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Date: Wed, 30 Jun 2004 21:32:29 -0800
Subject: Re: EH 16 second manual online...
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~BACK TO MONO~

> On Jun 30, 2004, at 11:54 AM, Paolo Valladolid wrote:...
...
>> Or pick up a Manecolooper as the 2nd looper.  The
>> Elite version has MIDI clock out too, though I have no
>> idea how you'd sync two looper pedals which both
>> output MIDI clock.
>> 
> 
> Yeah, it's not that important.  If I were to have to buy a second unit
> to get stereo, I'd go for another Repeater.  I'm just saying.  For the
> EH16's main purpose I don't need it to be stereo as it is to be part of
> my Special Ops rig when I need to get into a gig, loop and leave in a
> hurry.
> 
> Cheerio,
> 
> Mark
> 

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Date: Thu, 1 Jul 2004 00:47:45 EDT
Subject: Re: EH 16 second manual online...
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Mark,

In a message dated 6/30/04 8:39:54 PM, sine@zerocrossing.net writes:

>Special Ops rig

Cool way of describing the smaller rigs a 
number of us seem to be trying to develop
(after years of big racks and even bigger 
backaches).

Best regards,

tEd ® kiLLiAn

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=2845073
http://www.netmusic.com/web/album.aspx?a_id=CBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=193

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes, 
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster, 
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks, 
and Viztas.

From Loopers-Delight-request@loopers-delight.com  Thu Jul  1 01:50:03 2004
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Date: Wed, 30 Jun 2004 22:56:21 -0700
To: Loopers-Delight@loopers-delight.com
From: Kim Flint <kflint@loopers-delight.com>
Subject: Re: Insert mode questions
In-Reply-To: <02be01c45ed9$d8506c80$707638d4@computername>
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At 12:38 PM 6/30/2004, Dave Sturt wrote:

> >  >Quantize has three "on" values: cycle, sub-cycle, and loop.  When
> >  >starting an Insert, are all three of these treated as if they
> >  >were "cycle", or is it possible to quantize the beginning
> >  >of an insert to a sub-cycle or loop?
> >
> > Yes, that's a fault in the manual.
> >In Loop3 there was only Quant=CYC ( or OFF),
> >and it seems that sentence  didn't get updated to cover the new
> >settings.

hmm, oops. sorry! As Andy explained, quantizing applies in the same way to 
all the features that quantize. So Insert would follow the setting, and 
wait for the next 8th, cycle, or loop point depending on how it is set.

>Hi - is this the only mistake in the manual - or are there any other known
>errors???

I think I mainly fixed errors from the old manual, and hopefully didn't 
introduce any new ones with the new material. (besides the one above!) 
Nobody has mentioned any others so far, so let's keep our fingers crossed.

kim


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com 

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At 11:55 AM 6/30/2004, Juan Urquhart wrote:
>thanks a million for your feedback...it's good to see my efforts 
>apretiated...i try to keep my low profile on LD list,because i donĀ“t want 
>to be seen as an spamer,there's so much i owe to this list in terms of 
>ideas,information...that the last thing i would like to do is abusing it...

Hey Maneco, you can post about your products here, that's no problem. 
People are obviously interested, so go ahead and tell them!

Also, I should have a page for your creations on the tools page of Looper's 
Delight. I'm sorry I haven't done it, I've been too busy lately to get to 
it. If somebody wants to help out and create a page for it, I'd really 
appreciate it.

kim


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com 

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From: Kim Flint <kflint@loopers-delight.com>
Subject: Re: EH 16 second manual online...
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At 11:24 PM 6/29/2004, Mark Sottilaro wrote:
>I thought the original was digital.  Am I wrong?

FWIW, the original is called the "16 Second Digital Delay".

Given the time it came out, it would have had something less then 16 bit 
convertors. I have no idea what. 12 bit? 10? 8?. The sample rate would have 
been relatively low also, somewhere between 24KHz and 32KHz, I imagine. 
This would have contributed to the "lo-fi" character, in addition to the 
funky anti-alias filters.

kim


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com 

From Loopers-Delight-request@loopers-delight.com  Thu Jul  1 04:36:58 2004
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At 06:55 01/07/04, you wrote:
>>Hi - is this the only mistake in the manual - or are there any other known
>>errors???
>
>I think I mainly fixed errors from the old manual, and hopefully didn't 
>introduce any new ones with the new material. (besides the one above!) 
>Nobody has mentioned any others so far, so let's keep our fingers crossed.
>
>kim

As far as I'm aware:-
Kim did an incredibly thorough job on the loop4 manual,
that's the only error anyone found so far.

Usually, with devices much less complex than the EDP
there's omissions and errors to be found in the manual
if you look close enough.

andy butler



From Loopers-Delight-request@loopers-delight.com  Thu Jul  1 05:51:21 2004
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Subject: Andreas Willers: live looping review
Date: Thu, 1 Jul 2004 02:49:36 -0700
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I had the privilege of hearing Andreas Willers perform tonight
in the show that we did with him headlining in Santa Cruz.

I was impressed when I first heard him in Berlin but was
really floored by him tonight.

He is a really deep musician;  drawing from jazz, rock, avante garde,
ethnic music and funk.    He has prodigious and extremely inventive
technique.
He also has a really great knack of playing an idiom and just when you think
that you can predict where he will go next, he completely turns it around on
you and heads off in another direction.

Sometimes extreme eclecticism can be distracting or unsettling but not so in
Andreas's case.     I must have laughed out loud a half a dozen times at
just
how clever and inventive he is.    He pulled out a dozen kinds of intersting
strumming
and tapping techniques while playing very lyrically...............then he'd
turn around and
shred like the heaviest big hair metal types.

His use of the EDP was both strong and subtle.   I'm very familiar with
techniques used on that instrument and yet he frequently completely
confounded me by his use of subtle techniques.

It was a fascinating show and if anyone gets the chance to catch him at the
Vancouver Jazz Festival coming up in a day or so you should really try to go
check it out.

I also really enjoyed the set by my brother (is it nepotism if you truly
enjoy a siblings's music?).
He eschewed his big Repeater/Synth guitar rig for the second concert in a
row, concentrating, instead, on a two Line 6 DL-4 lineup with his array of
beautiful guitars (acoustic steel string, weissenborn styled slide, souped
up stratocaster and his, 'honey I shrunk the guitar' mini strat).
One thing I particularly enjoyed was his use of half speed double speed
maneuvers where, by playing in three and using half speed he created a cool
2-2-2-3 phrased balkan styled 9/8 rhythm to play over.   He also cracked
everyone up with a "Mr. T" small hand sample toy.

All in all it was a truly enjoyable show.   I was only bummed that none of
the Santa Cruz live looping contingent made it out to see the show.   Too
bad,  they missed a really excellent night of music.

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Date: Thu, 1 Jul 2004 03:00:31 -0700 (PDT)
From: Juan Urquhart <manecolooper@darksites.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: EH 16 second manual online...
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...it was 12 bits,and the lowest rate,to achieve 16 seconds,was 4khz,it had 64k of dynamic rams...the lo-fi sound was also due to the adaptive low pass filters,in the 16 seconds range were tuned at 2khz


my creations...
http://manecolooper.tripod.com

my music...
http://rendher.tripod.com



--- Kim Flint <kflint@loopers-delight.com> wrote:
At 11:24 PM 6/29/2004, Mark Sottilaro wrote:
>I thought the original was digital.  Am I wrong?

FWIW, the original is called the "16 Second Digital Delay".

Given the time it came out, it would have had something less then 16 bit 
convertors. I have no idea what. 12 bit? 10? 8?. The sample rate would have 
been relatively low also, somewhere between 24KHz and 32KHz, I imagine. 
This would have contributed to the "lo-fi" character, in addition to the 
funky anti-alias filters.

kim


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com 



_____________________________________________________________
Free email service provided by http://www.darksites.com

From Loopers-Delight-request@loopers-delight.com  Thu Jul  1 14:27:37 2004
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From: Paolo Valladolid <paolovalladolid@yahoo.com>
Subject: Re: EH 16 second manual online...
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--- Mark Sottilaro <sine@zerocrossing.net> wrote:
> On Jun 30, 2004, at 11:54 AM, Paolo Valladolid
> wrote:
> >
> > Does the EH16 not allow the creation of loops
> shorter
> > than 4 minutes?
> 
> Of course.  4 is the max.

So why do you want the max time cut to 2 min. again?  

> >> of loop time for a
> >> single loop?) and do it stereo. (Yes Mark
> Hamburg.
> >
> > For what you paid MusicToyz, you could have gotten
> 2
> > EH16s.  Problem solved.
> 
> Perhaps you should spend less time thinking of your
> best friend Ron and 
> more time practicing your arithmetic.  It was not

Perhaps I assumed a bit much when I thought you would
get the "I keed!" reference.  In other words, I was
kidding and not intending to put you on the defensive.

Cheers to you too,
Paolo

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

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Subject: Stereo-zation
Date: Thu, 1 Jul 2004 11:54:38 -0700
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Yup, sorry Stanitarium!  I DO LOVE THE STEREO CHORUS SOUND!

After playing with the EH-16 a bunch yesterday, I realized that as well 
as being a cool mono looper for playing live, it also sits nicely in my 
studio for extra looping fun.  At one point I had asynchronous loops 
going on the EH-16, Gigadelay (Not true about the tone control, it's 
neutral when at 12:00) and lastly the 8 sec looper on board the Vox 
Tonelab SE.  I could have had my Repeater going as well, but I didn't 
want to get greedy!

So my question is this:  The EH-16 doesn't have the lo-fi "feature" of 
it's father, but I do notice the monoization of my lush stereo chorused 
sounds.  Again, not a big deal when playing live but in the studio I'm 
thinking I'd like to be able to post process the output of the EH16.  
I'd like it to be small and cheap, if possible.  I'm thinking of one of 
those cheap little Alesis effects that do stereo modulation.  (the 
Alesis FAZE)  Anyone try one of these?

Should I hold out for something like a nanoverb?  Is the Line6 MM-4 
worth it?  Basically I want mono in, stereo out.  Nothing too fancy.

Mark

From Loopers-Delight-request@loopers-delight.com  Thu Jul  1 15:47:47 2004
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From: Jeff Larson <Jeffrey.Larson@Sun.COM>
Subject: Re: Insert mode questions >>manual
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a k butler wrote:

> As far as I'm aware:-
> Kim did an incredibly thorough job on the loop4 manual,
> that's the only error anyone found so far.

I'd like to second that.  I'm new to the EDP, but I am a professional 
programmer and have
read (and written) a lot of bad manuals in my day.  The EDP manual 
appears to be *extremely*
comprehensive, and from what I can tell very accurate.  Kudos to those 
involved.

If some of my questions sound a little pedantic, its just because I 
don't have
an EDP in front of me to test with, I have to rely strictly on what is 
written.
Now that it appears I can actually buy one, that may change :-)

Thanks,
Jeff Larson




From Loopers-Delight-request@loopers-delight.com  Thu Jul  1 16:45:19 2004
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From: "sarth" <sarth@sarth.net>
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Subject: RE: Miels Davis loop
Date: Thu, 1 Jul 2004 16:42:24 -0400
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Kyma has some great realtime granular processing features. If you want
you can check out

http://www.noxix.com/music.html

and click the third track "scream" 99% of the vocal processing you hear
there was recorded live, with the original vocal track, which allowed
the singer to "play" the effect during the take. (at least in theory)
This "granular reverb" patch basically continuously samples the sound
and plays back different windows of the sample using a couple of
parameters from different "sliders" including a user variable amount of
randomness.

-- Sarth

> -----Original Message-----
> From: Michael Peters [mailto:mpeters@csi.com]
> Sent: Wednesday, June 30, 2004 2:36 AM
> To: Loopers Delight
> Subject: RE: Miels Davis loop
> 
> > Wait, but where do the bass playing/drumming come from?
> 
> they're part of the original recording
> 
> 
> > you have choosen a rhythmic value for the loops gradual
displacement.
> Did
> you do this in the program by ear or by some calculation
> 
> I found the value simply by trial and error until it created some kind
of
> rhythm created from the slices of the original rhythm
> 
> 
> > Also, would you mind describing exactly how you made this?
> 
> I used Granulab which does the chopping into slices and rearranging
them -
> I
> don't want to explain granular synthesis here - the piece was
basically
> created by feeding the original recording into Granulab, and finding
the
> best placements for three or four sliders, the rest happened on its
own
> without any intervention from my side.
> 
> 
> > I wonder if this technique could be used in real time.
> 
> Granular synthesis can never really manipulate the real time signal in
> real
> time as it basically always samples a sound, chops it into grains, and
> plays
> them back in a different order. So it has some similarities to
looping,
> really. Granulab is not designed to work with real time signals but
the
> wonderful Audiomulch has a real time granulator which even uses an
> internal
> delay. Probably Reaktor has a similar feature. I'm not sure if a
technique
> similar to the Miles piece could be done in real time with Audiomulch,
> maybe
> it would be interesting to try that.
> 
> 
> -Michael
> www.michaelpeters.de
> 
> 


From Loopers-Delight-request@loopers-delight.com  Thu Jul  1 17:15:29 2004
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From: "Lance Zechinato" <LanceZechinato@verizon.net>
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Subject: RE: Stereo-zation
Date: Thu, 1 Jul 2004 17:14:13 -0400
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They're blowing those Alesis FAZE's out at about 1/4 MSRP.  But it's really
a phase shifter; it would probably be disappointing if you need chorus.
>From long-ago experience, the Alesis Microverb was always decent products
for the money, good quality, quiet.  The Nonoverb is probably similar
quality.  The Line 6 MM-4 is a plush pedal with lots of sounds and
expression pedal controllable.  The Alesis GuitarFX is along the same lines
(including expression pedal input), but a lot less expensive.  I'm going by
the specs on those two, but I've never side-by-sided them.

-----Original Message-----
From: msottilaro [mailto:sine@zerocrossing.net]
Sent: Thursday, July 01, 2004 2:55 PM
To: Loopers-Delight@loopers-delight.com
Subject: Stereo-zation

Yup, sorry Stanitarium!  I DO LOVE THE STEREO CHORUS SOUND!

After playing with the EH-16 a bunch yesterday, I realized that as well
as being a cool mono looper for playing live, it also sits nicely in my
studio for extra looping fun.  At one point I had asynchronous loops
going on the EH-16, Gigadelay (Not true about the tone control, it's
neutral when at 12:00) and lastly the 8 sec looper on board the Vox
Tonelab SE.  I could have had my Repeater going as well, but I didn't
want to get greedy!

So my question is this:  The EH-16 doesn't have the lo-fi "feature" of
it's father, but I do notice the monoization of my lush stereo chorused
sounds.  Again, not a big deal when playing live but in the studio I'm
thinking I'd like to be able to post process the output of the EH16.
I'd like it to be small and cheap, if possible.  I'm thinking of one of
those cheap little Alesis effects that do stereo modulation.  (the
Alesis FAZE)  Anyone try one of these?

Should I hold out for something like a nanoverb?  Is the Line6 MM-4
worth it?  Basically I want mono in, stereo out.  Nothing too fancy.

Mark

From Loopers-Delight-request@loopers-delight.com  Thu Jul  1 19:40:55 2004
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Subject: Bitrman
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I got the distortion oriented Alesis device - the Bitrman..  Cheap.  Light.
And a perfect in-studio little distortion box with a wide wide range of
sounds for $40.  Imagine getting some of the sounds Jeff Beck made on Wired
and There and Back and that boggled the minds of every guitar player I knew
for just $40.

Crazy.


----- Original Message ----- 
From: "Lance Zechinato" <LanceZechinato@verizon.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, July 01, 2004 5:14 PM
Subject: RE: Stereo-zation


> They're blowing those Alesis FAZE's out at about 1/4 MSRP.  But it's
really
> a phase shifter; it would probably be disappointing if you need chorus.
> From long-ago experience, the Alesis Microverb was always decent products
> for the money, good quality, quiet.  The Nonoverb is probably similar
> quality.  The Line 6 MM-4 is a plush pedal with lots of sounds and
> expression pedal controllable.  The Alesis GuitarFX is along the same
lines
> (including expression pedal input), but a lot less expensive.  I'm going
by
> the specs on those two, but I've never side-by-sided them.
>
> -----Original Message-----
> From: msottilaro [mailto:sine@zerocrossing.net]
> Sent: Thursday, July 01, 2004 2:55 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Stereo-zation
>
> Yup, sorry Stanitarium!  I DO LOVE THE STEREO CHORUS SOUND!
>
> After playing with the EH-16 a bunch yesterday, I realized that as well
> as being a cool mono looper for playing live, it also sits nicely in my
> studio for extra looping fun.  At one point I had asynchronous loops
> going on the EH-16, Gigadelay (Not true about the tone control, it's
> neutral when at 12:00) and lastly the 8 sec looper on board the Vox
> Tonelab SE.  I could have had my Repeater going as well, but I didn't
> want to get greedy!
>
> So my question is this:  The EH-16 doesn't have the lo-fi "feature" of
> it's father, but I do notice the monoization of my lush stereo chorused
> sounds.  Again, not a big deal when playing live but in the studio I'm
> thinking I'd like to be able to post process the output of the EH16.
> I'd like it to be small and cheap, if possible.  I'm thinking of one of
> those cheap little Alesis effects that do stereo modulation.  (the
> Alesis FAZE)  Anyone try one of these?
>
> Should I hold out for something like a nanoverb?  Is the Line6 MM-4
> worth it?  Basically I want mono in, stereo out.  Nothing too fancy.
>
> Mark
>

From Loopers-Delight-request@loopers-delight.com  Thu Jul  1 19:41:47 2004
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I like.  Very percussive.  What kind of live setup do you use. I'm 
interested in your approach to live improvised electronica.


>Kyma has some great realtime granular processing features. If you want
>you can check out
>
>http://www.noxix.com/music.html
>
>and click the third track "scream" 99% of the vocal processing you hear
>there was recorded live, with the original vocal track, which allowed
>the singer to "play" the effect during the take. (at least in theory)
>This "granular reverb" patch basically continuously samples the sound
>and plays back different windows of the sample using a couple of
>parameters from different "sliders" including a user variable amount of
>randomness.
>
>-- Sarth

_________________________________________________________________
Protect your PC - get McAfee.com VirusScan Online 
http://clinic.mcafee.com/clinic/ibuy/campaign.asp?cid=3963

From Loopers-Delight-request@loopers-delight.com  Thu Jul  1 21:44:49 2004
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Subject: EMUSIC Playlist #379 for June 24, 2004
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http://wdiy.org/programs/emusic/playlists/2004/040624.html

EMUSIC is an electronic, ambient, and space music show, that airs each 
Thursday
at 11:00 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA 93.9 FM in Easton,
PA and Phillipsburg, NJ, 92.9 FM on Service Electric Cable, and 
webcasting on
the internet.

                    Show #379                    June 24, 2004

RECAP:
On this show, I concluded the month-long focus on Sequences magazine, The
Featured CD at Midnight was disc two of two compilation discs that came with
issue 27.

The Vinyl Starter was from the LP "Memorymetropolis" by Clara Mondshine 
on IC
Records.

Sequences - http://wdiy.org/programs/emusic/playlists/2004/focus04.html#jun


PLAYLIST:

ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
==============================
11:00 pm
Clara Mondshine         Chipmania                Memorymetropolis (IC)
Richard Bone            Playa Six                Coxa (Quirworks)
Psicodreamics           Eternal Angel            Eternal Angel (none)
Radio Massacre          Signature of Selective   e-live 2003 (Northern Echo)
  International           Sweep
Intelligentsia          Touchdown                Civilizations (AMP)
Dave Peck               Submerged                Endo-Spectra (none)

12:00 am
VA[Paul Ellis]          Slowly Beating Wings     Sequences No. 27, disc 
2 of 2
VA[Mark Jenkins]        Ekranoplan               Sequences No. 27, disc 
2 of 2
VA[Bjorn Lynn]          Spellcraft               Sequences No. 27, disc 
2 of 2
VA[Rudy Adrian]         Star Garden              Sequences No. 27, disc 
2 of 2
VA[Michael Shipway and  The Nove Towers -        Sequences No. 27, disc 
2 of 2
  Steve Smith]            Part 1
VA[Thought Guild]       Semiotic Sequence        Sequences No. 27, disc 
2 of 2
VA[Transceive]          Evolver                  Sequences No. 27, disc 
2 of 2
VA[Gert Emmens]         Gaspra                   Sequences No. 27, disc 
2 of 2
VA[Ron Boots, Alquimia, Forgotten Memories       Sequences No. 27, disc 
2 of 2
  and Mark Jenkins]
VA[Skin Mechanix]       Waving at Mono           Sequences No. 27, disc 
2 of 2

1:00 am

 * = exerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist


NEXT SHOW:
On the next EMUSIC, I'll start a month-long focus on Klaus Schulze
and his "Contemporary Works, Volume 1" ten CD boxed set.  The Featured CD at
Midnight will be "Vanity of Sounds" on the Rainhorse label.

The Vinyl Starter will be from the LP "Ricochet" by Tangerine Dream on 
Virgin
Records.

Bill
===============================================================================
Host of EMUSIC, an electronic, ambient,  and space music show,  
Thursdays at 11
pm (GMT-5:00) on WDIY 88.1 FM in Allentown and Bethlehem and 93.9 FM in 
Easton
and Phillipsburg.  Listen on-line to WDIY at http://wdiy.org  and click  
LISTEN
EMUSIC web site - http://wdiy.org/programs/emusic
Stream URL: http://rm1.refugemedia.com/ramgen/encoder/wdiy.rm
To subscribe to the EMUSIC-on-WDIY mailing list, click on [Join This 
Group!] at
http://groups.yahoo.com/group/emusic-wdiy

From Loopers-Delight-request@loopers-delight.com  Thu Jul  1 22:54:21 2004
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From: "sarth" <sarth@sarth.net>
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Subject: RE: Miels Davis loop
Date: Thu, 1 Jul 2004 22:51:47 -0400
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Oh, thanks. The main percussion is actually a cello "slap".

My live setup is a gator rack that has a capybara(kyma hardware) a mofx,
2 filter boxes, an organ module, and a behringer (blechk) mixer that
feeds everything in to everything else and back. It was impossible to
find the routing capability I want in less than 4 rackspaces so I just
went with a mixer rack.

It is way too heavy. 

Too heavy.


but I can set up in 20 minutes (if someone helps me carry my stuff)

I do simple delay looping w/the mofx (very primitive) and
too-complex-for-my-own-damn-good sequencer/looper/resampler thingies in
kyma. And process them through each other, or the filters. Oh and I
bring a remote25 to control kyma and an ex5 for electric piano sounds
and whatnot and an rs7000 to act as the master timepiece. You'd think I
could scale it back but removing things is somehow more complicated than
adding.

But I swear, I can set up in 20 minutes. I've timed it. :-)

-- Sarth

Oh, but my approach is, I try to make the live electronica be
improvised, and have songs. So for each piece, there is a fixed palette
of loops and processing, and there are arrangements, but then there are
lots of things left open-ended. Some tunes are predicated on a certain
kind of processing ... ok, in this tune we have this very specific
looper that works this way, and we loop the cello and voice while you do
whatever seems fitting ... and some others are based on loops and stuff
with specific song-arrangement, and maybe the processing aspect is more
variable and contextual. Or maybe we just act like a jam band and I take
a long, selfindulgent ... I mean transformative ... solo during the
bridge. It really depends.

> -----Original Message-----
> From: Jason Spring [mailto:j_sun23@hotmail.com]
> Sent: Thursday, July 01, 2004 7:39 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: RE: Miels Davis loop
> 
> I like.  Very percussive.  What kind of live setup do you use. I'm
> interested in your approach to live improvised electronica.
> 
> 
> >Kyma has some great realtime granular processing features. If you
want
> >you can check out
> >
> >http://www.noxix.com/music.html
> >
> >and click the third track "scream" 99% of the vocal processing you
hear
> >there was recorded live, with the original vocal track, which allowed
> >the singer to "play" the effect during the take. (at least in theory)
> >This "granular reverb" patch basically continuously samples the sound
> >and plays back different windows of the sample using a couple of
> >parameters from different "sliders" including a user variable amount
of
> >randomness.
> >
> >-- Sarth
> 
> _________________________________________________________________
> Protect your PC - get McAfee.com VirusScan Online
> http://clinic.mcafee.com/clinic/ibuy/campaign.asp?cid=3963


From Loopers-Delight-request@loopers-delight.com  Fri Jul  2 02:14:30 2004
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Date: Fri, 2 Jul 2004 02:12:27 -0400 (EDT)
Subject: Andre LaFosse
From: squidloop@thetentacle.org
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I was reading an interview with Mike Keneally on www.guitarhoo.com and he
mentions Andre.

G!:   In your travels have you come accross any new talents out there we
should all be on the look out for?

MK:   Andre LaFosse is a really creative guitarist/composer people should
be checking out. Adam Tober in NYC is writing some fantastic
avant-pop-rock stuff with great guitar and melodies. JRDA in Vermont is a
really strong musical band people should be seeing live over there.

http://www.guitarhoo.com/interviews/mikekeneally.html

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Subject: Re: Sweden's hottest musicians ;-)
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Do all people in Sweden look like this ???
he,he

----- Original Message ----- 
From: "Per Boysen" <per@boysen.se>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, July 02, 2004 2:22 PM
Subject: Sweden's hottest musicians ;-)


> http://www.gamlavykort.nu/artiklar/dansband/
> 
> Greetings from Sweden ;-)
> 
> Per Boysen
> ---
> http://www.boysen.se
> http://www.looproom.com
> 

From Loopers-Delight-request@loopers-delight.com  Fri Jul  2 08:29:33 2004
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From: Per Boysen <per@boysen.se>
Subject: Sweden's hottest musicians ;-)
Date: Fri, 2 Jul 2004 14:22:22 +0200
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http://www.gamlavykort.nu/artiklar/dansband/

Greetings from Sweden ;-)

Per Boysen
---
http://www.boysen.se
http://www.looproom.com

From Loopers-Delight-request@loopers-delight.com  Fri Jul  2 08:42:07 2004
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My God.  The lapels... the LAPELS...!    [running round the room screaming]

----- Original Message ----- 
From: "Per Boysen" <per@boysen.se>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, July 02, 2004 13:22 PM
Subject: Sweden's hottest musicians ;-)


> http://www.gamlavykort.nu/artiklar/dansband/
> 
> Greetings from Sweden ;-)
> 
> Per Boysen
> ---
> http://www.boysen.se
> http://www.looproom.com
> 
> 
> 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Fri Jul  2 09:05:08 2004
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Date: Fri, 2 Jul 2004 08:55:09 -0400
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I'm not sure how the first two URLs relate to the last one (Loop Room).
Maybe it's a seven-degrees thing.  ;)  But that last one has a cool stage
shot of what looks like some serious live looping action.  If you haven't
checked out the audio snippets there, do yourself a favor.

-----Original Message-----
From: Per Boysen [mailto:per@boysen.se]
Sent: Friday, July 02, 2004 8:22 AM
To: Loopers-Delight@loopers-delight.com
Subject: Sweden's hottest musicians ;-)

http://www.gamlavykort.nu/artiklar/dansband/

Greetings from Sweden ;-)

Per Boysen
---
http://www.boysen.se
http://www.looproom.com

From Loopers-Delight-request@loopers-delight.com  Fri Jul  2 10:01:58 2004
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Subject: Re: Stereo-zation
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The philtre is a excellent post looper fx.  The faze just kinda.....stinks.
I regret buying it.
----- Original Message ----- 
From: "msottilaro" <sine@zerocrossing.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, July 01, 2004 2:54 PM
Subject: Stereo-zation


> Yup, sorry Stanitarium!  I DO LOVE THE STEREO CHORUS SOUND!
>
> After playing with the EH-16 a bunch yesterday, I realized that as well
> as being a cool mono looper for playing live, it also sits nicely in my
> studio for extra looping fun.  At one point I had asynchronous loops
> going on the EH-16, Gigadelay (Not true about the tone control, it's
> neutral when at 12:00) and lastly the 8 sec looper on board the Vox
> Tonelab SE.  I could have had my Repeater going as well, but I didn't
> want to get greedy!
>
> So my question is this:  The EH-16 doesn't have the lo-fi "feature" of
> it's father, but I do notice the monoization of my lush stereo chorused
> sounds.  Again, not a big deal when playing live but in the studio I'm
> thinking I'd like to be able to post process the output of the EH16.
> I'd like it to be small and cheap, if possible.  I'm thinking of one of
> those cheap little Alesis effects that do stereo modulation.  (the
> Alesis FAZE)  Anyone try one of these?
>
> Should I hold out for something like a nanoverb?  Is the Line6 MM-4
> worth it?  Basically I want mono in, stereo out.  Nothing too fancy.
>
> Mark
>

From Loopers-Delight-request@loopers-delight.com  Fri Jul  2 10:58:33 2004
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From: Mark Sottilaro <sine@zerocrossing.net>
Subject: Re: Stereo-zation
Date: Fri, 2 Jul 2004 08:00:53 -0700
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Awe, that sucks.  It looks cool and promising.  Thanks for the info.

Mark

On Jul 2, 2004, at 6:59 AM, Shane Whitbread wrote:

> The philtre is a excellent post looper fx.  The faze just 
> kinda.....stinks.
> I regret buying it.
> ----- Original Message -----
> From: "msottilaro" <sine@zerocrossing.net>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Thursday, July 01, 2004 2:54 PM
> Subject: Stereo-zation
>
>
>> Yup, sorry Stanitarium!  I DO LOVE THE STEREO CHORUS SOUND!
>>
>> After playing with the EH-16 a bunch yesterday, I realized that as 
>> well
>> as being a cool mono looper for playing live, it also sits nicely in 
>> my
>> studio for extra looping fun.  At one point I had asynchronous loops
>> going on the EH-16, Gigadelay (Not true about the tone control, it's
>> neutral when at 12:00) and lastly the 8 sec looper on board the Vox
>> Tonelab SE.  I could have had my Repeater going as well, but I didn't
>> want to get greedy!
>>
>> So my question is this:  The EH-16 doesn't have the lo-fi "feature" of
>> it's father, but I do notice the monoization of my lush stereo 
>> chorused
>> sounds.  Again, not a big deal when playing live but in the studio I'm
>> thinking I'd like to be able to post process the output of the EH16.
>> I'd like it to be small and cheap, if possible.  I'm thinking of one 
>> of
>> those cheap little Alesis effects that do stereo modulation.  (the
>> Alesis FAZE)  Anyone try one of these?
>>
>> Should I hold out for something like a nanoverb?  Is the Line6 MM-4
>> worth it?  Basically I want mono in, stereo out.  Nothing too fancy.
>>
>> Mark
>>
>

From Loopers-Delight-request@loopers-delight.com  Fri Jul  2 11:14:36 2004
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To: <Loopers-Delight@loopers-delight.com>
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Subject: Re: Stereo-zation
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Well, ok, there is one step-phase i like in the entire pedal.

http://www.sweetwater.com/feature/technotes/issue3-modfx/

There are a pile of clips.  Have a listen anyway.  the flange sounds nice(I
love step flange) and, again,  the philtre is a real winner.
----- Original Message ----- 
From: "Mark Sottilaro" <sine@zerocrossing.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, July 02, 2004 11:00 AM
Subject: Re: Stereo-zation


> Awe, that sucks.  It looks cool and promising.  Thanks for the info.
>
> Mark
>
> On Jul 2, 2004, at 6:59 AM, Shane Whitbread wrote:
>
> > The philtre is a excellent post looper fx.  The faze just
> > kinda.....stinks.
> > I regret buying it.
> > ----- Original Message -----
> > From: "msottilaro" <sine@zerocrossing.net>
> > To: <Loopers-Delight@loopers-delight.com>
> > Sent: Thursday, July 01, 2004 2:54 PM
> > Subject: Stereo-zation
> >
> >
> >> Yup, sorry Stanitarium!  I DO LOVE THE STEREO CHORUS SOUND!
> >>
> >> After playing with the EH-16 a bunch yesterday, I realized that as
> >> well
> >> as being a cool mono looper for playing live, it also sits nicely in
> >> my
> >> studio for extra looping fun.  At one point I had asynchronous loops
> >> going on the EH-16, Gigadelay (Not true about the tone control, it's
> >> neutral when at 12:00) and lastly the 8 sec looper on board the Vox
> >> Tonelab SE.  I could have had my Repeater going as well, but I didn't
> >> want to get greedy!
> >>
> >> So my question is this:  The EH-16 doesn't have the lo-fi "feature" of
> >> it's father, but I do notice the monoization of my lush stereo
> >> chorused
> >> sounds.  Again, not a big deal when playing live but in the studio I'm
> >> thinking I'd like to be able to post process the output of the EH16.
> >> I'd like it to be small and cheap, if possible.  I'm thinking of one
> >> of
> >> those cheap little Alesis effects that do stereo modulation.  (the
> >> Alesis FAZE)  Anyone try one of these?
> >>
> >> Should I hold out for something like a nanoverb?  Is the Line6 MM-4
> >> worth it?  Basically I want mono in, stereo out.  Nothing too fancy.
> >>
> >> Mark
> >>
> >
>

From Loopers-Delight-request@loopers-delight.com  Fri Jul  2 11:58:36 2004
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From: Catilyne <catilyne@icicle.net>
Subject: Re: Stereo-zation
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Mark, what about looking at a used Alesis Ineko on Ebay.  I've got its big 
brother (the Akira) which kicks ass.  It's table-sized -- only a little 
bigger than the Faze, Philtre, Bitrman, etc. -- and incorporates most of 
those effects into a single box.

I've also seen Rick and a few others here on the list going gaga about what 
a cool effect the Ineko is for looping.

Just a thought.

         -c-


At 10:00 AM 7/2/2004, Mark Sottilaro wrote:
>Awe, that sucks.  It looks cool and promising.  Thanks for the info.
>
>Mark
>
>On Jul 2, 2004, at 6:59 AM, Shane Whitbread wrote:
>
>>The philtre is a excellent post looper fx.  The faze just kinda.....stinks.
>>I regret buying it.
>>----- Original Message -----
>>From: "msottilaro" <sine@zerocrossing.net>
>>To: <Loopers-Delight@loopers-delight.com>
>>Sent: Thursday, July 01, 2004 2:54 PM
>>Subject: Stereo-zation
>>
>>
>>>Yup, sorry Stanitarium!  I DO LOVE THE STEREO CHORUS SOUND!
>>>
>>>After playing with the EH-16 a bunch yesterday, I realized that as well
>>>as being a cool mono looper for playing live, it also sits nicely in my
>>>studio for extra looping fun.  At one point I had asynchronous loops
>>>going on the EH-16, Gigadelay (Not true about the tone control, it's
>>>neutral when at 12:00) and lastly the 8 sec looper on board the Vox
>>>Tonelab SE.  I could have had my Repeater going as well, but I didn't
>>>want to get greedy!
>>>
>>>So my question is this:  The EH-16 doesn't have the lo-fi "feature" of
>>>it's father, but I do notice the monoization of my lush stereo chorused
>>>sounds.  Again, not a big deal when playing live but in the studio I'm
>>>thinking I'd like to be able to post process the output of the EH16.
>>>I'd like it to be small and cheap, if possible.  I'm thinking of one of
>>>those cheap little Alesis effects that do stereo modulation.  (the
>>>Alesis FAZE)  Anyone try one of these?
>>>
>>>Should I hold out for something like a nanoverb?  Is the Line6 MM-4
>>>worth it?  Basically I want mono in, stereo out.  Nothing too fancy.
>>>
>>>Mark
>

_____
"i want to reach my hand into the dark and *feel* what reaches back"
                                                 -recoil

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I also reccomend the Ienko. it's preset but VERY cool with all sorts fo
simple (*and* VERY practical and useful) effects. It's tiny with clear
legending so it's perfect for live use and best of all it has
1/4" jacks. YEAH!! So many cool processors (Kaos pad for example) are
RCA only.

Haven't used it for looping. YET. :)





On Fri, 2 Jul 2004, Catilyne wrote:

> Mark, what about looking at a used Alesis Ineko on Ebay.  I've got its big 
> brother (the Akira) which kicks ass.  It's table-sized -- only a little 
> bigger than the Faze, Philtre, Bitrman, etc. -- and incorporates most of 
> those effects into a single box.
> I've also seen Rick and a few others here on the list going gaga about what 
> a cool effect the Ineko is for looping.



___________________________________________________________________
HELP WANTED PRODUCTIONS - Http://www.HelpWantedProductions.com
"Bringing you the best in Organic Electronic music since we started..."

Home of the Unusual Instrument and Recording Gallery with pictures and
info of Tube recorders, Omnichords, weird guitars, Casios, and more.



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     Mark,

     For the same price as the Line 6 MM-4, you can get a TC Electronic Stereo Chorus Flanger.  It
gives you mono in, mono or stereo out.  Chorus, Flanger, and Pitch Modulation are the three
selectable FX types.  Personally I'd rather have three killer sounds for $175 than 16 wanna-be
sounds for the same amount.

     And yes, I've owned the MM-4 for a year or two.  And no, I'm not selling my SCF.

           Stephen



So my question is this:  The EH-16 doesn't have the lo-fi "feature" of 
it's father, but I do notice the monoization of my lush stereo chorused 
sounds.  Again, not a big deal when playing live but in the studio I'm 
thinking I'd like to be able to post process the output of the EH16.  
I'd like it to be small and cheap, if possible.  I'm thinking of one of 
those cheap little Alesis effects that do stereo modulation.  (the 
Alesis FAZE)  Anyone try one of these?

Should I hold out for something like a nanoverb?  Is the Line6 MM-4 
worth it?  Basically I want mono in, stereo out.  Nothing too fancy.



		
__________________________________
Do you Yahoo!?
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http://promotions.yahoo.com/new_mail 

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To: emusic-wdiy Mailing List <emusic-wdiy@yahoogroups.com>,
   Ambient Mailing List <ambient@hyperreal.org>
Subject: EMUSIC Playlist #380 for July 1, 2004
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http://wdiy.org/programs/emusic/playlists/2004/040701.html

EMUSIC is an electronic, ambient, and space music show, that airs each 
Thursday
at 11:00 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA 93.9 FM in Easton,
PA and Phillipsburg, NJ, 92.9 FM on Service Electric Cable, and 
webcasting on
the internet.

                    Show #380                    July 1, 2004

RECAP:
On this show, I started a month-long focus on Klaus Schulze.  The 
Featured CD
at Midnight was "The Crime of Suspense" which is disc 1 of the 10 CD 
boxed set
"Contemporary Works, Volume 1" on the Rainhorse label, part of Manikin 
Records.

The Vinyl Starter was from the LP "Ricochet" by Tangerine Dream on Virgin
Records.

Klaus Schulze - 
http://wdiy.org/programs/emusic/playlists/2004/focus04.html#jul


PLAYLIST:

ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
==============================
11:00 pm
Tangerine Dream         Part Two                 Ricochet (Virgin)
Harold Grosskopf        Eve On the Hill          Oceanheart (Groove)
Otarion                 Mylene                   Faces of the Night (Neu
                                                   Harmony)
Mark Dwane              Quantum Leap             The Sirius Link (Trondant)
John Sherwood and       HyperEx Machina -        AL2K3 Notting Hill
                          Not Gage                 (AmbientLive)

12:00 am
Klaus Schulze           Vanity of Sounds         Vanity of Sounds 
(Rainhorse)
Klaus Schulze           Sacred Romance           Vanity of Sounds 
(Rainhorse)
Klaus Schulze           The Wing of Strings      Vanity of Sounds 
(Rainhorse)
Klaus Schulze           From Words To Silence *  Vanity of Sounds 
(Rainhorse)

1:00 am

 * = exerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist


NEXT SHOW:
On the next EMUSIC, I'll continue the month-long focus on Klaus Schulze 
and his
"Contemporary Works, Volume 1" ten CD boxed set.  The Featured CD at 
Midnight
will be "The Crime of Suspense" on the Rainhorse label.

The Vinyl Starter will be from the LP "Tangram" by Tangerine Dream on Virgin
Records.

Bill
===============================================================================
Host of EMUSIC, an electronic, ambient,  and space music show,  
Thursdays at 11
pm (GMT-5:00) on WDIY 88.1 FM in Allentown and Bethlehem and 93.9 FM in 
Easton
and Phillipsburg.  Listen on-line to WDIY at http://wdiy.org  and click  
LISTEN
EMUSIC web site - http://wdiy.org/programs/emusic
Stream URL: http://rm1.refugemedia.com/ramgen/encoder/wdiy.rm
To subscribe to the EMUSIC-on-WDIY mailing list, click on [Join This 
Group!] at
http://groups.yahoo.com/group/emusic-wdiy

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You know, this made my day! Thanks for the "loop-wear" costuming ideas!

On Friday, July 2, 2004, at 05:22 AM, Per Boysen wrote:

> http://www.gamlavykort.nu/artiklar/dansband/
>
> Greetings from Sweden ;-)
>
> Per Boysen
> ---
> http://www.boysen.se
> http://www.looproom.com
>

From Loopers-Delight-request@loopers-delight.com  Fri Jul  2 16:20:22 2004
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Yes I also just picked up that deal at Musician's Friend for $40.
Crazy sounds - interstellar space, white noise, etc. Also maybe a nice
prank here to set somebody's guitar up with all telephone electronic sounds or
exorcist tubular bells...however for straight guitar playing I lost patience with
it real quick- too much loco morphing...Has anyone tried the others in the set?...
    Also soon I plan to get the retro Phase 90 and Electro-Harmonix Big Muff "Pi"
sustainer/distortion- any feedback on those?...
Monica

David Kirkdorffer <vze2ncsr@verizon.net> wrote:
I got the distortion oriented Alesis device - the Bitrman.. Cheap. Light.
And a perfect in-studio little distortion box with a wide wide range of
sounds for $40. Imagine getting some of the sounds Jeff Beck made on Wired
and There and Back and that boggled the minds of every guitar player I knew
for just $40.

Crazy.


----- Original Message ----- 
From: "Lance Zechinato" 
To: 
Sent: Thursday, July 01, 2004 5:14 PM
Subject: RE: Stereo-zation


> They're blowing those Alesis FAZE's out at about 1/4 MSRP. But it's
really
> a phase shifter; it would probably be disappointing if you need chorus.
> From long-ago experience, the Alesis Microverb was always decent products
> for the money, good quality, quiet. The Nonoverb is probably similar
> quality. The Line 6 MM-4 is a plush pedal with lots of sounds and
> expression pedal controllable. The Alesis GuitarFX is along the same
lines
> (including expression pedal input), but a lot less expensive. I'm going
by
> the specs on those two, but I've never side-by-sided them.
>
> -----Original Message-----
> From: msottilaro [mailto:sine@zerocrossing.net]
> Sent: Thursday, July 01, 2004 2:55 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Stereo-zation
>
> Yup, sorry Stanitarium! I DO LOVE THE STEREO CHORUS SOUND!
>
> After playing with the EH-16 a bunch yesterday, I realized that as well
> as being a cool mono looper for playing live, it also sits nicely in my
> studio for extra looping fun. At one point I had asynchronous loops
> going on the EH-16, Gigadelay (Not true about the tone control, it's
> neutral when at 12:00) and lastly the 8 sec looper on board the Vox
> Tonelab SE. I could have had my Repeater going as well, but I didn't
> want to get greedy!
>
> So my question is this: The EH-16 doesn't have the lo-fi "feature" of
> it's father, but I do notice the monoization of my lush stereo chorused
> sounds. Again, not a big deal when playing live but in the studio I'm
> thinking I'd like to be able to post process the output of the EH16.
> I'd like it to be small and cheap, if possible. I'm thinking of one of
> those cheap little Alesis effects that do stereo modulation. (the
> Alesis FAZE) Anyone try one of these?
>
> Should I hold out for something like a nanoverb? Is the Line6 MM-4
> worth it? Basically I want mono in, stereo out. Nothing too fancy.
>
> Mark
>


		
---------------------------------
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New and Improved Yahoo! Mail - 100MB free storage!
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<DIV>Yes I also just picked up that deal at Musician's Friend for $40.</DIV>
<DIV>Crazy sounds - interstellar space, white noise, etc. Also maybe a nice</DIV>
<DIV>prank here to set somebody's guitar up with all telephone electronic sounds or</DIV>
<DIV>exorcist tubular bells...however for straight guitar playing I lost patience with</DIV>
<DIV>it real quick- too much loco morphing...Has anyone tried the others in the set?...</DIV>
<DIV>&nbsp;&nbsp;&nbsp; Also soon I plan to get the retro Phase 90 and Electro-Harmonix Big Muff "Pi"</DIV>
<DIV>sustainer/distortion- any feedback on those?...</DIV>
<DIV>Monica<BR><BR><B><I>David Kirkdorffer &lt;vze2ncsr@verizon.net&gt;</I></B> wrote:</DIV>
<BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">I got the distortion oriented Alesis device - the Bitrman.. Cheap. Light.<BR>And a perfect in-studio little distortion box with a wide wide range of<BR>sounds for $40. Imagine getting some of the sounds Jeff Beck made on Wired<BR>and There and Back and that boggled the minds of every guitar player I knew<BR>for just $40.<BR><BR>Crazy.<BR><BR><BR>----- Original Message ----- <BR>From: "Lance Zechinato" <LANCEZECHINATO@VERIZON.NET><BR>To: <LOOPERS-DELIGHT@LOOPERS-DELIGHT.COM><BR>Sent: Thursday, July 01, 2004 5:14 PM<BR>Subject: RE: Stereo-zation<BR><BR><BR>&gt; They're blowing those Alesis FAZE's out at about 1/4 MSRP. But it's<BR>really<BR>&gt; a phase shifter; it would probably be disappointing if you need chorus.<BR>&gt; From long-ago experience, the Alesis Microverb was always decent products<BR>&gt; for the money, good quality, quiet. The Nonoverb is probably similar<BR>&gt;
 quality. The Line 6 MM-4 is a plush pedal with lots of sounds and<BR>&gt; expression pedal controllable. The Alesis GuitarFX is along the same<BR>lines<BR>&gt; (including expression pedal input), but a lot less expensive. I'm going<BR>by<BR>&gt; the specs on those two, but I've never side-by-sided them.<BR>&gt;<BR>&gt; -----Original Message-----<BR>&gt; From: msottilaro [mailto:sine@zerocrossing.net]<BR>&gt; Sent: Thursday, July 01, 2004 2:55 PM<BR>&gt; To: Loopers-Delight@loopers-delight.com<BR>&gt; Subject: Stereo-zation<BR>&gt;<BR>&gt; Yup, sorry Stanitarium! I DO LOVE THE STEREO CHORUS SOUND!<BR>&gt;<BR>&gt; After playing with the EH-16 a bunch yesterday, I realized that as well<BR>&gt; as being a cool mono looper for playing live, it also sits nicely in my<BR>&gt; studio for extra looping fun. At one point I had asynchronous loops<BR>&gt; going on the EH-16, Gigadelay (Not true about the tone control, it's<BR>&gt; neutral when at 12:00) and lastly the 8 sec looper on board the
 Vox<BR>&gt; Tonelab SE. I could have had my Repeater going as well, but I didn't<BR>&gt; want to get greedy!<BR>&gt;<BR>&gt; So my question is this: The EH-16 doesn't have the lo-fi "feature" of<BR>&gt; it's father, but I do notice the monoization of my lush stereo chorused<BR>&gt; sounds. Again, not a big deal when playing live but in the studio I'm<BR>&gt; thinking I'd like to be able to post process the output of the EH16.<BR>&gt; I'd like it to be small and cheap, if possible. I'm thinking of one of<BR>&gt; those cheap little Alesis effects that do stereo modulation. (the<BR>&gt; Alesis FAZE) Anyone try one of these?<BR>&gt;<BR>&gt; Should I hold out for something like a nanoverb? Is the Line6 MM-4<BR>&gt; worth it? Basically I want mono in, stereo out. Nothing too fancy.<BR>&gt;<BR>&gt; Mark<BR>&gt;<BR><BR></BLOCKQUOTE><p>
		<hr size=1>Do you Yahoo!?<br>
<a href="http://us.rd.yahoo.com/mail_us/taglines/100/*http://promotions.yahoo.com/new_mail/static/efficiency.html">New and Improved Yahoo! Mail</a> - 100MB free storage!
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From Loopers-Delight-request@loopers-delight.com  Fri Jul  2 16:31:39 2004
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To: "LOOPERS DELIGHT \(posting\)" <Loopers-Delight@loopers-delight.com>
Subject: Swedens hottest musicians  ;-)
Date: Fri, 2 Jul 2004 13:29:28 -0700
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Geeez, these uber hip photos are  making me thinking of changing my stage
name to
L()()pAbbAp()()L.

Is it legal to do live looping music with lapels that huge in Sweden, Per?

     R.

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I have no experience with the Phase 90, but I love my Big Muff.  It is 
what it is though, you have to love it for what it is and NOT what it 
is not.  It is NOT an overdrive of any sort, so don't expect any sort 
of subtlety out of it.  Great saturated tone though, and it sustains 
forever, especially at high volume with a tube amp.

On Jul 2, 2004, at 4:18 PM, Monica wrote:

>     Also soon I plan to get the retro Phase 90 and Electro-Harmonix 
> Big Muff "Pi"
> sustainer/distortion- any feedback on those?...

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From: Monica <coolintensity@yahoo.com>
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Does it mix well with other fx-like Lexicon - to get both subtlety and intensity?

DJ <dhjohnson@mindspring.com> wrote:I have no experience with the Phase 90, but I love my Big Muff. It is 
what it is though, you have to love it for what it is and NOT what it 
is not. It is NOT an overdrive of any sort, so don't expect any sort 
of subtlety out of it. Great saturated tone though, and it sustains 
forever, especially at high volume with a tube amp.

On Jul 2, 2004, at 4:18 PM, Monica wrote:

>     Also soon I plan to get the retro Phase 90 and Electro-Harmonix 
> Big Muff "Pi"
> sustainer/distortion- any feedback on those?...



		
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<DIV>Does it mix well with other fx-like Lexicon&nbsp;- to get both subtlety and intensity?<BR><BR><B><I>DJ &lt;dhjohnson@mindspring.com&gt;</I></B> wrote:
<BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">I have no experience with the Phase 90, but I love my Big Muff. It is <BR>what it is though, you have to love it for what it is and NOT what it <BR>is not. It is NOT an overdrive of any sort, so don't expect any sort <BR>of subtlety out of it. Great saturated tone though, and it sustains <BR>forever, especially at high volume with a tube amp.<BR><BR>On Jul 2, 2004, at 4:18 PM, Monica wrote:<BR><BR>&gt; &nbsp;&nbsp;&nbsp; Also soon I plan to get the retro Phase 90 and Electro-Harmonix <BR>&gt; Big Muff "Pi"<BR>&gt; sustainer/distortion- any feedback on those?...<BR><BR></BLOCKQUOTE></DIV><p>
		<hr size=1>Do you Yahoo!?<br>
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I don't have any experience mixing it with rackmounts, but I know it=20
does very well mixing with other analog stomp boxes.  You can both feed=20=

other things into it and have it feed other FX and get a lot of cool=20
things going on.

As I see it there are three or four "classic" distortion tones that=20
guitarists like to use as far as stompboxes go, see if you can find=20
what you are looking for in this list.  There's the fuzzface (fuzz that=20=

cleans up nicely, can be both subtle and pretty over the top, if you=20
want one buy a boutique remake as I don't think anything sold today=20
with the name "fuzzface" on it sounds any good), the tubescreamers=20
(pretty subtle all around, not a lot of gain, but great for overdriven=20=

amp tones, can also be used somewhat as a clean boost),  the RAT (great=20=

distortion, also cleans up nicely, more gain than the tubescreamers,=20
but not as much as the big muff, a lot of different shades of=20
distortion, and you can get a lot of harmonics out of this if you want=20=

them), and the big muff (saturated tone for days).  You can cover A LOT=20=

of distortion ground with a TS, a RAT, and a BIG MUFF by using them=20
independently and together.  I would personally chain them in that=20
order.

Hope this helps!


On Jul 2, 2004, at 4:42 PM, Monica wrote:

> Does it mix well with other fx-like Lexicon=A0- to get both subtlety =
and=20
> intensity?
>
> DJ <dhjohnson@mindspring.com> wrote:
>  I have no experience with the Phase 90, but I love my Big Muff. It is
> what it is though, you have to love it for what it is and NOT what it
> is not. It is NOT an overdrive of any sort, so don't expect any sort
>  of subtlety out of it. Great saturated tone though, and it sustains
>  forever, especially at high volume with a tube amp.
>
> On Jul 2, 2004, at 4:18 PM, Monica wrote:
>
> > =A0=A0=A0 Also soon I plan to get the retro Phase 90 and =
Electro-Harmonix
>  > Big Muff "Pi"
> > sustainer/distortion- any feedback on those?...
>
>
> Do you Yahoo!?
> New and Improved Yahoo! Mail - 100MB free storage!=

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I don't have any experience mixing it with rackmounts, but I know it
does very well mixing with other analog stomp boxes.  You can both
feed other things into it and have it feed other FX and get a lot of
cool things going on. =20


As I see it there are three or four "classic" distortion tones that
guitarists like to use as far as stompboxes go, see if you can find
what you are looking for in this list.  There's the fuzzface (fuzz
that cleans up nicely, can be both subtle and pretty over the top, if
you want one buy a boutique remake as I don't think anything sold
today with the name "fuzzface" on it sounds any good), the
tubescreamers (pretty subtle all around, not a lot of gain, but great
for overdriven amp tones, can also be used somewhat as a clean boost),=20=

the RAT (great distortion, also cleans up nicely, more gain than the
tubescreamers, but not as much as the big muff, a lot of different
shades of distortion, and you can get a lot of harmonics out of this
if you want them), and the big muff (saturated tone for days).  You
can cover A LOT of distortion ground with a TS, a RAT, and a BIG MUFF
by using them independently and together.  I would personally chain
them in that order.


Hope this helps!



On Jul 2, 2004, at 4:42 PM, Monica wrote:


<excerpt>Does it mix well with other fx-like Lexicon=A0- to get both
subtlety and intensity?


<bold><italic>DJ <<dhjohnson@mindspring.com></italic></bold> wrote:

 I have no experience with the Phase 90, but I love my Big Muff. It is=20=


what it is though, you have to love it for what it is and NOT what it=20

is not. It is NOT an overdrive of any sort, so don't expect any sort

 of subtlety out of it. Great saturated tone though, and it sustains

 forever, especially at high volume with a tube amp.


On Jul 2, 2004, at 4:18 PM, Monica wrote:


> =A0=A0=A0 Also soon I plan to get the retro Phase 90 and =
Electro-Harmonix

 > Big Muff "Pi"

> sustainer/distortion- any feedback on those?...



Do you Yahoo!?

<color><param>0000,0000,EEEE</param>New and Improved Yahoo!
Mail</color> - 100MB free storage!</excerpt>=

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Andre;

I've been trying to mail you off list and the mail keeps bouncing due 
to (what i believe is a) spam filter. I just came a cross a post of 
yours from 1999 about Bob Musso and Machine Gun. I don't know if you 
recognise my name, but i've been on the Looper's Delight list for a 
couple of years now and participated in the Live Looping tour last 
year with Matthias Grob and Per Boysen. Well, the point of this mail 
is that i am also the original Machine Gun bass player. Right now i'm 
trying to put together some reunion dates in the New York area for 
this fall. Though both Chapin and Sonny Sharrock have passed, Bob, 
Bil and i argree that it's time to do some gigs together again. If 
you have any suggestions for venues or inside info on upcoming 
festivals that we might fit into please drop me a line.

Happy looping!
Drone masterpieces and Loopadelica at:
http://www.soundclick.com/bands/6/jairrohmparkerwells.htm

-- 
Jair-Rohm Parker Wells
Glass Thought Communications
"Dedicated to the pursuit of excellence "
http://members.chello.se/gtc/index.htm
Tel. +46 768 700976

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Mark,

For similar or less money, a used Lexicon Vortex makes a great post-looper stereo-izer with morphing tap-tempo delay-based effects feeding a stereo panner in one rack space with foot- and expression-pedal control.  It has that lush Lexicon tone (love it or hate it). If you can tolerate a rack unit, check out http://www.andybutler.com/vortex/vortex.htm and this lists archives.  

Ever grateful,
Nick


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Yes I'd go for something like the Vortex.. but I'm trying to stay away 
from a rack.  The idea is to tuck it behind the EH-16 on my shelf.

In my journey I keep coming across the Korg Pandora PX4 for pretty low 
prices.  I used to have a toneworks pedal... the ax something... I 
thought it was way cool when used in front of my Ampeg amp.  I'm 
thinking I may try out a PX4 and see if I can disable it's amp models 
(can you?  The manual I downloaded seemed very light on information) 
and just use modulations, delays and reverbs.  It's more money than I 
initially thought I'd spend...

but it always is.

Mark

On Jul 2, 2004, at 3:54 PM, nick douglas wrote:

> Mark,
>
> For similar or less money, a used Lexicon Vortex makes a great 
> post-looper stereo-izer with morphing tap-tempo delay-based effects 
> feeding a stereo panner in one rack space with foot- and 
> expression-pedal control.  It has that lush Lexicon tone (love it or 
> hate it). If you can tolerate a rack unit, check out 
> http://www.andybutler.com/vortex/vortex.htm and this lists archives.
>
> Ever grateful,
> Nick
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Jul  2 19:23:56 2004
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Anyone know the max delay time?  I read through the manual and found nothing
on it.....

Looks like a super cool little unit, I might have to buy 3.

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Get Optimized,
Rob
......................................................
Warm blends of downtempo beats that will soothe your your mind...
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excellent stuff.
i had to sell my kyma for cash flow reasons, but
i really had a good time with the granular stuff.
loved the other two tracks as well...

have you checked out denis leas' excellent lck for kyma?

----- Original Message ----- 
From: "sarth" <sarth@sarth.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, July 01, 2004 3:42 PM
Subject: RE: Miels Davis loop


> Kyma has some great realtime granular processing features. If you want
> you can check out
> 
> http://www.noxix.com/music.html
> 
> and click the third track "scream" 99% of the vocal processing you hear
> there was recorded live, with the original vocal track, which allowed
> the singer to "play" the effect during the take. (at least in theory)
> This "granular reverb" patch basically continuously samples the sound
> and plays back different windows of the sample using a couple of
> parameters from different "sliders" including a user variable amount of
> randomness.
> 
> -- Sarth
> 
> > -----Original Message-----
> > From: Michael Peters [mailto:mpeters@csi.com]
> > Sent: Wednesday, June 30, 2004 2:36 AM
> > To: Loopers Delight
> > Subject: RE: Miels Davis loop
> > 
> > > Wait, but where do the bass playing/drumming come from?
> > 
> > they're part of the original recording
> > 
> > 
> > > you have choosen a rhythmic value for the loops gradual
> displacement.
> > Did
> > you do this in the program by ear or by some calculation
> > 
> > I found the value simply by trial and error until it created some kind
> of
> > rhythm created from the slices of the original rhythm
> > 
> > 
> > > Also, would you mind describing exactly how you made this?
> > 
> > I used Granulab which does the chopping into slices and rearranging
> them -
> > I
> > don't want to explain granular synthesis here - the piece was
> basically
> > created by feeding the original recording into Granulab, and finding
> the
> > best placements for three or four sliders, the rest happened on its
> own
> > without any intervention from my side.
> > 
> > 
> > > I wonder if this technique could be used in real time.
> > 
> > Granular synthesis can never really manipulate the real time signal in
> > real
> > time as it basically always samples a sound, chops it into grains, and
> > plays
> > them back in a different order. So it has some similarities to
> looping,
> > really. Granulab is not designed to work with real time signals but
> the
> > wonderful Audiomulch has a real time granulator which even uses an
> > internal
> > delay. Probably Reaktor has a similar feature. I'm not sure if a
> technique
> > similar to the Miles piece could be done in real time with Audiomulch,
> > maybe
> > it would be interesting to try that.
> > 
> > 
> > -Michael
> > www.michaelpeters.de
> > 
> > 
> 
> 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Sat Jul  3 04:03:49 2004
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From: a k butler <akbutler@tiscali.co.uk>
Subject: Re:Stereo-zation Analog
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For those of us who tend towards the unusual.

My favorite box for making stereo from mono
(apart from the vortex) is the
MAM Rs3 Resonator.
Three panned band pass filters with frequencies that can sweep
together, or against each other.
Will also do envelope following, with the 3 bands controlled
by 3 different freq ranges in the input. (or use exp pedal)

I wouldn't mention it again, only it's now available
for £67 from http://www.netzmarkt.de/thomann/thoiw2_index.html
(search for "MAM" )

The stereo filter sweep can appear as multi-frequency panning,
great on beats and drones alike.

Another technique, for any envelope controlled filter, is
to put both the loop and the live sound through it together,
so the loop is modulated when you  play.

The MAM - Phaze 2 is also stereo analog ultra-tweakable,
similarly-cheap and on-the-way-to-my-house.
..and there's other similarly strange stuff available,
including an analog vocoder for about £130

andy butler   

From Loopers-Delight-request@loopers-delight.com  Sat Jul  3 10:00:53 2004
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Date: Sat, 3 Jul 2004 15:54:21 +0200
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From: Jair-Rohm <gtc@chello.se>
Subject: Re: Subject: Sweden's hottest musicians ;-)
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The fun thing about living in Sweden is that you sometimes end up on 
a gig with one of these guys...
-- 
Jair-Rohm Parker Wells
Glass Thought Communications
"Dedicated to the pursuit of excellence "
http://members.chello.se/gtc/index.htm
Tel. +46 768 700976

From Loopers-Delight-request@loopers-delight.com  Sat Jul  3 10:21:57 2004
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Subject: Live looping percussion - thoughts?
Date: Sat, 3 Jul 2004 09:12:06 -0500
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Dear Loopers,

I'm finally in the very lucky and blessed position to be playing with a
drummer who's interested in looping!  An old friend, and we're very
comfortable with each other and our approach to music.  Anyway, I set him up
with my Repeater, a rack mixer, and an FCB1010.  We're running his dry and
looped sounds through EON10G2's (decent sound).  In a single 3 hour jam
session, we managed to amaze ourselves, and we're excited about where it
could go.

Some facts, and my issues and questions:

- he's going to keep the percussion fairly minimal, and may use some found
objects.  Hi Rick Walker!  I'm hoping I hear from you on this thread ;)
- there's still always the chance of a full drum kit being involved, so any
comments about that are welcome
- for our first jam, we just used a dynamic mic (SM57) and got some good,
loud loops... but we definitely have a sound isolation problem
- I play through a small rack, into a 2x12 tube guitar amp.  My loopers are
2 EDPs.
- we enjoyed and used the "bleed thru" of my amp into his loops a bit, but
generally, we didn't have much control over that and it can be limiting when
you want to turn the music a new direction quickly, because my old loop is
still ambiently present in his loop

Mic/Isolation Questions:
- I suspect we need 1 or 2 hyper cardoid condenser mics to achieve maximum
isolation?
- Any recommendations on good but not-too-expensive condenser mics?
- Any other thoughts on isolation?

Repeater Questions:
- we think we're going to use "beat detect" mode, and "tempo lock".  Any
experience with this, relative to locking down a tempo so that the Repeater
isn't constantly re-calculating tempo, and instead locks down on a tempo so
that the EDP's aren't drifitng vs. the Repeater?
- any other suggestions on a smarter way for him to be able to play the
tempo he feels, lock it so that the EDP's get a steady clock, without it
being too cumbersome?

Controller Questions:
- he's using an FCB1010 on the floor to control Repeater functions.  Works
great.  We discussed the possibility of getting a drum trigger type
controller, but I've yet to see one that's reasonably priced which also
sends CC commands (as well as notes and PCs).  Any ideas?

I appreciate any and all feedback, and a big thanks in advance.  If I've
left out any critical info, just let me know.  We'll be watching this thread
closely because we're hoping to move fast, and get into some live shows in
the next few months.

Signed,
Totally psyched to be looping with a friend in Texas!!
Doug

From Loopers-Delight-request@loopers-delight.com  Sat Jul  3 19:18:42 2004
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Subject: RE: Miels Davis loop
Date: Sat, 3 Jul 2004 19:14:56 -0400
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> -----Original Message-----
> From: Jim Palmer [mailto:jimp@pobox.com]
> Sent: Friday, July 02, 2004 8:53 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Miels Davis loop
> 
> excellent stuff.

Thanks

> i had to sell my kyma for cash flow reasons, but
> i really had a good time with the granular stuff.
> loved the other two tracks as well...

no way! Boo!

> 
> have you checked out denis leas' excellent lck for kyma?


I really want to, but there's no demo and I really want to, but I've
pre-allocated money for too many things, but I really want to.

-- Sarth


=========

http://www.noxix.com
n19tothelefteyeofmymind 

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From: Monica <coolintensity@yahoo.com>
Subject: Re: Bitrman
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Thanks DJ...very useful info here as always...I'd also heard about a distortion unit
from New Zealand called the Hotcake that's supposed to be among the best-
at like $175 a pop it should be...never tried one myself though...yes maybe adding
these distorts to the Bitrman would be pretty far out too...Monica

DJ <dhjohnson@mindspring.com> wrote:
I don't have any experience mixing it with rackmounts, but I know it 
does very well mixing with other analog stomp boxes. You can both feed 
other things into it and have it feed other FX and get a lot of cool 
things going on.

As I see it there are three or four "classic" distortion tones that 
guitarists like to use as far as stompboxes go, see if you can find 
what you are looking for in this list. There's the fuzzface (fuzz that 
cleans up nicely, can be both subtle and pretty over the top, if you 
want one buy a boutique remake as I don't think anything sold today 
with the name "fuzzface" on it sounds any good), the tubescreamers 
(pretty subtle all around, not a lot of gain, but great for overdriven 
amp tones, can also be used somewhat as a clean boost), the RAT (great 
distortion, also cleans up nicely, more gain than the tubescreamers, 
but not as much as the big muff, a lot of different shades of 
distortion, and you can get a lot of harmonics out of this if you want 
them), and the big muff (saturated tone for days). You can cover A LOT 
of distortion ground with a TS, a RAT, and a BIG MUFF by using them 
independently and together. I would personally chain them in that 
order.

Hope this helps!


On Jul 2, 2004, at 4:42 PM, Monica wrote:

> Does it mix well with other fx-like Lexicon - to get both subtlety and 
> intensity?
>
> DJ wrote:
> I have no experience with the Phase 90, but I love my Big Muff. It is
> what it is though, you have to love it for what it is and NOT what it
> is not. It is NOT an overdrive of any sort, so don't expect any sort
> of subtlety out of it. Great saturated tone though, and it sustains
> forever, especially at high volume with a tube amp.
>
> On Jul 2, 2004, at 4:18 PM, Monica wrote:
>
> >     Also soon I plan to get the retro Phase 90 and Electro-Harmonix
> > Big Muff "Pi"
> > sustainer/distortion- any feedback on those?...
>
>
> Do you Yahoo!?
> New and Improved Yahoo! Mail - 100MB free storage!
		
---------------------------------
Do you Yahoo!?
Yahoo! Mail - 50x more storage than other providers!
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<DIV>Thanks DJ...very useful info here as always...I'd also heard about a distortion unit</DIV>
<DIV>from New Zealand called the Hotcake that's supposed to be among the best-</DIV>
<DIV>at like $175&nbsp;a pop it should be...never tried one myself though...yes maybe adding</DIV>
<DIV>these distorts to the Bitrman would be pretty far out too...Monica<BR><BR><B><I>DJ &lt;dhjohnson@mindspring.com&gt;</I></B> wrote:</DIV>
<BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">I don't have any experience mixing it with rackmounts, but I know it <BR>does very well mixing with other analog stomp boxes. You can both feed <BR>other things into it and have it feed other FX and get a lot of cool <BR>things going on.<BR><BR>As I see it there are three or four "classic" distortion tones that <BR>guitarists like to use as far as stompboxes go, see if you can find <BR>what you are looking for in this list. There's the fuzzface (fuzz that <BR>cleans up nicely, can be both subtle and pretty over the top, if you <BR>want one buy a boutique remake as I don't think anything sold today <BR>with the name "fuzzface" on it sounds any good), the tubescreamers <BR>(pretty subtle all around, not a lot of gain, but great for overdriven <BR>amp tones, can also be used somewhat as a clean boost), the RAT (great <BR>distortion, also cleans up nicely, more gain than the
 tubescreamers, <BR>but not as much as the big muff, a lot of different shades of <BR>distortion, and you can get a lot of harmonics out of this if you want <BR>them), and the big muff (saturated tone for days). You can cover A LOT <BR>of distortion ground with a TS, a RAT, and a BIG MUFF by using them <BR>independently and together. I would personally chain them in that <BR>order.<BR><BR>Hope this helps!<BR><BR><BR>On Jul 2, 2004, at 4:42 PM, Monica wrote:<BR><BR>&gt; Does it mix well with other fx-like Lexicon&nbsp;- to get both subtlety and <BR>&gt; intensity?<BR>&gt;<BR>&gt; DJ <DHJOHNSON@MINDSPRING.COM>wrote:<BR>&gt; I have no experience with the Phase 90, but I love my Big Muff. It is<BR>&gt; what it is though, you have to love it for what it is and NOT what it<BR>&gt; is not. It is NOT an overdrive of any sort, so don't expect any sort<BR>&gt; of subtlety out of it. Great saturated tone though, and it sustains<BR>&gt; forever, especially at high volume with a tube
 amp.<BR>&gt;<BR>&gt; On Jul 2, 2004, at 4:18 PM, Monica wrote:<BR>&gt;<BR>&gt; &gt; &nbsp;&nbsp;&nbsp; Also soon I plan to get the retro Phase 90 and Electro-Harmonix<BR>&gt; &gt; Big Muff "Pi"<BR>&gt; &gt; sustainer/distortion- any feedback on those?...<BR>&gt;<BR>&gt;<BR>&gt; Do you Yahoo!?<BR>&gt; New and Improved Yahoo! Mail - 100MB free storage!</BLOCKQUOTE><p>
		<hr size=1>Do you Yahoo!?<br>
<a href="http://us.rd.yahoo.com/mail_us/taglines/50x/*http://promotions.yahoo.com/new_mail/static/efficiency.html">Yahoo! Mail</a> - 50x more storage than other providers!
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From Loopers-Delight-request@loopers-delight.com  Sat Jul  3 19:39:32 2004
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Is this bitrman things stereo or what?

From Loopers-Delight-request@loopers-delight.com  Sat Jul  3 19:40:39 2004
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Does anyone know if that fcb1010 can send sysex from a switch push
(manual doesn't appear to say so) or know of any foot controller which
can send sysex from a footswitch push?

-- Sarth

From Loopers-Delight-request@loopers-delight.com  Sat Jul  3 20:01:55 2004
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The Bitrman is one device in a series of devices from Alesis.  I believe
they all have a stereo capability (if you include dry and wet
signal-splitting on the vocoder unit in the line).

The Bitrman itself is a very versatile distortion - designed for home
recording and has really cool stereo-fasing.  There are some whacky and
unique features but they can distract you from it's distortion-abilities.
My niggle with it is it's really designed as a deskop unit.  It's a pity
there isn't a "footpedal version" of this.  It's not at all big so we know
the circuitry would fit in a pedal.

Ah well, dream on David....

:-)


----- Original Message ----- 
From: "sarth" <sarth@sarth.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, July 03, 2004 7:37 PM
Subject: RE: Bitrman


> Is this bitrman things stereo or what?
>

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To: Loopers-Delight@loopers-delight.com
Subject: RE: Live looping percussion - thoughts?
Date: Sun, 04 Jul 2004 00:18:52 +0000
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As far as the easiest way for the drummer to find a comfortable tempo and 
"lock" it, I'd say just use the tap tempo feature. I've not used beat 
detect, but I suspect that it might have its quirks and difficulties, and 
you'd still have to press a button to lock it. As far as EDP's drifting, 
again I don't have experience using one, but I'd guess tap tempo would 
provide more consitent results, assuming you'd slave the EDP's to the 
repeater's tempo.  I use tap tempo all the time with the repeater and it's 
invaluable. The only way I could see the beat detect and then tempo lock 
being more appropriate is if he's going to just jam on a beat and then 
wouldn' have a free foot or hand to tap that tempo in real quick. The only 
hang up I see with tap tempo is that I've found it's sometimes difficult to 
tap in a slow tempo when the 'peater is at a fast one. I guess the best way 
to know though would be to experiment. Like I said, I have a feeling the 
beat detect mode isn't all it's cracked up to be. Someone correct me if I'm 
wrong.

Jason

p.s. Texa, eh?  What part?  Maybe we need to get a gulf south thing going 
soon. I'm in the big boot and have been discussing the possiblity of 
organizing shows with a fellow Louisiana looper recently. Keep us up to date 
on your progress

_________________________________________________________________
Add photos to your messages with MSN 8. Get 2 months FREE*. 
http://join.msn.com/?page=features/featuredemail

From Loopers-Delight-request@loopers-delight.com  Sat Jul  3 20:56:36 2004
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From: John Metzler <jarofjam@mac.com>
Subject: EDP Stopped taking MIDI commands.
Date: Sat, 3 Jul 2004 20:54:16 -0400
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Can anyone think of what might be wrong here?

I have 2 EDP's being controlled with MIDI by an MPC 1000.  I have 1 EDP 
receiving on Ch.1 sent from track one of a sequence and the other EDP 
on Ch.2 receiving it's messages from track 2 of the sequence.  
Yesterday everything worked fine.  I didn't change anything, even  
after tripple checking it all seems to be where it should be.  But now 
EDP 2 doesn't see any in coming messages but still syncs to Beat Clock. 
  I even tested the situation by sending track 2's MIDI to Ch. 1 instead 
of Ch. 2 so that EDP 1 would receive it, and it did, that one works 
fine.

Does this sound like a broken EDP?

From Loopers-Delight-request@loopers-delight.com  Sat Jul  3 21:53:09 2004
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Subject: Re: Re:Stereo-zation Analog
Date: Sat, 3 Jul 2004 22:01:43 -0400
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A rather subtle stereo-izing option is the little pink
Boss Dimension C pedal. (a subtle chorus - which
can be found used, though not *too* easily) 

Cheers,
Scott M2

http://www.dreamSTATE.to
ambientelectronicsoundscapes
http://www.THEAMBiENTPiNG.com


From Loopers-Delight-request@loopers-delight.com  Sat Jul  3 22:10:35 2004
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Subject: Re: Re:Stereo-zation Analog
Date: Sat, 3 Jul 2004 22:18:17 -0400
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Oops - The pink one is the Boss Digital Dimension DC-3
with 4 knobs (also quite good for subtle stereo-izing) and
the DImension C is a light purpley thang with 4 buttons.

Cheers,
Scott M2

http://www.dreamSTATE.to
ambientelectronicsoundscapes
http://www.THEAMBiENTPiNG.com

----- Original Message ----- 
From: "Scott M2" <scott@dreamstate.to>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, 03 July, 2004 10:01 PM
Subject: Re: Re:Stereo-zation Analog


> A rather subtle stereo-izing option is the little pink
> Boss Dimension C pedal. (a subtle chorus - which
> can be found used, though not *too* easily) 
> 
> Cheers,
> Scott M2
> 
> http://www.dreamSTATE.to
> ambientelectronicsoundscapes
> http://www.THEAMBiENTPiNG.com
> 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Sat Jul  3 23:18:43 2004
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To: "The Ambient Way" <the_ambient_way@yahoogroups.com>,
   "Loopers Delight" <Loopers-Delight@loopers-delight.com>,
   "Ambient@hyperreal" <ambient@hyperreal.org>
Subject: THE AMBiENT PiNG presents Drinking Box
Date: Sat, 3 Jul 2004 23:25:55 -0400
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THE AMBiENT PiNG   http://www.theambientping.com
Free - Every Tuesday Night - doors open at 9pm - 1st set at 9:30
  @ club nia / C'est What - 19 Church St. at Front St. - Toronto
         3 blocks east of the Union Station subway.
         map - http://www.cestwhat.com/map.html
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

This Tuesday July 6th - Drinking Box

The Tetra Pak, a six­sided paper package system for
non­carbonated liquids, was invented in 1944 by the
Swedes Erik Wallenberg and Ruben Rausing.
David McCallum (aka sin(theta)) brings the secret of
The Pak from Göteborg, Sweden with Kingstonian
Mike Cassells (both are also members of LEARK -
the Live ElectroAcoustic Research Kitchen) to the good
people of Toronto in a thickly processed, old­fashioned,
DIY electronic music packaging.
http://www.sintheta.org    http://www.sintheta.org/leark
http://www.post.queensu.ca/~cassellm/

Between Sets CD - "Fissures" by Robert Rich and Alio Die
Travel through "the cracks in the world" into the haunting realms
created by American ambient pioneer Robert Rich (synths,
percussion, flutes, dulcimer, steel guitar) and Italian composer
Stefano Musso aka Alio Die (samples, textures and drones).
http://www.robertrich.com   http://www.aliodie.com/
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Coming July 13th - 'still coiled' with Mark Korven
   brilliantfish - http://www.brilliantfish.com
    Jim Field - http://www.geocities.com/russian_rheas/
      Mark Korven at http://www.markkorven.com

Between Sets CD - "Continental Divide" by Colin Rayment
   http://www.rayments.com/
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

rik maclean's *ping things* CD Reviews

The release "Lamkhyer" by Remanence is packaged with
a set of quotations which, in my mind, serve as reference
points for the material contained within. One defines the term
Lamkhyer as a Tibetan train of thought which gives it's students
"a sense of dignity and forbearance so you are not so easily
disturbed by life's obstacles". The second refers to K'an,
defined by the I Ching as "a plunging in", explaining "it is
a situation in which a man is in the same pass as the water
in a ravine, and, like the water, he can escape if he behaves
correctly." The third and final quotation details the idea of
The Leftward Path, the journey that is taken by the individual
who is true to their own heart rather than to the needs of a community.

These three quotes provide the basis for the three songs
contained on the disc, each piece reflecting the ideas and
themes noted above. Opening track "Lamkhyer" features
strong, confident tones washing over the listener offset by
lush tidal pads overtop a growing percussive pattern. "K'an
(the abyss)" portrays a dark liquid flow underneath simple
melodies made by minimal ringing tones that slowly
create a sense of order within chaos. The closing piece
"The Leftward Path", builds from emptiness with a
deep wash of pads, bright rhythms gaining strength
throughout the track suggesting ritual and ceremony
rather than the order of day to day life.

By including the aforementioned quotes, Remanence
successfully guides the listener in terms of their
understanding of the pieces, directing them towards a
certain ideal and a particular train of thought associated
with the music. Truly enlightening work that appeals on both
cerebral and appreciative levels, "Lamkhyer" by Remanence
is a fascinating collection of music who's influence will
long remain with it's listeners.

rik maclean - rik@pingthings.com

Explore the ping things' newly expanded "features" section at:
http://www.pingthings.com/PTfeaturesNF.htm

Send an e-mail to pingthings-subscribe@yahoogroups.com
for updates on *all* the latest releases on sale at ping things

http://www.pingthings.com = ambient + electronic + chill things
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

The Ambient Ping presents free live performances by Toronto's
finest ambient, chillout and experimental music artists plus
performers from across the continent, every Tuesday at club nia
(aka C'est What) featuring a comfortable lower stage area, perfect
for attentive listening, plus a higher level with a bar, back room
and more seating that's great for conversation, good food and the
club's impressive beer, wine and whiskey selection. Musical treats
are on offer at the *ping things* ambient/experimental CD boutique.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Please forward this e-mail to any friends who may be interested
in live ambient, chillout and experimental music performances


From Loopers-Delight-request@loopers-delight.com  Sat Jul  3 23:24:39 2004
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Subject: Portland, Oregon Loopers?
Date: Sat, 3 Jul 2004 20:23:06 -0700
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    Hey everyone,
    I'm in Portland, Oregon, and I just turned 21 a few days ago.  I've been
gigging (as an electric bassist, in regular bands) since I was 15, but being
a minor meant I didn't get a chance to really experience the local scene,
beyond where I was playing.
    I'm hoping to learn more about the art of looping and eventually pick up
the equipment to do it myself.  Are any of you living or giging in the
Portland area?  I'd love to check out more local musicians, or meet / jam
with new people!
    -Jonathan Chase
    www.badspatula.com

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Subject: Re: Live looping percussion - thoughts?
Date: Sun, 4 Jul 2004 00:11:15 -0500
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> As far as the easiest way for the drummer to find a comfortable tempo and
> "lock" it, I'd say just use the tap tempo feature. I've not used beat
> detect, but I suspect that it might have its quirks and difficulties, and
> you'd still have to press a button to lock it. As far as EDP's drifting,
> again I don't have experience using one, but I'd guess tap tempo would
> provide more consitent results, assuming you'd slave the EDP's to the
> repeater's tempo.

We do slave my EDPs to the Repeater.  That's one of the most exciting things
for both of us, and why I'm intent on finding the best way to handle this
"initial tempo issue".

>  I use tap tempo all the time with the repeater and it's
> invaluable. The only way I could see the beat detect and then tempo lock
> being more appropriate is if he's going to just jam on a beat and then
> wouldn' have a free foot or hand to tap that tempo in real quick. The only
> hang up I see with tap tempo is that I've found it's sometimes difficult
to
> tap in a slow tempo when the 'peater is at a fast one. I guess the best
way
> to know though would be to experiment. Like I said, I have a feeling the
> beat detect mode isn't all it's cracked up to be. Someone correct me if
I'm
> wrong.

Thanks!  All great info.  Tomorrow (Sunday) we'll get together again, so
I'll know more about beat detect then.  In the meantime, here's a situation
we pondered after trying out the repeater in USER MODE last time:

He would just start playing a little rhythmic figure, not using tap tempo on
the Repeater and not in BEAT DETECT mode.  So, regardless of the current
tempo of the Repeater, he would start recording the loop on the one beat,
and stop it on the one of the next measure, in tempo with his playing, all
in perfect-drummer-like fashion. :)  And the loop would play back
seamlessly, and seemingly in rhythm, with a good loop boundary.  But of
course, the Repeater seemed to have quantized those actions to match with
the tempo it had, and stretched the loop to fit.  I believe this is the
basic function of Loop Point Assist.

By the way, when we'd do this, subsequent hits on Multiply caused the loop
to warble a bit before it stabilized.  I suspect that has to do with the
original stretching of the loop, and thus the misalignment of the audio with
the actual tempo of the loop from the Repeater's point of view.

This situation also sends MIDI clock to my EDPs that is rhythmically
unrelated to the actual audio on the loop.

I know that tap tempo'ing the loop and having a very close tempo before you
start recording, eliminates this problem.  I assume that a combination of
BEAT DETECT and then a hit on TEMPO LOCK does the same thing.

- Anybody know if I'm right about my assumptions above?

We won't necc. *always* use this approach, but it's one that comes naturally
to us both, so we want to get it down.  There *will* be times that I start
playing, and he tap tempo's the Repeater to set our clocks.  That works
fine.

PS - If you've read all of this because this somehow interests you :), I'd
love to hear your ideas and experiences with this, especialy if you have a
Repeater.  Mark S., you out there?

> Jason
>
> p.s. Texa, eh?  What part?  Maybe we need to get a gulf south thing going
> soon. I'm in the big boot and have been discussing the possiblity of
> organizing shows with a fellow Louisiana looper recently. Keep us up to
date
> on your progress

We're in Houston.  Email me off list, and let's chat.  We won't be ready for
anything live for a few months at a minimum, but I'd love to hear more about
what you're doing!

PSS - Thanks in advance to anyone who decides to reply on my first post in
this thread.  I really owe this list a lot, and I tend to ask more questions
that I answer, so I *really* owe you guys after this one.  Thanks!!

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From: Mark Hamburg <mark_hamburg@baymoon.com>
Subject: Ted @ iTunes
Date: Sun, 4 Jul 2004 01:36:36 -0700
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Wow, Ted. And still no Terje Rypdal or Steve Tibbetts on iTunes.

Mark

On Jun 30, 2004, at 9:47 PM, ArsOcarina@aol.com wrote:

> Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
> BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
> AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
> RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
> and Viztas.

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Subject: Re: Stereo-zation 
Date: Sun, 4 Jul 2004 01:50:09 -0700
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Since I think Mark has the DM4, it's probably reasonable to say that if 
you like the DM4, then you will probably like the MM4 for modulation 
effects. It almost certainly is not up the standards of the TC SCF, but 
it covers a broader range of effects and does so reasonably 
competently. So, one of the things you need to ask yourself is how much 
range you need. Do you want a great chorus or do you want several 
pretty good effects.

Finally, if you are putting the EH16 on a table top, you could 
presumably put a Vortex on the same table. Bill Frisell totes an MPX100 
around and uses it without a rack. My SansAmp + Vortex combination is 
tempting me to sell a bunch of stuff except for liking the notion of 
being able to gig with no rack which doesn't really work once you go 
past one rack item.

Mark

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From: Eric Williamson <erwill@suitandtieguy.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Ted @ iTunes
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On Jun 30, 2004, at 9:47 PM, ArsOcarina@aol.com wrote:
> Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
> BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
> AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
> RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
> and Viztas.

that's cool. i'm trying to get Andre LaFosse to sign up for the Emusic.com deal
with CDBaby. i don't know if he will though .. 

Emusic is my favourite ... all sorts of fringe artists and no DRM. high bitrates
as well.
---
Eric Williamson
www.suitandtieguy.com

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From: Per Boysen <per@boysen.se>
Subject: Re: Ted @ iTunes
Date: Sun, 4 Jul 2004 11:10:17 +0200
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> On Jun 30, 2004, at 9:47 PM, ArsOcarina@aol.com wrote:
>> Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
>> BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
>> AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
>> RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
>> and Viztas.
On Jul 4, 2004, at 10:52 AM, Eric Williamson wrote:
> that's cool. i'm trying to get Andre LaFosse to sign up for the 
> Emusic.com deal
> with CDBaby. i don't know if he will though ..
>
> Emusic is my favourite ... all sorts of fringe artists and no DRM. 
> high bitrates
> as well.

Hmm... I don't remember where I bought Andre's record. But it's really 
cool these days that you can have your records out at a lot of places 
on the net. Not like old days artist contracts where you had to sign 
away exclusive distribution rights to only one label. Another nice 
digital music retailer, IMHO, is http://www.magnatune.com/. I the vibe 
of their business model. I wonder if they make more or less money by 
letting customers decide the price?  :-)

All the best

Per Boysen
---
http://www.boysen.se
http://www.looproom.com

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From: a k butler <akbutler@tiscali.co.uk>
Subject: Re: Live looping percussion - mic isolation
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At 01:56 04/07/04, you wrote:
>Mic/Isolation Questions:
>- I suspect we need 1 or 2 hyper cardoid condenser mics to achieve maximum
>isolation?

condensers will have better isolation.
( the off-axis frequency response is smoother)

hyper-cardioid s OK, but remember there's some pickup
from directly behind the mic. It's not so easy to find the exact
spot for sound cancellation

A good cardioid will have v.useful rejection at the rear of the mic,
so if it can be pointed away from your cab, maybe that would
actually be the best option.

The absolute in separation is a figure-8 pattern,
if you have the patience to work it out and set it up.

Another idea is to have 2 identical mics out of phase, and pointed
in exactly the same direction.
Then only a sound near to one mic, but not the other should be
picked up.


>- Any recommendations on good but not-too-expensive condenser mics?

Oktava
the MK 012 set has a hyper-cardioid option if you want to try that

MK 102 is available v.cheap


andy butler

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>> - Any recommendations on good but not-too-expensive condenser mics?
>
>
> Oktava
> the MK 012 set has a hyper-cardioid option if you want to try that
>
> MK 102 is available v.cheap
>
>
> andy butler

These mics are great for drums and acoustic instruments in general.
They are cheap but they're not a "cheap solution".
luca

www.unguitar.com

From Loopers-Delight-request@loopers-delight.com  Sun Jul  4 11:13:09 2004
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From: Travis Hartnett <tiktok@sprintmail.com>
Subject: Gig Spam (Seattle)
Date: Sun, 4 Jul 2004 08:10:23 -0700
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Live Looping at a very nice cafe out on Bainbridge Island:

Saturday, July 10, 7:30PM, Pegasus Coffee (131 Parfitt Way SW, 
Bainbridge Is.)


Be seeing you,

Travis



*-*-*-*-* *-*-*-*-* *-*-*-*-* *-*-*-*-* *-*-*-*-*

The Official Travis Hartnett Website:
http://www.travishartnett.com

*-*-*-*-* *-*-*-*-* *-*-*-*-* *-*-*-*-* *-*-*-*-*

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Subject: Re: Ted @ iTunes
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Mark,

In a message dated 7/4/04 1:36:45 AM, mark_hamburg@baymoon.com writes:

>Wow, Ted. And still no Terje Rypdal or Steve Tibbetts on iTunes.

Just one of the little ironies of life. Rypdal and Tibbetts are like
two of the brightest lights in MY musical sky. I own every scrap
of product either of these guys have ever produced -- along with
David Torn, Bill Frisell, Fripp and a number of others. It's hard to 
describe how this makes me feel -- other than to say strangely 
uncomfortable. Those guys are my heroes.

Hope you are doing well Mark. Making any music?

Best regards,

tEd ® kiLLiAn

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=2845073
http://www.netmusic.com/web/album.aspx?a_id=CBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=193

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes, 
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster, 
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks, 
and Viztas.

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Date: Sun, 4 Jul 2004 11:58:42 EDT
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Hi all,

Message dated 7/4/04 1:52:37 AM, erwill@suitandtieguy.com writes:

>Emusic.com is my favorite.

All that string of type has followed my "signature" for a while now.
Yes, CDbaby is the outfit that got me the bulk of that distribution.
They haven't come  through with an Emusic connection for me 
yet though. I have no idea why. Maybe Emusic has better taste
than that.

Here's some info on those distribution points BTW:

AliveAudio
Online radio and download store. Alive Audio sells FLACs (Free 
Lossless Audio Codec) which sound MUCH better than mp3s.
$6.50 per full-album.

Apple iTunes
Downloadable program for Mac and Windows.
65 cents per song. $6.50 per full-album.

AudioLunchbox   
One of the first all-independent music download sites.  
65 cents per song. $6.50 per full-album.

BuyMusic    
A la carte downloads for 79 cents for anyone with Windows IE browser.   
59 cents per song. $5.90 per full-album.

CatchMusic  
Site that offers a la carte downloads and focuses on independent music. 
55 cents per song.

DiscLogic   
Site that offers a la carte downloads.  
65 cents per song. $6.50 per full-album.

EMEPE3  
Website that primarily targets Latin America, USA and Spain.    
65 cents per song. $6.50 per full-album.

eMusic  
Website for Mac, Windows, Linux where members can download 
up to 40 tracks per month of high-quality MP3 files. 
Total subscriber income divided among total download activity. 
Ends up being about 67 cents per song.

Etherstream 
Website that offers a la carte downloads.   
65 cents per song. $6.50 per full-album.

GraniteRocks    
Download store that focuses strictly on music from New England. 
Will only be available to artists who reside in New England.    
>From 63 to 72 cents per song, depending on customer discount

Lindows 
Lindows Media Player with built in music store. 
65 cents per song. $6.50 per full-album.

Music4Cents 
Retails independent music at very reasonable prices.    
55 cents per song. $5.50 per full-album.

MusicIsHere 
Site that offers a la carte downloads - based in the Latvia (which 
just became a member of the European Union on May 1, 2004). 
65 cents per song. $6.50 per full-album.

MusicMatch  
A popular audio jukebox program for Windows that recently added 
this service built-in to their player.  
60 cents per song. $5.50 per full-album.

MusicNet    
AOL's bundled service, right now for AOL members on Windows only. 
Will be working with Tower and Virgin's download services.  
60 cents per song. $7.00 per full-album. $.002 per stream.

Napster 
Downloadable program for Windows. Yes it's now legal and paying.    
60 cents per song. $6.00 per full-album.

NetMusic    
Digital download and streaming service. 
65 cents per song. $6.50 per full-album.

Puretracks  
Canada-only service that offers $.99 downloads. Website is currently 
available to Candian residents only.    
65 cents per song. $6.50 per full-album.

QTRnote 
Website that offers a la carte downloads.   
65 cents per song. $6.50 per full-album.

Rhapsody    
Downloadable program for Windows, based more towards playing/streaming/
listening than downloading. Rhapsody is owned by Real Networks. 
65 cents per song. $6.50 per full-album. 1 cent per stream.

RuleRadio   
Online radio and download store.    
65 cents per song. $6.50 per full-album.

Sony Connect    
Sony's new digital download store.  
65 cents per song. $6.55 per full-album.

Viztas  
Viztas Digital Marketplace will sell all kinds of digital media - not just 
music. 
60 cents per song. $6.10 per full-album.

But before any of you gets too excited or whatever about this digital 
distribution
thing. To put it in perspective, I've made only a few dollars so far from any 
of
it. I've had vastly more income paid from ASCAP for radio play fer gosh sakes!

I'm not holding my breath for sudden fame and fortune to come sneaking 
up on me any time. I don't expect that will ever happen as long as I'm 
playing 
the kind of music that interests me. Maybe if I play ABBA covers and wear 
one of those large-lapelled one-piece jumpsuits . . .  heheh. Ooof Dah!
That ought to do it!

Best regards,

tEd ® kiLLiAn

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=2845073
http://www.netmusic.com/web/album.aspx?a_id=CBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=193

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes, 
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster, 
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks, 
and Viztas.

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From: Mark Sottilaro <sine@zerocrossing.net>
Subject: Re: Live looping percussion - mic isolation
Date: Sun, 4 Jul 2004 11:43:37 -0700
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I know this will sound like heresy to the dyed in the wool 
percussionists, but why not go digital?  I had a little Roland 
hand-drum thing... forgot the model number but it was pretty cheap, you 
didn't need sticks to play it (good if you're a guitarist switching off 
like me) and it had some decent sounds.  For what you're going to spend 
on mics and whatnot, why not buy something like this?  If you've got 
some extra scratch go hog wild and get one of the cheaper Roland kits 
for $1200 or the Handsonic.

Just offering an alternative.  Also, I get perverse satisfaction about 
being able to mimic "the real world" using computer gear.  Can you tell 
I liked all 3 Matrix movies?

Mark

On Jul 4, 2004, at 4:02 AM, a k butler wrote:

> At 01:56 04/07/04, you wrote:
>> Mic/Isolation Questions:
>> - I suspect we need 1 or 2 hyper cardoid condenser mics to achieve 
>> maximum
>> isolation?
>
> condensers will have better isolation.
> ( the off-axis frequency response is smoother)
>
> hyper-cardioid s OK, but remember there's some pickup
> from directly behind the mic. It's not so easy to find the exact
> spot for sound cancellation
>
> A good cardioid will have v.useful rejection at the rear of the mic,
> so if it can be pointed away from your cab, maybe that would
> actually be the best option.
>
> The absolute in separation is a figure-8 pattern,
> if you have the patience to work it out and set it up.
>
> Another idea is to have 2 identical mics out of phase, and pointed
> in exactly the same direction.
> Then only a sound near to one mic, but not the other should be
> picked up.
>
>
>> - Any recommendations on good but not-too-expensive condenser mics?
>
> Oktava
> the MK 012 set has a hyper-cardioid option if you want to try that
>
> MK 102 is available v.cheap
>
>
> andy butler
>

From Loopers-Delight-request@loopers-delight.com  Sun Jul  4 15:16:08 2004
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To: Loopers Delight <Loopers-Delight@loopers-delight.com>
From: John Metzler <jarofjam@mac.com>
Subject: Is my Echoplex broken?
Date: Sun, 4 Jul 2004 15:09:03 -0400
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It is receiving beat clock but not any of the note messages.


I just got everything working and then the next day it's back to fixing 
something rather than playing something.  TECHNOLOGY IS A FEABLE WHORE 
!!!  I'm having bumper stickers that say that in old gritty typewriter 
font,  anyone want one?

---John M.

From Loopers-Delight-request@loopers-delight.com  Sun Jul  4 15:19:08 2004
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From: Mark Sottilaro <sine@zerocrossing.net>
Subject: Re: Is my Echoplex broken?
Date: Sun, 4 Jul 2004 12:21:24 -0700
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You mean the feeble whore that you went to to send out this email or 
another feeble whore?

On Jul 4, 2004, at 12:09 PM, John Metzler wrote:

> It is receiving beat clock but not any of the note messages.
>
>
> I just got everything working and then the next day it's back to 
> fixing something rather than playing something.  TECHNOLOGY IS A 
> FEABLE WHORE !!!  I'm having bumper stickers that say that in old 
> gritty typewriter font,  anyone want one?
>
> ---John M.
>

From Loopers-Delight-request@loopers-delight.com  Sun Jul  4 15:39:32 2004
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From: Optimus Rob <rasimon@indiana.edu>
Subject: Re: Is my Echoplex a whore
Date: Sun, 4 Jul 2004 14:38:43 -0500
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--Apple-Mail-1--1006425808
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He meant your mother....oooohh.  No man, just kidding -- and I would 
like a bumper sticker b/c I work Apple tech support in the AM to pay 
for the PM.

About a year ago, I decided not to use a laptop on stage until I could 
afford a "gig-only" laptop -- like that will happen any time soon.  I'd 
been using a G4 Powerbook, but it's not meant to be schlepped around 
like a keyboard.

So my current live rig includes a Minimoog Voyager, Roland Handsonic, 
TC Helicon Voiceone, Edirol UA-700, Alesis Airsynth, an ipod for loops 
(boo, I know), and a Samson Airline vocal wireless headset (I love).  
So I pretty much use the Handsonic's built-in looper to loop rhythms 
that I sing voice-effects over while playing rhythms/leads/basses with 
the Moog.

So to me, it's become obvious that a Gibson Echoplex would be ideal.  I 
could loop anything and everything, and not be limited to looping just 
electronic percussion.  I finally just scored enough cash from selling 
a Korg Karma (email me privately if you want to discuss, that one's a 
story...) to afford the Echoplex.

Would anyone advise against buying one?  I just saw that email about it 
breaking -- is reliability an issue with it?  That's pretty much the 
reason I've converted my entire rig to hardware vs. software because of 
reliability and dedicated zero latency.

So, that's my intro to the forum and a question to boot.  I've enjoyed 
reading everyone's postings so far -- and Sarth, checked out the site 
and really dig the tunes.

Happy 4th and hope all are well,
Optimus
......................................................

Warm blends of downtempo beats that will soothe your your mind...
"an original score to the tragedy of American idealism"
*http://www.optimusrob.com*
________________________________________________________
On Jul 4, 2004, at 2:21 PM, Mark Sottilaro wrote:

> You mean the feeble whore that you went to to send out this email or 
> another feeble whore?
>
> On Jul 4, 2004, at 12:09 PM, John Metzler wrote:
>
>> It is receiving beat clock but not any of the note messages.
>>
>>
>> I just got everything working and then the next day it's back to 
>> fixing something rather than playing something.  TECHNOLOGY IS A 
>> FEABLE WHORE !!!  I'm having bumper stickers that say that in old 
>> gritty typewriter font,  anyone want one?
>>
>> ---John M.
>>
>
>

--Apple-Mail-1--1006425808
Content-Transfer-Encoding: 7bit
Content-Type: text/enriched;
	charset=US-ASCII

He meant your mother....oooohh.  No man, just kidding -- and I would
like a bumper sticker b/c I work Apple tech support in the AM to pay
for the PM.  


About a year ago, I decided not to use a laptop on stage until I could
afford a "gig-only" laptop -- like that will happen any time soon. 
I'd been using a G4 Powerbook, but it's not meant to be schlepped
around like a keyboard.


So my current live rig includes a Minimoog Voyager, Roland Handsonic,
TC Helicon Voiceone, Edirol UA-700, Alesis Airsynth, an ipod for loops
(boo, I know), and a Samson Airline vocal wireless headset (I love). 
So I pretty much use the Handsonic's built-in looper to loop rhythms
that I sing voice-effects over while playing rhythms/leads/basses with
the Moog.  


So to me, it's become obvious that a Gibson Echoplex would be ideal. 
I could loop anything and everything, and not be limited to looping
just electronic percussion.  I finally just scored enough cash from
selling a Korg Karma (email me privately if you want to discuss, that
one's a story...) to afford the Echoplex.


Would anyone advise against buying one?  I just saw that email about
it breaking -- is reliability an issue with it?  That's pretty much
the reason I've converted my entire rig to hardware vs. software
because of reliability and dedicated zero latency.  


So, that's my intro to the forum and a question to boot.  I've enjoyed
reading everyone's postings so far -- and Sarth, checked out the site
and really dig the tunes.


Happy 4th and hope all are well,

Optimus

<fontfamily><param>Papyrus</param><color><param>6E6E,ACAC,FFFF</param>...................................................... 


Warm blends of downtempo beats that will soothe your your mind...

"an original score to the tragedy of American idealism" 

*http://www.optimusrob.com*

________________________________________________________</color></fontfamily>

On Jul 4, 2004, at 2:21 PM, Mark Sottilaro wrote:


<excerpt>You mean the feeble whore that you went to to send out this
email or another feeble whore?


On Jul 4, 2004, at 12:09 PM, John Metzler wrote:


<excerpt>It is receiving beat clock but not any of the note messages.



I just got everything working and then the next day it's back to
fixing something rather than playing something.  TECHNOLOGY IS A
FEABLE WHORE !!!  I'm having bumper stickers that say that in old
gritty typewriter font,  anyone want one?


---John M.


</excerpt>


</excerpt>
--Apple-Mail-1--1006425808--

From Loopers-Delight-request@loopers-delight.com  Sun Jul  4 15:45:23 2004
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From: Mark Sottilaro <sine@zerocrossing.net>
Subject: Pandora PX4 solution and Special Ops Rig (wasRe: Stereo-zation)
Date: Sun, 4 Jul 2004 12:47:14 -0700
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I've got a MPX100 now, and it's a good little cheap processor... but it 
has another function in my studio.  I've decided on a Korg Pandora PX4. 
  While it does not seem as tweakable as a number of other solutions, it 
gives you a bunch of effects at once, which I later realized was 
important.  I really like the ability to add some chorus/phase, reverb 
and maybe some delay.  Most cheap solutions give you 2 effects max.

My dream/goal is to gig out of a single duffel bag and I'm pretty much 
there.  Here's the special ops rig:

Steinberger 6 string into
Vox Tonelab SE into
mixer Effect send out into
EH16DDmk2 into
Korg PX4 (which I hope to velcro to the EH16) into mixer effect return 
(I may skip this stage)
Midi out of EH16 into
E-MU XL-7 which also has audio outs to mixer.

So all in all that's 6 things to deal with including the guitar.  Not 
bad.  If I can get the PX4 velcroed and semi perminately affixed to the 
EH16 it will seem like even less.  My one issue (and there's always an 
issue) is that the XL-7 is a TANK.  Great sequencer/groovebox but it's 
a big steel yellow box.  I thought about maybe a used electribe for 
stage use only... but I don't do a lot of shows.  Probably not enough 
to warrent another purchase.  I kind of like things to have a double 
duty so I can at least use them in the studio when I'm not gigging.

One of the other great things about the EH16 for me, is that now I can 
have someone over and give them their own looper.  I used to do this 
with a vocalist and a second Repeater, but I had mixed results.  I 
think the Repeater was too complex. (damn that girl LOVED to turn on 
the metronome by accident!)

One thing I'm noticing about the EH16DDmk2 is that there is a fidelity 
change.  At first I thought it was just the monoization of my signal, 
but upon more careful listening I can hear a high end loss for sure.  
It's not gritty or grundgy or anything, just a bit duller.  Music gear 
marketing people would call it "warmer."  It's fine in my world for 
this purpose, but going back to my Repeater afterwards was like putting 
on glasses after spending time with blurry vision.

Mark


On Jul 4, 2004, at 1:50 AM, Mark Hamburg wrote:

> Since I think Mark has the DM4, it's probably reasonable to say that 
> if you like the DM4, then you will probably like the MM4 for 
> modulation effects. It almost certainly is not up the standards of the 
> TC SCF, but it covers a broader range of effects and does so 
> reasonably competently. So, one of the things you need to ask yourself 
> is how much range you need. Do you want a great chorus or do you want 
> several pretty good effects.
>
> Finally, if you are putting the EH16 on a table top, you could 
> presumably put a Vortex on the same table. Bill Frisell totes an 
> MPX100 around and uses it without a rack. My SansAmp + Vortex 
> combination is tempting me to sell a bunch of stuff except for liking 
> the notion of being able to gig with no rack which doesn't really work 
> once you go past one rack item.
>
> Mark
>

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  I'd love to have one!


 Andy





On Sun, 4 Jul 2004, John Metzler wrote:

> It is receiving beat clock but not any of the note messages.
> 
> 
> I just got everything working and then the next day it's back to fixing 
> something rather than playing something.  TECHNOLOGY IS A FEABLE WHORE 
> !!!  I'm having bumper stickers that say that in old gritty typewriter 
> font,  anyone want one?
> 
> ---John M.
> 
> 

From Loopers-Delight-request@loopers-delight.com  Sun Jul  4 17:05:38 2004
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From: Mark Sottilaro <sine@zerocrossing.net>
Subject: Re: Is my Echoplex a whore
Date: Sun, 4 Jul 2004 14:08:37 -0700
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I say go for the Echoplex.  Sure you'll get one with problems, but what 
piece of gear ships with a 0% defect rate?

PS: my mom's a librarian in NJ who ran away from San Francisco in the 
60s because "...friends were doing drugs and sleeping with boys."

HA!

Mark

On Jul 4, 2004, at 12:38 PM, Optimus Rob wrote:

> He meant your mother....oooohh.  No man, just kidding -- and I would 
> like a bumper sticker b/c I work Apple tech support in the AM to pay 
> for the PM.
>
> About a year ago, I decided not to use a laptop on stage until I could 
> afford a "gig-only" laptop -- like that will happen any time soon.  
> I'd been using a G4 Powerbook, but it's not meant to be schlepped 
> around like a keyboard.
>
> So my current live rig includes a Minimoog Voyager, Roland Handsonic, 
> TC Helicon Voiceone, Edirol UA-700, Alesis Airsynth, an ipod for loops 
> (boo, I know), and a Samson Airline vocal wireless headset (I love).  
> So I pretty much use the Handsonic's built-in looper to loop rhythms 
> that I sing voice-effects over while playing rhythms/leads/basses with 
> the Moog.
>
> So to me, it's become obvious that a Gibson Echoplex would be ideal.  
> I could loop anything and everything, and not be limited to looping 
> just electronic percussion.  I finally just scored enough cash from 
> selling a Korg Karma (email me privately if you want to discuss, that 
> one's a story...) to afford the Echoplex.
>
> Would anyone advise against buying one?  I just saw that email about 
> it breaking -- is reliability an issue with it?  That's pretty much 
> the reason I've converted my entire rig to hardware vs. software 
> because of reliability and dedicated zero latency.
>
> So, that's my intro to the forum and a question to boot.  I've enjoyed 
> reading everyone's postings so far -- and Sarth, checked out the site 
> and really dig the tunes.
>
> Happy 4th and hope all are well,
> Optimus
> ......................................................
>
> Warm blends of downtempo beats that will soothe your your mind...
> "an original score to the tragedy of American idealism"
> *http://www.optimusrob.com*
> ________________________________________________________
> On Jul 4, 2004, at 2:21 PM, Mark Sottilaro wrote:
>
>> You mean the feeble whore that you went to to send out this email or 
>> another feeble whore?
>>
>> On Jul 4, 2004, at 12:09 PM, John Metzler wrote:
>>
>>> It is receiving beat clock but not any of the note messages.
>>>
>>>
>>> I just got everything working and then the next day it's back to 
>>> fixing something rather than playing something.  TECHNOLOGY IS A 
>>> FEABLE WHORE !!!  I'm having bumper stickers that say that in old 
>>> gritty typewriter font,  anyone want one?
>>>
>>> ---John M.
>>>
>>
>>

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Subject: EMUSIC Monthly Top 20 Report for June, 2004
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http://wdiy.org/programs/emusic/playlists/2004/top20jun.html

WDIY 88.1 FM "EMUSIC" Top 20 for June, 2004.
Shows #376 to #379; 3-June-2004 to 24-June-2004
Reported in non-ranked, alphanumeric order.
Compiled by Bill Fox
http://wdiyfm.org/programs/emusic


ARTIST - ALBUM TITLE - LABEL
===========================================================
The Amaranth Signal - Penumbra - none
Carig Padilla - Genesis - Spotted Peccary
Dave Peck - Endo-Spectra - none
David Wright - Continuum - AD Music
Dino Pacifici - The Float Zone - Scorpio Rising
Free System Projekt and Dweller at the Threshold -
                                      Passenger 4 - Quantum
Intelligentsia - Civilizations - AMP
Jim Cole and Mathias Grassow - The Last Bright Light -
                                                  Atmoworks
Mojave Wind - Ricochet Gathering - Mojave 2003 - Ricochet
                                                      Dream
Neuronium - Hydro - Valley Entertainment
Paul Ellis - The Sacred Ordinary - Groove
Paul Ellis and Craig Padilla - Echo System - Groove
Radio Massacre International - e-live 2003 - Northern Echo
Richard Bone - Coxa - Quirworks
Rogue Element - Premonition - Acoustic Wave
URM - Synthphonics 2 - none
Various Artists - Sequences No. 25 - none
Various Artists - Sequences No. 26 - none
Various Artists - Sequences No. 27, disc 1 - none
Various Artists - Sequences No. 27, disc 2 - none

Bill
===============================================================================
Host of EMUSIC, an electronic, ambient,  and space music show,  
Thursdays at 11
pm (GMT-5:00) on WDIY 88.1 FM in Allentown and Bethlehem and 93.9 FM in 
Easton
and Phillipsburg.  Listen on-line to WDIY at http://wdiy.org  and click  
LISTEN
EMUSIC web site - http://wdiy.org/programs/emusic
Stream URL: http://rm1.refugemedia.com/ramgen/encoder/wdiy.rm
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From Loopers-Delight-request@loopers-delight.com  Mon Jul  5 03:28:03 2004
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From: Mark Sottilaro <sine@zerocrossing.net>
Subject: Re: Live looping percussion - thoughts?
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I have to say that I either use the Repeater synced to a drum machine 
(90%) or freeform.  I never try to sync to it.  In beta testing I tried 
using it's clock out and found it do be crap.  Excellent syncing to 
anything (even a changing clock) but horrible as master.

I've jammed with Jon Wagner a number of times and we've had issues with 
the sync due to the way the EDP works... I don't have an EDP so I can't 
really comment on it.  Something about sending a really fast clock rate 
that confused the Repeater.  Had to set up the EDP in some way to 
prevent this, but it can and does work.

Mark.

On Jul 3, 2004, at 10:11 PM, Doug Cox wrote:

> PS - If you've read all of this because this somehow interests you :), 
> I'd
> love to hear your ideas and experiences with this, especialy if you 
> have a
> Repeater.  Mark S., you out there?

From Loopers-Delight-request@loopers-delight.com  Mon Jul  5 07:41:09 2004
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Subject: Help with LoopIII and Loop iv 
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Ok since installing loopIV ages ago, i found everything quieter,
but the limiting is to much for me.
I reinstalled LoopIII today to compare. and i prefer having more 
headroom.
but without all the new cool upgrades that i'm now used to.
My setup sonically is quite complicated, i use the bass as a 
ElectroAcousrticResonator,
so i use other instruments through my bass, to cut a long story short.
nothing new, but i found getting sounds to cut through ontop of a loop 
more difficult since loopIV.
Help please
is the limiter removable or adjustable.
cam

From Loopers-Delight-request@loopers-delight.com  Mon Jul  5 07:59:12 2004
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>>TECHNOLOGY IS A FEABLE WHORE !!!  I'm having bumper stickers that say that in old gritty typewriter font,  anyone want one?<<


yeah, if you spell it right!  :-)

duncan.


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<P><FONT SIZE=3D2>&gt;&gt;TECHNOLOGY IS A FEABLE WHORE !!!&nbsp; I'm having=
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<P><FONT SIZE=3D2>yeah, if you spell it right!&nbsp; :-)</FONT>
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From Loopers-Delight-request@loopers-delight.com  Mon Jul  5 12:52:50 2004
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Date: Mon, 5 Jul 2004 18:50:22 +0200
To: Loopers-Delight@loopers-delight.com
From: Matthias Grob <matthias@grob.org>
Subject: Re: Help with LoopIII and Loop iv
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>Ok since installing loopIV ages ago, i found everything quieter,
>but the limiting is to much for me.
>I reinstalled LoopIII today to compare. and i prefer having more headroom.

hm... the limiter is a pure hardware cirquit, it cannot change with 
the software.
but there is also a subtle digital gate in it, the threshold of it 
may have changed slighty...

>but without all the new cool upgrades that i'm now used to.
>My setup sonically is quite complicated, i use the bass as a 
>ElectroAcousrticResonator,
>so i use other instruments through my bass, to cut a long story short.
>nothing new, but i found getting sounds to cut through ontop of a 
>loop more difficult since loopIV.

sorry, I think you have been misslead by some other problem...
did anyone else hear that when upgrading?

>Help please
>is the limiter removable or adjustable.

only with a solder iron, and all you win is that it distorts instead 
of limiting

>cam


-- 


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Mon Jul  5 12:53:04 2004
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Date: Mon, 5 Jul 2004 18:35:54 +0200
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From: Matthias Grob <matthias@grob.org>
Subject: Re: laptop on stage
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>About a year ago, I decided not to use a laptop on stage until I 
>could afford a "gig-only" laptop -- like that will happen any time 
>soon.  I'd been using a G4 Powerbook, but it's not meant to be 
>schlepped around like a keyboard.

what do you mean, did it break?

-- 


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Mon Jul  5 12:53:17 2004
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Date: Mon, 5 Jul 2004 18:45:12 +0200
To: Loopers-Delight@loopers-delight.com
From: Matthias Grob <matthias@grob.org>
Subject: EDP - Repeater sync
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>I have to say that I either use the Repeater synced to a drum 
>machine (90%) or freeform.  I never try to sync to it.  In beta 
>testing I tried using it's clock out and found it do be crap. 
>Excellent syncing to anything (even a changing clock) but horrible 
>as master.
>
>I've jammed with Jon Wagner a number of times and we've had issues 
>with the sync due to the way the EDP works... I don't have an EDP so 
>I can't really comment on it.  Something about sending a really fast 
>clock rate that confused the Repeater.  Had to set up the EDP in 
>some way to prevent this, but it can and does work.

thats mainly a Repeater issue, I would say: it does not accept clock 
faster than 200bpm or so. I dont have one, some owner can tell 
exactly?

But yes, you have to set 8th/beat on the EDP in a way that it 
corresponds to the loop time. If the speed does not end up between 25 
and 350bpm, it does not send any clock.
or better: Allways Record the first loop within a range that fits to 
your 8th/beat and then multiply it, which is also more flexible for 
changes during the piece, keeps your LEDs counting reasonably and 
allows the Repeater to follow!
-- 


          ---> http://Matthias.Grob.org

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From: Optimus Rob <rasimon@indiana.edu>
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It didn't break, just glitched-up too many times for comfort.  For 
example, I had Reason open and about to trigger my first loop and the 
machine froze -- right after introducing myself getting the audience's 
attention, all eyes awaiting a built-up start, and then a 4 min. wait 
while the machine restarted and program reopened.

On a separate occasion, the machine started up to a black screen three 
times in a row before powering on -- holding up my start time nearly 15 
min.  I carry it in a hardshell case with ample foam and it typically 
works fine without a hiccup at home (of course).

Perhaps it got stage-fright, but I know for certain I'm frightened of 
using it again onstage.  Not having the convenience of a computer 
onstage has actually added a bit more virtuosity to my performances.  
I'm enjoying the simplicity of a hardware-based set-up, nice to turn 
everything on and be set.

Don't get me wrong, the Powerbook's still the heart of my recording 
"studio" set-up -- just not a welcome addition in live contexts 
anymore.
Get Optimized,
Rob
......................................................
Warm blends of downtempo beats that will soothe your your mind...
"an original score to the tragedy of American idealism"
http://www.optimusrob.com
_________________________________________________

On Jul 5, 2004, at 11:35 AM, Matthias Grob wrote:

>> About a year ago, I decided not to use a laptop on stage until I 
>> could afford a "gig-only" laptop -- like that will happen any time 
>> soon.  I'd been using a G4 Powerbook, but it's not meant to be 
>> schlepped around like a keyboard.
>
> what do you mean, did it break?
>
> -- 
>
>
>          ---> http://Matthias.Grob.org
>
>

--Apple-Mail-1--929251610
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It didn't break, just glitched-up too many times for comfort.  For
example, I had Reason open and about to trigger my first loop and the
machine froze -- right after introducing myself getting the audience's
attention, all eyes awaiting a built-up start, and then a 4 min. wait
while the machine restarted and program reopened.  


On a separate occasion, the machine started up to a black screen three
times in a row before powering on -- holding up my start time nearly
15 min.  I carry it in a hardshell case with ample foam and it
typically works fine without a hiccup at home (of course).  


Perhaps it got stage-fright, but I know for certain I'm frightened of
using it again onstage.  Not having the convenience of a computer
onstage has actually added a bit more virtuosity to my performances. 
I'm enjoying the simplicity of a hardware-based set-up, nice to turn
everything on and be set.  


Don't get me wrong, the Powerbook's still the heart of my recording
"studio" set-up -- just not a welcome addition in live contexts
anymore.  

<fontfamily><param>Papyrus</param><color><param>4646,6D6D,C6C6</param><bigger>Get
Optimized</bigger></color></fontfamily><bigger>,</bigger><fontfamily><param>Lucida Grande</param>

Rob</fontfamily>   

<fontfamily><param>Papyrus</param><color><param>4F4F,7B7B,E0E0</param><x-tad-bigger>...................................................... 

Warm blends of downtempo beats that will soothe your your mind...

"an original score to the tragedy of American idealism" 

http://www.optimusrob.com

_________________________________________________</x-tad-bigger></color></fontfamily>


On Jul 5, 2004, at 11:35 AM, Matthias Grob wrote:


<excerpt><excerpt>About a year ago, I decided not to use a laptop on
stage until I could afford a "gig-only" laptop -- like that will
happen any time soon.  I'd been using a G4 Powerbook, but it's not
meant to be schlepped around like a keyboard.

</excerpt>

what do you mean, did it break?


