
> aspects of what's going on onstage. After all, I'm not showing a display
> designed to be a piece of art, it's more like watching the inner workings 
> of
> watch. It will, though, have an obvious synchronization with sonic and
> physical (footcontroller presses, etc) events. Opinions?
>
> Best wishes,
> Warren Sirota
> 

From Loopers-Delight-request@loopers-delight.com  Fri Mar 24 15:48:33 2006
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In a message dated 3/23/06 10:45:37 AM, dsmall@uh.edu writes:


> it would seem to be somewhat bland to the audience if all you were
> playing was the rhythm back-up the first time through.
> 

perhaps this could be made more interesting?.....mic



www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
In a message dated 3/23/06 10:45:37 AM, dsmall@uh.edu writes:<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">it would seem to be s=
omewhat bland to the audience if all you were<BR>
playing was the rhythm back-up the first time through.<BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2">perhaps this could be made more interesting?.....mic<BR>
<BR>
<BR>
<BR>
www.ct-collective.com<BR>
http://mysite.verizon.net/vzepmeci/<BR>
http://www.myspace.com/klobuchar11<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT></HTML>
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From Loopers-Delight-request@loopers-delight.com  Fri Mar 24 15:49:31 2006
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To: Loopers-Delight@loopers-delight.com
Subject: Looper flutist? 
References: <001701c64ef7$8510d7c0$0affff0a@hppav> <001601c64f44$1e549d30$0202a8c0@Lightning> <7.0.0.16.0.20060324071321.01ad1928@TheNettles.com>
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Tim Weisberg...flutist. 

>  I never forgot the solo flute feature that Tim did with the 
> tape-based Echoplex. Spinning in an hypnotic dervish in synch with the 
> tape he layered line after line. The musical tapestry was amazing even 
> though I had heard this on his LPs. The act of creating such music 
> live was so engaging and reinforced the fact that this was not just 
> studio tape over-dubbing.

(http://jamespaulsain.com/flutes.html)

I've Googled Weisberg, but haven't come up with much at all...curious!  
Sounds like he was looping in the 70s.  Any info appreciated!

David  ||:  :||

From Loopers-Delight-request@loopers-delight.com  Fri Mar 24 15:51:15 2006
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Subject: Re: Looper's Delight Playlist - Send your MP3 links
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Being new to Loopers-deliht and looping, this stuf is really opening my eyes
(and ears). Thanks everyone, fro a jaded, middle-aged heavy rock fan.

Nik

--------- Original Message --------
From: Loopers-Delight@loopers-delight.com
To: "Loopers-Delight@loopers-delight.com"
<Loopers-Delight@loopers-delight.com>
Subject: Re: Looper's Delight Playlist - Send your MP3 links
Date: 24/03/06 14:13


A number of folks where this file is hosted for the time being. I have it on
my website under the Looper's Delight Logo and descriptive text:
http://www.krispenhartung.com/ (that way you can download it, if you want)

......hopefully we can get it linked on the LD site sometime, somewhere.

Kris



________________________________________________
Message sent using UebiMiau 2.7.2

From Loopers-Delight-request@loopers-delight.com  Fri Mar 24 15:57:43 2006
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Subject: teletubbies...not just for Ecstacy addicts!  RE: video during shows
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Teletubbies! It's like Monty Python for kidz! Video drugs for the parents!
What's not to love?!?
As a parent, I am damn glad that, for a few years, anyway, I had an excuse to watch the Teletubbies. The followup show, BooBah, is trippy, too, but the great video effect of their flight through the sky looks disturbingly like that tragic breakup of the space shuttle upon reentry.

~Tim




-----Original Message-----
>From: Kevin <kevin@TheNettles.com>
>Sent: Mar 24, 2006 10:21 AM
>To: Loopers-Delight@loopers-delight.com
>Subject: RE: video during shows
>
>At 05:09 AM 3/24/2006, you wrote:
>>I've been wondering
>>whether to duplicate my laptop display to the screen, showing the looping
>>software interface.
>
>"Pay no attention to the  man behind the curtain."  Dorothy got all 
>distracted from the show when she did so.
>
>If you want to easily do synched video with your performance, perhaps 
>"sCrAmBlEd?HaCkZ!" will be released in time for you to put it on a 
>second laptop with all your favorite Teletubbies shows:
>http://musicthing.blogspot.com/2006/03/live-remix-machine-with-human-beatbox.html
>
>Incidentally, are there any good VJ mailing lists or sites?  I'd love 
>to work with a video artist.
>
>Cheers,
>Kevin
>
>The Nettles: Progressive and Exciting Celtic Music
>www.TheNettles.com
>Phone: 541.757.1933
>Fax: 541.738.0604
>Email: Kevin@TheNettles.com
>

From Loopers-Delight-request@loopers-delight.com  Fri Mar 24 16:02:20 2006
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That's excellent...and if we're lucky, we can get your eyes to pop out of 
their sockets and blow your mind!  :)

Keep the submissions coming, folks...

Kris

----- Original Message ----- 
From: "Fluke" <fluke@gotadsl.co.uk>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, March 24, 2006 8:51 AM
Subject: Re: Looper's Delight Playlist - Send your MP3 links


> Being new to Loopers-deliht and looping, this stuf is really opening my 
> eyes
> (and ears). Thanks everyone, fro a jaded, middle-aged heavy rock fan.
>
> Nik
>
> --------- Original Message --------
> From: Loopers-Delight@loopers-delight.com
> To: "Loopers-Delight@loopers-delight.com"
> <Loopers-Delight@loopers-delight.com>
> Subject: Re: Looper's Delight Playlist - Send your MP3 links
> Date: 24/03/06 14:13
>
>
> A number of folks where this file is hosted for the time being. I have it 
> on
> my website under the Looper's Delight Logo and descriptive text:
> http://www.krispenhartung.com/ (that way you can download it, if you want)
>
> ......hopefully we can get it linked on the LD site sometime, somewhere.
>
> Kris
>
>
>
> ________________________________________________
> Message sent using UebiMiau 2.7.2
>
> 


From Loopers-Delight-request@loopers-delight.com  Fri Mar 24 16:11:38 2006
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From: Warren Sirota <wsirota@wsdesigns.com>
Subject: RE: video during shows --  (was: Re: stumbling around in the dark.....)
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I gotta agree, Charles, the iTunes visualizer is ridiculously good. Much
prettier than my app, which is more designed to be obvious than artful (at
present, anyway).

I continue to solicit reactions....

Best wishes,
Warren Sirota


> -----Original Message-----
> From: Charles Winters [mailto:chasw44@comcast.net] 
> Sent: Friday, March 24, 2006 10:47 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: video during shows -- (was: Re: stumbling around 
> in the dark.....)
> 
> 
> Good idea Warren.  I say go for it.  There is a long history 
> of people 
> projecting images on screens during music concerts, usually 
> with some sort 
> of synchronization of the image with the music.  You idea of 
> showing the 
> software GUI is a novel one and not without its risks.  My 
> son John often 
> performs his acoustic guitar music along with a laptop 
> running Ableton Live, 
> but he makes a point of orienting the laptop so the audience 
> cannot see the 
> screen.  The audience's perception of him playing the guitar and 
> occasionally working the midi keyboard, the foot controller 
> and the mouse 
> while the music unfolds creates feelings of wonder and 
> mystery.  Seeing the 
> computer screen would detract from that effect and break the 
> spell, he 
> maintains.
> 
> Instead, his (or maybe my) ambition is to augment his regular 
> performance 
> with an ordinary LCD projector, hooked up to his laptop, 
> projecting the 
> images his music makes through the standard iTunes player.  
> iTunes has the 
> best visualizer app I've yet seen, vastly superior to the one 
> bundled with 
> WMPlayer.   I imagine the end result will be a modern version 
> of what Bill 
> Graham used to provide for rock bands at the old Avalon 
> Ballroom in SF. 
> Downright hypnotic. - CW
> www.johnwinters.biz
> 
> 

From Loopers-Delight-request@loopers-delight.com  Fri Mar 24 16:13:35 2006
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I have seen a few people do this sort of thing in shows and it is pretty
cool. The best one I saw was a guy patching live in MaxMSP. Everything
you saw, you heard. Of course that is not exactly going to be exciting
for everyone.

The only thing I would add though, is make sure you test it before you
try it. Laptop video cards sometimes lack the power to be able to
display 2 screens or even a mirror of one screen without some CPU hit.


-A




Charles Winters wrote:
> Good idea Warren.  I say go for it.  There is a long history of people 
> projecting images on screens during music concerts, usually with some 
> sort of synchronization of the image with the music.  You idea of 
> showing the software GUI is a novel one and not without its risks.  My 
> son John often performs his acoustic guitar music along with a laptop 
> running Ableton Live, but he makes a point of orienting the laptop so 
> the audience cannot see the screen.  The audience's perception of him 
> playing the guitar and occasionally working the midi keyboard, the foot 
> controller and the mouse while the music unfolds creates feelings of 
> wonder and mystery.  Seeing the computer screen would detract from that 
> effect and break the spell, he maintains.
> 
> Instead, his (or maybe my) ambition is to augment his regular 
> performance with an ordinary LCD projector, hooked up to his laptop, 
> projecting the images his music makes through the standard iTunes 
> player.  iTunes has the best visualizer app I've yet seen, vastly 
> superior to the one bundled with WMPlayer.   I imagine the end result 
> will be a modern version of what Bill Graham used to provide for rock 
> bands at the old Avalon Ballroom in SF. Downright hypnotic. - CW
> www.johnwinters.biz
> 
> 
> ----- Original Message ----- From: "Warren Sirota" <wsirota@wsdesigns.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Friday, March 24, 2006 5:09 AM
> Subject: RE: video during shows -- (was: Re: stumbling around in the 
> dark.....)
> 
> 
>> I have a question I've been asking myself about this. I'm performing 
>> at the
>> Monkey next month, and it has a projection video screen. I've been 
>> wondering
>> whether to duplicate my laptop display to the screen, showing the looping
>> software interface. I think it would be kind of cool - in a way, it's 
>> like a
>> "form-follows-function", Bauhaus kind of thing to do. OTOH, maybe that's
>> just a distraction from the music, and I shouldn't overplay the 
>> intellectual
>> aspects of what's going on onstage. After all, I'm not showing a display
>> designed to be a piece of art, it's more like watching the inner 
>> workings of
>> watch. It will, though, have an obvious synchronization with sonic and
>> physical (footcontroller presses, etc) events. Opinions?
>>
>> Best wishes,
>> Warren Sirota
>>
> 

From Loopers-Delight-request@loopers-delight.com  Fri Mar 24 16:22:51 2006
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Subject: RE: video during shows
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Good point about the cpu hit. I'm going to need every cycle!

Best wishes,
Warren Sirota


> -----Original Message-----
> From: Wyatt [mailto:gunfight@theokcorral.net] 
> Sent: Friday, March 24, 2006 11:13 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: video during shows
> 
> 
> 
> 
> I have seen a few people do this sort of thing in shows and 
> it is pretty cool. The best one I saw was a guy patching live 
> in MaxMSP. Everything you saw, you heard. Of course that is 
> not exactly going to be exciting for everyone.
> 
> The only thing I would add though, is make sure you test it 
> before you try it. Laptop video cards sometimes lack the 
> power to be able to display 2 screens or even a mirror of one 
> screen without some CPU hit.
> 

From Loopers-Delight-request@loopers-delight.com  Fri Mar 24 16:23:31 2006
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Subject: Re: video during shows --  (was: Re: stumbling around in the dark.....)
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Touble with that is you then have the Apple logo introducing it self  now and 
then. Unless your sponsored by Apple. Win amp on windows is another good  
alternative. 
 
But it all starts to look like everyone else............
 
If visuals are synched with the music or not the images have to be  
interesting in the first place and having somebody at the other end being a VJ  helps. 
Well the sounds in them selves have to be interesting as  well. 
 
Personally I think it should be transparent so you don't notice the  
mechanics of the audio and video. 
 
 

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; charset=3DUS-ASCII">
<META content=3D"MSHTML 6.00.2800.1106" name=3DGENERATOR></HEAD>
<BODY id=3Drole_body style=3D"FONT-SIZE: 10pt; COLOR: #000000; FONT-FAMILY:=20=
Arial"=20
bottomMargin=3D7 leftMargin=3D7 topMargin=3D7 rightMargin=3D7><FONT id=3Drol=
e_document=20
face=3DArial color=3D#000000 size=3D2>
<DIV>Touble with that is you&nbsp;then have the Apple logo introducing it se=
lf=20
now and then. Unless your sponsored by Apple. Win amp on windows is another=20=
good=20
alternative. </DIV>
<DIV>&nbsp;</DIV>
<DIV>But&nbsp;it all starts to look like everyone else............</DIV>
<DIV>&nbsp;</DIV>
<DIV>If visuals are synched with the music or not the images have to be=20
interesting in the first place and having somebody at the other end being a=20=
VJ=20
helps. Well the sounds in them selves have to be interesting as=20
well.&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>Personally I think it should be transparent so you don't notice&nbsp;th=
e=20
mechanics of the audio and video.&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV></FONT></BODY></HTML>

-------------------------------1143217406--

From Loopers-Delight-request@loopers-delight.com  Fri Mar 24 16:29:43 2006
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Subject: Re: x911 example
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The X911 is featured heavily on a track from my fleamarket/trash band 
Overdrice Date Master. I used the glitching "feature" for good rather 
than evil by purposely playing some scratch/funk rhythm guitar chords. 
Since I did it fast it doesn't really have time to glitch but it doesn't 
track either, a very interesting effect :)

You can hear the entire song in MP3 on the band page: 
http://helpwantedproductions.com/odm.htm

Scroll down and click on the song "3 in 3".

-- 
___________________________________________________________________
HELP WANTED PRODUCTIONS - Http://www.HelpWantedProductions.com
"Bringing you the best in Organic Electronic music since we started..."

NOW! New online shopping cart of great Indie Rock and Electronic music:
Http://www.HelpWantedProductions.com/catalog.htm

From Loopers-Delight-request@loopers-delight.com  Fri Mar 24 16:41:36 2006
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From: "William Walker" <billwalker@baymoon.com>
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Subject: RE: Guitar Player - Looping
Date: Fri, 24 Mar 2006 08:41:36 -0800
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Without Pictures?
does that mean that no one gets to see your hunky photo in a muscle T???
Dammm.. Great article I'll say it again.
Bill

-----Original Message-----
From: a k butler [mailto:akbutler@tiscali.co.uk]
Sent: Friday, March 24, 2006 3:01 AM
To: Loopers-Delight@loopers-delight.com
Subject: Guitar Player - Looping


here's the article without pictures


http://www.guitarplayer.com/story.asp?sectioncode=5&storycode=13444

andy butler




From Loopers-Delight-request@loopers-delight.com  Fri Mar 24 17:21:53 2006
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Subject: Re: Looper flutist? 
Date: Fri, 24 Mar 2006 17:21:22 -0000
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I can confirm this!  I saw Tim Weisberg at Wake Forest Univ. in 1976 on a 
tour for "Twin Sons of Different Mothers", done with Dan Fogelberg.  In the 
show Tim did a number of pieces using some sort of tape loop: the first I 
remember with the spinning and dancing, the second sounded so much like Bach 
it was incredible.  Wonderful layering, and EXCELLENT timing on Tim's part 
with the looping.

----- Original Message ----- 
From: ".David.Auker." <DaVAuk@Hevanet.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, 24 March, 2006 15:55 PM
Subject: Looper flutist?


> Tim Weisberg...flutist.
>>  I never forgot the solo flute feature that Tim did with the tape-based 
>> Echoplex. Spinning in an hypnotic dervish in synch with the tape he 
>> layered line after line. The musical tapestry was amazing even though I 
>> had heard this on his LPs. The act of creating such music live was so 
>> engaging and reinforced the fact that this was not just studio tape 
>> over-dubbing.
>
> (http://jamespaulsain.com/flutes.html)
>
> I've Googled Weisberg, but haven't come up with much at all...curious! 
> Sounds like he was looping in the 70s.  Any info appreciated!
>
> David  ||:  :||
>
>
>
>
> 

From Loopers-Delight-request@loopers-delight.com  Fri Mar 24 18:19:00 2006
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Date: Fri, 24 Mar 2006 10:18:52 -0800 (PST)
Subject: RE: OT - JUST WHEN YOU THINK THAT NOBODY WILL EVER READ YOUR 
     OPINION (OR CARE)
From: "Daren Burns" <daren@darenburns.com>
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Yeah Ted,

Very nice statement you made. It's easy to think that nothing you do
matters when it comes to the goverment, and it may not, but at least you
tried. The majority don't.


-- 
Daren Burns
bassist/composer/teacher/good guy
http://www.darenburns.com
http://www.darknumbers.com
"I can't understand why people are frightened of new ideas. I'm frightened
of the old ones."
- John Cage




mungenast@earthlink.net
> <HEAD><TITLE>Message</TITLE>
> <META content="MSHTML 6.00.2900.2802" name=GENERATOR></HEAD>
> <BODY>
> <DIV>"Blow against the empire"... I get the reference!</DIV>
> <DIV> </DIV>
> <DIV>Nice going, Ted! Congratulations!</DIV>
> <DIV> </DIV>
> <DIV>Yours in Free Speech Radio,</DIV>
> <DIV>Tim<BR><BR><BR>-----Original Message----- <BR>From: Warren Sirota
> <WSIROTA@WSDESIGNS.COM><BR>Sent: Mar 24, 2006 7:04 AM <BR>To:
> Loopers-Delight@loopers-delight.com <BR>Subject: RE: OT - JUST WHEN YOU
> THINK THAT NOBODY WILL EVER READ YOUR OPINION (OR CARE)
> <BR><BR></DIV><ZZZHTML><ZZZHEAD><ZZZMETA CONTENT="text/html;
> charset=us-ascii" HTTP-EQUIV="Content-Type"><ZZZMETA name="GENERATOR"
> content="MSHTML 6.00.2900.2802"></ZZZHEAD><ZZZBODY>
> <DIV><SPAN class=609500012-24032006><FONT face=Arial color=#0000ff
> size=2>Good work, Ted. Thanks for doing what you can to participate and
> improve our faux-democracy.</FONT></SPAN></DIV>
> <DIV> </DIV>
> <DIV align=left><FONT face=Arial size=2>Best wishes,</FONT></DIV>
> <DIV align=left><FONT face=Arial size=2>Warren Sirota</FONT></DIV>
> <BLOCKQUOTE style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT:
> #0000ff 2px solid; MARGIN-RIGHT: 0px">
> <DIV></DIV>
> <DIV class=OutlookMessageHeader lang=en-us dir=ltr align=left><FONT
> face=Tahoma size=2>-----Original Message-----<BR><B>From:</B> tEd ®
> kiLLiAn [mailto:tedkillian@charter.net] <BR><B>Sent:</B> Thursday, March
> 23, 2006 9:15 PM<BR><B>To:</B>
> Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> OT - JUST WHEN YOU
> THINK THAT NOBODY WILL EVER READ YOUR OPINION (OR
> CARE)<BR><BR></FONT></DIV>Well, this is sort of off topic. But, I was
> gratified to discover today something <BR>that I find no less than
> absoultely amazing.<BR><BR>A year ago (or maybe two) I responded to a call
> for written comments from some<BR>lobbying group (I think it was Common
> Cause or something like it) that had <BR>e-mailed me (and gazillions of
> others) regarding some upcoming meetings <BR>that were going to be held in
> Washington D.C. to review the issue of "localism" <BR>(local programming
> control and broadcast content) as affected by the FCC's <BR>continuing
> deregulation (and continuing centralization) of the radio
> airwaves.<BR><BR>How often does someone ask your opinion and you really
> feel like they really<BR>mean it and believe you have something to say?
> Not very often if you're like me.<BR>Well, as it turns out my comments
> were some of the few selected to be published <BR>in a paper that was
> eventually submitted before the FCC (whatever the heck <BR>THAT means). It
> may not mean much. I may accomplish exactly diddly squat.<BR>But, I feel
> kinda proud that my simple little comments got forwarded on to<BR>somebody
> -- even if it winds up in somebody's trash can. I got heard.
> Somebody,<BR>somewhere read it after all.<BR><BR>You can view the 28 page
> PDF here:
> <BR><BR>http://www.afm.org/public/press/localismreplycommentsFINAL.pdf<BR><BR>My
> little insignificant blurb is on page 9. I may be nuts, but I'm kinda
> proud.<BR><BR>Striking a blow against the empire . . <BR><BR>tEd ®
> kiLLiAn<BR><BR><?color><?param 8080,8080,8080>"Different is not always
> better, but better is always
> different"<BR><BR>http://www.pfmentum.com/flux.html<BR>http://www.CDbaby.com/cd/tedkillian<BR>http://www.guitar9.com/fluxaeterna.html<BR>http://www.garageband.com/artist/ArsOcarina<BR>http://www.towerrecords.com/product.aspx?pfid=2845073<BR>http://www.netmusic.com/web/album.aspx?a_id=CBNM_17314<BR>http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=193<BR>http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=view_profile&id=121197000042<BR><BR>Ted
> Killian's "Flux Aeterna" is also available at: Apple iTunes,<BR>BuyMusic,
> Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,<BR>AudioLunchbox,
> Lindows, QTRnote, Music4Cents, Etherstream,<BR>RuleRadio, EMEPE3, Sony
> Connect, CatchMusic, Puretracks,<BR>and Viztas. Yadda, yadda, yadda. Blah,
> blah, blah. So???<?/color></BLOCKQUOTE></ZZZBODY></ZZZHTML></BODY>
>

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From: Per Boysen <perboysen@gmail.com>
Subject: Re: video during shows --  (was: Re: stumbling around in the dark.....)
Date: Fri, 24 Mar 2006 19:32:19 +0100
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On 24 mar 2006, at 17.23, Mmrksrg@aol.com wrote:

> Touble with that is you then have the Apple logo introducing it  
> self now and then. Unless your sponsored by Apple. Win amp on  
> windows is another good alternative.


I think the visual plug-ins of Winamp is better than iTunes and a lot  
better then MS Media Player. I don't know if can be applied to a  
stream, as when you perform music. Another good visual applications  
for Windows was the mp3 player Sonique, now sadly discontinued. Some  
user plug-ins for Sonique were just amazing - you don't get that with  
iTunes, but almost with Winamp. Sonique could be set to react to an  
audio stream, so you could actually lead an audio signal from your  
live rig into a PC and project the dancing graphics.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast? 
id=128679560&s=143456




From Loopers-Delight-request@loopers-delight.com  Fri Mar 24 18:36:25 2006
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From: Chris Sewell <chris@gguitars.com>
Subject: Re: video during shows --  (was: Re: stumbling around in the dark.....)
Date: Fri, 24 Mar 2006 13:36:21 -0500
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The Edirol software motion.tokyo looks cool. I was tempted to try to  
do a complete multi media show, but  Im still learning the software I  
have now. Collaboration with a dedicated Video artist would be cool  
though.
On Mar 24, 2006, at 1:32 PM, Per Boysen wrote:

> On 24 mar 2006, at 17.23, Mmrksrg@aol.com wrote:
>
>> Touble with that is you then have the Apple logo introducing it  
>> self now and then. Unless your sponsored by Apple. Win amp on  
>> windows is another good alternative.
>
>
> I think the visual plug-ins of Winamp is better than iTunes and a  
> lot better then MS Media Player. I don't know if can be applied to  
> a stream, as when you perform music. Another good visual  
> applications for Windows was the mp3 player Sonique, now sadly  
> discontinued. Some user plug-ins for Sonique were just amazing -  
> you don't get that with iTunes, but almost with Winamp. Sonique  
> could be set to react to an audio stream, so you could actually  
> lead an audio signal from your live rig into a PC and project the  
> dancing graphics.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast? 
> id=128679560&s=143456
>
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Mar 24 19:06:49 2006
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Subject: video
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Anybody using any of "U&I" 's software?  I've played around with 
"MetaSynth" but haven't tried "Videodelic" which may fit in with the 
current sound/ video thread.  They're website's at << 
http://www.uisoftware.com/PAGES/index.html >>. 
  

From Loopers-Delight-request@loopers-delight.com  Fri Mar 24 19:09:49 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Wireless Video Cam? Is such gear available?
Date: Fri, 24 Mar 2006 20:09:38 +0100
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Hi,

Can someone recommend suitable equipment for wireless video shooting?

The idea is to have a percussionist wearing a helmet with a camera.  
This guy will play with brushes on a canvas that is prepared with  
contact microphones and amplified through the PA. He will also use  
colors and "paint" while "playing". A big screen will project his  
canvas over the stage. This guy will also (hopefully) through himself  
into improvised adventures among the audience and whatever he turns  
at will be filmed and projected to the big screen.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast? 
id=128679560&s=143456




From Loopers-Delight-request@loopers-delight.com  Fri Mar 24 19:21:38 2006
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legion@helpwantedproductions.com wrote:
> 

"Dynamic Microcode Conjuring Apparatus" has some stick->x911
work in it starting about 0:45 into the track.

http://www.phasmatodea.net/audio/02_Dynamic_Microcode_Conjuring_Apparatus.mp3

Don't remember if theres any other processing going on there, but it 
doesn't sound like it.

Adrian Likins
http://www.phasmatodea.net

From Loopers-Delight-request@loopers-delight.com  Fri Mar 24 20:03:51 2006
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Subject: Re: OT - JUST WHEN YOU THINK THAT NOBODY WILL EVER READ YOUR OPINION (OR CARE)
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Yeah, good point Daren.  Every now and then I fire off an email to my
representatives and senators.  Occassionally I'll receive a canned
form-letter response, but more often no response at all.  Still,
whether anyone's listening or not, it's our responsibility to speak up
on issues and I never feel as if my time was wasted.

Kudos to Ted for taking the opportunity to make his voice heard.
Todd

On 3/24/06, Daren Burns <daren@darenburns.com> wrote:
> Yeah Ted,
>
> Very nice statement you made. It's easy to think that nothing you do
> matters when it comes to the goverment, and it may not, but at least you
> tried. The majority don't.
>
>
> --
> Daren Burns

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In a message dated 3/24/06 10:46:51 AM, chasw44@comcast.net writes:


> iTunes has the
> best visualizer app I've yet seen
> 

when i had a pc i got some very nice "screensavers" from www.seraline.com   
with my mac i cannot find anything as nice as the seraline toys......the itunes 
visuals are fun but too limited imho.....any good mac stuff out there? i've 
googled but there was nothing very interesting.....mic



www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
In a message dated 3/24/06 10:46:51 AM, chasw44@comcast.net writes:<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">iTunes has the<BR>
best visualizer app I've yet seen<BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2">when i had a pc i got some very nice "screensavers" from www.seraline.com=
&nbsp;  with my mac i cannot find anything as nice as the seraline toys.....=
.the itunes visuals are fun but too limited imho.....any good mac stuff out=20=
there? i've googled but there was nothing very interesting.....mic<BR>
<BR>
<BR>
<BR>
www.ct-collective.com<BR>
http://mysite.verizon.net/vzepmeci/<BR>
http://www.myspace.com/klobuchar11<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT></HTML>
--part1_314.fe26f4.3155ad46_boundary--

From Loopers-Delight-request@loopers-delight.com  Fri Mar 24 20:52:53 2006
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Subject: Re: Wireless Video Cam? Is such gear available?
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Per,

While not doing the contact brush mic thing, my friend Gilli Moon
(info@warriorgirlmusic.com and www.gilli.net) has done painting on 
clear panels
on stage while performing.  She might have some additional ideas.

There are wireless cameras out their that aren't that expensive. I don't
remember any specific companies but a quick search on the web should 
turn stuff
up.

Tell her I sent ya!

~peace~

Michael Plishka

www.michaelplishka.com


Quoting Per Boysen <perboysen@gmail.com>:

> Hi,
>
> Can someone recommend suitable equipment for wireless video shooting?
>
> The idea is to have a percussionist wearing a helmet with a camera.  
> This guy will play with brushes on a canvas that is prepared with  
> contact microphones and amplified through the PA. He will also use  
> colors and "paint" while "playing". A big screen will project his  
> canvas over the stage. This guy will also (hopefully) through himself 
>  into improvised adventures among the audience and whatever he turns  
> at will be filmed and projected to the big screen.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast? 
> id=128679560&s=143456
>
>
>
>
>



From Loopers-Delight-request@loopers-delight.com  Fri Mar 24 20:59:40 2006
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Date: Fri, 24 Mar 2006 15:59:30 -0500
From: mike@michaelplishka.com
To: Loopers-Delight@loopers-delight.com
Subject: kinda sorta OT but not really:Fund raising charges
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Hey folks!

Just got asked to do a primarily looping based fundraiser for a couple of hours.
 I haven't done a gig like this in a while and the guy booking for the event
(who used to be our manager) was asking how much I charge.  My question to you
folks that have done this type of thing at art museums, etc., is what do you
see as people expecting to pay for this type of entertainment?  I realize it's
based upon the size of the organization and the fame of the performer but
wondering if you have any guidelines.

Thanks!

Michael

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From: bruce tovsky <bruce@skeletonhome.com>
Subject: Re: Wireless Video Cam? Is such gear available?
Date: Fri, 24 Mar 2006 16:02:56 -0500
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On Mar 24, 2006, at 3:52 PM, mike@michaelplishka.com wrote:

> There are wireless cameras out their that aren't that expensive.

a good friend of mine - choreographer/performance artist charles  
dennis -
uses small minidv cameras with wireless transmitters to great effect.  
the
small transmitters are not terribly expensive (a couple of hundred bucks
i believe, i could get more detailed specs if anyone needs them) and  
they
work nicely as long as the distance isn't too great (a hundred feet  
or so.)
greater distance means more expensive transmitter/receiver gear. there
are also some issues with multiple cameras, and again, this translates
into more cost for a unit with selectable frequencies. i believe he  
got the
gear from a place that sells security cameras and such.
email me off-list if you need more info
cheers
bruce

bruce tovsky
www.skeletonhome.com

"Reality is that which, when you stop believing in it, doesn't go away."
Philip K. Dick


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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; "><BR><DIV><DIV>On Mar 24, 2006, =
at 3:52 PM, <A =
href=3D"mailto:mike@michaelplishka.com">mike@michaelplishka.com</A> =
wrote:</DIV><BR class=3D"Apple-interchange-newline"><BLOCKQUOTE =
type=3D"cite"><P style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT =
face=3D"Helvetica" size=3D"3" style=3D"font: 12.0px Helvetica">There are =
wireless cameras out their that aren't that expensive.<SPAN =
class=3D"Apple-converted-space">=A0</SPAN></FONT></P> =
</BLOCKQUOTE></DIV><DIV><BR class=3D"khtml-block-placeholder"></DIV>a =
good friend of mine - choreographer/performance artist charles dennis =
-<DIV>uses small minidv cameras with wireless transmitters to great =
effect. the</DIV><DIV>small transmitters are not terribly expensive (a =
couple of hundred bucks</DIV><DIV>i believe, i could get more detailed =
specs if anyone needs them) and they</DIV><DIV>work nicely as long as =
the distance isn't too great (a hundred feet or so.)</DIV><DIV>greater =
distance means more expensive transmitter/receiver gear. =
there</DIV><DIV>are also some issues with multiple cameras, and again, =
this translates</DIV><DIV>into more cost for a unit with selectable =
frequencies. i believe he got the</DIV><DIV>gear from a place that sells =
security cameras and such.</DIV><DIV>email me off-list if you need more =
info</DIV><DIV>cheers</DIV><DIV>bruce</DIV><DIV><BR><DIV> <P =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Helvetica" =
size=3D"3" style=3D"font: 12.0px Helvetica">bruce tovsky</FONT></P> <P =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Helvetica" =
size=3D"3" style=3D"font: 12.0px =
Helvetica">www.skeletonhome.com</FONT></P> <P style=3D"margin: 0.0px =
0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px"><BR></P> =
<P style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Helvetica" =
size=3D"3" style=3D"font: 12.0px Helvetica">"Reality is that which, when =
you stop believing in it, doesn't go away."</FONT></P> <P style=3D"margin:=
 0.0px 0.0px 0.0px 0.0px"><FONT face=3D"Helvetica" size=3D"3" =
style=3D"font: 12.0px Helvetica">Philip K. Dick</FONT></P>  =
</DIV><BR></DIV></BODY></HTML>=

--Apple-Mail-12--429264814--

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Subject: Re: Wireless Video Cam? Is such gear available?
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Thank you very much, Michel Plishka and Bruce Tovsky, for steering me  
into the right direction. It's true that there are a lot of gear  
available. But you have to look into "home security spy" gadgets!  
Wow!!!  I just did an internet search on "wireless video cam" ;-)

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast? 
id=128679560&s=143456




From Loopers-Delight-request@loopers-delight.com  Fri Mar 24 22:54:32 2006
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Sickest products out IMHO. I've been processing some live looping through
Metasynth. Check out www.metasynthzone.com (there's an MP3 player that has
sound samples)  and my site *http://tinyurl.com/jejb5 *for MS-centric music
and images using U&I Artmatic and AM Voyager.

Videodelic unfortunately is OS9 only. Not sure if they're porting that to
OSX.

Neil



On 3/24/06, Paul Mimlitsch <pmimlitsch@mac.com> wrote:
>
> Anybody using any of "U&I" 's software?  I've played around with
> "MetaSynth" but haven't tried "Videodelic" which may fit in with the
> current sound/ video thread.  They're website's at <<
> http://www.uisoftware.com/PAGES/index.html >>.
>
>
>

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Sickest products out IMHO. I've been processing some live looping through M=
etasynth. Check out <a href=3D"http://www.metasynthzone.com">www.metasynthz=
one.com</a> (there's an MP3 player that has sound samples)&nbsp; and my sit=
e <b>
<a href=3D"http://tinyurl.com/jejb5">http://tinyurl.com/jejb5</a> </b>for M=
S-centric music&nbsp; and images using U&amp;I Artmatic and AM Voyager.<br>=
<br>Videodelic unfortunately is OS9 only. Not sure if they're porting that =
to OSX.
<br><br>Neil<br><br><br><br><div><span class=3D"gmail_quote">On 3/24/06, <b=
 class=3D"gmail_sendername">Paul Mimlitsch</b> &lt;<a href=3D"mailto:pmimli=
tsch@mac.com">pmimlitsch@mac.com</a>&gt; wrote:</span><blockquote class=3D"=
gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0p=
t 0pt 0pt 0.8ex; padding-left: 1ex;">
Anybody using any of &quot;U&amp;I&quot; 's software?&nbsp;&nbsp;I've playe=
d around with<br>&quot;MetaSynth&quot; but haven't tried &quot;Videodelic&q=
uot; which may fit in with the<br>current sound/ video thread.&nbsp;&nbsp;T=
hey're website's at &lt;&lt;
<br><a href=3D"http://www.uisoftware.com/PAGES/index.html">http://www.uisof=
tware.com/PAGES/index.html</a> &gt;&gt;.<br><br><br></blockquote></div><br>

------=_Part_9264_12160308.1143240869970--

From Loopers-Delight-request@loopers-delight.com  Fri Mar 24 23:52:00 2006
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I'm a Reaktor newbie, so bare with me here. With the Reaktor VST plugins, I 
see two sorts of the same plugin.  One plugin as FX at the end of its title. 
What does this mean? What is the meanin of the two plugins of the same 
component of Reaktor? Thanks

Kris 


From Loopers-Delight-request@loopers-delight.com  Fri Mar 24 23:55:15 2006
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Date: Fri, 24 Mar 2006 19:55:04 -0400
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Kris Hartung wrote:

> I'm a Reaktor newbie, so bare with me here. With the Reaktor VST 
> plugins, I see two sorts of the same plugin.  One plugin as FX at the 
> end of its title. What does this mean? What is the meanin of the two 
> plugins of the same component of Reaktor? Thanks
>
> Kris
>
>
>
Hi, Kris.
You can use Reaktor VST FX as a FX plugin in apps that accept VSTs such
as Sony Sound Forge, Adobe Audition, etc.  The non-FX version can be thought
of as a VSTi that can be used in apps like Ableton Live and others that 
can use
VSTi.  Hope this helps. Take care and have a good weekend. Andrew


-- 
Andrew Duke
scoring/sound design/source
http://andrew-duke.com
http://myspace.com/andrewduke
Cognition Audioworks label
[Andrew Duke, Foal, Clinker, Granny'Ark]
http://cognitionaudioworks.com


From Loopers-Delight-request@loopers-delight.com  Fri Mar 24 23:55:42 2006
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Kris,

one is a vsti and the other a regular vst. Basically the distinction 
between instruments and non-instruments has to do with the midi 
implementation. the vsti handles midi inputs really easily (because it 
loads on instrument/"midi" tracks in software like Ableton Live) but 
audio inputs need to be routed in using other tracks. Same for the vst 
plugin, only vice versa: Audio in is hard-wired, but midi inputs need 
extra routing.

andreas.

Kris Hartung wrote:
> I'm a Reaktor newbie, so bare with me here. With the Reaktor VST 
> plugins, I see two sorts of the same plugin.  One plugin as FX at the 
> end of its title. What does this mean? What is the meanin of the two 
> plugins of the same component of Reaktor? Thanks
> 
> Kris
> 
> 
> .
> 

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cool. thanks, both of you.
----- Original Message ----- 
From: "Andrew Duke" <andrew@andrew-duke.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, March 24, 2006 4:55 PM
Subject: Re: reaktor VST plugins


> Kris Hartung wrote:
>
>> I'm a Reaktor newbie, so bare with me here. With the Reaktor VST plugins, 
>> I see two sorts of the same plugin.  One plugin as FX at the end of its 
>> title. What does this mean? What is the meanin of the two plugins of the 
>> same component of Reaktor? Thanks
>>
>> Kris
>>
>>
>>
> Hi, Kris.
> You can use Reaktor VST FX as a FX plugin in apps that accept VSTs such
> as Sony Sound Forge, Adobe Audition, etc.  The non-FX version can be 
> thought
> of as a VSTi that can be used in apps like Ableton Live and others that 
> can use
> VSTi.  Hope this helps. Take care and have a good weekend. Andrew
>
>
> -- 
> Andrew Duke
> scoring/sound design/source
> http://andrew-duke.com
> http://myspace.com/andrewduke
> Cognition Audioworks label
> [Andrew Duke, Foal, Clinker, Granny'Ark]
> http://cognitionaudioworks.com
>
>
> 


From Loopers-Delight-request@loopers-delight.com  Sat Mar 25 00:26:40 2006
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Looper flutist?
References: <001701c64ef7$8510d7c0$0affff0a@hppav> <001601c64f44$1e549d30$0202a8c0@Lightning> <7.0.0.16.0.20060324071321.01ad1928@TheNettles.com> <4424167F.7050708@Hevanet.com> <003401c64f67$66f07be0$0207a8c0@eluk1>
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Weisberg made albums under his own name, but the Fogelberg (two Bergs?) 
collaboration seems to have endured the most. 

Kim Flint, talking about EDP Delay Mode, says:

>(...)We 
>set it this way at the request of a jazz flute player named *Tim Weisberg*. 
>He wanted to be able to improvise a solo freely with the delay output 
>muted 
>and feedback at 0, so the delay always held some amount of his solo 
>trailing behind him. Then when he happened to play something he thought 
>might be interesting to play a counterpart to, he could just unmute it and 
>have the previous phrase repeat while he played along. (...)
>
(http://loopers-delight.com/LDarchive/200109/msg01134.html)

Sounds like Weisberg made it to the EDP age--wonder what he's up to now...?

David

Stephen Goodman wrote:

> I can confirm this!  I saw Tim Weisberg at Wake Forest Univ. in 1976 
> on a tour for "Twin Sons of Different Mothers", done with Dan 
> Fogelberg.  In the show Tim did a number of pieces using some sort of 
> tape loop: the first I remember with the spinning and dancing, the 
> second sounded so much like Bach it was incredible.  Wonderful 
> layering, and EXCELLENT timing on Tim's part with the looping.  

From Loopers-Delight-request@loopers-delight.com  Sat Mar 25 01:13:05 2006
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To: Loopers-Delight@loopers-delight.com
Subject: =?iso-8859-1?Q?RE:_video_during_shows_--=A0_=28was:_Re:_stumbling_around_?=
	=?iso-8859-1?Q?in_the_dark.....=29?=
Date: Fri, 24 Mar 2006 20:13:03 -0500
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------=_NextPart_000_007A_01C64F7F.5BA70070
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GForce is very cool.  It=92s customizable.
http://www.soundspectrum.com/g-force/

=20

Tony

=20

  _____ =20

From: Nemoguitt@aol.com [mailto:Nemoguitt@aol.com]=20
Sent: Friday, March 24, 2006 3:15 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: video during shows --  (was: Re: stumbling around in the
dark.....)

=20


In a message dated 3/24/06 10:46:51 AM, chasw44@comcast.net writes:





iTunes has the
best visualizer app I've yet seen



when i had a pc i got some very nice "screensavers" from =
www.seraline.com
with my mac i cannot find anything as nice as the seraline toys......the
itunes visuals are fun but too limited imho.....any good mac stuff out
there? i've googled but there was nothing very interesting.....mic



www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11




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xmlns:o=3D"urn:schemas-microsoft-com:office:office" =
xmlns:w=3D"urn:schemas-microsoft-com:office:word" =
xmlns=3D"http://www.w3.org/TR/REC-html40">

<head>

<meta name=3DGenerator content=3D"Microsoft Word 11 (filtered medium)">
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<body lang=3DEN-US link=3Dblue vlink=3Dpurple>

<div class=3DSection1>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>GForce is very cool.&nbsp; =
It&#8217;s
customizable.&nbsp; <a =
href=3D"http://www.soundspectrum.com/g-force/">http://www.soundspectrum.c=
om/g-force/</a><o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Tony<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<div>

<div class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><font =
size=3D3
face=3D"Times New Roman"><span style=3D'font-size:12.0pt'>

<hr size=3D2 width=3D"100%" align=3Dcenter tabindex=3D-1>

</span></font></div>

<p class=3DMsoNormal><b><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma;font-weight:bold'>From:</span></font></b><font =
size=3D2
face=3DTahoma><span style=3D'font-size:10.0pt;font-family:Tahoma'>
Nemoguitt@aol.com [mailto:Nemoguitt@aol.com] <br>
<b><span style=3D'font-weight:bold'>Sent:</span></b> Friday, March 24, =
2006 3:15
PM<br>
<b><span style=3D'font-weight:bold'>To:</span></b>
Loopers-Delight@loopers-delight.com<br>
<b><span style=3D'font-weight:bold'>Subject:</span></b> Re: video during =
shows
--&nbsp; (was: Re: stumbling around in the =
dark.....)</span></font><o:p></o:p></p>

</div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dblack face=3DGeneva><span =
style=3D'font-size:
10.0pt;font-family:Geneva;color:black'><br>
In a message dated 3/24/06 10:46:51 AM, chasw44@comcast.net writes:<br>
<br>
<br>
<br>
<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dblack face=3DGeneva =
FAMILY=3DSANSSERIF><span
style=3D'font-size:10.0pt;font-family:Geneva;color:black'>iTunes has =
the<br>
best visualizer app I've yet seen<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dblack face=3DGeneva =
FAMILY=3DSANSSERIF><span
style=3D'font-size:10.0pt;font-family:Geneva;color:black'><br>
<br>
when i had a pc i got some very nice &quot;screensavers&quot; from
www.seraline.com&nbsp; with my mac i cannot find anything as nice as the
seraline toys......the itunes visuals are fun but too limited =
imho.....any good
mac stuff out there? i've googled but there was nothing very
interesting.....mic<br>
<br>
<br>
<br>
www.ct-collective.com<br>
http://mysite.verizon.net/vzepmeci/<br>
http://www.myspace.com/klobuchar11<br>
<br>
</span></font><font face=3DArial FAMILY=3DSANSSERIF><span =
style=3D'font-family:Arial'><o:p></o:p></span></font></p>

</div>

</body>

</html>

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From Loopers-Delight-request@loopers-delight.com  Sat Mar 25 02:10:23 2006
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Date: Fri, 24 Mar 2006 21:04:37 -0500
From: Bill Fox <billyfox@soundscapes.us>
Subject: Galactic Travels Playlists #468 and #469 for March 16 & 23, 2006
To: Galactic Travels Yahoogroup <galactic-travels@yahoogroups.com>,
	Ambient Hyperreal List <ambient@hyperreal.org>,
	AIMusic Yahoogroup <AIMusic@yahoogroups.com>, WDIY <info@wdiy.org>
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http://wdiy.org/programs/gt/playlists/2006/060316.html
http://wdiy.org/programs/gt/playlists/2006/060323.html

Galactic Travels is an electronic, ambient, and space music show, that 
airs each
Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA, 93.9 
FM in
Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville and Trexlertown, 
92.9 FM on
Service Electric Cable, webcasting on the internet, and simulcasting on 
WXLV 90.3
FM in Schnecksville at Lehigh Carbon Count Community College.

                    Show #468                    March 16, 2006

RECAP:
On this show, I continued the month-long focus on E-dition electronic music
magazine.  The Featured CD at Midnight was the CD that came with issue #7.

The Vinyl Starter was "Audentity" by Klaus Schulze on IC Records and 
released in
1983.

E-dition - <http://wdiy.org/programs/gt/playlists/2006/focus.html#mar>


PLAYLIST:

11:04 pm
ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
==================================
Klaus Schulze           Cellistica *             Audentity (IC)
Frank Van Bogaert       Human                    One Out Of Five (Groove)
Frank Klare             Theta Moods              Moods (Groove)
VA [Brian Eno and       Like Organza             Compounds + Elements 
(All Saints)
  Jah Wobble]
VA [Paul Ellis and      Where Are You?           Analogy Volume 1 (Groove)
  Steve Roach]
VA [4M33S]              Elegy                    Analogy Volume 1 (Groove)
VA [Gert Emmens]        The Morning After        Analogy Volume 1 (Groove)
Cluster Balm            Red Vinyl                Instamatic (Blue Water)
Douglas Ovens           Sitting Meditation       CDR

12:00 am
ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
==================================
Darshan Ambient         The Cool River           Rekarma (Lotuspike)
VA [Edgar Froese]       Daliesquador             E-dition #7 (Groove)
VA [Hemisphere]         (excerpt from) Night of  E-dition #7 (Groove)
                          the Living Machine
VA [Rudy Adrian]        Midnight Fantasy Angel   E-dition #7 (Groove)
VA [Parallel Worlds]    Detailed Matter          E-dition #7 (Groove)
VA [Ian Tescee]         Zero Gravity             E-dition #7 (Groove)
VA [Maxxess]            Red Earth                E-dition #7 (Groove)
VA [John Lakveet]       Leibniz and Contingency  E-dition #7 (Groove)
VA [Edgar Froese]       Golgatha and the Circle  E-dition #7 (Groove)
                          Closes
VA [Maitreya]           E-Live 2004              E-dition #7 (Groove)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist

=====

Galactic Travels is an electronic, ambient, and space music show, that 
airs each
Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA, 93.9 
FM in
Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville and Trexlertown, 
92.9 FM on
Service Electric Cable, webcasting on the internet, and simulcasting on 
WXLV 90.3
FM in Schnecksville at Lehigh Carbon Count Community College.

                    Show #469                    March 23, 2006

RECAP:
On this show, I continued the month-long focus on E-dition electronic music
magazine.  The Featured CD at Midnight was the CD that came with issue #8.

The Vinyl Starter was "Audentity" by Klaus Schulze on IC Records and 
released in
1983.

E-dition - <http://wdiy.org/programs/gt/playlists/2006/focus.html#mar>


PLAYLIST:

11:04 pm
ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
==================================
Klaus Schulze           Opheylissem              Audentity (IC)
John Eaton              track #5                 CDR
M. Bentley              Time (fabricated)        This World (The Foundry)
M. Bentley              Time (retrograde)        This World (The Foundry)
Streamline              Guidance Is Internal     The Earth Ambient (Blue 
Water)
Juergen Haible          A Gracious Plenty        The Secret Life of 
Trees (none)
Saul Stokes             Bursts and Blooms        Vast (The Foundry)
Saul Stokes             Spy Cinema               Vast (The Foundry)

12:00 am
ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
==================================
VA [F. D. Project]      Harmony In Space         E-dition #8 (Groove)
VA [Edgar Froese]       Drunken Mozart In the    E-dition #8 (Groove)
                          Desert
VA [Serge Devadder]     Benthic Predators        E-dition #8 (Groove)
VA [ARC]                Helicon                  E-dition #8 (Groove)
VA [Can Atilla]         Purple and Flexible      E-dition #8 (Groove)
VA [Mythos]             The Power of Words       E-dition #8 (Groove)
VA [RMI]                (Excerpt from) The       E-dition #8 (Groove)
                          Emissaries Suite

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist


NEXT SHOW:
On the next Galactic Travels, I'll conclude the month-long focus on E-dition
magazine.  The Featured CD at Midnight will be the CD that came with 
issue #9.

The Vinyl Starter will be "Audentity" by Klaus Schulze on IC Records and 
released
in 1983.

Bill
===============================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EST/GMT-5:00 on WDIY 88.1 FM in Allentown and 
Bethlehem,
93.7 in Fogelsville and Trexlertown, 93.9 FM in Easton and Phillipsburg and
92.9 on Service Electric Cable. Listen on-line to WDIY at 
http://wdiy.org and
click on the LISTEN link or go directly to:
http://rm1.refugemedia.com/ramgen/encoder/wdiy.rm
Galactic Travels web site - http://wdiy.org/programs/gt
To subscribe to the galactic-travels mailing list, click on [Join This 
Group!]
at http://groups.yahoo.com/group/galactic-travels
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/podcasts.xml

From Loopers-Delight-request@loopers-delight.com  Sat Mar 25 02:46:37 2006
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Date: Fri, 24 Mar 2006 18:46:35 -0800 (PST)
From: S V G <vsyevolod@yahoo.com>
Subject: Re : video during shows
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      I once saw a performance by Mannheim Steamroller.  He had the MIDI score rolling by on the
screen as his sequencers were pumping out the canned-sounding music.  While I found it interesting
to watch in an intellectual sort of way, it totally took away from the music being played.

     Stephen

__________________________________________________
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Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Sat Mar 25 07:12:48 2006
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Date: Fri, 24 Mar 2006 23:12:46 -0800 (PST)
From: Dan <danielalbertini72@yahoo.com>
Subject: Re: Audio Interface for Notebook Users
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Is this Brian Good my teacher and assistant from Roberto Venn School of Luthiery?  Wow I think I seen John Rauhouse? on The Tonight Show with Jay Leno with a new gal playing guitar too??  I just shot a new music video using the guitars I built and designed (electric)  that will be submitted to MTV supposedly.  How is that washtub bass holdin up???  Peace B With U 
  P.S. Im setting up a Myspace thing too U there????  

Brian Good <bsgood@adelphia.net> wrote:
  mech wrote:
> At 9:25 PM -0500 3/23/06, Brian Good wrote:
> 
>>
>> I was just helping a friend with a similar purchase, and we stumbled 
>> across a couple new interfaces from Alesis. Apparently only the 
>> smaller of the two is shipping right now. I know absolutely nothing 
>> about their sound, reliability, or anything else, but they do look 
>> like they offer a fair bit of functionality for the price. The 
>> smaller one looks like it only has two line-out channels, which makes 
>> it not so looper-friendly, but the larger one has 8.
> 
> 
> It may be a non-issue (since these are Firewire, and a different basic 
> architecture) but I've got a two-channel audio interface built into my 
> Alesis Photon X25 USB MIDI controller. I've stopped even attempting to 
> use it. It has a tendency to randomly blast huge noise bursts after 
> some unspecified period. This is especially fun with headphones on 
> (like I need any extra help going deaf). It won't stop until you reboot 
> the computer.
> 
> I didn't really care all that much (once my ears stopped ringing). 
> Frankly, I bought the darn thing primarily for its Axyz controller. 
> Anything additional is pretty much cake, so I just wrote off that 
> functionality.
> 
> As I said, it might not apply to this series. However, I'm somewhat 
> leery of the Alesis audio interfaces now, at least in terms of quality 
> control.
> 
> --m.

Heh. That's why you probably don't want to buy version 1.0 of anything, 
or version 5.0 from some companies. Personally I've had bad luck with 
an early M-Audio Firewire 410, for example. It seems to know when it's 
being used in a live performance, because I've had it fail two out of 
the three times I've used it that way. To be fair, it was running under 
Windows, where it was more problematic than in my Mac setup, so maybe it 
was a Microsoft problem, rather than an M-Audio one. But there's 
nothing quite as much fun as downloading a replacement driver via Wifi 
during a dress rehearsal from a stage in the middle of the Arizona high 
desert.

Brian



			
---------------------------------
Yahoo! Messenger with Voice. PC-to-Phone calls for ridiculously low rates.
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<div>Is this Brian Good my teacher and assistant from Roberto Venn School of Luthiery?&nbsp; Wow I think I seen John Rauhouse? on The Tonight Show with Jay Leno with a new gal playing guitar too??&nbsp; I just shot a new music video using the guitars I built and designed (electric) &nbsp;that will be submitted to MTV supposedly.&nbsp; How is that washtub bass holdin up???&nbsp; Peace B With U </div>  <div>P.S. Im setting up a Myspace thing too U there????&nbsp; <BR><BR><B><I>Brian Good &lt;bsgood@adelphia.net&gt;</I></B> wrote:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">mech wrote:<BR>&gt; At 9:25 PM -0500 3/23/06, Brian Good wrote:<BR>&gt; <BR>&gt;&gt;<BR>&gt;&gt; I was just helping a friend with a similar purchase, and we stumbled <BR>&gt;&gt; across a couple new interfaces from Alesis. Apparently only the <BR>&gt;&gt; smaller of the two is shipping right now. I know absolutely nothing <BR>&gt;&gt; about
 their sound, reliability, or anything else, but they do look <BR>&gt;&gt; like they offer a fair bit of functionality for the price. The <BR>&gt;&gt; smaller one looks like it only has two line-out channels, which makes <BR>&gt;&gt; it not so looper-friendly, but the larger one has 8.<BR>&gt; <BR>&gt; <BR>&gt; It may be a non-issue (since these are Firewire, and a different basic <BR>&gt; architecture) but I've got a two-channel audio interface built into my <BR>&gt; Alesis Photon X25 USB MIDI controller. I've stopped even attempting to <BR>&gt; use it. It has a tendency to randomly blast huge noise bursts after <BR>&gt; some unspecified period. This is especially fun with headphones on <BR>&gt; (like I need any extra help going deaf). It won't stop until you reboot <BR>&gt; the computer.<BR>&gt; <BR>&gt; I didn't really care all that much (once my ears stopped ringing). <BR>&gt; Frankly, I bought the darn thing primarily for its Axyz controller. <BR>&gt; Anything
 additional is pretty much cake, so I just wrote off that <BR>&gt; functionality.<BR>&gt; <BR>&gt; As I said, it might not apply to this series. However, I'm somewhat <BR>&gt; leery of the Alesis audio interfaces now, at least in terms of quality <BR>&gt; control.<BR>&gt; <BR>&gt; --m.<BR><BR>Heh. That's why you probably don't want to buy version 1.0 of anything, <BR>or version 5.0 from some companies. Personally I've had bad luck with <BR>an early M-Audio Firewire 410, for example. It seems to know when it's <BR>being used in a live performance, because I've had it fail two out of <BR>the three times I've used it that way. To be fair, it was running under <BR>Windows, where it was more problematic than in my Mac setup, so maybe it <BR>was a Microsoft problem, rather than an M-Audio one. But there's <BR>nothing quite as much fun as downloading a replacement driver via Wifi <BR>during a dress rehearsal from a stage in the middle of the Arizona high
 <BR>desert.<BR><BR>Brian<BR><BR></BLOCKQUOTE><BR><p>
	
		<hr size=1><a href="http://us.rd.yahoo.com/mail_us/taglines/postman3/*http://us.rd.yahoo.com/evt=39666/*http://beta.messenger.yahoo.com ">Yahoo! Messenger with Voice.</a> PC-to-Phone calls for ridiculously low rates.
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From Loopers-Delight-request@loopers-delight.com  Sat Mar 25 08:06:31 2006
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Sorry to bring up such an every-day name on such an esoteric mailing list.
George Michael, on his first solo tour, had huge displays of numbers
counting up throughout the show, on either side of the stage. It was actualy
the timecode readout from the synchroniser that ran the tape machine (for
backing vocals and other acoustic instruments) and the two MC-50 sequencers
(for everything else). Yes he had a full band on stage, but they were hired
to look good. And this was the late 80s. At least he sang live, unlike
Jacko.

Nik

--------- Original Message --------
From: Loopers-Delight@loopers-delight.com
To: "Loopers-Delight@loopers-delight.com"
<Loopers-Delight@loopers-delight.com>
Subject: Re : video during shows
Date: 25/03/06 02:46



I once saw a performance by Mannheim Steamroller. He had the MIDI score
rolling by on the
screen as his sequencers were pumping out the canned-sounding music. While I
found it interesting
to watch in an intellectual sort of way, it totally took away from the music
being played.

