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From: Mark <sine@zerocrossing.net>
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I got around this problem by using a programmable tube preamp/multieffects box
(Digitech 2120)  It really gives a huge amount of flexibility, letting me feed tube
distorted signal from my guitar into my JamMan, and clean GR-30 signal in as well. (or
visa versa)  What's the catch?  It's not really as good as going into totally seperate
dedicated amps, but I do think it's pretty damn good, and definitely worth the
compromise for the flexibility.  However, knowing that the Repeater will have an
output for each loop channel (4) it makes it all moot.  I could use one channel for
bass, two channels for stereo guitar, and one for synth, each finding their own custom
preamp/amp/cab destination.  Sweet?  Boy howdy!

Mark

Nick Schillace wrote:

> >From: "Mike Feeney" <feeneymike@yahoo.com>
> >Reply-To: Loopers-Delight@loopers-delight.com
> >To: <Loopers-Delight@loopers-delight.com>
> >Subject: Re: multiple amps/signals
> >Date: Sat, 30 Jun 2001 14:09:22 -0500
> >
> >
> >i've been coming up against the same hurdle here... I am building a
> >pedalboard with the boomerang as my looper along with some other effects.
> >I
> >have an acoustic guitar and also an electric.  I want to have both guitars
> >plugged into the rig at the same time, but of course have the ability to
> >switch from one to the other when I want, so that I can loop both guitars.
> >My only problem is that when I'm playing the acoustic I want the signal to
> >go to the PA, but when I'm playing electric, I want the signal to run to my
> >amp (just got a new Fender Hot Rod DeVille!).  Any advice on how to route
> >the signal??  Probably just going to use an A/B switch for the inputs, but
> >I'm not yet sure how to handle the output, unless I just use a 2nd A/B
> >switch.  But then that could be awkward, I think, to have to hit two
> >different switches to change guitars.  Not sure.
> >
> >The 2nd hurdle is that I'm thinking I'd have to use two different loopers
> >in
> >order to loop the acoustic guitar and have it continue to run through the
> >PA
> >if I wanted to use both instruments in the same song.  Any other ideas?
>
> Mike-
>         I figured that this would be a common theme with different problems. I
> think they both center around using the boomerang in 2 different, but like
> situations.
>         I have been running a small pedal board that splits my signal before the
> rang but after effects. I use an a/b to control the signals which only
> differ by the rang. The looped signal goes to an old super reverb, and the
> other to a newer concert. I have a volume pedal that I turn down when I plug
> and uplug guitars.
>         My problem is that the electrix products I just got really need to go
> through an effects loop, which only the concert has. I know it seems logical
> to just loop on the concert, but loops sound better out of the super.
> Anyway, I think that there is a rather complex way to route using many
> cables and the aux on the rang, but it makes my head hurt just thinking
> about it. I would imagine that there are good switching systems out there
> that some loopers might know about.
>         Boss makes a good and very flexible line selecter for a hundred bucks that
> can also power other pedals. This might help you with your problem. I
> checked it out on rolandus.com yesterday.
> N
>
> _________________________________________________________________
> Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Sun Jul  1 03:25:27 2001
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Steve Sandberg wrote:

> OK guys -- this LA loopfeste sounds great -- wish I had been there.
> Is there a tape or CD or online file or something so we
> non-westcoasters can check it out?

Tony Moore (the organizer) recorded each set to MiniDisc, so it's
definitely documented.  I don't know what Ric and Steve's plans are
for their own sets, but Tony has kindly offered to transfer my set to
DAT for me (I don't have a MiniDisc player).  Once I've got that, I'll
likely have the material uploaded to my web site as RealAudio and/or
mp3 within a couple of weeks, and there's also a good chance I'll be
offering at least some of the material on a custom-burned CD-R basis,
which I've been meaning to launch for a while now.

> But more importantly, why don't we NYC loopers get together and do
> an evening to share our work with each other?  Any interest?

Do it!  It's been incredibly gratifying for me to take all of this
online discussion and see it translated into real-time, tangible,
face-to-face playing and interaction.  Highly, highly recommended.

--Andre LaFosse
http://www.altruistmusic.com

From Loopers-Delight-request@loopers-delight.com  Sun Jul  1 03:52:24 2001
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Subject: Beyond the Pale Festival SF; Cali
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I am jealous of all you west coasters

http://www.neurotrecordings.com/festival/

From Loopers-Delight-request@loopers-delight.com  Sun Jul  1 04:27:37 2001
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>  >amp (just got a new Fender Hot Rod DeVille!).  Any advice on how to route
>  >the signal??
>  
>  One hardware hack might be to rewire a stereo volume pedal so that 
>  instead of the dual-gang pot fading both channels up and down 
>  together, they cross-fade the two signals.
>  -- 
the vol ped idea wouldn't work well (log pots)

sounds like you need to wire a DPDT (=double throw double pole)
switch to select guitar I/P at the same time as shorting out the
I/P to the amp system that you aren't using with that guitar.

From Loopers-Delight-request@loopers-delight.com  Sun Jul  1 04:39:25 2001
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From: John Tidwell <wedgehed@yahoo.com>
Subject: Re: Againinator beta problems?
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Ah, I see now. The cat was innocent; BUT, the
Againinator thought it was my mullet.

John


--- Mark <sine@zerocrossing.net> wrote:
> In future updates, the Againinator will also be able
> to make commentary, in the
> form of biting, about your clothes.  We've had a few
> fatalities when testing
> this feature on spandex pants and tee-shirts with
> silk screens of tuxedos on
> them, so we're still in beta on that version.


 > > From: John Tidwell <wedgehed@yahoo.com>

 > > c) indulged in carnal knowledge with my cat.


=====
John Tidwell




__________________________________________________
Do You Yahoo!?
Get personalized email addresses from Yahoo! Mail
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From Loopers-Delight-request@loopers-delight.com  Sun Jul  1 06:19:22 2001
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Subject: RE: LA Loop Feste Review
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Gary wrote:
>>Thanks again Steve for playing my request--<<

Thanks again for being familiar enough with my music that have requests!! It
doesn't happen too often... LOL

Great day at Bass Day in LA today - and looping was high on the agenda - I
was doing some serious loop evangelism with my DL4s in the Ashdown room, and
Todd Johnson who came to the gig on Thursday was playing for Yamaha and had
his MIDI bass setup running through a boomerang and he was playing some
AWESOME jazz - I can't wait to hear what he comes up with in the way of a
solo album...

cheers

Steve
www.steve-lawson.co.uk

From Loopers-Delight-request@loopers-delight.com  Sun Jul  1 08:00:28 2001
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Date: Sun, 01 Jul 2001 13:53:55 +0000
From: Claude Voit <c.voit@vtx.ch>
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Subject: Re: Andre's EDP Undo trick
References: <ADEAKOMDLCPKAHGHJPDIGEMPCBAA.kmulvihill@mediaone.net> <v04020a03b763d66843b1@[198.122.224.71]> <3B3E4524.9BAE1C71@altruistmusic.com>
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Some more on this beautiful bug 

http://www.loopers-delight.com/LDarchive/199806/msg00219.html
http://www.loopers-delight.com/LDarchive/199806/msg00209.html

an it will remain there ....


Claude





> Chris Chovit wrote:
> 
> >  >and liberal use of the top-secret
> > >remultiply+undo "bug" maneuver (aka "The Sylmar Shuffle").
> >
> > Could you elaborate on this?  I must have missed it when it was discussed
> > previously....or maybe it is really top-secret.....
> 
> Shucks, man, that's my whole routine right there!  So much for my career...
> 
> Remultiply a loop, and then hit "undo."  It scrolls through the memory
> of different sections of the loop in intriguing and unpredictable
> ways.  I stumbled across it with another EDP user by accident, but I
> know at least one other person had found out about it on his own...
> 
> There was a thread on this a couple of years back.  Apparently it's
> technically a bug, according to Kim, but it's such a cool feature that
> many of us asked that it not be "fixed" in the next software edition.
> 
> So now my trade secret is out.  Time to for me to retire, I guess!  :-/
> 
> --A

From Loopers-Delight-request@loopers-delight.com  Sun Jul  1 09:17:40 2001
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Subject: Re: Loop Feste Decompression - question for Andre
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Hey, retiring is not the same as Dying!!
I can think of worse places to be than Sam Gimigniano too.
Sienna is great too - any other Italian towns?
My fave is San Gemini where I rcorded my wife walking down a narrow street,
bangles jangling and doves alighting from the roofs... ah, now I'm getting
nostalgic.


Gareth


> Yes, lovely place, been there.  But my all-time favorite place to die in
is
> Siena, no question.
>
>   | >
>   | ...out of curiosity, how did you think of San Gimigniano? I
>   | lived near there
>   | for a while and couldn't think of a better place to retire, play
music,
>   | enjoy more than just the olives...
>   |
>   | Roberto
>   |
>   | P.S.
>

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Call for NYC LoopfesteI'd like to be part of an event like this.

David Beardsley

  ----- Original Message -----=20
  From: Steve Sandberg=20

  But more importantly, why don't we NYC loopers=20
  get together and do an evening to share our work with each other?  Any =
interest?=20

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<HTML><HEAD><TITLE>Call for NYC Loopfeste</TITLE>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.2614.3500" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I'd like to be part of an event like=20
this.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>David Beardsley</FONT></DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: =
0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A href=3D"mailto:stevesandberg@earthlink.net"=20
  title=3Dstevesandberg@earthlink.net>Steve Sandberg</A> </DIV>
  <DIV>&nbsp;</DIV>
  <DIV><FONT size=3D4>But more importantly, why don't we NYC loopers =
</FONT></DIV>
  <DIV><FONT size=3D4>g</FONT><FONT size=3D4>et together and do an =
evening to share=20
  our work with each other? &nbsp;Any interest?</FONT>=20
</DIV></BLOCKQUOTE></BODY></HTML>

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roberto@nomade.worldonline.co.uk writes:
>...out of curiosity, how did you think of San Gimigniano?
just popped into my head;
seems like a wonderful place to live.....

>I lived near
>there
>for a while and couldn't think of a better place to retire, play music,
>enjoy more than just the olives...
yeah.....


>Andre's CD is really worth listening to.
i know!
best,
dt / s-c

From Loopers-Delight-request@loopers-delight.com  Sun Jul  1 10:35:16 2001
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way back in the long ago when *first* asked who i would want to spent time 
with on a deserted island, without thought i replied CHET ATKINS....r.i.p. 
chet and thanks!.....:(m

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>way back in the long ago when *first* asked who i would want to spent time 
<BR>with on a deserted island, without thought i replied CHET ATKINS....r.i.p. 
<BR>chet and thanks!.....:(m</FONT></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sun Jul  1 11:08:46 2001
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From: Will Brake <wbrake@home.com>
Organization: Soul Fruit
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Pot type certainly depends on the maker. Just substitute an audio taper
dual-ganged pot if you have questions about it, or better yet, call the
manufacturer and get the details.

two cents

Will Brake
Soul Fruit

SoundFNR@aol.com wrote:
> 
> >  >amp (just got a new Fender Hot Rod DeVille!).  Any advice on how to route
> >  >the signal??
> >
> >  One hardware hack might be to rewire a stereo volume pedal so that
> >  instead of the dual-gang pot fading both channels up and down
> >  together, they cross-fade the two signals.
> >  --
> the vol ped idea wouldn't work well (log pots)
> 
> sounds like you need to wire a DPDT (=double throw double pole)
> switch to select guitar I/P at the same time as shorting out the
> I/P to the amp system that you aren't using with that guitar.
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From Loopers-Delight-request@loopers-delight.com  Sun Jul  1 12:28:23 2001
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Date: Sun, 1 Jul 2001 12:25:24 -0400
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Subject: Re: Call for NYC Loopfeste
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>I'd like to be part of an event like this.

I'd always be up for a show.

But I ain't sure I wanna organize it!
that caveat aside:

there are several spaces that might let us do it.

Chashama on 42nd St is proving to be a good venue for
"this sort of thing".  Unity Gain is going up there on
July 17/18 (with at least two list members playing, myself
and David Lee Myers).  However, I do not know if they have a PA
permanently there...


The Knitting Factory is a very civilized space and might well
let us book something.  I have vague contacts there and
at least two other members of this list have played there
also and might have better contacts.

However, we'd need to book quite a long way in advance.


A friend of mine, Kevin Centanni, is opening a bar/gallery
called the Remote Lounge:  <http://www.remotelounge.com/>

I'm sure we could book this, he likes my work and
a looper's summit is the sort of event he's looking for,
but I have yet to see the space (which isn't even finished
yet!) so it's a big question mark.

I'm visiting it on Tuesday and I'll know much better then.


                                  that was fast

.......all legal games of chess <http://solveChess.com/chess?refresh=0>......
.....programmer's documentation <http://solveChess.com/doc>..................

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However, knowing that the Repeater will have an
>output for each loop channel (4) it makes it all moot.  I could use one 
>channel for
>bass, two channels for stereo guitar, and one for synth, each finding their 
>own custom
>preamp/amp/cab destination.  Sweet?  Boy howdy!
>
>Mark
>
>
The funny thing is, I got into looping to make my life easier as a solo 
player. When I only played in bands, I could get all my gear to a gig in a 
small station wagon with room to spare, I also thought 3 pedals was 
excessive.
N
_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Sun Jul  1 13:29:29 2001
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Subject: RE: Loop Feste Decompression - question for Andre
Date: Sun, 1 Jul 2001 10:33:40 -0700
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>>>Yes, lovely place, been there.  But my all-time favorite place to die in
is
Siena, no question.<<<

Do you make a habit of dying in new places just to expand your comparison
list??

Death marks out of 10 for Los Angeles?? :o)

what are you 10 favourite places that you've died?

Steve
www.steve-lawson.co.uk

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HA!  Since I've been doing the looping thing, it seems as if I travel with a
band's worth of gear.  Usually that means moving it all myself and doing all the
set up myself too.  Usually load in and set up take 45 min to an hour.  I
should've become a harmonica player.

Mark

Nick Schillace wrote:

> However, knowing that the Repeater will have an
> >output for each loop channel (4) it makes it all moot.  I could use one
> >channel for
> >bass, two channels for stereo guitar, and one for synth, each finding their
> >own custom
> >preamp/amp/cab destination.  Sweet?  Boy howdy!
> >
> >Mark
> >
> >
> The funny thing is, I got into looping to make my life easier as a solo
> player. When I only played in bands, I could get all my gear to a gig in a
> small station wagon with room to spare, I also thought 3 pedals was
> excessive.
> N
> _________________________________________________________________
> Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Sun Jul  1 16:09:35 2001
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> THIS MESSAGE IS IN MIME FORMAT. Since your mail reader does not understand
this format, some or all of this message may not be legible.

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yeah~r i p~ chester,a wonderful musician and for loop content he used a
<jamman>!

stanner
----------
From: Nemoguitt@aol.com
To: Loopers-Delight@loopers-delight.com
Subject: chet atkins
Date: Sun, Jul 1, 2001, 7:32 AM


way back in the long ago when *first* asked who i would want to spent time 
with on a deserted island, without thought i replied CHET ATKINS....r.i.p. 
chet and thanks!.....:(m 

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<HTML>
<HEAD>
<TITLE>Re: chet atkins</TITLE>
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<BODY BGCOLOR=3D"#FFFFFF">
yeah~r i p~ chester,a wonderful musician and for loop content he used a &lt=
;jamman&gt;!<BR>
<BR>
stanner<BR>
----------<BR>
From: Nemoguitt@aol.com<BR>
To: Loopers-Delight@loopers-delight.com<BR>
Subject: chet atkins<BR>
Date: Sun, Jul 1, 2001, 7:32 AM<BR>
<BR>
<BR>
<BLOCKQUOTE><FONT SIZE=3D"2">way back in the long ago when *first* asked who =
i would want to spent time <BR>
with on a deserted island, without thought i replied CHET ATKINS....r.i.p. =
<BR>
chet and thanks!.....:(m</FONT> <BR>
</BLOCKQUOTE>
</BODY>
</HTML>

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From Loopers-Delight-request@loopers-delight.com  Sun Jul  1 16:51:06 2001
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Subject: Re: Call for NYC Loopfeste
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I might be interested in participating, particularly if we can put it
together after Labor Day; July is pretty full and I may be away in August.


David Lee Myers
http://www.pulsewidth.com
--------------------------------------------------------------------------
"Ourobouros" CD of new Feedback Music available now on Pulsewidth!
In NYC at Downtown Music, Kim's Mondo, Kim's West, and Other Music, and
through Forced Exposure, Anomalous, Wayside, CDeMusic/Electronic Music
Foundation, Deep Listening Catalog, Crouton Music, Recommended (UK),
Staalplaat (Netherlands), and Metamkine (France).


From Loopers-Delight-request@loopers-delight.com  Sun Jul  1 17:40:10 2001
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howdy all -

i've been seeing lotsa black cd-r's coming my way of late; any of y'all
done the research to see what sort o' quality/longevity/whatever on
these?

bobdog

From Loopers-Delight-request@loopers-delight.com  Sun Jul  1 19:35:11 2001
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At 10:06 a.m. 01/07/01 EDT, you wrote:
hi there !

	i'm looking for somebody
	to do the artwork for our next CD. 

	of course, 
	we want to pay for that work. !

	if you are interested, please send
	us an e-mail to:

	tapeadores@drgnet.com

	with the subject
	
	CD ARTWORK

	and , please, include a web location where
	we could check out some of your actual work.

	we will contact you in some days ...  thanks !
	

yours,
Junkie G
	

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Cognitive Dissidents
Experimental Music every Tuesday
at the Coffee Messiah (1554 E. Olive Way, Capitol
Hill, Seattle WA)
All shows at 8:00pm, all ages, and free

This Tuesday July 3rd
Greg Sinibaldi, Tiktok

Tiktok is the music of Travis Hartnett. He performs
his own beautiful style of soothing guitar ambience in
one, two or four channels. Travis also plays in the
improvisatory quartet Electrochakra and the Steve Ball
Roadshow.

Saxophonist and bass clarinetist Greg Sinibaldi is an
improviser and composer currently living in Seattle.
He has performed to critical acclaim in Boston, San
Francisco, and Seattle. 

Blending modern classical music and improvisation, he
has developed a unique and personal style. In a
performance at the Festival at Sandpoint, working with
Gunther Schuller, the Spokane Chronicle writes “If
Tipper Gore could hear this guy play, she’d blush and
slap a Parents Music Resource Center warning label on
his horn”. 

***

Be seeing you,

Travis Hartnett
Tiktok
--  
    http://home.sprintmail.com/~tiktok/index.html
    www.mp3.com/tiktok



From Loopers-Delight-request@loopers-delight.com  Sun Jul  1 20:13:43 2001
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Old-Return-Path: <magicicada@charter.net>
From: "Christopher White" <magicicada@charter.net>
Subject: GIG Alert: Asheville NC
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this upcoming friday i will be performing a
waterphone/guitar loop duet at vincet's ear in asheville nc-

lots of drone and dissonance
christopher white
come up and say hi
i will be the guy with the beanie and waterphone
it will be recorded live to multitrack as well
thanks
c.white

From Loopers-Delight-request@loopers-delight.com  Sun Jul  1 20:56:37 2001
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Subject: Re: OT - Black CD-R's
Date: Mon, 02 Jul 2001 00:53:37 
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<html><DIV>
<P>I use the Black Memorex and The Multi-Colored PNY (50 pack, with red, blue, yello, black, purple). The Black Memorex seem to be REALLY good, and they seem to be of better quality than the normal CD-R's. The Audio seem more richer, and they seem to be more durable. (Playstation Games have been burnt on this medium for years, so I think they are durable).</P>
<P>Well whatever you do, don't buy Kingston 50 pack for 8.99 from MicroCenter... they suck big. Out of 50, mayber&nbsp;20 burnt properly, whereas the rest had data errors on them.<BR><BR></P></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV><br clear=all><hr>Get your FREE download of MSN Explorer at <a href="http://explorer.msn.com">http://explorer.msn.com</a><br></p></html>

From Loopers-Delight-request@loopers-delight.com  Sun Jul  1 22:57:30 2001
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Date: Sun, 1 Jul 2001 22:47:34 -0500 (EST)
From: Adam Levin <alevin@DarkAether.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: OT - Black CD-R's
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On Mon, 2 Jul 2001, Devious D_MasterMixer wrote:

> I use the Black Memorex and The Multi-Colored PNY (50 pack, with red,
> blue, yello, black, purple). The Black Memorex seem to be REALLY good,
> and they seem to be of better quality than the normal CD-R's. The Audio
> seem more richer

The black material adds that black vinyl warmth to the cold bits
that's been missing from normal CDs all of these years? 

-Adam (tongue firmly residing within cheek)

---- 
             T h e   D a r k   A e t h e r   P r o j e c t
                      http://www.darkaether.net/
		      http://mp3.com/darkaether/

From Loopers-Delight-request@loopers-delight.com  Sun Jul  1 23:22:58 2001
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Date: Sun, 1 Jul 2001 20:21:07 -0700 (PDT)
From: "J.P. Stemwedel" <fission_hole@yahoo.com>
Subject: my, aren't we rude?
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I had tried to sign up for this list a while back
while I was visiting with my in-laws and because of
some vagary of some mix up with their on-line service
and my confusion with it, they got signed up on this
list and got a ream of emails that were meaningless to
them.  When they asked how to get off of this list,
they received insulting and demeaning responses, and
not a single helpful response.  This is childish and
pathetic.  I have unsubscribed them since finding out
about this, and I have only temporarily subscribed to
this list to tell you sorry lot that I want nothing to
do with such a cretinous bunch.  If this is the kind
of community the internet fosters, god bless the
luddites.  Enjoy your megalomania without me, thank
you.

jp


__________________________________________________
Do You Yahoo!?
Get personalized email addresses from Yahoo! Mail
http://personal.mail.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Sun Jul  1 23:51:34 2001
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Date: Sun, 01 Jul 2001 20:50:38 -0700
From: Andrew Pask <andrew@kaleidacousticon.com>
Subject: Re: my, aren't we rude?
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On 1/7/01 at 20:21, fission_hole@yahoo.com (J.P. Stemwedel) wrote:

> I had tried to sign up for this list a while back
> while I was visiting with my in-laws and because of
> some vagary of some mix up with their on-line service
> and my confusion with it, they got signed up on this
> list and got a ream of emails that were meaningless to
> them.  When they asked how to get off of this list,
> they received insulting and demeaning responses, and
> not a single helpful response.  This is childish and
> pathetic.  etc.etc. etc.

"fission hole"?

"J.P. Stemwedel"?

"accidently" sets up his inlaws for the unsubscribe barbecue?

That old trick.

How stupid do you think we all are?

From Loopers-Delight-request@loopers-delight.com  Mon Jul  2 00:05:12 2001
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Date: Sun, 1 Jul 2001 21:02:46 -0700 (PDT)
From: John Tidwell <wedgehed@yahoo.com>
Subject: Re: my, aren't we rude?
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To make restitution, I vote that we send Mr. Stemwedel
an Againinator (beta version) & subscribe his in-laws
to "Analogue Heaven".

John


--- Andrew Pask <andrew@kaleidacousticon.com> wrote:
> On 1/7/01 at 20:21, fission_hole@yahoo.com (J.P.
> Stemwedel) wrote:
> 
> > I had tried to sign up for this list a while back
> > while I was visiting with my in-laws and because
> of
> > some vagary of some mix up with their on-line
> service
> > and my confusion with it, they got signed up on
> this
> > list and got a ream of emails that were
> meaningless to
> > them.  When they asked how to get off of this
> list,
> > they received insulting and demeaning responses,
> and
> > not a single helpful response.  This is childish
> and
> > pathetic.  etc.etc. etc.
> 
> "fission hole"?
> 
> "J.P. Stemwedel"?
> 
> "accidently" sets up his inlaws for the unsubscribe
> barbecue?
> 
> That old trick.
> 
> How stupid do you think we all are?
> 


=====
John Tidwell




__________________________________________________
Do You Yahoo!?
Get personalized email addresses from Yahoo! Mail
http://personal.mail.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Mon Jul  2 00:14:18 2001
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From: "Gary Lehmann" <healthquestrecruiter@earthlink.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: Againinator Thread
Date: Sun, 1 Jul 2001 21:12:59 -0700
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With all "respect" given to the upcoming (I will bet cash money) release of
the Repeater, I have to say that the Againinator thread is totally
hilarious!  Can somebody collect all the posts and put up a page on the web
site?  I am serious--this stuff is paralyzingly funny.  I did a search from
the web page but it eliminates posts over ten lines and won't give me HTML.
Anybody?
Thanks for all the info and entertainment.
Gary

From Loopers-Delight-request@loopers-delight.com  Mon Jul  2 00:41:03 2001
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Date: Mon, 02 Jul 2001 00:39:12 -0400
Subject: re multiple amps/signals & electrix levels
From: Paul Sullivan <paulsull@gis.net>
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>i've been coming up against the same hurdle here... I am building a
>pedalboard with the boomerang as my looper along with some other effects.
>I
>have an acoustic guitar and also an electric.  I want to have both guitars
>plugged into the rig at the same time, but of course have the ability to
>switch from one to the other when I want, so that I can loop both guitars.
>My only problem is that when I'm playing the acoustic I want the signal to
>go to the PA, but when I'm playing electric, I want the signal to run to my
>amp (just got a new Fender Hot Rod DeVille!).  Any advice on how to route
>the signal??  Probably just going to use an A/B switch for the inputs, but
>I'm not yet sure how to handle the output, unless I just use a 2nd A/B
>switch.  But then that could be awkward, I think, to have to hit two
>different switches to change guitars.  Not sure.
>
>The 2nd hurdle is that I'm thinking I'd have to use two different loopers
>in
>order to loop the acoustic guitar and have it continue to run through the
>PA
>if I wanted to use both instruments in the same song.  Any other ideas?

Mike-
    I figured that this would be a common theme with different problems. I
think they both center around using the boomerang in 2 different, but like
situations.
    I have been running a small pedal board that splits my signal before the
rang but after effects. I use an a/b to control the signals which only
differ by the rang. The looped signal goes to an old super reverb, and the
other to a newer concert. I have a volume pedal that I turn down when I plug
and uplug guitars.
    My problem is that the electrix products I just got really need to go
through an effects loop, which only the concert has. I know it seems logical
to just loop on the concert, but loops sound better out of the super.
Anyway, I think that there is a rather complex way to route using many
cables and the aux on the rang, but it makes my head hurt just thinking
about it. I would imagine that there are good switching systems out there
that some loopers might know about.
    Boss makes a good and very flexible line selecter for a hundred bucks
that 
can also power other pedals. This might help you with your problem. I
checked it out on rolandus.com yesterday.
N
 
Somewhat along these lines, I've been trying to find a way to bypass my
effects loop (in a Carvin Nomad) for a (quieter) straight guitar-into-amp
sound when not using effects. An A/B box doesn't work, because interrupting
the chain between effects send and effects return kills all sound coming out
of the amp. Little Laneili makes a loop switcher that sounds like it might
do the trick--anyone know if this would work?

Also, as far as Electrix gear, I'm having a hard time getting enough level
to properly drive my new Filter Factory (even when in the effects loop). The
input and output lights only occasionally flicker slightly, and although I
can get some effected sounds, other functions such as the envelope follower
don't seem to be getting enough signal to function. Anybody else experience
this? 

Paul

From Loopers-Delight-request@loopers-delight.com  Mon Jul  2 01:17:39 2001
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Old-Return-Path: <dlawren@pacbell.net>
Date: Sun, 01 Jul 2001 22:05:00 -0700
From: Doug Lawrence <dlawren@pacbell.net>
Subject: Squarepusher Public Service Announcement
To: Loopers-Delight@loopers-delight.com
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I just wanted to inform the list that got me hooked on Squarepusher several
years ago that it looks like he is doing a rare US/Canadian tour ... it will
be great to see how he pulls off these shows!

Tue 08/07/01   Vancouver, BC  Sonar
Wed 08/08/01   Seattle, WA  Showbox
Thu 08/09/01   Portland, OR  B Complex
Fri 08/10/01   Oakland, CA  Club Indigo
Sat 08/11/01   San Francisco, CA  Bimbo's 365 Club
Sun 08/12/01   Los Angeles, CA  El Rey Theatre
Tue 08/14/01   Denver, CO  Bluebird Theater
Wed 08/15/01   Lawrence, KS  Granada Theatre
Thu 08/16/01   Minneapolis, MN  First Avenue
Fri 08/17/01   Chicago, IL  Metro
Sat 08/18/01   Detroit, MI  St. Andrews Hall
Mon 08/20/01   Columbus, OH  Wexner Center
Tue 08/21/01   Toronto, ON  Phoenix Concert Theatre
Thu 08/23/01   New York, NY  Irving Plaza
Fri 08/24/01   New York, NY  Irving Plaza
Sat 08/25/01   Boston, MA  Paradise Rock Club
Mon 08/27/01   Philadelphia, PA  The Trocadero
Tue 08/28/01   Washington, DC  9:30 Club
Wed 08/29/01   Atlanta, GA  Echo Lounge
Thu 08/30/01   Orlando, FL  Sapphire Supper Club


From Loopers-Delight-request@loopers-delight.com  Mon Jul  2 01:23:35 2001
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From: Jakk Spratt <icuguy@planet-save.com>
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Subject: Bitter here
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Little bitter here??????

--- "J.P. Stemwedel" <fission_hole@yahoo.com>
> wrote:
>I had tried to sign up for this list a while back
>while I was visiting with my in-laws and because of
>some vagary of some mix up with their on-line service
>and my confusion with it, they got signed up on this
>list and got a ream of emails that were meaningless to
>them.  When they asked how to get off of this list,
>they received insulting and demeaning responses, and
>not a single helpful response.  This is childish and
>pathetic.  I have unsubscribed them since finding out
>about this, and I have only temporarily subscribed to
>this list to tell you sorry lot that I want nothing to
>do with such a cretinous bunch.  If this is the kind
>of community the internet fosters, god bless the
>luddites.  Enjoy your megalomania without me, thank
>you.
>
>jp
>
>
>__________________________________________________
>Do You Yahoo!?
>Get personalized email addresses from Yahoo! Mail
>http://personal.mail.yahoo.com/

_____________________________________________________________
For the largest selection of Birkenstock shoes, sandals, clogs, and boots online please visit http://www.birkenstockexpress.com/Tracking/psave/psave_b.cfm

From Loopers-Delight-request@loopers-delight.com  Mon Jul  2 01:38:51 2001
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To: <Loopers-Delight@loopers-delight.com>
References: <B7657330.463%paulsull@gis.net>
Subject: electrix levels
Date: Sun, 1 Jul 2001 23:34:34 -0600
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> Also, as far as Electrix gear, I'm having a hard time getting enough
level
> to properly drive my new Filter Factory

*** Me too, precisely the same problem.

petr


From Loopers-Delight-request@loopers-delight.com  Mon Jul  2 01:49:57 2001
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Subject: Re: OT - Black CD-R's Or Psychoacoustics
Date: Mon, 02 Jul 2001 05:47:36 
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<html><DIV>
<P>Really, the bass sounds richer, the highs are clearer, I have noticed a better overall sound with the Black CD-R's. Maybe, it's just me, or maybe those CD's are just manufactured better ?</P>
<P>
<HR>
</P>
<P>The audio sounds richer? Really? Sounds like psychoacoustics or something to me... :) Om </P></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<P>
<HR>
</P>
<P>I use the Black Memorex and The Multi-Colored PNY (50 pack, with red, blue, yello, black, purple). The Black Memorex seem to be REALLY good, and they seem to be of better quality than the normal CD-R's. The Audio seem more richer, and they seem to be more durable. (Playstation Games have been burnt on this medium for years, so I think they are durable). </P>
<DIV></DIV>
<DIV></DIV>Well whatever you do, don't buy Kingston 50 pack for 8.99 from MicroCenter... they suck big. Out of 50, mayber 20 burnt properly, whereas the rest had data errors on them. 
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<P></P>
<P align=center><FONT size=5><STRONG><FONT face="Garamond, Times, Serif"><U>Lucien E. Darthard </U></FONT></STRONG><BR></FONT><EM><FONT face="Times New Roman, Times, Serif">A Goal Is A Dream With A Deadline Placed On It. <BR></FONT></EM><STRONG>Cell Phone 1-773-578-3504</STRONG> <BR><STRONG><FONT face="Verdana, Geneva, Arial, Sans-serif">http://go.to/ldarthard/</FONT></STRONG> <BR></P><br clear=all><hr>Get your FREE download of MSN Explorer at <a href="http://explorer.msn.com">http://explorer.msn.com</a><br></p></html>

From Loopers-Delight-request@loopers-delight.com  Mon Jul  2 03:43:54 2001
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 <LOBBLELOPJEFONCNJBGNEEODGDAA.healthquestrecruiter@earthlink.net>
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>With all "respect" given to the upcoming (I will bet cash money) release of
>the Repeater, I have to say that the Againinator thread is totally
>hilarious!  Can somebody collect all the posts and put up a page on the web
>site?  I am serious--this stuff is paralyzingly funny.  I did a search from
>the web page but it eliminates posts over ten lines and won't give me HTML.
>Anybody?
>Thanks for all the info and entertainment.
>Gary

If someone wants to put together an LD web page for it, I'd be happy to add it to the LD "tools of the trade" pages. Maybe a few of you Againinator users could send in a review?

And Gern, Electros should put out a press release for this exciting soon-to-be product. You really need to tell the world about it. I can put that up on Looper's Delight as well. Maybe you can get it on Harmony Central. Then all the Againinator users can submit comments on it for the harmony-central effects database! That should really help the back-ordering pick up!

BTW, this search should bring you all the againinator posts:
http://www.loopers-delight.com/cgi-bin/wilma_glimpse/LDarchive?query=againinator&errors=0&maxfiles=500&maxlines=5&.cgifields=lineonly&.cgifields=filelist&.cgifields=case&.cgifields=partial&.cgifields=restricttofiles


kim
 

______________________________________________________________________
Kim Flint                     | Looper's Delight 
kflint@loopers-delight.com    | http://www.loopers-delight.com


From Loopers-Delight-request@loopers-delight.com  Mon Jul  2 05:59:27 2001
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Date: Mon, 2 Jul 2001 02:56:13 -0700 (PDT)
From: John Tidwell <wedgehed@yahoo.com>
Subject: some more "really deep" Againinator questions...
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Dear Gern,

I would like to use the Againinator's "HUMMINIZER" TM
feature to emulate the really bitching part of
"Freebird". I'm a little weak on my music theory.
What "HUMMINIZER" TM  setting would work best for
this?

a) modal

b) comodal

c) yodel

d) Phriggian

e) Nickolodian

I'm also intrigued by the Againinator's patent pending
"WHACK" process. Should I set this to on or off?

John


PS-

Thank you for your concern & no, the cat hasn't come
home yet.

JT


=====
John Tidwell




__________________________________________________
Do You Yahoo!?
Get personalized email addresses from Yahoo! Mail
http://personal.mail.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Mon Jul  2 06:12:58 2001
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Date: Mon, 02 Jul 2001 12:06:30 +0000
From: Claude Voit <c.voit@vtx.ch>
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CAN SOMEONE LINK ME TO SERIAL NUMBER OR THE PROGGIE I'M POOR BUT I WANT
TO MAKE LOOPIC TRANCE

PINKFLIP

PS I CAN TRADE WITH B SELLONS JM UPGRADE, VINTAGE EBOW ...

PLEASE NO "YOU SHOULD BY IT" CRAP

From Loopers-Delight-request@loopers-delight.com  Mon Jul  2 06:48:33 2001
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Subject: More on EDP "multiply" bugs
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While we're on the subject of what might-or-might-not be a bug.  There's
a multiply "feature" that I consider a bug, and which I find a problem.
If I hit "undo" while "multiply" is on, the loop is reset - everything
is fine.  If I hit "undo" *after* I've finished the multiply (by hitting
multiply a second time), the material that recorded during the multiply
is erased, but the loop length remains multiplied.  This isn't what I
want.  I know that I can "trim" the loop back to a single cycle, but
that's extra (and annoying) work.  Anyone else consider this to be a
shortcoming?

Elby


> > Chris Chovit wrote:
> >
> > >  >and liberal use of the top-secret
> > > >remultiply+undo "bug" maneuver (aka "The Sylmar Shuffle").
> > >
> > > Could you elaborate on this?  I must have missed it when it was
> discussed
> > > previously....or maybe it is really top-secret.....
> >
> > Shucks, man, that's my whole routine right there!  So much for my
> career...
> >
> > Remultiply a loop, and then hit "undo."  It scrolls through the
> memory
> > of different sections of the loop in intriguing and unpredictable
> > ways.  I stumbled across it with another EDP user by accident, but I
> > know at least one other person had found out about it on his own...
> >
> > There was a thread on this a couple of years back.  Apparently it's
> > technically a bug, according to Kim, but it's such a cool feature
> that
> > many of us asked that it not be "fixed" in the next software
> edition.
> >
> > So now my trade secret is out.  Time to for me to retire, I guess!
> :-/
> >
> > --A
>

From Loopers-Delight-request@loopers-delight.com  Mon Jul  2 07:02:13 2001
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Subject: 'gainator in quad ?
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I'm using my 4 Againinators in quad ! Does anyone else do this ? Is it TRUE
quad? If I loop Tubular Bells it sounds awesome, so I'm guessing it's true
quad - anyone know different ?
I'm plugging straight from the Rich into a modded dimmer switch connected to
an early black face. From the blackie the signal is split to go though the
cable TV wall socket ( a trick Kaiser uses for his cut-ups, I heard ) then
an early Koss sweep notch filter wah ( the '78 model missing the sweep
filter notch wah - so I'm guessing it's just a box with two jacks.. )
( Bob Bradshaw ain't nothing on this one ) From there the signal goes into
the Sump filter Reverb-oil, then lastly to a rented 32 channel desk Stones
mobile truck recording ( now with modded Aux sends modded to PRE send ) and
finally out to the 4 'ginators, returned to the, to the. gotta go guys,
somethings burning somewhere !







From Loopers-Delight-request@loopers-delight.com  Mon Jul  2 07:29:04 2001
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Date: Mon, 2 Jul 2001 04:26:56 -0700 (PDT)
From: John Tidwell <wedgehed@yahoo.com>
Subject: Re: againinator
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SELLONS A HACK!!! OUT LIKE FLINT!!!

AGAININATOR ROOOLZZZZ!!!!!!!!



--- Claude Voit <c.voit@vtx.ch> wrote:
> CAN SOMEONE LINK ME TO SERIAL NUMBER OR THE PROGGIE
> I'M POOR BUT I WANT
> TO MAKE LOOPIC TRANCE
> 
> PINKFLIP
> 
> PS I CAN TRADE WITH B SELLONS JM UPGRADE, VINTAGE
> EBOW ...
> 
> PLEASE NO "YOU SHOULD BY IT" CRAP
> 


=====
John Tidwell




__________________________________________________
Do You Yahoo!?
Get personalized email addresses from Yahoo! Mail
http://personal.mail.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Mon Jul  2 08:02:38 2001
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Date: Mon, 02 Jul 2001 08:01:23 -0400
Subject: Re: NYC loopfest
From: Steve Sandberg <stevesandberg@earthlink.net>
To: <Loopers-Delight@loopers-delight.com>
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> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

--MS_Mac_OE_3076905683_94139_MIME_Part
Content-type: text/plain; charset="US-ASCII"
Content-transfer-encoding: 7bit

Chashama on 42nd St is proving to be a good venue for
"this sort of thing".  Unity Gain is going up there on
July 17/18 (with at least two list members playing, myself
and David Lee Myers).  However, I do not know if they have a PA
permanently there...
Both places sound promising -- I'd like to come on the 17/18, let us know.


The Knitting Factory is a very civilized space and might well
let us book something.  I have vague contacts there

       So do I, but you have to book months in advance.

A friend of mine, Kevin Centanni, is opening a bar/gallery
called the Remote Lounge:  <http://www.remotelounge.com/>

      Let us know after Tuesday.

I'd be willing to do some work to get this together; it would be great if I
could split the work with one or two others, though.  Don't think it would
be so hard -- I see this as more a chance for us NYC loopers to get to know
each other in a comfortable space than a show we need to promote to get a
big audience. 

--MS_Mac_OE_3076905683_94139_MIME_Part
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<HTML>
<HEAD>
<TITLE>Re: NYC loopfest</TITLE>
</HEAD>
<BODY>
<BLOCKQUOTE><FONT COLOR=3D"#0000FF"><FONT SIZE=3D"4">Chashama on 42nd St is pro=
ving to be a good venue for<BR>
&quot;this sort of thing&quot;. &nbsp;Unity Gain is going up there on<BR>
July 17/18 (with at least two list members playing, myself<BR>
and David Lee Myers). &nbsp;However, I do not know if they have a PA<BR>
permanently there...<BR>
</FONT></FONT><FONT SIZE=3D"4">Both places sound promising -- I'd like to com=
e on the 17/18, let us know.<BR>
<BR>
</FONT></BLOCKQUOTE><FONT SIZE=3D"4"><BR>
<FONT COLOR=3D"#0000FF">The Knitting Factory is a very civilized space and mi=
ght well<BR>
let us book something. &nbsp;I have vague contacts there <BR>
<BR>
 &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</FONT>So do I, but you have to =
book months in advance.<BR>
<FONT COLOR=3D"#0000FF"><BR>
A friend of mine, Kevin Centanni, is opening a bar/gallery<BR>
called the Remote Lounge: &nbsp;&lt;<U>http://www.remotelounge.com/</U>&gt;=
<BR>
</FONT><BR>
 &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Let us know after Tuesday.<BR>
<BR>
I'd be willing to do some work to get this together; it would be great if I=
 could split the work with one or two others, though. &nbsp;Don't think it w=
ould be so hard -- I see this as more a chance for us NYC loopers to get to =
know each other in a comfortable space than a show we need to promote to get=
 a big audience.</FONT>
</BODY>
</HTML>


--MS_Mac_OE_3076905683_94139_MIME_Part--

From Loopers-Delight-request@loopers-delight.com  Mon Jul  2 09:09:16 2001
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Date: Mon, 02 Jul 2001 08:05:19 -0500
Subject: Re: OT - Black CD-R's Or Psychoacoustics
From: Mike Feeney <feeneymike@yahoo.com>
To: <dj_devious_d@hotmail.com>, <clifsound@mediaone.net>,
        "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

--B_3076905919_35396
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Since we=B9re dealing with a digital medium, I=B9d really doubt that the sound
quality would be affected, but since I never finished that degree in physic=
s
and acoustics, I won=B9t claim to know.  =3D)

Mike


on 7/2/01 12.47 AM, Devious D_MasterMixer at dj_devious_d@hotmail.com wrote=
:

> Really, the bass sounds richer, the highs are clearer, I have noticed a b=
etter
> overall sound with the Black CD-R's. Maybe, it's just me, or maybe those =
CD's
> are just manufactured better ?
>=20
>=20
> The audio sounds richer? Really? Sounds like psychoacoustics or something=
 to
> me... :) Om=20
>=20
>=20
> I use the Black Memorex and The Multi-Colored PNY (50 pack, with red, blu=
e,
> yello, black, purple). The Black Memorex seem to be REALLY good, and they=
 seem
> to be of better quality than the normal CD-R's. The Audio seem more riche=
r,
> and they seem to be more durable. (Playstation Games have been burnt on t=
his
> medium for years, so I think they are durable).
>=20
> Well whatever you do, don't buy Kingston 50 pack for 8.99 from MicroCente=
r...
> they suck big. Out of 50, mayber 20 burnt properly, whereas the rest had =
data
> errors on them.=20
> Lucien E. Darthard
> A Goal Is A Dream With A Deadline Placed On It.
> Cell Phone 1-773-578-3504
> http://go.to/ldarthard/
>=20
>=20
> Get your FREE download of MSN Explorer at http://explorer.msn.com
>=20
>=20


--B_3076905919_35396
Content-type: text/html; charset="ISO-8859-1"
Content-transfer-encoding: quoted-printable

<HTML>
<HEAD>
<TITLE>Re: OT - Black CD-R's Or Psychoacoustics</TITLE>
</HEAD>
<BODY>
<FONT FACE=3D"Arial"><BR>
Since we&#8217;re dealing with a digital medium, I&#8217;d really doubt tha=
t the sound quality would be affected, but since I never finished that degre=
e in physics and acoustics, I won&#8217;t claim to know. &nbsp;=3D)<BR>
<BR>
Mike<BR>
<BR>
<BR>
on 7/2/01 12.47 AM, Devious D_MasterMixer at dj_devious_d@hotmail.com wrote=
:<BR>
<BR>
</FONT><BLOCKQUOTE><FONT FACE=3D"Arial">Really, the bass sounds richer, the h=
ighs are clearer, I have noticed a better overall sound with the Black CD-R'=
s. Maybe, it's just me, or maybe those CD's are just manufactured better ?<B=
R>
<BR>
<HR ALIGN=3DCENTER SIZE=3D"3" WIDTH=3D"100%">The audio sounds richer? Really? Sou=
nds like psychoacoustics or something to me... :) Om <BR>
<BR>
<HR ALIGN=3DCENTER SIZE=3D"3" WIDTH=3D"100%">I use the Black Memorex and The Mult=
i-Colored PNY (50 pack, with red, blue, yello, black, purple). The Black Mem=
orex seem to be REALLY good, and they seem to be of better quality than the =
normal CD-R's. The Audio seem more richer, and they seem to be more durable.=
 (Playstation Games have been burnt on this medium for years, so I think the=
y are durable). <BR>
<BR>
Well whatever you do, don't buy Kingston 50 pack for 8.99 from MicroCenter.=
.. they suck big. Out of 50, mayber 20 burnt properly, whereas the rest had =
data errors on them.=20
</FONT>
<P ALIGN=3DCENTER>
<FONT FACE=3D"Arial"><FONT SIZE=3D"5"><B><U>Lucien E. Darthard <BR>
</U></B></FONT><I>A Goal Is A Dream With A Deadline Placed On It. <BR>
</I><B>Cell Phone 1-773-578-3504</B> <BR>
<B>http://go.to/ldarthard/</B>=20
</FONT>
<P>
<FONT FACE=3D"Arial"><BR>
<HR ALIGN=3DCENTER SIZE=3D"3" WIDTH=3D"100%">Get your FREE download of MSN Explor=
er at http://explorer.msn.com<BR>
<BR>
</FONT></BLOCKQUOTE><FONT FACE=3D"Arial"><BR>
</FONT>
</BODY>
</HTML>


--B_3076905919_35396--


_________________________________________________________
Do You Yahoo!?
Get your free @yahoo.com address at http://mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Mon Jul  2 09:46:13 2001
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Date: Mon, 02 Jul 2001 14:44:36 +0100
Subject: Re: some more "really deep" Againinator questions...
From: Martin Shellard <m.shellard@ntlworld.com>
To: <Loopers-Delight@loopers-delight.com>
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I'd like to field this one.

You may have noticed the HUMMINIZER feature on the beta Againinator, however
at this time we cannot provide technical support for this exciting new
feature as we have yet to fully implement it into the unit (or in fact write
any code for it)
As for the exciting new WHACK feature, this is due to be added sometime in
late August (2010) and is sure to revolutionise the way you work (when we
figure out what it's going to do)

I would leave both features on as the buttons look totally cool.

May we just state that looping any classic rock in the Againinator can be
hazardous to your health and may void your warranty. This unit is designed
for slammin' beats y'all.

Word. 

Martin Shellard 


> From: John Tidwell <wedgehed@yahoo.com>

> Dear Gern,
> 
> I would like to use the Againinator's "HUMMINIZER" TM
> feature to emulate the really bitching part of
> "Freebird". I'm a little weak on my music theory.
> What "HUMMINIZER" TM  setting would work best for
> this?
> 
> a) modal
> 
> b) comodal
> 
> c) yodel
> 
> d) Phriggian
> 
> e) Nickolodian
> 
> I'm also intrigued by the Againinator's patent pending
> "WHACK" process. Should I set this to on or off?
> 
> John
> 
> 
> PS-
> 
> Thank you for your concern & no, the cat hasn't come
> home yet.
> 
> JT
> 
> 
> =====
>

From Loopers-Delight-request@loopers-delight.com  Mon Jul  2 09:51:18 2001
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Date: Mon, 2 Jul 2001 09:47:42 EDT
Subject: Re: NYC loopfest
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what about tonic?
bleep,
dt / s-c

From Loopers-Delight-request@loopers-delight.com  Mon Jul  2 10:01:21 2001
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Subject:  Againinator Image
From: David Myers <dmgraph@earthlink.net>
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Thanks for the suggestions, Kim.  Sound On Sound Magazine often "spotlights"
this sort of product, and it would be a blast to see it on Harmony Central!

Being both a gearhead and Photoshop pro, I'll offer to create an Againinator
image (you didn't think that Repeater we've been looking at for a year was a
photo, did you?).  Listmembers should post their suggestions for physical
characteristics, color, displays, knobs, and so forth.  Subject to the whim
of the artiste, natch.

I'm leaning toward a 6U half-rack or maybe a purple pod...

David Lee Myers
http://www.pulsewidth.com
--------------------------------------------------------------------------
"Ourobouros" CD of new Feedback Music available now on Pulsewidth!
In NYC at Downtown Music, Kim's Mondo, Kim's West, and Other Music, and
through Forced Exposure, Anomalous, Wayside, CDeMusic/Electronic Music
Foundation, Deep Listening Catalog, Crouton Music, Recommended (UK),
Staalplaat (Netherlands), and Metamkine (France).



on 7/2/01 3:41 AM, Kim Flint at kflint@loopers-delight.com wrote:

>> With all "respect" given to the upcoming (I will bet cash money) release of
>> the Repeater, I have to say that the Againinator thread is totally
>> hilarious!  Can somebody collect all the posts and put up a page on the web
>> site?  I am serious--this stuff is paralyzingly funny.  I did a search from
>> the web page but it eliminates posts over ten lines and won't give me HTML.
>> Anybody?
>> Thanks for all the info and entertainment.
>> Gary
> 
> If someone wants to put together an LD web page for it, I'd be happy to add it
> to the LD "tools of the trade" pages. Maybe a few of you Againinator users
> could send in a review?
> 
> And Gern, Electros should put out a press release for this exciting soon-to-be
> product. You really need to tell the world about it. I can put that up on
> Looper's Delight as well. Maybe you can get it on Harmony Central. Then all
> the Againinator users can submit comments on it for the harmony-central
> effects database! That should really help the back-ordering pick up!
> 
> BTW, this search should bring you all the againinator posts:
> http://www.loopers-delight.com/cgi-bin/wilma_glimpse/LDarchive?query=againinat
> or&errors=0&maxfiles=500&maxlines=5&.cgifields=lineonly&.cgifields=filelist&.c
> gifields=case&.cgifields=partial&.cgifields=restricttofiles
> 
> 
> kim

From Loopers-Delight-request@loopers-delight.com  Mon Jul  2 10:02:39 2001
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Subject: Re: NYC loopfest
From: David Myers <dmgraph@earthlink.net>
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on 7/2/01 9:47 AM, Hedewa7@aol.com at Hedewa7@aol.com wrote:

> what about tonic?
> bleep,
> dt / s-c
> 

what about setting it up, dt?
bleep bleep

DLM

From Loopers-Delight-request@loopers-delight.com  Mon Jul  2 10:13:53 2001
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Date: Mon, 2 Jul 2001 10:11:25 EDT
Subject: Re: NYC loopfest
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dmgraph@earthlink.net writes:
>what about setting it up, dt?
well, uhhh.....
lemme think about it; like you, i'm pretty amazingly busy, through 
september.....
irresponsibly shunting,
dt / s-c

From Loopers-Delight-request@loopers-delight.com  Mon Jul  2 10:17:34 2001
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Date: Mon, 02 Jul 2001 09:16:49 -0500
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From: "Michael S. Yoder" <myoder@tamiu.edu>
Subject: Sort-of off-topic: Zoom RFX-300
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Does anyone have any experience with the Zoom RFX-300, a pedal-sized
reverb/multi-effects processor?  I'm wondering if it would be a suitable
product for portable "carry-in-your-instrument-case" recording, such as: 

bass guitar===>Sans Amp Bass DI===>Looper===>Zoom RFX 300===>Walkman
minidisc  

In other words, do the reverb settings sound good, and is the unit noise-free?

Thanks for your help.
Best,
Michael
=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

Dr. Michael S. Yoder
Associate Professor of Geography,
Coordinator of Urban Studies
Texas A&M International University
5201 University Blvd.
Laredo, TX  78041
Tel. (956) 326-2634; FAX (956) 326-2464 
Internet:myoder@tamiu.edu
Web page: http://www.tamiu.edu/~myoder

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=--=-=-=-==

From Loopers-Delight-request@loopers-delight.com  Mon Jul  2 10:29:07 2001
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From: "Christopher White" <magicicada@charter.net>
Subject: : GIG Alert: Asheville NC/NYC gig
To: Loopers-Delight@loopers-delight.com, Loopers-Delight@loopers-delight.com
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btw the name is magi*cicada

:)
i am also playing a gig in nyc with a few people over in
willimasburg for a new media organization
date for that show is july 12th
here is a sample of my last live gig

www.magicicada.com/liveperformace.mp3

live loops as well with tiffany meyers on soaring vocals
see ya guys later
love
c.white
On Sun, 01 Jul 2001 20:16:05 -0400
 "Christopher White" <magicicada@charter.net> wrote:
> this upcoming friday i will be performing a
> waterphone/guitar loop duet at vincet's ear in asheville
> nc-
> 
> lots of drone and dissonance
> christopher white
> come up and say hi
> i will be the guy with the beanie and waterphone
> it will be recorded live to multitrack as well
> thanks
> c.white
> 

From Loopers-Delight-request@loopers-delight.com  Mon Jul  2 10:36:11 2001
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To: <Loopers-Delight@loopers-delight.com>
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Subject: Re: NYC loopfest
Date: Mon, 2 Jul 2001 10:40:30 -0400
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----- Original Message ----- 
From: David Myers <dmgraph@earthlink.net>



> on 7/2/01 9:47 AM, Hedewa7@aol.com at Hedewa7@aol.com wrote:
> 
> > what about tonic?
> > bleep,
> > dt / s-c
> > 
> 
> what about setting it up, dt?
> bleep bleep
> 
> DLM

I've found difficult to get a gig at Tonic. They want to be 
sure you can pack the place.

David Beardsley


From Loopers-Delight-request@loopers-delight.com  Mon Jul  2 10:59:28 2001
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> i am also playing a gig in nyc with a few people over in
> willimasburg for a new media organization

don't forget to put your NYC gigs on the extreme NY
calendar, <http://extremeNY.com/calendar>, 
<http://extremeNY.com/submit> to submit...

(the extreme NY radio station will also be restarting
quite soon... spent a lot of the weekend on the
redesign, not done, need to stop sleeping I think...)

   /t

-- 
perhaps man is water's way of getting 
from one place to another?

From Loopers-Delight-request@loopers-delight.com  Mon Jul  2 11:25:50 2001
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-----Original Message-----
From: Mountain Man [mailto:mtman@cloud9.net]
Sent: Monday, July 02, 2001 3:47 AM
To: Loopers-Delight@loopers-delight.com
Subject: More on EDP "multiply" bugs


While we're on the subject of what might-or-might-not be a bug.  There's
a multiply "feature" that I consider a bug, and which I find a problem.
If I hit "undo" while "multiply" is on, the loop is reset - everything
is fine.  If I hit "undo" *after* I've finished the multiply (by hitting
multiply a second time), the material that recorded during the multiply
is erased, but the loop length remains multiplied.  This isn't what I
want.  I know that I can "trim" the loop back to a single cycle, but
that's extra (and annoying) work.  Anyone else consider this to be a
shortcoming?

Elby

As I understand it, this is the feature under discussion.  Der Sylmar
Shuffle, jah.
Perhaps there will be some other option in the upcoming upgrade?
Gary

From Loopers-Delight-request@loopers-delight.com  Mon Jul  2 11:39:53 2001
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Subject: Re: OT - Black CD-R's Or Psychoacoustics
From: Travis Hartnett <tiktok@sprintmail.com>
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> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

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I've found the best results using the black CD-R's and then marking the
outer and inner edge of the disc with a green marker.

TH

*******
From: "Devious D_MasterMixer" <dj_devious_d@hotmail.com>
Subject: Re: OT - Black CD-R's Or Psychoacoustics

Really, the bass sounds richer, the highs are clearer, I have noticed a
better overall sound with the Black CD-R's. Maybe, it's just me, or maybe
those CD's are just manufactured better ?



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<HTML>
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<TITLE>Re: OT - Black CD-R's Or Psychoacoustics</TITLE>
</HEAD>
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<BLOCKQUOTE>I've found the best results using the black CD-R's and then mar=
king the outer and inner edge of the disc with a green marker. &nbsp;<BR>
<BR>
TH<BR>
<BR>
*******<BR>
<B>From: </B>&quot;Devious D_MasterMixer&quot; &lt;<FONT COLOR=3D"#0000FF"><U=
>dj_devious_d@hotmail.com</U></FONT>&gt;<BR>
<B>Subject: </B>Re: OT - Black CD-R's Or Psychoacoustics<BR>
<BR>
Really, the bass sounds richer, the highs are clearer, I have noticed a bet=
ter overall sound with the Black CD-R's. Maybe, it's just me, or maybe those=
 CD's are just manufactured better ? <BR>
</BLOCKQUOTE><BR>
</BODY>
</HTML>


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From Loopers-Delight-request@loopers-delight.com  Mon Jul  2 11:39:56 2001
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I'd go for the 24U 1/8 rack configuration, with optional chain-saw.
Would take the joys of studio configuration to new heights of delight :)

Wait ... what about a 19" configuration designed to be mounted
vertically, but can be mounted horizontally ... as long as you don't
mind bending your head 90 degrees to read the labels <g>

Elby


Subject:
        Againinator Image
   Date:
        Mon, 02 Jul 2001 10:00:10 -0400
   From:
        David Myers <dmgraph@earthlink.net>
     To:
        <Loopers-Delight@loopers-delight.com>

I'm leaning toward a 6U half-rack or maybe a purple pod...

David Lee Myers
http://www.pulsewidth.com


From Loopers-Delight-request@loopers-delight.com  Mon Jul  2 12:22:11 2001
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I'll make an againinator web site!

Mark

Gary Lehmann wrote:

> With all "respect" given to the upcoming (I will bet cash money) release of
> the Repeater, I have to say that the Againinator thread is totally
> hilarious!  Can somebody collect all the posts and put up a page on the web
> site?  I am serious--this stuff is paralyzingly funny.  I did a search from
> the web page but it eliminates posts over ten lines and won't give me HTML.
> Anybody?
> Thanks for all the info and entertainment.
> Gary

From Loopers-Delight-request@loopers-delight.com  Mon Jul  2 12:31:11 2001
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you're only marking the edges?
you gotta cover the whole business side of the disk
with that magic green marker.  this allows the laser 
beam to fully absorb each bit giving purest tone
and also to refract the beam allowing extra read-ahead
and buffering.


----- Original Message ----- 
From: "Travis Hartnett" <tiktok@sprintmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, July 02, 2001 10:35 AM
Subject: Re: OT - Black CD-R's Or Psychoacoustics


> I've found the best results using the black CD-R's and then marking the
> outer and inner edge of the disc with a green marker.
> 
> TH
> 
> *******
> From: "Devious D_MasterMixer" <dj_devious_d@hotmail.com>
> Subject: Re: OT - Black CD-R's Or Psychoacoustics
> 
> Really, the bass sounds richer, the highs are clearer, I have noticed a
> better overall sound with the Black CD-R's. Maybe, it's just me, or maybe
> those CD's are just manufactured better ?
> 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Mon Jul  2 13:16:16 2001
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petr (10:34 PM 07/01/01) wrote:

 >> Also, as far as Electrix gear, I'm having a hard time getting
 >> enough level to properly drive my new Filter Factory
 >
 >*** Me too, precisely the same problem.

(I'm jumping into this thread late, so this may have been said already)

The Electrix gear is designed to be used at line levels, not guitar levels. 
The best place to use the gear is in an effects send/return loop on a 
mixer, or a channel insert.


Mark 

From Loopers-Delight-request@loopers-delight.com  Mon Jul  2 13:43:10 2001
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From: improv@peak.org (Dave Trenkel)
Subject: Multi-channel Againinator Looping
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I've been using my 9 Againinators in a custom nono-phonic matrix system. I
replaced the stock 2nd-cousin-sync ports in each unit with the custom
everything-but-the-kitchen-sync ports, allowing subsample accurate sync
between the units. Each unit is connected to its own Marshall double stack.
The system in performance has been quite effective, audiences at the
coffeehouses and daycare centers where I normally gig have been known to
run screaming, in delight I presume, "OH NONO!"

____________________________________________
Dave Trenkel : improv@peak.org
New & Improv Media
http://www.newandimprov.com
Now available: Minus: Dark Lit
____________________________________________


From Loopers-Delight-request@loopers-delight.com  Mon Jul  2 16:03:44 2001
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Subject: OT: Mo-Fx= Midi Control Surface!
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I have been researching for the purchase of a control surface to aid me in
the automation of volume/panning in Cubase- Every unit has severe drawbacks-
Peavey, Motormix, Houston, etc... and I was still undecided- at some point
it clicked that I had 3 devices with full midi implementation sitting right
behind me the whole time!

Connect midi out of any of the Electrix units to your DAW- (I prefer the
Mo-Fx)- then set up the specifics in Reaktor, Cubase, Logic etc using Midi
Learn, and the knobs/buttons can be used as controllers- I am so happy I
could ..... well, you get the idea!!!

Om

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Subject: Re: GIG Alert: Asheville NC/NYC gig
From: Steve Sandberg <stevesandberg@earthlink.net>
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> This message is in MIME format. Since your mail reader does not understand
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i am also playing a gig in nyc with a few people over in
willimasburg for a new media organization
date for that show is july 12th

Where is it?  What time?


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<BLOCKQUOTE><FONT COLOR=3D"#0000FF"><FONT SIZE=3D"4">i am also playing a gig in=
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willimasburg for a new media organization<BR>
</FONT></FONT></BLOCKQUOTE><FONT COLOR=3D"#0000FF"><FONT SIZE=3D"4">date for th=
at show is july 12th<BR>
</FONT></FONT><FONT SIZE=3D"4"><BR>
Where is it? &nbsp;What time?<BR>
</FONT>
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From Loopers-Delight-request@loopers-delight.com  Mon Jul  2 16:15:01 2001
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> Pot type certainly depends on the maker. Just substitute an audio taper
>  dual-ganged pot if you have questions about it, or better yet, call the
>  manufacturer and get the details.
>  
apologies for being so vague,
a dual log pot (audio taper) wouldn't do for cross-fading,
cos you'd have to wire one pot backwards
......making it anti-log

well, looking at the post I thought switching was required rather
than fading

but who knows?

andy butler 
too busy looping to answer the post coherently 

From Loopers-Delight-request@loopers-delight.com  Mon Jul  2 16:15:02 2001
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Subject: Re: More on EDP "multiply" bugs
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> If I hit "undo" *after* I've finished the multiply (by hitting
>  multiply a second time), the material that recorded during the multiply
>  is erased, but the loop length remains multiplied.  This isn't what I
>  want.  
 
Well I'd rather have the option to multiply without recording.

(andy butler)
unless of course you can do this and I just don't know about it

From Loopers-Delight-request@loopers-delight.com  Mon Jul  2 16:28:02 2001
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Subject: RE: More on EDP "multiply" bugs
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andy butler wrote:
Well I'd rather have the option to multiply without recording.
unless of course you can do this and I just don't know about it

>From the archives

http://www.loopers-delight.com/cgi-bin/wilma_hiliter/LDarchive/200012/msg000
60.html?line=10#hilite

Just so ya know:

Hey--
You can record using multiply and not add new material if you are in delay
mode and have the volume pedal backed down.
Gary


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here's the post that started it
notice relevant Subject heading 


http://www.loopers-delight.com/LDarchive/199806/msg00192.html

From Loopers-Delight-request@loopers-delight.com  Mon Jul  2 17:42:20 2001
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I was recording with my Filter Queen and noticed a lot of noise.

I don't see how there is anyway around it. Any tips?

Scott



From Loopers-Delight-request@loopers-delight.com  Mon Jul  2 17:45:16 2001
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Subject: OT: Mo-Fx as MIDI CONTROLLER!
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This is a multi-part message in MIME format.

------=_NextPart_000_0070_01C10305.4F5D02E0
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	charset="iso-8859-1"
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I have been researching for the purchase of a control surface to aid me =
in
the automation of volume/panning in Cubase- Every unit has severe =
drawbacks-
Peavey, Motormix, Houston, etc... and I was still undecided- at some =
point
it clicked that I had 3 devices with full midi implementation sitting =
right
behind me the whole time!

Connect midi out of any of the Electrix units to your DAW- (I prefer the
Mo-Fx)- then set up the specifics in Reaktor, Cubase, Logic etc using =
Midi
Learn, and the knobs/buttons can be used as controllers- I am so happy I
could ..... well, you get the idea!!!

Om


------=_NextPart_000_0070_01C10305.4F5D02E0
Content-Type: text/html;
	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 5.50.4616.200" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2><FONT size=3D3>I have been researching for the =
purchase of a=20
control surface to aid me in<BR>the automation of volume/panning in =
Cubase-=20
Every unit has severe drawbacks-<BR>Peavey, Motormix, Houston, etc... =
and I was=20
still undecided- at some point<BR>it clicked that I had 3 devices with =
full midi=20
implementation sitting right<BR>behind me the whole time!<BR><BR>Connect =
midi=20
out of any of the Electrix units to your DAW- (I prefer the<BR>Mo-Fx)- =
then set=20
up the specifics in Reaktor, Cubase, Logic etc using Midi<BR>Learn, and =
the=20
knobs/buttons can be used as controllers- I am so happy I<BR>could ..... =
well,=20
you get the idea!!!<BR><BR>Om</FONT><BR></FONT></DIV></BODY></HTML>

------=_NextPart_000_0070_01C10305.4F5D02E0--

From Loopers-Delight-request@loopers-delight.com  Mon Jul  2 19:50:09 2001
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Subject: Re: Electrix Levels
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Scott Winzinger (01:38 PM 07/02/01) wrote:

 >I was recording with my Filter Queen and noticed a lot of noise.
 >I don't see how there is anyway around it. Any tips?

What are you feeding the FQ from? In general, keeping the levels hot keeps 
the noise down. This is true for any effect.


Mark 

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Date: Tue, 3 Jul 2001 02:29:24 +0200
To: Loopers-Delight@loopers-delight.com
From: Matthias Grob <matthias@grob.org>
Subject: RE: More on EDP "multiply" bugs
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>
>While we're on the subject of what might-or-might-not be a bug.  There's
>a multiply "feature" that I consider a bug, and which I find a problem.
>If I hit "undo" while "multiply" is on, the loop is reset - everything
>is fine.  If I hit "undo" *after* I've finished the multiply (by hitting
>multiply a second time), the material that recorded during the multiply
>is erased, but the loop length remains multiplied.  This isn't what I
>want.  I know that I can "trim" the loop back to a single cycle, but
>that's extra (and annoying) work.  Anyone else consider this to be a
>shortcoming?
>
>Elby
>
>As I understand it, this is the feature under discussion.  Der Sylmar
>Shuffle, jah.
>Perhaps there will be some other option in the upcoming upgrade?
>Gary

I opted to allow the maximum of multiples possible. if I had to save 
the original loop before the multiply, you would have one less 
multiply allowed because of lack of memory and still would have to 
press the undo in the first multiple after closing multiply. If you 
want to undo the multiply anytime after doing it (without new 
overdubs, of course) you would have only half the space available, 
half as many multiples, more or less, I dont think that would be 
justified, or do you all have plenty memory left, the way you work?
-- 


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Mon Jul  2 20:31:36 2001
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Date: Tue, 3 Jul 2001 02:29:46 +0200
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Subject: Re: Andre's EDP Undo trick
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>Some more on this beautiful bug
>
>http://www.loopers-delight.com/LDarchive/199806/msg00219.html
>http://www.loopers-delight.com/LDarchive/199806/msg00209.html
>
>an it will remain there ....

great archive work, Claude!

Yes, I keep remembering that I maybe should allow Undo past a 
unrounded Multiply (MULTI-RECORD), too, or maybe even beyond the last 
Record, into some previous song?

Andre's puts it nice:
>The way I see it is, if I don't want anything to happen, I can just NOT
PRESS UNDO!  Whereas the present ideosyncrasy (it seems wrong to call it
a bug, somehow) is really a very intriguing (mis)application of the
EDP's unique memory allocation and editing layout, with a lot of musical
possibilities.

maybe some dont work as free/controlled and want some security to be 
able to just press a lot (more than enough) of Undos to get back to 
the first of the bunch (=of that lenght)?

>
>
>
>>  Chris Chovit wrote:
>>
>>  >  >and liberal use of the top-secret
>>  > >remultiply+undo "bug" maneuver (aka "The Sylmar Shuffle").
>>  >
>>  > Could you elaborate on this?  I must have missed it when it was discussed
>>  > previously....or maybe it is really top-secret.....
>>
>>  Shucks, man, that's my whole routine right there!  So much for my career...
>>
>>  Remultiply a loop, and then hit "undo."  It scrolls through the memory
>>  of different sections of the loop in intriguing and unpredictable
>>  ways.  I stumbled across it with another EDP user by accident, but I
>>  know at least one other person had found out about it on his own...
>>
>>  There was a thread on this a couple of years back.  Apparently it's
>>  technically a bug, according to Kim, but it's such a cool feature that
>>  many of us asked that it not be "fixed" in the next software edition.
>>
>>  So now my trade secret is out.  Time to for me to retire, I guess!  :-/
>>
>>  --A


-- 


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Mon Jul  2 20:42:10 2001
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Win a Redsound Cycloops DJ looper at http://www.i-dj.co.uk

EP


From Loopers-Delight-request@loopers-delight.com  Mon Jul  2 20:45:53 2001
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Date: Mon, 2 Jul 2001 20:42:36 -0400
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From: Tom Ritchford <tom@swirly.com>
Subject: Re: Electrix Levels
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  Mark Pulver <mark@redmoon-music.com> wrote:

>Scott Winzinger (01:38 PM 07/02/01) wrote:
>
> >I was recording with my Filter Queen and noticed a lot of noise.
> >I don't see how there is anyway around it. Any tips?
>
>What are you feeding the FQ from? In general, keeping the levels hot 
>keeps the noise down. This is true for any effect.

It's true for any piece of gear really!

At each point in the chain, you'd like to have the signal
as hot as you possibly can WITHOUT clipping.

Now, effects units are tricky this way.  The DL4 takes
quite a lot of signal to get it going and not too much
more to overload, for example.

Typically, I end up sending the effects a really loud signal
and then turning the output way down on the board...
but watch our for clipping, it's particularly easy
to clip if you have multiple looped tracks...


Here's the recipe:

Set the effect return/output level way down,
then turn the effect send send/input ALL the way up and try it with 
something loud.

You'll probably get distortion, back off until the distortion
goes away, then back off some more because you'll get louder,
later...


Then use the effect return/output level to set your final effects
level once you have a nice hot signal going through it.
Voila.


BTW -- if you have a mixing board you should ALWAYS have the
return/output gain of your effects device set to maximum
and lower the level from the board using the trim pots.

You'll get dramatically less noise that way.

      /t


                                  that was fast

.......all legal games of chess <http://solveChess.com/chess?refresh=0>......
.....programmer's documentation <http://solveChess.com/doc>..................

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Not much action on the list tonight, so here's a question about this
phenomenon--
I have been using record or overdub to end a remultiply a lot, thus creating
a new cycle.  Does this "bug" manifest itself in this case?  (I would check
it out myself, but nothing is set up right now.)
Gary

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Date: Tue, 03 Jul 2001 00:07:43 -0700
Subject: Gig Spam [Seattle]: Electrochakra @ Seattle Glassblowing Studio
	7/5/01
From: Travis Hartnett <tiktok@sprintmail.com>
To: "Looper's Delight" <Loopers-Delight@annihilist.com>
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Electrochakra 
will perform at
the
Seattle Glassblowing Studio
(2227 5th Avenue)
this Thursday
July 5th
at 7PM

Admission 
is free.

Be
seeing
you,

Travis Hartnett
Electrochakra


-- 
Electrochakra website: http://www.electrochakra.com




From Loopers-Delight-request@loopers-delight.com  Tue Jul  3 05:34:11 2001
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Date: Tue, 3 Jul 2001 02:30:59 -0700 (PDT)
From: John Tidwell <wedgehed@yahoo.com>
Subject: Dear Gern
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I've just attempted to perform "Smoke On The Water"
on the Againinator.

Could you please send a technician to this location
to help me...uh..."recover" 25 feet of Monster cable?
You should probably tell him to bring gloves.

The Againinator is currently out of my rack & nesting
underneath my mobile home in a pile of bubble-wrap
& Styrofoam peanuts. I think I'll try to coax it out
by playing "Stairway To Heaven" on my acoustic guitar.

John

PS-

Could you tell the technician to stop by K-Mart &
get me some flip-flops? I'm all out of shoes.

JT


=====
John Tidwell




__________________________________________________
Do You Yahoo!?
Get personalized email addresses from Yahoo! Mail
http://personal.mail.yahoo.com/

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I thought I felt a disturbance in the Force.  That guitar shop in Azuza with
the "Songs You May Not Play On Our Guitars" sign must be decimated.  You've
played the top two!

> I've just attempted to perform "Smoke On The Water"
> on the Againinator.
>
> Could you please send a technician to this location
> to help me...uh..."recover" 25 feet of Monster cable?
> You should probably tell him to bring gloves.
>
> The Againinator is currently out of my rack & nesting
> underneath my mobile home in a pile of bubble-wrap
> & Styrofoam peanuts. I think I'll try to coax it out
> by playing "Stairway To Heaven" on my acoustic guitar.
>
> John
>
> PS-
>
> Could you tell the technician to stop by K-Mart &
> get me some flip-flops? I'm all out of shoes.
>
> JT
>
>
> =====
> John Tidwell
>
>
>
>
> __________________________________________________
> Do You Yahoo!?
> Get personalized email addresses from Yahoo! Mail
> http://personal.mail.yahoo.com/
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Jul  3 06:58:15 2001
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John Tidwell wrote:
> 
> I've just attempted to perform "Smoke On The Water"
> on the Againinator.

Oh I didnt hear much about it lately
is it still in Gminor ?

I switched to "smells like teen spirit" last year and I wouldn't come
back for any reason

my 0.2 cents

Claude





> Could you please send a technician to this location
> to help me...uh..."recover" 25 feet of Monster cable?
> You should probably tell him to bring gloves.
> 
> The Againinator is currently out of my rack & nesting
> underneath my mobile home in a pile of bubble-wrap
> & Styrofoam peanuts. I think I'll try to coax it out
> by playing "Stairway To Heaven" on my acoustic guitar.
> 
> John
> 
> PS-
> 
> Could you tell the technician to stop by K-Mart &
> get me some flip-flops? I'm all out of shoes.
> 
> JT
> 
> =====
> John Tidwell
>

From Loopers-Delight-request@loopers-delight.com  Tue Jul  3 07:41:41 2001
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Subject: RE: Againinator Image
Date: Tue, 3 Jul 2001 13:41:26 +0200
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David,

great, please create an againinator for me (so much about the wonders of
misquoting ;-).

An option I'd greatly appreciate would be the inclusion of the notorious
"PHATNESS" button. This is a simple on-off-button that includes massive
analogue-style-compression, slight distortion, expanded stereo image, a
"Badewannenkurve" (+xdB at 120Hz, slight drop below) EQ and massively panned
filter sweeps.
Apart from the "hardware" interface including lots of pushbuttons, dials and
blinking LEDs, all in bright colors, a large TFT touchscreen display should
be included. This display can display any effects processor ever created
(idea for software update: anything ever created) and then simulate it.

As for the size debate: why not an angled rack mount, with controls on top
and in the front? The controls on top could be used i.e. for the integrated
mixer (with all auxes wired to PRE, and assignable crossfaders for the DJ
clientele), and the front houses the large TFT screen.

I don't know if anybody remembers digital storage works or if they still
exist, but it would be nice if we could plug in storage works hard drives
from the rear - I'd suggest to organize the storage architecture as two
independent U320-SCSI RAID5-Clusters with hot swapping featuring the 170GB
Seagate drives. And of course we need built-in ATM and UMTS connectivity -
and a GPS receiver - and an internet connection to download software updates
and messages from Looper's Delight...

Ahhhm...basically I'd suggest a black housing (like Waldorf Microwave XT) in
a 6mm Titanium casing. Perhaps there would even be room for some of those
vacuum tube things they used in really old gear as a VU meter (an old
Telefunken tape machine owned by my parents (my mother inherited it from her
father) has two of them) ?

I'd be glad to contribute to the againinator project by creating stupid
technical descriptions and perhaps some technical drawings - and even some
rave reviews from famous DJs and politicians (Al Gore: "Using the new
software update for the Againinator UltraSim interface, we were even able to
againinate Watergate !").


Rainer Straschill
Moinlabs GFX and Soundworks - www.moinlabs.de
digital penis expert group - www.dpeg.de
The MoinSound Archives - www.mp3.com/moinlabs

> Being both a gearhead and Photoshop pro, I'll offer to create
> an Againinator

From Loopers-Delight-request@loopers-delight.com  Tue Jul  3 07:59:33 2001
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To: Loopers-Delight@loopers-delight.com
Subject: Re: More on EDP "multiply" bugs
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O my peeps,

> If I hit "undo" *after* I've finished the multiply (by hitting
> multiply a second time), the material that recorded during the multiply
> is erased, but the loop length remains multiplied.  This isn't what I
> want.  I know that I can "trim" the loop back to a single cycle, but
> that's extra (and annoying) work.  Anyone else consider this to be a
> shortcoming?

I personally don't consider it a shortcoming, but I think it depends
upon exactly what you're trying to do.   And depending on the length
of the multiple/cycle, it might scarcely take any additional time...

If you basically want to multiply a loop, and then instantly reduce it
to a single cycle with no sound...  Hmmm.  Off the top of my head I'm
not 100% sure how one would do that, but Insertmode=replace would be a
good place to start.  Multiple loops would be another strategy.

This is the usual point in a thread when Kim pipes in with the
brilliantly simple and obvious answer that we've all overlooked, so...
 Kim?

> I have been using record or overdub to end a remultiply a lot, thus creating
> a new cycle.  Does this "bug" manifest itself in this case?  (I would check
> it out myself, but nothing is set up right now.)

I don't THINK so, but don't quote me on it.  Part of what gives the
Sylmar trick it's characteristic sound is that it scrolls through the
memory of different cycles, even after those cycles have been deleted.
 But I believe that ending a remultiply with record or overdub wipes
the memory in such a way that this doesn't happen.

Again, though, I'm quite possibly setting myself up for correction
here...  Fire away, y'all.

--Andre LaFosse
http://www.altruistmusic.com

From Loopers-Delight-request@loopers-delight.com  Tue Jul  3 08:24:37 2001
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hi
i am a bit late, i know. but can i still get an electrix mofx for $99
now, and where?
christoph

From Loopers-Delight-request@loopers-delight.com  Tue Jul  3 08:44:21 2001
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Subject: Re: More on EDP "multiply" bugs
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>> I have been using record or overdub to end a remultiply a lot, thus 
creating
>> a new cycle.  Does this "bug" manifest itself in this case?
never, here.
dt / s-c

From Loopers-Delight-request@loopers-delight.com  Tue Jul  3 09:23:31 2001
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DO NOT attempt "Stairway" in the vicinity of a feral Againinitor, you may
try to entice it out with some phat beats but zep will only make things
worse.

Martin Shellard 


> From: John Tidwell <wedgehed@yahoo.com>

> I've just attempted to perform "Smoke On The Water"
> on the Againinator.
> 
> Could you please send a technician to this location
> to help me...uh..."recover" 25 feet of Monster cable?
> You should probably tell him to bring gloves.
> 
> The Againinator is currently out of my rack & nesting
> underneath my mobile home in a pile of bubble-wrap
> & Styrofoam peanuts. I think I'll try to coax it out
> by playing "Stairway To Heaven" on my acoustic guitar.
> 

From Loopers-Delight-request@loopers-delight.com  Tue Jul  3 09:32:47 2001
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Is is still the case that no currently available looper/delay can slow/speed
up it's output ? ( like the PCM42 and the little blue one Billy Frizz uses )
Why is this - it sounds loverly.

Meanwhile, the input/output knobs on my Jamman when turned make bad noises
like 'curr-thurr-crtt-thump-futt'. Any suggestions ? ( 'sell it !' )

I'm obliged,
Andrew

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Subject: RE: More on EDP "multiply" bugs
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> Hey--
>  You can record using multiply and not add new material if you are in delay
>  mode and have the volume pedal backed down.
>  Gary
>  
thanks Gary, lifesaver
(haven't got to the pedals yet)

andy b

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> 
> BTW -- if you have a mixing board you should ALWAYS have the
> return/output gain of your effects device set to maximum
> and lower the level from the board using the trim pots.
> 
> You'll get dramatically less noise that way.

be careful, or you might clip the first stage of the return, though...



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>, or do you all have plenty memory left, the way you work?
> -- 
> 
> 
>           ---> http://Matthias.Grob.org
> 

NO!
in fact, i have been wondering if it would be possible to 
modify this thing to add more memory.

(of course, i could just get better and not need undo so much...)

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OK, today I started working on preliminary design of the Againinator.
It will be modeled in Lightwave.  So far it's a cross between an Arp and
a squid.  Think "Sigmund the Seamonster" (if you remember...)

Sebastian

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Subject: RE: Againinator Image
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At 4:41 AM -0700 7/3/01, Rainer Straschill wrote:
>An option I'd greatly appreciate would be the inclusion of the notorious
>"PHATNESS" button. This is a simple on-off-button that includes massive
>analogue-style-compression, slight distortion, expanded stereo image, a
>"Badewannenkurve" (+xdB at 120Hz, slight drop below) EQ and massively panned
>filter sweeps.

When I push the Phatness button on my test unit, it just turns my baseball
cap around and my pants seem to get 5 sizes too big for me. It sounds
exactly the same though. Is there something wrong with my unit?

However, I notice the kids in my neighborhood don't beat me up as much when
I use this function, so if this is a bug, please don't fix it!

kim

______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com


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       Also, would you wait for it or purchase the EDP? Thanks

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>  &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Also, would you wait for it or purchase the EDP? Thanks</FONT></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue Jul  3 12:30:11 2001
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Subject: Re: Againinator Image
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At 9:12 AM 7/3/01, Mark Sottilaro wrote:
>OK, today I started working on preliminary design of the Againinator.
>It will be modeled in Lightwave.  So far it's a cross between an Arp and
>a squid.

A squArp?

____________________________________________
Dave Trenkel : improv@peak.org
New & Improv Media
http://www.newandimprov.com
Now available: Minus: Dark Lit
____________________________________________


From Loopers-Delight-request@loopers-delight.com  Tue Jul  3 12:35:31 2001
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At 2:30 PM +0200 7/3/01, Christoph Grab wrote:
>i am a bit late, i know. but can i still get an electrix mofx for $99
>now, and where?

I just got a mailing from Guitar Center, advertising Electrix 
processors for their July 4 sale. This may or may not be valid.

If you are willing to pay a little more, there are many Electrix 
processors being auctioned on eBay, with "buy it now" prices as low 
as $139.00.
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

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Kim, I'm really lol. :)
Cliff

----- Original Message -----
From: "Kim Flint" <kflint@loopers-delight.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, July 03, 2001 9:17 AM
Subject: RE: Againinator Image


> At 4:41 AM -0700 7/3/01, Rainer Straschill wrote:
> >An option I'd greatly appreciate would be the inclusion of the notorious
> >"PHATNESS" button. This is a simple on-off-button that includes massive
> >analogue-style-compression, slight distortion, expanded stereo image, a
> >"Badewannenkurve" (+xdB at 120Hz, slight drop below) EQ and massively
panned
> >filter sweeps.
>
> When I push the Phatness button on my test unit, it just turns my baseball
> cap around and my pants seem to get 5 sizes too big for me. It sounds
> exactly the same though. Is there something wrong with my unit?
>
> However, I notice the kids in my neighborhood don't beat me up as much
when
> I use this function, so if this is a bug, please don't fix it!
>
> kim
>
> ______________________________________________________________________
> Kim Flint                     | Looper's Delight
> kflint@loopers-delight.com    | http://www.loopers-delight.com
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Jul  3 13:21:02 2001
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Mine will probably be more conventional, so we'll have some varied models,
perhaps...?

David Lee myers

>OK, today I started working on preliminary design of the Againinator.
>It will be modeled in Lightwave.  So far it's a cross between an Arp and
>a squid.  Think "Sigmund the Seamonster" (if you remember...)

>Sebastian

From Loopers-Delight-request@loopers-delight.com  Tue Jul  3 13:21:22 2001
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> Matthias wrote... 
> I opted to allow the maximum of multiples possible. if I had to save the original loop before the multiply, you would have one less multiply allowed because of lack of memory and still would have to press the undo in the first multiple after closing multiply. If you want to undo the multiply anytime after doing it (without new overdubs, of course) you would have only half the space available, half as many multiples, more or less, I dont think that would be justified, or do you all have plenty memory left, the way you work?

No... please don't take any memory away! 

I'm also enjoying the Sylmar Shuffle quite a lot! Thanks Andre (and your phantom friend)... I've encountered it in passing a number of times and mostly believed I'd screwed up once again... it's nice to nail it down and make better use of it. 

Bestest...
-Miko

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This is caused by changing the delay time... of which several current delays do this quite well... 

Electrix Mo-FX
Line6 DL4
Boss GT5 (not sure about the GT3, GX-700 and GP-100).

not so current products include...

Korg AM8000r
Lexicon LXP15
Digitech RPS series rack delays
Digitech PDS 4000 and 8000 pedals

While most of these aren't technically dedicated loopers, they're what many of us have used for this wonderful type of manipulation for years... I really loved the detailed way I could control my LXP15 delays with cc control... It's such a big, heavy box though that I grew tired of having it invade my otherwise tidy rack. I may still end up with another one though because it was such a friendly and deep user interface. Great balance between simplicity and complexity... great verbs too...

Best,
-Miko

>>> andrew_art@hotmail.com 07/03/01 06:24AM >>>
Is is still the case that no currently available looper/delay can slow/speed
up it's output ? ( like the PCM42 and the little blue one Billy Frizz uses )
Why is this - it sounds loverly.

Meanwhile, the input/output knobs on my Jamman when turned make bad noises
like 'curr-thurr-crtt-thump-futt'. Any suggestions ? ( 'sell it !' )

I'm obliged,
Andrew


From Loopers-Delight-request@loopers-delight.com  Tue Jul  3 13:49:09 2001
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I was told by their sales rep, at a product preview, "It will ship no
later than June 15th.  I promise."  Other than blowing out their other
products at amazing prices, they have been quiet.  I decided to wait for
the Repeater, mainly because it has the ability to save loops on Flash
media cards, then dump them into your computer as .wav files.  There's
probably a chance that this product will never see market, though, but
I'm going to wait and see.  Until then, I'm working on Againinator
product development.

Mark

AALev123@aol.com wrote:

>       Also, would you wait for it or purchase the EDP? Thanks

From Loopers-Delight-request@loopers-delight.com  Tue Jul  3 13:55:37 2001
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No, it is not a bug.  The Phatnessô control is psychically induced by taking a
Chuck D. brain pattern and imposing it on the looper and his or her audience.
It doesn't really change the sound at all, however it changes your attitude
relative to the music, therefore making it "Phat"

Dr. Eldon Tyrell (will someone please "get" this obscure reference?)



Kim Flint wrote:

> At 4:41 AM -0700 7/3/01, Rainer Straschill wrote:
> >An option I'd greatly appreciate would be the inclusion of the notorious
> >"PHATNESS" button. This is a simple on-off-button that includes massive
> >analogue-style-compression, slight distortion, expanded stereo image, a
> >"Badewannenkurve" (+xdB at 120Hz, slight drop below) EQ and massively panned
> >filter sweeps.
>
> When I push the Phatness button on my test unit, it just turns my baseball
> cap around and my pants seem to get 5 sizes too big for me. It sounds
> exactly the same though. Is there something wrong with my unit?
>
> However, I notice the kids in my neighborhood don't beat me up as much when
> I use this function, so if this is a bug, please don't fix it!
>
> kim
>
> ______________________________________________________________________
> Kim Flint                     | Looper's Delight
> kflint@loopers-delight.com    | http://www.loopers-delight.com

From Loopers-Delight-request@loopers-delight.com  Tue Jul  3 13:56:34 2001
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Date: Tue, 3 Jul 2001 13:52:24 EDT
Subject: Another EDP BUG ??
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after investigating Andre's bug
I found the following

just hit Multiply > Insert > Undo with a loop running

then any further presses of undo will give you 
a short loop (time between the Multiply and Insert presses?)
selected unpredictably from the original loop.
(or silence)

...or pssssttttsssttststs  digital glitching

each Undo moves you to a different part of the loop
, but eventually the EDP gives up and produces nothing.

click   ..of course these loopettes don't have crossfaded edges  ..click 

and the other  thing is that 
2 brothersynced and Midi-linked EDP's
often respond differently when the bugs are encountered,
even though they are processing the same Input.

andy butler
 
 


 

From Loopers-Delight-request@loopers-delight.com  Tue Jul  3 14:04:25 2001
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Subject: Re: What is the latest on the Repeater?
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> I was told by their sales rep, at a product preview, "It will ship no
> later than June 15th.  I promise."  Other than blowing out their other
> products at amazing prices, they have been quiet.  I decided to wait for
> the Repeater, mainly because it has the ability to save loops on Flash
> media cards, then dump them into your computer as .wav files.  There's
> probably a chance that this product will never see market, though, but
> I'm going to wait and see.  

That seems pretty unlikely.  What we know is that
1) the boxes are finished
2) they have a working beta of the software
3) this is now their flagship/only product
4) they are (partially?) owned by a larger company, IVL.

I can't imagine that IVL is going to let this fall on the
floor, it'd be crazy

> Until then, I'm working on Againinator product development.

Good idea!  They have a good track record and will certainly
deliver something... interesting...

(Though, I could never get their BlenderQueen to make any sounds
except a nasty grinding sort of buzz.  but it makes killer
frozen Margueritas...)

   /t

-- 
If it ain't fixed, break it.


From Loopers-Delight-request@loopers-delight.com  Tue Jul  3 14:13:39 2001
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Subject: Re: Againinator Image
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>Dr. Eldon Tyrell (will someone please "get" this obscure reference?)

The guy who designed the replicants in BladeRunner?

____________________________________________
Dave Trenkel : improv@peak.org
New & Improv Media
http://www.newandimprov.com
Now available: Minus: Dark Lit
____________________________________________


From Loopers-Delight-request@loopers-delight.com  Tue Jul  3 15:45:24 2001
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Subject: Againinator wish list
From: "Allan Hoeltje" <ahoeltje@best.com>
To: Loopers Delight <Loopers-Delight@loopers-delight.com>
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Here is my Againinator feature wish list:

It is big.  It is at least as big and beautiful as a large Moog modular
synth.  (See www.synthmuseum.com/moog/moomod04.html for an image.)

It is modular so that multiple Againinator delay units can be added.

It has digital patch cords and all the modular units have digital inputs and
outputs.  And MIDI control - yes, more cables!

Other digital effects modules can be added so that the delay feedback
signals can be routed through various effects, such as the BlenderQueen
(tm), etc.

Seriously, I do want a completely modular digital audio shredding device.
It would have individual dedicated modules for filters, reverb, distortion,
chorus, etc., all of which can be added in any combination and be patched in
any order.  All audio signals are digital, no line level analog signals
exist except in the main in/out module which has a top of the line
AtoD/DtoA.

Sure, one may be able to do this in software with a Kyma, but I want an
impressive wall of electronics and lots of cables and knobs!

-Allan

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Date: Tue, 03 Jul 2001 14:58:47 -0500
Subject: Pedal boards
From: Mike Feeney <feeneymike@yahoo.com>
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    anyone else have pedal boards?  (a board / carrying case for your
pedals).  I'm designing / building my own... Was curious how anyone else
tackled it.  I'll happily share my design once I get it ironed out....

    Mike



_________________________________________________________
Do You Yahoo!?
Get your free @yahoo.com address at http://mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Tue Jul  3 16:10:57 2001
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From: improv@peak.org (Dave Trenkel)
Subject: Re: Pedal boards
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>    anyone else have pedal boards?  (a board / carrying case for your
>pedals).  I'm designing / building my own... Was curious how anyone else
>tackled it.  I'll happily share my design once I get it ironed out....
>
>    Mike

I use one of the cheapo SKB pedalboards, but have been eyeing the custom
setups from pedalboard.com with great interest.

____________________________________________
Dave Trenkel : improv@peak.org
New & Improv Media
http://www.newandimprov.com
Now available: Minus: Dark Lit
____________________________________________


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my "pedal board" is laughable . . . it's pieces of fomecor (it's light!)
velcroed together with pedals velcroed to that. i have two that are modular
- - small set-up and extension for the big set-up - - side by side . . .
both are double-decker items. looks like crap.

s

-----Original Message-----
From: improv@peak.org [mailto:improv@peak.org]
Sent: Tuesday, July 03, 2001 1:09 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Pedal boards


>    anyone else have pedal boards?  (a board / carrying case for your
>pedals).  I'm designing / building my own... Was curious how anyone else
>tackled it.  I'll happily share my design once I get it ironed out....
>
>    Mike

I use one of the cheapo SKB pedalboards, but have been eyeing the custom
setups from pedalboard.com with great interest.

____________________________________________
Dave Trenkel : improv@peak.org
New & Improv Media
http://www.newandimprov.com
Now available: Minus: Dark Lit
____________________________________________


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charset=3Diso-8859-1">
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5.5.2653.12">
<TITLE>RE: Pedal boards</TITLE>
</HEAD>
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<P><FONT SIZE=3D2>my &quot;pedal board&quot; is laughable . . . it's =
pieces of fomecor (it's light!) velcroed together with pedals velcroed =
to that. i have two that are modular - - small set-up and extension for =
the big set-up - - side by side . . . both are double-decker items. =
looks like crap.</FONT></P>

<P><FONT SIZE=3D2>s</FONT>
</P>

<P><FONT SIZE=3D2>-----Original Message-----</FONT>
<BR><FONT SIZE=3D2>From: improv@peak.org [<A =
HREF=3D"mailto:improv@peak.org">mailto:improv@peak.org</A>]</FONT>
<BR><FONT SIZE=3D2>Sent: Tuesday, July 03, 2001 1:09 PM</FONT>
<BR><FONT SIZE=3D2>To: Loopers-Delight@loopers-delight.com</FONT>
<BR><FONT SIZE=3D2>Subject: Re: Pedal boards</FONT>
</P>
<BR>

<P><FONT SIZE=3D2>&gt;&nbsp;&nbsp;&nbsp; anyone else have pedal =
boards?&nbsp; (a board / carrying case for your</FONT>
<BR><FONT SIZE=3D2>&gt;pedals).&nbsp; I'm designing / building my =
own... Was curious how anyone else</FONT>
<BR><FONT SIZE=3D2>&gt;tackled it.&nbsp; I'll happily share my design =
once I get it ironed out....</FONT>
<BR><FONT SIZE=3D2>&gt;</FONT>
<BR><FONT SIZE=3D2>&gt;&nbsp;&nbsp;&nbsp; Mike</FONT>
</P>

<P><FONT SIZE=3D2>I use one of the cheapo SKB pedalboards, but have =
been eyeing the custom</FONT>
<BR><FONT SIZE=3D2>setups from pedalboard.com with great =
interest.</FONT>
</P>

<P><FONT SIZE=3D2>____________________________________________</FONT>
<BR><FONT SIZE=3D2>Dave Trenkel : improv@peak.org</FONT>
<BR><FONT SIZE=3D2>New &amp; Improv Media</FONT>
<BR><FONT SIZE=3D2><A HREF=3D"http://www.newandimprov.com" =
TARGET=3D"_blank">http://www.newandimprov.com</A></FONT>
<BR><FONT SIZE=3D2>Now available: Minus: Dark Lit</FONT>
<BR><FONT SIZE=3D2>____________________________________________</FONT>
</P>

</BODY>
</HTML>
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From Loopers-Delight-request@loopers-delight.com  Tue Jul  3 16:25:11 2001
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Hi Gern-

I would like all of those same features, but in a footpedal. Please try
to keep it small because I only have room in my pedal board for one more
boss-sized pedal. Also, I get easily confused by too many buttons, so if
you could make it totally controllable with 3 buttons or less that would
be great. Don't sacrifice any features though, I need them all!! Please
make sure the buttons are big, sturdy and clearly marked, because I
usually perform in either my old smelly Birkenstocks or knee-high
steel-toed platform boots. During my ambient solo sets, I need to be
able to jump off the speaker cabinets, land on the Againinator pedal,
spit fire, and tap an accurate delay time all while shrooming. (that's
how I keep the audience awake....)  All these other wussy pedals I have
keep breaking for some reason! Their pedals suck! I hope Electros can
deliver a better product, or the loop composition I've been working on
for 19 years will be totally ruined and my career will be over!!!

you are da bomb!
kim



-----Original Message-----
From: Allan Hoeltje [mailto:ahoeltje@best.com]
Sent: Tuesday, July 03, 2001 12:47 PM
To: Loopers Delight
Subject: Againinator wish list


Here is my Againinator feature wish list:

It is big.  It is at least as big and beautiful as a large Moog modular
synth.  (See www.synthmuseum.com/moog/moomod04.html for an image.)

It is modular so that multiple Againinator delay units can be added.

It has digital patch cords and all the modular units have digital inputs
and
outputs.  And MIDI control - yes, more cables!

Other digital effects modules can be added so that the delay feedback
signals can be routed through various effects, such as the BlenderQueen
(tm), etc.

Seriously, I do want a completely modular digital audio shredding
device.
It would have individual dedicated modules for filters, reverb,
distortion,
chorus, etc., all of which can be added in any combination and be
patched in
any order.  All audio signals are digital, no line level analog signals
exist except in the main in/out module which has a top of the line
AtoD/DtoA.

Sure, one may be able to do this in software with a Kyma, but I want an
impressive wall of electronics and lots of cables and knobs!

-Allan

From Loopers-Delight-request@loopers-delight.com  Tue Jul  3 16:31:11 2001
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LOL again! 

----- Original Message ----- 
From: "Kim Flint" <kflint@inkra.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, July 03, 2001 1:19 PM
Subject: RE: Againinator wish list


> Hi Gern-
> 
> I would like all of those same features, but in a footpedal. Please try
> to keep it small because I only have room in my pedal board for one more
> boss-sized pedal. Also, I get easily confused by too many buttons, so if
> you could make it totally controllable with 3 buttons or less that would
> be great. Don't sacrifice any features though, I need them all!! Please
> make sure the buttons are big, sturdy and clearly marked, because I
> usually perform in either my old smelly Birkenstocks or knee-high
> steel-toed platform boots. During my ambient solo sets, I need to be
> able to jump off the speaker cabinets, land on the Againinator pedal,
> spit fire, and tap an accurate delay time all while shrooming. (that's
> how I keep the audience awake....)  All these other wussy pedals I have
> keep breaking for some reason! Their pedals suck! I hope Electros can
> deliver a better product, or the loop composition I've been working on
> for 19 years will be totally ruined and my career will be over!!!
> 
> you are da bomb!
> kim
> 
> 
> 
> -----Original Message-----
> From: Allan Hoeltje [mailto:ahoeltje@best.com]
> Sent: Tuesday, July 03, 2001 12:47 PM
> To: Loopers Delight
> Subject: Againinator wish list
> 
> 
> Here is my Againinator feature wish list:
> 
> It is big.  It is at least as big and beautiful as a large Moog modular
> synth.  (See www.synthmuseum.com/moog/moomod04.html for an image.)
> 
> It is modular so that multiple Againinator delay units can be added.
> 
> It has digital patch cords and all the modular units have digital inputs
> and
> outputs.  And MIDI control - yes, more cables!
> 
> Other digital effects modules can be added so that the delay feedback
> signals can be routed through various effects, such as the BlenderQueen
> (tm), etc.
> 
> Seriously, I do want a completely modular digital audio shredding
> device.
> It would have individual dedicated modules for filters, reverb,
> distortion,
> chorus, etc., all of which can be added in any combination and be
> patched in
> any order.  All audio signals are digital, no line level analog signals
> exist except in the main in/out module which has a top of the line
> AtoD/DtoA.
> 
> Sure, one may be able to do this in software with a Kyma, but I want an
> impressive wall of electronics and lots of cables and knobs!
> 
> -Allan
> 

From Loopers-Delight-request@loopers-delight.com  Tue Jul  3 16:53:36 2001
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Subject: RE: Pedal boards
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I lay out my pedals (and cutouts for any proposed new ones...) taking into account whether I want any on risers or tiers... then use either 1/4" or 3/8" baltic birch plywood... which is an expensive wood, but really strong. Velcro is used to mount the pedals... I glue and screw hardwood risers for the second tier to the baseplate, then use velcro and t-nuts to attach the riser top plate. Which makes it easy to remove the top plate using just two furniture screws with large diameter allen heads. The velcro does most of the holding while the t-nuts make it fail-safe. The bonus of having a riser is that there's room below it for power supplies, midi relay switchers, and cables. Mine's about 30" x 18"-20" I believe... It's a pain having a case made for it because I have a tall Lovetone pedal on the back riser which is so much higher than the other stuff with jacks pointing upward... which would put them up against any padding on the inside of the case making it susceptible to failure... still trying to figure out a better sport and way to mount the Lovetone stuff...

-Miko

>>> Steuart.Liebig@maritz.com 07/03/01 01:13PM >>>
my "pedal board" is laughable . . . it's pieces of fomecor (it's light!)
velcroed together with pedals velcroed to that. i have two that are modular
- - small set-up and extension for the big set-up - - side by side . . .
both are double-decker items. looks like crap.

s

-----Original Message-----
From: improv@peak.org [mailto:improv@peak.org] 
Sent: Tuesday, July 03, 2001 1:09 PM
To: Loopers-Delight@loopers-delight.com 
Subject: Re: Pedal boards


>    anyone else have pedal boards?  (a board / carrying case for your
>pedals).  I'm designing / building my own... Was curious how anyone else
>tackled it.  I'll happily share my design once I get it ironed out....
>
>    Mike

I use one of the cheapo SKB pedalboards, but have been eyeing the custom
setups from pedalboard.com with great interest.

____________________________________________
Dave Trenkel : improv@peak.org 
New & Improv Media
http://www.newandimprov.com 
Now available: Minus: Dark Lit
____________________________________________


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I think the ideal pedalbaord would be to take a guitar case or better yet a
keyboard case (full size) and route it out to put all the pedalbaords in it,
maybe put some latches so you could take the cover off

denis

Denis Taaffe
denis-aliengtr@geocities.com
http://www.dtguitar.com

-----Original Message-----
From: improv@peak.org [mailto:improv@peak.org]
Sent: Tuesday, July 03, 2001 3:09 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Pedal boards


>    anyone else have pedal boards?  (a board / carrying case for your
>pedals).  I'm designing / building my own... Was curious how anyone else
>tackled it.  I'll happily share my design once I get it ironed out....
>
>    Mike

I use one of the cheapo SKB pedalboards, but have been eyeing the custom
setups from pedalboard.com with great interest.

____________________________________________
Dave Trenkel : improv@peak.org
New & Improv Media
http://www.newandimprov.com
Now available: Minus: Dark Lit
____________________________________________

From Loopers-Delight-request@loopers-delight.com  Tue Jul  3 17:10:28 2001
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Alright then, if ya really wanna know:

It's gotta have two sets of tape heads, one of which can be adjusted
laterally (by at least a couple of feet), and a couple of reel spindles so
that we can take that digital shit and run it through a tape delay for some
REAL loops ;-).

Jim "The Dinosaur" Bailey

From Loopers-Delight-request@loopers-delight.com  Tue Jul  3 17:21:11 2001
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It's a pain having a case made for it because I have a tall Lovetone pedal
on the back riser which is so much higher than the other stuff with jacks
pointing upward... which would put them up against any padding on the inside
of the case making it susceptible to fail!
ure... still trying to figure out a better sport and way to mount the
Lovetone stuff...

** which is why all my lovetone stuff goes on the bottom tier  - - with the
lower-profile stuff on the upper tier.

stig

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<P><FONT SIZE=3D2>It's a pain having a case made for it because I have =
a tall Lovetone pedal on the back riser which is so much higher than =
the other stuff with jacks pointing upward... which would put them up =
against any padding on the inside of the case making it susceptible to =
fail!</FONT></P>

<P><FONT SIZE=3D2>ure... still trying to figure out a better sport and =
way to mount the Lovetone stuff...</FONT>
</P>

<P><FONT SIZE=3D2>** which is why all my lovetone stuff goes on the =
bottom tier&nbsp; - - with the lower-profile stuff on the upper =
tier.</FONT>
</P>

<P><FONT SIZE=3D2>stig</FONT>
</P>

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From Loopers-Delight-request@loopers-delight.com  Tue Jul  3 17:24:16 2001
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Subject: RE: Pedal boards
Date: Tue, 3 Jul 2001 16:22:48 -0500 
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not familiar with the lovetone, but those keyboard cases are very thick and
so most anything will fit in it without fear of damage unless it sits 1 ft
in the air or something. Bust I mean most pedalbaords and things fit with
ample room to spare, in fact you may have to add some foam to the bottom or
wood liner to get it to sit at the right depth. Well, it just seems to be a
simple way to carry the pedals and have them ready to go. Most i have seen
have at least 11.5" of clearance.
 
denis
 
denis_aliengtr@geocities.com <mailto:denis_aliengtr@geocities.com> 
http://www.dtguitar.com <http://www.dtguitar.com> 

-----Original Message-----
From: Liebig, Steuart A. [mailto:Steuart.Liebig@maritz.com]
Sent: Tuesday, July 03, 2001 4:16 PM
To: 'Loopers-Delight@loopers-delight.com'
Subject: RE: Pedal boards



It's a pain having a case made for it because I have a tall Lovetone pedal
on the back riser 


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<DIV><SPAN class=639231921-03072001><FONT face=Arial color=#0000ff size=2>not 
familiar with the lovetone, but those keyboard cases are very thick and so most 
anything will fit in it without fear of damage unless it sits 1 ft in the air or 
something. Bust I mean most pedalbaords and things fit with ample room to spare, 
in fact you may have to add some foam to the bottom or wood liner to get it to 
sit at the right depth. Well, it just seems to be a simple way to carry the 
pedals and have them ready to go. Most i have seen have at least 11.5" of 
clearance.</FONT></SPAN></DIV>
<DIV><SPAN class=639231921-03072001><FONT face=Arial color=#0000ff 
size=2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=639231921-03072001><FONT face=Arial color=#0000ff 
size=2>denis</FONT></SPAN></DIV>
<DIV><SPAN class=639231921-03072001><FONT face=Arial color=#0000ff 
size=2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=639231921-03072001><FONT face=Arial color=#0000ff size=2><A 
href="mailto:denis_aliengtr@geocities.com">denis_aliengtr@geocities.com</A></FONT></SPAN></DIV>
<DIV><SPAN class=639231921-03072001><FONT face=Arial color=#0000ff size=2><A 
href="http://www.dtguitar.com">http://www.dtguitar.com</A></FONT></SPAN></DIV>
<BLOCKQUOTE dir=ltr style="MARGIN-RIGHT: 0px">
  <DIV class=OutlookMessageHeader dir=ltr align=left><FONT face=Tahoma 
  size=2>-----Original Message-----<BR><B>From:</B> Liebig, Steuart A. 
  [mailto:Steuart.Liebig@maritz.com]<BR><B>Sent:</B> Tuesday, July 03, 2001 4:16 
  PM<BR><B>To:</B> 'Loopers-Delight@loopers-delight.com'<BR><B>Subject:</B> RE: 
  Pedal boards<BR><BR></FONT></DIV>
  <P><FONT size=2>It's a pain having a case made for it because I have a tall 
  Lovetone pedal on the back riser </FONT></P></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue Jul  3 17:58:50 2001
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well, it's going to be a very cool space...

there are 71 channels of video, clever proprietary consoles
that let you choose between them or order drinks or broadcast
your face...

and there's a nice big downstairs area that will be, once they
have the permits, a fantastic dance area or a performance
area for small or medium-sized acts -- like loopers.

However.  It's still a construction area.  The downstairs, who
knows when they'll get that permit for it?

I'll monitor it but if we want to book for September this space
will be iffy...


next:  Chashama...

	/t

                                  that was fast

.......all legal games of chess <http://solveChess.com/chess?refresh=0>......
.....programmer's documentation <http://solveChess.com/doc>..................

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>> Miko wrote...
>> It's a pain having a case made for it because I have a tall Lovetone pedal on the back riser which is so much higher than the other stuff with jacks pointing upward... which would put them up against any padding on the inside of the case making it susceptible to fail!
ure... still trying to figure out a better sport and way to mount the Lovetone stuff...

** which is why all my lovetone stuff goes on the bottom tier  - - with the lower-profile stuff on the upper tier. stig

I'm probably headed that way on rev 2... 

-m

From Loopers-Delight-request@loopers-delight.com  Tue Jul  3 17:59:04 2001
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For a real high-tech solution, check out Eric Johnson's custom pedal board:

http://www.ericjohnson.com/pictures/MainBoard.JPG



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** which is why all my lovetone stuff goes on the bottom tier  - - with the
lower-profile stuff on the upper tier. stig

I'm probably headed that way on rev 2... 

** it's still damn big . . . 

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<P><FONT SIZE=3D2>** which is why all my lovetone stuff goes on the =
bottom tier&nbsp; - - with the lower-profile stuff on the upper tier. =
stig</FONT>
</P>

<P><FONT SIZE=3D2>I'm probably headed that way on rev 2... </FONT>
</P>

<P><FONT SIZE=3D2>** it's still damn big . . . </FONT>
</P>

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From: "Liebig, Steuart A." <Steuart.Liebig@maritz.com>
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Subject: FW: Pedal boards
Date: Tue, 3 Jul 2001 18:04:16 -0400 
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yeah,

but he uses special ply that has to have tright amount of ply and the
component wood has to have the correct density - - and the knots must be in
very specific places . . . if the knots are off by a millimeter, he can hear
the difference.  

stig 

(jes' funnin'!)



-----Original Message-----
From: Greg S [mailto:g716_loop@hotmail.com]
Sent: Tuesday, July 03, 2001 2:56 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Pedal boards


For a real high-tech solution, check out Eric Johnson's custom pedal board:

http://www.ericjohnson.com/pictures/MainBoard.JPG



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<HTML>
<HEAD>
<META HTTP-EQUIV=3D"Content-Type" CONTENT=3D"text/html; =
charset=3Diso-8859-1">
<META NAME=3D"Generator" CONTENT=3D"MS Exchange Server version =
5.5.2653.12">
<TITLE>FW: Pedal boards</TITLE>
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<P><FONT SIZE=3D2>yeah,</FONT>
</P>

<P><FONT SIZE=3D2>but he uses special ply that has to have tright =
amount of ply and the component wood has to have the correct density - =
- and the knots must be in very specific places . . . if the knots are =
off by a millimeter, he can hear the difference.&nbsp; </FONT></P>

<P><FONT SIZE=3D2>stig </FONT>
</P>

<P><FONT SIZE=3D2>(jes' funnin'!)</FONT>
</P>
<BR>
<BR>

<P><FONT SIZE=3D2>-----Original Message-----</FONT>
<BR><FONT SIZE=3D2>From: Greg S [<A =
HREF=3D"mailto:g716_loop@hotmail.com">mailto:g716_loop@hotmail.com</A>]<=
/FONT>
<BR><FONT SIZE=3D2>Sent: Tuesday, July 03, 2001 2:56 PM</FONT>
<BR><FONT SIZE=3D2>To: Loopers-Delight@loopers-delight.com</FONT>
<BR><FONT SIZE=3D2>Subject: Re: Pedal boards</FONT>
</P>
<BR>

<P><FONT SIZE=3D2>For a real high-tech solution, check out Eric =
Johnson's custom pedal board:</FONT>
</P>

<P><FONT SIZE=3D2><A =
HREF=3D"http://www.ericjohnson.com/pictures/MainBoard.JPG" =
TARGET=3D"_blank">http://www.ericjohnson.com/pictures/MainBoard.JPG</A><=
/FONT>
</P>
<BR>

</BODY>
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From Loopers-Delight-request@loopers-delight.com  Tue Jul  3 18:09:48 2001
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Subject: RE: Pedal boards
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I LOVE the Lovetone stuff... but HATE it's size...

>>> Steuart.Liebig@maritz.com 07/03/01 03:00PM >>>

** which is why all my lovetone stuff goes on the bottom tier  - - with the
lower-profile stuff on the upper tier. stig

I'm probably headed that way on rev 2... 

** it's still damn big . . . 

From Loopers-Delight-request@loopers-delight.com  Tue Jul  3 18:39:41 2001
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Subject: Re: Pedal boards
Date: Tue, 3 Jul 2001 18:33:26 -0400
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I used to use an old briefcase (standard business size) like that.  It
worked, but I only had 3 pedals so space wasn't really an issue.  The
keyboard case is a great idea.  Anyone?


Peter

----- Original Message -----
From: "Taaffe, Denis G" <dtaaffe@indiana.edu>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, July 03, 2001 4:50 PM
Subject: RE: Pedal boards


> I think the ideal pedalbaord would be to take a guitar case or better yet
a
> keyboard case (full size) and route it out to put all the pedalbaords in
it,
> maybe put some latches so you could take the cover off
>
> denis
>
> Denis Taaffe
> denis-aliengtr@geocities.com
> http://www.dtguitar.com
>
> -----Original Message-----
> From: improv@peak.org [mailto:improv@peak.org]
> Sent: Tuesday, July 03, 2001 3:09 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Pedal boards
>
>
> >    anyone else have pedal boards?  (a board / carrying case for your
> >pedals).  I'm designing / building my own... Was curious how anyone else
> >tackled it.  I'll happily share my design once I get it ironed out....
> >
> >    Mike
>
> I use one of the cheapo SKB pedalboards, but have been eyeing the custom
> setups from pedalboard.com with great interest.
>
> ____________________________________________
> Dave Trenkel : improv@peak.org
> New & Improv Media
> http://www.newandimprov.com
> Now available: Minus: Dark Lit
> ____________________________________________
>

From Loopers-Delight-request@loopers-delight.com  Tue Jul  3 18:53:53 2001
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Eric johnson on austin city limits looked to use what appeared to be an
upside down fender (literally) from a vehicle of some sort....

guess he got sick of carrying that around....

denis

Denis Taaffe
denis_aliengtr@geocities.com
http://www.dtguitar.com
 

-----Original Message-----
From: Greg S [mailto:g716_loop@hotmail.com]
Sent: Tuesday, July 03, 2001 4:56 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Pedal boards


For a real high-tech solution, check out Eric Johnson's custom pedal board:

http://www.ericjohnson.com/pictures/MainBoard.JPG


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In a message dated 7/3/01 3:40:45 PM Eastern Daylight Time, ahoeltje@best.com 
writes:


> but I want an
> impressive wall of electronics and lots of cables and knobs!
> 

dont forget *lights*, many colors.....:)m

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>In a message dated 7/3/01 3:40:45 PM Eastern Daylight Time, ahoeltje@best.com 
<BR>writes:
<BR>
<BR>
<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">but I want an
<BR>impressive wall of electronics and lots of cables and knobs!
<BR></BLOCKQUOTE>
<BR>
<BR>dont forget *lights*, many colors.....:)m</FONT></HTML>

--part1_24.15c5f676.2873aa98_boundary--

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RE: Pedal boards-

I found http://www.stompin-ground.com on the web, and liked the looks of
their stuff.  For flight cases, they're pretty cheap, and they're happy
to build custom sizes and configurations.  I'm getting ready to order
one 32X60X7 for my drum machines.  I just got another one from
http://www.musictoyz.com/stdboard.htm and it's OK.  The price was good,
but it's not built exactly the way I would have done it.  Definitely
better than a milk crate, though.

-Hans

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<div WRAP>RE: Pedal boards-</div>

<div WRAP></div>


<p WRAP>I found <A HREF="http://www.stompin-ground.com">http://www.stompin-ground.com</A> on the web, and liked the
looks of their stuff.&nbsp; For flight cases, they're pretty cheap, and
they're happy to build custom sizes and configurations.&nbsp; I'm getting
ready to order one 32X60X7 for my drum machines.&nbsp; I just got another
one from <A HREF="http://www.musictoyz.com/stdboard.htm">http://www.musictoyz.com/stdboard.htm</A> and it's OK.&nbsp; The price
was good, but it's not built exactly the way I would have done it.&nbsp;
Definitely better than a milk crate, though.
<div WRAP></div>


<p WRAP>-Hans</html>

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From Loopers-Delight-request@loopers-delight.com  Tue Jul  3 19:32:43 2001
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Greetings fellow Loopers!

Perhaps you're looking for something to do the night before the Big Sur
Loop Fest?

I am pleased to announce that armatronix will be playing this Friday
night, July 6th at Sweet Springs Saloon in Los Osos, California,
featuring all-new material from our next release.  The team has been
hitting the used record bins and eBay with unprecedented vigor, and have
gathered together a whole collection of new sounds for your dancing
pleasure and listening enjoyment.  You've never heard armatronix like
this, people!  Wear your Jordans - we'll have an assortment of Fat Laces
available so you can represent the Old School in style while you're
hitting the linoleum.  Showtime is at at 10pm.  Doors at 10am.  $3
cover.  21+ only.  Drink specials all night long.  Designate a driver or
find a floor to sleep on.  Call the armatronix info hotline at (805)
748-4940 with any questions.

For less information, visit http://www.armatronix.com/

From Loopers-Delight-request@loopers-delight.com  Tue Jul  3 19:36:08 2001
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Date: Tue, 3 Jul 2001 19:31:41 EDT
Subject: Re: What is the latest on the Repeater?
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sine said:
>There's probably a chance that this product will never see market
???
it'll see the marketplace, i'm sure.
d / s-c

From Loopers-Delight-request@loopers-delight.com  Tue Jul  3 19:44:59 2001
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Subject: Re: Pedal boards
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hans@ernieball.com writes:
>I found http://www.stompin-ground.com on the web, and liked the looks of
>their stuff.  For flight cases, they're pretty cheap, and they're happy
>to build custom sizes and configurations.
i've used this stompinground stuff for a buncha years:
strong, flexible, cheap & *travels very well* --- i travel, a lot; sometimes 
the gear goes by freight (rockit cargo / fedex), sometimes it goes 
under-the-plane (argh):
no problems at all, for my pedals: none.
best,
dt / s-c

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Subject: Re: Pedal boards
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I outgrew a briefcase, then used a padded keyboard gig bag for several
years, but recently went to a two-tiered velcroed board that fits in a
carpeted road case that's just about exactly the size of a Rhodes 73. There
are two power supplies and a couple of odd wall warts underneath the left
side tier, while the top deck on the right side un-velcro's and fits into
the back of my rack. The top tier on the right is shallower than the one on
the left to allow for volume pedals in front of it on the bottom deck. The
pedals all have the 'hook' part of the velcro on the bottom, which sticks
nicely to the carpeted board, and allows for quick repositioning.

Stig's right though, it's too damned big.

-t

At 06:33 PM 7/3/01 -0400, Peter wrote:
>I used to use an old briefcase (standard business size) like that.  It
>worked, but I only had 3 pedals so space wasn't really an issue.  The
>keyboard case is a great idea.  Anyone?

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I cut 5/8" plywood, routed the edges, painted them black.  Using
stickybacked velcro to hold all of the pedals and power strip/power
supply.  I made my boards small enough to fit into a keyboard gig bag so
it all packs away nicely.  Now if I
could figure out how to operate four things simultaneously.......

Mike Killian in St. Louis

"Liebig, Steuart A." wrote:

>
>
> my "pedal board" is laughable . . . it's pieces of fomecor (it's
> light!) velcroed together with pedals velcroed to that. i have two
> that are modular - - small set-up and extension for the big set-up - -
> side by side . . . both are double-decker items. looks like crap.
>
> s
>
> -----Original Message-----
> From: improv@peak.org [mailto:improv@peak.org]
> Sent: Tuesday, July 03, 2001 1:09 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Pedal boards
>
> >    anyone else have pedal boards?  (a board / carrying case for your
>
> >pedals).  I'm designing / building my own... Was curious how anyone
> else
> >tackled it.  I'll happily share my design once I get it ironed
> out....
> >
> >    Mike
>
> I use one of the cheapo SKB pedalboards, but have been eyeing the
> custom
> setups from pedalboard.com with great interest.
>
> ____________________________________________
> Dave Trenkel : improv@peak.org
> New & Improv Media
> http://www.newandimprov.com
> Now available: Minus: Dark Lit
> ____________________________________________

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<!doctype html public "-//w3c//dtd html 4.0 transitional//en">
<html>
I cut 5/8" plywood, routed the edges, painted them black.&nbsp; Using stickybacked
velcro to hold all of the pedals and power strip/power supply.&nbsp; I
made my boards small enough to fit into a keyboard gig bag so it all packs
away nicely.&nbsp; Now if I
<br>could figure out how to operate four things simultaneously.......
<p>Mike Killian in St. Louis
<p>"Liebig, Steuart A." wrote:
<blockquote TYPE=CITE>&nbsp;
<p><font size=-1>my "pedal board" is laughable . . . it's pieces of fomecor
(it's light!) velcroed together with pedals velcroed to that. i have two
that are modular - - small set-up and extension for the big set-up - -
side by side . . . both are double-decker items. looks like crap.</font>
<p><font size=-1>s</font>
<p><font size=-1>-----Original Message-----</font>
<br><font size=-1>From: improv@peak.org [<a href="mailto:improv@peak.org">mailto:improv@peak.org</a>]</font>
<br><font size=-1>Sent: Tuesday, July 03, 2001 1:09 PM</font>
<br><font size=-1>To: Loopers-Delight@loopers-delight.com</font>
<br><font size=-1>Subject: Re: Pedal boards</font>
<p><font size=-1>>&nbsp;&nbsp;&nbsp; anyone else have pedal boards?&nbsp;
(a board / carrying case for your</font>
<br><font size=-1>>pedals).&nbsp; I'm designing / building my own... Was
curious how anyone else</font>
<br><font size=-1>>tackled it.&nbsp; I'll happily share my design once
I get it ironed out....</font>
<br><font size=-1>></font>
<br><font size=-1>>&nbsp;&nbsp;&nbsp; Mike</font>
<p><font size=-1>I use one of the cheapo SKB pedalboards, but have been
eyeing the custom</font>
<br><font size=-1>setups from pedalboard.com with great interest.</font>
<p><font size=-1>____________________________________________</font>
<br><font size=-1>Dave Trenkel : improv@peak.org</font>
<br><font size=-1>New &amp; Improv Media</font>
<br><font size=-1><a href="http://www.newandimprov.com" TARGET="_blank">http://www.newandimprov.com</a></font>
<br><font size=-1>Now available: Minus: Dark Lit</font>
<br><font size=-1>____________________________________________</font></blockquote>
</html>

--------------539B80AAE64A45A0A4B80753--

From Loopers-Delight-request@loopers-delight.com  Tue Jul  3 20:39:45 2001
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  Ok, I´ve had it,I´ll share this, and see if anybody has had the samew
problems or it´s just my bad luck.

  I bought a DL4 in Paris France last year,and after testing a unit at the
store I got a new one (closed box) and went home.

   The unit was not working:it made a single repetition delay on every setup
I tried, I tried everything, and nothing worked, not even the looper.

  I got back to the store,and to my surprise I could not get a replacement
because all their shipment was like that!  I finally decided to pick other
stuff for the same price,and then 6 months after this incident I tried
getting another DL4 from another store, wich,worked for a while, then it
started to get what I call "dead periods"I plugged it and didn´t worked, but
after a while it turned on by itself and  finally it´s been plain dead for 2
weeks now.

   I love the sound of line 6 products, but man, they´re crap,at least for
me.I´ll try to get a refund or a replacement,I don´t want to pay a hundred
dollar repair or anything and really I´ve had it with line 6. 

     has anybody on the list experienced the same thing as me? any feedback
on the matter? I think it´s a bad sign when an entire shipment of pedals is
not working...

  Andy in Paris.

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It sould be shipping in about a week-They are almost there!

From Loopers-Delight-request@loopers-delight.com  Tue Jul  3 20:46:22 2001
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Subject: RE: PEDAL BOARDS  and an OT Velcro glue substitute request
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I just discovered a great source for inexpensive pedal boards.

Cooking and Cutlery shops are now carrying a lot of plasting cutting boards
in varying colors.  Mine, of course, is dayglo green plastic.

Using Velcro, I can put three or four effects and a power strip on one of
the largest boards and two of them doesn't take up too much room.  They have
a handle built into the board......and they are cheap.

Try it, you'll like it.

PS  I'm looking for a glue that will be less heat sensitive than the typical
velcro glue.........any suggestions?

From Loopers-Delight-request@loopers-delight.com  Tue Jul  3 20:47:42 2001
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Keep other loopers/delay devices away from the Againinator.


At 07:34 PM 7/3/2001 -0500, you wrote:


>   Ok, I´ve had it,I´ll share this, and see if anybody has had the samew
>problems or it´s just my bad luck.
>
>   I bought a DL4 in Paris France last year,and after testing a unit at the
>store I got a new one (closed box) and went home.

From Loopers-Delight-request@loopers-delight.com  Tue Jul  3 21:13:45 2001
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Subject: Re: Againinator wish list
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Nah, buttons are where it's at!  Lots of buttons, and make sure that each
button has at least eighteen different functions depending on how long you
hold it down, how hard you push it, what angle the unit is at relative to
the floor, time of day, etc.  I use a lot of Roland equipment and I'd hate
to have to get used to a new way of thinking.


Peter

----- Original Message -----
From: Nemoguitt@aol.com
To: Loopers-Delight@loopers-delight.com
Sent: Tuesday, July 03, 2001 7:09 PM
Subject: Re: Againinator wish list


In a message dated 7/3/01 3:40:45 PM Eastern Daylight Time,
ahoeltje@best.com
writes:



but I want an
impressive wall of electronics and lots of cables and knobs!



dont forget *lights*, many colors.....:)m

From Loopers-Delight-request@loopers-delight.com  Tue Jul  3 21:50:57 2001
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Subject: Re: Againinator wish list
Date: Tue, 3 Jul 2001 21:41:51 -0400
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i really like multi-buttons
ones with 12 to 15 parameters each
like the good old fashioned RX's
now that was a monster

Pat Pagano, Director
South East Just Intonation Society
http://indians.australians.com/meherbaba/
http://www.screwmusicforever.com/SHREESWIFT/
----- Original Message -----
From: Peter Shindler <shindler@mediaone.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, July 03, 2001 9:06 PM
Subject: Re: Againinator wish list


> Nah, buttons are where it's at!  Lots of buttons, and make sure that each
> button has at least eighteen different functions depending on how long you
> hold it down, how hard you push it, what angle the unit is at relative to
> the floor, time of day, etc.  I use a lot of Roland equipment and I'd hate
> to have to get used to a new way of thinking.
>
>
> Peter
>
> ----- Original Message -----
> From: Nemoguitt@aol.com
> To: Loopers-Delight@loopers-delight.com
> Sent: Tuesday, July 03, 2001 7:09 PM
> Subject: Re: Againinator wish list
>
>
> In a message dated 7/3/01 3:40:45 PM Eastern Daylight Time,
> ahoeltje@best.com
> writes:
>
>
>
> but I want an
> impressive wall of electronics and lots of cables and knobs!
>
>
>
> dont forget *lights*, many colors.....:)m
>


From Loopers-Delight-request@loopers-delight.com  Tue Jul  3 22:11:06 2001
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From: "Steve Lawson" <steve@steve-lawson.co.uk>
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Subject: MIDI MAPPING HELP!!! 
Date: Tue, 3 Jul 2001 19:07:23 -0700
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------=_NextPart_000_005B_01C103F3.6454CD60
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Hi all,=20

Rick and I are just trying to get the tech sorted out for the bass =
looping tour which starts on Friday, but Rick's MIDI mapper, an Akai ME3 =
2OH (I think) is playing up, and we can't get it to work - does anyone =
know if there's an initialise function on it? or any other suggestion =
gratefully received!=20

Please cc. either my or Rick's e-mail addresses when you reply to the =
list, as we're both on in digest mode, and need the info ASAP! :o)=20

thanks very much - hope to see lots of you at the gigs. After the cool =
get together last week in LA, I'm well up for meeting more people off =
the list...=20

Steve=20
www.steve-lawson.co.uk=20

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</HEAD>
<BODY bgColor=3D#b00cff>
<DIV><FONT face=3DCourier color=3D#000000 size=3D2>Hi all, </FONT></DIV>
<DIV><FONT face=3DCourier color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DCourier color=3D#000000 size=3D2>Rick and I are just =
trying to get=20
the tech sorted out for the bass looping tour which starts on Friday, =
but Rick's=20
MIDI mapper, an Akai ME3 2OH (I think) is playing up, and we can't get =
it to=20
work - does anyone know if there's an initialise function on it? or any =
other=20
suggestion gratefully received! </FONT></DIV>
<DIV><FONT face=3DCourier color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DCourier color=3D#000000 size=3D2>Please cc. either my =
or Rick's=20
e-mail addresses when you reply to the list, as we're both on in digest =
mode,=20
and need the info ASAP! :o) </FONT></DIV>
<DIV><FONT face=3DCourier color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DCourier color=3D#000000 size=3D2>thanks very much - =
hope to see lots=20
of you at the gigs. After the cool get together last week in LA, I'm =
well up for=20
meeting more people off the list... </FONT></DIV>
<DIV><FONT face=3DCourier color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DCourier color=3D#000000 size=3D2>Steve </FONT></DIV>
<DIV><FONT face=3DCourier color=3D#000000 size=3D2><A=20
href=3D"http://www.steve-lawson.co.uk">www.steve-lawson.co.uk</A>=20
</FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue Jul  3 22:29:28 2001
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Subject: Re: PEDAL BOARDS  and an OT Velcro glue substitute request
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Glue GUN!
Om

----- Original Message -----
From: Rick Walker (loop.pool) <GLOBAL@cruzio.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, July 03, 2001 5:46 PM
Subject: RE: PEDAL BOARDS and an OT Velcro glue substitute request


> I just discovered a great source for inexpensive pedal boards.
>
> Cooking and Cutlery shops are now carrying a lot of plasting cutting
boards
> in varying colors.  Mine, of course, is dayglo green plastic.
>
> Using Velcro, I can put three or four effects and a power strip on one of
> the largest boards and two of them doesn't take up too much room.  They
have
> a handle built into the board......and they are cheap.
>
> Try it, you'll like it.
>
> PS  I'm looking for a glue that will be less heat sensitive than the
typical
> velcro glue.........any suggestions?
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Jul  3 22:37:42 2001
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What the hell is the againinator?  Please someone tell me.  
-Pascal

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<HTML><FONT FACE=arial,helvetica><FONT  COLOR="#000080" SIZE=2 FAMILY="SANSSERIF" FACE="Verdana" LANG="0">What the hell is the againinator? &nbsp;Please someone tell me. &nbsp;
<BR>-Pascal</FONT></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed Jul  4 00:17:47 2001
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From: John Tidwell <wedgehed@yahoo.com>
Subject: RE: PEDAL BOARDS  and an OT Velcro glue substitute request
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Today on "Looping With Martha Stewart" we are going
to create a pedal board display that will add a
festive touch to your next heavy metal vomit party.

:)

I like your idea Rick.

John

--- "Rick Walker (loop.pool)" <GLOBAL@cruzio.com>
wrote:
> I just discovered a great source for inexpensive
> pedal boards.
> 
> Cooking and Cutlery shops are now carrying a lot of
> plasting cutting boards
> in varying colors.  Mine, of course, is dayglo green
> plastic.
> 
> Using Velcro, I can put three or four effects and a
> power strip on one of
> the largest boards and two of them doesn't take up
> too much room.  They have
> a handle built into the board......and they are
> cheap.
> 
> Try it, you'll like it.
> 
> PS  I'm looking for a glue that will be less heat
> sensitive than the typical
> velcro glue.........any suggestions?
> 


=====
John Tidwell




__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Wed Jul  4 01:06:38 2001
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yo Jim,
could ya' twiddles the tape at the "mike stand capstan" for good effect.
                               thanx
                                          b.helm


                                           






From Loopers-Delight-request@loopers-delight.com  Wed Jul  4 01:16:36 2001
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Sure we all do (search the Archives for "God Box") but Brian Eno Wrote this for
Wired Magazine, and I can't say that I do not see his point (one wouldn't know
this based on my stuff!)

http://www.wired.com/wired/archive/7.01/eno.html


Allan Hoeltje wrote:

> Here is my Againinator feature wish list:
>
> It is big.  It is at least as big and beautiful as a large Moog modular
> synth.  (See www.synthmuseum.com/moog/moomod04.html for an image.)
>
> It is modular so that multiple Againinator delay units can be added.
>
> It has digital patch cords and all the modular units have digital inputs and
> outputs.  And MIDI control - yes, more cables!
>
> Other digital effects modules can be added so that the delay feedback
> signals can be routed through various effects, such as the BlenderQueen
> (tm), etc.
>
> Seriously, I do want a completely modular digital audio shredding device.
> It would have individual dedicated modules for filters, reverb, distortion,
> chorus, etc., all of which can be added in any combination and be patched in
> any order.  All audio signals are digital, no line level analog signals
> exist except in the main in/out module which has a top of the line
> AtoD/DtoA.
>
> Sure, one may be able to do this in software with a Kyma, but I want an
> impressive wall of electronics and lots of cables and knobs!
>
> -Allan

From Loopers-Delight-request@loopers-delight.com  Wed Jul  4 01:19:06 2001
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Kim it is quite clear to me that there is a position at Electros for you.

Gern Blanston
Marketing
Electros Inc.


Kim Flint wrote:

> Hi Gern-
>
> I would like all of those same features, but in a footpedal. Please try
> to keep it small because I only have room in my pedal board for one more
> boss-sized pedal. Also, I get easily confused by too many buttons, so if
> you could make it totally controllable with 3 buttons or less that would
> be great. Don't sacrifice any features though, I need them all!! Please
> make sure the buttons are big, sturdy and clearly marked, because I
> usually perform in either my old smelly Birkenstocks or knee-high
> steel-toed platform boots. During my ambient solo sets, I need to be
> able to jump off the speaker cabinets, land on the Againinator pedal,
> spit fire, and tap an accurate delay time all while shrooming. (that's
> how I keep the audience awake....)  All these other wussy pedals I have
> keep breaking for some reason! Their pedals suck! I hope Electros can
> deliver a better product, or the loop composition I've been working on
> for 19 years will be totally ruined and my career will be over!!!
>
> you are da bomb!
> kim
>
> -----Original Message-----
> From: Allan Hoeltje [mailto:ahoeltje@best.com]
> Sent: Tuesday, July 03, 2001 12:47 PM
> To: Loopers Delight
> Subject: Againinator wish list
>
> Here is my Againinator feature wish list:
>
> It is big.  It is at least as big and beautiful as a large Moog modular
> synth.  (See www.synthmuseum.com/moog/moomod04.html for an image.)
>
> It is modular so that multiple Againinator delay units can be added.
>
> It has digital patch cords and all the modular units have digital inputs
> and
> outputs.  And MIDI control - yes, more cables!
>
> Other digital effects modules can be added so that the delay feedback
> signals can be routed through various effects, such as the BlenderQueen
> (tm), etc.
>
> Seriously, I do want a completely modular digital audio shredding
> device.
> It would have individual dedicated modules for filters, reverb,
> distortion,
> chorus, etc., all of which can be added in any combination and be
> patched in
> any order.  All audio signals are digital, no line level analog signals
> exist except in the main in/out module which has a top of the line
> AtoD/DtoA.
>
> Sure, one may be able to do this in software with a Kyma, but I want an
> impressive wall of electronics and lots of cables and knobs!
>
> -Allan

From Loopers-Delight-request@loopers-delight.com  Wed Jul  4 01:35:05 2001
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The Againinator is all and everything.  It is where we are going, as
well as where we've been.  It is the next step.  It is heaven.  It is
alien, it is us.  It knows what we want and gives it.  It becomes better
with each moment.  It's always in the future, yet it has been with us
from the begining.  You have given all to get it, yet you have not paid
for it.  It will make you a superstar.  It's children will nest in your
thorax so that our children can bask in this new and improved audio
looping technology.

Rick Dickard
Product Manager
Electros Inc.

PA5CALIO@aol.com wrote:

> What the hell is the againinator?  Please someone tell me.
> -Pascal

From Loopers-Delight-request@loopers-delight.com  Wed Jul  4 02:11:14 2001
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From: Alx <gendel777@yahoo.com>
Subject: Re: DL4 CRAP
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I have a problem in which the "B" switch (start/stop)
sometimes works and sometimes not, I posted an
explanation of this here in the list a month ago and
some guys told me they´ve had the same problem, my
warranty is over plus this pedal was bought in New
York and I live in Mexico so it´s kind of expensive to
send it to U.S. for repair (no authorized line6 techs
here!), I think that the problem my pedal has is a
software problem ´cause the switch itself is Ok, I´ve
cheked it with an electronic meter and it works ok
just as the other 3 and all the solder points are Ok
too.
Alx.


--- Andy Soto <smaug@servidor.unam.mx> wrote:
> 
> 
>   Ok, I´ve had it,I´ll share this, and see if
> anybody has had the samew
> problems or it´s just my bad luck.
> 
>   I bought a DL4 in Paris France last year,and after
> testing a unit at the
> store I got a new one (closed box) and went home.
> 
>    The unit was not working:it made a single
> repetition delay on every setup
> I tried, I tried everything, and nothing worked, not
> even the looper.
> 
>   I got back to the store,and to my surprise I could
> not get a replacement
> because all their shipment was like that!  I finally
> decided to pick other
> stuff for the same price,and then 6 months after
> this incident I tried
> getting another DL4 from another store, wich,worked
> for a while, then it
> started to get what I call "dead periods"I plugged
> it and didn´t worked, but
> after a while it turned on by itself and  finally
> it´s been plain dead for 2
> weeks now.
> 
>    I love the sound of line 6 products, but man,
> they´re crap,at least for
> me.I´ll try to get a refund or a replacement,I don´t
> want to pay a hundred
> dollar repair or anything and really I´ve had it
> with line 6. 
> 
>      has anybody on the list experienced the same
> thing as me? any feedback
> on the matter? I think it´s a bad sign when an
> entire shipment of pedals is
> not working...
> 
>   Andy in Paris.
> 


__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Wed Jul  4 02:19:00 2001
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Date: Tue, 03 Jul 2001 23:12:35 -0700
From: Doug Lawrence <dlawren@pacbell.net>
Subject: Re: Pedal boards
To: Loopers-Delight@loopers-delight.com
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There are some pretty cool pedalboards at
http://www.pedalboards.com/

I've been think of using 3/8"-1/2" high density foam cut out to the shape of
my pedals to hold them in place on the board itself. Basically, you have to
have a big sheet, decide on a layout, trace the pedals, and use one of those
hot-wire foam cutters to cut the holes in the sheet. Then use adhesive spray
to attach the foam to the board. If you change your mind, just scrape off
the old foam and re-foam. My SKB case came with some great foam like this, I
just have to find a place that sells it.

Since I have several different pedals that have the same shape
(Moogerfooger, Lovetone, Line 6, Boss), I could interchange the pedals
within my pre-cut foam holes if desired.

Anyone try something like this ... the thought of using glue and velcro just
doesn't appeal to me ...


----- Original Message -----
From: "Hans Lindauer" <hans@ernieball.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, July 03, 2001 4:19 PM
Subject: RE: Pedal boards


> RE: Pedal boards-
>
> I found http://www.stompin-ground.com on the web, and liked the looks of
> their stuff.  For flight cases, they're pretty cheap, and they're happy
> to build custom sizes and configurations.  I'm getting ready to order
> one 32X60X7 for my drum machines.  I just got another one from
> http://www.musictoyz.com/stdboard.htm and it's OK.  The price was good,
> but it's not built exactly the way I would have done it.  Definitely
> better than a milk crate, though.
>
> -Hans
>

From Loopers-Delight-request@loopers-delight.com  Wed Jul  4 03:05:38 2001
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I have had the same problem with mine lately- same switch too. I don’t
know if it is software, since it just started doing this last month and
I have had it about a year or so. 

Dave Eichenberger- guitars.loops.devices
http://www.hazardfactor.com
 

 
> 
> 
> I have a problem in which the "B" switch (start/stop)
> sometimes works and sometimes not, I posted an
> explanation of this here in the list a month ago and
> some guys told me they´ve had the same problem, my
> warranty is over plus this pedal was bought in New
> York and I live in Mexico so it´s kind of expensive to
> send it to U.S. for repair (no authorized line6 techs
> here!), I think that the problem my pedal has is a
> software problem ´cause the switch itself is Ok, I´ve
> cheked it with an electronic meter and it works ok
> just as the other 3 and all the solder points are Ok
> too.
> Alx.
> 
> 
> --- Andy Soto <smaug@servidor.unam.mx> wrote:
> > 
> > 
> >   Ok, I´ve had it,I´ll share this, and see if
> > anybody has had the samew
> > problems or it´s just my bad luck.
> > 
> >   I bought a DL4 in Paris France last year,and after
> > testing a unit at the
> > store I got a new one (closed box) and went home.
> > 
> >    The unit was not working:it made a single
> > repetition delay on every setup
> > I tried, I tried everything, and nothing worked, not
> > even the looper.
> > 
> >   I got back to the store,and to my surprise I could
> > not get a replacement
> > because all their shipment was like that!  I finally
> > decided to pick other
> > stuff for the same price,and then 6 months after
> > this incident I tried
> > getting another DL4 from another store, wich,worked
> > for a while, then it
> > started to get what I call "dead periods"I plugged
> > it and didn´t worked, but
> > after a while it turned on by itself and  finally
> > it´s been plain dead for 2
> > weeks now.
> > 
> >    I love the sound of line 6 products, but man,
> > they´re crap,at least for
> > me.I´ll try to get a refund or a replacement,I don´t
> > want to pay a hundred
> > dollar repair or anything and really I´ve had it
> > with line 6.
> > 
> >      has anybody on the list experienced the same
> > thing as me? any feedback
> > on the matter? I think it´s a bad sign when an
> > entire shipment of pedals is
> > not working...
> > 
> >   Andy in Paris.
> > 
> 
> 
> __________________________________________________
> Do You Yahoo!?
> Get personalized email addresses from Yahoo! Mail 
> http://personal.mail.yahoo.com/
> 

From Loopers-Delight-request@loopers-delight.com  Wed Jul  4 03:20:56 2001
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Subject: Re: What is the latest on the Repeater?
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Musician's Friend was listing 8/31 as the availability date when I last
looked. (MF was also down to just the FilterQueen and the EQ Killer.)

Mark

At 5:40 PM -0700 7/3/01, JHKNICKS@aol.com wrote:
>It sould be shipping in about a week-They are almost there!



From Loopers-Delight-request@loopers-delight.com  Wed Jul  4 04:21:11 2001
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Date: Wed, 04 Jul 2001 04:20:59 -0400
From: Scott Carr <scott@tapehissrecordings.com>
Organization: Tapehiss Recordings
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Againinator wish list (Eno's thoughts)
References: <200107031938.MAA02003@proxy4.ba.best.com> <3B434ECF.577A92F3@zerocrossing.net>
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So Eno has discovered creeping featurism. I'm fighting with it at the
moment myself. Not a bad idea to surround yourself with lots of stuff -
but what happens then, and more importantly - how (or not).

zzzzz

Scott

Mark wrote:
> 
> Sure we all do (search the Archives for "God Box") but Brian Eno Wrote this for
> Wired Magazine, and I can't say that I do not see his point (one wouldn't know
> this based on my stuff!)
> 
> http://www.wired.com/wired/archive/7.01/eno.html
> 

-- 
~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%
  Visit the the home of Hebephrenic, The Hot Buttered Elves, & Sunshine

                     http://www.tapehissrecordings.com

         and our sites at the worlds largest online cut-out bin

                    http://mp3.com/hotbutteredelves
                      http://mp3.com/hebephrenica
                   http://mp3.com/sunshineallthetime
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To: <Loopers-Delight@loopers-delight.com>
References: <f8.c3cda01.2873da06@aol.com> <3B435348.4DA9F728@zerocrossing.net>
Subject: Re: Againinator?
Date: Wed, 4 Jul 2001 20:43:59 +1000
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Thi
----- Original Message ----- 
From: "Mark" <sine@zerocrossing.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, July 05, 2001 3:32 AM
Subject: Re: Againinator?


> The Againinator is all and everything.  It is where we are going, as
> well as where we've been.  It is the next step.  It is heaven.  It is
> alien, it is us.  It knows what we want and gives it.  It becomes better
> with each moment.  It's always in the future, yet it has been with us
> from the begining.  You have given all to get it, yet you have not paid
> for it.  It will make you a superstar.  It's children will nest in your
> thorax so that our children can bask in this new and improved audio
> looping technology.
> 
> Rick Dickard
> Product Manager
> Electros Inc.
> 
> PA5CALIO@aol.com wrote:
> 
> > What the hell is the againinator?  Please someone tell me.
> > -Pascal
> 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Wed Jul  4 06:51:10 2001
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Thi
----- Original Message ----- 
From: "Mark" <sine@zerocrossing.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, July 05, 2001 3:32 AM
Subject: Re: Againinator?


> The Againinator is all and everything.  It is where we are going, as
> well as where we've been.  It is the next step.  It is heaven.  It is
> alien, it is us.  It knows what we want and gives it.  It becomes better
> with each moment.  It's always in the future, yet it has been with us
> from the begining.  You have given all to get it, yet you have not paid
> for it.  It will make you a superstar.  It's children will nest in your
> thorax so that our children can bask in this new and improved audio
> looping technology.
> 
> Rick Dickard
> Product Manager
> Electros Inc.
> 
> PA5CALIO@aol.com wrote:
> 
> > What the hell is the againinator?  Please someone tell me.
> > -Pascal
> 
> 
> 

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Tjhi
----- Original Message ----- 
From: "Mark" <sine@zerocrossing.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, July 05, 2001 3:32 AM
Subject: Re: Againinator?


> The Againinator is all and everything.  It is where we are going, as
> well as where we've been.  It is the next step.  It is heaven.  It is
> alien, it is us.  It knows what we want and gives it.  It becomes better
> with each moment.  It's always in the future, yet it has been with us
> from the begining.  You have given all to get it, yet you have not paid
> for it.  It will make you a superstar.  It's children will nest in your
> thorax so that our children can bask in this new and improved audio
> looping technology.
> 
> Rick Dickard
> Product Manager
> Electros Inc.
> 
> PA5CALIO@aol.com wrote:
> 
> > What the hell is the againinator?  Please someone tell me.
> > -Pascal
> 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Wed Jul  4 06:53:14 2001
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Thi
----- Original Message ----- 
From: "Mark" <sine@zerocrossing.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, July 05, 2001 3:32 AM
Subject: Re: Againinator?


> The Againinator is all and everything.  It is where we are going, as
> well as where we've been.  It is the next step.  It is heaven.  It is
> alien, it is us.  It knows what we want and gives it.  It becomes better
> with each moment.  It's always in the future, yet it has been with us
> from the begining.  You have given all to get it, yet you have not paid
> for it.  It will make you a superstar.  It's children will nest in your
> thorax so that our children can bask in this new and improved audio
> looping technology.
> 
> Rick Dickard
> Product Manager
> Electros Inc.
> 
> PA5CALIO@aol.com wrote:
> 
> > What the hell is the againinator?  Please someone tell me.
> > -Pascal
> 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Wed Jul  4 06:53:16 2001
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If your trying to 
----- Original Message ----- 
From: "Mark" <sine@zerocrossing.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, July 05, 2001 3:32 AM
Subject: Re: Againinator?


> The Againinator is all and everything.  It is where we are going, as
> well as where we've been.  It is the next step.  It is heaven.  It is
> alien, it is us.  It knows what we want and gives it.  It becomes better
> with each moment.  It's always in the future, yet it has been with us
> from the begining.  You have given all to get it, yet you have not paid
> for it.  It will make you a superstar.  It's children will nest in your
> thorax so that our children can bask in this new and improved audio
> looping technology.
> 
> Rick Dickard
> Product Manager
> Electros Inc.
> 
> PA5CALIO@aol.com wrote:
> 
> > What the hell is the againinator?  Please someone tell me.
> > -Pascal
> 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Wed Jul  4 06:54:39 2001
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Date: Wed, 4 Jul 2001 03:46:36 -0700 (PDT)
From: John Tidwell <wedgehed@yahoo.com>
Subject: Re: Againinator?
To: Loopers-Delight@loopers-delight.com
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That's quite a stutter you have there.


--- stevenw <stevenw@comcen.com.au> wrote:
> Thi


=====
John Tidwell




__________________________________________________
Do You Yahoo!?
Get personalized email addresses from Yahoo! Mail
http://personal.mail.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Wed Jul  4 06:54:51 2001
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	 <Loopers-Delight@loopers-delight.com>
Subject: RE: Againinator?
Date: Wed, 4 Jul 2001 11:48:05 +0100 
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Is this an example of the Againiator's 'stutter like a frightened child'
mode ? 

-----Original Message-----
From: stevenw [mailto:stevenw@comcen.com.au]
Sent: 04 July 2001 11:44
To: Loopers-Delight@loopers-delight.com
Subject: Re: Againinator?


If your trying to 
----- Original Message ----- 
From: "Mark" <sine@zerocrossing.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, July 05, 2001 3:32 AM
Subject: Re: Againinator?


> The Againinator is all and everything.  It is where we are going, as
> well as where we've been.  It is the next step.  It is heaven.  It is
> alien, it is us.  It knows what we want and gives it.  It becomes better
> with each moment.  It's always in the future, yet it has been with us
> from the begining.  You have given all to get it, yet you have not paid
> for it.  It will make you a superstar.  It's children will nest in your
> thorax so that our children can bask in this new and improved audio
> looping technology.
> 
> Rick Dickard
> Product Manager
> Electros Inc.
> 
> PA5CALIO@aol.com wrote:
> 
> > What the hell is the againinator?  Please someone tell me.
> > -Pascal
> 
> 
> 


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Subject: Re: Againinator?
Date: Wed, 4 Jul 2001 20:45:54 +1000
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Thi
----- Original Message ----- 
From: "Mark" <sine@zerocrossing.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, July 05, 2001 3:32 AM
Subject: Re: Againinator?


> The Againinator is all and everything.  It is where we are going, as
> well as where we've been.  It is the next step.  It is heaven.  It is
> alien, it is us.  It knows what we want and gives it.  It becomes better
> with each moment.  It's always in the future, yet it has been with us
> from the begining.  You have given all to get it, yet you have not paid
> for it.  It will make you a superstar.  It's children will nest in your
> thorax so that our children can bask in this new and improved audio
> looping technology.
> 
> Rick Dickard
> Product Manager
> Electros Inc.
> 
> PA5CALIO@aol.com wrote:
> 
> > What the hell is the againinator?  Please someone tell me.
> > -Pascal
> 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Wed Jul  4 06:56:57 2001
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Subject: Re: Againinator?
Date: Wed, 4 Jul 2001 20:57:49 +1000
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Sorry I tried to a
----- Original Message -----
From: "Glyn Merga" <glyn.merga@torotrak.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, July 04, 2001 8:48 PM
Subject: RE: Againinator?


> Is this an example of the Againiator's 'stutter like a frightened child'
> mode ?
>
> -----Original Message-----
> From: stevenw [mailto:stevenw@comcen.com.au]
> Sent: 04 July 2001 11:44
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Againinator?
>
>
> If your trying to
> ----- Original Message -----
> From: "Mark" <sine@zerocrossing.net>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Thursday, July 05, 2001 3:32 AM
> Subject: Re: Againinator?
>
>
> > The Againinator is all and everything.  It is where we are going, as
> > well as where we've been.  It is the next step.  It is heaven.  It is
> > alien, it is us.  It knows what we want and gives it.  It becomes better
> > with each moment.  It's always in the future, yet it has been with us
> > from the begining.  You have given all to get it, yet you have not paid
> > for it.  It will make you a superstar.  It's children will nest in your
> > thorax so that our children can bask in this new and improved audio
> > looping technology.
> >
> > Rick Dickard
> > Product Manager
> > Electros Inc.
> >
> > PA5CALIO@aol.com wrote:
> >
> > > What the hell is the againinator?  Please someone tell me.
> > > -Pascal
> >
> >
> >
>
>
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From Loopers-Delight-request@loopers-delight.com  Wed Jul  4 07:04:33 2001
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From: SoundFNR@aol.com
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Date: Wed, 4 Jul 2001 07:02:40 EDT
Subject: Re: Jamman I/O noise
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> Meanwhile, the input/output knobs on my Jamman when turned make bad noises
>  like 'curr-thurr-crtt-thump-futt'.
thats the hidden 'curr-thurr-crtt-thump-futt' feature, much
prized  on the london improv scene.

some sceptics might call it pot scratch,
caused by a lot of use, or by dirt in the pot.
some 'conventional' musicians have even been known to
spray switch cleaner into the pot (if possible)
or failing that to replace the pot.  

From Loopers-Delight-request@loopers-delight.com  Wed Jul  4 07:08:51 2001
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In a message dated 7/3/01 8:15:05 PM, Steuart.Liebig@maritz.com writes:

<< my "pedal board" is laughable . . .  >>

Currently using one of the lids from my SKB 12 space rack case to hold a 
Pod2, a Boss LS2 Line Selector, 2 DL4s, Digitech PDS8000, , Rolls MX28,  and 
a Furman power strip (with all the respective wall warts).  The lid's lined 
with a piece of carpet and nothing's velcroed in place as of yet - just carry 
it from car to gig like a serving tray.  Plan on getting the required latches 
and using the other lid from the rack case as a lid for this lid/pedalboard.  
With a 2"-3" piece of foam betwixt the two it should hold everthing in place 
for vertical carrying - with a suitcase type handle attached. - paul

From Loopers-Delight-request@loopers-delight.com  Wed Jul  4 07:18:17 2001
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In a message dated 7/3/01 10:36:29 PM, shindler@mediaone.net writes:

<< The

keyboard case is a great idea.  Anyone? >>

Looked into it but by the time I would have filled the thing with pedals/ 
Mackie 1202vlz etc. it would have weighed more than the 12 rack SKB case I 
was lugging around.  The reason I decided to explore the pedal/ loop set up, 
for most giggage, anyway, was to streamline things and hopefully cut back on 
the weight issue.  However there's always that one extra piece you just have 
to add to the set-up :) ... - paul

From Loopers-Delight-request@loopers-delight.com  Wed Jul  4 07:25:37 2001
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Date: Wed, 4 Jul 2001 07:24:03 EDT
Subject: Re: PEDAL BOARDS  and an OT Velcro glue substitute request
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Most pedals have rubber feet that are attached via screws - just mark, drill, 
use longer srews through pedal baord (counter sink srew heads)?

From Loopers-Delight-request@loopers-delight.com  Wed Jul  4 08:10:02 2001
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Subject: Re: PEDAL BOARDS  and an OT Velcro glue substitute request
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I used to do that, but it's a royal pain when you want to move/remove
something quickly, such as when something goes on the fritz onstage or when
you want to take an effect out to use by itself. The velcro is very easy
and dependable; I use the 2" wide stuff that comes in a long roll. There's
no need for additional glue; the self-adhesive 'hook' strip stays on the
bottom of the pedal very well, although you may have to remove the effect's
feet to get it to sit flat against the board. If your board is carpeted,
you won't even need the 'loop' part of the velcro. Automotive carpet works
well, and you can buy a 3'x6' roll at WalMArt. Attach it to the board with
spray adhesive and staples. You wont even be able to see the staples, but
they work well to keep the carpet from stretching when you're repositioning
a pedal. It's not at all difficult or messy.

Tim

At 07:24 AM 7/4/01 EDT, you wrote:
>Most pedals have rubber feet that are attached via screws - just mark,
drill, 
>use longer srews through pedal baord (counter sink srew heads)?

From Loopers-Delight-request@loopers-delight.com  Wed Jul  4 08:36:23 2001
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Date: Wed, 4 Jul 2001 14:35:36 +0200
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From: Matthias Grob <matthias@grob.org>
Subject: Re: Another EDP BUG ??
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>after investigating Andre's bug
>I found the following
>
>just hit Multiply > Insert > Undo with a loop running
>
>then any further presses of undo will give you
>a short loop (time between the Multiply and Insert presses?)
>selected unpredictably from the original loop.
>(or silence)
>
>...or pssssttttsssttststs  digital glitching
>
>each Undo moves you to a different part of the loop
>, but eventually the EDP gives up and produces nothing.
>
>click   ..of course these loopettes don't have crossfaded edges  ..click

now this really is a bug. The three functions in a row are too much. 
It works better in the upgrade but still is a problem.

>
>and the other  thing is that
>2 brothersynced and Midi-linked EDP's
>often respond differently when the bugs are encountered,
>even though they are processing the same Input.

this kind o problems is the reason why the upgrade is not out yet...

-- 


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Wed Jul  4 08:36:30 2001
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Date: Wed, 4 Jul 2001 14:35:36 +0200
To: Loopers-Delight@loopers-delight.com
From: Matthias Grob <matthias@grob.org>
Subject: Re: More on EDP "multiply" bugs
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>O my peeps,
>
>>  If I hit "undo" *after* I've finished the multiply (by hitting
>>  multiply a second time), the material that recorded during the multiply
>>  is erased, but the loop length remains multiplied.  This isn't what I
>>  want.  I know that I can "trim" the loop back to a single cycle, but
>>  that's extra (and annoying) work.  Anyone else consider this to be a
>>  shortcoming?
>
>I personally don't consider it a shortcoming, but I think it depends
>upon exactly what you're trying to do.   And depending on the length
>of the multiple/cycle, it might scarcely take any additional time...
>
>If you basically want to multiply a loop, and then instantly reduce it
>to a single cycle with no sound...  Hmmm.  Off the top of my head I'm
>not 100% sure how one would do that, but Insertmode=replace would be a
>good place to start.  Multiple loops would be another strategy.

I dont think he wants it with silence, but if so, just reduce FB 
while multiplying!

>
>This is the usual point in a thread when Kim pipes in with the
>brilliantly simple and obvious answer that we've all overlooked, so...
>  Kim?
>
>>  I have been using record or overdub to end a remultiply a lot, thus creating
>>  a new cycle.  Does this "bug" manifest itself in this case?  (I would check
>>  it out myself, but nothing is set up right now.)
>
>I don't THINK so, but don't quote me on it.  Part of what gives the
>Sylmar trick it's characteristic sound is that it scrolls through the
>memory of different cycles, even after those cycles have been deleted.
>  But I believe that ending a remultiply with record or overdub wipes
>the memory in such a way that this doesn't happen.

thats what I was asking about: so far, after a Multi-Record, you 
cannot go back before that with UNDO, but that would be easy to 
change.
Multi-Overdub is just the same as Multi-Multi, in respect to timing and Undo.

-- 


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Wed Jul  4 10:29:52 2001
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Date: Wed, 4 Jul 2001 07:26:44 -0700 (PDT)
From: Robert Deveaux <robert_deveaux@yahoo.com>
Subject: Electrix Warp Factory @ ebay $98
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I got a few Electrix items from Muscian's Friend
a few days ago.  I am selling the Warp Factory. 
Bidding starts at $98 (what I paid for it).

__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Wed Jul  4 10:50:49 2001
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Date: Wed, 04 Jul 2001 16:43:37 +0000
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Hey Robert

I guess Loopers delight has become a "normal" mailing list as we now
also get the Ebay capitalist schemes shit as any mailling list on the
net 
thank you for the content .

Claude


first post of yours :
------------------------------------------------
Subject: Re: Electrix Electrix........
 Resent-Date: Tue, 5 Jun 2001 22:01:04 -0400
 Resent-From :Loopers-Delight@loopers-delight.com
        Date: Tue, 5 Jun 2001 19:01:02 -0700 (PDT)
        From: Robert Deveaux <robert_deveaux@yahoo.com>
    

I would like the WARP & MO FX.
Please let me know if any are left.
Thanks,
-------------------------------------------------
second post:today
--------------------------------------
Robert Deveaux wrote:
> 
> I got a few Electrix items from Muscian's Friend
> a few days ago.  I am selling the Warp Factory.
> Bidding starts at $98 (what I paid for it).

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-----Original Message-----
From: Matthias Grob [mailto:matthias@grob.org]

<<Multi-Overdub is just the same as Multi-Multi, in respect to timing and
Undo.
 So it doesn't create the one big cycle?  Leave the little cycles?  And you
can recreate the "bug?"
Gary

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Subject: Re: Pedal boards
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RE: Pedal boardsMine is some strips of velcro on the inside of my flightcase
lid with 4 switches attached. The pedals
I have to carry in a box along with cables and stuff. They also go on the
velcro and the connections between the pedals and midi rolls are on a
multitrack type loom -quite quick to set up too.


Gareth.

>    anyone else have pedal boards?  (a board / carrying case for your
>pedals).  I'm designing / building my own... Was curious how anyone else
>tackled it.  I'll happily share my design once I get it ironed out....
>


From Loopers-Delight-request@loopers-delight.com  Wed Jul  4 12:43:31 2001
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Date: Wed, 04 Jul 2001 18:36:03 +0000
From: Claude Voit <c.voit@vtx.ch>
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Candace Meyer wrote:
> 
> -----Original Message-----
> From: Matthias Grob [mailto:matthias@grob.org]
> 
> <<Multi-Overdub is just the same as Multi-Multi, in respect to timing and
> Undo.
>  So it doesn't create the one big cycle?  Leave the little cycles?  And you
> can recreate the "bug?"
> Gary
Gary
no its Multi-Record to create the one big cycle.
if Q:cycle you create a exact x cycle long single loop (great tempo
changes if you sync out)
if Q off you create a new lenght single loop at rec press (ditto)
the "bug" works in each cases

Claude

From Loopers-Delight-request@loopers-delight.com  Wed Jul  4 15:29:54 2001
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Date: Wed, 4 Jul 2001 12:26:41 -0700 (PDT)
From: Robert Deveaux <robert_deveaux@yahoo.com>
Subject: Re: Electrix Warp Factory @ ebay $98 Claude Voit comments
To: Loopers-Delight@loopers-delight.com
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I did a search for "ebay" at Looper's Delight &
found the following:
Summary for query "ebay":
Found at least 233 matches in at least 51 files. 
156 matches in HTML tags ignored. 

I find rude people who try to represent a whole
mailing list more offensive than some guy listing
an item for sale.  (especially when my email
didn't even have to be opened in order to know
the entire subject)

I have seen some mailing list groups thrash some
guy for asking a simple question or making a
comment that they didn't agree with.  I even
remember a guy saying he would unsubscribe due to
the rudeness of a few people.

I don't consider myself an ebay capitalist, but
let's face it.  We get up each morning & go to
work in order to earn $.  

I purchased the Warp Factory, tried it for a few
min & decided that I could live without it.  I
have seen people posting "how can I get 1 cheap?"
So...I thought it would help.

Last: Webster's dictionary defines "capitalist"
as "1.A person who has capitol 2.an upholder of
capitalism.
Capitalism: "the economic system in which all or
most of the means of production and distribution
are privately owned and operated for profit,
originally under full competitive conditions."

I have a little $ & I agree with the system of
capitalism.  
Peace,
    
--- Claude Voit <c.voit@vtx.ch> wrote:
> Hey Robert
> 
> I guess Loopers delight has become a "normal"
> mailing list as we now
> also get the Ebay capitalist schemes shit as
> any mailling list on the
> net 
> thank you for the content .
> 
> Claude
> 
> 

__________________________________________________
Do You Yahoo!?
Get personalized email addresses from Yahoo! Mail
http://personal.mail.yahoo.com/

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Subject: Re: Againinator image
From: David Myers <dmgraph@earthlink.net>
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oops, sorry Kim--the image itself is only 32K, so I thought it would be
okay.  I'm sending this back around so people can look if they like.  Thanks
for putting it up...

DLM

on 7/4/01 5:05 PM, Kim Flint at kflint@loopers-delight.com wrote:

> David-
> this is too big to post to the list. (I have it set to reject posts over
> about 28k total.) However, I put it on the LD site if you want to give
> people a link:
> 
> http://www.loopers-delight.com/tools/againinator/againinator-floor.jpg
> 
> I'm thinking of claiming that an anonymous informer from the electros
> company provided us secret concept drawings of the fabled againinator....
> :-)
> 
> feel free to supply more concept drawings if you like.
> 
> kim
> 
> 
> 
>> Here is my idea of the Againinator, floor model.  I think it is sufficiently
>> vague to enable nearly any description of function to apply.  Note the
>> ultra-rare magenta LED...
>> 
>> 
>> David Lee Myers
>> http://www.pulsewidth.com

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Dave .. excellent work !
But considering the vast functionality of the unit, the LED display might
be a little small .. any chance that it could support Virtual Reality
goggles, and some kind of 3D operating system where VST plug-ins are
represented as floating blocks ? :-)

if you'd like to license my patented "BrainMerge" (tm) technology, you
could bypass all that pesky messing around with S/PDIF and optical output,
and link the unit directly to the listener's brain ....

    http://www.geocities.com/vibrolounge/press12.html

- John

From Loopers-Delight-request@loopers-delight.com  Thu Jul  5 05:21:43 2001
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Subject: What effect is this?
Date: Thu, 5 Jul 2001 12:20:48 +0200
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Dear Loopers,

I recently saw a Radiohead concert video on Bavarian TV. In one piece, the
singer played Fender-Rhodes and sang like his pet parrot just died yesterday
night, all while another guy from the group crouched on the floor with a
small electronic gadget in his lap. The main component of this thingie was a
x-y "Ribbon" controller (backlit in red) which he used to sample parts of
the vocal line and then "scratch" them. Could anyone tell me what effect
this was (based on this description or on his knowledge of gear used by
Raidohead) ?

Thanks,

	Rainer

Rainer Straschill
Moinlabs GFX and Soundworks - www.moinlabs.de
LOOP 2001 - www.againinator.net

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Sounds like it might've been a KORG KAOS pad ?
http://www.korg.com/gear/info.asp?A_PROD_NO=KAOSSPAD


bye
A

----- Original Message -----
From: Rainer Straschill <rs@moinlabs.de>
To: Looper's Delight Mailing List (E-mail)
<Loopers-Delight@loopers-delight.com>
Sent: Thursday, July 05, 2001 11:20 AM
Subject: What effect is this?


> Dear Loopers,
>
> I recently saw a Radiohead concert video on Bavarian TV. In one piece, the
> singer played Fender-Rhodes and sang like his pet parrot just died
yesterday
> night, all while another guy from the group crouched on the floor with a
> small electronic gadget in his lap. The main component of this thingie was
a
> x-y "Ribbon" controller (backlit in red) which he used to sample parts of
> the vocal line and then "scratch" them. Could anyone tell me what effect
> this was (based on this description or on his knowledge of gear used by
> Raidohead) ?
>
> Thanks,
>
> Rainer
>
> Rainer Straschill
> Moinlabs GFX and Soundworks - www.moinlabs.de
> LOOP 2001 - www.againinator.net
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Jul  5 06:14:51 2001
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Apparently, according to our resident Radiohead worshipper, he had this
device made specially, but we don't have any more details. Interested as to
what looper/sampler is used in the setup.

> -----Original Message-----
> From: Andrew Taylor [mailto:andrew_art@hotmail.com]
> Sent: 05 July 2001 11:49
> To: rs@moinlabs.de; Looper's Delight Mailing List (E-mail)
> Subject: Re: What effect is this?
> 
> 
> Sounds like it might've been a KORG KAOS pad ?
> http://www.korg.com/gear/info.asp?A_PROD_NO=KAOSSPAD
> 
> 
> bye
> A
> 
> ----- Original Message -----
> From: Rainer Straschill <rs@moinlabs.de>
> To: Looper's Delight Mailing List (E-mail)
> <Loopers-Delight@loopers-delight.com>
> Sent: Thursday, July 05, 2001 11:20 AM
> Subject: What effect is this?
> 
> 
> > Dear Loopers,
> >
> > I recently saw a Radiohead concert video on Bavarian TV. In 
> one piece, the
> > singer played Fender-Rhodes and sang like his pet parrot just died
> yesterday
> > night, all while another guy from the group crouched on the 
> floor with a
> > small electronic gadget in his lap. The main component of 
> this thingie was
> a
> > x-y "Ribbon" controller (backlit in red) which he used to 
> sample parts of
> > the vocal line and then "scratch" them. Could anyone tell 
> me what effect
> > this was (based on this description or on his knowledge of 
> gear used by
> > Raidohead) ?
> >
> > Thanks,
> >
> > Rainer
> >
> > Rainer Straschill
> > Moinlabs GFX and Soundworks - www.moinlabs.de
> > LOOP 2001 - www.againinator.net
> >
> >
> 

From Loopers-Delight-request@loopers-delight.com  Thu Jul  5 06:40:38 2001
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Date: Thu, 5 Jul 01 07:43:39 -0400
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Hi Gang-

Just a little spam to announce that my new CD, Brief Light, is now 
available direct from Alchemy Records (www.alchemyrecords.com). According 
to my distributor, it will land in stores in late August, though I 
suspect early September is more likely. 

Lots of loopage on the CD, along with lots of guitars and very cool 
percussion courtesy of Vinny Sabatino. Mr. Tony Levin plays on the bulk 
of the CD, and there are some nice spots from Michael Whalen on Piano, 
and Randy Roos on guitar synth. The splattered one, David Torn, did the 
mastering.

Spam over.

Jon Durant

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Subject: Re: Againinator image
From: David Myers <dmgraph@earthlink.net>
To: <Loopers-Delight@loopers-delight.com>
Message-ID: <B769D0E4.3841%dmgraph@earthlink.net>
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Actually I didn't think there was a great need for a large display, since a
unit as advanced as the Againinator assumes some sort of infrared/cortical
hookup.  That's not really my department, but I suggest you drop a line to
the Againinator engineering and legal departments.  Good luck.

David Lee Myers
Freelance Imaging Team

P.S. Something may be in the works involving data gloves which will allow
you to really "feel" the VST plug-ins as blocks...

on 7/5/01 5:34 AM, McCullaghJ@Logica.com at McCullaghJ@Logica.com wrote:

> 
> Dave .. excellent work !
> But considering the vast functionality of the unit, the LED display might
> be a little small .. any chance that it could support Virtual Reality
> goggles, and some kind of 3D operating system where VST plug-ins are
> represented as floating blocks ? :-)
> 
> if you'd like to license my patented "BrainMerge" (tm) technology, you
> could bypass all that pesky messing around with S/PDIF and optical output,
> and link the unit directly to the listener's brain ....
> 
> http://www.geocities.com/vibrolounge/press12.html
> 
> - John
> 

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Subject: Re: What effect is this?
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>> Sounds like it might've been a KORG KAOS pad ?
>> http://www.korg.com/gear/info.asp?A_PROD_NO=KAOSSPAD
indeed, sounds like it might be a kaoss pad, or a redsound dj-sampler, or.....

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Subject: Re: What effect is this?
Date: Thu, 5 Jul 2001 14:48:47 +0100
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I remember this, as it was broadcast on BBC a few weeks ago.  The show ended
with the fellow fiddling with some device on the floor of the stage, head
bent down, and unfortunately obscuring much of a view of what he was using.
I think it was partially red with chrome.  Possibly with some kind of
pseudo-turntable disk controller on the top.

----- Original Message -----
From: <Hedewa7@aol.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: 05 July 2001 14:30 PM
Subject: Re: What effect is this?


> >> Sounds like it might've been a KORG KAOS pad ?
> >> http://www.korg.com/gear/info.asp?A_PROD_NO=KAOSSPAD
> indeed, sounds like it might be a kaoss pad, or a redsound dj-sampler,
or.....
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Jul  5 09:04:07 2001
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From: "Taaffe, Denis G" <dtaaffe@indiana.edu>
To: "'rs@moinlabs.de'" <rs@moinlabs.de>,
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	 <Loopers-Delight@loopers-delight.com>
Subject: RE: What effect is this?
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sounds like  one of those roland or similar groove stations that samples
scratch f/x's (lame) and looping. that's what I would guess! or it was a
milli vanili type disaster all over again where the guy was not really
singing but it was indeed a record player and it was skipping hnece the
scratch sounds.....

denis 

denis taaffe
denis_aliengtr@geocities.com
http://www.dtguitar.com

-----Original Message-----
From: Rainer Straschill [mailto:rs@moinlabs.de]
Sent: Thursday, July 05, 2001 5:21 AM
To: Looper's Delight Mailing List (E-mail)
Subject: What effect is this?


Dear Loopers,

I recently saw a Radiohead concert video on Bavarian TV.  

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From: "Taaffe, Denis G" <dtaaffe@indiana.edu>
To: "'Loopers-Delight@loopers-delight.com'"
	 <Loopers-Delight@loopers-delight.com>
Subject: RE: Pedal boards
Date: Thu, 5 Jul 2001 09:05:40 -0500 
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ok, how about a piece of wood with the pedals on it inserted inside a $14.00
keyboard bag which is on sale at musicians gimp (musician's sap, musicians
friend or use the bag itself somehow....

denis

denis Taaffe
denis_aliengtr@geocities.com
http://www.dtguitar.com

-----Original Message-----
From: whiteoakstudios [mailto:whiteoakstudios@supanet.com]
Sent: Tuesday, July 03, 2001 4:00 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Pedal boards


RE: Pedal boardsMine is some strips of velcro  

From Loopers-Delight-request@loopers-delight.com  Thu Jul  5 09:13:18 2001
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From: "Taaffe, Denis G" <dtaaffe@indiana.edu>
To: "'Loopers-Delight@loopers-delight.com'"
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yeah they absolutely have a disc on some of those groove stations that has a
CD sized disc that you move in circles and it immitates the DJ funk master
Pee jay hip hoppin' jam boy breakdancing curly shuffle rap like scratching
of a turntable type sound. 

Denis 

denis taaffe
denis_aliengtr@geocities.com
http://www.dtguitar.com


-----Original Message-----
From: Taaffe, Denis G [mailto:dtaaffe@indiana.edu]
Sent: Thursday, July 05, 2001 9:02 AM
To: 'rs@moinlabs.de'; Looper's Delight Mailing List (E-mail)
Subject: RE: What effect is this?


sounds like  one of those roland or 

From Loopers-Delight-request@loopers-delight.com  Thu Jul  5 09:53:04 2001
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From: Todd Quincy <tquincy@sayhhi.com>
To: Loopers-Delight@loopers-delight.com
Subject: RE: Pedal boards for loopers
Date: Thu, 5 Jul 2001 10:47:22 -0400 
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Although it weighs too much and is hard to tote, I really like the SKB floor
board with the attached 3 unit rack. It really makes it simple to keep an
eye on what you loop is doing. Again it's too big and weighs too much when
loaded. 

A cool trick I learned from GC was to take an A frame guitar stand and place
a 4 space rack in it as you would a guitar. This keeps the rack tilted so
your eye can see it like the SKB board does but isn't a bear to carry.  Also
a 1402 mixer works well with an A frame stand.

tq





	-----Original Message-----
	From:	Taaffe, Denis G [SMTP:dtaaffe@indiana.edu]
	Sent:	Thursday, July 05, 2001 7:06 AM
	To:	'Loopers-Delight@loopers-delight.com'
	Subject:	RE: Pedal boards

	ok, how about a piece of wood with the pedals on it inserted inside
a $14.00
	keyboard bag which is on sale at musicians gimp (musician's sap,
musicians
	friend or use the bag itself somehow....

	denis

	denis Taaffe
	denis_aliengtr@geocities.com
	http://www.dtguitar.com

	-----Original Message-----
	From: whiteoakstudios [mailto:whiteoakstudios@supanet.com]
	Sent: Tuesday, July 03, 2001 4:00 PM
	To: Loopers-Delight@loopers-delight.com
	Subject: Re: Pedal boards


	RE: Pedal boardsMine is some strips of velcro  

------_=_NextPart_001_01C10561.6613BA20
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<META HTTP-EQUIV=3D"Content-Type" CONTENT=3D"text/html; =
charset=3Diso-8859-1">
<META NAME=3D"Generator" CONTENT=3D"MS Exchange Server version =
5.5.2652.35">
<TITLE>RE: Pedal boards for loopers</TITLE>
</HEAD>
<BODY>

<P><FONT SIZE=3D2 FACE=3D"Arial">Although it weighs too much and is =
hard to tote, I really like the SKB floor board with the attached 3 =
unit rack. It really makes it simple to keep an eye on what you loop is =
doing. Again it's too big and weighs too much when loaded. </FONT></P>

<P><FONT SIZE=3D2 FACE=3D"Arial">A cool trick I learned from GC was to =
take an A frame guitar stand and place a 4 space rack in it as you =
would a guitar. This keeps the rack tilted so your eye can see it like =
the SKB board does but isn't a bear to carry.&nbsp; Also a 1402 mixer =
works well with an A frame stand.</FONT></P>

<P><FONT SIZE=3D2 FACE=3D"Arial">tq</FONT>
</P>
<BR>
<BR>
<BR>
<BR>
<UL>
<P><A NAME=3D"_MailData"><FONT SIZE=3D2 FACE=3D"Arial">-----Original =
Message-----</FONT></A>
<BR><B><FONT SIZE=3D2 FACE=3D"Arial">From:&nbsp;&nbsp; Taaffe, Denis G =
[SMTP:dtaaffe@indiana.edu]</FONT></B>
<BR><B><FONT SIZE=3D2 FACE=3D"Arial">Sent:&nbsp;&nbsp;</FONT></B> <FONT =
SIZE=3D2 FACE=3D"Arial">Thursday, July 05, 2001 7:06 AM</FONT>
<BR><B><FONT SIZE=3D2 =
FACE=3D"Arial">To:&nbsp;&nbsp;&nbsp;&nbsp;</FONT></B> <FONT SIZE=3D2 =
FACE=3D"Arial">'Loopers-Delight@loopers-delight.com'</FONT>
<BR><B><FONT SIZE=3D2 =
FACE=3D"Arial">Subject:&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</FONT>=
</B> <FONT SIZE=3D2 FACE=3D"Arial">RE: Pedal boards</FONT>
</P>

<P><FONT SIZE=3D2 FACE=3D"Courier New">ok, how about a piece of wood =
with the pedals on it inserted inside a $14.00</FONT>
<BR><FONT SIZE=3D2 FACE=3D"Courier New">keyboard bag which is on sale =
at musicians gimp (musician's sap, musicians</FONT>
<BR><FONT SIZE=3D2 FACE=3D"Courier New">friend or use the bag itself =
somehow....</FONT>
</P>

<P><FONT SIZE=3D2 FACE=3D"Courier New">denis</FONT>
</P>

<P><FONT SIZE=3D2 FACE=3D"Courier New">denis Taaffe</FONT>
<BR><FONT SIZE=3D2 FACE=3D"Courier =
New">denis_aliengtr@geocities.com</FONT>
<BR><FONT SIZE=3D2 FACE=3D"Courier New"><A =
HREF=3D"http://www.dtguitar.com" =
TARGET=3D"_blank">http://www.dtguitar.com</A></FONT>
</P>

<P><FONT SIZE=3D2 FACE=3D"Courier New">-----Original =
Message-----</FONT>
<BR><FONT SIZE=3D2 FACE=3D"Courier New">From: whiteoakstudios [<A =
HREF=3D"mailto:whiteoakstudios@supanet.com">mailto:whiteoakstudios@supan=
et.com</A>]</FONT>
<BR><FONT SIZE=3D2 FACE=3D"Courier New">Sent: Tuesday, July 03, 2001 =
4:00 PM</FONT>
<BR><FONT SIZE=3D2 FACE=3D"Courier New">To: =
Loopers-Delight@loopers-delight.com</FONT>
<BR><FONT SIZE=3D2 FACE=3D"Courier New">Subject: Re: Pedal =
boards</FONT>
</P>
<BR>

<P><FONT SIZE=3D2 FACE=3D"Courier New">RE: Pedal boardsMine is some =
strips of velcro&nbsp; </FONT>
</P>
</UL>
</BODY>
</HTML>
------_=_NextPart_001_01C10561.6613BA20--

From Loopers-Delight-request@loopers-delight.com  Thu Jul  5 10:02:53 2001
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Date: Thu, 05 Jul 2001 10:01:01 -0500
Subject: Re: Pedal boards for loopers
From: Mike Feeney <feeneymike@yahoo.com>
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>,
        Todd Quincy <tquincy@sayhhi.com>
Message-ID: <B769EB5D.1074%feeneymike@yahoo.com>
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    Anyone have any experience with the SKB 19=B2 mini gig rig?  I=B9m thinking
about buying it, but can=B9t really tell if it has appropriate (easy)
back-access and room for cabling behind my mixer.  Which would suck if I
ordered it and got it home only to discover that was true.  =3D)  SKB=B9s
website is pathetically uninformative.

    mike



on 7/5/01 9.47 AM, Todd Quincy at tquincy@sayhhi.com wrote:

> Although it weighs too much and is hard to tote, I really like the SKB fl=
oor
> board with the attached 3 unit rack. It really makes it simple to keep an=
 eye
> on what you loop is doing. Again it's too big and weighs too much when lo=
aded.
>=20
> A cool trick I learned from GC was to take an A frame guitar stand and pl=
ace a
> 4 space rack in it as you would a guitar. This keeps the rack tilted so y=
our
> eye can see it like the SKB board does but isn't a bear to carry.  Also a=
 1402
> mixer works well with an A frame stand.
>=20
> tq=20
>=20
>=20
>=20
>=20
>=20
>> -----Original Message-----
>> From:   Taaffe, Denis G [SMTP:dtaaffe@indiana.edu]
>> Sent:   Thursday, July 05, 2001 7:06 AM
>> To:     'Loopers-Delight@loopers-delight.com'
>> Subject:        RE: Pedal boards
>>=20
>> ok, how about a piece of wood with the pedals on it inserted inside a $1=
4.00
>> keyboard bag which is on sale at musicians gimp (musician's sap, musicia=
ns
>> friend or use the bag itself somehow....
>>=20
>> denis=20
>>=20
>> denis Taaffe=20
>> denis_aliengtr@geocities.com
>> http://www.dtguitar.com
>>=20
>> -----Original Message-----
>> From: whiteoakstudios [mailto:whiteoakstudios@supanet.com]
>> Sent: Tuesday, July 03, 2001 4:00 PM
>> To: Loopers-Delight@loopers-delight.com
>> Subject: Re: Pedal boards
>>=20
>>=20
>> RE: Pedal boardsMine is some strips of velcro
>=20
>=20
>=20


--B_3077172061_468018
Content-type: text/html; charset="ISO-8859-1"
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<HTML>
<HEAD>
<TITLE>Re: Pedal boards for loopers</TITLE>
</HEAD>
<BODY>
<FONT FACE=3D"Arial"><BR>
<BR>
&nbsp;&nbsp;&nbsp;&nbsp;Anyone have any experience with the SKB 19&#8221; m=
ini gig rig? &nbsp;I&#8217;m thinking about buying it, but can&#8217;t reall=
y tell if it has appropriate (easy) back-access and room for cabling behind =
my mixer. &nbsp;Which would suck if I ordered it and got it home only to dis=
cover that was true. &nbsp;=3D) &nbsp;SKB&#8217;s website is pathetically unin=
formative.<BR>
<BR>
&nbsp;&nbsp;&nbsp;&nbsp;mike<BR>
<BR>
<BR>
<BR>
on 7/5/01 9.47 AM, Todd Quincy at tquincy@sayhhi.com wrote:<BR>
<BR>
</FONT><BLOCKQUOTE><FONT FACE=3D"Arial"><FONT SIZE=3D"2">Although it weighs too=
 much and is hard to tote, I really like the SKB floor board with the attach=
ed 3 unit rack. It really makes it simple to keep an eye on what you loop is=
 doing. Again it's too big and weighs too much when loaded. <BR>
</FONT><BR>
<FONT SIZE=3D"2">A cool trick I learned from GC was to take an A frame guitar=
 stand and place a 4 space rack in it as you would a guitar. This keeps the =
rack tilted so your eye can see it like the SKB board does but isn't a bear =
to carry. &nbsp;Also a 1402 mixer works well with an A frame stand.<BR>
</FONT><BR>
<FONT SIZE=3D"2">tq</FONT> <BR>
<BR>
<BR>
<BR>
<BR>
<BR>
</FONT><UL><FONT FACE=3D"Arial"><FONT SIZE=3D"2">-----Original Message-----</FO=
NT> <BR>
<FONT SIZE=3D"2"><B>From: &nbsp;&nbsp;Taaffe, Denis G [SMTP:dtaaffe@indiana.e=
du]</B></FONT> <BR>
<FONT SIZE=3D"2"><B>Sent: &nbsp;</B></FONT> <FONT SIZE=3D"2">Thursday, July 05,=
 2001 7:06 AM</FONT> <BR>
<FONT SIZE=3D"2"><B>To: &nbsp;&nbsp;&nbsp;</B></FONT> <FONT SIZE=3D"2">'Loopers=
-Delight@loopers-delight.com'</FONT> <BR>
<FONT SIZE=3D"2"><B>Subject: &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</B></FONT> =
<FONT SIZE=3D"2">RE: Pedal boards</FONT> <BR>
<BR>
</FONT><FONT SIZE=3D"2"><FONT FACE=3D"Courier New">ok, how about a piece of woo=
d with the pedals on it inserted inside a $14.00</FONT></FONT><FONT FACE=3D"Ar=
ial"> <BR>
</FONT><FONT SIZE=3D"2"><FONT FACE=3D"Courier New">keyboard bag which is on sal=
e at musicians gimp (musician's sap, musicians</FONT></FONT><FONT FACE=3D"Aria=
l"> <BR>
</FONT><FONT SIZE=3D"2"><FONT FACE=3D"Courier New">friend or use the bag itself=
 somehow....</FONT></FONT><FONT FACE=3D"Arial"> <BR>
<BR>
</FONT><FONT SIZE=3D"2"><FONT FACE=3D"Courier New">denis</FONT></FONT><FONT FAC=
E=3D"Arial"> <BR>
<BR>
</FONT><FONT SIZE=3D"2"><FONT FACE=3D"Courier New">denis Taaffe</FONT></FONT><F=
ONT FACE=3D"Arial"> <BR>
</FONT><FONT SIZE=3D"2"><FONT FACE=3D"Courier New">denis_aliengtr@geocities.com=
</FONT></FONT><FONT FACE=3D"Arial"> <BR>
</FONT><FONT SIZE=3D"2"><FONT FACE=3D"Courier New">http://www.dtguitar.com</FON=
T></FONT><FONT FACE=3D"Arial"> <BR>
<BR>
</FONT><FONT SIZE=3D"2"><FONT FACE=3D"Courier New">-----Original Message-----</=
FONT></FONT><FONT FACE=3D"Arial"> <BR>
</FONT><FONT SIZE=3D"2"><FONT FACE=3D"Courier New">From: whiteoakstudios [mailt=
o:whiteoakstudios@supanet.com]</FONT></FONT><FONT FACE=3D"Arial"> <BR>
</FONT><FONT SIZE=3D"2"><FONT FACE=3D"Courier New">Sent: Tuesday, July 03, 2001=
 4:00 PM</FONT></FONT><FONT FACE=3D"Arial"> <BR>
</FONT><FONT SIZE=3D"2"><FONT FACE=3D"Courier New">To: Loopers-Delight@loopers-=
delight.com</FONT></FONT><FONT FACE=3D"Arial"> <BR>
</FONT><FONT SIZE=3D"2"><FONT FACE=3D"Courier New">Subject: Re: Pedal boards</F=
ONT></FONT><FONT FACE=3D"Arial"> <BR>
<BR>
<BR>
</FONT><FONT SIZE=3D"2"><FONT FACE=3D"Courier New">RE: Pedal boardsMine is some=
 strips of velcro &nbsp;<BR>
</FONT></FONT></UL><FONT FACE=3D"Arial"><BR>
<BR>
</FONT></BLOCKQUOTE><FONT FACE=3D"Arial"><BR>
</FONT>
</BODY>
</HTML>


--B_3077172061_468018--


_________________________________________________________
Do You Yahoo!?
Get your free @yahoo.com address at http://mail.yahoo.com

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Date: Thu, 05 Jul 2001 08:08:14 -0700
From: Richard Zvonar <zvonar@zvonar.com>
Subject: Repeater - Where the heck is it?
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This notice is from the Electrix Web site <http://www.electrixpro.com/ >:

>Update July 3:
>
>OK...we're getting a whole whack o' email from people wanting to 
>know when Repeater is finally getting out the door. To make things 
>simpler, please send a quick email to <usstores@electrixpro.com> and 
>we'll let you know the moment Repeater has left the building. Cool?

-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz
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<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Repeater - Where the heck is
it?</title></head><body>
<div><tt>This notice is from the Electrix Web site
&lt;http://www.electrixpro.com/ &gt;:</tt></div>
<div><tt><br></tt></div>
<blockquote type="cite" cite><tt>Update July 3:</tt></blockquote>
<blockquote type="cite" cite><tt><br></tt></blockquote>
<blockquote type="cite" cite><tt>OK...we're getting a whole whack o'
email from people wanting to know when Repeater is finally getting out
the door. To make things simpler, please send a quick email to
&lt;usstores@electrixpro.com&gt; and we'll let you know the moment
Repeater has left the building. Cool?</tt></blockquote>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div><br>
______________________________________________________________<br>
Richard Zvonar, PhD<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><br>
(818) 788-2202<x-tab>&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </x-tab><br>
http://www.zvonar.com<br>
http://RZCybernetics.com<br>
http://www.cybmotion.com/aliaszone<br>
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz</div>
</body>
</html>
--============_-1217776786==_ma============--

From Loopers-Delight-request@loopers-delight.com  Thu Jul  5 10:14:17 2001
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From: "whiteoakstudios" <whiteoakstudios@supanet.com>
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References: <200107031938.MAA02003@proxy4.ba.best.com> <3B434ECF.577A92F3@zerocrossing.net> <3B42D1EB.343273FC@tapehissrecordings.com>
Subject: Re: Eno's thoughts
Date: Thu, 5 Jul 2001 05:45:07 +0100
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It depends on your approach to music and technology. There are, (at least)
two approaches -
1    Explore a piece of kit, finding interesting features which then become
imbedded in your creative
   activities.
2    Conceptualise a process and attempt to implement it using the equipment
you have, (or spend more
    money!)
Most of my stuff falls into the latter category so I use Kyma whose
limitiations lie far beyond my
expertise but Kyma is addictive and endearing. I have likened Kyma to a
woman before, (and before anybody jumps down my throat, substitute your own
choice of partner here). I have a creative relationship
with Kyma that I personally find much more fulfilling than I ever had with
other gear and I've been involved
with music technology since well before MIDI was invented.
I'm not saying there's a right and wrong. In fact I'm saying there is no
right and wrong  -right?

Gareth



> So Eno has discovered creeping featurism. I'm fighting with it at the
> moment myself. Not a bad idea to surround yourself with lots of stuff -
> but what happens then, and more importantly - how (or not).


From Loopers-Delight-request@loopers-delight.com  Thu Jul  5 10:44:03 2001
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From: "Michael LaMeyer" <mlameyer@rcn.com>
To: <Loopers-Delight@loopers-delight.com>
References: <B765F6AA.377D%dmgraph@earthlink.net>
Subject: Re:  Againinator Image
Date: Tue, 3 Jul 2001 02:01:39 -0400
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6U half rack, definitely.  I need the space.

Mike

----- Original Message -----
From: "David Myers" <dmgraph@earthlink.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, July 02, 2001 10:00 AM
Subject: Againinator Image


> Thanks for the suggestions, Kim.  Sound On Sound Magazine
often "spotlights"
> this sort of product, and it would be a blast to see it on
Harmony Central!
>
> Being both a gearhead and Photoshop pro, I'll offer to create
an Againinator
> image (you didn't think that Repeater we've been looking at
for a year was a
> photo, did you?).  Listmembers should post their suggestions
for physical
> characteristics, color, displays, knobs, and so forth.
Subject to the whim
> of the artiste, natch.
>
> I'm leaning toward a 6U half-rack or maybe a purple pod...
>
> David Lee Myers
> http://www.pulsewidth.com
> --------------------------------------------------------------
------------
> "Ourobouros" CD of new Feedback Music available now on
Pulsewidth!
> In NYC at Downtown Music, Kim's Mondo, Kim's West, and Other
Music, and
> through Forced Exposure, Anomalous, Wayside,
CDeMusic/Electronic Music
> Foundation, Deep Listening Catalog, Crouton Music, Recommended
(UK),
> Staalplaat (Netherlands), and Metamkine (France).
>
>
>
> on 7/2/01 3:41 AM, Kim Flint at kflint@loopers-delight.com
wrote:
>
> >> With all "respect" given to the upcoming (I will bet cash
money) release of
> >> the Repeater, I have to say that the Againinator thread is
totally
> >> hilarious!  Can somebody collect all the posts and put up a
page on the web
> >> site?  I am serious--this stuff is paralyzingly funny.  I
did a search from
> >> the web page but it eliminates posts over ten lines and
won't give me HTML.
> >> Anybody?
> >> Thanks for all the info and entertainment.
> >> Gary
> >
> > If someone wants to put together an LD web page for it, I'd
be happy to add it
> > to the LD "tools of the trade" pages. Maybe a few of you
Againinator users
> > could send in a review?
> >
> > And Gern, Electros should put out a press release for this
exciting soon-to-be
> > product. You really need to tell the world about it. I can
put that up on
> > Looper's Delight as well. Maybe you can get it on Harmony
Central. Then all
> > the Againinator users can submit comments on it for the
harmony-central
> > effects database! That should really help the back-ordering
pick up!
> >
> > BTW, this search should bring you all the againinator posts:
> >
http://www.loopers-delight.com/cgi-bin/wilma_glimpse/LDarchive?q
uery=againinat
> >
or&errors=0&maxfiles=500&maxlines=5&.cgifields=lineonly&.cgifiel
ds=filelist&.c
> > gifields=case&.cgifields=partial&.cgifields=restricttofiles
> >
> >
> > kim
>


From Loopers-Delight-request@loopers-delight.com  Thu Jul  5 10:44:04 2001
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References: <B765DAD3.EA3%stevesandberg@earthlink.net>
Subject: Re: NYC loopfest
Date: Tue, 3 Jul 2001 02:01:18 -0400
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Just got back from travelling.  I live in Boston, and don't
necessarily know what I could contribute from up here except ...

<brings out pompoms and begans flailing them around in figure 8
patterns>

PLEASE DO THIS!!!  :-)

I'd definitely be there to hear it.  Hmmmm, although I could
easily bring some spare cables or something, and I've got a
vortex and a mackie 1402 I wouldn't hesitate to take with me if
somebody could use them ...

Mike

----- Original Message -----
From: "Steve Sandberg" <stevesandberg@earthlink.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, July 02, 2001 8:01 AM
Subject: Re: NYC loopfest


> Chashama on 42nd St is proving to be a good venue for
> "this sort of thing".  Unity Gain is going up there on
> July 17/18 (with at least two list members playing, myself
> and David Lee Myers).  However, I do not know if they have a
PA
> permanently there...
> Both places sound promising -- I'd like to come on the 17/18,
let us know.
>
>
> The Knitting Factory is a very civilized space and might well
> let us book something.  I have vague contacts there
>
>        So do I, but you have to book months in advance.
>
> A friend of mine, Kevin Centanni, is opening a bar/gallery
> called the Remote Lounge:  <http://www.remotelounge.com/>
>
>       Let us know after Tuesday.
>
> I'd be willing to do some work to get this together; it would
be great if I
> could split the work with one or two others, though.  Don't
think it would
> be so hard -- I see this as more a chance for us NYC loopers
to get to know
> each other in a comfortable space than a show we need to
promote to get a
> big audience.
>



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Date: Thu, 05 Jul 2001 20:42:55 -0700
From: Mark <sine@zerocrossing.net>
Organization: zerocrossing inc.
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http://www.greenplastic.com/gear/ gives you an idea of the stuff Radiohead is
using.  What you're talking about is the Korg KAOS pad.  I've owned one for a
year now, and I'm amazed at the bang/buck on this little box.  VERY cool.  I
wish it were a bit smaller, so that I could velcro it to my guitar body, but
it's designed for DJs.  I use it to give variation to my sequences in real time.

Mark

Rainer Straschill wrote:

> Dear Loopers,
>
> I recently saw a Radiohead concert video on Bavarian TV. In one piece, the
> singer played Fender-Rhodes and sang like his pet parrot just died yesterday
> night, all while another guy from the group crouched on the floor with a
> small electronic gadget in his lap. The main component of this thingie was a
> x-y "Ribbon" controller (backlit in red) which he used to sample parts of
> the vocal line and then "scratch" them. Could anyone tell me what effect
> this was (based on this description or on his knowledge of gear used by
> Raidohead) ?
>
> Thanks,
>
>         Rainer
>
> Rainer Straschill
> Moinlabs GFX and Soundworks - www.moinlabs.de
> LOOP 2001 - www.againinator.net

From Loopers-Delight-request@loopers-delight.com  Thu Jul  5 11:01:58 2001
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Subject: Re: What effect is this?
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Apropos the Kaoss Pad, check out Tactex:

http://www.tactex.com/

http://www.tactex.com/productsMTCzone.html
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

From Loopers-Delight-request@loopers-delight.com  Thu Jul  5 11:54:16 2001
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To: "'Loopers-Delight@loopers-delight.com'"
	 <Loopers-Delight@loopers-delight.com>
Subject: RE: RE: Pedal boards
Date: Thu, 5 Jul 2001 12:51:24 -0400 
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This message is in MIME format. Since your mail reader does not understand
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** hey, i said it was laughable and ugly, i didn't say it wasn't useful and
that i didn't like it!

stig



In a message dated 7/3/01 8:15:05 PM, Steuart.Liebig@maritz.com writes:

<< my "pedal board" is laughable . . .  >>

Currently using one of the lids from my SKB 12 space rack case to hold a 
Pod2, a Boss LS2 Line Selector, 2 DL4s, Digitech PDS8000, , Rolls MX28,  and

a Furman power strip (with all the respective wall warts).  The lid's lined 
with a piece of carpet and nothing's velcroed in place as of yet - just
carry 
it from car to gig like a serving tray.  Plan on getting the required
latches 
and using the other lid from the rack case as a lid for this lid/pedalboard.

With a 2"-3" piece of foam betwixt the two it should hold everthing in place

for vertical carrying - with a suitcase type handle attached. - paul

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<TITLE>RE: RE: Pedal boards</TITLE>
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<P><FONT SIZE=2>** hey, i said it was laughable and ugly, i didn't say it wasn't useful and that i didn't like it!</FONT>
</P>

<P><FONT SIZE=2>stig</FONT>
</P>
<BR>
<BR>

<P><FONT SIZE=2>In a message dated 7/3/01 8:15:05 PM, Steuart.Liebig@maritz.com writes:</FONT>
</P>

<P><FONT SIZE=2>&lt;&lt; my &quot;pedal board&quot; is laughable . . .&nbsp; &gt;&gt;</FONT>
</P>

<P><FONT SIZE=2>Currently using one of the lids from my SKB 12 space rack case to hold a </FONT>
<BR><FONT SIZE=2>Pod2, a Boss LS2 Line Selector, 2 DL4s, Digitech PDS8000, , Rolls MX28,&nbsp; and </FONT>
<BR><FONT SIZE=2>a Furman power strip (with all the respective wall warts).&nbsp; The lid's lined </FONT>
<BR><FONT SIZE=2>with a piece of carpet and nothing's velcroed in place as of yet - just carry </FONT>
<BR><FONT SIZE=2>it from car to gig like a serving tray.&nbsp; Plan on getting the required latches </FONT>
<BR><FONT SIZE=2>and using the other lid from the rack case as a lid for this lid/pedalboard.&nbsp; </FONT>
<BR><FONT SIZE=2>With a 2&quot;-3&quot; piece of foam betwixt the two it should hold everthing in place </FONT>
<BR><FONT SIZE=2>for vertical carrying - with a suitcase type handle attached. - paul</FONT>
</P>

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From Loopers-Delight-request@loopers-delight.com  Thu Jul  5 12:04:32 2001
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Subject: Berkeley gig tonight
Date: Thu, 5 Jul 2001 10:03:41 -0700
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...don't forget Berkeley gig tonight - Manring/Walker/Lawson at TUVA... 

:o) 

Steve 
www.steve-lawson.co.uk 

From Loopers-Delight-request@loopers-delight.com  Thu Jul  5 13:34:08 2001
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From: "Dennis Coggia" <spiraleyez@hotmail.com>
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Subject: help finding EDP
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What are the chances of finding a new EDP in the US?
DMAN
_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Thu Jul  5 13:41:43 2001
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Shouldn't be a problem- call Alto Music in NY - they have provided me with
great service in the past including my EDP purchase a few years back- The
archives will have the info to contact them-

Cliff

----- Original Message -----
From: "Dennis Coggia" <spiraleyez@hotmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, July 05, 2001 11:31 AM
Subject: help finding EDP


> What are the chances of finding a new EDP in the US?
> DMAN
> _________________________________________________________________
> Get your FREE download of MSN Explorer at http://explorer.msn.com
>

From Loopers-Delight-request@loopers-delight.com  Thu Jul  5 13:47:19 2001
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From: "Mike Biffle" <Mike.Biffle@asml.com>
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Subject: RE: EDP Availability...
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This is just a repost of info from Andy Ewen at Trace-Elliot...

East Coast...Alto Music in Middletown, NY # 845-692-6922
Midwest...Sweetwater Sound in Ft Wayne, In # 800-222-4700
West Coast...LA Music Service (just outside of Los Angeles, CA) #310-787-0123

-Miko

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I bought my EDP from Alto... in fact, these days I buy most of my stuff from
them. They have really great prices!

Kevin

> This is just a repost of info from Andy Ewen at Trace-Elliot...
>
> East Coast...Alto Music in Middletown, NY # 845-692-6922
> Midwest...Sweetwater Sound in Ft Wayne, In # 800-222-4700
> West Coast...LA Music Service (just outside of Los Angeles, CA)
> #310-787-0123
>
> -Miko
>

From Loopers-Delight-request@loopers-delight.com  Thu Jul  5 15:12:07 2001
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I just bought a fully loaded edp (memory upgrade, updated firmware, and
footpedal) for a great price from LA Music Service, about a month ago.  Mike
was great, helpful and fast on the delivery.



I highly recommend LA Music Svc.

D

-----Original Message-----
From: Kevin Mulvihill [mailto:kmulvihill@mediaone.net]
Sent: Thursday, July 05, 2001 12:08 PM
To: Loopers-Delight@loopers-delight.com
Subject: RE: EDP Availability...


I bought my EDP from Alto... in fact, these days I buy most of my stuff from
them. They have really great prices!

Kevin

> This is just a repost of info from Andy Ewen at Trace-Elliot...
>
> East Coast...Alto Music in Middletown, NY # 845-692-6922
> Midwest...Sweetwater Sound in Ft Wayne, In # 800-222-4700
> West Coast...LA Music Service (just outside of Los Angeles, CA)
> #310-787-0123
>
> -Miko
>

From Loopers-Delight-request@loopers-delight.com  Thu Jul  5 15:29:45 2001
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How much did you pay for it?


> I bought my EDP from Alto... in fact, these days I buy most of my
stuff from
> them. They have really great prices!
>
> Kevin



From Loopers-Delight-request@loopers-delight.com  Thu Jul  5 15:31:09 2001
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Subject: Re: NYC loopfest
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> This message is in MIME format. Since your mail reader does not understand
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<brings out pompoms and begans flailing them around in figure 8
patterns>

PLEASE DO THIS!!!  :-)

Tom Ritchford and I seem to be working on finding a space to do it, so it is
going forward -- I hope you bring your pompoms!


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<HTML>
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<BLOCKQUOTE><FONT COLOR=3D"#0000FF"><FONT SIZE=3D"4">&lt;brings out pompoms and=
 begans flailing them around in figure 8<BR>
patterns&gt;<BR>
<BR>
PLEASE DO THIS!!! &nbsp;:-)<BR>
</FONT></FONT></BLOCKQUOTE><FONT COLOR=3D"#0000FF"><FONT SIZE=3D"4"><BR>
</FONT></FONT><FONT SIZE=3D"4">Tom Ritchford and I seem to be working on find=
ing a space to do it, so it is going forward -- I hope you bring your pompom=
s!<BR>
</FONT>
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From Loopers-Delight-request@loopers-delight.com  Thu Jul  5 15:33:57 2001
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Subject: Re: Againinator image
From: Steve Sandberg <stevesandberg@earthlink.net>
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Listmembers should post their suggestions
for physical
> characteristics, color, displays, knobs, and so forth.


Somehow I see the againinator cased in something that looks like grey
elephant skin -- and it's fat! 

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<HTML>
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<BLOCKQUOTE><FONT COLOR=3D"#0000FF"><FONT SIZE=3D"4">Listmembers should post th=
eir suggestions<BR>
for physical<BR>
</FONT></FONT></BLOCKQUOTE><FONT COLOR=3D"#0000FF"><FONT SIZE=3D"4">&gt; charac=
teristics, color, displays, knobs, and so forth.<BR>
</FONT></FONT><FONT SIZE=3D"4"><BR>
<BR>
Somehow I see the againinator cased in something that looks like grey eleph=
ant skin -- and it's fat!</FONT>
</BODY>
</HTML>


--MS_Mac_OE_3077195647_1521314_MIME_Part--

From Loopers-Delight-request@loopers-delight.com  Thu Jul  5 15:34:50 2001
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Subject: Warp factory weird input lights
Date: Thu, 5 Jul 2001 14:30:37 -0600
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My Warp factory input and output lights started being on even when
there is no signal coming in.  Does anybody have the same experience?

BTW, although I understand that the Filter Factory needs to be fed a
line signal, although I do so the lights are still hardly ever on.  So
now it's a real adventure: while I have all three units hooked in
chain, MoFx is 'normal', while Warp is yellow all the time and Filter
hardly ever.  Always some fun with one's gear...

petr


_________________________________________
Petr Dolák
music * poetry * guitar
looping * commodeon * percussion
web site: www.geocities.com/pepetr
music samples:
http://artists.mp3s.com/artists/229/petr_dolak_samojsky.html


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At 1:10 PM -0700 7/5/01, Dylan B DeAnda wrote:
>I just bought a fully loaded edp (memory upgrade, updated firmware, and
>footpedal) for a great price from LA Music Service, about a month ago.  Mike
>was great, helpful and fast on the delivery.
>
>I highly recommend LA Music Svc.


L.A. Music Services
Ventura County, California
(805) 493-1931
(805) 493-1225 fax
mail@lamusicservices.com
http://www.lamusicservices.com

Mike@lamusicservices.com - the boss
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz
--============_-1217756411==_ma============
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<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>RE: EDP Availability...</title></head><body>
<div><tt>At 1:10 PM -0700 7/5/01, Dylan B DeAnda wrote:</tt></div>
<blockquote type="cite" cite><tt>I just bought a fully loaded edp
(memory upgrade, updated firmware, and<br>
footpedal) for a great price from LA Music Service, about a month
ago.&nbsp; Mike</tt></blockquote>
<blockquote type="cite" cite><tt>was great, helpful and fast on the
delivery.</tt><br>
<tt></tt></blockquote>
<blockquote type="cite" cite><tt>I highly recommend LA Music
Svc.</tt></blockquote>
<div><tt><br></tt></div>
<div><tt><br></tt></div>
<div><tt>L.A. Music Services</tt></div>
<div><tt>Ventura County, California</tt></div>
<div><tt>(805) 493-1931</tt></div>
<div><tt>(805) 493-1225 fax</tt></div>
<div><tt>mail@lamusicservices.com</tt></div>
<div>http://www.lamusicservices.com</div>
<div><br></div>
<div><font face="Arial" size="+2"
color="#400040"><u>Mike@lamusicservices.com</u></font><font
face="Arial" size="+2" color="#000000"> - the boss</font></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div><br>
______________________________________________________________<br>
Richard Zvonar, PhD<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><br>
(818) 788-2202<x-tab>&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </x-tab><br>
http://www.zvonar.com<br>
http://RZCybernetics.com<br>
http://www.cybmotion.com/aliaszone<br>
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz</div>
</body>
</html>
--============_-1217756411==_ma============--

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i would be willing to do a road trip from pittsburgh, of course picking up 
folks along the way (harrisburg-phila) actually anywhere between here and 
there.....all i would need is a small space to lay my head at nite to sleep 
and im good to go.....a neat thing about pittsburgh is that it is pretty much 
at the center of the whole mid-atlantic mega-plex, we are centrally located 
from chicago to indiana to phili to new york, pretty much in the middle of it 
all, pull out your rand/mcnallies.....everyone should just come here.....:)m

--part1_91.cedd421.287641f8_boundary
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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>i would be willing to do a road trip from pittsburgh, of course picking up 
<BR>folks along the way (harrisburg-phila) actually anywhere between here and 
<BR>there.....all i would need is a small space to lay my head at nite to sleep 
<BR>and im good to go.....a neat thing about pittsburgh is that it is pretty much 
<BR>at the center of the whole mid-atlantic mega-plex, we are centrally located 
<BR>from chicago to indiana to phili to new york, pretty much in the middle of it 
<BR>all, pull out your rand/mcnallies.....everyone should just come here.....:)m</FONT></HTML>

--part1_91.cedd421.287641f8_boundary--

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-snippity

-----Original Message-----
From: Mike Biffle <Mike.Biffle@asml.com>
-- I really loved the detailed way I could control my LXP15 delays with cc
control... It's such a big, heavy box though that I grew tired of having it
invade my otherwise tidy rack. I may still end up with another one though
because it was such a friendly and deep user interface. Great balance
between simplicity and complexity... great verbs too...

Agreed and how, I have a 15 in my rack (sits at the bottom!) and really get
off on being able to tweak the delay length, then go in and add some reverb
or take it away or notch it up a few semi-tones. That machine is a real
sleeper. Have you had any experince with the LXP-15II. I read somewhere that
it has a much longer delay than the 15?
>
>Best,
>-Miko
>
yep, PedrOOrdeP


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And Bananas at Large, San Rafael, CA   (415-457-7600)

From Loopers-Delight-request@loopers-delight.com  Thu Jul  5 19:12:51 2001
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845 692 6922.

From Loopers-Delight-request@loopers-delight.com  Thu Jul  5 19:50:04 2001
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>> From: Mike Biffle <Mike.Biffle@asml.com>
-- I really loved the detailed way I could control my LXP15 delays with cc control... It's such a big, heavy box though that I grew tired of having it invade my otherwise tidy rack. I may still end up with another one though because it was such a friendly and deep user interface. Great balance between simplicity and complexity... great verbs too...

> Agreed and how, I have a 15 in my rack (sits at the bottom!) and really get off on being able to tweak the delay length, then go in and add some reverb or take it away or notch it up a few semi-tones. That machine is a real sleeper. Have you had any experince with the LXP-15II. I read somewhere that it has a much longer delay than the 15?

I've had both... 2 LXP15II's and 1 LXP15. The only real difference is the faceplate changed - and the mix ratio on about half the patches. Same stuff, just a more performance oriented slant on the II's and a cosmetic facelift. My second LXP15II seemed like it had more artifacts and zippering than the first, which really bugged me. It was seriously abused in the shipping though... that's about the only thing I can figure. I still might get another one. They go for a pittance of their original price now... 

-Miko

From Loopers-Delight-request@loopers-delight.com  Thu Jul  5 19:50:13 2001
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From: David Myers <dmgraph@earthlink.net>
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I definitely endorse the Kaoss pad--in fact, I use four in my setup!  The
best thing around until the Againinator ships...

David Lee Myers

on 7/5/01 11:42 PM, Mark at sine@zerocrossing.net wrote:

What you're talking about is the Korg KAOS pad.  I've owned one for a
> year now, and I'm amazed at the bang/buck on this little box.  VERY cool.  I
> wish it were a bit smaller, so that I could velcro it to my guitar body, but
> it's designed for DJs.  I use it to give variation to my sequences in real
> time.
> 
> Mark

From Loopers-Delight-request@loopers-delight.com  Thu Jul  5 19:57:23 2001
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MAX/MSP users should definitely look at this.  In fact, maybe this (MTC
Express pad) should be required for laptop performers, whose presentations
can be infinitely boring...

David Lee Myers

on 7/5/01 12:02 PM, Richard Zvonar at zvonar@zvonar.com wrote:

> Apropos the Kaoss Pad, check out Tactex:
> 
> http://www.tactex.com/
> 
> http://www.tactex.com/productsMTCzone.html

From Loopers-Delight-request@loopers-delight.com  Thu Jul  5 22:07:15 2001
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zvonar@zvonar.com writes:
>Apropos the Kaoss Pad, check out Tactex:
>http://www.tactex.com/
cool stuff:
thinking 'bout using some of this, on the face of my new guitar-like 
thing.....
best,
dt / s-c

From Loopers-Delight-request@loopers-delight.com  Thu Jul  5 22:43:22 2001
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Subject: --ghatam mic techniques--
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 <013d01c0fa92$55354ea0$2f44f93f@dnlsh01>
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Couple weeks back, somebody asked:

> > I'm also really into looping ghatams of all kinds
>
>How do you mic your ghatams?

I'd be interested in any ideas folks are
willing to share on this, in both looping
and non-looping applications.  (Live,
studio, etc.)

Grazie,
peter

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--------------08A506FB7A6BBEA1C5677CD0
Content-Type: text/plain; charset=us-ascii
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Now you're getting warmer!  What most people don't understand with their
limited knoledge of biomech, the Againinator is 80% biological.  I'm
thinking cuttlefish myself.

Mark
(stay tuned for Againinator.com! I just regestered it this morning)

Steve Sandberg wrote:

>
>
>      Listmembers should post their suggestions
>      for physical
>
> > characteristics, color, displays, knobs, and so forth.
>
>
> Somehow I see the againinator cased in something that looks like grey
> elephant skin -- and it's fat!

--------------08A506FB7A6BBEA1C5677CD0
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<!doctype html public "-//w3c//dtd html 4.0 transitional//en">
<html>
Now you're getting warmer!&nbsp; What most people don't understand with
their limited knoledge of biomech, the Againinator is 80% biological.&nbsp;
I'm thinking cuttlefish myself.
<p>Mark
<br>(stay tuned for Againinator.com! I just regestered it this morning)
<p>Steve Sandberg wrote:
<blockquote TYPE=CITE>&nbsp;
<blockquote><font color="#0000FF"><font size=+1>Listmembers should post
their suggestions</font></font>
<br><font color="#0000FF"><font size=+1>for physical</font></font></blockquote>
<font color="#0000FF"><font size=+1>> characteristics, color, displays,
knobs, and so forth.</font></font>
<br>&nbsp;
<p><font size=+1>Somehow I see the againinator cased in something that
looks like grey elephant skin -- and it's fat!</font></blockquote>
</html>

--------------08A506FB7A6BBEA1C5677CD0--

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From: Mark <sine@zerocrossing.net>
Organization: zerocrossing inc.
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where?

Tom Ritchford wrote:

> well, it's going to be a very cool space...
>
> there are 71 channels of video, clever proprietary consoles
> that let you choose between them or order drinks or broadcast
> your face...
>
> and there's a nice big downstairs area that will be, once they
> have the permits, a fantastic dance area or a performance
> area for small or medium-sized acts -- like loopers.
>
> However.  It's still a construction area.  The downstairs, who
> knows when they'll get that permit for it?
>
> I'll monitor it but if we want to book for September this space
> will be iffy...
>
> next:  Chashama...
>
>         /t
>
>                                   that was fast
>
> .......all legal games of chess <http://solveChess.com/chess?refresh=0>......
> .....programmer's documentation <http://solveChess.com/doc>..................