-- 



         ---> http://Matthias.Grob.org



</excerpt>
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Subject: Re: EDP Stopped taking MIDI commands.
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At 05:54 PM 7/3/2004, John Metzler wrote:
>I have 2 EDP's being controlled with MIDI by an MPC 1000.  I have 1 EDP 
>receiving on Ch.1 sent from track one of a sequence and the other EDP on 
>Ch.2 receiving it's messages from track 2 of the sequence.
>Yesterday everything worked fine.  I didn't change anything, even
>after tripple checking it all seems to be where it should be.  But now EDP 
>2 doesn't see any in coming messages but still syncs to Beat Clock.

when you say "Beat Clock" I assume you mean MIDI clock?

If it can receive MIDI clock, then it is receiving MIDI fine. The problem 
isn't the Echoplex, it must be something else in your setup. Are all the 
MIDI parameters in the Echoplex set as you expect? To me it sounds like the 
MIDI channel is wrong. Or maybe you changed the ControlSource or Source# 
parameters by accident.

>Does this sound like a broken EDP?

no, doesn't sound like it. If it were broken no MIDI would be received.

kim


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com 

From Loopers-Delight-request@loopers-delight.com  Mon Jul  5 14:46:51 2004
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From: Per Boysen <per@boysen.se>
Subject: Re: EDP - Repeater sync
Date: Mon, 5 Jul 2004 20:45:48 +0200
To: Loopers-Delight@loopers-delight.com
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>> I have to say that I either use the Repeater synced to a drum machine 
>> (90%) or freeform.  I never try to sync to it.  In beta testing I 
>> tried using it's clock out and found it do be crap. Excellent syncing 
>> to anything (even a changing clock) but horrible as master.
>>
>> I've jammed with Jon Wagner a number of times and we've had issues 
>> with the sync due to the way the EDP works... I don't have an EDP so 
>> I can't really comment on it.  Something about sending a really fast 
>> clock rate that confused the Repeater.  Had to set up the EDP in some 
>> way to prevent this, but it can and does work.

On Jul 5, 2004, at 6:45 PM, Matthias Grob wrote:
> thats mainly a Repeater issue, I would say: it does not accept clock 
> faster than 200bpm or so. I dont have one, some owner can tell 
> exactly?


I have noticed that my Repeater performs best at tempi between 40 and 
80 BPM. I usually slave the Repeater to midi clock from my EDP and if I 
should find myself in a situation where the Repeater reads more than 80 
BPM I step my midi foot controller for a program change msg that calls 
up another EDP program with only a difference in the 8th/cycle setting, 
which induces a different tempo being sent out from the EDP.

I also try to never record so many loops on the Repeater that the 
machine has to use the CFC card. Trying to always stay in RAM only. I 
have set up one midi foot pedal for "erase loop" that I use a lot with 
the Repeater.

All the best

Per Boysen
---
http://www.boysen.se
http://www.looproom.com

From Loopers-Delight-request@loopers-delight.com  Mon Jul  5 15:22:27 2004
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To: <Loopers-Delight@loopers-delight.com>
References: <1e4.2460d99a.2e1b038a@aol.com>
Subject: Re: Zvex Effects Inquiry
Date: Mon, 5 Jul 2004 15:20:47 -0400
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There is sound clips on the site now.


Personally, I think it is wonderful, but $300 USD is a touch too much.
----- Original Message ----- 
From: <ArsOcarina@aol.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, July 05, 2004 3:18 PM
Subject: Zvex Effects Inquiry


> Hey folks,
>
> I've got a little question for any of you out there with
> hands-on experience with Zvex pedals. I always visit
> their booth at NAMM and come away amused and
> amazed. Zack is a pretty creative guy.
>
> I am considering purchasing a Zvex Ooh Wah (similar to
> the Seek Wah -- only it also has a random mode). Anywho,
> I am curious about the signal quality in bypass mode.
> Any comments, criticisms, complaints, recommendations?
>
> 'Tis a spendy little pedal. And although I like the idea behind
> the effect, the fidelity of the straight signal in bypass
> mode always concerns me when buying FX online without
> having played with 'em in the store with at least my own
> guitar along first.
>
> They also have a new pedal out called the Seek Trem.
> Anyone have any firsthand knowledge of that?
>
> Best regards,
>
> tEd ® kiLLiAn
>
> http://www.pfmentum.com/flux.html
> http://www.CDbaby.com/cd/tedkillian
> http://www.guitar9.com/fluxaeterna.html
> http://www.garageband.com/artist/ArsOcarina
> http://www.towerrecords.com/product.aspx?pfid=2845073
> http://www.netmusic.com/web/album.aspx?a_id=CBNM_17314
> http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=193
>
> Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
> BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
> AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
> RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
> and Viztas.
>

From Loopers-Delight-request@loopers-delight.com  Mon Jul  5 15:23:16 2004
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Date: Mon, 5 Jul 2004 15:18:34 EDT
Subject: Zvex Effects Inquiry
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Hey folks,

I've got a little question for any of you out there with 
hands-on experience with Zvex pedals. I always visit
their booth at NAMM and come away amused and 
amazed. Zack is a pretty creative guy.

I am considering purchasing a Zvex Ooh Wah (similar to
the Seek Wah -- only it also has a random mode). Anywho,
I am curious about the signal quality in bypass mode.
Any comments, criticisms, complaints, recommendations?

'Tis a spendy little pedal. And although I like the idea behind
the effect, the fidelity of the straight signal in bypass
mode always concerns me when buying FX online without 
having played with 'em in the store with at least my own 
guitar along first.

They also have a new pedal out called the Seek Trem.
Anyone have any firsthand knowledge of that? 

Best regards,

tEd ® kiLLiAn

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=2845073
http://www.netmusic.com/web/album.aspx?a_id=CBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=193

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes, 
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster, 
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks, 
and Viztas.

From Loopers-Delight-request@loopers-delight.com  Mon Jul  5 15:36:12 2004
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Subject: Re: Zvex Effects Inquiry
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I have a FuzzFactory and it seems pretty transparent when it's not on.

----- Original Message ----- 
From: <ArsOcarina@aol.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, July 05, 2004 3:18 PM
Subject: Zvex Effects Inquiry


> Hey folks,
>
> I've got a little question for any of you out there with
> hands-on experience with Zvex pedals. I always visit
> their booth at NAMM and come away amused and
> amazed. Zack is a pretty creative guy.
>
> I am considering purchasing a Zvex Ooh Wah (similar to
> the Seek Wah -- only it also has a random mode). Anywho,
> I am curious about the signal quality in bypass mode.
> Any comments, criticisms, complaints, recommendations?
>
> 'Tis a spendy little pedal. And although I like the idea behind
> the effect, the fidelity of the straight signal in bypass
> mode always concerns me when buying FX online without
> having played with 'em in the store with at least my own
> guitar along first.
>
> They also have a new pedal out called the Seek Trem.
> Anyone have any firsthand knowledge of that?
>
> Best regards,
>
> tEd ® kiLLiAn
>
> http://www.pfmentum.com/flux.html
> http://www.CDbaby.com/cd/tedkillian
> http://www.guitar9.com/fluxaeterna.html
> http://www.garageband.com/artist/ArsOcarina
> http://www.towerrecords.com/product.aspx?pfid=2845073
> http://www.netmusic.com/web/album.aspx?a_id=CBNM_17314
> http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=193
>
> Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
> BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
> AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
> RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
> and Viztas.
>

From Loopers-Delight-request@loopers-delight.com  Mon Jul  5 15:55:47 2004
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From: a k butler <akbutler@tiscali.co.uk>
Subject: Re:Help with LoopIII and Loop iv 
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At 18:07 05/07/04, you wrote:
>Ok since installing loopIV ages ago, i found everything quieter,
>but the limiting is to much for me.
>I reinstalled LoopIII today to compare. and i prefer having more headroom.
>but without all the new cool upgrades that i'm now used to.
>My setup sonically is quite complicated, i use the bass as a 
>ElectroAcousrticResonator,
>so i use other instruments through my bass, to cut a long story short.
>nothing new, but i found getting sounds to cut through ontop of a loop 
>more difficult since loopIV.
>Help please
>is the limiter removable or adjustable.
>cam

Hey Matthias,
Could this be caused by the DC offset?

andy butler



From Loopers-Delight-request@loopers-delight.com  Mon Jul  5 16:09:58 2004
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Hi!

I'm about to delve into the world of looping, probably via the echoplex, 
latest version.

I want to be able to control this with a midi foot controller [all the 
functions that are on the gibson foot pedal thing at least].  Also I'll be wanting 
to control several other modules - Kurzweil KSP8, Digitech super harmony 
machine etc.

Which midi foot controllers do folks have experience with, which ones work 
with the latest version of the echoplex, etc.  I read some posts about the 
Ground control not working too well - is that still an issue?  is the Rocktron all 
access a much better bet?

thanks!
Dave


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<HTML><FONT FACE=3Darial,helvetica><HTML><BODY BGCOLOR=3D"#ffffff"><FONT  BA=
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LY=3D"SANSSERIF" FACE=3D"Arial" LANG=3D"0">Hi!<BR>
<BR>
I'm about to delve into the world of looping, probably via the echoplex, lat=
est version.<BR>
<BR>
I want to be able to control this with a midi foot controller [all the funct=
ions that are on the gibson foot pedal thing at least].&nbsp; Also I'll be w=
anting to control several other modules - Kurzweil KSP8, Digitech super harm=
ony machine etc.<BR>
<BR>
Which midi foot controllers do folks have experience with, which ones work w=
ith the latest version of the echoplex, etc.&nbsp; I read some posts about t=
he Ground control not working too well - is that still an issue?&nbsp; is th=
e Rocktron all access a much better bet?<BR>
<BR>
thanks!<BR>
Dave<BR>
<BR>
</FONT></HTML>
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Subject: multiple instrument looping
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I want to loop live using more than one instrument, probably using the 
Echoplex latest version.  I play both guitar and electric violin.  I'd like to set 
up loops using probably acoustic guitar [with pickup] for rhythm and then add 
on top with violin [with pickup].  I also may want to lay down some percussion 
loops as well.  How is the best way to set up mutiple instruments in this way? 
 

Also anyone have experience using the Roland handsonic or other midi 
percussion for looping?

thanks
Dave

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<HTML><FONT FACE=3Darial,helvetica><HTML><BODY BGCOLOR=3D"#ffffff"><FONT  BA=
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LY=3D"SANSSERIF" FACE=3D"Arial" LANG=3D"0">I want to loop live using more th=
an one instrument, probably using the Echoplex latest version.&nbsp; I play=20=
both guitar and electric violin.&nbsp; I'd like to set up loops using probab=
ly acoustic guitar [with pickup] for rhythm and then add on top with violin=20=
[with pickup].&nbsp; I also may want to lay down some percussion loops as we=
ll.&nbsp; How is the best way to set up mutiple instruments in this way?&nbs=
p; <BR>
<BR>
Also anyone have experience using the Roland handsonic or other midi percuss=
ion for looping?<BR>
<BR>
thanks<BR>
Dave</FONT></HTML>

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From: Per Boysen <per@boysen.se>
Subject: Re: midi foot controller questions
Date: Mon, 5 Jul 2004 22:15:03 +0200
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I'm happy with a Behringer FCB1010. Spec's available at the Behringer 
web site.

All the best

Per Boysen
---
http://www.boysen.se
http://www.looproom.com


On Jul 5, 2004, at 10:07 PM, Violindave@aol.com wrote:

> Hi!
>
>  I'm about to delve into the world of looping, probably via the 
> echoplex, latest version.
>
>  I want to be able to control this with a midi foot controller [all 
> the functions that are on the gibson foot pedal thing at least].  Also 
> I'll be wanting to control several other modules - Kurzweil KSP8, 
> Digitech super harmony machine etc.
>
>  Which midi foot controllers do folks have experience with, which ones 
> work with the latest version of the echoplex, etc.  I read some posts 
> about the Ground control not working too well - is that still an 
> issue?  is the Rocktron all access a much better bet?
>
>  thanks!
>  Dave
>

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Dave,

 

Why would you post two questions in rapid succession and then unsubscribe?

 

Weird.

 

DM

 

  _____  

From: Violindave@aol.com [mailto:Violindave@aol.com] 
Sent: Monday, July 05, 2004 4:12 PM
To: Loopers-Delight@loopers-delight.com
Subject: unsubscribe

 

unsubscribe


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<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
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<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Why would you post two questions in =
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and then unsubscribe?<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
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<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
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Violindave@aol.com [mailto:Violindave@aol.com] <br>
<b><span style=3D'font-weight:bold'>Sent:</span></b> Monday, July 05, =
2004 4:12
PM<br>
<b><span style=3D'font-weight:bold'>To:</span></b>
Loopers-Delight@loopers-delight.com<br>
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From Loopers-Delight-request@loopers-delight.com  Mon Jul  5 16:21:25 2004
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From: Per Boysen <per@boysen.se>
Subject: Re: multiple instrument looping
Date: Mon, 5 Jul 2004 22:18:42 +0200
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All instrument connected to a mixer where you chose the signal to be 
sent into the looping machine. Or you can have a "switch blade" pedal. 
Or they "poor mans solution" that I'm using - moving over a microphone 
to the instrument to be looped, the mic being instantly connected to 
the loopers input.

All the best

Per Boysen
---
http://www.boysen.se
http://www.looproom.com


On Jul 5, 2004, at 10:11 PM, Violindave@aol.com wrote:

> I want to loop live using more than one instrument, probably using the 
> Echoplex latest version.  I play both guitar and electric violin.  I'd 
> like to set up loops using probably acoustic guitar [with pickup] for 
> rhythm and then add on top with violin [with pickup].  I also may want 
> to lay down some percussion loops as well.  How is the best way to set 
> up mutiple instruments in this way? 
>
>  Also anyone have experience using the Roland handsonic or other midi 
> percussion for looping?
>
>  thanks
>  Dave

From Loopers-Delight-request@loopers-delight.com  Mon Jul  5 16:22:14 2004
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Violindave@aol.com wrote:

> unsubscribe

Sorry we pissed you off man...

-- 
* David Beardsley
* microtonal guitar
* http://biink.com/db

From Loopers-Delight-request@loopers-delight.com  Mon Jul  5 16:27:12 2004
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From: Optimus Rob <rasimon@indiana.edu>
Subject: Re: multiple instrument looping
Date: Mon, 5 Jul 2004 15:25:17 -0500
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--Apple-Mail-4--917232000
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Hi Dave,

I use a Roland Handsonic in combination with a Minimoog Voyager on=20
stage to create loops on stage.  I've found the Handonic's internal=20
sequencer to be a bit limiting but usable nonetheless until I can=20
acquire an Echoplex, or Repeater.  With the Handsonic, you have an=20
option of creating a 2, 4, or 8 bar loop or just a long-one shot -- I=20
think up to 8 min. or longer.  The only problem is that there's really=20=

no seamless way of stopping recording, playing the loop, and beginning=20=

another loop.  Its sequencer's really not geared for live performance,=20=

although beforehand, it is quite handy to set-up homemade drum loops=20
b/c it allows you to trim the in/out points.

I think using an external looper like the echoplex would be great in=20
combination with a handsonic.  In regards to your question about=20
multiple instruments, that one's easy.  Just run them all into a mixer=20=

and patch in the echoplex as a send/return effect on the instrument=20
channels you want to loop.  At least that would be my suggestion,=20
though I anticipate there will be others that are more advanced.

How do you like your Handsonic?

Get Optimized,
Rob
......................................................
Warm blends of downtempo beats that will soothe your your mind...
"an original score to the tragedy of American idealism"
http://www.optimusrob.com
_________________________________________________

On Jul 5, 2004, at 3:11 PM, Violindave@aol.com wrote:

> I want to loop live using more than one instrument, probably using the=20=

> Echoplex latest version.=A0 I play both guitar and electric violin.=A0 =
I'd=20
> like to set up loops using probably acoustic guitar [with pickup] for=20=

> rhythm and then add on top with violin [with pickup].=A0 I also may =
want=20
> to lay down some percussion loops as well.=A0 How is the best way to =
set=20
> up mutiple instruments in this way?=A0
>
>  Also anyone have experience using the Roland handsonic or other midi=20=

> percussion for looping?
>
>  thanks
>  Dave=

--Apple-Mail-4--917232000
Content-Transfer-Encoding: quoted-printable
Content-Type: text/enriched;
	charset=ISO-8859-1

Hi Dave,


I use a Roland Handsonic in combination with a Minimoog Voyager on
stage to create loops on stage.  I've found the Handonic's internal
sequencer to be a bit limiting but usable nonetheless until I can
acquire an Echoplex, or Repeater.  With the Handsonic, you have an
option of creating a 2, 4, or 8 bar loop or just a long-one shot -- I
think up to 8 min. or longer.  The only problem is that there's really
no seamless way of stopping recording, playing the loop, and beginning
another loop.  Its sequencer's really not geared for live performance,
although beforehand, it is quite handy to set-up homemade drum loops
b/c it allows you to trim the in/out points. =20


I think using an external looper like the echoplex would be great in
combination with a handsonic.  In regards to your question about
multiple instruments, that one's easy.  Just run them all into a mixer
and patch in the echoplex as a send/return effect on the instrument
channels you want to loop.  At least that would be my suggestion,
though I anticipate there will be others that are more advanced. =20


How do you like your Handsonic? =20


=
<fontfamily><param>Papyrus</param><color><param>4646,6D6D,C6C6</param><big=
ger>Get
=
Optimized</bigger></color></fontfamily><bigger>,</bigger><fontfamily><para=
m>Lucida Grande</param>

Rob</fontfamily>  =20

=
<fontfamily><param>Papyrus</param><color><param>4F4F,7B7B,E0E0</param><x-t=
ad-bigger>......................................................=20

Warm blends of downtempo beats that will soothe your your mind...

"an original score to the tragedy of American idealism"=20

http://www.optimusrob.com

=
_________________________________________________</x-tad-bigger></color></=
fontfamily>


On Jul 5, 2004, at 3:11 PM, Violindave@aol.com wrote:


<excerpt><fontfamily><param>Arial</param><smaller>I want to loop live
using more than one instrument, probably using the Echoplex latest
version.=A0 I play both guitar and electric violin.=A0 I'd like to set =
up
loops using probably acoustic guitar [with pickup] for rhythm and then
add on top with violin [with pickup].=A0 I also may want to lay down
some percussion loops as well.=A0 How is the best way to set up mutiple
instruments in this way?=A0 </smaller></fontfamily>


<fontfamily><param>Arial</param><smaller> Also anyone have experience
using the Roland handsonic or other midi percussion for =
looping?</smaller></fontfamily>


<fontfamily><param>Arial</param><smaller> thanks</smaller></fontfamily>

<fontfamily><param>Arial</param><smaller> =
Dave</smaller></fontfamily></excerpt>=

--Apple-Mail-4--917232000--

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On Mon, 5 Jul 2004 ArsOcarina@aol.com wrote:

> I've got a little question for any of you out there with 
> hands-on experience with Zvex pedals. I always visit
> their booth at NAMM and come away amused and 
> amazed. Zack is a pretty creative guy.
> 
> I am considering purchasing a Zvex Ooh Wah (similar to
> the Seek Wah -- only it also has a random mode). Anywho,
> I am curious about the signal quality in bypass mode.
> Any comments, criticisms, complaints, recommendations?

True bypass. Sounds clean to me. I have and use a Z-Vex SHO(verdrive), 
Woolly Mammoth bass fuzz, Seek Wah, Ooh Wah, and Lo-Fi Loop Junky. They're 
great  pedals. Batteries last forever, they take up little room in the bag 
or on the stage, solid as heck. I strongly recommend Z-Vex pedals.

I will say that each Seek Wah and Ooh Wah sounds slightly different from 
each other when it's *not* bypassed, so if you're not happy with the 
tone of a given Seek Wah or Ooh wah when it's on, try another. It's a 
subtle difference, but it is present.

> 'Tis a spendy little pedal. And although I like the idea behind
> the effect, the fidelity of the straight signal in bypass
> mode always concerns me when buying FX online without 
> having played with 'em in the store with at least my own 
> guitar along first.

You'll be just fine. 

> They also have a new pedal out called the Seek Trem.
> Anyone have any firsthand knowledge of that? 

Zachary just started shipping them late last week, and my local Z-Vex 
dealer didn't have any Seek-Trems in yet as of Saturday (I got the email 
from Z-Vex Friday night). I hope my local dealer will have a Seek-Trem 
in this week and it will be mine. Yes. Yesss.....

Steve B
Subscape Annex  http://www.subscapeannex.com/
Phasmatodea     http://www.phasmatodea.net/

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From: Mark Sottilaro <sine@zerocrossing.net>
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Date: Mon, 5 Jul 2004 14:47:31 -0700
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Better yet, why would you ask a question and make a feeble attempt to 
unsubscribe because you didn't read the instructions on LD?

Basically use any mixer with an effects send/return and put the EDP in 
that and you should have no problem with looping any number of 
instruments you have channels for.

Mark

On Jul 5, 2004, at 1:15 PM, Don Makoviney wrote:

> Dave,
>
>  
>
> Why would you post two questions in rapid succession and then 
> unsubscribe?
>
>  
>
> Weird.
>
>  
>
> DM
>
>  
>
>
> From: Violindave@aol.com [mailto:Violindave@aol.com]
>  Sent: Monday, July 05, 2004 4:12 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: unsubscribe
>
>  
>
> unsubscribe

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I subscribed to the digest and it told me to unsubscribe from the individual list - I made an error in how to do that obviously. Must not be perfect enough to be on this list ;-))

I can see how that looked weird though!
thanks for the helpful responses, nevertheless.

>Better yet, why would you ask a question and make a feeble attempt to
>unsubscribe because you didn't read the instructions on LD?
>
>Basically use any mixer with an effects send/return and put the EDP in
>that and you should have no problem with looping any number of
>instruments you have channels for.
>
>Mark
>
>On Jul 5, 2004, at 1:15 PM, Don Makoviney wrote:
>
>> Dave,
>>
>>  
>>
>> Why would you post two questions in rapid succession and then
>> unsubscribe?
>>
>>  
>>
>> Weird.
>>
>>  
>>
>> DM
>>
>>  
>>
>>
>> From: Violindave@aol.com [mailto:Violindave@aol.com]
>>  Sent: Monday, July 05, 2004 4:12 PM
>> To: Loopers-Delight@loopers-delight.com
>> Subject: unsubscribe
>>
>>  
>>
>> unsubscribe
>
>

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I subscribed to the digest and it told me to unsubscribe from the individual list - I made an error in how to do that obviously. Must not be perfect enough to be on this list ;-))

I can see how that looked weird though!
thanks for the helpful responses, nevertheless.

>Better yet, why would you ask a question and make a feeble attempt to
>unsubscribe because you didn't read the instructions on LD?
>
>Basically use any mixer with an effects send/return and put the EDP in
>that and you should have no problem with looping any number of
>instruments you have channels for.
>
>Mark
>
>On Jul 5, 2004, at 1:15 PM, Don Makoviney wrote:
>
>> Dave,
>>
>>  
>>
>> Why would you post two questions in rapid succession and then
>> unsubscribe?
>>
>>  
>>
>> Weird.
>>
>>  
>>
>> DM
>>
>>  
>>
>>
>> From: Violindave@aol.com [mailto:Violindave@aol.com]
>>  Sent: Monday, July 05, 2004 4:12 PM
>> To: Loopers-Delight@loopers-delight.com
>> Subject: unsubscribe
>>
>>  
>>
>> unsubscribe
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Jul  5 19:07:54 2004
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Date: Mon, 5 Jul 2004 16:05:30 -0700 (PDT)
From: Monica <coolintensity@yahoo.com>
Subject: Re: Bitrman
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Mine didn't come with a footpedal but does have a jack that one can be added to.
Is that a new development?...I think they also have a unit of all phasing, maybe that's worth checking out too, especially at $40...Monica

David Kirkdorffer <vze2ncsr@verizon.net> wrote:
The Bitrman is one device in a series of devices from Alesis. I believe
they all have a stereo capability (if you include dry and wet
signal-splitting on the vocoder unit in the line).

The Bitrman itself is a very versatile distortion - designed for home
recording and has really cool stereo-fasing. There are some whacky and
unique features but they can distract you from it's distortion-abilities.
My niggle with it is it's really designed as a deskop unit. It's a pity
there isn't a "footpedal version" of this. It's not at all big so we know
the circuitry would fit in a pedal.

Ah well, dream on David....

:-)


----- Original Message ----- 
From: "sarth" 
To: 
Sent: Saturday, July 03, 2004 7:37 PM
Subject: RE: Bitrman


> Is this bitrman things stereo or what?
>


		
---------------------------------
Do you Yahoo!?
New and Improved Yahoo! Mail - 100MB free storage!
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<DIV>Mine didn't come with a footpedal but does have a jack that one can be added to.</DIV>
<DIV>Is that a new development?...I think they also have a unit of all phasing, maybe that's worth checking out too, especially at $40...Monica<BR><BR><B><I>David Kirkdorffer &lt;vze2ncsr@verizon.net&gt;</I></B> wrote:</DIV>
<BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">The Bitrman is one device in a series of devices from Alesis. I believe<BR>they all have a stereo capability (if you include dry and wet<BR>signal-splitting on the vocoder unit in the line).<BR><BR>The Bitrman itself is a very versatile distortion - designed for home<BR>recording and has really cool stereo-fasing. There are some whacky and<BR>unique features but they can distract you from it's distortion-abilities.<BR>My niggle with it is it's really designed as a deskop unit. It's a pity<BR>there isn't a "footpedal version" of this. It's not at all big so we know<BR>the circuitry would fit in a pedal.<BR><BR>Ah well, dream on David....<BR><BR>:-)<BR><BR><BR>----- Original Message ----- <BR>From: "sarth" <SARTH@SARTH.NET><BR>To: <LOOPERS-DELIGHT@LOOPERS-DELIGHT.COM><BR>Sent: Saturday, July 03, 2004 7:37 PM<BR>Subject: RE: Bitrman<BR><BR><BR>&gt; Is this bitrman things stereo or
 what?<BR>&gt;<BR><BR></BLOCKQUOTE><p>
		<hr size=1>Do you Yahoo!?<br>
<a href="http://us.rd.yahoo.com/mail_us/taglines/100/*http://promotions.yahoo.com/new_mail/static/efficiency.html">New and Improved Yahoo! Mail</a> - 100MB free storage!
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From Loopers-Delight-request@loopers-delight.com  Mon Jul  5 19:24:18 2004
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Date: Tue, 6 Jul 2004 00:52:39 +0200
To: Loopers-Delight@loopers-delight.com
From: Matthias Grob <matthias@grob.org>
Subject: Re: laptop on stage
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>It didn't break, just glitched-up too many times for comfort.  For 
>example, I had Reason open and about to trigger my first loop and 
>the machine froze -- right after introducing myself getting the 
>audience's attention, all eyes awaiting a built-up start, and then a 
>4 min. wait while the machine restarted and program reopened.

we need to overcome such problems.
Since I installed OS 10.3.3 onto my powerbook in december, it only 
crashed about 5 times, 3 of them due to the MIDI interface (seems an 
upgrade fixes this, too). And I really forced it by installing 
programs, talking comunicating on the net, debugging software and 
listening to music over FireWire... all simultaneously!
And I use the machine for many hours a day, always changing 
configurations... and I only restart it about once a week...
I had dozends if not hundreds of application crashes due to my C++ 
studies. And I had some crashes of audio aplications... I dont say 
its totally save, but geting more confident that we can get there!

In the beginning I rejected OSX and earlyer versions had their problems.
I was afraid not to have control over the system since all is spread 
much more in thousands of files now, but I still dont know much about 
it and dont need to, because everything simply works from the start! 
No conflicts!
Connect and disconnect as you wish...

And as it seems Windows improves as well... maybe I will buy such a 
(cheaper) machine only for stage use

>Perhaps it got stage-fright, but I know for certain I'm frightened 
>of using it again onstage.

I can understand that! And it may not be the moment yet to try again...

>Not having the convenience of a computer onstage has actually added 
>a bit more virtuosity to my performances.  I'm enjoying the 
>simplicity of a hardware-based set-up, nice to turn everything on 
>and be set.

certainly has its nice side...

But I am also lazy to edit sounds on a front pannel, seems there is 
no software editor for the Lexicon G2 :-(

>Don't get me wrong, the Powerbook's still the heart of my recording 
>"studio" set-up -- just not a welcome addition in live contexts 
>anymore.
>Get Optimized,
>Rob
>......................................................
>Warm blends of downtempo beats that will soothe your your mind...
>"an original score to the tragedy of American idealism"
>http://www.optimusrob.com
>_________________________________________________
>
>On Jul 5, 2004, at 11:35 AM, Matthias Grob wrote:
>
>>>About a year ago, I decided not to use a laptop on stage until I 
>>>could afford a "gig-only" laptop -- like that will happen any time 
>>>soon.  I'd been using a G4 Powerbook, but it's not meant to be 
>>>schlepped around like a keyboard.
>>
>>what do you mean, did it break?
>>

-- 


          ---> http://Matthias.Grob.org

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Hi, I've got all these questions, but I  don't want them answered . . .
?
Gary
PS  Kim hates HTML--plain text, y'all--
 
G

________________________________

From: Violindave@aol.com [mailto:Violindave@aol.com] 
Sent: Monday, July 05, 2004 1:12 PM
To: Loopers-Delight@loopers-delight.com
Subject: unsubscribe


unsubscribe 


From Loopers-Delight-request@loopers-delight.com  Mon Jul  5 19:54:17 2004
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Subject: More online promo sites and digital distribution
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The recent posts from people listing internet digital distribution and
online services have been very interesting.

Are there others anyone suggests?

In particular
    1) finding sites that are friendly toward more intrumental and, dare I
say, Ambient styles would be helpful.
    2) services and on-line sites that target Eastern and Central European
listeners.

David Kirkdorffer


From Loopers-Delight-request@loopers-delight.com  Mon Jul  5 20:04:12 2004
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>At 18:07 05/07/04, you wrote:
>>Ok since installing loopIV ages ago, i found everything quieter,
>>but the limiting is to much for me.
>>I reinstalled LoopIII today to compare. and i prefer having more headroom.
>>but without all the new cool upgrades that i'm now used to.
>>My setup sonically is quite complicated, i use the bass as a 
>>ElectroAcousrticResonator,
>>so i use other instruments through my bass, to cut a long story short.
>>nothing new, but i found getting sounds to cut through ontop of a 
>>loop more difficult since loopIV.
>>Help please
>>is the limiter removable or adjustable.
>>cam
>
>Hey Matthias,
>Could this be caused by the DC offset?

I dont see how any offset could change from version to version.
If so, only at the output, where we have no limiter, and it would 
have to be very far off to be audible and probably distortion could 
increase with each repetition or Overdub...
-- 


          ---> http://Matthias.Grob.org

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Wow, the insults started flying quick, didn't they?  Don't assume, folks.

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In a message dated 7/5/04 8:38:52 PM Eastern Daylight Time, 
LanceZechinato@verizon.net writes:


> Don't assume, folks.
> 
> 

what?.....that we are not perfect?.....:).....michael

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT  SIZE=3D2 PTSIZE=3D10>In a me=
ssage dated 7/5/04 8:38:52 PM Eastern Daylight Time, LanceZechinato@verizon.=
net writes:<BR>
<BR>
<BR>
<BLOCKQUOTE TYPE=3DCITE style=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT=
: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">Don't assume, folks.<BR>
<BR>
</BLOCKQUOTE><BR>
<BR>
what?.....that we are not perfect?.....:).....michael</FONT></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue Jul  6 00:45:50 2004
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References: <7D2DC9ECDE570D459BBB6DF09C02BF49258E35@EMAIL.gibson.com> <001a01c462eb$b8c3e8e0$0affff0a@hppav>
Subject: Calexico
Date: Mon, 5 Jul 2004 21:53:17 -0700
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A couple of nights ago I saw Calexico at Portland's Aladdin Theater.  For
the opening number, guitarist Joey Burns and drummer John Convertino were
very proficient in their duet, with the stage ready for four more of the
group to join them for the rest of the show (two horns, marimba, pedal
steel, stand-up bass, etc).  I'd just heard an interview with Joey on Terry
Gross and Fresh Air, hearing their cover of Love's Alone Again Or.  Nice.

Looping content: Joey several times reached down and got a sweeping sound
effect, like twisting the Delay Time on a DL-4.  I wonder if that's what he
uses?

Any Calexico fans out there?

David

From Loopers-Delight-request@loopers-delight.com  Tue Jul  6 01:34:27 2004
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I am, David.  I live in Tucson, which is where they're from.  They had a
great new years weekend show here.  The composition of the band changed
constantly throughout the concert.  They're also fairly big in Europe I
hear.

Tom


-----Original Message-----
From: .David.Auker. [mailto:DaVAuk@Hevanet.com] 
Sent: Monday, July 05, 2004 9:53 PM
To: Loopers-Delight@loopers-delight.com
Subject: Calexico

A couple of nights ago I saw Calexico at Portland's Aladdin Theater.  For
the opening number, guitarist Joey Burns and drummer John Convertino were
very proficient in their duet, with the stage ready for four more of the
group to join them for the rest of the show (two horns, marimba, pedal
steel, stand-up bass, etc).  I'd just heard an interview with Joey on Terry
Gross and Fresh Air, hearing their cover of Love's Alone Again Or.  Nice.

Looping content: Joey several times reached down and got a sweeping sound
effect, like twisting the Delay Time on a DL-4.  I wonder if that's what he
uses?

Any Calexico fans out there?

David

From Loopers-Delight-request@loopers-delight.com  Tue Jul  6 01:38:52 2004
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Date: Mon, 5 Jul 2004 22:36:46 -0700 (PDT)
From: "L. Angulo" <labalou2000@yahoo.com>
Subject: Re: Calexico
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Yes i am one of them!i had a chance to interview
Jacobo the trumpet player here in Germany 2 yrs. ago
and walking through the stage i did see a DL4,
although under the pedal steel guitar so Joey might be
using one now as well
cheers
Luis



--- ".David.Auker." <DaVAuk@Hevanet.com> wrote:
> A couple of nights ago I saw Calexico at Portland's
> Aladdin Theater.  For
> the opening number, guitarist Joey Burns and drummer
> John Convertino were
> very proficient in their duet, with the stage ready
> for four more of the
> group to join them for the rest of the show (two
> horns, marimba, pedal
> steel, stand-up bass, etc).  I'd just heard an
> interview with Joey on Terry
> Gross and Fresh Air, hearing their cover of Love's
> Alone Again Or.  Nice.
> 
> Looping content: Joey several times reached down and
> got a sweeping sound
> effect, like twisting the Delay Time on a DL-4.  I
> wonder if that's what he
> uses?
> 
> Any Calexico fans out there?
> 
> David
> 
> 


=====
www.luis-angulo.com


		
__________________________________
Do you Yahoo!?
Take Yahoo! Mail with you! Get it on your mobile phone.
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ohyeah!

checkout Kristin Mooney then.

http://www.kristinmooney.com/

.David.Auker. wrote:

> 
> Any Calexico fans out there?
> 
> David

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cool,    thanks
hehe


>> Hey Matthias,
>> Could this be caused by the DC offset?
>
> I dont see how any offset could change from version to version.
> If so, only at the output, where we have no limiter, and it would have 
> to be very far off to be audible and probably distortion could increase 
> with each repetition or Overdub...
> --
>
>          ---> http://Matthias.Grob.org
>

From Loopers-Delight-request@loopers-delight.com  Tue Jul  6 09:49:14 2004
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Thanks, Henry.

She'll be in Tucson towards the end of this month appearing with The Nick
Luca Trio.  

Nick was part of the "Friends" that we heard with Calexic last New Years.
We bought his latest CD there, as well as all the other artists.

This Indie music scene is really cool!  An ever changing soundscape, in more
ways than one.

David, Casa De Calexico is right down the street from our house.  I'll see
if I can find out what kind of looping devises they use.

Tom


-----Original Message-----
From: Henry Heine [mailto:henry@bagend.com] 
Sent: Tuesday, July 06, 2004 12:50 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Calexico

ohyeah!

checkout Kristin Mooney then.

http://www.kristinmooney.com/

.David.Auker. wrote:

> 
> Any Calexico fans out there?
> 
> David

From Loopers-Delight-request@loopers-delight.com  Tue Jul  6 11:35:06 2004
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I'm sure Love's Arthur Lee approves Calexico's cover Alone Again Or (if he's
that kind of guy...).  It's very similar to the original, but just a little
bit of hand-clapping opened a 'genre' door for me...it was 'wow, so that's
what that song is'

With the horns, rhythms, Calexico sounds so traditional, but they can swing
way over into much more abstractness (Spaghetti Westerns meet El Topo?).

Tucson sounds like a great scene!

David


----- Original Message -----
From: "Tom Rex" <tomrex1@cox.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, July 06, 2004 6:46 AM
Subject: RE: Calexico


> Thanks, Henry.
>
> She'll be in Tucson towards the end of this month appearing with The Nick
> Luca Trio.
>
> Nick was part of the "Friends" that we heard with Calexic last New Years.
> We bought his latest CD there, as well as all the other artists.
>
> This Indie music scene is really cool!  An ever changing soundscape, in
more
> ways than one.
>
> David, Casa De Calexico is right down the street from our house.  I'll see
> if I can find out what kind of looping devises they use.
>
> Tom
>
>
> -----Original Message-----
> From: Henry Heine [mailto:henry@bagend.com]
> Sent: Tuesday, July 06, 2004 12:50 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Calexico
>
> ohyeah!
>
> checkout Kristin Mooney then.
>
> http://www.kristinmooney.com/
>
> .David.Auker. wrote:
>
> >
> > Any Calexico fans out there?
> >
> > David
>
>

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In a message dated 7/6/04 11:31:58 AM Eastern Daylight Time, 
DaVAuk@Hevanet.com writes:


> El Topo

yikes!

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT  SIZE=3D2 PTSIZE=3D10>In a me=
ssage dated 7/6/04 11:31:58 AM Eastern Daylight Time, DaVAuk@Hevanet.com wri=
tes:<BR>
<BR>
<BR>
<BLOCKQUOTE TYPE=3DCITE style=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT=
: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">El Topo</BLOCKQUOTE><BR>
<BR>
yikes!</FONT></HTML>

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Subject: RE: Zvex Effects Inquiry
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>>.....and Lo-Fi Loop Junky.....<<

I had to go & read about this one (http://www.zvex.com/junky.html) because =
it appears to be looping hardware which, so far as I can recall, hasn't bee=
n discussed by any users on this list yet. I don't see it in the "tools.." =
section or anywhere else. care to submit a review, steve? I don't expect th=
e thing to be up there with the EDP, repeater & jam-man in terms of functio=
nality, but then the dl4 isn't either & I've lost hours & hours to my littl=
e green monster..... the dl4 is probably my "desert island pedal"; I'd like=
 to be sure that the loop-junky is in that general territory before hasslin=
g the dealer to stock one for me to try.

the bad news is that the loop-junky (in the UK, anyway) is quite expensive =
for what it does.=20
for what it /is/, however, along with zach's other little boxes, =A3300 is =
probably about right. the ones I've seen in "sounds great" in cheadle are l=
ittle works of art, & zach deserves our patronage.

duncan/r.m.i.


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<P><FONT SIZE=3D2>&gt;&gt;.....and Lo-Fi Loop Junky.....&lt;&lt;</FONT>
</P>

<P><FONT SIZE=3D2>I had to go &amp; read about this one (<A HREF=3D"http://=
www.zvex.com/junky.html" TARGET=3D"_blank">http://www.zvex.com/junky.html</=
A>) because it appears to be looping hardware which, so far as I can recall=
, hasn't been discussed by any users on this list yet. I don't see it in th=
e &quot;tools..&quot; section or anywhere else. care to submit a review, st=
eve? I don't expect the thing to be up there with the EDP, repeater &amp; j=
am-man in terms of functionality, but then the dl4 isn't either &amp; I've =
lost hours &amp; hours to my little green monster..... the dl4 is probably =
my &quot;desert island pedal&quot;; I'd like to be sure that the loop-junky=
 is in that general territory before hassling the dealer to stock one for m=
e to try.</FONT></P>

<P><FONT SIZE=3D2>the bad news is that the loop-junky (in the UK, anyway) i=
s quite expensive for what it does. </FONT>
<BR><FONT SIZE=3D2>for what it /is/, however, along with zach's other littl=
e boxes, =A3300 is probably about right. the ones I've seen in &quot;sounds=
 great&quot; in cheadle are little works of art, &amp; zach deserves our pa=
tronage.</FONT></P>

<P><FONT SIZE=3D2>duncan/r.m.i.</FONT>
</P>

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From Loopers-Delight-request@loopers-delight.com  Tue Jul  6 13:20:10 2004
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Howdy Loopers,

I will performing a short set at Callanwolde Fine Arts Center, 980 Briarcliff
Road, N.E., Atlanta, GA 30306 on July 14th.  I'll be using a Boomerang and Akai
Headrush E-1 along with some other bells and whistles.  The event is called
Callanwolde Coffee House, and will begin with my set followed by poetry
readings.  PBA (PBS of Atlanta) will be filming the show for later broadcast,
so if you miss it, try to catch it on the tube.  Also, any poets in the area
interested in reading some of their work should contact Callanwolde.  Here are
the websites with more info:

http://www.callanwolde.org/events/index.html
www.darrenmichaelsbass.com

Hope to see you there.

Take care,
Darren Michaels

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Subject: Re: OT, Nokie Edwards (of the Ventures) sighting in Southern Oregon.
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I just have to (re-)mention Calexico's guitarist Joey Burns: he seems to be
capably following this genre. (I have to qualify my statement by saying I'm
not a guitarist (mostly classical pianist), and I've just gotten into
Calexico, but...wow, this guy's got a presence on stage.  Definitely some
dancin' magic.  I could listen to him and drummer John Convertino any
time...)

David

----- Original Message -----
From: <ArsOcarina@aol.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, June 26, 2004 4:49 PM
Subject: OT, Nokie Edwards (of the Ventures) sighting in Southern Oregon.


> Hi all,
>
> This may be annoyingly off topic for some of you. But, I imagine
> Stan(itarium) Card will get a chuckle out of it . . . and so will any
> of the rest of you who are closet "surf" guitar fans.
>
> A small local chain of hardware stores in my area was celebrating
> its 120th anniversary in business this week with a parking lot
> concert by Ventures guitarist Nokie Edwards (who's got to be
> in his 70s at least) at the location only 2 blocks from my abode.
>
> Imagine my glee at having the opportunity to walk not run . . .
> lol . . . around the corner and down the street and hear a really
> fine musician play a lot of old an new material (Pipeline, Wipeout,
> Diamond Head, Hawaii Five-0 and other classics of the genre)
> as well as covers including a Clapton tune.
>
> It also turns out that Nokie has turned into a rather superior
> county instrumentalist over the years (a la the late Chet Atkins)
> believe it or not. I was blown away by his blistering "chicken
> pickin" and almost Les Paul-like finesse.
>
> I hope I can play so well when I've reached that age. I feel like an
> old fart at 51 already.

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AKG C1000 is really great for this and its < $175!
Jon

> >> - Any recommendations on good but not-too-expensive condenser mics?
> >
> >
> > Oktava
> > the MK 012 set has a hyper-cardioid option if you want to try that

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> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

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In a message dated 7/6/04 11:31:58 AM Eastern Daylight Time,
DaVAuk@Hevanet.com writes:


El Topo


yikes! 

great movee of which i gotta hard to find copy o'... 

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<TITLE>Re: Calexico</TITLE>
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<BLOCKQUOTE><FONT SIZE=3D"2">In a message dated 7/6/04 11:31:58 AM Eastern Da=
ylight Time, DaVAuk@Hevanet.com writes:<BR>
<BR>
<BR>
</FONT><BLOCKQUOTE><FONT SIZE=3D"2">El Topo<BR>
</FONT></BLOCKQUOTE><FONT SIZE=3D"2"><BR>
<BR>
yikes!</FONT> <BR>
</BLOCKQUOTE><BR>
great movee of which i gotta hard to find copy o'...
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From Loopers-Delight-request@loopers-delight.com  Tue Jul  6 15:31:23 2004
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From: Optimus Rob <rasimon@indiana.edu>
Subject: Electrix Repeater Sale
Date: Tue, 6 Jul 2004 11:21:25 -0500
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There's one for sale on Ebay and it looks to go for over a $1,000.  
Anyone feel that it's worth about $300-$400 than the Echoplex Pro?  
Would love some advice from some seasoned loopers/ equipment gurus.
Get Optimized,
Rob
......................................................
Warm blends of downtempo beats that will soothe your your mind...
"an original score to the tragedy of American idealism"
http://www.optimusrob.com
_________________________________________________

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There's one for sale on Ebay and it looks to go for over a $1,000. 
Anyone feel that it's worth about $300-$400 than the Echoplex Pro? 
Would love some advice from some seasoned loopers/ equipment gurus. 

<fontfamily><param>Papyrus</param><color><param>4646,6D6D,C6C6</param><bigger>Get
Optimized</bigger></color></fontfamily><bigger>,</bigger><fontfamily><param>Lucida Grande</param>

Rob</fontfamily>   

<fontfamily><param>Papyrus</param><color><param>4F4F,7B7B,E0E0</param><x-tad-bigger>...................................................... 

Warm blends of downtempo beats that will soothe your your mind...

"an original score to the tragedy of American idealism" 

http://www.optimusrob.com

_________________________________________________</x-tad-bigger></color></fontfamily>


--Apple-Mail-1--845464590--

From Loopers-Delight-request@loopers-delight.com  Tue Jul  6 15:58:04 2004
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From: msottilaro <sine@zerocrossing.net>
Subject: Re: Electrix Repeater Sale
Date: Tue, 6 Jul 2004 12:52:04 -0700
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Christ.  I sold my spare for $800 and I felt like I was ripping the 
person who bought it off.  (I paid $550 for it)

I love my Repeater and if you want a stereo looper it's still cheaper 
than you'll pay for the 2 EDP pros you'll have to buy to get stereo 
looping from Gibson.

BTW, $1000 is only $200 more than what the EDP sells for these days.  
For the music that you do I say a Repeater would be a better tool than 
the EDP.

Mark

On Jul 6, 2004, at 9:21 AM, Optimus Rob wrote:

> There's one for sale on Ebay and it looks to go for over a $1,000.  
> Anyone feel that it's worth about $300-$400 than the Echoplex Pro?  
> Would love some advice from some seasoned loopers/ equipment gurus.
> Get Optimized,
> Rob
> ......................................................
> Warm blends of downtempo beats that will soothe your your mind...
> "an original score to the tragedy of American idealism"
> http://www.optimusrob.com
> _________________________________________________

From Loopers-Delight-request@loopers-delight.com  Tue Jul  6 17:41:29 2004
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I asked for recommendations for a small, portable multi-track recorder a
while back.  Based on a recommendation here, I bought a Zoom PS-04.  I
was quite disappointed with it.  Aside from the cheap construction, the
interface wasn't at all intuitive (at least for me).  There's no undo,
and I couldn't find a simple, easy-to-use way to erase a single track or
a whole recording.  In addition, the looping feature doesn't seem to
work properly.

Oh well, on to the Korg PXR4, I thought.  A hundred dollars more, but
surely a more usable unit.  It arrived today.  Hmmmm.  Shoddy
construction.  Hard-to-read and hard-to-navigate menus.  It does have
undo.  But erasing tracks/songs seems to be just as hard as the Zoom (in
fact, I can't even find an entry in the index for erase or delete).  And
no looping.  Fifteen minutes of trying to figure out why the thing
doesn't do what I expect, and the lack of intuitiveness has me ready to
throw in the towel.  Sigh.

So, can someone suggest a small, take-it-with-you multitrack?  It
doesn't necessarily need to be digital; I'm open to minidisk, or other
technologies. And it doesn't have to be studio quality; this is intended
for use at jam sessions to play along with, and capture ideas.   It
*does* have to be easy to use!  And good build quality would be a plus
as well.  Any suggestions?

Thanks in advance for your suggestions,
Elby

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On Tue, 6 Jul 2004 goddard.duncan@mtvne.com wrote:

> >>.....and Lo-Fi Loop Junky.....<<
> 
> I had to go & read about this one (http://www.zvex.com/junky.html) 
> because it appears to be looping hardware which, so far as I can recall, 
> hasn't been discussed by any users on this list yet. 

Every few months someone asks on this list about it, and so far as I 
recall I'm the only person to ever respond with a "yes, I've got one". 

> I don't see it in the "tools.." section or anywhere else. care to 
> submit a review, steve? 

Sure, here goes. When I get my hands on the new Seek-Trem I'll let whoever 
asked about it know what I think of it, too. 

> I don't expect the thing to be up there with the EDP, repeater & jam-man 
> in terms of functionality, but then the dl4 isn't either & I've lost 
> hours & hours to my little green monster..... the dl4 is probably my 
> "desert island pedal"; I'd like to be sure that the loop-junky is in 
> that general territory before hassling the dealer to stock one for me to 
> try.

Duncan gave the website for the Loop Junky, which goes into more detail 
than I will:

http://www.zvex.com/junky.html

There are links at the top of this page to sound samples, and a 
demonstration QuickTime video (the video is big, not for dialup modem 
users).

Based on the definitions given on 
http://www.loopers-delight.com/tools/tools.html
I consider the Z-Vex Lo-Fi Loop Junky a "performance-oriented sampler" and 
not a "current real-time looper". 

There are two big limitations of the Lo-Fi Loop Junky for looping: 

1) it does not record sound-on-sound. You can record a loop, but not 
overdub onto the loop. You can of course play live over the playing loop.

2) It *is* lo-fi, since it's based around an old telephone answering 
machine chip. It makes the Akai Headrush E1 or original Boomerang sound 
audiophile-grade in comparison :).

Accept those two limitations and what you get is a twenty-second 
sampler you can carry in your pocket, that does not need a wall-wart AC 
adapter (Z-Vex gear has ridiculously long battery life in comparison to 
any other battery-powered pedal I've ever used), that stores the sample 
indefinitely until you erase it, and is built like a very small tank. 

You can control the playback volume of the loop, alter a "tone" control to 
roll off hiss of the loop, and change depth & speed of a vibrato for the 
loop. You can do this live, while the loop is playing (assuming you have 
a free hand to knob-tweak.) There's a small switch to protect the sample 
so you can't unintentionally delete it.

I use an Akai Headrush E1 and RC-20 LoopStation as my performance 
loopers. I rarely take my Repeater to do a show. I almost always have the 
Z-Vex Lo-Fi Loop Junky in my bag or set up as my third inline looper, in 
case either or both of my loopers fail for some reason as a backup. 
There's nothing to fail on the Loop Junky as long as I change the 
battery roughly annually (not really an exaggeration). If I had to leave 
one of the three (Headrush, RC-20, Z-Vex) home, I'd probably leave the 
RC-20 home.

So it's very limited in comparison to anything in the "true looper" tools 
section, but I still like it for its indestructible stripped-down 
minimalism. 

> the bad news is that the loop-junky (in the UK, anyway) is quite 
> expensive for what it does.  for what it /is/, however, along with 
> zach's other little boxes, £300 is probably about right. the ones I've 
> seen in "sounds great" in cheadle are little works of art, & zach 
> deserves our patronage.

best,
Steve B
Phasmatodea     http://www.phasmatodea.net/
Subscape Annex  http://www.subscapeannex.com/

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> On Tue, 6 Jul 2004 goddard.duncan@mtvne.com wrote:
> 
>>>> .....and Lo-Fi Loop Junky.....<<
>> 
>> I had to go & read about this one (http://www.zvex.com/junky.html)
>> because it appears to be looping hardware which, so far as I can recall,
>> hasn't been discussed by any users on this list yet.
> 
> Every few months someone asks on this list about it, and so far as I
> recall I'm the only person to ever respond with a "yes, I've got one".
> best,
> Steve B
>



i got 1 too...and i luv mine!
i wouldnt call it lacking in anuyway-itiswotitis and it duz wot it says it
will do-no more and no less.

snat

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Date: Tue, 6 Jul 2004 14:52:50 -0700
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From: Richard Zvonar <zvonar@zvonar.com>
Subject: Re: OT: other recorder recommendations ?
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At 5:42 PM -0400 7/6/04, Mountain Man wrote:
>I asked for recommendations for a small, portable multi-track recorder a
>while back.

I don't have any recommendations in this department, but while we're 
on the topic of portable recorders, I have a question of my own:

Does anyone have any experience with the Marantz PMD670 compact flash recorder?
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com

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On Tue, 6 Jul 2004 stanitarium@earthlink.net wrote:

> > On Tue, 6 Jul 2004 goddard.duncan@mtvne.com wrote:
> > 
> >>>> .....and Lo-Fi Loop Junky.....<<
> >> 
> >> I had to go & read about this one (http://www.zvex.com/junky.html)
> >> because it appears to be looping hardware which, so far as I can recall,
> >> hasn't been discussed by any users on this list yet.
> > 
> > Every few months someone asks on this list about it, and so far as I
> > recall I'm the only person to ever respond with a "yes, I've got one".
> > best,
> > Steve B
> >
> 
> 
> 
> i got 1 too...and i luv mine!

Brother! 

> i wouldnt call it lacking in anuyway-itiswotitis and it duz wot it says it
> will do-no more and no less.
> 
> snat

best,
Steve B
Phasmatodea     http://www.phasmatodea.net/
Subscape Annex  http://www.subscapeannex.com/

From Loopers-Delight-request@loopers-delight.com  Tue Jul  6 19:40:12 2004
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In a message dated 7/6/04 2:40:01 PM, mtman@cloud9.net writes:

<< I asked for recommendations for a small, portable multi-track recorder a
while back.  Based on a recommendation here, I bought a Zoom PS-04.  I
was quite disappointed with it.  Aside from the cheap construction, the
interface wasn't at all intuitive (at least for me).  There's no undo,
and I couldn't find a simple, easy-to-use way to erase a single track or
a whole recording.  In addition, the looping feature doesn't seem to
work properly. >>


Sorry to hear that, it was my suggestion. 
I found the PS02 easy to use after a while.
On the PS02 there is an edit key and a store key that were used to delete, it 
is quite simple and fast.
I looked at the PS04 manual online and it appears now they have a delete/copy 
key that  provides the same function. You can delete by track, vtrack or the 
whole song.

I was responding to your request in regards to price and portability, 
built-in mic, multiple tracks and audio quality, not looping.
You might try building an extended looplike track on the Zoom by repeatedly 
copying a part to a track range point by range point, as in 
bounce/bounce/rebounce stc. But that is time consuming, better get yourself some sort of looper.

I don't know of any minidisc that has a loop function or a read/write delete 
function, at least not at a cheap price. 
The BOSS BR532 is a good smart card recorder that has a loop function but it 
is more expensive and less portable, it won't fit in your shirt pocket.

Unless you've already returned it I would give the Zoom a chance, use it a 
lot, try stuff, it will become intuitive eventually. As I recall, in the lo-fi 
record mode and using a 128MB card you can get up to 6 hours of recording time, 
that is pretty darn good for a tiny card.

If you want to hear samples, I did both of the songs on this page using the 
PS02:
http://tinyurl.com/yuru7

Anyway, hope you find something that suits your needs.

BobC

www.cdbaby.com/rpcollier
http://trundlebox.iuma.com
http://brokenaxe.iuma.com


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Hey Jonathan,

I don't actually live in Portland, but I'll be doing a looping performance 
up there soon - August 10th at Dunes. (www.dunes.cc). I'll be looping 
turntable and cd player.

There's also a guy up there named Bryan Eubanks who does some interesting 
stuff using a tape recorder and feedback. He layers the feedback and ads 
single notes of the soprano saxophone to do kind of an 
acoustic-synthesis/psycho-acoustics sort of thing.

Matt Davignon


From: "Jonathan" <jonathan@kelloggcreek.com>
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Subject: Portland, Oregon Loopers?
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    Hey everyone,
    I'm in Portland, Oregon, and I just turned 21 a few days ago.  I've been
gigging (as an electric bassist, in regular bands) since I was 15, but being
a minor meant I didn't get a chance to really experience the local scene,
beyond where I was playing.
    I'm hoping to learn more about the art of looping and eventually pick up
the equipment to do it myself.  Are any of you living or giging in the
Portland area?  I'd love to check out more local musicians, or meet / jam
with new people!
    -Jonathan Chase
    www.badspatula.com

_________________________________________________________________
MSN Toolbar provides one-click access to Hotmail from any Web page  FREE 
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Subject: Re: Electrix Repeater Sale
Date: Tue, 6 Jul 2004 23:29:18 +0200
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if you=B4re talking about the one on eBay Germany, I know the seller =
Maik Lutterklas. I got my EDP from him three years ago, and the deal was =
very pleasant.

Stephen


"Human beings are a disease, the cancer of this planet, you=B4re a =
plague. And we are the cure." (Agent Smith / Matrix)

Visit the official [=B4ramp] website at www.doombient.com
  ----- Original Message -----=20
  From: Optimus Rob=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Tuesday, July 06, 2004 6:21 PM
  Subject: Electrix Repeater Sale


  There's one for sale on Ebay and it looks to go for over a $1,000. =
Anyone feel that it's worth about $300-$400 than the Echoplex Pro? Would =
love some advice from some seasoned loopers/ equipment gurus.=20
  Get Optimized,
  Rob=20
  ......................................................=20
  Warm blends of downtempo beats that will soothe your your mind...
  "an original score to the tragedy of American idealism"=20
  http://www.optimusrob.com
  _________________________________________________

------=_NextPart_000_005C_01C463B1.0F1656E0
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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1106" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>if you=B4re talking about the one on =
eBay Germany, I=20
know the seller Maik Lutterklas. I got my EDP from him three years ago, =
and the=20
deal was very pleasant.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Stephen</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV>"Human beings are a disease, the cancer of this planet, you=B4re a =
plague.=20
And we are the cure." (Agent Smith / Matrix)</DIV>
<DIV>&nbsp;</DIV>
<DIV>Visit the official [=B4ramp] website at <A=20
href=3D"http://www.doombient.com">www.doombient.com</A></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Drasimon@indiana.edu =
href=3D"mailto:rasimon@indiana.edu">Optimus Rob</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, July 06, 2004 =
6:21=20
PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Electrix Repeater =
Sale</DIV>
  <DIV><BR></DIV>There's one for sale on Ebay and it looks to go for =
over a=20
  $1,000. Anyone feel that it's worth about $300-$400 than the Echoplex =
Pro?=20
  Would love some advice from some seasoned loopers/ equipment gurus. =
<BR><?fontfamily><?param Papyrus><?color><?param =
4646,6D6D,C6C6><?bigger>Get=20
  =
Optimized<?/bigger><?/color><?/fontfamily><?bigger>,<?/bigger><?fontfamil=
y><?param Lucida Grande><BR>Rob<?/fontfamily>=20
  <BR><?fontfamily><?param Papyrus><?color><?param =
4F4F,7B7B,E0E0><?x-tad-bigger>...........................................=
...........=20
  <BR>Warm blends of downtempo beats that will soothe your your =
mind...<BR>"an=20
  original score to the tragedy of American idealism"=20
  =
<BR>http://www.optimusrob.com<BR>________________________________________=
_________<?/x-tad-bigger><?/color><?/fontfamily><BR></BLOCKQUOTE></BODY><=
/HTML>

------=_NextPart_000_005C_01C463B1.0F1656E0--

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Cool stuff Bob (I listened before to your stuff) care to tell us more about
the instrument and the recording
Dalai Phon? 

If you want to hear samples, I did both of the songs on this page using the
PS02:
http://tinyurl.com/yuru7

Anyway, hope you find something that suits your needs.

BobC

www.cdbaby.com/rpcollier
http://trundlebox.iuma.com
http://brokenaxe.iuma.com



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In a message dated 7/6/04 2:40:01 PM, mtman@cloud9.net writes:

<< Fifteen minutes of trying to figure out why the thing
doesn't do what I expect, and the lack of intuitiveness has me ready to
throw in the towel. >>

Just a further note.
I have used several digital recorders and they tend to partition into System 
function and Utility function. Sometimes there is a seperate Edit function but 
often edit is part of the Utility mode. 

There is some similarity to digital camera interface. For instance, to delete 
a photo you have to switch to display, select the photo, push the trash 
button, select erase and then hit Store or Set. In other words, 4 or 5 step process.

You may have to grit your teeth and spend more than 15 minutes to get a 
handle on these thingies. More like a couple of hours.
:-)

As for real rugged durability, then you are talking about professional 
quality thousands of dollars type stuff.

regards
BobC

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Google the specs and details on the Yamaha MD-4 minidisk recorder.  I have
the MD-8 (love it!), and a good friend owns the MD-4 (qually great, just
less channels).  He's looking to sell his MD-4 for $200 plus shipping.  If
you're interested, you're welcome to email me off-list.

Not exactly "small", but definitely a good balance of portability with a
solid build quality.

Doug
----- Original Message -----
From: "Mountain Man" <mtman@cloud9.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, July 06, 2004 4:42 PM
Subject: OT: other recorder recommendations ?


> I asked for recommendations for a small, portable multi-track recorder a
> while back.  Based on a recommendation here, I bought a Zoom PS-04.  I
> was quite disappointed with it.  Aside from the cheap construction, the
> interface wasn't at all intuitive (at least for me).  There's no undo,
> and I couldn't find a simple, easy-to-use way to erase a single track or
> a whole recording.  In addition, the looping feature doesn't seem to
> work properly.
>
> Oh well, on to the Korg PXR4, I thought.  A hundred dollars more, but
> surely a more usable unit.  It arrived today.  Hmmmm.  Shoddy
> construction.  Hard-to-read and hard-to-navigate menus.  It does have
> undo.  But erasing tracks/songs seems to be just as hard as the Zoom (in
> fact, I can't even find an entry in the index for erase or delete).  And
> no looping.  Fifteen minutes of trying to figure out why the thing
> doesn't do what I expect, and the lack of intuitiveness has me ready to
> throw in the towel.  Sigh.
>
> So, can someone suggest a small, take-it-with-you multitrack?  It
> doesn't necessarily need to be digital; I'm open to minidisk, or other
> technologies. And it doesn't have to be studio quality; this is intended
> for use at jam sessions to play along with, and capture ideas.   It
> *does* have to be easy to use!  And good build quality would be a plus
> as well.  Any suggestions?
>
> Thanks in advance for your suggestions,
> Elby
>

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Subject: Re: Dalai phon : Was: other recorder recommendations ?
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In a message dated 7/6/04 5:00:22 PM, nospam@akroeger.com writes:

<< care to tell us more about the instrument and the recording
Dalai Phon?  >>


Hi
If memory serves:
the instrument was just a thumb piano I made out of a tin can and hairpins. I 
think it was a small cylindrical can for Dorset Shortbread, maybe 6 inches 
tall.

I used a SignalFlex guitar tuner pickup to record a track onto my old 
Boomerang. I played very slowly at the high speed setting and bounced it to the PS02. 
Then I dropped the Boomerang down to lo-speed setting for a very low pitch 
and bounced that to the PS02.

I took the 2 tracks from the PS02 and put them on my computer. The lowered 
pitch track was kept whole. The normal track was then pitched upwards using 
software. Because I had played so slowly, the pitch could raise without the sound 
bunching up into chipmunkville.

Then I offset the tracks and faded one in while fading one out. 
What I like is that it is just one track but it sounds like different tracks.

It made me think of the very low tones mixed with the delicate high harmonics 
of Tibetan chanting, hence the title  - Dalai.

cheers
BobC


www.cdbaby.com/rpcollier
http://trundlebox.iuma.com
http://brokenaxe.iuma.com

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From: "Tom Rex" <tomrex1@cox.net>
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Subject: RE: Calexico - Looping content
Date: Tue, 6 Jul 2004 18:35:22 -0700
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Earlier I said: "Casa De Calexico is right down the street from our house.
I'll see if I can find out what kind of looping devises they use."

Well, it turns out that it's a mail box address :)

So, anyway, I'm on a mission now, so I stopped in at Rainbow Guitars, which
is also in the neighborhood.  Everybody there knows Joey, of course, but
they don't know what he uses, and they don't know the last time he bought
anything there like that.  One of the guys said that he'd check the next
time he sees him.

But, all's not lost, because there's a photo or two at there web site, which
has some stuff on the floor.  Anyone care to say what it could be?

http://www.casadecalexico.com/photos/photosearch.php

That's all for me.  Over and out!

Tom


-----Original Message-----
From: .David.Auker. [mailto:DaVAuk@Hevanet.com] 
Sent: Monday, July 05, 2004 9:53 PM
To: Loopers-Delight@loopers-delight.com
Subject: Calexico

"Looping content: Joey several times reached down and got a sweeping sound
effect, like twisting the Delay Time on a DL-4.  I wonder if that's what he
uses?"


David

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Subject: Re: Calexico - Looping content
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Looks like a Memphis distortion or a blue box, the other are a boss DM-2 and
a boss DD series, hard to see what model it is in the photo though.

As far as I know, only the pedal player uses a DL4 at this point.  Really,
it is pretty hard to get it to oscillate in preset mode without the
expression pedal, so unless he is warping using the loop mode, i would bet
the sound you were hearing are from the DM-2.
----- Original Message ----- 
From: "Tom Rex" <tomrex1@cox.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, July 06, 2004 9:35 PM
Subject: RE: Calexico - Looping content


> Earlier I said: "Casa De Calexico is right down the street from our house.
> I'll see if I can find out what kind of looping devises they use."
>
> Well, it turns out that it's a mail box address :)
>
> So, anyway, I'm on a mission now, so I stopped in at Rainbow Guitars,
which
> is also in the neighborhood.  Everybody there knows Joey, of course, but
> they don't know what he uses, and they don't know the last time he bought
> anything there like that.  One of the guys said that he'd check the next
> time he sees him.
>
> But, all's not lost, because there's a photo or two at there web site,
which
> has some stuff on the floor.  Anyone care to say what it could be?
>
> http://www.casadecalexico.com/photos/photosearch.php
>
> That's all for me.  Over and out!
>
> Tom
>
>
> -----Original Message-----
> From: .David.Auker. [mailto:DaVAuk@Hevanet.com]
> Sent: Monday, July 05, 2004 9:53 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Calexico
>
> "Looping content: Joey several times reached down and got a sweeping sound
> effect, like twisting the Delay Time on a DL-4.  I wonder if that's what
he
> uses?"
>
>
> David
>

From Loopers-Delight-request@loopers-delight.com  Wed Jul  7 02:20:37 2004
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From: Mark Sottilaro <sine@zerocrossing.net>
Subject: Re: [LOOP] Re: [LOOP] RE: Zvex Effects Inquiry
Date: Tue, 6 Jul 2004 23:18:21 -0700
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Is it just me or does the lack of overdub just a total deal breaker 
with a piece of gear like this?  You want lo-fi looping?  Get a Line6 
Delay Pro and sync it to a midi clock.  After the first few iterations 
you'll be getting some  pretty cool grungy delays.  At first I thought 
it was just a cool mode it was in, then I realized it happened on all 
the models and cleared up when it was not getting a MIDI clock.

Mark

On Jul 6, 2004, at 3:36 PM, burnett@pobox.com wrote:

> On Tue, 6 Jul 2004 stanitarium@earthlink.net wrote:
>
>>> On Tue, 6 Jul 2004 goddard.duncan@mtvne.com wrote:
>>>
>>>>>> .....and Lo-Fi Loop Junky.....<<
>>>>
>>>> I had to go & read about this one (http://www.zvex.com/junky.html)
>>>> because it appears to be looping hardware which, so far as I can 
>>>> recall,
>>>> hasn't been discussed by any users on this list yet.
>>>
>>> Every few months someone asks on this list about it, and so far as I
>>> recall I'm the only person to ever respond with a "yes, I've got 
>>> one".
>>> best,
>>> Steve B
>>>
>>
>>
>>
>> i got 1 too...and i luv mine!
>
> Brother!
>
>> i wouldnt call it lacking in anuyway-itiswotitis and it duz wot it 
>> says it
>> will do-no more and no less.
>>
>> snat
>
> best,
> Steve B
> Phasmatodea     http://www.phasmatodea.net/
> Subscape Annex  http://www.subscapeannex.com/
>

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From: "L. Angulo" <labalou2000@yahoo.com>
Subject: Re: OT: other recorder recommendations ?
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Although not a multitrack the Marantz CD300 is a good
option to record your live performances or put ideas
direct into a CD but it ain“t cheap...
http://www.marantzpro.com/Products/CDR300.html
cheers
Luis





--- Aptrev@aol.com wrote:
> 
> In a message dated 7/6/04 2:40:01 PM,
> mtman@cloud9.net writes:
> 
> << I asked for recommendations for a small, portable
> multi-track recorder a
> while back.  Based on a recommendation here, I
> bought a Zoom PS-04.  I
> was quite disappointed with it.  Aside from the
> cheap construction, the
> interface wasn't at all intuitive (at least for me).
>  There's no undo,
> and I couldn't find a simple, easy-to-use way to
> erase a single track or
> a whole recording.  In addition, the looping feature
> doesn't seem to
> work properly. >>
> 
> 
> Sorry to hear that, it was my suggestion. 
> I found the PS02 easy to use after a while.
> On the PS02 there is an edit key and a store key
> that were used to delete, it 
> is quite simple and fast.
> I looked at the PS04 manual online and it appears
> now they have a delete/copy 
> key that  provides the same function. You can delete
> by track, vtrack or the 
> whole song.
> 
> I was responding to your request in regards to price
> and portability, 
> built-in mic, multiple tracks and audio quality, not
> looping.
> You might try building an extended looplike track on
> the Zoom by repeatedly 
> copying a part to a track range point by range
> point, as in 
> bounce/bounce/rebounce stc. But that is time
> consuming, better get yourself some sort of looper.
> 
> I don't know of any minidisc that has a loop
> function or a read/write delete 
> function, at least not at a cheap price. 
> The BOSS BR532 is a good smart card recorder that
> has a loop function but it 
> is more expensive and less portable, it won't fit in
> your shirt pocket.
> 
> Unless you've already returned it I would give the
> Zoom a chance, use it a 
> lot, try stuff, it will become intuitive eventually.
> As I recall, in the lo-fi 
> record mode and using a 128MB card you can get up to
> 6 hours of recording time, 
> that is pretty darn good for a tiny card.
> 
> If you want to hear samples, I did both of the songs
> on this page using the 
> PS02:
> http://tinyurl.com/yuru7
> 
> Anyway, hope you find something that suits your
> needs.
> 
> BobC
> 
> www.cdbaby.com/rpcollier
> http://trundlebox.iuma.com
> http://brokenaxe.iuma.com
> 
> 
> 


=====
www.luis-angulo.com


		
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From: "Tom Rex" <tomrex1@cox.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Calexico in High and Dry film, and hand-clapping
Date: Wed, 7 Jul 2004 01:46:55 -0700
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Here's a link to a film about the Tucson music scene.  There's a trailer at
the site to watch.


 http://www.upstairsfilm.com/highanddry/about.html


Hand-clapping (I believe it's called Palmas in flamenco music) would be an
interesting looping project for one musician to build on.  I've heard some
gypsy music live, and the polyrhythms can get to be very interesting, with
several playing the Palmas.  Has anyone ever done anything with this or
flamenco?

I actually found a web site with the rhythms for Palmas laid out like drum
machine charts, with up to 5 parts.  Hey Rick, next looping tour in Spain?
Per, habla espańol :)

http://www.flamenco-seiten.de/navigation_magazin.htm

Tom



-----Original Message-----
From: .David.Auker. [mailto:DaVAuk@Hevanet.com] 
Sent: Tuesday, July 06, 2004 8:43 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Calexico

I'm sure Love's Arthur Lee approves Calexico's cover Alone Again Or (if he's
that kind of guy...).  It's very similar to the original, but just a little
bit of hand-clapping opened a 'genre' door for me...it was 'wow, so that's
what that song is'

With the horns, rhythms, Calexico sounds so traditional, but they can swing
way over into much more abstractness (Spaghetti Westerns meet El Topo?).

Tucson sounds like a great scene!

David

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From: Per Boysen <per@boysen.se>
Subject: Re: Calexico in High and Dry film, and hand-clapping
Date: Wed, 7 Jul 2004 11:44:09 +0200
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Hi Tom,

On 2004-07-07, at 10.46, Tom Rex wrote:
> Here's a link to a film about the Tucson music scene.  There's a 
> trailer at
> the site to watch.
>  http://www.upstairsfilm.com/highanddry/about.html

Thanks Tom. Interesting movie!  I'm still stuck deeply into "Jungle 
Mud" but if I ever get to Tucson i might definitely get hooked on that 
"Desert Rock" ;-)

> I actually found a web site with the rhythms for Palmas laid out like 
> drum
> machine charts, with up to 5 parts.  Hey Rick, next looping tour in 
> Spain?
> Per, habla espańol :)

Si, aber nur um extremely pocinho Portuguese!!! ;-D


> http://www.flamenco-seiten.de/navigation_magazin.htm

That's a tip to bookmark. Thanks! I'll put those flamenco beat charts 
on my powerbook to study during some (otherwise boring) journey.

All the best

Per Boysen
---
http://www.boysen.se
http://www.looproom.com

From Loopers-Delight-request@loopers-delight.com  Wed Jul  7 10:55:29 2004
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Tom, Thanks for passing this on...definitely something to graze on, add a
couple of chords to!
||:    :||
David


>
> Hand-clapping (I believe it's called Palmas in flamenco music) would be an
> interesting looping project for one musician to build on.  I've heard some
> gypsy music live, and the polyrhythms can get to be very interesting, with
> several playing the Palmas.  Has anyone ever done anything with this or
> flamenco?
>
> I actually found a web site with the rhythms for Palmas laid out like drum
> machine charts, with up to 5 parts.  Hey Rick, next looping tour in Spain?
> Per, habla espańol :)
>
> http://www.flamenco-seiten.de/navigation_magazin.htm

From Loopers-Delight-request@loopers-delight.com  Wed Jul  7 11:15:11 2004
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Subject: Re: Calexico in High and Dry film, and hand-clapping
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A great way to create the effect of flamenco style rhythm is to place a mic
mic near you picking hand and use a soft pick when you are doing some busy
rhythmic strumming on your guitar, try it you might like it1


on 7/7/04 4:04 pm, .David.Auker. at DaVAuk@Hevanet.com wrote:

> 
> Tom, Thanks for passing this on...definitely something to graze on, add a
> couple of chords to!
> ||:    :||
> David
> 
> 
>> 
>> Hand-clapping (I believe it's called Palmas in flamenco music) would be an
>> interesting looping project for one musician to build on.  I've heard some
>> gypsy music live, and the polyrhythms can get to be very interesting, with
>> several playing the Palmas.  Has anyone ever done anything with this or
>> flamenco?
>> 
>> I actually found a web site with the rhythms for Palmas laid out like drum
>> machine charts, with up to 5 parts.  Hey Rick, next looping tour in Spain?
>> Per, habla espańol :)
>> 
>> http://www.flamenco-seiten.de/navigation_magazin.htm
> 


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From Loopers-Delight-request@loopers-delight.com  Wed Jul  7 13:23:39 2004
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Date: Wed, 7 Jul 2004 10:20:55 -0700 (PDT)
From: Greg House <ghunicycle@yahoo.com>
Subject: Repeater power supply 
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--- "loop.pool" <looppool@cruzio.com> wrote:

> Also,  lastly,   I've jury rigged a velcro system so that my Repeater is ALWAYS
> plugged in and strain reliefed.   
> 
> The Repeater power supply is possibly the worst concieved power supply in the
> universe.............I hate it!     I haven't looked into it, but I imagine
> that you could have someone rewire it for you.

Peter Toms at Condor Electronics in Seattle produces an upgraded power supply for
Repeaters. It's got better specs and is more sturdy. Condor is the only
authorized Repeater repair facility, so they have a lot of experience with these
machines. There's more info available in the archives for the yahoo
repeater-users group.

Greg


	
		
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From Loopers-Delight-request@loopers-delight.com  Wed Jul  7 13:47:44 2004
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Hi Greg,

do they have a website I could eventually order a spare power supply from?
Just in case...

Stephen


"Human beings are a disease, the cancer of this planet, you“re a plague. And
we are the cure." (Agent Smith / Matrix)

Visit the official [“ramp] website at www.doombient.com
----- Original Message -----
From: "Greg House" <ghunicycle@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, July 07, 2004 7:20 PM
Subject: Repeater power supply


> --- "loop.pool" <looppool@cruzio.com> wrote:
>
> > Also,  lastly,   I've jury rigged a velcro system so that my Repeater is
ALWAYS
> > plugged in and strain reliefed.
> >
> > The Repeater power supply is possibly the worst concieved power supply
in the
> > universe.............I hate it!     I haven't looked into it, but I
imagine
> > that you could have someone rewire it for you.
>
> Peter Toms at Condor Electronics in Seattle produces an upgraded power
supply for
> Repeaters. It's got better specs and is more sturdy. Condor is the only
> authorized Repeater repair facility, so they have a lot of experience with
these
> machines. There's more info available in the archives for the yahoo
> repeater-users group.
>
> Greg
>
>
>
>
> __________________________________
> Do you Yahoo!?
> New and Improved Yahoo! Mail - 100MB free storage!
> http://promotions.yahoo.com/new_mail
>

From Loopers-Delight-request@loopers-delight.com  Wed Jul  7 14:21:08 2004
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>>So, can someone suggest a small, take-it-with-you multitrack?<< 

sorry to hear of your disappointing experiences so far. 

my band is three people. two of us have the korg d1600 w/ cd writer, while the third has the d1200 model, also w/ cd writer.
the d1200 is capable of recording 4 tracks at once, to a total of 12 (though the configuration of faders means that you end up with a couple of pairs of stereo tracks under one fader each), with virtual tracks, insert effects & all that stuff. two inputs have xlr/phantom, while there is a dedicated hi-z input for direct recording from guitars &c.
the band-member with this device carts it around in a small-size laptop bag in which it has plenty of room to breathe. 

I have had no reliability or quality problems with this end of the korg range, & can also recommend them for ease-of-use.

hth-

duncan/r.m.i. 


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<P><FONT SIZE=3D2>&gt;&gt;So, can someone suggest a small, take-it-with-you=
 multitrack?&lt;&lt; </FONT>
</P>

<P><FONT SIZE=3D2>sorry to hear of your disappointing experiences so far. <=
/FONT>
</P>

<P><FONT SIZE=3D2>my band is three people. two of us have the korg d1600 w/=
 cd writer, while the third has the d1200 model, also w/ cd writer.</FONT><=
/P>

<P><FONT SIZE=3D2>the d1200 is capable of recording 4 tracks at once, to a =
total of 12 (though the configuration of faders means that you end up with =
a couple of pairs of stereo tracks under one fader each), with virtual trac=
ks, insert effects &amp; all that stuff. two inputs have xlr/phantom, while=
 there is a dedicated hi-z input for direct recording from guitars &amp;c.<=
/FONT></P>

<P><FONT SIZE=3D2>the band-member with this device carts it around in a sma=
ll-size laptop bag in which it has plenty of room to breathe. </FONT>
</P>

<P><FONT SIZE=3D2>I have had no reliability or quality problems with this e=
nd of the korg range, &amp; can also recommend them for ease-of-use.</FONT>=
</P>

<P><FONT SIZE=3D2>hth-</FONT>
</P>

<P><FONT SIZE=3D2>duncan/r.m.i. </FONT>
</P>

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Subject: Re: Calexico in High and Dry film, and hand-clapping
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Ever since spending 2.5 months in spain, I was totally absorbed by the
"palmas" style of clapping. I often encorporate this into my looping.
Usually I set up a semi-short loop (1-2 bars long) on the edp, and set
feedback to 0 and overdub on.  This has the effect of repeating everything I
do exactly once.  I switch every two bars between open palm and closed palm
clapping and basically play a duet with myself.  It takes a while to learn
how to compliment a rhythm by clapping "in-between" the other claps, but its
well worth it and really sounds cool.  Sometimes I'll do this while sitting
on a cajon, and things can get really cool...
Jon


> Hand-clapping (I believe it's called Palmas in flamenco music) would be an
> interesting looping project for one musician to build on.  I've heard some
> gypsy music live, and the polyrhythms can get to be very interesting, with
> several playing the Palmas.  Has anyone ever done anything with this or
> flamenco?

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I just received my two EDPs from MF; consequently, I have two manuals.
I'll give it away to the first person who responds to this post (pay
shipping only).
 
Kris
 

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From Loopers-Delight-request@loopers-delight.com  Thu Jul  8 09:05:42 2004
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>>Peter Toms at Condor Electronics in Seattle produces an upgraded power supply for Repeaters.....<<

is this the same chap who gets rid of the cricket noise from them? it's really beginning to irritate me. both of mine do it, & they both have simpletech cards.

duncan.


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<P><FONT SIZE=3D2>&gt;&gt;Peter Toms at Condor Electronics in Seattle produ=
ces an upgraded power supply for Repeaters.....&lt;&lt;</FONT>
</P>

<P><FONT SIZE=3D2>is this the same chap who gets rid of the cricket noise f=
rom them? it's really beginning to irritate me. both of mine do it, &amp; t=
hey both have simpletech cards.</FONT></P>

<P><FONT SIZE=3D2>duncan.</FONT>
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From Loopers-Delight-request@loopers-delight.com  Thu Jul  8 10:49:25 2004
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Date: Thu, 8 Jul 2004 07:32:24 -0700 (PDT)
From: S V G <vsyevolod@yahoo.com>
Subject: Re: Repeater power supply
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     Condor Electronics does not have a web presence.  They can be reached at 206 633 5190.  Ask
for Peter Toms, he's the owner (and Repeater user) who makes these power supplies available.

     Stephen (the other one :)




Hi Greg,

do they have a website I could eventually order a spare power supply from?
Just in case...

Stephen


		
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From Loopers-Delight-request@loopers-delight.com  Thu Jul  8 15:16:53 2004
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Date: Thu, 8 Jul 2004 12:12:45 -0700 (PDT)
From: Greg House <ghunicycle@yahoo.com>
Subject: Re: Repeater power supply
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Peter is also available via email. I don't know his full address, but you can
reply to him using the yahoogroups interface. One example of his messages which
can be replied to is # 1568 in the group repeater-users.

http://launch.groups.yahoo.com/group/repeater-users/message/1568

Greg

--- S V G <vsyevolod@yahoo.com> wrote:
> 
>      Condor Electronics does not have a web presence.  They can be reached at
> 206 633 5190.  Ask
> for Peter Toms, he's the owner (and Repeater user) who makes these power
> supplies available.
> 
>      Stephen (the other one :)
> 
> 
> 
> 
> Hi Greg,
> 
> do they have a website I could eventually order a spare power supply from?
> Just in case...
> 
> Stephen
> 
> 
> 		
> __________________________________
> Do you Yahoo!?
> Yahoo! Mail - You care about security. So do we.
> http://promotions.yahoo.com/new_mail
> 
> 



		
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From Loopers-Delight-request@loopers-delight.com  Thu Jul  8 15:22:12 2004
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Date: Thu, 8 Jul 2004 12:13:33 -0700 (PDT)
From: Greg House <ghunicycle@yahoo.com>
Subject: RE:peater power supply 
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--- goddard.duncan@mtvne.com wrote:
> >>Peter Toms at Condor Electronics in Seattle produces an upgraded power supply
> for Repeaters.....<<
> 
> is this the same chap who gets rid of the cricket noise from them? it's really
> beginning to irritate me. both of mine do it, & they both have simpletech
> cards.

No, that was someone else. Perhaps someone else remembers his name...

Greg


		
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From Loopers-Delight-request@loopers-delight.com  Thu Jul  8 16:12:24 2004
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Subject: Kid Beyond in Boston
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Howdy, fellow loopers -- Kid Beyond here.
Normally San Francisco-based, I've got a
show in Cambridge MA this weekend that
y'all Boston-area folks might be interested in.

=-=-=-=-=-=-=-=-=-=-=-=

  SUN, JULY 11 -- 7pm

  BALL IN THE HOUSE
  with KID BEYOND

  RYLES JAZZ CLUB
  212 Hampshire St.
  Cambridge MA
  (617) 876-9330

  All ages ~ $10
  
  http://www.rylesjazz.com
  http://www.ballinthehouse.com
  http://www.kidbeyond.com

=-=-=-=-=-=-=-=-=-=-=-=

I do live-looping of voice -- singing, throat
singing, beatboxing, vocal turntablism, vocal
guitarsviolinsharmonicas, etc. -- to create
a one-man a cappella band.

I use Ableton Live, controlled by a Ground
Control Pro pedalboard at my feet. (I never
touch the laptop during the show.)

My music is on the funk / R&B / trip-hop
side of things, with a spiritual thrown in for
good measure. It's not as improvisatory
as most live-looping; it's predefined songs
with words and such. 

As the East Bay Express (a paper here in
the San Francisco area) wrote:

  Watching Kid Beyond one-man-vocal-
  percussionist-band his way through
  Portishead's "Wandering Star" is truly
  mesmerizing. "That's the best live thing
  I've ever seen," the dude behind me
  pants when it's over.

Or you can just take my word for it --
it kicks butt.

Ball in the House is a 5-man pop/R&B
a cappella group. They put on a great
show. I'm opening with a 45-minute set.

If you show up, come and introduce
yourself. I'd love to meet some Boston
loopers.


Cheers,

Andrew Chaikin, aka Kid Beyond
andrew at bigger bread dot com
(415) 929-8822

http://biggerbread.com | http://kidbeyond.com


From Loopers-Delight-request@loopers-delight.com  Thu Jul  8 16:20:47 2004
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Subject: RE: Dalai phon : Was: other recorder recommendations ?
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Here's one I think some folks might of heard before but, for those that
haven't I think a listen is well worth the time.

Music by David Cossin http://www.davidcossin.com/ 
Sample (actually a full track) Amplified Cardboard Tube
http://www.davidcossin.com/Music/A.C.T.%20radio%201.mp3



-----Original Message-----
From: Aptrev@aol.com [mailto:Aptrev@aol.com] 
Sent: Tuesday, July 06, 2004 8:38 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Dalai phon : Was: other recorder recommendations ?

In a message dated 7/6/04 5:00:22 PM, nospam@akroeger.com writes:

<< care to tell us more about the instrument and the recording Dalai Phon?
>>


Hi
If memory serves:
the instrument was just a thumb piano I made out of a tin can and hairpins.
I think it was a small cylindrical can for Dorset Shortbread, maybe 6 inches
tall.

I used a SignalFlex guitar tuner pickup to record a track onto my old
Boomerang. I played very slowly at the high speed setting and bounced it to
the PS02. 
Then I dropped the Boomerang down to lo-speed setting for a very low pitch
and bounced that to the PS02.

I took the 2 tracks from the PS02 and put them on my computer. The lowered
pitch track was kept whole. The normal track was then pitched upwards using
software. Because I had played so slowly, the pitch could raise without the
sound bunching up into chipmunkville.

Then I offset the tracks and faded one in while fading one out. 
What I like is that it is just one track but it sounds like different
tracks.

It made me think of the very low tones mixed with the delicate high
harmonics of Tibetan chanting, hence the title  - Dalai.

cheers
BobC


www.cdbaby.com/rpcollier
http://trundlebox.iuma.com
http://brokenaxe.iuma.com


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On Thursday, July 8, 2004, at 01:16 PM, Alan Kroeger wrote:

> Here's one I think some folks might of heard before but, for those that
> haven't I think a listen is well worth the time.
>

Very cool! Amazing sounds for such a simple instrument. Be sure to 
listen to the whole clip, the announcer describes how the ACT works a 
bit at the end.

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Date: Thu, 8 Jul 2004 18:03:46 -0400 (EDT)
Subject: Re: Dalai phon : Was: other recorder recommendations ?
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Enjoyed that - Very nice piece.

David Trenkel wrote:
> On Thursday, July 8, 2004, at 01:16 PM, Alan Kroeger wrote:
>
>> Here's one I think some folks might of heard before but, for those that
>> haven't I think a listen is well worth the time.
>>
>
> Very cool! Amazing sounds for such a simple instrument. Be sure to
> listen to the whole clip, the announcer describes how the ACT works a
> bit at the end.
>
>

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Subject: (gig spam) 7/10 Sensitive Noise at 21 Grand
Date: Thu, 08 Jul 2004 16:50:24 -0700
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Saturday, Jul 10 2004 9:00 PM
21 Grand
449B 23rd St.
Oakland
$6-10

Sensitive noise
Solos, duos and quartet with:

Joshua Churchill: Guitar/Field Recordings/Radio/Electronics
Joel Pickard: Pedal Steel Guitar
Chris Cory: Sax/Wind-Controller/Shortwave Radio
Matt Davignon: Turntable/Drum Machine


Joshua G Churchill is an interdisciplinary artist that works with sound in 
the context of performance, recordings, and installations. Much of his 
performance and recording work involves careful transposition and 
recontextualization of familiar (and unfamiliar) sounds. Through subtle 
processing, looping, and layering, the sounds he creates and affects 
constantly transform and fade into one another, losing their original voices 
and adopting new ones along the way. "The sounds of guitar become raindrops 
and a gurgling stream to the hush of radio static to the squeal of a bus, 
before reemerging once again as strings - all the while traveling slowly 
through space."
http://www.infique.net

Joel Pickard has worked as an improviser and composer and created music for 
dance, theatre, video, gallery installation and performance. In addition to 
traditional Western instruments his music uses a wide variety of musical 
materials including crickets, ping-pong balls, toy pianos, loose change, 
fireworks and walkee talkees. One of his most recent interests, and the 
subject of his masters thesis for his MA in composition from Mills College 
2004 , has been the pedal steel guitar, an instrument long relegated to 
providing the weeping backdrop to generations of country music ballads. Joel 
is currently in the process of recording a cd documenting his explorations 
on this instrument and the development of a musical language that 
incorporates balloons, knitting needles, music boxes, and chopsticks.

Chris Cory has been playing woodwinds since he was 8. After years of 
performing jazz and no-wave, he burnt out on conventional "songs" in about 
1990. He spent the next 10 years paying close attention to sources of 
subtlely-organized white/gray/red noise - detuned AM/Shortwave radio, rock 
tumblers, car engines, etc. He now enjoys manipulating and composing with 
such sounds with a wind controller (midi saxophone device) and various 
sampling units.

Matt Davignon of Oakland, California has been performing and recording 
experimental music for the last 10 years. Primarily self-taught, he has 
developed a unique form of intuitive improvisation focusing on textures, 
arrhythmic patterns and musical imperfections. He prefers to use fairly 
simple sampling devices to manipulate the sounds of what is already in 
reach, avoiding the tradition of many electronic musicians to seek the 
newest, shiniest tools.

_________________________________________________________________
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From: Mark Hamburg <mark_hamburg@baymoon.com>
Subject: Re: OT: other recorder recommendations ?
Date: Thu, 8 Jul 2004 09:07:37 -0700
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On a related subject. I'm looking for a stereo recorder to use with my 
rig when doing live gigs. Preferably something rackmountable or easily 
hidden inside my relatively small rack. Preferably higher bit depth 
than 16-bit so that I've got headroom to spare while playing. My 
portable DAT fails on multiple fronts such as being somewhat bulky and 
being only 16-bit and recording at 48kHz unless one feeds it digital 
which is non-ideal when the target is CD output.

I'm seriously considering getting a MOTU 828mkII to replace my current 
line mixer and it would be lovely if it had an option to just record to 
a portable Firewire hard disk, but it doesn't.

My somewhat Rube Goldberg option would be something like an ART DI/O as 
a front end to the DAT deck and figure out how to mount them both to 
something at least moderately portable. That leaves me at 16-bit, but 
my understanding is that the ART stuff does a reasonable job of 
avoiding digital clipping.

Mark

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In a message dated 7/8/04 6:33:37 PM, mark_hamburg@baymoon.com writes:

<< I'm looking for a stereo recorder to use with my 
rig when doing live gigs. Preferably something rackmountable or easily 
hidden inside my relatively small rack. Preferably higher bit depth 
than 16-bit so that I've got headroom to spare while playing. >>

How about a dedicated laptop? Get a used one or refurbished one with a 30GB 
drive and have nothing on there except good recording software say 24 bit 96kHz 
or better. Then you can firewire port over from your MOTU direct into that 
with little chance of crashes since there will be no software conflicts.



BobC

www.cdbaby.com/rpcollier
http://trundlebox.iuma.com
http://brokenaxe.iuma.com

From Loopers-Delight-request@loopers-delight.com  Thu Jul  8 22:19:30 2004
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Date: Thu, 8 Jul 2004 19:15:34 -0700
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Damn,wish i could make it, I have a gig in Monterey, rock righteously my
brother.
Bill

-----Original Message-----
From: matt davignon [mailto:mattdavignon@hotmail.com]
Sent: Thursday, July 08, 2004 4:50 PM
To: loopers-delight@loopers-delight.com
Subject: (gig spam) 7/10 Sensitive Noise at 21 Grand


Saturday, Jul 10 2004 9:00 PM
21 Grand
449B 23rd St.
Oakland
$6-10

Sensitive noise
Solos, duos and quartet with:

Joshua Churchill: Guitar/Field Recordings/Radio/Electronics
Joel Pickard: Pedal Steel Guitar
Chris Cory: Sax/Wind-Controller/Shortwave Radio
Matt Davignon: Turntable/Drum Machine


Joshua G Churchill is an interdisciplinary artist that works with sound in
the context of performance, recordings, and installations. Much of his
performance and recording work involves careful transposition and
recontextualization of familiar (and unfamiliar) sounds. Through subtle
processing, looping, and layering, the sounds he creates and affects
constantly transform and fade into one another, losing their original voices
and adopting new ones along the way. "The sounds of guitar become raindrops
and a gurgling stream to the hush of radio static to the squeal of a bus,
before reemerging once again as strings - all the while traveling slowly
through space."
http://www.infique.net

Joel Pickard has worked as an improviser and composer and created music for
dance, theatre, video, gallery installation and performance. In addition to
traditional Western instruments his music uses a wide variety of musical
materials including crickets, ping-pong balls, toy pianos, loose change,
fireworks and walkee talkees. One of his most recent interests, and the
subject of his masters thesis for his MA in composition from Mills College
2004 , has been the pedal steel guitar, an instrument long relegated to
providing the weeping backdrop to generations of country music ballads. Joel
is currently in the process of recording a cd documenting his explorations
on this instrument and the development of a musical language that
incorporates balloons, knitting needles, music boxes, and chopsticks.

Chris Cory has been playing woodwinds since he was 8. After years of
performing jazz and no-wave, he burnt out on conventional "songs" in about
1990. He spent the next 10 years paying close attention to sources of
subtlely-organized white/gray/red noise - detuned AM/Shortwave radio, rock
tumblers, car engines, etc. He now enjoys manipulating and composing with
such sounds with a wind controller (midi saxophone device) and various
sampling units.

Matt Davignon of Oakland, California has been performing and recording
experimental music for the last 10 years. Primarily self-taught, he has
developed a unique form of intuitive improvisation focusing on textures,
arrhythmic patterns and musical imperfections. He prefers to use fairly
simple sampling devices to manipulate the sounds of what is already in
reach, avoiding the tradition of many electronic musicians to seek the
newest, shiniest tools.

_________________________________________________________________
FREE pop-up blocking with the new MSN Toolbar  get it now!
http://toolbar.msn.click-url.com/go/onm00200415ave/direct/01/



From Loopers-Delight-request@loopers-delight.com  Thu Jul  8 22:31:00 2004
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What about an Alesis Masterlink? If I'm not mistaken that does real time
hard disk recording and mastering  with variable sample rate, and has a CD
burner. I think it has 450 minutes of storage time at 24 bit resolution  It
is two rack spaces and has gotten excellent reviews from some of the
industries best engineers. You would need to connect to it from your rig,
via XLRs I believe, but other than that it is way deeper than most DAT
machines, no matter how sophisticated. you might visit the Alesis website
for more info.
Bill

-----Original Message-----
From: Mark Hamburg [mailto:mark_hamburg@baymoon.com]
Sent: Thursday, July 08, 2004 9:08 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: OT: other recorder recommendations ?


On a related subject. I'm looking for a stereo recorder to use with my
rig when doing live gigs. Preferably something rackmountable or easily
hidden inside my relatively small rack. Preferably higher bit depth
than 16-bit so that I've got headroom to spare while playing. My
portable DAT fails on multiple fronts such as being somewhat bulky and
being only 16-bit and recording at 48kHz unless one feeds it digital
which is non-ideal when the target is CD output.

I'm seriously considering getting a MOTU 828mkII to replace my current
line mixer and it would be lovely if it had an option to just record to
a portable Firewire hard disk, but it doesn't.

My somewhat Rube Goldberg option would be something like an ART DI/O as
a front end to the DAT deck and figure out how to mount them both to
something at least moderately portable. That leaves me at 16-bit, but
my understanding is that the ART stuff does a reasonable job of
avoiding digital clipping.

Mark



From Loopers-Delight-request@loopers-delight.com  Thu Jul  8 22:33:18 2004
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From: Travis Hartnett <tiktok@sprintmail.com>
Subject: Re: OT: other recorder recommendations ? 
Date: Thu, 8 Jul 2004 19:30:51 -0700
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--Apple-Mail-1--636098527
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Increasing the bit-depth of your sampling rate doesn't automatically 
translate to "more headroom".  You can always overload the input stage 
regardless of the number of bits per sample.  Figuring out the 
effective dynamic range of your music and then setting your gain stages 
accordingly will probably be a lot more effective (and cheaper) than 
upping your bit-depth.

TravisH

On Jul 8, 2004, at 7:19 PM, 
Loopers-Delight-d-request@loopers-delight.com wrote:

> From: Mark Hamburg <mark_hamburg@baymoon.com>
> Date: July 8, 2004 9:07:37 AM PDT
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: OT: other recorder recommendations ?
>
>
> On a related subject. I'm looking for a stereo recorder to use with my 
> rig when doing live gigs. Preferably something rackmountable or easily 
> hidden inside my relatively small rack. Preferably higher bit depth 
> than 16-bit so that I've got headroom to spare while playing. My 
> portable DAT fails on multiple fronts such as being somewhat bulky and 
> being only 16-bit and recording at 48kHz unless one feeds it digital 
> which is non-ideal when the target is CD output.
--Apple-Mail-1--636098527
Content-Transfer-Encoding: 7bit
Content-Type: text/enriched;
	charset=US-ASCII

Increasing the bit-depth of your sampling rate doesn't automatically
translate to "more headroom".  You can always overload the input stage
regardless of the number of bits per sample.  Figuring out the
effective dynamic range of your music and then setting your gain
stages accordingly will probably be a lot more effective (and cheaper)
than upping your bit-depth.


TravisH


On Jul 8, 2004, at 7:19 PM,
Loopers-Delight-d-request@loopers-delight.com wrote:


<excerpt><bold><color><param>0000,0000,0000</param>From:
</color></bold>Mark Hamburg <<mark_hamburg@baymoon.com>

<bold><color><param>0000,0000,0000</param>Date: </color></bold>July 8,
2004 9:07:37 AM PDT

<bold><color><param>0000,0000,0000</param>To:
</color></bold>Loopers-Delight@loopers-delight.com

<bold><color><param>0000,0000,0000</param>Subject: </color>Re: OT:
other recorder recommendations ?

</bold>


On a related subject. I'm looking for a stereo recorder to use with my
rig when doing live gigs. Preferably something rackmountable or easily
hidden inside my relatively small rack. Preferably higher bit depth
than 16-bit so that I've got headroom to spare while playing. My
portable DAT fails on multiple fronts such as being somewhat bulky and
being only 16-bit and recording at 48kHz unless one feeds it digital
which is non-ideal when the target is CD output.</excerpt>
--Apple-Mail-1--636098527--

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Date: Thu, 8 Jul 2004 21:19:07 -0700 (PDT)
From: "L. Angulo" <labalou2000@yahoo.com>
Subject: pedal steels
To: Loopers-Delight@loopers-delight.com
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Hi loopers,
i am hunting for a pedal steel guitar and i need your
savvy advice, ive never played one and there are
different kinds with different knee levelers etc.
i dont want to get x-tra sofisticated since i am not
interested in becoming a country player,i want to use
it more as an enhancing instrument.I ve been checking
out the carter student model,any comments?
thanx
L.a

=====
www.luis-angulo.com


		
__________________________________
Do you Yahoo!?
Yahoo! Mail - 50x more storage than other providers!
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From Loopers-Delight-request@loopers-delight.com  Fri Jul  9 00:34:56 2004
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Subject: RE: pedal steels
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Go here http://steelguitarforum.com/cgi-bin/Ultimate.cgi there are a bunch
of folks who know what there talking about there 



-----Original Message-----
From: L. Angulo [mailto:labalou2000@yahoo.com] 
Sent: Friday, July 09, 2004 12:19 AM
To: Loopers-Delight@loopers-delight.com
Subject: pedal steels

Hi loopers,
i am hunting for a pedal steel guitar and i need your savvy advice, ive
never played one and there are different kinds with different knee levelers
etc.
i dont want to get x-tra sofisticated since i am not interested in becoming
a country player,i want to use it more as an enhancing instrument.I ve been
checking out the carter student model,any comments?
thanx
L.a

=====
www.luis-angulo.com


		
__________________________________
Do you Yahoo!?
Yahoo! Mail - 50x more storage than other providers!
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From Loopers-Delight-request@loopers-delight.com  Fri Jul  9 01:23:27 2004
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Date: Thu, 8 Jul 2004 22:19:57 -0700 (PDT)
From: "L. Angulo" <labalou2000@yahoo.com>
Subject: RE: pedal steels
To: Loopers-Delight@loopers-delight.com
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thanx!
L.a

--- Alan Kroeger <nospam@akroeger.com> wrote:
> Go here
> http://steelguitarforum.com/cgi-bin/Ultimate.cgi
> there are a bunch
> of folks who know what there talking about there 
> 
> 
> 
> -----Original Message-----
> From: L. Angulo [mailto:labalou2000@yahoo.com] 
> Sent: Friday, July 09, 2004 12:19 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: pedal steels
> 
> Hi loopers,
> i am hunting for a pedal steel guitar and i need
> your savvy advice, ive
> never played one and there are different kinds with
> different knee levelers
> etc.
> i dont want to get x-tra sofisticated since i am not
> interested in becoming
> a country player,i want to use it more as an
> enhancing instrument.I ve been
> checking out the carter student model,any comments?
> thanx
> L.a
> 
> =====
> www.luis-angulo.com
> 
> 
> 		
> __________________________________
> Do you Yahoo!?
> Yahoo! Mail - 50x more storage than other providers!
> http://promotions.yahoo.com/new_mail
> 
> 
> 


=====
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From Loopers-Delight-request@loopers-delight.com  Fri Jul  9 01:43:59 2004
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Subject: RE: pedal steels
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You got me started browsing on this looks like the
Carterstarterhttp://www.carterstarter.com would be a good place to start
three pedal four levers s10 (single 10 string neck) man I am learning a lot
this is a gearheads dream instrument. S12, D10, copedeant (all those new
terms)  
Man you might have to start calling me Loopin Cowboy Joe next ;D


-----Original Message-----
From: L. Angulo [mailto:labalou2000@yahoo.com] 
Sent: Friday, July 09, 2004 1:20 AM
To: Loopers-Delight@loopers-delight.com
Subject: RE: pedal steels

thanx!
L.a

--- Alan Kroeger <nospam@akroeger.com> wrote:
> Go here
> http://steelguitarforum.com/cgi-bin/Ultimate.cgi
> there are a bunch
> of folks who know what there talking about there
> 
> 
> 
> -----Original Message-----
> From: L. Angulo [mailto:labalou2000@yahoo.com]
> Sent: Friday, July 09, 2004 12:19 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: pedal steels
> 
> Hi loopers,
> i am hunting for a pedal steel guitar and i need your savvy advice, 
> ive never played one and there are different kinds with different knee 
> levelers etc.
> i dont want to get x-tra sofisticated since i am not interested in 
> becoming a country player,i want to use it more as an enhancing 
> instrument.I ve been checking out the carter student model,any 
> comments?
> thanx
> L.a
> 
> =====
> www.luis-angulo.com
> 
> 
> 		
> __________________________________
> Do you Yahoo!?
> Yahoo! Mail - 50x more storage than other providers!
> http://promotions.yahoo.com/new_mail
> 
> 
> 


=====
www.luis-angulo.com

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From Loopers-Delight-request@loopers-delight.com  Fri Jul  9 03:49:21 2004
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Date: Fri, 9 Jul 2004 00:45:46 -0700 (PDT)
From: S V G <vsyevolod@yahoo.com>
Subject: RE:peater power supply  
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     Peter Toms at Condor Electronics can be reached at Ptoms@AD1440.net

     He is not the guy who does the power supply mod, if I remember correctly, that guy was in the
Boston area or somewhere on the East Coast (or was it somewhere in Germany?).  However, Peter may
have some ideas as to what causes it and how to get around it.  It's worth a try.  

     Stephen


> >>Peter Toms at Condor Electronics in Seattle produces an upgraded power supply
> for Repeaters.....<<
> 
> is this the same chap who gets rid of the cricket noise from them? it's really
> beginning to irritate me. both of mine do it, & they both have simpletech
> cards.

No, that was someone else. Perhaps someone else remembers his name...





		
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From Loopers-Delight-request@loopers-delight.com  Fri Jul  9 04:20:54 2004
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	 <Loopers-Delight@loopers-delight.com>
Subject: RE: pedal steels
Date: Fri, 9 Jul 2004 10:18:16 +0200
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Louis, in case you'd be interested, I used to own one which I sold now,=20
but I still have Mel Bay's Pedal Steel Guitar Method by Dewitt Scott
which is a book + CD and would be pleased to sell it to you.
This book has some good beginner info about the instrument,
how to tune it, etc etc. It is based on the E9 chromatic tuning.

By the way, I also have the Oak Pedal Steel guitar book by Willie =
Winston & Bill Keith
which is very complete and includes a mini 33 1/3 record with samples.

I think if you really want to have fun, a 2 neck instrument would=20
allow you to fiddle with the C6 tuning which sounds more like "swing";
a bit more of learning but a lot of extra harmonies to experience.

I think getting a new instrument, or at least a not too old one would be =
better.
Mine was a 1984 ZB, and all the mechanics below were not so easy to =
adjust.

Also if I remember well, you are based in Europe so shipping of the =
books should be easier and faster.

Feel free to contact me offline if you'd like more details.

all the best

Francois
	check my first CD on http://www.cdbaby.com/1000times

-----Message d'origine-----
De:	L. Angulo [SMTP:labalou2000@yahoo.com]
Date:	vendredi 9 juillet 2004 06:19
=C0:	Loopers-Delight@loopers-delight.com
Objet:	pedal steels

Hi loopers,
i am hunting for a pedal steel guitar and i need your
savvy advice, ive never played one and there are
different kinds with different knee levelers etc.
i dont want to get x-tra sofisticated since i am not
interested in becoming a country player,i want to use
it more as an enhancing instrument.I ve been checking
out the carter student model,any comments?
thanx
L.a

=3D=3D=3D=3D=3D
www.luis-angulo.com


	=09
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From Loopers-Delight-request@loopers-delight.com  Fri Jul  9 08:44:21 2004
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Date: Fri, 9 Jul 2004 05:38:45 -0700 (PDT)
From: "L. Angulo" <labalou2000@yahoo.com>
Subject: RE: pedal steels
To: Loopers-Delight@loopers-delight.com
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Great Alan! maybe you can teach me a twang;-)
i do have a telecaster setup with a b-bender which
Gene parson installed for me in california and i can
certainly fake some of those licks,but its
different.What really got me interested in the pedal
steel was things like the end of Led Zeppelins "over
the hills and far away"(which i always thought it was
a keyboard sound)and some of Brian Enos pedal steel
soundscapes.If you got any interesting loop pedal
steel recording suggestions let me know!
Cheers
L.a



--- Alan Kroeger <nospam@akroeger.com> wrote:
> You got me started browsing on this looks like the
> Carterstarterhttp://www.carterstarter.com would be a
> good place to start
> three pedal four levers s10 (single 10 string neck)
> man I am learning a lot
> this is a gearheads dream instrument. S12, D10,
> copedeant (all those new
> terms)  
> Man you might have to start calling me Loopin Cowboy
> Joe next ;D
> 
> 
> -----Original Message-----
> From: L. Angulo [mailto:labalou2000@yahoo.com] 
> Sent: Friday, July 09, 2004 1:20 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: RE: pedal steels
> 
> thanx!
> L.a
> 
> --- Alan Kroeger <nospam@akroeger.com> wrote:
> > Go here
> > http://steelguitarforum.com/cgi-bin/Ultimate.cgi
> > there are a bunch
> > of folks who know what there talking about there
> > 
> > 
> > 
> > -----Original Message-----
> > From: L. Angulo [mailto:labalou2000@yahoo.com]
> > Sent: Friday, July 09, 2004 12:19 AM
> > To: Loopers-Delight@loopers-delight.com
> > Subject: pedal steels
> > 
> > Hi loopers,
> > i am hunting for a pedal steel guitar and i need
> your savvy advice, 
> > ive never played one and there are different kinds
> with different knee 
> > levelers etc.
> > i dont want to get x-tra sofisticated since i am
> not interested in 
> > becoming a country player,i want to use it more as
> an enhancing 
> > instrument.I ve been checking out the carter
> student model,any 
> > comments?
> > thanx
> > L.a
> > 
> > =====
> > www.luis-angulo.com
> > 
> > 
> > 		
> > __________________________________
> > Do you Yahoo!?
> > Yahoo! Mail - 50x more storage than other
> providers!
> > http://promotions.yahoo.com/new_mail
> > 
> > 
> > 
> 
> 
> =====
> www.luis-angulo.com
> 
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam
> protection around
> http://mail.yahoo.com 
> 
> 
> 


=====
www.luis-angulo.com

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From Loopers-Delight-request@loopers-delight.com  Fri Jul  9 08:54:54 2004
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Subject: Re: pedal steels
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check this out:
The affordable version ;)

http://www.tonetoys.de/de/Weiteres_Gitarren-Zubehoer.html

Now the strings are high enough and have a wider spacing to play pedal
steel.
Well sort of ;)

Greetings Jens.

From Loopers-Delight-request@loopers-delight.com  Fri Jul  9 09:06:28 2004
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From: "Alan Kroeger" <nospam@akroeger.com>
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Subject: RE: pedal steels
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Take a listen the Yes and Steve Howe on Relayer there was some very
interesting Pedal Steel work on that album. I have thought about Pedal Steel
on and off through the years but, the beasts take up a lot of room ;D

-----Original Message-----
From: L. Angulo [mailto:labalou2000@yahoo.com] 
Sent: Friday, July 09, 2004 8:39 AM
To: Loopers-Delight@loopers-delight.com
Subject: RE: pedal steels

Great Alan! maybe you can teach me a twang;-) i do have a telecaster setup
with a b-bender which Gene parson installed for me in california and i can
certainly fake some of those licks,but its different.What really got me
interested in the pedal steel was things like the end of Led Zeppelins "over
the hills and far away"(which i always thought it was a keyboard sound)and
some of Brian Enos pedal steel soundscapes.If you got any interesting loop
pedal steel recording suggestions let me know!
Cheers
L.a



--- Alan Kroeger <nospam@akroeger.com> wrote:
> You got me started browsing on this looks like the 
> Carterstarterhttp://www.carterstarter.com would be a good place to 
> start three pedal four levers s10 (single 10 string neck) man I am 
> learning a lot this is a gearheads dream instrument. S12, D10, 
> copedeant (all those new
> terms)
> Man you might have to start calling me Loopin Cowboy Joe next ;D
> 
> 
> -----Original Message-----
> From: L. Angulo [mailto:labalou2000@yahoo.com]
> Sent: Friday, July 09, 2004 1:20 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: RE: pedal steels
> 
> thanx!
> L.a
> 
> --- Alan Kroeger <nospam@akroeger.com> wrote:
> > Go here
> > http://steelguitarforum.com/cgi-bin/Ultimate.cgi
> > there are a bunch
> > of folks who know what there talking about there
> > 
> > 
> > 
> > -----Original Message-----
> > From: L. Angulo [mailto:labalou2000@yahoo.com]
> > Sent: Friday, July 09, 2004 12:19 AM
> > To: Loopers-Delight@loopers-delight.com
> > Subject: pedal steels
> > 
> > Hi loopers,
> > i am hunting for a pedal steel guitar and i need
> your savvy advice,
> > ive never played one and there are different kinds
> with different knee
> > levelers etc.
> > i dont want to get x-tra sofisticated since i am
> not interested in
> > becoming a country player,i want to use it more as
> an enhancing
> > instrument.I ve been checking out the carter
> student model,any
> > comments?
> > thanx
> > L.a
> > 
> > =====
> > www.luis-angulo.com
> > 
> > 
> > 		
> > __________________________________
> > Do you Yahoo!?
> > Yahoo! Mail - 50x more storage than other
> providers!
> > http://promotions.yahoo.com/new_mail
> > 
> > 
> > 
> 
> 
> =====
> www.luis-angulo.com
> 
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around 
> http://mail.yahoo.com
> 
> 
> 


=====
www.luis-angulo.com

__________________________________________________
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Tired of spam?  Yahoo! Mail has the best spam protection around
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From Loopers-Delight-request@loopers-delight.com  Fri Jul  9 09:38:04 2004
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Date: Fri, 9 Jul 2004 06:34:10 -0700 (PDT)
From: "L. Angulo" <labalou2000@yahoo.com>
Subject: Re: pedal steels
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well my first guitar 20 years ago which cost me 10
dlls. looks like that now;-)
L.a





--- Jens Wolters <shocktone@gmx.de> wrote:
> check this out:
> The affordable version ;)
> 
>
http://www.tonetoys.de/de/Weiteres_Gitarren-Zubehoer.html
> 
> Now the strings are high enough and have a wider
> spacing to play pedal
> steel.
> Well sort of ;)
> 
> Greetings Jens.
> 
> 


=====
www.luis-angulo.com

__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Fri Jul  9 09:50:55 2004
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don't forget the lap steel. certainly a lot more portable,
and many great sounds can be had from them. i also
use an acoustic hawaiian lap guitar for a lot of my work,
and a cd is forthcoming from the swiss label "cut" which
is a live performance with myself on bowed, looped and
grm-tooled lap guitar and john hudak on really long
looped electric. couldn't resist the plug, sorry.
cheers
bruce

On Friday, July 9, 2004, at 09:34  AM, L. Angulo wrote:

> well my first guitar 20 years ago which cost me 10
> dlls. looks like that now;-)
> L.a
>
>
>
>
>
> --- Jens Wolters <shocktone@gmx.de> wrote:
>> check this out:
>> The affordable version ;)
>>
>>
> http://www.tonetoys.de/de/Weiteres_Gitarren-Zubehoer.html
>>
>> Now the strings are high enough and have a wider
>> spacing to play pedal
>> steel.
>> Well sort of ;)
>>
>> Greetings Jens.
>>
>>
>
>
> =====
> www.luis-angulo.com
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>
>
>
bruce tovsky
www.skeletonhome.com


From Loopers-Delight-request@loopers-delight.com  Fri Jul  9 10:10:13 2004
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From: Per Boysen <per@boysen.se>
Subject: Re: pedal steels
Date: Fri, 9 Jul 2004 16:01:13 +0200
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On 2004-07-09, at 14.58, Alan Kroeger wrote:

> Take a listen the Yes and Steve Howe on Relayer there was some very
> interesting Pedal Steel work on that album.

Do you mean the part where the guitar starts and then vocals join in on 
the same melody ("soon oh soon....")?

I've always thought Steve Howe played that part with a telecaster with 
bottleneck and volume pedal, because that's what he is using on the 
rest of the album. BTW, what an album that is!!! ;-)

All the best

Per Boysen
---
http://www.boysen.se
http://www.looproom.com

From Loopers-Delight-request@loopers-delight.com  Fri Jul  9 10:12:38 2004
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To: emusic-wdiy Mailing List <emusic-wdiy@yahoogroups.com>,
   Ambient Mailing List <ambient@hyperreal.org>
Subject: EMUSIC Playlist #381 for July 8, 2004
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http://wdiy.org/programs/emusic/playlists/2004/040708.html

EMUSIC is an electronic, ambient, and space music show, that airs each 
Thursday
at 11:00 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA 93.9 FM in Easton,
PA and Phillipsburg, NJ, 92.9 FM on Service Electric Cable, and 
webcasting on
the internet.

                    Show #381                    July 8, 2004

RECAP:
On this show, I continued the month-long focus on Klaus Schulze.  The 
Featured
CD at Midnight was "The Crime of Suspense" which is disc 2 of the 10 CD 
boxed
set "Contemporary Works, Volume 1" on the Rainhorse label, part of Manikin
Records.

The Vinyl Starter was from the LP "Tangram" by Tangerine Dream on Virgin
Records.

Klaus Schulze - 
http://wdiy.org/programs/emusic/playlists/2004/focus04.html#jul


PLAYLIST:

ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
==============================
11:00 pm
Tangerine Dream         Tangram Set 1 *          Ricochet (Virgin)
The Omega Syndicate     12:21 pm                 Analogue Waves (Neu 
Harmony)
Volt                    First Contact            Star Compass (Groove)
VA [Broekhuis, Keller,  Watermusic               E-dition #2 (E-dition)
  Schonwalder]

12:00 am
Klaus Schulze           Good Old 4 On the Floor  The Crime of Suspense
                                                   (Rainhorse)
Klaus Schulze           J.E.M.                   The Crime of Suspense
                                                   (Rainhorse)
Klaus Schulze           Overchill *              The Crime of Suspense
                                                   (Rainhorse)

1:00 am

 * = exerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist


NEXT SHOW:
On the next EMUSIC, I'll continue the month-long focus on Klaus Schulze 
and his
"Contemporary Works, Volume 1" ten CD boxed set.  The Featured CD at 
Midnight
will be "Trance 4 Motion" on the Rainhorse label.

The Vinyl Starter will be from the LP "Theif" by Tangerine Dream on the
Elektra/Asylum label.

