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>From: "Rick Walker (loop.pool)" <GLOBAL@cruzio.com>
>
>db wrote:
>"anyone use the Electrix Filter Queen and/or Factory? I have a filter 
>queen>and i love her."
>
>
>I adore my Electrix Filter Factory.   I bought both the Filter Queen and 
>the>Filter Factory to compare them and then returned the
>Filter Queen.  If you've got the dough to afford it, it really rocks,
>especially for Live Looping Artists because of it's ability to synd LFO
>speeds to midi in/and/or send out LFO 'clock' to midi ready loopers.
>try it, you'll like it,      yours,   Rick Walker (loop.pool)
>

the reason that the queen won out for me is that because i'm a guitarist and 
the queen has an expression pedal input that the factory doesn't. i like 
being able to tweak the freq while making strange noises on the guitar. this 
way i got both hands free to work the gtr while messing with the freq with 
me foot.

db
_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

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Date: Mon, 30 Apr 2001 23:18:56 -0700
From: Richard Zvonar <zvonar@zvonar.com>
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At 6:20 PM -0700 4/30/01, Catharsis wrote:
>>Did you talk to Lou Harrison?  How is he doing?
>
>In passing yes.. I am new to this area, so I basically smiled and 
>said, "hello". He seems to be doing well for being 84 or 85.

Lou is a truly great person. I've known him since 1976 when I audited 
his class in world music at San Jose State, and until the early '90s 
I'd see him every summer at the Cabrillo Music Festival.  He recently 
lost his life partner, Bill Colvig, so it's good to know he's 
carrying on with energy and good spirit.


>Say, I just came across a small quote from you in Joel Chadabe's 
>Electric Sound. Heh heh..   It is funny as when I read it I thought, 
>"hey, I know that guy: he is a looper!" ;)

If you hang out long enough you eventually end up in books. I have 
small mentions in a couple of them, in connection with my Max 
programming.
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

From Loopers-Delight-request@loopers-delight.com  Tue May  1 08:17:19 2001
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Subject: anti-clockwise
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> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

--MS_Mac_OE_3071549662_5494067_MIME_Part
Content-type: text/plain; charset="US-ASCII"
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the pink pony presents

anti:clockwise

saturday may 4  10.00 pm


May 4 is a Friday -- is it Friday or Saturday night?



--MS_Mac_OE_3071549662_5494067_MIME_Part
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<HTML>
<HEAD>
<TITLE>anti-clockwise</TITLE>
</HEAD>
<BODY>
<BLOCKQUOTE><FONT COLOR=3D"#0000FF">the pink pony presents<BR>
<BR>
anti:clockwise<BR>
<BR>
saturday may 4 &nbsp;10.00 pm<BR>
<BR>
<BR>
</FONT>May 4 is a Friday -- is it Friday or Saturday night?<BR>
</BLOCKQUOTE><FONT COLOR=3D"#0000FF"><BR>
</FONT>
</BODY>
</HTML>


--MS_Mac_OE_3071549662_5494067_MIME_Part--

From Loopers-Delight-request@loopers-delight.com  Tue May  1 09:17:42 2001
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a nice review of this neat sounding ax at www.harmony-central.com
just one more thing i need.....:).....michael

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>a nice review of this neat sounding ax at www.harmony-central.com
<BR>just one more thing i need.....:).....michael</FONT></HTML>

--part1_e1.13eb2be1.28201071_boundary--

From Loopers-Delight-request@loopers-delight.com  Tue May  1 09:50:07 2001
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Subject: Re: Logic Audio Loops
Date: Tue, 1 May 2001 23:45:31 +1000
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Matthias,

I was thinking the other day about Logic Audio's live inputs and some
delays....well the verdict is...a very cool software looper system!

Using plugins, I started with a noise gate on the input, then assigned 4
buss sends,
each to a separate instance of a Waves SuperTap 2 Tap Delay...On the
delays, I turned on one tap and had it at 8 1/4 notes delay, with
100% feedback with the same amount of delay...so by enabling any of
the 4 buss sends on the input, I can record an audio loop, and then
mute one of the delays if I want to. I can even add other plugins, without
disturbing the loop. It's really quite amazing.

The result is a live 4 track infinite audio loop that syncs to midi.
Latency is a non issue on my Mac G3 300.

This is a great example of how flexible Logic can be.

Cheers,
Jeff

----- Original Message -----
From: "Matthias Grob" <matthias@grob.org>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, May 01, 2001 7:34 AM
Subject: Re: Logic Audio Loops


> >I'm very interested in your application. I have yet to find a software
> >looper that actually works the way I think it should. I was able to make
> >Logic Audio work as a great looper though, in sync with midi and
everything,
>
> Jeff,
>
> Did you ever explain to us what you can do? I find that very interesting.
>
> After all, there is a PowerBook G3 on the way here!
>
> And lately I heard from several people that the ended up liking Logic
> better than Performer for the flexibility.
> Would you say that what you do with Logic is impossible with any other
App?
>
> Thank you
> Matthias
> --
>
>
>           ---> http://Matthias.Grob.org
>

From Loopers-Delight-request@loopers-delight.com  Tue May  1 12:31:23 2001
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--=====================_5086656==_.ALT
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oh, rats. i HATE when i does thats...



a:c @ pink pony on
SATURDAY nite which is
may 5 as in f-i-v-e, the first saturday of may in 2001,
and which coincidentally is also alright for fighting.

it's also alright for lighting. i did not mention that again
i have the amazing good fortune to be accompanied by
visualist chris jordan at this show.

xo
rbrt

originally i had said:

 >the pink pony presents
 >
 >anti:clockwise
 >
 >saturday may xx 10.00 pm

and you asked :

 >May 4 is a Friday -- is it Friday or Saturday night?



++++++++
just what the world needs....
<http://www.tensionheadache.org/>another frikkin 
<http://www.tensionheadache.org/>url

--=====================_5086656==_.ALT
Content-Type: text/html; charset="us-ascii"

<html>
oh, rats. i HATE when i does thats...<br>
<br>
<br>
<br>
a:c @ pink pony on <br>
SATURDAY nite which is <br>
may 5 as in f-i-v-e, the first saturday of may in 2001,<br>
and which coincidentally is also alright for fighting.<br>
<br>
it's also alright for lighting. i did not mention that again <br>
i have the amazing good fortune to be accompanied by <br>
visualist chris jordan at this show.<br>
<br>
xo <br>
rbrt <br>
<br>
originally i had said:<br>
<br>
&gt;the pink pony presents <br>
&gt; <br>
&gt;anti:clockwise <br>
&gt; <br>
&gt;saturday may xx 10.00 pm<br>
<br>
and you asked :<br>
<br>
&gt;May 4 is a Friday -- is it Friday or Saturday night?<br>
<br>
<br>
<x-sigsep><p></x-sigsep>
<div align="center">
++++++++<br>
just what the world needs.... <br>
<a href="http://www.tensionheadache.org/">another </a>frikkin
<a href="http://www.tensionheadache.org/">url<br>
</a></div>
</html>

--=====================_5086656==_.ALT--

From Loopers-Delight-request@loopers-delight.com  Tue May  1 12:49:51 2001
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From: KILLINFO@aol.com
Date: Tue, 01 May 2001 12:44:45 EDT
Subject: OT Alesis Crash & Burn
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Anybody heard any news about Alesis filing Chapter 11?
Kinda sad news to hear from the folks that single-handedly gave us the ADAT.

From Loopers-Delight-request@loopers-delight.com  Tue May  1 14:00:43 2001
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Yeah, I called a local Guitar Center inquiring about the Alesis Air Synth
(which was due out yesterday) and was told that Alesis was probably no more.
?  What does that mean?  I don't know.  Are there a few palettes of Air Synths
sitting on a dock somewhere that will never see the light of day? (the IR end
of the spectra, especially)  Sure would be a shame, I agree.  I noticed a lot
of dead links on their website, could be a sign.  I'm sure they'll be bought up
by Gibson in any case.

Mark

KILLINFO@aol.com wrote:

> Anybody heard any news about Alesis filing Chapter 11?
> Kinda sad news to hear from the folks that single-handedly gave us the ADAT.

From Loopers-Delight-request@loopers-delight.com  Tue May  1 14:16:26 2001
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Date: Tue, 1 May 2001 14:12:47 -0400
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From: Tom Ritchford <tom@swirly.com>
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>Yeah, I called a local Guitar Center inquiring about the Alesis Air Synth
>(which was due out yesterday) and was told that Alesis was probably no more.
>?  What does that mean?  I don't know.  Are there a few palettes of Air Synths
>sitting on a dock somewhere that will never see the light of day? (the IR end
>of the spectra, especially)  Sure would be a shame, I agree.  I noticed a lot
>of dead links on their website, could be a sign.  I'm sure they'll 
>be bought up
>by Gibson in any case.

so where does one find these things out for sure?

is there a good music industry news website that would
have this stuff??

	/t


...electronic a cappella madness <http://volectrix.com>.........
...extreme internet radio        <http://extremeNY.com/radio>...

From Loopers-Delight-request@loopers-delight.com  Tue May  1 15:23:56 2001
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Date: Tue, 1 May 2001 15:19:19 -0400 (EDT)
From: Luke Davis <ldavis@voicenet.com>
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All Access some times carries that sort of information (not always, by
far).

http://www.allaccess.com

Regards,

Luke


On Tue, 1 May 2001, Tom Ritchford wrote:

> >Yeah, I called a local Guitar Center inquiring about the Alesis Air Synth
> >(which was due out yesterday) and was told that Alesis was probably no more.
> >?  What does that mean?  I don't know.  Are there a few palettes of Air Synths
> >sitting on a dock somewhere that will never see the light of day? (the IR end
> >of the spectra, especially)  Sure would be a shame, I agree.  I noticed a lot
> >of dead links on their website, could be a sign.  I'm sure they'll 
> >be bought up
> >by Gibson in any case.
> 
> so where does one find these things out for sure?
> 
> is there a good music industry news website that would
> have this stuff??
> 
> 	/t
> 
> 
> ...electronic a cappella madness <http://volectrix.com>.........
> ...extreme internet radio        <http://extremeNY.com/radio>...
> 
> 

From Loopers-Delight-request@loopers-delight.com  Tue May  1 16:36:06 2001
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Subject: alesis stuff from harmony-central
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   =20

=20
   =20


Alesis Reorganization Underway

April 4, 2001 -- The Alesis Corporation announced a company-wide=20
restructuring in an effort to refocus on its core business and ensure a=20
smooth launch of their newly introduced product line.=20
Jim Mack, Alesis Vice President of Sales and Marketing said, "A very=20
aggressive new product plan coupled with slower than expected sales of our=20
current line have forced us to make targeted cutbacks in order to secure our=
=20
position in the marketplace. These streamlining efforts, while unfortunate,=20
guarantee the necessary resources for a strong product launch later this=20
spring."
As part of the restructuring, Alesis announced they would be handing off two=
=20
products to the original development partners. The Vipre All-Tube Mic Pre,=20
originally developed jointly by Alesis and Groove Tubes under Alesis=E2=80=
=99 GT=20
Electronics brand, will now be manufactured and marketed solely by Groove=20
Tubes.=20
As part of this agreement, the GT Electronics brand will remain at Alesis an=
d=20
will continue to market the AM series tube and FET studio recording=20
microphones. Jim Mack relates, "While we are very excited by the response to=
=20
Vipre, it also represents a new direction for us at a time when we need to=20
focus on our strengths."=20
Alesis will also be handing off the DMPro Drum Kit to HART Dynamics. HART=20
will now assume all sales and marketing responsibilities for the product.=20
John Maier, Director of Marketing Communication said, "Hart Dynamics=E2=80=
=99 entire=20
operation is focused on the drumming community in general and the electronic=
=20
drum kit market specifically. The DM Pro Kit will be better served under thi=
s=20
new scenario. "=20
The DMPro Drum Module will not be affected by this change and will still be=20=
a=20
part of the Alesis Digital Drum Product line.
Alesis also announced there would be targeted layoffs as part of this=20
reorganization. While most of the cutbacks were centered in the company=E2=
=80=99s=20
manufacturing and warehousing division, there were also limited cutbacks in=20
the sales, marketing and administrative areas.
The company also announced talks with prospective investors and business=20
partners in an effort to ensure the product plan for 2001 is carried out on=20
schedule. Jim Mack said, "Our current product plan is arguably the most=20
aggressive in the companies history. These products represent the latest in=20
Alesis proprietary chip technology. We felt that bringing in outside partner=
s=20
at this time would ensure that these new products and technologies can all=20
come to market simultaneously rather than over the course of the next few=20
years."
On the heels of a new marketing campaign dubbed, "The Re-Evolution of Music,=
"=20
Alesis recently introduced fourteen new products within a four month period.=
=20
Among the new innovations is the groundbreaking trio of the A6 Andromeda 16=20
voice real analog synthesizer, the ADAT HD24 hard disk recorder and the=20
ProLinear 820 Customizable DSP studio monitors.=20
Also introduced were entirely new product categories including the airFX and=
=20
airSynth motion controlled S/FX devices, as well as the 400 series digital=20
processors, RA series amplifiers, and Ineko personal effects processor.=20
For more information, visit their web site at <A HREF=3D"http://www.alesis.c=
om/">www.alesis.com</A>.
   =20


--part1_40.aee6a43.28207749_boundary
Content-Type: text/html; charset="UTF-8"
Content-Transfer-Encoding: quoted-printable
Content-Language: en

<HTML><FONT FACE=3Darial,helvetica><FONT  SIZE=3D2>   =20
<BR>
<BR><P ALIGN=3DCENTER>=20
<BR><P ALIGN=3DLEFT>   =20
<BR></FONT><FONT  COLOR=3D"#000000" SIZE=3D6 FAMILY=3D"SANSSERIF" FACE=3D"Ar=
ial" LANG=3D"0">
<BR>
<BR><P ALIGN=3DCENTER><B>Alesis Reorganization Underway
<BR>
<BR><P ALIGN=3DLEFT></FONT><FONT  COLOR=3D"#000000" SIZE=3D2 FAMILY=3D"SANSS=
ERIF" FACE=3D"Arial" LANG=3D"0"></B>April 4, 2001 -- The Alesis Corporation=20=
announced a company-wide=20
<BR>restructuring in an effort to refocus on its core business and ensure a=20
<BR>smooth launch of their newly introduced product line.=20
<BR>Jim Mack, Alesis Vice President of Sales and Marketing said, "A very=20
<BR>aggressive new product plan coupled with slower than expected sales of o=
ur=20
<BR>current line have forced us to make targeted cutbacks in order to secure=
 our=20
<BR>position in the marketplace. These streamlining efforts, while unfortuna=
te,=20
<BR>guarantee the necessary resources for a strong product launch later this=
=20
<BR>spring."
<BR>As part of the restructuring, Alesis announced they would be handing off=
 two=20
<BR>products to the original development partners. The Vipre All-Tube Mic Pr=
e,=20
<BR>originally developed jointly by Alesis and Groove Tubes under Alesis=E2=
=80=99 GT=20
<BR>Electronics brand, will now be manufactured and marketed solely by Groov=
e=20
<BR>Tubes.=20
<BR>As part of this agreement, the GT Electronics brand will remain at Alesi=
s and=20
<BR>will continue to market the AM series tube and FET studio recording=20
<BR>microphones. Jim Mack relates, "While we are very excited by the respons=
e to=20
<BR>Vipre, it also represents a new direction for us at a time when we need=20=
to=20
<BR>focus on our strengths."=20
<BR>Alesis will also be handing off the DMPro Drum Kit to HART Dynamics. HAR=
T=20
<BR>will now assume all sales and marketing responsibilities for the product=
.=20
<BR>John Maier, Director of Marketing Communication said, "Hart Dynamics=E2=
=80=99 entire=20
<BR>operation is focused on the drumming community in general and the electr=
onic=20
<BR>drum kit market specifically. The DM Pro Kit will be better served under=
 this=20
<BR>new scenario. "=20
<BR>The DMPro Drum Module will not be affected by this change and will still=
 be a=20
<BR>part of the Alesis Digital Drum Product line.
<BR>Alesis also announced there would be targeted layoffs as part of this=20
<BR>reorganization. While most of the cutbacks were centered in the company=
=E2=80=99s=20
<BR>manufacturing and warehousing division, there were also limited cutbacks=
 in=20
<BR>the sales, marketing and administrative areas.
<BR>The company also announced talks with prospective investors and business=
=20
<BR>partners in an effort to ensure the product plan for 2001 is carried out=
 on=20
<BR>schedule. Jim Mack said, "Our current product plan is arguably the most=20
<BR>aggressive in the companies history. These products represent the latest=
 in=20
<BR>Alesis proprietary chip technology. We felt that bringing in outside par=
tners=20
<BR>at this time would ensure that these new products and technologies can a=
ll=20
<BR>come to market simultaneously rather than over the course of the next fe=
w=20
<BR>years."
<BR>On the heels of a new marketing campaign dubbed, "The Re-Evolution of Mu=
sic,"=20
<BR>Alesis recently introduced fourteen new products within a four month per=
iod.=20
<BR>Among the new innovations is the groundbreaking trio of the A6 Andromeda=
 16=20
<BR>voice real analog synthesizer, the ADAT HD24 hard disk recorder and the=20
<BR>ProLinear 820 Customizable DSP studio monitors.=20
<BR>Also introduced were entirely new product categories including the airFX=
 and=20
<BR>airSynth motion controlled S/FX devices, as well as the 400 series digit=
al=20
<BR>processors, RA series amplifiers, and Ineko personal effects processor.=20
<BR>For more information, visit their web site at <A HREF=3D"http://www.ales=
is.com/">www.alesis.com</A>.
<BR>   =20
<BR></P></P></P></P></FONT></HTML>

--part1_40.aee6a43.28207749_boundary--

From Loopers-Delight-request@loopers-delight.com  Tue May  1 16:53:22 2001
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Date: Tue, 1 May 2001 13:50:44 -0700 (PDT)
From: Stephen <dakshah@yahoo.com>
Subject: Re: Logic Audio Loops
To: Loopers-Delight@loopers-delight.com
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Jeff,

Can the enabling of the buss sends or muting of the
tracks or delays be accomplished through midi (foot
pedal, for instance)? 

Can you envision how a similar Logic setup could be
created to do this for midi looping?

The reason I'm asking is that I'm seriously toying
with the idea of switching from Windoze/Cakewalk to
Mac/Logic, and before I do, I'd like to understand
Logic's midi looping / midi control capabilities for
live usage.

Thanks,

stephen

--- Jeff van Dyck <jdyck@bigpond.net.au> wrote:
> Matthias,
> 
> I was thinking the other day about Logic Audio's
> live inputs and some
> delays....well the verdict is...a very cool software
> looper system!
> 
> Using plugins, I started with a noise gate on the
> input, then assigned 4
> buss sends,
> each to a separate instance of a Waves SuperTap 2
> Tap Delay...On the
> delays, I turned on one tap and had it at 8 1/4
> notes delay, with
> 100% feedback with the same amount of delay...so by
> enabling any of
> the 4 buss sends on the input, I can record an audio
> loop, and then
> mute one of the delays if I want to. I can even add
> other plugins, without
> disturbing the loop. It's really quite amazing.
> 
> The result is a live 4 track infinite audio loop
> that syncs to midi.
> Latency is a non issue on my Mac G3 300.
> 
> This is a great example of how flexible Logic can
> be.
> 
> Cheers,
> Jeff


=====
Stephen

__________________________________________________
Do You Yahoo!?
Yahoo! Auctions - buy the things you want at great prices
http://auctions.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Tue May  1 17:38:42 2001
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From: "Neil Goldstein" <ngold@home.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Logic Audio Loops
Date: Tue, 1 May 2001 14:33:14 -0700
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Logic is very deep and powerful in its control potential, esp with midi,
with real-time features that are very cool. Esp neat is the ability to
trigger different sequences in real-time via midi note ons.

A great resource is the mail-list and archives at yahoo groups.

http://groups.yahoo.com/group/logic-users

And there's several links at:

http://groups.yahoo.com/group/logic-users/links

All the audio and midi mixer settings are controllable via midi. Its just a
matter of rolling up your sleeves to learn the system. one of the beauties
of Logic is how you can easily transform any midi message to another for
control, so you don't have to fudge around with your hardware foot pedals or
sliders much, you simply map the msgs to whatever you desire and route via
patchcords to audio channels and/or midi instrument channels in Logics
Environment.

The main problem I've found is the seduction of all the softsynths, VST
effects and especially the EXS24 sampler that runs in Logic. These are
incredible tools, irresistable and addictive and the NEW paradigm for
electronic music. And these are demanding on CPU cycles in the computer. I
need a new computer.

Neil

> -----Original Message-----
> From: Stephen [mailto:dakshah@yahoo.com]
> Sent: Tuesday, May 01, 2001 1:51 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Logic Audio Loops
>
>
> Jeff,
>
> Can the enabling of the buss sends or muting of the
> tracks or delays be accomplished through midi (foot
> pedal, for instance)?
>
> Can you envision how a similar Logic setup could be
> created to do this for midi looping?
>
> The reason I'm asking is that I'm seriously toying
> with the idea of switching from Windoze/Cakewalk to
> Mac/Logic, and before I do, I'd like to understand
> Logic's midi looping / midi control capabilities for
> live usage.
>
> Thanks,
>
> stephen
>
> --- Jeff van Dyck <jdyck@bigpond.net.au> wrote:
> > Matthias,
> >
> > I was thinking the other day about Logic Audio's
> > live inputs and some
> > delays....well the verdict is...a very cool software
> > looper system!
> >
> > Using plugins, I started with a noise gate on the
> > input, then assigned 4
> > buss sends,
> > each to a separate instance of a Waves SuperTap 2
> > Tap Delay...On the
> > delays, I turned on one tap and had it at 8 1/4
> > notes delay, with
> > 100% feedback with the same amount of delay...so by
> > enabling any of
> > the 4 buss sends on the input, I can record an audio
> > loop, and then
> > mute one of the delays if I want to. I can even add
> > other plugins, without
> > disturbing the loop. It's really quite amazing.
> >
> > The result is a live 4 track infinite audio loop
> > that syncs to midi.
> > Latency is a non issue on my Mac G3 300.
> >
> > This is a great example of how flexible Logic can
> > be.
> >
> > Cheers,
> > Jeff
>
>
> =====
> Stephen
>
> __________________________________________________
> Do You Yahoo!?
> Yahoo! Auctions - buy the things you want at great prices
> http://auctions.yahoo.com/
>

From Loopers-Delight-request@loopers-delight.com  Tue May  1 17:51:28 2001
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Date: Tue, 01 May 2001 17:42:47 -0700
From: Will Brake <wbrake@home.com>
Organization: Soul Fruit
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To: Loopers-Delight@loopers-delight.com
Subject: Re: OT Alesis Crash & Burn
References: <Pine.SOL.4.04.10105011518370.5888-100000@unix01>
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This is a multi-part message in MIME format.
--------------10E22D56EC138FD1FDB25388
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Alesis has officially filed for chapter 11 bankruptcy. They must have
put too much into the development of the new products!? More information
to follow as I get it.

Be Well

Will Brake
Soul Fruit

Luke Davis wrote:
> 
> All Access some times carries that sort of information (not always, by
> far).
> 
> http://www.allaccess.com
> 
> Regards,
> 
> Luke
> 
> On Tue, 1 May 2001, Tom Ritchford wrote:
> 
> > >Yeah, I called a local Guitar Center inquiring about the Alesis Air Synth
> > >(which was due out yesterday) and was told that Alesis was probably no more.
> > >?  What does that mean?  I don't know.  Are there a few palettes of Air Synths
> > >sitting on a dock somewhere that will never see the light of day? (the IR end
> > >of the spectra, especially)  Sure would be a shame, I agree.  I noticed a lot
> > >of dead links on their website, could be a sign.  I'm sure they'll
> > >be bought up
> > >by Gibson in any case.
> >
> > so where does one find these things out for sure?
> >
> > is there a good music industry news website that would
> > have this stuff??
> >
> >       /t
> >
> >
> > ...electronic a cappella madness <http://volectrix.com>.........
> > ...extreme internet radio        <http://extremeNY.com/radio>...
> >
> >
--------------10E22D56EC138FD1FDB25388
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begin:vcard 
n:Brake;Will
tel;cell:248-763-1103
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url:http://www.soul-fruit.com
org:Soul Fruit
adr:;;2900 Rochester Road;Royal Oak;Michigan;48073;USA
version:2.1
email;internet:wbrake@home.com
title:http://www.soul-fruit.com
fn:Will Brake
end:vcard

--------------10E22D56EC138FD1FDB25388--

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From: PA5CALIO@aol.com
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Date: Tue, 1 May 2001 17:48:22 EDT
Subject: Making a hihat control pad
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Sorry if this is way off topic, but I'm building an electronic drumset.  I've 
created a ten pad version of the octa pad and I'm making my own bass drum 
trigger.  

The thing that has me stumped is the hihat.  Hihat control pedals cost a fare 
share of $$$ and my only alternative is a keyboard sustain pedal.  I tried 
this, but it is not touch sensitive so there is only one velocity for the 
closing hihat sound.  This isn't good.

Does anyone know how I would go about making my own hihat control pedal that 
is touch sensitive.  Or someway to make a keyboard sustain pedal touch 
sensitive.  

Thanks a bunch,
PASCAL

--part1_cd.5fa1641.28208926_boundary
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<HTML><FONT FACE=arial,helvetica><FONT  COLOR="#000080" SIZE=2 FAMILY="SANSSERIF" FACE="Verdana" LANG="0">Sorry if this is way off topic, but I'm building an electronic drumset. &nbsp;I've 
<BR>created a ten pad version of the octa pad and I'm making my own bass drum 
<BR>trigger. &nbsp;
<BR>
<BR>The thing that has me stumped is the hihat. &nbsp;Hihat control pedals cost a fare 
<BR>share of $$$ and my only alternative is a keyboard sustain pedal. &nbsp;I tried 
<BR>this, but it is not touch sensitive so there is only one velocity for the 
<BR>closing hihat sound. &nbsp;This isn't good.
<BR>
<BR>Does anyone know how I would go about making my own hihat control pedal that 
<BR>is touch sensitive. &nbsp;Or someway to make a keyboard sustain pedal touch 
<BR>sensitive. &nbsp;
<BR>
<BR>Thanks a bunch,
<BR>PASCAL</FONT></HTML>

--part1_cd.5fa1641.28208926_boundary--

From Loopers-Delight-request@loopers-delight.com  Tue May  1 18:14:04 2001
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From: Floyd Miller <floyd@studiodust.com>
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Subject: Re: OT Alesis Crash & Burn
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I hope this is not the start of a trend like last year's Dotcom bust.

wbrake wrote:
>
> Alesis has officially filed for chapter 11 bankruptcy. They must have
> put too much into the development of the new products!? More information
> to follow as I get it.
>
> Be Well
>
> Will Brake
> Soul Fruit
>
>
> [demime removed attachment of type text/x-vcard, named wbrake.vcf]
>

From Loopers-Delight-request@loopers-delight.com  Tue May  1 18:15:26 2001
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Date: Tue, 1 May 2001 19:17:27 -0300
To: Loopers-Delight@loopers-delight.com
From: Matthias Grob <matthias@grob.org>
Subject: Re: Logic Audio Loops
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>I was thinking the other day about Logic Audio's live inputs and some
>delays....well the verdict is...a very cool software looper system!
>
>Using plugins, I started with a noise gate on the input, then assigned 4
>buss sends,
>each to a separate instance of a Waves SuperTap 2 Tap Delay...On the
>delays, I turned on one tap and had it at 8 1/4 notes delay, with
>100% feedback with the same amount of delay...so by enabling any of
>the 4 buss sends on the input, I can record an audio loop, and then
>mute one of the delays if I want to. I can even add other plugins, without
>disturbing the loop. It's really quite amazing.

Great, seems simple... and you have it all pedal controlled?
How do you control the 4 FeedBacks? I just tried POLAR and thought 
that this would be my problem with it.
How about the initial speed, you tap it?

>The result is a live 4 track infinite audio loop that syncs to midi.
>Latency is a non issue on my Mac G3 300.

amazing... do you use it just for the delays or listen the original 
sound through it, too? Any special buffer... settings?

>This is a great example of how flexible Logic can be.

but as I understand, this could be done in some other app, too, right?

Thank you for this report, Jeff... go ahead...
Matthias



>  > >I'm very interested in your application. I have yet to find a software
>>  >looper that actually works the way I think it should. I was able to make
>>  >Logic Audio work as a great looper though, in sync with midi and
>everything,
>>
>>  Jeff,
>>
>>  Did you ever explain to us what you can do? I find that very interesting.
>>
>>  After all, there is a PowerBook G3 on the way here!
>>
>>  And lately I heard from several people that the ended up liking Logic
>>  better than Performer for the flexibility.
>  > Would you say that what you do with Logic is impossible with other Apps?
-- 


          ---> http://Matthias.Grob.org

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Subject: Media player, where you can save the visualization to an .avi file?
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Does anyone know of a Windows program like WinAmp or Windows media player,
where you can save the visualisation to an .avi file?

I am doing a couple of solo wind-synth projects where I would like to add a
visual element.  I can do it in real time using a mic and winamp, but I
would like to produce a cd/dvd


--
Martin

--
Martin Shakeshaft

A child of five could understand this.  Fetch me a child of five - Groucho
Marx




From Loopers-Delight-request@loopers-delight.com  Tue May  1 18:29:30 2001
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Subject: Re: Making a hihat control pad
Date: Tue, 1 May 2001 23:33:05 +0100
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Hi there. Maybe a Wah or Volume pedal could be used If you can make the =
different resistance levels to trigger multiple Hi hat samples or =
sustain rates.  Unfortunately I am not even an electronics novice but =
surely this is possible,
Anyway just an idea, good luck
Bobski
  ----- Original Message -----=20
  From: PA5CALIO@aol.com=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Tuesday, May 01, 2001 10:48 PM
  Subject: Making a hihat control pad


  Sorry if this is way off topic, but I'm building an electronic =
drumset.  I've=20
  created a ten pad version of the octa pad and I'm making my own bass =
drum=20
  trigger.  =20

  The thing that has me stumped is the hihat.  Hihat control pedals cost =
a fare=20
  share of $$$ and my only alternative is a keyboard sustain pedal.  I =
tried=20
  this, but it is not touch sensitive so there is only one velocity for =
the=20
  closing hihat sound.  This isn't good.=20

  Does anyone know how I would go about making my own hihat control =
pedal that=20
  is touch sensitive.  Or someway to make a keyboard sustain pedal touch =

  sensitive.  =20

  Thanks a bunch,=20
  PASCAL=20

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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV>Hi there. Maybe a Wah or Volume pedal could be used If you can make =
the=20
different resistance levels to trigger multiple Hi hat samples or =
sustain=20
rates.&nbsp; Unfortunately I am not even an electronics novice but =
surely this=20
is possible,</DIV>
<DIV>Anyway just an idea, good luck</DIV>
<DIV>Bobski</DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: =
0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A href=3D"mailto:PA5CALIO@aol.com" =
title=3DPA5CALIO@aol.com>PA5CALIO@aol.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  href=3D"mailto:Loopers-Delight@loopers-delight.com"=20
  =
title=3DLoopers-Delight@loopers-delight.com>Loopers-Delight@loopers-delig=
ht.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, May 01, 2001 =
10:48=20
PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Making a hihat control =
pad</DIV>
  <DIV><BR></DIV><FONT face=3Darial,helvetica><FONT color=3D#000080 =
face=3DVerdana=20
  lang=3D0 size=3D2 FAMILY=3D"SANSSERIF">Sorry if this is way off topic, =
but I'm=20
  building an electronic drumset. &nbsp;I've <BR>created a ten pad =
version of=20
  the octa pad and I'm making my own bass drum <BR>trigger. &nbsp; =
<BR><BR>The=20
  thing that has me stumped is the hihat. &nbsp;Hihat control pedals =
cost a fare=20
  <BR>share of $$$ and my only alternative is a keyboard sustain pedal. =
&nbsp;I=20
  tried <BR>this, but it is not touch sensitive so there is only one =
velocity=20
  for the <BR>closing hihat sound. &nbsp;This isn't good. <BR><BR>Does =
anyone=20
  know how I would go about making my own hihat control pedal that =
<BR>is touch=20
  sensitive. &nbsp;Or someway to make a keyboard sustain pedal touch=20
  <BR>sensitive. &nbsp; <BR><BR>Thanks a bunch, <BR>PASCAL</FONT>=20
</FONT></BLOCKQUOTE></BODY></HTML>

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hypercam from

www.hyperionics.com

does that.

I recorded 4 hours nonstop of winamp the other week, stress testing the
software (and the hard drives :>) for my work.


----- Original Message -----
From: "Martin Shakeshaft" <martin.shakeshaft2@virgin.net>
To: "Wind List." <WIND@MORGAN.UCS.MUN.CA>;
<Loopers-Delight@loopers-delight.com>
Sent: Tuesday, May 01, 2001 3:18 PM
Subject: Media player, where you can save the visualization to an .avi file?


> Does anyone know of a Windows program like WinAmp or Windows media player,
> where you can save the visualisation to an .avi file?
>
> I am doing a couple of solo wind-synth projects where I would like to add
a
> visual element.  I can do it in real time using a mic and winamp, but I
> would like to produce a cd/dvd
>
>
> --
> Martin
>
> --
> Martin Shakeshaft
>
> A child of five could understand this.  Fetch me a child of five - Groucho
> Marx
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Tue May  1 18:55:47 2001
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Subject: Re: Logic Audio Loops
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Yes they can, you just have to set it up in Logic's Environment. Bit of a
learning curve, but very usefull to know. I use Logic for abosolutly
everything...composition, movie posting, performing...and now looping.

----- Original Message -----
From: "Stephen" <dakshah@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, May 02, 2001 6:50 AM
Subject: Re: Logic Audio Loops


> Jeff,
>
> Can the enabling of the buss sends or muting of the
> tracks or delays be accomplished through midi (foot
> pedal, for instance)?
>
> Can you envision how a similar Logic setup could be
> created to do this for midi looping?
>
> The reason I'm asking is that I'm seriously toying
> with the idea of switching from Windoze/Cakewalk to
> Mac/Logic, and before I do, I'd like to understand
> Logic's midi looping / midi control capabilities for
> live usage.
>
> Thanks,
>
> stephen
>
> --- Jeff van Dyck <jdyck@bigpond.net.au> wrote:
> > Matthias,
> >
> > I was thinking the other day about Logic Audio's
> > live inputs and some
> > delays....well the verdict is...a very cool software
> > looper system!
> >
> > Using plugins, I started with a noise gate on the
> > input, then assigned 4
> > buss sends,
> > each to a separate instance of a Waves SuperTap 2
> > Tap Delay...On the
> > delays, I turned on one tap and had it at 8 1/4
> > notes delay, with
> > 100% feedback with the same amount of delay...so by
> > enabling any of
> > the 4 buss sends on the input, I can record an audio
> > loop, and then
> > mute one of the delays if I want to. I can even add
> > other plugins, without
> > disturbing the loop. It's really quite amazing.
> >
> > The result is a live 4 track infinite audio loop
> > that syncs to midi.
> > Latency is a non issue on my Mac G3 300.
> >
> > This is a great example of how flexible Logic can
> > be.
> >
> > Cheers,
> > Jeff
>
>
> =====
> Stephen
>
> __________________________________________________
> Do You Yahoo!?
> Yahoo! Auctions - buy the things you want at great prices
> http://auctions.yahoo.com/
>
>

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Date: Tue, 01 May 2001 15:39:46 -0700
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Subject: Orville loops
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Is anybody using an Eventide Orville for looping?

Scott Gilfix has created a great many looping programs for it, and I 
made a 4-track looper that is also part of the factory set.  These 
are all delay-based systems with options for pedal control.
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz
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<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { margin-top: 0 ; margin-bottom: 0 }
 --></style><title>Orville loops</title></head><body>
<div><font face="Verdana" size="-1">Is anybody using an Eventide
Orville for looping?</font></div>
<div><font face="Verdana" size="-1"><br></font></div>
<div><font face="Verdana" size="-1">Scott Gilfix has created a great
many looping programs for it, and I made a 4-track looper that is also
part of the factory set.&nbsp; These are all delay-based systems with
options for pedal control.</font></div>

<div>-- <br>
<br>
______________________________________________________________<br>
Richard Zvonar, PhD<x-tab>&nbsp;&nbsp;&nbsp; </x-tab><br>
(818) 788-2202<x-tab>&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </x-tab><br>
http://www.zvonar.com<br>
http://RZCybernetics.com<br>
http://www.cybmotion.com/aliaszone<br>
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz</div>
</body>
</html>
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Date: Tue, 1 May 2001 18:52:00 EDT
Subject: Making an electronic drum pad
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Hi Jon,
It's actually quite easy to make the pads.   I purchased piezo sensors off of 
ebay.com.  ((If you know where to get piezo sensors in bulk please let me 
know)).  Anyway, here's what I did:
What you need:
Open-celled foam rubber (mouse pad material) at least 1/8th inch thick.
Plain sheet of rubber 1/8th inch thick
Piezo buzzer element
Rubber Cement.

I took open-celled foam rubber and cut a little place for the sensor to fit 
in and for the connector wire.  Then I took a sheet plain rubber cut the same 
size as the open-celled foam rubber and used the rubber cement to keep it on 
the foam rubber.  I made sure to glue the piezo sensor to the rubber sheet so 
that it didn't bounce around in the space i had cut for it.  I made ten of 
these and glued each one on to a plain piece of wood.  The reason for the 
foam rubber is that it iolates each pad from the others, and keeps false 
triggering from occuring.  

That's how I did it.  There are plenty of methods you can more out by just 
search drum triggers on google.com

-Pascal   

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<HTML><FONT FACE=arial,helvetica><FONT  COLOR="#000080" SIZE=2 FAMILY="SANSSERIF" FACE="Verdana" LANG="0">Hi Jon,
<BR>It's actually quite easy to make the pads. &nbsp;&nbsp;I purchased piezo sensors off of 
<BR>ebay.com. &nbsp;((If you know where to get piezo sensors in bulk please let me 
<BR>know)). &nbsp;Anyway, here's what I did:
<BR>What you need:
<BR>Open-celled foam rubber (mouse pad material) at least 1/8th inch thick.
<BR>Plain sheet of rubber 1/8th inch thick
<BR>Piezo buzzer element
<BR>Rubber Cement.
<BR>
<BR>I took open-celled foam rubber and cut a little place for the sensor to fit 
<BR>in and for the connector wire. &nbsp;Then I took a sheet plain rubber cut the same 
<BR>size as the open-celled foam rubber and used the rubber cement to keep it on 
<BR>the foam rubber. &nbsp;I made sure to glue the piezo sensor to the rubber sheet so 
<BR>that it didn't bounce around in the space i had cut for it. &nbsp;I made ten of 
<BR>these and glued each one on to a plain piece of wood. &nbsp;The reason for the 
<BR>foam rubber is that it iolates each pad from the others, and keeps false 
<BR>triggering from occuring. &nbsp;
<BR>
<BR>That's how I did it. &nbsp;There are plenty of methods you can more out by just 
<BR>search drum triggers on google.com
<BR>
<BR>-Pascal &nbsp;&nbsp;</FONT></HTML>

--part1_25.14bd6f1f.28209810_boundary--

From Loopers-Delight-request@loopers-delight.com  Tue May  1 19:09:02 2001
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Subject: Re: Logic Audio Loops
Date: Wed, 2 May 2001 08:58:26 +1000
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> Great, seems simple... and you have it all pedal controlled?
not yet.

> How do you control the 4 FeedBacks?
I've set them to 100% so they repeat infinitly. I can clear any of the
delays by just bypassing that particular delay. If I want to mute a delay, I
just mute the track that it's on. I can also solo that track...remixing on
the fly is easy.

> How about the initial speed, you tap it?
I set it by typing a value, but the waves supertap plugin has a tap button
on it.

> amazing... do you use it just for the delays or listen the original
> sound through it, too?
I monitor through it too.

> Any special buffer... settings?
Keep the buffer as small as possible, it makes the latency go away.

> but as I understand, this could be done in some other app, too, right?
Yes, should be able to...but I'm not sure if the other apps will work as
smoothly...anyone with Cubase wanna give this a go?

Lastly, if there are any VST programmers out there...if one of you could
make a simple really long stereo delay plugin that uses the tempo from the
sequencer and has infinite feedback, this would work better than the waves
supertap, as the waves plugin has a lot of extra features that aren't needed
for looping. Would be great if you could set the length in bars.


Cheers,
Jeff


>
> >  > >I'm very interested in your application. I have yet to find a
software
> >>  >looper that actually works the way I think it should. I was able to
make
> >>  >Logic Audio work as a great looper though, in sync with midi and
> >everything,
> >>
> >>  Jeff,
> >>
> >>  Did you ever explain to us what you can do? I find that very
interesting.
> >>
> >>  After all, there is a PowerBook G3 on the way here!
> >>
> >>  And lately I heard from several people that the ended up liking Logic
> >>  better than Performer for the flexibility.
> >  > Would you say that what you do with Logic is impossible with other
Apps?
> --
>
>
>           ---> http://Matthias.Grob.org
>
>

From Loopers-Delight-request@loopers-delight.com  Tue May  1 19:25:03 2001
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Subject: Re: OT Alesis Crash & Burn
Date: Tue, 1 May 2001 19:21:54 -0400
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Just great. Now the Andromeda will NEVER be affordable.




> Alesis has officially filed for chapter 11 bankruptcy. They must have
> put too much into the development of the new products!? More information
> to follow as I get it.
>
> Be Well
>
> Will Brake
> Soul Fruit
>
> Luke Davis wrote:
> >
> > All Access some times carries that sort of information (not always, by
> > far).
> >
> > http://www.allaccess.com
> >
> > Regards,
> >
> > Luke
> >
> > On Tue, 1 May 2001, Tom Ritchford wrote:
> >
> > > >Yeah, I called a local Guitar Center inquiring about the Alesis Air
Synth
> > > >(which was due out yesterday) and was told that Alesis was probably
no more.
> > > >?  What does that mean?  I don't know.  Are there a few palettes of
Air Synths
> > > >sitting on a dock somewhere that will never see the light of day?
(the IR end
> > > >of the spectra, especially)  Sure would be a shame, I agree.  I
noticed a lot
> > > >of dead links on their website, could be a sign.  I'm sure they'll
> > > >be bought up
> > > >by Gibson in any case.
> > >
> > > so where does one find these things out for sure?
> > >
> > > is there a good music industry news website that would
> > > have this stuff??
> > >
> > >       /t
> > >
> > >
> > > ...electronic a cappella madness <http://volectrix.com>.........
> > > ...extreme internet radio        <http://extremeNY.com/radio>...
> > >
> > >

From Loopers-Delight-request@loopers-delight.com  Tue May  1 19:31:45 2001
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Date: Tue, 1 May 2001 19:29:55 -0400
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>Just great. Now the Andromeda will NEVER be affordable.

funny, I was thinking just the reverse... now I can get
an Andromeda at fire-sale prices!

	/t


...electronic a cappella madness <http://volectrix.com>.........
...extreme internet radio        <http://extremeNY.com/radio>...

From Loopers-Delight-request@loopers-delight.com  Tue May  1 19:32:57 2001
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On 5/2/01 at 8:58 AM, jdyck@bigpond.net.au (Jeff van Dyck) wrote:

> Lastly, if there are any VST programmers out there...if one of you could
> make a simple really long stereo delay plugin that uses the tempo from the
> sequencer and has infinite feedback, this would work better than the waves
> supertap, as the waves plugin has a lot of extra features that aren't needed
> for looping. Would be great if you could set the length in bars.


I think there are some issues regarding host-sync support from within Logic's
VST implementation which could make this a little tricky, at least as far as
writing VST plugins with MSP and pluggo goes. Hopefully Emagic will have this
sorted out with Logic 5.  I'm looking forward to Rewire with MSP 2. 

L8r

A

From Loopers-Delight-request@loopers-delight.com  Tue May  1 19:47:12 2001
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Subject: Re: Logic Audio Loops
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Andrew, I copied this off of the Emagic website...

VST Plug-in Optimizations
- VST 2.0 instruments can now receive VST clock information, making it
possible to perfectly synchronize delays, LFOs and other effects to the song
tempo. Note that the plug-in must request this information from Logic, and
that not all plug-ins do this. Check with the plug-in manufacturer to see if
this functionality applies to the particular plug-in used.
- Internal programs of VST2.0 instruments can now be changed via standard
program change commands.
- The maximum number of VST plug-ins that can be installed has been
increased.
- "All notes off" message sent to Audio Instruments after pressing STOP.

Seems they've fixed it eh?

Jeff

----- Original Message -----
From: "Andrew Pask" <andrew@kaleidacousticon.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, May 02, 2001 9:29 AM
Subject: Re: Logic Audio Loops


> On 5/2/01 at 8:58 AM, jdyck@bigpond.net.au (Jeff van Dyck) wrote:
>
> > Lastly, if there are any VST programmers out there...if one of you could
> > make a simple really long stereo delay plugin that uses the tempo from
the
> > sequencer and has infinite feedback, this would work better than the
waves
> > supertap, as the waves plugin has a lot of extra features that aren't
needed
> > for looping. Would be great if you could set the length in bars.
>
>
> I think there are some issues regarding host-sync support from within
Logic's
> VST implementation which could make this a little tricky, at least as far
as
> writing VST plugins with MSP and pluggo goes. Hopefully Emagic will have
this
> sorted out with Logic 5.  I'm looking forward to Rewire with MSP 2.
>
> L8r
>
> A
>
>

From Loopers-Delight-request@loopers-delight.com  Tue May  1 20:42:33 2001
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Date: Tue, 1 May 2001 20:36:46 EDT
Subject: Re: OT Alesis Crash & Burn
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Man, I really would hate to see Alesis go under. They've developed some 
really great and affordable products over the years.

I still use my Alesis Quadraverb. I even have a Midiverb II in my rack (not 
hooked up though).

Regards, Paul

From Loopers-Delight-request@loopers-delight.com  Tue May  1 21:04:15 2001
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Hello,
    I'm looking for a CD manufacturer with the best price. If anybody has any 
ideas please e-mail me privately.