From Loopers-Delight-request@loopers-delight.com  Fri Jul  6 02:23:18 2001
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Subject: Re: Againinator image
Date: Fri, 6 Jul 2001 02:24:14 -0400
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haha rock on! a chromatophore display would beat the pants of LCD
----- Original Message ----- 
From: Mark <sine@zerocrossing.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, July 06, 2001 1:48 PM
Subject: Re: Againinator image


> Now you're getting warmer!  What most people don't understand with their
> limited knoledge of biomech, the Againinator is 80% biological.  I'm
> thinking cuttlefish myself.
> 
> Mark
> (stay tuned for Againinator.com! I just regestered it this morning)
> 


From Loopers-Delight-request@loopers-delight.com  Fri Jul  6 05:54:45 2001
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From: Junkie G <rauboto@dragonet.es>
Subject: OT: David Cooper Orton ?
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References: <200107031938.MAA02003@proxy4.ba.best.com>
 <3B434ECF.577A92F3@zerocrossing.net>
 <3B42D1EB.343273FC@tapehissrecordings.com>
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At 05:45 a.m. 05/07/01 +0100, you wrote:

hi 

	can somebody send me 
	a useful e-mail address
	of him ?

	i sent him mail from the
	address that appears in the
	CT-Acoustic compilation
	but get no answer.

thanks you very much !
Junkie G


Doctor_Sax_News
http://www.dragonet.es/users/d3055/Doctor_Sax_News

"cheers from catalonia,
which language, people 
and culture have been harassed
by centralists in spain through the years"

From Loopers-Delight-request@loopers-delight.com  Fri Jul  6 07:14:02 2001
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Subject: Re: Lexicon LXP15's...
Date: Fri, 6 Jul 01 07:16:44 -0400
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There were some issues with the original LXP-15s on program loads which 
were eliminated on the 15IIs. Delay times were not extended. There were 
some new presets added, mostly designed for guitar use, hence the mix 
ratio being different. (Boy, it's been a long time since this stuff was 
done!!!)

I recently retired my LXP-15 from my guitar rack and replaced it with an 
MPX-1. There are things about the 15 I really miss, but there's a ton of 
stuff that can be done with the MPX-1 that the 15 can't even get close 
to. I still use the 15 as an outboard device on the recording rig...

The things I really dug about the 15: the modulating delays (they were 
also improved in version 2) which have a really lovely, gentle (or not) 
chorusing vibe. The pitch shifting, while in no way pristine, had a 
really odd character that I used extensively. The MPX-1 is much cleaner, 
though I'm not sure I like it as well in certain cases. Also: Infinite 
verb-especially, being able to attach reverb time to a foot controller, 
swell a note into infinite land (a verb loop) and play over it, then 
swell it back in. Great stuff...

Jon Durant 

>Subject:     Re: Lexicon LXP15's...
>Sent:        7/3/20 9:23 AM
>Received:    7/6/01 7:05 AM
>From:        Mike Biffle, Mike.Biffle@asml.com
>Reply-To:    Loopers-Delight@loopers-delight.com
>To:          Loopers-Delight@loopers-delight.com
>             PedroFelix@worldnet.att.net
>
>>> From: Mike Biffle <Mike.Biffle@asml.com>
>-- I really loved the detailed way I could control my LXP15 delays with cc 
>control... It's such a big, heavy box though that I grew tired of having 
>it invade my otherwise tidy rack. I may still end up with another one 
>though because it was such a friendly and deep user interface. Great 
>balance between simplicity and complexity... great verbs too...
>
>> Agreed and how, I have a 15 in my rack (sits at the bottom!) and really get 
>off on being able to tweak the delay length, then go in and add some 
>reverb or take it away or notch it up a few semi-tones. That machine is a 
>real sleeper. Have you had any experince with the LXP-15II. I read 
>somewhere that it has a much longer delay than the 15?
>
>I've had both... 2 LXP15II's and 1 LXP15. The only real difference is the 
>faceplate changed - and the mix ratio on about half the patches. Same 
>stuff, just a more performance oriented slant on the II's and a cosmetic 
>facelift. My second LXP15II seemed like it had more artifacts and 
>zippering than the first, which really bugged me. It was seriously abused 
>in the shipping though... that's about the only thing I can figure. I 
>still might get another one. They go for a pittance of their original 
>price now... 
>
>-Miko
>

From Loopers-Delight-request@loopers-delight.com  Fri Jul  6 09:37:42 2001
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REMOVE ME FROM THIS LIST!


>From: "Dennis Coggia" <spiraleyez@hotmail.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: help finding EDP
>Date: Thu, 05 Jul 2001 14:31:10 -0400
>
>What are the chances of finding a new EDP in the US?
>DMAN
>_________________________________________________________________
>Get your FREE download of MSN Explorer at http://explorer.msn.com
>

_________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.

From Loopers-Delight-request@loopers-delight.com  Fri Jul  6 10:58:06 2001
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> where?

where, which?

well, I'll tell you about both!

> Tom Ritchford wrote:
> 
> > well, it's going to be a very cool space...

<http://www.remotelounge.com>, Bowery near 2nd St.


> > there are 71 channels of video, clever proprietary consoles
> > that let you choose between them or order drinks or broadcast
> > your face...
> >
> > and there's a nice big downstairs area that will be, once they
> > have the permits, a fantastic dance area or a performance
> > area for small or medium-sized acts -- like loopers.
> >
> > However.  It's still a construction area.  The downstairs, who
> > knows when they'll get that permit for it?
> >
> > I'll monitor it but if we want to book for September this space
> > will be iffy...
> >
> > next:  Chashama...

Chashama is 42nd St, near 6th Ave.  Haven't found out who
books it yet but at the very least, I'm playing there on the
17th and pretty well HAVE to find out!

    /t

-- 
perhaps man is water's way of getting 
from one place to another?

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NO!!!

  | -----Original Message-----
  | From: R. Angelo Prager [mailto:robertangelo@hotmail.com]
  | Sent: Friday 06 July 2001 5:35 AM
  | To: Loopers-Delight@loopers-delight.com
  | Subject: REMOVE FROM THIS LIST!
  | 
  | 
  | REMOVE ME FROM THIS LIST!
  | 
  | 
  | >From: "Dennis Coggia" <spiraleyez@hotmail.com>
  | >Reply-To: Loopers-Delight@loopers-delight.com
  | >To: Loopers-Delight@loopers-delight.com
  | >Subject: help finding EDP
  | >Date: Thu, 05 Jul 2001 14:31:10 -0400
  | >
  | >What are the chances of finding a new EDP in the US?
  | >DMAN

From Loopers-Delight-request@loopers-delight.com  Fri Jul  6 12:55:04 2001
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Date: Fri, 6 Jul 2001 09:52:59 -0700
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Boy, that remote lounge looks wicked!
Gary

From Loopers-Delight-request@loopers-delight.com  Fri Jul  6 14:25:07 2001
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Date: Fri, 06 Jul 2001 20:25:24 +0200
From: Emmanuel PERILLE <perille@club-internet.fr>
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        agreensall@redsound.com
Subject: CYCLOOPS - DJRND3 User's Manual
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New DJRND3 User's Manual at
http://perso.club-internet.fr/perille/userman3.htm

Kim,

I will let you update the LD tools_of_trade DJRND2 page to the new
DJRND3 if you wish.

Btw I was thinking about Cycloops : Could you add the "jogwheel
robotic-like time-stretching effect" in the list of features of your LD
Cycloops link please ?

Thanks

EP
http://perso.club-internet.fr/perille


From Loopers-Delight-request@loopers-delight.com  Fri Jul  6 14:58:22 2001
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From: "Dennis Leas" <dennis@mdbs.com>
To: <Loopers-Delight@loopers-delight.com>
References: <24.15c5f676.2873aa98@aol.com> <015001c10425$9f3a8c80$0100005a@ne.mediaone.net>
Subject: Re: Againinator wish list
Date: Fri, 6 Jul 2001 13:52:46 -0500
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Man!  I go on vacation for a few days and miss all the fun!

Don't forget the CHAOS button!  When pressed, this button scrambles the
functions of all the buttons.  It effectively rearranges the front panel in
a new random order.  This includes the CHAOS button itself!  A long press on
the CHAOS button rearranges the Againinator's DNA.  Don't stand too close
please.  Press this button ONLY with a ten-foot pole.

Dennis Leas
-------------------
dennis@mdbs.com


----- Original Message -----
From: "Peter Shindler" <shindler@mediaone.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, July 03, 2001 8:06 PM
Subject: Re: Againinator wish list


> Nah, buttons are where it's at!  Lots of buttons, and make sure that each
> button has at least eighteen different functions depending on how long you
> hold it down, how hard you push it, what angle the unit is at relative to
> the floor, time of day, etc.  I use a lot of Roland equipment and I'd hate
> to have to get used to a new way of thinking.
>
>
> Peter
>
> ----- Original Message -----
> From: Nemoguitt@aol.com
> To: Loopers-Delight@loopers-delight.com
> Sent: Tuesday, July 03, 2001 7:09 PM
> Subject: Re: Againinator wish list
>
>
> In a message dated 7/3/01 3:40:45 PM Eastern Daylight Time,
> ahoeltje@best.com
> writes:
>
>
>
> but I want an
> impressive wall of electronics and lots of cables and knobs!
>
>
>
> dont forget *lights*, many colors.....:)m
>

From Loopers-Delight-request@loopers-delight.com  Fri Jul  6 17:34:01 2001
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Subject: Againinator prototype image
References: <24.15c5f676.2873aa98@aol.com> <015001c10425$9f3a8c80$0100005a@ne.mediaone.net> <03fe01c1064c$d8e3bf50$1fab82cc@mdbs.com>
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Here is a design based on technology bought by a game company.

http://www.zerocrossing.net/againinatorproto.jpg

Allegra Geller
Product Design
Electros Inc.


From Loopers-Delight-request@loopers-delight.com  Fri Jul  6 17:40:31 2001
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Subject: OT: Againinator prototype image
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Hmmm, should appeal to the goth crowd, but I don't think they
loop much ....

Wait I know!  You forgot the logo!

----- Original Message -----
From: "Mark Sottilaro" <sine@zerocrossing.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, July 06, 2001 5:31 PM
Subject: Againinator prototype image


> Here is a design based on technology bought by a game company.
>
> http://www.zerocrossing.net/againinatorproto.jpg
>
> Allegra Geller
> Product Design
> Electros Inc.
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Jul  6 19:15:57 2001
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Date: Fri, 06 Jul 2001 18:14:18 -0500
From: jim palmer <jimp@pobox.com>
Subject: OT: WAY WAY OT - me skankin it up in anachronox
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my old band did a song about 3 years ago 
for anachronox by ion storm and it finally came out 
last week.  (talk about a long development cycle)

it's the funk tune that introduces stiletto anyway.

check it out if you are into video games and
wanna hear my skanky rhythm guitar playing...

(the spell checker wanted me to change skanky to swanky.  hmmmm....)

no loops, though.
is having no loops like having no tea?



From Loopers-Delight-request@loopers-delight.com  Fri Jul  6 19:20:21 2001
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Subject: Re: OT: Againinator prototype image
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On Fri, 6 Jul 2001, Michael LaMeyer wrote:

> Hmmm, should appeal to the goth crowd, but I don't think they
> loop much ....

*ahem* Some of us try....

> Wait I know!  You forgot the logo!
>
> ----- Original Message -----
> From: "Mark Sottilaro" <sine@zerocrossing.net>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Friday, July 06, 2001 5:31 PM
> Subject: Againinator prototype image
>
>
> > Here is a design based on technology bought by a game company.
> >
> > http://www.zerocrossing.net/againinatorproto.jpg
> >
> > Allegra Geller
> > Product Design
> > Electros Inc.
> >
> >
>
>

-- 
onNow:
----------------------------------------------------------------
Steve Burnett    Admin, webslingerZ     sburnett@webslingerz.com
             http://www.webslingerz.com/sburnett/

From Loopers-Delight-request@loopers-delight.com  Fri Jul  6 19:36:29 2001
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Date: Fri, 06 Jul 2001 19:36:51 -0400
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Subject: Re: OT: Againinator prototype image
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At 05:35 PM 7/6/01 -0400, you wrote:
>Hmmm, should appeal to the goth crowd, but I don't think they
>loop much ....
>
Hey...If I wasn't so busy brooding and drinking absinthe, I'd say 'them's
fighting words, son".  As a card carrying member of the goth crowd, I loop
plenty, as does the wife.
Yours in doom, gloom and fin de seicle angst,
Frank Gerace
Looper VG8 guitarist
Dreamchild
www.dreamchildmusic.com

From Loopers-Delight-request@loopers-delight.com  Fri Jul  6 22:55:19 2001
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I can attest that Dreamchild is gothy,gloomy,loopy and very good.

From Loopers-Delight-request@loopers-delight.com  Fri Jul  6 23:10:53 2001
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Up till now I've looped w/the EDP and Jamman.I've just started looping
w/a long delay.(manipulating the SEND and FEEDBACK parameters on an
Eventide)
 Would anyone care to share their insights (musical?technical?creative?)
on these differant approaches ?? 
 
Thanks in advance,
Kungha

From Loopers-Delight-request@loopers-delight.com  Sat Jul  7 00:53:09 2001
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From: "Taaffe, Denis G" <dtaaffe@indiana.edu>
To: "'Loopers-Delight@loopers-delight.com'"
	 <Loopers-Delight@loopers-delight.com>
Subject: RE: delay based looping.
Date: Fri, 6 Jul 2001 23:51:19 -0500 
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dammn lexicon jammans with 32 sec. loop time are going for $550.00 or mroe
that's insane, might as well by a brand new edp for a few hundred more?!

Denis

denis taaffe
denis_aliengrt@geocities.com
http://www.dtguitar.com

-----Original Message-----
From: scott kungha drengsen [mailto:kungha@earthlink.net]
Sent: Friday, July 06, 2001 10:10 PM
To: Loopers-Delight@loopers-delight.com
Subject: delay based looping.


Up till now I've looped w/the EDP and Jamman.I've just started looping
w/a long delay.(manipulating the SEND and FEEDBACK parameters on an
Eventide)
 Would anyone care to share their insights (musical?technical?creative?)
on these differant approaches ?? 
 
Thanks in advance,
Kungha

From Loopers-Delight-request@loopers-delight.com  Sat Jul  7 02:07:28 2001
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Date: Fri, 6 Jul 2001 23:05:32 -0700 (PDT)
From: John Tidwell <wedgehed@yahoo.com>
Subject: Re: delay based looping.
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Something I've been having fun with lately is running
my guitar thru one of the delay models (say sweep echo
or reverse delay) on the DL-4 & sending this output
to a Digitech RDS-7.6. Instead of using the Digi's
on board LFO, I hook a JKJ CV-5 to the Digi's cv
input.
The CV-5 is controlled by an ART X-15 midi controller.
I can use the X-15's program change switches to select
LFO waveforms on the CV-5 (random & ramp waves are
fun)
& use the cc pedals to control LFO rate & depth.

All feedback knobs are set low. I use the panel
buttons on the Digi to change delay time ranges, which
are more or less constantly being altered by the LFO.
I also use a foot switch to occasionally engage the
repeat hold function on the Digi.

Oh yeah, I run the Digi's outputs to a Vortex (does
anyone else like Bleen B as much as I do?).

The net effect of all this is to provide a constantly
changing wash of sound that reacts to my playing &
in turn requires me to react to it.

It's no Againinator, but I find it to be a rather
comfortable bed for my guitar wanking wet dreams.

John


--- scott kungha drengsen <kungha@earthlink.net>
wrote:
> Up till now I've looped w/the EDP and Jamman.I've
> just started looping
> w/a long delay.(manipulating the SEND and FEEDBACK
> parameters on an
> Eventide)
>  Would anyone care to share their insights
> (musical?technical?creative?)
> on these differant approaches ?? 
>  
> Thanks in advance,
> Kungha
> 



=====
John Tidwell




__________________________________________________
Do You Yahoo!?
Get personalized email addresses from Yahoo! Mail
http://personal.mail.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Sat Jul  7 03:38:12 2001
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Cc: <oddmusic@yahoogroups.com>
Subject: endless loop tapes
Date: Sat, 7 Jul 2001 03:39:31 -0400
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hi folks, sorry for the crosspost if affects your inbox. i just got a few
"endless loop" tapes in an assortment of lengths from radio shack for 27
cents apiece so i'm looking to get the most out of them while they last. i
had 2 main questions:

1. what's the easiest way to kill that gap/pop ?
2. is there any way to record on the other side?

actually any help getting me pointed in the right direction for
experimenting with tape would be great. i'm already having a lot of fun
sampling this horrible giant scorpion movie off tv and playing with the
playback speed and eq. thanks as always for any help.

Jon

From Loopers-Delight-request@loopers-delight.com  Sat Jul  7 10:14:58 2001
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What can I expect to pay to have a Jam Man fixed which no longer wishes to
power up? I wish they made them with an on/off switch so it's not being
jolted into automatic on with the adapter..
Jehn
----- Original Message -----
From: "Taaffe, Denis G" <dtaaffe@indiana.edu>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, July 07, 2001 12:51 AM
Subject: RE: delay based looping.


> dammn lexicon jammans with 32 sec. loop time are going for $550.00 or mroe
> that's insane, might as well by a brand new edp for a few hundred more?!
>
> Denis
>
> denis taaffe
> denis_aliengrt@geocities.com
> http://www.dtguitar.com
>
> -----Original Message-----
> From: scott kungha drengsen [mailto:kungha@earthlink.net]
> Sent: Friday, July 06, 2001 10:10 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: delay based looping.
>
>
> Up till now I've looped w/the EDP and Jamman.I've just started looping
> w/a long delay.(manipulating the SEND and FEEDBACK parameters on an
> Eventide)
>  Would anyone care to share their insights (musical?technical?creative?)
> on these differant approaches ??
>
> Thanks in advance,
> Kungha
>
>

From Loopers-Delight-request@loopers-delight.com  Sat Jul  7 10:49:02 2001
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From: p koniuto <taghairm@mindspring.com>
Subject: Re: delay based looping.
In-Reply-To: <003c01c106ef$28e485a0$cd8a2141@cfl.rr.com>
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If you have Lexicon do it, it's $75 for them
to look at it and give you an estimate.  If
you then decide to have the work done, they
will apply that $75 to your total repair cost.
(Parts and labor.)

But sorry, i have no idea what it might cost
to fix you specific problem. Just know the
Lexicon procedure for products that have been
out of production for 5 years or more.

-peter

At 10:14 AM 7/7/01 -0400, you wrote:
>What can I expect to pay to have a Jam Man fixed which no longer wishes to
>power up? I wish they made them with an on/off switch so it's not being
>jolted into automatic on with the adapter..
>Jehn




From Loopers-Delight-request@loopers-delight.com  Sat Jul  7 10:51:22 2001
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To: Loopers-Delight@loopers-delight.com
From: p koniuto <taghairm@mindspring.com>
Subject: Re: delay based looping.
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Maestro Tidwell (who, incidentally, kills
me with his Againinator posts...), inquired,
as an aside:

>Oh yeah, I run the Digi's outputs to a Vortex (does
>anyone else like Bleen B as much as I do?).

I am addicted!

-peter

From Loopers-Delight-request@loopers-delight.com  Sat Jul  7 12:20:26 2001
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To: Loopers-Delight@loopers-delight.com
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O loopists,

A website called talkbass.com is now running a road report from the
Walker/Lawson/Manring tour:

http://www.talkbass.com/articles/articleview.php?ID=15

There's a couple of updates there right now (Saturday morning).

Any reviews of the gig(s) from people on the list?

--Andre

From Loopers-Delight-request@loopers-delight.com  Sat Jul  7 12:49:51 2001
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From: "Pedro Felix" <PedroFelix@worldnet.att.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: Re: Againinator wish list
Date: Sat, 7 Jul 2001 12:47:10 -0500
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Unlimited Undo feature as of the initial start-up of the Againinator. One
button, the harder you push it the faster it Undoes, very sweet.

PedrOOrdeP

>
>>
>>
>> but I want an
>> impressive wall of electronics and lots of cables and knobs!
>>
>>
>>
>> dont forget *lights*, many colors.....:)m
>>
>

From Loopers-Delight-request@loopers-delight.com  Sat Jul  7 12:51:32 2001
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Subject: Looking for a Chapman Stick
Date: Sat, 7 Jul 2001 17:47:32 +0100
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Does anybody have or know of anyone who may have a Chapman Stick for sale in
the UK?  Failing that, I'm on holiday in San Francisco on the 20th July,
perhaps somebody in that area might know of one for sale over there.

Thanks

Fred Arnell.

From Loopers-Delight-request@loopers-delight.com  Sat Jul  7 13:52:39 2001
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Date: Sat, 07 Jul 2001 13:48:33 -0400
To: Loopers-Delight@loopers-delight.com
From: Tim Nelson <tcn62@ici.net>
Subject: Re: Againinator wish list
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The Againinator MUST have a feature that we could call Clairvoyant Realtime
Editing. The way that would work is if you happen to notice something in
one of your loops that you would prefer to not be there, maybe several
layers down, the Againinator would convert your alpha waves to digital code
which would enable the software to selectively mute/correct only the
offending note, leaving the remaining audio content undisturbed.

Unfortunately, implementation of this feature at the present time would
require a multi-pin jack and a fair amount of interface circuitry to be
implanted into the user's skull, but our beta testers are reporting that
they're getting all the premium cable channels for free...

Tim

From Loopers-Delight-request@loopers-delight.com  Sat Jul  7 16:15:52 2001
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From: jim palmer <jimp@pobox.com>
Subject: Re: delay based looping.
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> 
> Maestro Tidwell (who, incidentally, kills
> me with his Againinator posts...),

me too...

> inquired, as an aside:
> >Oh yeah, I run the Digi's outputs to a Vortex (does
> >anyone else like Bleen B as much as I do?).
> 
> I am addicted!
> 
> -peter
> 

me too...

i recorded a bit years ago with just a pair of 
cheapo "hecho en mexico" bongos sent through
Blean B and out some speakers improvising with the 
rhythm of bleeny and lots of feedback...

wheeeeee!



From Loopers-Delight-request@loopers-delight.com  Sat Jul  7 20:03:50 2001
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Subject:  Klein questions for klein, and guitar players
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Hello Loopers,


I have some questions that you nice sages might help me tackle


I was thinking about getting a Klein guitar but soon after I

played one (and fell in love with it) I found out that their is

a ten month waiting list. So I thought about having Ed Roman of

www.world class guitars build me a copy. I told him I wanted a

Klien that has a rosewood neck, because the one I played had one

and he told me that rosewood didnt do anything but raise the

price and went on to suggest that I should get one of his

composite necks that have been formulated to sound like wood.

The klien that I played was also made of basswood and Ed said

that kind of wood was inferior to a something like korina which

is his suggestion. Ed also told that the addition of transtrem

would raise the price 1300 Dollars!? Can that be right for a

tremelo?


Thanks in advance reply on or off list which ever you feel to be

appropriate.

Jeremiah


_________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Sat Jul  7 20:03:58 2001
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To: Loopers-Delight@loopers-delight.com
Subject: Digitech Wh-1 question
Date: Sat, 07 Jul 2001 19:01:08 -0500
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Hello,




I have an old digitech wh-1 effect pedal that I really

liked to use in my looping. Dose anyone know where I can find

someone who repairs old effects, especially because these things

have become so hard to replace.
_________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Sat Jul  7 20:14:10 2001
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To: Loopers-Delight@loopers-delight.com
Subject: 3ms Effects for sale
Date: Sat, 07 Jul 2001 19:11:55 -0500
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Hello,


I have all three 3ms soundshimmer series pedals coustom built into a 2 space 
rackmountable unit. This is a triwave, atoner, and noise swash all custom 
glitch switches and separate ins and outs. I would like to get the same 
abount of money that these effects are offered as pedals. I am also open to 
trades.

Thanks
_________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Sat Jul  7 20:14:45 2001
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Subject: 3ms Effects for sale
Date: Sat, 07 Jul 2001 19:12:52 -0500
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Hello,


I have all three 3ms soundshimmer series pedals coustom built into a 2 space 
rackmountable unit. This is a triwave, atoner, and noise swash all custom 
glitch switches and separate ins and outs. I would like to get the same 
abount of money that these effects are offered as pedals. I am also open to 
trades.

Thanks
_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Sat Jul  7 20:56:54 2001
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Date: Sat, 07 Jul 2001 17:57:56 -0700
From: Richard Zvonar <zvonar@zvonar.com>
Subject: For sale
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I have a few old LCS analog modules for sale.

These are MIDI-controlled VCA matrix mixers, with TRS connectors
throughout.

Please e-mail privately if interested.
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

From Loopers-Delight-request@loopers-delight.com  Sat Jul  7 23:15:26 2001
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Subject: RE: For sale
Date: Sat, 7 Jul 2001 20:12:27 -0700
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I have one of the early-prototype Againinator units that I was given to
test.  I don't have photos or anything, and the box is just plain metal with
no writing on it, just the buttons and the knobs.  Maybe you could make good
use of it.  If somebody would like to offer me some cash for it, or is
otherwise interested, please let me know off the list.

Thanks!

Javier
Berkeley, Calif.
U.S.

  | -----Original Message-----
  | From: Richard Zvonar [mailto:zvonar@zvonar.com]
  | Sent: Saturday 07 July 2001 4:58 PM
  | To: sales@RZCybernetics.com
  | Subject: For sale
  |
  |
  | I have a few old LCS analog modules for sale.
  |
  | These are MIDI-controlled VCA matrix mixers, with TRS connectors
  | throughout.
  |
  | Please e-mail privately if interested.
  | --
  |
  | ______________________________________________________________
  | Richard Zvonar, PhD
  | (818) 788-2202
  | http://www.zvonar.com
  | http://RZCybernetics.com
  | http://www.cybmotion.com/aliaszone
  | http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

From Loopers-Delight-request@loopers-delight.com  Sat Jul  7 23:52:50 2001
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From: "Taaffe, Denis G" <dtaaffe@indiana.edu>
To: "'Loopers-Delight@loopers-delight.com'"
	 <Loopers-Delight@loopers-delight.com>
Subject: RE: Klein questions for klein, and guitar players
Date: Sat, 7 Jul 2001 22:51:08 -0500 
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hi,
Well, you could always get a used guitar you don't mind playing and feels
good and sounds good to you then put a decent pickup in it like a seymour
duncan Jb and you would be all set. I did something like that except it was
parted together from a bunch of other guitars and have played the same
guitar for 17 years,innitial investment $500.0 ,but it has  had 2 bridge
replacements, 4 tone and volume pots replaced and lame, 12 5 way switches
replaced! and has had one fret job, probably a piece of crap to others but
gold to me.

Denis
Denis Taaffe
denis_aliengtr@geocities.com
http://www.dtguitar.com

-----Original Message-----
From: George Washington [mailto:jeremiah266@hotmail.com]
Sent: Saturday, July 07, 2001 7:00 PM
To: Loopers-Delight@loopers-delight.com
Subject: Klein questions for klein, and guitar players




Hello Loopers,


I have some questions that you nice sages might help me tackle


I was thinking about getting a Klein guitar but soon after I

played one (and fell in love with it) I found out that their is

a ten month waiting list. So I thought about having Ed Roman of

www.world class guitars build me a copy. 

From Loopers-Delight-request@loopers-delight.com  Sat Jul  7 23:58:10 2001
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Date: Sat, 7 Jul 2001 20:56:36 -0700 (PDT)
From: John Tidwell <wedgehed@yahoo.com>
Subject: RE: For sale
To: Loopers Delight <Loopers-Delight@loopers-delight.com>
In-Reply-To: <LOBBJCEICMFKLACEKDADMEIBDJAA.gnominus@earthling.net>
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Javier!

I could be wrong, but it sounds like you might have a
very rare analogue Againinator!

This could be the same one used by the Stones at
Altamont. They were hoping it could fill in for
Keith Richards,(who had died 6 months previously),
but the Againinator got into the Hell's Angels'
beer stash, killed a spectator, & vanished into the
night.

Unconfirmed reports put the Againinator in Paris in
the early 70's, where Jim Morrison planned to use it
to replace the other members of the Doors. As the
story goes, Jim recited his poetry to the Againinator
one night & was found dead in his bath tub the next
morning.

I strongly recommend that you do the proper research
to determine if you are in possession of a valuable
piece of rock history & if you are, to do the right
thing.

Put it on ebay.


John


--- "J. Miranda V." <gnominus@earthling.net> wrote:
> I have one of the early-prototype Againinator units
> that I was given to
> test.  I don't have photos or anything, and the box
> is just plain metal with
> no writing on it, just the buttons and the knobs. 
> Maybe you could make good
> use of it.  If somebody would like to offer me some
> cash for it, or is
> otherwise interested, please let me know off the
> list.
> 
> Thanks!
> 
> Javier
> Berkeley, Calif.
> U.S.


=====
John Tidwell




__________________________________________________
Do You Yahoo!?
Get personalized email addresses from Yahoo! Mail
http://personal.mail.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Sun Jul  8 00:00:08 2001
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From: "Taaffe, Denis G" <dtaaffe@indiana.edu>
To: "'gnominus@earthling.net'" <gnominus@earthling.net>,
        Loopers-Delight@loopers-delight.com
Subject: RE: For sale
Date: Sat, 7 Jul 2001 22:58:32 -0500 
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yes but does it come with a certificate of authenticity?

Denis

denis Taaffe
denis_aliengtr@geocities.com
http://www.dtguitar.com

-----Original Message-----
From: J. Miranda V. [mailto:gnominus@earthling.net]
Sent: Saturday, July 07, 2001 10:12 PM
To: Loopers-Delight@loopers-delight.com
Subject: RE: For sale


I have one of the early-prototype Againinator units that I was given to
test.   If somebody would like to offer me some cash for it, or is
otherwise interested, please let me know off the list.

Thanks!

Javier
Berkeley, Calif.
U.S.

  | -----Original Message-----
  | From: Richard Zvonar [mailto:zvonar@zvonar.com]
  | Sent: Saturday 07 July 2001 4:58 PM
  | To: sales@RZCybernetics.com
  | Subject: For sale
  |
  |
  | I have a few old LCS analog modules for sale.
  |
  | These are MIDI-controlled VCA matrix mixers, with TRS connectors
  | throughout.
  |
  | Please e-mail privately if interested.
  | --
  |
  | ______________________________________________________________
  | Richard Zvonar, PhD
  | (818) 788-2202
  | http://www.zvonar.com
  | http://RZCybernetics.com
  | http://www.cybmotion.com/aliaszone
  | http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

From Loopers-Delight-request@loopers-delight.com  Sun Jul  8 00:20:41 2001
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Date: Sat, 7 Jul 2001 23:18:36 -0500 (CDT)
From: spaceloop <tao@ns.ahoc.net>
To: Loopers-Delight@loopers-delight.com
Subject: RE: PEDAL BOARDS  and an OT Velcro glue substitute request
In-Reply-To: <00eb01c10422$b3078c20$f643f93f@dnlsh01>
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On Tue, 3 Jul 2001, Rick Walker (loop.pool) wrote:

> Try it, you'll like it.
> 
> PS  I'm looking for a glue that will be less heat sensitive than the typical
> velcro glue.........any suggestions?
> 

There's a glue that you can get at hobby stores called Zap-A-Gap. It's
really strong stuff, same formula they use to glue the space shuttle tiles
down. 



--
travis salisbury
http://www.illuminetdesign.com

From Loopers-Delight-request@loopers-delight.com  Sun Jul  8 00:40:47 2001
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To: Loopers-Delight@loopers-delight.com
From: Goddess <thefates@earthlink.net>
Subject: RE: For sale
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  IT MUST BE UNMADE IN THE FURNACES WHICH FORGED IT, BEFORE IT FALLS INTO
THE WRONG HANDS!, BEFORE IT'S TOO LATE!!!  

At 08:56 PM 7/7/01 -0700, you wrote:
>Javier!
>
>I could be wrong, but it sounds like you might have a
>very rare analogue Againinator!
>
>This could be the same one used by the Stones at
>Altamont. They were hoping it could fill in for
>Keith Richards,(who had died 6 months previously),
>but the Againinator got into the Hell's Angels'
>beer stash, killed a spectator, & vanished into the
>night.
>
>Unconfirmed reports put the Againinator in Paris in
>the early 70's, where Jim Morrison planned to use it
>to replace the other members of the Doors. As the
>story goes, Jim recited his poetry to the Againinator
>one night & was found dead in his bath tub the next
>morning.
>
>I strongly recommend that you do the proper research
>to determine if you are in possession of a valuable
>piece of rock history & if you are, to do the right
>thing.
>
>Put it on ebay.
>
>
>John
>
>
>--- "J. Miranda V." <gnominus@earthling.net> wrote:
>> I have one of the early-prototype Againinator units
>> that I was given to
>> test.  I don't have photos or anything, and the box
>> is just plain metal with
>> no writing on it, just the buttons and the knobs. 
>> Maybe you could make good
>> use of it.  If somebody would like to offer me some
>> cash for it, or is
>> otherwise interested, please let me know off the
>> list.
>> 
>> Thanks!
>> 
>> Javier
>> Berkeley, Calif.
>> U.S.
>
>
>=====
>John Tidwell
>
>
>
>
>__________________________________________________
>Do You Yahoo!?
>Get personalized email addresses from Yahoo! Mail
>http://personal.mail.yahoo.com/
>
>


---

  "The only things I really think are important, are love, and eachother.
-Then, anything is possible..."


From Loopers-Delight-request@loopers-delight.com  Sun Jul  8 01:10:07 2001
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From: "Taaffe, Denis G" <dtaaffe@indiana.edu>
To: "'Loopers-Delight@loopers-delight.com'"
	 <Loopers-Delight@loopers-delight.com>
Subject: RE: PEDAL BOARDS  and an OT Velcro glue substitute request
Date: Sun, 8 Jul 2001 00:08:41 -0500 
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awesoem till the unit malfunctions and you got to replace it haah...or you
try to sell it on ebay.well you coudl always say includs pedalbaord
permanantly lol..

denis

-----Original Message-----
From: spaceloop [mailto:tao@ns.ahoc.net]
Sent: Saturday, July 07, 2001 11:19 PM
To: Loopers-Delight@loopers-delight.com
Subject: RE: PEDAL BOARDS and an OT Velcro glue substitute request


On Tue, 3 Jul 2001, Rick Walker (loop.pool) wrote:

> Try it, you'll like it.
> 
> PS  I'm looking for a glue that will be less heat sensitive than the
typical
> velcro glue.........any suggestions?
> 

There's a glue that you can get at hobby stores called Zap-A-Gap. It's
really strong stuff, same formula they use to glue the space shuttle tiles
down. 



--
travis salisbury
http://www.illuminetdesign.com

From Loopers-Delight-request@loopers-delight.com  Sun Jul  8 01:11:24 2001
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From: "Taaffe, Denis G" <dtaaffe@indiana.edu>
To: "'Loopers-Delight@loopers-delight.com'"
	 <Loopers-Delight@loopers-delight.com>
Subject: RE: For sale
Date: Sun, 8 Jul 2001 00:10:04 -0500 
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lame bid on jamman and was winning bid then the guy cancels acution last
miute becuase someone offered him more offline that sucks...well I wanted to
buya  bommerang anyway..but that is kidn of unfair....
denis

-----Original Message-----
From: Goddess [mailto:thefates@earthlink.net]
Sent: Saturday, July 07, 2001 11:44 PM
To: Loopers-Delight@loopers-delight.com
Subject: RE: For sale


  IT MUST BE UNMADE IN THE FURNACES WHICH FORGED IT, BEFORE IT FALLS INTO
THE WRONG HANDS!, BEFORE IT'S TOO LATE!!!  

At 08:56 PM 7/7/01 -0700, you wrote:
>Javier!
>
>I could be wrong, but it sounds like you might have a
>very rare analogue Againinator!
>
>This could be the same one used by the Stones at
>Altamont. They were hoping it could fill in for
>Keith Richards,(who had died 6 months previously),
>but the Againinator got into the Hell's Angels'
>beer stash, killed a spectator, & vanished into the
>night.
>
>Unconfirmed reports put the Againinator in Paris in
>the early 70's, where Jim Morrison planned to use it
>to replace the other members of the Doors. As the
>story goes, Jim recited his poetry to the Againinator
>one night & was found dead in his bath tub the next
>morning.
>
>I strongly recommend that you do the proper research
>to determine if you are in possession of a valuable
>piece of rock history & if you are, to do the right
>thing.
>
>Put it on ebay.
>
>
>John
>
>
>--- "J. Miranda V." <gnominus@earthling.net> wrote:
>> I have one of the early-prototype Againinator units
>> that I was given to
>> test.  I don't have photos or anything, and the box
>> is just plain metal with
>> no writing on it, just the buttons and the knobs. 
>> Maybe you could make good
>> use of it.  If somebody would like to offer me some
>> cash for it, or is
>> otherwise interested, please let me know off the
>> list.
>> 
>> Thanks!
>> 
>> Javier
>> Berkeley, Calif.
>> U.S.
>
>
>=====
>John Tidwell
>
>
>
>
>__________________________________________________
>Do You Yahoo!?
>Get personalized email addresses from Yahoo! Mail
>http://personal.mail.yahoo.com/
>
>


---

  "The only things I really think are important, are love, and eachother.
-Then, anything is possible..."

From Loopers-Delight-request@loopers-delight.com  Sun Jul  8 02:12:25 2001
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Date: Sat, 7 Jul 2001 23:09:05 -0700
To: Loopers-Delight@loopers-delight.com
From: Chris Muir <cbm@well.com>
Subject: Re: Klein questions for klein, and guitar players
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I have two Steinberger GM7T's w/ graphite necks and one Klein with 
the Rosewood neck. All have TransTrems. The Klein is _WAY_ more 
guitar than the Steinbergers.

Ed Roman always struck me as a shameless self-promoter and price gouger.

Hold out for the Klein. If you find a good Steinberger GM7T used in 
the interim grab it until your Klein is done. You can always use a 
second TransTrem for spare parts.

Chris


At 7:00 PM -0500 7/7/01, George Washington wrote:
>I was thinking about getting a Klein guitar but soon after I
>played one (and fell in love with it) I found out that their is
>a ten month waiting list. So I thought about having Ed Roman of
>www.world class guitars build me a copy. I told him I wanted a
>Klien that has a rosewood neck, because the one I played had one
>and he told me that rosewood didnt do anything but raise the
>price and went on to suggest that I should get one of his
>composite necks that have been formulated to sound like wood.
>The klien that I played was also made of basswood and Ed said
>that kind of wood was inferior to a something like korina which
>is his suggestion. Ed also told that the addition of transtrem
>would raise the price 1300 Dollars!? Can that be right for a
>tremelo?


-- 
_________________________________________________________
The optimist sees a glass half full...     | Chris Muir  
The pessimist sees a glass half empty...   | cbm@well.com
The realist sees a glass twice as big as it needs to be.

From Loopers-Delight-request@loopers-delight.com  Sun Jul  8 02:52:47 2001
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Date: Sat, 7 Jul 2001 23:51:22 -0700 (PDT)
From: John Tidwell <wedgehed@yahoo.com>
Subject: Re: Digitech Wh-1 question
To: Loopers-Delight@loopers-delight.com
In-Reply-To: <F144OeIiGXix4A2DreB0000a065@hotmail.com>
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If you haven't done so, you should contact Digitech
repair at 1-800-777-3637, ext 626.

I recently sent them my long discontinued GSP-2101.
When I first called them, they said they had a flat
repair rate of $85. I think this even includes the
shipping back to me.

Good luck.

John


> George Washington <jeremiah266@hotmail.com> wrote:
> Hello,
> 
> 
> I have an old digitech wh-1 effect pedal that I
> really
> 
> liked to use in my looping. Dose anyone know where I
> can find
> 
> someone who repairs old effects, especially because
> these things
> 
> have become so hard to replace.
>
_________________________________________________________________
> Get your FREE download of MSN Explorer at
> http://explorer.msn.com
> 


=====
John Tidwell




__________________________________________________
Do You Yahoo!?
Get personalized email addresses from Yahoo! Mail
http://personal.mail.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Sun Jul  8 04:10:12 2001
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hi,i have one old one(used for loopin...!)too that bit it a while
ago-luckily i had a 2nd one but its the 2nd(black)
version and i would love to get the red one fixed! if you find someone
please let me know.thanx

stanner 
----------
>From: "George Washington" <jeremiah266@hotmail.com>
>To: Loopers-Delight@loopers-delight.com
>Subject: Digitech Wh-1 question
>Date: Sat, Jul 7, 2001, 5:01 PM

>I have an old digitech wh-1 effect pedal that I really
>
>liked to use in my looping. Dose anyone know where I can find
>
>someone who repairs old effects, especially because these things
>
>have become so hard to replace.
>_________________________________________________________________
>Get your FREE download of MSN Explorer at http://explorer.msn.com
>

From Loopers-Delight-request@loopers-delight.com  Sun Jul  8 06:54:15 2001
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From: Goddess <thefates@earthlink.net>
Subject: Re: Digitech Wh-1 question
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  OK, I'm curious, people have been particular about these in the past,
would someone mind terribly, going over the differences they're talking
about?  Is it a change of features, of sound, or both?...   -I'm assuming
it's the later, but was just curious as I may be looking for one soon...   

Smiles,

Goddess

 At 01:07 AM 7/8/01 -0700, you wrote:
>hi,i have one old one(used for loopin...!)too that bit it a while
>ago-luckily i had a 2nd one but its the 2nd(black)
>version and i would love to get the red one fixed! if you find someone
>please let me know.thanx
>
>stanner 
>----------
>>From: "George Washington" <jeremiah266@hotmail.com>
>>To: Loopers-Delight@loopers-delight.com
>>Subject: Digitech Wh-1 question
>>Date: Sat, Jul 7, 2001, 5:01 PM
>
>>I have an old digitech wh-1 effect pedal that I really
>>
>>liked to use in my looping. Dose anyone know where I can find
>>
>>someone who repairs old effects, especially because these things
>>
>>have become so hard to replace.
>>_________________________________________________________________
>>Get your FREE download of MSN Explorer at http://explorer.msn.com
>>
>
>


---

  "The only things I really think are important, are love, and eachother.
-Then, anything is possible..."


From Loopers-Delight-request@loopers-delight.com  Sun Jul  8 07:20:55 2001
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From: John Tidwell <wedgehed@yahoo.com>
Subject: Re: Digitech Wh-1 question
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If memory serves, on the original Whammy pedal
Digitech
used techno goodies under license from IVL. If IVL
sounds familiar, it's because their techno goodies
will also be in the Repeater. The Whammy pedals that
came after the original one used Digitech's own
techno(notso)goodies, which most folks didn't think
sounded as good.

John

--- Goddess <thefates@earthlink.net> wrote:
>   OK, I'm curious, people have been particular about
> these in the past,
> would someone mind terribly, going over the
> differences they're talking
> about?  Is it a change of features, of sound, or
> both?...   -I'm assuming
> it's the later, but was just curious as I may be
> looking for one soon...   
> 
> Smiles,
> 
> Goddess
> 
>  At 01:07 AM 7/8/01 -0700, you wrote:
> >hi,i have one old one(used for loopin...!)too that
> bit it a while
> >ago-luckily i had a 2nd one but its the 2nd(black)
> >version and i would love to get the red one fixed!
> if you find someone
> >please let me know.thanx
> >
> >stanner 
> >----------
> >>From: "George Washington"
> <jeremiah266@hotmail.com>
> >>To: Loopers-Delight@loopers-delight.com
> >>Subject: Digitech Wh-1 question
> >>Date: Sat, Jul 7, 2001, 5:01 PM
> >
> >>I have an old digitech wh-1 effect pedal that I
> really
> >>
> >>liked to use in my looping. Dose anyone know where
> I can find
> >>
> >>someone who repairs old effects, especially
> because these things
> >>
> >>have become so hard to replace.
>
>>_________________________________________________________________
> >>Get your FREE download of MSN Explorer at
> http://explorer.msn.com
> >>
> >
> >
> 
> 
> ---
> 
>   "The only things I really think are important, are
> love, and eachother.
> -Then, anything is possible..."
> 
> 


=====
John Tidwell




__________________________________________________
Do You Yahoo!?
Get personalized email addresses from Yahoo! Mail
http://personal.mail.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Sun Jul  8 09:47:31 2001
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-----Original Message-----
From: Nemoguitt@aol.com <Nemoguitt@aol.com>
To: Loopers-Delight@loopers-delight.com <Loopers-Delight@loopers-delight.com>
Date: Thursday, July 05, 2001 6:22 PM
Subject: Re: NYC loopfest


>.....a neat thing about pittsburgh is that it is pretty much
>at the center of the whole mid-atlantic mega-plex, we are centrally located
>from chicago to indiana to phili to new york, pretty much in the middle of it
>all

That's why there are a lot of distribution centers in Columbus, Ohio.  It's
within 800 miles of 2/3 of the country's population!  Or at least it was in 1992
when I moved out of Central Ohio.

Bill         billfox@fast.net
http://wdiyfm.org/schedule/s_emusic.html
============================================================================
Host of EMUSIC, an electronic, ambient, and space music show.  Thursdays at
11 pm on WDIY 88.1 FM, Allentown and Bethlehem and 93.9 FM in Easton and
Phillipsburg.  Email me if you wish to submit music for airplay consideration.
Radio Station Home Page: http://wdiyfm.org
Personal site: http://www.users.fast.net/~billfox
To subscribe to the EMUSIC on WDIY list, send
email to: emusic-wdiy-subscribe@yahoogroups.com

From Loopers-Delight-request@loopers-delight.com  Sun Jul  8 10:15:49 2001
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Subject: OT: Re: Klein questions for klein, and guitar players
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jeremiah266@hotmail.com writes:
>So I thought about having Ed Roman of
>www.world class guitars build me a copy.
>I told him I wanted a
>Klien that has a rosewood neck, because the one I played had one
>and he told me that rosewood didnt do anything but raise the
>price
i believe that he's wrong.

>and went on to suggest that I should get one of his
>composite necks that have been formulated to sound like wood.
formulated to sound like wood?
huh?

>The klien that I played was also made of basswood and Ed said
>that kind of wood was inferior to a something like korina which
>is his suggestion.
the basswood klein remains my favorite.

>Ed also told that the addition of transtrem
>would raise the price 1300 Dollars!? Can that be right for a
>tremelo?
it *could* be, but certainly *shouldn't* be --- better to call someone at 
music-yo / steinberger / gibson, to see if it's possible to buy one, directly.
best,
dt / s-c

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Jeremiah,

Sounds like grey business if you ask me! Rosewood sounds different than
maple or a composite. Same with basswood vs. Korina, the sound is very
different. Adding a trem should run the price of the trem plus labor.
Labor should not be any higher that $200 for such a task. $1300 to add a
transtrem is a person jerking your chain, and hoping for a sucker on the
line...

Be Well

Will Brake
Soul Fruit

George Washington wrote:
> 
> Hello Loopers,
> 
> I have some questions that you nice sages might help me tackle
> 
> I was thinking about getting a Klein guitar but soon after I
> 
> played one (and fell in love with it) I found out that their is
> 
> a ten month waiting list. So I thought about having Ed Roman of
> 
> www.world class guitars build me a copy. I told him I wanted a
> 
> Klien that has a rosewood neck, because the one I played had one
> 
> and he told me that rosewood didnt do anything but raise the
> 
> price and went on to suggest that I should get one of his
> 
> composite necks that have been formulated to sound like wood.
> 
> The klien that I played was also made of basswood and Ed said
> 
> that kind of wood was inferior to a something like korina which
> 
> is his suggestion. Ed also told that the addition of transtrem
> 
> would raise the price 1300 Dollars!? Can that be right for a
> 
> tremelo?
> 
> Thanks in advance reply on or off list which ever you feel to be
> 
> appropriate.
> 
> Jeremiah
> 
> _________________________________________________________________
> Get your FREE download of MSN Explorer at http://explorer.msn.com
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From: Doug Lawrence <dlawren@pacbell.net>
Subject: RE: Klein questions for klein, and guitar players
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>>Ed Roman of World Class Guitars

There are many stories of Ed Roman floating around regarding his business
practices. I have not dealt with him directly so I have no personal comment
other than the one bizarre conversation I had with him at NAMM several years
ago. I have no idea whether he is really a good luthier or not, his Web
pages tell one side of the story, but I would definitely check around some
more on his reputation.


From Loopers-Delight-request@loopers-delight.com  Sun Jul  8 12:02:14 2001
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Date: Sun, 8 Jul 2001 12:00:06 -0400
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From: Tom Ritchford <tom@swirly.com>
Subject: RE: Klein questions for klein, and guitar players
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> >>Ed Roman of World Class Guitars
>
>There are many stories of Ed Roman floating around regarding his business
>practices. I have not dealt with him directly so I have no personal comment
>other than the one bizarre conversation I had with him at NAMM several years
>ago. I have no idea whether he is really a good luthier or not, his Web
>pages tell one side of the story, but I would definitely check around some
>more on his reputation.

<http://pub8.ezboard.com/fboutiqueguitarsgeneraldiscussion.showMessage 
?topicID=16.topic>
has a little about this...

	/t


                                 that was fast

.......all legal games of chess <http://solveChess.com/chess?refresh=0>......
.....programmer's documentation <http://solveChess.com/doc>..................

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I wouldn't do business with that guy, based on what you just told us!
Adding a tremelo to a new guitar body (unrouted) should be easy as anything.
It would require only slightly more work as a non-tremelo bridge.  I smell a
ripoff...

On top of that, the wood does make a difference in sound.  I'd think the
person who told you that was a guitar technician, but not a guitar
*player*...  ;)

Mike


----- Original Message -----
From: "Will Brake" <wbrake@home.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, July 08, 2001 1:13 PM
Subject: Re: Klein questions for klein, and guitar players


> Jeremiah,
>
> Sounds like grey business if you ask me! Rosewood sounds different than
> maple or a composite. Same with basswood vs. Korina, the sound is very
> different. Adding a trem should run the price of the trem plus labor.
> Labor should not be any higher that $200 for such a task. $1300 to add a
> transtrem is a person jerking your chain, and hoping for a sucker on the
> line...
>
> Be Well
>
> Will Brake
> Soul Fruit
>
> George Washington wrote:
> >
> > Hello Loopers,
> >
> > I have some questions that you nice sages might help me tackle
> >
> > I was thinking about getting a Klein guitar but soon after I
> >
> > played one (and fell in love with it) I found out that their is
> >
> > a ten month waiting list. So I thought about having Ed Roman of
> >
> > www.world class guitars build me a copy. I told him I wanted a
> >
> > Klien that has a rosewood neck, because the one I played had one
> >
> > and he told me that rosewood didnt do anything but raise the
> >
> > price and went on to suggest that I should get one of his
> >
> > composite necks that have been formulated to sound like wood.
> >
> > The klien that I played was also made of basswood and Ed said
> >
> > that kind of wood was inferior to a something like korina which
> >
> > is his suggestion. Ed also told that the addition of transtrem
> >
> > would raise the price 1300 Dollars!? Can that be right for a
> >
> > tremelo?
> >
> > Thanks in advance reply on or off list which ever you feel to be
> >
> > appropriate.
> >
> > Jeremiah
> >
> > _________________________________________________________________
> > Get your FREE download of MSN Explorer at http://explorer.msn.com


_________________________________________________________
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In a message dated 07/07/2001 7:01:15 PM Central Daylight Time, 
jeremiah266@hotmail.com writes:


> I was thinking about getting a Klein guitar but soon after I
> 
> played one (and fell in love with it) I found out that their is
> 
> a ten month waiting list. So I thought about having Ed Roman of
> 
> www.world class guitars build me a copy. I told him I wanted a
> 
> Klien that has a rosewood neck, because the one I played had one
> 
> and he told me that rosewood didnt do anything but raise the
> 
> price and went on to suggest that I should get one of his
> 
> composite necks that have been formulated to sound like wood.
> 
> The klien that I played was also made of basswood and Ed said
> 
> that kind of wood was inferior to a something like korina which
> 
> is his suggestion. Ed also told that the addition of transtrem
> 
> would raise the price 1300 Dollars!? Can that be right for a
> 
> tremelo?
> 
> 
> Thanks in advance reply on or off list which ever you feel to be
> 
> appropriate.
> 
> 

Wow, Lorenzo is busy!  

I have a chambered swamp ash Klein with Joe Barden pickups.  When I ordered 
it in the summer of 97, the wait time was four months.  But about one month 
after I ordered it, Lorenzo called me and said he had a guitar returned to 
him - unbelievable, but the guy didn't like it - and it was a natural-colored 
chambered swamp ash, like I wanted.  He installed the JBs and the custom pots 
I wanted, and it was my guitar.  

To me, it's worth every penny I paid.  It's the guitar that goes to every 
gig.  I also own some vintage jazz boxes, and i love them, but they don't do 
what the Klein does.  It usually takes me a year just to get used to a 
guitar, and if me and the guitar can't agree with each other, I sell it.  The 
Klein stays.  So if you have to wait 10 months, I say "big deal".  

All I know from Ed Roman is from the one phone conversation I've had with 
him, and that wasn't pleasant.  His words didn't match his "policies" or 
anything else his website promises.  I don't trust him.  But that's me.  
Others may be perfectly happy with him.  On the other hand, Lorenzo has 
always been very helpful and truthful.  I bet he doesn't have much time to 
talk these days.  He doesn't need to hustle to sell guitars.

There are downsides to playing a Klein.  Kids will gawk and ask questions.  
So will adults, especially if they've been drinking.  (Ted Waitt, CEO of 
Gateway computers, was the latest gawker, Friday night.  He could afford a 
Klein, right?)  People will ask stupid questions and wait for answers.  Oh 
well.

Kevin

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>In a message dated 07/07/2001 7:01:15 PM Central Daylight Time, 
<BR>jeremiah266@hotmail.com writes:
<BR>
<BR>
<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">I was thinking about getting a Klein guitar but soon after I
<BR>
<BR>played one (and fell in love with it) I found out that their is
<BR>
<BR>a ten month waiting list. So I thought about having Ed Roman of
<BR>
<BR>www.world class guitars build me a copy. I told him I wanted a
<BR>
<BR>Klien that has a rosewood neck, because the one I played had one
<BR>
<BR>and he told me that rosewood didnt do anything but raise the
<BR>
<BR>price and went on to suggest that I should get one of his
<BR>
<BR>composite necks that have been formulated to sound like wood.
<BR>
<BR>The klien that I played was also made of basswood and Ed said
<BR>
<BR>that kind of wood was inferior to a something like korina which
<BR>
<BR>is his suggestion. Ed also told that the addition of transtrem
<BR>
<BR>would raise the price 1300 Dollars!? Can that be right for a
<BR>
<BR>tremelo?
<BR>
<BR>
<BR>Thanks in advance reply on or off list which ever you feel to be
<BR>
<BR>appropriate.
<BR>
<BR></BLOCKQUOTE>
<BR>
<BR>Wow, Lorenzo is busy! &nbsp;
<BR>
<BR>I have a chambered swamp ash Klein with Joe Barden pickups. &nbsp;When I ordered 
<BR>it in the summer of 97, the wait time was four months. &nbsp;But about one month 
<BR>after I ordered it, Lorenzo called me and said he had a guitar returned to 
<BR>him - unbelievable, but the guy didn't like it - and it was a natural-colored 
<BR>chambered swamp ash, like I wanted. &nbsp;He installed the JBs and the custom pots 
<BR>I wanted, and it was my guitar. &nbsp;
<BR>
<BR>To me, it's worth every penny I paid. &nbsp;It's the guitar that goes to every 
<BR>gig. &nbsp;I also own some vintage jazz boxes, and i love them, but they don't do 
<BR>what the Klein does. &nbsp;It usually takes me a year just to get used to a 
<BR>guitar, and if me and the guitar can't agree with each other, I sell it. &nbsp;The 
<BR>Klein stays. &nbsp;So if you have to wait 10 months, I say "big deal". &nbsp;
<BR>
<BR>All I know from Ed Roman is from the one phone conversation I've had with 
<BR>him, and that wasn't pleasant. &nbsp;His words didn't match his "policies" or 
<BR>anything else his website promises. &nbsp;I don't trust him. &nbsp;But that's me. &nbsp;
<BR>Others may be perfectly happy with him. &nbsp;On the other hand, Lorenzo has 
<BR>always been very helpful and truthful. &nbsp;I bet he doesn't have much time to 
<BR>talk these days. &nbsp;He doesn't need to hustle to sell guitars.
<BR>
<BR>There are downsides to playing a Klein. &nbsp;Kids will gawk and ask questions. &nbsp;
<BR>So will adults, especially if they've been drinking. &nbsp;(Ted Waitt, CEO of 
<BR>Gateway computers, was the latest gawker, Friday night. &nbsp;He could afford a 
<BR>Klein, right?) &nbsp;People will ask stupid questions and wait for answers. &nbsp;Oh 
<BR>well.
<BR>
<BR>Kevin</FONT></HTML>

--part1_12b.11844d0.2879e8e5_boundary--

From Loopers-Delight-request@loopers-delight.com  Sun Jul  8 13:32:13 2001
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Subject: pedal board velcro stuff
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    Hey again!

    Alrighty, I have built my pedal board and case!  It works far better
than I could have hoped for (I recruited a good friend of mine who I knew
could help with the actual construction and would do a much more accurate
job than I could).  It's a wide 3/4" plywood board with clasps on the side,
with basically a matching box with 1 open side that just sits on top of it
and latches to it for carrying and pedal protection.  Not bad!!

    Two questions though:

    One:  Where could I find that heavy rough fabric that is often used to
cover speaker cabinets and other such things so that I could cover the case?

    Two:  Where could I find a large piece of that velcro backing that
pre-manufactured pedal boards come with?  I picked up several packs of
industrial strength velcro strips that support the weight of my individual
pedals / boxes, but I think for ease of pedal placement (and RE-placement)
I'll want to cover the entire board with that stuff so that I can place the
pedals anywhere I want (and be able to later change my mind.  ;)

    Um, I guess that's it for now.  You've helped me immensely, by the way,
in my newbie forays into a lot of things, and I really dig this list as a
result.  =-)

    mike



_________________________________________________________
Do You Yahoo!?
Get your free @yahoo.com address at http://mail.yahoo.com

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spaceloop wrote:

> On Tue, 3 Jul 2001, Rick Walker (loop.pool) wrote:
>
> > Try it, you'll like it.
> >
> > PS  I'm looking for a glue that will be less heat sensitive than the typical
> > velcro glue.........any suggestions?
> >
>
> There's a glue that you can get at hobby stores called Zap-A-Gap. It's
> really strong stuff, same formula they use to glue the space shuttle tiles
> down.
>
> --
> travis salisbury
> http://www.illuminetdesign.com

and get the zip-kicker (accelerator- speeds drying) as well. aromatic enough to
punch holes in any grey matter...

lance g.

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"Taaffe, Denis G" wrote:

> awesoem till the unit malfunctions and you got to replace it haah...or you
> try to sell it on ebay.well you coudl always say includs pedalbaord
> permanantly lol..
>
> denis
>
> -----Original Message-----
> From: spaceloop [mailto:tao@ns.ahoc.net]
> Sent: Saturday, July 07, 2001 11:19 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: RE: PEDAL BOARDS and an OT Velcro glue substitute request
>
> On Tue, 3 Jul 2001, Rick Walker (loop.pool) wrote:
>
> > Try it, you'll like it.
> >
> > PS  I'm looking for a glue that will be less heat sensitive than the
> typical
> > velcro glue.........any suggestions?
> >
>
> There's a glue that you can get at hobby stores called Zap-A-Gap. It's
> really strong stuff, same formula they use to glue the space shuttle tiles
> down.
>
> --
> travis salisbury
> http://www.illuminetdesign.com

well,

i think the idea would be to glue the velcro to the pedal, and then VELCRO
the pedal to the pedalboard, but i may be mistaken on that count...

(but i think zap WILL hold up better on re-entry)

lance g.

From Loopers-Delight-request@loopers-delight.com  Sun Jul  8 14:14:16 2001
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Date: Sun, 08 Jul 2001 11:16:07 -0700
To: Loopers-Delight@loopers-delight.com
From: Sean Echevarria <sean_@mindspring.com>
Subject: Bass looping in San Jose or San Francisco today?
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Anyone know if the threatened Manring/Lawson/Walker bass looping TBA
performance in either San Jose or San Francisco is happening today?

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Warning!  The Againinator is designed to imprint on it's original owner.
Once this imprinting has occurred, the Againinator must not be sold or given
away for any reason.  If one tires of the Againinator, it must be returned to
Electros for destruction.

Professor Hobby,
Engineer
Electros Inc.

Goddess wrote:

>   IT MUST BE UNMADE IN THE FURNACES WHICH FORGED IT, BEFORE IT FALLS INTO
> THE WRONG HANDS!, BEFORE IT'S TOO LATE!!!
>
> At 08:56 PM 7/7/01 -0700, you wrote:
> >Javier!
> >
> >I could be wrong, but it sounds like you might have a
> >very rare analogue Againinator!
> >
> >This could be the same one used by the Stones at
> >Altamont. They were hoping it could fill in for
> >Keith Richards,(who had died 6 months previously),
> >but the Againinator got into the Hell's Angels'
> >beer stash, killed a spectator, & vanished into the
> >night.
> >
> >Unconfirmed reports put the Againinator in Paris in
> >the early 70's, where Jim Morrison planned to use it
> >to replace the other members of the Doors. As the
> >story goes, Jim recited his poetry to the Againinator
> >one night & was found dead in his bath tub the next
> >morning.
> >
> >I strongly recommend that you do the proper research
> >to determine if you are in possession of a valuable
> >piece of rock history & if you are, to do the right
> >thing.
> >
> >Put it on ebay.
> >
> >
> >John
> >
> >
> >--- "J. Miranda V." <gnominus@earthling.net> wrote:
> >> I have one of the early-prototype Againinator units
> >> that I was given to
> >> test.  I don't have photos or anything, and the box
> >> is just plain metal with
> >> no writing on it, just the buttons and the knobs.
> >> Maybe you could make good
> >> use of it.  If somebody would like to offer me some
> >> cash for it, or is
> >> otherwise interested, please let me know off the
> >> list.
> >>
> >> Thanks!
> >>
> >> Javier
> >> Berkeley, Calif.
> >> U.S.
> >
> >
> >=====
> >John Tidwell
> >
> >
> >
> >
> >__________________________________________________
> >Do You Yahoo!?
> >Get personalized email addresses from Yahoo! Mail
> >http://personal.mail.yahoo.com/
> >
> >
>
> ---
>
>   "The only things I really think are important, are love, and eachother.
> -Then, anything is possible..."

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Subject: RE: Bass looping in San Jose or San Francisco today?
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As far as I know, we could not find a space in San Francisco ...

-----Original Message-----
From: Sean Echevarria [mailto:sean_@mindspring.com]
Sent: Sunday, July 08, 2001 11:16 AM
To: Loopers-Delight@loopers-delight.com
Subject: Bass looping in San Jose or San Francisco today?


Anyone know if the threatened Manring/Lawson/Walker bass looping TBA
performance in either San Jose or San Francisco is happening today?

From Loopers-Delight-request@loopers-delight.com  Sun Jul  8 16:01:56 2001
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(My apologies for any inadvertent cross-posting)...

Paving the way for the coming release of The Cult Of: Bibbiboo, Markus
Reuter and Bernhard Wöstheinrich (aka CENTROZOON) have commissioned several
artists working within the electronic arena to remix this striking material.
Amongst the first to participate are Ian Boddy, Mandelbrot, Vibrolounge, and
myself - Lee Fletcher.

The first of these official mixes to be made publicly available is my own.
Deliverance (Autonomy Mix) is now freely available as an MP3 download from
the following web locations:

http://www.mp3.com/fletchertronics (available now)
http://www.mp3.com/centrozoon (available now)

A stripped down / whipped up slice of d'n'b stained electronica is what's on
offer!

In other CENTROZOON news, Markus & Bernhard have recently joined the roster
at Burning Shed Records (http://www.burningshed.com) which is headed-up by
No-Man's Tim Bowness. Watch out soon for a re-mastered / expanded version of
the former MP3.com D.A.M. CD, Sun Lounge Debris.

Best wishes,

Lee Fletcher (on behalf of CENTROZOON)

http://www.centrozoon.de
http://www.bibbiboo.com

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Subject: EMUSIC Playlist #224
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EMUSIC, an electronic, ambient, and space music show, airs each Thursday
at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA and 93.9 FM in
Easton, PA and Phillipsburg, NJ.

                    Show #224                    July 5, 2001.


RECAP:
On this show, I began a month-long focus on The Ministry of Inside =
Things
(MoIT), a Philadelphia area group influenced by Tangerine Dream, Klaus =
Schulze,
and Ash Ra Tempel.  The feature CD at midnight was "Live at the ICA" on =
the
Synkronos label.

The Ministry of Inside Things
http://wdiyfm.org/emusic/playlists/2001/focus01.html#jul


PLAYLIST:

ARTIST                  TRACK                    ALBUM (label)
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D =
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D =
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D
11:04 pm
Edgar Froese           Detroit Snackbar Dreamer  Stuntman (Virgin)
Robert Rich &           Point of No Return       Stalker (Fathom)
 B. Lustmord
Ash Ra Rempel           Gin Rose *               Gin Rose (Manikin)
AirSculpture            Dubbel                   Quark Soup (Neu =
Harmony)
Syndromeda              Mystic Cave              The Alien Abduction =
Phemonenon
                                                   (Groove)

12:00 am
MoIT                    The Edge of the          Live at the ICA =
(Synkronos)
                          Wilderness
MoIT                    Magnetic Feedback        Live at the ICA =
(Synkronos)
MoIT                    Patterns                 Live at the ICA =
(Synkronos)
MoIT                    While the Rest of the    Live at the ICA =
(Synkronos)
                          World Sleeps
MoIT                    Swamp Interlude          Live at the ICA =
(Synkronos)
MoIT                    Outer Limits Part Two *  Live at the ICA =
(Synkronos)
MoIT                    Interlock                Live at the ICA =
(Synkronos)

1:00 am

 * =3D exerpt
VA =3D Various Artists (compilation)


NEXT SHOW:
On the next EMUSIC, I'll continue the month-long focus on The Ministry =
of
Inside Things.  Instead of the feature CD at midnight, however, MoIT =
will
perform a rare, live, in-studio concert lasting more than an hour.  And =
EMUSIC
will run until 2:00 am.

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<HEAD>

<META content=3Dtext/html;charset=3Diso-8859-1 =
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</HEAD>
<BODY>
<DIV><FONT face=3D"Courier New" size=3D2>EMUSIC, an electronic, ambient, =
and space=20
music show, airs each Thursday<BR>at 11:04 pm on WDIY 88.1 FM, Allentown =
and=20
Bethlehem, PA and 93.9 FM in<BR>Easton, PA and Phillipsburg, =
NJ.</FONT></DIV>
<DIV><FONT face=3D"Courier New" size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Courier New"=20
size=3D2>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
Show=20
#224&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
July 5, 2001.</FONT></DIV>
<DIV><FONT face=3D"Courier New" size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Courier New" size=3D2><BR>RECAP:<BR>On this show, I =
began a=20
month-long focus on The Ministry of Inside Things<BR>(MoIT), a =
Philadelphia area=20
group influenced by Tangerine Dream, Klaus Schulze,<BR>and Ash Ra =
Tempel.&nbsp;=20
The feature CD at midnight was &quot;Live at the ICA&quot; on =
the<BR>Synkronos=20
label.</FONT></DIV>
<DIV><FONT face=3D"Courier New" size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Courier New" size=3D2>The Ministry of Inside =
Things</FONT></DIV>
<DIV><FONT face=3D"Courier New" size=3D2><A=20
href=3D"http://wdiyfm.org/emusic/playlists/2001/focus01.html#jul">http://=
wdiyfm.org/emusic/playlists/2001/focus01.html#jul</A></FONT></DIV>
<DIV><FONT face=3D"Courier New" size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Courier New" size=3D2><BR>PLAYLIST:</FONT></DIV>
<DIV><FONT face=3D"Courier New" size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Courier New"=20
size=3D2>ARTIST&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
TRACK&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
ALBUM =
(label)<BR>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D =
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D =

=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D<BR>11:04 pm<BR>Edgar=20
Froese&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
Detroit=20
Snackbar Dreamer&nbsp; Stuntman (Virgin)<BR>Robert Rich=20
&amp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Point =
of No=20
Return&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Stalker (Fathom)<BR>&nbsp;B.=20
Lustmord<BR>Ash Ra=20
Rempel&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Gin =
Rose=20
*&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;=20
Gin Rose=20
(Manikin)<BR>AirSculpture&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;=20
Dubbel&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
Quark Soup (Neu=20
Harmony)<BR>Syndromeda&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;=20
Mystic=20
Cave&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;=20
The Alien Abduction=20
Phemonenon<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;=20
(Groove)</FONT></DIV>
<DIV><FONT face=3D"Courier New" size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Courier New" size=3D2>12:00=20
am<BR>MoIT&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
The Edge of the&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
Live at=20
the ICA=20
(Synkronos)<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp;&nbsp;&nbsp;=20
Wilderness<BR>MoIT&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
Magnetic Feedback&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Live at the =
ICA=20
(Synkronos)<BR>MoIT&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
Patterns&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
Live at the ICA=20
(Synkronos)<BR>MoIT&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
While the Rest of the&nbsp;&nbsp;&nbsp; Live at the ICA=20
(Synkronos)<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp;&nbsp;&nbsp;=20
World=20
Sleeps<BR>MoIT&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
Swamp Interlude&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
Live at=20
the ICA=20
(Synkronos)<BR>MoIT&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
Outer Limits Part Two *&nbsp; Live at the ICA=20
(Synkronos)<BR>MoIT&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
Interlock&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;=20
Live at the ICA (Synkronos)</FONT></DIV>
<DIV><FONT face=3D"Courier New" size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Courier New" size=3D2>1:00 am</FONT></DIV>
<DIV><FONT face=3D"Courier New" size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Courier New" size=3D2>&nbsp;* =3D exerpt<BR>VA =3D =
Various Artists=20
(compilation)</FONT></DIV>
<DIV><FONT face=3D"Courier New" size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Courier New" size=3D2><BR>NEXT SHOW:<BR>On the next =
EMUSIC, I'll=20
continue the month-long focus on The Ministry of<BR>Inside Things.&nbsp; =
Instead=20
of the feature CD at midnight, however, MoIT will<BR>perform a rare, =
live,=20
in-studio concert lasting more than an hour.&nbsp; And EMUSIC<BR>will =
run until=20
2:00 am.</FONT></DIV></BODY></HTML>

------=_NextPart_000_002D_01C106FE.930199A0--

From Loopers-Delight-request@loopers-delight.com  Sun Jul  8 16:33:32 2001
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References: <003001c10720$1a1339a0$79ae5cd1@->
Subject: Re: EMUSIC Playlist #224
Date: Sun, 8 Jul 2001 01:29:52 -0700
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remove
  ----- Original Message -----=20
  From: Bill Fox=20
  To: emusic-wdiy Mailing List=20
  Sent: Saturday, July 07, 2001 1:04 PM
  Subject: EMUSIC Playlist #224


  EMUSIC, an electronic, ambient, and space music show, airs each =
Thursday
  at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA and 93.9 FM =
in
  Easton, PA and Phillipsburg, NJ.

                      Show #224                    July 5, 2001.


  RECAP:
  On this show, I began a month-long focus on The Ministry of Inside =
Things
  (MoIT), a Philadelphia area group influenced by Tangerine Dream, Klaus =
Schulze,
  and Ash Ra Tempel.  The feature CD at midnight was "Live at the ICA" =
on the
  Synkronos label.

  The Ministry of Inside Things
  http://wdiyfm.org/emusic/playlists/2001/focus01.html#jul


  PLAYLIST:

  ARTIST                  TRACK                    ALBUM (label)
  =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D =
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D =
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D
  11:04 pm
  Edgar Froese           Detroit Snackbar Dreamer  Stuntman (Virgin)
  Robert Rich &           Point of No Return       Stalker (Fathom)
   B. Lustmord
  Ash Ra Rempel           Gin Rose *               Gin Rose (Manikin)
  AirSculpture            Dubbel                   Quark Soup (Neu =
Harmony)
  Syndromeda              Mystic Cave              The Alien Abduction =
Phemonenon
                                                     (Groove)

  12:00 am
  MoIT                    The Edge of the          Live at the ICA =
(Synkronos)
                            Wilderness
  MoIT                    Magnetic Feedback        Live at the ICA =
(Synkronos)
  MoIT                    Patterns                 Live at the ICA =
(Synkronos)
  MoIT                    While the Rest of the    Live at the ICA =
(Synkronos)
                            World Sleeps
  MoIT                    Swamp Interlude          Live at the ICA =
(Synkronos)
  MoIT                    Outer Limits Part Two *  Live at the ICA =
(Synkronos)
  MoIT                    Interlock                Live at the ICA =
(Synkronos)

  1:00 am

   * =3D exerpt
  VA =3D Various Artists (compilation)


  NEXT SHOW:
  On the next EMUSIC, I'll continue the month-long focus on The Ministry =
of
  Inside Things.  Instead of the feature CD at midnight, however, MoIT =
will
  perform a rare, live, in-studio concert lasting more than an hour.  =
And EMUSIC
  will run until 2:00 am.

------=_NextPart_000_0044_01C1074D.7C705F60
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>remove</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dbillfox@fast.net href=3D"mailto:billfox@fast.net">Bill =
Fox</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A =
title=3Demusic-wdiy@yahoogroups.com=20
  href=3D"mailto:emusic-wdiy@yahoogroups.com">emusic-wdiy Mailing =
List</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Saturday, July 07, 2001 =
1:04=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> EMUSIC Playlist =
#224</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3D"Courier New" size=3D2>EMUSIC, an electronic, =
ambient, and space=20
  music show, airs each Thursday<BR>at 11:04 pm on WDIY 88.1 FM, =
Allentown and=20
  Bethlehem, PA and 93.9 FM in<BR>Easton, PA and Phillipsburg, =
NJ.</FONT></DIV>
  <DIV><FONT face=3D"Courier New" size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3D"Courier New"=20
  =
size=3D2>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
  Show=20
  =
#224&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
  July 5, 2001.</FONT></DIV>
  <DIV><FONT face=3D"Courier New" size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3D"Courier New" size=3D2><BR>RECAP:<BR>On this show, I =
began a=20
  month-long focus on The Ministry of Inside Things<BR>(MoIT), a =
Philadelphia=20
  area group influenced by Tangerine Dream, Klaus Schulze,<BR>and Ash Ra =

  Tempel.&nbsp; The feature CD at midnight was "Live at the ICA" on=20
  the<BR>Synkronos label.</FONT></DIV>
  <DIV><FONT face=3D"Courier New" size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3D"Courier New" size=3D2>The Ministry of Inside=20
Things</FONT></DIV>
  <DIV><FONT face=3D"Courier New" size=3D2><A=20
  =
href=3D"http://wdiyfm.org/emusic/playlists/2001/focus01.html#jul">http://=
wdiyfm.org/emusic/playlists/2001/focus01.html#jul</A></FONT></DIV>
  <DIV><FONT face=3D"Courier New" size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3D"Courier New" size=3D2><BR>PLAYLIST:</FONT></DIV>
  <DIV><FONT face=3D"Courier New" size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3D"Courier New"=20
  =
size=3D2>ARTIST&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
  =
TRACK&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
  ALBUM =
(label)<BR>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D =
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D =

  =
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D<BR>11:04 pm<BR>Edgar=20
  Froese&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
Detroit=20
  Snackbar Dreamer&nbsp; Stuntman (Virgin)<BR>Robert Rich=20
  &amp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
Point of No=20
  Return&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Stalker =
(Fathom)<BR>&nbsp;B.=20
  Lustmord<BR>Ash Ra=20
  Rempel&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Gin =
Rose=20
  =
*&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;=20
  Gin Rose=20
  =
(Manikin)<BR>AirSculpture&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;=20
  =
Dubbel&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
  Quark Soup (Neu=20
  =
Harmony)<BR>Syndromeda&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;=20
  Mystic=20
  =
Cave&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;=20
  The Alien Abduction=20
  =
Phemonenon<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;=20
  (Groove)</FONT></DIV>
  <DIV><FONT face=3D"Courier New" size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3D"Courier New" size=3D2>12:00=20
  =
am<BR>MoIT&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
  The Edge of the&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
Live at=20
  the ICA=20
  =
(Synkronos)<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp;&nbsp;&nbsp;=20
  =
Wilderness<BR>MoIT&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
  Magnetic Feedback&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Live at =
the ICA=20
  =
(Synkronos)<BR>MoIT&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
  =
Patterns&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
  Live at the ICA=20
  =
(Synkronos)<BR>MoIT&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
  While the Rest of the&nbsp;&nbsp;&nbsp; Live at the ICA=20
  =
(Synkronos)<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp;&nbsp;&nbsp;=20
  World=20
  =
Sleeps<BR>MoIT&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
  Swamp Interlude&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
Live at=20
  the ICA=20
  =
(Synkronos)<BR>MoIT&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
  Outer Limits Part Two *&nbsp; Live at the ICA=20
  =
(Synkronos)<BR>MoIT&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
  =
Interlock&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;=20
  Live at the ICA (Synkronos)</FONT></DIV>
  <DIV><FONT face=3D"Courier New" size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3D"Courier New" size=3D2>1:00 am</FONT></DIV>
  <DIV><FONT face=3D"Courier New" size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3D"Courier New" size=3D2>&nbsp;* =3D exerpt<BR>VA =3D =
Various Artists=20
  (compilation)</FONT></DIV>
  <DIV><FONT face=3D"Courier New" size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3D"Courier New" size=3D2><BR>NEXT SHOW:<BR>On the next =
EMUSIC,=20
  I'll continue the month-long focus on The Ministry of<BR>Inside =
Things.&nbsp;=20
  Instead of the feature CD at midnight, however, MoIT will<BR>perform a =
rare,=20
  live, in-studio concert lasting more than an hour.&nbsp; And =
EMUSIC<BR>will=20
  run until 2:00 am.</FONT></DIV></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0044_01C1074D.7C705F60--

From Loopers-Delight-request@loopers-delight.com  Sun Jul  8 16:39:51 2001
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From: "max valentino" <ekstasis1@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Bass looping in San Jose or San Francisco today?
Date: Sun, 08 Jul 2001 20:37:38 
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Yes it is...7pm at the SanJose Museum of Art on Almaden.....we are all quite 
excited about it.  I am touring with Michael, Steve and Rick as part of this 
extraordinary event.  Invite your friends!
Max Valentino


>From: Sean Echevarria <sean_@mindspring.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Bass looping in San Jose or San Francisco today?
>Date: Sun, 08 Jul 2001 11:16:07 -0700
>
>Anyone know if the threatened Manring/Lawson/Walker bass looping TBA
>performance in either San Jose or San Francisco is happening today?
>

_________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Sun Jul  8 16:41:17 2001
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Subject: RE: Bass looping in San Jose or San Francisco today?
Date: Sun, 08 Jul 2001 20:39:08 
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Tonight (sunday) in San Jose...Museum of Art.
Tomorrow night at the Rio Theatre in Santa Cruz.
Invite your friends!!!
Max Valentino


>From: Doug Lawrence <dlawren@pacbell.net>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: RE: Bass looping in San Jose or San Francisco today?
>Date: Sun, 08 Jul 2001 11:47:00 -0700
>
>
>As far as I know, we could not find a space in San Francisco ...
>
>-----Original Message-----
>From: Sean Echevarria [mailto:sean_@mindspring.com]
>Sent: Sunday, July 08, 2001 11:16 AM
>To: Loopers-Delight@loopers-delight.com
>Subject: Bass looping in San Jose or San Francisco today?
>
>
>Anyone know if the threatened Manring/Lawson/Walker bass looping TBA
>performance in either San Jose or San Francisco is happening today?
>

_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Sun Jul  8 16:50:43 2001
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Date: Sun, 8 Jul 2001 13:49:09 -0700 (PDT)
From: Alx <gendel777@yahoo.com>
Subject: Re: Digitech Wh-1 question
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--- John Tidwell <wedgehed@yahoo.com> wrote:
> If memory serves, on the original Whammy pedal
> Digitech
> used techno goodies under license from IVL. If IVL
> sounds familiar, it's because their techno goodies
> will also be in the Repeater. The Whammy pedals that
> came after the original one used Digitech's own
> techno(notso)goodies, which most folks didn't think
> sounded as good.
> 
> John

Actually the 2nd version (black one) also uses IVL
chip, I know this ´cause a friend has one and the
other day I opened it to glue again its CHEAP plastic
sides, I have an original one and I found that
actually the black one tracks better when using the
"octave down" preset, actually I found the black one a
little more "cleaner" sounding but is that harsh sound
and sometimes erratic pitch tracking that gives the
1st (red) version a special "analog" vibe PLUS its
construction is the best one of all the versions, it
is a really solid pedal, you might try the new reissue
version that has MIDI, haven´t tried it yet but looks
solid too.
Alx.
 

__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Sun Jul  8 17:37:51 2001
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Subject: Re: Klein questions for klein, and guitar players
Date: Sun, 8 Jul 2001 16:53:22 -0400
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A word on the wait for a Klein:  the 10 month wait from Lorenzo might be
optimistic.  I was told 6 and it has now been 13--the latest is it should be
done in August.  Lorenzo has had some health problems that put him way
behind schedule, though things might be back to normal at this point.

I have played a Klein quite a bit recently, and the one-piece solid rosewood
neck is unlike anything else I've played, wood or composite (and better).  I
think it has a lot to do with the quality of the instrument.  It's a
remarkable guitar, and for me it's worth waiting for.

I sometimes wish I'd pounced on a couple of used Kleins that turned up over
the year, but I never wish I'd got something from Ed Roman.

my tuppence...

Bruce Comens

From Loopers-Delight-request@loopers-delight.com  Sun Jul  8 19:50:41 2001
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Date: Sun, 08 Jul 2001 19:46:13 -0400
To: Loopers-Delight@loopers-delight.com
From: Tim Nelson <tcn62@ici.net>
Subject: Re: pedal board velcro stuff
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At 12:32 PM 7/8/01 -0500, you wrote:
>    One:  Where could I find that heavy rough fabric that is often used to
>cover speaker cabinets and other such things so that I could cover the case?

WalMart. Automotive department near the floor mats 'n stuff. It comes in a
3' x 6' piece rolled up in plastic for about $8. I've used used the 'real'
speaker carpet (it came in a 50' roll from a carpet and textile warehouse)
and this stuff is virtually identical; it's actually preferable because
velcro sticks to it better. You can get it in black, gray, blue or tan. Cut
it to size, then use spray adhesive and heavy duty staples to apply it.

>    Two:  Where could I find a large piece of that velcro backing that
>pre-manufactured pedal boards come with?

At a hardware store.

>I'll want to cover the entire board with that stuff so that I can place the
>pedals anywhere I want (and be able to later change my mind.

It's easier to cover the pedalboard's surface with the same carpet you're
using on the case, then apply the 'hook' part of the velcro to your pedals.
They stick to the carpet just the same way as they'd stick to the 'loop'
part of the velcro.

-t

From Loopers-Delight-request@loopers-delight.com  Sun Jul  8 20:29:17 2001
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I would like to say that The Klein is defiantly worth the wait for more than 
one reason...the two biggest being the quality and the service.

I believe I've said this before on LD but I would like to say again what a 
great guy Lorenzo is to work with.  My latest dealings with him were a month 
or so ago.  I had inquired about having a new neck installed and some 
electronic work done.  He called back shortly after.  First off, he talked me 
out of the neck I was considering.  They do still carry this particular neck 
and have it available if needed but Lorenzo told me that more than a few 
musicians had been unhappy with them and that I should probably think twice 
about that decision.  -this, by the way, would obviously cost him money but 
he seems to have the best interests of his customers in mind.

Also, during the same call, he brought up the fact that he had modified the 
routing of the Kleins under the pickguard and that the new instruments sound 
a lot more 'lively'.  He then said that if I wanted to, I should send him my 
instrument and he would do the routing for free because as he puts it..."it 
should've been done like that all along!"  More money out of his pocket in 
his efforts to please his customers.

I believe that ten months is not too long a time to wait for an instrument 
you'll probably cherish for years and years to come!   -Todd

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>I would like to say that The Klein is defiantly worth the wait for more than 
<BR>one reason...the two biggest being the quality and the service.
<BR>
<BR>I believe I've said this before on LD but I would like to say again what a 
<BR>great guy Lorenzo is to work with. &nbsp;My latest dealings with him were a month 
<BR>or so ago. &nbsp;I had inquired about having a new neck installed and some 
<BR>electronic work done. &nbsp;He called back shortly after. &nbsp;First off, he talked me 
<BR>out of the neck I was considering. &nbsp;They do still carry this particular neck 
<BR>and have it available if needed but Lorenzo told me that more than a few 
<BR>musicians had been unhappy with them and that I should probably think twice 
<BR>about that decision. &nbsp;-this, by the way, would obviously cost him money but 
<BR>he seems to have the best interests of his customers in mind.
<BR>
<BR>Also, during the same call, he brought up the fact that he had modified the 
<BR>routing of the Kleins under the pickguard and that the new instruments sound 
<BR>a lot more 'lively'. &nbsp;He then said that if I wanted to, I should send him my 
<BR>instrument and he would do the routing for free because as he puts it..."it 
<BR>should've been done like that all along!" &nbsp;More money out of his pocket in 
<BR>his efforts to please his customers.
<BR>
<BR>I believe that ten months is not too long a time to wait for an instrument 
<BR>you'll probably cherish for years and years to come! &nbsp;&nbsp;-Todd</FONT></HTML>

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...did I mean defiantly or definitely?  cursed spell check!

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>...did I mean defiantly or definitely? &nbsp;cursed spell check!</FONT></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sun Jul  8 22:35:17 2001
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Ooh, that is SO gross . . . 

From Loopers-Delight-request@loopers-delight.com  Mon Jul  9 01:09:21 2001
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Has anyone used any of the Nady mixers?  I'm looking for an affordable
(couple hundred for me) 12 channel or so mixer and saw these new for
somewhere in that neighborhood.

I know the scoop on Behringer (some like 'em, some flog them for their
manufacturing choices and intellectual property theft) so I'm keeping my
mind open and looking around.

Any suggestions would be greatly appreciated.

Thanks

Kevin

From Loopers-Delight-request@loopers-delight.com  Mon Jul  9 01:42:12 2001
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Subject: RE: Klein questions for klein, and guitar players
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** okay. i gotta say if you love the klien, you love the klien - - not a
copy. ten months is a long time but you'll be getting the real deal. if the
guy's really gonna make a "copy" why all the equivocation about the woods
and all that? did you fall in love with a roman copy of the klien? ever play
one of roman's guitars?

having known some makers (and playing their stuff after 16 years), i think
that the copy thing is lame.

the real thing is what you want in my opinion.

stig

(apologies to chris muir fro posting directly back to him due to lame e-mail
program . . . )


I was thinking about getting a Klein guitar but soon after I 

played one (and fell in love with it) I found out that their is 

a ten month waiting list. So I thought about having Ed Roman of 

www.world class guitars build me a copy. I told him I wanted a 

Klien that has a rosewood neck, because the one I played had one 

and he told me that rosewood didnt do anything but raise the 

price and went on to suggest that I should get one of his 

composite necks that have been formulated to sound like wood. 

The klien that I played was also made of basswood and Ed said 

that kind of wood was inferior to a something like korina which 

is his suggestion. Ed also told that the addition of transtrem 

would raise the price 1300 Dollars!? Can that be right for a 

tremelo? 


Thanks in advance reply on or off list which ever you feel to be 

appropriate. 





Wow, Lorenzo is busy!   

I have a chambered swamp ash Klein with Joe Barden pickups.  When I
ordered 
it in the summer of 97, the wait time was four months.  But about one
month 
after I ordered it, Lorenzo called me and said he had a guitar returned
to 
him - unbelievable, but the guy didn't like it - and it was a
natural-colored 
chambered swamp ash, like I wanted.  He installed the JBs and the custom
pots 
I wanted, and it was my guitar.   

To me, it's worth every penny I paid.  It's the guitar that goes to
every 
gig.  I also own some vintage jazz boxes, and i love them, but they
don't do 
what the Klein does.  It usually takes me a year just to get used to a 
guitar, and if me and the guitar can't agree with each other, I sell it.
The 
Klein stays.  So if you have to wait 10 months, I say "big deal".   

All I know from Ed Roman is from the one phone conversation I've had
with 
him, and that wasn't pleasant.  His words didn't match his "policies" or

anything else his website promises.  I don't trust him.  But that's me.

Others may be perfectly happy with him.  On the other hand, Lorenzo has 
always been very helpful and truthful.  I bet he doesn't have much time
to 
talk these days.  He doesn't need to hustle to sell guitars. 

There are downsides to playing a Klein.  Kids will gawk and ask
questions.   
So will adults, especially if they've been drinking.  (Ted Waitt, CEO of

Gateway computers, was the latest gawker, Friday night.  He could afford
a 
Klein, right?)  People will ask stupid questions and wait for answers.
Oh 
well. 

Kevin

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 3.2//EN">
<HTML>
<HEAD>
<META HTTP-EQUIV=3D"Content-Type" CONTENT=3D"text/html; =
charset=3Diso-8859-1">
<META NAME=3D"Generator" CONTENT=3D"MS Exchange Server version =
5.5.2653.12">
<TITLE>RE: Klein questions for klein, and guitar players</TITLE>
</HEAD>
<BODY>
<BR>

<P><FONT SIZE=3D2>** okay. i gotta say if you love the klien, you love =
the klien - - not a copy. ten months is a long time but you'll be =
getting the real deal. if the guy's really gonna make a =
&quot;copy&quot; why all the equivocation about the woods and all that? =
did you fall in love with a roman copy of the klien? ever play one of =
roman's guitars?</FONT></P>

<P><FONT SIZE=3D2>having known some makers (and playing their stuff =
after 16 years), i think that the copy thing is lame.</FONT>
</P>

<P><FONT SIZE=3D2>the real thing is what you want in my opinion.</FONT>
</P>

<P><FONT SIZE=3D2>stig</FONT>
</P>

<P><FONT SIZE=3D2>(apologies to chris muir fro posting directly back to =
him due to lame e-mail program . . . )</FONT>
</P>
<BR>

<P><FONT SIZE=3D2>I was thinking about getting a Klein guitar but soon =
after I </FONT>
</P>

<P><FONT SIZE=3D2>played one (and fell in love with it) I found out =
that their is </FONT>
</P>

<P><FONT SIZE=3D2>a ten month waiting list. So I thought about having =
Ed Roman of </FONT>
</P>

<P><FONT SIZE=3D2>www.world class guitars build me a copy. I told him I =
wanted a </FONT>
</P>

<P><FONT SIZE=3D2>Klien that has a rosewood neck, because the one I =
played had one </FONT>
</P>

<P><FONT SIZE=3D2>and he told me that rosewood didnt do anything but =
raise the </FONT>
</P>

<P><FONT SIZE=3D2>price and went on to suggest that I should get one of =
his </FONT>
</P>

<P><FONT SIZE=3D2>composite necks that have been formulated to sound =
like wood. </FONT>
</P>

<P><FONT SIZE=3D2>The klien that I played was also made of basswood and =
Ed said </FONT>
</P>

<P><FONT SIZE=3D2>that kind of wood was inferior to a something like =
korina which </FONT>
</P>

<P><FONT SIZE=3D2>is his suggestion. Ed also told that the addition of =
transtrem </FONT>
</P>

<P><FONT SIZE=3D2>would raise the price 1300 Dollars!? Can that be =
right for a </FONT>
</P>

<P><FONT SIZE=3D2>tremelo? </FONT>
</P>
<BR>

<P><FONT SIZE=3D2>Thanks in advance reply on or off list which ever you =
feel to be </FONT>
</P>

<P><FONT SIZE=3D2>appropriate. </FONT>
</P>
<BR>
<BR>
<BR>
<BR>

<P><FONT SIZE=3D2>Wow, Lorenzo is busy!&nbsp;&nbsp; </FONT>
</P>

<P><FONT SIZE=3D2>I have a chambered swamp ash Klein with Joe Barden =
pickups.&nbsp; When I</FONT>
<BR><FONT SIZE=3D2>ordered </FONT>
<BR><FONT SIZE=3D2>it in the summer of 97, the wait time was four =
months.&nbsp; But about one</FONT>
<BR><FONT SIZE=3D2>month </FONT>
<BR><FONT SIZE=3D2>after I ordered it, Lorenzo called me and said he =
had a guitar returned</FONT>
<BR><FONT SIZE=3D2>to </FONT>
<BR><FONT SIZE=3D2>him - unbelievable, but the guy didn't like it - and =
it was a</FONT>
<BR><FONT SIZE=3D2>natural-colored </FONT>
<BR><FONT SIZE=3D2>chambered swamp ash, like I wanted.&nbsp; He =
installed the JBs and the custom</FONT>
<BR><FONT SIZE=3D2>pots </FONT>
<BR><FONT SIZE=3D2>I wanted, and it was my guitar.&nbsp;&nbsp; </FONT>
</P>

<P><FONT SIZE=3D2>To me, it's worth every penny I paid.&nbsp; It's the =
guitar that goes to</FONT>
<BR><FONT SIZE=3D2>every </FONT>
<BR><FONT SIZE=3D2>gig.&nbsp; I also own some vintage jazz boxes, and i =
love them, but they</FONT>
<BR><FONT SIZE=3D2>don't do </FONT>
<BR><FONT SIZE=3D2>what the Klein does.&nbsp; It usually takes me a =
year just to get used to a </FONT>
<BR><FONT SIZE=3D2>guitar, and if me and the guitar can't agree with =
each other, I sell it.</FONT>
<BR><FONT SIZE=3D2>The </FONT>
<BR><FONT SIZE=3D2>Klein stays.&nbsp; So if you have to wait 10 months, =
I say &quot;big deal&quot;.&nbsp;&nbsp; </FONT>
</P>

<P><FONT SIZE=3D2>All I know from Ed Roman is from the one phone =
conversation I've had</FONT>
<BR><FONT SIZE=3D2>with </FONT>
<BR><FONT SIZE=3D2>him, and that wasn't pleasant.&nbsp; His words =
didn't match his &quot;policies&quot; or</FONT>
</P>

<P><FONT SIZE=3D2>anything else his website promises.&nbsp; I don't =
trust him.&nbsp; But that's me.</FONT>
</P>

<P><FONT SIZE=3D2>Others may be perfectly happy with him.&nbsp; On the =
other hand, Lorenzo has </FONT>
<BR><FONT SIZE=3D2>always been very helpful and truthful.&nbsp; I bet =
he doesn't have much time</FONT>
<BR><FONT SIZE=3D2>to </FONT>
<BR><FONT SIZE=3D2>talk these days.&nbsp; He doesn't need to hustle to =
sell guitars. </FONT>
</P>

<P><FONT SIZE=3D2>There are downsides to playing a Klein.&nbsp; Kids =
will gawk and ask</FONT>
<BR><FONT SIZE=3D2>questions.&nbsp;&nbsp; </FONT>
<BR><FONT SIZE=3D2>So will adults, especially if they've been =
drinking.&nbsp; (Ted Waitt, CEO of</FONT>
</P>

<P><FONT SIZE=3D2>Gateway computers, was the latest gawker, Friday =
night.&nbsp; He could afford</FONT>
<BR><FONT SIZE=3D2>a </FONT>
<BR><FONT SIZE=3D2>Klein, right?)&nbsp; People will ask stupid =
questions and wait for answers.</FONT>
<BR><FONT SIZE=3D2>Oh </FONT>
<BR><FONT SIZE=3D2>well. </FONT>
</P>

<P><FONT SIZE=3D2>Kevin</FONT>
</P>

</BODY>
</HTML>
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From Loopers-Delight-request@loopers-delight.com  Mon Jul  9 06:08:47 2001
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From: "Bill Fox" <billfox@fast.net>
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Subject: Re: EMUSIC Playlist #224
Date: Sun, 8 Jul 2001 06:03:40 -0400
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Sorry, Marc, but what a member posts to the list goes to all members.  You can't
choose which member should or shouldn't receive a specific message.  It's all or
none.

Bill
-----Original Message-----
From: marc roche <govinda@cyber-dyne.com>
To: Loopers-Delight@loopers-delight.com <Loopers-Delight@loopers-delight.com>
Date: Sunday, July 08, 2001 4:33 PM
Subject: Re: EMUSIC Playlist #224


remove
  ----- Original Message -----
  From: Bill Fox
  To: emusic-wdiy Mailing List
  Sent: Saturday, July 07, 2001 1:04 PM
  Subject: EMUSIC Playlist #224

  EMUSIC, an electronic, ambient, and space music show, airs each Thursday
  at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA and 93.9 FM in
  Easton, PA and Phillipsburg, NJ.

                      Show #224                    July 5, 2001.
[snip]

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From: "Bill Fox" <billfox@fast.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: cursed spell check
Date: Sun, 8 Jul 2001 06:06:40 -0400
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I defy you to be definite.   8-)
-----Original Message-----
From: THusken@aol.com <THusken@aol.com>
To: Loopers-Delight@loopers-delight.com <Loopers-Delight@loopers-delight.com>
Date: Sunday, July 08, 2001 8:35 PM
Subject: Re: Klein questions for klein, and guitar players


>...did I mean defiantly or definitely?  cursed spell check!

From Loopers-Delight-request@loopers-delight.com  Mon Jul  9 10:16:58 2001
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Subject: Re: EMUSIC Playlist #224
Date: Mon, 9 Jul 2001 10:18:40 -0400
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I'd prefer not to receive your play lists at all,
but get it anyway because I subscribe to all
sorts of lists. How about you stop sending it
to all these lists, start your own Yahoo list
and give people a choice in the matter?

db

----- Original Message -----
From: Bill Fox <billfox@fast.net>

> Sorry, Marc, but what a member posts to the list goes to all members.  You
can't
> choose which member should or shouldn't receive a specific message.  It's
all or
> none.
>
>   EMUSIC, an electronic, ambient, and space music show, airs each Thursday
>   at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA and 93.9 FM in
>   Easton, PA and Phillipsburg, NJ.
>
>                       Show #224                    July 5, 2001.
> [snip]
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Jul  9 10:36:55 2001
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Subject: Re: PEDAL BOARDS and an OT Velcro gl  [ lance glover 
 <baumhaus@earthlink.ne ]
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--------------2CDE64A880044939804F2F52
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McMaster-Carr carries velcro in 60" width: www.mcmaster.com

-Hans

>
>     Two:  Where could I find a large piece of that velcro backing that
> pre-manufactured pedal boards come with?  I picked up several packs of
> industrial strength velcro strips that support the weight of my
> individual
> pedals / boxes, but I think for ease of pedal placement (and
> RE-placement)
> I'll want to cover the entire board with that stuff so that I can
> place the
> pedals anywhere I want (and be able to later change my mind.  ;)
>
>     mike
>

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<!doctype html public "-//w3c//dtd html 4.0 transitional//en">
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<div WRAP>McMaster-Carr carries velcro in 60" width: www.mcmaster.com</div>

<div WRAP></div>


<p WRAP>-Hans
<blockquote TYPE=CITE>
<div WRAP><br>
&nbsp;&nbsp;&nbsp; Two:&nbsp; Where could I find a large piece of that
velcro backing that<br>
pre-manufactured pedal boards come with?&nbsp; I picked up several packs
of<br>
industrial strength velcro strips that support the weight of my individual<br>
pedals / boxes, but I think for ease of pedal placement (and RE-placement)<br>
I'll want to cover the entire board with that stuff so that I can place
the<br>
pedals anywhere I want (and be able to later change my mind.&nbsp; ;)<br>
<br>
&nbsp;&nbsp;&nbsp; mike<br>
<BR></div>
</blockquote>
</html>

--------------2CDE64A880044939804F2F52--

From Loopers-Delight-request@loopers-delight.com  Mon Jul  9 10:37:41 2001
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Subject: Re: EMUSIC Playlist #224
Date: Mon, 9 Jul 2001 16:35:00 +0200
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Bill
have you EVER thought that not everybody here CAN listen to a small FM
station from Allentown?
or are we all from US? I don't send my stuff since I know the majority of
people here would never be able to get to it anyways.
Evidently you never thought about that!

Italo
----- Original Message -----
From: "David Beardsley" <db@biink.com>
To: <Loopers-Delight@loopers-delight.com>; <billfox@fast.net>
Sent: Monday, July 09, 2001 4:18 PM
Subject: Re: EMUSIC Playlist #224


> I'd prefer not to receive your play lists at all,
> but get it anyway because I subscribe to all
> sorts of lists. How about you stop sending it
> to all these lists, start your own Yahoo list
> and give people a choice in the matter?
>
> db
>
> ----- Original Message -----
> From: Bill Fox <billfox@fast.net>
>
> > Sorry, Marc, but what a member posts to the list goes to all members.
You
> can't
> > choose which member should or shouldn't receive a specific message.
It's
> all or
> > none.
> >
> >   EMUSIC, an electronic, ambient, and space music show, airs each
Thursday
> >   at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA and 93.9 FM
in
> >   Easton, PA and Phillipsburg, NJ.
> >
> >                       Show #224                    July 5, 2001.
> > [snip]
> >
> >
>

From Loopers-Delight-request@loopers-delight.com  Mon Jul  9 12:20:40 2001
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Subject: Intriguing loop project
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Hi folks,

Just came across a link to this site in the "news" section of Eno-web
(http://music.hyperreal.org/artists/brian_eno/). Apparently Brian donated
some equipment to them that they can sell to raise funds.

http://homepage.mac.com/publicloop/aboutfr1.html

Info is available at the "news" section at that site. The layout is a little
clumsy for my liking, but one can get around. You have to click on the
pictures at the top of the page to navigate.

Jim Bailey

From Loopers-Delight-request@loopers-delight.com  Mon Jul  9 12:26:13 2001
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unsuscribe!

thanks for all!



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<DIV><FONT color=3D#000000 size=3D2>unsuscribe!</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>thanks for all!</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon Jul  9 14:08:44 2001
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Subject: Re: PEDAL BOARDS  and an OT Velcro glue substitute request
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OK, I use the self-adhesive velcro all the time.  Not just for my pedal boards,
but for household repairs as well.

And I keep running into the same problem: the velcro - velcro bond is stronger
than the bond between the adhesive and whatever I'm trying to mount the velcro
on.  The result is that when I try to remove the top item, the velcro stays
bonded together, and the lower layer of velcro is pulled off whatever it was
mounted on.

Any suggestions?

John McIntyre
Physics - Astronomy Domine Dept
Michigan State University
mcintyre@pa.msu.edu

From Loopers-Delight-request@loopers-delight.com  Mon Jul  9 14:34:06 2001
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John McIntyre wrote:
> 
> OK, I use the self-adhesive velcro all the time.  Not just for my pedal boards,
> but for household repairs as well.
> 
> And I keep running into the same problem: the velcro - velcro bond is stronger
> than the bond between the adhesive and whatever I'm trying to mount the velcro
> on.  The result is that when I try to remove the top item, the velcro stays
> bonded together, and the lower layer of velcro is pulled off whatever it was
> mounted on.
> 
> Any suggestions?


I use velcro in my racks and glue them with "contact glue" I'm sorry
thats the name translated from french its the type of glue where you
apply on both sides then let dry untill complete "touch dry" usually
10mn then press strongly once for all
it is a rubber glue that can be found in different strenght go for the
strong one 

It is important for any gluing to de-grease both parts with alcool or
solvent


hope this helps
Claude

From Loopers-Delight-request@loopers-delight.com  Mon Jul  9 14:34:22 2001
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Subject: Re: PEDAL BOARDS  and an OT Velcro glue substitute request
From: Mike Feeney <feeneymike@yahoo.com>
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>,
        John McIntyre <mcintyre@pa.msu.edu>
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    staple gun and spray-on adhesive....  That's what I'm planning on using
anyway.  =)

    that aeroson adhesive in a can would stick the wheels of your car to the
road if you let it, I'm convinced.  =)

    the staples would basically serve to hold the item in place while the
adhesive dries, then would serve as supplemental support.

    mike



on 7/9/01 1.02 PM, John McIntyre at mcintyre@pa.msu.edu wrote:

> OK, I use the self-adhesive velcro all the time.  Not just for my pedal
> boards,
> but for household repairs as well.
> 
> And I keep running into the same problem: the velcro - velcro bond is stronger
> than the bond between the adhesive and whatever I'm trying to mount the velcro
> on.  The result is that when I try to remove the top item, the velcro stays
> bonded together, and the lower layer of velcro is pulled off whatever it was
> mounted on.
> 
> Any suggestions?
> 
> John McIntyre
> Physics - Astronomy Domine Dept
> Michigan State University
> mcintyre@pa.msu.edu


_________________________________________________________
Do You Yahoo!?
Get your free @yahoo.com address at http://mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Mon Jul  9 14:46:30 2001
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-----------------------------DO NOT REPLY TO THIS MESSAGE OR YOUR
COMPUTER WILL SHOW YOU VERY UNPOLITE MESSAGES FROM ALL AROUND THE WORLD


1-go to you browser preferences and set you Email client to send plain
text (NO HTML) with No signature file

2-click next line link
mailto:Loopers-Delight-request@loopers-delight.com

3-delete your signature, etc...  make your message blank 

4-double click (highlight) the sacred word on next line
SACRED WORD-->       unsubscribe     <--SACRED WORD
then 
copy (contr+C )

5-place cursor in Subject of the message
Paste (contr+V)

5-place cursor in Body of the message
Paste (contr+V)

7-click send

Bye bye

Claude

From Loopers-Delight-request@loopers-delight.com  Mon Jul  9 14:48:50 2001
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>     staple gun and spray-on adhesive....  

I couldn't get the staple gun to work on my Ernie Ball volume pedal....








.... joking.....

From Loopers-Delight-request@loopers-delight.com  Mon Jul  9 15:12:24 2001
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Date: Mon, 09 Jul 2001 19:09:53 
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<html><DIV>Hey,</DIV>
<DIV>I just joined the loopers delight list. I was just wondering if there are any djs on the list that are using samplers to create loops on the fly during performances? It just did look like many electronic artists were here from the profiles i read. </DIV>
<DIV>If you are a dj, what are you using for gear?</DIV>
<DIV>&nbsp;</DIV>
<DIV>Currently i'm set up with a Pioneer DJM600, 2 12's, just sold my kaoss pad, wait-listed for a Red Sound Cycloops, many external effectors. If anyone on the list has used a Cycloops what did you think?</DIV>
<DIV>Thanks <IMG height=12 src="http://216.33.150.251/emsmile.gif" width=12>,</DIV>
<DIV>Brian&nbsp;&nbsp;</DIV><br clear=all><hr>Get Your Private, Free E-mail from MSN Hotmail at <a href="http://www.hotmail.com">http://www.hotmail.com</a>.<br></p></html>

From Loopers-Delight-request@loopers-delight.com  Mon Jul  9 16:51:44 2001
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Date: Mon, 09 Jul 2001 13:48:14 -0700
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From: Sean <sean_@mindspring.com>
Subject: [gig] Tonight in Santa Cruz, Ca: Bass Loop Tour final show
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Just wanted to remind all the bay area and central coast Californians about 
the final night of the Bass Looping Tour that ends tonight (July 9) in 
Santa Cruz at the Rio Theatre.

Featuring: Michael Manring, Steve Lawson, Rick Walker, Max Valentino and 
the Manring/Walker/Lawson Trio.

I caught the awesome show last night in San Jose.  Packed room, with 
excellent audience reception from a pretty varied crowd.  And talk about 
varied - don't miss Rick's slew of instruments (looped and unlooped, water 
based, plastic based, nose based, toys, ...).

Don't miss tonight's show!

1205 Soquel Ave
Santa Cruz, CA 95062
(831) 423-2000

Map (url is probably wrapped, so cut and paste the line back together):
http://www.mapquest.com/cgi-bin/database?link=btwn/twn-yp_map_results&event=draw_map&uid=u6l407p7scbeuoud:8x5u8nufy&SNVData=&company_name=Rio+Theatre&address=1205+Soquel+Ave&city=Santa+Cruz&state=CA&zip=95062&phone=(831)423-2000&abi=103359279

From Loopers-Delight-request@loopers-delight.com  Mon Jul  9 17:03:35 2001
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Date: Mon, 09 Jul 2001 16:59:38 -0400
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From: Tim Nelson <tcn62@ici.net>
Subject: Re: PEDAL BOARDS  and an OT Velcro glue substitute request
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At 02:02 PM 7/9/01 -0400, you wrote:
>And I keep running into the same problem: the velcro - velcro bond is
stronger
>than the bond between the adhesive and whatever I'm trying to mount the
velcro
>on.  The result is that when I try to remove the top item, the velcro stays
>bonded together, and the lower layer of velcro is pulled off whatever it was
>mounted on.
>
>Any suggestions?

If you're using both pieces (as opposed to sticking it to carpet), tack the
bottom piece down to the board with heavy-duty staples. Then when
repositioning the pedals, hold that piece in place while you lift.

-t

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Subject: Re: Klein questions for klein, and guitar players
Date: Mon, 9 Jul 2001 18:58:22 -0500
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snippet-

>routing of the Kleins under the pickguard and that the new instruments
sound
>a lot more 'lively'.  He then said that if I wanted to, I should send him
my
>instrument and he would do the routing for free because as he

Todd -

Yep,  and it sounds like it's gonna be a great addition, or is that
subtraction to a mighty fine instrument!

Jeremiah -

Funny this thread came up, I just placed my Klein order last week!  When
Lorenzo advised of the ten month wait, I really only thought about backing
out for a second, then I realized that there is nowhere else to get an
instrument of this quality with my specific requests at the price i'm
paying, no matter how long I wait (DeLap is a good thought, but his waiting
list is longer and well i'm not as fond of his instruments, though i've only
tried one of his guitars out). That coupled with having played a few Kleins
and Lorenzo's more than proven track record helped in making the right
decision, at least for me.
I personally do not know ER from a moron with a few Steinberger-type parts
at his disposal. One quick and weird phone conversation a year ago answered
all of my questions as to his trustworthiness.
One last thought, I would highly suggest you check out any instrument (even
a rough version) before you decide on buying same. Trying one type of
luthier's instrument and having someone else tell you he can build it
better, faster and quite possibly for more money with never having tried out
the second luthier's work is, well,...not a very bright idea.

Hope ya get what you desire and can use!

PedrOOrdeP

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<html><DIV>
<P><STRONG><FONT face="Times New Roman, Times, Serif">I have not ventured to that level as of yet. I have done some research on the Cyclops, and it seems to be a "neat" device. But I have not seen one in action.</FONT></STRONG><BR><BR></P></DIV>
<DIV></DIV>
<DIV></DIV>----Original Message Follows---- 
<DIV></DIV>From: "Brian Parker" <BP33@HOTMAIL.COM>
<DIV></DIV>Reply-To: Loopers-Delight@loopers-delight.com 
<DIV></DIV>To: Loopers-Delight@loopers-delight.com 
<DIV></DIV>Subject: Any dj's using loops live? 
<DIV></DIV>Date: Mon, 09 Jul 2001 19:09:53 
<DIV></DIV>
<DIV></DIV><br clear=all><hr>Get your FREE download of MSN Explorer at <a href="http://explorer.msn.com">http://explorer.msn.com</a><br></p></html>
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>From Loopers-Delight-request@loopers-delight.com Mon, 09 Jul 2001 12:14:28 -0700
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<html><DIV>Hey,</DIV>
<DIV>I just joined the loopers delight list. I was just wondering if there are any djs on the list that are using samplers to create loops on the fly during performances? It just did look like many electronic artists were here from the profiles i read. </DIV>
<DIV>If you are a dj, what are you using for gear?</DIV>
<DIV>&nbsp;</DIV>
<DIV>Currently i'm set up with a Pioneer DJM600, 2 12's, just sold my kaoss pad, wait-listed for a Red Sound Cycloops, many external effectors. If anyone on the list has used a Cycloops what did you think?</DIV>
<DIV>Thanks <IMG height=12 src="http://216.33.150.251/emsmile.gif" width=12>,</DIV>
<DIV>Brian&nbsp;&nbsp;</DIV><br clear=all><hr>Get Your Private, Free E-mail from MSN Hotmail at <a href="http://www.hotmail.com">http://www.hotmail.com</a>.<br></p></html>



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From Loopers-Delight-request@loopers-delight.com  Mon Jul  9 21:53:12 2001
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To: "Art List"  <emile@foryourhead.com>
From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Video Performace w  John Dirac Quintet/CLUB Z @ Zeitgeist  14
 July (sat)
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Hi folk,

I'm performing video improvisations in Cambridge this Saturday night as part of

subconsciouscafe Ahistorical Music Series @ ZEITGEIST GALLERY Presents

Saturday, July 14  9pm/11pm  $7 suggested

9pm:

The John Dirac Sextet

Members & alums of the renowned Either/Orchestra and friends in a 
concert of jazz originals and cosmopolitan covers!

John Dirac - guitar   (Either/Orchestra)
Russ Gershon - saxes   (E/O)
Tom Halter - trumpet   (E/O)
Syd Smart - drums   (Sam Rivers)
Marcia Wytrwal - vocals
          ~PLUS!~

11pm:

CLUB Z

Katt Hernandez, director

An evolving ensemble of improvising musicians explore traditional 
North African and Turkish trance musics with a contemporary twist, or 
two:

Katt Hernandez - violin
Jonathan Vincent - accordian
Jerry Leake - tablas
Sergio Brandao - mandolin
Nihat Tokdil - nay
Todd Brunel - clarinet
and others

subconsciouscafe: friends, lights, music, beer (byo)

Zeitgeist Gallery - 312 Broadway, cr Norfolk, off Central Sq. Cambridge
info 617.876.2182 wheelchair accessible.
-- 

"The reasonable man adapts himself to the world. The unreasonable man 
persists in adapting the world to himself. Therefore, all progress 
depends on the unreasonable man.

--  George Bernard Shaw

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

From Loopers-Delight-request@loopers-delight.com  Mon Jul  9 22:27:41 2001
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From: Richard Zvonar <zvonar@zvonar.com>
Subject: Re: Any dj's using loops live?
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At 7:09 PM +0000 7/9/01, Brian Parker wrote:

>I was just wondering if there are any djs on the list that are using 
>samplers to create loops on the fly during performances? It just did 
>look like many electronic artists were here from the profiles i read.
>If you are a dj, what are you using for gear?

I don't consider myself a DJ (nor would most DJs or their audience) 
but for a long time I have performed with a combination of playback 
media, live performers, and signal processors that include looping.

The setup varies, but among my favorite processors are the Eventide 
H3000 and DSP4000, and the TC2290. All three of these devices can 
perform looping functions in either a regenerating delay mode or a 
sampling mode. One favorite hack with the H3000 is to control the 
playback parameters (start and end point, playback rate, pitch 
transposition) with faders. The H3000's Sampler can loop two voices 
independently, so I use eight faders. One particularly interesting 
thing is to move the end point earlier than the start point so that 
the sample plays backwards.

The DSP4000 has a sampling function that can immediately play back in 
reverse, so I can capture a live sample and then play it back 
immediately either forward or in reverse. This is especially 
interesting with live voice, and I've done a lot of this with a story 
teller.

I control the TC2290 with MIDI, and I am able to address all its 
parameters with system exclusive messages. One favorite looping hack 
is to control a pair of 2290s and to move the playback "window" 
forward and back in time. The two loops can be the same length but 
offset in time, or they can be of different lengths.

For prerecorded playback I use CDs and cassette tapes (when I started 
doing this there weren't any CDs yet). On occasion I've used looping 
cassettes, but mostly I use regular cassette recordings of music 
ranging from assorted world music to classical to avant garde 
instrumental and electronic music (it's interesting to hear Satie and 
Nono superimposed). One of my cassette decks is a Tascam Porta One (I 
bought it in 1985). This is a cassette portastudio that runs at 
regular cassette speed, so you can play any normally recorded 
cassette. The interesting thing is that while "Side A" is playing 
back normally, "Side B" is playing back in reverse. The faders on the 
Porta One allow simple fading in and out of the tracks.

I mix all this stuff with a Mackie 1604, and I've devised a patching 
system that allows me to audition signals before sending them into 
the main mix. The 1604 has four outputs, of which 3 and 4 are 
considered an Alternate or "Alt" pair.  I use these outputs as my 
mail feed to the PA system. When I want to audition something with 
headphones I have that channel in normal mode, routed to outputs 1 
and 2 (which aren't hooked up to anything but which feed into the 
headphones). Then when I want to send the signal to the main mix I 
punch in the "Alt" button for that channel.

In recent years most of my performances have been with the band 
Cosmic Debris. I had signal feeds from all the other performers: 
voice, flute, keyboard, bass, percussion loops, and sometimes from 
two cassettes and a CD player.
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

From Loopers-Delight-request@loopers-delight.com  Mon Jul  9 23:17:10 2001
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Subject: Re: endless loop tapes
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----- Original Message -----
From: "diatom drone" <skincage@infin8ty.com>
To: <Loopers-Delight@loopers-delight.com>
Cc: <oddmusic@yahoogroups.com>
Sent: Saturday, July 07, 2001 3:39 AM
Subject: endless loop tapes


> 1. what's the easiest way to kill that gap/pop ?

    I've had good luck with a tiny dab of superglue.  Also a splicing kit
will do if you're very careful with
butting the ends together.

> 2. is there any way to record on the other side?

    What do you mean?  The flip side of the tape?  My splices hold up for
playing backwards in a 4 track
cassette machine.  If you mean the back side of the tape, no, it has no
oxide on it to record to.

> actually any help getting me pointed in the right direction for
> experimenting with tape would be great. i'm already having a lot of fun
> sampling this horrible giant scorpion movie off tv and playing with the
> playback speed and eq.

   Sounds like some of the stuff I've done :-)


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From: glenn <glenn234@pacbell.net>
Subject: Re: endless loop tapes
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New to the (awesom) list after wonderful "bass looping festival" in san
jose-- wow!, just spent the day messing with karlette and other pseudo
looping caca on cubase cause i don't have any looping hardware yet but
otherwise totally motivated by the bass looping experience, any dedicated
VSt looping plug ins exist-say that will record loops from a midi sustain
pedal???

Used to loop 1/4 inch tape on 4 tracks with paper over the erase head of one
of them or a variable resistor and a wood block for a pedal and the other 4
track about 20 feet awy with an extra reel suspended from a boom stand to
support the loop midway.

While i respect your suggestion, I have seen some of the damage even the
mist(which is exuded for days after seemingly drying) from superglue can do
to plastics and metal (although it could be argued that there are adhesives
on splicing tape-another good reason to get better at minimizing the gap)and
would just practice making better splices. It can be done "seamlessly" with
practice for sure.

Sincerely,
Glenn

on 7/9/01 8:20 PM, Andrew Wing at spam.dot@home.com wrote:

>> 1. what's the easiest way to kill that gap/pop ?
> 
> I've had good luck with a tiny dab of superglue.  Also a splicing kit
> will do if you're very careful with
> butting the ends together.

From Loopers-Delight-request@loopers-delight.com  Mon Jul  9 23:47:50 2001
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Subject: OT: Re: Klein questions for klein, and guitar players
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someone said:
>When Lorenzo advised of the ten month wait, I really only thought about 
backing
>out for a second, then I realized that there is nowhere else to get an
>instrument of this quality with my specific requests at the price i'm
>paying, no matter how long I wait
well, i'm really pleased w/the teuffel tesla, so far:
highly flexible (personalised, odd) electronics, w/great sounding pickups, and
the wait-time is not nearly that long.
OTOH:
the klein is certainly a fantastic instrument, well worth the wait, if that's 
what yer after.....

best,
dt / s-c

From Loopers-Delight-request@loopers-delight.com  Tue Jul 10 02:44:24 2001
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Subject: Re: relevantirrelevantrelevantirrelevant....
Date: Mon, 9 Jul 2001 17:47:53 +0100
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I generally tell people when and where I'm playing - though nobody ever
shows up!!
Is a plane ticket from the USA THAT expensive??
I do it not in the expectation of swelling audience numbers but just letting
people know that
my looping is live and kicking.
I'm personally not too bothered about less than relevant announcements -
it's not that hard to hit delete is it?

Gareth


> have you EVER thought that not everybody here CAN listen to a small FM
> station from Allentown?
> or are we all from US? I don't send my stuff since I know the majority of
> people here would never be able to get to it anyways.
> Evidently you never thought about that!
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Jul 10 03:56:10 2001
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Date: Tue, 10 Jul 2001 03:53:18 EDT
Subject: Bleen vortex
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share your vortex patches at the
 <A HREF="http://members.aol.com/soundfnr/vortex.htm">Lexicon Vortex Database
</A> 

From Loopers-Delight-request@loopers-delight.com  Tue Jul 10 03:56:22 2001
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I found a very useful feature for which I couldn't find any documentation 
(either in the manual or on th Loopers Delight site)
When using NextLoop I found that if SampleMode was
set to Attack the new loop would always start 
from the begining immediatly (with SwitchQuant set to Confirm or Off).
This is a feature I very much wanted, although I can see
why you'd wan't to use the default which is to return to the 
loop "where you left it".

Well thanks to "whoever" put that in place. 

andy butler  

From Loopers-Delight-request@loopers-delight.com  Tue Jul 10 04:55:48 2001
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Thanks for the tip Andy- sounds cool- I'll have to check that out- Cliff

pS- anyone have their Vortex stop displaying morph data using expression
pedal? mine still works but the data does not display-

----- Original Message -----
From: <SoundFNR@aol.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, July 10, 2001 12:53 AM
Subject: EDP undocumented feature


>
> I found a very useful feature for which I couldn't find any documentation
> (either in the manual or on th Loopers Delight site)
> When using NextLoop I found that if SampleMode was
> set to Attack the new loop would always start
> from the begining immediatly (with SwitchQuant set to Confirm or Off).
> This is a feature I very much wanted, although I can see
> why you'd wan't to use the default which is to return to the
> loop "where you left it".
>
> Well thanks to "whoever" put that in place.
>
> andy butler
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Jul 10 07:04:57 2001
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Subject: Re: possiblyrelevant
Date: Tue, 10 Jul 2001 12:08:25 +0100
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Anyone using a laptop/pc/mac might find this relevant.
http://www.OhmForce.com 
It's a delay plugin with filters, lfo's etc.

What's bleen?

Gareth

From Loopers-Delight-request@loopers-delight.com  Tue Jul 10 07:44:24 2001
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From: John Tidwell <wedgehed@yahoo.com>
Subject: Re: possiblyrelevant
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Nothing much. What's bleen happening with you?

John

--- whiteoakstudios <whiteoakstudios@supanet.com>
wrote:

> What's bleen?


Bleen are 2 of the presets on the Lexicon Vortex.
Whenever I hear something processed thru the Bleen B
preset, I think of BB's bouncing on a formica table
top.

JT

=====
John Tidwell




__________________________________________________
Do You Yahoo!?
Get personalized email addresses from Yahoo! Mail
http://personal.mail.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Tue Jul 10 07:54:42 2001
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Subject: Re: Re: Klein questions for klein, and guitar players
Date: Tue, 10 Jul 2001 07:51:44 -0500
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snip ---
price i'm
>>paying, no matter how long I wait
>well, i'm really pleased w/the teuffel tesla, so far:
>highly flexible (personalised, odd) electronics, w/great sounding pickups,
and
>the wait-time is not nearly that long.


dt do tell, how is the tesla, were you able to get one outfitted with a
transtrem? Would you consider it another strange beast in your arsenal or is
it becoming your "primary" instrument? Have you had an opportunity to record
with same?

>OTOH:
>the klein is certainly a fantastic instrument, well worth the wait, if
that's
>what yer after.....

word :)
>
>best,
>dt / s-c
>
thanks, PedrOOrdeP

>

From Loopers-Delight-request@loopers-delight.com  Tue Jul 10 09:33:24 2001
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Date: Tue, 10 Jul 2001 15:31:59 +0200
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From: Matthias Grob <matthias@grob.org>
Subject: Re: EDP undocumented feature
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>I found a very useful feature for which I couldn't find any documentation
>(either in the manual or on th Loopers Delight site)
>When using NextLoop I found that if SampleMode was
>set to Attack the new loop would always start
>from the begining immediatly (with SwitchQuant set to Confirm or Off).
>This is a feature I very much wanted, although I can see
>why you'd wan't to use the default which is to return to the
>loop "where you left it".
>
>Well thanks to "whoever" put that in place.

me, you are welcome. In fact it may have been Keith McMillan who 
suggested this.
If you set to STA it also starts at the beginning and does not stop 
at the end of the note as with Att.

I dont think Att depends on SwitchQuant, since its really meant as 
"play samples from keyboard" mode (even attack velocity dependent, if 
you want).

I am amazed that its not documented...

-- 


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Tue Jul 10 09:39:46 2001
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Matthias Grob wrote:

SNIP

> me, you are welcome. In fact it may have been Keith McMillan who
> suggested this.
> If you set to STA it also starts at the beginning and does not stop
> at the end of the note as with Att.

 (STA) Errr this is not yet in the current OS....

<G>

Claude

From Loopers-Delight-request@loopers-delight.com  Tue Jul 10 09:54:27 2001
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<html><DIV>
<P><FONT size=6>HuH ?</FONT><BR><BR></P></DIV>
<DIV></DIV>
<DIV></DIV>----Original Message Follows---- 
<DIV></DIV>From: Richard Zvonar <ZVONAR@ZVONAR.COM>
<DIV></DIV>Reply-To: Loopers-Delight@loopers-delight.com 
<DIV></DIV>To: Loopers-Delight@loopers-delight.com 
<DIV></DIV>Subject: Re: Any dj's using loops live? 
<DIV></DIV>Date: Mon, 09 Jul 2001 19:28:41 -0700 
<DIV></DIV>
<DIV></DIV>At 7:09 PM +0000 7/9/01, Brian Parker wrote: 
<DIV></DIV>
<DIV></DIV>&gt;I was just wondering if there are any djs on the list that are using 
<DIV></DIV>&gt;samplers to create loops on the fly during performances? It just did 
<DIV></DIV>&gt;look like many electronic artists were here from the profiles i 
<DIV></DIV>&gt;read. 
<DIV></DIV>&gt;If you are a dj, what are you using for gear? 
<DIV></DIV>
<DIV></DIV>I don't consider myself a DJ (nor would most DJs or their audience) 
<DIV></DIV>but for a long time I have performed with a combination of playback 
<DIV></DIV>media, live performers, and signal processors that include looping. 
<DIV></DIV>
<DIV></DIV>The setup varies, but among my favorite processors are the Eventide 
<DIV></DIV>H3000 and DSP4000, and the TC2290. All three of these devices can 
<DIV></DIV>perform looping functions in either a regenerating delay mode or a 
<DIV></DIV>sampling mode. One favorite hack with the H3000 is to control the 
<DIV></DIV>playback parameters (start and end point, playback rate, pitch 
<DIV></DIV>transposition) with faders. The H3000's Sampler can loop two voices 
<DIV></DIV>independently, so I use eight faders. One particularly interesting 
<DIV></DIV>thing is to move the end point earlier than the start point so that 
<DIV></DIV>the sample plays backwards. 
<DIV></DIV>
<DIV></DIV>The DSP4000 has a sampling function that can immediately play back in 
<DIV></DIV>reverse, so I can capture a live sample and then play it back 
<DIV></DIV>immediately either forward or in reverse. This is especially 
<DIV></DIV>interesting with live voice, and I've done a lot of this with a story 
<DIV></DIV>teller. 
<DIV></DIV>
<DIV></DIV>I control the TC2290 with MIDI, and I am able to address all its 
<DIV></DIV>parameters with system exclusive messages. One favorite looping hack 
<DIV></DIV>is to control a pair of 2290s and to move the playback "window" 
<DIV></DIV>forward and back in time. The two loops can be the same length but 
<DIV></DIV>offset in time, or they can be of different lengths. 
<DIV></DIV>
<DIV></DIV>For prerecorded playback I use CDs and cassette tapes (when I started 
<DIV></DIV>doing this there weren't any CDs yet). On occasion I've used looping 
<DIV></DIV>cassettes, but mostly I use regular cassette recordings of music 
<DIV></DIV>ranging from assorted world music to classical to avant garde 
<DIV></DIV>instrumental and electronic music (it's interesting to hear Satie and 
<DIV></DIV>Nono superimposed). One of my cassette decks is a Tascam Porta One (I 
<DIV></DIV>bought it in 1985). This is a cassette portastudio that runs at 
<DIV></DIV>regular cassette speed, so you can play any normally recorded 
<DIV></DIV>cassette. The interesting thing is that while "Side A" is playing 
<DIV></DIV>back normally, "Side B" is playing back in reverse. The faders on the 
<DIV></DIV>Porta One allow simple fading in and out of the tracks. 
<DIV></DIV>
<DIV></DIV>I mix all this stuff with a Mackie 1604, and I've devised a patching 
<DIV></DIV>system that allows me to audition signals before sending them into 
<DIV></DIV>the main mix. The 1604 has four outputs, of which 3 and 4 are 
<DIV></DIV>considered an Alternate or "Alt" pair. I use these outputs as my 
<DIV></DIV>mail feed to the PA system. When I want to audition something with 
<DIV></DIV>headphones I have that channel in normal mode, routed to outputs 1 
<DIV></DIV>and 2 (which aren't hooked up to anything but which feed into the 
<DIV></DIV>headphones). Then when I want to send the signal to the main mix I 
<DIV></DIV>punch in the "Alt" button for that channel. 
<DIV></DIV>
<DIV></DIV>In recent years most of my performances have been with the band 
<DIV></DIV>Cosmic Debris. I had signal feeds from all the other performers: 
<DIV></DIV>voice, flute, keyboard, bass, percussion loops, and sometimes from 
<DIV></DIV>two cassettes and a CD player. 
<DIV></DIV>-- 
<DIV></DIV>
<DIV></DIV>______________________________________________________________ 
<DIV></DIV>Richard Zvonar, PhD 
<DIV></DIV>(818) 788-2202 
<DIV></DIV>http://www.zvonar.com 
<DIV></DIV>http://RZCybernetics.com 
<DIV></DIV>http://www.cybmotion.com/aliaszone 
<DIV></DIV>http://www.live365.com/cgi-bin/directory.cgi?autostart=rz 
<DIV></DIV>
<DIV></DIV><br clear=all><hr>Get your FREE download of MSN Explorer at <a href="http://explorer.msn.com">http://explorer.msn.com</a><br></p></html>

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Subject: Re: Any dj's using loops live? (R. Zvonar)
Date: Tue, 10 Jul 2001 14:18:26 
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<html><DIV>
<P>Richard Zvonar ,</P>
<P>to quote you&nbsp;"I don't consider myself a DJ (nor would most DJs or their audience)' </P>
<P>What are you talking about in that reply? No shit your not a dj. I'm looking for people who&nbsp;mix vinyl or cd's in clubs or raves who add loops to their sets. By definition these types of people are dj's and their auduences DO consider them dj's. dj='disc' jockey. </P>
<P>BP<BR></P></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV><br clear=all><hr>Get Your Private, Free E-mail from MSN Hotmail at <a href="http://www.hotmail.com">http://www.hotmail.com</a>.<br></p></html>
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>From Loopers-Delight-request@loopers-delight.com Tue, 10 Jul 2001 06:54:01 -0700
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<html><DIV>
<P><FONT size=6>HuH ?</FONT><BR><BR></P></DIV>
<DIV></DIV>
<DIV></DIV>----Original Message Follows----
<DIV></DIV>From: Richard Zvonar <ZVONAR@ZVONAR.COM>
<DIV></DIV>Reply-To: Loopers-Delight@loopers-delight.com
<DIV></DIV>To: Loopers-Delight@loopers-delight.com
<DIV></DIV>Subject: Re: Any dj's using loops live?
<DIV></DIV>Date: Mon, 09 Jul 2001 19:28:41 -0700
<DIV></DIV>
<DIV></DIV>At 7:09 PM +0000 7/9/01, Brian Parker wrote:
<DIV></DIV>
<DIV></DIV>&gt;I was just wondering if there are any djs on the list that are using
<DIV></DIV>&gt;samplers to create loops on the fly during performances? It just did
<DIV></DIV>&gt;look like many electronic artists were here from the profiles i
<DIV></DIV>&gt;read.
<DIV></DIV>&gt;If you are a dj, what are you using for gear?
<DIV></DIV>
<DIV></DIV>I don't consider myself a DJ (nor would most DJs or their audience)
<DIV></DIV>but for a long time I have performed with a combination of playback
<DIV></DIV>media, live performers, and signal processors that include looping.
<DIV></DIV>
<DIV></DIV>The setup varies, but among my favorite processors are the Eventide
<DIV></DIV>H3000 and DSP4000, and the TC2290. All three of these devices can
<DIV></DIV>perform looping functions in either a regenerating delay mode or a
<DIV></DIV>sampling mode. One favorite hack with the H3000 is to control the
<DIV></DIV>playback parameters (start and end point, playback rate, pitch
<DIV></DIV>transposition) with faders. The H3000's Sampler can loop two voices
<DIV></DIV>independently, so I use eight faders. One particularly interesting
<DIV></DIV>thing is to move the end point earlier than the start point so that
<DIV></DIV>the sample plays backwards.
<DIV></DIV>
<DIV></DIV>The DSP4000 has a sampling function that can immediately play back in
<DIV></DIV>reverse, so I can capture a live sample and then play it back
<DIV></DIV>immediately either forward or in reverse. This is especially
<DIV></DIV>interesting with live voice, and I've done a lot of this with a story
<DIV></DIV>teller.
<DIV></DIV>
<DIV></DIV>I control the TC2290 with MIDI, and I am able to address all its
<DIV></DIV>parameters with system exclusive messages. One favorite looping hack
<DIV></DIV>is to control a pair of 2290s and to move the playback "window"
<DIV></DIV>forward and back in time. The two loops can be the same length but
<DIV></DIV>offset in time, or they can be of different lengths.
<DIV></DIV>
<DIV></DIV>For prerecorded playback I use CDs and cassette tapes (when I started
<DIV></DIV>doing this there weren't any CDs yet). On occasion I've used looping
<DIV></DIV>cassettes, but mostly I use regular cassette recordings of music
<DIV></DIV>ranging from assorted world music to classical to avant garde
<DIV></DIV>instrumental and electronic music (it's interesting to hear Satie and
<DIV></DIV>Nono superimposed). One of my cassette decks is a Tascam Porta One (I
<DIV></DIV>bought it in 1985). This is a cassette portastudio that runs at
<DIV></DIV>regular cassette speed, so you can play any normally recorded
<DIV></DIV>cassette. The interesting thing is that while "Side A" is playing
<DIV></DIV>back normally, "Side B" is playing back in reverse. The faders on the
<DIV></DIV>Porta One allow simple fading in and out of the tracks.
<DIV></DIV>
<DIV></DIV>I mix all this stuff with a Mackie 1604, and I've devised a patching
<DIV></DIV>system that allows me to audition signals before sending them into
<DIV></DIV>the main mix. The 1604 has four outputs, of which 3 and 4 are
<DIV></DIV>considered an Alternate or "Alt" pair. I use these outputs as my
<DIV></DIV>mail feed to the PA system. When I want to audition something with
<DIV></DIV>headphones I have that channel in normal mode, routed to outputs 1
<DIV></DIV>and 2 (which aren't hooked up to anything but which feed into the
<DIV></DIV>headphones). Then when I want to send the signal to the main mix I
<DIV></DIV>punch in the "Alt" button for that channel.
<DIV></DIV>
<DIV></DIV>In recent years most of my performances have been with the band
<DIV></DIV>Cosmic Debris. I had signal feeds from all the other performers:
<DIV></DIV>voice, flute, keyboard, bass, percussion loops, and sometimes from
<DIV></DIV>two cassettes and a CD player.
<DIV></DIV>--
<DIV></DIV>
<DIV></DIV>______________________________________________________________
<DIV></DIV>Richard Zvonar, PhD
<DIV></DIV>(818) 788-2202
<DIV></DIV>http://www.zvonar.com
<DIV></DIV>http://RZCybernetics.com
<DIV></DIV>http://www.cybmotion.com/aliaszone
<DIV></DIV>http://www.live365.com/cgi-bin/directory.cgi?autostart=rz
<DIV></DIV>
<DIV></DIV><br clear=all><hr>Get your FREE download of MSN Explorer at <a href="http://explorer.msn.com">http://explorer.msn.com</a><br></p></html>



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From Loopers-Delight-request@loopers-delight.com  Tue Jul 10 10:47:43 2001
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References: <F112m3rxUn3AkTR60oV0000f87d@hotmail.com>
Subject: Re: Any dj's using loops live? (R. Zvonar)
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I don't understand your aggression.  What's up?

Dennis Leas
-------------------
dennis@mdbs.com


  ----- Original Message -----=20
  From: Brian Parker=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Tuesday, July 10, 2001 2:18 PM
  Subject: Re: Any dj's using loops live? (R. Zvonar)


  Richard Zvonar ,

  to quote you "I don't consider myself a DJ (nor would most DJs or =
their audience)'=20

  What are you talking about in that reply? No shit your not a dj. I'm =
looking for people who mix vinyl or cd's in clubs or raves who add loops =
to their sets. By definition these types of people are dj's and their =
auduences DO consider them dj's. dj=3D'disc' jockey.=20

  BP




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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I don't understand your =
aggression.&nbsp; What's=20
up?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV>Dennis Leas<BR>-------------------<BR><A=20
href=3D"mailto:dennis@mdbs.com">dennis@mdbs.com</A></DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dbp33@hotmail.com href=3D"mailto:bp33@hotmail.com">Brian =
Parker</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, July 10, 2001 =
2:18=20
PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Any dj's using =
loops live?=20
  (R. Zvonar)</DIV>
  <DIV><BR></DIV>
  <DIV>
  <P>Richard Zvonar ,</P>
  <P>to quote you&nbsp;"I don't consider myself a DJ (nor would most DJs =
or=20
  their audience)' </P>
  <P>What are you talking about in that reply? No shit your not a dj. =
I'm=20
  looking for people who&nbsp;mix vinyl or cd's in clubs or raves who =
add loops=20
  to their sets. By definition these types of people are dj's and their=20
  auduences DO consider them dj's. dj=3D'disc' jockey. </P>
  <P>BP<BR></P></DIV>
  <DIV></DIV>
  <DIV></DIV>
  <DIV></DIV><BR clear=3Dall>
  <HR>
  Get Your Private, Free E-mail from MSN Hotmail at <A=20
  href=3D"http://www.hotmail.com">http://www.hotmail.com</A>.<BR>
  <P></P></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue Jul 10 11:07:02 2001
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Subject: Re: Any dj's using loops live? (R. Zvonar)
Date: Tue, 10 Jul 2001 16:10:18 +0100
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Do you HAVE o be so uncivil.
I suggest you spend some time in a chill out zone.

Gareth

>What are you talking about in that reply? No shit your not a dj. I'm
looking for people who mix vinyl or >cd's in clubs or raves who add loops to
their sets. By definition these types of people are dj's and their
>auduences DO consider them dj's. dj='disc' jockey.
>BP

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> Nothing much. What's bleen happening with you?

hehe
> 
> John
> 
> --- whiteoakstudios <whiteoakstudios@supanet.com>
> wrote:
> 
> > What's bleen?
> 
> 
> Bleen are 2 of the presets on the Lexicon Vortex.
> Whenever I hear something processed thru the Bleen B
> preset, I think of BB's bouncing on a formica table
> top.

What're BB's ?

Gareth


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on 7/10/01 11:05 AM, whiteoakstudios at whiteoakstudios@supanet.com wrote:

>> Bleen are 2 of the presets on the Lexicon Vortex.
>> Whenever I hear something processed thru the Bleen B
>> preset, I think of BB's bouncing on a formica table
>> top.
> 
> What're BB's ?
> 
> Gareth


What're formica ?

DLM

From Loopers-Delight-request@loopers-delight.com  Tue Jul 10 11:31:21 2001
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Subject: Re: Any dj's using loops live? (R. Zvonar)
Date: Tue, 10 Jul 2001 11:06:38 -0400
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Hey Brian,
I do think that most of the people on this list are here to share the =
best of their knowledge and experience with sampling/looping gear and =
their results. If you want to go searching for dj's only, I think the =
Astralwerks/Unknownwerks list may be back up and you might find some =
luck there.
Jehn

  ----- Original Message -----=20
  From: Dennis Leas=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Tuesday, July 10, 2001 10:33 AM
  Subject: Re: Any dj's using loops live? (R. Zvonar)


  I don't understand your aggression.  What's up?

  Dennis Leas
  -------------------
  dennis@mdbs.com


    ----- Original Message -----=20
    From: Brian Parker=20
    To: Loopers-Delight@loopers-delight.com=20
    Sent: Tuesday, July 10, 2001 2:18 PM
    Subject: Re: Any dj's using loops live? (R. Zvonar)


    Richard Zvonar ,

    to quote you "I don't consider myself a DJ (nor would most DJs or =
their audience)'=20

    What are you talking about in that reply? No shit your not a dj. I'm =
looking for people who mix vinyl or cd's in clubs or raves who add loops =
to their sets. By definition these types of people are dj's and their =
auduences DO consider them dj's. dj=3D'disc' jockey.=20

    BP




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<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Hey Brian,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I do think that most of the people on =
this list are=20
here to share the best of their knowledge and experience with =
sampling/looping=20
gear and their results. If you want to go searching for dj's only, I =
think the=20
Astralwerks/Unknownwerks list may be back up and you might find some =
luck=20
there.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Jehn</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Ddennis@mdbs.com href=3D"mailto:dennis@mdbs.com">Dennis =
Leas</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, July 10, 2001 =
10:33=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Any dj's using =
loops live?=20
  (R. Zvonar)</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial size=3D2>I don't understand your =
aggression.&nbsp; What's=20
  up?</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV>Dennis Leas<BR>-------------------<BR><A=20
  href=3D"mailto:dennis@mdbs.com">dennis@mdbs.com</A></DIV>
  <DIV>&nbsp;</DIV>
  <DIV>&nbsp;</DIV>
  <BLOCKQUOTE dir=3Dltr=20
  style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
    <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
    <DIV=20
    style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
    <A title=3Dbp33@hotmail.com href=3D"mailto:bp33@hotmail.com">Brian =
Parker</A>=20
    </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
    title=3DLoopers-Delight@loopers-delight.com=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
    </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, July 10, 2001 =
2:18=20
    PM</DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Any dj's using =
loops live?=20
    (R. Zvonar)</DIV>
    <DIV><BR></DIV>
    <DIV>
    <P>Richard Zvonar ,</P>
    <P>to quote you&nbsp;"I don't consider myself a DJ (nor would most =
DJs or=20
    their audience)' </P>
    <P>What are you talking about in that reply? No shit your not a dj. =
I'm=20
    looking for people who&nbsp;mix vinyl or cd's in clubs or raves who =
add=20
    loops to their sets. By definition these types of people are dj's =
and their=20
    auduences DO consider them dj's. dj=3D'disc' jockey. </P>
    <P>BP<BR></P></DIV>
    <DIV></DIV>
    <DIV></DIV>
    <DIV></DIV><BR clear=3Dall>
    <HR>
    Get Your Private, Free E-mail from MSN Hotmail at <A=20
    href=3D"http://www.hotmail.com">http://www.hotmail.com</A>.<BR>
    <P></P></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

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References: <001601c10795$44348a20$21aa5cd1@-> <012401c10882$0d80cc80$df9d0318@union1.nj.home.com> <000701c10884$56cc0100$56b61597@default> <000201c1090c$5417fbc0$94936fd4@y5w2s5>
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You know, I usually stay quiet in these respects, but I think I have to agree
with the fact that what you're doing is a bit more than letting people know
about a local show.  You really should just start a private mailing list.  I get
emails from bands telling me of their shows (Crowsong) but I REQUESTED the
email, and I live close enough to actually go to the show.

Mark Sottilaro

From Loopers-Delight-request@loopers-delight.com  Tue Jul 10 12:20:20 2001
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Date: Tue, 10 Jul 2001 12:17:41 EDT
Subject: OT: tesla questions (gtr)
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pf,
>dt do tell, how is the tesla,
fantastic.

>were you able to get one outfitted with a transtrem?
currently, i'm using one of the 7-stringers;
my transtrem-fitted 6-string shld arrive, here, within the next week:
exciting!
(i'll return the 7-string to dr. teuffel, or matte henderson'll buy it--- 
it's an amazing instrument, but i'm not a huge fan of fixed-bridges.....)

>Would you consider it another strange beast in your arsenal
>or is it becoming your "primary" instrument?
my *intention* is for the tesla to become a primary instrument, but:
it's true that i've been playing the klein for a very long time, now.

my tesla has some very particular electronics in it, so that i can begin to 
integrate some of my previously 'external' techniques into the instrument, 
itself; eg, there are two feedback microphones built into my tesla, and a 
1/4" input: all are instantaneously & rhythmically switchable.
add'ly, we left (a little) space to add some 'controllers' for my looping 
devices, in the very near future:
integration is a large part of what i'm pursuing.

>Have you had an opportunity to record with same?
indeed! very happily, thus far.
best,
dt / s-c

From Loopers-Delight-request@loopers-delight.com  Tue Jul 10 12:37:21 2001
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Subject: Re: Re: Klein questions// Teuffel
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> well, i'm really pleased w/the teuffel tesla, so far:
> highly flexible (personalised, odd) electronics, w/great sounding pickups,
and
> the wait-time is not nearly that long.

How customizable is the basic guitar? --eg, could you get yours with 6
strings and a transtrem?



From Loopers-Delight-request@loopers-delight.com  Tue Jul 10 13:09:22 2001
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Subject: Re: possiblyrelevant
From: David Myers <dmgraph@earthlink.net>
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This looks pretty cool.  Has anyone dealt with OhmForce?  I'm a bit cautious
about online transactions with unknown vendors, and they don't tale PayPal.
But seems a very useful plugin for ten bucks...

DLM

on 7/10/01 7:08 AM, whiteoakstudios at whiteoakstudios@supanet.com wrote:

> Anyone using a laptop/pc/mac might find this relevant.
> http://www.OhmForce.com
> It's a delay plugin with filters, lfo's etc.
 
> Gareth
 

From Loopers-Delight-request@loopers-delight.com  Tue Jul 10 13:11:58 2001
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Subject: Re: relevantirrelevantrelevantirrelevant....
From: David Myers <dmgraph@earthlink.net>
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True if you live in DesMoines, but I feel that if you're talking about LA or
NYC or London etc., we've so many members in large cities that it's
justified.  (Okay, I'm justifying an upcoming spam myself...)

David Lee Myers

on 7/10/01 11:49 PM, Mark at sine@zerocrossing.net wrote:

> You know, I usually stay quiet in these respects, but I think I have to agree
> with the fact that what you're doing is a bit more than letting people know
> about a local show.  You really should just start a private mailing list.  I
> get
> emails from bands telling me of their shows (Crowsong) but I REQUESTED the
> email, and I live close enough to actually go to the show.
> 
> Mark Sottilaro
> 

From Loopers-Delight-request@loopers-delight.com  Tue Jul 10 13:14:33 2001
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> This looks pretty cool.  Has anyone dealt with OhmForce?  I'm a bit
cautious
> about online transactions with unknown vendors, and they don't tale
PayPal.
> But seems a very useful plugin for ten bucks...

They also have a free plug-in, you could check that out too!
(I can barely hear this week, allergies, it's keeping me drugged 
up and unmusical, or I'd check it myself...)

Then if the free one were worth $10, then you could hardly lose...

   /t


From Loopers-Delight-request@loopers-delight.com  Tue Jul 10 13:42:00 2001
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From: Richard Zvonar <zvonar@zvonar.com>
Subject: Re: Any dj's using loops live? (R. Zvonar)
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At 2:18 PM +0000 7/10/01, Brian Parker wrote:

>What are you talking about in that reply? No shit your not a dj. I'm 
>looking for people who mix vinyl or cd's in clubs or raves who add 
>loops to their sets. By definition these types of people are dj's 
>and their auduences DO consider them dj's. dj='disc' jockey.

OK, my young friend, I'll spell it out:

Despite the fact that I'm an old codger who couldn't care less about 
the DJ scene per se, I have been using similar techniques in 
performance since you were in nappies. I try to be generous with my 
knowledge of performance technology, and I thought that despite the 
aesthetic differences between what DJs commonly do and the live 
electroacoustic music created by us old-timers there might be 
something of interest in what I described.

Many of the hipper DJs and techno artists know the history of 
electroacoustic music, and the use this knowledge to enrich their own 
music. For this reason Pierre Henry is revered as the godfather of 
remix.

In my experience, creative artists a quick to recognize useful 
concepts and techniques no matter where these may be found. Many of 
the tools used by electronic musicians had their origins in far 
different fields, by at one time or another someone was clever enough 
to realize how something could become useful in a musical context.

In my response to your query I described several specific techniques 
that I have developed for my own work. While some of these may have 
been implemented with equipment that is outside your budget, that 
doesn't mean that they can't be achieved in some form with more 
affordable gear. I also made a point of the fact that I still use 
funky old equipment in combination with this other gear, because some 
of the old stuff has interesting features. Finally, I described a 
technique for wresting some unusual and useful functionality out of 
an otherwise fairly mundane mixer.

Did you take my offering as an opportunity to learn something?  Nope. 
Instead you just reacted to the fact that I'm not a DJ and flamed me 
for it.

BTW - I do know that DJ stands for "Disk Jockey." I used to listen to 
Alan Freed and Murray the K.
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

From Loopers-Delight-request@loopers-delight.com  Tue Jul 10 13:42:29 2001
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Subject: Simple Question about Looping Live
Date: Tue, 10 Jul 2001 17:39:57 
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<html><DIV>Does anybody know how to do the following (for the lowest expense)?</DIV>
<DIV>- Take .wav files off a pc</DIV>
<DIV>- Load 'em to a device (what's the best device for this?)</DIV>
<DIV>- Use&nbsp;a foot pedal as a trigger</DIV>
<DIV>- Have 5 or so buttons to hit for a song, each setting off a repeating loop until you hit another button, which will start a different loop, replacing the previous one.</DIV>
<DIV>Very simple desire.</DIV>
<DIV>Thanks.</DIV><br clear=all><hr>Get your FREE download of MSN Explorer at <a href="http://explorer.msn.com">http://explorer.msn.com</a><br></p></html>

From Loopers-Delight-request@loopers-delight.com  Tue Jul 10 14:03:10 2001
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> At 2:18 PM +0000 7/10/01, Brian Parker wrote:
> 
> >What are you talking about in that reply? No shit your not a dj. I'm 
> >looking for people who mix vinyl or cd's in clubs or raves who add 
> >loops to their sets. By definition these types of people are dj's 
> >and their auduences DO consider them dj's. dj='disc' jockey.
> 
> OK, my young friend, I'll spell it out:
> 
> Despite the fact that I'm an old codger who couldn't care less about 
> the DJ scene per se, I have been using similar techniques in 
> performance since you were in nappies. 

[more well-crafted, richly deserved abuse follows!]

Wince!  not that he didn't deserve it.

I might add that I've noticed this weird sort of attitude
from DJs towards players and composers many times.  

I believe it's because they are subsconsciously aware that 
they depend on us for their material whereas we create our
own material.

There's also the aspect that as a DJ you can't really create
intellectual property (like, get songwriting royalties) so
it makes it hard to release CDs and make money that way.
You have to keep working, spinning -- like a shark, if you
stop moving, you sink to the bottom and die...

   /t



-- 
semper ubi sub ubi

From Loopers-Delight-request@loopers-delight.com  Tue Jul 10 14:06:57 2001
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Subject: Re: Simple Question about Looping Live
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Get an SP303 I think which has a smart card- not sure if it takes wav =
files.. hmm- but anyway- you can load samples from ouput of the =
soundcard to the SP and it has nice backlit buttons for triggers- Om
  ----- Original Message -----=20
  From: roger foster=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Tuesday, July 10, 2001 5:39 PM
  Subject: Simple Question about Looping Live


  Does anybody know how to do the following (for the lowest expense)?
  - Take .wav files off a pc
  - Load 'em to a device (what's the best device for this?)
  - Use a foot pedal as a trigger
  - Have 5 or so buttons to hit for a song, each setting off a repeating =
loop until you hit another button, which will start a different loop, =
replacing the previous one.
  Very simple desire.
  Thanks.


-------------------------------------------------------------------------=
-----
  Get your FREE download of MSN Explorer at http://explorer.msn.com



------=_NextPart_000_000C_01C10930.26494220
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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 5.50.4616.200" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2>Get an SP303 I think which has a smart card- not =
sure if it=20
takes wav files.. hmm- but anyway- you can load samples from ouput of =
the=20
soundcard to the SP and it has nice backlit buttons for triggers-=20
Om</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Droger_foster@hotmail.com =
href=3D"mailto:roger_foster@hotmail.com">roger=20
  foster</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, July 10, 2001 =
5:39=20
PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Simple Question about =
Looping=20
  Live</DIV>
  <DIV><BR></DIV>
  <DIV>Does anybody know how to do the following (for the lowest =
expense)?</DIV>
  <DIV>- Take .wav files off a pc</DIV>
  <DIV>- Load 'em to a device (what's the best device for this?)</DIV>
  <DIV>- Use&nbsp;a foot pedal as a trigger</DIV>
  <DIV>- Have 5 or so buttons to hit for a song, each setting off a =
repeating=20
  loop until you hit another button, which will start a different loop,=20
  replacing the previous one.</DIV>
  <DIV>Very simple desire.</DIV>
  <DIV>Thanks.</DIV><BR clear=3Dall>
  <HR>
  Get your FREE download of MSN Explorer at <A=20
  href=3D"http://explorer.msn.com">http://explorer.msn.com</A><BR>
  <P></P></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_000C_01C10930.26494220--

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Subject: Re: Simple Question about Looping Live
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Seems to me that the new Dr. Sample from Roland would do this just fine, bu=
t
I haven=B9t used it.  Does anyone have it and can report on it?

    Kevin

--=20
Unit Circle Media
http://www.unitcircle.com



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<HTML>
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<FONT FACE=3D"Verdana">Seems to me that the new Dr. Sample from Roland would =
do this just fine, but I haven&#8217;t used it. &nbsp;Does anyone have it an=
d can report on it?<BR>
<BR>
&nbsp;&nbsp;&nbsp;&nbsp;Kevin<BR>
<BR>
-- <BR>
Unit Circle Media<BR>
http://www.unitcircle.com<BR>
<BR>
</FONT>
</BODY>
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From Loopers-Delight-request@loopers-delight.com  Tue Jul 10 14:14:59 2001
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re SP-303.... it does import .wav direct from SmartMedia- but only see 1 =
midi in and doesent say if functions can be controlled with midi via =
external controller- damn, I may have to get one of these bad boys- =
http://www.rolandus.com/PRODUCTS/MI/mi_namm_w01/sp303_b.htm
Om
  ----- Original Message -----=20
  From: roger foster=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Tuesday, July 10, 2001 5:39 PM
  Subject: Simple Question about Looping Live


  Does anybody know how to do the following (for the lowest expense)?
  - Take .wav files off a pc
  - Load 'em to a device (what's the best device for this?)
  - Use a foot pedal as a trigger
  - Have 5 or so buttons to hit for a song, each setting off a repeating =
loop until you hit another button, which will start a different loop, =
replacing the previous one.
  Very simple desire.
  Thanks.


-------------------------------------------------------------------------=
-----
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2>re SP-303.... it does import .wav direct from =
SmartMedia- but=20
only see 1 midi in and doesent say if functions can be controlled with =
midi via=20
external controller- damn, I may have to get one of these bad boys- <A=20
href=3D"http://www.rolandus.com/PRODUCTS/MI/mi_namm_w01/sp303_b.htm">http=
://www.rolandus.com/PRODUCTS/MI/mi_namm_w01/sp303_b.htm</A></FONT></DIV>
<DIV><FONT size=3D2>Om</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Droger_foster@hotmail.com =
href=3D"mailto:roger_foster@hotmail.com">roger=20
  foster</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, July 10, 2001 =
5:39=20
PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Simple Question about =
Looping=20
  Live</DIV>
  <DIV><BR></DIV>
  <DIV>Does anybody know how to do the following (for the lowest =
expense)?</DIV>
  <DIV>- Take .wav files off a pc</DIV>
  <DIV>- Load 'em to a device (what's the best device for this?)</DIV>
  <DIV>- Use&nbsp;a foot pedal as a trigger</DIV>
  <DIV>- Have 5 or so buttons to hit for a song, each setting off a =
repeating=20
  loop until you hit another button, which will start a different loop,=20
  replacing the previous one.</DIV>
  <DIV>Very simple desire.</DIV>
  <DIV>Thanks.</DIV><BR clear=3Dall>
  <HR>
  Get your FREE download of MSN Explorer at <A=20
  href=3D"http://explorer.msn.com">http://explorer.msn.com</A><BR>
  <P></P></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue Jul 10 14:42:24 2001
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Subject: Re: Simple Question about Looping Live
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Bring the PC.. lol.  I 2nd this post, I'm also trying to get out of my =
box and into a gig situation, but there are so many options.  I look =
forward to hearing any responses as well.
  ----- Original Message -----=20
  From: roger foster=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Tuesday, July 10, 2001 5:39 PM
  Subject: Simple Question about Looping Live


  Does anybody know how to do the following (for the lowest expense)?
  - Take .wav files off a pc
  - Load 'em to a device (what's the best device for this?)
  - Use a foot pedal as a trigger
  - Have 5 or so buttons to hit for a song, each setting off a repeating =
loop until you hit another button, which will start a different loop, =
replacing the previous one.
  Very simple desire.
  Thanks.


-------------------------------------------------------------------------=
-----
  Get your FREE download of MSN Explorer at http://explorer.msn.com



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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Bring the PC.. lol.&nbsp; I 2nd this =
post, I'm also=20
trying to get out of my box and into a gig situation, but there are so =
many=20
options.&nbsp; I look forward to hearing any responses as =
well.</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Droger_foster@hotmail.com =
href=3D"mailto:roger_foster@hotmail.com">roger=20
  foster</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, July 10, 2001 =
5:39=20
PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Simple Question about =
Looping=20
  Live</DIV>
  <DIV><BR></DIV>
  <DIV>Does anybody know how to do the following (for the lowest =
expense)?</DIV>
  <DIV>- Take .wav files off a pc</DIV>
  <DIV>- Load 'em to a device (what's the best device for this?)</DIV>
  <DIV>- Use&nbsp;a foot pedal as a trigger</DIV>
  <DIV>- Have 5 or so buttons to hit for a song, each setting off a =
repeating=20
  loop until you hit another button, which will start a different loop,=20
  replacing the previous one.</DIV>
  <DIV>Very simple desire.</DIV>
  <DIV>Thanks.</DIV><BR clear=3Dall>
  <HR>
  Get your FREE download of MSN Explorer at <A=20
  href=3D"http://explorer.msn.com">http://explorer.msn.com</A><BR>
  <P></P></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue Jul 10 16:29:38 2001
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Date: Tue, 10 Jul 2001 14:32:07 -0600
To: Loopers-Delight@loopers-delight.com
From: Goddess <thefates@earthlink.net>
Subject: Re: Simple Question about Looping Live
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  The most inexpensive way I know at the moment is the Boss RC-20 loop
station...   -Good luck...  

Smiles,

Goddess

At 05:39 PM 7/10/01, you wrote:
>Does anybody know how to do the following (for the lowest expense)? - Take
>.wav files off a pc - Load 'em to a device (what's the best device for
>this?)  a foot pedal as a trigger - Have 5 or so buttons to hit for a song,
>each setting off a repeating loop until you hit another button, which will
>start a different loop, replacing the previous one. Very simple desire.
Thanks.
>Get your FREE download of MSN Explorer at http://explorer.msn.com
>  


---

  "The only things I really think are important, are love, and eachother.
-Then, anything is possible..."


From Loopers-Delight-request@loopers-delight.com  Tue Jul 10 16:35:38 2001
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Subject: OT:   TransTrem
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I'm looking for a transtrem--does anyone know of a source for them (other
than Ed Roman), or better yet have an extra you'd be willing to sell?
Thanks for any help you can offer...
Bruce Comens

From Loopers-Delight-request@loopers-delight.com  Tue Jul 10 16:42:49 2001
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Subject: OT: minding the open mind (was Againinator prototype image)
Date: Tue, 10 Jul 2001 16:36:17 -0400
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Gah!  I was gone for a few days and then I discovered that I had
really put my foot in my mouth!
8^(

Sometimes my attempts at wry humor would have been better off
taking a nap and waiting for divine inspiration in the form of a
prophetic dream or something.  What was intended as
tongue-in-cheek humor upon cursory examination really came off
as narrow minded and rude.

Sorry all!!!!!

*glances with irony at the bubble gum vinyl Christian Death live
album on the shelf*

Mike

----- Original Message -----
From: "Frank Gerace" <seahorse@channel1.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, July 06, 2001 7:36 PM
Subject: Re: OT: Againinator prototype image


> At 05:35 PM 7/6/01 -0400, you wrote:
> >Hmmm, should appeal to the goth crowd, but I don't think they
> >loop much ....
> >
> Hey...If I wasn't so busy brooding and drinking absinthe, I'd
say 'them's
> fighting words, son".  As a card carrying member of the goth
crowd, I loop
> plenty, as does the wife.
> Yours in doom, gloom and fin de seicle angst,
> Frank Gerace
> Looper VG8 guitarist
> Dreamchild
> www.dreamchildmusic.com
>



From Loopers-Delight-request@loopers-delight.com  Tue Jul 10 16:46:32 2001
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Subject: Re: tesla questions (gtr)
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----- Original Message -----
From: <Hedewa7@aol.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, July 10, 2001 12:17 PM
Subject: OT: tesla questions (gtr)

<snip>

> my tesla has some very particular electronics in it, so that i
can begin to
> integrate some of my previously 'external' techniques into the
instrument,
> itself; eg, there are two feedback microphones built into my
tesla, and a
> 1/4" input: all are instantaneously & rhythmically switchable.
> add'ly, we left (a little) space to add some 'controllers' for
my looping
> devices, in the very near future:
> integration is a large part of what i'm pursuing.

Feedback microphones?!?!  Cool!  How would you characterize the
primary differences (in terms of application and performance
dynamics, etc)  between this approach to feedback generation and
something like the sustainiac?  Or links with more info?

Thanks!

Mike

From Loopers-Delight-request@loopers-delight.com  Tue Jul 10 17:04:36 2001
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Subject: Re: Any dj's using loops live? 
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The guy certainly depends on luck, his personality won't get him their.
Capt. Molecule
_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Tue Jul 10 17:45:33 2001
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Subject: RE: Simple Question about Looping Live
Date: Tue, 10 Jul 2001 14:43:33 -0500
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I'm new to the group (hi everyone).  I'm waiting for the Electrix Repeater
to be released this month.  If it does half of what it's supposed to, this
would be no problem as long as the loops are stored in sequence.  Then you
just hit one button to trigger each loop.  You can store 999 loops with four
mixable tracks in each loop.  And if you go to Pricewatch.com you can
upgrade to a 256 MB flash cards for about 160 bucks.  This will upgrade from
8 minutes to over 45 minutes of sample time!

BTW, it sounds like some of you guys are making fun of all the features of
the Repeater (again, I just subscribed, so I may be wrong).  Even though a
few of my friends referred to the extensive features on the device as
'cheating' ;), I can't wait to get my hands on this thing!  They are selling
for $525 at www.sixtecycle.com

--
TG



-----Original Message-----
From: roger foster [mailto:roger_foster@hotmail.com]
Sent: Tuesday, July 10, 2001 5:40 PM
To: Loopers-Delight@loopers-delight.com
Subject: Simple Question about Looping Live


Does anybody know how to do the following (for the lowest expense)?
- Take .wav files off a pc
- Load 'em to a device (what's the best device for this?)
- Use a foot pedal as a trigger
- Have 5 or so buttons to hit for a song, each setting off a repeating loop
until you hit another button, which will start a different loop, replacing
the previous one.
Very simple desire.
Thanks.



Get your FREE download of MSN Explorer at http://explorer.msn.com

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Date: Wed, 11 Jul 2001 00:25:32 +0200
From: Emmanuel PERILLE <perille@club-internet.fr>
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Subject: Re: Any dj's using loops live? (R. Zvonar)
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Tom Ritchford wrote :

> > At 2:18 PM +0000 7/10/01, Brian Parker wrote:
> >
> > >What are you talking about in that reply? No shit your not a dj. I'm
> > >looking for people who mix vinyl or cd's in clubs or raves who add
> > >loops to their sets. By definition these types of people are dj's
> > >and their auduences DO consider them dj's. dj='disc' jockey.
> >
> > OK, my young friend, I'll spell it out:
> >
> > Despite the fact that I'm an old codger who couldn't care less about
> > the DJ scene per se, I have been using similar techniques in
> > performance since you were in nappies.
>
> [more well-crafted, richly deserved abuse follows!]
>
> Wince!  not that he didn't deserve it.
>
> I might add that I've noticed this weird sort of attitude
> from DJs towards players and composers many times.
>
> I believe it's because they are subsconsciously aware that
> they depend on us for their material whereas we create our
> own material.
>
> There's also the aspect that as a DJ you can't really create
> intellectual property (like, get songwriting royalties) so
> it makes it hard to release CDs and make money that way.
> You have to keep working, spinning -- like a shark, if you
> stop moving, you sink to the bottom and die...
>
>    /t
>
> --
> semper ubi sub ubi

Maybe it is not always the musical materials you could create or use which
is significant in DJing,
but mainly the way you do it in your job
that's probably makes some slightly differences between DJs, the way they
do it.

Musicians are Gardeners, DJs are cooks ?

EP


From Loopers-Delight-request@loopers-delight.com  Tue Jul 10 18:39:03 2001
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Date: Wed, 11 Jul 2001 00:31:38 +0000
From: Claude Voit <c.voit@vtx.ch>
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Subject: Re: Any dj's using loops live? (R. Zvonar)
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Emmanuel PERILLE wrote:
> 

> > semper ubi sub ubi
> 
> Maybe it is not always the musical materials you could create or use which
> is significant in DJing,
> but mainly the way you do it in your job
> that's probably makes some slightly differences between DJs, the way they
> do it.
> 
> Musicians are Gardeners, DJs are cooks ?

Crooks ??

sorry couldn't resist

:=):=):=):=):=):=):=):=):=):=):=):=):=)

Claude

PS: this is absolutly not what I think about DJ's

Dis is (a) Joke, Hey !

From Loopers-Delight-request@loopers-delight.com  Tue Jul 10 18:51:59 2001
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Subject: Re: possiblyrelevant
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At 04:05 PM 7/10/01 +0100, Gareth wrote:
>> Bleen are 2 of the presets on the Lexicon Vortex.
>> Whenever I hear something processed thru the Bleen B
>> preset, I think of BB's bouncing on a formica table
>> top.
>
>What're BB's ?

That's short for Bill Bruford. The Vortex's Bleen B setting replicates
Bruford's signature snare clank, and sounds like dozens of tiny Bills being
dropped onto a reflective surface from a modest height.

(Actually, BB's are tiny round metal pellets that are fired from an air
rifle. I think it stands for "Baby Buck", but I'm not sure...)

-t

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Date: Tue, 10 Jul 2001 18:50:28 -0400
To: Loopers-Delight@loopers-delight.com
From: Frank Gerace <seahorse@channel1.com>
Subject: Re: OT: minding the open mind (was Againinator prototype image)
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Hey Mike,
Lighten up on yourself.  While it's nice to see people apologize for going
over the top and/or being narrow minded etc., I found your post tom be
tongue in cheek, so I thought I'd continue the trend.  Humor need not be
identified by emoticons.  We're mostly all big kids here.
Best,
Frank
At 04:36 PM 7/10/01 -0400, you wrote:
>Gah!  I was gone for a few days and then I discovered that I had
>really put my foot in my mouth!
>8^(
>
>Sometimes my attempts at wry humor would have been better off
>taking a nap and waiting for divine inspiration in the form of a
>prophetic dream or something.  What was intended as
>tongue-in-cheek humor upon cursory examination really came off
>as narrow minded and rude.
>
>Sorry all!!!!!
>
>*glances with irony at the bubble gum vinyl Christian Death live
>album on the shelf*
>
>Mike
>
>----- Original Message -----
>From: "Frank Gerace" <seahorse@channel1.com>
>To: <Loopers-Delight@loopers-delight.com>
>Sent: Friday, July 06, 2001 7:36 PM
>Subject: Re: OT: Againinator prototype image
>
>
>> At 05:35 PM 7/6/01 -0400, you wrote:
>> >Hmmm, should appeal to the goth crowd, but I don't think they
>> >loop much ....
>> >
>> Hey...If I wasn't so busy brooding and drinking absinthe, I'd
>say 'them's
>> fighting words, son".  As a card carrying member of the goth
>crowd, I loop
>> plenty, as does the wife.
>> Yours in doom, gloom and fin de seicle angst,
>> Frank Gerace
>> Looper VG8 guitarist
>> Dreamchild
>> www.dreamchildmusic.com
>>
> 

From Loopers-Delight-request@loopers-delight.com  Tue Jul 10 19:01:32 2001
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From: Tim Nelson <tcn62@ici.net>
Subject: Re: Simple Question about Looping Live
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Sounds like you might want a sampler connected to some midi bass pedals.

-t

At 05:39 PM 7/10/01, you wrote:
>Does anybody know how to do the following (for the lowest expense)? - Take
>.wav files off a pc - Load 'em to a device (what's the best device for
>this?)  a foot pedal as a trigger - Have 5 or so buttons to hit for a song,
>each setting off a repeating loop until you hit another button, which will
>start a different loop, replacing the previous one. 

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Date: Tue, 10 Jul 2001 17:33:01 -0500
From: jim palmer <jimp@pobox.com>
Subject: Re: Any dj's using loops live? (R. Zvonar)
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> 
> Musicians are Gardeners, DJs are cooks ?
> 
> EP
> 
> 

musicians are the hose.
listeners are the flowers.
music is the water.

be the ball, danny...


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From: Tim Nelson <tcn62@ici.net>
Subject: Re: Any dj's using loops live? (R. Zvonar)
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At 12:25 AM 7/11/01 +0200, EP wrote:
>Musicians are Gardeners, DJs are cooks

I like that!

Maybe as loopers we're fixing a salad while still out in the garden!

-t

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Subject: OT: minding the open mind (was Againinator prototype image)
Date: Tue, 10 Jul 2001 19:10:25 -0400
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You mean I'm not an asshole?  Cool!

Mike
----- Original Message -----
From: "Frank Gerace" <seahorse@channel1.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, July 10, 2001 6:50 PM
Subject: Re: OT: minding the open mind (was Againinator
prototype image)


> Hey Mike,
> Lighten up on yourself.  While it's nice to see people
apologize for going
> over the top and/or being narrow minded etc., I found your
post tom be
> tongue in cheek, so I thought I'd continue the trend.  Humor
need not be
> identified by emoticons.  We're mostly all big kids here.
> Best,
> Frank
> At 04:36 PM 7/10/01 -0400, you wrote:
> >Gah!  I was gone for a few days and then I discovered that I
had
> >really put my foot in my mouth!
> >8^(
> >
> >Sometimes my attempts at wry humor would have been better off
> >taking a nap and waiting for divine inspiration in the form
of a
> >prophetic dream or something.  What was intended as
> >tongue-in-cheek humor upon cursory examination really came
off
> >as narrow minded and rude.
> >
> >Sorry all!!!!!
> >
> >*glances with irony at the bubble gum vinyl Christian Death
live
> >album on the shelf*
> >
> >Mike
> >
> >----- Original Message -----
> >From: "Frank Gerace" <seahorse@channel1.com>
> >To: <Loopers-Delight@loopers-delight.com>
> >Sent: Friday, July 06, 2001 7:36 PM
> >Subject: Re: OT: Againinator prototype image
> >
> >
> >> At 05:35 PM 7/6/01 -0400, you wrote:
> >> >Hmmm, should appeal to the goth crowd, but I don't think
they
> >> >loop much ....
> >> >
> >> Hey...If I wasn't so busy brooding and drinking absinthe,
I'd
> >say 'them's
> >> fighting words, son".  As a card carrying member of the
goth
> >crowd, I loop
> >> plenty, as does the wife.
> >> Yours in doom, gloom and fin de seicle angst,
> >> Frank Gerace
> >> Looper VG8 guitarist
> >> Dreamchild
> >> www.dreamchildmusic.com
> >>
> >
>

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Subject: OT: Any dj's using loops live? (R. Zvonar)
Date: Tue, 10 Jul 2001 19:11:34 -0400
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I always find it hard to resist munching on the parsley.

----- Original Message -----
From: "Tim Nelson" <tcn62@ici.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, July 10, 2001 7:05 PM
Subject: Re: Any dj's using loops live? (R. Zvonar)


> At 12:25 AM 7/11/01 +0200, EP wrote:
> >Musicians are Gardeners, DJs are cooks
>
> I like that!
>
> Maybe as loopers we're fixing a salad while still out in the
garden!
>
> -t
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Jul 10 19:18:05 2001
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Subject: RE: Any dj's using loops live? (R. Zvonar)
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i like to think of myself as a hunter-gatherer


stig



-----Original Message-----
From: jim palmer [mailto:jimp@pobox.com]
Sent: Tuesday, July 10, 2001 3:33 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Any dj's using loops live? (R. Zvonar)


> 
> Musicians are Gardeners, DJs are cooks ?
> 
> EP
> 
> 

musicians are the hose.
listeners are the flowers.
music is the water.

be the ball, danny...


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<P><FONT SIZE=2>i like to think of myself as a hunter-gatherer</FONT>
</P>
<BR>

<P><FONT SIZE=2>stig</FONT>
</P>
<BR>
<BR>

<P><FONT SIZE=2>-----Original Message-----</FONT>
<BR><FONT SIZE=2>From: jim palmer [<A HREF="mailto:jimp@pobox.com">mailto:jimp@pobox.com</A>]</FONT>
<BR><FONT SIZE=2>Sent: Tuesday, July 10, 2001 3:33 PM</FONT>
<BR><FONT SIZE=2>To: Loopers-Delight@loopers-delight.com</FONT>
<BR><FONT SIZE=2>Subject: Re: Any dj's using loops live? (R. Zvonar)</FONT>
</P>
<BR>

<P><FONT SIZE=2>&gt; </FONT>
<BR><FONT SIZE=2>&gt; Musicians are Gardeners, DJs are cooks ?</FONT>
<BR><FONT SIZE=2>&gt; </FONT>
<BR><FONT SIZE=2>&gt; EP</FONT>
<BR><FONT SIZE=2>&gt; </FONT>
<BR><FONT SIZE=2>&gt; </FONT>
</P>

<P><FONT SIZE=2>musicians are the hose.</FONT>
<BR><FONT SIZE=2>listeners are the flowers.</FONT>
<BR><FONT SIZE=2>music is the water.</FONT>
</P>

<P><FONT SIZE=2>be the ball, danny...</FONT>
</P>

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From Loopers-Delight-request@loopers-delight.com  Tue Jul 10 19:29:55 2001
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From: "Stephen P. Goodman" <spgoodman@earthlight.net>
To: <Loopers-Delight@loopers-delight.com>
References: <MABBLFNBHKFAKMDKALDLGECJCFAA.deepbass6@earthlink.net>
Subject: Re: Simple Question about Looping Live
Date: Wed, 11 Jul 2001 00:27:24 +0100
Organization: EarthLight Productions
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SCENE OPENS: Smoky saloon out in the Old West.  Except that instead of
weapons the cowboys have Zooms and EDPs and DigiTech units etc. in their
belts.  One by one the faces of these grizzled performers are framed,
looking up, hearing the footsteps coming down the wooden sidewalk, until you
see the double swinging doors at the front, with a pair of fairly new boots
behind them.  The doors swing open, revealing "Tim Goodwin"
<deepbass6@earthlink.net>, a young cowboy still fresh from civilization as
we knew it.  Frame several cowboys looking on, waiting for whatever he's
going to say, and some faces revealing silent scorn at the "new greenhorn".

TIM: I'm new to the group (hi everyone).  I'm waiting for the Electrix
Repeater to be released this month.  If it does half of what it's supposed
to, this would be no problem as long as the loops are stored in sequence.
Then you just hit one button to trigger each loop.

Cut to:

KIM (barkeeper, behind the bar, looks up from polishing a whiskey glass and
smiles)

Cut back to TIM, who looks a bit nervous at having walked into a potential
den of thieves.

TIM: You can store 999 loops with four mixable tracks in each loop.  And if
you go to Pricewatch.com you can upgrade to a 256 MB flash cards for about
160 bucks.  This will upgrade from 8 minutes to over 45 minutes of sample
time!

THE CROWD BREAKS UP IN LAUGHTER, SOME YOU CAN HEAR SAYING THINGS LIKE "YEAH,
SURE!"  AND "HAVE WE HEARD THIS BEFORE, BOYS?"  TIM LOOKS TROUBLED AND
CONTINUES...

TIM: BTW, it sounds like some of you guys are making fun of all the features
of the Repeater (again, I just subscribed, so I may be wrong).  Even though
a few of my friends referred to the extensive features on the device as
'cheating' (AT THIS HE SMILES NERVOUSLY), I can't wait to get my hands on
this thing!  They are selling for $525 at www.sixtecycle.com!

KIM: Anyone got one o' these fellas?  Ya had your hands on one yet?

THE ROOM GOES SILENT.  IT IS EVIDENT THAT THEY'VE ALL BEEN DOWN THIS ROAD OF
IDEALISTIC EXPECTATION BEFORE, AFTER HAVING MASTERED ALL OF THEIR RESPECTIVE
LOOPING DEVICES.

KIM: Whiskey?

FADE OUT.


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I'm a gambler not a greenhorn!  LOL!  Thanks for the kind welcome.

--
TG


-----Original Message-----
From: Stephen P. Goodman [mailto:spgoodman@earthlight.net]
Sent: Tuesday, July 10, 2001 6:27 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Simple Question about Looping Live


SCENE OPENS: Smoky saloon out in the Old West... <edit>

From Loopers-Delight-request@loopers-delight.com  Tue Jul 10 20:03:16 2001
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Great scenario!  I can hear the looping tumbleweed and the lonesome wind
whistling past the saloon . . .  but everyone knows Bartender Kim prefers
Scotch  :-)

From Loopers-Delight-request@loopers-delight.com  Tue Jul 10 20:10:47 2001
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Subject: Re: Simple Question about Looping Live
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What is this, LoopMUSH now? :)

best,
Steve
-- 
----------------------------------------------------------------
Steve Burnett    Admin, webslingerZ     sburnett@webslingerz.com
             http://www.webslingerz.com/sburnett/

From Loopers-Delight-request@loopers-delight.com  Tue Jul 10 21:10:53 2001
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Subject: Re: Simple Question about Looping Live
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on 7/10/01 5:04 PM, James Pokorny at j.pokorny@worldnet.att.net wrote:

> Great scenario!  I can hear the looping tumbleweed and the lonesome wind
> whistling past the saloon . . .  but everyone knows Bartender Kim prefers
> Scotch  :-)
> 

Yeah, the old timers here ought to know Kim likes "Scotch" but all whiskey
drinkers ought to know that "Scotch" is American slang for "Scottish
Whiskey".  We should also know that Scottish and Irish whiskey are made from
barley whereas the stuff from Kentucky and Tennessee is made from corn.
Further, it is sacrilege to pour Scottish or Irish whiskey over ice, whereas
iced is about the only way to get the American stuff down.

-Allan
(Bushmill McAllan to you, pardner.)
 

From Loopers-Delight-request@loopers-delight.com  Tue Jul 10 21:24:33 2001
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Date: Wed, 11 Jul 2001 10:21:44 +0900
To: Loopers-Delight@loopers-delight.com
From: Sunao Inami <cave@osk.3web.ne.jp>
Subject: Does anyone got Electrix ears from  Musician's Friend??
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Hi,

Does anyone got Electrix gears from  Musician's Friend?
I am still waiting over 30days since my order..


From Loopers-Delight-request@loopers-delight.com  Tue Jul 10 22:39:17 2001
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Date: Tue, 10 Jul 2001 22:34:12 -0400
To: Loopers-Delight@loopers-delight.com
From: Tim Nelson <tcn62@ici.net>
Subject: Re: Does anyone got Electrix ears from  Musician's Friend??
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I'm still waiting on my FilterQueen, but I didn't order it very long ago.
The MF website said it was in stock. What'd you order?

Also, if anyone has ordered an RC-20, they're shipping again. I ordered
mine a couple of weeks ago and just got the shipping confirmation a few
minutes ago in the e-mail right after the one with the shootout at the
Repeater Corral...

I'll have a Glenlivet please...

Tim

At 10:21 AM 7/11/01 +0900, you wrote:
>Hi,
>
>Does anyone got Electrix gears from  Musician's Friend?
>I am still waiting over 30days since my order..
>
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Jul 10 23:26:32 2001
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Subject: Re: Any dj's using loops live (The Rest Of You Can...)
Date: Wed, 11 Jul 2001 03:23:39 
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<DIV></DIV>
<P>Ok, so he was looking for a REAL Dj... like me ! But some of the replies sounded like self righteous techno-jargon for some kind of Hardware-head ! The guy was asking a simple question, he was not asking to be qouted the User Manual from Echoplex. I know we are all proud of our equipment, and the joy it brings us, but to "inflict" that "joy" upon others who have little interest in the techno-babble of gyrating oscillators and synth's is a tad much. He just asked... who was using Loops in a Live set, not "who has the biggest stick", when it comes to equipment.A simple reply like ... "I use live loops, and I use Red Sound's Cyclops..." would have been cool, then liven it up with some of the equipments high points... end of story. That "Tome", that was used as a reply had my head spinning...., thus my reply of "Huh ?" .</P></DIV>
<P>I feel your frustration man......<BR><BR></P>
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<DIV></DIV><br clear=all><hr>Get your FREE download of MSN Explorer at <a href="http://explorer.msn.com">http://explorer.msn.com</a><br></p></html>
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<html><DIV>
<P><FONT size=6>HuH ?</FONT><BR><BR></P></DIV>
<DIV></DIV>
<DIV></DIV>----Original Message Follows----
<DIV></DIV>From: Richard Zvonar <ZVONAR@ZVONAR.COM>
<DIV></DIV>Reply-To: Loopers-Delight@loopers-delight.com
<DIV></DIV>To: Loopers-Delight@loopers-delight.com
<DIV></DIV>Subject: Re: Any dj's using loops live?
<DIV></DIV>Date: Mon, 09 Jul 2001 19:28:41 -0700
<DIV></DIV>
<DIV></DIV>At 7:09 PM +0000 7/9/01, Brian Parker wrote:
<DIV></DIV>
<DIV></DIV>&gt;I was just wondering if there are any djs on the list that are using
<DIV></DIV>&gt;samplers to create loops on the fly during performances? It just did
<DIV></DIV>&gt;look like many electronic artists were here from the profiles i
<DIV></DIV>&gt;read.
<DIV></DIV>&gt;If you are a dj, what are you using for gear?
<DIV></DIV>
<DIV></DIV>I don't consider myself a DJ (nor would most DJs or their audience)
<DIV></DIV>but for a long time I have performed with a combination of playback
<DIV></DIV>media, live performers, and signal processors that include looping.
<DIV></DIV>
<DIV></DIV>The setup varies, but among my favorite processors are the Eventide
<DIV></DIV>H3000 and DSP4000, and the TC2290. All three of these devices can
<DIV></DIV>perform looping functions in either a regenerating delay mode or a
<DIV></DIV>sampling mode. One favorite hack with the H3000 is to control the
<DIV></DIV>playback parameters (start and end point, playback rate, pitch
<DIV></DIV>transposition) with faders. The H3000's Sampler can loop two voices
<DIV></DIV>independently, so I use eight faders. One particularly interesting
<DIV></DIV>thing is to move the end point earlier than the start point so that
<DIV></DIV>the sample plays backwards.
<DIV></DIV>
<DIV></DIV>The DSP4000 has a sampling function that can immediately play back in
<DIV></DIV>reverse, so I can capture a live sample and then play it back
<DIV></DIV>immediately either forward or in reverse. This is especially
<DIV></DIV>interesting with live voice, and I've done a lot of this with a story
<DIV></DIV>teller.
<DIV></DIV>
<DIV></DIV>I control the TC2290 with MIDI, and I am able to address all its
<DIV></DIV>parameters with system exclusive messages. One favorite looping hack
<DIV></DIV>is to control a pair of 2290s and to move the playback "window"
<DIV></DIV>forward and back in time. The two loops can be the same length but
<DIV></DIV>offset in time, or they can be of different lengths.
<DIV></DIV>
<DIV></DIV>For prerecorded playback I use CDs and cassette tapes (when I started
<DIV></DIV>doing this there weren't any CDs yet). On occasion I've used looping
<DIV></DIV>cassettes, but mostly I use regular cassette recordings of music
<DIV></DIV>ranging from assorted world music to classical to avant garde
<DIV></DIV>instrumental and electronic music (it's interesting to hear Satie and
<DIV></DIV>Nono superimposed). One of my cassette decks is a Tascam Porta One (I
<DIV></DIV>bought it in 1985). This is a cassette portastudio that runs at
<DIV></DIV>regular cassette speed, so you can play any normally recorded
<DIV></DIV>cassette. The interesting thing is that while "Side A" is playing
<DIV></DIV>back normally, "Side B" is playing back in reverse. The faders on the
<DIV></DIV>Porta One allow simple fading in and out of the tracks.
<DIV></DIV>
<DIV></DIV>I mix all this stuff with a Mackie 1604, and I've devised a patching
<DIV></DIV>system that allows me to audition signals before sending them into
<DIV></DIV>the main mix. The 1604 has four outputs, of which 3 and 4 are
<DIV></DIV>considered an Alternate or "Alt" pair. I use these outputs as my
<DIV></DIV>mail feed to the PA system. When I want to audition something with
<DIV></DIV>headphones I have that channel in normal mode, routed to outputs 1
<DIV></DIV>and 2 (which aren't hooked up to anything but which feed into the
<DIV></DIV>headphones). Then when I want to send the signal to the main mix I
<DIV></DIV>punch in the "Alt" button for that channel.
<DIV></DIV>
<DIV></DIV>In recent years most of my performances have been with the band
<DIV></DIV>Cosmic Debris. I had signal feeds from all the other performers:
<DIV></DIV>voice, flute, keyboard, bass, percussion loops, and sometimes from
<DIV></DIV>two cassettes and a CD player.
<DIV></DIV>--
<DIV></DIV>
<DIV></DIV>______________________________________________________________
<DIV></DIV>Richard Zvonar, PhD
<DIV></DIV>(818) 788-2202
<DIV></DIV>http://www.zvonar.com
<DIV></DIV>http://RZCybernetics.com
<DIV></DIV>http://www.cybmotion.com/aliaszone
<DIV></DIV>http://www.live365.com/cgi-bin/directory.cgi?autostart=rz
<DIV></DIV>
<DIV></DIV><br clear=all><hr>Get your FREE download of MSN Explorer at <a href="http://explorer.msn.com">http://explorer.msn.com</a><br></p></html>



------=_NextPart_000_5dde_4138_431c--

From Loopers-Delight-request@loopers-delight.com  Tue Jul 10 23:33:16 2001
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From: Mark Pulver <mark@redmoon-music.com>
Subject: Re: Does anyone got Electrix ears from  Musician's Friend??
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Sunao Inami (06:21 PM 07/10/01) wrote:

 >Does anyone got Electrix gears from  Musician's Friend?
 >I am still waiting over 30days since my order..

My wife got her order, but they screwed up. They sent her two Filter Queens 
and a MoFX instead of one FQ, one Warp Factory and a MoFX.

She called, they said no problem the WF's are in stock and they'll ship 
one. She waited a couple of days, called, was told that the WF never went 
out and they didn't have any more. She screamed, talked to a manager, felt 
he was useless, found a WF at http://www.Music123.com, ordered one from 
there, and returned the extra FQ.

I just checked Music123.com, it looks like they only have Filter Factorys left.


Mark

From Loopers-Delight-request@loopers-delight.com  Tue Jul 10 23:33:17 2001
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Subject: OT: Re: Klein questions// Teuffel
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become_1@email.msn.com writes:
>How customizable is the basic guitar? --eg, could you get yours with 6
>strings and a transtrem?
i did.
dt / s-c

From Loopers-Delight-request@loopers-delight.com  Tue Jul 10 23:36:48 2001
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Date: Tue, 10 Jul 2001 23:34:49 EDT
Subject: Re: OT:   TransTrem
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bruce said:
>I'm looking for a transtrem--does anyone know of a source for them (other
>than Ed Roman), or better yet have an extra you'd be willing to sell?
>Thanks for any help you can offer...
maybe try:
1) anyone at musicyo/steinberger,
2) lorenzo german, at klein guitars.
dt / s-c

From Loopers-Delight-request@loopers-delight.com  Tue Jul 10 23:39:14 2001
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At 3:23 AM +0000 7/11/01, Devious D_MasterMixer wrote:
>Ok, so he was looking for a REAL Dj... like me !

Here's your opportunity to tell us something useful.
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

From Loopers-Delight-request@loopers-delight.com  Tue Jul 10 23:43:49 2001
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Date: Tue, 10 Jul 2001 23:41:39 EDT
Subject: OT:OT:OT:Re: tesla questions (feedback mics/gtr)
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mlameyer@rcn.com writes:
>How would you characterize the
>primary differences (in terms of application and performance
>dynamics, etc)  between this approach to feedback generation and
>something like the sustainiac? 
i wouldn't.
(smirks)
no, it's nothing like a 'sustainer' --- that doesn't really interest me.
i use microphones for *feedback*, directly thru the 'guitar' rig.
#1 mic is a saltshaker: a peculiarly focussed set of 'tones'.
#2 (new one, for me, on the tesla) sounds like an old tele-pickup, squealing.

>Or links with more info?
rather try it, or listen to music that uses this kinda stuff.
best,
dt / s-c

From Loopers-Delight-request@loopers-delight.com  Tue Jul 10 23:54:01 2001
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Date: Tue, 10 Jul 2001 23:49:55 -0400
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From: Tim Nelson <tcn62@ici.net>
Subject: Re: Does anyone got Electrix ears from  Musician's Friend??
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At 08:31 PM 7/10/01 -0700, Mark wrote:
>I just checked Music123.com, it looks like they only have Filter Factorys
left.

You mean EQ Killers, not Filter Factories, right? (I just searched under
'Electrix' and that's the only thing that came up.)

-t

From Loopers-Delight-request@loopers-delight.com  Tue Jul 10 23:54:13 2001
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dj_devious_d@hotmail.com writes:
>A simple reply like ... "I use live loops, and I use Red Sound's Cyclops..."
>would have been cool,
but, instead, rz generously offered some insightful & relevant info based 
upon -what?- some **thirty years of live looping experience** that could 
oughta be mightily useful/instructive to any of y'all's:
jeeeez.....

his generosity was, i believe, wrongly perceived as a 'show-of-force'.

>then liven it up with some of the equipments high
>points... end of story. That "Tome", that was used as a reply had my head
>spinning...., thus my reply of "Huh ?" .
>I feel your frustration man......

huh?

dt / s-c

From Loopers-Delight-request@loopers-delight.com  Tue Jul 10 23:54:59 2001
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On Tue, 10 Jul 2001, Mark Pulver wrote:

> Sunao Inami (06:21 PM 07/10/01) wrote:
>
>  >Does anyone got Electrix gears from  Musician's Friend?
>  >I am still waiting over 30days since my order..
>
> My wife got her order, but they screwed up. They sent her two Filter Queens
> and a MoFX instead of one FQ, one Warp Factory and a MoFX.
>
> She called, they said no problem the WF's are in stock and they'll ship
> one. She waited a couple of days, called, was told that the WF never went
> out and they didn't have any more. She screamed, talked to a manager, felt
> he was useless, found a WF at http://www.Music123.com, ordered one from
> there, and returned the extra FQ.
>
> I just checked Music123.com, it looks like they only have Filter Factorys left.

Had a similar experience with Guitar Center: called one in NY, they took
my order of several pieces (1 FQ, 1 EQK, 1 mofx, 2 WF, 3FF - I had two
friends of mine combining in with me), said no problem, plenty's coming,
everything's getting restocked. 3/8 my order came in: FQ, EQK, WF. They
said they'd restock in a week, it was coming they swore - except for the
mofx, which they said was never on their order, wasn't being restocked &
they offered to special order it from Electrix at full retail price of
over $400. I called another Guitar Center a fellow list member recommended
in Portland Oregon: they got me the other five pieces. I was nice enough
to call a couple of days later and cancel the remaining order in NY: they
hadn't restocked yet and had no idea when the shipment'd arrive. I'm
tempted to buy a spare WF and put it in storage in case mine ever goes
bad, as I really appreciate what I can do with it.

best,
Steve
-- 
----------------------------------------------------------------
Steve Burnett    Admin, webslingerZ     sburnett@webslingerz.com
             http://www.webslingerz.com/sburnett/




From Loopers-Delight-request@loopers-delight.com  Wed Jul 11 00:13:15 2001
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Tim Nelson (08:49 PM 07/10/01) wrote:

 >At 08:31 PM 7/10/01 -0700, Mark wrote:
 >>I just checked Music123.com, it looks like they only have Filter Factorys
 >left.
 >
 >You mean EQ Killers, not Filter Factories, right? (I just searched under
 >'Electrix' and that's the only thing that came up.)

Whoops... Sorry. Yes.


Mark

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I think you were too hard on Richard. I, for one, enjoyed reading Richard's
post, and I'm sure others did too. Heck, Richard, after reading your post,
I'd be interested in going to see you play sometime! Send me a gig spam
email when the next performance comes up.

Kevin

  -----Original Message-----
  From: Devious D_MasterMixer [mailto:dj_devious_d@hotmail.com]
  Sent: Wednesday, July 11, 2001 3:24 AM
  To: dj_devious_d@hotmail.com; Loopers-Delight@loopers-delight.com
  Subject: Re: Any dj's using loops live (The Rest Of You Can...)






  Ok, so he was looking for a REAL Dj... like me ! But some of the replies
sounded like self righteous techno-jargon for some kind of Hardware-head !
The guy was asking a simple question, he was not asking to be qouted the
User Manual from Echoplex. I know we are all proud of our equipment, and the
joy it brings us, but to "inflict" that "joy" upon others who have little
interest in the techno-babble of gyrating oscillators and synth's is a tad
much. He just asked... who was using Loops in a Live set, not "who has the
biggest stick", when it comes to equipment.A simple reply like ... "I use
live loops, and I use Red Sound's Cyclops..." would have been cool, then
liven it up with some of the equipments high points... end of story. That
"Tome", that was used as a reply had my head spinning...., thus my reply of
"Huh ?" .

  I feel your frustration man......





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------=_NextPart_000_0067_01C10987.A7E6CBC0
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charset=3Diso-8859-1">
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<BODY>
<DIV><SPAN class=3D096112504-11072001><FONT face=3DArial color=3D#0000ff =
size=3D2>I=20
think you were too hard on Richard.&nbsp;I, for one, enjoyed reading =
Richard's=20
post, and I'm sure others did too. Heck, Richard, after reading your =
post, I'd=20
be interested in going to see you play sometime! Send me a gig spam =
email when=20
the next&nbsp;performance comes up.</FONT></SPAN></DIV>
<DIV><SPAN class=3D096112504-11072001><FONT face=3DArial color=3D#0000ff =

size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D096112504-11072001><FONT face=3DArial color=3D#0000ff =

size=3D2>Kevin</FONT></SPAN></DIV>
<DIV><SPAN class=3D096112504-11072001><FONT face=3DArial color=3D#0000ff =

size=3D2></FONT></SPAN>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px =
solid; MARGIN-RIGHT: 0px">
  <DIV class=3DOutlookMessageHeader dir=3Dltr align=3Dleft><FONT =
face=3DTahoma=20
  size=3D2>-----Original Message-----<BR><B>From:</B> Devious =
D_MasterMixer=20
  [mailto:dj_devious_d@hotmail.com]<BR><B>Sent:</B> Wednesday, July 11, =
2001=20
  3:24 AM<BR><B>To:</B> dj_devious_d@hotmail.com;=20
  Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> Re: Any dj's =
using=20
  loops live (The Rest Of You Can...)<BR><BR></FONT></DIV>
  <DIV>
  =
<P>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;=20
  <IMG height=3D12 src=3D"http://64.4.8.24/emsmilep.gif" width=3D12=20
  NOSEND=3D"1"><BR><BR></P>
  <DIV></DIV>
  <P>Ok, so he was looking for a REAL Dj... like me ! But some of the =
replies=20
  sounded like self righteous techno-jargon for some kind of =
Hardware-head ! The=20
  guy was asking a simple question, he was not asking to be qouted the =
User=20
  Manual from Echoplex. I know we are all proud of our equipment, and =
the joy it=20
  brings us, but to "inflict" that "joy" upon others who have little =
interest in=20
  the techno-babble of gyrating oscillators and synth's is a tad much. =
He just=20
  asked... who was using Loops in a Live set, not "who has the biggest =
stick",=20
  when it comes to equipment.A simple reply like ... "I use live loops, =
and I=20
  use Red Sound's Cyclops..." would have been cool, then liven it up =
with some=20
  of the equipments high points... end of story. That "Tome", that was =
used as a=20
  reply had my head spinning...., thus my reply of "Huh ?" .</P></DIV>
  <P>I feel your frustration man......<BR><BR></P>
  <DIV></DIV>
  <DIV></DIV>
  <DIV></DIV>
  <DIV></DIV>
  <DIV></DIV>
  <DIV></DIV>
  <DIV></DIV>
  <DIV></DIV>
  <DIV></DIV><BR clear=3Dall>
  <HR>
  Get your FREE download of MSN Explorer at <A=20
  href=3D"http://explorer.msn.com">http://explorer.msn.com</A><BR>
  <P></P></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed Jul 11 01:31:42 2001
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Date: Tue, 10 Jul 2001 23:00:01 -0700
From: glenn <glenn234@pacbell.net>
Subject: Re: possiblyrelevant
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Also stands for Bill Berg, Billy Barber, etc....


on 7/10/01 3:41 PM, Tim Nelson at tcn62@ici.net wrote:

> (Actually, BB's are tiny round metal pellets that are fired from an air
> rifle. I think it stands for "Baby Buck", but I'm not sure...)

From Loopers-Delight-request@loopers-delight.com  Wed Jul 11 01:34:59 2001
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Date: Tue, 10 Jul 2001 22:36:06 -0700
To: Loopers-Delight@loopers-delight.com
From: landman@wco.com (Mark Landman)
Subject: RE: Any dj's using loops live (The Rest Of You Can...)
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Er-

If you can't appreciate the beauty of the technical/musical concepts
Richard generously shared regarding making music with delay lines/sampling
on the Loopers Delight list, then you need to consider if you belong
here... Please don't take this as a personal attack, but c'mon...

To complain about "self righteous techno-jargon" on this list is pretty
lame in IMO, now had Richard written out a Smalltalk program or intense MSP
code you might have had a valid complaint, had the original reply shown the
slightest degree of class in his reply to Richards post.

Once the smoke dies down, I look forward to hearing about how well the
Cycloops works.

best-

Mark

>
>  Ok, so he was looking for a REAL Dj... like me ! But some of the replies
>sounded like self righteous techno-jargon for some kind of Hardware-head !
>The guy was asking a simple question, he was not asking to be qouted the
>User Manual from Echoplex. I know we are all proud of our equipment, and the
>joy it brings us, but to "inflict" that "joy" upon others who have little
>interest in the techno-babble of gyrating oscillators and synth's is a tad
>much. He just asked... who was using Loops in a Live set, not "who has the
>biggest stick", when it comes to equipment.A simple reply like ... "I use
>live loops, and I use Red Sound's Cyclops..." would have been cool, then
>liven it up with some of the equipments high points... end of story. That
>"Tome", that was used as a reply had my head spinning...., thus my reply of
>"Huh ?" .
>
>  I feel your frustration man......
>
>
>
>
>
>----------------------------------------------------------------------------
>--
>  Get your FREE download of MSN Explorer at http://explorer.msn.com
>
>
>
><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
><HTML><HEAD>
><META http-equiv=Content-Type content="text/html; charset=iso-8859-1">
><META content="MSHTML 5.50.4616.200" name=GENERATOR></HEAD>
><BODY>
><DIV><SPAN class=096112504-11072001><FONT face=Arial color=#0000ff size=2>I
>think you were too hard on Richard.&nbsp;I, for one, enjoyed reading Richard's
>post, and I'm sure others did too. Heck, Richard, after reading your post, I'd
>be interested in going to see you play sometime! Send me a gig spam email when
>the next&nbsp;performance comes up.</FONT></SPAN></DIV>
><DIV><SPAN class=096112504-11072001><FONT face=Arial color=#0000ff
>size=2></FONT></SPAN>&nbsp;</DIV>
><DIV><SPAN class=096112504-11072001><FONT face=Arial color=#0000ff
>size=2>Kevin</FONT></SPAN></DIV>
><DIV><SPAN class=096112504-11072001><FONT face=Arial color=#0000ff
>size=2></FONT></SPAN>&nbsp;</DIV>
><BLOCKQUOTE dir=ltr
>style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px
>solid; MARGIN-RIGHT: 0px">
>  <DIV class=OutlookMessageHeader dir=ltr align=left><FONT face=Tahoma
>  size=2>-----Original Message-----<BR><B>From:</B> Devious D_MasterMixer
>  [mailto:dj_devious_d@hotmail.com]<BR><B>Sent:</B> Wednesday, July 11, 2001
>  3:24 AM<BR><B>To:</B> dj_devious_d@hotmail.com;
>  Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> Re: Any dj's using
>  loops live (The Rest Of You Can...)<BR><BR></FONT></DIV>
>  <DIV>
>
><P>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb
>sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb
>sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
>
>  <IMG height=12 src="http://64.4.8.24/emsmilep.gif" width=12
>  NOSEND="1"><BR><BR></P>
>  <DIV></DIV>
>  <P>Ok, so he was looking for a REAL Dj... like me ! But some of the replies
>  sounded like self righteous techno-jargon for some kind of Hardware-head
>! The
>  guy was asking a simple question, he was not asking to be qouted the User
>  Manual from Echoplex. I know we are all proud of our equipment, and the
>joy it
>  brings us, but to "inflict" that "joy" upon others who have little
>interest in
>  the techno-babble of gyrating oscillators and synth's is a tad much. He just
>  asked... who was using Loops in a Live set, not "who has the biggest stick",
>  when it comes to equipment.A simple reply like ... "I use live loops, and I
>  use Red Sound's Cyclops..." would have been cool, then liven it up with some
>  of the equipments high points... end of story. That "Tome", that was
>used as a
>  reply had my head spinning...., thus my reply of "Huh ?" .</P></DIV>
>  <P>I feel your frustration man......<BR><BR></P>
>  <DIV></DIV>
>  <DIV></DIV>
>  <DIV></DIV>
>  <DIV></DIV>
>  <DIV></DIV>
>  <DIV></DIV>
>  <DIV></DIV>
>  <DIV></DIV>
>  <DIV></DIV><BR clear=all>
>  <HR>
>  Get your FREE download of MSN Explorer at <A
>  href="http://explorer.msn.com">http://explorer.msn.com</A><BR>
>  <P></P></BLOCKQUOTE></BODY></HTML>


From Loopers-Delight-request@loopers-delight.com  Wed Jul 11 01:47:09 2001
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Any dj's using loops live (The Rest Of You Can...)
Date: Wed, 11 Jul 2001 05:44:54 
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<html><DIV>
<P>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <IMG height=12 src="http://64.4.8.24/emthup.gif" width=12><BR><BR></P>
<DIV></DIV>
<P><STRONG><FONT face="Verdana, Geneva, Arial, Sans-serif">Ok, I stand ... corrected. Mr.. Zvonar (if that is really your name), I meant no disrespect, but I have grown tired of posts that boast the accolades of equipment, that is either out of my price range, beyond my comprehension, or just too weird.&nbsp;Saying that your post was without its merits, would be ludicrous. I have always said these forums are best&nbsp;realized when the flow of information benefits at least one person. Maybe the person who posted the original question did not benefit from your Odin-like knowledge, but I am sure somebody did. My main problem is when someone rattles out 5 or 6 Model numbers, and a few manufacturers names, in response to a question, instead of offering advice, or inquiring into what equipment the person is using, and what they want to accomplish with said equipment, that is when I get "queasy". Now this thread could have been very interesting, but instead, it has been polarized, and the original person who posted the question feels as though his question was not properly answered. Now we have Pro-Dj Devious D / Pro- Mr.. Zvonar folks, or vice-a-versa, and the question was never answered... by anyone.</FONT></STRONG></P></DIV>
<P><FONT face=Verdana><STRONG>Mr.. Zvonar wrote "</STRONG></FONT><FONT face="Times New Roman">Here's your opportunity to tell us something useful"...<STRONG><FONT face="Verdana, Geneva, Arial, Sans-serif">My thought is... "what is deemed useful to one man, can be another man's hindrance". (Yup... I made that up).</FONT></STRONG><BR><BR></FONT></P>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV><br clear=all><hr>Get your FREE download of MSN Explorer at <a href="http://explorer.msn.com">http://explorer.msn.com</a><br></p></html>

From Loopers-Delight-request@loopers-delight.com  Wed Jul 11 01:53:25 2001
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Subject: Re: possiblyrelevant
Date: Wed, 11 Jul 2001 00:50:49 -0500
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The test !


----Original Message Follows----
From: glenn
Reply-To: Loopers-Delight@loopers-delight.com
To: Loopers-Delight@loopers-delight.com
Subject: Re: possiblyrelevant
Date: Tue, 10 Jul 2001 23:00:01 -0700
Also stands for Bill Berg, Billy Barber, etc....
on 7/10/01 3:41 PM, Tim Nelson at tcn62@ici.net wrote:
>(Actually, BB's are tiny round metal pellets that are fired from an air 
>rifle. I think it stands for "Baby Buck", but I'm not sure...)
_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Wed Jul 11 02:44:35 2001
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From: "Dj Devious D" <dj_devious_d@hotmail.com>
To: echoplex@yahoo.com
Cc: Loopers-Delight@loopers-delight.com
Subject: Re: Any dj's using loops live (The Rest Of You Can...)
Date: Wed, 11 Jul 2001 01:41:34 -0500
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<html><DIV>
<P><FONT face="Verdana, Geneva, Arial, Sans-serif"><STRONG>See what I mean...... ?<BR></STRONG></FONT><BR></P></DIV>
<DIV></DIV>
<DIV></DIV>----Original Message Follows---- 
<DIV></DIV>From: Bret <ECHOPLEX@YAHOO.COM>
<DIV></DIV>To: dj_devious_d@hotmail.com 
<DIV></DIV>Subject: Re: Any dj's using loops live (The Rest Of You Can...) 
<DIV></DIV>Date: Tue, 10 Jul 2001 23:33:59 -0700 (PDT) 
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>--- Devious D_MasterMixer <DJ_DEVIOUS_D@HOTMAIL.COM>wrote: 
<DIV></DIV>"&gt;Ok, I stand ... corrected. Mr.. Zvonar (if that is really your name), 
<DIV></DIV>I meant no disrespect, but I have grown tired of posts that boast the 
<DIV></DIV>accolades of equipment, that is either out of my price range, beyond my 
<DIV></DIV>comprehension, or just too weird" 
<DIV></DIV>
<DIV></DIV>Devious, 
<DIV></DIV>I believe that is Dr.Zvonar, not Mr.Zvonar. 
<DIV></DIV>bret 
<DIV></DIV>
<DIV></DIV>__________________________________________________ 
<DIV></DIV>Do You Yahoo!? 
<DIV></DIV>Get personalized email addresses from Yahoo! Mail 
<DIV></DIV>http://personal.mail.yahoo.com/ 
<DIV></DIV><br clear=all><hr>Get your FREE download of MSN Explorer at <a href="http://explorer.msn.com">http://explorer.msn.com</a><br></p></html>

From Loopers-Delight-request@loopers-delight.com  Wed Jul 11 02:53:38 2001
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Date: Tue, 10 Jul 2001 23:54:22 -0700
From: Richard Zvonar <zvonar@zvonar.com>
Subject: Re: Any dj's using loops live (The Rest Of You Can...)
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At 1:41 AM -0500 7/11/01, Dj Devious D wrote:
>See what I mean...... ?
>
>----Original Message Follows----
>From: Bret
>To: dj_devious_d@hotmail.com
>Subject: Re: Any dj's using loops live (The Rest Of You Can...)
>Date: Tue, 10 Jul 2001 23:33:59 -0700 (PDT)
>--- Devious D_MasterMixer wrote:
>">Ok, I stand ... corrected. Mr.. Zvonar (if that is really your name),
>I meant no disrespect, but I have grown tired of posts that boast the
>accolades of equipment, that is either out of my price range, beyond my
>comprehension, or just too weird"
>Devious,
>I believe that is Dr.Zvonar, not Mr.Zvonar.
>bret

Hey, it took me 25 years of schoolin' to get that PhD!

I wanted to be "Doctor Zvonar" ever since I saw Flash Gordon serials 
on TV back in the '50s.
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz
--============_-1217288012==_ma============
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<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: Any dj's using loops live (The Rest Of You
Can...)</title></head><body>
<div>At 1:41 AM -0500 7/11/01, Dj Devious D wrote:</div>
<blockquote type="cite" cite><font face="Verdana"><b>See what I
mean...... ?</b></font><br>
<font face="Verdana"><b></b></font></blockquote>
<blockquote type="cite" cite>----Original Message
Follows----</blockquote>
<blockquote type="cite" cite>From: Bret</blockquote>
<blockquote type="cite" cite>To: dj_devious_d@hotmail.com</blockquote>
<blockquote type="cite" cite>Subject: Re: Any dj's using loops live
(The Rest Of You Can...)</blockquote>
<blockquote type="cite" cite>Date: Tue, 10 Jul 2001 23:33:59 -0700
(PDT)</blockquote>
<blockquote type="cite" cite>--- Devious D_MasterMixer
wrote:</blockquote>
<blockquote type="cite" cite>&quot;&gt;Ok, I stand ... corrected. Mr..
Zvonar (if that is really your name),</blockquote>
<blockquote type="cite" cite>I meant no disrespect, but I have grown
tired of posts that boast the</blockquote>
<blockquote type="cite" cite>accolades of equipment, that is either
out of my price range, beyond my</blockquote>
<blockquote type="cite" cite>comprehension, or just too
weird&quot;</blockquote>
<blockquote type="cite" cite>Devious,</blockquote>
<blockquote type="cite" cite>I believe that is Dr.Zvonar, not
Mr.Zvonar.</blockquote>
<blockquote type="cite" cite>bret</blockquote>
<div><br></div>
<div>Hey, it took me 25 years of schoolin' to get that PhD!</div>
<div><br></div>
<div>I wanted to be &quot;Doctor Zvonar&quot; ever since I saw Flash
Gordon serials on TV back in the '50s.</div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div><br>
______________________________________________________________<br>
Richard Zvonar, PhD<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><br>
(818) 788-2202<x-tab>&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </x-tab><br>
http://www.zvonar.com<br>
http://RZCybernetics.com<br>
http://www.cybmotion.com/aliaszone<br>
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz</div>
</body>
</html>
--============_-1217288012==_ma============--

From Loopers-Delight-request@loopers-delight.com  Wed Jul 11 02:56:32 2001
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Date: Tue, 10 Jul 2001 23:54:50 -0700 (PDT)
From: John Tidwell <wedgehed@yahoo.com>
Subject: Re: Any dj's using loops live (The Rest Of You Can...)
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Yeah, what a dumbass. He misspelled "Dre"!

John


--- Dj Devious D <dj_devious_d@hotmail.com> wrote:

<HR>
<html><DIV>
<P><FONT face="Verdana, Geneva, Arial,
Sans-serif"><STRONG>See what I mean......
?<BR></STRONG></FONT><BR></P></DIV>
<DIV></DIV>
<DIV></DIV></DIV>Devious, 
<DIV></DIV>I believe that is Dr.Zvonar, not Mr.Zvonar.

<DIV></DIV>bret 



=====
John Tidwell




__________________________________________________
Do You Yahoo!?
Get personalized email addresses from Yahoo! Mail
http://personal.mail.yahoo.com/

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From: Richard Zvonar <zvonar@zvonar.com>
Subject: RE: Any dj's using loops live (The Rest Of You Can...)
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At 9:31 PM -0700 7/10/01, Kevin Mulvihill wrote:
>Heck, Richard, after reading your post, I'd be interested in going 
>to see you play sometime! Send me a gig spam email when the 
>next performance comes up.

The only things coming up are the Ought-One Festival August 25-26, 
2001 in Plainfield, Vermont and the Eclectic Orange Festival at the 
at the Orange County Art Museum in Newport Beach, October 6-29.

The piece for Ought-One will be an 8-channel tape piece made up 
entirely of the sounds of frogs and crickets. The piece for Electric 
Orange will be a short piece for nine MIDI-controlled toy pianos, 
part of an installation by the sound artist Trimpin. A group of 
composers are writing 2-minute pieces for this, and an audience 
member will be able to select one of the pieces by putting a quarter 
into the slot of a "jukebox". At the end of the month we all get to 
keep the quarters.

No looping in either piece, I'm afraid.
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz
--============_-1217286740==_ma============
Content-Type: text/html; charset="us-ascii"

<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>RE: Any dj's using loops live (The Rest Of You
Can...)</title></head><body>
<div>At 9:31 PM -0700 7/10/01, Kevin Mulvihill wrote:</div>
<blockquote type="cite" cite><font face="Arial" size="-1"
color="#0000FF">Heck, Richard, after reading your post, I'd be
interested in going to see you play sometime! Send me a gig spam email
when the next&nbsp;performance comes up.</font></blockquote>
<div><br></div>
<div>The only things coming up are the Ought-One Festival August
25-26, 2001 in Plainfield, Vermont and the Eclectic Orange Festival at
the at the Orange County Art Museum in Newport Beach, October
6-29.</div>
<div><br></div>
<div>The piece for Ought-One will be an 8-channel tape piece made up
entirely of the sounds of frogs and crickets. The piece for Electric
Orange will be a short piece for nine MIDI-controlled toy pianos, part
of an installation by the sound artist Trimpin. A group of composers
are writing 2-minute pieces for this, and an audience member will be
able to select one of the pieces by putting a quarter into the slot of
a &quot;jukebox&quot;. At the end of the month we all get to keep the
quarters.</div>
<div><br></div>
<div>No looping in either piece, I'm afraid.</div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div><br>
______________________________________________________________<br>
Richard Zvonar, PhD<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><br>
(818) 788-2202<x-tab>&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </x-tab><br>
http://www.zvonar.com<br>
http://RZCybernetics.com<br>
http://www.cybmotion.com/aliaszone<br>
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz</div>
</body>
</html>
--============_-1217286740==_ma============--

From Loopers-Delight-request@loopers-delight.com  Wed Jul 11 03:30:05 2001
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Date: Wed, 11 Jul 2001 00:59:32 -0700
From: glenn <glenn234@pacbell.net>
Subject: Re: Any dj's using loops live (The Rest Of You Can...)
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> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

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Hello Dr and DJ,
nice  to meet you both. I'm new to this list and though i don't know the
history here life seems to stinking short and painful enough.  On this whole
DJ versus musician thing, FWIW i think most DJ's are guys who have a good
feel for music, but just don't understand how easy it is to actually
originate the beats/songs themselves, or think they couldn't or that there's
enough cultural support for what they do that why move on?, but that what
they do is great in it's own way and we're all here to create something
better right? so what the hey if that kind of creation works for them. I
like looping, but know people, professional musicians, who look down on
looping as being non-musicianship. Screw it, man.

Okay so nobody responded to my request for info on if there's a looping VST
plug-in with a midi-sustain pedal triggered sampling/recording. I fully
understand the notion of the ideal move being out of the computer and into
the live realm. I'm down with that, just too broke right now to pay
attenion, much less spring for a jam man, so is it that no such plug in
exists or is this unspoken passive aggressive social conditioning? (given
what i've walked into seeing here I'm sure that question is understandable?)

sincerely,
glenn

on 7/10/01 11:54 PM, Richard Zvonar at zvonar@zvonar.com wrote:

At 1:41 AM -0500 7/11/01, Dj Devious D wrote:
See what I mean...... ?