Bill
===============================================================================
Host of EMUSIC, an electronic, ambient,  and space music show,  
Thursdays at 11
pm (GMT-5:00) on WDIY 88.1 FM in Allentown and Bethlehem and 93.9 FM in 
Easton
and Phillipsburg.  Listen on-line to WDIY at http://wdiy.org  and click  
LISTEN
EMUSIC web site - http://wdiy.org/programs/emusic
Stream URL: http://rm1.refugemedia.com/ramgen/encoder/wdiy.rm
To subscribe to the EMUSIC-on-WDIY mailing list, click on [Join This 
Group!] at
http://groups.yahoo.com/group/emusic-wdiy

From Loopers-Delight-request@loopers-delight.com  Fri Jul  9 10:15:28 2004
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Has anyone received an EDP from the new shipment?  I've been on Alto's waiting list for some months, and I've called them a couple times, but they keep telling me to wait.  Does anyone else have them in stock?

Thanks,
-Doug

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Relayer
The tune I was thinking of the tune 'To Be Over' (slower ballad) on
'Relayer' where he definitely does some  distinctively pedal steel style
lick and chord tuning. Is it Pedal steel all the way through *shrug* this
was the time when Howe was using multiple guitars in one tune (live) I saw
the Relayer concert tour (I forget whether I saw it in Dec 1974 or Jan 1975
but, it definitely was cold then ;D) Relayer was there really fusion styled
album and Patrick Moraz really shifted there sound (way different then
Wakeman)

-----Original Message-----
From: Per Boysen [mailto:per@boysen.se] 
Sent: Friday, July 09, 2004 10:01 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: pedal steels

On 2004-07-09, at 14.58, Alan Kroeger wrote:

> Take a listen the Yes and Steve Howe on Relayer there was some very 
> interesting Pedal Steel work on that album.

Do you mean the part where the guitar starts and then vocals join in on the
same melody ("soon oh soon....")?

I've always thought Steve Howe played that part with a telecaster with
bottleneck and volume pedal, because that's what he is using on the rest of
the album. BTW, what an album that is!!! ;-)

All the best

Per Boysen
---
http://www.boysen.se
http://www.looproom.com


From Loopers-Delight-request@loopers-delight.com  Fri Jul  9 11:02:15 2004
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From: Dave Budde <dbudde@mac.com>
Subject: Echoplex Digital Pro Plus for sale
Date: Fri, 9 Jul 2004 07:59:37 -0700
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I've got a Gibson Echoplex Digital Pro Plus for sale.  Anyone here 
interested?  I'll put it up on ebay in a week if no one here responds.  
Price is firm at $750.  Free shipping and available to US locations 
only.  I purchased it new in late April.  I bought it for a specific 
project which is now complete.  I really like it but don't have much 
use for it so can't justify keeping it.  I've only used it in a 
smokeless home environment and it has gotten very little use.  It is in 
original condition and has Loop IV firmware.  I don't have the foot 
controller.  It comes with the EDP, the very well written manual, and 
power cord in the original box.

Email me for a photo or any questions.   It's in Seattle.  Payments 
must clear before shipping.

Dave

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From: "Alan Kroeger" <nospam@akroeger.com>
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Subject: RE: pedal steels
Date: Fri, 9 Jul 2004 11:09:41 -0400
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Last part of  'Gates of Delirium' a multi part epic (typical of Yes) also
from Relayer 

Lyrics Here http://www.davemcnally.com/lyrics/Yes/TheGatesofDelirium.asp

That might have been a bottleneck performance ??

-----Original Message-----
From: Per Boysen [mailto:per@boysen.se] 
Sent: Friday, July 09, 2004 10:01 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: pedal steels

"soon oh soon...."?

All the best

Per Boysen
---
http://www.boysen.se
http://www.looproom.com


From Loopers-Delight-request@loopers-delight.com  Fri Jul  9 11:35:00 2004
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From: Per Boysen <per@boysen.se>
Subject: Re: pedal steels
Date: Fri, 9 Jul 2004 17:31:24 +0200
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yep, that's the one!
All the way since -74 I never learned to read the record covers... ;-)

All the best

Per Boysen
---
http://www.boysen.se
http://www.looproom.com


On 2004-07-09, at 17.09, Alan Kroeger wrote:

> Last part of  'Gates of Delirium' a multi part epic (typical of Yes) 
> also
> from Relayer
>
> Lyrics Here 
> http://www.davemcnally.com/lyrics/Yes/TheGatesofDelirium.asp
>
> That might have been a bottleneck performance ??
>
> -----Original Message-----
> From: Per Boysen [mailto:per@boysen.se]
> Sent: Friday, July 09, 2004 10:01 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: pedal steels
>
> "soon oh soon...."?
>
> All the best
>
> Per Boysen
> ---
> http://www.boysen.se
> http://www.looproom.com
>
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Jul  9 12:06:27 2004
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Well Luis if you decide to go with a Pedal Steel let us know what you find
out. I may look into this one but, there are so many choices and it fairly
diverse topic really have to think this out (especially since country
western has never been my thing) I need another year of Bow work before I
would expose my attempts at Oldtime Fiddle Glitch (or whatever I decide to
call it at the moment ;D) to the public this might be a good choice having
played guitar way too many years (and being bored of it) I wonder just how
hard it is to get Pedal Steel figured out and transfer standard guitar
knowledge to it?

-----Original Message-----
From: L. Angulo [mailto:labalou2000@yahoo.com] 
Sent: Friday, July 09, 2004 9:34 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: pedal steels

well my first guitar 20 years ago which cost me 10 dlls. looks like that
now;-) L.a





--- Jens Wolters <shocktone@gmx.de> wrote:
> check this out:
> The affordable version ;)
> 
>
http://www.tonetoys.de/de/Weiteres_Gitarren-Zubehoer.html
> 
> Now the strings are high enough and have a wider spacing to play pedal 
> steel.
> Well sort of ;)
> 
> Greetings Jens.
> 
> 


=====
www.luis-angulo.com

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around
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From Loopers-Delight-request@loopers-delight.com  Fri Jul  9 12:45:16 2004
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Date: Fri, 9 Jul 2004 10:39:37 -0600
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I received both of my from Musicians Friend...popped them in my rack
yesterday and I'm already learning how to use them.

I think I may have a few questions about using the EDP. I'll post in a
separate email.  The basics were easy, right out of the box.

Kris


-----Original Message-----
From: Doug Wellington [mailto:ddw@dakotacom.net] 
Sent: Friday, July 09, 2004 8:10 AM
To: Loopers-Delight@loopers-delight.com
Subject: EDP delivery?



Has anyone received an EDP from the new shipment?  I've been on Alto's
waiting list for some months, and I've called them a couple times, but
they keep telling me to wait.  Does anyone else have them in stock?

Thanks,
-Doug

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From: Alex Stahl <alex@pixar.com>
Subject: Re: OT: other recorder recommendations ? 
Date: Fri, 9 Jul 2004 09:52:20 -0700
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A signal recorded at -20dBFS (a common analog 0 VU level) on a 16 bit 
system is only a 13 bit sample. If you need more than 20 dB of headroom 
in an unpredictable live situation, you can easily end up with the 
quiet parts being essentially 8 bit recordings. This is true no matter 
how carefully you set your gain structure. Yuck! On a 24 bit system, 
you can record at -48 and still get a 16 bit sample.

Of course that's assuming you that the converter is performing as 
advertised. Most don't, but 21 bits is still more than 14. Also I think 
we're talking about recording line level signals direct, so mic and 
preamp noise floor won't be the limiting factor. Using microphones in a 
24 bit system with very good preamps and converters, I still usually 
run out of money before I run out of mic noise.

-Alex S.

p.s. bit depth and sampling rate are independent


On Jul 8, 2004, at 7:30 PM, Travis Hartnett wrote:

> Increasing the bit-depth of your sampling rate doesn't automatically 
> translate to "more headroom".  You can always overload the input stage 
> regardless of the number of bits per sample.  Figuring out the 
> effective dynamic range of your music and then setting your gain 
> stages accordingly will probably be a lot more effective (and cheaper) 
> than upping your bit-depth.
>
> TravisH
>
> On Jul 8, 2004, at 7:19 PM, 
> Loopers-Delight-d-request@loopers-delight.com wrote:
>
>> From: Mark Hamburg <mark_hamburg@baymoon.com>
>> Date: July 8, 2004 9:07:37 AM PDT
>> To: Loopers-Delight@loopers-delight.com
>> Subject: Re: OT: other recorder recommendations ?
>>
>>
>> On a related subject. I'm looking for a stereo recorder to use with 
>> my rig when doing live gigs. Preferably something rackmountable or 
>> easily hidden inside my relatively small rack. Preferably higher bit 
>> depth than 16-bit so that I've got headroom to spare while playing. 
>> My portable DAT fails on multiple fronts such as being somewhat bulky 
>> and being only 16-bit and recording at 48kHz unless one feeds it 
>> digital which is non-ideal when the target is CD output.
--Apple-Mail-1--584409563
Content-Transfer-Encoding: 7bit
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A signal recorded at -20dBFS (a common analog 0 VU level) on a 16 bit
system is only a 13 bit sample. If you need more than 20 dB of
headroom in an unpredictable live situation, you can easily end up
with the quiet parts being essentially 8 bit recordings. This is true
no matter how carefully you set your gain structure. Yuck! On a 24 bit
system, you can record at -48 and still get a 16 bit sample.


Of course that's assuming you that the converter is performing as
advertised. Most don't, but 21 bits is still more than 14. Also I
think we're talking about recording line level signals direct, so mic
and preamp noise floor won't be the limiting factor. Using microphones
in a 24 bit system with very good preamps and converters, I still
usually run out of money before I run out of mic noise.


-Alex S.


p.s. bit depth and sampling rate are independent



On Jul 8, 2004, at 7:30 PM, Travis Hartnett wrote:


<excerpt>Increasing the bit-depth of your sampling rate doesn't
automatically translate to "more headroom".  You can always overload
the input stage regardless of the number of bits per sample.  Figuring
out the effective dynamic range of your music and then setting your
gain stages accordingly will probably be a lot more effective (and
cheaper) than upping your bit-depth.


TravisH


On Jul 8, 2004, at 7:19 PM,
Loopers-Delight-d-request@loopers-delight.com wrote:


<excerpt><bold><color><param>0000,0000,0000</param>From:
</color></bold>Mark Hamburg <<mark_hamburg@baymoon.com>

<bold><color><param>0000,0000,0000</param>Date: </color></bold>July 8,
2004 9:07:37 AM PDT

<bold><color><param>0000,0000,0000</param>To:
</color></bold>Loopers-Delight@loopers-delight.com

<bold><color><param>0000,0000,0000</param>Subject: </color>Re: OT:
other recorder recommendations ?

</bold>


On a related subject. I'm looking for a stereo recorder to use with my
rig when doing live gigs. Preferably something rackmountable or easily
hidden inside my relatively small rack. Preferably higher bit depth
than 16-bit so that I've got headroom to spare while playing. My
portable DAT fails on multiple fronts such as being somewhat bulky and
being only 16-bit and recording at 48kHz unless one feeds it digital
which is non-ideal when the target is CD output.</excerpt></excerpt>
--Apple-Mail-1--584409563--

From Loopers-Delight-request@loopers-delight.com  Fri Jul  9 13:18:11 2004
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I ordered two EDPs on January 26th from Musicians Friend and finally got an
email notice that they were shipped last week. On Wednesday UPS delivered
the package but there was only one (!) EDP in the box when the packing slip
said that there was two sent.

Naturally, I freaked.

I've been on the phone with them everyday since and, as was determined by
the weight of the package sent, they saw that there was indeed only one EDP
sent and that I was not trying to scam them.

The MFs told me that the second EDP was shipped this morning.

Let's hope.

-PG

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> Has anyone received an EDP from the new shipment?  I've been on Alto's
waiting list for some months, and I've called them a couple times, but they
keep telling me to wait.  Does anyone else have them in stock?

I think Musician's Friend ( http://www.musiciansfriend.com/ ) has them in
stock. At least, they did the last time I checked.

I just got mine yesterday from Musician's Friend ... after I had to haul-ass
home from work to intercept UPS because Musician's Friend screwed up and
shipped it to my home address instead of my shipping address which is where
I was waiting for it (my office). When I originally ordered the thing, seems
like a lifetime ago, in early February, my shipping address was correct.
Then as the months went by and Musician's Friend mistakenly cancelled the
order even though I told them not to (once by e-mail and then by phone), I
called them and made them reinstate the order but they didn't put the
correct shipping address back in. Just another one of the many headaches
caused by the inexcusable delay of the Echoplex shipment and Musician's
Friend incompetance.

Ordering this EDP was the worst product purchase experience I've ever had in
my life for one of the coolest products I've ever used. I will never forgive
Gibson for this. This situation was completely unacceptable. Hopefully, this
is the last time I will have to comment on that and everything will be okay
with the EDP and I can move on.

- Dave

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Mine arrived yesterday.  I ordered it from Musician's Friend in late April.

-----Original Message-----
From: Doug Wellington [mailto:ddw@dakotacom.net]
Sent: Friday, July 09, 2004 10:10 AM
To: Loopers-Delight@loopers-delight.com
Subject: EDP delivery?


Has anyone received an EDP from the new shipment?  I've been on Alto's
waiting list for some months, and I've called them a couple times, but they
keep telling me to wait.  Does anyone else have them in stock?

Thanks,
-Doug

From Loopers-Delight-request@loopers-delight.com  Fri Jul  9 13:48:28 2004
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hey, looks like I'm going to be in LA next month.  I know it is super short notice, but I haven't booked a show down there in 6 years so I'm not sure who to call or where to play anymore.

Anyone know of a good venue or two in LA that is experimental music supportive and isn't booked six months in advance?  (I'm not even going to bother with the Knitting Factory)

      Kevin


--
-------------------------------------------------------------
Kevin Goldsmith            remove "online" from reply address
Unit Circle Media                   http://www.unitcircle.com
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Subject: RE: pedal steels + YES
Date: Fri, 9 Jul 2004 20:21:09 +0200
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hello,=20
as a long time (1971) YES fan, I confirm Steve Howe
has played and still plays a pedal steel guitar on stage and in the =
studio.
They played here in Paris on June 22nd, and it did play it (intro of =
Going for the One, starting the show).
He does not use the pedals or knee levers, just slides the steel on the =
strings
and he plays it standing, that is he has extanded the legs of the pedal =
steel so that=20
it is very high and the necks are about at the height of his chest.

Francois
	check my first CD on http://www.cdbaby.com/1000times

-----Message d'origine-----
De:	Alan Kroeger [SMTP:nospam@akroeger.com]
Date:	vendredi 9 juillet 2004 17:10
=C0:	Loopers-Delight@loopers-delight.com
Objet:	RE: pedal steels

Last part of  'Gates of Delirium' a multi part epic (typical of Yes) =
also
from Relayer=20

Lyrics Here http://www.davemcnally.com/lyrics/Yes/TheGatesofDelirium.asp

That might have been a bottleneck performance ??

-----Original Message-----
From: Per Boysen [mailto:per@boysen.se]=20
Sent: Friday, July 09, 2004 10:01 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: pedal steels

"soon oh soon...."?

All the best

Per Boysen
---
http://www.boysen.se
http://www.looproom.com


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From Loopers-Delight-request@loopers-delight.com  Fri Jul  9 15:42:41 2004
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_____________________________________________ 
From: 	F Lebrun [mailto:fr.lebrun@free.fr] 
Sent:	Friday, July 09, 2004 2:21 PM
To:	'Loopers-Delight@loopers-delight.com'
Subject:	RE: pedal steels + YES

hello, 
as a long time (1971) YES fan, I confirm Steve Howe
has played and still plays a pedal steel guitar on stage and in the studio.
They played here in Paris on June 22nd, and it did play it (intro of Going
for the One, starting the show).
He does not use the pedals or knee levers, just slides the steel on the
strings
and he plays it standing, that is he has extanded the legs of the pedal
steel so that 
it is very high and the necks are about at the height of his chest.


****************************************************************************
********************************


That pretty much what I recall of how Howe handled Pedal Steel.
I guess I will have to set myself up to do some pseudo Lap Steel (ie use my
SG as a Lap Steel) and ivestigate this a little more. Here is one of many
tuning links but, this one is more specifically Lap Steel
http://www.well.com/user/wellvis/tuning.html for any who wish to further
investigate this idea.




From Loopers-Delight-request@loopers-delight.com  Fri Jul  9 15:57:21 2004
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Subject: OT: Synth "Internal Battery" Replacement
Date: Fri, 9 Jul 2004 13:05:48 -0700
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My Yamaha SY77 needs a new internal battery.  I can get to it fine (a mere
20 screws), but it's soldered in.  I have a friend with soldering skills
that's going to look at it.

Just wondering if any of you have had to do this...any success stories
(hopefully no failure stories!)?  I've gotten a few tips from the
rec.music.makers.synth group, like be careful of the thin tin leads...  I
wish I could just clip the old out, clip the new in!

Sorry for the OT, have a great day!

David

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don't expect to edit onboard this thing.  Otherwise, it works great for
basic live recording and burning to a CD.   It advertises all kinds of
mastering features (limiting compression, EQ), but its interface is SO BAD
that all I was really able to do was normalize.  Even inserting track breaks
was a serious pain.   If you can get one cheap, maybe do it, but last I knew
these were going for over a grand.  I bought one and returned it after two
very frustrating recording experiences.
Jon


> What about an Alesis Masterlink? If I'm not mistaken that does real time
> hard disk recording and mastering  with variable sample rate, and has a CD
> burner. I think it has 450 minutes of storage time at 24 bit resolution
It
> is two rack spaces and has gotten excellent reviews from some of the
> industries best engineers.

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luis.....i am having great fun with the  (ARTISAN EA-1 electric lap steel 
guitar) that i got for $79 or $89, i can't remember which, from MF.....it's not a 
pedal steel but it's a great introduction to the field of slide guitar that's 
not going to stress the bank account and it is totally easy to gig with, 
comes with a soft case that's about 1/3 the size of a guitar.....its a pretty 
wacky sound machine.....:).....michael

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT  SIZE=3D2 PTSIZE=3D10>luis...=
..i am having great fun with the&nbsp; (ARTISAN EA-1 electric lap steel guit=
ar) that i got for $79 or $89, i can't remember which, from MF.....it's not=20=
a pedal steel but it's a great introduction to the field of slide guitar tha=
t's not going to stress the bank account and it is totally easy to gig with,=
 comes with a soft case that's about 1/3 the size of a guitar.....its a pret=
ty wacky sound machine.....:).....michael</FONT></HTML>

--part1_29.5bf03e3e.2e205745_boundary--

From Loopers-Delight-request@loopers-delight.com  Fri Jul  9 17:28:04 2004
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I found my old 4track last week in a box. I don't have the PS or anything
for it and quite frankly it's seen better days. Still there are a lot of
DIYers on this list and the unit is cool as hell in features. I'm asking
$20 plus shipping or some nonsensical trade. Otherwise it gets tossed to
the local wolves. 

Pics of the unit 
http://www.helpwantedproductions.com/ebay/porta1side.jpg
http://www.helpwantedproductions.com/ebay/portaouts.jpg
http://www.helpwantedproductions.com/ebay/porta1front.jpg

Assume it doesn't work properly and think about it as parts. I'm selling
it "as is" certainly. I did use it for years but remember the heartbreak
of having it break down and paying $95 and waiting months since no one
local touches these things. I got it repaired only for it still to
act up so we stopped talking to each other.  I dunno, I think it would
make a cool sculpture if nothing else...

paypal would be dandy.

thanks


___________________________________________________________________
HELP WANTED PRODUCTIONS - Http://www.HelpWantedProductions.com
"Bringing you the best in Organic Electronic music since we started..."

Home of the Unusual Instrument and Recording Gallery with pictures and
info of Tube recorders, Omnichords, weird guitars, Casios, and more.



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I have one too. They get good reviews even in the pro players forums. A lot
of pros use them as backup lap steels

 

They are $59 now at Musicians Friend. What a deal.

 

DM

 

  _____  

From: Nemoguitt@aol.com [mailto:Nemoguitt@aol.com] 
Sent: Friday, July 09, 2004 4:17 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: pedal steels

 

luis.....i am having great fun with the  (ARTISAN EA-1 electric lap steel
guitar) that i got for $79 or $89, i can't remember which, from MF.....it's
not a pedal steel but it's a great introduction to the field of slide guitar
that's not going to stress the bank account and it is totally easy to gig
with, comes with a soft case that's about 1/3 the size of a guitar.....its a
pretty wacky sound machine.....:).....michael


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<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>I have one too. They get good =
reviews even
in the pro players forums. A lot of pros use them as backup lap =
steels<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>They are $59 now at Musicians =
Friend. What
a deal.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>DM<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
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10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

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<p class=3DMsoNormal><b><font size=3D2 face=3DTahoma><span =
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font-family:Tahoma;font-weight:bold'>From:</span></font></b><font =
size=3D2
face=3DTahoma><span style=3D'font-size:10.0pt;font-family:Tahoma'>
Nemoguitt@aol.com [mailto:Nemoguitt@aol.com] <br>
<b><span style=3D'font-weight:bold'>Sent:</span></b> Friday, July 09, =
2004 4:17 PM<br>
<b><span style=3D'font-weight:bold'>To:</span></b>
Loopers-Delight@loopers-delight.com<br>
<b><span style=3D'font-weight:bold'>Subject:</span></b> Re: pedal =
steels</span></font><o:p></o:p></p>

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<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>luis.....i am having great fun with the&nbsp; =
(ARTISAN EA-1
electric lap steel guitar) that i got for $79 or $89, i can't remember =
which,
from MF.....it's not a pedal steel but it's a great introduction to the =
field
of slide guitar that's not going to stress the bank account and it is =
totally
easy to gig with, comes with a soft case that's about 1/3 the size of a
guitar.....its a pretty wacky sound =
machine.....:).....michael</span></font><font
face=3DArial><span =
style=3D'font-family:Arial'><o:p></o:p></span></font></p>

</div>

</body>

</html>

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From Loopers-Delight-request@loopers-delight.com  Fri Jul  9 17:40:22 2004
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Date: Fri, 9 Jul 2004 14:37:20 -0700 (PDT)
From: Greg House <ghunicycle@yahoo.com>
Subject: RE: pedal steels + YES
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--- Alan Kroeger <nospam@akroeger.com> wrote:

> That pretty much what I recall of how Howe handled Pedal Steel.
> I guess I will have to set myself up to do some pseudo Lap Steel (ie use my
> SG as a Lap Steel) and ivestigate this a little more. Here is one of many
> tuning links but, this one is more specifically Lap Steel
> http://www.well.com/user/wellvis/tuning.html for any who wish to further
> investigate this idea.

Musician's Friend sells a cheap little lap steel for about $60. Might be
interesting to start experimenting with.

Greg


		
__________________________________
Do you Yahoo!?
Read only the mail you want - Yahoo! Mail SpamGuard.
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From Loopers-Delight-request@loopers-delight.com  Fri Jul  9 18:50:29 2004
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References: <01C465F2.46584EE0@dyn-83-155-180-140.ppp.tiscali.fr>
Subject: Re: pedal steels + YES
Date: Fri, 9 Jul 2004 17:40:26 -0500
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Being a intensely freakish YES fan myself, I have to remind the group that
Steve Howe also played pedal steel all over Close To The Edge as well.
Witness: And You And I and parts of Close To The Edge.

Damn I love that guy.

Doug
----- Original Message -----
From: "F Lebrun" <fr.lebrun@free.fr>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, July 09, 2004 1:21 PM
Subject: RE: pedal steels + YES



hello,
as a long time (1971) YES fan, I confirm Steve Howe
has played and still plays a pedal steel guitar on stage and in the studio.
They played here in Paris on June 22nd, and it did play it (intro of Going
for the One, starting the show).
He does not use the pedals or knee levers, just slides the steel on the
strings
and he plays it standing, that is he has extanded the legs of the pedal
steel so that
it is very high and the necks are about at the height of his chest.

Francois
check my first CD on http://www.cdbaby.com/1000times

-----Message d'origine-----
De: Alan Kroeger [SMTP:nospam@akroeger.com]
Date: vendredi 9 juillet 2004 17:10
Ą: Loopers-Delight@loopers-delight.com
Objet: RE: pedal steels

Last part of  'Gates of Delirium' a multi part epic (typical of Yes) also
from Relayer

Lyrics Here http://www.davemcnally.com/lyrics/Yes/TheGatesofDelirium.asp

That might have been a bottleneck performance ??

-----Original Message-----
From: Per Boysen [mailto:per@boysen.se]
Sent: Friday, July 09, 2004 10:01 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: pedal steels

"soon oh soon...."?

All the best

Per Boysen
---
http://www.boysen.se
http://www.looproom.com



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-----Original Message-----
From: Doug Cox [mailto:dougcox@pdq.net] 
Sent: Friday, July 09, 2004 6:40 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: pedal steels + YES

Being a intensely freakish YES fan myself

************
Yup he gained his fame the old fashion way he earned our respect :)

*Fictitious Fantasy Lettert*

Hello (Our Esteemed Guitar God) Steve Howe

Please don't take this the wrong way as we know you are one of the best
players that has ever been our delight to hear but, we the members of the
Loopers Delight Mail list are saddened by the fact that you too are not a
fellow looper. We also feel like we have not heard everything that could
have been done by you if we have not heard you loop. We have all decided
that you must obtain several loopers and make at least one looping album
before it is too late and the opportunity is lost. We have thus decided to
petition all of the manufacturers of looping devices and have them send you
at least one if not more of there particular device (that is if you will
deem to accept them) We feel it is vitaly important that there be at least
one more looping god in existance besides Andre Lafosse. This we feel would
help to legitemize the musical form of looping and should require little or
no effort on your part to learn as you already seem to have every guitar
processor in existance (so, why not a looper too) If you do find any
difficulty using any device we are sure someone from this list will voluteer
to assist you free of charge.

Thank you 
Members of the Looper Delight Mailing List.


*************
Yeah I'm a fan did anyone else get to see the Yes with Strings Tour I saw it
in Danbury Connecticut at the Charles Ives center a nice small outdoor
setting a fairly small venue.

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 Y'all are wrong, those are lap steels, not pedal steels..a Fender Twin Neck
and Quad Neck. Saw em up close..no pedals, and no place for them, just
planks of wood with strings attached. One neck tuned normal guitar, one
tuned to an open E.

Btw, He has a JamMan in his rack, though I never heard him loop with it.

Dave Eichenberger 
http://www.hazardfactor.com

 
> 
> Being a intensely freakish YES fan myself, I have to remind 
> the group that Steve Howe also played pedal steel all over 
> Close To The Edge as well.
> Witness: And You And I and parts of Close To The Edge.
> 
> Damn I love that guy.
> 
> Doug
> ----- Original Message -----
> From: "F Lebrun" <fr.lebrun@free.fr>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Friday, July 09, 2004 1:21 PM
> Subject: RE: pedal steels + YES
> 
> 
> 
> hello,
> as a long time (1971) YES fan, I confirm Steve Howe has 
> played and still plays a pedal steel guitar on stage and in 
> the studio.
> They played here in Paris on June 22nd, and it did play it 
> (intro of Going for the One, starting the show).
> He does not use the pedals or knee levers, just slides the 
> steel on the strings and he plays it standing, that is he has 
> extanded the legs of the pedal steel so that it is very high 
> and the necks are about at the height of his chest.
> 
> Francois
> check my first CD on http://www.cdbaby.com/1000times
> 
> -----Message d'origine-----
> De: Alan Kroeger [SMTP:nospam@akroeger.com]
> Date: vendredi 9 juillet 2004 17:10
> Ą: Loopers-Delight@loopers-delight.com
> Objet: RE: pedal steels
> 
> Last part of  'Gates of Delirium' a multi part epic (typical 
> of Yes) also from Relayer
> 
> Lyrics Here 
> http://www.davemcnally.com/lyrics/Yes/TheGatesofDelirium.asp
> 
> That might have been a bottleneck performance ??
> 
> -----Original Message-----
> From: Per Boysen [mailto:per@boysen.se]
> Sent: Friday, July 09, 2004 10:01 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: pedal steels
> 
> "soon oh soon...."?
> 
> All the best
> 
> Per Boysen
> ---
> http://www.boysen.se
> http://www.looproom.com
> 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Fri Jul  9 19:45:59 2004
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Subject: Re: pedal steels + YES
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Fair enough!  I was using the term pedal steel in some sort of flawed, broad
sense.  I trust your assessment since it's so specific :)

All I know is that I love Howe's ability to play in that overcrowded band,
and still *be Steve Howe*.  Really innovative playing, great melodic sense,
and eehhhhh, ya know, fairly decent chops.

Does anyone know if he's done any live looping?  I'd bet he's at least
experimented with looping, or at least long delay lines.  Especially with a
JamMan in his rack.

Doug
----- Original Message -----
From: "hazard factor" <artists@hazardfactor.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, July 09, 2004 6:27 PM
Subject: RE: pedal steels + YES



 Y'all are wrong, those are lap steels, not pedal steels..a Fender Twin Neck
and Quad Neck. Saw em up close..no pedals, and no place for them, just
planks of wood with strings attached. One neck tuned normal guitar, one
tuned to an open E.

Btw, He has a JamMan in his rack, though I never heard him loop with it.

Dave Eichenberger
http://www.hazardfactor.com


>
> Being a intensely freakish YES fan myself, I have to remind
> the group that Steve Howe also played pedal steel all over
> Close To The Edge as well.
> Witness: And You And I and parts of Close To The Edge.
>
> Damn I love that guy.
>
> Doug
> ----- Original Message -----
> From: "F Lebrun" <fr.lebrun@free.fr>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Friday, July 09, 2004 1:21 PM
> Subject: RE: pedal steels + YES
>
>
>
> hello,
> as a long time (1971) YES fan, I confirm Steve Howe has
> played and still plays a pedal steel guitar on stage and in
> the studio.
> They played here in Paris on June 22nd, and it did play it
> (intro of Going for the One, starting the show).
> He does not use the pedals or knee levers, just slides the
> steel on the strings and he plays it standing, that is he has
> extanded the legs of the pedal steel so that it is very high
> and the necks are about at the height of his chest.
>
> Francois
> check my first CD on http://www.cdbaby.com/1000times
>
> -----Message d'origine-----
> De: Alan Kroeger [SMTP:nospam@akroeger.com]
> Date: vendredi 9 juillet 2004 17:10
> Ą: Loopers-Delight@loopers-delight.com
> Objet: RE: pedal steels
>
> Last part of  'Gates of Delirium' a multi part epic (typical
> of Yes) also from Relayer
>
> Lyrics Here
> http://www.davemcnally.com/lyrics/Yes/TheGatesofDelirium.asp
>
> That might have been a bottleneck performance ??
>
> -----Original Message-----
> From: Per Boysen [mailto:per@boysen.se]
> Sent: Friday, July 09, 2004 10:01 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: pedal steels
>
> "soon oh soon...."?
>
> All the best
>
> Per Boysen
> ---
> http://www.boysen.se
> http://www.looproom.com
>
>
>

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Why do I see it as $99?

Mark

On Jul 9, 2004, at 2:37 PM, Don Makoviney wrote:

> I have one too. They get good reviews even in the pro players forums. 
> A lot of pros use them as backup lap steels
>
>  
>
> They are $59 now at Musicians Friend. What a deal.
>
>  
>
> DM
>
>  
>
>
> From: Nemoguitt@aol.com [mailto:Nemoguitt@aol.com]
>  Sent: Friday, July 09, 2004 4:17 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: pedal steels
>
>  
>
> luis.....i am having great fun with the  (ARTISAN EA-1 electric lap 
> steel guitar) that i got for $79 or $89, i can't remember which, from 
> MF.....it's not a pedal steel but it's a great introduction to the 
> field of slide guitar that's not going to stress the bank account and 
> it is totally easy to gig with, comes with a soft case that's about 
> 1/3 the size of a guitar.....its a pretty wacky sound 
> machine.....:).....michael

From Loopers-Delight-request@loopers-delight.com  Fri Jul  9 20:48:10 2004
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From: Optimus Rob <rasimon@indiana.edu>
Subject: Re: pedal steels
Date: Fri, 9 Jul 2004 19:45:23 -0500
To: Loopers-Delight@loopers-delight.com
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You're right -- that is odd -- two hours ago, when I checked, it was=20
$59.99.  I just checked again and like Mark said, it's $99.99.

I wonder if someone from MF isn't on our list, noticed some interest=20
being generated and upped the price.  Or do they monitor their web=20
traffic so well that a certain number of hits within a specific period=20=

of time constitutes a price jump?

Might be a bit paranoid -- could just be end of the week price hikes=20
for weekend shopping?  Either way, that's strange.  Almost bought one=20
for $59 for fun, but $100 is a bit more of an investment.  I don't=20
know, after reading about everyone's ordeal with MF regarding their=20
EDP's, especially in addition to this odd price hike, I might just stay=20=

clear of Musicians Friend.
Get Optimized,
Rob
......................................................
Warm blends of downtempo beats that will soothe your your mind...
"an original score to the tragedy of American idealism"
http://www.optimusrob.com
_________________________________________________

On Jul 9, 2004, at 7:05 PM, msottilaro wrote:

> Why do I see it as $99?
>
> Mark
>
> On Jul 9, 2004, at 2:37 PM, Don Makoviney wrote:
>
>> I have one too. They get good reviews even in the pro players forums.=20=

>> A lot of pros use them as backup lap steels
>>
>> =A0
>>
>> They are $59 now at Musicians Friend. What a deal.
>>
>> =A0
>>
>> DM
>>
>> =A0
>>
>>
>> From: Nemoguitt@aol.com [mailto:Nemoguitt@aol.com]
>>  Sent: Friday, July 09, 2004 4:17 PM
>> To: Loopers-Delight@loopers-delight.com
>> Subject: Re: pedal steels
>>
>> =A0
>>
>> luis.....i am having great fun with the=A0 (ARTISAN EA-1 electric lap=20=

>> steel guitar) that i got for $79 or $89, i can't remember which, from=20=

>> MF.....it's not a pedal steel but it's a great introduction to the=20
>> field of slide guitar that's not going to stress the bank account and=20=

>> it is totally easy to gig with, comes with a soft case that's about=20=

>> 1/3 the size of a guitar.....its a pretty wacky sound=20
>> machine.....:).....michael
>
>

--Apple-Mail-7--556025897
Content-Transfer-Encoding: quoted-printable
Content-Type: text/enriched;
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You're right -- that is odd -- two hours ago, when I checked, it was
$59.99.  I just checked again and like Mark said, it's $99.99. =20


I wonder if someone from MF isn't on our list, noticed some interest
being generated and upped the price.  Or do they monitor their web
traffic so well that a certain number of hits within a specific period
of time constitutes a price jump? =20


Might be a bit paranoid -- could just be end of the week price hikes
for weekend shopping?  Either way, that's strange.  Almost bought one
for $59 for fun, but $100 is a bit more of an investment.  I don't
know, after reading about everyone's ordeal with MF regarding their
EDP's, especially in addition to this odd price hike, I might just
stay clear of Musicians Friend. =20

=
<fontfamily><param>Papyrus</param><color><param>4646,6D6D,C6C6</param><big=
ger>Get
=
Optimized</bigger></color></fontfamily><bigger>,</bigger><fontfamily><para=
m>Lucida Grande</param>

Rob</fontfamily>  =20

=
<fontfamily><param>Papyrus</param><color><param>4F4F,7B7B,E0E0</param><x-t=
ad-bigger>......................................................=20

Warm blends of downtempo beats that will soothe your your mind...

"an original score to the tragedy of American idealism"=20

http://www.optimusrob.com

=
_________________________________________________</x-tad-bigger></color></=
fontfamily>


On Jul 9, 2004, at 7:05 PM, msottilaro wrote:


<excerpt>Why do I see it as $99?


Mark


On Jul 9, 2004, at 2:37 PM, Don Makoviney wrote:


<excerpt>I have one too. They get good reviews even in the pro players
forums. A lot of pros use them as backup lap steels


=A0


They are $59 now at Musicians Friend. What a deal.


=A0


DM


=A0



From: Nemoguitt@aol.com [mailto:Nemoguitt@aol.com]

 Sent: Friday, July 09, 2004 4:17 PM

To: Loopers-Delight@loopers-delight.com

Subject: Re: pedal steels


=A0


luis.....i am having great fun with the=A0 (ARTISAN EA-1 electric lap
steel guitar) that i got for $79 or $89, i can't remember which, from
MF.....it's not a pedal steel but it's a great introduction to the
field of slide guitar that's not going to stress the bank account and
it is totally easy to gig with, comes with a soft case that's about
1/3 the size of a guitar.....its a pretty wacky sound
machine.....:).....michael

</excerpt>


</excerpt>=

--Apple-Mail-7--556025897--

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From: Optimus Rob <rasimon@indiana.edu>
Subject: Re: pedal steels
Date: Fri, 9 Jul 2004 19:57:43 -0500
To: Loopers-Delight@loopers-delight.com
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--Apple-Mail-8--555285774
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Just called MF to inquire, and yes "prices can change without notice." =20=

Upon asking if that's triggered by web traffic, he "wasn't really sure,=20=

but prices do tend to go up and down."

To me, that seems a lot like a clothing store employee waiting for the=20=

customer to try on a pair of pants and then increasing the price once=20
they show interest.

If this is in fact true, it's something of which everyone needs to be=20
aware.  I'm staying clear of those dirty dogs until I hear otherwise.
Get Optimized,
Rob
......................................................
Warm blends of downtempo beats that will soothe your your mind...
"an original score to the tragedy of American idealism"
http://www.optimusrob.com
_________________________________________________

On Jul 9, 2004, at 7:45 PM, Optimus Rob wrote:

> You're right -- that is odd -- two hours ago, when I checked, it was=20=

> $59.99.  I just checked again and like Mark said, it's $99.99.
>
> I wonder if someone from MF isn't on our list, noticed some interest=20=

> being generated and upped the price.  Or do they monitor their web=20
> traffic so well that a certain number of hits within a specific period=20=

> of time constitutes a price jump?
>
> Might be a bit paranoid -- could just be end of the week price hikes=20=

> for weekend shopping?  Either way, that's strange.  Almost bought one=20=

> for $59 for fun, but $100 is a bit more of an investment.  I don't=20
> know, after reading about everyone's ordeal with MF regarding their=20
> EDP's, especially in addition to this odd price hike, I might just=20
> stay clear of Musicians Friend.
> Get Optimized,
> Rob
> ......................................................
> Warm blends of downtempo beats that will soothe your your mind...
> "an original score to the tragedy of American idealism"
> http://www.optimusrob.com
> _________________________________________________
>
> On Jul 9, 2004, at 7:05 PM, msottilaro wrote:
>
>> Why do I see it as $99?
>>
>> Mark
>>
>> On Jul 9, 2004, at 2:37 PM, Don Makoviney wrote:
>>
>>> I have one too. They get good reviews even in the pro players=20
>>> forums. A lot of pros use them as backup lap steels
>>>
>>> =A0
>>>
>>> They are $59 now at Musicians Friend. What a deal.
>>>
>>> =A0
>>>
>>> DM
>>>
>>> =A0
>>>
>>>
>>> From: Nemoguitt@aol.com [mailto:Nemoguitt@aol.com]
>>>  Sent: Friday, July 09, 2004 4:17 PM
>>> To: Loopers-Delight@loopers-delight.com
>>> Subject: Re: pedal steels
>>>
>>> =A0
>>>
>>> luis.....i am having great fun with the=A0 (ARTISAN EA-1 electric =
lap=20
>>> steel guitar) that i got for $79 or $89, i can't remember which,=20
>>> from MF.....it's not a pedal steel but it's a great introduction to=20=

>>> the field of slide guitar that's not going to stress the bank=20
>>> account and it is totally easy to gig with, comes with a soft case=20=

>>> that's about 1/3 the size of a guitar.....its a pretty wacky sound=20=

>>> machine.....:).....michael
>>
>>

--Apple-Mail-8--555285774
Content-Transfer-Encoding: quoted-printable
Content-Type: text/enriched;
	charset=ISO-8859-1

Just called MF to inquire, and yes "prices can change without notice."=20=

Upon asking if that's triggered by web traffic, he "wasn't really
sure, but prices do tend to go up and down." =20


To me, that seems a lot like a clothing store employee waiting for the
customer to try on a pair of pants and then increasing the price once
they show interest. =20


If this is in fact true, it's something of which everyone needs to be
aware.  I'm staying clear of those dirty dogs until I hear otherwise. =20=


=
<fontfamily><param>Papyrus</param><color><param>4646,6D6D,C6C6</param><big=
ger>Get
=
Optimized</bigger></color></fontfamily><bigger>,</bigger><fontfamily><para=
m>Lucida Grande</param>

Rob</fontfamily>  =20

=
<fontfamily><param>Papyrus</param><color><param>4F4F,7B7B,E0E0</param><x-t=
ad-bigger>......................................................=20

Warm blends of downtempo beats that will soothe your your mind...

"an original score to the tragedy of American idealism"=20

http://www.optimusrob.com

=
_________________________________________________</x-tad-bigger></color></=
fontfamily>


On Jul 9, 2004, at 7:45 PM, Optimus Rob wrote:


<excerpt>You're right -- that is odd -- two hours ago, when I checked,
it was $59.99.  I just checked again and like Mark said, it's $99.99. =20=



I wonder if someone from MF isn't on our list, noticed some interest
being generated and upped the price.  Or do they monitor their web
traffic so well that a certain number of hits within a specific period
of time constitutes a price jump? =20


Might be a bit paranoid -- could just be end of the week price hikes
for weekend shopping?  Either way, that's strange.  Almost bought one
for $59 for fun, but $100 is a bit more of an investment.  I don't
know, after reading about everyone's ordeal with MF regarding their
EDP's, especially in addition to this odd price hike, I might just
stay clear of Musicians Friend. =20

=
<fontfamily><param>Papyrus</param><color><param>4645,6D6C,C6C5</param><big=
ger>Get
=
Optimized</bigger></color></fontfamily><bigger>,</bigger><fontfamily><para=
m>Lucida Grande</param>

Rob</fontfamily>  =20

=
<fontfamily><param>Papyrus</param><color><param>4F4E,7B7A,E0DF</param><x-t=
ad-bigger>......................................................=20

Warm blends of downtempo beats that will soothe your your mind...

"an original score to the tragedy of American idealism"=20

http://www.optimusrob.com

=
_________________________________________________</x-tad-bigger></color></=
fontfamily>


On Jul 9, 2004, at 7:05 PM, msottilaro wrote:


<excerpt>Why do I see it as $99?


Mark


On Jul 9, 2004, at 2:37 PM, Don Makoviney wrote:


<excerpt>I have one too. They get good reviews even in the pro players
forums. A lot of pros use them as backup lap steels


=A0


They are $59 now at Musicians Friend. What a deal.


=A0


DM


=A0



From: Nemoguitt@aol.com [mailto:Nemoguitt@aol.com]

 Sent: Friday, July 09, 2004 4:17 PM

To: Loopers-Delight@loopers-delight.com

Subject: Re: pedal steels


=A0


luis.....i am having great fun with the=A0 (ARTISAN EA-1 electric lap
steel guitar) that i got for $79 or $89, i can't remember which, from
MF.....it's not a pedal steel but it's a great introduction to the
field of slide guitar that's not going to stress the bank account and
it is totally easy to gig with, comes with a soft case that's about
1/3 the size of a guitar.....its a pretty wacky sound
machine.....:).....michael

</excerpt>


</excerpt></excerpt>=

--Apple-Mail-8--555285774--

From Loopers-Delight-request@loopers-delight.com  Fri Jul  9 21:20:25 2004
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From: Travis Hartnett <tiktok@sprintmail.com>
Subject: Re: OT: Synth "Internal Battery" Replacement
Date: Fri, 9 Jul 2004 18:18:02 -0700
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Be really, really, really CAREFUL.  A friend of mine had a Sony 
multieffects unit that needed a new battery.  The old one was soldered 
to the board, and when the tech tried to unsolder it, it EXPLODED IN 
HIS FACE.  Really.  There's some way to do it safely, but putting that 
sort of heat near a battery is a RISKY maneuver.

TravisH


On Jul 9, 2004, at 5:59 PM, 
Loopers-Delight-d-request@loopers-delight.com wrote:

> From: ".David.Auker." <DaVAuk@Hevanet.com>
> Date: July 9, 2004 1:05:48 PM PDT
> To: <Loopers-Delight@loopers-delight.com>
> Subject: OT: Synth "Internal Battery" Replacement
>
>
> My Yamaha SY77 needs a new internal battery.  I can get to it fine (a 
> mere
> 20 screws), but it's soldered in.  I have a friend with soldering 
> skills
> that's going to look at it.
>
> Just wondering if any of you have had to do this...any success stories
> (hopefully no failure stories!)?  I've gotten a few tips from the
> rec.music.makers.synth group, like be careful of the thin tin leads... 
>  I
> wish I could just clip the old out, clip the new in!
>
> Sorry for the OT, have a great day!
>
> David

From Loopers-Delight-request@loopers-delight.com  Fri Jul  9 21:39:43 2004
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Subject: RE: pedal steels
Date: Fri, 9 Jul 2004 21:31:00 -0400
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How amusing so like MF should indeed stand for M_____ F___er ;D

  _____  

From: Optimus Rob [mailto:rasimon@indiana.edu] 
Sent: Friday, July 09, 2004 8:45 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: pedal steels


You're right -- that is odd -- two hours ago, when I checked, it was $59.99.
I just checked again and like Mark said, it's $99.99. 

I wonder if someone from MF isn't on our list, noticed some interest being
generated and upped the price. Or do they monitor their web traffic so well
that a certain number of hits within a specific period of time constitutes a
price jump? 

Might be a bit paranoid -- could just be end of the week price hikes for
weekend shopping? Either way, that's strange. Almost bought one for $59 for
fun, but $100 is a bit more of an investment. I don't know, after reading
about everyone's ordeal with MF regarding their EDP's, especially in
addition to this odd price hike, I might just stay clear of Musicians
Friend. 
Get Optimized,
Rob 
...................................................... 
Warm blends of downtempo beats that will soothe your your mind...
"an original score to the tragedy of American idealism" 
http://www.optimusrob.com
_________________________________________________

On Jul 9, 2004, at 7:05 PM, msottilaro wrote:



Why do I see it as $99?

Mark

On Jul 9, 2004, at 2:37 PM, Don Makoviney wrote:



I have one too. They get good reviews even in the pro players forums. A lot
of pros use them as backup lap steels

 

They are $59 now at Musicians Friend. What a deal.

 

DM

 


From: Nemoguitt@aol.com [mailto:Nemoguitt@aol.com]
Sent: Friday, July 09, 2004 4:17 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: pedal steels

 

luis.....i am having great fun with the  (ARTISAN EA-1 electric lap steel
guitar) that i got for $79 or $89, i can't remember which, from MF.....it's
not a pedal steel but it's a great introduction to the field of slide guitar
that's not going to stress the bank account and it is totally easy to gig
with, comes with a soft case that's about 1/3 the size of a guitar.....its a
pretty wacky sound machine.....:).....michael





------=_NextPart_000_0033_01C465FC.078FE010
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	charset="US-ASCII"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Dus-ascii">
<META content=3D"MSHTML 6.00.2800.1400" name=3DGENERATOR></HEAD>
<BODY>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D156172801-10072004><FONT =
face=3DArial=20
color=3D#0000ff size=3D2>How amusing so like MF should indeed stand for =
M_____=20
F___er ;D</FONT></SPAN></DIV><BR>
<DIV class=3DOutlookMessageHeader lang=3Den-us dir=3Dltr align=3Dleft>
<HR tabIndex=3D-1>
<FONT face=3DTahoma size=3D2><B>From:</B> Optimus Rob =
[mailto:rasimon@indiana.edu]=20
<BR><B>Sent:</B> Friday, July 09, 2004 8:45 PM<BR><B>To:</B>=20
Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> Re: pedal=20
steels<BR></FONT><BR></DIV>
<DIV></DIV>You're right -- that is odd -- two hours ago, when I checked, =
it was=20
$59.99. I just checked again and like Mark said, it's $99.99. <BR><BR>I =
wonder=20
if someone from MF isn't on our list, noticed some interest being =
generated and=20
upped the price. Or do they monitor their web traffic so well that a =
certain=20
number of hits within a specific period of time constitutes a price =
jump?=20
<BR><BR>Might be a bit paranoid -- could just be end of the week price =
hikes for=20
weekend shopping? Either way, that's strange. Almost bought one for $59 =
for fun,=20
but $100 is a bit more of an investment. I don't know, after reading =
about=20
everyone's ordeal with MF regarding their EDP's, especially in addition =
to this=20
odd price hike, I might just stay clear of Musicians Friend. =
<BR><?fontfamily><?param Papyrus><?color><?param =
4646,6D6D,C6C6><?bigger>Get=20
Optimized<?/bigger><?/color><?/fontfamily><?bigger>,<?/bigger><?fontfamil=
y><?param Lucida Grande><BR>Rob<?/fontfamily>=20
<BR><?fontfamily><?param Papyrus><?color><?param =
4F4F,7B7B,E0E0><?x-tad-bigger>...........................................=
...........=20
<BR>Warm blends of downtempo beats that will soothe your your =
mind...<BR>"an=20
original score to the tragedy of American idealism"=20
<BR>http://www.optimusrob.com<BR>________________________________________=
_________<?/x-tad-bigger><?/color><?/fontfamily><BR><BR>On=20
Jul 9, 2004, at 7:05 PM, msottilaro wrote:<BR><BR>
<BLOCKQUOTE>Why do I see it as $99?<BR><BR>Mark<BR><BR>On Jul 9, 2004, =
at 2:37=20
  PM, Don Makoviney wrote:<BR><BR>
  <BLOCKQUOTE>I have one too. They get good reviews even in the pro =
players=20
    forums. A lot of pros use them as backup lap=20
    steels<BR><BR>&nbsp;<BR><BR>They are $59 now at Musicians Friend. =
What a=20
    deal.<BR><BR>&nbsp;<BR><BR>DM<BR><BR>&nbsp;<BR><BR><BR>From:=20
    Nemoguitt@aol.com [mailto:Nemoguitt@aol.com]<BR>Sent: Friday, July =
09, 2004=20
    4:17 PM<BR>To: Loopers-Delight@loopers-delight.com<BR>Subject: Re: =
pedal=20
    steels<BR><BR>&nbsp;<BR><BR>luis.....i am having great fun with =
the&nbsp;=20
    (ARTISAN EA-1 electric lap steel guitar) that i got for $79 or $89, =
i can't=20
    remember which, from MF.....it's not a pedal steel but it's a great=20
    introduction to the field of slide guitar that's not going to stress =
the=20
    bank account and it is totally easy to gig with, comes with a soft =
case=20
    that's about 1/3 the size of a guitar.....its a pretty wacky sound=20
    =
machine.....:).....michael<BR></BLOCKQUOTE><BR><BR></BLOCKQUOTE></BODY></=
HTML>

------=_NextPart_000_0033_01C465FC.078FE010--

From Loopers-Delight-request@loopers-delight.com  Fri Jul  9 21:44:47 2004
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Subject: Re: OT: Synth "Internal Battery" Replacement
Date: Fri, 9 Jul 2004 18:52:31 -0700
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> Be really, really, really CAREFUL.

Yes, I've heard about that.  We got the old battery out this afternoon, and
I located and picked up a replacement ('Batteries Plus' in Beaverton, OR).
They have a machine that spot-welds the required tabs (-+) on the battery
(which just broke off in my hand, so I'm going back tomorrow...).

The CR2032 adventure continues...

It's going to be good getting re-acquainted with the SY77; the sequencer has
a 'Pattern' function (but nothing as nifty-quick as Repeater, EDP...).  It
will be good looking at the keys of the synth again, not the circuit board.
Something vastly more human and warm about the keys than a bunch o' wires.

David

----- Original Message -----
From: "Travis Hartnett" <tiktok@sprintmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, July 09, 2004 6:18 PM
Subject: Re: OT: Synth "Internal Battery" Replacement


> Be really, really, really CAREFUL.  A friend of mine had a Sony
> multieffects unit that needed a new battery.  The old one was soldered
> to the board, and when the tech tried to unsolder it, it EXPLODED IN
> HIS FACE.  Really.  There's some way to do it safely, but putting that
> sort of heat near a battery is a RISKY maneuver.
>
> TravisH
>
>
> On Jul 9, 2004, at 5:59 PM,
> Loopers-Delight-d-request@loopers-delight.com wrote:
>
> > From: ".David.Auker." <DaVAuk@Hevanet.com>
> > Date: July 9, 2004 1:05:48 PM PDT
> > To: <Loopers-Delight@loopers-delight.com>
> > Subject: OT: Synth "Internal Battery" Replacement
> >
> >
> > My Yamaha SY77 needs a new internal battery.  I can get to it fine (a
> > mere
> > 20 screws), but it's soldered in.  I have a friend with soldering
> > skills
> > that's going to look at it.
> >
> > Just wondering if any of you have had to do this...any success stories
> > (hopefully no failure stories!)?  I've gotten a few tips from the
> > rec.music.makers.synth group, like be careful of the thin tin leads...
> >  I
> > wish I could just clip the old out, clip the new in!
> >
> > Sorry for the OT, have a great day!
> >
> > David
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Jul  9 22:20:09 2004
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Subject: Re: OT: Synth "Internal Battery" Replacement
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On Jul 9, 2004, at 3:05 PM, .David.Auker. wrote:
> My Yamaha SY77 needs a new internal battery.  I can get to it fine (a 
> mere
> 20 screws), but it's soldered in.  I have a friend with soldering 
> skills

I completely and totally resent Yamaha for their rude attitude towards 
battery placement and the service people who have to deal with them. 
(in fact, it seems like ALL Yamaha equipment is designed from the 
ground up to be as rude as possible to the user.)

Roland uses battery holders ... much better.
---
Eric Williamson
www.suitandtieguy.com

From Loopers-Delight-request@loopers-delight.com  Fri Jul  9 23:11:23 2004
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Date: Fri, 9 Jul 2004 22:09:47 -0500
To: Loopers-Delight@loopers-delight.com
From: Jeff Shirkey <jcshirke@midway.uchicago.edu>
Subject: OT: SDD 3000 Help
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A friend of mine just sent out this note to another list I'm on. I 
have no idea how to help him out, but I thought some of you might be 
able to offer some expert guidance in some fashion or another. If so, 
please let me know (on or off list), and I will fwd any replies to 
him. Thanks  a lot. Jeff

At 10:44 PM -0400 7/9/04, Mick wrote:
>Its a sad day. One of my beloved sdd-3000 has kicked the bucket. It 
>cant be repaired. I need a new eprom. If anyone knows where to get 
>one please let me know. Even a blank eprom where I could search out 
>a way to copy a sdd-3000 eprom to the blank one. 


From Loopers-Delight-request@loopers-delight.com  Sat Jul 10 03:16:21 2004
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From: Mark Sottilaro <sine@zerocrossing.net>
Subject: Re: pedal steels
Date: Sat, 10 Jul 2004 00:17:39 -0700
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In this month's Wired there's a story about how in the next few years 
all retail items will have tiny chips embedded in them so now only will 
they know if you bought them (no need for check out, it will just debit 
your card as you leave) it will know if you've taken them off the shelf 
and considered them and picked something else to buy.  What does that 
have to do with the MF price spike?  Soon your groceries will 
automatically change their price depending on overall demand.  
Automatically.

Welcome to the future.

Mark

On Jul 9, 2004, at 5:57 PM, Optimus Rob wrote:

> Just called MF to inquire, and yes "prices can change without notice." 
>  Upon asking if that's triggered by web traffic, he "wasn't really 
> sure, but prices do tend to go up and down."
>
> To me, that seems a lot like a clothing store employee waiting for the 
> customer to try on a pair of pants and then increasing the price once 
> they show interest.
>
> If this is in fact true, it's something of which everyone needs to be 
> aware.  I'm staying clear of those dirty dogs until I hear otherwise.
> Get Optimized,
> Rob
> ......................................................
> Warm blends of downtempo beats that will soothe your your mind...
> "an original score to the tragedy of American idealism"
> http://www.optimusrob.com
> _________________________________________________
>
> On Jul 9, 2004, at 7:45 PM, Optimus Rob wrote:
>
>> You're right -- that is odd -- two hours ago, when I checked, it was 
>> $59.99.  I just checked again and like Mark said, it's $99.99.
>>
>> I wonder if someone from MF isn't on our list, noticed some interest 
>> being generated and upped the price.  Or do they monitor their web 
>> traffic so well that a certain number of hits within a specific 
>> period of time constitutes a price jump?
>>
>> Might be a bit paranoid -- could just be end of the week price hikes 
>> for weekend shopping?  Either way, that's strange.  Almost bought one 
>> for $59 for fun, but $100 is a bit more of an investment.  I don't 
>> know, after reading about everyone's ordeal with MF regarding their 
>> EDP's, especially in addition to this odd price hike, I might just 
>> stay clear of Musicians Friend.
>> Get Optimized,
>> Rob
>> ......................................................
>> Warm blends of downtempo beats that will soothe your your mind...
>> "an original score to the tragedy of American idealism"
>> http://www.optimusrob.com
>> _________________________________________________
>>
>> On Jul 9, 2004, at 7:05 PM, msottilaro wrote:
>>
>>> Why do I see it as $99?
>>>
>>> Mark
>>>
>>> On Jul 9, 2004, at 2:37 PM, Don Makoviney wrote:
>>>
>>>> I have one too. They get good reviews even in the pro players 
>>>> forums. A lot of pros use them as backup lap steels
>>>>
>>>>  
>>>>
>>>> They are $59 now at Musicians Friend. What a deal.
>>>>
>>>>  
>>>>
>>>> DM
>>>>
>>>>  
>>>>
>>>>
>>>> From: Nemoguitt@aol.com [mailto:Nemoguitt@aol.com]
>>>>  Sent: Friday, July 09, 2004 4:17 PM
>>>> To: Loopers-Delight@loopers-delight.com
>>>> Subject: Re: pedal steels
>>>>
>>>>  
>>>>
>>>> luis.....i am having great fun with the  (ARTISAN EA-1 electric lap 
>>>> steel guitar) that i got for $79 or $89, i can't remember which, 
>>>> from MF.....it's not a pedal steel but it's a great introduction to 
>>>> the field of slide guitar that's not going to stress the bank 
>>>> account and it is totally easy to gig with, comes with a soft case 
>>>> that's about 1/3 the size of a guitar.....its a pretty wacky sound 
>>>> machine.....:).....michael
>>>
>>>

From Loopers-Delight-request@loopers-delight.com  Sat Jul 10 06:48:46 2004
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Date: Sat, 10 Jul 2004 03:46:37 -0700 (PDT)
From: "L. Angulo" <labalou2000@yahoo.com>
Subject: Re: pedal steels
To: Loopers-Delight@loopers-delight.com
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thanx i will check it out!
cheers
Luis


--- Nemoguitt@aol.com wrote:
> luis.....i am having great fun with the  (ARTISAN
> EA-1 electric lap steel 
> guitar) that i got for $79 or $89, i can't remember
> which, from MF.....it's not a 
> pedal steel but it's a great introduction to the
> field of slide guitar that's 
> not going to stress the bank account and it is
> totally easy to gig with, 
> comes with a soft case that's about 1/3 the size of
> a guitar.....its a pretty 
> wacky sound machine.....:).....michael
> 


=====
www.luis-angulo.com


	
		
__________________________________
Do you Yahoo!?
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From Loopers-Delight-request@loopers-delight.com  Sat Jul 10 07:03:51 2004
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Date: Sat, 10 Jul 2004 04:00:46 -0700 (PDT)
From: "L. Angulo" <labalou2000@yahoo.com>
Subject: Re: pedal steels
To: Loopers-Delight@loopers-delight.com
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Yes but the interesting thing about steels compared to
the lap steels is being able to alter the strings
creating different chord shapes.But i also love the
work of David Gilmour on his simple lap steel!
Luis



--- bruce tovsky <bruce@skeletonhome.com> wrote:
> don't forget the lap steel. certainly a lot more
> portable,
> and many great sounds can be had from them. i also
> use an acoustic hawaiian lap guitar for a lot of my
> work,
> and a cd is forthcoming from the swiss label "cut"
> which
> is a live performance with myself on bowed, looped
> and
> grm-tooled lap guitar and john hudak on really long
> looped electric. couldn't resist the plug, sorry.
> cheers
> bruce
> 
> On Friday, July 9, 2004, at 09:34  AM, L. Angulo
> wrote:
> 
> > well my first guitar 20 years ago which cost me 10
> > dlls. looks like that now;-)
> > L.a
> >
> >
> >
> >
> >
> > --- Jens Wolters <shocktone@gmx.de> wrote:
> >> check this out:
> >> The affordable version ;)
> >>
> >>
> >
>
http://www.tonetoys.de/de/Weiteres_Gitarren-Zubehoer.html
> >>
> >> Now the strings are high enough and have a wider
> >> spacing to play pedal
> >> steel.
> >> Well sort of ;)
> >>
> >> Greetings Jens.
> >>
> >>
> >
> >
> > =====
> > www.luis-angulo.com
> >
> > __________________________________________________
> > Do You Yahoo!?
> > Tired of spam?  Yahoo! Mail has the best spam
> protection around
> > http://mail.yahoo.com
> >
> >
> >
> bruce tovsky
> www.skeletonhome.com
> 
> 
> 


=====
www.luis-angulo.com

__________________________________________________
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Tired of spam?  Yahoo! Mail has the best spam protection around 
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From Loopers-Delight-request@loopers-delight.com  Sat Jul 10 09:34:52 2004
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well, being a hard-core lap steel/lap guitar player -
never played a pedal steel - there's a cool trick that's
really easy: if you hold your steel with your thumb and
index-middle finger, it leaves your ring finger free to
grab a string and bend it behind the bar. you can do
a very passable single string bend that way.
best
bruce

On Saturday, July 10, 2004, at 07:00  AM, L. Angulo wrote:

> Yes but the interesting thing about steels compared to
> the lap steels is being able to alter the strings
> creating different chord shapes.But i also love the
> work of David Gilmour on his simple lap steel!
> Luis
>
>
>
> --- bruce tovsky <bruce@skeletonhome.com> wrote:
>> don't forget the lap steel. certainly a lot more
>> portable,
>> and many great sounds can be had from them. i also
>> use an acoustic hawaiian lap guitar for a lot of my
>> work,
>> and a cd is forthcoming from the swiss label "cut"
>> which
>> is a live performance with myself on bowed, looped
>> and
>> grm-tooled lap guitar and john hudak on really long
>> looped electric. couldn't resist the plug, sorry.
>> cheers
>> bruce
>>
>> On Friday, July 9, 2004, at 09:34  AM, L. Angulo
>> wrote:
>>
>>> well my first guitar 20 years ago which cost me 10
>>> dlls. looks like that now;-)
>>> L.a
>>>
>>>
>>>
>>>
>>>
>>> --- Jens Wolters <shocktone@gmx.de> wrote:
>>>> check this out:
>>>> The affordable version ;)
>>>>
>>>>
>>>
>>
> http://www.tonetoys.de/de/Weiteres_Gitarren-Zubehoer.html
>>>>
>>>> Now the strings are high enough and have a wider
>>>> spacing to play pedal
>>>> steel.
>>>> Well sort of ;)
>>>>
>>>> Greetings Jens.
>>>>
>>>>
>>>
>>>
>>> =====
>>> www.luis-angulo.com
>>>
>>> __________________________________________________
>>> Do You Yahoo!?
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From Loopers-Delight-request@loopers-delight.com  Sat Jul 10 14:26:20 2004
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From: "Krispen Hartung" <info@krispenhartung.com>
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Subject: A/B Loop Capabilit of EDP
Date: Sat, 10 Jul 2004 12:23:26 -0600
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Well, I think I've read most of the EDP manual, despite my 5% retention
rate. I one question for the EDP gurus in the list.

Is there a way to emulate the Boomerang's A/B feature, creating one
loop, a second, and then switching back and forth?

Kris
********************************* 
Kris Hartung 
http://www.krispenhartung.com 
http://artist.amazon.com/krispenhartung 
info@krispenhartung.com



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<P><FONT SIZE=3D2 FACE=3D"Verdana">Well, I think I've read most of the =
EDP manual, despite my 5% retention rate. I one question for the EDP =
gurus in the list.</FONT></P>

<P><FONT SIZE=3D2 FACE=3D"Verdana">Is there a way to emulate the =
Boomerang's A/B feature, creating one loop, a second, and then switching =
back and forth?</FONT>
</P>

<P><FONT SIZE=3D2 FACE=3D"Verdana">Kris</FONT>

<BR><FONT SIZE=3D1 =
FACE=3D"Verdana">*********************************<BR>
Kris Hartung<BR>
</FONT><A HREF=3D"http://www.krispenhartung.com"><U><FONT =
COLOR=3D"#0000FF" SIZE=3D1 =
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From: "Bernhard Wagner" <loopdelightml@nosuch.biz>
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Subject: RE: A/B Loop Capabilit of EDP
Date: Sat, 10 Jul 2004 20:32:47 +0200
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A/B Loop Capabilit of EDPYes, only that it's 16 loops ;-)
Bernhard
  -----Original Message-----
  From: Krispen Hartung [mailto:info@krispenhartung.com]
  Sent: Samstag, 10. Juli 2004 20:23
  To: Loopers-Delight@loopers-delight.com
  Subject: A/B Loop Capabilit of EDP


  Well, I think I've read most of the EDP manual, despite my 5% retention
rate. I one question for the EDP gurus in the list.

  Is there a way to emulate the Boomerang's A/B feature, creating one loop,
a second, and then switching back and forth?

  Kris
  *********************************
  Kris Hartung
  http://www.krispenhartung.com
  http://artist.amazon.com/krispenhartung
  info@krispenhartung.com



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<DIV><SPAN class=3D698553118-10072004><FONT face=3DArial color=3D#0000ff =
size=3D2>Yes,=20
only that it's 16 loops ;-)</FONT></SPAN></DIV>
<DIV><SPAN class=3D698553118-10072004><FONT face=3DArial color=3D#0000ff =

size=3D2>Bernhard</FONT></SPAN></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px =
solid">
  <DIV class=3DOutlookMessageHeader dir=3Dltr align=3Dleft><FONT =
face=3DTahoma=20
  size=3D2>-----Original Message-----<BR><B>From:</B> Krispen Hartung=20
  [mailto:info@krispenhartung.com]<BR><B>Sent:</B> Samstag, 10. Juli =
2004=20
  20:23<BR><B>To:</B> =
Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> A/B=20
  Loop Capabilit of EDP<BR><BR></FONT></DIV><!-- Converted from text/rtf =
format -->
  <P><FONT face=3DVerdana size=3D2>Well, I think I've read most of the =
EDP manual,=20
  despite my 5% retention rate. I one question for the EDP gurus in the=20
  list.</FONT></P>
  <P><FONT face=3DVerdana size=3D2>Is there a way to emulate the =
Boomerang's A/B=20
  feature, creating one loop, a second, and then switching back and=20
  forth?</FONT> </P>
  <P><FONT face=3DVerdana size=3D2>Kris</FONT> <BR><FONT face=3DVerdana=20
  size=3D1>*********************************<BR>Kris =
Hartung<BR></FONT><A=20
  href=3D"http://www.krispenhartung.com"><U><FONT face=3DVerdana =
color=3D#0000ff=20
  size=3D1>http://www.krispenhartung.com</FONT></U></A><FONT =
face=3DVerdana=20
  size=3D1><BR></FONT><A =
href=3D"http://artist.amazon.com/krispenhartung"><U><FONT=20
  face=3DVerdana color=3D#0000ff=20
  size=3D1>http://artist.amazon.com/krispenhartung</FONT></U></A><FONT=20
  face=3DVerdana size=3D1><BR></FONT><A=20
  href=3D"mailto:info@krispenhartung.com"><U><FONT face=3DVerdana =
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  size=3D1>info@krispenhartung.com</FONT></U></A>=20
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From Loopers-Delight-request@loopers-delight.com  Sat Jul 10 14:55:17 2004
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References: <MABBJGJNFJPBEAHDHOLJAEHBEFAA.loopdelightml@nosuch.biz>
Subject: Re: A/B Loop Capabilit of EDP
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A/B Loop Capabilit of EDP... with random access between each of them! Go =
from 9 to 5 to 2 to 11 ....

I have my dual Echoplexes hooked up in stereo now. So far so good! What =
a difference it makes having them in stereo with my stereo effects. =
Plus, with a couple of strips of black electric tape, and I now have a =
non-Gibson Echoplex! :-)

- Dave

  ----- Original Message -----=20
  From: Bernhard Wagner=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Saturday, July 10, 2004 11:32 AM
  Subject: RE: A/B Loop Capabilit of EDP


  Yes, only that it's 16 loops ;-)
  Bernhard

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<DIV><FONT face=3DArial size=3D2>... with random access between each of =
them! Go=20
from 9 to 5 to 2 to 11 ....</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I have my dual Echoplexes hooked up in =
stereo now.=20
So far so good! What a difference it makes having them in stereo with my =
stereo=20
effects. Plus, with a couple of strips of black electric tape, and I now =
have a=20
non-Gibson Echoplex! :-)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>- Dave</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dloopdelightml@nosuch.biz=20
  href=3D"mailto:loopdelightml@nosuch.biz">Bernhard Wagner</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Saturday, July 10, 2004 =
11:32=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RE: A/B Loop Capabilit =
of=20
  EDP</DIV>
  <DIV><FONT face=3DArial size=3D2></FONT><BR></DIV>
  <DIV><SPAN class=3D698553118-10072004><FONT face=3DArial =
color=3D#0000ff size=3D2>Yes,=20
  only that it's 16 loops ;-)</FONT></SPAN></DIV>
  <DIV><SPAN class=3D698553118-10072004><FONT face=3DArial =
color=3D#0000ff=20
  size=3D2>Bernhard</FONT></SPAN></DIV>
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  style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px =
solid"><FONT=20
    face=3DArial =
size=3D2></FONT>&nbsp;</BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sat Jul 10 14:55:18 2004
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From: "Gary Lehmann" <hqr@cox.net>
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Subject: RE: A/B Loop Capability of EDP
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So you can switch between any number of loops, up to 16 . . .
Using MIDI, you can go between any two--but using NextLoop on the face (and
pedal) you have to scroll thru them.
I am happy to hear of users getting their new EDPs--let's keep it that
way...
I for one will be in the market for another as soon as supplies
stabilize--wonder when Andy will get orders for another production run--
Gary

From: Bernhard Wagner [mailto:loopdelightml@nosuch.biz] 
Sent: Saturday, July 10, 2004 11:33 AM
To: Loopers-Delight@loopers-delight.com
Subject: RE: A/B Loop Capability of EDP

Yes, only that it's 16 loops ;-)
Bernhard

-----Original Message--- Krispen Hartung [mailto:info@krispenhartung.com]
Sent: Samstag, 10. Juli 2004 20:23
To: Loopers-Delight@loopers-delight.com
Subject: A/B Loop Capability of EDP
	
Well, I think I've read most of the EDP manual, despite my 5% retention
rate. I one question for the EDP gurus in the list.
Is there a way to emulate the Boomerang's A/B feature, creating one loop, a
second, and then switching back and forth? 
Kris 


From Loopers-Delight-request@loopers-delight.com  Sat Jul 10 15:05:56 2004
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> So you can switch between any number of loops, up to 16 . . .
> Using MIDI, you can go between any two--but using NextLoop on the face
(and
> pedal) you have to scroll thru them.

You can have random access to any loop (effectively) by hitting NextLoop
multiple times before the end of the cycle (if you're quantized, I think).
It will tell you what loop number you're on and whatever one it's on when
the cycle ends will be the loop that is played next. I'm not sure if there
is a MIDI control to go directly to a specific loop. Seems like there should
be considering how many other powerful MIDI functions there are.

> I am happy to hear of users getting their new EDPs--let's keep it that
> way...

Yeah!

> I for one will be in the market for another as soon as supplies
> stabilize--wonder when Andy will get orders for another production run--

I think they still have 150 of them in their warehouse! ( or was it 100 )
Only 100 ( or was it 150? ) were shipped with the latest batch.

- Dave

From Loopers-Delight-request@loopers-delight.com  Sat Jul 10 15:14:34 2004
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Date: Sat, 10 Jul 2004 12:11:06 -0700
To: Loopers-Delight@loopers-delight.com, analogue@hyperreal.org
From: Richard Zvonar <zvonar@zvonar.com>
Subject: Re: FS: Tascam Porta One 4 track $20...
Cc: Loopers-Delight@loopers-delight.com
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At 2:21 PM -0700 7/9/04, Legion wrote:
>I found my old 4track last week in a box...the unit is cool as hell 
>in features.

I have one of these, and I agree that it's pretty nifty for a cheap 
old 4-track cassette deck. I bought one back in 1985, intending to 
use it as it was designed to be used - as a 4-track recorder with 
sync overdub capability. I soon found that it was even more fun as 
part of a playback system for soundscapes.

The principal advantage of the Porta One is that it operates at the 
same speed as a normal cassette deck (higher-end Portastudios ran at 
double speed). That obviously means that it can be used to play back 
tapes recorded on other decks, and because it is a 4-track this also 
means you can play back both the Side A and the Side B tracks. Side B 
will be backwards!

My typical setup was to use the Porta One in combination with one or 
two regular cassette decks and one or two CD players, and in later 
years in combination with a couple of Eventides and a Mackie 1604. I 
set the system up so that I could feed any of the sound sources into 
the Eventides without the direct signal going into the mix, thereby 
having a wide range of "recognizability" due to having straight 
playback, backwards playback, and playback with heavy processing. My 
source material consisted of anything I had accumulated during my 
cassette years: punk/new wave, world music, classical, 20th century 
avant garde, spoken word, etc. I also had a few 4-track loop 
cassettes of spoken word and sound effects.

The only potential downside is that the Porta One uses dbx noise 
reduction, whereas most regular cassette decks use Dolby. I'd just 
turn the noise reduction off, figuring that amid the sonic mayhem it 
wouldn't make any difference.
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com

From Loopers-Delight-request@loopers-delight.com  Sat Jul 10 16:37:45 2004
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Subject: The PiNG presents 'still coiled' with Mark Korven
Date: Sat, 10 Jul 2004 16:43:59 -0400
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THE AMBiENT PiNG   http://www.theambientping.com
Free - Every Tuesday Night - doors open at 9pm - 1st set at 9:30
  @ club nia / C'est What - 19 Church St. at Front St. - Toronto
         3 blocks east of the Union Station subway.
         map - http://www.cestwhat.com/map.html
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

This Tuesday July 13th - 'still coiled' with Mark Korven

brilliantfish and partner in noiz Jim Field (spacenoiz /
Rhea's Obsession) are making sounds again as 'still coiled'
for a glorious night at the Ping! This one is extra special,
as 'still coiled' will be joined by multi-instrumentalist and
film composer superb Mark Korven. Mark will be playing an
array of beautiful instruments including sarangi, waterphone,
chamber flute and more. This is going to be a unique night
of music. Kevlar of RedJet Media (just back from China)
will once again be gracing the stage with his gorgeous visuals.
'still coiled' and 'spacenoiz' CDs will be available at the show.

still coiled - http://brilliantfish.com/pages/stillcoiled.html
brilliantfish - http://www.brilliantfish.com
Jim Field - http://www.geocities.com/russian_rheas/
Mark Korven at http://www.markkorven.com

Between Sets CD - "Continental Divide" by Colin Rayment
Symphonic electronic compositions with an ambient streak
from "drifting soundscapes to uptempo electronic excursions".
http://www.rayments.com/
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Coming Tuesday July 20th - Planet Of The Loops
http://www.geocities.com/energymadeaudible/planet.html

Between Sets CD - "The Equatorial Stars" by Fripp & Eno
http://www.disciplineglobalmobile.com/cgi-bin/shoplink.cgi?id=664
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

rik maclean's *ping things* CD Reviews

Colin Rayment's release "Continental Divide" is a fantastic
release exploring a wide selection of electronic environments.
Lush pads sweep through the soundscape. Cold, dark
drones pass by like tides. Delicate melodies sparkle like
the twinkling of stars. Tones fade and blend, taking new
shapes and forms with every passing moment.

Drawing on a classic Sunday morning chill sound,
"Continental Divide" is an aural treasure, filled with wonders
and delights well suited for both active and passive listening.
Highly recommended for fans of melodic ambient.

rik maclean - rik@pingthings.com

Explore the ping things' newly expanded "features" section at:
http://www.pingthings.com/PTfeaturesNF.htm

Send an e-mail to pingthings-subscribe@yahoogroups.com
for updates on *all* the latest releases on sale at ping things

http://www.pingthings.com = ambient + electronic + chill things
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

The Ambient Ping presents free live performances by Toronto's
finest ambient, chillout and experimental music artists plus
performers from across the continent, every Tuesday at club nia
(aka C'est What) featuring a comfortable lower stage area, perfect
for attentive listening, plus a higher level with a bar, back room
and more seating that's great for conversation, good food and the
club's impressive beer, wine and whiskey selection. Musical treats
are on offer at the *ping things* ambient/experimental CD boutique.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Please forward this e-mail to any friends who may be interested
in live ambient, chillout and experimental music performances


From Loopers-Delight-request@loopers-delight.com  Sat Jul 10 16:52:57 2004
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From: "William Walker" <billwalker@looppool.info>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: pedal steels/ lap steels
Date: Sat, 10 Jul 2004 13:44:56 -0700
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 I have been playing lap steel in a variety of tunings for many years, and I
too  employ the faux pedal steel technique of reaching behind the bar and
pulling  a string sharp, that Bruce mentioned. Its pretty difficult if you
use heavy gauge strings like I prefer, so you might try this technique with
a slightly lighter set, to begin with.  Another cool technique that achieves
similar results involves diagonal bar placement to create suspensions. Bob
Brozman is a master at this. Try it on adjacent strings (like the 1st and
second, or the 2nd and 3rd string in a DGDGBD,OR DGDGBbD tuning).  The great
thing about the lap steel is you can get started so cheaply. Another cool
moderately priced one is the Chandler, however, be wise and pay more for the
humbucking pickup model, as the single model sounded a bit shrill and noisy,
particularly for the signal processing freaks amongst us that deal with
accumulated signal path  and gain stage noise. A Few years ago I bought a
chambered body  lap steel made by Bill Asher, a Ben Harper Model. These are
expensive these days and I got it relatively cheap, but this is an amazing
sounding guitar for the serious player who perhaps has owned good vintage
laps (Ricky, National, Fender) but found them to unreliable and finicky for
live playing. Like every instrument I own, I had to sell some other
instrument to be able to afford it. hey Kim, is this off topic enough for
you? he he
Bill

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Subject: RE:Steel/ pedal steels/ lap steels
Date: Sat, 10 Jul 2004 17:05:28 -0400
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 Man I have learned a ton what a blast I have been doing C6/A7 tuning on my
SG (naturally not the right string guages) this would be a very cool looping
instrument be Lap, Console, Pedal or not. I have a real hankering for an
eight string console at this point (want those bass notes) When you think
about it how nescessary are those pedals after all didn't the old Texas guys
like Herb Reminton get by without the pedals and they got a lot out of those
consoles too.

Just for fun heres a link I stumbled across in my travels
http://www.hsga.org/membersrecordings/MembersRecordings.htm lots of Hawaiian
Lap and Console Steel

-----Original Message-----
From: William Walker [mailto:billwalker@looppool.info] 
Sent: Saturday, July 10, 2004 4:45 PM
To: Loopers-Delight@loopers-delight.com
Subject: RE: pedal steels/ lap steels

 I have been playing lap steel in a variety of tunings for many years, and I
too  employ the faux pedal steel technique of reaching behind the bar and
pulling  a string sharp, that Bruce mentioned. Its pretty difficult if you
use heavy gauge strings like I prefer, so you might try this technique with
a slightly lighter set, to begin with.  Another cool technique that achieves
similar results involves diagonal bar placement to create suspensions. Bob
Brozman is a master at this. Try it on adjacent strings (like the 1st and
second, or the 2nd and 3rd string in a DGDGBD,OR DGDGBbD tuning).  The great
thing about the lap steel is you can get started so cheaply. Another cool
moderately priced one is the Chandler, however, be wise and pay more for the
humbucking pickup model, as the single model sounded a bit shrill and noisy,
particularly for the signal processing freaks amongst us that deal with
accumulated signal path  and gain stage noise. A Few years ago I bought a
chambered body  lap steel made by Bill Asher, a Ben Harper Model. These are
expensive these days and I got it relatively cheap, but this is an amazing
sounding guitar for the serious player who perhaps has owned good vintage
laps (Ricky, National, Fender) but found them to unreliable and finicky for
live playing. Like every instrument I own, I had to sell some other
instrument to be able to afford it. hey Kim, is this off topic enough for
you? he he Bill


From Loopers-Delight-request@loopers-delight.com  Sat Jul 10 17:45:51 2004
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From: "Krispen Hartung" <info@krispenhartung.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: A/B Loop Capabilit of EDP
Date: Sat, 10 Jul 2004 15:43:36 -0600
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Thanks, everyone!  A/B functionality is easy now. =20

>  -----Original Message-----
> From: 	F Lebrun [mailto:fr.lebrun@free.fr]=20
> Sent:	Saturday, July 10, 2004 1:08 PM
> To:	'info@krispenhartung.com'
> Subject:	RE: A/B Loop Capabilit of EDP
>=20
>=20
> Hi Krispen, I am not sure the replies you got on the list
> were helpful to you. If they were, just discard my message.
>=20
> If you set up your EDP so that it has two loops, (see MoreLoops page
> 4-32)
> then you can use Next Loop to switch from A to B and so on.
>=20
> Hope that helps
>=20
> Francois
> 	check my first CD on http://www.cdbaby.com/1000times
>=20
> 	-----Message d'origine-----
> 	De:	Krispen Hartung [SMTP:info@krispenhartung.com]
> 	Date:	samedi 10 juillet 2004 20:23
> 	=C0:	Loopers-Delight@loopers-delight.com
> 	Objet:	A/B Loop Capabilit of EDP
>=20
> 	Well, I think I've read most of the EDP manual, despite my 5%
> retention
> 	rate. I one question for the EDP gurus in the list.
>=20
> 	Is there a way to emulate the Boomerang's A/B feature, creating
> one
> 	loop, a second, and then switching back and forth?
>=20
> 	Kris
> 	*********************************=20
> 	Kris Hartung=20
> 	http://www.krispenhartung.com=20
> 	http://artist.amazon.com/krispenhartung=20
> 	info@krispenhartung.com
>=20
>=20
> 	<< Fichier: ATT00004.htm>>

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6.0.4630.0">
<TITLE>RE: A/B Loop Capabilit of EDP</TITLE>
</HEAD>
<BODY>
<!-- Converted from text/rtf format -->

<P><SPAN LANG=3D"fr"><FONT COLOR=3D"#0000FF" SIZE=3D2 =
FACE=3D"Verdana">Thanks, everyone!&nbsp; A/B functionality is easy =
now.&nbsp; </FONT></SPAN>
</P>
<UL>
<P><SPAN LANG=3D"fr"><FONT FACE=3D"Arial"></FONT></SPAN><SPAN =
LANG=3D"en-us"></SPAN><SPAN LANG=3D"en-us">&nbsp;<FONT SIZE=3D1 =
FACE=3D"Tahoma">-----Original Message-----</FONT></SPAN>

<BR><SPAN LANG=3D"en-us"><B><FONT SIZE=3D1 FACE=3D"Tahoma">From: =
&nbsp;</FONT></B> <FONT SIZE=3D1 FACE=3D"Tahoma">F Lebrun =
[</FONT></SPAN><A HREF=3D"mailto:fr.lebrun@free.fr"><SPAN =
LANG=3D"en-us"><U><FONT COLOR=3D"#0000FF" SIZE=3D1 =
FACE=3D"Tahoma">mailto:fr.lebrun@free.fr</FONT></U></SPAN></A><SPAN =
LANG=3D"en-us"><FONT SIZE=3D1 FACE=3D"Tahoma">] </FONT></SPAN>

<BR><SPAN LANG=3D"en-us"><B><FONT SIZE=3D1 =
FACE=3D"Tahoma">Sent:&nbsp;&nbsp;</FONT></B> <FONT SIZE=3D1 =
FACE=3D"Tahoma">Saturday, July 10, 2004 1:08 PM</FONT></SPAN>

<BR><SPAN LANG=3D"en-us"><B><FONT SIZE=3D1 =
FACE=3D"Tahoma">To:&nbsp;&nbsp;&nbsp;&nbsp;</FONT></B> <FONT SIZE=3D1 =
FACE=3D"Tahoma">'info@krispenhartung.com'</FONT></SPAN>

<BR><SPAN LANG=3D"en-us"><B><FONT SIZE=3D1 =
FACE=3D"Tahoma">Subject:&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</FONT>=
</B> <FONT SIZE=3D1 FACE=3D"Tahoma">RE: A/B Loop Capabilit of =
EDP</FONT></SPAN>
</P>
<BR>

<P><SPAN LANG=3D"fr"><FONT COLOR=3D"#0000FF" SIZE=3D2 FACE=3D"Arial">Hi =
Krispen, I am not sure the replies you got on the list</FONT></SPAN>

<BR><SPAN LANG=3D"fr"><FONT COLOR=3D"#0000FF" SIZE=3D2 =
FACE=3D"Arial">were helpful to you. If they were, just discard my =
message.</FONT></SPAN>
</P>

<P><SPAN LANG=3D"fr"><FONT COLOR=3D"#0000FF" SIZE=3D2 FACE=3D"Arial">If =
you set up your EDP so that it has two loops, (see MoreLoops page =
4-32)</FONT></SPAN>

<BR><SPAN LANG=3D"fr"><FONT COLOR=3D"#0000FF" SIZE=3D2 =
FACE=3D"Arial">then you can use Next Loop to switch from A to B and so =
on.</FONT></SPAN>
</P>

<P><SPAN LANG=3D"fr"><FONT COLOR=3D"#0000FF" SIZE=3D2 =
FACE=3D"Arial">Hope that helps</FONT></SPAN>
</P>

<P><SPAN LANG=3D"fr"><FONT SIZE=3D2 FACE=3D"Arial">Francois</FONT><BR>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <FONT SIZE=3D1 =
FACE=3D"Tahoma">check my first CD on</FONT> </SPAN><A =
HREF=3D"http://www.cdbaby.com/1000times"><SPAN LANG=3D"fr"><U><FONT =
COLOR=3D"#0000FF" SIZE=3D1 =
FACE=3D"Arial">http://www.cdbaby.com/1000times</FONT></U></SPAN></A><SPAN=
 LANG=3D"fr"></SPAN>
</P>
<UL>
<P><SPAN LANG=3D"fr"><FONT SIZE=3D1 FACE=3D"Arial">-----Message =
d'origine-----</FONT></SPAN>

<BR><SPAN LANG=3D"fr"><B><FONT SIZE=3D1 =
FACE=3D"Arial">De:&nbsp;&nbsp;&nbsp;&nbsp;</FONT></B> <FONT SIZE=3D1 =
FACE=3D"Arial">Krispen Hartung =
[SMTP:info@krispenhartung.com]</FONT></SPAN>

<BR><SPAN LANG=3D"fr"><B><FONT SIZE=3D1 =
FACE=3D"Arial">Date:&nbsp;&nbsp;</FONT></B> <FONT SIZE=3D1 =
FACE=3D"Arial">samedi 10 juillet 2004 20:23</FONT></SPAN>

<BR><SPAN LANG=3D"fr"><B><FONT SIZE=3D1 =
FACE=3D"Arial">=C0:</FONT>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</B> <FONT =
SIZE=3D1 =
FACE=3D"Arial">Loopers-Delight@loopers-delight.com</FONT></SPAN>

<BR><SPAN LANG=3D"fr"><B><FONT SIZE=3D1 =
FACE=3D"Arial">Objet:&nbsp;</FONT></B> <FONT SIZE=3D1 FACE=3D"Arial">A/B =
Loop Capabilit of EDP</FONT></SPAN>
</P>

<P><SPAN LANG=3D"fr"><FONT SIZE=3D2 FACE=3D"Arial">Well, I think I've =
read most of the EDP manual, despite my 5% retention</FONT></SPAN>

<BR><SPAN LANG=3D"fr"><FONT SIZE=3D2 FACE=3D"Arial">rate. I one question =
for the EDP gurus in the list.</FONT></SPAN>
</P>

<P><SPAN LANG=3D"fr"><FONT SIZE=3D2 FACE=3D"Arial">Is there a way to =
emulate the Boomerang's A/B feature, creating one</FONT></SPAN>

<BR><SPAN LANG=3D"fr"><FONT SIZE=3D2 FACE=3D"Arial">loop, a second, and =
then switching back and forth?</FONT></SPAN>
</P>

<P><SPAN LANG=3D"fr"><FONT SIZE=3D2 FACE=3D"Arial">Kris</FONT></SPAN>

<BR><SPAN LANG=3D"fr"><FONT SIZE=3D2 =
FACE=3D"Arial">********************************* </FONT></SPAN>

<BR><SPAN LANG=3D"fr"><FONT SIZE=3D2 FACE=3D"Arial">Kris Hartung =
</FONT></SPAN>

<BR><SPAN LANG=3D"fr"></SPAN><A =
HREF=3D"http://www.krispenhartung.com"><SPAN LANG=3D"fr"><U><FONT =
COLOR=3D"#0000FF" SIZE=3D2 =
FACE=3D"Arial">http://www.krispenhartung.com</FONT></U></SPAN></A><SPAN =
LANG=3D"fr"><FONT SIZE=3D2 FACE=3D"Arial"> </FONT></SPAN>

<BR><SPAN LANG=3D"fr"></SPAN><A =
HREF=3D"http://artist.amazon.com/krispenhartung"><SPAN =
LANG=3D"fr"><U><FONT COLOR=3D"#0000FF" SIZE=3D2 =
FACE=3D"Arial">http://artist.amazon.com/krispenhartung</FONT></U></SPAN><=
/A><SPAN LANG=3D"fr"><FONT SIZE=3D2 FACE=3D"Arial"> </FONT></SPAN>

<BR><SPAN LANG=3D"fr"><FONT SIZE=3D2 =
FACE=3D"Arial">info@krispenhartung.com</FONT></SPAN>
</P>
<BR>

<P><SPAN LANG=3D"fr"><FONT SIZE=3D2 FACE=3D"Arial">&lt;&lt; Fichier: =
ATT00004.htm&gt;&gt;</FONT></SPAN>
</P>
</UL></UL>
</BODY>
</HTML>
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while talking about pedal steels and lap steels, does anyone know the stuff
robert rich does with his pedal steel (e. g. "liquid air" off "below zero")?
how can i get this type of singing vowely quality? do i have to use a pedal
steel or could i use any other guitar for that type of sound? stupid
question, but i am no guitar player inthe traditional sense of the word...

any recommendations as far as stompboxes are concerned for this kind of
application?

stephen.


> well, being a hard-core lap steel/lap guitar player -
> never played a pedal steel - there's a cool trick that's
> really easy: if you hold your steel with your thumb and
> index-middle finger, it leaves your ring finger free to
> grab a string and bend it behind the bar. you can do
> a very passable single string bend that way.
> best
> bruce
> 
> On Saturday, July 10, 2004, at 07:00  AM, L. Angulo wrote:
> 
> > Yes but the interesting thing about steels compared to
> > the lap steels is being able to alter the strings
> > creating different chord shapes.But i also love the
> > work of David Gilmour on his simple lap steel!
> > Luis
> >
> >
> >
> > --- bruce tovsky <bruce@skeletonhome.com> wrote:
> >> don't forget the lap steel. certainly a lot more
> >> portable,
> >> and many great sounds can be had from them. i also
> >> use an acoustic hawaiian lap guitar for a lot of my
> >> work,
> >> and a cd is forthcoming from the swiss label "cut"
> >> which
> >> is a live performance with myself on bowed, looped
> >> and
> >> grm-tooled lap guitar and john hudak on really long
> >> looped electric. couldn't resist the plug, sorry.
> >> cheers
> >> bruce
> >>
> >> On Friday, July 9, 2004, at 09:34  AM, L. Angulo
> >> wrote:
> >>
> >>> well my first guitar 20 years ago which cost me 10
> >>> dlls. looks like that now;-)
> >>> L.a
> >>>
> >>>
> >>>
> >>>
> >>>
> >>> --- Jens Wolters <shocktone@gmx.de> wrote:
> >>>> check this out:
> >>>> The affordable version ;)
> >>>>
> >>>>
> >>>
> >>
> > http://www.tonetoys.de/de/Weiteres_Gitarren-Zubehoer.html
> >>>>
> >>>> Now the strings are high enough and have a wider
> >>>> spacing to play pedal
> >>>> steel.
> >>>> Well sort of ;)
> >>>>
> >>>> Greetings Jens.
> >>>>
> >>>>
> >>>
> >>>
> >>> =====
> >>> www.luis-angulo.com
> >>>
> >>> __________________________________________________
> >>> Do You Yahoo!?
> >>> Tired of spam?  Yahoo! Mail has the best spam
> >> protection around
> >>> http://mail.yahoo.com
> >>>
> >>>
> >>>
> >> bruce tovsky
> >> www.skeletonhome.com
> >>
> >>
> >>
> >
> >
> > =====
> > www.luis-angulo.com
> >
> > __________________________________________________
> > Do You Yahoo!?
> > Tired of spam?  Yahoo! Mail has the best spam protection around
> > http://mail.yahoo.com
> >
> >
> >
> bruce tovsky
> www.skeletonhome.com
> 
> 

-- 
"Der Mensch ist eine Krankheit, das Geschwür dieses Planeten, ihr seid 
wie die Pest. Und wir sind die Heilung." (Agent Smith / Matrix)

"Human beings are a desease, the cancer of this planet, you“re a 
plague. And we are the cure." (Agent Smith / Matrix)

Visit the official [“ramp] website at www.nodular.de

Coming soon: www.doombient.com

From Loopers-Delight-request@loopers-delight.com  Sat Jul 10 18:59:35 2004
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Subject: streaming live shows
Date: Sun, 11 Jul 2004 00:58:22 +0200
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I'm currently negotiating with a place regarding a possible looping live
show. This place has a DSL internet access (don't have information about
bandwith yet).

I'd like to ask you whether any of you has experience with streaming live
shows on the internet. From what I understand, you basically need two things
(technically):

a) a stream source, which encodes the received audio (e.g. from an audio
input on the computer) and sends it out to a server. Bandwith requirement:
what it takes to transmit the stream. Example: SimpleCast
b) a stream server, which receives the audio stream from the source (a) and
sends it to the audients. Bandwith requirement: the stream times the
audients. Example Icecast.
c) possible relay servers, which take a stream from a server (b) and send it
out to the audients.

Specifically, I'd like to know whether you know of any affordable (read:
free si possible :-) services doing the (b) part? Also, any hints regarding
the software for (a) would be appreciated (windows platform).

Thanks,

	Rainer

Rainer Thelonius Balthasar Straschill
Moinlabs GFX and Soundworks - www.moinlabs.de
The Straschill Family Group - www.straschill.de
digital penis expert group - www.dpeg.de
Eclectic Blah - www.eblah.de

From Loopers-Delight-request@loopers-delight.com  Sat Jul 10 19:13:51 2004
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Stephen Parsick wrote:

>while talking about pedal steels and lap steels, does anyone know the stuff
>robert rich does with his pedal steel (e. g. "liquid air" off "below zero")?
>how can i get this type of singing vowely quality? do i have to use a pedal
>steel or could i use any other guitar for that type of sound? stupid
>question, but i am no guitar player inthe traditional sense of the word...
>
He bows the string with the slide.


-- 
* David Beardsley
* microtonal guitar
* http://biink.com/db

From Loopers-Delight-request@loopers-delight.com  Sat Jul 10 19:40:28 2004
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Subject: RE: streaming live shows
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Software, bandwidth, and infrastructure appear to be the key. See what
www.TeVeo.com has to offer. I have an Intel PC camera and some video
broadcasting software that came with the camera, is allowing me to
stream for free to TeVeo's server. Between now and the time I received
your email, I installed the software and I'm streaming live to this web
site:

http://192.168.1.103/guest.htm

I just pointed the camera at my TV.  Let me know how bad it is...time
lag, that is. There is no sound on this one. I'd play guitar for you,
but I have to jump in the shower to make it to a party. I'll be back in
15 min....

Kris

********************************* 
Kris Hartung 
http://www.krispenhartung.com http://artist.amazon.com/krispenhartung
info@krispenhartung.com




-----Original Message-----
From: Rainer Thelonius Balthasar Straschill [mailto:rs@moinlabs.de] 
Sent: Saturday, July 10, 2004 4:58 PM
To: Looper's Delight Mailing List (E-mail)
Subject: streaming live shows


I'm currently negotiating with a place regarding a possible looping live
show. This place has a DSL internet access (don't have information about
bandwith yet).

I'd like to ask you whether any of you has experience with streaming
live shows on the internet. From what I understand, you basically need
two things
(technically):

a) a stream source, which encodes the received audio (e.g. from an audio
input on the computer) and sends it out to a server. Bandwith
requirement: what it takes to transmit the stream. Example: SimpleCast
b) a stream server, which receives the audio stream from the source (a)
and sends it to the audients. Bandwith requirement: the stream times the
audients. Example Icecast.
c) possible relay servers, which take a stream from a server (b) and
send it out to the audients.

Specifically, I'd like to know whether you know of any affordable (read:
free si possible :-) services doing the (b) part? Also, any hints
regarding the software for (a) would be appreciated (windows platform).

Thanks,

	Rainer

Rainer Thelonius Balthasar Straschill
Moinlabs GFX and Soundworks - www.moinlabs.de
The Straschill Family Group - www.straschill.de
digital penis expert group - www.dpeg.de
Eclectic Blah - www.eblah.de


From Loopers-Delight-request@loopers-delight.com  Sat Jul 10 19:55:43 2004
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To: <info@krispenhartung.com>, <Loopers-Delight@loopers-delight.com>
Subject: RE: streaming live shows
Date: Sun, 11 Jul 2004 01:51:48 +0200
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I cannot connect to 192.168.1.103, probably because this address space is
reserved for local networks (i.e. when you setup your home network). Is this
the address the TeVeo site gave you, or the address of your computer at
home. If the latter, I'd need your public IP...

Thanks,

	Rainer

Rainer Thelonius Balthasar Straschill
Moinlabs GFX and Soundworks - www.moinlabs.de
The Straschill Family Group - www.straschill.de
digital penis expert group - www.dpeg.de
Eclectic Blah - www.eblah.de


> -----Original Message-----
> From: Krispen Hartung [mailto:info@krispenhartung.com]
> Sent: Sonntag, 11. Juli 2004 01:37
> To: Loopers-Delight@loopers-delight.com
> Subject: RE: streaming live shows
>
>
> Software, bandwidth, and infrastructure appear to be the key. See what
> www.TeVeo.com has to offer. I have an Intel PC camera and some video
> broadcasting software that came with the camera, is allowing me to
> stream for free to TeVeo's server. Between now and the time I received
> your email, I installed the software and I'm streaming live
> to this web
> site:
>
> http://192.168.1.103/guest.htm
>
> I just pointed the camera at my TV.  Let me know how bad it is...time
> lag, that is. There is no sound on this one. I'd play guitar for you,
> but I have to jump in the shower to make it to a party. I'll
> be back in
> 15 min....
>
> Kris
>
> *********************************
> Kris Hartung
> http://www.krispenhartung.com http://artist.amazon.com/krispenhartung
> info@krispenhartung.com
>
>
>
>
> -----Original Message-----
> From: Rainer Thelonius Balthasar Straschill [mailto:rs@moinlabs.de]
> Sent: Saturday, July 10, 2004 4:58 PM
> To: Looper's Delight Mailing List (E-mail)
> Subject: streaming live shows
>
>
> I'm currently negotiating with a place regarding a possible
> looping live
> show. This place has a DSL internet access (don't have
> information about
> bandwith yet).
>
> I'd like to ask you whether any of you has experience with streaming
> live shows on the internet. From what I understand, you basically need
> two things
> (technically):
>
> a) a stream source, which encodes the received audio (e.g.
> from an audio
> input on the computer) and sends it out to a server. Bandwith
> requirement: what it takes to transmit the stream. Example: SimpleCast
> b) a stream server, which receives the audio stream from the
> source (a)
> and sends it to the audients. Bandwith requirement: the
> stream times the
> audients. Example Icecast.
> c) possible relay servers, which take a stream from a server (b) and
> send it out to the audients.
>
> Specifically, I'd like to know whether you know of any
> affordable (read:
> free si possible :-) services doing the (b) part? Also, any hints
> regarding the software for (a) would be appreciated (windows
> platform).
>
> Thanks,
>
> 	Rainer
>
> Rainer Thelonius Balthasar Straschill
> Moinlabs GFX and Soundworks - www.moinlabs.de
> The Straschill Family Group - www.straschill.de
> digital penis expert group - www.dpeg.de
> Eclectic Blah - www.eblah.de
>
>

From Loopers-Delight-request@loopers-delight.com  Sat Jul 10 19:57:18 2004
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Subject: Re: pedal steels
Date: Sat, 10 Jul 2004 20:04:07 -0400
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> Stephen Parsick wrote:
> 
> >while talking about pedal steels and lap steels, does anyone know the stuff
> >robert rich does with his pedal steel (e. g. "liquid air" off "below zero")?
> >how can i get this type of singing vowely quality? do i have to use a pedal
> >steel or could i use any other guitar for that type of sound? stupid
> >question, but i am no guitar player inthe traditional sense of the word...
> >
> He bows the string with the slide.
> -- 
> * David Beardsley

I believe he also sometimes uses an e-bow and definitely
a Line 6 Delay. There's several photos of Robert playing
steel on this page - in case you can glean any more hints.
http://www.theambientping.com/robert_rich_070402.html

Cheers,
Scott M2

http://www.dreamSTATE.to
ambientelectronicsoundscapes
http://www.THEAMBiENTPiNG.com

From Loopers-Delight-request@loopers-delight.com  Sat Jul 10 20:19:21 2004
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Scott M2 wrote:

>>Stephen Parsick wrote:
>>
>>    
>>
>>>while talking about pedal steels and lap steels, does anyone know the stuff
>>>robert rich does with his pedal steel (e. g. "liquid air" off "below zero")?
>>>how can i get this type of singing vowely quality? do i have to use a pedal
>>>steel or could i use any other guitar for that type of sound? stupid
>>>question, but i am no guitar player inthe traditional sense of the word...
>>>
>>>      
>>>
>>He bows the string with the slide.
>>-- 
>>* David Beardsley
>>    
>>
>
>I believe he also sometimes uses an e-bow and definitely
>a Line 6 Delay. There's several photos of Robert playing
>steel on this page - in case you can glean any more hints.
>http://www.theambientping.com/robert_rich_070402.html
>
You see how his left hand is muting the strings while he rubs the slide 
back and forth
across the high string? It's called glissando guitar and he told me he 
picked
the technique from Daveid Allen of Gong. Steve Hillage uses this too.

-- 
* David Beardsley
* microtonal guitar
* http://biink.com/db

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At 12:02 PM 7/10/2004, David J. Grossman wrote:
> > So you can switch between any number of loops, up to 16 . . .
> > Using MIDI, you can go between any two--but using NextLoop on the face (and
> > pedal) you have to scroll thru them.
>
>You can have random access to any loop (effectively) by hitting NextLoop
>multiple times before the end of the cycle (if you're quantized, I think).
>It will tell you what loop number you're on and whatever one it's on when
>the cycle ends will be the loop that is played next.

that's right. You just need one of the various types of SwitchQuantize on.

>I'm not sure if there
>is a MIDI control to go directly to a specific loop. Seems like there should
>be considering how many other powerful MIDI functions there are.

yes, you can switch to any loop using MIDI. That is the LoopTriggering 
function. The loops play in various ways depending on the SamplerStyle 
setting - play from the start and keep going, play from the start once, 
play from wherever the loop was left, or play for as long as the Note is 
held down. You can also turn on Velocity sensitivity so the volume of the 
loop is controlled by how hard you hit the MIDI note.

kim


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com 

From Loopers-Delight-request@loopers-delight.com  Sat Jul 10 22:00:59 2004
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From: "William Walker" <billwalker@looppool.info>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: pedal steels
Date: Sat, 10 Jul 2004 18:58:40 -0700
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 i've seen Robert Randolph only on TV and in addition to a ton of overdrive,
he seemed to be using a wah pedal as well to create those vocal sounds.
 Bill

-----Original Message-----
From: Stephen Parsick [mailto:wavecomputer360@gmx.de]
Sent: Saturday, July 10, 2004 3:45 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: pedal steels


while talking about pedal steels and lap steels, does anyone know the stuff
robert rich does with his pedal steel (e. g. "liquid air" off "below zero")?
how can i get this type of singing vowely quality? do i have to use a pedal
steel or could i use any other guitar for that type of sound? stupid
question, but i am no guitar player inthe traditional sense of the word...

any recommendations as far as stompboxes are concerned for this kind of
application?

stephen.


> well, being a hard-core lap steel/lap guitar player -
> never played a pedal steel - there's a cool trick that's
> really easy: if you hold your steel with your thumb and
> index-middle finger, it leaves your ring finger free to
> grab a string and bend it behind the bar. you can do
> a very passable single string bend that way.
> best
> bruce
>
> On Saturday, July 10, 2004, at 07:00  AM, L. Angulo wrote:
>
> > Yes but the interesting thing about steels compared to
> > the lap steels is being able to alter the strings
> > creating different chord shapes.But i also love the
> > work of David Gilmour on his simple lap steel!
> > Luis
> >
> >
> >
> > --- bruce tovsky <bruce@skeletonhome.com> wrote:
> >> don't forget the lap steel. certainly a lot more
> >> portable,
> >> and many great sounds can be had from them. i also
> >> use an acoustic hawaiian lap guitar for a lot of my
> >> work,
> >> and a cd is forthcoming from the swiss label "cut"
> >> which
> >> is a live performance with myself on bowed, looped
> >> and
> >> grm-tooled lap guitar and john hudak on really long
> >> looped electric. couldn't resist the plug, sorry.
> >> cheers
> >> bruce
> >>
> >> On Friday, July 9, 2004, at 09:34  AM, L. Angulo
> >> wrote:
> >>
> >>> well my first guitar 20 years ago which cost me 10
> >>> dlls. looks like that now;-)
> >>> L.a
> >>>
> >>>
> >>>
> >>>
> >>>
> >>> --- Jens Wolters <shocktone@gmx.de> wrote:
> >>>> check this out:
> >>>> The affordable version ;)
> >>>>
> >>>>
> >>>
> >>
> > http://www.tonetoys.de/de/Weiteres_Gitarren-Zubehoer.html
> >>>>
> >>>> Now the strings are high enough and have a wider
> >>>> spacing to play pedal
> >>>> steel.
> >>>> Well sort of ;)
> >>>>
> >>>> Greetings Jens.
> >>>>
> >>>>
> >>>
> >>>
> >>> =====
> >>> www.luis-angulo.com
> >>>
> >>> __________________________________________________
> >>> Do You Yahoo!?
> >>> Tired of spam?  Yahoo! Mail has the best spam
> >> protection around
> >>> http://mail.yahoo.com
> >>>
> >>>
> >>>
> >> bruce tovsky
> >> www.skeletonhome.com
> >>
> >>
> >>
> >
> >
> > =====
> > www.luis-angulo.com
> >
> > __________________________________________________
> > Do You Yahoo!?
> > Tired of spam?  Yahoo! Mail has the best spam protection around
> > http://mail.yahoo.com
> >
> >
> >
> bruce tovsky
> www.skeletonhome.com
>
>

--
"Der Mensch ist eine Krankheit, das Geschwür dieses Planeten, ihr seid
wie die Pest. Und wir sind die Heilung." (Agent Smith / Matrix)

"Human beings are a desease, the cancer of this planet, you“re a
plague. And we are the cure." (Agent Smith / Matrix)

Visit the official [“ramp] website at www.nodular.de

Coming soon: www.doombient.com



From Loopers-Delight-request@loopers-delight.com  Sat Jul 10 22:02:05 2004
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From: "William Walker" <billwalker@looppool.info>
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Subject: RE: pedal steels
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Oops, brain freeze, I thought you asked about Robert randolph, nat Robert
Rich. My bad.
Bill

-----Original Message-----
From: Stephen Parsick [mailto:wavecomputer360@gmx.de]
Sent: Saturday, July 10, 2004 3:45 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: pedal steels


while talking about pedal steels and lap steels, does anyone know the stuff
robert rich does with his pedal steel (e. g. "liquid air" off "below zero")?
how can i get this type of singing vowely quality? do i have to use a pedal
steel or could i use any other guitar for that type of sound? stupid
question, but i am no guitar player inthe traditional sense of the word...

any recommendations as far as stompboxes are concerned for this kind of
application?

stephen.


> well, being a hard-core lap steel/lap guitar player -
> never played a pedal steel - there's a cool trick that's
> really easy: if you hold your steel with your thumb and
> index-middle finger, it leaves your ring finger free to
> grab a string and bend it behind the bar. you can do
> a very passable single string bend that way.
> best
> bruce
>
> On Saturday, July 10, 2004, at 07:00  AM, L. Angulo wrote:
>
> > Yes but the interesting thing about steels compared to
> > the lap steels is being able to alter the strings
> > creating different chord shapes.But i also love the
> > work of David Gilmour on his simple lap steel!
> > Luis
> >
> >
> >
> > --- bruce tovsky <bruce@skeletonhome.com> wrote:
> >> don't forget the lap steel. certainly a lot more
> >> portable,
> >> and many great sounds can be had from them. i also
> >> use an acoustic hawaiian lap guitar for a lot of my
> >> work,
> >> and a cd is forthcoming from the swiss label "cut"
> >> which
> >> is a live performance with myself on bowed, looped
> >> and
> >> grm-tooled lap guitar and john hudak on really long
> >> looped electric. couldn't resist the plug, sorry.
> >> cheers
> >> bruce
> >>
> >> On Friday, July 9, 2004, at 09:34  AM, L. Angulo
> >> wrote:
> >>
> >>> well my first guitar 20 years ago which cost me 10
> >>> dlls. looks like that now;-)
> >>> L.a
> >>>
> >>>
> >>>
> >>>
> >>>
> >>> --- Jens Wolters <shocktone@gmx.de> wrote:
> >>>> check this out:
> >>>> The affordable version ;)
> >>>>
> >>>>
> >>>
> >>
> > http://www.tonetoys.de/de/Weiteres_Gitarren-Zubehoer.html
> >>>>
> >>>> Now the strings are high enough and have a wider
> >>>> spacing to play pedal
> >>>> steel.
> >>>> Well sort of ;)
> >>>>
> >>>> Greetings Jens.
> >>>>
> >>>>
> >>>
> >>>
> >>> =====
> >>> www.luis-angulo.com
> >>>
> >>> __________________________________________________
> >>> Do You Yahoo!?
> >>> Tired of spam?  Yahoo! Mail has the best spam
> >> protection around
> >>> http://mail.yahoo.com
> >>>
> >>>
> >>>
> >> bruce tovsky
> >> www.skeletonhome.com
> >>
> >>
> >>
> >
> >
> > =====
> > www.luis-angulo.com
> >
> > __________________________________________________
> > Do You Yahoo!?
> > Tired of spam?  Yahoo! Mail has the best spam protection around
> > http://mail.yahoo.com
> >
> >
> >
> bruce tovsky
> www.skeletonhome.com
>
>

--
"Der Mensch ist eine Krankheit, das Geschwür dieses Planeten, ihr seid
wie die Pest. Und wir sind die Heilung." (Agent Smith / Matrix)

"Human beings are a desease, the cancer of this planet, you“re a
plague. And we are the cure." (Agent Smith / Matrix)

Visit the official [“ramp] website at www.nodular.de

Coming soon: www.doombient.com



From Loopers-Delight-request@loopers-delight.com  Sun Jul 11 10:26:50 2004
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From: Per Boysen <per@boysen.se>
Subject: Buying CDs with PayPal?
Date: Sun, 11 Jul 2004 16:16:39 +0200
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Hi list,

Can someone recommend a web store where I can buy CD's for my PayPal 
cash?

All the best

Per Boysen
---
http://www.boysen.se
http://www.looproom.com

From Loopers-Delight-request@loopers-delight.com  Sun Jul 11 11:27:58 2004
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On Sun, 11 Jul 2004, Per Boysen wrote:

> Can someone recommend a web store where I can buy CD's for my PayPal 
> cash? All the best, Per Boysen

Well if you want Looping or Experimental Music CDs (and some indie rock as
well) try:

http://www.helpwantedproductions.com/catalog.htm

Looper Delight CD#1 still available!

___________________________________________________________________
HELP WANTED PRODUCTIONS - Http://www.HelpWantedProductions.com
"Bringing you the best in Organic Electronic music since we started..."

Home of the Unusual Instrument and Recording Gallery with pictures and
info of Tube recorders, Omnichords, weird guitars, Casios, and more.



From Loopers-Delight-request@loopers-delight.com  Sun Jul 11 11:34:01 2004
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 Hi list,
> 
> Can someone recommend a web store where I can buy CD's for my PayPal 
> cash?
> 
> All the best
> 
> Per Boysen
> ---
> http://www.boysen.se
> http://www.looproom.com


In the ambient realm there's:
  ping things http://www.pingthings.com
    lots of Aidan Baker's works there
    and Anomalous Disturbances

and AtmoWorks http://www.atmoworks.com

Cheers,
Scott M2

http://www.dreamSTATE.to
ambientelectronicsoundscapes
http://www.THEAMBiENTPiNG.com

From Loopers-Delight-request@loopers-delight.com  Sun Jul 11 12:14:19 2004
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Per,
My favorite online record store takes PayPal:
 http://www.cdconnection.com/ 

Paypal's site mentions these shops among many others in the Media and Entertainment category: 
 http://www.cdbaby.com/home  indie artists direct
 http://www.cduniverse.com/ 

Have fun,
Nick


From Loopers-Delight-request@loopers-delight.com  Sun Jul 11 12:34:22 2004
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Just for fun heres a link I stumbled across in my travels
http://www.hsga.org/membersrecordings/MembersRecordings.htm lots of
Hawaiian
Lap and Console Steel

Alan,
Thanks so much for the above link.  This music makes me swoon!
I downloaded them all, burnt a CD, popped it in the stereo, and had a
chilled out evening with my better half.

I almost pictured myself, ordering a vodka martini (shaken not stirred)
at a bar on the beach on an exotic island, the steel guitarist and his
band grooving nearby, tiki torces alight...warm glow...a cool breeze and
gentle waves adding a soft Doppler effect to the music.  But I have more
important things at hand.  I feel the Walther PPK, snug against my side.
I know someone is going to lose their....

(daydream sequence ends)

"honey, what are you thinking about?  Man, you love this corny stuff
don't you?"


seeya,

rich





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Second that recommendation - I remember using CD Connection in the days 
when you had to telnet in, before the web took off.


At 09:22 AM 2004.07.11, nick douglas wrote:
>Per,
>My favorite online record store takes PayPal:
>  http://www.cdconnection.com/

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Well I am glad someone got a little enjoyment out of it(I did) now lets see
who samples it up and turns it into Hula Glitch music ;D 

-----Original Message-----
From: the toy room [mailto:thetoyroom@comcast.net] 
Sent: Sunday, July 11, 2004 12:26 PM
To: Loopers-Delight@loopers-delight.com
Subject: RE: Steel/ pedal steels/ lap steels

Just for fun heres a link I stumbled across in my travels
http://www.hsga.org/membersrecordings/MembersRecordings.htm lots of Hawaiian
Lap and Console Steel

Alan,
Thanks so much for the above link.  This music makes me swoon!
I downloaded them all, burnt a CD, popped it in the stereo, and had a
chilled out evening with my better half.

I almost pictured myself, ordering a vodka martini (shaken not stirred) at a
bar on the beach on an exotic island, the steel guitarist and his band
grooving nearby, tiki torces alight...warm glow...a cool breeze and gentle
waves adding a soft Doppler effect to the music.  But I have more important
things at hand.  I feel the Walther PPK, snug against my side.
I know someone is going to lose their....

(daydream sequence ends)

"honey, what are you thinking about?  Man, you love this corny stuff don't
you?"


seeya,

rich






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A few shows at the old standbys this week.  Acoustic guitar Live 
Looping galore:

Tuesday, July 13, 8PM Living Room (4301 Fremont Ave. N.)
Friday, July 16, 8:30PM Starbucks (1600 E. Olive Way)
Saturday, July 17, 2-4PM Tully's Coffee (1401 4th Avenue)

Be seeing you,

Travis



*-*-*-*-* *-*-*-*-* *-*-*-*-* *-*-*-*-* *-*-*-*-*

The Official Travis Hartnett Website:
http://www.travishartnett.com

*-*-*-*-* *-*-*-*-* *-*-*-*-* *-*-*-*-* *-*-*-*-*

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Talk about trick man a a really techies delight the link is to a prototype
pedal model http://www.harmosmusic.com/news04sound.htm most of there stuff
is Non Pedal Lap or Console with an optional Console setup. I'm Droolin but
I ain't layin out the cash right now (still looking at cheapies) :(

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Date: Sun, 11 Jul 2004 19:13:07 +0200
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>...Plus, with a couple of strips of black electric tape, and I now 
>have a non-Gibson Echoplex! :-)

interesting... maybe we should sell cream color tape, Kim? :-)


-- 


          ---> http://Matthias.Grob.org

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From: John Metzler <jarofjam@mac.com>
Subject: Re: EDP Stopped taking MIDI commands.
Date: Sun, 11 Jul 2004 17:16:50 -0400
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I figured it out!  I'll spare you the boring troubleshooting notes.  
The problem was that the new Loop IV chips needed to be pushed in a 
little more.  I was being to gentle.