                                    Thanks, James

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The hi hat idea sounds cool, but my intentions for my electronic set is to 
make as much like a real drum set but still staying as far away from the size 
and bulkiness of a drum set.  So rigging up a real hi hat is not what I'm 
looking for.
-Pascal

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<HTML><FONT FACE=arial,helvetica><FONT  COLOR="#000080" SIZE=2 FAMILY="SANSSERIF" FACE="Verdana" LANG="0">The hi hat idea sounds cool, but my intentions for my electronic set is to 
<BR>make as much like a real drum set but still staying as far away from the size 
<BR>and bulkiness of a drum set. &nbsp;So rigging up a real hi hat is not what I'm 
<BR>looking for.
<BR>-Pascal</FONT></HTML>

--part1_ca.1464ada8.2820b745_boundary--

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From: "Bill Fox" <billfox@fast.net>
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Subject: EMUSIC Monthly Top 20 Report
Date: Tue, 1 May 2001 21:05:34 -0400
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WDIY 88.1 FM "EMUSIC" Top 20 report to
New Age Voice and CD Revolutions for April, 2001.
Shows #210 to #213; 29-March-2001 to 19-April-2001
Reported in non-ranked order.
Compiled by Bill Fox, billfox@fast.net

CONTACT:   billfox@fast.net

ARTIST - ALBUM TITLE - LABEL
============================
Alpha Wave Movement & Jim Cole - Bislama - Spectral Spiral
Baird Hersey - Waking the Cobra - Hersey Music
Boddy, Reuter, & Mullaney - Triptych - DiN
Dom F. Scab - Binary Sevrets - Groove
Dweller at the Threshold - Advance CDR - none
Free System Projekt & Dave Brewer - Okefenokee Dreams - Groove
James Johnson - Entering Twilight - Hypnos
James Johnson - Linger - SpaceForMusic.com
James Johnson and Stephen Philips - Lost at Dunn's Lake - Zero Music
Keller & Schowalder - The Reason Why - Manikin
Navigator - Navigator II - not yet released
Numina - CDR from the artist - none
RAMP - Nodular - Manikin
Robert Rich - Somnium - Hypnos
Robert Scott Thompson - In Ruins - Aucourant
Stephanie Sante - Immaculate Conceptions - mp3.com
van Zyl, Gulch, & Rath- The Sound Museum - Groove
Various Artists - ambient.01@hyperreal - none
Victor Cerullo - Loneflyer - Groove
Vir Unis - Pulse N Atmo - Groove

Bill         billfox@fast.net
http://wdiyfm.org/schedule/s_emusic.html
============================================================================
Host of EMUSIC, an electronic, ambient, and space music show.  Thursdays at
11 pm on WDIY 88.1 FM, Allentown and Bethlehem and 93.9 FM in Easton and
Phillipsburg.  Email me if you wish to submit music for airplay consideration.
Radio Station Home Page: http://wdiyfm.org
Personal site: http://www.users.fast.net/~billfox
To subscribe to the EMUSIC on WDIY list, send
email to: emusic-wdiy-subscribe@yahoogroups.com

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Hi all,
I'm looking for piezo sensors both the buzzer kind and the strip.  Does 
anyone know where I can get them?  Radio Shack doesn't carry them anymore.  
-Pascal

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2 FAMILY="FIXED" FACE="Courier New" LANG="0">Hi all,
<BR>I'm looking for piezo sensors both the buzzer kind and the strip. &nbsp;Does 
<BR>anyone know where I can get them? &nbsp;Radio Shack doesn't carry them anymore. &nbsp;
<BR>-Pascal</FONT></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue May  1 21:50:30 2001
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Making an electronic drum pad
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yeah, I made my own pads as well, I used the remo tunable head practice
pads for a pretty realistic feel although they do have a good bit of
self noise

the little 4" one makes a great kick drum pad

I looked into making my own hat controller and well,  naaaah
I picked up one of the roland hat controllers on ebay for a very good
deal and it works very well, I think it was @ $75 but hinestly I don't
remember
but it was definately one of those times when the time and energy spent
on DIY didn't warrant the dollars saved
the roland unit works great, check what its currently drawing in the
used market and consider it

peace,  steve

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In several months I plan on selling my Alesis Midiverb IV on Ebay for $1000 and then buying a new harddrive, a keyboard rack for my Casio SK-1's so I can look cool onstage with them, and maybe even a Casio SK-5.

From Loopers-Delight-request@loopers-delight.com  Tue May  1 22:21:50 2001
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you can get them from mouser electronics and most other sellors of
electronic parts

t

From Loopers-Delight-request@loopers-delight.com  Tue May  1 22:43:25 2001
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From: "dave" <skyeklad@skyeklad.com>
Subject: Boss RC-20 Loop Station in stock and for sale
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I found the Loop Station for sale for $299 at musictoyz. I have
had good experiences with them in the past. 

http://www.musictoystore.com/bosstwin.htm

cheers,

dave

http://www.skyeklad.com/



From Loopers-Delight-request@loopers-delight.com  Tue May  1 23:02:48 2001
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To: Loopers-Delight@loopers-delight.com
From: Harvey Starr <harvey@cts.com>
Subject: Re: Making an electronic drum pad
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Hi,
we make a little sensor gadget that fits under a real HH pedal that you can
plug into a drum brain. It's a pressure sensor actually and can be played
without the pedal itself. Might work for you?
tnx,
harveyS


At 09:05 PM 5/1/01 EDT, you wrote:
>The hi hat idea sounds cool, but my intentions for my electronic set is to  
>make as much like a real drum set but still staying as far away from the
size  
> So rigging up a real hi hat is not what I'm  
>looking for. 
>-Pascal 
http://www.starrlabs.com

From Loopers-Delight-request@loopers-delight.com  Wed May  2 00:03:14 2001
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anti-clockwiseunsubscribe me please
  ----- Original Message -----=20
  From: Steve Sandberg=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Tuesday, May 01, 2001 10:14 PM
  Subject: anti-clockwise


    the pink pony presents

    anti:clockwise

    saturday may 4  10.00 pm


    May 4 is a Friday -- is it Friday or Saturday night?




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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD><TITLE>anti-clockwise</TITLE>
<META http-equiv=3DContent-Type content=3D"text/html; =
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<STYLE></STYLE>
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<DIV><FONT face=3DArial size=3D2>unsubscribe me please</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dstevesandberg@earthlink.net=20
  href=3D"mailto:stevesandberg@earthlink.net">Steve Sandberg</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, May 01, 2001 =
10:14=20
PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> anti-clockwise</DIV>
  <DIV><BR></DIV>
  <BLOCKQUOTE><FONT color=3D#0000ff>the pink pony=20
    presents<BR><BR>anti:clockwise<BR><BR>saturday may 4 &nbsp;10.00=20
    pm<BR><BR><BR></FONT>May 4 is a Friday -- is it Friday or Saturday=20
  night?<BR></BLOCKQUOTE><FONT=20
color=3D#0000ff><BR></BLOCKQUOTE></FONT></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed May  2 00:27:58 2001
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From: "Taaffe, Denis G" <dtaaffe@indiana.edu>
To: "'Loopers-Delight@loopers-delight.com'"
	 <Loopers-Delight@loopers-delight.com>,
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Subject: RE: CD Manufacturer
Date: Tue, 1 May 2001 23:19:40 -0500 
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check out http://www.pncd-arts.com/ good prices even with shipping , they
are a canadian company but decent product if you get 500 or more cd's, if
you get cd-r's they don't have the time to dea with it. Ask for dave knill
and tell him denis sent you, he usually can give you this special they
run...Well I was pleased with their work anyway.

Denis

denis Taaffe
denis_aliengtr@geocitieis.com
http://www.dtguitar.com

-----Original Message-----
From: Jhsidlo@aol.com [mailto:Jhsidlo@aol.com]
Sent: Tuesday, May 01, 2001 8:01 PM
To: loopers-delight@annihilist.com
Subject: CD Manufacturer


Hello,
    I'm looking for a CD manufacturer with the best price. If anybody has
any 
ideas please e-mail me privately.

                                    Thanks, James

From Loopers-Delight-request@loopers-delight.com  Wed May  2 01:20:16 2001
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From: "Stephen P. Goodman" <spgoodman@earthlight.net>
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Subject: Re: OT Alesis Crash & Burn
Date: Wed, 2 May 2001 06:16:09 +0100
Organization: EarthLight Productions
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Somehow I don't think going Chapter 11 spells the end for Alesis.  However I
don't know how much less service any of us could get on our MIDIVerbs or
Quadraverbs (I've got one of the latter since '92 and love it!), under this
current situation.  Alesis told me that they operate through Authorized
Service Centers - third parties - and I doubt if they'll suddenly stop doing
work on our beloved equipment.  That knowledge on technicians' parts won't
just go away either, so I don't think we have much to fear in the service
area.

Stephen Goodman
http://www.earthlight.net/Gallery_Front.html - Cartoons & Illustrations
http://www.earthlight.net/Studios * The free Loop of the Week!

From Loopers-Delight-request@loopers-delight.com  Wed May  2 07:23:28 2001
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To: <Loopers-Delight@loopers-delight.com>
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Subject: Re: Lou Harrison
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Wow, how coincidental,   I was just jamming with fellow Delightful Looper,
Trey Donovan tonight and he mentioned that Lou
is currently building a straw bale house somewhere up north.

What an amazing, amazing human being!        I love the suite he composed
for John Cage's piece for Toy Piano.   I also saw it at the
inspiring Cabrillo Music Festival.   Anybody know if it is recorded or not?

Rick Walker (loop.pool)

From Loopers-Delight-request@loopers-delight.com  Wed May  2 07:23:33 2001
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Pascal wrote:
"I'm looking for piezo sensors both the buzzer kind and the strip.  Does
anyone know where I can get them?  Radio Shack doesn't carry them anymore."

Au Contraire, mon frere!!!!    I just bought some piezo buzzers from my
local Radio Shack this week.    Call around to a few stores, I'm sure you
can still find them.  If not,  contact me and I'll try to pick some up for
you.   There cheap:  maybe $3-$6 apiece.
I'm at
412 Darwin Street
Santa Cruz, California
95062-2629

You buy the buzzers,  carefully break the plastic casing away and then
disconnect the piezo element form the
little circuit board.     Connect to a female 1/4"  connector and, voila,
instant $100 guitar (or saz or ud or gopichancd)
pickup.

good luck,   Rick Walker (loop.pool)

From Loopers-Delight-request@loopers-delight.com  Wed May  2 07:26:15 2001
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From: robert deveaux <robert_deveaux@yahoo.com>
Subject: Re: Where can I get Piezo sensors and triggers
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You can also just go to Radio Shack.
Good Luck,

--- steve <studio_t@bellsouth.net> wrote:
> you can get them from mouser electronics and most
> other sellors of
> electronic parts
> 
> t
> 


__________________________________________________
Do You Yahoo!?
Yahoo! Auctions - buy the things you want at great prices
http://auctions.yahoo.com/

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From: Will Brake <wbrake@home.com>
Organization: Soul Fruit
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Try http://www.brduplication.com/

They do good business and can help you out! Tell em' I sent ya!

Be Well

Will Brake
Soul Fruit

Jhsidlo@aol.com wrote:
> 
> Hello,
>     I'm looking for a CD manufacturer with the best price. If anybody has any
> ideas please e-mail me privately.
> 
>                                     Thanks, James
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From Loopers-Delight-request@loopers-delight.com  Wed May  2 10:18:59 2001
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From: "Taaffe, Denis G" <dtaaffe@indiana.edu>
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Well alesis has not put out a new drum machine in at least 10 years if nto
mroe. the sr-16 has been around for at least 10 years with no improvement or
upgrade or new model. I am not surprised that they are declaring chapt.11 

Denis

Denis Taaffe
denis_aliengtr@geocities.com
http://www.dtguitar.com

-----Original Message-----
From: Stephen P. Goodman [mailto:spgoodman@earthlight.net]
Sent: Wednesday, May 02, 2001 12:16 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: OT Alesis Crash & Burn


Somehow I don't think going Chapter 11 spells the end for Alesis. 

From Loopers-Delight-request@loopers-delight.com  Wed May  2 10:39:17 2001
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seemed to me alesis quit making drum machines around the time the demand
for them dramatically dropped off, I thought switching to the DM series
made sense for most folks.
I suspect the decline in adat sales has more to do with it, there was a
time when it was the ONLY affordable choice and every musician on a
budget wanted one.  I've always had mixed feeling about thier products
but I would hate to see the co disappear they've been a positive force
in the industry, w/o co's like alesis and mackie inovation suffers and
prices rise.

heres to hoping they stay afloat or restructure in a new form

peace,  t

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if i may cite a source known to most w/out introduction...

"i'm a believer,
i couldn't leave her
if i tried."

a:c


++++++++
just what the world needs....
<http://www.tensionheadache.org/>another frikkin 
<http://www.tensionheadache.org/>url

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<html>
<br>
if i may cite a source known to most w/out introduction...<br>
<br>
&quot;i'm a believer, <br>
i couldn't leave her<br>
if i tried.&quot;<br>
<br>
a:c<br>
<br>
<x-sigsep><p></x-sigsep>
<div align="center">
++++++++<br>
just what the world needs.... <br>
<a href="http://www.tensionheadache.org/">another </a>frikkin
<a href="http://www.tensionheadache.org/">url<br>
</a></div>
</html>

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From Loopers-Delight-request@loopers-delight.com  Wed May  2 11:56:40 2001
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I do most of my looping in my studio using logic(great) but I've been
wanting to put something in my live rig and I'm looking at the Korg
DL8000R as a possible choice cause I also am very much into heavier
delay efx and don't really need a full time dedicated live looper and
don't really want a pedal

does anyone here have any direct experience w/ one?
either in use as a looper or as a delay?

it appeals to me as a delay and if I can get a good part time looper out
of it all the better

been awhile since we had a question about looping gear eh?

peace,     steve

From Loopers-Delight-request@loopers-delight.com  Wed May  2 12:40:26 2001
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At 4:20 AM -0700 5/2/01, Rick Walker (loop.pool) wrote:

>I love the suite he composed for John Cage's piece for Toy Piano... 
>Anybody know if it is recorded?

On ECM New Series:

John Cage - The Seasons

Seventy-Four (Version I)
The Seasons
Concerto for prepared piano and Chamber Orchestra
Seventy-Four (Version II)
Suite for Toy Piano
Suite for Toy Piano (Orchestration: Lou Harrison)

American Composers Orchestra
Dennis Russell, conductor
Margaret Leng Tan: prepared piano, toy piano


>  I also saw it at the inspiring Cabrillo Music Festival.  

Or as some of us know it, "The formerly inspiring Cabrillo Music Festival."

It hasn't been the same since Dennis left.
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz
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<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { margin-top: 0 ; margin-bottom: 0 }
 --></style><title>Re: Lou Harrison</title></head><body>
<div><tt>At 4:20 AM -0700 5/2/01, Rick Walker (loop.pool)
wrote:</tt></div>
<div><tt><br></tt></div>
<blockquote type="cite" cite><tt>I love the suite he composed for John
Cage's piece for Toy Piano... Anybody know if it is
recorded?</tt></blockquote>
<div><tt><br></tt></div>
<div><tt>On ECM New Series:</tt></div>
<div><tt><br></tt></div>
<div><tt><font color="#003366">John Cage - The Seasons</font></tt><br>
<tt><font color="#003366"></font></tt></div>
<blockquote><tt><font color="#000000">Seventy-Four (Version
I)</font></tt></blockquote>
<blockquote><tt><font color="#000000">The
Seasons</font></tt></blockquote>
<blockquote><tt><font color="#000000">Concerto for prepared piano and
Chamber Orchestra</font></tt></blockquote>
<blockquote><tt><font color="#000000">Seventy-Four (Version
II)</font></tt></blockquote>
<blockquote><tt><font color="#000000">Suite for Toy
Piano</font></tt></blockquote>
<blockquote><tt><font color="#000000">Suite for Toy Piano
(Orchestration: Lou Harrison)</font></tt></blockquote>
<div><tt><font color="#000000"><br></font></tt></div>
<div><tt><font color="#000000">American Composers Orchestra<br>
Dennis Russell, conductor<br>
Margaret Leng Tan: prepared piano, toy piano</font></tt></div>
<div><tt><br></tt></div>
<div><tt><br></tt></div>
<blockquote type="cite" cite><tt>&nbsp;I also saw it at the inspiring
Cabrillo Music Festival.&nbsp;&nbsp;</tt></blockquote>
<div><tt><br></tt></div>
<div><tt>Or as some of us know it, &quot;The formerly inspiring
Cabrillo Music Festival.&quot;</tt></div>
<div><tt><br></tt></div>
<div><tt>It hasn't been the same since Dennis left.</tt></div>

<div>-- <br>
<br>
______________________________________________________________<br>
Richard Zvonar, PhD<x-tab>&nbsp;&nbsp;&nbsp; </x-tab><br>
(818) 788-2202<x-tab>&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </x-tab><br>
http://www.zvonar.com<br>
http://RZCybernetics.com<br>
http://www.cybmotion.com/aliaszone<br>
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz</div>
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--============_-1223301367==_ma============--

From Loopers-Delight-request@loopers-delight.com  Wed May  2 14:41:03 2001
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Date: Wed, 2 May 2001 11:30:05 -0700
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From: Alex Stahl <alex@pixar.com>
Subject: Re: disrespecting softwares
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>  If I made a film called "Can't Touch This" and didn't
>expect trouble from both Jobete Music, Rick James, AND M.C. Hammer, 
>I'd be a total fool.
>

Oh, this reminds me to ask if anyone knows where to find the M.C. 
Hammer parody called "Didn't Write This". Less OT than Weird Al's 
"Can't Watch This", this version went something like "I didn't write 
this...call up the lawyers".

From Loopers-Delight-request@loopers-delight.com  Wed May  2 15:21:08 2001
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Subject: Plunderphonic (was "disrespecting softwares")
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We've fairly well beaten the software piracy issue into the ground, 
but the recent reissue (in expanded form) of John Oswald's 
"Plunderphonic" CD invites discussion of the aesthetics, ethics, and 
legalities of quotation, sampling, deconstruction, and appropriation 
of musical material as a compositional strategy.

Putting it out front - I'm a big fan of John Oswald and others who 
make new and interesting music by recycling existing recordings. I 
consider this sort of activity to be in a substantially different 
category from the sampling of bits and pieces that has caused so much 
controversy and litigation in the rap and dance music scene. I grant 
that it's a tough issue. Those familiar with Oswald know about the 
heat he took on the release of the original Plunderphonic CD, and you 
are probably also familiar with the Negativland U2  CD and the 
crushing retaliation that group suffered.

It should be clear from past postings that I'm against software 
theft, and I'm inclined to extend that position to  sampling of music 
for commercial gain.  However, when audio quotation crosses the line 
into the realm of artistic collage and recontextualization I tend to 
lock up the cash register and think more in cultura, sociological, 
and aesthetic terms.

Any thoughts?
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

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Date: Wed, 2 May 2001 12:50:37 -0700
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From: rich <rich@nuvisionsca.com>
Subject: Re: Plunderphonic (was "disrespecting softwares")
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>We've fairly well beaten the software piracy issue into the ground, 
>but the recent reissue (in expanded form) of John Oswald's 
>"Plunderphonic" CD

yes, we have...but the last time around we did this, i got a link to 
a disc which i've enjoyed, and now i get to check out John Oswald. 
any links to his stuff?  The disc i got before was Antediluvian 
Rocking Horse...very fun...completely recycled collage music. 
Imagine negativland with a dance beat.  They are distributed through 
Seeland Records, the Negativland label.  you can buy it online from 
them.

http://www.negativland.com/nmol/mailordr.html

>Any thoughts?

in this day of incredibly easy digital repurposing (sp?), the whole 
'collage' thing, to me, has less sting...  would a Raushenburg or a 
Jasper Johns have the same impact if they were done post-Photoshop? 
the sheer amount of time and dedication to obtain and repurpose those 
images was part of what that art was.

Eno and Byrne's "my life in the bush of ghosts" feels the same way. 
Some elements of that album would be downright easy these days.  not 
the creative input, sure, but the technical issues.

on the other hand, the democratization of the technical process of 
making music/art has an exciting element to it, too, IMO.

rich

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seems to me its a dual issue;  artistic and financial

on the financial end if someone uses thier resources(talent, time,
equipment/money) to create something and someone re-uses it for
financial gain they should be compensated
now there are of course grey area's and people incapable of seeing them
but regardless of what you do w/ it, it is still someone elses work and
just as you would rent a tool or pay a consultant, your work is eisier
or better for the use of it and you owe

remember I said there where grey area's

on an artistic level its as wide as the sky
I'll bet %30 of pop/rock music is direct ripoff/recyle WITHOUT sampling
some of this as homage or influence
and much of it just plain money grabbing ripoff
just cause you can copywrite it doesn't make it creative
just cause you had another musician play it doesn't mean it isn't for
all practical purposes a "sample"
its art if its art, regardless of technique of creation
remember htere was a time when people didn't  consider ANY photography
art
given the proliferation of digital equipment don't expect sampling to go
away
the very way many of us make music is changing, wether its groove
quantising or using midi phrase loops or sampling  alot of music is
being done w/ prewritten parts, I think its pretty iffy to say that
using a small groove sample in your music is dramatically different than
using twiddly bits, drumtrax or other methods of music generation

I think the differnce between MC hammer and john oswald is obvious don't
you

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O Looplist,

Vis-a-vis the thread on software looping, I'm wondering if anyone here
has opinions on the relative merits of Cycling 74's Pluggo vs. Native
Instruments' Spektral Delay?  

I have the demo versions of both programs, and like them a lot.  Any
opinions on strengths/weaknesses?  VST compatibility?  Other similar
types of sound-warping plug-ins?

Thanks,

--Andre

From Loopers-Delight-request@loopers-delight.com  Wed May  2 16:41:01 2001
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Subject: Re: Plunderphonic (was "disrespecting softwares")
From: "Allan Hoeltje" <ahoeltje@best.com>
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Beating it into the ground is all part of deconstruction and understanding
of a topic, in my opinion.  As to Oswald, I have two of his CDs: Grayfolded
I and II.  Together they make two hours of deconstructed/reconstructed
Greatful Dead playing their opus maximus "Dark Star".  Oswald was invited by
the Dead into their tape vault and he was allowed to take every recording of
Dark Star ever made and from this he put together "Grayfolded".  It is truly
an amazing work.

-Allan

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so, it's like this.

that anti:clockwise show at the pink pony, originally announced for sat 
5/4, then corrected to read sat. 5/5 has - due to an unfortunate double 
booking - now been re-scheduled entirely, and will take place on saturday 5/12.

obviously, this is somewhat... embarrassing.

please accept my apologies for all the confusion. i left a message for my 
Handlers at the tension headache agency demanding an explanation & asking 
them "what up?" with all this booking insanity.

according to their response, they feel this sort of multiple-posting is an 
effective and very cheap way of getting the anti:clockwise name "...out 
there, to the People.  a lot."

personally i think this is a lowdown, shabby and transparent device; and i 
would ask them "but what about how pissed off the People are gonna be at me 
when they keep getting all these lame and confusing cancelling 
announcements?...

...except where i am, i'm only allowed one phone call.

so, now please accept my sheepish and entirely humble New Announcement:

the pink pony re-presents

anti:clockwise
in
"better late than ever"

saturday 5/12

featuring the light paintings and color sculptures of
visualist chris jordan

the pony is STILL on ludlow st, just south of houston.

thank you for your patience.


++++++++
just what the world needs....
<http://www.tensionheadache.org/>another frikkin 
<http://www.tensionheadache.org/>url

--=====================_11477458==_.ALT
Content-Type: text/html; charset="us-ascii"

<html>
<br>
<br>
so, it's like this.<br>
<br>
that anti:clockwise show at the pink pony, originally announced for sat
5/4, then corrected to read sat. 5/5 has - due to an unfortunate double
booking - now been re-scheduled entirely, and will take place on saturday
5/12.<br>
<br>
obviously, this is somewhat... embarrassing.<br>
<br>
please accept my apologies for all the confusion. i left a message for my
Handlers at the tension headache agency demanding an explanation &amp;
asking them &quot;what up?&quot; with all this booking insanity. <br>
<br>
according to their response, they feel this sort of multiple-posting is
an effective and very cheap way of getting the anti:clockwise name
&quot;...out there, to the People.&nbsp; a lot.&quot;<br>
<br>
personally i think this is a lowdown, shabby and transparent device; and
i would ask them &quot;but what about how pissed off the People are gonna
be at me when they keep getting all these lame and confusing cancelling
announcements?... <br>
<br>
...except where i am, i'm only allowed one phone call.<br>
<br>
so, now please accept my sheepish and entirely humble New
Announcement:<br>
<br>
the pink pony re-presents<br>
<br>
anti:clockwise <br>
in<br>
&quot;better late than ever&quot;<br>
<br>
saturday 5/12<br>
<br>
featuring the light paintings and color sculptures of<br>
visualist chris jordan<br>
<br>
the pony is STILL on ludlow st, just south of houston.<br>
<br>
thank you for your patience.<br>
<br>
<x-sigsep><p></x-sigsep>
<div align="center">
++++++++<br>
just what the world needs.... <br>
<a href="http://www.tensionheadache.org/">another </a>frikkin
<a href="http://www.tensionheadache.org/">url<br>
</a></div>
</html>

--=====================_11477458==_.ALT--

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Subject: Re: Plunderphonic (was "disrespecting softwares")
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At 12:50 PM -0700 5/2/01, rich wrote:

>the last time around we did this, i got a link to a disc which i've 
>enjoyed, and now i get to check out John Oswald. any links to his 
>stuff? 

Actually, you've already provided the URL to order the new Plunderphonic set=
 !

	http://www.negativland.com/nmol/seeland.html

You can download the entire orginal Plunderphonic CD as mp3 files from

	http://www.amanitarecords.com/plunderphonics/plunmp3.htm

or at
	http://www.detritus.net/archive/plunderphonic/

or as WAV or mp3 files from the official Plunderphonics site

	http://www.plunderphonics.com/


>in this day of incredibly easy digital repurposing (sp?), the whole 
>'collage' thing, to me, has less sting...  would a Raushenburg or a 
>Jasper Johns have the same impact if they were done post-Photoshop? 
>the sheer amount of time and dedication to obtain and repurpose 
>those images was part of what that art was.

A very good point. Even in the late 1970s, when Laurie Anderson was 
bringing performance collage to the masses, it was still a pretty 
exciting and somewhat mysterious thing.

Perhaps a central issue is the importance of novelty in creating 
artistic impact.  Some "effects" make a strong impression primarily 
because they  are unexpected or unexplainable. They don't even have 
to all that well done if they haven't previously been done at all 
(cf. Georges M=E9li=E8s's 1902 film, "A Trip to the Moon").

Someone pioneers an effect and it creates a sensation.  Then others 
figure out how to do it and to improve upon it and it becomes a fad. 
=46inally it becomes so pervasive that it becomes part of the common 
practice. It may even create a backlash and go out of fashion, though 
in the best of cases it will be taken up by the truly creative and 
refined as a subtle and sophisticated gesture.

Take morphing for example.  As far as I know the first use of a 
visual morph effect in a major film was in the Ron Howard film 
"Willow" (1988), where it was used for one brief transformation 
sequence. The technique was further developed at ILM to portray the 
essential shapeshifting power of the bad Terminator in "Terminator 2" 
and it was used as a snappy effect in Michael Jackson's "Black or 
White" video. After that it ran rampant. However, there was one 
cinematic morph that impressed me in "What Lies Beneath," where 
Michele Pfeiffer is undergoing spiritual possession by the ghost of 
her husband's ex-lover and for just a moment her face transforms into 
that of the other woman. Wham!  Blink and you'll miss it, but that 
one instant made it worth sitting through the rest of the film.

So I'd say the same thing goes for musical collage. It may have lost 
its ability to shock, but if it's done well it still has power.


>Eno and Byrne's "my life in the bush of ghosts" feels the same way.

An excellent example. From what I hear they pinched the idea from Jon Hassel=
l.


-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=3Drz
--============_-1223278369==_ma============
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<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type=3D"text/css"><!--
blockquote, dl, ul, ol, li { margin-top: 0 ; margin-bottom: 0 }
 --></style><title>Re: Plunderphonic (was &quot;disrespecting
softwares&quot;)</title></head><body>
<div><tt>At 12:50 PM -0700 5/2/01, rich wrote:</tt></div>
<div><tt><br></tt></div>
<blockquote type=3D"cite" cite><tt>the last time around we did this, i
got a link to a disc which i've enjoyed, and now i get to check out
John Oswald. any links to his stuff?&nbsp;</tt></blockquote>
<div><tt><br></tt></div>
<div><tt>Actually, you've already provided the URL to order the new
Plunderphonic set !</tt></div>
<div><tt><br></tt></div>
<div><tt><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab>http://www.negativland.com/nmol/seeland.html</tt></div>
<div><tt><br></tt></div>
<div><tt>You can download the entire orginal Plunderphonic CD as mp3
files from</tt></div>
<div><tt><br></tt></div>
<div><tt><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab>http://www.amanitarecords.com/plunderphonics/plunmp3.htm</tt></div
>
<div><tt><br></tt></div>
<div><tt>or at</tt></div>
<div><tt><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab>http://www.detritus.net/archive/plunderphonic/</tt></div>
<div><tt><br></tt></div>
<div><tt>or as WAV or mp3 files from the official Plunderphonics
site</tt></div>
<div><tt><br></tt></div>
<div><tt><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab>http://www.plunderphonics.com/</tt></div>
<div><tt><br></tt></div>
<div><tt><br></tt></div>
<blockquote type=3D"cite" cite><tt>in this day of incredibly easy
digital repurposing (sp?), the whole 'collage' thing, to me, has less
sting...&nbsp; would a Raushenburg or a Jasper Johns have the same
impact if they were done post-Photoshop? the sheer amount of time and
dedication to obtain and repurpose those images was part of what that
art was.</tt></blockquote>
<div><tt><br></tt></div>
<div><tt>A very good point. Even in the late 1970s, when Laurie
Anderson was bringing performance collage to the masses, it was still
a pretty exciting and somewhat mysterious thing.</tt></div>
<div><tt><br></tt></div>
<div><tt>Perhaps a central issue is the importance of novelty in
creating artistic impact.&nbsp; Some &quot;effects&quot; make a strong
impression primarily&nbsp; because they&nbsp; are unexpected or
unexplainable. They don't even have to all that well done if they
haven't previously been done at all (cf. Georges M=E9li=E8s's 1902
film, &quot;A Trip to the Moon&quot;).</tt></div>
<div><tt><br></tt></div>
<div><tt>Someone pioneers an effect and it creates a sensation.&nbsp;
Then others figure out how to do it and to improve upon it and it
becomes a fad. Finally it becomes so pervasive that it becomes part of
the common practice. It may even create a backlash and go out of
fashion, though in the best of cases it will be taken up by the truly
creative and refined as a subtle and sophisticated gesture.</tt></div>
<div><tt><br></tt></div>
<div><tt>Take morphing for example.&nbsp; As far as I know the first
use of a visual morph effect in a major film was in the Ron Howard
film &quot;Willow&quot; (1988), where it was used for one brief
transformation sequence. The technique was further developed at ILM to
portray the essential shapeshifting power of the bad Terminator in
&quot;Terminator 2&quot; and it was used as a snappy effect in Michael
Jackson's &quot;Black or White&quot; video. After that it ran rampant.
However, there was one cinematic morph that impressed me in &quot;What
Lies Beneath,&quot; where Michele Pfeiffer is undergoing spiritual
possession by the ghost of her husband's ex-lover and for just a
moment her face transforms into that of the other woman. Wham!&nbsp;
Blink and you'll miss it, but that one instant made it worth sitting
through the rest of the film.</tt></div>
<div><tt><br></tt></div>
<div><tt>So I'd say the same thing goes for musical collage. It may
have lost its ability to shock, but if it's done well it still has
power.</tt></div>
<div><tt><br></tt></div>
<div><tt><br></tt></div>
<blockquote type=3D"cite" cite><tt>Eno and Byrne's &quot;my life in the
bush of ghosts&quot; feels the same way.</tt></blockquote>
<div><tt><br></tt></div>
<div><tt>An excellent example. From what I hear they pinched the idea
from Jon Hassell.</tt></div>
<div><tt><br>
<br>
</tt></div>

<div>-- <br>
<br>
______________________________________________________________<br>
Richard Zvonar, PhD<x-tab>&nbsp;&nbsp;&nbsp; </x-tab><br>
(818) 788-2202<x-tab>&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </x-tab><br>
http://www.zvonar.com<br>
http://RZCybernetics.com<br>
http://www.cybmotion.com/aliaszone<br>
http://www.live365.com/cgi-bin/directory.cgi?autostart=3Drz</div>
</body>
</html>
--============_-1223278369==_ma============--

From Loopers-Delight-request@loopers-delight.com  Wed May  2 19:28:55 2001
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Date: Wed, 2 May 2001 16:26:31 -0700
To: Loopers-Delight@loopers-delight.com
From: Alex Stahl <alex@pixar.com>
Subject: Re: Logic looping ---> Pluggo vs. Spektral Delay?
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For what it's worth, as far as I know, a Max/MSP programmer could 
whip up a Pluggo to do what Spektral Delay does, but not the other 
way around. At least, it is easy to take an MSP object (such as a 
delay) that is typically applied to time-domain signals and apply it 
to frequency-domain data instead. I am pretty sure that idea is at 
the heart of Spektral Delay.

At 1:14 PM -0700 5/2/01, Andre LaFosse wrote:
>O Looplist,
>
>Vis-a-vis the thread on software looping, I'm wondering if anyone here
>has opinions on the relative merits of Cycling 74's Pluggo vs. Native
>Instruments' Spektral Delay?
>
>I have the demo versions of both programs, and like them a lot.  Any
>opinions on strengths/weaknesses?  VST compatibility?  Other similar
>types of sound-warping plug-ins?
>
>Thanks,
>
>--Andre

From Loopers-Delight-request@loopers-delight.com  Wed May  2 20:02:56 2001
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Date: Wed, 2 May 2001 21:04:56 -0300
To: Loopers-Delight@loopers-delight.com
From: Matthias Grob <matthias@grob.org>
Subject: Re: Logic Audio Loops
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>  > Great, seems simple... and you have it all pedal controlled?
>not yet.
>
>>  How do you control the 4 FeedBacks?
>I've set them to 100% so they repeat infinitly. I can clear any of the
>delays by just bypassing that particular delay. If I want to mute a delay, I
>just mute the track that it's on. I can also solo that track...remixing on
>the fly is easy.

oh, for me looping started with the control of FB by foot. I keep 
repeating myself on this list about it, but people who make the 
experience viciate in it, so I keep repeating... without fading :-)
Anyway, I guess you can control parameters of plugins by MIDI, right? 
So the problem would be how to control each one or all plugins at 
once.

>  > How about the initial speed, you tap it?
>I set it by typing a value, but the waves supertap plugin has a tap button
>on it.
>
>>  amazing... do you use it just for the delays or listen the original
>>  sound through it, too?
>I monitor through it too.

this is essencial.

>  > Any special buffer... settings?
>Keep the buffer as small as possible, it makes the latency go away.

How far can you bring it down to still get 4 tracks? What is your computer?

>  > but as I understand, this could be done in some other app, too, right?
>Yes, should be able to...but I'm not sure if the other apps will work as
>smoothly...anyone with Cubase wanna give this a go?

I will try with Performer. Polar is a very interesting looping aid 
built into it, but it does not have the FeedBack option, so I have to 
find a way...

>Lastly, if there are any VST programmers out there...if one of you could
>make a simple really long stereo delay plugin that uses the tempo from the
>sequencer and has infinite feedback, this would work better than the waves
>supertap, as the waves plugin has a lot of extra features that aren't needed
>for looping. Would be great if you could set the length in bars.

right, but not just infinite FeedBack, please, and a tap function 
that chops the existing loop reasonable and groupable and and...


-- 


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Wed May  2 22:05:19 2001
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Subject: OT:  Rane mixer FS on Ebay
Date: Wed, 2 May 2001 22:00:16 -0400
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Just thought someone on the list might be interested in this sm-82 mixer:
http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=1427336545&r=0&t=0&sh
owTutorial=0&ed=989091086&indexURL=0&rd=1

From Loopers-Delight-request@loopers-delight.com  Wed May  2 23:07:45 2001
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Date: Wed, 2 May 2001 23:04:32 EDT
Subject: Re: Logic Audio Loops
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andrew@kaleidacousticon.com writes:
>host-sync support from within Logic's
>VST implementation which could make this a little tricky
as far as my uses go, host-sync in LAMP seem to be working since v4.7.
best,
dt / s-c

From Loopers-Delight-request@loopers-delight.com  Thu May  3 01:15:54 2001
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Date: Thu, 3 May 2001 02:16:39 -0300
To: Loopers-Delight@loopers-delight.com
From: Matthias Grob <matthias@grob.org>
Subject: Re: Logic looping ---> Pluggo vs. Spektral Delay?
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>O Looplist,
>
>Vis-a-vis the thread on software looping, I'm wondering if anyone here
>has opinions on the relative merits of Cycling 74's Pluggo vs. Native
>Instruments' Spektral Delay? 
>
>I have the demo versions of both programs, and like them a lot.  Any
>opinions on strengths/weaknesses?  VST compatibility?  Other similar
>types of sound-warping plug-ins?
>
>Thanks,
>
>--Andre

I dont know Spektral Delay, but when I read this, I had just closed 
Performer after the first trials with delay plug ins and here is what 
I found:

The Waves delay seems less apropriate because it does not have the 
option to sync to the sequencer speed.

The MOTU delay does it but not acurate.

The Pluggo VeryLongDelay does it quite exactly and has a totally 
flexible relation control so you can do your shifting multiple loops. 
It even preserves sound reasonably when I can change from 1/4 to 1, 
reminding a EDP Multiply by 4 function ;-)

Speed tap:
I can control the sequencer speed with an external MIDI note or clock 
easily. So that would be a tempo tap. The strange thing is that the 
plug in does not follow that speed but insist on some 86 beat I dont 
know where it takes from.
Could this be a bug? With both plugings the same happens, so it would 
be a Performer bug?

FeedBack control:
As I understand Performer, I can control one plug in parameter with 
the automation and I can control Volume and Pan by MIDI but not the 
parameter by MIDI... why would that be?

So these would be reasons to use Logic?

Well, there is still quite a way to go, but I got the impression that 
there is one... and there must be Pluggo programmers that are closer 
to what we need, or may I help someone? ...yes, I know, the new MST 
version...
-- 


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Thu May  3 01:19:21 2001
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From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
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... in a nutshell.
-- 
"Once the search is in progress, something will be found"

-- Brian Eno and Peter Schmidt


		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

From Loopers-Delight-request@loopers-delight.com  Thu May  3 01:41:40 2001
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Date: Wed, 2 May 2001 22:39:27 -0700 (PDT)
From: John Tidwell <wedgehed@yahoo.com>
Subject: Boss RC-20  user review on Harmony Central
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Not a bad review, but I think I'll hold out for the
Repeater.

http://www.harmony-central.com/Effects/Data/Boss/RC_20_Loop_Station-01.html

=====
John Tidwell




__________________________________________________
Do You Yahoo!?
Yahoo! Auctions - buy the things you want at great prices
http://auctions.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Thu May  3 03:25:57 2001
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Subject: stuff fs
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hey folks,

gonna sell some of my fancier loopers if anyone is interested. my wee
brain finds the dl4 and boomerang work just fine for me. i can email
pics. here's what i'd like to sell:

oberheim echoplex digital pro with expanded memory, footpedal and new
loop software chip (uninstalled). it's in good cosmetic shape and
functions perfectly. i bought it over a year ago from a fellow listee for
$825 and just haven't used it much. so i'm open to any fair offer.

lexicon jam man with one footswitch a xerox manual, no memory upgrade.
it's in great cosmetic shape and works perfectly. again, i'm open to a
fair offer.

boss/roland dr sample 202. it's in new condition as i've only used it in
my home studio.


i also have some recording gear for sale:

alesis adat (blackface) in excellent condition with low hours and an elco
(1/4 trs) cable and lrc.

tascam 16 channel board. this is a great board! the eq is wonderful. the
headphone out cuts out intermittently tho'.

panasonic sv3500 dat deck. sounds way better than more recent sv decks. i
don't know why, but i've owned a few. it also has xlr inputs, very cool.
has a wired remote too. i'll thow in a BUNCH of dats too. i have like
30-40 of them, most of which have been used just once or twice and have
been erased.

that's it! please pmail if you're interested. i'm in the burbank (la)
area for any locals who wanna come and kick the tires :-)

thanks for the bandwidth!

tony
tony-moore@juno.com

From Loopers-Delight-request@loopers-delight.com  Thu May  3 11:29:59 2001
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Date: Thu, 3 May 2001 12:23:56 -0300
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From: Matthias Grob <matthias@grob.org>
Subject: new concept of owning
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I did not read all the long mails and emotions about cracking and 
sampling, but offer my point of view here, as short and clear as 
possible:

At this point of evolution, the concept of owning changes:

In the past, the owner had the responsibility for whatever he owned. 
Whatever he did not want any more, he traded to a new owner, together 
with the responsibility.
( The capitalist system weakened this in the past century, because 
shareholders don't share responsibility and the CEOs of subparts of 
companies are fired so frequently and immediately that they often 
don't go as far as identifying themselves with what they lead - but 
that's not what we discuss here. )

We still live the old moral concept: All that is traded or stolen 
leaves the hand of the previous owner and what did not belong to 
anyone before we do not consider ours either. (occupation of land and 
exploration of natural resources are problematic exceptions).

The idea o patenting extended this concept, but without exploding it:
Any idea comes from the collective mind of humanity and should not be 
owned by anyone, but once someone assumes the execution of the idea, 
which means that he invests work into it, he should become 
responsible for it and should be considered the owner of the 
*implementation* of it and be rewarded for success.
More complicated if someone continues the elaboration of the same 
idea: Neither should he be hold back from doing so, nor should he 
disrespect the work of his precedor. Unfortunately its very difficult 
to create laws to force such "partial royalty". More difficult even 
if the "user" of an idea is not in the industrial scale, where 
patents can be negotiated.


In the last century a new form of goods became important:
The technology for copying on tape and photo weakened the ownership 
rules, but still, an original existed and the copy was inferior. 
Someone can buy the original painting for a lot of money and the 
artist "feels a part of himself going away", while we don't loose 
anything if someone gets a copy of our art, we just may get richer by 
some $ and some admiration.
The case of software its more radical because the original and the 
copy is identical. So to make another copy is not stealing in the old 
sense, because the owner does not feel a difference, or even a 
positive one since his energy is spread and becomes known. That's why 
there is so much given away on the Internet: Not because we have 
become so much more altruistic, but it has become much simpler to 
give, because its not really giving any more, not even sharing, just 
letting copy, we lack of a word for this!
Of course the creator of music or software needs to be rewarded, but 
obviously, its not any more by everyone who holds a copy but 
hopefully by the maybe 20% that really profit from it. Solutions like 
"light versions", cheap betas, trial period,,, reflect this need for 
several "degrees of ownership", but its all to new to be stable.
I find rather doubtful to make the payment depend on wealth of either 
user or creator. Its the "socialist anarchy" of saying: I am poor and 
Gates got billions so why should I pay for his soft... but I did not 
buy Word either :-)

So this is a new test for our morality:
Are we able to reward justly the creators of the software we are using?
I have cracks of several programs that I just open sometimes, for 
curiosity or to solve an uncommon problem, so why should I pay for 
them or what would it help to trash them? But the ones I use 
regularly and end up making money with, I have to pay, yes, sure, 
nobody doubts that, right?
The whole problem is that there are no strict rules and we depend on 
responsibility of each user and its good to discuss this anyway, 
because:

This awareness hopefully teaches us about another drastic new kind of 
ownership:
Through pollution each one of us influences the whole globe to some 
extent. Even the poor guy that shits in the back of his hut has his 
shit washed into rivers and it ends up in the sea. Although he may 
never see the sea, he must become aware that he is a coowner of it 
and has some responsibility. He can delegate it to some water 
cleaning institution, but better even he would shit into a tank and 
let it dry for a year until it's bacteria free and then spread over 
the land!
Similarly, we car users are coowners of our air, and when we drive 
around we  should at least ask ourselves whether its really worth it.
If someone destroys a common good, is this steeling?
Kind of, somehow the opposite of the software case, since the 
"previous owner" looses the goods, while the new one does not hold 
them in hand.

So we should treat ownership laws in 3 categories:
- HW: what someone receives, the someone else looses
- SW: what someone receives, nobody looses
- Ambient: what is lost, nobody receives.
-- 


          ---> http://Matthias.Grob.org

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tascam model 3 -

phantom power  Y  /  N   ?

anybody here, um, "vintage" enuf to be familiar w/ this bad boy?
replies off-list if this aint loop enuf...

best
a:c


++++++++
just what the world needs....
<http://www.tensionheadache.org/>another frikkin url

--=====================_9121601==_.ALT
Content-Type: text/html; charset="us-ascii"

<html>
<br>
<br>
tascam model 3 - <br>
<br>
phantom power&nbsp; Y&nbsp; /&nbsp; N&nbsp;&nbsp; ?<br>
<br>
anybody here, um, &quot;vintage&quot; enuf to be familiar w/ this bad
boy?<br>
replies off-list if this aint loop enuf...<br>
<br>
best<br>
a:c<br>
<br>
<x-sigsep><p></x-sigsep>
<div align="center">
++++++++<br>
just what the world needs.... <br>
<a href="http://www.tensionheadache.org/">another </a>frikkin url<br>
</div>
</html>

--=====================_9121601==_.ALT--

From Loopers-Delight-request@loopers-delight.com  Thu May  3 13:33:33 2001
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From: Sunao Inami <cave@osk.3web.ne.jp>
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Hi Loopers,

"Looper's Delight J" web page updated.

All uploaded loop materials are open to the public via http.

http://www.cavestudio.com/LD_J/2001/uploaded_loops.html


"Looper's Delight J"  is webcast loop gig from Kobe,Japan.
11th May 2001.
http://www.cavestudio.com/LD_J/2001/


  Regards

Sunao Inami
http://www.cavestudio.com

From Loopers-Delight-request@loopers-delight.com  Thu May  3 14:34:53 2001
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From: "Filacchione, Alex (ISSAtlanta)" <alexf@iss.net>
To: "'whiteoakstudios'" <whiteoakstudios@supanet.com>,
        Loopers-Delight@loopers-delight.com
Subject: RE: midi rolls & gig stuff
Date: Thu, 3 May 2001 14:26:15 -0400 
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I have one of these Rolls switchers too.  The manuals suck (actually there
IS no real manual).

Anyway, How are you using the 4 switches (not teh effects loops)?  I know
that they are for things like switching amp channels, etc. but are there any
other interesting uses?

Ever used the Rolls 402 Volume Pedal as a control voltage pedal?  I can't
get mine to work.  I believe it is broken because it won't even work as a
regular old volume pedal!

Alex F/Brain21

<--------========b21========-------->
Brain21 - www.brain21.net
www.mp3.com/Brain21
Buy individual songs @
http://www.nrmmusic.com/customcds.htm
<--------========b21========-------->


=>-----Original Message-----
=>From: whiteoakstudios [mailto:whiteoakstudios@supanet.com]
=>Sent: Thursday, April 26, 2001 5:22 AM
=>To: Loopers-Delight@loopers-delight.com
=>Subject: Re: midi rolls & gig stuff
=>
=>
=>Just wanted to share my delight in my new looping interface. 
=>Thanks to my
=>new midi rolls pedal I have 4 switches and 4 pedals plugged 
=>up and sending
=>midi messages to Kyma. I used it for the first time live last 
=>night. Four
=>independant stereo delay lines, (3.6secs, 7.2s, 14.4s and 
=>28.8s, (that's a
=>lot of secs for one night oops )) for some dense 
=>texturing/detexturing.
=>Keepng track of what I recorded where was the only problem.
=>Incidentally I decided to tell my audience what was going on 
=>in the sense
=>that I was live multitracking. A few people came up and said they
=>appreciated this information without which they would have 
=>assumed I was
=>using backing tracks.
=>PS I also used two Leslie speakers, (Dawson & Neilson) - I 
=>feel I'm getting
=>closer to, (lots of reverb) THE ULTIMATE RIG-
=>WHOOOHOHOHAHHAHAHAHHEHEHE.................
=>
=>Gareth, (calming down now)
=>

From Loopers-Delight-request@loopers-delight.com  Thu May  3 14:57:48 2001
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Date: Thu, 03 May 2001 13:54:21 -0500
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Have any companies come out with footswitch controls for portable minidisk machines yet? 

Ted

From Loopers-Delight-request@loopers-delight.com  Thu May  3 16:55:50 2001
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Date: Thu, 3 May 2001 16:48:46 -0500 (EST)
From: Adam Levin <alevin@DarkAether.net>
To: loopers-delight@annihilist.com
Subject: DAP in Baltimore Saturday night
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On Saturday May 5th, The Dark Aether Project will take a break from work
on their third album for a special performance to premiere new
material live at Orion Studios located at 2903 Whittington Ave in
Baltimore MD. Showtime is 8pm and admission is *free* for all ages.

The Dark Aether Project:
Allen Brunelle: Drums/Keyboards/Vocals
Jennifer Huff:  Vocals
Adam Levin:     Warr 8 String Touchstyle Guitar/Keyboards/loops
John McCloskey: Guitar/Guitar Synthesizer
Marty Saletta   Keyboards/Stick

See http://www.DarkAether.net/ for more information

"...jazz-inflected, often minimalistic...foreboding soundscapes...classy
...offers mature musicianship without pretentiousness"
- John Collinge - Progression (US)

"..intense and blistering lead work...amazing loops and shimmering
textures that are at once haunting and dreamlike...worthy of attention."
- Peter Thelen - Expose (US)

"...delivers what the demanding progressive rock fan wants: a unique and
original product, dexterity, a sharp musical flair and the ability to play
with the listener's emotions."
- Cyclone Magazine (Quebec)

"I'm blown away. This is - forgive my colloquialism - some serious
shit. ...an absolutely fabulous album."
- Larry Nai - Progression - (US)






From Loopers-Delight-request@loopers-delight.com  Thu May  3 17:20:26 2001
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Date: Thu, 03 May 2001 14:16:01 -0700
To: Loopers-Delight@loopers-delight.com
From: Jon Drukman <jsd@cluttered.com>
Subject: introduction/contradiction
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 .net>
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hello friends.

just discovered this fine list this morning.  sounds like just my cup of 
tea.  i've been making music for years.  in the last year or two Acid Pro 
has really blown my mind wide open.  i've written a loop library for it, 
and it is going to be published by Sonic Foundry later this year.

my friend Rick (of goth/prog/artrock band Amoeba - see 
http://www.amoeba.com/amframeset.html) came by a few weeks ago with one of 
those new Line 6 Delay Modellers (with the built in loop sampler mode, ala 
the old Electro Harmonix looper).  we did a track using it quite 
extensively.  kind of my modern take on the fripp/eno albums of the 
70's.  http://spoo.pretension.com/360degrees.mp3

does anybody on this list use Reaktor?  i wrote a loop sampler ensemble for 
it, which is basically like the one in the line 6 unit, but not quite as 
fancy (no instant half-speed/reverse function).