--MS_Mac_OE_3077657972_3441004_MIME_Part
Content-type: text/html; charset="US-ASCII"
Content-transfer-encoding: quoted-printable

<HTML>
<HEAD>
<TITLE>Re: Any dj's using loops live (The Rest Of You Can...)</TITLE>
</HEAD>
<BODY>
Hello Dr and DJ,<BR>
nice &nbsp;to meet you both. I'm new to this list and though i don't know t=
he history here life seems to stinking short and painful enough. &nbsp;On th=
is whole DJ versus musician thing, FWIW i think most DJ's are guys who have =
a good feel for music, but just don't understand how easy it is to actually =
originate the beats/songs themselves, or think they couldn't or that there's=
 enough cultural support for what they do that why move on?, but that what t=
hey do is great in it's own way and we're all here to create something bette=
r right? so what the hey if that kind of creation works for them. I like loo=
ping, but know people, professional musicians, who look down on looping as b=
eing non-musicianship. Screw it, man.<BR>
<BR>
Okay so nobody responded to my request for info on if there's a looping VST=
 plug-in with a midi-sustain pedal triggered sampling/recording. I fully und=
erstand the notion of the ideal move being out of the computer and into the =
live realm. I'm down with that, just too broke right now to pay attenion, mu=
ch less spring for a jam man, so is it that no such plug in exists or is thi=
s unspoken passive aggressive social conditioning? (given what i've walked i=
nto seeing here I'm sure that question is understandable?)<BR>
<BR>
sincerely,<BR>
glenn<BR>
<BR>
on 7/10/01 11:54 PM, Richard Zvonar at zvonar@zvonar.com wrote:<BR>
<BR>
<BLOCKQUOTE>At 1:41 AM -0500 7/11/01, Dj Devious D wrote:<BR>
<BLOCKQUOTE><B>See what I mean...... ?</B><BR>
</BLOCKQUOTE></BLOCKQUOTE>
</BODY>
</HTML>


--MS_Mac_OE_3077657972_3441004_MIME_Part--

From Loopers-Delight-request@loopers-delight.com  Wed Jul 11 03:43:44 2001
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X-Files: The truth is out there. 
Date: Wed, 11 Jul 2001 00:46:44 -0700
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From: Sean <sean_@mindspring.com>
Subject: Re: Any dj's using loops live (The Rest Of You Can...)
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At 12:59 AM 7/11/2001, glenn wrote:
>Okay so nobody responded to my request for info on if there's a looping 
>VST plug-in with a midi-sustain pedal triggered sampling/recording. I 
>fully understand the notion of the ideal move being out of the computer 
>and into the

Everyone's idea of ideal is different.  There's more than one person on the 
list that prefers looping on their computers rather than outboard gear.


>live realm. I'm down with that, just too broke right now to pay attenion, 
>much less spring for a jam man, so is it that no such plug in exists or is 
>this unspoken passive aggressive social conditioning? (given what i've 
>walked into

No passive aggression in this case I don't think - just that there isn't 
much point for everyone to respond "Not that I'm aware of" instead someone 
responding "try xyz" :)

I'm not familiar with VST plug-ins so can't point you in any directions.

From Loopers-Delight-request@loopers-delight.com  Wed Jul 11 04:09:20 2001
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From: Richard Zvonar <zvonar@zvonar.com>
Subject: Re: Any dj's using loops live (The Rest Of You Can...)
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At 12:59 AM -0700 7/11/01, glenn wrote:
>On this whole DJ versus musician thing, FWIW i think most DJ's are 
>guys who have a good feel for music, but just don't understand how 
>easy it is to actually originate the beats/songs themselves, or 
>think they couldn't or that there's enough cultural support for what 
>they do that why move on?

Personally I don't draw a line between being a "musician" or a "sound 
artist" or a "DJ," nor do I think any of them is necessarily 
"loftier" or more valid than another (my violist partner would 
disagree). As in most things there are good ones and crappy ones, 
smart ones and stupid ones. I've heard some really excellent mixing 
and have even played on bills with some. I'm personally more into 
"whacked-out" music, and I'm not especially into dance music (I did 
enough of that in my teens and twenties). I'm also a fan of 
Plunderphonics, and I don't think an artist necessarily has to create 
all his/her sounds from scratch (pun intended).


>Okay so nobody responded to my request for info on if there's a 
>looping VST plug-in with a midi-sustain pedal triggered 
>sampling/recording.

I agree with Sean that the lack of an answer to your question is 
probably due to simple ignorance of such a VST plug-in. Don't give up 
hope, though.

Max/MSP is a programming language that would allow the creation of 
just such a "soft" processor.  One of the features of MSP is that you 
can create VST plug-ins. There is even a collection of these called 
Pluggo.

Max/MSP is probably outside your budget, and you probably don't want 
to become a programmer anyway. Someone else might do it though. There 
is a loop sequencer called radiaL due for release later this year.

For more info on Max/MSP, visit <http://www.cycling74.com>
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

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Re: Any dj's using loops live (The Rest Of You Can...)Hi Glenn,
There are numerous VST plugins that will allow to delay/regenerate your
sound. I used to use a program called AudioMulch live in conjunction with
these and I have to say there were very few problems. In fact I never had a
crash live using this configuration!
AudioMulch will interpret your sustain pedal as a trigger for 1 sample.
Getting it to move on may be more problemattical though there is a sequencer
built in to it now that allows sequencing of just about all variables. Why
not download AudioMulch and take it from there.

Gareth, (still don't know what Bleen is, though I found a poem called the
people of Bleen)


>Okay so nobody responded to my request for info on if there's a looping VST
plug-in with a midi-sustain >pedal triggered sampling/recording. I fully
understand the notion of the ideal move being out of the >computer and into
the live realm. I'm down with that, just too broke right now to pay
attenion, much less >spring for a jam man, so is it that no such plug in
exists or is this unspoken passive aggressive social >conditioning? (given
what i've walked into seeing here I'm sure that question is understandable?)

>sincerely,
>glenn

From Loopers-Delight-request@loopers-delight.com  Wed Jul 11 04:26:47 2001
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Subject: Re: Any dj's using loops live (The Rest Of You Can...)
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Thank you!
that sure looks like an interesting link: there is a plug in there called
"Plug-loop" that looks interesting, and another that lets you map your sift
and control keys to functions in the plug ins, will try this and thanks
again. P.S looks like Pluggo is compatible with Cubase 4.1 !!:):)

on 7/11/01 1:07 AM, Richard Zvonar at zvonar@zvonar.com wrote:

> Max/MSP is a programming language that would allow the creation of
> just such a "soft" processor.  One of the features of MSP is that you
> can create VST plug-ins. There is even a collection of these called
> Pluggo.
> 
> Max/MSP is probably outside your budget, and you probably don't want
> to become a programmer anyway. Someone else might do it though. There
> is a loop sequencer called radiaL due for release later this year.
> 
> For more info on Max/MSP, visit <http://www.cycling74.com>
> -- 

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From: glenn <glenn234@pacbell.net>
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Thanks for the awesome lead... Will definitely try that!!!!

on 7/11/01 1:21 AM, whiteoakstudios at whiteoakstudios@supanet.com wrote:

> There are numerous VST plugins that will allow to delay/regenerate your
> sound. I used to use a program called AudioMulch live in conjunction with
> these and I have to say there were very few problems. In fact I never had a
> crash live using this configuration!
> AudioMulch will interpret your sustain pedal as a trigger for 1 sample.
> Getting it to move on may be more problemattical though there is a sequencer
> built in to it now that allows sequencing of just about all variables. Why
> not download AudioMulch and take it from there.

From Loopers-Delight-request@loopers-delight.com  Wed Jul 11 04:35:26 2001
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Subject: Re: pluggo, was: Any dj's using loops live (The Rest Of You Can...)
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> Thank you!
> that sure looks like an interesting link: there is a plug in there called
> "Plug-loop" that looks interesting, and another that lets you map your
sift
> and control keys to functions in the plug ins, will try this and thanks
> again. P.S looks like Pluggo is compatible with Cubase 4.1 !!:):)

it certainly is, and very good it is too.

I'd recommend the Pluggo "very long delay" plugin - exactly what it says on
the tin, with a nice filter in the feedback loop. also comes in a stereo
version.


os.


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<html><DIV>
<P>Now THAT'S an ANSWER !!!!!!!!!!!&nbsp; You go Boyeeeeee !<BR><BR></P></DIV>
<DIV></DIV>
<DIV></DIV>----Original Message Follows---- 
<DIV></DIV>From: Richard Zvonar <ZVONAR@ZVONAR.COM>
<DIV></DIV>Reply-To: Loopers-Delight@loopers-delight.com 
<DIV></DIV>To: Loopers-Delight@loopers-delight.com 
<DIV></DIV>Subject: Re: Any dj's using loops live (The Rest Of You Can...) 
<DIV></DIV>Date: Wed, 11 Jul 2001 01:07:57 -0700 
<DIV></DIV>
<DIV></DIV>At 12:59 AM -0700 7/11/01, glenn wrote: 
<DIV></DIV>&gt;On this whole DJ versus musician thing, FWIW i think most DJ's are 
<DIV></DIV>&gt;guys who have a good feel for music, but just don't understand how 
<DIV></DIV>&gt;easy it is to actually originate the beats/songs themselves, or 
<DIV></DIV>&gt;think they couldn't or that there's enough cultural support for what 
<DIV></DIV>&gt;they do that why move on? 
<DIV></DIV>
<DIV></DIV>Personally I don't draw a line between being a "musician" or a "sound 
<DIV></DIV>artist" or a "DJ," nor do I think any of them is necessarily 
<DIV></DIV>"loftier" or more valid than another (my violist partner would 
<DIV></DIV>disagree). As in most things there are good ones and crappy ones, 
<DIV></DIV>smart ones and stupid ones. I've heard some really excellent mixing 
<DIV></DIV>and have even played on bills with some. I'm personally more into 
<DIV></DIV>"whacked-out" music, and I'm not especially into dance music (I did 
<DIV></DIV>enough of that in my teens and twenties). I'm also a fan of 
<DIV></DIV>Plunderphonics, and I don't think an artist necessarily has to create 
<DIV></DIV>all his/her sounds from scratch (pun intended). 
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>&gt;Okay so nobody responded to my request for info on if there's a 
<DIV></DIV>&gt;looping VST plug-in with a midi-sustain pedal triggered 
<DIV></DIV>&gt;sampling/recording. 
<DIV></DIV>
<DIV></DIV>I agree with Sean that the lack of an answer to your question is 
<DIV></DIV>probably due to simple ignorance of such a VST plug-in. Don't give up 
<DIV></DIV>hope, though. 
<DIV></DIV>
<DIV></DIV>Max/MSP is a programming language that would allow the creation of 
<DIV></DIV>just such a "soft" processor. One of the features of MSP is that you 
<DIV></DIV>can create VST plug-ins. There is even a collection of these called 
<DIV></DIV>Pluggo. 
<DIV></DIV>
<DIV></DIV>Max/MSP is probably outside your budget, and you probably don't want 
<DIV></DIV>to become a programmer anyway. Someone else might do it though. There 
<DIV></DIV>is a loop sequencer called radiaL due for release later this year. 
<DIV></DIV>
<DIV></DIV>For more info on Max/MSP, visit <HTTP: www.cycling74.com>
<DIV></DIV>-- 
<DIV></DIV>
<DIV></DIV>______________________________________________________________ 
<DIV></DIV>Richard Zvonar, PhD 
<DIV></DIV>(818) 788-2202 
<DIV></DIV>http://www.zvonar.com 
<DIV></DIV>http://RZCybernetics.com 
<DIV></DIV>http://www.cybmotion.com/aliaszone 
<DIV></DIV>http://www.live365.com/cgi-bin/directory.cgi?autostart=rz 
<DIV></DIV>
<DIV></DIV><br clear=all><hr>Get your FREE download of MSN Explorer at <a href="http://explorer.msn.com">http://explorer.msn.com</a><br></p></html>

From Loopers-Delight-request@loopers-delight.com  Wed Jul 11 05:34:12 2001
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Subject: RE: Any dj's using loops live (The Rest Of You Can...)
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RE: Any dj's using loops live (The Rest Of You Can...)Very interesting stuff
coming up, Richard. I am fortunate I did get to hear at least a little bit
of your stuff at the LA Loop Feste. Liked what I heard, just was too much
going on - including talking to you, since we sat next to each other - to
fully appreciate.

Anyway, Vermont is a little far to go, but the Newport Beach thing looks
kinda interesting... Can you tell me more about what happens at the Eclectic
Orange Festival? I've got to entice my girlfriend after all. :-) You can
respond personally and off the list if this is too far off topic.

Thanks,
Kevin
  -----Original Message-----
  From: Richard Zvonar [mailto:zvonar@zvonar.com]
  Sent: Wednesday, July 11, 2001 12:16 AM
  To: Loopers-Delight@loopers-delight.com
  Subject: RE: Any dj's using loops live (The Rest Of You Can...)


  At 9:31 PM -0700 7/10/01, Kevin Mulvihill wrote:
    Heck, Richard, after reading your post, I'd be interested in going to
see you play sometime! Send me a gig spam email when the next performance
comes up.


  The only things coming up are the Ought-One Festival August 25-26, 2001 in
Plainfield, Vermont and the Eclectic Orange Festival at the at the Orange
County Art Museum in Newport Beach, October 6-29.


  The piece for Ought-One will be an 8-channel tape piece made up entirely
of the sounds of frogs and crickets. The piece for Electric Orange will be a
short piece for nine MIDI-controlled toy pianos, part of an installation by
the sound artist Trimpin. A group of composers are writing 2-minute pieces
for this, and an audience member will be able to select one of the pieces by
putting a quarter into the slot of a "jukebox". At the end of the month we
all get to keep the quarters.


  No looping in either piece, I'm afraid.
--


  ______________________________________________________________
  Richard Zvonar, PhD
  (818) 788-2202
  http://www.zvonar.com
  http://RZCybernetics.com
  http://www.cybmotion.com/aliaszone
  http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

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<DIV><SPAN class=3D779072909-11072001><FONT face=3DArial color=3D#0000ff =
size=3D2>Very=20
interesting stuff coming up, Richard. I am fortunate I did get to hear =
at least=20
a little bit of your stuff at the LA Loop Feste. Liked what I heard, =
just was=20
too much going on - including talking to you, since we sat next to each =
other -=20
to fully appreciate.</FONT></SPAN></DIV>
<DIV><SPAN class=3D779072909-11072001><FONT face=3DArial color=3D#0000ff =

size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D779072909-11072001><FONT face=3DArial color=3D#0000ff =

size=3D2>Anyway, Vermont is a little far to go, but the Newport Beach =
thing looks=20
kinda interesting... Can you tell me more about what happens at the =
Eclectic=20
Orange Festival? I've got to entice my girlfriend after all. :-) You can =
respond=20
personally and off the list if this is too far off =
topic.</FONT></SPAN></DIV>
<DIV><SPAN class=3D779072909-11072001><FONT face=3DArial color=3D#0000ff =

size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D779072909-11072001><FONT face=3DArial color=3D#0000ff =

size=3D2>Thanks,</FONT></SPAN></DIV>
<DIV><SPAN class=3D779072909-11072001><FONT face=3DArial color=3D#0000ff =

size=3D2>Kevin</FONT></SPAN></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px =
solid; MARGIN-RIGHT: 0px">
  <DIV class=3DOutlookMessageHeader dir=3Dltr align=3Dleft><FONT =
face=3DTahoma=20
  size=3D2>-----Original Message-----<BR><B>From:</B> Richard Zvonar=20
  [mailto:zvonar@zvonar.com]<BR><B>Sent:</B> Wednesday, July 11, 2001 =
12:16=20
  AM<BR><B>To:</B> =
Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> RE:=20
  Any dj's using loops live (The Rest Of You =
Can...)<BR><BR></FONT></DIV>
  <DIV>At 9:31 PM -0700 7/10/01, Kevin Mulvihill wrote:</DIV>
  <BLOCKQUOTE cite type=3D"cite"><FONT face=3DArial color=3D#0000ff =
size=3D-1>Heck,=20
    Richard, after reading your post, I'd be interested in going to see =
you play=20
    sometime! Send me a gig spam email when the next&nbsp;performance =
comes=20
    up.</FONT></BLOCKQUOTE>
  <DIV><BR></DIV>
  <DIV>The only things coming up are the Ought-One Festival August =
25-26, 2001=20
  in Plainfield, Vermont and the Eclectic Orange Festival at the at the =
Orange=20
  County Art Museum in Newport Beach, October 6-29.</DIV>
  <DIV><BR></DIV>
  <DIV>The piece for Ought-One will be an 8-channel tape piece made up =
entirely=20
  of the sounds of frogs and crickets. The piece for Electric Orange =
will be a=20
  short piece for nine MIDI-controlled toy pianos, part of an =
installation by=20
  the sound artist Trimpin. A group of composers are writing 2-minute =
pieces for=20
  this, and an audience member will be able to select one of the pieces =
by=20
  putting a quarter into the slot of a "jukebox". At the end of the =
month we all=20
  get to keep the quarters.</DIV>
  <DIV><BR></DIV>
  <DIV>No looping in either piece, I'm afraid.</DIV><X-SIGSEP><PRE>--=20
</PRE></X-SIGSEP>
  =
<DIV><BR>______________________________________________________________<B=
R>Richard=20
  Zvonar, PhD<X-TAB>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
</X-TAB><BR>(818)=20
  788-2202<X-TAB>&nbsp;=20
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  </X-TAB><X-TAB>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
  =
</X-TAB><BR>http://www.zvonar.com<BR>http://RZCybernetics.com<BR>http://w=
ww.cybmotion.com/aliaszone<BR>http://www.live365.com/cgi-bin/directory.cg=
i?autostart=3Drz</DIV></BLOCKQUOTE></BODY></HTML>

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Date: Tue, 10 Jul 2001 22:36:13 -0700
From: Doug Lawrence <dlawren@pacbell.net>
Subject: Re: Simple Question about Looping Live
To: Loopers-Delight@loopers-delight.com
Cc: roger_foster@hotmail.com
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So basically you want a budget sampler that supports .WAV files, sample dump
via MIDI or disk, and is controllable via MIDI.

Based on your budget, you have a bunch of machines to check out (ordered in
increasing price) ...

Akai S20
Yamaha SU-10
Boss SP-303
Zoom SampleTrak ST224
Yamaha SU-200
Korg Electribe ES-1
Yamaha SU700

I was looking for the same thing about a year ago and got a Yamaha SU700,
then found out it only support .AIFF file formats and it doesn't have the
ability to store samples on-board. Although, the effects are really good and
the MIDI implementation is pretty good, you have to pay extra for a SCSI
adapter and ZIP drive if you want convenient sample storage. They've come
down in price $300-400 since I bought it last year.

If I was buying today, I would probably look at getting the Korg Electribe
ES-1, next to the Yamaha SU-200. One of the weird issues with this Korg unit
is that the .WAV files need specific names to load correctly, but it
supports onboard static RAM storage and SmartMedia storage, which is very
handy.

Check it out:
http://www.korg.com/gear/info.asp?A_PROD_NO=ES1

Each of these units have their own idiosyncrasies, so I would read reviews
on every one of them.
There are some great, detailed reviews at:
http://www.samplenet.co.uk/CategoryDefault.asp?Category=Samplers



----- Original Message -----
From: "roger foster" <roger_foster@hotmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, July 10, 2001 10:39 AM
Subject: Simple Question about Looping Live


> Does anybody know how to do the following (for the lowest expense)?
> - Take .wav files off a pc
> - Load 'em to a device (what's the best device for this?)
> - Use a foot pedal as a trigger
> - Have 5 or so buttons to hit for a song, each setting off a repeating
loop until you hit another button, which will start a different loop,
replacing the previous one.
> Very simple desire.
> Thanks.
>
>
> --------------------------------------------------------------------------
------
> Get your FREE download of MSN Explorer at http://explorer.msn.com
>
>
>

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Subject: Did you say Whiskey?  Was: Simple Question about Looping Live
Date: Wed, 11 Jul 2001 11:08:02 +0100
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> > Great scenario!  I can hear the looping tumbleweed and the lonesome wind
> > whistling past the saloon . . .  but everyone knows Bartender Kim
prefers
> > Scotch  :-)
> >
> Yeah, the old timers here ought to know Kim likes "Scotch" but all whiskey
> drinkers ought to know that "Scotch" is American slang for "Scottish
> Whiskey".  We should also know that Scottish and Irish whiskey are made
from
> barley whereas the stuff from Kentucky and Tennessee is made from corn.
> Further, it is sacrilege to pour Scottish or Irish whiskey over ice,
whereas
> iced is about the only way to get the American stuff down.

I've come to wonder that it was this and not just a spelling error that made
the difference between "whiskey" and "whisky".  On a trip to Edinburgh three
years ago, my then-future wife and I would hit a number of pubs, most
notably the Deacon Brodie (named after the not-so-gentlemanly fellow who
actually inspired R.L.Stevenson's "Dr. Jekyll & Mr. Hyde"), where, before
our attendance of tours, would garnish ourselves by sampling the huge range
of scottish whiskey.  I had mine 'neat' with water on the side.  Having
stopped smoking tobacco some years ago, I'd finished getting my taste buds
back to working order, and had begun enjoying wine-tasting as a result; I
applied the same technique to whiskey.  There were some that made one wish
for a bit of the old tobacco though, as they were no doubt engineered to
have with a cigar.  Others were smoky enough on their own - 20 yr-old Ardbeg
for instance - to supplant the mere desire for a cigar.  Funny since, when a
smoker, I could barely manage a sip of whiskey without making That Face.
Now that I'm not a smoker (and alas even non-tobacco -wink- is out of reach,
dammit!) I find a bit of whiskey to be a needed bit of business towards the
end of some evenings.

In a GOOD bar in the US, you won't get a look like you've got antennae if
you ask for Scottish Whiskey.  I won't say no to Chivas though, and in a
slide can adjust to Grant's or Dewar's, though in comparison there is a huge
difference.  Even BELL'S is better, hoot mon.

By the way I've put a newly-restored piece on the Studios site, "Fever
Dream", which has nothing to do with Whiskey, well, at least THAT
intoxicant. :)

Stephen Goodman
http://www.earthlight.net/Gallery_Front.html - Cartoons & Illustrations
http://www.earthlight.net/Studios * The free Loop of the Week!
http://www.live365.com/stations/218194 * EarthLight Online / Live!

From Loopers-Delight-request@loopers-delight.com  Wed Jul 11 06:22:29 2001
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Date: Wed, 11 Jul 2001 03:20:30 -0700
To: Loopers-Delight@loopers-delight.com
From: Kim Flint <kflint@loopers-delight.com>
Subject: Re: Simple Question about Looping Live
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At 6:07 PM -0700 7/10/01, Allan Hoeltje wrote:
>on 7/10/01 5:04 PM, James Pokorny at j.pokorny@worldnet.att.net wrote:
>
>> Great scenario!  I can hear the looping tumbleweed and the lonesome wind
>> whistling past the saloon . . .  but everyone knows Bartender Kim prefers
>> Scotch  :-)
>>

thanks for correcting that James! Drinking the profits, right you are.


>Yeah, the old timers here ought to know Kim likes "Scotch" but all whiskey
>drinkers ought to know that "Scotch" is American slang for "Scottish
>Whiskey".  We should also know that Scottish and Irish whiskey are made from
>barley whereas the stuff from Kentucky and Tennessee is made from corn.
>Further, it is sacrilege to pour Scottish or Irish whiskey over ice, whereas
>iced is about the only way to get the American stuff down.

well, I certainly never have ice in my scotch. However, I have been known
to enjoy a good southern bourbon now and then. With the good small batch
stuff, it's gotta be neat too! Unless it's in a mint julep, of course. Try
Knob Creek.

By the way, since my "make a donation to looper's delight" appears to be a
total failure as a means to make the site pay for itself, I'm starting a
new plan. I'm calling it DrinkPal. If you like Looper's Delight, send me a
bottle of Scotch. (single malts only, please.) This should make running
this place far more bearable.

kim


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com


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hi all ..

(quick non-loop reply ..)

Stephen wrote:
> I've come to wonder that it was this and
> not just a spelling error that made the difference
> between "whiskey" and "whisky".

as I understand it "whiskey" is the local stuff (for me, in Ireland), the
"whisky" spelling is favoured by our neighbours in Scotland.

I got an interesting book on a visit to a Scottish distillery last year
which explains it all, but I haven't got it to hand. It was the Tomatin
distillery, and if you come across their single malt or "Antiquary" blended
try it out .. you can actually drink it neat without making The Whisky
Face! That Face is now reserved for Raki ..

Anyway .. that's the non-loop quota reached for me ..

- jm

From Loopers-Delight-request@loopers-delight.com  Wed Jul 11 08:21:24 2001
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Date: Wed, 11 Jul 2001 08:20:33 -0400
Subject: Feedback Music in NYC 14 July
From: David Myers <dmgraph@earthlink.net>
To: ~performance mail <dmgraph@earthlink.net>
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Saturday 14 July at Diapason soundart gallery, 1026 6th Ave NYC (between
38th and 39th Streets), 8 PM:

David Lee Myers
Ben Manley
Tom Hamilton

Table(s) of electronics, plus sound installations in the gallery.  No
guitars and no computers, to the best of my knowledge.  I will be doing my
Feedback thing solo, Ben and Tom also performing solo sets and perhaps some
overlapping action.  Should be a great evening--see you there!

http://www.diapasongallery.com

David Lee Myers
http://www.pulsewidth.com

From Loopers-Delight-request@loopers-delight.com  Wed Jul 11 09:00:29 2001
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Date: Wed, 11 Jul 2001 08:58:12 EDT
Subject: Re: Any dj's using loops live
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whiteoakstudios@supanet.com writes:

>(still don't know what Bleen is, though I found a poem called the
>people of Bleen)

bleen is a 'morphing'-preset on lexicon's vortex, a 1-rack-space delay(& 
modulation)-based processor, no longer produced.
dt / s-c

From Loopers-Delight-request@loopers-delight.com  Wed Jul 11 10:27:09 2001
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Person A: Request for info
Person B: Tries to give helpful info
Person A: Reads info, decides it isn't what he want, decides to dis person B 
for it.

However inapproprate person B's response is it was given to be helpful.
Person A could of simply said it wasn't what he was looking for, rather than 
dissing over it.

Sounds to me like a "short fuse"
Sincerly,
Denis
_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

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Date: Wed, 11 Jul 2001 07:20:02 -0700
From: Doug Lawrence <dlawren@pacbell.net>
Subject: Roland CDX-1 DiscLab
Cc: Loopers-Delight@loopers-delight.com
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I ran into this piece of gear yesterday on Roland's website ... it seems
pretty interesting ... the phrase "sequence loops" caught my eye. It seems
to be something like an SP-303 or SP808EX combined with a VS series
multitrack recorder. Has anybody checked this unit out?

http://www.rolandus.com/PRODUCTS/MI/2001/cdx1.htm
http://namm.harmony-central.com/Musikmesse01/Content/Roland/PR/CDX-1.html

The CDX-1 DiscLab is a totally new type of flexible audio workstation: part
digital multitrack recorder, part phrase sampler, part CD burner. Its
innovative design lets you sample and sequence loops, record multitrack
performances, or use both methods simultaneously. Then just add effects, and
burn it all to recordable CDs. There¹s never been a quicker or more
convenient way to get your music to CD.
Features:
-  Tabletop workstation which combines phrase sampling, multitrack
recording, mixing and mastering directly to built-in recordable CD drive-a
world¹s first
- Digital multitrack recorder section can record 2 tracks simultaneously to
onboard CD-RW, 8 tracks total
- Load or sample audio phrases on built-in Sample Pads
- Create music with samples and multitrack recording simultaneously
- Onboard phrase sample tools provide easy waveform editing, high-quality
time-stretching, BPM syncing, and more
- Phrase Sequencer and Rhythm Guide/Drum Machine allows quick sample
sequencing and song construction
- 2 stereo effects processors include COSM guitar multi-effects, Groove
effects, studio effects, Mastering Tool Kit and more
- CD Creation mode for writing directly to CD-R from stereo audio
inputs-perfect for re-mastering vinyl records or cassette tapes to CD

From Loopers-Delight-request@loopers-delight.com  Wed Jul 11 10:56:24 2001
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From: "Bailey, Jim" <JBailey@corporate.southam.ca>
To: "'looppost'" <loopers-delight@loopers-delight.com>
Subject: TOTALLY OT: Whisky/whiskey
Date: Wed, 11 Jul 2001 10:52:53 -0400
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> -----Original Message-----
> From: Stephen P. Goodman [mailto:spgoodman@earthlight.net]
> Sent: Wednesday, July 11, 2001 6:08 AM
>
> I've come to wonder that it was this and not just a spelling 
> error that made
> the difference between "whiskey" and "whisky".

For the record (which has a scratch, causing the stylus to skip thereby
creating a loop <-- RELEVANCE ;->), in Ireland and, I believe, the U.S.,
it's "whiskey," and in Scotland, here in Canada, and maybe a few other
places, it's "whisky."

My knowledge, though, ain't exactly encyclopaedic, so don't carve that in
stone. It's just the way I've always understood it to be. Like it really
matters.

Jim Bailey
Laphroaig fan since 1982

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Date: Wed, 11 Jul 2001 08:42:20 -0700
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Subject: RE: Any dj's using loops live (The Rest Of You Can...)
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At 2:31 AM -0700 7/11/01, Kevin Mulvihill wrote:

>Can you tell me more about what happens at the Eclectic Orange Festival?

http://www.eclecticorange.org/you_are_hear.htm
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz
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<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>RE: Any dj's using loops live (The Rest Of You
Can...)</title></head><body>
<div>At 2:31 AM -0700 7/11/01, Kevin Mulvihill wrote:</div>
<div><br></div>
<blockquote type="cite" cite><font face="Arial" size="-1"
color="#0000FF">Can you tell me more about what happens at the
Eclectic Orange Festival?</font></blockquote>
<div><font face="Arial" size="-1" color="#0000FF"><br></font></div>
<div>http://www.eclecticorange.org/you_are_hear.htm</div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div><br>
______________________________________________________________<br>
Richard Zvonar, PhD<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><br>
(818) 788-2202<x-tab>&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </x-tab><br>
http://www.zvonar.com<br>
http://RZCybernetics.com<br>
http://www.cybmotion.com/aliaszone<br>
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz</div>
</body>
</html>
--============_-1217256035==_ma============--

From Loopers-Delight-request@loopers-delight.com  Wed Jul 11 11:48:48 2001
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From: "Daniel" <daniel_c@vtr.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: what effect is this?
Date: Wed, 11 Jul 2001 11:36:33 -0600
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This is a multi-part message in MIME format.

------=_NextPart_000_00C3_01C109FD.BCC9C440
Content-Type: text/plain;
	charset="iso-8859-1"
Content-Transfer-Encoding: 7bit

I should anyone should look at the streamed video at the attachment and do a
screen capture to see what the effect is first

------=_NextPart_000_00C3_01C109FD.BCC9C440
Content-Type: audio/x-pn-realaudio;
	name="evitrp.ram"
Content-Transfer-Encoding: quoted-printable
Content-Disposition: attachment;
	filename="evitrp.ram"

rtsp://mtv.nvglb.com:554/mtv/mtv.com/mtv/realmedia/g2/clips/r/radiohead/l=
ive_in_london/everthing.rm


------=_NextPart_000_00C3_01C109FD.BCC9C440--

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i have found this list and the loopers-delight site 
to be more usefull than many books, programs, etc.
that i paid quite a bit for...
i hope i'm not the only one who thinks so.
come on guys,
many of you list audio gear that cost you $1000's.
chip in a bit to help out 'whiskey' kim....


> 
> By the way, since my "make a donation to looper's delight" appears to be a
> total failure as a means to make the site pay for itself, I'm starting a
> new plan. I'm calling it DrinkPal. If you like Looper's Delight, send me a
> bottle of Scotch. (single malts only, please.) This should make running
> this place far more bearable.
> 
> kim
> 
> 
> ______________________________________________________________________
> Kim Flint                     | Looper's Delight
> kflint@loopers-delight.com    | http://www.loopers-delight.com
> 
> 

From Loopers-Delight-request@loopers-delight.com  Wed Jul 11 12:03:53 2001
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From: "Brian Parker" <bp33@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Requests for info
Date: Wed, 11 Jul 2001 16:01:47 
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I joined the LD mailing list to discuss looping. If i wanted an opinion on 
weather dj's or their audiences think they're "DJ's" I would have gone else 
where. R. Zvonar, if I appologize if i offended you, or anyone else. However 
I do find that whole 'dj' topic a tad bit old and dry. All i want is new 
perspectives on making phat loops from vinyl samples, and share what i know.

Brian


>From: "Denis Aldrich" <joy_top@hotmail.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: loopers-delight@loopers-delight.com
>Subject: Requests for info
>Date: Wed, 11 Jul 2001 09:24:46 -0500
>
>Person A: Request for info
>Person B: Tries to give helpful info
>Person A: Reads info, decides it isn't what he want, decides to dis person 
>B
>for it.
>
>However inapproprate person B's response is it was given to be helpful.
>Person A could of simply said it wasn't what he was looking for, rather 
>than
>dissing over it.
>
>Sounds to me like a "short fuse"
>Sincerly,
>Denis
>_________________________________________________________________
>Get your FREE download of MSN Explorer at http://explorer.msn.com
>

_________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.

From Loopers-Delight-request@loopers-delight.com  Wed Jul 11 12:04:35 2001
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From: "Michael LaMeyer" <mlameyer@rcn.com>
To: <Loopers-Delight@loopers-delight.com>
References: <009001c1099c$fffe7960$7b954e0c@u73x0><v03102813b771d60b12fc@[63.192.37.242]> <006201c10a20$c7b84ca0$080210ac@jpalmer>
Subject: Re: Simple Question about Looping Live
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And I chipped in $30 even though I'm ignorant and offend people!

8^D

Mike

----- Original Message -----
From: "jim palmer" <jimp@pobox.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, July 11, 2001 11:47 AM
Subject: Re: Simple Question about Looping Live


> i have found this list and the loopers-delight site
> to be more usefull than many books, programs, etc.
> that i paid quite a bit for...
> i hope i'm not the only one who thinks so.
> come on guys,
> many of you list audio gear that cost you $1000's.
> chip in a bit to help out 'whiskey' kim....
>
>
> >
> > By the way, since my "make a donation to looper's delight"
appears to be a
> > total failure as a means to make the site pay for itself,
I'm starting a
> > new plan. I'm calling it DrinkPal. If you like Looper's
Delight, send me a
> > bottle of Scotch. (single malts only, please.) This should
make running
> > this place far more bearable.
> >
> > kim
> >
> >
> >
________________________________________________________________
______
> > Kim Flint                     | Looper's Delight
> > kflint@loopers-delight.com    |
http://www.loopers-delight.com
> >
> >
>

From Loopers-Delight-request@loopers-delight.com  Wed Jul 11 12:05:33 2001
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Old-Return-Path: <pantonio@pacbell.net>
Date: Wed, 11 Jul 2001 08:55:18 -0700
From: Anthony Justman <pantonio@pacbell.net>
Subject: Re: Simple Question about Looping Live
To: Loopers-Delight@loopers-delight.com
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If I could afford a Lagavulin 16, I'd buy Kim one.

~~~~~~~~~~~~~~~~~~~~~~
Anthony Justman
San Francisco California
pantonio@pacbell.net
www.greatgodpan.com
----- Original Message -----
From: "jim palmer" <jimp@pobox.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, July 11, 2001 8:47 AM
Subject: Re: Simple Question about Looping Live


> i have found this list and the loopers-delight site
> to be more usefull than many books, programs, etc.
> that i paid quite a bit for...
> i hope i'm not the only one who thinks so.
> come on guys,
> many of you list audio gear that cost you $1000's.
> chip in a bit to help out 'whiskey' kim....
>
>
> >
> > By the way, since my "make a donation to looper's delight" appears to be
a
> > total failure as a means to make the site pay for itself, I'm starting a
> > new plan. I'm calling it DrinkPal. If you like Looper's Delight, send me
a
> > bottle of Scotch. (single malts only, please.) This should make running
> > this place far more bearable.
> >
> > kim
> >
> >
> > ______________________________________________________________________
> > Kim Flint                     | Looper's Delight
> > kflint@loopers-delight.com    | http://www.loopers-delight.com
> >
> >
>

From Loopers-Delight-request@loopers-delight.com  Wed Jul 11 12:06:10 2001
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Date: Wed, 11 Jul 2001 09:07:02 -0700
From: Richard Zvonar <zvonar@zvonar.com>
Subject: Re: what effect is this?
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Korg Kaiss Pad.
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

From Loopers-Delight-request@loopers-delight.com  Wed Jul 11 12:10:16 2001
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Date: Wed, 11 Jul 2001 08:59:54 -0700
From: Anthony Justman <pantonio@pacbell.net>
Subject: Re: Does anyone got Electrix ears from  Musician's Friend??
To: Loopers-Delight@loopers-delight.com
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I got my Electrix stuff late last week, and they got the order right.  I
ordered one of everything, so it was kina hard for them to screw it up.
~~~~~~~~~~~~~~~~~~~~~~
Anthony Justman
San Francisco California
pantonio@pacbell.net

----- Original Message -----
From: "Steve Burnett" <sburnett@webslingerz.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, July 10, 2001 8:53 PM
Subject: Re: Does anyone got Electrix ears from Musician's Friend??


> On Tue, 10 Jul 2001, Mark Pulver wrote:
>
> > Sunao Inami (06:21 PM 07/10/01) wrote:
> >
> >  >Does anyone got Electrix gears from  Musician's Friend?
> >  >I am still waiting over 30days since my order..
> >
> > My wife got her order, but they screwed up. They sent her two Filter
Queens
> > and a MoFX instead of one FQ, one Warp Factory and a MoFX.
> >
> > She called, they said no problem the WF's are in stock and they'll ship
> > one. She waited a couple of days, called, was told that the WF never
went
> > out and they didn't have any more. She screamed, talked to a manager,
felt
> > he was useless, found a WF at http://www.Music123.com, ordered one from
> > there, and returned the extra FQ.
> >
> > I just checked Music123.com, it looks like they only have Filter
Factorys left.
>
> Had a similar experience with Guitar Center: called one in NY, they took
> my order of several pieces (1 FQ, 1 EQK, 1 mofx, 2 WF, 3FF - I had two
> friends of mine combining in with me), said no problem, plenty's coming,
> everything's getting restocked. 3/8 my order came in: FQ, EQK, WF. They
> said they'd restock in a week, it was coming they swore - except for the
> mofx, which they said was never on their order, wasn't being restocked &
> they offered to special order it from Electrix at full retail price of
> over $400. I called another Guitar Center a fellow list member recommended
> in Portland Oregon: they got me the other five pieces. I was nice enough
> to call a couple of days later and cancel the remaining order in NY: they
> hadn't restocked yet and had no idea when the shipment'd arrive. I'm
> tempted to buy a spare WF and put it in storage in case mine ever goes
> bad, as I really appreciate what I can do with it.
>
> best,
> Steve
> --
> ----------------------------------------------------------------
> Steve Burnett    Admin, webslingerZ     sburnett@webslingerz.com
>              http://www.webslingerz.com/sburnett/
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Jul 11 12:18:05 2001
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To: Loopers-Delight@loopers-delight.com
Subject: Cal. Bass Looping Tour
Date: Wed, 11 Jul 2001 16:15:48 
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Hi All!
Just a quick post to say thanks to all the LDers who showed up at each of 
the shows on the Solo Bass Looping Tour.  It was a great time, and really 
cool to attach a face to those who post.
It was a wonderful time touring with Michael Manring, Steve Lawson and Rick 
Walker.  Some really great music, totally improvised and quite 
"loop-intensive"  The turnout for each show got bigger and bigger(we est. 
about 450 in Santa Cruz!)....imagine that, for a LoopFest!  And each city, 
folks were fascinated by the looping technology employed.
We have a running "tour diary" posted at www.talkbass.com if anyone is 
interested in reading about a tour which has certainly had an impact on the 
public perception of looping....
thanks,
Max Valentino
_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

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-----Original Message-----
From: Doug Lawrence [mailto:dlawren@pacbell.net]


I ran into this piece of gear yesterday on Roland's website ... it seems
pretty interesting ... the phrase "sequence loops" caught my eye. It seems
to be something like an SP-303 or SP808EX combined with a VS series
multitrack recorder. Has anybody checked this unit out?

http://www.rolandus.com/PRODUCTS/MI/2001/cdx1.htm
http://namm.harmony-central.com/Musikmesse01/Content/Roland/PR/CDX-1.html

The CDX-1 DiscLab

**I called roland and they siad it was like a BR-8 combined with a SP-303--
They also said real time looping was not in its vocabulary--
Could be good for those of you who don't actually perform but just play
stuff back (not that there's anything wrong with that 8^/
Gary

From Loopers-Delight-request@loopers-delight.com  Wed Jul 11 12:56:35 2001
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At 4:01 PM +0000 7/11/01, Brian Parker wrote:
>I joined the LD mailing list to discuss looping...All i want is new 
>perspectives on making phat loops from vinyl samples, and share what 
>i know.

That's a pretty wide open subject, and much depends on whether you 
intend to create the loops in advance and then play them back live, 
or whether you want to grab loops on the fly, during the performance.

Much also depends on your equipment. A good place to start might be 
to describe what you are using and how you have it hooked up, as well 
as what range of music you are mixing.

If you're doing primarily dance music, and you want your loops to be 
strictly synchronous with the beat, that presents one set of problems 
and opportunities. If you're doing ambient soundscapes, that presents 
another set.

Some of the issues are equipment issues, particularly if you need to 
establish and maintain tight sync between your CD and/or vinyl 
playback and your loops. Other issues arise from the way your 
equipment is interconnected. For instance, are you using dedicated DJ 
mixer, or do you have more routing and mixing flexibility? What 
signal processing are you using?

I'm a big fan of combining both parallel and serial processing, and I 
like to use a mixer with a lot of auxiliary sends so that I can 
change the routing at will. For instance, if you have just two 
processors - a looping device and a multieffects processor - and a 
small mixer you could patch the aux sends to the inputs of the two 
devices and patch their outputs back to mixer inputs and then run 
looper||FX, or looper>FX, or FX>looper.

Is that the sort of information you're after?


>However I do find that whole 'dj' topic a tad bit old and dry.

It is.

-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

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<html><DIV>
<P><BR><BR></P>
<DIV></DIV>
<P>No need for all that... I have this effect... it's the Korg Kaoss Pad (KP-1, for all you Model Number Heads). Great EfX, and it's economical to use (I paid $249.00 for it at the local Guitar Center). It's great for looping (it has a 5 second sampler, that is great for looping live). It has some decent delay effects, and filters. I use it a lot in my "Dj" setup, and is very versatile.<BR><BR></P></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>----Original Message Follows---- 
<DIV></DIV>
<DIV></DIV>From: "Daniel" <DANIEL_C@VTR.NET>
<DIV></DIV>
<DIV></DIV>Reply-To: Loopers-Delight@loopers-delight.com 
<DIV></DIV>
<DIV></DIV>To: <LOOPERS-DELIGHT@LOOPERS-DELIGHT.COM>
<DIV></DIV>
<DIV></DIV>Subject: what effect is this? 
<DIV></DIV>
<DIV></DIV>Date: Wed, 11 Jul 2001 11:36:33 -0600 
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>I should anyone should look at the streamed video at the attachment and do a 
<DIV></DIV>
<DIV></DIV>screen capture to see what the effect is first 
<DIV></DIV>
<DIV></DIV>&lt;&lt; evitrp.ram &gt;&gt; 
<DIV></DIV>
<DIV></DIV><br clear=all><hr>Get your FREE download of MSN Explorer at <a href="http://explorer.msn.com">http://explorer.msn.com</a><br></p></html>

From Loopers-Delight-request@loopers-delight.com  Wed Jul 11 16:05:48 2001
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I have the SP-303, but have yet to buy a smart media card reader for my
mac.  I do like it, so far, but I'm VERY disappointed that it does not
run off batteries, like it's predecessor, the 202.  I had it for a while
and never checked the back for a battery compartment.  One day I went
out and got double AAs and what to my surprise, no where to put them!
So much for having a portable field sampler.

Mark Sottilaro

MediaOne wrote:

> re SP-303.... it does import .wav direct from SmartMedia- but only see
> 1 midi in and doesent say if functions can be controlled with midi via
> external controller- damn, I may have to get one of these bad boys-
> http://www.rolandus.com/PRODUCTS/MI/mi_namm_w01/sp303_b.htmOm
>
>      ----- Original Message -----
>      From: roger foster
>      To: Loopers-Delight@loopers-delight.com
>      Sent: Tuesday, July 10, 2001 5:39 PM
>      Subject: Simple Question about Looping Live
>       Does anybody know how to do the following (for the lowest
>      expense)?- Take .wav files off a pc- Load 'em to a device
>      (what's the best device for this?)- Use a foot pedal as a
>      trigger- Have 5 or so buttons to hit for a song, each
>      setting off a repeating loop until you hit another button,
>      which will start a different loop, replacing the previous
>      one.Very simple desire.Thanks.
>
>
>      -------------------------------------------------------------
>      Get your FREE download of MSN Explorer at
>      http://explorer.msn.com
>
>
>

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I keep hearing "...like the 202 could do..." maybe the 202 is the underdog
to get? Sound quality too shitty? Om

----- Original Message -----
From: "Mark Sottilaro" <sine@zerocrossing.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, July 11, 2001 1:03 PM
Subject: Re: Simple Question about Looping Live


> I have the SP-303, but have yet to buy a smart media card reader for my
> mac.  I do like it, so far, but I'm VERY disappointed that it does not
> run off batteries, like it's predecessor, the 202.  I had it for a while
> and never checked the back for a battery compartment.  One day I went
> out and got double AAs and what to my surprise, no where to put them!
> So much for having a portable field sampler.
>
> Mark Sottilaro
>
> MediaOne wrote:
>
> > re SP-303.... it does import .wav direct from SmartMedia- but only see
> > 1 midi in and doesent say if functions can be controlled with midi via
> > external controller- damn, I may have to get one of these bad boys-
> > http://www.rolandus.com/PRODUCTS/MI/mi_namm_w01/sp303_b.htmOm
> >
> >      ----- Original Message -----
> >      From: roger foster
> >      To: Loopers-Delight@loopers-delight.com
> >      Sent: Tuesday, July 10, 2001 5:39 PM
> >      Subject: Simple Question about Looping Live
> >       Does anybody know how to do the following (for the lowest
> >      expense)?- Take .wav files off a pc- Load 'em to a device
> >      (what's the best device for this?)- Use a foot pedal as a
> >      trigger- Have 5 or so buttons to hit for a song, each
> >      setting off a repeating loop until you hit another button,
> >      which will start a different loop, replacing the previous
> >      one.Very simple desire.Thanks.
> >
> >
> >      -------------------------------------------------------------
> >      Get your FREE download of MSN Explorer at
> >      http://explorer.msn.com
> >
> >
> >
>

From Loopers-Delight-request@loopers-delight.com  Wed Jul 11 16:39:34 2001
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Subject: midwest  loop
Date: Wed, 11 Jul 2001 16:32:41 -0400
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Midwest loopers!
kili@swbell.net <mailto:kili@swbell.net> 
Incensepeppamint@aol.com <mailto:Incensepeppamint@aol.com> 
aurlite@prodigy.net <mailto:aurlite@prodigy.net> 
dtaaffe@indiana.edu <mailto:dtaaffe@indiana.edu> 
coirbidh_99@yahoo.com <mailto:coirbidh_99@yahoo.com> 
x_bruce@yahoo.com <mailto:x_bruce@yahoo.com> 
dennis@mdbs.com <mailto:dennis@mdbs.com> 
nickschillace@hotmail.com <mailto:nickschillace@hotmail.com> 
 jcoker@five12.com <mailto:jcoker@five12.com> 

Chicago seems to be the central location for most of us. So who in Chicago
wants to secure a location? And suggest some dates. 

openjam.todd


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<TITLE>midwest  loop</TITLE>
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<BODY>

<P><FONT SIZE=3D2 FACE=3D"Arial">Midwest loopers!</FONT>
<BR><A HREF=3D"mailto:kili@swbell.net"><U><FONT COLOR=3D"#0000FF" =
SIZE=3D2 FACE=3D"Arial">kili@swbell.net</FONT></U></A>
<BR><A HREF=3D"mailto:Incensepeppamint@aol.com"><U><FONT =
COLOR=3D"#0000FF" SIZE=3D2 =
FACE=3D"Arial">Incensepeppamint@aol.com</FONT></U></A>
<BR><A HREF=3D"mailto:aurlite@prodigy.net"><U><FONT COLOR=3D"#0000FF" =
SIZE=3D2 FACE=3D"Arial">aurlite@prodigy.net</FONT></U></A>
<BR><A HREF=3D"mailto:dtaaffe@indiana.edu"><U><FONT COLOR=3D"#0000FF" =
SIZE=3D2 FACE=3D"Arial">dtaaffe@indiana.edu</FONT></U></A>
<BR><A HREF=3D"mailto:coirbidh_99@yahoo.com"><U><FONT COLOR=3D"#0000FF" =
SIZE=3D2 FACE=3D"Arial">coirbidh_99@yahoo.com</FONT></U></A>
<BR><A HREF=3D"mailto:x_bruce@yahoo.com"><U><FONT COLOR=3D"#0000FF" =
SIZE=3D2 FACE=3D"Arial">x_bruce@yahoo.com</FONT></U></A>
<BR><A HREF=3D"mailto:dennis@mdbs.com"><U><FONT COLOR=3D"#0000FF" =
SIZE=3D2 FACE=3D"Arial">dennis@mdbs.com</FONT></U></A>
<BR><A HREF=3D"mailto:nickschillace@hotmail.com"><U><FONT =
COLOR=3D"#0000FF" SIZE=3D2 =
FACE=3D"Arial">nickschillace@hotmail.com</FONT></U></A>
<BR><FONT SIZE=3D2 FACE=3D"Arial"></FONT>&nbsp;<A =
HREF=3D"mailto:jcoker@five12.com"><U><FONT COLOR=3D"#0000FF" SIZE=3D2 =
FACE=3D"Arial">jcoker@five12.com</FONT></U></A>
</P>

<P><FONT SIZE=3D2 FACE=3D"Arial">Chicago seems to be the central =
location for most of us. So who in Chicago wants to secure a location? =
And suggest some dates. </FONT></P>

<P><FONT SIZE=3D2 FACE=3D"Arial">openjam.todd</FONT>
</P>

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From Loopers-Delight-request@loopers-delight.com  Wed Jul 11 16:50:31 2001
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Subject: Re: Simple Question about Looping Live
References: <F22oyg2N54FcEHRbit80000ef5a@hotmail.com> <002b01c1096b$e5339c40$7bb387d8@cliff> <3B4CB103.D5010F93@zerocrossing.net> <00a801c10a45$a1ca5ea0$7bb387d8@cliff>
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I think the reason I didn't get the 202 was more an issue of sample time.
I'm not sure of the quality issues.

Mark

MediaOne wrote:

> I keep hearing "...like the 202 could do..." maybe the 202 is the underdog
> to get? Sound quality too shitty? Om
>
> ----- Original Message -----
> From: "Mark Sottilaro" <sine@zerocrossing.net>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Wednesday, July 11, 2001 1:03 PM
> Subject: Re: Simple Question about Looping Live
>
> > I have the SP-303, but have yet to buy a smart media card reader for my
> > mac.  I do like it, so far, but I'm VERY disappointed that it does not
> > run off batteries, like it's predecessor, the 202.  I had it for a while
> > and never checked the back for a battery compartment.  One day I went
> > out and got double AAs and what to my surprise, no where to put them!
> > So much for having a portable field sampler.
> >
> > Mark Sottilaro
> >
> > MediaOne wrote:
> >
> > > re SP-303.... it does import .wav direct from SmartMedia- but only see
> > > 1 midi in and doesent say if functions can be controlled with midi via
> > > external controller- damn, I may have to get one of these bad boys-
> > > http://www.rolandus.com/PRODUCTS/MI/mi_namm_w01/sp303_b.htmOm
> > >
> > >      ----- Original Message -----
> > >      From: roger foster
> > >      To: Loopers-Delight@loopers-delight.com
> > >      Sent: Tuesday, July 10, 2001 5:39 PM
> > >      Subject: Simple Question about Looping Live
> > >       Does anybody know how to do the following (for the lowest
> > >      expense)?- Take .wav files off a pc- Load 'em to a device
> > >      (what's the best device for this?)- Use a foot pedal as a
> > >      trigger- Have 5 or so buttons to hit for a song, each
> > >      setting off a repeating loop until you hit another button,
> > >      which will start a different loop, replacing the previous
> > >      one.Very simple desire.Thanks.
> > >
> > >
> > >      -------------------------------------------------------------
> > >      Get your FREE download of MSN Explorer at
> > >      http://explorer.msn.com
> > >
> > >
> > >
> >

From Loopers-Delight-request@loopers-delight.com  Wed Jul 11 17:01:45 2001
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> I dont think Att depends on SwitchQuant, since its really meant as 
>  "play samples from keyboard" mode (even attack velocity dependent, if 
>  you want).
>  
>  I am amazed that its not documented..
thanks Matthias
that's a nice feature.

(...if  Switchquant is CYC then the feature doesn't really do much)

andy butler
P.S.are you still accepting suggestions for the new software?

 

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Date: Wed, 11 Jul 2001 16:14:24 -0500
Subject: Re: midwest  loop
From: Mike Feeney <feeneymike@yahoo.com>
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>,
        Todd Quincy <tquincy@sayhhi.com>,
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> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

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    Depending on when and where, I=B9m in!  =3D)  Chicago is about 3 hours from
me (in Indiana).

    mike



on 7/11/01 3.32 PM, Todd Quincy at tquincy@sayhhi.com wrote:

> Midwest loopers!=20
> kili@swbell.net=20
> Incensepeppamint@aol.com
> aurlite@prodigy.net
> dtaaffe@indiana.edu
> coirbidh_99@yahoo.com
> x_bruce@yahoo.com
> dennis@mdbs.com=20
> nickschillace@hotmail.com
>  jcoker@five12.com
>=20
> Chicago seems to be the central location for most of us. So who in Chicag=
o
> wants to secure a location? And suggest some dates.
>=20
> openjam.todd=20
>=20
>=20


--B_3077712865_1757473
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<HTML>
<HEAD>
<TITLE>Re: midwest &nbsp;loop</TITLE>
</HEAD>
<BODY>
<FONT FACE=3D"Arial"><BR>
&nbsp;&nbsp;&nbsp;&nbsp;Depending on when and where, I&#8217;m in! &nbsp;=3D)=
 &nbsp;Chicago is about 3 hours from me (in Indiana).<BR>
<BR>
&nbsp;&nbsp;&nbsp;&nbsp;mike<BR>
<BR>
<BR>
<BR>
on 7/11/01 3.32 PM, Todd Quincy at tquincy@sayhhi.com wrote:<BR>
<BR>
</FONT><BLOCKQUOTE><FONT FACE=3D"Arial"><FONT SIZE=3D"2">Midwest loopers!</FONT=
> <BR>
<FONT COLOR=3D"#0000FF"><FONT SIZE=3D"2"><U>kili@swbell.net</U></FONT></FONT> <=
BR>
<FONT COLOR=3D"#0000FF"><FONT SIZE=3D"2"><U>Incensepeppamint@aol.com</U></FONT>=
</FONT> <BR>
<FONT COLOR=3D"#0000FF"><FONT SIZE=3D"2"><U>aurlite@prodigy.net</U></FONT></FON=
T> <BR>
<FONT COLOR=3D"#0000FF"><FONT SIZE=3D"2"><U>dtaaffe@indiana.edu</U></FONT></FON=
T> <BR>
<FONT COLOR=3D"#0000FF"><FONT SIZE=3D"2"><U>coirbidh_99@yahoo.com</U></FONT></F=
ONT> <BR>
<FONT COLOR=3D"#0000FF"><FONT SIZE=3D"2"><U>x_bruce@yahoo.com</U></FONT></FONT>=
 <BR>
<FONT COLOR=3D"#0000FF"><FONT SIZE=3D"2"><U>dennis@mdbs.com</U></FONT></FONT> <=
BR>
<FONT COLOR=3D"#0000FF"><FONT SIZE=3D"2"><U>nickschillace@hotmail.com</U></FONT=
></FONT> <BR>
&nbsp;<FONT COLOR=3D"#0000FF"><FONT SIZE=3D"2"><U>jcoker@five12.com</U></FONT><=
/FONT> <BR>
<BR>
<FONT SIZE=3D"2">Chicago seems to be the central location for most of us. So =
who in Chicago wants to secure a location? And suggest some dates. <BR>
</FONT><BR>
<FONT SIZE=3D"2">openjam.todd</FONT> <BR>
<BR>
</FONT></BLOCKQUOTE><FONT FACE=3D"Arial"><BR>
</FONT>
</BODY>
</HTML>


--B_3077712865_1757473--


_________________________________________________________
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Pluggo has threatened for a long time to release a Windows version.  Does
anyone know if they have or if that is still in the works.
I'm so into the 'wierd' and indiosyncratic when it comes to processing (as
is my good friend and colleague, Miko B ;-) that I was very excited to hear
about Pluggo and it's whole community of grassroots plugin developers.

I think it would be very cool for everyone to share their resources
regarding free and shareware plugins for both PC and Mac.
We could even possibly create a special page at Loopers Delight (if that is
feasible, Kim ;-) for looping processing resoursces.

yours,  Rick Walker   (loop.pool)


From Loopers-Delight-request@loopers-delight.com  Wed Jul 11 17:17:15 2001
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Subject: What kinds of ReMixing are you doing in your live shows?
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Hi guys,

I am just now decompressing from the Bass Looping Tour which was so
successful that I just can't get over it!!   I didn't have time to
even dig into my new Electrix processors that I picked up dirt cheap so I
can't wait to start learning them and incorporating them into
my rig.

One of the things that muliple instrument live looping affords us is the
ability to remix in real time.  I have not seen a lot of people doing this
very much (Miko is a notable exception) and am interested in others who are
fascinated by this distinct possibility.

Are you out there?  what the heck are you doing.  I'd love to correspond.

Yours,   Rick Walker (loop.pool)

P.S.  Max and I contributed a daily diary to the TALKBASS.com site if anyone
is interested in checking it out.  We would get back at 4 or 5 a.m. after a
hell of a lot of driving and playing and post, semi-deliriously before
hitting the hay.  I hope it reads well

From Loopers-Delight-request@loopers-delight.com  Wed Jul 11 17:23:36 2001
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Subject: QUEERY:   What samplers are out there let you record and instantaneously play back from a keyboard
Date: Wed, 11 Jul 2001 14:22:04 -0700
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Is anyone aware of a sampler (preferably inexpensive) that allows you to
sample an instrument and, instantaneously play that sample live from a
keyboard.    I am really interested in found sound and would love to be able
to create keyboard samples that an audience could see were being created and
then played in front of their faces by either a wind synth or a keyboard,

thanks,  Rick Walker (loop.pool)

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Subject: RE: What kinds of ReMixing are you doing in your live shows?
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One of the things that muliple instrument live looping affords us is the
ability to remix in real time.  I have not seen a lot of people doing this
very much (Miko is a notable exception) and am interested in others who are
fascinated by this distinct possibility.

** not really looping, but check out the evan parker electro acoustic
ensemble:

two guys playing straight (parker, barry guy)
two guys processing them (can't rememeber)
two guys playing and processing themselves (paul lyton, philip wachsman)

second album adds third processer guy.

first album is my fave, both on ecm, can't remember the orders of the names.
titles are "towards the margins" (?)  "drawn inward" (i think this is
chronologically correct.

some pretty great stuff, imho

stig

------_=_NextPart_001_01C10A4F.9CE7B6D0
Content-Type: text/html;
	charset="iso-8859-1"
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<HEAD>
<META HTTP-EQUIV=3D"Content-Type" CONTENT=3D"text/html; =
charset=3Diso-8859-1">
<META NAME=3D"Generator" CONTENT=3D"MS Exchange Server version =
5.5.2653.12">
<TITLE>RE: What kinds of ReMixing are you doing in your live =
shows?</TITLE>
</HEAD>
<BODY>
<BR>
<BR>

<P><FONT SIZE=3D2>One of the things that muliple instrument live =
looping affords us is the</FONT>
<BR><FONT SIZE=3D2>ability to remix in real time.&nbsp; I have not seen =
a lot of people doing this</FONT>
<BR><FONT SIZE=3D2>very much (Miko is a notable exception) and am =
interested in others who are</FONT>
<BR><FONT SIZE=3D2>fascinated by this distinct possibility.</FONT>
</P>

<P><FONT SIZE=3D2>** not really looping, but check out the evan parker =
electro acoustic ensemble:</FONT>
</P>

<P><FONT SIZE=3D2>two guys playing straight (parker, barry guy)</FONT>
<BR><FONT SIZE=3D2>two guys processing them (can't rememeber)</FONT>
<BR><FONT SIZE=3D2>two guys playing and processing themselves (paul =
lyton, philip wachsman)</FONT>
</P>

<P><FONT SIZE=3D2>second album adds third processer guy.</FONT>
</P>

<P><FONT SIZE=3D2>first album is my fave, both on ecm, can't remember =
the orders of the names. titles are &quot;towards the margins&quot; =
(?)&nbsp; &quot;drawn inward&quot; (i think this is chronologically =
correct.</FONT></P>

<P><FONT SIZE=3D2>some pretty great stuff, imho</FONT>
</P>

<P><FONT SIZE=3D2>stig</FONT>
</P>

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From Loopers-Delight-request@loopers-delight.com  Wed Jul 11 17:32:20 2001
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Brian,
The post you replied to says nothing of DJ's.  That was in your reply.
I said Nothing about DJ's, it was more about attitudes. Just to be on 
record.:-)

Personally, I think DJ's have as much right to loop as a guitar player.
So, to me it is as valid to talk about as looping guitars, bass, drums, etc.
The last time a DJ topic came out, I found out there was music written for 
turntables.  That is COOL! If we can talk about Klien guitars and trems as 
much as we do, why not turntables? Optical faders hanging up? I have more 
than a passing interest in this area.  Let's have some new perspectives, but 
DJ'ing is not old and dry, just the attitudes are. Note:  Not offended by 
DJ's.
Sincerely,
Denis

-------------------------------------
Subject: Re: Requests for info
From: "Brian Parker" <bp33@hotmail.com>

I joined the LD mailing list to discuss looping. If i wanted an opinion on
weather dj's or their audiences think they're "DJ's" I would have gone else
where. R. Zvonar, if I appologize if i offended you, or anyone else. However
I do find that whole 'dj' topic a tad bit old and dry. All i want is new
perspectives on making phat loops from vinyl samples, and share what i know.

Brian


>From: "Denis Aldrich" <joy_top@hotmail.com>
>Subject: Requests for info
>
>Person A: Request for info
>Person B: Tries to give helpful info
>Person A: Reads info, decides it isn't what he want, decides to dis person 
>B
>for it.
>
>However inapproprate person B's response is it was given to be helpful.
>Person A could of simply said it wasn't what he was looking for, rather 
>than
>dissing over it.
>
>Sounds to me like a "short fuse"
>Sincerly,
>Denis



_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Wed Jul 11 17:38:31 2001
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Subject: RE: What kinds of ReMixing are you doing in your live shows?
Date: Wed, 11 Jul 2001 14:36:41 -0700
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Being a beginner with the edp, I use it with my turntables to:

build up a beat for myself to scratch to.  I.e. Catch a bassline from a jazz
album (Let's say the opening bassline from Lee Morgan's Sidewinder), then
add a little hi-hat from a break beat record, throw in some Al Green "Jesus
is waiting" and then scratch on top of that for a few bars.  I then go into
an accapella moment, and bring it all back or switch it up to an entirely
different set of musical components.

Once I get tired of working with what I have built up, I undo a few
components of the sample and then use another couple of riffs to build it
back up.  It's infinitely modular, the hard part is finding musical pieces
that fit well together.

If I get tired of it all, I just use undo to decompose back down to zero and
begin again.

The challenge that I find here is making sure that I have my sets laid out
very tightly, as there isn't much room for error when you are trying to keep
the beat going, catch a loop and then bring that same loop in as a
replacement to it's original source.  If I do goof and drop the ball, I
usually end up changing the mix around a bit, which is uncharted territory,
sometimes good, sometimes bad.


Alternatively:
I extend the song that I am playing, by catching a phrase or break beat into
the edp, and scratch or remix that same phrase back into the mix.  I grab
the beat/chorus and work the vocals back in, trying to rework or reword
them.  Then I bring the original record back into the mix, let it run for a
few bars, grab a beat and work with that.

This is simple and is nowhere near full utilization of the edp, but I am a
beginner, hoping to get to a proficiency level that is acceptable.

I love having my edp for looping.  My original inspiration for getting one
was having a 5 second sample capability on my mixer (Korg Kaoss Pad on a
Numark EM-360 mixer), this merely whet my appetite for looping.  I started
looking for samplers, and figured, "Why not get the big daddy, the edp."

D




-----Original Message-----
From: Rick Walker (loop.pool) [mailto:GLOBAL@cruzio.com]
Sent: Wednesday, July 11, 2001 2:16 PM
To: Loopers-Delight@loopers-delight.com
Subject: What kinds of ReMixing are you doing in your live shows?


Hi guys,

I am just now decompressing from the Bass Looping Tour which was so
successful that I just can't get over it!!   I didn't have time to
even dig into my new Electrix processors that I picked up dirt cheap so I
can't wait to start learning them and incorporating them into
my rig.

One of the things that muliple instrument live looping affords us is the
ability to remix in real time.  I have not seen a lot of people doing this
very much (Miko is a notable exception) and am interested in others who are
fascinated by this distinct possibility.

Are you out there?  what the heck are you doing.  I'd love to correspond.

Yours,   Rick Walker (loop.pool)

P.S.  Max and I contributed a daily diary to the TALKBASS.com site if anyone
is interested in checking it out.  We would get back at 4 or 5 a.m. after a
hell of a lot of driving and playing and post, semi-deliriously before
hitting the hay.  I hope it reads well

From Loopers-Delight-request@loopers-delight.com  Wed Jul 11 17:46:51 2001
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Subject: RE: What kinds of ReMixing are you doing in your live shows?
Date: Wed, 11 Jul 2001 14:44:45 -0700
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I'd love to hear from other DJ's out there who are using the edp or any
other loopers in their performance and see what they are up to.

Always looking for new ideas.

Has anyone seen DJ Radar do his looping performance?  Amazing.

He has also done a composition for an orchestra, with the Turntables as the
lead, and performed it in Phoenix, anyone seen that?

D

-----Original Message-----
From: Dylan B DeAnda [mailto:dylan@loudcloud.com]
Sent: Wednesday, July 11, 2001 2:37 PM
To: Loopers-Delight@loopers-delight.com
Subject: RE: What kinds of ReMixing are you doing in your live shows?


Being a beginner with the edp, I use it with my turntables to:

build up a beat for myself to scratch to.  I.e. Catch a bassline from a jazz
album (Let's say the opening bassline from Lee Morgan's Sidewinder), then
add a little hi-hat from a break beat record, throw in some Al Green "Jesus
is waiting" and then scratch on top of that for a few bars.  I then go into
an accapella moment, and bring it all back or switch it up to an entirely
different set of musical components.

Once I get tired of working with what I have built up, I undo a few
components of the sample and then use another couple of riffs to build it
back up.  It's infinitely modular, the hard part is finding musical pieces
that fit well together.

If I get tired of it all, I just use undo to decompose back down to zero and
begin again.

The challenge that I find here is making sure that I have my sets laid out
very tightly, as there isn't much room for error when you are trying to keep
the beat going, catch a loop and then bring that same loop in as a
replacement to it's original source.  If I do goof and drop the ball, I
usually end up changing the mix around a bit, which is uncharted territory,
sometimes good, sometimes bad.


Alternatively:
I extend the song that I am playing, by catching a phrase or break beat into
the edp, and scratch or remix that same phrase back into the mix.  I grab
the beat/chorus and work the vocals back in, trying to rework or reword
them.  Then I bring the original record back into the mix, let it run for a
few bars, grab a beat and work with that.

This is simple and is nowhere near full utilization of the edp, but I am a
beginner, hoping to get to a proficiency level that is acceptable.

I love having my edp for looping.  My original inspiration for getting one
was having a 5 second sample capability on my mixer (Korg Kaoss Pad on a
Numark EM-360 mixer), this merely whet my appetite for looping.  I started
looking for samplers, and figured, "Why not get the big daddy, the edp."

D




-----Original Message-----
From: Rick Walker (loop.pool) [mailto:GLOBAL@cruzio.com]
Sent: Wednesday, July 11, 2001 2:16 PM
To: Loopers-Delight@loopers-delight.com
Subject: What kinds of ReMixing are you doing in your live shows?


Hi guys,

I am just now decompressing from the Bass Looping Tour which was so
successful that I just can't get over it!!   I didn't have time to
even dig into my new Electrix processors that I picked up dirt cheap so I
can't wait to start learning them and incorporating them into
my rig.

One of the things that muliple instrument live looping affords us is the
ability to remix in real time.  I have not seen a lot of people doing this
very much (Miko is a notable exception) and am interested in others who are
fascinated by this distinct possibility.

Are you out there?  what the heck are you doing.  I'd love to correspond.

Yours,   Rick Walker (loop.pool)

P.S.  Max and I contributed a daily diary to the TALKBASS.com site if anyone
is interested in checking it out.  We would get back at 4 or 5 a.m. after a
hell of a lot of driving and playing and post, semi-deliriously before
hitting the hay.  I hope it reads well

From Loopers-Delight-request@loopers-delight.com  Wed Jul 11 17:59:32 2001
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I think this post has much better potential for an old west/outlaw spin-off.

--
TG


-----Original Message-----
From: Brian Parker [mailto:bp33@hotmail.com]
Sent: Wednesday, July 11, 2001 4:02 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Requests for info


I joined the LD mailing list to discuss looping. If i wanted an opinion on
weather dj's or their audiences think they're "DJ's" I would have gone else
where....

From Loopers-Delight-request@loopers-delight.com  Wed Jul 11 18:09:20 2001
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Date: Wed, 11 Jul 2001 17:04:09 -0500
To: Todd Quincy <tquincy@sayhhi.com>,
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From: Eric Leonardson <eleon@ripco.com>
Subject: Re: midwest  loop
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Dear Todd,

I'm in Chicago but not sure what you're proposing by the term, 
"secure location." Sounds like you're talking about a loop fest, 
right?

Best regards,
Eric

---------------------
Upcoming Performances, Broadcasts, Etc.:

Friday, July 13, 5:00--8:00 pm, opening trio performance with Stephen 
Boyer (invented instruments) and Laurie Lee Moses (saxophone) at 
Fassbender van Straaten Gallery, for INTERFACE: EXPLORING 
POSSIBILITIES. Address: 835 W. Washington. (312) 666-4302. 
http://www.fassbendergallery.com/upcoming.html

Friday, July 20, 10:00 pm, duo performance with Carol Genetti (voice) 
and the duo of Jonathan Chen (violin, electronics) and Jen Walshe 
(voice), at the Nervous Center, 4612 N. Lincoln Ave. (773) 728-5010

Friday, July 27, 9:00 pm, Dead CEO presents: Eric Leonardson, solo; 
Carol Genetti (voice) and Fred Lonberg-Holm (cello), duo; Other 
artists to be confirmed, at the Nervous Center, 4612 N. Lincoln Ave. 
(773) 728-5010

Tuesday, July 31, 8:00 pm, trio performance with Hal Rammel (invented 
instruments), Eric Leonardson (invented instruments), Michael Zerang 
(percussion) at the Candlestick Maker, 4432 N. Kedzie, (773) 
463-0158).

New on Compact Disc: Winter Construction (dceo003)
A compilation of Chicago artists with accompanying zine... available 
on-line at Dead CEO: http://www.deadceo.com/

Visit the High Zero 2000 documentation web site, "images, sound and 
video samples from...the High Zero festival of experimental 
improvised music, September 21 - 24 in Baltimore...34 amazing 
improvisers from Europe, North America and our own Baltimore.": 
http://www.highzero.org/festival_documentation/highzero2000documentati 
on/index.htm

Eric Leonardson web pages: http://pages.ripco.net/~eleon

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Date: Wed, 11 Jul 2001 15:10:39 -0700
From: "Mike Biffle" <Mike.Biffle@asml.com>
To: <GLOBAL@cruzio.com>, <Loopers-Delight@loopers-delight.com>
Subject: Re: OT:   Pluggo queery and a request to create an OFF TOPIC
	pool of interesting free/share ware plugins
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Hi Rick,

As of about a month ago, the Windows version of MAX/MSP with Pluggo probably following shortly thereafter, were still in the alpha development phase. Which means that Beta testing isn't ready... so don't hold your breath! It's being worked on happily now though, so at least expect to see it... 8-) 

I'm harried for time so this will be short, but major KUDOS for a great show Monday eve at the Bass Loopfest! I especially enjoyed your contributions to the overall improvs and your solo set...

Best,
-Miko

>>> GLOBAL@cruzio.com 07/11/01 02:15PM >>>
Pluggo has threatened for a long time to release a Windows version.  Does
anyone know if they have or if that is still in the works.
I'm so into the 'wierd' and indiosyncratic when it comes to processing (as
is my good friend and colleague, Miko B ;-) that I was very excited to hear
about Pluggo and it's whole community of grassroots plugin developers.

I think it would be very cool for everyone to share their resources
regarding free and shareware plugins for both PC and Mac.
We could even possibly create a special page at Loopers Delight (if that is
feasible, Kim ;-) for looping processing resoursces.

yours,  Rick Walker   (loop.pool)



From Loopers-Delight-request@loopers-delight.com  Wed Jul 11 18:43:52 2001
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Subject: Re: Pluggo queery and a request to create an OFF TOPIC pool of interesting free/share ware plugins
Date: Wed, 11 Jul 2001 23:37:28 +0100
Organization: EarthLight Productions
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Plugins are perhaps cool, but for what app?  I don't have Acid or Frooty
Loops, nor any of that jazz, unless it's basically free.  That's my budget,
unless someone wants to give me a copy for testing the crap out of it.

"Rick Walker (loop.pool)" <GLOBAL@cruzio.com> put forth:
> I think it would be very cool for everyone to share their resources
> regarding free and shareware plugins for both PC and Mac.
> We could even possibly create a special page at Loopers Delight (if that
is
> feasible, Kim ;-) for looping processing resoursces.


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Rick,
I heard you would be filming the Rio theater show, which sadly i was unable
to attend but at least saw san jose which was my into to modern looping and
the most inspiring thing I've seen. How could a person go about getting a
copy of that on VHS, as a big fat download, or on DVD at whatever a
reasonable price would be????

Also, typing in bass looping and your name on yahoo it looked like there
have been a lot of creative gigs you've been involved with in the area.

Please put me on whatever lists or anything that would increase the chance
of me knowing long enough in advance to attend your future gigs.

AMAZING!!!!!  When  you played the acoustics of the cafe after that mic went
out!!! People were laughing strictly in wonder at how you'd turned that
around and how great it sounded with the piece.

What an amazing performer/artist!

P.S. I'm sad to have missed Max's performance entirely 'cause of being late
to the San Jose show which I'm sure was amazing too!!( hopefully a video of
the Rio show from Monday will fix that?)


on 7/11/01 2:16 PM, Rick Walker (loop.pool) at GLOBAL@cruzio.com wrote:

> Hi guys,
> 
> I am just now decompressing from the Bass Looping Tour which was so
> successful that I just can't get over it!!   I didn't have time to
> even dig into my new Electrix processors that I picked up dirt cheap so I
> can't wait to start learning them and incorporating them into
> my rig.

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From: Tim Nelson <tcn62@ici.net>
Subject: Re: What kinds of ReMixing are you doing in your live shows?
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At 04:16 PM 7/11/01 -0700, you wrote:
>AMAZING!!!!!  When  you played the acoustics of the cafe after that mic went
>out!!! People were laughing strictly in wonder at how you'd turned that
>around and how great it sounded with the piece.

I'd like to hear more about this! What happened Rick?

Tim

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Subject: Re: OT:   Pluggo queery and a request to create an OFF TOPIC pool of
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At 2:15 PM -0700 7/11/01, Rick Walker (loop.pool) wrote:
>Pluggo has threatened for a long time to release a Windows version.  Does
>anyone know if they have or if that is still in the works.

 From the Cycling74 Web site:

>Q - Do you have plans to port your software to PC?
>
>A - Yes, but unfortunately development has been delayed. Windows Max 
>is currently in development. Windows MSP and Pluggo will follow. We 
>do not have an expected release date for those products, yet. We 
>have no current plans to port M to the PC.


That's what they've been saying for quite some time.



-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz
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<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: OT:   Pluggo queery and a request to create an
OFF</title></head><body>
<div><tt>At 2:15 PM -0700 7/11/01, Rick Walker (loop.pool)
wrote:</tt></div>
<blockquote type="cite" cite><tt>Pluggo has threatened for a long time
to release a Windows version.&nbsp; Does</tt></blockquote>
<blockquote type="cite" cite><tt>anyone know if they have or if that
is still in the works.</tt></blockquote>
<div><tt><br></tt></div>
<div><tt>From the Cycling74 Web site:</tt></div>
<div><tt><br></tt></div>
<blockquote type="cite" cite><tt><font color="#333333">Q - Do you have
plans to port your software to PC?</font></tt></blockquote>
<blockquote type="cite" cite><tt><font
color="#333333"><br></font></tt></blockquote>
<blockquote type="cite" cite><tt><font color="#333333">A - Yes, but
unfortunately development has been delayed. Windows Max is currently
in development. Windows MSP and Pluggo will follow. We do not have an
expected release date for those products, yet. We have no current
plans to port M to the PC.</font></tt></blockquote>
<div><br>
<br>
</div>
<div>That's what they've been saying for quite some time.</div>
<div><br></div>
<div><br>
<br>
</div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div><br>
______________________________________________________________<br>
Richard Zvonar, PhD<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><br>
(818) 788-2202<x-tab>&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
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</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </x-tab><br>
http://www.zvonar.com<br>
http://RZCybernetics.com<br>
http://www.cybmotion.com/aliaszone<br>
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz</div>
</body>
</html>
--============_-1217229623==_ma============--

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At 11:37 PM +0100 7/11/01, Stephen P. Goodman wrote:
>Plugins are perhaps cool, but for what app?  I don't have Acid or Frooty
>Loops, nor any of that jazz, unless it's basically free.  That's my budget,
>unless someone wants to give me a copy for testing the crap out of it.

Try rVst and xVst. These two VST "shells" allow you to run signal 
through two VST plug-ins in series.

http://groovylab.com/apps/

http://www.andrew.cmu.edu/~jpino/shareware/ProgramReviews/xVst.html


-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

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Subject: Re: What kinds of ReMixing are you doing in your live shows?
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In a message dated 7/11/01 5:16:11 PM Eastern Daylight Time, 
GLOBAL@cruzio.com writes:


> One of the things that muliple instrument live looping affords us is the
> ability to remix in real time.  I have not seen a lot of people doing this
> very much (Miko is a notable exception) and am interested in others who are
> fascinated by this distinct possibility.
> 

rick.....please give an example of what you are doing.....are you talking 
about creating a loop and then "warping" it out with prosessors in real time? 
or what?.....my *live* shows have been in resturant/lounge venues, not big 
time loop xtravaganzas.....oh you lucky man!.....so i do a bit of loop 
messing but not as much as i do in my studio when im being totally 
self-indulgant.....i was very fortunate to get some electix stuff but i dont 
think ill use that till i learn it better.....my last "gig" at my sweeties 
art opening, i took my mighty casio cz-5000 and sent that through my zoom 
2100 -> digi space ped-> rang -> and played with some percussive loops on the 
sequencer of the casio, these went on for about 3-5 min, no one seemed to get 
upset and it was a lot of fun to mess with.....i really want to make my 
playing out to be more like 50% guitar stuff and 50% (GOD ONLY KNOWS WHAT), 
perhaps this is the re-mixing your talking about rick :?), right now im 97% 
guitar and just a few moments of wackiness, i want a better balance!.....got 
a gig next week, this might be fun to kick around.....:)m
p.s." (Miko is a notable exception) " ktcb

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>In a message dated 7/11/01 5:16:11 PM Eastern Daylight Time, 
<BR>GLOBAL@cruzio.com writes:
<BR>
<BR>
<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">One of the things that muliple instrument live looping affords us is the
<BR>ability to remix in real time. &nbsp;I have not seen a lot of people doing this
<BR>very much (Miko is a notable exception) and am interested in others who are
<BR>fascinated by this distinct possibility.
<BR></BLOCKQUOTE>
<BR>
<BR>rick.....please give an example of what you are doing.....are you talking 
<BR>about creating a loop and then "warping" it out with prosessors in real time? 
<BR>or what?.....my *live* shows have been in resturant/lounge venues, not big 
<BR>time loop xtravaganzas.....oh you lucky man!.....so i do a bit of loop 
<BR>messing but not as much as i do in my studio when im being totally 
<BR>self-indulgant.....i was very fortunate to get some electix stuff but i dont 
<BR>think ill use that till i learn it better.....my last "gig" at my sweeties 
<BR>art opening, i took my mighty casio cz-5000 and sent that through my zoom 
<BR>2100 -&gt; digi space ped-&gt; rang -&gt; and played with some percussive loops on the 
<BR>sequencer of the casio, these went on for about 3-5 min, no one seemed to get 
<BR>upset and it was a lot of fun to mess with.....i really want to make my 
<BR>playing out to be more like 50% guitar stuff and 50% (GOD ONLY KNOWS WHAT), 
<BR>perhaps this is the re-mixing your talking about rick :?), right now im 97% 
<BR>guitar and just a few moments of wackiness, i want a better balance!.....got 
<BR>a gig next week, this might be fun to kick around.....:)m
<BR>p.s." (Miko is a notable exception) " ktcb</FONT></HTML>

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From: Richard Zvonar <zvonar@zvonar.com>
Subject: RE: What kinds of ReMixing are you doing in your live shows?
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At 5:22 PM -0400 7/11/01, Liebig, Steuart A. wrote:

>** not really looping, but check out the evan parker electro 
>acoustic ensemble:
>
>two guys playing straight (parker, barry guy)
>two guys processing them (can't rememeber)
>two guys playing and processing themselves (paul lyton, philip wachsman)
>
>second album adds third processer guy.
>
>first album is my fave, both on ecm, can't remember the orders of 
>the names. titles are "towards the margins" (?)  "drawn inward" (i 
>think this is chronologically correct.


=46rom <http://www.shef.ac.uk/misc/rec/ps/efi/mparker.html>:


1990,	Hall of mirrors
MM&T CD 01. Duo with Walter Prati.
	Evan Parker, soprano saxophone, voice
	Walter Prati, live electronics.

1996,	Toward the margins,
ECM New series 1612. The Evan Parker Electro-Acoustic Ensemble.
	Evan Parker, soprano saxophone, gong
	Barry Guy, double bass
	Paul Lytton, percussion, live electronics
	Philipp Wachsmann, violin, viola, live electronics, sound processing
	Walter Prati, live electronics, sound processing
	Marco Vecchi, live electronics, sound processing.

1997,	Solar wind	Touch TO:35. With Lawrence Casserley.
	Evan Parker, soprano saxophone
	Lawrence Casserley, signal processing instrument.

1997,	Work in progress
=46MR sampler 3 (from Avant magazine). One track with Lawrence Casserley.
	Evan Parker, soprano saxophone
	Noel Akchot=E9, amplified guitar
	Lawrence Casserley, signal processing instruments
	Joel Ryan, computer.

1997,	Live at Les Instants Chavires
Leo LR 255. With Noel Akchot=E9, Lawrence Casserley and Joel Ryan.
	Thurston Moore, electric guitar
	Evan Parker, soprano and tenor saxophone
	Walter Prati, live electronics, six-string electric bass. 

1998,	The promise
Materiali Sonori MASO CD 90106.
With Thurston Moore and Walter Prati.

1998,	London's overthrow
Ash International {R.I.P.} Ash 4.3. Track on compilation CD.
	Evan Parker, overdubbed and multi-tracked soprano saxophones

1998,	Drawn inward, ECM 1693. The Evan Parker Electro-Acoustic Ensemble.
	Evan Parker, soprano and tenor saxophones, kh=E8ne
	Barry Guy, double bass
	Paul Lytton, percussion, live electronics
	Philipp Wachsmann, violin, viola, live electronics, sound processing
	Lawrence Casserley, live electronics, sound processing
	Walter Prati, live electronics, sound processing
	Marco Vecchi, live electronics, sound processing.


*	*	*	*	*

http://www.thewire.co.uk/out/0398_2.htm

http://www.shef.ac.uk/misc/rec/ps/efi/fulltext/mparkint.html


Evan Parker	http://www.musicnow.co.uk/composers/parker.html

Paul Lytton	http://www.shef.ac.uk/misc/rec/ps/efi/mlytton.html

Philipp Wachsmann	http://www.shef.ac.uk/misc/rec/ps/efi/mwachs.html

Lawrence Casserley	http://www.chiltern.demon.co.uk/

Walter Prati 
	http://www.cematitalia.it/servizi/profilierepertori/interpreti/p/prati.htm

Joel Ryan	http://www.frankfurt-ballett.de/joel.html
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=3Drz
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<html><head><style type=3D"text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>RE: What kinds of ReMixing are you doing in your
live</title></head><body>
<div><tt>At 5:22 PM -0400 7/11/01, Liebig, Steuart A.
wrote:</tt></div>
<div><tt><br></tt></div>
<blockquote type=3D"cite" cite><tt>** not really looping, but check out
the evan parker electro acoustic ensemble:</tt><br>
</blockquote>
<blockquote type=3D"cite" cite><tt>two guys playing straight (parker,
barry guy)<br>
two guys processing them (can't rememeber)<br>
two guys playing and processing themselves (paul lyton, philip
wachsman)</tt><br>
</blockquote>
<blockquote type=3D"cite" cite><tt>second album adds third processer
guy.</tt><br>
</blockquote>
<blockquote type=3D"cite" cite><tt>first album is my fave, both on ecm,
can't remember the orders of the names. titles are &quot;towards the
margins&quot; (?)&nbsp; &quot;drawn inward&quot; (i think this is
chronologically correct.</tt></blockquote>
<div><tt><br>
<br>
</tt></div>
<div><tt>From
&lt;http://www.shef.ac.uk/misc/rec/ps/efi/mparker.html&gt;:</tt><br>
</div>
<div><tt><br></tt></div>
<div><tt><font color=3D"#000000">1990,<x-tab>&nbsp;&nbsp;
</x-tab></font><font color=3D"#9D11B3"><u><i>Hall of
mirrors</i></u></font><font color=3D"#000000"><x-tab>
</x-tab></font></tt></div>
<div><tt><font color=3D"#000000">MM&amp;T CD 01. Duo with Walter
Prati.</font></tt></div>
<div><tt><font
color=3D"#000000"><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab>Evan Parker, soprano saxophone, voice</font></tt></div>
<div><tt><font
color=3D"#000000"><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab>Walter Prati, live electronics.</font></tt></div>
<div><tt><font color=3D"#000000"><br></font></tt></div>
<div><tt><font color=3D"#000000">1996,<x-tab>&nbsp;&nbsp;
</x-tab></font><font color=3D"#9D11B3"><u><i>Toward the
margins</i></u></font><font color=3D"#000000">,</font></tt></div>
<div><tt><font color=3D"#000000">ECM New series 1612. The Evan Parker
Electro-Acoustic Ensemble.</font></tt></div>
<div><tt><font
color=3D"#000000"><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab>Evan Parker, soprano saxophone, gong</font></tt></div>
<div><tt><font
color=3D"#0000FF"><u><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab>Barry Guy</u></font><font color=3D"#000000">, double
bass</font></tt></div>
<div><tt><font
color=3D"#0000FF"><u><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab>Paul Lytton</u></font><font color=3D"#000000">, percussion, live
electronics</font></tt></div>
<div><tt><font
color=3D"#0000FF"><u><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab>Philipp Wachsmann</u></font><font color=3D"#000000">, violin,
viola, live electronics, sound processing</font></tt></div>
<div><tt><font
color=3D"#000000"><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab>Walter Prati, live electronics, sound
processing</font></tt></div>
<div><tt><font
color=3D"#000000"><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab>Marco Vecchi, live electronics, sound
processing.</font></tt></div>
<div><tt><font color=3D"#000000"><br></font></tt></div>
<div><tt><font color=3D"#000000">1997,<x-tab>&nbsp;&nbsp;
</x-tab></font><font color=3D"#9D11B3"><u><i>Solar
wind</i></u></font><font
color=3D"#000000"><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </x-tab>Touch
TO:35. With Lawrence Casserley.</font></tt></div>
<div><tt><font
color=3D"#000000"><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab>Evan Parker, soprano saxophone</font></tt></div>
<div><tt><font
color=3D"#000000"><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab>Lawrence Casserley, signal processing
instrument.</font></tt></div>
<div><tt><font color=3D"#000000"><br></font></tt></div>
<div><tt><font color=3D"#000000">1997,<x-tab>&nbsp;&nbsp;
</x-tab><i>Work in
progress</i><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab></font></tt></div>
<div><tt><font color=3D"#000000">FMR sampler 3 (from Avant magazine).
One track with Lawrence Casserley.</font></tt></div>
<div><tt><font
color=3D"#000000"><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab>Evan Parker, soprano saxophone</font></tt></div>
<div><tt><font
color=3D"#000000"><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab>Noel Akchot=E9, amplified guitar</font></tt></div>
<div><tt><font
color=3D"#000000"><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab>Lawrence Casserley, signal processing
instruments</font></tt></div>
<div><tt><font
color=3D"#000000"><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab>Joel Ryan, computer.</font></tt></div>
<div><tt><font color=3D"#000000"><br></font></tt></div>
<div><tt><font color=3D"#000000">1997,<x-tab>&nbsp;&nbsp;
</x-tab></font><font color=3D"#0000FF"><u><i>Live at Les Instants
Chavires</i></u></font><font color=3D"#000000"><x-tab>&nbsp;&nbsp;
</x-tab></font></tt></div>
<div><tt><font color=3D"#000000">Leo LR 255. With Noel Akchot=E9,
Lawrence Casserley and Joel Ryan.</font></tt></div>
<div><tt><font
color=3D"#000000"><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab>Thurston Moore, electric guitar</font></tt></div>
<div><tt><font
color=3D"#000000"><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab>Evan Parker, soprano and tenor saxophone</font></tt></div>
<div><tt><font
color=3D"#000000"><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab>Walter Prati, live electronics, six-string electric
bass.&nbsp;</font></tt></div>
<div><tt><font color=3D"#000000"><br></font></tt></div>
<div><tt><font color=3D"#000000">1998,<x-tab>&nbsp;&nbsp;
</x-tab></font><font color=3D"#0000FF"><u><i>The
promise</i></u></font><font color=3D"#000000"><x-tab>&nbsp;&nbsp;&nbsp;&nbsp=
;
</x-tab></font></tt></div>
<div><tt><font color=3D"#000000">Materiali Sonori MASO CD
90106.</font></tt></div>
<div><tt><font color=3D"#000000">With Thurston Moore and Walter
Prati.</font></tt><br>
</div>
<div><tt><font color=3D"#000000">1998,<x-tab>&nbsp;&nbsp;
</x-tab></font><font color=3D"#0000FF"><u><i>London's
overthrow</i></u></font><font
color=3D"#000000"><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab></font></tt></div>
<div><tt><font color=3D"#000000">Ash International {R.I.P.} Ash 4.3.
Track on compilation CD.</font></tt></div>
<div><tt><font
color=3D"#9D11B3"><u><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab>Evan Parker</u></font><font color=3D"#000000">, overdubbed and
multi-tracked soprano saxophones</font></tt><br>
</div>
<div><tt><font color=3D"#000000">1998,<x-tab>&nbsp;&nbsp;
</x-tab></font><font color=3D"#0000FF"><u><i>Drawn
inward</i></u></font><font color=3D"#000000">, ECM 1693. The Evan Parker
Electro-Acoustic Ensemble.</font></tt></div>
<div><tt><font
color=3D"#000000"><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab>Evan Parker, soprano and tenor saxophones,
kh=E8ne</font></tt></div>
<div><tt><font
color=3D"#000000"><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab></font><font color=3D"#0000FF"><u>Barry Guy</u></font><font
color=3D"#000000">, double bass</font></tt></div>
<div><tt><font
color=3D"#000000"><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab></font><font color=3D"#0000FF"><u>Paul Lytton</u></font><font
color=3D"#000000">, percussion, live electronics</font></tt></div>
<div><tt><font
color=3D"#000000"><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab></font><font color=3D"#0000FF"><u>Philipp
Wachsmann</u></font><font color=3D"#000000">, violin, viola, live
electronics, sound processing<x-tab>&nbsp;&nbsp;&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab></font></tt></div>
<div><tt><font
color=3D"#000000"><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab>Lawrence Casserley, live electronics, sound
processing</font></tt></div>
<div><tt><font
color=3D"#000000"><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab>Walter Prati, live electronics, sound
processing</font></tt></div>
<div><tt><font
color=3D"#000000"><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab>Marco Vecchi, live electronics, sound
processing.</font></tt></div>
<div><tt><font color=3D"#000000"><br></font></tt></div>
<div><tt><font color=3D"#000000"><br></font></tt></div>
<div><tt><font color=3D"#000000">*<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
;
</x-tab>*<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab>*<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab>*<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab>*<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab></font></tt></div>
<div><tt><font color=3D"#000000"><br></font></tt></div>
<div><tt><font
color=3D"#000000">http://www.thewire.co.uk/out/0398_2.htm</font></tt></div
>
<div><tt><font color=3D"#000000"><br></font></tt></div>
<div><tt><font
color=3D"#000000"
>http://www.shef.ac.uk/misc/rec/ps/efi/fulltext/mparkint.html</font></tt
></div>
<div><tt><font color=3D"#000000"><br></font></tt></div>
<div><tt><font color=3D"#000000"><br></font></tt></div>
<div><tt><font color=3D"#000000">Evan Parker<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab>http://www.musicnow.co.uk/composers/parker.html</font></tt></div
>
<div><tt><font color=3D"#0000FF"><u><br></u></font></tt></div>
<div><tt><font color=3D"#0000FF"><u>Paul Lytton</u></font><font
color=3D"#000000"><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab></font></tt>http://www.shef.ac.uk/misc/rec/ps/efi/mlytton.html</div
>
<div><br></div>
<div><tt><font color=3D"#0000FF"><u>Philipp Wachsmann</u></font><font
color=3D"#000000"><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab>http://www.shef.ac.uk/misc/rec/ps/efi/mwachs.html<x-tab
>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab></font></tt></div>
<div><br></div>
<div><tt><font color=3D"#000000">Lawrence
Casserley<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab></font></tt>http://www.chiltern.demon.co.uk/</div>
<div><br></div>
<div><tt><font color=3D"#000000">Walter Prati<x-tab>&nbsp;&nbsp;&nbsp;
</x-tab></font></tt
>http://www.cematitalia.it/servizi/profilierepertori/interpreti/p/pra<span
></span>ti.htm</div>
<div><br></div>
<div><tt><font color=3D"#000000">Joel
Ryan<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab></font></tt>http://www.frankfurt-ballett.de/joel.html</div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div><br>
______________________________________________________________<br>
Richard Zvonar, PhD<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><br>
(818) 788-2202<x-tab>&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </x-tab><br>
http://www.zvonar.com<br>
http://RZCybernetics.com<br>
http://www.cybmotion.com/aliaszone<br>
http://www.live365.com/cgi-bin/directory.cgi?autostart=3Drz</div>
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From Loopers-Delight-request@loopers-delight.com  Wed Jul 11 19:45:01 2001
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From: "Kevin Mulvihill" <kmulvihill@mediaone.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: The Dirt Cheap Electrix Gear...
Date: Wed, 11 Jul 2001 16:38:09 -0700
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I keep seeing all these emails - on this list and others - about how
everyone has been going out to buy the dirt cheap Electrix processors at
Guitar Center and other places. I've seen them in the catalogs I get too,
and I think I even bounced out to their website when it all first went on
sale.

These boxes are kinda cool, sure, but on the surface they don't seem like
showstoppers for a looper. Can someone help? How are you planning to use
these in a looping context? I'd be especially interested in hearing how you
might use these boxes in a MIDI automation context...

BTW, I'm a musician, not a DJ... thx.

Kevin

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"Rick Walker (loop.pool)" wrote:

> Hi guys,
>
> I am just now decompressing from the Bass Looping Tour which was so
> successful that I just can't get over it!!   I didn't have time to
> even dig into my new Electrix processors that I picked up dirt cheap so I
> can't wait to start learning them and incorporating them into
> my rig.
>
> One of the things that muliple instrument live looping affords us is the
> ability to remix in real time.  I have not seen a lot of people doing this
> very much (Miko is a notable exception) and am interested in others who are
> fascinated by this distinct possibility.
>
> Are you out there?  what the heck are you doing.  I'd love to correspond.
>
> Yours,   Rick Walker (loop.pool)
>
> P.S.  Max and I contributed a daily diary to the TALKBASS.com site if anyone
> is interested in checking it out.  We would get back at 4 or 5 a.m. after a
> hell of a lot of driving and playing and post, semi-deliriously before
> hitting the hay.  I hope it reads well

rick,

i've been listening to the KPIG archive webcast, and i must say i'm totally
blown away by you guys! makes me very sorry to have missed the shows...i do
have a technical question for you rick: what gear did you have with you for
that interview? in particular, there were some really lovely tapped and/or
thrummed and reverberated tones in your piece (layed over the groovy syncopated
gamelan-like bed), starting around 9:50 or so...did your signal go through
anything particularly exotic, or was that just your superlative alligator-clip
& martini stick technique? oh, and what did you mix through?

rock on, maestros!

best,
lance g.

From Loopers-Delight-request@loopers-delight.com  Wed Jul 11 19:48:33 2001
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Subject: RE: What kinds of ReMixing are you doing in your live shows?
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i think richard has found the info . . .=20
=20
don't know if it'll help rick tho'




At 5:22 PM -0400 7/11/01, Liebig, Steuart A. wrote:



** not really looping, but check out the evan parker electro acoustic
ensemble:


two guys playing straight (parker, barry guy)
two guys processing them (can't rememeber)
two guys playing and processing themselves (paul lyton, philip =
wachsman)


second album adds third processer guy.


first album is my fave, both on ecm, can't remember the orders of the =
names.
titles are "towards the margins" (?)  "drawn inward" (i think this is
chronologically correct.




>From <http://www.shef.ac.uk/misc/rec/ps/efi/mparker.html>:



1990,   Hall of mirrors=20
MM&T CD 01. Duo with Walter Prati.
        Evan Parker, soprano saxophone, voice
        Walter Prati, live electronics.


1996,   Toward the margins,
ECM New series 1612. The Evan Parker Electro-Acoustic Ensemble.
        Evan Parker, soprano saxophone, gong
        Barry Guy, double bass
        Paul Lytton, percussion, live electronics
        Philipp Wachsmann, violin, viola, live electronics, sound =
processing
        Walter Prati, live electronics, sound processing
        Marco Vecchi, live electronics, sound processing.


1997,   Solar wind      Touch TO:35. With Lawrence Casserley.
        Evan Parker, soprano saxophone
        Lawrence Casserley, signal processing instrument.


1997,   Work in progress       =20
FMR sampler 3 (from Avant magazine). One track with Lawrence Casserley.
        Evan Parker, soprano saxophone
        Noel Akchot=E9, amplified guitar
        Lawrence Casserley, signal processing instruments
        Joel Ryan, computer.


1997,   Live at Les Instants Chavires  =20
Leo LR 255. With Noel Akchot=E9, Lawrence Casserley and Joel Ryan.
        Thurston Moore, electric guitar
        Evan Parker, soprano and tenor saxophone
        Walter Prati, live electronics, six-string electric bass.=20


1998,   The promise    =20
Materiali Sonori MASO CD 90106.
With Thurston Moore and Walter Prati.

1998,   London's overthrow     =20
Ash International {R.I.P.} Ash 4.3. Track on compilation CD.
        Evan Parker, overdubbed and multi-tracked soprano saxophones

1998,   Drawn inward, ECM 1693. The Evan Parker Electro-Acoustic =
Ensemble.
        Evan Parker, soprano and tenor saxophones, kh=E8ne
        Barry Guy, double bass
        Paul Lytton, percussion, live electronics
        Philipp Wachsmann, violin, viola, live electronics, sound =
processing

        Lawrence Casserley, live electronics, sound processing
        Walter Prati, live electronics, sound processing
        Marco Vecchi, live electronics, sound processing.




*       *       *       *       *      =20


http://www.thewire.co.uk/out/0398_2.htm


http://www.shef.ac.uk/misc/rec/ps/efi/fulltext/mparkint.html




Evan Parker     http://www.musicnow.co.uk/composers/parker.html


Paul Lytton     http://www.shef.ac.uk/misc/rec/ps/efi/mlytton.html

Philipp Wachsmann       =
http://www.shef.ac.uk/misc/rec/ps/efi/mwachs.html


Lawrence Casserley      http://www.chiltern.demon.co.uk/

Walter Prati
http://www.cematitalia.it/servizi/profilierepertori/interpreti/p/prati.h=
tm

Joel Ryan       http://www.frankfurt-ballett.de/joel.html
--=20

______________________________________________________________
Richard Zvonar, PhD      =20
(818) 788-2202                                 =20
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=3Drz


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<DIV><FONT color=#0000ff face=Arial size=2><SPAN class=934274223-11072001>i 
think richard has found the info . . . </SPAN></FONT></DIV>
<DIV><FONT color=#0000ff face=Arial size=2><SPAN 
class=934274223-11072001></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT color=#0000ff face=Arial size=2><SPAN class=934274223-11072001>don't 
know if it'll help rick tho'</SPAN></FONT></DIV>
<BLOCKQUOTE style="MARGIN-RIGHT: 0px">
  <DIV align=left class=OutlookMessageHeader dir=ltr><FONT face=Tahoma 
  size=2><BR><BR></DIV></FONT>
  <DIV><TT>At 5:22 PM -0400 7/11/01, Liebig, Steuart A. wrote:</TT></DIV>
  <DIV><TT><BR></TT></DIV>
  <BLOCKQUOTE cite type="cite"><TT>** not really looping, but check out the 
    evan parker electro acoustic ensemble:</TT><BR></BLOCKQUOTE>
  <BLOCKQUOTE cite type="cite"><TT>two guys playing straight (parker, barry 
    guy)<BR>two guys processing them (can't rememeber)<BR>two guys playing and 
    processing themselves (paul lyton, philip wachsman)</TT><BR></BLOCKQUOTE>
  <BLOCKQUOTE cite type="cite"><TT>second album adds third processer 
    guy.</TT><BR></BLOCKQUOTE>
  <BLOCKQUOTE cite type="cite"><TT>first album is my fave, both on ecm, can't 
    remember the orders of the names. titles are "towards the margins" (?)&nbsp; 
    "drawn inward" (i think this is chronologically correct.</TT></BLOCKQUOTE>
  <DIV><TT><BR><BR></TT></DIV>
  <DIV><TT>From 
  &lt;http://www.shef.ac.uk/misc/rec/ps/efi/mparker.html&gt;:</TT><BR></DIV>
  <DIV><TT><BR></TT></DIV>
  <DIV><TT><FONT color=#000000>1990,<X-TAB>&nbsp;&nbsp; </X-TAB></FONT><FONT 
  color=#9d11b3><U><I>Hall of mirrors</I></U></FONT><FONT color=#000000><X-TAB> 
  </X-TAB></FONT></TT></DIV>
  <DIV><TT><FONT color=#000000>MM&amp;T CD 01. Duo with Walter 
  Prati.</FONT></TT></DIV>
  <DIV><TT><FONT color=#000000><X-TAB>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 
  </X-TAB>Evan Parker, soprano saxophone, voice</FONT></TT></DIV>
  <DIV><TT><FONT color=#000000><X-TAB>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 
  </X-TAB>Walter Prati, live electronics.</FONT></TT></DIV>
  <DIV><TT><FONT color=#000000><BR></FONT></TT></DIV>
  <DIV><TT><FONT color=#000000>1996,<X-TAB>&nbsp;&nbsp; </X-TAB></FONT><FONT 
  color=#9d11b3><U><I>Toward the margins</I></U></FONT><FONT 
  color=#000000>,</FONT></TT></DIV>
  <DIV><TT><FONT color=#000000>ECM New series 1612. The Evan Parker 
  Electro-Acoustic Ensemble.</FONT></TT></DIV>
  <DIV><TT><FONT color=#000000><X-TAB>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 
  </X-TAB>Evan Parker, soprano saxophone, gong</FONT></TT></DIV>
  <DIV><TT><FONT 
  color=#0000ff><U><X-TAB>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 
  </X-TAB>Barry Guy</U></FONT><FONT color=#000000>, double 
bass</FONT></TT></DIV>
  <DIV><TT><FONT 
  color=#0000ff><U><X-TAB>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 
  </X-TAB>Paul Lytton</U></FONT><FONT color=#000000>, percussion, live 
  electronics</FONT></TT></DIV>
  <DIV><TT><FONT 
  color=#0000ff><U><X-TAB>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 
  </X-TAB>Philipp Wachsmann</U></FONT><FONT color=#000000>, violin, viola, live 
  electronics, sound processing</FONT></TT></DIV>
  <DIV><TT><FONT color=#000000><X-TAB>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 
  </X-TAB>Walter Prati, live electronics, sound processing</FONT></TT></DIV>
  <DIV><TT><FONT color=#000000><X-TAB>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 
  </X-TAB>Marco Vecchi, live electronics, sound processing.</FONT></TT></DIV>
  <DIV><TT><FONT color=#000000><BR></FONT></TT></DIV>
  <DIV><TT><FONT color=#000000>1997,<X-TAB>&nbsp;&nbsp; </X-TAB></FONT><FONT 
  color=#9d11b3><U><I>Solar wind</I></U></FONT><FONT 
  color=#000000><X-TAB>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </X-TAB>Touch TO:35. With 
  Lawrence Casserley.</FONT></TT></DIV>
  <DIV><TT><FONT color=#000000><X-TAB>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 
  </X-TAB>Evan Parker, soprano saxophone</FONT></TT></DIV>
  <DIV><TT><FONT color=#000000><X-TAB>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 
  </X-TAB>Lawrence Casserley, signal processing instrument.</FONT></TT></DIV>
  <DIV><TT><FONT color=#000000><BR></FONT></TT></DIV>
  <DIV><TT><FONT color=#000000>1997,<X-TAB>&nbsp;&nbsp; </X-TAB><I>Work in 
  progress</I><X-TAB>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 
  </X-TAB></FONT></TT></DIV>
  <DIV><TT><FONT color=#000000>FMR sampler 3 (from Avant magazine). One track 
  with Lawrence Casserley.</FONT></TT></DIV>
  <DIV><TT><FONT color=#000000><X-TAB>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 
  </X-TAB>Evan Parker, soprano saxophone</FONT></TT></DIV>
  <DIV><TT><FONT color=#000000><X-TAB>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 
  </X-TAB>Noel Akchoté, amplified guitar</FONT></TT></DIV>
  <DIV><TT><FONT color=#000000><X-TAB>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 
  </X-TAB>Lawrence Casserley, signal processing instruments</FONT></TT></DIV>
  <DIV><TT><FONT color=#000000><X-TAB>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 
  </X-TAB>Joel Ryan, computer.</FONT></TT></DIV>
  <DIV><TT><FONT color=#000000><BR></FONT></TT></DIV>
  <DIV><TT><FONT color=#000000>1997,<X-TAB>&nbsp;&nbsp; </X-TAB></FONT><FONT 
  color=#0000ff><U><I>Live at Les Instants Chavires</I></U></FONT><FONT 
  color=#000000><X-TAB>&nbsp;&nbsp; </X-TAB></FONT></TT></DIV>
  <DIV><TT><FONT color=#000000>Leo LR 255. With Noel Akchoté, Lawrence Casserley 
  and Joel Ryan.</FONT></TT></DIV>
  <DIV><TT><FONT color=#000000><X-TAB>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 
  </X-TAB>Thurston Moore, electric guitar</FONT></TT></DIV>
  <DIV><TT><FONT color=#000000><X-TAB>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 
  </X-TAB>Evan Parker, soprano and tenor saxophone</FONT></TT></DIV>
  <DIV><TT><FONT color=#000000><X-TAB>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 
  </X-TAB>Walter Prati, live electronics, six-string electric 
  bass.&nbsp;</FONT></TT></DIV>
  <DIV><TT><FONT color=#000000><BR></FONT></TT></DIV>
  <DIV><TT><FONT color=#000000>1998,<X-TAB>&nbsp;&nbsp; </X-TAB></FONT><FONT 
  color=#0000ff><U><I>The promise</I></U></FONT><FONT 
  color=#000000><X-TAB>&nbsp;&nbsp;&nbsp;&nbsp; </X-TAB></FONT></TT></DIV>
  <DIV><TT><FONT color=#000000>Materiali Sonori MASO CD 90106.</FONT></TT></DIV>
  <DIV><TT><FONT color=#000000>With Thurston Moore and Walter 
  Prati.</FONT></TT><BR></DIV>
  <DIV><TT><FONT color=#000000>1998,<X-TAB>&nbsp;&nbsp; </X-TAB></FONT><FONT 
  color=#0000ff><U><I>London's overthrow</I></U></FONT><FONT 
  color=#000000><X-TAB>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </X-TAB></FONT></TT></DIV>
  <DIV><TT><FONT color=#000000>Ash International {R.I.P.} Ash 4.3. Track on 
  compilation CD.</FONT></TT></DIV>
  <DIV><TT><FONT 
  color=#9d11b3><U><X-TAB>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 
  </X-TAB>Evan Parker</U></FONT><FONT color=#000000>, overdubbed and 
  multi-tracked soprano saxophones</FONT></TT><BR></DIV>
  <DIV><TT><FONT color=#000000>1998,<X-TAB>&nbsp;&nbsp; </X-TAB></FONT><FONT 
  color=#0000ff><U><I>Drawn inward</I></U></FONT><FONT color=#000000>, ECM 1693. 
  The Evan Parker Electro-Acoustic Ensemble.</FONT></TT></DIV>
  <DIV><TT><FONT color=#000000><X-TAB>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 
  </X-TAB>Evan Parker, soprano and tenor saxophones, khène</FONT></TT></DIV>
  <DIV><TT><FONT color=#000000><X-TAB>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 
  </X-TAB></FONT><FONT color=#0000ff><U>Barry Guy</U></FONT><FONT 
  color=#000000>, double bass</FONT></TT></DIV>
  <DIV><TT><FONT color=#000000><X-TAB>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 
  </X-TAB></FONT><FONT color=#0000ff><U>Paul Lytton</U></FONT><FONT 
  color=#000000>, percussion, live electronics</FONT></TT></DIV>
  <DIV><TT><FONT color=#000000><X-TAB>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 
  </X-TAB></FONT><FONT color=#0000ff><U>Philipp Wachsmann</U></FONT><FONT 
  color=#000000>, violin, viola, live electronics, sound 
  processing<X-TAB>&nbsp;&nbsp;&nbsp; 
  </X-TAB><X-TAB>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 
  </X-TAB></FONT></TT></DIV>
  <DIV><TT><FONT color=#000000><X-TAB>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 
  </X-TAB>Lawrence Casserley, live electronics, sound 
  processing</FONT></TT></DIV>
  <DIV><TT><FONT color=#000000><X-TAB>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 
  </X-TAB>Walter Prati, live electronics, sound processing</FONT></TT></DIV>
  <DIV><TT><FONT color=#000000><X-TAB>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 
  </X-TAB>Marco Vecchi, live electronics, sound processing.</FONT></TT></DIV>
  <DIV><TT><FONT color=#000000><BR></FONT></TT></DIV>
  <DIV><TT><FONT color=#000000><BR></FONT></TT></DIV>
  <DIV><TT><FONT color=#000000>*<X-TAB>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 
  </X-TAB>*<X-TAB>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 
  </X-TAB>*<X-TAB>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 
  </X-TAB>*<X-TAB>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 
  </X-TAB>*<X-TAB>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 
</X-TAB></FONT></TT></DIV>
  <DIV><TT><FONT color=#000000><BR></FONT></TT></DIV>
  <DIV><TT><FONT 
  color=#000000>http://www.thewire.co.uk/out/0398_2.htm</FONT></TT></DIV>
  <DIV><TT><FONT color=#000000><BR></FONT></TT></DIV>
  <DIV><TT><FONT 
  color=#000000>http://www.shef.ac.uk/misc/rec/ps/efi/fulltext/mparkint.html</FONT></TT></DIV>
  <DIV><TT><FONT color=#000000><BR></FONT></TT></DIV>
  <DIV><TT><FONT color=#000000><BR></FONT></TT></DIV>
  <DIV><TT><FONT color=#000000>Evan Parker<X-TAB>&nbsp;&nbsp;&nbsp;&nbsp; 
  </X-TAB>http://www.musicnow.co.uk/composers/parker.html</FONT></TT></DIV>
  <DIV><TT><FONT color=#0000ff><U><BR></U></FONT></TT></DIV>
  <DIV><TT><FONT color=#0000ff><U>Paul Lytton</U></FONT><FONT 
  color=#000000><X-TAB>&nbsp;&nbsp;&nbsp;&nbsp; 
  </X-TAB></FONT></TT>http://www.shef.ac.uk/misc/rec/ps/efi/mlytton.html</DIV>
  <DIV><BR></DIV>
  <DIV><TT><FONT color=#0000ff><U>Philipp Wachsmann</U></FONT><FONT 
  color=#000000><X-TAB>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 
  </X-TAB>http://www.shef.ac.uk/misc/rec/ps/efi/mwachs.html<X-TAB>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 
  </X-TAB><X-TAB>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 
  </X-TAB></FONT></TT></DIV>
  <DIV><BR></DIV>
  <DIV><TT><FONT color=#000000>Lawrence 
  Casserley<X-TAB>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 
  </X-TAB></FONT></TT>http://www.chiltern.demon.co.uk/</DIV>
  <DIV><BR></DIV>
  <DIV><TT><FONT color=#000000>Walter Prati<X-TAB>&nbsp;&nbsp;&nbsp; 
  </X-TAB></FONT></TT>http://www.cematitalia.it/servizi/profilierepertori/interpreti/p/pra<SPAN></SPAN>ti.htm</DIV>
  <DIV><BR></DIV>
  <DIV><TT><FONT color=#000000>Joel 
  Ryan<X-TAB>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 
  </X-TAB></FONT></TT>http://www.frankfurt-ballett.de/joel.html</DIV><X-SIGSEP><PRE>-- 
</PRE></X-SIGSEP>
  <DIV><BR>______________________________________________________________<BR>Richard 
  Zvonar, PhD<X-TAB>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </X-TAB><BR>(818) 
  788-2202<X-TAB>&nbsp; 
  </X-TAB><X-TAB>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 
  </X-TAB><X-TAB>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 
  </X-TAB><X-TAB>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 
  </X-TAB><X-TAB>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 
  </X-TAB><BR>http://www.zvonar.com<BR>http://RZCybernetics.com<BR>http://www.cybmotion.com/aliaszone<BR>http://www.live365.com/cgi-bin/directory.cgi?autostart=rz</DIV></BLOCKQUOTE></BODY></HTML>

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Subject: Re: The Dirt Cheap Electrix Gear...
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Mine are being used on my aux sends- I can send any amount of their output
to my EDP or Jam Man or Vortex etc or to each other- I love the momentary
buttons and sync abilities-  also, I am using my Mo-Fx knobs to control my
volume and pan automation in Cubase- you can also record all the movements
to a midi sequencer if you like and play back to automate them- much more
but I have to go... Om
www.delphi.com/electrix

----- Original Message -----
From: Kevin Mulvihill <kmulvihill@mediaone.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, July 11, 2001 4:38 PM
Subject: The Dirt Cheap Electrix Gear...


> I keep seeing all these emails - on this list and others - about how
> everyone has been going out to buy the dirt cheap Electrix processors at
> Guitar Center and other places. I've seen them in the catalogs I get too,
> and I think I even bounced out to their website when it all first went on
> sale.
>
> These boxes are kinda cool, sure, but on the surface they don't seem like
> showstoppers for a looper. Can someone help? How are you planning to use
> these in a looping context? I'd be especially interested in hearing how
you
> might use these boxes in a MIDI automation context...
>
> BTW, I'm a musician, not a DJ... thx.
>
> Kevin
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Jul 11 20:04:32 2001
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Subject: Re: The Dirt Cheap Electrix Gear...
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These boxes are for stereoizing and post-processing the loops. (or other sounds in the vicinity). Most of us probably loop in mono... I PLAY real-time in stereo, and it's most fulfilling to have a stereo loop happening as well... although I'd love to have a stereo looper that records my original stereo motion. (Gotta get that second EDP). 

-Miko

>>> kmulvihill@mediaone.net 07/11/01 04:38PM >>>
I keep seeing all these emails - on this list and others - about how
everyone has been going out to buy the dirt cheap Electrix processors at
Guitar Center and other places. I've seen them in the catalogs I get too,
and I think I even bounced out to their website when it all first went on
sale.

These boxes are kinda cool, sure, but on the surface they don't seem like
showstoppers for a looper. Can someone help? How are you planning to use
these in a looping context? I'd be especially interested in hearing how you
might use these boxes in a MIDI automation context...

BTW, I'm a musician, not a DJ... thx.

Kevin


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I've got a mo-fx pre JamMan that is being synched by the midi clock of a
Roland MC-307 (as is the JamMan)  The output of the JamMan gets put into a
Vortex, that is synched off the LED of the Mo-FX.  (Thanks to my custom Wink
Blink Synch courtesy of Industrial Toy Inc.) That all gets fed to a Mackie
mixer.  I've got both aux sends going to a Warp Factory.  That way, I can
chose any channel to be the formant or the source for Vocoding.  The results
are truly psychedelic.

Mark Sottilaro

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I pre-process just as much as post- the possibilities are vast- Om

----- Original Message -----
From: Mike Biffle <Mike.Biffle@asml.com>
To: <Loopers-Delight@loopers-delight.com>; <kmulvihill@mediaone.net>
Sent: Wednesday, July 11, 2001 5:02 PM
Subject: Re: The Dirt Cheap Electrix Gear...


> These boxes are for stereoizing and post-processing the loops. (or other
sounds in the vicinity). Most of us probably loop in mono... I PLAY
real-time in stereo, and it's most fulfilling to have a stereo loop
happening as well... although I'd love to have a stereo looper that records
my original stereo motion. (Gotta get that second EDP).
>
> -Miko
>
> >>> kmulvihill@mediaone.net 07/11/01 04:38PM >>>
> I keep seeing all these emails - on this list and others - about how
> everyone has been going out to buy the dirt cheap Electrix processors at
> Guitar Center and other places. I've seen them in the catalogs I get too,
> and I think I even bounced out to their website when it all first went on
> sale.
>
> These boxes are kinda cool, sure, but on the surface they don't seem like
> showstoppers for a looper. Can someone help? How are you planning to use
> these in a looping context? I'd be especially interested in hearing how
you
> might use these boxes in a MIDI automation context...
>
> BTW, I'm a musician, not a DJ... thx.
>
> Kevin
>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Jul 11 20:16:41 2001
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Subject: Fw: The Dirt Cheap Electrix Gear...
Date: Wed, 11 Jul 2001 18:10:39 -0600
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I just "hired" another person to play and perform with me, whose main
task is the loop treatment.  After the loop is made of my guitars and
percussion, it is run on its own through all that Electrix gear and
other processors, compressed and returned to my mix.  There I can
decide how much should be actually fed out into the main outputs.  In
this way I got another instrument out of the Electrix's stuff!

Petr



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Kim wrote:

>I have been known to enjoy a good southern bourbon
>now and then. With the good small batch stuff, it's
>gotta be neat too! Unless it's in a mint julep, of course.

Sorry to perseverate and continue this OT ETOH thread, but I have to add my
words of praise for the underappreciated mint julep.  Before ever trying one
I always thought of it as a the kind of delicate beverage that genteel
Southern ladies would politely sip at garden parties.  But years ago on a
visit to New Orleans I sampled one and was amazed by how strong it was!  And
tasty.  A pleasant antidote to excessive heat and humidity.  I was sold.

I was later delighted to learn the derivation of the word "julep" -- coming
from Persian "gul" (rose) and "ab" (water).  In deference to the Eastern
origin of the word, if not the drink, I sometimes add a drop or two of
rosewater when making a mint julep.

As far as Scotch goes, you guys are all welcome to my share . . . I still
can't appreciate it.

From Loopers-Delight-request@loopers-delight.com  Wed Jul 11 20:58:11 2001
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Suite for microphone cord and warp factory:

This piece debuts tomorrow night as the attack 
section of the dragon hatching performance in
the center of the Draka benefit at 1015 folsom
in SF (I didn't mention that this is gig spam
disguised as ruminations about cheap ellectrix gear, 
did I?).

So I gots me mackie in a suitcase, with aux send 2 going into the
formant, and sub bus outs 3 & 4 going into the input of the warp
factory. Which means that any channel can be source; any channel can be
formant.


So here's what I do:  loops with droning vocals as source, also some
of Rick's dreaded robot pitch knob.

Microphone with cheap mic cable routed as formant, with channel turned
way up, but the sound only goes to the formant, not the mains.
Since the cable is cheap, any wiggling or tapping the cord or stepping
on it, or even doing the roger daltrey mic twirl, wil result in signal
being sent to the formant.

Now, I've got the "Source Kill" button turned on, so nothing goes
through
the vocoder until we get microphone cable glitches.

The result: really wild phunkly electronic rhythms spewed out of the
back of the vocoder. (Further warped by the filter queen's envelope
follower). Light taps make a super modulated dragon heartbeat; scratches
on the windscreen give grating blob texture; counterpoint by wiggling
the mic cord.

The biggest drawback: I'm using two hands to tap the mic & cables, so
I'm
forced to use my toes to tweak the warp factory's parameter knobs.

Simran
> 
> I've got a mo-fx pre JamMan that is being synched by the midi clock of a
> Roland MC-307 (as is the JamMan)  The output of the JamMan gets put into a
> Vortex, that is synched off the LED of the Mo-FX.  (Thanks to my custom Wink
> Blink Synch courtesy of Industrial Toy Inc.) That all gets fed to a Mackie
> mixer.  I've got both aux sends going to a Warp Factory.  That way, I can
> chose any channel to be the formant or the source for Vocoding.  The results
> are truly psychedelic.
> 
> Mark Sottilaro
>

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In a message dated 7/11/01 8:56:53 PM Eastern Daylight Time, 
simran.gleason@Sun.COM writes:


> so
> I'm
> forced to use my toes to tweak the warp factory's parameter knobs.
> 

this is truely the spirit!.....bless ya!.....seriously though, as cliff said 
"the possibilities are vast" with these boxes.....:)m

--part1_110.234aa99.287e536a_boundary
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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>In a message dated 7/11/01 8:56:53 PM Eastern Daylight Time, 
<BR>simran.gleason@Sun.COM writes:
<BR>
<BR>
<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">so
<BR>I'm
<BR>forced to use my toes to tweak the warp factory's parameter knobs.
<BR></BLOCKQUOTE>
<BR>
<BR>this is truely the spirit!.....bless ya!.....seriously though, as cliff said 
<BR>"the possibilities are vast" with these boxes.....:)m</FONT></HTML>

--part1_110.234aa99.287e536a_boundary--

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Draka the Dragon is the large dragon sculpture that appeared at
burningman for the first time last year.  And by "large" I mean some
thing of the order of this beast was built on three bus chassis. The
creation of Lisa Nigro and (by now) a large team of others (I'm not
sure who's really responsible).  I don't know who Steve Stirling is, so
I can't answer that.

It will serve as the public transportation system this year at black
rock city
for burningman 2k1.

The benefit is a large party with DJs going all night. At midnite there
will be a little theatrical performance with fire spinners and such. 
I've assembled a small team of imrpov musicians to do the sound for
it. After the performance we'll play a little ten minute loop-based
set. 

For more into check out http://www.drakathedragon.org

Simran


> From: Steve Burnett <sburnett@webslingerz.com>
> 
> Draka benefit? Hmm? Steve Stirling's Draka, or something else? Would you
> mind explaining what a Draka benefit is? Sounds like a cool use of the
> WarpFactory, by the way.
> 
> thanks,
> Steve
> -- 
> ----------------------------------------------------------------
> Steve Burnett    Admin, webslingerZ     sburnett@webslingerz.com
>              http://www.webslingerz.com/sburnett/
>

From Loopers-Delight-request@loopers-delight.com  Wed Jul 11 23:23:43 2001
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Subject: Re: QUEERY:   What samplers are out there let you record and
  instantaneously play back from a keyboard
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  The older Roland S-10 sampler could do this.  The sample time was a bit
small, but I think it could be quite workable.  Rick, glad to see ya back!
Congratulations on the tour!  

Smiles,

G-Girl

At 02:22 PM 7/11/01 -0700, you wrote:
>Is anyone aware of a sampler (preferably inexpensive) that allows you to
>sample an instrument and, instantaneously play that sample live from a
>keyboard.    I am really interested in found sound and would love to be able
>to create keyboard samples that an audience could see were being created and
>then played in front of their faces by either a wind synth or a keyboard,
>
>thanks,  Rick Walker (loop.pool)
>
>


---

  "The only things I really think are important, are love, and eachother.
-Then, anything is possible..."


From Loopers-Delight-request@loopers-delight.com  Wed Jul 11 23:33:56 2001
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  Hi again, I found out the name of the software my ffriend uses for his
eight channel system.  It's a software package for the mac, called Sigma-1.  

Smiles,

G-Girl

 


---

  "The only things I really think are important, are love, and eachother.
-Then, anything is possible..."


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Subject: OT: bass processing
Date: Wed, 11 Jul 2001 23:33:11 -0400
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Sorry for the off-topicality of this question, but I'm sure one of you
bass-playin' gearheads can answer this simple question:

I have a 5-string bass and I want to run it through an Electro-Harmonix
Microsynth (which is NOT the bass model).  Will this damage the microsynth?

Thanx.


Peter

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From: improv@peak.org (Dave Trenkel)
Subject: Re: OT: bass processing
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>Sorry for the off-topicality of this question, but I'm sure one of you
>bass-playin' gearheads can answer this simple question:
>
>I have a 5-string bass and I want to run it through an Electro-Harmonix
>Microsynth (which is NOT the bass model).  Will this damage the microsynth?
>
Won't hurt the Microsynth, just don't expect it to track all that well. The
bass model barely tracks the b string. Still sounds ultra cool, though...

____________________________________________
Dave Trenkel : improv@peak.org
New & Improv Media
http://www.newandimprov.com
Now available: Minus: Dark Lit
____________________________________________


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Subject: Re: bass processing
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Noway!  Bass through guitar shit is exciting.
Even if it did hurt it,  , you might be going for
sort of sound where a pedal should be caned.
Hurt the man. Man  DO IT!!!!!!!!!!!!!!!!!!!!!!!!!!!

----- Original Message -----
From: "Peter Shindler" <shindler@mediaone.net>
To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, July 11, 2001 8:33 PM
Subject: OT: bass processing


> Sorry for the off-topicality of this question, but I'm sure one of you
> bass-playin' gearheads can answer this simple question:
>
> I have a 5-string bass and I want to run it through an Electro-Harmonix
> Microsynth (which is NOT the bass model).  Will this damage the
microsynth?
>
> Thanx.
>
>
> Peter
>

From Loopers-Delight-request@loopers-delight.com  Thu Jul 12 01:26:51 2001
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From: Richard Zvonar <zvonar@zvonar.com>
Subject: Re: Octophonic sound system
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At 9:37 PM -0600 7/11/01, Goddess wrote:
>   Hi again, I found out the name of the software my ffriend uses for his
>eight channel system.  It's a software package for the mac, called Sigma-1.

http://www.apbtools.com/frames2.html
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

From Loopers-Delight-request@loopers-delight.com  Thu Jul 12 02:01:09 2001
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From: glenn <glenn234@pacbell.net>
Subject: Re: The Dirt Cheap Electrix Gear...
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I don't know about the one's everyone else is talking about, but one thing
you could have fun with is their vocoder to use one track to trigger/
percussively open and close a set of filters on another stream of sound that
roughly resemble the shape of the sound in those frequencies of the first.
That is my favorite vocoder effect, although you could pull this of with a
ring modulator or by "ducking" with a comperssor/limiter/gate, there's
nothing like vocoding. Think of the phil collins line "well i remembah..."
from "I can feel it coming in the air tonight, oh lord" only with another
track(even something like a high hat part) affecting the synth sound instead
of his words.

on 7/11/01 4:38 PM, Kevin Mulvihill at kmulvihill@mediaone.net wrote:

> These boxes are kinda cool, sure, but on the surface they don't seem like
> showstoppers for a looper. Can someone help? How are you planning to use
> these in a looping context? I'd be especially interested in hearing how you
> might use these boxes in a MIDI automation context...

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From: jth3@webtv.net (James Hines)
Date: Wed, 11 Jul 2001 23:59:55 -0600 (MDT)
To: Loopers-Delight@loopers-delight.com
Subject: Re: Octophonic sound system
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     Not meaning to rain on anyone's parade, I would be careful
investing too much energy or money into an octaphonic sound system. But
let me explain. 
     If you only would intend to use such a system for live performance
- then GREAT, by all means, go ahead. 
     As a recording medium, however, I would limit myself to either good
old stereo - or at most - a five channel surround system. 
      There is no use MIXING music for a format that 99.999999% of the
world's population CANNOT use. 
       In all reality, unless you listen to music sitting in the third
point of an equilateral triangle with two stereo speakers, you are still
better off listening to music in MONO. 
       Stereo is still the best medium because it is the medium most
people are able to LISTEN to music on in their homes or (marginally) in
their cars (because of the driver/passenger off axis position). 
       But if you MUST have more than stereo, many people ( Maybe a full
5% of the population ?) in this country are now able to listen to music
back on a five channel surround system. 
       With an eight channel system, you will probably have to provide
NOT just the music - but the playback system itself for people to hear
it. 
       The idea of a private language is absurd - and Music is not just
for the musician. Let's not limit our potential audience to a percentage
of the population equalling a fraction of 1% of a fraction of 1% of the
population. 

Thanks, 
James Hines

From Loopers-Delight-request@loopers-delight.com  Thu Jul 12 02:37:14 2001
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Subject: Re: Octophonic sound system
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James Hines's comments about octaphonic sound are reasonable in a 
general sense, but are to some extent arguable. Some of us ARE 
willing to accept the fact that most of the world's population will 
not be able to hear music composed for 8-channel playback, or even 
quad or 5.1, but will go ahead and create music for that format 
anyway. There are enough opportunities to play this music in what are 
sometimes called "specialist venues" to make it worth the effort. You 
just have to know where the audiences and playback infrastructure are.

For instance, I'm beginning work on an 8-channel tape piece that will 
be played along with several other composers' 8-channel pieces over a 
two-day period at a music festival next month. If my piece is well 
received I will probably be able to arrange additional performances 
at electronic music conferences and festivals, and at concerts on 
college campuses. Specifically, multichannel sound systems are now a 
regular feature at the annual International Computer Music Conference 
(ICMC) and  SEAMUS (Society for ElectroAcoustic Music in the United 
States) Conference. In Canada there is a traveling octaphonic music 
project called Sound Travels.

Granted, these particular venues are not mainstream, but I for one 
don't really care since I don't do mainstream music and I have no 
expectation of getting rich and famous from the peculiar music that I 
do. However, I'm realistic enough to also make 2-channel versions of 
any pieces that might go into commercial distribution or that I might 
just want to give away to friends. For instance, a few years ago I 
made a collaborative piece with my friend bassist Robert Black. The 
piece was for solo bass and a prerecorded orchestra of basses (all 
Robert), and the premiere used an 8-track backing tape and a 
12-channel speaker system. It was a dynamite performance and an 
amazing sonic experience, but the piece didn't get played again until 
Robert got a gig in France doing pieces for solo bass and tape. For 
that occasion he used a 2-track mixdown. It was fine.


At 11:59 PM -0600 7/11/01, James Hines wrote:
>      Not meaning to rain on anyone's parade, I would be careful
>investing too much energy or money into an octaphonic sound system. But
>let me explain.
>      If you only would intend to use such a system for live performance
>- then GREAT, by all means, go ahead.
>      As a recording medium, however, I would limit myself to either good
>old stereo - or at most - a five channel surround system.
>       There is no use MIXING music for a format that 99.999999% of the
>world's population CANNOT use.
>        In all reality, unless you listen to music sitting in the third
>point of an equilateral triangle with two stereo speakers, you are still
>better off listening to music in MONO.
>        Stereo is still the best medium because it is the medium most
>people are able to LISTEN to music on in their homes or (marginally) in
>their cars (because of the driver/passenger off axis position).
>        But if you MUST have more than stereo, many people ( Maybe a full
>5% of the population ?) in this country are now able to listen to music
>back on a five channel surround system.
>        With an eight channel system, you will probably have to provide
>NOT just the music - but the playback system itself for people to hear
>it.
>        The idea of a private language is absurd - and Music is not just
>for the musician. Let's not limit our potential audience to a percentage
>of the population equalling a fraction of 1% of a fraction of 1% of the
>population.
>
>Thanks,
>James Hines


-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

From Loopers-Delight-request@loopers-delight.com  Thu Jul 12 02:49:30 2001
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Subject: Re: Simple Question about Looping Live
Date: Thu, 12 Jul 2001 07:46:53 +0100
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"James Pokorny" <j.pokorny@worldnet.att.net> put forth:

> Sorry to perseverate and continue this OT ETOH thread, but I have to add
my
> words of praise for the underappreciated mint julep.  Before ever trying
one
> I always thought of it as a the kind of delicate beverage that genteel
> Southern ladies would politely sip at garden parties.  But years ago on a
> visit to New Orleans I sampled one and was amazed by how strong it was!
And
> tasty.  A pleasant antidote to excessive heat and humidity.  I was sold.

And thus you begin to find the nature of the American Southern Woman, my
friend.  Soft and genteel on the outside, runs the works and kicks your ass
if necessary on the inside. :)

From Loopers-Delight-request@loopers-delight.com  Thu Jul 12 03:10:34 2001
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Give us your perspective Brian. You may start an interesting discussion.
I'm personally not interested in vinyl but you or someone else might suggest
something that may have relevance to me now or in the future.

Gareth


----- All i want is new
> perspectives on making phat loops from vinyl samples, and share what i
know.
>
> Brian


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Subject: Re: Bleen here before
Date: Thu, 12 Jul 2001 08:14:30 +0100
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Ok so far I've found out the following:-

'Bleen B is an echo diving into ring modulation '
and
'Bleen, a ring modulator that decays into tremelo'

Is it either/both/neither ?
I'm interested in emulating the effect using Kyma so I need to understand
what's going on here.

Thanks,

Gareth


>
> bleen is a 'morphing'-preset on lexicon's vortex, a 1-rack-space delay(&
> modulation)-based processor, no longer produced.
> dt / s-c
>

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Subject: Re: Octophonic sound system
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"James Hines" <jth3@webtv.net> put forth:

>      As a recording medium, however, I would limit myself to either good
> old stereo - or at most - a five channel surround system.

Bingo, James - remember however that while the technology for DVD Audio is
with us, there's no content out there to speak of, and therefore no
awareness nor demand.  I was at DVD Europe a few months ago (as cartoonist
for Medialine News, my sole paying job) and got a chance to talk to a load
of people in this biz.  There's still a lot of debate on the value of DVD
Audio, but it's primarily because the manufacturers/distributors over here
want to concentrate on the video content, as if to not distract the consumer
and collapse the market.  Yeah, typical paranoia - but most folks still do
think that DVD means "Digital Video Disk", when the "V" is actually for
"Versatile".

Audio Source Tracks for DVD: Notes for Producers
http://www.dolby.com/tech/l.in.9901.audiosource.html

Making the Most of Audio Source Tracks for DVD
http://www.dolby.com/digital/l.in.9901.makingthemost.html

The above are from Dolby's "Tech" page at http://www.dolby.com/tech/

But wait!  There's more!

>        In all reality, unless you listen to music sitting in the third
> point of an equilateral triangle with two stereo speakers, you are still
> better off listening to music in MONO.

Ugh, I disagree, Homeboy!  Even in a car one can tell the difference between
mono and stereo.  Have you ever investigated the idea of three-channel?
Brian Eno put the setup for such a thing in the liner notes for "On Land",
which alas are in storage with my vinyl in LA - but essentially it's such
that you have a single speaker that's lower-impedance than your pair of
other speakers, connected up so that one terminal is on the Left -, and the
other on Right +.  What one gets out of that speaker is a "subtracted"
sound, as he put it.  In combination with two speakers however, this
produces a more "3D" result.  Eno wasn't the first to exploit this, though.
The original release of Alice Cooper's "Welcome to My Nightmare" concert
film in a select few theaters (before it hit the midnight circuit) used this
same setup, with the third speaker in the back.  It was quite cheap to
implement, and only required a third speaker and amp, and the wires to hook
it up.

>        But if you MUST have more than stereo, many people ( Maybe a full
> 5% of the population ?) in this country are now able to listen to music
> back on a five channel surround system.

Just about everyone who has a DVD player that's more than a PlayStation 2
has it hooked up to a Surround-capable stereo system.  That would be nearly
30% according to several folks I talked to at DVD Europe.  This is called an
embryonic market, but as they all do, this will grow.  Warner Bros. (Satan's
record company) just released a bunch of stuff on DVD Audio for the first
time.  I think DVD Audio may well make for a richer listening experience,
and provide a number of us on this list with some real money once it kicks
in.  It's not just positive thinking to say "it's just a matter of time",
and not much time at that.

In closing it should also be remembered that both AC3 and 5.1 Surround are
also playable on PCs for very little money, and that it's mainly the
encoding right now that is expensive.  Someone's going to figure out how to
make it cheaper, because I think a lot of producers and musicians really
want to exploit this medium, for home AND theater use (and that includes
Soundtracks too).

Stephen Goodman
http://www.earthlight.net/Gallery_Front.html - Cartoons & Illustrations
http://www.earthlight.net/Studios * The free Loop of the Week!
http://www.live365.com/stations/218194 * EarthLight Online / Live!

From Loopers-Delight-request@loopers-delight.com  Thu Jul 12 03:58:18 2001
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Date: Thu, 12 Jul 2001 00:56:24 -0700 (PDT)
From: Bret <echoplex@yahoo.com>
Subject: Bleen there, dlone that
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Gareth,
You should get a vortex manual which describes each patch, describes
the varable parameters, and shows a block diagram of the patch.  

There are 2 bleens - Bleen A, and Bleen B.

Brief descriptions Per the manual (pages 54, 55)
15 Bleen A
Bleen A has a stereo resonator feeding a stereo amplitude modulator,
which is, in turn sent to both the outputs and the inputs of a cascaded
echo.  The output of the cascaded echoes is sent to an auto-panner
before it too is sent to the outputs.
15 Bleen B
Bleen B is configured as two parallel effects.  One has stereo envelope
detune, and the other has a unique echo configuration with feedback AM.

You really need to see the diagrams to emulate the patch.  Email me
privately if you want me to scan them and email the pages to you.
bret
--- whiteoakstudios <whiteoakstudios@supanet.com> wrote:
> 
> Ok so far I've found out the following:-
> 
> 'Bleen B is an echo diving into ring modulation '
> and
> 'Bleen, a ring modulator that decays into tremelo'
> 
> Is it either/both/neither ?
> I'm interested in emulating the effect using Kyma so I need to
> understand
> what's going on here.
> 
> Thanks,
> 
> Gareth
> 
> 
> >
> > bleen is a 'morphing'-preset on lexicon's vortex, a 1-rack-space
> delay(&
> > modulation)-based processor, no longer produced.
> > dt / s-c
> >
> 


__________________________________________________
Do You Yahoo!?
Get personalized email addresses from Yahoo! Mail
http://personal.mail.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Thu Jul 12 04:16:37 2001
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References: <200107112348.TAA09243@hemlock.violacea.com>
Subject: The melodica solo in the San Jose Museum of Art Bass Looping show
Date: Thu, 12 Jul 2001 01:15:05 -0700
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glenn wrote:
"AMAZING!!!!!  When  you played the acoustics of the cafe after that mic
went
out!!! People were laughing strictly in wonder at how you'd turned that
around and how great it sounded with the piece."

and Tim asked:
"I'd like to hear more about this! What happened Rick?"


    Actually, I had trouble earlier with my microphone going out but, in
this instance,  Michael and Steve started a beautiful melodic improvisation
and I picked up my melodica and walked out of the room with it into the
large, high ceilinged coffee shop which was adjacent (sp?) to the concert
room at the San Jose Museum of Art.  The reason I left was literally to
quickly figure out what scale
Michael and Steve were in.  As soon as I had it figured out, I noticed that
the room had a beautiful long natural reverb in it so I started playing my
melodica solo very loudly in the outside room.   The sound, amplified by the
natural long reverb of the room drifted back in and I slowly strolled back
in playing loudly and acoustically (because the basses were amplified).   I
had a kind of a parisian musette melancholy vibe going on and the
juxtaposition of the unamplified melodica and the exquisite two fretless
basses was very evocative.    It was a really magical moment for me and the
highlight, emotionally, of the whole tour.

There were times with these brilliant musicians where I felt that I had died
and gone to heaven.  I'm very greatful to have had the chance to play with
awesome talents of Steve Lawson, Michael Manring and Max Valentino and felt
very sad that the tour was over today.

The good news is that Si Moorhead and the folks at Imprint Audio are busily
working on the tapes of the last three shows and Bob Cain is also working on
editing his proprietary binaural recordings of all five shows.  Everything
that I've heard so far sounds fabulous and I can highly recommend your
contacting these brilliant and service oriented folks if you folks have any
mobile recording needs to be met.  Just write me and I"ll connect you.

thanks for asking Tim.   Yours,  Rick

From Loopers-Delight-request@loopers-delight.com  Thu Jul 12 04:21:45 2001
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From: "John Dixon/Peggy Piacenza" <pj@gateway.net>
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Subject: new kid...
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Just signed on - and I'm looking to buy an echoplex - any suggestions where online to get the best price?  I'm
setting up some gear to work in a studio space in Seattle as an open-door improv performance lab and am
thinking the echoplex would be a great tool.  Any off-the-cuff suggestions?

thanks...

john dixon

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<DIV><FONT face=3DArial size=3D2>Just signed on - and I'm looking to buy =
an echoplex=20
- any suggestions where online to get the best price?&nbsp; I'm setting =
up some=20
gear to work in a studio space in Seattle as an open-door improv =
performance lab=20
and am thinking the echoplex would be a great tool.&nbsp; Any =
off-the-cuff=20
suggestions?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>thanks...</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>john dixon</FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu Jul 12 04:29:36 2001
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Subject: Martini skewers, Alligator Clips and Capoes, Oh My!!!
Date: Thu, 12 Jul 2001 01:28:24 -0700
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lance g. wrote:

"i've been listening to the KPIG archive webcast, and i must say i'm totally
blown away by you guys! makes me very sorry to have missed the shows...i do
have a technical question for you rick: what gear did you have with you for
that interview? in particular, there were some really lovely tapped and/or
thrummed and reverberated tones in your piece (layed over the groovy
syncopated
gamelan-like bed), starting around 9:50 or so...did your signal go through
anything particularly exotic, or was that just your superlative
alligator-clip
& martini stick technique? oh, and what did you mix through?"


I was just using a line 6 pedal with my bass capoed up as high as it would
go,  alligator clips randomly placed on the strings and then malleting with
these awesome martini skewers that I found that have large translucent blue
tiki heads on the ends of them.
When I play hammered/bowed/slide mandolin (the only kind of mandolin I play,
unfortunatetly)  I can use these skewers as
hammers with very good multiple bounce capabilites or I can use them as mini
'slides'.  They are awesome and I got them at a trendy
retro kitsch store in Santa Cruz for $2.50 for a set of 8.

I relied a lot on the line 6 modellers' wonderful backwards/forwards/half
speed/double speed characteristics to create parts that
were an octave higher or lower.  Using this technique, I play a normal
rhythmic ostinato, half the speed and then play a skeletal
double speed rhythm to the slowed down rhythm.  By bumping it back to normal
speed, I now have a rhythmic line that is
twice as vast and an octave higher.............instant abstract drum and
bass ;-)

Steve Lawson used a line 6 pedal also and his very cool Lexicon guitar
effects processor.  I thought I had the line 6 pedal wired until I saw him
play and get all of the extraordinarily wierd effects out of his.  He
doesn't even use an expression pedal.....what an inspration.   Max, I
believe, was also using an aligatored bass through a Line 6 on that piece.
I started the piece for about 30 seconds, Steve joined for a minute or so
and Max finally entered.  It came out really cool........kind of a psychotic
gamelan feel, don't you think?

yours,  Rick (loop.pool)

From Loopers-Delight-request@loopers-delight.com  Thu Jul 12 04:31:41 2001
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Subject: Re: Octophonic sound system
In-Reply-To: <007501c10aa2$72a85a20$0201a8c0@stephen>
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  -Just wanted to add that Telarc has a pretty extensive catalog of DTS-5.1
titles.  -And, last year, Mike Oldfield's Tubular Bells was remastered for
DTS-5.1 as well.  As for eight channels, certainly, not many will have
capable systems yet,  but the friend I spoke of also creates mixes for
stereo, and I believe, both 5.1 and 6  channel systems as well.

  -And, in a somewhat different and much more immediately accessible form
of octophonic playback, there's apparently  an album from a band whose name
I unfortunatley can't remember at the moment, which consists of four CDs
which are all played back ALMOST simultaneously on four separate stereo
systems.  It's apparently quite the collector's item lately.  People have
parties based around it.  
    

Smiles,

The Damsel Deity

At 08:15 AM 7/12/01 +0100, you wrote:
>"James Hines" <jth3@webtv.net> put forth:
>
>>      As a recording medium, however, I would limit myself to either good
>> old stereo - or at most - a five channel surround system.
>
>Bingo, James - remember however that while the technology for DVD Audio is
>with us, there's no content out there to speak of, and therefore no
>awareness nor demand.  I was at DVD Europe a few months ago (as cartoonist
>for Medialine News, my sole paying job) and got a chance to talk to a load
>of people in this biz.  There's still a lot of debate on the value of DVD
>Audio, but it's primarily because the manufacturers/distributors over here
>want to concentrate on the video content, as if to not distract the consumer
>and collapse the market.  Yeah, typical paranoia - but most folks still do
>think that DVD means "Digital Video Disk", when the "V" is actually for
>"Versatile".
>
>Audio Source Tracks for DVD: Notes for Producers
>http://www.dolby.com/tech/l.in.9901.audiosource.html
>
>Making the Most of Audio Source Tracks for DVD
>http://www.dolby.com/digital/l.in.9901.makingthemost.html
>
>The above are from Dolby's "Tech" page at http://www.dolby.com/tech/
>
>But wait!  There's more!
>
>>        In all reality, unless you listen to music sitting in the third
>> point of an equilateral triangle with two stereo speakers, you are still
>> better off listening to music in MONO.
>
>Ugh, I disagree, Homeboy!  Even in a car one can tell the difference between
>mono and stereo.  Have you ever investigated the idea of three-channel?
>Brian Eno put the setup for such a thing in the liner notes for "On Land",
>which alas are in storage with my vinyl in LA - but essentially it's such
>that you have a single speaker that's lower-impedance than your pair of
>other speakers, connected up so that one terminal is on the Left -, and the
>other on Right +.  What one gets out of that speaker is a "subtracted"
>sound, as he put it.  In combination with two speakers however, this
>produces a more "3D" result.  Eno wasn't the first to exploit this, though.
>The original release of Alice Cooper's "Welcome to My Nightmare" concert
>film in a select few theaters (before it hit the midnight circuit) used this
>same setup, with the third speaker in the back.  It was quite cheap to
>implement, and only required a third speaker and amp, and the wires to hook
>it up.
>
>>        But if you MUST have more than stereo, many people ( Maybe a full
>> 5% of the population ?) in this country are now able to listen to music
>> back on a five channel surround system.
>
>Just about everyone who has a DVD player that's more than a PlayStation 2
>has it hooked up to a Surround-capable stereo system.  That would be nearly
>30% according to several folks I talked to at DVD Europe.  This is called an
>embryonic market, but as they all do, this will grow.  Warner Bros. (Satan's
>record company) just released a bunch of stuff on DVD Audio for the first
>time.  I think DVD Audio may well make for a richer listening experience,
>and provide a number of us on this list with some real money once it kicks
>in.  It's not just positive thinking to say "it's just a matter of time",
>and not much time at that.
>
>In closing it should also be remembered that both AC3 and 5.1 Surround are
>also playable on PCs for very little money, and that it's mainly the
>encoding right now that is expensive.  Someone's going to figure out how to
>make it cheaper, because I think a lot of producers and musicians really
>want to exploit this medium, for home AND theater use (and that includes
>Soundtracks too).
>
>Stephen Goodman
>http://www.earthlight.net/Gallery_Front.html - Cartoons & Illustrations
>http://www.earthlight.net/Studios * The free Loop of the Week!
>http://www.live365.com/stations/218194 * EarthLight Online / Live!
>
>


---

  "The only things I really think are important, are love, and eachother.
-Then, anything is possible..."


From Loopers-Delight-request@loopers-delight.com  Thu Jul 12 04:32:56 2001
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John,
These details came from our sales guy over there in the USA:-
East Coast...Alto Music in Middletown, NY # 845-692-6922

Midwest...Sweetwater Sound in Ft Wayne, In # 800-222-4700

West Coast...LA Music Service (just outside of Los Angeles, CA) #
310-787-0123

It's a start,

Andy

-----Original Message-----
From: John Dixon/Peggy Piacenza [mailto:pj@gateway.net]
Sent: 12 July 2001 09:23
To: Loopers-Delight@loopers-delight.com
Subject: new kid...


Just signed on - and I'm looking to buy an echoplex - any suggestions where
online to get the best price?  I'm setting up some gear to work in a studio
space in Seattle as an open-door improv performance lab and am thinking the
echoplex would be a great tool.  Any off-the-cuff suggestions?
 
thanks...
 
john dixon


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<DIV>
<DIV><SPAN class=110222908-12072001><FONT 
color=#800000><STRONG>John,</STRONG></FONT></SPAN></DIV>
<DIV><SPAN class=110222908-12072001><STRONG><FONT color=#800000>These details 
came from our sales guy over there in the USA:-</FONT></STRONG></SPAN></DIV>
<DIV><SPAN class=110222908-12072001><FONT color=#0000ff size=2>
<P>East Coast...Alto Music in Middletown, NY # 845-692-6922</P>
<P>Midwest...Sweetwater Sound in Ft Wayne, In # 800-222-4700</P>
<P>West Coast...LA Music Service (just outside of Los Angeles, CA) # 
310-787-0123</P>
<P><SPAN class=110222908-12072001><FONT color=#800000 size=3><STRONG>It's a 
start,</STRONG></FONT></SPAN></P>
<P><SPAN class=110222908-12072001><STRONG><FONT color=#800000 
size=3>Andy</FONT></STRONG></SPAN></P></FONT></SPAN></DIV></DIV>
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style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #800000 2px solid; MARGIN-RIGHT: 0px">
  <DIV class=OutlookMessageHeader dir=ltr align=left><FONT face=Tahoma 
  size=2>-----Original Message-----<BR><B>From:</B> John Dixon/Peggy Piacenza 
  [mailto:pj@gateway.net]<BR><B>Sent:</B> 12 July 2001 09:23<BR><B>To:</B> 
  Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> new 
  kid...<BR><BR></FONT></DIV>
  <DIV><FONT face=Arial size=2>Just signed on - and I'm looking to buy an 
  echoplex - any suggestions where online to get the best price?&nbsp; I'm 
  setting up some gear to work in a studio space in Seattle as an open-door 
  improv performance lab and am thinking the echoplex would be a great 
  tool.&nbsp; Any off-the-cuff suggestions?</FONT></DIV>
  <DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
  <DIV><FONT face=Arial size=2>thanks...</FONT></DIV>
  <DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
  <DIV><FONT face=Arial size=2>john dixon</FONT></DIV></BLOCKQUOTE></BODY></HTML>

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Date: Thu, 12 Jul 2001 09:07:51 EDT
Subject: Re: QUEERY:   What samplers are out there let you record and instantaneously play back from a keyboard
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>Is anyone aware of a sampler (preferably inexpensive) that allows you to
>sample an instrument and, instantaneously play that sample live from a
>keyboard.
edp, without pitch-mapping.
repeater, with pitch-mapping.
dt / s-c

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r,
pronounced 'queer-y';
actual spelling is 'query'.
fyi.
dt / s-c

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Very interesting. I want to hear it too! But where? Where I can get to this
KPIG archive broadcast???

Kevin

> lance g. wrote:
>
> "i've been listening to the KPIG archive webcast, and i must say
> i'm totally
> blown away by you guys! makes me very sorry to have missed the
> shows...i do
> have a technical question for you rick: what gear did you have
> with you for
> that interview? in particular, there were some really lovely tapped and/or
> thrummed and reverberated tones in your piece (layed over the groovy
> syncopated
> gamelan-like bed), starting around 9:50 or so...did your signal go through
> anything particularly exotic, or was that just your superlative
> alligator-clip
> & martini stick technique? oh, and what did you mix through?"
>
>
> I was just using a line 6 pedal with my bass capoed up as high as it would
> go,  alligator clips randomly placed on the strings and then
> malleting with
> these awesome martini skewers that I found that have large
> translucent blue
> tiki heads on the ends of them.
> When I play hammered/bowed/slide mandolin (the only kind of
> mandolin I play,
> unfortunatetly)  I can use these skewers as
> hammers with very good multiple bounce capabilites or I can use
> them as mini
> 'slides'.  They are awesome and I got them at a trendy
> retro kitsch store in Santa Cruz for $2.50 for a set of 8.
>
> I relied a lot on the line 6 modellers' wonderful backwards/forwards/half
> speed/double speed characteristics to create parts that
> were an octave higher or lower.  Using this technique, I play a normal
> rhythmic ostinato, half the speed and then play a skeletal
> double speed rhythm to the slowed down rhythm.  By bumping it
> back to normal
> speed, I now have a rhythmic line that is
> twice as vast and an octave higher.............instant abstract drum and
> bass ;-)
>
> Steve Lawson used a line 6 pedal also and his very cool Lexicon guitar
> effects processor.  I thought I had the line 6 pedal wired until I saw him
> play and get all of the extraordinarily wierd effects out of his.  He
> doesn't even use an expression pedal.....what an inspration.   Max, I
> believe, was also using an aligatored bass through a Line 6 on that piece.
> I started the piece for about 30 seconds, Steve joined for a minute or so
> and Max finally entered.  It came out really cool........kind of
> a psychotic
> gamelan feel, don't you think?
>
> yours,  Rick (loop.pool)
>

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<html><DIV>
<P></P><BR>
<DIV>Hi Rick,&nbsp; I have a processing tool that takes the sounds of my synth,&nbsp; Roland D-50, and alters them then I sample or loop the sounds on an echoplex or jamman.&nbsp; Not sure if that's exactly what you were trying to do.&nbsp; The Korg sampler might do that.&nbsp; Om and Out&nbsp;&nbsp; Papa Dave </DIV></DIV>
<DIV>&nbsp;</DIV>
<DIV>
<P>&gt;Subject: QUEERY: What samplers are out there let you record and instantaneously play back from a keyboard </P></DIV>
<DIV></DIV>&gt;Date: Wed, 11 Jul 2001 14:22:04 -0700 
<DIV></DIV>&gt; 
<DIV></DIV>&gt;Is anyone aware of a sampler (preferably inexpensive) that allows you to 
<DIV></DIV>&gt;sample an instrument and, instantaneously play that sample live from a 
<DIV></DIV>&gt;keyboard. I am really interested in found sound and would love to be able 
<DIV></DIV>&gt;to create keyboard samples that an audience could see were being created and 
<DIV></DIV>&gt;then played in front of their faces by either a wind synth or a keyboard, 
<DIV></DIV>&gt; 
<DIV></DIV>&gt;thanks, Rick Walker (loop.pool) 
<DIV></DIV>&gt; 
<DIV></DIV><br clear=all><hr>Get your FREE download of MSN Explorer at <a href="http://explorer.msn.com">http://explorer.msn.com</a><br></p></html>

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Subject: RE: midwest  loop
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Yep, so far about 10 of us in the Heartland are planning a loop event.
Chicago seems to be the best central location as well as a great town to
hang in for a weekend. After the first event we'll arrange others in other
towns, hopefully most of the same participants will travel to Ohio,
Michigan, etc. We're trying to start a loop tour circuit.

But first Chicago, sometime in September.

openjam.todd

 

 

	-----Original Message-----
	From:	Eric Leonardson [SMTP:eleon@ripco.com]
	Sent:	Wednesday, July 11, 2001 3:04 PM
	To:	Todd Quincy; Loopers (E-mail)
	Subject:	Re: midwest  loop

	Dear Todd,

	I'm in Chicago but not sure what you're proposing by the term, 
	"secure location." Sounds like you're talking about a loop fest, 
	right?

	Best regards,
	Eric

	---------------------
	Upcoming Performances, Broadcasts, Etc.:

	Friday, July 13, 5:00--8:00 pm, opening trio performance with
Stephen 
	Boyer (invented instruments) and Laurie Lee Moses (saxophone) at 
	Fassbender van Straaten Gallery, for INTERFACE: EXPLORING 
	POSSIBILITIES. Address: 835 W. Washington. (312) 666-4302. 
	http://www.fassbendergallery.com/upcoming.html

	Friday, July 20, 10:00 pm, duo performance with Carol Genetti
(voice) 
	and the duo of Jonathan Chen (violin, electronics) and Jen Walshe 
	(voice), at the Nervous Center, 4612 N. Lincoln Ave. (773) 728-5010

	Friday, July 27, 9:00 pm, Dead CEO presents: Eric Leonardson, solo; 
	Carol Genetti (voice) and Fred Lonberg-Holm (cello), duo; Other 
	artists to be confirmed, at the Nervous Center, 4612 N. Lincoln Ave.

	(773) 728-5010

	Tuesday, July 31, 8:00 pm, trio performance with Hal Rammel
(invented 
	instruments), Eric Leonardson (invented instruments), Michael Zerang

	(percussion) at the Candlestick Maker, 4432 N. Kedzie, (773) 
	463-0158).

	New on Compact Disc: Winter Construction (dceo003)
	A compilation of Chicago artists with accompanying zine... available

	on-line at Dead CEO: http://www.deadceo.com/

	Visit the High Zero 2000 documentation web site, "images, sound and 
	video samples from...the High Zero festival of experimental 
	improvised music, September 21 - 24 in Baltimore...34 amazing 
	improvisers from Europe, North America and our own Baltimore.": 
	
http://www.highzero.org/festival_documentation/highzero2000documentati 
	on/index.htm

	Eric Leonardson web pages: http://pages.ripco.net/~eleon

------_=_NextPart_001_01C10ADE.903849B0
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 3.2//EN">
<HTML>
<HEAD>
<META HTTP-EQUIV=3D"Content-Type" CONTENT=3D"text/html; =
charset=3Diso-8859-1">
<META NAME=3D"Generator" CONTENT=3D"MS Exchange Server version =
5.5.2652.35">
<TITLE>RE: midwest  loop</TITLE>
</HEAD>
<BODY>

<P><FONT SIZE=3D2 FACE=3D"Arial">Yep, so far about 10 of us in the =
Heartland are planning a loop event. Chicago seems to be the best =
central location as well as a great town to hang in for a weekend. =
After the first event we'll arrange others in other towns, hopefully =
most of the same participants will travel to Ohio, Michigan, etc. We're =
trying to start a loop tour circuit.</FONT></P>

<P><FONT SIZE=3D2 FACE=3D"Arial">But first Chicago, sometime in =
September.</FONT>
</P>

<P><FONT SIZE=3D2 FACE=3D"Arial">openjam.todd</FONT>
</P>

<P><FONT SIZE=3D2 FACE=3D"Arial">&nbsp;</FONT>
</P>

<P><FONT SIZE=3D2 FACE=3D"Arial">&nbsp;</FONT>
</P>
<UL>
<P><A NAME=3D"_MailData"><FONT SIZE=3D2 FACE=3D"Arial">-----Original =
Message-----</FONT></A>
<BR><B><FONT SIZE=3D2 FACE=3D"Arial">From:&nbsp;&nbsp; Eric Leonardson =
[SMTP:eleon@ripco.com]</FONT></B>
<BR><B><FONT SIZE=3D2 FACE=3D"Arial">Sent:&nbsp;&nbsp;</FONT></B> <FONT =
SIZE=3D2 FACE=3D"Arial">Wednesday, July 11, 2001 3:04 PM</FONT>
<BR><B><FONT SIZE=3D2 =
FACE=3D"Arial">To:&nbsp;&nbsp;&nbsp;&nbsp;</FONT></B> <FONT SIZE=3D2 =
FACE=3D"Arial">Todd Quincy; Loopers (E-mail)</FONT>
<BR><B><FONT SIZE=3D2 =
FACE=3D"Arial">Subject:&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</FONT>=
</B> <FONT SIZE=3D2 FACE=3D"Arial">Re: midwest&nbsp; loop</FONT>
</P>

<P><FONT SIZE=3D2 FACE=3D"Courier New">Dear Todd,</FONT>
</P>

<P><FONT SIZE=3D2 FACE=3D"Courier New">I'm in Chicago but not sure what =
you're proposing by the term, </FONT>
<BR><FONT SIZE=3D2 FACE=3D"Courier New">&quot;secure location.&quot; =
Sounds like you're talking about a loop fest, </FONT>
<BR><FONT SIZE=3D2 FACE=3D"Courier New">right?</FONT>
</P>

<P><FONT SIZE=3D2 FACE=3D"Courier New">Best regards,</FONT>
<BR><FONT SIZE=3D2 FACE=3D"Courier New">Eric</FONT>
</P>

<P><FONT SIZE=3D2 FACE=3D"Courier New">---------------------</FONT>
<BR><FONT SIZE=3D2 FACE=3D"Courier New">Upcoming Performances, =
Broadcasts, Etc.:</FONT>
</P>

<P><FONT SIZE=3D2 FACE=3D"Courier New">Friday, July 13, 5:00--8:00 pm, =
opening trio performance with Stephen </FONT>
<BR><FONT SIZE=3D2 FACE=3D"Courier New">Boyer (invented instruments) =
and Laurie Lee Moses (saxophone) at </FONT>
<BR><FONT SIZE=3D2 FACE=3D"Courier New">Fassbender van Straaten =
Gallery, for INTERFACE: EXPLORING </FONT>
<BR><FONT SIZE=3D2 FACE=3D"Courier New">POSSIBILITIES. Address: 835 W. =
Washington. (312) 666-4302. </FONT>
<BR><FONT SIZE=3D2 FACE=3D"Courier New"><A =
HREF=3D"http://www.fassbendergallery.com/upcoming.html" =
TARGET=3D"_blank">http://www.fassbendergallery.com/upcoming.html</A></FO=
NT>
</P>

<P><FONT SIZE=3D2 FACE=3D"Courier New">Friday, July 20, 10:00 pm, duo =
performance with Carol Genetti (voice) </FONT>
<BR><FONT SIZE=3D2 FACE=3D"Courier New">and the duo of Jonathan Chen =
(violin, electronics) and Jen Walshe </FONT>
<BR><FONT SIZE=3D2 FACE=3D"Courier New">(voice), at the Nervous Center, =
4612 N. Lincoln Ave. (773) 728-5010</FONT>
</P>

<P><FONT SIZE=3D2 FACE=3D"Courier New">Friday, July 27, 9:00 pm, Dead =
CEO presents: Eric Leonardson, solo; </FONT>
<BR><FONT SIZE=3D2 FACE=3D"Courier New">Carol Genetti (voice) and Fred =
Lonberg-Holm (cello), duo; Other </FONT>
<BR><FONT SIZE=3D2 FACE=3D"Courier New">artists to be confirmed, at the =
Nervous Center, 4612 N. Lincoln Ave. </FONT>
<BR><FONT SIZE=3D2 FACE=3D"Courier New">(773) 728-5010</FONT>
</P>

<P><FONT SIZE=3D2 FACE=3D"Courier New">Tuesday, July 31, 8:00 pm, trio =
performance with Hal Rammel (invented </FONT>
<BR><FONT SIZE=3D2 FACE=3D"Courier New">instruments), Eric Leonardson =
(invented instruments), Michael Zerang </FONT>
<BR><FONT SIZE=3D2 FACE=3D"Courier New">(percussion) at the Candlestick =
Maker, 4432 N. Kedzie, (773) </FONT>
<BR><FONT SIZE=3D2 FACE=3D"Courier New">463-0158).</FONT>
</P>

<P><FONT SIZE=3D2 FACE=3D"Courier New">New on Compact Disc: Winter =
Construction (dceo003)</FONT>
<BR><FONT SIZE=3D2 FACE=3D"Courier New">A compilation of Chicago =
artists with accompanying zine... available </FONT>
<BR><FONT SIZE=3D2 FACE=3D"Courier New">on-line at Dead CEO: <A =
HREF=3D"http://www.deadceo.com/" =
TARGET=3D"_blank">http://www.deadceo.com/</A></FONT>
</P>

<P><FONT SIZE=3D2 FACE=3D"Courier New">Visit the High Zero 2000 =
documentation web site, &quot;images, sound and </FONT>
<BR><FONT SIZE=3D2 FACE=3D"Courier New">video samples from...the High =
Zero festival of experimental </FONT>
<BR><FONT SIZE=3D2 FACE=3D"Courier New">improvised music, September 21 =
- 24 in Baltimore...34 amazing </FONT>
<BR><FONT SIZE=3D2 FACE=3D"Courier New">improvisers from Europe, North =
America and our own Baltimore.&quot;: </FONT>
<BR><FONT SIZE=3D2 FACE=3D"Courier New"><A =
HREF=3D"http://www.highzero.org/festival_documentation/highzero2000docum=
entati" =
TARGET=3D"_blank">http://www.highzero.org/festival_documentation/highzer=
o2000documentati</A> </FONT>
<BR><FONT SIZE=3D2 FACE=3D"Courier New">on/index.htm</FONT>
</P>

<P><FONT SIZE=3D2 FACE=3D"Courier New">Eric Leonardson web pages: <A =
HREF=3D"http://pages.ripco.net/~eleon" =
TARGET=3D"_blank">http://pages.ripco.net/~eleon</A></FONT>
</P>
</UL>
</BODY>
</HTML>
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Hi Rick-

The Casio CS-1 will also allow this, and can be easily had for around
$15.  I think it gives you 2 or 2.5 seconds of sample time.  Sorry I
missed the Big Sur gig; I was up too late the night before and couldn't
convince anyone to drive.

-Hans


>   The older Roland S-10 sampler could do this.  The sample time was a
> bit
> small, but I think it could be quite workable.  Rick, glad to see ya
> back!
> Congratulations on the tour!
>
> Smiles,
>
> G-Girl
>
> At 02:22 PM 7/11/01 -0700, you wrote:
> >Is anyone aware of a sampler (preferably inexpensive) that allows you
> to
> >sample an instrument and, instantaneously play that sample live from
> a
> >keyboard.    I am really interested in found sound and would love to
> be able
> >to create keyboard samples that an audience could see were being
> created and
> >then played in front of their faces by either a wind synth or a
> keyboard,
> >
> >thanks,  Rick Walker (loop.pool)
>

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<div WRAP>Hi Rick-</div>

<div WRAP></div>


<p WRAP>The Casio CS-1 will also allow this, and can be easily had for
around $15.&nbsp; I think it gives you 2 or 2.5 seconds of sample time.&nbsp;
Sorry I missed the Big Sur gig; I was up too late the night before and
couldn't convince anyone to drive.
<div WRAP></div>


<p WRAP>-Hans
<div WRAP></div>&nbsp;

<blockquote TYPE=CITE>
<pre WRAP>&nbsp; The older Roland S-10 sampler could do this.&nbsp; The sample time was a bit
small, but I think it could be quite workable.&nbsp; Rick, glad to see ya back!
Congratulations on the tour!&nbsp;&nbsp;

Smiles,

G-Girl

At 02:22 PM 7/11/01 -0700, you wrote:
>Is anyone aware of a sampler (preferably inexpensive) that allows you to
>sample an instrument and, instantaneously play that sample live from a
>keyboard.&nbsp;&nbsp;&nbsp; I am really interested in found sound and would love to be able
>to create keyboard samples that an audience could see were being created and
>then played in front of their faces by either a wind synth or a keyboard,
>
>thanks,&nbsp; Rick Walker (loop.pool)
</pre>
</blockquote>

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From Loopers-Delight-request@loopers-delight.com  Thu Jul 12 10:37:29 2001
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Subject: Re: Octophonic sound system
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Goddess wrote:

>   -And, in a somewhat different and much more immediately accessible form
> of octophonic playback, there's apparently  an album from a band whose name
> I unfortunatley can't remember at the moment, which consists of four CDs
> which are all played back ALMOST simultaneously on four separate stereo
> systems.  It's apparently quite the collector's item lately.  People have
> parties based around it.
>

This would be Zariika (spelling?) by the wonderful Flaming Lips.

Pining for the days when everyone would gather around
the phonograph listening to the newest Beatles release, they created &
released this set.  All together now...  ;)

My friend has a copy, but we have yet to give it a go...

later,
-jas
Albuquerque


From Loopers-Delight-request@loopers-delight.com  Thu Jul 12 10:43:01 2001
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Subject: Re: QUEERY:   What samplers are out there let you record and instantaneously play back from a keyboard
Date: Thu, 12 Jul 2001 09:38:33 -0500
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Hey, Rick, interesting that you should mention this.  I've been think of
building something like this for my Kyma system.  Sort of an "Instantique
Musique Concrete", eh?

Here's the interface I've been thinking about so far -

1) The beast is controlled via a standard MIDI keyboard.  (Velocity sensing
is not necessary; it can be a cheapy.)  The lowest key functions as a
RECORD/OVERDUB enable.  The next to the lowest key functions as a CLEAR.
The other keys control particular loops.

2) You record to a particular key (or loop), say middle C, by holding down
the RECORD/OVERDUB key and pressing the key, middle C in this example.  You
record as long as the key is held.  Each key "holds" its own loop.

3) After releasing the RECORD/OVERDUB key, whenenver you press middle C, the
loop plays back.

4) If a key already "contains" a loop, when you hold RECORD/OVERDUB and
press the key again, you overdub onto the loop.  The loop length remains
unchanged.

5) The next lowest key functions as a CLEAR.  You hold it down and press
another key to erase the loop recorded to that key.

6) It's polyphonic so you can play back multiple loops.

Sound like fun?  Any comments are welcome.  For example, when triggering
loop play back, should the recording playback (and loop) only while a key is
held down?  Or should a press-and-release trigger playback of the entire
loop?

Dennis Leas
-------------------
dennis@mdbs.com


----- Original Message -----
From: "Rick Walker (loop.pool)" <GLOBAL@cruzio.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, July 11, 2001 4:22 PM
Subject: QUEERY: What samplers are out there let you record and
instantaneously play back from a keyboard


> Is anyone aware of a sampler (preferably inexpensive) that allows you to
> sample an instrument and, instantaneously play that sample live from a
> keyboard.    I am really interested in found sound and would love to be
able
> to create keyboard samples that an audience could see were being created
and
> then played in front of their faces by either a wind synth or a keyboard,
>
> thanks,  Rick Walker (loop.pool)
>

From Loopers-Delight-request@loopers-delight.com  Thu Jul 12 11:27:21 2001
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Subject: Re: QUEERY: What samplers are out there let you record and instantaneously play back from a keyboard
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Wow, that sounds like it could be immensely useful! How would the loop 
length be determined for each key? Would it be the duration that you're 
holding it down?

Also, would there be a setting so that overdubbing on a key replaces the 
original track? Perhaps an expression pedal or a slider?

Matt


>From: "Dennis Leas" <dennis@mdbs.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: <Loopers-Delight@loopers-delight.com>
>Subject: Re: QUEERY:   What samplers are out there let you record and 
>instantaneously play back from a keyboard
>Date: Thu, 12 Jul 2001 09:38:33 -0500
>
>Hey, Rick, interesting that you should mention this.  I've been think of
>building something like this for my Kyma system.  Sort of an "Instantique
>Musique Concrete", eh?
>
>Here's the interface I've been thinking about so far -
>
>1) The beast is controlled via a standard MIDI keyboard.  (Velocity sensing
>is not necessary; it can be a cheapy.)  The lowest key functions as a
>RECORD/OVERDUB enable.  The next to the lowest key functions as a CLEAR.
>The other keys control particular loops.
>
>2) You record to a particular key (or loop), say middle C, by holding down
>the RECORD/OVERDUB key and pressing the key, middle C in this example.  You
>record as long as the key is held.  Each key "holds" its own loop.
>
>3) After releasing the RECORD/OVERDUB key, whenenver you press middle C, 
>the
>loop plays back.
>
>4) If a key already "contains" a loop, when you hold RECORD/OVERDUB and
>press the key again, you overdub onto the loop.  The loop length remains
>unchanged.
>
>5) The next lowest key functions as a CLEAR.  You hold it down and press
>another key to erase the loop recorded to that key.
>
>6) It's polyphonic so you can play back multiple loops.
>
>Sound like fun?  Any comments are welcome.  For example, when triggering
>loop play back, should the recording playback (and loop) only while a key 
>is
>held down?  Or should a press-and-release trigger playback of the entire
>loop?
>
>Dennis Leas
>-------------------
>dennis@mdbs.com
>
>
>----- Original Message -----
>From: "Rick Walker (loop.pool)" <GLOBAL@cruzio.com>
>To: <Loopers-Delight@loopers-delight.com>
>Sent: Wednesday, July 11, 2001 4:22 PM
>Subject: QUEERY: What samplers are out there let you record and
>instantaneously play back from a keyboard
>
>
> > Is anyone aware of a sampler (preferably inexpensive) that allows you to
> > sample an instrument and, instantaneously play that sample live from a
> > keyboard.    I am really interested in found sound and would love to be
>able
> > to create keyboard samples that an audience could see were being created
>and
> > then played in front of their faces by either a wind synth or a 
>keyboard,
> >
> > thanks,  Rick Walker (loop.pool)
> >
>

_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Thu Jul 12 11:42:58 2001
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> Wow, that sounds like it could be immensely useful! How would the loop 
> length be determined for each key? Would it be the duration that you're 
> holding it down?

Yes, exactly.

> Also, would there be a setting so that overdubbing on a key replaces the 
> original track? Perhaps an expression pedal or a slider?

That's a good idea!  I can do that so long as it's a MIDI CC pedal.

Dennis Leas
-------------------
dennis@mdbs.com

From Loopers-Delight-request@loopers-delight.com  Thu Jul 12 11:45:17 2001
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>>Wow, that sounds like it could be immensely useful! How would the loop
>>length be determined for each key? Would it be the duration that you're
>>holding it down?

There are many samplers that support this ... it's called keymapping ...
although, the only models I know that do this are the higher end samplers by
EMU, Yamaha, and Akai, plus applications like Gigasampler. Some allow you to
pick a key range for the transpose to occur. I even think the Ensoniq ASR-X
supports this on it's small keypad. The samplers deal with the velocity
information of the sample once it's mapped.

The Ensoniq ASR-X and Yamaha SU700 allow real-time sampling with instant
playback. I'm not sure about the ASR-X, but the SU700 does not allow
real-time sampling when the sequencer is running though, so it takes it out
of contention as a true looping device. If you were looking for one-shot
hits, then it would work.

From Loopers-Delight-request@loopers-delight.com  Thu Jul 12 11:56:35 2001
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Subject: Re: QUEERY: What samplers are out there let you record and instantaneously play back from a keyboard
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> The Ensoniq ASR-X and Yamaha SU700 allow real-time sampling with instant
> playback.

I don't use keyboards very much so I'm kind of ignorant on how you operate
the sampling keyboards.  After you make an initial sample, how do you
overdub more sound to the sample?

Dennis Leas
-------------------
dennis@mdbs.com

From Loopers-Delight-request@loopers-delight.com  Thu Jul 12 12:04:26 2001
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Subject: Re: Bleen there, dlone that
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Voila, the votex manual (hey, check out that link! ;-)

http://www.loopers-delight.com/tools/vortex/vortexman.html

----- Original Message -----
From: "Bret" <echoplex@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, July 12, 2001 3:56 AM
Subject: Bleen there, dlone that


> Gareth,
> You should get a vortex manual which describes each patch,
describes
> the varable parameters, and shows a block diagram of the
patch.
>
> There are 2 bleens - Bleen A, and Bleen B.
>
> Brief descriptions Per the manual (pages 54, 55)
> 15 Bleen A
> Bleen A has a stereo resonator feeding a stereo amplitude
modulator,
> which is, in turn sent to both the outputs and the inputs of a
cascaded
> echo.  The output of the cascaded echoes is sent to an
auto-panner
> before it too is sent to the outputs.
> 15 Bleen B
> Bleen B is configured as two parallel effects.  One has stereo
envelope
> detune, and the other has a unique echo configuration with
feedback AM.
>
> You really need to see the diagrams to emulate the patch.
Email me
> privately if you want me to scan them and email the pages to
you.
> bret
> --- whiteoakstudios <whiteoakstudios@supanet.com> wrote:
> >
> > Ok so far I've found out the following:-
> >
> > 'Bleen B is an echo diving into ring modulation '
> > and
> > 'Bleen, a ring modulator that decays into tremelo'
> >
> > Is it either/both/neither ?
> > I'm interested in emulating the effect using Kyma so I need
to
> > understand
> > what's going on here.
> >
> > Thanks,
> >
> > Gareth
> >
> >
> > >
> > > bleen is a 'morphing'-preset on lexicon's vortex, a
1-rack-space
> > delay(&
> > > modulation)-based processor, no longer produced.
> > > dt / s-c
> > >
> >
>
>
> __________________________________________________
> Do You Yahoo!?
> Get personalized email addresses from Yahoo! Mail
> http://personal.mail.yahoo.com/
>

From Loopers-Delight-request@loopers-delight.com  Thu Jul 12 12:06:25 2001
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Subject: OT:OT:OT:Re: tesla questions (feedback mics/gtr)
Date: Thu, 12 Jul 2001 12:01:23 -0400
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Forsooth!  I've never used a sustainiac or a stealth plus, but I
thought I recalled reading a ways back that the magnetically
induced sustain could also be used to generate controllable
feedback, and it was in that context that I queried.  Verily.

Anywho, this is utterly fascinating to me.  I wasn't aware that
guitar mounted microphones (as opposed to pickups) were being
used for these purposes, although it makes sense.

I did a number of searches on the web and waded through a slew
of pages describing the importance of eliminating feedback in
microphones, but no luck turning up any evidence of the
equipment you describe.

Can anyone point to any links that may have more info on this?

As far as listening to artists who use this stuff, I'd love to!
Offhand, I'm not aware of any who I know use feedback
microphones on their guitar (apart from yourself, obviously),
and I suspect the ones who do, may neglect to mention this in
the album credits.  Can anyone recommend any?

Thanks!

Mike

----- Original Message -----
From: <Hedewa7@aol.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, July 10, 2001 11:41 PM
Subject: OT:OT:OT:Re: tesla questions (feedback mics/gtr)


> mlameyer@rcn.com writes:
> >How would you characterize the
> >primary differences (in terms of application and performance
> >dynamics, etc)  between this approach to feedback generation
and
> >something like the sustainiac?
> i wouldn't.
> (smirks)
> no, it's nothing like a 'sustainer' --- that doesn't really
interest me.
> i use microphones for *feedback*, directly thru the 'guitar'
rig.
> #1 mic is a saltshaker: a peculiarly focussed set of 'tones'.
> #2 (new one, for me, on the tesla) sounds like an old
tele-pickup, squealing.
>
> >Or links with more info?
> rather try it, or listen to music that uses this kinda stuff.
> best,
> dt / s-c
>


From Loopers-Delight-request@loopers-delight.com  Thu Jul 12 12:07:20 2001
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From: jim palmer <jimp@pobox.com>
Subject: Re: Bleen here before
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i have a vortex and a kyma.
i would be interested in emulating this effect as well,
but i'm new to the kyma.  if you hook me up with your
sound, i'll compare it to the original.

off the top of my head, i'm thinking bleenb is
a pitch shifter detune into a tapped delay with the 
delay feedback going through an amplitude modulator.

i can also dig up the vortex manual if you need...

> 
> Ok so far I've found out the following:-
> 
> 'Bleen B is an echo diving into ring modulation '
> and
> 'Bleen, a ring modulator that decays into tremelo'
> 
> Is it either/both/neither ?
> I'm interested in emulating the effect using Kyma so I need to understand
> what's going on here.
> 
> Thanks,
> 
> Gareth
> 
> 


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From: Doug Lawrence <dlawren@pacbell.net>
Subject: Line 6 FM4 Filter Modeler
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Anybody get a change to check the FM4 out for a while in person? (especially
with bass) In a thread a while back some people were unimpressed, but this
was based on the Line 6 website's sound files.

From Loopers-Delight-request@loopers-delight.com  Thu Jul 12 12:13:51 2001
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From: "max valentino" <ekstasis1@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: RE: Martini skewers, Alligator Clips and Capoes, Oh My!!!
Date: Thu, 12 Jul 2001 16:11:21 
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Kevin...
go to www.talkbass.com and there is "Tour Journal" that we all ran while on 
tour posted there, and a link to the KPIG archive (with, I just found out, a 
web video stream too!)
Max Valentino


>From: "Kevin Mulvihill" <kmulvihill@mediaone.net>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: <Loopers-Delight@loopers-delight.com>
>Subject: RE: Martini skewers, Alligator Clips and Capoes, Oh My!!!
>Date: Thu, 12 Jul 2001 06:25:50 -0700
>
>Very interesting. I want to hear it too! But where? Where I can get to this
>KPIG archive broadcast???
>
>Kevin
>
> > lance g. wrote:
> >
> > "i've been listening to the KPIG archive webcast, and i must say
> > i'm totally
> > blown away by you guys! makes me very sorry to have missed the
> > shows...i do
> > have a technical question for you rick: what gear did you have
> > with you for
> > that interview? in particular, there were some really lovely tapped 
>and/or
> > thrummed and reverberated tones in your piece (layed over the groovy
> > syncopated
> > gamelan-like bed), starting around 9:50 or so...did your signal go 
>through
> > anything particularly exotic, or was that just your superlative
> > alligator-clip
> > & martini stick technique? oh, and what did you mix through?"
> >
> >
> > I was just using a line 6 pedal with my bass capoed up as high as it 
>would
> > go,  alligator clips randomly placed on the strings and then
> > malleting with
> > these awesome martini skewers that I found that have large
> > translucent blue
> > tiki heads on the ends of them.
> > When I play hammered/bowed/slide mandolin (the only kind of
> > mandolin I play,
> > unfortunatetly)  I can use these skewers as
> > hammers with very good multiple bounce capabilites or I can use
> > them as mini
> > 'slides'.  They are awesome and I got them at a trendy
> > retro kitsch store in Santa Cruz for $2.50 for a set of 8.
> >
> > I relied a lot on the line 6 modellers' wonderful 
>backwards/forwards/half
> > speed/double speed characteristics to create parts that
> > were an octave higher or lower.  Using this technique, I play a normal
> > rhythmic ostinato, half the speed and then play a skeletal
> > double speed rhythm to the slowed down rhythm.  By bumping it
> > back to normal
> > speed, I now have a rhythmic line that is
> > twice as vast and an octave higher.............instant abstract drum and
> > bass ;-)
> >
> > Steve Lawson used a line 6 pedal also and his very cool Lexicon guitar
> > effects processor.  I thought I had the line 6 pedal wired until I saw 
>him
> > play and get all of the extraordinarily wierd effects out of his.  He
> > doesn't even use an expression pedal.....what an inspration.   Max, I
> > believe, was also using an aligatored bass through a Line 6 on that 
>piece.
> > I started the piece for about 30 seconds, Steve joined for a minute or 
>so
> > and Max finally entered.  It came out really cool........kind of
> > a psychotic
> > gamelan feel, don't you think?
> >
> > yours,  Rick (loop.pool)
> >
>

_________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Thu Jul 12 12:23:23 2001
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Subject: RE: QUEERY: What samplers are out there let you record and
 instantaneously play back from a keyboard
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These type of units are really just sample playback units, so once you place
the first sample, you wouldn't be able to "overdub". Although you could arm
multiple samples and fade from one to the other on the SU700 since each
sample has a separate volume/effects control. But, you can have up to 8
"looped" samples (4 tracks x 2 loop pads) playing back in a sequence and
control some aspects of each independently.

The SU700 does not support keymapping though, but does support real-time
time stretch and a tool simply called "groove" which allows you to adjust
the timing, velocity, and gatetime of a sample. It can either change the
rhythmic feel of a sample drastically, or give percussive elements to a less
beat oriented sample. The "Roll" button can be nice if your doing Drum 'N
Bass or Jungle style music since it will slice of a defined quantized piece
(by note duration up to half note) of the sample and loop it back.


-----Original Message-----
From: Dennis Leas [mailto:dennis@mdbs.com]
Sent: Thursday, July 12, 2001 8:51 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: QUEERY: What samplers are out there let you record and
instantaneously play back from a keyboard


> The Ensoniq ASR-X and Yamaha SU700 allow real-time sampling with instant
> playback.

I don't use keyboards very much so I'm kind of ignorant on how you operate
the sampling keyboards.  After you make an initial sample, how do you
overdub more sound to the sample?

Dennis Leas
-------------------
dennis@mdbs.com

From Loopers-Delight-request@loopers-delight.com  Thu Jul 12 12:37:11 2001
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Not quite the same as a feedback mic, but Jim Thomas of the Mermen has his
strat(s) wired so that the midde pickup has its own dedicated output.  The
output goes to a volume pedal and overdrive so that he can conjure up
feedback at will, independently of the other two pickups.


At 12:01 PM 7/12/01 -0400, you wrote:
>
>As far as listening to artists who use this stuff, I'd love to!
>Offhand, I'm not aware of any who I know use feedback
>microphones on their guitar (apart from yourself, obviously),
>and I suspect the ones who do, may neglect to mention this in
>the album credits.  Can anyone recommend any?
>

From Loopers-Delight-request@loopers-delight.com  Thu Jul 12 12:57:05 2001
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Subject: trans trem ?
Date: Thu, 12 Jul 2001 18:52:47 +0200
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how do I recognize a Trans Trem from an S Trem by looking at it ?
thks
lu


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Subject: Re: Bleen there, done that - got the T shirt
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Good man Bret,
Thanks - sounds cool.

Gareth
> You should get a vortex manual which describes each patch, describes
> the varable parameters, and shows a block diagram of the patch.  
> 
> There are 2 bleens - Bleen A, and Bleen B.
> 
> Brief descriptions Per the manual (pages 54, 55)
> 15 Bleen A
> Bleen A has a stereo resonator feeding a stereo amplitude modulator,
> which is, in turn sent to both the outputs and the inputs of a cascaded
> echo.  The output of the cascaded echoes is sent to an auto-panner
> before it too is sent to the outputs.
> 15 Bleen B
> Bleen B is configured as two parallel effects.  One has stereo envelope
> detune, and the other has a unique echo configuration with feedback AM.
> 
> You really need to see the diagrams to emulate the patch.  Email me
> privately if you want me to scan them and email the pages to you.
> > 

From Loopers-Delight-request@loopers-delight.com  Thu Jul 12 14:05:08 2001
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The most immediate difference you would notice is that the tremelo arm of 
the Transtrem is attached to a small notched "mini-arm" that swings against 
a small post when the trem arm is rotated. The post slide into one of the 
notches which allows you to control the transposition.

You can see pictures and get a lot more in depth info about the Transtrem 
and Steinbergers (even, in response to last weeks thread, more opinions 
about Ed Roman's guitars and business practices) in general here:

http://clubs.yahoo.com/clubs/steinbergerworld


>From: "luca" <lucafeed@tin.it>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: <Loopers-Delight@loopers-delight.com>
>Subject: trans trem ?
>Date: Thu, 12 Jul 2001 18:52:47 +0200
>
>how do I recognize a Trans Trem from an S Trem by looking at it ?
>thks
>lu
>
>

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From Loopers-Delight-request@loopers-delight.com  Thu Jul 12 14:15:00 2001
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Subject: Re: Martini skewers, Alligator Clips and Capoes, Oh My!!!
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>It came out really cool........kind of a psychotic
>gamelan feel, don't you think?

yes i do!


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Although I have never played a transtrem, and know nothing about
them (other than i really, really NEED one!) I did bookmark this site:

TransTrem Repair:
http://users.erols.com/jseltz/steinberger/ttrepair.htm

Informative site with alot of closeup pictures.
After i get one, and it breaks, I know right where to go...

later,
-jas
Albuquerque
http://www.zebox.com/artists/dimbulb.html

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Wow!  Thanks for the cool Trans Trem sight Jason.  How the heck did you 
stumble onto that?  Thanls again!  -Todd

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>Wow! &nbsp;Thanks for the cool Trans Trem sight Jason. &nbsp;How the heck did you 
<BR>stumble onto that? &nbsp;Thanls again! &nbsp;-Todd</FONT></HTML>

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Subject: trans trem string bends
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I bet this thing is cool--I have never played one either, but it always
sounded like a great way to go--I wonder, tho, when you bend a note with
your fingers on a guitar with a transtrem, do all the other strings stay in
tune?  On a floating bridge of course, the other notes go flat--I have used
the trem setter by Hipshot, which solves the flat note problem--can't really
do double stop bends otherwise.  Just curious about the Transtrem.
Gary

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The other strings on the Trans Trem will stay in tune as long as you have the 
bar locked into its 'middle' position.  Even with the bar unlocked, it takes 
quite a bend to change the pitch of surrounding strings.  -Todd

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>The other strings on the Trans Trem will stay in tune as long as you have the 
<BR>bar locked into its 'middle' position. &nbsp;Even with the bar unlocked, it takes 
<BR>quite a bend to change the pitch of surrounding strings. &nbsp;-Todd</FONT></HTML>

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Peter Shindler wrote:

> I have a 5-string bass and I want to run it through an Electro-Harmonix
> Microsynth (which is NOT the bass model).  Will this damage the microsynth?

Speaking from my experience, no.

John McIntyre
Physics - Astronomy Domine Dept
Michigan State University
mcintyre@pa.msu.edu

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I believe the transtrem suffers from that also when the arm is not locked 
into a position.  But you don't need an addon to get around it - just lock 
the arm and it's a fixed bridge.


At 12:17 PM 7/12/2001 -0700, you wrote:
>I wonder, tho, when you bend a note with
>your fingers on a guitar with a transtrem, do all the other strings stay in
>tune?  On a floating bridge of course, the other notes go flat--I have used
>the trem setter by Hipshot, which solves the flat note problem--can't really

From Loopers-Delight-request@loopers-delight.com  Thu Jul 12 15:48:49 2001
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Subject: Re: QUEERY: What samplers are out there let you record and instantaneously play back from a keyboard
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>After you make an initial sample, how do you
>overdub more sound to the sample?
you use yer edp or repeater.
*-)
dt / s-c

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re: the feedback mics, etc,
mlameyer@rcn.com writes:
>Can anyone point to any links that may have more info on this?
not i.
sorry!
best,
dt / s-c

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sean_@mindspring.com writes:
>Not quite the same as a feedback mic, but Jim Thomas of the Mermen has
>his
>strat(s) wired so that the midde pickup has its own dedicated output. 
>The
>output goes to a volume pedal and overdrive so that he can conjure up
>feedback at will, independently of the other two pickups.
nice!
my (2) feedback mics are just that:
dedicated to feedback, & also for sampling whatever is happening 'in the 
room' through my looping rig/pedals/amps.
previously, i used these mics as add'l, external selectable inputs to the 
'rig'; now, they're built into my gtr, as well as an 'external input';
all these all are very quickly (ie, rhythmically) switchable.
best,
dt / s-c

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Won't hurt the Microsynth, just don't expect it to track all that well. The
bass model barely tracks the b string. Still sounds ultra cool, though...

** further off topic . . . 

i'm wondering about the eh ms. how good is the fuzz? dave, you say the
tracking isn't so good on the b string, does that mean it does on the e?
most seem to have a problem on anything lower than a c on the a string.

i've been considering having a low octave/fuzz pedal made by someone. anyone
out there interested?

stig

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<P><FONT SIZE=3D2>Won't hurt the Microsynth, just don't expect it to =
track all that well. The</FONT>
<BR><FONT SIZE=3D2>bass model barely tracks the b string. Still sounds =
ultra cool, though...</FONT>
</P>

<P><FONT SIZE=3D2>** further off topic . . . </FONT>
</P>

<P><FONT SIZE=3D2>i'm wondering about the eh ms. how good is the fuzz? =
dave, you say the tracking isn't so good on the b string, does that =
mean it does on the e? most seem to have a problem on anything lower =
than a c on the a string.</FONT></P>

<P><FONT SIZE=3D2>i've been considering having a low octave/fuzz pedal =
made by someone. anyone out there interested?</FONT>
</P>

<P><FONT SIZE=3D2>stig</FONT>
</P>

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From Loopers-Delight-request@loopers-delight.com  Thu Jul 12 16:03:58 2001
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Subject: OT:Re: trans trem string bends
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would be nice if we all could respect the off-topic nature of this thread w/ 
*OT* in the email header, thereby allowing those *dis*interested in this goo 
to quickly skip/delete it.
okay?

healthquestrecruiter@earthlink.net writes:
>when you bend a note with
>your fingers on a guitar with a transtrem, do all the other strings stay
>in
>tune?
on a standard 'trem', that flatting-distance is dependent upon which string 
yer bending, & its gauge.
'tis *much* better on a transtrem, more predictable, as string 
movement:tension is mostly equalised.

best,
dt / s-c

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Subject: Re: QUEERY:   What samplers are out there let you record and
 instantaneously play back from a keyboard
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Dennis and Rick-

The echoplex already does all of these things! Use the sampler triggering
functions!

the interface is even simpler to use than you describe.

All of the multiple loops are already mapped to keyboard keys. You can set
the range with the LoopTrig parameter. All of the usual functions are also
mapped to keyboard keys so you can fully control the echoplex that way as
well. So for example, you can set all the echoplex button functions to your
left hand on the keyboard, and trigger all the loops with your right.

The SamplerStyle functions let you set how the loops are triggered by the
midi note on message. With "run", It just starts that loop and it keeps
going. with "one" it triggers the loop at the beginning and it plays once.
(it will retrigger if you hit the note again.) With "att" (attack) it will
play from the beginning as long as you hold the note down, and stop when
you release the key. (we are adding another one called "Sta" for start.
this will trigger the loop from the beginning and let it keep looping,
which we forgot to have before.)

The Velocity parameter lets you turn velocity sensitivity on or off, so how
hard you press the key on the keyboard controls the volume.

If you have AutoRecord turned on, triggering a loop that is empty will
start recording in it. So you press the key for that loop, it begins
recording. press it again, and it begins looping it. (or press another one
to end the record and jump to that, etc.)  So you can quickly record a
loop, then play it back by pressing it's key. You can play the other loops
be pressing their keys, and basically use the EDP like a sampler. (except
you can record all the stuff on the fly easily.)

I'm not set up to try it right now, but I think it samplemode=att and you
have autorecord on, you can press the key for an empty loop, and it will
record as long as you have the key pressed down. When you release, the
recording stops. Then you can play that loop each time you press the key
again, and it plays as long as you hold it. all the sample triggering and
other functions are available.

Of course, all the usual echoplex functions are live, so you can jump to
any loop and turn overdub in to add something to it. Or multiply it, insert
to it, replace something in it, undo, feedback control, reset it, reverse,
etc etc.

hope this helps,
kim



At 7:38 AM -0700 7/12/01, Dennis Leas wrote:
>Hey, Rick, interesting that you should mention this.  I've been think of
>building something like this for my Kyma system.  Sort of an "Instantique
>Musique Concrete", eh?
>
>Here's the interface I've been thinking about so far -
>
>1) The beast is controlled via a standard MIDI keyboard.  (Velocity sensing
>is not necessary; it can be a cheapy.)  The lowest key functions as a
>RECORD/OVERDUB enable.  The next to the lowest key functions as a CLEAR.
>The other keys control particular loops.
>
>2) You record to a particular key (or loop), say middle C, by holding down
>the RECORD/OVERDUB key and pressing the key, middle C in this example.  You
>record as long as the key is held.  Each key "holds" its own loop.
>
>3) After releasing the RECORD/OVERDUB key, whenenver you press middle C, the
>loop plays back.
>
>4) If a key already "contains" a loop, when you hold RECORD/OVERDUB and
>press the key again, you overdub onto the loop.  The loop length remains
>unchanged.
>
>5) The next lowest key functions as a CLEAR.  You hold it down and press
>another key to erase the loop recorded to that key.
>
>6) It's polyphonic so you can play back multiple loops.
>
>Sound like fun?  Any comments are welcome.  For example, when triggering
>loop play back, should the recording playback (and loop) only while a key is
>held down?  Or should a press-and-release trigger playback of the entire
>loop?
>
>Dennis Leas
>-------------------
>dennis@mdbs.com
>
>
>----- Original Message -----
>From: "Rick Walker (loop.pool)" <GLOBAL@cruzio.com>
>To: <Loopers-Delight@loopers-delight.com>
>Sent: Wednesday, July 11, 2001 4:22 PM
>Subject: QUEERY: What samplers are out there let you record and
>instantaneously play back from a keyboard
>
>
>> Is anyone aware of a sampler (preferably inexpensive) that allows you to
>> sample an instrument and, instantaneously play that sample live from a
>> keyboard.    I am really interested in found sound and would love to be
>able
>> to create keyboard samples that an audience could see were being created
>and
>> then played in front of their faces by either a wind synth or a keyboard,
>>
>> thanks,  Rick Walker (loop.pool)
>>


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com


From Loopers-Delight-request@loopers-delight.com  Thu Jul 12 16:31:13 2001
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Subject: RE: Martini skewers, Alligator Clips and Capoes, Oh My!!!
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kevin wrote:
"Very interesting. I want to hear it too! But where? Where I can get to this
KPIG archive broadcast???"

Go to TALKBASS.com.   There is a posted MP3 there.  We will also post to the
list when (and if) we have a live recording
for sale of the tour.  It is being edited as we speak.

yours,  Rick Walker (loop.pool)

From Loopers-Delight-request@loopers-delight.com  Thu Jul 12 16:32:51 2001
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Thanks for the info--I will try to obey all written and unwritten
protocols--
Bye

From Loopers-Delight-request@loopers-delight.com  Thu Jul 12 16:38:13 2001
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Subject: Re: QUEERY:   What samplers are out there let you record and instantaneously play back from a keyboard
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> The echoplex already does all of these things! Use the sampler triggering
> functions!
> . . .

Thanks, Kim!  Guess I need to break out of my EDP "box" once in awhile.

Dennis Leas
-------------------
dennis@mdbs.com

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Subject: Re: QUEERY:   What samplers are out there let you record and instantaneously play back from a keyboard
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Jeeze man- the things I still dont know about my EDP- I have to say I am
guilty of using it to about 10% of it's cababilities- Thanks for the info
Kim- Cliff
PS- How much would it cost to have a SmartMedia card retrofitted? (5 digit
response expected...)
;)
----- Original Message -----
From: "Kim Flint" <kflint@loopers-delight.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, July 12, 2001 1:24 PM
Subject: Re: QUEERY: What samplers are out there let you record and
instantaneously play back from a keyboard


> Dennis and Rick-
>
> The echoplex already does all of these things! Use the sampler triggering
> functions!
>
> the interface is even simpler to use than you describe.
>
> All of the multiple loops are already mapped to keyboard keys. You can set
> the range with the LoopTrig parameter. All of the usual functions are also
> mapped to keyboard keys so you can fully control the echoplex that way as
> well. So for example, you can set all the echoplex button functions to
your
> left hand on the keyboard, and trigger all the loops with your right.
>
> The SamplerStyle functions let you set how the loops are triggered by the
> midi note on message. With "run", It just starts that loop and it keeps
> going. with "one" it triggers the loop at the beginning and it plays once.
> (it will retrigger if you hit the note again.) With "att" (attack) it will
> play from the beginning as long as you hold the note down, and stop when
> you release the key. (we are adding another one called "Sta" for start.
> this will trigger the loop from the beginning and let it keep looping,
> which we forgot to have before.)
>
> The Velocity parameter lets you turn velocity sensitivity on or off, so
how
> hard you press the key on the keyboard controls the volume.
>
> If you have AutoRecord turned on, triggering a loop that is empty will
> start recording in it. So you press the key for that loop, it begins
> recording. press it again, and it begins looping it. (or press another one
> to end the record and jump to that, etc.)  So you can quickly record a
> loop, then play it back by pressing it's key. You can play the other loops
> be pressing their keys, and basically use the EDP like a sampler. (except
> you can record all the stuff on the fly easily.)
>
> I'm not set up to try it right now, but I think it samplemode=att and you
> have autorecord on, you can press the key for an empty loop, and it will
> record as long as you have the key pressed down. When you release, the
> recording stops. Then you can play that loop each time you press the key
> again, and it plays as long as you hold it. all the sample triggering and
> other functions are available.
>
> Of course, all the usual echoplex functions are live, so you can jump to
> any loop and turn overdub in to add something to it. Or multiply it,
insert
> to it, replace something in it, undo, feedback control, reset it, reverse,
> etc etc.
>
> hope this helps,
> kim
>
>
>
> At 7:38 AM -0700 7/12/01, Dennis Leas wrote:
> >Hey, Rick, interesting that you should mention this.  I've been think of
> >building something like this for my Kyma system.  Sort of an "Instantique
> >Musique Concrete", eh?
> >
> >Here's the interface I've been thinking about so far -
> >
> >1) The beast is controlled via a standard MIDI keyboard.  (Velocity
sensing
> >is not necessary; it can be a cheapy.)  The lowest key functions as a
> >RECORD/OVERDUB enable.  The next to the lowest key functions as a CLEAR.
> >The other keys control particular loops.
> >
> >2) You record to a particular key (or loop), say middle C, by holding
down
> >the RECORD/OVERDUB key and pressing the key, middle C in this example.
You
> >record as long as the key is held.  Each key "holds" its own loop.
> >
> >3) After releasing the RECORD/OVERDUB key, whenenver you press middle C,
the
> >loop plays back.
> >
> >4) If a key already "contains" a loop, when you hold RECORD/OVERDUB and
> >press the key again, you overdub onto the loop.  The loop length remains
> >unchanged.
> >
> >5) The next lowest key functions as a CLEAR.  You hold it down and press
> >another key to erase the loop recorded to that key.
> >
> >6) It's polyphonic so you can play back multiple loops.
> >
> >Sound like fun?  Any comments are welcome.  For example, when triggering
> >loop play back, should the recording playback (and loop) only while a key
is
> >held down?  Or should a press-and-release trigger playback of the entire
> >loop?
> >
> >Dennis Leas
> >-------------------
> >dennis@mdbs.com
> >
> >
> >----- Original Message -----
> >From: "Rick Walker (loop.pool)" <GLOBAL@cruzio.com>
> >To: <Loopers-Delight@loopers-delight.com>
> >Sent: Wednesday, July 11, 2001 4:22 PM
> >Subject: QUEERY: What samplers are out there let you record and
> >instantaneously play back from a keyboard
> >
> >
> >> Is anyone aware of a sampler (preferably inexpensive) that allows you
to
> >> sample an instrument and, instantaneously play that sample live from a
> >> keyboard.    I am really interested in found sound and would love to be
> >able
> >> to create keyboard samples that an audience could see were being
created
> >and
> >> then played in front of their faces by either a wind synth or a
keyboard,
> >>
> >> thanks,  Rick Walker (loop.pool)
> >>
>
>
> ______________________________________________________________________
> Kim Flint                     | Looper's Delight
> kflint@loopers-delight.com    | http://www.loopers-delight.com
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Jul 12 17:38:08 2001
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> Jeeze man- the things I still dont know about my EDP- I have to say I am
> guilty of using it to about 10% of it's cababilities- Thanks for the info
> Kim- Cliff
> PS- How much would it cost to have a SmartMedia card retrofitted? (5 digit
> response expected...)
> ;)

$1.0001?

From Loopers-Delight-request@loopers-delight.com  Thu Jul 12 18:12:23 2001
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The only difference between the Guitar micro- and the Bass micro- is 
literally three capacitors. You could probably mod one with a switch to go 
between guitar and bass mode.


>From: "cameron street" <c.jas@optusnet.com.au>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: <Loopers-Delight@loopers-delight.com>
>Subject: Re: bass processing
>Date: Thu, 12 Jul 2001 15:12:33 -0700
>
>Noway!  Bass through guitar shit is exciting.
>Even if it did hurt it,  , you might be going for
>sort of sound where a pedal should be caned.
>Hurt the man. Man  DO IT!!!!!!!!!!!!!!!!!!!!!!!!!!!
>
>----- Original Message -----
>From: "Peter Shindler" <shindler@mediaone.net>
>To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
>Sent: Wednesday, July 11, 2001 8:33 PM
>Subject: OT: bass processing
>
>
> > Sorry for the off-topicality of this question, but I'm sure one of you
> > bass-playin' gearheads can answer this simple question:
> >
> > I have a 5-string bass and I want to run it through an Electro-Harmonix
> > Microsynth (which is NOT the bass model).  Will this damage the
>microsynth?
> >
> > Thanx.
> >
> >
> > Peter
> >
>

_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

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Subject: Re: Martini skewers, Alligator Clips and Capoes, Oh My!!!
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In a message dated 7/12/01 12:12:15 PM Eastern Daylight Time, 
ekstasis1@hotmail.com writes:


> 

well worth a look and listen at the KPIG linc.....much fun!.....thanks.....:)m


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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>In a message dated 7/12/01 12:12:15 PM Eastern Daylight Time, 
<BR>ekstasis1@hotmail.com writes:
<BR>
<BR>
<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">www.talkbass.com </BLOCKQUOTE>
<BR>
<BR>well worth a look and listen at the KPIG linc.....much fun!.....thanks.....:)m
<BR></FONT></HTML>

--part1_10f.2717e01.287f83d9_boundary--

From Loopers-Delight-request@loopers-delight.com  Thu Jul 12 19:05:25 2001
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From: Tim Nelson <tcn62@ici.net>
Subject: Re: Martini skewers, Alligator Clips and Capoes, Oh My!!!
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Yeah, there's even a slide show featuring Rick's day-glo green
pedalcuttingboard!

At 06:51 PM 7/12/01 EDT, you wrote:
>In a message dated 7/12/01 12:12:15 PM Eastern Daylight Time,  
>ekstasis1@hotmail.com writes: 
> 
> 
>www.talkbass.com 
> 
> 
>well worth a look and listen at the KPIG linc.....much
fun!.....thanks.....:)m 
> 

From Loopers-Delight-request@loopers-delight.com  Thu Jul 12 19:22:55 2001
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Date: Thu, 12 Jul 2001 16:20:54 -0700 (PDT)
From: John Tidwell <wedgehed@yahoo.com>
Subject: Repeater in 10 days!?!?!
To: Loopers Delight <Loopers-Delight@loopers-delight.com>
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I just received a call from Alto Music to reconfirm
my order. The lady said they expect to ship them
within the next 10 days.

We shall see.

John

=====
John Tidwell




__________________________________________________
Do You Yahoo!?
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To: Loopers-Delight@loopers-delight.com
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Subject: Re: Repeater in 10 days!?!?!
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> I just received a call from Alto Music to reconfirm
> my order. The lady said they expect to ship them
> within the next 10 days.


That's no lady -- that's my wife!

Does that mean that Electrix is shipping them right now
or...?  Did anyone get that email from Electrix??

Man, I hate to be such a gear junkie -- particularly
when I have a very nice new piece at home that I've
not had any time to play with in the last two weeks...
but by then I should be out of the woods and be able
to frolic with a nice new Repeater!

   /t

-- 
semper ubi sub ubi

From Loopers-Delight-request@loopers-delight.com  Thu Jul 12 19:49:52 2001
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Subject: Re: Repeater in 10 days!?!?!
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Tom > Man, I hate to be such a gear junkie -- particularly when I have a very nice new piece at home that I've not had any time to play with in the last two weeks... but by then I should be out of the woods and be able to frolic with a nice new Repeater! /t

I'm feeling that way as well... I got a PCM 80 a while back... at the same time someone ** gave ** me a little Alamo tube amp... and I quit plugging into my 'direct inject' setup and using just my pedals and EDP through the amp... and have ignored all the stuff in my rack for over a month. I figure I'll get back to it, but it's a sad state of affairs.

-Miko

From Loopers-Delight-request@loopers-delight.com  Thu Jul 12 19:53:21 2001
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Date: Thu, 12 Jul 2001 16:54:52 -0700
To: Loopers-Delight@loopers-delight.com
From: improv@peak.org (Dave Trenkel)
Subject: RE: OT: bass processing
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>Won't hurt the Microsynth, just don't expect it to track all that well. The
>bass model barely tracks the b string. Still sounds ultra cool, though...
>
>** further off topic . . .

Hey, if talking about trans-trems is allowable (sounds suspiciously like
some sort of code for a fetish in the "other" category of the personals
classifieds if you ask me, "SWM trans-trem, seeks..."), a bit of bass gear
blab should be fine...
>
>i'm wondering about the eh ms. how good is the fuzz? dave, you say the
>tracking isn't so good on the b string, does that mean it does on the e?
>most seem to have a problem on anything lower than a c on the a string.

Well, this is based on borrowing one with intent to purchase about a year
ago, so I'm not an expert on the MS in any significant way. But it seemed
that using the synth feature, it had a glitch on the attack of every note,
and the length of the glitch got longer the lower you played. Was pretty
unuseable on the e-string, less so on the b. The fuzz was unique in a thin
and kind of reedy way, could see using it, but didn't feel it was an
essential sound. Likewise the filter. I basically decided that other stuff
I already had did what the MS could do better, and while it's a definitely
cool pedal, wasn't really worth the $ to me. YMMV.

By the way, I should point out to the original poster on this thread that,
as far as I know, there isn't any guitar pedal that can be damaged by
plugging a bass into it. It's an urban legend, probably spread by Guitar
Center sales droids to steer unsuspecting bassists to the more expensive
bass-specific FX.

____________________________________________
Dave Trenkel : improv@peak.org
New & Improv Media
http://www.newandimprov.com
Now available: Minus: Dark Lit
____________________________________________


From Loopers-Delight-request@loopers-delight.com  Thu Jul 12 19:56:03 2001
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Date: Thu, 12 Jul 2001 16:57:52 -0700
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From: landman@wco.com (Mark Landman)
Subject: Warr Questions
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Dear Looping Friends-

Though I realize we are now all officially in Repeater lust again, I'd
appreciate any of you with experience in Warr Guitar vs. Stick could share
your knowledge with me..

Basically I'm looking for opinions on relative merits, tone, sound, etc. I
recognize Warr players will have one perception and Stickplayers another,
and that's o.k. And if you've played/used both, that'd be even better!

Since this is OT, please reply off list.

Thanks to all!

Best-

Mark


From Loopers-Delight-request@loopers-delight.com  Thu Jul 12 20:08:01 2001
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From: "Tim Goodwin" <deepbass6@earthlink.net>
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Subject: RE: Repeater in 10 days!?!?!
Date: Thu, 12 Jul 2001 17:07:41 -0500
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No email notification.  I was also told that they expect them to ship
sometime between the 7th and 21st of this month.  So the 10 day target is in
line with what I heard.

Damn.  This hurts.

--
TG



-----Original Message-----
From: Tom Ritchford [mailto:tom@swirly.com]
Sent: Thursday, July 12, 2001 6:28 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Repeater in 10 days!?!?!

Does that mean that Electrix is shipping them right now
or...?  Did anyone get that email from Electrix??

From Loopers-Delight-request@loopers-delight.com  Thu Jul 12 20:10:43 2001
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From: glenn <glenn234@pacbell.net>
Subject: Re: OT:OT:OT:Re: tesla questions (feedback mics/gtr)
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Was the sustainiac the thing you mounted on the bridge of your guitar that
had little rubber toy monster truck looking wheels and kept the strings
vibrating physically, the thing that had a criver and a tube like a
"voice-box" only attached fully to the headstock of your guitar, or some
other kind of device??? can't remember?

on 7/12/01 9:01 AM, Michael LaMeyer at mlameyer@rcn.com wrote:

> Forsooth!  I've never used a sustainiac or a stealth plus, but I
> thought I recalled reading a ways back that the magnetically
> induced sustain could also be used to generate controllable
> feedback, and it was in that context that I queried.  Verily.

From Loopers-Delight-request@loopers-delight.com  Thu Jul 12 20:16:23 2001
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Date: Thu, 12 Jul 2001 17:10:37 -0700
To: Loopers-Delight@loopers-delight.com
From: Mark Pulver <mark@redmoon-music.com>
Subject: Re: Repeater in 10 days!?!?!
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Tom Ritchford (04:27 PM 07.12.2001) wrote:

 >Does that mean that Electrix is shipping them right now
 >or...?  Did anyone get that email from Electrix??

I've talked to Electrix in the last week or so... All of the project folks, 
and all of the beta testers are in the final round of beating the daylights 
out of the box. Functionality is all there, the manual is complete, and 
they've been "code complete" for a while. It's all about last-minute tweaks 
at this point.


Mark

From Loopers-Delight-request@loopers-delight.com  Thu Jul 12 20:29:24 2001
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At 5:40 PM -0700 7/12/01, glenn wrote:
>Was the sustainiac the thing you mounted on the bridge of your guitar that
>had little rubber toy monster truck looking wheels and kept the strings
>vibrating physically, the thing that had a criver and a tube like a
>"voice-box" only attached fully to the headstock of your guitar, or some
>other kind of device??? can't remember?

The Sustainiac is a transducer that feeds the guitar signal back into 
the instrument, either through a "pickup" that drives the strings 
electromagnetically, or through a driver that mounts on the head 
stock.

Maniac Music is a small company in Indianapolis that invented and 
still manufactures the Sustainiac. As I understand it, they 
originally licensed the Sustainiac technology to Fernandes Guitars, 
but Fernandes realized they could design their own system and not 
have to pay royalties to Maniac Music. The Fernandes Sustainer is a 
essentially the same thing as the Sustainiac, without the good vibes.
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

From Loopers-Delight-request@loopers-delight.com  Thu Jul 12 20:48:22 2001
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Date: Thu, 12 Jul 2001 17:45:25 -0700
Subject: Re: OT:Warr Questions
From: Allan Hoeltje <ahoeltje@best.com>
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Who, me opinionated?  Off topic?  Hell, gear to loop with is right on topic
as far as I am concerned.

I've owned two Sticks during the last five years and currently using a 12
string.  I've never played a Warr but have seen Brian Kenny-Fresno play one
at least umpteen times.  (San Fransico bay area)

"Tone" is the major point of perceived difference between Sticks and Warrs
mostly because of the different hardware and pickups.  That and the fact
that a Warr, with that massive body, weighs considerably more than a Stick.
Warr fans claim the body provides the tone.  I feel that most of the tone is
dictated by the effects you pump the signal through.  I have heard both
Stick and Warr played clean and swear they both sound reasonably the same.

Other differences:  The fret board of a Stick is flat, the Warr is slightly
curved like a guitar.  Strings on a Stick are parallel whereas on a Warr
they flare out slightly towards the bridge.  The Stick is, how do you say,
kind of plain looking, the Warr is admittedly drop-jaw gorgeous in its
styling.  A 12 string Stick goes for about $2,000 new, the Warr around
$4,000.  I will remain a Stick player!

Two months ago I saw Emmett Chapman demo his new 10 string graphite Stick
with a newly designed passive pickup (see the www.stick.com web page for
more) and was nearly wetting my pants with desire.