I have noticed that that front panel lights that are displayed after 
turning on the units, will differ depending on how the parameters are 
set.  Is there a "decoder ring" somewhere that will allow me to have an 
idea how the parameters are set just by looking at the front panel 
lights?
On Jul 5, 2004, at 2:50 PM, Kim Flint wrote:

> At 05:54 PM 7/3/2004, John Metzler wrote:
>> I have 2 EDP's being controlled with MIDI by an MPC 1000.  I have 1 
>> EDP receiving on Ch.1 sent from track one of a sequence and the other 
>> EDP on Ch.2 receiving it's messages from track 2 of the sequence.
>> Yesterday everything worked fine.  I didn't change anything, even
>> after tripple checking it all seems to be where it should be.  But 
>> now EDP 2 doesn't see any in coming messages but still syncs to Beat 
>> Clock.
>
> when you say "Beat Clock" I assume you mean MIDI clock?
>
> If it can receive MIDI clock, then it is receiving MIDI fine. The 
> problem isn't the Echoplex, it must be something else in your setup. 
> Are all the MIDI parameters in the Echoplex set as you expect? To me 
> it sounds like the MIDI channel is wrong. Or maybe you changed the 
> ControlSource or Source# parameters by accident.
>
>> Does this sound like a broken EDP?
>
> no, doesn't sound like it. If it were broken no MIDI would be received.
>
> kim
>
>
> ______________________________________________________________________
> Kim Flint                     | Looper's Delight
> kflint@loopers-delight.com    | http://www.loopers-delight.com

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From: Per Boysen <per@boysen.se>
Subject: Re: hows Live 4?
Date: Mon, 12 Jul 2004 01:02:21 +0200
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On 2004-07-11, at 19.32, Matthias Grob wrote:

> Hey, Per!
>
> maybe you will tell the list anyway... we wonder whether its better 
> loopabale now!
> are you fine?
> I am at mom...
>
> kiss
> Matthias
> -- 
>
>          ---> http://Matthias.Grob.org


Hi Matithias,

Good to hear you're at mom's now. Guess you're getting a good cake 
refill then ;-)

Ok, I'll send over a short take on the loopabilities of Live 4 and I 
hope you don'Øt mind if I forward it to the list as well. I'm spending 
a lot of time with the Live 4 beta version for three reasons; helping 
Ableton with the beta testing and doing what I can to make the software 
better for live-looping, preparing a review of Live 4 in a Swedish 
Computer Music Studio Magazine and finally preparing a gig at a Swedish 
festival, http://www.norbergfestival.com

Well the short answer is that Live 4 is a little better than Live 3 for 
looping, but only if you adapt to its limitations and to take advantage 
of it's special abilities. The biggest limitation is that there is no 
way to do overdub looping. But this is not a limitation for all 
musicians, only those who want to make music that evolves seamlessly, 
endlessly... In Live you record a loop and then it sits in a slot to 
repeat itself until you turn it off. And on the other hand, if you are 
into music that relies on steady repeating loops you will find Live a 
very good looper. There are practically no limit to how many loops you 
can have spinning at the same time. All of different lengths if you 
want. Even very long recordings, like an hour or so, can be played back 
while are looping. Tempo can be changed, "elastic audio" will adapt. 
You can also change the pitch of individual loops, but not by external 
midi (a big bummer).

Another area where Live is excellent is to replace a mixer, a patch bay 
and an effect rack. Remember that you advised me to look for "a midi 
controllable mixer" when we were playing together last year? Well, Live 
4 IS that mixer now. Thanks for the tip ;-)

New in Live 4 are almost endless possibilities to rout audio and midi 
streams. The looping set-up I have now assembled is a Powerbook with 
Live 4, an EDP, an AKAI MFC42 analog filter, a Lexicon LXP-5 reverb, an 
Evolution UC-33 midi controller/mixer and a Behringer FCB1010 foot midi 
controller. The computer also has an external firewire 800 hard drive 
and a RME Multiface 8/8 +digital soundcard/break-out box.

I devoted a couple of days to see if it was possible to loop with only 
software and I found this to work quite ok. I could actually play a gig 
with just laptop, FCB and my instruments. Then I'm using a software 
plugin for overdub looping, the Lexicon PSP42. This is just like 
looping with delay units and feedback pedal (the Polish plug-in 
emulates the legendary Lexicon well). In Live 4 I can set up the PSP42 
on one track for looping (controlled by FCB1010) and then route the 
output of that track to another track that I have set up to record up 
to 9 loops in one go. 9 was choosed because I have instant access to 
nine foot pads on the FCB. Each FCB pad is addressing one slot on a 
Live track. The last pad, the tenth, addresses "record enable" of that 
track. The reason I'm not recording on the input track is that I'm 
using it for monitoring of my instrument, to add Live's effects to my 
instrument sound (delay, reverb etc). This is delicate because with the 
buffer I'm using for the Powerbook hardware I'm getting a 12 ms latency 
of the input signal.  I'm blending that 12 ms late signal with the 
direct hardware monitoring signal of the RME, going right out into the 
PA with no latency. The blending of those two signals is a delicate 
quest, to avoid phasing. But it's definitely possible. I'll post 
recordings later on.

Well, the second reason for not recording on the input track is that 
Live's built in latency compensation is only active when a track is set 
to not monitor the signal. So when I'm stepping the record button on my 
FCB, my instrument noise gets recorded on a different channel than the 
one I'm listening to and Live immediately moves the recording 12 ms 
into the future.

This also means that if you need to have loops start playing back at 
the very moment you stop the recording, you will have to live with a 
little latency of the recorded loops. Not acceptable for most 
instruments IMHO. It destroys the feeling and the magic of music 
making.

In my "big" laptop set-up I have connected the hardware reverb to Live 
4 exactly as you would connect it to a normal mixer. The UC-33 is midi 
mapped to Live and I can "play" 8 tracks volume and three effects: two 
in Live and then the Lexi reverb. My instruments input signal  (2 mono 
channel inputs used:  one mic and one guitar pre-amp), into the Live 
laptop is also tapped and sent into the EDP. From the EDP the output, 
it goes into the filter-bank which stereo output is fed back into live. 
I have the same arrangement in Live for EDP/filterbank as I did 
describe for my live instruments. In fact I record to the same Live 4 
track and then, when I'm satisfied with the number and quality of the 
recorded loops (they don't play back yet) I'm moving them with the 
mouse to other slots on other tracks for playback. The sound-design 
actually happens in the playing and in the EDP and filter-bank FCB 
manipulations. Live 4 is the midi clock master and EDP and filterbank 
(beat synced LFO stuff) follows the Live tempo. The filtering beat sync 
division is mapped to one expression pedal on the FCB and the other 
pedal is mapped to EDP feedback, in all banks. I have one FCB bank for 
EDP control, one bank for recording into live and a third bank for 
jumping between "scenes" in live.

A "scene" in Live means all the slots that have been filled with a 
loop, called "clips", on all mixer tracks. (the mixer in live is 
actually called "the session view"). As you see "a scene" is a 
horizontal row of clips and each clip plays back on a dedicated 
(vertical) mixer strip ("channel", "track").

The strategy for a live-looping show with this set-up is to first build 
a foundation of looping clips in live, using instruments and 
EDP/filter. You don't have to keep all of them sounding all the time. 
Live has the function that if you select a certain scene, from the FCB, 
all silent clips in that scene will start playing back (if looped, they 
will loop. if set to "one-shot" they will play and then stop). Now, if 
some clips were already playing in the selected scene these clips will 
now be turned off while the others, that were silent, will start 
playing instead. This opens up for many combinations of improvise 
arranging on-the-fly.

I have also put VST and AU effects on all the Live tracks and these 
effects are midi controlled in real-time. Yet another trick for a more 
organic control by the musician. I especially like the option with Live 
4, compared to my EDP/Repeater set-up, to make dramatically quick 
changes of the sound. Kind of "re-mix" or "reverse engineering" of ones 
own playing.

Ok, the last thing I want to say about Live 4 is that it now comes with 
midi sequencing and two built in virtual midi instruments, a sampler 
and drum sample player. The midi sequencing is called "midi clips" and 
they look just like audio clips in the GUI when you are looping with 
Live (yes, Live 4 has "midi live looping", I remember that discussion 
from the list). There are also midi effects and I'm finding them very 
powerful. By that I mean the possibility to set up random processes 
that change the velocity and pitch just a tiny little for all midi 
notes. The impact of these small random processes is huge when 
listening to a drum beat played back. Very "alive" sounding. One of my 
eight live-looping tracks in Live 4 is "a midi track". On this track I 
can throw in midi patterns for drumming. I have some favorite patterns 
of traditional african drumming that I have loved for years and I keep 
them as "midi clips". After the midi clips I have put midi effects for 
"slightly randomization of velocity" and a "pitch filter". The pitch 
filter is mapped to a physical knob and the more I tweak that knob the 
higher percentage of the streaming midi notes are getting transformed 
by a random interval between 1 and 6 half notes down. Since the drums 
are mapped with kick drum on lowest note number and the hi hat on top 
"the drummer" will then start to play a "minimalistic solo" more and 
more getting into the darker drum sounds. This is very cool, a bit like 
Numerology (but that software is more powerful for stuff like that). 
Actually Live 4 has got a little of The Numeroolgy Spririt ;-)  With 
the new feature "follow actions" you can set up how a clip will play 
and what will happen when it stops. Like "play next clip", "play the 
clip before" etc etc. You can also randomize the probability between 
two different scenarios. So you can actually design a system that 
creates complete random music or just induces a little variety into a 
sequence of loops. The live recorded loops you are recording can be 
dragged with the mouse and dropped into these "follow action prepared" 
clips. What happens then is that the new loop is taking over all the 
sophisticated settings of the old loop.

Oh, one last thing. The drum player can send drum sounds out on 
different channels. I'm taking advantage of this by using three 
different Supatrigga plug-ins on three different drum sounds. Combined 
with well programmed midi patterns as raw material, and the partially 
randomizing midi plug-ins you can create very organic and interesting 
drum music in Live 4. It's never getting boring!

Well, that has to be 'nuff for tonight. ;-)

ciao

per

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Subject: RE: Synth "Internal Battery" Replacement
Date: Mon, 12 Jul 2004 11:26:09 +0100
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>>My Yamaha SY77 needs a new internal battery.  I can get to it fine (a mere
20 screws), but it's soldered in.  I have a friend with soldering skills
that's going to look at it.

Just wondering if any of you have had to do this...any success stories
(hopefully no failure stories!)?  I've gotten a few tips from the
rec.music.makers.synth group, like be careful of the thin tin leads...  I
wish I could just clip the old out, clip the new in!<<

david- it's better to change these things too often than not often enough- aswell as losing the memory of whatever system is involved (drum machines can be heartbreaking, especially), you run the risk of the battery leaking & damaging the circuit board it lives on. this fate befell many korg poly6 synths.

my preferred technique is to cut out the old battery so that the wires are left quite long. then twist these wires & the wires of the new battery together so that the new battery is mechanically secure. this minimises the soldering time required & thus the heating of the board & the battery, neither of which particularly like getting too hot. & obviously, observe the polarity.
if you're changing the battery before it has failed, you will need to do a sys-ex memory dump or similar in order to save y'r data.

duncan/r.m.i.


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<P><FONT SIZE=3D2>&gt;&gt;My Yamaha SY77 needs a new internal battery.&nbsp=
; I can get to it fine (a mere</FONT>
<BR><FONT SIZE=3D2>20 screws), but it's soldered in.&nbsp; I have a friend =
with soldering skills</FONT>
<BR><FONT SIZE=3D2>that's going to look at it.</FONT>
</P>

<P><FONT SIZE=3D2>Just wondering if any of you have had to do this...any su=
ccess stories</FONT>
<BR><FONT SIZE=3D2>(hopefully no failure stories!)?&nbsp; I've gotten a few=
 tips from the</FONT>
<BR><FONT SIZE=3D2>rec.music.makers.synth group, like be careful of the thi=
n tin leads...&nbsp; I</FONT>
<BR><FONT SIZE=3D2>wish I could just clip the old out, clip the new in!&lt;=
&lt;</FONT>
</P>

<P><FONT SIZE=3D2>david- it's better to change these things too often than =
not often enough- aswell as losing the memory of whatever system is involve=
d (drum machines can be heartbreaking, especially), you run the risk of the=
 battery leaking &amp; damaging the circuit board it lives on. this fate be=
fell many korg poly6 synths.</FONT></P>

<P><FONT SIZE=3D2>my preferred technique is to cut out the old battery so t=
hat the wires are left quite long. then twist these wires &amp; the wires o=
f the new battery together so that the new battery is mechanically secure. =
this minimises the soldering time required &amp; thus the heating of the bo=
ard &amp; the battery, neither of which particularly like getting too hot. =
&amp; obviously, observe the polarity.</FONT></P>

<P><FONT SIZE=3D2>if you're changing the battery before it has failed, you =
will need to do a sys-ex memory dump or similar in order to save y'r data.<=
/FONT></P>

<P><FONT SIZE=3D2>duncan/r.m.i.</FONT>
</P>

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From Loopers-Delight-request@loopers-delight.com  Mon Jul 12 06:42:14 2004
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To: Loopers-Delight@loopers-delight.com
Subject: RE: OT: other recorder recommendations ?
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>>don't expect to edit onboard this thing.  Otherwise, it works great for basic live recording and burning to a CD......I bought one and returned it after two very frustrating recording experiences.<<

I neglected to mention while I was banging on about the korg multitracks my band use, that they are actually quite easy to edit on, great for live recording (sit them on a cushion though...) & can burn audio, wav & backup cds. 
the best part is that even the mk2 versions of the d1200 & d1600 are very cheap for what you get.

duncan/r.m.i.



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<P><FONT SIZE=3D2>&gt;&gt;don't expect to edit onboard this thing.&nbsp; Ot=
herwise, it works great for basic live recording and burning to a CD......I=
 bought one and returned it after two very frustrating recording experience=
s.&lt;&lt;</FONT></P>

<P><FONT SIZE=3D2>I neglected to mention while I was banging on about the k=
org multitracks my band use, that they are actually quite easy to edit on, =
great for live recording (sit them on a cushion though...) &amp; can burn a=
udio, wav &amp; backup cds. </FONT></P>

<P><FONT SIZE=3D2>the best part is that even the mk2 versions of the d1200 =
&amp; d1600 are very cheap for what you get.</FONT>
</P>

<P><FONT SIZE=3D2>duncan/r.m.i.</FONT>
</P>

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From Loopers-Delight-request@loopers-delight.com  Mon Jul 12 07:23:15 2004
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From: "Scott M2" <scott@dreamstate.to>
To: <Loopers-Delight@loopers-delight.com>
References: <B66EBDBC-D275-11D8-A82E-0003934507D6@skeletonhome.com> <27928.1089499487@www24.gmx.net> <40F07673.8080207@biink.com> <000801c466da$95af16c0$1602a8c0@WorkGroup> <40F0861D.9090302@biink.com>
Subject: Re: pedal steels
Date: Mon, 12 Jul 2004 07:27:38 -0400
Organization: dreamSTATE
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> >>Stephen Parsick wrote:
> >>
> >>>while talking about pedal steels and lap steels, does anyone know the stuff
> >>>robert rich does with his pedal steel (e. g. "liquid air" off "below zero")?
> >>>how can i get this type of singing vowely quality? do i have to use a pedal
> >>>steel or could i use any other guitar for that type of sound? stupid
> >>>question, but i am no guitar player inthe traditional sense of the word...
> >>>
> >>He bows the string with the slide.
> >>-- 
> >>* David Beardsley
> >
> >I believe he also sometimes uses an e-bow and definitely
> >a Line 6 Delay. There's several photos of Robert playing
> >steel on this page - in case you can glean any more hints.
> >http://www.theambientping.com/robert_rich_070402.html
> >
> You see how his left hand is muting the strings while he rubs the slide 
> back and forth
> across the high string? It's called glissando guitar and he told me he 
> picked
> the technique from Daveid Allen of Gong. Steve Hillage uses this too.
> -- 
> * David Beardsley

Ahhhh - Thanks! I love that Gong glissando guitar sound.
I seem to recall an interview a million years ago, where
Allen talked about using handles of surgical instruments
for this effect because of the quality of the metal. (?)

Cheers,
Scott M2

http://www.dreamSTATE.to
ambientelectronicsoundscapes
http://www.THEAMBiENTPiNG.com

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From: ArsOcarina@aol.com
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Date: Mon, 12 Jul 2004 09:56:37 EDT
Subject: Re: Buying CDs with PayPal?
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The following take PayPal:

www.CDbaby.com

and 

www.guitar9.com

But neither one of these is a "full-spectrum" music outlet offering the
kind of broad selecton of an Amazon.com. They're still pretty "specialized."

Many, many, many little independent labels and music outlets take
Paypal. But I really don't know any that do so AND offer a truly
complete across-the-board catalog of musics.

Best regards,

tEd ® kiLLiAn

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=2845073
http://www.netmusic.com/web/album.aspx?a_id=CBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=193

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes, 
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster, 
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks, 
and Viztas.

From Loopers-Delight-request@loopers-delight.com  Mon Jul 12 10:54:25 2004
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References: <ECFC405F-D344-11D8-82B9-000A9599BFB4@boysen.se>
Subject: Re: Buying CDs with PayPal?
Date: Mon, 12 Jul 2004 14:35:08 +0100
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www.stevelawson.net/store

:o)

You can order my new album, view the price in dollars, euros or pounds, and
if you order it soon, you'll get a limited edition second CD free with the
new one! :o)

</advert>

Steve
www.stevelawson.net
----- Original Message ----- 
From: "Per Boysen" <per@boysen.se>
To: "Loopers" <Loopers-Delight@loopers-delight.com>
Sent: Sunday, July 11, 2004 3:16 PM
Subject: Buying CDs with PayPal?


> Hi list,
>
> Can someone recommend a web store where I can buy CD's for my PayPal
> cash?
>
> All the best
>
> Per Boysen
> ---
> http://www.boysen.se
> http://www.looproom.com
>

From Loopers-Delight-request@loopers-delight.com  Mon Jul 12 11:12:18 2004
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Subject: Re: Synth "Internal Battery" Replacement
Date: Mon, 12 Jul 2004 08:18:07 -0700
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Duncan, Thanks for the advice.  Got the new battery (CR2032), and since I
don't want to start my soldering education with this project, a friend will
do it Wednesday.  The fitting is quite flush on the board; there's really
not any wires coming off it, just the wires that "BatteriesPlus" spot-welded
onto the battery (kind of a fragile weld, as I've already snapped one off
merely moving the wire...hopefully battery #2 is better!).

I may look into getting a "battery holder" from Radio Shack, as that's a
one-time solder, then you just pop the battery in.

As far as lost data, I think I'm ok.  The battery has been bad for a while,
but the nature of the SY77 is a "self-fix," as it's a synth work station,
with a floppy disk drive.  I've got disks with "all data" ready to load back
in.

David

----- Original Message -----
From: ".David.Auker." <DaVAuk@Hevanet.com>
To: "David Auker" <DavAuk@Hevanet.com>
Sent: Monday, July 12, 2004 8:05 AM
Subject: Re: Synth "Internal Battery" Replacement


> RE: Synth "Internal Battery" Replacement
> ----- Original Message -----
> From: goddard.duncan@mtvne.com
> To: Loopers-Delight@loopers-delight.com
> Sent: Monday, July 12, 2004 3:26 AM
> Subject: RE: Synth "Internal Battery" Replacement
>
>
> >>My Yamaha SY77 needs a new internal battery.  I can get to it fine (a
mere
> 20 screws), but it's soldered in.  I have a friend with soldering skills
> that's going to look at it.
> Just wondering if any of you have had to do this...any success stories
> (hopefully no failure stories!)?  I've gotten a few tips from the
> rec.music.makers.synth group, like be careful of the thin tin leads...  I
> wish I could just clip the old out, clip the new in!<<
> david- it's better to change these things too often than not often enough-
> aswell as losing the memory of whatever system is involved (drum machines
> can be heartbreaking, especially), you run the risk of the battery leaking
&
> damaging the circuit board it lives on. this fate befell many korg poly6
> synths.
> my preferred technique is to cut out the old battery so that the wires are
> left quite long. then twist these wires & the wires of the new battery
> together so that the new battery is mechanically secure. this minimises
the
> soldering time required & thus the heating of the board & the battery,
> neither of which particularly like getting too hot. & obviously, observe
the
> polarity.
> if you're changing the battery before it has failed, you will need to do a
> sys-ex memory dump or similar in order to save y'r data.
> duncan/r.m.i.
>

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Subject: Re: Buying CDs with PayPal?
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On 2004-07-12, at 15.56, ArsOcarina@aol.com wrote:

> The following take PayPal:
>
> www.CDbaby.com

Are you sure? I only found this information at their site:

CD Baby Payment Options
	 	CREDIT CARDS: Visa, Mastercard, American Express, Discover
	 	OTHER: check, money order, international money order, cash, 
chocolate.

All the best

Per Boysen
---
http://www.boysen.se
http://www.looproom.com

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From: Alex Stahl <alex@pixar.com>
Subject: Re: pedal steels
Date: Mon, 12 Jul 2004 08:30:17 -0700
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> Ahhhh - Thanks! I love that Gong glissando guitar sound.

me too.

> I seem to recall an interview a million years ago, where
> Allen talked about using handles of surgical instruments
> for this effect because of the quality of the metal. (?)

or maybe because of the texture on the handles. I've had pretty good 
luck getting a similar sound using the handle of small Maglite as a bow 
(into too much bi-phase and echo of course). The question becomes, how 
does the sound change if you leave the flashlight on? :-p

From Loopers-Delight-request@loopers-delight.com  Mon Jul 12 11:58:54 2004
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From: Optimus Rob <rasimon@indiana.edu>
Subject: CDBaby paypal suggestion
Date: Mon, 12 Jul 2004 10:54:52 -0500
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Hi, I just tried to buy one of my CD's at CDBaby and saw paypal listed =20=

as an option.  If you're up for some loop-based ambient psy, I'd love=20
for you to check my debut album Mood Synth at=20
http://cdbaby.com/cd/optimusrob.  I'm curious to know if it works!  For=20=

some fellow looper karma, I'll send you a free copy of my newest album=20=

if you spend a whole $4.99 on Mood Synth (w/ or w/out paypal).."it's a=20=

deal, it's a steal, it's the sale of the f_cking century" - [fat] Tom.
Get Optimized,
Rob
......................................................
Warm blends of downtempo beats that will soothe your your mind...
"an original score to the tragedy of American idealism"
http://www.optimusrob.com
_________________________________________________
On Jul 11, 2004, at 6:02 PM, Per Boysen wrote:

> On 2004-07-11, at 19.32, Matthias Grob wrote:
>
>> Hey, Per!
>>
>> maybe you will tell the list anyway... we wonder whether its better=20=

>> loopabale now!
>> are you fine?
>> I am at mom...
>>
>> kiss
>> Matthias
>> --=20
>>
>>          ---> http://Matthias.Grob.org
>
>
> Hi Matithias,
>
> Good to hear you're at mom's now. Guess you're getting a good cake=20
> refill then ;-)
>
> Ok, I'll send over a short take on the loopabilities of Live 4 and I=20=

> hope you don'=A8t mind if I forward it to the list as well. I'm =
spending=20
> a lot of time with the Live 4 beta version for three reasons; helping=20=

> Ableton with the beta testing and doing what I can to make the=20
> software better for live-looping, preparing a review of Live 4 in a=20
> Swedish Computer Music Studio Magazine and finally preparing a gig at=20=

> a Swedish festival, http://www.norbergfestival.com
>
> Well the short answer is that Live 4 is a little better than Live 3=20
> for looping, but only if you adapt to its limitations and to take=20
> advantage of it's special abilities. The biggest limitation is that=20
> there is no way to do overdub looping. But this is not a limitation=20
> for all musicians, only those who want to make music that evolves=20
> seamlessly, endlessly... In Live you record a loop and then it sits in=20=

> a slot to repeat itself until you turn it off. And on the other hand,=20=

> if you are into music that relies on steady repeating loops you will=20=

> find Live a very good looper. There are practically no limit to how=20
> many loops you can have spinning at the same time. All of different=20
> lengths if you want. Even very long recordings, like an hour or so,=20
> can be played back while are looping. Tempo can be changed, "elastic=20=

> audio" will adapt. You can also change the pitch of individual loops,=20=

> but not by external midi (a big bummer).
>
> Another area where Live is excellent is to replace a mixer, a patch=20
> bay and an effect rack. Remember that you advised me to look for "a=20
> midi controllable mixer" when we were playing together last year?=20
> Well, Live 4 IS that mixer now. Thanks for the tip ;-)
>
> New in Live 4 are almost endless possibilities to rout audio and midi=20=

> streams. The looping set-up I have now assembled is a Powerbook with=20=

> Live 4, an EDP, an AKAI MFC42 analog filter, a Lexicon LXP-5 reverb,=20=

> an Evolution UC-33 midi controller/mixer and a Behringer FCB1010 foot=20=

> midi controller. The computer also has an external firewire 800 hard=20=

> drive and a RME Multiface 8/8 +digital soundcard/break-out box.
>
> I devoted a couple of days to see if it was possible to loop with only=20=

> software and I found this to work quite ok. I could actually play a=20
> gig with just laptop, FCB and my instruments. Then I'm using a=20
> software plugin for overdub looping, the Lexicon PSP42. This is just=20=

> like looping with delay units and feedback pedal (the Polish plug-in=20=

> emulates the legendary Lexicon well). In Live 4 I can set up the PSP42=20=

> on one track for looping (controlled by FCB1010) and then route the=20
> output of that track to another track that I have set up to record up=20=

> to 9 loops in one go. 9 was choosed because I have instant access to=20=

> nine foot pads on the FCB. Each FCB pad is addressing one slot on a=20
> Live track. The last pad, the tenth, addresses "record enable" of that=20=

> track. The reason I'm not recording on the input track is that I'm=20
> using it for monitoring of my instrument, to add Live's effects to my=20=

> instrument sound (delay, reverb etc). This is delicate because with=20
> the buffer I'm using for the Powerbook hardware I'm getting a 12 ms=20
> latency of the input signal.  I'm blending that 12 ms late signal with=20=

> the direct hardware monitoring signal of the RME, going right out into=20=

> the PA with no latency. The blending of those two signals is a=20
> delicate quest, to avoid phasing. But it's definitely possible. I'll=20=

> post recordings later on.
>
> Well, the second reason for not recording on the input track is that=20=

> Live's built in latency compensation is only active when a track is=20
> set to not monitor the signal. So when I'm stepping the record button=20=

> on my FCB, my instrument noise gets recorded on a different channel=20
> than the one I'm listening to and Live immediately moves the recording=20=

> 12 ms into the future.
>
> This also means that if you need to have loops start playing back at=20=

> the very moment you stop the recording, you will have to live with a=20=

> little latency of the recorded loops. Not acceptable for most=20
> instruments IMHO. It destroys the feeling and the magic of music=20
> making.
>
> In my "big" laptop set-up I have connected the hardware reverb to Live=20=

> 4 exactly as you would connect it to a normal mixer. The UC-33 is midi=20=

> mapped to Live and I can "play" 8 tracks volume and three effects: two=20=

> in Live and then the Lexi reverb. My instruments input signal  (2 mono=20=

> channel inputs used:  one mic and one guitar pre-amp), into the Live=20=

> laptop is also tapped and sent into the EDP. =46rom the EDP the =
output,=20
> it goes into the filter-bank which stereo output is fed back into=20
> live. I have the same arrangement in Live for EDP/filterbank as I did=20=

> describe for my live instruments. In fact I record to the same Live 4=20=

> track and then, when I'm satisfied with the number and quality of the=20=

> recorded loops (they don't play back yet) I'm moving them with the=20
> mouse to other slots on other tracks for playback. The sound-design=20
> actually happens in the playing and in the EDP and filter-bank FCB=20
> manipulations. Live 4 is the midi clock master and EDP and filterbank=20=

> (beat synced LFO stuff) follows the Live tempo. The filtering beat=20
> sync division is mapped to one expression pedal on the FCB and the=20
> other pedal is mapped to EDP feedback, in all banks. I have one FCB=20
> bank for EDP control, one bank for recording into live and a third=20
> bank for jumping between "scenes" in live.
>
> A "scene" in Live means all the slots that have been filled with a=20
> loop, called "clips", on all mixer tracks. (the mixer in live is=20
> actually called "the session view"). As you see "a scene" is a=20
> horizontal row of clips and each clip plays back on a dedicated=20
> (vertical) mixer strip ("channel", "track").
>
> The strategy for a live-looping show with this set-up is to first=20
> build a foundation of looping clips in live, using instruments and=20
> EDP/filter. You don't have to keep all of them sounding all the time.=20=

> Live has the function that if you select a certain scene, from the=20
> FCB, all silent clips in that scene will start playing back (if=20
> looped, they will loop. if set to "one-shot" they will play and then=20=

> stop). Now, if some clips were already playing in the selected scene=20=

> these clips will now be turned off while the others, that were silent,=20=

> will start playing instead. This opens up for many combinations of=20
> improvise arranging on-the-fly.
>
> I have also put VST and AU effects on all the Live tracks and these=20
> effects are midi controlled in real-time. Yet another trick for a more=20=

> organic control by the musician. I especially like the option with=20
> Live 4, compared to my EDP/Repeater set-up, to make dramatically quick=20=

> changes of the sound. Kind of "re-mix" or "reverse engineering" of=20
> ones own playing.
>
> Ok, the last thing I want to say about Live 4 is that it now comes=20
> with midi sequencing and two built in virtual midi instruments, a=20
> sampler and drum sample player. The midi sequencing is called "midi=20
> clips" and they look just like audio clips in the GUI when you are=20
> looping with Live (yes, Live 4 has "midi live looping", I remember=20
> that discussion from the list). There are also midi effects and I'm=20
> finding them very powerful. By that I mean the possibility to set up=20=

> random processes that change the velocity and pitch just a tiny little=20=

> for all midi notes. The impact of these small random processes is huge=20=

> when listening to a drum beat played back. Very "alive" sounding. One=20=

> of my eight live-looping tracks in Live 4 is "a midi track". On this=20=

> track I can throw in midi patterns for drumming. I have some favorite=20=

> patterns of traditional african drumming that I have loved for years=20=

> and I keep them as "midi clips". After the midi clips I have put midi=20=

> effects for "slightly randomization of velocity" and a "pitch filter".=20=

> The pitch filter is mapped to a physical knob and the more I tweak=20
> that knob the higher percentage of the streaming midi notes are=20
> getting transformed by a random interval between 1 and 6 half notes=20
> down. Since the drums are mapped with kick drum on lowest note number=20=

> and the hi hat on top "the drummer" will then start to play a=20
> "minimalistic solo" more and more getting into the darker drum sounds.=20=

> This is very cool, a bit like Numerology (but that software is more=20
> powerful for stuff like that). Actually Live 4 has got a little of The=20=

> Numeroolgy Spririt ;-)  With the new feature "follow actions" you can=20=

> set up how a clip will play and what will happen when it stops. Like=20=

> "play next clip", "play the clip before" etc etc. You can also=20
> randomize the probability between two different scenarios. So you can=20=

> actually design a system that creates complete random music or just=20
> induces a little variety into a sequence of loops. The live recorded=20=

> loops you are recording can be dragged with the mouse and dropped into=20=

> these "follow action prepared" clips. What happens then is that the=20
> new loop is taking over all the sophisticated settings of the old=20
> loop.
>
> Oh, one last thing. The drum player can send drum sounds out on=20
> different channels. I'm taking advantage of this by using three=20
> different Supatrigga plug-ins on three different drum sounds. Combined=20=

> with well programmed midi patterns as raw material, and the partially=20=

> randomizing midi plug-ins you can create very organic and interesting=20=

> drum music in Live 4. It's never getting boring!
>
> Well, that has to be 'nuff for tonight. ;-)
>
> ciao
>
> per
>
>

--Apple-Mail-2--328656904
Content-Transfer-Encoding: quoted-printable
Content-Type: text/enriched;
	charset=ISO-8859-1

Hi, I just tried to buy one of my CD's at CDBaby and saw paypal listed=20=

as an option.  If you're up for some loop-based ambient psy, I'd love
for you to check my debut album Mood Synth at
http://cdbaby.com/cd/optimusrob.  I'm curious to know if it works!=20
For some fellow looper karma, I'll send you a free copy of my newest
album if you spend a whole $4.99 on Mood Synth (w/ or w/out
paypal).."it's a deal, it's a steal, it's the sale of the f_cking
century" - [fat] Tom.=20

=
<fontfamily><param>Papyrus</param><color><param>4646,6D6D,C6C6</param><big=
ger>Get
=
Optimized</bigger></color></fontfamily><bigger>,</bigger><fontfamily><para=
m>Lucida Grande</param>

Rob</fontfamily>  =20

=
<fontfamily><param>Papyrus</param><color><param>4F4F,7B7B,E0E0</param><x-t=
ad-bigger>......................................................=20

Warm blends of downtempo beats that will soothe your your mind...

"an original score to the tragedy of American idealism"=20

http://www.optimusrob.com

=
_________________________________________________</x-tad-bigger></color></=
fontfamily>

On Jul 11, 2004, at 6:02 PM, Per Boysen wrote:


<excerpt>On 2004-07-11, at 19.32, Matthias Grob wrote:


<excerpt>Hey, Per!


maybe you will tell the list anyway... we wonder whether its better
loopabale now!

are you fine?

I am at mom...


kiss

Matthias

--=20


         ---> http://Matthias.Grob.org

</excerpt>


Hi Matithias,


Good to hear you're at mom's now. Guess you're getting a good cake
refill then ;-)


Ok, I'll send over a short take on the loopabilities of Live 4 and I
hope you don'=A8t mind if I forward it to the list as well. I'm spending
a lot of time with the Live 4 beta version for three reasons; helping
Ableton with the beta testing and doing what I can to make the
software better for live-looping, preparing a review of Live 4 in a
Swedish Computer Music Studio Magazine and finally preparing a gig at
a Swedish festival, http://www.norbergfestival.com


Well the short answer is that Live 4 is a little better than Live 3
for looping, but only if you adapt to its limitations and to take
advantage of it's special abilities. The biggest limitation is that
there is no way to do overdub looping. But this is not a limitation
for all musicians, only those who want to make music that evolves
seamlessly, endlessly... In Live you record a loop and then it sits in
a slot to repeat itself until you turn it off. And on the other hand,
if you are into music that relies on steady repeating loops you will
find Live a very good looper. There are practically no limit to how
many loops you can have spinning at the same time. All of different
lengths if you want. Even very long recordings, like an hour or so,
can be played back while are looping. Tempo can be changed, "elastic
audio" will adapt. You can also change the pitch of individual loops,
but not by external midi (a big bummer).


Another area where Live is excellent is to replace a mixer, a patch
bay and an effect rack. Remember that you advised me to look for "a
midi controllable mixer" when we were playing together last year?
Well, Live 4 IS that mixer now. Thanks for the tip ;-)


New in Live 4 are almost endless possibilities to rout audio and midi
streams. The looping set-up I have now assembled is a Powerbook with
Live 4, an EDP, an AKAI MFC42 analog filter, a Lexicon LXP-5 reverb,
an Evolution UC-33 midi controller/mixer and a Behringer FCB1010 foot
midi controller. The computer also has an external firewire 800 hard
drive and a RME Multiface 8/8 +digital soundcard/break-out box.


I devoted a couple of days to see if it was possible to loop with only
software and I found this to work quite ok. I could actually play a
gig with just laptop, FCB and my instruments. Then I'm using a
software plugin for overdub looping, the Lexicon PSP42. This is just
like looping with delay units and feedback pedal (the Polish plug-in
emulates the legendary Lexicon well). In Live 4 I can set up the PSP42
on one track for looping (controlled by FCB1010) and then route the
output of that track to another track that I have set up to record up
to 9 loops in one go. 9 was choosed because I have instant access to
nine foot pads on the FCB. Each FCB pad is addressing one slot on a
Live track. The last pad, the tenth, addresses "record enable" of that
track. The reason I'm not recording on the input track is that I'm
using it for monitoring of my instrument, to add Live's effects to my
instrument sound (delay, reverb etc). This is delicate because with
the buffer I'm using for the Powerbook hardware I'm getting a 12 ms
latency of the input signal.  I'm blending that 12 ms late signal with
the direct hardware monitoring signal of the RME, going right out into
the PA with no latency. The blending of those two signals is a
delicate quest, to avoid phasing. But it's definitely possible. I'll
post recordings later on.


Well, the second reason for not recording on the input track is that
Live's built in latency compensation is only active when a track is
set to not monitor the signal. So when I'm stepping the record button
on my FCB, my instrument noise gets recorded on a different channel
than the one I'm listening to and Live immediately moves the recording
12 ms into the future.


This also means that if you need to have loops start playing back at
the very moment you stop the recording, you will have to live with a
little latency of the recorded loops. Not acceptable for most
instruments IMHO. It destroys the feeling and the magic of music
making.


In my "big" laptop set-up I have connected the hardware reverb to Live
4 exactly as you would connect it to a normal mixer. The UC-33 is midi
mapped to Live and I can "play" 8 tracks volume and three effects: two
in Live and then the Lexi reverb. My instruments input signal  (2 mono
channel inputs used:  one mic and one guitar pre-amp), into the Live
laptop is also tapped and sent into the EDP. =46rom the EDP the output,
it goes into the filter-bank which stereo output is fed back into
live. I have the same arrangement in Live for EDP/filterbank as I did
describe for my live instruments. In fact I record to the same Live 4
track and then, when I'm satisfied with the number and quality of the
recorded loops (they don't play back yet) I'm moving them with the
mouse to other slots on other tracks for playback. The sound-design
actually happens in the playing and in the EDP and filter-bank FCB
manipulations. Live 4 is the midi clock master and EDP and filterbank
(beat synced LFO stuff) follows the Live tempo. The filtering beat
sync division is mapped to one expression pedal on the FCB and the
other pedal is mapped to EDP feedback, in all banks. I have one FCB
bank for EDP control, one bank for recording into live and a third
bank for jumping between "scenes" in live.


A "scene" in Live means all the slots that have been filled with a
loop, called "clips", on all mixer tracks. (the mixer in live is
actually called "the session view"). As you see "a scene" is a
horizontal row of clips and each clip plays back on a dedicated
(vertical) mixer strip ("channel", "track").


The strategy for a live-looping show with this set-up is to first
build a foundation of looping clips in live, using instruments and
EDP/filter. You don't have to keep all of them sounding all the time.
Live has the function that if you select a certain scene, from the
FCB, all silent clips in that scene will start playing back (if
looped, they will loop. if set to "one-shot" they will play and then
stop). Now, if some clips were already playing in the selected scene
these clips will now be turned off while the others, that were silent,
will start playing instead. This opens up for many combinations of
improvise arranging on-the-fly.


I have also put VST and AU effects on all the Live tracks and these
effects are midi controlled in real-time. Yet another trick for a more
organic control by the musician. I especially like the option with
Live 4, compared to my EDP/Repeater set-up, to make dramatically quick
changes of the sound. Kind of "re-mix" or "reverse engineering" of
ones own playing.


Ok, the last thing I want to say about Live 4 is that it now comes
with midi sequencing and two built in virtual midi instruments, a
sampler and drum sample player. The midi sequencing is called "midi
clips" and they look just like audio clips in the GUI when you are
looping with Live (yes, Live 4 has "midi live looping", I remember
that discussion from the list). There are also midi effects and I'm
finding them very powerful. By that I mean the possibility to set up
random processes that change the velocity and pitch just a tiny little
for all midi notes. The impact of these small random processes is huge
when listening to a drum beat played back. Very "alive" sounding. One
of my eight live-looping tracks in Live 4 is "a midi track". On this
track I can throw in midi patterns for drumming. I have some favorite
patterns of traditional african drumming that I have loved for years
and I keep them as "midi clips". After the midi clips I have put midi
effects for "slightly randomization of velocity" and a "pitch filter".
The pitch filter is mapped to a physical knob and the more I tweak
that knob the higher percentage of the streaming midi notes are
getting transformed by a random interval between 1 and 6 half notes
down. Since the drums are mapped with kick drum on lowest note number
and the hi hat on top "the drummer" will then start to play a
"minimalistic solo" more and more getting into the darker drum sounds.
This is very cool, a bit like Numerology (but that software is more
powerful for stuff like that). Actually Live 4 has got a little of The
Numeroolgy Spririt ;-)  With the new feature "follow actions" you can
set up how a clip will play and what will happen when it stops. Like
"play next clip", "play the clip before" etc etc. You can also
randomize the probability between two different scenarios. So you can
actually design a system that creates complete random music or just
induces a little variety into a sequence of loops. The live recorded
loops you are recording can be dragged with the mouse and dropped into
these "follow action prepared" clips. What happens then is that the
new loop is taking over all the sophisticated settings of the old loop.


Oh, one last thing. The drum player can send drum sounds out on
different channels. I'm taking advantage of this by using three
different Supatrigga plug-ins on three different drum sounds. Combined
with well programmed midi patterns as raw material, and the partially
randomizing midi plug-ins you can create very organic and interesting
drum music in Live 4. It's never getting boring!


Well, that has to be 'nuff for tonight. ;-)


ciao


per



</excerpt>=

--Apple-Mail-2--328656904--

From Loopers-Delight-request@loopers-delight.com  Mon Jul 12 15:10:29 2004
Return-Path: <Loopers-Delight-request@loopers-delight.com>
Received: (from looper@localhost)
	by hemlock.violacea.com (8.11.6/8.11.6) id i6CJ1tF19426;
	Mon, 12 Jul 2004 15:01:55 -0400
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Old-Return-Path: <dave@davesturt.f9.co.uk>
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From: "Dave Sturt" <dave@davesturt.f9.co.uk>
To: <Loopers-Delight@loopers-delight.com>
References: <B66EBDBC-D275-11D8-A82E-0003934507D6@skeletonhome.com> <27928.1089499487@www24.gmx.net> <40F07673.8080207@biink.com> <000801c466da$95af16c0$1602a8c0@WorkGroup> <40F0861D.9090302@biink.com> <003101c46803$3cd1f5c0$1602a8c0@WorkGroup> <60DD3EC6-D418-11D8-8487-000A95C5FA68@pixar.com>
Subject: Daevid Allen - was: pedal steels
Date: Mon, 12 Jul 2004 20:01:12 +0100
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Hi all - we (that is Cipher) got together in a recording studio with Mr
Allen for a day and recorded a lot of his Glissando guitar playing - and
very impressive it was! He was using a Boomerang looper and various metal
objects.

The results appeared on our last album - One Who Whispers. Several tracks
feature his atmospheric sounds and loops - you can hear a clip of one of
them - Panoramic Lounge - at our website
http://www.cipher.f9.co.uk/albums.htm or visit the Gong website -
http://www.planetgong.co.uk/octave/cd/cipherwhispers.shtml

I believe he had problems with reliability with the Rang on the subsequent
Gong tour.

Cheers

Dave Sturt

----- Original Message ----- 
From: "Alex Stahl" <alex@pixar.com>
To: "Scott M2" <scott@dreamstate.to>
Cc: <Loopers-Delight@loopers-delight.com>
Sent: Monday, July 12, 2004 4:30 PM
Subject: Re: pedal steels


> > Ahhhh - Thanks! I love that Gong glissando guitar sound.
>
> me too.
>
> > I seem to recall an interview a million years ago, where
> > Allen talked about using handles of surgical instruments
> > for this effect because of the quality of the metal. (?)
>
> or maybe because of the texture on the handles. I've had pretty good
> luck getting a similar sound using the handle of small Maglite as a bow
> (into too much bi-phase and echo of course). The question becomes, how
> does the sound change if you leave the flashlight on? :-p
>
>
> -- 
> This email has been verified as Virus free
> Virus Protection and more available at http://www.plus.net

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Subject: Re: streaming live shows
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You can stream directly from a Windows machine using the free Windows Media encoder software.  I've often seen this used to webcast shows at venues.

    Kevin

disclaimer: I was on the team that wrote v7 of the encoder.

---------- Original Message ----------------------------------
From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
Reply-To: <rs@moinlabs.de>
Date: Sun, 11 Jul 2004 00:58:22 +0200

>I'm currently negotiating with a place regarding a possible looping live
>show. This place has a DSL internet access (don't have information about
>bandwith yet).
>
>I'd like to ask you whether any of you has experience with streaming live
>shows on the internet. From what I understand, you basically need two things
>(technically):
>
>a) a stream source, which encodes the received audio (e.g. from an audio
>input on the computer) and sends it out to a server. Bandwith requirement:
>what it takes to transmit the stream. Example: SimpleCast
>b) a stream server, which receives the audio stream from the source (a) and
>sends it to the audients. Bandwith requirement: the stream times the
>audients. Example Icecast.
>c) possible relay servers, which take a stream from a server (b) and send it
>out to the audients.
>
>Specifically, I'd like to know whether you know of any affordable (read:
>free si possible :-) services doing the (b) part? Also, any hints regarding
>the software for (a) would be appreciated (windows platform).
>
>Thanks,
>
>	Rainer
>
>Rainer Thelonius Balthasar Straschill
>Moinlabs GFX and Soundworks - www.moinlabs.de
>The Straschill Family Group - www.straschill.de
>digital penis expert group - www.dpeg.de
>Eclectic Blah - www.eblah.de
>
>

--
-------------------------------------------------------------
Kevin Goldsmith            remove "online" from reply address
Unit Circle Media                   http://www.unitcircle.com
-------------------------------------------------------------

--

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http://www.unitcircle.com/catalog/default.asp

Featuring such looper friendly artists as:
Bill Horist
Intonarumori
Amy Denio
Entropic Advance
and a zillion others

      Kevin


---------- Original Message ----------------------------------
From: Legion <legion@helpwantedproductions.com>
Reply-To: Loopers-Delight@loopers-delight.com
Date: Sun, 11 Jul 2004 08:21:58 -0700 (PDT)

>On Sun, 11 Jul 2004, Per Boysen wrote:
>
>> Can someone recommend a web store where I can buy CD's for my PayPal 
>> cash? All the best, Per Boysen
>


--
-------------------------------------------------------------
Kevin Goldsmith            remove "online" from reply address
Unit Circle Media                   http://www.unitcircle.com
-------------------------------------------------------------

--

From Loopers-Delight-request@loopers-delight.com  Mon Jul 12 16:09:33 2004
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From: Ken Hawkins <ken@rosewoodblues.com>
Subject: Re: Echoplex Digital Pro Plus for sale
Date: Mon, 12 Jul 2004 13:05:56 -0700
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didn't hear back from you. did you want to sell it to another one from 
seattle? i am looking for another and live in seattle myself.

let me know,
ken;
On Jul 9, 2004, at 7:59 AM, Dave Budde wrote:

> I've got a Gibson Echoplex Digital Pro Plus for sale.  Anyone here 
> interested?  I'll put it up on ebay in a week if no one here responds. 
>  Price is firm at $750.  Free shipping and available to US locations 
> only.  I purchased it new in late April.  I bought it for a specific 
> project which is now complete.  I really like it but don't have much 
> use for it so can't justify keeping it.  I've only used it in a 
> smokeless home environment and it has gotten very little use.  It is 
> in original condition and has Loop IV firmware.  I don't have the foot 
> controller.  It comes with the EDP, the very well written manual, and 
> power cord in the original box.
>
> Email me for a photo or any questions.   It's in Seattle.  Payments 
> must clear before shipping.
>
> Dave
>

From Loopers-Delight-request@loopers-delight.com  Mon Jul 12 17:13:53 2004
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Per,

In a message dated 7/12/04 8:20:03 AM, per@boysen.se writes:

>> The following take PayPal:
>>
>> www.CDbaby.com
>>
>>Are you sure? I only found this information at their site:

Maybe you're right. Perhaps I'm confusing them with Guitar9.
I've purchased several CDs (and sold my own) through both. 
Many apologies if my information is incorrect.

Best regards,

tEd ® kiLLiAn

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=2845073
http://www.netmusic.com/web/album.aspx?a_id=CBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=193

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes, 
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster, 
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks, 
and Viztas.

From Loopers-Delight-request@loopers-delight.com  Mon Jul 12 17:23:21 2004
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--- Suit & Tie Guy <erwill@suitandtieguy.com> wrote:
> On Jul 9, 2004, at 3:05 PM, .David.Auker. wrote:
> > My Yamaha SY77 needs a new internal battery.  I can get to it fine (a 
> > mere 20 screws), but it's soldered in.  I have a friend with soldering 
> > skills
> 
> I completely and totally resent Yamaha for their rude attitude towards 
> battery placement and the service people who have to deal with them. 
> (in fact, it seems like ALL Yamaha equipment is designed from the 
> ground up to be as rude as possible to the user.)
> 
> Roland uses battery holders ... much better.

Hey, come on here! They probably saved FIVE OR SIX -CENTS- by not using a battery
holder!!! You must not care how much your gear costs you.



		
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From: "Alex Stahl" <alex@pixar.com>

> > Ahhhh - Thanks! I love that Gong glissando guitar sound.
> 
> me too.
> 
> > I seem to recall an interview a million years ago, where
> > Allen talked about using handles of surgical instruments
> > for this effect because of the quality of the metal. (?)
> 
> or maybe because of the texture on the handles. I've had pretty good 
> luck getting a similar sound using the handle of small Maglite as a bow 
> (into too much bi-phase and echo of course). The question becomes, how 
> does the sound change if you leave the flashlight on? :-p

The photonic effect... If you leave it on, you get a lighter tone
and, of course, a darker one when it's off. Some people
favour the sound when the batteries are starting to weaken.   ;)

Cheers,
Scott M2

http://www.dreamSTATE.to
ambientelectronicsoundscapes
http://www.THEAMBiENTPiNG.com

From Loopers-Delight-request@loopers-delight.com  Tue Jul 13 00:25:06 2004
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From: "Krispen Hartung" <info@krispenhartung.com>
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Subject: Looking for input on Finale Compositions / whether to re-produce
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Hello all -

I'm looking for some input and opinions on whether I should pay someone
to create better versions of two songs that I composed in score format,
using Finale 2000, and converted to MP3. These will be on my next CD.
First, I'm looking for your review of the sound and patch quality of the
clips below.  I have a feeling that the quality is sub-standard, because
I used my notebook computer's sound card to generate them. Second, if I
decide to improve the quality, I will be looking for someone to take my
MIDI files, play them using a high quality keyboard, sound canvas, or
sample generator of some sort, and record them to MP3. My only other
option is to pay real classical musicians to play them, which could get
costly.

Here are the songs. Both utilize vibes, bass, and pizzicato violin. Be
sure to copy the entire URL from http to .mp3. 

Cantor's Madhouse
http://www.myweb.cableone.net/chagstrom2/music/kris-hartung/Cantor's%20M
adhouse.mp3

Race to Infinity
http://www.myweb.cableone.net/chagstrom2/music/kris-hartung/Race%20to%20
Infinity.mp3

Kris

********************************* 
Kris Hartung 
http://www.krispenhartung.com 
http://artist.amazon.com/krispenhartung 
info@krispenhartung.com


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Subject: RE: Daevid Allen/glissando guitar
Date: Tue, 13 Jul 2004 11:24:44 +0100
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>>I seem to recall an interview a million years ago, where Allen talked about using handles of surgical instruments for this effect because of the quality of the metal. (?)<<

I've studied this in some depth over the last 25 years, though somewhat incidentally. we used to listen to allen & hillage on the gong albums, & then hillage's solo output with guys like christian boule & (yet another) dave stewart scraping away with discarded tremelo arms, it looked like.

in 1979 a guitarist I was working with explained what was going on. he used to use a screwdriver but had terrible problems with squealing & general unpleasantness. he explained that making chord shapes was pointless because the implement doesn't just bow the strings like a violin bow would, but actually "stops" the strings aswell. it's actually a quite different effect than bowing, & might have been what godley&creme were trying to achieve with the gizmo.
 
this means you end up using an open & moveable tuning, like dropping the top E to D. also, the best results were achieved by pinching the lower three strings (E, A & D) out of the way of the implement, & rolling off most of the top.  the implement has to be perpendicular to the neck, so parallel to the fret markers & more-or-less directly over them. &, as with a slide, the strings should never touch the neck or frets.

the echo device used to sustain the sound (tape echo worked best) should also have it's top-end rolled off; we used to use a tape-deck with three heads for echo in those days, & it was possible to use the machine's tone controls in it's feedback loop so as to progressively attenuate the top end & get loads of repeats. the dl4 can do this quite well.

we settled on the handle/jaw of a small set of gas-pliers, which I dismantled into two halves for the purpose. the texture of the handle area was just right, being a deliberately roughened "grip" made from chrome-vanadium. I still have the thing now somewhere. the business end of the plier & the far-end of the handle both curved neatly out of the action area, making it easy to hold & use. 
nothing else I've tried for gliss-guitar has been anything like as effective.

duncan/r.m.i.


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<P><FONT SIZE=3D2>&gt;&gt;I seem to recall an interview a million years ago=
, where Allen talked about using handles of surgical instruments for this e=
ffect because of the quality of the metal. (?)&lt;&lt;</FONT></P>

<P><FONT SIZE=3D2>I've studied this in some depth over the last 25 years, t=
hough somewhat incidentally. we used to listen to allen &amp; hillage on th=
e gong albums, &amp; then hillage's solo output with guys like christian bo=
ule &amp; (yet another) dave stewart scraping away with discarded tremelo a=
rms, it looked like.</FONT></P>

<P><FONT SIZE=3D2>in 1979 a guitarist I was working with explained what was=
 going on. he used to use a screwdriver but had terrible problems with sque=
aling &amp; general unpleasantness. he explained that making chord shapes w=
as pointless because the implement doesn't just bow the strings like a viol=
in bow would, but actually &quot;stops&quot; the strings aswell. it's actua=
lly a quite different effect than bowing, &amp; might have been what godley=
&amp;creme were trying to achieve with the gizmo.</FONT></P>

<P><FONT SIZE=3D2>&nbsp;</FONT>
<BR><FONT SIZE=3D2>this means you end up using an open &amp; moveable tunin=
g, like dropping the top E to D. also, the best results were achieved by pi=
nching the lower three strings (E, A &amp; D) out of the way of the impleme=
nt, &amp; rolling off most of the top.&nbsp; the implement has to be perpen=
dicular to the neck, so parallel to the fret markers &amp; more-or-less dir=
ectly over them. &amp;, as with a slide, the strings should never touch the=
 neck or frets.</FONT></P>

<P><FONT SIZE=3D2>the echo device used to sustain the sound (tape echo work=
ed best) should also have it's top-end rolled off; we used to use a tape-de=
ck with three heads for echo in those days, &amp; it was possible to use th=
e machine's tone controls in it's feedback loop so as to progressively atte=
nuate the top end &amp; get loads of repeats. the dl4 can do this quite wel=
l.</FONT></P>

<P><FONT SIZE=3D2>we settled on the handle/jaw of a small set of gas-pliers=
, which I dismantled into two halves for the purpose. the texture of the ha=
ndle area was just right, being a deliberately roughened &quot;grip&quot; m=
ade from chrome-vanadium. I still have the thing now somewhere. the busines=
s end of the plier &amp; the far-end of the handle both curved neatly out o=
f the action area, making it easy to hold &amp; use. </FONT></P>

<P><FONT SIZE=3D2>nothing else I've tried for gliss-guitar has been anythin=
g like as effective.</FONT>
</P>

<P><FONT SIZE=3D2>duncan/r.m.i.</FONT>
</P>

<CODE><FONT SIZE=3D3><BR>
<BR>
***************************************************************************=
<BR>
CONFIDENTIALITY NOTICE<BR>
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The contents of this e-mail are confidential to the ordinary user<BR>
of the e-mail address to which it was addressed, and may also<BR>
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nor does this message form any part of any contract unless so stated.<BR>
<BR>
MTV reserves the right to monitor e-mail communications from<BR>
external/internal sources for the purposes of ensuring correct <BR>
and appropriate use of MTV communication equipment.<BR>
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MTV Networks Europe<BR>
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</BODY>
</HTML>
------_=_NextPart_001_01C468C3.9D8CAC50--

From Loopers-Delight-request@loopers-delight.com  Tue Jul 13 11:40:47 2004
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	Tue, 13 Jul 2004 11:38:31 -0400
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From: ArsOcarina@aol.com
Message-ID: <48.2e1c3c3d.2e255bd2@aol.com>
Date: Tue, 13 Jul 2004 11:37:54 EDT
Subject: Nels Cline touring with Wilco?
To: Loopers-Delight@loopers-delight.com
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Hmmmm,

Every now and again I visit Nel's website. He's an L.A.
based guitarist acquaintance who sometimes loops on 
an original EH 16-Second delay with a cross-pollinating 
mutant punkish/rockish/free-jazz/art-noise sortta style. 
He's very gifted -- and original -- the kind of guitarist I'd 
like to be when I grow up (though, now that I'm past 50, 
I despair of that ever actually happening).

Anywho, imagine my shock/joy that he's gotten a gig
playing with Wilco on their current tour supporting the
release of their new CD "A Ghost Is Born." Not a bad
gig to have at all. Coincidentally, I'd never really listened 
to Wilco 'til just a few weeks ago. But, for some reason 
I've heard a lot of them lately (especially after a spot on 
NPR). One might wonder if he'll introduce Jeff Tweedy
and CO to "looping" per se. 

Who knows? Check out: http://www.nelscline.com/

He also (occasionally) trades his Fender Jazzmaster
for a lap steel -- a topic that has come up here a lot 
lately too. E-I-E-I-O! 

Best regards,

tEd ® kiLLiAn

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=2845073
http://www.netmusic.com/web/album.aspx?a_id=CBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=193

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes, 
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster, 
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks, 
and Viztas.

From Loopers-Delight-request@loopers-delight.com  Tue Jul 13 12:47:01 2004
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Date: Tue, 13 Jul 2004 12:33:28 -0400
Subject: Re: Nels Cline touring with Wilco?
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From: bruce tovsky <bruce@skeletonhome.com>
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i think jim o'rourke beat him to it, a couple years ago...
check out yankee hotel foxtrot as well as a ghost is born.
b

On Tuesday, July 13, 2004, at 11:37  AM, ArsOcarina@aol.com wrote:

> Hmmmm,
>
> Every now and again I visit Nel's website. He's an L.A.
> based guitarist acquaintance who sometimes loops on
> an original EH 16-Second delay with a cross-pollinating
> mutant punkish/rockish/free-jazz/art-noise sortta style.
> He's very gifted -- and original -- the kind of guitarist I'd
> like to be when I grow up (though, now that I'm past 50,
> I despair of that ever actually happening).
>
> Anywho, imagine my shock/joy that he's gotten a gig
> playing with Wilco on their current tour supporting the
> release of their new CD "A Ghost Is Born." Not a bad
> gig to have at all. Coincidentally, I'd never really listened
> to Wilco 'til just a few weeks ago. But, for some reason
> I've heard a lot of them lately (especially after a spot on
> NPR). One might wonder if he'll introduce Jeff Tweedy
> and CO to "looping" per se.
>
> Who knows? Check out: http://www.nelscline.com/
>
> He also (occasionally) trades his Fender Jazzmaster
> for a lap steel -- a topic that has come up here a lot
> lately too. E-I-E-I-O!
>
> Best regards,
>
> tEd ® kiLLiAn
>
> http://www.pfmentum.com/flux.html
> http://www.CDbaby.com/cd/tedkillian
> http://www.guitar9.com/fluxaeterna.html
> http://www.garageband.com/artist/ArsOcarina
> http://www.towerrecords.com/product.aspx?pfid=2845073
> http://www.netmusic.com/web/album.aspx?a_id=CBNM_17314
> http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=193
>
> Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
> BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
> AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
> RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
> and Viztas.
>
>
>
bruce tovsky
www.skeletonhome.com


From Loopers-Delight-request@loopers-delight.com  Tue Jul 13 14:04:00 2004
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Subject: GIG SP*M
Date: Tue, 13 Jul 2004 10:55:11 -0700
To: Loopers-Delight@loopers-delight.com
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Hey,

Going through my Junk folder I found a few messages with the title "gig 
spam..." and realized my spam filter caught it.  I bet a lot of people 
have a similar experience.  I suggest you might want to title your 
emails with the word "announcement" instead of "spam" as they're not 
spam anyway.  I imagine if you're announcing a loop show we're 
interested.  Just call it a gig announcement and put the name of the 
state and city in the header.

Mark

From Loopers-Delight-request@loopers-delight.com  Tue Jul 13 14:20:51 2004
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From: ArsOcarina@aol.com
Message-ID: <115.3509564c.2e25814b@aol.com>
Date: Tue, 13 Jul 2004 14:17:47 EDT
Subject: Re: Nels Cline touring with Wilco?
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B,

In a message dated 7/13/04 9:33:45 AM, bruce@skeletonhome.com writes:

>i think jim o'rourke beat him to it, a couple years ago...
>check out yankee hotel foxtrot as well as a ghost is born.

Perhaps you're right. Being basically unfamiliar with Wilco
'til about 2 or 3 weeks ago I had no idea of any connection
with O'Rourke. My listening tastes are usually so off the 
radar that even Sonic Youth barely register a blip anyway.

Best regards,

tEd ® kiLLiAn

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=2845073
http://www.netmusic.com/web/album.aspx?a_id=CBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=193

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes, 
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster, 
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks, 
and Viztas.

From Loopers-Delight-request@loopers-delight.com  Tue Jul 13 14:31:02 2004
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Date: Tue, 13 Jul 2004 14:27:50 -0400
Subject: Re: Daevid Allen/glissando guitar
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--Apple-Mail-6--233078754
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on a related note, wild fun can be had with a bottleneck, a dl4
and a fernandez sustainer guitar, which essentially is a guitar
with a built-in ebow for all 6 strings. accomplishes what the
gizmo was going for, with out the messy huge box over the bridge...
b

On Tuesday, July 13, 2004, at 06:24  AM, goddard.duncan@mtvne.com wrote:

> >>I seem to recall an interview a million years ago, where Allen =20
> talked about using handles of surgical instruments for this effect =20
> because of the quality of the metal. (?)<<
>
> I've studied this in some depth over the last 25 years, though =20
> somewhat incidentally. we used to listen to allen & hillage on the =20
> gong albums, & then hillage's solo output with guys like christian =20
> boule & (yet another) dave stewart scraping away with discarded =20
> tremelo arms, it looked like.
>
> in 1979 a guitarist I was working with explained what was going on. he =
=20
> used to use a screwdriver but had terrible problems with squealing & =20=

> general unpleasantness. he explained that making chord shapes was =20
> pointless because the implement doesn't just bow the strings like a =20=

> violin bow would, but actually "stops" the strings aswell. it's =20
> actually a quite different effect than bowing, & might have been what =20=

> godley&creme were trying to achieve with the gizmo.
>
> =A0
> this means you end up using an open & moveable tuning, like dropping =20=

> the top E to D. also, the best results were achieved by pinching the =20=

> lower three strings (E, A & D) out of the way of the implement, & =20
> rolling off most of the top.=A0 the implement has to be perpendicular =
to =20
> the neck, so parallel to the fret markers & more-or-less directly over =
=20
> them. &, as with a slide, the strings should never touch the neck or =20=

> frets.
>
> the echo device used to sustain the sound (tape echo worked best) =20
> should also have it's top-end rolled off; we used to use a tape-deck =20=

> with three heads for echo in those days, & it was possible to use the =20=

> machine's tone controls in it's feedback loop so as to progressively =20=

> attenuate the top end & get loads of repeats. the dl4 can do this =20
> quite well.
>
> we settled on the handle/jaw of a small set of gas-pliers, which I =20
> dismantled into two halves for the purpose. the texture of the handle =20=

> area was just right, being a deliberately roughened "grip" made from =20=

> chrome-vanadium. I still have the thing now somewhere. the business =20=

> end of the plier & the far-end of the handle both curved neatly out of =
=20
> the action area, making it easy to hold & use.
>
> nothing else I've tried for gliss-guitar has been anything like as =20
> effective.
>
> duncan/r.m.i.
>
>
>
> =
***********************************************************************=20=

> ****
> CONFIDENTIALITY NOTICE
>
> The contents of this e-mail are confidential to the ordinary user
> of the e-mail address to which it was addressed, and may also
> be privileged. If you are not the addressee of this e-mail you may
> not copy, forward, disclose or otherwise use it or any part of it
> in any form whatsoever.If you have received this e-mail in error,
> please e-mail the sender by replying to this message.
>
> It is your responsibility to carry out appropriate virus and other
> checks to ensure that this message and any attachments do not
> affect your systems / data. Any views or opinions expressed in this
> e-mail are solely those of the author and do not necessarily
> represent those of MTV Networks Europe unless specifically stated,
> nor does this message form any part of any contract unless so stated.
>
> MTV reserves the right to monitor e-mail communications from
> external/internal sources for the purposes of ensuring correct
> and appropriate use of MTV communication equipment.
>
> MTV Networks Europe
> =
***********************************************************************=20=

> ****
>
bruce tovsky
www.skeletonhome.com



--Apple-Mail-6--233078754
Content-Transfer-Encoding: quoted-printable
Content-Type: text/enriched;
	charset=ISO-8859-1

on a related note, wild fun can be had with a bottleneck, a dl4

and a fernandez sustainer guitar, which essentially is a guitar

with a built-in ebow for all 6 strings. accomplishes what the

gizmo was going for, with out the messy huge box over the bridge...

b


On Tuesday, July 13, 2004, at 06:24  AM, goddard.duncan@mtvne.com
wrote:


<excerpt><smaller>>>I seem to recall an interview a million years ago,
where Allen talked about using handles of surgical instruments for
this effect because of the quality of the metal. (?)<<<<</smaller>


<smaller>I've studied this in some depth over the last 25 years,
though somewhat incidentally. we used to listen to allen & hillage on
the gong albums, & then hillage's solo output with guys like christian
boule & (yet another) dave stewart scraping away with discarded
tremelo arms, it looked like.</smaller>


<smaller>in 1979 a guitarist I was working with explained what was
going on. he used to use a screwdriver but had terrible problems with
squealing & general unpleasantness. he explained that making chord
shapes was pointless because the implement doesn't just bow the
strings like a violin bow would, but actually "stops" the strings
aswell. it's actually a quite different effect than bowing, & might
have been what godley&creme were trying to achieve with the =
gizmo.</smaller>


<smaller>=A0

this means you end up using an open & moveable tuning, like dropping
the top E to D. also, the best results were achieved by pinching the
lower three strings (E, A & D) out of the way of the implement, &
rolling off most of the top.=A0 the implement has to be perpendicular to
the neck, so parallel to the fret markers & more-or-less directly over
them. &, as with a slide, the strings should never touch the neck or
frets.</smaller>


<smaller>the echo device used to sustain the sound (tape echo worked
best) should also have it's top-end rolled off; we used to use a
tape-deck with three heads for echo in those days, & it was possible
to use the machine's tone controls in it's feedback loop so as to
progressively attenuate the top end & get loads of repeats. the dl4
can do this quite well.</smaller>


<smaller>we settled on the handle/jaw of a small set of gas-pliers,
which I dismantled into two halves for the purpose. the texture of the
handle area was just right, being a deliberately roughened "grip" made
from chrome-vanadium. I still have the thing now somewhere. the
business end of the plier & the far-end of the handle both curved
neatly out of the action area, making it easy to hold & use.</smaller>


<smaller>nothing else I've tried for gliss-guitar has been anything
like as effective.</smaller>


<smaller>duncan/r.m.i.</smaller>




=
<fixed><bigger>***********************************************************=
****************

CONFIDENTIALITY NOTICE


The contents of this e-mail are confidential to the ordinary user

of the e-mail address to which it was addressed, and may also

be privileged. If you are not the addressee of this e-mail you may

not copy, forward, disclose or otherwise use it or any part of it

in any form whatsoever.If you have received this e-mail in error,

please e-mail the sender by replying to this message.


It is your responsibility to carry out appropriate virus and other

checks to ensure that this message and any attachments do not

affect your systems / data. Any views or opinions expressed in this

e-mail are solely those of the author and do not necessarily

represent those of MTV Networks Europe unless specifically stated,

nor does this message form any part of any contract unless so stated.


MTV reserves the right to monitor e-mail communications from

external/internal sources for the purposes of ensuring correct

and appropriate use of MTV communication equipment.


MTV Networks Europe

=
**************************************************************************=
*


</bigger></fixed></excerpt>bruce tovsky

www.skeletonhome.com




--Apple-Mail-6--233078754--

From Loopers-Delight-request@loopers-delight.com  Tue Jul 13 14:56:59 2004
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Date: Tue, 13 Jul 2004 11:55:16 -0700 (PDT)
From: Paolo Valladolid <paolovalladolid@yahoo.com>
Subject: Re: Nels Cline touring with Wilco?
To: Loopers-Delight@loopers-delight.com
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--- ArsOcarina@aol.com wrote:
> B,
> 
> In a message dated 7/13/04 9:33:45 AM,
> bruce@skeletonhome.com writes:
> 
> >i think jim o'rourke beat him to it, a couple years
> ago...
> >check out yankee hotel foxtrot as well as a ghost
> is born.
> 
> Perhaps you're right. Being basically unfamiliar
> with Wilco
> 'til about 2 or 3 weeks ago I had no idea of any
> connection
> with O'Rourke. My listening tastes are usually so
> off the 
> radar that even Sonic Youth barely register a blip
> anyway.

I've seen both Cline and O'Rourke play live and those
two are about as different as guitarists can get. 
Cline is probably more versatile though.   My hat's
off to him for getting the higher-profile gig and
hopefully taking home a little more pocket change.  

Paolo


		
__________________________________
Do you Yahoo!?
Take Yahoo! Mail with you! Get it on your mobile phone.
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From Loopers-Delight-request@loopers-delight.com  Tue Jul 13 14:58:09 2004
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Subject: Performance Announcement: San Francisco: July 16 and 20
From: Zoe Keating <cello@zoekeating.com>
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I'd like to announce two looping cello performances in the near future:

1) The first is at the Rx Gallery on July 16. I'll be opening up for an 
English group called Gravenhurst. The music is lovely, Nick 
Drake-meets-Charles Atlas.

more about Gravenhurst here: 
http://www.bbc.co.uk/dna/collective/A2799606

Friday, July 16
Rx
132 Eddy Street
San Francissco, CA
5 to 7 clams
doors are at 9:00


2) The second is on an all-loopers bill at the Club Deluxe on Haight 
Street, Tuesday July 20. There will be three of us performing our solo 
looping thing: myself on cello, bass player cj boyd, and stunning 
Chapman stick virtuoso Alex Nahas.

8:00 pm  - CJ Boyd (http://www.cjboyd.com/)
9:00 pm - Alex Nahas (http://www.laughingstocksf.com/)
10:00 pm -  Zoe Keating (http://www.zoekeating.com)

Tuesday, July 20
Club Deluxe
1509-11 Haight St.
(Haight @ Ashbury)
San Francisco, CA 94117

From Loopers-Delight-request@loopers-delight.com  Tue Jul 13 15:13:28 2004
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Date: Tue, 13 Jul 2004 12:10:17 -0700
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In-Reply-To:  <200407121538.AA829817124@mail.unitcircle.com>
From: "Chris Roberts" <cpr@musetrap.com>
Subject: Re: streaming live shows
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streaming directly from your own machine will be ok, if the line you are
on has the bandwidth to serve all the listeners you might have, but, it's
been my experience that the bandwidth is never enough...

I don't know if you've seen my gig announcements here, but the band I am
in plays about once a month on the internet... as well, I've been involved
in streaming audio since about '97 and I'd be glad to talk about the details
with you offlist.. :)

peace
-cpr

>-- Original Message --
>Date: Mon, 12 Jul 2004 15:38:23 -0400
>From: "Kevin Goldsmith" <kevin-ml@unitcircle.com>
>Reply-To: <kevin-ml@unitcircle.com>
>To: "Looper's Delight Mailing List (E-mail)"  <Loopers-Delight@loopers-delight.com>
>Subject: Re: streaming live shows
>
>
>You can stream directly from a Windows machine using the free Windows Media
>encoder software.  I've often seen this used to webcast shows at venues.
>
>    Kevin
>
>disclaimer: I was on the team that wrote v7 of the encoder.
>
>---------- Original Message ----------------------------------
>From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
>Reply-To: <rs@moinlabs.de>
>Date: Sun, 11 Jul 2004 00:58:22 +0200
>
>>I'm currently negotiating with a place regarding a possible looping live
>>show. This place has a DSL internet access (don't have information about
>>bandwith yet).
>>
>>I'd like to ask you whether any of you has experience with streaming live
>>shows on the internet. From what I understand, you basically need two
things
>>(technically):
>>
>>a) a stream source, which encodes the received audio (e.g. from an audio
>>input on the computer) and sends it out to a server. Bandwith requirement:
>>what it takes to transmit the stream. Example: SimpleCast
>>b) a stream server, which receives the audio stream from the source (a)
>and
>>sends it to the audients. Bandwith requirement: the stream times the
>>audients. Example Icecast.
>>c) possible relay servers, which take a stream from a server (b) and send
>it
>>out to the audients.
>>
>>Specifically, I'd like to know whether you know of any affordable (read:
>>free si possible :-) services doing the (b) part? Also, any hints regarding
>>the software for (a) would be appreciated (windows platform).
>>
>>Thanks,
>>
>>	Rainer
>>
>>Rainer Thelonius Balthasar Straschill
>>Moinlabs GFX and Soundworks - www.moinlabs.de
>>The Straschill Family Group - www.straschill.de
>>digital penis expert group - www.dpeg.de
>>Eclectic Blah - www.eblah.de
>>
>>
>
>--
>-------------------------------------------------------------
>Kevin Goldsmith            remove "online" from reply address
>Unit Circle Media                   http://www.unitcircle.com
>-------------------------------------------------------------
>
>--
>


From Loopers-Delight-request@loopers-delight.com  Tue Jul 13 15:40:25 2004
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Date: Tue, 13 Jul 2004 12:37:52 -0800
Subject: Re: Nels Cline touring with Wilco
From: <stanitarium@earthlink.net>
To: <Loopers-Delight@loopers-delight.com>
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hey i'm a BIG nels fan and he definitely adds to the 'voodoo soup' that is
'$wilco$'...
caught them on 'letterman' a coupla wks ago and jeff tweedy finally realizes
he dont have to strum guitar w/ nels in tow-
didnt see nels <16seconder> there tho'-its usually right up in front when he
is stageright...
fwiw
s

> --- ArsOcarina@aol.com wrote:
>> B,
>> 
>> In a message dated 7/13/04 9:33:45 AM,
>> bruce@skeletonhome.com writes:
>> 
>>> i think jim o'rourke beat him to it, a couple years
>> ago...
>>> check out yankee hotel foxtrot as well as a ghost
>> is born.
>> 
>> Perhaps you're right. Being basically unfamiliar
>> with Wilco
>> 'til about 2 or 3 weeks ago I had no idea of any
>> connection
>> with O'Rourke. My listening tastes are usually so
>> off the 
>> radar that even Sonic Youth barely register a blip
>> anyway.
> 
> I've seen both Cline and O'Rourke play live and those
> two are about as different as guitarists can get.
> Cline is probably more versatile though.   My hat's
> off to him for getting the higher-profile gig and
> hopefully taking home a little more pocket change.
> 
> Paolo
> 
> 
> 
> __________________________________
> Do you Yahoo!?
> Take Yahoo! Mail with you! Get it on your mobile phone.
> http://mobile.yahoo.com/maildemo
> 

From Loopers-Delight-request@loopers-delight.com  Tue Jul 13 16:32:28 2004
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From: Suit & Tie Guy <erwill@suitandtieguy.com>
Subject: Re: Nels Cline touring with Wilco?
Date: Tue, 13 Jul 2004 15:25:21 -0500
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On Jul 13, 2004, at 10:37 AM, ArsOcarina@aol.com wrote:
> Anywho, imagine my shock/joy that he's gotten a gig
> playing with Wilco on their current tour supporting the

gotta say, I've seen video of him playing with Mike Watt, and I have a 
couple of his solo albums and it's nice to see him finally get some 
major-league recognition. he's a solid player with an open mind.

though musically i'd rather see him explore that organ trio he played 
with once, instead of tour with Wilco.

Stanitarium, did you hear about that organ gig? i know you're a big 
Nels fan.
---
Eric Williamson
www.suitandtieguy.com

From Loopers-Delight-request@loopers-delight.com  Tue Jul 13 17:01:52 2004
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To: Loopers Delight <Loopers-Delight@loopers-delight.com>
From: John Metzler <jarofjam@mac.com>
Subject: Nels Cline (of the Geraldine Fibbers)
Date: Tue, 13 Jul 2004 16:58:37 -0400
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Wow am I dreaming or did a conversation about Nels Cline start up on 
the LD list?

      I'm glad to know that there are others on this list who know of 
him and even happier to see that we are fans.  I think he is undeniably 
amazing.  I was always a huge fan of the Geraldine Fibbers ever since 
Carla Bozulich started the band, after leaving Ethyl Meatplow.  I 
didn't get to see them live until after the album "Butch" came out with 
Nels playing on it and touring with it.  Ever since then I have been a 
fan.  He even gave me a copy of his solo album titled "Chest" and that 
only furthered my love for his art.  Years latter I was helping run a 
small all-ages club in central California called The Don.  We got Carla 
Bozulich and The Nels Cline Singers to perform there one night.   The 
Nels Cline Singers put on an incredible show and then Carla joined them 
and they did a cover of the entire Willie Nelson album "The Red headed 
Stranger".  It was a very special night.  We flyered for 50 miles in 
every direction, posted on every related site we could think of, and 
even got a couple of radio ads in.  And in the end they played for me 
and my friends.  A total of maybe 12 people showed up.  But they had a 
great time and we did too.
	The band that night was Nels with his Jaguar (given to him by Mike 
Watt) and a floor full of pedals, ....oh, and a lapsteel.  Devin Hoff 
on Double Bass, and Scott Amandola on Drums, with just as many pedals 
as Nels had.  Lots of sound scapes make that night, definitely some 
looping  going on.

---John M.

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Great story, John.  Mike Watt was my first exposure to Nels, and since 
then he has become my favorite guitarist.  His range is astounding (from 
abstract ambient, to free jazz, to pop stuff), his technique is 
unbelievable, and his use of the EH-16 is a blast, just a great melding 
of looping in the context of melodic playing. He's also really humble 
and has a great sense of humor.  AND he's almost 50 and still rocks out 
completely.  I can't describe completely what an effect he's had on me 
in the last few years.

Daryl Shawn
highhorse@mhorse.com


> Wow am I dreaming or did a conversation about Nels Cline start up on 
> the LD list?



From Loopers-Delight-request@loopers-delight.com  Tue Jul 13 17:21:24 2004
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Nels is incredibly cool. I'm glad for him w/ Wilco. I hope it helps his 
career. =-) PJ

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT  COLOR=3D"#ff0000" SIZE=3D4 P=
TSIZE=3D14 FAMILY=3D"SANSSERIF" FACE=3D"Verdana" LANG=3D"0"><B><I>Nels is in=
credibly cool. I'm glad for him w/ Wilco. I hope it helps his career. =3D-)=20=
PJ</B></I></FONT></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue Jul 13 17:30:49 2004
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From: Monica <coolintensity@yahoo.com>
Subject: Steve Howe's car right here in my own backyard!
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It is my profound pleasure and privilege to announce that   Steve Howe's car has just turned up right here in my own
funky state of Pennsylvania!That's right,the very same
Mercedes that Howe has driven himself cross-country in on many
YES tours, however mileage-ridden, is going up for auction not
far from where I am right now. My German music teacher wanted 
to bid on it but it's got mondo mileage and expected to go for
a very big obscene amount of money.So we just sat around in horrible humid 95 degree weather and played Roundabout instead-
in honor of Steve's car!...Coincidentally I have also been in 
the process of designing a series of YES-inspired 
"mod-prog-fantasy"guitars that we are hoping to interest YES in
so I'm taking this as a good omen on that. If my London people expect me to, like, camp out at the carsite with my drawings or something I'll be sure to pass on that recent Looper invitation to Mr. Howe - or at least his valet or cartech! On behalf of the Commonwealth of Pennsylvania I will say: "Steve Howe's car dudes, no way!...Way!...Steve Howe's car right here in PA....WE'RE NOT WORTHY!!!!!"
 
Cheers,
Monica

		
---------------------------------
Do you Yahoo!?
Yahoo! Mail - 50x more storage than other providers!
--0-1849124041-1089753891=:31058
Content-Type: text/html; charset=us-ascii

<DIV><FONT face=courier color=#0080ff>It is my profound pleasure and privilege to announce that&nbsp;&nbsp; Steve Howe's car has just turned up right here in my own</FONT></DIV>
<DIV><FONT face=Courier color=#0080ff>funky state of Pennsylvania!That's right,the very same</FONT></DIV>
<DIV><FONT face=Courier color=#0080ff>Mercedes that Howe has driven himself cross-country in on many</FONT></DIV>
<DIV><FONT face=Courier color=#0080ff>YES tours, however mileage-ridden, is going up for auction not</FONT></DIV>
<DIV><FONT face=Courier color=#0080ff>far from where I am right now. My German music teacher wanted </FONT></DIV>
<DIV><FONT face=Courier color=#0080ff>to bid on it but it's got mondo mileage and expected to go for</FONT></DIV>
<DIV><FONT face=Courier color=#0080ff>a very big obscene amount of money.So we just sat around in horrible humid 95 degree weather and played Roundabout instead-</FONT></DIV>
<DIV><FONT face=Courier color=#0080ff>in honor of Steve's car!...Coincidentally I have also been in </FONT></DIV>
<DIV><FONT face=Courier color=#0080ff>the process of designing a series of YES-inspired </FONT></DIV>
<DIV><FONT face=Courier color=#0080ff>"mod-prog-fantasy"guitars that we are hoping to interest YES in</FONT></DIV>
<DIV><FONT face=Courier color=#0080ff>so I'm taking this as a good omen on that. If my London people expect me to, like, camp out at the carsite with my drawings or something I'll be sure to pass on </FONT><FONT face=Courier color=#0080ff>that recent Looper invitation to Mr. Howe - or at least his </FONT><FONT face=Courier color=#0080ff>valet or cartech! On behalf of the Commonwealth of Pennsylvania </FONT><FONT face=Courier color=#0080ff>I will say: "Steve Howe's car dudes, no way!...Way!...Steve Howe's car right here in PA....WE'RE NOT WORTHY!!!!!"</FONT></DIV>
<DIV><FONT face=Courier color=#0080ff></FONT>&nbsp;</DIV>
<DIV><FONT face=Courier color=#0080ff>Cheers,</FONT></DIV>
<DIV><FONT face=Courier color=#0080ff>Monica</FONT></DIV><p>
		<hr size=1>Do you Yahoo!?<br>
<a href="http://us.rd.yahoo.com/mail_us/taglines/50x/*http://promotions.yahoo.com/new_mail/static/efficiency.html">Yahoo! Mail</a> - 50x more storage than other providers!
--0-1849124041-1089753891=:31058--

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From: ArsOcarina@aol.com
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Date: Tue, 13 Jul 2004 17:31:47 EDT
Subject: Re: Nels Cline (of the Geraldine Fibbers)
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John,

In a message dated 7/13/04 1:59:21 PM, jarofjam@mac.com writes:

>Wow am I dreaming or did a conversation about Nels Cline start up on 
>the LD list?

Nope. Several ... ahem ... years back ... ahem ... Nels used to "run" 
the "New Music Night" program at the Alligator Lounge in Santa
Monica, California. I frequented the place as an audient and as
a performer on several occasions. Nels is a swell guy. He was
always very encouraging -- even to musical wannabe punters such 
as meself. He'd sit at the bar with you after your set and say 
such nice things (and make you believe he really meant 'em too). 
Then he'd take the stage (sometime 'round midnight) and close
the place out with his trio -- playing such wonderful, blistering,
sweet, madness as to make you laugh, cry jump up and down
and holler for more all at the same time. He's an awesome talent.

Like they say, it couldn't happen to a nicer guy.

Best regards,

tEd ® kiLLiAn

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=2845073
http://www.netmusic.com/web/album.aspx?a_id=CBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=193

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes, 
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster, 
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks, 
and Viztas.

From Loopers-Delight-request@loopers-delight.com  Tue Jul 13 20:08:12 2004
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From: Travis Hartnett <tiktok@sprintmail.com>
Subject: Re: Daevid Allen/glissando guitar
Date: Tue, 13 Jul 2004 17:04:34 -0700
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The Gizmotron could produce a similar effect as the sustainer-type 
devices, but I believe you could affect each string independently and 
on the fly.  There was an on/off button for each string which activated 
a rotating rubber disk for that string, producing a bowing effect.  The 
Sustainer doesn't offer that level of control.

TravisH

On Jul 13, 2004, at 11:58 AM, 
Loopers-Delight-d-request@loopers-delight.com wrote:

> From: bruce tovsky <bruce@skeletonhome.com>
> Date: July 13, 2004 11:27:50 AM PDT
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Daevid Allen/glissando guitar
>
>
> on a related note, wild fun can be had with a bottleneck, a dl4
> and a fernandez sustainer guitar, which essentially is a guitar
> with a built-in ebow for all 6 strings. accomplishes what the
> gizmo was going for, with out the messy huge box over the bridge...
> b
--Apple-Mail-1--212875493
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The Gizmotron could produce a similar effect as the sustainer-type
devices, but I believe you could affect each string independently and
on the fly.  There was an on/off button for each string which
activated a rotating rubber disk for that string, producing a bowing
effect.  The Sustainer doesn't offer that level of control.


TravisH


On Jul 13, 2004, at 11:58 AM,
Loopers-Delight-d-request@loopers-delight.com wrote:


<excerpt><bold><color><param>0000,0000,0000</param>From:
</color></bold>bruce tovsky <<bruce@skeletonhome.com>

<bold><color><param>0000,0000,0000</param>Date: </color></bold>July
13, 2004 11:27:50 AM PDT

<bold><color><param>0000,0000,0000</param>To:
</color></bold>Loopers-Delight@loopers-delight.com

<bold><color><param>0000,0000,0000</param>Subject: </color>Re: Daevid
Allen/glissando guitar

</bold>


on a related note, wild fun can be had with a bottleneck, a dl4

and a fernandez sustainer guitar, which essentially is a guitar

with a built-in ebow for all 6 strings. accomplishes what the

gizmo was going for, with out the messy huge box over the bridge...

b</excerpt>
--Apple-Mail-1--212875493--

From Loopers-Delight-request@loopers-delight.com  Tue Jul 13 20:10:18 2004
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Date: Tue, 13 Jul 2004 17:07:53 -0700
Subject: Re: Nels Cline (of the Geraldine Fibbers)
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On Tuesday, July 13, 2004, at 02:31 PM, ArsOcarina@aol.com wrote:

> John,
>
> In a message dated 7/13/04 1:59:21 PM, jarofjam@mac.com writes:
>
>> Wow am I dreaming or did a conversation about Nels Cline start up on
>> the LD list?
>
> Nope. Several ... ahem ... years back ... ahem ... Nels used to "run"
> the "New Music Night" program at the Alligator Lounge in Santa
> Monica, California. I frequented the place as an audient and as
> a performer on several occasions. Nels is a swell guy. He was
> always very encouraging -- even to musical wannabe punters such
> as meself. He'd sit at the bar with you after your set and say
> such nice things (and make you believe he really meant 'em too).
> Then he'd take the stage (sometime 'round midnight) and close
> the place out with his trio -- playing such wonderful, blistering,
> sweet, madness as to make you laugh, cry jump up and down
> and holler for more all at the same time. He's an awesome talent.
>
> Like they say, it couldn't happen to a nicer guy.
>
>
Indeed! My first exposure to Nels was with the Vinny Golia Quintet, 
with his brother Alex on drums, Golia on virtually every instrument 
with a reed, Ken Filiano on bass and my then-professor Rob Blakeslee on 
trumpet. I saw them on tour in Eugene, OR, and I left with a 
permanently blown mind. Over the years, I'd see him just about every 
time he came through the NorthWest. My band Minus opened for his trio a 
few times, and one of the greatest compliments I ever got was when he 
said we were "evil." Saw him with Mike Watt as well, as well as his 
"cover" on Interstellar Space with Greg Bendian. Cline is one of those 
rare musicians that can play in almost any context and fit perfectly 
while still making an individual statement. It's cool that he got the 
Wilco gig, and I think he'll make Wilco a cooler band as well.

From Loopers-Delight-request@loopers-delight.com  Tue Jul 13 20:33:12 2004
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   "Looper's Delight Mailing List (E-mail)" <Loopers-Delight@loopers-delight.com>
From: Sony Felberg <sony@real.com>
Subject: Re: streaming live shows
In-Reply-To: <40A02C8500023634@mta12.wss.scd.yahoo.com>
References: <200407121538.AA829817124@mail.unitcircle.com>
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to calculate connections for the event its;

Total BW/encode rate = total connection

for example if you have 220 kbps out and encode at 20 kbps you can connect 
11 players. keep in mind network overhard. cap the servers BW at -20% of 
total.



At 12:10 PM 7/13/2004, Chris Roberts wrote:
>streaming directly from your own machine will be ok, if the line you are
>on has the bandwidth to serve all the listeners you might have, but, it's
>been my experience that the bandwidth is never enough...
>
>I don't know if you've seen my gig announcements here, but the band I am
>in plays about once a month on the internet... as well, I've been involved
>in streaming audio since about '97 and I'd be glad to talk about the details
>with you offlist.. :)
>
>peace
>-cpr
>
> >-- Original Message --
> >Date: Mon, 12 Jul 2004 15:38:23 -0400
> >From: "Kevin Goldsmith" <kevin-ml@unitcircle.com>
> >Reply-To: <kevin-ml@unitcircle.com>
> >To: "Looper's Delight Mailing List 
> (E-mail)"  <Loopers-Delight@loopers-delight.com>
> >Subject: Re: streaming live shows
> >
> >
> >You can stream directly from a Windows machine using the free Windows Media
> >encoder software.  I've often seen this used to webcast shows at venues.
> >
> >    Kevin
> >
> >disclaimer: I was on the team that wrote v7 of the encoder.
> >
> >---------- Original Message ----------------------------------
> >From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
> >Reply-To: <rs@moinlabs.de>
> >Date: Sun, 11 Jul 2004 00:58:22 +0200
> >
> >>I'm currently negotiating with a place regarding a possible looping live
> >>show. This place has a DSL internet access (don't have information about
> >>bandwith yet).
> >>
> >>I'd like to ask you whether any of you has experience with streaming live
> >>shows on the internet. From what I understand, you basically need two
>things
> >>(technically):
> >>
> >>a) a stream source, which encodes the received audio (e.g. from an audio
> >>input on the computer) and sends it out to a server. Bandwith requirement:
> >>what it takes to transmit the stream. Example: SimpleCast
> >>b) a stream server, which receives the audio stream from the source (a)
> >and
> >>sends it to the audients. Bandwith requirement: the stream times the
> >>audients. Example Icecast.
> >>c) possible relay servers, which take a stream from a server (b) and send
> >it
> >>out to the audients.
> >>
> >>Specifically, I'd like to know whether you know of any affordable (read:
> >>free si possible :-) services doing the (b) part? Also, any hints regarding
> >>the software for (a) would be appreciated (windows platform).
> >>
> >>Thanks,
> >>
> >>      Rainer
> >>
> >>Rainer Thelonius Balthasar Straschill
> >>Moinlabs GFX and Soundworks - www.moinlabs.de
> >>The Straschill Family Group - www.straschill.de
> >>digital penis expert group - www.dpeg.de
> >>Eclectic Blah - www.eblah.de
> >>
> >>
> >
> >--
> >-------------------------------------------------------------
> >Kevin Goldsmith            remove "online" from reply address
> >Unit Circle Media                   http://www.unitcircle.com
> >-------------------------------------------------------------
> >
> >--
> >

From Loopers-Delight-request@loopers-delight.com  Tue Jul 13 20:52:07 2004
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Subject: looking for feed back
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Hi,
  I am looking for feedback, please.

Below is a link to a song from my current project.
I think it's tracked, but before checking it off and sending it to the mix 
Q, I'd like to get
some feed back. If you have a few minutes, I'd  appreciate it.

TX!


http://chickiboom.com/records/current/download/sdf09.mp3
This is the most advent' project I have ever done

From Loopers-Delight-request@loopers-delight.com  Tue Jul 13 21:32:15 2004
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From: Alex Stahl <alex@pixar.com>
Subject: Re: Daevid Allen/glissando guitar
Date: Tue, 13 Jul 2004 18:30:29 -0700
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--Apple-Mail-11--207720427
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Are there any Gizmotron users around here? In particular, did it/could 
it work on bass? I know, I know, the answer is probably STFW, but I'd 
love to hear any first-hand impressions from people on this list.

thanks,

Alex S.

On Jul 13, 2004, at 5:04 PM, Travis Hartnett wrote:

> The Gizmotron could produce a similar effect as the sustainer-type 
> devices, but I believe you could affect each string independently and 
> on the fly.  There was an on/off button for each string which 
> activated a rotating rubber disk for that string, producing a bowing 
> effect.  The Sustainer doesn't offer that level of control.
>
> TravisH
>
> On Jul 13, 2004, at 11:58 AM, 
> Loopers-Delight-d-request@loopers-delight.com wrote:
>
>> From: bruce tovsky <bruce@skeletonhome.com>
>> Date: July 13, 2004 11:27:50 AM PDT
>> To: Loopers-Delight@loopers-delight.com
>> Subject: Re: Daevid Allen/glissando guitar
>>
>>
>> on a related note, wild fun can be had with a bottleneck, a dl4
>> and a fernandez sustainer guitar, which essentially is a guitar
>> with a built-in ebow for all 6 strings. accomplishes what the
>> gizmo was going for, with out the messy huge box over the bridge...
>> b
--Apple-Mail-11--207720427
Content-Transfer-Encoding: 7bit
Content-Type: text/enriched;
	charset=US-ASCII

Are there any Gizmotron users around here? In particular, did it/could
it work on bass? I know, I know, the answer is probably STFW, but I'd
love to hear any first-hand impressions from people on this list.


thanks,


Alex S.


On Jul 13, 2004, at 5:04 PM, Travis Hartnett wrote:


<excerpt>The Gizmotron could produce a similar effect as the
sustainer-type devices, but I believe you could affect each string
independently and on the fly.  There was an on/off button for each
string which activated a rotating rubber disk for that string,
producing a bowing effect.  The Sustainer doesn't offer that level of
control.


TravisH


On Jul 13, 2004, at 11:58 AM,
Loopers-Delight-d-request@loopers-delight.com wrote:


<excerpt><bold><color><param>0000,0000,0000</param>From:
</color></bold>bruce tovsky <<bruce@skeletonhome.com>

<bold><color><param>0000,0000,0000</param>Date: </color></bold>July
13, 2004 11:27:50 AM PDT

<bold><color><param>0000,0000,0000</param>To:
</color></bold>Loopers-Delight@loopers-delight.com

<bold><color><param>0000,0000,0000</param>Subject: </color>Re: Daevid
Allen/glissando guitar

</bold>


on a related note, wild fun can be had with a bottleneck, a dl4

and a fernandez sustainer guitar, which essentially is a guitar

with a built-in ebow for all 6 strings. accomplishes what the

gizmo was going for, with out the messy huge box over the bridge...

b</excerpt></excerpt>
--Apple-Mail-11--207720427--

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Subject: Gizmotron work on bass?
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I believe the answer is STFA--as in archives
BTW, Kim hates HTML.
Gary 

PS  The short answer is, Not in a production model.
G

From: Alex Stahl [mailto:alex@pixar.com] 
Sent: Tuesday, July 13, 2004 6:30 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Daevid Allen/glissando guitar


Are there any Gizmotron users around here? In particular, did it/could it
work on bass? I know, I know, the answer is probably STFW, but I'd love to
hear any first-hand impressions from people on this list.

thanks,

Alex S.





From Loopers-Delight-request@loopers-delight.com  Tue Jul 13 22:51:43 2004
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Subject: re: Nels Cline
To: Loopers-Delight@loopers-delight.com
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>Nope. Several ... ahem ... years back ... ahem ...
>Nels used to "run" 
>the "New Music Night" program at the Alligator Lounge
>in Santa
>Monica, California. I frequented the place as an
>audient and as
>a performer on several occasions. Nels is a swell
guy. >He was
>always very encouraging -- even to musical wannabe
>punters such 
>as meself. 

Yeup - Nels is definitely a wonderful soul. I have a
postcard up on the bulletin board in my kitchen that
he sent me with some kind words regarding music that
sort of starts my day every morning - 

I have a few Wilco bootlegs of the recent tour and I
am a bit disappointed in Nels participation. I was
probably expecting too much from it though. I guess a
guy  like him can't really stretch out all that much
in the context of Wilco but I seem to prefer Bennets
contributions to the live sound more so than Nels. And
how about that Letterman performance - Nels in front
of a Marshal Halfstack :)

But it's nice to see him get a nice paycheck and
exposure from a situation like this. I can't wait
until he comes back home for some more local shows and
maybe some more Carla gigs.


		
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From Loopers-Delight-request@loopers-delight.com  Wed Jul 14 01:10:26 2004
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From: Travis Hartnett <tiktok@sprintmail.com>
Subject: Re:  Re: Daevid Allen/glissando guitar 
Date: Tue, 13 Jul 2004 22:08:50 -0700
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There was indeed a bass version (four bowing discs, spaced for bass 
strings), or at least a picture of one in an ad I've got somewhere 
around here, and I believe one was on eBay a couple of years ago (not 
in working order).  In principle, there's no reason why it wouldn't 
work on bass, except for the fact that it was difficult to get working 
at all.   Gizmotrons are rare, rare, rare.

TravisH


On Jul 13, 2004, at 6:52 PM, 
Loopers-Delight-d-request@loopers-delight.com wrote:

> From: Alex Stahl <alex@pixar.com>
> Date: July 13, 2004 6:30:29 PM PDT
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Daevid Allen/glissando guitar
>
>
> Are there any Gizmotron users around here? In particular, did it/could 
> it work on bass? I know, I know, the answer is probably STFW, but I'd 
> love to hear any first-hand impressions from people on this list.
>
> thanks,
>
> Alex S.

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There was indeed a bass version (four bowing discs, spaced for bass
strings), or at least a picture of one in an ad I've got somewhere
around here, and I believe one was on eBay a couple of years ago (not
in working order).  In principle, there's no reason why it wouldn't
work on bass, except for the fact that it was difficult to get working
at all.   Gizmotrons are rare, rare, rare.  


TravisH



On Jul 13, 2004, at 6:52 PM,
Loopers-Delight-d-request@loopers-delight.com wrote:


<excerpt><bold><color><param>0000,0000,0000</param>From:
</color></bold>Alex Stahl <<alex@pixar.com>

<bold><color><param>0000,0000,0000</param>Date: </color></bold>July
13, 2004 6:30:29 PM PDT

<bold><color><param>0000,0000,0000</param>To:
</color></bold>Loopers-Delight@loopers-delight.com

<bold><color><param>0000,0000,0000</param>Subject: </color>Re: Daevid
Allen/glissando guitar

</bold>


Are there any Gizmotron users around here? In particular, did it/could
it work on bass? I know, I know, the answer is probably STFW, but I'd
love to hear any first-hand impressions from people on this list.


thanks,


Alex S.

</excerpt>
--Apple-Mail-2--194619163--

From Loopers-Delight-request@loopers-delight.com  Wed Jul 14 05:28:15 2004
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Subject: Gizmo - was Daevid Allen/glissando guitar 
Date: Wed, 14 Jul 2004 10:20:09 +0100
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Dig out a copy of Art Thompson's Stompbox book for the inside story of the
Gizmotron. It was the straw that broke Musitronics back apparently, founder
Aaron Newman;

"The beginning of the end for us was around '77 when we got involved with a
thing called the Gizmotron. It was an electromechanical bowing device
brought to us by a sales rep who knew someone in the band 10cc. The
Gizmotron as invented by band members Lol Creme & Kevin Godley, & they'd
used it for the string-sounding parts on their hit "I'm Not in Love". The
only problem was that Lol was the only person who could actually play the
thing. We were blown away by the Gizmo's potential but in hindsighte shuld
have realized that it couldn't work. The Gizmo had some physical limitations
that you couldn't really overcome. For instance, we found if we made them
during the winter, they wouldn't work properly in hot weather. It was the
characteristics of the plastics and none of us were plastics engineers. We
were out of our realm."

Lack of sufficient funds drove them to sell off Musitronics to ARP
(themselves suffering from the Avatar's commercial failure) and concentrate
on Gizmo Incorporated until Aaron suffered a heart attack and decided to
call it a day.



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<BODY>
<DIV><SPAN class=3D799590009-14072004><FONT face=3DArial color=3D#0000ff =
size=3D2>Dig=20
out a copy of Art Thompson's Stompbox book for the inside story of the=20
Gizmotron. </FONT></SPAN><SPAN class=3D799590009-14072004><FONT =
face=3DArial=20
color=3D#0000ff size=3D2>It was the straw that broke Musitronics back =
apparently,=20
founder Aaron Newman;</FONT></SPAN></DIV>
<DIV><SPAN class=3D799590009-14072004><FONT face=3DArial color=3D#0000ff =

size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D799590009-14072004><FONT face=3DArial color=3D#0000ff =
size=3D2>"The=20
beginning of the end for us was around '77 when we got involved with a =
thing=20
called the Gizmotron. It was an electromechanical bowing device brought =
to us=20
by&nbsp;a sales rep who knew someone in the band 10cc. The Gizmotron as=20
invented&nbsp;by band members Lol Creme &amp; Kevin&nbsp;Godley, &amp; =
they'd=20
used it for the string-sounding parts on their hit "I'm Not in Love". =
The only=20
problem was that Lol was the only person who could actually play the =
thing. We=20
were blown away by the Gizmo's potential but in hindsighte shuld have=20
realized&nbsp;that it couldn't work. The Gizmo had some physical =
limitations=20
that you couldn't really overcome. For instance, we found&nbsp;if we =
made them=20
during the winter, they wouldn't work properly in hot weather. It was =
the=20
characteristics of the plastics and none of us were plastics engineers. =
We were=20
out of our realm."</FONT></SPAN></DIV>
<DIV><SPAN class=3D799590009-14072004><FONT face=3DArial color=3D#0000ff =

size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D799590009-14072004><FONT face=3DArial color=3D#0000ff =
size=3D2>Lack=20
of sufficient funds drove them to sell off Musitronics to ARP =
(themselves=20
suffering from the Avatar's commercial failure) and concentrate on Gizmo =

Incorporated until Aaron suffered a heart attack and decided to call it =
a=20
day.</FONT></SPAN></DIV>
<DIV><SPAN class=3D799590009-14072004><FONT face=3DArial color=3D#0000ff =

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From Loopers-Delight-request@loopers-delight.com  Wed Jul 14 10:25:33 2004
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Subject: Re: Daevid Allen/glissando guitar
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From: bruce tovsky <bruce@skeletonhome.com>
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well, i'd challenge that remark a bit.
i've found that the sustainer offers an impressive level of control,
particularly when using the harmonics switch, which allows the
user to choose fundamental, octave or a combination of the two.
one downside to sustainer technique is the inability to press the
string driving element closer to the strings, something i do a lot
with my ebow - even to the point of getting rattles from the ebow
touching the strings. having the ability to sustain chords, etc., does
ameliorate this drawback significantly, imho. of course, every device
has its advantages and disadvantages, and never having actually
played a gizmo (only seen  it played) i can't comment on it. for me
the big advantage of the sustainer system is that you do it all with
your fingers on the strings (except for the harmonic switch) - no
pressing buttons on the gizmo or perfecting the string switching
move with the ebow - just muting and unmuting strings.
disclaimer: i am in no way compensated for these remarks. 8-)
best
bruce

On Tuesday, July 13, 2004, at 08:04  PM, Travis Hartnett wrote:

> The Gizmotron could produce a similar effect as the sustainer-type 
> devices, but I believe you could affect each string independently and 
> on the fly.  There was an on/off button for each string which 
> activated a rotating rubber disk for that string, producing a bowing 
> effect.  The Sustainer doesn't offer that level of control.
>
> TravisH
>
> On Jul 13, 2004, at 11:58 AM, 
> Loopers-Delight-d-request@loopers-delight.com wrote:
>
>> From: bruce tovsky <bruce@skeletonhome.com>
>> Date: July 13, 2004 11:27:50 AM PDT
>> To: Loopers-Delight@loopers-delight.com
>> Subject: Re: Daevid Allen/glissando guitar
>>
>>
>> on a related note, wild fun can be had with a bottleneck, a dl4
>> and a fernandez sustainer guitar, which essentially is a guitar
>> with a built-in ebow for all 6 strings. accomplishes what the
>> gizmo was going for, with out the messy huge box over the bridge...
>> b
bruce tovsky
www.skeletonhome.com



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well, i'd challenge that remark a bit.

i've found that the sustainer offers an impressive level of control,

particularly when using the harmonics switch, which allows the 

user to choose fundamental, octave or a combination of the two. 

one downside to sustainer technique is the inability to press the

string driving element closer to the strings, something i do a lot

with my ebow - even to the point of getting rattles from the ebow

touching the strings. having the ability to sustain chords, etc., does

ameliorate this drawback significantly, imho. of course, every device

has its advantages and disadvantages, and never having actually 

played a gizmo (only seen  it played) i can't comment on it. for me

the big advantage of the sustainer system is that you do it all with

your fingers on the strings (except for the harmonic switch) - no

pressing buttons on the gizmo or perfecting the string switching

move with the ebow - just muting and unmuting strings.

disclaimer: i am in no way compensated for these remarks. 8-)

best

bruce


On Tuesday, July 13, 2004, at 08:04  PM, Travis Hartnett wrote:


<excerpt>The Gizmotron could produce a similar effect as the
sustainer-type devices, but I believe you could affect each string
independently and on the fly.  There was an on/off button for each
string which activated a rotating rubber disk for that string,
producing a bowing effect.  The Sustainer doesn't offer that level of
control.


TravisH


On Jul 13, 2004, at 11:58 AM,
Loopers-Delight-d-request@loopers-delight.com wrote:


<excerpt><bold><color><param>0000,0000,0000</param>From:
</color></bold>bruce tovsky <<bruce@skeletonhome.com>

<bold><color><param>0000,0000,0000</param>Date: </color></bold>July
13, 2004 11:27:50 AM PDT

<bold><color><param>0000,0000,0000</param>To:
</color></bold>Loopers-Delight@loopers-delight.com

<bold><color><param>0000,0000,0000</param>Subject: </color>Re: Daevid
Allen/glissando guitar

</bold>


on a related note, wild fun can be had with a bottleneck, a dl4

and a fernandez sustainer guitar, which essentially is a guitar

with a built-in ebow for all 6 strings. accomplishes what the

gizmo was going for, with out the messy huge box over the bridge...

b

</excerpt></excerpt>bruce tovsky

www.skeletonhome.com




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From Loopers-Delight-request@loopers-delight.com  Wed Jul 14 10:43:36 2004
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On Jul 14, 2004, at 10:22 AM, bruce tovsky wrote:

> one downside to sustainer technique is the inability to press the
> string driving element closer to the strings, something i do a lot
> with my ebow - even to the point of getting rattles from the ebow
> touching the strings

Bruce, this is one of my favorite techniques, and for me is an 
essential part of what makes the eBow expressive.  I also move the eBow 
towards and away from the pickups for dynamics, or side to side / up 
and down for an almost tremolo effect.  Chords would be cool, but I 
still think the eBow adds a lot of options for such a cheap and simple 
device that can be used on any instrument.

 From what I have read about the Gizmotron, it sounds like it would have 
been an amazing device.  I think everyone agrees that an eBow doesn't 
really sound like bowed strings, but from what I have read the 
Gizmotron actually comes much closer, which makes sense as the 
mechanism is closer to an actual bow on string.  I like having options 
and different colors to work with so I wish I could have such a device 
in my arsenal.  I hate "vintage" stuff though, so buying a used one is 
out of the question for me.

Has anyone here mentioned Sustainiac sustainers?  They have two models, 
one like the home made "wall speaker" device mentioned earlier in the 
thread and another like the one on Fernandes guitars.

BTW, if no one has said it yet, With or Without You by U2 has Infinite 
guitar on it.

From Loopers-Delight-request@loopers-delight.com  Wed Jul 14 11:47:37 2004
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I'll be offline starting tomorrow until the 24th. Back then. Feel free to
buy lots of CDs while I'm gone and I'll fill all the orders ASAP upon my
return :)

Thanks

D_
__________________________________________________________________
HELP WANTED PRODUCTIONS - Http://www.HelpWantedProductions.com
"Bringing you the best in Organic Electronic music since we started..."

NEW!  - Online Catalog with paypal. Buy Hip Avant/Experimental Music
instantly.  Http://www.HelpWantedProductions.com/catalog.htm



From Loopers-Delight-request@loopers-delight.com  Wed Jul 14 12:28:30 2004
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Subject: RE: Gizmo - was Daevid Allen/glissando guitar 
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...and I've just remembered, Godley & Creme made a concept album to show off
the Gizmo, I've never heard it (or know of anyone who did), AMG says;
"This album, the solo debut of former 10cc members Kevin Godley and Lol
Creme, is generally considered to be one of the most notorious examples of
'70s music-business excess. Consequences began its life as a single designed
to show off the "gizmo," a musical device created by Godley & Creme that
allowed an electric guitar to create symphonic-sounding textures when
attached to its neck. Somewhere along the line, this single blew up into a
triple-disc concept album about nature taking its revenge on mankind through
hurricanes, floods, and the like. The first disc is almost entirely
instrumental, using the gizmo' to create all sorts of different textures as
a hurricane dubbed Honolulu Lulu" trashes Hawaii and heads for the United
States."


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charset=3Dwindows-1252">
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<DIV><SPAN class=3D696572316-14072004><FONT face=3DArial color=3D#0000ff =
size=3D2>...and=20
I've just remembered, Godley &amp; Creme made a concept album to show =
off the=20
Gizmo, I've never heard it (or know of anyone who did), AMG=20
says;</FONT></SPAN></DIV>
<DIV><SPAN class=3D696572316-14072004>"This album, the solo debut of =
former <A=20
onclick=3D"z('11:fzec97b7kr5t')">10cc</A> members <A=20
onclick=3D"z('11:klaqoaqabijv')">Kevin Godley</A> and <A=20
onclick=3D"z('11:ozkku3l5an5k')">Lol Creme</A>, is generally considered =
to be one=20
of the most notorious examples of '70s music-business excess.=20
<I>Consequences</I> began its life as a single designed to show off the =
"gizmo,"=20
a musical device created by Godley &amp; Creme that allowed an electric =
guitar=20
to create symphonic-sounding textures when attached to its neck. =
Somewhere along=20
the line, this single blew up into a triple-disc concept album about =
nature=20
taking its revenge on mankind through hurricanes, floods, and the like. =
The=20
first disc is almost entirely instrumental, using the =91gizmo' to =
create all=20
sorts of different textures as a hurricane dubbed =93Honolulu Lulu" =
trashes Hawaii=20
and heads for the United States."</SPAN></DIV>
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From Loopers-Delight-request@loopers-delight.com  Wed Jul 14 12:45:31 2004
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Subject: Re: Daevid Allen/glissando guitar
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From: bruce tovsky <bruce@skeletonhome.com>
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> Bruce, this is one of my favorite techniques, and for me is an 
> essential part of what makes the eBow expressive.  I also move the 
> eBow towards and away from the pickups for dynamics, or side to side / 
> up and down for an almost tremolo effect.  Chords would be cool, but I 
> still think the eBow adds a lot of options for such a cheap and simple 
> device that can be used on any instrument.

no argument from me. i still use my original silver ebow that i've had 
for
over 25 years, definitely the most expressive single-string electronic
bowing device made.

>
> From what I have read about the Gizmotron, it sounds like it would 
> have been an amazing device.  I think everyone agrees that an eBow 
> doesn't really sound like bowed strings, but from what I have read the 
> Gizmotron actually comes much closer, which makes sense as the 
> mechanism is closer to an actual bow on string.  I like having options 
> and different colors to work with so I wish I could have such a device 
> in my arsenal.  I hate "vintage" stuff though, so buying a used one is 
> out of the question for me.

well, sometimes you just need to use a real bow. i've had great results
bowing my acoustic lap guitar, particularly tuned down to a B - love 
those
low tones.... and for extended bowing techniques nothing beats a real 
bow
for those frictiony sounds... great palette of textures.

>
> Has anyone here mentioned Sustainiac sustainers?  They have two 
> models, one like the home made "wall speaker" device mentioned earlier 
> in the thread and another like the one on Fernandes guitars.

i believe kramer also made a line of sustainers, functionally similar 
to the
fernandez models.

>
> BTW, if no one has said it yet, With or Without You by U2 has Infinite 
> guitar on it.

also, check out michael brook, who i believe coined the term "infinite 
guitar."

bruce tovsky
www.skeletonhome.com


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From: DJ <dhjohnson@mindspring.com>
Subject: Re: Daevid Allen/glissando guitar
Date: Wed, 14 Jul 2004 13:07:30 -0400
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Could not agree more.  I've got one of those too, as well as a jimbow 
"dulcimer bow" that they sell at elderly instruments.  It's a small 
hand held bow that is arched so you can play the individual strings of 
a dulcimer, but I use it on everything, guitar, bass, dulcimer.  I may 
have to try your low B on a lap guitar.  Are you using a Wessinborn 
style guitar for that or a resonator guitar, or something else 
entirely?

My ultimate dream is to some day have a luthier build me a modern 
arppegione which is a bowed guitar that is held like a cello.  Schubert 
wrote a sonata for it that is today played on the cello.  The nice 
thing about an arppegione for guitarists is the tuning is the same as a 
guitar so one already knows his way around the neck, and it has frets, 
so a guitarist that is used to having some kind of fret reference is 
not all of a sudden thrust into a realm that is totally unfamiliar.  I 
understand that there is still some work to be done on bowing 
technique, but I think most guitarists could handle this with a little 
practice.

I think if a company came out with an "electric" version of such an 
instrument that was not too expensive it could be wildly popular.  
Think of how many guitarists own several guitars, and how most 
guitarists are to some degree or another in search of that illusive 
sustain and "bowed string" sound.  If such an instrument would not 
break the bank I think plenty of guitarists would pick up one of these 
instruments instead of that second strat or a new les paul.  So far my 
research into such an instrument has only turned up options that cost 
several thousand dollars, which is not an option for me (and for many 
guitarists).  I think a mass produced, sub-$1000.00 instrument like 
this would sell like hot cakes, and someday I may try to make this a 
reality if I can get the resources together and meet the "right" people 
as I sense a 'collective yearning' for such an instrument from many 
guitarists.  ;0)

On Jul 14, 2004, at 12:35 PM, bruce tovsky wrote:

> well, sometimes you just need to use a real bow. i've had great results
> bowing my acoustic lap guitar, particularly tuned down to a B - love 
> those
> low tones.... and for extended bowing techniques nothing beats a real 
> bow
> for those frictiony sounds... great palette of textures.

From Loopers-Delight-request@loopers-delight.com  Wed Jul 14 13:21:30 2004
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From: msottilaro <sine@zerocrossing.net>
Subject: Re: Daevid Allen/glissando guitar
Date: Wed, 14 Jul 2004 10:15:52 -0700
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When was the last time you bought a hot cake?

Mark

On Jul 14, 2004, at 10:07 AM, DJ wrote:

> I think a mass produced, sub-$1000.00 instrument like this would sell 
> like hot cakes,

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From: DJ <dhjohnson@mindspring.com>
Subject: Re: Daevid Allen/glissando guitar
Date: Wed, 14 Jul 2004 13:23:40 -0400
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This morning.  Ummm yummy!

On Jul 14, 2004, at 1:15 PM, msottilaro wrote:

> When was the last time you bought a hot cake?
>
> Mark
>
> On Jul 14, 2004, at 10:07 AM, DJ wrote:
>
>> I think a mass produced, sub-$1000.00 instrument like this would sell 
>> like hot cakes,
>

From Loopers-Delight-request@loopers-delight.com  Wed Jul 14 13:27:33 2004
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Date: Wed, 14 Jul 2004 10:20:11 -0700
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Well, I just 'discovered' Wilco, and have really enjoyed Yankee Hotel,
and the latest one (a little less) and Summer Teeth has grown on me more
and more. Hearing that a player such as Nels is joining them gives the
'stamp of approval' to this 'guilty pleasure' (so to speak :-)

NG

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From Loopers-Delight-request@loopers-delight.com  Wed Jul 14 13:36:22 2004
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On Wednesday, July 14, 2004, at 01:07  PM, DJ wrote:

> Could not agree more.  I've got one of those too, as well as a jimbow 
> "dulcimer bow" that they sell at elderly instruments.  It's a small 
> hand held bow that is arched so you can play the individual strings of 
> a dulcimer, but I use it on everything, guitar, bass, dulcimer.  I may 
> have to try your low B on a lap guitar.  Are you using a Wessinborn 
> style guitar for that or a resonator guitar, or something else 
> entirely?

for acoustic i use a circa 1930's oahu jumbo square neck lap guitar.
basically a jumbo acoustic with solid square neck, no resonator.
they were sold as companions to a mail-order hawaiian guitar
lesson course, and if memory serves me were made by regal.
for electric i have an oahu tonemaster lap steel. both have been
"scipioized" by my pick for world's best guitar restorer/luthier:  flip
scipio. (thanks again flip!) the oahu acoustic has a highlander pickup
built into the bridge which sounds awesome, natural with out that
piezo twang. the dulcimer bow sounds interesting - my friend elliot
sharp has a handmade bow that is similar. i've got to check that out.
best
bruce

bruce tovsky
www.skeletonhome.com


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Alex Stahl wrote:

> Are there any Gizmotron users around here? In particular, did it/could 
> it work on bass? I know, I know, the answer is probably STFW, but I'd 
> love to hear any first-hand impressions from people on this list.
>
Yes, there was a Bass Gizmotron.  I bought four of them at close out 
prices.  It's not perfect: the teeth on the wheels wear down.  But I 
know of nothing else that does what it does.

John McIntyre
mcintyre@pa.msu.edu

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I have a copy that I picked up used, but I've never listened to it, since I don't have a record player any more.   "Consequences" is now available on CD:

http://www.amazon.com/exec/obidos/tg/detail/-/B00005LNJH/qid=1089828271/sr=8-3/ref=sr_8_xs_ap_i3_xgl15/002-8912543-9854454?v=glance&s=music&n=507846



Date: Wed, 14 Jul 2004 17:25:44 +0100
From: "Brian Hamlin" <brian.hamlin@blueyonder.co.uk>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Gizmo - was Daevid Allen/glissando guitar 
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...and I've just remembered, Godley & Creme made a concept album to show off
the Gizmo, I've never heard it (or know of anyone who did), AMG says;
"This album, the solo debut of former 10cc members Kevin Godley and Lol
Creme, is generally considered to be one of the most notorious examples of
'70s music-business excess. Consequences began its life as a single designed
to show off the "gizmo," a musical device created by Godley & Creme that
allowed an electric guitar to create symphonic-sounding textures when
attached to its neck. Somewhere along the line, this single blew up into a
triple-disc concept album about nature taking its revenge on mankind through
hurricanes, floods, and the like. The first disc is almost entirely
instrumental, using the āgizmo' to create all sorts of different textures as
a hurricane dubbed āHonolulu Lulu" trashes Hawaii and heads for the United
States."