-jsd-

From Loopers-Delight-request@loopers-delight.com  Thu May  3 17:34:36 2001
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<I think the differnce between MC hammer and john oswald is obvious don't
you???

Yeah. One is fairly sincere and knows when a good groove hasn't exhausted 
it's potential. And the other is based largely on a subtle kind of ridicule 
and a desire to undermine rather than *build upon*.


_________________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Thu May  3 18:51:09 2001
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if you like House music........................

Saturday May 5th, 2001

NO-I-TU-LOVE and Dufflebag records presents-

PROPAGANDA

feat.

Natural Rhythm (yours truly)
Lance Desardi
JT Donaldson
Tasho
Wally Callerio

back in the hip hop/down tempo lair....

Cocoe
Josh One
Mr. Goodbar
Scott Coats
Jud Nester
Soul

10pm-6am
located in Los Angeles
18+
alcohol for 21+ w/ID

714-648-2104
323-960-5625

see you there!

I'm currently not using any looping devices live, I am actually the looping 
device myself, just playing repetitive figures on my Les Paul crudded up 
with ebow, slide, microsynth, and space echo.
_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Thu May  3 20:27:48 2001
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>From: Jon Drukman <jsd@cluttered.com>

>does anybody on this list use Reaktor?  i wrote a loop sampler ensemble 
>for>it, which is basically like the one in the line 6 unit, but not >quite 
>as>fancy (no instant half-speed/reverse function).
>>-jsd->

i just got it from a friend. including some addons and premium library 
stuff. what does loop sampler ensemble refer to?

db

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From Loopers-Delight-request@loopers-delight.com  Thu May  3 21:16:55 2001
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From: Todd Pafford <galen@erols.com>
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On Thu, 03 May 2001, Ted Geerdink wrote:
> Have any companies come out with footswitch controls for portable minidisk
> machines yet?
>
> Ted

Not that I've seen, but if they have I bet you could find it through
www.minidisc.org

Todd

From Loopers-Delight-request@loopers-delight.com  Thu May  3 22:14:08 2001
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Subject: Re: introduction/contradiction
Date: Thu, 3 May 2001 19:03:51 -0700
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Jon,

Welcome honorable looper. Can't wait to check out the new library for acid.
I've been using reaktor, where can I find the loop ensemble?

party on, -Paul
----- Original Message -----
From: Jon Drukman <jsd@cluttered.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, May 03, 2001 2:16 PM
Subject: introduction/contradiction


> hello friends.
>
> just discovered this fine list this morning.  sounds like just my cup of
> tea.  i've been making music for years.  in the last year or two Acid Pro
> has really blown my mind wide open.  i've written a loop library for it,
> and it is going to be published by Sonic Foundry later this year.
>
> my friend Rick (of goth/prog/artrock band Amoeba - see
> http://www.amoeba.com/amframeset.html) came by a few weeks ago with one of
> those new Line 6 Delay Modellers (with the built in loop sampler mode, ala
> the old Electro Harmonix looper).  we did a track using it quite
> extensively.  kind of my modern take on the fripp/eno albums of the
> 70's.  http://spoo.pretension.com/360degrees.mp3
>
> does anybody on this list use Reaktor?  i wrote a loop sampler ensemble
for
> it, which is basically like the one in the line 6 unit, but not quite as
> fancy (no instant half-speed/reverse function).
>
> -jsd-
>

From Loopers-Delight-request@loopers-delight.com  Fri May  4 00:20:36 2001
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From: "Mike Feeney" <feeneymike@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: the new iBook...
Date: Thu, 3 May 2001 23:17:43 -0500
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	Hey all,

	I don't know if anyone has paid much attention, but Apple has a new iBook
out.  I'm contemplating getting one... but i'm curious if anyone who is more
familiar with Mac machines might tell me if I'd be able to use it for
recording audio.  I do use my PC for it now, and I'd be keeping the PC as
well.  I'm not even sure if the iBook has any audio inputs... so I thought
I'd throw the question out there.

	Thanks,
	Mike


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From Loopers-Delight-request@loopers-delight.com  Fri May  4 01:11:06 2001
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Subject: Re: the new iBook...
From: Pohon-Kelapa@t-online.de (Martin Tauchen)
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Hi,

Apples new iBook can also be used for recording.An Stereo Audio input is
onboard.
alternativley can also be used a USB Audio converter for more professional
handling.
There a lot of this boxes out

Marty
----------
>Von: "Mike Feeney" <feeneymike@yahoo.com>
>An: <Loopers-Delight@loopers-delight.com>
>Betreff: the new iBook...
>Datum: Fre, 4. Mai 2001 6:17 Uhr
>

>
>
>
> Hey all,
>
> I don't know if anyone has paid much attention, but Apple has a new iBook
>out.  I'm contemplating getting one... but i'm curious if anyone who is more
>familiar with Mac machines might tell me if I'd be able to use it for
>recording audio.  I do use my PC for it now, and I'd be keeping the PC as
>well.  I'm not even sure if the iBook has any audio inputs... so I thought
>I'd throw the question out there.
>
> Thanks,
> Mike
>
>
>_________________________________________________________
>Do You Yahoo!?
>Get your free @yahoo.com address at http://mail.yahoo.com
>

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hi

At 07.06 04/05/01 +0200, you wrote:
>Hi,
>
>Apples new iBook can also be used for recording.An Stereo Audio input is
>onboard.

the new iBook, like the Titanium powerbook, has no audio input onboard. 
just audio output.
if you want to record you have to use an external USB audio device or, 
better, a firewire unit like Metric Halo, MOTU, Crest or Yamaha ones.

ciao
leo

PS heres' the Apple link: http://www.apple.com/ibook/specs.html



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Subject: Re: the new iBook...
From: roberto <roberto@nomade.worldonline.co.uk>
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on 4/5/01 5:17 AM, Mike Feeney at feeneymike@yahoo.com wrote:

> 
> 
> 
> Hey all,
> 
> I don't know if anyone has paid much attention, but Apple has a new iBook
> out.  I'm contemplating getting one... but i'm curious if anyone who is more
> familiar with Mac machines might tell me if I'd be able to use it for
> recording audio.  I do use my PC for it now, and I'd be keeping the PC as
> well.  I'm not even sure if the iBook has any audio inputs... so I thought
> I'd throw the question out there.
> 
> Thanks,
> Mike

All Apple machines have always had a fairly decent stereo in/out, obviously
a dedicated in/out is better, but I and many I know have used Macs for
recording as well as live mixing/looping etc for years quite happily.

Roberto
______________________________________________
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From Loopers-Delight-request@loopers-delight.com  Fri May  4 08:18:20 2001
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From: Hedewa7@aol.com
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Date: Fri, 4 May 2001 08:15:12 EDT
Subject: Re: Logic looping ---> Pluggo vs. Spektral Delay?
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andr=E9 writ,
>Vis-a-vis the thread on software looping, I'm wondering if anyone here
>has opinions on the relative merits of Cycling 74's Pluggo vs. Native
>Instruments' Spektral Delay? =20
the spektral demo crashes my mac, but:
pluggo rocks, & rocks hard.
re: software looping:
i haven't found a 'dedicated' looper, to date, that satisfies the visceral=20
qualities that hardware provides..... though, jhno's 'raDial' (from=20
cycling74) hasn't appeared here, yet.

>I have the demo versions of both programs, and like them a lot.  Any
>opinions on strengths/weaknesses?
pluggo: granulations, x-modulations, very flexible, a *great* library.....

>VST compatibility?
pluggo is VST-compliant, incl. 'host sync'.

>Other similar
>types of sound-warping plug-ins?
i recommend these, at least:
hyperprism (arboretum systems)
mda (free, on the net)
bubu (free, on the net)
reaktor (native instruments)
best,
dt / s-c

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jsd@cluttered.com writes:
>does anybody on this list use Reaktor?
i use reaktor.
best,
dt /s-c

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>
> >Other similar
> >types of sound-warping plug-ins?
>i recommend these, at least:
>hyperprism (arboretum systems)
>mda (free, on the net)
>bubu (free, on the net)
>reaktor (native instruments)

and don't forget GRM Tools.... vol1 e vol2.

ciao
leo



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From Loopers-Delight-request@loopers-delight.com  Fri May  4 08:25:44 2001
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Subject: Re: the new iBook...
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Pohon-Kelapa@t-online.de writes:
>An Stereo Audio input is
>onboard.
that's wrong, no?
i think the new iBook has only a stereo-output.
best,
dt / s-c

From Loopers-Delight-request@loopers-delight.com  Fri May  4 08:35:11 2001
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At 08.23 04/05/01 -0400, you wrote:
>Pohon-Kelapa@t-online.de writes:
> >An Stereo Audio input is
> >onboard.
>that's wrong, no?
>i think the new iBook has only a stereo-output.

right. like the new Titanium, no audio-in at all on the new ibook. you have 
to use dedicated devices (USB or firewire).

ciao
leo



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anyone has tried this curios software for live electronic looping?

http://www.i-synth.fr/

ciao
leo


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Date: Fri, 04 May 2001 08:04:45 -0500
Subject: Re: the new iBook...
From: Mike Feeney <feeneymike@yahoo.com>
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on 5/4/01 7.23 AM, Hedewa7@aol.com at Hedewa7@aol.com wrote:

> Pohon-Kelapa@t-online.de writes:
>> An Stereo Audio input is
>> onboard.
> that's wrong, no?
> i think the new iBook has only a stereo-output.
> best,
> dt / s-c


    yeah, i am fairly sure it's output-only...

    i haven't used USB for audio input before... how is that done?

    thanks,
    mike


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Mike Feeney wrote:
> 
> on 5/4/01 7.23 AM, Hedewa7@aol.com at Hedewa7@aol.com wrote:
> 
> > Pohon-Kelapa@t-online.de writes:
> >> An Stereo Audio input is
> >> onboard.
> > that's wrong, no?
> > i think the new iBook has only a stereo-output.
> > best,
> > dt / s-c
> 
>     yeah, i am fairly sure it's output-only...
> 
>     i haven't used USB for audio input before... how is that done?

Get a USB audio device and plug it into your machine.



-- 
* D a v i d         B e a r d s l e y
* 49/32  R a d i o "all microtonal, all the time"
* http://www.virtulink.com/immp/lookhere.htm
* http://mp3.com/davidbeardsley

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on 5/4/01 8.50 AM, David Beardsley at xouoxno@virtulink.com wrote:

> 
> 
> Mike Feeney wrote:
>> 
>> on 5/4/01 7.23 AM, Hedewa7@aol.com at Hedewa7@aol.com wrote:
>> 
>>> Pohon-Kelapa@t-online.de writes:
>>>> An Stereo Audio input is
>>>> onboard.
>>> that's wrong, no?
>>> i think the new iBook has only a stereo-output.
>>> best,
>>> dt / s-c
>> 
>> yeah, i am fairly sure it's output-only...
>> 
>> i haven't used USB for audio input before... how is that done?
> 
> Get a USB audio device and plug it into your machine.


    Such as...?



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From: "omjn" <eightohm@iinet.net.au>
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Date: Fri, 4 May 2001 22:28:37 +0800
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try going to harmony central and do a search for USB and mac and you should
find something

www.harmony-central.com

omjn

-----Original Message-----
From: Mike Feeney [mailto:feeneymike@yahoo.com]
Sent: Friday, 4 May 2001 10:16 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: the new iBook...


on 5/4/01 8.50 AM, David Beardsley at xouoxno@virtulink.com wrote:

>
>
> Mike Feeney wrote:
>>
>> on 5/4/01 7.23 AM, Hedewa7@aol.com at Hedewa7@aol.com wrote:
>>
>>> Pohon-Kelapa@t-online.de writes:
>>>> An Stereo Audio input is
>>>> onboard.
>>> that's wrong, no?
>>> i think the new iBook has only a stereo-output.
>>> best,
>>> dt / s-c
>>
>> yeah, i am fairly sure it's output-only...
>>
>> i haven't used USB for audio input before... how is that done?
>
> Get a USB audio device and plug it into your machine.


    Such as...?



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From Loopers-Delight-request@loopers-delight.com  Fri May  4 10:31:20 2001
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Date: Fri, 04 May 2001 09:27:54 -0500
Subject: Re: the new iBook...
From: Mike Feeney <feeneymike@yahoo.com>
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    Well, let me rephrase:  how would one plug a mixing board into a USB
device?  I'm just not familiar with the USB audio products out there.

    Mike


> Mike Feeney wrote:
>> 
>> on 5/4/01 7.23 AM, Hedewa7@aol.com at Hedewa7@aol.com wrote:
>> 
>>> Pohon-Kelapa@t-online.de writes:
>>>> An Stereo Audio input is
>>>> onboard.
>>> that's wrong, no?
>>> i think the new iBook has only a stereo-output.
>>> best,
>>> dt / s-c
>> 
>> yeah, i am fairly sure it's output-only...
>> 
>> i haven't used USB for audio input before... how is that done?
> 
> Get a USB audio device and plug it into your machine.
> 
> 


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From Loopers-Delight-request@loopers-delight.com  Fri May  4 10:37:17 2001
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In a message dated 5/4/01 7:28:39 AM, feeneymike@yahoo.com writes:

>    Well, let me rephrase:  how would one plug a mixing board into a USB
>device?  I'm just not familiar with the USB audio products out there.


Go to: http://www.tascam.com/products/us428/index.cfm 

That should give your question at least one answer (out of many possibilities)

From Loopers-Delight-request@loopers-delight.com  Fri May  4 11:14:53 2001
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Bidding starts @ $35.

Thanks,

Gary

http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=1428221549

From Loopers-Delight-request@loopers-delight.com  Fri May  4 11:14:56 2001
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Date: Fri, 04 May 2001 10:11:07 -0500
Subject: Re: the new iBook...
From: Mike Feeney <feeneymike@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
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    Thanks!  a little surfing later, and my eyes are opened.......  i think
i may have to get an iBook and turn it into my little portable recording
studio....  =)

    if you use a USB audio interface, does that bypass the computer's
soundcard?

    Mike



on 5/4/01 9.28 AM, omjn at eightohm@iinet.net.au wrote:

> try going to harmony central and do a search for USB and mac and you should
> find something
> 
> www.harmony-central.com
> 
> omjn
> 
> -----Original Message-----
> From: Mike Feeney [mailto:feeneymike@yahoo.com]
> Sent: Friday, 4 May 2001 10:16 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: the new iBook...
> 
> 
> on 5/4/01 8.50 AM, David Beardsley at xouoxno@virtulink.com wrote:
> 
>> 
>> 
>> Mike Feeney wrote:
>>> 
>>> on 5/4/01 7.23 AM, Hedewa7@aol.com at Hedewa7@aol.com wrote:
>>> 
>>>> Pohon-Kelapa@t-online.de writes:
>>>>> An Stereo Audio input is
>>>>> onboard.
>>>> that's wrong, no?
>>>> i think the new iBook has only a stereo-output.
>>>> best,
>>>> dt / s-c
>>> 
>>> yeah, i am fairly sure it's output-only...
>>> 
>>> i haven't used USB for audio input before... how is that done?
>> 
>> Get a USB audio device and plug it into your machine.
> 
> 
> Such as...?
> 
> 
> 
> _________________________________________________________
> Do You Yahoo!?
> Get your free @yahoo.com address at http://mail.yahoo.com
> 


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From Loopers-Delight-request@loopers-delight.com  Fri May  4 11:58:41 2001
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Date: Fri, 4 May 2001 08:47:38 -0700
To: Loopers-Delight@loopers-delight.com
From: rich <rich@nuvisionsca.com>
Subject: Re: the new iBook...
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>     Thanks!  a little surfing later, and my eyes are opened.......  i think
>i may have to get an iBook and turn it into my little portable recording
>studio....  =)

remembering an earlier thread...folks were chiming in about USB not 
being terribly friendly to audio.  seems to work fine for midi 
information, but y'all were commenting that for critical audio work, 
it might not be the best way to go.  that kindof stopped my interest 
in the Tascam USB mixer, and also the new Event mixer (although the 
event's matrix system seems terribly intriguing).

Is USB that bad for audio?  Right now, i'm messing with the onboard 
sound input/outputs on a powerbook G3.  Would a USB audio interface 
be better?  worse?

the firewire interfaces are starting to show up.  i've had pretty 
good luck using Imovie with firewire to a digital video cam, but 
sometimes the communication between laptop and camera chokes and you 
have to start again.  i wonder if the same will be for firewire audio.

>     if you use a USB audio interface, does that bypass the computer's
>soundcard?

as far as i know...yes.  although the macs have never shipped with 
soundcards, per se.  they have always had the audio on board, with 
1/8" mini jacks for input and speaker output (some of the older AV 
macs being an exception - RCA's).  funny that they've now dumped the 
audio in on the new powerbooks and ibooks.  i've been a mac-head for 
about 7 years now, and it seems that with each new generation, they 
come up with something really cool, but they dump something that was 
useful, too.

anybody want a 7100/66 powermac?  i'm getting a used G4 this weekend. 
i'm sure someone is just dying for Nubus technology, yes?  and that 
66mhz 601 chip just SMOKES...and gosh, it only cost $2300 new.

rich

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Date: Fri, 4 May 2001 08:51:34 -0700
To: Loopers-Delight@loopers-delight.com
From: rich <rich@nuvisionsca.com>
Subject: Re: Logic looping ---> Pluggo vs. Spektral Delay?
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>  >Other similar
>>types of sound-warping plug-ins?
>i recommend these, at least:
>hyperprism (arboretum systems)
>mda (free, on the net)
>bubu (free, on the net)
>reaktor (native instruments)
>best,
>dt / s-c

david,

can you give us some directions to 'mda' and 'bubu'?

if i recall, you are mainly using logic on mac, yes?  so you are 
using pluggo as a vst plug-in through logic?  which version of logic 
are you using?  silver/gold/platinum?

dumb question...what exactly is 'host-sync'?

thanks,

rich

From Loopers-Delight-request@loopers-delight.com  Fri May  4 12:01:59 2001
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Date: Fri, 04 May 2001 08:52:28 -0700
Subject: Re: the new iBook...
From: Jamie Drouin <jamie@electrixpro.com>
To: <Loopers-Delight@loopers-delight.com>
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    I recommend that you look at the new MOTU 828 Firewire interface as
well. The Titanium Powerbook and MOTU 828 is my main recording/performance
setup now...extremely low latency, lots of I/O, proper ASIO drivers for
Cubase, all in a 1U rack unit.

Regards,
Jamie.

on 5/4/01 8:11 AM, Mike Feeney at feeneymike@yahoo.com wrote:
> Thanks!  a little surfing later, and my eyes are opened.......  i think
> i may have to get an iBook and turn it into my little portable recording
> studio....  =)
> 
> if you use a USB audio interface, does that bypass the computer's
> soundcard?
> 
> Mike


Jamie Drouin
Visual Designer for Electrix
(a division of IVL Technologies Ltd)
6710 Bertram Place, Victoria, BC, V8M 1Z6 Canada

email... jamie@electrixpro.com  fax... 250-544-4102  voice... 250-544-4114


From Loopers-Delight-request@loopers-delight.com  Fri May  4 12:05:58 2001
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Subject: Re: the new iBook...
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>     if you use a USB audio interface, does that bypass the computer's
> soundcard?
> 
Yes indeed it does.
They use  ASIO drivers for the most part I believe.
Latency is the one to watch out for with USB interfaces.
I think the iBook looks great, I would hook a firewire audio interface up to it.
Metric Halo has the one everybody is talking about.
http://www.mhlabs.com
But you could also use a Motu 828
http://www.motu.com
you could happily run Digital performer on a G3 500.
I worked very happily on a G3 400 powerbook with DP for a couple of years.
I'd go for at least  300 or so megs of RAM if you intend to do a lot of
sampling. Also I  think an external firwire drive would come in handy.
Only problem with the iBook as far as music apps  go would have to be the small
screen.

L8r

A

From Loopers-Delight-request@loopers-delight.com  Fri May  4 12:16:03 2001
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Subject: Re: introduction/contradiction
Date: Fri, 4 May 2001 17:11:54 +0100
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so do I.

it's great.


os.

os@scee.sony.co.uk
http://www.mp3.com/carbonboy/
http://www.mp3.com/darkroomuk/
http://www.collective.co.uk/
----- Original Message ----- 
From: <Hedewa7@aol.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, May 04, 2001 1:19 PM
Subject: Re: introduction/contradiction


> jsd@cluttered.com writes:
> >does anybody on this list use Reaktor?
> i use reaktor.
> best,
> dt /s-c
> 

From Loopers-Delight-request@loopers-delight.com  Fri May  4 12:16:12 2001
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Subject: Gig Spam [Seattle]: Electrochakra @ Second Avenue Pizza 5/05/01
	8:30PM
From: Travis Hartnett <tiktok@sprintmail.com>
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Electrochakra will be returning to the storied Second Avenue Pizza (2015 2nd
Avenue) this Saturday (May 5th) for a free performance between 8:30 and
10:30PM.  Food and CDs will be available in exchange for US dollars.

Be seeing you,

Travis Hartnett
Electrochakra


-- 
NEW official Electrochakra website: www.electrochakra.com





From Loopers-Delight-request@loopers-delight.com  Fri May  4 13:07:56 2001
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From: "Liebig, Steuart A." <Steuart.Liebig@maritz.com>
To: "'Loopers-Delight@loopers-delight.com'"
	 <Loopers-Delight@loopers-delight.com>
Subject: semi-OT . . .  quasi cd review
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howdy,

thought i'd mention that a list member (ex-member?), andreas willers, has a
really nice new release on the between the lines label (label is german from
what i can tell). it's called _tin drums stories_. really nice playing and
tunes with his working trio (others are acoustic bass and drums).

not any discernable looping that i can tell (haven't listened totally
analytically tho'), but a really good cd by one of our own (or ex-own).

check it out. 

stig

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<TITLE>semi-OT . . .  quasi cd review</TITLE>
</HEAD>
<BODY>

<P><FONT SIZE=3D2>howdy,</FONT>
</P>

<P><FONT SIZE=3D2>thought i'd mention that a list member (ex-member?), =
andreas willers, has a really nice new release on the between the lines =
label (label is german from what i can tell). it's called _tin drums =
stories_. really nice playing and tunes with his working trio (others =
are acoustic bass and drums).</FONT></P>

<P><FONT SIZE=3D2>not any discernable looping that i can tell (haven't =
listened totally analytically tho'), but a really good cd by one of our =
own (or ex-own).</FONT></P>

<P><FONT SIZE=3D2>check it out. </FONT>
</P>

<P><FONT SIZE=3D2>stig</FONT>
</P>

</BODY>
</HTML>
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From Loopers-Delight-request@loopers-delight.com  Fri May  4 13:11:23 2001
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From: "Liebig, Steuart A." <Steuart.Liebig@maritz.com>
To: "'Loopers-Delight@loopers-delight.com'"
	 <Loopers-Delight@loopers-delight.com>
Subject: so cal/usa gig announce/spam
Date: Fri, 4 May 2001 13:06:58 -0400 
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May 8 

8pm - 11:30 pm 

Liebig/Golia/Mintz
Steuart Liebig - bass and some loopage
Vinny Golia - woodwinds 
Billy Mintz - drums 
                    
TRIORBITS 
Paul Carman - saxophones 
Chris Symer - bass 
Kendall Kay - drums 

 The charge will be a $5 suggested donation. 
                            Reasonably priced refreshments will be
available. 


                            "THE ARC" is located in The Artists Village at 
                                          316 W. 4th St. 
                                            Santa Ana 
                        1/2 block west of Broadway between Broadway and
Birch. 
                                          714-542-2232 

http://maps.yahoo.com/py/maps.py?Pyt=Tmap&addr=316+W.+4th+St&city=Santa+Ana&
state=CA&slt=33.748000&sln=-117.870600&name=&zip=92701-4585&country=us&BFCat
=&BFClient=&mag=6&desc=&cs=9&newmag=9&poititle=&poi=

 
PARKING 
  There is metered parking all along 4th street in front of The Arc. These
meters are free after 8pm. There 
is also free parking after 6pm at the parking structure around the block at
3rd and Birch. 

                             

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<TITLE>so cal/usa gig announce/spam</TITLE>
</HEAD>
<BODY>

<P><FONT SIZE=3D2>May 8 </FONT>
</P>

<P><FONT SIZE=3D2>8pm - 11:30 pm </FONT>
</P>

<P><FONT SIZE=3D2>Liebig/Golia/Mintz</FONT>
<BR><FONT SIZE=3D2>Steuart Liebig - bass and some loopage</FONT>
<BR><FONT SIZE=3D2>Vinny Golia - woodwinds </FONT>
<BR><FONT SIZE=3D2>Billy Mintz - drums </FONT>
<BR><FONT =
SIZE=3D2>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </FONT>
<BR><FONT SIZE=3D2>TRIORBITS </FONT>
<BR><FONT SIZE=3D2>Paul Carman - saxophones </FONT>
<BR><FONT SIZE=3D2>Chris Symer - bass </FONT>
<BR><FONT SIZE=3D2>Kendall Kay - drums </FONT>
</P>

<P><FONT SIZE=3D2>&nbsp;The charge will be a $5 suggested donation. =
</FONT>
<BR><FONT =
SIZE=3D2>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp; Reasonably priced refreshments will be =
available. </FONT>
</P>
<BR>

<P><FONT =
SIZE=3D2>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp; &quot;THE ARC&quot; is located in The =
Artists Village at </FONT>
<BR><FONT =
SIZE=3D2>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 316 W. 4th St. </FONT>
<BR><FONT =
SIZE=3D2>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Santa Ana </FONT>
<BR><FONT =
SIZE=3D2>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp; 1/2 block west of Broadway between Broadway and Birch. </FONT>
<BR><FONT =
SIZE=3D2>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 714-542-2232 </FONT>
</P>

<P><FONT SIZE=3D2><A =
HREF=3D"http://maps.yahoo.com/py/maps.py?Pyt=3DTmap&addr=3D316+W.+4th+St=
&city=3DSanta+Ana&state=3DCA&slt=3D33.748000&sln=3D-117.870600&name=3D&z=
ip=3D92701-4585&country=3Dus&BFCat=3D&BFClient=3D&mag=3D6&desc=3D&cs=3D9=
&newmag=3D9&poititle=3D&poi=3D" =
TARGET=3D"_blank">http://maps.yahoo.com/py/maps.py?Pyt=3DTmap&addr=3D316=
+W.+4th+St&city=3DSanta+Ana&state=3DCA&slt=3D33.748000&sln=3D-117.870600=
&name=3D&zip=3D92701-4585&country=3Dus&BFCat=3D&BFClient=3D&mag=3D6&desc=
=3D&cs=3D9&newmag=3D9&poititle=3D&poi=3D</A></FONT></P>

<P><FONT =
SIZE=3D2>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp; PARKING </FONT>
<BR><FONT SIZE=3D2>&nbsp; There is metered parking all along 4th street =
in front of The Arc. These meters are free after 8pm. There </FONT>
<BR><FONT SIZE=3D2>is also free parking after 6pm at the parking =
structure around the block at 3rd and Birch. </FONT>
</P>

<P><FONT =
SIZE=3D2>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </FONT>
</P>

</BODY>
</HTML>
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From Loopers-Delight-request@loopers-delight.com  Fri May  4 13:17:37 2001
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From: "Kevin Goldsmith" <kevin@unitcircle.com>
To: <Loopers-Delight@loopers-delight.com>
References: <B7181E4C.28C3%jamie@electrixpro.com>
Subject: Re: the new iBook...
Date: Fri, 4 May 2001 10:14:04 -0700
Organization: Unit Circle Media
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Can you talk about your experiences with the 828?  I'm having a hard time
finding reviews of it, but I'm thinking seriously about picking one up.
Anyone using one of these with a PC?

    Kevin

Unit Circle Media
http://www.unitcircle.com
----- Original Message -----
From: "Jamie Drouin" <jamie@electrixpro.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, May 04, 2001 8:52 AM
Subject: Re: the new iBook...


>     I recommend that you look at the new MOTU 828 Firewire interface as
> well. The Titanium Powerbook and MOTU 828 is my main recording/performance
> setup now...extremely low latency, lots of I/O, proper ASIO drivers for
> Cubase, all in a 1U rack unit.
>
> Regards,
> Jamie.
>
> on 5/4/01 8:11 AM, Mike Feeney at feeneymike@yahoo.com wrote:
> > Thanks!  a little surfing later, and my eyes are opened.......  i think
> > i may have to get an iBook and turn it into my little portable recording
> > studio....  =)
> >
> > if you use a USB audio interface, does that bypass the computer's
> > soundcard?
> >
> > Mike
>
>
> Jamie Drouin
> Visual Designer for Electrix
> (a division of IVL Technologies Ltd)
> 6710 Bertram Place, Victoria, BC, V8M 1Z6 Canada
>
> email... jamie@electrixpro.com  fax... 250-544-4102  voice... 250-544-4114
>
>
>

From Loopers-Delight-request@loopers-delight.com  Fri May  4 14:10:29 2001
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Subject: plunderphonic 69/96
From: David Myers <dmgraph@earthlink.net>
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Got my John Oswald extraveganza today, listening now.  Wow!  Don't miss this
one while it lasts.  The RIAA will no doubt do their trip an John and
buddies Negativland...

http://www.negativland.com/nmol/seeland.html

From Loopers-Delight-request@loopers-delight.com  Fri May  4 14:13:42 2001
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Date: Fri, 04 May 2001 13:11:36 -0500
Subject: Re: the new iBook...
From: Mike Feeney <feeneymike@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
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on 5/4/01 11.02 AM, Andrew Pask at andrew@kaleidacousticon.com wrote:

> Only problem with the iBook as far as music apps  go would have to be the
> small
> screen.
> 
> L8r
> 
> A


    it is small, but it does go up to 1024x768, so it's not too bad...  =)

    mike


_________________________________________________________
Do You Yahoo!?
Get your free @yahoo.com address at http://mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Fri May  4 15:23:32 2001
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Date: Fri, 4 May 2001 12:18:29 -0700 (PDT)
From: Stephen <dakshah@yahoo.com>
Subject: Re: the new iBook...
To: Loopers-Delight@loopers-delight.com
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It looks like you can mirror your display to a larger
external monitor if you like.  Does Mac OS 9 / OS X
support a second different monitor view?


>From Apple's site:
"RGB video output
The iBook is also equipped with RGB video output to
mirror your work to an external display or projection
device.

 Composite video output to TV
Displaying your movies on a big-screen TV is easy,
thanks to the AV port on your iBook. Simply connect
your TV to the AV port via the optional Apple AV
Cable"

stephen

--- Mike Feeney <feeneymike@yahoo.com> wrote:
> on 5/4/01 11.02 AM, Andrew Pask at
> andrew@kaleidacousticon.com wrote:
> 
> > Only problem with the iBook as far as music apps 
> go would have to be the
> > small
> > screen.
> > 
> > L8r
> > 
> > A
> 
> 
>     it is small, but it does go up to 1024x768, so
> it's not too bad...  =)
> 
>     mike
> 
> 
>
_________________________________________________________
> Do You Yahoo!?
> Get your free @yahoo.com address at
> http://mail.yahoo.com
> 


=====
Stephen

__________________________________________________
Do You Yahoo!?
Yahoo! Auctions - buy the things you want at great prices
http://auctions.yahoo.com/

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Date: Fri, 4 May 2001 12:50:30 -0700
To: Loopers-Delight@loopers-delight.com
From: rich <rich@nuvisionsca.com>
Subject: Re: the new iBook...
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yeah, you can do this with the current powerbooks, too.

unfortunately, it just mirrors what's on the book display, from what 
i understand...which is a dissapointment.

with the desktop models, i've been running two monitors in my 
production department for years.  before apple took the video off the 
main board, we would just add a video card.  now, we put in a cheap 
video card in addition to the main one.  add in a cheap 15" monitor 
and your set.  put all of your toolbox pallettes on the small screen 
and all of your main viewing stuff on the big one, and you can adjust 
the viewing via monitors control panel.  works awesome for graphics 
apps.  haven't tried it on any sound apps, though.  i think it would 
be great if the powerbooks and ibooks allowed you to use the book 
screen as your toolbox and a large vga screen as the main view.



>It looks like you can mirror your display to a larger
>external monitor if you like.  Does Mac OS 9 / OS X
>support a second different monitor view?
>
>
>From Apple's site:
>"RGB video output
>The iBook is also equipped with RGB video output to
>mirror your work to an external display or projection
>device.
>
>  Composite video output to TV
>Displaying your movies on a big-screen TV is easy,
>thanks to the AV port on your iBook. Simply connect
>your TV to the AV port via the optional Apple AV
>Cable"
>
>stephen

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Hey,

I while back on the list, someone posted that they were selling a dual JamMan
switch.  Having only one JamMan at the time, I ignored the post.  I recently
bought a Vortex that did not come with any footpedels and now I'm thinking,
"That sure would be swell."

Is it still for sale?

Mark

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Thanks to Mr. D-T S-C Hedewa-Texture for the audio recommends...

> pluggo: granulations, x-modulations, very flexible, a *great* library.....

Not to mention: pretty damn cheap.

> hyperprism (arboretum systems)

Hyperprism didn't strike me as being quite as immediate in its appeal or
user-interface as some others.  (Read: I couldn't get the thing to do
crazy sh*t upon first glance).  Worth the time, I'm sure...

> mda (free, on the net)

http://www.mda-vst.com

> bubu (free, on the net)

This one has a very funny homepage (anyone who likes the Splattercell
liner notes will appreciate the humor at work):

http://www.macmusic.org/bubuland/

and

http://www.macmusic.org/eng/share/sh_free_bubu.shtml

Aha,

--A

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Hey Kevin! Bet you wondered why I sent you that.


Cheers

A




> On 5/4/01 at 10:14 AM, kevin@unitcircle.com (Kevin Goldsmith) wrote:
> 
> > Can you talk about your experiences with the 828?  I'm having a hard time
> > finding reviews of it, but I'm thinking seriously about picking one up.
> > Anyone using one of these with a PC?
> 
> 
> Quoted From the Max/MSP list, So not applicable to PC, sorry.
> 
> Hi all,
> Well, much to my surprise my MOTU 828 multichannel firewire box arrived
> today. If you don't know what I am talking about, go here:
> http://www.motu.com/english/motuaudio/828/body.html
> 
> What I've got: g3/500 powerbook. also testing on G4/450. OS 9.1. Most
> recent Max/MSP. For all these tests I used a signal vector size of 16
> samples. 
> 
> Here is some of what I have found thus far:
> 
> 1. I've been using a MOTU 2408 mkII on my desktop, so here are some
> differences for those who are more familiar with this card (mainly PCI-324
> card). There is no longer an app to change settings on the card. instead
> changes are made via a control panel or control strip module. also
> installed are 2 extensions which are needed in order for the mac to talk to
> the card. changing card settings is a breeze!
> 
> 2. asio latency. for me this is critical since most of the stuff I do
> involves me live with my clarinet...so latency is just something I don't
> want. not overwhelmingly great news in this category. the minimum sample
> buffer size, which to a large extent determines input/output latency, is
> 128. PCI-324 ASIO driver is 64, FYI. Using Les Stuck's latency tester,
> this equates to about a 6.893 ms in Max/MSP. But...there is a problem.
> Testing some of my slightly more involved patches (i.e. more involved than a
> single sfplay~ or groove~) I've noticed that with this buffer size, my
> g3/500 pb just can't keep up. lots of hiccups and at times DSP just decides
> to stop working and needs a reboot. This is the case with both groove~ and
> sfplay~, just to eliminate possibilities of a slow hard-drive. Setting the
> buffer size to the next level (192) cures all. no stutters, hiccups, stops.
> all works fine. 192 = 9.796 ms latency in Max/MSP using same tester as
> before. On my G4/450, none of these problems exist. A buffer of 128
> samples works great with none of the problems found on my powerbook. I
> contacted MOTU tech support via email and got a reply today(!) regarding
> this...basically they say there is enough of a difference in CPU's between
> the 2 to account for this.
> 
> As an FYI, I also tried this using Peak and MOTU's Audio Desk. Both could
> handle playback fine with the 128 sample buffer, but as soon as you added
> any effects I got the same problems found in my Max tests.
> 
> 3. cpu usage. looks like you take a bit of a hit for the using the ASIO
> driver...but I also saw this with the driver for the PCI-324 card. what
> takes up 14% using the sound manager takes up about 22% using the ASIO 828
> driver. The good news is that there is very little difference in CPU usage
> between 2 channels and 8 channels of output. So...perhaps worth the
> tradeoff. I personally think so.
> 
> Despite the fact that I can't get the sample buffer size below 192, I still
> really like this card. it's just too cool to have multichannel output
> coming from my powerbook. Not only that, I can plug it into any firewire
> mac, install a few drivers, and I've got multichannel output wherever I
> go...and I only need one card for my g4 and powerbook. Great for the David
> Beaudry Road Show. Other perks of the card are 2 mic preamps for channels 1
> and 2 (that is if you aren't too picky about your mic pre-amps), s/pdif
> in/out, an in and out ADAT light pipe, and ADAT sync.

From Loopers-Delight-request@loopers-delight.com  Fri May  4 20:15:02 2001
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Date: Fri, 04 May 2001 11:18:28 -0700
From: Richard Zvonar <zvonar@zvonar.com>
Subject: Re: plunderphonic 69/96
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At 2:04 PM -0400 5/4/01, David Myers wrote:
>Got my John Oswald extraveganza today, listening now.  Wow!  Don't miss this
>one while it lasts.  The RIAA will no doubt do their trip an John and
>buddies Negativland...

Oswald's original intention was to re-release Plunderphonic and 
related material from 1969 through 1996 with all clearances duly 
obtained. That would have put the price of this set a about US$100. 
It appears that he wasn't able to get all the clearances, and that is 
ostensibly the reason distribution is through Seeland.  The price has 
also been lowered to $33.00.  Interestingly, Amazon lists the set at 
$24.97 list price, with an original release date of April 3, 2001, 
but is taking pre-orders only.
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

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<html><DIV>
<P>Ok, fellow LoOpErS, It's here Sonic Foundry's Acid Pro 3.0, for 99 bucks ! I just bought it ( Iwas playing with the Beta, and I tell you, tis is the BEST thing for use Computer Based Loopers since .... well you get the picture).</P>
<P>Now if you have the beta, by now a Net Memo has popped up telling you about this great offer, if not go to the site, and download it (it's 99.00, and you get a Loop Library, and You can download Vegas Audio Lite !)</P>
<P>And all you WAREZ heads out there, beware.... this is code is not to be screwed with !<BR><BR></P></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV><br clear=all><hr>Get your FREE download of MSN Explorer at <a href="http://explorer.msn.com">http://explorer.msn.com</a><br></p></html>

From Loopers-Delight-request@loopers-delight.com  Fri May  4 21:01:29 2001
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Subject: Re: Acid 3.0 - 99.00 Bucks
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<html><DIV>
<P>Just in case you need the link, here it is :&nbsp; </P>
<P><A href="http://www.sonicfoundry.com/promo.asp?keycode=6677">http://www.sonicfoundry.com/promo.asp?keycode=6677</A><BR></P></DIV>
<DIV></DIV>
<DIV></DIV>----Original Message Follows---- 
<DIV></DIV>From: "Devious D_MasterMixer" <DJ_DEVIOUS_D@HOTMAIL.COM>
<DIV></DIV>Reply-To: dj_devious_d@hotmail.com 
<DIV></DIV>To: Loopers-Delight@loopers-delight.com 
<DIV></DIV>Subject: Acid 3.0 - 99.00 Bucks 
<DIV></DIV>Date: Sat, 05 May 2001 00:49:33 
<DIV></DIV>
<DIV></DIV><br clear=all><hr>Get your FREE download of MSN Explorer at <a href="http://explorer.msn.com">http://explorer.msn.com</a><br></p></html>
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>From Loopers-Delight-request@loopers-delight.com Fri May 04 17:51:49 2001
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<html><DIV>
<P>Ok, fellow LoOpErS, It's here Sonic Foundry's Acid Pro 3.0, for 99 bucks ! I just bought it ( Iwas playing with the Beta, and I tell you, tis is the BEST thing for use Computer Based Loopers since .... well you get the picture).</P>
<P>Now if you have the beta, by now a Net Memo has popped up telling you about this great offer, if not go to the site, and download it (it's 99.00, and you get a Loop Library, and You can download Vegas Audio Lite !)</P>
<P>And all you WAREZ heads out there, beware.... this is code is not to be screwed with !<BR><BR></P></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV><br clear=all><hr>Get your FREE download of MSN Explorer at <a href="http://explorer.msn.com">http://explorer.msn.com</a><br></p></html>



------=_NextPart_000_6955_5f17_3502--

From Loopers-Delight-request@loopers-delight.com  Fri May  4 22:59:36 2001
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Subject: plunderphonic - one hand clapping (or four?)
Date: Fri, 4 May 2001 18:25:37 -0700
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What are the ethics of downloading John Oswald from Napster?  Does that make
it twice as bad as supporting his Plunderphonics by buying it - or half as
bad?

I'm being flippant, of course.  I think that Negativland's whole performance
art around U2 was fascinating and thought provoking.  A lot of meat to chew
on.  I find Oswald's stuff less compelling - it's partly aesthetics, but I
haven't seen him articulate his issues in the same way Hosler and Co have.

From Loopers-Delight-request@loopers-delight.com  Sat May  5 08:23:05 2001
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Hi, I'm looking for confirmation about which midi foot controllers 
can send programmable sysex. As I've read, the Roland fc-200 does not 
have "programmable" sysex, only preset sysex for roland units.

The following are possibilities I know of:

Yamaha MFC-10? Doesn't say on yamaha web site specs.

Mitigator - read a blurb saying it does, but these seem rare to find.
Digitech PMC-10 - rare and not reliable according to posts.
Rocktron AllAccess - wow, dang expensive!

Other units?


Eric Zang
www.listen.to/zang
-------------------------------------------
Check out the special promotion for Music.com Magazine!
Just go to http://www.music.com/magazine/

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At 5:29 AM -0700 5/5/01, Eric Zang wrote:
>Hi, I'm looking for confirmation about which midi foot controllers
>can send programmable sysex.
>
>Mitigator - read a blurb saying it does, but these seem rare to find.
>Digitech PMC-10 - rare and not reliable according to posts.
>Rocktron AllAccess - wow, dang expensive!

Those are the three I know about. The Mitigator RFC-1 is robust and 
relatively easy to program. The PMC-10 is flimsy.

Another alternative, for those willing to program and schlep a 
computer, might be to get an older Powerbook and to use Max to map 
program change messages from one of the more common foot controllers. 
This would give maximum flexibility and would probably cost less than 
the Rocktron.
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

From Loopers-Delight-request@loopers-delight.com  Sat May  5 14:24:45 2001
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From: "Devious D_MasterMixer" <dj_devious_d@hotmail.com>
To: mlameyer@rcn.com
Cc: vbell@avantgo.com, ldarthard@ameritech.net, lamontwtts@hotmail.com,
        dj_dirk@hotmail.com, Loopers-Delight@annihilist.com,
        Loopers-Delight@loopers-delight.com
Subject: Re: Acid 3.0 - 99.00 Bucks
Date: Sat, 05 May 2001 18:21:02 
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<html><DIV>
<P>Ok, use this link : <A href="http://www.sonicfoundry.com/promo.asp?keycode=6677">http://www.sonicfoundry.com/promo.asp?keycode=6677</A>&nbsp; to get to the site. Click on the $349.97 deal. The second screen will ask you to continue - proceed on. When you get to the confirmation screen, the price will have magically changed to $99.00. You get a free Loop Library with this (It will be mailed to you), you can also download (for free), Sound Forge XP 5 Studio, and Vegas Audio Lite, in addition you can download a snoot-full of sound effects.. man for 99.00 bucks this is the shiznit ! But MAKE sure you use MY link, it's the only way to get the deal...</P>
<P><BR>&nbsp;</P></DIV>
<DIV></DIV>
<DIV></DIV>----Original Message Follows---- 
<DIV></DIV>From: "Michael LaMeyer" <MLAMEYER@RCN.COM>
<DIV></DIV>To: <DJ_DEVIOUS_D@HOTMAIL.COM>
<DIV></DIV>Subject: Re: Acid 3.0 - 99.00 Bucks 
<DIV></DIV>Date: Sat, 5 May 2001 12:12:19 -0400 
<DIV></DIV>
<DIV></DIV>Far out. Unfortunately I went to the site and saw Acid 3.0 only 
<DIV></DIV>available at $399 or $349. How do we get the $99 deal? Did we 
<DIV></DIV>have to download the Beta? 
<DIV></DIV>
<DIV></DIV>Mike 
<DIV></DIV>
<DIV></DIV>----- Original Message ----- 
<DIV></DIV>From: "Devious D_MasterMixer" <DJ_DEVIOUS_D@HOTMAIL.COM>
<DIV></DIV>To: <DJ_DEVIOUS_D@HOTMAIL.COM>; 
<DIV></DIV><LOOPERS-DELIGHT@LOOPERS-DELIGHT.COM>
<DIV></DIV>Cc: <CARMENBJONES@CS.COM>; <LDARTHARD@AMERITECH.NET>
<DIV></DIV>Sent: Saturday, May 05, 2001 12:58 AM 
<DIV></DIV>Subject: Re: Acid 3.0 - 99.00 Bucks 
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>&gt; Just in case you need the link, here it is : 
<DIV></DIV>&gt; 
<DIV></DIV>&gt; http://www.sonicfoundry.com/promo.asp?keycode=6677 
<DIV></DIV>&gt; 
<DIV></DIV>&gt; 
<DIV></DIV>&gt; ----Original Message Follows---- 
<DIV></DIV>&gt; From: "Devious D_MasterMixer" 
<DIV></DIV>&gt; Reply-To: dj_devious_d@hotmail.com 
<DIV></DIV>&gt; To: Loopers-Delight@loopers-delight.com 
<DIV></DIV>&gt; Subject: Acid 3.0 - 99.00 Bucks 
<DIV></DIV>&gt; Date: Sat, 05 May 2001 00:49:33 
<DIV></DIV>&gt; 
<DIV></DIV>&gt; 
<DIV></DIV>&gt; -------------------------------------------------------------- 
<DIV></DIV>------------------ 
<DIV></DIV>&gt; Get your FREE download of MSN Explorer at 
<DIV></DIV>http://explorer.msn.com 
<DIV></DIV>&gt; 
<DIV></DIV>&gt; 
<DIV></DIV>&gt; 
<DIV></DIV>
<DIV></DIV><br clear=all><hr>Get your FREE download of MSN Explorer at <a href="http://explorer.msn.com">http://explorer.msn.com</a><br></p></html>

From Loopers-Delight-request@loopers-delight.com  Sat May  5 15:32:25 2001
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From: "Om_Audio" <clifsound@mediaone.net>
To: "Loopers List" <loopers-delight@annihilist.com>,
        <dj_devious_d@hotmail.com>
References: <F133EAOeIiGXix4A2Dr00001627@hotmail.com>
Subject: Re: Acid 3.0 - 99.00 Bucks
Date: Sat, 5 May 2001 12:32:24 -0700
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It will not process my order- tried 2 different cards as well-  anyone else
having difficulties?