LOOP CONTENT
============

The Stick, a bunch of FX units, and two EDP's has provided me with endless
musical fun and enjoyment.  That will only be topped, by spiritual
enlightenment, when my Againiator arrives.  The marketing rep told me
yesterday that it will dispense Whisky, Whiskey, and Aqua Vita depending on
how long you hold down the "Swill" button!

-Allan


on 7/12/01 4:57 PM, Mark Landman at landman@wco.com wrote:

> Dear Looping Friends-
> 
> Though I realize we are now all officially in Repeater lust again, I'd
> appreciate any of you with experience in Warr Guitar vs. Stick could share
> your knowledge with me..
> 
> Basically I'm looking for opinions on relative merits, tone, sound, etc. I
> recognize Warr players will have one perception and Stickplayers another,
> and that's o.k. And if you've played/used both, that'd be even better!

From Loopers-Delight-request@loopers-delight.com  Thu Jul 12 21:11:47 2001
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Subject: Re: Repeater in 10 days!?!?!
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In a message dated 7/12/01 7:48:42 PM Eastern Daylight Time, 
Mike.Biffle@asml.com writes:


> and have ignored all the stuff in my rack for over a month. I figure I'll 
> get back to it, but it's a sad state of affairs.
> 

if i dont have every piece of my equipment turned on and maxed out ( turned 
to 11) volume excluded of course, my family asks "well why did ya get that 
box.....dad?", i think buying that electrix stuff sent them over the edge, 
then when i got 12 10 foot cables and put it all together, they came back to 
my side because "oh!.....look at all them lites!".....i still sleep with one 
eye open.....:)m

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>In a message dated 7/12/01 7:48:42 PM Eastern Daylight Time, 
<BR>Mike.Biffle@asml.com writes:
<BR>
<BR>
<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">and have ignored all the stuff in my rack for over a month. I figure I'll 
<BR>get back to it, but it's a sad state of affairs.
<BR></BLOCKQUOTE>
<BR>
<BR>if i dont have every piece of my equipment turned on and maxed out ( turned 
<BR>to 11) volume excluded of course, my family asks "well why did ya get that 
<BR>box.....dad?", i think buying that electrix stuff sent them over the edge, 
<BR>then when i got 12 10 foot cables and put it all together, they came back to 
<BR>my side because "oh!.....look at all them lites!".....i still sleep with one 
<BR>eye open.....:)m</FONT></HTML>

--part1_f8.ca46494.287fa475_boundary--

From Loopers-Delight-request@loopers-delight.com  Thu Jul 12 21:12:42 2001
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From: Tim Nelson <tcn62@ici.net>
Subject: Re: OT:OT:OT:Re: tesla questions (feedback mics/gtr)
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At 05:40 PM 7/12/01 -0700, you wrote:
>Was the sustainiac the thing you mounted on the bridge of your guitar that
>had little rubber toy monster truck looking wheels and kept the strings
>vibrating physically,....?

That was the Gizmo (Gizmotron? Something like that) by Godley and Creme of
10cc fame. I haven't seen one o' them critters in a loooong time.

-t

From Loopers-Delight-request@loopers-delight.com  Thu Jul 12 21:16:55 2001
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Date: Thu, 12 Jul 2001 18:46:40 -0700
From: glenn <glenn234@pacbell.net>
Subject: Re: Warr Questions
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What's off topic about it? these are awesome original instruments and
perfect for looping. Anyway, I'd love to hear more about this, please?

on 7/12/01 4:57 PM, Mark Landman at landman@wco.com wrote:

> Warr Guitar vs. Stick

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In a message dated 7/12/01 8:47:26 PM Eastern Daylight Time, 
ahoeltje@best.com writes:


> The marketing rep told me
> yesterday that it will dispense Whisky, Whiskey, and Aqua Vita depending on
> how long you hold down the "Swill" button!
> 

thank you allan!.....excellent.....also the bit about the warr and stick was 
good too!.....:)m

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>In a message dated 7/12/01 8:47:26 PM Eastern Daylight Time, 
<BR>ahoeltje@best.com writes:
<BR>
<BR>
<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">The marketing rep told me
<BR>yesterday that it will dispense Whisky, Whiskey, and Aqua Vita depending on
<BR>how long you hold down the "Swill" button!
<BR></BLOCKQUOTE>
<BR>
<BR>thank you allan!.....excellent.....also the bit about the warr and stick was 
<BR>good too!.....:)m</FONT></HTML>

--part1_3c.e452aef.287fa612_boundary--

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From: glenn <glenn234@pacbell.net>
Subject: Re: OT:OT:OT:Re: tesla questions (feedback mics/gtr)
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on 7/12/01 6:09 PM, Tim Nelson at tcn62@ici.net wrote:

> At 05:40 PM 7/12/01 -0700, you wrote:
>> Was the sustainiac the thing you mounted on the bridge of your guitar that
>> had little rubber toy monster truck looking wheels and kept the strings
>> vibrating physically,....?
> 
> That was the Gizmo (Gizmotron? Something like that) by Godley and Creme of
> 10cc fame. I haven't seen one o' them critters in a loooong time.


No doubt, thanks for filling in the gaps in my memory!! (and Richard thanks
on the sustainic too!).

Would love to have these toys, and an ebow, and a hardware looper...

P.S. Since y'all remember the Gizmo, might anyone know how Steve Hackett got
the kind of sustain(the most graceful and thick, rich and chocolit beautiful
feedback ever?) he used on the song "The Steppes"? could that really have
just been his marshall/Roland space echo/les paul combo or did he have some
kind of other magic box??????

:):)I'm just askin
glenn

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Subject: Re: OT:OT:OT:Re: tesla questions (feedback mics/gtr)
From: Travis Hartnett <tiktok@sprintmail.com>
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>Was the sustainiac the thing you mounted on the bridge of your guitar that
>had little rubber toy monster truck looking wheels and kept the strings
>ibrating physically, the thing that had a criver and a tube like a
>"voice-box" only attached fully to the headstock of your guitar, or some
>other kind of device??? can't remember?

The very first Sustainiac worked that way.  After that, they switched to
"pickup acting sort of like an eBow" model, similar to the Fernandes and
Floyd Rose Sustainors.

www.sustainiac.com used to have a little history about it, but I see they're
down for a few weeks while they update their page.


TH


-- 
NEW official Electrochakra website: http://www.electrochakra.com






From Loopers-Delight-request@loopers-delight.com  Thu Jul 12 21:49:33 2001
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Subject: Re: OT:OT:OT:Re: tesla questions (feedback mics/gtr)
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On Thu, 12 Jul 2001, Richard Zvonar wrote:

> At 5:40 PM -0700 7/12/01, glenn wrote:
> >Was the sustainiac the thing you mounted on the bridge of your guitar that
> >had little rubber toy monster truck looking wheels and kept the strings
> >vibrating physically, the thing that had a criver and a tube like a
> >"voice-box" only attached fully to the headstock of your guitar, or some
> >other kind of device??? can't remember?
>
> The Sustainiac is a transducer that feeds the guitar signal back into
> the instrument, either through a "pickup" that drives the strings
> electromagnetically, or through a driver that mounts on the head
> stock.
>
> Maniac Music is a small company in Indianapolis that invented and
> still manufactures the Sustainiac. As I understand it, they
> originally licensed the Sustainiac technology to Fernandes Guitars,
> but Fernandes realized they could design their own system and not
> have to pay royalties to Maniac Music. The Fernandes Sustainer is a
> essentially the same thing as the Sustainiac, without the good vibes.

And as of a few months ago (February, I believe) they had discontinued
production of the Sustainiac the model that clamped to the
headstock. The guitar pickup replacement design was still available.

I'd love to find a bass Gizmotron around - saw one last year and should
have bought it then.

best,
Steve
-- 
----------------------------------------------------------------
Steve Burnett    Admin, webslingerZ     sburnett@webslingerz.com
             http://www.webslingerz.com/sburnett/

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Subject: Re: OT:OT:OT:Re: tesla questions (feedback mics/gtr)
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On Thu, 12 Jul 2001, Tim Nelson wrote:

> At 05:40 PM 7/12/01 -0700, you wrote:
> >Was the sustainiac the thing you mounted on the bridge of your guitar that
> >had little rubber toy monster truck looking wheels and kept the strings
> >vibrating physically,....?
>
> That was the Gizmo (Gizmotron? Something like that) by Godley and Creme of
> 10cc fame. I haven't seen one o' them critters in a loooong time.

Here's a picture of a Gizmotron, and a sound sample.

http://members.ozemail.com.au/~blint/page2.html

Steve
--
----------------------------------------------------------------
Steve Burnett    Admin, webslingerZ     sburnett@webslingerz.com
             http://www.webslingerz.com/sburnett/

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Date: Thu, 12 Jul 2001 21:42:57
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>Was the sustainiac the thing you mounted on the bridge of your guitar that
>had little rubber toy monster truck looking wheels and kept the strings
>vibrating physically

That sounds like the Gizmotron (I think). 

Tim

From Loopers-Delight-request@loopers-delight.com  Fri Jul 13 00:35:28 2001
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Hey Everyone,
I recently started checking out Paia's stuff (www.paia.com) they have 
electronic kits to biuld lots of differnet electronic music equipment 
(modular synth, synth, effects).  A couple of questions have come into my 
mind.
1) How difficult are these things to put together.  I plan on building some 
effects and a modular synthesizer from paia.  I have very little experience.  
Will this be impossible for me?
2) Are there places where I can get these kits for cheaper than paia?  I jsut 
started looking and haven't been really successful.  Paia appears to offer 
teh cheapest modular synth kit and their effects kits seem pretty cheap too.  
Thanks a lot every one!
-pascalABIDOR

--part1_117.177451d.287fd3ed_boundary
Content-Type: text/html; charset="US-ASCII"
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<HTML><FONT FACE=arial,helvetica><FONT  COLOR="#000080" SIZE=2 FAMILY="SANSSERIF" FACE="Verdana" LANG="0">Hey Everyone,
<BR>I recently started checking out Paia's stuff (www.paia.com) they have 
<BR>electronic kits to biuld lots of differnet electronic music equipment 
<BR>(modular synth, synth, effects). &nbsp;A couple of questions have come into my 
<BR>mind.
<BR>1) How difficult are these things to put together. &nbsp;I plan on building some 
<BR>effects and a modular synthesizer from paia. &nbsp;I have very little experience. &nbsp;
<BR>Will this be impossible for me?
<BR>2) Are there places where I can get these kits for cheaper than paia? &nbsp;I jsut 
<BR>started looking and haven't been really successful. &nbsp;Paia appears to offer 
<BR>teh cheapest modular synth kit and their effects kits seem pretty cheap too. &nbsp;
<BR>Thanks a lot every one!
<BR>-pascalABIDOR</FONT></HTML>

--part1_117.177451d.287fd3ed_boundary--

From Loopers-Delight-request@loopers-delight.com  Fri Jul 13 01:00:20 2001
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Date: Fri, 13 Jul 2001 00:57:27 -0400
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Subject: Re: Paia Electronic Kits etc.
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--============_-1217122176==_ma============
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  PA5CALIO@aol.com wrote:

>Hey Everyone,
>I recently started checking out Paia's stuff (www.paia.com) they have
>electronic kits to biuld lots of differnet electronic music equipment
>(modular synth, synth, effects).  A couple of questions have come into my
>mind.
>1) How difficult are these things to put together.  I plan on building some
>effects and a modular synthesizer from paia.  I have very little experience.  
>Will this be impossible for me?

Answer:  no.  The kits are easy, you just have to be careful.  Less 
careful than
a lot of stuff involving modern microprocessors, even, they aren't QUITE as
sensitive to heat.


>2) Are there places where I can get these kits for cheaper than paia?  I jsut
>started looking and haven't been really successful.  Paia appears to offer
>teh cheapest modular synth kit and their effects kits seem pretty cheap too.  
>Thanks a lot every one!

I'd be shocked if you could get decent quality any cheaper than Paia.

They've been around forever, they're reputable, they started many a
young tinkerer down a solitary road filled with breadboards and metal
boxes...

Their Theremin is supposed to be an amazing value, too!

I'd give them my top recommendation.

	/t



.......all legal games of chess <http://solveChess.com/chess?refresh=0>......
.....programmer's documentation <http://solveChess.com/doc>..................
--============_-1217122176==_ma============
Content-Type: text/enriched; charset="us-ascii"
Content-Transfer-Encoding: quoted-printable

 PA5CALIO@aol.com<fontfamily><param>Verdana</param><color><param>0000,0000,8=
080</param><smaller>
wrote:


<excerpt>Hey Everyone,

I recently started checking out Paia's stuff (www.paia.com) they have

electronic kits to biuld lots of differnet electronic music equipment

(modular synth, synth, effects).  A couple of questions have come into
my

mind.

1) How difficult are these things to put together.  I plan on building
some

effects and a modular synthesizer from paia.  I have very little
experience. =20

Will this be impossible for me?

</excerpt>

Answer:  no.  The kits are easy, you just have to be careful.  Less
careful than

a lot of stuff involving modern microprocessors, even, they aren't
QUITE as

sensitive to heat.



<excerpt>2) Are there places where I can get these kits for cheaper
than paia?  I jsut

started looking and haven't been really successful.  Paia appears to
offer

teh cheapest modular synth kit and their effects kits seem pretty cheap
too. =20

Thanks a lot every one!

</excerpt>

I'd be shocked if you could get decent quality any cheaper than Paia.


They've been around forever, they're reputable, they started many a

young tinkerer down a solitary road filled with breadboards and metal

boxes...


Their Theremin is supposed to be an amazing value, too!


I'd give them my top recommendation.


	/t
</smaller></color></fontfamily>




=2E......all legal games of chess <<http://solveChess.com/chess?refresh=3D0>=
=2E.....

=2E....programmer's documentation <<http://solveChess.com/doc>..............=
=2E...

--============_-1217122176==_ma============--

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Loopers-Delight-d-request@loopers-delight.com wrote:

>    ----------------------------------------------------------------
>
> Subject: RE: midwest loop
> Date: Thu, 12 Jul 2001 10:25:56 -0400
> From: Todd Quincy <tquincy@sayhhi.com>
> To: Loopers-Delight@loopers-delight.com
> CC: openjam@aol.com
>
> Yep, so far about 10 of us in the Heartland are planning a loop event.
> Chicago seems to be the best central location as well as a great town
> to hang in for a weekend. After the first event we'll arrange others
> in other towns, hopefully most of the same participants will travel to
> Ohio, Michigan, etc. We're trying to start a loop tour circuit.

Todd,

Thanks for clarifying that. Do keep me informed. I may be able to help
through my contacts here and in Ohio.

Best regards,
Eric
--
Upcoming Performances, Broadcasts, Etc.:

Friday, July 13, 5:00--8:00 pm, opening trio performance with Stephen
Boyer (invented instruments) and Laurie Lee Moses (saxophone) at
Fassbender van Straaten Gallery, for INTERFACE: EXPLORING
POSSIBILITIES. Address: 835 W. Washington. (312) 666-4302.
http://www.fassbendergallery.com/upcoming.html

Friday, July 20, 10:00 pm, duo performance with Carol Genetti (voice)
and the duo of Jonathan Chen (violin, electronics) and Jen Walshe
(voice), at the Nervous Center, 4612 N. Lincoln Ave. (773) 728-5010

Friday, July 27, 9:00 pm, Dead CEO presents: Eric Leonardson, solo;
Carol Genetti (voice) and Fred Lonberg-Holm (cello), duo; Other
artists to be confirmed, at the Nervous Center, 4612 N. Lincoln Ave.
(773) 728-5010

New on Compact Disc: Winter Construction (dceo003)
A compilation of Chicago artists with accompanying zine... available
on-line at Dead CEO: http://www.deadceo.com/

Visit the High Zero 2000 documentation web site, "images, sound and
video samples from... the High Zero festival of experimental
improvised music, September 21 - 24 in Baltimore... 34 amazing
improvisers from Europe, North America and our own Baltimore.":
http://www.highzero.org/festival_documentation/highzero2000documentati
on/index.htm

Eric Leonardson web pages: http://pages.ripco.net/~eleon


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Subject: Re: Octophonic sound system
Date: Thu, 12 Jul 2001 23:07:05 -0700
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> Goddess wrote:
>
> >   -And, in a somewhat different and much more immediately
accessible form
> > of octophonic playback, there's apparently  an album from a band
whose name
> > I unfortunatley can't remember at the moment, which consists of
four CDs
> > which are all played back ALMOST simultaneously on four separate
stereo
> > systems.  It's apparently quite the collector's item lately.
People have
> > parties based around it.
> >
>

Then jas:

> This would be Zariika (spelling?) by the wonderful Flaming Lips.
>
> Pining for the days when everyone would gather around
> the phonograph listening to the newest Beatles release, they created
&
> released this set.  All together now...  ;)
>
> My friend has a copy, but we have yet to give it a go...
>
> later,
> -jas
> Albuquerque

Close on the spelling. It's "Zaireeka" (a mix of Zaire and Eureka, I
forget the significance of this combination). I had to double check
the spelling myself. Like the Flaming Lips or not, this is most
definitely worth checking out. Since it's out of print, you can
usually find a copy on ebay for about $30-$50. There's a very real
warning on the front of the CD:"...This recording also contains
frequencies not normally heard on commercial recordings and on rare
occasions has caused the listener to become disoriented." (Read the
liner notes for a bit more detail.) I thought this warning was a joke
until I queued up the "nauseating" track #6 on just two stereos
(synching manually is trial and error, and getting all four discs to
play at the same time is tricky), and stopped the "song" (more like a
chorus of sine waves) immediately for fear of, well, hurling. Don't
worry, the other seven tracks are "real songs". Throwing a party seems
to be the way to go. Might as well blow a few more minds after having
to set up four stereos. If anyone is interested in reading further,
check out:
http://www.flaminglips.com/cmp/zwaffle.htm
http://www.janecek.com/zaireeka.html

Octophonic regards,
Jim


p.s. Here's some more encouragement from me urging readers of this
list ('specially old-timers, lurkers like me included) to contribute a
bit o' cash to Kim. Dust off the cobwebs on your wallets, fer pete's
sake. :-)

p.p.s. Outlook Express is a steaming pile. >:-0  I use it now because
Netscape's mail app was getting crusty. (Just wanted to bitch)

From Loopers-Delight-request@loopers-delight.com  Fri Jul 13 02:34:22 2001
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Subject: Re: Paia Electronic Kits etc.
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I build the fuzztone box many moons ago, but I had a bit of experience
at that point (with a soldering iron)  You might want to check out "100
electronics projects for musicians" by Craig Anderton.  It outlines some
of the important dos and don'ts of electronics.

Mark

PA5CALIO@aol.com wrote:

> Hey Everyone,
> I recently started checking out Paia's stuff (www.paia.com) they have
> electronic kits to biuld lots of differnet electronic music equipment
> (modular synth, synth, effects).  A couple of questions have come into
> my
> mind.
> 1) How difficult are these things to put together.  I plan on building
> some
> effects and a modular synthesizer from paia.  I have very little
> experience.
> Will this be impossible for me?
> 2) Are there places where I can get these kits for cheaper than paia?
> I jsut
> started looking and haven't been really successful.  Paia appears to
> offer
> teh cheapest modular synth kit and their effects kits seem pretty
> cheap too.
> Thanks a lot every one!
> -pascalABIDOR

From Loopers-Delight-request@loopers-delight.com  Fri Jul 13 02:42:01 2001
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Subject: RE: Paia Electronic Kits etc.
Date: Fri, 13 Jul 2001 14:39:45 +0800
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Hi,

I bought a few of the effects in the Craig Anderton range and mounted them
in a fracrack.  My experience with electronics is minimal, but if you just
be careful and follow the instructions closely, it turns out OK.  Its good
to perhaps know a little fault finding or circuit tracing in case things
don't work, but you can probably get by without.  All in all, I think they
are pretty good value.

au$0.04
omjn

-----Original Message-----
From: Tom Ritchford [mailto:tom@swirly.com]
Sent: Friday, 13 July 2001 12:57 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Paia Electronic Kits etc.


PA5CALIO@aol.com wrote:


Hey Everyone,
I recently started checking out Paia's stuff (www.paia.com) they have
electronic kits to biuld lots of differnet electronic music equipment
(modular synth, synth, effects). A couple of questions have come into my
mind.
1) How difficult are these things to put together. I plan on building some
effects and a modular synthesizer from paia. I have very little experience.
Will this be impossible for me?


Answer: no. The kits are easy, you just have to be careful. Less careful
than
a lot of stuff involving modern microprocessors, even, they aren't QUITE as
sensitive to heat.



2) Are there places where I can get these kits for cheaper than paia? I jsut
started looking and haven't been really successful. Paia appears to offer
teh cheapest modular synth kit and their effects kits seem pretty cheap too.
Thanks a lot every one!


I'd be shocked if you could get decent quality any cheaper than Paia.

They've been around forever, they're reputable, they started many a
young tinkerer down a solitary road filled with breadboards and metal
boxes...

Their Theremin is supposed to be an amazing value, too!

I'd give them my top recommendation.

/t



.......all legal games of chess
<http://solveChess.com/chess?refresh=0>......
.....programmer's documentation
<http://solveChess.com/doc>..................

From Loopers-Delight-request@loopers-delight.com  Fri Jul 13 03:01:53 2001
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Subject: Re: Gizmo
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Hi Steve,
Is that YOUR Gizmo ?
If so, could you take a bigger picture of it - not that I'm perverted or
anything it's just that I did a couple of gigs with a band featuring the
most amazing hurdy gurdy player a week or two ago and he was showing me how
it worked. Anyway, I'd like to apply the same principle to my guitar and as
I understand it, the gizmo works the same way.
Also the sound sample is of an Ebow rather than the Gizmo - how about a
sample ?

Cheers,

Gareth


> On Thu, 12 Jul 2001, Tim Nelson wrote:
>
> > At 05:40 PM 7/12/01 -0700, you wrote:
> > >Was the sustainiac the thing you mounted on the bridge of your guitar
that
> > >had little rubber toy monster truck looking wheels and kept the strings
> > >vibrating physically,....?
> >
> > That was the Gizmo (Gizmotron? Something like that) by Godley and Creme
of
> > 10cc fame. I haven't seen one o' them critters in a loooong time.
>
> Here's a picture of a Gizmotron, and a sound sample.
>
> http://members.ozemail.com.au/~blint/page2.html
>
> Steve
> --
> ----------------------------------------------------------------
> Steve Burnett    Admin, webslingerZ     sburnett@webslingerz.com
>              http://www.webslingerz.com/sburnett/
>

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On Fri, 13 Jul 2001, whiteoakstudios wrote:

> Hi Steve,
> Is that YOUR Gizmo ?
> If so, could you take a bigger picture of it - not that I'm perverted or
> anything it's just that I did a couple of gigs with a band featuring the
> most amazing hurdy gurdy player a week or two ago and he was showing me how
> it worked. Anyway, I'd like to apply the same principle to my guitar and as
> I understand it, the gizmo works the same way.
> Also the sound sample is of an Ebow rather than the Gizmo - how about a
> sample ?

Umm, it's not mine - and sorry for the confusion about the sound sample, I
skimmed the page rather quickly. I have a more detailed & longer
description I compiled when researching the item and stashed somewhere.

best,
Steve

>
> Cheers,
>
> Gareth
>
>
> > On Thu, 12 Jul 2001, Tim Nelson wrote:
> >
> > > At 05:40 PM 7/12/01 -0700, you wrote:
> > > >Was the sustainiac the thing you mounted on the bridge of your guitar
> that
> > > >had little rubber toy monster truck looking wheels and kept the strings
> > > >vibrating physically,....?
> > >
> > > That was the Gizmo (Gizmotron? Something like that) by Godley and Creme
> of
> > > 10cc fame. I haven't seen one o' them critters in a loooong time.
> >
> > Here's a picture of a Gizmotron, and a sound sample.
> >
> > http://members.ozemail.com.au/~blint/page2.html
> >
> > Steve
> > --
> > ----------------------------------------------------------------
> > Steve Burnett    Admin, webslingerZ     sburnett@webslingerz.com
> >              http://www.webslingerz.com/sburnett/
> >
>
>

-- 
onNow:
----------------------------------------------------------------
Steve Burnett    Admin, webslingerZ     sburnett@webslingerz.com
             http://www.webslingerz.com/sburnett/




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From: Bret <echoplex@yahoo.com>
Subject: Re: Paia Electronic Kits etc.
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--- PA5CALIO@aol.com wrote:
> Hey Everyone,
> I recently started checking out Paia's stuff (www.paia.com) ...
> 1) How difficult are these things to put together.... I have very
>little experience.  
pascalABIDOR,

Can you solder?  That is the fundamental skill you must master before
you can expect to build an electronic kit that will work, and be
reliable.  Soldering is not hard.  You just need to learn the process
of how to prepare and connect the parts to be soldered, how to heat the
parts properly, to apply the solder, and how to visually inspect the
joint in order to be confident of the conection.  

If you can't solder, ask and I can give you some help, via direct email
(off levnet).  You can practise soldering on old junk electronics.

> Will this be impossible for me?
Not if you learn the proper skills, and can follow written directions. 
You will need to learn to identify resistors, capacitors, inductors,
transistors, etc.  Pictures with identification are typically in the
instructions.

If you need to debug a problem (which is inevitable), you should learn
to read schematics and learn the basic circuit operation principles
like 'How does it work?', 'What does each part do?' or conversly 'Where
are the parts that do this particular function?'

> 2) Are there places where I can get these kits for cheaper than paia?
>  I jsut 
> started looking and haven't been really successful.  Paia appears to
> offer 
> teh cheapest modular synth kit and their effects kits seem pretty
> cheap too.  

I don't know of such kits other than paia for the synth and effects
stuff.  

I built a couple of 70's paia kits (phlanger, programable drummer) and
have seen other paia kits (tubehead, compressor, reverb) built by
friends over the past 20+ years.  All of them worked ok, but did not
have very robust physical construction.  Some of them were rather noisy
(in the audio circuit path), but given the vintage of the parts/designs
(70-80's), that may be par for the course.

The paia kits I bought also were outdated technology rapidly (bucket
brigade analog flanger, simple programable 'drum' machine with pong
like sounds), but again given the vintage that's how it happened in the
late 70's and early 80's.  Once digital delay devices and sampled
sounds were possible my 'phlanger' and drum box kits were obsolete.    

I thought the kits were ok, but certainly not state of the art
performance or construction for the time.

If there are cheaper kits, I would not buy them.  I would doubt their
performance, documentation and support.

Paia kits work, are documented well and come with good technical
support, but their low cost obviously limits the hardware and design
options, and therefor performance.

> Thanks a lot every one!
> -pascalABIDOR

good luck,
bret


__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Fri Jul 13 03:49:15 2001
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From: Bret <echoplex@yahoo.com>
Subject: Re: Repeater in 10 days!?!?!
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--- Mark Pulver <mark@redmoon-music.com> wrote:
>Functionality is all there, the manual is complete,
> and they've been "code complete" for a while. It's all about
last->minute tweaks at this point.
> 
> Mark

If the last minute tweaks are not code, then what could they be?  In my
industry, "code complete" means you lock the code, the tweaks are done,
and the testing on the tweaks is done.  

When you tweak the code, you must regression test.

I know nothing of the repeater particulars, I was just confused by the
2 comments that seemed contrary to one another.
I hope the repeater is available soon.   Don't we all?  
Else there will be more againator design sessions here ;-)  
bret

__________________________________________________
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Get personalized email addresses from Yahoo! Mail
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From Loopers-Delight-request@loopers-delight.com  Fri Jul 13 04:33:21 2001
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Subject: Re: Paia Electronic Kits etc.
Date: Fri, 13 Jul 2001 09:31:48 +0100
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PA5CALIO@aol.com asked:
1) How difficult are these things to put together.  I plan on building some
effects and a modular synthesizer from paia.  I have very little experience.
Will this be impossible for me?

If you can play an instrument you have the manual dexterity to do this.  I
suspect the most complex aspects have to do with [a] learning to use a 12v
soldering iron/pencil, and [b] if you surpass the instructions and try to
read the schematics.  Either way PAIA's a great way to not only learn how to
do the above, but learn a bit more about how all this great stuff works.

2) Are there places where I can get these kits for cheaper than paia?

I don't think so.  Craig Anderton's designs are quiet for the money.  Their
cases have gotten better over the past 20 years too.

Stephen Goodman
http://www.earthlight.net/Gallery_Front.html - Cartoons & Illustrations
http://www.earthlight.net/Studios * The free Loop of the Week!
http://www.live365.com/stations/218194 * EarthLight Online / Live!

From Loopers-Delight-request@loopers-delight.com  Fri Jul 13 05:27:20 2001
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For general familiarity with circuits and components I recommend "Getting
started in electronics" by Forest Simms III from any radio shack for about
4-5 bucks cash, explains basic electronics from little smiley face electrons
to helping you build your own effects. Very cool book to have. Plus all the
other advice in Bret's email and you should be good. Practicing on junk
boards is a great idea. break pieces of 60/40 solder off the spool in couple
of foot long pieces so the flux doesn't get drained out of the spool. Clean
the tip of the soldering iron a bunch, especially if you don't have a
temperature regulated iron, as it will help cool it down a bit. anytime you
need to de-solder make sure you put extra solder on first, so the vacuum
pump(about 10 bucks) with be able to get it out well. Practice was the best
advice. The main thing you don't want is for the pads to lift off the board
from too much heat(though sometimes you can rework it) and not to heat up
the components too much.

p.s. try not to breath the smoke from the soldering, and if you drop the
iron, don't try to catch it-found out first hand what the phrase"smells like
chicken" meant" plus got the brand name of the iron branded into my hand
that way by accident!:)

on 7/13/01 12:25 AM, Bret at echoplex@yahoo.com wrote:

>> Will this be impossible for me?
> Not if you learn the proper skills, and can follow written directions.
> You will need to learn to identify resistors, capacitors, inductors,
> transistors, etc.  Pictures with identification are typically in the
> instructions.
> 
> If you need to debug a problem (which is inevitable), you should learn
> to read schematics and learn the basic circuit operation principles
> like 'How does it work?', 'What does each part do?' or conversly 'Where
> are the parts that do this particular function?'

From Loopers-Delight-request@loopers-delight.com  Fri Jul 13 06:10:42 2001
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To: Loopers-Delight@loopers-delight.com
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At 12:32 AM 7/13/01 EDT, you wrote: 
>I recently started checking out Paia's stuff (www.paia.com) they have  
>electronic kits to biuld lots of differnet electronic music equipment ... 
>Will this be impossible for me? 

I built a Theremax a couple of years ago and was impressed by how
clearly-written the instructions were. It was pretty easy. Brush up on yr
soldering skills before you dive into the kit and you should be OK.

-t

From Loopers-Delight-request@loopers-delight.com  Fri Jul 13 06:24:37 2001
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This is a link with a lllot of infos 

http://www.geofex.com/

Claude

From Loopers-Delight-request@loopers-delight.com  Fri Jul 13 07:40:44 2001
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I'm just finishing up a 9700 modular, and I highly recommend the Paia
kits.  You don't have to be an "expert", the directions are quite good,
although basic soldering/assembly skills are needed.  I'd recommend
starting with a simpler kit to get experience - I've heard good things
about the fatman, as well as the Anderton projects.  One of the great
things about Paia is their tech support - they'll help you with assembly
or trouble-shooting as needed.

 I'd also recommend getting a *good* soldering iron (I bought the Weller
temperature-controlled soldering station), as well as reasonable quality
tools.  For test equipment, you can get by with a decent multi-meter,
but I'm finding an oscilloscope extremely useful for testing the 9700.
You might also want to join the synth-diy mail list
(synth-diy@node12b53.a2000.nl), where there are lots of helpful folks,
and you can start adding to your electronics knowledge.

Have fun and good luck,
Elby


>Hey Everyone,
> I recently started checking out Paia's stuff (www.paia.com) they have
> electronic kits to biuld lots of differnet electronic music equipment
> (modular synth, synth, effects).  A couple of questions have come into

> my
> mind.
> 1) How difficult are these things to put together.  I plan on building

> some
> effects and a modular synthesizer from paia.  I have very little
> experience.
> Will this be impossible for me?
> 2) Are there places where I can get these kits for cheaper than paia?
> I jsut
> started looking and haven't been really successful.  Paia appears to
> offer
> teh cheapest modular synth kit and their effects kits seem pretty
> cheap too.
> Thanks a lot every one!
> -pascalABIDOR

From Loopers-Delight-request@loopers-delight.com  Fri Jul 13 10:07:25 2001
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From: "Bailey, Jim" <JBailey@corporate.southam.ca>
To: "'looppost'" <loopers-delight@loopers-delight.com>
Subject: RE: Octophonic sound system
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I thought I had posted this to the list before, but perhaps it was to
another one (the topic has come up on three different lists I'm subscribed
to in the last month!). Folks interested in this topic may want to check out
the following site:

http://www.york.ac.uk/inst/mustech/3d_audio/ambison.htm

Apologies if it was posted before, but it didn't seem to generate any
response if it was.

Also;

> -----Original Message-----
> From: Stephen P. Goodman [mailto:spgoodman@earthlight.net]
> Sent: Thursday, July 12, 2001 3:16 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Octophonic sound system
> 
> Have you ever investigated the idea of 
> three-channel?
> Brian Eno put the setup for such a thing in the liner notes 
> for "On Land",
> which alas are in storage with my vinyl in LA - but 
> essentially it's such
> that you have a single speaker that's lower-impedance than 
> your pair of
> other speakers, connected up so that one terminal is on the 
> Left -, and the
> other on Right +.  What one gets out of that speaker is a "subtracted"
> sound, as he put it.  In combination with two speakers however, this
> produces a more "3D" result.

I'm not sure if it's a problem with your nomenclature, Stephen, or a fault
of memory (often my failing). The single speaker should actually be
connected to the +, red, or whatever designation is given to the "hot"
terminal, of _both_ channels. Connecting one side to the -, or black
terminal will just put another load in parallel with whichever + it is
connected to. The purpose is to get a signal going through the third speaker
which is NOT common to both sides, which can only be achieved by using the
+es. I've been using this set-up since I first bought "On Land" and it is
amazing. Something I particularly like listening to, in total darkness for
maximum effect, is the beginning of "The Ancients" from "Tales From
Topographic Oceans" by Yes (side three to us vinyl junkies). I also have a
little box made by Dynaco that probably does the same sort of thing, except
that it uses a resistor pad to split the "rear" signal into two channels.
Haven't had the opportunity to set that one up for a long time though.

I'd recommend the set-up to anyone.

Jim Bailey

From Loopers-Delight-request@loopers-delight.com  Fri Jul 13 10:44:58 2001
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> 
> http://www.york.ac.uk/inst/mustech/3d_audio/ambison.htm
> 

Thanks for the link, Jim.  Great site!

Dennis Leas
-------------------
dennis@mdbs.com


From Loopers-Delight-request@loopers-delight.com  Fri Jul 13 10:45:42 2001
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Date: Fri, 13 Jul 2001 16:41:38 +0200
Subject: Re: Warr Questions
From: Pohon-Kelapa@t-online.de (Martin Tauchen)
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 Ehmmmmm,

ask Emmet (Chapman),what opinion he has about the Warr-guitars.

Warr brought Emmet nearly to a position -a few years ago-where he 
really was nearly close to a decision to "burry" the Chapman Stick.

The Warr Guitars own a kind of Behringerism. ;-)

Fortunately Emmet continued his work.

For me,the injection molded Stick is my perfect beast.Maybe a little heavy.I
play also a Grand Stick
and a Stickbass.Missing in this collection is only the NS-Stick.

Mostly I use the Polycarbonate Stick.This is the Tool for all cases.Full and
splendid sound.
Perfect for looping and advanced Filtering.

Of course Stick and Warr-gits are not OT in LD.They are perfect for
loopers.With a wide range and
a wonderful sound,wich waits only to be looped andshaped again and again and
again....

Marty 

>Von: glenn <glenn234@pacbell.net>
>An: Loopers-Delight@loopers-delight.com
>Betreff: Re: Warr Questions
>Datum: Fre, 13. Jul 2001 3:46 Uhr
>

>What's off topic about it? these are awesome original instruments and
>perfect for looping. Anyway, I'd love to hear more about this, please?
>
>on 7/12/01 4:57 PM, Mark Landman at landman@wco.com wrote:
>
>> Warr Guitar vs. Stick
>

From Loopers-Delight-request@loopers-delight.com  Fri Jul 13 11:30:22 2001
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Those $79 Filter Queens look might enticing... -Miko

>>> Nemoguitt@aol.com 07/12/01 06:10PM >>>
In a message dated 7/12/01 7:48:42 PM Eastern Daylight Time, 
Mike.Biffle@asml.com writes:


> and have ignored all the stuff in my rack for over a month. I figure I'll 
> get back to it, but it's a sad state of affairs.
> 

if i dont have every piece of my equipment turned on and maxed out ( turned 
to 11) volume excluded of course, my family asks "well why did ya get that 
box.....dad?", i think buying that electrix stuff sent them over the edge, 
then when i got 12 10 foot cables and put it all together, they came back to 
my side because "oh!.....look at all them lites!".....i still sleep with one 
eye open.....:)m

From Loopers-Delight-request@loopers-delight.com  Fri Jul 13 12:00:22 2001
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Subject: Re: Repeater in 10 days!?!?!
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Bret (12:47 AM 07.13.2001) wrote:

 >--- Mark Pulver <mark@redmoon-music.com> wrote:
 >>Functionality is all there, the manual is complete,
 >> and they've been "code complete" for a while. It's all about
 >last->minute tweaks at this point.
 >>
 >> Mark
 >
 >If the last minute tweaks are not code, then what could they be?  In my
 >industry, "code complete" means you lock the code, the tweaks are done,
 >and the testing on the tweaks is done.

In the last couple of jobs I've been in (big and small, ISO 9001 and not), 
we call "code complete" meaning that the developers have completed what 
they feel is their pass to provide all the functionality that the spec 
calls for. At that point, you turn the product over to QA for a full test 
(versus unit tests or testing with known restrictions) and see what shakes out.

For example, the project I'm on now was "code complete" a couple of weeks 
ago, yet we're still in the code making changes. Our QA group is enjoying 
themselves finding certain Compact Flash parts that don't work, certain 
CD-ROM drives that cause the code to not show all files on a CDDA disc, 
operation issues with user-flow diagrams, etc.


 >When you tweak the code, you must regression test.

Yeup. Which is basically why this test cycle with Repeater is taking a while.


Mark 

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>  >--- Mark Pulver <mark@redmoon-music.com> wrote:
>  >>Functionality is all there, the manual is complete,
>  >> and they've been "code complete" for a while. It's all about
>  >last->minute tweaks at this point.
>  >>
>  >> Mark
>  >
>  >If the last minute tweaks are not code, then what could they be?  In my
>  >industry, "code complete" means you lock the code, the tweaks are done,
>  >and the testing on the tweaks is done.

Let's all applaud Electrix for NOT releasing a buggy product
to the market.  I have to feel that there's someone intelligent
back there who's determined that when it goes to market there
are not going to be any known bugs.  

And they are completely right.  In the hardware business, b
etter to be months and months late with a flawless
product than to be on-time with something that almost works.

   /t

-- 
semper ubi sub ubi

From Loopers-Delight-request@loopers-delight.com  Fri Jul 13 12:10:23 2001
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Double talk coming from Electrix?  In case no one remembers, last November
they announced it would be in stores in a few weeks, then a few days before
the release date they said, "We've got to redesign the power supply.  It
will be another 30-40 days."  That story also didn't ring true, and panned
out to not be.  Again, an Electrix salesman SWORE to me (at the Banannas at
Large demo) that the Repeater would be in stores the 15th of June.  That
day came and went too.  Don't hold your breath, is my position.

I know you're probably saying, "Mark, of course you're against Electrix, as
a major stockholder of Electos Inc breeders of the Againinator." but the
truth is, I WANT A REPEATER NOW!!!!!!!!  I am so jones'n for it, as are a
lot of us.  I admire them for not wanting to release a subpar product, but
I wish they'd just come clean and let us know the TRUTH.  We're a bright
bunch, and I'm sure we all understand that Electrix is a small company.  I
know no one stands to make billions (holds pinkie up to edge of lip) on the
Repeater.  I know it is a labor of love.  I'd love it if someone there just
said something like, "We're really having trouble with the code." or "The
factory shipped us units with slices of Pizza in each unit."  I'd get on
the sidelines, dust off my pom-poms and start rooting for the underdog.
This weird little leaking of info to the list just make me sad.  (pets
hairless cat)

Mark

Bret wrote:

> --- Mark Pulver <mark@redmoon-music.com> wrote:
> >Functionality is all there, the manual is complete,
> > and they've been "code complete" for a while. It's all about
> last->minute tweaks at this point.
> >
> > Mark
>
> If the last minute tweaks are not code, then what could they be?  In my
> industry, "code complete" means you lock the code, the tweaks are done,
> and the testing on the tweaks is done.
>
> When you tweak the code, you must regression test.
>
> I know nothing of the repeater particulars, I was just confused by the
> 2 comments that seemed contrary to one another.
> I hope the repeater is available soon.   Don't we all?
> Else there will be more againator design sessions here ;-)
> bret
>
> __________________________________________________
> Do You Yahoo!?
> Get personalized email addresses from Yahoo! Mail
> http://personal.mail.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Fri Jul 13 12:20:03 2001
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	 <Loopers-Delight@loopers-delight.com>
Subject: RE: Repeater in 10 days!?!?!
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We're a bright bunch, and I'm sure we all understand that Electrix is a
small company. 

** of course, the list is not hermetically sealed and people talk, getting
info out into the general public. you can decide for yourself if that would
be "good" for electrix. (and what with the sniping that goes on here
sometimes, i wonder about how bright we always are.)

also, i betcha they're not even particularly worried about this group right
now - - my bet is they need to get the damn thing out and make sure they
keep their cash flow happening . . . 

stig

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charset=3Diso-8859-1">
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<TITLE>RE: Repeater in 10 days!?!?!</TITLE>
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<P><FONT SIZE=3D2>We're a bright bunch, and I'm sure we all understand =
that Electrix is a small company. </FONT>
</P>

<P><FONT SIZE=3D2>** of course, the list is not hermetically sealed and =
people talk, getting info out into the general public. you can decide =
for yourself if that would be &quot;good&quot; for electrix. (and what =
with the sniping that goes on here sometimes, i wonder about how bright =
we always are.)</FONT></P>

<P><FONT SIZE=3D2>also, i betcha they're not even particularly worried =
about this group right now - - my bet is they need to get the damn =
thing out and make sure they keep their cash flow happening . . . =
</FONT></P>

<P><FONT SIZE=3D2>stig</FONT>
</P>

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From Loopers-Delight-request@loopers-delight.com  Fri Jul 13 12:26:41 2001
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Date: Fri, 13 Jul 2001 09:28:04 -0700
From: Richard Zvonar <zvonar@zvonar.com>
Subject: Re: Repeater in 10 days!?!?!
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Here's the latest from Alto Music:

The first batch of 20 units is due to be delivered to them within the 
first week or so, and that group of customers should have already 
been notified about when to expect theirs. The next batch of 30 units 
will arrive shortly after that, and that group of customers will be 
also be notified, probably by this weekend. All existing orders will 
supposedly be filled by the end of this month.

Orders will be filled in the order they were received. The earliest 
orders on Alto's list date from last September, and they are being 
filled first. My own order was placed in February, so it will be 
fulfilled out of a subsequent batch.

The person handling the orders is named Jen, and it sounds like she 
has things well under control. There is probably no need to call Alto 
to pester them about your order, but I imagine that if you haven't 
heard from them by next week it would be appropriate to e-mail them 
at <altomusic@altomusic.com>

Jen told me that she can't announce the price until the units are 
actually in the store, but that it would be lower than the recently 
$525 quoted by other vendors.
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

From Loopers-Delight-request@loopers-delight.com  Fri Jul 13 12:36:21 2001
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From: Andy Ewen <andy.ewen@trace-elliot.com>
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Subject: RE: Repeater in 10 days!?!?!
Date: Fri, 13 Jul 2001 11:32:17 -0500
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I have to agree here, being in design for a number of years, we've made some
horrendous blunders in the past trying to get a new product out before it
has been fully animalised, ('animalized' for those in the US). Thankfully,
we have learnt from those mistakes and have actually delayed product for
over a year before when we've not been totally happy with it. It's always
the design-engineers fault when a product goes wrong even if it's only
because we've overlooked the level of stupidity of a potential user. (don't
anyone take offence, LD subscribers are in a different league from some of
the Twats I've had to deal with, you'd be amazed what damage you can do with
a Bass amp given a random handful of brain cells). 
Andy @ Trace Elliot.


> -----Original Message-----
> From: Tom Ritchford [mailto:tom@swirly.com]
> Sent: 13 July 2001 17:07
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Repeater in 10 days!?!?!
> 
> 
> >  >--- Mark Pulver <mark@redmoon-music.com> wrote:
> >  >>Functionality is all there, the manual is complete,
> >  >> and they've been "code complete" for a while. It's all about
> >  >last->minute tweaks at this point.
> >  >>
> >  >> Mark
> >  >
> >  >If the last minute tweaks are not code, then what could 
> they be?  In my
> >  >industry, "code complete" means you lock the code, the 
> tweaks are done,
> >  >and the testing on the tweaks is done.
> 
> Let's all applaud Electrix for NOT releasing a buggy product
> to the market.  I have to feel that there's someone intelligent
> back there who's determined that when it goes to market there
> are not going to be any known bugs.  
> 
> And they are completely right.  In the hardware business, b
> etter to be months and months late with a flawless
> product than to be on-time with something that almost works.
> 
>    /t
> 
> -- 
> semper ubi sub ubi
> 

From Loopers-Delight-request@loopers-delight.com  Fri Jul 13 13:23:16 2001
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Anyone ever used one of these? It is my beloved, but is somewhat unreliable. 
I have taken it to the shop and now realize I should find a suitable 
Replacement/backup.
I was hoping the Headrush might have some of the same sonic qualities, but I 
haven't been able to find one in any stores. Maybe the DL4? A second looper 
to go with the rang certainly sweetens the deal.
N
_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

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In a message dated 7/13/01 1:20:19 PM Eastern Daylight Time, 
nickschillace@hotmail.com writes:


> A second looper 
> to go with the rang certainly sweetens the deal.
> 

the zoom 2100 has given me great pleasure.....i have been asking myself the 
question, "do i want more loopers or do i want more efx?".....i dont have an 
answer yet!.....of course "both" fit the bill perfectly.....but then again i 
look at the stuff i do have and come to the conclusion that i only know how 
to use 28% of it all, YET i want more stuff!.....im getting 
scared.....medication is not the answer.....:)m

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>In a message dated 7/13/01 1:20:19 PM Eastern Daylight Time, 
<BR>nickschillace@hotmail.com writes:
<BR>
<BR>
<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">A second looper 
<BR>to go with the rang certainly sweetens the deal.
<BR></BLOCKQUOTE>
<BR>
<BR>the zoom 2100 has given me great pleasure.....i have been asking myself the 
<BR>question, "do i want more loopers or do i want more efx?".....i dont have an 
<BR>answer yet!.....of course "both" fit the bill perfectly.....but then again i 
<BR>look at the stuff i do have and come to the conclusion that i only know how 
<BR>to use 28% of it all, YET i want more stuff!.....im getting 
<BR>scared.....medication is not the answer.....:)m</FONT></HTML>

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From Loopers-Delight-request@loopers-delight.com  Fri Jul 13 18:52:04 2001
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Date: Fri, 13 Jul 2001 18:45:43 -0400
To: Loopers-Delight@loopers-delight.com
From: Tim Nelson <tcn62@ici.net>
Subject: Re: Repeater in 10 days!?!?!
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At 08:27 AM 7/13/01 -0700, you wrote:
>Those $79 Filter Queens look might enticing... -Miko

Mine just arrived this afternoon (ordered Tuesday)! And so did the RC-20
(back-ordered since last month)! Guess what I'll be doing this weekend? 

-t

From Loopers-Delight-request@loopers-delight.com  Fri Jul 13 18:57:23 2001
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At 11:32 AM 7/13/01 -0500, Andy @ Trace Elliot wrote:
>...stupidity... 
>...some ofthe Twats I've had to deal with...
>...random handful of brain cells...

but i thohgt the custamer was allways saposed to be write (sic)

From Loopers-Delight-request@loopers-delight.com  Fri Jul 13 19:01:05 2001
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Date: Fri, 13 Jul 2001 15:57:48 -0700 (PDT)
From: philip raath <philraath@yahoo.com>
Subject: sp 202 issues
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i've never really experienced fidelity issues with the
202. my issue has been that in trying to create longer
samples (30 seconds plus) it might record it, but
eventually play back would fuck up about half way
through a sample, and continue looping the place where
it got stuck, plus sampling quantization noise etc.

now that the price is coming down, it really can't be
beat for the price. but they seem to be fragile. i
would suggest that anyone really try one out before
buying it used.

take care,

phil


=====
"Compassion is the sometimes fatal capacity for feeling what
it's like to live inside somebody else's skin.
 
 It is the knowledge that there can never really be any
peace and joy for me until there is peace and joy finally 
for you too." 
                                   -Frederick Buechner

__________________________________________________
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Get personalized email addresses from Yahoo! Mail
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From Loopers-Delight-request@loopers-delight.com  Fri Jul 13 19:42:41 2001
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Date: Fri, 13 Jul 2001 16:44:28 -0700
To: Loopers-Delight@loopers-delight.com
From: improv@peak.org (Dave Trenkel)
Subject: Re: sp 202 issues
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>i've never really experienced fidelity issues with the
>202. my issue has been that in trying to create longer
>samples (30 seconds plus) it might record it, but
>eventually play back would fuck up about half way
>through a sample, and continue looping the place where
>it got stuck, plus sampling quantization noise etc.

For whatever it's worth, I've never had that problem with mine, either
recording to the internal memory or to the smart card. I regularly record
really long samples to the card without any glitch.
>
>now that the price is coming down, it really can't be
>beat for the price. but they seem to be fragile. i
>would suggest that anyone really try one out before
>buying it used.

Agreed. It's a pretty limited piece of gear, but can be had for cheap and
can be fun if you can live with its limitations.

____________________________________________
Dave Trenkel : improv@peak.org
New & Improv Media
http://www.newandimprov.com
Now available: Minus: Dark Lit
____________________________________________


From Loopers-Delight-request@loopers-delight.com  Fri Jul 13 19:46:23 2001
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  Why don´t you simply buy a reissue MXR delay from Dunlop???


A


At 01:19 p.m. 13/07/01 -0400, you wrote:
>Anyone ever used one of these? It is my beloved, but is somewhat unreliable. 
>I have taken it to the shop and now realize I should find a suitable 
>Replacement/backup.
>I was hoping the Headrush might have some of the same sonic qualities, but I 
>haven't been able to find one in any stores. Maybe the DL4? A second looper 
>to go with the rang certainly sweetens the deal.
>N
>_________________________________________________________________
>Get your FREE download of MSN Explorer at http://explorer.msn.com
>
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Jul 13 21:22:15 2001
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Date: Fri, 13 Jul 2001 19:24:11 -0600
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Subject: OT:  The Guitar Cafe
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  Hi everyone, I thought some of you might be interested in this.  I've
just started a list called The Guitar Cafe, for guitarists in all styles of
music, for the discussion of technique, theory, creative ideas, anecdotes
around playing the instrument, and the sharing of musical snippets etc.  If
you'd like, you can visit it at:  

http://groups.yahoo.com/group/The-Guitar-Cafe 

  <smile>   -Hope to see you there, and Have a great weekend!, K?

Smiles,

Goddess

  


---

  "The only things I really think are important, are love, and eachother.
-Then, anything is possible..."


From Loopers-Delight-request@loopers-delight.com  Fri Jul 13 23:33:20 2001
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From: Will Brake <wbrake@home.com>
Organization: Soul Fruit
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Phil,

Ever consider the notion that you may have a failure with your unit? It
is possible that the reliability issue is a bad solder connection or
failed piece of circuitry. I've been repairing gear for a few decades
now and have seen about every possible failure. The majority seem to be
a function of a failed solder connection. Be it the connection itself or
the component further down the path. Just my two cents...

Be Well

Will Brake
Soul Fruit

Dave Trenkel wrote:
> 
> >i've never really experienced fidelity issues with the
> >202. my issue has been that in trying to create longer
> >samples (30 seconds plus) it might record it, but
> >eventually play back would fuck up about half way
> >through a sample, and continue looping the place where
> >it got stuck, plus sampling quantization noise etc.
> 
> For whatever it's worth, I've never had that problem with mine, either
> recording to the internal memory or to the smart card. I regularly record
> really long samples to the card without any glitch.
> >
> >now that the price is coming down, it really can't be
> >beat for the price. but they seem to be fragile. i
> >would suggest that anyone really try one out before
> >buying it used.
> 
> Agreed. It's a pretty limited piece of gear, but can be had for cheap and
> can be fun if you can live with its limitations.
> 
> ____________________________________________
> Dave Trenkel : improv@peak.org
> New & Improv Media
> http://www.newandimprov.com
> Now available: Minus: Dark Lit
> ____________________________________________
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n:Brake;Will
tel;cell:248-763-1103
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org:Soul Fruit
adr:;;2900 Rochester Road;Royal Oak;Michigan;48073;USA
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title:http://www.soul-fruit.com
fn:Will Brake
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--------------807CC314C806A4E4BCF06B00--

From Loopers-Delight-request@loopers-delight.com  Sat Jul 14 09:14:42 2001
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Subject: Re: Bleen here before
Date: Sat, 14 Jul 2001 08:44:55 +0100
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OK when I get round to it, I'll post you a copy -you can tell me what you
think.

Gareth


> i have a vortex and a kyma.
> i would be interested in emulating this effect as well,
> but i'm new to the kyma.  if you hook me up with your
> sound, i'll compare it to the original.
>
> off the top of my head, i'm thinking bleenb is
> a pitch shifter detune into a tapped delay with the
> delay feedback going through an amplitude modulator.
>
> i can also dig up the vortex manual if you need...
>
> >
> > Ok so far I've found out the following:-
> >
> > 'Bleen B is an echo diving into ring modulation '
> > and
> > 'Bleen, a ring modulator that decays into tremelo'
> >
> > Is it either/both/neither ?
> > I'm interested in emulating the effect using Kyma so I need to
understand
> > what's going on here.
> >
> > Thanks,
> >
> > Gareth
> >
> >
>
>

From Loopers-Delight-request@loopers-delight.com  Sat Jul 14 09:37:48 2001
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From: SoundFNR@aol.com
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Hi Gareth
best of luck with the Vortex emulation.
but remember, if you want to copy the
morph abilities of the Vortex then there's added
complications. quite often the parameters set 
for one algorithm will have no equivalent in another,
although you can hear that parameter change value as
you morph away from the relevant patch.
...for instance, you can morph between 2 different
patches, both of which have the echo volumes set to zero,
and sometimes you'll get audible echoes while morphing.
I call this "hidden parameters", but Lexicon are
somewhat mute on the subject .

Oh, and do keep posting your gig announcements,
it's still a long way for me, but I have friends in Penarth.


andy butler (Norwich UK)  
 <A HREF="http://members.aol.com/soundfnr/vortex.htm">Lexicon Vortex Database
</A>  

From Loopers-Delight-request@loopers-delight.com  Sat Jul 14 09:39:12 2001
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Subject: what is Bleen
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there are 2 Bleens
Bleen A is Shimmer B
Bleen B is Maze B

but don't tell anybody

From Loopers-Delight-request@loopers-delight.com  Sat Jul 14 10:23:36 2001
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i will be taking it down to CLUB CAFE in historic SOUTH SIDE (right off 
carson, on 12th st) this thursday the 19th.....i am opening for a lounge 
band, this should be very interesting.....i go on at 8:00.....there will be a 
cover charge, i dont know how much.....if anyone wants to join me, let me 
know.....:)m

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>i will be taking it down to CLUB CAFE in historic SOUTH SIDE (right off 
<BR>carson, on 12th st) this thursday the 19th.....i am opening for a lounge 
<BR>band, this should be very interesting.....i go on at 8:00.....there will be a 
<BR>cover charge, i dont know how much.....if anyone wants to join me, let me 
<BR>know.....:)m</FONT></HTML>

--part1_34.17d4f7fe.2881ae28_boundary--

From Loopers-Delight-request@loopers-delight.com  Sat Jul 14 10:36:40 2001
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<html><DIV>
<P><BR><BR></P>
<DIV></DIV>
<P>My, what a can of worms. I have had my Sp 202 for about 2.5 years, and it has never exhibited those types of problems. Check your smart media card, those things are not "immortal", they do go bad. If this is a used item, then maybe it was damaged ? Or maybe it is time for it to meet it's maker (literally...send it in for repair.. or just go to Guitar Center, use it as a tradin, and get the SP 303).</P>
<P>&nbsp;</P>
<P><BR><BR>&nbsp;</P></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<P></P>
<P align=center><STRONG>Lucien E. Darthard </STRONG><BR><EM><STRONG><FONT face="Times New Roman, Times, Serif">A Goal Is A Dream With A Deadline Placed On It.</FONT></STRONG></EM> <BR><STRONG><FONT face="Verdana, Geneva, Arial, Sans-serif" size=2>Cell Phone 1-773-578-3504 </FONT></STRONG><BR>http://go.to/ldarthard/ <BR></P><br clear=all><hr>Get your FREE download of MSN Explorer at <a href="http://explorer.msn.com">http://explorer.msn.com</a><br></p></html>

From Loopers-Delight-request@loopers-delight.com  Sat Jul 14 12:34:37 2001
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Yes, I've mentioned the idea of morphing parameter settings to Symbolic
Sound and they've put it on their, (presumably enormous) list of things to
do. Maybe you could give them a nudge too ?
I'm hoping to use 2 Leslies and a plethora of piezo tweeters mounted on mic
stands around the room in my next gig in a couple of weeks time - you're
very welcome!

Best,

Gareth


> Hi Gareth
> best of luck with the Vortex emulation.
> but remember, if you want to copy the
> morph abilities of the Vortex then there's added
> complications. quite often the parameters set
> for one algorithm will have no equivalent in another,
> although you can hear that parameter change value as
> you morph away from the relevant patch.
> ...for instance, you can morph between 2 different
> patches, both of which have the echo volumes set to zero,
> and sometimes you'll get audible echoes while morphing.
> I call this "hidden parameters", but Lexicon are
> somewhat mute on the subject .
>
> Oh, and do keep posting your gig announcements,
> it's still a long way for me, but I have friends in Penarth.
>
>
> andy butler (Norwich UK)
>  <A HREF="http://members.aol.com/soundfnr/vortex.htm">Lexicon Vortex
Database
> </A>
>

From Loopers-Delight-request@loopers-delight.com  Sat Jul 14 16:34:01 2001
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From Loopers-Delight-request@loopers-delight.com  Sat Jul 14 22:46:16 2001
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From: "Mike Feeney" <feeneymike@yahoo.com>
To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
Subject: pci sound card?
Date: Sat, 14 Jul 2001 21:45:13 -0500
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	Hey again,

	I'm looking for a PCI sound card for my PC (Win98SE).  Hoping for one that
will allow me to record multiple tracks simultaneously (4 or more).  Any
recommendations?  There are loads of them out there; it's kind of daunting
to try to pick one out.  Thanks in advance...

	Mike



_________________________________________________________
Do You Yahoo!?
Get your free @yahoo.com address at http://mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Sat Jul 14 23:19:35 2001
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Date: Sat, 14 Jul 2001 20:49:11 -0700
From: glenn <glenn234@pacbell.net>
Subject: Re: pci sound card?
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One friend is very happy using Lexicon Core II with Cubase on a 600Mhz Intel
Sys, says it's a great multiple I/O board and recently only 149 dollars on
sale at guitar center!!!!


> 
> Hey again,
> 
> I'm looking for a PCI sound card for my PC (Win98SE).  Hoping for one that
> will allow me to record multiple tracks simultaneously (4 or more).  Any
> recommendations?  There are loads of them out there; it's kind of daunting
> to try to pick one out.  Thanks in advance...
> 
> Mike

From Loopers-Delight-request@loopers-delight.com  Sun Jul 15 02:35:27 2001
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From: "omjn" <eightohm@iinet.net.au>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: pci sound card?
Date: Sun, 15 Jul 2001 14:33:20 +0800
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hi

also check out the hoontech range.

www.hoontech.com

omjn

> -----Original Message-----
> From: glenn [mailto:glenn234@pacbell.net]
> Sent: Sunday, 15 July 2001 11:49 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: pci sound card?
>
>
> One friend is very happy using Lexicon Core II with Cubase on a
> 600Mhz Intel
> Sys, says it's a great multiple I/O board and recently only 149 dollars on
> sale at guitar center!!!!
>
>
> >
> > Hey again,
> >
> > I'm looking for a PCI sound card for my PC (Win98SE).  Hoping
> for one that
> > will allow me to record multiple tracks simultaneously (4 or more).  Any
> > recommendations?  There are loads of them out there; it's kind
> of daunting
> > to try to pick one out.  Thanks in advance...
> >
> > Mike
>
>

From Loopers-Delight-request@loopers-delight.com  Sun Jul 15 09:02:14 2001
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Date: Sun, 15 Jul 2001 08:55:48 EDT
Subject: Re: pci sound card?
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>> > I'm looking for a PCI sound card for my PC (Win98SE).  Hoping
>> for one that
>> > will allow me to record multiple tracks simultaneously (4 or more).
> Any
>> > recommendations?  There are loads of them out there; it's kind
>> of daunting
>> > to try to pick one out.  Thanks in advance...
i've been using the motu 2408 system, but am considering switching to rme 
hammerfall dsp for its low latency/bulletproofiness/etc.
best,
dt / s-c

From Loopers-Delight-request@loopers-delight.com  Sun Jul 15 10:40:35 2001
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Date: Sun, 15 Jul 2001 07:43:41 -0700
From: Doug Lawrence <dlawren@pacbell.net>
Subject: RE: pci sound card?
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I hate to keep referring to this site, but it's very useful ...

http://www.samplenet.co.uk/CategoryDefault.asp?Category=Soundcards

Plus, Sound on Sound has some great reviews as well in their archives ...

http://www.sospubs.co.uk/search/query.asp


-----Original Message-----
From: Mike Feeney [mailto:feeneymike@yahoo.com]
Sent: Saturday, July 14, 2001 7:45 PM
To: Loopers Delight
Subject: pci sound card?





	Hey again,

	I'm looking for a PCI sound card for my PC (Win98SE).  Hoping for one that
will allow me to record multiple tracks simultaneously (4 or more).  Any
recommendations?  There are loads of them out there; it's kind of daunting
to try to pick one out.  Thanks in advance...

	Mike



_________________________________________________________
Do You Yahoo!?
Get your free @yahoo.com address at http://mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Sun Jul 15 12:46:05 2001
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Date: Sun, 15 Jul 2001 18:52:59 +0200
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From: Junkie G <rauboto@dragonet.es>
Subject: OT: RE: pci sound card?
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At 07:43 a.m. 15/07/01 -0700, you wrote:

consider the echo GINA24 if it's in your price range ...
2analog inputs+2optical(s/pdif - adat switchable)+2rca (s/pdif)
8analog outs 
96khz/24bits

cheers,
Junkie G

Tapeadores
http://www.dragonet.es/users/d3055/tap

"cheers from catalonia,
which language, people 
and culture have been harassed
by centralists in spain through the years"

From Loopers-Delight-request@loopers-delight.com  Sun Jul 15 13:09:41 2001
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Subject: Re: Gizmo
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Fascinating -thanks.

Gareth
  ----- Original Message -----=20
  From: Julio Moreno=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Saturday, July 14, 2001 9:38 PM
  Subject: Gizmo


  http://hammer.ampage.org/files/Device1-2.PDF

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<DIV><FONT face=3DArial size=3D2>Fascinating -thanks.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Gareth</FONT></DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: =
0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A href=3D"mailto:ciego@ig.com.br" title=3Dciego@ig.com.br>Julio =
Moreno</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  href=3D"mailto:Loopers-Delight@loopers-delight.com"=20
  =
title=3DLoopers-Delight@loopers-delight.com>Loopers-Delight@loopers-delig=
ht.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Saturday, July 14, 2001 =
9:38=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Gizmo</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial size=3D2><A=20
  =
href=3D"http://hammer.ampage.org/files/Device1-2.PDF">http://hammer.ampag=
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From Loopers-Delight-request@loopers-delight.com  Sun Jul 15 13:31:44 2001
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Date: Sun, 15 Jul 2001 10:35:13 -0700
Subject: FS: Roland GP100 and FC200
From: Mark Hamburg <mark_hamburg@baymoon.com>
To: "Looper's Delight" <Loopers-Delight@loopers-delight.com>
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I'm gearing up to list these on eBay, but never having done that before and
having had good luck doing business with other members of this list, I
figured I'd start here.

Roland GP100 and FC200 with manuals and power adapter for the FC200 (the
GP100 doesn't need one). These are in good condition. The GP100 has a slight
dent in the top but functions just fine.

Asking $550 plus shipping.

Thanks.
Mark

From Loopers-Delight-request@loopers-delight.com  Sun Jul 15 14:26:39 2001
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Subject: Re: pci sound card?
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I use a lexicon core 2 which are being blown out dirt cheap at the moment, 4
ins, 8 outs, lightpipe ,spdif, optical, 24bit quality and 6ms latency - ie
undetectable.

Gareth

> >> > I'm looking for a PCI sound card for my PC (Win98SE).  Hoping
> >> for one that
> >> > will allow me to record multiple tracks simultaneously (4 or more).
> > Any
> >> > recommendations?  There are loads of them out there; it's kind
> >> of daunting
> >> > to try to pick one out.  Thanks in advance...


From Loopers-Delight-request@loopers-delight.com  Sun Jul 15 18:00:35 2001
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Date: Sun, 15 Jul 2001 14:58:26 -0700 (PDT)
From: philip raath <philraath@yahoo.com>
Subject: sp 202 issues
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hey, thank you all very much for the input. i'm
begginning to think i should have it looked at
eventually. i would send it in, but i was an ignorant
17 year old when i bought the thing, which was a
display unit, and never thought to ask, "hey, where's
my warranty card?"

anyway, thanks again.

take care, 

phil












Ever consider the notion that you may have a failure
with your unit? It
is possible that the reliability issue is a bad solder
connection or
failed piece of circuitry. I've been repairing gear
for a few decades
now and have seen about every possible failure. The
majority seem to be
a function of a failed solder connection. Be it the
connection itself 
or
the component further down the path. Just my two
cents...

Be Well

Will Brake
Soul Fruit

Dave Trenkel wrote:
> 
> >i've never really experienced fidelity issues with
the
> >202. my issue has been that in trying to create
longer
> >samples (30 seconds plus) it might record it, but
> >eventually play back would fuck up about half way
> >through a sample, and continue looping the place
where
> >it got stuck, plus sampling quantization noise etc.
> 
> For whatever it's worth, I've never had that problem
with mine, 
either
> recording to the internal memory or to the smart
card. I regularly 
record
> really long samples to the card without any glitch.
> >
> >now that the price is coming down, it really can't
be
> >beat for the price. but they seem to be fragile. i
> >would suggest that anyone really try one out before
> >buying it used.
> 
> Agreed. It's a pretty limited piece of gear, but can
be had for cheap 
and
> can be fun if you can live with its limitations.
> 

=====
"Compassion is the sometimes fatal capacity for feeling what
it's like to live inside somebody else's skin.
 
 It is the knowledge that there can never really be any
peace and joy for me until there is peace and joy finally 
for you too." 
                                   -Frederick Buechner

__________________________________________________
Do You Yahoo!?
Get personalized email addresses from Yahoo! Mail
http://personal.mail.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Sun Jul 15 18:11:11 2001
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got a frontier dakota in excellent condition i'll let go for a great 
deal.......i'm upgrading to a hammerfall.
email me for more details.
brian

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=3 FAMILY="SCRIPT" FACE="Comic Sans MS" LANG="0">got a frontier dakota in excellent condition i'll let go for a great 
<BR>deal.......i'm upgrading to a hammerfall.
<BR>email me for more details.
<BR>brian</FONT></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sun Jul 15 18:35:05 2001
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From: "Kevin Mulvihill" <kmulvihill@mediaone.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: pci sound card? Yamaha DSP Factory...
Date: Sun, 15 Jul 2001 15:33:21 -0700
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Hi Mike,

I've got a Yamaha DSP Factory with Digital I/O ($1295 list), that I'll let
go for $300 plus shipping. It's essentially a brand new card... it's on my
new dedicated audio computer, so it's only got about 10 hours of time on it!
It doesn't sport a MIDI interface so that's why I'd be interested in
selling.

If you're not familiar with this card... "When installed inside a personal
computer, the DS2416 digital mixing card offers the mixing power of the
successful Yamaha 02R digital mixer plus 16 tracks of hard disk recording
with up to 32-bit resolution. The DSP Factory is perhaps the first
comprehensive digital mixing and recording system available, providing
full-time 24-channel digital mixing and two of Yamaha's top-quality digital
effects processors, without having to rely on the computer's internal
processing power.

Additionally, the DS2416 card includes an audio-streaming engine which
provides 8 tracks of simultaneous recording to, and 16 tracks playback from,
the computer's disk drive."

The nice thing about this card for you, Mike, is the 8 tracks of
simultaneous recording and the fact that the card is DSP-based. The
advantage of a DSP-based system is that it offloads processing work from the
computer's CPU, which in turn means that the card will run on just about any
clunker you care to put it in.

Best bet for further info is the Yamaha site, where you'll have to do a
search for the DS2416. The brochure and Owner's Manual are worth perusing.

For reviews, check out:
http://www.computermusic.co.uk/reviews/h2hsoundcards2/ds2416.asp
http://www.yamaha.com/proaudio/SHOWCASE/REVIEWS/review23.htm

Let me know (preferably offline) if you're interested...
Kevin


> 	Hey again,
>
> 	I'm looking for a PCI sound card for my PC (Win98SE).
> Hoping for one that
> will allow me to record multiple tracks simultaneously (4 or more).  Any
> recommendations?  There are loads of them out there; it's kind of daunting
> to try to pick one out.  Thanks in advance...
>
> 	Mike

From Loopers-Delight-request@loopers-delight.com  Sun Jul 15 19:03:48 2001
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If you feel it's under warranty, don't worry about not having filled out
the card.  Most states have a law that basically gives you right to all
warrantees regardless of whether you registered your product.
Purchasing and having proof of that transaction is sufficient.  Just
bring it to the place you bought it.

Mark

philip raath wrote:

> hey, thank you all very much for the input. i'm
> begginning to think i should have it looked at
> eventually. i would send it in, but i was an ignorant
> 17 year old when i bought the thing, which was a
> display unit, and never thought to ask, "hey, where's
> my warranty card?"
>
> anyway, thanks again.
>
> take care,
>
> phil
>
> Ever consider the notion that you may have a failure
> with your unit? It
> is possible that the reliability issue is a bad solder
> connection or
> failed piece of circuitry. I've been repairing gear
> for a few decades
> now and have seen about every possible failure. The
> majority seem to be
> a function of a failed solder connection. Be it the
> connection itself
> or
> the component further down the path. Just my two
> cents...
>
> Be Well
>
> Will Brake
> Soul Fruit
>
> Dave Trenkel wrote:
> >
> > >i've never really experienced fidelity issues with
> the
> > >202. my issue has been that in trying to create
> longer
> > >samples (30 seconds plus) it might record it, but
> > >eventually play back would fuck up about half way
> > >through a sample, and continue looping the place
> where
> > >it got stuck, plus sampling quantization noise etc.
> >
> > For whatever it's worth, I've never had that problem
> with mine,
> either
> > recording to the internal memory or to the smart
> card. I regularly
> record
> > really long samples to the card without any glitch.
> > >
> > >now that the price is coming down, it really can't
> be
> > >beat for the price. but they seem to be fragile. i
> > >would suggest that anyone really try one out before
> > >buying it used.
> >
> > Agreed. It's a pretty limited piece of gear, but can
> be had for cheap
> and
> > can be fun if you can live with its limitations.
> >
>
> =====
> "Compassion is the sometimes fatal capacity for feeling what
> it's like to live inside somebody else's skin.
>
>  It is the knowledge that there can never really be any
> peace and joy for me until there is peace and joy finally
> for you too."
>                                    -Frederick Buechner
>
> __________________________________________________
> Do You Yahoo!?
> Get personalized email addresses from Yahoo! Mail
> http://personal.mail.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Sun Jul 15 20:09:31 2001
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Subject: <unitygain> midsummer marathon-july 17&18
From: David Myers <dmgraph@earthlink.net>
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> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

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come dock with the  UG  mothership
sitting pretty in the heart of  Time Square
@ Chashama's "Theater 135"  135  West 42nd St

"re-vasion of the micro podz"
that's right...  we're here...  it's clear...  so get used to it...

2 sprawling programs of non-stop NY style 'electro-pod'  [ Live PA  ]
performances...

[ during the mac expo ]

day one... july 17th... "digital  vs. analog"

day two... july 18th...  "analog  vs. digital"

30 of NY's finest electronic sound artists  ---
running live digital, analog, and hybrid solo soundsystems
ponder the significance of such categories ---

within the  UG  integrated multi screen  realtime   livemix video matrix

7 hours per day:   7pm - 2am
with space to listen, look, & move
&  affordable refreshments on site

all  for a measley 10 $ per nite...  ( half price up to 9pm )

so stop by after the javits and purge your teklust...






tuesday
mark c./ qpe / koosil-ja / christina wheeler / lucas ligeti / tom ritchford
/ nicolas mazet / keith strand / secret agent gel / daryll hell
/ urban rhythm / somatic  / teledubgnosis /  ylyptyk*
circuit redux

wednesday:
charles cohen / o.blaat / handheld soundsystem / karthik swaminathan
/ kid lucky / sporangia / yusuke yamamoto / matthew ostrowski
/ david lee myers / quasi sutro / criterion & doilly / geoff gersch
/ david sparks  / brian moran  / david linton

video krewe:
day one:
maze = nancy meli walker / vishwanath (owen) bush /
benton-C bainbridge
day two:
anney bonney / kurt ralske / benton-C bainbridge

unitygain   nyc's floating interactive platform for realtime electronic
audio-visual performance   -  now in it's third year   -  brought to you by
the hausofouch.







[ everybody says they're doing it .... but nobody's doing it better... ]







http://www.unitygain.org

please check  the website for late breaking lineup particulars...

or call :   212 712 1350

"Every "object" presupposes the continuity of a flow, every flow, the
fragmentation of the object. "
Giles Deleuze & Felix Guartari














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<HTML>
<HEAD>
<TITLE>&lt;unitygain&gt; midsummer marathon-july 17&amp;18</TITLE>
</HEAD>
<BODY BGCOLOR=3D"#000080">
<BR>
<BR>
<BR>
<BR>
<P ALIGN=3DCENTER>
<BLOCKQUOTE><BLOCKQUOTE><BLOCKQUOTE><BLOCKQUOTE><FONT COLOR=3D"#FF8E02"><B><B=
R>
come dock with the &nbsp;</B></FONT><B><FONT COLOR=3D"#00FF00">UG </FONT><FON=
T COLOR=3D"#FF8E02"> mothership <BR>
sitting pretty in the heart of &nbsp;</FONT><FONT COLOR=3D"#00FF00">Time Squa=
re<BR>
@</FONT><FONT COLOR=3D"#FF8E02"> Chashama's</FONT><FONT COLOR=3D"#00FF00"> &quo=
t;Theater 135&quot; </FONT><FONT COLOR=3D"#FF8E02"> 135 &nbsp;West 42nd St<BR>
<BR>
</FONT><FONT COLOR=3D"#00FF00">&quot;<FONT SIZE=3D"7">re-vasion of the micro po=
dz</FONT>&quot;<BR>
</FONT></B><FONT COLOR=3D"#FF8E02"><FONT SIZE=3D"2">that's right... &nbsp;we're=
 here... &nbsp;it's clear... &nbsp;so get used to it...<BR>
</FONT><B><BR>
</B></FONT><B><FONT COLOR=3D"#00FF00"><FONT SIZE=3D"5">2</FONT> sprawling progr=
ams of non-stop NY style</FONT><FONT COLOR=3D"#FF8E02"> '</FONT><FONT COLOR=3D"#=
00FF00">electro-pod</FONT><FONT COLOR=3D"#FF8E02">' &nbsp;[ </FONT><FONT COLOR=
=3D"#00FF00">Live PA &nbsp;</FONT><FONT COLOR=3D"#FF8E02">] </FONT><FONT COLOR=3D"=
#00FF00"> performances...<BR>
</FONT><FONT COLOR=3D"#FF8E02"><BR>
[</FONT><FONT COLOR=3D"#00FF00"> during the mac expo</FONT><FONT COLOR=3D"#FF8E=
02"> ]<BR>
<BR>
day one...</FONT><FONT COLOR=3D"#00FF00"><FONT SIZE=3D"5"> july 17th... &quot;<=
I>digital &nbsp;</I></FONT><I>vs.<FONT SIZE=3D"5"> analog</FONT></I><FONT SIZE=
=3D"5">&quot;<BR>
</FONT></FONT><FONT COLOR=3D"#FF8E02"><BR>
day two...</FONT><FONT COLOR=3D"#00FF00"><FONT SIZE=3D"5"> july 18th... &nbsp;&=
quot;<I>analog &nbsp;</I></FONT><I>vs.<FONT SIZE=3D"5"> digital</FONT></I><FON=
T SIZE=3D"5">&quot;<BR>
</FONT></FONT><FONT COLOR=3D"#FF8E02"><BR>
30 of NY's finest electronic sound artists </FONT><FONT COLOR=3D"#00FF00"> </=
FONT></B><FONT COLOR=3D"#00FF00">--- <B> <BR>
</B><I>running live digital, analog, and hybrid solo soundsystems<BR>
ponder the significance of such categories ---<BR>
</I><BR>
<B>within the <I> </I></B></FONT><B><I><FONT COLOR=3D"#FF8E02"><FONT SIZE=3D"5"=
>U</FONT></FONT></I><FONT COLOR=3D"#FF8E02">G &nbsp;</FONT><FONT COLOR=3D"#00FF0=
0">integrated multi screen &nbsp;realtime &nbsp;</FONT><FONT COLOR=3D"#FF8E02"=
> <U>livemix video matrix<BR>
</U><BR>
7 hours per day: &nbsp;&nbsp;7pm - 2am<BR>
</FONT><FONT COLOR=3D"#00FF00">with space to listen, look, &amp; move <BR>
&amp; &nbsp;affordable refreshments on site<BR>
</FONT><FONT COLOR=3D"#FF8E02"><BR>
all &nbsp;for a measley 10 $ per nite... &nbsp;( half price up to 9pm )<BR>
<BR>
</FONT><FONT COLOR=3D"#00FF00">so stop by after the javits and purge your tek=
lust...<BR>
</FONT></B><BR>
<BR>
<BR>
<BR>
<P>
<FONT COLOR=3D"#FF8E02"><BR>
<FONT SIZE=3D"5"><B><U>tuesday<BR>
</U></B></FONT></FONT><B><FONT COLOR=3D"#00FF00"><FONT SIZE=3D"4">mark c./ qpe =
/ koosil-ja / christina wheeler / lucas ligeti / tom ritchford<BR>
/ nicolas mazet / keith strand / secret agent gel / daryll hell<BR>
/ urban rhythm / somatic &nbsp;/ teledubgnosis / &nbsp;ylyptyk*<BR>
circuit redux<BR>
</FONT></FONT><FONT SIZE=3D"4"><FONT COLOR=3D"#FF8E02"><BR>
</FONT></FONT><FONT COLOR=3D"#FF8E02"><FONT SIZE=3D"5"><U>wednesday:<BR>
</U></FONT></FONT><FONT COLOR=3D"#00FF00"><FONT SIZE=3D"4">charles cohen / o.bl=
aat / handheld soundsystem / karthik swaminathan<BR>
/ kid lucky / sporangia / yusuke yamamoto / matthew ostrowski<BR>
/ david lee myers / quasi sutro / criterion &amp; doilly / geoff gersch<BR>
/ david sparks &nbsp;/ brian moran &nbsp;/ david linton<BR>
</FONT></FONT></B><FONT COLOR=3D"#FF8E02"><BR>
<FONT SIZE=3D"5"><B><U>video krewe:<BR>
</U></B></FONT>day one:<BR>
</FONT><FONT COLOR=3D"#00FF00"><FONT SIZE=3D"4"><B>maze =3D nancy meli walker / v=
ishwanath (owen) bush / <BR>
benton-C bainbridge<BR>
</B></FONT></FONT><FONT COLOR=3D"#FF8E02">day two:<BR>
</FONT><FONT COLOR=3D"#00FF00"><FONT SIZE=3D"4"><B>anney bonney / kurt ralske /=
 benton-C bainbridge<BR>
</B></FONT></FONT><FONT COLOR=3D"#FF8E02"><BR>
</FONT><FONT COLOR=3D"#00FF00"><FONT SIZE=3D"7"><B>unitygain</B></FONT></FONT><=
B><FONT COLOR=3D"#FF8E02"><FONT SIZE=3D"5"> </FONT> &nbsp;nyc's floating interac=
tive platform for realtime electronic audio-visual performance &nbsp;<FONT S=
IZE=3D"5"> </FONT></FONT><FONT SIZE=3D"5"><FONT COLOR=3D"#00FF00">-</FONT><FONT CO=
LOR=3D"#FF8E02"> </FONT></FONT><FONT COLOR=3D"#FF8E02"> now in it's third year <=
FONT SIZE=3D"5"> &nbsp;</FONT></FONT><FONT SIZE=3D"5"><FONT COLOR=3D"#00FF00">-</F=
ONT><FONT COLOR=3D"#FF8E02"> </FONT></FONT><FONT COLOR=3D"#FF8E02"> brought to y=
ou by &nbsp;&nbsp;</FONT><FONT COLOR=3D"#00FF00"><U>the hausofouch.<BR>
</U></FONT></B><BR>
<BR>
<BR>
<BR>
<BR>
<P ALIGN=3DCENTER>
<FONT COLOR=3D"#FF8E02"><B><U><BR>
[ </U></B></FONT><FONT COLOR=3D"#00FF00">everybody says they're doing it ....=
 but nobody's doing it better... </FONT><FONT COLOR=3D"#FF8E02"><B><U>]<BR>
</U></B></FONT><BR>
<BR>
<BR>
<BR>
<BR>
<P>
<FONT COLOR=3D"#FF8E02"><BR>
</FONT><FONT COLOR=3D"#0000FF"><FONT SIZE=3D"5"><U>http://www.unitygain.org<BR>
</U></FONT></FONT><FONT COLOR=3D"#FF8E02"><BR>
please check &nbsp;the website for late breaking lineup particulars...<BR>
<BR>
or call : &nbsp;<FONT SIZE=3D"7"><B> </B></FONT></FONT><FONT SIZE=3D"7"><B><FON=
T COLOR=3D"#0000FF">212 712 1350<BR>
</FONT></B></FONT><FONT COLOR=3D"#FF8E02"><BR>
</FONT><FONT COLOR=3D"#00FF00">&quot;<FONT SIZE=3D"2">Every &quot;object&quot; =
presupposes the continuity of a flow, every flow, the fragmentation of the o=
bject. &quot;<BR>
Giles Deleuze &amp; Felix Guartari</FONT> <BR>
<BR>
</FONT></BLOCKQUOTE></BLOCKQUOTE></BLOCKQUOTE>
<P ALIGN=3DCENTER>
<BR>
<BR>
<BR>
<FONT COLOR=3D"#00FF00"><BR>
<BR>
</FONT></BLOCKQUOTE><BR>
<BR>
<BR>
<P>
<FONT COLOR=3D"#00FF00"><BR>
</FONT>
</BODY>
</HTML>


--MS_Mac_OE_3078072412_29602_MIME_Part--

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Subject: Gear For sale
Date: Sun, 15 Jul 2001 19:32:47 -0500
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Hello,


First I would just like to thank everyone for thier informative

responses to my klien question, you helpled alot.

I was going to sell all this stuff for inflated prices on ebay but I will 
give you first shot

Here is my gear for sale list:

Custom 3ms Shound Shimmer Series built into a 2 space rack. Insane foot 
control and extra mod(3 curcuit bend)
The unmodded pedals would cost $700 and an long wait.
Rack for $400....Firm

  Octave Greek Mandolin 150$ ( a little sratched up but plays fine)

Vintage bowl back madolin with case 100$ paid 400$

Hand made mountian Dulcimer with case for 75$

G&l sc 2 guitar no case, has been recently professionally set up with 9's. 
this was my dedicated noise guitar(microcassetts through pus, smokey amp 
resting on strings,ect you get the idea)
but I replaced with a jerry jones. All yors for 200$, a steal. A few dings 
on body.

Peavey quadraphonic powered mixer. Five Channel Two XLR ins 2 aux sends. 
Each channel can be sent in varying amount to any of the 4 20watt powered 
outputs. Also has line outs.
175$



Taking Offers for

198 Second EDP with foot controller mint in boxes with manual


50 Second Edp no Foot controller

Digitech PMC 10 footcontroller in box with manual and programmer

Roland Spv-355 Guitar Synthesizer



Please feel free to make me any offers including anything you might have to 
trade throw in anything you can thing think of. I have had deals where I was 
boke down over a couple of 1/4 cables.

Thanks,
Jeremiah
_________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Sun Jul 15 20:44:30 2001
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Hello agian list,


All of your help in regards to my klein questions was very informative and 
appreciated, but I have some more.


Some said that I wanted to have a real klein because of its authenticity. I 
do really like klein but the cost and availibility make me think a copy 
could easily be had. Are the methods so refined and unique that they cant be 
copied? How would a guitar that used the same woods, scale lenght, body 
shape and electronics sound any different than a klien? I am not being 
facetious I am really curious. Also dose anyone know much about klein  
costruction, I went to klien guitars a few months ago and Lorenzo was very 
nice just a little secretive about a few things (like how many they make a 
year and things like that)

Also I was thinking of getting a stienberger with transtrem until my klein 
gets here, and to see what I would like changed if I get a copy/hybrid of a 
stienberger or klien.


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From Loopers-Delight-request@loopers-delight.com  Sun Jul 15 20:51:34 2001
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Subject: Microphones/feedback 
Date: Sun, 15 Jul 2001 19:49:51 -0500
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Hello,

Sorry for all the Guitar posts but this list has a a higher concentration of 
klein players and innovative guitar players than any guitar based list I 
know of.

I am curious to what brand of microphones are good to mount on  guitars. I 
wonder if they pick up tranducer like guitar sounds or only gernerate 
feedback?

Also my experiences with feedback has always beed kind of frustrating 
because much of the time the feedback noises I get too much louder than my 
non feed back noises. Do I just need to get a compressor for more useful 
feedback?
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From Loopers-Delight-request@loopers-delight.com  Sun Jul 15 21:08:17 2001
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To: Loopers-Delight@loopers-delight.com
Subject: Prepared Guitar/ Alternatebridges
Date: Sun, 15 Jul 2001 20:06:36 -0500
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I was just thinking about putting a site up about prepared electric guitars 
and was wondering if any one would toss out some suggestions.


The ones i have so far  are


Works in progress of articles  about guitar hardware like:


Trans Trem

Hipshot tuners,benders and bridges

Sustainers like Sustainiac, ebow and Smokey amps over your

bridge.


I also have a running list of good found objects to prepared
a guitar with.

Hi tensioned metal springs over pick up are cool

Pieces of telescopic antennas make really good alternate bridges

plus whatever you can add

I would really like to build an online resource for experimental musician 
where I can have a growing encyclopedia for extended techniques.

Is there anyone out there who uses alternate bridges who can get a better 
output/sound of the string played far away from the pickup?

Thanks,

Jeremaih



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From Loopers-Delight-request@loopers-delight.com  Sun Jul 15 21:32:05 2001
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Subject: Re: More Klein Questions
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At 07:42 PM 7/15/01 -0500, George Washington wrote:
Are the methods so refined and unique that they cant be 
>copied? How would a guitar that used the same woods, scale lenght, body 
>shape and electronics sound any different than a klien?

Well, it's a bit of a cliche, but you get what you pay for. (Sometimes...)

Consider the Stratocaster (or the Les Paul, or any commercially successful
guitar design); there are lots of "strats" out there that aren't Fenders,
and they run the gamut from being horrible cheapo knockoffs to finely
crafted boutique instruments, all using the same scale length and body
shape, and sometimes purporting to use the same (or 'superior') woods and
electronics. It's not the fact that it's a copy that determines the quality
of the instrument per se, but if you want something that's going to
approach the workmanship of a Klein, it ain't gonna be cheap.

If you have a copy built, it's likely either going to be disappointing or
very expensive, and if you're going to shell out the bucks for a pricey
hand-crafted guitar, you'd probably be better off going with something
other than a copy. A luthier skilled enough to make a convincing Klein copy
would probably much rather build you something of his own design after
discussing with you what features, sound, ergonomics and materials you're
looking for.

If you know you ultimately REALLY want a Klein, but are balking at the
delay involved in having one built, rather than having something built for
you to tide you over until you can replace it with the real deal, you could
certainly find a quality off-the-shelf guitar that would serve you well as
a backup after the delivery of your dream Klein. If you specifically want a
headless guitar with trans-trem, a used Steinberger would be 1) infinitely
better than a _cheap_ Klein copy and 2) considerably more affordable than a
_good_ Klein copy. Why spend more than necessary or go to the trouble of
having something custom-built for you if intend to replace it as soon as
you can anyway?

If your heart is set on a Klein, the sooner you order it the sooner you'll
own it...

-t 

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In a message dated 07/15/2001 7:43:36 PM Central Daylight Time, 
jeremiah266@hotmail.com writes:


> How would a guitar that used the same woods, scale lenght, body 
> shape and electronics sound any different than a klien? I am not being 
> facetious I am really curious. Also dose anyone know much about klein  
> costruction, I went to klien guitars a few months ago and Lorenzo was very 
> nice just a little secretive about a few things (like how many they make a 
> year and things like that)
> 
> 

Make two guitars of the same shape, wood, electronics, and they will not 
sound exactly the same.  Change any of those factors, and they will be 
further apart.  I'm pretty sure that not even all Kleins sound identical, but 
they all fall within a certain characteristic range.

Lorenzo told me that every curve of the shape of that guitar has a purpose.  
Who am I to dispute that?  As for his business: what did you expect?   
Besides, if he told you all of his secrets, you'd certainly be closer to 
making one.  

I saw a Klein-clone on ebay once - it looked really good, nice exotic wood 
body (not basswood or swamp ash), and according to the text in the auction 
page, the neck was purchased from Klein.  If he had truly found the secret, 
as it were, then why was he selling the guitar on ebay?

Go buy a cheap Steinberger to play during your waiting period, and sell it 
when your Klein arrives.  Your life will change.

Kevin


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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>In a message dated 07/15/2001 7:43:36 PM Central Daylight Time, 
<BR>jeremiah266@hotmail.com writes:
<BR>
<BR>
<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">How would a guitar that used the same woods, scale lenght, body 
<BR>shape and electronics sound any different than a klien? I am not being 
<BR>facetious I am really curious. Also dose anyone know much about klein &nbsp;
<BR>costruction, I went to klien guitars a few months ago and Lorenzo was very 
<BR>nice just a little secretive about a few things (like how many they make a 
<BR>year and things like that)
<BR>
<BR></BLOCKQUOTE>
<BR>
<BR>Make two guitars of the same shape, wood, electronics, and they will not 
<BR>sound exactly the same. &nbsp;Change any of those factors, and they will be 
<BR>further apart. &nbsp;I'm pretty sure that not even all Kleins sound identical, but 
<BR>they all fall within a certain characteristic range.
<BR>
<BR>Lorenzo told me that every curve of the shape of that guitar has a purpose. &nbsp;
<BR>Who am I to dispute that? &nbsp;As for his business: what did you expect? &nbsp;&nbsp;
<BR>Besides, if he told you all of his secrets, you'd certainly be closer to 
<BR>making one. &nbsp;
<BR>
<BR>I saw a Klein-clone on ebay once - it looked really good, nice exotic wood 
<BR>body (not basswood or swamp ash), and according to the text in the auction 
<BR>page, the neck was purchased from Klein. &nbsp;If he had truly found the secret, 
<BR>as it were, then why was he selling the guitar on ebay?
<BR>
<BR>Go buy a cheap Steinberger to play during your waiting period, and sell it 
<BR>when your Klein arrives. &nbsp;Your life will change.
<BR>
<BR>Kevin
<BR></FONT></HTML>

--part1_be.175453ee.2883a3da_boundary--

From Loopers-Delight-request@loopers-delight.com  Mon Jul 16 01:53:41 2001
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Subject: Re: pci sound card?
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anybody have any info or a website for this hammerfall pci card?

thanks!

tony
tony-moore@juno.com

On Sun, 15 Jul 2001 18:09:53 EDT ENAT21213@aol.com writes:
got a frontier dakota in excellent condition i'll let go for a great 
deal.......i'm upgrading to a hammerfall. 
email me for more details. 
brian 
----__JNP_000_4534.7399.0b81
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.2919.6307" name=3DGENERATOR></HEAD>
<BODY>
<DIV>anybody have any info or a website for this hammerfall pci card?</DIV>
<DIV>&nbsp;</DIV>
<DIV>thanks!</DIV>
<DIV>&nbsp;</DIV>
<DIV>tony</DIV>
<DIV><A href=3D"mailto:tony-moore@juno.com">tony-moore@juno.com</A></DIV>
<DIV>&nbsp;</DIV>
<DIV>On Sun, 15 Jul 2001 18:09:53 EDT <A=20
href=3D"mailto:ENAT21213@aol.com">ENAT21213@aol.com</A> writes:</DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 10px; PADDING-LEFT: =
10px">
  <DIV><FONT face=3Darial,helvetica><FONT face=3D"Comic Sans MS" lang=3D0 =
size=3D3=20
  FAMILY=3D"SCRIPT">got a frontier dakota in excellent condition i'll let =
go for a=20
  great <BR>deal.......i'm upgrading to a hammerfall. <BR>email me for more=
=20
  details. <BR>brian</FONT> </FONT></DIV>
  <DIV>&nbsp;</DIV></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon Jul 16 02:03:12 2001
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Date: Sun, 15 Jul 2001 23:04:35 -0700
From: Richard Zvonar <zvonar@zvonar.com>
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At 10:41 PM -0700 7/15/01, tony moore wrote:
>anybody have any info or a website for this hammerfall pci card?

http://www.rme-audio.com/english/hammer/
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

From Loopers-Delight-request@loopers-delight.com  Mon Jul 16 02:13:04 2001
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hey richard,

thanks! 

i meant to talk to you the night of the feste and just never seemed to
get around to it. sorry! i loved the track you played that night. do you
have any other recordings i could get hold of? if you ever feel like
getting together to make music or just hang, i'd love to.

take care,

tony
818-563-6514 home
818-848-2570 lab
tony-moore@juno.com

On Sun, 15 Jul 2001 23:04:35 -0700 Richard Zvonar <zvonar@zvonar.com>
writes:
> At 10:41 PM -0700 7/15/01, tony moore wrote:
> >anybody have any info or a website for this hammerfall pci card?
> 
> http://www.rme-audio.com/english/hammer/
> -- 
> 
> ______________________________________________________________
> Richard Zvonar, PhD
> (818) 788-2202
> http://www.zvonar.com
> http://RZCybernetics.com
> http://www.cybmotion.com/aliaszone
> http://www.live365.com/cgi-bin/directory.cgi?autostart=rz
> 
> 

From Loopers-Delight-request@loopers-delight.com  Mon Jul 16 02:22:26 2001
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oops, meant to send that pmail, sorry! tho' the invite is also extended
to any la locals or anyone passing thru..

tony

On Sun, 15 Jul 2001 23:01:33 -0700 tony moore <tony-moore@juno.com>
writes:
> hey richard,
> 
> thanks! 
> 
> i meant to talk to you the night of the feste and just never seemed 
> to
> get around to it. sorry! i loved the track you played that night. do 
> you
> have any other recordings i could get hold of? if you ever feel 
> like
> getting together to make music or just hang, i'd love to.
> 
> take care,
> 
> tony
> 818-563-6514 home
> 818-848-2570 lab
> tony-moore@juno.com
> 
> On Sun, 15 Jul 2001 23:04:35 -0700 Richard Zvonar 
> <zvonar@zvonar.com>
> writes:
> > At 10:41 PM -0700 7/15/01, tony moore wrote:
> > >anybody have any info or a website for this hammerfall pci card?
> > 
> > http://www.rme-audio.com/english/hammer/
> > -- 
> > 
> > ______________________________________________________________
> > Richard Zvonar, PhD
> > (818) 788-2202
> > http://www.zvonar.com
> > http://RZCybernetics.com
> > http://www.cybmotion.com/aliaszone
> > http://www.live365.com/cgi-bin/directory.cgi?autostart=rz
> > 
> > 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Mon Jul 16 04:40:24 2001
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From: Andy Ewen <andy.ewen@trace-elliot.com>
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Subject: RE: Repeater in 10 days!?!?!
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But of course; when you're dealing with them one to one :)

> -----Original Message-----
> From: Tim Nelson [mailto:tcn62@ici.net]
> Sent: 13 July 2001 23:53
> To: Loopers-Delight@loopers-delight.com
> Subject: RE: Repeater in 10 days!?!?!
> 
> 
> At 11:32 AM 7/13/01 -0500, Andy @ Trace Elliot wrote:
> >...stupidity... 
> >...some of the Twats I've had to deal with...
> >...random handful of brain cells...
> 
> but i thohgt the custamer was allways saposed to be write (sic)
> 

From Loopers-Delight-request@loopers-delight.com  Mon Jul 16 07:11:30 2001
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Subject: jamman uk
Date: Mon, 16 Jul 2001 12:07:22 +0100
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This might be of interest to UK loopers.

Lexicon JamMan  Like-New, w/manual, 8 sec of Memory plus foot switch. US
power adapter, But can easily use UK adapters.
£240  Phone 0113-305-3506 or email nutune@metrowave.co.uk (Leeds) 02/07/01

Gareth

From Loopers-Delight-request@loopers-delight.com  Mon Jul 16 09:49:00 2001
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i was wondering what kinds of instruments are being looped by the users of 
this group. there are certainly lots of guitar players that are looping, and 
we definitely know about dj's...
im interested to know what other instruments are being looped out 
there...especially individually created instruments.
i am doing loops with a malletkat(midi marimba), synthesizers,  didjeridoos, 
and vocals.
so what else is going on out there?
  shane                                  circuithead_@hotmail.com

_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Mon Jul 16 10:08:51 2001
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To: <Loopers-Delight@loopers-delight.com>
References: <3.0.5.32.20010708042149.00798b20@mail.earthlink.net>
Subject: Re: Digitech Wh-1 question
Date: Mon, 16 Jul 2001 10:07:07 -0400
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The older original red Whammy 1 pedal was analog.

the Whammy II (black) was digital, but had a much easier parameter button
which is easily manipulated by foot.

The newer whammy I reissues are last in line for sound quality.  They too
are digital, but have a weaker sound than the whammy II.

-Benificent


----- Original Message -----
From: "Goddess" <thefates@earthlink.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, July 08, 2001 6:21 AM
Subject: Re: Digitech Wh-1 question


>   OK, I'm curious, people have been particular about these in the past,
> would someone mind terribly, going over the differences they're talking
> about?  Is it a change of features, of sound, or both?...   -I'm assuming
> it's the later, but was just curious as I may be looking for one soon...
>
> Smiles,
>
> Goddess
>
>  At 01:07 AM 7/8/01 -0700, you wrote:
> >hi,i have one old one(used for loopin...!)too that bit it a while
> >ago-luckily i had a 2nd one but its the 2nd(black)
> >version and i would love to get the red one fixed! if you find someone
> >please let me know.thanx
> >
> >stanner
> >----------
> >>From: "George Washington" <jeremiah266@hotmail.com>
> >>To: Loopers-Delight@loopers-delight.com
> >>Subject: Digitech Wh-1 question
> >>Date: Sat, Jul 7, 2001, 5:01 PM
> >
> >>I have an old digitech wh-1 effect pedal that I really
> >>
> >>liked to use in my looping. Dose anyone know where I can find
> >>
> >>someone who repairs old effects, especially because these things
> >>
> >>have become so hard to replace.
> >>_________________________________________________________________
> >>Get your FREE download of MSN Explorer at http://explorer.msn.com
> >>
> >
> >
>
>
> ---
>
>   "The only things I really think are important, are love, and eachother.
> -Then, anything is possible..."
>
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Jul 16 10:17:38 2001
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To: <Loopers-Delight@loopers-delight.com>
References: <F34KvPEkGhAj5p1Fjxe0000c9e5@hotmail.com>
Subject: Re: Gear For sale
Date: Mon, 16 Jul 2001 10:15:41 -0400
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Where is the best place to find a mint EDP at a reasonably affordable price?

I have been using a boomerang for a while and was considering buying a
second one, but an EDP seems like a better choice.

Thanks,

-Benificent


----- Original Message -----
From: "George Washington" <jeremiah266@hotmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, July 15, 2001 8:32 PM
Subject: Gear For sale


> Hello,
>
>
> First I would just like to thank everyone for thier informative
>
> responses to my klien question, you helpled alot.
>
> I was going to sell all this stuff for inflated prices on ebay but I will
> give you first shot
>
> Here is my gear for sale list:
>
> Custom 3ms Shound Shimmer Series built into a 2 space rack. Insane foot
> control and extra mod(3 curcuit bend)
> The unmodded pedals would cost $700 and an long wait.
> Rack for $400....Firm
>
>   Octave Greek Mandolin 150$ ( a little sratched up but plays fine)
>
> Vintage bowl back madolin with case 100$ paid 400$
>
> Hand made mountian Dulcimer with case for 75$
>
> G&l sc 2 guitar no case, has been recently professionally set up with 9's.
> this was my dedicated noise guitar(microcassetts through pus, smokey amp
> resting on strings,ect you get the idea)
> but I replaced with a jerry jones. All yors for 200$, a steal. A few dings
> on body.
>
> Peavey quadraphonic powered mixer. Five Channel Two XLR ins 2 aux sends.
> Each channel can be sent in varying amount to any of the 4 20watt powered
> outputs. Also has line outs.
> 175$
>
>
>
> Taking Offers for
>
> 198 Second EDP with foot controller mint in boxes with manual
>
>
> 50 Second Edp no Foot controller
>
> Digitech PMC 10 footcontroller in box with manual and programmer
>
> Roland Spv-355 Guitar Synthesizer
>
>
>
> Please feel free to make me any offers including anything you might have
to
> trade throw in anything you can thing think of. I have had deals where I
was
> boke down over a couple of 1/4 cables.
>
> Thanks,
> Jeremiah
> _________________________________________________________________
> Get your FREE download of MSN Explorer at http://explorer.msn.com
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Jul 16 10:37:09 2001
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Subject: Re: Unidentified subject!
Date: Mon, 16 Jul 2001 14:34:22 
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<html><DIV>
<P>Mostly guitar for me but also keyboard, drums, trumpet, mandolin, banjo, toys, whistles, fart cussion................... many stuffed animals have cool sounds in them,&nbsp; most people throw them away when the sound stops....I found a cool one yesterday at Grey Bears recycling center... I felt the teddy bear and it had wiring inside and a battery holder...I bought it for 50 cents and put batteries in it....it has cool sounds of a quiet night...sleep sounds...very beautiful and magical....&nbsp; I collect anything that makes a cool or weird or funny sound and I loop it all....Anything that makes sounds can be used to paint and juggle....I have a portable rig that's all battery powered that I use at the Beach or at Burning Man or the wilderness......Om and Out&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Papa Dave<BR><BR></P></DIV>
<DIV></DIV>
<DIV></DIV>&gt;From: "mike morris" <CIRCUITHEAD_@HOTMAIL.COM>
<DIV></DIV>&gt;Reply-To: Loopers-Delight@loopers-delight.com 
<DIV></DIV>&gt;To: Loopers-Delight@loopers-delight.com 
<DIV></DIV>&gt;Subject: Unidentified subject! 
<DIV></DIV>&gt;Date: Mon, 16 Jul 2001 13:46:24 -0000 
<DIV></DIV>&gt; 
<DIV></DIV>&gt;i was wondering what kinds of instruments are being looped by the 
<DIV></DIV>&gt;users of 
<DIV></DIV>&gt;this group. there are certainly lots of guitar players that are 
<DIV></DIV>&gt;looping, and 
<DIV></DIV>&gt;we definitely know about dj's... 
<DIV></DIV>&gt;im interested to know what other instruments are being looped out 
<DIV></DIV>&gt;there...especially individually created instruments. 
<DIV></DIV>&gt;i am doing loops with a malletkat(midi marimba), synthesizers, 
<DIV></DIV>&gt;didjeridoos, 
<DIV></DIV>&gt;and vocals. 
<DIV></DIV>&gt;so what else is going on out there? 
<DIV></DIV>&gt; shane circuithead_@hotmail.com 
<DIV></DIV>&gt; 
<DIV></DIV>&gt;_________________________________________________________________ 
<DIV></DIV>&gt;Get your FREE download of MSN Explorer at http://explorer.msn.com 
<DIV></DIV>&gt; 
<DIV></DIV><br clear=all><hr>Get your FREE download of MSN Explorer at <a href="http://explorer.msn.com">http://explorer.msn.com</a><br></p></html>

From Loopers-Delight-request@loopers-delight.com  Mon Jul 16 11:05:28 2001
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I loop the soft synth sounds ,drum sounds and guitar sounds
----- Original Message -----
From: "mike morris" <circuithead_@hotmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, July 16, 2001 9:46 PM
Subject: Unidentified subject!


> i was wondering what kinds of instruments are being looped by the users of
> this group. there are certainly lots of guitar players that are looping,
and
> we definitely know about dj's...
> im interested to know what other instruments are being looped out
> there...especially individually created instruments.
> i am doing loops with a malletkat(midi marimba), synthesizers,
didjeridoos,
> and vocals.
> so what else is going on out there?
>   shane                                  circuithead_@hotmail.com
>
> _________________________________________________________________
> Get your FREE download of MSN Explorer at http://explorer.msn.com
>

From Loopers-Delight-request@loopers-delight.com  Mon Jul 16 11:09:56 2001
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For the last 2 years or so my live music has been made entirely through the 
looping of a turntable, CD player, and cassette player. Also some TV and 
radio signals. Okay, so you said you know about DJ's. Sorry. I sound a lot 
different than a DJ though.....

Matt Davignon


>From: "mike morris" <circuithead_@hotmail.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Unidentified subject!
>Date: Mon, 16 Jul 2001 13:46:24 -0000
>
>i was wondering what kinds of instruments are being looped by the users of
>this group. there are certainly lots of guitar players that are looping, 
>and
>we definitely know about dj's...
>im interested to know what other instruments are being looped out
>there...especially individually created instruments.
>i am doing loops with a malletkat(midi marimba), synthesizers,  
>didjeridoos,
>and vocals.
>so what else is going on out there?
>  shane                                  circuithead_@hotmail.com
>
>_________________________________________________________________
>Get your FREE download of MSN Explorer at http://explorer.msn.com
>

_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Mon Jul 16 11:41:57 2001
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From: "Dj Devious D" <dj_devious_d@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Unidentified subject!/OT Summer Movies ?
Date: Mon, 16 Jul 2001 10:39:12 -0500
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This is a multi-part message in MIME format.

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<html><DIV>
<P>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<FONT size=6>&nbsp;&nbsp; <IMG height=12 src="http://64.4.8.24/emsmilep.gif" width=12><BR></FONT><BR></P>
<DIV></DIV>
<P>I&nbsp; loop the sound my cat makes when she is in heat, and can't get out ! It's a 15 second long moan/note. Then when she see's another cat, that she think is male, I record that banshee cry, it is quite haunting... Oh I just downloaded the Jurassic Park 3 Divx off the web... man does it SUCK ! I am really disappointed with this summers "blockbuster" movies. AI sucked, Tomb Raider SUCKED&nbsp; ! Pootie Tang SUCKED ! I am about to download Cats And Dogs, so I hope it is good.<BR><BR></P></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
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<P></P>
<DIV></DIV>
<P align=center><EM><STRONG><FONT face="Garamond, Times, Serif" size=5><U>A Goal Is A Dream With A Deadline Placed On It. <BR></U></FONT></STRONG></EM></P><br clear=all><hr>Get your FREE download of MSN Explorer at <a href="http://explorer.msn.com">http://explorer.msn.com</a><br></p></html>
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>From Loopers-Delight-request@loopers-delight.com Mon, 16 Jul 2001 07:37:18 -0700
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From: "David Potter" <papadave55@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Unidentified subject!
Date: Mon, 16 Jul 2001 14:34:22
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<html><DIV>
<P>Mostly guitar for me but also keyboard, drums, trumpet, mandolin, banjo, toys, whistles, fart cussion................... many stuffed animals have cool sounds in them,&nbsp; most people throw them away when the sound stops....I found a cool one yesterday at Grey Bears recycling center... I felt the teddy bear and it had wiring inside and a battery holder...I bought it for 50 cents and put batteries in it....it has cool sounds of a quiet night...sleep sounds...very beautiful and magical....&nbsp; I collect anything that makes a cool or weird or funny sound and I loop it all....Anything that makes sounds can be used to paint and juggle....I have a portable rig that's all battery powered that I use at the Beach or at Burning Man or the wilderness......Om and Out&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Papa Dave<BR><BR></P></DIV>
<DIV></DIV>
<DIV></DIV>&gt;From: "mike morris" <CIRCUITHEAD_@HOTMAIL.COM>
<DIV></DIV>&gt;Reply-To: Loopers-Delight@loopers-delight.com
<DIV></DIV>&gt;To: Loopers-Delight@loopers-delight.com
<DIV></DIV>&gt;Subject: Unidentified subject!
<DIV></DIV>&gt;Date: Mon, 16 Jul 2001 13:46:24 -0000
<DIV></DIV>&gt;
<DIV></DIV>&gt;i was wondering what kinds of instruments are being looped by the
<DIV></DIV>&gt;users of
<DIV></DIV>&gt;this group. there are certainly lots of guitar players that are
<DIV></DIV>&gt;looping, and
<DIV></DIV>&gt;we definitely know about dj's...
<DIV></DIV>&gt;im interested to know what other instruments are being looped out
<DIV></DIV>&gt;there...especially individually created instruments.
<DIV></DIV>&gt;i am doing loops with a malletkat(midi marimba), synthesizers,
<DIV></DIV>&gt;didjeridoos,
<DIV></DIV>&gt;and vocals.
<DIV></DIV>&gt;so what else is going on out there?
<DIV></DIV>&gt; shane circuithead_@hotmail.com
<DIV></DIV>&gt;
<DIV></DIV>&gt;_________________________________________________________________
<DIV></DIV>&gt;Get your FREE download of MSN Explorer at http://explorer.msn.com
<DIV></DIV>&gt;
<DIV></DIV><br clear=all><hr>Get your FREE download of MSN Explorer at <a href="http://explorer.msn.com">http://explorer.msn.com</a><br></p></html>



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From Loopers-Delight-request@loopers-delight.com  Mon Jul 16 11:42:16 2001
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Date: Mon, 16 Jul 2001 08:40:16 -0700 (PDT)
From: Alx <gendel777@yahoo.com>
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--- Ben Winburn <benwinburn@hotmail.com> wrote:
> The older original red Whammy 1 pedal was analog.


Analog???!!, an analog pitch shifting device??, Have
you ever opened one?, lots of chips in there.
Alx.


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Hi Mike,

These comments are based on pretty long-winded research... both are supposed to have very high-quality DAC's for this price point.

I've heard consistently good remarks regarding the M-Audio Delta 66 (with or without the Omni I/O mixer interface). 4 tracks in and out... The Delta 66 is about $290 street... The Omni-Studio (which includes the mixer and Delta 66) is about $399 street. You can usually find these for slightly less on eBay.

The Creamware Luna II is possibly even nicer but the PCI card only has 2 inputs. There is a proprietary port on the card though which connects to their hardware box that expands the I/O to 8 or 10 inputs and outputs. The PCI card is around $333 street. The additional box to expand i/o is quite a bit more, although I don't remember the exact prices. These don't pop up on eBay nearly as often.

Happy shopping!
-Miko Biffle

>>> feeneymike@yahoo.com 07/14/01 07:45PM >>>
	Hey again,

	I'm looking for a PCI sound card for my PC (Win98SE).  Hoping for one that
will allow me to record multiple tracks simultaneously (4 or more).  Any
recommendations?  There are loads of them out there; it's kind of daunting
to try to pick one out.  Thanks in advance...

	Mike



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From: "Bill Fox" <billfox@fast.net>
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Subject: EMUSIC Playlist #225
Date: Sun, 15 Jul 2001 12:15:32 -0400
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EMUSIC, an electronic, ambient, and space music show, airs each Thursday
at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA and 93.9 FM in
Easton, PA and Phillipsburg, NJ.

                    Show #225                    July 12, 2001.


RECAP:
On this show, I continued the month-long focus on The Ministry of Inside =
Things
(MoIT), a Philadelphia area group influenced by Tangerine Dream, Klaus =
Schulze,
and Ash Ra Tempel.  The feature CD at midnight was preempted by a live,
in-studio concert by the Ministry of Inside Things.

MoIT     http://wdiyfm.org/emusic/playlists/2001/focus01.html#jul


PLAYLIST:

ARTIST                  TRACK                    ALBUM (label)
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D =
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D =
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D
11:04 pm
Chuck van Zyl           The Moment of Totality   Celestial Mechanics =
(Centaur)
AirSculpture            Settee                   Quark Soup (Neu =
Harmony)
Cosmic Hoffmann         Shiva Connection         Shiva Connection (Heart =
and Mind)
Paul Nagle              Multitude                Red Book/Blue Book (Neu =
Harmony)
Wave World              Odyssey Part VII         Dimensions (Quantum)

12:00 am
MoIT                    Interview with Chuck van Zyl and Art Cohen.
MoIT                    Live Concert

1:00 am
MoIT                    Live Concert (continued)
Gert Emmens             Pallas                   Asteroids (Quantum)
Paul Ellis              Mysterious Sketches      Appears to Vanish (Neu =
Harmony)
Alan Imberg             Urban Autumn             A Collection of =
Thoughts (none)

2:00 am

 * =3D exerpt
VA =3D Various Artists (compilation)


NEXT SHOW:
On the next EMUSIC, I'll continue the month-long focus on The Ministry =
of
Inside Things.  The feature CD at midnight will be The Ministry of =
Inside
Things Live at the Philadelphia Museum of Art on the Synkronos label.

Bill        billfox@fast.net           =
http://wdiyfm.org/schedule/s_emusic.html
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D
Host of EMUSIC, an electronic, ambient, and space music show.  Thursdays =
at
11 pm on WDIY 88.1 FM, Allentown and Bethlehem and 93.9 FM in Easton and
Phillipsburg.  Email me if you wish to submit music for airplay =
consideration.
Radio Station Home Page: http://wdiyfm.org
Personal site: http://www.users.fast.net/~billfox
To subscribe to the EMUSIC on WDIY list, send
email to: emusic-wdiy-subscribe@yahoogroups.com

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</HEAD>
<BODY>
<DIV><FONT face=3D"Courier New" size=3D2>EMUSIC, an electronic, ambient, =
and space=20
music show, airs each Thursday<BR>at 11:04 pm on WDIY 88.1 FM, Allentown =
and=20
Bethlehem, PA and 93.9 FM in<BR>Easton, PA and Phillipsburg, =
NJ.</FONT></DIV>
<DIV><FONT face=3D"Courier New" size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Courier New"=20
size=3D2>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
Show=20
#225&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
July 12, 2001.</FONT></DIV>
<DIV><FONT face=3D"Courier New" size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Courier New" size=3D2><BR>RECAP:<BR>On this show, I =
continued the=20
month-long focus on The Ministry of Inside Things<BR>(MoIT), a =
Philadelphia area=20
group influenced by Tangerine Dream, Klaus Schulze,<BR>and Ash Ra =
Tempel.&nbsp;=20
The feature CD at midnight was preempted by a live,<BR>in-studio concert =
by the=20
Ministry of Inside Things.</FONT></DIV>
<DIV><FONT face=3D"Courier New" size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Courier New" size=3D2>MoIT&nbsp;&nbsp;&nbsp;&nbsp; <A =

href=3D"http://wdiyfm.org/emusic/playlists/2001/focus01.html#jul">http://=
wdiyfm.org/emusic/playlists/2001/focus01.html#jul</A></FONT></DIV>
<DIV><FONT face=3D"Courier New" size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Courier New" size=3D2><BR>PLAYLIST:</FONT></DIV>
<DIV><FONT face=3D"Courier New" size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Courier New"=20
size=3D2>ARTIST&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
TRACK&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
ALBUM =
(label)<BR>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D =
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D =

=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D<BR>11:04 pm<BR>Chuck van=20
Zyl&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; The =
Moment of=20
Totality&nbsp;&nbsp; Celestial Mechanics=20
(Centaur)<BR>AirSculpture&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;=20
Settee&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
Quark Soup (Neu Harmony)<BR>Cosmic=20
Hoffmann&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Shiva=20
Connection&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Shiva =
Connection=20
(Heart and Mind)<BR>Paul=20
Nagle&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;=20
Multitude&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;=20
Red Book/Blue Book (Neu Harmony)<BR>Wave=20
World&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;=20
Odyssey Part VII&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
Dimensions=20
(Quantum)</FONT></DIV>
<DIV><FONT face=3D"Courier New" size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Courier New" size=3D2>12:00=20
am<BR>MoIT&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
Interview with Chuck van Zyl and Art=20
Cohen.<BR>MoIT&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
Live Concert</FONT></DIV>
<DIV><FONT face=3D"Courier New" size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Courier New" size=3D2>1:00=20
am<BR>MoIT&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
Live Concert (continued)<BR>Gert=20
Emmens&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;=20
Pallas&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
Asteroids (Quantum)<BR>Paul=20
Ellis&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;=20
Mysterious Sketches&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Appears to Vanish (Neu =

Harmony)<BR>Alan=20
Imberg&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;=20
Urban=20
Autumn&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp; A=20
Collection of Thoughts (none)</FONT></DIV>
<DIV><FONT face=3D"Courier New" size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Courier New" size=3D2>2:00 am</FONT></DIV>
<DIV><FONT face=3D"Courier New" size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Courier New" size=3D2>&nbsp;* =3D exerpt<BR>VA =3D =
Various Artists=20
(compilation)</FONT></DIV>
<DIV><FONT face=3D"Courier New" size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Courier New" size=3D2><BR>NEXT SHOW:<BR>On the next =
EMUSIC, I'll=20
continue the month-long focus on The Ministry of<BR>Inside Things.&nbsp; =
The=20
feature CD at midnight will be The Ministry of Inside<BR>Things Live at =
the=20
Philadelphia Museum of Art on the Synkronos label.</FONT></DIV>
<DIV><FONT face=3D"Courier New" size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Courier New"=20
size=3D2>Bill&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <A=20
href=3D"mailto:billfox@fast.net">billfox@fast.net</A>&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
<A=20
href=3D"http://wdiyfm.org/schedule/s_emusic.html">http://wdiyfm.org/sched=
ule/s_emusic.html</A><BR>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D<BR>Host=20
of EMUSIC, an electronic, ambient, and space music show.&nbsp; Thursdays =

at<BR>11 pm on WDIY 88.1 FM, Allentown and Bethlehem and 93.9 FM in =
Easton=20
and<BR>Phillipsburg.&nbsp; Email me if you wish to submit music for =
airplay=20
consideration.<BR>Radio Station Home Page: <A=20
href=3D"http://wdiyfm.org">http://wdiyfm.org</A><BR>Personal site: <A=20
href=3D"http://www.users.fast.net/~billfox">http://www.users.fast.net/~bi=
llfox</A><BR>To=20
subscribe to the EMUSIC on WDIY list, send<BR>email to: <A=20
href=3D"mailto:emusic-wdiy-subscribe@yahoogroups.com">emusic-wdiy-subscri=
be@yahoogroups.com</A></FONT></DIV></BODY></HTML>

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hi,

i've got an akai headrush in near mint condition, with power adapter and the 
original box (i think, i'll have to check).  i would like to trade this and 
a some cash for a line6 dl4.  if anyone is interested, please let me know. i 
live in los angeles.

steve

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jeremiah said:

Some said that I wanted to have a real klein because of its authenticity. I 
do really like klein but the cost and availibility make me think a copy 
could easily be had. Are the methods so refined and unique that they cant be

copied? How would a guitar that used the same woods, scale lenght, body 
shape and electronics sound any different than a klien? 



** well here's the deal about luthiers. they do a lot of trial and error and
r&d. the guy doing the knock-off hasn't done that. i guess he could try to
reverse-engineer a klein, but i would think that the skill and real
understanding of the nuances of the instrument will not be there - - plus
who's gonna tear apart a $3k+ guitar?

there's another thing about a "real" luthier and one who will do the
knock-off: it's not just the type of wood, it's the quality of wood. if a
luthier is good, he/she will know how to tell if a lot of wood is good for
making instruments, it gets into tap tones and all sort of other stuff that
i don't know enough about. the "real" luthier has developed years and years
of experience into the instrument that you purchanse. suffice it to say that
your knock-off artist may not have the same attention to detail or
experience when it comes to this sort of thing. (i have no knowledge of ed
roman, etc., so i don't have an axe to grind here.)

for a parallel:  i've been using fodera basses for something like 16/17
years now. there are a lot of people who try to cop their shit and they
can't  . . . fodera has spent a lot of time in developing and refining their
instruments. they are often on the cutting edge of the craft. they have
spent a lot of time with pick-up, wiring, woods and all the cominations
thereof. there is a lot of love and dedication that many manufacturers
cannot match; they are not making a killing on what they do - - dispite
their high prices (and they are high). they are head and shoulders above the
rest of the manufacturers out there (imho). they also make far fewer
instruments than most of the other makers. they don't mass-produce and they
don't license to mass producers. because of these last few things the
waiting list is long (and interminable, as i'm waiting for something right
now) and the cost is high. but, i know that i'm gonna get the best damn
instrument that can be made. 

if klein is anything like fodera (and i have assumed that they are) these
are factors that can be considered versus the knock-off guitar. 

i bought my first fodera in 1984 or so for $1,800 - - a lot of money back
then. i still have it and have gone on to get others . . . i wonder if you'd
have the same experience with a knock-off. 

stig

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 3.2//EN">
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<META HTTP-EQUIV=3D"Content-Type" CONTENT=3D"text/html; =
charset=3Diso-8859-1">
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<TITLE>RE: More Klein Questions</TITLE>
</HEAD>
<BODY>
<BR>

<P><FONT SIZE=3D2>jeremiah said:</FONT>
</P>

<P><FONT SIZE=3D2>Some said that I wanted to have a real klein because =
of its authenticity. I </FONT>
<BR><FONT SIZE=3D2>do really like klein but the cost and availibility =
make me think a copy </FONT>
<BR><FONT SIZE=3D2>could easily be had. Are the methods so refined and =
unique that they cant be </FONT>
<BR><FONT SIZE=3D2>copied? How would a guitar that used the same woods, =
scale lenght, body </FONT>
<BR><FONT SIZE=3D2>shape and electronics sound any different than a =
klien? </FONT>
</P>
<BR>
<BR>

<P><FONT SIZE=3D2>** well here's the deal about luthiers. they do a lot =
of trial and error and r&amp;d. the guy doing the knock-off hasn't done =
that. i guess he could try to reverse-engineer a klein, but i would =
think that the skill and real understanding of the nuances of the =
instrument will not be there - - plus who's gonna tear apart a $3k+ =
guitar?</FONT></P>

<P><FONT SIZE=3D2>there's another thing about a &quot;real&quot; =
luthier and one who will do the knock-off: it's not just the type of =
wood, it's the quality of wood. if a luthier is good, he/she will know =
how to tell if a lot of wood is good for making instruments, it gets =
into tap tones and all sort of other stuff that i don't know enough =
about. the &quot;real&quot; luthier has developed years and years of =
experience into the instrument that you purchanse. suffice it to say =
that your knock-off artist may not have the same attention to detail or =
experience when it comes to this sort of thing. (i have no knowledge of =
ed roman, etc., so i don't have an axe to grind here.)</FONT></P>

<P><FONT SIZE=3D2>for a parallel:&nbsp; i've been using fodera basses =
for something like 16/17 years now. there are a lot of people who try =
to cop their shit and they can't&nbsp; . . . fodera has spent a lot of =
time in developing and refining their instruments. they are often on =
the cutting edge of the craft. they have spent a lot of time with =
pick-up, wiring, woods and all the cominations thereof. there is a lot =
of love and dedication that many manufacturers cannot match; they are =
not making a killing on what they do - - dispite their high prices (and =
they are high). they are head and shoulders above the rest of the =
manufacturers out there (imho). they also make far fewer instruments =
than most of the other makers. they don't mass-produce and they don't =
license to mass producers. because of these last few things the waiting =
list is long (and interminable, as i'm waiting for something right now) =
and the cost is high. but, i know that i'm gonna get the best damn =
instrument that can be made. </FONT></P>

<P><FONT SIZE=3D2>if klein is anything like fodera (and i have assumed =
that they are) these are factors that can be considered versus the =
knock-off guitar. </FONT></P>

<P><FONT SIZE=3D2>i bought my first fodera in 1984 or so for $1,800 - - =
a lot of money back then. i still have it and have gone on to get =
others . . . i wonder if you'd have the same experience with a =
knock-off. </FONT></P>

<P><FONT SIZE=3D2>stig</FONT>
</P>

</BODY>
</HTML>
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From Loopers-Delight-request@loopers-delight.com  Mon Jul 16 13:18:18 2001
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From: Bret <echoplex@yahoo.com>
Subject: Re: Digitech Wh-1 question
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To my understanding, chip means 'integrated circuit'.  There are both
analog and digital 'integrated circuits' (and combinations of
analog/digital).  

I don't know if the red whammy is digital or analog, but you must
inspect the 'chips' to see whether they are analog or digital.
bret
--- Alx <gendel777@yahoo.com> wrote:
> --- Ben Winburn <benwinburn@hotmail.com> wrote:
> > The older original red Whammy 1 pedal was analog.
> 
> 
> Analog???!!, an analog pitch shifting device??, Have
> you ever opened one?, lots of chips in there.
> Alx.
> 
> 
> __________________________________________________
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> Get personalized email addresses from Yahoo! Mail
> http://personal.mail.yahoo.com/
> 


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> i was wondering what kinds of instruments are being looped by the users of
> this group.

I call myself a percussionist.  I loop a lot of different percussion things:
drums, shakers, marimba, glockenspiel, gongs, triangles, handclaps, cymbals,
kalimba, claves, bells, artillery shells, udu, etc.  And some non-perc
stuff: didjeridu, PVC pipes, Waterphone, wobble board, bird whistles/calls,
gopi-yantra.

Dennis Leas
-------------------
dennis@mdbs.com

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Ok, but you got my point right?, ´cause I have an
original Whammy and a friend has a black one, I have
opened both of them and BOTH of them have a big DSP
CHIP with the IVL logo on it, actually their circuit
boards LOOKS the same (which doesn´t mean they´re the
same of course), what part inside there is mainly
responsible for the pitch shifting process?: the DSP
CHIP, one thing is that many people found that the
original Whammy SOUNDS more analog than the other
versions but that could be ´cause a lower sample rate,
actually many people also says that the black one
wasn´t manufactured or used the IVL chip but it DOES
have the IVL logo printed right outside of the unit
and below the input volume trim pot plus the DSP chip
that I just mentioned.
peace.
Alx.
 

 
--- Bret <echoplex@yahoo.com> wrote:
> To my understanding, chip means 'integrated
> circuit'.  There are both
> analog and digital 'integrated circuits' (and
> combinations of
> analog/digital).  
> 
> I don't know if the red whammy is digital or analog,
> but you must
> inspect the 'chips' to see whether they are analog
> or digital.
> bret
> --- Alx <gendel777@yahoo.com> wrote:
> > --- Ben Winburn <benwinburn@hotmail.com> wrote:
> > > The older original red Whammy 1 pedal was
> analog.
> > 
> > 
> > Analog???!!, an analog pitch shifting device??,
> Have
> > you ever opened one?, lots of chips in there.
> > Alx.
> > 
> > 
> > __________________________________________________
> > Do You Yahoo!?
> > Get personalized email addresses from Yahoo! Mail
> > http://personal.mail.yahoo.com/
> > 
> 
> 
> __________________________________________________
> Do You Yahoo!?
> Get personalized email addresses from Yahoo! Mail
> http://personal.mail.yahoo.com/
> 


__________________________________________________
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Lets not forget the Brown and Williamson automated customer service line 
Dennis!


>From: "Dennis Leas" <dennis@mdbs.com>
>
> > i was wondering what kinds of instruments are being looped by the users 
>of
> > this group.
>
>I call myself a percussionist.  I loop a lot of different percussion 
>things:
>drums, shakers, marimba, glockenspiel, gongs, triangles, handclaps, 
>cymbals,
>kalimba, claves, bells, artillery shells, udu, etc.  And some non-perc
>stuff: didjeridu, PVC pipes, Waterphone, wobble board, bird whistles/calls,
>gopi-yantra.
>
>Dennis Leas
>-------------------
>dennis@mdbs.com
>

_________________________________________________________________
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> Lets not forget the Brown and Williamson automated customer service line
> Dennis!

:D Thanks, Matt!

 I guess the telephone counts as a wind instrument, eh?  Except for that
percussive ending!

Dennis Leas
-------------------
dennis@mdbs.com

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Dennis Leas wrote:

> > i was wondering what kinds of instruments are being looped by the users of
> > this group.
>
> I call myself a percussionist.  I loop a lot of different percussion things:
> drums, shakers, marimba, glockenspiel, gongs, triangles, handclaps, cymbals,
> kalimba, claves, bells, artillery shells, udu, etc.  And some non-perc
> stuff: didjeridu, PVC pipes, Waterphone, wobble board, bird whistles/calls,
> gopi-yantra.
>
> Dennis Leas
> -------------------
> dennis@mdbs.com

hey dennis

what's a wobble-board?

:-)

lance g.

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> i was wondering what kinds of instruments are being looped by the users of 
> this group. 

i mostly play electric guitar, but since nothing new can be done 
on the guitar (right steve lawson?), i also play bass, trumpet, congas, 
keys (mostly clav, some rhodes), sax, superbone, theremin , voice, feedback, noise etc...
i think you could probably call kyma an instrument as well.
(i think it goes without saying that live looping devices are instruments)
and effects, don't forget they can be played like instruments...

too new to looping them for a public display just yet,
but rick walker kicked my ass a bit (not that i didn't need it)
and i promised to have a looping show by june 2002...

if a guy loops in his rehearsal space and no-one else hears it is it sound?



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Subject: Multivox MX-312 Multi-Echo Docs needed
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Greetings loopas:

I am looking for the service manual for a Multivox MX-312 
Multi-Echo.   Mine has some mechanical problems (drive shaft for the tape 
loop only turns periodically, and even with a little boost, eventually 
slows down to a stop), and I'd like to see if the docs can help me out with 
this problem.    Let me know if you have it and we can work something out.

Jason

P.S.  I have the owner's manual and tape changing instructions for the 
Multi-Echo. If anyone needs them, let me know I can make copies.

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This is a multi-part message in MIME format.

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<html><DIV>
<P>I am shocked, that you would ask me such a question. The ACID serial number is tied to my personal copy of ACID, (which is not a wareZ, cracked, or anything... it's bought fair and square and legal !).</P>
<P>It was selling for $99.00, a few weks back... and I am not sure that is still viable. I am sorry I cannot help you.&nbsp; <IMG height=12 src="http://64.4.8.24/emcrook.gif" width=12><BR><BR></P></DIV>
<DIV></DIV>
<DIV></DIV>----Original Message Follows---- 
<DIV></DIV>From: "onlymacs onlymacs" <ONLYMACS@HOTMAIL.COM>
<DIV></DIV>To: dj_devious_d@hotmail.com 
<DIV></DIV>Subject: Acid 
<DIV></DIV>Date: Mon, 16 Jul 2001 18:38:51 -0000 
<DIV></DIV>
<DIV></DIV><br clear=all><hr>Get your FREE download of MSN Explorer at <a href="http://explorer.msn.com">http://explorer.msn.com</a><br></p></html>
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Date: Mon, 16 Jul 2001 18:38:51 -0000
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<html><DIV>Hi, please</DIV>
<DIV>Can you give me the ACID pro 3.0 Serial #</DIV>
<DIV>&nbsp;</DIV>
<DIV>If you can for it will be great</DIV>
<DIV>&nbsp;</DIV>
<DIV>From Italy</DIV>
<DIV>CIAO!</DIV></html>


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From Loopers-Delight-request@loopers-delight.com  Mon Jul 16 15:42:02 2001
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From: "Rick Walker \(loop.pool\)" <GLOBAL@cruzio.com>
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mike asked:

"i was wondering what kinds of instruments are being looped by the users of
this group"

rick replies:

As I proudly told Michael Manring during our recent tour, "I'm fearless
about playing a lot of instruments that I don't know how to play in public".

I play a lot of invented and 'found' instruments, live:  The 'Mikeyphone'
was invented and given to me for my birthday by the brilliant Rhode Island
musician, Michael Haumesser (Not Noise).  It consists of 7 Scottish oatmeal
tins, suspended by heavy rubber bands with
different levels of water in each (for tuning purposes). When played with
the thumbs, lightly, the cans jiggle and the
pitch warbles, deliciously.  I used them on my latest CD on a piece called
'the Box', which was a commission for the Dr. Shaffer and Mr. Stern Dance
Ensemble.

I also collect metal, wooden and plastic bowls, plastic dishes & cups,
different sized spoons (incredible for ersatz gamelan) and various other
objects and use them as faux modal 'marimbas'.

On this last mini tour, I tried to take completely different instruments to
every show (except for my piece that uses only Dayglo Green Translucent
Plastic).  I played bowed crotales, malleted upturned chinese 'jhing'
cymbals, republic of tea tin 'marimba'
glass globes played with jazz brushes so that the pitch bends with every
note,alligator-clipped,capoed bass guitar, melodica, sonica (a wierd, rare,
touch sensitive diatonic, two octave
sine wavish generator), gas stove pipes,
corrugate straws (these last two are incredible overtone generators),
bluegels (sp?), liquid glass ghatam (a large glass flower vase with water in
it that allows radical pitch bending when played like an Udu drum, Martha
Stewart brass wastepaper basket (as close to a tabla as the metallic world
will ever get ;-), dumbec, 'sound o' god tambourine', hammered mandolin
(those ever present plastic tiki martini skewers again), Copper Spitton
(another
Udu-esque drum)--------which reminds me that I've been wanting to experiment
with putting water in it and I just dashed to the sink and tried
it--------AWESOME!!!!----brass candy dishes (stuck with the thumb and then
manipulating the overtones with my mouth and, speaking of mouths:  several
different extended vocal techniques (warble singing, trill
singing,hummm-whistling, overtone singing, gutteral overtone singing,finger
trilled singing, faux industrial beatbox,hip hop beat box and various and
sundry 'sssssses', shhhhhhhes' and 'chhhhhhhhhes'.

What I love about looping is that a seemingly incongruous or random sound or
even mistake becomes fascinating, frequently, once it has repeated over and
over.

loop and out,   Rick Walker (loop.pool)


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> From: "mike morris" <circuithead_@hotmail.com>
> I'm interested to know what other instruments are being 
> looped out there...especially individually created
> instruments.

I've been having a lot of success looping voice:
vocal percussion, throat singing, spoken woid, 
a couple of sopranos, sometimes a mic passed around the audience (one
time I got a recitation of the fifty nifty united states in alphabetical
order -- and in rhythm, too).

Also some homemade instruments such as a little
blue man organ I made out of ABS pipe and 
toilet gaskets. 

And then some found instruments: wok lid gongs, 
the alhambra ghatam (i.e. a blue 5 gallon 
water cooler jug), bowl of forks.


I guess I do have to admit that I've looped some more "traditional"
instruments: tablas, bamboo flutes, 
ABS didgeridoos, a little wooden frog. I've even looped
a (gasp) guitar. 

Simran

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From: Chris Chovit <cho@newdream.net>
Subject: battery powered setup (question for papa dave)
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dave,

What kind of amp/speaker setup are you using for your portable setup.  I
was looking at the cambridge Sound Works DC system ($380), with tthe
subwoofer in the suitcase....but was also considering taking the car stereo
route.  I am concerened that the speakers won;t be rugged enough for
outdoor use, but if you take your setup to Burning Man, it must be pretty
rugged.  Any details would be appreciated.

- Chris


>Mostly guitar for me but also keyboard, drums, trumpet, mandolin, banjo,
>toys, whistles, fart cussion................... many stuffed animals have
>cool sounds in them,  most people throw them away when the sound
>stops....I found a cool one yesterday at Grey Bears recycling center... I
>felt the teddy bear and it had wiring inside and a battery holder...I
>bought it for 50 cents and put batteries in it....it has cool sounds of a
>quiet night...sleep sounds...very beautiful and magical....  I collect
>anything that makes a cool or weird or funny sound and I loop it
>all....Anything that makes sounds can be used to paint and juggle....I
>have a portable rig that's all battery powered that I use at the Beach or
>at Burning Man or the wilderness......Om and Out             Papa Dave
>
>
>
>>From: "mike morris"
>
>>Reply-To: Loopers-Delight@loopers-delight.com
>
>>To: Loopers-Delight@loopers-delight.com
>
>>Subject: Unidentified subject!
>
>>Date: Mon, 16 Jul 2001 13:46:24 -0000
>
>>
>
>>i was wondering what kinds of instruments are being looped by the
>
>>users of
>
>>this group. there are certainly lots of guitar players that are
>
>>looping, and
>
>>we definitely know about dj's...
>
>>im interested to know what other instruments are being looped out
>
>>there...especially individually created instruments.
>
>>i am doing loops with a malletkat(midi marimba), synthesizers,
>
>>didjeridoos,
>
>>and vocals.
>
>>so what else is going on out there?
>
>> shane circuithead_@hotmail.com
>
>>
>
>>_________________________________________________________________
>
>>Get your FREE download of MSN Explorer at http://explorer.msn.com
>
>>
>
>
>
>Get your FREE download of MSN Explorer at
><http://explorer.msn.com>http://explorer.msn.com

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dave,


What kind of amp/speaker setup are you using for your portable setup. 
I was looking at the cambridge Sound Works DC system ($380), with tthe
subwoofer in the suitcase....but was also considering taking the car
stereo route.  I am concerened that the speakers won;t be rugged enough
for outdoor use, but if you take your setup to Burning Man, it must be
pretty rugged.  Any details would be appreciated.


- Chris



<excerpt>Mostly guitar for me but also keyboard, drums, trumpet,
mandolin, banjo, toys, whistles, fart cussion................... many
stuffed animals have cool sounds in them,  most people throw them away
when the sound stops....I found a cool one yesterday at Grey Bears
recycling center... I felt the teddy bear and it had wiring inside and
a battery holder...I bought it for 50 cents and put batteries in
it....it has cool sounds of a quiet night...sleep sounds...very
beautiful and magical....  I collect anything that makes a cool or
weird or funny sound and I loop it all....Anything that makes sounds
can be used to paint and juggle....I have a portable rig that's all
battery powered that I use at the Beach or at Burning Man or the
wilderness......Om and Out             Papa Dave




>From: "mike morris"


>Reply-To: Loopers-Delight@loopers-delight.com


>To: Loopers-Delight@loopers-delight.com


>Subject: Unidentified subject!


>Date: Mon, 16 Jul 2001 13:46:24 -0000


>


>i was wondering what kinds of instruments are being looped by the


>users of


>this group. there are certainly lots of guitar players that are


>looping, and


>we definitely know about dj's...


>im interested to know what other instruments are being looped out


>there...especially individually created instruments.


>i am doing loops with a malletkat(midi marimba), synthesizers,


>didjeridoos,


>and vocals.


>so what else is going on out there?


> shane circuithead_@hotmail.com


>


>_________________________________________________________________


>Get your FREE download of MSN Explorer at http://explorer.msn.com


>




Get your FREE download of MSN Explorer at
<<http://explorer.msn.com>http://explorer.msn.com

</excerpt>

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From Loopers-Delight-request@loopers-delight.com  Mon Jul 16 16:44:29 2001
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jim palmer wrote:
"too new to looping them for a public display just yet,
but rick walker kicked my ass a bit (not that i didn't need it)
and i promised to have a looping show by june 2002..."

I would like to point out that I 'kicked Jim's ass' in the most loving and
supportive of ways ;-)

respectfully,  Rick

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-----Original Message-----
From: Rick Walker (loop.pool) [mailto:GLOBAL@cruzio.com]
Sent: Monday, July 16, 2001 12:39 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Unidentified subject


<<What I love about looping is that a seemingly incongruous or random sound
or
<<even mistake becomes fascinating, frequently, once it has repeated over
and
<<over.

And that's why Top 40 radio works so well.
What LD needs is an independent radio promoter.
And just to keep this particular thread On Thread, I just pulled the EDP out
of the rack and tried going back to basics: Taylor 810 acoustic into EDP
into Carvin Stagemate battery powered amp.
It works pretty well for practicing, and my feeling is, if it sounded good
the first time, it's gonna sound good over and over and over.
Of course, I have some dissention, even in my household.
Gary

From Loopers-Delight-request@loopers-delight.com  Mon Jul 16 17:23:40 2001
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Hi,

I'm working with loopers in a trio; we are looping trumpet, vibraphone, 
guitar, voice, radio, samlings, osciliator, and recordings on minidisc.
Check our website (currently down, should be up in a couple of days):
http://www.jogujo.com

loop on
Jon.
_________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.

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Gary Lehmann wrote:

> -----Original Message-----
> From: Rick Walker (loop.pool) [mailto:GLOBAL@cruzio.com]
> Sent: Monday, July 16, 2001 12:39 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Unidentified subject
>
> <<What I love about looping is that a seemingly incongruous or random sound
> or
> <<even mistake becomes fascinating, frequently, once it has repeated over
> and
> <<over.
>
> And that's why Top 40 radio works so well.

funny!

lance g.

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Date: Mon, 16 Jul 2001 17:47:42 -0400
To: Loopers-Delight@loopers-delight.com
From: Tim Nelson <tcn62@ici.net>
Subject: Re: Unidentified subject!
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There was a thread called 'Things we loop' or something like that in early
1999 that you might find interesting. Also, the 'Loop Artists of the World'
pages have a lot of specifics.

Tim (who loops strings, winds, semiconductors, struck objects, toys, found
sounds, and anything else...)

At 01:46 PM 7/16/01 -0000, Shane wrote:
>i was wondering what kinds of instruments are being looped by the users of 
>this group.

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From: Tim Nelson <tcn62@ici.net>
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You may ask "What the heck is Mr. Davignon talking about?", and a good
question it would be.

The answer may be found at <http://www.loopxchange.com>, then click on
'music', then click on 'Found Sound', then go all the way to the bottom and
select 'I Am Smoking In A Room' by the inimitable Dennis Leas.

-t

At 11:07 AM 7/16/01 -0700, DJ Malicious M wrote:
>Lets not forget the Brown and Williamson automated customer service line 
>Dennis!

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<html><DIV>
<P>Hey, Mr. Davignon I went to&nbsp;LoopXChange..... my mind has been expanded.&nbsp;<BR><BR></P></DIV>
<DIV></DIV>
<DIV></DIV>----Original Message Follows---- 
<DIV></DIV>From: Tim Nelson <TCN62@ICI.NET>
<DIV></DIV>Reply-To: Loopers-Delight@loopers-delight.com 
<DIV></DIV>To: Loopers-Delight@loopers-delight.com 
<DIV></DIV>Subject: Re: Unidentified subject! 
<DIV></DIV>Date: Mon, 16 Jul 2001 17:58:02 -0400 
<DIV></DIV>
<DIV></DIV>You may ask "What the heck is Mr. Davignon talking about?", and a good 
<DIV></DIV>question it would be. 
<DIV></DIV>
<DIV></DIV>The answer may be found at <HTTP: www.loopxchange.com>, then click on 
<DIV></DIV>'music', then click on 'Found Sound', then go all the way to the bottom and 
<DIV></DIV>select 'I Am Smoking In A Room' by the inimitable Dennis Leas. 
<DIV></DIV>
<DIV></DIV>-t 
<DIV></DIV>
<DIV></DIV>At 11:07 AM 7/16/01 -0700, DJ Malicious M wrote: 
<DIV></DIV>&gt;Lets not forget the Brown and Williamson automated customer service line 
<DIV></DIV>&gt;Dennis! 
<DIV></DIV>
<DIV></DIV><br clear=all><hr>Get your FREE download of MSN Explorer at <a href="http://explorer.msn.com">http://explorer.msn.com</a><br></p></html>

From Loopers-Delight-request@loopers-delight.com  Mon Jul 16 19:11:13 2001
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Three men die and go to heaven to be judged. They are met by St. Peter

who goes over their records and agrees to let them in. St. Peter turns

to the first guy and asks: What was your annual income? The man replies

$300,000 a year. St. Peter then asked what his job was and the man

replied that he was a doctor. He then turns to the second guy and asks

the same question. The man replies that his annual income was $150,000

and that he was a lawyer. He then turns to the third guy and asks what

his annual income was. The man replies $7000. St. Peter looks at him and

says "What instrument did you play?"


From Loopers-Delight-request@loopers-delight.com  Mon Jul 16 19:17:51 2001
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Date: Mon, 16 Jul 2001 16:44:32 -0500
From: jim palmer <jimp@pobox.com>
Subject: Re: Loopers-Delight-d Digest V01 #374
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allright, so the news of my asskicking was somewhat exagerated.

i meant it mostly as an "in" joke.
everybody here knows rick is not an asskicking kind of guy.
(after all, he won't even say "jamman")

it was all tough love, baby...

> jim palmer wrote:
> "too new to looping them for a public display just yet,
> but rick walker kicked my ass a bit (not that i didn't need it)
> and i promised to have a looping show by june 2002..."
> 
> I would like to point out that I 'kicked Jim's ass' in the most loving and
> supportive of ways ;-)
> 
> respectfully,  Rick
> 

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> 
> <<What I love about looping is that a seemingly incongruous or random sound
> or
> <<even mistake becomes fascinating, frequently, once it has repeated over
> and
> <<over.
> 
> And that's why Top 40 radio works so well.
> 

LOL!

From Loopers-Delight-request@loopers-delight.com  Mon Jul 16 19:23:06 2001
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violin and tambourra here at swifty studios

Pat Pagano, Director
South East Just Intonation Society
http://indians.australians.com/meherbaba/
http://www.screwmusicforever.com/SHREESWIFT/
----- Original Message -----
From: mike morris <circuithead_@hotmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, July 16, 2001 9:46 AM
Subject: Unidentified subject!


> i was wondering what kinds of instruments are being looped by the users of
> this group. there are certainly lots of guitar players that are looping,
and
> we definitely know about dj's...
> im interested to know what other instruments are being looped out
> there...especially individually created instruments.
> i am doing loops with a malletkat(midi marimba), synthesizers,
didjeridoos,
> and vocals.
> so what else is going on out there?
>   shane                                  circuithead_@hotmail.com
>
> _________________________________________________________________
> Get your FREE download of MSN Explorer at http://explorer.msn.com
>
>


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In a message dated 7/16/01 3:01:41 PM Eastern Daylight Time, jimp@pobox.com 
writes:


> if a guy loops in his rehearsal space and no-one else hears it is it sound?
> 

its the same as one hand clapping.....i loop: guitar, synth, glockenspiel, 
recorder, castanetes (sp?), voice, my grandson, my computer, turntables, 
radio, harmonica, other loops, toys, cds, t.v., and on and on, nothing is 
safe.....:)m

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>In a message dated 7/16/01 3:01:41 PM Eastern Daylight Time, jimp@pobox.com 
<BR>writes:
<BR>
<BR>
<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">if a guy loops in his rehearsal space and no-one else hears it is it sound?
<BR></BLOCKQUOTE>
<BR>
<BR>its the same as one hand clapping.....i loop: guitar, synth, glockenspiel, 
<BR>recorder, castanetes (sp?), voice, my grandson, my computer, turntables, 
<BR>radio, harmonica, other loops, toys, cds, t.v., and on and on, nothing is 
<BR>safe.....:)m</FONT></HTML>

--part1_8a.9709ad7.2884d179_boundary--

From Loopers-Delight-request@loopers-delight.com  Mon Jul 16 19:38:45 2001
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In a message dated 7/16/01 3:38:43 PM Eastern Daylight Time, 
GLOBAL@cruzio.com writes:


> Copper Spitton
> (another
> Udu-esque drum)--------which reminds me that I've been wanting to experiment
> with putting water in it and I just dashed to the sink and tried
> 

rick.....just wait till you use real spit if you want something 
awesome!.....i think its the bacteria swimming around that gives it that 
"just right" sound!.....:)m

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>In a message dated 7/16/01 3:38:43 PM Eastern Daylight Time, 
<BR>GLOBAL@cruzio.com writes:
<BR>
<BR>
<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">Copper Spitton
<BR>(another
<BR>Udu-esque drum)--------which reminds me that I've been wanting to experiment
<BR>with putting water in it and I just dashed to the sink and tried
<BR>it--------AWESOME!!!!----</BLOCKQUOTE>
<BR>
<BR>rick.....just wait till you use real spit if you want something 
<BR>awesome!.....i think its the bacteria swimming around that gives it that 
<BR>"just right" sound!.....:)m</FONT></HTML>

--part1_16.f607916.2884d288_boundary--

From Loopers-Delight-request@loopers-delight.com  Mon Jul 16 19:48:54 2001
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To: "'Loopers-Delight@loopers-delight.com'"
	 <Loopers-Delight@loopers-delight.com>
Subject: RE: Unidentified subject
Date: Mon, 16 Jul 2001 19:45:39 -0400
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 ** actually, it's the viscosity that changes the sound. 
 
stig




Copper Spitton 
(another 
Udu-esque drum)--------which reminds me that I've been wanting to experiment

with putting water in it and I just dashed to the sink and tried 
it--------AWESOME!!!!----



rick.....just wait till you use real spit if you want something 
awesome!.....i think its the bacteria swimming around that gives it that 
"just right" sound!.....:)m 


------_=_NextPart_001_01C10E51.6AD35860
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	charset="iso-8859-1"

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META HTTP-EQUIV="Content-Type" CONTENT="text/html; charset=iso-8859-1">


<META content="MSHTML 5.00.2919.6307" name=GENERATOR></HEAD>
<BODY>
<BLOCKQUOTE>
  <DIV><FONT size=2><FONT color=#0000ff><FONT face=Arial><SPAN 
  class=299214323-16072001>&nbsp;** actually, it's the viscosity that changes 
  the sound.&nbsp;</SPAN></FONT></FONT></FONT></DIV>
  <DIV><FONT size=2><FONT color=#0000ff><FONT face=Arial><SPAN 
  class=299214323-16072001></SPAN></FONT></FONT></FONT>&nbsp;</DIV>
  <DIV><SPAN class=299214323-16072001></SPAN><FONT size=2><FONT 
  color=#0000ff><FONT face=Arial><SPAN 
  class=299214323-16072001>stig</SPAN><BR><BR><BR></FONT></FONT></FONT></DIV>
  <BLOCKQUOTE 
  style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" 
  TYPE="CITE"><FONT face=Arial size=2>Copper Spitton <BR>(another 
    <BR>Udu-esque drum)--------which reminds me that I've been wanting to 
    experiment <BR>with putting water in it and I just dashed to the sink and 
    tried <BR>it--------AWESOME!!!!----</FONT></BLOCKQUOTE><BR><BR><FONT 
  face=Arial size=2>rick.....just wait till you use real spit if you want 
  something <BR>awesome!.....i think its the bacteria swimming around that gives 
  it that <BR>"just right" sound!.....:)m</FONT><FONT face=Arial> 
</FONT></BLOCKQUOTE></BODY></HTML>

------_=_NextPart_001_01C10E51.6AD35860--

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Subject: re: looping other instruments... 
From: Steve Lawson <steve@steve-lawson.co.uk>
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>>>i mostly play electric guitar, but since nothing new can be done
on the guitar (right steve lawson?)<<<

hehe, I guess you've been listening to the interview on KPIG... :o)

for the record, I didn't say NOTHING can be done new on guitar, just that
for bass, especially exploring the whole area of solo bass, there is little
or no set vocabulary, so the playing field is more open. All credit to guys
like Andre LaFosse who manage to take the guitar somewhere very new -
Andre's music seems to hardly lean at all on the standard guitar vocab, even
when he was playing with just a guitar into EDP into amp - no reliance on
heavy processing. I really don't have that kind of musical vision, or
leaning, so am in awe of people who do. For me, it seems that few people
have pursued bass along the path that I'm heading (with a few obvious and
notable exceptions - i'm not claiming any degree of trail blazing
originality...) so I have fewer cliches to either avoid or subvert. I feel
like i'm playing with sound on a much more base level. it doesn't feel like
i'm manipulating pre-ordained sounds.

I'd love to hear the take of some of the guitarists on list - DT, clearly as
far as experimental guitar, you wrote a large chunk of the first chapter -
do you feel that it gets harder to say something 'new', or is 'newness'
overrated when it's placed ahead of relavence and integrity? does the onward
march of technology mean that we will always have new things to do, cos we
are physically able to DO more TO sound?

am i making sense? as usual, probably not - someone verbose, rescue me! :o)

Steve 
www.steve-lawson.co.uk

BTW - there's currently a little discussion brewing about free improv that
some of you may find interesting in my 'ask the pros' forum over at
talkbass.com - feel free to sign in and contribute - you'll find it in the
'ask Steve Lawson' section under bass guitar forums...


From Loopers-Delight-request@loopers-delight.com  Mon Jul 16 20:59:07 2001
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mark, 

nice. thank you.

take care,

phil

<<mark wrote:

<If you feel it's under warranty, don't worry about
not <having filled 
<out
<the card.  Most states have a law that basically
gives <you right to all
<warrantees regardless of whether you registered your
<product.
<Purchasing and having proof of that transaction is
<sufficient.  Just
<bring it to the place you bought it.



=====
"Compassion is the sometimes fatal capacity for feeling what
it's like to live inside somebody else's skin.
 
 It is the knowledge that there can never really be any
peace and joy for me until there is peace and joy finally 
for you too." 
                                   -Frederick Buechner

__________________________________________________
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lately i've been fooling about with playing harmonica
into the neck pickup of my epiphone dot, with
distortion, at half speed on the boomerang, then
reversing and speeding up the loop. once i stack some
harmonic drones on top of the initial melody it builds
up some rythm from the reverse swelling, and is simply
amazing.

take care,

phil

<<someone wrote:

i was wondering what kinds of instruments are being
looped by the users 
of 
this group. there are certainly lots of guitar players
that are 
looping, and 
we definitely know about dj's...
im interested to know what other instruments are being
looped out 
there...especially individually created instruments.
i am doing loops with a malletkat(midi marimba),
synthesizers,  
didjeridoos, 
and vocals.
so what else is going on out there?

=====
"Compassion is the sometimes fatal capacity for feeling what
it's like to live inside somebody else's skin.
 
 It is the knowledge that there can never really be any
peace and joy for me until there is peace and joy finally 
for you too." 
                                   -Frederick Buechner

__________________________________________________
Do You Yahoo!?
Get personalized email addresses from Yahoo! Mail
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From Loopers-Delight-request@loopers-delight.com  Mon Jul 16 21:29:00 2001
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Date: Tue, 17 Jul 2001 03:14:01 +0200
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From: Matthias Grob <matthias@grob.org>
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>
>P.S. Since y'all remember the Gizmo, might anyone know how Steve Hackett got
>the kind of sustain(the most graceful and thick, rich and chocolit beautiful
>feedback ever?) he used on the song "The Steppes"? could that really have
>just been his marshall/Roland space echo/les paul combo or did he have some
>kind of other magic box??????

with a filter and a compressor (limiter, really) before the 
distortion, you get there: little distortion, little attack and a lot 
of gain to create feedbacks...
-- 


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Mon Jul 16 22:18:41 2001
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how did you do the brown and williamson automated customer service line?
shane


>From: "matt davignon" <mattdavignon@hotmail.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: Unidentified subject!
>Date: Mon, 16 Jul 2001 11:07:58 -0700
>
>Lets not forget the Brown and Williamson automated customer service line
>Dennis!
>
>
>>From: "Dennis Leas" <dennis@mdbs.com>
>>
>> > i was wondering what kinds of instruments are being looped by the users
>>of
>> > this group.
>>
>>I call myself a percussionist.  I loop a lot of different percussion
>>things:
>>drums, shakers, marimba, glockenspiel, gongs, triangles, handclaps,
>>cymbals,
>>kalimba, claves, bells, artillery shells, udu, etc.  And some non-perc
>>stuff: didjeridu, PVC pipes, Waterphone, wobble board, bird 
>>whistles/calls,
>>gopi-yantra.
>>
>>Dennis Leas
>>-------------------
>>dennis@mdbs.com
>>
>
>_________________________________________________________________
>Get your FREE download of MSN Explorer at http://explorer.msn.com
>

_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Mon Jul 16 22:52:25 2001
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Date: Mon, 16 Jul 2001 20:34:31 -0600
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From: Goddess <thefates@earthlink.net>
Subject: re: looping other instruments... 
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  Steve and all, well, I for one, tend to use quite a bit of  processing,
but also go the complete opposite route as well, and do the minimalist
thing.  When using alot of dsp, I like to  carefully taylor a sound to come
as close to what I'm hearing in my head, or feeling in my body as I can.
So, I don't really consider it "relying" on the processing, so much as
viewing it as another instrument.  
  As far as newness is concerned, I'm only limited by my own imagination,
and I consider that, limitless.  I  think it's a divine gift we're given.
-Being able to manifest the spark.  
  I try to be as true to the music, as I can.  Whether that takes the form
of something traditional, or something else.  <smile>  -Hope this made
sense, and thanks so much for the great post!  

Smiles,

Goddess

At 12:55 AM 7/17/01 -0700, you wrote:
>>>>i mostly play electric guitar, but since nothing new can be done
>on the guitar (right steve lawson?)<<<
>
>hehe, I guess you've been listening to the interview on KPIG... :o)
>
>for the record, I didn't say NOTHING can be done new on guitar, just that
>for bass, especially exploring the whole area of solo bass, there is little
>or no set vocabulary, so the playing field is more open. All credit to guys
>like Andre LaFosse who manage to take the guitar somewhere very new -
>Andre's music seems to hardly lean at all on the standard guitar vocab, even
>when he was playing with just a guitar into EDP into amp - no reliance on
>heavy processing. I really don't have that kind of musical vision, or
>leaning, so am in awe of people who do. For me, it seems that few people
>have pursued bass along the path that I'm heading (with a few obvious and
>notable exceptions - i'm not claiming any degree of trail blazing
>originality...) so I have fewer cliches to either avoid or subvert. I feel
>like i'm playing with sound on a much more base level. it doesn't feel like
>i'm manipulating pre-ordained sounds.
>
>I'd love to hear the take of some of the guitarists on list - DT, clearly as
>far as experimental guitar, you wrote a large chunk of the first chapter -
>do you feel that it gets harder to say something 'new', or is 'newness'
>overrated when it's placed ahead of relavence and integrity? does the onward
>march of technology mean that we will always have new things to do, cos we
>are physically able to DO more TO sound?
>
>am i making sense? as usual, probably not - someone verbose, rescue me! :o)
>
>Steve 
>www.steve-lawson.co.uk
>
>BTW - there's currently a little discussion brewing about free improv that
>some of you may find interesting in my 'ask the pros' forum over at
>talkbass.com - feel free to sign in and contribute - you'll find it in the
>'ask Steve Lawson' section under bass guitar forums...
>
>
>


---

  "The only things I really think are important, are love, and eachother.
-Then, anything is possible..."


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Subject: RE: pci sound card?
Date: Tue, 17 Jul 2001 11:15:30 +0800
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hi

also on the subject - Roland has a new product coming out which is a PCI
card tied to a digital mixer (not the edirol product) which could be good if
you are looking for control surfaces with your ins and outs.  I can't
remember the name though - something with Studio in it I think.

omjn

> -----Original Message-----
> From: Mike Biffle [mailto:Mike.Biffle@asml.com]
> Sent: Monday, 16 July 2001 11:42 PM
> To: Loopers-Delight@loopers-delight.com; feeneymike@yahoo.com
> Subject: Re: pci sound card?
>
>
> Hi Mike,
>
> These comments are based on pretty long-winded research... both
> are supposed to have very high-quality DAC's for this price point.
>
> I've heard consistently good remarks regarding the M-Audio Delta
> 66 (with or without the Omni I/O mixer interface). 4 tracks in
> and out... The Delta 66 is about $290 street... The Omni-Studio
> (which includes the mixer and Delta 66) is about $399 street. You
> can usually find these for slightly less on eBay.
>
> The Creamware Luna II is possibly even nicer but the PCI card
> only has 2 inputs. There is a proprietary port on the card though
> which connects to their hardware box that expands the I/O to 8 or
> 10 inputs and outputs. The PCI card is around $333 street. The
> additional box to expand i/o is quite a bit more, although I
> don't remember the exact prices. These don't pop up on eBay
> nearly as often.
>
> Happy shopping!
> -Miko Biffle
>
> >>> feeneymike@yahoo.com 07/14/01 07:45PM >>>
> 	Hey again,
>
> 	I'm looking for a PCI sound card for my PC (Win98SE).
> Hoping for one that
> will allow me to record multiple tracks simultaneously (4 or more).  Any
> recommendations?  There are loads of them out there; it's kind of daunting
> to try to pick one out.  Thanks in advance...
>
> 	Mike
>
>
>
> _________________________________________________________
> Do You Yahoo!?
> Get your free @yahoo.com address at http://mail.yahoo.com
>
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Jul 17 00:02:43 2001
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Date: Mon, 16 Jul 2001 21:00:10 -0700
Subject: Re: More Klein Questions
From: Travis Hartnett <tiktok@sprintmail.com>
To: <Loopers-Delight@loopers-delight.com>
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Without getting into the ethics of paying someone to copy the design of a
still-operating and struggling small shop, your Klein copy will have squat
for re-sale value, even if all the construction details are the same.  If
you want a Klein, save up.  If you want a Trans-trem guitar for cheaper than
that, check eBay for a TT Steinberger, they show up regularly.

TH

**************************
Subject: Re: More Klein Questions

In a message dated 07/15/2001 7:43:36 PM Central Daylight Time,
jeremiah266@hotmail.com writes:


How would a guitar that used the same woods, scale lenght, body
shape and electronics sound any different than a klien? I am not being
facetious I am really curious. Also dose anyone know much about klein
costruction, I went to klien guitars a few months ago and Lorenzo was very
nice just a little secretive about a few things (like how many they make a
year and things like that)


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   for me,microtonality has been the way to find new ways on the guitar,
sorry I´m not David Torn :-)


At 12:55 a.m. 17/07/01 -0700, you wrote:
>>>>i mostly play electric guitar, but since nothing new can be done
>on the guitar (right steve lawson?)<<<
>
>hehe, I guess you've been listening to the interview on KPIG... :o)
>
>for the record, I didn't say NOTHING can be done new on guitar, just that
>for bass, especially exploring the whole area of solo bass, there is little
>or no set vocabulary, so the playing field is more open. All credit to guys
>like Andre LaFosse who manage to take the guitar somewhere very new -
>Andre's music seems to hardly lean at all on the standard guitar vocab, even
>when he was playing with just a guitar into EDP into amp - no reliance on
>heavy processing. I really don't have that kind of musical vision, or
>leaning, so am in awe of people who do. For me, it seems that few people
>have pursued bass along the path that I'm heading (with a few obvious and
>notable exceptions - i'm not claiming any degree of trail blazing
>originality...) so I have fewer cliches to either avoid or subvert. I feel
>like i'm playing with sound on a much more base level. it doesn't feel like
>i'm manipulating pre-ordained sounds.
>
>I'd love to hear the take of some of the guitarists on list - DT, clearly as
>far as experimental guitar, you wrote a large chunk of the first chapter -
>do you feel that it gets harder to say something 'new', or is 'newness'
>overrated when it's placed ahead of relavence and integrity? does the onward
>march of technology mean that we will always have new things to do, cos we
>are physically able to DO more TO sound?
>
>am i making sense? as usual, probably not - someone verbose, rescue me! :o)
>
>Steve 
>www.steve-lawson.co.uk
>
>BTW - there's currently a little discussion brewing about free improv that
>some of you may find interesting in my 'ask the pros' forum over at
>talkbass.com - feel free to sign in and contribute - you'll find it in the
>'ask Steve Lawson' section under bass guitar forums...
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Jul 17 00:53:37 2001
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In a message dated 7/16/01 3:01:41 PM Eastern Daylight Time, jimp@pobox.com 
writes: 


if a guy loops in his rehearsal space and no-one else hears it is it sound? 

no     but its noisee as hell

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<HTML>
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<TITLE>Re: Unidentified subject!</TITLE>
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<BODY BGCOLOR=3D"#FFFFFF">
<BR>
<BLOCKQUOTE><FONT SIZE=3D"2">In a message dated 7/16/01 3:01:41 PM Eastern Da=
ylight Time, <FONT COLOR=3D"#0000FF"><U>jimp@pobox.com</U></FONT> <BR>
writes: <BR>
<BR>
<BR>
</FONT><BLOCKQUOTE><FONT SIZE=3D"2">if a guy loops in his rehearsal space and=
 no-one else hears it is it sound? <BR>
</FONT></BLOCKQUOTE><BR>
no &nbsp;&nbsp;&nbsp;&nbsp;but its noisee as hell<BR>
</BLOCKQUOTE>
</BODY>
</HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue Jul 17 01:57:06 2001
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Both the original red whammy and the black whammy were digital. 
After the black whammy IVL no longer had anything to do with the Whammy.
Digitech just kind of took the idea and made their own versions.

The reason everyone wants the Wh-1 (red) is because it is the original and it
performs better sound wise. It has an auto gain circuit (AGC) that increases
the level to the pitch recognition algorithm so you can sustain a pitch
shifted note longer than the Wh-2 before you got what we like to call the
oogly-aaglies (the pitched output kind of going nuts).  This happens when the
Wh-1 or Wh-2  losses pitch lock because the volume is too low or you are
playing more than a single note into it. Even though this has actually been
used to great effect in a few guitar solos by Tom Morello from RAGE, it is
generaly an undesired artefact.  The black Whammy or Wh-2 pretty much has the
same pitch shifting as the Wh-` but without the AGC. You can compensate for
this by putting some compression before the Wh-2 in your FX chain. The Wh-2
does have full control with your feet including toggle mode which allows you
to program two presets and toggle between them...with just your foot. So...
the Wh-2 is still a cool pedal but no where near as coveted as the Wh-1. As
for the other Whammy pedals....I know nothing.


Damon

From Loopers-Delight-request@loopers-delight.com  Tue Jul 17 02:17:25 2001
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From: "Taaffe, Denis G" <dtaaffe@indiana.edu>
To: Loopers-Delight@loopers-delight.com
Subject: true stereo bypass pedal
Date: Tue, 17 Jul 2001 01:11:28 -0500
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Hi,

Hey I have an item for sale that might be of interest to someone on the loop
list. Basicly it is a stompbox pedal that I had custom made for me a while
ago. It is a true stereo bypass pedal. Originally a true bypass2 pedal but
modified to be either a true stereo a/b box or to bring a stereo signal in
or out of a stereo signal chain. It has stereo inputs, stereo poutputs then
2 sends and returns which can be brought out in and out of the signal chain
via one footwitch also has 2 leds. cool pedal if your using stereo gear. I
put it on ebay it's item Item # 1447809359 . It's not cheap , my reserve is
$160 and I paid more for it for the modifictions. It is a one of a kind
pedal. It's also in new condition.Ok just a thought....

Denis
denis taaffe
denis_aliengtr@geocities.com
http://www.dtguitar.com

-

From Loopers-Delight-request@loopers-delight.com  Tue Jul 17 02:18:50 2001
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I'm selling an Art X-15 midi controller
100.00 plus shipping o.b.o.
Scott    kungha@earthlink.net

From Loopers-Delight-request@loopers-delight.com  Tue Jul 17 02:48:21 2001
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Date: Tue, 17 Jul 2001 07:42:45 +0100
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Ah, the power of Cheese. :)

 ** actually, it's the viscosity that changes the sound.=20

  stig



    Copper Spitton=20
    (another=20
    Udu-esque drum)--------which reminds me that I've been wanting to =
experiment=20
    with putting water in it and I just dashed to the sink and tried=20
    it--------AWESOME!!!!----


  rick.....just wait till you use real spit if you want something=20
  awesome!.....i think its the bacteria swimming around that gives it =
that=20
  "just right" sound!.....:)m=20

------=_NextPart_000_004B_01C10E94.11B667C0
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
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<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2479.6" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV>Ah, the power of Cheese. :)</DIV>
<DIV><BR><FONT size=3D2><FONT color=3D#0000ff><FONT face=3DArial><SPAN=20
class=3D299214323-16072001>&nbsp;** actually, it's the viscosity that =
changes the=20
sound.&nbsp;</SPAN></FONT></FONT></FONT></DIV>
<BLOCKQUOTE>
  <DIV><FONT size=3D2><FONT color=3D#0000ff><FONT face=3DArial><SPAN=20
  class=3D299214323-16072001></SPAN></FONT></FONT></FONT>&nbsp;</DIV>
  <DIV><SPAN class=3D299214323-16072001></SPAN><FONT size=3D2><FONT=20
  color=3D#0000ff><FONT face=3DArial><SPAN=20
  =
class=3D299214323-16072001>stig</SPAN><BR><BR><BR></FONT></FONT></FONT></=
DIV>
  <BLOCKQUOTE=20
  style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px =
solid; MARGIN-RIGHT: 0px"=20
  TYPE=3D"CITE"><FONT face=3DArial size=3D2>Copper Spitton <BR>(another=20
    <BR>Udu-esque drum)--------which reminds me that I've been wanting =
to=20
    experiment <BR>with putting water in it and I just dashed to the =
sink and=20
    tried <BR>it--------AWESOME!!!!----</FONT></BLOCKQUOTE><BR><BR><FONT =

  face=3DArial size=3D2>rick.....just wait till you use real spit if you =
want=20
  something <BR>awesome!.....i think its the bacteria swimming around =
that gives=20
  it that <BR>"just right" sound!.....:)m</FONT><FONT face=3DArial>=20
</FONT></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_004B_01C10E94.11B667C0--

From Loopers-Delight-request@loopers-delight.com  Tue Jul 17 03:25:25 2001
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Hi,

Does anyone of you guys know if it is already possible to buy
the "Repeater" from Electrix in The USA, especially in NY.
Or in a European country?
Please let me know.
Pieter Thys
info@troissoeur.com


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</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Hi,</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Does anyone of you guys know if it is =
already=20
possible to buy</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>the "Repeater" from Electrix in The =
USA, especially=20
in NY.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Or in a European country?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Please let me know.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Pieter Thys</FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"mailto:info@troissoeur.com">info@troissoeur.com</A></FONT></DIV>
<DIV>&nbsp;</DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue Jul 17 03:33:52 2001
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Hi,

Does anyone of you guys know if it is already possible to buy
the "Repeater" from Electrix in The USA, especially in NY.
Or in a European country?
Please let me know.
Pieter Thys
info@troissoeur.com


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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>
<DIV><FONT face=3DArial size=3D2>Hi,</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Does anyone of you guys know if it is =
already=20
possible to buy</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>the "Repeater" from Electrix in The =
USA, especially=20
in NY.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Or in a European country?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Please let me know.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Pieter Thys</FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"mailto:info@troissoeur.com">info@troissoeur.com</A></FONT></DIV>
<DIV>&nbsp;</DIV></FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue Jul 17 03:45:51 2001
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Hi

I'm a pro musician from Belgium (Europe)
and  going to NY within two weeks.
Can somebody give me adresses of good music shops in NY
who (for shure) will sell "the Repeater" from Electrix.
thanks in advance
Pieter

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<DIV><FONT face=3DArial size=3D2>Hi</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I'm a pro musician from Belgium=20
(Europe)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>and&nbsp; going to NY within two=20
weeks.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Can somebody give me adresses of good =
music shops=20
in NY</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>who (for shure) will sell "the =
Repeater" from=20
Electrix.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>thanks in advance</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Pieter</FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue Jul 17 04:02:48 2001
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Date: Tue, 17 Jul 2001 10:01:09 +0200
To: Loopers-Delight@loopers-delight.com
From: Matthias Grob <matthias@grob.org>
Subject: RE: OT: bass processing
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<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>RE: OT: bass processing</title></head><body>
<blockquote type="cite" cite><font size="-1">Won't hurt the
Microsynth, just don't expect it to track all that well.
The</font><br>
<font size="-1">bass model barely tracks the b string. Still sounds
ultra cool, though...</font><br>
</blockquote>
<blockquote type="cite" cite><font size="-1">** further off topic . .
.</font><br>
</blockquote>
<blockquote type="cite" cite><font size="-1">i'm wondering about the
eh ms. how good is the fuzz? dave, you say the tracking isn't so good
on the b string, does that mean it does on the e? most seem to have a
problem on anything lower than a c on the a string.</font><br>
</blockquote>
<blockquote type="cite" cite><font size="-1">i've been considering
having a low octave/fuzz pedal made by someone. anyone out there
interested?</font><br>
</blockquote>
<blockquote type="cite" cite><font size="-1">stig</font></blockquote>
<div><br></div>
<div>As Patrik mentions:&nbsp; just double the value of any filtering
cap in a guitar model!</div>
<div>(or all caps, since the stabilizing and decoupling ones are
always good to be doubled :-)</div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div><br>
<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; ---&gt;
http://Matthias.Grob.org</div>
</body>
</html>

From Loopers-Delight-request@loopers-delight.com  Tue Jul 17 04:03:00 2001
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Date: Tue, 17 Jul 2001 10:01:09 +0200
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From: Matthias Grob <matthias@grob.org>
Subject: guilty?
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>Jeeze man- the things I still dont know about my EDP- I have to say I am
>guilty of using it to about 10% of it's cababilities- Thanks for the info
>Kim- Cliff

guilty? its possible to do a lot of music with a few functions - as 
little a shame as just using blues chords throughout a show.

The more EDP users I meet, the more I am fascinated how many ways 
they find to use it and how different styles result from it.
Those who understand less about the unit sometimes develop a more 
personal stile.
Those who understand a lot are more versatile and dynamic.

I am not sure whether its similar with other looping units :-)
-- 


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Tue Jul 17 07:52:26 2001
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Subject: Re: Art X-15
Date: Tue, 17 Jul 2001 19:41:44 +0800
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please give some information about this controller
----- Original Message ----- 
From: "scott kungha drengsen" <kungha@earthlink.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, July 17, 2001 2:16 PM
Subject: Art X-15


> I'm selling an Art X-15 midi controller
> 100.00 plus shipping o.b.o.
> Scott    kungha@earthlink.net
> 

From Loopers-Delight-request@loopers-delight.com  Tue Jul 17 08:03:37 2001
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Date: Tue, 17 Jul 2001 04:59:17 -0700 (PDT)
From: John Tidwell <wedgehed@yahoo.com>
Subject: New from Line 6......
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The latest issue of Guitar Player says that Line 6
will be showing rack versions of their modeling
stompboxes at NAMM.

Echo Pro, Filter Pro, & Modulation Pro.


John

=====
John Tidwell




__________________________________________________
Do You Yahoo!?
Get personalized email addresses from Yahoo! Mail
http://personal.mail.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Tue Jul 17 08:34:25 2001
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From: "Rick Walker \(loop.pool\)" <GLOBAL@cruzio.com>
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philip wrote:

"lately i've been fooling about with playing harmonica into the neck pickup
of my epiphone dot, with distortion........."

Very cool idea philip.  May I borrow it sometime at a solo concert?  Feel
free to say no, but remember, imitation is the most sincere form of flattery
;-)

I have been experimenting with
using harmonic vowel manipulation and rhythm whilst playing and looping my
harmonicas.  It ends up sounding very
analogue synthish, trancey and yet has that requisite 'hoedown' vibe too).

Speaking of that 'hoedown' devil, I just produced a couple of tracks for a
very talented acoustic musician, Bruce Abraham where I mixed a lot of
vocoded abstract electronica tracks with a heavy cross between acoustic
Americana and Celtica.  I used fiddle,uillean pipes, national steel and
celtic harp tracks.
It came out really differently and very cool.

yours,  Rick Walker (loop.pool)


From Loopers-Delight-request@loopers-delight.com  Tue Jul 17 08:35:31 2001
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Date: Tue, 17 Jul 2001 08:33:37 EDT
Subject: Re: Microphones/feedback
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jeremiah266@hotmail.com writes:
>I am curious to what brand of microphones are good to mount on  guitars.
i like salt-shaker mics, as they've got a freq. response that's limited to a 
fairly narrow (mid-range) bandwidth.

>I  wonder if they pick up tranducer like guitar sounds or only gernerate 
>feedback?
i've got one mic mounted *under* the neck pickup --- at very very low 
volumes, it sounds a bit like an 'acoustic-y' transducer.

>Also my experiences with feedback has always beed kind of frustrating 
>because much of the time the feedback noises I get too much louder than
>my non feed back noises. Do I just need to get a compressor for more useful
>feedback?
i shouldn't think so, but:
try it, if ya can. (i regularly use a compressor, for the fdbk stuff).

best,
dt / s-c

From Loopers-Delight-request@loopers-delight.com  Tue Jul 17 08:41:56 2001
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Subject: Re: Whammy
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Hey Damon (and anybody else),

    I have the Wh-1 red whammy and am trying to run both voice and line
instruments into it (with an Art tube preamp before it).  I'm getting quite
a lot of degradation of the sound.
Is there any way that you know of to get into these things and replace
components with better sounding ones?

I love this pedal and use it for all kinds of things.  It is especially
awesome for faux industrial beatbox noises.  I even play a little dayglo
green am radio (tuned to the noise in between stations) as a pitch bending
noise source to add to my grooves.

Looper Max Valentino graciously lent me his morley a/b box so that I could
bypass it when I wanted to during our tour but I'd love to have it do what
it does with less distortion and degradation of the signal.

Are they known for being noisy and dirty?

yours,  Rick Walker

From Loopers-Delight-request@loopers-delight.com  Tue Jul 17 10:00:46 2001
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From: "Taaffe, Denis G" <dtaaffe@indiana.edu>
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Date: Tue, 17 Jul 2001 08:57:12 -0500
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Sorry,
I only speak to semi pro musicians or amateurs.....lol kidding of
course....try sam ash.....
 
denis
denis taaffe
denis_aliengtr@geocities.com <mailto:denis_aliengtr@geocities.com> 
http://www.dtguitar.com <http://www.dtguitar.com> 

-----Original Message-----
From: Troissoeur [mailto:info@troissoeur.com]
Sent: Tuesday, July 17, 2001 2:39 AM
To: Loopers-Delight@loopers-delight.com
Subject: 


Hi
 
I'm a pro musician from Belgium (Europe)
and  going to NY within two weeks.
Can somebody give me adresses of good music shops in NY
who (for shure) will sell "the Repeater" from Electrix.
thanks in advance
Pieter


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<META content="MSHTML 5.50.4134.600" name=GENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=#ffffff>
<DIV><SPAN class=842485513-17072001><FONT face=Arial color=#0000ff 
size=2>Sorry,</FONT></SPAN></DIV>
<DIV><SPAN class=842485513-17072001><FONT face=Arial color=#0000ff size=2>I only 
speak to semi pro musicians or amateurs.....lol kidding of course....try sam 
ash.....</FONT></SPAN></DIV>
<DIV><SPAN class=842485513-17072001><FONT face=Arial color=#0000ff 
size=2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=842485513-17072001><FONT face=Arial color=#0000ff 
size=2>denis</FONT></SPAN></DIV>
<DIV><SPAN class=842485513-17072001><FONT face=Arial color=#0000ff size=2>denis 
taaffe</FONT></SPAN></DIV>
<DIV><SPAN class=842485513-17072001><FONT face=Arial color=#0000ff size=2><A 
href="mailto:denis_aliengtr@geocities.com">denis_aliengtr@geocities.com</A></FONT></SPAN></DIV>
<DIV><SPAN class=842485513-17072001><FONT face=Arial color=#0000ff size=2><A 
href="http://www.dtguitar.com">http://www.dtguitar.com</A></FONT></SPAN></DIV>
<BLOCKQUOTE dir=ltr style="MARGIN-RIGHT: 0px">
  <DIV class=OutlookMessageHeader dir=ltr align=left><FONT face=Tahoma 
  size=2>-----Original Message-----<BR><B>From:</B> Troissoeur 
  [mailto:info@troissoeur.com]<BR><B>Sent:</B> Tuesday, July 17, 2001 2:39 
  AM<BR><B>To:</B> Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> 
  <BR><BR></FONT></DIV>
  <DIV><FONT face=Arial size=2>Hi</FONT></DIV>
  <DIV>&nbsp;</DIV>
  <DIV><FONT face=Arial size=2>I'm a pro musician from Belgium 
  (Europe)</FONT></DIV>
  <DIV><FONT face=Arial size=2>and&nbsp; going to NY within two 
  weeks.</FONT></DIV>
  <DIV><FONT face=Arial size=2>Can somebody give me adresses of good music shops 
  in NY</FONT></DIV>
  <DIV><FONT face=Arial size=2>who (for shure) will sell "the Repeater" from 
  Electrix.</FONT></DIV>
  <DIV><FONT face=Arial size=2>thanks in advance</FONT></DIV>
  <DIV><FONT face=Arial size=2>Pieter</FONT></DIV></BLOCKQUOTE></BODY></HTML>

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Date: Tue, 17 Jul 2001 06:59:32 -0700
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Negative. Not yet. But soon, grasshopper, soon.

K
  -----Original Message-----
  From: Troissoeur [mailto:info@troissoeur.com]
  Sent: Tuesday, July 17, 2001 12:27 AM
  To: Loopers-Delight@loopers-delight.com
  Subject: 


  Hi,

  Does anyone of you guys know if it is already possible to buy
  the "Repeater" from Electrix in The USA, especially in NY.
  Or in a European country?
  Please let me know.
  Pieter Thys
  info@troissoeur.com


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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
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<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 5.50.4616.200" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><SPAN class=3D610025913-17072001><FONT face=3DArial color=3D#0000ff =

size=3D2>Negative. Not yet. But soon, grasshopper, =
soon.</FONT></SPAN></DIV>
<DIV><SPAN class=3D610025913-17072001><FONT face=3DArial color=3D#0000ff =

size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D610025913-17072001><FONT face=3DArial color=3D#0000ff =

size=3D2>K</FONT></SPAN></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px =
solid; MARGIN-RIGHT: 0px">
  <DIV class=3DOutlookMessageHeader dir=3Dltr align=3Dleft><FONT =
face=3DTahoma=20
  size=3D2>-----Original Message-----<BR><B>From:</B> Troissoeur=20
  [mailto:info@troissoeur.com]<BR><B>Sent:</B> Tuesday, July 17, 2001 =
12:27=20
  AM<BR><B>To:</B> =
Loopers-Delight@loopers-delight.com<BR><B>Subject:</B>=20
  <BR><BR></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>
  <DIV><FONT face=3DArial size=3D2>Hi,</FONT></DIV>
  <DIV>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Does anyone of you guys know if it is =
already=20
  possible to buy</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>the "Repeater" from Electrix in The =
USA,=20
  especially in NY.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>Or in a European =
country?</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>Please let me know.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>Pieter Thys</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2><A=20
  =
href=3D"mailto:info@troissoeur.com">info@troissoeur.com</A></FONT></DIV>
  <DIV>&nbsp;</DIV></FONT></DIV></BLOCKQUOTE></BODY></HTML>

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Try Manny's (if they're still in business), and Sam Ash...

K
  -----Original Message-----
  From: Troissoeur [mailto:info@troissoeur.com]
  Sent: Tuesday, July 17, 2001 12:39 AM
  To: Loopers-Delight@loopers-delight.com
  Subject: 


  Hi

  I'm a pro musician from Belgium (Europe)
  and  going to NY within two weeks.
  Can somebody give me adresses of good music shops in NY
  who (for shure) will sell "the Repeater" from Electrix.
  thanks in advance
  Pieter

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><SPAN class=3D124240114-17072001><FONT face=3DArial color=3D#0000ff =
size=3D2>Try=20
Manny's (if they're still in business), and Sam =
Ash...</FONT></SPAN></DIV>
<DIV><SPAN class=3D124240114-17072001><FONT face=3DArial color=3D#0000ff =

size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D124240114-17072001><FONT face=3DArial color=3D#0000ff =

size=3D2>K</FONT></SPAN></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px =
solid; MARGIN-RIGHT: 0px">
  <DIV class=3DOutlookMessageHeader dir=3Dltr align=3Dleft><FONT =
face=3DTahoma=20
  size=3D2>-----Original Message-----<BR><B>From:</B> Troissoeur=20
  [mailto:info@troissoeur.com]<BR><B>Sent:</B> Tuesday, July 17, 2001 =
12:39=20
  AM<BR><B>To:</B> =
Loopers-Delight@loopers-delight.com<BR><B>Subject:</B>=20
  <BR><BR></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>Hi</FONT></DIV>
  <DIV>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>I'm a pro musician from Belgium=20
  (Europe)</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>and&nbsp; going to NY within two=20
  weeks.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>Can somebody give me adresses of good =
music shops=20
  in NY</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>who (for shure) will sell "the =
Repeater" from=20
  Electrix.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>thanks in advance</FONT></DIV>
  <DIV><FONT face=3DArial =
size=3D2>Pieter</FONT></DIV></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_001B_01C10E8E.5A792C00--

From Loopers-Delight-request@loopers-delight.com  Tue Jul 17 11:00:47 2001
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At 4:59 AM -0700 7/17/01, John Tidwell wrote:
>The latest issue of Guitar Player says that Line 6
>will be showing rack versions of their modeling
>stompboxes at NAMM.
>
>Echo Pro, Filter Pro, & Modulation Pro.

This is amusing. Last year I had the following e-mail exchange with 
the Marketing Director at Line6:


At 12:28 PM -0800 11/30/00, Richard Zvonar wrote:
>For the past year and a half I've been the happy owner of a POD, 
>with Floor Board. I've recently picked up a Distortion Modeler and 
>Delay Modeler, and I expect I'll get the Modulation Modeler as well. 
>They sound great, they're fun, they're easy to use, they're rugged. 
>My one real complaint is that only three or four presets are 
>available. This starts me wondering about Line6's next move in the 
>area of effects modeling.
>
>The Pod and Bass POD now have their "Pro" equivalents. Will a 
>similar product be forthcoming for effects modeling? I'd envision a 
>rack unit much like the POD Pro. Of course there are design issues 
>related both to front panel layout and to audio I/O. I'd probably be 
>content with three rotary switches, for effect model selection, four 
>rotary pots for parameter adjustment (with a three-way switch or 
>nudge button to select between modules), three pots for individual 
>effects levels, and a master volume. Or something like that. There 
>are questions about signal routing (series? parallel?) and mix of 
>various effects vs. direct signals. Clearly, at some point a 
>computer editor program would be needed.
>
>I worked with modular analog systems in the 1970s, with mainframe 
>computer music systems in the 1980s, and with stacks of effects 
>processors and matrix mixers ever since, so I'm bound to envision 
>more signal routing possibilities than your average head-banger. But 
>if such a product is under development I'd love to put in my two 
>bits. On the other hand, if it's under development but close to 
>release I'll trust you all to do you usual fine job, and I'll queue 
>up to buy my Modeler Pro with the rest of the dudes.

At 1:54 PM -0800 11/30/00, Steve DeFuria wrote:
>I can't comment on what we may (or may not) have under development, 
>of course,  but it's always good to get feedback about our products. 
>We value your comments and suggestions.

-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

From Loopers-Delight-request@loopers-delight.com  Tue Jul 17 11:13:39 2001
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> how did you do the brown and williamson automated customer service line?
> shane

Basically, I simulated Alvin Lucier's set-up, only using a digital reverb
instead of a real room and a delay line instead of alternating tape
recorders.

In detail -
I used an EDP, a Yamaha SPX-90 reverb, and my trusty mixer.

I put the EDP into delay mode with the feedback at zero.  The output of the
EDP went to an input of the mixer, say channel 1.  The AUX1 send on channel
1 (which is prefader) goes to the input of the EDP.  This signal path makes
the EDP act as a looper even though it is in delay mode.  The AUX2 send on
channel 1 (also prefader) goes to the input of the SPX-90.  The output of
the SPX-90 goes in another mixer input, say channel 2.  I turned up channel
2's AUX1 send so that the SPX-90's output goes to the EDP input.

So the EDP's output is split.  It goes to the SPX-90's input and to the
EDP's input.  The EDP's input is a mix of the EDP's output and the SPX-90's
output (and the initial signal, of course).

I recorded the telephone message on my minidisc.  Then played it once into
the EDP.  After that, the message loops though the EDP and SPX-90.  Each
iteration adds more reverb.  You've got to kind of "fly" the controls to
prevent the feedback from growing out of control.

You can do this with any delay line and and effect unit, of course.  Though
it can get real strange with phase shifters, etc.

Hope this is clear!

Dennis Leas
-------------------
dennis@mdbs.com


From Loopers-Delight-request@loopers-delight.com  Tue Jul 17 11:33:57 2001
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From: Mark <sine@zerocrossing.net>
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Your best bet is to to to www.electrixpro.com and see if there is a
dealer listing.  If there isn't, I'm sure if you go to 51st St. in
Manhatten (a little help on the cross street?) you will find about a
dozen music stores, including Alex music and Rudy's (where I bought my
first real guitar!)  They're not known for their "personal" service for
smaller customers, but I bet you'll find a Repeater in at least one of
the stores.  Have a big salty pretzel while you're there.  They're
terrible, but it will help you with the NYC experience.

Mark

Troissoeur wrote:

> Hi I'm a pro musician from Belgium (Europe)and  going to NY within two
> weeks.Can somebody give me adresses of good music shops in NYwho (for
> shure) will sell "the Repeater" from Electrix.thanks in advancePieter

From Loopers-Delight-request@loopers-delight.com  Tue Jul 17 11:43:41 2001
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From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Video Performance @ Zeitgeist 7.19.01
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Hi folks,

I'll be doing video improvisations at the Zeitgeist Gallery in 
Cambridge,  on Thursday evening starting around 8:15. I'll be 
performing with Immersion Music Salon, including Walter Wright, 
Video, Marc Bisson, gtr, and others.

$5 suggested donation.


Zeitgeist Gallery - 312 Broadway, cr Norfolk, off Central Sq. Cambridge
info 617.876.2182 wheelchair accessible.
-- 

"The reasonable man adapts himself to the world. The unreasonable man 
persists in adapting the world to himself. Therefore, all progress 
depends on the unreasonable man.

--  George Bernard Shaw

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

From Loopers-Delight-request@loopers-delight.com  Tue Jul 17 11:45:05 2001
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Mark wrote: 

> Your best bet is to to to www.electrixpro.com and see if there is a
> dealer listing.  If there isn't, I'm sure if you go to 51st St. in
> Manhatten (a little help on the cross street?) you will find about a
> dozen music stores, including Alex music and Rudy's (where I bought my
> first real guitar!)  They're not known for their "personal" service for
> smaller customers, but I bet you'll find a Repeater in at least one of
> the stores.  Have a big salty pretzel while you're there.  They're
> terrible, but it will help you with the NYC experience.

48th St!  Not 51st St.  48th St and Broadway, just off
Times Square.

I'd recommend Manny's, Sam Ash is just too big.  Not sure if
they carry Electrix products but would be surprised if they
didn't!

NB:  if you are here in two weeks, the Repeater just might
not be there yet...

   /t


-- 

I am the wombat.

From Loopers-Delight-request@loopers-delight.com  Tue Jul 17 11:47:24 2001
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Subject: Re: battery powered setup (question for papa dave)
Date: Mon, 16 Jul 2001 20:43:08 -0700
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Hi Chris,

Sorry to butt in, but have you checked out the Samson EX-30?  I bought =
one and it's sweet.  Check it out at AMS.
  ----- Original Message -----=20
  From: Chris Chovit=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Monday, July 16, 2001 12:54 PM
  Subject: battery powered setup (question for papa dave)


  dave,

  What kind of amp/speaker setup are you using for your portable setup. =
I was looking at the cambridge Sound Works DC system ($380), with tthe =
subwoofer in the suitcase....but was also considering taking the car =
stereo route. I am concerened that the speakers won;t be rugged enough =
for outdoor use, but if you take your setup to Burning Man, it must be =
pretty rugged. Any details would be appreciated.

  - Chris



    Mostly guitar for me but also keyboard, drums, trumpet, mandolin, =
banjo, toys, whistles, fart cussion................... many stuffed =
animals have cool sounds in them, most people throw them away when the =
sound stops....I found a cool one yesterday at Grey Bears recycling =
center... I felt the teddy bear and it had wiring inside and a battery =
holder...I bought it for 50 cents and put batteries in it....it has cool =
sounds of a quiet night...sleep sounds...very beautiful and magical.... =
I collect anything that makes a cool or weird or funny sound and I loop =
it all....Anything that makes sounds can be used to paint and =
juggle....I have a portable rig that's all battery powered that I use at =
the Beach or at Burning Man or the wilderness......Om and Out Papa Dave



    >From: "mike morris"

    >Reply-To: Loopers-Delight@loopers-delight.com

    >To: Loopers-Delight@loopers-delight.com

    >Subject: Unidentified subject!

    >Date: Mon, 16 Jul 2001 13:46:24 -0000

    >

    >i was wondering what kinds of instruments are being looped by the

    >users of

    >this group. there are certainly lots of guitar players that are

    >looping, and

    >we definitely know about dj's...

    >im interested to know what other instruments are being looped out

    >there...especially individually created instruments.

    >i am doing loops with a malletkat(midi marimba), synthesizers,

    >didjeridoos,

    >and vocals.

    >so what else is going on out there?

    > shane circuithead_@hotmail.com

    >

    >_________________________________________________________________

    >Get your FREE download of MSN Explorer at http://explorer.msn.com

    >



    Get your FREE download of MSN Explorer at =
<http://explorer.msn.com>http://explorer.msn.com


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<DIV><FONT face=3DArial size=3D2>Hi Chris,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Sorry to butt in, but have you checked =
out the=20
Samson EX-30?&nbsp; I bought one and it's sweet.&nbsp; Check it out at=20
AMS.</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
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  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dcho@newdream.net href=3D"mailto:cho@newdream.net">Chris =
Chovit</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, July 16, 2001 =
12:54=20
PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> battery powered setup =
(question=20
  for papa dave)</DIV>
  <DIV><BR></DIV>dave,<BR><BR>What kind of amp/speaker setup are you =
using for=20
  your portable setup. I was looking at the cambridge Sound Works DC =
system=20
  ($380), with tthe subwoofer in the suitcase....but was also =
considering taking=20
  the car stereo route. I am concerened that the speakers won;t be =
rugged enough=20
  for outdoor use, but if you take your setup to Burning Man, it must be =
pretty=20
  rugged. Any details would be appreciated.<BR><BR>- Chris<BR><BR><BR>
  <BLOCKQUOTE>Mostly guitar for me but also keyboard, drums, trumpet,=20
    mandolin, banjo, toys, whistles, fart cussion................... =
many=20
    stuffed animals have cool sounds in them, most people throw them =
away when=20
    the sound stops....I found a cool one yesterday at Grey Bears =
recycling=20
    center... I felt the teddy bear and it had wiring inside and a =
battery=20
    holder...I bought it for 50 cents and put batteries in it....it has =
cool=20
    sounds of a quiet night...sleep sounds...very beautiful and =
magical.... I=20
    collect anything that makes a cool or weird or funny sound and I =
loop it=20
    all....Anything that makes sounds can be used to paint and =
juggle....I have=20
    a portable rig that's all battery powered that I use at the Beach or =
at=20
    Burning Man or the wilderness......Om and Out Papa=20
    Dave<BR><BR><BR><BR>&gt;From: "mike morris"<BR><BR>&gt;Reply-To:=20
    Loopers-Delight@loopers-delight.com<BR><BR>&gt;To:=20
    Loopers-Delight@loopers-delight.com<BR><BR>&gt;Subject: Unidentified =

    subject!<BR><BR>&gt;Date: Mon, 16 Jul 2001 13:46:24=20
    -0000<BR><BR>&gt;<BR><BR>&gt;i was wondering what kinds of =
instruments are=20
    being looped by the<BR><BR>&gt;users of<BR><BR>&gt;this group. there =
are=20
    certainly lots of guitar players that are<BR><BR>&gt;looping,=20
    and<BR><BR>&gt;we definitely know about dj's...<BR><BR>&gt;im =
interested to=20
    know what other instruments are being looped=20
    out<BR><BR>&gt;there...especially individually created=20
    instruments.<BR><BR>&gt;i am doing loops with a malletkat(midi =
marimba),=20
    synthesizers,<BR><BR>&gt;didjeridoos,<BR><BR>&gt;and =
vocals.<BR><BR>&gt;so=20
    what else is going on out there?<BR><BR>&gt; shane=20
    =
circuithead_@hotmail.com<BR><BR>&gt;<BR><BR>&gt;_________________________=
________________________________________<BR><BR>&gt;Get=20
    your FREE download of MSN Explorer at=20
    http://explorer.msn.com<BR><BR>&gt;<BR><BR><BR><BR>Get your FREE =
download of=20
    MSN Explorer at=20
  =
&lt;http://explorer.msn.com&gt;http://explorer.msn.com<BR></BLOCKQUOTE></=
BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0039_01C10E37.EBC91AA0--

From Loopers-Delight-request@loopers-delight.com  Tue Jul 17 12:09:54 2001
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Date: Tue, 17 Jul 2001 21:05:44 -0700
From: Mark <sine@zerocrossing.net>
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Damn!  You're right.  Shit.  It's been so long...  What was I thinking of?
Every once and a while I miss ol' Manhatten.  Then I remember the snow.

Mark

Tom Ritchford wrote:

> Mark wrote:
>
> > Your best bet is to to to www.electrixpro.com and see if there is a
> > dealer listing.  If there isn't, I'm sure if you go to 51st St. in
> > Manhatten (a little help on the cross street?) you will find about a
> > dozen music stores, including Alex music and Rudy's (where I bought my
> > first real guitar!)  They're not known for their "personal" service for
> > smaller customers, but I bet you'll find a Repeater in at least one of
> > the stores.  Have a big salty pretzel while you're there.  They're
> > terrible, but it will help you with the NYC experience.
>
> 48th St!  Not 51st St.  48th St and Broadway, just off
> Times Square.
>
> I'd recommend Manny's, Sam Ash is just too big.  Not sure if
> they carry Electrix products but would be surprised if they
> didn't!
>
> NB:  if you are here in two weeks, the Repeater just might
> not be there yet...
>
>    /t
>
> --
>
> I am the wombat.

From Loopers-Delight-request@loopers-delight.com  Tue Jul 17 12:11:21 2001
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Anotherbbs wrote:
> 
> please give some information about this controller
    kungha@earthlink.net

Please reply off list :)

From Loopers-Delight-request@loopers-delight.com  Tue Jul 17 12:41:25 2001
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Date: Tue, 17 Jul 2001 09:38:44 -0700
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From: Alex Stahl <alex@pixar.com>
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At 10:09 AM -0500 7/17/01, Dennis Leas wrote:
>So the EDP's output is split.  It goes to the SPX-90's input and to the
>EDP's input.  The EDP's input is a mix of the EDP's output and the SPX-90's
>output (and the initial signal, of course).
>[...] You've got to kind of "fly" the controls to
>prevent the feedback from growing out of control.
>


One of my favorite sounds ever came from a very similar setup, but 
using two SPX-90's instead of one EDP and one SPX. I'd put both of 
them into stereo pitch mode, with long but uncorrelated delay times, 
then "play" the aux sends which cross-connected the SPX's to each 
other, while stepping the pitch ratios up and down.

Although harmonizer feedback can be a DSP cliche, there was something 
about the crummy SPX algorithms which made this variation unusually 
musical. I was never able to get quite the same quality out of an 
H3000 or anything else. The violinist in my old Janus Ensemble would 
always say "ohhhh, the elves are back...." This sound was featured on 
a Janus track called Texture Maps, although if anyone has ever heard 
that I will be so amazed that I'd offer a prize.

-Alex Stahl


From Loopers-Delight-request@loopers-delight.com  Tue Jul 17 12:54:46 2001
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"Rick Walker (loop.pool)" wrote:

> Hey Damon (and anybody else),
>
>     I have the Wh-1 red whammy and am trying to run both voice and line
> instruments into it (with an Art tube preamp before it).  I'm getting quite
> a lot of degradation of the sound.
> Is there any way that you know of to get into these things and replace
> components with better sounding ones?
>
> I love this pedal and use it for all kinds of things.  It is especially
> awesome for faux industrial beatbox noises.  I even play a little dayglo
> green am radio (tuned to the noise in between stations) as a pitch bending
> noise source to add to my grooves.
>
> Looper Max Valentino graciously lent me his morley a/b box so that I could
> bypass it when I wanted to during our tour but I'd love to have it do what
> it does with less distortion and degradation of the signal.
>
> Are they known for being noisy and dirty?
>
> yours,  Rick Walker

rick,

i wouldn't be surprised if the the morley a/b pedal is contributing to the
problem. i gave up using one pretty quickly on account of its effect on signal
purity/strength...you might try a buffered switcher. i think there was a
thread on them here a while ago...

good luck!

lance g.

From Loopers-Delight-request@loopers-delight.com  Tue Jul 17 13:27:31 2001
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From: "Steve Lawson" <steve@steve-lawson.co.uk>
To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
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Subject: Re: New from Line 6......
Date: Tue, 17 Jul 2001 18:26:24 +0100
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> The latest issue of Guitar Player says that Line 6
> will be showing rack versions of their modeling
> stompboxes at NAMM.
>
> Echo Pro, Filter Pro, & Modulation Pro.

OK, what's da scoops on this then? I'm chompin' at the bit to know what the Echo pro is like, and whether or not you can loop
the delay sounds....!!!!

cheers

Steve
www.steve-lawson.co.uk


From Loopers-Delight-request@loopers-delight.com  Tue Jul 17 13:37:36 2001
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> Damn!  You're right.  Shit.  It's been so long...  What was I thinking of?
> Every once and a while I miss ol' Manhatten.  Then I remember the snow.

What snow?  I used to live in Ottawa, Canada!

There's just enough to make you Christmassy, and very little more...


DO come all of ye tonight to Unity Gain...

<http://www.extremeny.com/cgi-bin/webevent.cgi?cmd=listevent&ncmd=cal2week&cal=cal1&y=2001&m=07&d=17&id=994110877-18726-1&token=&sb=&cf=cal&lc=cal2week&swe=1&set=0&sa=0&sort=e,m,t&ws=1&sib=1&de=1&tf=0>


-- 

I am the wombat.

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Date: Tue, 17 Jul 2001 10:42:22 -0700
To: Loopers-Delight@loopers-delight.com
From: Chris Chovit <cho@newdream.net>
Subject: Re: battery powered setup (question for papa dave)
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--============_-1216730745==_ma============
Content-Type: text/plain; charset="us-ascii"

Does it get pretty loud, and stay clean?  Do you know the specs, like
power, or the amount of current it draws at nominal levels?  How rugged are
the speakers? Do you think they could survive desert heat & dust?


Thanks,
Chris



>Hi Chris,
> 
>Sorry to butt in, but have you checked out the Samson EX-30?  I bought one
>and it's sweet.  Check it out at AMS.
>
>----- Original Message -----
>From: <mailto:cho@newdream.net>Chris Chovit
>To:
><mailto:Loopers-Delight@loopers-delight.com>Loopers-Delight@loopers-delight.com
>>Sent: Monday, July 16, 2001 12:54 PM
>Subject: battery powered setup (question for papa dave)
>
>dave,
>
>What kind of amp/speaker setup are you using for your portable setup. I
>was looking at the cambridge Sound Works DC system ($380), with tthe
>subwoofer in the suitcase....but was also considering taking the car
>stereo route. I am concerened that the speakers won;t be rugged enough for
>outdoor use, but if you take your setup to Burning Man, it must be pretty
>rugged. Any details would be appreciated.
>
>- Chris
>
>
>
>Mostly guitar for me but also keyboard, drums, trumpet, mandolin, banjo,
>toys, whistles, fart cussion................... many stuffed animals have
>cool sounds in them, most people throw them away when the sound stops....I
>found a cool one yesterday at Grey Bears recycling center... I felt the
>teddy bear and it had wiring inside and a battery holder...I bought it for
>50 cents and put batteries in it....it has cool sounds of a quiet
>night...sleep sounds...very beautiful and magical.... I collect anything
>that makes a cool or weird or funny sound and I loop it all....Anything
>that makes sounds can be used to paint and juggle....I have a portable rig
>that's all battery powered that I use at the Beach or at Burning Man or
>the wilderness......Om and Out Papa Dave
>
>
>>From: "mike morris"
>
>>Reply-To: Loopers-Delight@loopers-delight.com
>
>>To: Loopers-Delight@loopers-delight.com
>
>>Subject: Unidentified subject!
>
>>Date: Mon, 16 Jul 2001 13:46:24 -0000
>
>>
>
>>i was wondering what kinds of instruments are being looped by the
>
>>users of
>
>>this group. there are certainly lots of guitar players that are
>
>>looping, and
>
>>we definitely know about dj's...
>
>>im interested to know what other instruments are being looped out
>
>>there...especially individually created instruments.
>
>>i am doing loops with a malletkat(midi marimba), synthesizers,
>
>>didjeridoos,
>
>>and vocals.
>
>>so what else is going on out there?
>
>> shane circuithead_@hotmail.com
>
>>
>
>>_________________________________________________________________
>
>>Get your FREE download of MSN Explorer at http://explorer.msn.com
>
>>
>
>
>
>Get your FREE download of MSN Explorer at
><http://explorer.msn.com>http://explorer.msn.com

--============_-1216730745==_ma============
Content-Type: text/enriched; charset="us-ascii"
Content-Transfer-Encoding: quoted-printable

<fontfamily><param>Arial</param>Does it get pretty loud, and stay
clean?  Do you know the specs, like power, or the amount of current it
draws at nominal levels?  How rugged are the speakers? Do you think
they could survive desert heat & dust?



Thanks,

Chris




<excerpt>Hi Chris,

</excerpt></fontfamily><excerpt>=20

<fontfamily><param>Arial</param>Sorry to butt in, but have you checked
out the Samson EX-30?  I bought one and it's sweet.  Check it out at
AMS.

<paraindent><param>right,left</param>

</paraindent></fontfamily><paraindent><param>right,left</param>-----
Original Message -----

<bold>From: </bold><<mailto:cho@newdream.net>Chris Chovit

<bold>To:
</bold><<mailto:Loopers-Delight@loopers-delight.com>Loopers-Delight@loopers-=
delight.com

<bold>Sent:</bold> Monday, July 16, 2001 12:54 PM

<bold>Subject:</bold> battery powered setup (question for papa dave)


dave,


What kind of amp/speaker setup are you using for your portable setup. I
was looking at the cambridge Sound Works DC system ($380), with tthe
subwoofer in the suitcase....but was also considering taking the car
stereo route. I am concerened that the speakers won;t be rugged enough
for outdoor use, but if you take your setup to Burning Man, it must be
pretty rugged. Any details would be appreciated.


- Chris



</paraindent><paraindent><param>right,right,left,left</param>

Mostly guitar for me but also keyboard, drums, trumpet, mandolin,
banjo, toys, whistles, fart cussion................... many stuffed
animals have cool sounds in them, most people throw them away when the
sound stops....I found a cool one yesterday at Grey Bears recycling
center... I felt the teddy bear and it had wiring inside and a battery
holder...I bought it for 50 cents and put batteries in it....it has
cool sounds of a quiet night...sleep sounds...very beautiful and
magical.... I collect anything that makes a cool or weird or funny
sound and I loop it all....Anything that makes sounds can be used to
paint and juggle....I have a portable rig that's all battery powered
that I use at the Beach or at Burning Man or the wilderness......Om and
Out Papa Dave



>From: "mike morris"


>Reply-To: Loopers-Delight@loopers-delight.com


>To: Loopers-Delight@loopers-delight.com


>Subject: Unidentified subject!


>Date: Mon, 16 Jul 2001 13:46:24 -0000


>


>i was wondering what kinds of instruments are being looped by the


>users of


>this group. there are certainly lots of guitar players that are


>looping, and


>we definitely know about dj's...


>im interested to know what other instruments are being looped out


>there...especially individually created instruments.


>i am doing loops with a malletkat(midi marimba), synthesizers,


>didjeridoos,


>and vocals.


>so what else is going on out there?


> shane circuithead_@hotmail.com


>


>_________________________________________________________________


>Get your FREE download of MSN Explorer at http://explorer.msn.com


>




Get your FREE download of MSN Explorer at
<<http://explorer.msn.com>http://explorer.msn.com

</paraindent></excerpt>

--============_-1216730745==_ma============--

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any dallas loopers wanna get together for to experience, grok,
or just listen to squarepusher on sept 1 @ trees?


From Loopers-Delight-request@loopers-delight.com  Tue Jul 17 14:08:55 2001
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sorry for the OT of this, but if anyone out there is using a roland hard disc
recorder (VS880 is what i've got, but i don't think the cd writing aspects of
the software has changed since then) with a *roland* que! drive...what cd media
have you had the best luck with?

so far i've used several, finding maxell's CD-R pro (with the thin case & light
blue "swirl" label) to be the most reliable...haven't had any problems with 'em
yet (and they're the only ones i can burn consistently at 2x with success)...i'm
sooo annoyed because i bought a 30-pack of sony's *1x-16x* CD-R's by mistake
and almost every other one gets lunched, even if burn it at 1x....do you all
have similar experiences with sony CD-R media? what works best for you? any
cd-writing tips? (i've added enough coasters to my collection- now i need some
of rick walker's tiki sticks to go with...)

please respond off list if you wish.

thanks incredibly,

lance g.

From Loopers-Delight-request@loopers-delight.com  Tue Jul 17 14:37:01 2001
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Subject: New CD
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<shameless self-promo>

Minus finally put out our 2nd CD, Dark Lit. It's not the unbridled 
free improv of our first disc from 1995, it's more composed, ranging 
from Krimson-ish odd metred stuff to almost metal to some funk and 
dub, with 22 seconds of jazz. Still plenty of improvisation, mostly 
instrumental, lots of guitar noise. Proof that looping and guitars 
doesn't necessarily have to equal ambient soundscaping:-)

Anyway, for more info:
http://www.newandimprov.com/minus2.html

also, listmember Roberto Battista has been kind enough to list it 
through the terrific UK-based distributor he runs, Rusty Robot :
http://www.rustyrobot.com

As always, trade for other listmembers creative works are highly welcomed!

-- 
-------------------------------------------------------------------------
Dave Trenkel                                New and Improv Music
http://www.newandimprov.com         improv@peak.org
                 Now Available: Minus: Dark Lit
"This is music all-consuming in its beauty and power"
                                -Jake TenPas OSU Daily Barometer
-------------------------------------------------------------------------

From Loopers-Delight-request@loopers-delight.com  Tue Jul 17 16:11:05 2001
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Subject: Re: Loopers-Delight-d Digest V01 #377
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<<rick wrote:

Very cool idea philip.  May I borrow it sometime at a
solo concert?  
Feel
free to say no, but remember, imitation is the most
sincere form of 
flattery
;-)


rick,

i think that would be fine. yer a standup guy for
asking. i suppose i would be an asshole to put an idea
on here and then say "no, it's mine, don't touch it,
i'll tell my mom!!!"

so please, try it, and take it somewhere new.

take care,
phil

=====
"Compassion is the sometimes fatal capacity for feeling what
it's like to live inside somebody else's skin.
 
 It is the knowledge that there can never really be any
peace and joy for me until there is peace and joy finally 
for you too." 
                                   -Frederick Buechner

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From Loopers-Delight-request@loopers-delight.com  Tue Jul 17 17:02:08 2001
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Date: Tue, 17 Jul 2001 15:55:44 -0500
From: jim palmer <jimp@pobox.com>
Subject: Re: New CD
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> Minus finally put out our 2nd CD, Dark Lit...

been listening to the mp3s today.
way cool stuff.
totally nipple...


From Loopers-Delight-request@loopers-delight.com  Tue Jul 17 18:10:57 2001
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Subject: Gig spam: WOMAD Reading UK 27 July 2001
From: Victor Nicholls <victornicholls@mac.com>
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Come and try something a little different - sampled hurdy gurdy, realtime
bagpipes, real, honest-to-goodness DL4 looped/treated/Ebowed fretless bass
guitar, a human drummer and enormous drum samples! All grinding out
trance-influenced experimental/traditional music at the WOMAD Festival at
Reading on Friday 27 July - 7.30 - billed as ³Paul James and Mark Hawkins².

victor

From Loopers-Delight-request@loopers-delight.com  Tue Jul 17 18:11:02 2001
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totally nipple?! what the hell does that mean?! Is that a new slang term?! 
dt

- 
way cool stuff.
totally nipple...

From Loopers-Delight-request@loopers-delight.com  Tue Jul 17 18:23:01 2001
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Subject: Line6 Expression Pedal Dimensions?
Date: Tue, 17 Jul 2001 18:22:43 -0400
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I am working on building a pedalboard and would like to know the
dimensions of the Line6 EX-1 Expression pedal- length, width,
height...so I can make a space for it. Thanks for any help!

Dave Eichenberger- guitars.loops.devices
http://www.hazardfactor.com
 

From Loopers-Delight-request@loopers-delight.com  Tue Jul 17 23:26:02 2001
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Date: Tue, 17 Jul 2001 20:39:32 -0700
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>totally nipple?! what the hell does that mean?! Is that a new slang term?!
>dt


I'll take it, I'm sure it's better than partially nipple..

>
>-
>way cool stuff.
>totally nipple...


-- 
-------------------------------------------------------------------------
Dave Trenkel                                New and Improv Music
http://www.newandimprov.com         improv@peak.org
                 Now Available: Minus: Dark Lit
"This is music all-consuming in its beauty and power"
                                -Jake TenPas OSU Daily Barometer
-------------------------------------------------------------------------

From Loopers-Delight-request@loopers-delight.com  Tue Jul 17 23:34:22 2001
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Date: Tue, 17 Jul 2001 20:32:51 -0700 (PDT)
From: Scott Martin <coirbidh_99@yahoo.com>
Subject: Zoom delay pedals at zzounds
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zZounds is currently offering B-stock Zoom 507 delay
pedals for $59.99.  These have 4 seconds of delay, and
can do looping if you add an external footswitch for
punch in/out.  Enjoy!

later,
Scott



=====
And if it's up to us to bring some balance back
Let it not be said it's courage that we lack

-Gaia Consort, "Cry Freedom"

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From Loopers-Delight-request@loopers-delight.com  Wed Jul 18 01:07:52 2001
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why would you want less distortion and degredation?
i think that's a feature.
i still use and old ada pitch shifter (pitchtraq) mainly for the
way it messes up the signal...


> Hey Damon (and anybody else),
> 
>     I have the Wh-1 red whammy and am trying to run both voice and line
> instruments into it (with an Art tube preamp before it).  I'm getting quite
> a lot of degradation of the sound.
> Is there any way that you know of to get into these things and replace
> components with better sounding ones?
> 
> I love this pedal and use it for all kinds of things.  It is especially
> awesome for faux industrial beatbox noises.  I even play a little dayglo
> green am radio (tuned to the noise in between stations) as a pitch bending
> noise source to add to my grooves.
> 
> Looper Max Valentino graciously lent me his morley a/b box so that I could
> bypass it when I wanted to during our tour but I'd love to have it do what
> it does with less distortion and degradation of the signal.
> 
> Are they known for being noisy and dirty?
> 
> yours,  Rick Walker
> 

From Loopers-Delight-request@loopers-delight.com  Wed Jul 18 01:57:42 2001
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From: Doug Lawrence <dlawren@pacbell.net>
Subject: Re: Line6 Expression Pedal Dimensions?
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3-3/8" W x 8" L x 3-3/4" H (fully depressed)

Don't forget to leave space for the cable adapter (about 2" unless you have
a right angle adapter)


----- Original Message -----
From: "future perfect" <artists@hazardfactor.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, July 17, 2001 3:22 PM
Subject: Line6 Expression Pedal Dimensions?