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Ah: the Botar

http://www.dramm.de/botare.htm

About $US2500.  Oof!

TravisH

Date: Wed, 14 Jul 2004 13:07:30 -0400
From: DJ <dhjohnson@mindspring.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Daevid Allen/glissando guitar

My ultimate dream is to some day have a luthier build me a modern 
arppegione which is a bowed guitar that is held like a cello.  Schubert 
wrote a sonata for it that is today played on the cello.  The nice 
thing about an arppegione for guitarists is the tuning is the same as a 
guitar so one already knows his way around the neck, and it has frets, 
so a guitarist that is used to having some kind of fret reference is 
not all of a sudden thrust into a realm that is totally unfamiliar.  I 
understand that there is still some work to be done on bowing 
technique, but I think most guitarists could handle this with a little 
practice.

I think if a company came out with an "electric" version of such an 
instrument that was not too expensive it could be wildly popular.  


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Date: Wed, 14 Jul 2004 11:57:51 -0700 (PDT)
From: Paolo Valladolid <paolovalladolid@yahoo.com>
Subject: Re: Daevid Allen/glissando guitar
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This one probably ain't much cheaper:

http://bowedguitar.com/

I'm guessing we're a ways off before Musician's Friend
offers cheap knockoffs of bowed guitars, just like
they now have knockoffs of Music Man guitars, etc.

Still, I (and Alan K no doubt) have seen this luthier
hanging out on the Fiddle Forum and he seems to have
really done his homework on bowed guitars and the
history behind them.

Paolo


--- Travis Hartnett <tiktok@sprintmail.com> wrote:
> Ah: the Botar
> 
> http://www.dramm.de/botare.htm
> 
> About $US2500.  Oof!
> 
> TravisH
> 
> Date: Wed, 14 Jul 2004 13:07:30 -0400
> From: DJ <dhjohnson@mindspring.com>
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Daevid Allen/glissando guitar
> 
> My ultimate dream is to some day have a luthier
> build me a modern 
> arppegione which is a bowed guitar that is held like
> a cello.  Schubert 
> wrote a sonata for it that is today played on the
> cello.  The nice 
> thing about an arppegione for guitarists is the
> tuning is the same as a 
> guitar so one already knows his way around the neck,
> and it has frets, 
> so a guitarist that is used to having some kind of
> fret reference is 
> not all of a sudden thrust into a realm that is
> totally unfamiliar.  I 
> understand that there is still some work to be done
> on bowing 
> technique, but I think most guitarists could handle
> this with a little 
> practice.
> 
> I think if a company came out with an "electric"
> version of such an 
> instrument that was not too expensive it could be
> wildly popular.  
> 
> 
> 



		
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Subject: RE: Gizmo 
Date: Wed, 14 Jul 2004 20:03:12 +0100
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 >>> ...and I've just remembered, Godley & Creme made a concept album to show off the Gizmo, I've never heard it (or know of anyone who did), AMG says;
"This album, the solo debut of former 10cc members Kevin Godley and Lol Creme, is generally considered to be one of the most notorious examples of '70s music-business excess. Consequences began its life as a single designed to show off the "gizmo," a musical device created by Godley & Creme that allowed an electric guitar to create symphonic-sounding textures when attached to its neck. Somewhere along the line, this single blew up into a triple-disc concept album about nature taking its revenge on mankind through hurricanes, floods, and the like. The first disc is almost entirely instrumental, using the 'gizmo' to create all sorts of different textures as a hurricane dubbed "Honolulu Lulu" trashes Hawaii and heads for the United States." <<< 

I have this album, & the follow-up "L" on cd. "consequences" was declicked from vinyl- I don't know if there was ever an official rerelease. I never had much time for it- bit too quirky- but I will give it another spin with an ear out for the gizmo parts. I had some correspondence recently with a guy on another list who was looking for replacement wheels for his gizmo.... & I thought mellotron owners had maintenance issues! I told him the musitronics/arp story- it appeared in mark vail's vintage synth tome; the poor chap who had the heart-attack was "out-of-the-office" when the debt collectors turned up, in fact. he'd been poached from EH by g&c to work on the gizmo....
I too have seen the picture (somewhere out there on the interweb thing) of a precision bass with a gizmo. doing a google advanced search for "bass gizmotron" no longer summons it. I may have saved it somewhere....

http://www.beitec.com/articles/vintage/vintage4.html claims that bob moog was involved & that jimmy page used one on "in through the out door". hmm.... it's listed on page's gearlist elsewhere too.

surpised how few google hits were anything to do with "gremlins".

d/r.m.i.


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<HEAD>
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1">
<META NAME=3D"Generator" CONTENT=3D"MS Exchange Server version 5.5.2653.12">
<TITLE>RE: Gizmo </TITLE>
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<BODY>

<P><FONT SIZE=3D2>&nbsp;&gt;&gt;&gt; ...and I've just remembered, Godley &a=
mp; Creme made a concept album to show off the Gizmo, I've never heard it (=
or know of anyone who did), AMG says;</FONT></P>

<P><FONT SIZE=3D2>&quot;This album, the solo debut of former 10cc members K=
evin Godley and Lol Creme, is generally considered to be one of the most no=
torious examples of '70s music-business excess. Consequences began its life=
 as a single designed to show off the &quot;gizmo,&quot; a musical device c=
reated by Godley &amp; Creme that allowed an electric guitar to create symp=
honic-sounding textures when attached to its neck. Somewhere along the line=
, this single blew up into a triple-disc concept album about nature taking =
its revenge on mankind through hurricanes, floods, and the like. The first =
disc is almost entirely instrumental, using the 'gizmo' to create all sorts=
 of different textures as a hurricane dubbed &quot;Honolulu Lulu&quot; tras=
hes Hawaii and heads for the United States.&quot; &lt;&lt;&lt; </FONT></P>

<P><FONT SIZE=3D2>I have this album, &amp; the follow-up &quot;L&quot; on c=
d. &quot;consequences&quot; was declicked from vinyl- I don't know if there=
 was ever an official rerelease. I never had much time for it- bit too quir=
ky- but I will give it another spin with an ear out for the gizmo parts. I =
had some correspondence recently with a guy on another list who was looking=
 for replacement wheels for his gizmo.... &amp; I thought mellotron owners =
had maintenance issues! I told him the musitronics/arp story- it appeared i=
n mark vail's vintage synth tome; the poor chap who had the heart-attack wa=
s &quot;out-of-the-office&quot; when the debt collectors turned up, in fact=
. he'd been poached from EH by g&amp;c to work on the gizmo....</FONT></P>

<P><FONT SIZE=3D2>I too have seen the picture (somewhere out there on the i=
nterweb thing) of a precision bass with a gizmo. doing a google advanced se=
arch for &quot;bass gizmotron&quot; no longer summons it. I may have saved =
it somewhere....</FONT></P>

<P><FONT SIZE=3D2><A HREF=3D"http://www.beitec.com/articles/vintage/vintage=
4.html" TARGET=3D"_blank">http://www.beitec.com/articles/vintage/vintage4.h=
tml</A> claims that bob moog was involved &amp; that jimmy page used one on=
 &quot;in through the out door&quot;. hmm.... it's listed on page's gearlis=
t elsewhere too.</FONT></P>

<P><FONT SIZE=3D2>surpised how few google hits were anything to do with &qu=
ot;gremlins&quot;.</FONT>
</P>

<P><FONT SIZE=3D2>d/r.m.i.</FONT>
</P>

<CODE><FONT SIZE=3D3><BR>
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From Loopers-Delight-request@loopers-delight.com  Wed Jul 14 15:26:47 2004
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Markie's back!
G
PS  Hotcakes are on me . . .
AKA frybread, lots of folks eat 'em . . . Pancakes, etc.
G
-----Original Message-----
From: msottilaro [mailto:sine@zerocrossing.net] 
Sent: Wednesday, July 14, 2004 10:16 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Daevid Allen/glissando guitar

When was the last time you bought a hot cake?

Mark

On Jul 14, 2004, at 10:07 AM, DJ wrote:

> I think a mass produced, sub-$1000.00 instrument like this would sell 
> like hot cakes,



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Yup if you want to bow a guitar this is the way to go check out the site for
sound clips I think there on soundclick. The pricing was reasonable for a
high quality handmade instrument which is almost a one off.

Link to sound sample http://bowedguitar.tripod.com/therainbow.mp3



-----Original Message-----
From: Paolo Valladolid [mailto:paolovalladolid@yahoo.com] 
Sent: Wednesday, July 14, 2004 2:58 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Daevid Allen/glissando guitar

This one probably ain't much cheaper:

http://bowedguitar.com/

I'm guessing we're a ways off before Musician's Friend offers cheap
knockoffs of bowed guitars, just like they now have knockoffs of Music Man
guitars, etc.

Still, I (and Alan K no doubt) have seen this luthier hanging out on the
Fiddle Forum and he seems to have really done his homework on bowed guitars
and the history behind them.

Paolo


--- Travis Hartnett <tiktok@sprintmail.com> wrote:
> Ah: the Botar
> 
> http://www.dramm.de/botare.htm
> 
> About $US2500.  Oof!
> 
> TravisH
> 
> Date: Wed, 14 Jul 2004 13:07:30 -0400
> From: DJ <dhjohnson@mindspring.com>
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Daevid Allen/glissando guitar
> 
> My ultimate dream is to some day have a luthier build me a modern 
> arppegione which is a bowed guitar that is held like a cello.  
> Schubert wrote a sonata for it that is today played on the cello.  The 
> nice thing about an arppegione for guitarists is the tuning is the 
> same as a guitar so one already knows his way around the neck, and it 
> has frets, so a guitarist that is used to having some kind of fret 
> reference is not all of a sudden thrust into a realm that is totally 
> unfamiliar.  I understand that there is still some work to be done on 
> bowing technique, but I think most guitarists could handle this with a 
> little practice.
> 
> I think if a company came out with an "electric"
> version of such an
> instrument that was not too expensive it could be wildly popular.
> 
> 
> 



		
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From Loopers-Delight-request@loopers-delight.com  Wed Jul 14 15:33:34 2004
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Subject: RE: Daevid Allen/glissando guitar
Date: Wed, 14 Jul 2004 15:27:48 -0400
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Oh also if you play a bowed instrument and loop come join the conversation
at Alternative Strings and Fiddle Forum
http://www.fiddleforum.com/fiddleforum 


-----Original Message-----
From: Paolo Valladolid [mailto:paolovalladolid@yahoo.com] 
Sent: Wednesday, July 14, 2004 2:58 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Daevid Allen/glissando guitar

This one probably ain't much cheaper:

http://bowedguitar.com/

I'm guessing we're a ways off before Musician's Friend offers cheap
knockoffs of bowed guitars, just like they now have knockoffs of Music Man
guitars, etc.

Still, I (and Alan K no doubt) have seen this luthier hanging out on the
Fiddle Forum and he seems to have really done his homework on bowed guitars
and the history behind them.

Paolo


--- Travis Hartnett <tiktok@sprintmail.com> wrote:
> Ah: the Botar
> 
> http://www.dramm.de/botare.htm
> 
> About $US2500.  Oof!
> 
> TravisH
> 
> Date: Wed, 14 Jul 2004 13:07:30 -0400
> From: DJ <dhjohnson@mindspring.com>
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Daevid Allen/glissando guitar
> 
> My ultimate dream is to some day have a luthier build me a modern 
> arppegione which is a bowed guitar that is held like a cello.  
> Schubert wrote a sonata for it that is today played on the cello.  The 
> nice thing about an arppegione for guitarists is the tuning is the 
> same as a guitar so one already knows his way around the neck, and it 
> has frets, so a guitarist that is used to having some kind of fret 
> reference is not all of a sudden thrust into a realm that is totally 
> unfamiliar.  I understand that there is still some work to be done on 
> bowing technique, but I think most guitarists could handle this with a 
> little practice.
> 
> I think if a company came out with an "electric"
> version of such an
> instrument that was not too expensive it could be wildly popular.
> 
> 
> 



		
__________________________________
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Yahoo! Mail - 50x more storage than other providers!
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Date: Wed, 14 Jul 2004 12:45:07 -0700 (PDT)
From: Paolo Valladolid <paolovalladolid@yahoo.com>
Subject: RE: Daevid Allen/glissando guitar
To: Loopers-Delight@loopers-delight.com
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I highly recommend this forum to all bowed instrument
players, regardless of stylistic preferences.  I've
gotten a lot of good info myself from it.

Paolo

--- Alan Kroeger <nospam@akroeger.com> wrote:
> Oh also if you play a bowed instrument and loop come
> join the conversation
> at Alternative Strings and Fiddle Forum
> http://www.fiddleforum.com/fiddleforum 
> 
> 
> -----Original Message-----
> From: Paolo Valladolid
> [mailto:paolovalladolid@yahoo.com] 
> Sent: Wednesday, July 14, 2004 2:58 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Daevid Allen/glissando guitar
> 
> This one probably ain't much cheaper:
> 
> http://bowedguitar.com/
> 
> I'm guessing we're a ways off before Musician's
> Friend offers cheap
> knockoffs of bowed guitars, just like they now have
> knockoffs of Music Man
> guitars, etc.
> 
> Still, I (and Alan K no doubt) have seen this
> luthier hanging out on the
> Fiddle Forum and he seems to have really done his
> homework on bowed guitars
> and the history behind them.
> 
> Paolo
> 
> 
> --- Travis Hartnett <tiktok@sprintmail.com> wrote:
> > Ah: the Botar
> > 
> > http://www.dramm.de/botare.htm
> > 
> > About $US2500.  Oof!
> > 
> > TravisH
> > 
> > Date: Wed, 14 Jul 2004 13:07:30 -0400
> > From: DJ <dhjohnson@mindspring.com>
> > To: Loopers-Delight@loopers-delight.com
> > Subject: Re: Daevid Allen/glissando guitar
> > 
> > My ultimate dream is to some day have a luthier
> build me a modern 
> > arppegione which is a bowed guitar that is held
> like a cello.  
> > Schubert wrote a sonata for it that is today
> played on the cello.  The 
> > nice thing about an arppegione for guitarists is
> the tuning is the 
> > same as a guitar so one already knows his way
> around the neck, and it 
> > has frets, so a guitarist that is used to having
> some kind of fret 
> > reference is not all of a sudden thrust into a
> realm that is totally 
> > unfamiliar.  I understand that there is still some
> work to be done on 
> > bowing technique, but I think most guitarists
> could handle this with a 
> > little practice.
> > 
> > I think if a company came out with an "electric"
> > version of such an
> > instrument that was not too expensive it could be
> wildly popular.
> > 
> > 
> > 
> 
> 
> 
> 		
> __________________________________
> Do you Yahoo!?
> Yahoo! Mail - 50x more storage than other providers!
> http://promotions.yahoo.com/new_mail
> 
> 
> 



	
		
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Subject: Re: Daevid Allen/glissando guitar
References: <D95793EE-D5B3-11D8-B455-0003934507D6@skeletonhome.com>
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bruce tovsky wrote:

> BTW, if no one has said it yet, With or Without You by U2 has Infinite 
> guitar on it.
>
> also, check out michael brook, who i believe coined the term "infinite 
> guitar."


He's thanked in the liner notes of The Joshua Tree for inventing
the infinite guitar. I don't know if he did, but he built
the one used on the album.

-- 
* David Beardsley
* microtonal guitar
* http://biink.com/db

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Subject: Re: Daevid Allen/glissando guitar
References: <D95793EE-D5B3-11D8-B455-0003934507D6@skeletonhome.com> <4A6B59B7-D5B8-11D8-8D8A-003065B3AF6E@mindspring.com>
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DJ wrote:

> My ultimate dream is to some day have a luthier build me a modern 
> arppegione which is a bowed guitar that is held like a cello.  
> Schubert wrote a sonata for it that is today played on the cello.  The 
> nice thing about an arppegione for guitarists is the tuning is the 
> same as a guitar so one already knows his way around the neck, and it 
> has frets, so a guitarist that is used to having some kind of fret 
> reference is not all of a sudden thrust into a realm that is totally 
> unfamiliar.  I understand that there is still some work to be done on 
> bowing technique, but I think most guitarists could handle this with a 
> little practice. 

I thought it was called the vila de gamba.

http://vdgsa.org/

I've played the guitar all my life and I like the cello. Without frets.

I tried a friends electric cello last Winter and spent
an late evening looking at electric cellos on line.  And a week
talking myself out of it. I have enough toys.

-- 
* David Beardsley
* microtonal guitar
* http://biink.com/db

From Loopers-Delight-request@loopers-delight.com  Wed Jul 14 16:21:23 2004
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Subject: Re: Daevid Allen/glissando guitar
References: <D95793EE-D5B3-11D8-B455-0003934507D6@skeletonhome.com> <4A6B59B7-D5B8-11D8-8D8A-003065B3AF6E@mindspring.com> <40F5925D.3060908@biink.com>
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David Beardsley wrote:

> DJ wrote:
>
>> My ultimate dream is to some day have a luthier build me a modern 
>> arppegione which is a bowed guitar that is held like a cello.  
>> Schubert wrote a sonata for it that is today played on the cello.  
>> The nice thing about an arppegione for guitarists is the tuning is 
>> the same as a guitar so one already knows his way around the neck, 
>> and it has frets, so a guitarist that is used to having some kind of 
>> fret reference is not all of a sudden thrust into a realm that is 
>> totally unfamiliar.  I understand that there is still some work to be 
>> done on bowing technique, but I think most guitarists could handle 
>> this with a little practice. 
>
>
> I thought it was called the vila de gamba.

viola de gamba

>
> http://vdgsa.org/
>
> I've played the guitar all my life and I like the cello. Without frets.
>
> I tried a friends electric cello last Winter and spent
> an late evening looking at electric cellos on line.  And a week
> talking myself out of it. I have enough toys.
>


-- 
* David Beardsley
* microtonal guitar
* http://biink.com/db

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From: Alex Stahl <alex@pixar.com>
Subject: Re: Daevid Allen/glissando guitar
Date: Wed, 14 Jul 2004 13:24:17 -0700
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Yesterday. Three of 'em.

On Jul 14, 2004, at 10:15 AM, msottilaro wrote:

> When was the last time you bought a hot cake?
>
> Mark
>
> On Jul 14, 2004, at 10:07 AM, DJ wrote:
>
>> I think a mass produced, sub-$1000.00 instrument like this would sell 
>> like hot cakes,
>

From Loopers-Delight-request@loopers-delight.com  Wed Jul 14 16:46:20 2004
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didn't know about the fiddleforum! thanx.


On Wednesday, July 14, 2004, at 12:45 PM, Paolo Valladolid wrote:

> I highly recommend this forum to all bowed instrument
> players, regardless of stylistic preferences.  I've
> gotten a lot of good info myself from it.
>
> Paolo
>
> --- Alan Kroeger <nospam@akroeger.com> wrote:
>> Oh also if you play a bowed instrument and loop come
>> join the conversation
>> at Alternative Strings and Fiddle Forum
>> http://www.fiddleforum.com/fiddleforum
>>
>>
>> -----Original Message-----
>> From: Paolo Valladolid
>> [mailto:paolovalladolid@yahoo.com]
>> Sent: Wednesday, July 14, 2004 2:58 PM
>> To: Loopers-Delight@loopers-delight.com
>> Subject: Re: Daevid Allen/glissando guitar
>>
>> This one probably ain't much cheaper:
>>
>> http://bowedguitar.com/
>>
>> I'm guessing we're a ways off before Musician's
>> Friend offers cheap
>> knockoffs of bowed guitars, just like they now have
>> knockoffs of Music Man
>> guitars, etc.
>>
>> Still, I (and Alan K no doubt) have seen this
>> luthier hanging out on the
>> Fiddle Forum and he seems to have really done his
>> homework on bowed guitars
>> and the history behind them.
>>
>> Paolo
>>
>>
>> --- Travis Hartnett <tiktok@sprintmail.com> wrote:
>>> Ah: the Botar
>>>
>>> http://www.dramm.de/botare.htm
>>>
>>> About $US2500.  Oof!
>>>
>>> TravisH
>>>
>>> Date: Wed, 14 Jul 2004 13:07:30 -0400
>>> From: DJ <dhjohnson@mindspring.com>
>>> To: Loopers-Delight@loopers-delight.com
>>> Subject: Re: Daevid Allen/glissando guitar
>>>
>>> My ultimate dream is to some day have a luthier
>> build me a modern
>>> arppegione which is a bowed guitar that is held
>> like a cello.
>>> Schubert wrote a sonata for it that is today
>> played on the cello.  The
>>> nice thing about an arppegione for guitarists is
>> the tuning is the
>>> same as a guitar so one already knows his way
>> around the neck, and it
>>> has frets, so a guitarist that is used to having
>> some kind of fret
>>> reference is not all of a sudden thrust into a
>> realm that is totally
>>> unfamiliar.  I understand that there is still some
>> work to be done on
>>> bowing technique, but I think most guitarists
>> could handle this with a
>>> little practice.
>>>
>>> I think if a company came out with an "electric"
>>> version of such an
>>> instrument that was not too expensive it could be
>> wildly popular.
>>>
>>>
>>>
>>
>>
>>
>> 		
>> __________________________________
>> Do you Yahoo!?
>> Yahoo! Mail - 50x more storage than other providers!
>> http://promotions.yahoo.com/new_mail
>>
>>
>>
>
>
>
> 	
> 		
> __________________________________
> Do you Yahoo!?
> New and Improved Yahoo! Mail - 100MB free storage!
> http://promotions.yahoo.com/new_mail
>

From Loopers-Delight-request@loopers-delight.com  Wed Jul 14 16:54:46 2004
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Subject: RE: Daevid Allen/glissando guitar
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Your Welcome 

David: Viola Da Gamba is one of the names as well as just plain old 'Viol'.
Jonathan Wilson Chose Guitar Viol to capture a wider audience of potential
users/players.

-----Original Message-----
From: Zoe Keating [mailto:cello@zoekeating.com] 
Sent: Wednesday, July 14, 2004 4:43 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Daevid Allen/glissando guitar

didn't know about the fiddleforum! thanx.


On Wednesday, July 14, 2004, at 12:45 PM, Paolo Valladolid wrote:

> I highly recommend this forum to all bowed instrument players, 
> regardless of stylistic preferences.  I've gotten a lot of good info 
> myself from it.
>
> Paolo
>
> --- Alan Kroeger <nospam@akroeger.com> wrote:
>> Oh also if you play a bowed instrument and loop come join the 
>> conversation at Alternative Strings and Fiddle Forum 
>> http://www.fiddleforum.com/fiddleforum
>>
>>
>> -----Original Message-----
>> From: Paolo Valladolid
>> [mailto:paolovalladolid@yahoo.com]
>> Sent: Wednesday, July 14, 2004 2:58 PM
>> To: Loopers-Delight@loopers-delight.com
>> Subject: Re: Daevid Allen/glissando guitar
>>
>> This one probably ain't much cheaper:
>>
>> http://bowedguitar.com/
>>
>> I'm guessing we're a ways off before Musician's Friend offers cheap 
>> knockoffs of bowed guitars, just like they now have knockoffs of 
>> Music Man guitars, etc.
>>
>> Still, I (and Alan K no doubt) have seen this luthier hanging out on 
>> the Fiddle Forum and he seems to have really done his homework on 
>> bowed guitars and the history behind them.
>>
>> Paolo
>>
>>
>> --- Travis Hartnett <tiktok@sprintmail.com> wrote:
>>> Ah: the Botar
>>>
>>> http://www.dramm.de/botare.htm
>>>
>>> About $US2500.  Oof!
>>>
>>> TravisH
>>>
>>> Date: Wed, 14 Jul 2004 13:07:30 -0400
>>> From: DJ <dhjohnson@mindspring.com>
>>> To: Loopers-Delight@loopers-delight.com
>>> Subject: Re: Daevid Allen/glissando guitar
>>>
>>> My ultimate dream is to some day have a luthier
>> build me a modern
>>> arppegione which is a bowed guitar that is held
>> like a cello.
>>> Schubert wrote a sonata for it that is today
>> played on the cello.  The
>>> nice thing about an arppegione for guitarists is
>> the tuning is the
>>> same as a guitar so one already knows his way
>> around the neck, and it
>>> has frets, so a guitarist that is used to having
>> some kind of fret
>>> reference is not all of a sudden thrust into a
>> realm that is totally
>>> unfamiliar.  I understand that there is still some
>> work to be done on
>>> bowing technique, but I think most guitarists
>> could handle this with a
>>> little practice.
>>>
>>> I think if a company came out with an "electric"
>>> version of such an
>>> instrument that was not too expensive it could be
>> wildly popular.
>>>
>>>
>>>
>>
>>
>>
>> 		
>> __________________________________
>> Do you Yahoo!?
>> Yahoo! Mail - 50x more storage than other providers!
>> http://promotions.yahoo.com/new_mail
>>
>>
>>
>
>
>
> 	
> 		
> __________________________________
> Do you Yahoo!?
> New and Improved Yahoo! Mail - 100MB free storage!
> http://promotions.yahoo.com/new_mail
>


From Loopers-Delight-request@loopers-delight.com  Wed Jul 14 17:24:17 2004
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Date: Wed, 14 Jul 2004 14:15:57 -0700 (PDT)
From: Paolo Valladolid <paolovalladolid@yahoo.com>
Subject: Re: Daevid Allen/glissando guitar
To: Loopers-Delight@loopers-delight.com
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--- Zoe Keating <cello@zoekeating.com> wrote:
> didn't know about the fiddleforum! thanx.

You would certainly be welcome there, especially with
your experience.  Enjoyed seeing Rasputina live, btw.

Paolo


		
__________________________________
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From Loopers-Delight-request@loopers-delight.com  Wed Jul 14 17:39:29 2004
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Date: Wed, 14 Jul 2004 14:30:48 -0700 (PDT)
From: Monica <coolintensity@yahoo.com>
Subject: ToneBone Hot British Tube Drive
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--0-287316389-1089840648=:51746
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    Any feedback on the ToneBone Hot British tube drive pedal?
                                                                                 Monica

		
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<DIV>&nbsp;</DIV>
<DIV>&nbsp;&nbsp;&nbsp; Any feedback on the ToneBone Hot British tube drive pedal?</DIV>
<DIV>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Monica</DIV><p>
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From Loopers-Delight-request@loopers-delight.com  Wed Jul 14 18:12:06 2004
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To: Loopers-Delight@loopers-delight.com
From: Os <os@collective.co.uk>
Subject: beta testers invited
Date: Wed, 14 Jul 2004 23:10:19 +0100
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The first beta of the next version of Augustus Loop is available here:

http://www.expert-sleepers.co.uk/downloads/augustusloop_1_1_0_beta1.tgz

This contains 3 new features which should be of some interest to 
loopers:

1) Host tempo sync.

It is now possible to specify the loop length in terms of the host 
application's tempo and a number of beats/bars etc.

2) Audio-triggered record start

So you can have the loop record triggered by your playing, rather than 
trying to hit the record button and start playing at the same time.

3) MIDI clock out

The plug-in is capable of generating MIDI clock messages. This is 
something of an experimental feature, but it does mean you can for 
example hook the MIDI out up to Ableton Live and have Live start 
playback in sync with your loop the instant you finish recording the 
first pass.


I'd be enormously grateful for your feedback, either by direct mail or 
via the forum:
http://www.collective.co.uk/expertsleepers/forum/


thanks,
os.

http://www.expertsleepers.co.uk/

From Loopers-Delight-request@loopers-delight.com  Wed Jul 14 18:31:10 2004
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From: "Krispen Hartung" <info@krispenhartung.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: C|NET Download.Com Editor's Pick
Date: Wed, 14 Jul 2004 16:27:07 -0600
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Hello Folks -

.just a shameless personal marketing plug here. ;)

My CD "Places", which is 100% real-time looping, is now "editor's pick"
on C|NET (Download.Com) under New Age, Solo Instrumental, Improvised
Music, Contemporary Instrumental, Meditation, and Progressive
Electronic.

http://music.download.com/2001-8199_32-0.html?tag=dir

"Impossible Shade of Blue" has 240 downloads so far.

If you haven't done so already, I recommend uploading your music to this
site. You have to encode your MP3s at 192, and you are limited to about
80MB. I was only able to upload three of my epic songs with this limit! 

Kris

********************************* 
Kris Hartung 
http://www.krispenhartung.com http://artist.amazon.com/krispenhartung
info@krispenhartung.com



From Loopers-Delight-request@loopers-delight.com  Wed Jul 14 20:29:47 2004
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Date: Wed, 14 Jul 2004 17:28:23 -0700 (MST)
Subject: Krispen Hartung's "Places" CD featured on KXCI's Brainwaves show 
     this week...
From: "Doug Wellington" <ddw@dakotacom.net>
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Hope nobody considers this "shameless promotion", since I'm not the
artist...  ;-)

I'm a DJ on KXCI <"http://www.kxci.org">, Tucson's Community Radio
station.  (Hmmm, maybe THAT part is the shameless promo!)  ;-)

We're featuring Krispen Hartung's "Places" CD this week on Brainwaves, the
ambient and space music show.  Brainwaves runs Monday through Friday from
6:00 AM to 7:00 AM Arizona time (-7:00 GMT).  Tune in at KXCI.org and give
it a listen!

-Doug Wellington

http://www.kxci.org
http://www.dougwellington.com

From Loopers-Delight-request@loopers-delight.com  Thu Jul 15 01:55:00 2004
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From: Mark Sottilaro <sine@zerocrossing.net>
Subject: Re: Daevid Allen/glissando guitar
Date: Wed, 14 Jul 2004 22:46:27 -0700
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I've got a Sustainiac in my Steinberger.  I love it, but it didn't 
replace the ebow in my world, but it does give me other options.  If 
you set it just right you can make it really pretty controllable.  If 
you crank it, you can get it wild and out of control.  Both cool 
options for different situations.  Sure, neither sound like a bowed 
string, but can you do chords with most bowed instruments?  They're 
their own thing, and cool they are.

BTW, I had a horrible time trying to install it myself even though I 
have a fair amount of soldering experience.  Not enough room in the 
electronics cavity for two batteries.  I had Gary Brewer in SF install 
it and it came out great, but was kind of spendy.  Looks factory 
though.

Mark

On Jul 14, 2004, at 7:40 AM, DJ wrote:

> Has anyone here mentioned Sustainiac sustainers?  They have two 
> models, one like the home made "wall speaker" device mentioned earlier 
> in the thread and another like the one on Fernandes guitars.
>
> BTW, if no one has said it yet, With or Without You by U2 has Infinite 
> guitar on it.
>

From Loopers-Delight-request@loopers-delight.com  Thu Jul 15 04:02:31 2004
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Date: Thu, 15 Jul 2004 00:56:02 -0700 (PDT)
From: "L. Angulo" <labalou2000@yahoo.com>
Subject: Re: Daevid Allen/glissando guitar
To: Loopers-Delight@loopers-delight.com
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Hi Mark,
I am considering installing a sustainer in my fender
roland ready strat,do you think it would alter its
tone?I am of course trying it out on a cheap one;-)
L.a

--- Mark Sottilaro <sine@zerocrossing.net> wrote:
> I've got a Sustainiac in my Steinberger.  I love it,
> but it didn't 
> replace the ebow in my world, but it does give me
> other options.  If 
> you set it just right you can make it really pretty
> controllable.  If 
> you crank it, you can get it wild and out of
> control.  Both cool 
> options for different situations.  Sure, neither
> sound like a bowed 
> string, but can you do chords with most bowed
> instruments?  They're 
> their own thing, and cool they are.
> 
> BTW, I had a horrible time trying to install it
> myself even though I 
> have a fair amount of soldering experience.  Not
> enough room in the 
> electronics cavity for two batteries.  I had Gary
> Brewer in SF install 
> it and it came out great, but was kind of spendy. 
> Looks factory 
> though.
> 
> Mark
> 
> On Jul 14, 2004, at 7:40 AM, DJ wrote:
> 
> > Has anyone here mentioned Sustainiac sustainers? 
> They have two 
> > models, one like the home made "wall speaker"
> device mentioned earlier 
> > in the thread and another like the one on
> Fernandes guitars.
> >
> > BTW, if no one has said it yet, With or Without
> You by U2 has Infinite 
> > guitar on it.
> >
> 
> 


=====
www.luis-angulo.com


		
__________________________________
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From Loopers-Delight-request@loopers-delight.com  Thu Jul 15 06:05:50 2004
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From: Per Boysen <per@boysen.se>
Subject: Re: beta testers invited
Date: Thu, 15 Jul 2004 12:02:51 +0200
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Hi Os,

This is looking nothing but great! I downloaded the beta, but how can I 
register? At the web site it says "you can register from within the 
plug-in" but I just can't find any "register button" in the beta. Do I 
have to download and register version 1.0 first? And if I do that, can 
I then run the beta without it stopping every 15 minutes?

All the best

Per Boysen
---
http://www.boysen.se
http://www.looproom.com


On 2004-07-15, at 00.10, Os wrote:

> The first beta of the next version of Augustus Loop is available here:
>
> http://www.expert-sleepers.co.uk/downloads/augustusloop_1_1_0_beta1.tgz
>
> This contains 3 new features which should be of some interest to 
> loopers:
>
> 1) Host tempo sync.
>
> It is now possible to specify the loop length in terms of the host 
> application's tempo and a number of beats/bars etc.
>
> 2) Audio-triggered record start
>
> So you can have the loop record triggered by your playing, rather than 
> trying to hit the record button and start playing at the same time.
>
> 3) MIDI clock out
>
> The plug-in is capable of generating MIDI clock messages. This is 
> something of an experimental feature, but it does mean you can for 
> example hook the MIDI out up to Ableton Live and have Live start 
> playback in sync with your loop the instant you finish recording the 
> first pass.
>
>
> I'd be enormously grateful for your feedback, either by direct mail or 
> via the forum:
> http://www.collective.co.uk/expertsleepers/forum/
>
>
> thanks,
> os.
>
> http://www.expertsleepers.co.uk/
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Jul 15 06:21:31 2004
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From: Per Boysen <per@boysen.se>
Subject: Re: beta testers invited
Date: Thu, 15 Jul 2004 12:20:18 +0200
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>
>> The first beta of the next version of Augustus Loop is available here:

On 2004-07-15, at 12.02, Per Boysen wrote:
>
> This is looking nothing but great! I downloaded the beta, but how can 
> I register?

Never mind, I found it :-)

BTW did you think about tempo sync the LFO? Maybe a bunch of "pads" to 
click that divides host tempo to 4th, 8th, 19th and triads (related to 
the loop length)?

Per

From Loopers-Delight-request@loopers-delight.com  Thu Jul 15 06:24:55 2004
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From: Per Boysen <per@boysen.se>
Subject: Re: beta testers invited
Date: Thu, 15 Jul 2004 12:23:04 +0200
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On 2004-07-15, at 12.20, Per Boysen wrote:
>  divides host tempo to 4th, 8th, 19th and triads (related to the loop 
> length)?
>

oops... "19th"!!!!  I must have typed with the keyboard upside down ;-) 
  Meant 16th.

per

From Loopers-Delight-request@loopers-delight.com  Thu Jul 15 07:31:41 2004
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From: Per Boysen <per@boysen.se>
Subject: Re: Augustusloop - puchased serial number not valid (was: beta testers invited)
Date: Thu, 15 Jul 2004 13:29:30 +0200
To: Os <os@collective.co.uk>, Loopers <Loopers-Delight@loopers-delight.com>
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Hi,

Please help! Here's what happened:

1. Purchased a new registration with VISA card from my stationary 
Internet computer.
2. Got a screen with a number.
3. Copied a PDF of that number.
4. Opened Augustus Loop plug-in on my Powerbook.
5. Typed in the serial number.
6. "The serial number you entered is not valid"

I can't do any serious beta-testing if it stops every 15 minutes!  Any 
advice to get Augustus into the loop? Do I have to register on the same 
machine as I downloaded to? Didn't any warning about that on the site. 
Since I'm doing music only with the powerbook for at least two more 
weeks (last gig on July 29) I really need to get it over to that 
machine.

All the best

Per Boysen
---
http://www.boysen.se
http://www.looproom.com


On 2004-07-15, at 00.10, Os wrote:

> The first beta of the next version of Augustus Loop is available here:
>
> http://www.expert-sleepers.co.uk/downloads/augustusloop_1_1_0_beta1.tgz
>
> This contains 3 new features which should be of some interest to 
> loopers:
>
> 1) Host tempo sync.
>
> It is now possible to specify the loop length in terms of the host 
> application's tempo and a number of beats/bars etc.
>
> 2) Audio-triggered record start
>
> So you can have the loop record triggered by your playing, rather than 
> trying to hit the record button and start playing at the same time.
>
> 3) MIDI clock out
>
> The plug-in is capable of generating MIDI clock messages. This is 
> something of an experimental feature, but it does mean you can for 
> example hook the MIDI out up to Ableton Live and have Live start 
> playback in sync with your loop the instant you finish recording the 
> first pass.
>
>
> I'd be enormously grateful for your feedback, either by direct mail or 
> via the forum:
> http://www.collective.co.uk/expertsleepers/forum/
>
>
> thanks,
> os.
>
> http://www.expertsleepers.co.uk/
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Jul 15 09:00:27 2004
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From: "Tom Rex" <tomrex1@cox.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: Two Mules For Sister Sara
Date: Thu, 15 Jul 2004 05:58:36 -0700
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Since Spaghetti Westerns were mentioned recently on this list, has any one
seen this film, with Clint Eastwood and Shirley MacLaine?  The score is by
Ennio Morricone, with a few incredible sounds for 1970.  I didn't see it
back then, but watched it last evening.

There are some at the opening of the film which sounded somewhat distorted,
and out of tune, and I was wondering whether the film was downloading and
streaming OK, or if there was some problem with my studio sound system.
However, it turns out that, that part of the score is a recurring motif, so
it was probably the way it was recorded.

Anyway, the critics are all over on this film, but I feel it's worth
watching and listening to more than once.  You can download it for $1.99 at
Movie Link.

http://www.movielink.com/commerce/detail/ProductDetail.jhtml?id=prod320049&s
id=&navCount=0

Tom

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From: Per Boysen <per@boysen.se>
Subject: Re: Two Mules For Sister Sara
Date: Thu, 15 Jul 2004 15:25:27 +0200
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On 2004-07-15, at 14.58, Tom Rex wrote:
>
> Since Spaghetti Westerns...

I'm a big fan of Sergio Leone :-)

All the best

Per Boysen
---
http://www.boysen.se
http://www.looproom.com

From Loopers-Delight-request@loopers-delight.com  Thu Jul 15 09:46:31 2004
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To: Loopers-Delight@loopers-delight.com
Subject: show announcement: Phasmatodea and others, Raleigh NC 15 July 2004
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Loop-d listmembers Adrian and I will be playing as our dual Chapman Stick 
looping improvisational project Phasmatodea this Thursday night 
(tonight) in Raleigh, NC. If you make it to the show tonight, please say 
hello. Thanks for reading.

obLoop: Looping devices used by the two of us in Phasmatodea typically 
include an Akai Headrush E1, Boss RC-20, Z-Vex Lo-Fi Loop Junky, and Line6 
DL4.

What: 919noisenight#4, with Pig&Iron, The Serpent Earth, Phasmatodea

When: 15 July (this Thursday), doors at 9, first set starts by 9:30pm

Where: Bickett Gallery   http://www.bickettgallery.com/
Map:           http://www.bickettgallery.com/08contact.html

Cover: $4, $3 if a member of the 919noise mailling list

More info below:
Bickett Gallery is in Raleigh, NC, near Five Points. 

Musical acts involved for Thursday:

* Pig and Iron - solo project by Drew (of Phon)

* The Serpent Earth - industrial improv by Anthony & Rob

* Phasmatodea - Steve B and Adrian Likins
A not-so-ambient dual/duel Chapman Stick improvisational soundscapes duo.
http://www.phasmatodea.net/

After the individual group performances,  an "exquisite corpse"-style 
serial improv session or other improvisational combination of the 
musicians involved might happen. 

For more information on 919noise:   http://www.919noise.org/

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From: Mark Sottilaro <sine@zerocrossing.net>
Subject: Re: Daevid Allen/glissando guitar
Date: Thu, 15 Jul 2004 07:30:18 -0700
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You loose the neck pickup, but the transducer that replaces it can be 
used at a pickup as well and I think it's got a great tone.  Different 
than what was in there, but good.  I am replacing an EMG pickup though, 
so you're experience will be different.  I guess the short answer is, 
"probably."

Mark

On Jul 15, 2004, at 12:56 AM, L. Angulo wrote:

> Hi Mark,
> I am considering installing a sustainer in my fender
> roland ready strat,do you think it would alter its
> tone?I am of course trying it out on a cheap one;-)
> L.a
>
> --- Mark Sottilaro <sine@zerocrossing.net> wrote:
>> I've got a Sustainiac in my Steinberger.  I love it,
>> but it didn't
>> replace the ebow in my world, but it does give me
>> other options.  If
>> you set it just right you can make it really pretty
>> controllable.  If
>> you crank it, you can get it wild and out of
>> control.  Both cool
>> options for different situations.  Sure, neither
>> sound like a bowed
>> string, but can you do chords with most bowed
>> instruments?  They're
>> their own thing, and cool they are.
>>
>> BTW, I had a horrible time trying to install it
>> myself even though I
>> have a fair amount of soldering experience.  Not
>> enough room in the
>> electronics cavity for two batteries.  I had Gary
>> Brewer in SF install
>> it and it came out great, but was kind of spendy.
>> Looks factory
>> though.
>>
>> Mark
>>
>> On Jul 14, 2004, at 7:40 AM, DJ wrote:
>>
>>> Has anyone here mentioned Sustainiac sustainers?
>> They have two
>>> models, one like the home made "wall speaker"
>> device mentioned earlier
>>> in the thread and another like the one on
>> Fernandes guitars.
>>>
>>> BTW, if no one has said it yet, With or Without
>> You by U2 has Infinite
>>> guitar on it.
>>>
>>
>>
>
>
> =====
> www.luis-angulo.com
>
>
> 		
> __________________________________
> Do you Yahoo!?
> Yahoo! Mail - 50x more storage than other providers!
> http://promotions.yahoo.com/new_mail
>

From Loopers-Delight-request@loopers-delight.com  Thu Jul 15 10:56:38 2004
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From: Optimus Rob <rasimon@indiana.edu>
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Subject: Augustus Loop and Audio Hijack Pro (Modified by Optimus Rob)
Resent-From: Optimus Rob <rasimon@indiana.edu>
Date: Thu, 15 Jul 2004 09:39:08 -0500
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I love the reverse feature's effect on incoming mp3's in combination 
with a hand-synced LFO.  To add to the list of working host programs, I 
used Audio Hijack Pro.

It's amazing -- record any sound passed through your computer in 24-bit 
AIFF stereo w/ realtime daisy-chaining of VST and AudioUnit plug-ins.  
Augustus Loop starts right up -- nice!  For example, if you're using 
the demo of Live 3 and stumble upon the greatest sequence of your life, 
you can use Audio Hijack Pro to "hijack" Live's master output by 
selecting "Live" under the source menu.

Also work excellent as a mastering recorder for iTunes.  Play the 
master out of iTunes into Audio Hijack by selecting iTunes as the 
source and apply realtime VST and AudioUnit plug-ins (ie. Augustus 
Loop).  You can then import the recorded file back into iTunes for 
downsampling onto CD,

Thanks again os. for giving us a chance to test Augustus Loop.  Between 
that and Audio Hijack Pro, I can create live loops while realtime 
recording the master out for under $50 on my Powerbook.  Apologies if 
this appeared as too much of an ad -- just really think a lot of folk 
could benefit from this tool.

Here's the program link if your in need of a nice $39 internal 24bit 
stereo hard disk recorder with DSP:  
http://rogueamoeba.com/audiohijackpro/ .
Get Optimized,
Rob
......................................................
Warm blends of downtempo beats that will soothe your your mind...
"an original score to the tragedy of American idealism"
http://www.optimusrob.com
_________________________________________________
On Jul 14, 2004, at 7:28 PM, Doug Wellington wrote:

>
> Hope nobody considers this "shameless promotion", since I'm not the
> artist...  ;-)
>
> I'm a DJ on KXCI <"http://www.kxci.org">, Tucson's Community Radio
> station.  (Hmmm, maybe THAT part is the shameless promo!)  ;-)
>
> We're featuring Krispen Hartung's "Places" CD this week on Brainwaves, 
> the
> ambient and space music show.  Brainwaves runs Monday through Friday 
> from
> 6:00 AM to 7:00 AM Arizona time (-7:00 GMT).  Tune in at KXCI.org and 
> give
> it a listen!
>
> -Doug Wellington
>
> http://www.kxci.org
> http://www.dougwellington.com
>
>

--Apple-Mail-2--73080044
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I love the reverse feature's effect on incoming mp3's in combination
with a hand-synced LFO.  To add to the list of working host programs,
I used Audio Hijack Pro.  


It's amazing -- record any sound passed through your computer in
24-bit AIFF stereo w/ realtime daisy-chaining of VST and AudioUnit
plug-ins.  Augustus Loop starts right up -- nice!  For example, if
you're using the demo of Live 3 and stumble upon the greatest sequence
of your life, you can use Audio Hijack Pro to "hijack" Live's master
output by selecting "Live" under the source menu.  


Also work excellent as a mastering recorder for iTunes.  Play the
master out of iTunes into Audio Hijack by selecting iTunes as the
source and apply realtime VST and AudioUnit plug-ins (ie. Augustus
Loop).  You can then import the recorded file back into iTunes for
downsampling onto CD,    


Thanks again os. for giving us a chance to test Augustus Loop. 
Between that and Audio Hijack Pro, I can create live loops while
realtime recording the master out for under $50 on my Powerbook. 
Apologies if this appeared as too much of an ad -- just really think a
lot of folk could benefit from this tool.


Here's the program link if your in need of a nice $39 internal 24bit
stereo hard disk recorder with DSP: 
http://rogueamoeba.com/audiohijackpro/ .

<fontfamily><param>Papyrus</param><color><param>4645,6D6C,C6C5</param><bigger>Get
Optimized</bigger></color></fontfamily><bigger>,</bigger><fontfamily><param>Lucida Grande</param>

Rob</fontfamily>   

<fontfamily><param>Papyrus</param><color><param>4F4E,7B7A,E0DF</param><x-tad-bigger>...................................................... 

Warm blends of downtempo beats that will soothe your your mind...

"an original score to the tragedy of American idealism" 

http://www.optimusrob.com

_________________________________________________</x-tad-bigger></color></fontfamily>

On Jul 14, 2004, at 7:28 PM, Doug Wellington wrote:


<excerpt>

Hope nobody considers this "shameless promotion", since I'm not the

artist...  ;-)


I'm a DJ on KXCI <<"http://www.kxci.org">, Tucson's Community Radio

station.  (Hmmm, maybe THAT part is the shameless promo!)  ;-)


We're featuring Krispen Hartung's "Places" CD this week on Brainwaves,
the

ambient and space music show.  Brainwaves runs Monday through Friday
from

6:00 AM to 7:00 AM Arizona time (-7:00 GMT).  Tune in at KXCI.org and
give

it a listen!


-Doug Wellington


http://www.kxci.org

http://www.dougwellington.com



</excerpt>
--Apple-Mail-2--73080044--

From Loopers-Delight-request@loopers-delight.com  Thu Jul 15 11:34:13 2004
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Date: Thu, 15 Jul 2004 08:30:52 -0700 (PDT)
From: Greg House <ghunicycle@yahoo.com>
Subject: Re: Daevid Allen/glissando guitar
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--- Mark Sottilaro <sine@zerocrossing.net> wrote:
> I've got a Sustainiac in my Steinberger. 
 
> BTW, I had a horrible time trying to install it myself even though I 
> have a fair amount of soldering experience.  Not enough room in the 
> electronics cavity for two batteries.  I had Gary Brewer in SF install 
> it and it came out great, but was kind of spendy.  Looks factory 
> though.

Does the Sustaniac require two batteries, or did you have one for your other
guitar electronics?

Greg


		
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From Loopers-Delight-request@loopers-delight.com  Thu Jul 15 11:43:10 2004
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Subject: Re: Daevid Allen/glissando guitar
Date: Thu, 15 Jul 2004 17:34:37 +0200
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Just for the record, Tim Blake is credited on his "New Jerusalem" album as
playing "Glissandoz Guitar". If you take into consideration that Sandoz
produced the purest acid of the 70s (LSD-25) you know where this pun word
comes from...

Stephen

"Human beings are a disease, the cancer of this planet, you“re a plague. And
we are the cure." (Agent Smith / Matrix)

Visit the official [“ramp] website at www.doombient.com
----- Original Message -----
From: "Greg House" <ghunicycle@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, July 15, 2004 5:30 PM
Subject: Re: Daevid Allen/glissando guitar


> --- Mark Sottilaro <sine@zerocrossing.net> wrote:
> > I've got a Sustainiac in my Steinberger.
>
> > BTW, I had a horrible time trying to install it myself even though I
> > have a fair amount of soldering experience.  Not enough room in the
> > electronics cavity for two batteries.  I had Gary Brewer in SF install
> > it and it came out great, but was kind of spendy.  Looks factory
> > though.
>
> Does the Sustaniac require two batteries, or did you have one for your
other
> guitar electronics?
>
> Greg
>
>
>
> __________________________________
> Do you Yahoo!?
> Yahoo! Mail - 50x more storage than other providers!
> http://promotions.yahoo.com/new_mail
>

From Loopers-Delight-request@loopers-delight.com  Thu Jul 15 11:44:02 2004
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From: Travis Hartnett <tiktok@sprintmail.com>
Subject: Re:  Two Mules For Sister Sara
Date: Thu, 15 Jul 2004 08:36:21 -0700
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Oh yeah--I saw that on TV about 25 years ago when I was a kid, and the 
soundtrack jumped right out.  I've only seen it the once, and I still 
remember that donkey-bray opening theme.  That was when I first became 
aware of Morricone.

TravisH


On Jul 15, 2004, at 7:56 AM, 
Loopers-Delight-d-request@loopers-delight.com wrote:

> From: "Tom Rex" <tomrex1@cox.net>
> Date: July 15, 2004 5:58:36 AM PDT
> To: <Loopers-Delight@loopers-delight.com>
> Subject: Two Mules For Sister Sara
>
>
> Since Spaghetti Westerns were mentioned recently on this list, has any 
> one
> seen this film, with Clint Eastwood and Shirley MacLaine?  The score 
> is by
> Ennio Morricone, with a few incredible sounds for 1970.  I didn't see 
> it
> back then, but watched it last evening.
>
> There are some at the opening of the film which sounded somewhat 
> distorted,
> and out of tune, and I was wondering whether the film was downloading 
> and
> streaming OK, or if there was some problem with my studio sound system.
> However, it turns out that, that part of the score is a recurring 
> motif, so
> it was probably the way it was recorded.

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Date: Thu, 15 Jul 2004 09:33:54 -0700 (PDT)
From: Greg House <ghunicycle@yahoo.com>
Subject: Re: ToneBone Hot British Tube Drive
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--- Monica <coolintensity@yahoo.com> wrote:
>  
>     Any feedback on the ToneBone Hot British tube drive pedal?

I haven't used one myself, but several guitar players on another list I'm on have
absolutely raved about that particular pedal. 

Greg


		
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From Loopers-Delight-request@loopers-delight.com  Thu Jul 15 13:24:36 2004
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From: msottilaro <sine@zerocrossing.net>
Subject: Re: Daevid Allen/glissando guitar
Date: Thu, 15 Jul 2004 10:17:33 -0700
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The Sustainiac uses one and the EMG pickups need one as well.  The 
battery holder that Gary Brawer (I'm not sure of the spelling) 
installed is pretty brilliant.  Holds two batteries and each pivots out 
for easy replacement.

You can find all the details at http://www.sustainiac.com

Mark

On Jul 15, 2004, at 8:30 AM, Greg House wrote:

> --- Mark Sottilaro <sine@zerocrossing.net> wrote:
>> I've got a Sustainiac in my Steinberger.
>
>> BTW, I had a horrible time trying to install it myself even though I
>> have a fair amount of soldering experience.  Not enough room in the
>> electronics cavity for two batteries.  I had Gary Brewer in SF install
>> it and it came out great, but was kind of spendy.  Looks factory
>> though.
>
> Does the Sustaniac require two batteries, or did you have one for your 
> other
> guitar electronics?
>
> Greg
>
>
> 		
> __________________________________
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Date: Thu, 15 Jul 2004 14:29:18 -0700 (PDT)
From: Monica <coolintensity@yahoo.com>
Subject: Re: ToneBone Hot British Tube Drive
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Greg and PJ-
    Thanks...then I think I'll go for it! It looks like it has some very unique tone
possibilities and it's just darn cool.Ex: who wants level when you can have the 
proper British "contour"?...
                                                                                                    Monica

Greg House <ghunicycle@yahoo.com> wrote:
--- Monica wrote:
> 
> Any feedback on the ToneBone Hot British tube drive pedal?

I haven't used one myself, but several guitar players on another list I'm on have
absolutely raved about that particular pedal. 

Greg



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<DIV>Greg and PJ-</DIV>
<DIV>&nbsp;&nbsp;&nbsp; Thanks...then I think I'll go for it! It looks like it has some very unique tone</DIV>
<DIV>possibilities and it's just darn cool.Ex:&nbsp;who wants level when you can have the </DIV>
<DIV>proper British "contour"?...</DIV>
<DIV>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Monica<BR><BR><B><I>Greg House &lt;ghunicycle@yahoo.com&gt;</I></B> wrote:</DIV>
<BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">--- Monica <COOLINTENSITY@YAHOO.COM>wrote:<BR>&gt; <BR>&gt; Any feedback on the ToneBone Hot British tube drive pedal?<BR><BR>I haven't used one myself, but several guitar players on another list I'm on have<BR>absolutely raved about that particular pedal. <BR><BR>Greg<BR><BR><BR><BR>__________________________________<BR>Do you Yahoo!?<BR>New and Improved Yahoo! Mail - Send 10MB messages!<BR>http://promotions.yahoo.com/new_mail <BR><BR></BLOCKQUOTE><p>
		<hr size=1>Do you Yahoo!?<br>
<a href="http://us.rd.yahoo.com/mail_us/taglines/100/*http://promotions.yahoo.com/new_mail/static/efficiency.html">New and Improved Yahoo! Mail</a> - 100MB free storage!
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From Loopers-Delight-request@loopers-delight.com  Thu Jul 15 19:12:43 2004
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From: msottilaro <sine@zerocrossing.net>
Subject: Re: ToneBone Hot British Tube Drive
Date: Thu, 15 Jul 2004 15:59:38 -0700
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I totally believe the extra "u" is what gives it most of the warmth.

Mark

On Jul 15, 2004, at 2:29 PM, Monica wrote:

> Greg and PJ-
>     Thanks...then I think I'll go for it! It looks like it has some  
> very unique tone
> possibilities and it's just darn cool.Ex: who wants level when you can  
> have the
>  proper British "contour"?...
>                                                                         
>                              Monica
>
> Greg House <ghunicycle@yahoo.com> wrote:
> --- Monica wrote:
> >
> > Any feedback on the ToneBone Hot British tube drive pedal?
>
> I haven't used one myself, but several guitar players on another list  
> I'm on have
> absolutely raved about that particular pedal.
>
>  Greg
>
>
>
> __________________________________
> Do you Yahoo!?
> New and Improved Yahoo! Mail - Send 10MB messages!
> http://promotions.yahoo.com/new_mail
>
>
>  Do you Yahoo!?
> New and Improved Yahoo! Mail - 100MB free storage!

From Loopers-Delight-request@loopers-delight.com  Thu Jul 15 19:19:07 2004
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Dear Friends,

Before heading over to the Burning Man Movie Night at Hot House
tomorrow evening, you can catch me performing (on springboard and 
Echplex) outdoors for the Millennium Park Grand Opening celebration. 
That's Friday, July 16, from 6:30 to 7:15 in the Bank One Promenade, 
North Plaza, near Randolph and the Pritzker Pavilion.

It's all free and there are many other performances that night, and
through the whole weekend.

To download the park map and get more info on Millennium Park, visit
<http://pages.ripco.net/~eleon/whatsnew.html>

Best regards,
Eric

-- 
Eric Leonardson http://pages.ripco.net/~eleon
Plasticene http://www.plasticene.com




From Loopers-Delight-request@loopers-delight.com  Fri Jul 16 02:06:36 2004
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Subject: Bass workshop
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I'm conducting a solo bass workshop on the 28th july 7pm, which will 
include loops,
for anyone in this part of the galaxy,  Brisbane, Australia.
An Echoplex, two DL4's and a Boss RV-3 are my main loop devices.
No wold tour yet, haha.
Address
Guitar Central.
95 Leichhardt st,  SpringHill,   Queensland
cam

From Loopers-Delight-request@loopers-delight.com  Fri Jul 16 08:12:16 2004
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Subject: RE:  ToneBone Hot British
From: A.Willers@t-online.de (Andreas Willers)
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> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

--MS_Mac_OE_3172831695_161278_MIME_Part
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Hi,
I tried that pedal the other day and wasn't too impressed, lots of buzz and
little flexibility dispite all those knobs and buttons. I like the concept
of a "Marshall-in-a-box" for lower volume playing through a clean amp (along
with unusual effects like LOOPS etc.), am looking around quite a bit but
still am stuck with a Tech 21 XXL for that matter. Wasn't impressed with the
Fulltone Distotion Pro either, but the Maxon ROD881 (tube series) did sound
nicer at the store compared to the Tech 21. 

--MS_Mac_OE_3172831695_161278_MIME_Part
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<HTML>
<HEAD>
<TITLE>RE: &nbsp;ToneBone Hot British</TITLE>
</HEAD>
<BODY>
Hi,<BR>
I tried that pedal the other day and wasn't too impressed, lots of buzz and=
 little flexibility dispite all those knobs and buttons. I like the concept =
of a &quot;Marshall-in-a-box&quot; for lower volume playing through a clean =
amp (along with <U>unusual effects like LOOPS</U> etc.), am looking around q=
uite a bit but still am stuck with a Tech 21 XXL for that matter. Wasn't imp=
ressed with the Fulltone Distotion Pro either, but the Maxon ROD881 (tube se=
ries) did sound nicer at the store compared to the Tech 21.
</BODY>
</HTML>


--MS_Mac_OE_3172831695_161278_MIME_Part--

From Loopers-Delight-request@loopers-delight.com  Fri Jul 16 17:59:56 2004
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From: Greg House <ghunicycle@yahoo.com>
Subject: Re: ToneBone Hot British Tube Drive
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I thought they called that "adding colour"?


--- msottilaro <sine@zerocrossing.net> wrote:
> I totally believe the extra "u" is what gives it most of the warmth.
> 
> Mark
> 
> On Jul 15, 2004, at 2:29 PM, Monica wrote:
> 
> > Greg and PJ-
> >     Thanks...then I think I'll go for it! It looks like it has some  
> > very unique tone
> > possibilities and it's just darn cool.Ex: who wants level when you can  
> > have the
> >  proper British "contour"?...
> >                                                                         
> >                              Monica
> >
> > Greg House <ghunicycle@yahoo.com> wrote:
> > --- Monica wrote:
> > >
> > > Any feedback on the ToneBone Hot British tube drive pedal?
> >
> > I haven't used one myself, but several guitar players on another list  
> > I'm on have
> > absolutely raved about that particular pedal.
> >
> >  Greg
> >
> >
> >
> > __________________________________
> > Do you Yahoo!?
> > New and Improved Yahoo! Mail - Send 10MB messages!
> > http://promotions.yahoo.com/new_mail
> >
> >
> >  Do you Yahoo!?
> > New and Improved Yahoo! Mail - 100MB free storage!
> 
> 



		
__________________________________
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From Loopers-Delight-request@loopers-delight.com  Fri Jul 16 19:52:05 2004
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I finally succeeded in getting some rather old looping of mine on the web.
What a dance that turned out to be!   I mean, I'm a GUITAR player not a
technologically savvy musician, like a keyboard player or DJ or something!
:-)

Anyway, I thought I'd share these oldies among my online peers.

http://music.download.com/undo/3600-8357_32-100333286.html?tag=list

I'm curious to know what you think.

David

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David,

Good job. I have just one thought for you: Hearts of Space
http://www.heartsofspace.com

Keep producing!

Mike.


-----Original Message-----
From: David Kirkdorffer [mailto:vze2ncsr@verizon.net]
Sent: Friday, July 16, 2004 6:54 PM
To: Loopers-Delight@loopers-delight.com
Subject: OT - shamelessly


I finally succeeded in getting some rather old looping of mine on the web.
What a dance that turned out to be!   I mean, I'm a GUITAR player not a
technologically savvy musician, like a keyboard player or DJ or something!
:-)

Anyway, I thought I'd share these oldies among my online peers.

http://music.download.com/undo/3600-8357_32-100333286.html?tag=list

I'm curious to know what you think.

David



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From: msottilaro <sine@zerocrossing.net>
Subject: Re: OT - shamelessly 
Date: Fri, 16 Jul 2004 17:39:35 -0700
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Mmmmm I like it a lot.  Nice and ambient!  Reminds me of some of the 
ambient Laswell stuff.  I went through a phase where I listened to a 
lot of that and lately I've been going back to that type of thing.  
Kind of kicking the drum machine by the wayside for a bit and just 
making sweet beds of sound.

GOOD JOB.

Mark

On Jul 16, 2004, at 4:54 PM, David Kirkdorffer wrote:

> I finally succeeded in getting some rather old looping of mine on the 
> web.
> What a dance that turned out to be!   I mean, I'm a GUITAR player not a
> technologically savvy musician, like a keyboard player or DJ or 
> something!
> :-)
>
> Anyway, I thought I'd share these oldies among my online peers.
>
> http://music.download.com/undo/3600-8357_32-100333286.html?tag=list
>
> I'm curious to know what you think.
>
> David
>

From Loopers-Delight-request@loopers-delight.com  Sat Jul 17 01:31:54 2004
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Andreas,

If you're looking for a 'natural'-sounding tubey distortion then check 
out the Emma Reezafratzitz. Don't be put off by the name - it's the 
best distortion I've ever come across. 

-- 

  Ian Petersen


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-------------------------------1090082121
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i just got my echoplex proplus. i've read the manual and made loops and used 
the fv50 volume pedal for feedback affects and even done reverse,  but i still 
have some important questions regarding it's basic functions that i can;'t 
get from the manual. is there anyone with experience with this new loop iv 
version that can help me. thanks,  cory

-------------------------------1090082121
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<HTML><HEAD>
<META charset=3DUS-ASCII http-equiv=3DContent-Type content=3D"text/html; cha=
rset=3DUS-ASCII">
<META content=3D"MSHTML 6.00.2800.1400" name=3DGENERATOR></HEAD>
<BODY style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial; BACKGROUND-COLOR: #fffff=
f">
<DIV>i just got my echoplex proplus. i've read the manual and made loops and=
 used the fv50 volume pedal for feedback affects and even done reverse,&nbsp=
; but i still have some important questions regarding it's basic functions t=
hat i can;'t get from the manual. is there anyone with experience with this=20=
new loop iv version that can help me. thanks,&nbsp; cory</DIV></BODY></HTML>

-------------------------------1090082121--

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Subject: Echoplex questions ( was: (no subject) )
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------=_NextPart_000_000C_01C46BE3.3ABD76E0
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  but i still have some important questions regarding it's basic =
functions that i can;'t get from the manual. is there anyone with =
experience with this new loop iv version that can help me. thanks,  cory

What are the questions? I bet they can all be answered here (where I can =
hear the answers too :-).

- Dave
------=_NextPart_000_000C_01C46BE3.3ABD76E0
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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1400" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial; BACKGROUND-COLOR: =
#ffffff"=20
bgColor=3D#ffffff>
<BLOCKQUOTE dir=3Dltr style=3D"MARGIN-RIGHT: 0px">
  <DIV><EM>but i still have some important questions regarding it's =
basic=20
  functions that i can;'t get from the manual. is there anyone with =
experience=20
  with this new loop iv version that can help me. thanks,&nbsp;=20
cory</EM></DIV></BLOCKQUOTE>
<DIV>&nbsp;</DIV>
<DIV dir=3Dltr>
<DIV>What are the questions? I bet they can all be answered here (where =
I can=20
hear the answers too :-).</DIV>
<DIV>&nbsp;</DIV>
<DIV>- Dave</DIV></DIV></BODY></HTML>

------=_NextPart_000_000C_01C46BE3.3ABD76E0--

From Loopers-Delight-request@loopers-delight.com  Sat Jul 17 12:56:11 2004
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Your question is too broad I suggest you look at this material
http://www.altruistmusic.com/edp.html and this page
http://www.loopers-delight.com/tools/echoplex/echoplex.html and well read
the manual some more. A year and a half for me and several years or more
from many others and we still spend time reading the manual. Definitely look
at the first link for the many possible uses of an Echoplex it will be
extremely helpful.

Later


________________________________

From: SOULAR@aol.com [mailto:SOULAR@aol.com] 
Sent: Saturday, July 17, 2004 12:35 PM
To: Loopers-Delight@loopers-delight.com
Subject: (no subject)


i just got my echoplex proplus. i've read the manual and made loops and used
the fv50 volume pedal for feedback affects and even done reverse,  but i
still have some important questions regarding it's basic functions that i
can;'t get from the manual. is there anyone with experience with this new
loop iv version that can help me. thanks,  cory

From Loopers-Delight-request@loopers-delight.com  Sat Jul 17 13:11:37 2004
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From: "Alan Kroeger" <nospam@akroeger.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: Ash Grunwald (Blues with a Looper) More Steel
Date: Sat, 17 Jul 2004 13:03:43 -0400
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This is something I have been trying to do a bit of myself (on Fiddle) only
I don't do it as well as this guy Ash Grunwald
http://www.ashgrunwald.com/index.htm does it :(

Listen to this one
http://www.ashgrunwald.com/mp3/AshGrunwald_HowManyMoreYears.mp3 nice
variation on the Andre Glitch Rhythm in the backing nice rendition
altogether of an old blues standard.

Interview http://www.musicomh.com/interviews/ash-grunwald.htm

From Loopers-Delight-request@loopers-delight.com  Sat Jul 17 14:50:20 2004
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Very impressive,  you seem to have captured sounds on
the guitar that I have only been looking for half my
playing career.  I realy liked Poseidon and Aphrodite.
 That bassy drone was very haunting.  I must know what
effects are in your signal path just so I can see if
I'm anywhere close to getting sounds like that.

Bri



--- David Kirkdorffer <vze2ncsr@verizon.net> wrote:
> I finally succeeded in getting some rather old
> looping of mine on the web.
> What a dance that turned out to be!   I mean, I'm a
> GUITAR player not a
> technologically savvy musician, like a keyboard
> player or DJ or something!
> :-)
> 
> Anyway, I thought I'd share these oldies among my
> online peers.
> 
>
http://music.download.com/undo/3600-8357_32-100333286.html?tag=list
> 
> I'm curious to know what you think.
> 
> David
> 
> 



		
__________________________________
Do you Yahoo!?
Vote for the stars of Yahoo!'s next ad campaign!
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From Loopers-Delight-request@loopers-delight.com  Sat Jul 17 15:50:38 2004
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From: Monica <coolintensity@yahoo.com>
Subject: RE:  ToneBone Hot British
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It says that the Hot British is designed mainly for amps with higher gain capacity-
would that make any difference?...Monica

Andreas Willers <A.Willers@t-online.de> wrote:
Hi,
I tried that pedal the other day and wasn't too impressed, lots of buzz and little flexibility dispite all those knobs and buttons. I like the concept of a "Marshall-in-a-box" for lower volume playing through a clean amp (along with unusual effects like LOOPS etc.), am looking around quite a bit but still am stuck with a Tech 21 XXL for that matter. Wasn't impressed with the Fulltone Distotion Pro either, but the Maxon ROD881 (tube series) did sound nicer at the store compared to the Tech 21. 
		
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<DIV>It says that the Hot British is designed mainly for amps with higher gain capacity-</DIV>
<DIV>would that make any difference?...Monica<BR><BR><B><I>Andreas Willers &lt;A.Willers@t-online.de&gt;</I></B> wrote:</DIV>
<BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">Hi,<BR>I tried that pedal the other day and wasn't too impressed, lots of buzz and little flexibility dispite all those knobs and buttons. I like the concept of a "Marshall-in-a-box" for lower volume playing through a clean amp (along with <U>unusual effects like LOOPS</U> etc.), am looking around quite a bit but still am stuck with a Tech 21 XXL for that matter. Wasn't impressed with the Fulltone Distotion Pro either, but the Maxon ROD881 (tube series) did sound nicer at the store compared to the Tech 21. </BLOCKQUOTE><p>
		<hr size=1>Do you Yahoo!?<br>
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From Loopers-Delight-request@loopers-delight.com  Sat Jul 17 19:06:00 2004
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From: "Scott M2" <scott@dreamstate.to>
To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
Subject: Looping pedal steel performance at the PiNG
Date: Sat, 17 Jul 2004 19:15:22 -0400
Organization: dreamSTATE
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Since there's been lots of discussion on pedal steel in the
last week - I wanted to make sure that anyone in striking
distance of Toronto had a 'heads-up' on this looping pedal steel
performance featuring Bob Egan (Blue Rodeo, Wilco...).
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

THE AMBiENT PiNG   http://www.theambientping.com
Free - Every Tuesday Night - doors open at 9pm - 1st set at 9:30
  @ club nia / C'est What - 19 Church St. at Front St. - Toronto
         3 blocks east of the Union Station subway.
         map - http://www.cestwhat.com/map.html
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

This Tuesday July 20th - Planet Of The Loops

The Planet Of The Loops' bi­-monthly looping series makes
its final orbit at club nia with a night of guitar loopage from
well-­travelled steel player Bob Egan (Blue Rodeo, Wilco,
Freakwater, Billy Bragg, The Autumn Defense...) who'll
be enjoying a chance to perform some "more unique"
pedal steel usages for you - along with guitar and loop
meister Andrew Aldridge, the Planet's founder and
nefarious ringleader. More info at http://www.bobegan.com
http://www.geocities.com/energymadeaudible/planet.html

Between Sets CD - "The Equatorial Stars" by Fripp & Eno
This brand new release by loopy pioneers Robert Fripp and
Brian Eno has been ordered online. If it has not arrived by
showtime Tuesday, their first landmark album of looping,
"No Pussyfooting", will be featured. It's a win/win situation.
http://www.disciplineglobalmobile.com/cgi-bin/shoplink.cgi?id=664
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Coming Tuesday July 27th - AKUMU and Mara's Torment
http://www.spiderrecords.com/akumu/
http://www.marastorment.com
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

The Ambient Ping presents free live performances by Toronto's
finest ambient, chillout and experimental music artists plus
performers from across the continent, every Tuesday at club nia
(aka C'est What) featuring a comfortable lower stage area, perfect
for attentive listening, plus a higher level with a bar, back room
and more seating that's great for conversation, good food and the
club's impressive beer, wine and whiskey selection. Musical treats
are on offer at the *ping things* ambient/experimental CD boutique.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Please forward this e-mail to any friends who may be interested
in live ambient, chillout and experimental music performances


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To: Loopers-Delight@loopers-delight.com
From: Travis Hartnett <tiktok@sprintmail.com>
Subject: Gig Notices (Seattle)
Date: Sat, 17 Jul 2004 18:00:17 -0700
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A new venue this week, the U. Village Zoka, and a handful of the old 
faves.  Acoustic guitar Live Looping for the masses, in groups of no 
more than 49 at one time:

Sunday, July 18, 10:30AM-12:30PM Brunch at the Penny Cafe (1707 NW 
Market)
Sunday, July 18, 2-4PM, Zoka University Village ( 2901 NE Blakeley 
Street)
Tuesday, July 20, 8PM  El Diablo Coffeehouse (1811 Queen Anne Ave N)
Thursday, July 22, 8PM Penny Cafe (1707 NW Market)
*Saturday, July 24, 8PM  Victor's Celtic Coffee (7993 Gilman Street, 
*Redmond*)

Be seeing you,

Travis


*-*-*-*-* *-*-*-*-* *-*-*-*-* *-*-*-*-* *-*-*-*-*

The Official Travis Hartnett Website:
http://www.travishartnett.com

*-*-*-*-* *-*-*-*-* *-*-*-*-* *-*-*-*-* *-*-*-*-*

From Loopers-Delight-request@loopers-delight.com  Sat Jul 17 23:25:26 2004
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On Mon, 5 Jul 2004 ArsOcarina@aol.com wrote:

[snip]

> They also have a new pedal out called the Seek Trem.
> Anyone have any firsthand knowledge of that? 

I promised I'd reply once I had firsthand knowledge of this. Mine came in 
this past Tuesday and I worked with it for a two nights and then I used in 
a performance on Thursday, so I can make a few basic comments by now. 

It's a Seek-Wah, except using eight volume circuits in place of the eight 
wah circuits. The sequencer is exactly the same as the Seek-Wah with one 
important exception: whenever you step on the Seek-Trem to activate it, it 
always starts one the first of the eight (or four, or six: there's a 
three-position switch just like on the Seek-Wah to choose 4/6/8). 

It's a tremolo so it's theoretically a subtle effect, but Zachary's 
trem is more versatile than I'd anticipated. You can get some choppy 
timeslices of sound, echo-like effects, or delicate slow wavering like 
looking through old plate glass that's begun to pour down from flat and 
vertical. It sounds clear, and is great for what it is.

Info page and instructions:
http://www.zvex.com/seek-trem.html

Demo video:
http://www.zvex.com/movies/seek-trem.mov

Big picture of the artwork:
http://www.zvex.com/seek-trem_lg.html

best,
Steve B
Phasmatodea      http://www.phasmatodea.net/
Subscape Annex   http://www.subcapeannex.com/

From Loopers-Delight-request@loopers-delight.com  Sun Jul 18 00:16:07 2004
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Subject: Re: How to (Loop)
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thanks for answering my e-mail. i'm looking at the manual alot and am 
referring to those pages on the loopers delight site.

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<HTML><HEAD>
<META charset=3DUS-ASCII http-equiv=3DContent-Type content=3D"text/html; cha=
rset=3DUS-ASCII">
<META content=3D"MSHTML 6.00.2800.1400" name=3DGENERATOR></HEAD>
<BODY style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial; BACKGROUND-COLOR: #fffff=
f">thanks for answering my e-mail. i'm looking at the manual alot and am ref=
erring to those pages on the loopers delight site.</BODY></HTML>

-------------------------------1090124016--

From Loopers-Delight-request@loopers-delight.com  Sun Jul 18 00:26:49 2004
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Message-ID: <155.39d9b4d3.2e2b55c7@aol.com>
Date: Sun, 18 Jul 2004 00:25:43 EDT
Subject: Re: Echoplex questions ( was: (no subject) )
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here are a few questions i have regarding my echoplex proplus.
i just got it and can't figure out the following. 

1. first of all, i thought you could listen simultaneously to several loops 
at the same time. i was surprised when i went into the parameter page and set 
"more loops" for more than 1 (i set it for 3) and after i recorded something 
into the first loop and went to the next loop the first loop stopped sounding. 
is there a way to hear that first loop while you go to next loop and so on 
through other loops? or am i really working within 1 loop at a time with layers.

2.after you record the first "pass" in a loop are the following loops "bound" 
to the time you used in that first loop? inother words if your first "pass"is 
4 beats ( 1 measure) and approximately 5 seconds do subsequent overdubs have 
to be the same length?

3. when you undo a "layer", is there a way to skip backwards thru layers 
without undoing a layer. particularly if you wanted to go back to a layer and 
change the feedback level on it?

i probably will have more questions but would love to get any of the above 
answered. i appreciate you help. thanks

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<HTML><HEAD>
<META charset=3DUS-ASCII http-equiv=3DContent-Type content=3D"text/html; cha=
rset=3DUS-ASCII">
<META content=3D"MSHTML 6.00.2800.1400" name=3DGENERATOR></HEAD>
<BODY style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial; BACKGROUND-COLOR: #fffff=
f">
<DIV>here are a few questions i have regarding my echoplex proplus.</DIV>
<DIV>i just got it and can't figure out the following. </DIV>
<DIV>&nbsp;</DIV>
<DIV>1. first of all, i thought you could listen simultaneously to several&n=
bsp;loops at the same time. i was surprised when i went into the parameter p=
age and set "more loops" for more than 1 (i set it for 3) and after i record=
ed something into the first loop and went to the next loop the first loop st=
opped sounding. is there a way to hear that first loop while you go to next=20=
loop and so on through other loops? or am i really working within 1 loop at=20=
a time with layers.</DIV>
<DIV>&nbsp;</DIV>
<DIV>2.after you record the first "pass" in a loop are the following loops "=
bound" to the time you used in that first loop? inother words if your first=20=
"pass"is 4 beats ( 1 measure) and approximately 5 seconds do subsequent over=
dubs have to be the same length?</DIV>
<DIV>&nbsp;</DIV>
<DIV>3. when you undo a "layer", is there a way to skip backwards thru layer=
s without undoing a layer. particularly if you wanted to go back to a layer=20=
and change the feedback level on it?</DIV>
<DIV>&nbsp;</DIV>
<DIV>i probably will have more questions but would love to get any of the ab=
ove answered. i appreciate you help. thanks</DIV></BODY></HTML>

-------------------------------1090124743--

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To: <Loopers-Delight@loopers-delight.com>
References: <155.39d9b4d3.2e2b55c7@aol.com>
Subject: Re: Echoplex questions ( was: (no subject) )
Date: Sun, 18 Jul 2004 03:00:04 -0700
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1) You work with one loop at a time but you can have many undoable =
layers on that loop so it's kinda like having multiple loops.

2) In overdub mode, you're just recording over the previously recorded =
loop so it will be the same duration. You can dynamically edit the =
length of the previously recorded loop if you want.

3) You can only undo the last layer. ( multiple times )

- Dave


  1. first of all, i thought you could listen simultaneously to several =
loops at the same time. i was surprised when i went into the parameter =
page and set "more loops" for more than 1 (i set it for 3) and after i =
recorded something into the first loop and went to the next loop the =
first loop stopped sounding. is there a way to hear that first loop =
while you go to next loop and so on through other loops? or am i really =
working within 1 loop at a time with layers.

  2.after you record the first "pass" in a loop are the following loops =
"bound" to the time you used in that first loop? inother words if your =
first "pass"is 4 beats ( 1 measure) and approximately 5 seconds do =
subsequent overdubs have to be the same length?

  3. when you undo a "layer", is there a way to skip backwards thru =
layers without undoing a layer. particularly if you wanted to go back to =
a layer and change the feedback level on it?


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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1400" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial; BACKGROUND-COLOR: =
#ffffff"=20
bgColor=3D#ffffff>
<DIV>1) You work with one loop at a time but you can have many undoable =
layers=20
on that loop so it's kinda like having multiple loops.</DIV>
<DIV>&nbsp;</DIV>
<DIV>2) In overdub mode, you're just recording over the previously =
recorded loop=20
so it will be the same duration. You can dynamically edit the length of =
the=20
previously recorded loop if you want.</DIV>
<DIV>&nbsp;</DIV>
<DIV>3) You can only undo the last layer. ( multiple times )</DIV>
<DIV>&nbsp;</DIV>
<DIV>- Dave</DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV>&nbsp;</DIV>
  <DIV>1. first of all, i thought you could listen simultaneously to=20
  several&nbsp;loops at the same time. i was surprised when i went into =
the=20
  parameter page and set "more loops" for more than 1 (i set it for 3) =
and after=20
  i recorded something into the first loop and went to the next loop the =
first=20
  loop stopped sounding. is there a way to hear that first loop while =
you go to=20
  next loop and so on through other loops? or am i really working within =
1 loop=20
  at a time with layers.</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>2.after you record the first "pass" in a loop are the following =
loops=20
  "bound" to the time you used in that first loop? inother words if your =
first=20
  "pass"is 4 beats ( 1 measure) and approximately 5 seconds do =
subsequent=20
  overdubs have to be the same length?</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>3. when you undo a "layer", is there a way to skip backwards thru =
layers=20
  without undoing a layer. particularly if you wanted to go back to a =
layer and=20
  change the feedback level on it?</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>&nbsp;</DIV></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0005_01C46C73.536010A0--

From Loopers-Delight-request@loopers-delight.com  Sun Jul 18 06:40:03 2004
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Date: Sun, 18 Jul 2004 12:45:22 +0200
From: Luca Formentini <luca@unguitar.com>
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Subject: any bass pod xt user ?
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Hi,
is there anyone who uses the bass pod xt and have the time to make a 
simple tests for me ?
Don't have the chance to try one before buying, so a help would be more 
than useful.
thanks,
luca
www.unguitar.com


From Loopers-Delight-request@loopers-delight.com  Sun Jul 18 10:39:01 2004
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Subject: RE: How to (Loop)
Date: Sun, 18 Jul 2004 10:31:31 -0400
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Well don't take my reply wrong it doesn't mean don't ask questions but, your
question was fairly much nonspecific. The LaFosse pages can be used as a bit
of a tutorial he does give his general setting and some portion of his
methods on how to execute his techniques. I figured how to do Glitch from
that one http://www.altruistmusic.com/glitch.html not that I do it the same
way as Andre or as well ;D

________________________________

From: SOULAR@aol.com [mailto:SOULAR@aol.com] 
Sent: Sunday, July 18, 2004 12:14 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: How to (Loop)


thanks for answering my e-mail. i'm looking at the manual alot and am
referring to those pages on the loopers delight site. 

From Loopers-Delight-request@loopers-delight.com  Sun Jul 18 10:40:42 2004
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: "Looper's Delight Mailing List \(E-mail\)" <Loopers-Delight@loopers-delight.com>
Subject: [Shameless Self Promotion] "Neinnein auf dem kleinen Weg" recording online!
Date: Sun, 18 Jul 2004 16:40:22 +0200
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After something like 9 months or so, I put up the recordings of my "Neinnein
auf dem kleinen Weg" solo loopperformance on the web on the www.zed.cbc.ca
site - search for username "moinlabs" and look for the content entitled
"Neinnein auf dem kleinen Weg".

"Neinnein auf dem kleinen Weg" was a solo performance at Rivolta Arts&Wine
Bar in Desenzano, Italy last November. It followed major equipment
restructuring on my side, and what I expected to stay pretty experimental
electronica all the time turned for no apparent reason into a breakbeat fest
in the second set (see track "Massive Retaliation").

Check it out and enjoy it! Comments and feedback welcome!

        Rainer

Rainer Thelonius Balthasar Straschill
Moinlabs GFX and Soundworks - www.moinlabs.de
The Straschill Family Group - www.straschill.de
digital penis expert group - www.dpeg.de
Eclectic Blah - www.eblah.de

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<BODY>
<DIV><FONT face=3DArial size=3D2><SPAN class=3D481330814-18072004>After =
something like=20
9 months or so, I put up the recordings of my "Neinnein auf dem kleinen =
Weg"=20
solo loopperformance on the web on the <A=20
href=3D"http://www.zed.cbc.ca">www.zed.cbc.ca</A> site - search for =
username=20
"moinlabs" and look for the content entitled "Neinnein auf dem kleinen=20
Weg".</SPAN></FONT></DIV>
<DIV><FONT face=3DArial size=3D2><SPAN=20
class=3D481330814-18072004></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><SPAN =
class=3D481330814-18072004>"Neinnein auf dem=20
kleinen Weg" was a solo performance at Rivolta Arts&amp;Wine Bar in =
Desenzano,=20
Italy last November. It followed major equipment restructuring on my =
side, and=20
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Subject: Re: Echoplex questions ( was: (no subject) )
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thanks dave. i guess i'll try to work within those parameters. but it 
would've been cool if you could listen to other loops simultaneously, don't you think?
   also how do you change the length of the original loop before you add 
layers.?
 thanks for responding,  cory

-------------------------------1090161541
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f">
<DIV>thanks dave. i guess i'll try to work within those parameters. but it w=
ould've been cool if you could listen to other loops simultaneously, don't y=
ou think?</DIV>
<DIV>&nbsp;&nbsp; also how do you change the length of the original loop bef=
ore you add layers.?</DIV>
<DIV>&nbsp;thanks for responding,&nbsp; cory</DIV></BODY></HTML>

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________________________________

From: SOULAR@aol.com [mailto:SOULAR@aol.com] 
Sent: Sunday, July 18, 2004 12:26 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Echoplex questions ( was: (no subject) )


 > here are a few questions i have regarding my echoplex proplus.
 > i just got it and can't figure out the following. 
 
 > 1. first of all, i thought you could listen simultaneously to several
loops at the same time. i was surprised when i went into the parameter page 
 > and set "more loops" for more than 1 (i set it for 3) and after i
recorded something into the first loop and went to the next loop the first
loop  
 > stopped sounding. is there a way to hear that first loop while you go to
next loop and so on through other loops? or am i really working within 1  
 > loop at a time with layers.
 
No, think of each individual loop as a different part of a song a three loop
setting gives you a three part song (this is really a simplistic answer on
my part)
 
 > 2.after you record the first "pass" in a loop are the following loops
"bound" to the time you used in that first loop? inother words if your first

 > "pass"is 4 beats ( 1 measure) and approximately 5 seconds do subsequent
overdubs have to be the same length?
 
Yes in the case of overbub but, if quantize is off you can change the length
via insert and multiply they would be unrounded and don't follow the length
of the original loop unless you count your time well and end at the right
time (in the case of quantize=off and/or roundmode=off)
 
 > 3. when you undo a "layer", is there a way to skip backwards thru layers
without undoing a layer. 
 >particularly if you wanted to go back to a layer and change the feedback
level on it?
No eevrything is sequential in the EDP's memory so, you in effect walk
backwards in time as far as undo is concerned. The mechanism to enable
selective layer Undo's would probably make the EDP even harder to use but,
mastering or just learning it is part of the fun. Think of EDP as a new
instrument you are playing two instruments now the EDP and whatever you are
playing right now.
 
>i probably will have more questions but would love to get any of the above
answered. i appreciate you 
>help. Thanks

That's the nature of the beast we call an EDP there is always something that
isn't absolutely clear ;D

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Potentially this could make the EDP difficult to work with but an
interesting idea altogether especially if you were loop copying and then
using replace in audition (rehearse err!) mode

________________________________

From: SOULAR@aol.com [mailto:SOULAR@aol.com] 
Sent: Sunday, July 18, 2004 10:39 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Echoplex questions ( was: (no subject) )


thanks dave. i guess i'll try to work within those parameters. but it
would've been cool if you could listen to other loops simultaneously, don't
you think?
   also how do you change the length of the original loop before you add
layers.?
 thanks for responding,  cory

From Loopers-Delight-request@loopers-delight.com  Sun Jul 18 11:44:44 2004
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Subject: RE: Echoplex questions for beginners
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This is a multi-part message in MIME format.

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I'm trying to do something with the Echoplex that I can do with  the Fantom
S.   With the  Fantom S, you just set your tempo, and the length of your
loop, and it starts recording when you play your 1st note, and goes into
overdub at the end of the 1st loop .

I assume that this is a  possibility with the latest Echoplex software? Can
someone please point me to where it discusses how to do this in the
documentation.  Thank you very much!

Tom


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<BODY style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial; BACKGROUND-COLOR: =
#ffffff">
<DIV>
<P><SPAN class=3D092282515-18072004>I'm trying to do something with the =
Echoplex=20
that&nbsp;I can do with&nbsp;&nbsp;the Fantom S.&nbsp;&nbsp;</SPAN><SPAN =

class=3D092282515-18072004>&nbsp;</SPAN>With the&nbsp;<SPAN=20
class=3D092282515-18072004>&nbsp;F</SPAN>antom S, you just set your =
tempo, and the=20
length of your loop, and it starts recording when you play your 1st =
note, and=20
goes into overdub at the end of the 1st loop<SPAN=20
class=3D092282515-18072004>&nbsp;.</SPAN></P>
<P><SPAN class=3D092282515-18072004>I assume that this is a&nbsp; =
possibility with=20
the latest Echoplex software? Can someone please point me to where it =
discusses=20
how to do this in the documentation.&nbsp; Thank you very =
much!</SPAN></P>
<P><SPAN class=3D092282515-18072004>Tom</SPAN></P></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sun Jul 18 12:06:32 2004
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Subject: RE: Echoplex questions for beginners
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I know about Tempo Select for setting the loop length/time but about the
auto record triggered by a note I am not sure perhaps in MIDI. The only
autorecord function I ever used is when you have multiple loops and press
the next loop button. You can set your machine to say loop 2 reset that loop
and then do a next loop and if that loop were empty it would start recording
but, I don't think that is what you want. I usually set recordmode and
overdub to SUS as opposed to TOG and count out my loop length to get what I
want with TOG I can get Glitchy short overdubs mostly cause I screw up with
TOG and don't get the results I want (but that is just me)

________________________________

From: Tom Rex [mailto:tomrex1@cox.net] 
Sent: Sunday, July 18, 2004 11:37 AM
To: Loopers-Delight@loopers-delight.com
Subject: RE: Echoplex questions for beginners



I'm trying to do something with the Echoplex that I can do with  the Fantom
S.   With the  Fantom S, you just set your tempo, and the length of your
loop, and it starts recording when you play your 1st note, and goes into
overdub at the end of the 1st loop .

I assume that this is a  possibility with the latest Echoplex software? Can
someone please point me to where it discusses how to do this in the
documentation.  Thank you very much!

Tom


From Loopers-Delight-request@loopers-delight.com  Sun Jul 18 12:42:00 2004
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From: "Gary Lehmann" <hqr@cox.net>
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Subject: RE: Echoplex questions for beginners
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This is possible by setting the tempo with TempoSelect--press Undo with
Sync=Out.  Tempo LEDs will flash, you can then change the tempo with the
feedback knob, and fine tune it with Insert and Mute.  A short press on Undo
then locks the tempo; a long press exits this state.
Dunno if the loop will then exit recording at the end, but it definitely
sets the length--
And of course the trigger function is available to begin recording when
audio is introduced to the EDP.

Gary


From: Tom Rex  wrote: 

I'm trying to do something with the Echoplex that I can do with  the Fantom
S.   With the  Fantom S, you just set your tempo, and the length of your
loop, and it starts recording when you play your 1st note, and goes into
overdub at the end of the 1st loop .

I assume that this is a  possibility with the latest Echoplex software? Can
someone please point me to where it discusses how to do this in the
documentation.  Thank you very much!

Tom



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hi d,
 thanks for your time in answering my questions. they helped me.   cory

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<DIV>hi d,</DIV>
<DIV>&nbsp;thanks for your time in answering my questions. they helped me.&n=
bsp;&nbsp; cory</DIV></BODY></HTML>

-------------------------------1090170026--

From Loopers-Delight-request@loopers-delight.com  Sun Jul 18 13:24:07 2004
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References: <1e4.2460d99a.2e1b038a@aol.com> <Pine.LNX.4.58.0407172311380.1583@giggles.cavesofice.org>
Subject: Re: [LOOP] Zvex Effects Inquiry
Date: Sun, 18 Jul 2004 13:21:26 -0400
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The Seek Trem sounds very cool.  But its a Zvex, so I should have known
that.


----- Original Message ----- 
From: <burnett@pobox.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, July 17, 2004 11:24 PM
Subject: Re: [LOOP] Zvex Effects Inquiry


> On Mon, 5 Jul 2004 ArsOcarina@aol.com wrote:
>
> [snip]
>
> > They also have a new pedal out called the Seek Trem.
> > Anyone have any firsthand knowledge of that?
>
> I promised I'd reply once I had firsthand knowledge of this. Mine came in
> this past Tuesday and I worked with it for a two nights and then I used in
> a performance on Thursday, so I can make a few basic comments by now.
>
> It's a Seek-Wah, except using eight volume circuits in place of the eight
> wah circuits. The sequencer is exactly the same as the Seek-Wah with one
> important exception: whenever you step on the Seek-Trem to activate it, it
> always starts one the first of the eight (or four, or six: there's a
> three-position switch just like on the Seek-Wah to choose 4/6/8).
>
> It's a tremolo so it's theoretically a subtle effect, but Zachary's
> trem is more versatile than I'd anticipated. You can get some choppy
> timeslices of sound, echo-like effects, or delicate slow wavering like
> looking through old plate glass that's begun to pour down from flat and
> vertical. It sounds clear, and is great for what it is.
>
> Info page and instructions:
> http://www.zvex.com/seek-trem.html
>
> Demo video:
> http://www.zvex.com/movies/seek-trem.mov
>
> Big picture of the artwork:
> http://www.zvex.com/seek-trem_lg.html
>
> best,
> Steve B
> Phasmatodea      http://www.phasmatodea.net/
> Subscape Annex   http://www.subcapeannex.com/
>

From Loopers-Delight-request@loopers-delight.com  Sun Jul 18 17:08:45 2004
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Hi,
This is probably a question for Per.=20
I have just downloaded the Ableton Live 4 beta and I am really into the =
fact that you can now use Audio Unit effects - but is it possible to use =
the effects of Logic?


To explain - I have been developing a set up to use Logic Pro on my =
laptop as a live mixer and I'm really into using Tape Delay Fuzz Wah, =
Auto Filter,Tremolo etc. Unfortunately it seems impossible to get MIDI =
control over effects in Logic - so I am considering using Live instead - =
and then load the effects into that and then I'll, hopefully, be able to =
control their parameters and mute/unmute etc. Is this possible?

If, as I suspect, it is not are there any other third party plug ins =
that are as good as Logic's?

Cheers,

Dave Sturt
------=_NextPart_000_0051_01C46D13.41C062F0
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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1400" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Hi,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>This is probably a question for Per. =
</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I have just downloaded the Ableton Live =
4 beta and=20
I am really into the fact that you can now use Audio Unit effects - but =
is it=20
possible to use the effects of Logic?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>To explain - I have been developing a =
set up to use=20
Logic Pro on my laptop as a live mixer and I'm really into using Tape=20
Delay&nbsp;Fuzz Wah, Auto Filter,Tremolo etc. Unfortunately it seems =
impossible=20
to get MIDI control over effects in Logic - so I am considering using =
Live=20
instead - and then load the effects into that and then I'll, hopefully, =
be able=20
to control their parameters and mute/unmute etc. Is this =
possible?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>If, as I suspect, it is not are there =
any other=20
third party plug ins that are as good as Logic's?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Cheers,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Dave Sturt</FONT></DIV></BODY></HTML>

------=_NextPart_000_0051_01C46D13.41C062F0--

From Loopers-Delight-request@loopers-delight.com  Sun Jul 18 18:04:16 2004
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From: Per Boysen <per@boysen.se>
Subject: Re: Live 4 - AU effects
Date: Mon, 19 Jul 2004 00:01:50 +0200
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On 2004-07-18, at 23.04, Dave Sturt wrote:

> Hi,
> This is probably a question for Per.
>  I have just downloaded the Ableton Live 4 beta and I am really into 
> the fact that you can now use Audio Unit effects - but is it possible 
> to use the effects of Logic?
>  
>  
> To explain - I have been developing a set up to use Logic Pro on my 
> laptop as a live mixer and I'm really into using Tape Delay Fuzz Wah, 
> Auto Filter,Tremolo etc. Unfortunately it seems impossible to get MIDI 
> control over effects in Logic - so I am considering using Live instead 
> - and then load the effects into that and then I'll, hopefully, be 
> able to control their parameters and mute/unmute etc. Is this 
> possible?
>  
> If, as I suspect, it is not are there any other third party plug ins 
> that are as good as Logic's?


Hi Dave,

No, I'm afraid that's not possible. Logic's effects are part of the 
application and can only be used within Logic. It's funny that exactly 
those Logic effects you are naming, are also my favorites! But you can 
get rather similar effects in Live. Live's  Autofilter can similar to 
some settings of Logic's Autofilter and also similar to the FuzWha. 
Regarding tremolo you can use any VST in Live. The MDA plug-ins are 
free and quite good. Think there's a tremolo there.

Instead of Logic's Tape Delay you can buy Augustus Loop and run it in 
Live with midi foot pedals for "slowing down and speeding up the tape". 
The new version, recent beta, is syncing to Live's clock and you can 
even loop with it like you do with an Echoplex (although the EDP has 
some additional functions).

All the best

Per Boysen
---
http://www.boysen.se
http://www.looproom.com

From Loopers-Delight-request@loopers-delight.com  Sun Jul 18 19:31:25 2004
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From: "Tom Rex" <tomrex1@cox.net>
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Subject: RE: Echoplex questions for beginners
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Thanks to both of you.  At least now I've got something to start playing
around with.

Tom

*************************


I know about Tempo Select for setting the loop length/time but about the
auto record triggered by a note I am not sure perhaps in MIDI. The only
autorecord function I ever used is when you have multiple loops and press
the next loop button. You can set your machine to say loop 2 reset that loop
and then do a next loop and if that loop were empty it would start recording
but, I don't think that is what you want. I usually set recordmode and
overdub to SUS as opposed to TOG and count out my loop length to get what I
want with TOG I can get Glitchy short overdubs mostly cause I screw up with
TOG and don't get the results I want (but that is just me)

Alan

This is possible by setting the tempo with TempoSelect--press Undo with
Sync=Out.  Tempo LEDs will flash, you can then change the tempo with the
feedback knob, and fine tune it with Insert and Mute.  A short press on Undo
then locks the tempo; a long press exits this state.
Dunno if the loop will then exit recording at the end, but it definitely
sets the length-- And of course the trigger function is available to begin
recording when audio is introduced to the EDP.

Gary
________________________________

From: Tom Rex [mailto:tomrex1@cox.net]
Sent: Sunday, July 18, 2004 11:37 AM
To: Loopers-Delight@loopers-delight.com
Subject: RE: Echoplex questions for beginners



I'm trying to do something with the Echoplex that I can do with  the Fantom
S.   With the  Fantom S, you just set your tempo, and the length of your
loop, and it starts recording when you play your 1st note, and goes into
overdub at the end of the 1st loop .

I assume that this is a  possibility with the latest Echoplex software? Can
someone please point me to where it discusses how to do this in the
documentation.  Thank you very much!

Tom


From Loopers-Delight-request@loopers-delight.com  Sun Jul 18 21:44:07 2004
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I have already used Tempo Select but, didn't find it useful to me (just the
way my head works) What I didn't know about (and never tried) was using the
audio trigger feature to start recording but again it doesn't fit what I do
or how I work musically. I usually like to start playing a little before
recording to get the piece going in the right groove and I use Sus rather
then Tog to record my initial loop. Setting Recormode=Sus forces me to pay
attention to my intended metric and forces me to make a more concerted
effort to count measures and beat. It's just a way to make me play in a more
orderly and neat fashion and avoid my natural tendency towrds sloppiness.

-----Original Message-----
From: Tom Rex [mailto:tomrex1@cox.net] 
Sent: Sunday, July 18, 2004 7:29 PM
To: Loopers-Delight@loopers-delight.com
Subject: RE: Echoplex questions for beginners

Tom

*************************


I know about Tempo Select for setting the loop length/time but about the
auto record triggered by a note I am not sure perhaps in MIDI. The only
autorecord function I ever used is when you have multiple loops and press
the next loop button. You can set your machine to say loop 2 reset that loop
and then do a next loop and if that loop were empty it would start recording
but, I don't think that is what you want. I usually set recordmode and
overdub to SUS as opposed to TOG and count out my loop length to get what I
want with TOG I can get Glitchy short overdubs mostly cause I screw up with
TOG and don't get the results I want (but that is just me)

Alan

This is possible by setting the tempo with TempoSelect--press Undo with
Sync=Out.  Tempo LEDs will flash, you can then change the tempo with the
feedback knob, and fine tune it with Insert and Mute.  A short press on Undo
then locks the tempo; a long press exits this state.
Dunno if the loop will then exit recording at the end, but it definitely
sets the length-- And of course the trigger function is available to begin
recording when audio is introduced to the EDP.

Gary
________________________________

From: Tom Rex [mailto:tomrex1@cox.net]
Sent: Sunday, July 18, 2004 11:37 AM
To: Loopers-Delight@loopers-delight.com
Subject: RE: Echoplex questions for beginners



I'm trying to do something with the Echoplex that I can do with  the Fantom
S.   With the  Fantom S, you just set your tempo, and the length of your
loop, and it starts recording when you play your 1st note, and goes into
overdub at the end of the 1st loop .

I assume that this is a  possibility with the latest Echoplex software? Can
someone please point me to where it discusses how to do this in the
documentation.  Thank you very much!

Tom



From Loopers-Delight-request@loopers-delight.com  Mon Jul 19 12:31:01 2004
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Date: Mon, 19 Jul 2004 12:27:56 EDT
Subject: EDP repair?  best place?
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Hi all,

My oft posted about EDP is on the fritz again.   Now when I turn the power 
switch on, the front panel ligths flicker for a moment and then all goes dark.. 
and stays dark and the unit doesn't work at all.   I tried re-seating the 
RAM.. no change.   

Any suggestions on an EDP expert to send it to for evaluation/repair?   I'm 
trying to contact Gibson this morning, but they told me thier whole phone 
system is down and that I'll need to call back later.

Thanks!
Tom Griesgraber
www.thossounds.com

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2">Hi all,<BR>
<BR>
My oft posted about EDP is on the fritz again.&nbsp;  Now when I turn the po=
wer switch on, the front panel ligths flicker for a moment and then all goes=
 dark.. and stays dark and the unit doesn't work at all.&nbsp;  I tried re-s=
eating the RAM.. no change.&nbsp;  <BR>
<BR>
Any suggestions on an EDP expert to send it to for evaluation/repair?&nbsp;=20=
 I'm trying to contact Gibson this morning, but they told me thier whole pho=
ne system is down and that I'll need to call back later.<BR>
<BR>
Thanks!<BR>
Tom Griesgraber<BR>
www.thossounds.com</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"S=
ANSSERIF" SIZE=3D"2"></FONT></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon Jul 19 14:07:05 2004
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Subject: Re: Live 4 - AU effects
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Thanks Per - glad to see you are into the same effects - great
minds......and all that.
I've downloaded the MDA plug ins - they are great - nothing quite as
fantastic as Fuzz Wah, but pretty close - and the MIDI controllability
within Live is just superb.
Also downloaded Augustus Loop beta - been considering it anyway - and it
looks great - even more possibilities!! I am already using the EDP - so I'm
pretty sure I'm getting close to my ultimate set up (until something new
comes out!)

I'm not sure on the procedure for registering Augustus Loop do I need to
download version 1 - can someone (Os?) clear it up?

Cheers

Dave Sturt

www.cipher.f9.co.uk
www.jadewarrior.com

----- Original Message ----- 
From: "Per Boysen" <per@boysen.se>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, July 18, 2004 11:01 PM
Subject: Re: Live 4 - AU effects


On 2004-07-18, at 23.04, Dave Sturt wrote:

> Hi,
> This is probably a question for Per.
>  I have just downloaded the Ableton Live 4 beta and I am really into
> the fact that you can now use Audio Unit effects - but is it possible
> to use the effects of Logic?
>
>
> To explain - I have been developing a set up to use Logic Pro on my
> laptop as a live mixer and I'm really into using Tape Delay Fuzz Wah,
> Auto Filter,Tremolo etc. Unfortunately it seems impossible to get MIDI
> control over effects in Logic - so I am considering using Live instead
> - and then load the effects into that and then I'll, hopefully, be
> able to control their parameters and mute/unmute etc. Is this
> possible?
>
> If, as I suspect, it is not are there any other third party plug ins
> that are as good as Logic's?


Hi Dave,

No, I'm afraid that's not possible. Logic's effects are part of the
application and can only be used within Logic. It's funny that exactly
those Logic effects you are naming, are also my favorites! But you can
get rather similar effects in Live. Live's  Autofilter can similar to
some settings of Logic's Autofilter and also similar to the FuzWha.
Regarding tremolo you can use any VST in Live. The MDA plug-ins are
free and quite good. Think there's a tremolo there.

Instead of Logic's Tape Delay you can buy Augustus Loop and run it in
Live with midi foot pedals for "slowing down and speeding up the tape".
The new version, recent beta, is syncing to Live's clock and you can
even loop with it like you do with an Echoplex (although the EDP has
some additional functions).

All the best

Per Boysen
---
http://www.boysen.se
http://www.looproom.com


-- 
This email has been verified as Virus free
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Subject: Re: Live 4 - AU effects
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On 2004-07-19, at 19.57, Dave Sturt wrote:

> I'm not sure on the procedure for registering Augustus Loop do I need 
> to
> download version 1 - can someone (Os?) clear it up?

Hi Dave,

Just be sure to have your computer online when opening the plug-in for 
the first time. Then click the yellow button named "About/Register" 
(upper right part of GUI). You will get a serial number and then you 
type it into the plug-in (also back up that number). What went wrong 
for me was that I never saw a note telling me that it is an online 
registration system.

Happy to hear that more people discover Augustus Loop. Today we have 
been recording all day with a duo over here and I was playing Augustus 
all the time, using a guitar.

All the best

Per Boysen
---
http://www.boysen.se
http://www.looproom.com

From Loopers-Delight-request@loopers-delight.com  Mon Jul 19 15:27:10 2004
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From: Per Boysen <per@boysen.se>
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Date: Mon, 19 Jul 2004 21:23:54 +0200
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Oh, I forgot to tell that you can't register the beta. I tried but os 
helped. The way to go is to first install and registering version 1 and 
then download and run the beta.

All the best

Per Boysen
---
http://www.boysen.se
http://www.looproom.com


On 2004-07-19, at 21.17, Per Boysen wrote:

> On 2004-07-19, at 19.57, Dave Sturt wrote:
>
>> I'm not sure on the procedure for registering Augustus Loop do I need 
>> to
>> download version 1 - can someone (Os?) clear it up?
>
> Hi Dave,
>
> Just be sure to have your computer online when opening the plug-in for 
> the first time. Then click the yellow button named "About/Register" 
> (upper right part of GUI). You will get a serial number and then you 
> type it into the plug-in (also back up that number). What went wrong 
> for me was that I never saw a note telling me that it is an online 
> registration system.
>
> Happy to hear that more people discover Augustus Loop. Today we have 
> been recording all day with a duo over here and I was playing Augustus 
> all the time, using a guitar.
>
> All the best
>
> Per Boysen
> ---
> http://www.boysen.se
> http://www.looproom.com
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Jul 19 16:43:43 2004
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> I'm not sure on the procedure for registering Augustus Loop do I need 
> to
> download version 1 - can someone (Os?) clear it up?

yes, you can only register the non-beta version.

I made it like this because I never wanted anyone to register a beta 
copy and then find the favourite thing they registered it for actually 
got taken out before the final version.

and yes, as it says in the manual, product activation needs an internet 
connection to work. :)


cheers,
os.

os@collective.co.uk
http://www.collective.co.uk/

From Loopers-Delight-request@loopers-delight.com  Mon Jul 19 17:05:39 2004
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From: Per Boysen <per@boysen.se>
Subject: Norbergfestival - any loopers going there? (Scandinavia)
Date: Mon, 19 Jul 2004 23:01:24 +0200
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Good evening,

Any loopers in Scandinavia going to the Norbergfestival for electronic 
music? http://www.norbergfestival.com/   Would be cool to hook up 
there!  I'm playing on the 29th and will probably hang around for the 
rest of the festival to mingle and hear good music  :-D

All the best

Per Boysen
---
http://www.boysen.se
http://www.looproom.com

From Loopers-Delight-request@loopers-delight.com  Mon Jul 19 20:48:44 2004
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From: Travis Hartnett <tiktok@sprintmail.com>
Subject: Re:  EDP repair?  best place? 
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Shane at shane@britishaudioservice.com is who you want to talk to 
regarding EDP repair.

TravisH

On Jul 19, 2004, at 12:27 PM, 
Loopers-Delight-d-request@loopers-delight.com wrote:

>
> From: DialaThos@aol.com
> Date: July 19, 2004 9:27:56 AM PDT
> To: Loopers-Delight@loopers-delight.com
> Subject: EDP repair?  best place?
>
>

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Shane at shane@britishaudioservice.com is who you want to talk to
regarding EDP repair.


TravisH


On Jul 19, 2004, at 12:27 PM,
Loopers-Delight-d-request@loopers-delight.com wrote:


<excerpt><bold><color><param>0000,0000,0000</param>

From: </color></bold>DialaThos@aol.com

<bold><color><param>0000,0000,0000</param>Date: </color></bold>July
19, 2004 9:27:56 AM PDT

<bold><color><param>0000,0000,0000</param>To:
</color></bold>Loopers-Delight@loopers-delight.com

<bold><color><param>0000,0000,0000</param>Subject: </color>EDP repair? 
best place?

</bold>


</excerpt>
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From Loopers-Delight-request@loopers-delight.com  Mon Jul 19 21:15:42 2004
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this months GUITAR PLAYER has robert randolph on the cover and under the 
"riffs" section they have "keller williams' looparama" with a signal chain diagram 
of keller's set-up.....in fact in the last issue (with the BEATLES on the 
cover) under the "riff" section they had a story on "richard pinhas' circular 
logic" where they spoke of his "looping".....two issues in a row with "looping" 
as story.....i don't feel so lonely..... perhaps it's time to take up tap 
dancing.....:).....michael

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT  SIZE=3D2 PTSIZE=3D10>this mo=
nths GUITAR PLAYER has robert randolph on the cover and under the "riffs" se=
ction they have "keller williams' looparama" with a signal chain diagram of=20=
keller's set-up.....in fact in the last issue (with the BEATLES on the cover=
) under the "riff" section they had a story on "richard pinhas' circular log=
ic" where they spoke of his "looping".....two issues in a row with "looping"=
 as story.....i don't feel so lonely..... perhaps it's time to take up tap d=
ancing.....:).....michael</FONT></HTML>

--part1_15a.3a23ac40.2e2dcb9f_boundary--

From Loopers-Delight-request@loopers-delight.com  Mon Jul 19 21:20:58 2004
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Subject: MIDI percussion control for Repeater?
Date: Mon, 19 Jul 2004 20:03:02 -0500
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Anyone know of a percussion MIDI controller (with pads that can take a
drumstick hit), which sends continuous controller messages?  The Repeater,
while allowing *some* functions to be controlled via PCs and/or Notes,
really requires CCs to get all the best out of it.  I'd like to control it
via a percussion controller.

Any ideas?

Doug

From Loopers-Delight-request@loopers-delight.com  Mon Jul 19 21:36:58 2004
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Date: Mon, 19 Jul 2004 18:28:30 -0700
To: Loopers-Delight@loopers-delight.com
From: Sean Echevarria <sean.loop@creepingfog.com>
Subject: Re: MIDI percussion control for Repeater?
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One possibility would be to use a controller that sends notes and then map them to CCs using this:
http://www.midisolutions.com/prodmap.htm

Or if you use a laptop, use a software app to do the mapping.


At 06:03 PM 2004.07.19, Doug Cox wrote:
>Anyone know of a percussion MIDI controller (with pads that can take a
>drumstick hit), which sends continuous controller messages?  The Repeater,
>while allowing *some* functions to be controlled via PCs and/or Notes,
>really requires CCs to get all the best out of it.  I'd like to control it
>via a percussion controller.
>
>Any ideas?
>
>Doug 

From Loopers-Delight-request@loopers-delight.com  Mon Jul 19 21:47:16 2004
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Subject: Re: MIDI percussion control for Repeater?
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Heya Sean,

Thanks for replying!  I found those units today during some Googling.  Kinda
seems like a solution of last resort:
- only 10 note->cc mappings can be done, total.  Seems like they could have
a "note number = controller #, velocity = control value" mode, but instead
each note->cc mapping takes up one of ten slots
- and it costs $150 :(  Seems like I should be paying about $200 for the
whole damned solution.  Am I just being stubborn?

I'm "just saying no" to a laptop in this situation.

Doesn't someone make a simple multipad controller that can send out MIDI
CC's on pad hits? :(

Doug
----- Original Message -----
From: "Sean Echevarria" <sean.loop@creepingfog.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, July 19, 2004 8:28 PM
Subject: Re: MIDI percussion control for Repeater?


> One possibility would be to use a controller that sends notes and then map
them to CCs using this:
> http://www.midisolutions.com/prodmap.htm
>
> Or if you use a laptop, use a software app to do the mapping.
>
>
> At 06:03 PM 2004.07.19, Doug Cox wrote:
> >Anyone know of a percussion MIDI controller (with pads that can take a
> >drumstick hit), which sends continuous controller messages?  The
Repeater,
> >while allowing *some* functions to be controlled via PCs and/or Notes,
> >really requires CCs to get all the best out of it.  I'd like to control
it
> >via a percussion controller.
> >
> >Any ideas?
> >
> >Doug
>

From Loopers-Delight-request@loopers-delight.com  Mon Jul 19 22:12:58 2004
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Subject: Re: MIDI percussion control for Repeater?
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> >Doesn't someone make a simple multipad controller that can send out MIDI
> >CC's on pad hits? :(
>
> Is the MPD16 made for hands or sticks?
> http://www.akaipro.com/us/mpd16.html
> Looks like it supports CC output.

The only CC that it outputs is from the slider.  The pads only output Notes.
:( :( :(

Sean, I really do appreciate you trying!!!  I've spent a few hours Googling,
and I'm starting to think there's no such thing.  I'm hoping someone can get
me headed in the right direction.

Doug

From Loopers-Delight-request@loopers-delight.com  Mon Jul 19 22:14:49 2004
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Subject: Re: MIDI percussion control for Repeater?
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At 06:33 PM 2004.07.19, Doug Cox wrote:
>Heya Sean,
>
>Thanks for replying!  I found those units today during some Googling.  Kinda
>seems like a solution of last resort:
>- only 10 note->cc mappings can be done, total.  Seems like they could have
>a "note number = controller #, velocity = control value" mode, but instead

Whoops - that's what I assumed was possible...  sorry.


>each note->cc mapping takes up one of ten slots
>- and it costs $150 :(  Seems like I should be paying about $200 for the
>whole damned solution.  Am I just being stubborn?
>
>I'm "just saying no" to a laptop in this situation.
>
>Doesn't someone make a simple multipad controller that can send out MIDI
>CC's on pad hits? :(

Is the MPD16 made for hands or sticks?
http://www.akaipro.com/us/mpd16.html
Looks like it supports CC output.

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Date: Mon, 19 Jul 2004 19:47:57 -0700
To: Loopers-Delight@loopers-delight.com
From: Sean Echevarria <sean.loop@creepingfog.com>
Subject: Re: MIDI percussion control for Repeater?
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At 06:59 PM 2004.07.19, Doug Cox wrote:

>The only CC that it outputs is from the slider.  The pads only output Notes.
>:( :( :(

I'm a loser, baby...


>Sean, I really do appreciate you trying!!!  I've spent a few hours Googling,
>and I'm starting to think there's no such thing.  I'm hoping someone can get
>me headed in the right direction.

Good luck!

From Loopers-Delight-request@loopers-delight.com  Mon Jul 19 23:08:56 2004
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It's probably expensive overkill to the nth degree, but check out the DrumKAT 3.5 at http://www.alternatemode.com/drumkat_main.shtml
The manual says it can send any continuous controller message.  It also does MIDI looping.

HTH,
Nick

>> >Doesn't someone make a simple multipad controller that can send out MIDI
>> >CC's on pad hits? :(


From Loopers-Delight-request@loopers-delight.com  Tue Jul 20 00:04:38 2004
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Date: Mon, 19 Jul 2004 21:01:58 -0700 (PDT)
From: Paolo Valladolid <paolovalladolid@yahoo.com>
Subject: Re: MIDI percussion control for Repeater?
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--- Doug Cox <dougcox@pdq.net> wrote:
> Anyone know of a percussion MIDI controller (with
> pads that can take a
> drumstick hit), which sends continuous controller
> messages?  The Repeater,
> while allowing *some* functions to be controlled via
> PCs and/or Notes,
> really requires CCs to get all the best out of it. 
> I'd like to control it
> via a percussion controller.
> 
> Any ideas?
> 
> Doug

How about the Roland Handsonic?  The two largest pads
send CC by position (distance away from center of
unit), and all of them have assignable aftertouch, not
just velocity.

Paolo

__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Tue Jul 20 10:24:59 2004
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Subject: Loop/Time copy???
Date: Tue, 20 Jul 2004 16:21:10 +0200
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Can someone tell me what Im doing wrong?
More loops =2, hitting next loop and then multiply to LOOPCOPY... No
problems... but...

hitting next loop and then Insert to TIMECOPY, I just get the same... no I
dont.. it actually goes into a insert (so IF there are multiples already
done in loop one it just loops cycle 1) But NO TIME COPY...
what isnt set properly?
Switch Quant is LOP
8th/Cycles is 8
Round mode (have to look that one up again...) is OFF
Quantise is 8th...

Not certain if I'll use TIMECOPY (my timing aint great ha ha) but wanna try
it out

MArk


From Loopers-Delight-request@loopers-delight.com  Tue Jul 20 21:21:12 2004
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References: <200407122113.i6CLDsL17411@hemlock.violacea.com> <001301c46e64$cf1c7470$5a01a8c0@mark>
Subject: Boss RC-20XL
Date: Tue, 20 Jul 2004 21:18:36 -0400
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http://www.bosscorp.co.jp/en/newproducts/index.html

16 mintues of sample time.

Undo.

they made it even better.

From Loopers-Delight-request@loopers-delight.com  Tue Jul 20 22:33:06 2004
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At 08:03 PM 7/19/2004, Doug Cox wrote:
>Anyone know of a percussion MIDI controller (with pads that can take a
>drumstick hit), which sends continuous controller messages?  The Repeater,
>while allowing *some* functions to be controlled via PCs and/or Notes,
>really requires CCs to get all the best out of it.  I'd like to control it
>via a percussion controller.
>
>Any ideas?

Okay, here's a solution.  It's not perfect, but I think it oughta get you 
about 90% there...

First, troll Ebay for a Peavey PC1600x, MIDI Fader box.  I got mine for 
about a bill-&-a-half, so you're gonna be about three quarters into your 
budget already (as you've stated previously: there 's about $200 allotted 
for this project).

Next, find a cheap percussion controller.  Any old controller.  There are 
lots out there, so you've probably got an idea of what you like 
already.  I've got a Drumkat DK-10 which suits me well (no frills; simply 
does the job), but of course YMMV.  If worse comes to worse, you can pick 
up a trigger-to-MIDI converter like the old Roland PM-16 for $50-$75, then 
get some piezo's over at Rat Shack and build whatever you want to whack as 
a trigger.  The only important thing is that your percussion controller 
sends MIDI Note data.