Cliff

  ----- Original Message -----
  From: Devious D_MasterMixer
  To: mlameyer@rcn.com
  Cc: vbell@avantgo.com ; ldarthard@ameritech.net ; lamontwtts@hotmail.com ;
dj_dirk@hotmail.com ; Loopers-Delight@annihilist.com ;
Loopers-Delight@loopers-delight.com
  Sent: Saturday, May 05, 2001 6:21 PM
  Subject: Re: Acid 3.0 - 99.00 Bucks


  Ok, use this link : http://www.sonicfoundry.com/promo.asp?keycode=6677  to
get to the site. Click on the $349.97 deal. The second screen will ask you
to continue - proceed on. When you get to the confirmation screen, the price
will have magically changed to $99.00. You get a free Loop Library with this
(It will be mailed to you), you can also download (for free), Sound Forge XP
5 Studio, and Vegas Audio Lite, in addition you can download a snoot-full of
sound effects.. man for 99.00 bucks this is the shiznit ! But MAKE sure you
use MY link, it's the only way to get the deal...




  ----Original Message Follows----
  From: "Michael LaMeyer"
  To:
  Subject: Re: Acid 3.0 - 99.00 Bucks
  Date: Sat, 5 May 2001 12:12:19 -0400
  Far out. Unfortunately I went to the site and saw Acid 3.0 only
  available at $399 or $349. How do we get the $99 deal? Did we
  have to download the Beta?
  Mike
  ----- Original Message -----
  From: "Devious D_MasterMixer"
  To: ;
  Cc: ;
  Sent: Saturday, May 05, 2001 12:58 AM
  Subject: Re: Acid 3.0 - 99.00 Bucks
  > Just in case you need the link, here it is :
  >
  > http://www.sonicfoundry.com/promo.asp?keycode=6677
  >
  >
  > ----Original Message Follows----
  > From: "Devious D_MasterMixer"
  > Reply-To: dj_devious_d@hotmail.com
  > To: Loopers-Delight@loopers-delight.com
  > Subject: Acid 3.0 - 99.00 Bucks
  > Date: Sat, 05 May 2001 00:49:33
  >
  >
  > --------------------------------------------------------------
  ------------------
  > Get your FREE download of MSN Explorer at
  http://explorer.msn.com
  >
  >
  >


----------------------------------------------------------------------------
--
  Get your FREE download of MSN Explorer at http://explorer.msn.com



From Loopers-Delight-request@loopers-delight.com  Sat May  5 15:42:37 2001
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From: "Om_Audio" <clifsound@mediaone.net>
To: <Loopers-Delight@loopers-delight.com>
References: <F133EAOeIiGXix4A2Dr00001627@hotmail.com> <003601c0d59a$1ca8ac70$fc518218@om>
Subject: Re: Acid 3.0 - 99.00 Bucks
Date: Sat, 5 May 2001 12:43:46 -0700
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Nevermind- it worked finally- - -

c

----- Original Message -----
From: "Om_Audio" <clifsound@mediaone.net>
To: "Loopers List" <loopers-delight@annihilist.com>;
<dj_devious_d@hotmail.com>
Sent: Saturday, May 05, 2001 12:32 PM
Subject: Re: Acid 3.0 - 99.00 Bucks


> It will not process my order- tried 2 different cards as well-  anyone
else
> having difficulties?
>
> Cliff
>
>   ----- Original Message -----
>   From: Devious D_MasterMixer
>   To: mlameyer@rcn.com
>   Cc: vbell@avantgo.com ; ldarthard@ameritech.net ; lamontwtts@hotmail.com
;
> dj_dirk@hotmail.com ; Loopers-Delight@annihilist.com ;
> Loopers-Delight@loopers-delight.com
>   Sent: Saturday, May 05, 2001 6:21 PM
>   Subject: Re: Acid 3.0 - 99.00 Bucks
>
>
>   Ok, use this link : http://www.sonicfoundry.com/promo.asp?keycode=6677
to
> get to the site. Click on the $349.97 deal. The second screen will ask you
> to continue - proceed on. When you get to the confirmation screen, the
price
> will have magically changed to $99.00. You get a free Loop Library with
this
> (It will be mailed to you), you can also download (for free), Sound Forge
XP
> 5 Studio, and Vegas Audio Lite, in addition you can download a snoot-full
of
> sound effects.. man for 99.00 bucks this is the shiznit ! But MAKE sure
you
> use MY link, it's the only way to get the deal...
>
>
>
>
>   ----Original Message Follows----
>   From: "Michael LaMeyer"
>   To:
>   Subject: Re: Acid 3.0 - 99.00 Bucks
>   Date: Sat, 5 May 2001 12:12:19 -0400
>   Far out. Unfortunately I went to the site and saw Acid 3.0 only
>   available at $399 or $349. How do we get the $99 deal? Did we
>   have to download the Beta?
>   Mike
>   ----- Original Message -----
>   From: "Devious D_MasterMixer"
>   To: ;
>   Cc: ;
>   Sent: Saturday, May 05, 2001 12:58 AM
>   Subject: Re: Acid 3.0 - 99.00 Bucks
>   > Just in case you need the link, here it is :
>   >
>   > http://www.sonicfoundry.com/promo.asp?keycode=6677
>   >
>   >
>   > ----Original Message Follows----
>   > From: "Devious D_MasterMixer"
>   > Reply-To: dj_devious_d@hotmail.com
>   > To: Loopers-Delight@loopers-delight.com
>   > Subject: Acid 3.0 - 99.00 Bucks
>   > Date: Sat, 05 May 2001 00:49:33
>   >
>   >
>   > --------------------------------------------------------------
>   ------------------
>   > Get your FREE download of MSN Explorer at
>   http://explorer.msn.com
>   >
>   >
>   >
>
>
> --------------------------------------------------------------------------
--
> --
>   Get your FREE download of MSN Explorer at http://explorer.msn.com
>
>
>

From Loopers-Delight-request@loopers-delight.com  Sat May  5 15:51:46 2001
Return-Path: <Loopers-Delight-request@loopers-delight.com>
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From: "Mike Feeney" <feeneymike@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
References: <F133EAOeIiGXix4A2Dr00001627@hotmail.com> <003601c0d59a$1ca8ac70$fc518218@om> <003f01c0d59b$b3453bc0$fc518218@om>
Subject: Re: Acid 3.0 - 99.00 Bucks
Date: Sat, 5 May 2001 14:51:11 -0500
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    everyone keeps talking about this software...  i downloaded the trial
version but haven't figured out how to use it yet (haven't given a huge
effort yet though either, i must admit) but i'm getting antsy about missing
out on the $99 deal for a software that don't know how to use!  heheh.
dilemmas, dilemmas...

    on the other hand, i'm planning on buying a mac in the near future, so
maybe this would just be counterproductive...

    sorry for the pointless post.  =)

    mike


----- Original Message -----
From: "Om_Audio" <clifsound@mediaone.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, May 05, 2001 2:43 PM
Subject: Re: Acid 3.0 - 99.00 Bucks


> Nevermind- it worked finally- - -
>
> c
>
> ----- Original Message -----
> From: "Om_Audio" <clifsound@mediaone.net>
> To: "Loopers List" <loopers-delight@annihilist.com>;
> <dj_devious_d@hotmail.com>
> Sent: Saturday, May 05, 2001 12:32 PM
> Subject: Re: Acid 3.0 - 99.00 Bucks
>
>
> > It will not process my order- tried 2 different cards as well-  anyone
> else
> > having difficulties?
> >
> > Cliff
> >
> >   ----- Original Message -----
> >   From: Devious D_MasterMixer
> >   To: mlameyer@rcn.com
> >   Cc: vbell@avantgo.com ; ldarthard@ameritech.net ;
lamontwtts@hotmail.com
> ;
> > dj_dirk@hotmail.com ; Loopers-Delight@annihilist.com ;
> > Loopers-Delight@loopers-delight.com
> >   Sent: Saturday, May 05, 2001 6:21 PM
> >   Subject: Re: Acid 3.0 - 99.00 Bucks
> >
> >
> >   Ok, use this link : http://www.sonicfoundry.com/promo.asp?keycode=6677
> to
> > get to the site. Click on the $349.97 deal. The second screen will ask
you
> > to continue - proceed on. When you get to the confirmation screen, the
> price
> > will have magically changed to $99.00. You get a free Loop Library with
> this
> > (It will be mailed to you), you can also download (for free), Sound
Forge
> XP
> > 5 Studio, and Vegas Audio Lite, in addition you can download a
snoot-full
> of
> > sound effects.. man for 99.00 bucks this is the shiznit ! But MAKE sure
> you
> > use MY link, it's the only way to get the deal...
> >
> >
> >
> >
> >   ----Original Message Follows----
> >   From: "Michael LaMeyer"
> >   To:
> >   Subject: Re: Acid 3.0 - 99.00 Bucks
> >   Date: Sat, 5 May 2001 12:12:19 -0400
> >   Far out. Unfortunately I went to the site and saw Acid 3.0 only
> >   available at $399 or $349. How do we get the $99 deal? Did we
> >   have to download the Beta?
> >   Mike
> >   ----- Original Message -----
> >   From: "Devious D_MasterMixer"
> >   To: ;
> >   Cc: ;
> >   Sent: Saturday, May 05, 2001 12:58 AM
> >   Subject: Re: Acid 3.0 - 99.00 Bucks
> >   > Just in case you need the link, here it is :
> >   >
> >   > http://www.sonicfoundry.com/promo.asp?keycode=6677
> >   >
> >   >
> >   > ----Original Message Follows----
> >   > From: "Devious D_MasterMixer"
> >   > Reply-To: dj_devious_d@hotmail.com
> >   > To: Loopers-Delight@loopers-delight.com
> >   > Subject: Acid 3.0 - 99.00 Bucks
> >   > Date: Sat, 05 May 2001 00:49:33
> >   >
> >   >
> >   > --------------------------------------------------------------
> >   ------------------
> >   > Get your FREE download of MSN Explorer at
> >   http://explorer.msn.com
> >   >
> >   >
> >   >
> >
> >
>
> --------------------------------------------------------------------------
> --
> > --
> >   Get your FREE download of MSN Explorer at http://explorer.msn.com
> >
> >
> >


_________________________________________________________
Do You Yahoo!?
Get your free @yahoo.com address at http://mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Sat May  5 15:56:27 2001
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From: "Devious D_MasterMixer" <dj_devious_d@hotmail.com>
To: mlameyer@rcn.com
Cc: vbell@avantgo.com, ldarthard@ameritech.net, lamontwtts@hotmail.com,
        dj_dirk@hotmail.com, Loopers-Delight@annihilist.com,
        Loopers-Delight@loopers-delight.com
Subject: Re: Acid 3.0 - 99.00 Bucks
Date: Sat, 05 May 2001 19:53:18 
Mime-Version: 1.0
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<html><DIV>
<P><BR><BR></P>
<DIV></DIV>
<P>Ok, use this link : <A href="http://www.sonicfoundry.com/promo.asp?keycode=6677">http://www.sonicfoundry.com/promo.asp?keycode=6677</A>&nbsp; to get to the site. Click on the $349.97 deal. The second screen will ask you to continue - proceed on. When you get to the confirmation screen, the price will have magically changed to $99.00. You get a free Loop Library with this (It will be mailed to you), you can also download (for free), Sound Forge XP 5 Studio, and Vegas Audio Lite, in addition you can download a snoot-full of sound effects.. man for 99.00 bucks this is the shiznit ! But MAKE sure you use MY link, it's the only way to get the deal...</P>
<P>Oh, there will be box that asks : REFERED TO By : Please type in <A href="mailto:ldarthard@Ameritech.net">ldarthard@Ameritech.net</A> . I get a free loop library if you do.</P></DIV>
<P><BR>&nbsp;</P>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>----Original Message Follows---- 
<DIV></DIV>
<DIV></DIV>From: "Michael LaMeyer" <MLAMEYER@RCN.COM>
<DIV></DIV>
<DIV></DIV>To: <DJ_DEVIOUS_D@HOTMAIL.COM>
<DIV></DIV>
<DIV></DIV>Subject: Re: Acid 3.0 - 99.00 Bucks 
<DIV></DIV>
<DIV></DIV>Date: Sat, 5 May 2001 12:12:19 -0400 
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>Far out. Unfortunately I went to the site and saw Acid 3.0 only 
<DIV></DIV>
<DIV></DIV>available at $399 or $349. How do we get the $99 deal? Did we 
<DIV></DIV>
<DIV></DIV>have to download the Beta? 
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>Mike 
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>----- Original Message ----- 
<DIV></DIV>
<DIV></DIV>From: "Devious D_MasterMixer" <DJ_DEVIOUS_D@HOTMAIL.COM>
<DIV></DIV>
<DIV></DIV>To: <DJ_DEVIOUS_D@HOTMAIL.COM>; 
<DIV></DIV>
<DIV></DIV><LOOPERS-DELIGHT@LOOPERS-DELIGHT.COM>
<DIV></DIV>
<DIV></DIV>Cc: <CARMENBJONES@CS.COM>; <LDARTHARD@AMERITECH.NET>
<DIV></DIV>
<DIV></DIV>Sent: Saturday, May 05, 2001 12:58 AM 
<DIV></DIV>
<DIV></DIV>Subject: Re: Acid 3.0 - 99.00 Bucks 
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>&gt; Just in case you need the link, here it is : 
<DIV></DIV>
<DIV></DIV>&gt; 
<DIV></DIV>
<DIV></DIV>&gt; http://www.sonicfoundry.com/promo.asp?keycode=6677 
<DIV></DIV>
<DIV></DIV>&gt; 
<DIV></DIV>
<DIV></DIV>&gt; 
<DIV></DIV>
<DIV></DIV>&gt; ----Original Message Follows---- 
<DIV></DIV>
<DIV></DIV>&gt; From: "Devious D_MasterMixer" 
<DIV></DIV>
<DIV></DIV>&gt; Reply-To: dj_devious_d@hotmail.com 
<DIV></DIV>
<DIV></DIV>&gt; To: Loopers-Delight@loopers-delight.com 
<DIV></DIV>
<DIV></DIV>&gt; Subject: Acid 3.0 - 99.00 Bucks 
<DIV></DIV>
<DIV></DIV>&gt; Date: Sat, 05 May 2001 00:49:33 
<DIV></DIV>
<DIV></DIV>&gt; 
<DIV></DIV>
<DIV></DIV>&gt; 
<DIV></DIV>
<DIV></DIV>&gt; -------------------------------------------------------------- 
<DIV></DIV>
<DIV></DIV>------------------ 
<DIV></DIV>
<DIV></DIV>&gt; Get your FREE download of MSN Explorer at 
<DIV></DIV>
<DIV></DIV>http://explorer.msn.com 
<DIV></DIV>
<DIV></DIV>&gt; 
<DIV></DIV>
<DIV></DIV>&gt; 
<DIV></DIV>
<DIV></DIV>&gt; 
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV><br clear=all><hr>Get your FREE download of MSN Explorer at <a href="http://explorer.msn.com">http://explorer.msn.com</a><br></p></html>

From Loopers-Delight-request@loopers-delight.com  Sat May  5 16:07:38 2001
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Subject: Re: Acid 3.0 - 99.00 Bucks
Date: Sat, 05 May 2001 20:04:56 
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<html><DIV>
<P>No, your post is not "pointless". I have been an ACID user since ACID 1.0a, and I have been a loyal Sonic Foundry customer ever since. Now this software is not geared for the "Live" performer, but rather the ReMix Artist, or DJ, or Music Producer. It's really good, if you are setting up Dance, or Dj Friendly remixes. I, being a Dj Remix Artist, just love the Beat Mapper interface, which allows me to Beat Map an Accapella, then underlay it with my own beats ( I use Fruity Loops 3 Pro to create original Beat Loops).<BR>Now, say you are a "Live" looper, maybe yoy want to "Clean up" a taped performance. Well stick that Puppy in Acid, use the Chopper, the resequence the whole thing on the fly ! Viola, the next P-Diddy is born (without the Gun drama, but with Jenifer Lopez, oh I digress).</P>
<P>Buy it, use my link :&nbsp; <A href="http://www.sonicfoundry.com/promo.asp?keycode=6677">http://www.sonicfoundry.com/promo.asp?keycode=6677</A>&nbsp; then add my email address to the "Refered To by" box, and all is Good ! (email <A href="mailto:ldarthard@ameritech.net">ldarthard@ameritech.net</A> )<BR></P></DIV>
<DIV></DIV>
<DIV></DIV>----Original Message Follows---- 
<DIV></DIV>From: "Mike Feeney" <FEENEYMIKE@YAHOO.COM>
<DIV></DIV>Reply-To: Loopers-Delight@loopers-delight.com 
<DIV></DIV>To: <LOOPERS-DELIGHT@LOOPERS-DELIGHT.COM>
<DIV></DIV>Subject: Re: Acid 3.0 - 99.00 Bucks 
<DIV></DIV>Date: Sat, 5 May 2001 14:51:11 -0500 
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>everyone keeps talking about this software... i downloaded the trial 
<DIV></DIV>version but haven't figured out how to use it yet (haven't given a huge 
<DIV></DIV>effort yet though either, i must admit) but i'm getting antsy about missing 
<DIV></DIV>out on the $99 deal for a software that don't know how to use! heheh. 
<DIV></DIV>dilemmas, dilemmas... 
<DIV></DIV>
<DIV></DIV>on the other hand, i'm planning on buying a mac in the near future, so 
<DIV></DIV>maybe this would just be counterproductive... 
<DIV></DIV>
<DIV></DIV>sorry for the pointless post. =) 
<DIV></DIV>
<DIV></DIV>mike 
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>----- Original Message ----- 
<DIV></DIV>From: "Om_Audio" <CLIFSOUND@MEDIAONE.NET>
<DIV></DIV>To: <LOOPERS-DELIGHT@LOOPERS-DELIGHT.COM>
<DIV></DIV>Sent: Saturday, May 05, 2001 2:43 PM 
<DIV></DIV>Subject: Re: Acid 3.0 - 99.00 Bucks 
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>&gt; Nevermind- it worked finally- - - 
<DIV></DIV>&gt; 
<DIV></DIV>&gt; c 
<DIV></DIV>&gt; 
<DIV></DIV>&gt; ----- Original Message ----- 
<DIV></DIV>&gt; From: "Om_Audio" <CLIFSOUND@MEDIAONE.NET>
<DIV></DIV>&gt; To: "Loopers List" <LOOPERS-DELIGHT@ANNIHILIST.COM>; 
<DIV></DIV>&gt; <DJ_DEVIOUS_D@HOTMAIL.COM>
<DIV></DIV>&gt; Sent: Saturday, May 05, 2001 12:32 PM 
<DIV></DIV>&gt; Subject: Re: Acid 3.0 - 99.00 Bucks 
<DIV></DIV>&gt; 
<DIV></DIV>&gt; 
<DIV></DIV>&gt; &gt; It will not process my order- tried 2 different cards as well- anyone 
<DIV></DIV>&gt; else 
<DIV></DIV>&gt; &gt; having difficulties? 
<DIV></DIV>&gt; &gt; 
<DIV></DIV>&gt; &gt; Cliff 
<DIV></DIV>&gt; &gt; 
<DIV></DIV>&gt; &gt; ----- Original Message ----- 
<DIV></DIV>&gt; &gt; From: Devious D_MasterMixer 
<DIV></DIV>&gt; &gt; To: mlameyer@rcn.com 
<DIV></DIV>&gt; &gt; Cc: vbell@avantgo.com ; ldarthard@ameritech.net ; 
<DIV></DIV>lamontwtts@hotmail.com 
<DIV></DIV>&gt; ; 
<DIV></DIV>&gt; &gt; dj_dirk@hotmail.com ; Loopers-Delight@annihilist.com ; 
<DIV></DIV>&gt; &gt; Loopers-Delight@loopers-delight.com 
<DIV></DIV>&gt; &gt; Sent: Saturday, May 05, 2001 6:21 PM 
<DIV></DIV>&gt; &gt; Subject: Re: Acid 3.0 - 99.00 Bucks 
<DIV></DIV>&gt; &gt; 
<DIV></DIV>&gt; &gt; 
<DIV></DIV>&gt; &gt; Ok, use this link : http://www.sonicfoundry.com/promo.asp?keycode=6677 
<DIV></DIV>&gt; to 
<DIV></DIV>&gt; &gt; get to the site. Click on the $349.97 deal. The second screen will ask 
<DIV></DIV>you 
<DIV></DIV>&gt; &gt; to continue - proceed on. When you get to the confirmation screen, the 
<DIV></DIV>&gt; price 
<DIV></DIV>&gt; &gt; will have magically changed to $99.00. You get a free Loop Library with 
<DIV></DIV>&gt; this 
<DIV></DIV>&gt; &gt; (It will be mailed to you), you can also download (for free), Sound 
<DIV></DIV>Forge 
<DIV></DIV>&gt; XP 
<DIV></DIV>&gt; &gt; 5 Studio, and Vegas Audio Lite, in addition you can download a 
<DIV></DIV>snoot-full 
<DIV></DIV>&gt; of 
<DIV></DIV>&gt; &gt; sound effects.. man for 99.00 bucks this is the shiznit ! But MAKE sure 
<DIV></DIV>&gt; you 
<DIV></DIV>&gt; &gt; use MY link, it's the only way to get the deal... 
<DIV></DIV>&gt; &gt; 
<DIV></DIV>&gt; &gt; 
<DIV></DIV>&gt; &gt; 
<DIV></DIV>&gt; &gt; 
<DIV></DIV>&gt; &gt; ----Original Message Follows---- 
<DIV></DIV>&gt; &gt; From: "Michael LaMeyer" 
<DIV></DIV>&gt; &gt; To: 
<DIV></DIV>&gt; &gt; Subject: Re: Acid 3.0 - 99.00 Bucks 
<DIV></DIV>&gt; &gt; Date: Sat, 5 May 2001 12:12:19 -0400 
<DIV></DIV>&gt; &gt; Far out. Unfortunately I went to the site and saw Acid 3.0 only 
<DIV></DIV>&gt; &gt; available at $399 or $349. How do we get the $99 deal? Did we 
<DIV></DIV>&gt; &gt; have to download the Beta? 
<DIV></DIV>&gt; &gt; Mike 
<DIV></DIV>&gt; &gt; ----- Original Message ----- 
<DIV></DIV>&gt; &gt; From: "Devious D_MasterMixer" 
<DIV></DIV>&gt; &gt; To: ; 
<DIV></DIV>&gt; &gt; Cc: ; 
<DIV></DIV>&gt; &gt; Sent: Saturday, May 05, 2001 12:58 AM 
<DIV></DIV>&gt; &gt; Subject: Re: Acid 3.0 - 99.00 Bucks 
<DIV></DIV>&gt; &gt; &gt; Just in case you need the link, here it is : 
<DIV></DIV>&gt; &gt; &gt; 
<DIV></DIV>&gt; &gt; &gt; http://www.sonicfoundry.com/promo.asp?keycode=6677 
<DIV></DIV>&gt; &gt; &gt; 
<DIV></DIV>&gt; &gt; &gt; 
<DIV></DIV>&gt; &gt; &gt; ----Original Message Follows---- 
<DIV></DIV>&gt; &gt; &gt; From: "Devious D_MasterMixer" 
<DIV></DIV>&gt; &gt; &gt; Reply-To: dj_devious_d@hotmail.com 
<DIV></DIV>&gt; &gt; &gt; To: Loopers-Delight@loopers-delight.com 
<DIV></DIV>&gt; &gt; &gt; Subject: Acid 3.0 - 99.00 Bucks 
<DIV></DIV>&gt; &gt; &gt; Date: Sat, 05 May 2001 00:49:33 
<DIV></DIV>&gt; &gt; &gt; 
<DIV></DIV>&gt; &gt; &gt; 
<DIV></DIV>&gt; &gt; &gt; -------------------------------------------------------------- 
<DIV></DIV>&gt; &gt; ------------------ 
<DIV></DIV>&gt; &gt; &gt; Get your FREE download of MSN Explorer at 
<DIV></DIV>&gt; &gt; http://explorer.msn.com 
<DIV></DIV>&gt; &gt; &gt; 
<DIV></DIV>&gt; &gt; &gt; 
<DIV></DIV>&gt; &gt; &gt; 
<DIV></DIV>&gt; &gt; 
<DIV></DIV>&gt; &gt; 
<DIV></DIV>&gt; 
<DIV></DIV>&gt; -------------------------------------------------------------------------- 
<DIV></DIV>&gt; -- 
<DIV></DIV>&gt; &gt; -- 
<DIV></DIV>&gt; &gt; Get your FREE download of MSN Explorer at http://explorer.msn.com 
<DIV></DIV>&gt; &gt; 
<DIV></DIV>&gt; &gt; 
<DIV></DIV>&gt; &gt; 
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>_________________________________________________________ 
<DIV></DIV>Do You Yahoo!? 
<DIV></DIV>Get your free @yahoo.com address at http://mail.yahoo.com 
<DIV></DIV>
<DIV></DIV><br clear=all><hr>Get your FREE download of MSN Explorer at <a href="http://explorer.msn.com">http://explorer.msn.com</a><br></p></html>

From Loopers-Delight-request@loopers-delight.com  Sat May  5 17:21:57 2001
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Hi:

We have been recording, mixing and mastering with a Tascam 428 board 
into an original IMAC 233 bondi blue machine using Digital Performer 
2.7.  We upgraded the IMAC to 198 megs of Ram and a fast 7200 rpm IBM 
hard drive.  We are having a great time with this system.  The sound 
quality at 24 bit 48 K sampling blows the doors off the old analogue 
input that we've used for previous Digital Performer recordings on the 
g3 series IMAC.  Latency seems FAR less of a problem then with the old 
analogue input system. And yes, the sound card is built into the Tascam 
mixer, so you are bypassing the Mac's sound inputs and outputs.  
Everything is routed USB.  We monitor our recording with a full range 
system at high db levels using Magneplaners and 400 watts a side with 
biamped subwoofers.  Anybody telling you that USB can't sound good is 
listening with some other equipment then human ears.  Maybe they're 
sampled too many mpeg3s over their mini disc systems! (Just kidding...we 
like both mpeg and minidisc formats for what they are, but find it 
ironic that USB is catching flak when it has far more bandwidth then 
aforementioned sound formats!)  We ARE extremely interested in new 
firewire options.  And we are also interested in adapting G4 cards as 
soon as possible because now that system 10  is out G4 is the chip of 
choice and a dual processing G4 MAC sounds like it would be great for 
Digital Performer 3.0.   That said, you can make terrific full bandwidth 
recordings now at a low price.  The Tascam 428 goes for a street price 
of about $400.  And a used IMAC should be available for about the same.  
We would think twice before investing in a new MAC that DIDN'T have a G4 
chip.  But we can't believe how good things are getting for the money!  
Wish they had installed a USB system and a MAC in the White House 
instead of the primitive fossil fuel burning and not  for the masses 
mastahs that are running the joint right now.

Best,
Roctologists
On Friday, May 4, 2001, at 08:47 AM, rich wrote:

     Thanks!  a little surfing later, and my eyes are opened.......  i 
think
i may have to get an iBook and turn it into my little portable recording
studio....  =)

remembering an earlier thread...folks were chiming in about USB not 
being terribly friendly to audio.  seems to work fine for midi 
information, but y'all were commenting that for critical audio work, it 
might not be the best way to go.  that kindof stopped my interest in the 
Tascam USB mixer, and also the new Event mixer (although the event's 
matrix system seems terribly intriguing).

Is USB that bad for audio?  Right now, i'm messing with the onboard 
sound input/outputs on a powerbook G3.  Would a USB audio interface be 
better?  worse?

the firewire interfaces are starting to show up.  i've had pretty good 
luck using Imovie with firewire to a digital video cam, but sometimes 
the communication between laptop and camera chokes and you have to start 
again.  i wonder if the same will be for firewire audio.


On Friday, May 4, 2001, at 08:47 AM, rich wrote:

>>     Thanks!  a little surfing later, and my eyes are opened.......  i 
>> think
>> i may have to get an iBook and turn it into my little portable 
>> recording
>> studio....  =)
>
> remembering an earlier thread...folks were chiming in about USB not 
> being terribly friendly to audio.  seems to work fine for midi 
> information, but y'all were commenting that for critical audio work, it 
> might not be the best way to go.  that kindof stopped my interest in 
> the Tascam USB mixer, and also the new Event mixer (although the 
> event's matrix system seems terribly intriguing).
>
> Is USB that bad for audio?  Right now, i'm messing with the onboard 
> sound input/outputs on a powerbook G3.  Would a USB audio interface be 
> better?  worse?
>
> the firewire interfaces are starting to show up.  i've had pretty good 
> luck using Imovie with firewire to a digital video cam, but sometimes 
> the communication between laptop and camera chokes and you have to 
> start again.  i wonder if the same will be for firewire audio.
>
>>     if you use a USB audio interface, does that bypass the computer's
>> soundcard?
>
> as far as i know...yes.  although the macs have never shipped with 
> soundcards, per se.  they have always had the audio on board, with 1/8" 
> mini jacks for input and speaker output (some of the older AV macs 
> being an exception - RCA's).  funny that they've now dumped the audio 
> in on the new powerbooks and ibooks.  i've been a mac-head for about 7 
> years now, and it seems that with each new generation, they come up 
> with something really cool, but they dump something that was useful, 
> too.
>
> anybody want a 7100/66 powermac?  i'm getting a used G4 this weekend. 
> i'm sure someone is just dying for Nubus technology, yes?  and that 
> 66mhz 601 chip just SMOKES...and gosh, it only cost $2300 new.
>
> rich
>

From Loopers-Delight-request@loopers-delight.com  Sun May  6 08:57:31 2001
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From: "Bill Fox" <billfox@fast.net>
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Subject: Re: WTB Yamaha FS1R
Date: Sun, 6 May 2001 08:56:34 -0400
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$650 at Musician's Friend.  Bought one but it had a vertical black streak on its
display so I sent it back.  I'm waitint for its replacement to arrive.

Bill         billfox@fast.net
http://wdiyfm.org/schedule/s_emusic.html
============================================================================
Host of EMUSIC, an electronic, ambient, and space music show.  Thursdays at
11 pm on WDIY 88.1 FM, Allentown and Bethlehem and 93.9 FM in Easton and
Phillipsburg.  Email me if you wish to submit music for airplay consideration.
Radio Station Home Page: http://wdiyfm.org
Personal site: http://www.users.fast.net/~billfox
To subscribe to the EMUSIC on WDIY list, send
email to: emusic-wdiy-subscribe@yahoogroups.com
-----Original Message-----
From: Emile Tobenfeld (a.k.a Dr. T) <emile@foryourhead.com>
Subject: WTB Yamaha FS1R


>... in a nutshell.
> Emile Tobenfeld, Ph. D.

From Loopers-Delight-request@loopers-delight.com  Sun May  6 09:02:20 2001
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Subject: Re: "vintage" board question
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I have a Teac Model 5 and a Tascam M-30.  Neither has phantom.  Probably of
similar vintage.  Don't know about the 3, however.

Bill         billfox@fast.net
http://wdiyfm.org/schedule/s_emusic.html
============================================================================
Host of EMUSIC, an electronic, ambient, and space music show.  Thursdays at
11 pm on WDIY 88.1 FM, Allentown and Bethlehem and 93.9 FM in Easton and
Phillipsburg.  Email me if you wish to submit music for airplay consideration.
Radio Station Home Page: http://wdiyfm.org
Personal site: http://www.users.fast.net/~billfox
To subscribe to the EMUSIC on WDIY list, send
email to: emusic-wdiy-subscribe@yahoogroups.com
-----Original Message-----
From: anti:clockwise <anticlockwise@tensionheadache.org>
>tascam model 3 -
>phantom power  Y  /  N   ?
>anybody here, um, "vintage" enuf to be familiar w/ this bad boy?

From Loopers-Delight-request@loopers-delight.com  Sun May  6 14:38:05 2001
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From: SoundFNR@aol.com
Message-ID: <57.1592d3cb.2826f335@aol.com>
Date: Sun, 6 May 2001 14:34:29 EDT
Subject: Re: Yamaha MFC-10
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> Yamaha MFC-10? Doesn't say on yamaha web site specs.
>  
No, it doesn't send sysex, except to back up programs.

andy butler 

From Loopers-Delight-request@loopers-delight.com  Sun May  6 14:51:30 2001
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Date: Sun, 06 May 2001 11:49:46 -0700
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Subject: JamMan/Vortex foot switches
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Hey Lexicon JamMan and Vortex owners,

I just acquired a Vortex, but it did not come with any foot switches.
On a whim, I tried using a couple of sustain pedals from an Ensonic
keyboard put into a dual mono to stereo adapter and into the back of the
units.  Viola!  It worked!  I'm pretty sure that the Ensonic pedals are
fairly standard, and they seem a lot nicer than the stock Lexicon
pedals, and cheap.  Tomorrow I go and get some plywood and velcro and
make a nice little Lexcon control pedal.  Nice.

Mark

From Loopers-Delight-request@loopers-delight.com  Sun May  6 14:55:24 2001
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Date: Sun, 6 May 2001 14:53:14 EDT
Subject: Re: Cheap filters 
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Thanks to ALL who replied to my questions, especially=20
thanks to Hugo for the link.

Well I heard what the "Resinator" can do,=20
3 filter sweeps with autopan , but couldn't buy it.
( discontinued)

as Hugo pointed out there's already a MAM Resonator
which is the same, and its available, and its even a bit cheaper
at =A3139 ,=20

also found the MAM Warp 9 , which certainly
seems to be a 'budget Sherman' .
...only with more possibilities , especially=20
for making short loops evolve over a longer timespan.

well they're both on their way , so if folks are interested
I'll post a review


andy butler (EDP waiting waiting)  =20

From Loopers-Delight-request@loopers-delight.com  Sun May  6 15:21:56 2001
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From: improv@peak.org (Dave Trenkel)
Subject: Re: JamMan/Vortex foot switches
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At 11:49 AM 5/6/01, Mark Sottilaro wrote:
>Hey Lexicon JamMan and Vortex owners,
>
>I just acquired a Vortex, but it did not come with any foot switches.
>On a whim, I tried using a couple of sustain pedals from an Ensonic
>keyboard put into a dual mono to stereo adapter and into the back of the
>units.  Viola!  It worked!  I'm pretty sure that the Ensonic pedals are
>fairly standard, and they seem a lot nicer than the stock Lexicon
>pedals, and cheap.  Tomorrow I go and get some plywood and velcro and
>make a nice little Lexcon control pedal.  Nice.

I've been using a sustain pedal (it's a Roland, with 2 pedals) to control
my JamMan for years. The timing seems more precise than with the standard
Lex pedals as well.

Good luck with the Vortex, it's an inspiring piece!

____________________________________________
Dave Trenkel : improv@peak.org
New & Improv Media
http://www.newandimprov.com
Now available: Admiral Twinkle Devil: Wabi Dub
____________________________________________


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At 9:02 AM -0400 5/6/01, Bill Fox wrote:
>I have a Teac Model 5 and a Tascam M-30.  Neither has phantom.  Probably of
>similar vintage.  Don't know about the 3, however.

The Model 3 was sort of a junior verison of the Model 5, so no 
phantom power there either.
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

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References: <20.15f450c2.2823f94b@aol.com> <4.3.2.7.2.20010504143709.00d0f900@mail.groundloops.com>
Subject: A Windows Setting for You Other PC Recorder Types
Date: Sun, 6 May 2001 20:42:16 +0100
Organization: EarthLight Productions
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I found this today after a searchabout looking for ways to unbungup a
situation probably caused by beta-testing IE6 while also wanting to record
more than 10 minutes into a 44100/16-bit stereo WAV file, with only 7GB disk
free and 128MB of SDRAM...  It solved a major limitation.

Turns out there's more than just MinFileCache and MaxFileCache settings
under the [vcache] area.  While many recommend that one never change these,
I found it necessary due to the extraordinary demands of long WAV file
recording.

This setting is called ChunkSize, believe it or not.  If you have difficulty
recording long or big multitracks under Windows, set it to the size of your
motherboard's cache.  As mine is 1MB, I gave it the value 1024.  Problem
solved!  :)

Stephen Goodman
http://www.earthlight.net/Gallery_Front.html - Cartoons & Illustrations
http://www.earthlight.net/Studios * The free Loop of the Week!

From Loopers-Delight-request@loopers-delight.com  Sun May  6 19:48:23 2001
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From: "Bill Fox" <billfox@fast.net>
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Subject: EMUSIC Playlist #215
Date: Sun, 6 May 2001 19:40:51 -0400
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EMUSIC, an electronic, ambient, and space music show, airs each Thursday
at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA and 93.9 FM in
Easton, PA and Phillipsburg, NJ.

                    Show #215                    May 3, 2001.


RECAP:
On this show, I began a month-long focus on the Jodrell Bank Concert series in
the UK.  The feature CD at midnight was the RMI disc from the Neu Harmony 6 CDR
set, Concerts at Jodrell Bank.

I also played the music of Spacecraft to promote their upcoming show at the
next Gathering.

Jodrell Bank Concerts
http://wdiyfm.org/emusic/playlists/2001/focus01.html#may
The Gathering            http://wdiyfm.org/emusic/events.html


PLAYLIST:

ARTIST                  TRACK                    ALBUM (label)
======================= ======================== ==============================
11:04 pm
Tales                   Aldabaran In Sight       Interstellar Memories (SIT
Records)
Spacecraft              Stepping Lightly         Earthtime Tapestry (Lektronic
Soundscapes)
Spacecraft              Seed                     Earthtime Tapestry (Lektronic
Soundscapes)
Arcane                  Planet of the Blind      Future Wreck (Neu Harmony)
Medwyn Goodall          Eye of the Storm         Essence of Magic (New World
Music)
Farfield                Resonance                Dust + Glass (none)
Vir Unis                Finding the Center       Live Gathering 23
(SpaceForMusic.com)
Ron Boots               Save It Foe A Rainy Day  Close, But Not Touching
(Groove)

12:00 am
RMI                     Track 1                  RMI - Concerts at Jodrell Bank
(Neu Harmony)
RMI                     Track 2                  RMI - Concerts at Jodrell Bank
(Neu Harmony)
RMI                     Track 3                  RMI - Concerts at Jodrell Bank
(Neu Harmony)
RMI                     Track 4                  RMI - Concerts at Jodrell Bank
(Neu Harmony)
RMI                     Track 5 *                RMI - Concerts at Jodrell Bank
(Neu Harmony)

1:00 am

 * = exerpt
VA = Various Artists (compilation)


NEXT SHOW:
On the next EMUSIC, I'll continue the month-long focus on the Jodrell Bank
concerts in the UK as typified by the 6 CDR release from Neu Harmony.  The
feature CD at midnight will be a board mix Minidisc version of the AirSculpture
CDR.

I will also play the music of Spacecraft who will appear at the next Gathering
in Philadelphia on May 19th.

Bill         billfox@fast.net
http://wdiyfm.org/schedule/s_emusic.html
============================================================================
Host of EMUSIC, an electronic, ambient, and space music show.  Thursdays at
11 pm on WDIY 88.1 FM, Allentown and Bethlehem and 93.9 FM in Easton and
Phillipsburg.  Email me if you wish to submit music for airplay consideration.
Radio Station Home Page: http://wdiyfm.org
Personal site: http://www.users.fast.net/~billfox
To subscribe to the EMUSIC on WDIY list, send
email to: emusic-wdiy-subscribe@yahoogroups.com

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<html><DIV>FYI </DIV>
<DIV>&nbsp;</DIV>
<DIV><A href="http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&amp;item=1428799569&amp;r=0&amp;t=0&amp;showTutorial=0&amp;ed=989618953&amp;indexURL=0&amp;rd=1">http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&amp;item=1428799569&amp;r=0&amp;t=0&amp;showTutorial=0&amp;ed=989618953&amp;indexURL=0&amp;rd=1</A></DIV>
<DIV>&nbsp;</DIV>
<DIV>Thanks, Pete</DIV><br clear=all><hr>Get your FREE download of MSN Explorer at <a href="http://explorer.msn.com">http://explorer.msn.com</a><br></p></html>

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From Loopers-Delight-request@loopers-delight.com  Mon May  7 01:46:00 2001
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Subject: Brian Eno Installation at SFMOMA
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For any SF Bay Area loopers:
Today, I went to the San Francisco Museum of Modern Art to see the =
"010101" exhibition. Brian Eno set up an intriguing installation. It is =
a darkened room with strands of ornamental lights going from floor to =
ceiling and a posed manequin in the corner. A dozen boom box CD players =
playing the same looper of ambient music at different intervals were =
located at key spots in the room. Thus, standing in different parts of =
the room would "emphasize" a different part of the music. A very =
interesting example of Eno's fascination with system-oriented art.=20

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<DIV><FONT face=3DArial size=3D2>For any SF Bay Area =
loopers:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Today, I went to the San Francisco =
Museum of Modern=20
Art to see the "010101" exhibition. Brian Eno&nbsp;set up an intriguing=20
installation. It is a darkened room with strands of ornamental lights=20
going&nbsp;from floor to ceiling and a posed manequin in the =
corner.&nbsp;A=20
dozen boom box CD players playing the same looper of ambient music at =
different=20
intervals were located at key spots in the room. Thus, standing in =
different=20
parts of the room would "emphasize" a different part of the music. A =
very=20
interesting example of Eno's fascination with system-oriented art.=20
</FONT></DIV></BODY></HTML>

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Subject: Re: Brian Eno Installation at SFMOMA
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In a message dated 05/07/2001 12:44:06 AM Central Daylight Time, 
alan_i@sprynet.com writes:


> Today, I went to the San Francisco Museum of Modern Art to see the "010101" 
> exhibition. Brian Eno set up an intriguing installation. It is a darkened 
> room with strands of ornamental lights going from floor to ceiling and a 
> posed manequin in the corner. A dozen boom box CD players playing the same 
> looper of ambient music at different intervals were located at key spots in 
> the room. Thus, standing in different parts of the room would "emphasize" a 
> different part of the music. A very interesting example of Eno's 
> fascination with system-oriented art. 


Some Christmas tree lights, a mannequin, and a bunch of jam-boxes.  

Speaking as a guy who used to be glommed on to Apollo and Music For (You Name 
It), I don't think the Domed One has much to reveal anymore.

a loop supreme,

k

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>In a message dated 05/07/2001 12:44:06 AM Central Daylight Time, 
<BR>alan_i@sprynet.com writes:
<BR>
<BR></FONT><FONT  COLOR="#000080" SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0">
<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">Today, I went to the San Francisco Museum of Modern Art to see the "010101" 
<BR>exhibition. Brian Eno set up an intriguing installation. It is a darkened 
<BR>room with strands of ornamental lights going from floor to ceiling and a 
<BR>posed manequin in the corner. A dozen boom box CD players playing the same 
<BR>looper of ambient music at different intervals were located at key spots in 
<BR>the room. Thus, standing in different parts of the room would "emphasize" a 
<BR>different part of the music. A very interesting example of Eno's 
<BR>fascination with system-oriented art. </FONT><FONT  COLOR="#000080" SIZE=3 FAMILY="SANSSERIF" FACE="Arial" LANG="0"></BLOCKQUOTE>
<BR></FONT><FONT  COLOR="#0f0f0f" SIZE=3 FAMILY="SANSSERIF" FACE="Arial" LANG="0">
<BR>
<BR>Some Christmas tree lights, a mannequin, and a bunch of jam-boxes. &nbsp;
<BR>
<BR>Speaking as a guy who used to be glommed on to Apollo and Music For (You Name 
<BR>It), I don't think the Domed One has much to reveal anymore.
<BR>
<BR>a loop supreme,
<BR>
<BR>k</FONT></HTML>

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Speaking of the Domed One, there's an interview with him in this past =
Sunday's Radio Times, the supplement to the Times of London.  Page 15, =
entitled "Brian Power".  Apparently he's living in London again.

Stephen Goodman
http://www.earthlight.net/Gallery_Front.html - Cartoons & Illustrations
http://www.earthlight.net/Studios * The free Loop of the Week!

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<DIV><FONT face=3Darial,helvetica>Speaking of the Domed One, there's an =
interview=20
with him in this past Sunday's Radio Times, the supplement to the Times =
of=20
London.&nbsp; Page 15, entitled "Brian Power".&nbsp; Apparently he's =
living in=20
London again.</FONT></DIV>
<DIV><FONT face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT color=3D#000080>Stephen Goodman<BR><A=20
href=3D"http://www.earthlight.net/Gallery_Front.html">http://www.earthlig=
ht.net/Gallery_Front.html</A>=20
- Cartoons &amp; Illustrations<BR><A=20
href=3D"http://www.earthlight.net/Studios">http://www.earthlight.net/Stud=
ios</A> *=20
The free Loop of the Week!</FONT></DIV></BODY></HTML>

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Lucky you!  Did you get a chance to talk to Brian Eno?  

>>> alan_i@sprynet.com 05/07/01 12:42AM >>>
For any SF Bay Area loopers:
Today, I went to the San Francisco Museum of Modern Art to see the "010101" exhibition. Brian Eno set up an intriguing installation. It is a 

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thanks for the tip.
now i'm all legal and stuff...


From Loopers-Delight-request@loopers-delight.com  Mon May  7 11:41:31 2001
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From: "Steve Lawson" <steve@steve-lawson.co.uk>
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Subject: DL4 problems
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My DL4 has started making some rather strange noises - sounds like someone blowing into a microphone intermittently - lots of
hiss and a shifting other noise... not nice at all, and likely to ruin gigs should I use it (had a solo gig Saturday and
fortunately it wasn't doing it, or at least not too loud anyway...

Any suggestions as to what it is and how to fix it?

cheers

Steve
www.steve-lawson.co.uk

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Buy a Repeater
G

-----Original Message-----
From: Steve Lawson [mailto:steve@steve-lawson.co.uk]
Sent: Monday, May 07, 2001 8:41 AM
To: Loop List
Subject: DL4 problems


My DL4 has started making some rather strange noises - sounds like someone
blowing into a microphone intermittently - lots of
hiss and a shifting other noise... not nice at all, and likely to ruin gigs
should I use it (had a solo gig Saturday and
fortunately it wasn't doing it, or at least not too loud anyway...

Any suggestions as to what it is and how to fix it?

cheers

Steve
www.steve-lawson.co.uk

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Date: Mon, 7 May 2001 08:57:37 -0700
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Steve,

dunno if this is your problem, but that's a similar sound to what the 
DL4 makes when you clip the inputs.  Are you running a line level 
into it, or a very hot signal?  If so, that might be the problem.

If you're just running a passive guitar level signal, and it does 
it....hmmm...try line6 support.  they are pretty helpful and should 
work out getting you a replacement unit if it's defective.

I'm planning on getting one of the ebtech line level shifters soon, 
to work with the DL4 and line level signals.  i'm hoping that will 
open up this box's flexibility.

rich


>My DL4 has started making some rather strange noises - sounds like 
>someone blowing into a microphone intermittently - lots of
>hiss and a shifting other noise... not nice at all, and likely to 
>ruin gigs should I use it (had a solo gig Saturday and
>fortunately it wasn't doing it, or at least not too loud anyway...
>
>Any suggestions as to what it is and how to fix it?
>
>cheers
>
>Steve
>www.steve-lawson.co.uk

From Loopers-Delight-request@loopers-delight.com  Mon May  7 12:09:36 2001
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At 4:40 PM +0100 5/7/01, Steve Lawson wrote:
>My DL4 has started making some rather strange noises - sounds like 
>someone blowing into a microphone intermittently - lots of
>hiss and a shifting other noise... not nice at all, and likely to 
>ruin gigs should I use it (had a solo gig Saturday and
>fortunately it wasn't doing it, or at least not too loud anyway...
>
>Any suggestions as to what it is and how to fix it?

Are you using an AC adapter or batteries?  As I recall these units 
start to  make noise when batteries are running low.
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

From Loopers-Delight-request@loopers-delight.com  Mon May  7 12:20:38 2001
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> Buy a Repeater
> G

right, thanks, that was really helpful... :o) 

Steve 


From Loopers-Delight-request@loopers-delight.com  Mon May  7 12:34:02 2001
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on 5/7/01 10.14 AM, jim palmer at jimp@pobox.com wrote:

> thanks for the tip.
> now i'm all legal and stuff...
> 


    can someone forward me the link for that again?

    thanks,
    mike



_________________________________________________________
Do You Yahoo!?
Get your free @yahoo.com address at http://mail.yahoo.com

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> -----Original Message-----
> From: mattlove1 [mailto:mattlove1@home.com]
> Sent: Friday, May 04, 2001 9:26 PM

> I find Oswald's stuff less compelling - it's partly 
> aesthetics, but I
> haven't seen him articulate his issues in the same way Hosler 
> and Co have.