> I am working on building a pedalboard and would like to know the
> dimensions of the Line6 EX-1 Expression pedal- length, width,
> height...so I can make a space for it. Thanks for any help!
>
> Dave Eichenberger- guitars.loops.devices
> http://www.hazardfactor.com
>
>

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wasnt Steve DeFuria with Lexicon I seem to remember his name with Lex
Steven

----- Original Message ----- 
From: "Richard Zvonar" <zvonar@zvonar.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, July 18, 2001 12:57 AM
Subject: Re: New from Line 6......


> At 4:59 AM -0700 7/17/01, John Tidwell wrote:
> >The latest issue of Guitar Player says that Line 6
> >will be showing rack versions of their modeling
> >stompboxes at NAMM.
> >
> >Echo Pro, Filter Pro, & Modulation Pro.
> 
> This is amusing. Last year I had the following e-mail exchange with 
> the Marketing Director at Line6:
> 
> 
> At 12:28 PM -0800 11/30/00, Richard Zvonar wrote:
> >For the past year and a half I've been the happy owner of a POD, 
> >with Floor Board. I've recently picked up a Distortion Modeler and 
> >Delay Modeler, and I expect I'll get the Modulation Modeler as well. 
> >They sound great, they're fun, they're easy to use, they're rugged. 
> >My one real complaint is that only three or four presets are 
> >available. This starts me wondering about Line6's next move in the 
> >area of effects modeling.
> >
> >The Pod and Bass POD now have their "Pro" equivalents. Will a 
> >similar product be forthcoming for effects modeling? I'd envision a 
> >rack unit much like the POD Pro. Of course there are design issues 
> >related both to front panel layout and to audio I/O. I'd probably be 
> >content with three rotary switches, for effect model selection, four 
> >rotary pots for parameter adjustment (with a three-way switch or 
> >nudge button to select between modules), three pots for individual 
> >effects levels, and a master volume. Or something like that. There 
> >are questions about signal routing (series? parallel?) and mix of 
> >various effects vs. direct signals. Clearly, at some point a 
> >computer editor program would be needed.
> >
> >I worked with modular analog systems in the 1970s, with mainframe 
> >computer music systems in the 1980s, and with stacks of effects 
> >processors and matrix mixers ever since, so I'm bound to envision 
> >more signal routing possibilities than your average head-banger. But 
> >if such a product is under development I'd love to put in my two 
> >bits. On the other hand, if it's under development but close to 
> >release I'll trust you all to do you usual fine job, and I'll queue 
> >up to buy my Modeler Pro with the rest of the dudes.
> 
> At 1:54 PM -0800 11/30/00, Steve DeFuria wrote:
> >I can't comment on what we may (or may not) have under development, 
> >of course,  but it's always good to get feedback about our products. 
> >We value your comments and suggestions.
> 
> -- 
> 
> ______________________________________________________________
> Richard Zvonar, PhD
> (818) 788-2202
> http://www.zvonar.com
> http://RZCybernetics.com
> http://www.cybmotion.com/aliaszone
> http://www.live365.com/cgi-bin/directory.cgi?autostart=rz
> 
> 
> 

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At 4:37 PM +1000 7/18/01, Steven wrote:
>wasnt Steve DeFuria with Lexicon

Yes
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

From Loopers-Delight-request@loopers-delight.com  Wed Jul 18 05:30:13 2001
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Subject: Re: Zoom delay pedals at zzounds
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actually the delay was the 508. i think the 507 was reverb. they were very 
cool pedals. lots of stuff to tweak. =-) PJ

From Loopers-Delight-request@loopers-delight.com  Wed Jul 18 10:01:55 2001
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From: Scott Martin <coirbidh_99@yahoo.com>
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Ack!  OK, I screwed up - the 507 is the reverb, the
508 is the delay.  As it happens, BOTH are on sale for
$59.95, along with other Zoom pedals in that line.

sorry,
Scott



=====
And if it's up to us to bring some balance back
Let it not be said it's courage that we lack

-Gaia Consort, "Cry Freedom"

__________________________________________________
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Get personalized email addresses from Yahoo! Mail
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From Loopers-Delight-request@loopers-delight.com  Wed Jul 18 10:16:58 2001
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Subject: Re: Zoom delay pedals at zzounds
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  how do you think the Zoom delay pedal would work with keyboard 
instruments?....instead of a guitar? i know that guitar pedals are usually 
designed to work more for the frequency range of the instrument...but do you 
think keyboards would do alright with it as long as you didnt play your low 
octave notes?
  shane

>From: PJBMHB@aol.com
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: Zoom delay pedals at zzounds
>Date: Wed, 18 Jul 2001 05:26:48 EDT
>
>actually the delay was the 508. i think the 507 was reverb. they were very
>cool pedals. lots of stuff to tweak. =-) PJ
>

_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

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partially nipple would be good.
your stuff is totally nipple.
totally...



> >totally nipple?! what the hell does that mean?! Is that a new slang term?!
> >dt
> 
> 
> I'll take it, I'm sure it's better than partially nipple..
> 
> >
> >-
> >way cool stuff.
> >totally nipple...
> 
> 
> -- 
> -------------------------------------------------------------------------
> Dave Trenkel                                New and Improv Music
> http://www.newandimprov.com         improv@peak.org
>                  Now Available: Minus: Dark Lit
> "This is music all-consuming in its beauty and power"
>                                 -Jake TenPas OSU Daily Barometer
> -------------------------------------------------------------------------
> 

From Loopers-Delight-request@loopers-delight.com  Wed Jul 18 10:22:13 2001
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gee thanks for the tip, man I must be getting old, totally nipple never
heard that before...lol

denis

-----Original Message-----
From: Dave Trenkel [mailto:improv@peak.org]
Sent: Tuesday, July 17, 2001 10:40 PM
To: Loopers-Delight@loopers-delight.com
Subject: RE: New CD


>totally nipple?! what the hell does that mean?! Is that a new slang term?!
>dt


I'll take it, I'm sure it's better than partially nipple..

>
>-
>way cool stuff.
>totally nipple...


-- 
-------------------------------------------------------------------------
Dave Trenkel                                New and Improv Music
http://www.newandimprov.com         improv@peak.org
                 Now Available: Minus: Dark Lit
"This is music all-consuming in its beauty and power"
                                -Jake TenPas OSU Daily Barometer
-------------------------------------------------------------------------

From Loopers-Delight-request@loopers-delight.com  Wed Jul 18 10:35:43 2001
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Subject: OT--Tits (was RE: New CD)
Date: Wed, 18 Jul 2001 07:34:03 -0700
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I'm just guessing here, but I am into etymology--could this be the
progenitor?
Gary
PS  That would make "thanks for the tip" a real groaner--
G
-----Original Message-----
From: Taaffe, Denis G [mailto:dtaaffe@indiana.edu]
Sent: Wednesday, July 18, 2001 7:20 AM
To: 'Loopers-Delight@loopers-delight.com'
Subject: RE: New CD


gee thanks for the tip, man I must be getting old, totally nipple never
heard that before...lol

denis

-----Original Message-----
From: Dave Trenkel [mailto:improv@peak.org]
Sent: Tuesday, July 17, 2001 10:40 PM
To: Loopers-Delight@loopers-delight.com
Subject: RE: New CD


>totally nipple?! what the hell does that mean?! Is that a new slang term?!
>dt


I'll take it, I'm sure it's better than partially nipple..

>
>-
>way cool stuff.
>totally nipple...


--
-------------------------------------------------------------------------
Dave Trenkel                                New and Improv Music
http://www.newandimprov.com         improv@peak.org
                 Now Available: Minus: Dark Lit
"This is music all-consuming in its beauty and power"
                                -Jake TenPas OSU Daily Barometer
-------------------------------------------------------------------------

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Unsubscribe me please as I'm on holiday / vacation for a month.  I will
subscribe again soon.

Thank you.

From Loopers-Delight-request@loopers-delight.com  Wed Jul 18 11:11:50 2001
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I'm selling a Line 6 expression pedal and Boss FV50H volume pedal.  Both
excellent condition, half price (vs. the current Musician's Friend price).
Contact me off-list if you're interested.
Bruce

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>partially nipple would be good.
>your stuff is totally nipple.
>totally...


Thanks!

>
>
>
>>  >totally nipple?! what the hell does that mean?! Is that a new slang term?!
>>  >dt
>>
>>
>>  I'll take it, I'm sure it's better than partially nipple..
>>
>>  >
>>  >-
>>  >way cool stuff.
>>  >totally nipple...
>>
>>
>>  --
>>  -------------------------------------------------------------------------
>>  Dave Trenkel                                New and Improv Music
>>  http://www.newandimprov.com         improv@peak.org
>>                   Now Available: Minus: Dark Lit
>>  "This is music all-consuming in its beauty and power"
>>                                  -Jake TenPas OSU Daily Barometer
>>  -------------------------------------------------------------------------
>>


-- 
-------------------------------------------------------------------------
Dave Trenkel                                New and Improv Music
http://www.newandimprov.com         improv@peak.org
                 Now Available: Minus: Dark Lit
"This is music all-consuming in its beauty and power"
                                -Jake TenPas OSU Daily Barometer
-------------------------------------------------------------------------

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To: "Looper's Delight (E-mail)" <Loopers-Delight@loopers-delight.com>
Subject: Michael Vatcher with Steuart Liebig and Vinny Golia/so cal, usa
Date: Wed, 18 Jul 2001 12:08:19 -0400
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> Here's a little e-mail to alert you all to a one-set concert of master
> drummer Michael Vatcher.
> 
> Michael Vatcher (born right here in Cali) currently resides in Amsterdam
> and gets to these parts VERY infrequently. (in fact, I know that he
> occasionally gets to NYC a bit and seems to do the Canadian fests, but
> this is the first time I know of him playing in L.A..  - -  so come out to
> give the homeboy a warm welcome, okay?) 
> 
> He has played with some of the most interesting people in the improvised,
> avant garde and cutting-edge music communities: Phil Minton, George
> Graewe, Michael Moore, Tom Cora, John Zorn, Mischa Mengleborg and Maarten
> Alteena to name but a few. 
> 
> 
> Michael will be aided and abetted by Vinny Golia on reeds and Steuart
> Liebig on contrabassguitars and electronics - - and *some* loopage.
> 
> 
> One night only, ONE SET only,
> 
> Admission price not yet set. ($6.00????)
> 
> 8:00-10:00 p.m. 
> 23 July 2001
> Hollywood Knitting Factory
> Alterknit Lounge
> 7021 Hollywood Boulevard 
> Los Angeles, CA 
> 90028
> 
> a few review quotes:
> 
> "Here, drummer Vatcher puts on a drum clinic featuring crisp
> multi-textured snare drum work. Vatcher fluctuates behind his kit,
> employing rimshots, delicate cymbal work, odd meter rhythms but never
> deviates from the explosive pulse of Mattos' pivotal bass structure"
> "Great was my admiration for the fantastic playing by drummer Michael
> Vatcher." 
> ALGEMEEN DAGBLAD
> 
> "Vatcher broke the melody-lines and watched over the percussive character
> of Monk's music." 
> NIEUWSBLAD VAN HET NOORDEN
> 
> 
> 
> 
> 
> 

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Content-Type: text/html;
	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 3.2//EN">
<HTML>
<HEAD>
<META HTTP-EQUIV=3D"Content-Type" CONTENT=3D"text/html; =
charset=3Diso-8859-1">
<META NAME=3D"Generator" CONTENT=3D"MS Exchange Server version =
5.5.2653.12">
<TITLE>Michael Vatcher with Steuart Liebig and Vinny Golia/so cal, =
usa</TITLE>
</HEAD>
<BODY>
<BR>

<P><FONT SIZE=3D2 FACE=3D"Arial">Here's a little e-mail to alert you =
all to a one-set concert of master drummer Michael Vatcher.</FONT>
</P>

<P><FONT SIZE=3D2 FACE=3D"Arial">Michael Vatcher (born right here in =
Cali) currently resides in Amsterdam and gets to these parts VERY =
infrequently. (in fact, I know that he occasionally gets to NYC a bit =
and seems to do the Canadian fests, but this is the first time I know =
of him playing in L.A..&nbsp; - -&nbsp; so come out to give the homeboy =
a warm welcome, okay?) </FONT></P>

<P><FONT SIZE=3D2 FACE=3D"Arial">He has played with some of the most =
interesting people in the improvised, avant garde and cutting-edge =
music communities: Phil Minton, George Graewe, Michael Moore, Tom Cora, =
John Zorn, Mischa Mengleborg and Maarten Alteena to name but a few. =
</FONT></P>
<BR>

<P><FONT SIZE=3D2 FACE=3D"Arial">Michael will be aided and abetted by =
Vinny Golia on reeds and Steuart Liebig on contrabassguitars and =
electronics</FONT><FONT COLOR=3D"#0000FF" SIZE=3D2 FACE=3D"Arial"> - - =
and *some* loopage</FONT><FONT SIZE=3D2 FACE=3D"Arial">.</FONT></P>
<BR>

<P><FONT SIZE=3D2 FACE=3D"Arial">One night only, ONE SET only,</FONT>
</P>

<P><FONT SIZE=3D2 FACE=3D"Arial">Admission price not yet set. =
($6.00????)</FONT>
</P>

<P><FONT SIZE=3D2 FACE=3D"Arial">8:00-10:00 p.m. </FONT>
<BR><FONT SIZE=3D2 FACE=3D"Arial">23 July 2001</FONT>
<BR><FONT SIZE=3D2 FACE=3D"Arial">Hollywood Knitting Factory</FONT>
<BR><FONT SIZE=3D2 FACE=3D"Arial">Alterknit Lounge</FONT>
<BR><FONT SIZE=3D2 FACE=3D"Arial">7021 Hollywood Boulevard </FONT>
<BR><FONT SIZE=3D2 FACE=3D"Arial">Los Angeles, CA </FONT>
<BR><FONT SIZE=3D2 FACE=3D"Arial">90028</FONT>
</P>

<P><FONT SIZE=3D2 FACE=3D"Arial">a few review quotes:</FONT>
</P>

<P><FONT FACE=3D"Times New Roman">&quot;Here, drummer Vatcher puts on a =
drum clinic featuring crisp multi-textured snare drum work. Vatcher =
fluctuates behind his kit, employing rimshots, delicate cymbal work, =
odd meter rhythms but never deviates from the explosive pulse of =
Mattos' pivotal bass structure&quot;</FONT></P>

<P><FONT FACE=3D"Times New Roman">&quot;Great was my admiration for the =
fantastic playing by drummer Michael Vatcher.&quot;<BR>
ALGEMEEN DAGBLAD</FONT>
</P>

<P><FONT FACE=3D"Times New Roman">&quot;Vatcher broke the melody-lines =
and watched over the percussive character of Monk's music.&quot; =
</FONT>
<BR><FONT FACE=3D"Times New Roman">NIEUWSBLAD VAN HET NOORDEN</FONT>
</P>
<BR>
<BR>
<BR>
<BR>
<BR>

</BODY>
</HTML>
------_=_NextPart_001_01C10FA3.DC6866C0--

From Loopers-Delight-request@loopers-delight.com  Wed Jul 18 15:41:56 2001
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From: "luca" <lucafeed@tin.it>
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Subject: pick up trick - OT but need to receive opinions/experiences
Date: Wed, 18 Jul 2001 21:37:57 +0200
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Hi guys,
I have finally received my new gtr, I have three Bartolini p.u. on it: 2
hum+1 s.c.
I have noticed a very strange thing: if i push any string nearer any p.u. i
hear a strange "scratch", like the one you can hear when you have pots
oxydated.
It is very low in volume, but i went checking it because something made me
looking for it.
I checked with my other gtrs, equipped with bardens or levinsons, but no one
of them has this behaviour.
I'd like to receive your opinions, maybe off list, if others are not
interested in this starnge thing.
Thanks in advance for your time.
luca

From Loopers-Delight-request@loopers-delight.com  Wed Jul 18 15:54:35 2001
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From: "Taaffe, Denis G" <dtaaffe@indiana.edu>
To: "'Loopers-Delight@loopers-delight.com'"
	 <Loopers-Delight@loopers-delight.com>
Subject:  gig spam and question about playing outdoors
Date: Wed, 18 Jul 2001 14:52:38 -0500
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Hello,

hey I will be playing my first outdoor gig tommorow in Bloomington, In at
5:30pm . I will be playing regular guitar and guitar loops done on the fly.
My question is, what are the acoustics like outdoors. i have only played
indoor gigs? Need mroe volume? 

denis
denis taaffe
dtaaffe@indiana.edu
aliengtr
 

From Loopers-Delight-request@loopers-delight.com  Wed Jul 18 16:14:45 2001
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From: "Luigi Meloni" <luigimeloni74@libero.it>
To: <Loopers-Delight@loopers-delight.com>
References: <F308VwrblZz02H67yRL000003e0@hotmail.com>
Subject: R: Zoom delay pedals at zzounds
Date: Wed, 18 Jul 2001 22:11:03 +0200
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I have used some Zoom pedals with my synths, and (if you are not looking for
Total High Sound Quality) they work pretty well. As for the frequency range,
your problems could come on the high registers, not on the low ones.Low
frequences can really be an issue on Pitch Shifters, not really on delays
(but I love the way my Korg A1 pitch shifters and my Boss vf-1 shifters and
mono guitar synth go mad with the seventh string on my schecter, and even on
my keyboard.....:-)) The bitrate conversion is 32khz, 16bit, so they are a
bit limited on the high frequences (it seems that at zoom they calculated
that 32 could be enough for guitars). The delay is a killer. I've used it
both live and in studio and it just kicks for the price, and at 59 $ it is
even better. The only "issue" is that all the Zooms 5xx are mono in - stereo
out. It is not the better delay on earth, but in that price range I bet that
it is the best (and it is a great noise-machine).
    Luigi


----- Original Message -----
From: mike morris <circuithead_@hotmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, July 18, 2001 4:14 PM
Subject: Re: Zoom delay pedals at zzounds


>   how do you think the Zoom delay pedal would work with keyboard
> instruments?....instead of a guitar? i know that guitar pedals are usually
> designed to work more for the frequency range of the instrument...but do
you
> think keyboards would do alright with it as long as you didnt play your
low
> octave notes?
>   shane
>
> >From: PJBMHB@aol.com
> >Reply-To: Loopers-Delight@loopers-delight.com
> >To: Loopers-Delight@loopers-delight.com
> >Subject: Re: Zoom delay pedals at zzounds
> >Date: Wed, 18 Jul 2001 05:26:48 EDT
> >
> >actually the delay was the 508. i think the 507 was reverb. they were
very
> >cool pedals. lots of stuff to tweak. =-) PJ
> >
>
> _________________________________________________________________
> Get your FREE download of MSN Explorer at http://explorer.msn.com
>

From Loopers-Delight-request@loopers-delight.com  Wed Jul 18 16:27:45 2001
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Subject: R:  gig spam and question about playing outdoors
Date: Wed, 18 Jul 2001 22:24:20 +0200
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Playing outdoors, sonically speaking is slightly different from playing
indoors. If you'll need way more volume or a different equalisation can
vary, depending on the dimension of the place you're gonna play in.
Generally you'll need more power, but if it is in a gallery (or in a small
square) you won't have to care that much of the volume difference. What
changes most is the sound diffusion. Generally (at least in my experience)
I've used way lower volume indoor that I had to use outdoor. Just think at
the effect of a Marshall 100 watts head turned to full power in a bar or in
a stadium to get the difference. Think that outdoor a volume of 500 or more
watts could be low (or in some cases not enough).

    Luigi

----- Original Message -----
From: Taaffe, Denis G <dtaaffe@indiana.edu>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, July 18, 2001 9:52 PM
Subject: gig spam and question about playing outdoors


> Hello,
>
> hey I will be playing my first outdoor gig tomorrow in Bloomington, In at
> 5:30pm . I will be playing regular guitar and guitar loops done on the
fly.
> My question is, what are the acoustics like outdoors. i have only played
> indoor gigs? Need more volume?
>
> denis
> denis taaffe
> dtaaffe@indiana.edu
> aliengtr
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Jul 18 16:35:52 2001
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Subject: Re:  gig spam and question about playing outdoors
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> hey I will be playing my first outdoor gig tommorow in Bloomington, In at
> 5:30pm . I will be playing regular guitar and guitar loops done on the
fly.
> My question is, what are the acoustics like outdoors. i have only played
> indoor gigs? Need mroe volume?

Hey Denis!  Have fun at that gig.  Wish I could be there!

Yeah, probably more volume will be necessary, depending on where you are.

Things I've noticed outdoors -
1) Hard to read the LEDs on my EDP.  More like impossible.
2) Ambient noise can be greater.  Especially wind noise in mics and traffic
noise.
3) Cool echoes from buildings.
4) A wireless connection can be way cool.  Particularly when you stand
across the street from your speakers and stuff.

Dennis Leas
-------------------
dennis@mdbs.com

From Loopers-Delight-request@loopers-delight.com  Wed Jul 18 16:39:24 2001
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Date: Wed, 18 Jul 2001 13:53:14 -0700
To: Loopers-Delight@loopers-delight.com
From: Dave Trenkel <improv@peak.org>
Subject: Re: gig spam and question about playing outdoors
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>Hello,
>
>hey I will be playing my first outdoor gig tommorow in Bloomington, In at
>5:30pm . I will be playing regular guitar and guitar loops done on the fly.
>My question is, what are the acoustics like outdoors. i have only played
>indoor gigs? Need mroe volume?
>

Outdoor acoustics are generally great. I love not having to deal with 
room reverb. Of course, that's not always the case, I once played an 
outdoor festival in a park across the street from a large glass and 
steel building, the whole gig had a 2 second acoustic echo that was 
really annoying.

One thing to keep in mind is that under direct sunlight, most LED and 
LCD displays are pretty much unreadable. If you depend on being able 
to read the displays of your effects, synths, etc., make sure you're 
in some shade.

Good luck on the gig!


-- 
-------------------------------------------------------------------------
Dave Trenkel                                New and Improv Music
http://www.newandimprov.com         improv@peak.org
                 Now Available: Minus: Dark Lit
"This is music all-consuming in its beauty and power"
                                -Jake TenPas OSU Daily Barometer
-------------------------------------------------------------------------

From Loopers-Delight-request@loopers-delight.com  Wed Jul 18 16:44:46 2001
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Date: Wed, 18 Jul 2001 13:43:05 -0700
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Just thot everyone should know--
Sam Ash just quoted me $49 on the 508--woo hoo!
Gary

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Anyone else hear this?

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>Anyone else hear this?</FONT></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed Jul 18 16:56:46 2001
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Hi Luca,
fwiw, i just spent about 3 weeks with a guitar with Bartolinis--1 sc and 2
hb--and didn't notice any problems at all with noise, with or without the
active electronics engaged.  On the other hand, i wasn't deliberately
pushing the strings toward the pickups, except with the trem bar.  What kind
of guitar is it?
Bruce

----- Original Message -----
From: luca <lucafeed@tin.it>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, July 18, 2001 3:37 PM
Subject: pick up trick - OT but need to receive opinions/experiences


> Hi guys,
> I have finally received my new gtr, I have three Bartolini p.u. on it: 2
> hum+1 s.c.
> I have noticed a very strange thing: if i push any string nearer any p.u.
i
> hear a strange "scratch", like the one you can hear when you have pots
> oxydated.
> It is very low in volume, but i went checking it because something made me
> looking for it.
> I checked with my other gtrs, equipped with bardens or levinsons, but no
one
> of them has this behaviour.
> I'd like to receive your opinions, maybe off list, if others are not
> interested in this starnge thing.
> Thanks in advance for your time.
> luca
>
>

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Dave Trenkel wrote:

> >Hello,
> >
> >hey I will be playing my first outdoor gig tommorow in Bloomington, In at
> >5:30pm . I will be playing regular guitar and guitar loops done on the fly.
> >My question is, what are the acoustics like outdoors. i have only played
> >indoor gigs? Need mroe volume?
> >
>
> Outdoor acoustics are generally great. I love not having to deal with
> room reverb. Of course, that's not always the case, I once played an
> outdoor festival in a park across the street from a large glass and
> steel building, the whole gig had a 2 second acoustic echo that was
> really annoying.
>
> One thing to keep in mind is that under direct sunlight, most LED and
> LCD displays are pretty much unreadable. If you depend on being able
> to read the displays of your effects, synths, etc., make sure you're
> in some shade.
>
> Good luck on the gig!
>
>

dave,

i guess the challenge then becomes to use it somehow rather than fight it? :-)
i'm reminded of rick walker's inspired use of room acoustics on the bass
looping tour...

i was in navada's valley of fire (impressive wind-sculpted rock formations near
vegas) once a long time ago, car camping. someone had an old harmonium going
several camsites away. i couldn't rightly make out the notes, but the natural
reverberation was enough to elicit hallucinatory bliss (i did say it was a long
time ago...).

lance g.

ps listened to *acidflesh* last night. great sounds! will delve deeper.

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yeah, we've all heard it. suprised it took so
long to get to you.

(just ribbin' ya)
--- AALev123@aol.com wrote:
> Anyone else hear this?
> 


__________________________________________________
Do You Yahoo!?
Get personalized email addresses from Yahoo! Mail
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i've done some playing outside and here's my take:

    -sound spreads much more easily and this results in
     much less volume for the listener because you won't 
     have wall reflections reinforcing the sound.  monitoring 
     is much more important as well for the same reason.

    -acoustic wind instruments can seem to disappear.  it is quite difficult
     not to overblow.  (probably not an issue for you)

    -wind can literally carry the sound away.

    -reflections from nearby buildings can be quite disconcerting
     especially for percussive sounds.  sometimes they return
     quite loudly.  it can be quite difficult to tell how many shots were
     fired and whether or not they all came from the book depository...

    -get out of the sun if at all possible.
     you and your gear will both get very hot in direct sunlight.
     (drink lots of water and use an umbrella if you don't mind how
     dorky that might look)

i'm sure others will fill in stuff i have forgotten or didn't know...

good luck


----- Original Message ----- 
From: "Taaffe, Denis G" <dtaaffe@indiana.edu>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, July 18, 2001 2:52 PM
Subject: gig spam and question about playing outdoors


> Hello,
> 
> hey I will be playing my first outdoor gig tommorow in Bloomington, In at
> 5:30pm . I will be playing regular guitar and guitar loops done on the fly.
> My question is, what are the acoustics like outdoors. i have only played
> indoor gigs? Need mroe volume? 
> 
> denis
> denis taaffe
> dtaaffe@indiana.edu
> aliengtr
>  
> 

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At 2:10 PM -0700 7/18/2001, lance glover wrote:
>
>i guess the challenge then becomes to use it somehow rather than fight it? :-)
>i'm reminded of rick walker's inspired use of room acoustics on the bass
>looping tour...


True! I should have pointed out that this was with a rather uptight 
and over-reahearsed rock band that did tunes with no margin for 
improvisation. Thankfully, I'm out of that mindspace. Any of my 
current groups would have naturally incorporated the delay into the 
general vibe. Actually, it was pretty amazing, the echo was coming 
back almost as loud, and really clear, as the band.

>
>
>ps listened to *acidflesh* last night. great sounds! will delve deeper.

Thanks!



-- 
-------------------------------------------------------------------------
Dave Trenkel                                New and Improv Music
http://www.newandimprov.com         improv@peak.org
                 Now Available: Minus: Dark Lit
"This is music all-consuming in its beauty and power"
                                -Jake TenPas OSU Daily Barometer
-------------------------------------------------------------------------

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In a message dated 7/18/01 4:34:09 PM Eastern Daylight Time, dennis@mdbs.com 
writes:


> ) Cool echoes from buildings.
> 

good stuff here.....this is how pre-electric loopers did it.....:)m

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>In a message dated 7/18/01 4:34:09 PM Eastern Daylight Time, dennis@mdbs.com 
<BR>writes:
<BR>
<BR>
<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">) Cool echoes from buildings.
<BR></BLOCKQUOTE>
<BR>
<BR>good stuff here.....this is how pre-electric loopers did it.....:)m</FONT></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed Jul 18 19:36:25 2001
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Subject: IVL Electrix
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Some folks seemed to be concerned about the future reliability of the
Repeater because Electrix is such a small company.  I also heard some
concern regarding the choice Electrix made to sell off their remaining
effects units (financial trouble?).  But isn't Electrix just a subdivision
of the same company that made Digitech as big as they are?  As I understand
it, IVL acquired Electrix just prior to the choice to scrap the remaining
effects units and make the Repeater their number one priority.  This does
not sound like a small company in financial trouble.

Or maybe I'm rationalizing because I already paid for a unit with a money
order...  ;)

--
TG


"Since everything is but an apparition,
perfect in being what it is,
having nothing to do with good or bad,
acceptance or rejection,
one may well burst out in laughter."

       Longchenpa

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snippit -
-----Original Message-----
From: Taaffe, Denis G <dtaaffe@indiana.edu>
Subject: gig spam and question about playing outdoors


>Hello,
>
>hey I will be playing my first outdoor gig tommorow in Bloomington, In at
>5:30pm . I will be playing regular guitar and guitar loops done on the fly.
>My question is, what are the acoustics like outdoors. i have only played
>indoor gigs? Need mroe volume?
>
>denis
>denis taaffe
>dtaaffe@indiana.edu
>aliengtr
>
>
>
Keep your gear in the shade as long as possible prior to the gig, no matter
what the weather, and best of luck.

PedrOOrdeP

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Tim Goodwin (02:35 PM 07/18/01) wrote:

 >Some folks seemed to be concerned about the future reliability of the
 >Repeater because Electrix is such a small company.  I also heard some
 >concern regarding the choice Electrix made to sell off their remaining
 >effects units (financial trouble?).  But isn't Electrix just a subdivision
 >of the same company that made Digitech as big as they are?  As I understand
 >it, IVL acquired Electrix just prior to the choice to scrap the remaining
 >effects units and make the Repeater their number one priority.  This does
 >not sound like a small company in financial trouble.

Electrix has been a division of IVL for a _long_ time. The decision to 
focus on Repeater (and future looping products) came fairly recently.

My guess is that there is little, if any, cash flow between IVL and 
Electrix. Electrix is probably operated as a separate business unit and 
would be responsible for it's own bottom line.

 From my own experience, this is much like 3Com having business units of 
Carrier Systems, USR, Palm and other groups. Each of them were responsible 
for their own bottom line, which (in hindsight) made it easy for 3Com as a 
holding company to see which unit was ripe for sale or to IPO as a spinoff.


Mark 

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>Unsubscribe me please as I'm on holiday / vacation for a month.  I will
>subscribe again soon.
>
>Thank you.

how will you know to subscribe if you dont know how to unsubscribe?
-- 


          ---> http://Matthias.Grob.org

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The lobsters know how to get in, but they can't get out.  It is the
nature of this trap.  .
--- Matthias Grob <matthias@grob.org> wrote:
> >Unsubscribe me please as I'm on holiday / vacation for a month.  I
> will
> >subscribe again soon.
> >
> >Thank you.
> 
> how will you know to subscribe if you dont know how to unsubscribe?
> -- 
> 
> 
>           ---> http://Matthias.Grob.org
> 


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From Loopers-Delight-request@loopers-delight.com  Thu Jul 19 04:07:43 2001
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outdoor gigs usually have no enclosures so the sound waves dont have much to 
reflect off of...like in a club on brick walls,etc. more volume might be an 
issue for you when you play...as long as you can hear yourself and your 
loops, let the sound enginneer do the rest.
  the hardest thing for me about playin outdoor gigs is gettin a good 
monitor mix were i can hear everyone on the stage. it usually happens that i 
can only hear the musicians on my side of the stage and the other side is 
its on little world...but it just depends on the p.a. and stage monitoring. 
if you have side fills or plenty of monitors you shouldnt have any worries.
idont know if that was any help...but what the hell
peace
shane


>From: "Taaffe, Denis G" <dtaaffe@indiana.edu>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: "'Loopers-Delight@loopers-delight.com'"  
><Loopers-Delight@loopers-delight.com>
>Subject: gig spam and question about playing outdoors
>Date: Wed, 18 Jul 2001 14:52:38 -0500
>
>Hello,
>
>hey I will be playing my first outdoor gig tommorow in Bloomington, In at
>5:30pm . I will be playing regular guitar and guitar loops done on the fly.
>My question is, what are the acoustics like outdoors. i have only played
>indoor gigs? Need mroe volume?
>
>denis
>denis taaffe
>dtaaffe@indiana.edu
>aliengtr
>
>


_________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Thu Jul 19 07:18:11 2001
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Yeah, Tim, I'm one of those trying to figure this out. Guitar Center billed
the three full rack Electrix specials as closeouts - and a guy at Mars Music
told me they were going out of business. And now you're saying they're
simply selling out what units they have remaining. None of this computes to
me. Why would you quit selling some of your products - and mind you, this is
all three of their full rack units - if you weren't in some dire financial
trouble? I mean, the R&D is already done and, presumably, paid for. It's
time to rake in the profits. But, even if not, you'll never recover those
funds if you stop selling the product!

Moreover, I saw the Repeater demoed at Winter NAMM with Mo-FX. Seems to me
that Repeater and some of the other Electrix products have a synergistic
relationship with each other whereby sales of one will lead to sales of the
other. If so, why discontinue that other part of the line when it seems
reasonable to conclude that sales of those other products will increase in
the short-term future?

The Repeater was first promised for delivery in October of last year. As
everyone knows, it's taken much, much longer to ship than anyone
anticipated. Those R&D costs must be significant - we're nearly a year later
at this point, and still counting. In the past few months, we've seen the
advertising for Repeater kick in, thereby providing some proof that Electrix
did, at least, hope to ship the product earlier. But, that's wasted money if
you don't have a product to actually sell for many months to come. I just
have to think finances are a concern. They'd have to be, I think.

So maybe this talk about discontinuing these products is just so much
marketing brouhaha so we'd buy some of their stuff. Maybe they'll announce
later that, due to incredible demand, they've decided NOT to close out these
products after all.

I know that the prices were so attractive, and all of your comments on this
list so glowing, that I admit that I even now own some Electrix products at
this point. And, I expect I'll buy a Repeater too, if and when they ship.
Even if Electrix goes down (which I'd hate to see happen), I figure if I get
two years of good service from these products, I'll consider it money well
spent. We'll see about that.

I'd also like to say that, given the likely financial concerns that must
exist at Electrix, it's really a credit to them that they haven't shipped
the Repeater yet. They deserve to be applauded for waiting until the product
is "right."

Kevin


> Some folks seemed to be concerned about the future reliability of the
> Repeater because Electrix is such a small company.  I also heard some
> concern regarding the choice Electrix made to sell off their remaining
> effects units (financial trouble?).  But isn't Electrix just a subdivision
> of the same company that made Digitech as big as they are?  As I
> understand
> it, IVL acquired Electrix just prior to the choice to scrap the remaining
> effects units and make the Repeater their number one priority.  This does
> not sound like a small company in financial trouble.
>
> Or maybe I'm rationalizing because I already paid for a unit with a money
> order...  ;)

From Loopers-Delight-request@loopers-delight.com  Thu Jul 19 08:12:58 2001
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Date: Thu, 19 Jul 2001 05:10:56 -0700 (PDT)
From: John Tidwell <wedgehed@yahoo.com>
Subject: Full Metal Jacket
To: Loopers Delight <Loopers-Delight@loopers-delight.com>
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I recently watched "Full Metal Jacket" for about the
100th time & finally paid attention to the end credits
to find out who was responsible for the original
music.

Abigail Mead is the name given in the credits. A
little
internet research reveals that "Abigail" is in fact
Vivian Kubrick, daughter of Stanley Kubrick. I also
find that she used a Fairlight Series III sampler,
which was the state of the art device in 1987 when
the movie was made. I think you can still buy them if
you have a spare $60,000 or so.

All of which leads to my question.........

What the hell kind of sound did she sample & what on
earth did she do to it to get "that sound". It sounds
like 2 pieces of metal grinding against each other in
a melodic way. Let me rephrase that, 2 enormous pieces
of metal grinding....in a melodic way.

John





=====
John Tidwell




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From Loopers-Delight-request@loopers-delight.com  Thu Jul 19 08:44:33 2001
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Date: Thu, 19 Jul 2001 14:43:46 +0200
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From: Matthias Grob <matthias@grob.org>
Subject: Re: gig spam and question about playing outdoors
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when playing with my precussionist, we both use big headphones most 
of the time and dont feel bad about it and it solves a lot of 
problems.
-- 


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Thu Jul 19 09:19:36 2001
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Subject: Full Metal Jacket, the Martha Stewart Way!
Date: Thu, 19 Jul 2001 14:17:42 +0100
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I remember reading an article / interview about Suzanne Vega in Musician
when Full Metal Jacket came out, that credited her with a lot of the
soundtrack's incidental music.  On the strength of this I bought the
soundtrack the first time I saw it on CD, and I highly recommend it.  While
there's also other songs like "Wooly Bully", "Hello Vietnam" and "These
Boots are Made for Walkin'" there's a lot of the incidental music.  I don't
have the CD here in the UK with me, bought in 1988, but a look at CDNOW's
listing has "Abigail Mead Mead" listed as composer.  Of course I can't find
the archive of the article-in-question, but as Suzanne Vega was one of the
early users of the Fairlight, I'm now wondering whether she helped "Abigail"
produce the pieces.

My favorite piece on the album is "Leonard", which takes place during the
latrine freak-out scene.  Reeeeal creepy stuff, lovely textures.

I think the "metal scraping" sounds you're talking about are partially in
this piece, and given Suzanne Vega's use (at least in the 80s) of "found
objects" along with the Fairlight, it could very well be sampled metal
scraping with enhancement, possibly via a ring modulation/flanging effect.

Try using a manual knife-sharpening tool or stone, and sample the sound of a
big knife being brought across it.  Record several layers of equal length
and slightly similar speeds of knife-scraping.  Put the resultant layers
together, and flange lightly, remembering not to squelch the hiss involved.
This should give you a reasonably metallic scraping sound like you desire.
Tune to taste.

It's a GOOD thing. :)

"John Tidwell" <wedgehed@yahoo.com> put forth:
>
> Abigail Mead is the name given in the credits. A
> little internet research reveals that "Abigail" is in fact
> Vivian Kubrick, daughter of Stanley Kubrick. I also
> find that she used a Fairlight Series III sampler,
> which was the state of the art device in 1987 when
> the movie was made. I think you can still buy them if
> you have a spare $60,000 or so.
>
> All of which leads to my question.........
>
> What the hell kind of sound did she sample & what on
> earth did she do to it to get "that sound". It sounds
> like 2 pieces of metal grinding against each other in
> a melodic way. Let me rephrase that, 2 enormous pieces
> of metal grinding....in a melodic way.


From Loopers-Delight-request@loopers-delight.com  Thu Jul 19 13:39:43 2001
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Dave Trenkel wrote:

(snip)

> Any of my
> current groups would have naturally incorporated the delay into the
> general vibe. Actually, it was pretty amazing, the echo was coming
> back almost as loud, and really clear, as the band.
>
> >
> >
> >ps listened to *acidflesh* last night. great sounds! will delve deeper.
>
> Thanks!
>
>

oh yeah-

did i mention it could rain?

my only real experience thus far with outdoor playing came in the form of my
wedding, which was WAY outdoors in joshua tree. it rained. but actually stopped
right on schedule. the only real concern was for a hammered dulcimer: we had an
umbrella for the player and his instrument, but we were thinking about sun, not
rain...it worked, though. the only real bummer was that one of our
percussionists slipped climbing down a rain-soaked 150+ ft. vertical cleft above
the wedding site (we had several people cloistered away in the rocks with
various bells, gongs, found objects, etc.- we had devised a SAFE route down the
backside of the rocks, but i think he was in a hurry to get to the food) with
about $500 worth of tibetan bells in his daypack. luckily the bells broke his
slide, but a couple of 'em needed repair. HIS nerves were calmed by a bit of
bubbly, i think...

anyway, sometimes the simplest things (like the weather) can get overlooked in
the excitement of planning a novel event. as it's said, be prepared!

lance g.

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its been a little while since i last saw full metal jacket...which scene are 
you talkin about with the metal grinding sound?
shane


>From: John Tidwell <wedgehed@yahoo.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers Delight <Loopers-Delight@loopers-delight.com>
>Subject: Full Metal Jacket
>Date: Thu, 19 Jul 2001 05:10:56 -0700 (PDT)
>
>I recently watched "Full Metal Jacket" for about the
>100th time & finally paid attention to the end credits
>to find out who was responsible for the original
>music.
>
>Abigail Mead is the name given in the credits. A
>little
>internet research reveals that "Abigail" is in fact
>Vivian Kubrick, daughter of Stanley Kubrick. I also
>find that she used a Fairlight Series III sampler,
>which was the state of the art device in 1987 when
>the movie was made. I think you can still buy them if
>you have a spare $60,000 or so.
>
>All of which leads to my question.........
>
>What the hell kind of sound did she sample & what on
>earth did she do to it to get "that sound". It sounds
>like 2 pieces of metal grinding against each other in
>a melodic way. Let me rephrase that, 2 enormous pieces
>of metal grinding....in a melodic way.
>
>John
>
>
>
>
>
>=====
>John Tidwell
>
>
>
>
>__________________________________________________
>Do You Yahoo!?
>Get personalized email addresses from Yahoo! Mail
>http://personal.mail.yahoo.com/
>


_________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Thu Jul 19 14:29:48 2001
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Another bug.
After Ive set up a stereo loop on 2 EDPs
I sometimes like to put the slave into reverse.
This works when using the Insert switch for reverse,
but if I use the Parameter to P1 and hit Undo method
nothing happens except that all the LEDS go out.

is this Normal?

andy butler

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hey gary,
i looked on sam ash's pages and i couldnt find the listing for the 508. did 
you see it on the net or did you talk to with them? curious cause im 
possibly interested in buying one as well
thanks
shane


>From: "Gary Lehmann" <healthquestrecruiter@earthlink.net>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: <Loopers-Delight@loopers-delight.com>
>Subject: Zoom Delay
>Date: Wed, 18 Jul 2001 13:43:05 -0700
>
>Just thot everyone should know--
>Sam Ash just quoted me $49 on the 508--woo hoo!
>Gary
>


_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp

From Loopers-Delight-request@loopers-delight.com  Thu Jul 19 14:53:58 2001
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Subject: RE: gig spam and question about playing outdoors
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since we've done horror stories about outdoor gigs:

one: the 2000big sur experimental music fest, where is was so hot on stage
that another bass player's acoustic bass popped apart at the glue seam from
a repair to the bass' neck

two: playing in genoa, italy, back in about 1985 at an art gallery. we were
playing in the patio (some fairly out shit, i might add). the residents of
the apartment building behind the patio decided to show their displeasure by
throwing small amounts of water at us. (being plugged in, this was a little
bit scary.)

stig

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<P><FONT SIZE=3D2>since we've done horror stories about outdoor =
gigs:</FONT>
</P>

<P><FONT SIZE=3D2>one: the 2000big sur experimental music fest, where =
is was so hot on stage that another bass player's acoustic bass popped =
apart at the glue seam from a repair to the bass' neck</FONT></P>

<P><FONT SIZE=3D2>two: playing in genoa, italy, back in about 1985 at =
an art gallery. we were playing in the patio (some fairly out shit, i =
might add). the residents of the apartment building behind the patio =
decided to show their displeasure by throwing small amounts of water at =
us. (being plugged in, this was a little bit scary.)</FONT></P>

<P><FONT SIZE=3D2>stig</FONT>
</P>

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From Loopers-Delight-request@loopers-delight.com  Thu Jul 19 15:27:24 2001
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Date: Thu, 19 Jul 2001 15:23:37 EDT
Subject: RE: Question About Playing Outdoors
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the water throwing story reminds me of something that happened to me when i 
was about 15 - i was playing tenor saxaphone with a trumpet player friend of 
mine in a park across the street from my apartment in brooklyn -we were just 
having fun, practicing in the late night summer air - it was perfect, there 
was no one around and we were positioned in the middle of a large grass 
circle around which was a bicycle path - i felt a tap on my shoulder from 
behind - i turned and there was a guy who looked like he had just been 
released from prison - in (an apparent) drug induced animated state he told 
me that he wanted to kill me - we had woken him up out of a sound sleep - but 
that he was not going to do that because he too had played the saxaphone at 
one time and respected musicians - i expressed my gratitude and told him we 
would be packing up presently - thankfully this incident has not weakened my 
enjoyment of playing outside - although no its generally under circumstances 
where people want to hear what i'm playing - just thought i'd share - harry

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<HTML><FONT FACE=arial,helvetica><FONT  COLOR="#000080" SIZE=2 FAMILY="SANSSERIF" FACE="Century Gothic" LANG="0">the water throwing story reminds me of something that happened to me when i 
<BR>was about 15 - i was playing tenor saxaphone with a trumpet player friend of 
<BR>mine in a park across the street from my apartment in brooklyn -we were just 
<BR>having fun, practicing in the late night summer air - it was perfect, there 
<BR>was no one around and we were positioned in the middle of a large grass 
<BR>circle around which was a bicycle path - i felt a tap on my shoulder from 
<BR>behind - i turned and there was a guy who looked like he had just been 
<BR>released from prison - in (an apparent) drug induced animated state he told 
<BR>me that he wanted to kill me - we had woken him up out of a sound sleep - but 
<BR>that he was not going to do that because he too had played the saxaphone at 
<BR>one time and respected musicians - i expressed my gratitude and told him we 
<BR>would be packing up presently - thankfully this incident has not weakened my 
<BR>enjoyment of playing outside - although no its generally under circumstances 
<BR>where people want to hear what i'm playing - just thought i'd share - harry</FONT></HTML>

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in (an apparent) drug induced animated state he told 
me that he wanted to kill me - we had woken him up out of a sound sleep -
but 
that he was not going to do that because he too had played the saxaphone at 
one time and respected musicians -  
 
 
** maaaan .  . .  


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<BLOCKQUOTE>
  <DIV><FONT size=2><FONT face=arial,helvetica><FONT color=#000080 
  face="Century Gothic" lang=0 FAMILY="SANSSERIF">in (an apparent) drug induced 
  animated state he told <BR>me that he wanted to kill me - we had woken him up 
  out of a sound sleep - but <BR>that he was not going to do that because he too 
  had played the saxaphone at <BR>one time and respected musicians -&nbsp;<FONT 
  color=#0000ff face=Arial><SPAN 
  class=277352719-19072001>&nbsp;</SPAN></FONT></FONT></FONT></FONT></DIV>
  <DIV><FONT size=2><FONT face=arial,helvetica><FONT color=#000080 
  face="Century Gothic" lang=0 FAMILY="SANSSERIF"><FONT color=#0000ff 
  face=Arial><SPAN 
  class=277352719-19072001></SPAN></FONT></FONT></FONT></FONT>&nbsp;</DIV>
  <DIV><FONT size=2><FONT face=arial,helvetica><FONT color=#000080 
  face="Century Gothic" lang=0 FAMILY="SANSSERIF"><FONT color=#0000ff 
  face=Arial><SPAN 
  class=277352719-19072001></SPAN></FONT></FONT></FONT></FONT>&nbsp;</DIV>
  <DIV><FONT size=2><FONT face=arial,helvetica><FONT color=#000080 
  face="Century Gothic" lang=0 FAMILY="SANSSERIF"><FONT color=#0000ff 
  face=Arial><SPAN class=277352719-19072001>** maaaan .&nbsp; . . 
  &nbsp;</SPAN></FONT></FONT></FONT></FONT></DIV></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu Jul 19 15:44:15 2001
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Subject: Re: gig spam and question about playing outdoors
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>we were
> playing in the patio (some fairly out shit, i might add). 

oooohhhhh...
i thought we were talking about playing outside

so you were playing "out" outside...

help! i'm all inside outside!


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From: Richard Zvonar <zvonar@zvonar.com>
Subject: APB Tools TH-S
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http://www.apbtools.com/TH-S2.html

This is a multitrack playback system for Pro Tools:

"TH-S implements on the Pro Tools platform FOUR Stereo and TWO 
8-track players with show based cuelist and snapshot automation, 
including individual Master Fader levels on the CM Automation Motor 
Mix=81 hardware. Additionally the MAC internal CD-ROM, a free definable 
Master Fader and a MIDI PGM CHG "Player" are controlled by the 
automation. Also the internal computer audio output is used for 
comfortable PFL of the player cues. Preloading a small portion of 
each cue on startup, the whole system behaves like a "hard disk 
sampler," having 0 seconds latency while triggering any of the max. 
800 Stereo and 200 8-track cues of arbitrary length. All cues can be 
looped individually. "

I have been told that support for the Metric Halo Mobile I/O is in 
the works, so this could be used with a Powerbook.

-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=3Drz
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<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type=3D"text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>APB Tools TH-S</title></head><body>
<div><font
face=3D"Monaco CY">http://www.apbtools.com/TH-S2.html</font></div>
<div><font face=3D"Monaco CY"><br></font></div>
<div><font face=3D"Monaco CY">This is a multitrack playback system for
Pro Tools:</font></div>
<div><font face=3D"Monaco CY"><br></font></div>
<div><font face=3D"Monaco CY">&quot;TH-S implements on the Pro Tools
platform FOUR Stereo and TWO 8-track players with show based cuelist
and snapshot automation, including individual Master Fader levels on
the CM Automation Motor Mix=81 hardware. Additionally the MAC internal
CD-ROM, a free definable Master Fader and a MIDI PGM CHG "Player"
are controlled by the automation. Also the internal computer audio
output is used for comfortable PFL of the player cues. Preloading a
small portion of each cue on startup, the whole system behaves like a
"hard disk sampler," having 0 seconds latency while triggering any
of the max. 800 Stereo and 200 8-track cues of arbitrary length. All
cues can be looped individually. &quot;</font></div>
<div><font face=3D"Monaco CY"><br></font></div>
<div><font face=3D"Monaco CY">I have been told that support for the
Metric Halo Mobile I/O is in the works, so this could be used with a
Powerbook.</font></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div><br>
______________________________________________________________<br>
Richard Zvonar, PhD<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><br>
(818) 788-2202<x-tab>&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </x-tab><br>
http://www.zvonar.com<br>
http://RZCybernetics.com<br>
http://www.cybmotion.com/aliaszone<br>
http://www.live365.com/cgi-bin/directory.cgi?autostart=3Drz</div>
</body>
</html>
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Subject: RE: gig spam and question about playing outdoors
Date: Thu, 19 Jul 2001 16:14:48 -0400
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oooohhhhh...
i thought we were talking about playing outside

so you were playing "out" outside...

help! i'm all inside outside! 

** that's the yardbirds tune, right?


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<P><FONT SIZE=2>oooohhhhh...</FONT>
<BR><FONT SIZE=2>i thought we were talking about playing outside</FONT>
</P>

<P><FONT SIZE=2>so you were playing &quot;out&quot; outside...</FONT>
</P>

<P><FONT SIZE=2>help! i'm all inside outside! </FONT>
</P>

<P><FONT SIZE=2>** that's the yardbirds tune, right?</FONT>
</P>

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From Loopers-Delight-request@loopers-delight.com  Thu Jul 19 18:19:35 2001
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Subject: Re: gig spam and question about playing outdoors
Date: Thu, 19 Jul 2001 18:20:58 -0400
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On Wed, 18 Jul 2001, Dave Trenkel wrote:
> One thing to keep in mind is that under direct sunlight, most LED and
> LCD displays are pretty much unreadable. If you depend on being able
> to read the displays of your effects, synths, etc., make sure you're
> in some shade.

Also, while we're on the sunlight issue, keep in mind temperature.  
Electronics have a hard time with heat as resistance in a circuit increases 
as temperature does.   The hot summer sun beating down on the metal case of 
one gizmo can be bad enough, but the sun beating down on the case of a rack 
full of gizmos can be a nightmare.  So, seek shade, invest in big fans (on a 
different power circuit than the rack, of course), or better yet do both.

One other thing I've had problems with in the past is that if you're playing 
on the ground instead of a stage ground loops can become a real problem.  
They manifest as a hum that just won't go away and gets worse with volume.  
So, if this is an issue, elevate your pedal board, amp, rack off the ground 
with an insulating material; i.e. wood blocks, wooden chairs work well for 
amps.  I actually saw a guitarist about to toss his amp once because of a 
mysterious hum.  His drummer strolled over and lifted his distortion pedal 
off the grass and viola. 

>
> Good luck on the gig!

I'll second this.  I love playing outdoors; birds singing along, trees 
overhead, blue sky, cool breezes, etc.  Just don't let a hot rack or humming 
pedal ruin it for you.

Have fun,
Todd

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Todd wrote:
>I actually saw a guitarist about to toss his amp once because of a
>mysterious hum.  His drummer strolled over and lifted his distortion pedal
>off the grass and viola.

He had a distortion pedal on his viola?  Was it John Cale, by any chance?
:-)

>I'll second this.  I love playing outdoors; birds singing along, trees
>overhead, blue sky, cool breezes, etc.

I agree, but I'll never forget my first outdoor gig with birds singing in
the trees overhead -- one of them decided that I was as good a place as any
to relieve himself . . .  :-(

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> 
> oooohhhhh...
> i thought we were talking about playing outside
> 
> so you were playing "out" outside...
> 
> help! i'm all inside outside! 
> 
> ** that's the yardbirds tune, right?
> 

don't know that one...

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> 
> so you were playing "out" outside...
> 
> help! i'm all inside outside! 
> 
> ** that's the yardbirds tune, right?
> 

don't know that one...

** joke based on the yardbirds tune over under sideways down

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 3.2//EN">
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<META HTTP-EQUIV="Content-Type" CONTENT="text/html; charset=iso-8859-1">
<META NAME="Generator" CONTENT="MS Exchange Server version 5.5.2653.12">
<TITLE>RE: gig spam and question about playing outdoors</TITLE>
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<P><FONT SIZE=2>&gt; </FONT>
<BR><FONT SIZE=2>&gt; so you were playing &quot;out&quot; outside...</FONT>
<BR><FONT SIZE=2>&gt; </FONT>
<BR><FONT SIZE=2>&gt; help! i'm all inside outside! </FONT>
<BR><FONT SIZE=2>&gt; </FONT>
<BR><FONT SIZE=2>&gt; ** that's the yardbirds tune, right?</FONT>
<BR><FONT SIZE=2>&gt; </FONT>
</P>

<P><FONT SIZE=2>don't know that one...</FONT>
</P>

<P><FONT SIZE=2>** joke based on the yardbirds tune over under sideways down</FONT>
</P>

</BODY>
</HTML>
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From Loopers-Delight-request@loopers-delight.com  Thu Jul 19 23:28:45 2001
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Subject: DON'T TRUST THE SOUND MAN
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just got in from my gig opening for SUGAR DADDY AND THE BIG BONED 
GALS.....went in 2 hours early for a sound check....."we supply all the 
speakers etc.".....the sound guy took all my inputs and rearranged them in my 
mixer and sent it out to his console.....for about 2 mins this sounded ok 
(total sound check) but i was worried and not quite happy.....i am not a 
great or even good player, but i do pride myself in "my sound".....WELL, 8:00 
o'clock comes and the first note i hit sounds like *shit* and i begin to get 
worried.....this is nothing like what we had set up and his configuration 
totally freaked me, things were not where they should have been.....where was 
the sound guy, NOWHERE TO BE FOUND.....yikes, the show must go on and no one 
wants to see a 53 year old man cry, although i was sweating like a pig in the 
sahara, so thankfully they could not see my tears.....IT WAS AWFUL, i had no 
control of anything, boy does that make you feel like being 
adventuresome.....then after cutting it about 10 mins. short everyone comes 
up and says "wow that was cool " and LIES to that effect.....thankfully the 
WILD TURKEY (sorry no scotch) kicked in and i did not burn my guitar and 
rang.....i will never play through someone elses system again.....in fact, 
this solo thing is getting to weird, i need other warm bodies to help the 
tunes out.....sorry for such a goofy post but if i cant share this with you 
all who can i share it with.....:(m

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>just got in from my gig opening for SUGAR DADDY AND THE BIG BONED 
<BR>GALS.....went in 2 hours early for a sound check....."we supply all the 
<BR>speakers etc.".....the sound guy took all my inputs and rearranged them in my 
<BR>mixer and sent it out to his console.....for about 2 mins this sounded ok 
<BR>(total sound check) but i was worried and not quite happy.....i am not a 
<BR>great or even good player, but i do pride myself in "my sound".....WELL, 8:00 
<BR>o'clock comes and the first note i hit sounds like *shit* and i begin to get 
<BR>worried.....this is nothing like what we had set up and his configuration 
<BR>totally freaked me, things were not where they should have been.....where was 
<BR>the sound guy, NOWHERE TO BE FOUND.....yikes, the show must go on and no one 
<BR>wants to see a 53 year old man cry, although i was sweating like a pig in the 
<BR>sahara, so thankfully they could not see my tears.....IT WAS AWFUL, i had no 
<BR>control of anything, boy does that make you feel like being 
<BR>adventuresome.....then after cutting it about 10 mins. short everyone comes 
<BR>up and says "wow that was cool " and LIES to that effect.....thankfully the 
<BR>WILD TURKEY (sorry no scotch) kicked in and i did not burn my guitar and 
<BR>rang.....i will never play through someone elses system again.....in fact, 
<BR>this solo thing is getting to weird, i need other warm bodies to help the 
<BR>tunes out.....sorry for such a goofy post but if i cant share this with you 
<BR>all who can i share it with.....:(m</FONT></HTML>

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You poor guy!  Your impassioned post had me cringing for you.  -sounds like 
you were a little hard on yourself though....the gig may have sounded like 
crap to you but it sounds like you made a favorable impression on at least a 
couple members of the audience (and that's always a good thing).  Stay 
positive and keep rockin'...or looping as it were.
This reminds me of the thread on here a while back that I found fun on 
'nightmare gigs' and how individuals survived them.  -happens to everybody!

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>You poor guy! &nbsp;Your impassioned post had me cringing for you. &nbsp;-sounds like 
<BR>you were a little hard on yourself though....the gig may have sounded like 
<BR>crap to you but it sounds like you made a favorable impression on at least a 
<BR>couple members of the audience (and that's always a good thing). &nbsp;Stay 
<BR>positive and keep rockin'...or looping as it were.
<BR>This reminds me of the thread on here a while back that I found fun on 
<BR>'nightmare gigs' and how individuals survived them. &nbsp;-happens to everybody!</FONT></HTML>

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From Loopers-Delight-request@loopers-delight.com  Fri Jul 20 01:14:28 2001
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I want to loop two or three sentences from an older movie (The Bride
of Frankenstein) and put it on a song on my CD.  Can anyone advice to
what degree I need to manipulate, twist, distort or whatever the
sample, so I don't get in trouble with copyright issues?

I know there used to be a lot of talking at LD on the copyright
subjects but I cannot locate what I need in the archives.

thanks
_________________________________________
Petr Dolák
music * poetry * guitar
looping * commodeon * percussion
web site: www.geocities.com/pepetr



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From: Eric Leonardson <eleon@ripco.com>
Subject: RE: gig spam and question about playing outdoors
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At 2:47 PM -0400 7/19/01, Liebig, Steuart A. wrote:
>since we've done horror stories about outdoor gigs:
>
>one: the 2000big sur experimental music fest, where is was so hot on 
>stage that another bass player's acoustic bass popped apart at the 
>glue seam from a repair to the bass' neck

A similar thing happened on a hot and humid Chicago evening when I 
was playing with my friend, Bob Marsh on cello. Except we were 
indoors.

Eric

---------------------
Upcoming Performances, Broadcasts, Etc.:

Friday, July 20, 10:00 pm, duo performance with Carol Genetti (voice) 
and Nolime Tangere (Jonathan Chen (violin, PVC, electronics), Jen 
Walshe (voice)), at the Nervous Center, 4612 N. Lincoln Ave. (773) 
728-5010

Friday, July 27, 9:00 pm, Dead CEO presents: Eric Leonardson, solo 
(invented instruments, electronics); Carol Genetti (voice) and Fred 
Lonberg-Holm (cello), duo; Birdsong (John Corbett (guitar), Terri 
Kapsalis (violin), Liz Payne (bass)), at the Nervous Center, 4612 N. 
Lincoln Ave. (773) 728-5010

Tuesday, July 31, 8:00 pm, trio with Hal Rammel (invented 
instruments), Eric Leonardson (invented instruments), Michael Zerang 
(percussion) at the Candlestick Maker, 4432 N. Kedzie, (773) 463-0158.

August 19, 8 pm: Cindy Bernhard/Joseph Hammer, Eric Leonardson, Greg 
Headley in the Beyond Music Festival, running Aug. 18 - 23, 2001 at: 
Beyond Baroque Literary/Arts Center, 681 Venice Blvd., Venice, CA 
90291. (310) 822-3006

New on Compact Disc: Winter Construction (dceo003)
A compilation of Chicago artists with accompanying zine... available 
on-line at Dead CEO: http://www.deadceo.com/

Visit the High Zero 2000 documentation web site, "images, sound and 
video samples from...the High Zero festival of experimental 
improvised music...": 
http://www.highzero.org/festival_documentation/highzero2000documentati 
on/index.htm

Eric Leonardson web pages: http://pages.ripco.net/~eleon

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<- 2 free shows in NYC, Ken's Last Ever Radio Extravaganza
Sat. 7/21 * 6-8pm & 10:30-11:30pm * Regurgitation 1.5, Jersey City
Thurs. 7/26 * 10:30-11pm * OpenMouse, Chinatown ->

Spontaneous unplanned stress-releasing improvised electronic sonic experimental manipulation game.  Repeat if necessary.

--1--1--1--1--1--1--1--1--1--1--1--1--1--1--1--1--1
Show #251: Saturday 7/21 6pm-late
Regurgitation 1.5 @ Arts Center on 1st (aka Cigar Factory, aka The 111 Building), Jersey City
I'll do two sets: 6-8pm, and 10:30-11:30pm.  No idea what will happen.

About event: Various musical, verbal, and spinning folks, entertaining you for free all night, in a huge and impressive warehouse in a mysterious section of Jersey City.  Related to Regurgitation Show (3/24/01, show #245), but supposedly much more mellow.

Other performers: Jerm Pollet * Marjana * Mike Ill * Ransom Corp * The Vigilante Cowboys
Spoken word artists: Florence Wetzel * Ken Landherr * Rivka * Yarema
DJ's: Deep Dan Aguirre * Dave Todd * kleverVice * NakedSlice * Pervis * Sneeky Pete
Other event info: http://www.bohemianlife.com/regurgitationnew.html

# Directions to 111 1st St.:
Take *Journal Square* Path train on 6th Ave. OR *Newark* Path train @ World Trade
Get off at Grove St. stop
Walk north on Grove St. (i.e. turn right onto Grove St.) until intersection of 1st St. & Grove.
Make right and walk on 1st St. until intersection of 1st & Warren St.
Make right on Warren. Go half a block, cross street. Entrance is marked 111. Then guess.

--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2
Show #252: Thursday 7/26 8pm-midnight
OpenMouse @ Fun, Chinatown
I'll do one set: 10:30-11pm. Perhaps based on sounds of other performers. How would I know?

About event: Rhizome & SoundLab's live audio/video/new media immersive improvisational collaborative electronic event, surrounding your senses for free with whatever the random crew of the month comes up with.

Other performers:
Video artists: Azhaday Asiadai, Jason Smith (OcNoMa), Laura Schwamb, Tim Jaeger, S. Mayo, Deric Carner, Geoff Seelinger & Matt Frost      
DJ's: DJ Dwayne and Singe and Verb
Other live electronic music by: Val and Ocular Noise Machine

# Directions to 130 Madison St.:
F to East Broadway (or buses: M15, M22, and M9 all go right there)
Madison St. is just a block or so towards the water
Fun is directly under the Manhattan Bridge overpass, between Pike & Market

--?--?--?--?--?--?--?--?--?--?--?--?--?--?--?--?--?
* Prefer to stay home?
Go to Ken's Last Ever Radio Extravaganza audio page:
http://free-music.com/ken/extrav/audio/
Pick a show to listen to and pretend it's live.

* Hate the internet?
Email me about getting a CD.

* Don't like sound?

Ken's Last Ever Radio Extravaganza
http://free-music.com/ken/extrav/
kenzo@free-music.com

Consider individuals before economics.

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So Denis, did your gig go well?  Any horror stories to share with the class?
Gary

From Loopers-Delight-request@loopers-delight.com  Fri Jul 20 02:42:24 2001
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From: glenn <glenn234@pacbell.net>
Subject: Re: DON'T TRUST THE SOUND MAN
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> This message is in MIME format. Since your mail reader does not understand
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Didn't sound goofy at ALL to me, more like a frickin awesom heads up!

Thanks,
Glenn

on 7/19/01 8:26 PM, Nemoguitt@aol.com at Nemoguitt@aol.com wrote:

..sorry for such a goofy post but if i cant share this with you
all who can i share it with.....:(m



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<HTML>
<HEAD>
<TITLE>Re: DON'T TRUST THE SOUND MAN</TITLE>
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Didn't sound goofy at ALL to me, more like a frickin awesom heads up!<BR>
<BR>
Thanks,<BR>
Glenn<BR>
<BR>
on 7/19/01 8:26 PM, Nemoguitt@aol.com at Nemoguitt@aol.com wrote:<BR>
<BR>
<BLOCKQUOTE><FONT SIZE=3D"2">..sorry for such a goofy post but if i cant shar=
e this with you <BR>
all who can i share it with.....:(m</FONT> <BR>
</BLOCKQUOTE><BR>
</BODY>
</HTML>


--MS_Mac_OE_3078432555_3084399_MIME_Part--

From Loopers-Delight-request@loopers-delight.com  Fri Jul 20 02:58:21 2001
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Subject: Re: DON'T TRUST THE SOUND MAN
Date: Fri, 20 Jul 2001 07:56:37 +0100
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Yikes!

Lumpy Gravy was as I was told notorious for this happening: Sound Man =
works briefly with you on your setup and even agrees to record to your =
DAT during the show, all sounds fine during sound check, get back for =
the gig and it all sounds different, no time to check with the guy who's =
not there, and noone records the gig as well.  Phooey on that place, =
even if it is named after a Zappa album, and presented itself as a nice =
venue.

Stephen Goodman
http://www.earthlight.net/Gallery_Front.html - Cartoons & Illustrations
http://www.earthlight.net/Studios * The free Loop of the Week!
http://www.live365.com/stations/218194 * EarthLight Online / Live!

Nemoguitt@aol.com put forth:


just got in from my gig opening for SUGAR DADDY AND THE BIG BONED=20
GALS.....went in 2 hours early for a sound check....."we supply all the=20
speakers etc.".....the sound guy took all my inputs and rearranged them =
in my=20
mixer and sent it out to his console.....for about 2 mins this sounded =
ok=20
(total sound check) but i was worried and not quite happy.....i am not a =

great or even good player, but i do pride myself in "my sound".....WELL, =
8:00=20
o'clock comes and the first note i hit sounds like *shit* and i begin to =
get=20
worried.....this is nothing like what we had set up and his =
configuration=20
totally freaked me, things were not where they should have =
been.....where was=20
the sound guy, NOWHERE TO BE FOUND.....yikes, the show must go on and no =
one=20
wants to see a 53 year old man cry, although i was sweating like a pig =
in the=20
sahara, so thankfully they could not see my tears.....IT WAS AWFUL, i =
had no=20
control of anything, boy does that make you feel like being=20
adventuresome.....then after cutting it about 10 mins. short everyone =
comes=20
up and says "wow that was cool " and LIES to that effect.....thankfully =
the=20
WILD TURKEY (sorry no scotch) kicked in and i did not burn my guitar and =

rang.....i will never play through someone elses system again.....in =
fact,=20
this solo thing is getting to weird, i need other warm bodies to help =
the=20
tunes out.....sorry for such a goofy post but if i cant share this with =
you=20
all who can i share it with.....:(m=20

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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2479.6" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV>Yikes!</DIV>
<DIV>&nbsp;</DIV>
<DIV>Lumpy Gravy was as I was told notorious for this happening: Sound =
Man works=20
briefly with you on your setup and even agrees to record to your DAT =
during the=20
show, all sounds fine during sound check, get back for the gig and it =
all sounds=20
different, no time to check with the guy who's <EM>not there, </EM>and =
noone=20
records the gig as well.&nbsp; Phooey on <EM>that </EM>place, even if it =

<EM>is</EM> named after a Zappa album, and presented itself as a nice=20
venue.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Stephen Goodman<BR><A=20
href=3D"http://www.earthlight.net/Gallery_Front.html">http://www.earthlig=
ht.net/Gallery_Front.html</A>=20
- Cartoons &amp; Illustrations<BR><A=20
href=3D"http://www.earthlight.net/Studios">http://www.earthlight.net/Stud=
ios</A> *=20
The free Loop of the Week!<BR><A=20
href=3D"http://www.live365.com/stations/218194">http://www.live365.com/st=
ations/218194</A>=20
* EarthLight Online / Live!</DIV>
<DIV>&nbsp;</DIV>
<DIV style=3D"FONT: 10pt arial">
<DIV style=3D"BACKGROUND: #e4e4e4; font-color: black"><A =
title=3DNemoguitt@aol.com=20
href=3D"mailto:Nemoguitt@aol.com">Nemoguitt@aol.com</A> <FONT =
face=3D"Trebuchet MS"=20
size=3D3>put forth:</FONT></DIV></DIV>
<DIV><BR></DIV><FONT face=3Darial,helvetica><FONT size=3D2>just got in =
from my gig=20
opening for SUGAR DADDY AND THE BIG BONED <BR>GALS.....went in 2 hours =
early for=20
a sound check....."we supply all the <BR>speakers etc.".....the sound =
guy took=20
all my inputs and rearranged them in my <BR>mixer and sent it out to his =

console.....for about 2 mins this sounded ok <BR>(total sound check) but =
i was=20
worried and not quite happy.....i am not a <BR>great or even good =
player, but i=20
do pride myself in "my sound".....WELL, 8:00 <BR>o'clock comes and the =
first=20
note i hit sounds like *shit* and i begin to get <BR>worried.....this is =
nothing=20
like what we had set up and his configuration <BR>totally freaked me, =
things=20
were not where they should have been.....where was <BR>the sound guy, =
NOWHERE TO=20
BE FOUND.....yikes, the show must go on and no one <BR>wants to see a 53 =
year=20
old man cry, although i was sweating like a pig in the <BR>sahara, so =
thankfully=20
they could not see my tears.....IT WAS AWFUL, i had no <BR>control of =
anything,=20
boy does that make you feel like being <BR>adventuresome.....then after =
cutting=20
it about 10 mins. short everyone comes <BR>up and says "wow that was =
cool " and=20
LIES to that effect.....thankfully the <BR>WILD TURKEY (sorry no scotch) =
kicked=20
in and i did not burn my guitar and <BR>rang.....i will never play =
through=20
someone elses system again.....in fact, <BR>this solo thing is getting =
to weird,=20
i need other warm bodies to help the <BR>tunes out.....sorry for such a =
goofy=20
post but if i cant share this with you <BR>all who can i share it=20
with.....:(m</FONT> </FONT></BODY></HTML>

------=_NextPart_000_0040_01C110F1.8071F800--

From Loopers-Delight-request@loopers-delight.com  Fri Jul 20 03:03:05 2001
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Subject: Re: DON'T TRUST THE SOUND MAN
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I just give the sound man a stereo feed and use my own in-ear monitoring -
at least then it sounds good to me and I just tell the sound man/woman to
pan hard right and left, with no eq.
It takes a real idiot to mess up those instructions - though last time I
played out of doors and followed the above I came down from stage and asked
a freind how it went and he said"fine but I though you could have done more
with stereo placement". I replied that the sound was bouncing all over the
place - turns out the PA man runs it all in mono!!

Gareth




just got in from my gig opening for SUGAR DADDY AND THE BIG BONED
GALS.....went in 2 hours early for a sound check....."we supply all the
speakers etc.".....the sound guy took all my inputs and rearranged them in
my
mixer and sent it out to his console.....for about 2 mins this sounded ok
(total sound check) but i was worried and not quite happy.....i am not a
great or even good player, but i do pride myself in "my sound".....WELL,
8:00
o'clock comes and the first note i hit sounds like *shit* and i begin to get
worried.....this is nothing like what we had set up and his configuration
totally freaked me, things were not where they should have been.....where
was
the sound guy, NOWHERE TO BE FOUND.....yikes, the show must go on and no one
wants to see a 53 year old man cry, although i was sweating like a pig in
the
sahara, so thankfully they could not see my tears.....IT WAS AWFUL, i had no
control of anything, boy does that make you feel like being
adventuresome.....then after cutting it about 10 mins. short everyone comes
up and says "wow that was cool " and LIES to that effect.....thankfully the
WILD TURKEY (sorry no scotch) kicked in and i did not burn my guitar and
rang.....i will never play through someone elses system again.....in fact,
this solo thing is getting to weird, i need other warm bodies to help the
tunes out.....sorry for such a goofy post but if i cant share this with you
all who can i share it with.....:(m

From Loopers-Delight-request@loopers-delight.com  Fri Jul 20 03:22:02 2001
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From: "Tim Goodwin" <deepbass6@earthlink.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: IVL Electrix
Date: Fri, 20 Jul 2001 00:20:24 -0500
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I guess it's just wait and see.  Maybe it's overly idealistic, but I have a
good feeling about them.  BTW, did you hear the rumor about the possible
rumors that might be going around next week? ;)

--
TG


-----Original Message-----
From: Kevin Mulvihill [mailto:kmulvihill@mediaone.net]
Sent: Thursday, July 19, 2001 6:16 AM
To: Loopers-Delight@loopers-delight.com
Subject: RE: IVL Electrix


Yeah, Tim, I'm one of those trying to figure this out. <...>  I'd also like
to say that, given the likely financial concerns that must exist at
Electrix, it's really a credit to them that they haven't shipped the
Repeater yet. They deserve to be applauded for waiting until the product
is "right."

From Loopers-Delight-request@loopers-delight.com  Fri Jul 20 04:15:10 2001
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If you're referring to possible future rumors in support of certain reports
that broached the list both earlier this week and last, disseminated in
response to further rumors that seemed to reinforce still other hearsay that
has persisted unchecked on this list for many months now, well, yes, I have
heard them and I believe they will be substantiated sometime very soon.

Kevin

> BTW, did you hear the rumor about the possible
> rumors that might be going around next week? ;)

From Loopers-Delight-request@loopers-delight.com  Fri Jul 20 07:52:08 2001
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Date: Fri, 20 Jul 2001 04:48:49 -0700 (PDT)
From: John Tidwell <wedgehed@yahoo.com>
Subject: Re: Full Metal Jacket
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I believe they start working it in as early as the
last night on Parris Island, but you really hear it
towards the end of the movie when Joker kills the
sniper. It's one of those sounds that goes in your
ears & up your spine simultaneously.

But in a good way.

John


--- mike morris <circuithead_@hotmail.com> wrote:
> its been a little while since i last saw full metal
> jacket...which scene are 
> you talkin about with the metal grinding sound?
> shane



=====
John Tidwell




__________________________________________________
Do You Yahoo!?
Get personalized email addresses from Yahoo! Mail
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From Loopers-Delight-request@loopers-delight.com  Fri Jul 20 08:45:19 2001
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Dear Petr,
    Many will probably disagree with me, but here is my take on this whole
sampling issue:

If you are a successful enough artist or have an independent means of
income, contact the owners and pay for the sample up front.

If not, use the sample in the most creative way you can:  in a way that the
creator of the sample would smile and remember their own creative impulse
and sit back and let fate take it's course.

If you make a lot of money because your work starts selling like hot cakes,
trust me, the sample owners will find you and you can settle then.  It will,
of course, cost you a lot more, but then, you will be on the cover of
Rolling Stone, so who cares ;-)

Recently I was approached by RCA Records to sign a release form for a some
samples I had created whilst producing a music video sound track for a band
that they had just signed.  They said it was just a formality.   I told them
that they
could make me a reasonable offer and pay me upfront for what the samples are
worth, but that I was not going to sign any release for them.   The way I
figure it, they can either honor me now or take the chance that someday they
may make a whole lot of money off of my modest contribution to the song and
know that I will come after them with a high powered musical attorney.

We all know that the chances are fairly nill that the tune will do that well
so I've let go of it, emotionally, but I do have a good friend who is on the
verge of suing
a very major recording artist for
a song that her producers allowed her to record without compensating him for
having written the chorus
many years ago.  He's going to make millions and I'm going to sit back and
laugh!!!!

just my 2 cents.   Rick Walker

From Loopers-Delight-request@loopers-delight.com  Fri Jul 20 09:21:35 2001
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Subject: Re: DON'T TRUST THE SOUND MAN
Date: Fri, 20 Jul 2001 09:22:53 -0400
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Don't give up on the solo gig!  I hook everything together on my mackie
onstage and send the outs through a D/O back to the sound guy and control as
much as I can from stage. My last gig was as minimal as it can possibly get.
Looping voice, I usually use a JamMan, and two old EchoPlus DSPs. Well, two
of the three died prior to the gig, so I did my set with ONE EchoPlus, my
voice, and a harmonica. Now I'm all about minimalism. Intimacy is good.
Congrats on your gig!
Jehn
----- Original Message -----
From: "whiteoakstudios" <whiteoakstudios@supanet.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, July 20, 2001 2:42 AM
Subject: Re: DON'T TRUST THE SOUND MAN


> I just give the sound man a stereo feed and use my own in-ear monitoring -
> at least then it sounds good to me and I just tell the sound man/woman to
> pan hard right and left, with no eq.
> It takes a real idiot to mess up those instructions - though last time I
> played out of doors and followed the above I came down from stage and
asked
> a freind how it went and he said"fine but I though you could have done
more
> with stereo placement". I replied that the sound was bouncing all over the
> place - turns out the PA man runs it all in mono!!
>
> Gareth
>
>
>
>
> just got in from my gig opening for SUGAR DADDY AND THE BIG BONED
> GALS.....went in 2 hours early for a sound check....."we supply all the
> speakers etc.".....the sound guy took all my inputs and rearranged them in
> my
> mixer and sent it out to his console.....for about 2 mins this sounded ok
> (total sound check) but i was worried and not quite happy.....i am not a
> great or even good player, but i do pride myself in "my sound".....WELL,
> 8:00
> o'clock comes and the first note i hit sounds like *shit* and i begin to
get
> worried.....this is nothing like what we had set up and his configuration
> totally freaked me, things were not where they should have been.....where
> was
> the sound guy, NOWHERE TO BE FOUND.....yikes, the show must go on and no
one
> wants to see a 53 year old man cry, although i was sweating like a pig in
> the
> sahara, so thankfully they could not see my tears.....IT WAS AWFUL, i had
no
> control of anything, boy does that make you feel like being
> adventuresome.....then after cutting it about 10 mins. short everyone
comes
> up and says "wow that was cool " and LIES to that effect.....thankfully
the
> WILD TURKEY (sorry no scotch) kicked in and i did not burn my guitar and
> rang.....i will never play through someone elses system again.....in fact,
> this solo thing is getting to weird, i need other warm bodies to help the
> tunes out.....sorry for such a goofy post but if i cant share this with
you
> all who can i share it with.....:(m
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Jul 20 09:32:35 2001
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Subject: Re: Full Metal Jacket
Date: Fri, 20 Jul 2001 09:34:04 -0400
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Another good use of sound is in the movie "Pi"..there's a scene where the
guy is in the bathroom (hallucinating?), prodding his exposed brain with a
pen. It's a nice burst of high freq tonal dissonance..just what you would
expect..at least what I might expect if I started poking shit into my
brain..
Jehn
----- Original Message -----
From: "John Tidwell" <wedgehed@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, July 20, 2001 7:48 AM
Subject: Re: Full Metal Jacket


> I believe they start working it in as early as the
> last night on Parris Island, but you really hear it
> towards the end of the movie when Joker kills the
> sniper. It's one of those sounds that goes in your
> ears & up your spine simultaneously.
>
> But in a good way.
>
> John
>
>
> --- mike morris <circuithead_@hotmail.com> wrote:
> > its been a little while since i last saw full metal
> > jacket...which scene are
> > you talkin about with the metal grinding sound?
> > shane
>
>
>
> =====
> John Tidwell
>
>
>
>
> __________________________________________________
> Do You Yahoo!?
> Get personalized email addresses from Yahoo! Mail
> http://personal.mail.yahoo.com/
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Jul 20 11:20:00 2001
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From: Matthias Grob <matthias@grob.org>
Subject: Pluggo in Performer
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does anyone of you use Pluggos in Performer?
would you mind to mail me privately to sort out some features?
-- 


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Fri Jul 20 11:43:29 2001
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Date: Fri, 20 Jul 2001 13:00:21 +0200
To: Loopers-Delight@loopers-delight.com
From: Junkie G <rauboto@dragonet.es>
Subject: Re: DON'T TRUST THE SOUND MAN
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At 11:26 p.m. 19/07/01 EDT, you wrote:

hi michael 

	it happened to me in a big chill out party.
	i was really worried, but people came at the end
	of the play, to thanks me for the free trip.
	at least, it worked for someones. 
	always there is somebody who can see the
	whole process, and values more than just the 
	ocassional sound quality ...

cheers,
jg




Tapeadores
http://www.dragonet.es/users/d3055/tap

"cheers from catalonia,
which language, people 
and culture have been harassed
by centralists in spain through the years"

From Loopers-Delight-request@loopers-delight.com  Fri Jul 20 12:13:34 2001
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heh, that sounds like an out door gig where I found out that the output
of my guitar synth was only in my monitor mix.  After the hot and sweaty
summer show, people came up to me and said, "Nice air guitar."  Don't be
so fast to judge though, although I've found that 95% of "pro" audio
engineers SUCK. I've also found some good ones.  It's like a hair cut,
sometimes you've got to be REALLY specific about what you want.  My band
used to play a club (Robbie Acteo I'm sure knows this one) where they
had massive subwoofers mounted in the stage!  It sounded like HELL.
Every bass note would rattle the drums.  It was like playing with a fog
horn (not that that's a bad thing in the right contex)  I almost got
into a fist fight when I demanded (after being ignored) that the subs be
OFF.  The "engineer" was being paid by the band (club rules regardless
of if you had your own gear/engineer) but basically had the "I don't
care what you want, this is the way I do it" attitude.  He finally
agreed to kill the subs, but then turned them back on during the
performance.  I left the stage and got in his face, and he turned it
back off.  BOY!

Mark

Nemoguitt@aol.com wrote:

> just got in from my gig opening for SUGAR DADDY AND THE BIG BONED
> GALS.....went in 2 hours early for a sound check....."we supply all
> the
> speakers etc.".....the sound guy took all my inputs and rearranged
> them in my
> mixer and sent it out to his console.....for about 2 mins this sounded
> ok
> (total sound check) but i was worried and not quite happy.....i am not
> a
> great or even good player, but i do pride myself in "my
> sound".....WELL, 8:00
> o'clock comes and the first note i hit sounds like *shit* and i begin
> to get
> worried.....this is nothing like what we had set up and his
> configuration
> totally freaked me, things were not where they should have
> been.....where was
> the sound guy, NOWHERE TO BE FOUND.....yikes, the show must go on and
> no one
> wants to see a 53 year old man cry, although i was sweating like a pig
> in the
> sahara, so thankfully they could not see my tears.....IT WAS AWFUL, i
> had no
> control of anything, boy does that make you feel like being
> adventuresome.....then after cutting it about 10 mins. short everyone
> comes
> up and says "wow that was cool " and LIES to that
> effect.....thankfully the
> WILD TURKEY (sorry no scotch) kicked in and i did not burn my guitar
> and
> rang.....i will never play through someone elses system again.....in
> fact,
> this solo thing is getting to weird, i need other warm bodies to help
> the
> tunes out.....sorry for such a goofy post but if i cant share this
> with you
> all who can i share it with.....:(m

From Loopers-Delight-request@loopers-delight.com  Fri Jul 20 12:19:34 2001
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Most PA setups don't do stereo for the reason that (especially outside) you've
got people all over the place that want to hear the full mix.  If you've got a
lot of stereo information going out, you risk that people on one side are pretty
much not going to hear half the mix.  Aside from my webcasts and small cafes, I
always go mono in larger clubs.

Mark

whiteoakstudios wrote:

> I just give the sound man a stereo feed and use my own in-ear monitoring -
> at least then it sounds good to me and I just tell the sound man/woman to
> pan hard right and left, with no eq.
> It takes a real idiot to mess up those instructions - though last time I
> played out of doors and followed the above I came down from stage and asked
> a freind how it went and he said"fine but I though you could have done more
> with stereo placement". I replied that the sound was bouncing all over the
> place - turns out the PA man runs it all in mono!!
>
> Gareth
>
> just got in from my gig opening for SUGAR DADDY AND THE BIG BONED
> GALS.....went in 2 hours early for a sound check....."we supply all the
> speakers etc.".....the sound guy took all my inputs and rearranged them in
> my
> mixer and sent it out to his console.....for about 2 mins this sounded ok
> (total sound check) but i was worried and not quite happy.....i am not a
> great or even good player, but i do pride myself in "my sound".....WELL,
> 8:00
> o'clock comes and the first note i hit sounds like *shit* and i begin to get
> worried.....this is nothing like what we had set up and his configuration
> totally freaked me, things were not where they should have been.....where
> was
> the sound guy, NOWHERE TO BE FOUND.....yikes, the show must go on and no one
> wants to see a 53 year old man cry, although i was sweating like a pig in
> the
> sahara, so thankfully they could not see my tears.....IT WAS AWFUL, i had no
> control of anything, boy does that make you feel like being
> adventuresome.....then after cutting it about 10 mins. short everyone comes
> up and says "wow that was cool " and LIES to that effect.....thankfully the
> WILD TURKEY (sorry no scotch) kicked in and i did not burn my guitar and
> rang.....i will never play through someone elses system again.....in fact,
> this solo thing is getting to weird, i need other warm bodies to help the
> tunes out.....sorry for such a goofy post but if i cant share this with you
> all who can i share it with.....:(m

From Loopers-Delight-request@loopers-delight.com  Fri Jul 20 12:45:18 2001
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Subject: Re: DON'T TRUST THE SOUND MAN
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i understand the need to want to control all your gear from the stage...but
just to throw in my 2 cents worth...thats the soundman's basic job to
amplify, mix, and produce a clear audible whole for the front house to hear.
i do know how you feel because i have felt the same way before as a
musician, especially being a mallet/percussion player. However, i have
become a house soundman at a club this year and now understand the
importance of having control over the front house.  The soundman's KEY job
is to make you sound better!!!! period. if he is not accomplishing that goal
i would suggest bringing your own soundman to the gig...which of course isnt
always affordable...but if at all possible, it makes a crucial difference to
have someone on your side out front makin sure the audience hears what your
playin the way you want them to hear it.
shane

----- Original Message -----
From: Jehn <juno7@cfl.rr.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, July 20, 2001 8:22 AM
Subject: Re: DON'T TRUST THE SOUND MAN


> Don't give up on the solo gig!  I hook everything together on my mackie
> onstage and send the outs through a D/O back to the sound guy and control
as
> much as I can from stage. My last gig was as minimal as it can possibly
get.
> Looping voice, I usually use a JamMan, and two old EchoPlus DSPs. Well,
two
> of the three died prior to the gig, so I did my set with ONE EchoPlus, my
> voice, and a harmonica. Now I'm all about minimalism. Intimacy is good.
> Congrats on your gig!
> Jehn
> ----- Original Message -----
> From: "whiteoakstudios" <whiteoakstudios@supanet.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Friday, July 20, 2001 2:42 AM
> Subject: Re: DON'T TRUST THE SOUND MAN
>
>
> > I just give the sound man a stereo feed and use my own in-ear
monitoring -
> > at least then it sounds good to me and I just tell the sound man/woman
to
> > pan hard right and left, with no eq.
> > It takes a real idiot to mess up those instructions - though last time I

> > played out of doors and followed the above I came down from stage and
> asked
> > a freind how it went and he said"fine but I though you could have done
> more
> > with stereo placement". I replied that the sound was bouncing all over
the
> > place - turns out the PA man runs it all in mono!!
> >
> > Gareth
> >
> >
> >
> >
> > just got in from my gig opening for SUGAR DADDY AND THE BIG BONED
> > GALS.....went in 2 hours early for a sound check....."we supply all the
> > speakers etc.".....the sound guy took all my inputs and rearranged them
in
> > my
> > mixer and sent it out to his console.....for about 2 mins this sounded
ok
> > (total sound check) but i was worried and not quite happy.....i am not a
> > great or even good player, but i do pride myself in "my sound".....WELL,
> > 8:00
> > o'clock comes and the first note i hit sounds like *shit* and i begin to
> get
> > worried.....this is nothing like what we had set up and his
configuration
> > totally freaked me, things were not where they should have
been.....where
> > was
> > the sound guy, NOWHERE TO BE FOUND.....yikes, the show must go on and no
> one
> > wants to see a 53 year old man cry, although i was sweating like a pig
in
> > the
> > sahara, so thankfully they could not see my tears.....IT WAS AWFUL, i
had
> no
> > control of anything, boy does that make you feel like being
> > adventuresome.....then after cutting it about 10 mins. short everyone
> comes
> > up and says "wow that was cool " and LIES to that effect.....thankfully
> the
> > WILD TURKEY (sorry no scotch) kicked in and i did not burn my guitar and
> > rang.....i will never play through someone elses system again.....in
fact,
> > this solo thing is getting to weird, i need other warm bodies to help
the
> > tunes out.....sorry for such a goofy post but if i cant share this with
> you
> > all who can i share it with.....:(m
> >
> >
>
>

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Subject: MOST SOUND MEN ARE....
Date: Fri, 20 Jul 2001 12:03:04 -0500
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    blues/rock guitar maestro Steve Pryor from tulsa,ok told me once after i
began working as a soundman that
                                                     most soundmen are
failed musicians.

    it sounded funny at first, but over the following week i thought more
about it and looked around at the other enginneers in town and  had to agree
with him...i actaully found 4 or 5 in my small town that were mostly bad
guitar players or out of time drummers... but they are all not bad. there
are actually some who really enjoy makin bands sound their best...and there
are even some who dont even play music at all!! God bless them!
shane


----- Original Message -----
From: Junkie G <rauboto@dragonet.es>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, July 20, 2001 6:00 AM
Subject: Re: DON'T TRUST THE SOUND MAN


> At 11:26 p.m. 19/07/01 EDT, you wrote:
>
> hi michael
>
> it happened to me in a big chill out party.
> i was really worried, but people came at the end
> of the play, to thanks me for the free trip.
> at least, it worked for someones.
> always there is somebody who can see the
> whole process, and values more than just the
> ocassional sound quality ...
>
> cheers,
> jg
>
>
>
>
> Tapeadores
> http://www.dragonet.es/users/d3055/tap
>
> "cheers from catalonia,
> which language, people
> and culture have been harassed
> by centralists in spain through the years"
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Jul 20 13:00:28 2001
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Subject: Live stereo looping (was Re: DON'T TRUST THE SOUND MAN)
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That's been my experience.  I've been to outdoor shows where I
literally could not hear one or more musicians because the
engineer had them panned too hard.

FWIW, YMMV, I've heard great sounding shows in mono, but most of
those bands were more of the straight up rock variety.  You only
need to be concerned with relative levels and phase
cancellation, as opposed to relative levels, phase cancellation,
and stereo imaging on two independent channels.  I think it's at
least a small order of magnitude more complex to mix stereo
live.  I actually think going quad would just as easy to get a
decent balance, as long as you didn't have too many statically
panned elements.  But the performance space has such a huge
impact.

Looping performances tend to have a different aesthetic than the
rock band, and I'd want to do my mostest to carry off a stereo
performance.  I suspect that more subtle panning of select
textures, using stereo panning to create motion for some
elements, and a fairly narrow spread for the base elements of a
peice might be the first tack I'd take.

What have been other people's experiences with playing stereo
live?  I know we've had a whole quad/oct monitor discussion
before, but I'm still interested in a discussion like this.
Anyone else?

Thanks,

Mike

----- Original Message -----
From: "Mark" <sine@zerocrossing.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, July 21, 2001 12:17 AM
Subject: Re: DON'T TRUST THE SOUND MAN


> Most PA setups don't do stereo for the reason that (especially
outside) you've
> got people all over the place that want to hear the full mix.
If you've got a
> lot of stereo information going out, you risk that people on
one side are pretty
> much not going to hear half the mix.  Aside from my webcasts
and small cafes, I
> always go mono in larger clubs.
>
> Mark
>
> whiteoakstudios wrote:
>
> > I just give the sound man a stereo feed and use my own
in-ear monitoring -
> > at least then it sounds good to me and I just tell the sound
man/woman to
> > pan hard right and left, with no eq.
> > It takes a real idiot to mess up those instructions - though
last time I
> > played out of doors and followed the above I came down from
stage and asked
> > a freind how it went and he said"fine but I though you could
have done more
> > with stereo placement". I replied that the sound was
bouncing all over the
> > place - turns out the PA man runs it all in mono!!
> >
> > Gareth
> >
> > just got in from my gig opening for SUGAR DADDY AND THE BIG
BONED
> > GALS.....went in 2 hours early for a sound check....."we
supply all the
> > speakers etc.".....the sound guy took all my inputs and
rearranged them in
> > my
> > mixer and sent it out to his console.....for about 2 mins
this sounded ok
> > (total sound check) but i was worried and not quite
happy.....i am not a
> > great or even good player, but i do pride myself in "my
sound".....WELL,
> > 8:00
> > o'clock comes and the first note i hit sounds like *shit*
and i begin to get
> > worried.....this is nothing like what we had set up and his
configuration
> > totally freaked me, things were not where they should have
been.....where
> > was
> > the sound guy, NOWHERE TO BE FOUND.....yikes, the show must
go on and no one
> > wants to see a 53 year old man cry, although i was sweating
like a pig in
> > the
> > sahara, so thankfully they could not see my tears.....IT WAS
AWFUL, i had no
> > control of anything, boy does that make you feel like being
> > adventuresome.....then after cutting it about 10 mins. short
everyone comes
> > up and says "wow that was cool " and LIES to that
effect.....thankfully the
> > WILD TURKEY (sorry no scotch) kicked in and i did not burn
my guitar and
> > rang.....i will never play through someone elses system
again.....in fact,
> > this solo thing is getting to weird, i need other warm
bodies to help the
> > tunes out.....sorry for such a goofy post but if i cant
share this with you
> > all who can i share it with.....:(m
>

From Loopers-Delight-request@loopers-delight.com  Fri Jul 20 13:25:06 2001
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Subject: Live stereo looping (was Re: DON'T TRUST THE SOUND MAN)
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> Looping performances tend to have a different aesthetic than the rock band, and I'd want to do my mostest to carry off a stereo performance.  I suspect that more subtle panning of select textures, using stereo panning to create motion for some elements, and a fairly narrow spread for the base elements of a peice might be the first tack I'd take.

I've found that for solo and ambient ensembles that stereo can be very effective. The venues for these types of performance are (generally) smaller than a large concert hall setting, so stereo fx are usually perceived as intended. 

For more active ensemble playing, I'm starting to believe that narrowing your stereo spread or even going mono 'localizes' your voice in the group, allowing for a bit more coherence and audibility. With everyone in stereo panned hard right and left (especially if it's a static thing with no panning motion), things sometimes get masked or are just harder to perceive (for me).

When you've got your looper and post processing all going through a Z Vex Fuzz Probe you'd better hope you've got the option to pan! 8- )  It's great when something sitting in a seemingly mono mix suddenly slides across the stage...

-Miko

From Loopers-Delight-request@loopers-delight.com  Fri Jul 20 13:26:15 2001
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Subject: Re: DON'T TRUST THE SOUND MAN
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  I also control my mix from the stage.  The only people I've EVER felt
comfortable with, working with the mix, were certain bandmates, or a
co-worker who was a sound person.  and, even then there were issues with
some of the band.  The idea that the sound person is supposed to HELP in
the process is a really good one, but *laughing*  it seems particularly
rare to me, when musicians report on that actually happening.  I think that
part of it is that anybody can be a "sound person" and worse yet, some have
the attitude that they know it all, because they really don't.  <smile>
The ones who do, usually won't act like it!  lol!  Anyway, -just my
thoughts...  

Smiles,

Goddess

       At 11:47 AM 7/20/01 -0500, you wrote:
>i understand the need to want to control all your gear from the stage...but
>just to throw in my 2 cents worth...thats the soundman's basic job to
>amplify, mix, and produce a clear audible whole for the front house to hear.
>i do know how you feel because i have felt the same way before as a
>musician, especially being a mallet/percussion player. However, i have
>become a house soundman at a club this year and now understand the
>importance of having control over the front house.  The soundman's KEY job
>is to make you sound better!!!! period. if he is not accomplishing that goal
>i would suggest bringing your own soundman to the gig...which of course isnt
>always affordable...but if at all possible, it makes a crucial difference to
>have someone on your side out front makin sure the audience hears what your
>playin the way you want them to hear it.
>shane
>
>----- Original Message -----
>From: Jehn <juno7@cfl.rr.com>
>To: <Loopers-Delight@loopers-delight.com>
>Sent: Friday, July 20, 2001 8:22 AM
>Subject: Re: DON'T TRUST THE SOUND MAN
>
>
>> Don't give up on the solo gig!  I hook everything together on my mackie
>> onstage and send the outs through a D/O back to the sound guy and control
>as
>> much as I can from stage. My last gig was as minimal as it can possibly
>get.
>> Looping voice, I usually use a JamMan, and two old EchoPlus DSPs. Well,
>two
>> of the three died prior to the gig, so I did my set with ONE EchoPlus, my
>> voice, and a harmonica. Now I'm all about minimalism. Intimacy is good.
>> Congrats on your gig!
>> Jehn
>> ----- Original Message -----
>> From: "whiteoakstudios" <whiteoakstudios@supanet.com>
>> To: <Loopers-Delight@loopers-delight.com>
>> Sent: Friday, July 20, 2001 2:42 AM
>> Subject: Re: DON'T TRUST THE SOUND MAN
>>
>>
>> > I just give the sound man a stereo feed and use my own in-ear
>monitoring -
>> > at least then it sounds good to me and I just tell the sound man/woman
>to
>> > pan hard right and left, with no eq.
>> > It takes a real idiot to mess up those instructions - though last time I
>
>> > played out of doors and followed the above I came down from stage and
>> asked
>> > a freind how it went and he said"fine but I though you could have done
>> more
>> > with stereo placement". I replied that the sound was bouncing all over
>the
>> > place - turns out the PA man runs it all in mono!!
>> >
>> > Gareth
>> >
>> >
>> >
>> >
>> > just got in from my gig opening for SUGAR DADDY AND THE BIG BONED
>> > GALS.....went in 2 hours early for a sound check....."we supply all the
>> > speakers etc.".....the sound guy took all my inputs and rearranged them
>in
>> > my
>> > mixer and sent it out to his console.....for about 2 mins this sounded
>ok
>> > (total sound check) but i was worried and not quite happy.....i am not a
>> > great or even good player, but i do pride myself in "my sound".....WELL,
>> > 8:00
>> > o'clock comes and the first note i hit sounds like *shit* and i begin to
>> get
>> > worried.....this is nothing like what we had set up and his
>configuration
>> > totally freaked me, things were not where they should have
>been.....where
>> > was
>> > the sound guy, NOWHERE TO BE FOUND.....yikes, the show must go on and no
>> one
>> > wants to see a 53 year old man cry, although i was sweating like a pig
>in
>> > the
>> > sahara, so thankfully they could not see my tears.....IT WAS AWFUL, i
>had
>> no
>> > control of anything, boy does that make you feel like being
>> > adventuresome.....then after cutting it about 10 mins. short everyone
>> comes
>> > up and says "wow that was cool " and LIES to that effect.....thankfully
>> the
>> > WILD TURKEY (sorry no scotch) kicked in and i did not burn my guitar and
>> > rang.....i will never play through someone elses system again.....in
>fact,
>> > this solo thing is getting to weird, i need other warm bodies to help
>the
>> > tunes out.....sorry for such a goofy post but if i cant share this with
>> you
>> > all who can i share it with.....:(m
>> >
>> >
>>
>>
>
>


---

  "The only things I really think are important, are love, and eachother.
-Then, anything is possible..."


From Loopers-Delight-request@loopers-delight.com  Fri Jul 20 13:35:58 2001
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  if things actually worked in theory......lol~

shane

>From: Goddess <thefates@earthlink.net>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: DON'T TRUST THE SOUND MAN
>Date: Fri, 20 Jul 2001 11:29:58 -0600
>
>   I also control my mix from the stage.  The only people I've EVER felt
>comfortable with, working with the mix, were certain bandmates, or a
>co-worker who was a sound person.  and, even then there were issues with
>some of the band.  The idea that the sound person is supposed to HELP in
>the process is a really good one, but *laughing*  it seems particularly
>rare to me, when musicians report on that actually happening.  I think that
>part of it is that anybody can be a "sound person" and worse yet, some have
>the attitude that they know it all, because they really don't.  <smile>
>The ones who do, usually won't act like it!  lol!  Anyway, -just my
>thoughts...
>
>Smiles,
>
>Goddess
>
>        At 11:47 AM 7/20/01 -0500, you wrote:
> >i understand the need to want to control all your gear from the 
>stage...but
> >just to throw in my 2 cents worth...thats the soundman's basic job to
> >amplify, mix, and produce a clear audible whole for the front house to 
>hear.
> >i do know how you feel because i have felt the same way before as a
> >musician, especially being a mallet/percussion player. However, i have
> >become a house soundman at a club this year and now understand the
> >importance of having control over the front house.  The soundman's KEY 
>job
> >is to make you sound better!!!! period. if he is not accomplishing that 
>goal
> >i would suggest bringing your own soundman to the gig...which of course 
>isnt
> >always affordable...but if at all possible, it makes a crucial difference 
>to
> >have someone on your side out front makin sure the audience hears what 
>your
> >playin the way you want them to hear it.
> >shane
> >
> >----- Original Message -----
> >From: Jehn <juno7@cfl.rr.com>
> >To: <Loopers-Delight@loopers-delight.com>
> >Sent: Friday, July 20, 2001 8:22 AM
> >Subject: Re: DON'T TRUST THE SOUND MAN
> >
> >
> >> Don't give up on the solo gig!  I hook everything together on my mackie
> >> onstage and send the outs through a D/O back to the sound guy and 
>control
> >as
> >> much as I can from stage. My last gig was as minimal as it can possibly
> >get.
> >> Looping voice, I usually use a JamMan, and two old EchoPlus DSPs. Well,
> >two
> >> of the three died prior to the gig, so I did my set with ONE EchoPlus, 
>my
> >> voice, and a harmonica. Now I'm all about minimalism. Intimacy is good.
> >> Congrats on your gig!
> >> Jehn
> >> ----- Original Message -----
> >> From: "whiteoakstudios" <whiteoakstudios@supanet.com>
> >> To: <Loopers-Delight@loopers-delight.com>
> >> Sent: Friday, July 20, 2001 2:42 AM
> >> Subject: Re: DON'T TRUST THE SOUND MAN
> >>
> >>
> >> > I just give the sound man a stereo feed and use my own in-ear
> >monitoring -
> >> > at least then it sounds good to me and I just tell the sound 
>man/woman
> >to
> >> > pan hard right and left, with no eq.
> >> > It takes a real idiot to mess up those instructions - though last 
>time I
> >
> >> > played out of doors and followed the above I came down from stage and
> >> asked
> >> > a freind how it went and he said"fine but I though you could have 
>done
> >> more
> >> > with stereo placement". I replied that the sound was bouncing all 
>over
> >the
> >> > place - turns out the PA man runs it all in mono!!
> >> >
> >> > Gareth
> >> >
> >> >
> >> >
> >> >
> >> > just got in from my gig opening for SUGAR DADDY AND THE BIG BONED
> >> > GALS.....went in 2 hours early for a sound check....."we supply all 
>the
> >> > speakers etc.".....the sound guy took all my inputs and rearranged 
>them
> >in
> >> > my
> >> > mixer and sent it out to his console.....for about 2 mins this 
>sounded
> >ok
> >> > (total sound check) but i was worried and not quite happy.....i am 
>not a
> >> > great or even good player, but i do pride myself in "my 
>sound".....WELL,
> >> > 8:00
> >> > o'clock comes and the first note i hit sounds like *shit* and i begin 
>to
> >> get
> >> > worried.....this is nothing like what we had set up and his
> >configuration
> >> > totally freaked me, things were not where they should have
> >been.....where
> >> > was
> >> > the sound guy, NOWHERE TO BE FOUND.....yikes, the show must go on and 
>no
> >> one
> >> > wants to see a 53 year old man cry, although i was sweating like a 
>pig
> >in
> >> > the
> >> > sahara, so thankfully they could not see my tears.....IT WAS AWFUL, i
> >had
> >> no
> >> > control of anything, boy does that make you feel like being
> >> > adventuresome.....then after cutting it about 10 mins. short everyone
> >> comes
> >> > up and says "wow that was cool " and LIES to that 
>effect.....thankfully
> >> the
> >> > WILD TURKEY (sorry no scotch) kicked in and i did not burn my guitar 
>and
> >> > rang.....i will never play through someone elses system again.....in
> >fact,
> >> > this solo thing is getting to weird, i need other warm bodies to help
> >the
> >> > tunes out.....sorry for such a goofy post but if i cant share this 
>with
> >> you
> >> > all who can i share it with.....:(m
> >> >
> >> >
> >>
> >>
> >
> >
>
>
>---
>
>   "The only things I really think are important, are love, and eachother.
>-Then, anything is possible..."
>
>


_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp

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> Most PA setups don't do stereo for the reason that (especially
outside) you've
> got people all over the place that want to hear the full mix.  If
you've got a
> lot of stereo information going out, you risk that people on one side
are pretty
> much not going to hear half the mix.  Aside from my webcasts and small
cafes, I
> always go mono in larger clubs.


I've heard big-ish bands like the Butthole Surfers and the Orb who
make heavy use of stereo live... 

I always mix (yes, I mix on stage too, but I'd love to find someone
reliable and get that task away from me) taking this into account,
but a lot of my delays and the DL-4 of course are heavy stereo 
spacial disruption generators, the effect is dramatically 
reduced in mono.

The usual club setup these days has floating stereo speakers above
the crowd that let people on the left hear the right speaker and
vice versa...

   /t
-- 

I am the wombat.

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Subject: Re: MOST SOUND MEN ARE....
From: Mike Feeney <feeneymike@yahoo.com>
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        circuithead <circuithead_@hotmail.com>
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    "failed musicians" is such a harsh phrase...  =)  the bassist in my band
is self-supported as a gear repairman, but is about to start a job as a
house soundman.  Heheh, I'd say he's an outstanding musician, has played in
just about every semi-pro band to come out of this town... Just never MADE
it.  

    Yet.  ;)

    Mike



on 7/20/01 12.03 PM, circuithead at circuithead_@hotmail.com wrote:

>   blues/rock guitar maestro Steve Pryor from tulsa,ok told me once after i
> began working as a soundman that
>                                                    most soundmen are
> failed musicians.
> 
>   it sounded funny at first, but over the following week i thought more
> about it and looked around at the other enginneers in town and  had to agree
> with him...i actaully found 4 or 5 in my small town that were mostly bad
> guitar players or out of time drummers... but they are all not bad. there
> are actually some who really enjoy makin bands sound their best...and there
> are even some who dont even play music at all!! God bless them!
> shane
> 
> 
> ----- Original Message -----
> From: Junkie G <rauboto@dragonet.es>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Friday, July 20, 2001 6:00 AM
> Subject: Re: DON'T TRUST THE SOUND MAN
> 
> 
>> At 11:26 p.m. 19/07/01 EDT, you wrote:
>> 
>> hi michael
>> 
>> it happened to me in a big chill out party.
>> i was really worried, but people came at the end
>> of the play, to thanks me for the free trip.
>> at least, it worked for someones.
>> always there is somebody who can see the
>> whole process, and values more than just the
>> ocassional sound quality ...
>> 
>> cheers,
>> jg
>> 
>> 
>> 
>> 
>> Tapeadores
>> http://www.dragonet.es/users/d3055/tap
>> 
>> "cheers from catalonia,
>> which language, people
>> and culture have been harassed
>> by centralists in spain through the years"
>> 
>> 


_________________________________________________________
Do You Yahoo!?
Get your free @yahoo.com address at http://mail.yahoo.com

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While we're on the subject, WHAT THE HELL IS THE DEAL WITH ENGINEERS THAT FEEL THEY
NEED TO DRIVE THE SYSTEM TO THE POINT OF DISTORTION?!  I know I'm not a spring
chicken, but even in my youth I found it nessacery to wear some form of ear
protection to many shows.  I left a Beck show because all I could  hear was a
barely sonic rumble and an annoying hiss.  The fault of the venue?  NOT.  The
opening band sounded fine.  Who does the sound person think they are helping when
they go for volume at the expence of sound quality?

I had a funny experience once, as a sales person in a home audio store.  The
owner/engineer of a local recording studio, Pyramid Sound in Ithaca NY, was in
looking at some higher end speakers.  As I took him around our selection, he
immediatly perked up WHEN I PLAYED HIM THE BRIGHTEST SPEAKERS WITH THE HARSHEST
HIGH END WE HAD!  The speakers, IMOP, sounded horrible.  They were some lame "3d"
deal.  Totally lacking any clear midrange.  Anyway, as he was enjoying the sound,
along came in one of the local heavy metal guitarists!  He immediatly said, "yeah,
I love these speakers too!" and they bonded with their common lack of high
frequency hearing.

So there you have it.  Maybe the engineer thinks you sound GREAT and that they're
doing a really swell job.  There is no accounting for taste.  The hearing impared
have just as much right to enjoy music as the rest of us.

Mark

Mark wrote:

> Most PA setups don't do stereo for the reason that (especially outside) you've
> got people all over the place that want to hear the full mix.  If you've got a
> lot of stereo information going out, you risk that people on one side are pretty
> much not going to hear half the mix.  Aside from my webcasts and small cafes, I
> always go mono in larger clubs.
>
> Mark
>
> whiteoakstudios wrote:
>
> > I just give the sound man a stereo feed and use my own in-ear monitoring -
> > at least then it sounds good to me and I just tell the sound man/woman to
> > pan hard right and left, with no eq.
> > It takes a real idiot to mess up those instructions - though last time I
> > played out of doors and followed the above I came down from stage and asked
> > a freind how it went and he said"fine but I though you could have done more
> > with stereo placement". I replied that the sound was bouncing all over the
> > place - turns out the PA man runs it all in mono!!
> >
> > Gareth
> >
> > just got in from my gig opening for SUGAR DADDY AND THE BIG BONED
> > GALS.....went in 2 hours early for a sound check....."we supply all the
> > speakers etc.".....the sound guy took all my inputs and rearranged them in
> > my
> > mixer and sent it out to his console.....for about 2 mins this sounded ok
> > (total sound check) but i was worried and not quite happy.....i am not a
> > great or even good player, but i do pride myself in "my sound".....WELL,
> > 8:00
> > o'clock comes and the first note i hit sounds like *shit* and i begin to get
> > worried.....this is nothing like what we had set up and his configuration
> > totally freaked me, things were not where they should have been.....where
> > was
> > the sound guy, NOWHERE TO BE FOUND.....yikes, the show must go on and no one
> > wants to see a 53 year old man cry, although i was sweating like a pig in
> > the
> > sahara, so thankfully they could not see my tears.....IT WAS AWFUL, i had no
> > control of anything, boy does that make you feel like being
> > adventuresome.....then after cutting it about 10 mins. short everyone comes
> > up and says "wow that was cool " and LIES to that effect.....thankfully the
> > WILD TURKEY (sorry no scotch) kicked in and i did not burn my guitar and
> > rang.....i will never play through someone elses system again.....in fact,
> > this solo thing is getting to weird, i need other warm bodies to help the
> > tunes out.....sorry for such a goofy post but if i cant share this with you
> > all who can i share it with.....:(m

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    "failed musicians" is such a harsh phrase...  =)  the bassist in my band
is self-supported as a gear repairman, but is about to start a job as a
house soundman.  Heheh, I'd say he's an outstanding musician, has played in
just about every semi-pro band to come out of this town... Just never MADE
it.  

   ** ya know . . . almost everyone on this list who has a day job could be
considered a "falied  musician" - - glass houses and all.


stig

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charset=3Diso-8859-1">
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<BR>

<P><FONT SIZE=3D2>&nbsp;&nbsp;&nbsp; &quot;failed musicians&quot; is =
such a harsh phrase...&nbsp; =3D)&nbsp; the bassist in my band</FONT>
<BR><FONT SIZE=3D2>is self-supported as a gear repairman, but is about =
to start a job as a</FONT>
<BR><FONT SIZE=3D2>house soundman.&nbsp; Heheh, I'd say he's an =
outstanding musician, has played in</FONT>
<BR><FONT SIZE=3D2>just about every semi-pro band to come out of this =
town... Just never MADE</FONT>
<BR><FONT SIZE=3D2>it.&nbsp; </FONT>
</P>

<P><FONT SIZE=3D2>&nbsp;&nbsp; ** ya know . . . almost everyone on this =
list who has a day job could be considered a &quot;falied&nbsp; =
musician&quot; - - glass houses and all.</FONT></P>
<BR>

<P><FONT SIZE=3D2>stig</FONT>
</P>

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------_=_NextPart_001_01C11146.F17FC4F0--

From Loopers-Delight-request@loopers-delight.com  Fri Jul 20 14:16:42 2001
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Subject: Re: DON'T TRUST THE SOUND MAN
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vERY GOOD POINT imo-

oM
----- Original Message -----
From: "Mark Sottilaro" <sine@zerocrossing.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, July 20, 2001 11:04 AM
Subject: Re: DON'T TRUST THE SOUND MAN


> While we're on the subject, WHAT THE HELL IS THE DEAL WITH ENGINEERS THAT
FEEL THEY
> NEED TO DRIVE THE SYSTEM TO THE POINT OF DISTORTION?!  I know I'm not a
spring
> chicken, but even in my youth I found it nessacery to wear some form of
ear
> protection to many shows.  I left a Beck show because all I could  hear
was a
> barely sonic rumble and an annoying hiss.  The fault of the venue?  NOT.
The
> opening band sounded fine.  Who does the sound person think they are
helping when
> they go for volume at the expence of sound quality?
>
> I had a funny experience once, as a sales person in a home audio store.
The
> owner/engineer of a local recording studio, Pyramid Sound in Ithaca NY,
was in
> looking at some higher end speakers.  As I took him around our selection,
he
> immediatly perked up WHEN I PLAYED HIM THE BRIGHTEST SPEAKERS WITH THE
HARSHEST
> HIGH END WE HAD!  The speakers, IMOP, sounded horrible.  They were some
lame "3d"
> deal.  Totally lacking any clear midrange.  Anyway, as he was enjoying the
sound,
> along came in one of the local heavy metal guitarists!  He immediatly
said, "yeah,
> I love these speakers too!" and they bonded with their common lack of high
> frequency hearing.
>
> So there you have it.  Maybe the engineer thinks you sound GREAT and that
they're
> doing a really swell job.  There is no accounting for taste.  The hearing
impared
> have just as much right to enjoy music as the rest of us.
>
> Mark
>
> Mark wrote:
>
> > Most PA setups don't do stereo for the reason that (especially outside)
you've
> > got people all over the place that want to hear the full mix.  If you've
got a
> > lot of stereo information going out, you risk that people on one side
are pretty
> > much not going to hear half the mix.  Aside from my webcasts and small
cafes, I
> > always go mono in larger clubs.
> >
> > Mark
> >
> > whiteoakstudios wrote:
> >
> > > I just give the sound man a stereo feed and use my own in-ear
monitoring -
> > > at least then it sounds good to me and I just tell the sound man/woman
to
> > > pan hard right and left, with no eq.
> > > It takes a real idiot to mess up those instructions - though last time
I
> > > played out of doors and followed the above I came down from stage and
asked
> > > a freind how it went and he said"fine but I though you could have done
more
> > > with stereo placement". I replied that the sound was bouncing all over
the
> > > place - turns out the PA man runs it all in mono!!
> > >
> > > Gareth
> > >
> > > just got in from my gig opening for SUGAR DADDY AND THE BIG BONED
> > > GALS.....went in 2 hours early for a sound check....."we supply all
the
> > > speakers etc.".....the sound guy took all my inputs and rearranged
them in
> > > my
> > > mixer and sent it out to his console.....for about 2 mins this sounded
ok
> > > (total sound check) but i was worried and not quite happy.....i am not
a
> > > great or even good player, but i do pride myself in "my
sound".....WELL,
> > > 8:00
> > > o'clock comes and the first note i hit sounds like *shit* and i begin
to get
> > > worried.....this is nothing like what we had set up and his
configuration
> > > totally freaked me, things were not where they should have
been.....where
> > > was
> > > the sound guy, NOWHERE TO BE FOUND.....yikes, the show must go on and
no one
> > > wants to see a 53 year old man cry, although i was sweating like a pig
in
> > > the
> > > sahara, so thankfully they could not see my tears.....IT WAS AWFUL, i
had no
> > > control of anything, boy does that make you feel like being
> > > adventuresome.....then after cutting it about 10 mins. short everyone
comes
> > > up and says "wow that was cool " and LIES to that
effect.....thankfully the
> > > WILD TURKEY (sorry no scotch) kicked in and i did not burn my guitar
and
> > > rang.....i will never play through someone elses system again.....in
fact,
> > > this solo thing is getting to weird, i need other warm bodies to help
the
> > > tunes out.....sorry for such a goofy post but if i cant share this
with you
> > > all who can i share it with.....:(m
>

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i dont even think i qualify to be a failed musician!  <grin>

later,
-jas
Albuquerque


"Liebig, Steuart A." wrote:

>    ** ya know . . . almost everyone on this list who has a day job
> could be considered a "falied  musician" - - glass houses and all.
>
> stig

From Loopers-Delight-request@loopers-delight.com  Fri Jul 20 14:17:18 2001
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From: "Tom Ritchford" <tom@swirly.com>
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Subject: OT: music industry enters hard times, ha, ha, ha
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I know that this is OT but probably you'll get some 
innocent amusement out of this -- the greedy music 
industry is coming on hard times and that is directly
due to their evil nature!

<http://www.salon.com/ent/music/feature/2001/07/19/industry_downturn/index.html>;

> According to the Los Angeles Times, a lawn ticket purchased over the
> phone for the upcoming Barenaked Ladies show at Clear Channel's Verizon
> Amphitheater in Irvine, Calif., had a face value of $14.25. Yet after
> add-on charges, the ticket actually cost $29.70. That's right, the
> service fees cost more than the actual ticket.

and they're shocked, SHOCKED, that people are't coming to these shows!

Why the government decided that Ticketmaster wasn't a monopoly is
beyond me...

  /t

-- 

Wombats partout.

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> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

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Nice!!

everyone can be part of the experience. Just like a great album can be 50
percent in the mixing(though that doesn't always happen either), like
michael omartian and chistopher cross's debut and another page, for
instance, or thomas dolby's golden age of wireless. it's just a valid point
that if you are by yourself on a stage it's a huge emotional risk w/out
having total control over your own stuff, or someone with whom you have a
relationship and understands your deal

on 7/20/01 11:08 AM, Liebig, Steuart A. at Steuart.Liebig@maritz.com wrote:

   ** ya know . . . almost everyone on this list who has a day job could be
considered a "falied  musician" - - glass houses and all. 


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<HTML>
<HEAD>
<TITLE>Re: MOST SOUND MEN ARE....</TITLE>
</HEAD>
<BODY>
Nice!!<BR>
<BR>
everyone can be part of the experience. Just like a great album can be 50 p=
ercent in the mixing(though that doesn't always happen either), like michael=
 omartian and chistopher cross's debut and another page, for instance, or th=
omas dolby's golden age of wireless. it's just a valid point that if you are=
 by yourself on a stage it's a huge emotional risk w/out having total contro=
l over your own stuff, or someone with whom you have a relationship and unde=
rstands your deal<BR>
<BR>
on 7/20/01 11:08 AM, Liebig, Steuart A. at Steuart.Liebig@maritz.com wrote:=
<BR>
<BR>
<FONT SIZE=3D"2"> &nbsp;&nbsp;** ya know . . . almost everyone on this list w=
ho has a day job could be considered a &quot;falied &nbsp;musician&quot; - -=
 glass houses and all.</FONT> <BR>
</BODY>
</HTML>


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From Loopers-Delight-request@loopers-delight.com  Fri Jul 20 14:33:29 2001
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Subject: Re: Live stereo looping (was Re: DON'T TRUST THE SOUND MAN)
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> That's been my experience.  I've been to outdoor shows where I
> literally could not hear one or more musicians because the
> engineer had them panned too hard.

You know there's that psycho-acoustic effect (I can't remember it's name)
where you can pan sounds from left to right by adjusting the left-right time
delay.  It's a small delay, on the order of 800 microseconds.

There's an example on my Kyma system.  It is especially impressive with
headphones.  When you pan the sound totally to the left, for instance, you
would swear to God that your right headphone is dead.  Yet if you listen to
only the right 'phone (by removing the left 'phone from your ear), you hear
the sound very clearly.  That's because the sound is the same amplitude in
the left and right 'phone, just slightly delayed in the right.

If you panned sounds with this scheme, people able to hear only one speaker
would still hear everything as a mono mix.  People in the middle would hear
a proper stereo image.  Of course, the effective delay (and hence stereo
image) would vary depending on the listener's position in the house.  I
suspect this "panning through delay" technique would narrow the "sweet area"
of good imaging compared to amplitude panning, but at least everybody could
hear everything.

Has anybody tried this?

Dennis Leas
-------------------
dennis@mdbs.com

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RE: MOST SOUND MEN ARE....>   ** ya know . . . almost everyone on this list
who has a day job could be considered a
>  "falied  musician" - - glass houses and all.

Gosh, I guess a "successful musician" must have failed as a "failed
musician"!  :D

Dennis Leas
-------------------
dennis@mdbs.com


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> You know there's that psycho-acoustic effect (I can't remember it's name)
> where you can pan sounds from left to right by adjusting the
left-right time
> delay.  It's a small delay, on the order of 800 microseconds.

Sound goes one foot and one inch per millisecond, so the
time delay between your two ears (about 10 inches apart) 
would be about 800ms!

I can't remember this name either, I have it on the tip of my tongue.

Unfortunately, you cannot use this effect in general because it
works badly when you mix into mono.  You get a comb filter 
starting at 1.25KHz... 1.25K is the sweetspot, 612.5Hz is cancelled,
1.865KHz is cancelled, 2.5KHz is a sweetspot, etc.

We tried this in shows, it works great if you are mixed in stereo,
but it fries your vocals if you go into mono.

The "something" effect.  Damn.  What is that name?

   /t

-- 

I am the wombat.

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Subject: Re: MOST SOUND MEN ARE....
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Re: MOST SOUND MEN ARE....I have a tale that's either a scary story or =
reinvindicative about sound engineers. A local radio programme in my =
country had a special live show which had a type of jools holland vibe =
to it cos of diff. musicians and bands playing one after the other in a =
circle. One of them who was a friend of mine, had trouble with his zoom =
501 guitar pedal which was making a lot of noise. I knew it either had =
to be the power adapter or the cable. But one of the sound engineers =
kept saying it was the zoom pedal and it's distortion so he did the =
classic thing to shout out to skip the box and to plug in with a clean =
signal. But by fortune, a nother musician in the audience who happened =
to be a friend of mine passed by and I ask him to help since with a =
musician and one with stage experience could actually get through to =
engineers about the possible cable trouble. Lucky enough that the =
assistant of the rebel engineer saw that it was a cable problem when he =
saw that the cable connecting the guitar to the pedal was the most =
laughable piece of lame ware possible.

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<DIV><FONT size=3D2>I have a tale that's either a scary story or =
reinvindicative=20
about sound engineers. A local radio programme in my country had a =
special live=20
show which had a type of jools holland vibe to it cos of diff. musicians =
and=20
bands playing one after the other in a circle. One of them who was a =
friend of=20
mine, had trouble with his zoom 501 guitar pedal which was making a lot =
of=20
noise. I knew it either had to be the power adapter or the cable. But =
one of the=20
sound engineers kept saying it was the zoom pedal and it's distortion so =
he did=20
the classic thing to shout out to skip the box and to plug in with a =
clean=20
signal. But by fortune, a nother musician in the audience who happened =
to be a=20
friend of mine passed by and I ask him to help since with a musician and =
one=20
with stage experience could actually get through to engineers about the =
possible=20
cable trouble. Lucky enough that the assistant of the rebel engineer saw =
that it=20
was a cable problem when he saw that the cable connecting the guitar to =
the=20
pedal was the most laughable piece of lame ware=20
possible.</FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Fri Jul 20 15:06:37 2001
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Subject: RE: Live stereo looping (was Re: DON'T TRUST THE SOUND MAN)
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 > What have been other people's experiences with playing stereo 
> live?   

I would say, that 99% of the clubs I have played in have mono systems.
Most likely because they are easier to run and cheaper than dealing with
stereo (using half of the power amp for monitors, the other for mains).
Bigger clubs with more $ may have stereo, but for the most part around
here (West coast of Florida) its all mono.

Dave Eichenberger- guitars.loops.devices
http://www.hazardfactor.com
 

From Loopers-Delight-request@loopers-delight.com  Fri Jul 20 15:51:20 2001
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it's called phase cancellation.

future perfect wrote:

>  > What have been other people's experiences with playing stereo
> > live?
>
> I would say, that 99% of the clubs I have played in have mono systems.
> Most likely because they are easier to run and cheaper than dealing with
> stereo (using half of the power amp for monitors, the other for mains).
> Bigger clubs with more $ may have stereo, but for the most part around
> here (West coast of Florida) its all mono.
>
> Dave Eichenberger- guitars.loops.devices
> http://www.hazardfactor.com
>

From Loopers-Delight-request@loopers-delight.com  Fri Jul 20 16:00:58 2001
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<MONO> is the way i have always done my loops-it always works
performancewise(for me,or so i'm told!).
hearing phil spector-brian wilson- and life in general have been my main
influences for usin <mono>.


<1guitar 1amp 1speaker>
stanner
----------
>From: Mark <sine@zerocrossing.net>
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: DON'T TRUST THE SOUND MAN
>Date: Fri, Jul 20, 2001, 9:17 PM
>

>Most PA setups don't do stereo for the reason that (especially outside) you've
>got people all over the place that want to hear the full mix.  If you've got a
>lot of stereo information going out, you risk that people on one side are pretty
>much not going to hear half the mix.  Aside from my webcasts and small cafes, I
>always go mono in larger clubs.
>
>Mark
>
>whiteoakstudios wrote:
>
>> I just give the sound man a stereo feed and use my own in-ear monitoring -
>> at least then it sounds good to me and I just tell the sound man/woman to
>> pan hard right and left, with no eq.
>> It takes a real idiot to mess up those instructions - though last time I
>> played out of doors and followed the above I came down from stage and asked
>> a freind how it went and he said"fine but I though you could have done more
>> with stereo placement". I replied that the sound was bouncing all over the
>> place - turns out the PA man runs it all in mono!!
>>
>> Gareth
>>
>> just got in from my gig opening for SUGAR DADDY AND THE BIG BONED
>> GALS.....went in 2 hours early for a sound check....."we supply all the
>> speakers etc.".....the sound guy took all my inputs and rearranged them in
>> my
>> mixer and sent it out to his console.....for about 2 mins this sounded ok
>> (total sound check) but i was worried and not quite happy.....i am not a
>> great or even good player, but i do pride myself in "my sound".....WELL,
>> 8:00
>> o'clock comes and the first note i hit sounds like *shit* and i begin to get
>> worried.....this is nothing like what we had set up and his configuration
>> totally freaked me, things were not where they should have been.....where
>> was
>> the sound guy, NOWHERE TO BE FOUND.....yikes, the show must go on and no one
>> wants to see a 53 year old man cry, although i was sweating like a pig in
>> the
>> sahara, so thankfully they could not see my tears.....IT WAS AWFUL, i had no
>> control of anything, boy does that make you feel like being
>> adventuresome.....then after cutting it about 10 mins. short everyone comes
>> up and says "wow that was cool " and LIES to that effect.....thankfully the
>> WILD TURKEY (sorry no scotch) kicked in and i did not burn my guitar and
>> rang.....i will never play through someone elses system again.....in fact,
>> this solo thing is getting to weird, i need other warm bodies to help the
>> tunes out.....sorry for such a goofy post but if i cant share this with you
>> all who can i share it with.....:(m
>

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it's never a money issue.  Have you ever seen a totally mono board?

future perfect wrote:

>  > What have been other people's experiences with playing stereo
> > live?
>
> I would say, that 99% of the clubs I have played in have mono systems.
> Most likely because they are easier to run and cheaper than dealing with
> stereo (using half of the power amp for monitors, the other for mains).
> Bigger clubs with more $ may have stereo, but for the most part around
> here (West coast of Florida) its all mono.
>
> Dave Eichenberger- guitars.loops.devices
> http://www.hazardfactor.com
>

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References: <4495C77AB577D31199120008C756D0C4028DB557@migarexch01.maritz.com> <00da01c1114a$6d30a080$1fab82cc@mdbs.com>
Subject: Re: MOST SOUND MEN ARE....
Date: Fri, 20 Jul 2001 16:07:31 -0400
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would you consider Charles Ives a "failed musician" then?

Pat Pagano, Director
South East Just Intonation Society
http://indians.australians.com/meherbaba/
http://www.screwmusicforever.com/SHREESWIFT/
----- Original Message -----
From: Dennis Leas <dennis@mdbs.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, July 20, 2001 2:33 PM
Subject: Re: MOST SOUND MEN ARE....


> RE: MOST SOUND MEN ARE....>   ** ya know . . . almost everyone on this
list
> who has a day job could be considered a
> >  "falied  musician" - - glass houses and all.
>
> Gosh, I guess a "successful musician" must have failed as a "failed
> musician"!  :D
>
> Dennis Leas
> -------------------
> dennis@mdbs.com
>
>
>


From Loopers-Delight-request@loopers-delight.com  Fri Jul 20 16:26:52 2001
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** ya know  . . . it was just pointing out the fact that the sound people
that are being discussed  - - and dissed - - may be players whose day job is
doing sound. someone else called them "failed musicians" and i pointed out
that many people here could be considered to be failed by similar criteria. 

i have a day job and don't consider failed myself, ya know? so why would i
consider ives to be "failed"  - - or mussorgsky, or myriad other people who
have had families and day jobs AND did music. 

(for that matter, most musicians who play for a living ARE doing a day job,
they're not doing THEIR music, they're doing someone else's. some teach or
write about music, it's all cool by me.)

the short answer: NO

stig 


would you consider Charles Ives a "failed musician" then?



  ** ya know . . . almost everyone on this list
> who has a day job could be considered a
> >  "falied  musician" - - glass houses and all.

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charset=3Diso-8859-1">
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5.5.2653.12">
<TITLE>RE: MOST SOUND MEN ARE....</TITLE>
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<P><FONT SIZE=3D2>** ya know&nbsp; . . . it was just pointing out the =
fact that the sound people that are being discussed&nbsp; - - and =
dissed - - may be players whose day job is doing sound. someone else =
called them &quot;failed musicians&quot; and i pointed out that many =
people here could be considered to be failed by similar criteria. =
</FONT></P>

<P><FONT SIZE=3D2>i have a day job and don't consider failed myself, ya =
know? so why would i consider ives to be &quot;failed&quot;&nbsp; - - =
or mussorgsky, or myriad other people who have had families and day =
jobs AND did music. </FONT></P>

<P><FONT SIZE=3D2>(for that matter, most musicians who play for a =
living ARE doing a day job, they're not doing THEIR music, they're =
doing someone else's. some teach or write about music, it's all cool by =
me.)</FONT></P>

<P><FONT SIZE=3D2>the short answer: NO</FONT>
</P>

<P><FONT SIZE=3D2>stig </FONT>
</P>
<BR>

<P><FONT SIZE=3D2>would you consider Charles Ives a &quot;failed =
musician&quot; then?</FONT>
</P>
<BR>
<BR>

<P><FONT SIZE=3D2>&nbsp; ** ya know . . . almost everyone on this =
list</FONT>
<BR><FONT SIZE=3D2>&gt; who has a day job could be considered a</FONT>
<BR><FONT SIZE=3D2>&gt; &gt;&nbsp; &quot;falied&nbsp; musician&quot; - =
- glass houses and all.</FONT>
</P>

</BODY>
</HTML>
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From Loopers-Delight-request@loopers-delight.com  Fri Jul 20 16:35:36 2001
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Subject: Re: Live stereo looping (was Re: DON'T TRUST THE SOUND MAN)
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> it's called phase cancellation.

No -- phase cancellation is the RESULT of mixing this
effect into mono.

The effect itself is where you delay a signal in one
channel to simulate stereo.  And it's something like
"the Helmholz effect" or something like that...

   /t

-- 

I am the wombat.

From Loopers-Delight-request@loopers-delight.com  Fri Jul 20 16:47:52 2001
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Date: Fri, 20 Jul 2001 16:43:21 -0400
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From: Tim Nelson <tcn62@ici.net>
Subject: RE: Live stereo looping (was Re: DON'T TRUST THE SOUND MAN)
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I agree completely with Dave, at least in my experience playing
small/medium clubs in New England, the Midwest and Northwest. The only
venues I've played in where it's been stereo mains have been theater-type
halls where the audience sits facing forward and doesn't walk around during
the performance, and even most of them have been mono. I've almost never
seen stereo house systems in a smaller situation with drinks and tables,
the exception being acts who bring their own stuff.

Tim

At 03:06 PM 7/20/01 -0400, you wrote:
> > What have been other people's experiences with playing stereo 
>> live?   
>
>I would say, that 99% of the clubs I have played in have mono systems.
>Most likely because they are easier to run and cheaper than dealing with
>stereo (using half of the power amp for monitors, the other for mains).
>Bigger clubs with more $ may have stereo, but for the most part around
>here (West coast of Florida) its all mono.

From Loopers-Delight-request@loopers-delight.com  Fri Jul 20 16:58:47 2001
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Subject: Re: Live stereo looping (was Re: DON'T TRUST THE SOUND MAN)
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> The effect itself is where you delay a signal in one
> channel to simulate stereo.  And it's something like
> "the Helmholz effect" or something like that...

It's the PRECEDENCE effect!

Hear it at:
http://www.unl.edu/secd/psychoa/experiments/preceden.html

Dennis Leas
-------------------
dennis@mdbs.com


From Loopers-Delight-request@loopers-delight.com  Fri Jul 20 16:59:05 2001
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Subject: Voice looping and loopers in New Jersey?
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Hello, everyone.
  I joined the list a couple days ago.
  I found the list after remembering the time a couple years ago when I saw 
at a bookstore a man named Samite perform a traditional African song by 
layering his voice live, singing the different parts and then singing the 
lead over top.  I think what he used was a Echoplex Digital Pro.  That is my 
familiarity in person with such a live multi-layering device, although I 
have heard of another, the Jam Man.
  I apologize if my questions are overly basic:
  What device or equipment would people recommend as the most user friendly 
editing and arranging-wise or versatile effects-wise for live performance, 
such as street performance or busking, of music made by improvised layering 
and editing of singing and vocal sounds (like beat box or a cappella 
extraterrestrial techno) or vocals with acoustic guitar?
  Does anyone on this list have experience or interest in street performance 
or busking?
  Also:
  How can I try out in person any devices or equipment that people 
recommend?  The Sam Ash store in Edison, New Jersey said I would have to buy 
the Digital Pro if they tried to order it for me to try.
  Does anyone on this list live in or near New Jersey?
  Thank you for your time.  I greatly appreciate any advice or suggestions.
  Feel free to respond to my personal email, if you prefer: 
scott_c_anderson@hotmail.com
Scott


_________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Fri Jul 20 17:04:08 2001
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Sorry if I sent this already!

Hello, everyone.
  I joined the list a couple days ago.
  I found the list after remembering the time a couple years ago when I saw 
at a bookstore a man named Samite perform a traditional African song by 
layering his voice live, singing the different parts and then singing the 
lead over top.  I think what he used was a Echoplex Digital Pro.  That is my 
familiarity in person with such a live multi-layering device, although I 
have heard of another, the Jam Man.
  I apologize if my questions are overly basic:
  What device or equipment would people recommend as the most user friendly 
editing and arranging-wise or versatile effects-wise for live performance, 
such as street performance or busking, of music made by improvised layering 
and editing of singing and vocal sounds (like beat box or a cappella 
extraterrestrial techno) or vocals with acoustic guitar?
  Does anyone on this list have experience or interest in street performance 
or busking?
  Also:
  How can I try out in person any devices or equipment that people 
recommend?  The Sam Ash store in Edison, New Jersey said I would have to buy 
the Digital Pro if they tried to order it for me to try.
  Does anyone on this list live in or near New Jersey?
  Thank you for your time.  I greatly appreciate any advice or suggestions.
  Feel free to respond to my personal email, if you prefer: 
scott_c_anderson@hotmail.com
Scott


_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp

From Loopers-Delight-request@loopers-delight.com  Fri Jul 20 17:07:12 2001
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Subject: Re: MOST SOUND MEN ARE....
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> would you consider Charles Ives a "failed musician" then?

Maybe a "failed music-business person" but certainly not a "failed
musician".

Of course, I think of a musician as somebody who *does music*.  Making (or
not making) money from making music does not enter into the equation.  And
if somebody loves what they do and derive some satisfaction from it, how can
they be a failure?

Dennis Leas
-------------------
dennis@mdbs.com

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Date: Fri, 20 Jul 2001 14:27:34 -0700
To: Loopers-Delight@loopers-delight.com
From: Dave Trenkel <improv@peak.org>
Subject: Re: Voice looping and loopers in New Jersey?
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>Sorry if I sent this already!


Hey, just joined the list, and already he's looping!:-) Welcome aboard, Scott.

-- 
-------------------------------------------------------------------------
Dave Trenkel                                New and Improv Music
http://www.newandimprov.com         improv@peak.org
                 Now Available: Minus: Dark Lit
"This is music all-consuming in its beauty and power"
                                -Jake TenPas OSU Daily Barometer
-------------------------------------------------------------------------

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> > The effect itself is where you delay a signal in one
> > channel to simulate stereo.  And it's something like
> > "the Helmholz effect" or something like that...
> 
> It's the PRECEDENCE effect!
> 
> Hear it at:
> http://www.unl.edu/secd/psychoa/experiments/preceden.html


I was looking for this term: the Haas effect!

<http://schlbus.belmont.edu/fac/tappant/138psychoacoustics.htm>;

!!!!!!!!!

Never could have done it without you (search:  "psychoacoustics
precendence" found it).

finally.  now I can go back to work.

  /t

-- 

where is wombat?

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gonna sell my DL4, need one?

its in great/basically new shape, w/ pwr sply

sell for avg used price @ $200

peace ya'll


From Loopers-Delight-request@loopers-delight.com  Fri Jul 20 17:46:02 2001
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Date: Fri, 20 Jul 2001 16:46:59 -0500
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For those interested, the new "Pro" rackmount versions of the Line6 =
modeler pedals were announced today at NAMM in Nashville.  Looks like =
the new "Echo Pro" will have a 60 second loop sampler.  =
http://www.line6.com/Main/The_Buzz/Hot_News/StudioModelerRollout/StudioMo=
delersmain.htm
No details yet as to how the start/stop/overdub/etc features can be =
acessed. =20

MBear

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 5.50.4616.200" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>For those interested, the new "Pro" =
rackmount=20
versions of the Line6 modeler pedals were announced today at NAMM in=20
Nashville.&nbsp; Looks like the new "Echo Pro" will have a 60 second =
loop=20
sampler.&nbsp; <A=20
href=3D"http://www.line6.com/Main/The_Buzz/Hot_News/StudioModelerRollout/=
StudioModelersmain.htm">http://www.line6.com/Main/The_Buzz/Hot_News/Studi=
oModelerRollout/StudioModelersmain.htm</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>No details yet as to how the =
start/stop/overdub/etc=20
features can be acessed.&nbsp; </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>MBear</FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Fri Jul 20 18:52:25 2001
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Subject: Loopfest in New York, getting together
From: todd reynolds <toddreynolds@rcn.com>
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Been off the list for awhile.  Just back on, checked out the archives and
saw the thread regarding loopers getting together in NYC.  Didn't see
completely where the thread ended up,  but would love to be involved in any
New York Project...  Can anybody let me know whassup?  I have some ideas for
what's possible...

Thanks,

Todd Reynolds


From Loopers-Delight-request@loopers-delight.com  Fri Jul 20 18:56:59 2001
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> 
> 
> Been off the list for awhile.  Just back on, checked out the archives and
> saw the thread regarding loopers getting together in NYC.  Didn't see
> completely where the thread ended up,  but would love to be involved
in any
> New York Project...  Can anybody let me know whassup?  I have some
ideas for
> what's possible...

Strangely enough, Steven and I were discussing it today.

Chashma is out, I think -- they have curators who pick who's
there and they also don't have much of a PA.

It looks as if we are going to approach the Knitting Factory...
perhaps try to get a whole evening in a small room on an
off nite like Monday or Tuesday...

   /t


-- 

I am the wombat.

From Loopers-Delight-request@loopers-delight.com  Fri Jul 20 19:21:57 2001
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Subject: Re: copyright issue for distorting loops
Date: Sat, 21 Jul 2001 09:22:13 -0700
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Thanks for a great peice of advice.[honestly]
cameron j street.

----- Original Message -----
From: "Rick Walker (loop.pool)" <GLOBAL@cruzio.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, July 20, 2001 5:36 AM
Subject: Re: copyright issue for distorting loops


> Dear Petr,
>     Many will probably disagree with me, but here is my take on this whole
> sampling issue:
>
> If you are a successful enough artist or have an independent means of
> income, contact the owners and pay for the sample up front.
>
> If not, use the sample in the most creative way you can:  in a way that
the
> creator of the sample would smile and remember their own creative impulse
> and sit back and let fate take it's course.
>
> If you make a lot of money because your work starts selling like hot
cakes,
> trust me, the sample owners will find you and you can settle then.  It
will,
> of course, cost you a lot more, but then, you will be on the cover of
> Rolling Stone, so who cares ;-)
>
> Recently I was approached by RCA Records to sign a release form for a some
> samples I had created whilst producing a music video sound track for a
band
> that they had just signed.  They said it was just a formality.   I told
them
> that they
> could make me a reasonable offer and pay me upfront for what the samples
are
> worth, but that I was not going to sign any release for them.   The way I
> figure it, they can either honor me now or take the chance that someday
they
> may make a whole lot of money off of my modest contribution to the song
and
> know that I will come after them with a high powered musical attorney.
>
> We all know that the chances are fairly nill that the tune will do that
well
> so I've let go of it, emotionally, but I do have a good friend who is on
the
> verge of suing
> a very major recording artist for
> a song that her producers allowed her to record without compensating him
for
> having written the chorus
> many years ago.  He's going to make millions and I'm going to sit back and
> laugh!!!!
>
> just my 2 cents.   Rick Walker
>

From Loopers-Delight-request@loopers-delight.com  Fri Jul 20 20:55:21 2001
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hi kids -

i'm selling my boomerang (no fancy mods or updates).

i'd like $300. interested?

 Bobdog <bobdog@pseudobuddha.com>

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hi kids -
<p>i'm selling my boomerang (no fancy mods or updates).
<p>i'd like $300. interested?
<p>&nbsp;<a href="addbook:add?vcard=begin%3Avcard%0Afn%3ABobdog%0Aemail%3Binternet%3Abobdog%40pseudobuddha.com%0Aend%3Avcard%0A">Bobdog
&lt;bobdog@pseudobuddha.com></a></html>

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Subject: Re: MOST SOUND MEN ARE....
Date: Fri, 20 Jul 2001 21:02:00 -0400
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---- Original Message -----
From: "circuithead" <circuithead_@hotmail.com>
> ...and there
> are even some who dont even play music at all!! God bless them!

   I've never made music, only looping samplaholic cacophany :-)  I also did
sound part time
for over 10 years as a hobby.  The FOH mix will usually be mono for the as
stated reasons,
but for one benefit show I did, *everything* was panned hard, even two
monitor submixes.
One act, Flowchart, does all sorts of live stereo loops and samples, another
artist wanted
stereo feeds from his Buchla Easel and effects.

    *No* sound mixer should abandon the console, they need to be on top of
the main and
monitor mixes.  Cueing via headphones *really* helped my get a handle on
what was really
coming off the stage.  I got compliments on that technique from singers and
KB players
alike.  It comes down to professionalism, even if the mix isn't that good,
the fact that the
mixer is trying (and present!) makes musicians feel more at ease.


From Loopers-Delight-request@loopers-delight.com  Fri Jul 20 21:12:11 2001
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Date: Fri, 20 Jul 2001 18:04:35 -0700
From: Richard Zvonar <zvonar@zvonar.com>
Subject: Re: DON'T TRUST THE SOUND MAN
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At 11:04 AM -0700 7/20/01, Mark Sottilaro wrote:
>While we're on the subject, WHAT THE HELL IS THE DEAL WITH ENGINEERS 
>THAT FEEL THEY NEED TO DRIVE THE SYSTEM TO THE POINT OF DISTORTION?!

I once attended an Einsturzende Neubauten performance during which I 
was seated in the front row of the balcony, directly above the 
console. Throughout their set the peak indicators on the VU meters 
were rarely NOT blinking red.

On another occasion I was mixing for the industrial band Rhythm and 
Noise, on a two-night stand in a smallish venue. The first night I 
cranked it as much as I felt I could justify, making sure that the 
signal levels were below distortion. I got complaints that it wasn't 
loud enough, so the next night I plugged my ears and pushed the 
levels up into total distortion. The audience was much happier.

However - before the gig started that night I noticed a couple with a 
small child and I advised them that they were about to endanger their 
child's hearing and that they should leave immediately.

That was the last high intensity gig I ever did, but for ten or more 
years after that I continued to mix live concerts at very polite 
levels. Nevertheless, for the last few years I have suffered from 
continuous tinnitus, and I will live with this until I die.

People who mix or listen to music at high levels are either stupid, 
irresponsible, or sadomasochistic. When you are 25 the ringing may 
stop a few days after a loud gig, but when you are 50 it will come 
back to haunt you, even without additional exposure.
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

From Loopers-Delight-request@loopers-delight.com  Fri Jul 20 22:21:58 2001
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Subject: RE: MOST SOUND MEN ARE....
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<html>
And all of this begs the question...are musicians failed sound
engineers?<br>
<br>
<br>
Frank<br>
<a href=3D"http://www.dreamchildmusic.com/"=
 eudora=3D"autourl">www.dreamchildmusic.com</a><br>
<br>
At 04:23 PM 7/20/01 -0400, you wrote: <br>
<br>
<font size=3D2><blockquote type=3Dcite cite>** ya know=A0 . . . it was just
pointing out the fact that the sound people that are being discussed=A0 - -
and dissed - - may be players whose day job is doing sound. someone else
called them &quot;failed musicians&quot; and i pointed out that many
people here could be considered to be failed by similar criteria. <br>
</font><br>
i have a day job and don't consider failed myself, ya know? so why would
i consider ives to be &quot;failed&quot;=A0 - - or mussorgsky, or myriad
other people who have had families and day jobs AND did music. <br>
<br>
(for that matter, most musicians who play for a living ARE doing a day
job, they're not doing THEIR music, they're doing someone else's. some
teach or write about music, it's all cool by me.)<br>
<br>
the short answer: NO<font size=3D3> <br>
<br>
</font><font size=3D2>stig <br>
</font><br>
would you consider Charles Ives a &quot;failed musician&quot;
then?<font size=3D3> <br>
<br>
<br>
</font><font size=3D2>=A0 ** ya know . . . almost everyone on this
list</font><font size=3D3> <br>
</font><font size=3D2>&gt; who has a day job could be considered
a</font><font size=3D3> <br>
</font><font size=3D2>&gt; &gt;=A0 &quot;falied=A0 musician&quot; - - glass
houses and all.</font><font size=3D3> <br>
</blockquote><br>
</font>
<BR>
</html>

From Loopers-Delight-request@loopers-delight.com  Fri Jul 20 23:59:27 2001
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Subject: RE: Live stereo looping (was Re: DON'T TRUST THE SOUND MAN)
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Doppler effect?

--
TG
 

-----Original Message-----
From: Tom Ritchford [mailto:tom@swirly.com]
Sent: Friday, July 20, 2001 1:44 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Live stereo looping (was Re: DON'T TRUST THE SOUND MAN)

I can't remember this name either, I have it on the tip of my tongue.

The "something" effect.  Damn.  What is that name?

From Loopers-Delight-request@loopers-delight.com  Sat Jul 21 00:17:20 2001
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To: "Loopers Delight" <Loopers-Delight@annihilist.com>
References: <002901c11165$83eb75a0$43c1a518@midsouth.rr.com>
Subject: Re: New Line6 delay/looper
Date: Fri, 20 Jul 2001 21:17:11 -0700
Organization: Unit Circle Media
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Cool, but no digital I/O?  Besides the extra RAM on the delay modeler, =
doesn't look that much better than the floor models.  MIDI is nice, but =
it's no deal maker...

    Kevin

Unit Circle Media
http://www.unitcircle.com
  ----- Original Message -----=20
  From: Tardy=20
  To: Loopers Delight=20
  Sent: Friday, July 20, 2001 2:46 PM
  Subject: New Line6 delay/looper


  For those interested, the new "Pro" rackmount versions of the Line6 =
modeler pedals were announced today at NAMM in Nashville.  Looks like =
the new "Echo Pro" will have a 60 second loop sampler.  =
http://www.line6.com/Main/The_Buzz/Hot_News/StudioModelerRollout/StudioMo=
delersmain.htm
  No details yet as to how the start/stop/overdub/etc features can be =
acessed. =20

  MBear

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<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Cool, but no digital I/O?&nbsp; Besides =
the extra=20
RAM on the delay modeler, doesn't look that much better than the floor=20
models.&nbsp; MIDI is nice, but it's no deal maker...</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>&nbsp;&nbsp;&nbsp; Kevin</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV>Unit Circle Media<BR><A=20
href=3D"http://www.unitcircle.com">http://www.unitcircle.com</A></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dtardy@midsouth.rr.com =
href=3D"mailto:tardy@midsouth.rr.com">Tardy</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@annihilist.com=20
  href=3D"mailto:Loopers-Delight@annihilist.com">Loopers Delight</A> =
</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, July 20, 2001 =
2:46 PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> New Line6 =
delay/looper</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial size=3D2>For those interested, the new "Pro" =
rackmount=20
  versions of the Line6 modeler pedals were announced today at NAMM in=20
  Nashville.&nbsp; Looks like the new "Echo Pro" will have a 60 second =
loop=20
  sampler.&nbsp; <A=20
  =
href=3D"http://www.line6.com/Main/The_Buzz/Hot_News/StudioModelerRollout/=
StudioModelersmain.htm">http://www.line6.com/Main/The_Buzz/Hot_News/Studi=
oModelerRollout/StudioModelersmain.htm</A></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>No details yet as to how the=20
  start/stop/overdub/etc features can be acessed.&nbsp; </FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial =
size=3D2>MBear</FONT></DIV></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0028_01C11161.5739F300--

From Loopers-Delight-request@loopers-delight.com  Sat Jul 21 02:08:07 2001
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Subject: Re: New Line6 delay/looper
Date: Fri, 20 Jul 2001 23:06:06 -0700
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If all parameters are MIDI editable/storeable, you can store 99 presets =
(vs. 4), the looper were stereo, and it could handle line level =
effectively, I'd upgrade my DL4 without battin' an eye!  Heck, just =
getting the knobs off the floor would probably make me more apt to =
leverage the variety of delay models (getting so old I hate bending over =
my pedal with a guitar slung around my back, so my DL4 pretty much stays =
on the looper setting).

Anyone notice the Filter Pro Models that they're mimicing?  =
Specifically: "Electrix Filter Factory".  Already a classic...



  ----- Original Message -----=20
  From: Kevin Goldsmith=20
  To: Loopers Delight=20
  Sent: Friday, July 20, 2001 9:17 PM
  Subject: Re: New Line6 delay/looper


  Cool, but no digital I/O?  Besides the extra RAM on the delay modeler, =
doesn't look that much better than the floor models.  MIDI is nice, but =
it's no deal maker...

      Kevin

  Unit Circle Media
  http://www.unitcircle.com
    ----- Original Message -----=20
    From: Tardy=20
    To: Loopers Delight=20
    Sent: Friday, July 20, 2001 2:46 PM
    Subject: New Line6 delay/looper


    For those interested, the new "Pro" rackmount versions of the Line6 =
modeler pedals were announced today at NAMM in Nashville.  Looks like =
the new "Echo Pro" will have a 60 second loop sampler.  =
http://www.line6.com/Main/The_Buzz/Hot_News/StudioModelerRollout/StudioMo=
delersmain.htm
    No details yet as to how the start/stop/overdub/etc features can be =
acessed. =20

    MBear

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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>If all parameters&nbsp;are MIDI =
editable/storeable,=20
you can store 99 presets (vs. 4),&nbsp;the looper were stereo, and it =
could=20
handle line level effectively, I'd upgrade my DL4 without battin'=20
an&nbsp;eye!&nbsp; Heck, just getting the knobs off the floor would =
probably=20
make me more apt to leverage the variety of delay models (getting so old =
I hate=20
bending over my pedal with a guitar slung around my back, so my DL4 =
pretty much=20
stays on the looper setting).</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Anyone notice the Filter Pro Models =
that they're=20
mimicing?&nbsp; Specifically: "Electrix Filter Factory".&nbsp; Already a =

classic...</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dkevin@unitcircle.com =
href=3D"mailto:kevin@unitcircle.com">Kevin=20
  Goldsmith</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@annihilist.com=20
  href=3D"mailto:Loopers-Delight@annihilist.com">Loopers Delight</A> =
</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, July 20, 2001 =
9:17 PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: New Line6 =
delay/looper</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial size=3D2>Cool, but no digital I/O?&nbsp; =
Besides the extra=20
  RAM on the delay modeler, doesn't look that much better than the floor =

  models.&nbsp; MIDI is nice, but it's no deal maker...</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>&nbsp;&nbsp;&nbsp; Kevin</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV>Unit Circle Media<BR><A=20
  href=3D"http://www.unitcircle.com">http://www.unitcircle.com</A></DIV>
  <BLOCKQUOTE dir=3Dltr=20
  style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
    <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
    <DIV=20
    style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
    <A title=3Dtardy@midsouth.rr.com =
href=3D"mailto:tardy@midsouth.rr.com">Tardy</A>=20
    </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
    title=3DLoopers-Delight@annihilist.com=20
    href=3D"mailto:Loopers-Delight@annihilist.com">Loopers Delight</A> =
</DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, July 20, 2001 =
2:46=20
    PM</DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> New Line6 =
delay/looper</DIV>
    <DIV><BR></DIV>
    <DIV><FONT face=3DArial size=3D2>For those interested, the new "Pro" =
rackmount=20
    versions of the Line6 modeler pedals were announced today at NAMM in =

    Nashville.&nbsp; Looks like the new "Echo Pro" will have a 60 second =
loop=20
    sampler.&nbsp; <A=20
    =
href=3D"http://www.line6.com/Main/The_Buzz/Hot_News/StudioModelerRollout/=
StudioModelersmain.htm">http://www.line6.com/Main/The_Buzz/Hot_News/Studi=
oModelerRollout/StudioModelersmain.htm</A></FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>No details yet as to how the=20
    start/stop/overdub/etc features can be acessed.&nbsp; </FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial=20
size=3D2>MBear</FONT></DIV></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_002F_01C11170.8EB795D0--

From Loopers-Delight-request@loopers-delight.com  Sat Jul 21 03:25:06 2001
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Date: Sat, 21 Jul 2001 00:28:18 -0700
Subject: Re: New Line6 delay/looper
From: Mark Hamburg <mark_hamburg@baymoon.com>
To: "Looper's Delight" <Loopers-Delight@loopers-delight.com>
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> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

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Clock sync was my number one wish for the Line6 pedals (and in fact was the
reason that the only one I own right now is the distortion modeler). On the
other hand, I was getting tempted by the DL4 and MM4 to replace some rack
mount equipment because I get tired of running control signals in and out,
hauling a rack around, etc.. I guess I'm just incapable of being happy.

These do at least look pretty interesting.

Mark

on 7/20/01 2:46 PM, Tardy at tardy@midsouth.rr.com wrote:

For those interested, the new "Pro" rackmount versions of the Line6 modeler
pedals were announced today at NAMM in Nashville.  Looks like the new "Echo
Pro" will have a 60 second loop sampler.
http://www.line6.com/Main/The_Buzz/Hot_News/StudioModelerRollout/StudioModel
ersmain.htm
No details yet as to how the start/stop/overdub/etc features can be acessed.
 
MBear




--MS_Mac_OE_3078520098_205788_MIME_Part
Content-type: text/html; charset="US-ASCII"
Content-transfer-encoding: quoted-printable

<HTML>
<HEAD>
<TITLE>Re: New Line6 delay/looper</TITLE>
</HEAD>
<BODY>
Clock sync was my number one wish for the Line6 pedals (and in fact was the=
 reason that the only one I own right now is the distortion modeler). On the=
 other hand, I was getting tempted by the DL4 and MM4 to replace some rack m=
ount equipment because I get tired of running control signals in and out, ha=
uling a rack around, etc.. I guess I'm just incapable of being happy.<BR>
<BR>
These do at least look pretty interesting.<BR>
<BR>
Mark<BR>
<BR>
on 7/20/01 2:46 PM, Tardy at tardy@midsouth.rr.com wrote:<BR>
<BR>
<BLOCKQUOTE><FONT SIZE=3D"2"><FONT FACE=3D"Arial">For those interested, the new=
 &quot;Pro&quot; rackmount versions of the Line6 modeler pedals were announc=
ed today at NAMM in Nashville. &nbsp;Looks like the new &quot;Echo Pro&quot;=
 will have a 60 second loop sampler. &nbsp;http://www.line6.com/Main/The_Buz=
z/Hot_News/StudioModelerRollout/StudioModelersmain.htm<BR>
No details yet as to how the start/stop/overdub/etc features can be acessed=
. &nbsp;<BR>
</FONT></FONT> <BR>
<FONT SIZE=3D"2"><FONT FACE=3D"Arial">MBear<BR>
</FONT></FONT><BR>
</BLOCKQUOTE><BR>
</BODY>
</HTML>


--MS_Mac_OE_3078520098_205788_MIME_Part--

From Loopers-Delight-request@loopers-delight.com  Sat Jul 21 04:35:58 2001
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To: <Loopers-Delight@loopers-delight.com>
References: <200107201659.MAA31084@hemlock.violacea.com>
Subject: Re: New LIne 6 rackmounts
Date: Sat, 21 Jul 2001 01:35:29 -0700
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kevin wrote:
"Cool, but no digital I/O?  Besides the extra RAM on the delay modeler,
doesn't look that much better than the floor models.  MIDI is nice, but it's
no deal maker..."


Actually,  I jumped for joy when I heard that they have midi. On our recent
tour I told somebody, "if the DL-4 had midi syncing, I would dump every one
of my Jampersons in an instant".

A queery:   does the midi implementaion actually include syncing?  I assume
it does but it might just be for midi controller info.

A second queery:  how much for these puppies.  It doesn't seem to say at the
Line 6 site.

An observation:   the Line 6 Filter module got roundly thrashed when the
first .wav files were posted of examples on the Line 6 website.
I, too, was really disappointed.

I just spent a half hour with one in
Union Grove Music yesterday.
There is not a tremendous amount of normal useability in this pedal (but
then I have always thought that
filtered wahs and envelope followers were really cheesy sounding in funk)
but, let me tell you,  there is some serious assed wierd in these pedals.
I actually dug the hell out of it and am saving my pennies (when are these
damn companies going to give me an endorsement ;-) to buy one.
Plus, it's purple.........say no more, nudge, nudge, wink,wink!!

Rick Walker (loop.pool)



From Loopers-Delight-request@loopers-delight.com  Sat Jul 21 08:29:01 2001
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From: "Lee Fletcher" <lee@fletchertronics.freeserve.co.uk>
To: <Loopers-Delight@loopers-delight.com>
Subject: OT: CENTROZOON - Promo CD Giveaway!
Date: Sat, 21 Jul 2001 13:25:29 +0100
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(My apologies for any inadvertent cross-posting)...

CENTROZOON are giving away 100 free copies of the Limited Edition CD: The
Divine Beast!

This rare Promo CD contains 20+ minutes of new material culled from the much
anticipated album - The Cult Of: Bibbiboo. Housed in a beautifully designed
cardboard sleeve, the disc comes complete with a cool self-adhesive Bibbiboo
sticker!

This is a time limited offer (running from 20th July - 20th August)
supplying applicants on a first-come first-served basis. To register your
claim simply visit www.centrozoon.de/giveaway while stocks last.

In other CENTROZOON news:

Further to the success of this month's remix launch @
www.mp3.com/fletchertronics & www.mp3.com/centrozoon a second mix (by Ian
Boddy) has now been uploaded to MP3.com.

In addition to the above URLs a special Remix Station has been created to
house these and future CENTROZOON interpretations:
www.mp3.com/stations/bibbibooremixes

Finally, the enhanced reissue of Sun Lounge Debris is now set for late
September on Burning Shed Records. Watch www.burningshed.com for further
news.

Best wishes,

Lee Fletcher (on behalf of CENTROZOON)

www.centrozoon.de
www.bibbiboo.com

From Loopers-Delight-request@loopers-delight.com  Sat Jul 21 10:14:36 2001
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Subject: Re: Voice looping and loopers in New Jersey?
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scott.....welcome!.....go to the tools of the trade section of LD and you 
will get a run down on a good number of looping tools.....i myself use a 
boomerang very very user friendly.....:)m

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>scott.....welcome!.....go to the tools of the trade section of LD and you 
<BR>will get a run down on a good number of looping tools.....i myself use a 
<BR>boomerang very very user friendly.....:)m</FONT></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sat Jul 21 10:19:56 2001
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Subject: Re: Voice looping and loopers in New Jersey?
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Assuming you have permission to use amplification for street performance
(not all cities will let you use an amp even of its own power)..good luck
finding a sampling/delay pedal or two that run on 9V..anyone know of battery
powered besides the good old Digitech 8000?

----- Original Message -----
From: "Scott Anderson" <scott_c_anderson@hotmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, July 20, 2001 9:01 PM
Subject: Voice looping and loopers in New Jersey?


> Sorry if I sent this already!
>
> Hello, everyone.
>   I joined the list a couple days ago.
>   I found the list after remembering the time a couple years ago when I
saw
> at a bookstore a man named Samite perform a traditional African song by
> layering his voice live, singing the different parts and then singing the
> lead over top.  I think what he used was a Echoplex Digital Pro.  That is
my
> familiarity in person with such a live multi-layering device, although I
> have heard of another, the Jam Man.
>   I apologize if my questions are overly basic:
>   What device or equipment would people recommend as the most user
friendly
> editing and arranging-wise or versatile effects-wise for live performance,
> such as street performance or busking, of music made by improvised
layering
> and editing of singing and vocal sounds (like beat box or a cappella
> extraterrestrial techno) or vocals with acoustic guitar?
>   Does anyone on this list have experience or interest in street
performance
> or busking?
>   Also:
>   How can I try out in person any devices or equipment that people
> recommend?  The Sam Ash store in Edison, New Jersey said I would have to
buy
> the Digital Pro if they tried to order it for me to try.
>   Does anyone on this list live in or near New Jersey?
>   Thank you for your time.  I greatly appreciate any advice or
suggestions.
>   Feel free to respond to my personal email, if you prefer:
> scott_c_anderson@hotmail.com
> Scott
>
>
> _________________________________________________________________
> Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp
>
>

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Subject: Re: MOST SOUND MEN ARE....
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In a message dated 7/20/01 10:19:28 PM Eastern Daylight Time, 
seahorse@channel1.com writes:


> And all of this begs the question...are musicians failed sound engineers?
> 

excellent point frank!.....i find myself being drawn more toward manipulating 
"sound" rather than playing an "instrument" (not that musicians dont 
manipulate sound) you know what i mean, i hope.....:)m

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>In a message dated 7/20/01 10:19:28 PM Eastern Daylight Time, 
<BR>seahorse@channel1.com writes:
<BR>
<BR>
<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">And all of this begs the question...are musicians failed sound engineers?
<BR></BLOCKQUOTE>
<BR>
<BR>excellent point frank!.....i find myself being drawn more toward manipulating 
<BR>"sound" rather than playing an "instrument" (not that musicians dont 
<BR>manipulate sound) you know what i mean, i hope.....:)m</FONT></HTML>

--part1_33.18284428.288aea4e_boundary--

From Loopers-Delight-request@loopers-delight.com  Sat Jul 21 11:01:34 2001
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References: <LAW2-F123JXrRjbDt3H00001f96@hotmail.com> <001e01c111f0$7ded2000$cd8a2141@cfl.rr.com>
Subject: Re: Voice looping and loopers in New Jersey?
Date: Sat, 21 Jul 2001 10:57:47 -0400
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There's the old DOD DFX94, basically a 4-second delay pedal with an
"infinite repeat" setting.  It lets you loop 8 or 9 layers comfortably.  A
9-volt battery will last a couple of hours (ouch!).  Not competition for an
EDP or Boomerang, but if power's a problem...


Peter

----- Original Message -----
From: "Jehn" <juno7@cfl.rr.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, July 21, 2001 10:21 AM
Subject: Re: Voice looping and loopers in New Jersey?


> Assuming you have permission to use amplification for street performance
> (not all cities will let you use an amp even of its own power)..good luck
> finding a sampling/delay pedal or two that run on 9V..anyone know of
battery
> powered besides the good old Digitech 8000?
>
> ----- Original Message -----
> From: "Scott Anderson" <scott_c_anderson@hotmail.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Friday, July 20, 2001 9:01 PM
> Subject: Voice looping and loopers in New Jersey?
>
>
> > Sorry if I sent this already!
> >
> > Hello, everyone.
> >   I joined the list a couple days ago.
> >   I found the list after remembering the time a couple years ago when I
> saw
> > at a bookstore a man named Samite perform a traditional African song by
> > layering his voice live, singing the different parts and then singing
the
> > lead over top.  I think what he used was a Echoplex Digital Pro.  That
is
> my
> > familiarity in person with such a live multi-layering device, although I
> > have heard of another, the Jam Man.
> >   I apologize if my questions are overly basic:
> >   What device or equipment would people recommend as the most user
> friendly
> > editing and arranging-wise or versatile effects-wise for live
performance,
> > such as street performance or busking, of music made by improvised
> layering
> > and editing of singing and vocal sounds (like beat box or a cappella
> > extraterrestrial techno) or vocals with acoustic guitar?
> >   Does anyone on this list have experience or interest in street
> performance
> > or busking?
> >   Also:
> >   How can I try out in person any devices or equipment that people
> > recommend?  The Sam Ash store in Edison, New Jersey said I would have to
> buy
> > the Digital Pro if they tried to order it for me to try.
> >   Does anyone on this list live in or near New Jersey?
> >   Thank you for your time.  I greatly appreciate any advice or
> suggestions.
> >   Feel free to respond to my personal email, if you prefer:
> > scott_c_anderson@hotmail.com
> > Scott
> >
> >
> > _________________________________________________________________
> > Get your FREE download of MSN Explorer at
http://explorer.msn.com/intl.asp
> >
> >
>

From Loopers-Delight-request@loopers-delight.com  Sat Jul 21 11:45:49 2001
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From: "Frederic Abraham" <el_fredy@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: RC-20 sampler
Date: Sat, 21 Jul 2001 15:42:44 
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Hi there!

I have a question regarding the "sound-on-sound" feature of the Boss RC-20.
Would you people know if it's possible to record a phrase and play it more 
than once: say, you play the loop once and you overlay the same loop over by 
pushing the "play" button a bit later.
If so, how many times could you do this? indefinitely?

Thanks,
Fred



_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp

From Loopers-Delight-request@loopers-delight.com  Sat Jul 21 11:56:26 2001
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Date: Sat, 21 Jul 2001 17:56:36 +0200
To: Loopers-Delight@loopers-delight.com
From: Matthias Grob <matthias@grob.org>
Subject: Re: MOST SOUND MEN ARE....
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>     blues/rock guitar maestro Steve Pryor from tulsa,ok told me once after i
>began working as a soundman that
>                                                      most soundmen are
>failed musicians.

thats not too bad, the bigger problem are the "succeded" roadies that 
never made music and cannot profit from their muscles to improve the 
mix...

Failed inventors also can be sound engineers. I did a lot of mixing 
while Gibson was taking its time to figure out where to manufacture 
the EDP next :-)
But the experiences may have been of importance:


>     *No* sound mixer should abandon the console, they need to be on top of
>the main and monitor mixes.

I agree. Once the basic sound is set up, I also walk through the area 
to get an idea about how everyone gets the sound. Especially at open 
air shows since often the mixing desk is above the ground and people 
sitting on the ground get a lot more bass.

>Cueing via headphones *really* helped my get a handle on
>what was really coming off the stage.

Also agreed. I use the phones about half the time so i can care for 
the public close to the speakers and balance vocal mixes by learning 
what each singer brings.


-- 


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Sat Jul 21 12:01:14 2001
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Date: Sat, 21 Jul 2001 18:01:16 +0200
To: Loopers-Delight@loopers-delight.com
From: Matthias Grob <matthias@grob.org>
Subject: Re: Live stereo looping
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I found that out of phase cancelation is much less of a problem with 
a stereo mix (unless the PA is all on one side which is not realistic 
on most stages).
Sure, heavy panning destroys the mix for those that listen off center 
(i don't like it on CDs either), but a light panning add 
intelligibility and improves the phase problem because the 
cancelation of certain frequencies never hits all instruments at once.
Imagine: Full cancelation happens when the difference of distance 
from the two speakers is exactly half (or 1,5...) the wave length AND 
both sources arrive with the same level. So when you have most 
instruments paned differently, they never cancel simultaneously while 
cancelations of some details naturally add to the space experience 
and do not create the "agony" as mono out of two speakers can.

Stereo looping is more complex because you do not only need a stereo 
looper but pan the instruments into it. In case of a single 
instrument/player it means that either the musician has to change 
panning before each overdub or the mixing person has to have access 
to the loop sends, which is hardly ever the case, is it?
Or you have enough loopers so the mixing person can pan the output of 
each one - while you could be playing... all depends on stile, 
equipment and intention

I had a pan control on the floor and operated it for a while and the 
result was much better recordings (as on my CDR Jejum") but for the 
public it did not make that much of a difference and I ended up 
preferring to carry only one EDP and concentrate on other controls 
that change sound more drastically and such express more.

Sound jumping all around the place is fun and may express something 
but for most situations seems to distracting from the "real" content, 
IMHO.

Mono sound from one speaker is ok, but reverb is not! To create 
space, stereo is a must! A mono reverb is doing almost the opposit: 
instead of opening the perception, it soups all up. So my dry signal 
is often mono, but the reverb never.
And i met a lot of stereo sound systems where they have been lazy to 
hook up the second output of the reverb or did not pan them right or 
thought a reverb output is only stereo when the input is stereo...
-- 


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Sat Jul 21 12:36:29 2001
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<html><div style='background-color:'><DIV>
<P>Yo guys, I have the pretty purple line 6 filter modeler and it is whacky for sure.&nbsp; I have it running through one of my Godin Guitar outputs to the filter modeler through DL4 into a Boomerang into an amp.&nbsp; The other guitar output runs through a GT 5, EDP, jamman, and GR30....&nbsp; Who needs the Repeater?&nbsp; Well oooooooooooooooookkkkkkkkkkk!!!!!!!!!!!!!!!&nbsp; The more the merrier.............&nbsp;&nbsp; Hey Rick You coming over yet????&nbsp;&nbsp;&nbsp; I am trying to get the Handsonic to control the Korg synth moduals&nbsp;&nbsp;&nbsp; Haven't figured it out yet....&nbsp; Nice problem to have.....I wanna quit my job and work in my Looping Labratory......I'm getting wayyyyyyyyyyyyyout there.......... Miko come over and check it out!!!!!!!! Om and OUT</P>
<P>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Papa Dave<BR><BR></P><BR><BR><BR>Uncle-Brother-Papa Dave </DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>&gt;From: "Rick Walker \(loop.pool\)" <GLOBAL@CRUZIO.COM>
<DIV></DIV>&gt;Reply-To: Loopers-Delight@loopers-delight.com 
<DIV></DIV>&gt;To: <LOOPERS-DELIGHT@LOOPERS-DELIGHT.COM>
<DIV></DIV>&gt;Subject: Re: New LIne 6 rackmounts 
<DIV></DIV>&gt;Date: Sat, 21 Jul 2001 01:35:29 -0700 
<DIV></DIV>&gt; 
<DIV></DIV>&gt;kevin wrote: 
<DIV></DIV>&gt;"Cool, but no digital I/O? Besides the extra RAM on the delay modeler, 
<DIV></DIV>&gt;doesn't look that much better than the floor models. MIDI is nice, but it's 
<DIV></DIV>&gt;no deal maker..." 
<DIV></DIV>&gt; 
<DIV></DIV>&gt; 
<DIV></DIV>&gt;Actually, I jumped for joy when I heard that they have midi. On our recent 
<DIV></DIV>&gt;tour I told somebody, "if the DL-4 had midi syncing, I would dump every one 
<DIV></DIV>&gt;of my Jampersons in an instant". 
<DIV></DIV>&gt; 
<DIV></DIV>&gt;A queery: does the midi implementaion actually include syncing? I assume 
<DIV></DIV>&gt;it does but it might just be for midi controller info. 
<DIV></DIV>&gt; 
<DIV></DIV>&gt;A second queery: how much for these puppies. It doesn't seem to say at the 
<DIV></DIV>&gt;Line 6 site. 
<DIV></DIV>&gt; 
<DIV></DIV>&gt;An observation: the Line 6 Filter module got roundly thrashed when the 
<DIV></DIV>&gt;first .wav files were posted of examples on the Line 6 website. 
<DIV></DIV>&gt;I, too, was really disappointed. 
<DIV></DIV>&gt; 
<DIV></DIV>&gt;I just spent a half hour with one in 
<DIV></DIV>&gt;Union Grove Music yesterday. 
<DIV></DIV>&gt;There is not a tremendous amount of normal useability in this pedal (but 
<DIV></DIV>&gt;then I have always thought that 
<DIV></DIV>&gt;filtered wahs and envelope followers were really cheesy sounding in funk) 
<DIV></DIV>&gt;but, let me tell you, there is some serious assed wierd in these pedals. 
<DIV></DIV>&gt;I actually dug the hell out of it and am saving my pennies (when are these 
<DIV></DIV>&gt;damn companies going to give me an endorsement ;-) to buy one. 
<DIV></DIV>&gt;Plus, it's purple.........say no more, nudge, nudge, wink,wink!! 
<DIV></DIV>&gt; 
<DIV></DIV>&gt;Rick Walker (loop.pool) 
<DIV></DIV>&gt; 
<DIV></DIV>&gt; 
<DIV></DIV>&gt; 
<DIV></DIV></div><br clear=all><hr>Get your FREE download of MSN Explorer at <a href='http://go.msn.com/bql/hmtag_itl_EN.asp'>http://explorer.msn.com</a><br></html>

From Loopers-Delight-request@loopers-delight.com  Sat Jul 21 14:05:44 2001
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Date: Sat, 21 Jul 2001 14:02:40 EDT
Subject: Re: Loopfest in New York, getting together
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tom,
i can contact the knit/tonic, if you'd like --- though it'll be a few days to 
a week, before i do.
so:
1) how many loopers; who?
2) any dj's interested?
3) who will be 'production manager/coordinator'?
etc etc.
i'm not free, myself, until september 15th, or so.
best,
dt / s-c

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Date: Sat, 21 Jul 2001 14:12:57 -0400
To: Loopers-Delight@loopers-delight.com
From: Tom Ritchford <tom@swirly.com>
Subject: Re: Loopfest in New York, getting together
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>i can contact the knit/tonic, if you'd like --- though it'll be a few days to
>a week, before i do.
>so:
>1) how many loopers; who?

so far the following have expressed interest:

   myself
   David Lee Myers
   todd reynolds
   Steve Sandberg
   dt


>2) any dj's interested?

Gee, an interesting point!  I know a lot of good DJs but none who
loop...



>3) who will be 'production manager/coordinator'?

I can do this.


>etc etc.
>i'm not free, myself, until september 15th, or so.

Just as well.  I need to relaunch extreme NY radio (yes,
I am working on this... I think it will be worth the wait)
and I have to make my new show (adding the Buchla Thunder
and the K2600 and, conceivably, a Repeater, a new looper,
have you heard about it?)

So September is just the right time.


Steve Sandburg has volunteered to contact the Knit, but,
hey, more volume never hurts.

I have a nodding acquaintance with E# (I've a cut on
State of the Union 2.001 and he's on my mailing list)
but don't think I'm in a position to book it... hint,
hint.

	/t



.......all legal games of chess <http://solveChess.com/chess?refresh=0>......
.....programmer's documentation <http://solveChess.com/doc>..................

From Loopers-Delight-request@loopers-delight.com  Sat Jul 21 14:47:26 2001
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From: "Gary Lehmann" <healthquestrecruiter@earthlink.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: FS:  Zoom 508
Date: Sat, 21 Jul 2001 11:46:13 -0700
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Hello you Repeater hungry loopers--

I snagged this 4 second delay unit new at Sam Ash but even tho it is cool
enough for the price, I can't wean myself off the EDP (still need a good
second looper tho, unless Harvey Starr has finished the internal sequencer
for the Ztar--I was hoping this one would serve as such, but alas no).  It's
brand new and battery powered, still got the warrantee card, and I would
like to offer it for sale for what I paid for it, or close!  $50 and you pay
the shipping--if you're in LA, come and get it!

Still no word from Denis, I wonder how his out-of-doors experience went.

As far as the "sound man as failed musician" thread, I think a good sound
man is "playing" music the same way a non-instrumentalist using delay lines
is--so it's all music if you think it sounds good!

Gary

From Loopers-Delight-request@loopers-delight.com  Sat Jul 21 14:56:50 2001
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Subject: Re: Loopfest in New York, getting together
Date: Sat, 21 Jul 2001 15:02:48 -0400
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----- Original Message -----
From: Tom Ritchford <tom@swirly.com>

> >i can contact the knit/tonic, if you'd like --- though it'll be a few
days to
> >a week, before i do.
> >so:
> >1) how many loopers; who?
>
> so far the following have expressed interest:
>
>    myself
>    David Lee Myers
>    todd reynolds
>    Steve Sandberg
>    dt

and me too: David Beardsley

David Beardsley
http://mp3.com/DavidBeardsley

From Loopers-Delight-request@loopers-delight.com  Sat Jul 21 15:12:04 2001
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Date: Sat, 21 Jul 2001 15:09:43 -0400
To: Loopers-Delight@loopers-delight.com
From: Tom Ritchford <tom@swirly.com>
Subject: hosting looper's delight site?
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I should add that I provide completely free domain hosting for a lot 
of artists,
theatrical companies, galleries and musicians.

I need a server for my own purposes and its capacity mainly goes unused.
It lives in a dedicated facility somewhere in NJ, it's a Cobalt RaQ 3 if
that means anything to you... it has the usual array of services
(cgi, many email addresses, even servlets/JSP)

I host over 70 domains right now.  Of course, most of them
get very few hits indeed.


The usual deal is I do it for free as long as you don't get "too many hits".
(no one has yet hit this number) and a promise of "something" if you
"make it big" (no one has done this EITHER but I do get into a lot of
shows for free).


I don't know how many hits Looper's Delight gets, but it can't be that
many...?  Anyway, I got the impression it's costing someone money
to host it, money that should be spent on gear (or food or whatever...)


The same sort of offer goes for members of the list, if you have
a personal domain or two you want hosted...


CAVEAT: It's all very informal so no guarantees, but in fact
my uptimes have in fact been very good and performance quite
acceptable.

	/t


.......all legal games of chess <http://solveChess.com/chess?refresh=0>......
.....programmer's documentation <http://solveChess.com/doc>..................

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Date: Sat, 21 Jul 2001 15:10:38 -0400
To: Loopers-Delight@loopers-delight.com
From: Tom Ritchford <tom@swirly.com>
Subject: Re: Loopfest in New York, getting together
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>and me too: David Beardsley

yes, right, you said, er, I was just, er, testing your memory?

oops.

	/t

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Subject: Re: Loopfest in New York, getting together
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At 2:12 PM -0400 7/21/01, Tom Ritchford wrote:

>so far the following have expressed interest:
>
>   myself
>   David Lee Myers
>   todd reynolds
>   Steve Sandberg
>   dt

Say hi to Todd for me.
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

From Loopers-Delight-request@loopers-delight.com  Sat Jul 21 17:51:44 2001
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Date: Sat, 21 Jul 2001 17:51:20 -0400
Subject: Re: Loopfest in New York, getting to
From: Steve Sandberg <stevesandberg@earthlink.net>
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> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

--MS_Mac_OE_3078582680_32726_MIME_Part
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I sent an e-mal to the Knit today, asking for an evening (2 or 3 sets) --
We haven't thought about a production coordinator yet --
Judging by past response, I should hear from Matt (the booking guy) within a
few days --


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<HTML>
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<FONT SIZE=3D"4">I sent an e-mal to the Knit today, asking for an evening (2 =
or 3 sets) --<BR>
We haven't thought about a production coordinator yet --<BR>
Judging by past response, I should hear from Matt (the booking guy) within =
a few days --<BR>
</FONT>
</BODY>
</HTML>


--MS_Mac_OE_3078582680_32726_MIME_Part--

From Loopers-Delight-request@loopers-delight.com  Sat Jul 21 18:14:08 2001
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Date: Sun, 22 Jul 2001 00:14:31 +0200
To: Loopers-Delight@loopers-delight.com
From: Matthias Grob <matthias@grob.org>
Subject: Re: EDP sync??
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>Another bug.
>After Ive set up a stereo loop on 2 EDPs
>I sometimes like to put the slave into reverse.
>This works when using the Insert switch for reverse,
>but if I use the Parameter to P1 and hit Undo method
>nothing happens except that all the LEDS go out.
>
>is this Normal?
>
>andy butler


congratulations andy!
If I remember right this was the first bug that Andre discovered years ago.
I am sorry about it but lucky there is such an easy work arround.
I fixed it long ago.

Then Claude found the second: a problem with switching incoming 
MIDIclock on an off.

And recently you found that Multiply-Insert-Undo does not always 
work, which was known from the start, I should not have allowed this 
combination.

And there are no other bugs in the 5.0 version, are there?

You found them quickly! wana apply as beta tester?

-- 


          ---> http://Matthias.Grob.org

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Date: Sat, 21 Jul 2001 16:28:06 -0600
To: Loopers-Delight@loopers-delight.com
From: Goddess <TheFates@earthlink.net>
Subject: Re: Voice looping and loopers in New Jersey?
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  The DL-4 is battery powered.  

Smiles,

G-Girl

At 10:21 AM 7/21/01 -0400, you wrote:
>Assuming you have permission to use amplification for street performance
>(not all cities will let you use an amp even of its own power)..good luck
>finding a sampling/delay pedal or two that run on 9V..anyone know of battery
>powered besides the good old Digitech 8000?
>
>----- Original Message -----
>From: "Scott Anderson" <scott_c_anderson@hotmail.com>
>To: <Loopers-Delight@loopers-delight.com>
>Sent: Friday, July 20, 2001 9:01 PM
>Subject: Voice looping and loopers in New Jersey?
>
>
>> Sorry if I sent this already!
>>
>> Hello, everyone.
>>   I joined the list a couple days ago.
>>   I found the list after remembering the time a couple years ago when I
>saw
>> at a bookstore a man named Samite perform a traditional African song by
>> layering his voice live, singing the different parts and then singing the
>> lead over top.  I think what he used was a Echoplex Digital Pro.  That is
>my
>> familiarity in person with such a live multi-layering device, although I
>> have heard of another, the Jam Man.
>>   I apologize if my questions are overly basic:
>>   What device or equipment would people recommend as the most user
>friendly
>> editing and arranging-wise or versatile effects-wise for live performance,
>> such as street performance or busking, of music made by improvised
>layering
>> and editing of singing and vocal sounds (like beat box or a cappella
>> extraterrestrial techno) or vocals with acoustic guitar?
>>   Does anyone on this list have experience or interest in street
>performance
>> or busking?
>>   Also:
>>   How can I try out in person any devices or equipment that people
>> recommend?  The Sam Ash store in Edison, New Jersey said I would have to
>buy
>> the Digital Pro if they tried to order it for me to try.
>>   Does anyone on this list live in or near New Jersey?
>>   Thank you for your time.  I greatly appreciate any advice or
>suggestions.
>>   Feel free to respond to my personal email, if you prefer:
>> scott_c_anderson@hotmail.com
>> Scott
>>
>>
>> _________________________________________________________________
>> Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp
>>
>>
>
>


---

  "The only things I really think are important, are love, and eachother.
-Then, anything is possible..."


From Loopers-Delight-request@loopers-delight.com  Sat Jul 21 18:50:27 2001
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Yeah, I must say the delay modeler does look sweet, but I wish they
would be more forthcoming about some of the details.  Are they saying 60
sec of midi synchable stereo looping?  That would be sweet.  Will they
beat the Repeater to market?  We will see.

Mark Sottilaro

David Potter wrote:

>
>
> Yo guys, I have the pretty purple line 6 filter modeler and it is
> whacky for sure.  I have it running through one of my Godin Guitar
> outputs to the filter modeler through DL4 into a Boomerang into an
> amp.  The other guitar output runs through a GT 5, EDP, jamman, and
> GR30....  Who needs the Repeater?  Well
> oooooooooooooooookkkkkkkkkkk!!!!!!!!!!!!!!!  The more the
> merrier.............   Hey Rick You coming over yet????    I am trying
> to get the Handsonic to control the Korg synth moduals    Haven't
> figured it out yet....  Nice problem to have.....I wanna quit my job
> and work in my Looping Labratory......I'm getting wayyyyyyyyyyyyyout
> there.......... Miko come over and check it out!!!!!!!! Om and OUT
>
>                                                      Papa Dave
>
>
>
> Uncle-Brother-Papa Dave>From: "Rick Walker \(loop.pool\)"
> >Reply-To: Loopers-Delight@loopers-delight.com
> >To:
> >Subject: Re: New LIne 6 rackmounts
> >Date: Sat, 21 Jul 2001 01:35:29 -0700
> >
> >kevin wrote:
> >"Cool, but no digital I/O? Besides the extra RAM on the delay
> modeler,
> >doesn't look that much better than the floor models. MIDI is nice,
> but it's
> >no deal maker..."
> >
> >
> >Actually, I jumped for joy when I heard that they have midi. On our
> recent
> >tour I told somebody, "if the DL-4 had midi syncing, I would dump
> every one
> >of my Jampersons in an instant".
> >
> >A queery: does the midi implementaion actually include syncing? I
> assume
> >it does but it might just be for midi controller info.
> >
> >A second queery: how much for these puppies. It doesn't seem to say
> at the
> >Line 6 site.
> >
> >An observation: the Line 6 Filter module got roundly thrashed when
> the
> >first .wav files were posted of examples on the Line 6 website.
> >I, too, was really disappointed.
> >
> >I just spent a half hour with one in
> >Union Grove Music yesterday.
> >There is not a tremendous amount of normal useability in this pedal
> (but
> >then I have always thought that
> >filtered wahs and envelope followers were really cheesy sounding in
> funk)
> >but, let me tell you, there is some serious assed wierd in these
> pedals.
> >I actually dug the hell out of it and am saving my pennies (when are
> these
> >damn companies going to give me an endorsement ;-) to buy one.
> >Plus, it's purple.........say no more, nudge, nudge, wink,wink!!
> >
> >Rick Walker (loop.pool)
> >
> >
> >
>
>
> -----------------------------------------------------------------------
> Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Sat Jul 21 19:05:33 2001
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From: jef lear <static@polishoperative.com>
To: !! loopers delight mailing list <Loopers-Delight@loopers-delight.com>
Subject: sp-303 and midi control
Date: Sat, 21 Jul 2001 18:03:28 -0500
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hi.
my only exposure to midi is on those
websites with flashing gifs and bunnies that hop.

my query is this:
i own a sp-303 (which i'm well pleased with)
and want to trigger samples with my feet both
live and recording. since i am not familiar
with the specifics of midi, i was wondering
if it was possible to use a foot controller
with said device.

if the foot controller is an impossibility
could someone recommend an alternate solution,
apart from running my own triggers out from the
pads inside the sp-303?

if it's a lost cause with the 303 can someone detail what
they do with their samples when their hands are full?

thanks alot.
this is a great community.

jf

ps. 
be gentle, i'm new and did search 
the archives.

From Loopers-Delight-request@loopers-delight.com  Sat Jul 21 19:16:00 2001
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Date: Sat, 21 Jul 2001 19:14:11 -0400
To: Loopers-Delight@loopers-delight.com
From: Tom Ritchford <tom@swirly.com>
Subject: Re: Loopfest in New York, getting to
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>I sent an e-mal to the Knit today, asking for an evening (2 or 3 sets) --
>We haven't thought about a production coordinator yet --

3 sets, hmm...?  how long is that?  we have a lot of interest already.

I can certainly handle the logistical details, getting fliers designed
and printed (distribution will take some legwork which I can do part
of, hint hint...)

	/t



.......all legal games of chess <http://solveChess.com/chess?refresh=0>......
.....programmer's documentation <http://solveChess.com/doc>..................

From Loopers-Delight-request@loopers-delight.com  Sat Jul 21 19:29:53 2001
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Date: Sat, 21 Jul 2001 16:28:22 -0700 (PDT)
From: Alx <gendel777@yahoo.com>
Subject: Re: New LIne 6 rackmounts
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I hope the delays have the "hold" function, really
useful I think.
Alx.
 

__________________________________________________
Do You Yahoo!?
Make international calls for as low as $.04/minute with Yahoo! Messenger
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From Loopers-Delight-request@loopers-delight.com  Sat Jul 21 19:44:13 2001
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Subject: Re: Loopfest in New York, getting together
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I would be interested..would be a great excuse to visit my bro in L.I.
Jehn
----- Original Message -----
From: "Tom Ritchford" <tom@swirly.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, July 21, 2001 2:12 PM
Subject: Re: Loopfest in New York, getting together


> >i can contact the knit/tonic, if you'd like --- though it'll be a few
days to
> >a week, before i do.
> >so:
> >1) how many loopers; who?
>
> so far the following have expressed interest:
>
>    myself
>    David Lee Myers
>    todd reynolds
>    Steve Sandberg
>    dt
>
>
> >2) any dj's interested?
>
> Gee, an interesting point!  I know a lot of good DJs but none who
> loop...
>
>
>
> >3) who will be 'production manager/coordinator'?
>
> I can do this.
>
>
> >etc etc.
> >i'm not free, myself, until september 15th, or so.
>
> Just as well.  I need to relaunch extreme NY radio (yes,
> I am working on this... I think it will be worth the wait)
> and I have to make my new show (adding the Buchla Thunder
> and the K2600 and, conceivably, a Repeater, a new looper,
> have you heard about it?)
>
> So September is just the right time.
>
>
> Steve Sandburg has volunteered to contact the Knit, but,
> hey, more volume never hurts.
>
> I have a nodding acquaintance with E# (I've a cut on
> State of the Union 2.001 and he's on my mailing list)
> but don't think I'm in a position to book it... hint,
> hint.
>
> /t
>
>
>
> .......all legal games of chess
<http://solveChess.com/chess?refresh=0>......
> .....programmer's documentation
<http://solveChess.com/doc>..................
>
>

From Loopers-Delight-request@loopers-delight.com  Sat Jul 21 19:49:31 2001
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Subject: Re: Voice looping and loopers in New Jersey?
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> Assuming you have permission to use amplification for street performance
> (not all cities will let you use an amp even of its own power)..good luck
> finding a sampling/delay pedal or two that run on 9V..anyone know of
battery
> powered besides the good old Digitech 8000?

I use the ever popular Line6 for street performances.  The batteries that
come with it are horrible, but I've had good luck with those new "computer
thingy" batteries--I think they're metal hydrous.  I haven't tried using
rechargables yet, but that's next on my list.


TH
-- 
NEW official Electrochakra website: http://www.electrochakra.com




From Loopers-Delight-request@loopers-delight.com  Sat Jul 21 19:55:51 2001
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>I would be interested..would be a great excuse to visit my bro in L.I.



   David Beardsley
   Jehn
   David Lee Myers
   Todd Reynolds
   Tom Ritchford
   Steve Sandberg
   David Torn

so far quite a few people...

I've been surprised about the interest audience-type-people
have had in the idea.  A friend wrote:

At 3:19 PM -0700 7/21/01, marie m wrote:
>bet there'd be a ton of interest.
>
>[I asked why?]
>
>well, you need to make it sexy and non-academic. ie,
>the 6th ave things sound academic to me.they may not
>be but they sound that way. even unity gain is a bit
>academic for me, and for many others i think, which is
>why we only ever see the usual suspects there. of
>course unity gain is sexy enough that _all_ the usual
>suspects come to that. but it needs to be at least as
>sexy as that, but a little more so. it will draw
>crowds initially among the usual because it won't be
>the usual people playing, which will annoy and entice.
>expect some initial opposition from the UG type crowd.
>embrace the kiddies instead. make it playful.



.......all legal games of chess <http://solveChess.com/chess?refresh=0>......
.....programmer's documentation <http://solveChess.com/doc>..................

From Loopers-Delight-request@loopers-delight.com  Sat Jul 21 20:26:10 2001
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At 10:21 AM 7/21/01 -0400, you wrote:
>anyone know of battery
>powered besides the good old Digitech 8000?

The RC-20 can also run on batt'ries, but I don't know how long they'd last.

-t

From Loopers-Delight-request@loopers-delight.com  Sat Jul 21 20:58:41 2001
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At 03:42 PM 7/21/01, Fred wrote:
>I have a question regarding the "sound-on-sound" feature of the Boss RC-20.
>Would you people know if it's possible to record a phrase and play it more 
>than once: say, you play the loop once and you overlay the same loop over by 
>pushing the "play" button a bit later.

Yes.

>If so, how many times could you do this? indefinitely?

In volatile memory it will stay there until you turn the power off or clear
the loop by holding down either one of the footswitches for two seconds.

If it's a 'keeper' that you'll want to use again another day, you can write
the loop to one of the non-volatile storage locations; you can store up to
ten loops and a one-shot for a total of five and a half minutes sample
time. Once they've been written, they'll stay after the power is off
(unless you lose power while recording or playing back a loop; then,
according to the manual, bad things can happen to the stored loops. Hasn't
happened to me yet, but I'm sure it will.)

I'm not all too crazy about the RC-20's interface, but I love the reverse
feature and am especially happy about being able to play long lines into it
without worrying about running out of time. Of course, I'm still using my
short loopers too. (I'm post-processing the SDD-1000 with the new, more
affordably priced Electrix FilterQueen. Yeehaw.)

Now here's a mostly irrelevant (or at least inconsequential) observation
about the RC-20: in early June I was present for the delivery of an RC-20
from the initial batch that was shipped to stores. When the new arrival was
lifted from its box, I distinctly (think I) remember that it was red. A
REAL red, a robust hue, somewhere well within the scarlet/crimson
neighborhood. I got my RC-20 last week, from the next batch. It appears to
come more from the magenta/dark pink part of town. Has anyone else noticed
a color difference between shipments, or is it just my 'magination?

-t

ps: Matt Davignon's comments about me dressing as the ganja fairy
notwithstanding, I'm secure enough in my masculinity to use a pink looping
pedal with impunity...

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Date: Sat, 21 Jul 2001 21:13:06 -0400
To: Loopers-Delight@loopers-delight.com
From: Tim Nelson <tcn62@ici.net>
Subject: Too many loopers, not enough auxes...
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I recently added an RC-20 and a creepy little DFX94 to the Headrush and
SDD-1000 I'd already been using. Since my board (a 12 channel Spirit Folio)
only has two aux sends, I've been experimenting with different ways of
connecting it all for maximum versatility.

Right now, the DFX94 is before the board so it can be in series with any of
the others, the SDD-1000 is in one of the auxes and comes back (through a
filter) to its own channel, and the Headrush and the RC-20 share the other
send via an ABY, each returning to its own channel. This way I can have up
to four separate unsynched loops happening simultaneously, each with its
own EQ and fader. With the aux send controls on THOSE channels, it can get
even weirder, routing signals from one looper to another.

I'm still far from sure that it's the best way to connect it all, though.
How have you guys approached using a massed pile of several simple loopers
in combination (as opposed to a more multi-functioned device like the EDP)?

-t

From Loopers-Delight-request@loopers-delight.com  Sat Jul 21 21:34:39 2001
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Date: Sat, 21 Jul 2001 21:33:00 EDT
Subject: Re: Loopfest in New York, getting together
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Hey Guys:  I'm a ny based saxaphone clarinet mandolin and keyboard playing 
loopist and lawyer who is not quite ready for prime time as a looper but who 
would be happy to help with legwork/promotion or legal work (should that be 
necessary) - Please email me off list if you think there is anything I can 
assist with -  Harry

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<HTML><FONT FACE=arial,helvetica><FONT  COLOR="#000080" SIZE=2 FAMILY="SANSSERIF" FACE="Century Gothic" LANG="0">Hey Guys: &nbsp;I'm a ny based saxaphone clarinet mandolin and keyboard playing 
<BR>loopist and lawyer who is not quite ready for prime time as a looper but who 
<BR>would be happy to help with legwork/promotion or legal work (should that be 
<BR>necessary) - Please email me off list if you think there is anything I can 
<BR>assist with - &nbsp;Harry</FONT></HTML>

--part1_d6.9895fc8.288b874c_boundary--

From Loopers-Delight-request@loopers-delight.com  Sat Jul 21 22:24:45 2001
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Date: Sat, 21 Jul 2001 19:20:15 -0700
To: Loopers-Delight@loopers-delight.com
From: Kim Flint <kflint@loopers-delight.com>
Subject: Re: sp-303 and midi control
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At 4:03 PM -0700 7/21/01, jef lear wrote:
>my query is this:
>i own a sp-303 (which i'm well pleased with)
>and want to trigger samples with my feet both
>live and recording. since i am not familiar
>with the specifics of midi, i was wondering
>if it was possible to use a foot controller
>with said device.

this is possible with a full-featured midi pedal. Basically, you need one
that can send midi note-on messages. That includes pedals like digitech
pmc-10, rocktron AllAccess, lake-butler midigator, roland fc-200, yamaha
mfc-10. It does NOT include pedals that only send program change messages,
and are really meant just for changing patches on rack mount multi-effects.
(digital music ground control is in that category, for example.)  It seems
that many of the best midi pedals are out of production. look around for
them used.

kim

______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com


From Loopers-Delight-request@loopers-delight.com  Sat Jul 21 22:26:32 2001
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From: jef lear <static@polishoperative.com>
To: !! loopers delight mailing list <Loopers-Delight@loopers-delight.com>
Subject: Re: sp-303 and midi control
Date: Sat, 21 Jul 2001 21:22:44 -0500
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>At 4:03 PM -0700 7/21/01, jef lear wrote:
>>my query is this:
>>i own a sp-303 (which i'm well pleased with)
>>and want to trigger samples with my feet both
>>live and recording. since i am not familiar
>>with the specifics of midi, i was wondering
>>if it was possible to use a foot controller
>>with said device.
>
>this is possible with a full-featured midi pedal. Basically, you need one

thank you so much!! youve
given me hope!

you rock! (in a looper sort of way)
jef

From Loopers-Delight-request@loopers-delight.com  Sat Jul 21 23:50:05 2001
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Date: Sat, 21 Jul 2001 23:49:48 -0400
Subject: Re: Loopfest in New York, getting to
From: Steve Sandberg <stevesandberg@earthlink.net>
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> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

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So that's 7 people already who are interested -- doesn't seem like 2 or 3
sets would do it.
Anyone have any idea how to organize this?  I'm terrible at organization,
but am willing to use my Knit contacts to get us a venue --
Perhaps ask for 2 sequential nites?  3?  Help! 

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<FONT SIZE=3D"4">So that's 7 people already who are interested -- doesn't see=
m like 2 or 3 sets would do it.<BR>
Anyone have any idea how to organize this? &nbsp;I'm terrible at organizati=
on, but am willing to use my Knit contacts to get us a venue --<BR>
Perhaps ask for 2 sequential nites? &nbsp;3? &nbsp;Help!</FONT>
</BODY>
</HTML>


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From Loopers-Delight-request@loopers-delight.com  Sun Jul 22 00:39:51 2001
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Date: Sat, 21 Jul 2001 21:38:23 -0700 (PDT)
From: John Tidwell <wedgehed@yahoo.com>
Subject: Re: Too many loopers, not enough auxes...
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David Coffin submitted a post awhile back that gave
his solution using a Mackie. What it came down to was
using buss assignments & spare mixer outputs as fx
sends. I cheated an extra fx send out of the mixer on
my Tascam 488 by using its monitor outputs.

I was recently going thru a box of old hi-fi system
junk & came across a little box called a Tape Control
Center, made by Realistic. It allowed you to hook up
to 3 tape decks to the tape monitor connection on a
home stereo receiver. It has switches that allows for
a rec/play/dub matrix. I now have it hooked to 2 aux
sends from a Rocktron G612 rack mixer to provide 3
stereo fx sends. I currently have my Vortex, DL-4, &
Digitech 2101 connected to this. The other 2 sends on
the G612 go to my EDP & Digitech 2120. I'm still
tinkering with the setup & wondering how I'll work
the repeater into all of this.

I wish Line 6 would come out with a "mixer modeler".
That way I could turn a knob & have 8 aux sends & 24
channels. ;-)

John


--- Tim Nelson <tcn62@ici.net> wrote:
> 
> I'm still far from sure that it's the best way to
> connect it all, though.
> How have you guys approached using a massed pile of
> several simple loopers
> in combination (as opposed to a more
> multi-functioned device like the EDP)?
> 
> -t
> 


=====
John Tidwell




__________________________________________________
Do You Yahoo!?
Make international calls for as low as $.04/minute with Yahoo! Messenger
http://phonecard.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Sun Jul 22 00:52:32 2001
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Date: Sat, 21 Jul 2001 21:46:11 -0700
From: Richard Zvonar <zvonar@zvonar.com>
Subject: Re: Too many loopers, not enough auxes...
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At 9:38 PM -0700 7/21/01, John Tidwell wrote:

>I wish Line 6 would come out with a "mixer modeler".
>That way I could turn a knob & have 8 aux sends & 24
>channels. ;-)

LCS makes one of those.
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

From Loopers-Delight-request@loopers-delight.com  Sun Jul 22 03:46:32 2001
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References: 
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Date: Sun, 22 Jul 2001 00:43:14 -0700
To: Loopers-Delight@loopers-delight.com
From: Kim Flint <kflint@loopers-delight.com>
Subject: Re: hosting looper's delight site?
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At 12:09 PM -0700 7/21/01, Tom Ritchford wrote:
>I need a server for my own purposes and its capacity mainly goes unused.
>It lives in a dedicated facility somewhere in NJ, it's a Cobalt RaQ 3 if
>that means anything to you... it has the usual array of services
>(cgi, many email addresses, even servlets/JSP)
>
>I host over 70 domains right now.  Of course, most of them
>get very few hits indeed.
>
>
>The usual deal is I do it for free as long as you don't get "too many hits".
>(no one has yet hit this number) and a promise of "something" if you
>"make it big" (no one has done this EITHER but I do get into a lot of
>shows for free).
>
>
>I don't know how many hits Looper's Delight gets, but it can't be that
>many...?  Anyway, I got the impression it's costing someone money
>to host it, money that should be spent on gear (or food or whatever...)

Hi Tom-

thanks for the offer, but I think Looper's Delight might be a lot larger
and more popular than you realize. We already outgrew the usual web hosting
deals had to move to a dedicated co-located server a year and a half ago.
This server (450MHz celeron based linux machine) is fully customized by us
and already beefier than a typical RaQ3, and right now I'm considering
upgrading to a 1GHz PIII server because we are outgrowing it. LD shares it
with a couple of other big sites that I partnered up with. Looper's Delight
by itself, per month, is about 400,000 page views, 700,000 file requests
(hits), 100,000 user sessions, 9GB of bandwidth, and around 1GB of disk
space. Plus a fair amount of CPU in handling the search engine, archiving
and indexing the list, ad serving, mailing list, web server, dns, etc. The
mailing list might have to send anywhere from 25,000 to 100,000 mails a
day. It gets much bigger when you add in the rest of my internet activities
and sites that I host, those monthly totals are about 1 million page views,
9 million hits/files, 40GB bandwidth, and about 6GB of disk space. As it
happens, all of these sites are growing like weeds, and a few other big
sites are getting ready to come on line. so it's only gonna get bigger! And
after many miserable web hosting experiences, these days I insist of full
root access, guaranteed uptime, 24 hour tech support and hardware
monitoring, fully redundant backbone connections, not sharing a server with
100 other sites, etc. So I'm guessing, this is way beyond what you are
willing to do for free...

All this is not cheap, but there is no danger of it going offline. Income
from the sites pays about half of it, and the rest is affordable for me.
However, I would prefer to see LD be self-sufficient. In other words, it
should not be freeloading off of me or you or anybody else to exist, it
should pay it's own way. For this, I hope the people who use the site and
enjoy the list can help out. That can be through buying Looper's Delight
cd's, or using the affiliate links I have on the LD site when you can to
buy gear (zzounds, sonic foundry, amazon), or making a donation through the
donation links I've got set up on the site, or buying a t-shirt when we get
around to that. And any of you who have something to advertise, LD is a
fine place to do it and I'm happy to make some reasonable deal to make it
work. Could be a product you sell, or your own cd, or something else. The
whole looping world is watching if you put it on LD!

enough groveling for now. :-)

kim

______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com


From Loopers-Delight-request@loopers-delight.com  Sun Jul 22 06:48:52 2001
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Subject: R: Too many loopers, not enough auxes...
Date: Sun, 22 Jul 2001 12:30:08 +0200
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I am working with an Allen & Heat Gl2 ( i think the update model has another
name). It has 12 channels and 6 auxes, all configurable pre-post.
I enter with my clean preamplified signal that goes in channel 1.
The 6 auxes are divided in 3 stereo pairs, so i can drive 3 stereo fx. Their
outputs come in from the channel strips, so they can be processed going back
in any aux send again.
There are also the four mono groups sends that I have been using to feed the
loopers, whose outputs once again come in through the channel strips.
It is an easy-to-see and control configuraton.
I am waiting for the release of the Event EZ1, a digital mixer that (on
paper) should allow any configuration using its several ins/outs.
It also switch itself into a midi controller: in less words this machine
should do what a Switchblade and a Peavey 1600x can do together. (I still
have to touch and check one, so these thoughts could be easily found
uncorrect).
I also have a Rocktron Rack Interface that I use no more, should it interest
anyone, mail me.
all my best
luca

----- Original Message -----
From: John Tidwell <wedgehed@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, July 22, 2001 6:38 AM
Subject: Re: Too many loopers, not enough auxes...


> David Coffin submitted a post awhile back that gave
> his solution using a Mackie. What it came down to was
> using buss assignments & spare mixer outputs as fx
> sends. I cheated an extra fx send out of the mixer on
> my Tascam 488 by using its monitor outputs.
>
> I was recently going thru a box of old hi-fi system
> junk & came across a little box called a Tape Control
> Center, made by Realistic. It allowed you to hook up
> to 3 tape decks to the tape monitor connection on a
> home stereo receiver. It has switches that allows for
> a rec/play/dub matrix. I now have it hooked to 2 aux
> sends from a Rocktron G612 rack mixer to provide 3
> stereo fx sends. I currently have my Vortex, DL-4, &
> Digitech 2101 connected to this. The other 2 sends on
> the G612 go to my EDP & Digitech 2120. I'm still
> tinkering with the setup & wondering how I'll work
> the repeater into all of this.
>
> I wish Line 6 would come out with a "mixer modeler".
> That way I could turn a knob & have 8 aux sends & 24
> channels. ;-)
>
> John
>
>
> --- Tim Nelson <tcn62@ici.net> wrote:
> >
> > I'm still far from sure that it's the best way to
> > connect it all, though.
> > How have you guys approached using a massed pile of
> > several simple loopers
> > in combination (as opposed to a more
> > multi-functioned device like the EDP)?
> >
> > -t
> >
>
>
> =====
> John Tidwell
>
>
>
>
> __________________________________________________
> Do You Yahoo!?
> Make international calls for as low as $.04/minute with Yahoo! Messenger
> http://phonecard.yahoo.com/
>
>

From Loopers-Delight-request@loopers-delight.com  Sun Jul 22 07:21:11 2001
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Subject: SV: Loopfest in New York, getting together
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I would be very interested to represent old mary Europe.
I have to be in NY some time this fall anyway, it would be great to
meet you guys .

Elias.
http://home.swipnet.se/faingersh



-----Ursprungligt meddelande-----
Från: Jehn <juno7@cfl.rr.com>
Till: Loopers-Delight@loopers-delight.com <Loopers-Delight@loopers-delight.com>
Datum: den 22 juli 2001 01:43
Ämne: Re: Loopfest in New York, getting together


>I would be interested..would be a great excuse to visit my bro in L.I.
>Jehn
>----- Original Message -----
>From: "Tom Ritchford" <tom@swirly.com>
>To: <Loopers-Delight@loopers-delight.com>
>Sent: Saturday, July 21, 2001 2:12 PM
>Subject: Re: Loopfest in New York, getting together
>
>
>> >i can contact the knit/tonic, if you'd like --- though it'll be a few
>days to
>> >a week, before i do.
>> >so:
>> >1) how many loopers; who?
>>
>> so far the following have expressed interest:
>>
>>    myself
>>    David Lee Myers
>>    todd reynolds
>>    Steve Sandberg
>>    dt
>>
>>
>> >2) any dj's interested?
>>
>> Gee, an interesting point!  I know a lot of good DJs but none who
>> loop...
>>
>>
>>
>> >3) who will be 'production manager/coordinator'?
>>
>> I can do this.
>>
>>
>> >etc etc.
>> >i'm not free, myself, until september 15th, or so.
>>
>> Just as well.  I need to relaunch extreme NY radio (yes,
>> I am working on this... I think it will be worth the wait)
>> and I have to make my new show (adding the Buchla Thunder
>> and the K2600 and, conceivably, a Repeater, a new looper,
>> have you heard about it?)
>>
>> So September is just the right time.
>>
>>
>> Steve Sandburg has volunteered to contact the Knit, but,
>> hey, more volume never hurts.
>>
>> I have a nodding acquaintance with E# (I've a cut on
>> State of the Union 2.001 and he's on my mailing list)
>> but don't think I'm in a position to book it... hint,
>> hint.
>>
>> /t
>>
>>
>>
>> .......all legal games of chess
><http://solveChess.com/chess?refresh=0>......
>> .....programmer's documentation
><http://solveChess.com/doc>..................
>>
>>
>
>


From Loopers-Delight-request@loopers-delight.com  Sun Jul 22 09:14:15 2001
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From: "David Beardsley" <db@biink.com>
To: <Loopers-Delight@loopers-delight.com>
References: <B77FC59C.1054%stevesandberg@earthlink.net>
Subject: Re: Loopfest in New York, getting to
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Re: Loopfest in New York, getting toHow about an afternoon and evening?

David Beardsley
  ----- Original Message -----=20
  From: Steve Sandberg=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Saturday, July 21, 2001 11:49 PM
  Subject: Re: Loopfest in New York, getting to


  So that's 7 people already who are interested -- doesn't seem like 2 =
or 3 sets would do it.
  Anyone have any idea how to organize this?  I'm terrible at =
organization, but am willing to use my Knit contacts to get us a venue =
--
  Perhaps ask for 2 sequential nites?  3?  Help!=20

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD><TITLE>Re: Loopfest in New York, getting to</TITLE>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.2614.3500" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>How about an afternoon and =
evening?</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>David Beardsley</FONT></DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: =
0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A href=3D"mailto:stevesandberg@earthlink.net"=20
  title=3Dstevesandberg@earthlink.net>Steve Sandberg</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  href=3D"mailto:Loopers-Delight@loopers-delight.com"=20
  =
title=3DLoopers-Delight@loopers-delight.com>Loopers-Delight@loopers-delig=
ht.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Saturday, July 21, 2001 =
11:49=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Loopfest in New =
York,=20
  getting to</DIV>
  <DIV><BR></DIV><FONT size=3D4>So that's 7 people already who are =
interested --=20
  doesn't seem like 2 or 3 sets would do it.<BR>Anyone have any idea how =
to=20
  organize this? &nbsp;I'm terrible at organization, but am willing to =
use my=20
  Knit contacts to get us a venue --<BR>Perhaps ask for 2 sequential =
nites?=20
  &nbsp;3? &nbsp;Help!</FONT> </BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sun Jul 22 10:16:08 2001
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From: "David Beardsley" <db@biink.com>
To: <Undisclosed-Recipient:@hemlock.violacea.com;>
Subject: live microtonal guitar in NYC, 7.26.2001
Date: Sun, 22 Jul 2001 10:19:37 -0400
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Folks! It's the first time I'm playing my microtonal guitar in public. =
Live
loops & drones. I'll also have the fretless so slide around on.
Come on down to Nova Nights on Thursday night to hear this historic =
concert!

David Beardsley


One of the New York area's foremost microtonal
guitarists brings his intricate playing to The Den.=20
Meditative and mesmerizing, Beardsley's playing is steeped in=20
Indian music and blues as much as it is late 20th century minimalist =
tradition.


Thursday, July 26 at 8:00 p.m.
Nova Nights at The Den at Two Boots
44 Avenue A (at E. 3rd St).=20
The cover is $8.00, which includes one drink.

Also appearing at Nova Nights with David are folk noir
Tea, from Chicago, local songwriter Tony Scherr and=20
offbeat vaudevillian John Southworth.

http://biink.com/db


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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.2614.3500" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff><FONT face=3D"Gill Sans" size=3D4>
<P align=3Dleft><FONT face=3DArial size=3D2>Folks! It's the first time =
I'm playing my=20
microtonal guitar in public. Live<BR>loops&nbsp;&amp; drones. I'll also =
have the=20
fretless so slide around on.<BR>Come on down to Nova Nights on Thursday =
night to=20
hear this historic concert!</FONT></P>
<P align=3Dleft><STRONG>David Beardsley</STRONG></P></FONT><FONT =
face=3D"Gill Sans">
<P align=3Dleft></P>
<P align=3Dleft><FONT size=3D2>One of the New York area's foremost=20
microtonal<BR>guitarists brings his intricate playing to The Den. =
<BR>Meditative=20
and mesmerizing, Beardsley's playing is steeped in <BR>Indian music and =
blues as=20
much as it is late 20th century minimalist tradition.<BR></FONT><FONT=20
size=3D2></FONT></P>
<P align=3Dleft><FONT size=3D2>Thursday, July 26 at 8:00 p.m.<BR>Nova =
Nights at The=20
Den at Two Boots<BR>44 Avenue A (at E. 3rd St). <BR>The cover is $8.00, =
which=20
includes one drink.<BR><BR></FONT><FONT face=3D"Gill Sans"></FONT><FONT=20
size=3D2>Also appearing at Nova Nights with David are folk =
noir<BR></FONT><FONT=20
size=3D2>Tea, from Chicago, local songwriter </FONT><FONT size=3D2>Tony =
Scherr and=20
<BR>offbeat vaudevillian John Southworth.</FONT></P></FONT><FONT=20
size=3D2></FONT><FONT face=3D"Gill Sans" size=3D2>
<P align=3Dleft>http://biink.com/db</P></FONT></BODY></HTML>

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In a message dated 7/21/01 7:55:02 PM Eastern Daylight Time, tom@swirly.com 
writes:


> 

non-academic i can do but i look just awful in spandex.....:)m

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>In a message dated 7/21/01 7:55:02 PM Eastern Daylight Time, tom@swirly.com 
<BR>writes:
<BR>
<BR>
<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">you need to make it sexy and non-academic</BLOCKQUOTE>
<BR>
<BR>non-academic i can do but i look just awful in spandex.....:)m</FONT></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sun Jul 22 10:47:50 2001
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From: "M. Steven Ginn" <sginn@airmail.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Too many loopers, not enough auxes...
Date: Sun, 22 Jul 2001 09:44:46 -0500
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I ordered an EZ Bus in Oct but got tired of the "only two more months till
its ready" remarks.  I think it is a great concept if you are willing to use
an external mixer (non rack mounted).