Stephen

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From Loopers-Delight-request@loopers-delight.com  Sat Mar 25 10:46:57 2006
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Re: Guitar Player Looping article

>Without Pictures?
>does that mean that no one gets to see your hunky photo in a muscle T???
>Dammm.. Great article I'll say it again.
>Bill

no, they didn't like my photo,
guess I must have forgot to grimace.


The online version also misses out the "recommended listening" list of cds :-(

Guess it won't hurt to make a scan of the whole thing available, now 
they've put it online.

http://www.andybutler.com/gifs/gtrplr.zip


andy

From Loopers-Delight-request@loopers-delight.com  Sat Mar 25 10:56:23 2006
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>
>I think the visual plug-ins of Winamp is better than iTunes and a lot
>better then MS Media Player. I don't know if can be applied to a
>stream, as when you perform music.

hi Per,
Yes, it's possible to do that with winamp.

, just set the play location to "linein://"

we did this in Mathon the year before you were there, with Bernhard's 
projector and Matthias' nephew Johnny  hacking the visualisations.

It does respond to the music, but a bit behind the beat.

andy butler

From Loopers-Delight-request@loopers-delight.com  Sat Mar 25 11:36:58 2006
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looping with guitar, voice, kalimba, glockenspeil. recorded live with a 
boomerang:

http://www.dadaprod.org/metafiles/cdr/A Bas Travailler (live).pls 
<http://www.dadaprod.org/metafiles/cdr/A%20Bas%20Travailler%20%28live%29.pls>

cheers

stéphane

-- 

_____________________________________________________________________
plateforme de téléchargement libre, label autogéré, média indépendant
-----------------------
http://www.dadaprod.org
_____________________________________________________________________

From Loopers-Delight-request@loopers-delight.com  Sat Mar 25 13:27:24 2006
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Dan wrote:
> Is this Brian Good my teacher and assistant from Roberto Venn School of 
> Luthiery?  Wow I think I seen John Rauhouse? on The Tonight Show with 
> Jay Leno with a new gal playing guitar too??  I just shot a new music 
> video using the guitars I built and designed (electric)  that will be 
> submitted to MTV supposedly.  How is that washtub bass holdin up???  
> Peace B With U
> P.S. Im setting up a Myspace thing too U there???? 
> 
> */Brian Good <bsgood@adelphia.net>/* wrote:
> 
>     mech wrote:
>      > At 9:25 PM -0500 3/23/06, Brian Good wrote:

Sorry, there must be two of us with the same name.  I'm a sax/EWI 
player;  if you heard my guitar playing, you'd laugh hysterically.
Or maybe call the police.

Brian

From Loopers-Delight-request@loopers-delight.com  Sat Mar 25 18:36:42 2006
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Subject: this box sucks or i'm an idiot!
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you guessed it, i'm an idiot.....i've never used the"channel inserts" on my 
mackie 1202, i did not have the filter factory nor my warpfactory in any of my 
signal chains because i thought they sucked.....i have one of my guitar outs 
in channel 2 of the mixer and today i used the channel insert to send that 
signal to the ff and wf.....yippe!, i have found the madness i had been lusting 
for, this is all sent to the mofx for it's delay and then off to an ineko and 
then to the rang.....etc. etc.....what a lesson!.....i have pulled out all my 
manuals and am rereading all of them to see what else i have been missing all of 
these years.....i think about this stuff way toooo much....."well if 
i......?".....i am no longer clean but wallowing in sonic mud and loving it!.....but 
with a few well placed flicks of my fingers i can be as clean as peter, paul 
and mary.....:)m



www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2">you guessed it, i'm an idiot.....i've n=
ever used the"channel inserts" on my mackie 1202, i did not have the filter=20=
factory nor my warpfactory in any of my signal chains because i thought they=
 sucked.....i have one of my guitar outs in channel 2 of the mixer and today=
 i used the channel insert to send that signal to the ff and wf.....yippe!,=20=
i have found the madness i had been lusting for, this is all sent to the mof=
x for it's delay and then off to an ineko and then to the rang.....etc. etc.=
....what a lesson!.....i have pulled out all my manuals and am rereading all=
 of them to see what else i have been missing all of these years.....i think=
 about this stuff way toooo much....."well if i......?".....i am no longer c=
lean but wallowing in sonic mud and loving it!.....but with a few well place=
d flicks of my fingers i can be as clean as peter, paul and mary.....:)m<BR>
<BR>
<BR>
<BR>
www.ct-collective.com<BR>
http://mysite.verizon.net/vzepmeci/<BR>
http://www.myspace.com/klobuchar11<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT></HTML>
--part1_1bb.830170.3156e7b2_boundary--

From Loopers-Delight-request@loopers-delight.com  Sat Mar 25 19:32:48 2006
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Date: Sat, 25 Mar 2006 11:32:48 -0800
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Andy wrote.


"no, they didn't like my photo,
guess I must have forgot to grimace.


Yes that's right, you didn't Pout and Point,, which coincidently is the name
of the new glam hair metal band I'm about to unleash on an unsuspecting
world >:-(

Bill


(please note my new text icon for spiky haired rock star with an attitude!)


From Loopers-Delight-request@loopers-delight.com  Sun Mar 26 01:59:07 2006
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"but with a few well placed flicks of my fingers i can be as clean as peter, paul and mary"

Then there is nothing to do but "take your place on the great mandala."

~Tim


----- Original Message ----- 
From: 
To: Loopers-Delight@loopers-delight.com
Sent: 3/25/2006 1:36:42 PM 
Subject: this box sucks or i'm an idiot!


you guessed it, i'm an idiot.....i've never used the"channel inserts" on my mackie 1202, i did not have the filter factory nor my warpfactory in any of my signal chains because i thought they sucked.....i have one of my guitar outs in channel 2 of the mixer and today i used the channel insert to send that signal to the ff and wf.....yippe!, i have found the madness i had been lusting for, this is all sent to the mofx for it's delay and then off to an ineko and then to the rang.....etc. etc.....what a lesson!.....i have pulled out all my manuals and am rereading all of them to see what else i have been missing all of these years.....i think about this stuff way toooo much....."well if i......?".....i am no longer clean but wallowing in sonic mud and loving it!.....but with a few well placed flicks of my fingers i can be as clean as peter, paul and mary.....:)m



www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11
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<HTML><HEAD>
<META content="MSHTML 6.00.2800.1528" name=GENERATOR></HEAD>
<BODY>
<DIV><FONT face=Arial size=2>"but with a few well placed flicks of my fingers i can be as clean as peter, paul and mary</FONT>"</DIV>
<DIV>&nbsp;</DIV>
<DIV>Then there is nothing to do but "take your place on the great mandala."</DIV>
<DIV>&nbsp;</DIV>
<DIV>~Tim</DIV>
<DIV>&nbsp;</DIV>
<DIV></DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px solid">
<DIV style="FONT: 10pt Arial">----- Original Message ----- </DIV>
<DIV style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><B>From:</B> <A title=Nemoguitt@aol.com href="mailto:Nemoguitt@aol.com"></A></DIV>
<DIV style="FONT: 10pt arial"><B>To: </B><A title=Loopers-Delight@loopers-delight.com href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A></DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> 3/25/2006 1:36:42 PM </DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> this box sucks or i'm an idiot!</DIV>
<DIV><BR></DIV><FONT size=2><FONT face=arial,helvetica><FONT face=Geneva color=#000000 size=2 FAMILY="SANSSERIF">you guessed it, i'm an idiot.....i've never used the"channel inserts" on my mackie 1202, i did not have the filter factory nor my warpfactory in any of my signal chains because i thought they sucked.....i have one of my guitar outs in channel 2 of the mixer and today i used the channel insert to send that signal to the ff and wf.....yippe!, i have found the madness i had been lusting for, this is all sent to the mofx for it's delay and then off to an ineko and then to the rang.....etc. etc.....what a lesson!.....i have pulled out all my manuals and am rereading all of them to see what else i have been missing all of these years.....i think about this stuff way toooo much....."well if i......?".....i am no longer clean but wallowing in sonic mud and loving it!.....but with a few well placed flicks of my fingers i can be as clean as peter, paul and mary.....:)m<BR><BR><BR><BR>www.ct-collective.com<BR>http://mysite.verizon.net/vzepmeci/<BR>http://www.myspace.com/klobuchar11<BR></FONT><FONT face=Geneva color=#000000 size=2 FAMILY="SANSSERIF"></FONT></FONT></FONT></BLOCKQUOTE></BODY></HTML>
------=_NextPart_84815C5ABAF209EF376268C8--

From Loopers-Delight-request@loopers-delight.com  Sun Mar 26 09:41:43 2006
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From: "INFO at mark francombe" <mark@markfrancombe.com>
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Subject: Quick question about Vortex
Date: Sun, 26 Mar 2006 11:41:36 +0200
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Am I right... after having Vortex for years, I try to dial up a DRY =
patch (so that I can morph in and out of the wet one) and I discover =
that Vortex is stereo in... but mono out!!! as in I am feeding its =
stereo, but after creating a dry patch with mix hard to dry, my thru =
sound is only coming out left!!! Surely it hasnt been like this all =
these years? Have I got a dodgy cable? Or a new set of ears???/

m


mark francombe
marks website is at www.markfrancombe.com he writes for =
www.furthernoise.org and works at www.transformlearning.com
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Am I right... after having Vortex for =
years, I try=20
to dial up a DRY patch (so that I can morph in and out of the wet one) =
and I=20
discover that Vortex is stereo in... but mono out!!! as in I am feeding =
its=20
stereo, but after creating a dry patch with mix hard to dry, my thru =
sound is=20
only coming out left!!! Surely it hasnt been like this all these years? =
Have I=20
got a dodgy cable? Or a new set of ears???/</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>m</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>mark francombe<BR>marks website is at =
<A=20
href=3D"http://www.markfrancombe.com">www.markfrancombe.com</A> he =
writes for <A=20
href=3D"http://www.furthernoise.org">www.furthernoise.org</A> and works =
at <A=20
href=3D"http://www.transformlearning.com">www.transformlearning.com</A></=
FONT></DIV></BODY></HTML>

------=_NextPart_000_0003_01C650CA.3D2C3100--


From Loopers-Delight-request@loopers-delight.com  Sun Mar 26 14:55:37 2006
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Date: Sun, 26 Mar 2006 16:55:35 +0200 (CEST)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: FCB 1010-Tc2290-and-Repeater
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Hi !
   
  I have just bought FCB1010 midi-pedalboard, the Repeater, and a TC 2290 delay. All this gear and midi are new to me. I hope to use the FCB to controll the Repeater and the TC. 
   
  Does anyone have somthing written to help me getting started, or do I have to read all those big manuals  ? 
   
  I hope to use the FCB expression pedals to controll the feedback on the repeater and the TC. I have read that this is possible on the repeater.
  Is it possible to controll feedback (kind of Fripp) with expression-pedal also on the TC 2290 ? 
   
  best regards Rune F      

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<div>Hi !</div>  <div>&nbsp;</div>  <div>I have just bought&nbsp;FCB1010 midi-pedalboard, the Repeater, and a TC 2290 delay.&nbsp;All this gear and midi are new to me.&nbsp;I hope to use the FCB to controll the Repeater and the TC. </div>  <div>&nbsp;</div>  <div>Does anyone have somthing written to help me getting started, or do I have to read all those big manuals&nbsp;&nbsp;? </div>  <div>&nbsp;</div>  <div>I hope to use the FCB&nbsp;expression pedals to controll the feedback on the repeater and the&nbsp;TC. I have read that this is possible on the repeater.</div>  <div>Is it possible to controll feedback (kind of Fripp)&nbsp;with&nbsp;expression-pedal also on the TC 2290 ? </div>  <div>&nbsp;</div>  <div>best regards Rune F&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</div>
--0-600955415-1143384935=:55876--

From Loopers-Delight-request@loopers-delight.com  Sun Mar 26 16:04:01 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: FCB 1010-Tc2290-and-Repeater
Date: Sun, 26 Mar 2006 18:03:54 +0200
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On 26 mar 2006, at 16.55, rune fagereng wrote:

> I have just bought FCB1010 midi-pedalboard, the Repeater, and a TC  
> 2290 delay. All this gear and midi are new to me. I hope to use the  
> FCB to controll the Repeater and the TC.
>
> Does anyone have somthing written to help me getting started, or do  
> I have to read all those big manuals  ?
>
> I hope to use the FCB expression pedals to controll the feedback on  
> the repeater and the TC. I have read that this is possible on the  
> repeater. Is it possible to controll feedback (kind of Fripp) with  
> expression-pedal also on the TC 2290 ?


Don't know about the TC, but here's a quick strategy for the REpeater:

1, Make a list of the Repeater functions you want to use.
2. Check them up in the manual and write down the MIDI data they are  
to be controlled by.
3. Assign that MIDI data to be sent by the FCB pedals/buttons if choice.

Look out for typos in the Repeater manual. There is one, or two  
particular MIDI PC's listed incorrectly. If something doesn't work  
just shift the value one step up or down (like if PC4 doesn't work,  
PC5 or PC3 might be the correct one).

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast? 
id=128679560&s=143456




From Loopers-Delight-request@loopers-delight.com  Sun Mar 26 16:32:54 2006
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Per Boysen wrote:

>
> but here's a quick strategy for the REpeater:
> (...)
>
> Look out for typos in the Repeater manual. There is one, or two  
> particular MIDI PC's listed incorrectly. If something doesn't work  
> just shift the value one step up or down (like if PC4 doesn't work,  
> PC5 or PC3 might be the correct one). 


On FCB 1010/Repeater, It seems to be "add one" to all PC numbers EXCEPT 
Record (listed as PC: 4, and it is!).  Example: Play is listed as PC: 
20, but it's actually PC: 21.

David

From Loopers-Delight-request@loopers-delight.com  Sun Mar 26 17:49:46 2006
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From: "claude voit" <c.voit@vtx.ch>
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Subject: Re: FCB 1010-Tc2290-and-Repeater
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Rune

all the "Real"  and fantastic loppers/musicians that you can interact with 
on this Looper-delight web site have read all their manuals from bottom to 
top and back, they know every midi trick from heart, dream of vcf curves, 
sysex checksum, and drop down menus every night.

so do you want to join the "A" looper VIP club ?
or be the regular looping "fan" with factory presets ?

there are no shortcuts to knowing your tools and it takes being patient, 
reading manuals, trying, being patient, reading manuals, trying again etc 
...
dont be lazy or go back to playing blues  or whatever

Claude











From: rune fagereng

Hi !

I have just bought FCB1010 midi-pedalboard, the Repeater, and a TC 2290 
delay. All this gear and midi are new to me. I hope to use the FCB to 
controll the Repeater and the TC.

Does anyone have somthing written to help me getting started, or do I have 
to read all those big manuals  ?

I hope to use the FCB expression pedals to controll the feedback on the 
repeater and the TC. I have read that this is possible on the repeater.
Is it possible to controll feedback (kind of Fripp) with expression-pedal 
also on the TC 2290 ?

best regards Rune F 

From Loopers-Delight-request@loopers-delight.com  Sun Mar 26 18:01:29 2006
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Message-ID: <20060326180126.35823.qmail@web26209.mail.ukl.yahoo.com>
Date: Sun, 26 Mar 2006 20:01:25 +0200 (CEST)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: Vedr. Re: FCB 1010-Tc2290-and-Repeater
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Hi !
   
  I guess your right, Claude. But I hope its ok to ask questions too !
   
  best regards of Rune "the Blues-looper"
   
   
  
claude voit <c.voit@vtx.ch> skrev:
  Rune

all the "Real" and fantastic loppers/musicians that you can interact with 
on this Looper-delight web site have read all their manuals from bottom to 
top and back, they know every midi trick from heart, dream of vcf curves, 
sysex checksum, and drop down menus every night.

so do you want to join the "A" looper VIP club ?
or be the regular looping "fan" with factory presets ?

there are no shortcuts to knowing your tools and it takes being patient, 
reading manuals, trying, being patient, reading manuals, trying again etc 
...
dont be lazy or go back to playing blues or whatever

Claude











From: rune fagereng

Hi !

I have just bought FCB1010 midi-pedalboard, the Repeater, and a TC 2290 
delay. All this gear and midi are new to me. I hope to use the FCB to 
controll the Repeater and the TC.

Does anyone have somthing written to help me getting started, or do I have 
to read all those big manuals ?

I hope to use the FCB expression pedals to controll the feedback on the 
repeater and the TC. I have read that this is possible on the repeater.
Is it possible to controll feedback (kind of Fripp) with expression-pedal 
also on the TC 2290 ?

best regards Rune F 



--0-400108844-1143396085=:31571
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: 8bit

<div>Hi !</div>  <div>&nbsp;</div>  <div>I guess your right, Claude. But I hope its ok to ask questions too !</div>  <div>&nbsp;</div>  <div>best regards of Rune "the Blues-looper"</div>  <div>&nbsp;</div>  <div>&nbsp;</div>  <div><BR><B><I>claude voit &lt;c.voit@vtx.ch&gt;</I></B> skrev:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">Rune<BR><BR>all the "Real" and fantastic loppers/musicians that you can interact with <BR>on this Looper-delight web site have read all their manuals from bottom to <BR>top and back, they know every midi trick from heart, dream of vcf curves, <BR>sysex checksum, and drop down menus every night.<BR><BR>so do you want to join the "A" looper VIP club ?<BR>or be the regular looping "fan" with factory presets ?<BR><BR>there are no shortcuts to knowing your tools and it takes being patient, <BR>reading manuals, trying, being patient, reading manuals, trying again etc <BR>...<BR>dont be lazy or go
 back to playing blues or whatever<BR><BR>Claude<BR><BR><BR><BR><BR><BR><BR><BR><BR><BR><BR><BR>From: rune fagereng<BR><BR>Hi !<BR><BR>I have just bought FCB1010 midi-pedalboard, the Repeater, and a TC 2290 <BR>delay. All this gear and midi are new to me. I hope to use the FCB to <BR>controll the Repeater and the TC.<BR><BR>Does anyone have somthing written to help me getting started, or do I have <BR>to read all those big manuals ?<BR><BR>I hope to use the FCB expression pedals to controll the feedback on the <BR>repeater and the TC. I have read that this is possible on the repeater.<BR>Is it possible to controll feedback (kind of Fripp) with expression-pedal <BR>also on the TC 2290 ?<BR><BR>best regards Rune F <BR><BR></BLOCKQUOTE><BR>
--0-400108844-1143396085=:31571--

From Loopers-Delight-request@loopers-delight.com  Sun Mar 26 20:56:20 2006
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To: Loopers-Delight@loopers-delight.com
From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: MOTU Ultralite
Date: Sun, 26 Mar 2006 12:56:14 -0800
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A quick report:

I desired a backup interface for the road, so I bought the MOTU=20
Ultralite. I love it, it sounds very good. Nice features, easy to use.=20=

Seems to be very well constructed. (I will know that for sure after I=20
drop it for the first time.) Small and light. In fact, it has relegated=20=

the m-audio 1814 to backup status. I've been running it for two days=20
now, and haven't had any problems. PLUS: since it has more analog audio=20=

outs than the m-audio, I can route all my EV-5 pedals there, bypassing=20=

midi for the pedals altogether. (Previously  I used a drehbank to plug=20=

the pedals in, it was cool, but heavy. I won't miss carrying that brick=20=

around.)




Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com =95 AngryVegan.com=

From Loopers-Delight-request@loopers-delight.com  Sun Mar 26 21:42:40 2006
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Subject: RE : Vedr. Re: FCB 1010-Tc2290-and-Repeater
Date: Sun, 26 Mar 2006 23:42:32 +0200
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Hi Rune,=20
=20
I also hope it is still OK to ask questions on this list=20
(and many thanks to great people like Per Boysen, Rick Walker, Kim Flint

and the many others who always took time and patience to give
very helpful and friendly replies),
because that's what I like this list for, the possibility of sharing
with others;
=20
if I can learn something the quick (and friendly) way that can save me
hours=20
through manuals I'll appreciate and will no doubt go back to the manual
later
for a better understanding, but if I can get a tip that will
save me days of reading, (and Kim did that for me when I was begining
with the EDP),=20
I'll also be able to move faster and learn more;
I don't believe that "if it was hard for me to learn it should be hard
for you".
=20
but of course, I am not an " 'A' class VIP loopist " (ha ha ha),
I just enjoy making music and sharing it friendly with people,
and (shame !!) I even play blues sometimes and ... enjoy it !!=20
but again, maybe I am on the wrong list ...
=20
so I hope you enjoy your "toys" and making your music Rune,=20
and you'll share some with us :-))
=20
all the best
=20
Francois
=20

-----Message d'origine-----
De : rune fagereng [mailto:rune_fagereng@yahoo.no]=20
Envoy=E9 : dimanche 26 mars 2006 20:01
=C0 : Loopers-Delight@loopers-delight.com
Objet : Vedr. Re: FCB 1010-Tc2290-and-Repeater


Hi !
=20
I guess your right, Claude. But I hope its ok to ask questions too !
=20
best regards of Rune "the Blues-looper"
=20
=20

claude voit <c.voit@vtx.ch> skrev:

Rune

all the "Real" and fantastic loppers/musicians that you can interact
with=20
on this Looper-delight web site have read all their manuals from bottom
to=20
top and back, they know every midi trick from heart, dream of vcf
curves,=20
sysex checksum, and drop down menus every night.

so do you want to join the "A" looper VIP club ?
or be the regular looping "fan" with factory presets ?

there are no shortcuts to knowing your tools and it takes being patient,

reading manuals, trying, being patient, reading manuals, trying again
etc=20
...
dont be lazy or go back to playing blues or whatever

Claude











From: rune fagereng

Hi !

I have just bought FCB1010 midi-pedalboard, the Repeater, and a TC 2290=20
delay. All this gear and midi are new to me. I hope to use the FCB to=20
controll the Repeater and the TC.

Does anyone have somthing written to help me getting started, or do I
have=20
to read all those big manuals ?

I hope to use the FCB expression pedals to controll the feedback on the=20
repeater and the TC. I have read that this is possible on the repeater.
Is it possible to controll feedback (kind of Fripp) with
expression-pedal=20
also on the TC 2290 ?

best regards Rune F=20





------=_NextPart_000_0015_01C6512E.F3DE85B0
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META HTTP-EQUIV=3D"Content-Type" CONTENT=3D"text/html; =
charset=3Diso-8859-15">
<TITLE>Message</TITLE>

<META content=3D"MSHTML 6.00.2800.1528" name=3DGENERATOR></HEAD>
<BODY>
<DIV><SPAN class=3D609480921-26032006><FONT face=3DArial color=3D#0000ff =
size=3D2>Hi=20
Rune, </FONT></SPAN></DIV>
<DIV><SPAN class=3D609480921-26032006><FONT face=3DArial color=3D#0000ff =

size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D609480921-26032006><FONT face=3DArial color=3D#0000ff =

size=3D2>I&nbsp;</FONT></SPAN><SPAN class=3D609480921-26032006><FONT =
face=3DArial=20
color=3D#0000ff size=3D2>also hope it is still OK </FONT></SPAN><SPAN=20
class=3D609480921-26032006><FONT face=3DArial color=3D#0000ff =
size=3D2>to ask questions=20
on this list </FONT></SPAN></DIV>
<DIV><SPAN class=3D609480921-26032006><FONT face=3DArial color=3D#0000ff =
size=3D2>(and=20
many thanks to great people </FONT></SPAN><SPAN =
class=3D609480921-26032006><FONT=20
face=3DArial color=3D#0000ff size=3D2>like Per Boysen, Rick Walker, Kim =
Flint=20
</FONT></SPAN></DIV>
<DIV><SPAN class=3D609480921-26032006><FONT face=3DArial color=3D#0000ff =
size=3D2>and=20
the many others </FONT></SPAN><SPAN class=3D609480921-26032006><FONT =
face=3DArial=20
color=3D#0000ff size=3D2>who always took time and patience to=20
give</FONT></SPAN></DIV>
<DIV><SPAN class=3D609480921-26032006><FONT face=3DArial color=3D#0000ff =
size=3D2>very=20
helpful and friendly replies),</FONT></SPAN></DIV>
<DIV><SPAN class=3D609480921-26032006><FONT face=3DArial color=3D#0000ff =

size=3D2>because that's what I like this list for, the =
</FONT></SPAN><SPAN=20
class=3D609480921-26032006><FONT face=3DArial color=3D#0000ff =
size=3D2>possibility of=20
sharing with others;</FONT></SPAN></DIV>
<DIV><SPAN class=3D609480921-26032006><FONT face=3DArial color=3D#0000ff =

size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D609480921-26032006><FONT face=3DArial color=3D#0000ff =
size=3D2>if I=20
can learn something the quick </FONT></SPAN><SPAN =
class=3D609480921-26032006><FONT=20
face=3DArial color=3D#0000ff size=3D2>(and friendly) way that =
can&nbsp;save&nbsp;me=20
</FONT></SPAN><SPAN class=3D609480921-26032006><FONT face=3DArial =
color=3D#0000ff=20
size=3D2>hours </FONT></SPAN></DIV>
<DIV><SPAN class=3D609480921-26032006><FONT face=3DArial color=3D#0000ff =

size=3D2>through manuals I'll appreciate and will no doubt go back to =
the manual=20
later</FONT></SPAN></DIV>
<DIV><SPAN class=3D609480921-26032006><FONT face=3DArial color=3D#0000ff =
size=3D2>for a=20
better understanding,&nbsp;</FONT></SPAN><SPAN =
class=3D609480921-26032006><FONT=20
face=3DArial color=3D#0000ff size=3D2>but if I can get a tip that=20
will</FONT></SPAN></DIV>
<DIV><SPAN class=3D609480921-26032006><FONT face=3DArial color=3D#0000ff =
size=3D2>save=20
me days of reading, (and Kim did that for me </FONT></SPAN><SPAN=20
class=3D609480921-26032006><FONT face=3DArial color=3D#0000ff =
size=3D2>when I was=20
begining with the EDP),&nbsp;</FONT></SPAN></DIV>
<DIV><SPAN class=3D609480921-26032006><FONT face=3DArial color=3D#0000ff =
size=3D2>I'll=20
also be able to move faster and learn more;</FONT></SPAN></DIV>
<DIV><SPAN class=3D609480921-26032006><FONT face=3DArial color=3D#0000ff =
size=3D2>I=20
don't believe that "if it was hard for me to learn it should be hard for =

you".</FONT></SPAN></DIV>
<DIV><SPAN class=3D609480921-26032006><FONT face=3DArial color=3D#0000ff =

size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D609480921-26032006><FONT face=3DArial color=3D#0000ff =
size=3D2>but of=20
course, I am not an " 'A' class VIP loopist " (ha ha =
ha),</FONT></SPAN></DIV>
<DIV><SPAN class=3D609480921-26032006><FONT face=3DArial color=3D#0000ff =
size=3D2>I just=20
enjoy making music and sharing it friendly with =
people,</FONT></SPAN></DIV>
<DIV><SPAN class=3D609480921-26032006><FONT face=3DArial color=3D#0000ff =
size=3D2>and=20
(shame !!) I </FONT></SPAN><FONT face=3DArial><FONT size=3D2><FONT=20
color=3D#0000ff><SPAN class=3D609480921-26032006>even play blues =
sometimes and ...=20
enjoy it !! </SPAN></FONT></FONT></FONT></DIV>
<DIV><FONT face=3DArial><FONT size=3D2><FONT color=3D#0000ff><SPAN=20
class=3D609480921-26032006>but again, maybe I am on the wrong list=20
...</SPAN></FONT></FONT></FONT></DIV>
<DIV><FONT face=3DArial><FONT size=3D2><FONT color=3D#0000ff><SPAN=20
class=3D609480921-26032006></SPAN><SPAN=20
class=3D609480921-26032006></SPAN></FONT></FONT></FONT>&nbsp;</DIV>
<DIV><SPAN class=3D609480921-26032006><FONT face=3DArial color=3D#0000ff =
size=3D2>so I=20
hope you enjoy your "toys" and making your music Rune, =
</FONT></SPAN></DIV>
<DIV><SPAN class=3D609480921-26032006><FONT face=3DArial color=3D#0000ff =
size=3D2>and=20
you'll share some with us :-))</FONT></SPAN></DIV>
<DIV><SPAN class=3D609480921-26032006><FONT face=3DArial color=3D#0000ff =

size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D609480921-26032006><FONT face=3DArial color=3D#0000ff =
size=3D2>all=20
the best</FONT></SPAN></DIV>
<DIV><SPAN class=3D609480921-26032006><FONT face=3DArial color=3D#0000ff =

size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D609480921-26032006><FONT face=3DArial color=3D#0000ff =

size=3D2>Francois</FONT></SPAN></DIV>
<DIV><SPAN class=3D609480921-26032006><FONT face=3DArial color=3D#0000ff =

size=3D2></FONT></SPAN>&nbsp;</DIV>
<BLOCKQUOTE style=3D"MARGIN-RIGHT: 0px">
  <DIV></DIV>
  <DIV class=3DOutlookMessageHeader lang=3Dfr dir=3Dltr =
align=3Dleft><FONT face=3DTahoma=20
  size=3D2>-----Message d'origine-----<BR><B>De&nbsp;:</B> rune fagereng =

  [mailto:rune_fagereng@yahoo.no] <BR><B>Envoy=E9&nbsp;:</B> dimanche 26 =
mars 2006=20
  20:01<BR><B>=C0&nbsp;:</B>=20
  Loopers-Delight@loopers-delight.com<BR><B>Objet&nbsp;:</B> Vedr. Re: =
FCB=20
  1010-Tc2290-and-Repeater<BR><BR></FONT></DIV>
  <DIV>Hi !</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>I guess your right, Claude. But I hope its ok to ask questions =
too=20
!</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>best regards of Rune "the Blues-looper"</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>&nbsp;</DIV>
  <DIV><BR><B><I>claude voit &lt;c.voit@vtx.ch&gt;</I></B> skrev:</DIV>
  <BLOCKQUOTE class=3Dreplbq=20
  style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px =
solid">Rune<BR><BR>all=20
    the "Real" and fantastic loppers/musicians that you can interact =
with <BR>on=20
    this Looper-delight web site have read all their manuals from bottom =
to=20
    <BR>top and back, they know every midi trick from heart, dream of =
vcf=20
    curves, <BR>sysex checksum, and drop down menus every =
night.<BR><BR>so do=20
    you want to join the "A" looper VIP club ?<BR>or be the regular =
looping=20
    "fan" with factory presets ?<BR><BR>there are no shortcuts to =
knowing your=20
    tools and it takes being patient, <BR>reading manuals, trying, being =

    patient, reading manuals, trying again etc <BR>...<BR>dont be lazy =
or go=20
    back to playing blues or=20
    =
whatever<BR><BR>Claude<BR><BR><BR><BR><BR><BR><BR><BR><BR><BR><BR><BR>Fro=
m:=20
    rune fagereng<BR><BR>Hi !<BR><BR>I have just bought FCB1010 =
midi-pedalboard,=20
    the Repeater, and a TC 2290 <BR>delay. All this gear and midi are =
new to me.=20
    I hope to use the FCB to <BR>controll the Repeater and the =
TC.<BR><BR>Does=20
    anyone have somthing written to help me getting started, or do I =
have <BR>to=20
    read all those big manuals ?<BR><BR>I hope to use the FCB expression =
pedals=20
    to controll the feedback on the <BR>repeater and the TC. I have read =
that=20
    this is possible on the repeater.<BR>Is it possible to controll =
feedback=20
    (kind of Fripp) with expression-pedal <BR>also on the TC 2290 =
?<BR><BR>best=20
    regards Rune F <BR><BR></BLOCKQUOTE><BR></BLOCKQUOTE></BODY></HTML>

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Date: Sun, 26 Mar 2006 15:55:33 -0800
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From: Kevin <kevin@TheNettles.com>
Subject: Filter-Looper Swapping
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I've ordered an Electrix Filter Queen for my "cheap guitar 
synth".  No MIDI control but it does have an expression pedal in.

Thank you Andy for the idea of using a filter plus distortion and 
thanks to everybody else who sent me suggestions.  That's what I 
really like about this list. The idea never would have occurred to me 
on my own.

While I wait for the Electrix, I'm reviewing my signal chain and I've 
realized that I'll want to put the Filter Queen both pre and 
post  looper and be able to switch between the two.

In other words I'll want two signal paths that I can switch between 
with a single pedal-press:

1. Guitar-->Effects-->Filter-->EDP-->Amp

2. Guitar-->Effects-->EDP-->Filter-->Amp

I've been looking at the inputs and outputs and drawing diagrams but 
I can't figure out how to switch the positions in the signal chain 
between the EDP and the FilterQueen with a single pedal press.  I do 
have two inputs on the amp.

Can anybody help me with my signal routing conundrum?  As always, I'm 
careful with the pennies I earn from playing music so a cheap 
solution is preferred.

Thanks for your help!

Cheers,
Kevin

The Nettles: Progressive and Exciting Celtic Music
www.TheNettles.com

From Loopers-Delight-request@loopers-delight.com  Mon Mar 27 02:05:58 2006
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From: "Timothy Mungenast" <mungenast@earthlink.net>
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Subject: OT: Crime show tone!
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As I type this, I hear the telltale wicked slide tone of the "Law and Order: Criminal Intent" theme.

Bowel-shaking designer distortion. I think this is the same guy who did the equally hellacious theme for the short-lived crime drana "Players."

Anyone know who's the guitarist?

Yours in Gear-Whoredom,
Tim 
www.myspace.com/timmungenast
www.mungenast.com




Timothy Mungenast
mungenast@earthlink.net
Why Wait? Move to EarthLink.
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<HTML style="FONT-SIZE: x-small; FONT-FAMILY: MS Sans Serif"><HEAD>
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<BODY>
<P>
<DIV>As I type this, I hear the telltale wicked slide tone of the "Law and Order: Criminal Intent" theme.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Bowel-shaking designer distortion. I think this is the same guy who&nbsp;did the equally hellacious theme for the short-lived crime drana "Players."</DIV>
<DIV>&nbsp;</DIV>
<DIV>Anyone know who's the guitarist?</DIV>
<DIV>&nbsp;</DIV>
<DIV>Yours in Gear-Whoredom,</DIV>
<DIV>Tim </DIV>
<DIV><A href="http://www.myspace.com/timmungenast">www.myspace.com/timmungenast</A></DIV>
<DIV>www.mungenast.com</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>Timothy Mungenast</DIV>
<DIV><A href="mailto:mungenast@earthlink.net">mungenast@earthlink.net</A></DIV>
<DIV>Why Wait? Move to EarthLink.</DIV>
<DIV>&nbsp;</DIV>
<P></P></BODY></HTML>
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From Loopers-Delight-request@loopers-delight.com  Mon Mar 27 02:48:53 2006
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From: "William Walker" <billwalker@baymoon.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: OT: Jamman for sale
Date: Sun, 26 Mar 2006 18:48:54 -0800
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Hi Y'all,
It has finally come time to part with my original Lexicon Jamman. I just
haven't used it in a long long time. I have some sentimental attachment, but
as they say, all things must pass. Its got a bit of rack rash, but its
working well. It has the original manual, power supply, but the original
footswitches were jettisoned years ago and replaced by four Roland FSU
momentary switches, and a pair of TRS stereo cables. It has the full 32
seconds, and I have the Bob Selion chip and manual addendum, though I never
got around to installing it. If anyone is interested in it before I offer it
on Ebay, please contact me off list. I'm willing to throw in all four foot
pedals + two good monster insert cables  for a reasonable offer. This not
the New digitech jamman this is the old rack mount jamman. Please contact me
off list if interested.
Thanks
Bill

billwalker@baymoon.com


From Loopers-Delight-request@loopers-delight.com  Mon Mar 27 04:48:23 2006
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From: "PiNG" <ping@theambientping.com>
To: "Ambient@hyperreal" <ambient@hyperreal.org>,
	"Dark Seeds" <DarkSeedsNews@yahoogroups.com>,
	"Drone Deep Chill" <drone_deep_chill@yahoogroups.com>,
	"Loopers Delight" <Loopers-Delight@loopers-delight.com>,
	<phoniqlist@phoniq.net>,
	"The Ambient Way" <the_ambient_way@yahoogroups.com>
Subject: the PiNG presents Vessel = Menno Krant + The Devil in the Design and dreamSTATE with Lynn Harrigan
Date: Sun, 26 Mar 2006 23:49:28 -0500
Organization: THE AMBiENT PiNG
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THE AMBiENT PiNG  .  http://www.theambientping.com
Tuesdays @ HACiENDA . 794 Bathurst Street at Bloor . Toronto 
(upstairs - directly across from the Bathurst subway station) 
Doors open at 9pm . 1st set at 9:30 . PayWhatYouCan 

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 

THiS Tuesday March 28th . Vessel = Menno Krant + 
The Devil in the Design and dreamSTATE with 
The Devil in the Design + Lynn Harrigan
and General Chaos Visuals

VESSEL; A collaborative performance with 
Phil Ogison {The Devil in The Design} and Menno Krant

Vessel: This project represents the interface of two artistic 
disciplines, visual art and music. Modern Artist Menno Krant; 
painter and Phil Ogison; Ambient Guitarist and Electronics 
Improviser, combine their unique gifts in a series of five 
performances, which explore the definition of music as fine art 
and the body as vessel for sound and colour. The first of these 
performances will take place March 28.06 in Toronto.

Menno Krant is a self-taught visionary artist whose unique 
painting techniques have given him international recognition and 
acclaim. Mr. Krant has been the subject of many documentaries 
and scholarly dissertations. Phil Ogison has been involved in 
the experimental visual and audio art scene since the mid 1960s. 
He continues to work in both areas with a current emphasis on 
performing ambient/experimental music with a variety of artists, 
notably members of the Worthy Records collective and 
THE AMBiENT PiNG Community in Toronto. Phil's music 
is available on the world wide web, through ping things 
and The Canadian Music Centre.
http://tditd.tripod.com/vessel
http://www.mennokrant.com
http://www.myspace.com/ogison

In the second set Phil will join dreamSTATE for a trip beginning 
with a live reading with poet Lynn Harrigan of the latest pieces 
from her work-in-progress "Oblique Poetries". Then we'll shift 
gears into some driving "Berlin school" sequencing. In the past, 
dreamSTATE has enjoyed injecting layered sequences, inspired 
by their early German influences like Tangerine Dream, into their 
sets - but have missed the wailing guitar that would often soar 
across the classic German works from the Seventies. With Phil 
on board on guitar, they're looking forward to taking things to 
another level! dreamSTATE has been assembling banks of 
virtual Moog Modular synths in their computers, patching 
up new sounds, loading up the sequencers and are 
looking forward to this flight with Phil. 
http://www.dreamstate.to
http://www.lynnharrigan.com
http://www.myspace.com/ogison

General Chaos Visuals will be in the house to turn the entire 
stage into an evolving visual feast for this performance. 
http://www.generalchaosvisuals.com

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 

Before Sets CD . Rubycon by Tangerine Dream
Hmmm, working with virtual modulars in prep for this week's 
show has gotten me in the mood for some old school analog 
modular madness. So to start the evening off this week, we 
jump into the wayback machine and revisit this classic TD 
release from 1975. http://www.tangerinedream.org

Between Sets CD . Eye of the Nautilus by Numina
Tonight we feature  the second release by Numina on the Hypnos 
label, the follow-up to his acclaimed breakthrough Sanctuary of 
Dreams (2004). Eye of the Nautilus is similar to its predecessor 
tonally, but also explores some different themes and textures. 
Evocative electronic percussion is present at times, but overall 
the feel is one of deep-space ambience. Read more about it 
here in rik's *ping things* CD review below and hear it 
Tuesday @ the PiNG. http://www.numinamusic.com

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 

COMiNG April 4th . WHIPPOORWILL 
(Chris Gartner, & Great Bob Scott) and 
POLMO POLPO (Sandro Perri)

WHIPPOORWILL is a new duo from the former Look People 
rhythm section of bassist/guitarist Chris Gartner, and 
drummer Great Bob Scott.

This is an exciting and innovative group that creates a forest 
of sound and texture with just two people. Gartner plays 
composed guitar and bass loops live, switching instruments 
within the pieces to form the illusion of a number of players 
at once. Scott's infamous drumming is spiced with 
electronic triggering, and samples. Dense multitracked 
soundscapes composed by Gartner, and live video 
projections augment their live shows.

The two members of WHIPPOORWILL have been part of a 
number of high profile acts over the years. They both toured 
Europe and North America as members of Canada's 
legendary "Look People", and appeared in recordings, 
magazines, television shows, rock videos, and 
Lollapalooza festivals with the group. 
http://www.myspace.com/chrisandgreatbob

Also on the bill, Polmo Polpo is the solo project of Toronto 
composer, musician and producer Sandro Perri. Between 
1999 and 2002, he released several full length and EP releases, 
beginning with his own label, Audi Sensa, and later moving 
on to various releases with Alien8, Intr-version, and Constellation. 

Perri operates in a strange netherworld between avant-dub and 
more post-rock influences and pointedly incorporates traditional 
instruments into his electronic experiments "as part of the fabric." 
Polmo Polpo creates a unique blend of dense and intoxicating 
layers of hisses and crackles, looped percussion, long-burn 
drones and submerged rhythms overlaid with instrumental 
sources (slide guitar, strings, accordion). 

"Polmo Polpo" loosely translates as "octopus lung" in Italian. 
Much of Perri's music is reminiscent of deepwater, photic 
zone atmospheres.
http://www.alien8recordings.com/subsf05.php3
http://www.audisensa.com

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 

rik maclean's *ping things* CD Reviews

Numina . "Eye of the Nautilus"

It's subtle and magical, playing right on the periphery of the senses. 
I sit very still while I'm listening to it, afraid that any movement or 
noise might mean that I miss some of it, something crucial. 
Something important. It requires focus.

"Eye of the Nautilus" is the second release on the Hypnos label by 
Jesse Sola of Numina. My appreciation for Jesse's work, my 
adoration for his music, is pretty well documented by this point. 
But even given my feelings I was totally unprepared for the 
beauty of "Eye of the Nautilus".

There's a womb like serenity to this music, something so natural, 
so warm, so inviting. Tracks drift and flow throughout the disc, 
slight melodies and distant sounds rising and falling on the edge 
of your hearing. Time seems to slow down while it plays, as if 
minutes and seconds have less meaning and are instead 
measured by the passing of notes and waves. It all comes 
together so fluidly, so naturally, so perfectly that it seems 
like this music has always existed, that this is the sound 
of the oceans, and the earth, and the moon, and the stars, 
and everything else. Primal, connected, organic.

It's subtle and magical, playing right on the periphery of the 
senses. I sit very still while I'm listening to it, afraid that any 
movement or noise might mean that I miss some of it, 
something crucial. Something important.

Something divine.

Something wonderful.

Something...

perfect.


rik maclean - rik@pingthings.com

"Eye of the Nautilus" by Numina is available now at ping things!
http://www.pingthings.com/NUMINAnautilus.htm

Read an exclusive interview with Jesse Sola of Numina at 
http://www.pingthings.com/NUMINAfeatureNF.htm

Interested in hearing some tracks from "Eye of the Nautilus"? 
Tune into ping things radio every Sunday and Wednesday 
evening from 9pm to midnight EST at 
http://www.live365.com/stations/marastorment 
to hear music from Numina and other artists in 
the ping things catalogue!

http://www.pingthings.com = ambient + electronic + chill things 

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 

* Other Toronto area sonic/visual events of interest this week:

* Thursday March 30th . Improvisors' Pool
   The improvisors' pool is a weekly gathering for musicians who 
   practice collective free improvisation. It welcomes players 
   of all levels and backgrounds.
   7:00-9:00 . Ralph Thornton Centre . 765 Queen Street East
   
* Thursday, March 30th . A.D/D. Events presents
   "24 Hour Party People: The Hacienda Tour"
   featuring Peter Hook (of New Order) and Mani 
   (of The Stone Roses/Primal Scream)    
   10 PM . State Theatre, 69 Bathurst St, Toronto . $15  
   
* Thursday March 30th . Open House:
   Dave Fish, drums
   Michael Herring, mbass
   Paul Newman, saxophone
   8pm . Tranzac, 292 Brunswick at Bloor
   
* Friday, March 31st . Leftover Daylight Series
   in association with Arraymusic and AIMT
   i-  Quinsin Nachof w/ guests   
   ii- Geordie Haley's everytime band
   (w/ paul donat, christine duncan, evan shaw, jean martin)   
   iii- Gregg Brennan Trio (w/ avi granite, tom richards)
   9pm . ARRAYMUSIC Studio 60 Atlantic Ave., Ste 218 . $10/6
   
* Friday, March 31st . H2-OS presents
   "Industrialization Of Relaxation"
   noise, industrial, soundscapes & breaks with live sets by 
   Stendeck (Switzerland), S:Cage, L'ombre & Sincere Trade, 
   and DJs Razorgrrl, State Of The Arc & Charnel_Lurker
   10 PM . Waterfall Lounge, 326 Adelaide St. W.  . $5
   
* Saturday, April 1st . alienInFlux, Sensor + Promise present
   "Hz (HERTZ)"
   two room party featuring live sets by Sleeparchive, Function, 
   Kero & Vitaminsforyou and DJs Eric Downer, Lee Osborne, 
   Noah Pred, Wes, Rollin Cash, Owen, Chocolate & Patrick Roots
   10:30 PM . 99 Sudbury . $25 
   
* Saturday, April 1st . Alchemy & LadyBerg present 
   "(an unnamed party)"
   a collective night of art & music featuring live music by Les Six, 
   October Guard, Lipstick Machine & Munik, house & EDM with 
   The Audiolab Crew: Ondray, Alchemy, Dirty Mex & Richie K, 
   installations by The Washboard Collective, and photography by 
   Liz Cooper & Irina Lyubchenko 
   10pm - 4am . Salem's Loft, 136 Geary (Dovercourt/Dupont) . $5 
   
* Saturday, April 1st . famefame presents
   "VIDEODROME 2" 
   experimental scratch video art clash with Eclectic Method 
   (London, UK), V-Atak (Paris, France), Madame Chao (NYC), 
   Famefame, DJ Will Munro & Mc Pinky Beckles 
   9 PM . MOCCA, 952 Queen St. W. $5 
   
* Sunday, April 2nd . improv workshop recital
   Eric Abboud, Farah Ally, Victor Bateman, Andrew Chan, 
   Andrew McMullen, David Pontello, Paul-Julien Tanti, 
   John Vainstein, and Nick Zubeck will play together 
   spontaneously for an hour, and it will be great curious fun.
   1pm . Arrayspace . 60 Atlantic Ave., Suite 219

* Sunday April 2nd . The NOW Series
   presented by AIMT and the NOW Lounge
   4:00- geordie haley-guitar,dave clark-drums and 
   evan shaw-saxophone
   5:00- david sait- guzheng solos   
   6:00- live recording for "mk ultra" milton's favorite noise group
   NOW Lounge, 189 Church St. . $6   
      
* Sunday, April 2nd . The Hidden Cameras
   two shows: 4 PM & 8 PM - all ages 
   The Music Gallery . 197 John St. . $20 
   
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 

THE AMBiENT PiNG is a social sound/art event presenting live 
performances by Toronto's finest ambient, chillout, improv and 
experimental music artists plus performers from around the world, 
every Tuesday evening at HACiENDA . 794 Bathurst Street at Bloor. 
http://www.theambientping.com 

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 

Please forward this e-mail to any friends who may be interested in 
live ambient, chillout and experimental music performances or to 
any of your appropriate newsgroups. Thanks.

From Loopers-Delight-request@loopers-delight.com  Mon Mar 27 06:02:10 2006
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Date: Mon, 27 Mar 2006 01:01:57 -0500
From: "Todd Pafford" <calenlas@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Quick question about Vortex
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The Vortex's stereo behavior depends on the patch you're using.  Some of th=
e
patches route in ways that'll sum the stereo field or include cross-overs.
My guess is that you're turning the Mix down on a patch based on ShadowA?
It seems to be the only patch that exhibits the behavior you described.  I
guess it's dumb luck you picked the one patch that behaves this way.  I jus=
t
ran through most of the patches on my Vortex, turning the Mix down on each
one and they all worked in true stereo except ShadowA.  (To be honest the
routing diagram in the Vortex manual for ShadowA has me scratching my head
and none of the routing diagrams show how the Mix parameter figures in.)

Anyway, try a different preset for the clean sound and you should be
alright.  Remember that a patch based on any preset can be stored in any of
the user settings; e.g. a patch based on AtmosphereB can be stored in the
user preset corresponding to ShadowA if you want to set up for a morph into
ShadowB.

Todd


On 3/26/06, INFO at mark francombe <mark@markfrancombe.com> wrote:
>
> Am I right... after having Vortex for years, I try to dial up a DRY patch
> (so that I can morph in and out of the wet one) and I discover that Vorte=
x
> is stereo in... but mono out!!! as in I am feeding its stereo, but after
> creating a dry patch with mix hard to dry, my thru sound is only coming o=
ut
> left!!! Surely it hasnt been like this all these years? Have I got a dodg=
y
> cable? Or a new set of ears???/
>
> m
>
>
> mark francombe
> marks website is at www.markfrancombe.com he writes for
> www.furthernoise.org and works at www.transformlearning.com
>

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The Vortex's stereo behavior depends on the patch you're using.&nbsp;
Some of the patches route in ways that'll sum the stereo field or
include cross-overs.&nbsp; My guess is that you're turning the Mix down
on a patch based on ShadowA?&nbsp; It seems to be the only patch that
exhibits the behavior you described.&nbsp; I guess it's dumb luck you
picked the one patch that behaves this way.&nbsp; I just ran through
most of the patches on my Vortex, turning the Mix down on each one and
they all worked in true stereo except ShadowA.&nbsp; (To be honest the
routing diagram in the Vortex manual for ShadowA has me scratching my
head and none of the routing diagrams show how the Mix parameter
figures in.)<br>
<br>
Anyway, try a different preset for the clean sound and you should be
alright.&nbsp; Remember that a patch based on any preset can be stored
in any of the user settings; e.g. a patch based on AtmosphereB can be
stored in the user preset corresponding to ShadowA if you want to set
up for a morph into ShadowB.<br>
<br>
Todd<br>
<br><br><div><span class=3D"gmail_quote">On 3/26/06, <b class=3D"gmail_send=
ername">INFO at mark francombe</b> &lt;<a href=3D"mailto:mark@markfrancombe=
.com">mark@markfrancombe.com</a>&gt; wrote:</span><blockquote class=3D"gmai=
l_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0p=
t 0pt 0.8ex; padding-left: 1ex;">
<div style=3D"direction: ltr;">






<div><font face=3D"Arial" size=3D"2">Am I right... after having Vortex for =
years, I try=20
to dial up a DRY patch (so that I can morph in and out of the wet one) and =
I=20
discover that Vortex is stereo in... but mono out!!! as in I am feeding its=
=20
stereo, but after creating a dry patch with mix hard to dry, my thru sound =
is=20
only coming out left!!! Surely it hasnt been like this all these years? Hav=
e I=20
got a dodgy cable? Or a new set of ears???/</font></div>
<div><font face=3D"Arial" size=3D"2"></font>&nbsp;</div>
<div><font face=3D"Arial" size=3D"2">m</font></div>
<div><font face=3D"Arial" size=3D"2"></font>&nbsp;</div>
<div><font face=3D"Arial" size=3D"2"></font>&nbsp;</div>
<div><font face=3D"Arial" size=3D"2">mark francombe<br>marks website is at =
<a href=3D"http://www.markfrancombe.com" target=3D"_blank" onclick=3D"retur=
n top.js.OpenExtLink(window,event,this)">www.markfrancombe.com</a> he write=
s for=20
<a href=3D"http://www.furthernoise.org" target=3D"_blank" onclick=3D"return=
 top.js.OpenExtLink(window,event,this)">www.furthernoise.org</a> and works =
at <a href=3D"http://www.transformlearning.com" target=3D"_blank" onclick=
=3D"return top.js.OpenExtLink(window,event,this)">
www.transformlearning.com</a></font></div>

</div></blockquote></div><br>

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From Loopers-Delight-request@loopers-delight.com  Mon Mar 27 07:57:32 2006
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Date: Mon, 27 Mar 2006 09:57:26 +0200 (CEST)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: Vedr. RE : Vedr. Re: FCB 1010-Tc2290-and-Repeater
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Hi !
   
  Thanks for your most friendly answer !
  Yes, there are those guys out there, that answers me everytime !
   
  Thanks Boysen, Francois and Claude
   
  Best regards Rune F
   
   
  1000times <frenchloops@free.fr> skrev:
      Hi Rune, 
   
  I also hope it is still OK to ask questions on this list 
  (and many thanks to great people like Per Boysen, Rick Walker, Kim Flint 
  and the many others who always took time and patience to give
  very helpful and friendly replies),
  because that's what I like this list for, the possibility of sharing with others;
   
  if I can learn something the quick (and friendly) way that can save me hours 
  through manuals I'll appreciate and will no doubt go back to the manual later
  for a better understanding, but if I can get a tip that will
  save me days of reading, (and Kim did that for me when I was begining with the EDP), 
  I'll also be able to move faster and learn more;
  I don't believe that "if it was hard for me to learn it should be hard for you".
   
  but of course, I am not an " 'A' class VIP loopist " (ha ha ha),
  I just enjoy making music and sharing it friendly with people,
  and (shame !!) I even play blues sometimes and ... enjoy it !! 
  but again, maybe I am on the wrong list ...
   
  so I hope you enjoy your "toys" and making your music Rune, 
  and you'll share some with us :-))
   
  all the best
   
  Francois
   
    
  -----Message d'origine-----
De : rune fagereng [mailto:rune_fagereng@yahoo.no] 
Envoyé : dimanche 26 mars 2006 20:01
À : Loopers-Delight@loopers-delight.com
Objet : Vedr. Re: FCB 1010-Tc2290-and-Repeater


  Hi !
   
  I guess your right, Claude. But I hope its ok to ask questions too !
   
  best regards of Rune "the Blues-looper"
   
   
  
claude voit <c.voit@vtx.ch> skrev:
  Rune

all the "Real" and fantastic loppers/musicians that you can interact with 
on this Looper-delight web site have read all their manuals from bottom to 
top and back, they know every midi trick from heart, dream of vcf curves, 
sysex checksum, and drop down menus every night.

so do you want to join the "A" looper VIP club ?
or be the regular looping "fan" with factory presets ?

there are no shortcuts to knowing your tools and it takes being patient, 
reading manuals, trying, being patient, reading manuals, trying again etc 
...
dont be lazy or go back to playing blues or whatever

Claude











From: rune fagereng

Hi !

I have just bought FCB1010 midi-pedalboard, the Repeater, and a TC 2290 
delay. All this gear and midi are new to me. I hope to use the FCB to 
controll the Repeater and the TC.

Does anyone have somthing written to help me getting started, or do I have 
to read all those big manuals ?