John is a fairly quiet, retiring kind of guy for the most part, though he is
quite firm in his convictions and will defend them vigorously. He's also not
been one for tooting his own horn (except when playing alto sax with CCMC
:->)

Jim Bailey

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KB305@aol.com wrote:

> In a message dated 05/07/2001 12:44:06 AM Central Daylight Time,
> alan_i@sprynet.com writes:
>
>
>
>> Today, I went to the San Francisco Museum of Modern Art to see the
>> "010101"
>> exhibition. Brian Eno set up an intriguing installation. It is a
>> darkened
>> room with strands of ornamental lights going from floor to ceiling
>> and a
>> posed manequin in the corner. A dozen boom box CD players playing
>> the same
>> looper of ambient music at different intervals were located at key
>> spots in
>> the room. Thus, standing in different parts of the room would
>> "emphasize" a
>> different part of the music. A very interesting example of Eno's
>> fascination with system-oriented art.
>
>
>
>
> Some Christmas tree lights, a mannequin, and a bunch of jam-boxes.
>
> Speaking as a guy who used to be glommed on to Apollo and Music For
> (You Name
> It), I don't think the Domed One has much to reveal anymore.
>
> a loop supreme,
>
> k

el lupo supremo,

i hope you never create enough great stuff in a lifetime so that people
begin to feel obligated to dis you like that!

lance g.

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hey, he's right to suggest repeater.
it doesn't make ANY noise...


----- Original Message ----- 
From: "Steve Lawson" <steve@steve-lawson.co.uk>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, May 07, 2001 11:20 AM
Subject: Re: DL4 problems


> > Buy a Repeater
> > G
> 
> right, thanks, that was really helpful... :o) 
> 
> Steve 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Mon May  7 14:48:05 2001
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Date: Mon, 07 May 2001 13:42:47 -0500
From: jim palmer <jimp@pobox.com>
Subject: Fw: DL4 problems
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er.. she's right.
sorry...

----- Original Message ----- 
From: "jim palmer" <jimp@pobox.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, May 07, 2001 1:40 PM
Subject: Re: DL4 problems


> hey, he's right to suggest repeater.
> it doesn't make ANY noise...
> 
> 
> ----- Original Message ----- 
> From: "Steve Lawson" <steve@steve-lawson.co.uk>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Monday, May 07, 2001 11:20 AM
> Subject: Re: DL4 problems
> 
> 
> > > Buy a Repeater
> > > G
> > 
> > right, thanks, that was really helpful... :o) 
> > 
> > Steve 
> > 
> > 
> 

From Loopers-Delight-request@loopers-delight.com  Mon May  7 14:58:28 2001
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To: Loopers-Delight@loopers-delight.com
Cc: feeneymike@yahoo.com
Subject: Re: Acid 3.0 - 99.00 Bucks
Date: Mon, 07 May 2001 18:55:51 
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<html><DIV>
<P>Ok, use this link : <A href="http://www.sonicfoundry.com/promo.asp?keycode=6677">http://www.sonicfoundry.com/promo.asp?keycode=6677</A>&nbsp; to get to the site. Click on the $349.97 deal. The second screen will ask you to continue - proceed on. When you get to the confirmation screen, the price will have magically changed to $99.00. You get a free Loop Library with this (It will be mailed to you), you can also download (for free), Sound Forge XP 5 Studio, and Vegas Audio Lite, in addition you can download a snoot-full of sound effects.. man for 99.00 bucks this is the shiznit ! But MAKE sure you use MY link, it's the only way to get the deal...</P>
<DIV></DIV>
<P>Oh, there will be box that asks : REFERED TO By : Please type in <A href="mailto:ldarthard@Ameritech.net">ldarthard@Ameritech.net</A> . I get a free loop library if you do.</P>
<P><BR><BR></P></DIV>
<DIV></DIV>
<DIV></DIV>----Original Message Follows---- 
<DIV></DIV>From: Mike Feeney <FEENEYMIKE@YAHOO.COM>
<DIV></DIV>Reply-To: Loopers-Delight@loopers-delight.com 
<DIV></DIV>To: <LOOPERS-DELIGHT@LOOPERS-DELIGHT.COM>
<DIV></DIV>Subject: Re: Acid 3.0 - 99.00 Bucks 
<DIV></DIV>Date: Mon, 07 May 2001 11:31:18 -0500 
<DIV></DIV>
<DIV></DIV>on 5/7/01 10.14 AM, jim palmer at jimp@pobox.com wrote: 
<DIV></DIV>
<DIV></DIV>&gt; thanks for the tip. 
<DIV></DIV>&gt; now i'm all legal and stuff... 
<DIV></DIV>&gt; 
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>can someone forward me the link for that again? 
<DIV></DIV>
<DIV></DIV>thanks, 
<DIV></DIV>mike 
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>_________________________________________________________ 
<DIV></DIV>Do You Yahoo!? 
<DIV></DIV>Get your free @yahoo.com address at http://mail.yahoo.com 
<DIV></DIV>
<DIV></DIV><br clear=all><hr>Get your FREE download of MSN Explorer at <a href="http://explorer.msn.com">http://explorer.msn.com</a><br></p></html>

From Loopers-Delight-request@loopers-delight.com  Mon May  7 16:41:19 2001
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Date: Mon, 07 May 2001 15:01:47 -0500
To: Loopers-Delight@loopers-delight.com
From: Michael Clark <mcl451@airmail.net>
Subject: OT: Looking For A Soldano Surf Box To Add To Looping Rig
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Hi,

I'm looking for a Soldano Surf Box to add to my looping set-up.

If you know of one, just email me privately.

Thanks,

Michael

From Loopers-Delight-request@loopers-delight.com  Mon May  7 16:56:51 2001
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on the off chance one of ya'll has a Lexicon MPX G2 for sale I'm looking
to give one a try

peace,  steve

From Loopers-Delight-request@loopers-delight.com  Mon May  7 18:42:03 2001
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Subject: Re: Acid 3.0 - 99.00 Bucks
Date: Mon, 7 May 2001 18:36:04 -0400
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This is a multi-part message in MIME format.

------=_NextPart_000_0033_01C0D724.92F99AC0
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a friend of mine is looking for any sites to dld Pro tools plug ins: for =
a moderate price if not for free.

------=_NextPart_000_0033_01C0D724.92F99AC0
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>a friend of mine is looking for any =
sites to dld=20
Pro tools plug ins: for a moderate price if not for=20
free.</FONT></DIV></BODY></HTML>

------=_NextPart_000_0033_01C0D724.92F99AC0--

From Loopers-Delight-request@loopers-delight.com  Mon May  7 19:17:17 2001
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Date: Mon, 07 May 2001 16:03:25 -0700
From: Doug Lawrence <dlawren@pacbell.net>
Subject: RE: Acid 3.0 - 99.00 Bucks
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I thought Looper's Delight had a deal with Sonic Foundry to get them some
$$$ for purchases made through the site ... is this still active ... maybe
Kim has some info on that ...


>>But MAKE sure you use MY link, it's the only way to get the deal...
>>Oh, there will be box that asks :
>>REFERED TO By : Please type in ldarthard@Ameritech.net .

From Loopers-Delight-request@loopers-delight.com  Mon May  7 19:43:47 2001
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G wrote to Steve Lawson:
"Buy a Repeater"


Has anyone ever even seen a repeater?

Also,  I have been having a hell of a time getting Line 6 to send back my
'in warranty' modulater pedal.  It's been 7 weeks now (not counting the one
week where my local tech thought he could fix the problem and wasn't able
to).   This has been very vexing, I must say (said in Ed Grimley's voice).

Rick Walker

From Loopers-Delight-request@loopers-delight.com  Mon May  7 19:56:50 2001
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Date: Mon, 7 May 2001 16:46:44 -0700
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Rick,

don't know if he can help you, but maybe send a mail off to:

george.van.wagner@line6.com

George Van Wagner heads up the line6 web board and seems to be one of 
main points of contact there relating to all things line6.  George 
was extremely helpful to me in some issues with the DL4.  the person 
he put me in touch with at line6 support got me my replacement unit 
sent to me within a week, if i remember corrrectly.

tell him you're from looper's delight and see if he can steer you in 
the right direction at least.

good luck.

rich

ps.  i've seen a repeater.  i liked it very much.


>G wrote to Steve Lawson:
>"Buy a Repeater"
>
>
>Has anyone ever even seen a repeater?
>
>Also,  I have been having a hell of a time getting Line 6 to send back my
>'in warranty' modulater pedal.  It's been 7 weeks now (not counting the one
>week where my local tech thought he could fix the problem and wasn't able
>to).   This has been very vexing, I must say (said in Ed Grimley's voice).
>
>Rick Walker

From Loopers-Delight-request@loopers-delight.com  Mon May  7 20:46:00 2001
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Date: Mon, 7 May 2001 20:38:40 -0400
To: "Art List"  <emile@foryourhead.com>
From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Video performance with OutHouse playing Ornette Coleman  5.12.00
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Hi folks,

Hope you can join us for this event, which promises to be exciting.

Rob Chalfen & subconsciouscafe Transgenic Music Series @ ZEITGEIST 
GALLERY presents ~
SATURDAY May 12 - 9pm

I'll be video mixing to the music of

OUThouse -
The music of Ornette Coleman "in the House"! a modern dance beat take 
on the Master.

Featuring members of Birdsongs of the Mesozoic, fresh from their 
triumph at the Somerville Theatre!!

Michael Bierlo
Ken Field
Rich Scott
  and others!

      ! AND !

Fred Stubbs & Club Z
  The master of the nai (turkish flute) and his hand picked ensemble 
of savants offer an intensely sensual, improvized approach to 
traditional northafrican and turkish trance musics...an 
out-of-cambridge experience! A subcafe classic, not to be missed!

A paltry $8! Why not shut off the goddamned tv, come down and check it out?
ZEITGEIST GALLERY
312 Broadway, cr Norfolk, off Central Sq. Cambridge  617.876.2182


Upcoming events
5.19.01 @Zeitgeist w Immersion Music Salon
5.26.01 @Flywheel (Easthampton MA)  w Immersion Music Salon

-- 
"Once the search is in progress, something will be found"

-- Brian Eno and Peter Schmidt


		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

From Loopers-Delight-request@loopers-delight.com  Mon May  7 21:04:20 2001
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Date: Mon, 07 May 2001 20:00:39 -0500
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Who makes the repeater?
Is there a website that tells about them?  

Ted

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Ted Geerdink (06:00 PM 05/07/01) wrote:

 >Who makes the repeater?
 >Is there a website that tells about them?

Electrix:

   http://www.electrixpro.com/


Mark

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From: Jhsidlo@aol.com
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Date: Mon, 7 May 2001 21:17:42 EDT
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    Somebody's probably done a thread on this. But I just got Jon Catler's 
"Evolution for Electric Guitar and Orchestra" CD. Very, very good!!
        
                                Later, James H. Sidlo

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Jhsidlo@aol.com wrote:
> 
>     Somebody's probably done a thread on this. But I just got Jon Catler's
> "Evolution for Electric Guitar and Orchestra" CD. Very, very good!!
> 
>                                 Later, James H. Sidlo


And he's a Boomerang user too! Catch Evolution in concert in 
NYC on June 14th, 2001 - http://microtones.com/woot
Come hear me too, Blurry Day -June 22,2001!

Do you live in Texas? Jon told me yesterday he sold two
cds to someone in Texas recently.

db

-- 
* D a v i d         B e a r d s l e y
* 49/32  R a d i o "all microtonal, all the time"
* http://www.virtulink.com/immp/lookhere.htm
* http://mp3.com/davidbeardsley

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hi

speaking of repeater, it's turned up in the catalog of the australian
distributor with a price (insert enormous amount of australian dollars
here).  I contacted them about this and they said "shipping in june".  don't
know if this means anything though, given the on and off shipping dates of
past.

omjn

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I saw that last November they had a AUD price of 1500 - has that changed?
Suppose it will only go up......

Cheers,

Anthony


From Loopers-Delight-request@loopers-delight.com  Mon May  7 23:35:29 2001
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well, its up to to the hard to resist bargain of aud$1899.  not bad for a
non shipping product...

omjn

-----Original Message-----
From: Anthony.Hancock@ing.com.au [mailto:Anthony.Hancock@ing.com.au]
Sent: Tuesday, 8 May 2001 11:21 AM
To: Loopers-Delight@loopers-delight.com
Subject: RE: Repeater in Oz




I saw that last November they had a AUD price of 1500 - has that changed?
Suppose it will only go up......

Cheers,

Anthony



From Loopers-Delight-request@loopers-delight.com  Mon May  7 23:35:33 2001
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omjn (08:19 PM 05.07.2001) wrote:

 >speaking of repeater, it's turned up in the catalog of the australian
 >distributor with a price (insert enormous amount of australian dollars
 >here).  I contacted them about this and they said "shipping in june".  don't
 >know if this means anything though, given the on and off shipping dates of
 >past.

Yeah, it's shown up in catalogs and print ads a couple of times. That 
happens because of the lead time required to get an ad into a mag or for 
the distributor to secure space in a dealer's catalog.


The last official word from Electrix was a letter from the president of 
Electrix which was forwarded to the list by Jamie Drouin (also of Electrix).

In there, it's said that (as of the date of the letter) the new ship date 
looked like early June.

The letter is also on the front page of their website:

   http://www.electrixpro.com/


Mark

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Anthony.Hancock@ing.com.au (08:20 PM 05.07.2001) wrote:

 >I saw that last November they had a AUD price of 1500 - has that changed?
 >Suppose it will only go up......

That's basically the US list price.


Mark

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Uh oh, here we go again....

Martin Shellard 


> From: "Ted Geerdink" <tgeerdi@wpo.it.luc.edu>

> 
> Who makes the repeater?
> Is there a website that tells about them?
> 
> Ted
> 

From Loopers-Delight-request@loopers-delight.com  Tue May  8 01:20:19 2001
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Steve; When I first ordered my DL4 I rec'd one that did make some similar 
noises (and some really worse stuff too!) It was unusable and I was 
bummed...but I called Line 6 and got a replacement pronto! Of course..I am 
in Southern Calif...and you are in England.
Try e-mailing Line 6 first. With your rep and credentials they should jump 
at the chance to help you out.
Geez...hope mine doesn't start acting up, too!
Loop On....Max


>From: "Steve Lawson" <steve@steve-lawson.co.uk>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: "Loop List" <Loopers-Delight@annihilist.com>
>Subject: DL4 problems
>Date: Mon, 7 May 2001 16:40:49 +0100
>
>My DL4 has started making some rather strange noises - sounds like someone 
>blowing into a microphone intermittently - lots of
>hiss and a shifting other noise... not nice at all, and likely to ruin gigs 
>should I use it (had a solo gig Saturday and
>fortunately it wasn't doing it, or at least not too loud anyway...
>
>Any suggestions as to what it is and how to fix it?
>
>cheers
>
>Steve
>www.steve-lawson.co.uk
>

_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

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<html><DIV>
<P>I don't know if that deal is still active for special promotions....? I just purchased the software, and in doing so,&nbsp;I was made aware of that deal. I will assure you, that ACID 3.0 won't get any cheaper than $99.00, so check it out..... besides help a fellow looper get some free LOOPS !<BR><BR></P></DIV>
<DIV></DIV>
<DIV></DIV>----Original Message Follows---- 
<DIV></DIV>From: Doug Lawrence <DLAWREN@PACBELL.NET>
<DIV></DIV>Reply-To: Loopers-Delight@loopers-delight.com 
<DIV></DIV>To: Loopers-Delight@loopers-delight.com 
<DIV></DIV>Subject: RE: Acid 3.0 - 99.00 Bucks 
<DIV></DIV>Date: Mon, 07 May 2001 16:03:25 -0700 
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>I thought Looper's Delight had a deal with Sonic Foundry to get them some 
<DIV></DIV>$$$ for purchases made through the site ... is this still active ... maybe 
<DIV></DIV>Kim has some info on that ... 
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>&gt;&gt;But MAKE sure you use MY link, it's the only way to get the deal... 
<DIV></DIV>&gt;&gt;Oh, there will be box that asks : 
<DIV></DIV>&gt;&gt;REFERED TO By : Please type in ldarthard@Ameritech.net . 
<DIV></DIV>
<DIV></DIV><br clear=all><hr>Get your FREE download of MSN Explorer at <a href="http://explorer.msn.com">http://explorer.msn.com</a><br></p></html>

From Loopers-Delight-request@loopers-delight.com  Tue May  8 09:15:56 2001
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Date: Tue, 8 May 2001 09:08:45 EDT
Subject: Re: Logic looping ---> Pluggo vs. Spektral Delay?
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rich@nuvisionsca.com writes:
>can you give us some directions to 'mda' and 'bubu'?
sorry, i've been really busy;
maybe ye could do a websearch on 'free VST plug-ins', eh?

>if i recall, you are mainly using logic on mac, yes?
yes.
 
>so you are using pluggo as a vst plug-in through logic?
yes.

>which version of logic 
>are you using?  silver/gold/platinum?
platinum.

>dumb question...what exactly is 'host-sync'?
when the VST plug-in sees tempo/sync information from the hosting-program.....
off to my oldest son's university graduation, now!
best,
dt

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<html><DIV>
<P></P><BR>
<DIV>A repeater is a gun from the wild west that would shoot multiple times.......how could he loop with that.......????</DIV></DIV>
<DIV>
<P>Buy a Repeater" </P></DIV>
<DIV></DIV>&gt; 
<DIV></DIV>&gt; 
<DIV></DIV>&gt;Has anyone ever even seen a repeater? 
<DIV></DIV>&gt; 
<DIV></DIV>&gt;Also, I have been having a hell of a time getting Line 6 to send back my 
<DIV></DIV>&gt;'in warranty' modulater pedal. It's been 7 weeks now (not counting the one 
<DIV></DIV>&gt;week where my local tech thought he could fix the problem and wasn't able 
<DIV></DIV>&gt;to). This has been very vexing, I must say (said in Ed Grimley's voice). 
<DIV></DIV>&gt; 
<DIV></DIV>&gt;Rick Walker 
<DIV></DIV>&gt; 
<DIV></DIV><br clear=all><hr>Get your FREE download of MSN Explorer at <a href="http://explorer.msn.com">http://explorer.msn.com</a><br></p></html>

From Loopers-Delight-request@loopers-delight.com  Tue May  8 10:10:19 2001
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From: "Jeff Duke (echo17)" <echo177@bellsouth.net>
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hi ya'll, i still need the upgrade kit for my
boomer, I have written Mr. Nelson but I think that
he is possibly still on leave. does anyone have
anymore info? btw, my 'rang has 4megs, and the
proper 1845 ad/da converter. all i need is the
upgrade and a 2134 op amp that needs to be replaced
due to a "pop" when i engage the thru mute function.

peace to all, jeff


From Loopers-Delight-request@loopers-delight.com  Tue May  8 10:31:04 2001
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It took me a while to get through to Mike as well. The best way is to
email him and tell him you wanna buy the op amp and that you are going
to send a check. He will respond.

        - Jim

"Jeff Duke (echo17)" wrote:
> 
> hi ya'll, i still need the upgrade kit for my
> boomer, I have written Mr. Nelson but I think that
> he is possibly still on leave. does anyone have
> anymore info? btw, my 'rang has 4megs, and the
> proper 1845 ad/da converter. all i need is the
> upgrade and a 2134 op amp that needs to be replaced
> due to a "pop" when i engage the thru mute function.
> 
> peace to all, jeff

From Loopers-Delight-request@loopers-delight.com  Tue May  8 11:47:03 2001
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I'd tell you, but I don't want to 'repeat' myself... 8-) Maybe check the archives?

-Miko

>>> tgeerdi@wpo.it.luc.edu 05/07/01 06:00PM >>>
Who makes the repeater?
Is there a website that tells about them?  

Ted


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Subject: Re: FESTIVAL of VOICE + ELECTRONICS   this coming TUESDAY, MAY
	8th at 8 p.m. at the RIO THEATRE
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Sorry this is so late but for those interested...

>>> "Rick Walker (loop.pool)" <GLOBAL@cruzio.com> 05/03/01 04:00AM >>>
Hi, gang, Please check out this really cool and free event next Tuesday, May 8th at 8 p.m. at the Rio Theatre in Santa Cruz (specific information follows)

                THE 1st SANTA CRUZ
FESTIVAL OF VOICE + ELECTRONICA
                 TUESDAY, MAY 8th
RIO THEATRE, SANTA CRUZ, CALIFORNIA
with special guest artist:   live video animator, David Tristram

is a reality, thanks to Laurence Bedford's (owner of the Rio Theatre) generosity!!!!

it is FREE, FREE, FREE, FREE, FREE, FREE!!!!!!!!!!!!!!

We are:  John Whooley (vox, processing and our headliner), Amy Excolere (vox), Bill Walker (processing), Miko B (processing), Simran Gleason (vox, processing) and co., Johnathan Arthur (vox), Richard Salzberg (vox), Martyn St. Michael and co. (vox),  George DeMarest (vox, processing), Jeremy Zumaran (vox, processing), Tony DeCicco (vox),  and myself,  Rick Walker (M.C., vox, processing, publicity, postering and  autocratic stage managing ;-).

CENTRAL INTENT OF THE SHOW:
The central metaphor for the entire show is to have acapella improvisational singing in several different styles (overtone singing, opera, avante garde, death metal,  industrial beatbox, trip hop, pop, angelic chanting, mouth farts or whatever)  to be manipulated by electronic processing artists (looping, pitch shifting, vocoding, filtering, et. al).

The singers will have no 'control' over the processors, nor will the processors have any control over what they are given to 'process'
This can have really beautiful results if everybody has their best listening and creativity hats on (physical hats are not required ;-)
The one rule of the show is    VOICE ONLY....................NO OTHER INSTRUMENTS and NO PRERECORDED SAMPLES (even of voice)

We will be joined by special guest artist David Tristam (live video animation and visual processing) and Ed Atkins (tentatively on lighting design ;-),Victor Revere (sound and facilitation),   Bob Caine (on live sound recording and facilitation;-) and last but not least,
Laurence Bedford (venue, patronage and spiritual guidance and the lovely and talented Sabine Freudiger (spiritual guidance and good vibes).

The show is Tuesday night, May 8th at the RIO THEATRE at Soquel and  Seabright.   It will begin at 8 p.m. and continue until it is finished.

 I'm very, very excited to be working with such incredibly talented and fearless improvisers as yourselves.  I think we may break some new ground, artistically and maybe create some new vocal 'vocabulary' in the process.

"All composition is just very slow improvisation"   -- Arnold Schoenberg

Thanks,    Rick Walker (aka, loop.pool)

P.S.   I will be performing a solo looping set as the opener for the legendary RESIDENTS on May 26 at the RIO THEATRE.
I'm so jazzed, I can't see straight~~~~~~~~~~~~~~~~~~~ (what ridiculous emoticom is used for giddy excitement?)





From Loopers-Delight-request@loopers-delight.com  Tue May  8 13:21:41 2001
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Wow, I sense some arrogance on this list.  I asked one simple question  about a brand new LOOPING product that isn't even out on the market yet and was reprimanded off-list and now a cocky response on-list.  Miko, what's the point in telling me to check out the archives when two people were already kind enough to post the link?  Or do you only read the archives and disregard the current posts?  It's not like I was asking for pirated software.  And I wasn't trying to sell Acid Pro for $99.  I just wanted to know what the Repeater is.  I'm fairly new to the list but have been looping for about 10 years, mostly with reel-to-reel and old Digitech pedals.  I suppose that's not cool though.  On this list you're only cool if you have a Jamman, a Boomerang, and/or Acid Pro.  

Thanks to those of you who were nice and sent me the link to the Repeater. 

Time to unsubscribe though.    

Ted 

>>> Mbiffle@svg.com 05/08/01 10:35AM >>>
I'd tell you, but I don't want to 'repeat' myself... 8-) Maybe check the archives?

-Miko

>>> tgeerdi@wpo.it.luc.edu 05/07/01 06:00PM >>>
Who makes the repeater?
Is there a website that tells about them?  

Ted



From Loopers-Delight-request@loopers-delight.com  Tue May  8 13:32:38 2001
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Hi Ted,

It's not that we're uber-cool... I use anything I can get my hands on to loop. We've just gone around and around ad-nausea about the forthcoming Repeater... I thought I had coined a funny phrase, albeit at your expense. Sorry. If you would just do a search of the archives for 'Repeater' you'll understand what all the replies are about. You'd be surprised how much stuff you can find in the archives by the way... You've just come along a bit late and got caught in the crossfire. I apologize for this. I hadn't read all the posts and just replied to yours. 

Peace,
-Miko

>>> tgeerdi@wpo.it.luc.edu 05/08/01 10:13AM >>>
Wow, I sense some arrogance on this list.  I asked one simple question  about a brand new LOOPING product that isn't even out on the market yet and was reprimanded off-list and now a cocky response on-list.  Miko, what's the point in telling me to check out the archives when two people were already kind enough to post the link?  Or do you only read the archives and disregard the current posts?  It's not like I was asking for pirated software.  And I wasn't trying to sell Acid Pro for $99.  I just wanted to know what the Repeater is.  I'm fairly new to the list but have been looping for about 10 years, mostly with reel-to-reel and old Digitech pedals.  I suppose that's not cool though.  On this list you're only cool if you have a Jamman, a Boomerang, and/or Acid Pro.  

Thanks to those of you who were nice and sent me the link to the Repeater. 

Time to unsubscribe though.    

Ted 

>>> Mbiffle@svg.com 05/08/01 10:35AM >>>
I'd tell you, but I don't want to 'repeat' myself... 8-) Maybe check the archives?

-Miko

>>> tgeerdi@wpo.it.luc.edu 05/07/01 06:00PM >>>
Who makes the repeater?
Is there a website that tells about them?  

Ted




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Subject: Re: FESTIVAL of VOICE + ELECTRONICS this coming TUESDAY, MAY 8th at 8 p.m. at the RIO THEATRE
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Aargh! You're such a tease! I really wanted to go to this, but I'm looking 
at apartments all week. (I'm getting a good kick in the pants for finding a 
new place, in that my apartment is about to be condemned.)

I'd submit a request that you guys have these things on weekends, but I 
understand that the theatre is probably tied up on weekends all the time.

Everybody who can, go to this! It will be worth your while!

Matt Davignon

>From: "Mike Biffle" <Mbiffle@svg.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: <loopers-delight@annihilist.com>
>Subject: Re: FESTIVAL of VOICE + ELECTRONICS   this coming TUESDAY, MAY 8th 
>at 8 p.m. at the RIO THEATRE
>Date: Tue, 08 May 2001 10:05:53 -0700
>
>Sorry this is so late but for those interested...
>
> >>> "Rick Walker (loop.pool)" <GLOBAL@cruzio.com> 05/03/01 04:00AM >>>
>Hi, gang, Please check out this really cool and free event next Tuesday, 
>May 8th at 8 p.m. at the Rio Theatre in Santa Cruz (specific information 
>follows)
>
>                 THE 1st SANTA CRUZ
>FESTIVAL OF VOICE + ELECTRONICA
>                  TUESDAY, MAY 8th
>RIO THEATRE, SANTA CRUZ, CALIFORNIA
>with special guest artist:   live video animator, David Tristram
>
>is a reality, thanks to Laurence Bedford's (owner of the Rio Theatre) 
>generosity!!!!
>
>it is FREE, FREE, FREE, FREE, FREE, FREE!!!!!!!!!!!!!!
>
>We are:  John Whooley (vox, processing and our headliner), Amy Excolere 
>(vox), Bill Walker (processing), Miko B (processing), Simran Gleason (vox, 
>processing) and co., Johnathan Arthur (vox), Richard Salzberg (vox), Martyn 
>St. Michael and co. (vox),  George DeMarest (vox, processing), Jeremy 
>Zumaran (vox, processing), Tony DeCicco (vox),  and myself,  Rick Walker 
>(M.C., vox, processing, publicity, postering and  autocratic stage managing 
>;-).
>
>CENTRAL INTENT OF THE SHOW:
>The central metaphor for the entire show is to have acapella 
>improvisational singing in several different styles (overtone singing, 
>opera, avante garde, death metal,  industrial beatbox, trip hop, pop, 
>angelic chanting, mouth farts or whatever)  to be manipulated by electronic 
>processing artists (looping, pitch shifting, vocoding, filtering, et. al).
>
>The singers will have no 'control' over the processors, nor will the 
>processors have any control over what they are given to 'process'
>This can have really beautiful results if everybody has their best 
>listening and creativity hats on (physical hats are not required ;-)
>The one rule of the show is    VOICE ONLY....................NO OTHER 
>INSTRUMENTS and NO PRERECORDED SAMPLES (even of voice)
>
>We will be joined by special guest artist David Tristam (live video 
>animation and visual processing) and Ed Atkins (tentatively on lighting 
>design ;-),Victor Revere (sound and facilitation),   Bob Caine (on live 
>sound recording and facilitation;-) and last but not least,
>Laurence Bedford (venue, patronage and spiritual guidance and the lovely 
>and talented Sabine Freudiger (spiritual guidance and good vibes).
>
>The show is Tuesday night, May 8th at the RIO THEATRE at Soquel and  
>Seabright.   It will begin at 8 p.m. and continue until it is finished.
>
>  I'm very, very excited to be working with such incredibly talented and 
>fearless improvisers as yourselves.  I think we may break some new ground, 
>artistically and maybe create some new vocal 'vocabulary' in the process.
>
>"All composition is just very slow improvisation"   -- Arnold Schoenberg
>
>Thanks,    Rick Walker (aka, loop.pool)
>
>P.S.   I will be performing a solo looping set as the opener for the 
>legendary RESIDENTS on May 26 at the RIO THEATRE.
>I'm so jazzed, I can't see straight~~~~~~~~~~~~~~~~~~~ (what ridiculous 
>emoticom is used for giddy excitement?)
>
>
>
>
>

_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Tue May  8 13:45:48 2001
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Date: Tue, 08 May 2001 19:39:36 +0000
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Ted Geerdink wrote:
> 
> Wow, I sense some arrogance on this list.  I asked one simple question  about a brand new LOOPING product that isn't even out on the market yet and was reprimanded off-list and now a cocky response on-list.  Miko, what's the point in telling me to check out the archives when two people were already kind enough to post the link?  Or do you only read the archives and disregard the current posts?  It's not like I was asking for pirated software.  And I wasn't trying to sell Acid Pro for $99.  I just wanted to know what the Repeater is.  I'm fairly new to the list but have been looping for about 10 years, mostly with reel-to-reel and old Digitech pedals.  I suppose that's not cool though.  On this list you're only cool if you have a Jamman, a Boomerang, and/or Acid Pro.
> 
> Thanks to those of you who were nice and sent me the link to the Repeater.
> 
> Time to unsubscribe though.
> 
> Ted

Ted

if you can't stand Miko's arrogance ask about Orville on the list and
fear....

bye bye

Claude




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From Loopers-Delight-request@loopers-delight.com  Tue May  8 14:21:40 2001
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	8th at 8 p.m. at the RIO THEATRE
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Sorry Matt... 

Seeing as this is a FREE show, Rick was constrained by available time slots.... We'll be super famous after this show and will have no trouble booking the big halls on weekends. *-) Good luck on the house hunt!

Best,
-Miko

>>> mattdavignon@hotmail.com 05/08/01 10:30AM >>>
Aargh! You're such a tease! I really wanted to go to this, but I'm looking 
at apartments all week. (I'm getting a good kick in the pants for finding a 
new place, in that my apartment is about to be condemned.)

I'd submit a request that you guys have these things on weekends, but I 
understand that the theatre is probably tied up on weekends all the time.

Everybody who can, go to this! It will be worth your while!

Matt Davignon

>From: "Mike Biffle" <Mbiffle@svg.com>
>Reply-To: Loopers-Delight@loopers-delight.com 
>To: <loopers-delight@annihilist.com>
>Subject: Re: FESTIVAL of VOICE + ELECTRONICS   this coming TUESDAY, MAY 8th 
>at 8 p.m. at the RIO THEATRE
>Date: Tue, 08 May 2001 10:05:53 -0700
>
>Sorry this is so late but for those interested...
>
> >>> "Rick Walker (loop.pool)" <GLOBAL@cruzio.com> 05/03/01 04:00AM >>>
>Hi, gang, Please check out this really cool and free event next Tuesday, 
>May 8th at 8 p.m. at the Rio Theatre in Santa Cruz (specific information 
>follows)
>
>                 THE 1st SANTA CRUZ
>FESTIVAL OF VOICE + ELECTRONICA
>                  TUESDAY, MAY 8th
>RIO THEATRE, SANTA CRUZ, CALIFORNIA
>with special guest artist:   live video animator, David Tristram
>
>is a reality, thanks to Laurence Bedford's (owner of the Rio Theatre) 
>generosity!!!!
>
>it is FREE, FREE, FREE, FREE, FREE, FREE!!!!!!!!!!!!!!
>
>We are:  John Whooley (vox, processing and our headliner), Amy Excolere 
>(vox), Bill Walker (processing), Miko B (processing), Simran Gleason (vox, 
>processing) and co., Johnathan Arthur (vox), Richard Salzberg (vox), Martyn 
>St. Michael and co. (vox),  George DeMarest (vox, processing), Jeremy 
>Zumaran (vox, processing), Tony DeCicco (vox),  and myself,  Rick Walker 
>(M.C., vox, processing, publicity, postering and  autocratic stage managing 
>;-).
>
>CENTRAL INTENT OF THE SHOW:
>The central metaphor for the entire show is to have acapella 
>improvisational singing in several different styles (overtone singing, 
>opera, avante garde, death metal,  industrial beatbox, trip hop, pop, 
>angelic chanting, mouth farts or whatever)  to be manipulated by electronic 
>processing artists (looping, pitch shifting, vocoding, filtering, et. al).
>
>The singers will have no 'control' over the processors, nor will the 
>processors have any control over what they are given to 'process'
>This can have really beautiful results if everybody has their best 
>listening and creativity hats on (physical hats are not required ;-)
>The one rule of the show is    VOICE ONLY....................NO OTHER 
>INSTRUMENTS and NO PRERECORDED SAMPLES (even of voice)
>
>We will be joined by special guest artist David Tristam (live video 
>animation and visual processing) and Ed Atkins (tentatively on lighting 
>design ;-),Victor Revere (sound and facilitation),   Bob Caine (on live 
>sound recording and facilitation;-) and last but not least,
>Laurence Bedford (venue, patronage and spiritual guidance and the lovely 
>and talented Sabine Freudiger (spiritual guidance and good vibes).
>
>The show is Tuesday night, May 8th at the RIO THEATRE at Soquel and  
>Seabright.   It will begin at 8 p.m. and continue until it is finished.
>
>  I'm very, very excited to be working with such incredibly talented and 
>fearless improvisers as yourselves.  I think we may break some new ground, 
>artistically and maybe create some new vocal 'vocabulary' in the process.
>
>"All composition is just very slow improvisation"   -- Arnold Schoenberg
>
>Thanks,    Rick Walker (aka, loop.pool)
>
>P.S.   I will be performing a solo looping set as the opener for the 
>legendary RESIDENTS on May 26 at the RIO THEATRE.
>I'm so jazzed, I can't see straight~~~~~~~~~~~~~~~~~~~ (what ridiculous 
>emoticom is used for giddy excitement?)
>
>
>
>
>

_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com 

From Loopers-Delight-request@loopers-delight.com  Tue May  8 14:21:50 2001
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I got a flyer from a music store called "Banana's At Large" in San Rafael, CA...(if
memory serves, I think it's on 4th St.) and there's going to be a Repeater demo given
there on the 19th of this month.  I don't know the details (left the flyer home) but
I'm sure you can look them up and give them a call for more info.

Mark

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Ted Geerdink wrote:
>> Wow, I sense some arrogance on this list... snip!
 
> if you can't stand Miko's arrogance ask about Orville on the list and fear.... bye bye, Claude

Yeah Ted... I'm arrogant... but less so than everyone else here! *-) Hardly anyone on earth can afford an Orville so we *really* get on Claude for rubbing our face in *that* piece-o-gear we can't buy! And thanks Claude for that handy 'unsubscribe' routine below... how... ummm... helpful! A slightly thicker skin might help in these cases along with a sense of humor. Buy hey! If someone needs to feel offended I'm sure they'll find a way! (I try to limit myself to 1 emoticon per email, so mine's all used up...)

Best,
-Miko

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From Loopers-Delight-request@loopers-delight.com  Tue May  8 14:33:57 2001
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I've heard that arrogance is now hip, I had thought about becoming a
nice guy but now I think I'll hold on to my attitude

T

From Loopers-Delight-request@loopers-delight.com  Tue May  8 14:49:31 2001
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Not only is arrogance now hip, but the Againinator has just added
a new hip replacement facility. You can select your hip program using
the 
new built-in chaotic pad slider. Available programs range from 
arrogance, through uber-cool, to the ultra-postmodern deconstruction
critique generator. What that last setting does is to mix in a running
critique of how derivative your loops are and where you got all your
samples. On the special
surround-sound-enhanced againinators, it places the critique in the
soundspace
at about the fourth row, left aisle of the audience. The Againinator
uses it's hall-simulating reverb unit to detrmine the size of the hall
and 
figure out where to place the critique. Coming in the next version is
the 
option to choose the voice option. You will optionally have the option
of choosing a gravelly roland barthes, a high pitched beaudrillard, or
woody-allen in reverse. For now you only get the macOS simulation of 
stephen hawking. Get the upgrade!

Simran

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> 
> I've heard that arrogance is now hip, I had thought about becoming a
> nice guy but now I think I'll hold on to my attitude
> 
> T
>

From Loopers-Delight-request@loopers-delight.com  Tue May  8 14:55:36 2001
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....so that you're going to hear something about a serious looping AND fx
device that might be VERY interesting for you, Ted!
Italo



----- Original Message -----
From: "Claude Voit" <c.voit@vtx.ch>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, May 08, 2001 9:39 PM
Subject: Re: Repeater


> Ted Geerdink wrote:
> >
> > Wow, I sense some arrogance on this list.  I asked one simple question
about a brand new LOOPING product that isn't even out on the market yet and
was reprimanded off-list and now a cocky response on-list.  Miko, what's the
point in telling me to check out the archives when two people were already
kind enough to post the link?  Or do you only read the archives and
disregard the current posts?  It's not like I was asking for pirated
software.  And I wasn't trying to sell Acid Pro for $99.  I just wanted to
know what the Repeater is.  I'm fairly new to the list but have been looping
for about 10 years, mostly with reel-to-reel and old Digitech pedals.  I
suppose that's not cool though.  On this list you're only cool if you have a
Jamman, a Boomerang, and/or Acid Pro.
> >
> > Thanks to those of you who were nice and sent me the link to the
Repeater.
> >
> > Time to unsubscribe though.
> >
> > Ted
>
> Ted
>
> if you can't stand Miko's arrogance ask about Orville on the list and
> fear....
>
> bye bye
>
> Claude
>
>
>
>
> to unsubcribe
>
> 1-click next line link
> mailto:Loopers-Delight-request@loopers-delight.com
>
> 2-delete your signature, etc...  make your message blank
>
> 3-turn off all HTML in your favorite mail application
>
> 4-double click (highlight) the sacred word on next line then
> copy (contr+C )
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>
> 5-place cursor in Subject of the message
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>
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>
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>

From Loopers-Delight-request@loopers-delight.com  Tue May  8 15:01:31 2001
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I'm so arrogant that I'm bald... dress like a schlub... have a pencil protector... make a lot of nasty noise... and don't even care! How whack is that?

-Miko

>>> steve <studio_t@bellsouth.net> 05/08/01 11:32AM >>>
I've heard that arrogance is now hip, I had thought about becoming a nice guy but now I think I'll hold on to my attitude. T


From Loopers-Delight-request@loopers-delight.com  Tue May  8 16:06:31 2001
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Seriously,  is the Repeater finally for sale in the Northern Califronia
area?  If so, who has one that I can go demo.
yours,  Rick

From Loopers-Delight-request@loopers-delight.com  Tue May  8 16:12:18 2001
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Rick Walker (loop.pool) (01:07 PM 05/08/01) wrote:

 >Seriously,  is the Repeater finally for sale in the Northern Califronia
 >area?  If so, who has one that I can go demo.

No, it has not been released yet.


Mark

From Loopers-Delight-request@loopers-delight.com  Tue May  8 19:06:57 2001
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-----Original Message-----
From: Ted Geerdink <tgeerdi@wpo.it.luc.edu>
Subject: Re: Repeater


  I suppose that's not cool though.  On this list you're only cool if you
have a Jamman, a Boomerang, and/or Acid Pro.


Don't forget the EDP!

>Thanks to those of you who were nice and sent me the link to the Repeater.
>
>Time to unsubscribe though.

That's a shame most of these folks are quite kind and chock full of
information as are the archives, but ah er, you've already heard that.

>Ted
>
PedrOOrdeP

From Loopers-Delight-request@loopers-delight.com  Tue May  8 19:18:26 2001
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In a message dated 5/8/01 9:10:20 AM Eastern Daylight Time, Hedewa7@aol.com 
writes:


> off to my oldest son's university graduation, now!
> 

neat!.....michael

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>In a message dated 5/8/01 9:10:20 AM Eastern Daylight Time, Hedewa7@aol.com 
<BR>writes:
<BR>
<BR>
<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">off to my oldest son's university graduation, now!
<BR></BLOCKQUOTE>
<BR>
<BR>neat!.....michael</FONT></HTML>

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Date: Tue, 8 May 2001 19:25:40 EDT
Subject: Re: FESTIVAL of VOICE + ELECTRONICS   this coming TUESDAY, MAY 8th at 8 p.m. ...
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In a message dated 5/8/01 1:08:44 PM Eastern Daylight Time, Mbiffle@svg.com 
writes:


> Thanks,    Rick Walker (aka, loop.pool)
> 

rick.....such exciting stuff!.....hope you record the events.....madcap 
onward!.....michael



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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>In a message dated 5/8/01 1:08:44 PM Eastern Daylight Time, Mbiffle@svg.com 
<BR>writes:
<BR>
<BR>
<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">Thanks, &nbsp;&nbsp;&nbsp;Rick Walker (aka, loop.pool)
<BR></BLOCKQUOTE>
<BR>
<BR>rick.....such exciting stuff!.....hope you record the events.....madcap 
<BR>onward!.....michael
<BR>
<BR></FONT></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed May  9 07:58:20 2001
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Date: Wed, 9 May 2001 20:54:56 +0900
To: Loopers-Delight@loopers-delight.com
From: Sunao Inami <cave@osk.3web.ne.jp>
Subject: [webcast spam] 11th May, Looper's Delight J
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Hi,

Our webcast live gig is soon.

Looper's Delight J

live at ZINK,Kobe Japan

11th Fri. May 2001
19:30 - 22:00 (JST) =
10:30 - 13:00 (GMT)  =
2:30 - 5:00 (PST)

Webcast URL and details:
http://www.cavestudio.com/LD_J/2001/

Peal Player G2 or greater required.

  Regards

Sunao Inami
http://www.cavestudio.com

From Loopers-Delight-request@loopers-delight.com  Wed May  9 08:40:22 2001
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From: "Steve Lawson" <steve@steve-lawson.co.uk>
To: <loopers-delight@loopers-delight.com>
References: <saf7d3db.015@mailhub.svg.com>
Subject: Re: FESTIVAL of VOICE + ELECTRONICS this coming TUESDAY, MAY8th at 8 p.m. at the RIO THEATRE
Date: Wed, 9 May 2001 13:06:18 +0100
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Yet another wonderful sounding Rick Walker production...

now if only there were such a thing in London. Each time I hear about these events (or play at them :o) I'm more inspired to
try something similar here in London... hopefully in the autumn we'll get something happening. Til then I shall fester in my
own envy at not being there... :o)

Steve
www.steve-lawson.co.uk

> > >>> "Rick Walker (loop.pool)" <GLOBAL@cruzio.com> 05/03/01 04:00AM >>>
> >Hi, gang, Please check out this really cool and free event next Tuesday,
> >May 8th at 8 p.m. at the Rio Theatre in Santa Cruz (specific information
> >follows)
> >
> >                 THE 1st SANTA CRUZ
> >FESTIVAL OF VOICE + ELECTRONICA
> >                  TUESDAY, MAY 8th
> >RIO THEATRE, SANTA CRUZ, CALIFORNIA
> >with special guest artist:   live video animator, David Tristram
> >
> >is a reality, thanks to Laurence Bedford's (owner of the Rio Theatre)
> >generosity!!!!
> >
> >it is FREE, FREE, FREE, FREE, FREE, FREE!!!!!!!!!!!!!!
>

From Loopers-Delight-request@loopers-delight.com  Wed May  9 08:50:29 2001
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References: <saf7d3db.015@mailhub.svg.com> <01fa01c0d885$0468c940$9e29f7c2@zetnet.co.uk>
Subject: Re: FESTIVAL of VOICE + ELECTRONICS this coming TUESDAY, MAY8th at 8 p.m. at the RIO THEATRE
Date: Wed, 9 May 2001 13:47:31 +0100
Organization: EarthLight Productions
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Ditto.

Stephen Goodman
http://www.earthlight.net/Gallery_Front.html - Cartoons & Illustrations
http://www.earthlight.net/Studios * The free Loop of the Week!

"Steve Lawson" <steve@steve-lawson.co.uk> put forth:

> Yet another wonderful sounding Rick Walker production...
>
> now if only there were such a thing in London. Each time I hear about
these events (or play at them :o) I'm more inspired to
> try something similar here in London... hopefully in the autumn we'll get
something happening. Til then I shall fester in my
> own envy at not being there... :o)
>
> Steve
> www.steve-lawson.co.uk
>
> > > >>> "Rick Walker (loop.pool)" <GLOBAL@cruzio.com> 05/03/01 04:00AM >>>
> > >Hi, gang, Please check out this really cool and free event next
Tuesday,
> > >May 8th at 8 p.m. at the Rio Theatre in Santa Cruz (specific
information
> > >follows)
> > >
> > >                 THE 1st SANTA CRUZ
> > >FESTIVAL OF VOICE + ELECTRONICA
> > >                  TUESDAY, MAY 8th
> > >RIO THEATRE, SANTA CRUZ, CALIFORNIA
> > >with special guest artist:   live video animator, David Tristram
> > >
> > >is a reality, thanks to Laurence Bedford's (owner of the Rio Theatre)
> > >generosity!!!!
> > >
> > >it is FREE, FREE, FREE, FREE, FREE, FREE!!!!!!!!!!!!!!
> >
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed May  9 10:43:26 2001
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i think it might be even better to fax him, actually. i achieved excellent 
results (tho yr mileage may vary...) 214-343-1038

a:c

At 07:18 PM 5/8/01 -0400, you wrote:
>Loopers-Delight-d Digest                                Volume 01 : Issue 233
>
>
>Kim Flint
>kflint@loopers-delight.com
>Date: Tue, 08 May 2001 09:26:19 -0500
>From: "Jim Schaefer" <jimsch@fullcompass.com>
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: Mike Nelson & the Boomerang upgrade
>Message-ID: <3AF8020B.C0BA9C43@fullcompass.com>
>Content-Type: text/plain; charset=us-ascii
>Content-Transfer-Encoding: 7bit
>
>It took me a while to get through to Mike as well. The best way is to
>email him and tell him you wanna buy the op amp and that you are going
>to send a check. He will respond.
>
>         - Jim
>
>"Jeff Duke (echo17)" wrote:
> >
> > hi ya'll, i still need the upgrade kit for my
> > boomer, I have written Mr. Nelson but I think that
> > he is possibly still on leave. does anyone have
> > anymore info? btw, my 'rang has 4megs, and the
> > proper 1845 ad/da converter. all i need is the
> > upgrade and a 2134 op amp that needs to be replaced
> > due to a "pop" when i engage the thru mute function.
> >
> > peace to all, jeff

From Loopers-Delight-request@loopers-delight.com  Wed May  9 11:37:23 2001
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From: Jhsidlo@aol.com
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Date: Wed, 9 May 2001 11:33:33 EDT
Subject: Corpus Christi, Texas gig spam
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Hello,
    "Daddy Monkey" is an improvisational group that is tied to the roots of 
Albert Ayler, Derek Baily, Cecil Taylor,etc. The show is eight o'clock at The 
Lotus Cup Lounge and Coffee Garden. It's off Water St. More info at: 
www.lotuscup.com. Or you can contact me. As far as I know it's: free.
    Personnel are: James Cobb- sax, keys/synth/loops/processing
                     Johnny A. Rodriguez- keys/synth/flutes/extended vocal
                     James Sidlo- guitars/cello/loops/processing
                             Cathy Ragland- electric bass/bowed & otherwise
                              Gabe Herrera- octapad/various percussion

                    

                                Thanks, James

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Date: Wed, 09 May 2001 08:41:01 -0700
From: Richard Zvonar <zvonar@zvonar.com>
Subject: Orville on eBay
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http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=1429874188
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

From Loopers-Delight-request@loopers-delight.com  Wed May  9 12:35:09 2001
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Date: Wed, 09 May 2001 11:26:02 -0500
From: jim palmer <jimp@pobox.com>
Subject: Re: Repeater
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> Wow, I sense some arrogance on this list. 

 i don't know if you're still here, but i thought mikes reply was funny.
and you could have learned from it rather than go hyper-sensitive
on him.  lot's of good stuff in the archives.  i had read quite a bit
there (and learned a lot) before i ever joined the list.