Recently I have decided to install an Ashly LX308B which is 8 stereo
channels (with no busses) and then will run my processing, effects and
looping in series from the Ashly main outs.  Hopefully it will work as I
don't know any other way to set up so that I don't have to connect
everything up when I set up.

Regards,
Steve

P.S. I too have a Rocktron Rack Interface.  A great device, but I just don't
have any more room for it so I would be willing to sell it as well.

> I am waiting for the release of the Event EZ1, a digital mixer that (on
> paper) should allow any configuration using its several ins/outs.
> It also switch itself into a midi controller: in less words this machine
> should do what a Switchblade and a Peavey 1600x can do together. (I still
> have to touch and check one, so these thoughts could be easily found
> uncorrect).
> I also have a Rocktron Rack Interface that I use no more, should
> it interest
> anyone, mail me.
> all my best
> luca
>
> ----- Original Message -----
> From: John Tidwell <wedgehed@yahoo.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Sunday, July 22, 2001 6:38 AM
> Subject: Re: Too many loopers, not enough auxes...
>
>
> > David Coffin submitted a post awhile back that gave
> > his solution using a Mackie. What it came down to was
> > using buss assignments & spare mixer outputs as fx
> > sends. I cheated an extra fx send out of the mixer on
> > my Tascam 488 by using its monitor outputs.
> >
> > I was recently going thru a box of old hi-fi system
> > junk & came across a little box called a Tape Control
> > Center, made by Realistic. It allowed you to hook up
> > to 3 tape decks to the tape monitor connection on a
> > home stereo receiver. It has switches that allows for
> > a rec/play/dub matrix. I now have it hooked to 2 aux
> > sends from a Rocktron G612 rack mixer to provide 3
> > stereo fx sends. I currently have my Vortex, DL-4, &
> > Digitech 2101 connected to this. The other 2 sends on
> > the G612 go to my EDP & Digitech 2120. I'm still
> > tinkering with the setup & wondering how I'll work
> > the repeater into all of this.
> >
> > I wish Line 6 would come out with a "mixer modeler".
> > That way I could turn a knob & have 8 aux sends & 24
> > channels. ;-)
> >
> > John
> >
> >
> > --- Tim Nelson <tcn62@ici.net> wrote:
> > >
> > > I'm still far from sure that it's the best way to
> > > connect it all, though.
> > > How have you guys approached using a massed pile of
> > > several simple loopers
> > > in combination (as opposed to a more
> > > multi-functioned device like the EDP)?
> > >
> > > -t
> > >
> >
> >
> > =====
> > John Tidwell
> >
> >
> >
> >
> > __________________________________________________
> > Do You Yahoo!?
> > Make international calls for as low as $.04/minute with Yahoo! Messenger
> > http://phonecard.yahoo.com/
> >
> >
>
>

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In a message dated 7/21/01 9:16:00 PM Eastern Daylight Time, tcn62@ici.net 
writes:


> I'm still far from sure that it's the best way to connect it all, though.
> How have you guys approached using a massed pile of several simple loopers
> in combination (as opposed to a more multi-functioned device like the EDP)?
> 

my problem also tim.....its time for the yearly "please post your signal 
path" thread.....with the addition of all the electrix pieces that lots of us 
got, i have no idea what im doing (as if i ever did).....this is how i am set 
up today:

my ae-185 has two outs, one piezo and one elec.....piezo->sans amp gt-2->
mackie 1202 vlz-pro (channel 3).....
electric-> mackie 1202 (channel 4).....
aux send 1->zoom 2100->digi space pedal xp 300->boss delay dm-3->boomerang 
both line out and aux out ->filter factory->warp factory->mo-fx one left out 
straight to mackie 1202 (channel 1)right out->de armond twister (phase 
shifter)->mackie1202 (channel 2).....
aux send 2->alesis q-2 right back into aux returns.....
casio cz-5000 and mic both go straight to the mackie1202

here is a question for rang users, do you fine a real drop off in power with 
the aux send on the rang? i really got to boost its volume at the 
mackie.....ok, now if anyone got this far in my post and you have suggestions 
please post me off list.....i bet there are almost infinite ways to connect 
all of this stuff and i would be so sad to miss some obvious goonzo 
connection making my system sound a little bit like the famed "againinater" 
(sp?).....perhaps this is too much to hope for.....:)m

p.s. i will be curious to see how this post prints on LD

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>In a message dated 7/21/01 9:16:00 PM Eastern Daylight Time, tcn62@ici.net 
<BR>writes:
<BR>
<BR>
<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">I'm still far from sure that it's the best way to connect it all, though.
<BR>How have you guys approached using a massed pile of several simple loopers
<BR>in combination (as opposed to a more multi-functioned device like the EDP)?
<BR></BLOCKQUOTE>
<BR>
<BR>my problem also tim.....its time for the yearly "please post your signal 
<BR>path" thread.....with the addition of all the electrix pieces that lots of us 
<BR>got, i have no idea what im doing (as if i ever did).....this is how i am set 
<BR>up today:
<BR>
<BR>my ae-185 has two outs, one piezo and one elec.....piezo-&gt;sans amp gt-2-&gt;
<BR>mackie 1202 vlz-pro (channel 3).....
<BR>electric-&gt; mackie 1202 (channel 4).....
<BR>aux send 1-&gt;zoom 2100-&gt;digi space pedal xp 300-&gt;boss delay dm-3-&gt;boomerang 
<BR>both line out and aux out -&gt;filter factory-&gt;warp factory-&gt;mo-fx one left out 
<BR>straight to mackie 1202 (channel 1)right out-&gt;de armond twister (phase 
<BR>shifter)-&gt;mackie1202 (channel 2).....
<BR>aux send 2-&gt;alesis q-2 right back into aux returns.....
<BR>casio cz-5000 and mic both go straight to the mackie1202
<BR>
<BR>here is a question for rang users, do you fine a real drop off in power with 
<BR>the aux send on the rang? i really got to boost its volume at the 
<BR>mackie.....ok, now if anyone got this far in my post and you have suggestions 
<BR>please post me off list.....i bet there are almost infinite ways to connect 
<BR>all of this stuff and i would be so sad to miss some obvious goonzo 
<BR>connection making my system sound a little bit like the famed "againinater" 
<BR>(sp?).....perhaps this is too much to hope for.....:)m
<BR>
<BR>p.s. i will be curious to see how this post prints on LD</FONT></HTML>

--part1_94.172603cc.288c43b4_boundary--

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______________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Sun Jul 22 11:39:05 2001
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Date: Sun, 22 Jul 2001 11:27:22 -0400
Subject: Re: Loopfest in New York, getting to
From: todd reynolds <toddreynolds@rcn.com>
To: <Loopers-Delight@loopers-delight.com>
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One idea could be to book one night in the old office, three weeks in a row=
.
Probably Monday or Tuesday nite would be best...,  then we have sort of a
curated series...Whoever has the most visibility or best relationship with
the knit could actually take on the =B3curational=B2 role...  I probably am Not
that person, however, I don=B9t book there too often...






On 7/21/01 11:49 PM, "Steve Sandberg" <stevesandberg@earthlink.net> wrote:

> So that's 7 people already who are interested -- doesn't seem like 2 or 3=
 sets
> would do it.
> Anyone have any idea how to organize this?  I'm terrible at organization,=
 but
> am willing to use my Knit contacts to get us a venue --
> Perhaps ask for 2 sequential nites?  3?  Help!
>=20


--B_3078646043_44321
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<HTML>
<HEAD>
<TITLE>Re: Loopfest in New York, getting to</TITLE>
</HEAD>
<BODY>
<FONT FACE=3D"Verdana">One idea could be to book one night in the old office,=
 three weeks in a row. &nbsp;Probably Monday or Tuesday nite would be best..=
., &nbsp;then we have sort of a curated series...Whoever has the most visibi=
lity or best relationship with the knit could actually take on the &#8220;cu=
rational&#8221; role... &nbsp;I probably am Not that person, however, I don&=
#8217;t book there too often... <BR>
<BR>
<BR>
<BR>
<BR>
<BR>
<BR>
On 7/21/01 11:49 PM, &quot;Steve Sandberg&quot; &lt;stevesandberg@earthlink=
.net&gt; wrote:<BR>
<BR>
</FONT><BLOCKQUOTE><FONT FACE=3D"Verdana"><FONT SIZE=3D"4">So that's 7 people a=
lready who are interested -- doesn't seem like 2 or 3 sets would do it.<BR>
Anyone have any idea how to organize this? &nbsp;I'm terrible at organizati=
on, but am willing to use my Knit contacts to get us a venue --<BR>
Perhaps ask for 2 sequential nites? &nbsp;3? &nbsp;Help!</FONT> <BR>
</FONT></BLOCKQUOTE><FONT FACE=3D"Verdana"><BR>
</FONT>
</BODY>
</HTML>


--B_3078646043_44321--

From Loopers-Delight-request@loopers-delight.com  Sun Jul 22 11:50:32 2001
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Date: Sun, 22 Jul 2001 11:43:45 -0400
Subject: Re: Loopfest in New York...
From: kenn lowy <klowy@wrinklemuzik.com>
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maybe it makes 8, i'd also love to play (wrinklemuzik - aka kenn lowy).

i've played at the knit a bunch of times. my suggestion would be two nights
but perhaps, try and do a special event like "loop nights, sunday nights at
the knitting factory" and take two sunday nights. sunday nights are usually
a bit quiet, and maybe even do it early(ish).

also, if we're all solo loopers, have two people set up at a time, so we can
do 4 loopers at each show. take a break after the 2nd loopers and set the
next two up.

just my thoughts.


klowy
nyc


www.mp3.com/wrinklemuzik/



From: Steve Sandberg <stevesandberg@earthlink.net>
Date: Sat, 21 Jul 2001 23:49:48 -0400
To: <Loopers-Delight@loopers-delight.com>
Subject: Re: Loopfest in New York, getting to

So that's 7 people already who are interested -- doesn't seem like 2 or 3
sets would do it.
Anyone have any idea how to organize this?  I'm terrible at organization,
but am willing to use my Knit contacts to get us a venue --
Perhaps ask for 2 sequential nites?  3?  Help! 

From Loopers-Delight-request@loopers-delight.com  Sun Jul 22 11:53:08 2001
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References: <94.172603cc.288c43b4@aol.com>
Subject: R: Too many loopers, not enough auxes...
Date: Sun, 22 Jul 2001 17:49:10 +0200
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My signal chain (for the moment, i'm looking to an upgrade for the mixer =
and to multiply my loopers) is:

7 Strings guitar > Dunlop wha > Akai Distortion > Analog Phaser > Pod =
2.0 > Channel 1 & 2 on Behringer mx 2004 mixer
Acoustic guitar (piezo out) > channel 3
AKG and Nady mics > channel 4 & 5
Philips (old) stereo dynamic mic > channels 6 & 7
Mixer Aux send 1 > Akai Headrush > Boss VF-1 > channel 9/10 (stereo =
channel)
Mixer Aux send 2 > EDP Pro > Korg A1 >channel 11/12 (stereo channel)
Groups 1,2,3,4 > Lexicon core2 card then back in the mixer with the 8 =
outs
Control Room outs > SSI amplifier
Main outs > SB Live then back in the mixer
Tape in and out free for other fx or my notebook.
Sometimes a Quadraverb or other fx in the Korg A1 fx loop
Compressors in the channel inserts (mainly for mics)

  ----- Original Message -----=20
  From: Nemoguitt@aol.com=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Sunday, July 22, 2001 4:56 PM
  Subject: Re: Too many loopers, not enough auxes...


  In a message dated 7/21/01 9:16:00 PM Eastern Daylight Time, =
tcn62@ici.net=20
  writes:=20



    I'm still far from sure that it's the best way to connect it all, =
though.=20
    How have you guys approached using a massed pile of several simple =
loopers=20
    in combination (as opposed to a more multi-functioned device like =
the EDP)?=20



  my problem also tim.....its time for the yearly "please post your =
signal=20
  path" thread.....with the addition of all the electrix pieces that =
lots of us=20
  got, i have no idea what im doing (as if i ever did).....this is how i =
am set=20
  up today:=20

  my ae-185 has two outs, one piezo and one elec.....piezo->sans amp =
gt-2->=20
  mackie 1202 vlz-pro (channel 3).....=20
  electric-> mackie 1202 (channel 4).....=20
  aux send 1->zoom 2100->digi space pedal xp 300->boss delay =
dm-3->boomerang=20
  both line out and aux out ->filter factory->warp factory->mo-fx one =
left out=20
  straight to mackie 1202 (channel 1)right out->de armond twister (phase =

  shifter)->mackie1202 (channel 2).....=20
  aux send 2->alesis q-2 right back into aux returns.....=20
  casio cz-5000 and mic both go straight to the mackie1202=20

  here is a question for rang users, do you fine a real drop off in =
power with=20
  the aux send on the rang? i really got to boost its volume at the=20
  mackie.....ok, now if anyone got this far in my post and you have =
suggestions=20
  please post me off list.....i bet there are almost infinite ways to =
connect=20
  all of this stuff and i would be so sad to miss some obvious goonzo=20
  connection making my system sound a little bit like the famed =
"againinater"=20
  (sp?).....perhaps this is too much to hope for.....:)m=20

  p.s. i will be curious to see how this post prints on LD=20

------=_NextPart_000_0014_01C112D6.9CDE4C00
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.2614.3500" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>My signal chain (for the moment, i'm =
looking to an=20
upgrade for the mixer and to multiply my loopers) is:</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>7 Strings guitar &gt; Dunlop wha &gt; =
Akai=20
Distortion &gt; Analog Phaser &gt; Pod 2.0 &gt; Channel 1 &amp; 2 on =
Behringer=20
mx 2004 mixer</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Acoustic guitar (piezo out) &gt; =
channel=20
3</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>AKG and Nady mics&nbsp;&gt; channel 4 =
&amp;=20
5</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Philips (old) stereo dynamic mic &gt; =
channels 6=20
&amp; 7</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Mixer&nbsp;Aux send 1 &gt; Akai =
Headrush &gt; Boss=20
VF-1 &gt; channel 9/10 (stereo channel)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Mixer Aux send 2 &gt; EDP Pro &gt; Korg =
A1=20
&gt;channel 11/12 (stereo channel)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Groups 1,2,3,4 &gt; Lexicon core2 card =
then back in=20
the mixer with the 8 outs</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Control Room outs &gt; SSI =
amplifier</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Main outs &gt; SB Live then back in the =

mixer</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Tape in and out free for other fx or my =

notebook.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Sometimes a Quadraverb or other fx in =
the Korg A1=20
fx loop</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Compressors in the channel inserts =
(mainly for=20
mics)</FONT></DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: =
0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A href=3D"mailto:Nemoguitt@aol.com"=20
  title=3DNemoguitt@aol.com>Nemoguitt@aol.com</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  href=3D"mailto:Loopers-Delight@loopers-delight.com"=20
  =
title=3DLoopers-Delight@loopers-delight.com>Loopers-Delight@loopers-delig=
ht.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Sunday, July 22, 2001 =
4:56 PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Too many loopers, =
not enough=20
  auxes...</DIV>
  <DIV><BR></DIV><FONT face=3Darial,helvetica><FONT size=3D2>In a =
message dated=20
  7/21/01 9:16:00 PM Eastern Daylight Time, <A=20
  href=3D"mailto:tcn62@ici.net">tcn62@ici.net</A> <BR>writes: =
<BR><BR><BR>
  <BLOCKQUOTE=20
  style=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; =
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px"=20
  TYPE=3D"CITE">I'm still far from sure that it's the best way to =
connect it=20
    all, though. <BR>How have you guys approached using a massed pile of =
several=20
    simple loopers <BR>in combination (as opposed to a more =
multi-functioned=20
    device like the EDP)? <BR></BLOCKQUOTE><BR><BR>my problem also =
tim.....its=20
  time for the yearly "please post your signal <BR>path" thread.....with =
the=20
  addition of all the electrix pieces that lots of us <BR>got, i have no =
idea=20
  what im doing (as if i ever did).....this is how i am set <BR>up =
today:=20
  <BR><BR>my ae-185 has two outs, one piezo and one =
elec.....piezo-&gt;sans amp=20
  gt-2-&gt; <BR>mackie 1202 vlz-pro (channel 3)..... <BR>electric-&gt; =
mackie=20
  1202 (channel 4)..... <BR>aux send 1-&gt;zoom 2100-&gt;digi space =
pedal xp=20
  300-&gt;boss delay dm-3-&gt;boomerang <BR>both line out and aux out=20
  -&gt;filter factory-&gt;warp factory-&gt;mo-fx one left out =
<BR>straight to=20
  mackie 1202 (channel 1)right out-&gt;de armond twister (phase=20
  <BR>shifter)-&gt;mackie1202 (channel 2)..... <BR>aux send 2-&gt;alesis =
q-2=20
  right back into aux returns..... <BR>casio cz-5000 and mic both go =
straight to=20
  the mackie1202 <BR><BR>here is a question for rang users, do you fine =
a real=20
  drop off in power with <BR>the aux send on the rang? i really got to =
boost its=20
  volume at the <BR>mackie.....ok, now if anyone got this far in my post =
and you=20
  have suggestions <BR>please post me off list.....i bet there are =
almost=20
  infinite ways to connect <BR>all of this stuff and i would be so sad =
to miss=20
  some obvious goonzo <BR>connection making my system sound a little bit =
like=20
  the famed "againinater" <BR>(sp?).....perhaps this is too much to hope =

  for.....:)m <BR><BR>p.s. i will be curious to see how this post prints =
on=20
  LD</FONT> </FONT></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0014_01C112D6.9CDE4C00--

From Loopers-Delight-request@loopers-delight.com  Sun Jul 22 12:22:39 2001
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 <001701c112c5$da839bc0$a0af1597@invisible>
Date: Sun, 22 Jul 2001 12:09:35 -0400
To: Loopers-Delight@loopers-delight.com
From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Best Rack Mixer was Re: R: Too many loopers, not enough auxes...
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Hi.

This thread is reminding me that the pots on my mixer (Roland M-16) 
are getting old and flaky. Can anyone recommend a reasonably compact 
rackable mixer with at least 4 sends?


Thanks.
-- 

"The reasonable man adapts himself to the world. The unreasonable man 
persists in adapting the world to himself. Therefore, all progress 
depends on the unreasonable man.

--  George Bernard Shaw

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

From Loopers-Delight-request@loopers-delight.com  Sun Jul 22 13:09:37 2001
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From: "Stephen P. Goodman" <spgoodman@earthlight.net>
To: <Loopers-Delight@loopers-delight.com>
References: <008001c1129f$672a25c0$1c2297d4@elias>
Subject: Re: Loopfest in New York, getting together
Date: Sun, 22 Jul 2001 18:07:57 +0100
Organization: EarthLight Productions
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"Elias Faingersh" <elias@mbox306.swipnet.se> put forth:
> I would be very interested to represent old mary Europe.

Hey, some of us over here are quite butch, you know. :)  

From Loopers-Delight-request@loopers-delight.com  Sun Jul 22 14:07:30 2001
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Subject: R: Best Rack Mixer was Re: R: Too many loopers, not enough auxes...
Date: Sun, 22 Jul 2001 20:03:55 +0200
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You could try giving a look at Behringers and Mackies (not to get back to an
old discussion, but they are almost 90% the same). In the Behringer site
(www.behringer.com) go and see the Eurorack mx2642a. It has 6 sends, 4
groups (+ the stereo out), 8 mono and 4 stereo channels, 8 inserts, phantom,
phones and control room outputs. I'm currently using the Mx2004a, a scaled
down version of this one. Now I'm thinking about changing the mixer with a
2642 or a 3242. The latter one even has a virtualizer multifx processor
inside, and 32 mono inputs (16 mic channels), and an internal "talkback
mic".
In the mackie line you could see the new 1604vlz or the 2404vlz
(www.mackie.com). These are the best in their price range. Else you could
try digital ones (yamaha pro1 or pro3).

Peace
Luigi

----- Original Message -----
From: Emile Tobenfeld (a.k.a Dr. T) <emile@foryourhead.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, July 22, 2001 6:09 PM
Subject: Best Rack Mixer was Re: R: Too many loopers, not enough auxes...


> Hi.
>
> This thread is reminding me that the pots on my mixer (Roland M-16)
> are getting old and flaky. Can anyone recommend a reasonably compact
> rackable mixer with at least 4 sends?
>
>
> Thanks.
> --
>
> "The reasonable man adapts himself to the world. The unreasonable man
> persists in adapting the world to himself. Therefore, all progress
> depends on the unreasonable man.
>
> --  George Bernard Shaw
>
> Emile Tobenfeld, Ph. D.
> Video Producer Image Processing Specialist
> Video for your HEAD! Boris FX
> http://www.foryourhead.com http://www.borisfx.com
>

From Loopers-Delight-request@loopers-delight.com  Sun Jul 22 17:40:00 2001
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Date: Sun, 22 Jul 2001 17:38:09 EDT
Subject: Gear for Sale
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Hey, all:

I was going to place some gear on eBay but thought I'd shop it here first if 
anyone's interested.

Yamaha MFC10 MIDI Foot Controller (approx. 4 mos. old) used once.
Roland GR-30 Guitar Synthesizer (approx. 7 mos. old).
Roland HPD-15 Handsonic (approx 7 mos. old).
BOSS TU-2 Chromatic Tuner.
ElectoVoice N/D 257 Dynamic Cardiod Microphone.
KAWAI K1-M Synthesizer Module.
Yamaha TG33 Tone Generator.

ALL of the above gear is in mint condition. If interested, make me a 
reasonable pre-owned market price offer.

Regards, Paul


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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>Hey, all:
<BR>
<BR>I was going to place some gear on eBay but thought I'd shop it here first if 
<BR>anyone's interested.
<BR>
<BR>Yamaha MFC10 MIDI Foot Controller (approx. 4 mos. old) used once.
<BR>Roland GR-30 Guitar Synthesizer (approx. 7 mos. old).
<BR>Roland HPD-15 Handsonic (approx 7 mos. old).
<BR>BOSS TU-2 Chromatic Tuner.
<BR>ElectoVoice N/D 257 Dynamic Cardiod Microphone.
<BR>KAWAI K1-M Synthesizer Module.
<BR>Yamaha TG33 Tone Generator.
<BR>
<BR>ALL of the above gear is in mint condition. If interested, make me a 
<BR>reasonable pre-owned market price offer.
<BR>
<BR>Regards, Paul
<BR></FONT></HTML>

--part1_d7.991d818.288ca1c1_boundary--

From Loopers-Delight-request@loopers-delight.com  Sun Jul 22 18:32:33 2001
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Subject: Re: Best Rack Mixer was Re: R: Too many loopers, not enough auxes...
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you might try giving the pots a squirt or 2 of pot cleaner. you may be 
surprised. 
=-) PJ

From Loopers-Delight-request@loopers-delight.com  Sun Jul 22 19:32:31 2001
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Date: Sun, 22 Jul 2001 19:30:45 EDT
Subject: More Gear for Sale (Optek Fretlight)
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Hi, all:

Oh, I forgot. I have a mint condition black Optek Fretlight (strat-type) 
guitar for sale. Comes with power cord (whopee), some old documentation and a 
learning  audio cassette. Price $500.00.

Regards, Paul

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>Hi, all:
<BR>
<BR>Oh, I forgot. I have a mint condition black Optek Fretlight (strat-type) 
<BR>guitar for sale. Comes with power cord (whopee), some old documentation and a 
<BR>learning &nbsp;audio cassette. Price $500.00.
<BR>
<BR>Regards, Paul</FONT></HTML>

--part1_11f.2092a35.288cbc25_boundary--

From Loopers-Delight-request@loopers-delight.com  Sun Jul 22 19:44:27 2001
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Date: Sun, 22 Jul 2001 16:43:14 -0700 (PDT)
From: philip raath <philraath@yahoo.com>
Subject: Re: Loopers-Delight-d Digest V01 #388
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i can't guarantee my availability at this point, but i
would also be interested in playing @ the loopfest, if
ya'll can forgive the possibility of stage fright. got
to fucking get over it sometime i suppose. so i guess
that makes 8? people on the list?

take care,

phil

=====
"Compassion is the sometimes fatal capacity for feeling what
it's like to live inside somebody else's skin.
 
 It is the knowledge that there can never really be any
peace and joy for me until there is peace and joy finally 
for you too." 
                                   -Frederick Buechner

__________________________________________________
Do You Yahoo!?
Make international calls for as low as $.04/minute with Yahoo! Messenger
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From Loopers-Delight-request@loopers-delight.com  Sun Jul 22 22:04:55 2001
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References:  
 <LOBBLELOPJEFONCNJBGNKELLGLAA.healthquestrecruiter@earthlink.net> 
 <LOBBLELOPJEFONCNJBGNKELLGLAA.healthquestrecruiter@earthlink.net>
 <v03102819b78018b44cc4@[63.192.37.242]>
Date: Sun, 22 Jul 2001 21:45:11 -0400
To: Loopers-Delight@loopers-delight.com
From: Tom Ritchford <tom@swirly.com>
Subject: Re: hosting looper's delight site?
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>It gets much bigger when you add in the rest of my internet activities
>and sites that I host, those monthly totals are about 1 million page views,
>9 million hits/files, 40GB bandwidth, and about 6GB of disk space.

Yoinks!  That's more than I have for all 70 domains!


>And any of you who have something to advertise, LD is a
>fine place to do it and I'm happy to make some reasonable deal to make it
>work. Could be a product you sell, or your own cd, or something else. The
>whole looping world is watching if you put it on LD!

a big amen to that.

Looper's Delight seems like it'd be an excellent audience...
a lot of committed musicians who spend a lot of money on
things musical.

The offer still holds for individuals who have small domains
they want served, mind you... let me know!

	/t



.......all legal games of chess <http://solveChess.com/chess?refresh=0>......
.....programmer's documentation <http://solveChess.com/doc>..................

From Loopers-Delight-request@loopers-delight.com  Sun Jul 22 22:38:54 2001
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Date: Sun, 22 Jul 2001 22:26:05 -0400
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From: Tom Ritchford <tom@swirly.com>
Subject: Loopfest NYC update
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I had a nice long conversation with dt today (who very kindly
called me back when I was less hung over... memo to self, don't
forget to eat next time!)

1. diversity.

We need to make sure that we have as much diversity in the show
as possible so that we can showcase as a wide a range of looping
as we can -- and so that we can attract as wide a range of
audience as we can.


2. short sets.

We're, sob, probably going to have to have fairly short sets
because there are just so many people involved.  This will take
some fine logistical planning, too... I know that I rehearse
my setup and have all my cables color coded just to make
setups easy.


3. get a proper space.

No use fucking around with someone's garage in Brooklyn,
let's bust ahead and try to get the best space possible.


4. get a draw to headline.

Get someone who loops and also has an actual draw
to head the bill.


5. get corporate sponsors.

Even a little sponsorship would go a long way.
Traditionally, sponsorship pays for advertising costs:
so....


6. advertise effectively

We need advertising and we don't want to spend
tons of money.  We should pick targets that
might be interested in loopy music, like:

   universities (fliers and posters), esp. NYU which is right there.
   music stores, rehearsal studios and places where musicians go.
   head shops -- if Giuliani hasn't closed them all down yet.
   comic book shops (or is the audience too young?)
 

7. we need a name

We can't call it Looper's Delight

So we need a name.  Nothing has jumped out yet.

dt had an idea so dreadful I can't put it on paper
(well, I don't remember the exact name is the truth,
but it was about regurgitation...)

looplooplooplooploop is my best try so far.
it's quite euphonious if you say it out loud.


it's my best try because it shouldn't be funny
and it also shouldn't be pretentious and all
the other ideas I've had are both.

other ideas solicited.

8. split the profits

We should split the take evenly after expenses.
It could be that there will be more expenses
than profits... better make a tight budget.


9. tape it all

I believe we should get a DAT tape of the whole thing.
I always bring a DAT machine anyway hooked right to
the output of my digital board... so we can get anything
that's not going right to the house mix that way
by just running a line to/through the board.

If we do get somewhere with this, we can knock out
a limited edition CD of it, just for own amusement
if nothing else.  (My personal goal this year is to
release a lot of very short run CDs, 100 or 200 copies
only -- you can get them done in the $5/each range --
number them uniquely and try to sell them to collectors
at a reasonable price...)


10. division of labour

We'll all do everything in some sense but I'll handle
the logistics and make sure that nothing falls on the
floor, dt will talk to the correct people we hope,
and we can all wander around with fliers and posters.


Appendix:  on the audience

I believe that our "natural" audience is a group of older males
who already like things like progressive rock, space rock,
"serious electronic music", "twentieth century music" (now
what do we call THAT now we've left that century?) and that
sort of thing.

I also believe we'll die in the water if we rely on these
people to support our work, though we should certainly reach
out to them.

I think we should pull out all the stops and try to get
all those OTHER people, younger people, women, people
who don't necessarily care about weird music.

If we can get them, us geeks will show up automatically
anyway...


Coda:  for your consideration.

   <http://domainsurfer.com/ssearch.cgi?dom=loop>
  
<http://domainsurfer.com/ssearch.cgi?dom=ny&se=Search+within+these+res 
ults&res=LOOP>
   <http://domainsurfer.com/ssearch.cgi?dom=looploop>



.......all legal games of chess <http://solveChess.com/chess?refresh=0>......
.....programmer's documentation <http://solveChess.com/doc>..................

From Loopers-Delight-request@loopers-delight.com  Sun Jul 22 22:46:20 2001
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To: <Loopers-Delight@loopers-delight.com>
References:  <LOBBLELOPJEFONCNJBGNKELLGLAA.healthquestrecruiter@earthlink.net>  <LOBBLELOPJEFONCNJBGNKELLGLAA.healthquestrecruiter@earthlink.net> <v03102819b78018b44cc4@[63.192.37.242]> <v04205501b7812f376628@[64.81.209.235]>
Subject: Connecticut loopers?
Date: Sun, 22 Jul 2001 22:32:13 -0400
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Hey,

I'm currently in Boston, but I'm relocating to New Haven, CT next month.
Any loopers living in the New Haven area, or anywhere else in the Insurance
State?


Peter

From Loopers-Delight-request@loopers-delight.com  Sun Jul 22 23:05:10 2001
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If it's at the Knit, they charge to make a recording off their board, so be
warned!  This may be true at some other venues I suppose.  No problem if you
want to volunteer to run all performances through your own and sit by it the
whole time (good man!)...

And IMO, nine people doing 20 minute sets sounds like a fine 3 hr. show.
Hopefully the irrepressible Mr. dt can afford us some drawing power...

DLM

on 7/22/01 10:26 PM, Tom Ritchford at tom@swirly.com wrote:

> 9. tape it all
> 
> I believe we should get a DAT tape of the whole thing.
> I always bring a DAT machine anyway hooked right to
> the output of my digital board... so we can get anything
> that's not going right to the house mix that way
> by just running a line to/through the board.
> 
> If we do get somewhere with this, we can knock out
> a limited edition CD of it, just for own amusement
> if nothing else.  (My personal goal this year is to
> release a lot of very short run CDs, 100 or 200 copies
> only -- you can get them done in the $5/each range --
> number them uniquely and try to sell them to collectors
> at a reasonable price...)

From Loopers-Delight-request@loopers-delight.com  Sun Jul 22 23:29:17 2001
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Date: Sun, 22 Jul 2001 23:18:32 -0400
To: Loopers-Delight@loopers-delight.com
From: Tom Ritchford <tom@swirly.com>
Subject: Re: Loopfest NYC update
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>If it's at the Knit, they charge to make a recording off their board, so be
>warned!  This may be true at some other venues I suppose.  No problem if you
>want to volunteer to run all performances through your own and sit by it the
>whole time (good man!)...

that was absolutely my intention.

DAT tapes are 2 hours long, mind you,
and there can't be any overs because
it's going through the digital board...
so "all" I have to do is to make sure
to switch to a new tape at a certain
pre-arranged point ("right after David plays"),
and we're golden.

my usual mistake is forgetting to turn
the tape on in the first place.

I shan't do that.





>And IMO, nine people doing 20 minute sets sounds like a fine 3 hr. show.
>Hopefully the irrepressible Mr. dt can afford us some drawing power...

nine people, three hours, that sounds like a plan.

however, the logistics will be tricky.

my setup has quite a few cables and boxes and
takes some little time.  Yours, David, is
similarly complex.  I'm sure that this is
true of other people.

There is the possibility of having to debug
one or more setups that aren't functioning right.

The audience can't have to wait for any of
the setup time but there isn't going to be
room to have all 9 rigs set up before the show...

Careful use of artists who are DJs or who have a simple
setup, and perhaps preparing offstage and wheeling
in a setup after a set...  that sort of thing.

This can all be made very easy IF we plan it in advance.
We'll do that once we have the lineup down.

    /t



.......all legal games of chess <http://solveChess.com/chess?refresh=0>......
.....programmer's documentation <http://solveChess.com/doc>..................

From Loopers-Delight-request@loopers-delight.com  Mon Jul 23 02:00:56 2001
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Subject: Vortex on ebay
Date: Sun, 22 Jul 2001 22:55:25 -0700
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In case anyone's interested, I have a Vortex for sale on Ebay, ends Monday

Item # 1448392341 

thanks,
Bob

From Loopers-Delight-request@loopers-delight.com  Mon Jul 23 02:18:13 2001
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Kim,
Are all these people loopers ? Obviously there are a number of hits from the
same person but have you any idea who these people are, (I don't expect you
to know them all personally but you know what I mean).
I often use Amazon for books & CD's do you benefit if I access their web
site through the LD site ? If so , I'll go that route in future.

Gareth


Looper's Delight
> by itself, per month, is about 400,000 page views, 700,000 file requests
> (hits), 100,000 user sessions, 9GB of bandwidth, and around 1GB of disk
> space. Plus a fair amount of CPU in handling the search engine, archiving
> and indexing the list, ad serving, mailing list, web server, dns, etc. The
> mailing list might have to send anywhere from 25,000 to 100,000 mails a
> day. It gets much bigger when you add in the rest of my internet
activities
> and sites that I host, those monthly totals are about 1 million page
views,
> 9 million hits/files, 40GB bandwidth, and about 6GB of disk space. As it
> happens, all of these sites are growing like weeds,

>
> All this is not cheap, but there is no danger of it going offline. Income
> from the sites pays about half of it, and the rest is affordable for me.
> However, I would prefer to see LD be self-sufficient. In other words, it
> should not be freeloading off of me or you or anybody else to exist, it
> should pay it's own way. For this, I hope the people who use the site and
> enjoy the list can help out. That can be through buying Looper's Delight
> cd's, or using the affiliate links I have on the LD site when you can to
> buy gear (zzounds, sonic foundry, amazon), or making a donation through
the
> donation links I've got set up on the site, or buying a t-shirt when we
get
> around to that. And any of you who have something to advertise, LD is a
> fine place to do it and I'm happy to make some reasonable deal to make it
> work. Could be a product you sell, or your own cd, or something else. The
> whole looping world is watching if you put it on LD!
>
> enough groveling for now. :-)
>
> kim
>
> ______________________________________________________________________
> Kim Flint                     | Looper's Delight
> kflint@loopers-delight.com    | http://www.loopers-delight.com
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Jul 23 02:20:36 2001
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References: <00f601c112b9$5aafb980$5dc5fd18@union1.nj.home.com>
Subject: Re: live microtonal guitar in NYC, 7.26.2001
Date: Mon, 23 Jul 2001 07:17:40 +0100
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  David, could you record it ?
  Sounds very interesting - best of luck with the show.

  Gareth



  Folks! It's the first time I'm playing my microtonal guitar in public. =
Live
  loops & drones. I'll also have the fretless so slide around on.
  Come on down to Nova Nights on Thursday night to hear this historic =
concert!

  David Beardsley


  One of the New York area's foremost microtonal
  guitarists brings his intricate playing to The Den.=20
  Meditative and mesmerizing, Beardsley's playing is steeped in=20
  Indian music and blues as much as it is late 20th century minimalist =
tradition.


  Thursday, July 26 at 8:00 p.m.
  Nova Nights at The Den at Two Boots
  44 Avenue A (at E. 3rd St).=20
  The cover is $8.00, which includes one drink.

  Also appearing at Nova Nights with David are folk noir
  Tea, from Chicago, local songwriter Tony Scherr and=20
  offbeat vaudevillian John Southworth.

  http://biink.com/db


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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.2919.6307" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: =
0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">David, could you record it ?</DIV>
  <DIV style=3D"FONT: 10pt arial">Sounds very interesting - best of luck =
with the=20
  show.</DIV>
  <DIV style=3D"FONT: 10pt arial">&nbsp;</DIV>
  <DIV style=3D"FONT: 10pt arial">Gareth</DIV>
  <DIV style=3D"FONT: 10pt arial">&nbsp;</DIV>
  <DIV><BR></DIV><FONT face=3D"Gill Sans" size=3D4>
  <P align=3Dleft><FONT face=3DArial size=3D2>Folks! It's the first time =
I'm playing=20
  my microtonal guitar in public. Live<BR>loops&nbsp;&amp; drones. I'll =
also=20
  have the fretless so slide around on.<BR>Come on down to Nova Nights =
on=20
  Thursday night to hear this historic concert!</FONT></P>
  <P align=3Dleft><STRONG>David Beardsley</STRONG></P></FONT><FONT=20
  face=3D"Gill Sans">
  <P align=3Dleft></P>
  <P align=3Dleft><FONT size=3D2>One of the New York area's foremost=20
  microtonal<BR>guitarists brings his intricate playing to The Den.=20
  <BR>Meditative and mesmerizing, Beardsley's playing is steeped in =
<BR>Indian=20
  music and blues as much as it is late 20th century minimalist=20
  tradition.<BR></FONT><FONT size=3D2></FONT></P>
  <P align=3Dleft><FONT size=3D2>Thursday, July 26 at 8:00 p.m.<BR>Nova =
Nights at=20
  The Den at Two Boots<BR>44 Avenue A (at E. 3rd St). <BR>The cover is =
$8.00,=20
  which includes one drink.<BR><BR></FONT><FONT face=3D"Gill =
Sans"></FONT><FONT=20
  size=3D2>Also appearing at Nova Nights with David are folk =
noir<BR></FONT><FONT=20
  size=3D2>Tea, from Chicago, local songwriter </FONT><FONT =
size=3D2>Tony Scherr and=20
  <BR>offbeat vaudevillian John Southworth.</FONT></P></FONT><FONT=20
  size=3D2></FONT><FONT face=3D"Gill Sans" size=3D2>
  <P =
align=3Dleft>http://biink.com/db</P></BLOCKQUOTE></FONT></BODY></HTML>

------=_NextPart_000_0008_01C11347.8F5C9660--

From Loopers-Delight-request@loopers-delight.com  Mon Jul 23 03:31:57 2001
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References: 
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Date: Mon, 23 Jul 2001 00:29:42 -0700
To: Loopers-Delight@loopers-delight.com
From: Kim Flint <kflint@loopers-delight.com>
Subject: Re: hosting looper's delight site?
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Gareth-
I have no way to really know who comes to the site or why. Clearly they
keep on coming, so they must be finding something interesting there! I
suspect a lot of them come in from search engines to find some information
they are looking for in the list archives or some other section, and then
they poke around in the rest of the site for a while. A lot of people keep
coming back to read the archives on the web. I would guess they are mostly
musicians interested in creating electronic music using samples and loops
in some way or another. The fact that it continues to grow and grow and
grow tells me that interest in looping is growing and growing as well.

And yes, if you use the Looper's Delight link to buy something from Amazon,
5-15% of what you pay goes to Looper's Delight and helps pay the cost of
the whole thing. If you are buying something there anyway, why not use the
LD link and help us out? it's easy.... It costs the same to you and it
helps out LD. The same is true for zzounds and sonic foundry. I'll
appreciate it greatly if you use the LD links!

kim


At 11:13 PM -0700 7/22/01, whiteoakstudios wrote:
>Kim,
>Are all these people loopers ? Obviously there are a number of hits from the
>same person but have you any idea who these people are, (I don't expect you
>to know them all personally but you know what I mean).
>I often use Amazon for books & CD's do you benefit if I access their web
>site through the LD site ? If so , I'll go that route in future.
>
>Gareth
>
>
>Looper's Delight
>> by itself, per month, is about 400,000 page views, 700,000 file requests
>> (hits), 100,000 user sessions, 9GB of bandwidth, and around 1GB of disk
>> space. Plus a fair amount of CPU in handling the search engine, archiving
>> and indexing the list, ad serving, mailing list, web server, dns, etc. The
>> mailing list might have to send anywhere from 25,000 to 100,000 mails a
>> day. It gets much bigger when you add in the rest of my internet
>activities
>> and sites that I host, those monthly totals are about 1 million page
>views,
>> 9 million hits/files, 40GB bandwidth, and about 6GB of disk space. As it
>> happens, all of these sites are growing like weeds,
>
>>
>> All this is not cheap, but there is no danger of it going offline. Income
>> from the sites pays about half of it, and the rest is affordable for me.
>> However, I would prefer to see LD be self-sufficient. In other words, it
>> should not be freeloading off of me or you or anybody else to exist, it
>> should pay it's own way. For this, I hope the people who use the site and
>> enjoy the list can help out. That can be through buying Looper's Delight
>> cd's, or using the affiliate links I have on the LD site when you can to
>> buy gear (zzounds, sonic foundry, amazon), or making a donation through
>the
>> donation links I've got set up on the site, or buying a t-shirt when we
>get
>> around to that. And any of you who have something to advertise, LD is a
>> fine place to do it and I'm happy to make some reasonable deal to make it
>> work. Could be a product you sell, or your own cd, or something else. The
>> whole looping world is watching if you put it on LD!
>>
>> enough groveling for now. :-)
>>
>> kim
>>
>> ______________________________________________________________________
>> Kim Flint                     | Looper's Delight
>> kflint@loopers-delight.com    | http://www.loopers-delight.com
>>
>>


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com


From Loopers-Delight-request@loopers-delight.com  Mon Jul 23 04:58:56 2001
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To: <Loopers-Delight@loopers-delight.com>
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Subject: Re: Loopers-Delight-d Digest V01 #389
Date: Mon, 23 Jul 2001 01:58:20 -0700
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Luigi wrote:

"You could try giving a look at Behringers and Mackies (not to get back to
an ld discussion, but they are almost 90% the same)."


Please forgive me, Luigi, but I have had a very different experience with
comparing these two companies.

Behringer, of course, reverse engineered the Mackies and were successfully
sued by Mackie.  In a strange twist, Mackie has let them keep selling these
ALMOST perfect copies at 1/3-1/2 the cost of the Mackies and, I suspect,
that they are having to pay Mackie some kind of licensing payment---although
this is mere conjecture on my part.

Where Behringer scrimped, unfortunately, are on the microphone preamps.  The
Mackies are really incredible: very low noise, high gain and very, very
transparent sounding. The Behringers are, by far, the inferior mic preamps.

When Behringer first put out their
$100, two mic preamp mini mixer I got very excited and bought one for my
pedal board for low tech blitzkreig looping gigs (one trip from the car!!!).
I just recently
gave mine away because the mic preamps were so noisy and coloring of the
sound.  They don't even compare to the Mackies even though the boards look
identical.

Just a warning.....you frequently get what you pay for.   I actually bought
a $100 ART microphone preamp and use that to amplify my voice going into my
pedal board Line 6 which works great even though I don't think the  Line 6
was designed for this kind of application. It is pretty easy to overload the
Line 6.

My 2 cents.   Rick Walker (loop.pool)





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At 01:58 AM 7/23/01 -0700, Rick Walker wrote:
>I actually bought
>a $100 ART microphone preamp and use that to amplify my voice going into my
>pedal board Line 6 which works great even though I don't think the  Line 6
>was designed for this kind of application. It is pretty easy to overload the
>Line 6.

If anyone remembers the 'XLR volume pedal' thread a month or two back, I
finally solved my situation in a similar way; I put a Midiman Audio Buddy
pre on my pedalboard, run an SM-57 into it, then on into a volume pedal,
and then to further processing (compression, reverb and pitch shift) before
it hits the mixer. Instant Jon Hassell...

-t

From Loopers-Delight-request@loopers-delight.com  Mon Jul 23 09:25:29 2001
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Also, one of us must have some contacts at Time Out New York and/or the
Voice.  I think an article on the LD site and the event could go nicely hand
in hand...  Any ideas on that?

todd

On 7/22/01 10:26 PM, "Tom Ritchford" <tom@swirly.com> wrote:

> I had a nice long conversation with dt today (who very kindly
> called me back when I was less hung over... memo to self, don't
> forget to eat next time!)
> 
> 1. diversity.
> 
> We need to make sure that we have as much diversity in the show
> as possible so that we can showcase as a wide a range of looping
> as we can -- and so that we can attract as wide a range of
> audience as we can.
> 
> 
> 2. short sets.
> 
> We're, sob, probably going to have to have fairly short sets
> because there are just so many people involved.  This will take
> some fine logistical planning, too... I know that I rehearse
> my setup and have all my cables color coded just to make
> setups easy.
> 
> 
> 3. get a proper space.
> 
> No use fucking around with someone's garage in Brooklyn,
> let's bust ahead and try to get the best space possible.
> 
> 
> 4. get a draw to headline.
> 
> Get someone who loops and also has an actual draw
> to head the bill.
> 
> 
> 5. get corporate sponsors.
> 
> Even a little sponsorship would go a long way.
> Traditionally, sponsorship pays for advertising costs:
> so....
> 
> 
> 6. advertise effectively
> 
> We need advertising and we don't want to spend
> tons of money.  We should pick targets that
> might be interested in loopy music, like:
> 
>  universities (fliers and posters), esp. NYU which is right there.
>  music stores, rehearsal studios and places where musicians go.
>  head shops -- if Giuliani hasn't closed them all down yet.
>  comic book shops (or is the audience too young?)
> 
> 
> 7. we need a name
> 
> We can't call it Looper's Delight
> 
> So we need a name.  Nothing has jumped out yet.
> 
> dt had an idea so dreadful I can't put it on paper
> (well, I don't remember the exact name is the truth,
> but it was about regurgitation...)
> 
> looplooplooplooploop is my best try so far.
> it's quite euphonious if you say it out loud.
> 
> 
> it's my best try because it shouldn't be funny
> and it also shouldn't be pretentious and all
> the other ideas I've had are both.
> 
> other ideas solicited.
> 
> 8. split the profits
> 
> We should split the take evenly after expenses.
> It could be that there will be more expenses
> than profits... better make a tight budget.
> 
> 
> 9. tape it all
> 
> I believe we should get a DAT tape of the whole thing.
> I always bring a DAT machine anyway hooked right to
> the output of my digital board... so we can get anything
> that's not going right to the house mix that way
> by just running a line to/through the board.
> 
> If we do get somewhere with this, we can knock out
> a limited edition CD of it, just for own amusement
> if nothing else.  (My personal goal this year is to
> release a lot of very short run CDs, 100 or 200 copies
> only -- you can get them done in the $5/each range --
> number them uniquely and try to sell them to collectors
> at a reasonable price...)
> 
> 
> 10. division of labour
> 
> We'll all do everything in some sense but I'll handle
> the logistics and make sure that nothing falls on the
> floor, dt will talk to the correct people we hope,
> and we can all wander around with fliers and posters.
> 
> 
> Appendix:  on the audience
> 
> I believe that our "natural" audience is a group of older males
> who already like things like progressive rock, space rock,
> "serious electronic music", "twentieth century music" (now
> what do we call THAT now we've left that century?) and that
> sort of thing.
> 
> I also believe we'll die in the water if we rely on these
> people to support our work, though we should certainly reach
> out to them.
> 
> I think we should pull out all the stops and try to get
> all those OTHER people, younger people, women, people
> who don't necessarily care about weird music.
> 
> If we can get them, us geeks will show up automatically
> anyway...
> 
> 
> Coda:  for your consideration.
> 
>  <http://domainsurfer.com/ssearch.cgi?dom=loop>
> 
> <http://domainsurfer.com/ssearch.cgi?dom=ny&se=Search+within+these+res
> ults&res=LOOP>
>  <http://domainsurfer.com/ssearch.cgi?dom=looploop>
> 
> 
> 
> .......all legal games of chess <http://solveChess.com/chess?refresh=0>......
> .....programmer's documentation <http://solveChess.com/doc>..................
> 

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Subject: Re: hosting looper's delight site?
From: todd reynolds <toddreynolds@rcn.com>
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Just shows ya how we can miss things.  I had no idea of the amazon
connection here kim.  I won't be clicking on amazon again without going
through the site first, thanks for letting us know through this post...

Todd




On 7/23/01 3:29 AM, "Kim Flint" <kflint@loopers-delight.com> wrote:

> Gareth-
> I have no way to really know who comes to the site or why. Clearly they
> keep on coming, so they must be finding something interesting there! I
> suspect a lot of them come in from search engines to find some information
> they are looking for in the list archives or some other section, and then
> they poke around in the rest of the site for a while. A lot of people keep
> coming back to read the archives on the web. I would guess they are mostly
> musicians interested in creating electronic music using samples and loops
> in some way or another. The fact that it continues to grow and grow and
> grow tells me that interest in looping is growing and growing as well.
> 
> And yes, if you use the Looper's Delight link to buy something from Amazon,
> 5-15% of what you pay goes to Looper's Delight and helps pay the cost of
> the whole thing. If you are buying something there anyway, why not use the
> LD link and help us out? it's easy.... It costs the same to you and it
> helps out LD. The same is true for zzounds and sonic foundry. I'll
> appreciate it greatly if you use the LD links!
> 
> kim
> 
> 
> At 11:13 PM -0700 7/22/01, whiteoakstudios wrote:
>> Kim,
>> Are all these people loopers ? Obviously there are a number of hits from the
>> same person but have you any idea who these people are, (I don't expect you
>> to know them all personally but you know what I mean).
>> I often use Amazon for books & CD's do you benefit if I access their web
>> site through the LD site ? If so , I'll go that route in future.
>> 
>> Gareth
>> 
>> 
>> Looper's Delight
>>> by itself, per month, is about 400,000 page views, 700,000 file requests
>>> (hits), 100,000 user sessions, 9GB of bandwidth, and around 1GB of disk
>>> space. Plus a fair amount of CPU in handling the search engine, archiving
>>> and indexing the list, ad serving, mailing list, web server, dns, etc. The
>>> mailing list might have to send anywhere from 25,000 to 100,000 mails a
>>> day. It gets much bigger when you add in the rest of my internet
>> activities
>>> and sites that I host, those monthly totals are about 1 million page
>> views,
>>> 9 million hits/files, 40GB bandwidth, and about 6GB of disk space. As it
>>> happens, all of these sites are growing like weeds,
>> 
>>> 
>>> All this is not cheap, but there is no danger of it going offline. Income
>>> from the sites pays about half of it, and the rest is affordable for me.
>>> However, I would prefer to see LD be self-sufficient. In other words, it
>>> should not be freeloading off of me or you or anybody else to exist, it
>>> should pay it's own way. For this, I hope the people who use the site and
>>> enjoy the list can help out. That can be through buying Looper's Delight
>>> cd's, or using the affiliate links I have on the LD site when you can to
>>> buy gear (zzounds, sonic foundry, amazon), or making a donation through
>> the
>>> donation links I've got set up on the site, or buying a t-shirt when we
>> get
>>> around to that. And any of you who have something to advertise, LD is a
>>> fine place to do it and I'm happy to make some reasonable deal to make it
>>> work. Could be a product you sell, or your own cd, or something else. The
>>> whole looping world is watching if you put it on LD!
>>> 
>>> enough groveling for now. :-)
>>> 
>>> kim
>>> 
>>> ______________________________________________________________________
>>> Kim Flint                     | Looper's Delight
>>> kflint@loopers-delight.com    | http://www.loopers-delight.com
>>> 
>>> 
> 
> 
> ______________________________________________________________________
> Kim Flint                     | Looper's Delight
> kflint@loopers-delight.com    | http://www.loopers-delight.com
> 
> 

From Loopers-Delight-request@loopers-delight.com  Mon Jul 23 09:47:25 2001
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Oh, I see it now. The links to amazon and sonic foundry and stuff...  It's
at the very bottom of the site.   Never scrolled down that far before....

T






On 7/23/01 3:29 AM, "Kim Flint" <kflint@loopers-delight.com> wrote:

> Gareth-
> I have no way to really know who comes to the site or why. Clearly they
> keep on coming, so they must be finding something interesting there! I
> suspect a lot of them come in from search engines to find some information
> they are looking for in the list archives or some other section, and then
> they poke around in the rest of the site for a while. A lot of people keep
> coming back to read the archives on the web. I would guess they are mostly
> musicians interested in creating electronic music using samples and loops
> in some way or another. The fact that it continues to grow and grow and
> grow tells me that interest in looping is growing and growing as well.
> 
> And yes, if you use the Looper's Delight link to buy something from Amazon,
> 5-15% of what you pay goes to Looper's Delight and helps pay the cost of
> the whole thing. If you are buying something there anyway, why not use the
> LD link and help us out? it's easy.... It costs the same to you and it
> helps out LD. The same is true for zzounds and sonic foundry. I'll
> appreciate it greatly if you use the LD links!
> 
> kim
> 
> 
> At 11:13 PM -0700 7/22/01, whiteoakstudios wrote:
>> Kim,
>> Are all these people loopers ? Obviously there are a number of hits from the
>> same person but have you any idea who these people are, (I don't expect you
>> to know them all personally but you know what I mean).
>> I often use Amazon for books & CD's do you benefit if I access their web
>> site through the LD site ? If so , I'll go that route in future.
>> 
>> Gareth
>> 
>> 
>> Looper's Delight
>>> by itself, per month, is about 400,000 page views, 700,000 file requests
>>> (hits), 100,000 user sessions, 9GB of bandwidth, and around 1GB of disk
>>> space. Plus a fair amount of CPU in handling the search engine, archiving
>>> and indexing the list, ad serving, mailing list, web server, dns, etc. The
>>> mailing list might have to send anywhere from 25,000 to 100,000 mails a
>>> day. It gets much bigger when you add in the rest of my internet
>> activities
>>> and sites that I host, those monthly totals are about 1 million page
>> views,
>>> 9 million hits/files, 40GB bandwidth, and about 6GB of disk space. As it
>>> happens, all of these sites are growing like weeds,
>> 
>>> 
>>> All this is not cheap, but there is no danger of it going offline. Income
>>> from the sites pays about half of it, and the rest is affordable for me.
>>> However, I would prefer to see LD be self-sufficient. In other words, it
>>> should not be freeloading off of me or you or anybody else to exist, it
>>> should pay it's own way. For this, I hope the people who use the site and
>>> enjoy the list can help out. That can be through buying Looper's Delight
>>> cd's, or using the affiliate links I have on the LD site when you can to
>>> buy gear (zzounds, sonic foundry, amazon), or making a donation through
>> the
>>> donation links I've got set up on the site, or buying a t-shirt when we
>> get
>>> around to that. And any of you who have something to advertise, LD is a
>>> fine place to do it and I'm happy to make some reasonable deal to make it
>>> work. Could be a product you sell, or your own cd, or something else. The
>>> whole looping world is watching if you put it on LD!
>>> 
>>> enough groveling for now. :-)
>>> 
>>> kim
>>> 
>>> ______________________________________________________________________
>>> Kim Flint                     | Looper's Delight
>>> kflint@loopers-delight.com    | http://www.loopers-delight.com
>>> 
>>> 
> 
> 
> ______________________________________________________________________
> Kim Flint                     | Looper's Delight
> kflint@loopers-delight.com    | http://www.loopers-delight.com
> 
> 

From Loopers-Delight-request@loopers-delight.com  Mon Jul 23 10:09:35 2001
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References: <008001c1129f$672a25c0$1c2297d4@elias> <v04205502b781322e1899@[64.81.209.235]>
Subject: Re: Loopfest NYC update
Date: Mon, 23 Jul 2001 10:10:41 -0400
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 I believe that our "natural" audience is a group of older males
> who already like things like progressive rock, space rock,
> "serious electronic music", "twentieth century music" I think we should
pull out all the stops and try to get all those OTHER people, younger
people, women, people
> who don't necessarily care about weird music
>>Tom, with all due respect, I think you need to get out more. Please don't
make these kinds of assumptions about your current audience. I am not a gear
head..I use the means to the end of making music that can be apprecitated by
anyone. I heard "Frippertronics" at 21, and this 31y.o. female has been
creating and performing ever since. Anyone interested in creating sound
would be interested in this event as we all know, looping allows you to
sample ANYTHING and display it's inherent musical nature.
Again, don't make these kinds of assumptions. I was genuinely put off. Focus
your advertising on the SOUND..ambient, textural, ethereal, as well as
process.  Think of all of those in film school at NYU interested in sound
design..
Do you need information from the performers..press kit, etc, to help with
promotions?
Thanks,
Jehn
one of the OTHER people :)

----- Original Message -----
From: "Tom Ritchford" <tom@swirly.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, July 22, 2001 10:26 PM
Subject: Loopfest NYC update


> I had a nice long conversation with dt today (who very kindly
> called me back when I was less hung over... memo to self, don't
> forget to eat next time!)
>
> 1. diversity.
>
> We need to make sure that we have as much diversity in the show
> as possible so that we can showcase as a wide a range of looping
> as we can -- and so that we can attract as wide a range of
> audience as we can.
>
>
> 2. short sets.
>
> We're, sob, probably going to have to have fairly short sets
> because there are just so many people involved.  This will take
> some fine logistical planning, too... I know that I rehearse
> my setup and have all my cables color coded just to make
> setups easy.
>
>
> 3. get a proper space.
>
> No use fucking around with someone's garage in Brooklyn,
> let's bust ahead and try to get the best space possible.
>
>
> 4. get a draw to headline.
>
> Get someone who loops and also has an actual draw
> to head the bill.
>
>
> 5. get corporate sponsors.
>
> Even a little sponsorship would go a long way.
> Traditionally, sponsorship pays for advertising costs:
> so....
>
>
> 6. advertise effectively
>
> We need advertising and we don't want to spend
> tons of money.  We should pick targets that
> might be interested in loopy music, like:
>
>    universities (fliers and posters), esp. NYU which is right there.
>    music stores, rehearsal studios and places where musicians go.
>    head shops -- if Giuliani hasn't closed them all down yet.
>    comic book shops (or is the audience too young?)
>
>
> 7. we need a name
>
> We can't call it Looper's Delight
>
> So we need a name.  Nothing has jumped out yet.
>
> dt had an idea so dreadful I can't put it on paper
> (well, I don't remember the exact name is the truth,
> but it was about regurgitation...)
>
> looplooplooplooploop is my best try so far.
> it's quite euphonious if you say it out loud.
>
>
> it's my best try because it shouldn't be funny
> and it also shouldn't be pretentious and all
> the other ideas I've had are both.
>
> other ideas solicited.
>
> 8. split the profits
>
> We should split the take evenly after expenses.
> It could be that there will be more expenses
> than profits... better make a tight budget.
>
>
> 9. tape it all
>
> I believe we should get a DAT tape of the whole thing.
> I always bring a DAT machine anyway hooked right to
> the output of my digital board... so we can get anything
> that's not going right to the house mix that way
> by just running a line to/through the board.
>
> If we do get somewhere with this, we can knock out
> a limited edition CD of it, just for own amusement
> if nothing else.  (My personal goal this year is to
> release a lot of very short run CDs, 100 or 200 copies
> only -- you can get them done in the $5/each range --
> number them uniquely and try to sell them to collectors
> at a reasonable price...)
>
>
> 10. division of labour
>
> We'll all do everything in some sense but I'll handle
> the logistics and make sure that nothing falls on the
> floor, dt will talk to the correct people we hope,
> and we can all wander around with fliers and posters.
>
>
> Appendix:  on the audience
>
> I believe that our "natural" audience is a group of older males
> who already like things like progressive rock, space rock,
> "serious electronic music", "twentieth century music" (now
> what do we call THAT now we've left that century?) and that
> sort of thing.
>
> I also believe we'll die in the water if we rely on these
> people to support our work, though we should certainly reach
> out to them.
>
> I think we should pull out all the stops and try to get
> all those OTHER people, younger people, women, people
> who don't necessarily care about weird music.
>
> If we can get them, us geeks will show up automatically
> anyway...
>
>
> Coda:  for your consideration.
>
>    <http://domainsurfer.com/ssearch.cgi?dom=loop>
>
> <http://domainsurfer.com/ssearch.cgi?dom=ny&se=Search+within+these+res
> ults&res=LOOP>
>    <http://domainsurfer.com/ssearch.cgi?dom=looploop>
>
>
>
> .......all legal games of chess
<http://solveChess.com/chess?refresh=0>......
> .....programmer's documentation
<http://solveChess.com/doc>..................
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Jul 23 10:22:30 2001
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From: RA336@aol.com
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Date: Mon, 23 Jul 2001 10:19:53 EDT
Subject: Re: Loopfest in New York, getting together
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as per nyc loopfest:
I'd like to participate; schedule permitting.
best all,
Robby Aceto

From Loopers-Delight-request@loopers-delight.com  Mon Jul 23 10:51:59 2001
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Subject: Re: Loopfest in New York, getting together
From: antonio melo <ifiwere2@mac.com>
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I too would like to perform if slots are still available for the nyc
loopfest.

antonio melo

> From: RA336@aol.com
> Reply-To: Loopers-Delight@loopers-delight.com
> Date: Mon, 23 Jul 2001 10:19:53 EDT
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Loopfest in New York, getting together
> Resent-From: Loopers-Delight@loopers-delight.com
> Resent-Date: Mon, 23 Jul 2001 10:20:26 -0400
> 
> as per nyc loopfest:
> I'd like to participate; schedule permitting.
> best all,
> Robby Aceto
> 

From Loopers-Delight-request@loopers-delight.com  Mon Jul 23 11:30:35 2001
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i've played i the small space (downstairs) a bunch of times and always got a
pretty reasonable crowd. many people probably don't remember wrinklemuzik,
but it was around in the early 80's. my first record was selected by trouser
press (remember them?) as one of the top 10 indy releases of 1982. anyway, i
think i can draw a good crowd because for the past few years i've been
concentrating on my acoustic music. i still have people asking when
wrinklemuzik will perform again. the music is somewhere between eno, fripp,
depeche mode and god knows what. heavy ebow looping and some vocals.

i pretty much agree with everything you (tom) wrote.

klowy




From: Tom Ritchford <tom@swirly.com>
Date: Sun, 22 Jul 2001 22:26:05 -0400
To: Loopers-Delight@loopers-delight.com
Subject: Loopfest NYC update

I had a nice long conversation with dt today (who very kindly
called me back when I was less hung over... memo to self, don't
forget to eat next time!)

1. diversity.

We need to make sure that we have as much diversity in the show
as possible so that we can showcase as a wide a range of looping
as we can -- and so that we can attract as wide a range of
audience as we can.

From Loopers-Delight-request@loopers-delight.com  Mon Jul 23 11:35:34 2001
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Subject: Trouble playing real audio of 2nd LD compilation album
From: todd reynolds <toddreynolds@rcn.com>
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Hey kim and others...

Am having a little problem playing any of the tracks of the second album
using the latest download of realplayer 8  basic.  Anything obvious I might
be
missing?  On mac 9.1 ... Thanks in advance...

From Loopers-Delight-request@loopers-delight.com  Mon Jul 23 11:40:24 2001
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Subject: Re: Loopers-Delight-d Digest V01 #389
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I don't think the  Line 6
> was designed for this kind of application. It is pretty easy to overload
the
> Line 6.
Hey Rick..
Want to purchase a Line 6 but...should I be concerned?
----- Original Message -----
From: "Rick Walker (loop.pool)" <GLOBAL@cruzio.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, July 23, 2001 4:58 AM
Subject: Re: Loopers-Delight-d Digest V01 #389


> Luigi wrote:
>
> "You could try giving a look at Behringers and Mackies (not to get back to
> an ld discussion, but they are almost 90% the same)."
>
>
> Please forgive me, Luigi, but I have had a very different experience with
> comparing these two companies.
>
> Behringer, of course, reverse engineered the Mackies and were successfully
> sued by Mackie.  In a strange twist, Mackie has let them keep selling
these
> ALMOST perfect copies at 1/3-1/2 the cost of the Mackies and, I suspect,
> that they are having to pay Mackie some kind of licensing
payment---although
> this is mere conjecture on my part.
>
> Where Behringer scrimped, unfortunately, are on the microphone preamps.
The
> Mackies are really incredible: very low noise, high gain and very, very
> transparent sounding. The Behringers are, by far, the inferior mic
preamps.
>
> When Behringer first put out their
> $100, two mic preamp mini mixer I got very excited and bought one for my
> pedal board for low tech blitzkreig looping gigs (one trip from the
car!!!).
> I just recently
> gave mine away because the mic preamps were so noisy and coloring of the
> sound.  They don't even compare to the Mackies even though the boards look
> identical.
>
> Just a warning.....you frequently get what you pay for.   I actually
bought
> a $100 ART microphone preamp and use that to amplify my voice going into
my
> pedal board Line 6 which works great even though I don't think the  Line 6
> was designed for this kind of application. It is pretty easy to overload
the
> Line 6.
>
> My 2 cents.   Rick Walker (loop.pool)
>
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Jul 23 12:10:41 2001
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Subject: Re: live microtonal guitar in NYC, 7.26.2001
Date: Mon, 23 Jul 2001 12:14:46 -0400
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I don't think I'll be recording it. There might be someone
video taping. I have been recording my rehearsals, but none of it
has made up to mp3.com yet.

--
* David Beardsley
* http://biink.com
* http://mp3.com/davidbeardsley
  ----- Original Message -----=20
  From: whiteoakstudios=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Monday, July 23, 2001 2:17 AM
  Subject: Re: live microtonal guitar in NYC, 7.26.2001


    David, could you record it ?
    Sounds very interesting - best of luck with the show.

    Gareth



    Folks! It's the first time I'm playing my microtonal guitar in =
public. Live
    loops & drones. I'll also have the fretless so slide around on.
    Come on down to Nova Nights on Thursday night to hear this historic =
concert!

    David Beardsley


    One of the New York area's foremost microtonal
    guitarists brings his intricate playing to The Den.=20
    Meditative and mesmerizing, Beardsley's playing is steeped in=20
    Indian music and blues as much as it is late 20th century minimalist =
tradition.


    Thursday, July 26 at 8:00 p.m.
    Nova Nights at The Den at Two Boots
    44 Avenue A (at E. 3rd St).=20
    The cover is $8.00, which includes one drink.

    Also appearing at Nova Nights with David are folk noir
    Tea, from Chicago, local songwriter Tony Scherr and=20
    offbeat vaudevillian John Southworth.

    http://biink.com/db


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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.2614.3500" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I don't think I'll be recording it. =
There might be=20
someone</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>video taping. I have been recording my =
rehearsals,=20
but none of it</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>has made up to mp3.com =
yet.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>--<BR>* David Beardsley<BR>* <A=20
href=3D"http://biink.com">http://biink.com</A><BR>* <A=20
href=3D"http://mp3.com/davidbeardsley">http://mp3.com/davidbeardsley</A><=
/FONT></DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: =
0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A href=3D"mailto:whiteoakstudios@supanet.com"=20
  title=3Dwhiteoakstudios@supanet.com>whiteoakstudios</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  href=3D"mailto:Loopers-Delight@loopers-delight.com"=20
  =
title=3DLoopers-Delight@loopers-delight.com>Loopers-Delight@loopers-delig=
ht.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, July 23, 2001 =
2:17 AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: live microtonal =
guitar in=20
  NYC, 7.26.2001</DIV>
  <DIV><BR></DIV>
  <BLOCKQUOTE=20
  style=3D"BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; =
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px">
    <DIV style=3D"FONT: 10pt arial">David, could you record it ?</DIV>
    <DIV style=3D"FONT: 10pt arial">Sounds very interesting - best of =
luck with=20
    the show.</DIV>
    <DIV style=3D"FONT: 10pt arial">&nbsp;</DIV>
    <DIV style=3D"FONT: 10pt arial">Gareth</DIV>
    <DIV style=3D"FONT: 10pt arial">&nbsp;</DIV>
    <DIV><BR></DIV><FONT face=3D"Gill Sans" size=3D4>
    <P align=3Dleft><FONT face=3DArial size=3D2>Folks! It's the first =
time I'm playing=20
    my microtonal guitar in public. Live<BR>loops&nbsp;&amp; drones. =
I'll also=20
    have the fretless so slide around on.<BR>Come on down to Nova Nights =
on=20
    Thursday night to hear this historic concert!</FONT></P>
    <P align=3Dleft><STRONG>David Beardsley</STRONG></P></FONT><FONT=20
    face=3D"Gill Sans">
    <P align=3Dleft></P>
    <P align=3Dleft><FONT size=3D2>One of the New York area's foremost=20
    microtonal<BR>guitarists brings his intricate playing to The Den.=20
    <BR>Meditative and mesmerizing, Beardsley's playing is steeped in =
<BR>Indian=20
    music and blues as much as it is late 20th century minimalist=20
    tradition.<BR></FONT><FONT size=3D2></FONT></P>
    <P align=3Dleft><FONT size=3D2>Thursday, July 26 at 8:00 =
p.m.<BR>Nova Nights at=20
    The Den at Two Boots<BR>44 Avenue A (at E. 3rd St). <BR>The cover is =
$8.00,=20
    which includes one drink.<BR><BR></FONT><FONT face=3D"Gill =
Sans"></FONT><FONT=20
    size=3D2>Also appearing at Nova Nights with David are folk=20
    noir<BR></FONT><FONT size=3D2>Tea, from Chicago, local songwriter =
</FONT><FONT=20
    size=3D2>Tony Scherr and <BR>offbeat vaudevillian John=20
    Southworth.</FONT></P></FONT><FONT size=3D2></FONT><FONT =
face=3D"Gill Sans"=20
    size=3D2>
    <P=20
align=3Dleft>http://biink.com/db</P></BLOCKQUOTE></BLOCKQUOTE></FONT></BO=
DY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon Jul 23 12:22:12 2001
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> >>Tom, with all due respect, I think you need to get out more. 

Oi, I go out far too often as it is!



>> Please don't
> make these kinds of assumptions about your current audience. I am not
a gear
> head..I use the means to the end of making music that can be
apprecitated by
> anyone. I heard "Frippertronics" at 21, and this 31y.o. female has been
> creating and performing ever since. Anyone interested in creating sound
> would be interested in this event as we all know, looping allows you to
> sample ANYTHING and display it's inherent musical nature.
> Again, don't make these kinds of assumptions. I was genuinely put off.

I wasn't meaning any disrespect!  But, I go to a LOT of shows.

When I go to "electronic music" concerts (as opposed to 
DJ oriented things), the male to female ratio is about 3 to 1.

The same is true for shows that I organize -- and my mailing
list is pretty balanced.

In things like prog rock or space rock it's even worse.

And the crowd is getting older, it's mostly over 30...


Now, there are a lot of shows that I go to that
are quite different.  If there's an art 
component, if it's dance music, or industrial
(I don't go to much industrial actually), all 
of these attract a balanced crowd, a younger crowd.

That's all I meant!



> Focus your advertising on the SOUND..ambient, textural, ethereal, as
well as
> process.  


Well, yes, I don't think we were proposing that we warp 
our advertising towards grabbing some stereotypical 
image of "the young" or "women".  

I just wanted to make sure that we didn't end up
with the same old few grizzled faces!



> Think of all of those in film school at NYU interested in sound
> design...

Yes, NYU is emerging as a top target.  We shouldn't forget, however,
the underserved people at places like Hunter, City College, Pratt,
or the distant Columbia!


> Do you need information from the performers..press kit, etc, to help with
> promotions?


Yes, in fact this is the subject of my next message...

   /t

-- 

I am the wombat.

From Loopers-Delight-request@loopers-delight.com  Mon Jul 23 12:25:51 2001
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well, I'm going to unsubscribe for a while and I thought I'd let ya'll 
know...

I think I can do it on my own, now I know your ready to help but I'll 
try my best

boy this NY loopfest sounds great, I wish I was still in the NY area
I am after all a 39 year old white male so you know I'd be there

still have a DL4 for sale, if you want it send me an email off list

peace,     stevie T


From Loopers-Delight-request@loopers-delight.com  Mon Jul 23 12:34:27 2001
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awright, tons o' interest here, so we need to all get 
ourselves in order.


First need is a little demo from each of you/us.

An mp3 is great if you have it:  send me a URL or
the actual file and I'll put it up.

Otherwise if you can send me a CD then I'll rip that
and put it up.  DATs or MDs work too but my cassette
player is not working now...


Basically, I'm not going to misrepresent any of you!

At this point you are committed to nothing, except that
you're "interested" in doing this show or series of shows.


So here's what I want:

0. send it to me, not to the list!
   I'll summarize all the results at the end.

1. name of your act.
2. a clear, short, catchy description.
3. one or more mp3s.
4. (optional, recommended) a URL for your website.
5. (optional, recommended) a performer's bio (where you've
   played, etc.)
6. (optional) photos or other promotional material in electronic
   format.

send 'em along and I'll organize them!

I already have some of this information from some of you,
if you want to send it again that's fine or I'll compile
it...

We're not in a tearing hurry but I'll be making a first 
pass at creating a page for all this on Wednesday night.

Thanks to all!

   /t

-- 

Nous sommes tous des wombats.

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howdy,

the michael vatcher gig at the knit factory has changed somewhat. 

the end time for the set is 9:30 (not 10:00). because of this we'll 
be starting punctually.

thanks,

sl

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<P><FONT SIZE=2>howdy,</FONT>
</P>

<P><FONT SIZE=2>the michael vatcher gig at the knit factory has changed somewhat. </FONT>
</P>

<P><FONT SIZE=2>the end time for the set is 9:30 (not 10:00). because of this we'll </FONT>
<BR><FONT SIZE=2>be starting punctually.</FONT>
</P>

<P><FONT SIZE=2>thanks,</FONT>
</P>

<P><FONT SIZE=2>sl</FONT>
</P>

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From Loopers-Delight-request@loopers-delight.com  Mon Jul 23 12:41:59 2001
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From: "Tom Ritchford" <tom@swirly.com>
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> Also, one of us must have some contacts at Time Out New York and/or the
> Voice.  I think an article on the LD site and the event could go
nicely hand
> in hand...  Any ideas on that?

None, really.  I don't have any good press contacts.

Well, I can get us advertising space for cheap or
free in one or two very underground rags, but that
won't get the teaming hordes in the door.

I do have all the numbers to contact for press releases
and the like.  At various points we'll emit press
releases and then attempt to actually get reviewers
to show up for the show...

   /t

-- 

I am the wombat.

From Loopers-Delight-request@loopers-delight.com  Mon Jul 23 13:04:41 2001
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From: "Luigi Meloni" <Luigimeloni74@libero.it>
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References: <200107230329.XAA01067@hemlock.violacea.com> <004901c11355$a2c2ae20$de44f93f@dnlsh01>
Subject: R: Loopers-Delight-d Digest V01 #389
Date: Mon, 23 Jul 2001 19:00:13 +0200
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I was talking 'bout the series before the end of the controversy between the
two, but (as far as I noticed by opening my old series mx2004a and a new
one, just to polish some contacts) the only thing that the mackie succeeded
to do was to make behringer change the color of the mixers. As far as it
goes, the mic preamps are the same of the first vlz mackie bunch. And, using
my computer spectrum analizer and my akg mic , and recording the mixer
output directly to my lexicon core2 the result was exactly the same. And
remember that in Italy, where I live, the mackie cost 4 to 5 times the
behringer. With the list price of the 1604 here you'll buy the 3242 (32
channels, with a 24 bit multifx processor) or the 3208 (32 channels on 8
subgroups, a very close copy of the mackie 3208). And, namely, the mackie
and behringer are economic quality mixers (at least the analog mackies), and
really you get what you pay for, which is 90 % the same result form the two
machines, sonically speaking. And if I have to buy cheap chinese or japanese
components, I don't really care that much if they are assembled and boxed in
USA or in Germany, as far as the result is very similar.

Peace
Luigi

----- Original Message -----
From: Rick Walker (loop.pool) <GLOBAL@cruzio.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, July 23, 2001 10:58 AM
Subject: Re: Loopers-Delight-d Digest V01 #389


> Luigi wrote:
>
> "You could try giving a look at Behringers and Mackies (not to get back to
> an ld discussion, but they are almost 90% the same)."
>
>
> Please forgive me, Luigi, but I have had a very different experience with
> comparing these two companies.
>
> Behringer, of course, reverse engineered the Mackies and were successfully
> sued by Mackie.  In a strange twist, Mackie has let them keep selling
these
> ALMOST perfect copies at 1/3-1/2 the cost of the Mackies and, I suspect,
> that they are having to pay Mackie some kind of licensing
payment---although
> this is mere conjecture on my part.
>
> Where Behringer scrimped, unfortunately, are on the microphone preamps.
The
> Mackies are really incredible: very low noise, high gain and very, very
> transparent sounding. The Behringers are, by far, the inferior mic
preamps.
>
> When Behringer first put out their
> $100, two mic preamp mini mixer I got very excited and bought one for my
> pedal board for low tech blitzkreig looping gigs (one trip from the
car!!!).
> I just recently
> gave mine away because the mic preamps were so noisy and coloring of the
> sound.  They don't even compare to the Mackies even though the boards look
> identical.
>
> Just a warning.....you frequently get what you pay for.   I actually
bought
> a $100 ART microphone preamp and use that to amplify my voice going into
my
> pedal board Line 6 which works great even though I don't think the  Line 6
> was designed for this kind of application. It is pretty easy to overload
the
> Line 6.
>
> My 2 cents.   Rick Walker (loop.pool)
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Jul 23 13:25:02 2001
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Here's my address for mailings:

Tom Ritchford
340 E62nd St, #9
NY, NY 10021


I'm going to start prefixing my messages on this subject
with [nyc show] so you can skip 'em if you need to.

thought for a moment of starting a new list just for this on,
say, topica, but no. Fragmentation is bad...

   /t
-- 

Ich, Wombat.

From Loopers-Delight-request@loopers-delight.com  Mon Jul 23 15:27:01 2001
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Hey!  I was the man to sold Samite on the idea of using a looper!  He saw me
perform with a JamMan in Ithaca NY, and we talked about how he could use
looping in his show.  He later told me he ended up with the EDP (as I would
have had I had the cash) and I always wondered if he had luck using it.  I'm
glad to see he did!  He's a very cool guy and a great musician.

Mark.

Scott Anderson wrote:

> Hello, everyone.
>   I joined the list a couple days ago.
>   I found the list after remembering the time a couple years ago when I saw
> at a bookstore a man named Samite perform a traditional African song by
> layering his voice live, singing the different parts and then singing the
> lead over top.  I think what he used was a Echoplex Digital Pro.  That is my
> familiarity in person with such a live multi-layering device, although I
> have heard of another, the Jam Man.
>   I apologize if my questions are overly basic:
>   What device or equipment would people recommend as the most user friendly
> editing and arranging-wise or versatile effects-wise for live performance,
> such as street performance or busking, of music made by improvised layering
> and editing of singing and vocal sounds (like beat box or a cappella
> extraterrestrial techno) or vocals with acoustic guitar?
>   Does anyone on this list have experience or interest in street performance
> or busking?
>   Also:
>   How can I try out in person any devices or equipment that people
> recommend?  The Sam Ash store in Edison, New Jersey said I would have to buy
> the Digital Pro if they tried to order it for me to try.
>   Does anyone on this list live in or near New Jersey?
>   Thank you for your time.  I greatly appreciate any advice or suggestions.
>   Feel free to respond to my personal email, if you prefer:
> scott_c_anderson@hotmail.com
> Scott
>
> _________________________________________________________________
> Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp

From Loopers-Delight-request@loopers-delight.com  Mon Jul 23 16:17:39 2001
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Date: Mon, 23 Jul 2001 15:16:03 -0500
Subject: Shure sm58
From: Mike Feeney <feeneymike@yahoo.com>
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    I just ordered a Shure SM58 mic from musiciansfriend.com, and much to my
surprise, when I checked out, my shopping cart also had a couple of freebies
in it:  a free Axman mic stand and a free mic cable.  True, they're both
cheapies, but hey, free stuff is free stuff.  =)  Free shipping on those,
too.

    Thought I'd let you all know.

    mike



_________________________________________________________
Do You Yahoo!?
Get your free @yahoo.com address at http://mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Mon Jul 23 18:23:47 2001
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Subject: Re: Loopfest NYC update 
From: Steve Sandberg <stevesandberg@earthlink.net>
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> This message is in MIME format. Since your mail reader does not understand
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Got a reply from Matt at Knit, basically saying he's talking to David Torn
about getting a date . . .
Like Tom's idea about reaching out.  My loop music at the moment is turning
into a project called "Chants, Songs and Musical Landscapes" which is
basically (gasp!) pop/dance songs interspersed with improvs -- very audience
friendly -- so I'd probably be one of the more accessible performers. . .
Thanks, Tom, for your thought and work about this -- I'm willing to help,
just don't have the experience you seem to have in thinking about organizing
something like this . 

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<HTML>
<HEAD>
<TITLE>Re: Loopfest NYC update </TITLE>
</HEAD>
<BODY>
<FONT SIZE=3D"4">Got a reply from Matt at Knit, basically saying he's talking=
 to David Torn about getting a date . . .<BR>
Like Tom's idea about reaching out. &nbsp;My loop music at the moment is tu=
rning into a project called &quot;Chants, Songs and Musical Landscapes&quot;=
 which is basically (gasp!) pop/dance songs interspersed with improvs -- ver=
y audience friendly -- so I'd probably be one of the more accessible perform=
ers. . .<BR>
Thanks, Tom, for your thought and work about this -- I'm willing to help, j=
ust don't have the experience you seem to have in thinking about organizing =
something like this .</FONT>
</BODY>
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From Loopers-Delight-request@loopers-delight.com  Mon Jul 23 18:40:28 2001
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From: "Tom Ritchford" <tom@swirly.com>
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Subject: Re: Loopfest NYC update 
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> Thanks, Tom, for your thought and work about this -- I'm willing to help,
> just don't have the experience you seem to have in thinking about
organizing
> something like this . 

Hah!  It's the product of many mistakes in the past!

"Experience is the facility that lets you recognize your
mistakes after you've made them again..."

Generally, if it can go wrong it will.  (This is not
Murphy's Law, which is "If there's a wrong way to do
something, someone will do it.")  So you just have
to have a list of all the ways that something can 
go wrong and you're set!

heheheheh... thanks for the kind words though!

    /t


-- 

I am the wombat.

From Loopers-Delight-request@loopers-delight.com  Mon Jul 23 18:58:17 2001
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From: "Remco" <crossfate@zonnet.nl>
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This is a multi-part message in MIME format.

------=_NextPart_000_000D_01C113D9.D234EF40
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Hey guys!

I've got a problem with my Echoplex. I wonder if any of you've have had =
similair experiences. I have synced my EDP with a computer for years. =
(The pC is master and EDP controlsource=3D NOT). Since last week the =
unit doesn't respond anymore to the commands from the PC. I've reset the =
EPD, with no result. Sometime the unit starts up with all 8's in the =
diplay. Does this sound familiar to anyone? Any help would be greatly =
appreciated

Peace,

Remco

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 5.50.4522.1800" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Hey guys!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I've got a problem with my Echoplex. I =
wonder if=20
any of you've have had similair experiences. I have synced my EDP with a =

computer for years.&nbsp;(The pC is master and EDP controlsource=3D =
NOT). Since=20
last week the unit doesn't respond anymore to the commands from the PC. =
I've=20
reset the EPD, with no result. Sometime the unit starts up with =
all&nbsp;8's in=20
the diplay. Does this sound familiar to anyone? Any help would be =
greatly=20
appreciated</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Peace,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Remco</FONT></DIV></BODY></HTML>

------=_NextPart_000_000D_01C113D9.D234EF40--

From Loopers-Delight-request@loopers-delight.com  Mon Jul 23 19:56:13 2001
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Subject: Re: EDP Problem
From: Steve Sandberg <stevesandberg@earthlink.net>
To: <Loopers-Delight@loopers-delight.com>
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> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

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The record button on my EDP pedal isn't working anymore -- anyone know if
this is something I can easily fix myself, or do I need to send it back to
Trace Elliot?  It's definitely the pedal, it seems, because the record
button on the unit works fine.
Thanks. 

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<HTML>
<HEAD>
<TITLE>Re: EDP Problem</TITLE>
</HEAD>
<BODY>
<FONT SIZE=3D"4">The record button on my EDP pedal isn't working anymore -- a=
nyone know if this is something I can easily fix myself, or do I need to sen=
d it back to Trace Elliot? &nbsp;It's definitely the pedal, it seems, becaus=
e the record button on the unit works fine.<BR>
Thanks.</FONT>
</BODY>
</HTML>


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From Loopers-Delight-request@loopers-delight.com  Mon Jul 23 20:04:37 2001
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Date: Mon, 23 Jul 2001 20:00:33 -0400
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From: Tim Nelson <tcn62@ici.net>
Subject: Re: EDP Problem
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At 07:53 PM 7/23/01 -0400, Steve wrote:
>    It's definitely the pedal, it seems, because the record button on the
>unit works fine.

The pedal's not too complicated, so you should probably be able to fix it
yerself. Kim's got a handy buncha info (switch specs, resistor values,
etc.) at <http://www.loopers-delight.com/tools/echoplex/echopedals.html>
that will probably be useful.

-t

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In a message dated 7/23/01 4:16:23 PM Eastern Daylight Time, 
feeneymike@yahoo.com writes:


> my shopping cart also had a couple of freebies
> in it:  

luv freebies.....:)m

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>In a message dated 7/23/01 4:16:23 PM Eastern Daylight Time, 
<BR>feeneymike@yahoo.com writes:
<BR>
<BR>
<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">my shopping cart also had a couple of freebies
<BR>in it: &nbsp;a free Axman mic stand and a free mic cable</BLOCKQUOTE>
<BR>
<BR>luv freebies.....:)m</FONT></HTML>

--part1_89.9c51109.288e23e5_boundary--

From Loopers-Delight-request@loopers-delight.com  Mon Jul 23 21:15:58 2001
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Date: Tue, 24 Jul 2001 10:13:41 +0900
To: Loopers-Delight@loopers-delight.com
From: Sunao Inami <cave@osk.3web.ne.jp>
Subject: release spam  new CD "repeater"
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Hi list,

I have just  released new CD from own label,electr-orm.

http://www.cavestudio.com/electr-ohm/index_E.html


repeater / sunao inami
TCCD20012
(CD only)

1. intro 4:06
2. trace route 5:10
3. waves on the table 3:44
4. modifiers control 3:48
5. rainy wales 5:10
6. repeater 8:26
7. loop is life,life is loop 15:53
8. continuous skin break III 6:15
9. outro 2:47

Sunao Inami : All Instruments

Graphic Design by Yoshio Saga
Cover Photo by Sunao Inami

Sunao Inami official site
http://www.cavestudio.com/

You can get it from:
Cranium Music
http://www.cranium-music.com/catalog/A_1737.htm

electr-ohm via Paypal
http://www.cavestudio.com/electr-ohm/index_E.html


   sorry for my spam..

  Sunao Inami
http://www.cavestudio.com



From Loopers-Delight-request@loopers-delight.com  Mon Jul 23 21:18:16 2001
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if ever we needed a tea-shirt it is now.....not only to identify ourselves, 
but to aid kim in continuing to run LD (mother of us all).....someone out 
there should be able to do this for GOD'S SAKE.....i, personally am an 
idiot!.....yet when the NYC LOOPFEST happens, i will be there.....in fact, 
any midwest folk drivin thru to NYC feel free to call pittsburgh your home 
for a spell, got lots-o-floor.....:)m

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>if ever we needed a tea-shirt it is now.....not only to identify ourselves, 
<BR>but to aid kim in continuing to run LD (mother of us all).....someone out 
<BR>there should be able to do this for GOD'S SAKE.....i, personally am an 
<BR>idiot!.....yet when the NYC LOOPFEST happens, i will be there.....in fact, 
<BR>any midwest folk drivin thru to NYC feel free to call pittsburgh your home 
<BR>for a spell, got lots-o-floor.....:)m</FONT></HTML>

--part1_6c.d57fe5d.288e267c_boundary--

From Loopers-Delight-request@loopers-delight.com  Mon Jul 23 21:21:30 2001
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Date: Mon, 23 Jul 2001 21:18:39 -0400
Subject: Feedback Music/Video NYC 26 July
From: David Myers <dmgraph@earthlink.net>
To: Sung Baik <Pbaik@nj.rr.com>, Charles Cohen <charlescohen@mac.com>,
        Tony Coulter <cyh201@is7.nyu.edu>,
        "Looper's Delight" <Loopers-Delight@loopers-delight.com>,
        Mark Dery <markdery@mindspring.com>,
        Downtown Music Gallery <dmg@panix.com>, Fabio <sharpe@panix.com>,
        Peter Frandsen <vache@panix.com>, Kyle Gann <kgann@earthlink.net>,
        Geoff Gersh <gsgersh@hotmail.com>, Gil Gershman <gg2g4ink@javanet.com>,
        Kenneth Goldsmith <kennyg@ubu.com>, Tom Hamilton <THamiltn@aol.com>,
        Thom Holmes <tholmes@thedeal.com>,
        David Linton <hausofouch@worldnet.att.net>,
        Ben Manley <manleycb3@aol.com>, Al Margolis <pogal@pogus.com>,
        Charlie Mendoza <paralux@aol.com>,
        Ken Montgomery <kenmontgomery@earthlink.net>,
        Joseph Nechvatal <joseph_nechvatal@hotmail.com>,
        Phill Niblock <phill@experimentalintermedia.org>,
        John Phillips <jp@terragizmo.net>, Greg Sandow <greg@gregsandow.com>,
        Michael Schumacher <mschumacher@sprintmail.com>,
        "Elliott Sharp (NY)" <esharp@panix.com>,
        Jim Staley <jstaley@roulette.org>, David Torn <Hedewa7@aol.com>,
        Christine Uberti <maenad@refinedclinicalresearch.com>,
        David Weinstein <dwinknot@yahoo.com>,
        Phil Zampino <zampino@squidco.com>
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Apologies for the spam.  My last (as yet) scheduled performance this year
should be pretty interesting.  Two hours of Feedback Music and
sound-responsive video projection (I hope--not my computer!) at the cool
SYNTH show, White Columns Gallery, Horatio at West 4th Street NYC.  Time is
8 PM, environment is plastic and inflatable!  Comfy couches!  Sontext will
be doing 6-8 PM.  Freeeee!!

David Lee Myers
http://www.pulsewidth.com
--------------------------------------------------------------------------
"Ourobouros" CD of new Feedback Music available now on Pulsewidth!
In NYC at Downtown Music, Kim's Mondo, Kim's West, and Other Music, and
through Forced Exposure, Anomalous, Wayside, CDeMusic/Electronic Music
Foundation, Deep Listening Catalog, Crouton Music, Recommended (UK),
Staalplaat (Netherlands), and Metamkine (France).


From Loopers-Delight-request@loopers-delight.com  Mon Jul 23 23:28:09 2001
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Greetings,

I have t-shirt connections via my wife, who is a graphic designer.
I have spoken to her about this volunteer effort, and she seems
willing (but her schedule is busy so turn around time will be tempered).

After the shirts are made, I can coordinate distribution/mailing to list
members
and pass the proceeds to Kim.  I have done a similar distribution effort

for another list I was on a few years ago (a video tape project).

I guess to start, we would need to agree on some basic design ideas
and text.   Got to give her something to work with, unless you want to
turn
the entire thing over to her.

Some things to consider:

   Pocket Logo Shirt?
   Full Size Design?
   Front & Back?
   How Many Colors?


later,
-jas
http://www.argusdesignworks.com

(Now Playing: Jon Durant - Anatomy of a Wish)


Nemoguitt@aol.com wrote:

> if ever we needed a tea-shirt it is now.....not only to identify
> ourselves,
> but to aid kim in continuing to run LD (mother of us all).....someone
> out
> there should be able to do this for GOD'S SAKE.....i, personally am an
>
> idiot!.....yet when the NYC LOOPFEST happens, i will be there.....in
> fact,
> any midwest folk drivin thru to NYC feel free to call pittsburgh your
> home
> for a spell, got lots-o-floor.....:)m

From Loopers-Delight-request@loopers-delight.com  Mon Jul 23 23:50:32 2001
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  Well, I´d say Full Size Design,in front,either black or white t-shirts...

A

>Front
>   Pocket Logo Shirt?
>   Full Size Design?
>   Front & Back?
>   How Many Colors?
>
>
>later,
>-jas
>http://www.argusdesignworks.com
>
>(Now Playing: Jon Durant - Anatomy of a Wish)
>
>
>Nemoguitt@aol.com wrote:
>
>> if ever we needed a tea-shirt it is now.....not only to identify
>> ourselves,
>> but to aid kim in continuing to run LD (mother of us all).....someone
>> out
>> there should be able to do this for GOD'S SAKE.....i, personally am an
>>
>> idiot!.....yet when the NYC LOOPFEST happens, i will be there.....in
>> fact,
>> any midwest folk drivin thru to NYC feel free to call pittsburgh your
>> home
>> for a spell, got lots-o-floor.....:)m
>
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Jul 24 00:16:19 2001
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From: "Michael LaMeyer" <mlameyer@rcn.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Loopers T-shirts
Date: Tue, 24 Jul 2001 00:10:52 -0400
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This is a multi-part message in MIME format.

------=_NextPart_000_0007_01C113D5.1A130360
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	charset="iso-8859-1"
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OK, first, foremost, and principle request:

<special important request>

The back of t-shirt should say "UNSUBSCRIBE" in big bold
letters.  Well, reasonably big.

</special important request>

K, lesse ....

I think a moebius strip somewhere on the front would be
appropriate.  Or incorporated in the design somehow.  It could
be cheesy, it could be cool, I think it's all in the execution
...

That's all I got right now.

Back to tedious DNS work,

Mike

----- Original Message -----
From: "Jason Fink" <jfink@cabq.gov>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, July 24, 2001 12:24 AM
Subject: Loopers T-shirts


> Greetings,
>
> I have t-shirt connections via my wife, who is a graphic
designer.
> I have spoken to her about this volunteer effort, and she
seems
> willing (but her schedule is busy so turn around time will be
tempered).
>
> After the shirts are made, I can coordinate
distribution/mailing to list
> members
> and pass the proceeds to Kim.  I have done a similar
distribution effort
>
> for another list I was on a few years ago (a video tape
project).
>
> I guess to start, we would need to agree on some basic design
ideas
> and text.   Got to give her something to work with, unless you
want to
> turn
> the entire thing over to her.
>
> Some things to consider:
>
>    Pocket Logo Shirt?
>    Full Size Design?
>    Front & Back?
>    How Many Colors?
>
>
> later,
> -jas
> http://www.argusdesignworks.com
>
> (Now Playing: Jon Durant - Anatomy of a Wish)
>
>
> Nemoguitt@aol.com wrote:
>
> > if ever we needed a tea-shirt it is now.....not only to
identify
> > ourselves,
> > but to aid kim in continuing to run LD (mother of us
all).....someone
> > out
> > there should be able to do this for GOD'S SAKE.....i,
personally am an
> >
> > idiot!.....yet when the NYC LOOPFEST happens, i will be
there.....in
> > fact,
> > any midwest folk drivin thru to NYC feel free to call
pittsburgh your
> > home
> > for a spell, got lots-o-floor.....:)m
>


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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.3315.2870" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>OK, first, foremost, and principle=20
request:</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>&lt;special important =
request&gt;</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>The back of t-shirt should say =
"UNSUBSCRIBE" in big=20
bold<BR>letters.&nbsp; Well, reasonably big.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>&lt;/special important =
request&gt;</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>K, lesse ....</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I think a moebius strip somewhere on =
the front=20
would be<BR>appropriate.&nbsp; Or incorporated in the design =
somehow.&nbsp; It=20
could<BR>be cheesy, it could be cool, I think it's all in the=20
execution<BR>...</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>That's all I got right =
now.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Back to tedious DNS work,</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Mike</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>----- Original Message -----<BR>From: =
"Jason Fink"=20
&lt;<A href=3D"mailto:jfink@cabq.gov">jfink@cabq.gov</A>&gt;<BR>To: =
&lt;<A=20
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>&gt;<BR>Sent:=20
Tuesday, July 24, 2001 12:24 AM<BR>Subject: Loopers =
T-shirts</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><BR>&gt; Greetings,<BR>&gt;<BR>&gt; I =
have t-shirt=20
connections via my wife, who is a graphic<BR>designer.<BR>&gt; I have =
spoken to=20
her about this volunteer effort, and she<BR>seems<BR>&gt; willing (but =
her=20
schedule is busy so turn around time will =
be<BR>tempered).<BR>&gt;<BR>&gt; After=20
the shirts are made, I can coordinate<BR>distribution/mailing to =
list<BR>&gt;=20
members<BR>&gt; and pass the proceeds to Kim.&nbsp; I have done a=20
similar<BR>distribution effort<BR>&gt;<BR>&gt; for another list I was on =
a few=20
years ago (a video tape<BR>project).<BR>&gt;<BR>&gt; I guess to start, =
we would=20
need to agree on some basic design<BR>ideas<BR>&gt; and =
text.&nbsp;&nbsp; Got to=20
give her something to work with, unless you<BR>want to<BR>&gt; =
turn<BR>&gt; the=20
entire thing over to her.<BR>&gt;<BR>&gt; Some things to=20
consider:<BR>&gt;<BR>&gt;&nbsp;&nbsp;&nbsp; Pocket Logo=20
Shirt?<BR>&gt;&nbsp;&nbsp;&nbsp; Full Size =
Design?<BR>&gt;&nbsp;&nbsp;&nbsp;=20
Front &amp; Back?<BR>&gt;&nbsp;&nbsp;&nbsp; How Many=20
Colors?<BR>&gt;<BR>&gt;<BR>&gt; later,<BR>&gt; -jas<BR>&gt; <A=20
href=3D"http://www.argusdesignworks.com">http://www.argusdesignworks.com<=
/A><BR>&gt;<BR>&gt;=20
(Now Playing: Jon Durant - Anatomy of a Wish)<BR>&gt;<BR>&gt;<BR>&gt; <A =

href=3D"mailto:Nemoguitt@aol.com">Nemoguitt@aol.com</A> =
wrote:<BR>&gt;<BR>&gt;=20
&gt; if ever we needed a tea-shirt it is now.....not only =
to<BR>identify<BR>&gt;=20
&gt; ourselves,<BR>&gt; &gt; but to aid kim in continuing to run LD =
(mother of=20
us<BR>all).....someone<BR>&gt; &gt; out<BR>&gt; &gt; there should be =
able to do=20
this for GOD'S SAKE.....i,<BR>personally am an<BR>&gt; &gt;<BR>&gt; &gt; =

idiot!.....yet when the NYC LOOPFEST happens, i will =
be<BR>there.....in<BR>&gt;=20
&gt; fact,<BR>&gt; &gt; any midwest folk drivin thru to NYC feel free to =

call<BR>pittsburgh your<BR>&gt; &gt; home<BR>&gt; &gt; for a spell, got=20
lots-o-floor.....:)m<BR>&gt;<BR></FONT></DIV></BODY></HTML>

------=_NextPart_000_0007_01C113D5.1A130360--

From Loopers-Delight-request@loopers-delight.com  Tue Jul 24 00:39:43 2001
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Date: Tue, 24 Jul 2001 00:37:55 -0400
Subject: Re: Loopers T-shirts
From: David Myers <dmgraph@earthlink.net>
To: <Loopers-Delight@loopers-delight.com>
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> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

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on 7/24/01 12:10 AM, Michael LaMeyer at mlameyer@rcn.com wrote:

OK, first, foremost, and principle request:

<special important request>

The back of t-shirt should say "UNSUBSCRIBE" in big bold
letters.  Well, reasonably big.

Absolutely.  Major importance.
 
</special important request>

K, lesse ....

I think a moebius strip somewhere on the front would be
appropriate.  Or incorporated in the design somehow.  It could
be cheesy, it could be cool, I think it's all in the execution
...

I love the website's banner and think it would be great on the front.

BTW, I do not wear any T shirts which are not black, for any reason...

DLM 

--MS_Mac_OE_3078779875_46455_MIME_Part
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<HTML>
<HEAD>
<TITLE>Re: Loopers T-shirts</TITLE>
</HEAD>
<BODY>
on 7/24/01 12:10 AM, Michael LaMeyer at mlameyer@rcn.com wrote:<BR>
<BR>
OK, first, foremost, and principle request:<BR>
 <BR>
&lt;special important request&gt;<BR>
 <BR>
The back of t-shirt should say &quot;UNSUBSCRIBE&quot; in big bold<BR>
letters. &nbsp;Well, reasonably big.<BR>
<BR>
<FONT COLOR=3D"#FF0000">Absolutely. &nbsp;Major importance.<BR>
</FONT> <BR>
&lt;/special important request&gt;<BR>
 <BR>
K, lesse ....<BR>
 <BR>
I think a moebius strip somewhere on the front would be<BR>
appropriate. &nbsp;Or incorporated in the design somehow. &nbsp;It could<BR=
>
be cheesy, it could be cool, I think it's all in the execution<BR>
...<BR>
 <BR>
<FONT COLOR=3D"#FF0000">I love the website's banner and think it would be gre=
at on the front.<BR>
<BR>
BTW, I do not wear any T shirts which are not black, for any reason...<BR>
<BR>
DLM</FONT>
</BODY>
</HTML>


--MS_Mac_OE_3078779875_46455_MIME_Part--

From Loopers-Delight-request@loopers-delight.com  Tue Jul 24 00:55:06 2001
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From: Todd Pafford <galen@erols.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Loopers T-shirts
Date: Tue, 24 Jul 2001 00:58:04 -0400
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On Tue, 24 Jul 2001, David Myers wrote:

> > on 7/24/01 12:10 AM, Michael LaMeyer at mlameyer@rcn.com wrote:
>
> I think a moebius strip somewhere on the front would be
> appropriate.  Or incorporated in the design somehow.  It could
> be cheesy, it could be cool, I think it's all in the execution
> ...
>
> I love the website's banner and think it would be great on the front.
>
> BTW, I do not wear any T shirts which are not black, for any reason...
>


Funny, I don't wear any T-shirts that *are* black, for any reason. :)

Seriously, though, I love both ideas.  I'm thinking of a cool small mobius 
design on the front breast, with the web page logo across the back at 
shoulder blade level.  Then any witty slogans anyone comes up with can go 
under that at mid back.

Just my two cents,
Todd

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Subject: Re: Loopers T-shirts
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  Black is cool, and I love the idea of the mobius strip!  <smile>  -For
design colors, we can't forget day-glow purple and green somewhere!  -or
electric blue for that matter!  -And what about YELLOW! while we're at it!
OK, I'll stop now...  lolol!   

Smiles,

Goddess

   At 12:37 AM 7/24/01 -0400, you wrote:
>   on 7/24/01 12:10 AM, Michael LaMeyer at mlameyer@rcn.com wrote:
> 
> OK, first, foremost, and principle request:
>  
><>
>  
>"" in big bold
> Well, reasonably big.
> 
>  Major importance.
>  
><>
>  
> K, lesse ....
>  
> I think a moebius strip somewhere on the front would be
>  It could
> be cheesy, it could be cool, I think it's all in the execution
> ...
>  
> I love the website's banner and think it would be great on the front.
> 
> BTW, I do not wear any T shirts which are not black, for any reason...
> 
> DLM    


---

  "The only things I really think are important, are love, and eachother.
-Then, anything is possible..."


From Loopers-Delight-request@loopers-delight.com  Tue Jul 24 01:46:20 2001
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Date: Mon, 23 Jul 2001 22:44:09 -0700 (PDT)
From: John Tidwell <wedgehed@yahoo.com>
Subject: Re: Loopers merchandise
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I would buy an auto tag with the LD logo for the front
of my car.

I'll only buy a shirt if it's reversible!

John


=====
John Tidwell




__________________________________________________
Do You Yahoo!?
Make international calls for as low as $.04/minute with Yahoo! Messenger
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From Loopers-Delight-request@loopers-delight.com  Tue Jul 24 01:59:30 2001
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In a message dated 07/23/2001 11:38:28 PM Central Daylight Time, 
dmgraph@earthlink.net writes:


> The back of t-shirt should say "UNSUBSCRIBE" in big bold
> letters.  Well, reasonably big.
> 
> Absolutely.  Major importance.
> 
> </special important request>
> 
> K, lesse ....
> 
> I think a moebius strip somewhere on the front would be
> appropriate.  Or incorporated in the design somehow.  It could
> be cheesy, it could be cool, I think it's all in the execution
> ...
> 
> 

I'd like a t-shirt with the face panel of my EDP reproduced on the front!   
And maybe that of the foot controller on the back... one of the buttons could 
have UNSUBSCRIBE labelled on it.

OK, I go back to work now.

Kevin



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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>In a message dated 07/23/2001 11:38:28 PM Central Daylight Time, 
<BR>dmgraph@earthlink.net writes:
<BR>
<BR>
<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">The back of t-shirt should say "UNSUBSCRIBE" in big bold
<BR>letters. &nbsp;Well, reasonably big.
<BR>
<BR></FONT><FONT  COLOR="#ff0000" SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0">Absolutely. &nbsp;Major importance.
<BR></FONT><FONT  COLOR="#000000" SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0">
<BR>&lt;/special important request&gt;
<BR>
<BR>K, lesse ....
<BR>
<BR>I think a moebius strip somewhere on the front would be
<BR>appropriate. &nbsp;Or incorporated in the design somehow. &nbsp;It could
<BR>be cheesy, it could be cool, I think it's all in the execution
<BR>...
<BR></FONT><FONT  COLOR="#ff0000" SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0">
<BR></FONT><FONT  COLOR="#000000" SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0"></BLOCKQUOTE>
<BR>
<BR>I'd like a t-shirt with the face panel of my EDP reproduced on the front! &nbsp;&nbsp;
<BR>And maybe that of the foot controller on the back... one of the buttons could 
<BR>have UNSUBSCRIBE labelled on it.
<BR>
<BR>OK, I go back to work now.
<BR>
<BR>Kevin
<BR>
<BR></FONT></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue Jul 24 02:08:53 2001
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From: John Tidwell <wedgehed@yahoo.com>
Subject: Re: Loopers T-shirts
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Let's put arrows on the strip & add the legend,
"I'm With Stupid".

:)

John

 
> > I think a moebius strip somewhere on the front
> would be
> > appropriate.  Or incorporated in the design
> somehow.  It could
> > be cheesy, it could be cool, I think it's all in
> the execution


=====
John Tidwell




__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Tue Jul 24 02:15:27 2001
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Subject: Re: Loopers T-shirts
Date: Tue, 24 Jul 2001 02:17:28 -0400
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i think it'd be nice to see a mobius strip type logo with some kind of
symbolized fluctuation built in, kind of a visual metaphor for tweaking
loops as they repeat. i think if this was well done, you could get away with
basic black and white, which would probably end up making it cheaper and
easier to produce a decent sized run, thus creating more profit to go back
to LD. whatever happens though, i like the idea. looper's delight feeding
looper's delight, a fine feedback loop indeed.

jon/skincage

From Loopers-Delight-request@loopers-delight.com  Tue Jul 24 02:16:39 2001
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Subject: RE: Loopers T-shirts
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Or how about the word 'unsubscribe' actually on the strip itself...or
'when is the Repeater coming out', 'when will the EDP Update be ready',
or 'the Headrush sucks'....

No really, I like the idea of 2 sides, on black. Its gotta have the LD
website on it too.

Dave Eichenberger- guitars.loops.devices
http://www.hazardfactor.com
 


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Is there any chance for a looper's breakfast cerial?  Free prize in each
box?  Send boxtops to Battlecreek Michigan?

What about the children?

Mark

KB305@aol.com wrote:

> In a message dated 07/23/2001 11:38:28 PM Central Daylight Time,
> dmgraph@earthlink.net writes:
>
>
>
>> The back of t-shirt should say "UNSUBSCRIBE" in big bold
>> letters.  Well, reasonably big.
>>
>> Absolutely.  Major importance.
>>
>> </special important request>
>>
>> K, lesse ....
>>
>> I think a moebius strip somewhere on the front would be
>> appropriate.  Or incorporated in the design somehow.  It could
>> be cheesy, it could be cool, I think it's all in the execution
>> ...
>>
>
> I'd like a t-shirt with the face panel of my EDP reproduced on the
> front!
> And maybe that of the foot controller on the back... one of the
> buttons could
> have UNSUBSCRIBE labelled on it.
>
> OK, I go back to work now.
>
> Kevin
>

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<!doctype html public "-//w3c//dtd html 4.0 transitional//en">
<html>
Is there any chance for a looper's breakfast cerial?&nbsp; Free prize in
each box?&nbsp; Send boxtops to Battlecreek Michigan?
<p>What about the children?
<p>Mark
<p>KB305@aol.com wrote:
<blockquote TYPE=CITE><font face="arial,helvetica"><font size=-1>In a message
dated 07/23/2001 11:38:28 PM Central Daylight Time,</font></font>
<br><font face="arial,helvetica"><font size=-1>dmgraph@earthlink.net writes:</font></font>
<br>&nbsp;
<br>&nbsp;
<blockquote TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px"><font face="arial,helvetica"><font size=-1>The
back of t-shirt should say "UNSUBSCRIBE" in big bold</font></font>
<br><font face="arial,helvetica"><font size=-1>letters.&nbsp; Well, reasonably
big.</font></font>
<p><font face="Arial"><font color="#FF0000"><font size=-1>Absolutely.&nbsp;
Major importance.</font></font></font>
<p><font face="Arial"><font color="#000000"><font size=-1>&lt;/special
important request></font></font></font>
<p><font face="Arial"><font color="#000000"><font size=-1>K, lesse ....</font></font></font>
<p><font face="Arial"><font color="#000000"><font size=-1>I think a moebius
strip somewhere on the front would be</font></font></font>
<br><font face="Arial"><font color="#000000"><font size=-1>appropriate.&nbsp;
Or incorporated in the design somehow.&nbsp; It could</font></font></font>
<br><font face="Arial"><font color="#000000"><font size=-1>be cheesy, it
could be cool, I think it's all in the execution</font></font></font>
<br><font face="Arial"><font color="#000000"><font size=-1>...</font></font></font>
<br>&nbsp;</blockquote>

<p><font face="Arial"><font color="#000000"><font size=-1>I'd like a t-shirt
with the face panel of my EDP reproduced on the front!</font></font></font>
<br><font face="Arial"><font color="#000000"><font size=-1>And maybe that
of the foot controller on the back... one of the buttons could</font></font></font>
<br><font face="Arial"><font color="#000000"><font size=-1>have UNSUBSCRIBE
labelled on it.</font></font></font>
<p><font face="Arial"><font color="#000000"><font size=-1>OK, I go back
to work now.</font></font></font>
<p><font face="Arial"><font color="#000000"><font size=-1>Kevin</font></font></font>
<br>&nbsp;</blockquote>
</html>

--------------89E4730EDDDEE7CF73829E43--

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Subject: Re: Looper's delight T-shirts
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(in the style of William Shatner)

CAN'T....RE..SIST....MUST
HIT...MUTE...BE..FORE..IT'S..
...TOO...LATE......


--- Goddess <TheFates@earthlink.net> wrote:
>  -just a regular
> T-shirt with the
> full-ssize design...  -AND NOT ON THE BREAST EITHER!
>    
> 
> Smiles,
> 
> G-Girl


=====
John Tidwell




__________________________________________________
Do You Yahoo!?
Make international calls for as low as $.04/minute with Yahoo! Messenger
http://phonecard.yahoo.com/

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We can go after the kids on Saturday morning with
Mighty Morphin' Power 'rangers.



--- Mark <sine@zerocrossing.net> wrote:
> What about the children?


=====
John Tidwell




__________________________________________________
Do You Yahoo!?
Make international calls for as low as $.04/minute with Yahoo! Messenger
http://phonecard.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Tue Jul 24 02:56:28 2001
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To: loopers-delight@loopers-delight.com
From: Goddess <TheFates@earthlink.net>
Subject: Looper's delight T-shirts
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  Hey, how about a musical staff in neon colors, in the form of a mobius
strip with either notes, or Looper's Delight written on it, and the LD logo
in the center?  OH, btw, Please, no pocket logo?!  ICK!!!  -or pocket for
that matter!  I'd never wear it!  -just a regular T-shirt with the
full-ssize design...  -AND NOT ON THE BREAST EITHER!    

Smiles,

G-Girl

    


---

  "The only things I really think are important, are love, and eachother.
-Then, anything is possible..."


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Subject: Re: EDP Problem
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Re: EDP ProblemI've  had similair problems last year: during a gig: a =
soundengineer stepped on the plug that was inserted in the =
footcontroller: his weight had bend one of the contacts. All I had to do =
was open the footcontroller and bent the contact in the right position =
and it worked again.

Remco


  ----- Original Message -----=20
  From: Steve Sandberg=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Tuesday, July 24, 2001 1:53 AM
  Subject: Re: EDP Problem


  The record button on my EDP pedal isn't working anymore -- anyone know =
if this is something I can easily fix myself, or do I need to send it =
back to Trace Elliot?  It's definitely the pedal, it seems, because the =
record button on the unit works fine.
  Thanks.=20

------=_NextPart_000_0011_01C11431.B8AD4240
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD><TITLE>Re: EDP Problem</TITLE>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 5.50.4522.1800" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I've&nbsp; had similair problems last =
year: during=20
a gig: a soundengineer stepped on the plug that was inserted in the=20
footcontroller: his weight had bend one of the contacts. All I had to do =
was=20
open the footcontroller and bent the contact in the right position and =
it worked=20
again.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Remco</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dstevesandberg@earthlink.net=20
  href=3D"mailto:stevesandberg@earthlink.net">Steve Sandberg</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, July 24, 2001 =
1:53=20
AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: EDP Problem</DIV>
  <DIV><BR></DIV><FONT size=3D4>The record button on my EDP pedal isn't =
working=20
  anymore -- anyone know if this is something I can easily fix myself, =
or do I=20
  need to send it back to Trace Elliot? &nbsp;It's definitely the pedal, =
it=20
  seems, because the record button on the unit works =
fine.<BR>Thanks.</FONT>=20
</BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0011_01C11431.B8AD4240--

From Loopers-Delight-request@loopers-delight.com  Tue Jul 24 05:58:14 2001
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Steve Sandberg wrote:
> 
> The record button on my EDP pedal isn't working anymore -- anyone know
> if this is something I can easily fix myself, or do I need to send it
> back to Trace Elliot?  It's definitely the pedal, it seems, because
> the record button on the unit works fine.
> Thanks.

Steve
for now
You can fix it by yourself untill you get a replacement 
open the board and swap the switch with one you use less
the switch can be found at ?????????? sorry I did loose the part nb and
origin 
can someone else help?
must be somewhere in the archives but my intelligent keyword seaching
skills are reduced today
didnt find it

Claude

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I had a couple of things taped onto my JamMan..one was a picture of Saturn
with the caption "Riddles of the Rings"..the other was a cartoon picture of
a guy awake in his pajamas flying..collage visual anyone?
Jehn
----- Original Message -----
From: "Goddess" <TheFates@earthlink.net>
To: <loopers-delight@loopers-delight.com>
Sent: Tuesday, July 24, 2001 2:39 AM
Subject: Looper's delight T-shirts


>   Hey, how about a musical staff in neon colors, in the form of a mobius
> strip with either notes, or Looper's Delight written on it, and the LD
logo
> in the center?  OH, btw, Please, no pocket logo?!  ICK!!!  -or pocket for
> that matter!  I'd never wear it!  -just a regular T-shirt with the
> full-ssize design...  -AND NOT ON THE BREAST EITHER!
>
> Smiles,
>
> G-Girl
>
>
>
>
> ---
>
>   "The only things I really think are important, are love, and eachother.
> -Then, anything is possible..."
>
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Jul 24 10:14:44 2001
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Subject: Re: Looper's delight T-shirts
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I have an idea for a design that I will post very soon
c.

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Re: EDP Problem> The record button on my EDP pedal isn't working anymore --
anyone
> know if this is something I can easily fix myself, or do I need to send
> it back to Trace Elliot?  It's definitely the pedal, it seems, because the
> record button on the unit works fine.

The exact part is available from several sources.  Mouser Electronics
(www.mouser.com) and Jameco Electronics (www.jameco.com), among others.
The Mouser part no is:
    1OPA005 Red PB Mountain Switch
The Jameco no is:
    106112

Cost is about a buck.  I'd order several for spares.

On the other hand....
When my REC button went out, I replaced it with a different style I got at
Radio Shack.  I *like* it looking different than the rest (and it protrudes
higher) 'cause that makes it easier to tell apart from the other buttons.

Hope this helps...

Dennis Leas
-------------------
dennis@mdbs.com



From Loopers-Delight-request@loopers-delight.com  Tue Jul 24 10:21:00 2001
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Just make sure it can sync to MIDI...

Dennis Leas
-------------------
dennis@mdbs.com


----- Original Message ----- 
From: "Christopher White" <magicicada@charter.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, July 24, 2001 9:16 AM
Subject: Re: Looper's delight T-shirts


> I have an idea for a design that I will post very soon
> c.
> 

From Loopers-Delight-request@loopers-delight.com  Tue Jul 24 10:27:56 2001
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Date: Tue, 24 Jul 2001 07:26:40 -0700 (PDT)
From: philip raath <philraath@yahoo.com>
Subject: witty slogans
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 this might be iffy for the tee shirt, but perhaps for
advertising the knit gig we could have some sort of
"witty slogan" in reference to the fact that looping
allows you to play with yourself. it would be cool on
the t-shirt as well, but i'd forget and wear it to
church or something.

eh?

take care,
phil

=====
"Compassion is the sometimes fatal capacity for feeling what
it's like to live inside somebody else's skin.
 
 It is the knowledge that there can never really be any
peace and joy for me until there is peace and joy finally 
for you too." 
                                   -Frederick Buechner

__________________________________________________
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Make international calls for as low as $.04/minute with Yahoo! Messenger
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From Loopers-Delight-request@loopers-delight.com  Tue Jul 24 11:35:40 2001
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Date: Tue, 24 Jul 2001 08:32:28 -0700
From: "Mike Biffle" <Mike.Biffle@asml.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Loopers T-shirts
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Maybe the Mobius should be the 2  'S' (esses) in UNSUBSCRIBE? Symbolizing the futile nature of getting off the list... I really like this particular element a LOT!

-Miko

>>> mlameyer@rcn.com 07/23/01 09:10PM >>>
OK, first, foremost, and principle request:

<special important request>

The back of t-shirt should say "UNSUBSCRIBE" in big bold
letters.  Well, reasonably big.

</special important request>

K, lesse ....

I think a moebius strip somewhere on the front would be
appropriate.  Or incorporated in the design somehow.  It could
be cheesy, it could be cool, I think it's all in the execution
...

That's all I got right now.

Back to tedious DNS work,

Mike

----- Original Message -----
From: "Jason Fink" <jfink@cabq.gov>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, July 24, 2001 12:24 AM
Subject: Loopers T-shirts


> Greetings,
>
> I have t-shirt connections via my wife, who is a graphic
designer.
> I have spoken to her about this volunteer effort, and she
seems
> willing (but her schedule is busy so turn around time will be
tempered).
>
> After the shirts are made, I can coordinate
distribution/mailing to list
> members
> and pass the proceeds to Kim.  I have done a similar
distribution effort
>
> for another list I was on a few years ago (a video tape
project).
>
> I guess to start, we would need to agree on some basic design
ideas
> and text.   Got to give her something to work with, unless you
want to
> turn
> the entire thing over to her.
>
> Some things to consider:
>
>    Pocket Logo Shirt?
>    Full Size Design?
>    Front & Back?
>    How Many Colors?
>
>
> later,
> -jas
> http://www.argusdesignworks.com 
>
> (Now Playing: Jon Durant - Anatomy of a Wish)
>
>
> Nemoguitt@aol.com wrote:
>
> > if ever we needed a tea-shirt it is now.....not only to
identify
> > ourselves,
> > but to aid kim in continuing to run LD (mother of us
all).....someone
> > out
> > there should be able to do this for GOD'S SAKE.....i,
personally am an
> >
> > idiot!.....yet when the NYC LOOPFEST happens, i will be
there.....in
> > fact,
> > any midwest folk drivin thru to NYC feel free to call
pittsburgh your
> > home
> > for a spell, got lots-o-floor.....:)m
>


From Loopers-Delight-request@loopers-delight.com  Tue Jul 24 12:44:41 2001
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From: "Christopher White" <magicicada@charter.net>
Subject: Check out my  loopers Shirt Design
To: Loopers-Delight@loopers-delight.com
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I went for a simple design-to the point and what I think
of as being classy(for a tshirtthat is::haha::)
Don't tell my boss I did this at work.
c.white
http://www.magicicada.com/ldshirt.htm

From Loopers-Delight-request@loopers-delight.com  Tue Jul 24 13:09:35 2001
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Subject: Here is another with a Fancy Font
To: Loopers-Delight@loopers-delight.com
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same shirt design different font
> http://www.magicicada.com/ldfancy.htm
> 

From Loopers-Delight-request@loopers-delight.com  Tue Jul 24 13:10:25 2001
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I'd buy either of those!

nice

os.

os@scee.sony.co.uk
http://www.mp3.com/carbonboy/
http://www.mp3.com/darkroomuk/
http://www.collective.co.uk/
----- Original Message ----- 
From: "Christopher White" <magicicada@charter.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, July 24, 2001 6:10 PM
Subject: Here is another with a Fancy Font


> same shirt design different font
> > http://www.magicicada.com/ldfancy.htm
> > 
> 

From Loopers-Delight-request@loopers-delight.com  Tue Jul 24 13:17:26 2001
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I like the first basic one much better. I really think putting 'unsubscribe' below the URL on the back would do it! Pretty cool...

-Miko

>>> magicicada@charter.net 07/24/01 10:10AM >>>
same shirt design different font
> http://www.magicicada.com/ldfancy.htm 
> 


From Loopers-Delight-request@loopers-delight.com  Tue Jul 24 13:19:44 2001
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yeh i am all for simple as well

On Tue, 24 Jul 2001 10:14:58 -0700
 "Mike Biffle" <Mike.Biffle@asml.com> wrote:
> I like the first basic one much better. I really think
> putting 'unsubscribe' below the URL on the back would do
> it! Pretty cool...
> 
> -Miko
> 
> >>> magicicada@charter.net 07/24/01 10:10AM >>>
> same shirt design different font
> > http://www.magicicada.com/ldfancy.htm 
> > 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Tue Jul 24 13:28:52 2001
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Good work...

I'm gathering all comments and ideas... keep them coming.

-jas
"Official LD T-Shirt Guy"

http://www.dimbulb.org

Christopher White wrote:

> I went for a simple design-to the point and what I think
> of as being classy(for a tshirtthat is::haha::)
> Don't tell my boss I did this at work.
> c.white
> http://www.magicicada.com/ldshirt.htm

From Loopers-Delight-request@loopers-delight.com  Tue Jul 24 13:45:08 2001
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I think the simpler font is better.  Also, I think the back graphic
should be more centered between the shoulder blades.

My 2 cents.

Mark

Jason Fink wrote:

> Good work...
>
> I'm gathering all comments and ideas... keep them coming.
>
> -jas
> "Official LD T-Shirt Guy"
>
> http://www.dimbulb.org
>
> Christopher White wrote:
>
> > I went for a simple design-to the point and what I think
> > of as being classy(for a tshirtthat is::haha::)
> > Don't tell my boss I did this at work.
> > c.white
> > http://www.magicicada.com/ldshirt.htm

From Loopers-Delight-request@loopers-delight.com  Tue Jul 24 14:11:46 2001
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From: "Tom Ritchford" <tom@swirly.com>
To: loopers-delight@loopers-delight.com
Reply-To: tom@swirly.com
Subject: OT: why musicians can't eat -- and why radio is so bad
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Musicians can't eat because the money is being stolen.

<http://www.salon.com/ent/feature/2001/03/14/payola/index.html>
<http://www.salon.com/ent/music/feature/2001/07/24/urban_radio/index.html>
<http://www.salon.com/ent/clear_channel/>

I feel a little sick...

-- 

I am the rarebit.

From Loopers-Delight-request@loopers-delight.com  Tue Jul 24 14:48:54 2001
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From: jth3@webtv.net (James Hines)
Date: Tue, 24 Jul 2001 12:45:49 -0600 (MDT)
To: Loopers-Delight@loopers-delight.com
Subject: Re: Looper's delight T-shirts
Message-ID: <28746-3B5DC25D-3236@storefull-617.iap.bryant.webtv.net>
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	00:39:36 -0600
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     Definitely a mobius strip. Preferably NOT notation - how about sine
waves in various frequencies overlapping inside the strip. Black, white,
grey and seafoam green (a la Escher) would be a nice color scheme. 
     On the other hand, while I personally have no objection to anything
on the breasts  :-) , I would respect the wishes of Goddess.   

Thanks, 
James

From Loopers-Delight-request@loopers-delight.com  Tue Jul 24 15:31:02 2001
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Duh.

Sorry for the sarcasm, but if anyone for a moment didn't realize this is how
the "biz" works, they are not paying attention.  It peaks at the radio/retail
level, but this behavior starts when club owners make artists pay to
entertain their clients.  I refuse to play in any venue that has ANY charge.
For a short time I allowed my band to be forced to rent PA gear that clubs
claimed they did not own.  They claimed that they had contracts with PA
owners in which they allowed the clubs to use their gear for free, but the
catch was the bands were forced to "rent" this gear and pay an engineer.
Mostly, the engineer SUCKED, but we've been through that one already.  I told
the booking people that I did not need any additional amplification and would
be happy to go sans PA, but was told we'd have to pay anyway.  That was the
deal.

This is where the rape starts.  It's the fondling phase.  If you stick
around, eventually you're getting it full force from behind.

This is why I feel that it is very important to put your stuff on the web for
free.  I've had the idea that groups of non pro musicians should supply area
DJs with material in return for mention on promo lit.  USE the internet and
word of mouth to promote yourself.  Screw RADIO and record companies.
They're already dead but don't know it.  This is why record companies are
really afraid of Napster.  It's something that they can't control.  The
reason radio sounds like it does is because lawyers are choosing your music.
If enough people can start finding music that they enjoy on the internet,
eventually demand of good music will force record companies to change or
die.  When promotion is almost free, there is no longer a need for a
"gatekeeper."  I have faith that people can make their own choices.

Fight.

Mark Sottilaro


Tom Ritchford wrote:

> Musicians can't eat because the money is being stolen.
>
> <http://www.salon.com/ent/feature/2001/03/14/payola/index.html>
> <http://www.salon.com/ent/music/feature/2001/07/24/urban_radio/index.html>
> <http://www.salon.com/ent/clear_channel/>
>
> I feel a little sick...
>
> --
>
> I am the rarebit.

From Loopers-Delight-request@loopers-delight.com  Tue Jul 24 15:38:51 2001
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Date: Tue, 24 Jul 2001 12:33:53 -0700 (PDT)
From: Scott Martin <coirbidh_99@yahoo.com>
Subject: FS: Vortex
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I'm posting this on behalf of someone I know who's
selling a Vortex, so PLEASE DON'T contact me
personally.

For sale: Lexicon Vortex, like new in original box,
includes manual and footswitch.  Asking $165.  Contact
Phil at prust@nyc.rr.com.




=====
And if it's up to us to bring some balance back
Let it not be said it's courage that we lack

-Gaia Consort, "Cry Freedom"

__________________________________________________
Do You Yahoo!?
Make international calls for as low as $.04/minute with Yahoo! Messenger
http://phonecard.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Tue Jul 24 15:43:44 2001
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i like that design-simplicity rules-just make sure we get some XXLs for us
beefy guys:-)
stanner
----------
>From: "Christopher White" <magicicada@charter.net>

>I went for a simple design-to the point and what I think
>of as being classy(for a tshirtthat is::haha::)
>Don't tell my boss I did this at work.
>c.white
>http://www.magicicada.com/ldshirt.htm
>

From Loopers-Delight-request@loopers-delight.com  Tue Jul 24 15:46:02 2001
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From: "Jim Poppen" <zebu@mindspring.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Here is another with a Fancy Font
Date: Tue, 24 Jul 2001 12:46:18 -0700
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I like the simple design as well, would buy a couple, but would buy five
if unsubscribe was spelled "unsuscribe" or "unsubsribe", or if the
unsubscribe info from the loopers website was printed in a very small
font bellow the back's web address.

Jim P.

> -----Original Message-----
> From: Mike Biffle [mailto:Mike.Biffle@asml.com]
> Sent: Tuesday, July 24, 2001 10:15 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Here is another with a Fancy Font
>
>
> I like the first basic one much better. I really think
> putting 'unsubscribe' below the URL on the back would do it!
> Pretty cool...
>
> -Miko
>
> >>> magicicada@charter.net 07/24/01 10:10AM >>>
> same shirt design different font
> > http://www.magicicada.com/ldfancy.htm
> >
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Jul 24 15:48:01 2001
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Subject: OT: Vortex Problem
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I control morph with expression pedal- usually it shows the value =
swinging between 1-64 until recently- now it still sounds like it is =
morphing just fine but the display just shows the patch number and =
sometimes wil flash and switch to value changing- Any ideas?

Cliff


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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
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charset=3Diso-8859-1">
<META content=3D"MSHTML 5.50.4616.200" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2>I control morph with expression pedal- usually it =
shows the=20
value swinging between 1-64 until recently- now it still sounds like it =
is=20
morphing just fine but the display just shows the patch number and =
sometimes wil=20
flash and switch to value changing- Any ideas?</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>Cliff</FONT></DIV>
<DIV>&nbsp;</DIV></BODY></HTML>

------=_NextPart_000_00B1_01C1143E.86E0ECA0--

From Loopers-Delight-request@loopers-delight.com  Tue Jul 24 15:50:28 2001
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Subject: Re: Here is another with a Fancy Font
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i almost think we should loose what is on front totally and
just have the addy on back>???


On Tue, 24 Jul 2001 12:46:18 -0700
 "Jim Poppen" <zebu@mindspring.com> wrote:
> I like the simple design as well, would buy a couple, but
> would buy five
> if unsubscribe was spelled "unsuscribe" or "unsubsribe",
> or if the
> unsubscribe info from the loopers website was printed in
> a very small
> font bellow the back's web address.
> 
> Jim P.
> 
> > -----Original Message-----
> > From: Mike Biffle [mailto:Mike.Biffle@asml.com]
> > Sent: Tuesday, July 24, 2001 10:15 AM
> > To: Loopers-Delight@loopers-delight.com
> > Subject: Re: Here is another with a Fancy Font
> >
> >
> > I like the first basic one much better. I really think
> > putting 'unsubscribe' below the URL on the back would
> do it!
> > Pretty cool...
> >
> > -Miko
> >
> > >>> magicicada@charter.net 07/24/01 10:10AM >>>
> > same shirt design different font
> > > http://www.magicicada.com/ldfancy.htm
> > >
> >
> >
> 

From Loopers-Delight-request@loopers-delight.com  Tue Jul 24 15:53:13 2001
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Subject: Re: OT: why musicians can't eat -- and why radio is so bad
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sine@zerocrossing.net writes:
>I have faith that people can make their own choices.
interesting comment, given that there're already **all** kindsa myriad 
avenues lined/caked/soaked w/'good' music (-that which is outside the 
'mainstream'-) that folks do not seem inclined to 'seek out'.
eh?
to some degree:
people chose milosevic. people chose hitler. people chose jim jones. people 
chose, well..... you probably follow my line (via these rather extreme 
examples) by now.
best,
dt / s-c

From Loopers-Delight-request@loopers-delight.com  Tue Jul 24 15:53:32 2001
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Subject: Re: Here is another with a Fancy Font
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and also we can all get together as one big group and
hug..hold hands and smile gazing longingly into each others
eyes...
*ahem*
or maybe not.......

live show!

www.magicicada.com/liveperformace.mp3
enjoy!



On Tue, 24 Jul 2001 12:46:18 -0700
 "Jim Poppen" <zebu@mindspring.com> wrote:
> I like the simple design as well, would buy a couple, but
> would buy five
> if unsubscribe was spelled "unsuscribe" or "unsubsribe",
> or if the
> unsubscribe info from the loopers website was printed in
> a very small
> font bellow the back's web address.
> 
> Jim P.
> 
> > -----Original Message-----
> > From: Mike Biffle [mailto:Mike.Biffle@asml.com]
> > Sent: Tuesday, July 24, 2001 10:15 AM
> > To: Loopers-Delight@loopers-delight.com
> > Subject: Re: Here is another with a Fancy Font
> >
> >
> > I like the first basic one much better. I really think
> > putting 'unsubscribe' below the URL on the back would
> do it!
> > Pretty cool...
> >
> > -Miko
> >
> > >>> magicicada@charter.net 07/24/01 10:10AM >>>
> > same shirt design different font
> > > http://www.magicicada.com/ldfancy.htm
> > >
> >
> >
> 

From Loopers-Delight-request@loopers-delight.com  Tue Jul 24 15:54:21 2001
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Subject: Re: Looper's delight T-shirts
Date: Tue, 24 Jul 2001 15:47:14 -0400
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Simple is good.  I like James' ideas, I also think some giving
the mobius strip some kind of perspective, like showing the
bands pass behind each other, would be a simple and effective
iteration.  I'll look for some examples if I get a chance....

Mike

----- Original Message -----
From: "James Hines" <jth3@webtv.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, July 24, 2001 2:45 PM
Subject: Re: Looper's delight T-shirts


>      Definitely a mobius strip. Preferably NOT notation - how
about sine
> waves in various frequencies overlapping inside the strip.
Black, white,
> grey and seafoam green (a la Escher) would be a nice color
scheme.
>      On the other hand, while I personally have no objection
to anything
> on the breasts  :-) , I would respect the wishes of Goddess.
>
> Thanks,
> James
>

From Loopers-Delight-request@loopers-delight.com  Tue Jul 24 16:05:59 2001
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To: "'Loopers-Delight@loopers-delight.com'"
	 <Loopers-Delight@loopers-delight.com>
Subject: RE: OT: why musicians can't eat -- and why radio is so bad
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i was discussing this sort of thing last night with a friend. people have to
*want* to search out the "good stuff"  - - and i'm not convinced that
anybody wants to search out anything unless it's the color of their next
car. 

besides, maybe the are listening to the "good stuff" - - maybe we all need
to get over ourselves. or maybe there have always been people who listen to
music as "entertainment" and those who listen to it as "art."


stig



others wrote:
>I have faith that people can make their own choices.
interesting comment, given that there're already **all** kindsa myriad 
avenues lined/caked/soaked w/'good' music (-that which is outside the 
'mainstream'-) that folks do not seem inclined to 'seek out'.
eh?
to some degree:
people chose milosevic. people chose hitler. people chose jim jones. people 
chose, well..... you probably follow my line (via these rather extreme 
examples) by now.
best,
dt / s-c

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<META NAME=3D"Generator" CONTENT=3D"MS Exchange Server version =
5.5.2653.12">
<TITLE>RE: OT: why musicians can't eat -- and why radio is so =
bad</TITLE>
</HEAD>
<BODY>

<P><FONT SIZE=3D2>i was discussing this sort of thing last night with a =
friend. people have to *want* to search out the &quot;good =
stuff&quot;&nbsp; - - and i'm not convinced that anybody wants to =
search out anything unless it's the color of their next car. =
</FONT></P>

<P><FONT SIZE=3D2>besides, maybe the are listening to the &quot;good =
stuff&quot; - - maybe we all need to get over ourselves. or maybe there =
have always been people who listen to music as =
&quot;entertainment&quot; and those who listen to it as =
&quot;art.&quot;</FONT></P>
<BR>

<P><FONT SIZE=3D2>stig</FONT>
</P>
<BR>
<BR>

<P><FONT SIZE=3D2>others wrote:</FONT>
<BR><FONT SIZE=3D2>&gt;I have faith that people can make their own =
choices.</FONT>
<BR><FONT SIZE=3D2>interesting comment, given that there're already =
**all** kindsa myriad </FONT>
<BR><FONT SIZE=3D2>avenues lined/caked/soaked w/'good' music (-that =
which is outside the </FONT>
<BR><FONT SIZE=3D2>'mainstream'-) that folks do not seem inclined to =
'seek out'.</FONT>
<BR><FONT SIZE=3D2>eh?</FONT>
<BR><FONT SIZE=3D2>to some degree:</FONT>
<BR><FONT SIZE=3D2>people chose milosevic. people chose hitler. people =
chose jim jones. people </FONT>
<BR><FONT SIZE=3D2>chose, well..... you probably follow my line (via =
these rather extreme </FONT>
<BR><FONT SIZE=3D2>examples) by now.</FONT>
<BR><FONT SIZE=3D2>best,</FONT>
<BR><FONT SIZE=3D2>dt / s-c</FONT>
</P>

</BODY>
</HTML>
------_=_NextPart_001_01C1147B.95CF2C80--

From Loopers-Delight-request@loopers-delight.com  Tue Jul 24 16:07:50 2001
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From: "Luigi Meloni" <Luigimeloni74@libero.it>
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References: <200107241809.OAA02906@www.editev.com> <3B5DCC24.D400D7E2@zerocrossing.net>
Subject: R: OT: why musicians can't eat -- and why radio is so bad
Date: Tue, 24 Jul 2001 22:04:37 +0200
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I think you're right. Here in Italy for something the situation is even
worse. If I want to put some stuff I composed, produced and recorded on my
site I'll have to pay the Italian rights organisation (SIAE), which will
give it back to me (after a year or so) minus the 10%. If I don't pay it i'm
legally persecutable for copyright infringement. Pretty sick, ain't it? Even
more since the sum I should pay is almost 100$ for every single mp3 file,
for every month I have on the net.
This is the system here, but then I find that I have some stuff uploaded and
selling on Vitaminic.it, which is the Italian server for Vitaminic, and in
more than a year I haven't seen a single cent for it. I don't understand...
if I put my music on the net I have to pay, but if a corporate music
association does the same with my music I don't see a cent ???? And I don't
mean money for the music sold, but for the copyright on my work, which,
since it is an official italian site should be granted by the law....

I thought law should be equal to everyone, shouldn't it?????

Then the same corporate powers tell us that Napster is illegal, that it is a
fraud against the authors and their copyrights (and next they'll buy the
site).....

----- Original Message -----
From: Mark Sottilaro <sine@zerocrossing.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, July 24, 2001 9:27 PM
Subject: Re: OT: why musicians can't eat -- and why radio is so bad


> Duh.
>
> Sorry for the sarcasm, but if anyone for a moment didn't realize this is
how
> the "biz" works, they are not paying attention.  It peaks at the
radio/retail
> level, but this behavior starts when club owners make artists pay to
> entertain their clients.  I refuse to play in any venue that has ANY
charge.
> For a short time I allowed my band to be forced to rent PA gear that clubs
> claimed they did not own.  They claimed that they had contracts with PA
> owners in which they allowed the clubs to use their gear for free, but the
> catch was the bands were forced to "rent" this gear and pay an engineer.
> Mostly, the engineer SUCKED, but we've been through that one already.  I
told
> the booking people that I did not need any additional amplification and
would
> be happy to go sans PA, but was told we'd have to pay anyway.  That was
the
> deal.
>
> This is where the rape starts.  It's the fondling phase.  If you stick
> around, eventually you're getting it full force from behind.
>
> This is why I feel that it is very important to put your stuff on the web
for
> free.  I've had the idea that groups of non pro musicians should supply
area
> DJs with material in return for mention on promo lit.  USE the internet
and
> word of mouth to promote yourself.  Screw RADIO and record companies.
> They're already dead but don't know it.  This is why record companies are
> really afraid of Napster.  It's something that they can't control.  The
> reason radio sounds like it does is because lawyers are choosing your
music.
> If enough people can start finding music that they enjoy on the internet,
> eventually demand of good music will force record companies to change or
> die.  When promotion is almost free, there is no longer a need for a
> "gatekeeper."  I have faith that people can make their own choices.
>
> Fight.
>
> Mark Sottilaro
>
>
> Tom Ritchford wrote:
>
> > Musicians can't eat because the money is being stolen.
> >
> > <http://www.salon.com/ent/feature/2001/03/14/payola/index.html>
> >
<http://www.salon.com/ent/music/feature/2001/07/24/urban_radio/index.html>
> > <http://www.salon.com/ent/clear_channel/>
> >
> > I feel a little sick...
> >
> > --
> >
> > I am the rarebit.
>

From Loopers-Delight-request@loopers-delight.com  Tue Jul 24 16:36:56 2001
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Date: Tue, 24 Jul 2001 15:42:24 EDT
Subject: Re: OT: why musicians can't eat -- and why radio is so bad
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sine@zerocrossing.net writes:
>The reason radio sounds like it does is because lawyers are choosing your 
music.
well:
*my* lawyer has better taste than **that**.
dt / s-c

From Loopers-Delight-request@loopers-delight.com  Tue Jul 24 16:58:56 2001
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To: Loopers-Delight@loopers-delight.com
Subject: mapS giG: bad club acoustics + feedback eliminator = room sized 
 instrument
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Howdy loopers, srepool ydwoH!

Awhile ago I posted a gig spam about plans for using
a vocoder with tapping on a bad mic cable as the formant
in a dragon show in SF. Finally here's the report from 
that show:

I couldn't set up on stage, since the performance I was doing the music
for was there, and there weren't any other places in the sonic shadow
from the large club-sized sound system. So they put me underneath one of
the big sets of mains, right next to a wall of subwoofers. I'm thinking:
feebdack city. I was right. I asked 'em to cut out the subs for the
performance. The sound guy wasn't going to be there the whole night and
said the DJs would get pissed if we
turned off the subs. He had another idea:

he put a feedback eliminator in the chain, between my mixers and the
wall. We quieted the room, brought the mics up
one by one, and plugged our ears for the screeching. Actually there were
some pretty cool sounds that came out, in various frequency ranges
(biiig room!). The black box thought awhile, then all of a sudden:
silence. It had found the nasty resonant nodes in the room. There were
five frequencies (per channel) caught statically that way, and he
explained that there were five more that roamed the sonic spectrum,
looking for errant feedbackish signals, and summarily notched them. 

This is where things got fun. Since I like to search out resonant spaces
(caves, doorways, ceteras) to sing in, I tend to gravitate towards
singing into the resonant spaces in a system (be it electrical or
architectural). I found myself seeking out the resonant nodes that were
missed (so far) by the black box. The volume would swell, rise to a
crescendo, and then the black box would catch on to what I was doing and
squelch my frequency. After a bit I would find another. 

The end result was a slow sussuration of barely controllable frequency
swellings. The sound guy was horrified. I was having a fantastic time.
It really felt like I was playing the room.

In other news from the show, my "suite for vocoder and bad mic cable"
did not turn out, because the mic attached to the bad cable was picking
up way too much sound for the tapping on the cable to have any
differentiating effect. 

I did, however, use the "Alhambra Ghatam" to drive the 
vocoder. That mixed with a mic on the "Ghatam" sounded
great on the big club sound system, especially since
it hit one of the spaces lower resonant nodes. (The 
"alhambra ghatam" is a blue plastic 5 gallon water 
cooler jug). 

Simran


(I think the T shirt should have a picture of the dreaded againinator,
perhaps taken with a telephoto lens from across the parking lot?)

From Loopers-Delight-request@loopers-delight.com  Tue Jul 24 17:06:32 2001
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Subject: Re: Here is another with a Fancy Font
Date: Tue, 24 Jul 2001 16:00:12 -0400
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Since some people wear shirts or jackets over t-shirts,
specifically people in more northern climes such as myself, I
would really prefer to have something on the front, however
small.  I also think that incorporating some graphics/fonts from
the website is a good one, they look good to me, would be more
easily associated with the site, and could save us some work in
design.

FWIW, IMHO, I can certainly appreciate the humor behind the
"UNSUBSCRIBE" phrase, but I also associate that phrase, in the
context of this t-shirt, as a clarion call (eeew, not sure
that's the best way to put it but I'm too busy right now to
articulate it better) to dissassociate your perspective from
established conventions (seeing as how looping as an art, and
looping artists are still somewhat unconventional - ok this may
be debatable, but still ...).  In light of this I'd prefer to
see the word spelled correctly, so that it isn't entirely a
glorious inside joke that many people might simple assume is a
spelling error and tarnish the name of loopers-delight in their
minds.  But, y'know, whatevah.  <end philosophy rant> 8^P

Mike


----- Original Message -----
From: "Christopher White" <magicicada@charter.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, July 24, 2001 3:52 PM
Subject: Re: Here is another with a Fancy Font


> i almost think we should loose what is on front totally and
> just have the addy on back>???
>
>
> On Tue, 24 Jul 2001 12:46:18 -0700
>  "Jim Poppen" <zebu@mindspring.com> wrote:
> > I like the simple design as well, would buy a couple, but
> > would buy five
> > if unsubscribe was spelled "unsuscribe" or "unsubsribe",
> > or if the
> > unsubscribe info from the loopers website was printed in
> > a very small
> > font bellow the back's web address.
> >
> > Jim P.
> >
> > > -----Original Message-----
> > > From: Mike Biffle [mailto:Mike.Biffle@asml.com]
> > > Sent: Tuesday, July 24, 2001 10:15 AM
> > > To: Loopers-Delight@loopers-delight.com
> > > Subject: Re: Here is another with a Fancy Font
> > >
> > >
> > > I like the first basic one much better. I really think
> > > putting 'unsubscribe' below the URL on the back would
> > do it!
> > > Pretty cool...
> > >
> > > -Miko
> > >
> > > >>> magicicada@charter.net 07/24/01 10:10AM >>>
> > > same shirt design different font
> > > > http://www.magicicada.com/ldfancy.htm
> > > >
> > >
> > >
> >
>

From Loopers-Delight-request@loopers-delight.com  Tue Jul 24 17:27:19 2001
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Oh, don't get me wrong, my faith in most humans is very low.  I know the
majority of people could care less about what they listen too.  I just think
that it would be more balanced if there was more of a choice available.  Most
people don't have the cash to just go into a record store and buy random cds.
Most record stores won't carry too many albums from non established musicians
anyway, so even if there was... (Oh how I love Ameoba Records in Berkeley!
Huge experimental section!)

I also want to clarify, that I'm not even talking about bands like King
Crimson. (although early MTV used to have the Lark's Tongue in Aspic video in
it's rotation.  Can you believe it?)  I'm talking 'bout POP music.  I LOVE
good pop from time to time.  I just can't seem to find much.  I loved
Radiohead's Kid A album, but I've never heard a cut from that album on the
radio.  A review I read said it was horrible.  Will they try and release
another more experimental album?  I hope so.  The fact that Beck albums make
it into the top 40 leads me to believe that people will buy stuff that's more
"out there" if they're aware of it.

Hedewa7@aol.com wrote:

> sine@zerocrossing.net writes:
> >I have faith that people can make their own choices.
> interesting comment, given that there're already **all** kindsa myriad
> avenues lined/caked/soaked w/'good' music (-that which is outside the
> 'mainstream'-) that folks do not seem inclined to 'seek out'.
> eh?
> to some degree:
> people chose milosevic. people chose hitler. people chose jim jones. people
> chose, well..... you probably follow my line (via these rather extreme
> examples) by now.
> best,
> dt / s-c

From Loopers-Delight-request@loopers-delight.com  Tue Jul 24 17:52:21 2001
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To: Loopers-Delight@loopers-delight.com
Subject: guitar arpeggiator
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I am looking for a good arpeggiator effect for my loops, which I can use 
for guitar (not MIDI).  Any advice?


From Loopers-Delight-request@loopers-delight.com  Tue Jul 24 18:05:03 2001
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Date: Tue, 24 Jul 2001 15:02:46 -0700 (PDT)
From: Stephen <dakshah@yahoo.com>
Subject: Re: Looper's delight T-shirts
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I agree with Michael - the more I look at the tee
shirt the more it looks like a space alien.

--- Michael LaMeyer <mlameyer@rcn.com> wrote:
> giving
> the mobius strip some kind of perspective, like
> showing the
> bands pass behind each other, would be a simple and
> effective
> iteration.  

=====
Stephen

__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Tue Jul 24 18:22:31 2001
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From: Stephen <dakshah@yahoo.com>
Subject: Re: Check out my  loopers Shirt Design
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What about something like:

|: loopers'delight :|

or

|: unsubscribe :|

I like like the idea of incorporating something that
indicates that looping is a musical activity....that
might elicit a question or two from other musicians or
music lovers, rather than giving off a "i'm a net
geek, and you don't have a clue, thank you very much"
vibe.

In general, I like the idea of the shirt's emphasis
being weighted towards looping itself, rather than the
list, per se.  Not that it isn't the gods' give to
loopers, but I'm on the list because I loop, I don't
loop because I'm on the list.

I think i need another cup of coffee.

Stephen





--- Christopher White <magicicada@charter.net> wrote:
> I went for a simple design-to the point and what I
> think
> of as being classy(for a tshirtthat is::haha::)
> Don't tell my boss I did this at work.
> c.white
> http://www.magicicada.com/ldshirt.htm
> 


__________________________________________________
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Date: Tue, 24 Jul 2001 15:22:21 -0700
From: Richard Zvonar <zvonar@zvonar.com>
Subject: Re: mapS giG: bad club acoustics + feedback eliminator = room sized
 instrument
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At 1:54 PM -0700 7/24/01, Simran gleason wrote:

>This is where things got fun. Since I like to search out resonant spaces
>(caves, doorways, ceteras) to sing in, I tend to gravitate towards
>singing into the resonant spaces in a system (be it electrical or
>architectural). I found myself seeking out the resonant nodes that were
>missed (so far) by the black box. The volume would swell, rise to a
>crescendo, and then the black box would catch on to what I was doing and
>squelch my frequency. After a bit I would find another.
>
>The end result was a slow sussuration of barely controllable frequency
>swellings. The sound guy was horrified. I was having a fantastic time.
>It really felt like I was playing the room.

Fantastic!

Feedback can be a beautiful thing. I'm reminded of such classics as 
The Wolfman, Pendulum Music, and David Tudor's networks. The use of 
the feedback exterminator is also reminiscent of Hornpipe.
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

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Oh yeah, 
a question I forgot to ask in my prev post:

at the gig I forgot to do my gear-lust thing and 
go look at the feedback eliminator in question. 
So do people have opinions about good feedback
eliminators?

I've looked on the web and seen the sabine for a thousand, 
the (dreaded) behringer for 150. Roland has a single channel
that also acts as a DI.

pls hlp. 

Simran

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At 3:47 PM -0700 7/24/01, Simran gleason wrote:

>So do people have opinions about good feedback
>eliminators?
>
>I've looked on the web and seen the sabine for a thousand,
>the (dreaded) behringer for 150. Roland has a single channel
>that also acts as a DI.

Sabine has a good reputation.
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

From Loopers-Delight-request@loopers-delight.com  Tue Jul 24 19:10:54 2001
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Subject: Re:loopers Shirt Design gathering ideas...
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In a message dated 7/24/01 5:27:37 PM, jfink@cabq.gov writes:

How about the graphic on the Loopers Delight web site on a black shirt?

From Loopers-Delight-request@loopers-delight.com  Tue Jul 24 19:11:15 2001
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Subject: Re: mapS giG: bad club acoustics + feedback eliminator = room
	 sized  instrument
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i'm happy to say that i am a good feedback<enabler>
so i guess i'm no help!
s
----------
>From: Simran gleason <simran.gleason@Sun.COM>

>So do people have opinions about good feedback
>eliminators?
>pls hlp. 
>
>Simran
>

From Loopers-Delight-request@loopers-delight.com  Tue Jul 24 19:29:32 2001
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Subject: Re: mapS giG: bad club acoustics + feedback eliminator = room
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same here, in fact I use an Ovation acoustic/electric precisely to
introduce feedback into my tunes.  I look at it as riding a racehorse;
finding the frequencies that explode, those that build slowly and trying
to remember to dampen open strings (and ignore feedback already in
loops)it's a beautiful thinggggggggggg

Mike Killian, St. Loopie, MO
stanitarium@earthlink.net wrote:
> 
> i'm happy to say that i am a good feedback<enabler>
> so i guess i'm no help!
> s
> ----------
> >From: Simran gleason <simran.gleason@Sun.COM>
> 
> >So do people have opinions about good feedback
> >eliminators?
> >pls hlp.
> >
> >Simran
> >

From Loopers-Delight-request@loopers-delight.com  Tue Jul 24 19:35:21 2001
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Date: Wed, 25 Jul 2001 01:35:35 +0200
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Subject: Re: Check out my  loopers Shirt Design
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>I went for a simple design-to the point and what I think
>of as being classy(for a tshirtthat is::haha::)
>Don't tell my boss I did this at work.
>c.white
>http://www.magicicada.com/ldshirt.htm

hmm... I dont really create infinite loops... as everyone may know by 
now, I think the spiral represents best what we do...
-- 


          ---> http://Matthias.Grob.org

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hmmmm...i do see the evils of corporate mass culture and i see a space where 
people invariably react to such evils and say they dont like it, but i also 
see people (both the masses and the niches) falling into very predictable 
little marketable patterns which play very well off of each other which in 
most cases are still run and controlled by the major labels in the end who 
know what types of consumers the easiest selss are as well as the most 
difficult and obscure; they got somethin for all of us it seems..

more Ironically i gues you could say I think that advertising is the future 
of the music industry and that ad agencies are now perhaps the new place to 
look to for  the A&R like functions of what record labels used to do.

BTW, NPR had a great piece on new music a few weeks ago which chronicled 
where all the new tunes are coming from and getting introduced into pop 
culture...its not the labels but ad agencies.

methinks the future/now of music points strongly to musicians gettin paid for 
work not in terms of cd's or mp3's but in liscensing and rights to your 
material on a one shot fee to artists ...thats a different  tangent (but 
somewhat related tangent) than where im gonna go here but it makes the good 
bad evil pure arfuments kinda off the map ( thank god ) in the context of 
what it means to be a working musician not tomorrow or in the past, but right 
now.

& I too think people really don't care that choices are made for them and I 
furthermore think that people have lost the ability ( or have not cultivated 
that abilty) to make distinctons for themselves on their own accord to the 
point where they really do enjoy the convenience of having what they know and 
recogniZe as familiar at their fingertips offered to them by someone else.

I am also 1000% convinced that you can sell anything to anybody on the basis 
of just a few pursistencies...bombardment, repitition and by convincing 
people that to be like you is cool alongwith getting other people to repeat 
the spincycle you have assigned to an act.musician/entertainer, etc., the 
more you repeat it the more it resonates and the more you get others to 
repeat what you have said the more u have propped up your investments.

But y'all struck a nerve here which has been an evolving question and 
curiousity of late for everyone in AKASH where we've been asking ouselves 
with different answers and different perspectives on whether or not any music 
really matters anymore.

I personally still want and need good and bad music so there can be any 
music, ya know?

& I dont see it as a universal validation or i dont frame the dialog in terms 
of good winning over evil but more about how people are receptive to to 
somethings and what an industry makes of their own awareness of peoples 
perceptions which are these days less attentive to discernabilty and more 
inclined toward a single identifier-group image ( and what someone is willing 
to invest in to make that  image "sticky" ).

i do think a certain amount of healthy skepticism contemplating the "process" 
of the "business-side of music" is the best way to frame questions where the 
emphasis is on how an overly mature industry with a business model which 
still works and serves itself ( bear in mind, not audiences or musicians but 
the industry itself like all industries tends to be self serving) very well 
and how it invariably conducts itself day-day-out time and time again and 
continues to dominate what gets out and to whom.

But for a musician to be heard, have a tangible value or become known above 
the noise of many and to have a grip on a discernable audience,  takes some 
type of investment, marketing, advertising and distribution and as of late, 
co-branded merchandising & extensive touring ( plus you gotta sell clothing 
these days to really be big in the music industry...its sorta like have a 
coke and a smile and also develop a schtick or set which makes people 
invariably wanna be like you with your product placement sneakers and other 
tie-in merchandising).

I think the ani difranco model is cool and so is aimee mann's ( i don't 
really listen to either one of those artists on a regular basis and dont know 
their sound that well but I am aware of their business models and how well 
its working for them as labeless independents - where with not that much 
airplay on mainstream radio, they are surviving ( not thriving ) but able to 
generate enough recognition in the right areas to sustain themselves 
artists)...

but how many ani's can you have and moreover how many fripps can there be 
regardless as to how good or bad they may be?

I think most musicians either avoid or detest commerce and spend so much time 
considering their musical voice and chops or presence but spend very little 
considering how to place all that hard work into a context which is not only 
right but advantagoeus to them & their music ( aint nothin wrong with that )  
but still the choices are weighted toward being derrivative as opposed to 
evocative and or innovative and its an art in and of itself navigating thru 
the BS which has nothing to do with music..but those who are betetr  prepared 
for that or have others around them who can do that for them have a definite 
advantage IMHO.

BUt whther the selling is done by suits and ties from corporations or thru 
word of mouth by fans, the selling and promotion of musicians is essential to 
where you get placed in the food chain of pay for your playin and how eager 
other folks are to 
pony up $$$ for your work ( people tend to do what they see other people 
doing too ).

& I still have not heard the band-musician or act from any genre who was 
"broken" via the web or outside the majors on the web... I could be missing 
something and may have overlooked a new artist who somehow got through via 
web, but my point is that the model that is in place now will certainly adapt 
itself to dominate whatever newer model production-introduction of new 
product as it emerges while the traditonal music industry adopts a model .

Also more and more people are not even listenting that much or looking for 
new or different perspectives just as many have mentioned earlier...that 
means that what already is happening in terms of the business of music/model 
and the hows and what types of products are introduced stays a familiar fixed 
business with pretty much the same type of envirnment we see now being the 
texture of what you are gonna see and hear in the future...and that is no 
surprise.

& if no one is willing to guide folks to other choices well.. once again, 
others have already painted a very vivid picture of what ya get.

& that Doesnt mean give up or militanly fight the power and become combative 
as much as it means to become smarter in how you apporach the busines of what 
you do &  to consider the environment you are working within and or around 
and how you can achieve your goals in an industry which is both indirectly 
and directly hostile or in most cases mostly indifferent to you.

& jeesh as you look out on the musical horizon, you also have so many 
musicians and so few places to play where you get to the point of backbiting 
at times amongst other musicians just so you can play free and have a space 
to sell your CD's/or Recordings and gain access to some sort of outlet to 
build an audience-market for yourself(s).

But my final points are really pointing to the further marginalization of 
music that keeps on marching forward with the subtext sorta begging another 
question more so than an answer that i have not been able to findr: how much 
more do you have to give away just to be heard and still not get paid in the 
end?

Perhaps a lot more and even more good evil bad pure sentiments will get 
tossed around.

But I dont think music matters that much anymore though i do think that it 
still can make a difference..if that makes any sense.

but i really dont think people are really inclined to want to pay for music 
anymore and they wont pay unless you fit their profile of the audience they 
are trying to advertise to en masse or unless you are someone who everyone 
else wants to be like or you are already an established brand identity ( look 
@ the e-bay tivket prices for madonna's drowned world tour-thousands of 
dollars for a single ticket ).

Warm Regards,
John Price/AKASH
"Remember To Always Kill Your Expectations"
Listen to MP3's and and Join AKASH's Mailing List
www.akashmusic.com

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>hmmmm...i do see the evils of corporate mass culture and i see a space where 
<BR>people invariably react to such evils and say they dont like it, but i also 
<BR>see people (both the masses and the niches) falling into very predictable 
<BR>little marketable patterns which play very well off of each other which in 
<BR>most cases are still run and controlled by the major labels in the end who 
<BR>know what types of consumers the easiest selss are as well as the most 
<BR>difficult and obscure; they got somethin for all of us it seems..
<BR>
<BR>more Ironically i gues you could say I think that advertising is the future 
<BR>of the music industry and that ad agencies are now perhaps the new place to 
<BR>look to for &nbsp;the A&amp;R like functions of what record labels used to do.
<BR>
<BR>BTW, NPR had a great piece on new music a few weeks ago which chronicled 
<BR>where all the new tunes are coming from and getting introduced into pop 
<BR>culture...its not the labels but ad agencies.
<BR>
<BR>methinks the future/now of music points strongly to musicians gettin paid for 
<BR>work not in terms of cd's or mp3's but in liscensing and rights to your 
<BR>material on a one shot fee to artists ...thats a different &nbsp;tangent (but 
<BR>somewhat related tangent) than where im gonna go here but it makes the good 
<BR>bad evil pure arfuments kinda off the map ( thank god ) in the context of 
<BR>what it means to be a working musician not tomorrow or in the past, but right 
<BR>now.
<BR>
<BR>&amp; I too think people really don't care that choices are made for them and I 
<BR>furthermore think that people have lost the ability ( or have not cultivated 
<BR>that abilty) to make distinctons for themselves on their own accord to the 
<BR>point where they really do enjoy the convenience of having what they know and 
<BR>recogniZe as familiar at their fingertips offered to them by someone else.
<BR>
<BR>I am also 1000% convinced that you can sell anything to anybody on the basis 
<BR>of just a few pursistencies...bombardment, repitition and by convincing 
<BR>people that to be like you is cool alongwith getting other people to repeat 
<BR>the spincycle you have assigned to an act.musician/entertainer, etc., the 
<BR>more you repeat it the more it resonates and the more you get others to 
<BR>repeat what you have said the more u have propped up your investments.
<BR>
<BR>But y'all struck a nerve here which has been an evolving question and 
<BR>curiousity of late for everyone in AKASH where we've been asking ouselves 
<BR>with different answers and different perspectives on whether or not any music 
<BR>really matters anymore.
<BR>
<BR>I personally still want and need good and bad music so there can be any 
<BR>music, ya know?
<BR>
<BR>&amp; I dont see it as a universal validation or i dont frame the dialog in terms 
<BR>of good winning over evil but more about how people are receptive to to 
<BR>somethings and what an industry makes of their own awareness of peoples 
<BR>perceptions which are these days less attentive to discernabilty and more 
<BR>inclined toward a single identifier-group image ( and what someone is willing 
<BR>to invest in to make that &nbsp;image "sticky" ).
<BR>
<BR>i do think a certain amount of healthy skepticism contemplating the "process" 
<BR>of the "business-side of music" is the best way to frame questions where the 
<BR>emphasis is on how an overly mature industry with a business model which 
<BR>still works and serves itself ( bear in mind, not audiences or musicians but 
<BR>the industry itself like all industries tends to be self serving) very well 
<BR>and how it invariably conducts itself day-day-out time and time again and 
<BR>continues to dominate what gets out and to whom.
<BR>
<BR>But for a musician to be heard, have a tangible value or become known above 
<BR>the noise of many and to have a grip on a discernable audience, &nbsp;takes some 
<BR>type of investment, marketing, advertising and distribution and as of late, 
<BR>co-branded merchandising &amp; extensive touring ( plus you gotta sell clothing 
<BR>these days to really be big in the music industry...its sorta like have a 
<BR>coke and a smile and also develop a schtick or set which makes people 
<BR>invariably wanna be like you with your product placement sneakers and other 
<BR>tie-in merchandising).
<BR>
<BR>I think the ani difranco model is cool and so is aimee mann's ( i don't 
<BR>really listen to either one of those artists on a regular basis and dont know 
<BR>their sound that well but I am aware of their business models and how well 
<BR>its working for them as labeless independents - where with not that much 
<BR>airplay on mainstream radio, they are surviving ( not thriving ) but able to 
<BR>generate enough recognition in the right areas to sustain themselves 
<BR>artists)...
<BR>
<BR>but how many ani's can you have and moreover how many fripps can there be 
<BR>regardless as to how good or bad they may be?
<BR>
<BR>I think most musicians either avoid or detest commerce and spend so much time 
<BR>considering their musical voice and chops or presence but spend very little 
<BR>considering how to place all that hard work into a context which is not only 
<BR>right but advantagoeus to them &amp; their music ( aint nothin wrong with that ) &nbsp;
<BR>but still the choices are weighted toward being derrivative as opposed to 
<BR>evocative and or innovative and its an art in and of itself navigating thru 
<BR>the BS which has nothing to do with music..but those who are betetr &nbsp;prepared 
<BR>for that or have others around them who can do that for them have a definite 
<BR>advantage IMHO.
<BR>
<BR>BUt whther the selling is done by suits and ties from corporations or thru 
<BR>word of mouth by fans, the selling and promotion of musicians is essential to 
<BR>where you get placed in the food chain of pay for your playin and how eager 
<BR>other folks are to 
<BR>pony up $$$ for your work ( people tend to do what they see other people 
<BR>doing too ).
<BR>
<BR>&amp; I still have not heard the band-musician or act from any genre who was 
<BR>"broken" via the web or outside the majors on the web... I could be missing 
<BR>something and may have overlooked a new artist who somehow got through via 
<BR>web, but my point is that the model that is in place now will certainly adapt 
<BR>itself to dominate whatever newer model production-introduction of new 
<BR>product as it emerges while the traditonal music industry adopts a model .
<BR>
<BR>Also more and more people are not even listenting that much or looking for 
<BR>new or different perspectives just as many have mentioned earlier...that 
<BR>means that what already is happening in terms of the business of music/model 
<BR>and the hows and what types of products are introduced stays a familiar fixed 
<BR>business with pretty much the same type of envirnment we see now being the 
<BR>texture of what you are gonna see and hear in the future...and that is no 
<BR>surprise.
<BR>
<BR>&amp; if no one is willing to guide folks to other choices well.. once again, 
<BR>others have already painted a very vivid picture of what ya get.
<BR>
<BR>&amp; that Doesnt mean give up or militanly fight the power and become combative 
<BR>as much as it means to become smarter in how you apporach the busines of what 
<BR>you do &amp; &nbsp;to consider the environment you are working within and or around 
<BR>and how you can achieve your goals in an industry which is both indirectly 
<BR>and directly hostile or in most cases mostly indifferent to you.
<BR>
<BR>&amp; jeesh as you look out on the musical horizon, you also have so many 
<BR>musicians and so few places to play where you get to the point of backbiting 
<BR>at times amongst other musicians just so you can play free and have a space 
<BR>to sell your CD's/or Recordings and gain access to some sort of outlet to 
<BR>build an audience-market for yourself(s).
<BR>
<BR>But my final points are really pointing to the further marginalization of 
<BR>music that keeps on marching forward with the subtext sorta begging another 
<BR>question more so than an answer that i have not been able to findr: how much 
<BR>more do you have to give away just to be heard and still not get paid in the 
<BR>end?
<BR>
<BR>Perhaps a lot more and even more good evil bad pure sentiments will get 
<BR>tossed around.
<BR>
<BR>But I dont think music matters that much anymore though i do think that it 
<BR>still can make a difference..if that makes any sense.
<BR>
<BR>but i really dont think people are really inclined to want to pay for music 
<BR>anymore and they wont pay unless you fit their profile of the audience they 
<BR>are trying to advertise to en masse or unless you are someone who everyone 
<BR>else wants to be like or you are already an established brand identity ( look 
<BR>@ the e-bay tivket prices for madonna's drowned world tour-thousands of 
<BR>dollars for a single ticket ).
<BR>
<BR>Warm Regards,
<BR>John Price/AKASH
<BR>"Remember To Always Kill Your Expectations"
<BR>Listen to MP3's and and Join AKASH's Mailing List
<BR>www.akashmusic.com</FONT></HTML>

--part1_e6.18b146eb.288f60cd_boundary--

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Subject: Re:loopers Shirt Design gathering ideas...
Date: Tue, 24 Jul 2001 23:40:44 
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im a grey shirt man
deadly cobra deadly cobra deadly cobra.



>From: PMimlitsch@aol.com
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Re:loopers Shirt Design gathering ideas...
>Date: Tue, 24 Jul 2001 19:09:04 EDT
>
>
>In a message dated 7/24/01 5:27:37 PM, jfink@cabq.gov writes:
>
>How about the graphic on the Loopers Delight web site on a black shirt?
>


_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp

From Loopers-Delight-request@loopers-delight.com  Tue Jul 24 19:48:52 2001
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The system I used last year worked like this:

I got a bright pink suitcase at goowill (ten bux)
a wheelchair battery from the battery shoppe (eighty bux)
    (make sure it's sealed gell cell deep cycle so it 
     doesn't leak fumes and so you can turn it upside
     down without sufferin)
a car stereo amp from fry's (130 bux)
a 300 watt inverter (60 bux)
a bunch of cables and 1/4" jacks and a switch from radidio shacque
(another ten or so bux).

Then I bolted the amp into the suitcase, drilled holes
by the handle, mounted the jacks, and the switch,
hooked it all up, and walla (midwester pronunciation of voila): I have a
four channel battery powered setup that
also powers most of my band.  (I reached the limit two months ago when I
added a vocoder and exceeded the 
wattage on the inverter). 

All you need is speakers (I have alien sculptures that
are also bi-amped PA speakers), and you have your burningman setup.
Total cost: about 300 bux. You can charge the battery
with a small car battery charger (make sure you get one with
two amp or less current so you can charge the deep cycle gell cell). 

Of course a drawback is that you need a little mixer for 
the front end, so you can turn the volume down ;-)

It's pretty heavy, though, so this year I'm going to make a smaller
version:

12 volt battery pack from Target (39 dollars)
50 watt car stereo amp from radidio shacque (49 dollars)
   (or maybe I'll get a used amp on the net)
300 watt inverter (60 dollars)
more assorted jacks and switches. 
an old laptop case (another 10 dollars)
  -- warning: these things are very attractive to 
     those who like to acquire laptops through the
     car window at the midnite computer company. 
This system is smaller and lighter. The battery pack has
its own recharger. The price is lower, and for some
reason it's measured in dollars rather than bux. Perhaps
that'll make for an easier conversion to quid for our 
englisch contingent. 

Simran

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Subject: RE: OT: why musicians can't eat -- and why radio is so bad
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(Oh how I love Ameoba Records in Berkeley!
Huge experimental section!)

** an amoeba will be opening in hollywood ,ca, this fall. 

I loved
Radiohead's Kid A album, but I've never heard a cut from that album on the
radio.  

** kroq in l.a. played one song and continues to play it.

A review I read said it was horrible.  Will they try and release
another more experimental album?  

** amnesia got a lot of nice press here . . . the "warmer side of kid a"
blah, blah blah. maybe that just means that the crit caught up to it a
little. 


I hope so.  The fact that Beck albums make
it into the top 40 leads me to believe that people will buy stuff that's
more
"out there" if they're aware of it.

** or bjork, for that matter. 

stig


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<META NAME=3D"Generator" CONTENT=3D"MS Exchange Server version =
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<TITLE>RE: OT: why musicians can't eat -- and why radio is so =
bad</TITLE>
</HEAD>
<BODY>
<BR>

<P><FONT SIZE=3D2>(Oh how I love Ameoba Records in Berkeley!</FONT>
<BR><FONT SIZE=3D2>Huge experimental section!)</FONT>
</P>

<P><FONT SIZE=3D2>** an amoeba will be opening in hollywood ,ca, this =
fall. </FONT>
</P>

<P><FONT SIZE=3D2>I loved</FONT>
<BR><FONT SIZE=3D2>Radiohead's Kid A album, but I've never heard a cut =
from that album on the</FONT>
<BR><FONT SIZE=3D2>radio.&nbsp; </FONT>
</P>

<P><FONT SIZE=3D2>** kroq in l.a. played one song and continues to play =
it.</FONT>
</P>

<P><FONT SIZE=3D2>A review I read said it was horrible.&nbsp; Will they =
try and release</FONT>
<BR><FONT SIZE=3D2>another more experimental album?&nbsp; </FONT>
</P>

<P><FONT SIZE=3D2>** amnesia got a lot of nice press here . . . the =
&quot;warmer side of kid a&quot; blah, blah blah. maybe that just means =
that the crit caught up to it a little. </FONT></P>
<BR>

<P><FONT SIZE=3D2>I hope so.&nbsp; The fact that Beck albums =
make</FONT>
<BR><FONT SIZE=3D2>it into the top 40 leads me to believe that people =
will buy stuff that's more</FONT>
<BR><FONT SIZE=3D2>&quot;out there&quot; if they're aware of it.</FONT>
</P>

<P><FONT SIZE=3D2>** or bjork, for that matter. </FONT>
</P>

<P><FONT SIZE=3D2>stig</FONT>
</P>

</BODY>
</HTML>
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Subject: Re: guitar arpeggiator
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You mean like an audio arpeggiator? That's something of a rare effect. Some
of the massively powerful multi effects can be set to do a series of delays
with a pitch shift or harmonization occuring in the feedback loop, this
would cause it to step thru a scale.
The Digitech Space Station pedal does exactly that, but it's a preset, no
control whatsover besides a blend between clean and effected.

> I am looking for a good arpeggiator effect for my loops, which I can use
> for guitar (not MIDI).  Any advice?
>

From Loopers-Delight-request@loopers-delight.com  Tue Jul 24 20:07:38 2001
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but still the choices are weighted toward being derrivative as opposed to 
evocative and or innovative  
 
** here's a thought: folk music (basically an oral tradition) is handed down
over generations. it has very little to do with innovation, and i'm not sure
that the ideas of derivitive and innovation have much to do with anything in
this sort of context.extrapolating from this, one wonders about the
(general) human need/desire for slow, glacial and safe change for music (and
other cultural manifestations).
 
 
 
and its an art in and of itself navigating thru 
the BS which has nothing to do with music..but those who are better
prepared 
for that or have others around them who can do that for them have a definite

advantage IMHO. 
 
** i've wondered about this. it strikes me that mozart and beethoven may
have been good at the smooze thing  - - or that michael jackson really is as
important as he seems to think he is. 


Also more and more people are not even listening that much or looking for 
new or different perspectives just as many have mentioned earlier...that 
means that what already is happening in terms of the business of music/model

and the hows and what types of products are introduced stays a familiar
fixed 
business with pretty much the same type of envirnment we see now being the 
texture of what you are gonna see and hear in the future...and that is no 
surprise.  
 
** while i basically agree with this, it seems like younger people are
actually being more adventurous than many of their parents had been. hard to
tell. the (beaten-down and imprisioned) optimist in me tells me that the 60s
were a time of real adventure - - and that we could be ready for another one
at some point soon as well. dunno. 
 
stig




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<BODY>
<BLOCKQUOTE>
  <DIV><FONT face=Arial><FONT size=2>but still the choices are weighted toward 
  being derrivative as opposed to <BR>evocative and or innovative&nbsp;<SPAN 
  class=138434423-24072001><FONT 
  color=#0000ff>&nbsp;</FONT></SPAN></FONT></FONT></DIV>
  <DIV><FONT face=Arial><FONT size=2><SPAN 
  class=138434423-24072001></SPAN></FONT></FONT>&nbsp;</DIV>
  <DIV><FONT face=Arial><FONT color=#0000ff size=2><SPAN 
  class=138434423-24072001>** here's a thought: folk music (basically an oral 
  tradition) is handed down over generations. it has very little to do with 
  innovation, and i'm not sure that the ideas of derivitive and innovation have 
  much to do with anything in this sort of context.extrapolating from this, one 
  wonders about the (general) human need/desire for slow, glacial and safe 
  change for music (and other cultural 
  manifestations).</SPAN></FONT></FONT></DIV>
  <DIV><FONT face=Arial><FONT size=2><SPAN 
  class=138434423-24072001></SPAN></FONT></FONT>&nbsp;</DIV>
  <DIV><FONT face=Arial><FONT size=2><SPAN 
  class=138434423-24072001></SPAN></FONT></FONT>&nbsp;</DIV>
  <DIV><FONT face=Arial><FONT size=2><SPAN 
  class=138434423-24072001></SPAN></FONT></FONT>&nbsp;</DIV>
  <DIV><FONT size=2><FONT face=Arial>and its an art in and of itself navigating 
  thru <BR>the BS which has nothing to do with music..but those who are 
  bett<SPAN class=138434423-24072001><FONT color=#0000ff>e</FONT></SPAN>r 
  &nbsp;prepared <BR>for that or have others around them who can do that for 
  them have a definite <BR>advantage IMHO.&nbsp;<BR><SPAN 
  class=138434423-24072001><FONT 
  color=#0000ff>&nbsp;</FONT></SPAN></FONT></FONT></DIV>
  <DIV><FONT face=Arial><FONT size=2><SPAN class=138434423-24072001>** i've 
  wondered about this. it strikes me that mozart and beethoven&nbsp;may have 
  been good at the smooze thing&nbsp; - - or that michael jackson really is as 
  important as he seems to think he is. </SPAN><BR> <BR><BR>Also more and more 
  people are not even listening that much or looking for <BR>new or different 
  perspectives just as many have mentioned earlier...that <BR>means that what 
  already is happening in terms of the business of music/model <BR>and the hows 
  and what types of products are introduced stays a familiar fixed <BR>business 
  with pretty much the same type of envirnment we see now being the <BR>texture 
  of what you are gonna see and hear in the future...and that is no 
  <BR>surprise.&nbsp;<FONT color=#0000ff></FONT><FONT size=2><SPAN 
  class=138434423-24072001>&nbsp;</SPAN></FONT></FONT></FONT></DIV>
  <DIV><FONT face=Arial><FONT color=#0000ff><FONT size=2><SPAN 
  class=138434423-24072001></SPAN></FONT></FONT></FONT>&nbsp;</DIV>
  <DIV><FONT face=Arial><FONT color=#0000ff><FONT size=2><SPAN 
  class=138434423-24072001><FONT color=#000000>** while i basically agree with 
  this, it seems like younger people are actually being more 
  adventurous&nbsp;than many of their parents had been. hard&nbsp;to 
  tell.&nbsp;the (beaten-down and imprisioned) optimist in me tells me that the 
  60s were a time of real adventure - - and that we could be ready for another 
  one at some point soon as well. 
  dunno.</FONT>&nbsp;</SPAN></FONT></FONT></FONT></DIV>
  <DIV><FONT face=Arial><FONT color=#0000ff><FONT size=2><SPAN 
  class=138434423-24072001></SPAN></FONT></FONT></FONT>&nbsp;</DIV>
  <DIV><FONT color=#0000ff><SPAN class=138434423-24072001></SPAN><FONT 
  size=2><FONT color=#000000><FONT face=Arial><SPAN 
  class=138434423-24072001>stig</SPAN><BR><BR></FONT></FONT></FONT></DIV></FONT></BLOCKQUOTE></BODY></HTML>

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/me kills self


On Wed, 25 Jul 2001 01:35:35 +0200
 Matthias Grob <matthias@grob.org> wrote:
> >I went for a simple design-to the point and what I think
> >of as being classy(for a tshirtthat is::haha::)
> >Don't tell my boss I did this at work.
> >c.white
> >http://www.magicicada.com/ldshirt.htm
> 
> hmm... I dont really create infinite loops... as everyone
> may know by 
> now, I think the spiral represents best what we do...
> -- 
> 
> 
>           ---> http://Matthias.Grob.org
> 

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Date: Tue, 24 Jul 2001 17:19:41 -0700
To: Loopers-Delight@loopers-delight.com
From: Chris Chovit <cho@newdream.net>
Subject: Re: battery powered setup (for the playa)
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Sounds like a good setup!  What do you use the inverter for, if you are
using a DC (car stereo) amp? Is this for your mixer and looping gear?

I was hoping to keep my entire setup DC powered.  I was thinking of using
my Line 6 DL-4, which i have heard (but have not verified) works off of DC,
even though the P/S supplied is AC...  anyone know of any other DC powered
loopers?

How did your PA speakers hold up under the heat and dust of the playa?
Were they ready to be thrown out afterwards?

BTW, I just picked up a solar panel from realgoods.com.  $150-200 will get
a 1.1 amp, 16.5 V solar panel, which should be enough to keep the battery
topped off during the daytime...

If i make it this year, i'll keep an eye out for the portable looper w/
alien sculpture speakers.  But how will i recognize you, once i've narrowed
it down with that criteria....  ;-)

Cheers,
Chris







>The system I used last year worked like this:
>
>I got a bright pink suitcase at goowill (ten bux)
>a wheelchair battery from the battery shoppe (eighty bux)
>    (make sure it's sealed gell cell deep cycle so it
>     doesn't leak fumes and so you can turn it upside
>     down without sufferin)
>a car stereo amp from fry's (130 bux)
>a 300 watt inverter (60 bux)
>a bunch of cables and 1/4" jacks and a switch from radidio shacque
>(another ten or so bux).
>
>Then I bolted the amp into the suitcase, drilled holes
>by the handle, mounted the jacks, and the switch,
>hooked it all up, and walla (midwester pronunciation of voila): I have a
>four channel battery powered setup that
>also powers most of my band.  (I reached the limit two months ago when I
>added a vocoder and exceeded the
>wattage on the inverter).
>
>All you need is speakers (I have alien sculptures that
>are also bi-amped PA speakers), and you have your burningman setup.
>Total cost: about 300 bux. You can charge the battery
>with a small car battery charger (make sure you get one with
>two amp or less current so you can charge the deep cycle gell cell).
>
>Of course a drawback is that you need a little mixer for
>the front end, so you can turn the volume down ;-)
>
>It's pretty heavy, though, so this year I'm going to make a smaller
>version:
>
>12 volt battery pack from Target (39 dollars)
>50 watt car stereo amp from radidio shacque (49 dollars)
>   (or maybe I'll get a used amp on the net)
>300 watt inverter (60 dollars)
>more assorted jacks and switches.
>an old laptop case (another 10 dollars)
>  -- warning: these things are very attractive to
>     those who like to acquire laptops through the
>     car window at the midnite computer company.
>This system is smaller and lighter. The battery pack has
>its own recharger. The price is lower, and for some
>reason it's measured in dollars rather than bux. Perhaps
>that'll make for an easier conversion to quid for our
>englisch contingent.
>
>Simran

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From: Tim Nelson <tcn62@ici.net>
Subject: Re: guitar arpeggiator
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At 07:49 PM 7/24/01 -0400, you wrote:
>> I am looking for a good arpeggiator effect for my loops, which I can use
>> for guitar (not MIDI).  Any advice?

In addition to the Space Station, you might check out the Boss PS-3
Pitchshifter; it has some settings that will arpeggiate an audio input. I'm
not sure if the PS-5 also works this way or not.

-t

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Subject: Re: OT: why musicians can't eat -- and why radio is so bad
From: roberto <roberto@nomade.worldonline.co.uk>
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> on 24/7/01 9:02 PM, Liebig, Steuart A. at Steuart.Liebig@maritz.com wrote:
> 
> 
> i was discussing this sort of thing last night with a friend. people have to
> *want* to search out the "good stuff"  - - and i'm not convinced that anybody
> wants to search out anything unless it's the color of their next car.
That sounds very sad and it's certainly true for many people. But why is
that so? Most people don't "know" there is something else and they have
never been shown how to look for something different. This applies to
everything obviously, not music in particular, and it's not even a matter of
good or bad stuff. They have been told all along, by family, school and
society, that "different" is bad or at least dangerous. We can't be
patronising with those whose only interest seem to be the colour of their
next car, if anything, if we really believe it is important and we care for
this "other" people, we can try to show them something different and hope
that a seed of curiosity will make them look for something else.
> 
> besides, maybe the are listening to the "good stuff" - - maybe we all need to
> get over ourselves. or maybe there have always been people who listen to music
> as "entertainment" and those who listen to it as "art."
Should we really draw a sharp line between music for entertainment or art?
What about music for ritual, music for self expression, for conveying
messages or just for plain fun? Can't music be all these and more without
class distinction? This list seems to me a good example of a bunch of
assorted people who share a common interest but are at the same time open
minded and non-sectarian, wouldn't everything be simpler if this attitude
was "normal"?!
 
> others wrote: 
>> I have faith that people can make their own choices.
> interesting comment, given that there're already **all** kindsa myriad
> avenues lined/caked/soaked w/'good' music (-that which is outside the
> 'mainstream'-) that folks do not seem inclined to 'seek out'.
Again, most people only want what they have been told they should want. The
whole system, particularly in the industrial west, would collapse if people
were able to make individual choices and seek what suit them best. Weather
we like it or not this is a reality and we have to find our way to live
within it and make what we can with it - or drop out completely.
> eh? 
> to some degree: 
> people chose milosevic. people chose hitler. people chose jim jones. people
> chose, well..... you probably follow my line (via these rather extreme
> examples) by now.
Without the extremes, most people choose to forgo their aspirations and lead
a life of duty and dissatisfaction. It takes courage to be an individual.
I am reading a fascinating book by the philosopher Elias Canetti "Crowds and
Power" on the psychology of mass behaviour. It is frightening and
illuminating at the same time to see how, all along human history, people
have repeatedly chosen the various Milosevics and Hitlers and what lies
behind these choices.

Roberto

______________________________________________
Roberto Battista
http://www.robat.scl.net
http://www.robat.scl.net/lectures/index.shtm
Tel. 0044 020 8449 1995
Mobile 0775 960 4344
______________________________________________
http://www.rustyrobot.com
independent on-line music distribution,
the music you can't find elsewhere,
hybrid, eclectic, world, looped, unusual...
______________________________________________
http://www.robat.scl.net/html/tibet/tibet.shtm
an exciting project on technology applied to
mobile education for developing countries and
remote locations...
______________________________________________

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on 24/7/01 9:04 PM, Luigi Meloni at Luigimeloni74@libero.it wrote:

> 
> I think you're right. Here in Italy for something the situation is even
> worse. If I want to put some stuff I composed, produced and recorded on my
> site I'll have to pay the Italian rights organisation (SIAE), which will...
Tutta la mia simpatia, mi ero dimenticato di quanto suchiasangue fosse la
SIAE!
> 
> I thought law should be equal to everyone, shouldn't it?????
Ma dove?

Roberto

______________________________________________
Roberto Battista
http://www.robat.scl.net
http://www.robat.scl.net/lectures/index.shtm
Tel. 0044 020 8449 1995
Mobile 0775 960 4344
______________________________________________
http://www.rustyrobot.com
independent on-line music distribution,
the music you can't find elsewhere,
hybrid, eclectic, world, looped, unusual...
______________________________________________
http://www.robat.scl.net/html/tibet/tibet.shtm
an exciting project on technology applied to
mobile education for developing countries and
remote locations...
______________________________________________

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Petr wrote:

>> I am looking for a good arpeggiator effect for my loops, which I can use
>> for guitar (not MIDI).  Any advice?

The GT-3 has an arpegiator--play a note and it creates a programmable
sequence of notes played as eighth notes--
Gary

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Hi Chris, 

> From: Chris Chovit <cho@newdream.net>
> Sounds like a good setup!  What do you use the inverter for, if you are
> using a DC (car stereo) amp? Is this for your mixer and looping gear?

You're right, the inverter is for the mixer and loopers.
(Also the AC-powered automatic autograph signing pen.-)

Yes, the DL-4 works on batteries. You could probably do rechargeables. 

> How did your PA speakers hold up under the heat and dust of the playa?
> Were they ready to be thrown out afterwards?

The PAliens were fine on the playa. But then they were 
constructed with plasticoned car stereo speakers, and then
covered in spray foam. They
had a much rougher time at one of the pre-burningman
parties in oakland, where one of the heads got stolen.
(That's why only one of the aliens has it's LED-that-blinks-
to-the-music curcuit still on its head).  I didn't bring
my PA speakers. I have some cheap peavey 1x10 cabs that
I'm bringing this year. 

> If i make it this year, i'll keep an eye out for the portable looper w/
> alien sculpture speakers.  But how will i recognize you, once i've narrowed
> it down with that criteria....  ;-)

Well, the PAliens are painted silver and gold, respectively,
and sit about 3 and a half feet tall. I might not bring
them this year, though. They're pretty bulky. I might use
the little PA cabs instead. 

There wil be two places to find me: first, ask at Mmmmelt
camp, a massage camp on the esplanade. If I'm not there, 
leave me a message, and then get a massage. Next option: 
go to the maze, get lost inside, then I'll be painting
a mural in one of the dead ends, using people who get
stuck in that corridor as the models!

If you do find me, let's set up a looping gig somewhere, 
like center camp or something. (& this goes for any other 
loopers dee people on the playa, too!)

Simran

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On Tue, 24 Jul 2001, Christopher White wrote:
> I went for a simple design-to the point and what I think
> of as being classy(for a tshirtthat is::haha::)
> Don't tell my boss I did this at work.
> c.white
> http://www.magicicada.com/ldshirt.htm

Love it. :)

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>>stephen wrote: 

>>What about something like:

>>|: loopers'delight :|

>>or

>>|: unsubscribe :|


this is very cool. even if everybody doesn't do
infinite loops, this is entirely clever. i like.

take care,
phil


=====
"Compassion is the sometimes fatal capacity for feeling what
it's like to live inside somebody else's skin.
 
 It is the knowledge that there can never really be any
peace and joy for me until there is peace and joy finally 
for you too." 
                                   -Frederick Buechner

__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Tue Jul 24 22:15:22 2001
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Also another option is the Digitech ISP33B Smart Shifter.  It sort of has a
gurgling sound - a bit more random than the Boss PS3 which sort of moves sound
in one particular way.....i.e. up or down.

You could use something like a Octave Pedal (like the Boss OC2 - not a fuzz
based) with an extreme 2 octave down fat sound then Eq out the top end
completely.  What you have is a poorly tracking farty sound.

Maybe, the Boss Gt3 Slicer effect is something of interest to you.  But that's
pretty costs for only one thing.

Finally, if you can find one - try a Pefftronics Rand-o-matic.  At extreme
settings it sounds like R2D2 on acid.

Oh, I lied there's more - I like to use an
wide and slow autowah into a
flanger or phaser or ring modulator into
extreme and quick square wave trem sound (the helicopter sound)

Options Options Options...suppose we shouldn't even mention rolands gr
synths.....

Cheers,

Anthony


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Subject: Re: OT: why musicians can't eat -- and why radio is so bad
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RE: OT: why musicians can't eat -- and why radio is so badCertainly a point
to be made here.  I brought a bag full of my CDs into the office last week,
and one of the girls I work with took a look; it was mostly "outside"* stuff
like Eno, an Afro-Pop sampler, some Nusrat, Glenn Branca, etc.... and my
coworker (whose musical tastes range from Dave Matthews to Ben Harper**)
just noted that she didn't recognize any of them, and that was it.  No
curiosity, no interest, nothing.

And I realize now that most of my friends and acquaintances who aren't
musicians still won't buy a CD unless they've heard a few songs from it on
the radio.  I can't even imagine how limited my listening tastes would be if
I adhered to that rule.  So maybe most people don't Want to go looking;
maybe they figure that if it's good, it'll end up on the radio, or on MTV,
or on the cover of Rolling Stone.

Didn't John Zorn say something about this?  I read a quote wherein he
expressed his exasperation that most people who own four recordings of the
Brandenburg Concertos would sooner spend their money on a fifth recording
before they'd take a chance by spending that same money on something
unfamiliar to them.  Hmmm...


Peter

*- I meant "outside" compared to what she'd normally listen to on the radio;
I know that Nusrat Fateh Ali Khan, Eno, and Branca are pop music compared to
some of what you guys would bring in to work!

**-That said, there's nothing wrong with Dave Matthews or Ben Harper, or any
pop music for that matter.  I may be stoned to death by the rest of LD for
admitting this, but I even appreciate what NSync and the Backstreet Boys do.
And I still listen to the first Spice Girls album every now and then.


----- Original Message -----
From: Liebig, Steuart A.
To: 'Loopers-Delight@loopers-delight.com'
Sent: Tuesday, July 24, 2001 4:02 PM
Subject: RE: OT: why musicians can't eat -- and why radio is so bad


i was discussing this sort of thing last night with a friend. people have to
*want* to search out the "good stuff"  - - and i'm not convinced that
anybody wants to search out anything unless it's the color of their next
car.
besides, maybe the are listening to the "good stuff" - - maybe we all need
to get over ourselves. or maybe there have always been people who listen to
music as "entertainment" and those who listen to it as "art."


stig



others wrote:
>I have faith that people can make their own choices.
interesting comment, given that there're already **all** kindsa myriad
avenues lined/caked/soaked w/'good' music (-that which is outside the
'mainstream'-) that folks do not seem inclined to 'seek out'.
eh?
to some degree:
people chose milosevic. people chose hitler. people chose jim jones. people
chose, well..... you probably follow my line (via these rather extreme
examples) by now.
best,
dt / s-c

From Loopers-Delight-request@loopers-delight.com  Tue Jul 24 22:42:51 2001
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> Hi there,

Would it work to play a note through a mic. into a Vocalist?  You could
then create harmonies around it.  Don't know how well it would sound.
Just a thought....
Geoff

From Loopers-Delight-request@loopers-delight.com  Wed Jul 25 00:20:27 2001
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  	Hi all,

  	I recently bought and installed the above-mentioned sound card, and am
having some problems with pops and clicks in the recorded tracks.  The
troubleshooting section of the (altogether too thin) manual lists video
cards (specifically PCI ones) several times as the possible cause of this.
I have a Voodoo 4 4500 PCI card installed, so this is entirely possible.
However, I disabled the hardware graphics acceleration, as suggested by the
manual, but to no avail.  Anyone know of a possible solution, aside from
removing the Voodoo card?  I like to play Quake when I'm not recording.  ;)

	Other tech specs:

	433Mhz Celeron processor
	Win98SE
	256Mb RAM
	15Gb hard drive
	ISA ethernet card
	cable modem

 -Mike

 "People are just about as happy as they make up their minds to be."
 -Abraham Lincoln-


_________________________________________________________
Do You Yahoo!?
Get your free @yahoo.com address at http://mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Wed Jul 25 00:56:30 2001
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Subject: Re: Check out my  loopers Shirt Design
From: todd reynolds <toddreynolds@rcn.com>
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On 7/24/01 12:47 PM, "Christopher White" <magicicada@charter.net> wrote:

> I went for a simple design-to the point and what I think
> of as being classy(for a tshirtthat is::haha::)
> Don't tell my boss I did this at work.
> c.white
> http://www.magicicada.com/ldshirt.htm
> 



Great work chris...  And has anyone considered using a spiral instead of a
mobius strip?

todd

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Subject: Re: Check out my  loopers Shirt Design
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how about one of those old African or Aboriginal (can't remember) type
spirals where it's actually a sort of figure 8 but spirals at both ends?
connect those somehow and then you've got a really neat mobius spiral loop.
i'd be proud to wear that. sorry, i looked and can't find any examples
handy.. i'll try some more though.

----- Original Message -----
From: todd reynolds <toddreynolds@rcn.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, July 25, 2001 12:55 AM
Subject: Re: Check out my loopers Shirt Design


> On 7/24/01 12:47 PM, "Christopher White" <magicicada@charter.net> wrote:
>
> > I went for a simple design-to the point and what I think
> > of as being classy(for a tshirtthat is::haha::)
> > Don't tell my boss I did this at work.
> > c.white
> > http://www.magicicada.com/ldshirt.htm
> >
>
>
>
> Great work chris...  And has anyone considered using a spiral instead of a
> mobius strip?
>
> todd
>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Jul 25 01:34:17 2001
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A few years ago, I had that EXACT problem with a Turtle Beach Project Studio
card (their top of the line card at the time - it was $450!). It's a really
sad story. Ordered the card off the web, tech support strung me along for
about 45 days, and I even swapped out another card like it, but to no avail.
Finally, tech support (wanting to be rid of me no doubt), started asking me
about my system. Turned out that their card doesn't run on Super Micro dual
processor motherboards. There was nothing about this in the manual, or on
the web site. And in all those 45 days, they never asked me those
questions - it didn't come up until it was too late to return the card. They
didn't want to take the card back either, and neither did the vendor. So,
guess who got stuck?

Ouch. My own perception - given the conversations I had with them and my
earnest pleas with them to help me find a solution - was that the situation
developed the way it did on purpose. They were never really very concerned
about helping me get the card up and running.

For those of you who may not know, Turtle Beach was originally started by,
and run by, musicians who really cared about what they were doing. They made
great products! My first Turtle Beach card was a MultiSound - I still love
that card even today although there are no drivers available for it anymore.
Unfortunately, they're a real 'business' now too and they're run by some guy
whose focus is TOTALLY on the bottom line. All they care about now is moving
cards, and customers be damned. Obviously, I no longer recommend Turtle
Beach products to folks who may be in the market for a sound card.

Of course, this is just my experience and YMMV (and likely will). They're
still in business after all.

I guess the moral of that story is 'buyer beware.' Protect yourself, to the
extent that you can. I say: if it don't work, give it back to the clerk!

Sorry I digressed into a rant. :-) I guess I am still angry over that whole
situation. Nobody likes to be forcibly bent over and pummeled. Your email
just reminded me of it.

As for your situation, Mike, I would suggest immediately trying a second
card - either from the store where you bought it or direct from Lexicon. If
you purchased within the last 30 days, you should still have refund
privileges. If the second card is the same as the first, you may be fairly
certain that the problem is not with the card, but with some incompatibility
between the card and your system. In which case you should, post haste, seek
to obtain a refund and then buy another card.

Good luck!
Kevin


>   	I recently bought and installed the above-mentioned sound
> card, and am
> having some problems with pops and clicks in the recorded tracks.  The
> troubleshooting section of the (altogether too thin) manual lists video
> cards (specifically PCI ones) several times as the possible cause of this.
> I have a Voodoo 4 4500 PCI card installed, so this is entirely possible.
> However, I disabled the hardware graphics acceleration, as
> suggested by the
> manual, but to no avail.  Anyone know of a possible solution, aside from
> removing the Voodoo card?  I like to play Quake when I'm not
> recording.  ;)

From Loopers-Delight-request@loopers-delight.com  Wed Jul 25 02:09:02 2001
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Someone i know bought one and had a fiasco of it till they contacted
Lexicon/and or got the latest drivers for it. THen  nothing but heaven.

IRQ's look okay? start>settings>control panel>system> computer properties
 any exclamation points or question marks?

Is there:
 a scsi device in the chain?
disck fragtmention
have you got UDMA drives andUDMA turned on on the motherboard?


Never realized this until after a whole hell with a SCSI cdrw hell, but was
burning audio CD's(actually only trying to ) and there were always clicks.
Took all the lose files on the descktop and stuck them into a folder, heard
the quality inprove directly, something about memory having to scan
everything that's not in a folder. Kooky but true.




on 7/24/01 9:18 PM, Mike Feeney at feeneymike@yahoo.com wrote:

> 
> Hi all,
> 
> I recently bought and installed the above-mentioned sound card, and am
> having some problems with pops and clicks in the recorded tracks.  The
> troubleshooting section of the (altogether too thin) manual lists video
> cards (specifically PCI ones) several times as the possible cause of this.
> I have a Voodoo 4 4500 PCI card installed, so this is entirely possible.
> However, I disabled the hardware graphics acceleration, as suggested by the
> manual, but to no avail.  Anyone know of a possible solution, aside from
> removing the Voodoo card?  I like to play Quake when I'm not recording.  ;)
> 
> Other tech specs:
> 
> 433Mhz Celeron processor
> Win98SE
> 256Mb RAM
> 15Gb hard drive
> ISA ethernet card
> cable modem
> 
> -Mike
> 
> "People are just about as happy as they make up their minds to be."
> -Abraham Lincoln-
> 

From Loopers-Delight-request@loopers-delight.com  Wed Jul 25 02:36:34 2001
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"Liebig, Steuart A." wrote:

>
>
> (Oh how I love Ameoba Records in Berkeley!
> Huge experimental section!)
>
> ** an amoeba will be opening in hollywood ,ca, this fall.

cool.

>
> I loved
> Radiohead's Kid A album, but I've never heard a cut from that album on
> the
> radio.
>
> ** kroq in l.a. played one song and continues to play it.

since they're on the cover of rolling stone, it would appear they're
doing ok with it all (depends on your perspective tho i suppose); not
listening to kroq these days (check that- decades!)-i heard lots of kid
a on both kxlu and kcrw (it seemed maybe too pop for kxlu and too out
for kcrw, but that's to be expected in this fractured town). if i only
had my own radio station...actually, an installation artist i know has
been trying to set up his own pirate station for a while now...i'll have
to check in w/ him- it was going to be called wcry or sumthin', and
broadcasts would consist entirely of  of field recordings he's made of
kids crying in places like walmart. tune in for some real pain!

>
>
> A review I read said it was horrible.  Will they try and release
> another more experimental album?
>
> ** amnesia got a lot of nice press here . . . the "warmer side of kid
> a" blah, blah blah. maybe that just means that the crit caught up to
> it a little.
>
> I hope so.  The fact that Beck albums make
> it into the top 40 leads me to believe that people will buy stuff
> that's more
> "out there" if they're aware of it.
>
> ** or bjork, for that matter.
>
> stig

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I address this one to all the Vortex users, but particularly the guy who
loved BLEEN 2 so much. Checked it out last night... OK I remember this
patch now... BUT for some reason the sound on this patch had infinate
feedback that built up and up until I had to change patches before my
speakers fluttered across the room! The "feedback controls" were NO WHERE
NEAR full on tho!!! I whatever changes I made, made NO difference. The only
thing I noticed (that finally fixed the prob) was that my input was a tiny
teeny bit hot and high, going red a little. Whn I backed this off it was
OK... Why would this be? Why would it affect the feedback on the delay???
Is this normal? DO I have a problem? or do I just have to be more carefull
with my levels...

MAr Francombe Red

From Loopers-Delight-request@loopers-delight.com  Wed Jul 25 03:00:42 2001
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Subject: Re: Check out my  loopers Shirt Design
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How about a serpent eating its tail ?

Gareth

>
> Great work chris...  And has anyone considered using a spiral instead of a
> mobius strip?
>
> todd
>

From Loopers-Delight-request@loopers-delight.com  Wed Jul 25 03:02:57 2001
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Subject: Re: release spam  new CD "repeater"
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Hey Sunao,
"Rainy Wales" looks interesting. How about some real audio as a taster ?

Gareth


> repeater / sunao inami
> TCCD20012
> (CD only)
> 
> 1. intro 4:06
> 2. trace route 5:10
> 3. waves on the table 3:44
> 4. modifiers control 3:48
> 5. rainy wales 5:10
> 6. repeater 8:26
> 7. loop is life,life is loop 15:53
> 8. continuous skin break III 6:15
> 9. outro 2:47
> 
> Sunao Inami : All Instruments
> 
> Graphic Design by Yoshio Saga
> Cover Photo by Sunao Inami
> 
> Sunao Inami official site
> http://www.cavestudio.com/
> 
> You can get it from:
> Cranium Music
> http://www.cranium-music.com/catalog/A_1737.htm
> 
> electr-ohm via Paypal
> http://www.cavestudio.com/electr-ohm/index_E.html
> 
> 
>    sorry for my spam..
> 
>   Sunao Inami
> http://www.cavestudio.com
> 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Wed Jul 25 03:25:35 2001
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From: John Tidwell <wedgehed@yahoo.com>
Subject: Re: Another Vortex Problem
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Yeah....mine does the same thing every once & a while.
I usually just take it as God's will that I morph the
patch or change presets. Maybe Andy Butler can share
some words of wisdom on this phenomena.

John

--- mark.red@involvelearning.com wrote:
> 
> I address this one to all the Vortex users, but
> particularly the guy who
> loved BLEEN 2 so much. Checked it out last night...
> OK I remember this
> patch now... BUT for some reason the sound on this
> patch had infinate
> feedback that built up and up until I had to change
> patches before my
> speakers fluttered across the room! The "feedback
> controls" were NO WHERE
> NEAR full on tho!!! I whatever changes I made, made
> NO difference. The only
> thing I noticed (that finally fixed the prob) was
> that my input was a tiny
> teeny bit hot and high, going red a little. Whn I
> backed this off it was
> OK... Why would this be? Why would it affect the
> feedback on the delay???
> Is this normal? DO I have a problem? or do I just
> have to be more carefull
> with my levels...
> 
> MAr Francombe Red
> 


=====
John Tidwell




__________________________________________________
Do You Yahoo!?
Make international calls for as low as $.04/minute with Yahoo! Messenger
http://phonecard.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Wed Jul 25 03:34:17 2001
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Subject: Re: OT: why musicians can't eat -- and why radio is so bad
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c'mon not to make a fuss but <beck><bjork>-out there? there music may seem
off the beaten path but basically their music is pop music w/voice and
musical accompanimment...out where?
now when an instro makes it on the charts thats when i think people are
actually getting something truly expressive.most people like words in the
songs so they dont have to think too much.
telestar,walk dont run,tequila,frankenstein,theme to chariots of fire,herb
alpert,george benson,some of these songs or artists may be way mellow but
they are just a very few instros that made the charts and made people
think.in my humble opinion

stanner


 
> I hope so.  The fact that Beck albums make
>> it into the top 40 leads me to believe that people will buy stuff
>> that's more
>> "out there" if they're aware of it.
>>
>> ** or bjork, for that matter.
>>
>> stig
>

From Loopers-Delight-request@loopers-delight.com  Wed Jul 25 03:51:21 2001
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From: John Tidwell <wedgehed@yahoo.com>
Subject: Re:loopers Shirt Design gathering ideas...
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Agreed. I can't believe there's not more support
for this.

http://www.loopers-delight.com/loop.html

It would help me get over the fact that I was too
wasted to find the T-Shirt stand at the only Pink
Floyd
concert I ever attended.

John


--- PMimlitsch@aol.com wrote:
> 
> In a message dated 7/24/01 5:27:37 PM,
> jfink@cabq.gov writes:
> 
> How about the graphic on the Loopers Delight web
> site on a black shirt?
> 


=====
John Tidwell




__________________________________________________
Do You Yahoo!?
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From Loopers-Delight-request@loopers-delight.com  Wed Jul 25 04:04:43 2001
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i'd be all about an ourobouros! right on

Jon
----- Original Message -----
From: whiteoakstudios <whiteoakstudios@supanet.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, July 25, 2001 2:56 AM
Subject: Re: Check out my loopers Shirt Design


> How about a serpent eating its tail ?
>
> Gareth
>
> >
> > Great work chris...  And has anyone considered using a spiral instead of
a
> > mobius strip?
> >
> > todd
> >
>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Jul 25 04:47:43 2001
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From: "Stephen P. Goodman" <spgoodman@earthlight.net>
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Subject: Re: OT: why musicians can't eat -- and why radio is so bad
Date: Wed, 25 Jul 2001 09:45:49 +0100
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I think we all have our selectivity factors when it comes to music.  My most
massive music purchasing period aside from my CD initiation, when I
basically replaced my vinyl with only the occasional new material (Eno, PiL,
Fripp, a few newer bands) was in the late 70s.  I was in college, and as
everyone is I was exposed to Other Music than I was used to - and dug it to
the max.  UK, for instance, though I'd liked King Crimson for years; Peter
Gabriel, Genesis, and so forth... But three particular artists/bands stick
out as a matter of [1] not hearing them on the radio as an inticement to buy
the album, and [2] not having to hear ANYTHING from it before purchase to
know that it would be a good listen.  They're Steely Dan, Roxy Music, and
David Bowie.  Paradoxically perhaps, when Roxy's "Dance Away" hit the radio
in '79, I faded off of them for a few years - it seemed so... disco, I
dunno... or perhaps I just hate sales pitches, hm?  Which makes me other
than a standard radio listener, I guess.

Over the years since 1980 I've thrown out more recordings I made because I
thought they sounded like other peoples' work - but now regret that, having
seen how much money U2 makes doing the same basic thing.

"Peter Shindler" <shindler@mediaone.net> put forth:
> RE: OT: why musicians can't eat -- and why radio is so badCertainly a
point
> to be made here.  I brought a bag full of my CDs into the office last
week,
> and one of the girls I work with took a look; it was mostly "outside"*
stuff
> like Eno, an Afro-Pop sampler, some Nusrat, Glenn Branca, etc.... and my
> coworker (whose musical tastes range from Dave Matthews to Ben Harper**)
> just noted that she didn't recognize any of them, and that was it.  No
> curiosity, no interest, nothing.
>
> And I realize now that most of my friends and acquaintances who aren't
> musicians still won't buy a CD unless they've heard a few songs from it on
> the radio.  I can't even imagine how limited my listening tastes would be
if
> I adhered to that rule.  So maybe most people don't Want to go looking;
> maybe they figure that if it's good, it'll end up on the radio, or on MTV,
> or on the cover of Rolling Stone.
>
> Didn't John Zorn say something about this?  I read a quote wherein he
> expressed his exasperation that most people who own four recordings of the
> Brandenburg Concertos would sooner spend their money on a fifth recording
> before they'd take a chance by spending that same money on something
> unfamiliar to them.  Hmmm...
>
>
> Peter
>
> *- I meant "outside" compared to what she'd normally listen to on the
radio;
> I know that Nusrat Fateh Ali Khan, Eno, and Branca are pop music compared
to
> some of what you guys would bring in to work!
>
> **-That said, there's nothing wrong with Dave Matthews or Ben Harper, or
any
> pop music for that matter.  I may be stoned to death by the rest of LD for
> admitting this, but I even appreciate what NSync and the Backstreet Boys
do.
> And I still listen to the first Spice Girls album every now and then.
>
>
> ----- Original Message -----
> From: Liebig, Steuart A.
> To: 'Loopers-Delight@loopers-delight.com'
> Sent: Tuesday, July 24, 2001 4:02 PM
> Subject: RE: OT: why musicians can't eat -- and why radio is so bad
>
>
> i was discussing this sort of thing last night with a friend. people have
to
> *want* to search out the "good stuff"  - - and i'm not convinced that
> anybody wants to search out anything unless it's the color of their next
> car.
> besides, maybe the are listening to the "good stuff" - - maybe we all need
> to get over ourselves. or maybe there have always been people who listen
to
> music as "entertainment" and those who listen to it as "art."
>
>
> stig
>
>
>
> others wrote:
> >I have faith that people can make their own choices.
> interesting comment, given that there're already **all** kindsa myriad
> avenues lined/caked/soaked w/'good' music (-that which is outside the
> 'mainstream'-) that folks do not seem inclined to 'seek out'.
> eh?
> to some degree:
> people chose milosevic. people chose hitler. people chose jim jones.
people
> chose, well..... you probably follow my line (via these rather extreme
> examples) by now.
> best,
> dt / s-c



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Subject: Re: OT: why musicians can't eat -- and why radio is so bad
Date: Wed, 25 Jul 2001 09:53:17 +0100
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<Hedewa7@aol.com> put forth:

> sine@zerocrossing.net writes:
> >I have faith that people can make their own choices.
> interesting comment, given that there're already **all** kindsa myriad
> avenues lined/caked/soaked w/'good' music (-that which is outside the
> 'mainstream'-) that folks do not seem inclined to 'seek out'.
> eh?
> to some degree:
> people chose milosevic. people chose hitler. people chose jim jones.
people
> chose, well..... you probably follow my line (via these rather extreme
> examples) by now.

What?  Choice is bad, David?  Someone chooses YOUR work, and I suppose to
you that's not bad.  I would rather people have a choice, and exercise the
wetware between their ears, whether it's for their own good or otherwise.
There are indeed truly Bad things, like Genocide, Heroin, $cientology, Child
or Spouse Abuse, and Aggressive Warlordism; but I think that such things are
the exception to the rule, as I believe that people, left to their own
devices (as opposed to GroupThink activities like mob action, persuasive
marketing, and so forth) can do really great and nice things, to the effect
of everyone's benefit.  I tend not to be disappointed by too many in this
regard - with the exception of not being able to find work in the UK IT
market... :)

Stephen Goodman
http://www.earthlight.net/Gallery_Front.html - Cartoons & Illustrations
http://www.earthlight.net/Studios * The free Loop of the Week!
http://www.live365.com/stations/218194 * EarthLight Online / Live!

From Loopers-Delight-request@loopers-delight.com  Wed Jul 25 04:58:52 2001
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Jehn wrote:

"I had a couple of things taped onto my JamMan..one was a picture of Saturn
with the caption "Riddles of the Rings"..the other was a cartoon picture of
a guy awake in his pajamas flying..collage visual anyone?"


For what it's worth,  I was annoyed by the unconcious sexism of Lexicon
calling their looper the "JAMMAN"  so as a joke I printed up the logo
"JAMPERSON" in the exact lettering of the unit and printed up a bunch.

This is both a righting of a wrong to me and, at the same time, a
gentle poking of fun at the PC (Politically Correct) culture that we live
in.

If anyone wants a "conversion" kit I can either e-mail you the pagemaker
document or a physical printing of the logos for the price of "passing it
on"

yours, Rick (loop.pool)

From Loopers-Delight-request@loopers-delight.com  Wed Jul 25 05:01:23 2001
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DITTO TO WHAT MIKO SAYS:

"I like the first basic one much better. I really think putting
'unsubscribe' below the URL on the back would do it! Pretty cool...

-Miko


Rick Walker

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Could I put in a request that the t-shirt NOT be printed in beige?

Beige is a color that a lot of people look crappy in do to its' similarity
to flesh tones.  I happen to be one of those people.

I know it's cliche, but howsa 'bout  white lettering on black
(a kind of goes with anything, post modern kinda thang)?


yours,  Rick Walker (loop.pool)

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Subject: Re: Check out my  loopers Shirt Design
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In a message dated 7/24/01 11:33:55 PM, matthias@grob.org writes:

<< hmm... I dont really create infinite loops... as everyone may know by 
now, I think the spiral represents best what we do... >>

loops/nature/life/existense etc = Infinite Spiral?

From Loopers-Delight-request@loopers-delight.com  Wed Jul 25 05:22:21 2001
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OK, I'm the 1st to admit that I'm a natural born fool
& oft time asshole, but am I the only one who thinks
it's a hoot that someone who is bothered by the name
"JamMan" can make such casual assumptions about the
"flesh tones" of the looping community?

I remember when PC meant "Public Convenience".

John

--- "Rick Walker (loop.pool)" <GLOBAL@cruzio.com>
wrote:
> 
> Could I put in a request that the t-shirt NOT be
> printed in beige?
> 
> Beige is a color that a lot of people look crappy in
> do to its' similarity
> to flesh tones.  I happen to be one of those people.
> 
> I know it's cliche, but howsa 'bout  white lettering
> on black
> (a kind of goes with anything, post modern kinda
> thang)?
> 
> 
> yours,  Rick Walker (loop.pool)
> 


=====
John Tidwell




__________________________________________________
Do You Yahoo!?
Make international calls for as low as $.04/minute with Yahoo! Messenger
http://phonecard.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Wed Jul 25 05:30:54 2001
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There is a very cool (if pricey--$300) botique pedal that I tried at
Sylvain Music in Santa Cruz, California whose name I can't recall.

It will generate 8 echoes with slider switches that allow you to custom
filter each echoe.  It only does one thing but if you want your guitar to
sound analogue synthesizer-esque (is that redundant ;-)  this is the ticket.

YOu can probably contact them online but if you have problems doing so, then
don't hesitate to e-mail me off list and i"ll put you in touch with these
fine and innovative folks.

yours,  Rick Walker (loop.pool)

From Loopers-Delight-request@loopers-delight.com  Wed Jul 25 05:59:19 2001
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Subject: BOSS JAM STATION REVIEW
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Hey gang,

     I asked my brother, the looping guitar wizard, Bill Walker to
contribute his thoughts on the new JAM STATION by Boss.   Bill knows more
about effects processing and guitar synthesis than anyone I've ever met
(with the exception of Santa Cruz's own, Miko B) and, thankfully, he
complied with my request and obliged us:
He is not yet a member of Loopers Delight, so if you would like to ask him
about this or any other thing having to do with effects, he can be reached
at: CHILLYB@cruzio.com

yours,  Rick Walker (loop.pool)


REVIEW OF THE BOSS JAM STATION

I just spent a couple of hours with the new Boss jam station and I wanted
to share my  first impressions:

     As an owner of Jammans and line 6 delay
modelers I was interested to see what was different about the jam station.
First there is a whopping 5+ minutes of total loop time.  It is also capable
of storing up to 12 loops ( one loop is a dedicated one-shot type), which
makes it the first commercialy available looper with non volatile memory.
( The Electrix Repeator does this, though it may or may not see the light of
day, due to financial problems, and software problems. I tried it at  Winter
Namm and they were still getting the bugs out. It did seem promising
though.)