I hope to use the FCB expression pedals to controll the feedback on the 
repeater and the TC. I have read that this is possible on the repeater.
Is it possible to controll feedback (kind of Fripp) with expression-pedal 
also on the TC 2290 ?

best regards Rune F 




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<div>Hi !</div>  <div>&nbsp;</div>  <div>Thanks for your most friendly answer !</div>  <div>Yes, there are&nbsp;those guys out there, that answers me everytime&nbsp;!</div>  <div>&nbsp;</div>  <div>Thanks&nbsp;Boysen, Francois and Claude</div>  <div>&nbsp;</div>  <div>Best regards Rune F</div>  <div>&nbsp;</div>  <div>&nbsp;</div>  <div><B><I>1000times &lt;frenchloops@free.fr&gt;</I></B> skrev:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">  <META content="MSHTML 6.00.2800.1528" name=GENERATOR>  <DIV><SPAN class=609480921-26032006><FONT face=Arial color=#0000ff size=2>Hi Rune, </FONT></SPAN></DIV>  <DIV><SPAN class=609480921-26032006><FONT face=Arial color=#0000ff size=2></FONT></SPAN>&nbsp;</DIV>  <DIV><SPAN class=609480921-26032006><FONT face=Arial color=#0000ff size=2>I&nbsp;</FONT></SPAN><SPAN class=609480921-26032006><FONT face=Arial color=#0000ff size=2>also hope it is still OK </FONT></SPAN><SPAN
 class=609480921-26032006><FONT face=Arial color=#0000ff size=2>to ask questions on this list </FONT></SPAN></DIV>  <DIV><SPAN class=609480921-26032006><FONT face=Arial color=#0000ff size=2>(and many thanks to great people </FONT></SPAN><SPAN class=609480921-26032006><FONT face=Arial color=#0000ff size=2>like Per Boysen, Rick Walker, Kim Flint </FONT></SPAN></DIV>  <DIV><SPAN class=609480921-26032006><FONT face=Arial color=#0000ff size=2>and the many others </FONT></SPAN><SPAN class=609480921-26032006><FONT face=Arial color=#0000ff size=2>who always took time and patience to give</FONT></SPAN></DIV>  <DIV><SPAN class=609480921-26032006><FONT face=Arial color=#0000ff size=2>very helpful and friendly replies),</FONT></SPAN></DIV>  <DIV><SPAN class=609480921-26032006><FONT face=Arial color=#0000ff size=2>because that's what I like this list for, the </FONT></SPAN><SPAN class=609480921-26032006><FONT face=Arial color=#0000ff size=2>possibility of sharing with others;</FONT></SPAN></DIV> 
 <DIV><SPAN class=609480921-26032006><FONT face=Arial color=#0000ff size=2></FONT></SPAN>&nbsp;</DIV>  <DIV><SPAN class=609480921-26032006><FONT face=Arial color=#0000ff size=2>if I can learn something the quick </FONT></SPAN><SPAN class=609480921-26032006><FONT face=Arial color=#0000ff size=2>(and friendly) way that can&nbsp;save&nbsp;me </FONT></SPAN><SPAN class=609480921-26032006><FONT face=Arial color=#0000ff size=2>hours </FONT></SPAN></DIV>  <DIV><SPAN class=609480921-26032006><FONT face=Arial color=#0000ff size=2>through manuals I'll appreciate and will no doubt go back to the manual later</FONT></SPAN></DIV>  <DIV><SPAN class=609480921-26032006><FONT face=Arial color=#0000ff size=2>for a better understanding,&nbsp;</FONT></SPAN><SPAN class=609480921-26032006><FONT face=Arial color=#0000ff size=2>but if I can get a tip that will</FONT></SPAN></DIV>  <DIV><SPAN class=609480921-26032006><FONT face=Arial color=#0000ff size=2>save me days of reading, (and Kim did that for me
 </FONT></SPAN><SPAN class=609480921-26032006><FONT face=Arial color=#0000ff size=2>when I was begining with the EDP),&nbsp;</FONT></SPAN></DIV>  <DIV><SPAN class=609480921-26032006><FONT face=Arial color=#0000ff size=2>I'll also be able to move faster and learn more;</FONT></SPAN></DIV>  <DIV><SPAN class=609480921-26032006><FONT face=Arial color=#0000ff size=2>I don't believe that "if it was hard for me to learn it should be hard for you".</FONT></SPAN></DIV>  <DIV><SPAN class=609480921-26032006><FONT face=Arial color=#0000ff size=2></FONT></SPAN>&nbsp;</DIV>  <DIV><SPAN class=609480921-26032006><FONT face=Arial color=#0000ff size=2>but of course, I am not an " 'A' class VIP loopist " (ha ha ha),</FONT></SPAN></DIV>  <DIV><SPAN class=609480921-26032006><FONT face=Arial color=#0000ff size=2>I just enjoy making music and sharing it friendly with people,</FONT></SPAN></DIV>  <DIV><SPAN class=609480921-26032006><FONT face=Arial color=#0000ff size=2>and (shame !!) I </FONT></SPAN><FONT
 face=Arial><FONT size=2><FONT color=#0000ff><SPAN class=609480921-26032006>even play blues sometimes and ... enjoy it !! </SPAN></FONT></FONT></FONT></DIV>  <DIV><FONT face=Arial><FONT size=2><FONT color=#0000ff><SPAN class=609480921-26032006>but again, maybe I am on the wrong list ...</SPAN></FONT></FONT></FONT></DIV>  <DIV><FONT face=Arial><FONT size=2><FONT color=#0000ff><SPAN class=609480921-26032006></SPAN><SPAN class=609480921-26032006></SPAN></FONT></FONT></FONT>&nbsp;</DIV>  <DIV><SPAN class=609480921-26032006><FONT face=Arial color=#0000ff size=2>so I hope you enjoy your "toys" and making your music Rune, </FONT></SPAN></DIV>  <DIV><SPAN class=609480921-26032006><FONT face=Arial color=#0000ff size=2>and you'll share some with us :-))</FONT></SPAN></DIV>  <DIV><SPAN class=609480921-26032006><FONT face=Arial color=#0000ff size=2></FONT></SPAN>&nbsp;</DIV>  <DIV><SPAN class=609480921-26032006><FONT face=Arial color=#0000ff size=2>all the best</FONT></SPAN></DIV>  <DIV><SPAN
 class=609480921-26032006><FONT face=Arial color=#0000ff size=2></FONT></SPAN>&nbsp;</DIV>  <DIV><SPAN class=609480921-26032006><FONT face=Arial color=#0000ff size=2>Francois</FONT></SPAN></DIV>  <DIV><SPAN class=609480921-26032006><FONT face=Arial color=#0000ff size=2></FONT></SPAN>&nbsp;</DIV>  <BLOCKQUOTE style="MARGIN-RIGHT: 0px">  <DIV></DIV>  <DIV class=OutlookMessageHeader lang=fr dir=ltr align=left><FONT face=Tahoma size=2>-----Message d'origine-----<BR><B>De&nbsp;:</B> rune fagereng [mailto:rune_fagereng@yahoo.no] <BR><B>Envoyé&nbsp;:</B> dimanche 26 mars 2006 20:01<BR><B>À&nbsp;:</B> Loopers-Delight@loopers-delight.com<BR><B>Objet&nbsp;:</B> Vedr. Re: FCB 1010-Tc2290-and-Repeater<BR><BR></FONT></DIV>  <DIV>Hi !</DIV>  <DIV>&nbsp;</DIV>  <DIV>I guess your right, Claude. But I hope its ok to ask questions too !</DIV>  <DIV>&nbsp;</DIV>  <DIV>best regards of Rune "the Blues-looper"</DIV>  <DIV>&nbsp;</DIV>  <DIV>&nbsp;</DIV>  <DIV><BR><B><I>claude voit
 &lt;c.voit@vtx.ch&gt;</I></B> skrev:</DIV>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">Rune<BR><BR>all the "Real" and fantastic loppers/musicians that you can interact with <BR>on this Looper-delight web site have read all their manuals from bottom to <BR>top and back, they know every midi trick from heart, dream of vcf curves, <BR>sysex checksum, and drop down menus every night.<BR><BR>so do you want to join the "A" looper VIP club ?<BR>or be the regular looping "fan" with factory presets ?<BR><BR>there are no shortcuts to knowing your tools and it takes being patient, <BR>reading manuals, trying, being patient, reading manuals, trying again etc <BR>...<BR>dont be lazy or go back to playing blues or whatever<BR><BR>Claude<BR><BR><BR><BR><BR><BR><BR><BR><BR><BR><BR><BR>From: rune fagereng<BR><BR>Hi !<BR><BR>I have just bought FCB1010 midi-pedalboard, the Repeater, and a TC 2290 <BR>delay. All this gear and midi are new to me.
 I hope to use the FCB to <BR>controll the Repeater and the TC.<BR><BR>Does anyone have somthing written to help me getting started, or do I have <BR>to read all those big manuals ?<BR><BR>I hope to use the FCB expression pedals to controll the feedback on the <BR>repeater and the TC. I have read that this is possible on the repeater.<BR>Is it possible to controll feedback (kind of Fripp) with expression-pedal <BR>also on the TC 2290 ?<BR><BR>best regards Rune F <BR><BR></BLOCKQUOTE><BR></BLOCKQUOTE></BLOCKQUOTE><BR>
--0-368044652-1143446246=:65219--

From Loopers-Delight-request@loopers-delight.com  Mon Mar 27 11:04:10 2006
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Subject: Re:Quick question about Vortex
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At 22:42 26/03/06, you wrote:
>Am I right... after having Vortex for years, I try to dial up a DRY 
>patch (so that I can morph in and out of the wet one) and I discover 
>that Vortex is stereo in... but mono out!!! as in I am feeding its 
>stereo, but after creating a dry patch with mix hard to dry, my thru 
>sound is only coming out left!!! Surely it hasnt been like this all 
>these years? Have I got a dodgy cable? Or a new set of ears???/
>
>m

the Vortex straight thru patch works here stereo>> stereo

so the possible causes are:-

1) only one of your inputs is actually providing signal to the 
Vortex, and that the vortex processing usually hides this.

2) Make sure that the straight thru patch has mix =1 and output =64

3) You've found one of the Vortex bugs. These occur when certain 
presets are loaded into certain registers, usually if an A preset is 
loaded to a B register. Or 1-8 is loaded to 9-16. ...but I've not 
encountered particular result before. So that's not likely, but would 
be cured by choosing a different preset to start from.

andy butler
www.andybutler.com home of the Vortex  

From Loopers-Delight-request@loopers-delight.com  Mon Mar 27 11:45:04 2006
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Kevin says
>In other words I'll want two signal paths that I can switch between 
>with a single pedal-press:
>
>1. Guitar-->Effects-->Filter-->EDP-->Amp
>
>2. Guitar-->Effects-->EDP-->Filter-->Amp

that's a 3-pole double throw switch
3PDT   or  4P2T

a 4-pole is more common (I think) and that would do just as well
4PDT   or 4P2T

guitar to (EDP in or Filter in)
EDP out to (Filt in or amp)
Filt out to ( amp or EDP in)

the switching won't sound so good while a loop is running
( and maybe cause a loud sound on switching, depending on the switch 
mechanics and the gain
  of the devices))


doesn't the Filter Queen have 2 channels  which could be used seperately?


>I've been looking at the inputs and outputs and drawing diagrams

Claude will be very pleased :-)

>but I can't figure out how to switch the positions in the signal 
>chain between the EDP and the FilterQueen with a single pedal 
>press.  I do have two inputs on the amp.

I ended up with all my FX pre loop.

A common solution is to buy 2 effects, and put one pre loop, and one post.

andy

From Loopers-Delight-request@loopers-delight.com  Mon Mar 27 13:38:35 2006
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Shoot, that Ultralite sure looks sweet. I'll start saving my pennies.

Best wishes,
Warren Sirota


> -----Original Message-----
> From: Jeff Kaiser [mailto:loopersdelight@pfmentum.com] 
> Sent: Sunday, March 26, 2006 3:56 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: MOTU Ultralite
> 
> 
> A quick report:
> 
> I desired a backup interface for the road, so I bought the MOTU 
> Ultralite. I love it, it sounds very good. Nice features, 
> easy to use. 
> Seems to be very well constructed. (I will know that for sure after I 
> drop it for the first time.) Small and light. In fact, it has 
> relegated 
> the m-audio 1814 to backup status. I've been running it for two days 
> now, and haven't had any problems. PLUS: since it has more 
> analog audio 
> outs than the m-audio, I can route all my EV-5 pedals there, 
> bypassing 
> midi for the pedals altogether. (Previously  I used a 
> drehbank to plug 
> the pedals in, it was cool, but heavy. I won't miss carrying 
> that brick 
> around.)
> 
> 
> 
> 
> Jeff Kaiser
> http://www.jeffkaisermusic.com
> pfMENTUM.com . AngryVegan.com
> 

From Loopers-Delight-request@loopers-delight.com  Mon Mar 27 15:23:57 2006
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From: "Charlie Milkey" <pilotcp@gmail.com>
To: Loopers-Delight@loopers-delight.com
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If you know how to make effects (or know someone that can, there is the
Juggler pedal that can be found at Geofex.com (scroll down a bit to "the
Juggler" and that is a effect loop reverser, you could set it edp->filter,
and then you can switch Filter->Edp and put that loop after your effect...
I also think you can get a loooper to do that too (www.loooper.com) but
right now Dave is sick and isn't taking orders...but thats another
alternative

Charlie


On 3/26/06, Kevin <kevin@thenettles.com> wrote:
>
> I've ordered an Electrix Filter Queen for my "cheap guitar
> synth".  No MIDI control but it does have an expression pedal in.
>
> Thank you Andy for the idea of using a filter plus distortion and
> thanks to everybody else who sent me suggestions.  That's what I
> really like about this list. The idea never would have occurred to me
> on my own.
>
> While I wait for the Electrix, I'm reviewing my signal chain and I've
> realized that I'll want to put the Filter Queen both pre and
> post  looper and be able to switch between the two.
>
> In other words I'll want two signal paths that I can switch between
> with a single pedal-press:
>
> 1. Guitar-->Effects-->Filter-->EDP-->Amp
>
> 2. Guitar-->Effects-->EDP-->Filter-->Amp
>
> I've been looking at the inputs and outputs and drawing diagrams but
> I can't figure out how to switch the positions in the signal chain
> between the EDP and the FilterQueen with a single pedal press.  I do
> have two inputs on the amp.
>
> Can anybody help me with my signal routing conundrum?  As always, I'm
> careful with the pennies I earn from playing music so a cheap
> solution is preferred.
>
> Thanks for your help!
>
> Cheers,
> Kevin
>
> The Nettles: Progressive and Exciting Celtic Music
> www.TheNettles.com
>
>

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<div>If you know how to make effects (or know someone that can, there is th=
e Juggler pedal that can be found at <a href=3D"http://Geofex.com">Geofex.c=
om</a> (scroll down a bit to &quot;the Juggler&quot; and that is a effect l=
oop reverser, you could set it edp-&gt;filter, and then you can switch Filt=
er-&gt;Edp and put that loop after your effect...
</div>
<div>I also think you can get a loooper to do that too (<a href=3D"http://w=
ww.loooper.com">www.loooper.com</a>) but right now Dave is sick and isn't t=
aking orders...but thats another alternative</div>
<div>&nbsp;</div>
<div>Charlie<br><br>&nbsp;</div>
<div><span class=3D"gmail_quote">On 3/26/06, <b class=3D"gmail_sendername">=
Kevin</b> &lt;<a href=3D"mailto:kevin@thenettles.com">kevin@thenettles.com<=
/a>&gt; wrote:</span>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">I've ordered an Electrix Filter =
Queen for my &quot;cheap guitar<br>synth&quot;.&nbsp;&nbsp;No MIDI control =
but it does have an expression pedal in.
<br><br>Thank you Andy for the idea of using a filter plus distortion and<b=
r>thanks to everybody else who sent me suggestions.&nbsp;&nbsp;That's what =
I<br>really like about this list. The idea never would have occurred to me<=
br>on my own.
<br><br>While I wait for the Electrix, I'm reviewing my signal chain and I'=
ve<br>realized that I'll want to put the Filter Queen both pre and<br>post&=
nbsp;&nbsp;looper and be able to switch between the two.<br><br>In other wo=
rds I'll want two signal paths that I can switch between
<br>with a single pedal-press:<br><br>1. Guitar--&gt;Effects--&gt;Filter--&=
gt;EDP--&gt;Amp<br><br>2. Guitar--&gt;Effects--&gt;EDP--&gt;Filter--&gt;Amp=
<br><br>I've been looking at the inputs and outputs and drawing diagrams bu=
t
<br>I can't figure out how to switch the positions in the signal chain<br>b=
etween the EDP and the FilterQueen with a single pedal press.&nbsp;&nbsp;I =
do<br>have two inputs on the amp.<br><br>Can anybody help me with my signal=
 routing conundrum?&nbsp;&nbsp;As always, I'm
<br>careful with the pennies I earn from playing music so a cheap<br>soluti=
on is preferred.<br><br>Thanks for your help!<br><br>Cheers,<br>Kevin<br><b=
r>The Nettles: Progressive and Exciting Celtic Music<br><a href=3D"http://w=
ww.TheNettles.com">
www.TheNettles.com</a><br><br></blockquote></div><br>

------=_Part_4722_14446718.1143473034808--

From Loopers-Delight-request@loopers-delight.com  Mon Mar 27 17:07:09 2006
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Hi Jeff,
I will receive an Ultralite to review in a week.
I want to ask you a few things:
are you allowed to control its internal faders via midi ?
what do you mean for: "since it has more analog audio outs than the 
m-audio, I can route all my EV-5 pedals there, bypassing midi for the 
pedals altogether." ?
thanks,
luca


Jeff Kaiser wrote:

> A quick report:
>
> I desired a backup interface for the road, so I bought the MOTU 
> Ultralite. I love it, it sounds very good. Nice features, easy to use. 
> Seems to be very well constructed. (I will know that for sure after I 
> drop it for the first time.) Small and light. In fact, it has 
> relegated the m-audio 1814 to backup status. I've been running it for 
> two days now, and haven't had any problems. PLUS: since it has more 
> analog audio outs than the m-audio, I can route all my EV-5 pedals 
> there, bypassing midi for the pedals altogether. (Previously  I used a 
> drehbank to plug the pedals in, it was cool, but heavy. I won't miss 
> carrying that brick around.)
>
>
>
>
> Jeff Kaiser
> http://www.jeffkaisermusic.com
> pfMENTUM.com • AngryVegan.com
>
> .
>

From Loopers-Delight-request@loopers-delight.com  Mon Mar 27 18:04:52 2006
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Ready are you to face Vader!  Beware fear and anger! 
These are what lead to the dark side!

--- tEd ® kiLLiAn <tedkillian@charter.net> wrote:

> My little insignificant blurb is on page 9. I may be
> nuts, but I'm  
> kinda proud.
> 
> Striking a blow against the empire . .
> 
> tEd ® kiLLiAn
> 


__________________________________________________
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Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Mon Mar 27 18:20:21 2006
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Date: Mon, 27 Mar 2006 10:20:18 -0800 (PST)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Vortex in a rock band
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That's great advice for any effects programming.  I
found I used to do all my tweaking alone just
listening to my guitar.  Now, I start there, but more
often than not I program a "B" version of my sound
that's designed to fit in a mix of other instruments. 
What sounds thin by its self can often be exactly what
you want when mixed with drums bass and synths.

--- a k butler <akbutler@tiscali.co.uk> wrote:

> 
> >Speaking of rock gigs, have any of you ever used a
> Vortex in a rock 
> >band, live? I find that many oif the patches that
> sound great in the 
> >living room just disappear amid the bass and drums.
> 
> hi Tim
> 
> I didn't have a problem in a rehearsal studio type
> situation,
> but if you mean playing with a "professional" pa
> then I'd
> think about making easy uncomplicated sounds that a
> "sound guy"
> might be able to live with.
> 
> Generally the fine details of a patch are always
> going be somewhat 
> lost when you blend your guitar with other sounds.
> An echo at low 
> volume will tend to disappear completely.
> In any case, what sounds good on solo guitar isn't
> always going to 
> work in a band context.
> 
> the supplied vortex presets are probably worth
> avoiding
> 
> Try going for simpler echoes,
> turn up the echo volume, and turn down the no. of
> repeats.
> Use simpler values for echo divide ( like putting
> them both = 2)
> 
> ...and plenty of Vortex extreme modulation brought
> in with the pedal :-)
> 
> andy butler
> www.andybutler.com mp3 and home of the Vortex
> Database
> 
> 
> 


__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Mon Mar 27 18:41:42 2006
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Todd says

>The Vortex's stereo behavior depends on the patch you're 
>using.  Some of the patches route in ways that'll sum the stereo 
>field or include cross-overs.

Yes, I checked out the Shadow A patch like Todd suggested, and the 
dry signal is monoed.
Even when Bypass is used.

very strange

...don't think that's Mark's problem though, because he's getting 
just left channel output.

andy butler




From Loopers-Delight-request@loopers-delight.com  Mon Mar 27 19:14:06 2006
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Date: Mon, 27 Mar 2006 11:14:03 -0800 (PST)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Filter-Looper Swapping
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Really, in the end, I think all this routing will make
you sad.  What I find works best is to have both pre
and post loop effects options.  For what you'll pay
for a router you can easily get a pretty cool effects
processor for madcap looping possibilities.

--- Kevin <kevin@TheNettles.com> wrote:

> I've ordered an Electrix Filter Queen for my "cheap
> guitar 
> synth".  No MIDI control but it does have an
> expression pedal in.
> 
> Thank you Andy for the idea of using a filter plus
> distortion and 
> thanks to everybody else who sent me suggestions. 
> That's what I 
> really like about this list. The idea never would
> have occurred to me 
> on my own.
> 
> While I wait for the Electrix, I'm reviewing my
> signal chain and I've 
> realized that I'll want to put the Filter Queen both
> pre and 
> post  looper and be able to switch between the two.
> 
> In other words I'll want two signal paths that I can
> switch between 
> with a single pedal-press:
> 
> 1. Guitar-->Effects-->Filter-->EDP-->Amp
> 
> 2. Guitar-->Effects-->EDP-->Filter-->Amp
> 
> I've been looking at the inputs and outputs and
> drawing diagrams but 
> I can't figure out how to switch the positions in
> the signal chain 
> between the EDP and the FilterQueen with a single
> pedal press.  I do 
> have two inputs on the amp.
> 
> Can anybody help me with my signal routing
> conundrum?  As always, I'm 
> careful with the pennies I earn from playing music
> so a cheap 
> solution is preferred.
> 
> Thanks for your help!
> 
> Cheers,
> Kevin
> 
> The Nettles: Progressive and Exciting Celtic Music
> www.TheNettles.com
> 
> 


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From Loopers-Delight-request@loopers-delight.com  Mon Mar 27 19:35:58 2006
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Subject: Re: Filter-Looper Swapping
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     One very common way to do this is to run your filter and your EDP through separate sub outs
on your mixer.  Unfortunately, you can't alter the settings with only one footpress (unless
there's some sort of MIDI mixer or software out there that could do this...)  I'm sure many of the
gang here on this list could give you an easy fix using Ableton or whatnot.  But you wanted cheap
and simple if I'm remembering correctly?  And still, it's difficult to change things seamlessly
either way if you've got a hot signal running at the moment of switch over...

     Stephen


Kevin says
>In other words I'll want two signal paths that I can switch between 
>with a single pedal-press:
>
>1. Guitar-->Effects-->Filter-->EDP-->Amp
>
>2. Guitar-->Effects-->EDP-->Filter-->Amp



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From Loopers-Delight-request@loopers-delight.com  Mon Mar 27 19:38:05 2006
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I met nick mason once too- his daughter used to work here for VH1-UK, & we
used to see her little car out the front (plate read P1NK F). he showed up
at the security desk one evening just as I was leaving, & was trying to tell
the 18yr-old rent-a-cops who he had come to visit. the young lady was at a
viewing station w/ headphones on & hadn't heard "wish you were here" coming
from her mobile 'phone. & so naturally I had to assist.

didn't get a beer out of it though.

& I made up the part about the ringtone.

erm.... the lighty-up volume pedal proved to be a life-saver on the darkened
stage of the space centre in leicester on saturday. however, there are a
couple of caveats: 
some keyboards (certainly the yamaha AN1X) seem to switch off the 5V supply
to the pedal when it is mostly being sent back to the keyboard. I'm still
investigating this, as the idea works fine on regular "cheap" controller
keyboards.
more importantly, my first three pedals like this were fitted with
high-brightness white LEDs, as I had them to hand. they really are bright, &
when they're in a foot-pedal in front of you on the floor..... the light
goes right into your eyes. too bright. you end up being lit from below like
bela lugosi.

do I win a prize for getting nick mason & bela lugosi into the same e-mail?

d.


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<P><FONT SIZE=3D2>I met nick mason once too- his daughter used to work here=
 for VH1-UK, &amp; we used to see her little car out the front (plate read =
P1NK F). he showed up at the security desk one evening just as I was leavin=
g, &amp; was trying to tell the 18yr-old rent-a-cops who he had come to vis=
it. the young lady was at a viewing station w/ headphones on &amp; hadn't h=
eard &quot;wish you were here&quot; coming from her mobile 'phone. &amp; so=
 naturally I had to assist.</FONT></P>

<P><FONT SIZE=3D2>didn't get a beer out of it though.</FONT>
</P>

<P><FONT SIZE=3D2>&amp; I made up the part about the ringtone.</FONT>
</P>

<P><FONT SIZE=3D2>erm.... the lighty-up volume pedal proved to be a life-sa=
ver on the darkened stage of the space centre in leicester on saturday. how=
ever, there are a couple of caveats: </FONT></P>

<P><FONT SIZE=3D2>some keyboards (certainly the yamaha AN1X) seem to switch=
 off the 5V supply to the pedal when it is mostly being sent back to the ke=
yboard. I'm still investigating this, as the idea works fine on regular &qu=
ot;cheap&quot; controller keyboards.</FONT></P>

<P><FONT SIZE=3D2>more importantly, my first three pedals like this were fi=
tted with high-brightness white LEDs, as I had them to hand. they really ar=
e bright, &amp; when they're in a foot-pedal in front of you on the floor..=
... the light goes right into your eyes. too bright. you end up being lit f=
rom below like bela lugosi.</FONT></P>

<P><FONT SIZE=3D2>do I win a prize for getting nick mason &amp; bela lugosi=
 into the same e-mail?</FONT>
</P>

<P><FONT SIZE=3D2>d.</FONT>
</P>

<CODE><FONT SIZE=3D3><BR>
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<BR>
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From Loopers-Delight-request@loopers-delight.com  Mon Mar 27 19:43:42 2006
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From: 3nki <3nki@modaldub.net>
Subject: looking for: a cheap portable digital audio recorder
Date: Mon, 27 Mar 2006 16:43:34 -0300
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hello list!

i am looking for a cheap and portable digital audio recorder. i've  
seen some nice ones, but they aren't cheap at all. perhaps some  
people on the list have ideas? ;)

important qualities:
- built-in mic
- USB or Firewire connection to computer

desirable:
- built-in compression
- decent audio quality
- stereo recording

thanks for any advice!

-3nki

From Loopers-Delight-request@loopers-delight.com  Mon Mar 27 19:44:06 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: MOTU Ultralite
Date: Mon, 27 Mar 2006 11:44:03 -0800
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Hi Luca,

> Hi Jeff,
> I will receive an Ultralite to review in a week.
> I want to ask you a few things:
> are you allowed to control its internal faders via midi ?

It comes with the MOTU CueMix console, which can be run via a control=20
surface....I would think there's a way to route midi to the faders=20
there....but I've never done it. I handle all that internally in=20
Max/MSP.

> what do you mean for: "since it has more analog audio outs than the=20
> m-audio, I can route all my EV-5 pedals there, bypassing midi for the=20=

> pedals altogether." ?

Well, I pretty much hate midi, so Max/MSP allows you to take virtually=20=

any data and reroute for any other use....it is pretty fun. So, I use=20
sine waves going out of max->analog outputs->ev-5 pedal->analog=20
inputs->max. I then have max measure the amplitude change the pedal has=20=

created and turn that into controller data. It is actually VERY=20
simple....a few objects. And now no more coarse midi resolution (0-127)=20=

now it is audio rate! (thanks, Andrew!)

So, the m-audio only had four analog outs, two of which were the main.=20=

I could only do two pedals, now I can do six. which makes me happy....

The Ultralite seems to be quite a lovely unit, none of the driver=20
glitches that the m-audio has.....I love my m-audio for other reasons=20
(light pipe), but this sounds way better to my ears.




Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com =95 AngryVegan.com

From Loopers-Delight-request@loopers-delight.com  Mon Mar 27 19:56:23 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Filter-Looper Swapping
Date: Mon, 27 Mar 2006 21:56:17 +0200
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> Kevin says
>> In other words I'll want two signal paths that I can switch between
>> with a single pedal-press:
>>
>> 1. Guitar-->Effects-->Filter-->EDP-->Amp
>>
>> 2. Guitar-->Effects-->EDP-->Filter-->Amp


When I was looking into this area three years ago I heard about a  
MIDI programmable patch-bay that would do the job. I think it was  
manufactured by Rocktron but has been out of production for almost a  
decade. But then I found a solution that worked better for me; using  
a multi effect device pre looping and record all loops in stereo.  
During the last year I have grown more into that technique and doubt  
I will go back to a bigger and less intuitive looping rig.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast? 
id=128679560&s=143456




From Loopers-Delight-request@loopers-delight.com  Mon Mar 27 21:03:15 2006
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Date: Mon, 27 Mar 2006 16:03:13 -0500
From: "Todd Pafford" <calenlas@gmail.com>
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With ShadowA I got the same behavior as Mark:  one side out only (I assume
it was the left, but can't remember how I have things wired up just now.)
This is very easy for me to spot with the Vortex as my piezos go through on=
e
side, my magnetics through the other and they have very different tonal
qualities.  On ShadowA I only got magnetics (spread to both L&R outputs, I
believe).  Switching to piezos resulted in no sound at all.

As you say, this is very strange.  I wouldn't have expected this at all and
the manual makes no mention of it and in fact implies just the opposite.
I'm willing to label this a Vortex bug as I can't imagine it was designed
this way.

Now I'm curious to see what ShadowA does with my piezo signal when Mix=3D64=
.
I didn't think to check it at the time.

Todd


On 3/27/06, a k butler <akbutler@tiscali.co.uk> wrote:
>
> Todd says
>
> >The Vortex's stereo behavior depends on the patch you're
> >using.  Some of the patches route in ways that'll sum the stereo
> >field or include cross-overs.
>
> Yes, I checked out the Shadow A patch like Todd suggested, and the
> dry signal is monoed.
> Even when Bypass is used.
>
> very strange
>
> ...don't think that's Mark's problem though, because he's getting
> just left channel output.
>
> andy butler
>
>
>
>
>

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With ShadowA I got the same behavior as Mark:&nbsp; one side out only (I as=
sume it was the left, but can't remember how I have things wired up just no=
w.)&nbsp; This is very easy for me to spot with the Vortex as my piezos go =
through one side, my magnetics through the other and they have very differe=
nt tonal qualities.&nbsp; On ShadowA I only got magnetics (spread to both L=
&amp;R outputs, I believe).&nbsp; Switching to piezos resulted in no sound =
at all.
<br><br>As you say, this is very strange.&nbsp; I wouldn't have expected th=
is at all and the manual makes no mention of it and in fact implies just th=
e opposite.&nbsp; I'm willing to label this a Vortex bug as I can't imagine=
 it was designed this way.&nbsp;=20
<br><br>Now I'm curious to see what ShadowA does with my piezo signal when =
Mix=3D64.&nbsp; I didn't think to check it at the time.<br><br>Todd<br><br>=
<br><div><span class=3D"gmail_quote">On 3/27/06, <b class=3D"gmail_senderna=
me">a k butler
</b> &lt;<a href=3D"mailto:akbutler@tiscali.co.uk">akbutler@tiscali.co.uk</=
a>&gt; wrote:</span><blockquote class=3D"gmail_quote" style=3D"border-left:=
 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex=
;">
Todd says<br><br>&gt;The Vortex's stereo behavior depends on the patch you'=
re<br>&gt;using.&nbsp;&nbsp;Some of the patches route in ways that'll sum t=
he stereo<br>&gt;field or include cross-overs.<br><br>Yes, I checked out th=
e Shadow A patch like Todd suggested, and the
<br>dry signal is monoed.<br>Even when Bypass is used.<br><br>very strange<=
br><br>...don't think that's Mark's problem though, because he's getting<br=
>just left channel output.<br><br>andy butler<br><br><br><br><br></blockquo=
te>
</div><br>

------=_Part_9474_982195.1143493393799--

From Loopers-Delight-request@loopers-delight.com  Mon Mar 27 22:13:47 2006
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Date: Mon, 27 Mar 2006 15:13:43 -0700
From: "Art Simon" <simart@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: looking for: a cheap portable digital audio recorder
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Well I've got a recommendation, but it doesn't meet all your
requirement: The iRivier ifp 700 and 800 series. They have a built in
mic, but it isn't very good quality. You can built a good quality
stereo mic though for surprisingly little money. Here's an article I
wrote on how to do it with an old pair of heaphones for about $4:
http://art.simon.tripod.com/stealth.html

The ifp700 and 800 series are the only flash based mp3 recorders that
can power a mic that has electret condenser elements.

The iRiver ifp 700 and 800 series record mp3s upto 320kps, which for
many purposes is fine. They've developed something of a following
among video and blog producers:
http://www.geekfishing.net/media/podcast/2005/03/16/iriver_ifp799_recording=
.html
http://www.videouniversity.com/iriver.shtml
http://todmaffin.com/blogs/radio/?p=3D912

While they've been discontinued, they are still cheap. You can get the
128Mb ifp-780 for $59.95 from the iriver store right now:
https://secure15.nexternal.com/shared/StoreFront/default.asp?CS=3Diriver&Bu=
sType=3DBtoC&Count1=3D402218043&Count2=3D319358468

The downsides are that the user interface is very confusing and they
have a reputation for being fragile. And no built in compression per
your requirements.



On 3/27/06, 3nki <3nki@modaldub.net> wrote:
> hello list!
>
> i am looking for a cheap and portable digital audio recorder. i've
> seen some nice ones, but they aren't cheap at all. perhaps some
> people on the list have ideas? ;)
>
> important qualities:
> - built-in mic
> - USB or Firewire connection to computer
>
> desirable:
> - built-in compression
> - decent audio quality
> - stereo recording
>
> thanks for any advice!
>
> -3nki
>
>


--
Art Simon
simart@null.net
http://art.simon.tripod.com
http://artsimon.iuma.com

From Loopers-Delight-request@loopers-delight.com  Mon Mar 27 22:24:12 2006
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From: =?utf-8?Q?tEd_=C2=AE_kiLLiAn?= <tedkillian@charter.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: OT - JUST WHEN YOU THINK THAT NOBODY WILL EVER READ YOUR
 OPINION (OR CARE)
Cc: mark sottilaro <zerocrossing2001@yahoo.com>
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Hey there Mark,

When are we gonna hear about a Mark Sottilaro looping CD coming out? Been a=
 long time waiting for one.=20

Since I don't see you at loopfests anymore it seems like it's been a long t=
ime past that I last heard you play.

Wassup amigo?

tEd =C2=AE kiLLiAn

"Different is not always better, but better is always different"

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=3D2845073
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

---- mark sottilaro <zerocrossing2001@yahoo.com> wrote:=20
> Ready are you to face Vader!  Beware fear and anger!=20
> These are what lead to the dark side!
>=20
> --- tEd =C2=AE kiLLiAn <tedkillian@charter.net> wrote:
>=20
> > My little insignificant blurb is on page 9. I may be
> > nuts, but I'm =20
> > kinda proud.
> >=20
> > Striking a blow against the empire . .
> >=20
> > tEd =C2=AE kiLLiAn
> >=20
>=20
>=20
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around=20
> http://mail.yahoo.com=20

From Loopers-Delight-request@loopers-delight.com  Mon Mar 27 22:40:37 2006
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From: =?utf-8?Q?tEd_=C2=AE_kiLLiAn?= <tedkillian@charter.net>
To: Loopers-Delight@loopers-delight.com
Subject: THE END OF THE WORLD AS WE KNOW IT
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Jeez-0-pizza

This is really messing with my mind. I just found out that my CD, "Flux Aet=
erna" is available as a download from Walmart. What's the world coming to?

See: <http://musicdownloads.walmart.com/catalog/servlet/ArtistServlet;jsess=
ionid=3DC52sQtkBzAGMrugxjou8L1CXWqZUNynWnw7VikXVeN2V2l6PZHh5!1011597260?id=
=3D41845>

Talk about an evil empire. I think they may already have won.

tEd =C2=AE kiLLiAn

"Different is not always better, but better is always different"

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=3D2845073
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

---- mark sottilaro <zerocrossing2001@yahoo.com> wrote:=20
> That's great advice for any effects programming.  I
> found I used to do all my tweaking alone just
> listening to my guitar.  Now, I start there, but more
> often than not I program a "B" version of my sound
> that's designed to fit in a mix of other instruments.=20
> What sounds thin by its self can often be exactly what
> you want when mixed with drums bass and synths.
>=20
> --- a k butler <akbutler@tiscali.co.uk> wrote:
>=20
> >=20
> > >Speaking of rock gigs, have any of you ever used a
> > Vortex in a rock=20
> > >band, live? I find that many oif the patches that
> > sound great in the=20
> > >living room just disappear amid the bass and drums.
> >=20
> > hi Tim
> >=20
> > I didn't have a problem in a rehearsal studio type
> > situation,
> > but if you mean playing with a "professional" pa
> > then I'd
> > think about making easy uncomplicated sounds that a
> > "sound guy"
> > might be able to live with.
> >=20
> > Generally the fine details of a patch are always
> > going be somewhat=20
> > lost when you blend your guitar with other sounds.
> > An echo at low=20
> > volume will tend to disappear completely.
> > In any case, what sounds good on solo guitar isn't
> > always going to=20
> > work in a band context.
> >=20
> > the supplied vortex presets are probably worth
> > avoiding
> >=20
> > Try going for simpler echoes,
> > turn up the echo volume, and turn down the no. of
> > repeats.
> > Use simpler values for echo divide ( like putting
> > them both =3D 2)
> >=20
> > ...and plenty of Vortex extreme modulation brought
> > in with the pedal :-)
> >=20
> > andy butler
> > www.andybutler.com mp3 and home of the Vortex
> > Database
> >=20
> >=20
> >=20
>=20
>=20
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around=20
> http://mail.yahoo.com=20

From Loopers-Delight-request@loopers-delight.com  Mon Mar 27 22:47:56 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: THE END OF THE WORLD AS WE KNOW IT
Date: Mon, 27 Mar 2006 14:47:53 -0800
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Better add it to your email signature!

:-)

best,

Jeff

Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com =95 AngryVegan.com


On Mar 27, 2006, at 2:40 PM, tEd =AE kiLLiAn wrote:

> Jeez-0-pizza
>
> This is really messing with my mind. I just found out that my CD, =20
> "Flux Aeterna" is available as a download from Walmart. What's the =20
> world coming to?
>
> See: =20
> <http://musicdownloads.walmart.com/catalog/servlet/ArtistServlet;=20
> jsessionid=3DC52sQtkBzAGMrugxjou8L1CXWqZUNynWnw7VikXVeN2V2l6PZHh5!=20
> 1011597260?id=3D41845>
>
> Talk about an evil empire. I think they may already have won.
>
> tEd =AE kiLLiAn
>
> "Different is not always better, but better is always different"
>
> http://www.pfmentum.com/flux.html
> http://www.CDbaby.com/cd/tedkillian
> http://www.guitar9.com/fluxaeterna.html
> http://www.garageband.com/artist/ArsOcarina
> http://www.towerrecords.com/product.aspx?pfid=3D2845073
> http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
> http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
> http://www.loopers-delight.com/cgi-bin/profiles.cgi?=20
> step=3Dview_profile&id=3D121197000042
>
> Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
> BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
> AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
> RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
> and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???
>
> ---- mark sottilaro <zerocrossing2001@yahoo.com> wrote:
>> That's great advice for any effects programming.  I
>> found I used to do all my tweaking alone just
>> listening to my guitar.  Now, I start there, but more
>> often than not I program a "B" version of my sound
>> that's designed to fit in a mix of other instruments.
>> What sounds thin by its self can often be exactly what
>> you want when mixed with drums bass and synths.
>>
>> --- a k butler <akbutler@tiscali.co.uk> wrote:
>>
>>>
>>>> Speaking of rock gigs, have any of you ever used a
>>> Vortex in a rock
>>>> band, live? I find that many oif the patches that
>>> sound great in the
>>>> living room just disappear amid the bass and drums.
>>>
>>> hi Tim
>>>
>>> I didn't have a problem in a rehearsal studio type
>>> situation,
>>> but if you mean playing with a "professional" pa
>>> then I'd
>>> think about making easy uncomplicated sounds that a
>>> "sound guy"
>>> might be able to live with.
>>>
>>> Generally the fine details of a patch are always
>>> going be somewhat
>>> lost when you blend your guitar with other sounds.
>>> An echo at low
>>> volume will tend to disappear completely.
>>> In any case, what sounds good on solo guitar isn't
>>> always going to
>>> work in a band context.
>>>
>>> the supplied vortex presets are probably worth
>>> avoiding
>>>
>>> Try going for simpler echoes,
>>> turn up the echo volume, and turn down the no. of
>>> repeats.
>>> Use simpler values for echo divide ( like putting
>>> them both =3D 2)
>>>
>>> ...and plenty of Vortex extreme modulation brought
>>> in with the pedal :-)
>>>
>>> andy butler
>>> www.andybutler.com mp3 and home of the Vortex
>>> Database
>>>
>>>
>>>
>>
>>
>> __________________________________________________
>> Do You Yahoo!?
>> Tired of spam?  Yahoo! Mail has the best spam protection around
>> http://mail.yahoo.com
>

From Loopers-Delight-request@loopers-delight.com  Mon Mar 27 22:56:06 2006
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To: Loopers-Delight@loopers-delight.com
From: Zoe Keating <cello@zoekeating.com>
Subject: how to blow up your equipment
Date: Mon, 27 Mar 2006 23:55:58 +0100
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well, a couple days ago I did just about the worst thing you can do  
to your gear....I blew it up! in a stupid, jetlagged moment that I  
won't go into, I plugged my US gear into a UK socket.

POOF!! crackle. blue smoke.

I realized immediately what I'd just done and cut the power. But it  
was too late. Luckily I mostly fried the adaptors, and I'm hoping I  
can replace them when I get back to the US. Some of the gear though,  
like the Rane SM82, have the most ridiculous adaptors (a phone  
plug???) and I had to replace them with substitute UK gear.  The  
FCB1010 is dead and gone, but I got another and spent the hour before  
the show reprogramming it.

But...and this made me so happy that I couldn't care less about the  
other gear...

The Repeaters are intelligent and take US or European power. THEY ARE  
FINE!! Made me so happy that I didn't mind dropping 250 pounds on the  
rest of the gear. Hooray for my beloved Repeaters. Let me compose and  
ode to them....

Anyway, I learnt my lesson! Thought I'd pass that little story on to  
ya'll

loopily, Zoe

From Loopers-Delight-request@loopers-delight.com  Mon Mar 27 23:17:09 2006
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Date: Mon, 27 Mar 2006 18:17:07 -0500
From: "Todd Pafford" <calenlas@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: FCB 1010-Tc2290-and-Repeater
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While I agree that ultimately, we all need to read the manuals, there is
something to be said for instant gratification.  Especially if one has just
dropped a whole lot of money on a new toy.  I don't see anything wrong with
looking for help getting started with new gear as long as the intent,
ultimately, is to develop a personal understanding through experimentation,
manuals, and discussion.

Also keep in mind that human beings learn best through apprenticeship, not
through memorizing obscure facts from a reference.  (This fact alone can
blossom out into a long diatribe against modern "educational" systems and
that bastard Dewey, but that's best left to another forum.)  Popping up on =
a
forum like this and asking for help is a natural way of seeking knowledge
from a "learned master" in the subject.  All too often I see posts like the
one quoted below which basically boil down to Read The F-ing Manual.  This
is both arrogant and unhelpful.  If you can't or won't take the time to hel=
p
out and teach someone something, then don't, but don't shout them down
complaining that they asked for help.

So, having said that, here's my helpful tip for Rune:
Contrary to what some people would have to you think, many of us started ou=
t
by saying, "Hey, how's this stuff work?"  And going from there.  For many,
manual memorization comes late in the game, if at all.  We're here to make
music after all, not read manuals, right?

For a helpful community of folks surrounding the FCB1010, check out <
http://groups.yahoo.com/group/fcb1010>.  There you'll find lots of folks
willing to help out and a ton of files bursting with information on getting
started and working with specific gear.  You'll also find software editors
for programming the FCB from your PC instead of with your feet which will
speed things up considerably.

As a first step, I'd advise a google search on "MIDI primer" and start
wrapping your head around PCs, CCs, Channels, Notes, etc.  Once you've come
to grips with the terminology, getting everything to work together will be =
a
breeze.

Hope this helps,
Todd

On 3/26/06, claude voit <c.voit@vtx.ch> wrote:
>
> Rune
>
> all the "Real"  and fantastic loppers/musicians that you can interact wit=
h
> on this Looper-delight web site have read all their manuals from bottom t=
o
> top and back, they know every midi trick from heart, dream of vcf curves,
> sysex checksum, and drop down menus every night.
>
> so do you want to join the "A" looper VIP club ?
> or be the regular looping "fan" with factory presets ?
>
> there are no shortcuts to knowing your tools and it takes being patient,
> reading manuals, trying, being patient, reading manuals, trying again etc
> ...
> dont be lazy or go back to playing blues  or whatever
>
> Claude
>
>
>
>
>
>
>
>
>
>
>
> From: rune fagereng
>
> Hi !
>
> I have just bought FCB1010 midi-pedalboard, the Repeater, and a TC 2290
> delay. All this gear and midi are new to me. I hope to use the FCB to
> controll the Repeater and the TC.
>
> Does anyone have somthing written to help me getting started, or do I hav=
e
> to read all those big manuals  ?
>
> I hope to use the FCB expression pedals to controll the feedback on the
> repeater and the TC. I have read that this is possible on the repeater.
> Is it possible to controll feedback (kind of Fripp) with expression-pedal
> also on the TC 2290 ?
>
> best regards Rune F
>
>

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Content-Transfer-Encoding: quoted-printable
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While I agree that ultimately, we all need to read the manuals, there is so=
mething to be said for instant gratification.&nbsp; Especially if one has j=
ust dropped a whole lot of money on a new toy.&nbsp; I don't see anything w=
rong with looking for help getting started with new gear as long as the int=
ent, ultimately, is to develop a personal understanding through experimenta=
tion, manuals, and discussion.
<br><br>Also keep in mind that human beings learn best through apprenticesh=
ip, not through memorizing obscure facts from a reference.&nbsp; (This fact=
 alone can blossom out into a long diatribe against modern &quot;educationa=
l&quot; systems and that bastard Dewey, but that's best left to another for=
um.)&nbsp; Popping up on a forum like this and asking for help is a natural=
 way of seeking knowledge from a &quot;learned master&quot; in the subject.=
&nbsp; All too often I see posts like the one quoted below which basically =
boil down to Read The F-ing Manual.&nbsp; This is both arrogant and unhelpf=
ul.&nbsp; If you can't or won't take the time to help out and teach someone=
 something, then don't, but don't shout them down complaining that they ask=
ed for help.
<br><br>So, having said that, here's my helpful tip for Rune:<br>Contrary t=
o what some people would have to you think, many of us started out by sayin=
g, &quot;Hey, how's this stuff work?&quot;&nbsp; And going from there.&nbsp=
; For many, manual memorization comes late in the game, if at all.&nbsp; We=
're here to make music after all, not read manuals, right?
<br><br>For a helpful community of folks surrounding the FCB1010, check out=
 &lt;<a href=3D"http://groups.yahoo.com/group/fcb1010">http://groups.yahoo.=
com/group/fcb1010</a>&gt;.&nbsp; There you'll find lots of folks willing to=
 help out and a ton of files bursting with information on getting started a=
nd working with specific gear.&nbsp; You'll also find software editors for =
programming the FCB from your PC instead of with your feet which will speed=
 things up considerably.
<br><br>As a first step, I'd advise a google search on &quot;MIDI primer&qu=
ot; and start wrapping your head around PCs, CCs, Channels, Notes, etc.&nbs=
p; Once you've come to grips with the terminology, getting everything to wo=
rk together will be a breeze.
<br><br>Hope this helps,<br>Todd<br><br><div><span class=3D"gmail_quote">On=
 3/26/06, <b class=3D"gmail_sendername">claude voit</b> &lt;<a href=3D"mail=
to:c.voit@vtx.ch">c.voit@vtx.ch</a>&gt; wrote:</span><blockquote class=3D"g=
mail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt=
 0pt 0pt 0.8ex; padding-left: 1ex;">
Rune<br><br>all the &quot;Real&quot;&nbsp;&nbsp;and fantastic loppers/music=
ians that you can interact with<br>on this Looper-delight web site have rea=
d all their manuals from bottom to<br>top and back, they know every midi tr=
ick from heart, dream of vcf curves,
<br>sysex checksum, and drop down menus every night.<br><br>so do you want =
to join the &quot;A&quot; looper VIP club ?<br>or be the regular looping &q=
uot;fan&quot; with factory presets ?<br><br>there are no shortcuts to knowi=
ng your tools and it takes being patient,
<br>reading manuals, trying, being patient, reading manuals, trying again e=
tc<br>...<br>dont be lazy or go back to playing blues&nbsp;&nbsp;or whateve=
r<br><br>Claude<br><br><br><br><br><br><br><br><br><br><br><br>From: rune f=
agereng
<br><br>Hi !<br><br>I have just bought FCB1010 midi-pedalboard, the Repeate=
r, and a TC 2290<br>delay. All this gear and midi are new to me. I hope to =
use the FCB to<br>controll the Repeater and the TC.<br><br>Does anyone have=
 somthing written to help me getting started, or do I have
<br>to read all those big manuals&nbsp;&nbsp;?<br><br>I hope to use the FCB=
 expression pedals to controll the feedback on the<br>repeater and the TC. =
I have read that this is possible on the repeater.<br>Is it possible to con=
troll feedback (kind of Fripp) with expression-pedal
<br>also on the TC 2290 ?<br><br>best regards Rune F<br><br></blockquote></=
div><br>

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From Loopers-Delight-request@loopers-delight.com  Mon Mar 27 23:30:31 2006
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From: "William Walker" <billwalker@baymoon.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: how to blow up your equipment
Date: Mon, 27 Mar 2006 15:30:30 -0800
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The good news is you can order a power supply from Rane, online, in either
US or European Voltages, and they based are in Washington State.
www.rane.com,, and yes, you most likely fried the power supplies only. I
must say, I'm no fan of wall warts, but they do prevent us from burning out
the insides of our gear.
Good Luck,
Bill


-----Original Message-----
From: Zoe Keating [mailto:cello@zoekeating.com]
Sent: Monday, March 27, 2006 2:56 PM
To: Loopers-Delight@loopers-delight.com
Subject: how to blow up your equipment


well, a couple days ago I did just about the worst thing you can do
to your gear....I blew it up! in a stupid, jetlagged moment that I
won't go into, I plugged my US gear into a UK socket.

POOF!! crackle. blue smoke.

I realized immediately what I'd just done and cut the power. But it
was too late. Luckily I mostly fried the adaptors, and I'm hoping I
can replace them when I get back to the US. Some of the gear though,
like the Rane SM82, have the most ridiculous adaptors (a phone
plug???) and I had to replace them with substitute UK gear.  The
FCB1010 is dead and gone, but I got another and spent the hour before
the show reprogramming it.

But...and this made me so happy that I couldn't care less about the
other gear...

The Repeaters are intelligent and take US or European power. THEY ARE
FINE!! Made me so happy that I didn't mind dropping 250 pounds on the
rest of the gear. Hooray for my beloved Repeaters. Let me compose and
ode to them....

Anyway, I learnt my lesson! Thought I'd pass that little story on to
ya'll

loopily, Zoe




From Loopers-Delight-request@loopers-delight.com  Mon Mar 27 23:31:58 2006
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Date: Mon, 27 Mar 2006 15:31:56 -0800 (PST)
Subject: RTFM
From: johnsrude@peak.org
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> While I agree that ultimately, we all need to read the manuals, there is
> something to be said for instant gratification...

Not only am I a music geek, in my day job I'm also a technical geek. In fact,
I'm an alpha geek: I tell other geeks how to do technical stuff..  And I
haven't read a manual or any other technical book cover-to-cover since my
teens. I read manuals, mind.  But only the tasty bits.

Read the "Getting Started" section of the manual and try the gear out, Rune. 
If you can't figure it out, dip into the manual, using the table of contents
and the index.  If RTFM doesn't help, ask the list.

When you get bored with the music you make on the gear, dip into the manual
again.

The folks that say that you have to read the manual cover-to-cover before you
can use gear are often the same folks who say that you have to practice scales
before you can play solos--and you know what? Their solos tend to sound like
scales.

Make music first.

Cheers,
Kevin
www.TheNettles.com


From Loopers-Delight-request@loopers-delight.com  Mon Mar 27 23:34:05 2006
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Date: Mon, 27 Mar 2006 15:33:58 -0800 (PST)
Subject: RE: how to blow up your equipment
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> I
> must say, I'm no fan of wall warts, but they do prevent us from burning out
> the insides of our gear.

Unless the power arcs across the transformer...

Cheers,
Kevin
www.TheNettles.com



From Loopers-Delight-request@loopers-delight.com  Mon Mar 27 23:39:35 2006
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Wow, and this just weeks after I said I didn't want you frying yourself on
the wiring in your new apartment.  I think this is some sort of message fro=
m
the universe...or something.  :)

This brings up a question, though, that I've been thinking about for a
while.  Do you professional types keep notebooks, diagrams, etc. of your
gear settings, routing, etc.?  Take the FCB or example; were you able to
quickly reprogram based on notes of how you had it set up, or did you have
to re-figure it from scratch?  I've been thinking of putting together such =
a
notebook myself, but haven't gotten around to it.

Anyway, glad to hear you and the repeaters survived.
Todd

On 3/27/06, Zoe Keating <cello@zoekeating.com> wrote:
>
> well, a couple days ago I did just about the worst thing you can do
> to your gear....I blew it up! in a stupid, jetlagged moment that I
> won't go into, I plugged my US gear into a UK socket.
>
> POOF!! crackle. blue smoke.
>
> I realized immediately what I'd just done and cut the power. But it
> was too late. Luckily I mostly fried the adaptors, and I'm hoping I
> can replace them when I get back to the US. Some of the gear though,
> like the Rane SM82, have the most ridiculous adaptors (a phone
> plug???) and I had to replace them with substitute UK gear.  The
> FCB1010 is dead and gone, but I got another and spent the hour before
> the show reprogramming it.
>
> But...and this made me so happy that I couldn't care less about the
> other gear...
>
> The Repeaters are intelligent and take US or European power. THEY ARE
> FINE!! Made me so happy that I didn't mind dropping 250 pounds on the
> rest of the gear. Hooray for my beloved Repeaters. Let me compose and
> ode to them....
>
> Anyway, I learnt my lesson! Thought I'd pass that little story on to
> ya'll
>
> loopily, Zoe
>
>

------=_Part_11888_20038870.1143502773939
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable
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Wow, and this just weeks after I said I didn't want you frying yourself on =
the wiring in your new apartment.&nbsp; I think this is some sort of messag=
e from the universe...or something.&nbsp; :)<br><br>This brings up a questi=
on, though, that I've been thinking about for a while.&nbsp; Do you profess=
ional types keep notebooks, diagrams, etc. of your gear settings, routing, =
etc.?&nbsp; Take the FCB or example; were you able to quickly reprogram bas=
ed on notes of how you had it set up, or did you have to re-figure it from =
scratch?&nbsp; I've been thinking of putting together such a notebook mysel=
f, but haven't gotten around to it.
<br><br>Anyway, glad to hear you and the repeaters survived.<br>Todd<br><br=
><div><span class=3D"gmail_quote">On 3/27/06, <b class=3D"gmail_sendername"=
>Zoe Keating</b> &lt;<a href=3D"mailto:cello@zoekeating.com">cello@zoekeati=
ng.com
</a>&gt; wrote:</span><blockquote class=3D"gmail_quote" style=3D"border-lef=
t: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1=
ex;">well, a couple days ago I did just about the worst thing you can do<br=
>
to your gear....I blew it up! in a stupid, jetlagged moment that I<br>won't=
 go into, I plugged my US gear into a UK socket.<br><br>POOF!! crackle. blu=
e smoke.<br><br>I realized immediately what I'd just done and cut the power=
. But it
<br>was too late. Luckily I mostly fried the adaptors, and I'm hoping I<br>=
can replace them when I get back to the US. Some of the gear though,<br>lik=
e the Rane SM82, have the most ridiculous adaptors (a phone<br>plug???) and=
 I had to replace them with substitute UK gear.&nbsp;&nbsp;The
<br>FCB1010 is dead and gone, but I got another and spent the hour before<b=
r>the show reprogramming it.<br><br>But...and this made me so happy that I =
couldn't care less about the<br>other gear...<br><br>The Repeaters are inte=
lligent and take US or European power. THEY ARE
<br>FINE!! Made me so happy that I didn't mind dropping 250 pounds on the<b=
r>rest of the gear. Hooray for my beloved Repeaters. Let me compose and<br>=
ode to them....<br><br>Anyway, I learnt my lesson! Thought I'd pass that li=
ttle story on to
<br>ya'll<br><br>loopily, Zoe<br><br></blockquote></div><br>

------=_Part_11888_20038870.1143502773939--

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claude voit wrote:
> all the "Real"  and fantastic loppers/musicians that you can interact 
> with on this Looper-delight web site have read all their manuals from 
> bottom to top and back, 

I'm dyslexic, and have great difficulty reading manuals - hence I don't 
bother picking up the manual unless really necessary. Am I not "Real"?

> they know every midi trick from heart, dream of 
> vcf curves, sysex checksum, and drop down menus every night.

I have no clue as to what you are talking about. :)

> so do you want to join the "A" looper VIP club ?

I never realised such a thing existed. If educated knowledge of vcf 
curves, sysex checksums and drop down menu's is a required necessity, 
then I think I'd prefer to be in the other club.


> From: rune fagereng
> 
> Hi !

Hi Rune!
> 
> I have just bought FCB1010 midi-pedalboard, the Repeater, and a TC 2290 
> delay. All this gear and midi are new to me. I hope to use the FCB to 
> controll the Repeater and the TC.