And with any luck, you very well might get both pieces of gear inside your 
final target $$$ amount.

Now, in addition to 16 programmable faders, the PC1600x also incorporates 
16 programmable buttons.  These buttons can transmit just about any MIDI 
string you'd like (including SysEx and Continuous Controller) in a variety 
of modes (one-shot, toggle, on/off, etc.).  This is where you're going to 
concentrate your attention.

One of the coolest thing's about the Peavey is that there is a setting 
under the Utility section called "Remote Button Set-Up".  It's discussed in 
particular on page 15-16 of the manual (available at 
http://www.peavey.com/support/searchmanuals/list/pc1600x.cfm ).  But this 
essentially lets you configure the unit so that you can trigger any of the 
16 buttons via remote Program Change or MIDI Notes.  Set it up so that the 
notes output by your percussion controller are the source of your Remote 
Button triggers.  At that point, you're pretty much done: program the CC 
strings into the buttons and go.

The "gotchas" here are that, as far as I know, you'll only be able to send 
a pre-defined string with each trigger.  So your idea of having Note Number 
determine the CC number, then having the velocity determine the value won't 
really work.  While you can easily link the Note # to Continuous Controller 
number, I'm not certain how you'd get the velocity to set the 
value.  Although if you're working with a percussion controller -- like the 
PM-16 -- that can stack multiple notes then cross-switch based on the 
velocity at which you're striking the pad, then you just might be able to 
approach something similar.

Another useful thing is that you can store multiple setups for your 
button/fader configurations, so you'll have lots of options from which to 
choose during a gig.  And you can also control some of the Repeater's key 
functions (i.e. Pitch Transpose, or Time-Stretch) from a fader -- heck, 
you've got 16 of 'em just sitting there -- or get an expression footpedal 
and assign those functions to it.

Take a look through the PC1600X manual.  There's a lot there, but once you 
get your head around it, the thing's a seriously awesome device.

         --m.

_____
"i want to reach my hand into the dark and *feel* what reaches back"
                                                 -recoil

From Loopers-Delight-request@loopers-delight.com  Wed Jul 21 01:11:03 2004
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On Tue, 20 Jul 2004, Shane Whitbread wrote:

> http://www.bosscorp.co.jp/en/newproducts/index.html

Direct link to product description:

http://www.bosscorp.co.jp/products/en/RC-20XL/index.html

> 16 mintues of sample time.
> 
> Undo.
> 
> they made it even better.

Looks like an upgrade path for me. Time to start saving up :). Thanks for 
mentioning this.

best,
Steve
Phasmatodea     http://www.phasmatodea.net/
Subscape Annex  http://www.subscapeannex.com/

From Loopers-Delight-request@loopers-delight.com  Wed Jul 21 01:37:11 2004
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Subject: OT - RE: [LOOP] Boss RC-20XL
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As cool as the XL is, what really caught my eye was the DR-880.  But no
availability info.  An UK gear site says "later this year".

-----Original Message-----
From: burnett@pobox.com [mailto:burnett@pobox.com]
Sent: Wednesday, July 21, 2004 12:59 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: [LOOP] Boss RC-20XL

On Tue, 20 Jul 2004, Shane Whitbread wrote:

> http://www.bosscorp.co.jp/en/newproducts/index.html

Direct link to product description:

http://www.bosscorp.co.jp/products/en/RC-20XL/index.html

> 16 mintues of sample time.
>
> Undo.
>
> they made it even better.

Looks like an upgrade path for me. Time to start saving up :). Thanks for
mentioning this.

best,
Steve
Phasmatodea     http://www.phasmatodea.net/
Subscape Annex  http://www.subscapeannex.com/

From Loopers-Delight-request@loopers-delight.com  Wed Jul 21 06:16:49 2004
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Date: Wed, 21 Jul 2004 03:13:31 -0700 (PDT)
From: "L. Angulo" <labalou2000@yahoo.com>
Subject: Re: Ash Grunwald (Blues with a Looper) More Steel
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and he is just using a Boss looper!
Great stuff!
L.a




--- Alan Kroeger <nospam@akroeger.com> wrote:
> This is something I have been trying to do a bit of
> myself (on Fiddle) only
> I don't do it as well as this guy Ash Grunwald
> http://www.ashgrunwald.com/index.htm does it :(
> 
> Listen to this one
>
http://www.ashgrunwald.com/mp3/AshGrunwald_HowManyMoreYears.mp3
> nice
> variation on the Andre Glitch Rhythm in the backing
> nice rendition
> altogether of an old blues standard.
> 
> Interview
> http://www.musicomh.com/interviews/ash-grunwald.htm
> 
> 


=====
www.luis-angulo.com


	
		
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From: Mark Sottilaro <sine@zerocrossing.net>
Subject: Re: OT - RE: [LOOP] Boss RC-20XL
Date: Wed, 21 Jul 2004 07:32:48 -0700
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Where's the feedback control?  IMO, it's the feature that makes it a 
deal breaker for me.

Mark

From Loopers-Delight-request@loopers-delight.com  Wed Jul 21 10:53:56 2004
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From: "Alan Kroeger" <nospam@akroeger.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Ash Grunwald (Blues with a Looper) More Steel
Date: Wed, 21 Jul 2004 10:50:09 -0400
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Did you get something to play on Luis I managed to get a Morrell student six
string for $82 shipped. It isn't too bad for a plank of Alder (possibly)
with one Tele bridge pickup and one volume control on it. Even the
inexpensive tuners look strong enough to survive long term usage. I doubt I
would bother to even  resell it more likely use it as a test platform for
modifications and testing ideas on. Thanks to whoever mentioned the string
bending behind the bar technique and slants are pretty cool to. This is a
fun instrument now I am not sure if I even care about a pedal steel (got
enough buttons to worry about already) more strings for diverse tunings and
improved facilities and a console would be nice.

-----Original Message-----
From: L. Angulo [mailto:labalou2000@yahoo.com] 
Sent: Wednesday, July 21, 2004 6:14 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Ash Grunwald (Blues with a Looper) More Steel

and he is just using a Boss looper!
Great stuff!
L.a




--- Alan Kroeger <nospam@akroeger.com> wrote:
> This is something I have been trying to do a bit of myself (on Fiddle) 
> only I don't do it as well as this guy Ash Grunwald 
> http://www.ashgrunwald.com/index.htm does it :(
> 
> Listen to this one
>
http://www.ashgrunwald.com/mp3/AshGrunwald_HowManyMoreYears.mp3
> nice
> variation on the Andre Glitch Rhythm in the backing nice rendition 
> altogether of an old blues standard.
> 
> Interview
> http://www.musicomh.com/interviews/ash-grunwald.htm
> 
> 


=====
www.luis-angulo.com


	
		
__________________________________
Do you Yahoo!?
Vote for the stars of Yahoo!'s next ad campaign!
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From Loopers-Delight-request@loopers-delight.com  Wed Jul 21 13:17:35 2004
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From: "Gary Lehmann" <hqr@cox.net>
To: <Loopers-Delight@loopers-delight.com>
Subject:  Boss RC-20
Date: Wed, 21 Jul 2004 10:08:19 -0700
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 -----Original Message-----
From: Mark Sottilaro [mailto:sine@zerocrossing.net] 
Sent: Wednesday, July 21, 2004 7:33 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: OT - RE: [LOOP] Boss RC-20XL

Where's the feedback control?  IMO, it's the feature that makes it a deal
breaker for me.

Mark

----->I picked up the original and have been using it in a non-MIDI loop
setup.  It doesn't work as a delay pedal--hence no feedback.  I wonder how
the "fade-out" function works--that might provide the element Markie is
longing for in the new pedal.

SOMEONE should make a pedal looper based on this FX-94 that Matt Davignon
uses--it's got lots of stuff but only 4 sec of looping, would make a KILLER
looper if it were longer delay times (and had MIDI--oh never mind).

In other news, I spoke with list member Tom Griesgraber--he sold over a
thousand of his CDs locally while playing at the San Diego County Fair.  I
caught him playing there one day, and he used long delays (either a Repeater
or the EDP) to freeform on his closing number.  Of course he plays Chapman
stick so looping is a luxury for him, not a staple.  It's nice to know
people are still buying product when they hear something special.
Gary


From Loopers-Delight-request@loopers-delight.com  Wed Jul 21 13:50:34 2004
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To: Loopers-Delight@loopers-delight.com
From: Mark Landman <mlandman@sonic.net>
Subject: River Run is updated
Date: Wed, 21 Jul 2004 10:48:19 -0700
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Hello Everyone-

This message is primarily for Mark Sottilaro, but I thought there may 
be other LD'ers interested...

The Nautilus bundle, which contains the granular synthesis plug-in 
River Run, has been updated for OS X.

Mark

From Loopers-Delight-request@loopers-delight.com  Wed Jul 21 14:58:39 2004
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Date: Wed, 21 Jul 2004 11:53:09 -0700 (PDT)
From: "L. Angulo" <labalou2000@yahoo.com>
Subject: RE: Ash Grunwald (Blues with a Looper) More Steel
To: Loopers-Delight@loopers-delight.com
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Hi Alan!
yeah man i got a hold of an old Magnatone troubadour
lap steel pretty cheap,quite old but its got a cool
hawaiian sound.But ill still keep an eye for a used
pedal steel maybe when i come to america...
L.a




--- Alan Kroeger <nospam@akroeger.com> wrote:
> Did you get something to play on Luis I managed to
> get a Morrell student six
> string for $82 shipped. It isn't too bad for a plank
> of Alder (possibly)
> with one Tele bridge pickup and one volume control
> on it. Even the
> inexpensive tuners look strong enough to survive
> long term usage. I doubt I
> would bother to even  resell it more likely use it
> as a test platform for
> modifications and testing ideas on. Thanks to
> whoever mentioned the string
> bending behind the bar technique and slants are
> pretty cool to. This is a
> fun instrument now I am not sure if I even care
> about a pedal steel (got
> enough buttons to worry about already) more strings
> for diverse tunings and
> improved facilities and a console would be nice.
> 
> -----Original Message-----
> From: L. Angulo [mailto:labalou2000@yahoo.com] 
> Sent: Wednesday, July 21, 2004 6:14 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Ash Grunwald (Blues with a Looper) More
> Steel
> 
> and he is just using a Boss looper!
> Great stuff!
> L.a
> 
> 
> 
> 
> --- Alan Kroeger <nospam@akroeger.com> wrote:
> > This is something I have been trying to do a bit
> of myself (on Fiddle) 
> > only I don't do it as well as this guy Ash
> Grunwald 
> > http://www.ashgrunwald.com/index.htm does it :(
> > 
> > Listen to this one
> >
>
http://www.ashgrunwald.com/mp3/AshGrunwald_HowManyMoreYears.mp3
> > nice
> > variation on the Andre Glitch Rhythm in the
> backing nice rendition 
> > altogether of an old blues standard.
> > 
> > Interview
> >
> http://www.musicomh.com/interviews/ash-grunwald.htm
> > 
> > 
> 
> 
> =====
> www.luis-angulo.com
> 
> 
> 	
> 		
> __________________________________
> Do you Yahoo!?
> Vote for the stars of Yahoo!'s next ad campaign!
>
http://advision.webevents.yahoo.com/yahoo/votelifeengine/
> 
> 
> 


=====
www.luis-angulo.com


		
__________________________________
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New and Improved Yahoo! Mail - 100MB free storage!
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From Loopers-Delight-request@loopers-delight.com  Wed Jul 21 15:08:51 2004
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From: msottilaro <sine@zerocrossing.net>
Subject: Re: River Run is updated
Date: Wed, 21 Jul 2004 12:04:32 -0700
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WOO HOO HOODY HOO HOO.

Damn.  Thanks for the info.  It's like I just got $400 worth of 
software back.

Cool effects, BTW if that's what you're looking for.  River Run does 
real time grandular synthesis that's really great.  If you've played 
with "Thronk" (sp?) it's kind of based on that software.

Mark

On Jul 21, 2004, at 10:48 AM, Mark Landman wrote:

> Hello Everyone-
>
> This message is primarily for Mark Sottilaro, but I thought there may 
> be other LD'ers interested...
>
> The Nautilus bundle, which contains the granular synthesis plug-in 
> River Run, has been updated for OS X.
>
> Mark
>

From Loopers-Delight-request@loopers-delight.com  Wed Jul 21 15:56:38 2004
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Subject: Re:  Boss RC-20
Date: Wed, 21 Jul 2004 15:53:52 -0400
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for the DFX94 lover in all.

http://manecolooper.tripod.com

They are like a updated version.  A friend of mine just got a custom
one.....It is 100% amazing.  Here is a clip of what it can do, the only
other pedal used is a yamaha magic stomp for reverb and a korg ampworks for
a preamp.

http://fiveways.illogic.net/clayton/Maneco%20Symphony.mp3


----- Original Message ----- 
From: "Gary Lehmann" <hqr@cox.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, July 21, 2004 1:08 PM
Subject: Boss RC-20


> -----Original Message-----
> From: Mark Sottilaro [mailto:sine@zerocrossing.net]
> Sent: Wednesday, July 21, 2004 7:33 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: OT - RE: [LOOP] Boss RC-20XL
>
> Where's the feedback control?  IMO, it's the feature that makes it a deal
> breaker for me.
>
> Mark
>
> ----->I picked up the original and have been using it in a non-MIDI loop
> setup.  It doesn't work as a delay pedal--hence no feedback.  I wonder how
> the "fade-out" function works--that might provide the element Markie is
> longing for in the new pedal.
>
> SOMEONE should make a pedal looper based on this FX-94 that Matt Davignon
> uses--it's got lots of stuff but only 4 sec of looping, would make a
KILLER
> looper if it were longer delay times (and had MIDI--oh never mind).
>
> In other news, I spoke with list member Tom Griesgraber--he sold over a
> thousand of his CDs locally while playing at the San Diego County Fair.  I
> caught him playing there one day, and he used long delays (either a
Repeater
> or the EDP) to freeform on his closing number.  Of course he plays Chapman
> stick so looping is a luxury for him, not a staple.  It's nice to know
> people are still buying product when they hear something special.
> Gary
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Jul 21 20:13:16 2004
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Subject: OT - Super-Cannes
Date: Wed, 21 Jul 2004 20:08:29 -0400
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I finally got some Super-Cannes music, my recent band, webbed up.  I'm
baffled what genre this falls into.  I jokingly refer to it as hip-hop
prog-rock with IDM flavorings.   Please let me know what genre-boxes you
think I ought to be using.

Anyway, there's lots of looping in these tracks:
http://music.download.com/supercannes/3600-8362_32-100343783.html?tag=list

I'm curious to know what you think.

David

From Loopers-Delight-request@loopers-delight.com  Thu Jul 22 05:50:48 2004
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From: "ARTHUR LEE LAND" <info@arthurleemusic.com>
To: <loopers-delight@loopers-delight.com>
Subject: EDP Record Long Press Malfunction
Date: Thu, 22 Jul 2004 03:41:37 -0600
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Hi ya'll,
 
Anybody have any insight into why my long press of the record button
(Loop Reset) is acting up on my new Black Face EDP?
My midi controller won't make it reset and I have to press multiple
times on the EDP front panel record button to get it to work.
It's definitely in the EDP and not the controller (PMC10). I usually
have to press 3-5 times to get it to reset. If you press once and keep
it pressed it does nothing.
 
Any help would be great.
 
Oh yeah thank you Kim for my other problem I had a while back with the
extra space at the end of a Multiply...the Quantize function did
accidentally got turned on. 
 
-Arthur Lee
 
www.arthurleeland.com <http://www.arthurleeland.com/>  

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<div class=3DSection1>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Hi ya&#8217;ll,<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Anybody have any insight into why my long press of =
the
record button (Loop Reset) is acting up on my new Black Face =
EDP?<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>My midi controller won&#8217;t make it reset and I =
have to
press multiple times on the EDP front panel record button to get it to =
work.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>It&#8217;s definitely in the EDP and not the =
controller
(PMC10). I usually have to press 3-5 times to get it to reset. If you =
press
once and keep it pressed it does nothing.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Any help would be great.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Oh yeah thank you Kim for my other problem I had a =
while
back with the extra space at the end of a <span =
class=3DGramE>Multiply</span>...the
Quantize function did accidentally got turned on. =
<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>-Arthur Lee<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><a =
href=3D"http://www.arthurleeland.com/">www.arthurleeland.com</a>
<o:p></o:p></span></font></p>

</div>

</body>

</html>

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From Loopers-Delight-request@loopers-delight.com  Thu Jul 22 12:51:46 2004
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From: Brian Carabee <compguy1@optonline.net>
Subject: Who did the song "If" on acoustic guitar?
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I was just listening to an MP3 of a song called "If", and I'd like to know who wrote it. It's done on Acoustic guitar.

I tried to play it, and I was wondering if it uses capo 3 or is an alternate tuning used.

Thanks!

Brian

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<DIV><FONT face=Arial size=2>I was just listening to an MP3 of a song called 
"If", and I'd like to know who wrote it. It's done on Acoustic 
guitar.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial size=2>I tried to play it, and I was wondering if it uses 
capo 3 or is an alternate tuning used.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial size=2>Thanks!</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial size=2>Brian</FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu Jul 22 12:53:04 2004
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Subject: RE: Who did the song "If" on acoustic guitar?
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I think you might be referring to an old Pink Floyd song on "Atom Heart =
Mother"
-----Original Message-----
From: Brian Carabee [mailto:compguy1@optonline.net]
Sent: Thursday, July 22, 2004 12:46 PM
To: Loopers-Delight@loopers-delight.com
Subject: Who did the song "If" on acoustic guitar?


I was just listening to an MP3 of a song called "If", and I'd like to =
know who wrote it. It's done on Acoustic guitar.
=20
I tried to play it, and I was wondering if it uses capo 3 or is an =
alternate tuning used.
=20
Thanks!
=20
Brian

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<DIV><SPAN class=3D952355016-22072004><FONT face=3DArial color=3D#0000ff =
size=3D2>I=20
think you might be referring to an old Pink Floyd song on "Atom Heart=20
Mother"</FONT></SPAN></DIV>
<BLOCKQUOTE dir=3Dltr style=3D"MARGIN-RIGHT: 0px">
  <DIV class=3DOutlookMessageHeader dir=3Dltr align=3Dleft><FONT =
face=3DTahoma=20
  size=3D2>-----Original Message-----<BR><B>From:</B> Brian Carabee=20
  [mailto:compguy1@optonline.net]<BR><B>Sent:</B> Thursday, July 22, =
2004 12:46=20
  PM<BR><B>To:</B> =
Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> Who=20
  did the song "If" on acoustic guitar?<BR><BR></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>I was just listening to an MP3 of a =
song called=20
  "If", and I'd like to know who wrote it. It's done on Acoustic=20
  guitar.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>I tried to play it, and I was =
wondering if it=20
  uses capo 3 or is an alternate tuning used.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Thanks!</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial =
size=3D2>Brian</FONT></DIV></BLOCKQUOTE></BODY></HTML>

------_=_NextPart_001_01C4700C.11FD200D--

From Loopers-Delight-request@loopers-delight.com  Thu Jul 22 12:57:41 2004
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From: "hazard factor" <artists@hazardfactor.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: EDP Record Long Press Malfunction
Date: Thu, 22 Jul 2004 12:48:41 -0400
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I had this problem with my beige face EDP and the PMC10...I also got so used
to the metal switches I used on my EFC1 controller, that I would always
double press the small switches on the PMC10...It is impossible for me
(unless I go barefoot) to hit those switches right!
As a result, Im selling it (the PMC10, not the EDP):
 
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=3736669741
 
Dave Eichenberger 
http://www.hazardfactor.com  


________________________________

	From: ARTHUR LEE LAND [mailto:info@arthurleemusic.com] 
	Sent: Thursday, July 22, 2004 5:42 AM
	To: loopers-delight@loopers-delight.com
	Subject: EDP Record Long Press Malfunction
	



	My midi controller won't make it reset and I have to press multiple
times on the EDP front panel record button to get it to work.


	 
 

From Loopers-Delight-request@loopers-delight.com  Thu Jul 22 13:16:18 2004
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Date: Thu, 22 Jul 2004 13:08:26 -0400
From: Brian Carabee <compguy1@optonline.net>
Subject: Re: Who did the song "If" on acoustic guitar?
To: Loopers-Delight@loopers-delight.com
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Actually, it was written by someone on this list. I went to their website and d/l'd it.

I should have mentioned that, but thanks for the response!

Brian

ps I think I'll give AHM a listen-to, anyway, just for old times sake.

  ----- Original Message ----- 
  From: Alen Cileli 
  To: Loopers-Delight@loopers-delight.com 
  Sent: Thursday, July 22, 2004 12:51 PM
  Subject: RE: Who did the song "If" on acoustic guitar?


  I think you might be referring to an old Pink Floyd song on "Atom Heart Mother"
    -----Original Message-----
    From: Brian Carabee [mailto:compguy1@optonline.net]
    Sent: Thursday, July 22, 2004 12:46 PM
    To: Loopers-Delight@loopers-delight.com
    Subject: Who did the song "If" on acoustic guitar?


    I was just listening to an MP3 of a song called "If", and I'd like to know who wrote it. It's done on Acoustic guitar.

    I tried to play it, and I was wondering if it uses capo 3 or is an alternate tuning used.

    Thanks!

    Brian

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<DIV><FONT face=Arial size=2>Actually, it was written by someone on this list. I 
went to their website and d/l'd it.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial size=2>I should have mentioned that, but thanks for the 
response!</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial size=2>Brian</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial size=2>ps I think I'll give AHM a listen-to, anyway, just 
for old times sake.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=ltr 
style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV 
  style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><B>From:</B> 
  <A title=Cilelia@BioTek.com href="mailto:Cilelia@BioTek.com">Alen Cileli</A> 
  </DIV>
  <DIV style="FONT: 10pt arial"><B>To:</B> <A 
  title=Loopers-Delight@loopers-delight.com 
  href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A> 
  </DIV>
  <DIV style="FONT: 10pt arial"><B>Sent:</B> Thursday, July 22, 2004 12:51 
  PM</DIV>
  <DIV style="FONT: 10pt arial"><B>Subject:</B> RE: Who did the song "If" on 
  acoustic guitar?</DIV>
  <DIV><BR></DIV>
  <DIV><SPAN class=952355016-22072004><FONT face=Arial color=#0000ff size=2>I 
  think you might be referring to an old Pink Floyd song on "Atom Heart 
  Mother"</FONT></SPAN></DIV>
  <BLOCKQUOTE dir=ltr style="MARGIN-RIGHT: 0px">
    <DIV class=OutlookMessageHeader dir=ltr align=left><FONT face=Tahoma 
    size=2>-----Original Message-----<BR><B>From:</B> Brian Carabee 
    [mailto:compguy1@optonline.net]<BR><B>Sent:</B> Thursday, July 22, 2004 
    12:46 PM<BR><B>To:</B> <A 
    href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A><BR><B>Subject:</B> 
    Who did the song "If" on acoustic guitar?<BR><BR></FONT></DIV>
    <DIV><FONT face=Arial size=2>I was just listening to an MP3 of a song called 
    "If", and I'd like to know who wrote it. It's done on Acoustic 
    guitar.</FONT></DIV>
    <DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
    <DIV><FONT face=Arial size=2>I tried to play it, and I was wondering if it 
    uses capo 3 or is an alternate tuning used.</FONT></DIV>
    <DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
    <DIV><FONT face=Arial size=2>Thanks!</FONT></DIV>
    <DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
    <DIV><FONT face=Arial 
size=2>Brian</FONT></DIV></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu Jul 22 13:44:38 2004
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From: msottilaro <sine@zerocrossing.net>
Subject: Re: OT - Super-Cannes
Date: Thu, 22 Jul 2004 10:34:15 -0700
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Genera, schmanera, these tracks are great.  Groovatious jazzy IDM  
progrockesque tracks.  My only complaint is that the tracks seem to end  
too soon.  I didn't see a link to buy a CD.  Is there one for sale?

Mark

On Jul 21, 2004, at 5:08 PM, David Kirkdorffer wrote:

> I finally got some Super-Cannes music, my recent band, webbed up.  I'm
> baffled what genre this falls into.  I jokingly refer to it as hip-hop
> prog-rock with IDM flavorings.   Please let me know what genre-boxes  
> you
> think I ought to be using.
>
> Anyway, there's lots of looping in these tracks:
> http://music.download.com/supercannes/3600-8362_32-100343783.html? 
> tag=list
>
> I'm curious to know what you think.
>
> David
>

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To: "'Loopers-Delight@loopers-delight.com'"
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Subject: RE: OT - Super-Cannes
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so it sounds like I am not the only one who likes your music David=20
and would like to buy some  ...  ;-)

Best

Francois
	http://fr.lebrun.free.fr
	check my first CD on http://www.cdbaby.com/1000times

-----Message d'origine-----
De:	msottilaro [SMTP:sine@zerocrossing.net]
Date:	jeudi 22 juillet 2004 19:34
=C0:	Loopers-Delight@loopers-delight.com
Objet:	Re: OT - Super-Cannes

Genera, schmanera, these tracks are great.  Groovatious jazzy IDM =20
progrockesque tracks.  My only complaint is that the tracks seem to end  =

too soon.  I didn't see a link to buy a CD.  Is there one for sale?

Mark

On Jul 21, 2004, at 5:08 PM, David Kirkdorffer wrote:

> I finally got some Super-Cannes music, my recent band, webbed up.  I'm
> baffled what genre this falls into.  I jokingly refer to it as hip-hop
> prog-rock with IDM flavorings.   Please let me know what genre-boxes =20
> you
> think I ought to be using.
>
> Anyway, there's lots of looping in these tracks:
> http://music.download.com/supercannes/3600-8362_32-100343783.html?=20
> tag=3Dlist
>
> I'm curious to know what you think.
>
> David
>


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Subject: RE: Who did the song "If" on acoustic guitar?
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--- Alen Cileli <Cilelia@BioTek.com> wrote:
> I think you might be referring to an old Pink Floyd
> song on "Atom Heart Mother"


Not sure if it's the same version but there is a nice
version of it on the PF soundtrack to the movie More -
and I have an awesome live BBC concert of that song.
It's a great tune along with Green is the Colour :)




__________________________________________________
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Subject: EPD Question on More Loops
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hi, 
does anyone know if you can set more loops to more than 1 and hear both loops 
at the same time?  thanks, c

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<DIV>hi, </DIV>
<DIV>does anyone know if you can set more loops to more than 1 and hear both=
 loops at the same time?&nbsp; thanks, c</DIV></BODY></HTML>

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Subject: RE: OT - Super-Cannes
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not ture....i have it up right now....i like it a lot. =0D
would you consider a colaberation?=0D
i do advent' loop/sound poetry. =0D
this would be intereresting to work with.=0D
below is a link to my current project. =0D
take a listen and let me know. =0D
=0D
Notions/Your GOP/Puffy/Adult are the most track complete. =0D
either way....cool stuff.=0D
=0D
http://chickiboom.com/records/current/index.htm=0D
=0D
=0D
 =0D
From: Loopers-Delight@loopers-delight.com=0D
Date: 07/22/04 12:04:25=0D
To: 'Loopers-Delight@loopers-delight.com'=0D
Subject: RE: OT - Super-Cannes=0D
 =0D
so it sounds like I am not the only one who likes your music David=0D
and would like to buy some  ...  ;-)=0D
 =0D
Best=0D
 =0D
Francois=0D
  http://fr.lebrun.free.fr=0D
  check my first CD on http://www.cdbaby.com/1000times=0D
 =0D
-----Message d'origine-----=0D
De: msottilaro [SMTP:sine@zerocrossing.net]=0D
Date: jeudi 22 juillet 2004 19:34=0D
=C0: Loopers-Delight@loopers-delight.com=0D
Objet: Re: OT - Super-Cannes=0D
 =0D
Genera, schmanera, these tracks are great.  Groovatious jazzy IDM=0D
progrockesque tracks.  My only complaint is that the tracks seem to end=0D
too soon.  I didn't see a link to buy a CD.  Is there one for sale?=0D
 =0D
Mark=0D
 =0D
On Jul 21, 2004, at 5:08 PM, David Kirkdorffer wrote:=0D
 =0D
> I finally got some Super-Cannes music, my recent band, webbed up.  I'm=0D
> baffled what genre this falls into.  I jokingly refer to it as hip-hop=0D
> prog-rock with IDM flavorings.   Please let me know what genre-boxes=0D
> you=0D
> think I ought to be using.=0D
>=0D
> Anyway, there's lots of looping in these tracks:=0D
> http://music.download.com/supercannes/3600-8362_32-100343783.html?=0D
> tag=3Dlist=0D
>=0D
> I'm curious to know what you think.=0D
>=0D
> David=0D
>=0D
 =0D
 =0D
=20
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<TBODY>
<TR>
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AMILY: Arial" width=3D"100%">
<DIV id=3DIncrediOriginalMessage><I></I></DIV>
<DIV>not ture....i have it up right now....i like it a lot. </DIV>
<DIV>would you consider a colaberation?</DIV>
<DIV>i do advent' loop/sound poetry. </DIV>
<DIV>this would be intereresting to work with.</DIV>
<DIV>below is a link to my current project. </DIV>
<DIV>take a listen and let me know. </DIV>
<DIV>&nbsp;</DIV>
<DIV>Notions/Your GOP/Puffy/Adult are the most track complete. </DIV>
<DIV>either way....cool stuff.</DIV>
<DIV>&nbsp;</DIV>
<DIV><A href=3D"http://chickiboom.com/records/current/index.htm">http://c=
hickiboom.com/records/current/index.htm</A></DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV id=3Dreceivestrings>
<DIV dir=3Dltr style=3D"FONT-SIZE: 11pt" <i><B>From:</B></I> <A href=3D"m=
ailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-deligh=
t.com</A></DIV>
<DIV dir=3Dltr style=3D"FONT-SIZE: 11pt" <i><B>Date:</B></I> 07/22/04 12:=
04:25</DIV>
<DIV dir=3Dltr style=3D"FONT-SIZE: 11pt" <i><B>To:</B></I> <A href=3D"mai=
lto:Loopers-Delight@loopers-delight.com">'Loopers-Delight@loopers-delight=
=2Ecom'</A></DIV>
<DIV dir=3Dltr style=3D"FONT-SIZE: 11pt" <i><B>Subject:</B></I> RE: OT - =
Super-Cannes</DIV></DIV>
<DIV>&nbsp;</DIV>
<DIV>so it sounds like I am not the only one who likes your music David</=
DIV>
<DIV>and would like to buy some&nbsp;&nbsp;...&nbsp;&nbsp;;-)</DIV>
<DIV>&nbsp;</DIV>
<DIV>Best</DIV>
<DIV>&nbsp;</DIV>
<DIV>Francois</DIV>
<DIV>&nbsp; <A href=3D"http://fr.lebrun.free.fr">http://fr.lebrun.free.fr=
</A></DIV>
<DIV>&nbsp; check my first CD on <A href=3D"http://www.cdbaby.com/1000tim=
es">http://www.cdbaby.com/1000times</A></DIV>
<DIV>&nbsp;</DIV>
<DIV>-----Message d'origine-----</DIV>
<DIV>De: msottilaro [<A href=3D"mailto:SMTP:sine@zerocrossing.net">SMTP:s=
ine@zerocrossing.net</A>]</DIV>
<DIV>Date: jeudi 22 juillet 2004 19:34</DIV>
<DIV>=C0: <A href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-=
Delight@loopers-delight.com</A></DIV>
<DIV>Objet: Re: OT - Super-Cannes</DIV>
<DIV>&nbsp;</DIV>
<DIV>Genera, schmanera, these tracks are great.&nbsp;&nbsp;Groovatious ja=
zzy IDM</DIV>
<DIV>progrockesque tracks.&nbsp;&nbsp;My only complaint is that the track=
s seem to end</DIV>
<DIV>too soon.&nbsp;&nbsp;I didn't see a link to buy a CD.&nbsp;&nbsp;Is =
there one for sale?</DIV>
<DIV>&nbsp;</DIV>
<DIV>Mark</DIV>
<DIV>&nbsp;</DIV>
<DIV>On Jul 21, 2004, at 5:08 PM, David Kirkdorffer wrote:</DIV>
<DIV>&nbsp;</DIV>
<DIV>&gt; I finally got some Super-Cannes music, my recent band, webbed u=
p.&nbsp;&nbsp;I'm</DIV>
<DIV>&gt; baffled what genre this falls into.&nbsp;&nbsp;I jokingly refer=
 to it as hip-hop</DIV>
<DIV>&gt; prog-rock with IDM flavorings.&nbsp;&nbsp; Please let me know w=
hat genre-boxes</DIV>
<DIV>&gt; you</DIV>
<DIV>&gt; think I ought to be using.</DIV>
<DIV>&gt;</DIV>
<DIV>&gt; Anyway, there's lots of looping in these tracks:</DIV>
<DIV>&gt; <A href=3D"http://music.download.com/supercannes/3600-8362_32-1=
00343783.html?">http://music.download.com/supercannes/3600-8362_32-100343=
783.html?</A></DIV>
<DIV>&gt; tag=3Dlist</DIV>
<DIV>&gt;</DIV>
<DIV>&gt; I'm curious to know what you think.</DIV>
<DIV>&gt;</DIV>
<DIV>&gt; David</DIV>
<DIV>&gt;</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV></TD></TR>
<TR>
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ABLE></TD></TR></TBODY></TABLE></BODY></HTML>
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From Loopers-Delight-request@loopers-delight.com  Thu Jul 22 16:38:23 2004
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Date: Wed, 21 Jul 2004 19:50:32 -0500
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Subject: Dual Echo Pros for Stereo Looping, First Impressions...
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Given the recent blowout by Line 6 of their rack mount modelers, I took the 
plunge and grabbed a second Line 6 Echo Pro, figuring that if I didn't get 
this harebrained scheme to work I could probably turn it around on Ebay for 
what I paid.  Since a few people on the list were at least curious about 
the viability of doing this, here's a quick write-up of what I've seen thusfar.


"What The Hell Are You Doing And Why???"

Okay, some background: My current looping setup already consists of two 
loopers, working asynchronously (hi mark!).  The main looper is my 
Repeater, which is connected into the effects loop on my mixer.  However, 
I'd also hardwired my Echo Pro into my E-mu Morpheus so I could use it for 
looped textures, drones, and effects.  Like many other E-mu units, you can 
actually use the multiple outs on the back of the Morpheus as effect 
send/returns to integrate external effects directly into the synth 
architecture.  Thus, the Echo Pro was directly wired into the Morpheus.

As we already know, the Loop Sampler algorithm on the Echo Pro is 
mono.  And, while working with the Morpheus, I started to become quite 
aggravated at the fact that I was able to come up with these cool, swirly, 
stereo textures that were then squashed down into a fair approximation of 
an AM radio as soon as I looped them.

Thus, I came up with the idea that I'd try running *two* Echo Pros -- both 
in mono -- respectively across each side of the stereo spread.  The units 
would each be set to the same MIDI channel to ensure that they could be 
triggered and controlled simultaneously.  At least at the outset, the 
patches would likewise be identical on both units.

So, in short the dual Echo Pros would be simulating a single stereo looper.


"Um, That Won't Really Work, Now Will It?"

For anyone else planning on doing something similar, there's one important 
caveat to this scheme that has to be stated up front.  There is no 
available mechanism to provide continuous synchronization between the two 
Echo Pros.  We're merely starting and looping the two units at the exact 
same millisecond via MIDI.  Unfortunately, the looper in the Echo Pro will 
not sync to MIDI clock, and there certainly isn't anything approaching the 
sample-accurate Brother Sync on the EDP (however, the overall solution 
using Echo Pros also costs a quarter of what one would have to pay for a 
pair of synced EDP's).

As Kim himself has mentioned on the LD list earlier, there is no such thing 
as a pair of perfectly identical clock sources.  If you took two identical 
stopwatches and started them at exactly the same instant, they would still 
eventually drift apart without any sort of external mechanism to 
continually bring them back into sync.

That is just what we're talking about here, so it's understood that the 
loops *will* eventually drift out of sync between the left and right 
channels.  The main point of the experiment is to see just how badly 
they'll drift, or if the drift can be used in an interesting manner.


"You've Bored Us To Tears With Background.  So How Well Does It Actually Work?"

Pretty well, overall.  But there are a couple of fairly severe things to 
keep in mind up front.  I discovered early that this is a "chaotic" system: 
as a test goes on, it progressively approaches entropy.  And many external 
factors can affect the results; even something as seemingly insignificant 
as the order of the devices in the MIDI chain, or the type/quality of the 
MIDI cables used.

Since timing was the primary function to be tested, I used a computer to 
generate the "Record" and "Loop" cues via MIDI.  This enabled me to loop 
exactly one bar at a defined BPM.  I then programmed a single sidestick hit 
(in mono, to make certain the sound was evenly divided between left and 
right channels), and began to count the number of measures it would take 
for the two independent loops to begin drifting noticeably.  Later, I 
reconfirmed the results using a two measure loop, with high-hats on each 
beat, bass drum on beat one of the first measure, and sidestick on beat one 
of the second measure.

Listed here are the "worst case" results.  These, by average, also ended up 
being the most consistent results, so they're probably what you could well 
expect if you were to put together a similar architecture.  However, it's 
got to be pointed out that every so often (about once every 5-7 tests) I 
would get two loops that would stay in sync almost perfectly for a very, 
very, very long time; they would not drift into a sixteenth or eighth note 
difference for at least 500-700 repetitions of the loop (about the time I 
finally got sick of counting).

So, press 'play'.  I found that once I began a test you could usually 
identify a noticeable drift in phase coherence almost immediately if you 
were using headphones.  This shouldn't really be too much of a nuisance 
unless both channels of the stereo signal are squashed back together into 
mono (and why are you bothering with dual Echo Pros in the first place if 
you're going to squash it all back into mono), which would cause it to 
sound like flanging and phase shifting.  In fact, depending largely upon 
the material, this micro-delay may actually aid stereo separation under 
certain circumstances.

Significant separation or beating between the two loops was not noticeable 
until about 17-20 measures into the test.  At that point, it was possible 
to distinguished the looped sidestick as two distinct hits (a flam, for all 
intents).  The two loops fell into an unmistakable rhythmic pattern around 
the 40th repetition, at which time they sounded as two sixteenth notes, one 
following immediately after the other.  An eighth note rhythmic pattern was 
achieved at approximately the 80th measure, while a full beat (quarter 
note) difference was finally distinguished around measure 150.  In most 
tests, I didn't continue to count further.  By extrapolation one could 
determine that a half-note would fall around 300th loop iteration and a 
complete turnaround of a single-measure loop would happen approximately at 
measure 600.

Following the initial tests, I went back through and performed the same 
experiment using longer loop lengths, as well as performing it under 
different tempos.  I found that these results did not differ dramatically 
from the original test.  I also attempted to repeat the experiment while 
conducting multiple overdubs during the process.  This was to see if 
recording the overdubs would place additional strain on the CPU and affect 
the clock source, therefore causing the units to drift out of sync 
faster.  This likewise resulted in no deviation in the results.

First disclaimer: While I use the term "measure" here, that is only for the 
purpose of this particular experiment.  Here, one measure = one repetition 
of the loop.  By no means does the loop have to equal one measure, as it 
could easily be more (or less).  Thus we see that the loops begin to become 
rhythmically distinct after about 40-50 iterations.  If the original loop 
is many measures long, then it will simply take that much longer for the 
left and right sides to go out of sync.

Second disclaimer: These results are particular only between my two Echo 
Pros.  We cannot necessarily say for certain what the results would be 
between two completely different Echo Pros, as manufacturing runs on the 
hardware may have used different part lots.  The tolerance of variation on 
these parts may certainly be different from lot to lot.  However, these 
tests should at least give us some ballpark estimate.


"Punch the Magic Button..."

One technique which I found absolutely essential for working with this 
setup is what I call the Loop Realign functionality.  This is something 
I've put together all on my own (as opposed to some explicit function of 
the Echo Pro).  Essentially, it allows you to reset the loop back to its 
original synchronized state, just as if it were freshly recorded.

Setting up a Realign function is relatively easy, provided you've a MIDI 
controller which will allow you to send two MIDI messages in rapid 
succession.  The theory is simple: send a message to stop the loops on both 
Echo Pros, immediately followed by another to restart them again.  This 
should reset the synchronization of the two loops back to the state at 
which they began when first recorded.

The Echo Pro allows you to access the Stop and Play functions of the Looper 
through MIDI in a variety of methods, including Continuous Controller, 
Program Change, or even via MIDI Notes.  I found using the MIDI CC's the 
easiest for my particular MIDI foot controller (a Peavey PC1600x), and thus 
set up a single button/footswitch that would fire off CC #28 with a value 
of 0 (Loop Stop), immediately followed by the same CC with a value of 127 
(Loop Play).  This effectively resets the loops back to their original 
state of synchronization.

There is another issue here to keep in mind as well, though.  If there were 
any overdubs later recorded onto the loop while the original loops were 
already out of sync, then those overdubs will be taken out of sync the 
moment you realign the original loop.  Usually there was little noticeable 
effect as long as the base loops were realigned before beginning an 
overdub, or at least when the base loops weren't heinously out of sync 
(like around the 40th repetition) before overdubbing began.

Of course, there are times when realigning overdubs out-of-time can be a 
useful effect in and of itself.  Similarly, If you've dancin' feet, you 
could also use the Realign button in rapid succession to achieve a stutter 
effect on the loop ("ni-ni-ni-ni-nineteen") in much the same manner as 
samplers abused such functionality over two decades ago.


"Okay, Break It Down For Us..."

So all the test methodology and results aside, how well does it work 
*musically*?  Obviously, for the test, I wanted to use sounds and material 
that would most strenuously point out the strengths and flaws of the 
setup.  But now we have to inquire
how well the architecture performs with real musical content.  In that 
respect, I've got to say that, frankly, I'm really quite pleased.

Rather than just using sidesticks and sharp percussion hits -- as I did in 
the lab -- I've now spent a few nights actually playing and looping the 
Morpheus with the dual Echo Pros.  In using various sorts of content (pads, 
leads, comps, guitar emulations, tuned percussion, effects, etc.), I've yet 
to come across a situation where the synchronization issues have really 
given me fits.  In fact, in most cases where I eventually hit the Realign 
button, I've actually been less pleased with the tightly-synced loops than 
I was when they had drifted ever so slightly out-of-sync.  In many cases, 
the drift does seem to somewhat enhance the stereo imaging without 
completely botching the timing.

I was even able to consistently yank both units down to half-speed and 
back, reverse them, overdub, revert the loops to normal, then do it all 
over again and again in any order.  The loops and their content stayed as 
tight as if I'd merely left them to repeat normally.  Sweet!

Further afield, there's still plenty with which to experiment in this 
setup.  For instance, everything we've discussed so far has taken for 
granted that the parameters on each unit match each other exactly.  But 
what if we set the internal delay's parameters for Time, Feedback, and/or 
Echo Modulation differently on each unit?  Or what if we intentionally 
split and varied the content going into each Echo Pro, so that it is truly 
two mono streams?  Finally, one trick which has been pointed out is the 
fact that the 1/4 inch and XLR inputs/outputs for the Echo Pro are all 
active simultaneously.  There have been some interesting results that have 
occurred when others have cross-connected between the two units though the 
jacks not used for standard I/O.

In conclusion, I've found that implementing dual Echo Pros to be a much 
more viable solution than I'd believed it could be when I first began 
researching this idea.  It gives one the immediacy and simplicity that 
people have come to appreciate from using the Line 6 Loop Sampler algorithm 
in either the DL-4 or single Echo Pro, as well as better quality input and 
output (compared to the DL-4), more user presets, and most importantly 
*stereo* implementation of the looper.  This is invaluable to those of us 
for whom stereo is not just a nice "extra", but is indeed a core requirement.

When I started this, I was hoping merely to solve a major annoyance with my 
secondary looper in relation to my Repeater.  Now, in the end, I find that 
by solving that problem I've constructed a completely viable stereo-looping 
setup in its own right.

         --m.

_____
"i want to reach my hand into the dark and *feel* what reaches back"
                                                 -recoil

From Loopers-Delight-request@loopers-delight.com  Thu Jul 22 16:55:02 2004
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Date: Thu, 22 Jul 2004 12:48:54 -0800 (GMT-08:00)
From: Travis Hartnett <tiktok@sprintmail.com>
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To: Loopers-Delight@loopers-delight.com
Subject: Re: EPD Question on More Loops
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No, the EDP only supports playback of one loop at a time.  You can overdub onto a loop so that each loop contains multiple layers of audio information.  If you set MoreLoops to >1, you just get to switch between those loops.

TravisH

Date: Thu, 22 Jul 2004 15:27:16 EDT
From: SOULAR@aol.com
To: Loopers-Delight@loopers-delight.com
Subject: EPD Question on More Loops
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hi, 
does anyone know if you can set more loops to more than 1 and hear both loops 
at the same time?  thanks, c


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From: msottilaro <sine@zerocrossing.net>
Subject: Stereoization (revisited)
Date: Thu, 22 Jul 2004 15:44:27 -0700
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SO... in case you don't remember I was looking for a device that would 
"stereoize" my mono output of the Electro-Harmonix DD16 Reissue.  I 
found it!

OK, I broke my own rules, and went with something that ended up being 
about 3 times my original budget.  Duh.  What started as a $50 add on 
became a $200 device.  I went with a Boss VF-1.  It's actually a very 
cool box.  Half rack.  Fits almost perfectly under the EH DD16.  Some 
velcro and they're one unit.  I'm not going to go into a heavy 
description about this device, but it's got a lot of midi sync 
abilities (nice because the DD16 has MIDI clock out) good sound and you 
can easily find them used on ebay.  One cool thing about it is it's a 
"swiss army knife" type device designed with patches aimed at 
guitarists complete with "amp models" as well as stuff designed for 
keyboardists and vocalists.  The fun was running keyboard stuff through 
the guitar models for some nice distorto fun.  The amp models weren't 
all that on my guitar, but actually really shown when my keyboards were 
sent through them.

Anyway, it's easy to program, good 24 bit effects, lot's of them 
totally over the top fuck-shit-up mania. Seems to be pretty good about 
the tone when bypassed as well, which is a plus.

Mark

From Loopers-Delight-request@loopers-delight.com  Thu Jul 22 18:49:22 2004
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From: msottilaro <sine@zerocrossing.net>
Subject: Re: Dual Echo Pros for Stereo Looping, First Impressions...
Date: Thu, 22 Jul 2004 15:34:40 -0700
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I know I've said this before, but as someone who values a stereo looper 
a lot, what you're describing sounds fun, but not stereo.  I've been 
playing a lot lately with dual loops that I tap out manually to be 
close, and watch as they develop their own patterns.  I wouldn't call 
them stereo though as that really denotes a dual channel that is 
perfectly synced.  Fun none the less though.

I've also had a lot of fun taking a stereo loop in the repeater and 
turning it into a dual mono loop and using the "slip" function to move 
them in and out of sync.  Lots and lots of possibilities there.

Mark

On Jul 21, 2004, at 5:50 PM, Mech wrote:

>
> When I started this, I was hoping merely to solve a major annoyance 
> with my secondary looper in relation to my Repeater.  Now, in the end, 
> I find that by solving that problem I've constructed a completely 
> viable stereo-looping setup in its own right.
>
>         --m.
>
> _____
> "i want to reach my hand into the dark and *feel* what reaches back"
>                                                 -recoil
>

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From: ArsOcarina@aol.com
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Date: Thu, 22 Jul 2004 19:03:09 EDT
Subject: OT: Cheap-o Lap-Steel at MF hits $69 Again
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Hi there,

For those who might care, the price of that cheap-o Artisan 
EA-1 lap steel guitar has just hit $69.99 again at Musicians Fiend.

It fluctuates between $99.99 and $69.99 periodically so the
deal is not always the same from day to day. Who knows why.

I just ordered myself a metallic black one and got a 5 percent
discount because of my ASCAP membership on top of it.
Cool beans!

Best regards,

tEd ® kiLLiAn

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.towerrecords.com/product.aspx?pfid=2845073
http://www.netmusic.com/web/album.aspx?a_id=CBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=193

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes, 
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster, 
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks, 
and Viztas.

From Loopers-Delight-request@loopers-delight.com  Thu Jul 22 19:09:49 2004
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Subject: Re: Dual Echo Pros for Stereo Looping, First Impressions...
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> I've also had a lot of fun taking a stereo loop in the repeater and
> turning it into a dual mono loop and using the "slip" function to move
> them in and out of sync.  Lots and lots of possibilities there.


Hey Mark,

Could you walk us through the steps you use to do this?  How do you mono-ize
a set of stereo tracks on the Repeater, and then how do you usually give it
slip commands?

I figure the Repeater owners on the list might benefit from a rundown.  I
know I will!

Thanks in advance.

Doug

From Loopers-Delight-request@loopers-delight.com  Thu Jul 22 19:22:23 2004
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References: <01C4702F.5509DCA0@dyn-83-152-23-171.ppp.tiscali.fr>
Subject: Re: OT - Super-Cannes
Date: Thu, 22 Jul 2004 19:23:49 -0400
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I'd be glad to sell CD's of Super-Cannes, if I had copies to sell.   Like
others on this forum I'm sure, finding a label to release my music has been
a challenge for me.

I'm glad if people are enjoying the tracks, but you're just gonna have to
download them and burn your own.

But I can send you the printed artwork for the jewel-case and CD if you
like!  :-)
(say $2.00 to cover printing and postage).

David



----- Original Message ----- 
From: "F Lebrun" <fr.lebrun@free.fr>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, July 22, 2004 3:03 PM
Subject: RE: OT - Super-Cannes



so it sounds like I am not the only one who likes your music David
and would like to buy some  ...  ;-)

Best

Francois
http://fr.lebrun.free.fr
check my first CD on http://www.cdbaby.com/1000times

-----Message d'origine-----
De: msottilaro [SMTP:sine@zerocrossing.net]
Date: jeudi 22 juillet 2004 19:34
Ą: Loopers-Delight@loopers-delight.com
Objet: Re: OT - Super-Cannes

Genera, schmanera, these tracks are great.  Groovatious jazzy IDM
progrockesque tracks.  My only complaint is that the tracks seem to end
too soon.  I didn't see a link to buy a CD.  Is there one for sale?

Mark

On Jul 21, 2004, at 5:08 PM, David Kirkdorffer wrote:

> I finally got some Super-Cannes music, my recent band, webbed up.  I'm
> baffled what genre this falls into.  I jokingly refer to it as hip-hop
> prog-rock with IDM flavorings.   Please let me know what genre-boxes
> you
> think I ought to be using.
>
> Anyway, there's lots of looping in these tracks:
> http://music.download.com/supercannes/3600-8362_32-100343783.html?
> tag=list
>
> I'm curious to know what you think.
>
> David
>


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Subject: Re: Dual Echo Pros for Stereo Looping, First Impressions...
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At 05:34 PM 7/22/2004, msottilaro wrote:

>I wouldn't call them stereo though as that really denotes a dual channel 
>that is perfectly synced.  Fun none the less though.

Fair enough; I can see your viewpoint, if that's the criteria by which 
you're measuring.  However, I think you might run into more contradictions 
with that definition than you think if you really look closely at the DSP 
functions inside some of the "stereo" effects we routinely use.  Heck, you 
could even make the case on your home stereo, for instance, that having an 
extra wad of cable attached to your left speaker would add enough latency 
on one channel to strictly go afoul that definition.

Still, I see the point.  My original mission here was to preserve the 
stereo spread as best as possible from the synth into the looper, using the 
equipment at hand.  The Echo Pro itself makes a complete hash of that one 
aspect, but does sound good otherwise.  So how can we play to its strengths 
and minimize its weaknesses?  This was the best way I could think of to do so.

Now that I think of it, it probably would've been relevant to add a section 
on reproduction of the stereo imaging going in and coming out (hrm, prolly 
need to pick up an oscilloscope for that one).  However, we know that the 
stereo image is going to change just because of the lack of 
sync.  Regardless, if one is eyeballing it (erm, earballing?) through a 
pair of headphones, the stereo image of the loop before degradation is 
pretty darn close to the stereo image coming out of the original synth.

>I've also had a lot of fun taking a stereo loop in the repeater and 
>turning it into a dual mono loop and using the "slip" function to move 
>them in and out of sync.  Lots and lots of possibilities there.

Oh yeah.  Dunno how well I stated it in the intro, but by no means am I 
putting up this EP config as a replacement for the Repeater.  I stated 
previously that this is my secondary looper, which runs async into the 
Repeater.  Still, just because it's the secondary looper, that's no excuse 
for it to sound like crap (i.e. mono).

         --m.

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From: msottilaro <sine@zerocrossing.net>
Subject: Re: Dual Echo Pros for Stereo Looping, First Impressions...
Date: Thu, 22 Jul 2004 16:55:02 -0700
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On Jul 22, 2004, at 4:21 PM, Mech wrote:

> At 05:34 PM 7/22/2004, msottilaro wrote:
>
>> I wouldn't call them stereo though as that really denotes a dual 
>> channel that is perfectly synced.  Fun none the less though.
>
> Fair enough; I can see your viewpoint, if that's the criteria by which 
> you're measuring.  However, I think you might run into more 
> contradictions with that definition than you think if you really look 
> closely at the DSP functions inside some of the "stereo" effects we 
> routinely use.  Heck, you could even make the case on your home 
> stereo, for instance, that having an extra wad of cable attached to 
> your left speaker would add enough latency on one channel to strictly 
> go afoul that definition.

Right, adding some extra cable or placing speakers far from each other 
will screw with the stereo separation but in a totally predictable non 
changing way.  One speaker will be a few milliseconds off, but that 
time shift would not change.  In my world that's still synced.

>
> Still, I see the point.  My original mission here was to preserve the 
> stereo spread as best as possible from the synth into the looper, 
> using the equipment at hand.  The Echo Pro itself makes a complete 
> hash of that one aspect, but does sound good otherwise.  So how can we 
> play to its strengths and minimize its weaknesses?  This was the best 
> way I could think of to do so.

Exactly, all that really matters is that you can have fun and make good 
music with your tools.  If you find a "bug" that you can turn into a 
feature, all the better.

Mark

From Loopers-Delight-request@loopers-delight.com  Thu Jul 22 20:00:48 2004
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From: msottilaro <sine@zerocrossing.net>
Subject: Re: Dual Echo Pros for Stereo Looping, First Impressions...
Date: Thu, 22 Jul 2004 16:57:03 -0700
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It's a little confusing, but first record a stereo loop.  Then deselect 
those stereo tracks by selecting other tracks.  Then, just select a 
single side of your stereo pair.  Now the two are no longer paired and 
you can just hit the "slip" button and twiddle the data write knob 
until your heart's content.

Mark

On Jul 22, 2004, at 4:02 PM, Doug Cox wrote:

>> I've also had a lot of fun taking a stereo loop in the repeater and
>> turning it into a dual mono loop and using the "slip" function to move
>> them in and out of sync.  Lots and lots of possibilities there.
>
>
> Hey Mark,
>
> Could you walk us through the steps you use to do this?  How do you 
> mono-ize
> a set of stereo tracks on the Repeater, and then how do you usually 
> give it
> slip commands?
>
> I figure the Repeater owners on the list might benefit from a rundown. 
>  I
> know I will!
>
> Thanks in advance.
>
> Doug
>

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Subject: Re: OT - Super-Cannes
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Cool sounds, great tummies!
    ||:   David   :||



----- Original Message -----
From: "David Kirkdorffer" <vze2ncsr@verizon.net>

> Anyway, there's lots of looping in these tracks:
> http://music.download.com/supercannes/3600-8362_32-100343783.html?tag=list
>
> I'm curious to know what you think.
>
> David
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Jul 22 20:50:04 2004
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Subject: EMUSIC Playlist #382 for July 15, 2004
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http://wdiy.org/programs/emusic/playlists/2004/040715.html

EMUSIC is an electronic, ambient, and space music show, that airs each 
Thursday
at 11:00 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA 93.9 FM in Easton,
PA and Phillipsburg, NJ, 92.9 FM on Service Electric Cable, and 
webcasting on
the internet.

                    Show #381                    July 15, 2004

RECAP:
On this show, I continued the month-long focus on Klaus Schulze.  The 
Featured
CD at Midnight was "Trance 4 Motion" which is disc 3 of the 10 CD boxed set
"Contemporary Works, Volume 1" on the Rainhorse label, part of Manikin 
Records.

The Vinyl Starter was from the LP "Thief" by Tangerine Dream on 
Elekrea/Asylum
Records.

Klaus Schulze - 
http://wdiy.org/programs/emusic/playlists/2004/focus04.html#jul


PLAYLIST:

ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
==============================
11:00 pm
Tangerine Dream         Scrap Yard               Thief (Virgin)
Rogue Element           Tropospheric Propogation Premonition (Acoustic Wave)
['ramp]                 freundliches feuer       doombient.one (none)
Brannan Lane            The Forth Zone           Distant Friends (ACM)
4M33S                   Signals                  The Ritual (AmbientLive)
HyperEx Machina         In Memorium              Remembrance (AmbientLive)

12:00 am
Klaus Schulze           Local Scanning           Trance 4 Motion (Rainhorse)
Klaus Schulze           Aphrodesire              Trance 4 Motion (Rainhorse)
Klaus Schulze           Global Midication *      Trance 4 Motion (Rainhorse)

1:00 am

 * = exerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist


NEXT SHOW:
On the next EMUSIC, the Special Focus will temporariy be suspended in 
order to
present an EMUSIC Concert with the Ministry of Inside Things in-studio.

On the following EMUSIC, I'll continue the month-long focus on Klaus Schulze
and his "Contemporary Works, Volume 1" ten CD boxed set.  The Featured CD at
Midnight will be "U.S.O." on the Rainhorse label.

The Vinyl Starter will be from the LP "Flashpoint" by Tangerine Dream on EMI
America records.

Bill
===============================================================================
Host of EMUSIC, an electronic, ambient,  and space music show,  
Thursdays at 11
pm (GMT-5:00) on WDIY 88.1 FM in Allentown and Bethlehem and 93.9 FM in 
Easton
and Phillipsburg.  Listen on-line to WDIY at http://wdiy.org  and click  
LISTEN
EMUSIC web site - http://wdiy.org/programs/emusic
Stream URL: http://rm1.refugemedia.com/ramgen/encoder/wdiy.rm
To subscribe to the EMUSIC-on-WDIY mailing list, click on [Join This 
Group!] at
http://groups.yahoo.com/group/emusic-wdiy

From Loopers-Delight-request@loopers-delight.com  Fri Jul 23 02:56:34 2004
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Date: Fri, 23 Jul 2004 00:01:02 -0700
To: Loopers-Delight@loopers-delight.com
From: Kim Flint <kflint@loopers-delight.com>
Subject: Re: EDP Record Long Press Malfunction
In-Reply-To: <000001c46fd0$159fee60$0302a8c0@arthurleelaptop>
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At 02:41 AM 7/22/2004, ARTHUR LEE LAND wrote:
>Anybody have any insight into why my long press of the record button (Loop 
>Reset) is acting up on my new Black Face EDP?
>My midi controller won't make it reset and I have to press multiple times 
>on the EDP front panel record button to get it to work.
>It's definitely in the EDP and not the controller (PMC10). I usually have 
>to press 3-5 times to get it to reset. If you press once and keep it 
>pressed it does nothing.

It sounds to me like maybe you set the RecordMode parameter to SUS without 
realizing it? If so, change it back to TOG (toggle).

kim



______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com 

From Loopers-Delight-request@loopers-delight.com  Fri Jul 23 12:52:14 2004
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Date: Fri, 23 Jul 2004 11:48:15 -0500
From: Jeff Larson <Jeffrey.Larson@Sun.COM>
Subject: Flaky Vortex knobs
To: Loopers Delight <Loopers-Delight@loopers-delight.com>
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I just bought a Vortex from eBay, and it appears to have a serious 
problem with the Value
knob used to change parameter values.  It sometimes decrements when it 
should increment,
ignores a click, overshoots, or rapidly bounces between two or three  
values as it turns.  I can
eventually dial in the desired value but it takes forever.   Likewise 
the Parameter knob seems
to sometimes miss a click so you end up editing the wrong parameter.  
The Preset/Register knob is fine.

Does anyone have experience cleaning and/or replacing these knobs?

Thanks,
Jeff


From Loopers-Delight-request@loopers-delight.com  Fri Jul 23 13:14:18 2004
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From: "Don Makoviney" <dmakoviney@innfinityinc.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: Boss Unveils RC-20XL Phrase Recorder 
Date: Fri, 23 Jul 2004 13:11:01 -0400
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Sorry if this was reported already:

Boss Unveils RC-20XL Phrase Recorder at Summer NAMM

Whether for use onstage or at home, the new RC-20XL allows musicians to
create multi-layered performances in real time. Loops and riffs can be
stacked repeatedly until the 16 minutes of ample recording space is full. 

The RC-20XL picks up where the RC-20 leaves off, as it offers more recording
time and more features, but at the same price as before. The RC-20XL
inherits the same "hands-free" pedal operation from the RC-20: Record, Play,
and Overdub can be done with the left pedal; your hands are free to play
your instruments. But now you get 16 minutes of recording time to capture
and store loops or one-shot phrases (approximately three times that of the
RC-20), and you can work your way backward thanks to the new Undo function,
a necessity if you make a mistake during overdub. 

The RC-20XL has 11 memory tracks in which to store one-shot and/or looped
phrases. During your performance, you can switch between the tracks with an
optional FS-6 Dual Footswitch, or two FS-5U footswitches (momentary-type).
The Undo function can be a useful and musical function for erasing your
previous phrase and instantly layering a new one. 

After you've dazzled the crowd with your layered masterpiece, bring it to a
proper end with one of the RC-20XL's three Stop options. When you hit the
pedal, you can either immediately stop the playback, let the phrase play
until the end, or fade it out. 

For more information, visit their web site at www.bossus.com. 



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From: "Paul" <paulrichard10@knology.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Boss Unveils RC-20XL Phrase Recorder 
References:   <>
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Hi:

If I remember correctly, having one of the original units at one time, 
this device doesn't let you loop through the loops. Am I mistaken? I 
thought you couldn't advance thru and begin again.

Regards, Paul


On Fri, 23 Jul 2004 13:11:01 -0400, "Don Makoviney" 
<dmakoviney@innfinityinc.com> wrote :

> Sorry if this was reported already:
> 
> Boss Unveils RC-20XL Phrase Recorder at Summer NAMM
> 
> Whether for use onstage or at home, the new RC-20XL allows musicians to
> create multi-layered performances in real time. Loops and riffs can be
> stacked repeatedly until the 16 minutes of ample recording space is 
full. 
> 
> The RC-20XL picks up where the RC-20 leaves off, as it offers more 
recording
> time and more features, but at the same price as before. The RC-20XL
> inherits the same "hands-free" pedal operation from the RC-20: Record, 
Play,
> and Overdub can be done with the left pedal; your hands are free to play
> your instruments. But now you get 16 minutes of recording time to capture
> and store loops or one-shot phrases (approximately three times that of 
the
> RC-20), and you can work your way backward thanks to the new Undo 
function,
> a necessity if you make a mistake during overdub. 
> 
> The RC-20XL has 11 memory tracks in which to store one-shot and/or looped
> phrases. During your performance, you can switch between the tracks with 
an
> optional FS-6 Dual Footswitch, or two FS-5U footswitches (momentary-
type).
> The Undo function can be a useful and musical function for erasing your
> previous phrase and instantly layering a new one. 
> 
> After you've dazzled the crowd with your layered masterpiece, bring it 
to a
> proper end with one of the RC-20XL's three Stop options. When you hit the
> pedal, you can either immediately stop the playback, let the phrase play
> until the end, or fade it out. 
> 
> For more information, visit their web site at www.bossus.com. 
> 
> 
> 
> 
> 
> 

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Subject: EDP vs. Repeater
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I havent seen this specific question, but Im a latecomer to LD.  If this
is a totally played out issue, feel free to flame me.  ;)

I own an EDP, and Im jealous of the Repeaters multi-track looping.  [So?
Go buy one!]  I cant afford another looper yet.  In mono mode, it looks
like the Repeaters four tracks act like four layers but with each one sent
to a different out.  This effectively allows muting/unmuting of parallel
parts, which is total gravy.  Im curious whether any EDP owners have
approximated multi-track stuff and how?  This is distinct from layering
obviously, as Im indirectly addressing the oft asked can I play loops in
parallel with my EDP question.  Again, if this is way played out, konk me
but then point me in the right direction.

If the EDP evolves, stereo processing and multi-track support would be
really cool.

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<p class=3DMsoNormal><span class=3DEmailStyle15><font size=3D2 =
color=3Dblack
face=3DArial><span =
style=3D'font-size:10.0pt;mso-bidi-font-size:12.0pt;font-family:
Arial'>I haven&#8217;t seen this specific question, but I&#8217;m a =
latecomer to LD.<span
style=3D"mso-spacerun: yes">&nbsp; </span>If this is a totally played =
out issue, feel
free to flame me.<span style=3D"mso-spacerun: yes">&nbsp; </span>;) =
<o:p></o:p></span></font></span></p>

<p class=3DMsoNormal><span class=3DEmailStyle15><font size=3D2 =
color=3Dblack
face=3DArial><span =
style=3D'font-size:10.0pt;mso-bidi-font-size:12.0pt;font-family:
Arial'><![if =
!supportEmptyParas]>&nbsp;<![endif]><o:p></o:p></span></font></span></p>

<p class=3DMsoNormal><span class=3DEmailStyle15><font size=3D2 =
color=3Dblack
face=3DArial><span =
style=3D'font-size:10.0pt;mso-bidi-font-size:12.0pt;font-family:
Arial'>I own an EDP, and I&#8217;m jealous of the Repeater&#8217;s =
multi-track looping.<span
style=3D"mso-spacerun: yes">&nbsp; </span>[So? Go buy one!]<span
style=3D"mso-spacerun: yes">&nbsp; </span>I can&#8217;t afford another =
looper yet.<span
style=3D"mso-spacerun: yes">&nbsp; </span>In mono mode, it looks like =
the
Repeater&#8217;s four tracks act like four layers but with each one sent =
to a different
out.<span style=3D"mso-spacerun: yes">&nbsp; </span>This effectively =
allows
muting/unmuting of parallel parts, which is total gravy.<span
style=3D"mso-spacerun: yes">&nbsp; </span>I&#8217;m curious whether any =
EDP owners have
approximated &#8220;multi-track&#8221; stuff and how?<span =
style=3D"mso-spacerun: yes">&nbsp;
</span>This is distinct from layering obviously, as I&#8217;m indirectly =
addressing
the oft asked &#8220;can I play loops in parallel with my EDP&#8221; =
question.<span
style=3D"mso-spacerun: yes">&nbsp; </span>Again, if this is way played =
out, konk
me&#8230; but then point me in the right =
direction.<o:p></o:p></span></font></span></p>

<p class=3DMsoNormal><span class=3DEmailStyle15><font size=3D2 =
color=3Dblack
face=3DArial><span =
style=3D'font-size:10.0pt;mso-bidi-font-size:12.0pt;font-family:
Arial'><span style=3D"mso-spacerun: =
yes">&nbsp;</span><o:p></o:p></span></font></span></p>

<p class=3DMsoNormal><span class=3DEmailStyle15><font size=3D2 =
color=3Dblack
face=3DArial><span =
style=3D'font-size:10.0pt;mso-bidi-font-size:12.0pt;font-family:
Arial'>If the EDP evolves, stereo processing and =
&#8220;multi-track&#8221; support would be
really cool.<o:p></o:p></span></font></span></p>

</div>

</body>

</html>

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From: "Neil Goldstein" <ngold@comcast.net>
To: "'Loopers-Delight'" <Loopers-Delight@loopers-delight.com>
Subject: FW: EDP vs. Repeater
Date: Fri, 23 Jul 2004 12:28:18 -0700
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Search the archives for a lot of in depth discussion. URL is at the
footer of each list msg.
=20
My 2c, owning both: The EDP is way more versatile, with many more
options for loop manipulation, with superior real-time control, and is
way more responsive to timing ( a crucial ingredient given what you can
do =91post-record=92 with the EDP:  but you=92re working with one loop =
at a
time, and committing to single mono track (or stereo with 2 EDP), so you
need to take care in controlling your input levels for each overdub. The
EDP is like live to two-track recording compared to 4 independent tracks
with the Repeater.=20
=20
In general the EDP is a superior solo improvisers axe, where the
Repeater is superior for remixing, and using for background tracks for
one man band or ensemble use.=20
=20
I=92m just throwing this out, others may disagree or fill in more =
nuance=85
=20
Neil
=20
=20
-----Original Message-----
From: Lance Zechinato [mailto:LanceZechinato@verizon.net]=20
Sent: Friday, July 23, 2004 12:04 PM
To: Looper's Delight
Subject: EDP vs. Repeater
=20
I haven=92t seen this specific question, but I=92m a latecomer to LD.  =
If
this is a totally played out issue, feel free to flame me.  ;)=20
=20
I own an EDP, and I=92m jealous of the Repeater=92s multi-track looping.
[So? Go buy one!]  I can=92t afford another looper yet.  In mono mode, =
it
looks like the Repeater=92s four tracks act like four layers but with =
each
one sent to a different out.  This effectively allows muting/unmuting of
parallel parts, which is total gravy.  I=92m curious whether any EDP
owners have approximated =93multi-track=94 stuff and how?  This is =
distinct
from layering obviously, as I=92m indirectly addressing the oft asked =
=93can
I play loops in parallel with my EDP=94 question.  Again, if this is way
played out, konk me=85 but then point me in the right direction.
=20
If the EDP evolves, stereo processing and =93multi-track=94 support =
would be
really cool.

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<body lang=3DEN-US link=3Dblue vlink=3Dpurple =
style=3D'tab-interval:.5in'>

<div class=3DSection1>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Search the archives for a lot of in =
depth
discussion. URL is at the footer of each list =
msg.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>My 2c, owning both: The EDP is way =
more
versatile, with many more options for loop manipulation, with superior =
real-time
control, and is way more responsive to timing ( a crucial ingredient =
given what
you can do =91post-record=92 with the EDP:<span =
style=3D'mso-spacerun:yes'>=A0
</span>but you=92re working with one loop at a time, and committing to =
single
mono track (or stereo with 2 EDP), so you need to take care in =
controlling your
input levels for each overdub. The EDP is like live to two-track =
recording
compared to 4 independent tracks with the Repeater. =
<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>In general the EDP is a superior =
solo
improvisers axe, where the Repeater is superior for remixing, and using =
for
background tracks for one man band or ensemble use. =
<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>I=92m just throwing this out, =
others may
disagree or fill in more nuance=85<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Neil<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<div style=3D'border:none;border-left:solid blue 1.5pt;padding:0in 0in =
0in 4.0pt'>

<p class=3DMsoNormal><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma'>-----Original Message-----<br>
<b><span style=3D'font-weight:bold'>From:</span></b> Lance Zechinato
[mailto:LanceZechinato@verizon.net] <br>
<b><span style=3D'font-weight:bold'>Sent:</span></b> =
</span></font><st1:date
Month=3D"7" Day=3D"23" Year=3D"2004"><font size=3D2 face=3DTahoma><span =
style=3D'font-size:
 10.0pt;font-family:Tahoma'>Friday, July 23, =
2004</span></font></st1:date><font
size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;font-family:Tahoma'> </span></font><st1:time
Hour=3D"12" Minute=3D"4"><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
 font-family:Tahoma'>12:04 PM</span></font></st1:time><font size=3D2 =
face=3DTahoma><span
style=3D'font-size:10.0pt;font-family:Tahoma'><br>
<b><span style=3D'font-weight:bold'>To:</span></b> Looper's Delight<br>
<b><span style=3D'font-weight:bold'>Subject:</span></b> EDP vs. =
Repeater</span></font><o:p></o:p></p>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><span class=3DEmailStyle18><font size=3D2 =
color=3Dblack
face=3DArial><span =
style=3D'font-size:10.0pt;mso-bidi-font-size:12.0pt'>I haven=92t
seen this specific question, but I=92m a latecomer to LD.<span
style=3D'mso-spacerun:yes'>=A0 </span>If this is a totally played out =
issue, feel
free to flame me.<span style=3D'mso-spacerun:yes'>=A0 </span>;) =
<o:p></o:p></span></font></span></p>

<p class=3DMsoNormal><span class=3DEmailStyle18><font size=3D2 =
color=3Dblack
face=3DArial><span =
style=3D'font-size:10.0pt;mso-bidi-font-size:12.0pt'><o:p>&nbsp;</o:p></s=
pan></font></span></p>

<p class=3DMsoNormal><span class=3DEmailStyle18><font size=3D2 =
color=3Dblack
face=3DArial><span =
style=3D'font-size:10.0pt;mso-bidi-font-size:12.0pt'>I own an
EDP, and I=92m jealous of the Repeater=92s multi-track looping.<span
style=3D'mso-spacerun:yes'>=A0 </span>[So? Go buy one!]<span
style=3D'mso-spacerun:yes'>=A0 </span>I can=92t afford another looper =
yet.<span
style=3D'mso-spacerun:yes'>=A0 </span>In mono mode, it looks like the =
Repeater=92s
four tracks act like four layers but with each one sent to a different
out.<span style=3D'mso-spacerun:yes'>=A0 </span>This effectively allows
muting/unmuting of parallel parts, which is total gravy.<span
style=3D'mso-spacerun:yes'>=A0 </span>I=92m curious whether any EDP =
owners have
approximated =93multi-track=94 stuff and how?<span =
style=3D'mso-spacerun:yes'>=A0
</span>This is distinct from layering obviously, as I=92m indirectly =
addressing
the oft asked =93can I play loops in parallel with my EDP=94 =
question.<span
style=3D'mso-spacerun:yes'>=A0 </span>Again, if this is way played out, =
konk me=85
but then point me in the right =
direction.<o:p></o:p></span></font></span></p>

<p class=3DMsoNormal><span class=3DEmailStyle18><font size=3D2 =
color=3Dblack
face=3DArial><span =
style=3D'font-size:10.0pt;mso-bidi-font-size:12.0pt'><span
style=3D'mso-spacerun:yes'>=A0</span><o:p></o:p></span></font></span></p>=


<p class=3DMsoNormal><span class=3DEmailStyle18><font size=3D2 =
color=3Dblack
face=3DArial><span =
style=3D'font-size:10.0pt;mso-bidi-font-size:12.0pt'>If the EDP
evolves, stereo processing and =93multi-track=94 support would be really =
cool.<o:p></o:p></span></font></span></p>

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From Loopers-Delight-request@loopers-delight.com  Fri Jul 23 15:39:21 2004
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From: "Louis Rossi" <tarbit@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: RE: EDP vs. Repeater HISS
Date: Fri, 23 Jul 2004 15:36:56 -0400
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OK. After trying my friend's Boss RC box & using the new EH 16 reissue for a 
few weeks, I must say how disappointing the sound quality of the wet only 
mix from my EDP (white gibson v3). Do the new black EDPs w/ v4 sound 
better? Also, does the repeater hiss less, more or the same?

Thanks
LOU :(



>From: "Lance Zechinato" <LanceZechinato@verizon.net>
>Reply-To: <LanceZechinato@verizon.net>
>To: "Looper's Delight" <>
>Subject: EDP vs. Repeater
>Date: Fri, 23 Jul 2004 15:03:47 -0400
>
>I havent seen this specific question, but Im a latecomer to LD.  If this
>is a totally played out issue, feel free to flame me.  ;)
>
>I own an EDP, and Im jealous of the Repeaters multi-track looping.  [So?
>Go buy one!]  I cant afford another looper yet.  In mono mode, it looks
>like the Repeaters four tracks act like four layers but with each one sent
>to a different out.  This effectively allows muting/unmuting of parallel
>parts, which is total gravy.  Im curious whether any EDP owners have
>approximated multi-track stuff and how?  This is distinct from layering
>obviously, as Im indirectly addressing the oft asked can I play loops in
>parallel with my EDP question.  Again, if this is way played out, konk me
>but then point me in the right direction.
>
>If the EDP evolves, stereo processing and multi-track support would be
>really cool.


From Loopers-Delight-request@loopers-delight.com  Fri Jul 23 15:53:59 2004
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From: "Arthur Lee Land" <info@arthurleemusic.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: EDP Record Long Press Malfunction
Date: Fri, 23 Jul 2004 13:46:44 -0600
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Hi Kim,
I'm almost 99% sure that it's on TOG.
I checked that one at the gig.

It's weird I have to press the REC button ON the EDP front panel
numerous times to get the loop reset to work. This is a new occurrence
over the last week and a 1/2. The only thing that has happened that
might have affected the EDP is my PMC10 had some weird thing happen and
it was sending bad data in some of it's MIDI strings and I had to send
it in to be repaired. Anyway when that went down the EDP showed the MIDI
error message so I had to reboot it. This would have been right around
the time that my EDP began acting up.

What do you think?

-Arthur

-----Original Message-----
From: Kim Flint [mailto:kflint@loopers-delight.com] 
Sent: Friday, July 23, 2004 1:01 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: EDP Record Long Press Malfunction

At 02:41 AM 7/22/2004, ARTHUR LEE LAND wrote:
>Anybody have any insight into why my long press of the record button
(Loop 
>Reset) is acting up on my new Black Face EDP?
>My midi controller won't make it reset and I have to press multiple
times 
>on the EDP front panel record button to get it to work.
>It's definitely in the EDP and not the controller (PMC10). I usually
have 
>to press 3-5 times to get it to reset. If you press once and keep it 
>pressed it does nothing.

It sounds to me like maybe you set the RecordMode parameter to SUS
without 
realizing it? If so, change it back to TOG (toggle).

kim



______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com 

From Loopers-Delight-request@loopers-delight.com  Fri Jul 23 16:03:08 2004
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From: Travis Hartnett <tiktok@sprintmail.com>
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Subject: Re: Flaky Vortex knobs
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Sounds like the common rotary encoder failure for Lexicon budget boxes of that era.  Replacement knobs used to be about $15 from Lexicon, or for $95 flat fee they'd fix the box itself.  However, I think the MTBF for the replacement knob was the same as the old one.  Search the archive for "rotary;encoder" and you'll see.

TravisH

Date: Fri, 23 Jul 2004 11:48:15 -0500
From: Jeff Larson <Jeffrey.Larson@Sun.COM>
To: Loopers Delight <Loopers-Delight@loopers-delight.com>
Subject: Flaky Vortex knobs


I just bought a Vortex from eBay, and it appears to have a serious 
problem with the Value
knob used to change parameter values.  It sometimes decrements when it 
should increment,
ignores a click, overshoots, or rapidly bounces between two or three  
values as it turns.  I can
eventually dial in the desired value but it takes forever.   Likewise 
the Parameter knob seems
to sometimes miss a click so you end up editing the wrong parameter.  
The Preset/Register knob is fine.

Does anyone have experience cleaning and/or replacing these knobs?

Thanks,
Jeff


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From: Per Boysen <per@boysen.se>
Subject: Re: EDP vs. Repeater
Date: Fri, 23 Jul 2004 21:58:29 +0200
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On Jul 23, 2004, at 9:03 PM, Lance Zechinato wrote:

>  Im curious whether any EDP owners have approximated multi-track 
> stuff and how? 

I'm "multi-tracking" my EDP by using it with a laptop running Ableton 
Live. Whenever I come up with something i like on the EDP  I have the 
option to punch in a loop of it in Live. Then I continue to work the 
EDP loop into something different, in parallel with the Live loop 
(might also mangle it further i Live). But lately I have started using 
the software plug-in Augustus Loop and tend to use more live loops in 
Augustus together with the EDP instead of recording the EDP loops into 
Live. It's much faster and unpredictable in a way I like ;-)

All the best

Per Boysen
---
http://www.boysen.se
http://www.looproom.com

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From: "Neil Goldstein" <ngold@comcast.net>
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Subject: RE: EDP vs. Repeater
Date: Fri, 23 Jul 2004 13:26:01 -0700
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Per

I've been betatesting Live 4, and am an avid user since 1.0. 

What are your settings for syncing EDP to Live? Is it running smoothly?
I had tried that oh so powerful combo a while back but ran into glitches
(no pun intended) where Live would reset to Bar 1 at each Loop Start on
the EDP when running the EDP as master clock. It probably needs the
right Song Pointer settings in the EDP. 

What does Augustus Loop give you that you can't get just recording into
Live as a clip? I looked at it but haven't had the heart to try it yet
with the glut of options already at hand :-)

Inquiring minds...

Neil



> 
> I'm "multi-tracking" my EDP by using it with a laptop running Ableton
> Live. Whenever I come up with something i like on the EDP  I have the
> option to punch in a loop of it in Live. Then I continue to work the
> EDP loop into something different, in parallel with the Live loop
> (might also mangle it further i Live). But lately I have started using
> the software plug-in Augustus Loop and tend to use more live loops in
> Augustus together with the EDP instead of recording the EDP loops into
> Live. It's much faster and unpredictable in a way I like ;-)
> 
> All the best
> 
> Per Boysen
> ---
> http://www.boysen.se
> http://www.looproom.com
> 
> ---
> Incoming mail is certified Virus Free.
> Checked by AVG anti-virus system (http://www.grisoft.com).
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> 

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From Loopers-Delight-request@loopers-delight.com  Fri Jul 23 17:40:06 2004
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Date: Fri, 23 Jul 2004 16:25:11 -0500
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From: Jeff Shirkey <jcshirke@midway.uchicago.edu>
Subject: Keller Williams in GP
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In this month's (Sep. '04, p. 32) GP there is a small, but 
informative profile of Keller Williams and his rig. The main thing 
that may be of interest to people in the group is the diagram of his 
gear set up, which includes an EDP and loads of other toys.

Anyway, it's not earth-shattering, but I thought it might be of 
interest and therefore worthy of a heads up.

Jeff

From Loopers-Delight-request@loopers-delight.com  Fri Jul 23 17:44:37 2004
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From: Per Boysen <per@boysen.se>
Subject: Re: EDP vs. Repeater
Date: Fri, 23 Jul 2004 23:37:21 +0200
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Hi Neil,

I use Live as master and slave my EDP by midi clock.... if that's what 
you meant? Yes, it's running smoothly over here. I keep doing a lot of 
multiply-rec's on the EDP to cut loop the length aggressively and it 
stays in sync all the time. The challenge is to start the music all 
ambient, with no beat, and then try to find the rhythm and the 
downbeat. One trick is to overdub a drone pad in Augustus Loop and have 
it return through Lives  Autofilter plug-in. Whenever you need to find 
the beat you just have to increase a little resonance and listen to the 
beat synced filter sweeps of the autofilter. In my recent FCB set-up I 
only use three loop lengths, plus a triad option, for Augustus. If my 
memory serves me right it's one bar, two bars and four bars. So it's 
easy to get over from non-groove wishy-washy to a defined beat, with 
Augustus. Then, when the beat is defined I either record the first EDP 
loop in sync, or if I have already started an EDP loop that might now 
be of an odd lengths I do the rec-rec trick or multyply-rec to line it 
up.

> What does Augustus Loop give you that you can't get just recording into
> Live as a clip?

No 1: "Overdub layering into a loop".
And it also has this "inertia"  when changing pitch, length or 
direction (reverse loop). It doesn't catch up right away, it slows down 
or speeds up, maybe misses the addressed speed a bit and goes back to 
lock up. I like to loop live with a bunch of organic loops that I 
change all the time. This can be done with Augustus but is not possible 
in Live. In live you have to fix a loop and leave it playing back over 
and over sounding almost the same (except for modulating plug-ins 
eventually slapped over the channel).

Another thing Augustus gives, that Live doesn't, is some wonderfully 
unpredictable stuff you get when putting a loop into reverse mode and 
back, pitching it between -12, +-0 and +12. If you layer stuff when 
down at -12 and then go directly to +12 you will get some two octave 
high chatter-flutter. These manoeuvres seem to mess up fragments of 
audio still hoovering in RAM, and when going into reverse mode the loop 
length increases dramatically and all weird audio fragments appears 
right from nowhere in an unpredictable manners. Well, maybe it's really 
not so unpredictable, but at least I have not yet figured out exactly 
what is going on. But it sounds cool and I'm doing it all the time ;-)

I tend to use LIve as a mixer and patchbay and very rarely record as a 
clip in Live. Might be if I need a tight bassline. Then I record into a 
live clip on a session view channel already prepared with a compressor 
for bass, and tune the clip down one octave. I use to play in a way 
that will make the bassline work also re-pitched, for use with other 
chords/harmonies. I hate when I have to look at the computer screen so 
I just record the bassline, turn to the laptop and put the clip into 
legato mode, tune it down one octave and copy it to a couple of scenes 
on the same track. Then I re-pitch some of the clips to give future 
options for building harmonies around them. By pressing foot pads to 
change scene in Live I can then recall those differently pitched 
basslines while improvising. It's a bit uncomfortable but if you load 
up with many basslines clips in Live you might not have to turn at the 
laptop again  during that gig.

All the best

Per
---



On Jul 23, 2004, at 10:26 PM, Neil Goldstein wrote:

> Per
>
> I've been betatesting Live 4, and am an avid user since 1.0.
>
> What are your settings for syncing EDP to Live? Is it running smoothly?
> I had tried that oh so powerful combo a while back but ran into 
> glitches
> (no pun intended) where Live would reset to Bar 1 at each Loop Start on
> the EDP when running the EDP as master clock. It probably needs the
> right Song Pointer settings in the EDP.
>
> What does Augustus Loop give you that you can't get just recording into
> Live as a clip? I looked at it but haven't had the heart to try it yet
> with the glut of options already at hand :-)
>
> Inquiring minds...
>
> Neil
>
>
>
>>
>> I'm "multi-tracking" my EDP by using it with a laptop running Ableton
>> Live. Whenever I come up with something i like on the EDP  I have the
>> option to punch in a loop of it in Live. Then I continue to work the
>> EDP loop into something different, in parallel with the Live loop
>> (might also mangle it further i Live). But lately I have started using
>> the software plug-in Augustus Loop and tend to use more live loops in
>> Augustus together with the EDP instead of recording the EDP loops into
>> Live. It's much faster and unpredictable in a way I like ;-)
>>
>> All the best
>>
>> Per Boysen
>> ---
>> http://www.boysen.se
>> http://www.looproom.com
>>
>> ---
>> Incoming mail is certified Virus Free.
>> Checked by AVG anti-virus system (http://www.grisoft.com).
>> Version: 6.0.718 / Virus Database: 474 - Release Date: 7/9/2004
>>
>
> ---
> Outgoing mail is certified Virus Free.
> Checked by AVG anti-virus system (http://www.grisoft.com).
> Version: 6.0.718 / Virus Database: 474 - Release Date: 7/9/2004
>
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Jul 23 17:53:11 2004
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From: Optimus Rob <rasimon@indiana.edu>
Subject: Re: Keller Williams in GP
Date: Fri, 23 Jul 2004 16:45:08 -0500
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Nice tip on Keller -- I think he's a phenomenal performer and can't 
wait to take a look at his rig.  My only question is what's GP?
Get Optimized,
Rob
......................................................
Just Released 7/15 - myTunes
An Hour of 3 minute Ambient voyages
Available at http://www.optimusrob.com
_________________________________________________
On Jul 23, 2004, at 4:25 PM, Jeff Shirkey wrote:

> In this month's (Sep. '04, p. 32) GP there is a small, but informative 
> profile of Keller Williams and his rig. The main thing that may be of 
> interest to people in the group is the diagram of his gear set up, 
> which includes an EDP and loads of other toys.
>
> Anyway, it's not earth-shattering, but I thought it might be of 
> interest and therefore worthy of a heads up.
>
> Jeff
>
>

--Apple-Mail-2-642759282
Content-Transfer-Encoding: 7bit
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Nice tip on Keller -- I think he's a phenomenal performer and can't
wait to take a look at his rig.  My only question is what's GP?

<fontfamily><param>Papyrus</param><color><param>4646,6D6D,C6C6</param><bigger>Get
Optimized</bigger></color></fontfamily><bigger>,</bigger><fontfamily><param>Lucida Grande</param>

Rob</fontfamily>   

<fontfamily><param>Papyrus</param><color><param>4F4F,7B7B,E0E0</param><x-tad-bigger>...................................................... 

Just Released 7/15 - myTunes

An Hour of 3 minute Ambient voyages

Available at http://www.optimusrob.com

_________________________________________________</x-tad-bigger></color></fontfamily>

On Jul 23, 2004, at 4:25 PM, Jeff Shirkey wrote:


<excerpt>In this month's (Sep. '04, p. 32) GP there is a small, but
informative profile of Keller Williams and his rig. The main thing
that may be of interest to people in the group is the diagram of his
gear set up, which includes an EDP and loads of other toys.


Anyway, it's not earth-shattering, but I thought it might be of
interest and therefore worthy of a heads up.


Jeff



</excerpt>
--Apple-Mail-2-642759282--

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Sorry to the original poster for hijacking the thread...

Thanks Per for your trade secrets :-)

Neil
 

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From Loopers-Delight-request@loopers-delight.com  Fri Jul 23 17:57:22 2004
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Date: Fri, 23 Jul 2004 16:50:33 -0500
To: Loopers-Delight@loopers-delight.com
From: Jeff Shirkey <jcshirke@midway.uchicago.edu>
Subject: Re: Keller Williams in GP
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>Nice tip on Keller -- I think he's a phenomenal performer and can't 
>wait to take a look at his rig.  My only question is what's GP?

hehe...sorry! Guitar Player (the magazine, that is!) :)

Jeff

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Can someone SIMPLY explain me stutter mode? Ive read the manual... tried =
loads of stuff.. and just DONT get it!!! REALLY cant hear a difference! =
I suspect that its MAY have something to do with ... not using a pedal =
for feedback yet...

(related Q.. can I use a midi pedal for feedback or MUST it be pugged in =
at the back?? I have the FCB1010 and them 2 pedals (however that would =
however mean programming it on EVERY pedal... growwwn!! ))

I've mastered the EDP (first six month with the baby is available on =
"Badgered" my new CDR release... see URL below.. Ha Ha shameless plug... =
sorry!) and I've found out how I like to use it, but now delving into =
bits of the manual that confuzzed moi first time round ha ha...

cheers

Mark





www.markfrancombe.com


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<DIV><FONT face=3DArial size=3D2>Can someone SIMPLY explain me stutter =
mode? Ive=20
read the manual... tried loads of stuff.. and just DONT get it!!! REALLY =
cant=20
hear a difference! I suspect that its MAY have something to do with ... =
not=20
using a pedal for feedback yet...</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>(related Q.. can I use a midi pedal for =
feedback or=20
MUST it be pugged in at the back?? I have the FCB1010 and them 2 pedals =
(however=20
that would however mean programming it on EVERY pedal... growwwn!!=20
))</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I've mastered the EDP (first six month =
with the=20
baby is available on "Badgered" my new CDR release... see URL below.. Ha =
Ha=20
shameless plug... sorry!)&nbsp;and I've&nbsp;found out how I like to use =
it, but=20
now delving into bits of the manual that confuzzed moi first time round =
ha=20
ha...</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>cheers</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Mark</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
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<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.markfrancombe.com">www.markfrancombe.com</A></FONT></D=
IV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
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From Loopers-Delight-request@loopers-delight.com  Fri Jul 23 19:49:50 2004
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From: "hazard factor" <artists@hazardfactor.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: help in understanding EDP stuttermode...
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Yes, it works great on the FCB, you don't need a volume pedal for feedback.
Just specify the channel and controller # on the FCB & EDP, and activate the
pedal on each preset of the FCB- easy with the FCB software editor
(available on the FCB Yahoo group). It is also easy to use note on commands
to control almost everything on the EDP too.

Dave Eichenberger- guitars.loops.devices
http://www.hazardfactor.com 


	 
	 
	(related Q.. can I use a midi pedal for feedback or MUST it be
pugged in at the back?? I have the FCB1010 and them 2 pedals (however that
would however mean programming it on EVERY pedal... growwwn!! ))
	 


From Loopers-Delight-request@loopers-delight.com  Sat Jul 24 14:50:50 2004
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From: "Scott M2" <scott@dreamstate.to>
To: "The Ambient Way" <the_ambient_way@yahoogroups.com>,
   "Loopers Delight" <Loopers-Delight@loopers-delight.com>,
   "Ambient@hyperreal" <ambient@hyperreal.org>
Subject: The PiNG presents AKUMU and Mara's Torment
Date: Sat, 24 Jul 2004 14:42:48 -0400
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THE AMBiENT PiNG   http://www.theambientping.com
Free - Every Tuesday Night - doors open at 9pm - 1st set at 9:30
  @ club nia / C'est What - 19 Church St. at Front St. - Toronto
         3 blocks east of the Union Station subway.
         map - http://www.cestwhat.com/map.html
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

This Tuesday July 27th - AKUMU and Mara's Torment

mara's torment (aka metro starman) returns to the PiNG
once again with a collection of works inspired by the usual
cat noises and subway cars. Expect some new material,
some reworked favorites & the kind of  ambient/pop medleys
that have made mt so beloved by so many. For this
performance images will be provided by the very talented
and very wonderful people of Bleep Visuals.
http://www.marastorment.com  http://www.metrostarman.com

Dark ambiences. Shadowy beats. Haunting microscapes.
>From electronic artist and film composer Deane Hughes,
AKUMU is an exploration of atmospheres, moods and rhythms.
On this night at the Ping, Deane is celebrating the release
of his latest Akumu CD, entitled "Fluxes". This minimalist CD
was written and created in Guatemala, Honduras & Mexico
over a 6-month time span using binaural field recordings to
construct drone-based and loop-based instruments. Deane
will be performing and improvising on material from "Fluxes"
with visuals projected from some of his abstract video-work.
http://www.spiderrecords.com/akumu/

Between Sets CD - "Continental Divide" by Colin Rayment
Since "still coiled" played straight-through without a break
at their show, we'll try again to feature this fine new CD.
Symphonic electronic compositions with an ambient streak
from "drifting soundscapes to uptempo electronic excursions".
http://www.rayments.com/
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Coming Tues. Aug. 3rd - Reshure & Broomer Vs. Consumer
http://www.besonic.com/reshure
Between Sets CD - "Sanctuary of Dreams" by Numina
www.numinamusic.com
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

rik maclean's *ping things* CD Reviews

"Fluxes" by Akumu is a fascinating exercise in field recordings
resulting in a series of very distinct environments. The source
material used to create this collection has been masterfully
woven together to create pieces both rich in tone and
deep in imagery.

Starting with "Quietly Disruptive" we find ourselves surrounded
by an almost tidal drone that moves through a state of
tranquility to a chaotic soundscape of shimmering metallic
sounds and back again. "Eyeless" features a slow build of
serpentine tones that play around the soundfield. A sense of
tension develops as the piece grows, a feeling of unshakeable
unease that continues into "Landscape VIII", a track evoking
a scene of haunted wastelands populated only by the rusty
shells of slowly dying machines. "Tapeten" is filled with
rising & falling tones, the ebb and flow of sound punctuated
by clicks and whirring noises suggesting lost forms of binary
language and mechanical communication. "Mnmlsms"
blends a series of more nuanced tones together, resulting
in a track defined by it's subtle movements and gradual shift, 
deceivingly simple yet rich in complexity.

With the release of "Fluxes", Akumu has created a very
engaging collection of tracks. The manipulation of field
recordings to make these pieces and the attention to
spatial detail therein are the work of true talents who have
tapped into a different state of environmental consciousness.
I strongly recommend "Fluxes" as an impressive work
well worth investigating further.

rik maclean - rik@pingthings.com

Explore the ping things' newly expanded "features" section at:
http://www.pingthings.com/PTfeaturesNF.htm

Send an e-mail to pingthings-subscribe@yahoogroups.com
for updates on *all* the latest releases on sale at ping things

http://www.pingthings.com = ambient + electronic + chill things
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

The Ambient Ping presents free live performances by Toronto's
finest ambient, chillout and experimental music artists plus
performers from across the continent, every Tuesday at club nia
(aka C'est What) featuring a comfortable lower stage area, perfect
for attentive listening, plus a higher level with a bar, back room
and more seating that's great for conversation, good food and the
club's impressive beer, wine and whiskey selection. Musical treats
are on offer at the *ping things* ambient/experimental CD boutique.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Please forward this e-mail to any friends who may be interested
in live ambient, chillout and experimental music performances




From Loopers-Delight-request@loopers-delight.com  Sat Jul 24 19:45:28 2004
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From: "Lance Zechinato" <LanceZechinato@verizon.net>
To: "Looper's Delight" <Loopers-Delight@loopers-delight.com>
Subject: New/Never-used EDP up for grabs
Date: Sat, 24 Jul 2004 19:43:06 -0400
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All,

Ive been sitting on my new, never-used EDP waiting for my Godin guitar to
arrive.  I opened the box, but never unwrapped the EDP from its plastic, nor
unwound the twist-tie from the power cord.  (Why would waiting for a guitar
prevent me from playing with the EDP?  It wouldnt.  I have two other
guitars.  Ive just used the interim as an excuse to crank out some
software.)

Long story short, after a lot of reading and some wonderfully helpful
LD-list and off-list correspondence, Ive reluctantly decided the Repeater
better suits my needs.  I really wanted the EDP to be my main squeeze!  But
multi-track looping is what I need.  Its pretty simple.  Layers are great,
but I need to mute/unmute layers at will, in any order.  I lose the EDPs
depth, but Im attracted to the Repeaters relative simplicity anyway.  And
multi-track capability is a must-have for my duo/trio.

Would you be interested in buying my EDP?  Never unwrapped, never plugged
in.  Same with the EDP foot controller.  If interested, Id prefer a PayPal
transaction.  (You can search for lancezechinato By Seller on Ebay, then
check my credentials.  Im a good guy.)

If I dont hear from anyone by Monday, Ill call Musicians Friend to have
it shipped back.  They can put it in the hands of somebody who truly needs
it.

Thanks,
Lance

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<p class=3DMsoNormal><span class=3DEmailStyle15><font size=3D2 =
color=3Dblack
face=3DArial><span =
style=3D'font-size:10.0pt;mso-bidi-font-size:12.0pt;font-family:
Arial'>All,<o:p></o:p></span></font></span></p>

<p class=3DMsoNormal><span class=3DEmailStyle15><font size=3D2 =
color=3Dblack
face=3DArial><span =
style=3D'font-size:10.0pt;mso-bidi-font-size:12.0pt;font-family:
Arial'><![if =
!supportEmptyParas]>&nbsp;<![endif]><o:p></o:p></span></font></span></p>

<p class=3DMsoNormal><span class=3DEmailStyle15><font size=3D2 =
color=3Dblack
face=3DArial><span =
style=3D'font-size:10.0pt;mso-bidi-font-size:12.0pt;font-family:
Arial'>I&#8217;ve been sitting on my new, never-used EDP waiting for my =
Godin guitar
to arrive.<span style=3D"mso-spacerun: yes">&nbsp; </span>I opened the =
box, but never
unwrapped the EDP from its plastic, nor unwound the twist-tie from the =
power
cord.<span style=3D"mso-spacerun: yes">&nbsp; </span>(Why would waiting =
for a
guitar prevent me from playing with the EDP?<span style=3D"mso-spacerun:
yes">&nbsp; </span>It wouldn&#8217;t.<span style=3D"mso-spacerun: =
yes">&nbsp; </span>I
have two other guitars.<span style=3D"mso-spacerun: yes">&nbsp; =
</span>I&#8217;ve just
used the interim as an excuse to crank out some =
software.)<o:p></o:p></span></font></span></p>

<p class=3DMsoNormal><span class=3DEmailStyle15><font size=3D2 =
color=3Dblack
face=3DArial><span =
style=3D'font-size:10.0pt;mso-bidi-font-size:12.0pt;font-family:
Arial'><![if =
!supportEmptyParas]>&nbsp;<![endif]><o:p></o:p></span></font></span></p>

<p class=3DMsoNormal><span class=3DEmailStyle15><font size=3D2 =
color=3Dblack
face=3DArial><span =
style=3D'font-size:10.0pt;mso-bidi-font-size:12.0pt;font-family:
Arial'>Long story short, after a lot of reading and some wonderfully =
helpful LD-list
and off-list correspondence, I&#8217;ve reluctantly decided the Repeater =
better suits
my needs.<span style=3D"mso-spacerun: yes">&nbsp; </span>I really wanted =
the EDP
to be my main squeeze!<span style=3D"mso-spacerun: yes">&nbsp; =
</span>But multi-track
looping is what I need.<span style=3D"mso-spacerun: yes">&nbsp; =
</span>It&#8217;s
pretty simple.<span style=3D"mso-spacerun: yes">&nbsp; </span>Layers are =
great,
but I need to &#8220;mute/unmute&#8221; layers at will, in any =
order.<span
style=3D"mso-spacerun: yes">&nbsp; </span>I lose the EDP&#8217;s depth, =
but I&#8217;m attracted
to the Repeater&#8217;s relative simplicity anyway.<span =
style=3D"mso-spacerun:
yes">&nbsp; </span>And multi-track capability is a must-have for my =
duo/trio.<o:p></o:p></span></font></span></p>

<p class=3DMsoNormal><span class=3DEmailStyle15><font size=3D2 =
color=3Dblack
face=3DArial><span =
style=3D'font-size:10.0pt;mso-bidi-font-size:12.0pt;font-family:
Arial'><![if =
!supportEmptyParas]>&nbsp;<![endif]><o:p></o:p></span></font></span></p>

<p class=3DMsoNormal><span class=3DEmailStyle15><font size=3D2 =
color=3Dblack
face=3DArial><span =
style=3D'font-size:10.0pt;mso-bidi-font-size:12.0pt;font-family:
Arial'>Would you be interested in buying my EDP?<span =
style=3D"mso-spacerun:
yes">&nbsp; </span>Never unwrapped, never plugged in.<span =
style=3D"mso-spacerun:
yes">&nbsp; </span>Same with the EDP foot controller.<span =
style=3D"mso-spacerun:
yes">&nbsp; </span>If interested, I&#8217;d prefer a PayPal =
transaction.<span
style=3D"mso-spacerun: yes">&nbsp; </span>(You can search for =
lancezechinato &#8220;By
Seller&#8221; on Ebay, then check my credentials.<span =
style=3D"mso-spacerun:
yes">&nbsp; </span>I&#8217;m a good =
guy.)<o:p></o:p></span></font></span></p>

<p class=3DMsoNormal><span class=3DEmailStyle15><font size=3D2 =
color=3Dblack
face=3DArial><span =
style=3D'font-size:10.0pt;mso-bidi-font-size:12.0pt;font-family:
Arial'><![if =
!supportEmptyParas]>&nbsp;<![endif]><o:p></o:p></span></font></span></p>

<p class=3DMsoNormal><span class=3DEmailStyle15><font size=3D2 =
color=3Dblack
face=3DArial><span =
style=3D'font-size:10.0pt;mso-bidi-font-size:12.0pt;font-family:
Arial'>If I don&#8217;t hear from anyone by Monday, I&#8217;ll call =
Musician&#8217;s Friend to
have it shipped back.<span style=3D"mso-spacerun: yes">&nbsp; =
</span>They can put
it in the hands of somebody who truly needs =
it.<o:p></o:p></span></font></span></p>

<p class=3DMsoNormal><span class=3DEmailStyle15><font size=3D2 =
color=3Dblack
face=3DArial><span =
style=3D'font-size:10.0pt;mso-bidi-font-size:12.0pt;font-family:
Arial'><![if =
!supportEmptyParas]>&nbsp;<![endif]><o:p></o:p></span></font></span></p>

<p class=3DMsoNormal><span class=3DEmailStyle15><font size=3D2 =
color=3Dblack
face=3DArial><span =
style=3D'font-size:10.0pt;mso-bidi-font-size:12.0pt;font-family:
Arial'>Thanks,<o:p></o:p></span></font></span></p>

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color=3Dblack
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Arial'>Lance<o:p></o:p></span></font></span></p>

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From Loopers-Delight-request@loopers-delight.com  Sun Jul 25 01:35:20 2004
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Date: Sun, 25 Jul 2004 14:26:25 +0900
To: "Looper's Delight" <Loopers-Delight@loopers-delight.com>
From: Sunao Inami <webmaster@cavestudio.com>
Subject: Looping Festival in Kobe?
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Hello,

I am planning Looping Festival in Kobe in this November or December.
We did "Looper's Delight J" live gigs in '98,'01 and '02 in Kobe.
http://www.cavestudio.com/LD_J

I think "Looper's Delight J" is first looping festival in Japan.
And we wan to to do the next is in this November or December.

Someone interest this gig?
We want to meet and unite loopers.

The gig venue is Otoya,they are about 150 people capacity and good PA system.
Location is Sannomiya where it is center of Kobe.
http://www.cavestudio.org/otoya
or
http://www.h5.dion.ne.jp/~ya_kobe/otoya.html

We want to fix gig dates  by arrange the artists schedules.

Please mail me if you have interest for join the gig.

p.s.
I released new solo CD,please visit below..
http://cavestudio.com/electr-ohm/index_E.html


  Regards

  Sunao Inami
http://www.cavestudio.com


From Loopers-Delight-request@loopers-delight.com  Sun Jul 25 13:25:21 2004
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In a message dated 7/25/04 1:27:08 AM, webmaster@cavestudio.com writes:


> I released new solo CD,please visit below..
> http://cavestudio.com/electr-ohm/index_E.html
> 
a wonderful cd!.....michael

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
In a message dated 7/25/04 1:27:08 AM, webmaster@cavestudio.com writes:<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">I released new solo C=
D,please visit below..<BR>
http://cavestudio.com/electr-ohm/index_E.html<BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
a wonderful cd!.....michael<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT></HTML>
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From Loopers-Delight-request@loopers-delight.com  Sun Jul 25 13:34:36 2004
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From: Jeremy Goody <theman@balanceman.com>
Subject: Re: Looping Festival in Kobe?
Date: Sun, 25 Jul 2004 10:33:02 -0700
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I would love to see this happen. I am in California, but am trying to 
get to Japan to play a handful of shows. I'm using an EDP pro plus, an 
MPC1000, a little casio keyboard, trumpet, bass and an eventide fx box.

I am releasing a new CD in August and hope to have some copies in japan 
by October.

http://www.balanceman.com

thanks for your efforts, I hope this comes together.!
JG
On Jul 24, 2004, at 10:26 PM, Sunao Inami wrote:

> Hello,
>
> I am planning Looping Festival in Kobe in this November or December.
> We did "Looper's Delight J" live gigs in '98,'01 and '02 in Kobe.
> http://www.cavestudio.com/LD_J
>
> I think "Looper's Delight J" is first looping festival in Japan.
> And we wan to to do the next is in this November or December.
>
> Someone interest this gig?
> We want to meet and unite loopers.
>
> The gig venue is Otoya,they are about 150 people capacity and good PA 
> system.
> Location is Sannomiya where it is center of Kobe.
> http://www.cavestudio.org/otoya
> or
> http://www.h5.dion.ne.jp/~ya_kobe/otoya.html
>
> We want to fix gig dates  by arrange the artists schedules.
>
> Please mail me if you have interest for join the gig.
>
> p.s.
> I released new solo CD,please visit below..
> http://cavestudio.com/electr-ohm/index_E.html
>
>
>  Regards
>
>  Sunao Inami
> http://www.cavestudio.com
>
>
>
http://www.balanceman.com

From Loopers-Delight-request@loopers-delight.com  Sun Jul 25 16:41:06 2004
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To: Loopers-Delight@loopers-delight.com
From: Travis Hartnett <tiktok@sprintmail.com>
Subject: Gig notice (Seattle): Travis Hartnett
Date: Sun, 25 Jul 2004 13:37:09 -0700
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Acoustic guitar Live Looping in the Seattle area:

Tuesday, July 27, 8PM Living:Room (4301 Fremont Ave. N)
Friday, July 30, 9PM Stuff Cafe (4216 6th Ave. NW)
Saturday, July 31, 2-4PM Tully's Coffee (1401 4th Avenue)
Saturday. July 31, 7:30PM Starbucks (Issaquah)


Be seeing you,

Travis


*-*-*-*-* *-*-*-*-* *-*-*-*-* *-*-*-*-* *-*-*-*-*

The Official Travis Hartnett Website:
http://www.travishartnett.com

*-*-*-*-* *-*-*-*-* *-*-*-*-* *-*-*-*-* *-*-*-*-*

From Loopers-Delight-request@loopers-delight.com  Sun Jul 25 17:56:22 2004
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Date: Sun, 25 Jul 2004 14:54:29 -0700 (PDT)
From: "L. Angulo" <labalou2000@yahoo.com>
Subject: Musicians friend Price politics
To: Loopers-Delight@loopers-delight.com
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Whats up with this guys they set their items at a
certain price and they jack it up when they know you a
lot of us want it! They had  the EDP for 799.00 and
now it has gone up 200.00dlls up! this doesn“t sound
like a "musicians friend"!
if you guys have a link where the EDP is being sold at
a fair price let me know,cause i won“t support them
and neither should you!
cheers
L.a

=====
www.luis-angulo.com


	
		
__________________________________
Do you Yahoo!?
New and Improved Yahoo! Mail - 100MB free storage!
http://promotions.yahoo.com/new_mail 

From Loopers-Delight-request@loopers-delight.com  Sun Jul 25 18:09:35 2004
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From: Optimus Rob <rasimon@indiana.edu>
Subject: Re: Musicians friend Price politics
Date: Sun, 25 Jul 2004 17:06:38 -0500
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Amen.  They pulled the same thing with the lap steel guitar a couple=20
weeks ago -- their catalog stinks anyway.  I've had some good=20
experiences with American Musical (though returns/exchanges take=20
forever), but have really enjoyed buying from Novamusik.com.  Their=20
gear selection makes Musician's Friend look like the K-Mart of the=20
audio business.
Get Optimized,
Rob
......................................................
Just Released 7/15 - myTunes
An Hour of 3 minute Ambient voyages
Available at http://www.optimusrob.com
_________________________________________________
On Jul 25, 2004, at 4:54 PM, L. Angulo wrote:

>
> Whats up with this guys they set their items at a
> certain price and they jack it up when they know you a
> lot of us want it! They had  the EDP for 799.00 and
> now it has gone up 200.00dlls up! this doesn=B4t sound
> like a "musicians friend"!
> if you guys have a link where the EDP is being sold at
> a fair price let me know,cause i won=B4t support them
> and neither should you!
> cheers
> L.a
>
> =3D=3D=3D=3D=3D
> www.luis-angulo.com
>
>
> =09
> 	=09
> __________________________________
> Do you Yahoo!?
> New and Improved Yahoo! Mail - 100MB free storage!
> http://promotions.yahoo.com/new_mail
>
>

--Apple-Mail-1-816849350
Content-Transfer-Encoding: quoted-printable
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	charset=ISO-8859-1

Amen.  They pulled the same thing with the lap steel guitar a couple
weeks ago -- their catalog stinks anyway.  I've had some good
experiences with American Musical (though returns/exchanges take
forever), but have really enjoyed buying from Novamusik.com.  Their
gear selection makes Musician's Friend look like the K-Mart of the
audio business. =20

=
<fontfamily><param>Papyrus</param><color><param>4646,6D6D,C6C6</param><big=
ger>Get
=
Optimized</bigger></color></fontfamily><bigger>,</bigger><fontfamily><para=
m>Lucida Grande</param>

Rob</fontfamily>  =20

=
<fontfamily><param>Papyrus</param><color><param>4F4F,7B7B,E0E0</param><x-t=
ad-bigger>......................................................=20

Just Released 7/15 - myTunes

An Hour of 3 minute Ambient voyages

Available at http://www.optimusrob.com

=
_________________________________________________</x-tad-bigger></color></=
fontfamily>

On Jul 25, 2004, at 4:54 PM, L. Angulo wrote:


<excerpt>

Whats up with this guys they set their items at a

certain price and they jack it up when they know you a

lot of us want it! They had  the EDP for 799.00 and

now it has gone up 200.00dlls up! this doesn=B4t sound

like a "musicians friend"!

if you guys have a link where the EDP is being sold at

a fair price let me know,cause i won=B4t support them

and neither should you!

cheers

L.a


=3D=3D=3D=3D=3D

www.luis-angulo.com



=09

	=09

__________________________________

Do you Yahoo!?

New and Improved Yahoo! Mail - 100MB free storage!

http://promotions.yahoo.com/new_mail=20



</excerpt>=

--Apple-Mail-1-816849350--

From Loopers-Delight-request@loopers-delight.com  Sun Jul 25 18:38:59 2004
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From: "Lance Zechinato" <LanceZechinato@verizon.net>
To: "Looper's Delight" <Loopers-Delight@loopers-delight.com>
Subject: EDP + EFC7 saile (brand new/never unpacked)
Date: Sun, 25 Jul 2004 18:39:10 -0400
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LD community gets first dibs!!!

If nobody on the list is interested, Ill resort to Ebay.  Im miffed that
Musicians Friend has suddenly hiked the EDP and FC7 prices, so Im not
returning them for a refund.  I will sell them for exactly what I bought
them for  which includes the maximum Gold Coverage for each unit (fully
transferable).  With their new price hike, my offer is still less than what
they want for just the EDP!  Sheesh.

Ive never unpacked nor unwrapped these units.  Never plugged them in.  It
just happens that Ive been waiting for a guitar to arrive, and Ive used
the interim as a convenient excuse to write a bunch of software I wouldnt
write otherwise (cuz Id be sheddin on the new axe and toys!).

SO HERES THE DEAL:
I bought these at a slight discount because of my ASCAP membership.  Here
are the totals from my invoice slips.

Gibson Echoplex Footswitch KC - 94.99
Warranty Replacement 1-100.99 12-Month - 8.31
Gibson TGE-05 Echoplex Digital Pro Plus KC - 759.99
Warranty Repair 700-700.99 24-Month - 85.50
Total: 948.79

[Buyer pays shipping, and picks the carrier, delivery method and desired
options.  UPS has some kind of automatic insurance above a certain dollar
amount, I think.]

Sorry, no a la cart!  :)  I dont want an orphaned EFC7, and the extended
Gold Coverage is dirt-cheap.  (Read Musicians Friends Gold Coverage
explanation on their site and youll agree.  Like I said above, this
coverage fully transferable, clearly stated on the sheets that came with
each unit.)