Back to the Jam station. It also boasts an on board metronome with variable
volume and tap tempo. It is really effective for locking in the rythmn ,
however its static kickdrum/ hi-hhat sound might not prove very effective
for live performance. Luckily you can turn the metronome off for
performance.

    Another cool feature is the ability to change loop tempos on the fly
with tap tempo, without altering the pitch! Fans of the undo function on the
Echoplex Digital Pro will find a similar function on the Jam station,
however it only works if you are overdubbing on top of a  pre-stored  loop,
not on a loop that has yet to be commited to
internal memory.

    You can also reverse your loop direction on the fly, and
record in either direction, but you will have to use an additional
momentary switch if you want foot control over this function.

    Ditto for switching loops during performance, you will need an
additional momentary switch unless you want to bend over and grab the rotary
knob on the chassis.

    Speaking of chassis, the jam station is small, about the size of
two standard boss effects standing side by side, and it is built like a
boss pedal, very sturdy. It has two boss-style footswitchs that handle a
suprising number of duties; record, playback and overdub for the left side
pedal, playback stop, metronome start/ stop and tap tempo for the right side
pedal. Erase is handled by holding down either or both switches for 2
seconds. This multi-functionality takes a little getting used to but is
clever and cool, none the less.

    The manual is typical Boss cryptic, but the jam station is relatively
intuitive. Sound-wise, the sample quality sounded very good. Loops were
clear and detailed with little decernable added noise.

     Sorry stereo junkies, this puppy is mono, but it does have three
different input choices: 1/4 inch phone plug Instrument and Microphone
inputs, and CD/tape input via a mini phone jack. Also, there are two jacks
for momentary footswitches that access the loop advance and reverse
functions. Sorry, there is no midi sync capablilty. Power is provided via
power supply or batteries. Like all
boss pedals, the spec sheet provided little in the way of sampling rate or
noise floor specs, but the loops sounded clean and un-grainy to my ears.

loopingly yours,
Bill Walker
Renaissance /Rick Turner Guitars





From Loopers-Delight-request@loopers-delight.com  Wed Jul 25 07:35:52 2001
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Matthias Grob wrote:
> 
> >I went for a simple design-to the point and what I think
> >of as being classy(for a tshirtthat is::haha::)
> >Don't tell my boss I did this at work.
> >c.white
> >http://www.magicicada.com/ldshirt.htm
> 
> hmm... I dont really create infinite loops... as everyone may know by
> now, I think the spiral represents best what we do...
> --

Not all loopers can go spiral

Person,Hardware,Software

ClaudeLaudecAudeclUdeclaDeclauEclaudClaudeLaudecAudeclUdeclaDeclauEclaud

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From: "Bill Fox" <billfox@fast.net>
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Subject: EMUSIC Playlist #226
Date: Wed, 25 Jul 2001 08:12:17 -0400
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EMUSIC, an electronic, ambient, and space music show, airs each Thursday
at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA and 93.9 FM in
Easton, PA and Phillipsburg, NJ.

                    Show #226                    July 19, 2001.


RECAP:
On this show, I continued the month-long focus on The Ministry of Inside =
Things
(MoIT), a Philadelphia area group influenced by Tangerine Dream, Klaus =
Schulze,
and Ash Ra Tempel.  The feature CD at midnight was "Live at the =
Philadelphia
Museum of Art" recorded on 9-16-98 and released on the Synkronos label.

The Ministry of Inside Things
http://wdiyfm.org/emusic/playlists/2001/focus01.html#jul


PLAYLIST:

ARTIST                  TRACK                    ALBUM (label)
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D =
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D =
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D
11:04 pm
Chuck van Zyl           The Relic                The Relic (Centaur)
vidnaObmana             Aqua (theme)             Soundtrack for the =
Aquarium
                                                   (Hypnos)
Crown Invisible         V16 (1:30)               Cinema (Cursor Club)
Wave World              Psycho Eggs              Sphere (Quantum)
Kevin Braheny           Galaxies Main Theme      Galaxies (Hearts of =
Space)
Keller & Schonwalder    Beyond the Sea           The Reason Why =
(Manikin)

12:00 am
MoIT                    Six Unnamed Tracks       Live at the PMoA =
(Synkronos)

1:00 am

 * =3D exerpt
VA =3D Various Artists (compilation)


NEXT SHOW:
On the next EMUSIC, I'll continue the month-long focus on The Ministry =
of
Inside Things.  The feature CD at midnight will be "Live on WXPN" on the
Synkronos label.

Bill        billfox@fast.net           =
http://wdiyfm.org/schedule/s_emusic.html
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D
Host of EMUSIC, an electronic, ambient, and space music show.  Thursdays =
at
11 pm on WDIY 88.1 FM, Allentown and Bethlehem and 93.9 FM in Easton and
Phillipsburg.  Email me if you wish to submit music for airplay =
consideration.
Radio Station Home Page: http://wdiyfm.org
Personal site: http://www.users.fast.net/~billfox
To subscribe to the EMUSIC on WDIY list, send
email to: emusic-wdiy-subscribe@yahoogroups.com

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
<HTML>
<HEAD>

<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type>
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</HEAD>
<BODY>
<DIV><FONT face=3D"Courier New"><FONT size=3D2>EMUSIC, an electronic, =
ambient, and=20
space music show, airs each Thursday<BR>at 11:04 pm on WDIY 88.1 FM, =
Allentown=20
and Bethlehem, PA and 93.9 FM in<BR>Easton, PA and Phillipsburg,=20
NJ.</FONT></FONT><FONT size=3D2><FONT face=3D"Courier =
New"></FONT></FONT></DIV>
<DIV><FONT face=3D"Courier New"><FONT size=3D2></FONT></FONT><FONT =
size=3D2><FONT=20
face=3D"Courier New"></FONT></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Courier New"><FONT=20
size=3D2>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
Show=20
#226&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
July 19, 2001.</FONT></FONT><FONT size=3D2><FONT=20
face=3D"Courier New"></FONT></FONT></DIV>
<DIV><FONT face=3D"Courier New"><FONT size=3D2></FONT></FONT><FONT =
size=3D2><FONT=20
face=3D"Courier New"></FONT></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Courier New"><FONT size=3D2><BR>RECAP:<BR>On this =
show, I=20
continued the month-long focus on The Ministry of Inside =
Things<BR>(MoIT), a=20
Philadelphia area group influenced by Tangerine Dream, Klaus =
Schulze,<BR>and Ash=20
Ra Tempel.&nbsp; The feature CD at midnight was &quot;Live at the=20
Philadelphia<BR>Museum of Art&quot; recorded on 9-16-98 and released on =
the=20
Synkronos label.</FONT></FONT><FONT size=3D2><FONT=20
face=3D"Courier New"></FONT></FONT></DIV>
<DIV><FONT face=3D"Courier New"><FONT size=3D2></FONT></FONT><FONT =
size=3D2><FONT=20
face=3D"Courier New"></FONT></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Courier New"><FONT size=3D2>The Ministry of Inside=20
Things</FONT></FONT><FONT size=3D2></FONT></DIV>
<DIV><FONT face=3D"Courier New"><FONT size=3D2><A=20
href=3D"http://wdiyfm.org/emusic/playlists/2001/focus01.html#jul">http://=
wdiyfm.org/emusic/playlists/2001/focus01.html#jul</A></FONT></FONT><FONT =

size=3D2></FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Courier New"><FONT =
size=3D2><BR>PLAYLIST:</FONT></FONT><FONT=20
size=3D2><FONT face=3D"Courier New"></FONT></FONT></DIV>
<DIV><FONT face=3D"Courier New"><FONT size=3D2></FONT></FONT><FONT =
size=3D2><FONT=20
face=3D"Courier New"></FONT></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Courier New"><FONT=20
size=3D2>ARTIST&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
TRACK&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
ALBUM =
(label)<BR>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D =
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D =

=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D<BR>11:04 pm<BR>Chuck van=20
Zyl&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; The=20
Relic&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;=20
The Relic=20
(Centaur)<BR>vidnaObmana&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;=20
Aqua=20
(theme)&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;=20
Soundtrack for the=20
Aquarium<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;=20
(Hypnos)<BR>Crown =
Invisible&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; V16=20
(1:30)&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;=20
Cinema (Cursor Club)<BR>Wave=20
World&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;=20
Psycho=20
Eggs&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;=20
Sphere (Quantum)<BR>Kevin=20
Braheny&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
Galaxies=20
Main Theme&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Galaxies (Hearts of =
Space)<BR>Keller=20
&amp; Schonwalder&nbsp;&nbsp;&nbsp; Beyond the=20
Sea&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; The =
Reason Why=20
(Manikin)</FONT></FONT><FONT size=3D2><FONT=20
face=3D"Courier New"></FONT></FONT></DIV>
<DIV><FONT face=3D"Courier New"><FONT size=3D2></FONT></FONT><FONT =
size=3D2><FONT=20
face=3D"Courier New"></FONT></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Courier New"><FONT size=3D2>12:00=20
am<BR>MoIT&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
Six Unnamed Tracks&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Live at the PMoA=20
(Synkronos)</FONT></FONT><FONT size=3D2><FONT=20
face=3D"Courier New"></FONT></FONT></DIV>
<DIV><FONT face=3D"Courier New"><FONT size=3D2></FONT></FONT><FONT =
size=3D2><FONT=20
face=3D"Courier New"></FONT></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Courier New"><FONT size=3D2>1:00 =
am</FONT></FONT><FONT=20
size=3D2><FONT face=3D"Courier New"></FONT></FONT></DIV>
<DIV><FONT face=3D"Courier New"><FONT size=3D2></FONT></FONT><FONT =
size=3D2><FONT=20
face=3D"Courier New"></FONT></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Courier New"><FONT size=3D2>&nbsp;* =3D exerpt<BR>VA =
=3D Various=20
Artists (compilation)</FONT></FONT><FONT size=3D2><FONT=20
face=3D"Courier New"></FONT></FONT></DIV>
<DIV><FONT face=3D"Courier New"><FONT size=3D2></FONT></FONT><FONT =
size=3D2><FONT=20
face=3D"Courier New"></FONT></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Courier New"><FONT size=3D2><BR>NEXT SHOW:<BR>On the =
next EMUSIC,=20
I'll continue the month-long focus on The Ministry of<BR>Inside =
Things.&nbsp;=20
The feature CD at midnight will be &quot;Live on WXPN&quot; on =
the<BR>Synkronos=20
label.</FONT></FONT><FONT size=3D2><FONT face=3D"Courier =
New"></FONT></FONT></DIV>
<DIV><FONT face=3D"Courier New"><FONT size=3D2></FONT></FONT><FONT =
size=3D2><FONT=20
face=3D"Courier New"></FONT></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Courier New"=20
size=3D2>Bill&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <A=20
href=3D"mailto:billfox@fast.net">billfox@fast.net</A>&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
<A=20
href=3D"http://wdiyfm.org/schedule/s_emusic.html">http://wdiyfm.org/sched=
ule/s_emusic.html</A><BR>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D<BR>Host=20
of EMUSIC, an electronic, ambient, and space music show.&nbsp; Thursdays =

at<BR>11 pm on WDIY 88.1 FM, Allentown and Bethlehem and 93.9 FM in =
Easton=20
and<BR>Phillipsburg.&nbsp; Email me if you wish to submit music for =
airplay=20
consideration.<BR>Radio Station Home Page: <A=20
href=3D"http://wdiyfm.org">http://wdiyfm.org</A><BR>Personal site: <A=20
href=3D"http://www.users.fast.net/~billfox">http://www.users.fast.net/~bi=
llfox</A><BR>To=20
subscribe to the EMUSIC on WDIY list, send<BR>email to: <A=20
href=3D"mailto:emusic-wdiy-subscribe@yahoogroups.com">emusic-wdiy-subscri=
be@yahoogroups.com</A></FONT></DIV></BODY></HTML>

------=_NextPart_000_006D_01C114E1.943E6A00--

From Loopers-Delight-request@loopers-delight.com  Wed Jul 25 08:35:45 2001
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From: nick ring <nick@simons-rock.edu>
Subject: Re: T-shirt request
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	Just a thought here, but perhaps our design would be suitable for a small 
variety of t-shirt colors?  White, Black, some cool blue,  or a 
blueish-gray-kinda-golden-reflective-ultra-white-black.

	I haven't had a chance to check out the designs so far, but can't wait.

			-nick

From Loopers-Delight-request@loopers-delight.com  Wed Jul 25 08:38:01 2001
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Subject: RE: PC 'JAMPERSON' conversion kit
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Rick:

It's worth a bunch, actually, i think.
Though i'd prefer a conversion kit that
says "JamMama"...

JamMamagrooves,
peter

>For what it's worth,  I was annoyed by the unconcious sexism
of Lexicon
>calling their looper the "JAMMAN"  so as a joke I printed up
the logo
>"JAMPERSON" in the exact lettering of the unit and printed up
a bunch.
>
>This is both a righting of a wrong to me and, at the same time,
a
>gentle poking of fun at the PC (Politically Correct) culture
that we live
>in.
>
>If anyone wants a "conversion" kit I can either e-mail you the
pagemaker
>document or a physical printing of the logos for the price of
"passing it
>on"
>
>yours, Rick (loop.pool)
>
>


From Loopers-Delight-request@loopers-delight.com  Wed Jul 25 09:48:17 2001
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Subject: Re: BOSS JAM STATION REVIEW
Date: Wed, 25 Jul 2001 13:45:22 
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Hi All,
    I spent a weekend with the JS-5 Jamstation and I believe Rick is 
speaking about the RC-20 Loop station which I just purchased but haven't 
used yet.  The JS-5 is a nice "play along with the band" tool which can 
record as well plus has two possible loop setups but I don't think the two 
units are similar at all.  The RC-20 is a looping machine where as the JS-5 
is similar to a drum machine with piano and horns added.  I hope this helps

Thanks,


Weg



From: "Rick Walker \(loop.pool\)" <GLOBAL@cruzio.com>
Reply-To: Loopers-Delight@loopers-delight.com
To: <Loopers-Delight@loopers-delight.com>
Subject: BOSS JAM STATION REVIEW
Date: Wed, 25 Jul 2001 02:58:51 -0700
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Hey gang,

      I asked my brother, the looping guitar wizard, Bill Walker to
contribute his thoughts on the new JAM STATION by Boss.   Bill knows more
about effects processing and guitar synthesis than anyone I've ever met
(with the exception of Santa Cruz's own, Miko B) and, thankfully, he
complied with my request and obliged us:
He is not yet a member of Loopers Delight, so if you would like to ask him
about this or any other thing having to do with effects, he can be reached
at: CHILLYB@cruzio.com

yours,  Rick Walker (loop.pool)


REVIEW OF THE BOSS JAM STATION

I just spent a couple of hours with the new Boss jam station and I wanted
to share my  first impressions:

      As an owner of Jammans and line 6 delay
modelers I was interested to see what was different about the jam station.
First there is a whopping 5+ minutes of total loop time.  It is also capable
of storing up to 12 loops ( one loop is a dedicated one-shot type), which
makes it the first commercialy available looper with non volatile memory.
( The Electrix Repeator does this, though it may or may not see the light of
day, due to financial problems, and software problems. I tried it at  Winter
Namm and they were still getting the bugs out. It did seem promising
though.)

Back to the Jam station. It also boasts an on board metronome with variable
volume and tap tempo. It is really effective for locking in the rythmn ,
however its static kickdrum/ hi-hhat sound might not prove very effective
for live performance. Luckily you can turn the metronome off for
performance.

     Another cool feature is the ability to change loop tempos on the fly
with tap tempo, without altering the pitch! Fans of the undo function on the
Echoplex Digital Pro will find a similar function on the Jam station,
however it only works if you are overdubbing on top of a  pre-stored  loop,
not on a loop that has yet to be commited to
internal memory.

     You can also reverse your loop direction on the fly, and
record in either direction, but you will have to use an additional
momentary switch if you want foot control over this function.

     Ditto for switching loops during performance, you will need an
additional momentary switch unless you want to bend over and grab the rotary
knob on the chassis.

     Speaking of chassis, the jam station is small, about the size of
two standard boss effects standing side by side, and it is built like a
boss pedal, very sturdy. It has two boss-style footswitchs that handle a
suprising number of duties; record, playback and overdub for the left side
pedal, playback stop, metronome start/ stop and tap tempo for the right side
pedal. Erase is handled by holding down either or both switches for 2
seconds. This multi-functionality takes a little getting used to but is
clever and cool, none the less.

     The manual is typical Boss cryptic, but the jam station is relatively
intuitive. Sound-wise, the sample quality sounded very good. Loops were
clear and detailed with little decernable added noise.

      Sorry stereo junkies, this puppy is mono, but it does have three
different input choices: 1/4 inch phone plug Instrument and Microphone
inputs, and CD/tape input via a mini phone jack. Also, there are two jacks
for momentary footswitches that access the loop advance and reverse
functions. Sorry, there is no midi sync capablilty. Power is provided via
power supply or batteries. Like all
boss pedals, the spec sheet provided little in the way of sampling rate or
noise floor specs, but the loops sounded clean and un-grainy to my ears.

loopingly yours,
Bill Walker
Renaissance /Rick Turner Guitars







_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp

From Loopers-Delight-request@loopers-delight.com  Wed Jul 25 11:30:59 2001
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Date: Thu, 26 Jul 2001 00:26:02 +0900
To: Loopers-Delight@loopers-delight.com
From: Sunao Inami <cave@osk.3web.ne.jp>
Subject: web cast spam / 27th,28th July from Kobe
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Hi,

We will live streaming our performance via Real Video.
You can see us by Real Player G2 or higher.

ACTE KOBE Project 2001
"Fra-Cr?-Sol two days"
  at Sonic Hall,Kobe

Please open the URL directly below.
  http://ds.kobedenshi.ac.jp/dstv/dstv.ram

27th July 18:30-21:30 (Japanese time)=10:30-13:30(GMT)
28th July 17:00-21:00 (Japanese time) =9:30-13:00(GMT)

Details:
http://www2u.biglobe.ne.jp/~ActeKobe/200107/oubun.html

http://www2u.biglobe.ne.jp/~ActeKobe/200107/2001plan.html


  Regards

  Sunao Inami
http://www.cavestudio.com


From Loopers-Delight-request@loopers-delight.com  Wed Jul 25 12:40:57 2001
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Subject: RE: OT: why musicians can't eat -- and why radio is so bad
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> besides, maybe the are listening to the "good stuff" - - maybe we all need
to
> get over ourselves. or maybe there have always been people who listen to
music
> as "entertainment" and those who listen to it as "art."


Should we really draw a sharp line between music for entertainment or art?
What about music for ritual, music for self expression, for conveying
messages or just for plain fun? Can't music be all these and more without
class distinction? This list seems to me a good example of a bunch of
assorted people who share a common interest but are at the same time open
minded and non-sectarian, wouldn't everything be simpler if this attitude
was "normal"?!

** i think that some of your points fall within my points - - or could
agruably do so: 

self-expression/messages (depending on the message) = art

plain fun/messages (depending on the message) = entertainment

ritual, i think you have a stronger point here. however, in western society,
art music grew out of ritual music to a large degree; i'm thinking masses,
etc. for the church.

i think that, for the purposes of this discussion, my terms work pretty
well. also, may i point to the phrase about us getting over ourselves?
 

stig

** the following you will have to take up with mr torn:

> others wrote: 
>> I have faith that people can make their own choices.
> interesting comment, given that there're already **all** kindsa myriad
> avenues lined/caked/soaked w/'good' music (-that which is outside the
> 'mainstream'-) that folks do not seem inclined to 'seek out'.
Again, most people only want what they have been told they should want. The
whole system, particularly in the industrial west, would collapse if people
were able to make individual choices and seek what suit them best. Weather
we like it or not this is a reality and we have to find our way to live
within it and make what we can with it - or drop out completely.
> eh? 
> to some degree: 
> people chose milosevic. people chose hitler. people chose jim jones.
people
> chose, well..... you probably follow my line (via these rather extreme
> examples) by now.
Without the extremes, most people choose to forgo their aspirations and lead
a life of duty and dissatisfaction. It takes courage to be an individual.
I am reading a fascinating book by the philosopher Elias Canetti "Crowds and
Power" on the psychology of mass behaviour. It is frightening and
illuminating at the same time to see how, all along human history, people
have repeatedly chosen the various Milosevics and Hitlers and what lies
behind these choices.


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<P><FONT SIZE=3D2>&gt; besides, maybe the are listening to the =
&quot;good stuff&quot; - - maybe we all need to</FONT>
<BR><FONT SIZE=3D2>&gt; get over ourselves. or maybe there have always =
been people who listen to music</FONT>
<BR><FONT SIZE=3D2>&gt; as &quot;entertainment&quot; and those who =
listen to it as &quot;art.&quot;</FONT>
</P>
<BR>

<P><FONT SIZE=3D2>Should we really draw a sharp line between music for =
entertainment or art?</FONT>
<BR><FONT SIZE=3D2>What about music for ritual, music for self =
expression, for conveying</FONT>
<BR><FONT SIZE=3D2>messages or just for plain fun? Can't music be all =
these and more without</FONT>
<BR><FONT SIZE=3D2>class distinction? This list seems to me a good =
example of a bunch of</FONT>
<BR><FONT SIZE=3D2>assorted people who share a common interest but are =
at the same time open</FONT>
<BR><FONT SIZE=3D2>minded and non-sectarian, wouldn't everything be =
simpler if this attitude</FONT>
<BR><FONT SIZE=3D2>was &quot;normal&quot;?!</FONT>
</P>

<P><FONT SIZE=3D2>** i think that some of your points fall within my =
points - - or could agruably do so: </FONT>
</P>

<P><FONT SIZE=3D2>self-expression/messages (depending on the message) =
=3D art</FONT>
</P>

<P><FONT SIZE=3D2>plain fun/messages (depending on the message) =3D =
entertainment</FONT>
</P>

<P><FONT SIZE=3D2>ritual, i think you have a stronger point here. =
however, in western society, art music grew out of ritual music to a =
large degree; i'm thinking masses, etc. for the church.</FONT></P>

<P><FONT SIZE=3D2>i think that, for the purposes of this discussion, my =
terms work pretty well. also, may i point to the phrase about us =
getting over ourselves?</FONT></P>

<P><FONT SIZE=3D2>&nbsp;</FONT>
</P>

<P><FONT SIZE=3D2>stig</FONT>
</P>

<P><FONT SIZE=3D2>** the following you will have to take up with mr =
torn:</FONT>
</P>

<P><FONT SIZE=3D2>&gt; others wrote: </FONT>
<BR><FONT SIZE=3D2>&gt;&gt; I have faith that people can make their own =
choices.</FONT>
<BR><FONT SIZE=3D2>&gt; interesting comment, given that there're =
already **all** kindsa myriad</FONT>
<BR><FONT SIZE=3D2>&gt; avenues lined/caked/soaked w/'good' music =
(-that which is outside the</FONT>
<BR><FONT SIZE=3D2>&gt; 'mainstream'-) that folks do not seem inclined =
to 'seek out'.</FONT>
<BR><FONT SIZE=3D2>Again, most people only want what they have been =
told they should want. The</FONT>
<BR><FONT SIZE=3D2>whole system, particularly in the industrial west, =
would collapse if people</FONT>
<BR><FONT SIZE=3D2>were able to make individual choices and seek what =
suit them best. Weather</FONT>
<BR><FONT SIZE=3D2>we like it or not this is a reality and we have to =
find our way to live</FONT>
<BR><FONT SIZE=3D2>within it and make what we can with it - or drop out =
completely.</FONT>
<BR><FONT SIZE=3D2>&gt; eh? </FONT>
<BR><FONT SIZE=3D2>&gt; to some degree: </FONT>
<BR><FONT SIZE=3D2>&gt; people chose milosevic. people chose hitler. =
people chose jim jones. people</FONT>
<BR><FONT SIZE=3D2>&gt; chose, well..... you probably follow my line =
(via these rather extreme</FONT>
<BR><FONT SIZE=3D2>&gt; examples) by now.</FONT>
<BR><FONT SIZE=3D2>Without the extremes, most people choose to forgo =
their aspirations and lead</FONT>
<BR><FONT SIZE=3D2>a life of duty and dissatisfaction. It takes courage =
to be an individual.</FONT>
<BR><FONT SIZE=3D2>I am reading a fascinating book by the philosopher =
Elias Canetti &quot;Crowds and</FONT>
<BR><FONT SIZE=3D2>Power&quot; on the psychology of mass behaviour. It =
is frightening and</FONT>
<BR><FONT SIZE=3D2>illuminating at the same time to see how, all along =
human history, people</FONT>
<BR><FONT SIZE=3D2>have repeatedly chosen the various Milosevics and =
Hitlers and what lies</FONT>
<BR><FONT SIZE=3D2>behind these choices.</FONT>
</P>

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Subject: RE: OT: why musicians can't eat -- and why radio is so bad
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c'mon not to make a fuss but <beck><bjork>-out there? there music may seem
off the beaten path but basically their music is pop music w/voice and
musical accompanimment...out where?

** comparitively speaking, yes. particularly bjork, using noise as backing
tracks, etc. it 's all relative if you look at what she does compared to
destiny's child or sugar ray. 


now when an instro makes it on the charts thats when i think people are
actually getting something truly expressive.most people like words in the
songs so they dont have to think too much.

** i don't know about this. there was a whole campaign in l.a. for the
"wave" when it first started about people wanting new age music without
words so they wouldn't be distracted and be able to get more work done. 

telestar,walk dont run,tequila,frankenstein,theme to chariots of fire,herb
alpert,george benson,some of these songs or artists may be way mellow but
they are just a very few instros that made the charts and made people
think.in my humble opinion

** i have a totally different experience of these pieces of music. after
about frankenstein on your list, i just hear muzak . . . which i feel is
designed to anesthetize. different strokes, i guess.

stig


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<P><FONT SIZE=3D2>c'mon not to make a fuss but =
&lt;beck&gt;&lt;bjork&gt;-out there? there music may seem</FONT>
<BR><FONT SIZE=3D2>off the beaten path but basically their music is pop =
music w/voice and</FONT>
<BR><FONT SIZE=3D2>musical accompanimment...out where?</FONT>
</P>

<P><FONT SIZE=3D2>** comparitively speaking, yes. particularly bjork, =
using noise as backing tracks, etc. it 's all relative if you look at =
what she does compared to destiny's child or sugar ray. </FONT></P>
<BR>

<P><FONT SIZE=3D2>now when an instro makes it on the charts thats when =
i think people are</FONT>
<BR><FONT SIZE=3D2>actually getting something truly expressive.most =
people like words in the</FONT>
<BR><FONT SIZE=3D2>songs so they dont have to think too much.</FONT>
</P>

<P><FONT SIZE=3D2>** i don't know about this. there was a whole =
campaign in l.a. for the &quot;wave&quot; when it first started about =
people wanting new age music without words so they wouldn't be =
distracted and be able to get more work done. </FONT></P>

<P><FONT SIZE=3D2>telestar,walk dont run,tequila,frankenstein,theme to =
chariots of fire,herb</FONT>
<BR><FONT SIZE=3D2>alpert,george benson,some of these songs or artists =
may be way mellow but</FONT>
<BR><FONT SIZE=3D2>they are just a very few instros that made the =
charts and made people</FONT>
<BR><FONT SIZE=3D2>think.in my humble opinion</FONT>
</P>

<P><FONT SIZE=3D2>** i have a totally different experience of these =
pieces of music. after about frankenstein on your list, i just hear =
muzak . . . which i feel is designed to anesthetize. different strokes, =
i guess.</FONT></P>

<P><FONT SIZE=3D2>stig</FONT>
</P>

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	 <Loopers-Delight@loopers-delight.com>
Subject: RE: OT: why musicians can't eat -- and why radio is so bad
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coworker just noted that she didn't recognize any of them, and that was it.
No
curiosity, no interest, nothing.

And I realize now that most of my friends and acquaintances who aren't
musicians still won't buy a CD unless they've heard a few songs from it on
the radio.  

** yeah, i think this is true of many, many people. on the other hand, there
are musicians (in particular) who never listen to the radio, etc., and have
decided that it is all shit out there. as i get older i'm trying to be more
open-minded.

stig

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<P><FONT SIZE=3D2>coworker just noted that she didn't recognize any of =
them, and that was it.&nbsp; No</FONT>
<BR><FONT SIZE=3D2>curiosity, no interest, nothing.</FONT>
</P>

<P><FONT SIZE=3D2>And I realize now that most of my friends and =
acquaintances who aren't</FONT>
<BR><FONT SIZE=3D2>musicians still won't buy a CD unless they've heard =
a few songs from it on</FONT>
<BR><FONT SIZE=3D2>the radio.&nbsp; </FONT>
</P>

<P><FONT SIZE=3D2>** yeah, i think this is true of many, many people. =
on the other hand, there are musicians (in particular) who never listen =
to the radio, etc., and have decided that it is all shit out there. as =
i get older i'm trying to be more open-minded.</FONT></P>

<P><FONT SIZE=3D2>stig</FONT>
</P>

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To: <Loopers-Delight@loopers-delight.com>
Subject: Fw: [floridagreens] Fw: virus  Jesus
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----- Original Message -----=20
From: John=20
To: Jehn=20
Sent: Wednesday, July 25, 2001 9:58 AM
Subject: Fw: [floridagreens] Fw: virus Jesus



----- Original Message -----=20
From: Sandra Diaz=20
To: Undisclosed-Recipient:@harrier.mail.pas.earthlink.net;=20
Sent: Tuesday, July 24, 2001 7:18 PM
Subject: [floridagreens] Fw: virus Jesus


> > >=20
> > >Very Urgent!!!!!!!=20
> > >=20
> > >PASS THIS ON TO ANYONE YOU HAVE AN E-MAIL ADDRESS FOR. If you =
receive=20
>an=20
> > >email titled: "It Takes Guts to Say Jesus" DO NOT OPEN IT. It will=20
>erase=20
> > >everything on your hard drive. This information was announced =
yesterday=20
> > >morning from IBM; AOL states that this is a very dangerous virus, =
much=20
> > >worse than "Melissa," and that there is NO Remedy for it at this =
time.=20
>Some=20
> > >very sick individual has succeeded in using the reformat function =
from=20
> > >Norton Utilities causing it to completely erase all documents on =
the=20
>hard=20
> > >drive. It has been designed to work with Netscape Navigator and=20
>Microsoft=20
> > >Internet Explorer. It destroys Macintosh and IBM compatible =
computers.=20
> > >=20
> > >This is a new, very malicious virus and not many people know about =
it.=20
>Pass=20
> > >this warning along to EVERYONE in your address book and please =
share it=20
> > >with all your online friends ASAP so that this threat maybe =
stopped.=20
>Please=20
> > >practice cautionary measures and tell anyone that may have access =
to=20
>your=20
> > >computer. Forward this warning to everyone that you know that might =

>access=20
> > >the Internet.=20
> > >=20
> > >Joyce L. Bober IBM Information Systems Pittsburgh Mailing Systems =
412 -=20
> > >922-8744=20
> > >=20
> > >=20

-- [footer] This list service is provided free by Yahoo
in exchange for advertising space on the list.

We suggest that you ignore the advertisements,
and be wary of any corporation's promotions.

The Green Party of Florida is not influenced=20
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<DIV>&nbsp;</DIV>
<DIV style=3D"FONT: 10pt arial">----- Original Message -----=20
<DIV style=3D"BACKGROUND: #e4e4e4; font-color: black"><B>From:</B> <A=20
title=3Djoheho@cfl.rr.com href=3D"mailto:joheho@cfl.rr.com">John</A> =
</DIV>
<DIV><B>To:</B> <A title=3Djuno7@cfl.rr.com=20
href=3D"mailto:juno7@cfl.rr.com">Jehn</A> </DIV>
<DIV><B>Sent:</B> Wednesday, July 25, 2001 9:58 AM</DIV>
<DIV><B>Subject:</B> Fw: [floridagreens] Fw: virus Jesus</DIV></DIV>
<DIV><BR></DIV>
<DIV>&nbsp;</DIV>
<DIV style=3D"FONT: 10pt arial">----- Original Message -----=20
<DIV style=3D"BACKGROUND: #e4e4e4; font-color: black"><B>From:</B> <A=20
title=3Dtofujunkie@earthlink.net =
href=3D"mailto:tofujunkie@earthlink.net">Sandra=20
Diaz</A> </DIV>
<DIV><B>To:</B> <A =
title=3DUndisclosed-Recipient:@harrier.mail.pas.earthlink.net;=20
href=3D"mailto:Undisclosed-Recipient:@harrier.mail.pas.earthlink.net;">Un=
disclosed-Recipient:@harrier.mail.pas.earthlink.net;</A>=20
</DIV>
<DIV><B>Sent:</B> Tuesday, July 24, 2001 7:18 PM</DIV>
<DIV><B>Subject:</B> [floridagreens] Fw: virus Jesus</DIV></DIV>
<DIV><BR></DIV><FONT face=3Darial,helvetica><FONT size=3D2>&gt; &gt; =
&gt; <BR>&gt;=20
&gt; &gt;Very Urgent!!!!!!! <BR>&gt; &gt; &gt; <BR>&gt; &gt; &gt;PASS =
THIS ON TO=20
ANYONE YOU HAVE AN E-MAIL ADDRESS FOR. If you receive <BR>&gt;an =
<BR>&gt; &gt;=20
&gt;email titled: "It Takes Guts to Say Jesus" DO NOT OPEN IT. It will=20
<BR>&gt;erase <BR>&gt; &gt; &gt;everything on your hard drive. This =
information=20
was announced yesterday <BR>&gt; &gt; &gt;morning from IBM; AOL states =
that this=20
is a very dangerous virus, much <BR>&gt; &gt; &gt;worse than "Melissa," =
and that=20
there is NO Remedy for it at this time. <BR>&gt;Some <BR>&gt; &gt; =
&gt;very sick=20
individual has succeeded in using the reformat function from <BR>&gt; =
&gt;=20
&gt;Norton Utilities causing it to completely erase all documents on the =

<BR>&gt;hard <BR>&gt; &gt; &gt;drive. It has been designed to work with =
Netscape=20
Navigator and <BR>&gt;Microsoft <BR>&gt; &gt; &gt;Internet Explorer. It =
destroys=20
Macintosh and IBM compatible computers. <BR>&gt; &gt; &gt; <BR>&gt; &gt; =

&gt;This is a new, very malicious virus and not many people know about =
it.=20
<BR>&gt;Pass <BR>&gt; &gt; &gt;this warning along to EVERYONE in your =
address=20
book and please share it <BR>&gt; &gt; &gt;with all your online friends =
ASAP so=20
that this threat maybe stopped. <BR>&gt;Please <BR>&gt; &gt; =
&gt;practice=20
cautionary measures and tell anyone that may have access to <BR>&gt;your =

<BR>&gt; &gt; &gt;computer. Forward this warning to everyone that you =
know that=20
might <BR>&gt;access <BR>&gt; &gt; &gt;the Internet. <BR>&gt; &gt; &gt; =
<BR>&gt;=20
&gt; &gt;Joyce L. Bober IBM Information Systems Pittsburgh Mailing =
Systems 412 -=20
<BR>&gt; &gt; &gt;922-8744 <BR>&gt; &gt; &gt; <BR>&gt; &gt; &gt;=20
<BR></FONT></FONT><BR><TT>-- [footer] This list service is provided free =
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Yahoo<BR>in exchange for advertising space on the list.<BR><BR>We =
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On Wed, 25 Jul 2001, mark.red@involvelearning.com wrote:
> I address this one to all the Vortex users, but particularly the guy who
> loved BLEEN 2 so much. Checked it out last night... OK I remember this
> patch now... BUT for some reason the sound on this patch had infinate
> feedback that built up and up until I had to change patches before my
> speakers fluttered across the room! The "feedback controls" were NO WHERE
> NEAR full on tho!!! I whatever changes I made, made NO difference. The only
> thing I noticed (that finally fixed the prob) was that my input was a tiny
> teeny bit hot and high, going red a little. Whn I backed this off it was
> OK... Why would this be? Why would it affect the feedback on the delay???
> Is this normal? DO I have a problem? or do I just have to be more carefull
> with my levels...
>
> MAr Francombe Red


Keep in mind that all of the Vortex's effects are in some way controlled by 
an envelope follower.  In the case of Bleen B, the envelope controls some 
sort of amplitude modulation on the feedback of the echoes.  While running it 
hot wouldn't increase the amount of feedback, I could see it amplifying 
what's already there and then going nuts in a feedback loop as the amplified 
signal is sent right back into the delays.

Check out www.lexicon.com and search for Vortex.  You'll find the Vortex 
User's Guide (aka the manual) there in pdf format.  It contains all the 
schematics of the effects and gives you lots of info on how they're set up.

Have fun. :)
Todd Pafford

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Subject: Re: OT: why musicians can't eat -- and why radio is so bad
Date: Wed, 25 Jul 2001 13:34:23 -0400
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RE: OT: why musicians can't eat -- and why radio is so badCD's are like =
books..they have to be opened to be appreciated. Just like no one =
generally thinks of donuts until they smell the store..and while one can =
usually afford to be impulsive about such things,knowing they dig =
donuts..people are skeptical and hesitant to plop down $14.99 for =
something that could end up rotting in the jewel case after one play.  =
Considering the huge amount of crap on the radio..'specially here in =
Orlando..aka White Trash Hollywood Theme Park..and that it's allowed to =
continue year after year leads me to believe that the music being played =
has succeeded in anesthetizing the masses..and only music masked as a =
new drug..or vice versa, will wake the deaf. I'm trying to get a head's =
up on this one myself, because my dears, I'm very hungry, and it's the =
karma-soothing employment of teaching that's barely sustaining me. I =
can't even afford to take my Jam Man in to get fixed so I can put on a =
proper performance. Forget shows..we should go door-to-door with Cd's =
and headphones like we're canvassing for Greenpeace..
Sorry so long.....Jehn
  ----- Original Message -----=20
  From: Liebig, Steuart A.=20
  To: 'Loopers-Delight@loopers-delight.com'=20
  Sent: Wednesday, July 25, 2001 12:48 PM
  Subject: RE: OT: why musicians can't eat -- and why radio is so bad




  coworker just noted that she didn't recognize any of them, and that =
was it.  No=20
  curiosity, no interest, nothing.=20

  And I realize now that most of my friends and acquaintances who aren't =

  musicians still won't buy a CD unless they've heard a few songs from =
it on=20
  the radio. =20

  ** yeah, i think this is true of many, many people. on the other hand, =
there are musicians (in particular) who never listen to the radio, etc., =
and have decided that it is all shit out there. as i get older i'm =
trying to be more open-minded.

  stig=20


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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD><TITLE>RE: OT: why musicians can't eat -- and why radio is =
so bad</TITLE>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2479.6" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>CD's are like books..they have to be =
opened to be=20
appreciated. Just like no one generally thinks of donuts until they =
smell the=20
store..and while one can usually afford to be impulsive about such=20
things,knowing they dig donuts..people are skeptical and hesitant to =
plop down=20
$14.99 for something that could end up rotting in the jewel case after =
one=20
play.&nbsp; Considering the huge amount of crap on the radio..'specially =
here in=20
Orlando..aka White Trash Hollywood Theme Park..and that it's allowed to =
continue=20
year after year leads me to believe that the music being played has =
succeeded in=20
anesthetizing the masses..and only music masked as a new drug..or vice =
versa,=20
will wake the deaf. I'm trying to get a head's up on this one myself, =
because my=20
dears, I'm very hungry, and it's the karma-soothing employment of =
teaching=20
that's barely sustaining me. I can't even afford to take my Jam Man in =
to get=20
fixed so I can put on a proper performance. Forget shows..we should go=20
door-to-door with Cd's and headphones like we're canvassing for=20
Greenpeace..</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Sorry so long.....Jehn</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3DSteuart.Liebig@maritz.com=20
  href=3D"mailto:Steuart.Liebig@maritz.com">Liebig, Steuart A.</A> =
</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:'Loopers-Delight@loopers-delight.com'">'Loopers-Delight@lo=
opers-delight.com'</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, July 25, 2001 =
12:48=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RE: OT: why musicians =
can't eat=20
  -- and why radio is so bad</DIV>
  <DIV><BR></DIV><BR>
  <P><FONT size=3D2>coworker just noted that she didn't recognize any of =
them, and=20
  that was it.&nbsp; No</FONT> <BR><FONT size=3D2>curiosity, no =
interest,=20
  nothing.</FONT> </P>
  <P><FONT size=3D2>And I realize now that most of my friends and =
acquaintances=20
  who aren't</FONT> <BR><FONT size=3D2>musicians still won't buy a CD =
unless=20
  they've heard a few songs from it on</FONT> <BR><FONT size=3D2>the =
radio.&nbsp;=20
  </FONT></P>
  <P><FONT size=3D2>** yeah, i think this is true of many, many people. =
on the=20
  other hand, there are musicians (in particular) who never listen to =
the radio,=20
  etc., and have decided that it is all shit out there. as i get older =
i'm=20
  trying to be more open-minded.</FONT></P>
  <P><FONT size=3D2>stig</FONT> </P></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed Jul 25 13:37:31 2001
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"Rick Walker (loop.pool)" wrote:

> Could I put in a request that the t-shirt NOT be printed in beige?
>
> Beige is a color that a lot of people look crappy in do to its' similarity
> to flesh tones.  I happen to be one of those people.
>
> I know it's cliche, but howsa 'bout  white lettering on black
> (a kind of goes with anything, post modern kinda thang)?
>
> yours,  Rick Walker (loop.pool)

didn't look beige on my monitor, rick. when's the last time you got yours
calibrated? :-)

also, my pasty white flesh tone just looks pastier in black (the mark of a
muso or geek, depending). but i don't see why the shirts couldn't be done in
a few different colors- black, white, etc (NOT beige?)...it's just silkscreen
ink and cotton. i prefer white, but design by committee has got a bad rap
around these parts so i'll just shut up now (chuckle).

lance g.

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Claude Voit wrote:

>
> Not all loopers can go spiral
>

maybe that could go on the t-shirt too.

:-)

lance g.

From Loopers-Delight-request@loopers-delight.com  Wed Jul 25 13:55:50 2001
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nick ring wrote:

>         Just a thought here, but perhaps our design would be suitable for a small
> variety of t-shirt colors?  White, Black, some cool blue,  or a
> blueish-gray-kinda-golden-reflective-ultra-white-black.
>
>         I haven't had a chance to check out the designs so far, but can't wait.
>
>                         -nick

that last one gets my vote. as long as it's day-glo metallic.

lance g.

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CD's are like books..they have to be opened to be appreciated. Just like no
one generally thinks of donuts until they smell the store..and while one can
usually afford to be impulsive about such things,knowing they dig
donuts..people are skeptical and hesitant to plop down $14.99 for something
that could end up rotting in the jewel case after one play.   
 
** yeah, it's hard to plop down the cash - -  and it gets more pricey if you
start getting euro or japanese imports. i try to research before i buy.
usually this means i read about someone and, if they sound interesting to
me, they go on the list of stuff to get (and it's very long).
 
stig 


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<BLOCKQUOTE dir=ltr style="MARGIN-RIGHT: 0px">
  <DIV><FONT size=2><FONT face=Arial>CD's are like books..they have to be opened 
  to be appreciated. Just like no one generally thinks of donuts until they 
  smell the store..and while one can usually afford to be impulsive about such 
  things,knowing they dig donuts..people are skeptical and hesitant to plop down 
  $14.99 for something that could end up rotting in the jewel case after one 
  play.&nbsp;&nbsp;<FONT color=#0000ff><SPAN 
  class=718144617-25072001>&nbsp;</SPAN></FONT></FONT></FONT></DIV>
  <DIV><FONT size=2><FONT face=Arial><FONT color=#0000ff><SPAN 
  class=718144617-25072001></SPAN></FONT></FONT></FONT>&nbsp;</DIV>
  <DIV><FONT size=2><FONT face=Arial><FONT color=#0000ff><SPAN 
  class=718144617-25072001>** yeah, it's hard to plop down the cash - -&nbsp; 
  and it gets more pricey if you start getting euro or japanese imports. i try 
  to research before i buy. usually this means i read about someone and, if they 
  sound interesting to me, they&nbsp;go on the list of stuff to&nbsp;get (and 
  it's very long).</SPAN></FONT></FONT></FONT></DIV>
  <DIV><FONT size=2><FONT face=Arial><FONT color=#0000ff><SPAN 
  class=718144617-25072001></SPAN></FONT></FONT></FONT>&nbsp;</DIV>
  <DIV><FONT size=2><FONT face=Arial><FONT color=#0000ff><SPAN 
  class=718144617-25072001>stig&nbsp;</SPAN></FONT></FONT></FONT></DIV></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed Jul 25 14:02:01 2001
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Hi, you should do best if you instead change your
video card for one with an AGP port, I had the same
problem and I just changed to a cheap Trident AGP
video card and no problems since then.
Alex.


--- Mike Feeney <feeneymike@yahoo.com> wrote:
> 
> 
>   	Hi all,
> 
>   	I recently bought and installed the
> above-mentioned sound card, and am
> having some problems with pops and clicks in the
> recorded tracks.  The
> troubleshooting section of the (altogether too thin)
> manual lists video
> cards (specifically PCI ones) several times as the
> possible cause of this.
> I have a Voodoo 4 4500 PCI card installed, so this
> is entirely possible.
> However, I disabled the hardware graphics
> acceleration, as suggested by the
> manual, but to no avail.  Anyone know of a possible
> solution, aside from
> removing the Voodoo card?  I like to play Quake when
> I'm not recording.  ;)
> 
> 	Other tech specs:
> 
> 	433Mhz Celeron processor
> 	Win98SE
> 	256Mb RAM
> 	15Gb hard drive
> 	ISA ethernet card
> 	cable modem
> 
>  -Mike
> 
>  "People are just about as happy as they make up
> their minds to be."
>  -Abraham Lincoln-
> 
> 
>
_________________________________________________________
> Do You Yahoo!?
> Get your free @yahoo.com address at
> http://mail.yahoo.com
> 


__________________________________________________
Do You Yahoo!?
Make international calls for as low as $.04/minute with Yahoo! Messenger
http://phonecard.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Wed Jul 25 14:14:21 2001
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John Tidwell wrote:


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Subject: Re: Loopers-Delight-d Digest V01 #398
Date: Wed, 25 Jul 2001 11:19:55 -0700
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John Tidwell wrote:
"OK, I'm the 1st to admit that I'm a natural born fool
& oft time asshole, but am I the only one who thinks
it's a hoot that someone who is bothered by the name
"JamMan" can make such casual assumptions about the
"flesh tones" of the looping community?

I remember when PC meant "Public Convenience".


Ouch, touche!!!!    Actually, my tongue has been planted firmly in my cheek
during this whole missive about PC things.  I actually feel rather
oppressed by the whole phenomenan.  At the same time,  I've felt bad for the
very few women (regrettably) on our list who have had to endure
the "Jamman" moniker,

Viz a vis, the flesh tone comments.  Assuming that you are black, brown
or red skinned I am really sorry about my comments if they seemed
insensitive or non-inclusive.  If you are, indeed, flesh colored, I'll
assume you just couldn't resist a put down.  Too bad, I intended my comments
in the lightest and most humurous of ways.  Sorry you took it seriously.

Rick Walker



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Date: Wed, 25 Jul 2001 13:20:24 -0500
Subject: Re: Lexicon Core 2
From: Mike Feeney <feeneymike@yahoo.com>
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>,
        Alx <gendel777@yahoo.com>
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    unfortunately I have no AGP slot, but I can just use the on-board
(integrated) video.  I plan on experimenting a bit tonight and removing the
Voodoo card and seeing what kind of results I get then...

    thanks!!

    mike



on 7/25/01 12.49 PM, Alx at gendel777@yahoo.com wrote:

> Hi, you should do best if you instead change your
> video card for one with an AGP port, I had the same
> problem and I just changed to a cheap Trident AGP
> video card and no problems since then.
> Alex.
> 
> 
> --- Mike Feeney <feeneymike@yahoo.com> wrote:
>> 
>> 
>> Hi all,
>> 
>> I recently bought and installed the
>> above-mentioned sound card, and am
>> having some problems with pops and clicks in the
>> recorded tracks.  The
>> troubleshooting section of the (altogether too thin)
>> manual lists video
>> cards (specifically PCI ones) several times as the
>> possible cause of this.
>> I have a Voodoo 4 4500 PCI card installed, so this
>> is entirely possible.
>> However, I disabled the hardware graphics
>> acceleration, as suggested by the
>> manual, but to no avail.  Anyone know of a possible
>> solution, aside from
>> removing the Voodoo card?  I like to play Quake when
>> I'm not recording.  ;)
>> 
>> Other tech specs:
>> 
>> 433Mhz Celeron processor
>> Win98SE
>> 256Mb RAM
>> 15Gb hard drive
>> ISA ethernet card
>> cable modem
>> 
>>  -Mike
>> 
>>  "People are just about as happy as they make up
>> their minds to be."
>>  -Abraham Lincoln-
>> 
>> 
>> 
> _________________________________________________________
>> Do You Yahoo!?
>> Get your free @yahoo.com address at
>> http://mail.yahoo.com
>> 
> 
> 
> __________________________________________________
> Do You Yahoo!?
> Make international calls for as low as $.04/minute with Yahoo! Messenger
> http://phonecard.yahoo.com/


_________________________________________________________
Do You Yahoo!?
Get your free @yahoo.com address at http://mail.yahoo.com

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From: "Luigi Meloni" <Luigimeloni74@libero.it>
To: <Loopers-Delight@loopers-delight.com>
References: <000301c114c0$d54db300$553c1118@muncie1.in.home.com>
Subject: R: Lexicon Core 2
Date: Wed, 25 Jul 2001 20:28:20 +0200
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It could be a synch problem. I had the same problem the first time I tried
to use the S/pdif input with my processors. It was the cable. As I changed
the cable all went right to its place. If you don't use the digital i/o,
then remember to turn the clock to Internal. I have used it in a PII 266 and
now I use it in a Duron 700 and it sounds like heaven. Have you turned the
latency to low? With a not so powerful processor this could give problems
like clicks etc. Next thing to control are the drivers. The last ones are
the 2.12 #2. They are downloadable from the www.lexicon.com site. The last
things to look at are the settings of the recording software. On cubasis I
have had a real hard time to find the best settings for that card. Now it
goes really well. With the Cooledit Pro SE which was in the card box I've
never had such a problem, even using all the ins and outs together (and I
mean all, even the digital ones).
Try to give a look to the read.me in the card installing cd. It tells many
things 'bout bugs that the manual don't even thinks to say.

Peace
Luigi
----- Original Message -----
From: Mike Feeney <feeneymike@yahoo.com>
To: Loopers Delight <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, July 25, 2001 6:18 AM
Subject: Lexicon Core 2


>
>
>   Hi all,
>
>   I recently bought and installed the above-mentioned sound card, and am
> having some problems with pops and clicks in the recorded tracks.  The
> troubleshooting section of the (altogether too thin) manual lists video
> cards (specifically PCI ones) several times as the possible cause of this.
> I have a Voodoo 4 4500 PCI card installed, so this is entirely possible.
> However, I disabled the hardware graphics acceleration, as suggested by
the
> manual, but to no avail.  Anyone know of a possible solution, aside from
> removing the Voodoo card?  I like to play Quake when I'm not recording.
;)
>
> Other tech specs:
>
> 433Mhz Celeron processor
> Win98SE
> 256Mb RAM
> 15Gb hard drive
> ISA ethernet card
> cable modem
>
>  -Mike
>
>  "People are just about as happy as they make up their minds to be."
>  -Abraham Lincoln-
>
>
> _________________________________________________________
> Do You Yahoo!?
> Get your free @yahoo.com address at http://mail.yahoo.com
>

From Loopers-Delight-request@loopers-delight.com  Wed Jul 25 14:57:03 2001
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Subject: RE: Loopers-Delight-d Digest V01 #398
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yes that name sucks jamman, man its kind folike calling the next looping
device the looping midi buddy, so infantile...hard to take it seriously, I
mean they are sweet units but lexicon gets an F for name promotion, just
like lexicon alex?! vortex is ok....  sexist? who knows, but the name is
weak, sounds like it came out of a lunchbox or something......
Denis
 

From Loopers-Delight-request@loopers-delight.com  Wed Jul 25 15:06:27 2001
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Subject: RE: T-shirt request
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yes that is a keen observation...silence is really golden....

-----Original Message-----
From: Rick Walker (loop.pool) [mailto:GLOBAL@cruzio.com]
Sent: Wednesday, July 25, 2001 1:12 PM
To: Loopers-Delight@loopers-delight.com
Subject: re: T-shirt request



John Tidwell wrote:

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Relax dude....I agree with Rick on the Jamman,  Jamperson politically 
correct moniker...  but I have purple hair so I don't know how much my vote 
counts.... I'd like a black or purple shirt.   Om and Out  Papa Dave


>John Tidwell wrote:
>"OK, I'm the 1st to admit that I'm a natural born fool
>& oft time asshole, but am I the only one who thinks
>it's a hoot that someone who is bothered by the name
>"JamMan" can make such casual assumptions about the
>"flesh tones" of the looping community?
>
>I remember when PC meant "Public Convenience".
>
>
>Ouch, touche!!!!    Actually, my tongue has been planted firmly in my cheek
>during this whole missive about PC things.  I actually feel rather
>oppressed by the whole phenomenan.  At the same time,  I've felt bad for 
>the
>very few women (regrettably) on our list who have had to endure
>the "Jamman" moniker,
>
>Viz a vis, the flesh tone comments.  Assuming that you are black, brown
>or red skinned I am really sorry about my comments if they seemed
>insensitive or non-inclusive.  If you are, indeed, flesh colored, I'll
>assume you just couldn't resist a put down.  Too bad, I intended my 
>comments
>in the lightest and most humurous of ways.  Sorry you took it seriously.
>
>Rick Walker
>
>
>


_________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Wed Jul 25 15:50:08 2001
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To avoid such problems, the Againinator will ship neutered.  This also
makes them less likely to run away and howl all night.  However, they
end up taking up an extra rack space.

But seriously, I'm a lot more offended with the Peavey logo.  Yeech.
I've removed every nameplate from Peavey gear that I've owned.  Don't
even get me started with older ART gear.  Black electrical tape usually
does the trick.

p koniuto wrote:

> Rick:
>
> It's worth a bunch, actually, i think.
> Though i'd prefer a conversion kit that
> says "JamMama"...
>
> JamMamagrooves,
> peter
>
> >For what it's worth,  I was annoyed by the unconcious sexism
> of Lexicon
> >calling their looper the "JAMMAN"  so as a joke I printed up
> the logo
> >"JAMPERSON" in the exact lettering of the unit and printed up
> a bunch.
> >
> >This is both a righting of a wrong to me and, at the same time,
> a
> >gentle poking of fun at the PC (Politically Correct) culture
> that we live
> >in.
> >
> >If anyone wants a "conversion" kit I can either e-mail you the
> pagemaker
> >document or a physical printing of the logos for the price of
> "passing it
> >on"
> >
> >yours, Rick (loop.pool)
> >
> >

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Hi Gang....
All of this input about t-shirts is sure interesting, and it sounds like 
everyone is really trying to indulge the wishes of all others on the list!  
That alone is pretty damn cool.....I guess we loopers are a breed apart (if 
only the rest of world could communicate and listen as much).
As for my own wish....gosh, it would just be too cool to have a Looper's 
Delight t-shirt of (almost) any color or design.  After all is said and 
done, sign me up for a few!!
and...by the way, thanks to all LDers who came out to the shows of the Solo 
Bass Looping Tour.  It was nice to be able to put a face to some of these 
posts, and the show of support was warm and welcome (as loopers, one and 
all, we should get and support or fellow loopers as much as 
possible!)....and thanks Kim for coming to the Berkeley show; a pleasure to 
finally meet you.
loopilishious...
Max Valentino

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References: <3B5E08D0.5CE66B19@Sun.COM>
Subject: Burning Man (was: battery powered setup (for the playa))
Date: Tue, 24 Jul 2001 22:45:44 -0400
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   So who all is headed out to the playa this year?  I'll be in Videogasm
www.videogasm.com/burningman/2001,
so stop on by.

   Re: battery setup, for the '98 Burn we built an "Alien Karaoke", 4
speaker, two channel sound with strobes,
black lites and xmas lites.  Two truck batteries provided all the juice we
needed for a few hours of use and this
thing is *loud*!  I got a used 4 ch car amp on Ebay for $40, it cranked
30W/ch into two 5 1/4" and two 8"
speakers.  The whole thing is based on a toy wagon with built up sides, so
it's fully mobile.  I built a small 12V
preamp with a generic op-amp circuit.  The preamp has two stereo inputs and
one mic input.  I usually use
premade CD's or tapes, but can improvise live with a Korg Pandora and a
sampling keyboard.


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This relates to part of my interest in street performance- a way to bring 
people together, or realize that we are already together, with music.  I'm 
not feeling much more articulate than that at the moment as my head and eyes 
seem to be spinning and flickering from too much computer screen exposure.
Scott

[Jehn] CD's are like books..they have to be opened to be appreciated. Just 
like no one generally thinks of donuts until they smell the store..and while 
one can usually afford to be impulsive about such things,knowing they dig 
donuts..people are skeptical and hesitant to plop down $14.99 for something 
that could end up rotting in the jewel case after one play.  Considering the 
huge amount of crap on the radio..'specially here in Orlando..aka White 
Trash Hollywood Theme Park..and that it's allowed to continue year after 
year leads me to believe that the music being played has succeeded in 
anesthetizing the masses..and only music masked as a new drug..or vice 
versa, will wake the deaf. I'm trying to get a head's up on this one myself, 
because my dears, I'm very hungry, and it's the karma-soothing employment of 
teaching that's barely sustaining me. I can't even afford to take my Jam Man 
in to get fixed so I can put on a proper performance. Forget shows..we 
should go door-to-door with Cd's and headphones like we're canvassing for 
Greenpeace..

_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp

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Subject: might sound a bit pacmany but i need to know
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I'mlooking for good websites to dld audio progs and hard disk recorders =
as well as beat sequencing software for Windows 3.x

A friend wants this and i remember way back when using cakewalk on =
windows 3.x
But you have to admit since this system is DOS based it's very stable.

Thanks for the material on Michael Hedges and especially the url for =
harp guitars.

Domo Arigato, Mr. Roboto

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 5.50.4522.1800" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2>I'mlooking for good websites to dld audio progs and =
hard disk=20
recorders as well as beat sequencing software for Windows =
3.x</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>A friend wants this and i remember way back when =
using=20
cakewalk on windows 3.x</FONT></DIV>
<DIV><FONT size=3D2>But you have to admit since this system is DOS based =
it's very=20
stable.</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>Thanks for the material on Michael Hedges and =
especially the=20
url for harp guitars.</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>Domo Arigato, Mr. Roboto</FONT></DIV></BODY></HTML>

------=_NextPart_000_0099_01C11524.F0815BE0--

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I was inspired to my question by Digitech Legend II which has an
arpeggiator effect that can be modified, but is too limited for
serious work.  Currently I am flirting with Digitech 2120's Time Warp;
up to four of them can be chained one after another, and although this
is not really an arpegio effect, it is quite interesting.  It sounds
like guitar wind chimes.  I like using it for backround loops, and
then overdub with whatever.

I know that there are many MIDI effects, and I was just wondering if
anything would be available just with line input, like it is in Legend
II.

_________________________________________
Petr Dolák
music * poetry * guitar
looping * commodion * percussion
www.geocities.com/pepetr




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Subject: Re: Vortex Bleen and also Cliffs problem
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firstly
Hi Cliff, to see the numbers when pedalling you have to
set the Parameter knob to the function being controlled,
in this case morph.
Bet you sussed it just after releasing that post!

now down to the serious business 

BLEEN B (just like Maze B)
To start with this is the only Vortex patch with
more than 100% feedback available.
If you put both Feedback 1 and Feedback 2 both 
up high enough you get a louDER echo each time.
(although individually you can't get 100%)
this is because the Fbk 1 echoes are 
in the feedback loop of fbk2

The odd runaway feedback happens because 
this preset is prone to feedback even when
the feedback controls are turned down because
the feedback is modulated. 
So if there's enough modulation you can get
max feedback for part of the cycle.

Now depending on the tap time the feedback sometimes 
has the chance to run amok. It happens when the modulation rate
is such that one modulation cycle fits an exact number of 
times into the echo time(or near enough). 
If this is a problem you could try a different tap time. 

andy butler
 <A HREF="http://members.aol.com/soundfnr/vortex.htm">Lexicon Vortex Database
</A> 

From Loopers-Delight-request@loopers-delight.com  Wed Jul 25 17:27:02 2001
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Subject: Re: PC 'JAMPERSON' conversion kit
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I think both "Jamman" and "Jamperson" are species-ist. I'd rather 
call it "Jamthing."

"Political correctness" was a hot issue in my circle in Santa Cruz 
during mid-70s but those who embraced the concept were Marxists. This 
days the term seems to be more synonymous with "politeness," and it's 
pretty superficial. Me, I'd rather hang with people who behave as 
sincere revolutionaries, no matter what their vocabularies.
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

From Loopers-Delight-request@loopers-delight.com  Wed Jul 25 17:38:09 2001
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From: Richard Zvonar <zvonar@zvonar.com>
Subject: Fwd: onstage jam project
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This just appeared on the theatre-sound list.

>Date: Wed, 25 Jul 2001 17:14:25 -0400
>From: Robert Kaplowitz <rubiksnd@HOTMAIL.COM>
>Subject: onstage jam project
>Sender: "Discussion list for people working in sound for live theatre."
>  <THEATRE-SOUND@LISTSERV.AOL.COM>
>To: THEATRE-SOUND@LISTSERV.AOL.COM
>Reply-to: "Discussion list for people working in sound for live theatre."
>  <THEATRE-SOUND@LISTSERV.AOL.COM>
>
>I'm in the theoretical stages of dealing with a play that would love to do a
>scene that works essentially as follows:
>
>lights come up on the 3 principals, who are either on the couch slowly
>rocking out to a beat, or up at their instruments already.  An incredible,
>improvisational jam session follows (the script calls for 2 guitars, a
>keyboard and a drum kit onstage at all times.)  This jam session is the
>cathartic moment in the play, and wants to be done completely live,
>flexibly, and open ended nightly.  When things get to a certain point, the
>actor/musicians put their instruments down, and the jam (magically)
>continues, AND CONTINUES TO DEVELOP as they dance all around the stage.  At
>its utter high point, it all ends, leaving some sort of ambiant tail as the
>actors drift away from one another and back into utter isolation.
>
>So the question is - is there a DJ or live rock'n' roll mind out there who's
>done things like capturing the multiple tracks (4, to be precise) on the
>fly, and shaping them into sample loops that could be combined with
>prerecorded sample loops (of a great variety, of course) so that the piece
>could evolve organically on a nightly basis?  My work with the Akai has been
>all about preprogramming, or only capturing one set of sounds at a time when
>doing live improv in the studio.  I'm thinking there's maybe a software out
>there or some sort of a perc jam box (I remember hearing something about a
>"Jam Man" which captured a given number of loops...)
>
>We did this show this summer, at the Playwrights Conference, with a
>prerecorded track (Godspeed's "One" to be precise), but the show is headed
>to the pro theatre, and I may (or may not) continue on with it... so I
>thought I'd do a bit of surveying.  Of course, if the playwright and
>director are okay with starting with a beat before the actors pick up their
>instruments, it would ALL be much easier...
>
>I do know one thing - it will need an incredible foh mixer, whatever the
>technology is...
>
>Thanks in advance for your thoughts.
>-robert kaplowitz

-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

From Loopers-Delight-request@loopers-delight.com  Wed Jul 25 17:50:10 2001
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Subject: offended with the Peavey logo?
Date: Wed, 25 Jul 2001 15:43:03 -0600
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> But seriously, I'm a lot more offended with the Peavey logo.  Yeech.
> I've removed every nameplate from Peavey gear that I've owned.

*** What's wrong with it?  I had it on my speakers and it never
occured to me offensive.


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Subject: Re: Check out my Spiral
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> > hmm... I dont really create infinite loops... as everyone may know by
> > now, I think the spiral represents best what we do...

I've only joined the list recently and this is my first mail. My 2 cents on
t-shirts.

The mobius design is v nice, I'd be interested in a tshirt with such a
design.

One idea of a less abstract (and maybe cheesy) design is the notion of a
tape loop (think reel-to-reel deck).
Either a black and white (overhead?) picture of a tape deck set up with
loop. This would have quite a retro feel, and I'm not sure wether laypeople
would recognise the customised tape and thus get the loop connection. The
idea is perhaps flawed :-)

However, communicating the notion of loopbased music in an image form to
non-loopers is an interesting design challenge.
The mobius strip looks great, but is pretty esoteric and 'cool' in that
detached 90's kind of way. People can of course go to the url...

A technical question -
I'm intruged by the roland sp-808, but the idea of having everything run off
a zip disk is scary to me. Has anyone had the zip crap out, or is the
engineering suitably reliable? I wondering how to take my music live, and
have come down to either an EMU esi 32 or 4000 with zip and Peavey 1100 midi
controller, or an sp-808. (both setups probably about 500-600dollars
secondhand in 6 months, if not less)
The emu/peavey combo is in theory much more proffesional, but I feel the 808
will be more fun and actually help create new music, rather than just giving
live control over whats already on my harddisk.  I had an esi32 years ago,
so I know what it can do.

Jamie

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i am esoteric 90s man
i use an sp808
no crap yet

From Loopers-Delight-request@loopers-delight.com  Wed Jul 25 18:28:21 2001
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At 01:54 PM 7/25/01 -0500, you wrote:
>yes that name sucks jamman, man its kind folike calling the next looping
>device the looping midi buddy, so infantile...hard to take it seriously

I have a little preamp that goes 0 for 2 on that one; it's the MidiMan
Audio Buddy. I like the way it works, though, and, er, usually just avoid
calling it by name...

-t

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> i am esoteric 90s man
> i use an sp808

I hear a backup takes a lot of swapping in and out of the drive with 2 zips?
Is this a real pain?

Have you ever had the compression on the audio make recorded samples
unusable? I read one review saying that already distorted industrial sounds,
when sampled and played back, did not come out well..

> no crap yet

how many months/years of use?

>

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In a message dated 7/25/01 2:59:11 AM Eastern Daylight Time, 
whiteoakstudios@supanet.com writes:


> How about a serpent eating its tail ?
> 

the worm oroborous (sp) i like this.....:)m

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>In a message dated 7/25/01 2:59:11 AM Eastern Daylight Time, 
<BR>whiteoakstudios@supanet.com writes:
<BR>
<BR>
<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">How about a serpent eating its tail ?
<BR></BLOCKQUOTE>
<BR>
<BR>the worm oroborous (sp) i like this.....:)m</FONT></HTML>

--part1_74.da53700.2890a848_boundary--

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How about a dog chasing its tail.

Or a lobster trying to get out of one of those lobster traps.

Or one of those t-shirts with a bunch of muscles (or breasts) drawn on the 
outside. I'd buy one of those.

Matt

>
> > How about a serpent eating its tail ?
> >
>
>the worm oroborous (sp) i like this.....:)m


_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp

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In a message dated 7/25/01 1:33:08 PM Eastern Daylight Time, juno7@cfl.rr.com 
writes:


> 

nah.....i think of donuts all the time.....:)m

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>In a message dated 7/25/01 1:33:08 PM Eastern Daylight Time, juno7@cfl.rr.com 
<BR>writes:
<BR>
<BR>
<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">Just like no one generally thinks of donuts until they smell the store..</BLOCKQUOTE>
<BR>
<BR>nah.....i think of donuts all the time.....:)m</FONT></HTML>

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Subject: Re: Check out my  loopers Shirt Design
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There is always the Escher drawing of the dragon eating its tail......there
is a version that I spruced up a bit for the looper's of the world site at:

http://www.loopers-delight.com/images/dragon_glow.jpg

Of course there may be copyright considerations with using that
image....uhhh...i guess i should have thought of that for the website too...


- Chris





>In a message dated 7/25/01 2:59:11 AM Eastern Daylight Time,
>whiteoakstudios@supanet.com writes:
>
>
>>
>>How about a serpent eating its tail ?
>
>
>the worm oroborous (sp) i like this.....:)m

--============_-1216018956==_ma============
Content-Type: text/enriched; charset="us-ascii"

<fontfamily><param>Arial</param>There is always the Escher drawing of
the dragon eating its tail......there is a version that I spruced up a
bit for the looper's of the world site at:


http://www.loopers-delight.com/images/dragon_glow.jpg


Of course there may be copyright considerations with using that
image....uhhh...i guess i should have thought of that for the website
too...



- Chris






<excerpt>In a message dated 7/25/01 2:59:11 AM Eastern Daylight Time,

whiteoakstudios@supanet.com writes:



<excerpt>

How about a serpent eating its tail ?

</excerpt>


the worm oroborous (sp) i like this.....:)m

</excerpt></fontfamily>

--============_-1216018956==_ma============--

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In a message dated 7/25/01 7:14:56 PM Eastern Daylight Time, 
mattdavignon@hotmail.com writes:


> Or one of those t-shirts with a bunch of muscles (or breasts) drawn on the 
> outside. I'd buy one of those.
> 
> 

matt.....are you off your medication again?.....:)m

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>In a message dated 7/25/01 7:14:56 PM Eastern Daylight Time, 
<BR>mattdavignon@hotmail.com writes:
<BR>
<BR>
<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">Or one of those t-shirts with a bunch of muscles (or breasts) drawn on the 
<BR>outside. I'd buy one of those.
<BR>
<BR></BLOCKQUOTE>
<BR>
<BR>matt.....are you off your medication again?.....:)m</FONT></HTML>

--part1_a4.1755e0cb.2890b015_boundary--

From Loopers-Delight-request@loopers-delight.com  Wed Jul 25 19:53:26 2001
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With all the talk about donuts and mobeus strips, I think the image of a
cinnamon twist would be perfect.

--
TG



-----Original Message-----
From: Nemoguitt@aol.com [mailto:Nemoguitt@aol.com]
Sent: Wednesday, July 25, 2001 5:55 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Check out my loopers Shirt Design


In a message dated 7/25/01 2:59:11 AM Eastern Daylight Time,
whiteoakstudios@supanet.com writes:



How about a serpent eating its tail ?



the worm oroborous (sp) i like this.....:)m

From Loopers-Delight-request@loopers-delight.com  Wed Jul 25 19:55:37 2001
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"Taaffe, Denis G" wrote:

> yes that is a keen observation...silence is really golden....
>
> -----Original Message-----
> From: Rick Walker (loop.pool) [mailto:GLOBAL@cruzio.com]
> Sent: Wednesday, July 25, 2001 1:12 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: re: T-shirt request
>
> John Tidwell wrote:

best post of the day. thanks, denis!

From Loopers-Delight-request@loopers-delight.com  Wed Jul 25 20:55:54 2001
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Date: Wed, 25 Jul 2001 20:48:12 -0400
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From: Tim Nelson <tcn62@ici.net>
Subject: Re: Check out my loopers Shirt Design
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At 04:14 PM 7/25/01 -0700, Mischievous MC Matt wrote:
>How about...
>
>Or... 
>
>Or ...

With all the ideas flying about, we should just find some space where we
could post SEVERAL designs for download and make our own LD items with
color printer fabric-transfer sheets. (Then we could just send the
site-subsidy funds that we would have sent Kim for the shirts via paypal...)

I made my own LD shirt a while ago; it's sort of olive drab with
'Unsubscribe!' in large white letters bordered in black over a mobius
strip, and a small LD URL underneath the mobius. I've worn it to a few
loopy events in Boston and vicinity, and am wearing it in my photo inside
the CT-Acoustic graphics...

Maybe I'll make another one with a lobster on it.

-t

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HAHAHAHAHA
On Wed, 25 Jul 2001 16:14:12 -0700
 "matt davignon" <mattdavignon@hotmail.com> wrote:
> How about a dog chasing its tail.
> 
> Or a lobster trying to get out of one of those lobster
> traps.
> 
> Or one of those t-shirts with a bunch of muscles (or
> breasts) drawn on the 
> outside. I'd buy one of those.
> 
> Matt
> 
> >
> > > How about a serpent eating its tail ?
> > >
> >
> >the worm oroborous (sp) i like this.....:)m
> 
> 
> _________________________________________________________________
> Get your FREE download of MSN Explorer at
> http://explorer.msn.com/intl.asp
> 

From Loopers-Delight-request@loopers-delight.com  Wed Jul 25 22:09:50 2001
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Date: Wed, 25 Jul 2001 21:12:02 -0500
From: Mike <kili@swbell.net>
Subject: Sustaining Device
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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I'm looking for something that will take a note from my guitar and hold
it indefinitely.  I like to take feedback and put it into loops but my
guitars won't always feedback on the tones I want.  Or if there is a
compression/gate method to do this and I am missing something obvious.

Mike Killian (public looping debut 9/21!)

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Todd Pafford wrote:

> On Wed, 25 Jul 2001, mark.red@involvelearning.com wrote:
> > I address this one to all the Vortex users, but particularly the guy who
> > loved BLEEN 2 so much. Checked it out last night... OK I remember this
> > patch now... BUT for some reason the sound on this patch had infinate
> > feedback that built up and up until I had to change patches before my
> > speakers fluttered across the room! The "feedback controls" were NO WHERE
> > NEAR full on tho!!! I whatever changes I made, made NO difference. The only
> > thing I noticed (that finally fixed the prob) was that my input was a tiny
> > teeny bit hot and high, going red a little. Whn I backed this off it was
> > OK... Why would this be? Why would it affect the feedback on the delay???
> > Is this normal? DO I have a problem? or do I just have to be more carefull
> > with my levels...
> >
> > MAr Francombe Red

As a fan of Bleen B.  I have also encountered this feedback situation.
I believe the problem was caused by too short a time period in the internal
delay of the vortex. Try tapping in a longer delay using the tap-tempo feature.

best
joe


From Loopers-Delight-request@loopers-delight.com  Wed Jul 25 23:42:31 2001
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Date: Wed, 25 Jul 2001 20:40:00 -0700 (PDT)
From: John Tidwell <wedgehed@yahoo.com>
Subject: Re: guitar arpeggiator
To: petr@tryi.com, Loopers-Delight@loopers-delight.com
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The Digitech 2101 has an arpeggiator effect. I don't
know what parameters can be modified on the Legend II,
but on the 2101 the parameters are:

Effect On/Off
Arpeggiator Level
Pitch Shift(tones) semitone steps from -24 to +24
Detune(cents) -100 to +100
Tracking(tones) controls sound quality/tracking speed
  of the pitch shifted material.
Delay Time 0 to 1.5 seconds
Delay Feedback 0% to 99%

John

--- petr <petr@tryi.com> wrote:
> I was inspired to my question by Digitech Legend II
> which has an
> arpeggiator effect that can be modified, but is too
> limited for
> serious work.  Currently I am flirting with Digitech
> 2120's Time Warp;
> up to four of them can be chained one after another,
> and although this
> is not really an arpegio effect, it is quite
> interesting.  It sounds
> like guitar wind chimes.  I like using it for
> backround loops, and
> then overdub with whatever.
> 
> I know that there are many MIDI effects, and I was
> just wondering if
> anything would be available just with line input,
> like it is in Legend
> II.
> 
> _________________________________________
> Petr Dolák
> music * poetry * guitar
> looping * commodion * percussion
> www.geocities.com/pepetr
> 
> 
> 
> 


=====
John Tidwell




__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Thu Jul 26 00:12:23 2001
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Date: Thu, 26 Jul 2001 00:09:23 -0400
To: Loopers-Delight@loopers-delight.com
From: Tom Ritchford <tom@swirly.com>
Subject: Re: Loopfest in New York, getting together
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>as per nyc loopfest:
>I'd like to participate; schedule permitting.
>best all,

Oops... did I reply to this?  (I might have from work,
it wouldn't show me...)

You'd be welcome, you just need to send me the following
(or whatever you have of this!)



1. name of your act.
2. a clear, short, catchy description.
3. one or more mp3s.
4. (optional, recommended) a URL for your website.
5. (optional, recommended) a performer's bio (where you've
   played, etc.)
6. (optional) photos or other promotional material in electronic
   format.

thanks!

	/t



.......all legal games of chess <http://solveChess.com/chess?refresh=0>......
.....programmer's documentation <http://solveChess.com/doc>..................

From Loopers-Delight-request@loopers-delight.com  Thu Jul 26 00:20:01 2001
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  The GT-3 has a feature called the autoRiff which will do this.  

Smiles,

G

 At 02:52 PM 7/24/01 -0700, you wrote:
>I am looking for a good arpeggiator effect for my loops, which I can use 
>for guitar (not MIDI).  Any advice?
>
>
>


---

  "The only things I really think are important, are love, and eachother.
-Then, anything is possible..."


From Loopers-Delight-request@loopers-delight.com  Thu Jul 26 00:28:29 2001
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Date: Thu, 26 Jul 2001 00:24:33 -0400
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and that should have been off-list.  damn.
you can detect that I'm collating as-we-speak...
saw-ry!

	/t

From Loopers-Delight-request@loopers-delight.com  Thu Jul 26 00:37:48 2001
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Date: Wed, 25 Jul 2001 21:20:33 -0700
Subject: Gig Spam [Seattle, WA]: Electrochakra at Zoka 7/28/01
From: Travis Hartnett <tiktok@sprintmail.com>
To: "Looper's Delight" <Loopers-Delight@annihilist.com>
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Electrochakra 
will play at
Zoka Coffee & Tea
(2200 N. 56th Street)
on Saturday
July 28
starting at 8PM
Admission is 
free.

Be seeing
you,

Travis Hartnett
Electrochakra


-- 
Electrochakra website: http://www.electrochakra.com




From Loopers-Delight-request@loopers-delight.com  Thu Jul 26 00:44:17 2001
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--- "Rick Walker (loop.pool)" <GLOBAL@cruzio.com>
wrote:
> Ouch, touche!!!!    Actually, my tongue has been
> planted firmly in my cheek
> during this whole missive about PC things.
  

I know the name bothers you because you've written
about it before. I think it was the timing of your 2
posts, more than anything, that struck me as being
funny. I just happened to be on the computer when
they fell into my inbox back to back.


> I actually feel rather
> oppressed by the whole phenomenan.  At the same
> time,  I've felt bad for the
> very few women (regrettably) on our list who have
> had to endure
> the "Jamman" moniker,


But Rick, you shouldn't feel bad. If you want to hate
the name because it's a sucky name, well, OK then.
But to waste time worrying about the poor women who
have to "endure" it is something else. Women are only
that dainty in the imaginations of men. God knows,
I've had my ass turned inside out by a few of them.


 
> Viz a vis, the flesh tone comments.  Assuming that
> you are black, brown
> or red skinned I am really sorry about my comments
> if they seemed
> insensitive or non-inclusive.


So I only get an apology if I'm not white? You've
got me laughing again. Relax dude. You don't owe me
an apology, no matter what color I am.


> If you are, indeed,
> flesh colored,


Don't we all have flesh? Aren't we all colored?


> I'll
> assume you just couldn't resist a put down.


I intended it as a humorous observation. I do
apologize
to anyone who perceived it as a put down. No matter
what color you are.


> Too
> bad, I intended my comments
> in the lightest and most humurous of ways.


Me too!


> Sorry
> you took it seriously.


I didn't.

 
> Rick Walker


John
 



=====
John Tidwell




__________________________________________________
Do You Yahoo!?
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From Loopers-Delight-request@loopers-delight.com  Thu Jul 26 01:07:08 2001
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  Yes Rick, woohoo!, my friends and I have been calling it that for a while
too!  I have to send you my address anyway, so I'll get back with ya
off-list.  *laughing*  that's so cool that you thought to do that though!
lollollol!  -Definitely want one!  -Love it!!!  

Smiles,

G

At 01:58 AM 7/25/01 -0700, you wrote:
>Jehn wrote:
>
>"I had a couple of things taped onto my JamMan..one was a picture of Saturn
>with the caption "Riddles of the Rings"..the other was a cartoon picture of
>a guy awake in his pajamas flying..collage visual anyone?"
>
>
>For what it's worth,  I was annoyed by the unconcious sexism of Lexicon
>calling their looper the "JAMMAN"  so as a joke I printed up the logo
>"JAMPERSON" in the exact lettering of the unit and printed up a bunch.
>
>This is both a righting of a wrong to me and, at the same time, a
>gentle poking of fun at the PC (Politically Correct) culture that we live
>in.
>
>If anyone wants a "conversion" kit I can either e-mail you the pagemaker
>document or a physical printing of the logos for the price of "passing it
>on"
>
>yours, Rick (loop.pool)
>
>


---

  "The only things I really think are important, are love, and eachother.
-Then, anything is possible..."


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Mike wrote:

> I'm looking for something that will take a note from my guitar and hold
> it indefinitely.  I like to take feedback and put it into loops but my
> guitars won't always feedback on the tones I want.  Or if there is a
> compression/gate method to do this and I am missing something obvious.
>
> Mike Killian (public looping debut 9/21!)

well,

there is the lil' ol' ebow...

:-)

lance g.

ps lots of threads re sustainiac, fernandes sustainer, etc. on this list
past...perhaps there's something i've missed as well that another more
feedback-prone than i would be able to help with. good luck on the 21st!


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  I second that!  

Smiles,

G

At 02:03 AM 7/25/01 -0700, you wrote:
>
>Could I put in a request that the t-shirt NOT be printed in beige?
>
>Beige is a color that a lot of people look crappy in do to its' similarity
>to flesh tones.  I happen to be one of those people.
>
>I know it's cliche, but howsa 'bout  white lettering on black
>(a kind of goes with anything, post modern kinda thang)?
>
>
>yours,  Rick Walker (loop.pool)
>
>


---

  "The only things I really think are important, are love, and eachother.
-Then, anything is possible..."


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  *laughing*  what about a more mauvy shade of pinky   russet?!  -just
couldn't resist, after all, RESISTANCE IS FUTILE!  lol!  

Smiles,

G-Girl

At 08:37 AM 7/25/01 -0400, you wrote:
>
>	Just a thought here, but perhaps our design would be suitable for a small 
>variety of t-shirt colors?  White, Black, some cool blue,  or a 
>blueish-gray-kinda-golden-reflective-ultra-white-black.
>
>	I haven't had a chance to check out the designs so far, but can't wait.
>
>			-nick
>
>


---

  "The only things I really think are important, are love, and eachother.
-Then, anything is possible..."


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i think the old peavey logo is rokken like dokken. the new one with the
triangle tho, ick. now the CARVIN logo, there's one that came off my
cabinet.


'we make our own music and we're not
going around sampling people who are
either dead or in jail...' - lou reed.


----- Original Message -----
From: petr <petr@tryi.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, July 25, 2001 5:43 PM
Subject: offended with the Peavey logo?


> > But seriously, I'm a lot more offended with the Peavey logo.  Yeech.
> > I've removed every nameplate from Peavey gear that I've owned.
>
> *** What's wrong with it?  I had it on my speakers and it never
> occured to me offensive.
>

From Loopers-Delight-request@loopers-delight.com  Thu Jul 26 01:57:36 2001
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Date: Thu, 26 Jul 2001 01:53:23 -0400
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<http://www.extremeny.com/loop/people.html>

I didn't spend much time formatting it.
As things get closer we'll get a designer...


There are 14 acts on the list as of now.
Some are more tentative than others.

(If I missed you, it was an act of wanton evil and
I'll fix it up as soon as you let me know!)


In addition, HarryEsq offered to help us out with legal issues
and legwork (thanks!)



I am rather behind in many things so I won't chat at this
instant except to ask:


WHAT'S IN A NAME?

   are we going with looplooplooplooploop?

it's the only suggestion we've had...

let me know what you think.  I can snap up looplooplooplooploop.com
and loop5.com which are currently free.

	/t



.......all legal games of chess <http://solveChess.com/chess?refresh=0>......
.....programmer's documentation <http://solveChess.com/doc>..................

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Date: Thu, 26 Jul 2001 00:18:43 -0700
From: glenn <glenn234@pacbell.net>
Subject: Re: [tshirts
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how about :
"loopingloopingloopinglooping" extended all the way around the shirt at
breast level, say on a white  shirt, with the words a tye dye fading swirl
of colors as they go, except the letters "ping" and have them in one
color(in allusion to the process of checking an ip adress or "pinging" it),
they somewhere lower on the back of the shirt have something about
"loopersdelight"???
just trying to add to the mix...




on 7/25/01 10:53 PM, Tom Ritchford at tom@swirly.com wrote:

> 
> are we going with looplooplooplooploop?

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Subject: Re: Vortex Bleen and (NEW) rack to floor cables??
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Aha, Thanks Andy... All becomes clear... I think... So there I was
desperately turning down the feedback controls when I should have been
turning down the mod amount!!!

Thanks.

On another issue: I have been thinking of making a big fat multicore cable
to connect my rack of er... stuff to all the misc pedals on the floor (a
good 20 minutes it take to plug in at soundcheck, by which time... there
isnt any!!!) Has anyone done this and found a good connector. It need to
take 6 audio/2midi/and various (8) stereo cable pedals (like the vortex
ones). I'm thinking of a big old metal box on the rack and a big old metal
box on the floorboard... could I use a mixing desk multicore cable....
Just wanted other peoples solutions... (When is stuff gonna be wireless???)



MArk Francombe Red






                                                                                                                                             
                    SoundFNR@aol.                                                                                                            
                    com                  To:     Loopers-Delight@loopers-delight.com                                                         
                                         cc:                                                                                                 
                    25/07/2001           Subject:     Re: Vortex Bleen and also Cliffs problem                                               
                    22:30                                                                                                                    
                    Please                                                                                                                   
                    respond to                                                                                                               
                    Loopers-Delig                                                                                                            
                    ht                                                                                                                       
                                                                                                                                             
                                                                                                                                             



firstly
Hi Cliff, to see the numbers when pedalling you have to
set the Parameter knob to the function being controlled,
in this case morph.
Bet you sussed it just after releasing that post!

now down to the serious business

BLEEN B (just like Maze B)
To start with this is the only Vortex patch with
more than 100% feedback available.
If you put both Feedback 1 and Feedback 2 both
up high enough you get a louDER echo each time.
(although individually you can't get 100%)
this is because the Fbk 1 echoes are
in the feedback loop of fbk2

The odd runaway feedback happens because
this preset is prone to feedback even when
the feedback controls are turned down because
the feedback is modulated.
So if there's enough modulation you can get
max feedback for part of the cycle.

Now depending on the tap time the feedback sometimes
has the chance to run amok. It happens when the modulation rate
is such that one modulation cycle fits an exact number of
times into the echo time(or near enough).
If this is a problem you could try a different tap time.

andy butler
 <A HREF="http://members.aol.com/soundfnr/vortex.htm">Lexicon Vortex
Database
</A>





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I'm still thinking about this one - I think I know what you mean...

> John Tidwell wrote:


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Subject: Re: OT: why musicians can't eat -- and why radio is so bad
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yeah...its unfortunate that the mass public so easily accept what is layed
out for them to listen to...just thought i would add that at least 70% of
the nationwide radio programming in most major cities is controlled and
operated by only 4 major corporations. that says a lot about who is makin
decisions about airplay and new music.
shane

----- Original Message -----
From: Peter Shindler <shindler@mediaone.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, July 24, 2001 9:13 PM
Subject: Re: OT: why musicians can't eat -- and why radio is so bad


> RE: OT: why musicians can't eat -- and why radio is so badCertainly a
point
> to be made here.  I brought a bag full of my CDs into the office last
week,
> and one of the girls I work with took a look; it was mostly "outside"*
stuff
> like Eno, an Afro-Pop sampler, some Nusrat, Glenn Branca, etc.... and my
> coworker (whose musical tastes range from Dave Matthews to Ben Harper**)
> just noted that she didn't recognize any of them, and that was it.  No
> curiosity, no interest, nothing.
>
> And I realize now that most of my friends and acquaintances who aren't
> musicians still won't buy a CD unless they've heard a few songs from it on
> the radio.  I can't even imagine how limited my listening tastes would be
if
> I adhered to that rule.  So maybe most people don't Want to go looking;
> maybe they figure that if it's good, it'll end up on the radio, or on MTV,
> or on the cover of Rolling Stone.
>
> Didn't John Zorn say something about this?  I read a quote wherein he
> expressed his exasperation that most people who own four recordings of the
> Brandenburg Concertos would sooner spend their money on a fifth recording
> before they'd take a chance by spending that same money on something
> unfamiliar to them.  Hmmm...
>
>
> Peter
>
> *- I meant "outside" compared to what she'd normally listen to on the
radio;
> I know that Nusrat Fateh Ali Khan, Eno, and Branca are pop music compared
to
> some of what you guys would bring in to work!
>
> **-That said, there's nothing wrong with Dave Matthews or Ben Harper, or
any
> pop music for that matter.  I may be stoned to death by the rest of LD for
> admitting this, but I even appreciate what NSync and the Backstreet Boys
do.
> And I still listen to the first Spice Girls album every now and then.
>
>
> ----- Original Message -----
> From: Liebig, Steuart A.
> To: 'Loopers-Delight@loopers-delight.com'
> Sent: Tuesday, July 24, 2001 4:02 PM
> Subject: RE: OT: why musicians can't eat -- and why radio is so bad
>
>
> i was discussing this sort of thing last night with a friend. people have
to
> *want* to search out the "good stuff"  - - and i'm not convinced that
> anybody wants to search out anything unless it's the color of their next
> car.
> besides, maybe the are listening to the "good stuff" - - maybe we all need
> to get over ourselves. or maybe there have always been people who listen
to
> music as "entertainment" and those who listen to it as "art."
>
>
> stig
>
>
>
> others wrote:
> >I have faith that people can make their own choices.
> interesting comment, given that there're already **all** kindsa myriad
> avenues lined/caked/soaked w/'good' music (-that which is outside the
> 'mainstream'-) that folks do not seem inclined to 'seek out'.
> eh?
> to some degree:
> people chose milosevic. people chose hitler. people chose jim jones.
people
> chose, well..... you probably follow my line (via these rather extreme
> examples) by now.
> best,
> dt / s-c
>
>

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From: Andy Ewen <andy.ewen@trace-elliot.com>
To: Loopers-Delight@loopers-delight.com
Subject: RE: [floridagreens] Fw: virus  Jesus
Date: Thu, 26 Jul 2001 03:12:44 -0500
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This is a Hoax. Please check with www.symantec.com <http://www.symantec.com>
before posting virus warnings as most are hoaxes whose aim is to get
everyone sending warnings about them; which is precisely what has happened
here ;-)

-----Original Message-----
From: Jehn [mailto:juno7@cfl.rr.com]
Sent: 25 July 2001 18:02
To: Loopers-Delight@loopers-delight.com
Subject: Fw: [floridagreens] Fw: virus Jesus


 
----- Original Message ----- 
From: John <mailto:joheho@cfl.rr.com>  
To: Jehn <mailto:juno7@cfl.rr.com>  
Sent: Wednesday, July 25, 2001 9:58 AM
Subject: Fw: [floridagreens] Fw: virus Jesus

 
----- Original Message ----- 
From: Sandra  <mailto:tofujunkie@earthlink.net> Diaz 
To: Undisclosed-Recipient:@harrier.mail.pas.earthlink.net;
<mailto:Undisclosed-Recipient:@harrier.mail.pas.earthlink.net;>  
Sent: Tuesday, July 24, 2001 7:18 PM
Subject: [floridagreens] Fw: virus Jesus

> > > 
> > >Very Urgent!!!!!!! 
> > > 
> > >PASS THIS ON TO ANYONE YOU HAVE AN E-MAIL ADDRESS FOR. If you receive 
>an 
> > >email titled: "It Takes Guts to Say Jesus" DO NOT OPEN IT. It will 
>erase 
> > >everything on your hard drive. This information was announced yesterday

> > >morning from IBM; AOL states that this is a very dangerous virus, much 
> > >worse than "Melissa," and that there is NO Remedy for it at this time. 
>Some 
> > >very sick individual has succeeded in using the reformat function from 
> > >Norton Utilities causing it to completely erase all documents on the 
>hard 
> > >drive. It has been designed to work with Netscape Navigator and 
>Microsoft 
> > >Internet Explorer. It destroys Macintosh and IBM compatible computers. 
> > > 
> > >This is a new, very malicious virus and not many people know about it. 
>Pass 
> > >this warning along to EVERYONE in your address book and please share it

> > >with all your online friends ASAP so that this threat maybe stopped. 
>Please 
> > >practice cautionary measures and tell anyone that may have access to 
>your 
> > >computer. Forward this warning to everyone that you know that might 
>access 
> > >the Internet. 
> > > 
> > >Joyce L. Bober IBM Information Systems Pittsburgh Mailing Systems 412 -

> > >922-8744 
> > > 
> > > 

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<BODY bgColor=#ffffff>
<DIV><SPAN class=080471208-26072001><FONT color=#800000><STRONG>This is a Hoax. 
Please check with <A href="http://www.symantec.com">www.symantec.com</A> before 
posting virus warnings as most are hoaxes whose aim is to get everyone sending 
warnings about them; which is precisely what has happened here 
;-)</STRONG></FONT></SPAN></DIV>
<BLOCKQUOTE 
style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #800000 2px solid">
  <DIV class=OutlookMessageHeader dir=ltr align=left><FONT face=Tahoma 
  size=2>-----Original Message-----<BR><B>From:</B> Jehn 
  [mailto:juno7@cfl.rr.com]<BR><B>Sent:</B> 25 July 2001 18:02<BR><B>To:</B> 
  Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> Fw: [floridagreens] Fw: 
  virus Jesus<BR><BR></FONT></DIV>
  <DIV>&nbsp;</DIV>
  <DIV style="FONT: 10pt arial">----- Original Message ----- 
  <DIV style="BACKGROUND: #e4e4e4; font-color: black"><B>From:</B> <A 
  title=joheho@cfl.rr.com href="mailto:joheho@cfl.rr.com">John</A> </DIV>
  <DIV><B>To:</B> <A title=juno7@cfl.rr.com 
  href="mailto:juno7@cfl.rr.com">Jehn</A> </DIV>
  <DIV><B>Sent:</B> Wednesday, July 25, 2001 9:58 AM</DIV>
  <DIV><B>Subject:</B> Fw: [floridagreens] Fw: virus Jesus</DIV></DIV>
  <DIV><BR></DIV>
  <DIV>&nbsp;</DIV>
  <DIV style="FONT: 10pt arial">----- Original Message ----- 
  <DIV style="BACKGROUND: #e4e4e4; font-color: black"><B>From:</B> <A 
  title=tofujunkie@earthlink.net href="mailto:tofujunkie@earthlink.net">Sandra 
  Diaz</A> </DIV>
  <DIV><B>To:</B> <A 
  title=Undisclosed-Recipient:@harrier.mail.pas.earthlink.net; 
  href="mailto:Undisclosed-Recipient:@harrier.mail.pas.earthlink.net;">Undisclosed-Recipient:@harrier.mail.pas.earthlink.net;</A> 
  </DIV>
  <DIV><B>Sent:</B> Tuesday, July 24, 2001 7:18 PM</DIV>
  <DIV><B>Subject:</B> [floridagreens] Fw: virus Jesus</DIV></DIV>
  <DIV><BR></DIV><FONT face=arial,helvetica><FONT size=2>&gt; &gt; &gt; <BR>&gt; 
  &gt; &gt;Very Urgent!!!!!!! <BR>&gt; &gt; &gt; <BR>&gt; &gt; &gt;PASS THIS ON 
  TO ANYONE YOU HAVE AN E-MAIL ADDRESS FOR. If you receive <BR>&gt;an <BR>&gt; 
  &gt; &gt;email titled: "It Takes Guts to Say Jesus" DO NOT OPEN IT. It will 
  <BR>&gt;erase <BR>&gt; &gt; &gt;everything on your hard drive. This 
  information was announced yesterday <BR>&gt; &gt; &gt;morning from IBM; AOL 
  states that this is a very dangerous virus, much <BR>&gt; &gt; &gt;worse than 
  "Melissa," and that there is NO Remedy for it at this time. <BR>&gt;Some 
  <BR>&gt; &gt; &gt;very sick individual has succeeded in using the reformat 
  function from <BR>&gt; &gt; &gt;Norton Utilities causing it to completely 
  erase all documents on the <BR>&gt;hard <BR>&gt; &gt; &gt;drive. It has been 
  designed to work with Netscape Navigator and <BR>&gt;Microsoft <BR>&gt; &gt; 
  &gt;Internet Explorer. It destroys Macintosh and IBM compatible computers. 
  <BR>&gt; &gt; &gt; <BR>&gt; &gt; &gt;This is a new, very malicious virus and 
  not many people know about it. <BR>&gt;Pass <BR>&gt; &gt; &gt;this warning 
  along to EVERYONE in your address book and please share it <BR>&gt; &gt; 
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From Loopers-Delight-request@loopers-delight.com  Thu Jul 26 04:23:18 2001
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References: <28746-3B5DC25D-3236@storefull-617.iap.bryant.webtv.net>
Subject: Re: Looper's delight T-shirts
Date: Thu, 26 Jul 2001 03:25:20 -0500
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i like the idea of the sine waves....superimposition of various elements on
the front would give the shirt a surreal effect...but it depends on printing
costs and such...
shane


----- Original Message -----
From: James Hines <jth3@webtv.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, July 24, 2001 1:45 PM
Subject: Re: Looper's delight T-shirts


>      Definitely a mobius strip. Preferably NOT notation - how about sine
> waves in various frequencies overlapping inside the strip. Black, white,
> grey and seafoam green (a la Escher) would be a nice color scheme.
>      On the other hand, while I personally have no objection to anything
> on the breasts  :-) , I would respect the wishes of Goddess.
>
> Thanks,
> James
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Jul 26 04:27:54 2001
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From: "Stephen P. Goodman" <spgoodman@earthlight.net>
To: <Loopers-Delight@loopers-delight.com>
References: <3B5F7C72.3F200A84@swbell.net>
Subject: Re: Sustaining Device
Date: Thu, 26 Jul 2001 09:25:22 +0100
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http://www.ebow.com - or you could try simulating feedback using a volume
pedal.

"Mike" <kili@swbell.net> asked:
> I'm looking for something that will take a note from my guitar and hold
> it indefinitely.  I like to take feedback and put it into loops but my
> guitars won't always feedback on the tones I want.  Or if there is a
> compression/gate method to do this and I am missing something obvious.
>
> Mike Killian (public looping debut 9/21!)
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Jul 26 05:04:54 2001
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i think i mentioned this before but a great device for feedback is the <boss
DF-2 super distortion/feedbacker> stomp pedal. whats great about it  is that
after any note is played(clean or distorto) you can sustain that note ad
infinitum for as long as you can keep your foot on the pedal!
they are still around if ya want one...

stanner
----------
>From: lance glover <baumhaus@earthlink.net>
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: Sustaining Device
>Date: Wed, Jul 25, 2001, 10:31 PM
>

>
>
>Mike wrote:
>
>> I'm looking for something that will take a note from my guitar and hold
>> it indefinitely.  I like to take feedback and put it into loops but my
>> guitars won't always feedback on the tones I want.  Or if there is a
>> compression/gate method to do this and I am missing something obvious.
>>
>> Mike Killian (public looping debut 9/21!)
>
>well,
>
>there is the lil' ol' ebow...
>
>:-)
>
>lance g.
>
>ps lots of threads re sustainiac, fernandes sustainer, etc. on this list
>past...perhaps there's something i've missed as well that another more
>feedback-prone than i would be able to help with. good luck on the 21st!
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Jul 26 05:40:28 2001
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From: Glyn Merga <glyn.merga@torotrak.com>
To: Loopers-Delight@loopers-delight.com
Subject: OT- 5.1 or DTS recording 
Date: Thu, 26 Jul 2001 10:36:37 +0100
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hiya all,
	off topic I know but hey that never seems to be an issue here ....
In this vast array of musicians has anyone recorded in DTS audio yet ? A few
weeks ago there was a thread discussing 'octophonic' recording where 5.1
digital surround was discussed but no mention of DTS. I am a film fanatic
(when I'm not playing guitar) and enjoy a pretty good home cinema setup. I
have DTS decoders and until last week though this was fantastic for
films.... then I found a DTS audio disk of The Police. Now I like the Police
... not a huge fan but it's easy listening compared to what I would usually
listen to... BUT OMG it is fantastic .... the clarity of sound and
separation of instruments is awesome. Think of your favourite all time music
track ... well, you know how the hairs on the back of your neck stand up
when you hear it ? It had that effect on me immediately and continually ever
since. If you have not yet experienced this I urge you to visit your local
Home Cinema specialist and ask for a demo of a DTS audio recording - it will
cost you nothing and I guarantee you will be impressed. 
	Since then I have done a little research in this area as I would
like to produce some of my recordings in DTS format. I have found some
software which will take six digital audio tracks (Left front, left right,
centre, rear left, rear right and sub-bass) and produces a DTS disk image
which when recorded to CDR media can be inserted into a DVD player and so
long as a DTS decoder is present in the setup you will hear it in full
'certified' DTS. (The process for techies is called DTS encoding) I know
this will take a time to prepare the digital audio tracks initially but the
software I have seen is relatively cheap (it's called SurCode CD
Professional software encoder for DTS Digital Surround) at $499 
Url for anyone else interested is:
http://www.minnetonkaaudio.com/SurCode_CD_Pro_3.htm
Does anyone out there already use this ? If so how about a quick review from
your perspective ?
I would also be interested in any info anyone has on recordings of this
nature. 
Many thanks
Love this list ... I find daily gems of information here 
Glyn 'my company has the longest disclaimer in the world ever...' Merga




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From Loopers-Delight-request@loopers-delight.com  Thu Jul 26 06:50:53 2001
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From: "Rick Walker \(loop.pool\)" <GLOBAL@cruzio.com>
To: <Loopers-Delight@loopers-delight.com>
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Subject: apologies to John  Tidwell
Date: Thu, 26 Jul 2001 03:31:49 -0700
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Dear John,
    Sorry, I caught your e-mail on a sensitive day.   I didn't see that your
tongue was in your cheek as well and I felt judged.  Thanks for enlightening
me.

yours, appreciatively,  Rick

PS you were spot on about my not needing to worry about how women take
things on this list........I have a tendency towards codependency (please
don't flame me on this sentence, group............I'm being sensitive here
;-)

yours, Rick

From Loopers-Delight-request@loopers-delight.com  Thu Jul 26 07:09:44 2001
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From: John Tidwell <wedgehed@yahoo.com>
Subject: Hey Rick!
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Like I said, you don't owe me any apologies.

Hell son, it ain't nothing but the internet.

:)

Best wishes.

John



=====
John Tidwell




__________________________________________________
Do You Yahoo!?
Make international calls for as low as $.04/minute with Yahoo! Messenger
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From Loopers-Delight-request@loopers-delight.com  Thu Jul 26 08:44:04 2001
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Subject: line 6 stuff
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 <A HREF="http://namm.harmony-central.com/SNAMM01/Content/Line_6/PR/Studio-Mods.html">Click here: Studio Modeler Rack Processors</A>

there was some talk several days ago about these at least until some clown 
broght up that tea-shirt stuff.....:)m

am i some kind of a goon because i dont care if they call it a jam-man, 
jam-woman, jam-dog, it just dosent matter to me, gads rick, perhaps im not 
sensitive, oh beat me with a big stick!

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2> <A HREF="http://namm.harmony-central.com/SNAMM01/Content/Line_6/PR/Studio-Mods.html">Click here: Studio Modeler Rack Processors</A>
<BR>
<BR>there was some talk several days ago about these at least until some clown 
<BR>broght up that tea-shirt stuff.....:)m
<BR>
<BR>am i some kind of a goon because i dont care if they call it a jam-man, 
<BR>jam-woman, jam-dog, it just dosent matter to me, gads rick, perhaps im not 
<BR>sensitive, oh beat me with a big stick!</FONT></HTML>

--part1_a9.18bd78fb.2891633b_boundary--

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Subject: Jambot
Date: Thu, 26 Jul 2001 07:42:13 -0700
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   Shouldn't the Name be Jambot cause after all it's a machine.
  Gary (looking for trouble) Lehmann 

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From Loopers-Delight-request@loopers-delight.com  Thu Jul 26 11:45:14 2001
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From: "Tom Ritchford" <tom@swirly.com>
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Subject: Re: OT: why musicians can't eat -- and why radio is so bad
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> yeah...its unfortunate that the mass public so easily accept what is layed
> out for them to listen to...just thought i would add that at least 70% of
> the nationwide radio programming in most major cities is controlled and
> operated by only 4 major corporations. that says a lot about who is makin
> decisions about airplay and new music.


TWO corporations... Clear Channel and Infinity... own basically
ALL the major cities.  Infinity is mediocre, Clear Channel is 
downright evil...

As several people have mentioned, the terribleness of radio
could be the opportunity real music needs to get ahead....
somehow....

-- 

I am the wombat.

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From: "Bailey, Jim" <JBailey@corporate.southam.ca>
To: "'looppost'" <loopers-delight@loopers-delight.com>
Subject: unsusribbe
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Ha ha, fooled you.

Actually, I am going to unsubscribe (the _proper_ way) for a few weeks while
I'm off on vacation. Heading up to the Ottawa valley for the first week to
do some recording in the woods. I'll be taking along a newly-acquired
mini-disc recorder, an old recording walkman-type cassette, and a couple of
really old and really cheap open-reel decks which I hope to do some sort of
looping with.

It's actually an organized event, called "Full Moon Over Killaloe (the name
of the nearest town)" which is in its third year now. Anybody interested can
check out: http://www.fmok.org

Back in three weeks. Don't wreck the place while I'm gone.

Jim Bailey

From Loopers-Delight-request@loopers-delight.com  Thu Jul 26 12:19:59 2001
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Subject: Re: OT: why musicians can't eat -- and why radio is so bad
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I don;t think most people would care even if they knew programming was
controlled by only 2 coorporations.

Petrol is a dirty and polluting fuel, controlled by several very large
companies (the Bush family included :-) with several alternatives available,
yet it is generally accepted by avant-garde musicians and 'joe public'
alike. There are not many other choices available that don't spew out
combusted gases (I guess farting on bicycle doesn't quite count) - that is a
problem, though again I think most people wouldn't see it like that. Theres
very little conception in the mainstream of different ways to live, or
different ways to organise a first world 21st century country like America
or the UK or Germany.

The best 'underground' or non mainstream musicians can do is offer an
alternative I think, and its up to your own energy and desires as to how its
dissemminated. There are always people who will walk and cycle, there are
always people who seek out unusual sounds and have exotic tastes.

Just getting close family or friends exposed to your 'weird music' may have
an enlightening or educational result, even if they don;t quite see it quite
that :-) "ooo.....that merzbow, its awful".

As for making money from music, I guess I completey gave up on any chance of
that happening years ago (never even tried). Earning a living from art
generally seems to involve long periods of poverty, no good if you've got
kids and mortgage.

So maybe i'm saying, quit whining, **** the radio stations and just make
good music? :-)

Jamie

> > yeah...its unfortunate that the mass public so easily accept what is
layed
> > out for them to listen to...just thought i would add that at least 70%
of
> > the nationwide radio programming in most major cities is controlled and
> > operated by only 4 major corporations. that says a lot about who is
makin
> > decisions about airplay and new music.
>
>
> TWO corporations... Clear Channel and Infinity... own basically
> ALL the major cities.  Infinity is mediocre, Clear Channel is
> downright evil...
>
> As several people have mentioned, the terribleness of radio
> could be the opportunity real music needs to get ahead....
> somehow....
>
> --
>
> I am the wombat.
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Jul 26 12:27:02 2001
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Subject: Re: OT: why musicians can't eat -- and why radio is so bad
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I must correct my own contradiction - there are alternatives already
designed in the lab, but not available to the public...
<phew>

>with several alternatives available,
> yet it is generally accepted by avant-garde musicians and 'joe public'
> alike. There are not many other choices available that don't spew out
> combusted gases

From Loopers-Delight-request@loopers-delight.com  Thu Jul 26 12:32:33 2001
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Hey-

Speaking of sexist names: the Walkman. I should point out that this 
ubiquitous little device was, in fact the inspiration for the JamMan 
monniker.

Jon Durant


>Subject:     unsusribbe
>Sent:        7/23/20 11:43 PM
>Received:    7/26/01 12:31 PM
>From:        Bailey, Jim, JBailey@corporate.southam.ca
>Reply-To:    Loopers-Delight@loopers-delight.com
>To:          'looppost', loopers-delight@loopers-delight.com
>
>Ha ha, fooled you.
>
>Actually, I am going to unsubscribe (the _proper_ way) for a few weeks while
>I'm off on vacation. Heading up to the Ottawa valley for the first week to
>do some recording in the woods. I'll be taking along a newly-acquired
>mini-disc recorder, an old recording walkman-type cassette, and a couple of
>really old and really cheap open-reel decks which I hope to do some sort of
>looping with.
>
>It's actually an organized event, called "Full Moon Over Killaloe (the name
>of the nearest town)" which is in its third year now. Anybody interested can
>check out: http://www.fmok.org
>
>Back in three weeks. Don't wreck the place while I'm gone.
>
>Jim Bailey
>

From Loopers-Delight-request@loopers-delight.com  Thu Jul 26 12:48:03 2001
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Didn't know that, Jon, but i can't help but
think an idea YOU put forth on this list 
years ago would have been a much wiser 
decision: calling the Jamman and Vortex 
the PCM 43 and PCM 44.

Very well may have helped their sales right
from the start.

Poof,
peter koniuto


>--- Original Message ---
>From: jdurant <jdurant@alchemyrecords.com>
>To: <Loopers-Delight@loopers-delight.com>
>Date: 7/26/01 12:34:08 PM
>

>Hey-
>
>Speaking of sexist names: the Walkman. I should point out that
this 
>ubiquitous little device was, in fact the inspiration for the
JamMan 
>monniker.
>
>Jon Durant
>
>
>>Subject:     unsusribbe
>>Sent:        7/23/20 11:43 PM
>>Received:    7/26/01 12:31 PM
>>From:        Bailey, Jim, JBailey@corporate.southam.ca
>>Reply-To:    Loopers-Delight@loopers-delight.com
>>To:          'looppost', loopers-delight@loopers-delight.com
>>
>>Ha ha, fooled you.
>>
>>Actually, I am going to unsubscribe (the _proper_ way) for
a few weeks while
>>I'm off on vacation. Heading up to the Ottawa valley for the
first week to
>>do some recording in the woods. I'll be taking along a newly-acquired
>>mini-disc recorder, an old recording walkman-type cassette,
and a couple of
>>really old and really cheap open-reel decks which I hope to
do some sort of
>>looping with.
>>
>>It's actually an organized event, called "Full Moon Over Killaloe
(the name
>>of the nearest town)" which is in its third year now. Anybody
interested can
>>check out: http://www.fmok.org
>>
>>Back in three weeks. Don't wreck the place while I'm gone.
>>
>>Jim Bailey
>>
>
>


From Loopers-Delight-request@loopers-delight.com  Thu Jul 26 13:00:46 2001
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Date: Thu, 26 Jul 2001 09:55:27 -0700
From: Richard Zvonar <zvonar@zvonar.com>
Subject: Re: (NEW) rack to floor cables??
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At 8:52 AM +0200 7/26/01, mark.red@involvelearning.com wrote:

>On another issue: I have been thinking of making a big fat multicore cable
>to connect my rack of er... stuff to all the misc pedals on the floor (a
>good 20 minutes it take to plug in at soundcheck, by which time... there
>isnt any!!!) Has anyone done this and found a good connector. It need to
>take 6 audio/2midi/and various (8) stereo cable pedals (like the vortex
>ones). I'm thinking of a big old metal box on the rack and a big old metal
>box on the floorboard... could I use a mixing desk multicore cable....
>Just wanted other peoples solutions... (When is stuff gonna be wireless???)

This is an excellent idea. You can probably modify some existing 
cables, thus eliminating the fiddle part of the soldering. DA-88 
DB-25 and ADAT ELCO cables are easy to find. Your best bet might be 
to find a multiconductor extension cable with a male connector at one 
end and a female at the other. Then you could cut it in the middle 
and wire up the requisite connectors for your audio and control lines.

http://www.mars-cam.com/cable/general/me_p42.html

http://www.performanceaudio.com/proco/

http://www.mars-cam.com/pl-dmtic.html

http://www.performanceaudio.com/whirlwind/whirl_medusamdm.html


Although this probably doesn't apply to your specific installation, 
those who want to run remote extensions should be aware that MIDI 
signals become unreliable over long distances and need to be boosted 
with MIDI line driver devices.
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

From Loopers-Delight-request@loopers-delight.com  Thu Jul 26 13:30:58 2001
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Yeah. I always hated the name. Not because it was sexist, but because I 
thought of the Walkman as a lo-fi toy, and wanted the JamMan to be taken 
seriously. Way too late now to do much about it, of course.

And, I should point out: I find Rick's conversion kit idea to be quite 
funny. I think it's always a good idea to customize your processors as 
much as is possible.

Jon


>Subject:     RE: Re: unsusribbe
>Sent:        7/29/20 1:53 PM
>Received:    7/26/01 12:58 PM
>From:        p koniuto, taghairm@mindspring.com
>Reply-To:    Loopers-Delight@loopers-delight.com
>To:          Loopers-Delight@loopers-delight.com
>
>
>
>Didn't know that, Jon, but i can't help but
>think an idea YOU put forth on this list 
>years ago would have been a much wiser 
>decision: calling the Jamman and Vortex 
>the PCM 43 and PCM 44.
>
>Very well may have helped their sales right
>from the start.
>
>Poof,
>peter koniuto
>
>
>>--- Original Message ---
>>From: jdurant <jdurant@alchemyrecords.com>
>>To: <Loopers-Delight@loopers-delight.com>
>>Date: 7/26/01 12:34:08 PM
>>
>
>>Hey-
>>
>>Speaking of sexist names: the Walkman. I should point out that
>this 
>>ubiquitous little device was, in fact the inspiration for the
>JamMan 
>>monniker.
>>
>>Jon Durant
>>
>>
>>>Subject:     unsusribbe
>>>Sent:        7/23/20 11:43 PM
>>>Received:    7/26/01 12:31 PM
>>>From:        Bailey, Jim, JBailey@corporate.southam.ca
>>>Reply-To:    Loopers-Delight@loopers-delight.com
>>>To:          'looppost', loopers-delight@loopers-delight.com
>>>
>>>Ha ha, fooled you.
>>>
>>>Actually, I am going to unsubscribe (the _proper_ way) for
>a few weeks while
>>>I'm off on vacation. Heading up to the Ottawa valley for the
>first week to
>>>do some recording in the woods. I'll be taking along a newly-acquired
>>>mini-disc recorder, an old recording walkman-type cassette,
>and a couple of
>>>really old and really cheap open-reel decks which I hope to
>do some sort of
>>>looping with.
>>>
>>>It's actually an organized event, called "Full Moon Over Killaloe
>(the name
>>>of the nearest town)" which is in its third year now. Anybody
>interested can
>>>check out: http://www.fmok.org
>>>
>>>Back in three weeks. Don't wreck the place while I'm gone.
>>>
>>>Jim Bailey
>>>
>>
>>
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Jul 26 13:42:33 2001
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From: Bret <echoplex@yahoo.com>
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If Walkman, and JamMan are offensive, what about Human, Woman, and
Mankind?  Clearly these are 'man' centric.  
Re T shirts, screw it, let's all get tatoos, on our foreheads.
bret
--- jdurant <jdurant@alchemyrecords.com> wrote:
> Hey-
> 
> Speaking of sexist names: the Walkman. I should point out that this 
> ubiquitous little device was, in fact the inspiration for the JamMan 
> monniker.
> 
> Jon Durant
> 
> 
> >Subject:     unsusribbe
> >Sent:        7/23/20 11:43 PM
> >Received:    7/26/01 12:31 PM
> >From:        Bailey, Jim, JBailey@corporate.southam.ca
> >Reply-To:    Loopers-Delight@loopers-delight.com
> >To:          'looppost', loopers-delight@loopers-delight.com
> >
> >Ha ha, fooled you.
> >
> >Actually, I am going to unsubscribe (the _proper_ way) for a few
> weeks while
> >I'm off on vacation. Heading up to the Ottawa valley for the first
> week to
> >do some recording in the woods. I'll be taking along a
> newly-acquired
> >mini-disc recorder, an old recording walkman-type cassette, and a
> couple of
> >really old and really cheap open-reel decks which I hope to do some
> sort of
> >looping with.
> >
> >It's actually an organized event, called "Full Moon Over Killaloe
> (the name
> >of the nearest town)" which is in its third year now. Anybody
> interested can
> >check out: http://www.fmok.org
> >
> >Back in three weeks. Don't wreck the place while I'm gone.
> >
> >Jim Bailey
> >
> 


__________________________________________________
Do You Yahoo!?
Make international calls for as low as $.04/minute with Yahoo! Messenger
http://phonecard.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Thu Jul 26 13:43:05 2001
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From: "Peter Underwood" <skullyshakespeare@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: (OT) Sustaining Device
Date: Thu, 26 Jul 2001 10:39:16 -0700
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While we are on this subject, I was wondering if anyone on this list has an 
opinion on the Kramer attempt at a sustainer/sustainiac-type thing?

I think they are a fairly recent offering, but MusicYo offers a Kramer 
guitar with an onboard sustainer, and I was wondering how it measures up to 
similiar products on the market.


>From: lance glover <baumhaus@earthlink.net>
>Reply-To: baumhaus@earthlink.net
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: Sustaining Device
>Date: Wed, 25 Jul 2001 22:31:02 -0700
>
>
>
>Mike wrote:
>
> > I'm looking for something that will take a note from my guitar and hold
> > it indefinitely.  I like to take feedback and put it into loops but my
> > guitars won't always feedback on the tones I want.  Or if there is a
> > compression/gate method to do this and I am missing something obvious.
> >
> > Mike Killian (public looping debut 9/21!)
>
>well,
>
>there is the lil' ol' ebow...
>
>:-)
>
>lance g.
>
>ps lots of threads re sustainiac, fernandes sustainer, etc. on this list
>past...perhaps there's something i've missed as well that another more
>feedback-prone than i would be able to help with. good luck on the 21st!
>
>


_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp

From Loopers-Delight-request@loopers-delight.com  Thu Jul 26 14:10:43 2001
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Nemoguitt@aol.com wrote:

>  Click here: Studio Modeler Rack Processors
>
> there was some talk several days ago about these at least until some
> clown
> broght up that tea-shirt stuff.....:)m
>
> am i some kind of a goon because i dont care if they call it a
> jam-man,
> jam-woman, jam-dog, it just dosent matter to me, gads rick, perhaps im
> not
> sensitive, oh beat me with a big stick!

er, how's about toe jam? where'd my stick go...

:-)

this line6 stuff looks cool. anyone out there have the MM4 and can
comment on it? of the three it's the mod pro that calls out to me the
most (just because i have enough delay & filter gear (for the moment);
the only mod effects in my setup are a trusty tc chorus/pitch/flange, a
tremulator and the very nice trem circuits in my amps (vox &
fender)...would be super cool to control lots of different parameters
via expression pedal!

lance g.




From Loopers-Delight-request@loopers-delight.com  Thu Jul 26 14:18:00 2001
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Bret wrote:

> If Walkman, and JamMan are offensive, what about Human, Woman, and
> Mankind?  Clearly these are 'man' centric.
> Re T shirts, screw it, let's all get tatoos, on our foreheads.
> bret

note firesign theatre's "per-per": it takes the sexist "son" out of the
otherwise perfectly neutral "person"...

:-)

as per forehead tattoos, who gets to design 'em?

lance g.

From Loopers-Delight-request@loopers-delight.com  Thu Jul 26 14:29:17 2001
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And, I should point out: I find Rick's conversion kit idea to be quite 
funny. 

** sort of a transgender processor???

stig

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<P><FONT SIZE=2>And, I should point out: I find Rick's conversion kit idea to be quite </FONT>
<BR><FONT SIZE=2>funny. </FONT>
</P>

<P><FONT SIZE=2>** sort of a transgender processor???</FONT>
</P>

<P><FONT SIZE=2>stig</FONT>
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From Loopers-Delight-request@loopers-delight.com  Thu Jul 26 14:40:31 2001
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Subject: R: (OT) Sustaining Device
Date: Thu, 26 Jul 2001 20:36:40 +0200
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Just a signalation.... Kramer was one of the first companies to use the asi
sustainiac, in the '80s.
----- Original Message -----
From: Peter Underwood <skullyshakespeare@hotmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, July 26, 2001 7:39 PM
Subject: Re: (OT) Sustaining Device


> While we are on this subject, I was wondering if anyone on this list has
an
> opinion on the Kramer attempt at a sustainer/sustainiac-type thing?
>
> I think they are a fairly recent offering, but MusicYo offers a Kramer
> guitar with an onboard sustainer, and I was wondering how it measures up
to
> similiar products on the market.
>
>
> >From: lance glover <baumhaus@earthlink.net>
> >Reply-To: baumhaus@earthlink.net
> >To: Loopers-Delight@loopers-delight.com
> >Subject: Re: Sustaining Device
> >Date: Wed, 25 Jul 2001 22:31:02 -0700
> >
> >
> >
> >Mike wrote:
> >
> > > I'm looking for something that will take a note from my guitar and
hold
> > > it indefinitely.  I like to take feedback and put it into loops but my
> > > guitars won't always feedback on the tones I want.  Or if there is a
> > > compression/gate method to do this and I am missing something obvious.
> > >
> > > Mike Killian (public looping debut 9/21!)
> >
> >well,
> >
> >there is the lil' ol' ebow...
> >
> >:-)
> >
> >lance g.
> >
> >ps lots of threads re sustainiac, fernandes sustainer, etc. on this list
> >past...perhaps there's something i've missed as well that another more
> >feedback-prone than i would be able to help with. good luck on the 21st!
> >
> >
>
>
> _________________________________________________________________
> Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp
>

From Loopers-Delight-request@loopers-delight.com  Thu Jul 26 14:43:37 2001
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Hi MArk-

I was looking into this a few months ago, since I have a similar
situation.  Whirlwind has nice multipin connectors available, but
they're difficult to assemble.  When I looked at having them make custom
fanouts on multipin connectors, it was going to cost upwards of $1000.
I believe ProCo also sells a multipin connector.  A 56-pin Elco
connector would also work for you, and you can probably buy them with
the multicore already connected at the connector end.

I had two stereo, eight audio, and one MIDI cable to connect to my rack,
aside from all of the interconnections.  I'm really lazy and I already
spent all of my money on gear and cables, so here's what I did:  I
assembled all of my drum machines and synthesizers together on a folding
table with their power hooked up to a power strip and their syncs and
other interconnections made, like a pedalboard.  Then I hooked up
individual cables from the various machines to the back of my rack,
labeled them at the rack end, and wire tied all of the cables together
into a loom.  So when I break down, I just pull all of the plugs out of
the back of the rack and put the loom on the table with the other gear
for transport.  This allows me to connect everything in about a minute,
whereas it took more than twenty before, and it's not such a rat's nest
anymore.  I'm glad I did it this way, because I find myself creating a
new routing paradigm before every gig, and the loom makes it easy to
reconfigure.

-Hans

> On another issue: I have been thinking of making a big fat multicore
> cable
> to connect my rack of er... stuff to all the misc pedals on the floor
> (a
> good 20 minutes it take to plug in at soundcheck, by which time...
> there
> isnt any!!!) Has anyone done this and found a good connector. It need
> to
> take 6 audio/2midi/and various (8) stereo cable pedals (like the
> vortex
> ones). I'm thinking of a big old metal box on the rack and a big old
> metal
> box on the floorboard... could I use a mixing desk multicore cable....
> Just wanted other peoples solutions... (When is stuff gonna be
> wireless???)
>
> MArk Francombe Red
>
--
Hans Lindauer
Engineer, Music Man R&D
Ernie Ball, Inc.


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Hi MArk-
<p>I was looking into this a few months ago, since I have a similar situation.&nbsp;
Whirlwind has nice multipin connectors available, but they're difficult
to assemble.&nbsp; When I looked at having them make custom fanouts on
multipin connectors, it was going to cost upwards of $1000.&nbsp; I believe
ProCo also sells a multipin connector.&nbsp; A 56-pin Elco connector would
also work for you, and you can probably buy them with the multicore already
connected at the connector end.
<p>I had two stereo, eight audio, and one MIDI cable to connect to my rack,
aside from all of the interconnections.&nbsp; I'm really lazy and I already
spent all of my money on gear and cables, so here's what I did:&nbsp; I
assembled all of my drum machines and synthesizers together on a folding
table with their power hooked up to a power strip and their syncs and other
interconnections made, like a pedalboard.&nbsp; Then I hooked up individual
cables from the various machines to the back of my rack, labeled them at
the rack end, and wire tied all of the cables together into a loom.&nbsp;
So when I break down, I just pull all of the plugs out of the back of the
rack and put the loom on the table with the other gear for transport.&nbsp;
This allows me to connect everything in about a minute, whereas it took
more than twenty before, and it's not such a rat's nest anymore.&nbsp;
I'm glad I did it this way, because I find myself creating a new routing
paradigm before every gig, and the loom makes it easy to reconfigure.
<p>-Hans
<blockquote TYPE=CITE>
<div WRAP>On another issue: I have been thinking of making a big fat multicore
cable<br>
to connect my rack of er... stuff to all the misc pedals on the floor (a<br>
good 20 minutes it take to plug in at soundcheck, by which time... there<br>
isnt any!!!) Has anyone done this and found a good connector. It need to<br>
take 6 audio/2midi/and various (8) stereo cable pedals (like the vortex<br>
ones). I'm thinking of a big old metal box on the rack and a big old metal<br>
box on the floorboard... could I use a mixing desk multicore cable....<br>
Just wanted other peoples solutions... (When is stuff gonna be wireless???)<br>
<br>
MArk Francombe Red</div>
</blockquote>
--
<br>Hans Lindauer
<br>Engineer, Music Man R&amp;D
<br>Ernie Ball, Inc.
<br>&nbsp;
</body>
</html>

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At 11:18 AM -0700 7/26/01, lance glover wrote:

>note firesign theatre's "per-per": it takes the sexist "son" out of the
>otherwise perfectly neutral "person"...

"Person" from the Latin "persona" = "sounding through"
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

From Loopers-Delight-request@loopers-delight.com  Thu Jul 26 14:51:41 2001
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Subject: Touring
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Hello all,

My music is probably known to a very small number of people on this list; 
however, in June, Hypnos released my first solo effort, 'Where the Earth 
Meets the Sky' and I have since been invited to perform at a Gathering in 
Philadelphia on Sept. 15.  'Where the Earth...' is deep-listening-style, 
dark ambient music for solo processed tuba, recorded and mastered by Robert 
Rich.  For my part, my 'ambience' is informed by my past work with Charlie 
Haden, Eugene Chadbourne, Pauline Oliveros & Stuart Dempster and Glenn 
Spearman, as well as many others.  As for looping, mostly 'long-form', via 
a DL4 and an EDP.

Roughly two weeks on either side of Sept. 15 (Aug. 24,25 tentatively in VT) 
is where I'm looking for spaces to perform - none of the other dates are as 
yet set in concrete, but possibilities include Denver, Montpelier, Vermont, 
Chicago, Youngstown, Sharon, Pittsburgh, New York, Brooklyn, Boston, 
etc.  I'll be travelling with my own P.A..  I'm open to house concerts, 
listening rooms, etc.

Best regards,

Tom Heasley
...........................................
Tom Heasley
Soundproof Productions
Lost Angels Music, ASCAP
427 Alma St. Suite 206
Palo Alto, CA  94301
PH:  650.322.3633
FX:  603.849.7751
http://www.hypnos.com/heasley
http://bayimproviser.com/TomHeasley
www.loopers-delight.com/cgi-bin/profiles.cgi
http://kalvos.org/heasley.html

--=====================_5824878==_.ALT
Content-Type: text/html; charset="us-ascii"

<html><div>Hello all,</div>
<br>
<div>My music is probably known to a very small number of people on this
list; however, in June, Hypnos released my first solo effort, 'Where the
Earth Meets the Sky' and I have since been invited to perform at a
Gathering in Philadelphia on Sept. 15.&nbsp; 'Where the Earth...' is
deep-listening-style, dark ambient music for solo processed tuba,
recorded and mastered by Robert Rich.&nbsp; For my part, my 'ambience' is
informed by my past work with Charlie Haden, Eugene Chadbourne, Pauline
Oliveros &amp; Stuart Dempster and Glenn Spearman, as well as many
others.&nbsp; As for looping, mostly 'long-form', via a DL4 and an
EDP.</div>
<br>
<div>Roughly two weeks on either side of Sept. 15 (Aug. 24,25 tentatively
in VT) is where I'm looking for spaces to perform - none of the other
dates are as yet set in concrete, but possibilities include Denver,
Montpelier, Vermont, Chicago, Youngstown, Sharon, Pittsburgh, New York,
Brooklyn, Boston, etc.&nbsp; I'll be travelling with my own P.A..&nbsp;
I'm open to house concerts, listening rooms, etc.</div>
<br>
<div>Best regards,</div>
<br>
Tom Heasley 
<br>

<font size=4>...........................................<br>
<b><i>Tom Heasley<br>
Soundproof Productions<br>
Lost Angels Music, ASCAP<br>
</font></b></i>427 Alma St. Suite 206<br>
Palo Alto, CA&nbsp; 94301<br>
PH:&nbsp; 650.322.3633<br>
FX:&nbsp; 603.849.7751<br>
<u><a href="http://www.hypnos.com/heasley" eudora="autourl">http://www.hypnos.com/heasley</a><br>
<font color="#0000FF"><a href="http://bayimproviser.com/TomHeasley" eudora="autourl">http://bayimproviser.com/TomHeasley</a><br>
<a href="http://www.loopers-delight.com/cgi-bin/profiles.cgi" eudora="autourl">www.loopers-delight.com/cgi-bin/profiles.cgi</a><br>
<a href="http://kalvos.org/heasley.html" eudora="autourl">http://kalvos.org/heasley.html</a><br>
</font></u></html>

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From: R Korsakov <rkorsakov@home.com>
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Subject: Help with Eventide H3000/Midi!
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Dear List,

Can anyone help me with the H3000 and Midi.

I am using the "Canyon" program to create some really long ambient
effects by sending one or two musical notes or sounds to it and letting
them sustain-out.

I want to send a midi-controller to it so I can force the note to
die-out in order to send it a new note or sound

I thought I could do this by maybe lowering and then raising again the
room size before sending a new note, or some other way if anyone has a
better idea.

Does anyone know anything about the H3000 that could help me? I bought
mine used and of course the manual did not accompany. Eventides' website
has nothing and the guy at Eventide said he didn't know.

Thanks in advance!

-R. Korsakov

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Date: Thu, 26 Jul 2001 11:32:49 -0700
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Subject: Re: unsusribbe
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At 10:38 AM -0700 7/26/01, Bret wrote:
>If Walkman, and JamMan are offensive, what about Human, Woman, and
>Mankind?  Clearly these are 'man' centric. 

It's a little tricky to evaluate the "sexist content" of some of 
these words, since usage changes over the ages. "Human" is from the 
Latin "HVMANVS," which in turn derives from "HOMO."  HOMO means 
"human being" as opposed to "beast." The Latin word for "man" as 
opposed to "woman" was VIR (as in "virile" or "virtue").

So you can justifiably argue both sides of the issue in these cases, 
but sometimes it gets a little silly (as in "herstory" - the "his" 
bit in "history" has nothing to do with the possessive form of "he"). 
I personally avoid using "hysterical" as misogynistic ("hystera" is 
Greek for "womb"), and try to use (e.g.) "chairperson" or "chair" and 
avoid "actress," "victrix," and the like, but it's not worth getting 
too obsessive.

Here's something amusing and/or informative:


http://www.bartleby.com/61/96/M0069600.html

Traditionally, many writers have used man and words derived from it 
to designate any or all of the human race regardless of sex. In fact, 
this is the oldest use of the word. In Old English the principal 
sense of man was "a human," and the words wer and wyf (or w=E6pman and 
wifman) were used to refer to "a male human" and "a female human" 
respectively. But in Middle English man displaced wer as the term for 
"a male human," while wyfman (which evolved into present-day woman) 
was retained for "a female human." Despite this change, man continued 
to carry its original sense of "a human" as well, resulting in an 
asymmetrical arrangement that many criticize as sexist. *Nonetheless, 
a majority of the Usage Panel still accepts the generic use of man, 
although the women members have significantly less enthusiasm for 
this usage than the men do. For example, the sentence If early man 
suffered from a lack of information, modern man is tyrannized by an 
excess of it is acceptable to 81 percent of the Panel-but a breakdown 
by sex shows that only 58 percent of the women Panelists accept it, 
while 92 percent of the men do. A majority of the Panel also accepts 
compound words derived from generic man. The sentence The Great Wall 
is the only man-made structure visible from space is acceptable to 86 
percent (76 percent of the women and 91 percent of the men). The 
sentence "The history of language is the history of mankind" (James 
Bradstreet Greenough and George Lyman Kittredge) is acceptable to 76 
percent (63 percent of the women and 82 percent of the men). The 
Panel finds such compounds less acceptable when applied to women, 
however; only 66 percent of the Panel members (57 percent of the 
women and 71 percent of the men) accept the use of the word manpower 
in the sentence Countries that do not permit women to participate in 
the work force are at a disadvantage in competing with those that do 
avail themselves of that extra source of manpower. *Similar 
controversy surrounds the generic use of -man compounds to indicate 
occupational and social roles. Thus the use of chairman in the 
sentence The chairman will be appointed by the Faculty Senate is 
acceptable to 67 percent of the Panel (52 percent of the women and 76 
percent of the men). Approval rates fall much further, however, for 
-man compounds applied to women. Only 48 percent (43 percent of the 
women and 50 percent of the men) accept the use of the word in Emily 
Owen, chairman of the Mayor's Task Force, issued a statement assuring 
residents that their views would be solicited. A majority of the 
Panelists also rejects the verb man when used to refer to an activity 
performed by women. Fifty-six percent of the Panel (61 percent of the 
women and 54 percent of the men) disapprove of the sentence Members 
of the League of Women Voters will be manning the registration desk.
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=3Drz
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<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type=3D"text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: unsusribbe</title></head><body>
<div><tt>At 10:38 AM -0700 7/26/01, Bret wrote:</tt></div>
<blockquote type=3D"cite" cite><tt>If Walkman, and JamMan are offensive,
what about Human, Woman, and</tt></blockquote>
<blockquote type=3D"cite" cite><tt>Mankind?&nbsp; Clearly these are
'man' centric.&nbsp;</tt></blockquote>
<div><tt><br></tt></div>
<div><tt>It's a little tricky to evaluate the &quot;sexist content&quot;
of some of these words, since usage changes over the ages.
&quot;Human&quot; is from the Latin &quot;HVMANVS,&quot; which in turn
derives from &quot;HOMO.&quot;&nbsp; HOMO means &quot;human being&quot;
as opposed to &quot;beast.&quot; The Latin word for &quot;man&quot; as
opposed to &quot;woman&quot; was VIR (as in &quot;virile&quot; or
&quot;virtue&quot;).</tt></div>
<div><tt><br></tt></div>
<div><tt>So you can justifiably argue both sides of the issue in these
cases, but sometimes it gets a little silly (as in &quot;herstory&quot;
- the &quot;his&quot; bit in &quot;history&quot; has nothing to do
with the possessive form of &quot;he&quot;).&nbsp; I personally avoid
using &quot;hysterical&quot; as misogynistic (&quot;hystera&quot; is
Greek for &quot;womb&quot;), and try to use (e.g.) &quot;chairperson&quot;
or &quot;chair&quot; and avoid &quot;actress,&quot; &quot;victrix,&quot;
and the like, but it's not worth getting too obsessive.</tt></div>
<div><tt><br></tt></div>
<div><tt>Here's something amusing and/or informative:</tt></div>
<div><tt><br></tt></div>
<div><tt><br></tt></div>
<div><tt>http://www.bartleby.com/61/96/M0069600.html</tt></div>
<div><tt><br></tt></div>
<div><tt><font color=3D"#000020">Traditionally, many writers have
used<i> man</i> and words derived from it to designate any or all of
the human race regardless of sex. In fact, this is the oldest use of
the word. In Old English the principal sense of<i> man</i> was "a
human," and the words<i> wer</i> and<i> wyf</i> (or<i> w=E6pman</i>
and<i> wifman</i>) were used to refer to "a male human" and "a
female human" respectively. But in Middle English<i> man</i>
displaced<i> wer</i> as the term for "a male human," while<i>
wyfman</i> (which evolved into present-day<i> woman</i>) was retained
for "a female human." Despite this change,<i> man</i> continued to
carry its original sense of "a human" as well, resulting in an
asymmetrical arrangement that many criticize as sexist.
*Nonetheless, a majority of the Usage Panel still accepts the generic
use of<i> man,</i> although the women members have significantly less
enthusiasm for this usage than the men do. For example, the
sentence<i> If early man suffered from a lack of information, modern
man is tyrannized by an excess of it</i> is acceptable to 81 percent
of the Panel-but a breakdown by sex shows that only 58 percent of
the women Panelists accept it, while 92 percent of the men do. A
majority of the Panel also accepts compound words derived from
generic<i> man.</i> The sentence<i> The Great Wall is the only
man-made structure visible from space</i> is acceptable to 86 percent
(76 percent of the women and 91 percent of the men). The sentence<i>
&quot;The history of language is the history of mankind&quot;</i>
(James Bradstreet Greenough and George Lyman Kittredge) is acceptable
to 76 percent (63 percent of the women and 82 percent of the men). The
Panel finds such compounds less acceptable when applied to women,
however; only 66 percent of the Panel members (57 percent of the women
and 71 percent of the men) accept the use of the word<i> manpower</i>
in the sentence<i> Countries that do not permit women to participate
in the work force are at a disadvantage in competing with those that
do avail themselves of that extra source of manpower.</i> *Similar
controversy surrounds the generic use of<i> -man</i> compounds to
indicate occupational and social roles. Thus the use of<i>
chairman</i> in the sentence<i> The chairman will be appointed by the
=46aculty Senate</i> is acceptable to 67 percent of the Panel (52
percent of the women and 76 percent of the men). Approval rates fall
much further, however, for<i> -man</i> compounds applied to women.
Only 48 percent (43 percent of the women and 50 percent of the men)
accept the use of the word in<i> Emily Owen, chairman of the Mayor's
Task Force, issued a statement assuring residents that their views
would be solicited.</i> A majority of the Panelists also rejects the
verb<i> man</i> when used to refer to an activity performed by women.
=46ifty-six percent of the Panel (61 percent of the women and 54 percent
of the men) disapprove of the sentence<i> Members of the League of
Women Voters will be manning the registration
desk.</i></font></tt></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div><br>
______________________________________________________________<br>
Richard Zvonar, PhD<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><br>
(818) 788-2202<x-tab>&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </x-tab><br>
http://www.zvonar.com</div>
<div>http://RZCybernetics.com<br>
http://www.cybmotion.com/aliaszone<br>
http://www.live365.com/cgi-bin/directory.cgi?autostart=3Drz</div>
</body>
</html>
--============_-1215949747==_ma============--

From Loopers-Delight-request@loopers-delight.com  Thu Jul 26 15:09:15 2001
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Date: Thu, 26 Jul 2001 12:05:42 -0700 (PDT)
From: philip raath <philraath@yahoo.com>
Subject: kramer sustainer
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http://www.fringedigital.com/brook/instrumentation/infinite.shtml


scroll on down and there is an description of the
kramer sustainiac/fernandes sustainer by the guy who
developed them.

take care,

phil

=====
"Compassion is the sometimes fatal capacity for feeling what
it's like to live inside somebody else's skin.
 
 It is the knowledge that there can never really be any
peace and joy for me until there is peace and joy finally 
for you too." 
                                   -Frederick Buechner

__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Thu Jul 26 15:17:07 2001
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Subject: RE: unsusribbe
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no n0, your missing the point, Jamman sucks as a name because it just
doesn't sound well...cool...I guess. I mean if ti was the
aniahlator2000xgtxlrprodigitalunigator now that is something to consider and
take seriously the jamman is a weak whimpy name. the walkman well it's lame
to why was it not the runman? wel that sucks too....
DT denis

-----Original Message-----
From: Bret [mailto:echoplex@yahoo.com]
Sent: Thursday, July 26, 2001 12:39 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: unsusribbe


If Walkman, and JamMan are offensive, 

From Loopers-Delight-request@loopers-delight.com  Thu Jul 26 15:17:17 2001
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From: "Peter Underwood" <skullyshakespeare@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: R: (OT) Sustaining Device
Date: Thu, 26 Jul 2001 12:14:16 -0700
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Are you  sure that you aren't thinking of Hamer?


>From: "Luigi Meloni" <Luigimeloni74@libero.it>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: <Loopers-Delight@loopers-delight.com>
>Subject: R: (OT) Sustaining Device
>Date: Thu, 26 Jul 2001 20:36:40 +0200
>
>Just a signalation.... Kramer was one of the first companies to use the asi
>sustainiac, in the '80s.
>----- Original Message -----
>From: Peter Underwood <skullyshakespeare@hotmail.com>
>To: <Loopers-Delight@loopers-delight.com>
>Sent: Thursday, July 26, 2001 7:39 PM
>Subject: Re: (OT) Sustaining Device
>
>
> > While we are on this subject, I was wondering if anyone on this list has
>an
> > opinion on the Kramer attempt at a sustainer/sustainiac-type thing?
> >
> > I think they are a fairly recent offering, but MusicYo offers a Kramer
> > guitar with an onboard sustainer, and I was wondering how it measures up
>to
> > similiar products on the market.
> >
> >
> > >From: lance glover <baumhaus@earthlink.net>
> > >Reply-To: baumhaus@earthlink.net
> > >To: Loopers-Delight@loopers-delight.com
> > >Subject: Re: Sustaining Device
> > >Date: Wed, 25 Jul 2001 22:31:02 -0700
> > >
> > >
> > >
> > >Mike wrote:
> > >
> > > > I'm looking for something that will take a note from my guitar and
>hold
> > > > it indefinitely.  I like to take feedback and put it into loops but 
>my
> > > > guitars won't always feedback on the tones I want.  Or if there is a
> > > > compression/gate method to do this and I am missing something 
>obvious.
> > > >
> > > > Mike Killian (public looping debut 9/21!)
> > >
> > >well,
> > >
> > >there is the lil' ol' ebow...
> > >
> > >:-)
> > >
> > >lance g.
> > >
> > >ps lots of threads re sustainiac, fernandes sustainer, etc. on this 
>list
> > >past...perhaps there's something i've missed as well that another more
> > >feedback-prone than i would be able to help with. good luck on the 
>21st!
> > >
> > >
> >
> >
> > _________________________________________________________________
> > Get your FREE download of MSN Explorer at 
>http://explorer.msn.com/intl.asp
> >
>


_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp

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Hi,

I use this black plastic tubing and wire wraps to do this. THe tubing is
kind of like washing machine tubing , a little mroe flexible than pvc platic
pipe. Works great until you have a cable go bad or you change your setup and
need to add or remove some wires or you need an etrax 2 ft on some o the
cables. I also try to seperate the power form the audio cables when i can
but it's no big deal.Create a patchbay type hook up on your pedalboard and
on your rack , I just stuff the cable into my rack still attached at one
end.works ok....

denis
denis taaffe
denis_aliengtr@geocities.com
http://www.dtguitar.com

-----Original Message-----
From: Richard Zvonar [mailto:zvonar@zvonar.com]
Sent: Thursday, July 26, 2001 11:55 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: (NEW) rack to floor cables??


At 8:52 AM +0200 7/26/01, mark.red@involvelearning.com wrote:

>On another issue: I have been thinking of making a big fat multicore cable
>to connect my rack of er..

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Yes, I played one of them various times in the second half of the eighties.
Saddenly I didn't have the cash to buy one of them for me. The friend of
mine who possessed that one sold it back after a year or so to buy a
steinberger, and I came to know this too late.
Take a look at the infos 'bout sustainers and infinite guitar on Michael
Brooks site.

----- Original Message -----
From: Peter Underwood <skullyshakespeare@hotmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, July 26, 2001 9:14 PM
Subject: Re: R: (OT) Sustaining Device


> Are you  sure that you aren't thinking of Hamer?
>
>
> >From: "Luigi Meloni" <Luigimeloni74@libero.it>
> >Reply-To: Loopers-Delight@loopers-delight.com
> >To: <Loopers-Delight@loopers-delight.com>
> >Subject: R: (OT) Sustaining Device
> >Date: Thu, 26 Jul 2001 20:36:40 +0200
> >
> >Just a signalation.... Kramer was one of the first companies to use the
asi
> >sustainiac, in the '80s.
> >----- Original Message -----
> >From: Peter Underwood <skullyshakespeare@hotmail.com>
> >To: <Loopers-Delight@loopers-delight.com>
> >Sent: Thursday, July 26, 2001 7:39 PM
> >Subject: Re: (OT) Sustaining Device
> >
> >
> > > While we are on this subject, I was wondering if anyone on this list
has
> >an
> > > opinion on the Kramer attempt at a sustainer/sustainiac-type thing?
> > >
> > > I think they are a fairly recent offering, but MusicYo offers a Kramer
> > > guitar with an onboard sustainer, and I was wondering how it measures
up
> >to
> > > similiar products on the market.
> > >
> > >
> > > >From: lance glover <baumhaus@earthlink.net>
> > > >Reply-To: baumhaus@earthlink.net
> > > >To: Loopers-Delight@loopers-delight.com
> > > >Subject: Re: Sustaining Device
> > > >Date: Wed, 25 Jul 2001 22:31:02 -0700
> > > >
> > > >
> > > >
> > > >Mike wrote:
> > > >
> > > > > I'm looking for something that will take a note from my guitar and
> >hold
> > > > > it indefinitely.  I like to take feedback and put it into loops
but
> >my
> > > > > guitars won't always feedback on the tones I want.  Or if there is
a
> > > > > compression/gate method to do this and I am missing something
> >obvious.
> > > > >
> > > > > Mike Killian (public looping debut 9/21!)
> > > >
> > > >well,
> > > >
> > > >there is the lil' ol' ebow...
> > > >
> > > >:-)
> > > >
> > > >lance g.
> > > >
> > > >ps lots of threads re sustainiac, fernandes sustainer, etc. on this
> >list
> > > >past...perhaps there's something i've missed as well that another
more
> > > >feedback-prone than i would be able to help with. good luck on the
> >21st!
> > > >
> > > >
> > >
> > >
> > > _________________________________________________________________
> > > Get your FREE download of MSN Explorer at
> >http://explorer.msn.com/intl.asp
> > >
> >
>
>
> _________________________________________________________________
> Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp
>

From Loopers-Delight-request@loopers-delight.com  Thu Jul 26 15:29:02 2001
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  You can also simulate feedback which will sustain indefinitely with a
feedbacker effect, like that in several of the Boss pedals and pedal boards.

Smiles,

G-Girl

  At 09:25 AM 7/26/01 +0100, you wrote:
>http://www.ebow.com - or you could try simulating feedback using a volume
>pedal.
>
>"Mike" <kili@swbell.net> asked:
>> I'm looking for something that will take a note from my guitar and hold
>> it indefinitely.  I like to take feedback and put it into loops but my
>> guitars won't always feedback on the tones I want.  Or if there is a
>> compression/gate method to do this and I am missing something obvious.
>>
>> Mike Killian (public looping debut 9/21!)
>>
>>
>>
>>
>
>


---

  "The only things I really think are important, are love, and eachother.
-Then, anything is possible..."


From Loopers-Delight-request@loopers-delight.com  Thu Jul 26 15:33:07 2001
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From: Goddess <TheFates@earthlink.net>
Subject: Re: OT- 5.1 or DTS recording 
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  Glyn, in the last thread, I mentioned that Telarc has an extensive
catalog of DTS discs, and MIke Oldfield remastered Tubular Bells last year
for DTS.  Though I don't know if it's been released yet.  Anyway, -just
thought you might find it useful.  Have a great day!  

Smiles,

G-Girl

 At 10:36 AM 7/26/01 +0100, you wrote:
>hiya all,
>	off topic I know but hey that never seems to be an issue here ....
>In this vast array of musicians has anyone recorded in DTS audio yet ? A few
>weeks ago there was a thread discussing 'octophonic' recording where 5.1
>digital surround was discussed but no mention of DTS. I am a film fanatic
>(when I'm not playing guitar) and enjoy a pretty good home cinema setup. I
>have DTS decoders and until last week though this was fantastic for
>films.... then I found a DTS audio disk of The Police. Now I like the Police
>... not a huge fan but it's easy listening compared to what I would usually
>listen to... BUT OMG it is fantastic .... the clarity of sound and
>separation of instruments is awesome. Think of your favourite all time music
>track ... well, you know how the hairs on the back of your neck stand up
>when you hear it ? It had that effect on me immediately and continually ever
>since. If you have not yet experienced this I urge you to visit your local
>Home Cinema specialist and ask for a demo of a DTS audio recording - it will
>cost you nothing and I guarantee you will be impressed. 
>	Since then I have done a little research in this area as I would
>like to produce some of my recordings in DTS format. I have found some
>software which will take six digital audio tracks (Left front, left right,
>centre, rear left, rear right and sub-bass) and produces a DTS disk image
>which when recorded to CDR media can be inserted into a DVD player and so
>long as a DTS decoder is present in the setup you will hear it in full
>'certified' DTS. (The process for techies is called DTS encoding) I know
>this will take a time to prepare the digital audio tracks initially but the
>software I have seen is relatively cheap (it's called SurCode CD
>Professional software encoder for DTS Digital Surround) at $499 
>Url for anyone else interested is:
>http://www.minnetonkaaudio.com/SurCode_CD_Pro_3.htm
>Does anyone out there already use this ? If so how about a quick review from
>your perspective ?
>I would also be interested in any info anyone has on recordings of this
>nature. 
>Many thanks
>Love this list ... I find daily gems of information here 
>Glyn 'my company has the longest disclaimer in the world ever...' Merga
>
>
>
>
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>
>


---

  "The only things I really think are important, are love, and eachother.
-Then, anything is possible..."


From Loopers-Delight-request@loopers-delight.com  Thu Jul 26 15:37:07 2001
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At 2:52 PM -0400 7/26/01, R Korsakov wrote:

>I am using the "Canyon" program to create some really long ambient
>effects by sending one or two musical notes or sounds to it and letting
>them sustain-out.
>
>I want to send a midi-controller to it so I can force the note to
>die-out in order to send it a new note or sound
>
>I thought I could do this by maybe lowering and then raising again the
>room size before sending a new note, or some other way if anyone has a
>better idea.

If this is the same Canyon program 211 I have on my H3000, there is 
no Room Size parameter. There are On Decay and Off Decay parameters, 
and you can control these through MIDI.
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

From Loopers-Delight-request@loopers-delight.com  Thu Jul 26 15:38:16 2001
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Subject: RE: (NEW) rack to floor cables??
Date: Thu, 26 Jul 2001 15:26:39 -0400
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Exactly what I do...they sell 1" and 1.5" flexable tubing here at Home
Depot for like $3 for 6 feet. In the 1" tubing you can fit about 8
standard width 1/4" cables. One of these tubes goes to my mixer, the
other to my pedalboard. And it looks pretty sci-fi. 

Dave Eichenberger- guitars.loops.devices
http://www.hazardfactor.com
 
 


Hi,

I use this black plastic tubing and wire wraps to do this. THe tubing is
kind of like washing machine tubing , a little mroe flexible than pvc
platic pipe. Works great until you have a cable go bad or you change
your setup and need to add or remove some wires or you need an etrax 2
ft on some o the cables. I also try to seperate the power form the audio
cables when i can but it's no big deal.Create a patchbay type hook up on
your pedalboard and on your rack , I just stuff the cable into my rack
still attached at one end.works ok....

denis
denis taaffe
denis_aliengtr@geocities.com
http://www.dtguitar.com

-----Original Message-----
From: Richard Zvonar [mailto:zvonar@zvonar.com]
Sent: Thursday, July 26, 2001 11:55 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: (NEW) rack to floor cables??


At 8:52 AM +0200 7/26/01, mark.red@involvelearning.com wrote:

>On another issue: I have been thinking of making a big fat multicore 
>cable to connect my rack of er..

From Loopers-Delight-request@loopers-delight.com  Thu Jul 26 15:46:16 2001
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From: carl juarez <cjuarez@oz.net>
To: keith mckenney <unkied@yahoo.com>
CC: tentacle <tentacle@tentacle.org>,
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There are some problems here.

1) You didn't attach the photo, which was ostensibly the whole reason for
sending your message.

and

2) A search on the words "Christopher John Mineo" brought me to
<http://www.liemails.com/indexmi.htm#mineochristopherjohn>, which explains
that this is a hoax that's been running since February.  So there was no
reason to tell anyone at all.

cj.

From Loopers-Delight-request@loopers-delight.com  Thu Jul 26 15:57:49 2001
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> on 26/7/01 7:32 PM, Richard Zvonar at zvonar@zvonar.com wrote:
> 
>> At 10:38 AM -0700 7/26/01, Bret wrote:
>> If Walkman, and JamMan are offensive, what about Human, Woman, and
>> Mankind?  Clearly these are 'man' centric.
> 
> It's a little tricky to evaluate the "sexist content" of some of these words,
> since usage changes over the ages. "Human" is from the Latin "HVMANVS," which
> in turn derives from "HOMO."  HOMO means "human being" as opposed to "beast."
> The Latin word for "man" as opposed to "woman" was VIR (as in "virile" or
> "virtue").
> 
> So you can justifiably argue both sides of the issue in these cases, but
> sometimes it gets a little silly (as in "herstory" - the "his" bit in
> "history" has nothing to do with the possessive form of "he").  I personally
> avoid using "hysterical" as misogynistic ("hystera" is Greek for "womb"), and
> try to use (e.g.) "chairperson" or "chair" and avoid "actress," "victrix," and
> the like, but it's not worth getting too obsessive.

Thanks Richard
It is extremely fascinating to look at the etymology of words, it gives us a
chance to use the precious language to faithfully represent what we really
mean.
It is also interesting to note how different cultures add subtle shades of
expression by allowing the meaning of words to change according to context.
To remain on the issue of "the gender of words" it's interesting to see how
in Latin languages (not to mention more complex idioms like Japanese!) not
only most objects have a gender but most of these objects can "change sex"
according to the circumstances. Things like a table or a chair can either be
male or female according to the use they are put to; once you grasp the
reasons behind this you have learnt a lot about a culture.
After all it is like using the same musical phrase in different contexts to
change its effect on the listener's perception...
Roberto

______________________________________________
Roberto Battista
http://www.robat.scl.net
http://www.robat.scl.net/lectures/index.shtm
Tel. 0044 020 8449 1995
Mobile 0775 960 4344
______________________________________________
http://www.rustyrobot.com
independent on-line music distribution,
the music you can't find elsewhere,
hybrid, eclectic, world, looped, unusual...
______________________________________________
http://www.robat.scl.net/html/tibet/tibet.shtm
an exciting project on technology applied to
mobile education for developing countries and
remote locations...
______________________________________________

From Loopers-Delight-request@loopers-delight.com  Thu Jul 26 15:58:27 2001
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  -If ya say it fast, it  sounds like jamin'!  

Smiles,

G

  At 12:34 PM 7/26/01 -0400, you wrote:
>Hey-
>
>Speaking of sexist names: the Walkman. I should point out that this 
>ubiquitous little device was, in fact the inspiration for the JamMan 
>monniker.
>
>Jon Durant
>
>
>>Subject:     unsusribbe
>>Sent:        7/23/20 11:43 PM
>>Received:    7/26/01 12:31 PM
>>From:        Bailey, Jim, JBailey@corporate.southam.ca
>>Reply-To:    Loopers-Delight@loopers-delight.com
>>To:          'looppost', loopers-delight@loopers-delight.com
>>
>>Ha ha, fooled you.
>>
>>Actually, I am going to unsubscribe (the _proper_ way) for a few weeks while
>>I'm off on vacation. Heading up to the Ottawa valley for the first week to
>>do some recording in the woods. I'll be taking along a newly-acquired
>>mini-disc recorder, an old recording walkman-type cassette, and a couple of
>>really old and really cheap open-reel decks which I hope to do some sort of
>>looping with.
>>
>>It's actually an organized event, called "Full Moon Over Killaloe (the name
>>of the nearest town)" which is in its third year now. Anybody interested can
>>check out: http://www.fmok.org
>>
>>Back in three weeks. Don't wreck the place while I'm gone.
>>
>>Jim Bailey
>>
>
>


---

  "The only things I really think are important, are love, and eachother.
-Then, anything is possible..."


From Loopers-Delight-request@loopers-delight.com  Thu Jul 26 16:03:04 2001
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At 3:45 PM -0400 7/26/01, R Korsakov wrote:

>Do you happen to know which controllers control these two?

You have your choice. Press the Function button twice and then the 
first Soft Key (Patch). This will bring up the controller patching 
area. You can select the parameter, assign a control source, and 
scale the parameter response.


>Richard Zvonar wrote:
>
>>  At 2:52 PM -0400 7/26/01, R Korsakov wrote:
>>
>>  >I am using the "Canyon" program to create some really long ambient
>>  >effects by sending one or two musical notes or sounds to it and letting
>>  >them sustain-out.
>>  >
>>  >I want to send a midi-controller to it so I can force the note to
>  > >die-out in order to send it a new note or sound



-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

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Subject: PC on LP?     now let's get back to meatier subjects like Loopers T-shirts
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Michael wrote:
am i some kind of a goon because i dont care if they call it a jam-man,
jam-woman, jam-dog, it just dosent matter to me, gads rick, perhaps im not
sensitive, oh beat me with a big stick!



We overtly sensitive people love to beat people with sticks, Michael ;-)

-R.



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-----Original Message-----
From: Liebig, Steuart A. 
Sent: Thursday, July 26, 2001 1:07 PM
To: 'tom@swirly.com'
Subject: RE: OT: why musicians can't eat -- and why radio is so bad



As several people have mentioned, the terribleness of radio
could be the opportunity real music needs to get ahead....
somehow....

** as much as i bleive radio pretty much blows. the truth of the matter is
that a lot of people seem to like it - - maybe WE are just out of step. 

just an idea as an antidote to my usual self-congratulatory ways. 

stig

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<P><FONT SIZE=3D2>-----Original Message-----</FONT>
<BR><FONT SIZE=3D2>From: Liebig, Steuart A. </FONT>
<BR><FONT SIZE=3D2>Sent: Thursday, July 26, 2001 1:07 PM</FONT>
<BR><FONT SIZE=3D2>To: 'tom@swirly.com'</FONT>
<BR><FONT SIZE=3D2>Subject: RE: OT: why musicians can't eat -- and why =
radio is so bad</FONT>
</P>
<BR>
<BR>

<P><FONT SIZE=3D2>As several people have mentioned, the terribleness of =
radio</FONT>
<BR><FONT SIZE=3D2>could be the opportunity real music needs to get =
ahead....</FONT>
<BR><FONT SIZE=3D2>somehow....</FONT>
</P>

<P><FONT SIZE=3D2>** as much as i bleive radio pretty much blows. the =
truth of the matter is that a lot of people seem to like it - - maybe =
WE are just out of step. </FONT></P>

<P><FONT SIZE=3D2>just an idea as an antidote to my usual =
self-congratulatory ways. </FONT>
</P>

<P><FONT SIZE=3D2>stig</FONT>
</P>

</BODY>
</HTML>
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From Loopers-Delight-request@loopers-delight.com  Thu Jul 26 16:21:27 2001
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Date: Thu, 26 Jul 2001 12:59:01 -0700 (PDT)
From: Bret <echoplex@yahoo.com>
Subject: Jamlexic
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Maybe Lexicon should have consulted with the pharmaceutical companies. 

They seem to have a team of people devoted to created unique names:
Lipitor, Synthroid, Prilosec, Zoloft, Paxil, Zestril, Vioxx, Zyrtec,
Ultram, Vasotec, K-dur, Fosamax, Singulair, Biaxin, Veetids, Cozar,
Warfarin, Cefzil, Aciphex, Tiazac, Celexa, Tobradex.  They seem to like
x and z.  

Most of these would work as character names on star trek.

To see some unusal names of molecules see:
http://www.bris.ac.uk/Depts/Chemistry/MOTM/silly/sillymols.htm
There you can learn about 'Arsole', 'Bastardane','Cummingtonite',
'Dickite','Moronic Acid','Fukalite',' Fucitol', 'Spamol',
'Clitoriacetal', ' Vaginatin'
and others.

I just learned last night what the original 'bunghole' is, and I'm not
talking about your 'arsole'.  It is 'The hole in a cask, keg, or barrel
through which liquid is poured in or drained out'.
bretoplex

--- "Taaffe, Denis G" <dtaaffe@indiana.edu> wrote:
> no n0, your missing the point, Jamman sucks as a name because it just
> doesn't sound well...cool...I guess. I mean if ti was the
> aniahlator2000xgtxlrprodigitalunigator now that is something to
> consider and
> take seriously the jamman is a weak whimpy name. the walkman well
> it's lame
> to why was it not the runman? wel that sucks too....
> DT denis
> 
> -----Original Message-----
> From: Bret [mailto:echoplex@yahoo.com]
> Sent: Thursday, July 26, 2001 12:39 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: unsusribbe
> 
> 
> If Walkman, and JamMan are offensive, 
> 


__________________________________________________
Do You Yahoo!?
Make international calls for as low as $.04/minute with Yahoo! Messenger
http://phonecard.yahoo.com/

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Dear Richard,

Please excuse the mistake, and thanks for the reply!

Do you happen to know which controllers control these two?

Thanks

-RK

Richard Zvonar wrote:

> At 2:52 PM -0400 7/26/01, R Korsakov wrote:
>
> >I am using the "Canyon" program to create some really long ambient
> >effects by sending one or two musical notes or sounds to it and letting
> >them sustain-out.
> >
> >I want to send a midi-controller to it so I can force the note to
> >die-out in order to send it a new note or sound
> >
> >I thought I could do this by maybe lowering and then raising again the
> >room size before sending a new note, or some other way if anyone has a
> >better idea.
>
> If this is the same Canyon program 211 I have on my H3000, there is
> no Room Size parameter. There are On Decay and Off Decay parameters,
> and you can control these through MIDI.
> --
>
> ______________________________________________________________
> Richard Zvonar, PhD
> (818) 788-2202
> http://www.zvonar.com
> http://RZCybernetics.com
> http://www.cybmotion.com/aliaszone
> http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

From Loopers-Delight-request@loopers-delight.com  Thu Jul 26 16:36:50 2001
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'tom@swirly.com' wrote...
> As several people have mentioned, the terribleness of radio could be the opportunity real music needs to get ahead.... somehow....

I like to motivate myself with thoughts such as this, but have to temper that. See below...

** as much as i bleive radio pretty much blows. the truth of the matter is that a lot of people seem to like it - - maybe WE are just out of step. just an idea as an antidote to my usual self-congratulatory ways. stig

Even with a proliferation of improv and experimental based music going on, couple with the internet, it does seem like we are still in a small minority. The fact that in there are only 3-6 small venues in big cities such as New York and SF, and usually maybe one or two places to play in medium size cities, tells me we're still in a very precarious state of infancy. This is mostly a perspective on the public 'live' music scene, but I use that as a barometer. It's great to go see some of these shows, but usually there's between 10 and 30 people attending internationally famous (in improv and experimental genre) artists shows. 

Often the 'venue' has been 'created' by enterprising folks renting a dance studio, gallery or some other type of space because there's no real clubs booking this kind of stuff. I'm very grateful that internet gatherings like LD allow us to collectively work the logistics of this stuff out. I fear without the internet, we'd be working in the dark, so to speak.

Sound-design and scoring visual arts based work seems to be the most acceptable area to gain ground with adventurous stuff, although I could be kidding myself... (DT's managed to have quite a career in that area...)

Best,
-Miko

From Loopers-Delight-request@loopers-delight.com  Thu Jul 26 16:52:01 2001
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Subject: JamMan sensitivity - was Re: Loopers T-shirts or something
From: Allan Hoeltje <ahoeltje@best.com>
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I hereby suggest that the EDP be renamed the "EchoMan Pro Delux".  I
personally don't care if things are named "---man" and don't believe that
words in and of themselves are sexist.  It is sexist people who are sexist.
Can we get back to shirt color and sizes, please?

-Allan

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my $.02:

if you are handy with a soldering iron you can go to radio shack (or order 
thru allied or somesuch) a d-sub housing (male & female, of course) and 
wire up your own multipin connector. i did it to wire up  6 effects from 
different maufact's into one pedalboard (a cannibalized $20 mesa boogie 
thing); but you can use the same principle for a number of things.

you do have to be a LITTLE careful, but the d-sub (which gives you, what, i 
think 26 or 7 points?) is not too impossibly tiny to work with - not nearly 
as pad bad as the points on a TT bay, frinstance....

just a idea.... hope this isn't off the point!


rbrt

>Hi MArk-
>
>I was looking into this a few months ago, since I have a similar 
>situation.  Whirlwind has nice multipin connectors available, but they're 
>difficult to assemble.  When I looked at having them make custom fanouts 
>on multipin connectors, it was going to cost upwards of $1000.  I believe 
>ProCo also sells a multipin connector.  A 56-pin Elco connector would also 
>work for you, and you can probably buy them with the multicore already 
>connected at the connector end.
>
>I had two stereo, eight audio, and one MIDI cable to connect to my rack, 
>aside from all of the interconnections.  I'm really lazy and I already 
>spent all of my money on gear and cables, so here's what I did:  I 
>assembled all of my drum machines and synthesizers together on a folding 
>table with their power hooked up to a power strip and their syncs and 
>other interconnections made, like a pedalboard.  Then I hooked up 
>individual cables from the various machines to the back of my rack, 
>labeled them at the rack end, and wire tied all of the cables together 
>into a loom.  So when I break down, I just pull all of the plugs out of 
>the back of the rack and put the loom on the table with the other gear for 
>transport.  This allows me to connect everything in about a minute, 
>whereas it took more than twenty before, and it's not such a rat's nest 
>anymore.  I'm glad I did it this way, because I find myself creating a new 
>routing paradigm before every gig, and the loom makes it easy to reconfigure.
>
>-Hans
>>On another issue: I have been thinking of making a big fat multicore cable
>>to connect my rack of er... stuff to all the misc pedals on the floor (a
>>good 20 minutes it take to plug in at soundcheck, by which time... there
>>isnt any!!!) Has anyone done this and found a good connector. It need to
>>take 6 audio/2midi/and various (8) stereo cable pedals (like the vortex
>>ones). I'm thinking of a big old metal box on the rack and a big old metal
>>box on the floorboard... could I use a mixing desk multicore cable....
>>Just wanted other peoples solutions... (When is stuff gonna be wireless???)
>>
>>MArk Francombe Red
>--
>Hans Lindauer
>Engineer, Music Man R&D
>Ernie Ball, Inc.
>
>just what the world needs....

<http://www.tensionheadache.org/>another frikkin url

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<html>
<br>
my $.02:<br>
<br>
if you are handy with a soldering iron you can go to radio shack (or
order thru allied or somesuch) a d-sub housing (male &amp; female, of
course) and wire up your own multipin connector. i did it to wire
up&nbsp; 6 effects from different maufact's into one pedalboard (a
cannibalized $20 mesa boogie thing); but you can use the same principle
for a number of things.<br>
<br>
you do have to be a LITTLE careful, but the d-sub (which gives you, what,
i think 26 or 7 points?) is not too impossibly tiny to work with - not
nearly as pad bad as the points on a TT bay, frinstance....<br>
<br>
just a idea.... hope this isn't off the point!<br>
<br>
<br>
rbrt<br>
<br>
<blockquote type=3Dcite class=3Dcite cite>Hi MArk- <br>
<br>
I was looking into this a few months ago, since I have a similar
situation.&nbsp; Whirlwind has nice multipin connectors available, but
they're difficult to assemble.&nbsp; When I looked at having them make
custom fanouts on multipin connectors, it was going to cost upwards of
$1000.&nbsp; I believe ProCo also sells a multipin connector.&nbsp; A
56-pin Elco connector would also work for you, and you can probably buy
them with the multicore already connected at the connector end. <br>
<br>
I had two stereo, eight audio, and one MIDI cable to connect to my rack,
aside from all of the interconnections.&nbsp; I'm really lazy and I
already spent all of my money on gear and cables, so here's what I
did:&nbsp; I assembled all of my drum machines and synthesizers together
on a folding table with their power hooked up to a power strip and their
syncs and other interconnections made, like a pedalboard.&nbsp; Then I
hooked up individual cables from the various machines to the back of my
rack, labeled them at the rack end, and wire tied all of the cables
together into a loom.&nbsp; So when I break down, I just pull all of the
plugs out of the back of the rack and put the loom on the table with the
other gear for transport.&nbsp; This allows me to connect everything in
about a minute, whereas it took more than twenty before, and it's not
such a rat's nest anymore.&nbsp; I'm glad I did it this way, because I
find myself creating a new routing paradigm before every gig, and the
loom makes it easy to reconfigure. <br>
<br>
-Hans <br>
<blockquote type=3Dcite class=3Dcite cite>On another issue: I have been
thinking of making a big fat multicore cable<br>
to connect my rack of er... stuff to all the misc pedals on the floor
(a<br>
good 20 minutes it take to plug in at soundcheck, by which time...
there<br>
isnt any!!!) Has anyone done this and found a good connector. It need
to<br>
take 6 audio/2midi/and various (8) stereo cable pedals (like the
vortex<br>
ones). I'm thinking of a big old metal box on the rack and a big old
metal<br>
box on the floorboard... could I use a mixing desk multicore
cable....<br>
Just wanted other peoples solutions... (When is stuff gonna be
wireless???)<br>
<br>
MArk Francombe Red</blockquote>-- <br>
Hans Lindauer <br>
Engineer, Music Man R&amp;D <br>
Ernie Ball, Inc. <br>
&nbsp; <br>
just what the world needs.... </blockquote>
<x-sigsep><p></x-sigsep>
<div align=3D"center">
<a href=3D"http://www.tensionheadache.org/">another </a>frikkin url<br>
</div>
</html>

--=====================_22862137==_.ALT--

From Loopers-Delight-request@loopers-delight.com  Thu Jul 26 17:12:42 2001
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From: "Bowerbird" <Bowerbird@socal.rr.com>
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Subject: David Keane-"Tape Music Compositon"
Date: Thu, 26 Jul 2001 14:09:52 -0700
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Hello all,
 I would like to know if anyone on this list has a copy of David Keane's =
book "Tape Music Composition" that they'd be willing to sell.  Even a =
photo copy would be great.=20

Thanks alot!!



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<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Hello all,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>&nbsp;I would like to know if anyone on =
this list=20
has a copy of David Keane's book "Tape Music Composition" that they'd be =
willing=20
to sell. &nbsp;Even a photo copy would be great. </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Thanks alot!!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV></BODY></HTML>

------=_NextPart_000_000B_01C115DC.A360C0E0--

From Loopers-Delight-request@loopers-delight.com  Thu Jul 26 17:19:07 2001
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From: "Bill Fox" <billfox@fast.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: Re: EMUSIC Playlist #224
Date: Thu, 26 Jul 2001 17:13:45 -0400
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-----Original Message-----
From: Italo De Angelis <italoop@libero.it>
To: Loopers-Delight@loopers-delight.com <Loopers-Delight@loopers-delight.com>
Date: Monday, July 09, 2001 10:38 AM
Subject: Re: EMUSIC Playlist #224


>Bill
>have you EVER thought that not everybody here CAN listen to a small FM
>station from Allentown?
>or are we all from US? I don't send my stuff since I know the majority of
>people here would never be able to get to it anyways.
>Evidently you never thought about that!
>
>Italo

Dear Italo,

I'd have to be a vegetable AND dumb as sticks to have never thought about that.
What kind of a mouth breathing Philistine do you think I am?  My playlists have
nothing to do with one's ability to receive WDIY.  My playlists are
encouragement to musicians that there IS an outlet for their creativity, even if
they aren't a "big name" like Steve Roach or Robert Rich or Dweller at the
Threshold.  My playlists are an aid to music lovers who want to find out new
musicians to investigate.  I dare say that I've been posting my playlists here
with Kim's blessing for longer than you've been a member.  And LD members have
appeared on my playlists when their music fits the EMUSIC format.  I feel that
my playlists are a valuable service.  Testimony from people belonging to a
variety of mailing lists exists to prove it is successful in that capacity.
Your mileage may vary.

>----- Original Message -----
>From: "David Beardsley" <db@biink.com>
>To: <Loopers-Delight@loopers-delight.com>; <billfox@fast.net>
>Sent: Monday, July 09, 2001 4:18 PM
>Subject: Re: EMUSIC Playlist #224
>
>> I'd prefer not to receive your play lists at all,
>> but get it anyway because I subscribe to all
>> sorts of lists. How about you stop sending it
>> to all these lists, start your own Yahoo list
>> and give people a choice in the matter?
>>
>> db

Dear David,

You have the choice to press delete.  I'm sure that you expect that there will
be some messages on a mailing list that you find to be of less interest to you
than other messages.  No list can provide 100% interesting messages to 100% of
its readership.  And from my sig, you'll notice that I HAVE a Yahoo list.  It's
been around for a while now (since March).  Unless Kim deems my playlists too
far off topic, you'll continue to see them here on LD.  If Kim says the word, my
playlists are history on LD.

Best regards to all,

Bill        billfox@fast.net           http://wdiyfm.org/schedule/s_emusic.html
===============================================================================
Host of EMUSIC, an electronic, ambient, and space music show.  Thursdays at
11 pm on WDIY 88.1 FM, Allentown and Bethlehem and 93.9 FM in Easton and
Phillipsburg.  Email me if you wish to submit music for airplay consideration.
Radio Station Home Page: http://wdiyfm.org
Personal site: http://www.users.fast.net/~billfox
To subscribe to the EMUSIC on WDIY list, send
email to: emusic-wdiy-subscribe@yahoogroups.com

From Loopers-Delight-request@loopers-delight.com  Thu Jul 26 17:33:46 2001
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Subject: Re: David Keane-"Tape Music Compositon"
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Crikey, I have a copy of that book. Its in storage at the moment. You;re =
the first person to have ever mentioned it since I got it about 6 years =
ago. As to selling or photocopying, not sure yet, I'm sure we can work =
something out once I get it and I have some time.=20

Jamie
  ----- Original Message -----=20
  From: Bowerbird=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Thursday, July 26, 2001 4:09 PM
  Subject: David Keane-"Tape Music Compositon"


  Hello all,
   I would like to know if anyone on this list has a copy of David =
Keane's book "Tape Music Composition" that they'd be willing to sell.  =
Even a photo copy would be great.=20
  =20
  Thanks alot!!
  =20
  =20

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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Crikey, I have a copy of that book. Its =
in storage=20
at the moment. You;re the first person to have ever mentioned it since I =
got it=20
about 6 years ago. As to selling or photocopying, not sure yet, I'm sure =
we can=20
work something out once I get it and I have some time. </FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Jamie</FONT></DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: =
0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A href=3D"mailto:Bowerbird@socal.rr.com"=20
  title=3DBowerbird@socal.rr.com>Bowerbird</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  href=3D"mailto:Loopers-Delight@loopers-delight.com"=20
  =
title=3DLoopers-Delight@loopers-delight.com>Loopers-Delight@loopers-delig=
ht.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Thursday, July 26, 2001 =
4:09=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> David Keane-"Tape =
Music=20
  Compositon"</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial size=3D2>Hello all,</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>&nbsp;I would like to know if anyone =
on this list=20
  has a copy of David Keane's book "Tape Music Composition" that they'd =
be=20
  willing to sell. &nbsp;Even a photo copy would be great. </FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Thanks alot!!</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial =
size=3D2></FONT>&nbsp;</DIV></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu Jul 26 17:43:34 2001
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To: <Loopers-Delight@loopers-delight.com>
Subject: Re: Touring
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Hi Tom:

More details on the Philadelphia appearance, please.

TIA

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<DIV><FONT color=3D#000000>Hi Tom:</FONT></DIV>
<DIV><FONT color=3D#000000></FONT>&nbsp;</DIV>
<DIV>More details on the Philadelphia appearance, please.</DIV>
<DIV>&nbsp;</DIV>
<DIV>TIA</DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu Jul 26 17:47:47 2001
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To: "Looper's Delight (E-mail)" <Loopers-Delight@loopers-delight.com>
Subject: FW: reaching folks
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No, I think you're right--but people get to make up their own minds--
The question is how to reach folks without going door to door--seems like
the 'net is just the ticket.
Gary 

 
 
** i think that the biggest boon that the internet holds for the "creative"
musician is the opportunity to network with other like-minded folk, plan and
book gig or rehearsal activities for projects, or research other like-minded
folks' music, etc. 
 
i'm not really convinced that it holds much more for us than would a record
store in terms of reaching people who haven't heard what it is we *do* - -
people who don't already have experience with experimental music (or what
ever you wanna call it). i say this because people have to WANT to find
something and actively search it out - - and i'm not really sure how that's
gonna happen unless they're already interested. if someone could explain why
i'm wrong about this, it would help me to be more optimistic about the 'net
as the "salvation" of "creative" music.  
 
stig
 
 


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<TITLE>OT: why musicians can't eat -- and why radio is so bad</TITLE>

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<BODY>
<BLOCKQUOTE dir=ltr style="MARGIN-RIGHT: 0px">
  <BLOCKQUOTE dir=ltr style="MARGIN-RIGHT: 0px">
    <DIV align=left class=OutlookMessageHeader dir=ltr><FONT color=#0000ff 
    face=Arial size=2><SPAN class=670304420-26072001>No, I think you're 
    right--but people get to make up their own minds--</SPAN></FONT></DIV>
    <DIV align=left class=OutlookMessageHeader dir=ltr><FONT color=#0000ff 
    face=Arial size=2><SPAN class=670304420-26072001>The question is how to 
    reach folks without going door to door--seems like the 'net is just the 
    ticket.</SPAN></FONT></DIV>
    <DIV align=left class=OutlookMessageHeader dir=ltr><FONT size=2><FONT 
    color=#0000ff><FONT face=Arial><SPAN 
    class=670304420-26072001>Gary&nbsp;</SPAN><BR><BR><SPAN 
    class=713362921-26072001>&nbsp;</SPAN></FONT></FONT></FONT></DIV>
    <DIV align=left class=OutlookMessageHeader dir=ltr><FONT size=2><FONT 
    color=#0000ff><FONT face=Arial><SPAN 
    class=713362921-26072001></SPAN></FONT></FONT></FONT>&nbsp;</DIV>
    <DIV align=left class=OutlookMessageHeader dir=ltr><FONT size=2><FONT 
    color=#0000ff><FONT face=Arial><SPAN class=713362921-26072001>** i 
    think&nbsp;that the biggest boon that the internet holds for the "creative" 
    musician&nbsp;is the opportunity to network with other like-minded folk, 
    plan&nbsp;and book gig or rehearsal activities for projects, or research 
    other like-minded folks' music, etc.&nbsp;</SPAN></FONT></FONT></FONT></DIV>
    <DIV align=left class=OutlookMessageHeader dir=ltr><FONT size=2><FONT 
    color=#0000ff><FONT face=Arial><SPAN 
    class=713362921-26072001></SPAN></FONT></FONT></FONT>&nbsp;</DIV>
    <DIV align=left class=OutlookMessageHeader dir=ltr><FONT size=2><FONT 
    color=#0000ff><FONT face=Arial><SPAN class=713362921-26072001>i'm not really 
    convinced that it holds much more for us than would a record store in 
    terms&nbsp;of reaching people who&nbsp;haven't heard what it is we *do* - - 
    people who don't already have experience with experimental music (or what 
    ever you wanna call it). i say this because people have to WANT to find 
    something and&nbsp;actively search it out - - and i'm not really sure how 
    that's gonna happen unless they're already interested. if someone could 
    explain why i'm&nbsp;wrong about this, it would help me to be more 
    optimistic about the 'net as the "salvation" of "creative" 
    music.&nbsp;&nbsp;</SPAN></FONT></FONT></FONT></DIV>
    <DIV align=left class=OutlookMessageHeader dir=ltr><FONT size=2><FONT 
    color=#0000ff><FONT face=Arial><SPAN 
    class=713362921-26072001></SPAN></FONT></FONT></FONT>&nbsp;</DIV>
    <DIV align=left class=OutlookMessageHeader dir=ltr><FONT size=2><FONT 
    color=#0000ff><FONT face=Arial><SPAN 
    class=713362921-26072001>stig</SPAN></FONT></FONT></FONT></DIV>
    <DIV align=left class=OutlookMessageHeader dir=ltr><FONT size=2><FONT 
    color=#0000ff><FONT face=Arial><SPAN 
    class=713362921-26072001></SPAN></FONT></FONT></FONT>&nbsp;</DIV>
    <DIV align=left class=OutlookMessageHeader dir=ltr><FONT size=2><FONT 
    color=#0000ff><FONT face=Arial><SPAN 
    class=713362921-26072001></SPAN></FONT></FONT></FONT>&nbsp;</DIV></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

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JH-
Thankyou for the quick reply!! Please let me know if and when you would =
be willing or able to sell me your copy or a photocopy of the book!
my e-mail address is:
bowerbird@socal.rr.com
Thanks again!!!!
  ----- Original Message -----=20
  From: JH=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Thursday, July 26, 2001 2:30 PM
  Subject: Re: David Keane-"Tape Music Compositon"


  Crikey, I have a copy of that book. Its in storage at the moment. =
You;re the first person to have ever mentioned it since I got it about 6 =
years ago. As to selling or photocopying, not sure yet, I'm sure we can =
work something out once I get it and I have some time.=20

  Jamie
    ----- Original Message -----=20
    From: Bowerbird=20
    To: Loopers-Delight@loopers-delight.com=20
    Sent: Thursday, July 26, 2001 4:09 PM
    Subject: David Keane-"Tape Music Compositon"


    Hello all,
     I would like to know if anyone on this list has a copy of David =
Keane's book "Tape Music Composition" that they'd be willing to sell.  =
Even a photo copy would be great.=20

    Thanks alot!!



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<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 5.50.4134.100" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>JH-</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Thankyou for the quick reply!! Please =
let me know=20
if and when you would be willing or able to sell me your copy or a =
photocopy of=20
the book!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>my e-mail address is:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"mailto:bowerbird@socal.rr.com">bowerbird@socal.rr.com</A></FONT><=
/DIV>
<DIV><FONT face=3DArial size=3D2>Thanks again!!!!</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Djahuggett@hotmail.com =
href=3D"mailto:jahuggett@hotmail.com">JH</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Thursday, July 26, 2001 =
2:30=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: David Keane-"Tape =
Music=20
  Compositon"</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial size=3D2>Crikey, I have a copy of that book. =
Its in=20
  storage at the moment. You;re the first person to have ever mentioned =
it since=20
  I got it about 6 years ago. As to selling or photocopying, not sure =
yet, I'm=20
  sure we can work something out once I get it and I have some time.=20
  </FONT></DIV>
  <DIV>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Jamie</FONT></DIV>
  <BLOCKQUOTE=20
  style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
    <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
    <DIV=20
    style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
    <A title=3DBowerbird@socal.rr.com=20
    href=3D"mailto:Bowerbird@socal.rr.com">Bowerbird</A> </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
    title=3DLoopers-Delight@loopers-delight.com=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
    </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Thursday, July 26, 2001 =
4:09=20
    PM</DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> David Keane-"Tape =
Music=20
    Compositon"</DIV>
    <DIV><BR></DIV>
    <DIV><FONT face=3DArial size=3D2>Hello all,</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>&nbsp;I would like to know if =
anyone on this=20
    list has a copy of David Keane's book "Tape Music Composition" that =
they'd=20
    be willing to sell. &nbsp;Even a photo copy would be great. =
</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>Thanks alot!!</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial=20
size=3D2></FONT>&nbsp;</DIV></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu Jul 26 18:11:00 2001
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Date: Thu, 26 Jul 2001 15:08:33 -0700
From: "Mike Biffle" <Mike.Biffle@asml.com>
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Subject: Re: reaching folks
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Miko...
** i think that the biggest boon that the internet holds for the "creative" musician is the opportunity to network with other like-minded folk, plan and book gig or rehearsal activities for projects, or research other like-minded folks' music, etc. 
 
stig
>> i'm not really convinced that it holds much more for us than would a record store in terms of reaching people who haven't heard what it is we *do* - - people who don't already have experience with experimental music (or what ever you wanna call it). i say this because people have to WANT to find something and actively search it out - - and i'm not really sure how that's gonna happen unless they're already interested. if someone could explain why i'm wrong about this, it would help me to be more optimistic about the 'net as the "salvation" of "creative" music.  

I think my comment regarding the net was that I as a musician am able to conspire with people around the world about venues, schedules, etc. I would never have met most of you had I not found you here. This has greatly increased my chances of working among a real 'community' rather than feeling that I have no kindred spirits out there. My personal experience is that I've been VERY positively encouraged that what I do means something. I'm extremely grateful for this... (another thanks to Kim as well!)

For the average music-seeking public, (and myself)... Access to MP3 and Real Audio has really helped me to sample before I buy. I know there are listening kiosks at most major retailers now, but the range you can find on the internet is so much greater. Hell... I can listen to a large number of our own members! Over on Live365 there's loads of experimental radion stations... as well as CryptoRadio... which is a label you're on if I'm not mistaken? (I know there's many of your cohorts there...)
 
> No, I think you're right--but people get to make up their own minds-- The question is how to reach folks without going door to door--seems like the 'net is just the ticket. Gary 
 
Ditto... It may not grow you as fast as having a distribution deal, but the community is priceless.

Best,
-Miko

From Loopers-Delight-request@loopers-delight.com  Thu Jul 26 18:14:49 2001
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Ahem,

Jamie, if you do plan on photocopying, would it be possible to make an extra 
copy for me(will pay for copies)?

Thanks, Pat


>From: "JH" <jahuggett@hotmail.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: <Loopers-Delight@loopers-delight.com>
>Subject: Re: David Keane-"Tape Music Compositon"
>Date: Thu, 26 Jul 2001 16:30:05 -0500
>
>Crikey, I have a copy of that book. Its in storage at the moment. You;re 
>the first person to have ever mentioned it since I got it about 6 years 
>ago. As to selling or photocopying, not sure yet, I'm sure we can work 
>something out once I get it and I have some time.
>
>Jamie
>   ----- Original Message -----
>   From: Bowerbird
>   To: Loopers-Delight@loopers-delight.com
>   Sent: Thursday, July 26, 2001 4:09 PM
>   Subject: David Keane-"Tape Music Compositon"
>
>
>   Hello all,
>    I would like to know if anyone on this list has a copy of David Keane's 
>book "Tape Music Composition" that they'd be willing to sell.  Even a photo 
>copy would be great.
>
>   Thanks alot!!
>
>


_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp

From Loopers-Delight-request@loopers-delight.com  Thu Jul 26 18:16:07 2001
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Subject: Re: unsusribbe
Date: Thu, 26 Jul 2001 18:17:43 -0400
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roberto wrote:
>It is extremely fascinating to look at the etymology of words, it gives us
a
>chance to use the precious language to faithfully represent what we really
>mean.


So true.  For instance, going back a bit further in time to Sanskritic and
Proto-Indo-European roots (linguistic ancestors of Latin), the word "man"
has the meaning of "the mind," "the heart," "deepest or inmost soul," etc.

>To remain on the issue of "the gender of words" it's interesting to see how
>in Latin languages (not to mention more complex idioms like Japanese!) not
>only most objects have a gender but most of these objects can "change sex"
>according to the circumstances. Things like a table or a chair can either
be
>male or female according to the use they are put to; once you grasp the
>reasons behind this you have learnt a lot about a culture.

This is something most native speakers of English have a difficult time
dealing with in learning a new language.  I remember my Latin teacher in
high school telling us "There's no logic behind it -- don't drive yourselves
crazy trying to figure out why a dog is masculine and a cat is feminine, or
why a door is feminine and a stone masculine -- just memorize the correct
word endings."  Good advice, though it *did* bother me for a while.  After
studying some modern languages I saw his point -- there really is no logic
or reason behind gender of words.  I guess in English it's just one less
thing to worry about, which is fine, since our spelling baffles most new
learners (and many native speakers as well).  I was surprised when learning
Hindi to find that not only do objects (nouns) have different genders, but
the verbs used to speak about the actions these objects perform also change
gender to match the object.  Very intriguing.

My apologies for being WAY OT

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References: <sb601bb4.033@Svly-Hub.svg.com>
Subject: Re: OT: why musicians can't eat -- and why radio is so bad
Date: Thu, 26 Jul 2001 23:18:40 +0100
Organization: EarthLight Productions
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Like Miko says,

> Often the 'venue' has been 'created' by enterprising folks renting a dance
studio, gallery or some other type of space because there's no real clubs
booking this kind of stuff. I'm very grateful that internet gatherings like
LD allow us to collectively work the logistics of this stuff out. I fear
without the internet, we'd be working in the dark, so to speak.<

In the UK the DJ is one aspect - I've noticed online via newsgroups for
instance that there are groups of mutual friends that set up the party
situation, as well as the DJs / Lights / etc - and everyone pays £5 to chip
in.  End result, they rent a place configured for dancing and fun, close the
place off once everyone's arrived, and (as they say here) 'ave at it'.

Internet indeed is the place where communications take place to arrange
everything but the venue, including the invitations.  These are private
parties, and the photos online look like they're having a great time:

http://www.sandstormpromotions.co.uk/partypics/

Stephen Goodman
http://www.earthlight.net/Gallery_Front.html - Cartoons & Illustrations
http://www.earthlight.net/Studios * The free Loop of the Week!
http://www.live365.com/stations/218194 * EarthLight Online / Live!

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Subject: Re: Touring
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In a message dated 7/26/01 2:49:42 PM Eastern Daylight Time, 
heasley@hypnos.com writes:


> Roughly two weeks on either side of Sept. 15 (Aug. 24,25 tentatively in VT) 
> 

hey tom!.....come join me on sept 13 th. in pittsburgh ill be playing an 
opening spot again.....if not, please let me know if you will be doing 
pittsburgh.....:)m

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>In a message dated 7/26/01 2:49:42 PM Eastern Daylight Time, 
<BR>heasley@hypnos.com writes:
<BR>
<BR>
<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">Roughly two weeks on either side of Sept. 15 (Aug. 24,25 tentatively in VT) 
<BR>is where I'm looking for spaces to perform </BLOCKQUOTE>
<BR>
<BR>hey tom!.....come join me on sept 13 th. in pittsburgh ill be playing an 
<BR>opening spot again.....if not, please let me know if you will be doing 
<BR>pittsburgh.....:)m</FONT></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu Jul 26 18:33:56 2001
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From: "Tim Goodwin" <deepbass6@earthlink.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: unsusribbe
Date: Thu, 26 Jul 2001 15:31:45 -0500
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Cool.  Thanks for that curious piece of herstory!

--
TG



-----Original Message-----
From: Richard Zvonar [mailto:zvonar@zvonar.com]
Sent: Thursday, July 26, 2001 1:33 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: unsusribbe


Here's something amusing and/or informative:

http://www.bartleby.com/61/96/M0069600.html

<...>

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Subject: Re: EMUSIC Playlist #224
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In a message dated 7/26/01 5:17:35 PM Eastern Daylight Time, billfox@fast.net 
writes:


> And LD members have
> appeared on my playlists when their music fits the EMUSIC format.  

id love to see much more of that.....:)m

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>In a message dated 7/26/01 5:17:35 PM Eastern Daylight Time, billfox@fast.net 
<BR>writes:
<BR>
<BR>
<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">And LD members have
<BR>appeared on my playlists when their music fits the EMUSIC format. &nbsp;</BLOCKQUOTE>
<BR>
<BR>id love to see much more of that.....:)m</FONT></HTML>

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In a message dated 7/26/01 4:04:02 PM Eastern Daylight Time, 
GLOBAL@cruzio.com writes:


> 

rick.....why did my connection to aol crash after i read your post to 
me.....this aint some kind-o-vodoo is it?.....:)m

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>In a message dated 7/26/01 4:04:02 PM Eastern Daylight Time, 
<BR>GLOBAL@cruzio.com writes:
<BR>
<BR>
<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">We overtly sensitive people love to beat people with sticks</BLOCKQUOTE>
<BR>
<BR>rick.....why did my connection to aol crash after i read your post to 
<BR>me.....this aint some kind-o-vodoo is it?.....:)m</FONT></HTML>

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yeah!!! cool names...Man just plugged my zoloft into my tiazac and slap in a
little paxil and I get an automatic led zepling type sound,?!

denis

-----Original Message-----
From: Bret [mailto:echoplex@yahoo.com]
Sent: Thursday, July 26, 2001 2:59 PM
To: Loopers-Delight@loopers-delight.com
Subject: Jamlexic


Maybe Lexicon should have consulted with the pharmaceutical companies. 

They seem to have a team of people devoted to created unique names:
 

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	pers T-shirts
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doesn't care?...man he must beat his dog too and tear tags off his
mattresses......
lol
denis
 
Michael wrote:
am i some kind of a goon because i dont care if they call it a jam-man,
jam-woman, jam-dog, it just dosent matter to me, g 

 

From Loopers-Delight-request@loopers-delight.com  Thu Jul 26 19:23:34 2001
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very nadsat 

(clockwork orange).

stig


yeah!!! cool names...Man just plugged my zoloft into my tiazac and slap in a
little paxil and I get an automatic led zepling type sound,?!

denis


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<P><FONT SIZE=2>very nadsat </FONT>
</P>

<P><FONT SIZE=2>(clockwork orange).</FONT>
</P>

<P><FONT SIZE=2>stig</FONT>
</P>
<BR>

<P><FONT SIZE=2>yeah!!! cool names...Man just plugged my zoloft into my tiazac and slap in a</FONT>
<BR><FONT SIZE=2>little paxil and I get an automatic led zepling type sound,?!</FONT>
</P>

<P><FONT SIZE=2>denis</FONT>
</P>

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From Loopers-Delight-request@loopers-delight.com  Thu Jul 26 19:26:20 2001
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Subject: RE: reaching folks
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Miko said ...
I think my comment regarding the net was that I as a musician am able to
conspire with people around the world about venues, schedules, etc. I would
never have met most of you had I not found you here. This has greatly
increased my chances of working among a real 'community' rather than feeling
that I have no kindred spirits out there. My personal experience is that
I've been VERY positively encouraged that what I do means something. I'm
extremely grateful for this... (another thanks to Kim as well!)

** i think the 'net is extremely valuable for this. 

For the average music-seeking public, (and myself)... Access to MP3 and Real
Audio has really helped me to sample before I buy. I know there are
listening kiosks at most major retailers now, but the range you can find on
the internet is so much greater. Hell... I can listen to a large number of
our own members! Over on Live365 there's loads of experimental radion
stations... 

** okay, see this is where i see all of the resources and oportunities and
"virtual venues" (or what ever ya wanna call 'em), but i'm not sure how
people FIND that stuff unless they're freaks like us and already know they
wanna find it . . . it's great they can download mp3s and all, but how do
they arrive at finding YOURS? please guide me to an understanding of how
this happens.

as well as CryptoRadio... which is a label you're on if I'm not mistaken? (I
know there's many of your cohorts there...)

** yeah my new cd (pomegranate, 31 july street date, with m. dresser, t.
varner, v. golia and n. cline) is on cryptogramophone.
 

Ditto... It may not grow you as fast as having a distribution deal, but the
community is priceless.


** i think it has a lot of potential, but mostly i see it as a great arena
for exchanging ideas and so forth. 

stig

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<P><FONT SIZE=3D2>Miko said ...</FONT>
<BR><FONT SIZE=3D2>I think my comment regarding the net was that I as a =
musician am able to conspire with people around the world about venues, =
schedules, etc. I would never have met most of you had I not found you =
here. This has greatly increased my chances of working among a real =
'community' rather than feeling that I have no kindred spirits out =
there. My personal experience is that I've been VERY positively =
encouraged that what I do means something. I'm extremely grateful for =
this... (another thanks to Kim as well!)</FONT></P>

<P><FONT SIZE=3D2>** i think the 'net is extremely valuable for this. =
</FONT>
</P>

<P><FONT SIZE=3D2>For the average music-seeking public, (and myself)... =
Access to MP3 and Real Audio has really helped me to sample before I =
buy. I know there are listening kiosks at most major retailers now, but =
the range you can find on the internet is so much greater. Hell... I =
can listen to a large number of our own members! Over on Live365 =
there's loads of experimental radion stations... </FONT></P>

<P><FONT SIZE=3D2>** okay, see this is where i see all of the resources =
and oportunities and &quot;virtual venues&quot; (or what ever ya wanna =
call 'em), but i'm not sure how people FIND that stuff unless they're =
freaks like us and already know they wanna find it . . . it's great =
they can download mp3s and all, but how do they arrive at finding =
YOURS? please guide me to an understanding of how this =
happens.</FONT></P>

<P><FONT SIZE=3D2>as well as CryptoRadio... which is a label you're on =
if I'm not mistaken? (I know there's many of your cohorts =
there...)</FONT></P>

<P><FONT SIZE=3D2>** yeah my new cd (pomegranate, 31 july street date, =
with m. dresser, t. varner, v. golia and n. cline) is on =
cryptogramophone.</FONT></P>

<P><FONT SIZE=3D2>&nbsp;</FONT>
</P>

<P><FONT SIZE=3D2>Ditto... It may not grow you as fast as having a =
distribution deal, but the community is priceless.</FONT>
</P>
<BR>

<P><FONT SIZE=3D2>** i think it has a lot of potential, but mostly i =
see it as a great arena for exchanging ideas and so forth. </FONT>
</P>

<P><FONT SIZE=3D2>stig</FONT>
</P>

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From Loopers-Delight-request@loopers-delight.com  Thu Jul 26 19:32:30 2001
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From: spaceloop <tao@ns.ahoc.net>
To: petr <petr@tryi.com>
cc: Loopers-Delight@loopers-delight.com
Subject: Re: guitar arpeggiator
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I'm surprised nobody mentioned the Digitech DHP-33. It does that hip
techno arpeggiator thing that is so popular with the young 'uns these
daze. It sounds good, each note of the arpeggiator is programmable and I
believe you can even MIDI sync the tempo, but don't quote me on that.



On Tue, 24 Jul 2001, petr wrote:

> I am looking for a good arpeggiator effect for my loops, which I can use 
> for guitar (not MIDI).  Any advice?
> 
> 
> 

--
travis salisbury
http://www.illuminetdesign.com

From Loopers-Delight-request@loopers-delight.com  Thu Jul 26 19:43:41 2001
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Miko > For the average music-seeking public, (and myself)... Access to MP3 and Real Audio has really helped me to sample before I buy. I know there are listening kiosks at most major retailers now, but the range you can find on the internet is so much greater. Hell... I can listen to a large number of our own members! Over on Live365 there's loads of experimental radion stations... 

Stig ** okay, see this is where i see all of the resources and oportunities and "virtual venues" (or what ever ya wanna call 'em), but i'm not sure how people FIND that stuff unless they're freaks like us and already know they wanna find it . . . it's great they can download mp3s and all, but how do they arrive at finding YOURS? please guide me to an understanding of how this happens.

Well... part of my enthusiasm in this is due to the fact that *I FOUND* all these freaks like us... I'm hoping that this indicates there are more than I had previously believed possible. Wishful thinking, but in our instance it holds true. I'll continue to hope that more and more people who are truly interested in music will push the envelope on finding useful alternatives to the traditional corporatized outlets. (This thread is now merging with another!)

Miko > as well as CryptoRadio... which is a label you're on if I'm not mistaken? (I know there's many of your cohorts there...)

Stig ** yeah my new cd (pomegranate, 31 july street date, with m. dresser, t. varner, v. golia and n. cline) is on cryptogramophone.

So everyone buy it already! 8-)  Can't wait to hear it...

Miko > It may not grow you as fast as having a distribution deal, but the community is priceless.

Stig ** i think it has a lot of potential, but mostly i see it as a great arena for exchanging ideas and so forth.  stig

It keeps the fires going for me! I want to help this all grow if possible... not quite sure how, but I'm definitely a cheerleader. (Sorta like Tim Nelson and his Ganja Fairy thing, but more manly! OK... if I have to wear a dress...)

Best,
-Miko

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miko said:
Well... part of my enthusiasm in this is due to the fact that *I FOUND* all
these freaks like us... I'm hoping that this indicates there are more than I
had previously believed possible. Wishful thinking, but in our instance it
holds true. I'll continue to hope that more and more people who are truly
interested in music will push the envelope on finding useful alternatives to
the traditional corporatized outlets. (This thread is now merging with
another!)



** well  . . . see, HOW did you find this site/list? looking for info on
something you were already interested in? did you just stumble into and then
decide to take up looping as a way of music-making? did you totally change
course and decide to play something other than straight pop music? weren't
you already pretty much there BEFORE you found the site and this list?

stig

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<P><FONT SIZE=3D2>miko said:</FONT>
<BR><FONT SIZE=3D2>Well... part of my enthusiasm in this is due to the =
fact that *I FOUND* all these freaks like us... I'm hoping that this =
indicates there are more than I had previously believed possible. =
Wishful thinking, but in our instance it holds true. I'll continue to =
hope that more and more people who are truly interested in music will =
push the envelope on finding useful alternatives to the traditional =
corporatized outlets. (This thread is now merging with =
another!)</FONT></P>
<BR>
<BR>

<P><FONT SIZE=3D2>** well&nbsp; . . . see, HOW did you find this =
site/list? looking for info on something you were already interested =
in? did you just stumble into and then decide to take up looping as a =
way of music-making? did you totally change course and decide to play =
something other than straight pop music? weren't you already pretty =
much there BEFORE you found the site and this list?</FONT></P>

<P><FONT SIZE=3D2>stig</FONT>
</P>

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From Loopers-Delight-request@loopers-delight.com  Thu Jul 26 19:53:25 2001
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Subject: Re: David Keane-"Tape Music Compositon"
Date: Thu, 26 Jul 2001 16:53:18 -0700
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Hi.....

I'd be interested in a copy if you do plan to photocopy the book. The =
local college had a copy of it, which  I checked out numerous times. I =
can't use the library now (  I'm now a "civilian" ) but have been =
checking out the used boopks store to try to find it. An excellent book.

Will

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<DIV><FONT face=3DArial size=3D2>Hi.....</FONT></DIV>
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<DIV><FONT face=3DArial size=3D2>I'd be interested in a copy if you do =
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photocopy the book. The local college had a copy of it, which&nbsp; I =
checked=20
out numerous times. I can't use the library now (&nbsp; I'm now a =
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excellent=20
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<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Will</FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu Jul 26 19:54:57 2001
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Date: Thu, 26 Jul 2001 16:52:43 -0700
From: "Mike Biffle" <Mike.Biffle@asml.com>
To: <tao@ns.ahoc.net>, <petr@tryi.com>
Cc: <Loopers-Delight@loopers-delight.com>
Subject: Re: guitar arpeggiator
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>> I am looking for a good arpeggiator effect for my loops, which I can use for guitar (not MIDI).  Any advice?

>>> tao@ns.ahoc.net 07/26/01 04:30PM >>>
>> I'm surprised nobody mentioned the Digitech DHP-33. It does that hip techno arpeggiator thing that is so popular with the young 'uns these daze. It sounds good, each note of the arpeggiator is programmable and I believe you can even MIDI sync the tempo, but don't quote me on that.

I second that opinion. I had the IPS33b which was it's predecessor. This sounds like the same function... maybe they improved it on the DHP. You could created user patterns, so it was very flexible... I'd have an expression pedal control the mix, and just pedal in madness when I needed madness... Good fun!

Another thing I liked about the IPS was that for ANY delay, you had a modulation section in stereo which had sine and square waves... (maybe more, but I'm going senile and don't have the box anymore.) I really had some good times with that thing. The pitch shifting was inside the feedback path so it did all the usual cascading and transposing around as well. I'll bet they're quite cheap now as well. Hell... I'm gonna go look!

-Miko

From Loopers-Delight-request@loopers-delight.com  Thu Jul 26 19:56:54 2001
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Subject: Re: [floridagreens] Fw: virus  Jesus
Date: Thu, 26 Jul 2001 19:58:24 -0400
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sorry y'all!! my old man sent it and thought he would have checked.
sorry sorry!

Jehn
  ----- Original Message -----=20
  From: Andy Ewen=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Thursday, July 26, 2001 4:12 AM
  Subject: RE: [floridagreens] Fw: virus Jesus


  This is a Hoax. Please check with www.symantec.com before posting =
virus warnings as most are hoaxes whose aim is to get everyone sending =
warnings about them; which is precisely what has happened here ;-)
    -----Original Message-----
    From: Jehn [mailto:juno7@cfl.rr.com]
    Sent: 25 July 2001 18:02
    To: Loopers-Delight@loopers-delight.com
    Subject: Fw: [floridagreens] Fw: virus Jesus



    ----- Original Message -----=20
    From: John=20
    To: Jehn=20
    Sent: Wednesday, July 25, 2001 9:58 AM
    Subject: Fw: [floridagreens] Fw: virus Jesus



    ----- Original Message -----=20
    From: Sandra Diaz=20
    To: Undisclosed-Recipient:@harrier.mail.pas.earthlink.net;=20
    Sent: Tuesday, July 24, 2001 7:18 PM
    Subject: [floridagreens] Fw: virus Jesus


    > > >=20
    > > >Very Urgent!!!!!!!=20
    > > >=20
    > > >PASS THIS ON TO ANYONE YOU HAVE AN E-MAIL ADDRESS FOR. If you =
receive=20
    >an=20
    > > >email titled: "It Takes Guts to Say Jesus" DO NOT OPEN IT. It =
will=20
    >erase=20
    > > >everything on your hard drive. This information was announced =
yesterday=20
    > > >morning from IBM; AOL states that this is a very dangerous =
virus, much=20
    > > >worse than "Melissa," and that there is NO Remedy for it at =
this time.=20
    >Some=20
    > > >very sick individual has succeeded in using the reformat =
function from=20
    > > >Norton Utilities causing it to completely erase all documents =
on the=20
    >hard=20
    > > >drive. It has been designed to work with Netscape Navigator and =

    >Microsoft=20
    > > >Internet Explorer. It destroys Macintosh and IBM compatible =
computers.=20
    > > >=20
    > > >This is a new, very malicious virus and not many people know =
about it.=20
    >Pass=20
    > > >this warning along to EVERYONE in your address book and please =
share it=20
    > > >with all your online friends ASAP so that this threat maybe =
stopped.=20
    >Please=20
    > > >practice cautionary measures and tell anyone that may have =
access to=20
    >your=20
    > > >computer. Forward this warning to everyone that you know that =
might=20
    >access=20
    > > >the Internet.=20
    > > >=20
    > > >Joyce L. Bober IBM Information Systems Pittsburgh Mailing =
Systems 412 -=20
    > > >922-8744=20
    > > >=20
    > > >=20

    -- [footer] This list service is provided free by Yahoo
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<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>sorry y'all!! my old man sent it and =
thought he=20
would have checked.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>sorry sorry!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Jehn</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dandy.ewen@trace-elliot.com=20
  href=3D"mailto:andy.ewen@trace-elliot.com">Andy Ewen</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Thursday, July 26, 2001 =
4:12=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RE: [floridagreens] =
Fw: virus=20
  Jesus</DIV>
  <DIV><BR></DIV>
  <DIV><SPAN class=3D080471208-26072001><FONT =
color=3D#800000><STRONG>This is a=20
  Hoax. Please check with <A =
href=3D"http://www.symantec.com">www.symantec.com</A>=20
  before posting virus warnings as most are hoaxes whose aim is to get =
everyone=20
  sending warnings about them; which is precisely what has happened here =

  ;-)</STRONG></FONT></SPAN></DIV>
  <BLOCKQUOTE=20
  style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #800000 2px =
solid">
    <DIV class=3DOutlookMessageHeader dir=3Dltr align=3Dleft><FONT =
face=3DTahoma=20
    size=3D2>-----Original Message-----<BR><B>From:</B> Jehn=20
    [mailto:juno7@cfl.rr.com]<BR><B>Sent:</B> 25 July 2001 =
18:02<BR><B>To:</B>=20
    <A=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A><BR><B>Subject:</B>=20
    Fw: [floridagreens] Fw: virus Jesus<BR><BR></FONT></DIV>
    <DIV>&nbsp;</DIV>
    <DIV style=3D"FONT: 10pt arial">----- Original Message -----=20
    <DIV style=3D"BACKGROUND: #e4e4e4; font-color: black"><B>From:</B> =
<A=20
    title=3Djoheho@cfl.rr.com href=3D"mailto:joheho@cfl.rr.com">John</A> =
</DIV>
    <DIV><B>To:</B> <A title=3Djuno7@cfl.rr.com=20
    href=3D"mailto:juno7@cfl.rr.com">Jehn</A> </DIV>
    <DIV><B>Sent:</B> Wednesday, July 25, 2001 9:58 AM</DIV>
    <DIV><B>Subject:</B> Fw: [floridagreens] Fw: virus Jesus</DIV></DIV>
    <DIV><BR></DIV>
    <DIV>&nbsp;</DIV>
    <DIV style=3D"FONT: 10pt arial">----- Original Message -----=20
    <DIV style=3D"BACKGROUND: #e4e4e4; font-color: black"><B>From:</B> =
<A=20
    title=3Dtofujunkie@earthlink.net =
href=3D"mailto:tofujunkie@earthlink.net">Sandra=20
    Diaz</A> </DIV>
    <DIV><B>To:</B> <A=20
    title=3DUndisclosed-Recipient:@harrier.mail.pas.earthlink.net;=20
    =
href=3D"mailto:Undisclosed-Recipient:@harrier.mail.pas.earthlink.net;">Un=
disclosed-Recipient:@harrier.mail.pas.earthlink.net;</A>=20
    </DIV>
    <DIV><B>Sent:</B> Tuesday, July 24, 2001 7:18 PM</DIV>
    <DIV><B>Subject:</B> [floridagreens] Fw: virus Jesus</DIV></DIV>
    <DIV><BR></DIV><FONT face=3Darial,helvetica><FONT size=3D2>&gt; &gt; =
&gt;=20
    <BR>&gt; &gt; &gt;Very Urgent!!!!!!! <BR>&gt; &gt; &gt; <BR>&gt; =
&gt;=20
    &gt;PASS THIS ON TO ANYONE YOU HAVE AN E-MAIL ADDRESS FOR. If you =
receive=20
    <BR>&gt;an <BR>&gt; &gt; &gt;email titled: "It Takes Guts to Say =
Jesus" DO=20
    NOT OPEN IT. It will <BR>&gt;erase <BR>&gt; &gt; &gt;everything on =
your hard=20
    drive. This information was announced yesterday <BR>&gt; &gt; =
&gt;morning=20
    from IBM; AOL states that this is a very dangerous virus, much =
<BR>&gt; &gt;=20
    &gt;worse than "Melissa," and that there is NO Remedy for it at this =
time.=20
    <BR>&gt;Some <BR>&gt; &gt; &gt;very sick individual has succeeded in =
using=20
    the reformat function from <BR>&gt; &gt; &gt;Norton Utilities =
causing it to=20
    completely erase all documents on the <BR>&gt;hard <BR>&gt; &gt; =
&gt;drive.=20
    It has been designed to work with Netscape Navigator and =
<BR>&gt;Microsoft=20
    <BR>&gt; &gt; &gt;Internet Explorer. It destroys Macintosh and IBM=20
    compatible computers. <BR>&gt; &gt; &gt; <BR>&gt; &gt; &gt;This is a =
new,=20
    very malicious virus and not many people know about it. <BR>&gt;Pass =

    <BR>&gt; &gt; &gt;this warning along to EVERYONE in your address =
book and=20
    please share it <BR>&gt; &gt; &gt;with all your online friends ASAP =
so that=20
    this threat maybe stopped. <BR>&gt;Please <BR>&gt; &gt; &gt;practice =

    cautionary measures and tell anyone that may have access to =
<BR>&gt;your=20
    <BR>&gt; &gt; &gt;computer. Forward this warning to everyone that =
you know=20
    that might <BR>&gt;access <BR>&gt; &gt; &gt;the Internet. <BR>&gt; =
&gt; &gt;=20
    <BR>&gt; &gt; &gt;Joyce L. Bober IBM Information Systems Pittsburgh =
Mailing=20
    Systems 412 - <BR>&gt; &gt; &gt;922-8744 <BR>&gt; &gt; &gt; <BR>&gt; =
&gt;=20
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From Loopers-Delight-request@loopers-delight.com  Thu Jul 26 20:01:55 2001
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Date: Thu, 26 Jul 2001 16:59:42 -0700
From: "Mike Biffle" <Mike.Biffle@asml.com>
To: <Loopers-Delight@loopers-delight.com>, <Steuart.Liebig@maritz.com>
Subject: RE: reaching folks
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miko said:
>> Well... part of my enthusiasm in this is due to the fact that *I FOUND* all these freaks like us... I'm hoping that this indicates there are more than I had previously believed possible. Wishful thinking, but in our instance it holds true. I'll continue to hope that more and more people who are truly interested in music will push the envelope on finding useful alternatives to the traditional corporatized outlets. (This thread is now merging with another!)

** well  . . . see, HOW did you find this site/list? looking for info on something you were already interested in? did you just stumble into and then decide to take up looping as a way of music-making? did you totally change course and decide to play something other than straight pop music? weren't you already pretty much there BEFORE you found the site and this list? stig

Oh yeah... I was into freaky music and a music head in general... but I had no idea there were all these OTHER people there. I don't bump into our type of freak daily on the street... which is why it's really encouraging to be trafficing with all the other people here. 

I'm not predicting a paradigm shift really. And I'm not doing missionary work on the unconverted. I'm just saying that there may be more like us out there wondering where the hell the good stuff is, just like we do... and they might find some interesting new ways to locate it (or even invent some!)  I HOPE some of them find us here and let us in on their tricks too! I can't say enough how much more interesting music I'm listening to because I could actually find it here. I can't get up to Amoeba regularly... but I can ALWAYS get on the internet.

-Miko

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>From: "Mike Biffle" <Mike.Biffle@asml.com>
>
>Miko > For the average music-seeking public, (and myself)... Access to MP3 
>and Real Audio has really helped me to sample before I buy. I know there 
>are listening kiosks at most major retailers now, but the range you can 
>find on the internet is so much greater. Hell... I can listen to a large 
>number of our own members! Over on Live365 there's loads of experimental 
>radion stations...

Um, yeah. If you go to live365 you can pull up about 100 of 'em (at least 
that's how many came up last time I looked). I got pretty disappointed to 
find that the vast majority were actually techno stations, rock stations 
(one listed Dave Matthews Band), and industrial/goth stations. Out of the 10 
or so that were actually experimental stations, most of those were pretty 
heavy on the Merzbow-type material, which isn't bad, but not what I dig. 
There are a few good ones, and I'm working on making one of my own too.

There are 3 problems I have with streaming radio:

1) It seems to be pretty hard to get background information when you're on 
live365.com. You get about 1 sentence describing the station, and it's not 
often that you can manage to find the station host's web page (if one 
exists). So.... how does one get to find out who does what song?

2) The times that I want to hear new music are not times when streaming 
radio is available. I know. I should probably figure out a way to wire my 
computer to the living room speakers or something, but every time I'm in my 
room with free time, I'm usually doing something with sound. Go figure.

Although... one streaming radio site was striking a deal with Panasonic (or 
was it Pioneer) to manufacture boombox stereos with streaming radio 
capability.... rad!

3) Finding good music online is surprisingly hard! I figured when I got my 
computer, I wouldn't need to buy CD's as much, since I could find free music 
from online artists who wanted to be heard... but there's a lot to sift 
through, and I have yet to find a good website that specifically references 
through ALL streaming music on the internet. Listen.com is great for looking 
for individual artists or mp3's in a genre - it would be cool to see them 
list streaming stations too! Does anybody know of a place that already does 
this?