From Loopers-Delight-request@loopers-delight.com  Wed May  9 13:10:21 2001
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yeah, I didn't understand the strong reaction either.
I use the archives all the time, a little time consuming to hunt thru but
well worth it, I have had guys suggest I check the archives before when
I've asked a question as well and I never took it on the chin, but then my
arrogance is only eclipsed by my talent...or is it my ego.

if I had only known back in hi school all I had to do to be cool was buy
the right looper...
I wouldn't have wasted all that time on my hair

peace ya'll,     its a beautiful day(aren't they all??)

steve

jim palmer wrote:

> > Wow, I sense some arrogance on this list.
>
>  i don't know if you're still here, but i thought mikes reply was funny.
> and you could have learned from it rather than go hyper-sensitive
> on him.  lot's of good stuff in the archives.  i had read quite a bit
> there (and learned a lot) before i ever joined the list.

From Loopers-Delight-request@loopers-delight.com  Wed May  9 14:32:57 2001
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To: loopers-delight@loopers-delight.com
Subject: trigger samples
Date: Wed, 09 May 2001 13:25:56 -0500
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I have placed two drum triggers(piezo) on my bongos with great fun.
I don't remember the manufacture, but I like them.  I am using a reverse 
reverb effects patch and an Alesis QuadraVerb sampler patch set on audio 
trigger/one shot.  With the sensitivity input on the Alesis I can make the 
harder hits trigger the sample.  Softer hits just go through the reverb. It 
looks like I could place multipul triggers on one head and through 
sensitivity trigger each independatly depending on how hard I hit and where.

Now the questions:
The quadverb only allows one sample.  Is there a multi-sampler with multipul 
inputs?  I guess this would be a drum modual with multi-sample mapping.  
Right?

The triggers I bought cost about $30 each.  Is there a part number for using 
RadioShack piezo elements that would cut the cost considerably?

Is there anything illegal about having this much fun?
Denis (Capt.Molecule)
_________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Wed May  9 14:52:15 2001
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My DL4's record button is flaking out, and I'm not too inspired to send it
off to Line6 if it's gonna take 7 weeks to get it back.

Anyone know if the foot switches are easy to replace on one's own?

I have a soldering iron and half a mind.

-trey

On Mon, 7 May 2001, rich wrote:

> Rick,
> 
> don't know if he can help you, but maybe send a mail off to:
> 
> george.van.wagner@line6.com
> 
> George Van Wagner heads up the line6 web board and seems to be one of 
> main points of contact there relating to all things line6.  George 
> was extremely helpful to me in some issues with the DL4.  the person 
> he put me in touch with at line6 support got me my replacement unit 
> sent to me within a week, if i remember corrrectly.
> 
> tell him you're from looper's delight and see if he can steer you in 
> the right direction at least.
> 
> good luck.
> 
> rich
> 
> ps.  i've seen a repeater.  i liked it very much.
> 
> 
> >G wrote to Steve Lawson:
> >"Buy a Repeater"
> >
> >
> >Has anyone ever even seen a repeater?
> >
> >Also,  I have been having a hell of a time getting Line 6 to send back my
> >'in warranty' modulater pedal.  It's been 7 weeks now (not counting the one
> >week where my local tech thought he could fix the problem and wasn't able
> >to).   This has been very vexing, I must say (said in Ed Grimley's voice).
> >
> >Rick Walker
> 

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> Rick Walker (loop.pool) (01:07 PM 05/08/01) wrote:
> 
>  >Seriously,  is the Repeater finally for sale in the Northern Califronia
>  >area?  If so, who has one that I can go demo.
> 
> No, it has not been released yet.


I see it in Musician's Friend as available June 30th.  Anyone know if it's
seriously backordered?

-trey

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Subject: Repetition
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There's a Russian saying "poftereniya- mat' ucheniya" or in English
"Repetition is the mother of learning."

By the way, a very interesting and motley assortment of vocalists and
loopers (and video artists) at Rick Walker's Voice+Electronica festival
last night.

Seems like overtone singing and looping devices are well suited to each
other, and I am trying to get to Tuva in June with my looping gear...we'll
see how that turns out!

-trey

From Loopers-Delight-request@loopers-delight.com  Wed May  9 15:18:14 2001
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well the guys at electrix had posted here stating a june release was
thier new and fully informed release date so maybe we'll hear form them
soon on list if they're not still under the desk in a fetal position
after the last barrage of vehement responses

t

From Loopers-Delight-request@loopers-delight.com  Wed May  9 15:41:39 2001
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Yes, tezgelo v uchenii lehko v boju.
wich means tough in lerning easy in combat.
Do going to actually work with Tuva gang or just use a sample?

Elias
-----Ursprungligt meddelande-----
Från: Trey Donovan <treydonovan@powerhat.com>
Till: Loopers-Delight@loopers-delight.com <Loopers-Delight@loopers-delight.com>
Datum: den 9 maj 2001 21:09
Ämne: Repetition


>
>There's a Russian saying "poftereniya- mat' ucheniya" or in English
>"Repetition is the mother of learning."
>
>By the way, a very interesting and motley assortment of vocalists and
>loopers (and video artists) at Rick Walker's Voice+Electronica festival
>last night.
>
>Seems like overtone singing and looping devices are well suited to each
>other, and I am trying to get to Tuva in June with my looping gear...we'll
>see how that turns out!
>
>-trey
>


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In a message dated 5/9/01 3:10:12 PM Eastern Daylight Time, 
treydonovan@powerhat.com writes:


> 

would you hum a few bars?.....m

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>In a message dated 5/9/01 3:10:12 PM Eastern Daylight Time, 
<BR>treydonovan@powerhat.com writes:
<BR>
<BR>
<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">Tuva in June </BLOCKQUOTE>
<BR>
<BR>would you hum a few bars?.....m</FONT></HTML>

--part1_e8.14748208.282b22a4_boundary--

From Loopers-Delight-request@loopers-delight.com  Wed May  9 21:01:24 2001
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Subject: Thoughts on conflict on Loopers Delight
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Ted wrote:
"I suppose that's not cool though.  On this list you're only cool if you
have a Jamman, a Boomerang, and/or Acid Pro.   Don't forget the EDP!"


Hey Guys,    don't you get it?   Everyone is cool on this wonderful list.
Having just completed the exciting and gratifying
FESTIVAL of VOICE + ELECTRONICS (with cool list members Miko B, Simran
Gleason and myself and a cast of
singers who ALL want to go out and by a looper of some kind) which was
populated by EDPs, Jammans, Line 6 Modellers and
Boomerangs,  I realized that I NEVER thought about who was using what brand
of looper,  I only listening to how they were being creative(and boy, was
everybody being creative last night).

I've been looping in performance for 8 years (not counting the 3 minute
echoplex tape loops we used in the early 80's in Tao Electrical)
and I thought I didn't have much to learn about it, until I heard some of
the very cool things that John Whooley and Miko B were doing
last night.   Back to the drawing board (and an expression pedal for my Line
6)!!

This list,  like the general population of most places, can really get
contentious at times.   I honestly  think that, as musicians, we are
ambassadors of our respective cultures to the rest of the world and that we
are pretty fluent in the only world language, music.
This gives us, I think,  a responsibility to be on our best behaviour.  If
we all want to be stronger artists, then we need to have dialogue and
conflict to grow.   I just think that we can all assume 1) that we are all
cool and deserving of respect and the 2) we are all mature enough not
too take things so personally when their are conflicts in ideas.

Someone once said,  "The truth is one and the paths are many".   It's a
pleasure being on the path with you all.

yours, Rick Walker  (Loop.pooL)



From Loopers-Delight-request@loopers-delight.com  Wed May  9 21:32:10 2001
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rick is obviously having an inspired day, good for you

well quothe

peace,  steve

From Loopers-Delight-request@loopers-delight.com  Wed May  9 21:40:18 2001
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	 <Loopers-Delight@loopers-delight.com>
Subject: carpark records
Date: Wed, 9 May 2001 21:38:13 -0400 
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does anyone here know anyone on carpark records or know how to get on the
IDM mailing list -thaniel ion lee

PS right now im jamming on some ATR

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well put, Rick!! and congrats on another looping extravaganza!
Max


_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

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Hi guys!

OK, what is so special about the JamMan's compared to 'old fashion'
samplers? I mean, what makes it worth having?

Can anyone give me a clear understanding what I am missing? =)

Thanks!

-- 
Best regards,
Eric J. vanLuijk                          mailto:evanluijk@vergosoft.com

"It is a miracle that curiosity survives formal education."
- Albert Einstein


From Loopers-Delight-request@loopers-delight.com  Wed May  9 23:54:57 2001
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Subject: infin8ty
From: David Myers <dmgraph@earthlink.net>
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Little plug for myself and our listmember phalen orion.  The infin8ty
artists collective is pretty cool and newly redesigned, and Jonathan has
been good enough to put up some fairly hefty files by yours truly, including
two complete tracks from my new album, one nifty out of print track, and one
as-yet unreleased track.  Anyone interested in Feedback Music and more
extreme looping may want to check it out at

http://www.infin8ty.com

Thanks all...


David Lee Myers
http://www.pulsewidth.com
--------------------------------------------------------------------------
"Ourobouros" CD of new Feedback Music available now on Pulsewidth!
In NYC at Downtown Music, Kim's Mondo, Kim's West, and Other Music, and
through Forced Exposure, Anomalous, Wayside, CDeMusic/Electronic Music
Foundation, Deep Listening Catalog, Crouton Music, Recommended (UK),
Staalplaat (Netherlands), and Metamkine (France).


From Loopers-Delight-request@loopers-delight.com  Thu May 10 07:05:07 2001
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Subject: 200th Loop Of The Week Non-Contest this weekend!
Date: Thu, 10 May 2001 09:44:42 +0100
Organization: EarthLight Productions
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Can you believe it's gone on this long?  No, don't answer.  This weekend
I'll be posting the 200th Loop Of The Week, posted at my Studios site since
1996 (though if you do the arithmetic you must realize that some were two-
or three-week postings, depending on situations).  In commemoration of this
I am running a non-contest (named in spite, be assured).  Along with the
200th LOTW you'll be able to find the story behind its development and
history so far.

The 200th Loop Of The Week Non-Contest will take place between Saturday, May
12 at 1200 hrs GMT (4am Pacific Time) and Sunday, May 13 at 2359 hrs GMT
(1559pm Pacific Time).  All people who enter the EarthLight Studios page at
http://www.earthlight.net/Studios.html and send me the resultant graphic
from the hit counter at the very bottom are eligible.  I shall be monitoring
the page between those times, and the range of numbers for selection will be
defined by my saving the hit counter value at each end of the timeline.

When you come on in and download Loop Of The Week #200, go to the bottom of
the page, where the hit counter is, and save or send it, by either
right-clicking on the counter and choosing Send by Email..., or by
right-clicking on the counter, choosing Save Picture As... and saving the
graphic file to your hard drive, THEN emailing it to me at
lotw200@earthlight.net - I'll supply a link right above it for this.  This
will constitute your entry number, and be some proof to me that it is of
course valid.  I won't look at anything but the first and last numbers to be
sent, and will then generate a random number in that range, the winner will
result, and will be sent a copy of my CD, Club Meditation.  Sounds easy,
doesn't it?  No?  Then Let me know.  In any event instructions will also be
at the page at http://www.earthlight.net/Studios.html.  And non-winners will
be notified, with the option of purchasing their own copy of Club
Meditation.

I thought I should tell you folks first. :)

Stephen Goodman
http://www.earthlight.net/Studios * Enter the 200th Loop of the Week
Non-Contest!



From Loopers-Delight-request@loopers-delight.com  Thu May 10 11:20:03 2001
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From: jim palmer <jimp@pobox.com>
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>This list,  like the general population of most places, 
>can really get contentious at times.   

no it can't...


From Loopers-Delight-request@loopers-delight.com  Thu May 10 11:41:38 2001
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> Diese Nachricht ist im MIME-Format. Da Ihr Mailreader dieses Format nicht
unterstŸtzt, kšnnte diese Nachricht ganz oder teilweise unlesbar sein.

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Hallo


I'm serching for a possibility to convert my
esi 32 samples in a akai-format, to use it on my macintosh.
I know, that there must be a software (like emu-browser?, invinity?), but i
can't find any information about it.
Can somebody help me please?
Thanks and best greetings from germany

Doroth=E9e Hahne 

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<HTML>
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<TITLE>sampleconverter</TITLE>
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<BR>
<FONT SIZE=3D"1">Hallo<BR>
<BR>
<BR>
I'm serching for a possibility to convert my<BR>
esi 32 samples in a akai-format, to use it on my macintosh.<BR>
I know, that there must be a software (like emu-browser?, invinity?), but i=
<BR>
can't find any information about it.<BR>
Can somebody help me please?<BR>
Thanks and best greetings from germany<BR>
<BR>
Doroth=E9e Hahne</FONT>
</BODY>
</HTML>


--MS_Mac_OE_3072360887_1964260_MIME_Part--

From Loopers-Delight-request@loopers-delight.com  Thu May 10 12:48:21 2001
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From: "Mike Biffle" <Mbiffle@svg.com>
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Subject: Re: SC Voice and Electronics Fest.... (was thoughts on
	Conflict...)
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> Having just completed the exciting and gratifying FESTIVAL of VOICE + ELECTRONICS (with cool list members Miko B, Simran Gleason and myself and a cast of singers who ALL want to go out and by a looper of some kind) which was populated by EDPs, Jammans, Line 6 Modellers and Boomerangs,  I realized that I NEVER thought about who was using what brand of looper,  I only listening to how they were being creative(and boy, was everybody being creative last night).

My personal thanks go out to Rick Walker for including me in this GREAT event as a processor/looper. It was very cool to see each vocalist react to the processing and get into their performance. We had dancers, visuals, soulfulness, surprises... It was also cool to meet fellow LD'er Simran and see him and Barbara's wacky set... catch them if you can! 

> I've been looping in performance for 8 years (not counting the 3 minute echoplex tape loops we used in the early 80's in Tao Electrical) and I thought I didn't have much to learn about it, until I heard some of the very cool things that John Whooley and Miko B were doing last night.   Back to the drawing board (and an expression pedal for my Line 6)!!

John Whooley (of Estradasphere) totally rocked the house with a single mic and Line 6 DL4 w/exped... It's instructive to see how effective very minimal gear can be in the hands of an inspired individual... 

Video Artist, David Tristram, came down to provide visuals for us and I have to say it added an incredible psychedelic component to the show. He had 4 monitors on a huge task table... a video camera shooting the stage... a projector... I don't know if he had more than one computer, but he could superimpose images from one monitor onto the other and get them swimming around. It was very cool. 

> This list,  like the general population of most places, can really get contentious at times.   I honestly  think that, as musicians, we are ambassadors of our respective cultures to the rest of the world and that we are pretty fluent in the only world language, music. This gives us, I think,  a responsibility to be on our best behaviour.  If we all want to be stronger artists, then we need to have dialogue and conflict to grow.   I just think that we can all assume 1) that we are all cool and deserving of respect and the 2) we are all mature enough not too take things so personally when their are conflicts in ideas.

I'd like to add that despite any of the conflicts I've seen here... This list has led me to more collaborations and information than any other place I've visited in my life, virtual or in-person... I've personally met many of the creative artists who regularly post here; Many of us have created a Chain Tape project and to date we've completed 12 or 13 cd compilation projects covering a huge range of themes. I've come into contact with product developers; sound-design specialists; touring pros; concert curators... and finally... I've found friendships with many of you. Thank you all! 

Also... Many thanks once again to Kim Flint, our list provider, for an amazing place to be...

> Someone once said,  "The truth is one and the paths are many".   It's a pleasure being on the path with you all.

Well said Rick!

All the best...
-Miko

From Loopers-Delight-request@loopers-delight.com  Thu May 10 13:03:43 2001
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From: Tim Petrie <tpetrie@ndbi.com>
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Subject: Boomerang
Date: Thu, 10 May 2001 09:51:05 -0700
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Hello, I'm new to this list, but have been reading the archives as well as
the digests for months.

This is my first post. This will also be the purchase of my first looper to
use with my guitar. It might be of interest to some of you wanting to buy a
Boomerang. I have been looking for the best price. And found one for $449 at
Mars music. But they have a picture of the old model, not the Boomerang Plus
with the + sign on it. So I called them and of course the sales people there
didn't know whether it was a plus or not because the picture was of the
older model, and the warehouse was in another state, so they couldn't open
up a box to look.  So, I took the sku# and called one of the Mars stores in
Orange, CA. They matched the sku# with the box and actually opened it up and
sure enough it is the Plus model. So bottom line, you can go ahead and order
it from the Mars web site and it will be the plus model even though their
picture is not updated to the latest model. I'm ordering one this week
unless there is a better price elsewhere. 

I thought about buying the BOSS RC-20 but it looks like the boomerang has
more functionality for live performances. The Boomerang has more buttons to
control it on the fly. And all the testimonials of the loopers on this site
seem to love the ones they have. So here goes, I'm finally plopping down the
money.






Tim Petrie
Citrix and Database administrator
Nielsen Dillingham Builders
(619) 542-4412
tpetrie@ndbi.com

From Loopers-Delight-request@loopers-delight.com  Thu May 10 13:10:21 2001
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From: "K. Michael Odnaloc" <billowhead@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: WAY OT:  Help with 4-track?
Date: Thu, 10 May 2001 10:04:42 -0700
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I apologize if this is too far off topic (though I do use my four track to 
record my loops).

I have a Yamaha MT-120 that I've used for about 8 years and it has recently 
developed an unfortunate short in the some of the switches (the recording 
switches that activate each track).  It will occassionally short (while 
recording no less) and send a less than entertaining fuzz into the 
recording.  If I wiggle the switch I can usually fix the problem.

My question, does anyone know if this sounds like an easy fix (a dirty 
connection that just needs to be cleaned (and if so, how (just compressed 
air or something else needed)) or does this sound more involved?

As I said, off topic but given the expertise of the list, I thought someone 
might take pity on my situation and offer some suggestion (perhaps 'search 
the archives' :-)

Just thought I'd add that I've been on this list for the last year or so 
from various accounts and this has proven to be one of the most inspiring 
forums I've been apart of (and most expensive, the gear I've started 
accumulating since I joined is ridiculous (to me at least).

Thanks to everyone for making this such a great resource.

Kevin
_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Thu May 10 13:20:59 2001
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Date: Thu, 10 May 2001 10:20:28 -0700
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You might try the products made by Caig Labs- Pro Gold, Deoxit, and theres
another made for rubber parts and faders- I would imaging they are simply
dirty- Cliff
----- Original Message -----
From: "K. Michael Odnaloc" <billowhead@hotmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, May 10, 2001 10:04 AM
Subject: WAY OT: Help with 4-track?


> I apologize if this is too far off topic (though I do use my four track to
> record my loops).
>
> I have a Yamaha MT-120 that I've used for about 8 years and it has
recently
> developed an unfortunate short in the some of the switches (the recording
> switches that activate each track).  It will occassionally short (while
> recording no less) and send a less than entertaining fuzz into the
> recording.  If I wiggle the switch I can usually fix the problem.
>
> My question, does anyone know if this sounds like an easy fix (a dirty
> connection that just needs to be cleaned (and if so, how (just compressed
> air or something else needed)) or does this sound more involved?
>
> As I said, off topic but given the expertise of the list, I thought
someone
> might take pity on my situation and offer some suggestion (perhaps 'search
> the archives' :-)
>
> Just thought I'd add that I've been on this list for the last year or so
> from various accounts and this has proven to be one of the most inspiring
> forums I've been apart of (and most expensive, the gear I've started
> accumulating since I joined is ridiculous (to me at least).
>
> Thanks to everyone for making this such a great resource.
>
> Kevin
> _________________________________________________________________
> Get your FREE download of MSN Explorer at http://explorer.msn.com
>


From Loopers-Delight-request@loopers-delight.com  Thu May 10 13:27:01 2001
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Date: Thu, 10 May 2001 12:21:37 -0500
Subject: Re: Boomerang
From: Mike Feeney <feeneymike@yahoo.com>
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    i recently purchased my boomerang plus from musiciansfriend.com and they
do list it as the plus version, although the price was $499.  =)

    mike



on 5/10/01 11.51 AM, Tim Petrie at tpetrie@ndbi.com wrote:

> Hello, I'm new to this list, but have been reading the archives as well as
> the digests for months.
> 
> This is my first post. This will also be the purchase of my first looper to
> use with my guitar. It might be of interest to some of you wanting to buy a
> Boomerang. I have been looking for the best price. And found one for $449 at
> Mars music. But they have a picture of the old model, not the Boomerang Plus
> with the + sign on it. So I called them and of course the sales people there
> didn't know whether it was a plus or not because the picture was of the
> older model, and the warehouse was in another state, so they couldn't open
> up a box to look.  So, I took the sku# and called one of the Mars stores in
> Orange, CA. They matched the sku# with the box and actually opened it up and
> sure enough it is the Plus model. So bottom line, you can go ahead and order
> it from the Mars web site and it will be the plus model even though their
> picture is not updated to the latest model. I'm ordering one this week
> unless there is a better price elsewhere.
> 
> I thought about buying the BOSS RC-20 but it looks like the boomerang has
> more functionality for live performances. The Boomerang has more buttons to
> control it on the fly. And all the testimonials of the loopers on this site
> seem to love the ones they have. So here goes, I'm finally plopping down the
> money.
> 
> 
> 
> 
> 
> 
> Tim Petrie
> Citrix and Database administrator
> Nielsen Dillingham Builders
> (619) 542-4412
> tpetrie@ndbi.com


_________________________________________________________
Do You Yahoo!?
Get your free @yahoo.com address at http://mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Thu May 10 13:41:51 2001
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References: <Pine.LNX.4.10.10105091147580.3060-100000@keops.ekabal.com>
Subject: Re: Re:DL4 problems
Date: Thu, 10 May 2001 10:36:34 -0700
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I have noticed I sometimes have to reset the unit for the record button to
work. Luckily I don't really preset anything so it's not much of a problem
for me.
_
Joey Aguilera
http://www.indsicipline.net
----- Original Message -----
From: "Trey Donovan" <treydonovan@powerhat.com>
To: <>
Sent: Wednesday, May 09, 2001 11:49 AM
Subject: Re:DL4 problems


> My DL4's record button is flaking out, and I'm not too inspired to send it
> off to Line6 if it's gonna take 7 weeks to get it back.
>
> Anyone know if the foot switches are easy to replace on one's own?
>
> I have a soldering iron and half a mind.
>
> -trey
>
> On Mon, 7 May 2001, rich wrote:
>
> > Rick,
> >
> > don't know if he can help you, but maybe send a mail off to:
> >
> > george.van.wagner@line6.com
> >
> > George Van Wagner heads up the line6 web board and seems to be one of
> > main points of contact there relating to all things line6.  George
> > was extremely helpful to me in some issues with the DL4.  the person
> > he put me in touch with at line6 support got me my replacement unit
> > sent to me within a week, if i remember corrrectly.
> >
> > tell him you're from looper's delight and see if he can steer you in
> > the right direction at least.
> >
> > good luck.
> >
> > rich
> >
> > ps.  i've seen a repeater.  i liked it very much.
> >
> >
> > >G wrote to Steve Lawson:
> > >"Buy a Repeater"
> > >
> > >
> > >Has anyone ever even seen a repeater?
> > >
> > >Also,  I have been having a hell of a time getting Line 6 to send back
my
> > >'in warranty' modulater pedal.  It's been 7 weeks now (not counting the
one
> > >week where my local tech thought he could fix the problem and wasn't
able
> > >to).   This has been very vexing, I must say (said in Ed Grimley's
voice).
> > >
> > >Rick Walker
> >
>

From Loopers-Delight-request@loopers-delight.com  Thu May 10 13:51:05 2001
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tim....welcome to the list.....rest assured that you will love your 
rang.....after having mine for several years, it still blows my 
mind.....enjoy!.....m

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>tim....welcome to the list.....rest assured that you will love your 
<BR>rang.....after having mine for several years, it still blows my 
<BR>mind.....enjoy!.....m</FONT></HTML>

--part1_aa.153eb554.282c2e24_boundary--

From Loopers-Delight-request@loopers-delight.com  Thu May 10 13:53:38 2001
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Subject: Buying new gear
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Speaking of looking for the best price, people may want to try giving 
Washington Music Center a call (http://www.washingtonmusic.com/).  They 
consistently offer gear for about 5-10% less than any other place I've 
checked (I bought both my DL4s there for $219 WITH THE ADAPTOR).  That's the 
best price I've seen and they seem to be consistent in having lower prices.  
Only catch is you have to call or email, they don't have prices on the site.

Kevin
_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Thu May 10 13:55:53 2001
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sampleconverterHi Dorothée,

> I'm serching for a possibility to convert my
> esi 32 samples in a akai-format, to use it on my macintosh.

I haven't tried any of this, but you might check out:
http://hem.spray.se/joakim.slettengren/

Dennis Leas
-------------------
dennis@mdbs.com


From Loopers-Delight-request@loopers-delight.com  Thu May 10 15:02:12 2001
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Subject: sampleconverter
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> Diese Nachricht ist im MIME-Format. Da Ihr Mailreader dieses Format nicht
unterstŸtzt, kšnnte diese Nachricht ganz oder teilweise unlesbar sein.

--MS_Mac_OE_3072372947_37830_MIME_Part
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Hallo

thank u for tips.
CDxtract is only availible fpr pc or do somebody have a versiom for mac?
Doroth=E9e 

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<HTML>
<HEAD>
<TITLE>sampleconverter</TITLE>
</HEAD>
<BODY>
<BR>
<FONT SIZE=3D"1">Hallo<BR>
<BR>
thank u for tips.<BR>
CDxtract is only availible fpr pc or do somebody have a versiom for mac?<BR=
>
Doroth=E9e </FONT>
</BODY>
</HTML>


--MS_Mac_OE_3072372947_37830_MIME_Part--

From Loopers-Delight-request@loopers-delight.com  Thu May 10 15:34:59 2001
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Date: Thu, 10 May 2001 12:26:04 -0700
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Dorothee,

maybe this will help?

http://www.bitheadz.com/

they make a product called Osmosis, which is a sample converter.  see 
if that does what ya need it too!

good luck,

rich



>Hallo
>
>
>I'm serching for a possibility to convert my
>esi 32 samples in a akai-format, to use it on my macintosh.
>I know, that there must be a software (like emu-browser?, invinity?), but i
>can't find any information about it.
>Can somebody help me please?
>Thanks and best greetings from germany
>
>Dorothée Hahne

From Loopers-Delight-request@loopers-delight.com  Thu May 10 16:20:54 2001
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Finally bought the Boomerang Plus I've been lusting after since it was first announced in 1999.  Bought it for $425 at Matt's Music in Middletown, CT (one of the three Connecticut retailers listed on the Boomerang web site, and the only one with a web page).  Picked it up there for two reasons: (1) Price (he asked me if his price was competitive and I told him emphatically YES!), and (2) Location (I live in SE CT and like to give my business to local, or relatively local, retailers whenever possible).  

(If you're thinking of contacting him to purchase one, be aware that he only stocks two or three at a time, and reorders when those are sold.  I bought mine on April 28, and he said he'd reorder the following week, but I don't know if he's replenished his stock yet.  But if you do contact him about purchasing, please mention my name as a referral -- remind him I'm the guy who tried out an older model 'rang using a black pocket trumpet with a mouthpiece-mounted Barcus Berry pickup.)

As for the 'rang itself, I'm lovin' it!  I'm using it with the aforementioned trumpet (with or without additional effects) and an older Crumar Steiner EVI (with or without additional processing through an XP300 Space Station).  I noticed that feeding the trumpet pickup directly into the unit and using the level switch and trim control to boost the level produced unsatisfactory results; the trim control affected the output level of the unit quite severely, and also the brightness of the sound and the noise level.  From the archives I gather that this is not uncommon or unusual.  As soon as I used a preamp to bring the signal up to line level (DOD FX10 BiFet Preamp or Danelectro Fish-n-Chips Graphic EQ both work well), the problem went away.

If you're on the fence about getting a Boomerang (especially if you're holding out for a Repeater), get the 'rang.  I'm not sure which I'll see in my local music store first -- a Repeater or the Alesis airSynth -- but I'm not holding my breath for either one...

Paul Camann
 

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At 4:14 PM -0400 5/10/01, PRCamann@aol.com wrote:

>I'm not sure which I'll see in my local music store first -- a 
>Repeater or the Alesis airSynth -- but I'm not holding my breath for 
>either one...

Think "June" for the Repeater.

-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

From Loopers-Delight-request@loopers-delight.com  Thu May 10 17:08:07 2001
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From: ZacRae <zacrae@pacbell.net>
Subject: Digitech PDS-8000 mods...
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Just picked up one of these fun little buggers...

Has anyone attempted (or succeeded) with any mods for this thing?
Curious if anyone has attempted to expand its capabilities (a CV in for
the delay time would be an obvious one)  It also struck me it would be
an interesting candidate for "circuit bending" type mods, ala those
performed on the Casio SK-1....   Any thoughts???

Thanks in advance.

Zac.

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At 5:34 PM +0200 5/10/01, newsic@gmx.de wrote:
>Hallo
>
>
>I'm serching for a possibility to convert my
>esi 32 samples in a akai-format, to use it on my macintosh.
>I know, that there must be a software (like emu-browser?, invinity?), but i
>can't find any information about it.

Check out Transfer Station <http://www.imuse.com/TS.html>

supported Samplers include:

*	Akai S1000/S1100-series
*	Akai S2000/S2800/S3000/XL/S3200-series
*	Emu Emulator 4-series, ESynth, e64-series, ESi-series
*	Ensoniq ASR-X
*	Kurzweil K2000 and K2500
*	Peavey SXII/SXII+ and DPM-SP
*	Roland S-760 and DJ-70mkII
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz
--============_-1222603147==_ma============
Content-Type: text/html; charset="us-ascii"

<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: sampleconverter</title></head><body>
<div><tt>At 5:34 PM +0200 5/10/01, newsic@gmx.de wrote:</tt></div>
<blockquote type="cite" cite><tt>Hallo<br>
<br>
<br>
I'm serching for a possibility to convert my<br>
esi 32 samples in a akai-format, to use it on my macintosh.<br>
I know, that there must be a software (like emu-browser?, invinity?),
but i</tt></blockquote>
<blockquote type="cite" cite><tt>can't find any information about
it.</tt></blockquote>
<div><tt><br></tt></div>
<div><tt>Check out Transfer Station
&lt;http://www.imuse.com/TS.html&gt;</tt></div>
<div><tt><br></tt></div>
<div><tt>supported Samplers include:<br>
<br>
*<x-tab>&nbsp;&nbsp;&nbsp; </x-tab>Akai S1000/S1100-series<br>
*<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </x-tab><u>Akai</u>
S2000/S2800/S3000/XL/S3200-series<br>
*<x-tab> </x-tab><u>Emu</u> Emulator 4-series, ESynth, e64-series,
ESi-series<br>
*<x-tab>&nbsp; </x-tab><u>Ensoniq</u> ASR-X<br>
*<x-tab>&nbsp; </x-tab><u>Kurzweil</u> K2000 and K2500<br>
*<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </x-tab><u>Peavey</u>
SXII/SXII+ and DPM-SP</tt></div>
<div><tt>*<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><u>Roland</u> S-760 and DJ-70mkII</tt></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div><br>
______________________________________________________________<br>
Richard Zvonar, PhD<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><br>
(818) 788-2202<x-tab>&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </x-tab><br>
http://www.zvonar.com<br>
http://RZCybernetics.com<br>
http://www.cybmotion.com/aliaszone<br>
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz</div>
</body>
</html>
--============_-1222603147==_ma============--

From Loopers-Delight-request@loopers-delight.com  Thu May 10 17:29:18 2001
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Date: Thu, 10 May 2001 12:36:58 -0700
From: Richard Zvonar <zvonar@zvonar.com>
Subject: Repeater
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I just had a phone call from "Deep Throat" and thought you might like 
to know that Repeater will very likely be shipping in June. The unit 
is in the final stages of tweaking and beta testing. A large number 
of units are ready to ship as soon as the final firmware is loaded 
into them, so there should not be any significant delay once the 
final operating system is "blessed."

BTW - I didn't notice that Dave Tristram was providing visuals for 
the latest loop fest. I've seen his work with the Raster Masters, and 
got to know him when I was working on Graham Nash's "LifeSighs" 
project.
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

From Loopers-Delight-request@loopers-delight.com  Thu May 10 17:43:06 2001
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From: "H. da Massa" <henry_damassa@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: In need of a used boomerang unit, England.
Date: Thu, 10 May 2001 21:40:07 -0000
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Anybody know how/where I can lay my hands on a Boomerang floor unit at less 
than six hundred dollars which is what they are selling for over here in 
England. Come on someone help me out.
_________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.

From Loopers-Delight-request@loopers-delight.com  Thu May 10 17:43:34 2001
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From: PaulPokr@aol.com
Date: Thu, 10 May 2001 17:38:35 EDT
Subject: Echoplex Digital Pro - Copy Timing Only Blues
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Hi, all:

$%&*#$!

If only one could copy the timing only with NEXTLOOP after recording the first loop. 

It seems like I need to play and record my guitar (with a drum machine synced to the EDP) to get the first loop down with the proper timing. 

The workaround of hitting RECORD then terminating the loop so that the drum machine is started in sync, then recording successive loops with no actual recording is, at best, tolerable.

Will the EDP update that I've heard mentioned ever see the light of day?

Regards, Paul

From Loopers-Delight-request@loopers-delight.com  Thu May 10 17:43:38 2001
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Subject: Re: SC Voice and Electronics Fest...
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> BTW - I didn't notice that Dave Tristram was providing visuals for the latest loop fest. I've seen his work with the Raster Masters, and 
got to know him when I was working on Graham Nash's "LifeSighs" project. --  Richard Zvonar

Hi Richard,

He was a bit farther down in the announcement. Sorry you missed it. It's obvious that he's really in the cream-of-the-crop concerning visual production and performance. I'd love to see some of his other work. He mentioned that he's done a fair amount with the very experimental group, Omnimedia, up in Oakland. It's great to know he's in our neck of the woods...

Best,
-Miko Biffle

From Loopers-Delight-request@loopers-delight.com  Thu May 10 17:52:37 2001
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ON Saturday, the 19th, Electrix will be demonstrating the Repeater at
Bananas at Large, in San Rafael, CA (just north of San Francisco).   Demo
time is noon to 1PM, and it will be an excellent opportunity to see just
what it does.

Bananas at Large 
1504 Fourth St. (Fourth and E)
San Rafael CA
415-457-7600

From Loopers-Delight-request@loopers-delight.com  Thu May 10 18:10:47 2001
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"YAMOBETHERE"!

stanner
----------
>From: Rik Elswit <rik@well.com>
>To: Loopers-Delight@loopers-delight.com
>Subject: Re:  Repeater
>Date: Thu, May 10, 2001, 2:48 PM
>

>ON Saturday, the 19th, Electrix will be demonstrating the Repeater at
>Bananas at Large, in San Rafael, CA (just north of San Francisco).   Demo
>time is noon to 1PM, and it will be an excellent opportunity to see just
>what it does.
>
>Bananas at Large 
>1504 Fourth St. (Fourth and E)
>San Rafael CA
>415-457-7600
>

From Loopers-Delight-request@loopers-delight.com  Thu May 10 18:35:51 2001
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--------------6A5BD62C39C626641970ABF9
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We'll be expecting a full report....

>    ----------------------------------------------------------------
>
> Subject: Re: Repeater
> Date: Thu, 10 May 2001 14:48:41 -0700 (PDT)
> From: Rik Elswit <rik@well.com>
> To: Loopers-Delight@loopers-delight.com
>
> ON Saturday, the 19th, Electrix will be demonstrating the Repeater at
> Bananas at Large, in San Rafael, CA (just north of San Francisco).
> Demo
> time is noon to 1PM, and it will be an excellent opportunity to see
> just
> what it does.
>
> Bananas at Large
> 1504 Fourth St. (Fourth and E)
> San Rafael CA
> 415-457-7600
>
--
Hans Lindauer
Engineer, Music Man R&D
Ernie Ball, Inc.


--------------6A5BD62C39C626641970ABF9
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<!doctype html public "-//w3c//dtd html 4.0 transitional//en">
<html>
We'll be expecting a full report....
<blockquote TYPE=CITE>
<hr WIDTH="90%" SIZE=4>
<p><nobr><b>Subject: </b>Re: Repeater</nobr>
<br><nobr><b>Date: </b>Thu, 10 May 2001 14:48:41 -0700 (PDT)</nobr>
<br><nobr><b>From: </b>Rik Elswit &lt;rik@well.com></nobr>
<br><nobr><b>To: </b>Loopers-Delight@loopers-delight.com</nobr>
<pre WRAP>ON Saturday, the 19th, Electrix will be demonstrating the Repeater at
Bananas at Large, in San Rafael, CA (just north of San Francisco).&nbsp;&nbsp; Demo
time is noon to 1PM, and it will be an excellent opportunity to see just
what it does.

Bananas at Large&nbsp;
1504 Fourth St. (Fourth and E)
San Rafael CA
415-457-7600</pre>
</blockquote>

<p>--
<br>Hans Lindauer
<br>Engineer, Music Man R&amp;D
<br>Ernie Ball, Inc.
<br>&nbsp;</html>

--------------6A5BD62C39C626641970ABF9--

From Loopers-Delight-request@loopers-delight.com  Thu May 10 21:46:38 2001
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References: <E1A9C2F416DED111904200A0C9AA8BF4017A152C@SAN_DIEGO_07>
Subject: Re: Boomerang
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As I just received my Boomerang from Mars Music, I can verify that you do
get the + model.
----- Original Message -----
From: "Tim Petrie" <tpetrie@ndbi.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, May 10, 2001 9:51 AM
Subject: Boomerang


> Hello, I'm new to this list, but have been reading the archives as well as
> the digests for months.
>
> This is my first post. This will also be the purchase of my first looper
to
> use with my guitar. It might be of interest to some of you wanting to buy
a
> Boomerang. I have been looking for the best price. And found one for $449
at
> Mars music. But they have a picture of the old model, not the Boomerang
Plus
> with the + sign on it. So I called them and of course the sales people
there
> didn't know whether it was a plus or not because the picture was of the
> older model, and the warehouse was in another state, so they couldn't open
> up a box to look.  So, I took the sku# and called one of the Mars stores
in
> Orange, CA. They matched the sku# with the box and actually opened it up
and
> sure enough it is the Plus model. So bottom line, you can go ahead and
order
> it from the Mars web site and it will be the plus model even though their
> picture is not updated to the latest model. I'm ordering one this week
> unless there is a better price elsewhere.
>
> I thought about buying the BOSS RC-20 but it looks like the boomerang has
> more functionality for live performances. The Boomerang has more buttons
to
> control it on the fly. And all the testimonials of the loopers on this
site
> seem to love the ones they have. So here goes, I'm finally plopping down
the
> money.
>
>
>
>
>
>
> Tim Petrie
> Citrix and Database administrator
> Nielsen Dillingham Builders
> (619) 542-4412
> tpetrie@ndbi.com
>

From Loopers-Delight-request@loopers-delight.com  Thu May 10 22:10:50 2001
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Subject: sampleconverter
Date: Fri, 11 May 2001 10:08:00 +0800
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Dorethee,

>I'm serching for a possibility to convert my
>esi 32 samples in a akai-format, to use it on my macintosh.
>I know, that there must be a software (like emu-browser?, invinity?), but i
>can't find any information about it.
>Can somebody help me please?
>Thanks and best greetings from germany
>
>Dorothée Hahne

I'm not sure of the exact extensions you would be looking at, but have you 
tried Awave Audio Bathc Convertor. This does most audio formats currently 
around!

K-Z-Gaz

_________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.

From Loopers-Delight-request@loopers-delight.com  Fri May 11 00:59:25 2001
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Date: Fri, 11 May 2001 00:56:30 EDT
Subject: Re: Boomerang----->alesis air-synth
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In a message dated 5/10/01 4:15:56 PM Eastern Daylight Time, PRCamann@aol.com 
writes:


> I'm not sure which I'll see in my local music store first -- a Repeater or 
> 

talked to a fellow at "sweetwater music" today about the air-synth (alesis) 
and he basically said "it may never come out or if it does it will be towards 
the end of the year" sigh!.....also they do not carry electrix products so 
they had no idea what a "repeater" might be, go figure.....m

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>In a message dated 5/10/01 4:15:56 PM Eastern Daylight Time, PRCamann@aol.com 
<BR>writes:
<BR>
<BR>
<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">I'm not sure which I'll see in my local music store first -- a Repeater or 
<BR>the Alesis airSynth </BLOCKQUOTE>
<BR>
<BR>talked to a fellow at "sweetwater music" today about the air-synth (alesis) 
<BR>and he basically said "it may never come out or if it does it will be towards 
<BR>the end of the year" sigh!.....also they do not carry electrix products so 
<BR>they had no idea what a "repeater" might be, go figure.....m</FONT></HTML>

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From Loopers-Delight-request@loopers-delight.com  Fri May 11 03:09:15 2001
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Date: Fri, 11 May 2001 00:05:49 -0700
Subject: Line6 Filter box
From: Travis Hartnett <tiktok@sprintmail.com>
To: "Looper's Delight" <Loopers-Delight@annihilist.com>
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Saw the new Line6 box at the local Guitar Center today.  My bandmate set up
a loop in the adjacent delay modeler and used the filter box for post loop
processing.  We didn't have time to delve into deeply, but it immediately
struck me as quite useful.  I wasn't very impressed by the clips Line6 had
posted on their site, but the box in person was quite compelling.

TravisH


-- 
NEW official Electrochakra website: www.electrochakra.com




From Loopers-Delight-request@loopers-delight.com  Fri May 11 04:14:54 2001
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Sorry for the extra clutter, but I just wanted to introduce meself...
name: ash | city: portland | musician | amateur engineer | been subbed: about 
a month

Its nice to finally find a list where I'll learn something.

e n d


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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>Sorry for the extra clutter, but I just wanted to introduce meself...
<BR>name: ash | city: portland | musician | amateur engineer | been subbed: about 
<BR>a month
<BR>
<BR>Its nice to finally find a list where I'll learn something.
<BR>
<BR>e n d
<BR></FONT></HTML>

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From Loopers-Delight-request@loopers-delight.com  Fri May 11 05:02:47 2001
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Subject: re: DL 4 modeller problems
Date: Fri, 11 May 2001 02:04:24 -0700
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Hey group,  I contacted George Van Wagner at line 6 about my gripes about
their warranty service time lag, and though I have not talked to him yet, he
sent me a very gracious letter back insisting that he wants to talk to me
ASAP and affirming that he is very , very concerned about the reputation of
Line 6's customer service.  I was impressed with his sincerity!

I think that I will start to forward him our discussions about future Line 6
products (like the recent rash of disses on the
new Line 6 filter modeller, of which I was one).    This company does seem
to give a shit about what we, in the trenches, think
about their gear so I think we could really aid them if we corresponded with
them as well as grousing or praising their respective products.
While we are at it, we should probably do this with all of the companies who
design looping gear (exept, possibly, the 10,000 grouses about
the tardiness of the Repeater appearance ;-)

I, for one, have all but quit using my 3 jammans (no, I'm not going to be
selling them anytime soon ;-), because the
Line 6 looping pedal is so awesome.   I'm with Miko in his assessment of
John Whooley's brilliant performance with one mic, a line 6 pedal and
an expression pedal and nothing else............it surely sent me back to
the drawing board!!!!

yours,   Rick Walker

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In a message dated 5/11/01 5:01:07 AM Eastern Daylight Time, 
GLOBAL@cruzio.com writes:


> John Whooley's brilliant performance with one mic, a line 6 pedal and
> an expression pedal and nothing else............it surely sent me back to
> the drawing board!!!!
> 

boy rick, it sure would be nice to hear this.....(did you record the show?) 
or is this going to be another cali love fest that the poor folk who live 
elsewhere will not hear?.....i promise to send you a tape of my next 
gig!.....:).....m

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>In a message dated 5/11/01 5:01:07 AM Eastern Daylight Time, 
<BR>GLOBAL@cruzio.com writes:
<BR>
<BR>
<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">John Whooley's brilliant performance with one mic, a line 6 pedal and
<BR>an expression pedal and nothing else............it surely sent me back to
<BR>the drawing board!!!!
<BR></BLOCKQUOTE>
<BR>
<BR>boy rick, it sure would be nice to hear this.....(did you record the show?) 
<BR>or is this going to be another cali love fest that the poor folk who live 
<BR>elsewhere will not hear?.....i promise to send you a tape of my next 
<BR>gig!.....:).....m</FONT></HTML>

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From Loopers-Delight-request@loopers-delight.com  Fri May 11 09:36:07 2001
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From: "Dennis Leas" <dennis@mdbs.com>
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References: <a4.13f5ab99.282c645b@aol.com>
Subject: Re: Echoplex Digital Pro - Copy Timing Only Blues
Date: Fri, 11 May 2001 08:33:31 -0500
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Hi Paul!

> . . .
> The workaround of hitting RECORD then terminating the loop so that the
drum machine is
> started in sync, then recording successive loops with no actual recording
is, at best, tolerable.
> . . .

I don't know exactly what you need to do, but have you considered using some
type of MIDI controller such as a Peavey PC-1600x?  You could program a
sequence of EDP operations that are triggered by a single MIDI controller
button push.  Of course, if you have a computer w/ MIDI interface you could
use something like Building Blocks (see
http://www.midiworld.org/AuReality/products/buildingblocks/buildingblocks.ht
ml ) to construct the same functionality.

IMHO, one of the really cool things about the EDP is that virtually all
functions can be controlled via MIDI.  So you can look at the "basic" front
panel operations as primitive functions that you can chain together to
construct your own operations.

'Course with enough of that, you'll have to get some roadies...

Dennis Leas
-------------------
dennis@mdbs.com

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From: Nemoguitt@aol.com
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Date: Fri, 11 May 2001 09:33:17 EDT
Subject: o.t. steinberger replacement parts
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this may be of interest to some, found it on harmony-central today:

May 11, 2001 -- MusicYo.com, a California-based Internet retailer, announced=
=20
the availability of Steinberger replacement parts and accessories. Included=20
in the initial offering are Headpiece Bands, R-Tremolo Systems, String=20
Adaptors, Hardshell Cases and Gigbags, Tremolo Arms, Gearless Tuners and Leg=
=20
Rests.
"For a while, Steinberger enthusiasts have had a hard time finding parts for=
=20
their beloved =E2=80=98Bergers", says MusicYo representative Rick Bassham. "=
But with=20
the revival of the Steinberger line at MusicYo, they=E2=80=99re having a fie=
ld day!!=20
For them, it=E2=80=99s almost like Christmas!"
As the official and only authorized distributor of Steinberger products,=20
MusicYo plans to continue to expand upon this initial offering by adding=20
other high-demand Steinberger parts in the future.
Steinberger parts, as well as Steinberger instruments, are now available and=
=20
offered exclusively at www.MusicYo.com directly to consumers.
For more information, visit their web site at <A HREF=3D"http://www.musicyo.=
com/">www.musicyo.com</A>.