I can't help you with setting up your Repeater or 2290, but the FCB1010 
editor utility at http://www.mtnsys.com/faq-fcb/PCEditor.htm might make 
your life easier for programming the pedalboard.

- Stuart Wyatt http://swyatt.com

From Loopers-Delight-request@loopers-delight.com  Mon Mar 27 23:50:42 2006
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check this out!

http://plork.cs.princeton.edu/

if anyone is in the area, I'd love to hear how the show goes.
Jon

From Loopers-Delight-request@loopers-delight.com  Tue Mar 28 00:01:23 2006
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Subject: European power adapter (was: how to blow up your equipment)
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On a related note--
We are going to the UK in May, and I wonder about the difference in voltage.
How does one acquire adapters for their various items?  Is there one device
you can plug into to convert the voltage?
Thanks,
Gary


From Loopers-Delight-request@loopers-delight.com  Tue Mar 28 00:56:20 2006
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Subject: RE: European power adapter (was: how to blow up your equipment)
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The UK (and most, if not all, of Europe) is on 220 - 240V AC at 50Hz. Transformers for US voltage/frequency gear are pretty readily available in shops like Maplins if you want a generic solution rather than manufacturers replacement wall warts. I'm running an S-550 sampler and a JV-880 synthesiser off these types of units - they can be quite acoustically buzzy but fine apart from that. If you buy one unit per plug it's quite expensive - slightly larger units that can power several bits of equipment at once are probably a better bet if you've got two or three items that need conversion. Check the power supplies of your equipment though - quite a lot of kit is now either switchable or automatically converts to whatever type of power it receives.

- Tony

"Gary Lehmann" <hqr@cox.net> wrote:

>On a related note--
>We are going to the UK in May, and I wonder about the difference in voltage.
>How does one acquire adapters for their various items?  Is there one device
>you can plug into to convert the voltage?
>Thanks,
>Gary
>
>
>

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From Loopers-Delight-request@loopers-delight.com  Tue Mar 28 01:02:57 2006
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A quick whiz around Maplin's web site suggests this ...

http://www.maplin.co.uk/module.aspx?TabID=1&criteria=us%20transformer&ModuleNo=13358&doy=28m3

... and they're a lot cheaper than they used to be, too ! The Great US eBay Bring'n'Buy Sale has another unexpected effect, methinks ... ;)

"Gary Lehmann" <hqr@cox.net> wrote: [ asking about power supplies ]


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From Loopers-Delight-request@loopers-delight.com  Tue Mar 28 01:08:36 2006
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I read Claude's post as being slightly ironic, meself. I hope it was - I studiously avoid manuals except where thoroughly necessary. Having battled through Yamaha's "Mysteries of the DX7" and Roland's "101 Things You'll Wish You Knew About the GR50", I've sworn off them for life !

- Tony

Stuart Wyatt <loopersdelight@swyatt.com> wrote: [ in response to Claude ]


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From Loopers-Delight-request@loopers-delight.com  Tue Mar 28 01:13:16 2006
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So long as you're ok, and we still get to hear you in Glasgow on Sunday ... ;)

This reminds me of the Fairytale of the Million Dollar Three Phase Firework, but that's not for general consumption ... suffice to say we chuckled (after turning off the power with a drift of wood and retiring to safe distance).

- Tony

Zoe Keating <cello@zoekeating.com> wrote: [ of the after effects of introducing 110V/60Hz items to 240V/50Hz power supply ]



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From Loopers-Delight-request@loopers-delight.com  Tue Mar 28 01:20:49 2006
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--Apple-Mail-10--154594950
Content-Transfer-Encoding: 7bit
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I've never done looping but have done a large ton of music for a very 
long time.  It's how I make my living.

I've been considering getting into looping live guitar (Michael HEdges 
style) since the Jam Man first came out and have procrastinated .  But 
the time is upon me!  So... I want to get a good one with very high 
quality audio... and have considered the Gibson Echoplex or, if they 
ever get it back out, the Electrix Repeater.  There are a bunch of 
earlier Gibson Eplexes on ebay, but they are the earlier versions.  So, 
question is, are the new ones any better than the old?  Sonically?  
Reliability wise?  Memory?

ALso I've heard the footswitches for the Gibson are light duty.  Is 
true?

I'm going to use it for very high end acoustic guitars with K&K 
Powermix Trinity pickups (deadly beautiful) and a resonator with a 
Schatten in it (also killer).  So the sound quality is critical.  I've 
heard the Repeater's sound is not as good as the Gibson.  I'll probably 
also use it in my studio.

I'm not real interested in MIDI implementation or tweaking sounds (I 
don't think).  I have stuff that will do that in my studio already.

Am I looking in the right place?  Are these answers more easily found 
elsewhere?  I've scoured the loopers delight web site and while the 
answers are almost there, I still need more data.

thanks for your patience

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
--Apple-Mail-10--154594950
Content-Transfer-Encoding: 7bit
Content-Type: text/enriched;
	charset=US-ASCII

I've never done looping but have done a large ton of music for a very
long time.  It's how I make my living.


I've been considering getting into looping live guitar (Michael HEdges
style) since the Jam Man first came out and have procrastinated .  But
the time is upon me!  So... I want to get a good one with very high
quality audio... and have considered the Gibson Echoplex or, if they
ever get it back out, the Electrix Repeater.  There are a bunch of
earlier Gibson Eplexes on ebay, but they are the earlier versions. 
So, question is, are the new ones any better than the old?  Sonically? 
Reliability wise?  Memory?


ALso I've heard the footswitches for the Gibson are light duty.  Is
true?


I'm going to use it for very high end acoustic guitars with K&K
Powermix Trinity pickups (deadly beautiful) and a resonator with a
Schatten in it (also killer).  So the sound quality is critical.  I've
heard the Repeater's sound is not as good as the Gibson.  I'll
probably also use it in my studio.


I'm not real interested in MIDI implementation or tweaking sounds (I
don't think).  I have stuff that will do that in my studio already.  


Am I looking in the right place?  Are these answers more easily found
elsewhere?  I've scoured the loopers delight web site and while the
answers are almost there, I still need more data. 


thanks for your patience


<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>
--Apple-Mail-10--154594950--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 28 02:27:15 2006
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Date: Mon, 27 Mar 2006 18:27:12 -0800 (PST)
Subject: RE: European power adapter (was: how to blow up your equipment)
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> The UK (and most, if not all, of Europe) is on 220 - 240V AC at 50Hz.
> Transformers for US voltage/frequency gear are pretty readily available in
> shops like Maplins if you want a generic solution rather than manufacturers
> replacement wall warts.

Wouldn't buying UK wall warts be a cheaper way to run your US gear than buying
a generic transformer?

Cheers,
Kevin
www.TheNettles.com


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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: European power adapter (was: how to blow up your equipment)
Date: Mon, 27 Mar 2006 20:13:53 -0800
To: Loopers-Delight@loopers-delight.com
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I  purchased a voltage converter here:

http://www.electroniccity.com/

Figure out how much juice you draw and buy the appropriate one....I=20
think mine was around 25 bucks and worked great when I was in London.=20
It also came with other adaptors for other countries.

Be wary though, some hardware units supposedly (I have heard this, BUT=20=

I didn't experience this) that might use the hz for timing could be=20
affected if you go from a country that varies from 60hz to 50hz. The=20
transformer I purchased doesn't change hz, only voltage. I had zero=20
problems with my hardware at the time (two DL4s, moogerfooger ring mod=20=

and others)

 =46rom Electronic City's Web site:

"North American 110-120 volt electricity is generated at 60 Hz.=20
(Cycles) Alternating Current. Most foreign 220-240 volt electricity is=20=

generated at 50 Hz. (Cycles) Alternating Current. This difference in=20
cycles may cause the motor in your 60 Hz. North American appliance to=20
operate slightly slower when used on 50 Hz. foreign electricity. This=20
cycle difference will also cause analog clocks and timing circuits that=20=

use Alternating Current as a timing base to keep incorrect time. Most=20
modern electronic equipment including battery chargers, computers,=20
printers, stereos, tape and CD players, VCR/DVD players, etc. will not=20=

be affected by the difference in cycles. IMPORTANT: Voltage converters=20=

and heavy duty transformers do not convert cycles."



Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com =95 AngryVegan.com


On Mar 27, 2006, at 6:27 PM, johnsrude@peak.org wrote:

>> The UK (and most, if not all, of Europe) is on 220 - 240V AC at 50Hz.
>> Transformers for US voltage/frequency gear are pretty readily=20
>> available in
>> shops like Maplins if you want a generic solution rather than=20
>> manufacturers
>> replacement wall warts.
>
> Wouldn't buying UK wall warts be a cheaper way to run your US gear=20
> than buying
> a generic transformer?
>
> Cheers,
> Kevin
> www.TheNettles.com
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Mar 28 04:18:45 2006
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From: Paul Sullivan <paulsull@gis.net>
Subject: NYC gig spam (looping content): LAMBIC @ CBGB Gallery 313 this Tuesday 3/28 from 10 to 11 pm
Date: Mon, 27 Mar 2006 23:18:44 -0500
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--Apple-Mail-25--143916465
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Lambic returns to  CBGB gallery 313 (right next door to the original 
CBGB) this Tuesday, March 28th, at 10pm  And yes, there will be  
loopage,  including 2 boomerangs, dl-4, pds-8000. headrush... From our 
myspace page http://myspace.com/lambic - Lambic is a style of Belgian 
ale that is spontaneously fermented from wild yeasts. Lambic is also a 
band featuring Paul Sullivan on guitars and effects, and Stephen Moses 
(Alice Donut) on drums, trombone, and effects. Lambic is spontaneously 
fermented music, free improvisation with a groove. Please join us for a 
rare Manhattan show at CBGB's 313 Gallery. Each show has been unique 
and special, like our namesake.

CBGB Gallery 313 is at 313 Bowery (at Bleeker Street).

If you want, check out our myspace page http://myspace.com/lambic . 
We'd like to be all of your friends, also. I'm a long time lurker and 
occasional poster, and I have a backlog of digests that I'm just going 
through now Hope to see anyone from the list there, please come up and 
say hi...



--Apple-Mail-25--143916465
Content-Transfer-Encoding: 7bit
Content-Type: text/enriched;
	charset=US-ASCII

Lambic returns to  CBGB gallery 313 (right next door to the original
CBGB) this Tuesday, March 28th, at 10pm  And yes, there will be 
loopage,  including 2 boomerangs, dl-4, pds-8000. headrush... From our
myspace page
http://myspace.com/lambic<fontfamily><param>Verdana</param><x-tad-smaller> -
Lambic is a style of Belgian ale that is spontaneously fermented from
wild yeasts. Lambic is also a band featuring
</x-tad-smaller></fontfamily>Paul<fontfamily><param>Verdana</param><x-tad-smaller>
Sullivan on guitars and effects, and Stephen Moses (Alice Donut) on
drums, trombone, and effects. Lambic is spontaneously fermented music,
free improvisation with a groove. </x-tad-smaller></fontfamily>Please
join us for a rare Manhattan show at CBGB's 313 Gallery. Each show has
been unique and special, like our namesake.


CBGB Gallery 313 is at 313 Bowery (at Bleeker Street).


If you want, check out our myspace page http://myspace.com/lambic .
We'd like to be all of your friends, also. I'm a long time lurker and
occasional poster, and I have a backlog of digests that I'm just going
through now Hope to see anyone from the list there, please come up and
say hi...




--Apple-Mail-25--143916465--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 28 04:24:11 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: how to blow up your equipment [with spit]
Date: Mon, 27 Mar 2006 20:24:07 -0800
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BTW, my favorite "blowing up of equipment story" was in January when=20
andrew pask and I were playing with Steve Lawson and Steuart Liebig at=20=

Club Tropical....Andrew set his power strip with his wall warts right=20
by my feet. For those of you that don't know, I play trumpet. Trumpets=20=

generate condensation ("spit," in the vernacular). I cluelessly emptied=20=

my spit valve and shorted out his entire rig a few minutes into the=20
gig....sparks, everything....ouch.......it shut it all down. Drying and=20=

cleaning and rebooting while onstage, he got everything working=20
again.....I'd be interested in hearing if anyone else has blown up a=20
rig in the same way......



Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com =95 AngryVegan.com


On Mar 27, 2006, at 5:13 PM, Tony Douglas wrote:

> So long as you're ok, and we still get to hear you in Glasgow on=20
> Sunday ... ;)
>
> This reminds me of the Fairytale of the Million Dollar Three Phase=20
> Firework, but that's not for general consumption ... suffice to say we=20=

> chuckled (after turning off the power with a drift of wood and=20
> retiring to safe distance).
>
> - Tony
>
> Zoe Keating <cello@zoekeating.com> wrote: [ of the after effects of=20
> introducing 110V/60Hz items to 240V/50Hz power supply ]
>
>
>
> __________________________________________________________________
> Switch to Netscape Internet Service.
> As low as $9.95 a month -- Sign up today at=20
> http://isp.netscape.com/register
>
> Netscape. Just the Net You Need.
>
> New! Netscape Toolbar for Internet Explorer
> Search from anywhere on the Web and block those annoying pop-ups.
> Download now at http://channels.netscape.com/ns/search/install.jsp
>

From Loopers-Delight-request@loopers-delight.com  Tue Mar 28 04:45:35 2006
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Date: Mon, 27 Mar 2006 20:45:32 -0800 (PST)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: First of possibly many stupid questions
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Wow, that's some procrastination.  Didn't the JamMan
hit in the early 90s?  The good news is that there's
more choice than ever for a looper.

I've found that in a line level situation both the EDP
and Repeater have excellent tone, though if you have
the wrong gain stage it's easy to hear Repeater noise.
 I've never experienced it.  Both are fine, but very
different machines.  I never really dug the EDP, yet
it's many people's favorite.

However, the Looperlative is about to ship and I'm
sure in the next week or so this week will be flooded
with observations.  It brags really high quality sound
and a feature set that's pretty unique. (8 stereo
loops at one time, syncronized or not! and MIDI sync)

so you may want to keep procrastinating for a little
while longer and Give some more thought to what you
want to do with your looper.  I've heard that even the
RC-20 and 50 sound great, they're just more limited
and without MIDI sync.



--- Richard Sales <richard@glasswing.com> wrote:

> I've never done looping but have done a large ton of
> music for a very 
> long time.  It's how I make my living.
> 
> I've been considering getting into looping live
> guitar (Michael HEdges 
> style) since the Jam Man first came out and have
> procrastinated .  But 
> the time is upon me!  So... I want to get a good one
> with very high 
> quality audio... and have considered the Gibson
> Echoplex or, if they 
> ever get it back out, the Electrix Repeater.  There
> are a bunch of 
> earlier Gibson Eplexes on ebay, but they are the
> earlier versions.  So, 
> question is, are the new ones any better than the
> old?  Sonically?  
> Reliability wise?  Memory?
> 
> ALso I've heard the footswitches for the Gibson are
> light duty.  Is 
> true?
> 
> I'm going to use it for very high end acoustic
> guitars with K&K 
> Powermix Trinity pickups (deadly beautiful) and a
> resonator with a 
> Schatten in it (also killer).  So the sound quality
> is critical.  I've 
> heard the Repeater's sound is not as good as the
> Gibson.  I'll probably 
> also use it in my studio.
> 
> I'm not real interested in MIDI implementation or
> tweaking sounds (I 
> don't think).  I have stuff that will do that in my
> studio already.
> 
> Am I looking in the right place?  Are these answers
> more easily found 
> elsewhere?  I've scoured the loopers delight web
> site and while the 
> answers are almost there, I still need more data.
> 
> thanks for your patience
> 
> richard sales
> glassWing farm and studio
> vancouver island, b.c.
> 800.545.6846
> 250.752.4816
> www.glassWing.com
> www.richardsales.com
> www.hayleysales.com
> www.blueberryfieldsfarm.com


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Tue Mar 28 04:55:14 2006
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To: Loopers-Delight@loopers-delight.com
From: Kevin <kevin@TheNettles.com>
Subject: Re: Filter-Looper Swapping
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At 03:42 AM 3/27/2006, Andy wrote:
>>In other words I'll want two signal paths that I can switch between 
>>with a single pedal-press:
>>1. Guitar-->Effects-->Filter-->EDP-->Amp
>>2. Guitar-->Effects-->EDP-->Filter-->Amp
>
>that's a 3-pole double throw switch
>3PDT   or  4P2T
>
>a 4-pole is more common (I think) and that would do just as well
>4PDT   or 4P2T
>
>guitar to (EDP in or Filter in)
>EDP out to (Filt in or amp)
>Filt out to ( amp or EDP in)

Are you suggesting I build my own box?  How about this one?

Pat writes:

From: Kandokoro <kandokoro@yahoo.com>
Subject: effect switcher

http://www.banzaieffects.com/product.php?productid=17669&cat=458&page=1

I'm not set up to reply to the Looper's list, but
thought you might find the Banzai Effects Changer
useful as a (relatively) cheap way to change the order
of effects. I use it for the simple stuff and it's
great.

Other options are more versatile but far more
expensive: Akai MB76 matrix mixer (7in/6out - out of
production for many years) or Switchblade 8 or 16
channel matrix mixers. I also use these units for
complex rack mixing.


>doesn't the Filter Queen have 2 channels  which could be used seperately?

No, it's just got L channel and R channel.

>A common solution is to buy 2 effects, and put one pre loop, and one post.

True, but the effect I'm getting is a discontinued item and a little 
difficult to get hold of.

Thanks,
Kevin

The Nettles: Progressive and Exciting Celtic Music
www.TheNettles.com

From Loopers-Delight-request@loopers-delight.com  Tue Mar 28 05:05:43 2006
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From: Todd Howell <ransacker@earthlink.net>
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Subject: Re: First of possibly many stupid questions
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Mark

Indeed, theLooperlative does, from all appearances, sound like the new gold standard of looperistical bliss. Just wondering about one of the points that you made Mark. I know that the RC-20XL has no MIDI sync. But as I'm to understand it, the new RC-50 has sync, unless I am reading the information wrong. Am I not understanding the information as it's presented? It appears that it has a built in drum machine and clock synching capabilities. Just wondering. I am a pretty inexperienced looper and may not understand the capabilities correctly. I am holding out for an EDP myself, but may be forced into considering the RC-50 for monetary considerations. Which is correct?

Respectfully, 

Todd

-----Original Message-----
>From: mark sottilaro <zerocrossing2001@yahoo.com>
>Sent: Mar 27, 2006 9:45 PM
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: First of possibly many stupid questions
>
>Wow, that's some procrastination.  Didn't the JamMan
>hit in the early 90s?  The good news is that there's
>more choice than ever for a looper.
>
>I've found that in a line level situation both the EDP
>and Repeater have excellent tone, though if you have
>the wrong gain stage it's easy to hear Repeater noise.
> I've never experienced it.  Both are fine, but very
>different machines.  I never really dug the EDP, yet
>it's many people's favorite.
>
>However, the Looperlative is about to ship and I'm
>sure in the next week or so this week will be flooded
>with observations.  It brags really high quality sound
>and a feature set that's pretty unique. (8 stereo
>loops at one time, syncronized or not! and MIDI sync)
>
>so you may want to keep procrastinating for a little
>while longer and Give some more thought to what you
>want to do with your looper.  I've heard that even the
>RC-20 and 50 sound great, they're just more limited
>and without MIDI sync.
>
>
>
>--- Richard Sales <richard@glasswing.com> wrote:
>
>> I've never done looping but have done a large ton of
>> music for a very 
>> long time.  It's how I make my living.
>> 
>> I've been considering getting into looping live
>> guitar (Michael HEdges 
>> style) since the Jam Man first came out and have
>> procrastinated .  But 
>> the time is upon me!  So... I want to get a good one
>> with very high 
>> quality audio... and have considered the Gibson
>> Echoplex or, if they 
>> ever get it back out, the Electrix Repeater.  There
>> are a bunch of 
>> earlier Gibson Eplexes on ebay, but they are the
>> earlier versions.  So, 
>> question is, are the new ones any better than the
>> old?  Sonically?  
>> Reliability wise?  Memory?
>> 
>> ALso I've heard the footswitches for the Gibson are
>> light duty.  Is 
>> true?
>> 
>> I'm going to use it for very high end acoustic
>> guitars with K&K 
>> Powermix Trinity pickups (deadly beautiful) and a
>> resonator with a 
>> Schatten in it (also killer).  So the sound quality
>> is critical.  I've 
>> heard the Repeater's sound is not as good as the
>> Gibson.  I'll probably 
>> also use it in my studio.
>> 
>> I'm not real interested in MIDI implementation or
>> tweaking sounds (I 
>> don't think).  I have stuff that will do that in my
>> studio already.
>> 
>> Am I looking in the right place?  Are these answers
>> more easily found 
>> elsewhere?  I've scoured the loopers delight web
>> site and while the 
>> answers are almost there, I still need more data.
>> 
>> thanks for your patience
>> 
>> richard sales
>> glassWing farm and studio
>> vancouver island, b.c.
>> 800.545.6846
>> 250.752.4816
>> www.glassWing.com
>> www.richardsales.com
>> www.hayleysales.com
>> www.blueberryfieldsfarm.com
>
>
>__________________________________________________
>Do You Yahoo!?
>Tired of spam?  Yahoo! Mail has the best spam protection around 
>http://mail.yahoo.com 
>

From Loopers-Delight-request@loopers-delight.com  Tue Mar 28 05:18:36 2006
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Date: Tue, 28 Mar 2006 00:18:35 -0500
From: "Todd Pafford" <calenlas@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Laptop orchestra
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I guess you read Wired too?  I just finished downloading all of their sampl=
e
tracks and will be listening shortly.  After seeing the brief article on
PLOrk in Wired I went out cruising their website and found lots of
interesting electronic music geekdom.  Makes me want to try to get into
Princeton.  ;)

I'll second jondrums' recommendation to check the site out.  Very apropos
for many members of this list.

Todd

On 3/27/06, jondrums <jondrums@hotmail.com> wrote:
>
> check this out!
>
> http://plork.cs.princeton.edu/
>
> if anyone is in the area, I'd love to hear how the show goes.
> Jon
>
>

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I guess you read Wired too?&nbsp; I just finished downloading all of
their sample tracks and will be listening shortly.&nbsp; After seeing
the brief article on PLOrk in Wired I went out cruising their website
and found lots of interesting electronic music geekdom.&nbsp; Makes me
want to try to get into Princeton.&nbsp; ;)<br>
<br>
I'll second jondrums' recommendation to check the site out.&nbsp; Very apro=
pos for many members of this list.<br>
<br>
Todd<br><br><div><span class=3D"gmail_quote">On 3/27/06, <b class=3D"gmail_=
sendername">jondrums</b> &lt;<a href=3D"mailto:jondrums@hotmail.com">jondru=
ms@hotmail.com</a>&gt; wrote:</span><blockquote class=3D"gmail_quote" style=
=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; p=
adding-left: 1ex;">
check this out!<br><br><a href=3D"http://plork.cs.princeton.edu/">http://pl=
ork.cs.princeton.edu/</a><br><br>if anyone is in the area, I'd love to hear=
 how the show goes.<br>Jon<br><br></blockquote></div><br>

------=_Part_15134_29382948.1143523115539--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 28 05:24:05 2006
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Date: Tue, 28 Mar 2006 00:24:03 -0500
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To: Loopers-Delight@loopers-delight.com
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Yeah, and I think Behringer has to be up there in the top 3-5 of all time
worst manuals.  I have a strong suspicion that the FCB manual, in
particular, was actually written as a sort of sadistic logic puzzle akin to
a Rubik's Cube...covered in razor blades.  :)

Todd


On 3/27/06, Tony Douglas <TonyIsYourPal@netscape.net> wrote:
>
> I read Claude's post as being slightly ironic, meself. I hope it was - I
> studiously avoid manuals except where thoroughly necessary. Having battle=
d
> through Yamaha's "Mysteries of the DX7" and Roland's "101 Things You'll W=
ish
> You Knew About the GR50", I've sworn off them for life !
>
> - Tony
>
>

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Yeah, and I think Behringer has to be up there in the top 3-5 of all
time worst manuals.&nbsp; I have a strong suspicion that the FCB
manual, in particular, was actually written as a sort of sadistic logic
puzzle akin to a Rubik's Cube...covered in razor blades.&nbsp; :)<br>
<br>
Todd<br>
<br><br><div><span class=3D"gmail_quote">On 3/27/06, <b class=3D"gmail_send=
ername">Tony Douglas</b> &lt;<a href=3D"mailto:TonyIsYourPal@netscape.net">=
TonyIsYourPal@netscape.net</a>&gt; wrote:</span><blockquote class=3D"gmail_=
quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt =
0pt 0.8ex; padding-left: 1ex;">
I
read Claude's post as being slightly ironic, meself. I hope it was - I
studiously avoid manuals except where thoroughly necessary. Having
battled through Yamaha's &quot;Mysteries of the DX7&quot; and Roland's &quo=
t;101
Things You'll Wish You Knew About the GR50&quot;, I've sworn off them for
life !<br><br>- Tony<br><br></blockquote></div><br>

------=_Part_15234_7764889.1143523443541--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 28 06:26:01 2006
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From: Kevin <kevin@TheNettles.com>
Subject: Re: Filter-Looper Swapping
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At 03:42 AM 3/27/2006, Andy wrote:
>Kevin says
>>In other words I'll want two signal paths that I can switch between 
>>with a single pedal-press:
>>
>>1. Guitar-->Effects-->Filter-->EDP-->Amp
>>
>>2. Guitar-->Effects-->EDP-->Filter-->Amp
>
>that's a 3-pole double throw switch
>3PDT   or  4P2T
>
>a 4-pole is more common (I think) and that would do just as well
>4PDT   or 4P2T

Hmm.  If I was to build one, I'd also need three fan-ins: one for the 
amp, one for the EDP and one for the Filter.  That would majorly suck 
tone unless I had the right resistance, wouldn't it?

I can't be the only person who's run into this.  Doesn't anyone sell 
something like this?

Thanks,
Kevin

The Nettles: Progressive and Exciting Celtic Music
www.TheNettles.com

From Loopers-Delight-request@loopers-delight.com  Tue Mar 28 06:27:19 2006
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> From: jondrums [mailto:jondrums@hotmail.com] 
> check this out!
> http://plork.cs.princeton.edu/
> if anyone is in the area, I'd love to hear how the show goes.

wonderful, thanks for the link ... the sound samples sound promising.

-Michael www.michaelpeters.de


From Loopers-Delight-request@loopers-delight.com  Tue Mar 28 08:15:16 2006
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>With ShadowA I got the same behavior as Mark:  one side out only (I 
>assume it was the left, but can't remember how I have things wired 
>up just now.)  This is very easy for me to spot with the Vortex as 
>my piezos go through one side, my magnetics through the other and 
>they have very different tonal qualities.  On ShadowA I only got 
>magnetics (spread to both L&R outputs, I believe).  Switching to 
>piezos resulted in no sound at all.

Right, so Vortex is taking just one input and sending it to both sides.
I'd understood Mark's comments differently, but you're also saying 
"one side out only",
so I guess that's a match ;-)
(originally I interpreted that as hearing sound from one speaker only)

probably Mark is happily playing now and ignoring us.


>As you say, this is very strange.  I wouldn't have expected this at 
>all and the manual makes no mention of it and in fact implies just 
>the opposite.  I'm willing to label this a Vortex bug as I can't 
>imagine it was designed this way.

Wonder what happens if Shadow A is put into a different register.

So far, I didn't find a complex piece of gear without bugs.

andy

From Loopers-Delight-request@loopers-delight.com  Tue Mar 28 08:36:54 2006
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At 09:05 PM 3/27/2006, Todd Howell wrote:
>Just wondering about one of the points that you made Mark. I know that the 
>RC-20XL has no MIDI sync. But as I'm to understand it, the new RC-50 has 
>sync, unless I am reading the information wrong.

that's correct, the RC-50 has midi sync in and out. So does the new 
Electro-Harmonix 2880 multi-track looper. Nobody knows yet how well sync 
works in either case.

It's not clear whether any of these are really shipping yet.

kim


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com 

From Loopers-Delight-request@loopers-delight.com  Tue Mar 28 08:42:18 2006
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At 09:15 28/03/06, you wrote:
>At 03:42 AM 3/27/2006, Andy wrote:
>>>In other words I'll want two signal paths that I can switch 
>>>between with a single pedal-press:
>>>1. Guitar-->Effects-->Filter-->EDP-->Amp
>>>2. Guitar-->Effects-->EDP-->Filter-->Amp
>>
>>that's a 3-pole double throw switch
>>3PDT   or  4P2T
>>
>>a 4-pole is more common (I think) and that would do just as well
>>4PDT   or 4P2T
>>
>>guitar to (EDP in or Filter in)
>>EDP out to (Filt in or amp)
>>Filt out to ( amp or EDP in)
>
>Are you suggesting I build my own box?

sure,

it would be cheaper,
even if you have to buy a soldering iron.

>  How about this one?
>
>Pat writes:
>
>From: Kandokoro <kandokoro@yahoo.com>
>Subject: effect switcher
>
>http://www.banzaieffects.com/product.php?productid=17669&cat=458&page=1

that looks perfect,

andy 

From Loopers-Delight-request@loopers-delight.com  Tue Mar 28 08:48:03 2006
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At 09:15 28/03/06, you wrote:
>Hmm.  If I was to build one, I'd also need three fan-ins: one for 
>the amp, one for the EDP and one for the Filter.  That would majorly 
>suck tone unless I had the right resistance, wouldn't it?

??? what's a fan-in

Using the switch would be equivalent to the highly desirable "True 
Bypass" option that is recommended for stomp boxes.

That nice box that was recommended to you will almost certainly 
contain the switch that I described.

andy  

From Loopers-Delight-request@loopers-delight.com  Tue Mar 28 09:21:01 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Roland RC-50 (was:  First of possibly many stupid questions)
Date: Tue, 28 Mar 2006 11:20:55 +0200
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> At 09:05 PM 3/27/2006, Todd Howell wrote:
>> Just wondering about one of the points that you made Mark. I know  
>> that the RC-20XL has no MIDI sync. But as I'm to understand it,  
>> the new RC-50 has sync, unless I am reading the information wrong.


On 28 mar 2006, at 10.36, Kim Flint wrote:

> that's correct, the RC-50 has midi sync in and out. So does the new  
> Electro-Harmonix 2880 multi-track looper. Nobody knows yet how well  
> sync works in either case.
>
> It's not clear whether any of these are really shipping yet.
>
> kim


Hi,

One minute ago I was talking to Roland Scandinavia and was told that  
the RC-50 will ship to Sweden on may 23d. Since they ship from Japan  
I would guess that date will be more or less the same all over the  
planet. That's one month later than the scheduled delivery.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast? 
id=128679560&s=143456




From Loopers-Delight-request@loopers-delight.com  Tue Mar 28 10:05:47 2006
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Subject: Re: European power adapter (was: how to blow up your equipment)
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I think electromechanical stuff, like motor drives, could be affected by this. I seem to remember reading that the motors in at least some mellotrons took particular exception to receiving the wrong frequency. 

- Tony



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From Loopers-Delight-request@loopers-delight.com  Tue Mar 28 10:34:42 2006
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Subject: Re: looking for: a cheap portable digital audio recorder
Date: Tue, 28 Mar 2006 11:35:03 +0100
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Hi,

The trouble is that you don't say what "cheap" means for you - neither do 
you say which "non-cheap" models that you've seen that might help us.

Whether cheap or expensive, I have an Edirol R-1 (about £300). It records to 
Compact Flash cards (although only comes with a tiny one). it has built in 
effects (including various "mastering" programmes which are multiband 
compressors, it also has a limiter which is additional to the effects. It 
records directly to WAV or various resolutions of MP3. Goes straight into 
USB and doesn't need any of it's own software. I have a few small gripes: 
fiddly level control, you can only monitor levels in record pause mode, not 
when recording, the screen is very faint. But I like mine, I've recorded 
gigs from the desk and with the built in mics, I use it for recording 
practices too and loads of other jobs.

There's also a similarly priced M-Audio one and a much highr priced Marantz 
with XLRs and fantom power.

I have an Iriver MP3 player which records - IHP120 - but as has already bee 
said, the built in mic is rubbish+ it picks up hard disk noise, also quite 
fiddly to work with.

Hope this is of some use.

Ian.

----- Original Message ----- 
From: "3nki" <3nki@modaldub.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, March 27, 2006 8:43 PM
Subject: looking for: a cheap portable digital audio recorder


> hello list!
>
> i am looking for a cheap and portable digital audio recorder. i've  seen 
> some nice ones, but they aren't cheap at all. perhaps some  people on the 
> list have ideas? ;)
>
> important qualities:
> - built-in mic
> - USB or Firewire connection to computer
>
> desirable:
> - built-in compression
> - decent audio quality
> - stereo recording
>
> thanks for any advice!
>
> -3nki
>
>
> 


From Loopers-Delight-request@loopers-delight.com  Tue Mar 28 11:32:41 2006
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To: Loopers-Delight@loopers-delight.com
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On 3/28/06, Tony Douglas <TonyIsYourPal@netscape.net> wrote:
> A quick whiz around Maplin's web site suggests this ...
>
> http://www.maplin.co.uk/module.aspx?TabID=3D1&criteria=3Dus%20transformer=
&ModuleNo=3D13358&doy=3D28m3

I have the 300VA model of those that I've used to power US wall warts,
and it works fine.

For some reason the 200VA one is UKP10 more expensive than the 300VA
one, so I bought the cheaper & higher power model.

From Loopers-Delight-request@loopers-delight.com  Tue Mar 28 11:36:30 2006
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On 3/28/06, johnsrude@peak.org <johnsrude@peak.org> wrote:

> Wouldn't buying UK wall warts be a cheaper way to run your US gear than b=
uying
> a generic transformer?

Maplin's 300VA 240->110V transformer is UKP19.99 (US$34.92). At the
price some UK distributors charge for replacement PSUs, that's not
going to go very far.

From Loopers-Delight-request@loopers-delight.com  Tue Mar 28 12:13:40 2006
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Hi everyone

Learning a lot from reading the posts on this list. Cheers

I've been an RC20 for a long time and am in the middle of upgrading, most 
likely to a Looperlative.

I tried the new Electro Harmonix 2880 in a store here in London over the 
weekend as I was thinking that it might suit what I want to do. I found the 
sound on it to be really 'squashed'. It's fine when you just have one loop 
on each of the four tracks but the minute you start overdubbing, it gets 
really muddy and the level balance of tracks gets all messed up. Anyone else 
have any experience of it?

Cheers
Gary Dunne


www.garydunne.com
www.myspace.com.garydunne


From Loopers-Delight-request@loopers-delight.com  Tue Mar 28 13:55:38 2006
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From: daniel stevenson <stillllscary@yahoo.com>
Subject: Re: how to blow up your equipment
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--0-2036891659-1143554136=:15633
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that is unfortunate...its one reason all my gear is battery powered and mobile.its a shame that i cant use the cool tools that dont have this capacity for battery use.if only the dl4 had a 1000 second delay time and feedback controll i would have all i need...
                      luck & good fortune,
                                                   very scary.
Zoe Keating <cello@zoekeating.com> wrote:
  well, a couple days ago I did just about the worst thing you can do 
to your gear....I blew it up! in a stupid, jetlagged moment that I 
won't go into, I plugged my US gear into a UK socket.

POOF!! crackle. blue smoke.

I realized immediately what I'd just done and cut the power. But it 
was too late. Luckily I mostly fried the adaptors, and I'm hoping I 
can replace them when I get back to the US. Some of the gear though, 
like the Rane SM82, have the most ridiculous adaptors (a phone 
plug???) and I had to replace them with substitute UK gear. The 
FCB1010 is dead and gone, but I got another and spent the hour before 
the show reprogramming it.

But...and this made me so happy that I couldn't care less about the 
other gear...

The Repeaters are intelligent and take US or European power. THEY ARE 
FINE!! Made me so happy that I didn't mind dropping 250 pounds on the 
rest of the gear. Hooray for my beloved Repeaters. Let me compose and 
ode to them....

Anyway, I learnt my lesson! Thought I'd pass that little story on to 
ya'll

loopily, Zoe



		
---------------------------------
New Yahoo! Messenger with Voice. Call regular phones from your PC and save big.
--0-2036891659-1143554136=:15633
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<div>that is unfortunate...its one reason all my gear is battery powered and mobile.its a shame that i cant use the cool tools that dont have this capacity for battery use.if only the dl4 had a 1000 second delay time and feedback controll i would have all i need...<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; luck &amp; good fortune,</div>  <div>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; very scary.<BR><B><I>Zoe Keating &lt;cello@zoekeating.com&gt;</I></B> wrote:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">well, a couple days ago I did just about the worst thing you can do <BR>to your gear....I
 blew it up! in a stupid, jetlagged moment that I <BR>won't go into, I plugged my US gear into a UK socket.<BR><BR>POOF!! crackle. blue smoke.<BR><BR>I realized immediately what I'd just done and cut the power. But it <BR>was too late. Luckily I mostly fried the adaptors, and I'm hoping I <BR>can replace them when I get back to the US. Some of the gear though, <BR>like the Rane SM82, have the most ridiculous adaptors (a phone <BR>plug???) and I had to replace them with substitute UK gear. The <BR>FCB1010 is dead and gone, but I got another and spent the hour before <BR>the show reprogramming it.<BR><BR>But...and this made me so happy that I couldn't care less about the <BR>other gear...<BR><BR>The Repeaters are intelligent and take US or European power. THEY ARE <BR>FINE!! Made me so happy that I didn't mind dropping 250 pounds on the <BR>rest of the gear. Hooray for my beloved Repeaters. Let me compose and <BR>ode to them....<BR><BR>Anyway, I learnt my lesson! Thought I'd pass that
 little story on to <BR>ya'll<BR><BR>loopily, Zoe<BR><BR></BLOCKQUOTE><BR><p>
		<hr size=1>New Yahoo! Messenger with Voice. <a href="http://us.rd.yahoo.com/mail_us/taglines/postman6/*http://us.rd.yahoo.com/evt=39663/*http://voice.yahoo.com">Call regular phones from your PC</a> and save big.
--0-2036891659-1143554136=:15633--

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Message-ID: <20060328142158.18084.qmail@web81301.mail.mud.yahoo.com>
Date: Tue, 28 Mar 2006 06:21:58 -0800 (PST)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: 2880
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I had an EH-16 reissue, and I felt the same way.  I
didn't mind it though, it was part of it's character. 
Aside from a few missing feature I thought it was a
pretty cool box.  90% of the time I'm looking for a
more high fidelity sound though and away it went.

--- gary dunne <gardunne@hotmail.com> wrote:

> 
> Hi everyone
> 
> Learning a lot from reading the posts on this list.
> Cheers
> 
> I've been an RC20 for a long time and am in the
> middle of upgrading, most 
> likely to a Looperlative.
> 
> I tried the new Electro Harmonix 2880 in a store
> here in London over the 
> weekend as I was thinking that it might suit what I
> want to do. I found the 
> sound on it to be really 'squashed'. It's fine when
> you just have one loop 
> on each of the four tracks but the minute you start
> overdubbing, it gets 
> really muddy and the level balance of tracks gets
> all messed up. Anyone else 
> have any experience of it?
> 
> Cheers
> Gary Dunne
> 
> 
> www.garydunne.com
> www.myspace.com.garydunne
> 
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
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--Apple-Mail-3--104927274
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Thanks to all!  Actually, I think the JamMan was out in the eighties.  
The reason I procrastinated is because the guitar itself is a lifetime 
learning thing, and add studio chops, keyboards, MIDI, actual work, 
family and all the rest, it was a matter of parsing out my commitments. 
  Plus I've only recently started to do much live performance again.

It sounds like the Looperlative is the machine for me... assuming there 
is a foot switch setup that will work with it... and that the price 
isn't astronomical... and that it isn't too buggy.

I'll be watching for reviews of it over the next few weeks.

Cool group!  It would be sweet if all the emails were collated into one 
email... but other than that I'm loving it.

Peace
richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 27-Mar-06, at 8:45 PM, mark sottilaro wrote:

> Wow, that's some procrastination.  Didn't the JamMan
> hit in the early 90s?  The good news is that there's
> more choice than ever for a looper.
>
> I've found that in a line level situation both the EDP
> and Repeater have excellent tone, though if you have
> the wrong gain stage it's easy to hear Repeater noise.
>  I've never experienced it.  Both are fine, but very
> different machines.  I never really dug the EDP, yet
> it's many people's favorite.
>
> However, the Looperlative is about to ship and I'm
> sure in the next week or so this week will be flooded
> with observations.  It brags really high quality sound
> and a feature set that's pretty unique. (8 stereo
> loops at one time, syncronized or not! and MIDI sync)
>
> so you may want to keep procrastinating for a little
> while longer and Give some more thought to what you
> want to do with your looper.  I've heard that even the
> RC-20 and 50 sound great, they're just more limited
> and without MIDI sync.
>
>
>
> --- Richard Sales <richard@glasswing.com> wrote:
>
>> I've never done looping but have done a large ton of
>> music for a very
>> long time.  It's how I make my living.
>>
>> I've been considering getting into looping live
>> guitar (Michael HEdges
>> style) since the Jam Man first came out and have
>> procrastinated .  But
>> the time is upon me!  So... I want to get a good one
>> with very high
>> quality audio... and have considered the Gibson
>> Echoplex or, if they
>> ever get it back out, the Electrix Repeater.  There
>> are a bunch of
>> earlier Gibson Eplexes on ebay, but they are the
>> earlier versions.  So,
>> question is, are the new ones any better than the
>> old?  Sonically?
>> Reliability wise?  Memory?
>>
>> ALso I've heard the footswitches for the Gibson are
>> light duty.  Is
>> true?
>>
>> I'm going to use it for very high end acoustic
>> guitars with K&K
>> Powermix Trinity pickups (deadly beautiful) and a
>> resonator with a
>> Schatten in it (also killer).  So the sound quality
>> is critical.  I've
>> heard the Repeater's sound is not as good as the
>> Gibson.  I'll probably
>> also use it in my studio.
>>
>> I'm not real interested in MIDI implementation or
>> tweaking sounds (I
>> don't think).  I have stuff that will do that in my
>> studio already.
>>
>> Am I looking in the right place?  Are these answers
>> more easily found
>> elsewhere?  I've scoured the loopers delight web
>> site and while the
>> answers are almost there, I still need more data.
>>
>> thanks for your patience
>>
>> richard sales
>> glassWing farm and studio
>> vancouver island, b.c.
>> 800.545.6846
>> 250.752.4816
>> www.glassWing.com
>> www.richardsales.com
>> www.hayleysales.com
>> www.blueberryfieldsfarm.com
>
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>

--Apple-Mail-3--104927274
Content-Transfer-Encoding: 7bit
Content-Type: text/enriched;
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Thanks to all!  Actually, I think the JamMan was out in the eighties. 
The reason I procrastinated is because the guitar itself is a lifetime
learning thing, and add studio chops, keyboards, MIDI, actual work,
family and all the rest, it was a matter of parsing out my
commitments.  Plus I've only recently started to do much live
performance again.


It sounds like the Looperlative is the machine for me... assuming
there is a foot switch setup that will work with it... and that the
price isn't astronomical... and that it isn't too buggy. 


I'll be watching for reviews of it over the next few weeks.  


Cool group!  It would be sweet if all the emails were collated into
one email... but other than that I'm loving it.


Peace

<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 27-Mar-06, at 8:45 PM, mark sottilaro wrote:


<excerpt>Wow, that's some procrastination.  Didn't the JamMan

hit in the early 90s?  The good news is that there's

more choice than ever for a looper.


I've found that in a line level situation both the EDP

and Repeater have excellent tone, though if you have

the wrong gain stage it's easy to hear Repeater noise.

 I've never experienced it.  Both are fine, but very

different machines.  I never really dug the EDP, yet

it's many people's favorite.


However, the Looperlative is about to ship and I'm

sure in the next week or so this week will be flooded

with observations.  It brags really high quality sound

and a feature set that's pretty unique. (8 stereo

loops at one time, syncronized or not! and MIDI sync)


so you may want to keep procrastinating for a little

while longer and Give some more thought to what you

want to do with your looper.  I've heard that even the

RC-20 and 50 sound great, they're just more limited

and without MIDI sync.




--- Richard Sales <<richard@glasswing.com> wrote:


<excerpt>I've never done looping but have done a large ton of

music for a very 

long time.  It's how I make my living.


I've been considering getting into looping live

guitar (Michael HEdges 

style) since the Jam Man first came out and have

procrastinated .  But 

the time is upon me!  So... I want to get a good one

with very high 

quality audio... and have considered the Gibson

Echoplex or, if they 

ever get it back out, the Electrix Repeater.  There

are a bunch of 

earlier Gibson Eplexes on ebay, but they are the

earlier versions.  So, 

question is, are the new ones any better than the

old?  Sonically?  

Reliability wise?  Memory?


ALso I've heard the footswitches for the Gibson are

light duty.  Is 

true?


I'm going to use it for very high end acoustic

guitars with K&K 

Powermix Trinity pickups (deadly beautiful) and a

resonator with a 

Schatten in it (also killer).  So the sound quality

is critical.  I've 

heard the Repeater's sound is not as good as the

Gibson.  I'll probably 

also use it in my studio.


I'm not real interested in MIDI implementation or

tweaking sounds (I 

don't think).  I have stuff that will do that in my

studio already.


Am I looking in the right place?  Are these answers

more easily found 

elsewhere?  I've scoured the loopers delight web

site and while the 

answers are almost there, I still need more data.


thanks for your patience


richard sales

glassWing farm and studio

vancouver island, b.c.

800.545.6846

250.752.4816

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com

</excerpt>


__________________________________________________

Do You Yahoo!?

Tired of spam?  Yahoo! Mail has the best spam protection around 

http://mail.yahoo.com 


</excerpt>
--Apple-Mail-3--104927274--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 28 15:58:50 2006
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At 12:45 AM 3/28/2006, Andy wrote:
>At 09:15 28/03/06, I wrote:
>>Hmm.  If I was to build one, I'd also need three fan-ins: one for 
>>the amp, one for the EDP and one for the Filter.  That would 
>>majorly suck tone unless I had the right resistance, wouldn't it?
>
>??? what's a fan-in

In this case its two lines into one line for the inputs into the EDP, 
Filter and Amp, each of which have only one input.

Something like this:

in-----+
         |----out
in-----+

When I've done this in the past if I'm on one of the "in" lines and 
the other "in" line has less resistance than the "out" line, there's 
a huge drop in signal in the out line.  Not sure what to due about 
that really.  Would a couple of resistors on the ins take care of the problem?

Thanks,
Kevin

From Loopers-Delight-request@loopers-delight.com  Tue Mar 28 16:01:08 2006
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Raw work in progress on an as-yet-unnamed project that I thought I'd 
share: I'm working with a tuba player, live looping and effects 
processing the loops I'm capturing from a mic inside the bell of his 
tuba. This is not finished, we're still exploring the range of sounds we 
can get from a tuba with and without processing.

http://www.subscapeannex.com/tuba/tuba_1_26mar2006-mp3.mp3

http://www.subscapeannex.com/tuba/tuba_2_26mar2006-mp3.mp3

http://www.subscapeannex.com/tuba/tuba_3_26mar2006-mp3.mp3

Ok, gear babble:

In summary, I have one looper device at the top of the signal chain, then 
lots of effects, then three loopers at the end of the signal chain. 
Sometimes capturing at the top then processing and passing it to an 
end-of-chain looper, sometimes tweaking the processing and capturing in an 
end looper.

* mic'd tuba >
 	(instrument)
* Akai Headrush E1 >
 	(upstream looper)
* Z-Vex Seek Wah > Z-Vex Ooh Wah > Z-Vex Seek Trem > Moogerfooger lowpass 
filter > MF ring mod > MF phaser > MF MuRF > MF Bass MuRF > MF analog 
delay (104) > MF analog delay (104SD) > H&K Replex >
 	(effects block)
* E-H 16 sec digital delay reissue > Digitech Jamman > Boss RC-20 (non-XL) >
 	(three downstream loopers)
amp
 	(duh :) )

What's not captured in the above samples is his live playing and 
soloing over the looped and processed samples.

later,
Steve B
http://www.subscapeannex.com/about_steve.html

From Loopers-Delight-request@loopers-delight.com  Tue Mar 28 16:19:02 2006
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From: 3nki <3nki@modaldub.net>
Subject: Re: looking for: a cheap portable digital audio recorder
Date: Tue, 28 Mar 2006 13:18:57 -0300
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hi,

first off, thanks Ian and Art for your comments and suggestions. i =20
think the one Art mentions is more what i am looking for. i've seen =20
various models i can't recall at the moment that seemed great, but =20
they're usually over $500, sometimes even over $1,000. that's just =20
too much for what i am considering. i did see something just now that =20=

looks pretty good:

http://www.musiciansfriend.com/product/HiFi/A/V/Equipment/Home/Audio?=20
sku=3D244762

a Sony Pro MZ-M10 Hi-MD Portable Audio Recorder. it comes with a good =20=

stereo mic, records a gig on removable media, has high quality/=20
fidelity, is physically small and, being Sony, most likely well-made. =20=

and it's only $300. still, i was really think of something under =20
$150, much closer to what Art mentions. i am living in Brazil and =20
want to have something i wouldn't be too upset about loosing or =20
having stolen, that i can carry around and whip out when, as often =20
happens, i am surprised by some great music or ambient sounds. and of =20=

course it would be much nicer if there was a digital out, as opposed =20
to analog, so i could dump to computer easily for clean-up and/or =20
manipulation of the recordings.

i have seen Olympus and others with sub-$100 audio recorders, but =20
often they don't have either a digital connection or even half-way =20
decent sound resolution. another option is a digital camera or =20
cellphone, which often record pretty decent audio and have a digital =20
connection, but these are usually too expensive - i.e, i wouldn't =20
want to flash one around in many of the places i am thinking of =20
recording.

so thanks again for the tips and ideas! i'll let you know what i end =20
up with and how it works out ;)

-3nki



On Mar 28, 2006, at 7:35 AM, Ian Popperwell wrote:

> Hi,
>
> The trouble is that you don't say what "cheap" means for you - =20
> neither do you say which "non-cheap" models that you've seen that =20
> might help us.
>
> Whether cheap or expensive, I have an Edirol R-1 (about =A3300). It =20=

> records to Compact Flash cards (although only comes with a tiny =20
> one). it has built in effects (including various "mastering" =20
> programmes which are multiband compressors, it also has a limiter =20
> which is additional to the effects. It records directly to WAV or =20
> various resolutions of MP3. Goes straight into USB and doesn't need =20=

> any of it's own software. I have a few small gripes: fiddly level =20
> control, you can only monitor levels in record pause mode, not when =20=

> recording, the screen is very faint. But I like mine, I've recorded =20=

> gigs from the desk and with the built in mics, I use it for =20
> recording practices too and loads of other jobs.
>
> There's also a similarly priced M-Audio one and a much highr priced =20=

> Marantz with XLRs and fantom power.
>
> I have an Iriver MP3 player which records - IHP120 - but as has =20
> already bee said, the built in mic is rubbish+ it picks up hard =20
> disk noise, also quite fiddly to work with.
>
> Hope this is of some use.
>
> Ian.
>
> ----- Original Message ----- From: "3nki" <3nki@modaldub.net>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Monday, March 27, 2006 8:43 PM
> Subject: looking for: a cheap portable digital audio recorder
>
>
>> hello list!
>>
>> i am looking for a cheap and portable digital audio recorder. =20
>> i've  seen some nice ones, but they aren't cheap at all. perhaps =20
>> some  people on the list have ideas? ;)
>>
>> important qualities:
>> - built-in mic
>> - USB or Firewire connection to computer
>>
>> desirable:
>> - built-in compression
>> - decent audio quality
>> - stereo recording
>>
>> thanks for any advice!
>>
>> -3nki
>>
>>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Mar 28 17:00:43 2006
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  I first sent this just to 3nki about portable audio recorders but then thought that other people might be interested in it - 

    I'm on the phonography list-serv and questions about portable recorders comes up all the time - http://www.phonography.org/contact.htm.  
   
  I'd pass along some info but I only really pay attention to postings of sound samples or when they're talking about microphones.
   
  Feel free to join up and ask the group's opinion.
   
   
  ted harms

		
---------------------------------
Yahoo! Messenger with Voice. Make PC-to-Phone Calls to the US (and 30+ countries) for 2¢/min or less.
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<div>&nbsp;</div>  <div>I first sent this just to 3nki about portable audio recorders but then thought that other people might be interested in it - <BR></div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">  <DIV>I'm on the phonography list-serv and questions about portable recorders comes up all the time - <A href="http://www.phonography.org/contact.htm">http://www.phonography.org/contact.htm</A>.&nbsp; </DIV>  <DIV>&nbsp;</DIV>  <DIV>I'd pass along some info but I only really pay attention to&nbsp;postings of&nbsp;sound samples or when they're talking about microphones.</DIV>  <DIV>&nbsp;</DIV>  <DIV>Feel free to join up and ask the group's opinion.</DIV>  <DIV>&nbsp;</DIV>  <DIV>&nbsp;</DIV>  <DIV>ted harms</DIV></BLOCKQUOTE><p>
		<hr size=1>Yahoo! Messenger with Voice. <a href="http://us.rd.yahoo.com/mail_us/taglines/postman1/*http://us.rd.yahoo.com/evt=39663/*http://voice.yahoo.com">Make PC-to-Phone Calls</a> to the US (and 30+ countries) for 2¢/min or less.
--0-2101999350-1143565241=:33841--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 28 17:01:38 2006
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From: Mark Hamburg <mark_hamburg@baymoon.com>
Subject: Re: Filter-Looper Swapping
Date: Tue, 28 Mar 2006 09:05:38 -0800
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I don't have advice on how to achieve the routing you are after, but  
another fun thing to do in this sort of setup if you've got a little  
signal flexibility is to get an Electrix EQ Killer and put it after  
the EDP to selectively drop out frequency bands in the loop. I'm not  
sure that's feasible in a straight-line loop signal flow, however.

Mark

On Mar 26, 2006, at 3:55 PM, Kevin wrote:

> I've ordered an Electrix Filter Queen for my "cheap guitar synth".   
> No MIDI control but it does have an expression pedal in.
>
> Thank you Andy for the idea of using a filter plus distortion and  
> thanks to everybody else who sent me suggestions.  That's what I  
> really like about this list. The idea never would have occurred to  
> me on my own.
>
> While I wait for the Electrix, I'm reviewing my signal chain and  
> I've realized that I'll want to put the Filter Queen both pre and  
> post  looper and be able to switch between the two.
>
> In other words I'll want two signal paths that I can switch between  
> with a single pedal-press:
>
> 1. Guitar-->Effects-->Filter-->EDP-->Amp
>
> 2. Guitar-->Effects-->EDP-->Filter-->Amp
>
> I've been looking at the inputs and outputs and drawing diagrams  
> but I can't figure out how to switch the positions in the signal  
> chain between the EDP and the FilterQueen with a single pedal  
> press.  I do have two inputs on the amp.
>
> Can anybody help me with my signal routing conundrum?  As always,  
> I'm careful with the pennies I earn from playing music so a cheap  
> solution is preferred.
>
> Thanks for your help!
>
> Cheers,
> Kevin
>
> The Nettles: Progressive and Exciting Celtic Music
> www.TheNettles.com
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Mar 28 17:11:41 2006
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Kevin,

Have you looked at the Sound Sculpture Switchblade?  It can do what 
you're asking - but it's expensive:

http://www.soundsculpture.com/



Mark Hamburg wrote:

> I don't have advice on how to achieve the routing you are after, but  
> another fun thing to do in this sort of setup if you've got a little  
> signal flexibility is to get an Electrix EQ Killer and put it after  
> the EDP to selectively drop out frequency bands in the loop. I'm not  
> sure that's feasible in a straight-line loop signal flow, however.
>
> Mark
>
> On Mar 26, 2006, at 3:55 PM, Kevin wrote:
>
>> I've ordered an Electrix Filter Queen for my "cheap guitar synth".   
>> No MIDI control but it does have an expression pedal in.
>>
>> Thank you Andy for the idea of using a filter plus distortion and  
>> thanks to everybody else who sent me suggestions.  That's what I  
>> really like about this list. The idea never would have occurred to  
>> me on my own.
>>
>> While I wait for the Electrix, I'm reviewing my signal chain and  
>> I've realized that I'll want to put the Filter Queen both pre and  
>> post  looper and be able to switch between the two.
>>
>> In other words I'll want two signal paths that I can switch between  
>> with a single pedal-press:
>>
>> 1. Guitar-->Effects-->Filter-->EDP-->Amp
>>
>> 2. Guitar-->Effects-->EDP-->Filter-->Amp
>>
>> I've been looking at the inputs and outputs and drawing diagrams  but 
>> I can't figure out how to switch the positions in the signal  chain 
>> between the EDP and the FilterQueen with a single pedal  press.  I do 
>> have two inputs on the amp.
>>
>> Can anybody help me with my signal routing conundrum?  As always,  
>> I'm careful with the pennies I earn from playing music so a cheap  
>> solution is preferred.
>>
>> Thanks for your help!
>>
>> Cheers,
>> Kevin
>>
>> The Nettles: Progressive and Exciting Celtic Music
>> www.TheNettles.com
>>
>>
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Mar 28 17:27:03 2006
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At 17:19 28/03/06, you wrote:
>>??? what's a fan-in
>
>In this case its two lines into one line for the inputs into the 
>EDP, Filter and Amp, each of which have only one input.