Thanks,
Lance


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style=3D'font-size:10.0pt;mso-bidi-font-size:12.0pt;font-family:
Arial'><![if =
!supportEmptyParas]>&nbsp;<![endif]><o:p></o:p></span></font></span></p>

<p class=3DMsoNormal><span class=3DEmailStyle15><font size=3D2 =
color=3Dblack
face=3DArial><span =
style=3D'font-size:10.0pt;mso-bidi-font-size:12.0pt;font-family:
Arial'>If nobody on the list is interested, I&#8217;ll resort to =
Ebay.<span
style=3D"mso-spacerun: yes">&nbsp; </span>I&#8217;m miffed that =
Musician&#8217;s Friend has
suddenly hiked the EDP and FC7 prices, so I&#8217;m not returning them =
for a refund.<span
style=3D"mso-spacerun: yes">&nbsp; </span>I will sell them for exactly =
what I
bought them for &#8230; which includes the maximum &#8220;Gold =
Coverage&#8221; for each unit (fully
transferable).<span style=3D"mso-spacerun: yes">&nbsp; </span>With their =
new price
hike, my offer is still less than what they want for just the EDP!<span
style=3D"mso-spacerun: yes">&nbsp; =
</span>Sheesh.<o:p></o:p></span></font></span></p>

<p class=3DMsoNormal><span class=3DEmailStyle15><font size=3D2 =
color=3Dblack
face=3DArial><span =
style=3D'font-size:10.0pt;mso-bidi-font-size:12.0pt;font-family:
Arial'><![if =
!supportEmptyParas]>&nbsp;<![endif]><o:p></o:p></span></font></span></p>

<p class=3DMsoNormal><span class=3DEmailStyle15><font size=3D2 =
color=3Dblack
face=3DArial><span =
style=3D'font-size:10.0pt;mso-bidi-font-size:12.0pt;font-family:
Arial'>I&#8217;ve never unpacked nor unwrapped these units.<span =
style=3D"mso-spacerun:
yes">&nbsp; </span>Never plugged them in.<span style=3D"mso-spacerun: =
yes">&nbsp;
</span>It just happens that I&#8217;ve been waiting for a guitar to =
arrive, and I&#8217;ve
used the interim as a convenient excuse to write a bunch of software I =
wouldn&#8217;t
write otherwise (cuz I&#8217;d be sheddin&#8217; on the new axe and =
toys!).<o:p></o:p></span></font></span></p>

<p class=3DMsoNormal><span class=3DEmailStyle15><font size=3D2 =
color=3Dblack
face=3DArial><span =
style=3D'font-size:10.0pt;mso-bidi-font-size:12.0pt;font-family:
Arial'><![if =
!supportEmptyParas]>&nbsp;<![endif]><o:p></o:p></span></font></span></p>

<p class=3DMsoNormal><span class=3DEmailStyle15><font size=3D2 =
color=3Dblack
face=3DArial><span =
style=3D'font-size:10.0pt;mso-bidi-font-size:12.0pt;font-family:
Arial'>SO HERE&#8217;S THE DEAL:<o:p></o:p></span></font></span></p>

<p class=3DMsoNormal><span class=3DEmailStyle15><font size=3D2 =
color=3Dblack
face=3DArial><span =
style=3D'font-size:10.0pt;mso-bidi-font-size:12.0pt;font-family:
Arial'>I bought these at a slight discount because of my ASCAP =
membership.<span
style=3D"mso-spacerun: yes">&nbsp; </span>Here are the totals from my =
invoice
slips.<o:p></o:p></span></font></span></p>

<p class=3DMsoNormal><span class=3DEmailStyle15><font size=3D2 =
color=3Dblack
face=3DArial><span =
style=3D'font-size:10.0pt;mso-bidi-font-size:12.0pt;font-family:
Arial'><![if =
!supportEmptyParas]>&nbsp;<![endif]><o:p></o:p></span></font></span></p>

<p class=3DMsoNormal =
style=3D'mso-layout-grid-align:none;text-autospace:none'><font
size=3D2 color=3Dblack face=3D"Courier New"><span =
style=3D'font-size:10.0pt;font-family:
"Courier New";color:black'>Gibson Echoplex Footswitch KC - =
94.99</span></font><font
size=3D2 color=3Dblack face=3D"Courier New"><span =
style=3D'font-size:10.0pt;font-family:
"Courier =
New";color:black;mso-color-alt:windowtext'><o:p></o:p></span></font></p>

<p class=3DMsoNormal =
style=3D'mso-layout-grid-align:none;text-autospace:none'><font
size=3D2 color=3Dblack face=3D"Courier New"><span =
style=3D'font-size:10.0pt;font-family:
"Courier New";color:black'>Warranty Replacement 1-100.99 12-Month - =
8.31</span></font><font
size=3D2 color=3Dblack face=3D"Courier New"><span =
style=3D'font-size:10.0pt;font-family:
"Courier =
New";color:black;mso-color-alt:windowtext'><o:p></o:p></span></font></p>

<p class=3DMsoNormal =
style=3D'mso-layout-grid-align:none;text-autospace:none'><font
size=3D2 color=3Dblack face=3D"Courier New"><span =
style=3D'font-size:10.0pt;font-family:
"Courier New";color:black'>Gibson TGE-05 Echoplex Digital Pro Plus KC - =
759.99</span></font><font
size=3D2 color=3Dblack face=3D"Courier New"><span =
style=3D'font-size:10.0pt;font-family:
"Courier =
New";color:black;mso-color-alt:windowtext'><o:p></o:p></span></font></p>

<p class=3DMsoNormal =
style=3D'mso-layout-grid-align:none;text-autospace:none'><font
size=3D2 color=3Dblack face=3D"Courier New"><span =
style=3D'font-size:10.0pt;font-family:
"Courier New";color:black'>Warranty Repair 700-700.99 24-Month - =
85.50</span></font><font
size=3D2 color=3Dblack face=3D"Courier New"><span =
style=3D'font-size:10.0pt;font-family:
"Courier =
New";color:black;mso-color-alt:windowtext'><o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dblack face=3D"Courier =
New"><span
style=3D'font-size:10.0pt;font-family:"Courier New";color:black'>Total: =
948.79</span></font><font
size=3D2 color=3Dblack face=3D"Courier New"><span =
style=3D'font-size:10.0pt;font-family:
"Courier =
New";color:black;mso-color-alt:windowtext'><o:p></o:p></span></font></p>

<p class=3DMsoNormal><span class=3DEmailStyle15><font size=3D2 =
color=3Dblack
face=3DArial><span =
style=3D'font-size:10.0pt;mso-bidi-font-size:12.0pt;font-family:
Arial'><![if =
!supportEmptyParas]>&nbsp;<![endif]><o:p></o:p></span></font></span></p>

<p class=3DMsoNormal><span class=3DEmailStyle15><font size=3D2 =
color=3Dblack
face=3DArial><span =
style=3D'font-size:10.0pt;mso-bidi-font-size:12.0pt;font-family:
Arial'>[Buyer pays shipping, and picks the carrier, delivery method and =
desired
options.<span style=3D"mso-spacerun: yes">&nbsp; </span>UPS has some =
kind of
automatic insurance above a certain dollar amount, I =
think.]<o:p></o:p></span></font></span></p>

<p class=3DMsoNormal><span class=3DEmailStyle15><font size=3D2 =
color=3Dblack
face=3DArial><span =
style=3D'font-size:10.0pt;mso-bidi-font-size:12.0pt;font-family:
Arial'><![if =
!supportEmptyParas]>&nbsp;<![endif]><o:p></o:p></span></font></span></p>

<p class=3DMsoNormal><span class=3DEmailStyle15><font size=3D2 =
color=3Dblack
face=3DArial><span =
style=3D'font-size:10.0pt;mso-bidi-font-size:12.0pt;font-family:
Arial'>Sorry, no a la cart!<span style=3D"mso-spacerun: yes">&nbsp; =
</span>:)<span
style=3D"mso-spacerun: yes">&nbsp; </span>I don&#8217;t want an orphaned =
EFC7, and the extended
Gold Coverage is dirt-cheap.<span style=3D"mso-spacerun: yes">&nbsp; =
</span>(Read
Musician&#8217;s Friend&#8217;s Gold Coverage explanation on their site =
and you&#8217;ll agree.<span
style=3D"mso-spacerun: yes">&nbsp; </span>Like I said above, this =
coverage fully transferable,
clearly stated on the sheets that came with each =
unit.)<o:p></o:p></span></font></span></p>

<p class=3DMsoNormal><span class=3DEmailStyle15><font size=3D2 =
color=3Dblack
face=3DArial><span =
style=3D'font-size:10.0pt;mso-bidi-font-size:12.0pt;font-family:
Arial'><![if =
!supportEmptyParas]>&nbsp;<![endif]><o:p></o:p></span></font></span></p>

<p class=3DMsoNormal><span class=3DEmailStyle15><font size=3D2 =
color=3Dblack
face=3DArial><span =
style=3D'font-size:10.0pt;mso-bidi-font-size:12.0pt;font-family:
Arial'>Thanks,<o:p></o:p></span></font></span></p>

<p class=3DMsoNormal><span class=3DEmailStyle15><font size=3D2 =
color=3Dblack
face=3DArial><span =
style=3D'font-size:10.0pt;mso-bidi-font-size:12.0pt;font-family:
Arial'>Lance<o:p></o:p></span></font></span></p>

<p class=3DMsoNormal><span class=3DEmailStyle15><font size=3D2 =
color=3Dblack
face=3DArial><span =
style=3D'font-size:10.0pt;mso-bidi-font-size:12.0pt;font-family:
Arial'><![if =
!supportEmptyParas]>&nbsp;<![endif]><o:p></o:p></span></font></span></p>

</div>

</body>

</html>

------=_NextPart_000_000E_01C47276.ACBA3B90--

From Loopers-Delight-request@loopers-delight.com  Sun Jul 25 19:13:08 2004
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From: "Alan Kroeger" <nospam@akroeger.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Musicians friend Price politics
Date: Sun, 25 Jul 2004 19:11:21 -0400
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I usually go with zzounds.com for basics the return policy is great I bought
a GI-20 that had some minor problems they shipped me a new unit in 48 hrs
(received in 48 hrs) with a prepaid return label for the problem unit. I
only had to submit for a return on there web page and they got back to me in
an hour with confirmation of a newly shipped unit. Novamusik.com has some
intersting items :)
Will say I really hate MF I prefer to avoid using them.

________________________________

From: Optimus Rob [mailto:rasimon@indiana.edu] 
Sent: Sunday, July 25, 2004 6:07 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Musicians friend Price politics


Amen. They pulled the same thing with the lap steel guitar a couple weeks
ago -- their catalog stinks anyway. I've had some good experiences with
American Musical (though returns/exchanges take forever), but have really
enjoyed buying from Novamusik.com. Their gear selection makes Musician's
Friend look like the K-Mart of the audio business. 
Get Optimized,
Rob 
...................................................... 
Just Released 7/15 - myTunes
An Hour of 3 minute Ambient voyages
Available at http://www.optimusrob.com
_________________________________________________
On Jul 25, 2004, at 4:54 PM, L. Angulo wrote:




	Whats up with this guys they set their items at a
	certain price and they jack it up when they know you a
	lot of us want it! They had the EDP for 799.00 and
	now it has gone up 200.00dlls up! this doesn“t sound
	like a "musicians friend"!
	if you guys have a link where the EDP is being sold at
	a fair price let me know,cause i won“t support them
	and neither should you!
	cheers
	L.a
	
	=====
	www.luis-angulo.com
	
	
	
	
	__________________________________
	Do you Yahoo!?
	New and Improved Yahoo! Mail - 100MB free storage!
	http://promotions.yahoo.com/new_mail 
	
	
	


From Loopers-Delight-request@loopers-delight.com  Sun Jul 25 21:11:47 2004
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From: Travis Hartnett <tiktok@sprintmail.com>
Subject: Re: Loopers-Delight-d Digest V04 #282
Date: Sun, 25 Jul 2004 18:08:29 -0700
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Supply/demand/invisible hand, etc.

TravisH

On Jul 25, 2004, at 3:39 PM,=20
Loopers-Delight-d-request@loopers-delight.com wrote:

> From: "L. Angulo" <labalou2000@yahoo.com>
> Date: July 25, 2004 2:54:29 PM PDT
> To: Loopers-Delight@loopers-delight.com
> Subject: Musicians friend Price politics
>
>
> Whats up with this guys they set their items at a
> certain price and they jack it up when they know you a
> lot of us want it! They had  the EDP for 799.00 and
> now it has gone up 200.00dlls up! this doesn=B4t sound
> like a "musicians friend"!
> L.a
>
> =3D=3D=3D=3D=3D
> www.luis-angulo.com
>

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Supply/demand/invisible hand, etc.


TravisH


On Jul 25, 2004, at 3:39 PM,
Loopers-Delight-d-request@loopers-delight.com wrote:


<excerpt><bold><color><param>0000,0000,0000</param>From:
</color></bold>"L. Angulo" <<labalou2000@yahoo.com>

<bold><color><param>0000,0000,0000</param>Date: </color></bold>July
25, 2004 2:54:29 PM PDT

<bold><color><param>0000,0000,0000</param>To:
</color></bold>Loopers-Delight@loopers-delight.com

<bold><color><param>0000,0000,0000</param>Subject: </color>Musicians
friend Price politics

</bold>


Whats up with this guys they set their items at a

certain price and they jack it up when they know you a

lot of us want it! They had  the EDP for 799.00 and

now it has gone up 200.00dlls up! this doesn=B4t sound

like a "musicians friend"!

L.a


=3D=3D=3D=3D=3D

www.luis-angulo.com


</excerpt>=

--Apple-Mail-8-827759619--

From Loopers-Delight-request@loopers-delight.com  Sun Jul 25 21:25:23 2004
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From: Optimus Rob <rasimon@indiana.edu>
Subject: Re: Loopers-Delight-d Digest V04 #282
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> Supply/demand/invisible hand, etc.
>
> TravisH
>

More accurately:

artificial price inflation generated from web traffic / unaware 
consumers trusting prices not to constantly jump / deceptive business 
practices that are not practiced by their more reputable competitors, 
etc.

Get Optimized,
Rob
......................................................
Just Released 7/15 - myTunes
An Hour of 3 minute Ambient voyages
Available at http://www.optimusrob.com
_________________________________________________

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<excerpt>Supply/demand/invisible hand, etc.


TravisH


</excerpt>

More accurately: 


artificial price inflation generated from web traffic / unaware
consumers trusting prices not to constantly jump / deceptive business
practices that are not practiced by their more reputable competitors,
etc.

<fontfamily><param>Papyrus</param><color><param>4645,6D6C,C6C5</param><bigger>

Get Optimized</bigger></color></fontfamily><bigger>,</bigger><fontfamily><param>Lucida Grande</param>

Rob</fontfamily>   

<fontfamily><param>Papyrus</param><color><param>4F4E,7B7A,E0DF</param><x-tad-bigger>...................................................... 

Just Released 7/15 - myTunes

An Hour of 3 minute Ambient voyages

Available at http://www.optimusrob.com

_________________________________________________</x-tad-bigger></color></fontfamily>


--Apple-Mail-3-828693064--

From Loopers-Delight-request@loopers-delight.com  Sun Jul 25 23:42:52 2004
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Date: Sun, 25 Jul 2004 22:36:36 -0500
From: Kelly Coyle <kellycoyle@charter.net>
To: Loopers-Delight@loopers-delight.com
Message-ID: <20040725223636978549.GyazMail.kellycoyle@charter.net>
Subject: 16-second loopers
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I've been on and off this list for years, as my looping interest waxes 
and wanes -- usually I lurk, but I have a question that doesn't seem to 
have been addressed in the archive; so here:

I've had all of the "major" units (none now, though) -- EDP, Jamman, 
Boomerang -- so i have an idea how the tap to record, tap again to loop 
system works. But I've never used the sort of looper that you have to 
pre-define the length before you start. I'm kind of interested in those 
these days, either the EH reissue thing or the Maneco variations. So 
tell me, how do they work in practice? How do you know how fast to 
play, when the loop is going to kick in? (Do they send a click or 
something? Flashing lights?) Or do I misunderstand how they work 
altogether?

After that, I'm interested in how that approach works for people. (I 
realize, at least with the EDP, that you can do it this way too.)

Thanks.

From Loopers-Delight-request@loopers-delight.com  Mon Jul 26 01:17:59 2004
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From: Mark Hamburg <mark_hamburg@baymoon.com>
Subject: Re: Musicians friend Price politics
Date: Sun, 25 Jul 2004 22:14:14 -0700
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On Jul 25, 2004, at 3:06 PM, Optimus Rob wrote:

> Amen.  They pulled the same thing with the lap steel guitar a couple 
> weeks ago -- their catalog stinks anyway.  I've had some good 
> experiences with American Musical (though returns/exchanges take 
> forever), but have really enjoyed buying from Novamusik.com.  Their 
> gear selection makes Musician's Friend look like the K-Mart of the 
> audio business.
> Get Optimized,
> Rob

I have had good experiences with:

American Musical -- Various items. When I had a manual get water 
damaged in transit, they rapidly sent me a new one. There's a theory 
that AMS = zzounds.

Nova Musik -- Great guys. I got my Microwave XT from them and would 
happily do business with them again.

Alto Music -- 2 EDPs and both transactions went smoothly.

Mark

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From: Mark Sottilaro <sine@zerocrossing.net>
Subject: Re: 16-second loopers
Date: Sun, 25 Jul 2004 23:24:09 -0700
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That is how the Electro-Harmonix 16 sec DD reissue works.  Both 
flashing lights and a click... if you want it.  I find myself just 
using the midi out to start a drum machine and use that for the tempo 
or I just watch the lights blink.

Mark

On Jul 25, 2004, at 8:36 PM, Kelly Coyle wrote:

> How do you know how fast to
> play, when the loop is going to kick in? (Do they send a click or
> something? Flashing lights?) Or do I misunderstand how they work
> altogether?

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To: Loopers-Delight@loopers-delight.com
From: Suit & Tie Guy <erwill@suitandtieguy.com>
Subject: terry riley's organ, Hammond looping
Date: Mon, 26 Jul 2004 04:07:12 -0500
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what organ did Riley use with his Time Lag Accumulator? was it a 
Hammond, Lowrey, Wurlitzer, or other? if it was a Hammond, does anyone 
know what model it was?

i'm curious because i've finally started to loop my Hammond and i'm 
interested in precedents in Hammond looping. the only one I have on 
record is a Jimmy McGriff vs Groove Holmes concert which Jimmy does 
some textural looping on the Hammond (into a tape echo) on a slow blues 
("Talk To Me" on Giants Of The Jazz Organ Live). funny  ... i always 
assumed it was Groove that did that because he used an Echoplex quite 
often in the 70s, but close listening last month showed me it was 
actually Jimmy, who never used _any_ effects on his organ.

if anyone else knows any loopists who use a Hammond, let me know.

btw, i've been looping for 8 years and playing organ for 6 and i've 
NEVER looped the Hammond. don't know why i haven't, other than i 
usually play bass. Travis H said he was interested in hearing some 
Hammond looping, so i wired my organ into a crossover so i could play 
bass and loop my right hand stuff.

then i had to plug in the Dan-O-Wah, and the Echo Pro, then i had to go 
buy a solid state leslie ...

... now i sound nothing like i did last week.

for those interested, i will post recordings soon of this crazy stuff. 
the Hammond can sound remarkably digital if you do certain things with 
it.
---
Eric Williamson
www.suitandtieguy.com

From Loopers-Delight-request@loopers-delight.com  Mon Jul 26 05:44:22 2004
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From: "Stephen Parsick" <wavecomputer360@gmx.de>
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Subject: Re: terry riley's organ, Hammond looping
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according to Bob Moog in an article by Freff, Riley used a Farfisa when "In
C" was presented along with "Switched-On Bach" at a press luncheon.
According to Peter Forrest, Riley later used a Yamaha YC-45D. An outstanding
organ, indeed, and most un-organish in many respects. I use a YC-30 (the
single manual version) for looping and processing (like Eno did, too).

Stephen.


> what organ did Riley use with his Time Lag Accumulator? was it a 
> Hammond, Lowrey, Wurlitzer, or other? if it was a Hammond, does anyone 
> know what model it was?
> 
> i'm curious because i've finally started to loop my Hammond and i'm 
> interested in precedents in Hammond looping. the only one I have on 
> record is a Jimmy McGriff vs Groove Holmes concert which Jimmy does 
> some textural looping on the Hammond (into a tape echo) on a slow blues 
> ("Talk To Me" on Giants Of The Jazz Organ Live). funny  ... i always 
> assumed it was Groove that did that because he used an Echoplex quite 
> often in the 70s, but close listening last month showed me it was 
> actually Jimmy, who never used _any_ effects on his organ.
> 
> if anyone else knows any loopists who use a Hammond, let me know.
> 
> btw, i've been looping for 8 years and playing organ for 6 and i've 
> NEVER looped the Hammond. don't know why i haven't, other than i 
> usually play bass. Travis H said he was interested in hearing some 
> Hammond looping, so i wired my organ into a crossover so i could play 
> bass and loop my right hand stuff.
> 
> then i had to plug in the Dan-O-Wah, and the Echo Pro, then i had to go 
> buy a solid state leslie ...
> 
> ... now i sound nothing like i did last week.
> 
> for those interested, i will post recordings soon of this crazy stuff. 
> the Hammond can sound remarkably digital if you do certain things with 
> it.
> ---
> Eric Williamson
> www.suitandtieguy.com
> 

-- 
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wie die Pest. Und wir sind die Heilung." (Agent Smith / Matrix)

"Human beings are a desease, the cancer of this planet, you“re a 
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From Loopers-Delight-request@loopers-delight.com  Mon Jul 26 10:26:47 2004
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From: Greg House <ghunicycle@yahoo.com>
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Check with Alto Music, they used to have good prices on EDPs. I bought a Repeater
from them a few years ago and it was a good deal.

Greg


--- Travis Hartnett <tiktok@sprintmail.com> wrote:
> Supply/demand/invisible hand, etc.
> 
> TravisH
> 
> On Jul 25, 2004, at 3:39 PM, 
> Loopers-Delight-d-request@loopers-delight.com wrote:
> 
> > From: "L. Angulo" <labalou2000@yahoo.com>
> > Date: July 25, 2004 2:54:29 PM PDT
> > To: Loopers-Delight@loopers-delight.com
> > Subject: Musicians friend Price politics
> >
> >
> > Whats up with this guys they set their items at a
> > certain price and they jack it up when they know you a
> > lot of us want it! They had  the EDP for 799.00 and
> > now it has gone up 200.00dlls up! this doesn“t sound
> > like a "musicians friend"!
> > L.a
> >
> > =====
> > www.luis-angulo.com
> >
> 



		
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From: Greg House <ghunicycle@yahoo.com>
Subject: Re: Musicians friend Price politics
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--- Optimus Rob <rasimon@indiana.edu> wrote:
> Amen.  They pulled the same thing with the lap steel guitar a couple 
> weeks ago -- their catalog stinks anyway. 

Not to be a defender of MF, but that lap steel regularly goes on and off special.
The $99 price is their regular price for the thing. It'd been on special and the
special was over. What's the big deal? Can't they offer a sale price on something
and then take it off at some point? Someone here conjectured that it was somehow
automated, based on demand, which sounds ridiculous to me. It's printed in their
paper catalog too.

> I've had some good 
> experiences with American Musical (though returns/exchanges take 
> forever), but have really enjoyed buying from Novamusik.com.  

The above said, I've bought quite a bit more stuff from American Musical Supply
then Musician's Friend. AMS' price is usually better (although you should
compare) and my experiences with them over the years have been very good. Full
Compass is also a favorite. Good prices, excellent service.

Greg


	
		
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From Loopers-Delight-request@loopers-delight.com  Mon Jul 26 10:37:39 2004
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From: bruce tovsky <bruce@skeletonhome.com>
Subject: Re: terry riley's organ, Hammond looping
Date: Mon, 26 Jul 2004 10:34:44 -0400
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and the yamaha allowed him to tune it to just intonation.
i love his early live sax and organ tape loop pieces, a la
"poppy nogood" and "persian surgery dervishes."
cheers
bruce

On Jul 26, 2004, at 5:43 AM, Stephen Parsick wrote:

> according to Bob Moog in an article by Freff, Riley used a Farfisa 
> when "In
> C" was presented along with "Switched-On Bach" at a press luncheon.
> According to Peter Forrest, Riley later used a Yamaha YC-45D. An 
> outstanding
> organ, indeed, and most un-organish in many respects. I use a YC-30 
> (the
> single manual version) for looping and processing (like Eno did, too).
>
> Stephen.
>
>
>> what organ did Riley use with his Time Lag Accumulator? was it a
>> Hammond, Lowrey, Wurlitzer, or other? if it was a Hammond, does anyone
>> know what model it was?
>>
>> i'm curious because i've finally started to loop my Hammond and i'm
>> interested in precedents in Hammond looping. the only one I have on
>> record is a Jimmy McGriff vs Groove Holmes concert which Jimmy does
>> some textural looping on the Hammond (into a tape echo) on a slow 
>> blues
>> ("Talk To Me" on Giants Of The Jazz Organ Live). funny  ... i always
>> assumed it was Groove that did that because he used an Echoplex quite
>> often in the 70s, but close listening last month showed me it was
>> actually Jimmy, who never used _any_ effects on his organ.
>>
>> if anyone else knows any loopists who use a Hammond, let me know.
>>
>> btw, i've been looping for 8 years and playing organ for 6 and i've
>> NEVER looped the Hammond. don't know why i haven't, other than i
>> usually play bass. Travis H said he was interested in hearing some
>> Hammond looping, so i wired my organ into a crossover so i could play
>> bass and loop my right hand stuff.
>>
>> then i had to plug in the Dan-O-Wah, and the Echo Pro, then i had to 
>> go
>> buy a solid state leslie ...
>>
>> ... now i sound nothing like i did last week.
>>
>> for those interested, i will post recordings soon of this crazy stuff.
>> the Hammond can sound remarkably digital if you do certain things with
>> it.
>> ---
>> Eric Williamson
>> www.suitandtieguy.com
>>
>
> -- 
> "Der Mensch ist eine Krankheit, das Geschwür dieses Planeten, ihr seid
> wie die Pest. Und wir sind die Heilung." (Agent Smith / Matrix)
>
> "Human beings are a desease, the cancer of this planet, you“re a
> plague. And we are the cure." (Agent Smith / Matrix)
>
> Visit the official [“ramp] website at www.nodular.de
>
> Coming soon: www.doombient.com
>
> 250 MB Mailbox, 100 FreeSMS/Monat, 1000 MB Online-Festplatte
> Jetzt GMX TopMail kostenlos testen http://www.gmx.net/de/go/topmail
>
>
>
bruce tovsky
www.skeletonhome.com

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I'd have to agree regarding the lap steel.

The EDP is a different matter, I think.  I think they've taken advantage of
the shortage.  Their many backorders informed them of the demand, and the
scarcity of the product informed them of a "reasonable" asking price.  I'm
sure they poke around eBay on occasion to see which way the wind is blowing.
(E.g., the Repeater's top dollar selling price.)

I've been a long time Musician's Friend customer, and I've never ever had a
complaint about them.  I like them a lot.  However... the sudden jump in EDP
& EFC7 prices was a shock.  Especially knowing that the EDP is in such short
supply... with a big question mark hanging over it, no less.  The price hike
just looks too obvious to ignore.


-----Original Message-----
From: Greg House [mailto:ghunicycle@yahoo.com]
Sent: Monday, July 26, 2004 10:23 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Musicians friend Price politics

--- Optimus Rob <rasimon@indiana.edu> wrote:
> Amen.  They pulled the same thing with the lap steel guitar a couple
> weeks ago -- their catalog stinks anyway.

Not to be a defender of MF, but that lap steel regularly goes on and off
special.
The $99 price is their regular price for the thing. It'd been on special and
the
special was over. What's the big deal? Can't they offer a sale price on
something
and then take it off at some point? Someone here conjectured that it was
somehow
automated, based on demand, which sounds ridiculous to me. It's printed in
their
paper catalog too.

> I've had some good
> experiences with American Musical (though returns/exchanges take
> forever), but have really enjoyed buying from Novamusik.com.

The above said, I've bought quite a bit more stuff from American Musical
Supply
then Musician's Friend. AMS' price is usually better (although you should
compare) and my experiences with them over the years have been very good.
Full
Compass is also a favorite. Good prices, excellent service.

Greg




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From Loopers-Delight-request@loopers-delight.com  Mon Jul 26 11:11:54 2004
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From: Travis Hartnett <tiktok@sprintmail.com>
Subject: Re: Musicians friend Price politics
Date: Mon, 26 Jul 2004 08:08:06 -0700
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I like cheap gear as much as anyone, but if the supply on an item stays 
low to non-existent for a long time while demand goes way up, then I'm 
not surprised that eventually price goes up.  If you don't like the MF 
price, go buy it from somewhere else--if you can find someone who has 
them in stock.  I've had a standing order at Alto (they always beat 
everyone's price that I've checked, but you have to call or email them) 
for months and months, they still haven't got one to sell me, but 
apparently MF does (in theory--we've seen a disparity between their 
catalog and warehouse many times before).  It's just unusual that there 
be one product in a mass-distributed catalog that has this combination 
of supply/demand, but sometimes it happens.

If Gibson would make more of them consistently available, we probably 
wouldn't see this problem, although I wouldn't rule out a price hike 
given their jaw-dropping guitar prices.

TravisH

On Jul 26, 2004, at 7:37 AM, 
Loopers-Delight-d-request@loopers-delight.com wrote:

>
>
>
>> Supply/demand/invisible hand, etc.
>>
>> TravisH
>>
>
> More accurately:
>
> artificial price inflation generated from web traffic / unaware 
> consumers trusting prices not to constantly jump / deceptive business 
> practices that are not practiced by their more reputable competitors, 
> etc.
>
> Get Optimized,
> Rob

From Loopers-Delight-request@loopers-delight.com  Mon Jul 26 11:21:05 2004
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From: Optimus Rob <rasimon@indiana.edu>
Subject: Dishonest price modification
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Apologies for the directness of this reply, but the record needs to be 
set straight.  This was not a simple matter of a sale ending.  
Musician's Friend uses page-specific hit counts from their web traffic 
to adjust their prices -- something other reputable online retailers do 
not -- fact (read below).  I think you'll be surprised to find this 
type of price control is finding its way into more and more sites.  
Hate to give good people bad news...


> Not to be a defender of MF, but that lap steel regularly goes on and 
> off special.
Possibly so, but I tracked the prices over a 2 day period and saw 3 
fluctuations -- fact.

> What's the big deal?
The big deal is that multiple forum members witnessed the multiple, 
daily price fluctuations and that those fluctuations occurred after an 
extended discussion in this forum on lap steel guitars that promoted 
the low prices on MF's site.

>  Can't they offer a sale price on something
> and then take it off at some point?
Of course, and again this should not occur multiple times with a 2 day 
period.

> Someone here conjectured that it was somehow
> automated, based on demand, which sounds ridiculous to me.
Well, I apologize for being the bearer of bad news, but I took the time 
to research the matter before posting a message on the forum and called 
MF to speak with a sales representative who confirmed that, "prices do 
change on the site" and who freely admitted that he didn't "know what 
caused the price increases and decreases -- just that they existed."  
Furthermore, he openly said he, "had encountered this before" and 
thought "the prices should go back down at some point."

If you're still skeptical, feel free to call MF and verify.  Again, 
apologies for seeming a bit direct, but this is important because it 
affects many members of this forum who need to be aware if a 
distributor is acting in a dishonest fashion.

Get Optimized,
Rob
......................................................
Just Released 7/15 - myTunes
An Hour of 3 minute Ambient voyages
Available at http://www.optimusrob.com
_________________________________________________
--Apple-Mail-1-878700673
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	charset=US-ASCII

Apologies for the directness of this reply, but the record needs to be
set straight.  This was not a simple matter of a sale ending. 
Musician's Friend uses page-specific hit counts from their web traffic
to adjust their prices -- something other reputable online retailers
do not -- fact (read below).  I think you'll be surprised to find this
type of price control is finding its way into more and more sites. 
Hate to give good people bad news...



<excerpt>Not to be a defender of MF, but that lap steel regularly goes
on and off special.

</excerpt>Possibly so, but I tracked the prices over a 2 day period
and saw 3 fluctuations -- fact.


<excerpt>What's the big deal?

</excerpt>The big deal is that multiple forum members witnessed the
multiple, daily price fluctuations and that those fluctuations
occurred after an extended discussion in this forum on lap steel
guitars that promoted the low prices on MF's site.


<excerpt> Can't they offer a sale price on something

and then take it off at some point? 

</excerpt>Of course, and again this should not occur multiple times
with a 2 day period.


<excerpt>Someone here conjectured that it was somehow

automated, based on demand, which sounds ridiculous to me. 

</excerpt>Well, I apologize for being the bearer of bad news, but I
took the time to research the matter before posting a message on the
forum and called MF to speak with a sales representative who confirmed
that, "prices do change on the site" and who freely admitted that he
didn't "know what caused the price increases and decreases -- just
that they existed."  Furthermore, he openly said he, "had encountered
this before" and thought "the prices should go back down at some
point."  


If you're still skeptical, feel free to call MF and verify.  Again,
apologies for seeming a bit direct, but this is important because it
affects many members of this forum who need to be aware if a
distributor is acting in a dishonest fashion.  


<fontfamily><param>Papyrus</param><color><param>4645,6D6C,C6C5</param><bigger>Get
Optimized</bigger></color></fontfamily><bigger>,</bigger><fontfamily><param>Lucida Grande</param>

Rob</fontfamily>   

<fontfamily><param>Papyrus</param><color><param>4F4E,7B7A,E0DF</param><x-tad-bigger>...................................................... 

Just Released 7/15 - myTunes

An Hour of 3 minute Ambient voyages

Available at http://www.optimusrob.com

_________________________________________________</x-tad-bigger></color></fontfamily>
--Apple-Mail-1-878700673--

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Subject: reasons for unsuscribing
Date: Mon, 26 Jul 2004 12:27:55 -0400
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Hi Kim,
I will have to look at posts online...
I got hit by something two days ago which crippled my Outlook Express.
So I have to totally restore my folders.
Rem

~=~ -:- ~=~ -:- 
Remy Chevalier
Environmental Library Fund
25 Newtown Turnpike
Weston, CT 06883
203-227-2065
http://www.remyc.com
http://www.bigigloo.com
http://www.projectlu.com
http://www.electrisun.com
http://www.greenburbs.com
http://www.endsecrecy.com
http://www.hempprotein.com
http://www.electrifyingtimes.com
~=~ -:- ~=~ -:- ~=~ -:- ~=~ -:-

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From: msottilaro <sine@zerocrossing.net>
Subject: Re: Musicians friend Price politics
Date: Mon, 26 Jul 2004 09:37:58 -0700
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Wow, supply and demand effecting the price of something?  Weird.  Is 
this a BIZARRO universe?

Mark

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At 12:14 AM 7/26/2004, Mark Hamburg wrote:

>I have had good experiences with:
>
>American Musical -- Various items. When I had a manual get water damaged 
>in transit, they rapidly sent me a new one. There's a theory that AMS = 
>zzounds.
>
>Nova Musik -- Great guys. I got my Microwave XT from them and would 
>happily do business with them again.
>
>Alto Music -- 2 EDPs and both transactions went smoothly.

I've bought more stuff mail order than I care to think about.  To the list 
above, I'd add:

Sweetwater -- Anytime I need any sort of Sales input (which ain't often), I 
turn to these guys.  Local store interaction from a mail order 
vendor.  Good service, good prices.

Sam Ash -- Something about these guys always set off my "scam 
radar".  Actually, that started after having visited one of their NYC 
stores, and getting bad vibes.  However, I've ordered stuff for way cheap 
from their "blowouts" page (has a different selection than most of the 
other online vendors) and never had a problem.  So, I guess I can't 
complain about success.

Of course, Zzounds has been mentioned a couple times.  And I've gotten some 
blowouts from Music123, but I've never used them regularly.

One other thing to mention here: every mail order dealer from which I've 
ordered will do a price match, as long as you can show it to them cheaper 
elsewhere (yes, that includes Musician's Fiend).  I regularly call up 
Sweetwater and ask them to match a competitor's price.  The only 
repercussion I've ever found is that "free shipping" usually only applies 
to the advertised price.  Big deal.

For items where the price seemed to match across all sites, I've even gone 
to vendors and told them I'd place my order with them if they beat the 
advertised price (including shipping) by $10.  It's more a gesture that 
they're willing to work with me than anything else.  However, I've never 
had anyone tell me no.  Just spend a few minutes on the web or Froogle, and 
you'll be able to find the rock bottom figure to take to them.

The point is: negotiate.  Nothing is ever set in stone.  The worst that 
will happen is that they'll refuse, and either you pay the listed price 
(just as you would have otherwise) or you go to a different vendor and get 
the price you want.  At best, you'll end up with a primary vendor who -- 
like Sweetwater, Nova, or Alto -- gives you valuable service and advice, as 
well as the cheapest available prices.

         --m.

_____
"i want to reach my hand into the dark and *feel* what reaches back"
                                                 -recoil

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At 00:45 25/07/04, you wrote:
>Can someone SIMPLY explain me stutter mode?

Andre LaFosse, check out his edp pages.

http://www.altruistmusic.com/EDP/

as he left this list, you're stuck with my
incomprehensible ramblings.

When we discovered the EDP stutter effect during
Beta testing, Andre was the guy who convinced
Matthias Grob to make a mode for it.
(...yeah, I tried of course)


>  Ive read the manual... tried loads of stuff.. and just DONT get it!!! 
> REALLY cant hear a difference! I suspect that its MAY have something to 
> do with ... not using a pedal for feedback yet...

have to set InsertMode=Ins,
(or use midi Insert button)

If you don't know all about Insert, then
first you need to get that sorted.

Then, to get the idea, go to your EDP

Its easy to get if you make a short loop,
then Multiply it to a longer one,
...and make sure you overdub enough so
that each short cycle is different

...having done that....

In StutterMode when you hit  Insert you hear
the next cycle (which is now a fraction of the whole loop) repeat over and 
over.

so if the cycle length (which is the length of the original loop before 
Multiplying)
is short enough you get that "classic" Stu-Stu-Stu" effect.

...NOW...
you have 2 options

a) press Insert again,  and then the stutters are Inserted into the loop

b) press Undo, and the loop continues as if the Stutter Insert hadn't occurred.


It's also possible to do Insert followed by Record,
(or use InsertMode=SUS)
this can be used with a loop that hasn't been Multiplied
to create repetitions within the cycle.
(in this case, option b above is not useful, as you wouldn't hear
any difference)

Main thing is to set up the EDP right and try out what happens,
then you'll soon get it





>
>(related Q.. can I use a midi pedal for feedback or MUST it be pugged in 
>at the back??

Yes, but plugging the pedal in the back gives you
some stuff that MIDI won't


>I have the FCB1010 and them 2 pedals (however that would however mean 
>programming it on EVERY pedal... growwwn!! ))

worth it , and doesn't take too long once
you get going

>
>Mark

enjoy,

andy butler  

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From: Optimus Rob <rasimon@indiana.edu>
Subject: Re: Musicians friend Price politics
Date: Mon, 26 Jul 2004 13:10:33 -0500
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> Wow, supply and demand effecting the price of something?  Weird.  Is 
> this a BIZARRO universe?
>
> Mark

Apparently so.

Get Optimized,
Rob
......................................................
Just Released 7/15 - myTunes
An Hour of 3 minute Ambient voyages
Available at http://www.optimusrob.com
_________________________________________________

--Apple-Mail-2-889083817
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<excerpt>Wow, supply and demand effecting the price of something? 
Weird.  Is this a BIZARRO universe?


Mark

</excerpt>

Apparently so.


<fontfamily><param>Papyrus</param><color><param>4645,6D6C,C6C5</param><bigger>Get
Optimized</bigger></color></fontfamily><bigger>,</bigger><fontfamily><param>Lucida Grande</param>

Rob</fontfamily>   

<fontfamily><param>Papyrus</param><color><param>4F4E,7B7A,E0DF</param><x-tad-bigger>...................................................... 

Just Released 7/15 - myTunes

An Hour of 3 minute Ambient voyages

Available at http://www.optimusrob.com

_________________________________________________</x-tad-bigger></color></fontfamily>


--Apple-Mail-2-889083817--

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From: Suit & Tie Guy <erwill@suitandtieguy.com>
Subject: Re: Musicians friend Price politics
Date: Mon, 26 Jul 2004 15:57:54 -0500
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On Jul 26, 2004, at 11:37 AM, msottilaro wrote:
> Wow, supply and demand effecting the price of something?  Weird.  Is 
> this a BIZARRO universe?

this is not an issue of the pure capitalist ideal of supply and demand, 
because of the fishy circumstances of the lack of supply.

---
Eric Williamson
www.suitandtieguy.com

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From: Suit & Tie Guy <erwill@suitandtieguy.com>
Subject: Re: Musicians friend Price politics
Date: Mon, 26 Jul 2004 16:02:54 -0500
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On Jul 26, 2004, at 10:08 AM, Travis Hartnett wrote:
> If Gibson would make more of them consistently available, we probably 
> wouldn't see this problem, although I wouldn't rule out a price hike 
> given their jaw-dropping guitar prices.

OPEN LETTER TO HENRY JUSCIEWICZ:

What the looping world needs right now is a $1400 dollar monophonic 
41kHz looper. If anyone can make that a reality, I know you can.

Maybe if you added a GMICS port you could get it up to $2000.

your pal,
Suit & Tie Guy









---
Eric Williamson
www.suitandtieguy.com

From Loopers-Delight-request@loopers-delight.com  Mon Jul 26 17:05:47 2004
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From: Suit & Tie Guy <erwill@suitandtieguy.com>
Subject: Re: terry riley's organ, Hammond looping
Date: Mon, 26 Jul 2004 16:03:01 -0500
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On Jul 26, 2004, at 4:43 AM, Stephen Parsick wrote:
> according to Bob Moog in an article by Freff, Riley used a Farfisa 
> when "In
> ....
> According to Peter Forrest, Riley later used a Yamaha YC-45D. An 
> outstanding
> organ, indeed, and most un-organish in many respects. I use a YC-30 
> (the
> single manual version) for looping and processing (like Eno did, too).

so there are no precedents for actual Hammond tonewheel organ looping?

btw, the YC-45 is used by a married couple/indie rock band called Mates 
Of State to great effect. she sings and plays bass/keys on the Yamaha, 
and he plays drums. good show.
---
Eric Williamson
www.suitandtieguy.com

From Loopers-Delight-request@loopers-delight.com  Mon Jul 26 17:20:34 2004
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I agree.

Msottilaro was just yanking the poster's chain when he responded (I laughed
when I read it).  He's right; nobody should be shocked by capitalism in a
capitalist society! ;)))

On the other hand you're right too.  Folks on the Looper's Delight list are
slightly more informed than the general pub regarding EDP availability and
issues surrounding its scarcity.  The $200 hike just smells to high heaven.

But who am I to talk?  I just willingly paid a big wad of moo for an EMU
MP-7 from an online retailer.  I knew full well that the higher-than-normal
tag was because they knew they were sitting on the last several of these (in
A-stock).  So my "shock" regarding the EDP hike is a bit misplaced if not
self-righteous.  But still rubs me the wrong way.


-----Original Message-----
From: Suit & Tie Guy [mailto:erwill@suitandtieguy.com]
Sent: Monday, July 26, 2004 4:58 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Musicians friend Price politics

On Jul 26, 2004, at 11:37 AM, msottilaro wrote:
> Wow, supply and demand effecting the price of something?  Weird.  Is
> this a BIZARRO universe?

this is not an issue of the pure capitalist ideal of supply and demand,
because of the fishy circumstances of the lack of supply.

---
Eric Williamson
www.suitandtieguy.com

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I don't think that there is any doubt that supply and demand is an explanation of the price hike. On the other hand, if you think about it, responding to the 'law' of supply and demand with outrageously high prices isn't necessarily ethical. In this case, prices 'in general' weren't going up - one store raised their prices voluntarily because they thought people would pay it if they needed this piece of equipment. Somewhat analogous, I think, to someone in a disaster zone selling a container of water for $25. Supply and demand, yes, but not ethical.

-------------- Original message -------------- 

> I agree. 
> 
> Msottilaro was just yanking the poster's chain when he responded (I laughed 
> when I read it). He's right; nobody should be shocked by capitalism in a 
> capitalist society! ;))) 
> 
> On the other hand you're right too. Folks on the Looper's Delight list are 
> slightly more informed than the general pub regarding EDP availability and 
> issues surrounding its scarcity. The $200 hike just smells to high heaven. 
> 
> But who am I to talk? I just willingly paid a big wad of moo for an EMU 
> MP-7 from an online retailer. I knew full well that the higher-than-normal 
> tag was because they knew they were sitting on the last several of these (in 
> A-stock). So my "shock" regarding the EDP hike is a bit misplaced if not 
> self-righteous. But still rubs me the wrong way. 
> 
> 
> -----Original Message----- 
> From: Suit & Tie Guy [mailto:erwill@suitandtieguy.com] 
> Sent: Monday, July 26, 2004 4:58 PM 
> To: Loopers-Delight@loopers-delight.com 
> Subject: Re: Musicians friend Price politics 
> 
> On Jul 26, 2004, at 11:37 AM, msottilaro wrote: 
> > Wow, supply and demand effecting the price of something? Weird. Is 
> > this a BIZARRO universe? 
> 
> this is not an issue of the pure capitalist ideal of supply and demand, 
> because of the fishy circumstances of the lack of supply. 
> 
> --- 
> Eric Williamson 
> www.suitandtieguy.com 
> 
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<html><body>
I don't think that there is any doubt that supply and demand is an explanation of the price hike. On the other hand, if you think about it, responding to the 'law' of supply and demand with outrageously high prices isn't necessarily ethical. In this case, prices 'in general' weren't going up - one store raised their prices voluntarily because they thought people would pay it if they needed this piece of equipment. Somewhat analogous, I think, to someone in a disaster zone selling a container of water for $25. Supply and demand, yes, but not ethical.<BR>
<BLOCKQUOTE style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">-------------- Original message -------------- <BR><BR>&gt; I agree. <BR>&gt; <BR>&gt; Msottilaro was just yanking the poster's chain when he responded (I laughed <BR>&gt; when I read it). He's right; nobody should be shocked by capitalism in a <BR>&gt; capitalist society! ;))) <BR>&gt; <BR>&gt; On the other hand you're right too. Folks on the Looper's Delight list are <BR>&gt; slightly more informed than the general pub regarding EDP availability and <BR>&gt; issues surrounding its scarcity. The $200 hike just smells to high heaven. <BR>&gt; <BR>&gt; But who am I to talk? I just willingly paid a big wad of moo for an EMU <BR>&gt; MP-7 from an online retailer. I knew full well that the higher-than-normal <BR>&gt; tag was because they knew they were sitting on the last several of these (in <BR>&gt; A-stock). So my "shock" regarding the EDP hike is a bit misplaced if not <BR>&gt; self-righteous. But still rubs me the wrong way. <BR>&gt; <BR>&gt; <BR>&gt; -----Original Message----- <BR>&gt; From: Suit &amp; Tie Guy [mailto:erwill@suitandtieguy.com] <BR>&gt; Sent: Monday, July 26, 2004 4:58 PM <BR>&gt; To: Loopers-Delight@loopers-delight.com <BR>&gt; Subject: Re: Musicians friend Price politics <BR>&gt; <BR>&gt; On Jul 26, 2004, at 11:37 AM, msottilaro wrote: <BR>&gt; &gt; Wow, supply and demand effecting the price of something? Weird. Is <BR>&gt; &gt; this a BIZARRO universe? <BR>&gt; <BR>&gt; this is not an issue of the pure capitalist ideal of supply and demand, <BR>&gt; because of the fishy circumstances of the lack of supply. <BR>&gt; <BR>&gt; --- <BR>&gt; Eric Williamson <BR>&gt; www.suitandtieguy.com <BR>&gt; </BLOCKQUOTE></body></html>

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From Loopers-Delight-request@loopers-delight.com  Mon Jul 26 17:44:02 2004
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Subject: EDP + EFC7 sold!
Date: Mon, 26 Jul 2004 17:36:31 -0400
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Just a quick update:

The EDP & EFC7 deal I offered went to a Loopers Delight list member today.
Happy EDPing!  :)

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<p class=3DMsoNormal><span class=3DEmailStyle15><font size=3D2 =
color=3Dblack
face=3DArial><span =
style=3D'font-size:10.0pt;mso-bidi-font-size:12.0pt;font-family:
Arial'>Just a quick update:<o:p></o:p></span></font></span></p>

<p class=3DMsoNormal><span class=3DEmailStyle15><font size=3D2 =
color=3Dblack
face=3DArial><span =
style=3D'font-size:10.0pt;mso-bidi-font-size:12.0pt;font-family:
Arial'><![if =
!supportEmptyParas]>&nbsp;<![endif]><o:p></o:p></span></font></span></p>

<p class=3DMsoNormal><span class=3DEmailStyle15><font size=3D2 =
color=3Dblack
face=3DArial><span =
style=3D'font-size:10.0pt;mso-bidi-font-size:12.0pt;font-family:
Arial'>The EDP &amp; EFC7 deal I offered went to a Looper&#8217;s =
Delight list member
today.<span style=3D"mso-spacerun: yes">&nbsp; </span>Happy EDPing!<span
style=3D"mso-spacerun: yes">&nbsp; =
</span>:)<o:p></o:p></span></font></span></p>

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From Loopers-Delight-request@loopers-delight.com  Mon Jul 26 18:13:04 2004
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Since MF still offers a low-price guarantee, can't everyone just point them to the $799 price at Sweetwater and get the same deal?

Plus, some sales drone confirming that "prices are subject to change" doesn't equate to "company adjusts prices according to page views in a rapid manner".

TravisH


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Well they have the right but, I guess we have the right to say screw you and
hop on over to some other web resource (like ebay or this one or that one
.com) and buy something else hopefully for less or an equivalent price. Lets
face it something like the Artisan or the low end Morrell isn't really worth
much more then $80 bucks hopefully that price includes shipping. 

________________________________

From: implode7@comcast.net [mailto:implode7@comcast.net] 
Sent: Monday, July 26, 2004 5:30 PM
To: Loopers-Delight@loopers-delight.com
Subject: RE: Musicians friend Price politics


I don't think that there is any doubt that supply and demand is an
explanation of the price hike. On the other hand, if you think about it,
responding to the 'law' of supply and demand with outrageously high prices
isn't necessarily ethical. In this case, prices 'in general' weren't going
up - one store raised their prices voluntarily because they thought people
would pay it if they needed this piece of equipment. Somewhat analogous, I
think, to someone in a disaster zone selling a container of water for $25.
Supply and demand, yes, but not ethical.


	-------------- Original message -------------- 
	
	> I agree. 
	> 
	> Msottilaro was just yanking the poster's chain when he responded
(I laughed 
	> when I read it). He's right; nobody should be shocked by
capitalism in a 
	> capitalist society! ;))) 
	> 
	> On the other hand you're right too. Folks on the Looper's Delight
list are 
	> slightly more informed than the general pub regarding EDP
availability and 
	> issues surrounding its scarcity. The $200 hike just smells to high
heaven. 
	> 
	> But who am I to talk? I just willingly paid a big wad of moo for
an EMU 
	> MP-7 from an online retailer. I knew full well that the
higher-than-normal 
	> tag was because they knew they were sitting on the last several of
these (in 
	> A-stock). So my "shock" regarding the EDP hike is a bit misplaced
if not 
	> self-right! eous. But still rubs me the wrong way. 
	> 
	> 
	> -----Original Message----- 
	> From: Suit & Tie Guy [mailto:erwill@suitandtieguy.com] 
	> Sent: Monday, July 26, 2004 4:58 PM 
	> To: Loopers-Delight@loopers-delight.com 
	> Subject: Re: Musicians friend Price politics 
	> 
	> On Jul 26, 2004, at 11:37 AM, msottilaro wrote: 
	> > Wow, supply and demand effecting the price of something? Weird.
Is 
	> > this a BIZARRO universe? 
	> 
	> this is not an issue of the pure capitalist ideal of supply and
demand, 
	> because of the fishy circumstances of the lack of supply. 
	> 
	> --- 
	> Eric Williamson 
	> www.suitandtieguy.com 
	> 


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From: msottilaro <sine@zerocrossing.net>
Subject: Re: Musicians friend Price politics
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Again, only to poke fun...

Why does this surprise anyone in a country where almost 50% of the 
people voted for George Bush?

I totally agree with you all about Musician's Friend, and honestly I 
only use them when something isn't available anywhere else, or they're 
doing a blow out for less than anyone else has.  Other than that 
they're useless.  If I need something quick and I have to go to Guitar 
Center they usually give me a better price if I ask.  More likely than 
not I'm more inclined to use zzounds or ebay.

Mark



On Jul 26, 2004, at 1:57 PM, Suit & Tie Guy wrote:

> On Jul 26, 2004, at 11:37 AM, msottilaro wrote:
>> Wow, supply and demand effecting the price of something?  Weird.  Is 
>> this a BIZARRO universe?
>
> this is not an issue of the pure capitalist ideal of supply and 
> demand, because of the fishy circumstances of the lack of supply.
>
> ---
> Eric Williamson
> www.suitandtieguy.com
>

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From: Mark Hamburg <mark_hamburg@baymoon.com>
Subject: Re: terry riley's organ, Hammond looping
Date: Mon, 26 Jul 2004 08:05:32 -0700
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I've got a cassette lying around somewhere of a somewhat delirious bit 
of looping I did in the mid-80s on a PAiA Organtua into a Digitech RDS 
3600 with percussion coming from a Korg DDM-110 and DDM-220. Very low 
tech compared to using a Hammond.

Terry Riley's In C was also the inspiration for me to "write" a piece 
by writing a series of melodic fragments that I then asked a bass 
playing friend of mine to work through while I was doing droning 
Frippish loops using a Roland GR-500 and the aforementioned RDS 3600 
while the Korgs played a cycle of 2 against cycle of 3 against cycle of 
5 against cycle of 7 thing that was shall we say "interesting" to 
program. The bass player did seem to feel that I made it difficult to 
find the rhythmic center.

Mark

From Loopers-Delight-request@loopers-delight.com  Tue Jul 27 02:31:17 2004
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Date: Mon, 26 Jul 2004 23:30:03 -0700 (PDT)
From: "L. Angulo" <labalou2000@yahoo.com>
Subject: Re: Musicians friend Price politics
To: Loopers-Delight@loopers-delight.com
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Absolutely Mark and i jus got an EDP at sweetwater
music for the normal 799.00 and the guys are very nice
and answer my mails something MF doesn“t even take the
time to do!
Alto Music will have them in a month in stock for
739.00 if you dont mind waiting
I wouldnt mind if they have had the EDP at that high
price from the beginning but jacking up the price
200.00 because they know you want it and is a limited
item at the moment is pure greed, i dont know of any
other store that does this.
dont support greed there is enough of it in the world!
Cheers
L.a




--- msottilaro <sine@zerocrossing.net> wrote:
> Again, only to poke fun...
> 
> Why does this surprise anyone in a country where
> almost 50% of the 
> people voted for George Bush?
> 
> I totally agree with you all about Musician's
> Friend, and honestly I 
> only use them when something isn't available
> anywhere else, or they're 
> doing a blow out for less than anyone else has. 
> Other than that 
> they're useless.  If I need something quick and I
> have to go to Guitar 
> Center they usually give me a better price if I ask.
>  More likely than 
> not I'm more inclined to use zzounds or ebay.
> 
> Mark
> 
> 
> 
> On Jul 26, 2004, at 1:57 PM, Suit & Tie Guy wrote:
> 
> > On Jul 26, 2004, at 11:37 AM, msottilaro wrote:
> >> Wow, supply and demand effecting the price of
> something?  Weird.  Is 
> >> this a BIZARRO universe?
> >
> > this is not an issue of the pure capitalist ideal
> of supply and 
> > demand, because of the fishy circumstances of the
> lack of supply.
> >
> > ---
> > Eric Williamson
> > www.suitandtieguy.com
> >
> 
> 


=====
www.luis-angulo.com


		
__________________________________
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From Loopers-Delight-request@loopers-delight.com  Tue Jul 27 03:28:44 2004
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From: Mark Sottilaro <sine@zerocrossing.net>
Subject: Re: Musicians friend Price politics
Date: Tue, 27 Jul 2004 00:30:02 -0700
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BTW, a good friend and ex-bandmate/looper David Klausner works at 
Sweetwater.  The man is a genius smarts wise and music wise and he's  a 
demon with ________(insert instrument here) and a JamMan.  Many a time 
we shared a MIDI clock and the spoils of our playing.... food credit at 
the ABC Cafe in Ithaca (try the guacamole omelet!)

why he's not on this list is beyond me.

Mark

On Jul 26, 2004, at 11:30 PM, L. Angulo wrote:

> Absolutely Mark and i jus got an EDP at sweetwater
> music for the normal 799.00 and the guys are very nice
> and answer my mails something MF doesn“t even take the
> time to do!

From Loopers-Delight-request@loopers-delight.com  Tue Jul 27 04:13:17 2004
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Still on the subject of Sweetwater...

I agree that they offer great service in many ways, but their prices 
aren't so hot. Maybe they don't give customers better prices on gear 
precisely because they do offer such good service (in other words, 
they have to pay their employees and repair techs good money to keep 
them around...)?? Who knows...

People should also check out Full Compass in Wisconsin. Prices are 
better than Sweetwater and the service is a pretty close second.

Jeff

From Loopers-Delight-request@loopers-delight.com  Tue Jul 27 06:27:26 2004
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Date: Tue, 27 Jul 2004 12:26:57 +0200
To: Loopers-Delight@loopers-delight.com
From: Jair-Rohm <gtc@chello.se>
Subject: OT: open mike?
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High;

Please forgive the divergence. My singer/songwriter/guitarist partner 
and i are looking for an "open mike" or jam session type situation in 
London where we can make some connections for possible gigs in the 
London area. If anyone can suggest any places it would be appreciated.

Also (a bit of gig spam) i'll be doing lots of "Loopadelica" on the 
26th of August with my improvising trio Decision Dream at The 
Playroom 'Chez Stelios', 10 Paddington Street and Nottingham Place, 
London W1U 5QL at 9pm. If you're around, please stop in and say 
'hello'. Just a warning: the music will tend towards the extreme.


-- 
Jair-Rohm Parker Wells
Drone masterpieces and Loopadelica at:
http://www.soundclick.com/bands/6/jairrohmparkerwells.htm

From Loopers-Delight-request@loopers-delight.com  Tue Jul 27 10:37:52 2004
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Subject: Re: Musicians friend Price politics
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The new Musician's Friend catalog has the Boomerang at $50.00 off! (i.e.
$399)

Hehehehe...


----- Original Message -----
From: "Mark Sottilaro" <sine@zerocrossing.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, July 27, 2004 3:30 AM
Subject: Re: Musicians friend Price politics


> BTW, a good friend and ex-bandmate/looper David Klausner works at
> Sweetwater.  The man is a genius smarts wise and music wise and he's  a
> demon with ________(insert instrument here) and a JamMan.  Many a time
> we shared a MIDI clock and the spoils of our playing.... food credit at
> the ABC Cafe in Ithaca (try the guacamole omelet!)
>
> why he's not on this list is beyond me.
>
> Mark
>
> On Jul 26, 2004, at 11:30 PM, L. Angulo wrote:
>
> > Absolutely Mark and i jus got an EDP at sweetwater
> > music for the normal 799.00 and the guys are very nice
> > and answer my mails something MF doesn“t even take the
> > time to do!
>
>


From Loopers-Delight-request@loopers-delight.com  Tue Jul 27 14:01:51 2004
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Date: Tue, 27 Jul 2004 10:59:54 -0700 (PDT)
From: "L. Angulo" <labalou2000@yahoo.com>
Subject: Re: Musicians friend Price politics
To: Loopers-Delight@loopers-delight.com
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Buy it now or else u might pay 5000.00dlls tomorrow;-)



--- Paul <paulrichard10@knology.net> wrote:
> The new Musician's Friend catalog has the Boomerang
> at $50.00 off! (i.e.
> $399)
> 
> Hehehehe...
> 
> 
> ----- Original Message -----
> From: "Mark Sottilaro" <sine@zerocrossing.net>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Tuesday, July 27, 2004 3:30 AM
> Subject: Re: Musicians friend Price politics
> 
> 
> > BTW, a good friend and ex-bandmate/looper David
> Klausner works at
> > Sweetwater.  The man is a genius smarts wise and
> music wise and he's  a
> > demon with ________(insert instrument here) and a
> JamMan.  Many a time
> > we shared a MIDI clock and the spoils of our
> playing.... food credit at
> > the ABC Cafe in Ithaca (try the guacamole omelet!)
> >
> > why he's not on this list is beyond me.
> >
> > Mark
> >
> > On Jul 26, 2004, at 11:30 PM, L. Angulo wrote:
> >
> > > Absolutely Mark and i jus got an EDP at
> sweetwater
> > > music for the normal 799.00 and the guys are
> very nice
> > > and answer my mails something MF doesn“t even
> take the
> > > time to do!
> >
> >
> 
> 
> 


=====
www.luis-angulo.com


		
__________________________________
Do you Yahoo!?
Yahoo! Mail - 50x more storage than other providers!
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Heres one we can all do lets all start testing the theory of MF raising
prices based on number of views of an item. Here's the page to hit please
view it at least 10 times per day over the next two days. Hopefully they are
not subscribed to this list and get wise to what we are doing ;D
http://www.musiciansfriend.com/srs7/sid=040727110554024045188089566579/g=hom
e/search/detail/base_pid/151600/ 

-----Original Message-----
From: L. Angulo [mailto:labalou2000@yahoo.com] 
Sent: Tuesday, July 27, 2004 2:00 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Musicians friend Price politics

Buy it now or else u might pay 5000.00dlls tomorrow;-)



--- Paul <paulrichard10@knology.net> wrote:
> The new Musician's Friend catalog has the Boomerang at $50.00 off! 
> (i.e.
> $399)
> 
> Hehehehe...
> 
> 
> ----- Original Message -----
> From: "Mark Sottilaro" <sine@zerocrossing.net>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Tuesday, July 27, 2004 3:30 AM
> Subject: Re: Musicians friend Price politics
> 
> 
> > BTW, a good friend and ex-bandmate/looper David
> Klausner works at
> > Sweetwater.  The man is a genius smarts wise and
> music wise and he's  a
> > demon with ________(insert instrument here) and a
> JamMan.  Many a time
> > we shared a MIDI clock and the spoils of our
> playing.... food credit at
> > the ABC Cafe in Ithaca (try the guacamole omelet!)
> >
> > why he's not on this list is beyond me.
> >
> > Mark
> >
> > On Jul 26, 2004, at 11:30 PM, L. Angulo wrote:
> >
> > > Absolutely Mark and i jus got an EDP at
> sweetwater
> > > music for the normal 799.00 and the guys are
> very nice
> > > and answer my mails something MF doesn4t even
> take the
> > > time to do!
> >
> >
> 
> 
> 


=====
www.luis-angulo.com


		
__________________________________
Do you Yahoo!?
Yahoo! Mail - 50x more storage than other providers!
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You can get a Boomerang from RKMusic (rkmusicstore.com) for less than 
$350 (make sure to put "save" in the "credit voucher" field) shipped 
priority.



On Tue, 27 Jul 2004 10:59:54 -0700 (PDT), L. Angulo wrote:
> Buy it now or else u might pay 5000.00dlls tomorrow;-)
> 
> 
> 
> --- Paul <paulrichard10@knology.net> wrote:
>>  The new Musician's Friend catalog has the Boomerang
>>  at $50.00 off! (i.e.
>>  $399)
>>  
>>  Hehehehe...
>>  
>>  
>>  ----- Original Message -----
>>  From: "Mark Sottilaro" <sine@zerocrossing.net>
>>  To: <Loopers-Delight@loopers-delight.com>
>>  Sent: Tuesday, July 27, 2004 3:30 AM
>>  Subject: Re: Musicians friend Price politics
>>  
>>  
>>>  BTW, a good friend and ex-bandmate/looper David
>>  Klausner works at
>>>  Sweetwater.  The man is a genius smarts wise and
>>  music wise and he's  a
>>>  demon with ________(insert instrument here) and a
>>  JamMan.  Many a time
>>>  we shared a MIDI clock and the spoils of our
>>  playing.... food credit at
>>>  the ABC Cafe in Ithaca (try the guacamole omelet!)
>>> 
>>>  why he's not on this list is beyond me.
>>> 
>>>  Mark
>>> 
>>>  On Jul 26, 2004, at 11:30 PM, L. Angulo wrote:
>>> 
>>>>  Absolutely Mark and i jus got an EDP at
>>  sweetwater
>>>>  music for the normal 799.00 and the guys are
>>  very nice
>>>>  and answer my mails something MF doesn“t even
>>  take the
>>>>  time to do!
>>> 
>>> 
>>  
>>  
>>  
> 
> 
> =====
> www.luis-angulo.com
> 
> 
> 		
> __________________________________
> Do you Yahoo!?
> Yahoo! Mail - 50x more storage than other providers!
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From Loopers-Delight-request@loopers-delight.com  Tue Jul 27 15:46:28 2004
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Subject: Re: Musicians friend Price politics
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I love a good experiment!  They may be only counting unique visitors so lets
everyone give it hit or two!  current price $399.
Jon

> Heres one we can all do lets all start testing the theory of MF raising
> prices based on number of views of an item. Here's the page to hit please
> view it at least 10 times per day over the next two days. Hopefully they
are
> not subscribed to this list and get wise to what we are doing ;D
>
http://www.musiciansfriend.com/srs7/sid=040727110554024045188089566579/g=hom
> e/search/detail/base_pid/151600/

From Loopers-Delight-request@loopers-delight.com  Tue Jul 27 15:57:29 2004
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From: "Alan Kroeger" <nospam@akroeger.com>
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Subject: RE: Musicians friend Price politics
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Exactly also on at least one visit add it to the shopping cart and then
either let it expire or remove it I bet they track that too. 

-----Original Message-----
From: Jon Wagner [mailto:jondrums@hotmail.com] 
Sent: Tuesday, July 27, 2004 3:39 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Musicians friend Price politics

I love a good experiment!  They may be only counting unique visitors so lets
everyone give it hit or two!  current price $399.
Jon

> Heres one we can all do lets all start testing the theory of MF 
> raising prices based on number of views of an item. Here's the page to 
> hit please view it at least 10 times per day over the next two days. 
> Hopefully they
are
> not subscribed to this list and get wise to what we are doing ;D
>
http://www.musiciansfriend.com/srs7/sid=040727110554024045188089566579/g=hom
> e/search/detail/base_pid/151600/


From Loopers-Delight-request@loopers-delight.com  Tue Jul 27 16:00:44 2004
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From: | SquidLoop | <tentacle_joe@yahoo.com>
Subject: Re: Musicians friend Price politics
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Did I miss something in this thread or was there proof
given that the reson the price went up was because of
web hits?




		
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From Loopers-Delight-request@loopers-delight.com  Tue Jul 27 16:30:53 2004
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Subject: RE: Musicians friend Price politics
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Nope you didn't see anyone prove it yet but, we are (humorously) considering
testing it out. 

-----Original Message-----
From: | SquidLoop | [mailto:tentacle_joe@yahoo.com] 
Sent: Tuesday, July 27, 2004 3:57 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Musicians friend Price politics

Did I miss something in this thread or was there proof given that the reson
the price went up was because of web hits?




		
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From Loopers-Delight-request@loopers-delight.com  Tue Jul 27 16:48:13 2004
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Subject: Re: Musicians friend Price politics
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Your link was so long that it wrapped so some people might not know how to
get to the proper page.

If anyone doesn't know, copy and paste the first line into your web browser
and then do the same with the second line. Make sure the word "home" within
the link looks right.

I'm wondering if it might be better to try this experiment with less of a
specialty item, like a popular guitar, for example. The 'Rang usually
doesn't deviate much from 399.


----- Original Message -----
From: "Alan Kroeger" <nospam@akroeger.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, July 27, 2004 2:09 PM
Subject: RE: Musicians friend Price politics


> Heres one we can all do lets all start testing the theory of MF raising
> prices based on number of views of an item. Here's the page to hit please
> view it at least 10 times per day over the next two days. Hopefully they
are
> not subscribed to this list and get wise to what we are doing ;D
>
http://www.musiciansfriend.com/srs7/sid=040727110554024045188089566579/g=hom
> e/search/detail/base_pid/151600/
>



From Loopers-Delight-request@loopers-delight.com  Tue Jul 27 16:57:43 2004
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Date: Tue, 27 Jul 2004 13:51:04 -0700
From: Daryl <highhorse@mhorse.com>
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This is a multi-part message in MIME format.
--------------080201080102020803060104
Content-Type: text/plain; charset=us-ascii; format=flowed
Content-Transfer-Encoding: 7bit


Here's the same link, in a shorter format:

http://tinyurl.com/6k8dy

Daryl Shawn
highhorse@mhorse.com

**

>Your link was so long that it wrapped so some people might not know how to
>get to the proper page.
>
>If anyone doesn't know, copy and paste the first line into your web browser
>and then do the same with the second line. Make sure the word "home" within
>the link looks right.
>  
>


--------------080201080102020803060104
Content-Type: text/html; charset=us-ascii
Content-Transfer-Encoding: 7bit

<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
  <meta http-equiv="Content-Type" content="text/html;charset=ISO-8859-1">
  <title></title>
</head>
<body text="#000000" bgcolor="#ffffff">
<br>
Here's the same link, in a shorter format:<br>
<br>
<a class="moz-txt-link-freetext" href="http://tinyurl.com/6k8dy">http://tinyurl.com/6k8dy</a><br>
<br>
Daryl Shawn<br>
<a class="moz-txt-link-abbreviated" href="mailto:highhorse@mhorse.com">highhorse@mhorse.com</a><br>
<br>
<b></b>
<blockquote type="cite" cite="mid003601c4741a$ae3299e0$6701a8c0@server">
  <pre wrap="">Your link was so long that it wrapped so some people might not know how to
get to the proper page.

If anyone doesn't know, copy and paste the first line into your web browser
and then do the same with the second line. Make sure the word "home" within
the link looks right.
  </pre>
</blockquote>
<br>
</body>
</html>

--------------080201080102020803060104--

From Loopers-Delight-request@loopers-delight.com  Tue Jul 27 17:25:25 2004
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From: Greg House <ghunicycle@yahoo.com>
Subject: RE: Musicians friend Price politics
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I don't really see ethical issues with utilizing supply and demand on
discretionary items. Pricing a gallon of water at $25 in a disaster zone is
simple usury, taking unfair advantage of people in dire need. However, raising
the price up of an esoteric piece of musical equipment could hardly be considered
unethical in my book. 

They've seen the demand, many people on this list were calling regularly about
their backordered units. It wouldn't surprise me to find that they cut some deal
with Gibson to buy the entire stock, hence removing the competition, before
raising the price so dramatically. Otherwise, why would anyone buy one from them?

All it means is that if you want it, you'll cough up or do without, because it's
in short supply. It's the same deal with a Repeater. I don't think they're worth
$1000, but they sold regularly for that much on Ebay for awhile. It's not worth
that much to me...

Greg


--- Alan Kroeger <nospam@akroeger.com> wrote:

> Well they have the right but, I guess we have the right to say screw you and
> hop on over to some other web resource (like ebay or this one or that one
> .com) and buy something else hopefully for less or an equivalent price. Lets
> face it something like the Artisan or the low end Morrell isn't really worth
> much more then $80 bucks hopefully that price includes shipping. 
> 
> ________________________________
> 
> From: implode7@comcast.net [mailto:implode7@comcast.net] 
> Sent: Monday, July 26, 2004 5:30 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: RE: Musicians friend Price politics
> 
> 
> I don't think that there is any doubt that supply and demand is an
> explanation of the price hike. On the other hand, if you think about it,
> responding to the 'law' of supply and demand with outrageously high prices
> isn't necessarily ethical. In this case, prices 'in general' weren't going
> up - one store raised their prices voluntarily because they thought people
> would pay it if they needed this piece of equipment. Somewhat analogous, I
> think, to someone in a disaster zone selling a container of water for $25.
> Supply and demand, yes, but not ethical.
> 
> 
> 	-------------- Original message -------------- 
> 	
> 	> I agree. 
> 	> 
> 	> Msottilaro was just yanking the poster's chain when he responded
> (I laughed 
> 	> when I read it). He's right; nobody should be shocked by
> capitalism in a 
> 	> capitalist society! ;))) 
> 	> 
> 	> On the other hand you're right too. Folks on the Looper's Delight
> list are 
> 	> slightly more informed than the general pub regarding EDP
> availability and 
> 	> issues surrounding its scarcity. The $200 hike just smells to high
> heaven. 
> 	> 
> 	> But who am I to talk? I just willingly paid a big wad of moo for
> an EMU 
> 	> MP-7 from an online retailer. I knew full well that the
> higher-than-normal 
> 	> tag was because they knew they were sitting on the last several of
> these (in 
> 	> A-stock). So my "shock" regarding the EDP hike is a bit misplaced
> if not 
> 	> self-right! eous. But still rubs me the wrong way. 
> 	> 
> 	> 
> 	> -----Original Message----- 
> 	> From: Suit & Tie Guy [mailto:erwill@suitandtieguy.com] 
> 	> Sent: Monday, July 26, 2004 4:58 PM 
> 	> To: Loopers-Delight@loopers-delight.com 
> 	> Subject: Re: Musicians friend Price politics 
> 	> 
> 	> On Jul 26, 2004, at 11:37 AM, msottilaro wrote: 
> 	> > Wow, supply and demand effecting the price of something? Weird.
> Is 
> 	> > this a BIZARRO universe? 
> 	> 
> 	> this is not an issue of the pure capitalist ideal of supply and
> demand, 
> 	> because of the fishy circumstances of the lack of supply. 
> 	> 
> 	> --- 
> 	> Eric Williamson 
> 	> www.suitandtieguy.com 
> 	> 
> 
> 
> 



		
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Nope!  The MF "same price" deal is something they can decide to stick
with ... or not.  I recently found a $799 price on a Nord G2 Engine
advertised at 8th street music.  The web sitte didn't say whether or not
they were in stock.  I called 8th street - yep, the price was right, no
they weren't in stock, coming in in a week or 10 days. Hmmm.  I placed
an order, and then gave MF (which I think is short for "Mother's Friend"
<g>)  a look.  Advertised at $999.  I gave them a call.  Would they
match the price?  Well ... they'd have to check to see if 8th street had
them in stock.  I kept my mouth shut except to guide the clerk through
the webpages to the 8th street offer.  Well, we'll have to check to see
if they have it in stock.  Can you hang on please?  Five minutes later
he's back on the line, telling me that they can't match that price, that
it's below cost, and that if the price is for-real, that I should grab
it.  No mention of whether it was in stock at 8th street, just, "sorry,
we can't match that price".  Four days later I took delivery from 8th
street!!!!

Elby

>
>
> Since MF still offers a low-price guarantee, can't everyone just point
> them to the $799 price at Sweetwater and get the same deal?
>
> Plus, some sales drone confirming that "prices are subject to change"
> doesn't equate to "company adjusts prices according to page views in a
> rapid manner".
>
> TravisH
>

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Date: Tue, 27 Jul 2004 14:44:24 -0700 (PDT)
From: Greg House <ghunicycle@yahoo.com>
Subject: RE: Musicians friend Price politics
To: Loopers-Delight@loopers-delight.com
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Still $399 for me. I theorized that perhaps that SID had something to do with it,
that's why I left if off mine (so you have to use their search engine to find the
item).

gh


--- Alan Kroeger <nospam@akroeger.com> wrote:

> Heres one we can all do lets all start testing the theory of MF raising
> prices based on number of views of an item. Here's the page to hit please
> view it at least 10 times per day over the next two days. Hopefully they are
> not subscribed to this list and get wise to what we are doing ;D
> http://www.musiciansfriend.com/srs7/sid=040727110554024045188089566579/g=hom
> e/search/detail/base_pid/151600/ 
> 
> -----Original Message-----
> From: L. Angulo [mailto:labalou2000@yahoo.com] 
> Sent: Tuesday, July 27, 2004 2:00 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Musicians friend Price politics
> 
> Buy it now or else u might pay 5000.00dlls tomorrow;-)
> 
> 
> 
> --- Paul <paulrichard10@knology.net> wrote:
> > The new Musician's Friend catalog has the Boomerang at $50.00 off! 
> > (i.e.
> > $399)
> > 
> > Hehehehe...
> > 
> > 
> > ----- Original Message -----
> > From: "Mark Sottilaro" <sine@zerocrossing.net>
> > To: <Loopers-Delight@loopers-delight.com>
> > Sent: Tuesday, July 27, 2004 3:30 AM
> > Subject: Re: Musicians friend Price politics
> > 
> > 
> > > BTW, a good friend and ex-bandmate/looper David
> > Klausner works at
> > > Sweetwater.  The man is a genius smarts wise and
> > music wise and he's  a
> > > demon with ________(insert instrument here) and a
> > JamMan.  Many a time
> > > we shared a MIDI clock and the spoils of our
> > playing.... food credit at
> > > the ABC Cafe in Ithaca (try the guacamole omelet!)
> > >
> > > why he's not on this list is beyond me.
> > >
> > > Mark
> > >
> > > On Jul 26, 2004, at 11:30 PM, L. Angulo wrote:
> > >
> > > > Absolutely Mark and i jus got an EDP at
> > sweetwater
> > > > music for the normal 799.00 and the guys are
> > very nice
> > > > and answer my mails something MF doesn4t even
> > take the
> > > > time to do!
> > >
> > >
> > 
> > 
> > 
> 
> 
> =====
> www.luis-angulo.com
> 
> 
> 		
> __________________________________
> Do you Yahoo!?
> Yahoo! Mail - 50x more storage than other providers!
> http://promotions.yahoo.com/new_mail
> 
> 
> 



	
		
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From: "Krispen Hartung" <info@krispenhartung.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: Signal to Noise: The Journal of Improvised and Experimental Music
Date: Tue, 27 Jul 2004 18:22:39 -0600
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Has anyone done any promotion with the magazine, "Signal to Noise: The
Journal of Improvised and Experimental Music"?

I just purchased a copy, a year subscription, and a 2.25" square ad for
the fall issue. 

It looks like an interesting mag, and it should be a learning experience
because I recognize very few of the artists mentioned in the
publication.

 <http://signaltonoisemagazine.org/> http://signaltonoisemagazine.org/

Too bad there isn't a hardcopy looper's magazine.

Kris

************************************************************************
****
Krispen Hartung
http://www.krispenhartung.com http://artist.amazon.com/krispenhartung
info@krispenhartung.com

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<DIV><FONT size=3D2><FONT face=3DVerdana>Has anyone done any promotion =
with the=20
magazine, "Signal to Noise: The Journal of Improvised and Experimental=20
Music"?<BR><BR>I just purchased a copy, a year subscription, and a 2.25" =
square=20
ad for the fall issue.&nbsp;<BR><BR>It looks like an interesting mag, =
and it=20
should be a learning experience because I recognize very few of the =
artists=20
mentioned in the publication.<BR><BR></FONT><A=20
href=3D"http://signaltonoisemagazine.org/"><FONT=20
face=3DVerdana>http://signaltonoisemagazine.org/</FONT></A><BR><BR><FONT =

face=3DVerdana>Too bad there isn't a&nbsp;hardcopy looper's=20
magazine.<BR><BR>Kris<BR></FONT><BR>*************************************=
***************************************<BR>Krispen=20
Hartung<BR><A=20
href=3D"http://www.krispenhartung.com">http://www.krispenhartung.com</A> =
<A=20
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/krispenhartung</A>&nbsp;=20
<A =
href=3D"mailto:info@krispenhartung.com">info@krispenhartung.com</A></FONT=
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From Loopers-Delight-request@loopers-delight.com  Tue Jul 27 20:34:56 2004
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From: msottilaro <sine@zerocrossing.net>
Subject: Re: Signal to Noise: The Journal of Improvised and Experimental Music
Date: Tue, 27 Jul 2004 17:30:12 -0700
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I'd right an advice column.

Mark

On Jul 27, 2004, at 5:22 PM, Krispen Hartung wrote:

>
>
> Too bad there isn't a hardcopy looper's magazine.
>
> Kris
>

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From: msottilaro <sine@zerocrossing.net>
Subject: Re: Signal to Noise: The Journal of Improvised and Experimental Music
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HAahahahaha

write.  Woops.  Where's my damn editor?


On Jul 27, 2004, at 5:30 PM, msottilaro wrote:

> I'd right an advice column.
>
> Mark
>
> On Jul 27, 2004, at 5:22 PM, Krispen Hartung wrote:
>
>>
>>
>> Too bad there isn't a hardcopy looper's magazine.
>>
>> Kris
>>
>

From Loopers-Delight-request@loopers-delight.com  Tue Jul 27 21:52:26 2004
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From: | SquidLoop | <tentacle_joe@yahoo.com>
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--- Greg House <ghunicycle@yahoo.com> wrote:
 It wouldn't surprise me to
> find that they cut some deal
> with Gibson to buy the entire stock, hence removing
> the competition, before
> raising the price so dramatically. 

Although I doubt this but has anybody considered that
maybe Gibson raised the price of the units causing MF
to raise their prices in the catalog? 




		
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From Loopers-Delight-request@loopers-delight.com  Wed Jul 28 03:45:53 2004
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Yeah, it is a pretty cool magazine and decent to do business with.

	Kevin

--------------------------
Unit Circle Rekkids
http://www.unitcircle.com/
==========================



-----Original Message-----
From: Krispen Hartung [mailto:info@krispenhartung.com]
Sent: Tuesday, July 27, 2004 5:23 PM
To: Loopers-Delight@loopers-delight.com
Subject: Signal to Noise: The Journal of Improvised and Experimental Music


Has anyone done any promotion with the magazine, "Signal to Noise: The
Journal of Improvised and Experimental Music"?

I just purchased a copy, a year subscription, and a 2.25" square ad for the
fall issue.

It looks like an interesting mag, and it should be a learning experience
because I recognize very few of the artists mentioned in the publication.

http://signaltonoisemagazine.org/

Too bad there isn't a hardcopy looper's magazine.

Kris

****************************************************************************
Krispen Hartung
http://www.krispenhartung.com http://artist.amazon.com/krispenhartung
info@krispenhartung.com

From Loopers-Delight-request@loopers-delight.com  Wed Jul 28 03:56:10 2004
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Subject: RE: Musicians friend Price politics
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Maybe the universe lowered its prices while the EDP stayed the same. ;)
It's all relative according to Einstein; we'd never perceive it.  (I bet
Gibson winked... writing-on-the-wall type thing, so your theory sounds
good.)

Musician's Friend's knows which way the wind is blowing re/EDP if anyone.
And nobody's talking about EDPs beyond the as-yet shipped units.  I imagine
EDP sales don't bring in truckloads of cash for Gibson.  I say sell the EDP
division to a non-karaoke company!  ;)  Seems somebody would dig to slapping
their name in front of "Echoplex".  Or change it to the "DigiTech Geckoplex"
or something.

It'll be interesting to see what happens next commercially.  The next cat's
meow... is it Matthias and the rumored Chameleon "Echoplex" skin?  G4s and
Ableton?  Kyma X plus  Capybara plus LCK (plus arms and legs and
firstborns)?


-----Original Message-----
From: | SquidLoop | [mailto:tentacle_joe@yahoo.com]
Sent: Tuesday, July 27, 2004 9:49 PM
To: Loopers-Delight@loopers-delight.com
Subject: RE: Musicians friend Price politics

--- Greg House <ghunicycle@yahoo.com> wrote:
 It wouldn't surprise me to
> find that they cut some deal
> with Gibson to buy the entire stock, hence removing
> the competition, before
> raising the price so dramatically.

Although I doubt this but has anybody considered that
maybe Gibson raised the price of the units causing MF
to raise their prices in the catalog?





__________________________________
Do you Yahoo!?
New and Improved Yahoo! Mail - Send 10MB messages!
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From Loopers-Delight-request@loopers-delight.com  Wed Jul 28 07:13:29 2004
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from my personal archives:-


From: Andre LaFosse <altruist@earthlink.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: granular looping as a sustain pedal?
Message-ID: <3D0D1B9E.DECC69FD@earthlink.net>
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Hi Peter,

Peter Einhorn wrote:
 > Can granular looping be used to imitate a sustain pedal (as the functions
 > name implies] or, even better, a sostenuto pedal?

In the case of the EDP, "sus" generally refers to momentary pedal action
rather than to sustaining an audio event... but these are a few
different approaches you could try...

I have done a few things with SubCycle Multiply in Stutter mode along
these lines, to stretch the length of a note waaaaaaaay out.  It's not a
very transparent effect, but I like it alot.

There's also a SingleCycle Multiply in Stutter mode, which allows
indefinite repetitions of a given cycle within a multi-cycle loop...

...or you could set Switchquant=CNF, and use SUS-Insert or Unrounded
Multiply to copy just a small fragment into the next loop, and have that
one short thing repeat over and over...


Hmmm.

--Andre LaFosse
http://www.altruistmusic.com

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>>percussion coming from a Korg DDM-110 and DDM-220. Very low tech......<<

like a breath of fresh air, in amongst all the "musician's friend" correspondence. (thing I hate most about them is the infuriating pop-ups whenever you go anywhere near any site offering instruments for sale- "you're not my friend", I find myself saying. they probably wouldn't ship to the UK anyway- why isn't it possible to target web advertising by region properly?)

anyway.

I had the same pair of drumboxes back in the late 80s. my 110 had separate outs that I added meself, with no care or attention to filtering out the sampling frequency. so there was this horribly chirruping whistle on all my drum parts from that era.... I loved the sound of them, & the way you could drop them in & out of record/overdub.... sometimes....
I managed to find a 220 recently, but it's just not the same without the 110 aswell.
damn.
e-bay here I come. again.

d.


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<P><FONT SIZE=3D2>&gt;&gt;percussion coming from a Korg DDM-110 and DDM-220=
. Very low tech......&lt;&lt;</FONT>
</P>

<P><FONT SIZE=3D2>like a breath of fresh air, in amongst all the &quot;musi=
cian's friend&quot; correspondence. (thing I hate most about them is the in=
furiating pop-ups whenever you go anywhere near any site offering instrumen=
ts for sale- &quot;you're not my friend&quot;, I find myself saying. they p=
robably wouldn't ship to the UK anyway- why isn't it possible to target web=
 advertising by region properly?)</FONT></P>

<P><FONT SIZE=3D2>anyway.</FONT>
</P>

<P><FONT SIZE=3D2>I had the same pair of drumboxes back in the late 80s. my=
 110 had separate outs that I added meself, with no care or attention to fi=
ltering out the sampling frequency. so there was this horribly chirruping w=
histle on all my drum parts from that era.... I loved the sound of them, &a=
mp; the way you could drop them in &amp; out of record/overdub.... sometime=
s....</FONT></P>

<P><FONT SIZE=3D2>I managed to find a 220 recently, but it's just not the s=
ame without the 110 aswell.</FONT>
<BR><FONT SIZE=3D2>damn.</FONT>
<BR><FONT SIZE=3D2>e-bay here I come. again.</FONT>
</P>

<P><FONT SIZE=3D2>d.</FONT>
</P>

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From Loopers-Delight-request@loopers-delight.com  Wed Jul 28 09:53:34 2004
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From: "Gary Lehmann" <hqr@cox.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: Buying an Echoplex and Firstborns
Date: Wed, 28 Jul 2004 06:46:39 -0700
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Thought I'd weigh in--
I sold one of my two EDPs less than three months ago and so will be
replacing it thru Alto Music when they get theirs.
There are several solidly established American artists using the EDP so I
will be really surprised if Gibson drops them from their production
line--but the chances are greater of it continuing to be available if half
the people who want to experiment with MF's price policies just cut to the
chase and get one from a retailer who has a price they can afford.  Let's
face it, the thing is close to a grand no matter where you buy it.  I didn't
ask at Alto, I just got in line for when they arrive, but I'm sure that with
tax and shipping it will be close to $800.  Where I live that's close to a
grand.  So no one will make them if nobody buys them--shop around and put
your money where your mouth is.
Firstborns are important too--best of luck to Lance!
Gary

-----Original Message-----
From: Lance Zechinato [mailto:LanceZechinato@verizon.net] 
Sent: Wednesday, July 28, 2004 12:55 AM
To: Loopers-Delight@loopers-delight.com
Subject: RE: Musicians friend Price politics

Maybe the universe lowered its prices while the EDP stayed the same. ;) It's
all relative according to Einstein; we'd never perceive it.  (I bet Gibson
winked... writing-on-the-wall type thing, so your theory sounds
good.)

Musician's Friend's knows which way the wind is blowing re/EDP if anyone.
And nobody's talking about EDPs beyond the as-yet shipped units.  I imagine
EDP sales don't bring in truckloads of cash for Gibson.  I say sell the EDP
division to a non-karaoke company!  ;)  Seems somebody would dig to slapping
their name in front of "Echoplex".  Or change it to the "DigiTech Geckoplex"
or something.

It'll be interesting to see what happens next commercially.  The next cat's
meow... is it Matthias and the rumored Chameleon "Echoplex" skin?  G4s and
Ableton?  Kyma X plus  Capybara plus LCK (plus arms and legs and
firstborns)?


-----Original Message-----
From: | SquidLoop | [mailto:tentacle_joe@yahoo.com]
Sent: Tuesday, July 27, 2004 9:49 PM
To: Loopers-Delight@loopers-delight.com
Subject: RE: Musicians friend Price politics

--- Greg House <ghunicycle@yahoo.com> wrote:
 It wouldn't surprise me to
> find that they cut some deal
> with Gibson to buy the entire stock, hence removing the competition, 
> before raising the price so dramatically.

Although I doubt this but has anybody considered that maybe Gibson raised
the price of the units causing MF to raise their prices in the catalog?


From Loopers-Delight-request@loopers-delight.com  Wed Jul 28 10:19:56 2004
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From: Travis Hartnett <tiktok@sprintmail.com>
Subject: RE: Musicians friend Price politics
Date: Wed, 28 Jul 2004 07:16:44 -0700
To: Loopers-Delight@loopers-delight.com
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I wonder if that was below MF's cost?  At $1399 list, that may be the 
case.  It's not reasonable to expect someone to match below cost 
pricing.

TravisH

On Jul 28, 2004, at 6:53 AM, 
Loopers-Delight-d-request@loopers-delight.com wrote:

> From: Mountain Man <mtman@cloud9.net>
> Date: July 27, 2004 2:41:51 PM PDT
> To: Loopers-Delight@loopers-delight.com
> Subject: RE: Musicians friend Price politics
>
>
> Nope!  The MF "same price" deal is something they can decide to stick
> with ... or not.  I recently found a $799 price on a Nord G2 Engine
> advertised at 8th street music.  The web sitte didn't say whether or 
> not
> they were in stock.  I called 8th street - yep, the price was right, no
> they weren't in stock, coming in in a week or 10 days. Hmmm.  I placed
> an order, and then gave MF (which I think is short for "Mother's 
> Friend"
> <g>)  a look.  Advertised at $999.  I gave them a call.  Would they
> match the price?  Well ... they'd have to check to see if 8th street 
> had
> them in stock.  I kept my mouth shut except to guide the clerk through
> the webpages to the 8th street offer.  Well, we'll have to check to see
> if they have it in stock.  Can you hang on please?  Five minutes later
> he's back on the line, telling me that they can't match that price, 
> that
> it's below cost, and that if the price is for-real, that I should grab
> it.  No mention of whether it was in stock at 8th street, just, "sorry,
> we can't match that price".  Four days later I took delivery from 8th
> street!!!!
>

From Loopers-Delight-request@loopers-delight.com  Wed Jul 28 10:20:36 2004
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Date: Wed, 28 Jul 2004 14:58:35 +0100
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with all this talk of MF & the poor-to-none availability of EDP's, I am prompted to write that just the other night, I lost around three hours of my life to a combination of an early 80s white tokai strat, an EH black-finger compressor & a line6 DL4 with expression pedal. I forgot about everything else completely. stopped for just long enough to skin up, but ended up saving the blunt until afterwards.
I wonder if I'll feel the same about the RI- EH 16s that's heading this way....

d. 


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<P><FONT SIZE=3D2>with all this talk of MF &amp; the poor-to-none availabil=
ity of EDP's, I am prompted to write that just the other night, I lost arou=
nd three hours of my life to a combination of an early 80s white tokai stra=
t, an EH black-finger compressor &amp; a line6 DL4 with expression pedal. I=
 forgot about everything else completely. stopped for just long enough to s=
kin up, but ended up saving the blunt until afterwards.</FONT></P>

<P><FONT SIZE=3D2>I wonder if I'll feel the same about the RI- EH 16s that'=
s heading this way....</FONT>
</P>

<P><FONT SIZE=3D2>d. </FONT>
</P>

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From Loopers-Delight-request@loopers-delight.com  Wed Jul 28 10:44:51 2004
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From: "Lance Zechinato" <LanceZechinato@verizon.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Buying an Echoplex and Firstborns
Date: Wed, 28 Jul 2004 10:43:14 -0400
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(The arms and firstborns comment was about Kyma+Capybara+LCK, cuz it's way
out of my price range.  But it's also #1 on my wish list!)

Two days ago I shipped my new/never-unpacked EDP+EFC7 to an LD lister
(congrats!) for exactly what I paid for it, which included my ASCAP
discount.  I bought it from Musician's Friend -- still my favorite online
music retailer, I might add.  But you're right: even at EDP=$759, plus
EFC7=$94, plus max Gold Coverage on both, it was close to a grand.

I just bought a mint Repeater on eBay couple days ago, so you know I'm
chewing on my greens. ;)  I paid what it was worth to me.  To ME.  And
that's really the name of the game, right?  If the EDP got super scarce and
went for $2k, people would buy it.  Because that's what it would be worth to
THEM.

Interestingly, there isn't a single EDP on eBay.  And it's a real rarity to
see a blackface.


-----Original Message-----
From: Gary Lehmann [mailto:hqr@cox.net]
Sent: Wednesday, July 28, 2004 9:47 AM
To: Loopers-Delight@loopers-delight.com
Subject: Buying an Echoplex and Firstborns

Thought I'd weigh in--
I sold one of my two EDPs less than three months ago and so will be
replacing it thru Alto Music when they get theirs.
There are several solidly established American artists using the EDP so I
will be really surprised if Gibson drops them from their production
line--but the chances are greater of it continuing to be available if half
the people who want to experiment with MF's price policies just cut to the
chase and get one from a retailer who has a price they can afford.  Let's
face it, the thing is close to a grand no matter where you buy it.  I didn't
ask at Alto, I just got in line for when they arrive, but I'm sure that with
tax and shipping it will be close to $800.  Where I live that's close to a
grand.  So no one will make them if nobody buys them--shop around and put
your money where your mouth is.
Firstborns are important too--best of luck to Lance!
Gary

-----Original Message-----
From: Lance Zechinato [mailto:LanceZechinato@verizon.net]
Sent: Wednesday, July 28, 2004 12:55 AM
To: Loopers-Delight@loopers-delight.com
Subject: RE: Musicians friend Price politics

Maybe the universe lowered its prices while the EDP stayed the same. ;) It's
all relative according to Einstein; we'd never perceive it.  (I bet Gibson
winked... writing-on-the-wall type thing, so your theory sounds
good.)

Musician's Friend's knows which way the wind is blowing re/EDP if anyone.
And nobody's talking about EDPs beyond the as-yet shipped units.  I imagine
EDP sales don't bring in truckloads of cash for Gibson.  I say sell the EDP
division to a non-karaoke company!  ;)  Seems somebody would dig to slapping
their name in front of "Echoplex".  Or change it to the "DigiTech Geckoplex"
or something.

It'll be interesting to see what happens next commercially.  The next cat's
meow... is it Matthias and the rumored Chameleon "Echoplex" skin?  G4s and
Ableton?  Kyma X plus  Capybara plus LCK (plus arms and legs and
firstborns)?


-----Original Message-----
From: | SquidLoop | [mailto:tentacle_joe@yahoo.com]
Sent: Tuesday, July 27, 2004 9:49 PM
To: Loopers-Delight@loopers-delight.com
Subject: RE: Musicians friend Price politics

--- Greg House <ghunicycle@yahoo.com> wrote:
 It wouldn't surprise me to
> find that they cut some deal
> with Gibson to buy the entire stock, hence removing the competition,
> before raising the price so dramatically.

Although I doubt this but has anybody considered that maybe Gibson raised
the price of the units causing MF to raise their prices in the catalog?

From Loopers-Delight-request@loopers-delight.com  Wed Jul 28 11:16:33 2004
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Subject: FS: Edirol UA-1000 USB 2.0 rack interface
Date: Wed, 28 Jul 2004 10:01:57 -0500
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Hello Loopers!

I want to offer this piece to the list before I bother to go to eBay with
it.  Bought this about 6 months ago, when still exploring a laptop-based
live looping rig.  Given where I'm going now (all hardware, no 'puters),
this doesn't really fit with my setup, and I need to let it go to finance
some other purchases.

Edirol UA-1000 USB 2.0 rack mount audio interface, like new, with all the
goodies (manual, driver CD, power cord, rack screws).  Just don't have the
original box, but it will be *well* packed in a good replacement box.

US$600, PayPal only, which *includes* shipping and insurance anywhere in the
US.  If someone across one of the ponds wants it, email me.

I won't try to cover all that the UA-1000 does in this email.  I'll leave a
few links, in case you don't know about the unit.  Bottom line:

- Rackmount USB 2.0 interface to your computer - that means it can actually
handle all of the 10in/10out connections without choking
- The mic pres on this are really excellent
- Not just a USB audio interface, but a full-featured mixer as well
- This would be a great tool for a live laptop-er with lots of audio sources

Here's a thorough and objective revew from emusician:
http://emusician.com/hardware/emusic_edirolua_win/

Here's the product page at Edirol's site:
http://www.edirol.com/products/info/ua1000.html

This comes with a hardcopy manual, but as usual with most Roland/Edirol
products, I can't find the manual in PDF format online.  If you have a
specific question that's not covered in the links above, just ask (via
private email please!)

Thanks for letting me spam the list!

Doug


From Loopers-Delight-request@loopers-delight.com  Wed Jul 28 11:27:27 2004
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Date: Thu, 29 Jul 2004 00:25:44 +0900
To: Loopers-Delight@loopers-delight.com
From: Sunao Inami <webmaster@cavestudio.com>
Subject: Kobe gig dates fixed
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Hi Loopers,

I got some contacts for the gig from LD members,Thanks.

Gig dates has fixed,

"Looper's Delight J 4th Round"

When:
21th Sunday November 2004
open 18:00 start 19:00

where:
Club Otoya
Kobe,Japan.
http://www.cavestudio.org/otoya


if you have interesting join gig,please mail me.

  Regards

  Sunao Inami
http://www.cavestudio.com


At 2:26 PM +0900 04.7.25, Sunao Inami wrote:
>Hello,
>
>I am planning Looping Festival in Kobe in this November or December.
>We did "Looper's Delight J" live gigs in '98,'01 and '02 in Kobe.
>http://www.cavestudio.com/LD_J
>
>I think "Looper's Delight J" is first looping festival in Japan.
>And we wan to to do the next is in this November or December.
>
>Someone interest this gig?
>We want to meet and unite loopers.
>
>The gig venue is Otoya,they are about 150 people capacity and good PA system.
>Location is Sannomiya where it is center of Kobe.
>http://www.cavestudio.org/otoya
>or
>http://www.h5.dion.ne.jp/~ya_kobe/otoya.html
>
>We want to fix gig dates  by arrange the artists schedules.
>
>Please mail me if you have interest for join the gig.
>
>p.s.
>I released new solo CD,please visit below..
>http://cavestudio.com/electr-ohm/index_E.html
>
>
>  Regards
>
>  Sunao Inami
>http://www.cavestudio.com

From Loopers-Delight-request@loopers-delight.com  Wed Jul 28 12:45:30 2004
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From: Mark Hamburg <mark_hamburg@baymoon.com>
Subject: Re: korg drumboxes (was terry riley's organ)
Date: Wed, 28 Jul 2004 09:40:37 -0700
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On Jul 28, 2004, at 4:21 AM, goddard.duncan@mtvne.com wrote:

> I managed to find a 220 recently, but it's just not the same without 
> the 110 aswell.

I've got my 220 in a box in a closet. I sold my 110 long ago.

If it hadn't crashed so much when receiving MIDI input (I don't think 
it liked MIDI running status), the Korg DDD-1 probably would have been 
my favorite of the drum machines I've owned over the years. Sort of 
wish I hadn't sold it. I'm debating an Electribe of some sort.

Mark

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Subject: RE: korg drumboxes (was terry riley's organ)
Date: Wed, 28 Jul 2004 13:20:16 -0400
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Mark, regarding Electribe keep in mind that the pads are not velocity
sensitive (if you need that).  I needed it.  I didn't realize that most
beatboxes nowadays are not velocity sensitive, which surprised me.  I
returned my mkII the next day, then found an EMU MP-7 online.  I can still
see having an Electribe in the future though, just not as my primary
beatbox.  They're funky wild!

-----Original Message-----
From: Mark Hamburg [mailto:mark_hamburg@baymoon.com]
Sent: Wednesday, July 28, 2004 12:41 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: korg drumboxes (was terry riley's organ)


On Jul 28, 2004, at 4:21 AM, goddard.duncan@mtvne.com wrote:

> I managed to find a 220 recently, but it's just not the same without
> the 110 aswell.

I've got my 220 in a box in a closet. I sold my 110 long ago.

If it hadn't crashed so much when receiving MIDI input (I don't think
it liked MIDI running status), the Korg DDD-1 probably would have been
my favorite of the drum machines I've owned over the years. Sort of
wish I hadn't sold it. I'm debating an Electribe of some sort.

Mark

From Loopers-Delight-request@loopers-delight.com  Wed Jul 28 14:04:15 2004
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Subject: Re: korg drumboxes (was terry riley's organ)
From: todd reynolds <toddreynolds@rcn.com>
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If you want one, i'd be happy to sell you my electribe.

T.

On 7/28/04 12:40 PM, "Mark Hamburg" <mark_hamburg@baymoon.com> wrote:

> 
> On Jul 28, 2004, at 4:21 AM, goddard.duncan@mtvne.com wrote:
> 
>> I managed to find a 220 recently, but it's just not the same without
>> the 110 aswell.
> 
> I've got my 220 in a box in a closet. I sold my 110 long ago.
> 
> If it hadn't crashed so much when receiving MIDI input (I don't think
> it liked MIDI running status), the Korg DDD-1 probably would have been
> my favorite of the drum machines I've owned over the years. Sort of
> wish I hadn't sold it. I'm debating an Electribe of some sort.
> 
> Mark
> 

From Loopers-Delight-request@loopers-delight.com  Wed Jul 28 14:11:53 2004
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--- Lance Zechinato <LanceZechinato@verizon.net>
wrote:
> It'll be interesting to see what happens next
> commercially.  The next cat's
> meow... is it Matthias and the rumored Chameleon
> "Echoplex" skin?  G4s and

For me, an interesting plot twist in the Loop
IV-for-Chameleon storyline is the recent announcement
of the Chameleon MkII:

http://www.soundart-hot.com/english/news1.htm#news35

I recall onboard RAM was one drawback of the
LoopIV-for-Chameleon idea, according to Matthias. 
Presumably this new MkII model will have more RAM as
well as faster DSP(s).

Paolo


	
		
__________________________________
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From Loopers-Delight-request@loopers-delight.com  Wed Jul 28 14:11:58 2004
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Has anyone asked the question, "where are these made?"  They're made in 
England, right?  That kind of means a lot when you have to realize how 
much they pay their labour compared to how much it would cost Gibson to 
have it made in Micronesia.  This translates to spending more money at 
the shoppe.

When I think about the relative pricing of other gear it seems to make 
no sense at all.  Now it's quite commonplace to find stand alone HD 
recording setups with built in preamps and effects, the whole bit, for 
US $1000.  To me that *seems* like a much more complex piece of 
equipment that would have to include many similar components that a 
looper would. (ie: memory, DACs, etc.) Also, it seems like more people 
want a multi track hard disk recorder so the demand would be higher, 
right?  Well, the market is larger which in this case translates to 
higher production and competition.  How do they do it?  VOLUME VOLUME 
VOLUME.  The EDP isn't about that.  It's much more of a boutique item, 
with very limited appeal.  If this were not so, the market would be 
full of similar devices and they'd cost about $200-$400.

The reality of it all is that this is all typing.  Worthless 
speculation.   Until enough people start using looping to make music 
that there is a demand for these devices we'll be subjected to low 
choice and high price.  That is the nature of things.

Mark

On Jul 28, 2004, at 7:43 AM, Lance Zechinato wrote:
>
> I just bought a mint Repeater on eBay couple days ago, so you know I'm
> chewing on my greens. ;)  I paid what it was worth to me.  To ME.  And
> that's really the name of the game, right?  If the EDP got super 
> scarce and
> went for $2k, people would buy it.  Because that's what it would be 
> worth to
> THEM.

From Loopers-Delight-request@loopers-delight.com  Wed Jul 28 14:26:48 2004
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ola kiddies.....yesterday i spend the entire day resetting up my humble 
studio and i tried something different.....my 3 footpedals were always arranged 
left to right: boomerang-digi xp 300-zoom 2100.....that's the way it's always 
been.....well they are now reversed: zoom-digi-rang.....when i tried to play last 
evening it was very nicely weird having to think for a second where the rang 
was, it seemed that that pause made me more aware of what i was actually 
doing.....a basic case of let's break a habit and see what happens.....no doubt a 
simple thing but you might want to try it.....michael
p.s. my old puter died the slow and painful death so i got a new one.....i 
went to the dark side and got a mac.....it came with garage band (fun) and i 
also got some simple recording programs that i am at a complete loss as how to 
use: Peak LE 4 (G4+) and Reason Adapted for M-Audio, there is also Live 
Delta.....i am casting off my LUDDITE attiudes and i am going to learn how to use this 
stuff, i promise!.....if anyone out there can send me some pointers about 
this mission please do so, off line of course.....thanks

--part1_85.11b9ef4e.2e394983_boundary
Content-Type: text/html; charset="US-ASCII"
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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2">ola kiddies.....yesterday i spend the e=
ntire day resetting up my humble studio and i tried something different.....=
my 3 footpedals were always arranged left to right: boomerang-digi xp 300-zo=
om 2100.....that's the way it's always been.....well they are now reversed:=20=
zoom-digi-rang.....when i tried to play last evening it was very nicely weir=
d having to think for a second where the rang was, it seemed that that pause=
 made me more aware of what i was actually doing.....a basic case of let's b=
reak a habit and see what happens.....no doubt a simple thing but you might=20=
want to try it.....michael<BR>
p.s. my old puter died the slow and painful death so i got a new one.....i w=
ent to the dark side and got a mac.....it came with garage band (fun) and i=20=
also got some simple recording programs that i am at a complete loss as how=20=
to use: Peak LE 4 (G4+) and Reason Adapted for M-Audio, there is also Live D=
elta.....i am casting off my LUDDITE attiudes and i am going to learn how to=
 use this stuff, i promise!.....if anyone out there can send me some pointer=
s about this mission please do so, off line of course.....thanks</FONT><FONT=
 COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"></FONT></=
HTML>

--part1_85.11b9ef4e.2e394983_boundary--

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From: msottilaro <sine@zerocrossing.net>
Subject: Re: korg drumboxes (was terry riley's organ)
Date: Wed, 28 Jul 2004 11:24:53 -0700
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The lack of velocity sensitivity was a deal breaker for me too.  Same 
holds true for the Roland stuff.  I ended up with the E-MU XL-7 and I'm 
pretty happy.  While it's not as easy to work with as the Roland stuff 
(I've never owned and electribe) it's a lot more flexible and has a way 
higher capacity for ROM sounds.  Because of it's pads and extra outputs 
I can actually leave a synth home on small gigs and use the XL-7 for 
playing basic synth sounds.

Mark

On Jul 28, 2004, at 10:20 AM, Lance Zechinato wrote:

> Mark, regarding Electribe keep in mind that the pads are not velocity
> sensitive (if you need that).  I needed it.  I didn't realize that most
> beatboxes nowadays are not velocity sensitive, which surprised me.  I
> returned my mkII the next day, then found an EMU MP-7 online.  I can 
> still
> see having an Electribe in the future though, just not as my primary
> beatbox.  They're funky wild!

From Loopers-Delight-request@loopers-delight.com  Wed Jul 28 14:56:26 2004
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Subject: Re: korg drumboxes (was terry riley's organ)
Date: Wed, 28 Jul 2004 14:51:18 -0400
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You can always play/program it with a small velocity sensitive keyboard.

-PG


> Mark, regarding Electribe keep in mind that the pads are not velocity
> sensitive (if you need that).  I needed it.  I didn't realize that most
> beatboxes nowadays are not velocity sensitive, which surprised me.  I
> returned my mkII the next day, then found an EMU MP-7 online.  I can still
> see having an Electribe in the future though, just not as my primary
> beatbox.  They're funky wild!
>

From Loopers-Delight-request@loopers-delight.com  Wed Jul 28 15:02:06 2004
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From: msottilaro <sine@zerocrossing.net>
Subject: Re: looping observation
Date: Wed, 28 Jul 2004 12:00:22 -0700
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On Jul 28, 2004, at 11:25 AM, Nemoguitt@aol.com wrote:
>  p.s. my old puter died the slow and painful death so i got a new 
> one.....i went to the dark side and got a mac.....it came with garage 
> band (fun) and i also got some simple recording programs that i am at 
> a complete loss as how to use: Peak LE 4 (G4+) and Reason Adapted for 
> M-Audio, there is also Live Delta.....

Welcome to the darkside.  I've never used Garageband, but I'm finding 
that using MOTU's Digital Performer 4 with their 828 Firewire interface 
to be a very sweet little setup.  For looping it's got the POLAR module 
which is a single feature (adjustable feedback) away from being a 
Repeater killer.  All in all, it is a useful feature.

> i am casting off my LUDDITE attiudes and i am going to learn how to 
> use this stuff, i promise!.....if anyone out there can send me some 
> pointers about this mission please do so, off line of 
> course.....thanks

I can't go on enough about how I think you made the right choice.  
While there's not as much cool software out for Macintosh OSX, there's 
more all the time and there already is a bunch of cool stuff.  OSX is 
amazingly stable and to me seems a hands down winner in terms of 
useablity compared to Window's XP.  (I have to use both at my job)

Mark

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> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

--MS_Mac_OE_3173861063_144366_MIME_Part
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.michael writ:...
p.s. my old puter died the slow and painful death so i got a new one.....i
went to the dark side and got a mac.....



welcome to the darkside 

--MS_Mac_OE_3173861063_144366_MIME_Part
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<HTML>
<HEAD>
<TITLE>Re: looping observation</TITLE>
</HEAD>
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<BLOCKQUOTE><FONT SIZE=3D"2"><FONT FACE=3D"Geneva">.michael writ:...<BR>
</FONT></FONT></BLOCKQUOTE><FONT SIZE=3D"2"><FONT FACE=3D"Geneva">p.s. my old p=
uter died the slow and painful death so i got a new one.....i went to the da=
rk side and got a mac.....<BR>
<BR>
<BR>
<BR>
welcome to the darkside</FONT></FONT>
</BODY>
</HTML>


--MS_Mac_OE_3173861063_144366_MIME_Part--

From Loopers-Delight-request@loopers-delight.com  Wed Jul 28 15:40:47 2004
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Subject: RE: korg drumboxes (was terry riley's organ)
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So it's velocity sensitive under the hood, just not via the pads.  Cool.
That's good to know.  It's not something mentioned in the online blurbs, and
I suppose you'd only discover it by actually doing it.  Or maybe the manual
mentions it.  The Electribes are heavy on step sequencing, or cater a lot to
that crowd.  So, I could just use my MP-7 as the midi controller, couldn't
I?  Sweet.  I've got one eye on those ESX-1's and that makes them a lot more
appealing now.

You have experience with this, right?  Straight-up velocity sensitivity when
using a midi controller for input?

-----Original Message-----
From: Patrick Grant [mailto:pg@patrickgrant.net]
Sent: Wednesday, July 28, 2004 2:51 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: korg drumboxes (was terry riley's organ)

You can always play/program it with a small velocity sensitive keyboard.

-PG


> Mark, regarding Electribe keep in mind that the pads are not velocity
> sensitive (if you need that).  I needed it.  I didn't realize that most
> beatboxes nowadays are not velocity sensitive, which surprised me.  I
> returned my mkII the next day, then found an EMU MP-7 online.  I can still
> see having an Electribe in the future though, just not as my primary
> beatbox.  They're funky wild!
>

From Loopers-Delight-request@loopers-delight.com  Wed Jul 28 16:03:34 2004
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   I've been a lover of drum machines since owned my first Roland CR-78 =
(the first programmable machine).
What's bothered me is that one gets sick of sounds really quickly.

Consequently,  I think a really good solution is to use something with a =
lot of prgrammability (and shite sounds)
like the tried and true Alesis SR16 which is fairly inexpensive new at =
around $150 and then use a sampler
for the sounds. =20

These days there are a plethora of old, great sounding samplers that are =
16 bit for sale pretty cheap.
It takes a little more work because you have to find sounds, but you are =
always current.

Then everything changed when I got FLStudio producers edition which is =
the best drum machine in all history in my opinion and is a very =
reasonable $149.     It will take any .wav files on your computer but, =
regrettfully takes either a laptop for live playing or,  a cheap =
solution.................burn 10 minute tracks onto CD and use a =
portable CD player at your gig....................you can even loop the =
sounds off the CD for your tracks.
------=_NextPart_000_007D_01C474A2.FF3F02A0
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1400" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#a5fa05>
<DIV><FONT face=3DArial>&nbsp;&nbsp;&nbsp;I've been a lover of drum =
machines since=20
owned my first Roland CR-78 (the first programmable =
machine).</FONT></DIV>
<DIV><FONT face=3DArial>What's bothered me is that one gets sick of =
sounds really=20
quickly.</FONT></DIV>
<DIV><FONT face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial>Consequently,&nbsp; I think a really good =
solution is to=20
use something with a lot of prgrammability (and shite =
sounds)</FONT></DIV>
<DIV><FONT face=3DArial>like the tried and true Alesis SR16 which is =
fairly=20
inexpensive new at around $150 and then use a sampler</FONT></DIV>
<DIV><FONT face=3DArial>for the sounds.&nbsp; </FONT></DIV>
<DIV><FONT face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial>These days there are a plethora of old, great =
sounding=20
samplers that are 16 bit for sale pretty cheap.</FONT></DIV>
<DIV><FONT face=3DArial>It takes a little more work because you have to =
find=20
sounds, but you are always current.</FONT></DIV>
<DIV><FONT face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial>Then everything changed when I got FLStudio =
producers=20
edition which is the best drum machine in all history in my opinion and =
is a=20
very reasonable $149.&nbsp;&nbsp;&nbsp;&nbsp; It will take any .wav =
files on=20
your computer but, regrettfully takes either a laptop for live playing =
or,&nbsp;=20
a cheap solution.................burn 10 minute tracks onto CD and use a =

portable CD player at your gig....................you can even loop the =
sounds=20
off the CD for your tracks.</FONT></DIV></BODY></HTML>

------=_NextPart_000_007D_01C474A2.FF3F02A0--

From Loopers-Delight-request@loopers-delight.com  Wed Jul 28 17:37:08 2004
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Can anyone out in Portland point me towards some suitable venues for acoustic guitar live looping?  You know, coffeehouse type places where I can put out a tip jar and play a couple of sets accompanied by the milk steamer.

Maybe best to reply off list.

Thanks,

TravisH


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> Can anyone out in Portland point me towards some suitable venues for
acoustic guitar live looping?  You know, coffeehouse type places where I
can put out a tip jar and play a couple of sets accompanied by the milk
steamer.

I've heard that referred to as Playing in the Key of Steam

Kevin

How amazing, how amazing!
Hard to comprehend that
Nonsentient beings expound Dharma.
It simply cannot be heard with the ear,
But when sound is heard with the eye,
Then it is understood.
- Tung-shan (807-869)

Sound and Vision:    http://www.minds-eye.org

From Loopers-Delight-request@loopers-delight.com  Wed Jul 28 17:53:04 2004
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 Does anyone know of a program like Acid for MAC OS 9?=0D
 Looking to alter tempo and pitch of existing loops. =0D
=0D
TX!=0D
 =0D
  =0D
  =0D
  =0D
                               SE Help=0D
http://wwwhost.rbn.com/sfelberg/web/system8/Start.smi =0D
          First Eval' Help.....Click Below =0D
http://wwwhost.rbn.com/rninfo/rninfo/web/helix_eval/index.smil =0D
 =0D
          Real Producer Tutorial=0D
http://wwwhost.rbn.com/rninfo/rninfo/web/RealProdTutorial/open/open.smil =
=0D
                =0D
              Encoding Specs (dynamic tool)=0D
http://docs.real.com/docs/kbresources/EncodingFormulas.xls=0D
                           Free Player URL=0D
              http://www.realnetworks.com/info/freeplayer/=0D
                            Enterprise Player Guide    =0D
                http://service.real.com/help/library/guides/rdm/rdmguide.=
htm
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<HTML><HEAD>
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1">
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<BODY style=3D"BACKGROUND-POSITION: 0px 0px; FONT-SIZE: 12pt; MARGIN: 5px=
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yes ORGYPOS=3D"0">
<TABLE id=3DINCREDIMAINTABLE cellSpacing=3D0 cellPadding=3D2 width=3D"100=
%" border=3D0>
<TBODY>
<TR>
<TD id=3DINCREDITEXTREGION style=3D"FONT-SIZE: 12pt; CURSOR: auto; FONT-F=
AMILY: Arial" width=3D"100%">
<DIV>&nbsp;Does anyone know of a program like Acid for MAC OS 9?</DIV>
<DIV>&nbsp;Looking to alter tempo and pitch of existing loops. </DIV>
<DIV>&nbsp;</DIV>
<DIV>TX!</DIV>
<DIV>&nbsp;</DIV>
<DD>
<DIV align=3Dleft>&nbsp; </DIV>
<DD>
<DIV align=3Dleft>&nbsp; </DIV>
<DD>
<DIV align=3Dleft>&nbsp; </DIV>
<DD>
<DIV align=3Dleft>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <FONT color=3D#80000=
0 size=3D5>SE Help</B></FONT><FONT color=3D#0000ff></DIV>
<DD>
<DIV align=3Dleft><A title=3Dhttp://wwwhost.rbn.com/sfelberg/web/system8/=
Start.smi href=3D"http://wwwhost.rbn.com/sfelberg/web/system8/Start.smi" =
target=3D_blank eudora=3D"autourl">http://wwwhost.rbn.com/sfelberg/web/sy=
stem8/Start.smi</A></U></FONT><FONT color=3D#800000 size=3D5> </DIV>
<DD>
<DIV align=3Dleft>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
First Eval' Help.....</FONT><FONT color=3D#800000>Click Below</B></FONT><=
FONT color=3D#0000ff> </DIV>
<DD>
<DIV align=3Dleft><A title=3Dhttp://wwwhost.rbn.com/rninfo/rninfo/web/hel=
ix_eval/index.smil href=3D"http://wwwhost.rbn.com/rninfo/rninfo/web/helix=
_eval/index.smil" target=3D_blank eudora=3D"autourl">http://wwwhost.rbn.c=
om/rninfo/rninfo/web/helix_eval/index.smil</A></U></FONT><FONT color=3D#0=
08000> </FONT></DIV>
<DD>
<DIV align=3Dleft><FONT color=3D#008000></FONT>&nbsp;</DIV><FONT color=3D=
#008000>
<DD>
<DIV align=3Dleft>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
Real Producer Tutorial<FONT color=3D#0000ff></DIV>
<DD>
<DIV align=3Dleft><A title=3Dhttp://wwwhost.rbn.com/rninfo/rninfo/web/hel=
ix_eval/index.smil href=3D"http://wwwhost.rbn.com/rninfo/rninfo/web/RealP=
rodTutorial/open/open.smil" target=3D_blank eudora=3D"autourl">http://www=
host.rbn.com/rninfo/rninfo/web/RealProdTutorial/open/open.smil</A></FONT>=
<FONT color=3D#008000> </FONT></DIV>
<DD>
<DIV align=3Dleft>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </FONT></DIV>
<DD>
<DIV align=3Dleft>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;<FONT color=3D#ff8040>&nbsp;Encoding Specs (dynami=
c tool)</FONT></DIV>
<DD>
<DIV align=3Dleft><STRONG><FONT color=3D#008000><A href=3D"http://docs.re=
al.com/docs/kbresources/EncodingFormulas.xls">http://docs.real.com/docs/k=
bresources/EncodingFormulas.xls</A></FONT></STRONG></DIV>
<DD>
<DIV align=3Dleft><FONT color=3D#008000><STRONG>&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <FONT color=3D=
#400080>Free Player URL</FONT></STRONG></FONT></DIV>
<DD>
<DIV align=3Dleft>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp; &nbsp;<A href=3D"http://www.realnetworks.com/info/freep=
layer/">http://www.realnetworks.com/info/freeplayer/</A></DIV>
<DD>
<DIV align=3Dleft>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
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Sony, take a look at the software-based loopers in the Tools of the Trade
section of Loopers Delight.  Cycling 74 RediaL (
http://www.cycling74.com/products/radial.html) looks like the best fit for
your OS.  Im not familiar with the prices of any of them except Kyma+LCK
(which I think is the ultimate, but pricey).

-----Original Message-----
From: Sony Felberg [mailto:sony@real.com]
Sent: Wednesday, July 28, 2004 5:46 PM
To: Loopers-Delight@loopers-delight.com
Subject: Program like acid for MAC 9?

 Does anyone know of a program like Acid for MAC OS 9?
 Looking to alter tempo and pitch of existing loops.

TX!