Best,

Matt

_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp

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Subject: My t-shirt idea..
Date: Thu, 26 Jul 2001 20:09:56 -0400
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My last submission..how about
"Loop de Loop"
nice retro graphic of some hula-hooping mod teens, and a little boy sittin'
there in the middle with his guitar and his Echoplex..
----- Original Message -----
From: "glenn" <glenn234@pacbell.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, July 26, 2001 3:18 AM
Subject: Re: [tshirts


> how about :
> "loopingloopingloopinglooping" extended all the way around the shirt at
> breast level, say on a white  shirt, with the words a tye dye fading swirl
> of colors as they go, except the letters "ping" and have them in one
> color(in allusion to the process of checking an ip adress or "pinging"
it),
> they somewhere lower on the back of the shirt have something about
> "loopersdelight"???
> just trying to add to the mix...
>
>
>
>
> on 7/25/01 10:53 PM, Tom Ritchford at tom@swirly.com wrote:
>
> >
> > are we going with looplooplooplooploop?
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Jul 26 20:11:24 2001
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From: roberto <roberto@nomade.worldonline.co.uk>
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on 26/7/01 11:17 PM, James Pokorny at j.pokorny@worldnet.att.net wrote:


> This is something most native speakers of English have a difficult time
> dealing with in learning a new language.  I remember my Latin teacher in
> high school telling us "There's no logic behind it --
I wouldn't agree with that. There is no "straight" logic in the western
sense, but then, what logic is there behind a minor chord being "moodier"
than a major? What logic is there in microtonal variations that our ears are
barely able to detect?

>just memorize the correct
> word endings."  Good advice, though it *did* bother me for a while.
And rightly so, it's easier (and more useful, although more time consuming)
to understand the psychology of a language rather than memorising it.
Once you have achieved that your instinct will tell you weather and object
is male or female, even if you don't "logically" know why.  Perhaps your
teacher had only studied the language from books and never lived with any
descendant of the Latin speaking people.

> After studying some modern languages I saw his point -- there really is no
logic or reason behind gender of words.
I could give you endless examples of the contrary - but that would
definitely be off-topic!

>I was surprised when learning Hindi
How long did it take you? I am tempted by Hindi too.

>to find that not only do objects (nouns) have different genders, but
> the verbs used to speak about the actions these objects perform also change
> gender to match the object.  Very intriguing.
A good way to exercise the brain and other more abstract "feeling devices" -
Imagine to transfer the concept in music creation and see how it can enrich
the aural palette...
> 
> My apologies for being WAY OT
I hope fellow loopers won't find this too off-topic. I believe language and
music have a lot in common.

Roberto

______________________________________________
Roberto Battista
http://www.robat.scl.net
http://www.robat.scl.net/lectures/index.shtm
Tel. 0044 020 8449 1995
Mobile 0775 960 4344
______________________________________________
http://www.rustyrobot.com
independent on-line music distribution,
the music you can't find elsewhere,
hybrid, eclectic, world, looped, unusual...
______________________________________________
http://www.robat.scl.net/html/tibet/tibet.shtm
an exciting project on technology applied to
mobile education for developing countries and
remote locations...
______________________________________________

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Subject: Re: guitar arpeggiator
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Can you say how much delay these guys have (IPS-33b and DHP-33)?  I
mean for the arpeggio effect.  My old Legend II had only 0.400 sec.

petr


From Loopers-Delight-request@loopers-delight.com  Thu Jul 26 20:22:26 2001
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I have a Boss SE-70 which does some arpeggiation.  I'm not sure exactly
what you're looking for, but if I remember correctly the arpeggiator
patches are basically delays with pitch shift.  You can do either
multi-taps or feedback delays, so a number of different effects are
possible.  The SE-70 is an old box, so it can probably be had relatively
cheaply these days.

-Hans

--
Hans Lindauer
Engineer, Music Man R&D
Ernie Ball, Inc.


From Loopers-Delight-request@loopers-delight.com  Thu Jul 26 20:25:33 2001
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Subject: RE: reaching folks
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At 5:03 PM -0700 7/26/01, matt davignon wrote:

>Out of the 10 or so that were actually experimental stations, most 
>of those were pretty heavy on the Merzbow-type material, which isn't 
>bad, but not what I dig. There are a few good ones, and I'm working 
>on making one of my own too.

Did you find mine? It's electroacoustic music by people I know, 
ranging from Paul Dresher to Pauline Oliveros to Jon Hassell.
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

From Loopers-Delight-request@loopers-delight.com  Thu Jul 26 20:25:40 2001
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Date: Thu, 26 Jul 2001 17:24:02 -0700
From: Richard Zvonar <zvonar@zvonar.com>
Subject: viability of new art music (reaching folks)
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I'd like to weigh in on the subject of the health (or lack thereof) 
of the new music scene, from the perspective of the "new music" 
tradition that grew out of the classical avant garde.

I just had a rather depressing phone conversation with a 
composer/performer colleague whose career as an artist and arts 
administrator spans several decades. In particular, he founded and 
ran a contemporary arts venue from 1975-86 and he founded a record 
label specializing in avant garde music in 1991. The label record 
label now has a catalog of 70 CDs and is well established in new 
music circles as a source of high quality recordings of experimental 
music, yet this past year they have posted a net operating loss for 
the first time. As a result, my friend has decided that there is no 
longer a viable market for recordings of experimental art music and 
therefore has decided to suspend operations.

He also says that from his perspective as a composer/performer that 
support for live performance has also decreased. Whereas in the 1980s 
it was possible for a solo performer or small group to mount a tour 
of art spaces throughout the U.S., playing cities just a few hours 
drive from each other and getting paid an average of $500 per gig, 
those days are long past.

I realize that public arts funding took a big hit from Jesse Helms 
and his barbarian horde, and I've been off the circuit myself for 
more than ten years, but it comes as a surprise to me that a small, 
high quality record label should suffer such a decline. What's your 
experience, and why do you think this is happening? Is this 
collateral damage from the overall dumbing down of American culture, 
or is it a case of a finite listening audience being spread thinner 
by an increase in do-it-yourself electronic music and the 
availability of downloadable music.
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

From Loopers-Delight-request@loopers-delight.com  Thu Jul 26 20:54:59 2001
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Subject: Creating a venue
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> Often the 'venue' has been 'created' by enterprising folks renting a dance
> studio, gallery or some other type of space because there's no real clubs
> booking this kind of stuff.

This is so true.  If you can't find somewhere appropriate to play your music
(and if you're reading this, you probably can't), making that place yourself
is often the only option.  I think experimental musicians would do well to
borrow the "house concert" idea from the folk world.  In addition to the
electronic, loopy Electrochakra, I also play in an acoustic guitar trio (the
Steve Ball Roadshow).  Recently we played at a house concert here in
Seattle, and it was an ideal performance situation as far as I'm
concerned--playing for between 30 and 50 people who have come to listen
attentively to music, in a friendly, good-sounding space (large living
room/dining room area of the host) organized by a sympathetic individual who
is in it for their love of music (100% of the earnings go to the musicians).
No fighting the sound of a coffee steamer, no noisy bar, no muted
televisions with sports above your head, plenty of soundcheck time, etc,
etc.  The audience is asked to donate money (important to get around those
non-commercial zoning regulations), averaging $10 apiece.  We took home $300
and sold a bunch of CDs, and had the pleasure of playing to a Listening
Audience.  It doesn't get better than that.

Normally, these sorts of shows are the province of acoustic/folk-oriented
acts, but I know there's a number of solo or small ensembles on this list
who could conceivable perform in someone's house (probably helps to not have
acoustic drums) in a house concert type setting.  If you're curious, I'd
encourage you to check out:

http://www.jodykessler.com/houseconcerts.html

and look at the FAQ on house concerts.  It's obvious from the response to
the Knitting Factory show that there a lot of people itching to play who
lack an appropriate venue.  Consider jumping out of the bars and into the
living rooms.

TH

-- 
Electrochakra website: http://www.electrochakra.com




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In a message dated 7/26/01 8:24:23 PM Eastern Daylight Time, 
zvonar@zvonar.com writes:


> Is this 
> collateral damage from the overall dumbing down of American culture, 
> or is it a case of a finite listening audience being spread thinner 
> by an increase in do-it-yourself electronic music and the 
> availability of downloadable music.
> 

richard.....i believe it is the latter although americans are getting not 
only dumber but also fatter (i am afraid they have dropped a fat bomb on 
pittsburgh).....i find that a lot of time i.e. sitting here reading all these 
posts, i dont listen to music, i take a break and play for a bit and make 
noise and then its back to silence.....if i listen to anything, i listen to 
music that i have done in order to make the *final* cd or i listen to music 
created by folk on the list or stuff of that ilk.....the only "new" music i 
really hear is music in films or commercials.....over the past several years, 
i have bought only 2 cds at a store; the hellcaster's "escape from hollywood" 
and d.t.'s "oah", everything else i got off the "internet".....yipes, i 
almost forgot, at work i listen to wduq which is an npr station at duquesne 
university and they play jazz all the time and to tell the truth, i luvs the 
old chestnuts and i sing the words when i know them and i whistle impov 
(there ya go rick, maybe im not so nasty after all) along with all those 
crazy jazzbos (gender?) perhaps jazzbas, well them too by all means.....you 
might call some of what i play as "new art music" and i feel the best way to 
reach people is to play out.....i think that it always comes down to the 
individual, its the old "how do we make the world better?" by my striving to 
be a bit more *better*, i sure as hell am not waiting for society (radio 
stations) to do it.....:)m

--part1_111.2f2e896.28921bc4_boundary
Content-Type: text/html; charset="US-ASCII"
Content-Transfer-Encoding: 7bit

<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>In a message dated 7/26/01 8:24:23 PM Eastern Daylight Time, 
<BR>zvonar@zvonar.com writes:
<BR>
<BR>
<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">Is this 
<BR>collateral damage from the overall dumbing down of American culture, 
<BR>or is it a case of a finite listening audience being spread thinner 
<BR>by an increase in do-it-yourself electronic music and the 
<BR>availability of downloadable music.
<BR></BLOCKQUOTE>
<BR>
<BR>richard.....i believe it is the latter although americans are getting not 
<BR>only dumber but also fatter (i am afraid they have dropped a fat bomb on 
<BR>pittsburgh).....i find that a lot of time i.e. sitting here reading all these 
<BR>posts, i dont listen to music, i take a break and play for a bit and make 
<BR>noise and then its back to silence.....if i listen to anything, i listen to 
<BR>music that i have done in order to make the *final* cd or i listen to music 
<BR>created by folk on the list or stuff of that ilk.....the only "new" music i 
<BR>really hear is music in films or commercials.....over the past several years, 
<BR>i have bought only 2 cds at a store; the hellcaster's "escape from hollywood" 
<BR>and d.t.'s "oah", everything else i got off the "internet".....yipes, i 
<BR>almost forgot, at work i listen to wduq which is an npr station at duquesne 
<BR>university and they play jazz all the time and to tell the truth, i luvs the 
<BR>old chestnuts and i sing the words when i know them and i whistle impov 
<BR>(there ya go rick, maybe im not so nasty after all) along with all those 
<BR>crazy jazzbos (gender?) perhaps jazzbas, well them too by all means.....you 
<BR>might call some of what i play as "new art music" and i feel the best way to 
<BR>reach people is to play out.....i think that it always comes down to the 
<BR>individual, its the old "how do we make the world better?" by my striving to 
<BR>be a bit more *better*, i sure as hell am not waiting for society (radio 
<BR>stations) to do it.....:)m</FONT></HTML>

--part1_111.2f2e896.28921bc4_boundary--

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Subject: Re: reaching folks
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In a message dated 7/26/01 8:24:26 PM Eastern Daylight Time, 
zvonar@zvonar.com writes:


> 

im there now.....see what i mean, you dont have to stray from LD to hear 
really interesting kindred music.....so to be in a community, LD, we 
basically reach each other, i know very few people who would listen to much 
of this type music and i find it just peachy, i dont need much else.....thank 
you richard, i will bookmark this.....anyone else got anything?.....:)m

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>In a message dated 7/26/01 8:24:26 PM Eastern Daylight Time, 
<BR>zvonar@zvonar.com writes:
<BR>
<BR>
<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">Did you find mine? </BLOCKQUOTE>
<BR>
<BR>im there now.....see what i mean, you dont have to stray from LD to hear 
<BR>really interesting kindred music.....so to be in a community, LD, we 
<BR>basically reach each other, i know very few people who would listen to much 
<BR>of this type music and i find it just peachy, i dont need much else.....thank 
<BR>you richard, i will bookmark this.....anyone else got anything?.....:)m</FONT></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu Jul 26 23:36:24 2001
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Date: Thu, 26 Jul 2001 20:33:55 -0700 (PDT)
From: John Tidwell <wedgehed@yahoo.com>
Subject: Re: EMUSIC Playlist #224
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Poor Bill. After enduring the great unending guitar
string thread & surviving the PC wars, he still gets
blasted for posting once a week.

I tip my hat to you sir.

John

=====
John Tidwell




__________________________________________________
Do You Yahoo!?
Make international calls for as low as $.04/minute with Yahoo! Messenger
http://phonecard.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Fri Jul 27 01:56:11 2001
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Subject: RE: EMUSIC Playlist #224
Date: Thu, 26 Jul 2001 22:53:42 -0700
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It is because of Bill's weekly posting that I knew EMUSIC existed. I sent
Bill a copy of my most recent CD and he found it appropriate for playing on
his show earlier this month. Though I couldn't listen to my music on the
radio as I'm 3000 miles away, I did get some satisfaction in knowing that
somewhere in the world my music was being sent over the airwaves. For this,
I am grateful. I appreciate and welcome Bill's list each and every week.


>Bill
>have you EVER thought that not everybody here CAN listen to a small FM
>station from Allentown?
>or are we all from US? I don't send my stuff since I know the majority of
>people here would never be able to get to it anyways.
>Evidently you never thought about that!
>
>Italo

Dear Italo,

I'd have to be a vegetable AND dumb as sticks to have never thought about
that.
What kind of a mouth breathing Philistine do you think I am?  My playlists
have
nothing to do with one's ability to receive WDIY.  My playlists are
encouragement to musicians that there IS an outlet for their creativity,
even if
they aren't a "big name" like Steve Roach or Robert Rich or Dweller at the
Threshold.  My playlists are an aid to music lovers who want to find out new
musicians to investigate.  I dare say that I've been posting my playlists
here
with Kim's blessing for longer than you've been a member.  And LD members
have
appeared on my playlists when their music fits the EMUSIC format.  I feel
that
my playlists are a valuable service.  Testimony from people belonging to a
variety of mailing lists exists to prove it is successful in that capacity.
Your mileage may vary.

>----- Original Message -----
>From: "David Beardsley" <db@biink.com>
>To: <Loopers-Delight@loopers-delight.com>; <billfox@fast.net>
>Sent: Monday, July 09, 2001 4:18 PM
>Subject: Re: EMUSIC Playlist #224
>
>> I'd prefer not to receive your play lists at all,
>> but get it anyway because I subscribe to all
>> sorts of lists. How about you stop sending it
>> to all these lists, start your own Yahoo list
>> and give people a choice in the matter?
>>
>> db

Dear David,

You have the choice to press delete.  I'm sure that you expect that there
will
be some messages on a mailing list that you find to be of less interest to
you
than other messages.  No list can provide 100% interesting messages to 100%
of
its readership.  And from my sig, you'll notice that I HAVE a Yahoo list.
It's
been around for a while now (since March).  Unless Kim deems my playlists
too
far off topic, you'll continue to see them here on LD.  If Kim says the
word, my
playlists are history on LD.

Best regards to all,

Bill        billfox@fast.net
http://wdiyfm.org/schedule/s_emusic.html
============================================================================
===
Host of EMUSIC, an electronic, ambient, and space music show.  Thursdays at
11 pm on WDIY 88.1 FM, Allentown and Bethlehem and 93.9 FM in Easton and
Phillipsburg.  Email me if you wish to submit music for airplay
consideration.
Radio Station Home Page: http://wdiyfm.org
Personal site: http://www.users.fast.net/~billfox
To subscribe to the EMUSIC on WDIY list, send
email to: emusic-wdiy-subscribe@yahoogroups.com

From Loopers-Delight-request@loopers-delight.com  Fri Jul 27 03:03:54 2001
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References: <OF47871BC9.21F60A11-ONC1256A95.00249AAF@involvelearning.com> <p05100334b785f6f48172@[63.195.210.50]>
Subject: Re: (NEW) rack to floor cables??
Date: Fri, 27 Jul 2001 08:00:59 +0100
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How about a combination of black wide electrical tape, and a black nylon
tube, sort of the kind of thing golf umbrellas go in?   The only trouble I
can figure is that the tape gets kind of funky after a while, as the
adhesive tends to decay.

----- Original Message -----
From: "Richard Zvonar" <zvonar@zvonar.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: 26 July 2001 17:55 PM
Subject: Re: (NEW) rack to floor cables??


> At 8:52 AM +0200 7/26/01, mark.red@involvelearning.com wrote:
>
> >On another issue: I have been thinking of making a big fat multicore
cable
> >to connect my rack of er... stuff to all the misc pedals on the floor (a
> >good 20 minutes it take to plug in at soundcheck, by which time... there
> >isnt any!!!) Has anyone done this and found a good connector. It need to
> >take 6 audio/2midi/and various (8) stereo cable pedals (like the vortex
> >ones). I'm thinking of a big old metal box on the rack and a big old
metal
> >box on the floorboard... could I use a mixing desk multicore cable....
> >Just wanted other peoples solutions... (When is stuff gonna be
wireless???)
>
> This is an excellent idea. You can probably modify some existing
> cables, thus eliminating the fiddle part of the soldering. DA-88
> DB-25 and ADAT ELCO cables are easy to find. Your best bet might be
> to find a multiconductor extension cable with a male connector at one
> end and a female at the other. Then you could cut it in the middle
> and wire up the requisite connectors for your audio and control lines.
>
> http://www.mars-cam.com/cable/general/me_p42.html
>
> http://www.performanceaudio.com/proco/
>
> http://www.mars-cam.com/pl-dmtic.html
>
> http://www.performanceaudio.com/whirlwind/whirl_medusamdm.html
>
>
> Although this probably doesn't apply to your specific installation,
> those who want to run remote extensions should be aware that MIDI
> signals become unreliable over long distances and need to be boosted
> with MIDI line driver devices.
> --
>
> ______________________________________________________________
> Richard Zvonar, PhD
> (818) 788-2202
> http://www.zvonar.com
> http://RZCybernetics.com
> http://www.cybmotion.com/aliaszone
> http://www.live365.com/cgi-bin/directory.cgi?autostart=rz
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Jul 27 03:04:03 2001
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To: <Loopers-Delight@loopers-delight.com>
References: <4.2.0.58.20010726113417.00b2a450@martina.pobox.stanford.edu>
Subject: Re: Touring
Date: Fri, 27 Jul 2001 08:02:16 +0100
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Cool, Tom!  Sorry I'm not back in the States yet.  Is it the Philly =
Music Conference?

>My music is probably known to a very small number of people on this =
list; however, in June, Hypnos released my first solo effort, 'Where the =
Earth Meets the Sky' and I have since been invited to perform at a =
Gathering in Philadelphia on Sept. 15.  'Where the Earth...' is =
deep-listening-style, dark ambient music for solo processed tuba, =
recorded and mastered by Robert Rich.  For my part, my 'ambience' is =
informed by my past work with Charlie Haden, Eugene Chadbourne, Pauline =
Oliveros & Stuart Dempster and Glenn Spearman, as well as many others.  =
As for looping, mostly 'long-form', via a DL4 and an EDP.

Roughly two weeks on either side of Sept. 15 (Aug. 24,25 tentatively in =
VT) is where I'm looking for spaces to perform - none of the other dates =
are as yet set in concrete, but possibilities include Denver, =
Montpelier, Vermont, Chicago, Youngstown, Sharon, Pittsburgh, New York, =
Brooklyn, Boston, etc.  I'll be travelling with my own P.A..  I'm open =
to house concerts, listening rooms, etc.<



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</HEAD>
<BODY bgColor=3D#ffffff>
<DIV>Cool, Tom!&nbsp; Sorry I'm not back in the States yet.&nbsp; Is it =
the=20
Philly Music Conference?</DIV>
<DIV>&nbsp;</DIV>&gt;My music is probably known to a very small number =
of people=20
on this list; however, in June, Hypnos released my first solo effort, =
'Where the=20
Earth Meets the Sky' and I have since been invited to perform at a =
Gathering in=20
Philadelphia on Sept. 15.&nbsp; 'Where the Earth...' is =
deep-listening-style,=20
dark ambient music for solo processed tuba, recorded and mastered by =
Robert=20
Rich.&nbsp; For my part, my 'ambience' is informed by my past work with =
Charlie=20
Haden, Eugene Chadbourne, Pauline Oliveros &amp; Stuart Dempster and =
Glenn=20
Spearman, as well as many others.&nbsp; As for looping, mostly =
'long-form', via=20
a DL4 and an EDP.<BR>
<DIV>Roughly two weeks on either side of Sept. 15 (Aug. 24,25 =
tentatively in VT)=20
is where I'm looking for spaces to perform - none of the other dates are =
as yet=20
set in concrete, but possibilities include Denver, Montpelier, Vermont, =
Chicago,=20
Youngstown, Sharon, Pittsburgh, New York, Brooklyn, Boston, etc.&nbsp; =
I'll be=20
travelling with my own P.A..&nbsp; I'm open to house concerts, listening =
rooms,=20
etc.&lt;</DIV>
<DIV><U><FONT color=3D#0000ff></FONT></U>&nbsp;</DIV>
<DIV>&nbsp;</DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Fri Jul 27 03:45:47 2001
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From: "Stephen P. Goodman" <spgoodman@earthlight.net>
To: <Loopers-Delight@loopers-delight.com>
References: <4495C77AB577D31199120008C756D0C4028DB5D1@migarexch01.maritz.com>
Subject: Re: reaching folks
Date: Fri, 27 Jul 2001 08:30:45 +0100
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OT: why musicians can't eat -- and why radio is so badLiebig, Steuart A. =
put forth:
i'm not really convinced that it holds much more for us than would a =
record store in terms of reaching people who haven't heard what it is we =
*do* - - people who don't already have experience with experimental =
music (or what ever you wanna call it). i say this because people have =
to WANT to find something and actively search it out - - and i'm not =
really sure how that's gonna happen unless they're already interested. =
if someone could explain why i'm wrong about this, it would help me to =
be more optimistic about the 'net as the "salvation" of "creative" =
music.

Chew on this then.  :)

Retail Sales for CDs have been shifting to the Internet for nearly 5 =
years now.  The figures involved were even abused by the RIAA in the =
construction of their "case" against Napster - they only used the =
numbers for CD Singles, which lose out to LP Singles any day (Part of =
this is DJs I suspect).  CDs in general though have been bought more and =
more online, and less in retail outlets, which traditionally have been =
the most difficult places for "new music" to get placed, let alone sold. =
 The only exception are stores like PooBah's which have a huge used =
selection, and this model has also been growing.  Such stores are quite =
open to individuals as opposed to big distributors, if they personally =
like your stuff.

In addition, because the Traditional Music Business has really crawled =
onto the Internet, it's created the space for folks like us to sell and =
play our wares without the slightest bit of interference from the =
cigar-chomping blood-suckers.  Radio as it is in the US is an ongoing =
thing that won't go away in the near future.  Airplay for other than =
Industry-sponsored quasi-payola acts will then continue, but the small =
stations, especially the college ones, can be a valuable market, because =
play lists aren't controlled in the same manner.  Mind you, the radio =
station for a huge university might be the exception, but as far as I =
remember even Syracuse University - whose communications school is run =
by Newhouse - isn't confined to such closed-minded playlist antics.

Despite all that MCA/Vivendi is doing to encroach upon our right to post =
original material without paying for it, there are a ton of online =
venues to place material for nothing but a CD sent to them, or even just =
the time spent posting the MP3s in question. =20

I still insist that if we allow behemoths like MCA/Vivendi to monopolize =
the distribution business for music on the Internet, it's our own fault =
for not doing something about it.  I would still like to discuss the =
idea of a mass exodus and boycott in the future.

In the event that you ask, "Why hasn't this sub-genius taken advantage =
of all this great Internet airplay/distribution that he talks about?", =
I've an answer - It's been nearly 10 months without a job in the UK =
other than the occasional consulting gig and sparse cartooning gigs =
("How can you draw for a [cough] British magazine?  You're an =
American!"), and I barely have the cash to pop the occasional CD off to =
a more-than-potential label that wants to hear my stuff, let alone get =
the 1000 CD production package.

This will change, I promise you.  But for now...

Stephen Goodman
http://www.earthlight.net/Gallery_Front.html - Cartoons & Illustrations
http://www.earthlight.net/Studios * The free Loop of the Week!
http://www.live365.com/stations/218194 * EarthLight Online / Live!

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<HTML><HEAD><TITLE>OT: why musicians can't eat -- and why radio is so =
bad</TITLE>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
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<BODY bgColor=3D#ffffff>
<DIV><A title=3DSteuart.Liebig@maritz.com=20
href=3D"mailto:Steuart.Liebig@maritz.com">Liebig, Steuart A.</A> put =
forth:</DIV>
<DIV style=3D"FONT: 10pt arial">
<DIV><FONT size=3D2><FONT color=3D#0000ff><FONT face=3DArial><SPAN=20
class=3D713362921-26072001>i'm not really convinced that it holds much =
more for us=20
than would a record store in terms&nbsp;of reaching people =
who&nbsp;haven't=20
heard what it is we *do* - - people who don't already have experience =
with=20
experimental music (or what ever you wanna call it). i say this because =
people=20
have to WANT to find something and&nbsp;actively search it out - - and =
i'm not=20
really sure how that's gonna happen unless they're already interested. =
if=20
someone could explain why i'm&nbsp;wrong about this, it would help me to =
be more=20
optimistic about the 'net as the "salvation" of "creative"=20
music.</SPAN></FONT></FONT></FONT></DIV>
<DIV><FONT size=3D2><FONT color=3D#0000ff><FONT face=3DArial><SPAN=20
class=3D713362921-26072001></SPAN></FONT></FONT></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2><FONT face=3D"Trebuchet MS"><SPAN =
class=3D713362921-26072001>Chew=20
on this then.&nbsp; :)</SPAN></FONT></FONT></DIV>
<DIV><FONT size=3D2><FONT face=3D"Trebuchet MS"><SPAN=20
class=3D713362921-26072001></SPAN></FONT></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2><FONT face=3D"Trebuchet MS"><SPAN=20
class=3D713362921-26072001>Retail Sales for CDs have been shifting to =
the Internet=20
for nearly 5 years now.&nbsp; The figures involved were even abused by =
the RIAA=20
in the construction of their "case" against Napster - they only used the =
numbers=20
for CD Singles, which lose out to LP Singles any day (Part of this is =
DJs I=20
suspect).&nbsp; CDs in general though have been bought more and more =
online, and=20
less in retail outlets, which traditionally have been the most difficult =
places=20
for "new music" to get placed, let alone sold.&nbsp; The only exception =
are=20
stores like PooBah's which have a huge used selection, and this model =
has also=20
been growing.&nbsp; Such stores are quite open to individuals as opposed =
to big=20
distributors, if they personally like your =
stuff.</SPAN></FONT></FONT></DIV>
<DIV><FONT size=3D2><FONT face=3D"Trebuchet MS"><SPAN=20
class=3D713362921-26072001></SPAN></FONT></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2><FONT face=3D"Trebuchet MS"><SPAN =
class=3D713362921-26072001>In=20
addition, because the Traditional Music Business has really <EM>crawled=20
</EM></FONT></FONT><FONT face=3D"Trebuchet MS"><FONT size=3D3>onto the =
Internet,=20
it's created the space for folks like us to sell and play our wares =
without the=20
slightest bit of interference from the cigar-chomping =
blood-suckers.&nbsp; Radio=20
as it is in the US is an ongoing thing that won't go away in the near=20
future.&nbsp; Airplay for other than Industry-sponsored quasi-payola =
acts will=20
then continue, but the small stations, especially the college ones, can =
be a=20
valuable market, because play lists aren't controlled in the same =
manner.&nbsp;=20
Mind you, the radio station for a huge university might be the =
exception, but as=20
far as I remember even Syracuse University - whose communications school =
is run=20
by Newhouse - isn't confined to such closed-minded playlist=20
antics.</FONT></FONT></SPAN></DIV>
<DIV><SPAN class=3D713362921-26072001><FONT face=3D"Trebuchet MS"><FONT=20
size=3D3></FONT></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D713362921-26072001><FONT face=3D"Trebuchet MS"><FONT=20
size=3D3>Despite all that MCA/Vivendi is doing to encroach upon our =
right to post=20
original material without paying for it, there are a ton of online =
venues to=20
place material for nothing but a CD sent to them, or even just the time =
spent=20
posting the MP3s in question.&nbsp; </FONT></FONT></SPAN></DIV>
<DIV><SPAN class=3D713362921-26072001><FONT face=3D"Trebuchet MS"><FONT=20
size=3D3></FONT></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D713362921-26072001><FONT face=3D"Trebuchet MS"><FONT =
size=3D3>I=20
still insist that if we allow behemoths like MCA/Vivendi to monopolize =
the=20
distribution business for music on the Internet, it's our own fault for =
not=20
doing something about it.&nbsp; I would still like to discuss the idea =
of a mass=20
exodus and boycott in the future.</FONT></FONT></SPAN></DIV>
<DIV><SPAN class=3D713362921-26072001><FONT face=3D"Trebuchet MS"><FONT=20
size=3D3></FONT></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D713362921-26072001><FONT face=3D"Trebuchet MS"><FONT =
size=3D3>In=20
the event that you ask, "Why hasn't this sub-genius taken advantage of =
all this=20
great Internet airplay/distribution that he talks about?", I've an =
answer - It's=20
been nearly 10 months without a job in the UK other than the occasional=20
consulting gig and sparse cartooning gigs ("How can you draw for a =
[cough]=20
<EM>British</EM> magazine?&nbsp; You're an American!"), and I barely =
have the=20
cash to pop the occasional CD off to a more-than-potential label that =
wants to=20
hear my stuff, let alone get the 1000 CD production=20
package.</FONT></FONT></SPAN></DIV>
<DIV><SPAN class=3D713362921-26072001><FONT face=3D"Trebuchet MS"><FONT=20
size=3D3></FONT></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D713362921-26072001><FONT face=3D"Trebuchet MS"><FONT =
size=3D3>This=20
will change, I promise you.&nbsp; But for =
now...</FONT></FONT></SPAN></DIV>
<DIV><SPAN class=3D713362921-26072001><FONT face=3D"Trebuchet MS"><FONT=20
size=3D3></FONT></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D713362921-26072001><FONT face=3D"Trebuchet MS"><FONT=20
size=3D3>Stephen Goodman<BR><A=20
href=3D"http://www.earthlight.net/Gallery_Front.html">http://www.earthlig=
ht.net/Gallery_Front.html</A>=20
- Cartoons &amp; Illustrations<BR><A=20
href=3D"http://www.earthlight.net/Studios">http://www.earthlight.net/Stud=
ios</A> *=20
The free Loop of the Week!<BR><A=20
href=3D"http://www.live365.com/stations/218194">http://www.live365.com/st=
ations/218194</A>=20
* EarthLight Online / =
Live!</SPAN></DIV></DIV></BODY></HTML></FONT></FONT>

------=_NextPart_000_0083_01C11676.6E781500--

From Loopers-Delight-request@loopers-delight.com  Fri Jul 27 03:45:52 2001
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From: "Stephen P. Goodman" <spgoodman@earthlight.net>
To: <Loopers-Delight@loopers-delight.com>
References: <LAW2-F54Stui3cJvgNu00009821@hotmail.com>
Subject: Re: reaching folks
Date: Fri, 27 Jul 2001 08:43:51 +0100
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"matt davignon" <mattdavignon@hotmail.com> put forth:
> >Miko > For the average music-seeking public, (and myself)... Access to
MP3
> >and Real Audio has really helped me to sample before I buy. I know there
> >are listening kiosks at most major retailers now, but the range you can
> >find on the internet is so much greater. Hell... I can listen to a large
> >number of our own members! Over on Live365 there's loads of experimental
> >radion stations...
>
> Um, yeah. If you go to live365 you can pull up about 100 of 'em (at least
> that's how many came up last time I looked). I got pretty disappointed to
> find that the vast majority were actually techno stations, rock stations
> (one listed Dave Matthews Band), and industrial/goth stations. Out of the
10
> or so that were actually experimental stations, most of those were pretty
> heavy on the Merzbow-type material, which isn't bad, but not what I dig.
> There are a few good ones, and I'm working on making one of my own too.

I've had one up there for a number of months.  I've got no complaints about
Live365 at this time, unless they want to start locking people into a
pay-for-play model like mp3.com.  But for now it's lovely.  My station is at
http://www.live365.com/stations/218194 if you're interested.

> 1) It seems to be pretty hard to get background information when you're on
> live365.com. You get about 1 sentence describing the station, and it's not
> often that you can manage to find the station host's web page (if one
> exists). So.... how does one get to find out who does what song?

Well, on my station it's just *me*.  I don't know what others are doing with
it, but you've got to have the right to post it there in order to have it on
your station.  It would seem that most stations are like that.

> 2) The times that I want to hear new music are not times when streaming
> radio is available. I know. I should probably figure out a way to wire my
> computer to the living room speakers or something, but every time I'm in
my
> room with free time, I'm usually doing something with sound. Go figure.

Shame on you.  Use a Y-Connector mini-plug (stereo), which you can hook up
to your computers' speakers, AND an adapter for RCA plugs, which then goes
to your stereo via shielded cables (which can be up to 30 feet in my
experience before they turn into an antenna).  If you have a receiver and it
has a Tape 2 or DAT input, either will do for this.  I did it for years
before moving to the UK.  Alas, my beloved Sony is in LA.

> 3) Finding good music online is surprisingly hard! I figured when I got my
> computer, I wouldn't need to buy CD's as much, since I could find free
music
> from online artists who wanted to be heard... but there's a lot to sift
> through, and I have yet to find a good website that specifically
references
> through ALL streaming music on the internet. Listen.com is great for
looking
> for individual artists or mp3's in a genre - it would be cool to see them
> list streaming stations too! Does anybody know of a place that already
does
> this?

I think one of the reasons this great stuff is free to us is that it's up to
us to publicize it.  An afternoon sitting at the PC entering in stuff to
search engines will do the trick.  On the other hand if you could set up an
indexed web site that accumulated enough content, it could be the equivalent
of Yahoo in its own way.  Let me know if anyone needs help doing this, I
could use the work, and I see the potential.

Stephen Goodman
http://www.earthlight.net/Gallery_Front.html - Cartoons & Illustrations
http://www.earthlight.net/Studios * The free Loop of the Week!
http://www.live365.com/stations/218194 * EarthLight Online / Live!

From Loopers-Delight-request@loopers-delight.com  Fri Jul 27 03:54:43 2001
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From: "Stephen P. Goodman" <spgoodman@earthlight.net>
To: <Loopers-Delight@loopers-delight.com>
References: <sb60484b.006@Svly-Hub.svg.com> <p05100344b7865f6912ce@[63.195.210.50]>
Subject: Re: viability of new art music (reaching folks)
Date: Fri, 27 Jul 2001 08:53:07 +0100
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"Richard Zvonar" <zvonar@zvonar.com> put forth:
> What's your
> experience, and why do you think this is happening? Is this
> collateral damage from the overall dumbing down of American culture,
> or is it a case of a finite listening audience being spread thinner
> by an increase in do-it-yourself electronic music and the
> availability of downloadable music.

I think it's a combination of ALL these factors, but most especially the
increase in affordable equipment for the production of music, which used to
be criminally-priced and prohibitive to guys like me to get ahold of.
Nowadays one can pick up a Mackie 1202etc. for as little as $300.  The
cascade effect from people who bought into units like the QuadraVerb years
ago, and now selling their stuff via The Recycler and other ad magazines, is
a big factor that's made it more possible for people to have studio-quality
effects at home.

Combine this with the relatively-unfettered model on the Internet and you
have an extremely broad range of music out there to select from.  And lots
of niche markets as a result.  In some respects I think this may have the
ultimate effect of changing music back from being a Business into more of an
Art Form again; this can only benefit experimentalists.

On another note though, a lot of what we on this list do is becoming less
and less "experimental", and more mainstream, isn't it?  There's a lot more
looping going on in modern music today than even 10 years ago, and I wonder
at times whether one gets the "wow" effect from live listeners less often
than one gets the "oh yeah" effect.  In both cases it's a positive
experience for the listener - the "wow" is a new experience, a mind-expander
(and perhaps more difficult as a breakthrough, I dunno), and the "oh yeah"
would be when someone recognizes what you're doing, and likes it.

Stephen Goodman
http://www.earthlight.net/Gallery_Front.html - Cartoons & Illustrations
http://www.earthlight.net/Studios * The free Loop of the Week!
http://www.live365.com/stations/218194 * EarthLight Online / Live!

From Loopers-Delight-request@loopers-delight.com  Fri Jul 27 03:55:13 2001
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References: <LAW2-F54Stui3cJvgNu00009821@hotmail.com> <p05100345b786655b787d@[63.195.210.50]>
Subject: Re: reaching folks
Date: Fri, 27 Jul 2001 08:53:54 +0100
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"Richard Zvonar" <zvonar@zvonar.com> put forth:
> At 5:03 PM -0700 7/26/01, matt davignon wrote:
> 
> >Out of the 10 or so that were actually experimental stations, most 
> >of those were pretty heavy on the Merzbow-type material, which isn't 
> >bad, but not what I dig. There are a few good ones, and I'm working 
> >on making one of my own too.
> 
> Did you find mine? It's electroacoustic music by people I know, 
> ranging from Paul Dresher to Pauline Oliveros to Jon Hassell.

> http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

I'll go there tonight. :)

Stephen Goodman
http://www.earthlight.net/Gallery_Front.html - Cartoons & Illustrations
http://www.earthlight.net/Studios * The free Loop of the Week!
http://www.live365.com/stations/218194 * EarthLight Online / Live!

From Loopers-Delight-request@loopers-delight.com  Fri Jul 27 04:02:14 2001
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From: "Stephen P. Goodman" <spgoodman@earthlight.net>
To: <Loopers-Delight@loopers-delight.com>
References: <B786093A.5EA1%tiktok@sprintmail.com>
Subject: Re: Creating a venue
Date: Fri, 27 Jul 2001 09:00:35 +0100
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"Travis Hartnett" <tiktok@sprintmail.com> put forth:

> > Often the 'venue' has been 'created' by enterprising folks renting a
dance
> > studio, gallery or some other type of space because there's no real
clubs
> > booking this kind of stuff.
>
> This is so true.  If you can't find somewhere appropriate to play your
music
> (and if you're reading this, you probably can't), making that place
yourself
> is often the only option.  I think experimental musicians would do well to
> borrow the "house concert" idea from the folk world.  In addition to the
> electronic, loopy Electrochakra, I also play in an acoustic guitar trio
(the
> Steve Ball Roadshow).  Recently we played at a house concert here in
> Seattle, and it was an ideal performance situation as far as I'm
> concerned--playing for between 30 and 50 people who have come to listen
> attentively to music, in a friendly, good-sounding space (large living
> room/dining room area of the host) organized by a sympathetic individual
who
> is in it for their love of music (100% of the earnings go to the
musicians).

Here's one I hope you'll really like.  I was trying some time ago to get
together with LA looping - especially ambient - musicians, and get a grouped
show together, that would go on for nearly 24 hours total.  There was a
place that was formerly a chinese restaurant, up in North Hollywood,
converted to an "after-hours" place.  I can't remember the name right now
but I'll sniff it up if you want.  Basically I had a long talk with the
owner (who turned into "Miss Debbie" after midnight) and he was very, very
interested in something like this.  Unfortunately for me I ended up having
car troubles up the ying-yang, and never was able to get back to him about
this.  The place had little television screens everywhere, and a central
video source.  Speakers everywhere, couches and such.  An ice cream
parlour-style counter, the whole thing.  I hope he's still got it there, as
he was hosting "events" such as film opening parties and such.  I wish I
could remember the name of the place, but I'm only one coffee into the day,
and it's bloody hot here.

Let me know if you guys in LA are interested - I think it'd be a super place
to do something.

Stephen Goodman
http://www.earthlight.net/Gallery_Front.html - Cartoons & Illustrations
http://www.earthlight.net/Studios * The free Loop of the Week!
http://www.live365.com/stations/218194 * EarthLight Online / Live!

From Loopers-Delight-request@loopers-delight.com  Fri Jul 27 06:50:40 2001
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From: mark.red@involvelearning.com
Subject: Re: OT: why musicians can't eat -- and why radio is so bad
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I must say that all this wingeing regarding how bad radio is just makes me
want to remind you that all you guys/gals in America are lucky. AT LEAST
YOU GOT COLLEGE RADIO!!!!!!!!!!!!!!

>From my visits to the US I was amazed at how cool college radio was... As a
new musician or band you have a route... First your local college station,
then the area stations then the alternative majors pick up on it... then
KROQ!!!
Here in Norway THERE IS NOTHING, well maybe the occasional pirate that
lasts 3 weeks then gets shut down, just about the time you hear about it.
And it aint much different in England (Where I come from) All you got is
BBC Radio 1...and thats Top 40 only till very late at night where John Peel
still occasionaly gets wheeled out to play The Fall!

Radio has ALWAYS been bad, and probably always will be... except that in
the US at least there is the possibility via free enterprise that anyone
could start a station!

Just my tuppence ha-penny


MArk  REd





                                                                                                                                                 
                    "Liebig, Steuart                                                                                                             
                    A."                      To:     "Looper's Delight (E-mail)" <Loopers-Delight@loopers-delight.com>                           
                    <Steuart.Liebig@m        cc:                                                                                                 
                    aritz.com>               Subject:     OT: why musicians can't eat -- and why radio is so bad                                 
                                                                                                                                                 
                    26/07/2001 22:12                                                                                                             
                    Please respond to                                                                                                            
                    Loopers-Delight                                                                                                              
                                                                                                                                                 
                                                                                                                                                 







-----Original Message-----
From: Liebig, Steuart A.
Sent: Thursday, July 26, 2001 1:07 PM
To: 'tom@swirly.com'
Subject: RE: OT: why musicians can't eat -- and why radio is so bad






As several people have mentioned, the terribleness of radio
could be the opportunity real music needs to get ahead....
somehow....


** as much as i bleive radio pretty much blows. the truth of the matter is
that a lot of people seem to like it - - maybe WE are just out of step.


just an idea as an antidote to my usual self-congratulatory ways.


stig







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Thanks for all the suggestions on connectors... finding these things in
Norway may be a hassle, so off I go to trawl the net... any suggetions for
online mail order components distributors (with online catalogs?)

Mark Red

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And me too... I thinks it must be the same one, I'll check, if its the one
I got I'll photocopy it for ya ... no probs...

...if its the one... its incredibly out of date, but fun cos of that...
pictures of earnest bearded men in lab-coats and tweed jackets making
tapeloops and recording bowed saws and the like... I have another one too
more aimed at electronics, a Babani one...

MArk Red




                                                                                                                                             
                    "JH"                                                                                                                     
                    <jahuggett@ho        To:     <Loopers-Delight@loopers-delight.com>                                                       
                    tmail.com>           cc:                                                                                                 
                                         Subject:     Re: David Keane-"Tape Music Compositon"                                                
                    26/07/2001                                                                                                               
                    23:30                                                                                                                    
                    Please                                                                                                                   
                    respond to                                                                                                               
                    Loopers-Delig                                                                                                            
                    ht                                                                                                                       
                                                                                                                                             
                                                                                                                                             



Crikey, I have a copy of that book. Its in storage at the moment. You;re
the first person to have ever mentioned it since I got it about 6 years
ago. As to selling or photocopying, not sure yet, I'm sure we can work
something out once I get it and I have some time.

Jamie
 ----- Original Message -----
 From: Bowerbird
 To: Loopers-Delight@loopers-delight.com
 Sent: Thursday, July 26, 2001 4:09 PM
 Subject: David Keane-"Tape Music Compositon"

 Hello all,
  I would like to know if anyone on this list has a copy of David Keane's
 book "Tape Music Composition" that they'd be willing to sell.  Even a
 photo copy would be great.

 Thanks alot!!





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pseudo buddha does lotsa house gigs; our 4th cd was even recorded at
one. i find them to be our best gigs due to the relaxed nature of the
whole thing. it's also nice to not have my clothes & gear stinking of
cigs and stale beer.

yay.

bobdog

From Loopers-Delight-request@loopers-delight.com  Fri Jul 27 08:46:07 2001
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Stephen:

>thing that won't go away in the near future.  Airplay for other
than 
>Industry-sponsored quasi-payola acts will then continue, but
the small 
>stations, especially the college ones, can be a valuable market,
because 
>play lists aren't controlled in the same manner.  Mind you,
the radio 
>station for a huge university might be the exception, but as
far as I 
>remember even Syracuse University - whose communications school
is run 
>by Newhouse - isn't confined to such closed-minded playlist
antics.

FWIW: the stations at Syracuse Univ. *are* confined
to such close-minded playlist antics.  I graduated
from Newhouse in 1994, and worked at WAER.  We 
late-night cats risked our jobs tossing our playlists
into the recycle bin before the show.  Must-Plays all
over them.  (A few of the old-timers did say it hadn't
always been that way...)  The other "college station"
at SU was all strictly Top-40: a training ground for
commercial radio land.

I highly doubt it's improved since then. 

Poof,
peter koniuto



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Subject: Re: (NEW) rack to floor cables??
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Actually, Pro-Co makes multi-core cable that is quite affordable. From 2
pair to 26 pairs. Add some barrel connectors for each end and your setup
will never be faster. My company specializes in control solutions and
modifications for musicians. If you have additional questions or want a
quote for your project (parts or completed), please let me know. All
advice is free...

Be Well

Will Brake
Soul Fruit

Richard Zvonar wrote:
> 
> At 8:52 AM +0200 7/26/01, mark.red@involvelearning.com wrote:
> 
> >On another issue: I have been thinking of making a big fat multicore cable
> >to connect my rack of er... stuff to all the misc pedals on the floor (a
> >good 20 minutes it take to plug in at soundcheck, by which time... there
> >isnt any!!!) Has anyone done this and found a good connector. It need to
> >take 6 audio/2midi/and various (8) stereo cable pedals (like the vortex
> >ones). I'm thinking of a big old metal box on the rack and a big old metal
> >box on the floorboard... could I use a mixing desk multicore cable....
> >Just wanted other peoples solutions... (When is stuff gonna be wireless???)
> 
> This is an excellent idea. You can probably modify some existing
> cables, thus eliminating the fiddle part of the soldering. DA-88
> DB-25 and ADAT ELCO cables are easy to find. Your best bet might be
> to find a multiconductor extension cable with a male connector at one
> end and a female at the other. Then you could cut it in the middle
> and wire up the requisite connectors for your audio and control lines.
> 
> http://www.mars-cam.com/cable/general/me_p42.html
> 
> http://www.performanceaudio.com/proco/
> 
> http://www.mars-cam.com/pl-dmtic.html
> 
> http://www.performanceaudio.com/whirlwind/whirl_medusamdm.html
> 
> Although this probably doesn't apply to your specific installation,
> those who want to run remote extensions should be aware that MIDI
> signals become unreliable over long distances and need to be boosted
> with MIDI line driver devices.
> --
> 
> ______________________________________________________________
> Richard Zvonar, PhD
> (818) 788-2202
> http://www.zvonar.com
> http://RZCybernetics.com
> http://www.cybmotion.com/aliaszone
> http://www.live365.com/cgi-bin/directory.cgi?autostart=rz
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--------------AA01B8D4CB9DF3D62E35352E--

From Loopers-Delight-request@loopers-delight.com  Fri Jul 27 09:48:30 2001
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Subject: Re: OT: why musicians can't eat -- and why radio is so bad
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I don't suppose you can pick up Radio 3 in Norway can you. I'm sure some of
their SUPERB broadcasts are available on the net.
Apart from speech programs of generally impeccable quality there are
programmes like "mixing it" featuring anything from the aphex twin to
plunderphonics. Tonight, for instance  we have 2 hours of womad music from
Reading Festival including :
Jamaican Ska, saharan music, malian guitarist Afel Bocoum, Mabulu from
mozambique and impromptu live studio performances.
PS We are lucky here in the UK to have uncompromising DJ's like John Peel
and Andy Kershaw too.
Not that I'm complacent but there is a great deal of top notch stuff over
here that wouldn't exist if it were simply left to market forces. Thank God,
(fade up Land of Hope and Glory) and three cheers, for the good old BBC!

Gareth


> Here in Norway THERE IS NOTHING, well maybe the occasional pirate that
> lasts 3 weeks then gets shut down, just about the time you hear about it.
> And it aint much different in England (Where I come from) All you got is
> BBC Radio 1...and thats Top 40 only till very late at night where John
Peel
> still occasionaly gets wheeled out to play The Fall!
>
> Radio has ALWAYS been bad, and probably always will be... except that in
> the US at least there is the possibility via free enterprise that anyone
> could start a station!
>


From Loopers-Delight-request@loopers-delight.com  Fri Jul 27 12:10:58 2001
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Subject: Re: Re: reaching folks
Date: Fri, 27 Jul 2001 17:08:50 +0100
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> >thing that won't go away in the near future.  Airplay for other
> than
> >Industry-sponsored quasi-payola acts will then continue, but
> the small
> >stations, especially the college ones, can be a valuable market,
> because
> >play lists aren't controlled in the same manner.  Mind you,
> the radio
> >station for a huge university might be the exception, but as
> far as I
> >remember even Syracuse University - whose communications school
> is run
> >by Newhouse - isn't confined to such closed-minded playlist
> antics.
>
> FWIW: the stations at Syracuse Univ. *are* confined
> to such close-minded playlist antics.  I graduated
> from Newhouse in 1994, and worked at WAER.  We
> late-night cats risked our jobs tossing our playlists
> into the recycle bin before the show.  Must-Plays all
> over them.  (A few of the old-timers did say it hadn't
> always been that way...)  The other "college station"
> at SU was all strictly Top-40: a training ground for
> commercial radio land.
>
> I highly doubt it's improved since then.

Ah, well I was there from 77 to 79, so things have obviously changed.  The
space after 10 was usually not controlled in that manner, and one would hear
a lot of album-oriented stuff.  I even got the FM station in trouble briefly
with the FCC due to a 5-minute comedy bit with no ostensible name other than
"The Burn-out Show" - though that was just a working title.  We'd get put on
at 11-12pm on Sunday nights, this went on for about 2 months, until a
basketball game was snowed out, and in a really bad decision-making mode,
someone thought it'd be funny to throw the tape that I'd made weekly in.  It
was only 7pm.  Only one guy was upset about it but he mailed the FCC who
then sent some kind of Cease and Desist letter to WSYR-FM.  You know about
the townies, and how some of 'em lived for those basketball games.  What he
heard was as far as I remember this, for a start:

(Rise in music, Zappa's "I Promise Not To Come In Your Mouth", an
instrumental "for late-night listening")
"And now the want-ads, which we air now and again to give the impression
that we care about you."

"Girl-guy with multiple personality wishes to have meaningful relationship
with Hispanic midget.  No chains, but I have good drugs.  Call Sam,
Druscilla, Donald, Debbie, David, Claire, Roger, Donald #2, Susan and/or
Montegue at 576-6364.

"Wanted: Snarked Mandrill.  Must be tesselated and have forked uvula.  Call
Steve at 773-4422.

"George, I don't care what they say, you're the best!  Love, Pete.

"1966 Rolls-Royce, reportedly owned by John Lennon.  I'm parked out in the
back of this radio station for the next five minutes.  Make your mind up and
buy this beauty, NOW.  You'll see it.  Come and get it.  Never mind who I
am!  Just bring money, lots and lots of money.

"Man searching for relationship with penguin.  Must be into bondage.  Call
Frank at 223-6299.

"And that's the want-ads..." (music fades)

*******************

Boy, do I wish I had a copy of that letter. :)

Stephen Goodman
http://www.earthlight.net/Gallery_Front.html - Cartoons & Illustrations
http://www.earthlight.net/Studios * The free Loop of the Week!
http://www.live365.com/stations/218194 * EarthLight Online / Live!

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>> Miko >> For the average music-seeking public, (and myself)... Access to MP3 and Real Audio has really helped me to sample before I buy. I know there are listening kiosks at most major retailers now, but the range you can find on the internet is so much greater. Hell... I can listen to a large number of our own members! Over on Live365 there's loads of experimental radion stations...

> Um, yeah. If you go to live365 you can pull up about 100 of 'em (at least that's how many came up last time I looked). I got pretty disappointed to find that the vast majority were actually techno stations, rock stations (one listed Dave Matthews Band), and industrial/goth stations. Out of the 10 or so that were actually experimental stations, most of those were pretty heavy on the Merzbow-type material, which isn't bad, but not what I dig. There are a few good ones, and I'm working on making one of my own too.

Hi Matt,

Ok... while I'm optimistic, I'm hoping that we're going to see things continue to grow and get better. Maybe... the corporations may manage to weasel things around and screw it up. 

I think I also mentioned the extremely small size of our genre. If it doesn't entertain (dance-able, drunk-able, party-able, background-muzak-able) then it's gonna be sparse.  It seems obvious to me that we're not going to get the mainstream advantages of large-scale movements. We're a tiny sprig on the musical tree. So I see the fact that we can even FIND each other encouraging. If you REALLY expect us to resemble large musical genres and trends, lots more people are going to have to become interested in our skronking... and knob twisting... I'm thinking this may be expecting too much.  I'm weary of trying to drag my weird-ass blend of stuff into ANY convenient genre. I'm just hoping to find a small niche for it that gets some traffic among my peers. If there's any audience for it all the better!

Best,
-Miko



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The arpeggiation effect was capable of the same delay times available... being around 2.5-3.0 secs. (foggy... I tended to use somewhere in the 1.5-3.0 second range for my cloud stuff.) Very short delay times with 100% mix yielded the most arpeggiator-like events.

-Miko

>>> "petr" <petr@tryi.com> 07/26/01 05:14PM >>>
Can you say how much delay these guys have (IPS-33b and DHP-33)?  I
mean for the arpeggio effect.  My old Legend II had only 0.400 sec.

petr



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> I realize that public arts funding took a big hit from Jesse Helms and his barbarian horde, and I've been off the circuit myself for more than ten years, but it comes as a surprise to me that a small, high quality record label should suffer such a decline. What's your experience, and why do you think this is happening? 

This seems tragic to me... Although I suspect your point below might be part of the cause.

> Is this collateral damage from the overall dumbing down of American culture, or is it a case of a finite listening audience being spread thinner by an increase in do-it-yourself electronic music and the availability of downloadable music.--  Richard Zvonar, PhD

It would be sad if this is true, but it has a certain profound ring to it. Post-modern culture has expanded in so many directions, and simply choosing something has become a difficult, time-consuming task which still costs money after making a selection. With a given ratio of dreck vs. quality, and a much larger sample group... we're going to see far more dis-satisfied people. Maybe rather than actually spending money, listeners will tend to just sample longer until finding something they actually like? 

Yikes! 
-Miko

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From: "Tom Ritchford" <tom@swirly.com>
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Subject: two hours of loops!
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<http://www.macworld.co.uk/news/main_news.cfm?NewsID=3256>


> Memory Plus has announced the world's highest capacity CompactFlash 
> card - a gargantuan 640MB.

that's TWO HOURS of CD quality audio (in mono).  

plus, the card is supposed to be ultrafast -- and the 
Repeater, for example, lets  you record right to a 
card if it's fast enough!

want... one...

   /t

-- 

I am the wormwood.

From Loopers-Delight-request@loopers-delight.com  Fri Jul 27 12:57:55 2001
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From: "Taaffe, Denis G" <dtaaffe@indiana.edu>
To: "'Loopers-Delight@loopers-delight.com'"
	 <Loopers-Delight@loopers-delight.com>
Subject: RE: EMUSIC Playlist #224
Date: Fri, 27 Jul 2001 01:11:53 -0500
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Man,

i wouldn't even waste your breath, this guy has been slapping his playlsits
for such a long time o the list and so many people have bitched but he
continues to feel the need to do so and why not, perhaps it interests some
people.i mean he is willing to play loopers music and that shoudl count for
something even though 99% can't hear his show, a play lsit is the next best
thing  maybe especially to those who submit music.So just leave it alone I
would think or participate yeah......

Denis


Dear Italo,

I'd have to be a vegetable AND dumb as sticks to have never thought about
that.
Wh

From Loopers-Delight-request@loopers-delight.com  Fri Jul 27 12:59:20 2001
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From: "Taaffe, Denis G" <dtaaffe@indiana.edu>
To: "'Gary Lehmann'" <healthquestrecruiter@earthlink.net>,
        "Taaffe, Denis G"
	 <dtaaffe@indiana.edu>
Cc: Loopers-Delight@loopers-delight.com
Subject: RE: outside in
Date: Fri, 27 Jul 2001 01:02:43 -0500
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hi,
Someone form the list asked me how my outdoor show went so I thought I would
share my experience.
Ok, well my experience of playing outdoors compared to indoors is as
follows:

SHOW: Denis solo electric guitar an guitar loops doen on the fly
      People's park downtown Bloomington,IN 5:30-6:30
      Payment: $100.00
      7/19/01
Actual hours: 1 hour preparing rack, 2 hours setup &  tear down, 1.5 hours
playing, 1 hour negotiaing with promoter,1 hour advertising gig 
total hours=6.5 hours

BAD
--------
1)it was way way to hot out there
2)it was really hard on the equipment
3)I had to turn up my amps twice the norm
4)I could not see the leds or readout on m pedalboards
5)clean power was lacking
6)Sound would go out and never came back
7)Needed much more bass and lots of EQ
8)the feeling of playing in the middle of downtown in my home town was
really strange especially at that volume
9)show was ony an 1 hur and 15 minutes
10)rusted guitar strings by end of show
11)my gear takes such a beating: this time around one hinges on skb rack
broke, bottom feet of my marshall 2x12 broke, 4 cables went bad, speaker
cabinets look like I took them to a farm and rolled them in hay, my tempory
wood pedalboard broke in two and all the velcro is shot, tubes in one of my
50/50 tube amps are shot and sqweal ($120 replacement cost, but they were on
their way before the show)
12) promoter kind of screwed me and very poor promotion, bad PA setup the
usual

GOOD
------------
1)the feeling of playing in the middle of downtown in my home town was
really strange especially at that volume
2)acoustics were very clean, nice
3)fun to fill the whole downtown with guitar sounds
4)I have a video and $100 to show for my effort
5)decent exposure
6)appreciative crowd
7)I was pleased with performance definitely improved since last time
8)know to play in that kind of heat 100 degrees ad humid as hell
9)know what to xpect from promoter
10)I tried some different setups and some worked others did not, nice to
know 
11)got decent recording during show
12)changes i made to gear imporved sound a lot
13)I know what to expect from promoter and form playing out doors during the
summer.
14)got to play really really loudly but yet still really clean and not ear
piercing~~~~~
Denis
denis taaffe
denis_aliengtr@geocities.com
http://www.dtguitar.co

GOOD
-----Original Message-----
From: Gary Lehmann [mailto:healthquestrecruiter@earthlink.net]
Sent: Thursday, July 26, 2001 3:13 PM
To: dtaaffe@indiana.edu
Subject: outside in


So Denis how was your outdoor gig?  Anything to share?
Gary
PS  My experiences with outdoor gigs is that it's hard to perform with
machines--
Gary

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>From: "Mike Biffle" <Mike.Biffle@asml.com>
>
>Hi Matt,
>
>Ok... while I'm optimistic, I'm hoping that we're going to see things 
>continue to grow and get better. Maybe... the corporations may manage to 
>weasel things around and screw it up.

I think this is one place where we can actually benefit from corporations. 
After all, live365 is a corp. Same with the people (Yahoo Groups) who 
provide us with the mailing list for the CT Collective.

>I think I also mentioned the extremely small size of our genre. If it 
>doesn't entertain (dance-able, drunk-able, party-able, 
>background-muzak-able) then it's gonna be sparse.  It seems obvious to me 
>that we're not going to get the mainstream advantages of large-scale 
>movements.

I'm not expecting "experimental" to become as big and successful a genre as 
the ones that are um, bit and successful. I do feel, however, that there 
enough experimental musicians/fans in the world that if they put us all 
together, we could fill out a medium to large sized city. I also think a 
large portion of us have internet access. So... I know it's out there, I'm 
just having trouble finding it.

I went back to live365 last night, and clicked on the genre "experimental". 
The first 150 listings I got were stations that play: Techno, drum 'n' bass, 
blues, ambient, industrial, gothic, new age, alternative, and indie 
(college). I also got some stations that were just police scanners (!) and a 
really nice psychedelic station. I guess the point of this paragraph is that 
"experimental" has become one of those words like "alternative" was 10 years 
ago, where musicians and fans simply like seeing it next to their music. So 
now, the fact that everybody and his left mother uses the word 
"experimental", it's lots harder to find anything in the tiny little genre 
of music that used to be called "experimental music".

Unfortunately, the same is true for the phrase, "My music doesn't fit into 
any particular genre." (Must be a pretty cool thing to say, because I've 
heard it tons of times, even from people whose music fits exactly in an 
existing genre.)

Now I'm not going to say that people who listen to more popular forms of 
music have bad taste, or would simply grow out of it if introduced into the 
right musical environment. From my experience, I've found that to not be 
true. In fact, people tend to dislike that assumption as much as vegetarians 
dislike being told that they'll eventually grow out of that phase.

Personally, I'm kind of glad that we're small. It gives us more of a sense 
of community, and a sense that what we're doing is more likely to make a 
splash in the world we work in. (Personally, a splish would be just dandy 
for me.)

Matt

_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp

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To: "'Loopers-Delight@loopers-delight.com'"
	 <Loopers-Delight@loopers-delight.com>
Subject: RE: EMUSIC Playlist #224
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if it doesn't interest you, delete the messages, it's what i do. 

think on this, all of us live in our little zones and are trying to promote
ourselves and making music with looping devices, etc. 

this guy plays some stuff that people might find to be interesting. you just
did a gig that some of us might find interesting. both of you are at least
2,000 miles away from me. 

i do gigs that may be of marginal interest to some of you, i'm often at
least 2,000 miles from many people on the list. guys who gig in italy and
announce their gigs may be even farther away . . . 

delete is a great key if you know how to use it - - and it takes less
calories and mental anguish to use it than it does to type caustic e-mails
about the "offending" listing - - and less brain power and expenditure
thereof.


stig

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<P><FONT SIZE=3D2>if it doesn't interest you, delete the messages, it's =
what i do. </FONT>
</P>

<P><FONT SIZE=3D2>think on this, all of us live in our little zones and =
are trying to promote ourselves and making music with looping devices, =
etc. </FONT></P>

<P><FONT SIZE=3D2>this guy plays some stuff that people might find to =
be interesting. you just did a gig that some of us might find =
interesting. both of you are at least 2,000 miles away from me. =
</FONT></P>

<P><FONT SIZE=3D2>i do gigs that may be of marginal interest to some of =
you, i'm often at least 2,000 miles from many people on the list. guys =
who gig in italy and announce their gigs may be even farther away . . . =
</FONT></P>

<P><FONT SIZE=3D2>delete is a great key if you know how to use it - - =
and it takes less calories and mental anguish to use it than it does to =
type caustic e-mails about the &quot;offending&quot; listing - - and =
less brain power and expenditure thereof.</FONT></P>
<BR>

<P><FONT SIZE=3D2>stig</FONT>
</P>

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From: "Liebig, Steuart A." <Steuart.Liebig@maritz.com>
To: Loopers-Delight@loopers-delight.com
Subject: RE: viability of new art music (reaching folks)
Date: Fri, 27 Jul 2001 13:19:46 -0400
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As a result, my friend has decided that there is no 
longer a viable market for recordings of experimental art music and 
therefore has decided to suspend operations.

** sorry to hear this. now is the time when people like your friend are MOST
needed. of course, losing your shirt over this sort of thing isn't the best
idea either. 


I realize that public arts funding took a big hit from Jesse Helms 
and his barbarian horde, and I've been off the circuit myself for 
more than ten years, but it comes as a surprise to me that a small, 
high quality record label should suffer such a decline. What's your 
experience, and why do you think this is happening? Is this 
collateral damage from the overall dumbing down of American culture, 
or is it a case of a finite listening audience being spread thinner 
by an increase in do-it-yourself electronic music and the 
availability of downloadable music.

** i believe that helms and his ilk are only the latest and most obvious
exampls of the de-funding of american culture. far more insidious was the
defunding of school music programs (etc.). to my mind that, more than
anything, has hastened the dumbing down of the culture. (as a tangent, i
think it funny that the music that came out of no pubilc education in
musical instruments  - - rap - - is driving thses folks crazy; and i do
think that rap is one response to no music ed, kids didn't learn instruments
and were creative . . . and they came up with creating with non-traditional
means.) 

i don't personally think that the audience is necessarily thinned, unless
you mean that the people who were buying stuff got older and more
conservative. maybe their children will be the next wave of people with more
interesting taste (?). i say this based on the idea that you had major label
deals for people like anthony braxton in the 70s. in my opinion,
downloadable music by itself wouldn't cut down on the desire for more
adventurous music, in fact many people here think that it would increase the
market for it. i'm not wholly convinced of this last, however. 


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<P><FONT SIZE=3D2>As a result, my friend has decided that there is no =
</FONT>
<BR><FONT SIZE=3D2>longer a viable market for recordings of =
experimental art music and </FONT>
<BR><FONT SIZE=3D2>therefore has decided to suspend operations.</FONT>
</P>

<P><FONT SIZE=3D2>** sorry to hear this. now is the time when people =
like your friend are MOST needed. of course, losing your shirt over =
this sort of thing isn't the best idea either. </FONT></P>
<BR>

<P><FONT SIZE=3D2>I realize that public arts funding took a big hit =
from Jesse Helms </FONT>
<BR><FONT SIZE=3D2>and his barbarian horde, and I've been off the =
circuit myself for </FONT>
<BR><FONT SIZE=3D2>more than ten years, but it comes as a surprise to =
me that a small, </FONT>
<BR><FONT SIZE=3D2>high quality record label should suffer such a =
decline. What's your </FONT>
<BR><FONT SIZE=3D2>experience, and why do you think this is happening? =
Is this </FONT>
<BR><FONT SIZE=3D2>collateral damage from the overall dumbing down of =
American culture, </FONT>
<BR><FONT SIZE=3D2>or is it a case of a finite listening audience being =
spread thinner </FONT>
<BR><FONT SIZE=3D2>by an increase in do-it-yourself electronic music =
and the </FONT>
<BR><FONT SIZE=3D2>availability of downloadable music.</FONT>
</P>

<P><FONT SIZE=3D2>** i believe that helms and his ilk are only the =
latest and most obvious exampls of the de-funding of american culture. =
far more insidious was the defunding of school music programs (etc.). =
to my mind that, more than anything, has hastened the dumbing down of =
the culture. (as a tangent, i think it funny that the music that came =
out of no pubilc education in musical instruments&nbsp; - - rap - - is =
driving thses folks crazy; and i do think that rap is one response to =
no music ed, kids didn't learn instruments and were creative . . . and =
they came up with creating with non-traditional means.) </FONT></P>

<P><FONT SIZE=3D2>i don't personally think that the audience is =
necessarily thinned, unless you mean that the people who were buying =
stuff got older and more conservative. maybe their children will be the =
next wave of people with more interesting taste (?). i say this based =
on the idea that you had major label deals for people like anthony =
braxton in the 70s. in my opinion, downloadable music by itself =
wouldn't cut down on the desire for more adventurous music, in fact =
many people here think that it would increase the market for it. i'm =
not wholly convinced of this last, however. </FONT></P>

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To: Loopers-Delight@loopers-delight.com
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 SG:  Retail Sales for CDs have been shifting to the Internet for nearly 5
years now.  The figures involved were even abused by the RIAA in the
construction of their "case" against Napster - they only used the numbers
for CD Singles, which lose out to LP Singles any day (Part of this is DJs I
suspect).  CDs in general though have been bought more and more online, and
less in retail outlets, which traditionally have been the most difficult
places for "new music" to get placed, let alone sold.  The only exception
are stores like PooBah's which have a huge used selection, and this model
has also been growing.  Such stores are quite open to individuals as opposed
to big distributors, if they personally like your stuff.
 
** acutally, poobah is small potatoes when compared to amoeba , in terms of
the new music bins. there are tower records outlets that have some pretty
good "new music" sections  (also better than poobah) , but this is almost
always up to the buyer of any particular store.  
 
 SG:  Despite all that MCA/Vivendi is doing to encroach upon our right to
post original material without paying for it, there are a ton of online
venues to place material for nothing but a CD sent to them, or even just the
time spent posting the MP3s in question.   
 
 
** but here's the rub for me. yeah, all of this stuff has awesome POTENTIAL
for  distributing "product" to people. my question is HOW are you going to
get people INTERESTED in what you DO. to my mind, this is the real crux of
the issue. i used to believe that building a better mousetrap would
necessarily bring people to you - - they would want it. i don't think that
happens. HOW are we going to get someone who is not, AT THIS MOMENT,
interested in so-called new music looking for YOUR stuff on the internet?
before one has people buying your music, they have to find it - - and that
means that they have to WANT to look for it. this is where my optimism fails
me and i don't see the rosy picture people are painting. 
 
so . . . please show me how this is going to happen. miko said he wasn't
necessarily looking for new converts, but that's exactly what i think is
needed before the 'net become the "saviour" that many foresee it being.
otherwise we have the same small audience.
 
 
 
 SG:  I still insist that if we allow behemoths like MCA/Vivendi to
monopolize the distribution business for music on the Internet, it's our own
fault for not doing something about it.  I would still like to discuss the
idea of a mass exodus and boycott in the future .  
 
** most of the people who do cds on this list are on small labels or are
self-published. it strikes me that they are NOT waiting for the bigwigs to
do anything. 
 
stig 

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<TITLE>OT: why musicians can't eat -- and why radio is so bad</TITLE>

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<DIV>&nbsp;</DIV>
<DIV><FONT face="Trebuchet MS"><SPAN class=713362921-26072001><SPAN 
class=113392017-27072001><FONT color=#0000ff face=Arial>&nbsp;SG: 
&nbsp;</FONT></SPAN>Retail Sales for CDs have been shifting to the Internet for 
nearly 5 years now.&nbsp; The figures involved were even abused by the RIAA in 
the construction of their "case" against Napster - they only used the numbers 
for CD Singles, which lose out to LP Singles any day (Part of this is DJs I 
suspect).&nbsp; CDs in general though have been bought more and more online, and 
less in retail outlets, which traditionally have been the most difficult places 
for "new music" to get placed, let alone sold.&nbsp; The only exception are 
stores like PooBah's which have a huge used selection, and this model has also 
been growing.&nbsp; Such stores are quite open to individuals as opposed to big 
distributors, if they personally like your stuff.</SPAN></FONT></DIV>
<DIV><FONT face="Trebuchet MS"><SPAN 
class=713362921-26072001></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT color=#0000ff><SPAN class=713362921-26072001><SPAN 
class=760171817-27072001>** acutally, poobah is small potatoes when compared to 
amoeba<SPAN class=113392017-27072001>&nbsp;, in terms of the new music 
bins</SPAN>. there are tower records outlets that have some pretty 
good&nbsp;"new music" sections<SPAN class=113392017-27072001>&nbsp; (also better 
than poobah)&nbsp;</SPAN>, but this is almost always up to the buyer of any 
particular store. &nbsp;</SPAN></SPAN></FONT></DIV>
<DIV><FONT color=#0000ff><SPAN class=713362921-26072001><SPAN 
class=760171817-27072001>&nbsp;</SPAN></SPAN></FONT></DIV>
<DIV><SPAN class=713362921-26072001><FONT face="Trebuchet MS"><FONT size=3><SPAN 
class=113392017-27072001><FONT color=#0000ff face=Arial size=2>&nbsp;SG: 
&nbsp;</FONT></SPAN>Despite all that MCA/Vivendi is doing to encroach upon our 
right to post original material without paying for it, there are a ton of online 
venues to place material for nothing but a CD sent to them, or even just the 
time spent posting the MP3s in question.&nbsp;&nbsp;</FONT><FONT color=#0000ff 
face=Arial size=2><SPAN 
class=113392017-27072001>&nbsp;</SPAN></FONT></FONT></SPAN></DIV>
<DIV><SPAN class=713362921-26072001><FONT face="Trebuchet MS"><FONT 
color=#0000ff face=Arial size=2><SPAN 
class=113392017-27072001></SPAN></FONT></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=713362921-26072001><FONT face="Trebuchet MS"><FONT 
color=#0000ff face=Arial size=2><SPAN 
class=113392017-27072001></SPAN></FONT></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=713362921-26072001><FONT face="Trebuchet MS"><FONT 
color=#0000ff face=Arial size=2><SPAN class=113392017-27072001><FONT 
size=3><FONT color=#000000 face="Trebuchet MS">** but&nbsp;here's the rub for 
me. yeah, all of this stuff has awesome POTENTIAL for </FONT></FONT>&nbsp;<FONT 
color=#000000 face="Trebuchet MS" size=3>distributing "product" to people. my 
question is HOW are you going to get people INTERESTED in what you DO. to my 
mind, this is the real crux of the issue. i used to believe that building a 
better mousetrap would necessarily bring people to you - - they would want it. i 
don't think that happens. HOW are we going to get someone who is not, AT THIS 
MOMENT, interested in so-called new music looking for YOUR stuff on the 
internet? before one has people buying your music, they have to find it - - and 
that means that they have to WANT to look for it. this is where my optimism 
fails me and i don't see the rosy picture people are painting. 
</FONT></SPAN></FONT></FONT></SPAN></DIV>
<DIV><SPAN class=713362921-26072001><FONT face="Trebuchet MS"><FONT 
color=#0000ff face=Arial size=2><SPAN 
class=113392017-27072001></SPAN></FONT></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=713362921-26072001><FONT face="Trebuchet MS" size=3><SPAN 
class=113392017-27072001>so . . . please show me how this is going to happen. 
miko said he wasn't necessarily looking for new converts, but that's exactly 
what i think is needed before the 'net become the "saviour" that many foresee it 
being. otherwise we have the same small audience.</SPAN></FONT></SPAN></DIV>
<DIV><SPAN class=713362921-26072001><FONT face="Trebuchet MS"><FONT 
size=3></FONT></FONT></SPAN>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV><SPAN class=713362921-26072001><FONT face="Trebuchet MS"><FONT size=3><SPAN 
class=113392017-27072001><FONT color=#0000ff face=Arial size=2>&nbsp;SG: 
&nbsp;</FONT></SPAN>I still insist that if we allow behemoths like MCA/Vivendi 
to monopolize the distribution business for music on the Internet, it's our own 
fault for not doing something about it.&nbsp; I would still like to discuss the 
idea of a mass exodus and boycott in the future</FONT><FONT color=#0000ff 
face=Arial size=2><SPAN class=113392017-27072001>&nbsp;<FONT color=#000000 
face="Trebuchet MS" size=3>.</FONT>&nbsp;</SPAN></FONT></FONT><FONT 
color=#0000ff face=Arial><SPAN 
class=113392017-27072001>&nbsp;</SPAN></FONT></SPAN></DIV>
<DIV><SPAN class=713362921-26072001><FONT face="Trebuchet MS"><FONT 
color=#0000ff face=Arial><SPAN 
class=113392017-27072001></SPAN></FONT></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=713362921-26072001><FONT face="Trebuchet MS"><FONT 
color=#0000ff face=Arial size=2><SPAN class=113392017-27072001><FONT 
color=#000000><FONT size=3><FONT face="Trebuchet MS">** most of the 
p</FONT><FONT face="Trebuchet MS">eople who do cds on this list are on small 
labels or a</FONT></FONT><FONT face="Trebuchet MS" size=3>re 
self-published.&nbsp;</FONT><FONT face="Trebuchet MS" size=3>it strikes me that 
they are NOT waiting for the bigwigs to do 
anything.&nbsp;</FONT></FONT></SPAN></FONT></FONT></SPAN></DIV>
<DIV><SPAN class=713362921-26072001><FONT face="Trebuchet MS"><FONT 
color=#0000ff face=Arial size=2><SPAN 
class=113392017-27072001></SPAN></FONT></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=713362921-26072001><FONT face="Trebuchet MS"><FONT 
color=#0000ff face=Arial size=2><SPAN class=113392017-27072001><FONT 
color=#000000 face="Trebuchet MS" 
size=3>stig</FONT>&nbsp;</SPAN></FONT></FONT></SPAN></DIV></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Fri Jul 27 13:39:09 2001
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From: "Liebig, Steuart A." <Steuart.Liebig@maritz.com>
To: "'Loopers-Delight@loopers-delight.com'"
	 <Loopers-Delight@loopers-delight.com>
Subject: RE: reaching folks
Date: Fri, 27 Jul 2001 13:36:34 -0400
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MD: I'm not expecting "experimental" to become as big and successful a genre
as 
the ones that are um, bit and successful. I do feel, however, that there 
enough experimental musicians/fans in the world that if they put us all 
together, we could fill out a medium to large sized city. I also think a 
large portion of us have internet access. So... I know it's out there, I'm 
just having trouble finding it.


** i believe that all of the people who in the world who could concievable
care about what anyone of us may be doing (otehr than as a soundtrack to
their visual entertainment) is something along the lines of 1/10th of 1%.
this doesn't bother me, but it could point to the larger issues of reaching
people and the efficacy of the 'net to really deal with distribution or
prostelyzation. 


MD: Personally, I'm kind of glad that we're small. It gives us more of a
sense 
of community, and a sense that what we're doing is more likely to make a 
splash in the world we work in. (Personally, a splish would be just dandy 
for me.)

** we do what we do because we want to and because we believe in it - - and
that works for me. 

stig

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<TITLE>RE: reaching folks</TITLE>
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<P><FONT SIZE=3D2>MD: I'm not expecting &quot;experimental&quot; to =
become as big and successful a genre as </FONT>
<BR><FONT SIZE=3D2>the ones that are um, bit and successful. I do feel, =
however, that there </FONT>
<BR><FONT SIZE=3D2>enough experimental musicians/fans in the world that =
if they put us all </FONT>
<BR><FONT SIZE=3D2>together, we could fill out a medium to large sized =
city. I also think a </FONT>
<BR><FONT SIZE=3D2>large portion of us have internet access. So... I =
know it's out there, I'm </FONT>
<BR><FONT SIZE=3D2>just having trouble finding it.</FONT>
</P>
<BR>

<P><FONT SIZE=3D2>** i believe that all of the people who in the world =
who could concievable care about what anyone of us may be doing (otehr =
than as a soundtrack to their visual entertainment) is something along =
the lines of 1/10th of 1%.&nbsp; this doesn't bother me, but it could =
point to the larger issues of reaching people and the efficacy of the =
'net to really deal with distribution or prostelyzation. </FONT></P>
<BR>

<P><FONT SIZE=3D2>MD: Personally, I'm kind of glad that we're small. It =
gives us more of a sense </FONT>
<BR><FONT SIZE=3D2>of community, and a sense that what we're doing is =
more likely to make a </FONT>
<BR><FONT SIZE=3D2>splash in the world we work in. (Personally, a =
splish would be just dandy </FONT>
<BR><FONT SIZE=3D2>for me.)</FONT>
</P>

<P><FONT SIZE=3D2>** we do what we do because we want to and because we =
believe in it - - and that works for me. </FONT>
</P>

<P><FONT SIZE=3D2>stig</FONT>
</P>

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From Loopers-Delight-request@loopers-delight.com  Fri Jul 27 14:04:58 2001
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Answering James Pokorny (and Stephen P. Goodman):

>some basic
>information about the gathering is located at the 2001 season page of
>http://www.thegatherings.org

You might want to wait a day or two before checking for details on the 
Sept. 15 concert - I'm told the site is being updated today - but the basic 
stuff is there.  When I've got more of an itinerary mapped out, I'll post 
that as well.

Hope to see you out there.

TH


From Loopers-Delight-request@loopers-delight.com  Fri Jul 27 14:32:11 2001
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From: "K. Douglas Baldwin" <dbaldwin@suffolk.lib.ny.us>
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Subject: Fw: Loopers T-shirts
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Whoops! I sent this only to Todd Pafford; I meant to send it to the whole
group!

>>> > on 7/24/01 12:10 AM, Michael LaMeyer at mlameyer@rcn.com wrote:
>>>
>>> I think a moebius strip somewhere on the front would be
>>> appropriate.  Or incorporated in the design somehow.  It could
>>> be cheesy, it could be cool, I think it's all in the execution


I have drawn some wickedly complex moebius-like knotwork which may be
appropriate. It looks somewhat like Celtic knotwork and the King
Crimson/Discipline knotwork but has a more geometric quality. I would fax
sketches to anyone who might wish to consider them for the T-shirt.
Likewise, I would fax them or send them as a file attachment to anyone who
would wish to post them on a web site.
Douglas Baldwin, Alpha male Coyote, the Trickster
dbaldwin@suffolk.lib.ny.us



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From: "David Potter" <papadave55@hotmail.com>
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Subject: Re: PC 'JAMPERSON' conversion kit
Date: Fri, 27 Jul 2001 18:48:41 
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<html><div style='background-color:'><DIV>
<P>Hi Rick,</P>
<P>&nbsp;&nbsp;&nbsp;&nbsp; I'd love a jamman ah er....&nbsp; jamperson sticker to up grade male consciousness... it is an appropriate change....&nbsp; Hoping you can get over soon for a consulting/looping lesson.&nbsp; I am having a ball in the mean time.&nbsp; I am looking for a ground control&nbsp;floor pedal to be able to switch patches and such.&nbsp; Roland is suppose to be coming out with a new cool one.</P>
<P>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Keep in touch....Om and Out&nbsp;&nbsp; Papa Dave&nbsp; 5880787</P>
<P>p.s.&nbsp; I also wasn't able to download the Acid 3 program....damn....this computer or perhaps it's me.&nbsp; I'd love to mess with that stuff.&nbsp; Do you still have some of those looping discs available.&nbsp; I am interested in the computer environment but it's alien at this point.&nbsp; Om and Out again........<BR><BR></P><BR><BR><BR>Om and In......Papa Dave </DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>&gt;From: "Rick Walker \(loop.pool\)" <GLOBAL@CRUZIO.COM>
<DIV></DIV>&gt;Reply-To: Loopers-Delight@loopers-delight.com 
<DIV></DIV>&gt;To: <LOOPERS-DELIGHT@LOOPERS-DELIGHT.COM>
<DIV></DIV>&gt;Subject: PC 'JAMPERSON' conversion kit 
<DIV></DIV>&gt;Date: Wed, 25 Jul 2001 01:58:18 -0700 
<DIV></DIV>&gt; 
<DIV></DIV>&gt;Jehn wrote: 
<DIV></DIV>&gt; 
<DIV></DIV>&gt;"I had a couple of things taped onto my JamMan..one was a picture of Saturn 
<DIV></DIV>&gt;with the caption "Riddles of the Rings"..the other was a cartoon picture of 
<DIV></DIV>&gt;a guy awake in his pajamas flying..collage visual anyone?" 
<DIV></DIV>&gt; 
<DIV></DIV>&gt; 
<DIV></DIV>&gt;For what it's worth, I was annoyed by the unconcious sexism of Lexicon 
<DIV></DIV>&gt;calling their looper the "JAMMAN" so as a joke I printed up the logo 
<DIV></DIV>&gt;"JAMPERSON" in the exact lettering of the unit and printed up a bunch. 
<DIV></DIV>&gt; 
<DIV></DIV>&gt;This is both a righting of a wrong to me and, at the same time, a 
<DIV></DIV>&gt;gentle poking of fun at the PC (Politically Correct) culture that we live 
<DIV></DIV>&gt;in. 
<DIV></DIV>&gt; 
<DIV></DIV>&gt;If anyone wants a "conversion" kit I can either e-mail you the pagemaker 
<DIV></DIV>&gt;document or a physical printing of the logos for the price of "passing it 
<DIV></DIV>&gt;on" 
<DIV></DIV>&gt; 
<DIV></DIV>&gt;yours, Rick (loop.pool) 
<DIV></DIV>&gt; 
<DIV></DIV></div><br clear=all><hr>Get your FREE download of MSN Explorer at <a href='http://go.msn.com/bql/hmtag_itl_EN.asp'>http://explorer.msn.com</a><br></html>

From Loopers-Delight-request@loopers-delight.com  Fri Jul 27 14:54:26 2001
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From: "Taaffe, Denis G" <dtaaffe@indiana.edu>
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you would hope that all music or 99.9% should always be experimental trying
to further the music and the quality of music ,no?>
 
Denis

-----Original Message-----
From: Liebig, Steuart A. [mailto:Steuart.Liebig@maritz.com]
Sent: Friday, July 27, 2001 12:37 PM
To: 'Loopers-Delight@loopers-delight.com'
Subject: RE: reaching folks



MD: I'm not expecting "experimental" to become as big and successful a genre
as 
the ones that are um, bit and successful. I do feel, however, that there 
   


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<TITLE>RE: reaching folks</TITLE>

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<DIV><SPAN class=314095218-27072001><FONT face=Arial color=#0000ff size=2>you 
would hope that all music or 99.9% should always be experimental trying to 
further the music and the quality of music ,no?&gt;</FONT></SPAN></DIV>
<DIV><SPAN class=314095218-27072001><FONT face=Arial color=#0000ff 
size=2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=314095218-27072001><FONT face=Arial color=#0000ff 
size=2>Denis</FONT></SPAN></DIV>
<BLOCKQUOTE dir=ltr style="MARGIN-RIGHT: 0px">
  <DIV class=OutlookMessageHeader dir=ltr align=left><FONT face=Tahoma 
  size=2>-----Original Message-----<BR><B>From:</B> Liebig, Steuart A. 
  [mailto:Steuart.Liebig@maritz.com]<BR><B>Sent:</B> Friday, July 27, 2001 12:37 
  PM<BR><B>To:</B> 'Loopers-Delight@loopers-delight.com'<BR><B>Subject:</B> RE: 
  reaching folks<BR><BR></FONT></DIV>
  <P><FONT size=2>MD: I'm not expecting "experimental" to become as big and 
  successful a genre as </FONT><BR><FONT size=2>the ones that are um, bit and 
  successful. I do feel, however, that there&nbsp;</FONT><BR><FONT face=Arial 
  color=#0000ff size=2><SPAN class=314095218-27072001>&nbsp; 
  &nbsp;</SPAN></FONT></P></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Fri Jul 27 15:01:38 2001
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From: "Bowerbird" <Bowerbird@socal.rr.com>
To: <Loopers-Delight@loopers-delight.com>
References: <OF45DE1414.0E586F7B-ONC1256A96.003A4CC1@involvelearning.com>
Subject: Re: David Keane-"Tape Music Compositon"
Date: Fri, 27 Jul 2001 11:58:26 -0700
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Thanks Mark-

Please keep me updated!!
Bowerbird@socal.rr.com

----- Original Message -----
From: <mark.red@involvelearning.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, July 27, 2001 3:40 AM
Subject: Re: David Keane-"Tape Music Compositon"


>
> And me too... I thinks it must be the same one, I'll check, if its the one
> I got I'll photocopy it for ya ... no probs...
>
> ...if its the one... its incredibly out of date, but fun cos of that...
> pictures of earnest bearded men in lab-coats and tweed jackets making
> tapeloops and recording bowed saws and the like... I have another one too
> more aimed at electronics, a Babani one...
>
> MArk Red
>
>
>
>
>
>                     "JH"
>                     <jahuggett@ho        To:
<Loopers-Delight@loopers-delight.com>
>                     tmail.com>           cc:
>                                          Subject:     Re: David
Keane-"Tape Music Compositon"
>                     26/07/2001
>                     23:30
>                     Please
>                     respond to
>                     Loopers-Delig
>                     ht
>
>
>
>
>
> Crikey, I have a copy of that book. Its in storage at the moment. You;re
> the first person to have ever mentioned it since I got it about 6 years
> ago. As to selling or photocopying, not sure yet, I'm sure we can work
> something out once I get it and I have some time.
>
> Jamie
>  ----- Original Message -----
>  From: Bowerbird
>  To: Loopers-Delight@loopers-delight.com
>  Sent: Thursday, July 26, 2001 4:09 PM
>  Subject: David Keane-"Tape Music Compositon"
>
>  Hello all,
>   I would like to know if anyone on this list has a copy of David Keane's
>  book "Tape Music Composition" that they'd be willing to sell.  Even a
>  photo copy would be great.
>
>  Thanks alot!!
>
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Jul 27 15:08:15 2001
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From: "Stephen P. Goodman" <spgoodman@earthlight.net>
To: <Loopers-Delight@loopers-delight.com>
References: <F72d1UtYj7XGeFaatao000018c4@hotmail.com>
Subject: Re: PC 'JAMPERSON' conversion kit
Date: Fri, 27 Jul 2001 20:06:09 +0100
Organization: EarthLight Productions
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What about MammaJamma?

----- Original Message -----=20
From: David Potter=20
To: Loopers-Delight@loopers-delight.com=20
Sent: 27 July 2001 18:48 PM
Subject: Re: PC 'JAMPERSON' conversion kit


Hi Rick,

     I'd love a jamman ah er....  jamperson sticker to up grade male =
consciousness... it is an appropriate change....  Hoping you can get =
over soon for a consulting/looping lesson.  I am having a ball in the =
mean time.  I am looking for a ground control floor pedal to be able to =
switch patches and such.  Roland is suppose to be coming out with a new =
cool one.

                              Keep in touch....Om and Out   Papa Dave  =
5880787

p.s.  I also wasn't able to download the Acid 3 program....damn....this =
computer or perhaps it's me.  I'd love to mess with that stuff.  Do you =
still have some of those looping discs available.  I am interested in =
the computer environment but it's alien at this point.  Om and Out =
again........






Om and In......Papa Dave=20
>From: "Rick Walker \(loop.pool\)"=20
>Reply-To: Loopers-Delight@loopers-delight.com=20
>To:=20
>Subject: PC 'JAMPERSON' conversion kit=20
>Date: Wed, 25 Jul 2001 01:58:18 -0700=20
>=20
>Jehn wrote:=20
>=20
>"I had a couple of things taped onto my JamMan..one was a picture of =
Saturn=20
>with the caption "Riddles of the Rings"..the other was a cartoon =
picture of=20
>a guy awake in his pajamas flying..collage visual anyone?"=20
>=20
>=20
>For what it's worth, I was annoyed by the unconcious sexism of Lexicon=20
>calling their looper the "JAMMAN" so as a joke I printed up the logo=20
>"JAMPERSON" in the exact lettering of the unit and printed up a bunch.=20
>=20
>This is both a righting of a wrong to me and, at the same time, a=20
>gentle poking of fun at the PC (Politically Correct) culture that we =
live=20
>in.=20
>=20
>If anyone wants a "conversion" kit I can either e-mail you the =
pagemaker=20
>document or a physical printing of the logos for the price of "passing =
it=20
>on"=20
>=20
>yours, Rick (loop.pool)=20
>=20


-------------------------------------------------------------------------=
-------
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV>What about MammaJamma?</DIV>
<DIV>&nbsp;</DIV>
<DIV style=3D"FONT: 10pt arial">----- Original Message -----=20
<DIV style=3D"BACKGROUND: #e4e4e4; font-color: black"><B>From:</B> <A=20
title=3Dpapadave55@hotmail.com =
href=3D"mailto:papadave55@hotmail.com">David=20
Potter</A> </DIV>
<DIV><B>To:</B> <A title=3DLoopers-Delight@loopers-delight.com=20
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
</DIV>
<DIV><B>Sent:</B> 27 July 2001 18:48 PM</DIV>
<DIV><B>Subject:</B> Re: PC 'JAMPERSON' conversion kit</DIV></DIV>
<DIV><BR></DIV>
<DIV>
<DIV>
<P>Hi Rick,</P>
<P>&nbsp;&nbsp;&nbsp;&nbsp; I'd love a jamman ah er....&nbsp; jamperson =
sticker=20
to up grade male consciousness... it is an appropriate change....&nbsp; =
Hoping=20
you can get over soon for a consulting/looping lesson.&nbsp; I am having =
a ball=20
in the mean time.&nbsp; I am looking for a ground control&nbsp;floor =
pedal to be=20
able to switch patches and such.&nbsp; Roland is suppose to be coming =
out with a=20
new cool one.</P>
<P>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
Keep in touch....Om and Out&nbsp;&nbsp; Papa Dave&nbsp; 5880787</P>
<P>p.s.&nbsp; I also wasn't able to download the Acid 3 =
program....damn....this=20
computer or perhaps it's me.&nbsp; I'd love to mess with that =
stuff.&nbsp; Do=20
you still have some of those looping discs available.&nbsp; I am =
interested in=20
the computer environment but it's alien at this point.&nbsp; Om and Out=20
again........<BR><BR></P><BR><BR><BR>Om and In......Papa Dave </DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>&gt;From: "Rick Walker \(loop.pool\)" <GLOBAL@CRUZIO.COM>
<DIV></DIV>&gt;Reply-To: Loopers-Delight@loopers-delight.com=20
<DIV></DIV>&gt;To: <LOOPERS-DELIGHT@LOOPERS-DELIGHT.COM>
<DIV></DIV>&gt;Subject: PC 'JAMPERSON' conversion kit=20
<DIV></DIV>&gt;Date: Wed, 25 Jul 2001 01:58:18 -0700=20
<DIV></DIV>&gt;=20
<DIV></DIV>&gt;Jehn wrote:=20
<DIV></DIV>&gt;=20
<DIV></DIV>&gt;"I had a couple of things taped onto my JamMan..one was a =
picture=20
of Saturn=20
<DIV></DIV>&gt;with the caption "Riddles of the Rings"..the other was a =
cartoon=20
picture of=20
<DIV></DIV>&gt;a guy awake in his pajamas flying..collage visual =
anyone?"=20
<DIV></DIV>&gt;=20
<DIV></DIV>&gt;=20
<DIV></DIV>&gt;For what it's worth, I was annoyed by the unconcious =
sexism of=20
Lexicon=20
<DIV></DIV>&gt;calling their looper the "JAMMAN" so as a joke I printed =
up the=20
logo=20
<DIV></DIV>&gt;"JAMPERSON" in the exact lettering of the unit and =
printed up a=20
bunch.=20
<DIV></DIV>&gt;=20
<DIV></DIV>&gt;This is both a righting of a wrong to me and, at the same =
time, a=20

<DIV></DIV>&gt;gentle poking of fun at the PC (Politically Correct) =
culture that=20
we live=20
<DIV></DIV>&gt;in.=20
<DIV></DIV>&gt;=20
<DIV></DIV>&gt;If anyone wants a "conversion" kit I can either e-mail =
you the=20
pagemaker=20
<DIV></DIV>&gt;document or a physical printing of the logos for the =
price of=20
"passing it=20
<DIV></DIV>&gt;on"=20
<DIV></DIV>&gt;=20
<DIV></DIV>&gt;yours, Rick (loop.pool)=20
<DIV></DIV>&gt;=20
<DIV></DIV></DIV><BR clear=3Dall>
<HR>
Get your FREE download of MSN Explorer at <A=20
href=3D"http://go.msn.com/bql/hmtag_itl_EN.asp">http://explorer.msn.com</=
A><BR></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Fri Jul 27 15:37:35 2001
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Date: Fri, 27 Jul 2001 15:34:39 EDT
Subject: Re: EMUSIC Playlist #224
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as with most of my trawling, the purpose of being part of these newsgroups is 
to learn about new things - i enjoy the playlists cause they turn me on to 
some names i havent previously heard of - and, as someone else noted, i 
routinely delete emails i don't want to read - easy enough to do that here - 
harry

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<HTML><FONT FACE=arial,helvetica><FONT  COLOR="#000080" SIZE=2 FAMILY="SANSSERIF" FACE="Century Gothic" LANG="0">as with most of my trawling, the purpose of being part of these newsgroups is 
<BR>to learn about new things - i enjoy the playlists cause they turn me on to 
<BR>some names i havent previously heard of - and, as someone else noted, i 
<BR>routinely delete emails i don't want to read - easy enough to do that here - 
<BR>harry</FONT></HTML>

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From: "Liebig, Steuart A." <Steuart.Liebig@maritz.com>
To: "'Loopers-Delight@loopers-delight.com'"
	 <Loopers-Delight@loopers-delight.com>
Subject: RE: EMUSIC Playlist #224
Date: Fri, 27 Jul 2001 15:44:13 -0400
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as with most of my trawling, the purpose of being part of these newsgroups
is 
to learn about new things - i enjoy the playlists cause they turn me on to 
some names i havent previously heard of -  
 
** ya know, this is such an excellent point - - and one that elides
incredibly well with the whole idea of "reaching people," etc., that we've
been discussing in the other major thread of the day. our behavior sometimes
leads away from finding new stuff - - and we're actually the folks who would
seem to be the most likely to do it.
 
interesting . . . 
 
stig


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<BLOCKQUOTE>
  <DIV align=left class=OutlookMessageHeader dir=ltr><FONT 
face=Tahoma><BR></DIV>
  <DIV></FONT><FONT size=2><FONT face=arial,helvetica><FONT color=#000080 
  face="Century Gothic" lang=0 FAMILY="SANSSERIF">as with most of my trawling, 
  the purpose of being part of these newsgroups is <BR>to learn about new things 
  - i enjoy the playlists cause they turn me on to <BR>some names i havent 
  previously heard of -&nbsp;<FONT color=#0000ff face=Arial><SPAN 
  class=526393919-27072001>&nbsp;</SPAN></FONT></FONT></FONT></FONT></DIV>
  <DIV><FONT size=2><FONT face=arial,helvetica><FONT color=#000080 
  face="Century Gothic" lang=0 FAMILY="SANSSERIF"><FONT color=#0000ff 
  face=Arial><SPAN 
  class=526393919-27072001></SPAN></FONT></FONT></FONT></FONT>&nbsp;</DIV>
  <DIV><FONT size=2><FONT face=arial,helvetica><FONT color=#000080 
  face="Century Gothic" lang=0 FAMILY="SANSSERIF"><FONT color=#0000ff 
  face=Arial><SPAN class=526393919-27072001>** ya know, this is such an 
  excellent point - - and one that elides incredibly well with the whole idea of 
  "reaching people," etc., that we've been discussing in the other major thread 
  of the day.&nbsp;our behavior sometimes leads away from finding new stuff 
  -&nbsp;- and we're actually the folks who would seem to be the most likely to 
  do it.</SPAN></FONT></FONT></FONT></FONT></DIV>
  <DIV><FONT size=2><FONT face=arial,helvetica><FONT color=#000080 
  face="Century Gothic" lang=0 FAMILY="SANSSERIF"><FONT color=#0000ff 
  face=Arial><SPAN 
  class=526393919-27072001></SPAN></FONT></FONT></FONT></FONT>&nbsp;</DIV>
  <DIV><FONT size=2><FONT face=arial,helvetica><FONT color=#000080 
  face="Century Gothic" lang=0 FAMILY="SANSSERIF"><FONT color=#0000ff 
  face=Arial><SPAN class=526393919-27072001>interesting . . . 
  </SPAN></FONT></FONT></FONT></FONT></DIV>
  <DIV><FONT size=2><FONT face=arial,helvetica><FONT color=#000080 
  face="Century Gothic" lang=0 FAMILY="SANSSERIF"><FONT color=#0000ff 
  face=Arial><SPAN 
  class=526393919-27072001></SPAN></FONT></FONT></FONT></FONT>&nbsp;</DIV>
  <DIV><FONT size=2><FONT face=arial,helvetica><FONT color=#000080 
  face="Century Gothic" lang=0 FAMILY="SANSSERIF"><FONT color=#0000ff 
  face=Arial><SPAN 
  class=526393919-27072001>stig</SPAN></FONT></FONT></FONT></FONT></DIV></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Fri Jul 27 15:54:41 2001
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Date: Fri, 27 Jul 2001 15:52:30 -0400
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From: "Tom Ritchford" <tom@swirly.com>
To: Loopers-Delight@loopers-delight.com
Reply-To: tom@swirly.com
Subject: enough of this! (was RE: EMUSIC Playlist #224)
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look, this isn't Spam, some guy who really reads the list
is sending out more or less loop related stuff that is the
result of his hard work to the list -- and is here to
answer questions about this.

there are more important things to discuss!  
how about that Repeater, eh, guys?

   /t

-- 

I am the wombat.

From Loopers-Delight-request@loopers-delight.com  Fri Jul 27 15:59:10 2001
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--Regarding rusted strings from playing in excessive heat and humidity:

Coated strings do seem to help with this. I have to play an outdoor service
in the sun every week, and they do last longer than uncoated strings. I've
found I prefer Daddario EXPs to Elixer, but I haven't tried the new Nanoweb
Elixers. (This is on acoustic guitar.)

Even if you don't like them for regular playing, it might be worth it to
have a set of  EXPs or Elixers ready for situations like this.

--Regarding the thread on getting this music out to the public:

I'm not a looper yet (still thinking about the DL4) but I enjoy the list.
And one big reason is that this is a list of non-mainstream musicians
finding ways to create and perform music against the odds, and outside of
the Business. It's encouraging to hear about the loop fests and other
"non-standard" ways of getting the music out. Inspirational even.

It's interesting that this recent discussion has corresponded with the time
I am reading "I Hate The Man Who Runs This Bar!: The Survival Guide For
REAL Musicians" by Eugene Chadbourne. It's a real-world look at having a
musical career completely under the radar of mass consumption, and not even
shooting for the Star Machine. I would really recommend it.

Thanks for carrying on...and on...thanks for carrying on...



Tim Helmen
Debut CD "Room For Cream" available July 2001
info at http://TimHelmen.com
tim@TimHelmen.com

From Loopers-Delight-request@loopers-delight.com  Fri Jul 27 16:20:10 2001
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Hey Gang, here's some fun:

If you want to know what the current date is, go to musician's friend site, do
a search on "Repeater" and then click on the item name.  It will show you the
current day!  It's been right all week.

Why am I such a wise ass?

Mark

Tim Goodwin wrote:

> No email notification.  I was also told that they expect them to ship
> sometime between the 7th and 21st of this month.  So the 10 day target is in
> line with what I heard.
>
> Damn.  This hurts.
>
> --
> TG
>
> -----Original Message-----
> From: Tom Ritchford [mailto:tom@swirly.com]
> Sent: Thursday, July 12, 2001 6:28 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Repeater in 10 days!?!?!
>
> Does that mean that Electrix is shipping them right now
> or...?  Did anyone get that email from Electrix??

From Loopers-Delight-request@loopers-delight.com  Fri Jul 27 16:40:51 2001
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From: "Taaffe, Denis G" <dtaaffe@indiana.edu>
To: "'Loopers-Delight@loopers-delight.com'"
	 <Loopers-Delight@loopers-delight.com>
Subject: RE: Loopers-Delight-d Digest V01 #411
Date: Fri, 27 Jul 2001 15:38:51 -0500
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eheh..man I endorse elixir strings..but not much could have helpd this
situation,but mys trings get really ansty in a hurry, I have to say they
were a couple of weeks old and only the high strings got rusty...they have
this midwest msuic summit and I found out I won't even get a chance to play
there though signed up a logn time ago...depressing but it doesn't really
matter, I mean they basically run an industry of 'hopefull's' anyway. Kind
of like get signed (get scammed ).com

Denis
Denis taaffe
denis_aliengtr@geocities.com
http://www.dtgutar.comn
-----Original Message-----
From: Tim Helmen [mailto:tim@timhelmen.com]
Sent: Friday, July 27, 2001 9:45 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Loopers-Delight-d Digest V01 #411


--Regarding rusted strings from playing in excessive heat and humidity:

Coated strings do seem to help with this.  

From Loopers-Delight-request@loopers-delight.com  Fri Jul 27 17:32:58 2001
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From: larry.peterson@autodesk.com
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To: Loopers-Delight@annihilist.com
Subject: RE: Loopers T-shirts
Date: Fri, 27 Jul 2001 14:31:17 -0700
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Since Dennis Leas' posting some months ago (Wednesday, 
August 02, 2000 10:52 AM), I thought it would
be cool to have the following quote on the t-shirt:

"String theory posits that all the particles that make up the world are actually
tiny vibrating loops, resonating in concert."


- Larry

-----Original Message-----
From: K. Douglas Baldwin [mailto:dbaldwin@suffolk.lib.ny.us]
Sent: July 27, 2001 11:34 AM
To: Loopers-Delight
Subject: Fw: Loopers T-shirts


Whoops! I sent this only to Todd Pafford; I meant to send it to the whole
group!

>>> > on 7/24/01 12:10 AM, Michael LaMeyer at mlameyer@rcn.com wrote:
>>>
>>> I think a moebius strip somewhere on the front would be
>>> appropriate.  Or incorporated in the design somehow.  It could
>>> be cheesy, it could be cool, I think it's all in the execution


I have drawn some wickedly complex moebius-like knotwork which may be
appropriate. It looks somewhat like Celtic knotwork and the King
Crimson/Discipline knotwork but has a more geometric quality. I would fax
sketches to anyone who might wish to consider them for the T-shirt.
Likewise, I would fax them or send them as a file attachment to anyone who
would wish to post them on a web site.
Douglas Baldwin, Alpha male Coyote, the Trickster
dbaldwin@suffolk.lib.ny.us

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"String theory posits that all the particles that make up the world are 
actually
tiny vibrating loops, resonating in concert."


- Larry
------------------------------------------------------
& hey...I personally like that one an awful lot - Kool!

Warm Regards,
John Price/AKASH
"Remember To Always Kill Your Expectations"
www.akashmusic.com

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>"String theory posits that all the particles that make up the world are 
<BR>actually
<BR>tiny vibrating loops, resonating in concert."
<BR>
<BR>
<BR>- Larry
<BR>------------------------------------------------------
<BR>&amp; hey...I personally like that one an awful lot - Kool!
<BR>
<BR>Warm Regards,
<BR>John Price/AKASH
<BR>"Remember To Always Kill Your Expectations"
<BR>www.akashmusic.com</FONT></HTML>

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From Loopers-Delight-request@loopers-delight.com  Fri Jul 27 17:43:16 2001
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> "String theory posits that all the particles that make up the world are 
> actually
> tiny vibrating loops, resonating in concert."
> 

> & hey...I personally like that one an awful lot - Kool!

I'd vote for that slogan, too!

   /t

-- 

I am the tiny vibrating loop.

From Loopers-Delight-request@loopers-delight.com  Fri Jul 27 17:45:38 2001
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This is getting silly.
;)
  ----- Original Message -----=20
  From: AKASHMUSIC@aol.com=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Friday, July 27, 2001 2:36 PM
  Subject: Re: Loopers T-shirts


  "String theory posits that all the particles that make up the world =
are=20
  actually=20
  tiny vibrating loops, resonating in concert."=20


  - Larry=20
  ------------------------------------------------------=20
  & hey...I personally like that one an awful lot - Kool!=20

  Warm Regards,=20
  John Price/AKASH=20
  "Remember To Always Kill Your Expectations"=20
  www.akashmusic.com=20

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<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 5.50.4616.200" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2>This is getting silly.</FONT></DIV>
<DIV><FONT size=3D2>;)</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3DAKASHMUSIC@aol.com=20
  href=3D"mailto:AKASHMUSIC@aol.com">AKASHMUSIC@aol.com</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, July 27, 2001 =
2:36 PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Loopers =
T-shirts</DIV>
  <DIV><BR></DIV><FONT face=3Darial,helvetica><FONT size=3D2>"String =
theory posits=20
  that all the particles that make up the world are <BR>actually =
<BR>tiny=20
  vibrating loops, resonating in concert." <BR><BR><BR>- Larry=20
  <BR>------------------------------------------------------ <BR>&amp; =
hey...I=20
  personally like that one an awful lot - Kool! <BR><BR>Warm Regards, =
<BR>John=20
  Price/AKASH <BR>"Remember To Always Kill Your Expectations" <BR><A=20
  href=3D"http://www.akashmusic.com">www.akashmusic.com</A></FONT>=20
</FONT></BLOCKQUOTE></BODY></HTML>

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http://www.rustyrobot.com    accynny HYPNOS new album

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accynny HYPNOS new album</FONT></DIV></BODY></HTML>

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In a message dated 7/27/01 1:25:13 PM Eastern Daylight Time, 
Steuart.Liebig@maritz.com writes:


> losing your shirt over this sort of thing isn't the best idea either. 

speaking of shirts?.....:)m

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>In a message dated 7/27/01 1:25:13 PM Eastern Daylight Time, 
<BR>Steuart.Liebig@maritz.com writes:
<BR>
<BR>
<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">losing your shirt over this sort of thing isn't the best idea either. </FONT><FONT  COLOR="#000000" SIZE=3 FAMILY="SANSSERIF" FACE="Arial" LANG="0"></BLOCKQUOTE>
<BR></FONT><FONT  COLOR="#000000" SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0">
<BR>speaking of shirts?.....:)m</FONT></HTML>

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Do you have a Live365 station?  If not, why?  It sure would be swell.



Alan Imberg wrote:

> It is because of Bill's weekly posting that I knew EMUSIC existed. I sent
> Bill a copy of my most recent CD and he found it appropriate for playing on
> his show earlier this month. Though I couldn't listen to my music on the
> radio as I'm 3000 miles away, I did get some satisfaction in knowing that
> somewhere in the world my music was being sent over the airwaves. For this,
> I am grateful. I appreciate and welcome Bill's list each and every week.
>
> >Bill
> >have you EVER thought that not everybody here CAN listen to a small FM
> >station from Allentown?
> >or are we all from US? I don't send my stuff since I know the majority of
> >people here would never be able to get to it anyways.
> >Evidently you never thought about that!
> >
> >Italo
>
> Dear Italo,
>
> I'd have to be a vegetable AND dumb as sticks to have never thought about
> that.
> What kind of a mouth breathing Philistine do you think I am?  My playlists
> have
> nothing to do with one's ability to receive WDIY.  My playlists are
> encouragement to musicians that there IS an outlet for their creativity,
> even if
> they aren't a "big name" like Steve Roach or Robert Rich or Dweller at the
> Threshold.  My playlists are an aid to music lovers who want to find out new
> musicians to investigate.  I dare say that I've been posting my playlists
> here
> with Kim's blessing for longer than you've been a member.  And LD members
> have
> appeared on my playlists when their music fits the EMUSIC format.  I feel
> that
> my playlists are a valuable service.  Testimony from people belonging to a
> variety of mailing lists exists to prove it is successful in that capacity.
> Your mileage may vary.
>
> >----- Original Message -----
> >From: "David Beardsley" <db@biink.com>
> >To: <Loopers-Delight@loopers-delight.com>; <billfox@fast.net>
> >Sent: Monday, July 09, 2001 4:18 PM
> >Subject: Re: EMUSIC Playlist #224
> >
> >> I'd prefer not to receive your play lists at all,
> >> but get it anyway because I subscribe to all
> >> sorts of lists. How about you stop sending it
> >> to all these lists, start your own Yahoo list
> >> and give people a choice in the matter?
> >>
> >> db
>
> Dear David,
>
> You have the choice to press delete.  I'm sure that you expect that there
> will
> be some messages on a mailing list that you find to be of less interest to
> you
> than other messages.  No list can provide 100% interesting messages to 100%
> of
> its readership.  And from my sig, you'll notice that I HAVE a Yahoo list.
> It's
> been around for a while now (since March).  Unless Kim deems my playlists
> too
> far off topic, you'll continue to see them here on LD.  If Kim says the
> word, my
> playlists are history on LD.
>
> Best regards to all,
>
> Bill        billfox@fast.net
> http://wdiyfm.org/schedule/s_emusic.html
> ============================================================================
> ===
> Host of EMUSIC, an electronic, ambient, and space music show.  Thursdays at
> 11 pm on WDIY 88.1 FM, Allentown and Bethlehem and 93.9 FM in Easton and
> Phillipsburg.  Email me if you wish to submit music for airplay
> consideration.
> Radio Station Home Page: http://wdiyfm.org
> Personal site: http://www.users.fast.net/~billfox
> To subscribe to the EMUSIC on WDIY list, send
> email to: emusic-wdiy-subscribe@yahoogroups.com

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Subject: Re: line 6 stuff
From: Mark Hamburg <mark_hamburg@baymoon.com>
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"retail price of $699"

I'll have to see the street price, but this price looks like it keeps the
D-Two in the running as a delay effect and keeps the Echoplex and the
semi-mythical Repeater pretty viable as loopers.

I'd really hoped they wouldn't kick the price this high given that they
didn't add digital I/O. (Actually, I'm waiting for some effects
manufacturers to decide that it's cheaper to just have digital I/O and leave
the A/D/A conversion to other hardware.)

Mark

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If you check out Line 6, they tend to have high list prices, judging by how
musician's friend prices Line 6 stuff, it will probably sell for 350 or so, and
Musician's Friend's prices are not very good.

Mark Hamburg wrote:

> "retail price of $699"
>
> I'll have to see the street price, but this price looks like it keeps the
> D-Two in the running as a delay effect and keeps the Echoplex and the
> semi-mythical Repeater pretty viable as loopers.
>
> I'd really hoped they wouldn't kick the price this high given that they
> didn't add digital I/O. (Actually, I'm waiting for some effects
> manufacturers to decide that it's cheaper to just have digital I/O and leave
> the A/D/A conversion to other hardware.)
>
> Mark

From Loopers-Delight-request@loopers-delight.com  Sat Jul 28 08:38:24 2001
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Date: Sat, 28 Jul 2001 14:39:13 +0200
To: Loopers-Delight@loopers-delight.com
From: Matthias Grob <matthias@grob.org>
Subject: Re: rack to floor cables??
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>I have been thinking of making a big fat multicore cable
>to connect my rack of er... stuff to all the misc pedals on the floor (a
>good 20 minutes it take to plug in at soundcheck, by which time... there
>isnt any!!!) Has anyone done this and found a good connector. It need to
>take 6 audio/2midi/and various (8) stereo cable pedals (like the vortex
>ones). I'm thinking of a big old metal box on the rack and a big old metal
>box on the floorboard... could I use a mixing desk multicore cable....
>Just wanted other peoples solutions... (When is stuff gonna be wireless???)
>

my experience is that there is no need for separate shielding as long 
as there ar no high impedance signals (direct guitar out, guitar 
volume pedal...).
The MIDI signal tends to interfere, though. At least it needs its own 
shielding and probably its own ground wiring, too.
-- 


          ---> http://Matthias.Grob.org

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Date: Sat, 28 Jul 2001 14:37:45 +0200
To: Loopers-Delight@loopers-delight.com
From: Matthias Grob <matthias@grob.org>
Subject: RE: OT: why musicians can't eat -- and why radio is so bad
Cc: Thomas OESCHGER <oeschger@dplanet.ch>
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yep, recently I keep thinking about such things, too:

In German there is an old separation of music into E (ernst=serious) 
and U (unterhalten= entertain). I used to hate it but understand it 
better now.
When you speak about "art" and "entertainment" would you agree that 
there is artistic entertainment and entertaining art and we all have 
both attitudes to some degree?

Serious music would be the one that shows new ways (melodies can be 
like trails...) and thus teach the individual to become more 
complete, open, mature, independent,,,

Entertaining music works with what the listener knows and connects 
him to some group (fans, social group, church...) which can give a 
strong, euphoric,,, feeling, but it creates rather more dependency 
than an individual process.

Now, how does someone realize that no one else is better at solving 
his very task, that somebody elses trail does not lead there, that 
happiness is an individual search?
Music can help to it, but its rather a natural step in a souls 
evolution than something you can convince somebody about. We can 
offer our music for such a process, maybe induce it "hidden" by 
playing where/what people would not expect or interlace "serious" 
deepness in shallow disguise...

While this, we may have to accept that the majority runs after 
somebody elses happiness and does not understand why listening could 
be a useful "work".

>i was discussing this sort of thing last night with a friend. people 
>have to *want* to search out the "good stuff"  - - and i'm not 
>convinced that anybody wants to search out anything unless it's the 
>color of their next car.
>
>besides, maybe the are listening to the "good stuff" - - maybe we 
>all need to get over ourselves. or maybe there have always been 
>people who listen to music as "entertainment" and those who listen 
>to it as "art."

...
** as much as i bleive radio pretty much blows. the truth of the 
matter is that a lot of people seem to like it - - maybe WE are just 
out of step.

I think it depends a lot on what you use it for. We maybe cannot 
imagine what it takes to support a boring boring life...

I hope this is understandable, my English is not quite sufficient...
Matthias


>
>stig
>
>
>
>others wrote:
>>I have faith that people can make their own choices.
>interesting comment, given that there're already **all** kindsa myriad
>avenues lined/caked/soaked w/'good' music (-that which is outside the
>'mainstream'-) that folks do not seem inclined to 'seek out'.
>eh?
>to some degree:
>people chose milosevic. people chose hitler. people chose jim jones. people
>chose, well..... you probably follow my line (via these rather extreme
>examples) by now.
>best,
>dt / s-c


-- 


          ---> http://Matthias.Grob.org

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>How about a serpent eating its tail ?
>

or smiling at it? :-)
-- 


          ---> http://Matthias.Grob.org

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Date: Sat, 28 Jul 2001 14:39:20 +0200
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From: Matthias Grob <matthias@grob.org>
Subject: Re: Sustaining Device
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>i think i mentioned this before but a great device for feedback is the <boss
>DF-2 super distortion/feedbacker> stomp pedal. whats great about it  is that
>after any note is played(clean or distorto) you can sustain that note ad
>infinitum for as long as you can keep your foot on the pedal!
>they are still around if ya want one...

it creates a pretty much rectangular wave with the frequency you play 
last, so it does not take over the expression of your playing and 
sounds too synthetic for my taste.
-- 


          ---> http://Matthias.Grob.org

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Date: Sat, 28 Jul 2001 14:39:34 +0200
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Subject: the best of the archive
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Larry said:

>Since Dennis Leas' posting some months ago (Wednesday,
>August 02, 2000 10:52 AM),

a year ago, I maybe did not subscribe then... you must be good at the 
archive... are there more of such strong ideas you could quote?

I think there is little talk about the archive on the list. People 
say that the went into it but dont tell us what they found... would 
that be boring? We could elaborate old ideas further or like or 
relike some conclusions...
I proposed several times that someone that searches the archive could 
easily pick out the best and join it into a file, easier to study.
Ok, I was the only one who did it  :-(  maybe it was not a good idea...
Instead maybe someone who finds a good post could post it again?
They could be marked so...

>I thought it would
>be cool to have the following quote on the t-shirt:
>
>"String theory posits that all the particles that make up the world 
>are actually
>tiny vibrating loops, resonating in concert."
>

so: Nothing IS, but each 'thing' bases on a pyramid of looping loops?

and the Multiply function lifts to the next level in such a pyramid :-)
-- 


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Sat Jul 28 10:09:26 2001
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Subject: Re: Sustaining Device
Date: Sat, 28 Jul 2001 10:11:32 -0400
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On Thu, 26 Jul 2001, stanitarium@earthlink.net wrote:
> i think i mentioned this before but a great device for feedback is the
> <boss DF-2 super distortion/feedbacker> stomp pedal. whats great about it 
> is that after any note is played(clean or distorto) you can sustain that
> note ad infinitum for as long as you can keep your foot on the pedal!
> they are still around if ya want one...
>
> stanner


I've been looking for one of these for years!  I was hanging out in the local 
guitar shop one afternoon when someone set this orange pedal in front of me 
insisting I check it out.  I immediately fell in love.  Unfortunately, the 
pedal belonged to one of the guys at the shop and I've never seen another 
since.

Any ideas where I might find one?  At least now I can do a search.  
Previously I couldn't remember what the thing was called.  I think you can 
imagine asking around about an orange boss distortion/feedback pedal.  No one 
knew what the hell I was talking about.

Thanks! :)
Todd Pafford

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Subject: Re: Sustaining Device
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I agree with Matthias.  The DF-2 pedal is a joke, not worthy of the name
feedbacker.  It simply freezes a sample tone which is totally static.
Sustain and feedback are interesting precisely because of the subtle
animated harmonics involved; this pedal produces what sounds like a cheezy
synthesizer with a key taped down.  One of the singular failures in the Boss
pedal line.


David Lee Myers
http://www.pulsewidth.com
--------------------------------------------------------------------------
"Ourobouros" CD of new Feedback Music available now on Pulsewidth!
In NYC at Downtown Music, Kim's Mondo, Kim's West, and Other Music, and
through Forced Exposure, Anomalous, Wayside, CDeMusic/Electronic Music
Foundation, Deep Listening Catalog, Crouton Music, Recommended (UK),
Staalplaat (Netherlands), and Metamkine (France).



on 7/28/01 8:39 AM, Matthias Grob at matthias@grob.org wrote:

>> i think i mentioned this before but a great device for feedback is the <boss
>> DF-2 super distortion/feedbacker> stomp pedal. whats great about it  is that
>> after any note is played(clean or distorto) you can sustain that note ad
>> infinitum for as long as you can keep your foot on the pedal!
>> they are still around if ya want one...
> 
> it creates a pretty much rectangular wave with the frequency you play
> last, so it does not take over the expression of your playing and
> sounds too synthetic for my taste.

From Loopers-Delight-request@loopers-delight.com  Sat Jul 28 10:23:06 2001
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This is pretty cool. Not much overt loopmentioning, but we know better,
don't we?

-t

<http://www.musiciansfriend.com/j.pl/6021413>

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From: Tim Nelson <tcn62@ici.net>
Subject: Re: Sustaining Device (OT)
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At 10:08 AM 7/28/01 -0400, DLM wrote:
>I agree with Matthias.  (re: the DF-2 pedal)

Me too.

Really, if you want to get controllable feedback (without paintpeeling
volume, I'd assume) make sure that your amp is positioned somewhat close to
your right kidney/elbow/buttock area and that your gain device (overdrive,
distortion, fuzz, whatever) is suitably tweakable to find that magic spot
that resonates with your guitar. The guitar itself will have a lot to do
with it; obviously a 335 or a light, hollow jazz box will feed back almost
automatically, but different solidbodies will respond very differently with
different amps due to differences in wood density and resonance.
Lighter-weight solidbodies usually work better for controllable feedback,
IMO. I have an old beat up strat that has a crack all the way through the
body that feeds back perfectly through my '59 Gibson Ranger amp, yet my
tele requires a lot more volume as it's solid maple and weighs about twice
as much. My Steinberger is about midway between the two in terms of
resonance; of course there's a considerable difference in the tone because
of different overtones being emphasized.

Unfortunately there's no effects box that'll provide a total solution to
your feedback needs by itself; it's more a combination of your whole setup
working in synergy coupled with the technique you'll develop in knowing the
quirks of your gear intimately, particularly in being able to predict the
way it'll respond in different acoustic contexts (outdoors, weirdly shaped
rooms, low ceilinged clubs, in the presence of live/dead reflective
surfaces, etc.).  Experiment. Try all of your guitars, maybe borrow a few
to see what works best for you.

-t

ps: if none of that works, split your signal into a Smokey amp and hold
that over your pickups!

From Loopers-Delight-request@loopers-delight.com  Sat Jul 28 11:04:43 2001
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On Sat, 28 Jul 2001, David Myers wrote:
> I agree with Matthias.  The DF-2 pedal is a joke, not worthy of the name
> feedbacker.  It simply freezes a sample tone which is totally static.
> Sustain and feedback are interesting precisely because of the subtle
> animated harmonics involved; this pedal produces what sounds like a cheezy
> synthesizer with a key taped down.  One of the singular failures in the
> Boss pedal line.
>

Hmm, I don't really remember what it sounded like, just remember that I liked 
it at the time.  Will have to give it a listen again.  :)

From Loopers-Delight-request@loopers-delight.com  Sat Jul 28 12:21:17 2001
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From: Doug Lawrence <dlawren@pacbell.net>
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FYI, a pretty good review of the Boss Dr. Sample SP-303 ...

http://www.sospubs.co.uk/sos/aug01/articles/bosssp303.htm

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From Loopers-Delight-request@loopers-delight.com  Sat Jul 28 15:13:30 2001
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Subject: R: Sustaining Device
Date: Sat, 28 Jul 2001 16:41:39 +0200
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I also agree.
it was pretty interesting in the name and intention, but the feel is a very
"freeze" one.
The only intersting thing was when using it with chords: in the early
seconds, when it is choosing the harmonics it can reproduce, then it goes to
ice.
luca

----- Original Message -----
From: David Myers <dmgraph@earthlink.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, July 28, 2001 4:08 PM
Subject: Re: Sustaining Device


> I agree with Matthias.  The DF-2 pedal is a joke, not worthy of the name
> feedbacker.  It simply freezes a sample tone which is totally static.
> Sustain and feedback are interesting precisely because of the subtle
> animated harmonics involved; this pedal produces what sounds like a cheezy
> synthesizer with a key taped down.  One of the singular failures in the
Boss
> pedal line.
>
>
> David Lee Myers
> http://www.pulsewidth.com
> --------------------------------------------------------------------------
> "Ourobouros" CD of new Feedback Music available now on Pulsewidth!
> In NYC at Downtown Music, Kim's Mondo, Kim's West, and Other Music, and
> through Forced Exposure, Anomalous, Wayside, CDeMusic/Electronic Music
> Foundation, Deep Listening Catalog, Crouton Music, Recommended (UK),
> Staalplaat (Netherlands), and Metamkine (France).
>
>
>
> on 7/28/01 8:39 AM, Matthias Grob at matthias@grob.org wrote:
>
> >> i think i mentioned this before but a great device for feedback is the
<boss
> >> DF-2 super distortion/feedbacker> stomp pedal. whats great about it  is
that
> >> after any note is played(clean or distorto) you can sustain that note
ad
> >> infinitum for as long as you can keep your foot on the pedal!
> >> they are still around if ya want one...
> >
> > it creates a pretty much rectangular wave with the frequency you play
> > last, so it does not take over the expression of your playing and
> > sounds too synthetic for my taste.
>
>

From Loopers-Delight-request@loopers-delight.com  Sat Jul 28 15:23:02 2001
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 <004901c114d7$06f18420$090c28d5@dolly>
 <p05100306b78856a18034@[194.230.148.96]>
Date: Sat, 28 Jul 2001 15:21:15 -0400
To: Loopers-Delight@loopers-delight.com
From: Tom Ritchford <tom@swirly.com>
Subject: Re: Check out my  loopers Shirt Design
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>>How about a serpent eating its tail ?

that's also a good ad for dlm's Ourobouros CD, eh?

	/t



.......all legal games of chess <http://solveChess.com/chess?refresh=0>......
.....programmer's documentation <http://solveChess.com/doc>..................

From Loopers-Delight-request@loopers-delight.com  Sat Jul 28 15:35:09 2001
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Another thing that can help feedback is to place the neck of the guitar on the
amp itself.  That will speed things along nicely.

Hope that wasn't an obvious suggestion but it works for me (and I haven't seen
many people do it (I think I picked that up from Jim Thomas of the Mermen but I
could be wrong)).

Kevin

From Loopers-Delight-request@loopers-delight.com  Sat Jul 28 16:47:46 2001
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Subject: RE: OT: why musicians can't eat -- and why radio is so bad
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--- Matthias Grob <matthias@grob.org> wrote:
> I hope this is understandable, my English is not
> quite sufficient...
> Matthias

Neither is mine but I understood it perfectly, I also
think people doesn´t have time now to enjoy the
pleasures of life (or they don´t "want" to have it),
as with food, people doesn´t spend time enjoying it
and thus prefer the Fast-food options poping
everywere.
Alx.
 

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From Loopers-Delight-request@loopers-delight.com  Sat Jul 28 16:55:26 2001
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Anyone using Waldorf micro Q?  Please email me off the list.

petr@tryi.com


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--- Matthias Grob <matthias@grob.org> wrote:
> >How about a serpent eating its tail ?
> >
> 
> or smiling at it? :-)


How about a "Klein Bottle"?:
Alx.



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From Loopers-Delight-request@loopers-delight.com  Sat Jul 28 19:13:07 2001
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Date: Sat, 28 Jul 2001 16:10:41 -0700
Subject: Re: Sustaining Device
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not to defend myself about the *cheezee* <DF-2>(agreed!) but the original
post asked the question about taking a note from his guitar and "sustaining
it indefinitely" not a word about feedback per se so i thought of that pedal
which has a chip in it w/ no animation or really nothing musical like true
feedback from a guitar has. and believe me i use  feedback; a
living,breathing,loud, tube driven, full of overtones,harmonics and a
musicality that to me is so beautiful. also i work w/ the aforementioned
<jim thomas/mermen> here in sf.cali and to me of all the great feedback
guitar guys i luv(adrian belew.caspar brotzman,dave torn,reeves
gabrels,keiji haino,glen phillips,neil young,etc...)he has reached a level
of expression using feedback as a musical form that i'm sure i will never
see surpassed,but will forever try to.
(lastnites show @ slims,oh my god!!!!)

stanner


----------
>From: David Myers <dmgraph@earthlink.net>

>I agree with Matthias.  The DF-2 pedal is a joke, not worthy of the name
>feedbacker.  It simply freezes a sample tone which is totally static.
>Sustain and feedback are interesting precisely because of the subtle
>animated harmonics involved; this pedal produces what sounds like a cheezy
>synthesizer with a key taped down.  One of the singular failures in the Boss
>pedal line.
>
>
>David Lee Myers
>http://www.pulsewidth.com
>
>
>
>on 7/28/01 8:39 AM, Matthias Grob at matthias@grob.org wrote:
>
>>> i think i mentioned this before but a great device for feedback is the <boss
>>> DF-2 super distortion/feedbacker> stomp pedal. whats great about it  is that
>>> after any note is played(clean or distorto) you can sustain that note ad
>>> infinitum for as long as you can keep your foot on the pedal!
>>> they are still around if ya want one...
>> 
>> it creates a pretty much rectangular wave with the frequency you play
>> last, so it does not take over the expression of your playing and
>> sounds too synthetic for my taste.
>

From Loopers-Delight-request@loopers-delight.com  Sat Jul 28 19:48:21 2001
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Subject: Re: unsusribbe
Date: Sun, 29 Jul 2001 00:46:35 +0100
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FADE IN, TO A SCENE IN A MID-1860s SALOON, A GROUP OF VARIOUS-AGED, BUT =
ALL WEATHERED LOOPING COWBOYS (LCs).  THE MUSIC HEARD IS A BADLY-SHIPPED =
PIANO, AND REPEATS A PATTERN OF NOTES ABOUT 64 BEATS IN LENGTH.  ONE OF =
THE LCs GETS UP QUIETLY, AND TURNS TO GO FOR THE SWINGING DOORS.  HE =
TURNS JUST BEFORE THE DOOR AND SAYS:

DEPARTING LOOPING COWBOY (DLC):    Unsusribbe.

LOOPING COWBOYS STILL SEATED ALL LOOK UP, WITH A COMMON BUT BIZARRE =
MIXTURE OF ANNOYANCE AND TOLERANCE ON THEIR FACES.

LC #1:    Yeah, and he thinks it's that easy...
LC #2:    Thinks he can leave just by tellin' us all goodbye.

LOOPING COWBOYS SNICKER AND MUTTER, SOME LINES STICKING OUT FROM THE =
DIN.

LC #3:    Here we go again!
LC #4:    Ah, BeJesuz...
LC #5 (to LC #4):    It doesn't change, does it?
LC #4:    Tch!  (DRAWS ON HIS BEER, AND SMILES KNOWINGLY)

WHILE ALL THIS HAS BEEN OCCURRING A LEANER AND MORE IRRITATED-LOOKING LC =
#6 CIRCLES ROUND FROM HIS TABLE UNTIL HE STANDS BEHIND DLC.

DLC:    What?  "Unsusribbe!" What more do you want?  (HE SWEATS A BIT IN =
CLOSE-UP OF JUST THE UPPER LIP TO THE TEMPLES, EYES TWITCHING BACK AND =
FORTH IN SEARCH OF AN ATTACKING FORCE)

LC #6 GRIMACES AS IF TO STRIKE, BUT INSTEAD POINTS AT A SIGN ON THE WALL =
IN BACK OF HIM, AND THE CAMERA FOLLOWS HIS FINGER'S DIRECTION, AND ZOOMS =
IN TO THE SIGN WHICH READS "IF YOU WANT TO UNSUBSCRIBE FROM THE NORMAL =
LIST, SEND MESSAGE SUBJECT "unsubscribe" TO:=20
Loopers-Delight-request@loopers-delight.com=20

THE CAMERA PANS SLIGHTLY DOWN TO REVEAL THE LINE "THIS INFORMATION IS =
AVAILABLE OTHERWISE AT http://www.loopers-delight.com/list/LoopList.html =
FOR YOUR KIND PERUSAL."

DLC's EYES CHANGE FROM A LOOK ANGER TO A LOOK OF FOOLISH SELF-AWARENESS. =
 HE IS STILL SWEATING.

DLC:    Oh. =20

DLC WALKS OUT OF SWINGING DOORS AND OUT OF VIEW.  HIS VOICE IS HEARD =
OUTSIDE:

DLC:    unsubscribe

A FLASH OF BLUE LIGHT OCCURS WHERE HE WAS BEHIND SET.  THE LOOPING =
COWBOYS ALL LOOK BRIEFLY IN THE FLASH'S DIRECTION, THEN RETURN TO THE =
THINGS THEY WERE ORIGINALLY CONCENTRATING ON BEFORE DLC ENTERED.

BARTENDER to LC #6:    Whisky?

FADE OUT.



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<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2479.6" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV>FADE IN, TO A SCENE IN A MID-1860s SALOON, A GROUP OF VARIOUS-AGED, =
BUT ALL=20
WEATHERED LOOPING COWBOYS (LCs).&nbsp; THE MUSIC HEARD IS A =
BADLY-SHIPPED PIANO,=20
AND REPEATS A PATTERN OF NOTES ABOUT 64 BEATS IN LENGTH.&nbsp; ONE OF =
THE LCs=20
GETS UP QUIETLY, AND TURNS TO GO FOR THE SWINGING DOORS.&nbsp; HE TURNS =
JUST=20
BEFORE THE DOOR AND SAYS:</DIV>
<DIV>&nbsp;</DIV>
<DIV>DEPARTING LOOPING COWBOY (DLC):&nbsp;&nbsp;&nbsp; Unsusribbe.</DIV>
<DIV>&nbsp;</DIV>
<DIV>LOOPING COWBOYS STILL SEATED ALL LOOK UP, WITH A COMMON BUT BIZARRE =
MIXTURE=20
OF ANNOYANCE AND TOLERANCE ON THEIR FACES.</DIV>
<DIV>&nbsp;</DIV>
<DIV>LC #1:&nbsp;&nbsp;&nbsp; Yeah, and he thinks it's that =
easy...</DIV>
<DIV>LC #2:&nbsp;&nbsp;&nbsp;&nbsp;Thinks he can leave just by tellin' =
us all=20
goodbye.</DIV>
<DIV>&nbsp;</DIV>
<DIV>LOOPING COWBOYS SNICKER AND MUTTER, SOME LINES STICKING OUT FROM =
THE=20
DIN.</DIV>
<DIV>&nbsp;</DIV>
<DIV>LC #3:&nbsp;&nbsp;&nbsp; Here we go again!</DIV>
<DIV>LC #4:&nbsp;&nbsp;&nbsp; Ah, BeJesuz...</DIV>
<DIV>LC #5 (to LC #4):&nbsp;&nbsp;&nbsp; It doesn't change, does =
it?</DIV>
<DIV>LC #4:&nbsp;&nbsp;&nbsp; Tch!&nbsp; (DRAWS ON HIS BEER, AND SMILES=20
KNOWINGLY)</DIV>
<DIV>&nbsp;</DIV>
<DIV>WHILE ALL THIS HAS BEEN OCCURRING A LEANER AND MORE =
IRRITATED-LOOKING LC #6=20
CIRCLES ROUND FROM HIS TABLE UNTIL HE STANDS BEHIND DLC.</DIV>
<DIV>&nbsp;</DIV>
<DIV>DLC:&nbsp;&nbsp;&nbsp; What?&nbsp; "Unsusribbe!" What more do you=20
want?&nbsp; (HE SWEATS A BIT IN CLOSE-UP OF JUST THE UPPER LIP TO THE =
TEMPLES,=20
EYES TWITCHING BACK AND FORTH IN SEARCH OF AN ATTACKING FORCE)</DIV>
<DIV>&nbsp;</DIV>
<DIV>LC #6 GRIMACES AS IF TO STRIKE, BUT INSTEAD POINTS AT A SIGN ON THE =
WALL IN=20
BACK OF HIM, AND THE CAMERA FOLLOWS HIS FINGER'S DIRECTION, AND ZOOMS IN =
TO THE=20
SIGN WHICH READS "IF YOU WANT TO UNSUBSCRIBE FROM THE NORMAL LIST, SEND =
MESSAGE=20
SUBJECT "unsubscribe" TO:=20
<P><A href=3D"mailto:Loopers-Delight-request@loopers-delight.com"><FONT=20
size=3D2>Loopers-Delight-request@loopers-delight.com</FONT></A>&nbsp;</P>=

<P>THE CAMERA PANS SLIGHTLY DOWN TO REVEAL THE LINE "THIS INFORMATION IS =

AVAILABLE OTHERWISE AT <A=20
href=3D"http://www.loopers-delight.com/list/LoopList.html">http://www.loo=
pers-delight.com/list/LoopList.html</A>&nbsp;FOR=20
YOUR KIND PERUSAL."</P>
<P>DLC's EYES CHANGE FROM A LOOK ANGER TO A LOOK OF FOOLISH=20
SELF-AWARENESS.&nbsp; HE IS STILL SWEATING.</P></DIV>
<DIV>DLC:&nbsp;&nbsp;&nbsp; Oh.&nbsp; </DIV>
<DIV>&nbsp;</DIV>
<DIV>DLC WALKS OUT OF SWINGING DOORS AND OUT OF VIEW.&nbsp; HIS VOICE IS =
HEARD=20
OUTSIDE:</DIV>
<DIV>&nbsp;</DIV>
<DIV>DLC:&nbsp;&nbsp;&nbsp; unsubscribe</DIV>
<DIV>&nbsp;</DIV>
<DIV>A FLASH OF BLUE LIGHT OCCURS WHERE HE WAS BEHIND SET.&nbsp; THE =
LOOPING=20
COWBOYS ALL LOOK BRIEFLY IN THE FLASH'S DIRECTION, THEN RETURN TO THE =
THINGS=20
THEY WERE ORIGINALLY CONCENTRATING ON BEFORE DLC ENTERED.</DIV>
<DIV>&nbsp;</DIV>
<DIV>BARTENDER to LC #6:&nbsp;&nbsp;&nbsp; Whisky?</DIV>
<DIV>&nbsp;</DIV>
<DIV>FADE OUT.</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV></BODY></HTML>

------=_NextPart_000_001F_01C117C7.EB1F1CA0--

From Loopers-Delight-request@loopers-delight.com  Sat Jul 28 20:27:34 2001
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From: "Kevin Mulvihill" <kmulvihill@mediaone.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: unsusribbe
Date: Sat, 28 Jul 2001 17:25:37 -0700
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lol. That's about the cleverest set of instructions I've ever read. GREAT
job, Stephen!

The only thing you left out is that, at the end when the bartender asks if
LC #6 wants a whisky:

LC #6 says:  Make it a double.

Kevin
  -----Original Message-----
  From: Stephen P. Goodman [mailto:spgoodman@earthlight.net]
  Sent: Saturday, July 28, 2001 4:47 PM
  To: Loopers-Delight@loopers-delight.com
  Subject: Re: unsusribbe


  FADE IN, TO A SCENE IN A MID-1860s SALOON, A GROUP OF VARIOUS-AGED, BUT
ALL WEATHERED LOOPING COWBOYS (LCs).  THE MUSIC HEARD IS A BADLY-SHIPPED
PIANO, AND REPEATS A PATTERN OF NOTES ABOUT 64 BEATS IN LENGTH.  ONE OF THE
LCs GETS UP QUIETLY, AND TURNS TO GO FOR THE SWINGING DOORS.  HE TURNS JUST
BEFORE THE DOOR AND SAYS:

  DEPARTING LOOPING COWBOY (DLC):    Unsusribbe.

  LOOPING COWBOYS STILL SEATED ALL LOOK UP, WITH A COMMON BUT BIZARRE
MIXTURE OF ANNOYANCE AND TOLERANCE ON THEIR FACES.

  LC #1:    Yeah, and he thinks it's that easy...
  LC #2:    Thinks he can leave just by tellin' us all goodbye.

  LOOPING COWBOYS SNICKER AND MUTTER, SOME LINES STICKING OUT FROM THE DIN.

  LC #3:    Here we go again!
  LC #4:    Ah, BeJesuz...
  LC #5 (to LC #4):    It doesn't change, does it?
  LC #4:    Tch!  (DRAWS ON HIS BEER, AND SMILES KNOWINGLY)

  WHILE ALL THIS HAS BEEN OCCURRING A LEANER AND MORE IRRITATED-LOOKING LC
#6 CIRCLES ROUND FROM HIS TABLE UNTIL HE STANDS BEHIND DLC.

  DLC:    What?  "Unsusribbe!" What more do you want?  (HE SWEATS A BIT IN
CLOSE-UP OF JUST THE UPPER LIP TO THE TEMPLES, EYES TWITCHING BACK AND FORTH
IN SEARCH OF AN ATTACKING FORCE)

  LC #6 GRIMACES AS IF TO STRIKE, BUT INSTEAD POINTS AT A SIGN ON THE WALL
IN BACK OF HIM, AND THE CAMERA FOLLOWS HIS FINGER'S DIRECTION, AND ZOOMS IN
TO THE SIGN WHICH READS "IF YOU WANT TO UNSUBSCRIBE FROM THE NORMAL LIST,
SEND MESSAGE SUBJECT "unsubscribe" TO:
  Loopers-Delight-request@loopers-delight.com

  THE CAMERA PANS SLIGHTLY DOWN TO REVEAL THE LINE "THIS INFORMATION IS
AVAILABLE OTHERWISE AT http://www.loopers-delight.com/list/LoopList.html FOR
YOUR KIND PERUSAL."

  DLC's EYES CHANGE FROM A LOOK ANGER TO A LOOK OF FOOLISH SELF-AWARENESS.
HE IS STILL SWEATING.

  DLC:    Oh.

  DLC WALKS OUT OF SWINGING DOORS AND OUT OF VIEW.  HIS VOICE IS HEARD
OUTSIDE:

  DLC:    unsubscribe

  A FLASH OF BLUE LIGHT OCCURS WHERE HE WAS BEHIND SET.  THE LOOPING COWBOYS
ALL LOOK BRIEFLY IN THE FLASH'S DIRECTION, THEN RETURN TO THE THINGS THEY
WERE ORIGINALLY CONCENTRATING ON BEFORE DLC ENTERED.

  BARTENDER to LC #6:    Whisky?

  FADE OUT.



------=_NextPart_000_000F_01C1178A.50E9CD70
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2479.6" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><SPAN class=3D489232300-29072001><FONT face=3DArial color=3D#0000ff =
size=3D2>lol.=20
That's about the cleverest set of instructions I've ever read. GREAT =
job,=20
Stephen!</FONT></SPAN></DIV>
<DIV><SPAN class=3D489232300-29072001><FONT face=3DArial color=3D#0000ff =

size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D489232300-29072001><FONT face=3DArial color=3D#0000ff =
size=3D2>The=20
only thing you left out is that, at the end when the bartender asks if =
LC #6=20
wants a whisky:</FONT></SPAN></DIV>
<DIV><SPAN class=3D489232300-29072001><FONT face=3DArial color=3D#0000ff =

size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D489232300-29072001><FONT face=3DArial color=3D#0000ff =
size=3D2>LC #6=20
says:&nbsp; Make it a double.</FONT></SPAN></DIV>
<DIV><SPAN class=3D489232300-29072001><FONT face=3DArial color=3D#0000ff =

size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D489232300-29072001><FONT face=3DArial color=3D#0000ff =

size=3D2>Kevin</FONT></SPAN></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px =
solid; MARGIN-RIGHT: 0px">
  <DIV class=3DOutlookMessageHeader dir=3Dltr align=3Dleft><FONT =
face=3DTahoma=20
  size=3D2>-----Original Message-----<BR><B>From:</B> Stephen P. Goodman =

  [mailto:spgoodman@earthlight.net]<BR><B>Sent:</B> Saturday, July 28, =
2001 4:47=20
  PM<BR><B>To:</B> =
Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> Re:=20
  unsusribbe<BR><BR></FONT></DIV>
  <DIV>FADE IN, TO A SCENE IN A MID-1860s SALOON, A GROUP OF =
VARIOUS-AGED, BUT=20
  ALL WEATHERED LOOPING COWBOYS (LCs).&nbsp; THE MUSIC HEARD IS A =
BADLY-SHIPPED=20
  PIANO, AND REPEATS A PATTERN OF NOTES ABOUT 64 BEATS IN LENGTH.&nbsp; =
ONE OF=20
  THE LCs GETS UP QUIETLY, AND TURNS TO GO FOR THE SWINGING DOORS.&nbsp; =
HE=20
  TURNS JUST BEFORE THE DOOR AND SAYS:</DIV>
  <DIV><FONT face=3DArial color=3D#0000ff size=3D2></FONT>&nbsp;</DIV>
  <DIV>DEPARTING LOOPING COWBOY (DLC):&nbsp;&nbsp;&nbsp; =
Unsusribbe.</DIV>
  <DIV><FONT face=3DArial color=3D#0000ff size=3D2></FONT>&nbsp;</DIV>
  <DIV>LOOPING COWBOYS STILL SEATED ALL LOOK UP, WITH A COMMON BUT =
BIZARRE=20
  MIXTURE OF ANNOYANCE AND TOLERANCE ON THEIR FACES.</DIV>
  <DIV><FONT face=3DArial color=3D#0000ff size=3D2></FONT>&nbsp;</DIV>
  <DIV>LC #1:&nbsp;&nbsp;&nbsp; Yeah, and he thinks it's that =
easy...</DIV>
  <DIV>LC #2:&nbsp;&nbsp;&nbsp;&nbsp;Thinks he can leave just by tellin' =
us all=20
  goodbye.</DIV>
  <DIV><FONT face=3DArial color=3D#0000ff size=3D2></FONT>&nbsp;</DIV>
  <DIV>LOOPING COWBOYS SNICKER AND MUTTER, SOME LINES STICKING OUT FROM =
THE=20
  DIN.</DIV>
  <DIV><FONT face=3DArial color=3D#0000ff size=3D2></FONT>&nbsp;</DIV>
  <DIV>LC #3:&nbsp;&nbsp;&nbsp; Here we go again!</DIV>
  <DIV>LC #4:&nbsp;&nbsp;&nbsp; Ah, BeJesuz...</DIV>
  <DIV>LC #5 (to LC #4):&nbsp;&nbsp;&nbsp; It doesn't change, does =
it?</DIV>
  <DIV>LC #4:&nbsp;&nbsp;&nbsp; Tch!&nbsp; (DRAWS ON HIS BEER, AND =
SMILES=20
  KNOWINGLY)</DIV>
  <DIV><FONT face=3DArial color=3D#0000ff size=3D2></FONT>&nbsp;</DIV>
  <DIV>WHILE ALL THIS HAS BEEN OCCURRING A LEANER AND MORE =
IRRITATED-LOOKING LC=20
  #6 CIRCLES ROUND FROM HIS TABLE UNTIL HE STANDS BEHIND DLC.</DIV>
  <DIV><FONT face=3DArial color=3D#0000ff size=3D2></FONT>&nbsp;</DIV>
  <DIV>DLC:&nbsp;&nbsp;&nbsp; What?&nbsp; "Unsusribbe!" What more do you =

  want?&nbsp; (HE SWEATS A BIT IN CLOSE-UP OF JUST THE UPPER LIP TO THE =
TEMPLES,=20
  EYES TWITCHING BACK AND FORTH IN SEARCH OF AN ATTACKING FORCE)</DIV>
  <DIV><FONT face=3DArial color=3D#0000ff size=3D2></FONT>&nbsp;</DIV>
  <DIV>LC #6 GRIMACES AS IF TO STRIKE, BUT INSTEAD POINTS AT A SIGN ON =
THE WALL=20
  IN BACK OF HIM, AND THE CAMERA FOLLOWS HIS FINGER'S DIRECTION, AND =
ZOOMS IN TO=20
  THE SIGN WHICH READS "IF YOU WANT TO UNSUBSCRIBE FROM THE NORMAL LIST, =
SEND=20
  MESSAGE SUBJECT "unsubscribe" TO:=20
  <P><A =
href=3D"mailto:Loopers-Delight-request@loopers-delight.com"><FONT=20
  =
size=3D2>Loopers-Delight-request@loopers-delight.com</FONT></A>&nbsp;</P>=

  <P>THE CAMERA PANS SLIGHTLY DOWN TO REVEAL THE LINE "THIS INFORMATION =
IS=20
  AVAILABLE OTHERWISE AT <A=20
  =
href=3D"http://www.loopers-delight.com/list/LoopList.html">http://www.loo=
pers-delight.com/list/LoopList.html</A>&nbsp;FOR=20
  YOUR KIND PERUSAL."</P>
  <P>DLC's EYES CHANGE FROM A LOOK ANGER TO A LOOK OF FOOLISH=20
  SELF-AWARENESS.&nbsp; HE IS STILL SWEATING.</P></DIV>
  <DIV>DLC:&nbsp;&nbsp;&nbsp; Oh.&nbsp; </DIV>
  <DIV><FONT face=3DArial color=3D#0000ff size=3D2></FONT>&nbsp;</DIV>
  <DIV>DLC WALKS OUT OF SWINGING DOORS AND OUT OF VIEW.&nbsp; HIS VOICE =
IS HEARD=20
  OUTSIDE:</DIV>
  <DIV><FONT face=3DArial color=3D#0000ff size=3D2></FONT>&nbsp;</DIV>
  <DIV>DLC:&nbsp;&nbsp;&nbsp; unsubscribe</DIV>
  <DIV><FONT face=3DArial color=3D#0000ff size=3D2></FONT>&nbsp;</DIV>
  <DIV>A FLASH OF BLUE LIGHT OCCURS WHERE HE WAS BEHIND SET.&nbsp; THE =
LOOPING=20
  COWBOYS ALL LOOK BRIEFLY IN THE FLASH'S DIRECTION, THEN RETURN TO THE =
THINGS=20
  THEY WERE ORIGINALLY CONCENTRATING ON BEFORE DLC ENTERED.</DIV>
  <DIV><FONT face=3DArial color=3D#0000ff size=3D2></FONT>&nbsp;</DIV>
  <DIV>BARTENDER to LC #6:&nbsp;&nbsp;&nbsp; Whisky?</DIV>
  <DIV><FONT face=3DArial color=3D#0000ff size=3D2></FONT>&nbsp;</DIV>
  <DIV>FADE OUT.</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>&nbsp;</DIV></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_000F_01C1178A.50E9CD70--

From Loopers-Delight-request@loopers-delight.com  Sat Jul 28 21:23:16 2001
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From: Hedewa7@aol.com
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Date: Sat, 28 Jul 2001 21:21:39 EDT
Subject: Re: Feedback enhancement
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kevin@minds-eye.org writes:
>Another thing that can help feedback is to place the neck of the guitar
>on the
>amp itself.  That will speed things along nicely.
.....but not quite as quickly as jamming the body of the guitar against the 
amp;
also, facing the pickups directly into the speaker cab, etc.....

From Loopers-Delight-request@loopers-delight.com  Sat Jul 28 22:59:21 2001
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From: KILLINFO@aol.com
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Date: Sat, 28 Jul 2001 22:57:28 EDT
Subject: Another shameless CD plug
To: Loopers-Delight@loopers-delight.com
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Greetings loopfolk.

Since so many of you of late have been plugging various gigs 
and recording projects I figured it wouldn't offend anyone 
too very much to put in an advert for my own just recently 
completed CD project. 

Tracks are available for your streaming/downloading 
listening pleasure and discernment at:

http://www.mp3.com/tedkillian

And, for your further entertainment, CDs containing these 
tracks are also for sale at the label's website:

http://www.pfmentum.com

They also make handy coasters for hot or cold drinks.

Best regards,

Ted Killian

From Loopers-Delight-request@loopers-delight.com  Sun Jul 29 00:22:02 2001
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Date: Sun, 29 Jul 2001 04:17:42 
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The one and the many, the many and the one?
(A loop?)

-Scott
(A fool?)


Serious music would be the one that ...teach the individual to become more 
complete, open, mature, independent,,,
Entertaining music works with what the listener knows and connects him to 
some group (fans, social group, church...)...
Now, how does someone realize that no one else is better at solving
his very task, that somebody elses trail does not lead there, that
happiness is an individual search?
Music can help to it, but its rather a natural step in a souls evolution 
than something you can convince somebody about. We can offer our music for 
such a process...
Matthias



_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp

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Date: Sun, 29 Jul 2001 00:25:15 -0400 (EDT)
To: Loopers-Delight@annihilist.com
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Yeah, like this is a new topic!

At any rate, being a multi-instrumentalist kinda guy, and having been
introduced to looping a few years ago via Keller Williams, I looked into
the various equipment, and concluded that the 'rang was the best piece
of equipment for the money.
Then, dang them, Boss introduced the RC-20 Loop Station.  Shite!!!
I've heard a LOT of positive reviews and comments on the 'rang, but
little on the RC-20 other than it's a hot new toy, and is a bit more
than half the cost of a Boomerang (Discount average $269. as opposed to
$449.).
Okay, the RC-20 is new, it's from Boss (I use Boss effects on electric
guitar and bass, and acoustic fretted instruments, and I know their
quality), but SOMEBODY out there has got to have compared the two
head-to-head by now!

The 'rang appears more logically (okay, the V2 upgrade has added a few
twists along with the enhancements) laid out, and performer-friendly
(read "hands-free"), and the A/B capability is pretty dang useful.  The
attenuation as phrases are stacked would seem annoying (users - whattaya
say?), but overall the unit seems well thought out and flexible.
The RC-20 has ten (plus a one shot) memory allocations, and 5 minutes
worth of memory.  It's cheaper.  You can't switch between phrases, but
instead can trigger them sequencer style.
I FINALLY got through to a tech at Roland (NONE of the dealers I
contacted knew a damn thing about it other than "It's pretty cool."  Uh,
can you break that down in layman's terms, perchance?), who told me that
memory is used as the phrases are overdubbed, and that the sound quality
starts to deteriorate after "several" overdubs.

Well, well.

If readily available information and customer support alone made my
decision, I'd go with the 'rang.  The company specializes in ONE
product, and is accessible.  Just TRY and talk to a real human at
Roland, once you discover there are NO real specs or downloadable
manuals for their products available.

Okay, back to the subject.  Is the RC-20 a viable challenger to the
Boomerang, or a overhyped new mass-produced gizmo? Compared
side-by-side, feature for feature, ease of use, sound quality,
accessibilty during live performance, which would be a better choice,
cost aside?

Yes, I'm obviously leaning toward the Boomerang, but honestly I've never
had a problem with any of my Boss multi-effects boards, so I know it's
solid stuff.

I just want to be satisfied with my purchase, and not have to deal with
"Damn, I coulda got the other one!" boolsheet.

ANY comparisons, recommendations, or donation of a used 'rang by someone
who's recently inherited a new Echoplex would be MUCH appreciated!  


--WebTV-Mail-25744-3104
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From Loopers-Delight-request@loopers-delight.com  Sun Jul 29 01:35:20 2001
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Date: Sat, 28 Jul 2001 23:36:59 -0600
To: Loopers-Delight@loopers-delight.com
From: Goddess <TheFates@earthlink.net>
Subject: Re: Boomerang Plus vs Boss RC-20
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  -Just wanted to let ya know, that I scanned an RC-20 manual and I
believe, Kim put it up on the LD site.  As far as switching loops, you
certainly can.  Though you apparently have to go in order, rather than
randomly.  anyway, good luck...  
  

Smiles,

Goddess

At 12:25 AM 7/29/01 -0400, you wrote:
>Yeah, like this is a new topic!  At any rate, being a multi-instrumentalist
>kinda guy, and having been introduced to looping a few years ago via Keller
>Williams, I looked into the various equipment, and concluded that the 'rang
>was the best piece of equipment for the money. Then, dang them, Boss
>introduced the RC-20 Loop Station.  Shite!!! I've heard a LOT of positive
>reviews and comments on the 'rang, but little on the RC-20 other than it's
>a hot new toy, and is a bit more than half the cost of a Boomerang
>(Discount average $269. as opposed to $449.). Okay, the RC-20 is new, it's
>from Boss (I use Boss effects on electric guitar and bass, and acoustic
>fretted instruments, and I know their quality), but SOMEBODY out there has
>got to have compared the two head-to-head by now!  The 'rang appears more
>logically (okay, the V2 upgrade has added a few twists along with the
>enhancements) laid out, and performer-friendly (read "hands-free"), and the
>A/B capability is pretty dang useful.  The attenuation as phrases are
>stacked would seem annoying (users - whattaya say?), but overall the unit
>seems well thought out and flexible. The RC-20 has ten (plus a one shot)
>memory allocations, and 5 minutes worth of memory.  It's cheaper.  You
>can't switch between phrases, but instead can trigger them sequencer style.
>I FINALLY got through to a tech at Roland (NONE of the dealers I contacted
>knew a damn thing about it other than "It's pretty cool."  Uh, can you
>break that down in layman's terms, perchance?), who told me that memory is
>used as the phrases are overdubbed, and that the sound quality starts to
>deteriorate after "several" overdubs.  Well, well.  If readily available
>information and customer support alone made my decision, I'd go with the
>'rang.  The company specializes in ONE product, and is accessible.  Just
>TRY and talk to a real human at Roland, once you discover there are NO real
>specs or downloadable manuals for their products available.  Okay, back to
>the subject.  Is the RC-20 a viable challenger to the Boomerang, or a
>overhyped new mass-produced gizmo? Compared side-by-side, feature for
>feature, ease of use, sound quality, accessibilty during live performance,
>which would be a better choice, cost aside?  Yes, I'm obviously leaning
>toward the Boomerang, but honestly I've never had a problem with any of my
>Boss multi-effects boards, so I know it's solid stuff.  I just want to be
>satisfied with my purchase, and not have to deal with "Damn, I coulda got
>the other one!" boolsheet.  ANY comparisons, recommendations, or donation
>of a used 'rang by someone who's recently inherited a new Echoplex would be
>MUCH appreciated!        


---

  "The only things I really think are important, are love, and eachother.
-Then, anything is possible..."


From Loopers-Delight-request@loopers-delight.com  Sun Jul 29 06:28:21 2001
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From: "luca" <lucafeed@tin.it>
To: <Loopers-Delight@loopers-delight.com>
Subject: return for non conformity
Date: Sun, 29 Jul 2001 12:25:37 +0200
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Hi guys,
having received a custom made instrument that doensn't reflect the specs
asked to the manufacturer, I was asking to myself:
I have to give it back and have money refund, but who has to pay the
shippings (back and forth)?
thanks for a bit of american commercial terms.
luca

From Loopers-Delight-request@loopers-delight.com  Sun Jul 29 10:59:40 2001
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Date: Sun, 29 Jul 2001 16:59:26 +0200
To: Loopers-Delight@loopers-delight.com
From: Matthias Grob <matthias@grob.org>
Subject: Re: Feedback enhancement
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>kevin@minds-eye.org writes:
>>Another thing that can help feedback is to place the neck of the guitar
>>on the
>>amp itself.  That will speed things along nicely.
>.....but not quite as quickly as jamming the body of the guitar against the
>amp;
>also, facing the pickups directly into the speaker cab, etc.....

well, there are two totally distinct effects:

- When there is enough interference of the speaker field into the 
pickup, you get direct magnetic feedback (independent of the strings) 
and its very quick and rude.

-When you create a mechanical contact between speaker cabinet and 
guitar body, the strings receiver the vibrations and feedback builds 
slower and is controllable by tuning and damping strings.
-- 


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Sun Jul 29 11:04:05 2001
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In a message dated 07/29/2001 10:57:53 AM, matthias@grob.org writes:

>well, there are two totally distinct effects:
>
>- When there is enough interference of the speaker field into the 
>pickup, you get direct magnetic feedback (independent of the strings) 
>and its very quick and rude.
>
>-When you create a mechanical contact between speaker cabinet and 
>guitar body, the strings receiver the vibrations and feedback builds 
>slower and is controllable by tuning and damping strings.
right!
dt / s-c

From Loopers-Delight-request@loopers-delight.com  Sun Jul 29 11:58:16 2001
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Subject: Re: Boomerang Plus vs Boss RC-20
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In a message dated 7/29/01 12:25:32 AM Eastern Daylight Time, 
Graymalkin@webtv.net writes:


> The
> attenuation as phrases are stacked would seem annoying (users - whattaya
> 

with the up-grade, you have the option of infinite overdub, no attenuation at 
all, then you can control the number of repeats: apx. 20, 12, 9, 6, 
4,slapback (1 repeat).....i seldom use the infinite repeat, i like the 
evolving nature that comes with the attenuation.....:)m

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>In a message dated 7/29/01 12:25:32 AM Eastern Daylight Time, 
<BR>Graymalkin@webtv.net writes:
<BR>
<BR>
<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">The
<BR>attenuation as phrases are stacked would seem annoying (users - whattaya
<BR>say?)</BLOCKQUOTE>
<BR>
<BR>with the up-grade, you have the option of infinite overdub, no attenuation at 
<BR>all, then you can control the number of repeats: apx. 20, 12, 9, 6, 
<BR>4,slapback (1 repeat).....i seldom use the infinite repeat, i like the 
<BR>evolving nature that comes with the attenuation.....:)m</FONT></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sun Jul 29 12:21:05 2001
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Date: Sun, 29 Jul 2001 09:19:26 -0700 (PDT)
From: philip raath <philraath@yahoo.com>
Subject: Re: Loopers-Delight-d Digest V01 #413
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another vote for the string theory quote.

phil

=====
"Compassion is the sometimes fatal capacity for feeling what
it's like to live inside somebody else's skin.
 
 It is the knowledge that there can never really be any
peace and joy for me until there is peace and joy finally 
for you too." 
                                   -Frederick Buechner

__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Sun Jul 29 12:35:17 2001
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References: <ADEAKOMDLCPKAHGHJPDIAECNCEAA.kmulvihill@mediaone.net>
Subject: Re: unsusribbe
Date: Sun, 29 Jul 2001 17:33:12 +0100
Organization: EarthLight Productions
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Hah, thanks Kevin!  I think the last line if LC #6 had said it would be =
"just keep 'em coming." :P

----- Original Message -----=20
From: Kevin Mulvihill=20
To: Loopers-Delight@loopers-delight.com=20
Sent: 29 July 2001 01:25 AM
Subject: RE: unsusribbe


lol. That's about the cleverest set of instructions I've ever read. =
GREAT job, Stephen!

The only thing you left out is that, at the end when the bartender asks =
if LC #6 wants a whisky:

LC #6 says:  Make it a double.

Kevin
  -----Original Message-----
  From: Stephen P. Goodman [mailto:spgoodman@earthlight.net]
  Sent: Saturday, July 28, 2001 4:47 PM
  To: Loopers-Delight@loopers-delight.com
  Subject: Re: unsusribbe


  FADE IN, TO A SCENE IN A MID-1860s SALOON, A GROUP OF VARIOUS-AGED, =
BUT ALL WEATHERED LOOPING COWBOYS (LCs).  THE MUSIC HEARD IS A =
BADLY-SHIPPED PIANO, AND REPEATS A PATTERN OF NOTES ABOUT 64 BEATS IN =
LENGTH.  ONE OF THE LCs GETS UP QUIETLY, AND TURNS TO GO FOR THE =
SWINGING DOORS.  HE TURNS JUST BEFORE THE DOOR AND SAYS:

  DEPARTING LOOPING COWBOY (DLC):    Unsusribbe.

  LOOPING COWBOYS STILL SEATED ALL LOOK UP, WITH A COMMON BUT BIZARRE =
MIXTURE OF ANNOYANCE AND TOLERANCE ON THEIR FACES.

  LC #1:    Yeah, and he thinks it's that easy...
  LC #2:    Thinks he can leave just by tellin' us all goodbye.

  LOOPING COWBOYS SNICKER AND MUTTER, SOME LINES STICKING OUT FROM THE =
DIN.

  LC #3:    Here we go again!
  LC #4:    Ah, BeJesuz...
  LC #5 (to LC #4):    It doesn't change, does it?
  LC #4:    Tch!  (DRAWS ON HIS BEER, AND SMILES KNOWINGLY)

  WHILE ALL THIS HAS BEEN OCCURRING A LEANER AND MORE IRRITATED-LOOKING =
LC #6 CIRCLES ROUND FROM HIS TABLE UNTIL HE STANDS BEHIND DLC.

  DLC:    What?  "Unsusribbe!" What more do you want?  (HE SWEATS A BIT =
IN CLOSE-UP OF JUST THE UPPER LIP TO THE TEMPLES, EYES TWITCHING BACK =
AND FORTH IN SEARCH OF AN ATTACKING FORCE)

  LC #6 GRIMACES AS IF TO STRIKE, BUT INSTEAD POINTS AT A SIGN ON THE =
WALL IN BACK OF HIM, AND THE CAMERA FOLLOWS HIS FINGER'S DIRECTION, AND =
ZOOMS IN TO THE SIGN WHICH READS "IF YOU WANT TO UNSUBSCRIBE FROM THE =
NORMAL LIST, SEND MESSAGE SUBJECT "unsubscribe" TO:=20
  Loopers-Delight-request@loopers-delight.com=20

  THE CAMERA PANS SLIGHTLY DOWN TO REVEAL THE LINE "THIS INFORMATION IS =
AVAILABLE OTHERWISE AT http://www.loopers-delight.com/list/LoopList.html =
FOR YOUR KIND PERUSAL."

  DLC's EYES CHANGE FROM A LOOK ANGER TO A LOOK OF FOOLISH =
SELF-AWARENESS.  HE IS STILL SWEATING.

  DLC:    Oh. =20

  DLC WALKS OUT OF SWINGING DOORS AND OUT OF VIEW.  HIS VOICE IS HEARD =
OUTSIDE:

  DLC:    unsubscribe

  A FLASH OF BLUE LIGHT OCCURS WHERE HE WAS BEHIND SET.  THE LOOPING =
COWBOYS ALL LOOK BRIEFLY IN THE FLASH'S DIRECTION, THEN RETURN TO THE =
THINGS THEY WERE ORIGINALLY CONCENTRATING ON BEFORE DLC ENTERED.

  BARTENDER to LC #6:    Whisky?

  FADE OUT.



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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2479.6" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV>Hah, thanks Kevin!&nbsp; I think the last line if LC #6 had said it =
would=20
be "just keep 'em coming." :P</DIV>
<DIV>&nbsp;</DIV>
<DIV style=3D"FONT: 10pt arial">----- Original Message -----=20
<DIV style=3D"BACKGROUND: #e4e4e4; font-color: black"><B>From:</B> <A=20
title=3Dkmulvihill@mediaone.net =
href=3D"mailto:kmulvihill@mediaone.net">Kevin=20
Mulvihill</A> </DIV>
<DIV><B>To:</B> <A title=3DLoopers-Delight@loopers-delight.com=20
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
</DIV>
<DIV><B>Sent:</B> 29 July 2001 01:25 AM</DIV>
<DIV><B>Subject:</B> RE: unsusribbe</DIV></DIV>
<DIV><BR></DIV>
<DIV><SPAN class=3D489232300-29072001><FONT face=3DArial color=3D#0000ff =
size=3D2>lol.=20
That's about the cleverest set of instructions I've ever read. GREAT =
job,=20
Stephen!</FONT></SPAN></DIV>
<DIV><SPAN class=3D489232300-29072001><FONT face=3DArial color=3D#0000ff =

size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D489232300-29072001><FONT face=3DArial color=3D#0000ff =
size=3D2>The=20
only thing you left out is that, at the end when the bartender asks if =
LC #6=20
wants a whisky:</FONT></SPAN></DIV>
<DIV><SPAN class=3D489232300-29072001><FONT face=3DArial color=3D#0000ff =

size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D489232300-29072001><FONT face=3DArial color=3D#0000ff =
size=3D2>LC #6=20
says:&nbsp; Make it a double.</FONT></SPAN></DIV>
<DIV><SPAN class=3D489232300-29072001><FONT face=3DArial color=3D#0000ff =

size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D489232300-29072001><FONT face=3DArial color=3D#0000ff =

size=3D2>Kevin</FONT></SPAN></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px =
solid; MARGIN-RIGHT: 0px">
  <DIV class=3DOutlookMessageHeader dir=3Dltr align=3Dleft><FONT =
face=3DTahoma=20
  size=3D2>-----Original Message-----<BR><B>From:</B> Stephen P. Goodman =

  [mailto:spgoodman@earthlight.net]<BR><B>Sent:</B> Saturday, July 28, =
2001 4:47=20
  PM<BR><B>To:</B> <A=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A><BR><B>Subject:</B>=20
  Re: unsusribbe<BR><BR></FONT></DIV>
  <DIV>FADE IN, TO A SCENE IN A MID-1860s SALOON, A GROUP OF =
VARIOUS-AGED, BUT=20
  ALL WEATHERED LOOPING COWBOYS (LCs).&nbsp; THE MUSIC HEARD IS A =
BADLY-SHIPPED=20
  PIANO, AND REPEATS A PATTERN OF NOTES ABOUT 64 BEATS IN LENGTH.&nbsp; =
ONE OF=20
  THE LCs GETS UP QUIETLY, AND TURNS TO GO FOR THE SWINGING DOORS.&nbsp; =
HE=20
  TURNS JUST BEFORE THE DOOR AND SAYS:</DIV>
  <DIV><FONT face=3DArial color=3D#0000ff size=3D2></FONT>&nbsp;</DIV>
  <DIV>DEPARTING LOOPING COWBOY (DLC):&nbsp;&nbsp;&nbsp; =
Unsusribbe.</DIV>
  <DIV><FONT face=3DArial color=3D#0000ff size=3D2></FONT>&nbsp;</DIV>
  <DIV>LOOPING COWBOYS STILL SEATED ALL LOOK UP, WITH A COMMON BUT =
BIZARRE=20
  MIXTURE OF ANNOYANCE AND TOLERANCE ON THEIR FACES.</DIV>
  <DIV><FONT face=3DArial color=3D#0000ff size=3D2></FONT>&nbsp;</DIV>
  <DIV>LC #1:&nbsp;&nbsp;&nbsp; Yeah, and he thinks it's that =
easy...</DIV>
  <DIV>LC #2:&nbsp;&nbsp;&nbsp;&nbsp;Thinks he can leave just by tellin' =
us all=20
  goodbye.</DIV>
  <DIV><FONT face=3DArial color=3D#0000ff size=3D2></FONT>&nbsp;</DIV>
  <DIV>LOOPING COWBOYS SNICKER AND MUTTER, SOME LINES STICKING OUT FROM =
THE=20
  DIN.</DIV>
  <DIV><FONT face=3DArial color=3D#0000ff size=3D2></FONT>&nbsp;</DIV>
  <DIV>LC #3:&nbsp;&nbsp;&nbsp; Here we go again!</DIV>
  <DIV>LC #4:&nbsp;&nbsp;&nbsp; Ah, BeJesuz...</DIV>
  <DIV>LC #5 (to LC #4):&nbsp;&nbsp;&nbsp; It doesn't change, does =
it?</DIV>
  <DIV>LC #4:&nbsp;&nbsp;&nbsp; Tch!&nbsp; (DRAWS ON HIS BEER, AND =
SMILES=20
  KNOWINGLY)</DIV>
  <DIV><FONT face=3DArial color=3D#0000ff size=3D2></FONT>&nbsp;</DIV>
  <DIV>WHILE ALL THIS HAS BEEN OCCURRING A LEANER AND MORE =
IRRITATED-LOOKING LC=20
  #6 CIRCLES ROUND FROM HIS TABLE UNTIL HE STANDS BEHIND DLC.</DIV>
  <DIV><FONT face=3DArial color=3D#0000ff size=3D2></FONT>&nbsp;</DIV>
  <DIV>DLC:&nbsp;&nbsp;&nbsp; What?&nbsp; "Unsusribbe!" What more do you =

  want?&nbsp; (HE SWEATS A BIT IN CLOSE-UP OF JUST THE UPPER LIP TO THE =
TEMPLES,=20
  EYES TWITCHING BACK AND FORTH IN SEARCH OF AN ATTACKING FORCE)</DIV>
  <DIV><FONT face=3DArial color=3D#0000ff size=3D2></FONT>&nbsp;</DIV>
  <DIV>LC #6 GRIMACES AS IF TO STRIKE, BUT INSTEAD POINTS AT A SIGN ON =
THE WALL=20
  IN BACK OF HIM, AND THE CAMERA FOLLOWS HIS FINGER'S DIRECTION, AND =
ZOOMS IN TO=20
  THE SIGN WHICH READS "IF YOU WANT TO UNSUBSCRIBE FROM THE NORMAL LIST, =
SEND=20
  MESSAGE SUBJECT "unsubscribe" TO:=20
  <P><A =
href=3D"mailto:Loopers-Delight-request@loopers-delight.com"><FONT=20
  =
size=3D2>Loopers-Delight-request@loopers-delight.com</FONT></A>&nbsp;</P>=

  <P>THE CAMERA PANS SLIGHTLY DOWN TO REVEAL THE LINE "THIS INFORMATION =
IS=20
  AVAILABLE OTHERWISE AT <A=20
  =
href=3D"http://www.loopers-delight.com/list/LoopList.html">http://www.loo=
pers-delight.com/list/LoopList.html</A>&nbsp;FOR=20
  YOUR KIND PERUSAL."</P>
  <P>DLC's EYES CHANGE FROM A LOOK ANGER TO A LOOK OF FOOLISH=20
  SELF-AWARENESS.&nbsp; HE IS STILL SWEATING.</P></DIV>
  <DIV>DLC:&nbsp;&nbsp;&nbsp; Oh.&nbsp; </DIV>
  <DIV><FONT face=3DArial color=3D#0000ff size=3D2></FONT>&nbsp;</DIV>
  <DIV>DLC WALKS OUT OF SWINGING DOORS AND OUT OF VIEW.&nbsp; HIS VOICE =
IS HEARD=20
  OUTSIDE:</DIV>
  <DIV><FONT face=3DArial color=3D#0000ff size=3D2></FONT>&nbsp;</DIV>
  <DIV>DLC:&nbsp;&nbsp;&nbsp; unsubscribe</DIV>
  <DIV><FONT face=3DArial color=3D#0000ff size=3D2></FONT>&nbsp;</DIV>
  <DIV>A FLASH OF BLUE LIGHT OCCURS WHERE HE WAS BEHIND SET.&nbsp; THE =
LOOPING=20
  COWBOYS ALL LOOK BRIEFLY IN THE FLASH'S DIRECTION, THEN RETURN TO THE =
THINGS=20
  THEY WERE ORIGINALLY CONCENTRATING ON BEFORE DLC ENTERED.</DIV>
  <DIV><FONT face=3DArial color=3D#0000ff size=3D2></FONT>&nbsp;</DIV>
  <DIV>BARTENDER to LC #6:&nbsp;&nbsp;&nbsp; Whisky?</DIV>
  <DIV><FONT face=3DArial color=3D#0000ff size=3D2></FONT>&nbsp;</DIV>
  <DIV>FADE OUT.</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>&nbsp;</DIV></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0014_01C11854.8AF7CE20--

From Loopers-Delight-request@loopers-delight.com  Sun Jul 29 12:49:48 2001
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Date: Sun, 29 Jul 2001 09:48:39 -0700 (PDT)
From: philip raath <philraath@yahoo.com>
Subject: boomerang vs roland
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> 
> The 'rang appears more logically (okay, the V2

it is, there are functions (i forget which) that have
to be fucked with by hand on the rc-20, whereas the
rang is completely foot controlled

not only that, but if you want reverse on the fly, you
have to use a separate pedal, don't know if it's a
standard voltage pedal or not


> attenuation as phrases are stacked would seem
> annoying (users - whattaya
> say?),

boomerang plus has selectable decay rates including no
decay

> memory is used as the phrases are overdubbed, and
> that the sound quality
> starts to deteriorate after "several" overdubs.

as far as i know, roland has not released specs as to
the sampling rate/bit depth, so sound quality is a
question anyway
granted the boomerang isn't "cd quality" (a myth in
itself) but at least you know what yer working with

> or a overhyped new mass-produced gizmo?

probably

disclaimer: i understand fully that i have never used
the rc-20, and could be completely fucking wrong. i
comply with the reality that if i am wrong, i am going
to hear all about it very soon.

take care,

phil

=====
"Compassion is the sometimes fatal capacity for feeling what
it's like to live inside somebody else's skin.
 
 It is the knowledge that there can never really be any
peace and joy for me until there is peace and joy finally 
for you too." 
                                   -Frederick Buechner

__________________________________________________
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Make international calls for as low as $.04/minute with Yahoo! Messenger
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From Loopers-Delight-request@loopers-delight.com  Sun Jul 29 13:56:09 2001
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Date: Sun, 29 Jul 2001 13:53:51 -0400
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From: Tom Ritchford <tom@swirly.com>
Subject: some t-shirt pics
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K. Douglas Baldwin sent me some jpgs of t-shirt designs which
I put up on the web.  They're a little large, I should reduce
them or GIF 'em but time is short...

<http://extremeNY.com/loop/t-shirt/db>


read the copyright notice first at:
<http://extremeNY.com/loop/t-shirt/db/db_copyright.txt>

	/t

From Loopers-Delight-request@loopers-delight.com  Sun Jul 29 13:56:47 2001
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Subject: Re: return for non conformity
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>Hi guys,
>having received a custom made instrument that doensn't reflect the specs
>asked to the manufacturer, I was asking to myself:
>I have to give it back and have money refund, but who has to pay the
>shippings (back and forth)?
>thanks for a bit of american commercial terms.

they do, in theory.  if the unit's clearly not as you specified,
they have to make it good at their own expense!

depends on the maker, though, if they were small and struggling
I might split the difference with them...

	/t

From Loopers-Delight-request@loopers-delight.com  Sun Jul 29 14:17:30 2001
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From: Graymalkin@webtv.net (Douglas Crouse)
Date: Sun, 29 Jul 2001 14:16:12 -0400 (EDT)
To: Loopers-Delight@annihilist.com
Subject: Boss RC-20 / Boomerang price comparison
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In an earlier post from a member, there was mentionof the RC-20 being
"more affordable" than a Boomerang.  Check it out:

In order to have "hands-free" operation of your RC-20 ($269.99), you'd
need 2 FS-FU footswitches ($26.99 each); one for reverse, and another
for phrase select.  For input/output level control and fade-out, a
FV-300L ($99.99) is required.  Total cost: $423.96.

A Boomerang ($449.99) needs no additional pedals or switches.  And it's
only $23.06 more than the 'rang.  Real "low-cost" looper, huh?

As for memory storage: Why? The purpose of a looper is spontaneity and
live performance.  Wanna record? Buy a multitrack.  Playing to
pre-recorded phrases is basically karaoke.

Yep - I'm gettin' closer by the minute to opting for the 'rang.
Why, some might venture that I already have! :)


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From Loopers-Delight-request@loopers-delight.com  Sun Jul 29 15:57:44 2001
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I know they are still vapor ware, but it would seem to me that if you're
going to drop cash in the neighborhood of $450 or so, why not wait for the
Repeater or the Rackmounted Line6 delay modeler for not much more?  If
you're looking for bargains, I bet a lot of people will be selling JamMans
upon the release of these new products.  I'm still thinking I'll keep mine,
as a second looper, but I bet people who already have more than one will be
ready to sell much cheeper than the incredable prices we saw a year ago.
Might even find some Boomerangs going for bargain prices.

Mark

From Loopers-Delight-request@loopers-delight.com  Sun Jul 29 16:04:17 2001
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Date: Sun, 29 Jul 2001 16:02:51 -0400
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From: Tom Ritchford <tom@swirly.com>
Subject: Re: boomerang vs roland
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Mark <sine@zerocrossing.net> wrote:

>I know they are still vapor ware, but it would seem to me that if you're
>going to drop cash in the neighborhood of $450 or so, why not wait for the
>Repeater or the Rackmounted Line6 delay modeler for not much more?

Because if you need something that you can control with your feet
then the Boomerang is still the only ticket unless you bring a
separate MIDI control pedal (which pushes the price up quite a bit!
not mention being a separate unit to carry...)

The Boomerang is clearly the primo looping footpedal!

	/t



.......all legal games of chess <http://solveChess.com/chess?refresh=0>......
.....programmer's documentation <http://solveChess.com/doc>..................

From Loopers-Delight-request@loopers-delight.com  Sun Jul 29 18:09:58 2001
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Subject: EDP with footswitch, Kaoss Pad, other looping gear for sale
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Hi everyone,

	I'm selling an original Oberheim 'plex with footswitch and 180 sec of 
memory on ebay.  Starting price is $400, with no reserve.  Here's the link:

http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=1451288144

	A Kaoss Pad, an Emu Esi32 sampler,  and an Alesis Studio 12R, a good 
3-space rack mixer, are also for sale.  Click on 'see seller's other 
auctions'  from the link above to check out these items.

best,
rob switzer	

	 

From Loopers-Delight-request@loopers-delight.com  Sun Jul 29 19:41:02 2001
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Tom Ritchford wrote:

>
>
> Because if you need something that you can control with your feet
> then the Boomerang is still the only ticket unless you bring a
> separate MIDI control pedal (which pushes the price up quite a bit!
> not mention being a separate unit to carry...)
>
> The Boomerang is clearly the primo looping footpedal!
>

Dude, you don't know the times I've wished I was a harmonica player.

But I'm sure I'd get a midi retrofit sooner or later...

Mark

From Loopers-Delight-request@loopers-delight.com  Sun Jul 29 20:44:59 2001
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Subject: Re: boomerang vs roland
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At 09:48 AM 7/29/01 -0700, you wrote:
>not only that, but if you want reverse on the fly [with the rc-20], you
>have to use a separate pedal, don't know if it's a
>standard voltage pedal or not

It's a regular old momentary contact switch. (Roland recommends the FS-5U,
but it doesn't have to be.) Since my pedalboard was being taken over by
them, I built a little metal housing that looks suspiciously like the EDP
footpedal (i.e., a row of seven cheap chinese momentary switches) and can
control several items in my rack plus the rc-20 from one place. Since I
never use the stored loop selector switch (I prefer to create them
spontaneously), I'll probably end up assigning that one to another device,
but I use the reverse switch all the time. Incidentally, I've noticed when
I power up my pedalboard, the rc-20's reverse always seems to be on (along
with the guyatone and digitech stuff) so I have to do this little
'initialization dance' to get things ready...

Really, assigning the reverse control to an external switch is not a bad
thing; I'd rather it work that way than having to juggle additional
functions between the two footswitches on the unit itself.

>> memory is used as the phrases are overdubbed, and
>> that the sound quality
>> starts to deteriorate after "several" overdubs.

I'd like to hear more about that. Did the original poster say that came
from someone at Roland?
>
>as far as i know, roland has not released specs as to
>the sampling rate/bit depth, so sound quality is a
>question anyway

I coulda sworn the sampling rate was in the manual, but you're right, it's
not!

-t

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Kevin wrote:

> Another thing that can help feedback is to place the neck of the guitar on the
> amp itself.  That will speed things along nicely.
>
> Hope that wasn't an obvious suggestion but it works for me (and I haven't seen
> many people do it (I think I picked that up from Jim Thomas of the Mermen but I
> could be wrong)).
>
> Kevin

reminds me of the day (not too long ago, actually) that i finally understood the
REAL purpose behind that funny brass trim strip on the front of vox amps...talk
about a feedback boost!

lance g.

From Loopers-Delight-request@loopers-delight.com  Sun Jul 29 22:18:20 2001
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From: Mike <kili@swbell.net>
Subject: Re: boomerang vs roland
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 <3B6512F1.BFEA82C2@zerocrossing.net> <v04205502b78a1bacb549@[64.81.209.235]>
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Boomerangs already seem to be dropping in price (I just bought a second
for 300 on e-bay)  I want to be able to record bridges, transitions,
etc. and the Boomerang was designed for live shows.  I split my signal
and switch and record different parts within the same piece of music. 
The Boss looked to me as if I would constantly be bending over while
playing (not a pretty sight). 
The attenuation is actually pretty handy and can be manipulated to vary
the level of overdubs-in other words, if you screw up, you can stack
"silence" over the loop and then come back with a riff correction. It
makes more sense in practice.

Mike Killian

From Loopers-Delight-request@loopers-delight.com  Mon Jul 30 06:45:39 2001
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Douglas Crouse wrote :

> In an earlier post from a member, there was mentionof the RC-20 being
> "more affordable" than a Boomerang.  Check it out:
>
> In order to have "hands-free" operation of your RC-20 ($269.99), you'd
> need 2 FS-FU footswitches ($26.99 each); one for reverse, and another
> for phrase select.  For input/output level control and fade-out, a
> FV-300L ($99.99) is required.  Total cost: $423.96.
>
> A Boomerang ($449.99) needs no additional pedals or switches.  And it's
> only $23.06 more than the 'rang.  Real "low-cost" looper, huh?
>
> As for memory storage: Why? The purpose of a looper is spontaneity and
> live performance.  Wanna record? Buy a multitrack.  Playing to
> pre-recorded phrases is basically karaoke.

Yeap, but re-sampling pre-recorded phrases can also be a live performance like
similar to what DJs already do with records ... This is for instance one of
the new DJRND3 features with its internal SCSI HDD.
Emmanuel



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--part1_e5.9cc2c08.2896a8d7_boundary
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In a message dated 7/29/01 10:17:14 PM Eastern Daylight Time, kili@swbell.net 
writes:


> )  I want to be able to record bridges, transitions,
> 

thats the beauty of the A/B (2 loops) with the rang+.....:)m

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>In a message dated 7/29/01 10:17:14 PM Eastern Daylight Time, kili@swbell.net 
<BR>writes:
<BR>
<BR>
<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">) &nbsp;I want to be able to record bridges, transitions,
<BR>etc. </BLOCKQUOTE>
<BR>
<BR>thats the beauty of the A/B (2 loops) with the rang+.....:)m</FONT></HTML>

--part1_e5.9cc2c08.2896a8d7_boundary--

From Loopers-Delight-request@loopers-delight.com  Mon Jul 30 09:29:38 2001
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From: spaceloop <tao@ns.ahoc.net>
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Subject: Re: guitar arpeggiator
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On Thu, 26 Jul 2001, petr wrote:

> Can you say how much delay these guys have (IPS-33b and DHP-33)?  I
> mean for the arpeggio effect.  My old Legend II had only 0.400 sec.
> 
> petr
> 

I know for sure the DHP-33 has more than 1 second of delay time in stereo.


--
travis salisbury
http://www.illuminetdesign.com

From Loopers-Delight-request@loopers-delight.com  Mon Jul 30 11:49:03 2001
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I know you're going for the DJ market, Emmanuel, but have you ever thought of a
version that's geared to musicians or people who's hands are otherwise busy?  I
just visited your site (easily found by Google, not found at all with Excite) and
it wasn't clear to me whether or not the DJRND3 has midi synchable loops.  Adding
these features may bring you a slice of the non DJ market.  Would it be worth it?
Don't know... judging by how much space a store called "The Guitar Center" devotes
to DJ gear, I'd say that the DJ market is probably much more lucrative these
days.  I did, however, fwd your page to my SF DJ pals.

Mark

Emmanuel PERILLE wrote:

> Douglas Crouse wrote :
>
> > In an earlier post from a member, there was mentionof the RC-20 being
> > "more affordable" than a Boomerang.  Check it out:
> >
> > In order to have "hands-free" operation of your RC-20 ($269.99), you'd
> > need 2 FS-FU footswitches ($26.99 each); one for reverse, and another
> > for phrase select.  For input/output level control and fade-out, a
> > FV-300L ($99.99) is required.  Total cost: $423.96.
> >
> > A Boomerang ($449.99) needs no additional pedals or switches.  And it's
> > only $23.06 more than the 'rang.  Real "low-cost" looper, huh?
> >
> > As for memory storage: Why? The purpose of a looper is spontaneity and
> > live performance.  Wanna record? Buy a multitrack.  Playing to
> > pre-recorded phrases is basically karaoke.
>
> Yeap, but re-sampling pre-recorded phrases can also be a live performance like
> similar to what DJs already do with records ... This is for instance one of
> the new DJRND3 features with its internal SCSI HDD.
> Emmanuel

From Loopers-Delight-request@loopers-delight.com  Mon Jul 30 12:14:08 2001
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Mark wrote :

> I know you're going for the DJ market, Emmanuel, but have you ever thought of a
> version that's geared to musicians or people who's hands are otherwise busy?  I

DJRND3-F next to come with footswitch to tap tempo and record into BPM loops with
metronome
+ MIDI IN clock to slave loops synced with an external BPM
+ up to 512 Mbyte SDRAM saved on battery (8 banks of 21 stereo loops)
+ external re-sampling effect for HDD playback
+ 3072 loops back up on an internal 20Gbyte HDD

... but only maybe one day when DJRND3 is sold

> just visited your site (easily found by Google, not found at all with Excite) and
> it wasn't clear to me whether or not the DJRND3 has midi synchable loops.  Adding

DJRND3 already has a MIDI clock ouput to slave any external sequencer or beat box with
loops

> these features may bring you a slice of the non DJ market.  Would it be worth it?

Yes, but only for homestudio musician looping because of the number of loops (21
stereo loops simultaneously !!)

> Don't know... judging by how much space a store called "The Guitar Center" devotes
> to DJ gear, I'd say that the DJ market is probably much more lucrative these

Yeap, it seems like everyone has smelled something possible to do on this market ...
Wait and see how it is going to progress

> days.  I did, however, fwd your page to my SF DJ pals.

Thanks Mark

>
> Mark
>
> Emmanuel PERILLE wrote:
>
> > Douglas Crouse wrote :
> >
> > > In an earlier post from a member, there was mentionof the RC-20 being
> > > "more affordable" than a Boomerang.  Check it out:
> > >
> > > In order to have "hands-free" operation of your RC-20 ($269.99), you'd
> > > need 2 FS-FU footswitches ($26.99 each); one for reverse, and another
> > > for phrase select.  For input/output level control and fade-out, a
> > > FV-300L ($99.99) is required.  Total cost: $423.96.
> > >
> > > A Boomerang ($449.99) needs no additional pedals or switches.  And it's
> > > only $23.06 more than the 'rang.  Real "low-cost" looper, huh?
> > >
> > > As for memory storage: Why? The purpose of a looper is spontaneity and
> > > live performance.  Wanna record? Buy a multitrack.  Playing to
> > > pre-recorded phrases is basically karaoke.
> >
> > Yeap, but re-sampling pre-recorded phrases can also be a live performance like
> > similar to what DJs already do with records ... This is for instance one of
> > the new DJRND3 features with its internal SCSI HDD.
> > Emmanuel

From Loopers-Delight-request@loopers-delight.com  Mon Jul 30 14:23:17 2001
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Date: Mon, 30 Jul 2001 14:19:52 -0500
Subject: stick for sale?
From: mr monk <monk@fuse.net>
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does anyone know of a reasonbly priced chapman stick (10 string preferably)
for sale? 



 please email monk@fuse.net


thanks


ric hordinski


From Loopers-Delight-request@loopers-delight.com  Mon Jul 30 16:10:06 2001
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true, but there its interesting as a way to understand a peoples concept.
For exmple in german de sun is female and the moon male and kids draw 
them accordingly, while in portugese the sun is male and the moon 
female and when I changed culture, I suddenly found the moon to be a 
lot more gentle and the basic energy source to be a tipical male 
thing.

I just never understood how they can perceive MILK as a MALE thing!?

>
>This is something most native speakers of English have a difficult time
>dealing with in learning a new language.  I remember my Latin teacher in
>high school telling us "There's no logic behind it -- don't drive yourselves
>crazy trying to figure out why a dog is masculine and a cat is feminine, or
>why a door is feminine and a stone masculine -- just memorize the correct
>word endings."  Good advice, though it *did* bother me for a while.  After
>studying some modern languages I saw his point -- there really is no logic
>or reason behind gender of words.  I guess in English it's just one less
>thing to worry about, which is fine, since our spelling baffles most new
>learners (and many native speakers as well).  I was surprised when learning
>Hindi to find that not only do objects (nouns) have different genders, but
>the verbs used to speak about the actions these objects perform also change
>gender to match the object.  Very intriguing.
>
>My apologies for being WAY OT


-- 


          ---> http://Matthias.Grob.org

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[ Best viewed in a fixed spacing font.  Not sent in Rich Text format by
request. ]

EMUSIC, an electronic, ambient, and space music show, airs each Thursday
at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA and 93.9 FM in
Easton, PA and Phillipsburg, NJ.

                    Show #227                    July 26, 2001.


RECAP:
On this show, I concluded the month-long focus on The Ministry of Inside Things
(MoIT), a Philadelphia area group influenced by Tangerine Dream, Klaus Schulze,
and Ash Ra Tempel.  The feature CD at midnight was "Live on WXPN" recorded on
1-28-01 and released on the Synkronos label.

MoIT     http://wdiyfm.org/emusic/playlists/2001/focus01.html#jul


PLAYLIST:

ARTIST                  TRACK                    ALBUM (label)
======================= ======================== ==============================
11:04 pm
Paul Ellis             Appears to Vanish         Appears to Vanish (Neu
                         Part 1                   Harmony)
Radiowave               Wormhole                 Journey Thru Oz
                                                   (SpaceForMusic.com)
Gerber & Rose           The Lift                 Airwaves (SpaceForMusic.com)
John Rose               Hypnogogia               Cosmogenesis
                                                   (SpaceForMusic.com)
VA [Steven Wilson]      A Grapefruit in the      Where Stalks the Sandman
                          World of Park            (Noh Poetry Records)
Robert Carty            That Desert Feel Part 3  The Inexplicable (Deep Sky)

12:00 am
MoIT                    Eight Unnamed Tracks     Live on WXPN (Synkronos)

1:00 am

 * = exerpt
VA = Various Artists (compilation)


NEXT SHOW:
On the next EMUSIC, I'll begin a month-long focus on Radio Massacre
International.  The feature CD at midnight will be "Zabriske Point" on the
Centaur label.

Bill        billfox@fast.net           http://wdiyfm.org/schedule/s_emusic.html
===============================================================================
Host of EMUSIC, an electronic, ambient, and space music show.  Thursdays at
11 pm on WDIY 88.1 FM, Allentown and Bethlehem and 93.9 FM in Easton and
Phillipsburg.  Email me if you wish to submit music for airplay consideration.
Radio Station Home Page: http://wdiyfm.org
Personal site: http://www.users.fast.net/~billfox
To subscribe to the EMUSIC on WDIY list, send
email to: emusic-wdiy-subscribe@yahoogroups.com

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In a message dated 7/30/01 4:07:45 PM Eastern Daylight Time, 
matthias@grob.org writes:


> I just never understood how they can perceive MILK as a MALE thing!?
> 

walkin home from work tonite, i had one of those, life is much bigger than me 
moments, it was good.....:)m

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>In a message dated 7/30/01 4:07:45 PM Eastern Daylight Time, 
<BR>matthias@grob.org writes:
<BR>
<BR>
<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">I just never understood how they can perceive MILK as a MALE thing!?
<BR></BLOCKQUOTE>
<BR>
<BR>walkin home from work tonite, i had one of those, life is much bigger than me 
<BR>moments, it was good.....:)m</FONT></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon Jul 30 22:10:56 2001
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Date: Tue, 31 Jul 2001 04:08:56 +0200
Subject: Re: guitar arpeggiator
From: tiego <tiegolego@noos.fr>
To: <Loopers-Delight@loopers-delight.com>
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le 25/07/01 2:18, Tim Nelson à tcn62@ici.net a écrit :

> At 07:49 PM 7/24/01 -0400, you wrote:
>>> I am looking for a good arpeggiator effect for my loops, which I can use
>>> for guitar (not MIDI).  Any advice?
> 
> In addition to the Space Station, you might check out the Boss PS-3
> Pitchshifter; it has some settings that will arpeggiate an audio input. I'm
> not sure if the PS-5 also works this way or not.
> 
> -t
> 
> 
if you can afford it, try the lexicon MPX series .You can config an
arpeggio.
The boss SE50 and SE70 have arp pitchshift, they are much cheaper and
otherwise quite versatile: you can vocode an input by the other...
 IF you're ready for a bit of programming:
get a Clavia Micro Modular, believe me, you'll get much, much more than
arpeggio fx...

tiego
  

From Loopers-Delight-request@loopers-delight.com  Mon Jul 30 22:28:35 2001
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Date: Tue, 31 Jul 2001 04:26:57 +0200
Subject: Re: might sound a bit pacmany but i need to know
From: tiego <tiegolego@noos.fr>
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> CE MESSAGE EST AU FORMAT MIME. Comme votre lecteur de courrier ne comprend pas
ce format, il se peut que tout ou partie de ce message soit illisible.

--MS_Mac_OE_3079398417_311321_MIME_Part
Content-type: text/plain; charset="ISO-8859-1"
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le 26/07/01 0:14, Daniel =E0 daniel_c@vtr.net a =E9crit=A0:

I'mlooking for good websites to dld audio progs and hard disk recorders as
well as beat sequencing software for Windows 3.x
=20
A friend wants this and i remember way back when using cakewalk on windows
3.x
But you have to admit since this system is DOS based it's very stable.
=20
Thanks for the material on Michael Hedges and especially the url for harp
guitars.
=20
Domo Arigato, Mr. Roboto


CHECK OUT  synthzone.com

you'll get to it

Tieg


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<HTML>
<HEAD>
<TITLE>Re: might sound a bit pacmany but i need to know</TITLE>
</HEAD>
<BODY>
le 26/07/01 0:14, Daniel =E0 daniel_c@vtr.net a =E9crit=A0:<BR>
<BR>
<BLOCKQUOTE><FONT SIZE=3D"2">I'mlooking for good websites to dld audio progs =
and hard disk recorders as well as beat sequencing software for Windows 3.x<=
BR>
</FONT> <BR>
<FONT SIZE=3D"2">A friend wants this and i remember way back when using cakew=
alk on windows 3.x<BR>
But you have to admit since this system is DOS based it's very stable.<BR>
</FONT> <BR>
<FONT SIZE=3D"2">Thanks for the material on Michael Hedges and especially the=
 url for harp guitars.<BR>
</FONT> <BR>
<FONT SIZE=3D"2">Domo Arigato, Mr. Roboto<BR>
</FONT><BR>
</BLOCKQUOTE><BR>
CHECK OUT &nbsp;synthzone.com<BR>
<BR>
you'll get to it<BR>
<BR>
Tieg<BR>
</BODY>
</HTML>


--MS_Mac_OE_3079398417_311321_MIME_Part--

From Loopers-Delight-request@loopers-delight.com  Mon Jul 30 22:53:53 2001
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Date: Tue, 31 Jul 2001 13:50:15 +1000
Subject: OT- Sequencers
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Hopefully you loopy people can help me -

I use a Roland XP80 Keyboard and am fed up with arranging on the onboard
sequencer.

I want a midi only sequencer  for PC (Pentium 2 etc etc) and I want freeware.
Can anyone give me web links.   If sequencer life agrees with me - then I'll go
live with one of the big 3.  But I don't wanna dive in too deep.

Hopefully, you can give me some advice.

Regards,

Anthony


From Loopers-Delight-request@loopers-delight.com  Tue Jul 31 00:23:31 2001
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Date: Mon, 30 Jul 2001 23:09:33 -0500
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From: Eric Leonardson <eleon@ripco.com>
Subject: booking concerts in Poland
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Hello,

I'm forwarding this information to you via blind carbon copy about 
booking concerts in Poland.

Best regards,
Eric

>From: "dariusz startek, impresariat oprocz" <impresariat@szczecin.home.pl>
>To: <assif.susie@cwix.com>
>Subject: we booking 2001/2002 season
>Date: Mon, 23 Jul 2001 08:43:52 +0200
>X-Priority: 3
>
>Hello,
>My name is Dariusz Startek. I organize jazz/impro concerts
>in Kana Theatre in Szczecin and other venues in Poland.
>
>We demonstrate contemporary jazz, improvised music,
>experimental and avantgarde, sometimes progressive rock, electronica etc.
>We have concerts in Kana Theatre every Monday (exept holidays)
>between October & June.
>
>We are now doing preparations for 2001/2002 season.
>Please let us know if You are on tour in Europe
>and have a day or few days off.
>We need the usual details as biographies, sounds (we prefere CD's or CDR's,
>photos, press, schedules, available dates for possible concerts in Poland,
>how many musicians will play etc.
>And - of course - Your fees.
>Please keep in mind that most venues are small clubs with possible
>audience 50-100 people.
>
>If You are interested in plying few concert in Poland -
>please let us know.
>
>Please forward this message to all people who are interested in 
>concerts in Poland.
>
>Thanks.
>Best regards
>Dariusz
>
>-----------------------------
>NEW ADDRESS !!!!!!!
>
>Dariusz Startek
>ul. Tytusa 14 A / 1
>72-006 Szczecin - Mierzyn
>Poland
>e-mail: <mailto:impresariat@szczecin.home.pl>impresariat@szczecin.home.pl

---------------------
Upcoming Performances, Broadcasts, Etc.:

Tuesday, July 31, 8:00 pm, trio with Hal Rammel (invented 
instruments), Eric Leonardson (invented instruments), Michael Zerang 
(percussion) at the Candlestick Maker, 4432 N. Kedzie, (773) 463-0158.

Friday, August 10, 9:00 pm, Jerry Bryerton (percussion), Carol 
Genetti (voice), Dan Godston (trumpet, words), Eric Leonardson 
(invented instruments) at the Pilsen Cafe, 2110 S. Halsted.

August 19, 8 pm: Cindy Bernhard/Joseph Hammer, Eric Leonardson, Greg 
Headley in the Beyond Music Festival, running Aug. 18 - 23, 2001 at: 
Beyond Baroque Literary/Arts Center, 681 Venice Blvd., Venice CA 
90291. (310) 822-3006

Eric Leonardson web pages: http://pages.ripco.net/~eleon

From Loopers-Delight-request@loopers-delight.com  Tue Jul 31 01:17:29 2001
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Cc: Samplestation@yahoogroups.com
Subject: OT : The Best Software Interface For A Korg Trinity Keyboard
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<html><div style='background-color:'><DIV>
<DIV>
<H1 align=center><U><EM>I Need Help !</EM></U></H1>
<P align=left><BR><FONT face="Verdana, Geneva, Arial, Sans-serif">I need everyone's assistance. I have a friend who has a Korg Trinity 76 Key Keyboard. He wants to Midi it up to my PC, for editing purposes. I am not sure what software is the best for editing tracks on that workstation. I have Sonar XL, but I have not used it in conjunction with anything (as of yet). So I need some suggestions. Is there an Korg emulator, or Sound Bank that I can get from somewhere ? I asked this, because I did a Midi dump of one of his songs to disk, and when I played it through my PC's General Midi, it sounded like scary clown music.</FONT></P>
<P align=left><FONT face=Verdana>Needless to say, I am no Midi Master. My Midi experience is just with samplers, and some simple stuff I did in Cakewalk, but this is something, I'd like to look into.</FONT><BR><BR></P>
<P align=center>&nbsp;</P></DIV></DIV></div><br clear=all><hr>Get your FREE download of MSN Explorer at <a href='http://go.msn.com/bql/hmtag_itl_EN.asp'>http://explorer.msn.com</a><br></html>

From Loopers-Delight-request@loopers-delight.com  Tue Jul 31 01:44:06 2001
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From: "Rick Walker \(loop.pool\)" <GLOBAL@cruzio.com>
To: <Loopers-Delight@loopers-delight.com>
References: <200107301549.LAA28058@hemlock.violacea.com>
Subject: My vote for the final t-shirt design
Date: Mon, 30 Jul 2001 22:43:35 -0700
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The image at the very bottom of the first .jpeg attachment page called
'loop2-fatboy.jpg'
that Doug Baldwin sent out with loop t-shirt designs has a simple design
with
two circles intersecting!!!!!  I love it!!!!!

It is zen simple, graphically beautiful and, to me accurately conveys the
feeling I get from Looping.   I would like to heavily lobby for its usage on
our up and coming Looping shirt.

my two cents,  Rick Walker

From Loopers-Delight-request@loopers-delight.com  Tue Jul 31 10:54:48 2001
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Subject: Re: Check out my  loopers Shirt Design
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on 7/28/01 3:21 PM, Tom Ritchford at tom@swirly.com wrote:

>>> How about a serpent eating its tail ?
> 
> that's also a good ad for dlm's Ourobouros CD, eh?
> 
> /t
> 
Wouldn't hurt!

DLM

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> on 7/28/01 3:21 PM, Tom Ritchford at tom@swirly.com wrote:
> 
> >>> How about a serpent eating its tail ?
> > 
> > that's also a good ad for dlm's Ourobouros CD, eh?
> > 
> > /t
> > 
> Wouldn't hurt!

dlm, er, dam' right!

Hey, perhaps this appeared before on the list but I discovered
over the weekend (completely by coincidence) that the infinity 
sign is also the Ourobouros symbol... 

   /t


-- 

I am the infinite loop.

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Cc: "New Age Voice" <editor@newagevoice.com>,
        "New Age Voice" <ristar@mindspring.com>,
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Subject: EMUSIC Top 20 for July 2001
Date: Tue, 31 Jul 2001 12:52:56 -0400
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[ Best viewed in a fixed spacing font. ]

WDIY 88.1 FM "EMUSIC" Top 20 report to
New Age Voice and CD Revolutions for July, 2001.
Shows #224 to #227; 5-July-2001 to 26-July-2001
Reported in non-ranked order.
Compiled by Bill Fox, billfox@fast.net

CONTACT:   billfox@fast.net
           http://wdiyfm.org/schedule/s_emusic.html

ARTIST - ALBUM TITLE - LABEL
============================
AirSculpture - Quark Soup - Neu Harmony
Ash Ra Rempel - Gin Rose - Manikin
Chuck van Zyl - Celestial Mechanics - Centaur
Cosmic Hoffmann - Shiva Connection - Heart and Mind
Crown Invisible - Cinema - Cursor Club
Gerber & Rose - Airwaves - SpaceForMusic.com
Gert Emmens - Asteroids - Quantum
John Rose - Cosmogenesis - SpaceForMusic.com
Keller & Schonwalder - The Reason Why - Manikin
The Ministry of Inside Things - Live at the ICA - Synkronos
The Ministry of Inside Things - Live at the PMoA - Synkronos
The Ministry of Inside Things - Live on WXPN - Synkronos
Paul Ellis - Appears to Vanish - Neu Harmony
Paul Nagle - Red Book/Blue Book - Neu Harmony
Radiowave - Journey Thru Oz - SpaceForMusic.com
Robert Carty - The Inexplicable - Deep Sky
Syndromeda - The Alien Abduction Phemonenon - Groove
Various Artists - Where Stalks the Sandman - Noh Poetry Records
vidnaObmana - Soundtrack for the Aquarium - Hypnos
Wave World - Dimensions - Quantum

Bill        billfox@fast.net           http://wdiyfm.org/schedule/s_emusic.html
===============================================================================
Host of EMUSIC, an electronic, ambient, and space music show.  Thursdays at
11 pm on WDIY 88.1 FM, Allentown and Bethlehem and 93.9 FM in Easton and
Phillipsburg.  Email me if you wish to submit music for airplay consideration.
Radio Station Home Page: http://wdiyfm.org
Personal site: http://www.users.fast.net/~billfox
To subscribe to the EMUSIC on WDIY list, send
email to: emusic-wdiy-subscribe@yahoogroups.com

From Loopers-Delight-request@loopers-delight.com  Tue Jul 31 14:59:49 2001
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Subject: Back in the saddle, again...
Date: Tue, 31 Jul 2001 11:55:42 -0700
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Hi all,

    After an extended and unexpected hiatus, I've join the list again. What
did I miss? I've been upgrading my rig, praciticing daily, and getting ready
to start playing out again. I'm adding a hardware sequencer/synth this week,
to run my echoplex with.

    Unfortunately, my echoplex seems to be broken :< I can't turn the
feedback to 100% any more - it's always fading out. It doesn't seem to
matter whether I use a pedal, or the front panel (though the pedal is rather
flaky - it could be unrelated). Anyone had this happen to them? It's a bit
of a show stopper, unless I keep 'filling up' the loop every once in a
while, which breaks the sonfg structure and confuses band mates. I'd be
loath to do it live. Any suggestions?

Jonathan El-Bizri

From Loopers-Delight-request@loopers-delight.com  Tue Jul 31 16:48:21 2001
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Subject: Fwd: Tactex Receives Production Order from Moog
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FYI:

>From: "Amanda Sloat" <amanda@tactex.com>
>To: <zvonar@LCSaudio.com>
>Subject: Tactex Receives Production Order from Moog
>Date: Tue, 31 Jul 2001 11:17:12 -0700
>
>
>
>In the attached press release, Tactex announces a production order for
>controllers on the new Moog synthesizer.
>
>Tactex Controls (CDNX: TTX) is a rapidly growing technology company
>commercializing a new fibre optic Smart Fabric technology.  You'll find
>our touch controllers and touch pads in consumer electronics, music, graphic
>arts and portable internet devices.
>
>Amanda Sloat
>Investor Relations
>amanda@tactex.com
>www.tactex.com
>250-480-1132

-- 
______________________________________________________________________________
Richard Zvonar					(818) 788-2202 voice
zvonar@zvonar.com				(818) 788-2203 fax
http://www.zvonar.com

      <http://www.live365.com/cgi-bin/directory.cgi?autostart=rz>

From Loopers-Delight-request@loopers-delight.com  Tue Jul 31 16:53:33 2001
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Richard Zvonar (01:42 PM 07/31/01) wrote:

 >>In the attached press release, Tactex announces a production order for
 >>controllers on the new Moog synthesizer.

Yeup.... The press release was actually last June.

   http://www.tactex.com/bigbriar.html


The minimoog Voyager was shown at the Summer NAMM show last week in 
Nashville, and they start shipping in Fall. More info is on the Big Briar site:

   http://www.bigbriar.com/products_s.html


Mark 

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At 1:50 PM -0700 7/31/01, Mark Pulver wrote:

>Yeup.... The press release was actually last June.

This appears to be the second release, dated today and with more 
detail than the June 7 release. For some reason I never got that one. 
The new release is at:

http://www.tactex.com/moogorderpress.html


-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz


From Loopers-Delight-request@loopers-delight.com  Tue Jul 31 18:14:15 2001
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This is a multi-part message in MIME format.

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Hi everyone

I'm a musician from Belgium use a lot of loop material, and have a =
contemporary acoustic band called "TROISSOEUR"
using double-bass, accordion, violin, 19-string double-neck guitar and 3 =
vocals and an own invented, imaginary
language. You always can always check our web-site:  www.troissoeur.com
Our first cd is released by EMI-Belgium. We play like 40 concerts a year =
in Belgium, Netherlands, Taiwan, Hongaria.
We use video, lightshow, also loop-based music during our performances
We're looking for some interesting contacts, like cooporations, =
festivals, clubs, bookings agencys, record labels
who might be interested in our music and stage performance. Style: =
avant-garde, modern music...
Is there anyone of you guys who have some contacts, knows interesting
festivals, club, labels, who're interested in some cooporations??
PLease let me know, My experience is that the musicians themselves knows =
much better the cool venues, clubs
festivals, labels. than people from the music buisiness.
Please check out our website and give me some suggestions and tips. =
Maybe I can help you guys to
here in Belgium, Netherlands, Taiwan.
I use haedrush, line 6 and echoplex and design my own guitars, 19-string =
double-neck guitar (see website)
I'm in New York from the 5th till the 11th of August. If there are =
contacts and interested people in NY, please
let me know.
Thanks in advance
When are the loop performances in the Knitting Factory???

Pieter Thys
info@troissoeur.com



------=_NextPart_000_009C_01C11A1D.E55967A0
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	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.2614.3500" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Hi everyone</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I'm a musician from Belgium use a lot =
of loop=20
material, and have a contemporary acoustic band called =
"TROISSOEUR"</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>using double-bass, accordion, violin,=20
19-string&nbsp;double-neck guitar and 3 vocals and an own invented,=20
imaginary</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>language.&nbsp;You always =
can</FONT><FONT=20
face=3DArial size=3D2> always check our web-site:&nbsp; <A=20
href=3D"http://www.troissoeur.com">www.troissoeur.com</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Our first cd is released by =
EMI-Belgium. We play=20
like 40 concerts a year in Belgium, Netherlands, Taiwan, =
Hongaria.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>We use video, lightshow, also =
loop-based music=20
during our performances</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>We're looking for some interesting =
contacts, like=20
cooporations, festivals, clubs, bookings agencys, record =
labels</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>who might be interested in our music =
and stage=20
performance. Style: avant-garde, modern music...</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Is there anyone of you guys who have =
some contacts,=20
knows interesting</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>festivals, club, labels, who're =
interested in some=20
cooporations??</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>PLease let me know, My experience is =
that the=20
musicians themselves knows much better the cool venues, =
clubs</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>festivals, labels. than people from the =
music=20
buisiness.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Please check out our website and give =
me some=20
suggestions and tips. Maybe I can help you guys to</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>here in Belgium, Netherlands, =
Taiwan.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I use haedrush, line 6 and echoplex and =
design my=20
own guitars, 19-string double-neck guitar (see website)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I'm in New York from the 5th till the =
11th of=20
August. If there are contacts and interested people in NY, =
please</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>let me know.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Thanks in advance</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>When are the loop performances in the =
Knitting=20
Factory???</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Pieter Thys</FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"mailto:info@troissoeur.com">info@troissoeur.com</A></FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV></BODY></HTML>

------=_NextPart_000_009C_01C11A1D.E55967A0--

From Loopers-Delight-request@loopers-delight.com  Tue Jul 31 18:31:13 2001
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> I'm a musician from Belgium use a lot of loop material, and have a
contemporary acoustic band called "TROISSOEUR"
> using double-bass, accordion, violin, 19-string double-neck guitar and
3 vocals and an own invented, imaginary
> language. 

wow, that sounds FUN!

a shame you aren't playing while you are here...

do check out the extreme NY music and art calendar
<http://extremeNY.com/calendar> for events that
might interest you!

   /t


-- 

I am the walmart.

From Loopers-Delight-request@loopers-delight.com  Tue Jul 31 21:34:37 2001
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Subject: Feed Back mixing/ mixers avialable
Date: Tue, 31 Jul 2001 20:30:36 -0500
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Hello,
Has anyone used an alesis 1622 before? they have six aux sends per channel 
and enough channels that you can you can put the aux retuns back into the 
channel inputs? Is there any other mixer that is reasonably priced that can 
give 6 sends and mabey some goood mic pres?

Thanks,

Jeremiah

_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp

From Loopers-Delight-request@loopers-delight.com  Tue Jul 31 22:06:08 2001
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References: <OE17AQ47xVl7ta3pHWH00004ad7@hotmail.com> <200107311726.NAA27525@hemlock.violacea.com> <OE18KLpgTFur2iz2Mb100000267@hotmail.com>
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Hope this is the fix... make sure the EDP is not in delay mode, as opposed to
loop.

joe

Jonathan El-Bizri wrote:

> Hi all,
>
>     After an extended and unexpected hiatus, I've join the list again. What
> did I miss? I've been upgrading my rig, praciticing daily, and getting ready
> to start playing out again. I'm adding a hardware sequencer/synth this week,
> to run my echoplex with.
>
>     Unfortunately, my echoplex seems to be broken :< I can't turn the
> feedback to 100% any more - it's always fading out. It doesn't seem to
> matter whether I use a pedal, or the front panel (though the pedal is rather
> flaky - it could be unrelated). Anyone had this happen to them? It's a bit
> of a show stopper, unless I keep 'filling up' the loop every once in a
> while, which breaks the sonfg structure and confuses band mates. I'd be
> loath to do it live. Any suggestions?
>
> Jonathan El-Bizri