Ah, right.
You don't need to worry.

All the switching would be done in the box, which would have 6 jack sockets.
guitar
edp in
edp out
filter in
filter out.
amplifier.

The one thing that may be tricky is the gain staging.

The EDP and Filter Queen are both line level devices,
rather than stomp boxes.

The EDP has enough gain to amplify the guitar to line level, and has 
an output volume
to reduce the level down to guitar level again.

Now, if
a) Filter Queen can do that as well
and
b) you're using a guitar amp input

Then everything works out fine.

Also, if both FX are in your amp's FX loop things should be fine.

If not then it may be tricky, or even impossible, to set the input 
gains on the edp and filter in such
a way that it works "both ways round".

I suggest that you try the re-patching just with leads first to find 
out if you can get the re-ordering to work without having to change 
the gain on the devices each time you switch.

Sorry I didn't think of that before, I always run the guitar thru a 
pre-amp into the FX at line level and straight to pa.

So if it isn't working yet, I'd need to know
1) can you plug guitar straight into Filter queen and get enough gain
2) can you control the output volume of the Filter Queen
3) what kind of amplification are you using

then it should still be possible to work something out.

andy
ps
this applies whether you buy a readymade switch, or roll your own.






   

From Loopers-Delight-request@loopers-delight.com  Tue Mar 28 18:28:54 2006
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At 07:08 AM 3/28/2006, Richard Sales wrote:
>Thanks to all!  Actually, I think the JamMan was out in the eighties.

the Lexicon JamMan was first announced at Winter NAMM in January 1994. It 
was discontinued in January 1997.

http://www.loopers-delight.com/tools/jamman/jamman.html

>It sounds like the Looperlative is the machine for me... assuming there is 
>a foot switch setup that will work with it... and that the price isn't 
>astronomical... and that it isn't too buggy.

previously you were talking about the Echoplex, Repeater, the Lexicon 
JamMan - you seem to be jumping all over the place. All of these loopers 
are very different from each other, and fit well for different applications 
and types of users. One doesn't replace another. My advice is that you 
first figure out what you want to do with a looper, and then determine 
which looper best fits that use.

kim



______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com 

From Loopers-Delight-request@loopers-delight.com  Tue Mar 28 19:13:21 2006
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Subject: Speaking of filters
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This looks like an interesting new one from MFB http://www.mfberlin.de :

http://tinyurl.com/kmlw5

From Loopers-Delight-request@loopers-delight.com  Tue Mar 28 19:41:44 2006
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Date: Tue, 28 Mar 2006 21:40:01 +0200
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To: Loopers-Delight@loopers-delight.com
Subject: power is nothing without control (was Re: Filter-Looper Swapping)
References: <7.0.0.16.0.20060326153446.01e13418@TheNettles.com> <CB478CCA-345C-49AD-8EA5-F2AAD9A07A56@baymoon.com> <44296E4F.5010800@pdq.net>
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even if I am really surprised by music industry underconsideration 
conceirning control capabilities, I have been analyzing audio 
converters' internal audio routing/splitting/mixing capabilities for 2 
years now.
I use switchblades since many years but, given the growing availability 
of digital connections on processing hw and the shift from just hardware 
to mixed setups composed by hw and sw, I think that audio interfaces 
offer a convenient solution to do this kind of complex audio spaghetti.
The problem resides in the midi implementation offered by their 
manufacturers. None of them ( Rme said that officially and Motu by the 
mouth of their italian importer) care about making this objects flexible 
hearts for evoluted signal routing.
The most stupid thing is that they all have what they need, it's just a 
matter of control so, like a famous italian commercial says "power is 
nothing without control".
It's a shame, once again it looks like there are no musicians in the 
manifacturers' teams.
best,
luca
www.unguitar.com

Doug Cox wrote:

> Kevin,
>
> Have you looked at the Sound Sculpture Switchblade?  It can do what 
> you're asking - but it's expensive:
>
> http://www.soundsculpture.com/
>
>
>
> Mark Hamburg wrote:
>
>> I don't have advice on how to achieve the routing you are after, but  
>> another fun thing to do in this sort of setup if you've got a little  
>> signal flexibility is to get an Electrix EQ Killer and put it after  
>> the EDP to selectively drop out frequency bands in the loop. I'm not  
>> sure that's feasible in a straight-line loop signal flow, however.
>>
>> Mark
>>
>> On Mar 26, 2006, at 3:55 PM, Kevin wrote:
>>
>>> I've ordered an Electrix Filter Queen for my "cheap guitar synth".   
>>> No MIDI control but it does have an expression pedal in.
>>>
>>> Thank you Andy for the idea of using a filter plus distortion and  
>>> thanks to everybody else who sent me suggestions.  That's what I  
>>> really like about this list. The idea never would have occurred to  
>>> me on my own.
>>>
>>> While I wait for the Electrix, I'm reviewing my signal chain and  
>>> I've realized that I'll want to put the Filter Queen both pre and  
>>> post  looper and be able to switch between the two.
>>>
>>> In other words I'll want two signal paths that I can switch between  
>>> with a single pedal-press:
>>>
>>> 1. Guitar-->Effects-->Filter-->EDP-->Amp
>>>
>>> 2. Guitar-->Effects-->EDP-->Filter-->Amp
>>>
>>> I've been looking at the inputs and outputs and drawing diagrams  
>>> but I can't figure out how to switch the positions in the signal  
>>> chain between the EDP and the FilterQueen with a single pedal  
>>> press.  I do have two inputs on the amp.
>>>
>>> Can anybody help me with my signal routing conundrum?  As always,  
>>> I'm careful with the pennies I earn from playing music so a cheap  
>>> solution is preferred.
>>>
>>> Thanks for your help!
>>>
>>> Cheers,
>>> Kevin
>>>
>>> The Nettles: Progressive and Exciting Celtic Music
>>> www.TheNettles.com
>>>
>>>
>>
>>
>
>
> .
>

From Loopers-Delight-request@loopers-delight.com  Tue Mar 28 20:52:04 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: power is nothing without control (was Re: Filter-Looper Swapping)
Date: Tue, 28 Mar 2006 12:52:01 -0800
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hi luca,

I don't want to be redundant with our private emails: but I thought it=20=

worth repeating for the list.....This is one of the reasons I went with=20=

Max/MSP....big time flexibility of routing. Inside the max/MSP=20
environment you can freely route/reroute audio paths/controller paths=20
all over the place, making it perfect for hybrid rigs of laptop and=20
other hardware, or pure software. And so many of the guys onboard=20
Cycling 74 (I think all of them) are musicians....at least the ones I=20
know personally: Andrew Pask, Gregory Taylor, Ben Nevile.
best regards,
Jeff



Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com =95 AngryVegan.com

On Mar 28, 2006, at 11:40 AM, Luca Formentini wrote:

> even if I am really surprised by music industry underconsideration=20
> conceirning control capabilities, I have been analyzing audio=20
> converters' internal audio routing/splitting/mixing capabilities for 2=20=

> years now.
> I use switchblades since many years but, given the growing=20
> availability of digital connections on processing hw and the shift=20
> from just hardware to mixed setups composed by hw and sw, I think that=20=

> audio interfaces offer a convenient solution to do this kind of=20
> complex audio spaghetti.
> The problem resides in the midi implementation offered by their=20
> manufacturers. None of them ( Rme said that officially and Motu by the=20=

> mouth of their italian importer) care about making this objects=20
> flexible hearts for evoluted signal routing.
> The most stupid thing is that they all have what they need, it's just=20=

> a matter of control so, like a famous italian commercial says "power=20=

> is nothing without control".
> It's a shame, once again it looks like there are no musicians in the=20=

> manifacturers' teams.
> best,
> luca
> www.unguitar.com=

From Loopers-Delight-request@loopers-delight.com  Tue Mar 28 21:05:39 2006
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Hi Jeff,
I am absolutely in tune with you and I'm sorry if I've been unclear.
I was referring to the poor facts I am discovering during the last days, 
seeing how many sw/hw producers are softly sitting on really cheap 
solutions ( like using the mackie control protocol) instead of uptodate 
open midi structures.
max/MSP is a great sw and will be the first I will try to install ( the 
others on the list are audiomulch and reaktor) on my sw looping setup 
but I was referring to the converter's native sw mixer (see Rme's 
totalmix and Motu's one).
If they just tried to make one step more we would have wonderful power 
available in many audio cards, residing in their internal sw.
I get crazy when m.i. producers stop their development just one step 
before the available potential.
Thanks again for your kind care,
best,
Luca

Jeff Kaiser wrote:

> hi luca,
>
> I don't want to be redundant with our private emails: but I thought it 
> worth repeating for the list.....This is one of the reasons I went 
> with Max/MSP....big time flexibility of routing. Inside the max/MSP 
> environment you can freely route/reroute audio paths/controller paths 
> all over the place, making it perfect for hybrid rigs of laptop and 
> other hardware, or pure software. And so many of the guys onboard 
> Cycling 74 (I think all of them) are musicians....at least the ones I 
> know personally: Andrew Pask, Gregory Taylor, Ben Nevile.
> best regards,
> Jeff
>
>
>
> Jeff Kaiser
> http://www.jeffkaisermusic.com
> pfMENTUM.com • AngryVegan.com
>
> On Mar 28, 2006, at 11:40 AM, Luca Formentini wrote:
>
>> even if I am really surprised by music industry underconsideration 
>> conceirning control capabilities, I have been analyzing audio 
>> converters' internal audio routing/splitting/mixing capabilities for 
>> 2 years now.
>> I use switchblades since many years but, given the growing 
>> availability of digital connections on processing hw and the shift 
>> from just hardware to mixed setups composed by hw and sw, I think 
>> that audio interfaces offer a convenient solution to do this kind of 
>> complex audio spaghetti.
>> The problem resides in the midi implementation offered by their 
>> manufacturers. None of them ( Rme said that officially and Motu by 
>> the mouth of their italian importer) care about making this objects 
>> flexible hearts for evoluted signal routing.
>> The most stupid thing is that they all have what they need, it's just 
>> a matter of control so, like a famous italian commercial says "power 
>> is nothing without control".
>> It's a shame, once again it looks like there are no musicians in the 
>> manifacturers' teams.
>> best,
>> luca
>> www.unguitar.com
>
>
> .
>

From Loopers-Delight-request@loopers-delight.com  Tue Mar 28 21:11:57 2006
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From: "loop.pool" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Subject: OT: anyone who has tried to contact Rick Walker lately
Date: Tue, 28 Mar 2006 13:11:55 -0800
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It has just come to my attention that I may have lost a lot of
emails over the past few weeks because apparently
I was not recieving mail at my

rickwalker(at)looppool(dot)info address


it didn't affect the emails sent to

looppool(at)cruzio(dot)com


If you sent me something in the past few weeks to that address from this 
list or privately,
would you please resend it.     A whole bunch of emails disappeared into the 
ether.

Thanks,    and my apologies for the lack of communication.

Rick 

From Loopers-Delight-request@loopers-delight.com  Tue Mar 28 21:19:52 2006
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Subject: Re: power is nothing without control (was Re: Filter-Looper Swapping)
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> I was referring to the poor facts I am discovering during the last days, 

> seeing how many sw/hw producers are softly sitting on really cheap solutions 

> ( like using the mackie control protocol) instead of uptodate open midi structures. 


I agree. FWIW, RME have made details of totalmix ( including source code 
) available to anyone who has C++ chops in the past.  There was an 
external which ran totalmix from MaxMSP in OS9, but it has disappeared 
in OSX. These days, I think you would have more luck trying to reverse 
engineer the HUI protocol. There are some things floating around, but 
the Mackie protocol, as you say, is not all that great a shake in any case.

These guys have pretty cool gear

http://www.soundsculpture.com/products/default.htm

Pricey, but they certainly have a niche, and it's not quite as pricey as 
programming it yourself on Eventide gear.

:)

-A



From Loopers-Delight-request@loopers-delight.com  Tue Mar 28 21:21:22 2006
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To: <Loopers-Delight@loopers-delight.com>
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Subject: Re: power is nothing without control (was Re: Filter-Looper Swapping)
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Hi Jeff - I am a fervant fan of Cycling '74. I have Pluggo, which has some 
amazing tone mangling and standard VST effects, and I plan to buy Hipno 
soon, which will allow me to morph my effects and parameters with a wave of 
my had over a motion sensor webcam.

Now I am intrigued by  Max/MSP.  The routing seems great, and sort of 
reminds me of what I can do in EnergyXT, my VST host program. Now, what I am 
more curious about it what type of looping you can do with it. What looping 
tricks can you do? Can you do things like Multiply, Reverse, half-speed, 
double-speed, overdub, next loop, etc (sorry for the EDP terminology).

Kris


hi luca,

I don't want to be redundant with our private emails: but I thought it
worth repeating for the list.....This is one of the reasons I went with
Max/MSP....big time flexibility of routing. Inside the max/MSP
environment you can freely route/reroute audio paths/controller paths
all over the place, making it perfect for hybrid rigs of laptop and
other hardware, or pure software. And so many of the guys onboard
Cycling 74 (I think all of them) are musicians....at least the ones I
know personally: Andrew Pask, Gregory Taylor, Ben Nevile.
best regards,
Jeff



Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com • AngryVegan.com

On Mar 28, 2006, at 11:40 AM, Luca Formentini wrote:

> even if I am really surprised by music industry underconsideration 
> conceirning control capabilities, I have been analyzing audio converters' 
> internal audio routing/splitting/mixing capabilities for 2 years now.
> I use switchblades since many years but, given the growing availability of 
> digital connections on processing hw and the shift from just hardware to 
> mixed setups composed by hw and sw, I think that audio interfaces offer a 
> convenient solution to do this kind of complex audio spaghetti.
> The problem resides in the midi implementation offered by their 
> manufacturers. None of them ( Rme said that officially and Motu by the 
> mouth of their italian importer) care about making this objects flexible 
> hearts for evoluted signal routing.
> The most stupid thing is that they all have what they need, it's just a 
> matter of control so, like a famous italian commercial says "power is 
> nothing without control".
> It's a shame, once again it looks like there are no musicians in the 
> manifacturers' teams.
> best,
> luca
> www.unguitar.com


From Loopers-Delight-request@loopers-delight.com  Tue Mar 28 21:25:00 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: power is nothing without control (was Re: Filter-Looper Swapping)
Date: Tue, 28 Mar 2006 13:24:57 -0800
To: Loopers-Delight@loopers-delight.com
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Yup, I agree, it is a bummer about the control protocol....there has=20
got to be a way to get around that to route midi to CueMix or totalmix=20=

somehow, I just haven't tried, maybe that will be a weekend=20
project....or summer project....
best,

Jeff

Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com =95 AngryVegan.com

On Mar 28, 2006, at 1:04 PM, Luca Formentini wrote:

> Hi Jeff,
> I am absolutely in tune with you and I'm sorry if I've been unclear.
> I was referring to the poor facts I am discovering during the last=20
> days, seeing how many sw/hw producers are softly sitting on really=20
> cheap solutions ( like using the mackie control protocol) instead of=20=

> uptodate open midi structures.
> max/MSP is a great sw and will be the first I will try to install (=20
> the others on the list are audiomulch and reaktor) on my sw looping=20
> setup but I was referring to the converter's native sw mixer (see=20
> Rme's totalmix and Motu's one).
> If they just tried to make one step more we would have wonderful power=20=

> available in many audio cards, residing in their internal sw.
> I get crazy when m.i. producers stop their development just one step=20=

> before the available potential.
> Thanks again for your kind care,
> best,
> Luca
>
> Jeff Kaiser wrote:
>
>> hi luca,
>>
>> I don't want to be redundant with our private emails: but I thought=20=

>> it worth repeating for the list.....This is one of the reasons I went=20=

>> with Max/MSP....big time flexibility of routing. Inside the max/MSP=20=

>> environment you can freely route/reroute audio paths/controller paths=20=

>> all over the place, making it perfect for hybrid rigs of laptop and=20=

>> other hardware, or pure software. And so many of the guys onboard=20
>> Cycling 74 (I think all of them) are musicians....at least the ones I=20=

>> know personally: Andrew Pask, Gregory Taylor, Ben Nevile.
>> best regards,
>> Jeff
>>
>>
>>
>> Jeff Kaiser
>> http://www.jeffkaisermusic.com
>> pfMENTUM.com =95 AngryVegan.com
>>
>> On Mar 28, 2006, at 11:40 AM, Luca Formentini wrote:
>>
>>> even if I am really surprised by music industry underconsideration=20=

>>> conceirning control capabilities, I have been analyzing audio=20
>>> converters' internal audio routing/splitting/mixing capabilities for=20=

>>> 2 years now.
>>> I use switchblades since many years but, given the growing=20
>>> availability of digital connections on processing hw and the shift=20=

>>> from just hardware to mixed setups composed by hw and sw, I think=20
>>> that audio interfaces offer a convenient solution to do this kind of=20=

>>> complex audio spaghetti.
>>> The problem resides in the midi implementation offered by their=20
>>> manufacturers. None of them ( Rme said that officially and Motu by=20=

>>> the mouth of their italian importer) care about making this objects=20=

>>> flexible hearts for evoluted signal routing.
>>> The most stupid thing is that they all have what they need, it's=20
>>> just a matter of control so, like a famous italian commercial says=20=

>>> "power is nothing without control".
>>> It's a shame, once again it looks like there are no musicians in the=20=

>>> manifacturers' teams.
>>> best,
>>> luca
>>> www.unguitar.com
>>
>>
>> .
>>
>

From Loopers-Delight-request@loopers-delight.com  Tue Mar 28 21:37:06 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: power is nothing without control (was Re: Filter-Looper Swapping)
Date: Tue, 28 Mar 2006 13:37:03 -0800
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RE: Looping: I have no idea what "multiply" is, but everything else and=20=

more....yes. I will show you in Boise. We can hang with Rick Walker and=20=

go over this stuff. I am currently using a looper that is set-up a=20
little differently, maybe I will have my new one ready by then....

The VST object, as I said, allows you to host VST plugins....you can=20
arrange these as you want, BUT the cool thing is to intermix with your=20=

own manglers/creations. Not being a programmer, I thought I would never=20=

get into, but I have...it is fun.

BTW, I was privvy to a private demo of hipno stuff with the=20
webcam.....very hip stuff! Especially cool after a couple of Choir Boys=20=

(2 oz grey goose over ice, splash of soda, twist of lime)...frequency=20
specific granulation....d00000d....


Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com =95 AngryVegan.com
On Mar 28, 2006, at 1:21 PM, Kris Hartung wrote:

> Hi Jeff - I am a fervant fan of Cycling '74. I have Pluggo, which has=20=

> some amazing tone mangling and standard VST effects, and I plan to buy=20=

> Hipno soon, which will allow me to morph my effects and parameters=20
> with a wave of my had over a motion sensor webcam.
>
> Now I am intrigued by  Max/MSP.  The routing seems great, and sort of=20=

> reminds me of what I can do in EnergyXT, my VST host program. Now,=20
> what I am more curious about it what type of looping you can do with=20=

> it. What looping tricks can you do? Can you do things like Multiply,=20=

> Reverse, half-speed, double-speed, overdub, next loop, etc (sorry for=20=

> the EDP terminology).
>
> Kris
>
>
> hi luca,
>
> I don't want to be redundant with our private emails: but I thought it
> worth repeating for the list.....This is one of the reasons I went =
with
> Max/MSP....big time flexibility of routing. Inside the max/MSP
> environment you can freely route/reroute audio paths/controller paths
> all over the place, making it perfect for hybrid rigs of laptop and
> other hardware, or pure software. And so many of the guys onboard
> Cycling 74 (I think all of them) are musicians....at least the ones I
> know personally: Andrew Pask, Gregory Taylor, Ben Nevile.
> best regards,
> Jeff
>
>
>
> Jeff Kaiser
> http://www.jeffkaisermusic.com
> pfMENTUM.com =95 AngryVegan.com
>
> On Mar 28, 2006, at 11:40 AM, Luca Formentini wrote:
>
>> even if I am really surprised by music industry underconsideration=20
>> conceirning control capabilities, I have been analyzing audio=20
>> converters' internal audio routing/splitting/mixing capabilities for=20=

>> 2 years now.
>> I use switchblades since many years but, given the growing=20
>> availability of digital connections on processing hw and the shift=20
>> from just hardware to mixed setups composed by hw and sw, I think=20
>> that audio interfaces offer a convenient solution to do this kind of=20=

>> complex audio spaghetti.
>> The problem resides in the midi implementation offered by their=20
>> manufacturers. None of them ( Rme said that officially and Motu by=20
>> the mouth of their italian importer) care about making this objects=20=

>> flexible hearts for evoluted signal routing.
>> The most stupid thing is that they all have what they need, it's just=20=

>> a matter of control so, like a famous italian commercial says "power=20=

>> is nothing without control".
>> It's a shame, once again it looks like there are no musicians in the=20=

>> manifacturers' teams.
>> best,
>> luca
>> www.unguitar.com
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Mar 28 21:44:34 2006
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Subject: Re: power is nothing without control (was Re: Filter-Looper Swapping)
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Dears,
Just consider one thing about mackie protocol:
assume you want to move fader n. 9 ? you have to switch a "channel bank 
up" button and so the faders go to channels 9 to 16.
There you are in one row of faders, let's think they are the input faders.
Want to move to output ones ?
Switch "down" somewhere and you go down...
Ice on the cake ?
You know how they discern from the channel fader ? with midi channels ! 
smart, no ?

Wouldn't it be more simple if any channel could have their own note or 
controller or whatever or maybe, seing that we are in 2006, a simple 
midi learn ?

the mighty mackie protocol: http://members.aol.com/mhigrules/MCMap.htm

crazy.

About Switchblade: It is an awesome piece of gear, but why we should 
collect latency and ad/da convertions when we can have one ad, make all 
the processing routing via digital (using spdif/optical/aes-ebu/fw) and 
have the last da at the end ? (assuming we're not using pedals in the 
routing).
.
best,
luca

From Loopers-Delight-request@loopers-delight.com  Tue Mar 28 21:50:19 2006
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Date: Tue, 28 Mar 2006 13:50:18 -0800 (PST)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: First of possibly many stupid questions
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What Kim said.  I can answer questions about the
Repeater and there are lots of people here who can
answer questions about their loopers, but the RC-50
and all the other loopers that don't really exist yet
I can't speak for.  You'll find as much info on the
manufacturer's websites as I know... probably more as
I don't care about non stereo loopers so I don't pay
much attention.

--- Todd Howell <ransacker@earthlink.net> wrote:

> Mark
> 
> Indeed, theLooperlative does, from all appearances,
> sound like the new gold standard of looperistical
> bliss. Just wondering about one of the points that
> you made Mark. I know that the RC-20XL has no MIDI
> sync. But as I'm to understand it, the new RC-50 has
> sync, unless I am reading the information wrong. Am
> I not understanding the information as it's
> presented? It appears that it has a built in drum
> machine and clock synching capabilities. Just
> wondering. I am a pretty inexperienced looper and
> may not understand the capabilities correctly. I am
> holding out for an EDP myself, but may be forced
> into considering the RC-50 for monetary
> considerations. Which is correct?
> 
> Respectfully, 
> 
> Todd
> 
> -----Original Message-----
> >From: mark sottilaro <zerocrossing2001@yahoo.com>
> >Sent: Mar 27, 2006 9:45 PM
> >To: Loopers-Delight@loopers-delight.com
> >Subject: Re: First of possibly many stupid
> questions
> >
> >Wow, that's some procrastination.  Didn't the
> JamMan
> >hit in the early 90s?  The good news is that
> there's
> >more choice than ever for a looper.
> >
> >I've found that in a line level situation both the
> EDP
> >and Repeater have excellent tone, though if you
> have
> >the wrong gain stage it's easy to hear Repeater
> noise.
> > I've never experienced it.  Both are fine, but
> very
> >different machines.  I never really dug the EDP,
> yet
> >it's many people's favorite.
> >
> >However, the Looperlative is about to ship and I'm
> >sure in the next week or so this week will be
> flooded
> >with observations.  It brags really high quality
> sound
> >and a feature set that's pretty unique. (8 stereo
> >loops at one time, syncronized or not! and MIDI
> sync)
> >
> >so you may want to keep procrastinating for a
> little
> >while longer and Give some more thought to what you
> >want to do with your looper.  I've heard that even
> the
> >RC-20 and 50 sound great, they're just more limited
> >and without MIDI sync.
> >
> >
> >
> >--- Richard Sales <richard@glasswing.com> wrote:
> >
> >> I've never done looping but have done a large ton
> of
> >> music for a very 
> >> long time.  It's how I make my living.
> >> 
> >> I've been considering getting into looping live
> >> guitar (Michael HEdges 
> >> style) since the Jam Man first came out and have
> >> procrastinated .  But 
> >> the time is upon me!  So... I want to get a good
> one
> >> with very high 
> >> quality audio... and have considered the Gibson
> >> Echoplex or, if they 
> >> ever get it back out, the Electrix Repeater. 
> There
> >> are a bunch of 
> >> earlier Gibson Eplexes on ebay, but they are the
> >> earlier versions.  So, 
> >> question is, are the new ones any better than the
> >> old?  Sonically?  
> >> Reliability wise?  Memory?
> >> 
> >> ALso I've heard the footswitches for the Gibson
> are
> >> light duty.  Is 
> >> true?
> >> 
> >> I'm going to use it for very high end acoustic
> >> guitars with K&K 
> >> Powermix Trinity pickups (deadly beautiful) and a
> >> resonator with a 
> >> Schatten in it (also killer).  So the sound
> quality
> >> is critical.  I've 
> >> heard the Repeater's sound is not as good as the
> >> Gibson.  I'll probably 
> >> also use it in my studio.
> >> 
> >> I'm not real interested in MIDI implementation or
> >> tweaking sounds (I 
> >> don't think).  I have stuff that will do that in
> my
> >> studio already.
> >> 
> >> Am I looking in the right place?  Are these
> answers
> >> more easily found 
> >> elsewhere?  I've scoured the loopers delight web
> >> site and while the 
> >> answers are almost there, I still need more data.
> >> 
> >> thanks for your patience
> >> 
> >> richard sales
> >> glassWing farm and studio
> >> vancouver island, b.c.
> >> 800.545.6846
> >> 250.752.4816
> >> www.glassWing.com
> >> www.richardsales.com
> >> www.hayleysales.com
> >> www.blueberryfieldsfarm.com
> >
> >
> >__________________________________________________
> >Do You Yahoo!?
> >Tired of spam?  Yahoo! Mail has the best spam
> protection around 
> >http://mail.yahoo.com 
> >
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

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From: Per Boysen <perboysen@gmail.com>
Subject: Re: power is nothing without control (was Re: Filter-Looper Swapping)
Date: Tue, 28 Mar 2006 23:50:59 +0200
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> On Mar 28, 2006, at 11:40 AM, Luca Formentini wrote:
>>
>> The problem resides in the midi implementation offered by their  
>> manufacturers. None of them ( Rme said that officially and Motu by  
>> the mouth of their italian importer) care about making this  
>> objects flexible hearts for evoluted signal routing.
>> The most stupid thing is that they all have what they need, it's  
>> just a matter of control so, like a famous italian commercial says  
>> "power is nothing without control".
>> It's a shame, once again it looks like there are no musicians in  
>> the manifacturers' teams.

Here's another two cent:
The market is more about business than about art, that's just the way  
it is. I'm sure all the musicians working with those companies do  
speak out, but the truth is that their wishes are not not targeted  
towards a prosperous market, business-wise. On the other hand there  
is MAX/msp that has been in use for 16, something, years for the  
purpose of controlling audio, light and whatever used in a artistic  
performance. I'm no MAX wiz myself, but as far as I have understood  
you pretty much have to design your own patch to get looping with it.  
The fact that has been keeping me away from getting into MAX is that  
every user I know is so very interested in PROGRAMMING IN MAX! ;-))   
That's not my interest, I just want to mace music right away. And  
that's why I stick to Mobius these days. It's being developed at a  
very high speed and there is a growing user community of musicians  
that are not very interested in programming - just like me ;-)) So I  
don't feel alone when asking for "easy, powerful and intuitive"  
solutions. And yet, the thing is fully scriptable so if you should  
catch interest in programming some obscure looping functionality,  
just for the sake of experimenting, you are free to go ahead and do  
it right away.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast? 
id=128679560&s=143456




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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: power is nothing without control (was Re: Filter-Looper Swapping)
Date: Tue, 28 Mar 2006 13:51:48 -0800
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BTW, you could just run mobius as a VST inside of max, which is I=20
imagine what you do with your other VST hosts?



Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com =95 AngryVegan.com
On Mar 28, 2006, at 1:21 PM, Kris Hartung wrote:

> Can you do things like Multiply, Reverse, half-speed, double-speed,=20
> overdub, next loop, etc (sorry for the EDP terminology).=

From Loopers-Delight-request@loopers-delight.com  Tue Mar 28 21:53:51 2006
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From: =?utf-8?Q?tEd_=C2=AE_kiLLiAn?= <tedkillian@charter.net>
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Subject: RE: THE END OF THE WORLD AS WE KNOW IT
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All I can figure is that it must be some unexpected result of CD Baby's
Digital Distribution connections. I signed on very early on to the program
and they really got their tentacles out there.

Not that it has means any increase in sales (Walmart). Heheheh. The only
thinmg that would amaze me further would be to get actally get a SALE
via their site. That'll be the day.=20

tEd =C2=AE kiLLiAn

"Different is not always better, but better is always different"

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=3D2845073
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

---- jj 179 <jj179subs@hotmail.com> wrote:=20
> How the brilliant hell did you manage that?? Amazing. I'm putting an albu=
m=20
> out this summer and have been eagerly reading all of the emails about=20
> promotion, distribution, etc - but yours obviously tops them all. Wal-Mar=
t=20
> ?? Wow. Hats off to you.
>=20
> Thanks,
> Jason Joseph
> www.palingenesia.net
>=20
>=20
> >From: tEd =C3=82=C2=AE kiLLiAn <tedkillian@charter.net>
> >Reply-To: Loopers-Delight@loopers-delight.com
> >To: Loopers-Delight@loopers-delight.com
> >Subject: THE END OF THE WORLD AS WE KNOW IT
> >Date: Mon, 27 Mar 2006 14:40:23 -0800
> >
> >Jeez-0-pizza
> >
> >This is really messing with my mind. I just found out that my CD, "Flux=
=20
> >Aeterna" is available as a download from Walmart. What's the world comin=
g=20
> >to?
> >
> >See:=20
> ><http://musicdownloads.walmart.com/catalog/servlet/ArtistServlet;jsessio=
nid=3DC52sQtkBzAGMrugxjou8L1CXWqZUNynWnw7VikXVeN2V2l6PZHh5!1011597260?id=3D=
41845>
> >
> >Talk about an evil empire. I think they may already have won.
> >
> >tEd =C3=82=C2=AE kiLLiAn
> >
> >"Different is not always better, but better is always different"
> >
> >http://www.pfmentum.com/flux.html
> >http://www.CDbaby.com/cd/tedkillian
> >http://www.guitar9.com/fluxaeterna.html
> >http://www.garageband.com/artist/ArsOcarina
> >http://www.towerrecords.com/product.aspx?pfid=3D2845073
> >http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
> >http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
> >http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&=
id=3D121197000042
> >
> >Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
> >BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
> >AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
> >RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
> >and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???
> >
> >---- mark sottilaro <zerocrossing2001@yahoo.com> wrote:
> > > That's great advice for any effects programming.  I
> > > found I used to do all my tweaking alone just
> > > listening to my guitar.  Now, I start there, but more
> > > often than not I program a "B" version of my sound
> > > that's designed to fit in a mix of other instruments.
> > > What sounds thin by its self can often be exactly what
> > > you want when mixed with drums bass and synths.
> > >
> > > --- a k butler <akbutler@tiscali.co.uk> wrote:
> > >
> > > >
> > > > >Speaking of rock gigs, have any of you ever used a
> > > > Vortex in a rock
> > > > >band, live? I find that many oif the patches that
> > > > sound great in the
> > > > >living room just disappear amid the bass and drums.
> > > >
> > > > hi Tim
> > > >
> > > > I didn't have a problem in a rehearsal studio type
> > > > situation,
> > > > but if you mean playing with a "professional" pa
> > > > then I'd
> > > > think about making easy uncomplicated sounds that a
> > > > "sound guy"
> > > > might be able to live with.
> > > >
> > > > Generally the fine details of a patch are always
> > > > going be somewhat
> > > > lost when you blend your guitar with other sounds.
> > > > An echo at low
> > > > volume will tend to disappear completely.
> > > > In any case, what sounds good on solo guitar isn't
> > > > always going to
> > > > work in a band context.
> > > >
> > > > the supplied vortex presets are probably worth
> > > > avoiding
> > > >
> > > > Try going for simpler echoes,
> > > > turn up the echo volume, and turn down the no. of
> > > > repeats.
> > > > Use simpler values for echo divide ( like putting
> > > > them both =3D 2)
> > > >
> > > > ...and plenty of Vortex extreme modulation brought
> > > > in with the pedal :-)
> > > >
> > > > andy butler
> > > > www.andybutler.com mp3 and home of the Vortex
> > > > Database
> > > >
> > > >
> > > >
> > >
> > >
> > > __________________________________________________
> > > Do You Yahoo!?
> > > Tired of spam?  Yahoo! Mail has the best spam protection around
> > > http://mail.yahoo.com
> >
>=20

From Loopers-Delight-request@loopers-delight.com  Tue Mar 28 21:54:48 2006
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To: Loopers-Delight@loopers-delight.com
Subject: Re: power is nothing without control (was Re: Filter-Looper Swapping)
References: <7.0.0.16.0.20060326153446.01e13418@TheNettles.com> <CB478CCA-345C-49AD-8EA5-F2AAD9A07A56@baymoon.com> <44296E4F.5010800@pdq.net> <44299111.8080101@unguitar.com> <49b9463f903085610e46c9f129fb4c5c@pfmentum.com> <07b301c652ad$8e00ba30$35b2ec0f@americas.hpqcorp.net> <ebaa240f809e6ddcc3b617b1aa94233e@pfmentum.com>
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this would be the trick ;-)

Jeff Kaiser wrote:

> BTW, you could just run mobius as a VST inside of max, which is I 
> imagine what you do with your other VST hosts?
>
>
>
> Jeff Kaiser
> http://www.jeffkaisermusic.com
> pfMENTUM.com • AngryVegan.com
> On Mar 28, 2006, at 1:21 PM, Kris Hartung wrote:
>
>> Can you do things like Multiply, Reverse, half-speed, double-speed, 
>> overdub, next loop, etc (sorry for the EDP terminology).
>
>
> .
>

From Loopers-Delight-request@loopers-delight.com  Tue Mar 28 21:59:12 2006
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From: "Kris Hartung" <khartung@cableone.net>
To: <Loopers-Delight@loopers-delight.com>
References: <7.0.0.16.0.20060326153446.01e13418@TheNettles.com> <CB478CCA-345C-49AD-8EA5-F2AAD9A07A56@baymoon.com> <44296E4F.5010800@pdq.net> <44299111.8080101@unguitar.com> <49b9463f903085610e46c9f129fb4c5c@pfmentum.com> <07b301c652ad$8e00ba30$35b2ec0f@americas.hpqcorp.net> <ebaa240f809e6ddcc3b617b1aa94233e@pfmentum.com>
Subject: Re: power is nothing without control (was Re: Filter-Looper Swapping)
Date: Tue, 28 Mar 2006 14:58:54 -0700
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Yes, that is true, at least for EnergyXT, Chainer, and Plogue, which I have.

Kris

----- Original Message ----- 
From: "Jeff Kaiser" <loopersdelight@pfmentum.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, March 28, 2006 2:51 PM
Subject: Re: power is nothing without control (was Re: Filter-Looper 
Swapping)


BTW, you could just run mobius as a VST inside of max, which is I
imagine what you do with your other VST hosts?



Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com • AngryVegan.com
On Mar 28, 2006, at 1:21 PM, Kris Hartung wrote:

> Can you do things like Multiply, Reverse, half-speed, double-speed, 
> overdub, next loop, etc (sorry for the EDP terminology).


From Loopers-Delight-request@loopers-delight.com  Tue Mar 28 22:28:45 2006
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From: Richard Sales <richard@glasswing.com>
Subject: Re: Refining the first of possibly many stupid questions
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--Apple-Mail-6--78542892
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>
> previously you were talking about the Echoplex, Repeater, the Lexicon 
> JamMan - you seem to be jumping all over the place. All of these 
> loopers are very different from each other, and fit well for different 
> applications and types of users. One doesn't replace another. My 
> advice is that you first figure out what you want to do with a looper, 
> and then determine which looper best fits that use.

Thanks Kim!

You obviously know a ton more about this than I do... so I'm grateful 
for your input.

What I want to do is be able to play (solo acoustic guitar) a line or 
figure, have it repeat, and play over it - overdubbing more layers of 
guitar.  I might need to be able to have different length loops.  I can 
do all of this in the studio handily.  It's LIVE I'm looking to use the 
looper for.  So I need reliable foot switching.   But really, compared 
with what you all are talking about I think my needs are VERY simple!

I can sort of do this with my old tape Echoplex, or Effectrons etc, but 
they don't do the auto trim of loops... and they sound funky - which is 
useful for some apps but I need a clean sound first and foremost so I 
can use it on acoustic guitar - not distorted or effected other than 
maybe the Dimension D.  But I would put that or any other effects 
BEFORE the looper.

I know of a guitarist (Michael Hedges) who used a JamMan to do this 
with good results.  But the JamMan was limited in the number of loops 
you could do (I've heard) and it's no longer in production

There are lots of ideas I might use it for - possibly even in the 
context of a band - but that might be a long reach with live drums etc.

Two inputs would be sweet in case i want to run, say, an electric 
guitar into it too... or maybe a resonator guitar.  Now that I come to 
think of it, expanded possible uses are surfacing.

Another feature I might need is the ability to recall old loops.  The 
Looperlative sounds good on this front - I could potentially bring a 
laptop with loops in it and bring them in via ethernet?  This is not 
critical, though, and part of me is drawn to the roll of the dice 
nature of live looping.

The JamMan came out in the nineties?  Duh! The more time I leave behind 
me, the more it seems to run together in the rear view mirror.

But ultimately it's the sound that matters - so I've heard the 
Looperlative has the best sound.  Generally they way I've worked is buy 
what I buy and make it do what I need it to do... and vice versa.  And, 
after 26+ years in the studio business have had pretty good luck with 
that.. with only a few white elephants in the store room.

I'd love to see a comparison chart of the different loopers and what 
they can and can't do.  Does that exist?

But I'll continue to learn what I can.  It sounds like the Looperlative 
is pretty far backordered so I have time to ponder and weigh.

Did this help?  I suspect I WON'T KNOW what I'll want until I start 
doing it... so it makes sense to get the most versatile looper at this 
point so I have options.

Thanks, Kim... and everyone who has so kindly responded to the first of 
my series of very stupid questions

Richard Sales
glassWing studios




> kim
>
>
>
> ______________________________________________________________________
> Kim Flint                     | Looper's Delight
> kflint@loopers-delight.com    | http://www.loopers-delight.com

--Apple-Mail-6--78542892
Content-Transfer-Encoding: 7bit
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	charset=US-ASCII

<excerpt>

previously you were talking about the Echoplex, Repeater, the Lexicon
JamMan - you seem to be jumping all over the place. All of these
loopers are very different from each other, and fit well for different
applications and types of users. One doesn't replace another. My
advice is that you first figure out what you want to do with a looper,
and then determine which looper best fits that use.

</excerpt>

Thanks Kim!


You obviously know a ton more about this than I do... so I'm grateful
for your input.   


What I want to do is be able to play (solo acoustic guitar) a line or
figure, have it repeat, and play over it - overdubbing more layers of
guitar.  I might need to be able to have different length loops.  I
can do all of this in the studio handily.  It's LIVE I'm looking to
use the looper for.  So I need reliable foot switching.   But really,
compared with what you all are talking about I think my needs are VERY
simple!


I can sort of do this with my old tape Echoplex, or Effectrons etc,
but they don't do the auto trim of loops... and they sound funky -
which is useful for some apps but I need a clean sound first and
foremost so I can use it on acoustic guitar - not distorted or
effected other than maybe the Dimension D.  But I would put that or
any other effects BEFORE the looper.


I know of a guitarist (Michael Hedges) who used a JamMan to do this
with good results.  But the JamMan was limited in the number of loops
you could do (I've heard) and it's no longer in production


There are lots of ideas I might use it for - possibly even in the
context of a band - but that might be a long reach with live drums
etc.   


Two inputs would be sweet in case i want to run, say, an electric
guitar into it too... or maybe a resonator guitar.  Now that I come to
think of it, expanded possible uses are surfacing.


Another feature I might need is the ability to recall old loops.  The
Looperlative sounds good on this front - I could potentially bring a
laptop with loops in it and bring them in via ethernet?  This is not
critical, though, and part of me is drawn to the roll of the dice
nature of live looping.  


The JamMan came out in the nineties?  Duh! The more time I leave
behind me, the more it seems to run together in the rear view mirror.


But ultimately it's the sound that matters - so I've heard the
Looperlative has the best sound.  Generally they way I've worked is
buy what I buy and make it do what I need it to do... and vice versa. 
And, after 26+ years in the studio business have had pretty good luck
with that.. with only a few white elephants in the store room.  


I'd love to see a comparison chart of the different loopers and what
they can and can't do.  Does that exist?


But I'll continue to learn what I can.  It sounds like the
Looperlative is pretty far backordered so I have time to ponder and
weigh.  


Did this help?  I suspect I <italic>WON'T KNOW </italic>what I'll want
until I start doing it... so it makes sense to get the most versatile
looper at this point so I have options.  


Thanks, Kim... and everyone who has so kindly responded to the first
of my series of very stupid questions


Richard Sales

glassWing studios





<excerpt>kim




______________________________________________________________________

Kim Flint                     | Looper's Delight

kflint@loopers-delight.com    | http://www.loopers-delight.com 

</excerpt>
--Apple-Mail-6--78542892--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 28 22:54:35 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: comparison chart of the different loopers (was: Refining the first of possibly many stupid questions)
Date: Wed, 29 Mar 2006 00:54:31 +0200
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On 29 mar 2006, at 00.28, Richard Sales wrote:

> I'd love to see a comparison chart of the different loopers and  
> what they can and can't do.  Does that exist?

I recently did one, but unfortunately in Swedish because it was  
ordered by a Swedish guitar magazine. However, we're not publishing  
until I can get the RC-50 as well into the chart and article, and  
then we're talking late may. If I can find the time I would like to  
translate at least the chart into English and put it online asap. If  
that happens I will notify the list, of course. Fact is I wouldn't  
mind some helpful feedback as well ;-)  It's too easy to miss out on  
details that might be more important for other users. And since there  
is not enough room in one chart to list every feature of every  
looper, the real challenge is to decide what to leave out.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast? 
id=128679560&s=143456




From Loopers-Delight-request@loopers-delight.com  Wed Mar 29 00:11:47 2006
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Date: Tue, 28 Mar 2006 19:19:41 -0500
From: "David Kirkdorffer" <vze2ncsr@verizon.net>
Subject: Re: comparison chart of the different loopers (was: Refining the first
 of possibly many stupid questions)
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Perhaps the magazine can reproduce part of the chart and then drive readers
to its website for the all-inclusive in-depth everything-you-want-to-know
version?


----- Original Message ----- 
From: "Per Boysen" <perboysen@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, March 28, 2006 5:54 PM
Subject: comparison chart of the different loopers (was: Refining the first
of possibly many stupid questions)


> On 29 mar 2006, at 00.28, Richard Sales wrote:
>
> > I'd love to see a comparison chart of the different loopers and
> > what they can and can't do.  Does that exist?
>
> I recently did one, but unfortunately in Swedish because it was
> ordered by a Swedish guitar magazine. However, we're not publishing
> until I can get the RC-50 as well into the chart and article, and
> then we're talking late may. If I can find the time I would like to
> translate at least the chart into English and put it online asap. If
> that happens I will notify the list, of course. Fact is I wouldn't
> mind some helpful feedback as well ;-)  It's too easy to miss out on
> details that might be more important for other users. And since there
> is not enough room in one chart to list every feature of every
> looper, the real challenge is to decide what to leave out.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?
> id=128679560&s=143456
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Mar 29 01:21:35 2006
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Very cool, Steve!!

Who is the tuba player?  Can you say?



burnett@pobox.com wrote:

> Raw work in progress on an as-yet-unnamed project that I thought I'd 
> share: I'm working with a tuba player, live looping and effects 
> processing the loops I'm capturing from a mic inside the bell of his 
> tuba. This is not finished, we're still exploring the range of sounds 
> we can get from a tuba with and without processing.
>
> http://www.subscapeannex.com/tuba/tuba_1_26mar2006-mp3.mp3
>
> http://www.subscapeannex.com/tuba/tuba_2_26mar2006-mp3.mp3
>
> http://www.subscapeannex.com/tuba/tuba_3_26mar2006-mp3.mp3
>
> Ok, gear babble:
>
> In summary, I have one looper device at the top of the signal chain, 
> then lots of effects, then three loopers at the end of the signal 
> chain. Sometimes capturing at the top then processing and passing it 
> to an end-of-chain looper, sometimes tweaking the processing and 
> capturing in an end looper.
>
> * mic'd tuba >
>     (instrument)
> * Akai Headrush E1 >
>     (upstream looper)
> * Z-Vex Seek Wah > Z-Vex Ooh Wah > Z-Vex Seek Trem > Moogerfooger 
> lowpass filter > MF ring mod > MF phaser > MF MuRF > MF Bass MuRF > MF 
> analog delay (104) > MF analog delay (104SD) > H&K Replex >
>     (effects block)
> * E-H 16 sec digital delay reissue > Digitech Jamman > Boss RC-20 
> (non-XL) >
>     (three downstream loopers)
> amp
>     (duh :) )
>
> What's not captured in the above samples is his live playing and 
> soloing over the looped and processed samples.
>
> later,
> Steve B
> http://www.subscapeannex.com/about_steve.html
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Mar 29 02:33:20 2006
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
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Subject: AW: First of possibly many stupid questions
Date: Tue, 28 Mar 2006 23:16:57 +0200
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Kim wrote:

> doesn't replace another. My advice is that you first figure 
> out what you want to do with a looper, and then determine 
> which looper best fits that use.

I care to disagree here. My advice would be to get a relatively cheap looper
(or to borrow one from a friend) and figure out what you like and don't like
about it and which features you find it lacks. Then go for the real thing.

	Rainer

From Loopers-Delight-request@loopers-delight.com  Wed Mar 29 02:33:40 2006
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From: "Timothy Mungenast" <mungenast@earthlink.net>
To: Loopers-Delight@loopers-delight.com
Subject: RE: THE END OF THE WORLD AS WE KNOW IT
Date: Tue, 28 Mar 2006 21:37:19 -0500
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Ted sez:
"The only thing that would amaze me further would be to get actally get a
SALE via their site. That'll be the day."

Tim sez:
Oh listen to Mister Negative! I'll have you know that I sold a staggering 4
discs in only 3 short years via cdbaby! (maniacal knee-slapping one-man
laughter ensues, followed by Tim's ashen-faced thanaopsis ;-)

Wishing You All Sonic Goodness,
Tim
www.myspace.com/timmungenast
www.mungenast.com
www.cdbaby.com/all/timgoat


> [Original Message]
> From: tEd Â® kiLLiAn <tedkillian@charter.net>
> To: <Loopers-Delight@loopers-delight.com>
> Date: 3/28/2006 4:53:51 PM
> Subject: RE: THE END OF THE WORLD AS WE KNOW IT
>
> All I can figure is that it must be some unexpected result of CD Baby's
> Digital Distribution connections. I signed on very early on to the program
> and they really got their tentacles out there.
>
> Not that it has means any increase in sales (Walmart). Heheheh. The only
> thinmg that would amaze me further would be to get actally get a SALE
> via their site. That'll be the day. 
>
> tEd Â® kiLLiAn
>
> "Different is not always better, but better is always different"
>
> http://www.pfmentum.com/flux.html
> http://www.CDbaby.com/cd/tedkillian
> http://www.guitar9.com/fluxaeterna.html
> http://www.garageband.com/artist/ArsOcarina
> http://www.towerrecords.com/product.aspx?pfid=2845073
> http://www.netmusic.com/web/album.aspx?a_id=CBNM_17314
> http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=193
>
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=view_profile&id=121
197000042
>
> Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
> BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
> AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
> RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
> and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???
>
> ---- jj 179 <jj179subs@hotmail.com> wrote: 
> > How the brilliant hell did you manage that?? Amazing. I'm putting an
album 
> > out this summer and have been eagerly reading all of the emails about 
> > promotion, distribution, etc - but yours obviously tops them all.
Wal-Mart 
> > ?? Wow. Hats off to you.
> > 
> > Thanks,
> > Jason Joseph
> > www.palingenesia.net
> > 
> > 
> > >From: tEd Ã‚Â® kiLLiAn <tedkillian@charter.net>
> > >Reply-To: Loopers-Delight@loopers-delight.com
> > >To: Loopers-Delight@loopers-delight.com
> > >Subject: THE END OF THE WORLD AS WE KNOW IT
> > >Date: Mon, 27 Mar 2006 14:40:23 -0800
> > >
> > >Jeez-0-pizza
> > >
> > >This is really messing with my mind. I just found out that my CD,
"Flux 
> > >Aeterna" is available as a download from Walmart. What's the world
coming 
> > >to?
> > >
> > >See: 
> >
><http://musicdownloads.walmart.com/catalog/servlet/ArtistServlet;jsessionid
=C52sQtkBzAGMrugxjou8L1CXWqZUNynWnw7VikXVeN2V2l6PZHh5!1011597260?id=41845>
> > >
> > >Talk about an evil empire. I think they may already have won.
> > >
> > >tEd Ã‚Â® kiLLiAn
> > >
> > >"Different is not always better, but better is always different"
> > >
> > >http://www.pfmentum.com/flux.html
> > >http://www.CDbaby.com/cd/tedkillian
> > >http://www.guitar9.com/fluxaeterna.html
> > >http://www.garageband.com/artist/ArsOcarina
> > >http://www.towerrecords.com/product.aspx?pfid=2845073
> > >http://www.netmusic.com/web/album.aspx?a_id=CBNM_17314
> > >http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=193
> >
>http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=view_profile&id=12
1197000042
> > >
> > >Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
> > >BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
> > >AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
> > >RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
> > >and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???
> > >
> > >---- mark sottilaro <zerocrossing2001@yahoo.com> wrote:
> > > > That's great advice for any effects programming.  I
> > > > found I used to do all my tweaking alone just
> > > > listening to my guitar.  Now, I start there, but more
> > > > often than not I program a "B" version of my sound
> > > > that's designed to fit in a mix of other instruments.
> > > > What sounds thin by its self can often be exactly what
> > > > you want when mixed with drums bass and synths.
> > > >
> > > > --- a k butler <akbutler@tiscali.co.uk> wrote:
> > > >
> > > > >
> > > > > >Speaking of rock gigs, have any of you ever used a
> > > > > Vortex in a rock
> > > > > >band, live? I find that many oif the patches that
> > > > > sound great in the
> > > > > >living room just disappear amid the bass and drums.
> > > > >
> > > > > hi Tim
> > > > >
> > > > > I didn't have a problem in a rehearsal studio type
> > > > > situation,
> > > > > but if you mean playing with a "professional" pa
> > > > > then I'd
> > > > > think about making easy uncomplicated sounds that a
> > > > > "sound guy"
> > > > > might be able to live with.
> > > > >
> > > > > Generally the fine details of a patch are always
> > > > > going be somewhat
> > > > > lost when you blend your guitar with other sounds.
> > > > > An echo at low
> > > > > volume will tend to disappear completely.
> > > > > In any case, what sounds good on solo guitar isn't
> > > > > always going to
> > > > > work in a band context.
> > > > >
> > > > > the supplied vortex presets are probably worth
> > > > > avoiding
> > > > >
> > > > > Try going for simpler echoes,
> > > > > turn up the echo volume, and turn down the no. of
> > > > > repeats.
> > > > > Use simpler values for echo divide ( like putting
> > > > > them both = 2)
> > > > >
> > > > > ...and plenty of Vortex extreme modulation brought
> > > > > in with the pedal :-)
> > > > >
> > > > > andy butler
> > > > > www.andybutler.com mp3 and home of the Vortex
> > > > > Database
> > > > >
> > > > >
> > > > >
> > > >
> > > >
> > > > __________________________________________________
> > > > Do You Yahoo!?
> > > > Tired of spam?  Yahoo! Mail has the best spam protection around
> > > > http://mail.yahoo.com
> > >
> > 


From Loopers-Delight-request@loopers-delight.com  Wed Mar 29 06:12:53 2006
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On Tue, 28 Mar 2006, Doug Cox wrote:

> Very cool, Steve!!

Thanks! I've noticed stringed instruments as common looping inputs, but 
figured processed tuba was a little less common (although there's a 
talented trumpet looper here, a Brian McCune, who uses an EDP to great 
effect).

Luckily I have a talented tuba player friend with a background in improv 
music. Not having any personal experience with brass instruments, I'm 
amazed at the range of noises he can get out of what I had mistakenly 
considered to be a rather limited palette instrument, before processing 
ever occurs. My mistake, and I'm happy to discover I was wrong on this 
:).

> Who is the tuba player?  Can you say?

A local to me friend of mine, that I'd prefer not to say until I ask him 
how he likes his name tossed out to the Internet :). When we have more 
recording, or a show to announce, I intend to name the other half of this 
duo. More later.

best,
Steve B
http://www.subscapeannex.com/about_steve.html

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From: Per Boysen <perboysen@gmail.com>
Subject: Re: comparison chart of the different loopers (was: Refining the first of possibly many stupid questions)
Date: Wed, 29 Mar 2006 09:21:35 +0200
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Hi David,

Good idea, but I'm afraid that wouldn't work since the magazine is  
only publishing on paper. But I, as the writer, can publish a "pirate  
copy" of the chart without harming any paper issue mag sales. It's on  
my list.

per

On 29 mar 2006, at 02.19, David Kirkdorffer wrote:

> Perhaps the magazine can reproduce part of the chart and then drive  
> readers
> to its website for the all-inclusive in-depth everything-you-want- 
> to-know
> version?
>
>
> ----- Original Message -----
> From: "Per Boysen" <perboysen@gmail.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Tuesday, March 28, 2006 5:54 PM
> Subject: comparison chart of the different loopers (was: Refining  
> the first
> of possibly many stupid questions)
>
>
>> On 29 mar 2006, at 00.28, Richard Sales wrote:
>>
>>> I'd love to see a comparison chart of the different loopers and
>>> what they can and can't do.  Does that exist?
>>
>> I recently did one, but unfortunately in Swedish because it was
>> ordered by a Swedish guitar magazine. However, we're not publishing
>> until I can get the RC-50 as well into the chart and article, and
>> then we're talking late may. If I can find the time I would like to
>> translate at least the chart into English and put it online asap. If
>> that happens I will notify the list, of course. Fact is I wouldn't
>> mind some helpful feedback as well ;-)  It's too easy to miss out on
>> details that might be more important for other users. And since there
>> is not enough room in one chart to list every feature of every
>> looper, the real challenge is to decide what to leave out.
>>
>> Greetings from Sweden
>>
>> Per Boysen
>> www.boysen.se (Swedish)
>> www.looproom.com (international)
>> http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?
>> id=128679560&s=143456

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Date: Tue, 28 Mar 2006 23:30:42 -0800
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From: Kevin <kevin@TheNettles.com>
Subject: Re: comparison chart of the different loopers
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At 11:21 PM 3/28/2006, Per wrote:
>Good idea, but I'm afraid that wouldn't work since the magazine is
>only publishing on paper. But I, as the writer, can publish a "pirate
>copy" of the chart without harming any paper issue mag sales. It's on
>my list.

I don't know how much verbiage there is in the chart, but you could 
run it through a machine translator like:
http://www.google.com/language_tools
to get it mostly translated into English and then tweak it 
(admittedly, "tweak it a lot") so that it makes sense for English speakers.