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color=3Dnavy face=3DArial><span
style=3D'font-size:10.0pt;mso-bidi-font-size:12.0pt;font-family:Arial'>So=
ny, take
a look at the software-based loopers in the &#8220;Tools of the =
Trade&#8221; section of
Looper&#8217;s Delight.<span style=3D"mso-spacerun: yes">&nbsp; =
</span>Cycling &#8217;74
RediaL (<a =
href=3D"http://www.cycling74.com/products/radial.html">http://www.cycling=
74.com/products/radial.html</a>)
looks like the best fit for your OS.<span style=3D"mso-spacerun: =
yes">&nbsp;
</span>I&#8217;m not familiar with the prices of any of them except =
Kyma+LCK (which I
think is the ultimate, but pricey).</span></font></span><span
class=3DEmailStyle18><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
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ont></span></p>

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[if =
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color=3Dblack
face=3DTahoma><span =
style=3D'font-size:10.0pt;font-family:Tahoma;color:black'>-----Original
Message-----<br>
<b><span style=3D'font-weight:bold'>From:</span></b> Sony Felberg
[mailto:sony@real.com]<br>
<b><span style=3D'font-weight:bold'>Sent:</span></b> Wednesday, July 28, =
2004
5:46 PM<br>
<b><span style=3D'font-weight:bold'>To:</span></b>
Loopers-Delight@loopers-delight.com<br>
<b><span style=3D'font-weight:bold'>Subject:</span></b> Program like =
acid for MAC
9?</span></font></p>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D3 =
face=3D"Times New Roman"><span
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 <tr>
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1.5pt'>
  <p class=3DMsoNormal><font size=3D3 color=3Dblack face=3DArial><span
  style=3D'font-size:12.0pt;font-family:Arial;color:black'>&nbsp;Does =
anyone know
  of a program like Acid for MAC OS 9?</span></font><font color=3Dblack
  face=3DArial><span =
style=3D'font-family:Arial;color:black;mso-color-alt:windowtext'><o:p></o=
:p></span></font></p>
  <p class=3DMsoNormal><font size=3D3 color=3Dblack face=3DArial><span
  style=3D'font-size:12.0pt;font-family:Arial;color:black'>&nbsp;Looking =
to alter
  tempo and pitch of existing loops. </span></font><font color=3Dblack
  face=3DArial><span =
style=3D'font-family:Arial;color:black;mso-color-alt:windowtext'><o:p></o=
:p></span></font></p>
  <p class=3DMsoNormal><font size=3D3 color=3Dblack face=3DArial><span
  =
style=3D'font-size:12.0pt;font-family:Arial;color:black'>&nbsp;</span></f=
ont><font
  color=3Dblack face=3DArial><span =
style=3D'font-family:Arial;color:black;mso-color-alt:
  windowtext'><o:p></o:p></span></font></p>
  <p class=3DMsoNormal><font size=3D3 color=3Dblack face=3DArial><span
  =
style=3D'font-size:12.0pt;font-family:Arial;color:black'>TX!</span></font=
><font
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  windowtext'><o:p></o:p></span></font></p>
  <p class=3DMsoNormal><font size=3D3 color=3Dblack face=3DArial><span
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From Loopers-Delight-request@loopers-delight.com  Wed Jul 28 20:03:57 2004
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To: "LOOPERS DELIGHT \(posting\)" <Loopers-Delight@loopers-delight.com>
References: <200407282332.i6SNW5v01450@hemlock.violacea.com>
Subject: looping observation
Date: Wed, 28 Jul 2004 16:56:01 -0700
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about the descent to the darkside:

all is well and good (and I'm an OS X user myself) but there are constant
posts these days like this:
"Is there something as good as ACID or FLSTUDIO for Os9 or X."

The answer, truthfully, is no.  (although Ableton Live 4.0 has just really
upped the ante on both platforms).

And this stupid argument goes on and on and probably has more to do with the
kind of money we have invested
in our systems than the actual merits of them but I have to say that my
hyperthreading 2.8 mghz P4 boots in
20 seconds and is siginicantly faster and has less crashes than my Mac
powerbook.

Windows use to suck for digital audio, but many years have gone by and they
have really stabilized WinXP.

Those G5s sure look juicy though.  Wish I had the dough.

r.


From Loopers-Delight-request@loopers-delight.com  Wed Jul 28 20:18:27 2004
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 <001c01c474fe$6f8949c0$64ddfea9@DAYGLOGREEN>
Date: Wed, 28 Jul 2004 20:10:48 -0400
To: Loopers-Delight@loopers-delight.com
From: Tom Ritchford <tom@swirly.com>
Subject: Re: looping observation
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>And this stupid argument goes on and on and probably has more to do with the
>kind of money we have invested
>in our systems than the actual merits of them but I have to say that my
>hyperthreading 2.8 mghz P4 boots in
>20 seconds and is siginicantly faster and has less crashes than my Mac
>powerbook.

I assume you're using OS 9 or some such?  I keep my OS/X laptop up 
for weeks without any problems.  But I don't do much digital audio on 
it.


>Windows use to suck for digital audio, but many years have gone by and they
>have really stabilized WinXP.
>
>Those G5s sure look juicy though.  Wish I had the dough.

Generally, I recommend technically sophisticated people with more 
time than money get PCs because you can get 'em dirt cheap.

People without spare time or who aren't so techie, I send to the Mac.

     /t
-- 

http://extremeNY.com/list ....... extreme NY music and arts mailing list

From Loopers-Delight-request@loopers-delight.com  Wed Jul 28 20:36:22 2004
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From: msottilaro <sine@zerocrossing.net>
Subject: Re: Program like acid for MAC 9?
Date: Wed, 28 Jul 2004 17:34:58 -0700
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An early version of  Live (1 or 2) should work fine for you and is very  
ACID like.

Mark

On Jul 28, 2004, at 4:31 PM, Lance Zechinato wrote:

> Sony, take a look at the software-based loopers in the Tools of the  
> Trade section of Loopers Delight.  Cycling 74 RediaL  
> (http://www.cycling74.com/products/radial.html) looks like the best  
> fit for your OS.  Im not familiar with the prices of any of them  
> except Kyma+LCK (which I think is the ultimate, but pricey).
>
>  
>
> -----Original Message-----
> From: Sony Felberg [mailto:sony@real.com]
> Sent: Wednesday, July 28, 2004 5:46 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Program like acid for MAC 9?
>
>  
>
>  Does anyone know  of a program like Acid for MAC OS 9?
>
>  Looking to alter  tempo and pitch of existing loops.
>
>   
>
> TX!
>
>  
>
>  
>
>   
>
>   
>
>                                  SE Help
>
> http://wwwhost.rbn.com/sfelberg/web/system8/Start.smi
>
>            First Eval' Help.....Click Below
>
> http://wwwhost.rbn.com/rninfo/rninfo/web/helix_eval/index.smil
>
>  
>
>            Real Producer Tutorial
>
> http://wwwhost.rbn.com/rninfo/rninfo/web/RealProdTutorial/open/ 
> open.smil
>
>                
>
>                Encoding  Specs (dynamic tool)
>
> http://docs.real.com/docs/kbresources/EncodingFormulas.xls
>
>                             Free Player URL
>
>                http://www.realnetworks.com/info/freeplayer/
>
>                             Enterprise  Player Guide    
>
>                 http://service.real.com/help/library/guides/rdm/ 
> rdmguide.htm
>
>  
>
>  
>
>  
>
>  

From Loopers-Delight-request@loopers-delight.com  Wed Jul 28 23:21:39 2004
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To: "Sony Felberg" <sony@real.com>, <Loopers-Delight@loopers-delight.com>
Subject: RE: Program like acid for MAC 9?
Date: Wed, 28 Jul 2004 23:21:13 -0400
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You might try
BitHeadz Phraser

www.bitheadz.com.

They might have an OS 9 version. But I couldn't get their website up
tonight, so I'm not sure if they're still around.

-Michael

  -----Original Message-----
  From: Sony Felberg [mailto:sony@real.com]
  Sent: Wednesday, July 28, 2004 5:46 PM
  To: Loopers-Delight@loopers-delight.com
  Subject: Program like acid for MAC 9?


         Does anyone know of a program like Acid for MAC OS 9?
         Looking to alter tempo and pitch of existing loops.

        TX!




                                       SE Help
        http://wwwhost.rbn.com/sfelberg/web/system8/Start.smi
                  First Eval' Help.....Click Below
        http://wwwhost.rbn.com/rninfo/rninfo/web/helix_eval/index.smil

                  Real Producer Tutorial

http://wwwhost.rbn.com/rninfo/rninfo/web/RealProdTutorial/open/open.smil

                      Encoding Specs (dynamic tool)
        http://docs.real.com/docs/kbresources/EncodingFormulas.xls
                                   Free Player URL
                      http://www.realnetworks.com/info/freeplayer/
                                    Enterprise Player Guide

http://service.real.com/help/library/guides/rdm/rdmguide.htm



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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1400" name=3DGENERATOR></HEAD>
<BODY=20
style=3D"BACKGROUND-POSITION: 0px 0px; FONT-SIZE: 12pt; MARGIN: 5px 10px =
10px; FONT-FAMILY: Arial"=20
bgColor=3D#ffffff background=3D"" scroll=3Dyes ORGYPOS=3D"0">
<DIV><SPAN class=3D010531803-29072004>You might try=20
<P><STRONG>BitHeadz Phraser</STRONG></P>
<P><A href=3D"http://www.bitheadz.com/">www.bitheadz.com</A>.</P>
<P><SPAN class=3D010531803-29072004>They might have an OS 9 version. But =
I=20
couldn't get their website up tonight, so I'm not sure if they're still=20
around.</SPAN></P>
<P><SPAN class=3D010531803-29072004>-Michael</SPAN></P></SPAN></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px =
solid">
  <DIV class=3DOutlookMessageHeader dir=3Dltr align=3Dleft><FONT =
face=3DTahoma=20
  size=3D2>-----Original Message-----<BR><B>From:</B> Sony Felberg=20
  [mailto:sony@real.com]<BR><B>Sent:</B> Wednesday, July 28, 2004 5:46=20
  PM<BR><B>To:</B> =
Loopers-Delight@loopers-delight.com<BR><B>Subject:</B>=20
  Program like acid for MAC 9?<BR><BR></FONT></DIV>
  <TABLE id=3DINCREDIMAINTABLE cellSpacing=3D0 cellPadding=3D2 =
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    <TR>
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width=3D"100%">
        <DIV>&nbsp;Does anyone know of a program like Acid for MAC OS =
9?</DIV>
        <DIV>&nbsp;Looking to alter tempo and pitch of existing loops. =
</DIV>
        <DIV>&nbsp;</DIV>
        <DIV>TX!</DIV>
        <DIV>&nbsp;</DIV>
        <DD>
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        <DIV align=3Dleft> </DIV>
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        =
align=3Dleft>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
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        <FONT color=3D#800000 size=3D5>SE Help</B></FONT><FONT =
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        <DIV align=3Dleft><A=20
        title=3Dhttp://wwwhost.rbn.com/sfelberg/web/system8/Start.smi=20
        href=3D"http://wwwhost.rbn.com/sfelberg/web/system8/Start.smi"=20
        target=3D_blank=20
        =
eudora=3D"autourl">http://wwwhost.rbn.com/sfelberg/web/system8/Start.smi<=
/A></U></FONT><FONT=20
        color=3D#800000 size=3D5> </DIV>
        <DD>
        <DIV =
align=3Dleft>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
        First Eval' Help.....</FONT><FONT color=3D#800000>Click=20
        Below</B></FONT><FONT color=3D#0000ff> </DIV>
        <DD>
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        =
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        =
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        =
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        <DD>
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        color=3D#008000>
        <DD>
        <DIV =
align=3Dleft>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
        Real Producer Tutorial<FONT color=3D#0000ff></DIV>
        <DD>
        <DIV align=3Dleft><A=20
        =
title=3Dhttp://wwwhost.rbn.com/rninfo/rninfo/web/helix_eval/index.smil=20
        =
href=3D"http://wwwhost.rbn.com/rninfo/rninfo/web/RealProdTutorial/open/op=
en.smil"=20
        target=3D_blank=20
        =
eudora=3D"autourl">http://wwwhost.rbn.com/rninfo/rninfo/web/RealProdTutor=
ial/open/open.smil</A></FONT><FONT=20
        color=3D#008000> </FONT></DIV>
        <DD>
        <DIV=20
        =
align=3Dleft>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
        </FONT></DIV>
        <DD>
        <DIV=20
        =
align=3Dleft>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;<FONT=20
        color=3D#ff8040>&nbsp;Encoding Specs (dynamic tool)</FONT></DIV>
        <DD>
        <DIV align=3Dleft><STRONG><FONT color=3D#008000><A=20
        =
href=3D"http://docs.real.com/docs/kbresources/EncodingFormulas.xls">http:=
//docs.real.com/docs/kbresources/EncodingFormulas.xls</A></FONT></STRONG>=
</DIV>
        <DD>
        <DIV align=3Dleft><FONT=20
        =
color=3D#008000><STRONG>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
        <FONT color=3D#400080>Free Player =
URL</FONT></STRONG></FONT></DIV>
        <DD>
        <DIV=20
        =
align=3Dleft>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;=20
        &nbsp;<A=20
        =
href=3D"http://www.realnetworks.com/info/freeplayer/">http://www.realnetw=
orks.com/info/freeplayer/</A></DIV>
        <DD>
        <DIV=20
        =
align=3Dleft>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<STRONG><FONT=20
        color=3D#ff8040>Enterprise Player=20
        Guide&nbsp;&nbsp;&nbsp;&nbsp;</FONT></STRONG></DIV>
        <DD>
        <DIV align=3Dleft><STRONG><FONT=20
        =
color=3D#ff8040>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</FONT></STRONG><A=20
        =
title=3Dhttp://service.real.com/help/library/guides/rdm/rdmguide.htm=20
        =
href=3D"http://service.real.com/help/library/guides/rdm/rdmguide.htm"=20
        target=3D_blank><FONT=20
        =
size=3D1>http://service.real.com/help/library/guides/rdm/rdmguide.htm</FO=
NT></A></DIV></DD></TD></TR>
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      =
align=3Dmiddle></TD></TR></TBODY></TABLE></TD></TR></TBODY></TABLE></BLOC=
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From: Paolo Valladolid <paolovalladolid@yahoo.com>
Subject: Lesson Learned: Ordering Anything involving UPS
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This may be old-hat to you Internet-shopping savvy
loopers, but I just found out that the UPS driver can
decide to simply leave your package outside your door
if you're not home.

Lesson learned:  ALWAYS specify "signature required"
on your order.  Otherwise, the driver may leave it on
the street for easy pickings by any punk walking by.

I won't say more right now - I'm just getting more
frustrated the more I think about it and needed to
vent a bit while I wait for UPS to "investigate".


	
		
__________________________________
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From Loopers-Delight-request@loopers-delight.com  Thu Jul 29 01:18:12 2004
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Date: Thu, 29 Jul 2004 00:12:39 -0500
To: Loopers-Delight@loopers-delight.com
From: Jeff Shirkey <jcshirke@midway.uchicago.edu>
Subject: Re: Lesson Learned: Ordering Anything involving UPS
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>This may be old-hat to you Internet-shopping savvy
>loopers, but I just found out that the UPS driver can
>decide to simply leave your package outside your door
>if you're not home.

It's up to the driver's discretion. If the driver thinks the 
neighborhood is "safe" (whatever that means these days), or if there 
is a place (such as a porch, screen door, side door, etc.) to leave 
it, they will.

>Lesson learned:  ALWAYS specify "signature required"
>on your order.

Right. Unlike Fed Ex, UPS's default is that you *don't* have to sign 
for it. Fed Ex's default is sig. required.

The good news, I hope, is that your package (which I presume has been 
stolen) is probably insured for its full value. I certainly hope so. 
The first $100 of coverage is free, but you have to pay for 
additional coverage.

Jeff

From Loopers-Delight-request@loopers-delight.com  Thu Jul 29 01:45:13 2004
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Tom wrote:
"I assume you're using OS 9 or some such?  I keep my OS/X laptop up
for weeks without any problems.  But I don't do much digital audio on it."

No, I"m running OS X which is really stable.   I've just had less crashes
with my PC.
I have to say, in fairness, that I am running an 867 mghz processor in the
12" laptop so
it is not nearly state of the art.

Tom also wrote:
"Generally, I recommend technically sophisticated people with more
time than money get PCs because you can get 'em dirt cheap.
People without spare time or who aren't so techie, I send to the Mac."

I agree with you here.   Straight out of the box, the Mac is just simpler.
I also forget how incredibly frustrating it was trying to get my Win 98se
system to work.     Win XP is so vastly much easier and stable.

At the last digital music conference that I went to a bunch of Mac people
(the predominant amount of electronic music composers in the room at the
time) were trashing PCs.     I got up and asked which OS the people who had
experience with PCs were running.    All of them had experience with win 95
or win 98.  Noone had even tried XP (which was relatively new at the time).
In 1999, the Mac kicked total ass on the PC, but  peeps, it's 2004 now and
time has moved on.

If I had to desert island a decision personally,  I would have to go with
the PC due to it and it's peripherals inexpensiveness and the proprietary
software that is available for it but it would be a really difficult choice
because the Mac world is so cool
(and the visuals of the Mac are exquisite I think).

The tools available on either platform are just stunning, even compared with
what was available 5 years ago.   120 gig hard drives for $75?   Just
unbelivable.

It is a great time to be a musician because of how powerful computers are.
Michael Klobuchar is going to love
his new Mac and with really good reason.   I predict it.






From Loopers-Delight-request@loopers-delight.com  Thu Jul 29 01:45:14 2004
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From: "Michael Peters" <mpeters@csi.com>
To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
Subject: RE: Drum Machine solutions
Date: Thu, 29 Jul 2004 07:43:36 +0200
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> What's bothered me is that one gets sick of sounds really quickly

I've bought a used BOSS DR 670 on Ebay recently for 134 Euros. It is an
amazing little box that has 64 completely different drum sets, each
consisting of 32 instruments - plus 16 different basses! - so it will take
some time to get sick of the sounds. And you can program drum patterns plus
bass lines, songs basically. Of course laptop software is more versatile,
but you can easily take this thing outside with you - it is small and
light - and compose songs sitting on a park bench or in a train.

-Michael
www.michaelpeters.de

From Loopers-Delight-request@loopers-delight.com  Thu Jul 29 01:52:49 2004
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From: Tom Ritchford <tom@swirly.com>
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>The tools available on either platform are just stunning, even compared with
>what was available 5 years ago.   120 gig hard drives for $75?   Just
>unbelivable.

astonishing!  when I got my first Mac, I agonized between the 80 meg 
drive and the 120 meg drive -- it was quite a lot more for those 
extra 40 megabytes of drive space and I wasn't sure what I was going 
to do with them!

     /t
-- 

http://extremeNY.com/list ....... extreme NY music and arts mailing list

From Loopers-Delight-request@loopers-delight.com  Thu Jul 29 02:24:14 2004
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Hi,

   I haven't posted to this list before, but recently I tried to use a 
512mb Sandisk CFC with Repeater & I was told it was too slow.   I 
thought Sandisk  cards worked with Repeater, but it was a standard 
card not an Ultra, which I thought couldn't be used with Repeater as 
they weren't around when it was released.    Unfortunately it's not 
easy to find any of the other brands mentioned in Adelaide, 
Australia, so I was wondering if anyone can tell me if it's ok to use 
a, 512mb Sandisk Ultra card?
-- 
Fusier

Tel/Fax: 61-8-8271 7397
AUSTRALIA
http://www.zygosin.com

From Loopers-Delight-request@loopers-delight.com  Thu Jul 29 02:31:14 2004
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From: Mark Sottilaro <sine@zerocrossing.net>
Subject: Re: PDX looping venues
Date: Wed, 28 Jul 2004 23:32:30 -0700
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Dude, everytime I see your name I think, "Mmmmm, I'd love some 
delicious Chili Colorado right now."

Sorry, it's late and my filter is off.

Mark

On Jul 28, 2004, at 2:40 PM, Kevin Cheli-Colando wrote:

>
>
>> Can anyone out in Portland point me towards some suitable venues for
> acoustic guitar live looping?  You know, coffeehouse type places where 
> I
> can put out a tip jar and play a couple of sets accompanied by the milk
> steamer.
>
> I've heard that referred to as Playing in the Key of Steam
>
> Kevin
>
> How amazing, how amazing!
> Hard to comprehend that
> Nonsentient beings expound Dharma.
> It simply cannot be heard with the ear,
> But when sound is heard with the eye,
> Then it is understood.
> - Tung-shan (807-869)
>
> Sound and Vision:    http://www.minds-eye.org
>

From Loopers-Delight-request@loopers-delight.com  Thu Jul 29 02:41:01 2004
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Mark is spot on about earlier versions of Ableton's Live being as closely
analagous to Acid as anything you'll find for
Os 9 or X, for that matter.

As much in love with ACID as I am,  Ableton's is rapidly outstripping it as
a program, especially with
there new midi sequencing ability and VST support.  I don't have the bucks
for the upgrade yet, but I look forward to
getting 4.0.   There are several artists on Loopers Delight who have it by
now, prominently among them,  Per Boysen, I imagine.


I think Cycling 74's RADIAL is a really interesting program.   Invented by
musical rennaisance programmer/recording artist
JHNO it uses a multiple simultaneous looping paradigm that allows for some
interesting justtapositions of loops that go at different speeds and cycle
lengths.

It is so different from Acid, however , that I don't think it is a good
analagous solution for Acid.
Acid is really more like a cross between a looping program and an audio
program (like the audio recording
parts of Cubase, Sonar, Logic, Digital Performer, et. al.).

I think Ableton is your best bet.

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On Jul 28, 2004, at 10:43 PM, loop.pool wrote:

> If I had to desert island a decision personally,  I would have to go 
> with
> the PC due to it and it's peripherals inexpensiveness and the 
> proprietary
> software that is available for it but it would be a really difficult 
> choice
> because the Mac world is so cool
> (and the visuals of the Mac are exquisite I think).

The software and peripheral availability won't do you much good on the 
desert island. ;-)

Mark

From Loopers-Delight-request@loopers-delight.com  Thu Jul 29 04:34:09 2004
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Yeah, I was shocked when my EDP arrived at the beginning of July.  It was
shipped in its bare Gibson Echoplex white box and left at my door.  In
fairness, I do actually live in very nice apartment complex, but still.
Just surprised me.  I've always viewed UPS as the brat of shipping
companies.  I prefer USPS whenever possible.

-----Original Message-----
From: Paolo Valladolid [mailto:paolovalladolid@yahoo.com]
Sent: Thursday, July 29, 2004 12:35 AM
To: Loopers-Delight@loopers-delight.com
Subject: Lesson Learned: Ordering Anything involving UPS

This may be old-hat to you Internet-shopping savvy
loopers, but I just found out that the UPS driver can
decide to simply leave your package outside your door
if you're not home.

Lesson learned:  ALWAYS specify "signature required"
on your order.  Otherwise, the driver may leave it on
the street for easy pickings by any punk walking by.

I won't say more right now - I'm just getting more
frustrated the more I think about it and needed to
vent a bit while I wait for UPS to "investigate".




__________________________________
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From Loopers-Delight-request@loopers-delight.com  Thu Jul 29 04:36:35 2004
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Yeah I remember coming home one night and seeing about
5 packages laying at my front door - about 5 modules
for my rack - over $3000 of stuff - I lived in an
apartment building with many many units. At the time I
wasn't getting him until dark so you can see how
pissed off I was when I saw all that stuff just laying
there. Luckily it was still there when I got home ...
ARGGH !


		
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From Loopers-Delight-request@loopers-delight.com  Thu Jul 29 08:23:43 2004
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From: goddard.duncan@mtvne.com
To: LanceZechinato@verizon.net, Loopers-Delight@loopers-delight.com
Subject: RE: korg drumboxes (was terry riley's organ)
Date: Thu, 29 Jul 2004 13:06:13 +0100
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>>You have experience with this, right?  Straight-up velocity sensitivity when
using a midi controller for input?<<

absolutely yes, even the older solid-state electribes. I guess they just wanted to save a few bucks on the hardware. I would have to fire one of mine up to be sure that the step-sequencer itself stores/plays back vv data, but it moset certainly responds to it over midi. I have a feeling that using the accent control has some bearing on what it transmits.....

btw- just snagged an old 110 off of e-bay, just like I thought I might..... damn it's addictive.

d.


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<P><FONT SIZE=3D2>&gt;&gt;You have experience with this, right?&nbsp; Strai=
ght-up velocity sensitivity when</FONT>
<BR><FONT SIZE=3D2>using a midi controller for input?&lt;&lt;</FONT>
</P>

<P><FONT SIZE=3D2>absolutely yes, even the older solid-state electribes. I =
guess they just wanted to save a few bucks on the hardware. I would have to=
 fire one of mine up to be sure that the step-sequencer itself stores/plays=
 back vv data, but it moset certainly responds to it over midi. I have a fe=
eling that using the accent control has some bearing on what it transmits..=
...</FONT></P>

<P><FONT SIZE=3D2>btw- just snagged an old 110 off of e-bay, just like I th=
ought I might..... damn it's addictive.</FONT>
</P>

<P><FONT SIZE=3D2>d.</FONT>
</P>

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From Loopers-Delight-request@loopers-delight.com  Thu Jul 29 09:50:08 2004
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Subject: RE: korg drumboxes (was terry riley's organ)
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Well, if youre ever are at your rig and happen to have things setup just
so, let me know what you discovered.  That ESX-1 one looks really sweet, and
it would be great to great to have control over velocity beyond accent
control.

-----Original Message-----
From: goddard.duncan@mtvne.com [mailto:goddard.duncan@mtvne.com]
Sent: Thursday, July 29, 2004 8:06 AM
To: LanceZechinato@verizon.net; Loopers-Delight@loopers-delight.com
Subject: RE: korg drumboxes (was terry riley's organ)

>>You have experience with this, right?  Straight-up velocity sensitivity
when
using a midi controller for input?<<
absolutely yes, even the older solid-state electribes. I guess they just
wanted to save a few bucks on the hardware. I would have to fire one of mine
up to be sure that the step-sequencer itself stores/plays back vv data, but
it moset certainly responds to it over midi. I have a feeling that using the
accent control has some bearing on what it transmits.....
btw- just snagged an old 110 off of e-bay, just like I thought I might.....
damn it's addictive.
d.


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<p class=3DMsoNormal><span class=3DEmailStyle17><font size=3D2 =
color=3Dnavy face=3DArial><span
style=3D'font-size:10.0pt;mso-bidi-font-size:12.0pt;font-family:Arial'>We=
ll, if
you&#8217;re ever are at your rig and happen to have things setup just =
so, let me
know what you discovered.<span style=3D"mso-spacerun: yes">&nbsp; =
</span>That
ESX-1 one looks really sweet, and it would be great to great to have =
control
over velocity beyond accent control.<o:p></o:p></span></font></span></p>

<p class=3DMsoNormal><span class=3DEmailStyle17><font size=3D2 =
color=3Dnavy face=3DArial><span
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<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D2 =
color=3Dblack
face=3DTahoma><span =
style=3D'font-size:10.0pt;font-family:Tahoma;color:black'>-----Original
Message-----<br>
<b><span style=3D'font-weight:bold'>From:</span></b> =
goddard.duncan@mtvne.com
[mailto:goddard.duncan@mtvne.com]<br>
<b><span style=3D'font-weight:bold'>Sent:</span></b> Thursday, July 29, =
2004 8:06
AM<br>
<b><span style=3D'font-weight:bold'>To:</span></b> =
LanceZechinato@verizon.net;
Loopers-Delight@loopers-delight.com<br>
<b><span style=3D'font-weight:bold'>Subject:</span></b> RE: korg =
drumboxes (was
terry riley's organ)</span></font></p>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D3 =
face=3D"Times New Roman"><span
style=3D'font-size:12.0pt'><![if =
!supportEmptyParas]>&nbsp;<![endif]><o:p></o:p></span></font></p>

<p style=3D'margin-left:.5in'><font size=3D2 color=3Dblack face=3D"Times =
New Roman"><span
style=3D'font-size:10.0pt;color:black'>&gt;&gt;You have experience with =
this,
right?&nbsp; Straight-up velocity sensitivity when</span></font><font
color=3Dblack><span style=3D'color:black'> <br>
</span></font><font size=3D2 color=3Dblack><span =
style=3D'font-size:10.0pt;
color:black'>using a midi controller for =
input?&lt;&lt;</span></font><font
color=3Dblack><span style=3D'color:black'> </span></font><font =
color=3Dblack><span
style=3D'color:black;mso-color-alt:windowtext'><o:p></o:p></span></font><=
/p>

<p style=3D'margin-left:.5in'><font size=3D2 color=3Dblack face=3D"Times =
New Roman"><span
style=3D'font-size:10.0pt;color:black'>absolutely yes, even the older =
solid-state
electribes. I guess they just wanted to save a few bucks on the =
hardware. I
would have to fire one of mine up to be sure that the step-sequencer =
itself
stores/plays back vv data, but it moset certainly responds to it over =
midi. I
have a feeling that using the accent control has some bearing on what it
transmits.....</span></font><font color=3Dblack><span =
style=3D'color:black;
mso-color-alt:windowtext'><o:p></o:p></span></font></p>

<p style=3D'margin-left:.5in'><font size=3D2 color=3Dblack face=3D"Times =
New Roman"><span
style=3D'font-size:10.0pt;color:black'>btw- just snagged an old 110 off =
of e-bay,
just like I thought I might..... damn it's addictive.</span></font><font
color=3Dblack><span style=3D'color:black'> </span></font><font =
color=3Dblack><span
style=3D'color:black;mso-color-alt:windowtext'><o:p></o:p></span></font><=
/p>

<p style=3D'margin-left:.5in'><font size=3D2 color=3Dblack face=3D"Times =
New Roman"><span
style=3D'font-size:10.0pt;color:black'>d.</span></font><font =
color=3Dblack><span
style=3D'color:black'> </span></font><font color=3Dblack><span =
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From Loopers-Delight-request@loopers-delight.com  Thu Jul 29 10:22:59 2004
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Date: Thu, 29 Jul 2004 07:20:44 -0700
From: Art Simon <simart@gmail.com>
Reply-To: simart@null.net
To: loopers-delight@loopers-delight.com
Subject: Re: CFC's for Repeater
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The situation with CFCs and the repeater is somewhat complicated.  The
Repeater was designed for CFCs that use a Hitachi controller (whatever
that means).  The best source currently is www.pretec.com. The
"Compact Flash 42x" has a Hitachi Controller. The 512Mb card is
currently $129.95 and pretec appears to ship worldwide. While some
other "ultra" cards are faster for some applications, they aren't
suitable for the Repeater.  The Yahoo Repeater group has a lot more
info. Hope this clears things up.

On Thu, 29 Jul 2004 15:49:13 +0930, Zygosin <fusier@zygosin.com> wrote:
> Hi,
> 
>    I haven't posted to this list before, but recently I tried to use a
> 512mb Sandisk CFC with Repeater & I was told it was too slow.   I
> thought Sandisk  cards worked with Repeater, but it was a standard
> card not an Ultra, which I thought couldn't be used with Repeater as
> they weren't around when it was released.    Unfortunately it's not
> easy to find any of the other brands mentioned in Adelaide,
> Australia, so I was wondering if anyone can tell me if it's ok to use
> a, 512mb Sandisk Ultra card?
> --
> Fusier
> 
> Tel/Fax: 61-8-8271 7397
> AUSTRALIA
> http://www.zygosin.com
> 
> 


-- 
Art Simon
http://art.simon.tripod.com
http://artsimon.iuma.com

From Loopers-Delight-request@loopers-delight.com  Thu Jul 29 10:30:50 2004
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From: Mark Sottilaro <sine@zerocrossing.net>
Subject: Re: Lesson Learned: Ordering Anything involving UPS
Date: Thu, 29 Jul 2004 07:32:55 -0700
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I find that FedEx does the same thing.  I ship stuff FedEx ground to 
people for Ebay auctions and I've never gotten a complaint, but I 
wonder about such things.  I live in a quiet neighborhood on a tiny 
dead end, and I've got a closed in porch, but my wife bought a Yamaha 
S80 and they left it (actually, I'm not sure who the shipper was) in 
our driveway!  I've been home when stuff was just dropped off without 
even a doorbell.  What's going on?  I don't think this every used to 
happen.  On some level, it's easier getting stuff not having to wait 
for it, but I wonder how they can get away with this.  Do they have to 
come up with an insurance payment if it's taken off your porch?

Anyway, this story's going to make me act to make my work address the 
same as my credit card so I can use it as a shipping address.

Mark

On Jul 29, 2004, at 1:35 AM, |SquidLoop| wrote:

> Yeah I remember coming home one night and seeing about
> 5 packages laying at my front door - about 5 modules
> for my rack - over $3000 of stuff - I lived in an
> apartment building with many many units. At the time I
> wasn't getting him until dark so you can see how
> pissed off I was when I saw all that stuff just laying
> there. Luckily it was still there when I got home ...
> ARGGH !
>
>
> 		
> __________________________________
> Do you Yahoo!?
> New and Improved Yahoo! Mail - Send 10MB messages!
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>>I just found out that the UPS driver can decide to simply leave your package outside your door if you're not home<<

yeah- they do it in the UK too. a couple of times I've come home expecting to find a "we called but you were out" card from UPS, fedex, parcel-farce or whomever, & instead I've seen, from a distance, the various bits of council-provided garden furniture rearranged in an interesting way. we have these big wheelie bins for normal garbage, but also these little green boxes with lids supposably for recycling. they are about the size of a six-U rack unit.... I've found all sorts of packages in there, & a brick on top, & the whole thing positioned so that the wheelie bin would have to be moved to get at it or past it to the front door. I sort of wouldn't mind if I thopught the UPS (or whatever) guy knew what day the recycling box is supposed to be emptied, but also the arrangement of the bin draws attention to the whole deal.

but if I get stuff delivered to our mailroom at work, & there's some import tax to pay, the guy will take it away again unless the mailroom have exactly the right amount of money or the shipper has remembered to call me for my credit card # in advance, which they seldom do. one tape deck came here from LA, went back & came again because of this, & the 11,000 miles didn't do it's insides any good.

y'can't win.

d. 


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<TITLE>RE: Lesson Learned: Ordering Anything involving UPS</TITLE>
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<BODY>

<P><FONT SIZE=3D2>&gt;&gt;I just found out that the UPS driver can decide t=
o simply leave your package outside your door if you're not home&lt;&lt;</F=
ONT>
</P>

<P><FONT SIZE=3D2>yeah- they do it in the UK too. a couple of times I've co=
me home expecting to find a &quot;we called but you were out&quot; card fro=
m UPS, fedex, parcel-farce or whomever, &amp; instead I've seen, from a dis=
tance, the various bits of council-provided garden furniture rearranged in =
an interesting way. we have these big wheelie bins for normal garbage, but =
also these little green boxes with lids supposably for recycling. they are =
about the size of a six-U rack unit.... I've found all sorts of packages in=
 there, &amp; a brick on top, &amp; the whole thing positioned so that the =
wheelie bin would have to be moved to get at it or past it to the front doo=
r. I sort of wouldn't mind if I thopught the UPS (or whatever) guy knew wha=
t day the recycling box is supposed to be emptied, but also the arrangement=
 of the bin draws attention to the whole deal.</FONT></P>

<P><FONT SIZE=3D2>but if I get stuff delivered to our mailroom at work, &am=
p; there's some import tax to pay, the guy will take it away again unless t=
he mailroom have exactly the right amount of money or the shipper has remem=
bered to call me for my credit card # in advance, which they seldom do. one=
 tape deck came here from LA, went back &amp; came again because of this, &=
amp; the 11,000 miles didn't do it's insides any good.</FONT></P>

<P><FONT SIZE=3D2>y'can't win.</FONT>
</P>

<P><FONT SIZE=3D2>d. </FONT>
</P>

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To: Loopers-Delight@loopers-delight.com
Subject: RE: Program like acid for MAC 9?
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 Thank you all for your responses!=0D
 =0D
  =0D
  =0D
  =0D
                               SE Help=0D
http://wwwhost.rbn.com/sfelberg/web/system8/Start.smi =0D
          First Eval' Help.....Click Below =0D
http://wwwhost.rbn.com/rninfo/rninfo/web/helix_eval/index.smil =0D
 =0D
          Real Producer Tutorial=0D
http://wwwhost.rbn.com/rninfo/rninfo/web/RealProdTutorial/open/open.smil =
=0D
                =0D
              Encoding Specs (dynamic tool)=0D
http://docs.real.com/docs/kbresources/EncodingFormulas.xls=0D
                           Free Player URL=0D
              http://www.realnetworks.com/info/freeplayer/=0D
                            Enterprise Player Guide    =0D
                http://service.real.com/help/library/guides/rdm/rdmguide.=
htm=0D
-------Original Message-------=0D
 =0D
From: michael@circular-logic.com=0D
Date: 07/28/04 20:18:54=0D
To: Sony Felberg; Loopers-Delight@loopers-delight.com=0D
Subject: RE: Program like acid for MAC 9?=0D
 =0D
You might try =0D
BitHeadz Phraser=0D
www.bitheadz.com.=0D
They might have an OS 9 version. But I couldn't get their website up toni=
ght
 so I'm not sure if they're still around.=0D
-Michael=0D
-----Original Message-----=0D
From: Sony Felberg [mailto:sony@real.com]=0D
Sent: Wednesday, July 28, 2004 5:46 PM=0D
To: Loopers-Delight@loopers-delight.com=0D
Subject: Program like acid for MAC 9?=0D
=0D
=0D
 Does anyone know of a program like Acid for MAC OS 9?=0D
 Looking to alter tempo and pitch of existing loops. =0D
 =0D
TX!=0D
 =0D
                               SE Help=0D
http://wwwhost.rbn.com/sfelberg/web/system8/Start.smi =0D
          First Eval' Help.....Click Below =0D
http://wwwhost.rbn.com/rninfo/rninfo/web/helix_eval/index.smil =0D
 =0D
          Real Producer Tutorial=0D
http://wwwhost.rbn.com/rninfo/rninfo/web/RealProdTutorial/open/open.smil =
=0D
                =0D
              Encoding Specs (dynamic tool)=0D
http://docs.real.com/docs/kbresources/EncodingFormulas.xls=0D
                           Free Player URL=0D
              http://www.realnetworks.com/info/freeplayer/=0D
                            Enterprise Player Guide    =0D
                http://service.real.com/help/library/guides/rdm/rdmguide.=
htm=0D
=0D
=0D
=0D
=20
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AMILY: Arial" width=3D"100%">
<DIV>&nbsp;Thank you all for your responses!</DIV>
<DIV>&nbsp;</DIV>
<DD>
<DIV align=3Dleft>&nbsp; </DIV>
<DD>
<DIV align=3Dleft>&nbsp; </DIV>
<DD>
<DIV align=3Dleft>&nbsp; </DIV>
<DD>
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0 size=3D5>SE Help</B></FONT><FONT color=3D#0000ff></DIV>
<DD>
<DIV align=3Dleft><A title=3Dhttp://wwwhost.rbn.com/sfelberg/web/system8/=
Start.smi href=3D"http://wwwhost.rbn.com/sfelberg/web/system8/Start.smi" =
target=3D_blank eudora=3D"autourl">http://wwwhost.rbn.com/sfelberg/web/sy=
stem8/Start.smi</A></U></FONT><FONT color=3D#800000 size=3D5> </DIV>
<DD>
<DIV align=3Dleft>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
First Eval' Help.....</FONT><FONT color=3D#800000>Click Below</B></FONT><=
FONT color=3D#0000ff> </DIV>
<DD>
<DIV align=3Dleft><A title=3Dhttp://wwwhost.rbn.com/rninfo/rninfo/web/hel=
ix_eval/index.smil href=3D"http://wwwhost.rbn.com/rninfo/rninfo/web/helix=
_eval/index.smil" target=3D_blank eudora=3D"autourl">http://wwwhost.rbn.c=
om/rninfo/rninfo/web/helix_eval/index.smil</A></U></FONT><FONT color=3D#0=
08000> </FONT></DIV>
<DD>
<DIV align=3Dleft><FONT color=3D#008000></FONT>&nbsp;</DIV><FONT color=3D=
#008000>
<DD>
<DIV align=3Dleft>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
Real Producer Tutorial<FONT color=3D#0000ff></DIV>
<DD>
<DIV align=3Dleft><A title=3Dhttp://wwwhost.rbn.com/rninfo/rninfo/web/hel=
ix_eval/index.smil href=3D"http://wwwhost.rbn.com/rninfo/rninfo/web/RealP=
rodTutorial/open/open.smil" target=3D_blank eudora=3D"autourl">http://www=
host.rbn.com/rninfo/rninfo/web/RealProdTutorial/open/open.smil</A></FONT>=
<FONT color=3D#008000> </FONT></DIV>
<DD>
<DIV align=3Dleft>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </FONT></DIV>
<DD>
<DIV align=3Dleft>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;<FONT color=3D#ff8040>&nbsp;Encoding Specs (dynami=
c tool)</FONT></DIV>
<DD>
<DIV align=3Dleft><STRONG><FONT color=3D#008000><A href=3D"http://docs.re=
al.com/docs/kbresources/EncodingFormulas.xls">http://docs.real.com/docs/k=
bresources/EncodingFormulas.xls</A></FONT></STRONG></DIV>
<DD>
<DIV align=3Dleft><FONT color=3D#008000><STRONG>&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <FONT color=3D=
#400080>Free Player URL</FONT></STRONG></FONT></DIV>
<DD>
<DIV align=3Dleft>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp; &nbsp;<A href=3D"http://www.realnetworks.com/info/freep=
layer/">http://www.realnetworks.com/info/freeplayer/</A></DIV>
<DD>
<DIV align=3Dleft>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<STRONG><FONT color=3D#ff8040>Ent=
erprise Player Guide&nbsp;&nbsp;&nbsp;&nbsp;</FONT></STRONG></DIV>
<DD>
<DIV align=3Dleft><STRONG><FONT color=3D#ff8040>&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</=
FONT></STRONG><A title=3Dhttp://service.real.com/help/library/guides/rdm/=
rdmguide.htm href=3D"http://service.real.com/help/library/guides/rdm/rdmg=
uide.htm" target=3D_blank><FONT size=3D1>http://service.real.com/help/lib=
rary/guides/rdm/rdmguide.htm</FONT></A></DIV></DD>
<DIV id=3DIncrediOriginalMessage><I>-------Original Message-------</I></D=
IV>
<DIV>&nbsp;</DIV>
<DIV id=3Dreceivestrings>
<DIV dir=3Dltr style=3D"FONT-SIZE: 11pt" <i><B>From:</B></I> <A href=3D"m=
ailto:michael@circular-logic.com">michael@circular-logic.com</A></DIV>
<DIV dir=3Dltr style=3D"FONT-SIZE: 11pt" <i><B>Date:</B></I> 07/28/04 20:=
18:54</DIV>
<DIV dir=3Dltr style=3D"FONT-SIZE: 11pt" <i><B>To:</B></I> <A href=3D"mai=
lto:sony@real.com">Sony Felberg</A>; <A href=3D"mailto:Loopers-Delight@lo=
opers-delight.com">Loopers-Delight@loopers-delight.com</A></DIV>
<DIV dir=3Dltr style=3D"FONT-SIZE: 11pt" <i><B>Subject:</B></I> RE: Progr=
am like acid for MAC 9?</DIV></DIV>
<DIV>&nbsp;</DIV>
<DIV><SPAN class=3D010531803-29072004>You might try=20
<P><STRONG>BitHeadz Phraser</STRONG></P>
<P><A href=3D"http://www.bitheadz.com/">www.bitheadz.com</A>.</P>
<P><SPAN class=3D010531803-29072004>They might have an OS 9 version. But =
I couldn't get their website up tonight, so I'm not sure if they're still=
 around.</SPAN></P>
<P><SPAN class=3D010531803-29072004>-Michael</SPAN></P></SPAN></DIV>
<DIV style=3D"rem_PADDING-LEFT: 5px; rem_MARGIN-LEFT: 5px; rem_BORDER-LEF=
T: #000000 2px solid">
<DIV class=3DOutlookMessageHeader dir=3Dltr align=3Dleft><FONT face=3DTah=
oma size=3D2>-----Original Message-----<BR><B>From:</B> Sony Felberg [mai=
lto:sony@real.com]<BR><B>Sent:</B> Wednesday, July 28, 2004 5:46 PM<BR><B=
>To:</B> Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> Program l=
ike acid for MAC 9?<BR><BR></FONT></DIV>
<TABLE id=3Dmod_EDIMAINTABLE cellSpacing=3D0 cellPadding=3D2 width=3D"100=
%" border=3D0>
<TBODY>
<TR>
<TD id=3Dmod_EDITEXTREGION style=3D"FONT-SIZE: 12pt; CURSOR: auto; FONT-F=
AMILY: Arial" width=3D"100%">
<DIV>&nbsp;Does anyone know of a program like Acid for MAC OS 9?</DIV>
<DIV>&nbsp;Looking to alter tempo and pitch of existing loops. </DIV>
<DIV>&nbsp;</DIV>
<DIV>TX!</DIV>
<DIV>&nbsp;</DIV>
<DD>
<DIV align=3Dleft></DIV>
<DD>
<DIV align=3Dleft></DIV>
<DD>
<DIV align=3Dleft></DIV>
<DD>
<DIV align=3Dleft>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
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0 size=3D5>SE Help</B></FONT><FONT color=3D#0000ff></DIV>
<DD>
<DIV align=3Dleft><A title=3Dhttp://wwwhost.rbn.com/sfelberg/web/system8/=
Start.smi href=3D"http://wwwhost.rbn.com/sfelberg/web/system8/Start.smi" =
target=3D_blank eudora=3D"autourl">http://wwwhost.rbn.com/sfelberg/web/sy=
stem8/Start.smi</A></U></FONT><FONT color=3D#800000 size=3D5> </DIV>
<DD>
<DIV align=3Dleft>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
First Eval' Help.....</FONT><FONT color=3D#800000>Click Below</B></FONT><=
FONT color=3D#0000ff> </DIV>
<DD>
<DIV align=3Dleft><A title=3Dhttp://wwwhost.rbn.com/rninfo/rninfo/web/hel=
ix_eval/index.smil href=3D"http://wwwhost.rbn.com/rninfo/rninfo/web/helix=
_eval/index.smil" target=3D_blank eudora=3D"autourl">http://wwwhost.rbn.c=
om/rninfo/rninfo/web/helix_eval/index.smil</A></U></FONT><FONT color=3D#0=
08000> </FONT></DIV>
<DD>
<DIV align=3Dleft><FONT color=3D#008000></FONT>&nbsp;</DIV><FONT color=3D=
#008000>
<DD>
<DIV align=3Dleft>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
Real Producer Tutorial<FONT color=3D#0000ff></DIV>
<DD>
<DIV align=3Dleft><A title=3Dhttp://wwwhost.rbn.com/rninfo/rninfo/web/hel=
ix_eval/index.smil href=3D"http://wwwhost.rbn.com/rninfo/rninfo/web/RealP=
rodTutorial/open/open.smil" target=3D_blank eudora=3D"autourl">http://www=
host.rbn.com/rninfo/rninfo/web/RealProdTutorial/open/open.smil</A></FONT>=
<FONT color=3D#008000> </FONT></DIV>
<DD>
<DIV align=3Dleft>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </FONT></DIV>
<DD>
<DIV align=3Dleft>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;<FONT color=3D#ff8040>&nbsp;Encoding Specs (dynami=
c tool)</FONT></DIV>
<DD>
<DIV align=3Dleft><STRONG><FONT color=3D#008000><A href=3D"http://docs.re=
al.com/docs/kbresources/EncodingFormulas.xls">http://docs.real.com/docs/k=
bresources/EncodingFormulas.xls</A></FONT></STRONG></DIV>
<DD>
<DIV align=3Dleft><FONT color=3D#008000><STRONG>&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <FONT color=3D=
#400080>Free Player URL</FONT></STRONG></FONT></DIV>
<DD>
<DIV align=3Dleft>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp; &nbsp;<A href=3D"http://www.realnetworks.com/info/freep=
layer/">http://www.realnetworks.com/info/freeplayer/</A></DIV>
<DD>
<DIV align=3Dleft>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<STRONG><FONT color=3D#ff8040>Ent=
erprise Player Guide&nbsp;&nbsp;&nbsp;&nbsp;</FONT></STRONG></DIV>
<DD>
<DIV align=3Dleft><STRONG><FONT color=3D#ff8040>&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</=
FONT></STRONG><A title=3Dhttp://service.real.com/help/library/guides/rdm/=
rdmguide.htm href=3D"http://service.real.com/help/library/guides/rdm/rdmg=
uide.htm" target=3D_blank><FONT size=3D1>http://service.real.com/help/lib=
rary/guides/rdm/rdmguide.htm</FONT></A></DIV></DD></TD></TR>
<TR>
<TD id=3Dmod_EDIFOOTER width=3D"100%">
<TABLE cellSpacing=3D0 cellPadding=3D0 width=3D"100%">
<TBODY>
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<TD id=3Dmod_EDIANIM vAlign=3Dbottom align=3Dmiddle></TD></TR></TBODY></T=
ABLE></TD></TR></TBODY></TABLE></DIV>
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<TD id=3DINCREDISOUND vAlign=3Dbottom align=3Dmiddle></TD>
<TD id=3DINCREDIANIM vAlign=3Dbottom align=3Dmiddle></TD></TR></TBODY></T=
ABLE></TD></TR></TBODY></TABLE></BODY></HTML>
--------------Boundary-00=_8CDM4VA4G6G000000000--

From Loopers-Delight-request@loopers-delight.com  Thu Jul 29 11:44:32 2004
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Date: Thu, 29 Jul 2004 11:44:17 -0400
From: Douglas Baldwin <coyotelk@optonline.net>
Subject: Re: Drum Machine solutions
To: Loopers-Delight@loopers-delight.com
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    With all this talk about getting tired of drum machines, I can't help
but wonder why no one has mentioned pitch shift as a way to create new
sounds. I have an old Alesis HR-16 (the early grey version of the MR-16) and
I've NEVER tired of retuning the drums, mixing sounds to achieve new
textures, etc. Three quickies for audio refreshment:
    * tune the floor tom way down and use it for a kick drum. The long, slow
resonance sounds like John Bonham in the hallway at Brwn-ay-yur.
    * mix a little timbale or high-tuned piccolo snare with the wood snare
for extra snap. Or mix a little down-tuned wood block with the kick drum. Or
a little downtuned triangle with the ride cymbal. Or any wack retuned sound
with the "normal" sound. (Downtuned tambourines sound like a bag of pots and
pans.)
    * because the HR-16 won't allow the same sound to overlay upon itself,
you can play a sound two times in a row, edit the firsat attack to volume =
8 (max), second attack to volume = 1 (min), and you get instant gating.
    I remember demo'ing a Boss drum box which had tuning increments in
microtones. Just the sound of retuning the cymbals and triangles was wicked
cool! Stupid flangey overtones whirling about!
    And of course this is without running your "boring" drum machine into
some manglatorio stomp box...!
Douglas Baldwin, coyote-at-large
coyotelk@optonline.net

From Loopers-Delight-request@loopers-delight.com  Thu Jul 29 11:48:26 2004
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From: Mark Hamburg <mark_hamburg@baymoon.com>
Subject: Re: Lesson Learned: Ordering Anything involving UPS
Date: Thu, 29 Jul 2004 08:46:49 -0700
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Hmm. I guess one needs to figure out how to have stuff labeled as being 
alcohol and hence requiring an adult signature. UPS never automatically 
leaves the wine club shipments at the door.

I had FedEx Ground deliver something to someone only to have the 
tracking information report that it was signed for by S. IDEDOOR. Since 
the recipient had had to leave town unexpectedly, it sat for quite a 
while.

I've also heard reports that FedEx has a policy of not paying insurance 
claims -- or at least of making it very difficult to collect. I work 
with someone who sold via eBay some camera equipment to someone in 
Spain, shipped it FedEx, and had the buyer report that the box arrived 
empty. FedEx eventually coughed up the insurance money, but it took 
some arm twisting.

That being said, I still tend to go with FedEx Ground since I haven't 
found anything I prefer.

Mark

From Loopers-Delight-request@loopers-delight.com  Thu Jul 29 12:10:55 2004
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Date: Thu, 29 Jul 2004 11:06:25 -0500
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From: Mech <mech@m3ch.net>
Subject: Re: Lesson Learned: Ordering Anything involving UPS
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At 11:35 PM 7/28/2004, Paolo Valladolid wrote:
>This may be old-hat to you Internet-shopping savvy
>loopers, but I just found out that the UPS driver can
>decide to simply leave your package outside your door
>if you're not home.

I've not had any of these problems with UPS, although I live smack in the 
middle of an urban neighborhood and I'm on really good terms with with our 
regular driver.  My big gripe is USPS, because they'll just drop anything 
anywhere without leaving a notice.  For instance, I got a credit card 
stolen out of the mail a couple of months ago before I ever received 
it.  How the hell did that happen?  I had to go through the whole 'identity 
theft' pain in the a**, but I've got a really cool bank and they're taking 
care of the prosecution for me.

Also, in the past I would never use Airborne Express because of this very 
reason (don't know if that's still the case since they've been purchased by 
DHL).  And, as previously mentioned, Fedex Ground will ring-&-run as well, 
leaving the package on the street if they have to.

About the only delivery service I've found that will consistently require a 
real human being and a signature is Fedex Standard/Priority.

         --m.

-- Duke Sexton
    Field Services Region Manager - Western Region
    F5 Networks

    773.338.2379 (w)
    773.580.7439 (c)
    d.sexton@f5.com

From Loopers-Delight-request@loopers-delight.com  Thu Jul 29 12:41:26 2004
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Date: Thu, 29 Jul 2004 09:34:16 -0700 (PDT)
From: Paolo Valladolid <paolovalladolid@yahoo.com>
Subject: Re: Lesson Learned: Ordering Anything involving UPS
To: Loopers-Delight@loopers-delight.com
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Holy crap, guys!!!

Now I feel a little better.  I "only" stand to lose a
$450 investment.  Looks a lot smaller compared to
$3000.  Glad to here you guys didn't lose your gear!

Paolo

--- Mark Sottilaro <sine@zerocrossing.net> wrote:

> I find that FedEx does the same thing.  I ship stuff
> FedEx ground to 
> people for Ebay auctions and I've never gotten a
> complaint, but I 
> wonder about such things.  I live in a quiet
> neighborhood on a tiny 
> dead end, and I've got a closed in porch, but my
> wife bought a Yamaha 
> S80 and they left it (actually, I'm not sure who the
> shipper was) in 
> our driveway!  I've been home when stuff was just
> dropped off without 
> even a doorbell.  What's going on?  I don't think
> this every used to 
> happen.  On some level, it's easier getting stuff
> not having to wait 
> for it, but I wonder how they can get away with
> this.  Do they have to 
> come up with an insurance payment if it's taken off
> your porch?
> 
> Anyway, this story's going to make me act to make my
> work address the 
> same as my credit card so I can use it as a shipping
> address.
> 
> Mark
> 
> On Jul 29, 2004, at 1:35 AM, |SquidLoop| wrote:
> 
> > Yeah I remember coming home one night and seeing
> about
> > 5 packages laying at my front door - about 5
> modules
> > for my rack - over $3000 of stuff - I lived in an
> > apartment building with many many units. At the
> time I
> > wasn't getting him until dark so you can see how
> > pissed off I was when I saw all that stuff just
> laying
> > there. Luckily it was still there when I got home
> ...
> > ARGGH !
> >
> >
> > 		
> > __________________________________
> > Do you Yahoo!?
> > New and Improved Yahoo! Mail - Send 10MB messages!
> > http://promotions.yahoo.com/new_mail
> >
> 
> 



		
__________________________________
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From Loopers-Delight-request@loopers-delight.com  Thu Jul 29 12:51:55 2004
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Date: Thu, 29 Jul 2004 09:49:16 -0700
From: Tom Attix <tattix@adobe.com>
Subject: Re: Lesson Learned: Ordering Anything involving UPS
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I would, if possible, avoid FedEx Ground (as opposed to regular FedEx). 
 From what I was told by phone support, they will attempt delivery 3 
times and then they return it to sender, they also will not hold for 
pick up.

On Jul 29, 2004, at 8:46 AM, Mark Hamburg wrote:

Hmm. I guess one needs to figure out how to have stuff labeled as being 
alcohol and hence requiring an adult signature. UPS never automatically 
leaves the wine club shipments at the door.

I had FedEx Ground deliver something to someone only to have the 
tracking information report that it was signed for by S. IDEDOOR. Since 
the recipient had had to leave town unexpectedly, it sat for quite a 
while.

I've also heard reports that FedEx has a policy of not paying insurance 
claims -- or at least of making it very difficult to collect. I work 
with someone who sold via eBay some camera equipment to someone in 
Spain, shipped it FedEx, and had the buyer report that the box arrived 
empty. FedEx eventually coughed up the insurance money, but it took 
some arm twisting.

That being said, I still tend to go with FedEx Ground since I haven't 
found anything I prefer.

Mark

From Loopers-Delight-request@loopers-delight.com  Thu Jul 29 13:13:54 2004
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Date: Thu, 29 Jul 2004 10:02:29 -0700 (PDT)
From: Brian Kupferschmid <apparitionapparition@yahoo.com>
Subject: Re: Drum Machine solutions
To: Loopers-Delight@loopers-delight.com
In-Reply-To: <009901c47583$0ce02c00$9715be18@oemcomputer>
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You know, if you have an older unit(I used to own a
Roland TR-505, but I had a brief fit of stupidity and
sold it)that has MIDI capabilities, you can use it to
drive your sequencer in your computer or drive a
sampler.  Another trick I used to do was effect the
crap out of it, I had a reverse reverb program that I
used once and made an awesome sounding tune with
backward guitars and tight rhythm playing that easily
could've been used in a porn flick.  The other option
to consider is circuit bending.  Right before I sold
my 505, I was going to have it shipped out to one of
those guys that mods the crap out of stuff like that
and have it so I can pull an additional 16 sounds or
whatever out of it.  I didn't, and am still
considering buying another one already modded out.  so
think about that as an option as well.
--- Douglas Baldwin <coyotelk@optonline.net> wrote:

>     With all this talk about getting tired of drum
> machines, I can't help
> but wonder why no one has mentioned pitch shift as a
> way to create new
> sounds. I have an old Alesis HR-16 (the early grey
> version of the MR-16) and
> I've NEVER tired of retuning the drums, mixing
> sounds to achieve new
> textures, etc. Three quickies for audio refreshment:
>     * tune the floor tom way down and use it for a
> kick drum. The long, slow
> resonance sounds like John Bonham in the hallway at
> Brwn-ay-yur.
>     * mix a little timbale or high-tuned piccolo
> snare with the wood snare
> for extra snap. Or mix a little down-tuned wood
> block with the kick drum. Or
> a little downtuned triangle with the ride cymbal. Or
> any wack retuned sound
> with the "normal" sound. (Downtuned tambourines
> sound like a bag of pots and
> pans.)
>     * because the HR-16 won't allow the same sound
> to overlay upon itself,
> you can play a sound two times in a row, edit the
> firsat attack to volume =
> 8 (max), second attack to volume = 1 (min), and you
> get instant gating.
>     I remember demo'ing a Boss drum box which had
> tuning increments in
> microtones. Just the sound of retuning the cymbals
> and triangles was wicked
> cool! Stupid flangey overtones whirling about!
>     And of course this is without running your
> "boring" drum machine into
> some manglatorio stomp box...!
> Douglas Baldwin, coyote-at-large
> coyotelk@optonline.net
> 
> 



		
__________________________________
Do you Yahoo!?
Yahoo! Mail Address AutoComplete - You start. We finish.
http://promotions.yahoo.com/new_mail 

From Loopers-Delight-request@loopers-delight.com  Thu Jul 29 13:26:29 2004
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I have a Boss DR-660, which by itself sounds pretty crappy. I just run it 
through lots of highly-variable effects and 2 seperate looping/sampling 
chains.

_________________________________________________________________
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Money. http://special.msn.com/money/0407debt.armx

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Mark Hamburg wrote about my desert island choice of a PC over a Mac

"The software and peripheral availability won't do you much good on the
desert island. ;-)"

Touche, Mark!

But I will have Acid, FLStudio, Tu2, Granulab, Sound Forge, Vegas, Cubase SX
and a zillion freeware plugins
to fritter away the warm tropical hours.

I'll just have to cry in my coconut milk, I guess.

  Rick  (desparately trying to figure out how to fashion a kluged wi-fi
system out of coconut shell and a lobster.)


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On Jul 29, 2004, at 10:40 AM, loop.pool wrote:

>   Rick  (desparately trying to figure out how to fashion a kluged wi-fi
> system out of coconut shell and a lobster.)
>

There's a Gilligan's Island episode about that.

Mark

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Subject: RE: Lesson Learned: Ordering Anything involving UPS
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 You can always specify the box says 'live bees' or 'medical waste', which
might deter some theives, but then there are strange people that like that
stuff.

Dave Eichenberger 
http://www.hazardfactor.com

 
> 
> Hmm. I guess one needs to figure out how to have stuff 
> labeled as being alcohol and hence requiring an adult 
> signature. UPS never automatically leaves the wine club 
> shipments at the door.
>  

From Loopers-Delight-request@loopers-delight.com  Thu Jul 29 16:16:17 2004
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From: Bill Fox <billyfox@soundscapes.us>
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http://soundscapes.us/amfm/playlists/2004/040724.html

The Saturday AM/FM Show is hosted every other week by Bill Fox who plays
electronic, ambient, spacemusic, Progressive Rock, and an eclectic mix 
of other
genres.  The show airs from 6:00 am to 8:00 am on WMUH Allentown, 91.7 
FM and
on the internet.  I also host Afterglow every Thursday from 8:00 am to 
9:30 am.

                    Show #50                    July 22, 2004.

On this show, I played music by Land of Chocolate and Erik Norlander who 
will
appear at the New Jersey Proghouse on July 30.

Erik Norlander - http://eriknorlander.com
Land of Chocolate - http://www.landofchocolate.net
New Jersey Proghouse - http://njproghouse.com


Phase I/Space:

ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
===============================
The Ministry of Inside  Radio Concert - part 1   CDR (none)
  Things


Phase II/Eclectic:

ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
===============================
Robert Rich             Insular                  Open Window (Soundscape)
Michael Diamond         Shambala                 Atlaantis Rising (none)
Jordan Rudess           A Step Beyond            4NYC (Magna Carta)


Phase III/Progressive Rock:

ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
===============================
Land of Chocolate       Mechanical Pencil        Regaining the Feel 
(Slipt Disc)
Erik Norlander          Metamorphosis            Music Machine (Avalon)
Erik Norlander          One of the Machines      Music Machine (Avalon)
Gordian Knot            Muttersprache            Emergent (Sensory)
Joe Bird and the        Kalyani                  American Metaphysical 
Circus
  Field Hippies                                    (One Way)
Joe Bird and the        You Can't Ever Come      American Metaphysical 
Circus
  Field Hippies           Down                     (One Way)
IQ                      About Lake Five          Seven Stories Into 98 
(none)
IQ                      Red Dust Shadow          Dark Matter (Giant Electric
                                                   Pea)


 * = exerpt
VA = Various Artists (compilation)

I return to the AM/FM Show in three weeks on August 21.

Bill
==========================================================================================================
Host of the AM/FM Show every other Saturday at 6:00 am (GMT-5:00).
Phase 1: Electronic, ambient, and space music to bring you back from 
"Beyond the Barriers."
Phase 2: Mixed bag of acoustic, electric, pop, or New Age.
Phase 3: Progressive rock from past masters to comtemporary releases.
Web Site - http://soundscapes.us/amfm
Listen to WMUH Allentown locally at 91.7 FM or on-line at 
http://www.muhlenberg.edu/wmuh  and  click  the
REAL AUDIO link or go directly to 
http://192.104.181.184:8080/ramgen/encoder/live.rm
==========================================================================================================
The progdj list is the central clearing house for radio playlists of 
Progressive Rock programs.   Tired of
joining dozens of mailing lists to post playlists or track airplay?   
The progdj list solves that problem.

The progdj list is the place to go in order to see  playlists  and  CD  
and  concert  reviews  by  DJs  of
progressive rock-friendly radio programs.    Anyone interested in seeing 
playlists can join.   There is NO
SPAM because I keep the spammers out before the members ever see any 
hint of it.

The progdj list is for DJs (obviously!) and band members, record label 
personnel, promoters, managers, and
anyone else interested in seeing what gets played on the air.   Need to 
find who is playing  prog  on  the
radio?  Go to the progdj list.

To  join,   go  to  http://groups.yahoo.com/group/progdj  and  click  
on  the  [Join  This  Group!]  link.
==========================================================================================================

From Loopers-Delight-request@loopers-delight.com  Thu Jul 29 16:26:19 2004
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Subject: RE: Lesson Learned: Ordering Anything involving UPS
Date: Thu, 29 Jul 2004 16:24:56 -0400
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I order the large majority of my stuff from Sweetwater, and any time there
was some doubt as to my being home to take delivery (Sweetwater always
requires a signature at the receiving end), my "Sales Engineer" would put
the local FedEx depot as the delivery address and they would hold it at the
depot and I could pick up my package there. Always worked flawlessly.

Stuff like that is why I have always found Sweetwater's sometimes slightly
higher prices very worth it.

-----Original Message-----
From: Tom Attix [mailto:tattix@adobe.com]
Sent: Thursday, July 29, 2004 12:49 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Lesson Learned: Ordering Anything involving UPS


I would, if possible, avoid FedEx Ground (as opposed to regular FedEx).
 From what I was told by phone support, they will attempt delivery 3
times and then they return it to sender, they also will not hold for
pick up.

On Jul 29, 2004, at 8:46 AM, Mark Hamburg wrote:

Hmm. I guess one needs to figure out how to have stuff labeled as being
alcohol and hence requiring an adult signature. UPS never automatically
leaves the wine club shipments at the door.

I had FedEx Ground deliver something to someone only to have the
tracking information report that it was signed for by S. IDEDOOR. Since
the recipient had had to leave town unexpectedly, it sat for quite a
while.

I've also heard reports that FedEx has a policy of not paying insurance
claims -- or at least of making it very difficult to collect. I work
with someone who sold via eBay some camera equipment to someone in
Spain, shipped it FedEx, and had the buyer report that the box arrived
empty. FedEx eventually coughed up the insurance money, but it took
some arm twisting.

That being said, I still tend to go with FedEx Ground since I haven't
found anything I prefer.

Mark

From Loopers-Delight-request@loopers-delight.com  Thu Jul 29 18:19:57 2004
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Subject: RE: Buying an Echoplex and Firstborns
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Speaking of selling EDPs

I bought my Oberheim EDP from a listy, updated it to Loop IV, and then proceeded to leave it in the rack in my studio and never used it.

It's got the full RAM contingent and the foot controller.

If you're interested, drop me a line and make an offer.  If I don't hear anything, I'll bung it up on Ebay.

    Kevin

P.S. I also have a slightly banged up Boomerang with 4MB, but the version 1 OS that I've toured with but still works fine.  If anyone is interested in that let me know...

P.P.S. don't worry, I'm still looping, but between Live, my Repeater, DL4 and Headrush I'm more than well taken care of.


---------- Original Message ----------------------------------
From: "Lance Zechinato" <LanceZechinato@verizon.net>
Reply-To: <LanceZechinato@verizon.net>
Date: Wed, 28 Jul 2004 10:43:14 -0400

>(The arms and firstborns comment was about Kyma+Capybara+LCK, cuz it's way
>out of my price range.  But it's also #1 on my wish list!)
>
>Two days ago I shipped my new/never-unpacked EDP+EFC7 to an LD lister
>(congrats!) for exactly what I paid for it, which included my ASCAP
>discount.  I bought it from Musician's Friend -- still my favorite online
>music retailer, I might add.  But you're right: even at EDP=$759, plus
>EFC7=$94, plus max Gold Coverage on both, it was close to a grand.
>
>I just bought a mint Repeater on eBay couple days ago, so you know I'm
>chewing on my greens. ;)  I paid what it was worth to me.  To ME.  And
>that's really the name of the game, right?  If the EDP got super scarce and
>went for $2k, people would buy it.  Because that's what it would be worth to
>THEM.
>
>Interestingly, there isn't a single EDP on eBay.  And it's a real rarity to
>see a blackface.
>
>
>-----Original Message-----
>From: Gary Lehmann [mailto:hqr@cox.net]
>Sent: Wednesday, July 28, 2004 9:47 AM
>To: Loopers-Delight@loopers-delight.com
>Subject: Buying an Echoplex and Firstborns
>
>Thought I'd weigh in--
>I sold one of my two EDPs less than three months ago and so will be
>replacing it thru Alto Music when they get theirs.
>There are several solidly established American artists using the EDP so I
>will be really surprised if Gibson drops them from their production
>line--but the chances are greater of it continuing to be available if half
>the people who want to experiment with MF's price policies just cut to the
>chase and get one from a retailer who has a price they can afford.  Let's
>face it, the thing is close to a grand no matter where you buy it.  I didn't
>ask at Alto, I just got in line for when they arrive, but I'm sure that with
>tax and shipping it will be close to $800.  Where I live that's close to a
>grand.  So no one will make them if nobody buys them--shop around and put
>your money where your mouth is.
>Firstborns are important too--best of luck to Lance!
>Gary
>
>-----Original Message-----
>From: Lance Zechinato [mailto:LanceZechinato@verizon.net]
>Sent: Wednesday, July 28, 2004 12:55 AM
>To: Loopers-Delight@loopers-delight.com
>Subject: RE: Musicians friend Price politics
>
>Maybe the universe lowered its prices while the EDP stayed the same. ;) It's
>all relative according to Einstein; we'd never perceive it.  (I bet Gibson
>winked... writing-on-the-wall type thing, so your theory sounds
>good.)
>
>Musician's Friend's knows which way the wind is blowing re/EDP if anyone.
>And nobody's talking about EDPs beyond the as-yet shipped units.  I imagine
>EDP sales don't bring in truckloads of cash for Gibson.  I say sell the EDP
>division to a non-karaoke company!  ;)  Seems somebody would dig to slapping
>their name in front of "Echoplex".  Or change it to the "DigiTech Geckoplex"
>or something.
>
>It'll be interesting to see what happens next commercially.  The next cat's
>meow... is it Matthias and the rumored Chameleon "Echoplex" skin?  G4s and
>Ableton?  Kyma X plus  Capybara plus LCK (plus arms and legs and
>firstborns)?
>
>
>-----Original Message-----
>From: | SquidLoop | [mailto:tentacle_joe@yahoo.com]
>Sent: Tuesday, July 27, 2004 9:49 PM
>To: Loopers-Delight@loopers-delight.com
>Subject: RE: Musicians friend Price politics
>
>--- Greg House <ghunicycle@yahoo.com> wrote:
> It wouldn't surprise me to
>> find that they cut some deal
>> with Gibson to buy the entire stock, hence removing the competition,
>> before raising the price so dramatically.
>
>Although I doubt this but has anybody considered that maybe Gibson raised
>the price of the units causing MF to raise their prices in the catalog?
>
>

--
-------------------------------------------------------------
Kevin Goldsmith            remove "online" from reply address
Unit Circle Media                   http://www.unitcircle.com
-------------------------------------------------------------

--

From Loopers-Delight-request@loopers-delight.com  Thu Jul 29 19:10:12 2004
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Subject: Re: Lesson Learned: Ordering Anything involving UPS
Date: Thu, 29 Jul 2004 19:14:17 -0400
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Heck, at my home in Pittsburgh, I'd be pissed if UPS DIDN'T leave the
package on my front door. 'Course, my neighborhood is off the beaten path
and stuff is pretty safe being dropped off.

By the same token, in Georgia where I'm working, I was expecting an amp for
delivery. UPS came and didn't even knock but left a message on my door. That
meatball ended up dropping off my amp at my apartment's office where I had
to schlep the over 100 lb box to my truck.

UPS has left envelopes on my front door in Georgia that contained checks in
substantial amounts. Go figure.

Pablo

----- Original Message -----
From: "Hoby Ebert" <lists@moondogeast.org>
To: "LoopersDelightlist" <Loopers-Delight@loopers-delight.com>
Sent: Thursday, July 29, 2004 4:24 PM
Subject: RE: Lesson Learned: Ordering Anything involving UPS


> I order the large majority of my stuff from Sweetwater, and any time there
> was some doubt as to my being home to take delivery (Sweetwater always
> requires a signature at the receiving end), my "Sales Engineer" would put
> the local FedEx depot as the delivery address and they would hold it at
the
> depot and I could pick up my package there. Always worked flawlessly.
>
> Stuff like that is why I have always found Sweetwater's sometimes slightly
> higher prices very worth it.
>
> -----Original Message-----
> From: Tom Attix [mailto:tattix@adobe.com]
> Sent: Thursday, July 29, 2004 12:49 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Lesson Learned: Ordering Anything involving UPS
>
>
> I would, if possible, avoid FedEx Ground (as opposed to regular FedEx).
>  From what I was told by phone support, they will attempt delivery 3
> times and then they return it to sender, they also will not hold for
> pick up.
>
> On Jul 29, 2004, at 8:46 AM, Mark Hamburg wrote:
>
> Hmm. I guess one needs to figure out how to have stuff labeled as being
> alcohol and hence requiring an adult signature. UPS never automatically
> leaves the wine club shipments at the door.
>
> I had FedEx Ground deliver something to someone only to have the
> tracking information report that it was signed for by S. IDEDOOR. Since
> the recipient had had to leave town unexpectedly, it sat for quite a
> while.
>
> I've also heard reports that FedEx has a policy of not paying insurance
> claims -- or at least of making it very difficult to collect. I work
> with someone who sold via eBay some camera equipment to someone in
> Spain, shipped it FedEx, and had the buyer report that the box arrived
> empty. FedEx eventually coughed up the insurance money, but it took
> some arm twisting.
>
> That being said, I still tend to go with FedEx Ground since I haven't
> found anything I prefer.
>
> Mark
>
>


From Loopers-Delight-request@loopers-delight.com  Thu Jul 29 21:03:52 2004
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http://wdiy.org/programs/emusic/playlists/2004/040722.html

EMUSIC is an electronic, ambient, and space music show, that airs each 
Thursday
at 11:00 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA 93.9 FM in Easton,
PA and Phillipsburg, NJ, 92.9 FM on Service Electric Cable, and 
webcasting on
the internet.

                    Show #383                    July 22, 2004

RECAP:
On this show, I preempted the month-long focus on Klaus Schulze.  
Instead, the
Ministry of Inside Things performed live in the studio for the entire show.

Klaus Schulze - 
http://wdiy.org/programs/emusic/playlists/2004/focus04.html#jul
Ministry of Inside Things - 
http://wdiy.org/programs/emusic/concerts/artists.html


PLAYLIST:

ARTIST                  TRACK                    ALBUM (label)
======================= ======================== 
==============================
11:00 pm
The Ministry of Inside Things in-studio EMUSIC Concert part 1

12:00 am
The Ministry of Inside Things in-studio EMUSIC Concert part 2

1:00 am

 * = exerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist


NEXT SHOW:
On the next EMUSIC, I'll continue the month-long focus on Klaus Schulze 
and his
"Contemporary Works, Volume 1" ten CD boxed set.  The Featured CD at 
Midnight
will be "U.S.O." on the Rainhorse label.

The Vinyl Starter will be from the LP "Flashpoint" by Tangerine Dream on EMI
America records.

Bill
===============================================================================
Host of EMUSIC, an electronic, ambient,  and space music show,  
Thursdays at 11
pm (GMT-5:00) on WDIY 88.1 FM in Allentown and Bethlehem and 93.9 FM in 
Easton
and Phillipsburg.  Listen on-line to WDIY at http://wdiy.org  and click  
LISTEN
EMUSIC web site - http://wdiy.org/programs/emusic
Stream URL: http://rm1.refugemedia.com/ramgen/encoder/wdiy.rm
To subscribe to the EMUSIC-on-WDIY mailing list, click on [Join This 
Group!] at
http://groups.yahoo.com/group/emusic-wdiy

From Loopers-Delight-request@loopers-delight.com  Thu Jul 29 21:10:51 2004
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Subject: Re: PDX looping venues
Date: Thu, 29 Jul 2004 18:09:38 -0700
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    I'm playing a gig (not a looping thing) at Yola's on 65th and Foster on
Saturday morning.  I play folk with my mother every other Saturday, from
10:30 AM to 12:30 PM.
    It's a very cool little coffee house, they might be open to looping.
    -Jonathan

----- Original Message ----- 
From: "Mark Sottilaro" <sine@zerocrossing.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, July 28, 2004 11:32 PM
Subject: Re: PDX looping venues


> Dude, everytime I see your name I think, "Mmmmm, I'd love some
> delicious Chili Colorado right now."
>
> Sorry, it's late and my filter is off.
>
> Mark
>
> On Jul 28, 2004, at 2:40 PM, Kevin Cheli-Colando wrote:
>
> >
> >
> >> Can anyone out in Portland point me towards some suitable venues for
> > acoustic guitar live looping?  You know, coffeehouse type places where
> > I
> > can put out a tip jar and play a couple of sets accompanied by the milk
> > steamer.
> >
> > I've heard that referred to as Playing in the Key of Steam
> >
> > Kevin
> >
> > How amazing, how amazing!
> > Hard to comprehend that
> > Nonsentient beings expound Dharma.
> > It simply cannot be heard with the ear,
> > But when sound is heard with the eye,
> > Then it is understood.
> > - Tung-shan (807-869)
> >
> > Sound and Vision:    http://www.minds-eye.org
> >

From Loopers-Delight-request@loopers-delight.com  Thu Jul 29 23:54:23 2004
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Subject: Re: Lesson Learned: Ordering Anything involving UPS
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My lesson learned was to ALWAYS have important things shipped to where I
work.  If it's big, I can always bring my car the following day.

From Loopers-Delight-request@loopers-delight.com  Fri Jul 30 00:52:24 2004
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Mark Sottilaro wrote:

> Dude, everytime I see your name I think, "Mmmmm, I'd love some 
> delicious Chili Colorado right now."
>
> Sorry, it's late and my filter is off.
>
That's okay, its all part of the subliminal induction plan.  First you 
associate my name with tasty snacks, then.....

If it helps, I pronounce my last name like Kelly Co-lah-n-doh.  Maybe 
its still a snack food kind of last name, I don't know.

Kevin

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Salty lardo
Signed,
The lame-man 

-----Original Message-----
From: Kevin Cheli-Colando [mailto:kevin@minds-eye.org] 
Sent: Thursday, July 29, 2004 9:51 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: PDX looping venues

Mark Sottilaro wrote:

> Dude, everytime I see your name I think, "Mmmmm, I'd love some 
> delicious Chili Colorado right now."
>
> Sorry, it's late and my filter is off.
>
That's okay, its all part of the subliminal induction plan.  First you
associate my name with tasty snacks, then.....

If it helps, I pronounce my last name like Kelly Co-lah-n-doh.  Maybe its
still a snack food kind of last name, I don't know.

Kevin



From Loopers-Delight-request@loopers-delight.com  Fri Jul 30 01:17:47 2004
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From: Mark Sottilaro <sine@zerocrossing.net>
Subject: Re: PDX looping venues
Date: Thu, 29 Jul 2004 22:18:14 -0700
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What about the "late to work" inspired Slow to late-o?

Maybe I should change my name to Mark Slowdelayo.

Mark

On Jul 29, 2004, at 9:58 PM, Gary Lehmann wrote:

> Salty lardo
> Signed,
> The lame-man
>
> -----Original Message-----
> From: Kevin Cheli-Colando [mailto:kevin@minds-eye.org]
> Sent: Thursday, July 29, 2004 9:51 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: PDX looping venues
>
> Mark Sottilaro wrote:
>
>> Dude, everytime I see your name I think, "Mmmmm, I'd love some
>> delicious Chili Colorado right now."
>>
>> Sorry, it's late and my filter is off.
>>
> That's okay, its all part of the subliminal induction plan.  First you
> associate my name with tasty snacks, then.....
>
> If it helps, I pronounce my last name like Kelly Co-lah-n-doh.  Maybe 
> its
> still a snack food kind of last name, I don't know.
>
> Kevin
>
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Jul 30 06:44:24 2004
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From: goddard.duncan@mtvne.com
To: Loopers-Delight@loopers-delight.com
Subject: RE: Drum Machine solutions
Date: Fri, 30 Jul 2004 11:33:35 +0100
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>>With all this talk about getting tired of drum machines, I can't help but wonder why no one has mentioned pitch shift as a way to create new sounds. I have an old Alesis HR-16 (the early grey version of the MR-16) and I've NEVER tired of retuning the drums...... 
[giant snip]
Downtuned tambourines sound like a bag of pots and pans...... * because the HR-16 won't allow the same sound to overlay upon itself, you can play a sound two times in a row...... instant gating.<<

now you're talking! I bought an hr16 when they were brand new & quite expensive, mainly because it was the first affordable drum machine I'd heard that was remotely convincing. 
I knew also, even in 1988, that down-tuning was they way I would go, & that this box could do it. 
I believe the standard hr16 (& this may have changed on the sr16 or even the hr16b) had some quirks in it's voice allocation- the buttons were freely assignable but the ones marked open hat & closed hat were mutually exclusive. I think there was some limit on how many of the perc buttons would fire at once, but it was capable of some mad polyphony with tuned triangles. 
there was a demo pattern that used this effect to play a little tune, which has certainly ended up in one of our tracks with only minor alterations.
& I was just about to hand it over to my guitarist too....
my favourite trick on the hr16 was layering sounds- sometimes as many as 10- panned & tuned this way & that, & all triggered by the same midi-note. blam!
I like the way you can set the length of the patterns to be anything you want, & switch the quant right off too. I have a magazine interview with one of it's designers somewhere- I think marcus ryle was involved too. good machine.

duncan.


***************************************************************************
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1">
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<TITLE>RE: Drum Machine solutions</TITLE>
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<BODY>

<P><FONT SIZE=3D2>&gt;&gt;With all this talk about getting tired of drum ma=
chines, I can't help but wonder why no one has mentioned pitch shift as a w=
ay to create new sounds. I have an old Alesis HR-16 (the early grey version=
 of the MR-16) and I've NEVER tired of retuning the drums...... </FONT></P>

<P><FONT SIZE=3D2>[giant snip]</FONT>
<BR><FONT SIZE=3D2>Downtuned tambourines sound like a bag of pots and pans.=
..... * because the HR-16 won't allow the same sound to overlay upon itself=
, you can play a sound two times in a row...... instant gating.&lt;&lt;</FO=
NT></P>

<P><FONT SIZE=3D2>now you're talking! I bought an hr16 when they were brand=
 new &amp; quite expensive, mainly because it was the first affordable drum=
 machine I'd heard that was remotely convincing. </FONT></P>

<P><FONT SIZE=3D2>I knew also, even in 1988, that down-tuning was they way =
I would go, &amp; that this box could do it. </FONT>
<BR><FONT SIZE=3D2>I believe the standard hr16 (&amp; this may have changed=
 on the sr16 or even the hr16b) had some quirks in it's voice allocation- t=
he buttons were freely assignable but the ones marked open hat &amp; closed=
 hat were mutually exclusive. I think there was some limit on how many of t=
he perc buttons would fire at once, but it was capable of some mad polyphon=
y with tuned triangles. </FONT></P>

<P><FONT SIZE=3D2>there was a demo pattern that used this effect to play a =
little tune, which has certainly ended up in one of our tracks with only mi=
nor alterations.</FONT></P>

<P><FONT SIZE=3D2>&amp; I was just about to hand it over to my guitarist to=
o....</FONT>
<BR><FONT SIZE=3D2>my favourite trick on the hr16 was layering sounds- some=
times as many as 10- panned &amp; tuned this way &amp; that, &amp; all trig=
gered by the same midi-note. blam!</FONT></P>

<P><FONT SIZE=3D2>I like the way you can set the length of the patterns to =
be anything you want, &amp; switch the quant right off too. I have a magazi=
ne interview with one of it's designers somewhere- I think marcus ryle was =
involved too. good machine.</FONT></P>

<P><FONT SIZE=3D2>duncan.</FONT>
</P>

<CODE><FONT SIZE=3D3><BR>
<BR>
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<BR>
MTV reserves the right to monitor e-mail communications from<BR>
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<BR>
MTV Networks Europe<BR>
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From Loopers-Delight-request@loopers-delight.com  Fri Jul 30 10:00:07 2004
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From: Paolo Valladolid <paolovalladolid@yahoo.com>
Subject: Re: Lesson Learned: Ordering Anything involving UPS
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I definitely follow this policy now.  :(

The (likely) stolen package was ordered before our
department moved to another building.  

I will probably be more adamant about handling
instructions in my future orders - screw up the
delivery and I will take my business elsewhere.

It's too bad that some merchants use only UPS.

Paolo

--- David Kirkdorffer <vze2ncsr@verizon.net> wrote:

> My lesson learned was to ALWAYS have important
> things shipped to where I
> work.  If it's big, I can always bring my car the
> following day.
> 
> 



		
__________________________________
Do you Yahoo!?
Yahoo! Mail Address AutoComplete - You start. We finish.
http://promotions.yahoo.com/new_mail 

From Loopers-Delight-request@loopers-delight.com  Fri Jul 30 10:05:18 2004
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In the case of Sweetwater, you CAN avoid Fedex Ground,
if you are willing to give up the "free shipping"
special that they have on much of their merchandise.

Paolo

--- Tom Attix <tattix@adobe.com> wrote:

> I would, if possible, avoid FedEx Ground (as opposed
> to regular FedEx). 
>  From what I was told by phone support, they will
> attempt delivery 3 
> times and then they return it to sender, they also
> will not hold for 
> pick up.



	
		
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From Loopers-Delight-request@loopers-delight.com  Fri Jul 30 10:06:50 2004
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Date: Fri, 30 Jul 2004 07:05:11 -0700 (PDT)
From: Paolo Valladolid <paolovalladolid@yahoo.com>
Subject: Re: Lesson Learned: Ordering Anything involving UPS
To: Loopers-Delight@loopers-delight.com
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Just goes to show you - I learned that one needs to
give UPS explicit delivery instructions.  For example:
"LEAVE THE PACKAGE ON MY FRONT DOOR" or "DO NOT I
REPEAT DO NOT LEAVE PACKAGE AT DOOR".  They may still
ignore them or otherwise screw up, but at least you
did all that you could.  I now realize you have to
treat UPS people like the "mentally challenged" -
can't assume anything about their common sense.  I
remember having to write explicit documentation like:

1. Make sure your computer is on.  If it is not on,
turn it on.  If it doesn't turn on, make sure it is
plugged in.
2. Insert disc into drive
3. Look for the icon that says "Install"
etc.

Paolo

--- Paul <paulrichard10@knology.net> wrote:

> Heck, at my home in Pittsburgh, I'd be pissed if UPS
> DIDN'T leave the
> package on my front door. 'Course, my neighborhood
> is off the beaten path
> and stuff is pretty safe being dropped off.
> 
> By the same token, in Georgia where I'm working, I
> was expecting an amp for
> delivery. UPS came and didn't even knock but left a
> message on my door. That
> meatball ended up dropping off my amp at my
> apartment's office where I had
> to schlep the over 100 lb box to my truck.
> 
> UPS has left envelopes on my front door in Georgia
> that contained checks in
> substantial amounts. Go figure.
> 
> Pablo
> 
> ----- Original Message -----
> From: "Hoby Ebert" <lists@moondogeast.org>
> To: "LoopersDelightlist"
> <Loopers-Delight@loopers-delight.com>
> Sent: Thursday, July 29, 2004 4:24 PM
> Subject: RE: Lesson Learned: Ordering Anything
> involving UPS
> 
> 
> > I order the large majority of my stuff from
> Sweetwater, and any time there
> > was some doubt as to my being home to take
> delivery (Sweetwater always
> > requires a signature at the receiving end), my
> "Sales Engineer" would put
> > the local FedEx depot as the delivery address and
> they would hold it at
> the
> > depot and I could pick up my package there. Always
> worked flawlessly.
> >
> > Stuff like that is why I have always found
> Sweetwater's sometimes slightly
> > higher prices very worth it.
> >
> > -----Original Message-----
> > From: Tom Attix [mailto:tattix@adobe.com]
> > Sent: Thursday, July 29, 2004 12:49 PM
> > To: Loopers-Delight@loopers-delight.com
> > Subject: Re: Lesson Learned: Ordering Anything
> involving UPS
> >
> >
> > I would, if possible, avoid FedEx Ground (as
> opposed to regular FedEx).
> >  From what I was told by phone support, they will
> attempt delivery 3
> > times and then they return it to sender, they also
> will not hold for
> > pick up.
> >
> > On Jul 29, 2004, at 8:46 AM, Mark Hamburg wrote:
> >
> > Hmm. I guess one needs to figure out how to have
> stuff labeled as being
> > alcohol and hence requiring an adult signature.
> UPS never automatically
> > leaves the wine club shipments at the door.
> >
> > I had FedEx Ground deliver something to someone
> only to have the
> > tracking information report that it was signed for
> by S. IDEDOOR. Since
> > the recipient had had to leave town unexpectedly,
> it sat for quite a
> > while.
> >
> > I've also heard reports that FedEx has a policy of
> not paying insurance
> > claims -- or at least of making it very difficult
> to collect. I work
> > with someone who sold via eBay some camera
> equipment to someone in
> > Spain, shipped it FedEx, and had the buyer report
> that the box arrived
> > empty. FedEx eventually coughed up the insurance
> money, but it took
> > some arm twisting.
> >
> > That being said, I still tend to go with FedEx
> Ground since I haven't
> > found anything I prefer.
> >
> > Mark
> >
> >
> 
> 
> 



		
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From Loopers-Delight-request@loopers-delight.com  Fri Jul 30 11:25:10 2004
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Date: Fri, 30 Jul 2004 11:57:58 +0200
To: Loopers-Delight@loopers-delight.com
From: Matthias Grob <matthias@grob.org>
Subject: re: the good old Mac/PC question (was: looping observation)
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some hate the question, but as Rick points out, times change and it 
has to be reconsidered...

>Tom wrote:
>"I assume you're using OS 9 or some such?  I keep my OS/X laptop up
>for weeks without any problems.  But I don't do much digital audio on it."
>
>No, I"m running OS X which is really stable.

yes, the OS hardly ever crashes. only the apps sometimes do :-(
how about the apps on XP?

>I've just had less crashes with my PC.
>I have to say, in fairness, that I am running an 867 mghz processor in the
>12" laptop so it is not nearly state of the art.

speed is reasonable and certainly not the cause. I suspect though 
that RAM could be little...

>If I had to desert island a decision personally,  I would have to go with
>the PC due to it and it's peripherals inexpensiveness and the proprietary
>software that is available for it but it would be a really difficult choice
>because the Mac world is so cool
>(and the visuals of the Mac are exquisite I think).

rather strong arguments are that Logic is not updated for PC
quite some plugins are not available for Mac
there is a Nuendo crack for PC but not for Mac...

seems that latency is about equal... is it?

I am seriously thinking about getting a cheap PC for stage and leave 
my loved Mac safely at home. Also because its usually a hassle to 
keep switching things if you have only one computer, so the PC I 
would only use for playing, hoping that it would be ready for it at 
all times...
-- 


          ---> http://Matthias.Grob.org

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-----Original Message-----
Matthias Grob wrote in response to:
>No, I"m running OS X which is really stable.

yes, the OS hardly ever crashes. only the apps sometimes do :-( how about
the apps on XP?

----->I have started using Sonar 3 for XP as my sequencer on my laptop live
on gigs.  
I've been using Cakewalk for a decade.  I am using the playlist and Sonar
has a habit of crashing if I try to stop playback too quickly after a song
has started.

He also wrote:
I am seriously thinking about getting a cheap PC for stage and leave my
loved Mac safely at home. Also because its usually a hassle to keep
switching things if you have only one computer, so the PC I would only use
for playing, hoping that it would be ready for it at all times...


------->I had problems with the laptop playing back without rhythmic
accuracy--"hiccups"!
I had the drive reformatted, have avoided installing anything but music
apps, and have had no problems with the system
I have never owned a Mac, BTW.  Good luck to Nemo!
Gary "Relay" Lehmann


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Re: Matthias' question about Mac vs. PC latency: I get 2.5ms latency on 
a Pentium 4 2.4GHz PC laptop with Sonar 3.0 XL and a MOTU 828mkII using 
ASIO drivers.  It's fast enough to use the PC as a realtime effects 
processor.  I can't recommend the 828mkII highly enough.  It's great. 

-J


> seems that latency is about equal... is it?



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The DR-660 I have is one of those ones that allows you to tune drum sounds 
microtonally - 10 microtones between each note.

Also, each of the 32 "drum kits" has an A set and a B set, so if you're on 
the "Jazz" kit, the A set is standard jazz drum sounds, and the b set is 
things like congos and bongos, using the same pads. Then you can set it on 
"A&B", which gives you both sounds for that pad when you strike it. If 
reprogram both sets, you can get some nice multilayered sounds, octave 
sounds, gamelan sounds, etc.

_________________________________________________________________
Discover the best of the best at MSN Luxury Living. http://lexus.msn.com/

From Loopers-Delight-request@loopers-delight.com  Fri Jul 30 15:22:11 2004
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Subject: The PiNG presents Reshure + Broomer Vs. Consumer
Date: Fri, 30 Jul 2004 15:20:21 -0400
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THE AMBiENT PiNG   http://www.theambientping.com
Free - Every Tuesday Night - doors open at 9pm - 1st set at 9:30
  @ club nia / C'est What - 19 Church St. at Front St. - Toronto
         3 blocks east of the Union Station subway.
         map - http://www.cestwhat.com/map.html
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

This Tuesday Aug. 3rd - Reshure & Broomer Vs. Consumer

"Erik Kokkonen makes up the one man Toronto based
experimental project known as Reshure. His live performance
can be loosely described by the following equation:
Basic Electronic Equipment (computer + keyboard) + Ukulele
+ Harmonica + Toy Accordion + Soft and expressive gravely
vocals (ouch that voice must hurt) + Programmed elements
+ Live elements + Rumbling earthquake loop experiments +
[(1 funny story) x (5 sad ones)] + Erik does a stupid dance
(and makes himself look like a fool) + [Industrial(?) x Folk(?)]
+ Passion x 1 fake beard = good times at the PiNG.
* Note: And then 2 monsters with giant heads will appear
with enormous silvery tears pouring forth from their
empty eye sockets. - EK"  http://www.besonic.com/reshure

Broomer Vs. Consumer is a duo that constructs soundscapes
centred in an amalgamation of experimental and folk styles,
through one's real-time electronic manipulation of the other's
guitar playing. The result is a constantly evolving and hypnotic
combination of drones and improvised melodies.

Between Sets CD - "Sanctuary of Dreams" by Numina
This is the latest CD from prolific ambient artist Jesse Solo
(aka Numina) from Portland Oregon, renowned for his lush,
deep soundspaces.  www.numinamusic.com
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Coming Tuesday August 10th - Io
http://www.eleguarecords.com
Between Sets CD - "feel good lost" by Broken Social Scene
http://www.arts-crafts.ca/bss/
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

rik maclean's *ping things* CD Reviews

"Seed" by Ma Ja Le and James Johnson

Fans of both James Johnson's and Ma Ja Le's work will
no doubt be thrilled by this release, a musical meeting of
minds that produces a fantastic work of beauty and magic.
Subtle textures and oblique movement permeate throughout
the disc creating a shimmering cocoon that enshrouds the
listener, drawing them deeper into an otherworldly state
of being. Light percussion passes through leaving ripples
and vapor trails behind in their wake. A passing flute, or is
it something more exotic? Other sounds float by, caressing
you as you drift further and further away from the physical
world and into this new land of wonder.

A sheer delight from start to end.

rik maclean - rik@pingthings.com

http://www.pingthings.com = ambient + electronic + chill things

Send an e-mail to pingthings-subscribe@yahoogroups.com
for updates on *all* the latest releases on sale at ping things
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

The Ambient Ping presents free live performances by Toronto's
finest ambient, chillout and experimental music artists plus
performers from across the continent, every Tuesday at club nia
(aka C'est What) featuring a comfortable lower stage area, perfect
for attentive listening, plus a higher level with a bar, back room
and more seating that's great for conversation, good food and the
club's impressive beer, wine and whiskey selection. Musical treats
are on offer at the *ping things* ambient/experimental CD boutique.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Please forward this e-mail to any friends who may be interested
in live ambient, chillout and experimental music performances




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In a message dated 7/30/04 1:00:51 PM, hqr@cox.net writes:


> Good luck to Nemo!
> 

you better believe it!.....:).....thanks gary.....michael

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
In a message dated 7/30/04 1:00:51 PM, hqr@cox.net writes:<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">Good luck to Nemo!<BR=
>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
<BR>
you better believe it!.....:).....thanks gary.....michael</FONT><FONT COLOR=
=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"></FONT></HTML>

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I bought an HR 16 when it first came out.   I upgrade to the SR 16 when it
was released but was \
chagrined that they took the radical tuning capabilities out of the more
sophisticated newer machine.

I used to love playing with every note triggering and playing the pitch in
real time.   I wish I still owned one of those
(which is ironic because i have a collection of about 20 pre-digital drum
machines).

The HR 16b had really cheesy electronic sounds but you could really tweak
them with the tuning capabilities.
They can be found really cheaply occasionally these days.

My wife in her project Lackadaisy (which I learned how to play electric bass
to record the CD and play out)
would borrow one of my really primitive old Roland, Wurlizter or Korg drum
boxes and put it through a series
of analogue stomp box pedals to create a beautiful and idiosyncratic drum
beat.     We did one particularly sweet piece where she ran a 'prepared'
drum machine
while I played a very simple tabla part as augmentation.

She's amazing!   She can take the simplest stomp box effects pedal,  screw
around with it and an hour later I'll hear some really cool effect coming
out of her room that I"ve never heard before.   She was so good at 'sound
design' with analogue pedals that I started buying them for her whenever I'd
find them cheap and used at the flea market.   LOL,  we have such a
collection of
bad analogue stomp box pedals now.    It's been a complex year but we still
have intention to start our abstract pop project
Vermin Circus this year.  I'm really looking forward to what she comes up
with.

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Subject: STI-CF/512 cards online/cheap
Date: Fri, 30 Jul 2004 22:27:54 -0400
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Repeater-heads, this may be old hat but I just found (and ordered) new
STI-CF/512 512MB SimpleTec flash for $99.95 at PcConnection.com.

I looked around at online retailers, eBay, etc.  These guys beat everyone.
Even if you picked overnight shipping it would still come in $10-15 under
what almost everyone else wants.

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color=3Dblack
face=3DArial><span =
style=3D'font-size:10.0pt;mso-bidi-font-size:12.0pt;font-family:
Arial'>Repeater-heads, this may be old hat but I just found (and =
ordered) new STI-CF/512
512MB SimpleTec flash for $99.95 at =
PcConnection.com.<o:p></o:p></span></font></span></p>

<p class=3DMsoNormal><span class=3DEmailStyle15><font size=3D2 =
color=3Dblack
face=3DArial><span =
style=3D'font-size:10.0pt;mso-bidi-font-size:12.0pt;font-family:
Arial'><![if =
!supportEmptyParas]>&nbsp;<![endif]><o:p></o:p></span></font></span></p>

<p class=3DMsoNormal><span class=3DEmailStyle15><font size=3D2 =
color=3Dblack
face=3DArial><span =
style=3D'font-size:10.0pt;mso-bidi-font-size:12.0pt;font-family:
Arial'>I looked around at online retailers, eBay, etc.<span
style=3D"mso-spacerun: yes">&nbsp; </span>These guys beat everyone.<span
style=3D"mso-spacerun: yes">&nbsp; </span>Even if you picked overnight =
shipping
it would still come in $10-15 under what almost everyone else =
wants.<o:p></o:p></span></font></span></p>

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From Loopers-Delight-request@loopers-delight.com  Fri Jul 30 22:58:40 2004
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Subject: RE: the good old Mac/PC question (was: looping observation)
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Matthias,

That sounds like a great idea.  I've been using/programming Windows for
years.  For audio I've used Win2K and now WinXP and very satisfied.  The OS
has come a long way from the Win9x days.  WinXP is really WinNT++.  I get
really low latency.

Here's some very trivial geek trivia. :)  Three or four years ago some guys
in the keyboard dept of Bill's Music here in MD laughed when I said I was
using a PC with (then) Cakewalk 9 (now SONOR 3.x).  They were doing their
Beavis and Butthead "Hehehehe, yea... hehehe, like, 40ms latency...
hehehe... that sucks."  I said, "Nope.  2.5-4.5ms."  That was using a Turtle
Beach Multisound Pinnacle... with its kick-ass Kurzweil VAST synth engine
... yea baby!!  Deep stuff.  I was running a 500MHz Athlon, 256MB RAM,
Win2K, Multisound Pinnacle card (AT card, but had what they called
"Hurricane" architecture for audio acceleration).  I still only use Athlon
CPUs in my PCs.

Next desktop for me will be G5 whenever I get around to it (not soon).  Next
notebook is either TabletPC or a G4, prolly G4.



From Loopers-Delight-request@loopers-delight.com  Fri Jul 30 23:16:06 2004
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Date: Fri, 30 Jul 2004 20:14:59 -0700
From: Art Simon <simart@gmail.com>
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More musician's friend pricing games: The "hot buys" sale insert they
send with boxed orders has the artisan ea-1 for $59.99, catalog number
518800, source code 408T.

On Thu, 22 Jul 2004 19:03:09 EDT, arsocarina@aol.com <arsocarina@aol.com> wrote:
> Hi there,
> 
> For those who might care, the price of that cheap-o Artisan
> EA-1 lap steel guitar has just hit $69.99 again at Musicians Fiend.
> 
> It fluctuates between $99.99 and $69.99 periodically so the
> deal is not always the same from day to day. Who knows why.
> 
> I just ordered myself a metallic black one and got a 5 percent
> discount because of my ASCAP membership on top of it.
> Cool beans!
> 
> Best regards,
> 
> tEd ® kiLLiAn
> 
> http://www.pfmentum.com/flux.html
> http://www.CDbaby.com/cd/tedkillian
> http://www.guitar9.com/fluxaeterna.html
> http://www.garageband.com/artist/ArsOcarina
> http://www.towerrecords.com/product.aspx?pfid=2845073
> http://www.netmusic.com/web/album.aspx?a_id=CBNM_17314
> http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=193
> 
> Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
> BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
> AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
> RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
> and Viztas.
> 
> 


-- 
Art Simon
http://art.simon.tripod.com
http://artsimon.iuma.com

From Loopers-Delight-request@loopers-delight.com  Sat Jul 31 10:46:39 2004
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Date: Sat, 31 Jul 2004 07:38:59 -0700
To: simart@null.net, loopers-delight@loopers-delight.com
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At 8:14 PM -0700 7/30/04, Art Simon wrote:
>More musician's friend pricing games: The "hot buys" sale insert they
>send with boxed orders has the artisan ea-1 for $59.99, catalog number
>518800, source code 408T.

The Web site lists it at $69.99. Same catalog number.
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com

From Loopers-Delight-request@loopers-delight.com  Sat Jul 31 14:42:26 2004
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I personally think that it works out about the same if you have good PC
hardware (Audio Card & Base System) it works out about the same performance
wise. Cheap PC's end up being hit and miss where performance is concerned
so, if you spend about the same amount on your hardware as a Mac's hardware
you can end up with a decent audio system. The biggest problem with PC's is
you end up having too many choices and some aren't such good choices. My
solution is to use only upgraded versions of Dell Business PC's like the
Optiplex's I add memory cause I like having it as a margin (it's too easy to
use it up or find you need more memory later) I like a Gig of Ram right now
but 512 might work for most. It ends up not costing you s;ightly less in
hardware but, you can save some cost with software and lose some other
software options *shrug*

-----Original Message-----
From: Gary Lehmann [mailto:hqr@cox.net] 
Sent: Friday, July 30, 2004 1:00 PM
To: Loopers-Delight@loopers-delight.com
Subject: RE: the good old Mac/PC question

-----Original Message-----
Matthias Grob wrote in response to:
>No, I"m running OS X which is really stable.

yes, the OS hardly ever crashes. only the apps sometimes do :-( how about
the apps on XP?

----->I have started using Sonar 3 for XP as my sequencer on my laptop 
----->live
on gigs.  
I've been using Cakewalk for a decade.  I am using the playlist and Sonar
has a habit of crashing if I try to stop playback too quickly after a song
has started.

He also wrote:
I am seriously thinking about getting a cheap PC for stage and leave my
loved Mac safely at home. Also because its usually a hassle to keep
switching things if you have only one computer, so the PC I would only use
for playing, hoping that it would be ready for it at all times...


------->I had problems with the laptop playing back without rhythmic
accuracy--"hiccups"!
I had the drive reformatted, have avoided installing anything but music
apps, and have had no problems with the system I have never owned a Mac,
BTW.  Good luck to Nemo!
Gary "Relay" Lehmann



From Loopers-Delight-request@loopers-delight.com  Sat Jul 31 15:58:03 2004
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Date: Sat, 31 Jul 2004 15:53:50 -0400
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>I am seriously thinking about getting a cheap PC for stage and leave 
>my loved Mac safely at home. Also because its usually a hassle to 
>keep switching things if you have only one computer, so the PC I 
>would only use for playing, hoping that it would be ready for it at 
>all times...

if you do this, you'll get great results if you install the minimal 
software you can, NEVER run Explorer or Outlook (promise me this!) or 
even never attach it to the net at all except to run the Windows 
update packages.  I did this more or less and my rather slow cheap PC 
has continued to run smoothly for over a year with no maintenance.

     /t
-- 

http://extremeNY.com/list ....... extreme NY music and arts mailing list

From Loopers-Delight-request@loopers-delight.com  Sat Jul 31 17:45:33 2004
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Date: Sat, 31 Jul 2004 17:43:00 -0400
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Hey, for all of you loopers in the NY area,

Last minute gig spam:

I am performing using my crazy Kyma looping rig tonight (7/31) at 

Laila Lounge, in Williamsburg, Brooklyn.

Entertainment by: Sarth Calhoun (live electronic alchemy) with Leah
Coloff (cello/vocals) and Andrew Green (guitar, bass) additional
processing courtesy of Gregory Kage ... and some live video and stuff.

Details:
10 pm at 
Laila Lounge
 113 N 7th St 
(b/w Wythe and Berry)
Brooklyn, NY 11211
Phone: (718) 486-6791

http://www.lailalounge.com/index.html


From Loopers-Delight-request@loopers-delight.com  Sat Jul 31 18:11:18 2004
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Man, wish I lived closer!  I've been drooling over the Kyma plus Looper's
Construction Kit since reading up on it recently.  Are you using the LCK
too?  Not that it matters, cuz Kyma looks sa-weet anyway.  Well, have fun
and hope you bring down the house.

-----Original Message-----
From: sarth [mailto:sarth@sarth.net]
Sent: Saturday, July 31, 2004 5:43 PM
To: Loopers-Delight@loopers-delight.com
Subject: Last minute NYC gig SPAM

Hey, for all of you loopers in the NY area,

Last minute gig spam:

I am performing using my crazy Kyma looping rig tonight (7/31) at

Laila Lounge, in Williamsburg, Brooklyn.

Entertainment by: Sarth Calhoun (live electronic alchemy) with Leah
Coloff (cello/vocals) and Andrew Green (guitar, bass) additional
processing courtesy of Gregory Kage ... and some live video and stuff.

Details:
10 pm at
Laila Lounge
 113 N 7th St
(b/w Wythe and Berry)
Brooklyn, NY 11211
Phone: (718) 486-6791

http://www.lailalounge.com/index.html

From Loopers-Delight-request@loopers-delight.com  Sat Jul 31 19:33:14 2004
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Date: Sat, 31 Jul 2004 19:31:02 -0400
To: Loopers-Delight@loopers-delight.com
From: Tom Ritchford <tom@swirly.com>
Subject: Re: Last minute NYC gig SPAM
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>Laila Lounge, in Williamsburg, Brooklyn.

that's my neighborhood bar!  I'm sitting a block away!

darn, darn, darn -- we are committed to be elsewhere at 9:15.  tell 
me in advance next time and I'll show up and bring friends...

     /t
-- 

http://extremeNY.com/list ....... extreme NY music and arts mailing list

From Loopers-Delight-request@loopers-delight.com  Sat Jul 31 19:38:46 2004
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Date: Sat, 31 Jul 2004 16:37:01 -0700 (PDT)
From: Johnny Begood <polyestered@yahoo.com>
Subject: FCB1010 Pedal/Echoplex.....can I program feedback option to a volume pedal? 
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I've had my FCB 1010 for a few months now and have finally got it progammed thanks to searching the archives of this group.  I have yet to figure out how to make one of the pedals to work as my feedback control....any advice?
 
thanks
 
greg

__________________________________________________
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<DIV>I've had my FCB 1010 for a few months now and have finally got it progammed thanks to searching the archives of this group.&nbsp; I have yet to figure out how to make one of the pedals to work as my feedback control....any advice?</DIV>
<DIV>&nbsp;</DIV>
<DIV>thanks</DIV>
<DIV>&nbsp;</DIV>
<DIV>greg</DIV><p>__________________________________________________<br>Do You Yahoo!?<br>Tired of spam?  Yahoo! Mail has the best spam protection around <br>http://mail.yahoo.com 
--0-1355663921-1091317021=:4165--

From Loopers-Delight-request@loopers-delight.com  Sat Jul 31 19:40:25 2004
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From: "Louis Rossi" <tarbit@hotmail.com>
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Subject: Re: Last minute NYC gig SPAM
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We have a few loopers in Billyberg it seems.. Let's do show or something 
soon.
Peace
Lou


>From: Tom Ritchford <tom@swirly.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: Last minute NYC gig SPAM
>Date: Sat, 31 Jul 2004 19:31:02 -0400
>
>>Laila Lounge, in Williamsburg, Brooklyn.
>
>that's my neighborhood bar!  I'm sitting a block away!
>
>darn, darn, darn -- we are committed to be elsewhere at 9:15.  tell me in 
>advance next time and I'll show up and bring friends...
>
>     /t
>--
>
>http://extremeNY.com/list ....... extreme NY music and arts mailing list
>


From Loopers-Delight-request@loopers-delight.com  Sat Jul 31 19:56:59 2004
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From: Mark Sottilaro <sine@zerocrossing.net>
Subject: Re: the good old Mac/PC question (was: looping observation)
Date: Sat, 31 Jul 2004 16:58:42 -0700
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There's your ad for Macintosh.  I've had a G4 running since I got it 
using Explorer, Word, Photoshop, Illustrator, InDesign, Mail, Safari, 
iPhoto as well as my music apps Digital Performer 4 and Peak.  They all 
seem to run perfectly (Illustrator sometimes quits, but I'm sure that's 
it's own fault)

Inversely, my IS dept. at work confirms that the Dell boxes running XP 
usually get slicked at least every 6 months when they start running 
wonky.  Most people I work with run Explorer, Outlook and MS office and 
not much else.  Friend's complaints seem to confirm this.  What's up 
with Windows and the need for reinstalling all the time?  Now that 
OS10.3 auto defrags in the background I don't even run a defrag 
utility.

Mark


On Jul 31, 2004, at 12:53 PM, Tom Ritchford wrote:

>> I am seriously thinking about getting a cheap PC for stage and leave 
>> my loved Mac safely at home. Also because its usually a hassle to 
>> keep switching things if you have only one computer, so the PC I 
>> would only use for playing, hoping that it would be ready for it at 
>> all times...
>
> if you do this, you'll get great results if you install the minimal 
> software you can, NEVER run Explorer or Outlook (promise me this!) or 
> even never attach it to the net at all except to run the Windows 
> update packages.  I did this more or less and my rather slow cheap PC 
> has continued to run smoothly for over a year with no maintenance.
>
>     /t
> -- 
>
> http://extremeNY.com/list ....... extreme NY music and arts mailing 
> list
>

From Loopers-Delight-request@loopers-delight.com  Sat Jul 31 20:09:12 2004
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To: <Loopers-Delight@loopers-delight.com>
References: <20040731233701.6300.qmail@web52304.mail.yahoo.com>
Subject: Re: FCB1010 Pedal/Echoplex.....can I program feedback option to a volume pedal? 
Date: Sat, 31 Jul 2004 17:08:07 -0700
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For each pedal on the FCB 1010 that you use for the Echoplex, you'll =
have to program the expression pedal(s) for that pedal. It will do the =
note on/off but while it's selected, it will also allow the expression =
pedal to be used to send the desired controller settings. You just =
program the expression pedal(s) to use the controller number that =
controls feedback ( and optionally output volume ). I think you can set =
which controller number this is in the Echoplex params panel. I think 6 =
and 7 are feedback and volumn by default.

Sorry I'm so vague but I don't have my rig here so I can't give you =
specific instructions.=20

- Dave

  ----- Original Message -----=20
  From: Johnny Begood=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Saturday, July 31, 2004 4:37 PM
  Subject: FCB1010 Pedal/Echoplex.....can I program feedback option to a =
volume pedal?=20


  I've had my FCB 1010 for a few months now and have finally got it =
progammed thanks to searching the archives of this group.  I have yet to =
figure out how to make one of the pedals to work as my feedback =
control....any advice?

------=_NextPart_000_0005_01C47720.F30A8BF0
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1458" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>For each pedal on the FCB 1010 that you =
use for the=20
Echoplex, you'll have to program the expression pedal(s) for that pedal. =
It will=20
do the note on/off but while it's selected, it will also allow the =
expression=20
pedal to be used to send the desired controller settings. You just =
program the=20
expression pedal(s) to use the controller number that controls feedback =
( and=20
optionally output volume ). I think you can set which controller number =
this is=20
in the Echoplex params panel. I think 6 and 7 are feedback and volumn by =

default.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Sorry I'm so vague but I don't have my =
rig here so=20
I can't give you specific instructions. </FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>- Dave</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dpolyestered@yahoo.com =
href=3D"mailto:polyestered@yahoo.com">Johnny=20
  Begood</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Saturday, July 31, 2004 =
4:37=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> FCB1010 =
Pedal/Echoplex.....can I=20
  program feedback option to a volume pedal? </DIV>
  <DIV><BR></DIV>
  <DIV>I've had my FCB 1010 for a few months now and have finally got it =

  progammed thanks to searching the archives of this group.&nbsp; I have =
yet to=20
  figure out how to make one of the pedals to work as my feedback =
control....any=20
  advice?</DIV>
  <DIV>&nbsp;</DIV></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0005_01C47720.F30A8BF0--

From Loopers-Delight-request@loopers-delight.com  Sat Jul 31 20:20:13 2004
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Subject: Re: Last minute NYC gig SPAM
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>We have a few loopers in Billyberg it seems.. Let's do show or something soon.

I'd love to resurrect open loop!

     /t
-- 

http://extremeNY.com/list ....... extreme NY music and arts mailing list

From Loopers-Delight-request@loopers-delight.com  Sat Jul 31 21:46:35 2004
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From: Johnny Begood <polyestered@yahoo.com>
Subject: Re: FCB1010 Pedal/Echoplex.....can I program feedback option to a volume pedal? 
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David,
 
I really appreciate your help with this.  When you have a moment and your by your gear some more specific directions would be awesome.  I know that on the midi pedal 8 and 9 have something to do with the pedals.  It would be cool to use one pedal as the output volume on the other as feedback.  I'm going to see if I can figure out anything now.  I also got some advice from Andre Lafosse so we will see what happens.  I'm completely clueless with this midi stuff.
 
thanks
 
greg

"David J. Grossman" <dave@unpronounceable.com> wrote:
For each pedal on the FCB 1010 that you use for the Echoplex, you'll have to program the expression pedal(s) for that pedal. It will do the note on/off but while it's selected, it will also allow the expression pedal to be used to send the desired controller settings. You just program the expression pedal(s) to use the controller number that controls feedback ( and optionally output volume ). I think you can set which controller number this is in the Echoplex params panel. I think 6 and 7 are feedback and volumn by default.
 
Sorry I'm so vague but I don't have my rig here so I can't give you specific instructions. 
 
- Dave
 
----- Original Message ----- 
From: Johnny Begood 
To: Loopers-Delight@loopers-delight.com 
Sent: Saturday, July 31, 2004 4:37 PM
Subject: FCB1010 Pedal/Echoplex.....can I program feedback option to a volume pedal? 


I've had my FCB 1010 for a few months now and have finally got it progammed thanks to searching the archives of this group.  I have yet to figure out how to make one of the pedals to work as my feedback control....any advice?
 

		
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<DIV>David,</DIV>
<DIV>&nbsp;</DIV>
<DIV>I really appreciate your help with this.&nbsp; When you have a moment and your by your gear some more specific directions would be awesome.&nbsp; I know that on the midi pedal 8 and 9 have something to do with the pedals.&nbsp; It would be cool to use one pedal as the output volume on the other as feedback.&nbsp; I'm going to see if I can figure out anything now.&nbsp; I also got some advice from Andre Lafosse so we will see what happens.&nbsp; I'm completely clueless with this midi stuff.</DIV>
<DIV>&nbsp;</DIV>
<DIV>thanks</DIV>
<DIV>&nbsp;</DIV>
<DIV>greg<BR><BR><B><I>"David J. Grossman" &lt;dave@unpronounceable.com&gt;</I></B> wrote:</DIV>
<BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">
<META content="MSHTML 6.00.2800.1458" name=GENERATOR>
<STYLE></STYLE>

<DIV><FONT face=Arial size=2>For each pedal on the FCB 1010 that you use for the Echoplex, you'll have to program the expression pedal(s) for that pedal. It will do the note on/off but while it's selected, it will also allow the expression pedal to be used to send the desired controller settings. You just program the expression pedal(s) to use the controller number that controls feedback ( and optionally output volume ). I think you can set which controller number this is in the Echoplex params panel. I think 6 and 7 are feedback and volumn by default.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial size=2>Sorry I'm so vague but I don't have my rig here so I can't give you specific instructions. </FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=Arial size=2>- Dave</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
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<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><B>From:</B> <A title=polyestered@yahoo.com href="mailto:polyestered@yahoo.com">Johnny Begood</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A title=Loopers-Delight@loopers-delight.com href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Saturday, July 31, 2004 4:37 PM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> FCB1010 Pedal/Echoplex.....can I program feedback option to a volume pedal? </DIV>
<DIV><BR></DIV>
<DIV>I've had my FCB 1010 for a few months now and have finally got it progammed thanks to searching the archives of this group.&nbsp; I have yet to figure out how to make one of the pedals to work as my feedback control....any advice?</DIV>
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