   =20


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<HTML><FONT FACE=3Darial,helvetica><FONT  SIZE=3D2>this may be of interest t=
o some, found it on harmony-central today:
<BR>
<BR>May 11, 2001 -- MusicYo.com, a California-based Internet retailer, annou=
nced=20
<BR>the availability of Steinberger replacement parts and accessories. Inclu=
ded=20
<BR>in the initial offering are Headpiece Bands, R-Tremolo Systems, String=20
<BR>Adaptors, Hardshell Cases and Gigbags, Tremolo Arms, Gearless Tuners and=
 Leg=20
<BR>Rests.
<BR>"For a while, Steinberger enthusiasts have had a hard time finding parts=
 for=20
<BR>their beloved =E2=80=98Bergers", says MusicYo representative Rick Bassha=
m. "But with=20
<BR>the revival of the Steinberger line at MusicYo, they=E2=80=99re having a=
 field day!!=20
<BR>For them, it=E2=80=99s almost like Christmas!"
<BR>As the official and only authorized distributor of Steinberger products,=
=20
<BR>MusicYo plans to continue to expand upon this initial offering by adding=
=20
<BR>other high-demand Steinberger parts in the future.
<BR>Steinberger parts, as well as Steinberger instruments, are now available=
 and=20
<BR>offered exclusively at www.MusicYo.com directly to consumers.
<BR>For more information, visit their web site at <A HREF=3D"http://www.musi=
cyo.com/">www.musicyo.com</A>.
<BR>
<BR>
<BR>   =20
<BR></FONT></HTML>

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From Loopers-Delight-request@loopers-delight.com  Fri May 11 10:36:52 2001
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 <008601c0d9f9$ab209fe0$7282e3a5@looppool>
Date: Fri, 11 May 2001 07:29:19 -0700
To: Loopers-Delight@loopers-delight.com
From: rich <rich@nuvisionsca.com>
Subject: re: DL 4 modeller problems
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Rick Walker wrote:

>Hey group,  I contacted George Van Wagner at line 6 about my gripes about
>their warranty service time lag, and though I have not talked to him yet, he
>sent me a very gracious letter back insisting that he wants to talk to me
>ASAP and affirming that he is very , very concerned about the reputation of
>Line 6's customer service.  I was impressed with his sincerity!

Rick...

hey, great!  glad you got in touch with george...he seems to be a 
very sincere gentlemen and that notion is not lost when you meet him 
in person.  seems he has been in the 'biz' for some time (i think he 
worked for midiman before joining L6), and really likes what he is 
doing.

>I think that I will start to forward him our discussions about future Line 6
>products (like the recent rash of disses on the
>new Line 6 filter modeller, of which I was one).    This company does seem
to give a shit about what we, in the trenches

if i remember correctly, George was subscribing to LD prior to and up 
to the original release of the DL4.  although i think the amount of 
mail might have gotten to be a bit much...he watches over the L6 web 
board, which is a buttload of stuff to weed through enough...and if 
you think we're a bunch of whining little brats, ya ain't seen 
nothin' till you spend a bit o' time over at the line6 board.

i would recommend asking him how he would prefer our requests to be 
sent.  The line6 board works well to post issues and get alot of 
response from other users, and there are direct email portals to 
line6 as well...check the website...ideas@line6.com?  (i think?)

would hate to deluge george with unsolicited mails...although your 
idea is cool.  hope you get your pedal back soon!



best,

rich

From Loopers-Delight-request@loopers-delight.com  Fri May 11 10:49:29 2001
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Subject: re: DL 4 modeller problems
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also, while we are gushing about L6's customer service approach...

if ya's want to, check out:

http://listen.to/andyz

this is the home site for a very enthusiastic L6 user, who happens to 
make some pretty damn good patches for POD, and also hosts the 
monthly LA Line6 Users Meeting.  If any of you are in the LA area and 
want to check out a bunch of geeks going off about Line6 gear...Andy 
Z can provide the times and place.  I've been to only one meeting 
quite some time ago, since driving INTO LA during rush hour traffic 
is something you only do when absolutely neccessary.  Line6 fully 
supports these meetings and usually use it to introduce new products 
before they hit the shelves, get first hand customer feedback, help 
folks dial in their setups, and more.  Sometimes they've got a hot 
shot demo'ing stuff...I think Reeves Gabrels was at the last one...

anywho...FYI.

rich

From Loopers-Delight-request@loopers-delight.com  Fri May 11 10:51:49 2001
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Date: Fri, 11 May 2001 16:47:00 +0000
From: Claude Voit <c.voit@vtx.ch>
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Echoplex Digital Pro - Copy Timing Only Blues
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PaulPokr@aol.com wrote:
> 
> Hi, all:
> 
> $%&*#$!
> 
> If only one could copy the timing only with NEXTLOOP after recording the first loop.
> 
> It seems like I need to play and record my guitar (with a drum machine synced to the EDP) to get the first loop down with the proper timing.
> 
> The workaround of hitting RECORD then terminating the loop so that the drum machine is started in sync, then recording successive loops with no actual recording is, at best, tolerable.
> 
> Will the EDP update that I've heard mentioned ever see the light of day?
> 
> Regards, Paul
Paul
Some remarks I dont get it 100%
1-why dont you slave the plex to the drum machine (sync in)
or we need more exactly what you want to achieve.
or do you need to sync on the fly to a band to start the dm machine ?
why do you need to record successive loops without recording anything an
empty loop without drum machine doesnt make sense??

Claude

From Loopers-Delight-request@loopers-delight.com  Fri May 11 11:23:15 2001
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References: <a4.13f5ab99.282c645b@aol.com> <3AFC1784.DEC5EB7B@vtx.ch>
Subject: Oregon Phoenix Festival - July 6-9 
Date: Fri, 11 May 2001 08:16:33 -0700
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The Phoenix Festival is a regional gathering modeled after Burning Man and
will be held on July 6th to July 9th in central Oregon.

See:  http://www.phoenixfest.com/

There will be scads of DJ's there with soundsystems. I hope to timeshare a
sound system and do some live instrumental looping, and have started
discussions with one group already, so it looks pretty feasible.

If any of you Pacific Northwest loopers are also tempted by this sort of
thing, please drop me a line and let's talk about the looping possibilities
at this event.

Bob
rcc@nwlink.com
Seattle


From Loopers-Delight-request@loopers-delight.com  Fri May 11 11:25:56 2001
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From: PaulPokr@aol.com
Date: Fri, 11 May 2001 11:23:08 EDT
Subject: Re: Echoplex Digital Pro - Copy Timing Only Blues
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<< Some remarks I dont get it 100%
  1-why dont you slave the plex to the drum machine sync in)
  or we need more exactly what you want to achieve.
  or do you need to sync on the fly to a band to   start   the dm machine ?
  why do you need to record successive loops without   recording anything an
  empty loop without drum machine doesnt make sense?? >>

It's hard to explain in a sentence. Here's what I'm trying to do:

I have my drum machine sync'ed via MIDI to the EDP.

Say, three loops are defined on the EDP.

I have the EDP set to loopcopy SOUND rather than TIMING (because the TIMING only loopcopy doesn't work to my knowledge).

If I then record a pattern in loop 1 at a certain tempo then stop the pattern, it will play and drive the drum machine at a suitable tempo. If I then do a LOOPCOPY, the EDP will copy the sound from loop #1 and the timing. However, I don't want the sound from loop #1 to be copied to loop #2. Only the timing to drive the drum machine.

A workaround would be to, perhaps, enter bass guitar patterns first, which would be somewhat innocuous to the rest of the song. One can foot-tap in at an  appropriate interval the start/stop of the 1st loop without any other sound which would then start the drum machine. Then one could layer whatever, say, guitar pattern, chords, whatever over the drums. But, there are very interesting results achieved when some pattern is played at an arbitrary tempo and the drum machine/bass machine (in this case a Zoom 234) starts at the arbitrary tempo. The somewhat mundane default patterns in the drum machine really come alive.

Anyhow, that's my sad tale.

Regards, Paul


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To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Thoughts on conflict on Loopers Delight
Date: Fri, 11 May 2001 08:40:31 -0700
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Thanks Ted.  The 'Tortutured Artist Effect', as Todd R. put it, really gets
old sometimes.  "CAN'T WE ALL JUST GET ALONG" (quote from a famous felon).
bRAD 'wALLcLANmAN fARKLE' cHASE

-----Original Message-----
From: Rick Walker (loop.pool) [mailto:GLOBAL@cruzio.com]
Sent: Wednesday, May 09, 2001 6:03 PM
To: Loopers-Delight@loopers-delight.com
Subject: Thoughts on conflict on Loopers Delight


Ted wrote:
"I suppose that's not cool though.  On this list you're only cool if you
have a Jamman, a Boomerang, and/or Acid Pro.   Don't forget the EDP!"


Hey Guys,    don't you get it?   Everyone is cool on this wonderful list.
Having just completed the exciting and gratifying
FESTIVAL of VOICE + ELECTRONICS (with cool list members Miko B, Simran
Gleason and myself and a cast of
singers who ALL want to go out and by a looper of some kind) which was
populated by EDPs, Jammans, Line 6 Modellers and
Boomerangs,  I realized that I NEVER thought about who was using what brand
of looper,  I only listening to how they were being creative(and boy, was
everybody being creative last night).

I've been looping in performance for 8 years (not counting the 3 minute
echoplex tape loops we used in the early 80's in Tao Electrical)
and I thought I didn't have much to learn about it, until I heard some of
the very cool things that John Whooley and Miko B were doing
last night.   Back to the drawing board (and an expression pedal for my Line
6)!!

This list,  like the general population of most places, can really get
contentious at times.   I honestly  think that, as musicians, we are
ambassadors of our respective cultures to the rest of the world and that we
are pretty fluent in the only world language, music.
This gives us, I think,  a responsibility to be on our best behaviour.  If
we all want to be stronger artists, then we need to have dialogue and
conflict to grow.   I just think that we can all assume 1) that we are all
cool and deserving of respect and the 2) we are all mature enough not
too take things so personally when their are conflicts in ideas.

Someone once said,  "The truth is one and the paths are many".   It's a
pleasure being on the path with you all.

yours, Rick Walker  (Loop.pooL)



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Re: sampleconverter
  GOOD DAY!

   GO TO:  http://www.hitsquad.com/smm/

  I BELIEVE I SAW A CONVERTER THERE.

  bRAD wALLCLANMAN fARKLE  Chase    ZXZ












   -----Original Message-----
  From: Richard Zvonar [mailto:zvonar@zvonar.com]
  Sent: Thursday, May 10, 2001 11:25 AM
  To: Loopers-Delight@loopers-delight.com
  Subject: Re: sampleconverter


  At 5:34 PM +0200 5/10/01, newsic@gmx.de wrote:
    Hallo


    I'm serching for a possibility to convert my
    esi 32 samples in a akai-format, to use it on my macintosh.
    I know, that there must be a software (like emu-browser?, invinity?),
but i
    can't find any information about it.


  Check out Transfer Station <http://www.imuse.com/TS.html>


  supported Samplers include:

  *    Akai S1000/S1100-series
  *        Akai S2000/S2800/S3000/XL/S3200-series
  * Emu Emulator 4-series, ESynth, e64-series, ESi-series
  *  Ensoniq ASR-X
  *  Kurzweil K2000 and K2500
  *       Peavey SXII/SXII+ and DPM-SP
  *       Roland S-760 and DJ-70mkII
--


  ______________________________________________________________
  Richard Zvonar, PhD
  (818) 788-2202
  http://www.zvonar.com
  http://RZCybernetics.com
  http://www.cybmotion.com/aliaszone
  http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

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  <P class=3DMsoNormal><SPAN=20
  style=3D"FONT-SIZE: 16pt; COLOR: blue; FONT-FAMILY: 'Rockwell Extra =
Bold'; mso-bidi-font-size: 12.0pt"><FONT=20
  face=3DArial><FONT size=3D3><SPAN class=3D370584015-11052001><FONT=20
  face=3D"Rockwell Extra Bold" color=3D#0000ff>I BELIEVE I SAW A =
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  THERE.</FONT></SPAN></FONT></FONT></SPAN></P>
  <P class=3DMsoNormal><SPAN=20
  style=3D"FONT-SIZE: 16pt; COLOR: blue; FONT-FAMILY: 'Rockwell Extra =
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  &#8216;wALLCLANMAN fARKLE&#8221; <SPAN style=3D"mso-spacerun: =
yes">&nbsp;</SPAN>Chase <SPAN=20
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  <DIV class=3DOutlookMessageHeader dir=3Dltr align=3Dleft><FONT =
face=3DTahoma=20
  size=3D2><SPAN class=3D370584015-11052001>&nbsp;</SPAN>-----Original=20
  Message-----<BR><B>From:</B> Richard Zvonar=20
  [mailto:zvonar@zvonar.com]<BR><B>Sent:</B> Thursday, May 10, 2001 =
11:25=20
  AM<BR><B>To:</B> =
Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> Re:=20
  sampleconverter<BR><BR></DIV></FONT>
  <DIV><TT>At 5:34 PM +0200 5/10/01, newsic@gmx.de wrote:</TT></DIV>
  <BLOCKQUOTE cite type=3D"cite"><TT>Hallo<BR><BR><BR>I'm serching for a =

    possibility to convert my<BR>esi 32 samples in a akai-format, to use =
it on=20
    my macintosh.<BR>I know, that there must be a software (like =
emu-browser?,=20
    invinity?), but i</TT></BLOCKQUOTE>
  <BLOCKQUOTE cite type=3D"cite"><TT>can't find any information about=20
  it.</TT></BLOCKQUOTE>
  <DIV><TT><BR></TT></DIV>
  <DIV><TT>Check out Transfer Station=20
  &lt;http://www.imuse.com/TS.html&gt;</TT></DIV>
  <DIV><TT><BR></TT></DIV>
  <DIV><TT>supported Samplers include:<BR><BR>*<X-TAB>&nbsp;&nbsp;&nbsp; =

  </X-TAB>Akai=20
  =
S1000/S1100-series<BR>*<X-TAB>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =

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  ESi-series<BR>*<X-TAB>&nbsp; </X-TAB><U>Ensoniq</U> =
ASR-X<BR>*<X-TAB>&nbsp;=20
  </X-TAB><U>Kurzweil</U> K2000 and=20
  K2500<BR>*<X-TAB>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
</X-TAB><U>Peavey</U>=20
  SXII/SXII+ and DPM-SP</TT></DIV>
  <DIV><TT>*<X-TAB>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
</X-TAB><U>Roland</U>=20
  S-760 and DJ-70mkII</TT></DIV><X-SIGSEP><PRE>--=20
</PRE></X-SIGSEP>
  =
<DIV><BR>______________________________________________________________<B=
R>Richard=20
  Zvonar, PhD<X-TAB>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
</X-TAB><BR>(818)=20
  788-2202<X-TAB>&nbsp;=20
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  </X-TAB><X-TAB>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
  =
</X-TAB><BR>http://www.zvonar.com<BR>http://RZCybernetics.com<BR>http://w=
ww.cybmotion.com/aliaszone<BR>http://www.live365.com/cgi-bin/directory.cg=
i?autostart=3Drz</DIV></BLOCKQUOTE></BODY></HTML>

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sampleconverterGOOD DAY!

 OBVOIUSLY STEVEN DID A 'JOBS' ON YOU....TRY http://www.hitsquad.com/smm/





bRAD wALLCLANMAN fARKLE  Chase    ZXZ



PLAY          IT   WELL PLAY  IT LOUD






  -----Original Message-----
  From: newsic@gmx.de [mailto:newsic@gmx.de]
  Sent: Thursday, May 10, 2001 11:56 AM
  To: Loopers-Delight@loopers-delight.com
  Subject: sampleconverter



  Hallo

  thank u for tips.
  CDxtract is only availible fpr pc or do somebody have a versiom for mac?
  Dorothie

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<P class=3DMsoNormal><SPAN=20
style=3D"FONT-SIZE: 16pt; COLOR: blue; FONT-FAMILY: 'Rockwell Extra =
Bold'; mso-bidi-font-size: 12.0pt">&nbsp;<o:p></o:p></SPAN></P>
<P class=3DMsoNormal><SPAN=20
style=3D"FONT-SIZE: 16pt; COLOR: blue; FONT-FAMILY: 'Rockwell Extra =
Bold'; mso-bidi-font-size: 12.0pt">bRAD=20
&#8216;wALLCLANMAN fARKLE&#8221; <SPAN style=3D"mso-spacerun: =
yes">&nbsp;</SPAN>Chase <SPAN=20
style=3D"mso-spacerun: yes">&nbsp;&nbsp;&nbsp;</SPAN></SPAN><SPAN=20
style=3D"FONT-SIZE: 72pt; FONT-FAMILY: Music; mso-bidi-font-size: =
12.0pt">Z<SPAN=20
style=3D"COLOR: gray">X</SPAN>Z</SPAN><SPAN=20
style=3D"FONT-SIZE: 16pt; FONT-FAMILY: Music; mso-bidi-font-size: =
12.0pt"><o:p></o:p></SPAN></P>
<P class=3DMsoNormal><SPAN=20
style=3D"FONT-SIZE: 16pt; mso-bidi-font-size: =
12.0pt">&nbsp;<o:p></o:p></SPAN></P>
<P class=3DMsoBodyText><SPAN style=3D"COLOR: red">PLAY <SPAN=20
style=3D"mso-spacerun: yes">&nbsp;</SPAN><SPAN=20
style=3D"mso-spacerun: yes">&nbsp;</SPAN><SPAN=20
style=3D"mso-spacerun: yes">&nbsp;</SPAN><SPAN=20
style=3D"mso-spacerun: yes">&nbsp;</SPAN><SPAN=20
style=3D"mso-spacerun: yes">&nbsp;</SPAN><SPAN=20
style=3D"mso-spacerun: yes">&nbsp;</SPAN><SPAN=20
style=3D"mso-spacerun: yes">&nbsp;</SPAN><SPAN=20
style=3D"mso-spacerun: yes">&nbsp;</SPAN><SPAN=20
style=3D"mso-spacerun: yes">&nbsp;</SPAN>IT <SPAN=20
style=3D"mso-spacerun: yes">&nbsp;</SPAN><SPAN=20
style=3D"mso-spacerun: yes">&nbsp;</SPAN>WELL PLAY <SPAN=20
style=3D"mso-spacerun: yes">&nbsp;</SPAN>IT LOUD <o:p></o:p></SPAN></P>
<P class=3DMsoNormal><SPAN=20
style=3D"FONT-SIZE: 16pt; mso-bidi-font-size: =
12.0pt">&nbsp;<o:p></o:p></SPAN></P>
<P class=3DMsoNormal><SPAN=20
style=3D"FONT-SIZE: 16pt; mso-bidi-font-size: =
12.0pt">&nbsp;<o:p></o:p></SPAN></P></DIV></STRONG></FONT></SPAN></DIV>
<DIV><SPAN class=3D060510616-11052001><FONT color=3D#800080><STRONG><A=20
href=3D"http://www.hitsquad.com/smm/"></A></STRONG></FONT></SPAN>&nbsp;</=
DIV>
<BLOCKQUOTE>
  <DIV class=3DOutlookMessageHeader dir=3Dltr align=3Dleft><FONT =
face=3DTahoma=20
  size=3D2>-----Original Message-----<BR><B>From:</B> newsic@gmx.de=20
  [mailto:newsic@gmx.de]<BR><B>Sent:</B> Thursday, May 10, 2001 11:56=20
  AM<BR><B>To:</B> =
Loopers-Delight@loopers-delight.com<BR><B>Subject:</B>=20
  sampleconverter<BR><BR></FONT></DIV><BR><FONT =
size=3D1>Hallo<BR><BR>thank u for=20
  tips.<BR>CDxtract is only availible fpr pc or do somebody have a =
versiom for=20
  mac?<BR>Doroth=E9e </FONT></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_000C_01C0D9F9.F34D7E00--

From Loopers-Delight-request@loopers-delight.com  Fri May 11 12:19:07 2001
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From: "Brad Chase" <bchase@plasties.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: sampleconverter
Date: Fri, 11 May 2001 09:23:26 -0700
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SURE, UNFORTUNATELY THIS EMAIL ADDRESS IS THROUGH WORK, AND THE RECIEPT
REQUEST IS AUTOMATIC.  I WILL SEND EVERYTHING ELSE PLAIN TEXT.
PEACE BE WITH YOU
bRAD
-----Original Message-----
From: Dennis Leas [mailto:dennis@mdbs.com]
Sent: Friday, May 11, 2001 9:10 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: sampleconverter


Hi Brad,

I'm glad to have you on the list and actively participanting and all
that...but could you send plainer looking email and *not* request a receipt
confirmation?  I would appreciate that greatly!

Thanks!

Dennis Leas
-------------------
dennis@mdbs.com
----- Original Message -----
From: Brad Chase
To: Loopers-Delight@loopers-delight.com
Sent: Friday, May 11, 2001 11:08 AM
Subject: RE: sampleconverter


GOOD DAY!
 OBVOIUSLY STEVEN DID A 'JOBS' ON YOU....TRY http://www.hitsquad.com/smm/


bRAD wALLCLANMAN fARKLE  Chase    ZXZ

PLAY          IT   WELL PLAY  IT LOUD



-----Original Message-----
From: newsic@gmx.de [mailto:newsic@gmx.de]
Sent: Thursday, May 10, 2001 11:56 AM
To: Loopers-Delight@loopers-delight.com
Subject: sampleconverter



Hallo

thank u for tips.
CDxtract is only availible fpr pc or do somebody have a versiom for mac?
Dorothie

From Loopers-Delight-request@loopers-delight.com  Fri May 11 12:19:31 2001
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Subject: Re: sampleconverter
Date: Fri, 11 May 2001 11:10:11 -0500
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sampleconverterHi Brad,

I'm glad to have you on the list and actively participanting and all =
that...but could you send plainer looking email and *not* request a =
receipt confirmation?  I would appreciate that greatly!

Thanks!

Dennis Leas
-------------------
dennis@mdbs.com
  ----- Original Message -----=20
  From: Brad Chase=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Friday, May 11, 2001 11:08 AM
  Subject: RE: sampleconverter


  GOOD DAY!

   OBVOIUSLY STEVEN DID A 'JOBS' ON YOU....TRY =
http://www.hitsquad.com/smm/

  =20

  =20

  bRAD 'wALLCLANMAN fARKLE"  Chase    ZXZ

  =20

  PLAY          IT   WELL PLAY  IT LOUD=20

  =20

  =20


    -----Original Message-----
    From: newsic@gmx.de [mailto:newsic@gmx.de]
    Sent: Thursday, May 10, 2001 11:56 AM
    To: Loopers-Delight@loopers-delight.com
    Subject: sampleconverter



    Hallo

    thank u for tips.
    CDxtract is only availible fpr pc or do somebody have a versiom for =
mac?
    Doroth=E9e=20

------=_NextPart_000_009E_01C0DA0A.F28F4E60
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	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML xmlns:o =3D =
"urn:schemas-microsoft-com:office:office"><HEAD><TITLE>sampleconverter</T=
ITLE>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 5.50.4134.600" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Hi Brad,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I'm glad to have you on the list and =
actively=20
participanting and all that...but could you send plainer looking email =
and *not*=20
request a receipt confirmation?&nbsp; I would appreciate that=20
greatly!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Thanks!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV>Dennis Leas<BR>-------------------<BR><A=20
href=3D"mailto:dennis@mdbs.com">dennis@mdbs.com</A></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dbchase@plasties.com =
href=3D"mailto:bchase@plasties.com">Brad Chase</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, May 11, 2001 =
11:08 AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RE: =
sampleconverter</DIV>
  <DIV><BR></DIV>
  <DIV><SPAN class=3D060510616-11052001><FONT color=3D#800080><STRONG>
  <DIV class=3DSection1>
  <P class=3DMsoNormal><SPAN=20
  style=3D"FONT-SIZE: 16pt; COLOR: blue; FONT-FAMILY: 'Rockwell Extra =
Bold'; mso-bidi-font-size: 12.0pt">GOOD=20
  DAY!<o:p></o:p></SPAN></P>
  <P class=3DMsoNormal><SPAN=20
  style=3D"FONT-SIZE: 16pt; COLOR: blue; FONT-FAMILY: 'Rockwell Extra =
Bold'; mso-bidi-font-size: 12.0pt">&nbsp;<SPAN=20
  class=3D060510616-11052001><FONT color=3D#800080><STRONG><FONT =
size=3D3>OBVOIUSLY=20
  STEVEN DID A 'JOBS' ON YOU....TRY </FONT><A=20
  href=3D"http://www.hitsquad.com/smm/"><FONT=20
  =
size=3D3>http://www.hitsquad.com/smm/</FONT></A></STRONG></FONT></SPAN><o=
:p></o:p></SPAN></P>
  <P class=3DMsoNormal><SPAN=20
  style=3D"FONT-SIZE: 16pt; COLOR: blue; FONT-FAMILY: 'Rockwell Extra =
Bold'; mso-bidi-font-size: 12.0pt">&nbsp;<o:p></o:p></SPAN></P>
  <P class=3DMsoNormal><SPAN=20
  style=3D"FONT-SIZE: 16pt; COLOR: blue; FONT-FAMILY: 'Rockwell Extra =
Bold'; mso-bidi-font-size: 12.0pt">&nbsp;<o:p></o:p></SPAN></P>
  <P class=3DMsoNormal><SPAN=20
  style=3D"FONT-SIZE: 16pt; COLOR: blue; FONT-FAMILY: 'Rockwell Extra =
Bold'; mso-bidi-font-size: 12.0pt">bRAD=20
  &#8216;wALLCLANMAN fARKLE&#8221; <SPAN style=3D"mso-spacerun: =
yes">&nbsp;</SPAN>Chase <SPAN=20
  style=3D"mso-spacerun: yes">&nbsp;&nbsp;&nbsp;</SPAN></SPAN><SPAN=20
  style=3D"FONT-SIZE: 72pt; FONT-FAMILY: Music; mso-bidi-font-size: =
12.0pt">Z<SPAN=20
  style=3D"COLOR: gray">X</SPAN>Z</SPAN><SPAN=20
  style=3D"FONT-SIZE: 16pt; FONT-FAMILY: Music; mso-bidi-font-size: =
12.0pt"><o:p></o:p></SPAN></P>
  <P class=3DMsoNormal><SPAN=20
  style=3D"FONT-SIZE: 16pt; mso-bidi-font-size: =
12.0pt">&nbsp;<o:p></o:p></SPAN></P>
  <P class=3DMsoBodyText><SPAN style=3D"COLOR: red">PLAY <SPAN=20
  style=3D"mso-spacerun: yes">&nbsp;</SPAN><SPAN=20
  style=3D"mso-spacerun: yes">&nbsp;</SPAN><SPAN=20
  style=3D"mso-spacerun: yes">&nbsp;</SPAN><SPAN=20
  style=3D"mso-spacerun: yes">&nbsp;</SPAN><SPAN=20
  style=3D"mso-spacerun: yes">&nbsp;</SPAN><SPAN=20
  style=3D"mso-spacerun: yes">&nbsp;</SPAN><SPAN=20
  style=3D"mso-spacerun: yes">&nbsp;</SPAN><SPAN=20
  style=3D"mso-spacerun: yes">&nbsp;</SPAN><SPAN=20
  style=3D"mso-spacerun: yes">&nbsp;</SPAN>IT <SPAN=20
  style=3D"mso-spacerun: yes">&nbsp;</SPAN><SPAN=20
  style=3D"mso-spacerun: yes">&nbsp;</SPAN>WELL PLAY <SPAN=20
  style=3D"mso-spacerun: yes">&nbsp;</SPAN>IT LOUD =
<o:p></o:p></SPAN></P>
  <P class=3DMsoNormal><SPAN=20
  style=3D"FONT-SIZE: 16pt; mso-bidi-font-size: =
12.0pt">&nbsp;<o:p></o:p></SPAN></P>
  <P class=3DMsoNormal><SPAN=20
  style=3D"FONT-SIZE: 16pt; mso-bidi-font-size: =
12.0pt">&nbsp;<o:p></o:p></SPAN></P></DIV></STRONG></FONT></SPAN></DIV>
  <DIV><SPAN class=3D060510616-11052001><FONT color=3D#800080><STRONG><A =

  =
href=3D"http://www.hitsquad.com/smm/"></A></STRONG></FONT></SPAN>&nbsp;</=
DIV>
  <BLOCKQUOTE>
    <DIV class=3DOutlookMessageHeader dir=3Dltr align=3Dleft><FONT =
face=3DTahoma=20
    size=3D2>-----Original Message-----<BR><B>From:</B> <A=20
    href=3D"mailto:newsic@gmx.de">newsic@gmx.de</A>=20
    [mailto:newsic@gmx.de]<BR><B>Sent:</B> Thursday, May 10, 2001 11:56=20
    AM<BR><B>To:</B> <A=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A><BR><B>Subject:</B>=20
    sampleconverter<BR><BR></FONT></DIV><BR><FONT =
size=3D1>Hallo<BR><BR>thank u=20
    for tips.<BR>CDxtract is only availible fpr pc or do somebody have a =
versiom=20
    for mac?<BR>Doroth=E9e =
</FONT></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_009E_01C0DA0A.F28F4E60--

From Loopers-Delight-request@loopers-delight.com  Fri May 11 13:05:25 2001
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Date: Fri, 11 May 2001 18:49:30 +0000
From: Claude Voit <c.voit@vtx.ch>
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Subject: Re: Echoplex Digital Pro - Copy Timing Only Blues
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PaulPokr@aol.com wrote:
> 
> << Some remarks I dont get it 100%
>   1-why dont you slave the plex to the drum machine sync in)
>   or we need more exactly what you want to achieve.
>   or do you need to sync on the fly to a band to   start   the dm machine ?
>   why do you need to record successive loops without   recording anything an
>   empty loop without drum machine doesnt make sense?? >>
> 
> It's hard to explain in a sentence. Here's what I'm trying to do:
> 
> I have my drum machine sync'ed via MIDI to the EDP.
> 
> Say, three loops are defined on the EDP.
> 
> I have the EDP set to loopcopy SOUND rather than TIMING (because >the TIMING only loopcopy doesn't work to my knowledge).
It does work only not as you would :=)
--with echoplex sync out--
1-loopcopy off: each loop can have a different tempo that is output by
midi clock. its each successive endRecord that sets the cycle
lenght/tempo

2-loop copy snd: same tempo/multiples lenght and the original loop is
copied to the next loop; if you play it gets overdubed


3-loop copy time: same tempo/cycle lenght _but_ it behaves like a record
:the loop is empty when you enter it . if you play it gets recorded

try it

Claude


From Loopers-Delight-request@loopers-delight.com  Fri May 11 13:58:22 2001
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From: AaroneousAG@aol.com
Date: Fri, 11 May 2001 13:45:44 EDT
Subject: re: Digitech PDS-8000 mods. . . 
To: <loopers-delight@loopers-delight.com>
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Curious if anyone has attempted to expand its capabilities . . . 

Zac,

    That was my first and only looping device for 3 years (pre jamman!) . . . she's just making farts and bleeps whenever I hook her up these days, but check out how much I abused her here:

http://www.harmony-central.com/Effects/Data/DigiTech/PDS_8000_EchoPlus-01.html

    My review is the second one down.  Basically, I just hooked up a larger knob to the speed control, so once a loop was set, I could SPEED-IT-UP or sloooww iit dooowwnn . . . with my toe.  I'm sure you could do a cv control mod.  The sample is 8-bit, so continuous overdubbing gets a little wacky, but you can set it so the previous dubs diminish in volume with the regen knob.  I don't know about circuit bending on this, as it is a pretty packed digital board.  Maybe you could get a pitch transpose, or add some dirt to the loop.  The best would be allowing the regeneration to reach beyond %100 for a twisted tape-loop-feedback style explosion!  

I've seen these go for $350 these days. What did you pay?  And who wants a busted version for parts?  Email me off list and we can work it out.


                            aaroneous

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can anyone retell me the extension for Protools' plugins and where I =
might find them for a moderate price if nothing.
=D4_=D4

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</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>can anyone retell me the extension for =
Protools'=20
plugins and where I might find them for a moderate price if=20
nothing.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>=D4_=D4</FONT></DIV></BODY></HTML>

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BEGIN:VCARD
VERSION:2.1
N:;R.Moncayo
FN:R.Moncayo
EMAIL;PREF;INTERNET:moncayo@vtr.net
REV:20010511T180953Z
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From Loopers-Delight-request@loopers-delight.com  Fri May 11 14:32:58 2001
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Date: Fri, 11 May 2001 11:22:35 -0700
To: Loopers-Delight@loopers-delight.com
From: rich <rich@nuvisionsca.com>
Subject: re: Digitech PDS-8000 mods. . .
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>I've seen these go for $350 these days. What did you pay?  And who 
>wants a busted version for parts?  Email me off list and we can work 
>it out.
>
>
>                             aaroneous

ouch...$350?  zowee...that's about what you could get them for new. 
As soon as the 'new' crop of delay lines started showing up...(DFX, 
DL4, boomerangs, jammies, etc.) the 'gotta have it at any price' 
value has dropped on these units considerably, at least here in the 
LA area.

I sold mine for hmmm....$150?

rich

From Loopers-Delight-request@loopers-delight.com  Fri May 11 14:41:20 2001
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Subject: Re: Digitech PDS-8000 mods. . .
Date: Fri, 11 May 2001 11:41:43 -0700
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You sold it to me for $160- :)

Aaron- As for the messed up one that bleeps and blips- I am interested-
contact me off list- werd up- Cliffanator5000

----- Original Message -----
From: "rich" <rich@nuvisionsca.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, May 11, 2001 11:22 AM
Subject: re: Digitech PDS-8000 mods. . .


> >I've seen these go for $350 these days. What did you pay?  And who
> >wants a busted version for parts?  Email me off list and we can work
> >it out.
> >
> >
> >                             aaroneous
>
> ouch...$350?  zowee...that's about what you could get them for new.
> As soon as the 'new' crop of delay lines started showing up...(DFX,
> DL4, boomerangs, jammies, etc.) the 'gotta have it at any price'
> value has dropped on these units considerably, at least here in the
> LA area.
>
> I sold mine for hmmm....$150?
>
> rich
>


From Loopers-Delight-request@loopers-delight.com  Fri May 11 14:52:54 2001
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Date: Fri, 11 May 2001 11:45:20 -0700
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From: rich <rich@nuvisionsca.com>
Subject: Re: Digitech PDS-8000 mods. . .
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So sorry, cliff, i guess i owe you ten bucks.  or maybe you owe me...let's see

350 - 160 = 190

you ripped me off, man!  I'll be by tomorrow with raw garlic...you 
better have 190 bucks waiting for me or i'm not speaking with you 
again...

rich




>You sold it to me for $160- :)
>
>Aaron- As for the messed up one that bleeps and blips- I am interested-
>contact me off list- werd up- Cliffanator5000
>
>----- Original Message -----
>From: "rich" <rich@nuvisionsca.com>
>To: <Loopers-Delight@loopers-delight.com>
>Sent: Friday, May 11, 2001 11:22 AM
>Subject: re: Digitech PDS-8000 mods. . .
>
>
>>  >I've seen these go for $350 these days. What did you pay?  And who
>>  >wants a busted version for parts?  Email me off list and we can work
>>  >it out.
>>  >
>>  >
>>  >                             aaroneous
>>
>>  ouch...$350?  zowee...that's about what you could get them for new.
>>  As soon as the 'new' crop of delay lines started showing up...(DFX,
>>  DL4, boomerangs, jammies, etc.) the 'gotta have it at any price'
>>  value has dropped on these units considerably, at least here in the
>>  LA area.
>>
>>  I sold mine for hmmm....$150?
>>
>>  rich
>>

From Loopers-Delight-request@loopers-delight.com  Fri May 11 17:49:21 2001
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Date: Fri, 11 May 2001 14:44:20 -0700
To: Loopers-Delight@loopers-delight.com
From: Jon Drukman <jsd@cluttered.com>
Subject: reaktor looper
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hi gang.  i've always wanted one of those loop samplers like in the new 
line6 unit.  however since i'm flat broke right now i decided to see if i 
could whip one up with Reaktor.  well, it's pretty good, considering that 
Reaktor makes my head hurt.  i'd love to make it go backwards/half speed 
like the line6 can do but that's way beyond my reaktor chops.

here's a basic version though.  plug in something and play and it layers 
and layers just like frippertronics.  there's also a sampler so you can 
trigger a sound.  i use a nice slow gonging bell sound.

since my band is called bass kittens, the patch is called kittentronics...

http://cluttered.com/Kittentronics.ens

-jsd-

From Loopers-Delight-request@loopers-delight.com  Fri May 11 18:23:42 2001
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From: "GRAY, Toby" <toby.gray@plantronics.com>
To: "'Daniel Cartes'" <daniel_c@vtr.net>, Loopers-Delight@loopers-delight.com
Subject: RE: pro tools
Date: Fri, 11 May 2001 15:11:58 -0700
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You might ask on the DUC (Digi User Conference) at digidesign.com.
=20
It's going to depend if you are MAC or PC based as to what is available =
for
you and if you are running real ProTools or ProTools LE. ProTools Free =
is a
sub set of LE, AFAIK.
Real ProTools runs card based plug ins and I believe, RTAS (Real Time =
Audio
Suite) and maybe AS (Audio Suite). PTLE runs RTAS and AS.
=20
If you are looking for free. Consider systems that make use of Direct-X =
plug
ins.
=20
' hope this helps.
=20
Cheers,
Toby



-----Original Message-----
From: Daniel Cartes [mailto:daniel_c@vtr.net]
Sent: Friday, May 11, 2001 11:10 AM
To: Loopers-Delight@loopers-delight.com
Subject: pro tools


can anyone retell me the extension for Protools' plugins and where I =
might
find them for a moderate price if nothing.
=D4_=D4


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charset=3Diso-8859-1">


<META content=3D"MSHTML 5.50.4134.600" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<CENTER><FONT color=3D#0000ff></FONT></CENTER>
<DIV><SPAN class=3D750151022-11052001></SPAN><FONT face=3DArial><FONT=20
color=3D#0000ff><FONT size=3D2>Y<SPAN class=3D750151022-11052001>ou =
might ask&nbsp;on=20
the DUC (Digi User Conference) at=20
digidesign.com.</SPAN></FONT></FONT></FONT></DIV>
<DIV><FONT face=3DArial><FONT color=3D#0000ff><FONT size=3D2><SPAN=20
class=3D750151022-11052001></SPAN></FONT></FONT></FONT>&nbsp;</DIV>
<DIV><SPAN class=3D750151022-11052001></SPAN><SPAN=20
class=3D750151022-11052001></SPAN><FONT face=3DArial><FONT =
color=3D#0000ff><FONT=20
size=3D2>I<SPAN class=3D750151022-11052001>t's going to depend if you =
are MAC or PC=20
based as to what is&nbsp;available for you and if you are running real =
ProTools=20
or ProTools LE. ProTools Free is a sub set of LE,=20
AFAIK.</SPAN></FONT></FONT></FONT></DIV>
<DIV><SPAN class=3D750151022-11052001></SPAN><FONT face=3DArial><FONT=20
color=3D#0000ff><FONT size=3D2>R<SPAN class=3D750151022-11052001>eal =
ProTools runs=20
card based plug ins and I believe, RTAS (Real Time Audio Suite) and =
maybe AS=20
(Audio Suite). PTLE runs RTAS and AS.</SPAN></FONT></FONT></FONT></DIV>
<DIV><SPAN class=3D750151022-11052001></SPAN><SPAN=20
class=3D750151022-11052001></SPAN><FONT face=3DArial><FONT =
color=3D#0000ff><FONT=20
size=3D2></FONT></FONT></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial><FONT color=3D#0000ff><FONT size=3D2>I<SPAN=20
class=3D750151022-11052001>f you are looking for free. Consider systems =
that make=20
use of Direct-X plug ins.</SPAN></FONT></FONT></FONT></DIV>
<DIV><FONT face=3DArial><FONT color=3D#0000ff><FONT size=3D2><SPAN=20
class=3D750151022-11052001></SPAN></FONT></FONT></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial><FONT color=3D#0000ff><FONT size=3D2><SPAN=20
class=3D750151022-11052001>' hope this =
helps.</SPAN></FONT></FONT></FONT></DIV>
<DIV><FONT face=3DArial><FONT color=3D#0000ff><FONT size=3D2><SPAN=20
class=3D750151022-11052001></SPAN></FONT></FONT></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial><FONT color=3D#0000ff><FONT size=3D2><SPAN=20
class=3D750151022-11052001>Cheers,<BR>Toby</SPAN></FONT></FONT></FONT></=
DIV>
<DIV><BR><BR></DIV>
<BLOCKQUOTE dir=3Dltr style=3D"MARGIN-RIGHT: 0px">
  <DIV class=3DOutlookMessageHeader dir=3Dltr align=3Dleft><FONT =
face=3DTahoma=20
  size=3D2>-----Original Message-----<BR><B>From:</B> Daniel Cartes=20
  [mailto:daniel_c@vtr.net]<BR><B>Sent:</B> Friday, May 11, 2001 11:10=20
  AM<BR><B>To:</B> =
Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> pro=20
  tools<BR><BR></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>can anyone retell me the extension =
for Protools'=20
  plugins and where I might find them for a moderate price if=20
  nothing.</FONT></DIV>
  <DIV><FONT face=3DArial =
size=3D2>=D4_=D4</FONT></DIV></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Fri May 11 19:02:42 2001
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Please excuse me. The Daddy Monkey gig is on the 12th of May 2001. Tomorrow. 
More info at: www.lotuscup.com.

                                Thanks (anticlockwise) James

From Loopers-Delight-request@loopers-delight.com  Fri May 11 19:45:37 2001
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Date: Fri, 11 May 2001 19:43:13 -0400 (EDT)
From: Steve Burnett <sburnett@webslingerz.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: Re: OT Alesis Crash & Burn
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On Tue, 1 May 2001, Will Brake wrote:

> Alesis has officially filed for chapter 11 bankruptcy. They must have
> put too much into the development of the new products!? More information
> to follow as I get it.
>
> Be Well
>
> Will Brake

It looks as though Alesis is likely to be acquired by Numark. There's an
auction the 23rd for the company.

http://www.harmony-central.com/News/2001/Alesis-Chapter-11.html

regards,
Steve
----------------------------------------------------------------
Steve Burnett    Admin, webslingerZ     sburnett@webslingerz.com
             http://www.webslingerz.com/sburnett

From Loopers-Delight-request@loopers-delight.com  Fri May 11 22:51:02 2001
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Date: Fri, 11 May 2001 22:47:05 EDT
Subject: Re: reaktor looper
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jsd@cluttered.com writes:
>just like frippertronics
argh.
but:
thanks for the ensemble.....
best,
dt / s-c

From Loopers-Delight-request@loopers-delight.com  Fri May 11 22:54:27 2001
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Nemoguitt@aol.com quoted:
>"But with=20
>the revival of the Steinberger line at MusicYo, they=E2=80=99re having a fi=
eld
>day!!=20
>For them, it=E2=80=99s almost like Christmas!"
a steinberger christmas w/o a trans-trem is no christmas, at all.....
*-)
best,
dt /s-c

From Loopers-Delight-request@loopers-delight.com  Fri May 11 22:55:45 2001
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Date: Fri, 11 May 2001 22:53:45 EDT
Subject: Re: Boomerang----->alesis air-synth
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Nemoguitt@aol.com writes:
>also they do not carry electrix products so 
>they had no idea what a "repeater" might be, go figure
they intend to sell electrix, i've been told:
*especially* the repeater.
ask for kenny bergle.
best,
dt / s-c

From Loopers-Delight-request@loopers-delight.com  Sat May 12 05:51:57 2001
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In a message dated 10/05/01 23:10:56 GMT Daylight Time, 
Loopers-Delight-d-request@loopers-delight.com writes:

> My question, does anyone know if this sounds like an easy fix (a dirty 
>  connection that just needs to be cleaned (and if so, how (just compressed 
>  air or something else needed)) or does this sound more involved?

try spraying with a 'switch cleaner' aerosol,
if not then replace the switch

andy butler

From Loopers-Delight-request@loopers-delight.com  Sat May 12 13:58:46 2001
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From: "Mike Feeney" <feeneymike@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
References: <1223050249-19018365@opendoor.com>
Subject: iBook + MOTU 828
Date: Sat, 12 May 2001 12:56:31 -0500
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    This is going to be my recording setup, I believe.  the new iBook
connected to the MOTU 828 interface.  Having read over the online info on
the MOTU (several times), I'm still not 100% clear on its use.  I was
wondering if someone who uses it wouldn't mind emailing me privately and
letting me know how everything works...  ie, can you record multiple tracks
simultaneously?... would you still theoretically need a mixer or does it
completely replace that?...  do you use the recording software that comes
with it (audiodesk)?... etc.

    i apologize for my newbie-ish questions... i've played guitar for about
10 years, and been a computer geek for a lot longer, but I'm still a little
newish to computer audio, and have never been up to speed when it comes to
all the electronic toys for recording / processing .

    Thanks!
    Mike Feeney
    feeneymike@yahoo.com



_________________________________________________________
Do You Yahoo!?
Get your free @yahoo.com address at http://mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Sat May 12 14:21:53 2001
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From: "John Yoakum" <JYOAKUM@kc.rr.com>
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Subject: univox cartrige EC80-A TC-1
Date: Sat, 12 May 2001 13:21:18 -0500
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This is a multi-part message in MIME format.

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Iam looking for tape cartrige for echo EC80-A could anyone
of the loopers  HELP?  please let me know.

Thank you all=20
 John yoakum
   =20

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
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<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
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</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3D"Arial Narrow" size=3D4>Iam&nbsp;looking for tape =
cartrige for=20
echo EC80-A could anyone</FONT></DIV>
<DIV><FONT face=3D"Arial Narrow" size=3D4>of&nbsp;the =
loopers&nbsp;&nbsp;HELP?&nbsp;=20
please let me know.</FONT></DIV>
<DIV><FONT face=3D"Arial Narrow" size=3D4></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Arial Narrow" size=3D4>Thank you all </FONT></DIV>
<DIV><FONT face=3D"Arial Narrow" size=3D4>&nbsp;John yoakum</FONT></DIV>
<DIV><FONT face=3D"Arial Narrow"=20
size=3D4>&nbsp;&nbsp;&nbsp;&nbsp;</FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sat May 12 16:36:29 2001
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Date: Sat, 12 May 2001 14:38:59 -0600
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From: Garry Wasyliw <was@dlcwest.com>
Subject: Digitech PDS-8000 mods...
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>Thu, 10 May 2001 14:04:54 -0700
>ZacRae <zacrae@pacbell.net>
>Has anyone attempted (or succeeded) with any mods for this thing?

If you open a digital delay and find trimmer pots, you can sometimes get
interesting things to happen.  I've got an RDS-8000 which is a rack unit
and from a later generation,  but it has three adjustments inside.  The
most interesting one appears to control the sampling frequency.  If you
turn it, you can adjust the delay down to a very low-fi, very long delay.
When you sample something at a normal rate and turn it down, it becomes a
long, grinding ambient loop.  If you find an interesting adjustment, you
can cut out the trimmer and reconnect the wires to a new pot installed on
the front panel.  I got the idea from reading about people having good luck
with early Ibanez delays.  Has anyone had one of the Boss digital delay
pedals apart?

Garry

From Loopers-Delight-request@loopers-delight.com  Sun May 13 11:28:15 2001
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        BADGERPUPZ@cs.com
From: Tim Nelson <tcn62@ici.net>
Subject: New acoustic music from the Chain Tape Collective online now
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'Acoustic', the latest release from the cyberspace-based Chain Tape
Collective, has been posted in MP3 format, and may be downloaded from
<http://www.loopxchange.com>

As the title indicates, this one features music made by acoustic
instruments only; not only will you hear guitars, there's saxophone, piano
(prepared and reg'lar), wooden boards, bottles, alto recorder,
inadvertently exploding glass candle holder, drums, wind chimes, flute,
shakuhachi, violin, viola, sawblades, prayer cymbals, bamboo rattles,
tanpura, swarmandala, six-string acoustic fretless bass, artillery shells,
drift bamboo, lead pipe, heat sink, japanese boxes, african block, shaker,
vibratone, various sticks and critter. There's even a bonus track where you
get to hear Miko Biffle sing. While not every track employs looping
techniques this time around, many of them still do. Check it out!