Cheers,
Kevin

From Loopers-Delight-request@loopers-delight.com  Wed Mar 29 07:48:51 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: tuba loopage example/samples
Date: Wed, 29 Mar 2006 09:48:46 +0200
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On 28 mar 2006, at 18.02, burnett@pobox.com wrote:

> http://www.subscapeannex.com/tuba/tuba_1_26mar2006-mp3.mp3
> http://www.subscapeannex.com/tuba/tuba_2_26mar2006-mp3.mp3
> http://www.subscapeannex.com/tuba/tuba_3_26mar2006-mp3.mp3

That's interesting listening! Thanks for linking it up. (Enjoying the  
music right now)

I have also noticed, in my own recording praxis, that the loop track  
only can often sound good without any direct instrument being heard.  
It can be like "following the footprints of something yet to be  
defined" compared to "see someone take a walk" ;-)

> I've noticed stringed instruments as common looping inputs, but  
> figured processed tuba was a little less common (although there's a  
> talented trumpet looper here, a Brian McCune, who uses an EDP to  
> great effect).

I haven't seen any one yet mentioning http://www.tomheasley.com/.  Tuba!

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast? 
id=128679560&s=143456




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Date: Wed, 29 Mar 2006 00:05:02 -0800 (PST)
From: Tim Nelson <psychle62@yahoo.com>
Subject: RE: THE END OF THE WORLD AS WE KNOW IT
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--- Timothy Mungenast <mungenast@earthlink.net> wrote:

> I'll have you know that I sold a staggering 4
> discs in only 3 short years via cdbaby!

Wow, I represent a full 25% of your market segment?

I just sent two titles to CDBaby yesterday; soon my
sig file will look just like Ted's. ;P

-t-

<http://www.myspace.com/nimbletunes>
<http://www.ct-collective.com/>

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Wed Mar 29 08:06:42 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: tuba loopage example/samples
Date: Wed, 29 Mar 2006 00:06:40 -0800
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I did some gigs a few years back with him, quite an excellent player! I=20=

think Ted Killian might've as well....?


Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com =95 AngryVegan.com

On Mar 28, 2006, at 11:48 PM, Per Boysen wrote:

> I haven't seen any one yet mentioning http://www.tomheasley.com/. =20
> Tuba!=

From Loopers-Delight-request@loopers-delight.com  Wed Mar 29 08:11:33 2006
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It would be easier if we all put something like this:

Ted Killian
Guitarist
http://tinyurl.com/o39gx


That way you could get it down to around 385 lines, all in one....

:-)

Ted, you know I LOVE you!

Jeff


Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com =95 AngryVegan.com

On Mar 29, 2006, at 12:05 AM, Tim Nelson wrote:

> I just sent two titles to CDBaby yesterday; soon my
> sig file will look just like Ted's. ;P=

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On 3/28/06, Per Boysen <perboysen@gmail.com> wrote:
> On 29 mar 2006, at 00.28, Richard Sales wrote:

> Fact is I wouldn't
> mind some helpful feedback as well

Into which orifice should we plug our pedals, and do you accept CV or MIDI?=
 :-)

From Loopers-Delight-request@loopers-delight.com  Wed Mar 29 09:47:12 2006
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yeah, i think spending some time experimenting with looping on a basic 
machine in definitely worth while. you'll learn very quickly if the looping 
process suits your music.



>From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: <Loopers-Delight@loopers-delight.com>
>Subject: AW: First of possibly many stupid questions
>Date: Tue, 28 Mar 2006 23:16:57 +0200
>
>Kim wrote:
>
> > doesn't replace another. My advice is that you first figure
> > out what you want to do with a looper, and then determine
> > which looper best fits that use.
>
>I care to disagree here. My advice would be to get a relatively cheap 
>looper
>(or to borrow one from a friend) and figure out what you like and don't 
>like
>about it and which features you find it lacks. Then go for the real thing.
>
>	Rainer
>


From Loopers-Delight-request@loopers-delight.com  Wed Mar 29 11:03:05 2006
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i don't know if i qualify as a professional...;-) but that is a good  
question. yes, i do have a folder on my computer called TOUR TECH  
that contains:

- text 'diagram' of current routing (i.e. preamp send > rptr1 > mixer  
1&2 )
- a list of every routing i've ever used (because i change it every  
tour)
- what worked and what didn't work, notes etc.
- list of all the cables involved (because i always bring spares)
- list of everything i need to bring with me every tour
- patch map for the FCB1010 (again, because i change it all the time)  
looks like BANK 00 > 05 > record (pc04) + feedback (cc11=90)
- pdf manuals for every piece of gear (especially the midi table for  
the repeater)
- tech rider for the soundman in case they don't have it


On Mar 28, 2006, at 12:39 AM, Todd Pafford wrote:

> Wow, and this just weeks after I said I didn't want you frying  
> yourself on the wiring in your new apartment.  I think this is some  
> sort of message from the universe...or something.  :)
>
> This brings up a question, though, that I've been thinking about  
> for a while.  Do you professional types keep notebooks, diagrams,  
> etc. of your gear settings, routing, etc.?  Take the FCB or  
> example; were you able to quickly reprogram based on notes of how  
> you had it set up, or did you have to re-figure it from scratch?  
> I've been thinking of putting together such a notebook myself, but  
> haven't gotten around to it.
>
> Anyway, glad to hear you and the repeaters survived.
> Todd
>

From Loopers-Delight-request@loopers-delight.com  Wed Mar 29 11:17:02 2006
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On 3/28/06, Jeff Kaiser <loopersdelight@pfmentum.com> wrote:

> I don't want to be redundant with our private emails: but I thought it
> worth repeating for the list.....This is one of the reasons I went with
> Max/MSP....big time flexibility of routing. Inside the max/MSP
> environment you can freely route/reroute audio paths/controller paths
> all over the place, making it perfect for hybrid rigs of laptop and
> other hardware, or pure software.

But no AU support on OSX. The spec looks wonderful, but that's a
show-stopper for me, I don't understand why there's no AU support.

From Loopers-Delight-request@loopers-delight.com  Wed Mar 29 11:37:11 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: power is nothing without control (was Re: Filter-Looper Swapping)
Date: Wed, 29 Mar 2006 03:37:06 -0800
To: Loopers-Delight@loopers-delight.com
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I agree that it is a bummer and would be good. I would like that and=20
have requested it, as I have others have as well.

Hopefully it is a feature that will be added.



Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com =95 AngryVegan.com
On Mar 29, 2006, at 3:17 AM, David Morton wrote:

> On 3/28/06, Jeff Kaiser <loopersdelight@pfmentum.com> wrote:
>
>> I don't want to be redundant with our private emails: but I thought =
it
>> worth repeating for the list.....This is one of the reasons I went=20
>> with
>> Max/MSP....big time flexibility of routing. Inside the max/MSP
>> environment you can freely route/reroute audio paths/controller paths
>> all over the place, making it perfect for hybrid rigs of laptop and
>> other hardware, or pure software.
>
> But no AU support on OSX. The spec looks wonderful, but that's a
> show-stopper for me, I don't understand why there's no AU support.
>

From Loopers-Delight-request@loopers-delight.com  Wed Mar 29 11:43:55 2006
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>The fact that has been keeping me away from getting into MAX is that
>every user I know is so very interested in PROGRAMMING IN MAX! ;-))

hey, they just want you to think that they are clever people who can program!

MAX is modular, AFAIK most users just link up a few pre-existing modules.

andy 

From Loopers-Delight-request@loopers-delight.com  Wed Mar 29 11:49:24 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Speaking of the FANTASTIC Ted Killian.....
Date: Wed, 29 Mar 2006 03:49:21 -0800
To: Loopers-Delight@loopers-delight.com
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For those of you in the Southern California area:

Ted Killian will be one of the featured artists on May 6 at the Ventura=20=

New Music Festival at the lovely Ventura City Hall.

http://www.vnmf.com/

Besides being one of the nicest people on the planet and a truly gifted=20=

visual artist, Ted is a fantastic electric guitarist.  He will be=20
featured in our "First Meeting" show with another looper, Bill=20
Harrington. Bill (who uses Radial) and Ted have never played together=20
before, and have never even met. There first meeting/playing will be at=20=

the show that day.

Also featured that day: Wayne Peet Trio (with Nels Cline), Steuart=20
Liebig and The Mentones, Choir Boys Quintet and more...

Just thought I'd pass it along during a bout of insomnia...


Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com =95 AngryVegan.com=

From Loopers-Delight-request@loopers-delight.com  Wed Mar 29 12:02:41 2006
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From: Jeff Kaiser <loopersdelight@pfmentum.com>
Subject: Re: power is nothing without control (was Re: Filter-Looper Swapping)
Date: Wed, 29 Mar 2006 04:02:37 -0800
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I am certainly not a programmer. (I have no background in writing=20
software or experience other than trying some BASIC back in the=20
Commodore 64 days.) I grab pieces of things here and there, and then=20
re-piece them together in ways I like. For example: The one thing I=20
really missed was my Alesis Bitrman. So I sat down and grabbed pieces=20
of max patches that did what the Bitrman did, and re-assembled them in=20=

a way that gave me what I wanted and missed, plus a few personal=20
touches that went beyond the Bitrman.

I shouldn't say I "wrote" my patch....collected and organized would be=20=

more honest....and it is fun.

The max/MSP list is full of real programmers, I lurk there and am=20
amazed....Met some of those folks at the Sparks Festival in=20
Minneapolis. Now some of them can PROGRAM.....But for myself and=20
others, we collect and piece together....



Jeff Kaiser
http://www.jeffkaisermusic.com
pfMENTUM.com =95 AngryVegan.com


On Mar 29, 2006, at 3:41 AM, a k butler wrote:
> hey, they just want you to think that they are clever people who can=20=

> program!
>
> MAX is modular, AFAIK most users just link up a few pre-existing=20
> modules.
>
> andy

From Loopers-Delight-request@loopers-delight.com  Wed Mar 29 12:37:07 2006
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From: monk <monk@fuse.net>
Subject: repeater zippering sound
Date: Wed, 29 Mar 2006 07:36:54 -0500
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has anyone used midi CC changes with the repeater and noticed  
"zippering" sounds when sending midi messages? is there a workaround?

i'm using a peavey pc-1600 and a doepfer regelwerk.


ta.



From Loopers-Delight-request@loopers-delight.com  Wed Mar 29 13:23:23 2006
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On Wed, 29 Mar 2006, Per Boysen wrote:

> On 28 mar 2006, at 18.02, burnett@pobox.com wrote:
>
>> http://www.subscapeannex.com/tuba/tuba_1_26mar2006-mp3.mp3
>> http://www.subscapeannex.com/tuba/tuba_2_26mar2006-mp3.mp3
>> http://www.subscapeannex.com/tuba/tuba_3_26mar2006-mp3.mp3
>
> That's interesting listening! Thanks for linking it up. (Enjoying the music 
> right now)

You're welcome.

> I have also noticed, in my own recording praxis, that the loop track only can 
> often sound good without any direct instrument being heard. It can be like 
> "following the footprints of something yet to be defined" compared to "see 
> someone take a walk" ;-)

Good analogy, and good point. Having only the loop track is a current 
artifact of the setup: I don't have a room mic set up, so the samples 
above are lacking the tuba soloing over the loop layers.

>> I've noticed stringed instruments as common looping inputs, but figured 
>> processed tuba was a little less common (although there's a talented 
>> trumpet looper here, a Brian McCune, who uses an EDP to great effect).
>
> I haven't seen any one yet mentioning http://www.tomheasley.com/.  Tuba!

That's because I'd forgotten about him, or I'd have mentioned him in my 
first post. My bad, much obliged for reminding me. Thanks! (Hmm, samples 
on website sound cool. Should buy.)

best,
Steve B

From Loopers-Delight-request@loopers-delight.com  Wed Mar 29 14:10:10 2006
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From: Warren Sirota <wsirota@wsdesigns.com>
Subject: RE: tuba loopage example/samples
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I dig it - I never heard a tuba sound quite like that before.

Best wishes,
Warren Sirota


> -----Original Message-----
> From: burnett@pobox.com [mailto:burnett@pobox.com] 
> Sent: Tuesday, March 28, 2006 11:03 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: tuba loopage example/samples
> 
> 
> Raw work in progress on an as-yet-unnamed project that I thought I'd 
> share: I'm working with a tuba player, live looping and effects 
> processing the loops I'm capturing from a mic inside the bell of his 
> tuba. This is not finished, we're still exploring the range 
> of sounds we 
> can get from a tuba with and without processing.
> 
> http://www.subscapeannex.com/tuba/tuba_1_26mar2006-mp3.mp3
> 
> http://www.subscapeannex.com/tuba/tuba_2_26mar2006-mp3.mp3
> 
> http://www.subscapeannex.com/tuba/tuba_3_26mar2006-mp3.mp3
> 
> Ok, gear babble:
> 
> In summary, I have one looper device at the top of the signal 
> chain, then 
> lots of effects, then three loopers at the end of the signal chain. 
> Sometimes capturing at the top then processing and passing it to an 
> end-of-chain looper, sometimes tweaking the processing and 
> capturing in an 
> end looper.
> 
> * mic'd tuba >
>  	(instrument)
> * Akai Headrush E1 >
>  	(upstream looper)
> * Z-Vex Seek Wah > Z-Vex Ooh Wah > Z-Vex Seek Trem > 
> Moogerfooger lowpass 
> filter > MF ring mod > MF phaser > MF MuRF > MF Bass MuRF > MF analog 
> delay (104) > MF analog delay (104SD) > H&K Replex >
>  	(effects block)
> * E-H 16 sec digital delay reissue > Digitech Jamman > Boss 
> RC-20 (non-XL) >
>  	(three downstream loopers)
> amp
>  	(duh :) )
> 
> What's not captured in the above samples is his live playing and 
> soloing over the looped and processed samples.
> 
> later,
> Steve B
> http://www.subscapeannex.com/about_steve.html
> 

From Loopers-Delight-request@loopers-delight.com  Wed Mar 29 14:25:00 2006
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ive been playing one in my sleep lately & when i wake up the tips of my fingers are pruned up.im making loops but without hardware...it seems to be a psych~tele~phonic looping interface.i cant wait to get to back to sleep...

		
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<div>ive been playing one in my sleep lately &amp; when i wake up the tips of my fingers are pruned up.im making loops but without hardware...it seems to be a psych~tele~phonic looping interface.i cant wait to get to back to sleep...</div><p>
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From Loopers-Delight-request@loopers-delight.com  Wed Mar 29 14:36:36 2006
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From: "Wavecomputer360" <wavecomputer360@gmx.de>
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Cc: <analogue@hyperreal.org>
Subject: =?iso-8859-1?Q?Gig_spam:_Centrozoon_and_=5B=B4ramp=5D_live_on_April_14=2C?=
	=?iso-8859-1?Q?_2006?=
Date: Wed, 29 Mar 2006 16:30:34 +0200
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Hi folks,

I just wanted to let you know that Centrozoon (Markus Reuter, Bernhard =
Woestheinrich) and [=B4ramp] (Frank Makowski and I) will be playing live =
at Ger=E4uschwelten #29 ("noise worlds") at Cuba, Muenster/Germany on =
April 14, 2006. Centrozoon will be giving their new album "Angel Liquor" =
a premiere, we are planning to perform some deep, drone-based ambient =
music.=20

For more info, please check the following websites:

http://www.geraeuschwelten.de
http://www.cuba-cultur.de
http://www.aufabwegen.com
http://www.doombient.com
http://www.centrozoon.de

The concerts will start around 8 p. m., and admission usually is very =
affordable. So if you happen to be in Germany around hat time, come and =
drop by :-).

Thanks for reading,

Stephen.

=20
_________________________________________________________________________=
_______________

"I come from another planet, baby." (Julian Cope)

It=B4s out: "oughtibridge", the new [=B4ramp] album, recorded live in =
England.

For info and audio, please visit the official [=B4ramp] website at =
www.doombient.com





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	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.2014.210" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial>Hi folks,</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial>I just wanted to let you know that Centrozoon =
(Markus=20
Reuter, Bernhard Woestheinrich) and [=B4ramp] (Frank Makowski and I) =
will be=20
playing live at Ger=E4uschwelten #29 ("noise worlds") at Cuba, =
Muenster/Germany on=20
April 14, 2006. Centrozoon will be giving their new album "Angel Liquor" =
a=20
premiere, we are planning to perform some deep, drone-based ambient =
music.=20
</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial>For more info, please check the following=20
websites:</FONT></DIV>
<DIV><FONT face=3DArial><FONT face=3DArial><FONT=20
face=3DArial></FONT></FONT></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial><FONT face=3DArial><FONT face=3DArial><A=20
href=3D"http://www.geraeuschwelten.de">http://www.geraeuschwelten.de</A><=
BR><A=20
href=3D"http://www.cuba-cultur.de">http://www.cuba-cultur.de</A><BR><A=20
href=3D"http://www.aufabwegen.com">http://www.aufabwegen.com</A></FONT></=
DIV>
<DIV><FONT face=3DArial><A=20
href=3D"http://www.doombient.com">http://www.doombient.com</A></FONT></DI=
V>
<DIV><FONT face=3DArial><A=20
href=3D"http://www.centrozoon.de">http://www.centrozoon.de</A></FONT></DI=
V>
<DIV>&nbsp;</DIV>
<DIV>The concerts will start around 8 p. m., and admission usually is =
very=20
affordable. So if you happen to be in Germany around hat time, come and =
drop by=20
:-).</DIV>
<DIV>&nbsp;</DIV>
<DIV>Thanks for reading,</DIV>
<DIV>&nbsp;</DIV>
<DIV>Stephen.</DIV>
<DIV><FONT face=3DArial><BR>&nbsp;</FONT></FONT></FONT><FONT=20
face=3DArial><BR>________________________________________________________=
________________________________</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial>"I come from another planet, baby." (Julian=20
Cope)</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial>It=B4s out: "oughtibridge", the new [=B4ramp] =
album, recorded=20
live in England.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial>For info and audio, please visit the official =
[=B4ramp]=20
website at <A =
href=3D"http://www.doombient.com">www.doombient.com</A></FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial></FONT>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial></FONT>&nbsp;</DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed Mar 29 14:56:26 2006
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Date: Wed, 29 Mar 2006 09:57:40 -0500
From: Warren Sirota <wsirota@wsdesigns.com>
Subject: RE: NYC gig spam (looping content): LAMBIC @ CBGB Gallery 313 this
 Tuesday 3/28 from 10 to 11 pm
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This sounded great - I'm so sorry I couldn't make it - 10 PM on a weekday is
just pretty hard to do for someone who lives an hour away and works. How'd
it go?

Best wishes,
Warren Sirota

-----Original Message-----
From: Paul Sullivan [mailto:paulsull@gis.net] 
Sent: Monday, March 27, 2006 11:19 PM
To: Loopers-Delight@loopers-delight.com
Subject: NYC gig spam (looping content): LAMBIC @ CBGB Gallery 313 this
Tuesday 3/28 from 10 to 11 pm


Lambic returns to CBGB gallery 313 (right next door to the original CBGB)
this Tuesday, March 28th, at 10pm ...


From Loopers-Delight-request@loopers-delight.com  Wed Mar 29 15:26:10 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: WAS: blowing things up, NOW: diagrams
Date: Wed, 29 Mar 2006 17:25:51 +0200
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That's an important question, Todd. I keep just about the same stuff  
as Zoe, but also MIDI files of my FCB Sysex Dump and my TC Electronic  
FireworX Sysex Dump. I also keep copies of my preferences (the files)  
as well as installation files and notes of serial numbers for the  
software I use, so I can retrieve  "my set-up" on any laptop. These  
back-up files are not only carried on my computer drive, I also bring  
two CD or DVD discs (stored in different bags). I also use to upload  
a back-up zip file on the Internet so I can always get at it.

per


On 29 mar 2006, at 13.03, Zoe Keating wrote:

> i don't know if i qualify as a professional...;-) but that is a  
> good question. yes, i do have a folder on my computer called TOUR  
> TECH that contains:
>
> - text 'diagram' of current routing (i.e. preamp send > rptr1 >  
> mixer 1&2 )
> - a list of every routing i've ever used (because i change it every  
> tour)
> - what worked and what didn't work, notes etc.
> - list of all the cables involved (because i always bring spares)
> - list of everything i need to bring with me every tour
> - patch map for the FCB1010 (again, because i change it all the  
> time) looks like BANK 00 > 05 > record (pc04) + feedback (cc11=90)
> - pdf manuals for every piece of gear (especially the midi table  
> for the repeater)
> - tech rider for the soundman in case they don't have it
>
>
> On Mar 28, 2006, at 12:39 AM, Todd Pafford wrote:
>
>> This brings up a question, though, that I've been thinking about  
>> for a while.  Do you professional types keep notebooks, diagrams,  
>> etc. of your gear settings, routing, etc.?  Take the FCB or  
>> example; were you able to quickly reprogram based on notes of how  
>> you had it set up, or did you have to re-figure it from scratch?  
>> I've been thinking of putting together such a notebook myself, but  
>> haven't gotten around to it.
>>
>> Anyway, glad to hear you and the repeaters survived.
>> Todd




From Loopers-Delight-request@loopers-delight.com  Wed Mar 29 15:30:11 2006
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 <4429E120.5020000@pdq.net>
 <Pine.LNX.4.63.0603290103020.16003@giggles.cavesofice.org>
Date: Wed, 29 Mar 2006 10:27:33 -0500
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From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: Re: tuba loopage example/samples
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There is a fantastic ambient tuba record called "On the sensations of 
Tone" by Tom Heasley.
innova records # 566

http://www.tomheasley.com


-- 
...
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<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: Re: tuba loopage
example/samples</title></head><body>
<div>There is a fantastic ambient tuba record called &quot;On the
sensations of Tone&quot; by Tom Heasley.</div>
<div>innova records # 566</div>
<div><br></div>
<div><font face="Lucida Grande" size="-1"
color="#000000">http://www.tomheasley.com</font></div>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div>...<br>
http://www.zmix.net</div>
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From Loopers-Delight-request@loopers-delight.com  Wed Mar 29 15:45:26 2006
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From: =?ISO-8859-1?Q?tEd_=AE_kiLLiAn?= <tedkillian@charter.net>
Subject: Re: .sig [Was THE END OF THE WORLD AS WE KNOW IT]
Date: Wed, 29 Mar 2006 07:46:18 -0800
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Heheheheheh,

Don't worry. My sense of humor is still pretty well intact. Have you
ever known me to be guilty of taking myself too seriously -- least
wise as a musician? I'm just another big doofus kid making musical
"mudpies" and occasionally shoutin' "Lookyhere! See what I made!"
across the mudhole.

The grownup Ted has to go to work now.

Have a great day,

Ted Killian
Guitarist
http://tinyurl.com/o39gx

On Mar 29, 2006, at 12:11 AM, Jeff Kaiser wrote:

> It would be easier if we all put something like this:
>
> Ted Killian
> Guitarist
> http://tinyurl.com/o39gx
>
>
> That way you could get it down to around 385 lines, all in one....
>
> :-)
>
> Ted, you know I LOVE you!
>
> Jeff
>
>
> Jeff Kaiser
> http://www.jeffkaisermusic.com
> pfMENTUM.com =95 AngryVegan.com
>
> On Mar 29, 2006, at 12:05 AM, Tim Nelson wrote:
>
>> I just sent two titles to CDBaby yesterday; soon my
>> sig file will look just like Ted's. ;P

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References: <20060329142458.27731.qmail@web37912.mail.mud.yahoo.com>
Subject: Re: ben franklins glass celestia amplified and looped
Date: Wed, 29 Mar 2006 16:47:54 +0100
Organization: EarthLight Productions
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From: daniel stevenson (in rich text!  naughty!)
> ive been playing one in my sleep lately & when i wake up the tips of my 
> fingers are pruned up.im making loops but without hardware...it seems to 
> be a psych~tele~phonic looping interface.i cant wait to get to back to 
> sleep...

For those of us not familiar with the 'celestia', it's not just a free 3D 
Space Simulation package.  This will help expand your mind and perhaps give 
some of the more inventive amongst us an idea:

http://www.glasharfe.de/glasharfe/texte/history.htm

Stephen Goodman

* Cartoons about DVDs and Stuff
* http://www.earthlight.net/HiddenTrack
* The Loop Of The Week since 1996!
* http://www.earthlight.net/Studios


From Loopers-Delight-request@loopers-delight.com  Wed Mar 29 16:25:54 2006
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To: Loopers-Delight@loopers-delight.com
Subject: RE: European power adapter (was: how to blow up your equipment)
Date: Wed, 29 Mar 2006 17:25:43 +0100
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>>I think electromechanical stuff, like motor drives, could be affected by
this. I seem to remember reading that the motors in at least some mellotrons
took particular exception to receiving the wrong frequency.<<

only the older machines with mains driven motors; the more common m400 has a
dc motor & a servo somewhat akin to those found in decent 1/4" machines like
revoxes. but the same issue (50Hz/60Hz) might also affect hammond tonewheel
organs.... a lot of cheaper 1/4" machines & a great many turntables also
used synchronous motors that rely on mains frequency for speed regulation.
dreadful idea.

fwiw, I run a great deal of audio & midi equipment by feeding regulated 8V
around on the spare wires in my midi connections. the 8V comes from a sony
camcorder supply which works off anything from 80-300V ac & (not that I've
tried it) any frequency. it says. 
I carry a spare.

the exceptions are a couple of alesis boxes (s4+ module, quadraverb) where
I've had to source a suitable mains transformer.... there was room inside
the s4+ for a little toroidal transformer, fuse & so forth, & I put a
110/220 switch in there too. & there's enough capacity for it to power the
quadraverb via a link between the original dc jacks on the two modules. I
label the back of the gear whenever I've opened it to change the voltage. my
alesis mixer had a dual-primary transformer already, so I just added a
switch to make it 110/220 compatible.  

the two jam-mans, at the moment, need different power units for 110 & 220
operation. I am trying to find a small-enough switching supply to fit inside
the jam-man itself..... but the jam-man appears to be one of those awkward
boxes that does something else with the 9V ac supply besides turn it into 5V
dc. I hate wall-warts, especially on stage. I know they save the
manufacturers (& us?) some money, but they absolutely suck in an environment
that could in any way be described as "professional".

duncan.


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<P><FONT SIZE=3D2>&gt;&gt;I think electromechanical stuff, like motor drive=
s, could be affected by this. I seem to remember reading that the motors in=
 at least some mellotrons took particular exception to receiving the wrong =
frequency.&lt;&lt;</FONT></P>

<P><FONT SIZE=3D2>only the older machines with mains driven motors; the mor=
e common m400 has a dc motor &amp; a servo somewhat akin to those found in =
decent 1/4&quot; machines like revoxes. but the same issue (50Hz/60Hz) migh=
t also affect hammond tonewheel organs.... a lot of cheaper 1/4&quot; machi=
nes &amp; a great many turntables also used synchronous motors that rely on=
 mains frequency for speed regulation. dreadful idea.</FONT></P>

<P><FONT SIZE=3D2>fwiw, I run a great deal of audio &amp; midi equipment by=
 feeding regulated 8V around on the spare wires in my midi connections. the=
 8V comes from a sony camcorder supply which works off anything from 80-300=
V ac &amp; (not that I've tried it) any frequency. it says. </FONT></P>

<P><FONT SIZE=3D2>I carry a spare.</FONT>
</P>

<P><FONT SIZE=3D2>the exceptions are a couple of alesis boxes (s4+ module, =
quadraverb) where I've had to source a suitable mains transformer.... there=
 was room inside the s4+ for a little toroidal transformer, fuse &amp; so f=
orth, &amp; I put a 110/220 switch in there too. &amp; there's enough capac=
ity for it to power the quadraverb via a link between the original dc jacks=
 on the two modules. I label the back of the gear whenever I've opened it t=
o change the voltage. my alesis mixer had a dual-primary transformer alread=
y, so I just added a switch to make it 110/220 compatible.&nbsp; </FONT></P>

<P><FONT SIZE=3D2>the two jam-mans, at the moment, need different power uni=
ts for 110 &amp; 220 operation. I am trying to find a small-enough switchin=
g supply to fit inside the jam-man itself..... but the jam-man appears to b=
e one of those awkward boxes that does something else with the 9V ac supply=
 besides turn it into 5V dc. I hate wall-warts, especially on stage. I know=
 they save the manufacturers (&amp; us?) some money, but they absolutely su=
ck in an environment that could in any way be described as &quot;profession=
al&quot;.</FONT></P>

<P><FONT SIZE=3D2>duncan.</FONT>
</P>

<CODE><FONT SIZE=3D3><BR>
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From Loopers-Delight-request@loopers-delight.com  Wed Mar 29 16:36:19 2006
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From: goddard.duncan@mtvne.com
To: Loopers-Delight@loopers-delight.com
Subject: RE:NOW: diagrams
Date: Wed, 29 Mar 2006 17:36:15 +0100
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I carry a little blue notebook which is filling up with variations of midi &
audio maps (all dated), set-lists (with bpm's, patch numbers & other notes
against each title), ideas & notes coming from rehearsals & gigs, multitrack
mix notes.... that sort of stuff.
I also carry a yamaha datafiler with backups of patch data, configs for
various midi controllers, & sysex of song/pattern data. I have the same data
on another floppy which is kept away from the rest of the gear.

we use two synth modules- an emu proteus (actually now an xl-7) & an alesis
s4+. it's (just) possible for one to fill in for the other if there's a
failure, though obviously there's some compromise in the sounds available.
spare cables, strings... batteries.... toolkit w/ fuses...... spare merge
box.... spare sony psu for the midi buss-powered gear..... flashlight.... 

it's never enough, though, & feels like tempting fate sometimes.

but with a bottle of water & some bananas, we're ready to go.

d.


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<P><FONT SIZE=3D2>I carry a little blue notebook which is filling up with v=
ariations of midi &amp; audio maps (all dated), set-lists (with bpm's, patc=
h numbers &amp; other notes against each title), ideas &amp; notes coming f=
rom rehearsals &amp; gigs, multitrack mix notes.... that sort of stuff.</FO=
NT></P>

<P><FONT SIZE=3D2>I also carry a yamaha datafiler with backups of patch dat=
a, configs for various midi controllers, &amp; sysex of song/pattern data. =
I have the same data on another floppy which is kept away from the rest of =
the gear.</FONT></P>

<P><FONT SIZE=3D2>we use two synth modules- an emu proteus (actually now an=
 xl-7) &amp; an alesis s4+. it's (just) possible for one to fill in for the=
 other if there's a failure, though obviously there's some compromise in th=
e sounds available.</FONT></P>

<P><FONT SIZE=3D2>spare cables, strings... batteries.... toolkit w/ fuses..=
.... spare merge box.... spare sony psu for the midi buss-powered gear.....=
 flashlight.... </FONT></P>

<P><FONT SIZE=3D2>it's never enough, though, &amp; feels like tempting fate=
 sometimes.</FONT>
</P>

<P><FONT SIZE=3D2>but with a bottle of water &amp; some bananas, we're read=
y to go.</FONT>
</P>

<P><FONT SIZE=3D2>d.</FONT>
</P>

<CODE><FONT SIZE=3D3><BR>
<BR>
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From Loopers-Delight-request@loopers-delight.com  Wed Mar 29 17:36:04 2006
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From: RPGfreak@web.de
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Subject: Triangular Guitar picks
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Hi,
I got my hand on a Herdim triangular guitar pick (the ones with very sharp edges, not like the triangular ones that can be bought today). The only source I have found to buy these Herdim's is Tone Toys, they offer them for 15 Euro a piece which is too much in my opinion. Are there any alternatives out there? On my research on the Internet i read something about picks made by Hiroshi Iketani, where can those be bought? Sorry to ask this here, but this is the only forum I know with reasonably guitar players.

Thanks, Simon


______________________________________________________________
Verschicken Sie romantische, coole und witzige Bilder per SMS!
Jetzt bei WEB.DE FreeMail: http://f.web.de/?mc=021193

From Loopers-Delight-request@loopers-delight.com  Wed Mar 29 17:43:13 2006
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Date: Wed, 29 Mar 2006 12:50:57 -0500
From: "David Kirkdorffer" <vze2ncsr@verizon.net>
Subject: Re: Triangular Guitar picks
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I've been using fender 355's since 1992.

http://i4.ebayimg.com/03/i/04/ce/72/e2_1_b.JPG
http://i4.ebayimg.com/03/i/00/93/3a/5d_1.JPG



----- Original Message ----- 
From: <RPGfreak@web.de>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, March 29, 2006 12:36 PM
Subject: Triangular Guitar picks


>
> Hi,
> I got my hand on a Herdim triangular guitar pick (the ones with very sharp
edges, not like the triangular ones that can be bought today). The only
source I have found to buy these Herdim's is Tone Toys, they offer them for
15 Euro a piece which is too much in my opinion. Are there any alternatives
out there? On my research on the Internet i read something about picks made
by Hiroshi Iketani, where can those be bought? Sorry to ask this here, but
this is the only forum I know with reasonably guitar players.
>
> Thanks, Simon
>
>
> ______________________________________________________________
> Verschicken Sie romantische, coole und witzige Bilder per SMS!
> Jetzt bei WEB.DE FreeMail: http://f.web.de/?mc=021193
>

From Loopers-Delight-request@loopers-delight.com  Wed Mar 29 19:15:31 2006
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From: "murkie" <sinister_footwear@yahoo.com>
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Subject: RE: Triangular Guitar picks
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the Fenders aren't sharp enough.  I've grown dependent on the sharp ones,
too.  i have been told part of the expensiveness of the Herdims is the type
of material they're made of.

i know these are the preferred picks for Guitar Craft so maybe befriend a
local Crafty.  not easy, I know.  8^{)}

m 

-----Original Message-----
From: David Kirkdorffer [mailto:vze2ncsr@verizon.net] 
Sent: Wednesday, March 29, 2006 12:51 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Triangular Guitar picks

I've been using fender 355's since 1992.

http://i4.ebayimg.com/03/i/04/ce/72/e2_1_b.JPG
http://i4.ebayimg.com/03/i/00/93/3a/5d_1.JPG



----- Original Message -----
From: <RPGfreak@web.de>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, March 29, 2006 12:36 PM
Subject: Triangular Guitar picks


>
> Hi,
> I got my hand on a Herdim triangular guitar pick (the ones with very sharp
edges, not like the triangular ones that can be bought today). The only
source I have found to buy these Herdim's is Tone Toys, they offer them for
15 Euro a piece which is too much in my opinion. Are there any alternatives
out there? On my research on the Internet i read something about picks made
by Hiroshi Iketani, where can those be bought? Sorry to ask this here, but
this is the only forum I know with reasonably guitar players.
>
> Thanks, Simon
>
>
> ______________________________________________________________
> Verschicken Sie romantische, coole und witzige Bilder per SMS!
> Jetzt bei WEB.DE FreeMail: http://f.web.de/?mc=021193
>

From Loopers-Delight-request@loopers-delight.com  Wed Mar 29 23:17:42 2006
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Subject: Re: Triangular Guitar picks
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-----BEGIN PGP SIGNED MESSAGE-----
Hash: SHA1

Simon,

Congrats on finding a Herdim, those things are rarer than hen's
teeth!
15 Euros? Ouch!

Like many others who've participated in GC, I resorted to
making/modding my own picks. Mine start off as 1mm+ thick Jim
Dunlop or Steve Clayton rounded triangles which I cut down to size.
I've used white acetal/acetyl, and gold ultem/ultex materials and
both work pretty well. I aquired an old, well used Herdim from a
dear friend and fellow crafty which served as the model for mine. I
measured the thickness of the Herdim at several points with a
digital caliper and I arrived at a > 1mm average thickness. (anal?
me? nah!)

I buy them in bulk bags. All you need to do is draw a line
connecting each point on the pick with a fine point marker and a
straight-edge, then remove the material outside of the line by
cutting and sanding.

I've found that using an hobby or box knife to score the picks on
the outer side of the maker line, then snapping off the material (I
use a pair of wide pliers for this) and finally sanding the edges
with 400 and 600 grit wet/dry (dry) sandpaper to the line gets it
done quickly with as little dust as possible. I get a nice sharp
point this way. It's also much safer than trying to "whittle" the
material off. That's a good way to cut yourself badly.

It takes some time and effort, but given the sparse to non-existent
availability of the original crafty pick, and the utter lack of
interest from manufacturers to meet this need, the only practical
solution is to hack 'em!

The ultem/ultex picks feel most like the Herdim to my hand, but
YMMV.

Cheers,

Jim


On Wed, 29 Mar 2006 12:36:01 -0500 RPGfreak@web.de wrote:
>Hi,
>I got my hand on a Herdim triangular guitar pick (the ones with
>very sharp edges, not like the triangular ones that can be bought
>today). The only source I have found to buy these Herdim's is Tone
>Toys, they offer them for 15 Euro a piece which is too much in my
>opinion. Are there any alternatives out there? On my research on
>the Internet i read something about picks made by Hiroshi Iketani,
>where can those be bought? Sorry to ask this here, but this is the
>only forum I know with reasonably guitar players.
>
>Thanks, Simon
>
>
>______________________________________________________________
>Verschicken Sie romantische, coole und witzige Bilder per SMS!
>Jetzt bei WEB.DE FreeMail: http://f.web.de/?mc=021193
-----BEGIN PGP SIGNATURE-----
Note: This signature can be verified at https://www.hushtools.com/verify
Version: Hush 2.5

wkYEARECAAYFAkQrBT8ACgkQG3muArBfqImJOwCgs8iTqAbv1ZBwZmrA3VovpVQbSQsA
njJBS71PyNaeLw1t725iT3vCkguX
=eMwi
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From Loopers-Delight-request@loopers-delight.com  Wed Mar 29 23:26:57 2006
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Date: Wed, 29 Mar 2006 18:26:56 -0500
From: "Tom Ritchford" <tom@swirly.com>
Sender: tom.ritchford@gmail.com
To: Loopers-Delight@loopers-delight.com
Subject: Re: NYC gig spam (looping content): LAMBIC @ CBGB Gallery 313 this Tuesday 3/28 from 10 to 11 pm
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Please remember to send these events to the extreme NY mailing list,
http://ax.to -- or just straight to me.  I don't check this group
every day -- I would have sent this invitation out and possibly gone
myself...

On 3/27/06, Paul Sullivan <paulsull@gis.net> wrote:
> Lambic returns to  CBGB gallery 313 (right next door to the original
> CBGB) this Tuesday, March 28th, at 10pm  And yes, there will be
> loopage,  including 2 boomerangs, dl-4, pds-8000. headrush... From our
> myspace page http://myspace.com/lambic - Lambic is a style of Belgian
> ale that is spontaneously fermented from wild yeasts. Lambic is also a
> band featuring Paul Sullivan on guitars and effects, and Stephen Moses
> (Alice Donut) on drums, trombone, and effects. Lambic is spontaneously
> fermented music, free improvisation with a groove. Please join us for a
> rare Manhattan show at CBGB's 313 Gallery. Each show has been unique
> and special, like our namesake.
>
> CBGB Gallery 313 is at 313 Bowery (at Bleeker Street).
>
> If you want, check out our myspace page http://myspace.com/lambic .
> We'd like to be all of your friends, also. I'm a long time lurker and
> occasional poster, and I have a backlog of digests that I'm just going
> through now Hope to see anyone from the list there, please come up and
> say hi...
>
>
>
>


--
     /t

http://ax.to ... extreme NY arts and music calendar

From Loopers-Delight-request@loopers-delight.com  Wed Mar 29 23:27:36 2006
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From: "Tony K" <bigtony@softhome.net>
To: Loopers-Delight@loopers-delight.com
References: <353e2ed80603290028p71c6779gf39d1cca42ca20f4@mail.gmail.com>
Subject: Interesting VST
Date: Wed, 29 Mar 2006 16:33:20 -0500
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Found this collection of VSTs today.  Interesting looking bit crushing and 
mangling fx.  with a sprinkling of Anime graphics thrown in for good 
measure. ;)

http://www.jackdark.net/darkwarefree.html


Enjoy,

Tony 

From Loopers-Delight-request@loopers-delight.com  Thu Mar 30 00:32:18 2006
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From: "joe rut" <joerut@lycos.com>
To: Loopers-Delight@loopers-delight.com
Date: Wed, 29 Mar 2006 15:39:04 -0500
Subject: Re: ben franklins glass celestia amplified and looped
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What an amazing instrument!  I saw the singer/songwriter Michael Penn play =
in Ventura years ago.  The main thing I remember about the show (other=20
than that the drummer was DJ Bonebreak from X - one of my fav bands) was th=
at the pedal steel player also played a celestia, also called (i think) a=
=20
harmonium?  He did some amazing stuff on it, running it through various pro=
cessing gear.  Would love to hear one looped!

Joe Rut
> ----- Original Message -----
> From: "daniel stevenson" <stillllscary@yahoo.com>
> To: loopers-delight@loopers-delight.com
> Subject: ben franklins glass celestia amplified and looped
> Date: Wed, 29 Mar 2006 06:24:58 -0800 (PST)
>=20
>=20
> ive been playing one in my sleep lately & when i wake up the tips=20
> of my fingers are pruned up.im making loops but without=20
> hardware...it seems to be a psych~tele~phonic looping interface.i=20
> cant wait to get to back to sleep...
>=20
>=20=09=09
> ---------------------------------
> New Yahoo! Messenger with Voice. Call regular phones from your PC=20
> for low, low rates.

>

--=20
_______________________________________________

Search for businesses by name, location, or phone number.  -Lycos Yellow Pa=
ges

http://r.lycos.com/r/yp_emailfooter/http://yellowpages.lycos.com/default.as=
p?SRC=3Dlycos10

From Loopers-Delight-request@loopers-delight.com  Thu Mar 30 01:54:37 2006
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: "Looper's Delight Mailing List" <Loopers-Delight@loopers-delight.com>
Subject: interface for laptop musicians
Date: Wed, 29 Mar 2006 22:30:46 +0200
Organization: Moinlabs
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As a late post to the "audio interface for laptop musicians" thread: I =
think nobody did mention RME's (new) Fireface 400.

Features/properties at a glance:
9.5`` 1HE
8 analogue ons:
	2 Micpres (eletronically controlled)
	2 Line ins (switchable Hi/Lo Z, adjustable gain)
	4 Line ins (-10/+4/+19dBu) (all line ins symmetrical)
8 analogue outs:
	6 line outs (symmetrical) switchable -10/+4
	channel 7/8: headphones
digital i/o
	S/PDIF coax (up to 192kHz)
	S/PDIF optical or ADAT I/O
	Wordclock I/O
MIDI
	2 I/O pairs
standalone capability, internal mixer controllable via MIDI
power supply: either via Firewire or with included 100-240V SPS
Price: they don't list one. I haven't seen a store which carries it yet. =
But I remember a clerk telling me some months ago about an upcoming =
"smaller Fireface" with a price "round =E2=82=AC600".

Mhmm...looks tempting, especially the stand-alone features.=20

From Loopers-Delight-request@loopers-delight.com  Thu Mar 30 09:02:54 2006
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To: Loopers-Delight@loopers-delight.com
From: nico spahni <nicosp@gmx.net>
Subject: laptop setup: unwanted clicks 
Date: Thu, 30 Mar 2006 11:04:34 +0200
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I've been experimenting with a laptop looping setup (Apple G4/1.25, 
RAX, Sooperlooper, various plug-ins).

Basically everything works pretty fine if it weren't for those unwanted 
clicks that make themselves heard every now and then. I haven't figured 
out yet when exactly they happen - not necessarily when I change a 
setting or hit a button.

Does anyone know what I'm talking about? What is the source of these 
artifacts?

Cheers

Nico

From Loopers-Delight-request@loopers-delight.com  Thu Mar 30 10:18:58 2006
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some time ago, we had a little conversation about how to get live "stutter" 
fx and we posted a few ideas about the sort of features we might like in 
such a device...

anyway...i just came across the Zvex Tremorama....which has a "random" 
mode...see what you think...

http://www.zvex.com/tremorama.html

sim


www.simeonharris.co.uk


From Loopers-Delight-request@loopers-delight.com  Thu Mar 30 11:21:52 2006
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Date: Thu, 30 Mar 2006 12:21:50 +0100
From: "David Morton" <dmorton@gmail.com>
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On 3/30/06, simeon harris <simeonharris@hotmail.com> wrote:
> some time ago, we had a little conversation about how to get live "stutte=
r"
> fx and we posted a few ideas about the sort of features we might like in
> such a device...
>
> anyway...i just came across the Zvex Tremorama....which has a "random"
> mode...see what you think...
>
> http://www.zvex.com/tremorama.html

I have four of Mr Vex's pedals and as far as I'm concerned the man can
do no wrong.

From Loopers-Delight-request@loopers-delight.com  Thu Mar 30 11:38:20 2006
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Date: Thu, 30 Mar 2006 06:32:18 -0500
From: Bill Fox <billyfox@soundscapes.us>
Subject: Listen to Afterglow and Galactic Travels
To: undisclosed-recipients: ;
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AFTERGLOW ON WMUH:                               
http://soundscapes.us/afterglow
================================================================================
Afterglow airs from 8:00 am to 9:30 am every Thursday morning.  Tune in 
for a
delightful mix of eclectic musical genres including a healthy dose of
Progressive Rock.  Tune in at 91.7 FM or on the internet at:
http://www.muhlenberg.edu/wmuh


GALACTIC TRAVELS ON WDIY:                            
http://wdiy.org/programs/gt
================================================================================
Tonight at 11 pm on Galactic Travels, I'll conclude the month-long 
Special Focus
on E-dition electronic music magazine.  The Featured CD at Midnight will 
be the
CD from issue #9.  The Vinyl Starter will be "Audentity" by Klaus 
Schulze on IC
Records and released in 1983.  For details, see the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2006/focus.html#mar

Galactic Travels is an electronic, ambient, and space music show that 
airs each
Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, 93.9 FM 
in Easton
and Phillipsburg, 93.7 FM in Fogelsville and Trexlertown, 92.9 FM on Service
Electric Cable, and on the internet.  WDIY now simulcasts on WXLV on 
90.3 FM in
Schnecksville, Pennsylvania.

All times are EST / GMT-5.

From Loopers-Delight-request@loopers-delight.com  Thu Mar 30 11:41:52 2006
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From: "Michael Peters" <mp@mpeters.de>
To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
Subject: RE: Triangular Guitar picks
Date: Thu, 30 Mar 2006 13:41:43 +0200
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I just got this information from guitarcraft.com:

-------------------------------------------------------
We have picks of high quality material (Indian Rubber), specifically =
designed and made in Japan for the Guitar Craft technique available for =
ordering. You can choose between medium (0.7mm) and heavy picks (0.8mm).
You can order them at a price of 35=E2=82=AC per pack of 12 picks, =
including shipping via registered mail. Please tell us the quantity you =
need and the address you need them to be shipped to.
You can make the payment via bank transfer to the following account:

Mariana Scaravilli
Bank: SPARKASSE KIEL
Bank address: Lorentzendamm 28-30, 24103 Kiel, Germany
Bank guide number (BLZ): 2 1 0 5 0 1 7 0
Account number (Kto.Nr.): 1 2 4 7 6 0 0=20
SWIFTCODE: KILADE21KIE
IBAN: DE42 2105 0170 0001 2476 00=20
BIC: HSHNDEH1KIE

You can find more information, including pics & features of our "GC =
Model" acoustic guitar on our website: www.guitarcraftguitars.com.=20
Check for updates, new items will be available soon!
-------------------------------------------------------

michael www.michaelpeters.de

From Loopers-Delight-request@loopers-delight.com  Thu Mar 30 13:42:12 2006
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Subject: Re: ben franklins glass celestia amplified and looped
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Thanks for this wonderful post and that great website on the history of the 
Glass Harmonica
http://www.glasharfe.de/glasharfe/texte/history.htm

Because of it,I have been able to inquire about the manufacturer of a 
musical instrument
that I have invented and always wanted to build  (what  I call a Liquid 
Glass Ghatam)
It turns out that there is a link to the custom glass blowers who 
manufacturer the glass armonica
So I just wrote them a letter in the middle of the night to see if they'd be 
intersted in building one
and enquiring about what it would cost.

I myself have had the Mozart pieces on vinyl for about 20 years and even got 
my dad to
purchase me 6 high quality large crystal glass goblets for the expressed 
purpose of
creating a pentatonic glass  harmonica.

There has also been an amazing musician based out of New Orleans who playes 
tuned Wine Glasses
on the street.  I've lost touch with him, but he would do everything from 
Stairway to Heaven to classical
pieces on his 'insturment'.  He was amazing and was very adept at playing 
rapidly with harmony.

Actually having the Ben Franklin invention would be so much easier to play. 
I'd love to own one.

I love the sound of wine glasses.   It is one of the most beautiful 
instruments in the world for my money.
It is so melancholy and the sounds last so long that you get a lot of 
beautiful suspended harmonies out of playing the
most simple of tunes.

Did anyone ever hear the amazing musical score to the movie,   'Cutters Way' 
from the 1970's?

There is an amazing, beautiful and melancholy scene that opens up the movie 
picturing traditional Mexican Dancers, dancing
in slow motion during the Rose Parade to an exquisite score featuring glass 
harmonica by Van Dyke Parks.
The scene begins in black and white and langorously fades into full color by 
the end of the credits...............simply one of the most
sublime beginnings to a motion picture in history IMHO.

It's the first time I ever heard the instrument and it just floored me when 
I heard it.

 It's a wonderful  and often overlooked movie about the emotional fallout 
from the Vietnamese war starring and incredible performance by a very young
Jeff Bridges (one of Hollywood's most underrated actors if you aske me).

Also, if you've ever heard a Bowed Psaltery, it sounds to me like a perfect 
marriage between a Glass Harmonica
and  a Violin. 

From Loopers-Delight-request@loopers-delight.com  Thu Mar 30 14:21:10 2006
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On Thu, 30 Mar 2006, simeon harris wrote:

> some time ago, we had a little conversation about how to get live "stutter" 
> fx and we posted a few ideas about the sort of features we might like in such 
> a device...
>
> anyway...i just came across the Zvex Tremorama....which has a "random" 
> mode...see what you think...
>
> http://www.zvex.com/tremorama.html

I've had and used a Z-Vex Seek-Trem (the Tremorama minus the random 
feature) since it came out in mid-2004, and have several of his effects 
pedals and love all of them. It's a lot of fun. (I used it in several 
spots on those tuba loopage samples I posted links to earlier in the 
week.)

About a week after I got my Seek-Trem, I wrote Vex asking why he hadn't 
included a random feature on the Seek-Trem, as he had on the Ooh Wah (a 
Seek Wah with a linear or random flow through the right circuits). He 
replied "to keep the cost down" and added that he'd built a (what turns 
out to be a prototype Ooh Trem/Tremorama) and that he hadn't liked the 
result of the random volume muting. I guess the idea grew on him over the 
last year or so :).

(Next purchase: the Z-Vex Ringtone. Everything's better with ringmod.)

Steve B
http://www.subscapeannex.com/about_steve.html

From Loopers-Delight-request@loopers-delight.com  Thu Mar 30 16:05:12 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Comparison chart of looping devices published
Date: Thu, 30 Mar 2006 18:05:05 +0200
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Hi Loopers,

When working on a mag article about live looping (in Swedish) I did a  
quick comparison chart over some of the looping devices available  
today. This afternoon i had some spare time and converted the chart  
into a web format. If you should happen to detect some incorrect data  
or if you think that some additional information should be slipped  
into the chart, please don't hesitate to post suggestions. I intend  
to let this page stay online for the benefit of the community.

http://www.looproom.com/looperchart.php

I left out the Roland RC-50 so far, because they are not yet  
available. I will borrow one for a while when they ship on may 23 and  
then fill out the chart on it.

Greetings from Sweden

Per Boysen


From Loopers-Delight-request@loopers-delight.com  Thu Mar 30 16:09:20 2006
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Date: Thu, 30 Mar 2006 11:09:06 EST
Subject: re. stutter in a pedal
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i think the demo videos on that zvex site are tremendous.   very simple, fun 
and informative.   someone who obviously knows his trade, but who doesn't make 
you feel like you're at the auto mechanic's shop trying to 
understand.....well, you know all those parts and "thingies" that need to be fixed.

too bad roland didn't hire him to do the demo for the rc-50 (which was 
worthless i.m.o.p.).

it would be a dream to have the resources to pay someone like zachary vex to 
do a general demo video of all the different looping equipment....the basic 
functions anyway.

big sky salutations,
john floridis


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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2">i think the demo videos on that zvex si=
te are tremendous.&nbsp;  very simple, fun and informative.&nbsp;  someone w=
ho obviously knows his trade, but who doesn't make you feel like you're at t=
he auto mechanic's shop trying to understand.....well, you know all those pa=
rts and "thingies" that need to be fixed.<BR>
<BR>
too bad roland didn't hire him to do the demo for the rc-50 (which was worth=
less i.m.o.p.).<BR>
<BR>
it would be a dream to have the resources to pay someone like zachary vex to=
 do a general demo video of all the different looping equipment....the basic=
 functions anyway.<BR>
<BR>
big sky salutations,<BR>
john floridis<BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT></HTML>
--part1_354.1066150.315d5ca2_boundary--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 30 16:16:02 2006
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From: 3nki <3nki@modaldub.net>
Subject: Re: Comparison chart of looping devices published
Date: Thu, 30 Mar 2006 13:16:00 -0300
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great idea!

one suggestion, perhaps add a column for retail price? at least it  
would give a relative relation among the devices.

-3nki



On Mar 30, 2006, at 1:05 PM, Per Boysen wrote:

> Hi Loopers,
>
> When working on a mag article about live looping (in Swedish) I did  
> a quick comparison chart over some of the looping devices available  
> today. This afternoon i had some spare time and converted the chart  
> into a web format. If you should happen to detect some incorrect  
> data or if you think that some additional information should be  
> slipped into the chart, please don't hesitate to post suggestions.  
> I intend to let this page stay online for the benefit of the  
> community.
>
> http://www.looproom.com/looperchart.php
>
> I left out the Roland RC-50 so far, because they are not yet  
> available. I will borrow one for a while when they ship on may 23  
> and then fill out the chart on it.
>
> Greetings from Sweden
>
> Per Boysen
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Mar 30 16:19:01 2006
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Subject: RE: laptop setup: unwanted clicks 
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> From: nico spahni [mailto:nicosp@gmx.net]=20
>=20
> I've been experimenting with a laptop looping setup (Apple=20
> G4/1.25, RAX, Sooperlooper, various plug-ins).
>=20
> Basically everything works pretty fine if it weren't for=20
> those unwanted clicks that make themselves heard every now=20
> and then. I haven't figured out yet when exactly they happen=20
> - not necessarily when I change a setting or hit a button.
>=20
> Does anyone know what I'm talking about? What is the source=20
> of these artifacts?

The most common reason for clicks is that your audio block size (and
therefore your latency) is too low.  I'm not very familiar with Apple
audio, but somewhere there should be an option to select a block size,
typically with numbers like 128, 256, 512, 1024, etc.  Select the next
higher number and see if the clicks go away.

The issues around block size and latency are complicated.  Basically
the sound card is constantly asking the audio application for a small
block of samples to play.  The application has to fill this block in a
very small amount of time, a few milliseconds.  If this block cannot
be filled within that time, you "miss an interrupt" and there is a gap
in the audio stream which sounds like a click.

There are many factors that affect how long it takes an application to
fill this block but mostly it is the speed of the processor, and the
number of other plugins or applications you have running at the same
time.  The more plugins you try to run the slower the application
becomes and the more likely you are to miss an interrupt.  Some
plugins are faster than others, delay effects are usually pretty fast
but complex ones like convolution reverbs are very slow.

If you can't tolerate the higher latency caused by larger block sizes,
then the only option is to reduce the number of plugins you're
running.  Of course you have to be careful about non-audio
applications that are also running.  Don't be surfing the net or
defragmenting your disk while you run an audio app.  Everything else
should be shut down.

The second most common reason for clicks is simply software bugs.  If
it is a software bug, the clicks usually happen regularly, like at the
start point of the loop, or after a certain function is performed.  If
the clicks happen at random it is probably due to latency.

Jeff

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On 30 mar 2006, at 18.16, 3nki wrote:

> one suggestion, perhaps add a column for retail price?

Good suggestion! But unfortunately I can not afford the time needed  
for getting all the retail prices correctly into the page. Any one  
can easily do a web search to find out what the stuff goes for in his/ 
her local area.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast? 
id=128679560&s=143456




From Loopers-Delight-request@loopers-delight.com  Thu Mar 30 16:29:26 2006
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Date: Thu, 30 Mar 2006 11:30:55 -0500
From: Warren Sirota <wsirota@wsdesigns.com>
Subject: RE: laptop setup: unwanted clicks
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When I run my Powerbook G4 with enough memory (728MB in my case) and a
reasonable load, I don't get clicks - but, that's also using just my
software and a VST. If I overload my laptop, I tend to get dropouts rather
than clicks.If you're not overloaded, then it could have something to do
with the particular software you're using. I expect we would have heard
about it here if Sooperlooper was prone to this, so I'd suggest starting
with just that and no RAX or VSTs, if you can do that. See if you get clicks
(I know, intermittent problems are hard to diagnose). Then, add in one new
thing at a time, play, and listen for clicks. When you start to get clicks,
that puts suspicion on the last item you added in, but also on load, so you
might try testing with just the suspected item and Sooperlooper to see if
you still get clicks. Iterate until done.

Oh - I just saw Jeff's suggestions too. Of course, he's right - there are
often audio parameters youcan tweak. If load is the issue, you might even
consider going to a lower sampling rate (trade off sound quality vs.
annoying glitches).

Did you hear about the programmer they found dead in the shower? He was
holding a bottle of shampoo that said, "lather, rinse, repeat".

Best wishes,
Warren Sirota
 
Come hear *The Sandbox* at The Monkey in NYC, April 23rd, 8PM  - details at
www.warrensirota.com/sandbox


> -----Original Message-----
> From: nico spahni [mailto:nicosp@gmx.net]
> Sent: Thursday, March 30, 2006 4:05 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: laptop setup: unwanted clicks
> 
> 
> I've been experimenting with a laptop looping setup (Apple G4/1.25,
> RAX, Sooperlooper, various plug-ins).
> 
> Basically everything works pretty fine if it weren't for
> those unwanted 
> clicks that make themselves heard every now and then. I 
> haven't figured 
> out yet when exactly they happen - not necessarily when I change a 
> setting or hit a button.
> 
> Does anyone know what I'm talking about? What is the source of these
> artifacts?
> 
> Cheers
> 
> Nico
> 

From Loopers-Delight-request@loopers-delight.com  Thu Mar 30 16:33:24 2006
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In a message dated 3/30/06 11:05:39 AM, perboysen@gmail.com writes:


> http://www.looproom.com/looperchart.php
> 

per.....wonderful chart, thnaks.....on the rang under "pitch transpose" you 
have "half speed"....."the interval that the sound drops can be changed from an 
octave to a lower 2nd., 4th., 5th, or 7th.".....i like this feature a big 
bunch.....using a bell for example, the bell sounds too low at an octave drop but 
at a 4th or 5th it sounds more natural, it's a very flexable and 
individualistic effect.....mic



www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
In a message dated 3/30/06 11:05:39 AM, perboysen@gmail.com writes:<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">http://www.looproom.c=
om/looperchart.php<BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2">per.....wonderful chart, thnaks.....on the rang under "pitch transpose" y=
ou have "half speed"....."the interval that the sound drops can be changed f=
rom an octave to a lower 2nd., 4th., 5th, or 7th.".....i like this feature a=
 big bunch.....using a bell for example, the bell sounds too low at an octav=
e drop but at a 4th or 5th it sounds more natural, it's a very flexable and=20=
individualistic effect.....mic<BR>
<BR>
<BR>
<BR>
www.ct-collective.com<BR>
http://mysite.verizon.net/vzepmeci/<BR>
http://www.myspace.com/klobuchar11<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT></HTML>
--part1_21b.a606c1e.315d6246_boundary--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 30 16:39:53 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Comparison chart of looping devices published
Date: Thu, 30 Mar 2006 18:39:46 +0200
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On 30 mar 2006, at 18.33, Nemoguitt@aol.com wrote:

> on the rang under "pitch transpose" you have "half speed"....."the  
> interval that the sound drops can be changed from an octave to a  
> lower 2nd., 4th., 5th, or 7th.".....i like this feature a big bunch..

Wow, I'd like that too if I had a rang. Updated the chart now.

per

From Loopers-Delight-request@loopers-delight.com  Thu Mar 30 16:40:57 2006
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Date: Thu, 30 Mar 2006 11:40:41 EST
Subject: Midi output selector
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Hello, 
     Hello, I am looking to send midi messages from my Roctron All access to 
one of three separate other units (Echoplex, Prophesy, Whammy) individually.   
Sort of a Midi equivalent of an A/B box.   Devices like this must exist, but 
I am not sure what the proper name of such a device is and am having trouble 
locating what I need.   
Can anyone help me in my search? Or have better ideas in which I can achieve 
the same goal?   I don't use a laptop in performance. 

Thanks for any help, 

Donovan Stokes
------------------------------------------------------------------------------
-------
www.donovanstokes.com


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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2">Hello, <BR>
&nbsp;&nbsp;&nbsp;&nbsp; Hello, I am looking to send midi messages from my R=
octron All access to one of three separate other units (Echoplex, Prophesy,=20=
Whammy) individually.&nbsp;  Sort of a Midi equivalent of an A/B box.&nbsp;=20=
 Devices like this must exist, but I am not sure what the proper name of suc=
h a device is and am having trouble locating what I need.&nbsp;  <BR>
Can anyone help me in my search? Or have better ideas in which I can achieve=
 the same goal?&nbsp;  I don't use a laptop in performance. <BR>
<BR>
Thanks for any help, <BR>
<BR>
Donovan Stokes<BR>
----------------------------------------------------------------------------=
---------<BR>
www.donovanstokes.com<BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
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From Loopers-Delight-request@loopers-delight.com  Thu Mar 30 16:54:25 2006
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Subject: Re: Comparison chart of looping devices published
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woop, thought of one more thing -

to the software Loopers section add radiaL by Cycling '74, if you get  
a chance. imho, it's one of the best out there.

http://www.cycling74.com/products/radial

-3nki


From Loopers-Delight-request@loopers-delight.com  Thu Mar 30 17:01:40 2006
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This is outstanding, Per.

Can you add LoopyLlama?  http://www.rekliner.com/?PageID=14

Kris


----- Original Message ----- 
From: "Per Boysen" <perboysen@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, March 30, 2006 9:05 AM
Subject: Comparison chart of looping devices published


> Hi Loopers,
> 
> When working on a mag article about live looping (in Swedish) I did a  
> quick comparison chart over some of the looping devices available  
> today. This afternoon i had some spare time and converted the chart  
> into a web format. If you should happen to detect some incorrect data  
> or if you think that some additional information should be slipped  
> into the chart, please don't hesitate to post suggestions. I intend  
> to let this page stay online for the benefit of the community.
> 
> http://www.looproom.com/looperchart.php
> 
> I left out the Roland RC-50 so far, because they are not yet  
> available. I will borrow one for a while when they ship on may 23 and  
> then fill out the chart on it.
> 
> Greetings from Sweden
> 
> Per Boysen
> 
> 
>

From Loopers-Delight-request@loopers-delight.com  Thu Mar 30 17:05:34 2006
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On 3/30/06, Per Boysen <perboysen@gmail.com> wrote:
> Hi Loopers,
>
> When working on a mag article about live looping (in Swedish) I did a
> quick comparison chart over some of the looping devices available
> today. This afternoon i had some spare time and converted the chart
> into a web format. If you should happen to detect some incorrect data
> or if you think that some additional information should be slipped
> into the chart, please don't hesitate to post suggestions. I intend
> to let this page stay online for the benefit of the community.
>
> http://www.looproom.com/looperchart.php

I'm a bit puzzled by the line for the "Boss RC-20x".

Under 'Undo' it says 'no', but while the RC-20 model has no undo
feature, the RC-20xl does.

I'm not sure which of the two models (RC-20 or RC-20xl) you meant to
represent in the chart, so I'm not sure if this is correct or not.

I'd suggest that since only the RC-20xl is available new now, that the
entry should represent that.

D

From Loopers-Delight-request@loopers-delight.com  Thu Mar 30 17:07:38 2006
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> -----Original Message-----
> From: 3nki [mailto:3nki@modaldub.net]=20
> to the software Loopers section add radiaL by Cycling '74, if=20
> you get a chance. imho, it's one of the best out there.
>=20
> http://www.cycling74.com/products/radial

This looks like more of a static loop triggering tool than=20
what many would consider a "live looper" capable of recording
new loops during performance.    I don't see any mention
of recording, overdub, multiply, feedback, etc.  The fact
that it comes with a "Loop CD" suggests that it wasn't
intended for live recording.  =20

Jeff

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From: Per Boysen <perboysen@gmail.com>
Subject: Radial  (was: Re: Comparison chart of looping devices published)
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On 30 mar 2006, at 18.54, 3nki wrote:

> woop, thought of one more thing -
> to the software Loopers section add radiaL by Cycling '74, if you  
> get a chance. imho, it's one of the best out there.
> http://www.cycling74.com/products/radial


Well, Cycling74 says Radial is a "Loop-based Performance Tool".  
That's the wording I hear from jhno as well. "A looper" has to catch  
live audio to loop. Right?

Or should we count that in as well? If we do that many kind of midi  
arpeggiators should also be listed.

per

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Does the Looperlative really have unlmiited loops?  Everything
I've read suggests that it has a maximum of 8.

Jeff

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On 30 mar 2006, at 19.13, jeff larson wrote:

> Does the Looperlative really have unlmiited loops?  Everything
> I've read suggests that it has a maximum of 8.


Wasn't that "8 tracks"?  I'll check out the manual. Have a  
preliminary PDF here.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast? 
id=128679560&s=143456




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From: Per Boysen <perboysen@gmail.com>
Subject: LoopyLlama  (Re: Comparison chart of looping devices published
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On 30 mar 2006, at 19.01, Kris Hartung wrote:

> Can you add LoopyLlama?  http://www.rekliner.com/?PageID=14


I hope so. Need to either read up on it or get some info submission  
from someone that has been using it. Looking through their web site  
now for a PDF manual or feature specification.

Elotronix was also left out. Maybe that should go into the chart as  
well.

per

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> From: Per Boysen [mailto:perboysen@gmail.com]=20
>=20
> Wasn't that "8 tracks"?  I'll check out the manual. Have a=20
> preliminary PDF here.

There are 8 tracks, but I didn't see anything in the manual that
suggested you could swap between multiple loops within a track.  It
always talks about selecting an "empty track" then recording into it.

Jeff

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On 30 mar 2006, at 18.16, 3nki wrote:

> one suggestion, perhaps add a column for retail price? at least it  
> would give a relative relation among the devices.


Good point. I'll put that in my list...
But maybe it would be better to list an URL to the agent/developer,  
so people can get the correct pricing. I can not take responsibility  
for listing local prices correctly all over the planet ;-)))

Per

From Loopers-Delight-request@loopers-delight.com  Thu Mar 30 17:25:55 2006
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Subject: RE: laptop setup: unwanted clicks
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>>The most common reason for clicks is that your audio block size (and
therefore your latency) is too low. <<

An unstable 'master' clock signal can also cause clicks and pops.  And 
of course AC power can pick up surges and other noises like the 
compressor motors in your fridge starting.

I spent quite a bit of time chasing these pests in my digital recorder. 

Dan Ash
White Plains, NY


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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Comparison chart of looping devices published
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>> From: Per Boysen [mailto:perboysen@gmail.com]
>>
>> Wasn't that "8 tracks"?  I'll check out the manual. Have a
>> preliminary PDF here.
>

On 30 mar 2006, at 19.20, jeff larson wrote:


> There are 8 tracks, but I didn't see anything in the manual that
> suggested you could swap between multiple loops within a track.  It
> always talks about selecting an "empty track" then recording into it.


Ok. Great. Thanks for the quick research. Neither was I able to find  
a "max loops" number in manual.

per

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Subject: Re: Comparison chart of looping devices published
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How do you use this feature?
I've haven't as yet used it because you have to stop the loop to 
change the setting....

Tom Hall
www.freeimprovisation.com



---- Original message ----
>Date: Thu, 30 Mar 2006 11:33:10 EST
>From: Nemoguitt@aol.com 
>Subject: Re: Comparison chart of looping devices published  
>To: Loopers-Delight@loopers-delight.com
>
>   In a message dated 3/30/06 11:05:39 AM,
>   perboysen@gmail.com writes:
>
>     http://www.looproom.com/looperchart.php
>
>   per.....wonderful chart, thnaks.....on the rang
>   under "pitch transpose" you have "half
>   speed"....."the interval that the sound drops can be
>   changed from an octave to a lower 2nd., 4th., 5th,
>   or 7th.".....i like this feature a big
>   bunch.....using a bell for example, the bell sounds
>   too low at an octave drop but at a 4th or 5th it
>   sounds more natural, it's a very flexable and
>   individualistic effect.....mic
>
>   www.ct-collective.com
>   http://mysite.verizon.net/vzepmeci/
>   http://www.myspace.com/klobuchar11

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>> http://www.cycling74.com/products/radial
> 
> This looks like more of a static loop triggering tool than 
> what many would consider a "live looper" capable of recording
> new loops during performance.    I don't see any mention
> of recording, overdub, multiply, feedback, etc.  The fact
> that it comes with a "Loop CD" suggests that it wasn't
> intended for live recording.   

radiaL allows for live recording into a loop buffer, and overdub 
recording. No undo. Once a loop is recorded you can slice and dice it, 
pitch/length change independently, apply a bunch of effects etc. radiaL 
will sync to MIDI.

You are right to a certain extent. radiaL was not originally conceived 
completely as a live looping tool. This functionality has been slowly 
added. I think that it would be accurate to say that the live looping 
functionality in radiaL is not presented as its primary strength, yet it 
exists, to a certain degree.

This simply by way of setting the record straight. In the interests of 
full disclosure - I work for Cycling '74 and one of my current projects 
is the ongoing maintenance and development of radiaL.

Cheers

Andrew

From Loopers-Delight-request@loopers-delight.com  Thu Mar 30 17:33:42 2006
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From: 3nki <3nki@modaldub.net>
Subject: Re: Radial  (was: Re: Comparison chart of looping devices published)
Date: Thu, 30 Mar 2006 14:33:31 -0300
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if you look at the features radial is a lot more than a midi =20
arpeggiator... does a "looper" have to catch live audio? i never =20
thought so. perhaps a "live looper" or "real-time looper"? radial is =20
a very versatile and creative piece of software for manipulating =20
loops and sound clips in either a live or a studio situation. it =20
lends itself to live improvisation. it's entire focus is on =20
manipulating loops in real-time, which to me seems like a "looper". =20
just my 2=A2 of course ;)

-3nki


On Mar 30, 2006, at 2:08 PM, Per Boysen wrote:

> On 30 mar 2006, at 18.54, 3nki wrote:
>
>> woop, thought of one more thing -
>> to the software Loopers section add radiaL by Cycling '74, if you =20
>> get a chance. imho, it's one of the best out there.
>> http://www.cycling74.com/products/radial
>
>
> Well, Cycling74 says Radial is a "Loop-based Performance Tool". =20
> That's the wording I hear from jhno as well. "A looper" has to =20
> catch live audio to loop. Right?
>
> Or should we count that in as well? If we do that many kind of midi =20=

> arpeggiators should also be listed.
>
> per
>
>
>

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might be a dumb question, donovan, but why do you need to "protect" each
device from receiving messages intended for one of the others? 
 
can't you just use a midi-through box (or indeed, daisy-chain the devices'
own thru' sockets) & put them on different midi channels?
 
midi doesn't like to be run through passive switchgear, though if you can
eliminate the possibility of operating the switch while a message is in
transit, so to speak, then it is possible. a guitar tech could probably hook
you something up, with four din sockets & a rotary switch or similar.
 
years ago, I had a through-box with a & b inputs each passively switchable
onto either of two sets of four outputs. I haven't seen anything like it
recently..... 
check this site: http://www.philrees.co.uk/midi.htm
<http://www.philrees.co.uk/midi.htm> 
 
y'see, now that everyone (sic) is studio-bound & using software, those of us
that actually need to do interesting stuff with hardware & midi can't get
anything useful anymore. I'm hanging on to my five merge boxes like they
were bits of the ark or something.
 
duncan/r.m.i.
-----Original Message-----
From: Donearlsto@aol.com [mailto:Donearlsto@aol.com]
Sent: 30 March 2006 17:41
To: Loopers-Delight@loopers-delight.com
Subject: Midi output selector


Hello, 
     Hello, I am looking to send midi messages from my Roctron All access to
one of three separate other units (Echoplex, Prophesy, Whammy) individually.
Sort of a Midi equivalent of an A/B box.  Devices like this must exist, but
I am not sure what the proper name of such a device is and am having trouble
locating what I need.  
Can anyone help me in my search? Or have better ideas in which I can achieve
the same goal?  I don't use a laptop in performance. 

Thanks for any help, 

Donovan Stokes
----------------------------------------------------------------------------
---------
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<DIV><FONT face="AmericanTypewriter Medium" color=#0000ff size=2><SPAN 
class=615172717-30032006>might be a dumb question, donovan, but why do you need 
to "protect" each device from receiving messages intended for one of the others? 
</SPAN></FONT></DIV>
<DIV><FONT face="AmericanTypewriter Medium" color=#0000ff size=2><SPAN 
class=615172717-30032006></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT face="AmericanTypewriter Medium" color=#0000ff size=2><SPAN 
class=615172717-30032006>can't you just use a midi-through box (or indeed, 
daisy-chain the devices' own thru' sockets) &amp; put them on different midi 
channels?</SPAN></FONT></DIV>
<DIV><FONT face="AmericanTypewriter Medium" color=#0000ff size=2><SPAN 
class=615172717-30032006></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT face="AmericanTypewriter Medium" color=#0000ff size=2><SPAN 
class=615172717-30032006>midi doesn't like to be run through passive switchgear, 
though if you can eliminate the possibility of operating the switch while a 
message is in transit, so to speak, then it is possible. a guitar tech could 
probably hook you something up, with four din sockets &amp; a rotary switch or 
similar.</SPAN></FONT></DIV>
<DIV><FONT face="AmericanTypewriter Medium" color=#0000ff size=2><SPAN 
class=615172717-30032006></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT face="AmericanTypewriter Medium" color=#0000ff size=2><SPAN 
class=615172717-30032006>years ago, I had a through-box with a &amp; b inputs 
each passively switchable onto either of two sets of four outputs. I haven't 
seen anything like it recently..... </SPAN></FONT></DIV>
<DIV><FONT face="AmericanTypewriter Medium" color=#0000ff size=2><SPAN 
class=615172717-30032006>check this site: <A 
href="http://www.philrees.co.uk/midi.htm">http://www.philrees.co.uk/midi.htm</A></SPAN></FONT></DIV>
<DIV><FONT face="AmericanTypewriter Medium" color=#0000ff size=2><SPAN 
class=615172717-30032006></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT face="AmericanTypewriter Medium" color=#0000ff size=2><SPAN 
class=615172717-30032006>y'see, now that everyone (sic) is studio-bound &amp; 
using software, those of us that actually need to do interesting stuff with 
hardware &amp; midi can't get anything useful anymore. I'm hanging on to my five 
merge boxes like they were bits of the ark or something.</SPAN></FONT></DIV>
<DIV><FONT face="AmericanTypewriter Medium" color=#0000ff size=2><SPAN 
class=615172717-30032006></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT face="AmericanTypewriter Medium" color=#0000ff size=2><SPAN 
class=615172717-30032006>duncan/r.m.i.</SPAN></FONT></DIV>
<DIV class=OutlookMessageHeader dir=ltr align=left><FONT face=Tahoma 
size=2>-----Original Message-----<BR><B>From:</B> Donearlsto@aol.com 
[mailto:Donearlsto@aol.com]<BR><B>Sent:</B> 30 March 2006 17:41<BR><B>To:</B> 
Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> Midi output 
selector<BR><BR></FONT></DIV><FONT face=arial,helvetica><FONT face=Geneva 
color=#000000 size=2 FAMILY="SANSSERIF">Hello, <BR>&nbsp;&nbsp;&nbsp;&nbsp; 
Hello, I am looking to send midi messages from my Roctron All access to one of 
three separate other units (Echoplex, Prophesy, Whammy) individually.&nbsp; Sort 
of a Midi equivalent of an A/B box.&nbsp; Devices like this must exist, but I am 
not sure what the proper name of such a device is and am having trouble locating 
what I need.&nbsp; <BR>Can anyone help me in my search? Or have better ideas in 
which I can achieve the same goal?&nbsp; I don't use a laptop in performance. 
<BR><BR>Thanks for any help, <BR><BR>Donovan 
Stokes<BR>-------------------------------------------------------------------------------------<BR>www.donovanstokes.com<BR><BR></FONT><FONT 
face=Geneva color=#000000 size=2 FAMILY="SANSSERIF"></FONT></FONT><CODE><FONT SIZE=3><BR>
<BR>
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From Loopers-Delight-request@loopers-delight.com  Thu Mar 30 17:42:29 2006
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Subject: Re: Comparison chart of looping devices published
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At 18:08 30/03/06, you wrote:
>If you should happen to detect some incorrect data
>or if you think that some additional information should be slipped
>into the chart, please don't hesitate to post suggestions. I intend
>to let this page stay online for the benefit of the community.

hey Per,
that's v.nice.

corrections (or are they?)
DL4 does not have feedback control (fixed at 100% play, about 96% overdub)
EDP does stereo record "by buying second unit" .

I think it's unclear what you mean by "tap tempo"


What do you think about a last column for "special features" ?
DL4 .. Delay Models
EDP .. complex arrangements possible.

andy butler
www.andybutler.com
   

From Loopers-Delight-request@loopers-delight.com  Thu Mar 30 17:58:44 2006
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From: Richard Sales <richard@glasswing.com>
Subject: Re: Comparison chart of looping devices published
Date: Thu, 30 Mar 2006 09:58:23 -0800
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Thanks a LOT, Per.

Went to your site and enjoyed your music!

richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 30-Mar-06, at 8:05 AM, Per Boysen wrote:

> Hi Loopers,
>
> When working on a mag article about live looping (in Swedish) I did a 
> quick comparison chart over some of the looping devices available 
> today. This afternoon i had some spare time and converted the chart 
> into a web format. If you should happen to detect some incorrect data 
> or if you think that some additional information should be slipped 
> into the chart, please don't hesitate to post suggestions. I intend to 
> let this page stay online for the benefit of the community.
>
> http://www.looproom.com/looperchart.php
>
> I left out the Roland RC-50 so far, because they are not yet 
> available. I will borrow one for a while when they ship on may 23 and 
> then fill out the chart on it.
>
> Greetings from Sweden
>
> Per Boysen
>

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Thanks a LOT, Per.  


Went to your site and enjoyed your music!  


<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 30-Mar-06, at 8:05 AM, Per Boysen wrote:


<excerpt>Hi Loopers,


When working on a mag article about live looping (in Swedish) I did a
quick comparison chart over some of the looping devices available
today. This afternoon i had some spare time and converted the chart
into a web format. If you should happen to detect some incorrect data
or if you think that some additional information should be slipped
into the chart, please don't hesitate to post suggestions. I intend to
let this page stay online for the benefit of the community.


http://www.looproom.com/looperchart.php


I left out the Roland RC-50 so far, because they are not yet
available. I will borrow one for a while when they ship on may 23 and
then fill out the chart on it.


Greetings from Sweden


Per Boysen


</excerpt>
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Subject: Re: Midi output selector
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Hello,=20
Thanks for responding.   Right now I am running through each boxes thru=20
socket and using different channels. It works fine for my solo playing,   Ho=
wever,=20
what I was hoping to do was have each musician in the group have the ability=
=20
to control not only the devices hooked into their own instrument, but those=20
hooked to the other musicians instruments as well.   (clear as mud?)   In th=
is=20
way, the creativity and spontaneity is increased in improvisation.....of cou=
rse=20
it could lead to a complete disaster as well, but the potential is interesti=
ng=20
to me.
     In order to let one musician control one box connected to their=20
instrument, but leave another open for manipulation by another musician, liv=
e, an A/B=20
setup seemed the only idea.    However, I am not a midi guru by any stretch.=
  =20

Any ideas are welcome!

I will check out the   link you sent me,=20

Donovan Stokes

In a message dated 3/30/06 12:37:40 PM, goddard.duncan@mtvne.com writes:


>=20
> might be a dumb question, donovan, but why do you need to "protect" each=20
> device from receiving messages intended for one of the others?
>=20
>  =A0
>=20
>  can't you just use a midi-through box (or indeed, daisy-chain the devices=
'=20
> own thru' sockets) & put them on different midi channels?
>=20
>  =A0
>=20
>  midi doesn't like to be run through passive switchgear, though if you can=
=20
> eliminate the possibility of operating the switch while a message is in=20
> transit, so to speak, then it is possible. a guitar tech could probably ho=
ok you=20
> something up, with four din sockets & a rotary switch or similar.
>=20
>  =A0
>=20
>  years ago, I had a through-box with a & b inputs each passively switchabl=
e=20
> onto either of two sets of four outputs. I haven't seen anything like it=20
> recently.....
>=20
>  check this site: http://www.philrees.co.uk/midi.htm
>=20
>  =A0
>=20
>  y'see, now that everyone (sic) is studio-bound & using software, those of=
=20
> us that actually need to do interesting stuff with hardware & midi can't g=
et=20
> anything useful anymore. I'm hanging on to my five merge boxes like they w=
ere=20
> bits of the ark or something.
>=20
>  =A0
>=20
>  duncan/r.m.i.
>=20
>=20


--part1_31a.15bc7c6.315d7865_boundary
Content-Type: text/html; charset="ISO-8859-1"
Content-Transfer-Encoding: quoted-printable

<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2">Hello, <BR>
Thanks for responding.&nbsp;  Right now I am running through each boxes thru=
 socket and using different channels. It works fine for my solo playing,&nbs=
p;  However, what I was hoping to do was have each musician in the group hav=
e the ability to control not only the devices hooked into their own instrume=
nt, but those hooked to the other musicians instruments as well.&nbsp;  (cle=
ar as mud?)&nbsp;  In this way, the creativity and spontaneity is increased=20=
in improvisation.....of course it could lead to a complete disaster as well,=
 but the potential is interesting to me.<BR>
&nbsp;&nbsp;&nbsp;  In order to let one musician control one box connected t=
o their instrument, but leave another open for manipulation by another music=
ian, live, an A/B setup seemed the only idea.&nbsp;&nbsp;  However, I am not=
 a midi guru by any stretch.&nbsp;  <BR>
Any ideas are welcome!<BR>
<BR>
I will check out the&nbsp;  link you sent me, <BR>
<BR>
Donovan Stokes<BR>
<BR>
In a message dated 3/30/06 12:37:40 PM, goddard.duncan@mtvne.com writes:<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
</FONT><FONT COLOR=3D"#0000FF" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2">might be a dumb question, donovan, but why do you need to "protect" each=20=
device from receiving messages intended for one of the others?</FONT><FONT C=
OLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
<BR>
 =A0<BR>
<BR>
</FONT><FONT COLOR=3D"#0000FF" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"> can't you just use a midi-through box (or indeed, daisy-chain the device=
s' own thru' sockets) &amp; put them on different midi channels?</FONT><FONT=
 COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
<BR>
 =A0<BR>
<BR>
</FONT><FONT COLOR=3D"#0000FF" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"> midi doesn't like to be run through passive switchgear, though if you ca=
n eliminate the possibility of operating the switch while a message is in tr=
ansit, so to speak, then it is possible. a guitar tech could probably hook y=
ou something up, with four din sockets &amp; a rotary switch or similar.</FO=
NT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><=
BR>
<BR>
 =A0<BR>
<BR>
</FONT><FONT COLOR=3D"#0000FF" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"> years ago, I had a through-box with a &amp; b inputs each passively swit=
chable onto either of two sets of four outputs. I haven't seen anything like=
 it recently.....</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SA=
NSSERIF" SIZE=3D"2"><BR>
<BR>
</FONT><FONT COLOR=3D"#0000FF" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"> check this site:</FONT><FONT COLOR=3D"#0000FF" FACE=3D"Geneva" FAMILY=
=3D"SANSSERIF" SIZE=3D"2"><A HREF=3D"http://www.philrees.co.uk/midi.htm"> ht=
tp://www.philrees.co.uk/midi.htm</A></FONT><FONT COLOR=3D"#000000" FACE=3D"G=
eneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
<BR>
 =A0<BR>
<BR>
</FONT><FONT COLOR=3D"#0000FF" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"> y'see, now that everyone (sic) is studio-bound &amp; using software, tho=
se of us that actually need to do interesting stuff with hardware &amp; midi=
 can't get anything useful anymore. I'm hanging on to my five merge boxes li=
ke they were bits of the ark or something.</FONT><FONT COLOR=3D"#000000" FAC=
E=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
<BR>
 =A0<BR>
<BR>
</FONT><FONT COLOR=3D"#0000FF" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"> duncan/r.m.i.</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SA=
NSSERIF" SIZE=3D"2"><BR>
<BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT></HTML>
--part1_31a.15bc7c6.315d7865_boundary--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 30 18:11:14 2006
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Subject: Re: Interesting VST
Date: Thu, 30 Mar 2006 11:11:09 -0700
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Thanks, Tony. I'll try these out.  I've been sorting through all my VST 
effects, and I have over 400 of them (most of which were free, and I spent 
about $700 on a handful of them). I just recently categorized them 
alphabetically, and I'm going through each of them to see whether I like 
them or not...and if so, load them in my VST host for future use. In the 
process, I discovered I like my Chainer VST host better than EnergyXT. It is 
very simple, and for some reason loading it up with VST effects, even though 
they are not active, doesn't bog down the system....EnergyXT has a problem 
with this.

Kris


----- Original Message ----- 
From: "Tony K" <bigtony@softhome.net>

> Found this collection of VSTs today.  Interesting looking bit crushing and 
> mangling fx.  with a sprinkling of Anime graphics thrown in for good 
> measure. ;)
>
> http://www.jackdark.net/darkwarefree.html
>
>
> Enjoy,
>
> Tony
> 


From Loopers-Delight-request@loopers-delight.com  Thu Mar 30 18:16:08 2006
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From: Richard Sales <richard@glasswing.com>
Subject: Re: laptop setup: unwanted clicks 
Date: Thu, 30 Mar 2006 10:11:45 -0800
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I second the thought that it's digital clock (not MIDI clock or time 
code).  Most likely suspect.

Another is, IF you're playing back prerecorded audio and have edits, in 
the old days I would experience clicks at the beginnings and ends of 
edits if the edits weren't faded in and out.

Also, on VERY DRY days clicks occasionally reappear in my setup 
(ProTools etc).  Static in the air.  But always fading edits in and out 
kills 'em.

I also had a SampleCell card that clicked when it got too warm!  I had 
to reboot when it did.

I would write the creator of the internal looper you're using and ask 
them about the clicking/clocking.

Clocking issues can be a very infuriating mystery.  But they can be 
solved!

Good luck.
richard sales
glassWing farm and studio
vancouver island, b.c.
800.545.6846
250.752.4816
www.glassWing.com
www.richardsales.com
www.hayleysales.com
www.blueberryfieldsfarm.com
On 30-Mar-06, at 8:18 AM, jeff larson wrote:

>> From: nico spahni [mailto:nicosp@gmx.net]
>>
>> I've been experimenting with a laptop looping setup (Apple
>> G4/1.25, RAX, Sooperlooper, various plug-ins).
>>
>> Basically everything works pretty fine if it weren't for
>> those unwanted clicks that make themselves heard every now
>> and then. I haven't figured out yet when exactly they happen
>> - not necessarily when I change a setting or hit a button.
>>
>> Does anyone know what I'm talking about? What is the source
>> of these artifacts?
>
> The most common reason for clicks is that your audio block size (and
> therefore your latency) is too low.  I'm not very familiar with Apple
> audio, but somewhere there should be an option to select a block size,
> typically with numbers like 128, 256, 512, 1024, etc.  Select the next
> higher number and see if the clicks go away.
>
> The issues around block size and latency are complicated.  Basically
> the sound card is constantly asking the audio application for a small
> block of samples to play.  The application has to fill this block in a
> very small amount of time, a few milliseconds.  If this block cannot
> be filled within that time, you "miss an interrupt" and there is a gap
> in the audio stream which sounds like a click.
>
> There are many factors that affect how long it takes an application to
> fill this block but mostly it is the speed of the processor, and the
> number of other plugins or applications you have running at the same
> time.  The more plugins you try to run the slower the application
> becomes and the more likely you are to miss an interrupt.  Some
> plugins are faster than others, delay effects are usually pretty fast
> but complex ones like convolution reverbs are very slow.
>
> If you can't tolerate the higher latency caused by larger block sizes,
> then the only option is to reduce the number of plugins you're
> running.  Of course you have to be careful about non-audio
> applications that are also running.  Don't be surfing the net or
> defragmenting your disk while you run an audio app.  Everything else
> should be shut down.
>
> The second most common reason for clicks is simply software bugs.  If
> it is a software bug, the clicks usually happen regularly, like at the
> start point of the loop, or after a certain function is performed.  If
> the clicks happen at random it is probably due to latency.
>
> Jeff
>

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I second the thought that it's <italic>digital</italic> clock (not
MIDI clock or time code).  Most likely suspect.


Another is, IF you're playing back prerecorded audio and have edits,
in the old days I would experience clicks at the beginnings and ends
of edits if the edits weren't faded in and out. 


Also, on VERY DRY days clicks occasionally reappear in my setup
(ProTools etc).  Static in the air.  But always fading edits in and
out kills 'em.


I also had a SampleCell card that clicked when it got too warm!  I had
to reboot when it did.


I would write the creator of the internal looper you're using and ask
them about the clicking/clocking. 


Clocking issues can be a very infuriating mystery.  But they can be
solved!


Good luck.  

<fontfamily><param>Gadget</param>richard sales

<color><param>7373,7F7F,C5C5</param>glassWing farm and studio</color>

vancouver island, b.c.

800.545.6846

250.752.4816<color><param>C3C3,9696,1C1C</param>

www.glassWing.com

www.richardsales.com

www.hayleysales.com

www.blueberryfieldsfarm.com</color></fontfamily>

On 30-Mar-06, at 8:18 AM, jeff larson wrote:


<excerpt><excerpt>From: nico spahni [mailto:nicosp@gmx.net] 


I've been experimenting with a laptop looping setup (Apple 

G4/1.25, RAX, Sooperlooper, various plug-ins).


Basically everything works pretty fine if it weren't for 

those unwanted clicks that make themselves heard every now 

and then. I haven't figured out yet when exactly they happen 

- not necessarily when I change a setting or hit a button.


Does anyone know what I'm talking about? What is the source 

of these artifacts?

</excerpt>

The most common reason for clicks is that your audio block size (and

therefore your latency) is too low.  I'm not very familiar with Apple

audio, but somewhere there should be an option to select a block size,

typically with numbers like 128, 256, 512, 1024, etc.  Select the next

higher number and see if the clicks go away.


The issues around block size and latency are complicated.  Basically

the sound card is constantly asking the audio application for a small

block of samples to play.  The application has to fill this block in a

very small amount of time, a few milliseconds.  If this block cannot

be filled within that time, you "miss an interrupt" and there is a gap

in the audio stream which sounds like a click.


There are many factors that affect how long it takes an application to

fill this block but mostly it is the speed of the processor, and the

number of other plugins or applications you have running at the same

time.  The more plugins you try to run the slower the application

becomes and the more likely you are to miss an interrupt.  Some

plugins are faster than others, delay effects are usually pretty fast

but complex ones like convolution reverbs are very slow.


If you can't tolerate the higher latency caused by larger block sizes,

then the only option is to reduce the number of plugins you're

running.  Of course you have to be careful about non-audio

applications that are also running.  Don't be surfing the net or

defragmenting your disk while you run an audio app.  Everything else

should be shut down.


The second most common reason for clicks is simply software bugs.  If

it is a software bug, the clicks usually happen regularly, like at the

start point of the loop, or after a certain function is performed.  If

the clicks happen at random it is probably due to latency.


Jeff


</excerpt>
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Subject: Re: Comparison chart of looping devices published
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In a message dated 3/30/06 12:28:25 PM, tohall@rcn.com writes:


> How do you use this feature?
> I've haven't as yet used it because you have to stop the loop to
> change the setting....
> 
> 

tom.....that's the bummer, you can't do this on the fly (re: rang pitch 
shift) and only the upgraded rang + allows for the several different shifts, the 
original rang just gave you the octave option.....to do this: hold the stack 
(speed) button down till the red lite blinks then step on the play (stop) button 
to change thru pitch options.....keep in mind that you can go down or up in 
pitch depending what setting you are in when you record i.e if you record a loop 
in the regular setting and stop, then hit the stack button, you go down an 
octave, if you record with the rang in the lower octave setting then switch over 
to regular you will go up an octave.....the way i usually switch pitches is i 
have other things playing, a loop on the mo-fx, some little loops on the zoom 
2100 and then you can play like a mad man to cover up the silence of the 
switch of the rangs pitch.....mic



www.ct-collective.com
http://mysite.verizon.net/vzepmeci/
http://www.myspace.com/klobuchar11

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
In a message dated 3/30/06 12:28:25 PM, tohall@rcn.com writes:<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">How do you use this f=
eature?<BR>
I've haven't as yet used it because you have to stop the loop to<BR>
change the setting....<BR>
<BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2">tom.....that's the bummer, you can't do this on the fly (re: rang pitch s=
hift) and only the upgraded rang + allows for the several different shifts,=20=
the original rang just gave you the octave option.....to do this: hold the s=
tack (speed) button down till the red lite blinks then step on the play (sto=
p) button to change thru pitch options.....keep in mind that you can go down=
 or up in pitch depending what setting you are in when you record i.e if you=
 record a loop in the regular setting and stop, then hit the stack button, y=
ou go down an octave, if you record with the rang in the lower octave settin=
g then switch over to regular you will go up an octave.....the way i usually=
 switch pitches is i have other things playing, a loop on the mo-fx, some li=
ttle loops on the zoom 2100 and then you can play like a mad man to cover up=
 the silence of the switch of the rangs pitch.....mic<BR>
<BR>
<BR>
<BR>
www.ct-collective.com<BR>
http://mysite.verizon.net/vzepmeci/<BR>
http://www.myspace.com/klobuchar11<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT></HTML>
--part1_76.6664a38b.315d7a7c_boundary--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 30 18:20:58 2006
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From: Craig McCollough <craig@craigmccollough.com>
Subject: Re: Midi output selector
Date: Thu, 30 Mar 2006 10:20:29 -0800
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Hi Donovan -

I have a piece of gear like this: http://tinyurl.com/mastr

(That was not my auction - just an example)

I know longer use it, and it may be just the thing for you. Here is a  
link to the manual:
http://www2.yamaha.co.jp/manual/pdf/emi/english/synth/MJC8E.PDF

Let me know what you think. I'll let it go for cheap + shipping
Craig

On Mar 30, 2006, at 10:07 AM, Donearlsto@aol.com wrote:

> Hello,
> Thanks for responding.  Right now I am running through each boxes  
> thru socket and using different channels. It works fine for my solo  
> playing,  However, what I was hoping to do was have each musician  
> in the group have the ability to control not only the devices  
> hooked into their own instrument, but those hooked to the other  
> musicians instruments as well.  (clear as mud?)  In this way, the  
> creativity and spontaneity is increased in improvisation.....of  
> course it could lead to a complete disaster as well, but the  
> potential is interesting to me.
>     In order to let one musician control one box connected to their  
> instrument, but leave another open for manipulation by another  
> musician, live, an A/B setup seemed the only idea.   However, I am  
> not a midi guru by any stretch.
> Any ideas are welcome!
>
> I will check out the  link you sent me,
>
> Donovan Stokes
>
> In a message dated 3/30/06 12:37:40 PM, goddard.duncan@mtvne.com  
> writes:
>
>
>>
>> might be a dumb question, donovan, but why do you need to  
>> "protect" each device from receiving messages intended for one of  
>> the others?
>>
>>
>>
>> can't you just use a midi-through box (or indeed, daisy-chain the  
>> devices' own thru' sockets) & put them on different midi channels?
>>
>>
>>
>> midi doesn't like to be run through passive switchgear, though if  
>> you can eliminate the possibility of operating the switch while a  
>> message is in transit, so to speak, then it is possible. a guitar  
>> tech could probably hook you something up, with four din sockets &  
>> a rotary switch or similar.
>>
>>
>>
>> years ago, I had a through-box with a & b inputs each passively  
>> switchable onto either of two sets of four outputs. I haven't seen  
>> anything like it recently.....
>>
>> check this site: http://www.philrees.co.uk/midi.htm
>>
>>
>>
>> y'see, now that everyone (sic) is studio-bound & using software,  
>> those of us that actually need to do interesting stuff with  
>> hardware & midi can't get anything useful anymore. I'm hanging on  
>> to my five merge boxes like they were bits of the ark or something.
>>
>>
>>
>> duncan/r.m.i.
>>
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Mar 30 18:30:49 2006
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MIDI Solutions has a lot of little boxes that could help including this A/B:
http://www.midisolutions.com/prodab.htm

Other mergers and splitters are listed on their products page:
http://www.midisolutions.com/products.htm



At 2006.03.30 10:07 AM, Donearlsto@aol.com wrote:
>Hello,
>Thanks for responding.  Right now I am running through each boxes thru 
>socket and using different channels. It works fine for my solo 
>playing,  However, what I was hoping to do was have each musician in the 
>group have the ability to control not only the devices hooked into their 
>own instrument, but those hooked to the other musicians instruments as 
>well.  (clear as mud?)  In this way, the creativity and spontaneity is 
>increased in improvisation.....of course it could lead to a complete 
>disaster as well, but the potential is interesting to me.
>     In order to let one musician control one box connected to their 
> instrument, but leave another open for manipulation by another musician, 
> live, an A/B setup seemed the only idea.   However, I am not a midi guru 
> by any stretch.
>Any ideas are welcome!
>
>I will check out the  link you sent me,

From Loopers-Delight-request@loopers-delight.com  Thu Mar 30 18:44:35 2006
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Great list, Per.

Now can you change it to include all of the obscure loopers and features 
that I know about, so that I don't have to remember what they are? :) :)

Just kidding.  Thanks for putting it together!

D

Per Boysen wrote:

> Hi Loopers,
>
> When working on a mag article about live looping (in Swedish) I did a  
> quick comparison chart over some of the looping devices available  
> today. This afternoon i had some spare time and converted the chart  
> into a web format. If you should happen to detect some incorrect data  
> or if you think that some additional information should be slipped  
> into the chart, please don't hesitate to post suggestions. I intend  
> to let this page stay online for the benefit of the community.
>
> http://www.looproom.com/looperchart.php
>
> I left out the Roland RC-50 so far, because they are not yet  
> available. I will borrow one for a while when they ship on may 23 and  
> then fill out the chart on it.
>
> Greetings from Sweden
>
> Per Boysen
>
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Mar 30 19:08:06 2006
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Dan Ash wrote:

> An unstable 'master' clock signal can also cause clicks and pops.  And 
> of course AC power can pick up surges and other noises like the 
> compressor motors in your fridge starting.

When I lived in Paris, my apartment was above a lighting firm that 
specialised in fluorescent lighting displays. The noise interference 
made it impossible to record without random clicks appearing... :(

If you've checked your buffer size, cpu usage, latency and are using 
good quality cables, the next route to go down might be a mains filter 
to clean up the A/C into your music gear.

- Stuart Wyatt  http://swyatt.com

From Loopers-Delight-request@loopers-delight.com  Thu Mar 30 21:02:30 2006
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On 30 mar 2006, at 19.32, Wyatt wrote:

> radiaL allows for live recording into a loop buffer, and overdub  
> recording. No undo. Once a loop is recorded you can slice and dice  
> it, pitch/length change independently, apply a bunch of effects  
> etc. radiaL will sync to MIDI.
>
> You are right to a certain extent. radiaL was not originally  
> conceived completely as a live looping tool. This functionality has  
> been slowly added. I think that it would be accurate to say that  
> the live looping functionality in radiaL is not presented as its  
> primary strength, yet it exists, to a certain degree.



Hi Andrew,

Thanks a lot for the input. I have updated the online chart accordingly.

> pitch/length change independently

Does that mean "time-stretch of audio" or "changing the sample  
rate" (the loop length also affected)?

Greetings from Sweden

Per Boysen



From Loopers-Delight-request@loopers-delight.com  Thu Mar 30 21:20:56 2006
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> 
> Hi Andrew,
> 
> Thanks a lot for the input. I have updated the online chart accordingly.

Thanks for doing this! that list is very informative.

> 
>> pitch/length change independently
> 
> Does that mean "time-stretch of audio" or "changing the sample rate" 
> (the loop length also affected)?


Not quite sure what you mean about changing the sample rate.

Once an audio loop has been established, there is a fairly inconvenient 
way of stretching it without changing its pitch by way of simultaneously 
slowing down or speeding up the loop playback while raising/lowering the 
pitch of the loop. You can assign a MIDI controller which will do both 
jobs at the same time. radiaL does not have a standard way of stretching 
the contents of a loop buffer to a certain number of beats or something 
without changing pitch.

-A


From Loopers-Delight-request@loopers-delight.com  Thu Mar 30 21:35:39 2006
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From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Radial  (was: Re: Comparison chart of looping devices published)
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Logically it makes sense to dismiss something like
Radial as a "Looper" in this context.  If you let it
in the list, you'd have a huge list!  All samplers
have a loop ability... are they "Loopers" in the sense
that we are talking about them here?  I've done really
cool things with LiSa, but even though it allows you
to capture audio and loop it, I still think it's more
in the realm of sampler than looper.  I can loop an
audio file using Peak.  Is it a looper?  No.

Mark

--- 3nki <3nki@modaldub.net> wrote:

> does a "looper" have to catch live
> audio? i never thought so. perhaps a "live looper"
or "real-time
> looper"?

__________________________________________________
Do You Yahoo!?
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From Loopers-Delight-request@loopers-delight.com  Thu Mar 30 21:41:12 2006
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Very cool to see this info all in one place...

Thanks Per!

From Loopers-Delight-request@loopers-delight.com  Thu Mar 30 21:58:22 2006
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From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Comparison chart of looping devices published
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Oops, disregard my last post... though I still stand
on the defination Per's using.

--- Wyatt <gunfight@theokcorral.net> wrote:

> radiaL allows for live recording into a loop buffer,
> and overdub 
> recording. No undo. Once a loop is recorded you can
> slice and dice it, 
> pitch/length change independently, apply a bunch of
> effects etc. radiaL 
> will sync to MIDI.
> 
> You are right to a certain extent. radiaL was not
> originally conceived 
> completely as a live looping tool. This
> functionality has been slowly 
> added. I think that it would be accurate to say that
> the live looping 
> functionality in radiaL is not presented as its
> primary strength, yet it 
> exists, to a certain degree.
> 
> This simply by way of setting the record straight.
> In the interests of 
> full disclosure - I work for Cycling '74 and one of
> my current projects 
> is the ongoing maintenance and development of
> radiaL.
> 
> Cheers
> 
> Andrew
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Thu Mar 30 22:00:43 2006
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From: 3nki <3nki@modaldub.net>
Subject: Re: Radial  (was: Re: Comparison chart of looping devices published)
Date: Thu, 30 Mar 2006 19:00:39 -0300
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have you read the specs or tried the app? radial is A LOT different  
than Peak!

radiaL is the Logic of looping apps. like Live but better. it's built  
around the concept of loops and looping (not to mention improvisation  
and life performance). to me, that makes it qualify as a "looper".

-3nki


On Mar 30, 2006, at 6:35 PM, mark sottilaro wrote:

> Logically it makes sense to dismiss something like
> Radial as a "Looper" in this context.  If you let it
> in the list, you'd have a huge list!  All samplers
> have a loop ability... are they "Loopers" in the sense
> that we are talking about them here?  I've done really
> cool things with LiSa, but even though it allows you
> to capture audio and loop it, I still think it's more
> in the realm of sampler than looper.  I can loop an
> audio file using Peak.  Is it a looper?  No.
>
> Mark
>
> --- 3nki <3nki@modaldub.net> wrote:
>
>> does a "looper" have to catch live
>> audio? i never thought so. perhaps a "live looper"
> or "real-time
>> looper"?
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Mar 30 22:09:54 2006
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Hello!

Thursday, March 30, 2006, 1:18:52 PM, you wrote:

sh> some time ago, we had a little conversation about how to get live "stutter"
sh> fx and we posted a few ideas about the sort of features we might like in 
sh> such a device...

sh> anyway...i just came across the Zvex Tremorama....which has a "random" 
sh> mode...see what you think...

sh> http://www.zvex.com/tremorama.html

First of all, it's a my first message after two years of lurking. This
topic forced me to get out of hideout :-)

Because I've developed a stutter pedal some time ago being inspired by that "little
conversation". And like to show it to list.

Here is the photos:
http://home.planetahost.ru/~firewood/images/mixmaster_web_ns.jpg
http://home.planetahost.ru/~firewood/images/mixmaster_top.jpg

This cat is about a size of Zvex's pedals, and basically being a small
active mixer|external send/return|A/B box - whatever you'll call it.

Single knob adjusting balance between dry sound/FX loop.

Two shiny buttons, latched (toggle) and momentary, mute FX loop.
Depending of mode (pre/post switch), FX loop could be muted before
send or after return. First mode useful to insert a short sample to
delay in loop, and second mode is general purpose - could be used
to blend clean and distorted sound, for example.

Curious enought, this box turn out to be a very useful gadget -
could be used as FX blender, DI-box, splitter, instrument switcher,
stutter, volume switcher (to add some gain for solo :-) ,
feedbacker (send FX loop 'out' to 'in' for beautiful & weird
sounds) ... and maybe a couple of other application.

I mostly use it to send sound into PC for software processing and
looping, and blend to dry sound. And stuttering effects, of course !

PS By the way, I'm from Moscow, Russia. Wonder if some other russian
guys reading this list :-)

-- 


From Loopers-Delight-request@loopers-delight.com  Thu Mar 30 22:32:14 2006
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Date: Thu, 30 Mar 2006 17:31:42 -0500
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I appreciate the help, especially from Per, on my decision of a new 
laptop for performance looping.  If I may, allow me to through out 
another puzzle.

It's almost time to replace my precious K2K.  For years, I've been using 
it with sequences of MIDI and samples to drive my guitar rack, featuring 
a Repeater, via the thru-put of a FCB1010.  The system has always synced 
rock solid.  

But, this board is getting pretty old, as it was a early version now 
fully updated.  I want to retire it to the studio while it still works 
and sounds great.  

Besides the incredible abilities of the K2K synth, there are two 
specific features that I have not been able to find equipment or 
software to replace, and they are both found in the Arrangement section 
of its sequencer.  It is the availability of both of them that has made 
this instrument indispensable to me.  

The first is the ability to set points within the arrangement that can 
be triggered via a pedal controller (in this case, an old Fatar MP-1).  

The second is the ability to set multiple infinite loop points within 
the arrangement.  These two together offer me the ability to move around 
the song at will, soloing instrumentally or vamping vocally over the 
preset loop sections, while playing linearly through verses, choruses, 
refrains, bridges, yada, yada, yada; basically arranging on the fly.

I think I can replicate most of this with Ableton Live 5, but not freely 
(only one loop point per arrangement).  

Here's where the looper content comes in.

When I insert my MOTU micro express into the MIDI chain, the Repeater 
will not longer solidly sync.  It gets close, but sooner or later swings 
+.5 to -1.3 bpm, and will not recover the downbeat.  

Not only will it not sync with the laptop, but responds the same to the 
K2K when it's clock is fed through the interface.  

 From what I've seen here and on the Repeater list, I have a relatively 
complex rig that allows me to feed the Repeater from AGtr, a Roland 
VG/GR rig &/or a mic at will.  I'd hate to lose this ability, but I 
gotta do something.

Anyone have any ideas where to look next?

I put this on the Repeater list also.  Maybe with the help of both 
groups, I can figure this out.


Dan Montgomery
music.download.com/danmontgomery
www.myspace.com/precentor

From Loopers-Delight-request@loopers-delight.com  Thu Mar 30 22:38:33 2006
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3nki wrote:
> have you read the specs or tried the app? radial is A LOT different 
> than Peak!
>
> radiaL is the Logic of looping apps. like Live but better. it's built 
> around the concept of loops and looping (not to mention improvisation 
> and life performance). to me, that makes it qualify as a "looper".
>
> -3nki


Do you have a URL for radaiL?  Google's got nada.

dm

From Loopers-Delight-request@loopers-delight.com  Thu Mar 30 23:00:59 2006
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Regarding the LP-1, it does  8 independent tracks, with the ability to build
overdubs on any of them, So far I haven't done any tests to run out of
memory as I don't tend to loop realy long passages anyway, but i'll make a
point of it and see what happens.
 Hello Per, thanks for the effort, its been raining acts and dogs in
California, howz the weather in Sweden?

Bill

-----Original Message-----
From: Per Boysen [mailto:perboysen@gmail.com]
Sent: Thursday, March 30, 2006 9:16 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Comparison chart of looping devices published


On 30 mar 2006, at 19.13, jeff larson wrote:

> Does the Looperlative really have unlmiited loops?  Everything
> I've read suggests that it has a maximum of 8.


Wasn't that "8 tracks"?  I'll check out the manual. Have a
preliminary PDF here.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?
id=128679560&s=143456







From Loopers-Delight-request@loopers-delight.com  Thu Mar 30 23:02:12 2006
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From: "William Walker" <billwalker@baymoon.com>
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Subject: RE: Midi output selector
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This is a multi-part message in MIME format.

------=_NextPart_000_001D_01C6540A.EC9B6190
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check out the edirol midi patch bays, made by Roland.
Bill
  -----Original Message-----
  From: Donearlsto@aol.com [mailto:Donearlsto@aol.com]
  Sent: Thursday, March 30, 2006 8:41 AM
  To: Loopers-Delight@loopers-delight.com
  Subject: Midi output selector


  Hello,
       Hello, I am looking to send midi messages from my Roctron All access
to one of three separate other units (Echoplex, Prophesy, Whammy)
individually.  Sort of a Midi equivalent of an A/B box.  Devices like this
must exist, but I am not sure what the proper name of such a device is and
am having trouble locating what I need.
  Can anyone help me in my search? Or have better ideas in which I can
achieve the same goal?  I don't use a laptop in performance.

  Thanks for any help,

  Donovan Stokes
  --------------------------------------------------------------------------
-----------
  www.donovanstokes.com


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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Dus-ascii">
<META content=3D"MSHTML 6.00.2900.2802" name=3DGENERATOR></HEAD>
<BODY>
<DIV><SPAN class=3D203440123-30032006><FONT face=3DArial color=3D#0000ff =
size=3D2>check=20
out the edirol midi patch bays, made by Roland.</FONT></SPAN></DIV>
<DIV><SPAN class=3D203440123-30032006><FONT face=3DArial color=3D#0000ff =

size=3D2>Bill</FONT></SPAN></DIV>
<BLOCKQUOTE>
  <DIV class=3DOutlookMessageHeader dir=3Dltr align=3Dleft><FONT =
face=3DTahoma=20
  size=3D2>-----Original Message-----<BR><B>From:</B> Donearlsto@aol.com =

  [mailto:Donearlsto@aol.com]<BR><B>Sent:</B> Thursday, March 30, 2006 =
8:41=20
  AM<BR><B>To:</B> =
Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> Midi=20
  output selector<BR><BR></FONT></DIV><FONT face=3Darial,helvetica><FONT =

  face=3DGeneva color=3D#000000 size=3D2 FAMILY=3D"SANSSERIF">Hello,=20
  <BR>&nbsp;&nbsp;&nbsp;&nbsp; Hello, I am looking to send midi messages =
from my=20
  Roctron All access to one of three separate other units (Echoplex, =
Prophesy,=20
  Whammy) individually.&nbsp; Sort of a Midi equivalent of an A/B =
box.&nbsp;=20
  Devices like this must exist, but I am not sure what the proper name =
of such a=20
  device is and am having trouble locating what I need.&nbsp; <BR>Can =
anyone=20
  help me in my search? Or have better ideas in which I can achieve the =
same=20
  goal?&nbsp; I don't use a laptop in performance. <BR><BR>Thanks for =
any help,=20
  <BR><BR>Donovan=20
  =
Stokes<BR>---------------------------------------------------------------=
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From Loopers-Delight-request@loopers-delight.com  Thu Mar 30 23:02:29 2006
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Date: Fri, 31 Mar 2006 01:02:27 +0200 (CEST)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: Live-looper clip
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Hi !
  Link to live-consert with the greate looper and guitarist Eivind Aarsets and his band.
  http://www.buggesroom.com/pub/studioconcerts/2005_9_20_17.7.2.shtml?cat=studioconcertskommende
   
  Aarset has also played with Hassell.
   
  best regards of Rune   

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<DIV>Hi !</DIV>  <DIV>Link to live-consert with&nbsp;the greate looper and guitarist Eivind Aarsets and his band.</DIV>  <DIV><A href="http://www.buggesroom.com/pub/studioconcerts/2005_9_20_17.7.2.shtml?cat=studioconcertskommende">http://www.buggesroom.com/pub/studioconcerts/2005_9_20_17.7.2.shtml?cat=studioconcertskommende</A></DIV>  <DIV>&nbsp;</DIV>  <DIV>Aarset has also played&nbsp;with Hassell.</DIV>  <DIV>&nbsp;</DIV>  <DIV>best regards&nbsp;of Rune &nbsp;&nbsp;</DIV>
--0-1974740013-1143759747=:51498--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 30 23:51:43 2006
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http://www.cycling74.com/products/radial


From Loopers-Delight-request@loopers-delight.com  Thu Mar 30 23:58:57 2006
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Subject: Re: Live-looper clip
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>   Link to live-consert with the greate looper and guitarist Eivind Aarsets and
> his band.
http://www.buggesroom.com/pub/studioconcerts/2005_9_20_17.7.2.shtml?cat=studioconcertskommende

Nice, Rune!

Do you know what they're using for the video that's being projected onto the
screen?

Cheers,
Kevin
www.TheNettles.com


From Loopers-Delight-request@loopers-delight.com  Fri Mar 31 00:00:13 2006
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From: "Kris Hartung" <khartung@cableone.net>
To: <Loopers-Delight@loopers-delight.com>
References: <353e2ed80603290028p71c6779gf39d1cca42ca20f4@mail.gmail.com> <003b01c65379$743eaa90$3300a8c0@Exscribe.com>
Subject: Re: Interesting VST
Date: Thu, 30 Mar 2006 17:00:07 -0700
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I love Glitch Jockey! (the picture will motivate me too....)

 I just tried all these out...great stuff for being free! More toys....

Kris

----- Original Message ----- 
From: "Tony K" <bigtony@softhome.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, March 29, 2006 2:33 PM
Subject: Interesting VST


> Found this collection of VSTs today.  Interesting looking bit crushing and 
> mangling fx.  with a sprinkling of Anime graphics thrown in for good 
> measure. ;)
>
> http://www.jackdark.net/darkwarefree.html
>
>
> Enjoy,
>
> Tony
> 


From Loopers-Delight-request@loopers-delight.com  Fri Mar 31 00:19:26 2006
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Date: Thu, 30 Mar 2006 16:19:24 -0800 (PST)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: stutter in a pedal
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Also, check out the Adrenalinn.  A VERY cool little
pedal.  Great thing is it will sync to your midi clock
AND you can program your stutters in a drummachine
like way.  A very deep pedal, that's just the tip of
it's iceburg of capabilities.

--- Denis 'Diz' Loskutnikov <dizzy@spacenet.ru> wrote:

> Hello!
> 
> Thursday, March 30, 2006, 1:18:52 PM, you wrote:
> 
> sh> some time ago, we had a little conversation
> about how to get live "stutter"
> sh> fx and we posted a few ideas about the sort of
> features we might like in 
> sh> such a device...
> 
> sh> anyway...i just came across the Zvex
> Tremorama....which has a "random" 
> sh> mode...see what you think...
> 
> sh> http://www.zvex.com/tremorama.html
> 
> First of all, it's a my first message after two
> years of lurking. This
> topic forced me to get out of hideout :-)
> 
> Because I've developed a stutter pedal some time ago
> being inspired by that "little
> conversation". And like to show it to list.
> 
> Here is the photos:
>
http://home.planetahost.ru/~firewood/images/mixmaster_web_ns.jpg
>
http://home.planetahost.ru/~firewood/images/mixmaster_top.jpg
> 
> This cat is about a size of Zvex's pedals, and
> basically being a small
> active mixer|external send/return|A/B box - whatever
> you'll call it.
> 
> Single knob adjusting balance between dry sound/FX
> loop.
> 
> Two shiny buttons, latched (toggle) and momentary,
> mute FX loop.
> Depending of mode (pre/post switch), FX loop could
> be muted before
> send or after return. First mode useful to insert a
> short sample to
> delay in loop, and second mode is general purpose -
> could be used
> to blend clean and distorted sound, for example.
> 
> Curious enought, this box turn out to be a very
> useful gadget -
> could be used as FX blender, DI-box, splitter,
> instrument switcher,
> stutter, volume switcher (to add some gain for solo
> :-) ,
> feedbacker (send FX loop 'out' to 'in' for beautiful
> & weird
> sounds) ... and maybe a couple of other application.
> 
> I mostly use it to send sound into PC for software
> processing and
> looping, and blend to dry sound. And stuttering
> effects, of course !
> 
> PS By the way, I'm from Moscow, Russia. Wonder if
> some other russian
> guys reading this list :-)
> 
> -- 
> 
> 
> 


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From Loopers-Delight-request@loopers-delight.com  Fri Mar 31 00:35:29 2006
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Date: Thu, 30 Mar 2006 16:35:27 -0800 (PST)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Out of sync looper
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Hey Dan,

sounds like we may have similar set ups... however I
have the microexpress and I have no sync issues ever. 
My clock is being generated by Digital Performer 4.6. 
It's solid.  Never have an issue.

Can you describe more of your signal chain?  My
Repeater is first in line with one of the
microexpress' outputs.  I have my 1010 feeding into
the microexpress and routed to the Repeater's outputs.

--- Dan Montgomery <dmont@knology.net> wrote:

> When I insert my MOTU micro express into the MIDI
> chain, the Repeater 
> will not longer solidly sync.  It gets close, but
> sooner or later swings 
> +.5 to -1.3 bpm, and will not recover the downbeat. 
> 
> 
> Not only will it not sync with the laptop, but
> responds the same to the 
> K2K when it's clock is fed through the interface.  
> 
>  From what I've seen here and on the Repeater list,
> I have a relatively 
> complex rig that allows me to feed the Repeater from
> AGtr, a Roland 
> VG/GR rig &/or a mic at will.  I'd hate to lose this
> ability, but I 
> gotta do something.
> 
> Anyone have any ideas where to look next?
> 
> I put this on the Repeater list also.  Maybe with
> the help of both 
> groups, I can figure this out.
> 
> 
> Dan Montgomery
> music.download.com/danmontgomery
> www.myspace.com/precentor
> 
> 


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From Loopers-Delight-request@loopers-delight.com  Fri Mar 31 00:44:11 2006
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Date: Thu, 30 Mar 2006 16:44:09 -0800 (PST)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Radial  (was: Re: Comparison chart of looping devices published)
To: Loopers-Delight@loopers-delight.com
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Not recently, that's why I took back my post after
reading that they added those functions.  Now I'm
interested in checking it out for sure.

--- 3nki <3nki@modaldub.net> wrote:

> have you read the specs or tried the app? radial is
> A LOT different  
> than Peak!
> 
> radiaL is the Logic of looping apps. like Live but
> better. it's built  
> around the concept of loops and looping (not to
> mention improvisation  
> and life performance). to me, that makes it qualify
> as a "looper".
> 
> -3nki
> 
> 
> On Mar 30, 2006, at 6:35 PM, mark sottilaro wrote:
> 
> > Logically it makes sense to dismiss something like
> > Radial as a "Looper" in this context.  If you let
> it
> > in the list, you'd have a huge list!  All samplers
> > have a loop ability... are they "Loopers" in the
> sense
> > that we are talking about them here?  I've done
> really
> > cool things with LiSa, but even though it allows
> you
> > to capture audio and loop it, I still think it's
> more
> > in the realm of sampler than looper.  I can loop
> an
> > audio file using Peak.  Is it a looper?  No.
> >
> > Mark
> >
> > --- 3nki <3nki@modaldub.net> wrote:
> >
> >> does a "looper" have to catch live
> >> audio? i never thought so. perhaps a "live
> looper"
> > or "real-time
> >> looper"?
> >
> > __________________________________________________
> > Do You Yahoo!?
> > Tired of spam?  Yahoo! Mail has the best spam
> protection around
> > http://mail.yahoo.com
> >
> >
> >
> 
> 


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For what it's worth:

If you are interested in a huge resource for free and shareware (and 
inexpensive payware)
VST instruments (and other formats as well) for both PC and Mac
then please come join me at the AUDIO PLUGIN JUNKIES TRIBE at Tribe.net

http://plugins.tribe.net/

In the original postings at that tribe we came up with an enormous list of 
free VST plugins, especially.

Tribe.net is free to join and they have an excellent privacy policy so you 
don't have to fear spam emanating from
joining them.

Many members of Loopers Delight are already subscribed and we are proud to 
number several really good
plugin designers at the tribe (including our own Andy Butler).

I'll see you there.   Mention Loopers Delight and you can join for free. 
Ooooops,   it already is free to join.
Mention Loopers Delight and you will get a huge smile from me.

Rick Walker
moderator
Live Looping Tribe
Audio Plugin Junkies Annonymous Tribe 

From Loopers-Delight-request@loopers-delight.com  Fri Mar 31 01:19:53 2006
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Does the Looperlative store loops on-board in the machine??  I didn't think
it could do that.


----- Original Message ----- 
From: "jeff larson" <jeff.larson@sailpoint.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, March 30, 2006 12:13 PM
Subject: RE: Comparison chart of looping devices published



Does the Looperlative really have unlmiited loops?  Everything
I've read suggests that it has a maximum of 8.

Jeff

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At The End Of Time - RF

I try not to, but sometimes my curiosity gets the better of me...  And this
time I'm perhaps lucky.  I went to check out the www.DGMLive.com website to
see what music is available for free download.  Currently there's a very
nice piece called "At The End Of Time."    It's really quite astounding to
think this was a live improvization.   It features the orchestral thematic
development has been working the last 12 months, but also now with some
soloing and a developed denoument.  Worth checking out if you're into his
sort of thing.







From Loopers-Delight-request@loopers-delight.com  Fri Mar 31 02:27:14 2006
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No, it is volatile memory, turn it off and the loops are gone.
Bill 

-----Original Message-----
From: David Kirkdorffer [mailto:vze2ncsr@verizon.net]
Sent: Thursday, March 30, 2006 5:28 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Comparison chart of looping devices published


Does the Looperlative store loops on-board in the machine??  I didn't think
it could do that.


----- Original Message ----- 
From: "jeff larson" <jeff.larson@sailpoint.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, March 30, 2006 12:13 PM
Subject: RE: Comparison chart of looping devices published



Does the Looperlative really have unlmiited loops?  Everything
I've read suggests that it has a maximum of 8.

Jeff




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From Loopers-Delight-request@loopers-delight.com  Fri Mar 31 03:09:26 2006
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I second that recommendation!  Whenever I need a VST fix, I go to da tribe, 
man....I'm overdue, in fact.

Kris

> For what it's worth:
>
> If you are interested in a huge resource for free and shareware (and 
> inexpensive payware)
> VST instruments (and other formats as well) for both PC and Mac
> then please come join me at the AUDIO PLUGIN JUNKIES TRIBE at Tribe.net
>
> http://plugins.tribe.net/
>
> In the original postings at that tribe we came up with an enormous list of 
> free VST plugins, especially. 


From Loopers-Delight-request@loopers-delight.com  Fri Mar 31 03:40:38 2006
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Date: Thu, 30 Mar 2006 22:40:35 -0500
From: "Christopher Bell" <cwwbell@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: ben franklins glass celestia amplified and looped
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Since I'm from Philadelphia, I'll have to chime in and let everyone
know that Franklin referred to it his invention as a glass armonica,
not a celestia. Being that it's Ben's tri-centenial and all we're
sensitive about such matters. Amazing instrument, wish I could get my
hands on one without dropping any cash.

On 3/29/06, joe rut <joerut@lycos.com> wrote:
> What an amazing instrument!  I saw the singer/songwriter Michael Penn pla=
y in Ventura years ago.  The main thing I remember about the show (other
> than that the drummer was DJ Bonebreak from X - one of my fav bands) was =
that the pedal steel player also played a celestia, also called (i think) a
> harmonium?  He did some amazing stuff on it, running it through various p=
rocessing gear.  Would love to hear one looped!
>
> Joe Rut
> > ----- Original Message -----
> > From: "daniel stevenson" <stillllscary@yahoo.com>
> > To: loopers-delight@loopers-delight.com
> > Subject: ben franklins glass celestia amplified and looped
> > Date: Wed, 29 Mar 2006 06:24:58 -0800 (PST)
> >
> >
> > ive been playing one in my sleep lately & when i wake up the tips
> > of my fingers are pruned up.im making loops but without
> > hardware...it seems to be a psych~tele~phonic looping interface.i
> > cant wait to get to back to sleep...
> >
> >
> > ---------------------------------
> > New Yahoo! Messenger with Voice. Call regular phones from your PC
> > for low, low rates.
>
> >
>
> --
> _______________________________________________
>
> Search for businesses by name, location, or phone number.  -Lycos Yellow =
Pages
>
> http://r.lycos.com/r/yp_emailfooter/http://yellowpages.lycos.com/default.=
asp?SRC=3Dlycos10
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Mar 31 03:52:57 2006
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Subject: RE: ben franklins glass celestia amplified and looped
Date: Thu, 30 Mar 2006 19:52:56 -0800
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He also considered it his favorite invention, high praise considering
everything else he invented.
Bill

-----Original Message-----
From: Christopher Bell [mailto:cwwbell@gmail.com]
Sent: Thursday, March 30, 2006 7:41 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: ben franklins glass celestia amplified and looped


Since I'm from Philadelphia, I'll have to chime in and let everyone
know that Franklin referred to it his invention as a glass armonica,
not a celestia. Being that it's Ben's tri-centenial and all we're
sensitive about such matters. Amazing instrument, wish I could get my
hands on one without dropping any cash.

On 3/29/06, joe rut <joerut@lycos.com> wrote:
> What an amazing instrument!  I saw the singer/songwriter Michael Penn play
in Ventura years ago.  The main thing I remember about the show (other
> than that the drummer was DJ Bonebreak from X - one of my fav bands) was
that the pedal steel player also played a celestia, also called (i think) a
> harmonium?  He did some amazing stuff on it, running it through various
processing gear.  Would love to hear one looped!
>
> Joe Rut
> > ----- Original Message -----
> > From: "daniel stevenson" <stillllscary@yahoo.com>
> > To: loopers-delight@loopers-delight.com
> > Subject: ben franklins glass celestia amplified and looped
> > Date: Wed, 29 Mar 2006 06:24:58 -0800 (PST)
> >
> >
> > ive been playing one in my sleep lately & when i wake up the tips
> > of my fingers are pruned up.im making loops but without
> > hardware...it seems to be a psych~tele~phonic looping interface.i
> > cant wait to get to back to sleep...
> >
> >
> > ---------------------------------
> > New Yahoo! Messenger with Voice. Call regular phones from your PC
> > for low, low rates.
>
> >
>
> --
> _______________________________________________
>
> Search for businesses by name, location, or phone number.  -Lycos Yellow
Pages
>
>
http://r.lycos.com/r/yp_emailfooter/http://yellowpages.lycos.com/default.asp
?SRC=lycos10
>
>




From Loopers-Delight-request@loopers-delight.com  Fri Mar 31 06:22:28 2006
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     Omygod, you're not even blonde!!!

> well, a couple days ago I did just about the worst thing you can do  
> to your gear....I blew it up! in a stupid, jetlagged moment that I  
> won't go into, I plugged my US gear into a UK socket.

     Seriously though, I'm glad that your beloved Repeaters are okay.  Transformers that correctly
suss out the voltage that's being fed to them are the coolest.  My IBM ThinkPad does this, I would
definately NOT want to see blue smoke coming out of that thing...

     Stephen

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Fri Mar 31 08:21:27 2006
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From: rune fagereng <rune_fagereng@yahoo.no>
Subject: Vedr. Re: Live-looper clip
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I do not. Sorry. Bugge, the owner of the website (a greate looper/pianist) could answer you !
   
  best regards Rune F

johnsrude@peak.org skrev:
  > Link to live-consert with the greate looper and guitarist Eivind Aarsets and
> his band.
http://www.buggesroom.com/pub/studioconcerts/2005_9_20_17.7.2.shtml?cat=studioconcertskommende

Nice, Rune!

Do you know what they're using for the video that's being projected onto the
screen?

Cheers,
Kevin
www.TheNettles.com




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<div>I do not. Sorry. Bugge, the owner of the website (a greate looper/pianist) could answer you !</div>  <div>&nbsp;</div>  <div>best regards Rune F<BR><BR><B><I>johnsrude@peak.org</I></B> skrev:</div>  <BLOCKQUOTE class=replbq style="BORDER-LEFT: #1010ff 2px solid; MARGIN-LEFT: 5px; PADDING-LEFT: 5px">&gt; Link to live-consert with the greate looper and guitarist Eivind Aarsets and<BR>&gt; his band.<BR>http://www.buggesroom.com/pub/studioconcerts/2005_9_20_17.7.2.shtml?cat=studioconcertskommende<BR><BR>Nice, Rune!<BR><BR>Do you know what they're using for the video that's being projected onto the<BR>screen?<BR><BR>Cheers,<BR>Kevin<BR>www.TheNettles.com<BR><BR><BR></BLOCKQUOTE><BR>
--0-901012316-1143793285=:34213--

From Loopers-Delight-request@loopers-delight.com  Fri Mar 31 09:16:14 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Live movie projection  ( Re: Vedr. Re: Live-looper clip
Date: Fri, 31 Mar 2006 11:16:09 +0200
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Looks like they are using a projector, just like anyone else!? But  
maybe Kevin meant to ask for a specific type of projector that is  
good enough for live projecting like that. I'm sorry I can't tell  
about that although I've been gigging many times with movies being  
projected. But every PA and Stage Light rental service should be able  
to give you that information. It's what they do.

per


On 31 mar 2006, at 10.21, rune fagereng wrote:

> I do not. Sorry. Bugge, the owner of the website (a greate looper/ 
> pianist) could answer you !
>
> best regards Rune F
>
> johnsrude@peak.org skrev:
> > Link to live-consert with the greate looper and guitarist Eivind  
> Aarsets and
> > his band.
> http://www.buggesroom.com/pub/studioconcerts/2005_9_20_17.7.2.shtml? 
> cat=studioconcertskommende
>
> Nice, Rune!
>
> Do you know what they're using for the video that's being projected  
> onto the
> screen?
>
> Cheers,
> Kevin
> www.TheNettles.com





From Loopers-Delight-request@loopers-delight.com  Fri Mar 31 12:13:17 2006
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At 01:16 AM 3/31/2006, you wrote:
>Looks like they are using a projector, just like anyone else!? But
>maybe Kevin meant to ask for a specific type of projector that is
>good enough for live projecting like that

I was wondering about the video manipulation or editing software.

Thanks,
Kevin


The Nettles: Progressive and Exciting Celtic Music
www.TheNettles.com

From Loopers-Delight-request@loopers-delight.com  Fri Mar 31 12:17:28 2006
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last year i downloaded the free demo of RadiaL and had a play around with it

pretty cool i thought, and this was before they added all the new features

while i had it i made this little soundscape with it...

http://www.simeonharris.co.uk/03_no_attachment_to_dust.mp3

it's just two versions of one original perfomance running simultaneously, 
but one is pitch shifted down and octave and is running backwards and has a 
Pluggo plugin on it (can't remember exactly which one, but it self 
oscillates)

pretty "basic" in modern looping terms, but very easy to achieve with this 
app...worth looking at!

as a mac user running OS9 still, i'm pretty limited as to what's available 
in terms of looping software, so it was nice to try this out

cheers

sim


www.simeonharris.co.uk


From Loopers-Delight-request@loopers-delight.com  Fri Mar 31 12:40:16 2006
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At 2:39 AM +0300 3/31/06, Denis 'Diz' Loskutnikov wrote:
>
>First of all, it's a my first message after two years of lurking. This
>topic forced me to get out of hideout :-)

Heh!  Glad to see you've finally come out of the shadows.  Excellent 
first post!

>Because I've developed a stutter pedal some time ago being inspired 
>by that "little
>conversation". And like to show it to list.

Okay, where can I lay my hands on one of these babies!  :)

Seriously, though, it looks good.  The only other tweek I'd been 
seeking in this kind of pedal was possibly a "polarity" for the 
momentary switch -- one setting passes signal normally and mutes when 
pressed, while the other mutes the output constantly and only passes 
the signal when pressed.

Then you've gone and added the effects loop and the mix control.  Sweet!

In any case, it looks like a nice piece of work all the way around!

	--m.

-- 
_______
"I want to reach my hand into the dark and *feel* what reaches back..."

From Loopers-Delight-request@loopers-delight.com  Fri Mar 31 13:41:53 2006
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Hi everybody,
I have a (probably foolish) question for you. How stable is to play on stage 
with a laptop based audio system? (pentium IV (2g) 1 g ram m-audio 410 card)
Nowadays, softwares like Ableton's Live provide numerous creative tools, 
but, can the software replace the stability of the old echoplex?
thank in advance

_________________________________________________________________
Sé uno de los primeros a testar el Windows Live Messenger beta. 
http://imagine-msn.com/minisites/messenger/default.aspx?locale=es-ar

From Loopers-Delight-request@loopers-delight.com  Fri Mar 31 13:51:09 2006
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Subject: Re: laptop vs echoplex
Date: Fri, 31 Mar 2006 15:51:04 +0200
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On 31 mar 2006, at 15.41, percu rama wrote:

> I have a (probably foolish) question for you. How stable is to play  
> on stage with a laptop based audio system? (pentium IV (2g) 1 g ram  
> m-audio 410 card)
> Nowadays, softwares like Ableton's Live provide numerous creative  
> tools, but, can the software replace the stability of the old  
> echoplex?


Yes it can, but that's no general rule. Stability of a laptop used  
for audio depends on many factors, hardware and software as well as  
how well you maintain the system. So it's actually not possible say  
that it's stable in general. And speaking about hardware staying  
power I would guess that an EDP outlives a dozen laptops ;-)

per

From Loopers-Delight-request@loopers-delight.com  Fri Mar 31 14:21:38 2006
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Thanks, you are so kind to reply in such detail!
I knew how the feature worked - just couldn't figure out any 
way to use it in making music - too much dead space.

Now I know - I have to get another looping device!!! 

I've only got the one boomerang, but I'm enjoying the heck out 
of it.  Being a former acoustiholic, I figger I better off take it 
one pedal at a time...

tom

---- Original message ----
>Date: Thu, 30 Mar 2006 13:16:28 EST
>From: Nemoguitt@aol.com 
>Subject: Re: Comparison chart of looping devices published  
>To: Loopers-Delight@loopers-delight.com
>
>   In a message dated 3/30/06 12:28:25 PM,
>   tohall@rcn.com writes:
>
>     How do you use this feature?
>     I've haven't as yet used it because you have to
>     stop the loop to
>     change the setting....
>
>   tom.....that's the bummer, you can't do this on the
>   fly (re: rang pitch shift) and only the upgraded
>   rang + allows for the several different shifts, the
>   original rang just gave you the octave option.....to
>   do this: hold the stack (speed) button down till the
>   red lite blinks then step on the play (stop) button
>   to change thru pitch options.....keep in mind that
>   you can go down or up in pitch depending what
>   setting you are in when you record i.e if you record
>   a loop in the regular setting and stop, then hit the
>   stack button, you go down an octave, if you record
>   with the rang in the lower octave setting then
>   switch over to regular you will go up an
>   octave.....the way i usually switch pitches is i
>   have other things playing, a loop on the mo-fx, some
>   little loops on the zoom 2100 and then you can play
>   like a mad man to cover up the silence of the switch
>   of the rangs pitch.....mic
>
>   www.ct-collective.com
>   http://mysite.verizon.net/vzepmeci/
>   http://www.myspace.com/klobuchar11

From Loopers-Delight-request@loopers-delight.com  Fri Mar 31 14:45:37 2006
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From: =?ISO-8859-1?Q?tEd_=AE_kiLLiAn?= <tedkillian@charter.net>
Subject: Re: Vedr. Re: Live-looper clip
Date: Fri, 31 Mar 2006 06:46:33 -0800
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Yo!

Thanks for posting this! Over the last few years I have really come to =20=

like
and appreciate the music of Nils Petter Molvaer -- and in particular the
loopy presence of his guitarist Eivind Aarset. Nice live clip, though =20=

actually,
I found the video projecting a bit of a distraction. But I understand =20=

it was
a club setting. Thanks for sharing.

tEd =AE kiLLiAn

"Different is not always better, but better is always different"

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=3D2845073
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?=20
step=3Dview_profile&id=3D121197000042

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???


On Mar 31, 2006, at 12:21 AM, rune fagereng wrote:

> > Link to live-consert with the greate looper and guitarist Eivind =20
> Aarsets and
> > his band. =20
> http://www.buggesroom.com/pub/studioconcerts/2005_9_20_17.7.2.shtml?=20=

> cat=3Dstudioconcertskommende

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Yo!


Thanks for posting this! Over the last few years I have really come to
like

and appreciate the music of Nils Petter Molvaer -- and in particular
the

loopy presence of his guitarist Eivind Aarset. Nice live clip, though
actually,

I found the video projecting a bit of a distraction. But I understand
it was

a club setting. Thanks for sharing.


tEd =AE kiLLiAn


<color><param>807F,807F,807F</param>"Different is not always better,
but better is always different"


http://www.pfmentum.com/flux.html

http://www.CDbaby.com/cd/tedkillian

http://www.guitar9.com/fluxaeterna.html

http://www.garageband.com/artist/ArsOcarina

http://www.towerrecords.com/product.aspx?pfid=3D2845073

http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314

http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193

=
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042


Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,

BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,

AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,

RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,

and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???</color>



On Mar 31, 2006, at 12:21 AM, rune fagereng wrote:


<excerpt>> Link to live-consert with the greate looper and guitarist
Eivind Aarsets and

> his band.
=
http://www.buggesroom.com/pub/studioconcerts/2005_9_20_17.7.2.shtml?cat=3D=
studioconcertskommende

</excerpt>=

--Apple-Mail-2-152952800--

From Loopers-Delight-request@loopers-delight.com  Fri Mar 31 15:24:02 2006
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Date: Fri, 31 Mar 2006 07:24:00 -0800 (PST)
From: daniel stevenson <stillllscary@yahoo.com>
Subject: Re: Comparison chart of looping devices published
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cool chart,
          dl4 is battery powered =4c-cell 25-35 hours.maybe a max loop time & max layers would be good for the chart too?what do you mean by presets?dl4 has preset delays but not in loop funtion,but it will stay where you left it last in loop.thanks for taking the time to post the chart.
                                     diabolicaly yours,
                                                                scary.
Per Boysen <perboysen@gmail.com> wrote:
  Hi Loopers,

When working on a mag article about live looping (in Swedish) I did a 
quick comparison chart over some of the looping devices available 
today. This afternoon i had some spare time and converted the chart 
into a web format. If you should happen to detect some incorrect data 
or if you think that some additional information should be slipped 
into the chart, please don't hesitate to post suggestions. I intend 
to let this page stay online for the benefit of the community.

http://www.looproom.com/looperchart.php

I left out the Roland RC-50 so far, because they are not yet 
available. I will borrow one for a while when they ship on may 23 and 
then fill out the chart on it.

Greetings from Sweden

Per Boysen




		
---------------------------------
Yahoo! Messenger with Voice. Make PC-to-Phone Calls to the US (and 30+ countries) for 2¢/min or less.
--0-424490403-1143818640=:35275
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<div>cool&nbsp;chart,</div>  <div>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; dl4 is battery powered =4c-cell 25-35&nbsp;hours.maybe a max loop time &amp; max layers would be good for the chart too?what do you mean by presets?dl4 has preset delays but not in loop funtion,but it will stay where you left it last in loop.thanks for taking the time to post the chart.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; diabolicaly yours,</div>  <div>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
 scary.<BR><B><I>Per Boysen &lt;perboysen@gmail.com&gt;</I></B> wrote:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">Hi Loopers,<BR><BR>When working on a mag article about live looping (in Swedish) I did a <BR>quick comparison chart over some of the looping devices available <BR>today. This afternoon i had some spare time and converted the chart <BR>into a web format. If you should happen to detect some incorrect data <BR>or if you think that some additional information should be slipped <BR>into the chart, please don't hesitate to post suggestions. I intend <BR>to let this page stay online for the benefit of the community.<BR><BR>http://www.looproom.com/looperchart.php<BR><BR>I left out the Roland RC-50 so far, because they are not yet <BR>available. I will borrow one for a while when they ship on may 23 and <BR>then fill out the chart on it.<BR><BR>Greetings from Sweden<BR><BR>Per
 Boysen<BR><BR><BR></BLOCKQUOTE><BR><p>
		<hr size=1>Yahoo! Messenger with Voice. <a href="http://us.rd.yahoo.com/mail_us/taglines/postman1/*http://us.rd.yahoo.com/evt=39663/*http://voice.yahoo.com">Make PC-to-Phone Calls</a> to the US (and 30+ countries) for 2¢/min or less.
--0-424490403-1143818640=:35275--

From Loopers-Delight-request@loopers-delight.com  Fri Mar 31 15:34:31 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Comparison chart of looping devices published
Date: Fri, 31 Mar 2006 17:34:27 +0200
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On 31 mar 2006, at 17.24, daniel stevenson wrote:

> cool chart,
>         dl4 is battery powered =4c-cell 25-35 hours.maybe a max  
> loop time & max layers would be good for the chart too?

Thanks! I updated the chart with this info. Max loop time and max  
layers depends on a lot of different factors, so it would make the  
chart  too dense if i should go into that as well. All manufacturers  
web sites are linked now so anyone can go to the right place for  
detailed info on any specific device.

> what do you mean by presets?dl4 has preset delays but not in loop  
> funtion,

Well, if the device itself doesn't have too many different functions  
to be adjusted, there would be no need for presets anyway.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast? 
id=128679560&s=143456




From Loopers-Delight-request@loopers-delight.com  Fri Mar 31 15:42:51 2006
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From: rick <bs@tanawana.com>
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Subject: Re: laptop vs echoplex
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I say it depends on "how" you use it to loop or how involved you want to
be.

I use an ableton/powerbook loaded with a bunch of midi loops running
into external sound modules. I do all my "live" looping with my echoplex
then. Ableton can be set up to do some nice looping scenarios I found
all by itself. I like it better with the computer/echoplex combination.
Sort of a backup and then not pushing the computer to its limits.

My labtop can do everything I need i to but it still is to unreliable in
a live situation for me. I play solo and can't afford any hiccups. That
and 4 hours can heat up a laptop nicely, which always made me feel
uncomfortable. And finally, no matter how well a computer is set up -
they can crash or who knows. I think a computer as a 100% laptop live
looping performance tool isn't quite there yet - Unless you are
up to speed with the ins and outs of computers themselves :O)



On Fri, Mar 31, 2006 at 01:41:50PM +0000, percu rama wrote:
> Hi everybody,
> I have a (probably foolish) question for you. How stable is to play on 
> stage with a laptop based audio system? (pentium IV (2g) 1 g ram m-audio 
> 410 card)
> Nowadays, softwares like Ableton's Live provide numerous creative tools, 
> but, can the software replace the stability of the old echoplex?
> thank in advance
> 
> _________________________________________________________________
> S? uno de los primeros a testar el Windows Live Messenger beta. 
> http://imagine-msn.com/minisites/messenger/default.aspx?locale=es-ar
> 

From Loopers-Delight-request@loopers-delight.com  Fri Mar 31 16:11:40 2006
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Date: Fri, 31 Mar 2006 11:13:27 -0500
From: Warren Sirota <wsirota@wsdesigns.com>
Subject: RE: laptop vs echoplex
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You might want to look in the archives. A month or two ago we probably =
had a
hundred posts about this kind of thing.

Best wishes,
Warren Sirota
=20
Come hear *The Sandbox* at The Monkey in NYC, April 23rd, 8PM  - details =
at
www.warrensirota.com/sandbox


> -----Original Message-----
> From: percu rama [mailto:percurama@hotmail.com]=20
> Sent: Friday, March 31, 2006 8:42 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: laptop vs echoplex
>=20
>=20
> Hi everybody,
> I have a (probably foolish) question for you. How stable is=20
> to play on stage=20
> with a laptop based audio system? (pentium IV (2g) 1 g ram=20
> m-audio 410 card) Nowadays, softwares like Ableton's Live=20
> provide numerous creative tools,=20
> but, can the software replace the stability of the old=20
> echoplex? thank in advance
>=20
> _________________________________________________________________
> S=E9 uno de los primeros a testar el Windows Live Messenger beta.=20
> http://imagine-msn.com/minisites/messenger/default.aspx?locale=3Des-ar
>=20

From Loopers-Delight-request@loopers-delight.com  Fri Mar 31 16:26:50 2006
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HI-

i was wondering if anyone might be able to suggest a nice multi FX to
use when teaching guitar/bass. i run an instruction studio here in
detroit that does about 200 lessons per week (mostly guitar).

i have 3 rooms for guitar so i would need something cheap to get one
for each room. it doesn't have to have spectacular quality FX but it
would be great to have something with wide range of choices to expose
students to a lot of sounds. of course it would be GREAT to have a
modest looper included with some overdub capabilities. some type of
drum machine would be cool too.

any help?

nick schillace
www.nickschillace.com
www.myspace.com/nickschillace

From Loopers-Delight-request@loopers-delight.com  Fri Mar 31 16:30:10 2006
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On 31 mar 2006, at 18.26, Nick Schillace wrote:

> something with wide range of choices to expose
> students to a lot of sounds. of course it would be GREAT to have a
> modest looper included with some overdub capabilities. some type of
> drum machine would be cool too.


How about the Digitech GNX300?

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast? 
id=128679560&s=143456




From Loopers-Delight-request@loopers-delight.com  Fri Mar 31 16:36:19 2006
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that might be a little too pricey. are any of the zoom boards recommended? =
ns

On 3/31/06, Per Boysen <perboysen@gmail.com> wrote:
> On 31 mar 2006, at 18.26, Nick Schillace wrote:
>
> > something with wide range of choices to expose
> > students to a lot of sounds. of course it would be GREAT to have a
> > modest looper included with some overdub capabilities. some type of
> > drum machine would be cool too.
>
>
> How about the Digitech GNX300?
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?
> id=3D128679560&s=3D143456
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Mar 31 17:15:36 2006
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To: Loop List <Loopers-Delight@loopers-delight.com>
From: Steve Lawson <steve@steve-lawson.co.uk>
Subject: Zoe Keating with Imogen Heap - don't miss it! 
Date: Fri, 31 Mar 2006 18:15:30 +0100
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Hi all,

I finally got to see Zoe play last night, first opening for, and then  
in the band with Imogen Heap. It was a real treat to hear both sets,  
all very inspiring stuff. For loopage, I don't think I've ever seen a  
more fascinating gig than Imogen's - her and Zoe both looping lots,  
and using it to fantastically musical effect - very little gimmickry  
here.

Had a lovely chat with Zoe and Imogen after the gig too, lovely  
people making lovely music. What's not to love? :o)

If the tour comes near you, you'd be mad to miss it,

cheers

Steve
www.stevelawson.net - site
www.stevelawson.net/store/ - shop
http://steve.anthropiccollective.org - blog



From Loopers-Delight-request@loopers-delight.com  Fri Mar 31 17:23:23 2006
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At 08:05 AM 3/30/2006, you wrote:
>...If you should happen to detect some incorrect data
>or if you think that some additional information should be slipped
>into the chart, please don't hesitate to post suggestions...
>http://www.looproom.com/looperchart.php

"Tinker" is to manipulate.
"Tinkle" is to micturate. :-)

Cheers,
Kevin

PS: "Tinkle" is also to tintinnabulate.  But it didn't scan.


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yea max layers is a bit unpredictable....maybe a loop time available like the rc 20xl has about 16 min of total loop & the dl4 has 28 seconds at half speed with unlimited overdubs"at least till things degrade"("faux feedback") yea i guess that could get a bit dense come to think about it.& most folks know what each machine offers anyway,but nice chart none the less...
                                    keep up the good work  ( ,':-})  
                                                              scary
Per Boysen <perboysen@gmail.com> wrote:
  On 31 mar 2006, at 17.24, daniel stevenson wrote:

> cool chart,
> dl4 is battery powered =4c-cell 25-35 hours.maybe a max 
> loop time & max layers would be good for the chart too?

Thanks! I updated the chart with this info. Max loop time and max 
layers depends on a lot of different factors, so it would make the 
chart too dense if i should go into that as well. All manufacturers 
web sites are linked now so anyone can go to the right place for 
detailed info on any specific device.

> what do you mean by presets?dl4 has preset delays but not in loop 
> funtion,

Well, if the device itself doesn't have too many different functions 
to be adjusted, there would be no need for presets anyway.

Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast? 
id=128679560&s=143456






		
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<div>yea max layers is a bit unpredictable....maybe a loop time available like the rc 20xl has about 16 min of total loop &amp; the dl4 has 28 seconds at half speed with unlimited overdubs"at least till things degrade"("faux feedback") yea i guess that could get a bit dense come to think about it.&amp; most folks know what each machine offers anyway,but nice chart none the less...</div>  <div>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; keep up the good work&nbsp;&nbsp;(
 ,':-})&nbsp;&nbsp;<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;scary<BR><B><I>Per Boysen &lt;perboysen@gmail.com&gt;</I></B> wrote:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">On 31 mar 2006, at 17.24, daniel stevenson wrote:<BR><BR>&gt; cool chart,<BR>&gt; dl4 is battery powered =4c-cell 25-35 hours.maybe a max <BR>&gt; loop time &amp; max layers would be good for the chart too?<BR><BR>Thanks! I updated the chart with this info. Max loop time and max <BR>layers depends on a lot of different factors, so it would make the <BR>chart too dense if i should go into that as well. All
 manufacturers <BR>web sites are linked now so anyone can go to the right place for <BR>detailed info on any specific device.<BR><BR>&gt; what do you mean by presets?dl4 has preset delays but not in loop <BR>&gt; funtion,<BR><BR>Well, if the device itself doesn't have too many different functions <BR>to be adjusted, there would be no need for presets anyway.<BR><BR>Greetings from Sweden<BR><BR>Per Boysen<BR>www.boysen.se (Swedish)<BR>www.looproom.com (international)<BR>http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast? <BR>id=128679560&amp;s=143456<BR><BR><BR><BR><BR></BLOCKQUOTE><BR><p>
		<hr size=1>New Yahoo! Messenger with Voice. <a href="http://us.rd.yahoo.com/mail_us/taglines/postman6/*http://us.rd.yahoo.com/evt=39663/*http://voice.yahoo.com">Call regular phones from your PC</a> and save big.
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From Loopers-Delight-request@loopers-delight.com  Fri Mar 31 17:35:15 2006
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Subject: Re: Cheap FX for Teaching
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hey teach,
            sounds like you need some of those 60 dollor zoom pedals.most have built in beats...at least metronome quality that is. i dont think they have more than a 5 second loop but i really dont know.even cheap loopers are pricey.hey cheap looper is the oxymoron of the day!
                                       good luck,
                                                        scary visionary
                                            
Nick Schillace <americansketch@gmail.com> wrote:
  HI-

i was wondering if anyone might be able to suggest a nice multi FX to
use when teaching guitar/bass. i run an instruction studio here in
detroit that does about 200 lessons per week (mostly guitar).

i have 3 rooms for guitar so i would need something cheap to get one
for each room. it doesn't have to have spectacular quality FX but it
would be great to have something with wide range of choices to expose
students to a lot of sounds. of course it would be GREAT to have a
modest looper included with some overdub capabilities. some type of
drum machine would be cool too.

any help?

nick schillace
www.nickschillace.com
www.myspace.com/nickschillace



		
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<div>hey teach,</div>  <div>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; sounds like you need some of those 60 dollor zoom pedals.most have built in beats...at least metronome quality that is. i dont think they have more than a 5 second loop but i really dont know.even cheap loopers are pricey.hey cheap looper is the oxymoron of the day!<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; good luck,</div>  <div>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; scary visionary</div> 
 <div>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <BR><B><I>Nick Schillace &lt;americansketch@gmail.com&gt;</I></B> wrote:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">HI-<BR><BR>i was wondering if anyone might be able to suggest a nice multi FX to<BR>use when teaching guitar/bass. i run an instruction studio here in<BR>detroit that does about 200 lessons per week (mostly guitar).<BR><BR>i have 3 rooms for guitar so i would need something cheap to get one<BR>for each room. it doesn't have to have spectacular quality FX but it<BR>would be great to have something with wide range of choices to expose<BR>students to a lot of sounds. of course it would be GREAT to have a<BR>modest looper included with some overdub
 capabilities. some type of<BR>drum machine would be cool too.<BR><BR>any help?<BR><BR>nick schillace<BR>www.nickschillace.com<BR>www.myspace.com/nickschillace<BR><BR></BLOCKQUOTE><BR><p>
		<hr size=1>Yahoo! Messenger with Voice. <a href="http://us.rd.yahoo.com/mail_us/taglines/postman1/*http://us.rd.yahoo.com/evt=39663/*http://voice.yahoo.com">Make PC-to-Phone Calls</a> to the US (and 30+ countries) for 2¢/min or less.
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Subject: Re: Cheap FX for Teaching
Date: Fri, 31 Mar 2006 19:01:16 +0100
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I'd recommend the Zoom 2100 in a flash, except for the number of buttons, 
whose settings are all indicated by a two-digit LED with dots ingeniously 
used for bank setting indicators.  Input overload!  It's a joy to use though 
as you can switch between patches quickly.  For teaching purposes not 
involving what might be 'standard fx units' I doubt the 2100 would pass, but 
just get the patches programmed, and voila.

----- Original Message ----- 
From: "Nick Schillace" <americansketch@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, 31 March, 2006 17:36 PM
Subject: Re: Cheap FX for Teaching


> that might be a little too pricey. are any of the zoom boards recommended? 
> ns
>
> On 3/31/06, Per Boysen <perboysen@gmail.com> wrote:
>> On 31 mar 2006, at 18.26, Nick Schillace wrote:
>>
>> > something with wide range of choices to expose
>> > students to a lot of sounds. of course it would be GREAT to have a
>> > modest looper included with some overdub capabilities. some type of
>> > drum machine would be cool too.
>>
>>
>> How about the Digitech GNX300?
>>
>> Greetings from Sweden
>>
>> Per Boysen
>> www.boysen.se (Swedish)
>> www.looproom.com (international)
>> http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?
>> id=128679560&s=143456
>>
>>
>>
>>
>>
>
>
>
>
>
> 

From Loopers-Delight-request@loopers-delight.com  Fri Mar 31 18:16:51 2006
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From: Ed Drake <eddrake1@comcast.net>
Subject: Re: Cheap FX for Teaching
Date: Fri, 31 Mar 2006 13:18:58 -0500
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On Mar 31, 2006, at 11:26 AM, Nick Schillace wrote:

> HI-
>
> i was wondering if anyone might be able to suggest a nice multi FX to
> use when teaching guitar/bass. i run an instruction studio here in
> detroit that does about 200 lessons per week (mostly guitar).


I've been teaching guitar for years and I don't use anything fancy  
myself, just plug into an amp, but one of the guys that I teach with  
has one of the new Zoom G2 units which has a bunch of different  
effects/drum machine/amp models but I don't think it has much of a  
looper if any. I hear some really good sounds coming out of his  
room.  As usual you have to tweak a bit to tone down the over-the-top  
presets.  He's got the cheaper model without the foot pedal attached  
which I think sells for around $100 US and I have thought about  
picking up one to teach with myself.

There was a positive (Editor's pick) review of the G2.1u (the slight  
more expensive version that includes the foot pedal) in the same  
recent Guitar Player issue (April 2006) which included the article  
about looping.

Hope this is helpful!

Ed

From Loopers-Delight-request@loopers-delight.com  Fri Mar 31 19:09:48 2006
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From: Sunao Inami <webmaster@cavestudio.com>
Subject: OT: new release
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Hi,

New release information,

A brand new IDM, triphop, electro, drum n' bass, ambient and 
breakcore label from Holland.

http://www.notochord-recordings.com

The first Notochord compilation sees 7 artists contributing 7 unique 
takes on music...

Autoclav1.1 [UK]
Blue T-Shirt [Canada]
Semiomime [Netherlands]
Slacknote [Netherlands]
Stephen James Knight [USA]
Sunao Inami [Japan]
Wisp [USA]

  01. Slacknote - Huge Wooden Radio
  02. Semiomime - Hiding Vase
  03. Wisp - To Draw Something Beautiful
  04. Stephen James Knight - Sombre Grey
  05. Sunao Inami - Angle
  06. Wisp - A Forward Collapse
  07. Autoclav1.1 - The Low Down on Cows
  08. blue t-shirt - Sentimental Institution
  09. Slacknote - Skulls
  10. Sunao Inami - Thin Out
  11. Autoclav1.1 - Meet Me Half Way [liar's rosebush remix]
  12. Semiomime - Eightnees
  13. Slacknote - Always Remain Hardcore
  14. Semiomime - Grasshopper
  15. blue t-shirt - Thunderstorms


also,please visit our online shop..
http://www.electr-ohm.com

   Thanks

  Sunao

From Loopers-Delight-request@loopers-delight.com  Fri Mar 31 19:18:10 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Comparison chart of looping devices published
Date: Fri, 31 Mar 2006 21:18:05 +0200
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On 31 mar 2006, at 19.23, Kevin wrote:

> "Tinker" is to manipulate.
> "Tinkle" is to micturate. :-)


Thanks, Kevin. Fixed it. Every day I learn a little more Engrish ;-)

Per




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Friday, March 31, 2006, 3:40:11 PM, you wrote:

m> Heh!  Glad to see you've finally come out of the shadows.  Excellent
m> first post!

Thank you! I worried if my English is undertandable :-)

m> Okay, where can I lay my hands on one of these babies!  :)

m> Seriously, though, it looks good.  The only other tweek I'd been 
m> seeking in this kind of pedal was possibly a "polarity" for the 
m> momentary switch -- one setting passes signal normally and mutes when 
m> pressed, while the other mutes the output constantly and only passes 
m> the signal when pressed.

There is this tweak, off the shelf and in much elegant way.

Let me explain. Toggle and Hold (latching & momentary) buttons work
together.

Say, you want to activate FX loop for a long time - and you
press Toggle button. If you want to deactivate it for a short time, press
Hold button, and FX loop will be deactivated as long as you hold it.

Now, press Toggle second time, FX loop will be deactivated.
And press Hold switch will activate it back as long as you hold it.

To put it simple, each successive press on Toggle will change state of pedal,
and each press on Hold will change it to inverse state - until
release.


-- 


From Loopers-Delight-request@loopers-delight.com  Fri Mar 31 19:30:21 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: Comparison chart of looping devices published
Date: Fri, 31 Mar 2006 21:30:17 +0200
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Hi,

To figure out each device's looping capability you have to look into  
and digest:

- sample rate
- number of tracks
- number of loops (on each track if the device us multi track)
- if it records stereo of mono
- RAM
- onboard storage capability

phew... did I forget something?

I can't imagine a way to estimate "loop time & max layers" for all  
devices in way that it would be easily comparable.

Per


On 31 mar 2006, at 19.24, daniel stevenson wrote:

> yea max layers is a bit unpredictable....maybe a loop time  
> available like the rc 20xl has about 16 min of total loop & the dl4  
> has 28 seconds at half speed with unlimited overdubs"at least till  
> things degrade"("faux feedback") yea i guess that could get a bit  
> dense come to think about it.& most folks know what each machine  
> offers anyway,but nice chart none the less...
>                                   keep up the good work  ( ,':-})
>                                                               scary
> Per Boysen <perboysen@gmail.com> wrote:
> On 31 mar 2006, at 17.24, daniel stevenson wrote:
>
> > cool chart,
> > dl4 is battery powered =4c-cell 25-35 hours.maybe a max
> > loop time & max layers would be good for the chart too?
>
> Thanks! I updated the chart with this info. Max loop time and max
> layers depends on a lot of different factors, so it would make the
> chart too dense if i should go into that as well. All manufacturers
> web sites are linked now so anyone can go to the right place for
> detailed info on any specific device.
>
> > what do you mean by presets?dl4 has preset delays but not in loop
> > funtion,
>
> Well, if the device itself doesn't have too many different functions
> to be adjusted, there would be no need for presets anyway.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)

From Loopers-Delight-request@loopers-delight.com  Fri Mar 31 19:38:05 2006
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Date: Fri, 31 Mar 2006 11:38:02 -0800 (PST)
Subject: Re: Comparison chart of looping devices published
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> On 31 mar 2006, at 19.23, Kevin wrote:
> Thanks, Kevin. Fixed it. Every day I learn a little more Engrish ;-)

Hey, your English is a lot better than my Swedish! :-)

Cheers,
Kevin

From Loopers-Delight-request@loopers-delight.com  Fri Mar 31 20:56:51 2006
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From: 3nki <3nki@modaldub.net>
Subject: music is political
Date: Fri, 31 Mar 2006 17:56:50 -0300
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having the view that looping is politically subversive as it is non- 
mainstream music, and at least for me associated with ideas such as  
improvisation, subversion, personal freedom and individual  
expression, i thought this series of articles might be of interest to  
some on the list.

i understand that some people are put off by political and/or  
theoretical topics. would they limit this list to discussing multi- 
thousand dollar commercial products and their merits? to me music is  
political, so to be concerned with music is to be concerned with  
politics. besides, it's interesting ;)  so, why not have a discussion  
with like-minded "musical subversives"? or just read the article.  
this list is for sharing things of "value" with others, and i found  
this series of articles quite valuable.

excerpt:

> Attali wrote that: "Listening to music is listening to all noise,  
> realising that its appropriation and control is a reflection of  
> power, that it is essentially political ... The theorists of  
> totalitarianism have all explained that it is necessary to ban  
> subversive noise because it betokens demands for cultural autonomy,  
> support for differences and marginality: a concern for maintaining  
> tonalism, the primacy of melody, a distrust of new languages, codes  
> or instruments, a refusal of the abnormal - these characteristics  
> are common to all regimes of that nature".


from: "Industrial Prehistory: Anti-Music"

this article: http://media.hyperreal.org/zines/est/articles/ 
prehist5.html

full set of articles: http://media.hyperreal.org/zines/est/articles/ 
preindex.html


-3nki

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mech said..
>In any case, it looks like a nice piece of work all the way around!

i agree - very nice job!

might even buy one...!

:O)



sim



www.simeonharris.co.uk


From Loopers-Delight-request@loopers-delight.com  Fri Mar 31 21:14:50 2006
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Date: Fri, 31 Mar 2006 13:14:49 -0800 (PST)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Re: Best Cheap Guitar Synth
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I spent some time with my Line6 filter pro's Synth
patches, and while I didn't have anything to compare
it to, I thought, for the price, they were excellent. 
I don't know how their x911 emulation holds up to the
original, but I sure was able to get some interesting
noises from it.  Glitchy for sure, but I hear the
original was too.

Perhaps I should borrow a friend's Filter Factory and
do a side by side test.  Funny, I got rid of my
Electrix stuff (except the Repeater) because I was
paying out a lot and I needed rack space.  Now that
I'm happily holed up in my studio those reasons are
gone.  But then again, I could just sink deeper and
deeper into software as seems to be the fashion. 

Has anyone fooled with software filters/effects for a
guitar synth like sound? 

Also, I called up a few patches in the good old VH-1
for "synth" sounds.  Not sure if they're what you're
looking for but some very interesting cool sounds for
sure.  Man I love that little red box.

Mark

--- S V G <vsyevolod@yahoo.com> wrote:

> 
>      Kevin,
> 
>      I've owned the FM-4, and though I would never
> have described it as "glitchy", it didn't sound
> convincing to me.  More like it was trying to
> emulate 16 different "real filters" and doing a
> barely passable job at all of them.  I'm sure that
> other users find it more than adequate, that
> was just my impression.  By itself it was okay,
> kinda fun for a few hours...  But then put it in a
> signal chain with other stomp boxes and suddenly it
> doesn't sound so good anymore.  Same goes for
> their other coloured boxes.  The MM-4 was my
> favorite out of that bunch, but it just didn't hold
> up in a more complex signal path.  I sold it and got
> a TC Stereo Chorus Flanger instead.  Now
> there's a sexy beast...
> 
>      The Filter Factory on the other hand, sounds as
> clear and as deep as a snow-fed mountain
> stream.  The only problem I have with it is that the
> distortion segment is a bit lame.  But that's
> neither here nor there.  You also may want to look
> into the Filter Queen, almost the same exact
> unit while taking up half the space.  I've owned
> both and have kept the Filter Factory.
> 
>      I also owned an Evolver for 6 months or so. 
> One of the worst possible user interfaces ever
> to exist on a piece of gear.  While the PolyEvolver
> keyboard goes a long way towards rectifying
> the Evolver's UI, it still doesn't show what it got
> under it's skirt.  This is something that I'd
> want to see at a glance, like say, a Nord Lead or a
> Korg Oasys with their LED illuminated rotary
> knobs.  Electrix gear shows everything, you can tell
> what sound it's going to make even before
> turning it on.  The only exception to this is that
> the Repeater is lacking a few small things like
> track mute indicators.
> 
>      Stephen
> 
> 
> 
> <<The FM-4 looks to be a little glitchy, judging
> from the user manual 
> and the comments on the list.  Does anyone have
> experience with the 
> Electrix Filter Factory?  That may be the filter for
> me.>>
> 
> __________________________________________________
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> protection around 
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> 
> 


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From Loopers-Delight-request@loopers-delight.com  Fri Mar 31 21:21:15 2006
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Date: Fri, 31 Mar 2006 13:21:14 -0800 (PST)
From: mark sottilaro <zerocrossing2001@yahoo.com>
Subject: Music is not political (Was Re: music is political)
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I'd pretty much say that non lyrical music has no
intrinsic political qualities.  I dare you to gleen a
message from any of my music.  Don't bother, there
isn't one.

I'm not sure what you're getting at, but I am sure
that this list is not the place for it.  There are
plenty of places on the net for it.  Go there and
type.

Mark

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From Loopers-Delight-request@loopers-delight.com  Fri Mar 31 21:35:21 2006
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Date: Fri, 31 Mar 2006 13:35:18 -0800 (PST)
Subject: Let's call the whole thing off  (Was: music is political)
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Everything is political.  Everything is also religious. But on the musical
lists that I subscribe to, the folks in worship bands don't feel called upon
to witness for their faith and for that I am truly grateful.

Mentioning politics and religion are the surest ways to start flame wars.  And
flame wars are boring.  Let's stick to the technical and cultural stuff okay?

My two cents.  Now I'll keep my mouth shut.

Cheers,
Kevin


From Loopers-Delight-request@loopers-delight.com  Fri Mar 31 21:35:52 2006
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Subject: Re: semi OT first Thomas Dolby tour in ages
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Hey, I'm going to be there.  If other loopers are
going maybe we could meet up at the Cafe across the
street and have a coffee or something?

--- Glenn Javaheri <glenn234@pacbell.net> wrote:

> Thomas Dolby's first venture back into
> music/performing in ages including at a club called
> "the Independent" in San Francisco with opening band
> "Loop!Station", plus other dates around the country:
> 
> http://version.thomasdolby.com/
> 
> 


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From Loopers-Delight-request@loopers-delight.com  Fri Mar 31 21:36:59 2006
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Subject: Re: Cheap FX for Teaching
Date: Fri, 31 Mar 2006 16:32:39 -0500
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I have a DOD Tec 4 that is 1/2 decent.  The distortions are crappy, but the 
rest of the fx are ok.  I use it for my synths these days.  You can get them 
on ebay for like $20 used.  No looping or drum machine though.  Most of the 
fx have limited settings but it's certainly usable.

Also, the Digitech RP50 is pretty reasonable.  I've seen them on ebay for 
about $60 (buy it now).  Again, no looping, but lots of fx and a drum 
machine with 30 patterns.

I'd go with the Digitech myself.  $60 isn't bad for an fx unit.

Tony

----- Original Message ----- 
From: "Nick Schillace" <americansketch@gmail.com>
To: <loopers-delight@loopers-delight.com>
Sent: Friday, March 31, 2006 11:26 AM
Subject: Cheap FX for Teaching


HI-

i was wondering if anyone might be able to suggest a nice multi FX to
use when teaching guitar/bass. i run an instruction studio here in
detroit that does about 200 lessons per week (mostly guitar).

i have 3 rooms for guitar so i would need something cheap to get one
for each room. it doesn't have to have spectacular quality FX but it
would be great to have something with wide range of choices to expose
students to a lot of sounds. of course it would be GREAT to have a
modest looper included with some overdub capabilities. some type of
drum machine would be cool too.

any help?

nick schillace
www.nickschillace.com
www.myspace.com/nickschillace

From Loopers-Delight-request@loopers-delight.com  Fri Mar 31 22:46:41 2006
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From: Per Boysen <perboysen@gmail.com>
Subject: Re: music is political
Date: Sat, 1 Apr 2006 00:46:38 +0200
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On 31 mar 2006, at 22.56, 3nki wrote:
> having the view that looping is politically subversive

I have always thought that good music is politically subversive. And  
I think the opposite opinion is highly political too, although hardly  
subversive ;-)    I'm saving the linked articles for reading tomorrow.

per




From Loopers-Delight-request@loopers-delight.com  Fri Mar 31 23:06:47 2006
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Subject: RE: music is political
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While I'm fairly sympathetic to what 3nki says, one of the few things this here intairweb has in common with the ordinary pub is that the surest way to start things kicking off is to bring up politics or religion.

As Nostradamus said, "it'll end in tears ..."

3nki <3nki@modaldub.net> wrote: [ about politics & music ]


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