Tim

ps: If you're modem-bound like I am and don't want to tie up your system
downloading, you can obtain a CD for a very reasonable price from Ribosome
Music by e-mailing mattdavignon@hotmail.com

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Tim wrote:


>'Acoustic', the latest release from the cyberspace-based Chain Tape
>Collective, has been posted in MP3 format, and may be downloaded from
><http://www.loopxchange.com>

>not only will you hear guitars, there's saxophone, piano  . . .  lead pipe

Yeah, but it sounds kind of empty without any "rhythm" pipe   :-)

Only kidding - this is a fantastic collection of very creative music.  Give
it a listen.

James

From Loopers-Delight-request@loopers-delight.com  Sun May 13 12:26:42 2001
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this is great news.....some really wonderful music to be found here.....m

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>this is great news.....some really wonderful music to be found here.....m</FONT></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sun May 13 17:29:19 2001
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From: "Bill Fox" <billfox@fast.net>
To: "emusic-wdiy Mailing List" <emusic-wdiy@yahoogroups.com>
Subject: EMUSIC Playlist #216
Date: Sun, 13 May 2001 17:25:51 -0400
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EMUSIC, an electronic, ambient, and space music show, airs each Thursday
at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA and 93.9 FM in
Easton, PA and Phillipsburg, NJ.

                    Show #216                    May 10, 2001.


RECAP:
On this show, I continued the month-long focus on the Jodrell Bank Concert
series in the UK.  The feature CD at midnight was a minidisc (from the mixing
board) of the same concert that comprises the AirSculpture CDR from the Neu
Harmony six CDR set, Concerts at Jodrell Bank.  This minidisc is a copy of the
Jodrell Bank 2000 disc from the Quark Soup two CD set of AirSculpture
Performances.  The other disc in this set is from their concert at E-Live in
1999.

I also played the music of Spacecraft to promote their upcoming show at the
next Gathering.

Jodrell Bank        http://wdiyfm.org/emusic/playlists/2001/focus01.html#may
The Gathering       http://wdiyfm.org/emusic/events.html


PLAYLIST:

ARTIST                  TRACK                    ALBUM (label)
======================= ======================== ==============================
11:04 pm
VA [Max Richter]        The House of Visual      Sequences No. 25
                         Transference
Spacecraft              Dialogues of Energy      Hummel (Lektronic Soundscapes)
Steve Roach & Vir Unis  Neurotropic              Blood Machine (GreenHouse)
[´ramp]                 Nodular                  Nodular (Manikin)
TUU                     Exile                    One Thousand Years (Waveform)
Jeff Pearce             Migration of Souls       The Light Beyond (Hypnos)
Jeff Pearce             Across the Infinite Sea  The Light Beyond (Hypnos)

12:00 am
AirSculpture            Moments in Lowell        Quark Soup - Jodrell Bank (Neu
Harmony)
AirSculpture            Settee                   Quark Soup - Jodrell Bank (Neu
Harmony)

1:00 am

 * = exerpt
VA = Various Artists (compilation)


NEXT SHOW:
======================= ======================== ==============================
On the next EMUSIC, I'll continue the month-long focus on the Jodrell Bank
concerts in the UK as typified by the six CDR release from Neu Harmony.  The
feature CD at midnight will be the Arcane disc.

I will also play the music of Spacecraft who will appear at the next Gathering
in Philadelphia on May 19th.

From Loopers-Delight-request@loopers-delight.com  Mon May 14 10:18:56 2001
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Date: Mon, 14 May 2001 16:05:38 +0200
Subject: Live performance in Florence, Italy
From: Marco <superpolpaccio@libero.it>
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". e basta"
(and that's that)

a live performance of voices, movement  & music with

Alessandra Aricò - voice, movement
Marco Canaccini - percussions
Massimo Fantoni - electric guitar
Fernando Maraghini - voice, movement

Saturday 20th, May
15 PM
Extemporanea
ex Stazione Leopolda
Florence, Italy


http://www.fabbricaeuropa.net/extemporanea.html

From Loopers-Delight-request@loopers-delight.com  Mon May 14 16:25:29 2001
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Hi,

I've been thinking of buying a  Nord Modular, but I'm not really sure 
it can do what I want. What I want to do is to set up a monophonic 
patch that creates a long sustained note, (using oscillators or the 
external audio inputs), and then to use keypresses on synthesizer 
(through MIDI) keys to trigger envelopes that affect this long note. 
Its not clear from the manual whether it is possible to do this 
without having the keypress retrigger or otherwise affect the steady 
state sound of the patch.

One of the things I'm thinking of here is to have a sequence or the 
output of a delay going into the Nord. The basic sound would be a 
steady state 'drone' modifying the input signal (filter, volume 
control, or other effect) and outputting it. I would then program a 
sequence of MIDI keys to each apply an envelope which would affect 
one of the effects. So (e. g. hitting a particular MIDI note might 
cause an Lfo to be applied to the filter while the key is down).

Have any of you tried anything like this. Probably I should post this 
to one of the users's forums.
-- 
"Once the search is in progress, something will be found"

-- Brian Eno and Peter Schmidt


		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

From Loopers-Delight-request@loopers-delight.com  Mon May 14 16:33:13 2001
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Date: Mon, 14 May 2001 13:27:44 -0700
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From: Mark Pulver <mark@redmoon-music.com>
Subject: Re: Nord Modular question
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Emile Tobenfeld (a.k.a Dr. T) (12:51 PM 05/14/01) wrote:

 >Hi,

(wow!) Hi!


 >One of the things I'm thinking of here is to have a sequence or the
 >output of a delay going into the Nord. The basic sound would be a steady
 >state 'drone' modifying the input signal (filter, volume control, or other
 >effect) and outputting it. I would then program a sequence of MIDI keys
 >to each apply an envelope which would affect one of the effects. So (e. g.
 >hitting a particular MIDI note might cause an Lfo to be applied to the
 >filter while the key is down).

You can definitely do this with the Nord Modular (the Micro Modular as well).

You can separate MIDI data coming into the machine as GATE and NOTE. So, to 
do what you're looking for, you would run a line from the GATE input to an 
Envelope Generator; an LFO into a "VCA", then the VCA to a filter. When you 
hit a key, or otherwise send MIDI note data, the GATE will fire the EG, 
which will open the VCA, which will modulate the filter.

There is also a note detector/splitter module which you can use to set up 
different things to happen on different notes.

I think that you'd have a lot of fun with the machine Doc.


 >Have any of you tried anything like this. Probably I should post this to
 >one of the users's forums.

If you want to, the "main" NM list recently moved off of Wizoo. You can 
subscribe to it by sending email:

   to:   majordomo@invert.com
   body: subscribe nord-modular

Good luck!

Mark

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Date: Mon, 14 May 2001 17:16:07 -0400
To: Loopers-Delight@loopers-delight.com
From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Re: Nord Modular question
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At 1:27 PM -0700 5/14/01, Mark Pulver wrote:
>Emile Tobenfeld (a.k.a Dr. T) (12:51 PM 05/14/01) wrote:
>
>>Hi,
>
>(wow!) Hi!
>
>
>>One of the things I'm thinking of here is to have a sequence or the
>>output of a delay going into the Nord. The basic sound would be a steady
>>state 'drone' modifying the input signal (filter, volume control, or other
>>effect) and outputting it. I would then program a sequence of MIDI keys
>>to each apply an envelope which would affect one of the effects. So (e. g.
>>hitting a particular MIDI note might cause an Lfo to be applied to the
>>filter while the key is down).
>
>You can definitely do this with the Nord Modular (the Micro Modular as well).
>
>You can separate MIDI data coming into the machine as GATE and NOTE. 
>So, to do what you're looking for, you would run a line from the 
>GATE input to an Envelope Generator; an LFO into a "VCA", then the 
>VCA to a filter. When you hit a key, or otherwise send MIDI note 
>data, the GATE will fire the EG, which will open the VCA, which will 
>modulate the filter.
>
>There is also a note detector/splitter module which you can use to 
>set up different things to happen on different notes.
>
>I think that you'd have a lot of fun with the machine Doc.

Probably I  would. I used to have a badly homebuild analog modular 
system that I dumped because I was tired of fixing bad solder joints, 
and because it couldn't save anything.

My concern is that how do I prevent the incoming midi note data from 
retriggering the note. e. g. I set up a one octave monophonic drone 
from C3 to C4, then I want B2 to trigger an envelope that changes the 
filtering of the drone. I don.t want to retrigger or otherwise change 
the pitch of the existing drone. Its not clear from me from the docs 
that I can do this.

>
>
>>Have any of you tried anything like this. Probably I should post this to
>>one of the users's forums.
>
>If you want to, the "main" NM list recently moved off of Wizoo. You 
>can subscribe to it by sending email:
>
>   to:   majordomo@invert.com
>   body: subscribe nord-modular
>
>Good luck!
>
>Mark

-- 
"Once the search is in progress, something will be found"

-- Brian Eno and Peter Schmidt


		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

From Loopers-Delight-request@loopers-delight.com  Mon May 14 17:45:15 2001
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Subject: Re: Nord Modular question
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Emile Tobenfeld (a.k.a Dr. T) (02:16 PM 05/14/01) wrote:

 >My concern is that how do I prevent the incoming midi note data from
 >retriggering the note. e. g. I set up a one octave monophonic drone from
 >C3 to C4, then I want B2 to trigger an envelope that changes the filtering
 >of the drone. I don.t want to retrigger or otherwise change the pitch of
 >the existing drone. Its not clear from me from the docs that I can do this.

To accomplish what you're looking for, you would just not gate the EG/VCA 
that's handling the drone from the MIDI Gate output.

One thing that I think will make things a lot clearer for you is to 
download the Editor from Clavia's site, fire it up and play with it. You 
don't need the NM/MM attached to be able to run it.

   http://www.clavia.se/nordmodular/demo.htm


This is all off topic for the LD list, so you/we may want to continue this 
in private mail, or move over to the NM list.

Mark

From Loopers-Delight-request@loopers-delight.com  Mon May 14 18:37:54 2001
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Subject: R: Live performance in Florence, Italy
Date: Tue, 15 May 2001 00:30:48 +0200
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Grazie! , vedrò di fare un salto!
Casomai ce la faresti a venire a casa di Fabio Capanni sabato mattina per
suonare qualcosa un po' con noi?
Lo devo comunicare anche a Massimo Fantoni che adesso come penso tu sappia è
in Germania.
Fabio Capanni abita a pian di mugnone (Fiesole)
Ditemi di sì (è l'unica data possibile!)
MaX


>
> a live performance of voices, movement  & music with
>
> Alessandra Aricò - voice, movement
> Marco Canaccini - percussions
> Massimo Fantoni - electric guitar
> Fernando Maraghini - voice, movement
>
> Saturday 20th, May
> 15 PM
> Extemporanea
> ex Stazione Leopolda
> Florence, Italy
>
>
> http://www.fabbricaeuropa.net/extemporanea.html
>
>

From Loopers-Delight-request@loopers-delight.com  Mon May 14 18:57:00 2001
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From: "Patrick Bailey" <patthelooper@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: jamman footswitch..another jam-thread!
Date: Mon, 14 May 2001 15:43:33 -0700
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Okay,
in need of a footswitch for the jamman. I searched the archives, all I came 
up with is the same that originally came with it. I'm not a big fan of 
those, too flimsy. Any suggestions for a replacement?/different brands?

Thanks,
Pat
_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

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just a week ago I found out that most generic keyboard sustain pedels work, as
do the ones that came with my Ensonic TS-10 keyboard.  As a matter of fact,
they are the same as the MPM universal sustain pedels (without the polarity
switch) I got at the Guitar Center for $14 each.  (I don't recommend the
Guitar Center, but they're OK in a pinch sometimes.) You'll also need a dual
female mono to stereo jack adaptor.  I've had no problems with the cheap Hosa
ones available at most music stores.

Mark

Patrick Bailey wrote:

> Okay,
> in need of a footswitch for the jamman. I searched the archives, all I came
> up with is the same that originally came with it. I'm not a big fan of
> those, too flimsy. Any suggestions for a replacement?/different brands?
>
> Thanks,
> Pat
> _________________________________________________________________
> Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Mon May 14 19:20:27 2001
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From: Alx <gendel777@yahoo.com>
Subject: Re: jamman footswitch..another jam-thread!
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I´ve been using a Digitech FS300 with the Jamman, it
works great with it.
Alx
 
--- Patrick Bailey <patthelooper@hotmail.com> wrote:
> Okay,
> in need of a footswitch for the jamman. I searched
> the archives, all I came 
> up with is the same that originally came with it.
> I'm not a big fan of 
> those, too flimsy. Any suggestions for a
> replacement?/different brands?
> 
> Thanks,
> Pat
>
_________________________________________________________________
> Get your FREE download of MSN Explorer at
> http://explorer.msn.com
> 


__________________________________________________
Do You Yahoo!?
Yahoo! Auctions - buy the things you want at great prices
http://auctions.yahoo.com/

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Hi, sorry i don't have an answer, but i'm looking for a pedal for the Vortex
too :)

Patrick Bailey wrote:

> Okay,
> in need of a footswitch for the jamman. I searched the archives, all I came
> up with is the same that originally came with it. I'm not a big fan of
> those, too flimsy. Any suggestions for a replacement?/different brands?
>
> Thanks,
> Pat
> _________________________________________________________________
> Get your FREE download of MSN Explorer at http://explorer.msn.com

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I bought two Boss FS-5U footswitches and then Y'd them together.  They work 
great!  Rugged and solid...and easy to step on!  Improved the timing of my 
JamBoy loops too!
Max


_________________________________________________________________
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the JamMan and the Vortex use the same foot pedals

mango wrote:

> Hi, sorry i don't have an answer, but i'm looking for a pedal for the Vortex
> too :)
>
> Patrick Bailey wrote:
>
> > Okay,
> > in need of a footswitch for the jamman. I searched the archives, all I came
> > up with is the same that originally came with it. I'm not a big fan of
> > those, too flimsy. Any suggestions for a replacement?/different brands?
> >
> > Thanks,
> > Pat
> > _________________________________________________________________
> > Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Tue May 15 09:31:31 2001
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From: "Stephen P. Goodman" <spgoodman@earthlight.net>
To: "EarthLight NewsLetter" <newsletter@earthlight.net>
Subject: Mixed News
Date: Tue, 15 May 2001 14:19:38 +0100
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Greetings all,

In the midst of the 200th Loop Of The Week Non-Contest, as you may have =
heard already, I received the news of Douglas Adams' passing.  To say =
simply that this is a great loss to us is nearly trivial.  In response I =
am doing several things:

1.  "Hitchhiker's Lament" is a long piece just completed and will be =
posted before Friday night (the 18th) on the =
http://www.earthlight.net/Studios page.  Loops of the Week are no longer =
dedicated on the passing of people, but focus instead on the future.  In =
any event I felt that a single loop was not sufficient.  An entire =
meditation piece on this was therefore necessary.

2.  While the Loop Of The Week Non-Contest was to have halted on Sunday =
night, it is now being extended to this Saturday night at 2359 GMT (1559 =
PDT).  The reasons beyond the above are mainly that people didn't have =
enough time to get to the Studios site, and were in part confused about =
both the sending of a hit counter graphic, as well as whether entering =
would result in Spam being sent to them.  Hopefully these issues have =
been resolved.

With Regards,=20
Stephen Goodman
* http://www.earthlight.net/Studios=20
* 200th Loop Of The Week Contest ends May 19!

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Dwindows-1252"><BASE=20
href=3D"file://C:\Program Files\Common Files\Microsoft =
Shared\Stationery\">
<STYLE>BODY {
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}
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<BODY bgColor=3D#ffffff =
background=3Dcid:001b01c0dd41$b126d9e0$0201a8c0@stephen>
<DIV>Greetings all,</DIV>
<DIV>&nbsp;</DIV>
<DIV>In the midst of the 200th Loop Of The Week Non-Contest, as you may =
have=20
heard already, I received the news of Douglas Adams' passing.&nbsp; To =
say=20
simply that this is a great loss to us is nearly trivial.&nbsp; In =
response I am=20
doing several things:</DIV>
<DIV>&nbsp;</DIV>
<DIV>1.&nbsp; "Hitchhiker's Lament" is a long piece just completed and =
will be=20
posted before Friday night (the 18th) on the <A=20
href=3D"http://www.earthlight.net/Studios">http://www.earthlight.net/Stud=
ios</A>=20
page.&nbsp; Loops of the Week are no longer dedicated on the passing of =
people,=20
but focus instead on the future.&nbsp; In any event I felt that a single =
loop=20
was not sufficient.&nbsp; An entire meditation piece on this was =
therefore=20
necessary.</DIV>
<DIV>&nbsp;</DIV>
<DIV>2.&nbsp; While the Loop Of The Week Non-Contest was to have halted =
on=20
Sunday night, it is now being extended to this Saturday night at 2359 =
GMT (1559=20
PDT).&nbsp; The reasons beyond the above are mainly that people didn't =
have=20
enough time to get to the Studios site, and were in part confused about =
both the=20
sending of a hit counter graphic, as well as whether entering would =
result in=20
Spam being sent to them.&nbsp; Hopefully these issues have been =
resolved.</DIV>
<DIV>&nbsp;</DIV>
<DIV>With Regards, </DIV>
<DIV>Stephen Goodman<BR>* <A=20
href=3D"http://www.earthlight.net/Studios">http://www.earthlight.net/Stud=
ios</A>=20
<BR>* 200th Loop Of The Week Contest ends May 19!</DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue May 15 09:40:08 2001
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From: "Stephen P. Goodman" <spgoodman@earthlight.net>
To: "EarthLight NewsLetter" <newsletter@earthlight.net>
Subject: Mixed News
Date: Tue, 15 May 2001 14:21:51 +0100
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Greetings all,

In the midst of the 200th Loop Of The Week Non-Contest, as you may have =
heard already, I received the news of Douglas Adams' passing.  To say =
simply that this is a great loss to us is nearly trivial.  In response I =
am doing several things:

1.  "Hitchhiker's Lament" is a long piece just completed and will be =
posted before Friday night (the 18th) on the =
http://www.earthlight.net/Studios page.  Loops of the Week are no longer =
dedicated on the passing of people, but focus instead on the future.  In =
any event I felt that a single loop was not sufficient.  An entire =
meditation piece on this was therefore necessary.

2.  While the Loop Of The Week Non-Contest was to have halted on Sunday =
night, it is now being extended to this Saturday night at 2359 GMT (1559 =
PDT).  The reasons beyond the above are mainly that people didn't have =
enough time to get to the Studios site, and were in part confused about =
both the sending of a hit counter graphic, as well as whether entering =
would result in Spam being sent to them.  Hopefully these issues have =
been resolved.

With Regards,=20
Stephen Goodman
* http://www.earthlight.net/Studios=20
* 200th Loop Of The Week Contest ends May 19!

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1"><BASE=20
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Shared\Stationery\">
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<META content=3D"MSHTML 6.00.2462.0" name=3DGENERATOR></HEAD>
<BODY bgColor=3D#ffffff =
background=3Dcid:002801c0dd42$00f7e540$0201a8c0@stephen>
<DIV>Greetings all,</DIV>
<DIV>&nbsp;</DIV>
<DIV>In the midst of the 200th Loop Of The Week Non-Contest, as you may =
have=20
heard already, I received the news of Douglas Adams' passing.&nbsp; To =
say=20
simply that this is a great loss to us is nearly trivial.&nbsp; In =
response I am=20
doing several things:</DIV>
<DIV>&nbsp;</DIV>
<DIV>1.&nbsp; "Hitchhiker's Lament" is a long piece just completed and =
will be=20
posted before Friday night (the 18th) on the <A=20
href=3D"http://www.earthlight.net/Studios">http://www.earthlight.net/Stud=
ios</A>=20
page.&nbsp; Loops of the Week are no longer dedicated on the passing of =
people,=20
but focus instead on the future.&nbsp; In any event I felt that a single =
loop=20
was not sufficient.&nbsp; An entire meditation piece on this was =
therefore=20
necessary.</DIV>
<DIV>&nbsp;</DIV>
<DIV>2.&nbsp; While the Loop Of The Week Non-Contest was to have halted =
on=20
Sunday night, it is now being extended to this Saturday night at 2359 =
GMT (1559=20
PDT).&nbsp; The reasons beyond the above are mainly that people didn't =
have=20
enough time to get to the Studios site, and were in part confused about =
both the=20
sending of a hit counter graphic, as well as whether entering would =
result in=20
Spam being sent to them.&nbsp; Hopefully these issues have been =
resolved.</DIV>
<DIV>&nbsp;</DIV>
<DIV>With Regards, </DIV>
<DIV>Stephen Goodman<BR>* <A=20
href=3D"http://www.earthlight.net/Studios">http://www.earthlight.net/Stud=
ios</A>=20
<BR>* 200th Loop Of The Week Contest ends May 19!</DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue May 15 09:58:11 2001
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Date: Tue, 15 May 2001 15:26:23 +0200
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To: Loopers-Delight@loopers-delight.com
Subject: Re: jamman footswitch..another jam-thread!
References: <F100YHkidcDjoYAPNXR0000000e@hotmail.com> <3B006ADD.217ABE46@chello.nl> <3B00CDC0.F698AF93@zerocrossing.net>
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I see, i didn't know that yet, thanks for the info about that :)

Mark Sottilaro wrote:

> the JamMan and the Vortex use the same foot pedals
>
> mango wrote:
>
> > Hi, sorry i don't have an answer, but i'm looking for a pedal for the Vortex
> > too :)
> >
> > Patrick Bailey wrote:
> >
> > > Okay,
> > > in need of a footswitch for the jamman. I searched the archives, all I came
> > > up with is the same that originally came with it. I'm not a big fan of
> > > those, too flimsy. Any suggestions for a replacement?/different brands?
> > >
> > > Thanks,
> > > Pat
> > > _________________________________________________________________
> > > Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Tue May 15 10:59:01 2001
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Old-Return-Path: <dennis@mdbs.com>
Message-ID: <000701c0dd4e$cb3b42a0$1fab82cc@mdbs.com>
From: "Dennis Leas" <dennis@mdbs.com>
To: <Loopers-Delight@loopers-delight.com>
References: <20010503053927.24222.qmail@web10002.mail.yahoo.com> <4.3.2.7.2.20010511144206.00b51eb0@10.10.10.1>
Subject: Kyma Looping
Date: Tue, 15 May 2001 09:53:24 -0500
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I am looking for a limited number of beta testers for my Looper Construction
Kit for Kyma.  The Kit requires Kyma 5.13 (the latest version) and a
Capybara-320.  I am particularly interested in testers who also use an EDP.

If you are interested, please email me at: dennis@mail.worldserver.com

Thanks!

Dennis Leas
-------------------
dennis@mdbs.com

From Loopers-Delight-request@loopers-delight.com  Tue May 15 12:15:36 2001
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From: "Mike Biffle" <Mbiffle@svg.com>
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Subject: Re: jamman footswitch..another jam-thread!
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Hi Pat,

Roland/Boss FS5U. They're flatter and don't tip over... they also dovetail together to form a larger assembly... ** they're costly **. Overall they're worth it though... I believe Bespeco makes a comparable switch as well.

Best,
-Miko

>>> patthelooper@hotmail.com 05/14/01 03:43PM >>>
Okay,
in need of a footswitch for the jamman. I searched the archives, all I came 
up with is the same that originally came with it. I'm not a big fan of 
those, too flimsy. Any suggestions for a replacement?/different brands?

Thanks,
Pat
_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com 


From Loopers-Delight-request@loopers-delight.com  Tue May 15 13:14:07 2001
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From: "Christensen, Mark" <mchriste@jaguar.middlebury.edu>
To: "'Loopers-Delight@loopers-delight.com'"
	 <Loopers-Delight@loopers-delight.com>
Subject: RE: jamman footswitch..another jam-thread!
Date: Tue, 15 May 2001 13:06:51 -0400
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if you've got the bucks, go midi.  i use a DMC Ground Control with mine and
love it.

m

> -----Original Message-----
> From:	Patrick Bailey [SMTP:patthelooper@hotmail.com]
> Sent:	Monday, May 14, 2001 6:44 PM
> To:	Loopers-Delight@loopers-delight.com
> Subject:	jamman footswitch..another jam-thread!
> 
> Okay,
> in need of a footswitch for the jamman. I searched the archives, all I
> came 
> up with is the same that originally came with it. I'm not a big fan of 
> those, too flimsy. Any suggestions for a replacement?/different brands?
> 
> Thanks,
> Pat
> _________________________________________________________________
> Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Tue May 15 13:17:48 2001
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Subject: RE: jamman footswitch..another jam-thread!
Date: Tue, 15 May 2001 10:12:09 -0700
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As far as the vortex, I bought mine used and it came with a four switch box 
that looks like it was made from Radio Shack parts (works great too) so I 
can't imagine its too hard to make your own.

Kevin

> > Okay,
> > in need of a footswitch for the jamman. I searched the archives, all I
> > came
> > up with is the same that originally came with it. I'm not a big fan of
> > those, too flimsy. Any suggestions for a replacement?/different brands?
> >

_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Tue May 15 13:55:25 2001
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Date: Tue, 15 May 2001 10:43:17 -0700
To: Loopers-Delight@loopers-delight.com
From: rich <rich@nuvisionsca.com>
Subject: RE: jamman footswitch..another jam-thread!
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>if you've got the bucks, go midi.  i use a DMC Ground Control with mine and
>love it.

True enough...If you planned on paying for the Boss FS pedals, you 
would need 4 of them, plus the Y adapters, to gain the functionality 
of two 'double switch' lexicon pedals.  That's a chunk of change, 
there.

The midi pedal does alot of things the regular switches wont.

rich

From Loopers-Delight-request@loopers-delight.com  Tue May 15 14:09:38 2001
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Date: Tue, 15 May 2001 11:01:51 -0700
To: Loopers-Delight@loopers-delight.com
From: dan mcmullen <dog@well.com>
Subject: RE: jamman footswitch..another jam-thread!
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 u>
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At 01:06 PM 5/15/01 -0400, you wrote:
>if you've got the bucks, go midi.  i use a DMC Ground Control with mine and
>love it.

the jamman has a noticable delay in handling the TAP function via midi
compared to a directly wired footswitch.  this is significant enough for me
to have a direct footswitch (digitech fs300) for TAP (& FUNCTION, which
isn't available via midi) even though i use midi to control the rest of the
box.  

ymmv, dan
___
dan mcmullen, ca, usa                      don't worry - pay attention
mailto:dog@well.com                                       707-485-0220
pgp fingerprint  =  1C70 8D81 6B94 93A9 F2D8  9609 2122 BF70 8619 EDAF

From Loopers-Delight-request@loopers-delight.com  Tue May 15 14:20:28 2001
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From: "luca" <lucafeed@tin.it>
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Subject: Event Ez-bus
Date: Tue, 15 May 2001 18:00:26 +0200
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hi Guys,
has anyone tried the Event Ez-bus ?

ciao,
luca

From Loopers-Delight-request@loopers-delight.com  Tue May 15 14:44:40 2001
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Can't seem to find anything on the 'DMC Ground Control'.

Can you point me in the right direction and what are some other suitable 
midi foot controllers?


>From: "Christensen, Mark" <mchriste@jaguar.middlebury.edu>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: "'Loopers-Delight@loopers-delight.com'"  
><Loopers-Delight@loopers-delight.com>
>Subject: RE: jamman footswitch..another jam-thread!
>Date: Tue, 15 May 2001 13:06:51 -0400
>
>if you've got the bucks, go midi.  i use a DMC Ground Control with mine and
>love it.
>
>m
>
> > -----Original Message-----
> > From:	Patrick Bailey [SMTP:patthelooper@hotmail.com]
> > Sent:	Monday, May 14, 2001 6:44 PM
> > To:	Loopers-Delight@loopers-delight.com
> > Subject:	jamman footswitch..another jam-thread!
> >
> > Okay,
> > in need of a footswitch for the jamman. I searched the archives, all I
> > came
> > up with is the same that originally came with it. I'm not a big fan of
> > those, too flimsy. Any suggestions for a replacement?/different brands?
> >
> > Thanks,
> > Pat
> > _________________________________________________________________
> > Get your FREE download of MSN Explorer at http://explorer.msn.com
>

_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

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Subject: RE: jamman footswitch..another jam-thread!
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Hi Dan... I'm with you on this issue. I found the PMC-10 midi controller's delay time unacceptable as well. I'd go with hard wired footswitches. I used to controll feedback and other functions with midi as well, but tap just didn't cut it.

-Miko

>>> dog@well.com 05/15/01 11:01AM >>>
At 01:06 PM 5/15/01 -0400, you wrote:
>if you've got the bucks, go midi.  i use a DMC Ground Control with mine and
>love it.

the jamman has a noticable delay in handling the TAP function via midi
compared to a directly wired footswitch.  this is significant enough for me
to have a direct footswitch (digitech fs300) for TAP (& FUNCTION, which
isn't available via midi) even though i use midi to control the rest of the
box.  

ymmv, dan
___
dan mcmullen, ca, usa                      don't worry - pay attention
mailto:dog@well.com                                       707-485-0220
pgp fingerprint  =  1C70 8D81 6B94 93A9 F2D8  9609 2122 BF70 8619 EDAF


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I'm looking for different ways to set up multiple hardware/software =
configurations on a Win98 or Win2k computer- any tips appreciated- Cliff


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From Loopers-Delight-request@loopers-delight.com  Tue May 15 15:13:58 2001
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I have been looking for one in the flesh but unable to find one. I suspect the company is having trouble shipping, although I would be happy to hear otherwise.

R,

Brother Dog

From Loopers-Delight-request@loopers-delight.com  Tue May 15 15:15:13 2001
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Subject: RE: jamman footswitch..another jam-thread!
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http://www.voodoolab.com/

i haven't noticed any lag.  now i gotta go compare/contrast....

m.c.

> -----Original Message-----
> From:	Patrick Bailey [SMTP:patthelooper@hotmail.com]
> Sent:	Tuesday, May 15, 2001 2:36 PM
> To:	Loopers-Delight@loopers-delight.com
> Subject:	RE: jamman footswitch..another jam-thread!
> 
> Can't seem to find anything on the 'DMC Ground Control'.
> 
> Can you point me in the right direction and what are some other suitable 
> midi foot controllers?
> 
> 
> >From: "Christensen, Mark" <mchriste@jaguar.middlebury.edu>
> >Reply-To: Loopers-Delight@loopers-delight.com
> >To: "'Loopers-Delight@loopers-delight.com'"  
> ><Loopers-Delight@loopers-delight.com>
> >Subject: RE: jamman footswitch..another jam-thread!
> >Date: Tue, 15 May 2001 13:06:51 -0400
> >
> >if you've got the bucks, go midi.  i use a DMC Ground Control with mine
> and
> >love it.
> >
> >m
> >
> > > -----Original Message-----
> > > From:	Patrick Bailey [SMTP:patthelooper@hotmail.com]
> > > Sent:	Monday, May 14, 2001 6:44 PM
> > > To:	Loopers-Delight@loopers-delight.com
> > > Subject:	jamman footswitch..another jam-thread!
> > >
> > > Okay,
> > > in need of a footswitch for the jamman. I searched the archives, all I
> > > came
> > > up with is the same that originally came with it. I'm not a big fan of
> > > those, too flimsy. Any suggestions for a replacement?/different
> brands?
> > >
> > > Thanks,
> > > Pat
> > > _________________________________________________________________
> > > Get your FREE download of MSN Explorer at http://explorer.msn.com
> >
> 
> _________________________________________________________________
> Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Tue May 15 15:19:28 2001
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Message-ID: <006601c0dd72$dfe968c0$0201a8c0@stephen>
Reply-To: "Stephen P. Goodman" <spgoodman@earthlight.net>
From: "Stephen P. Goodman" <spgoodman@earthlight.net>
To: <Loopers-Delight@loopers-delight.com>
References: <200105082318.TAA04648@hemlock.violacea.com> <012401c0d8ed$039ddce0$3681e3a5@looppool> <013501c0d961$579bb050$080210ac@jpalmer>
Subject: Loop Of The Week Non-Contest Extended
Date: Tue, 15 May 2001 20:11:40 +0100
Organization: EarthLight Productions
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In the midst of the 200th Loop Of The Week Non-Contest, as you may have
heard already, I received the news of Douglas Adams' passing.  To say simply
that this is a great loss to us is nearly trivial.  In response I am doing
several things:

1.  "Hitchhiker's Lament" is a long piece just completed and will be posted
before Friday night (the 18th) on the http://www.earthlight.net/Studios
page.  Loops of the Week are no longer dedicated on the passing of people,
but focus instead on the future.  In any event I felt that a single loop was
not sufficient.  An entire meditation piece on this was therefore necessary.

2.  While the Loop Of The Week Non-Contest was to have halted on Sunday
night, it is now being extended to this Saturday night at 2359 GMT (1559
PDT).  The reasons beyond the above are mainly that people didn't have
enough time to get to the Studios site, and were in part confused about both
the sending of a hit counter graphic, as well as whether entering would
result in Spam being sent to them.  Hopefully these issues have been
resolved.

With Regards,
Stephen Goodman
* http://www.earthlight.net/Studios
* 200th Loop Of The Week Contest ends May 19!


>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Tue May 15 15:53:58 2001
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Date: Tue, 15 May 2001 12:43:54 -0700
To: Loopers-Delight@loopers-delight.com
From: rich <rich@nuvisionsca.com>
Subject: RE: jamman footswitch..another jam-thread!
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>the jamman has a noticable delay in handling the TAP function via midi
>compared to a directly wired footswitch.  this is significant enough for me
>to have a direct footswitch (digitech fs300) for TAP (& FUNCTION, which
>isn't available via midi) even though i use midi to control the rest of the
>box.

really?  are you synched to a midi clock?  or are you just looping freeform?
if it's the latter...hmmm...i haven't seen any delay using my midi 
pedal.  you must be doing some very critical stuff!

I am using a Rolls MidiWizard, which has very short throw switches.

best,

rich

From Loopers-Delight-request@loopers-delight.com  Tue May 15 16:42:10 2001
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Hey, all:

Instead of buying another set of powered monitors, I was wondering what the feasibility would be of using a single pair of monitors between two audio sources. For example, using a single pair of, say, Alesis M1's between an Aardvark Direct Pro and a Tascam 788. The Aardvark has 1/4 inch and RCA monitor outputs. The Tascam 788 has RCA monitor outs.

I have a speaker switch (a Niles, I believe) that has wire only connects. It's purpose is for stereo systems, primarily. Hence, I wouldn't want to use it for monitoring because of potential noise, etc. I saw a Samson amplifier/speaker selector in a local music store but couldn't see behind the unit. Anyone using a speaker selector rig?

Regards, Paul

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Date: Tue, 15 May 2001 13:37:40 -0700
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From: dan mcmullen <dog@well.com>
Subject: RE: jamman footswitch..another jam-thread!
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At 11:53 AM 5/15/01 -0700, Mike Biffle wrote:
>Hi Dan... I'm with you on this issue. I found the PMC-10 midi controller's
delay time unacceptable as well. I'd go with hard wired footswitches. I
used to controll feedback and other functions with midi as well, but tap
just didn't cut it.

i don't think it's an issue with the pmc-10, or with midi for that matter.
i use a modified peavey pc1600/rolls rfx midibuddy combo to control an edp
record function using midi without similar problems.  the peavey to
jamman/edp midi chains are exactly the same to the point where parallel
midi outputs feed both, and the jamman is just not as quick to respond to
midi tap as the edp is to midi record.

At 12:43 PM 5/15/01 -0700, rich wrote:
>really?  are you synched to a midi clock?  or are you just looping freeform?
>if it's the latter...hmmm...i haven't seen any delay using my midi 
>pedal.  you must be doing some very critical stuff!

this is freeform.  it shows up when trying to start a loop with input
having a sharp transient attack, which gets cut off on the jamman when i'm
using midi tap.  i suppose it's possible you could get used to tapping just
a bit ahead of the downbeat in this case, though that wasn't easy or
natural when i tried it.  i'd rather just use a hardwired footswitch and
not have to adjust my timing based on which box i'm using.
___
dan mcmullen, ca, usa                      don't worry - pay attention
mailto:dog@well.com                                       707-485-0220
pgp fingerprint  =  1C70 8D81 6B94 93A9 F2D8  9609 2122 BF70 8619 EDAF

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Subject: Re: Speaker Selector Unit
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I use a small Behringer MX-802 mixer to disperse my MOTU mains to 2 monitor
setups- you could use 1/4" adapters on the rca jacks-

Cliff

----- Original Message -----
From: <PaulPokr@aol.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, May 15, 2001 1:33 PM
Subject: Speaker Selector Unit


> Hey, all:
>
> Instead of buying another set of powered monitors, I was wondering what
the feasibility would be of using a single pair of monitors between two
audio sources. For example, using a single pair of, say, Alesis M1's between
an Aardvark Direct Pro and a Tascam 788. The Aardvark has 1/4 inch and RCA
monitor outputs. The Tascam 788 has RCA monitor outs.
>
> I have a speaker switch (a Niles, I believe) that has wire only connects.
It's purpose is for stereo systems, primarily. Hence, I wouldn't want to use
it for monitoring because of potential noise, etc. I saw a Samson
amplifier/speaker selector in a local music store but couldn't see behind
the unit. Anyone using a speaker selector rig?
>
> Regards, Paul
>


From Loopers-Delight-request@loopers-delight.com  Tue May 15 17:40:05 2001
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Subject: Re:Live Kyma loops
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Hi,
I'm playing in a steam ralley in Abergavenny, Wales on 27th May on the back
of a truck, (if they don't like the music they can let the handbrake off I
suppose : )
The music will be quite a departure from my normal output consisting of
looped versions of traditional, (mainly Irish) tunes - reels and jigs. I
build the tunes up live using a guitar, bass synthesizer and bodhran.

Gareth

From Loopers-Delight-request@loopers-delight.com  Tue May 15 17:41:13 2001
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Subject: Re: jamman footswitch..another jam-thread!
Date: Tue, 15 May 2001 18:35:21 +0100
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I have 4 bespecco footswitches which slide together rather like the boss
fs5u's. I'd say that they're not as positive in action though they do have a
couple of interesting features, (interesting features?  footpedals? my god -
where's my anorak?).

1     If you press the switch in carefully about 1/2 way you can momentarily
switch it on in a non-latching mode.
2    You can put an old pp3 type battery in it so you can tell if it's on or
not.

Gareth


> Hi Pat,
>
> Roland/Boss FS5U. They're flatter and don't tip over... they also dovetail
together to form a larger assembly... ** they're costly **. Overall they're
worth it though... I believe Bespeco makes a comparable switch as well.
>
> Best,
> -Miko
>
> >>> patthelooper@hotmail.com 05/14/01 03:43PM >>>
> Okay,
> in need of a footswitch for the jamman. I searched the archives, all I
came
> up with is the same that originally came with it. I'm not a big fan of
> those, too flimsy. Any suggestions for a replacement?/different brands?
>
> Thanks,
> Pat
> _________________________________________________________________
> Get your FREE download of MSN Explorer at http://explorer.msn.com
>
>

From Loopers-Delight-request@loopers-delight.com  Tue May 15 19:24:30 2001
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--part1_a2.143b6209.283313b9_boundary
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im looking for any "fake books" that would have tunes from the 20's thru the 
60's.....just wondering if anyone on the list might have anything like this, 
i want to start doing covers.....:).....m

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>im looking for any "fake books" that would have tunes from the 20's thru the 
<BR>60's.....just wondering if anyone on the list might have anything like this, 
<BR>i want to start doing covers.....:).....m</FONT></HTML>

--part1_a2.143b6209.283313b9_boundary--

From Loopers-Delight-request@loopers-delight.com  Tue May 15 20:14:35 2001
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Date: Tue, 15 May 2001 17:06:59 -0700 (PDT)
From: Alx <gendel777@yahoo.com>
Subject: Help with my DL4...
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Hello, I have a problem with my DL4: the second switch
(play/stop) isn´t working properly, sometimes it works
and sometimes it doesn´t, that started to happen
today, first I though that the switch itself was bad
but with an electrical-meter I checked it and it´s ok
so I think it´s a software problem ´cause all the
solder points are ok too, could someone please post
again the email of the guy from line6 that has helped
some of the guys in this list?, has anybody had
similar problems with their DL4´s?.
Thanks.
Alx.


__________________________________________________
Do You Yahoo!?
Yahoo! Auctions - buy the things you want at great prices
http://auctions.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Tue May 15 20:51:53 2001
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Subject: OT:  Glissentar,  Alesis monitors on Ebay
Date: Tue, 15 May 2001 20:42:54 -0400
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Thought someone on the list might be interested--

the Glissentar:
http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=1430965470&r=0&t=0&sh
owTutorial=0&ed=990672984&indexURL=0&rd=1

and the Alesis active monitors:
http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=1430067440&r=0&t=0&sh
owTutorial=0&ed=990067643&indexURL=0&rd=1


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Subject: RE: New acoustic music from the Chain Tape Collective online now
Date: Mon, 14 May 2001 12:38:29 -0400
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This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

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As the title indicates, this one features music made  . . .  six-string
acoustic fretless bass,

** who has this instrument? i'm interested to hear about it. please contact
off list.

thanks,

stig

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<P><FONT SIZE=2>As the title indicates, this one features music made&nbsp; . . .&nbsp; six-string acoustic fretless bass,</FONT>
</P>

<P><FONT SIZE=2>** who has this instrument? i'm interested to hear about it. please contact off list.</FONT>
</P>

<P><FONT SIZE=2>thanks,</FONT>
</P>

<P><FONT SIZE=2>stig</FONT>
</P>

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From Loopers-Delight-request@loopers-delight.com  Tue May 15 20:59:12 2001
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Subject: RE: New acoustic music from the Chain Tape Collective online
  now
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Scott Kungha Drensen played it on his track. (He borrowed it from Kai
Eckhardt.)

-t

At 12:38 PM 5/14/01 -0400, you wrote:
>    
> 
>     six-string acoustic fretless bass,   ** who has this instrument? i'm
>interested to hear about it. please contact off list.   thanks,   stig    

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HI, CLiff:

You know, that's not a bad idea. A small sub-mixer could always come in handy 
in the future even if one decides to forgo the monitor switching 
(particularly if I win the lottery and buy myself some Genelecs).

I checked the Behringer's and there's also a smaller version 602A for $99.00. 
The 802A goes for around $139.00 locally in Pittsburgh. Thanks for your input.

Regards, Paul

From Loopers-Delight-request@loopers-delight.com  Wed May 16 01:38:20 2001
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yes , this is true.  I was using a Rolls MidiBuddy for a while.  It's pretty 
inexpensive (around $100 new). And while it did give access to all the 
parameters (incl. the "hidden" midi functions) I did notice a barely 
perceptiple lag.  Just perceptible enough to frustrate.  It might just be 
me, but I have found the timing of loops (and the rhythm there within) to be 
much tighter and more dynamic using the Boss FS5U's and avoiding MIDI 
altogether.....but then I am not syncing to anything else, either (solo 
bass/loops)....
Max


>From: rich <rich@nuvisionsca.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: RE: jamman footswitch..another jam-thread!
>Date: Tue, 15 May 2001 10:43:17 -0700
>
>>if you've got the bucks, go midi.  i use a DMC Ground Control with mine 
>>and
>>love it.
>
>True enough...If you planned on paying for the Boss FS pedals, you
>would need 4 of them, plus the Y adapters, to gain the functionality
>of two 'double switch' lexicon pedals.  That's a chunk of change,
>there.
>
>The midi pedal does alot of things the regular switches wont.
>
>rich
>

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From Loopers-Delight-request@loopers-delight.com  Wed May 16 01:40:00 2001
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ahhhhh....I am not alone in this perception of MIDI delay!
Max


>From: dan mcmullen <dog@well.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: RE: jamman footswitch..another jam-thread!
>Date: Tue, 15 May 2001 11:01:51 -0700
>
>At 01:06 PM 5/15/01 -0400, you wrote:
> >if you've got the bucks, go midi.  i use a DMC Ground Control with mine 
>and
> >love it.
>
>the jamman has a noticable delay in handling the TAP function via midi
>compared to a directly wired footswitch.  this is significant enough for me
>to have a direct footswitch (digitech fs300) for TAP (& FUNCTION, which
>isn't available via midi) even though i use midi to control the rest of the
>box.
>
>ymmv, dan
>___
>dan mcmullen, ca, usa                      don't worry - pay attention
>mailto:dog@well.com                                       707-485-0220
>pgp fingerprint  =  1C70 8D81 6B94 93A9 F2D8  9609 2122 BF70 8619 EDAF
>

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Hey Alx....I kinda had a similar problem with mine.  Sometimes punching the 
2nd switch would work and sometimes not.  I too thought something was up (or 
down) with it.  But I turned the cap button on that switch (like tightening 
a screw) and viola! No more problem.  I really don't know if that was any 
kind of technical rememdy, but I have had no more such problems!
Max

>From: Alx <gendel777@yahoo.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Help with my DL4...
>Date: Tue, 15 May 2001 17:06:59 -0700 (PDT)
>
>Hello, I have a problem with my DL4: the second switch
>(play/stop) isn´t working properly, sometimes it works
>and sometimes it doesn´t, that started to happen
>today, first I though that the switch itself was bad
>but with an electrical-meter I checked it and it´s ok
>so I think it´s a software problem ´cause all the
>solder points are ok too, could someone please post
>again the email of the guy from line6 that has helped
>some of the guys in this list?, has anybody had
>similar problems with their DL4´s?.
>Thanks.
>Alx.
>
>
>__________________________________________________
>Do You Yahoo!?
>Yahoo! Auctions - buy the things you want at great prices
>http://auctions.yahoo.com/
>

_________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Wed May 16 02:21:35 2001
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mark wrote:
    if you've got the bucks, go midi.  i use a DMC Ground Control with mine
and
love it.


I agree and if you only have one jamman, there are a lot of hidden functions
that cannot be used with the front panel and footswitches alone.
Unfortunately, there seems to be some nasty latency issues when using midi
control footpedals.   You can, however, create long fadeouts of your loops
for ending songs seemlessly.  I believe you can also mute your loop and then
restart at the beginning of the loop which, I think, you can't do with the
normal footswitches.    Thumbs up to those boss footswitches but, whew, are
they pricey.

Rick Walker (loop.pool)

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Subject: RE: jamman footswitch  >>  midi controllers
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At 11:53 AM 5/15/01 -0700, Mike Biffle wrote:
>> Hi Dan... I'm with you on this issue. I found the PMC-10 midi controller's delay time unacceptable as well. I'd go with hard wired footswitches. I used to controll feedback and other functions with midi as well, but tap just didn't cut it.

> i don't think it's an issue with the pmc-10, or with midi for that matter. i use a modified peavey pc1600/rolls rfx midibuddy combo to control an edp record function using midi without similar problems.  the peavey to jamman/edp midi chains are exactly the same to the point where parallel midi outputs feed both, and the jamman is just not as quick to respond to midi tap as the edp is to midi record.

That's why I don't have a JamMan anymore. 8-)  I've used the PMC-10 for EDP control and had good success... although I'm tending to NOT use midi right now mostly due to floor/footprint considerations. I've got a Lexi PMC 80, Korg AM8000r and TC D-Two, all of which have dedicated switch/exped inputs... so I hard wire what I need there and live with that. It's a case of not wanting to 'shop' around for the correct patch/bank on the midi controller to gain control. I just hit the appropriate switch or exped and go... OTOH... when I need to change patches, I have to reach over and crank around 'shopping' for a patch. I don't tend to change patches as much anymore... I build the sonic change capabilities using cc values inside a single patch... 

I AM tempted by the Peavey PC1600 and other tabletop controllers such as the Emu Launchpad though... Argh! More $$$$$$! The only way I acquired my PMC 80 was to go into indentured servitude doing sessions in trade for it... But boy... am I happy I've got that box!

Best,
-Miko

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Subject: Looping for guitar
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I hope someone can help me.....I would like to loop "snippets" of guitar
from my favorite CD's so that I can more easily hear the parts and learn
them...how can i do this?..thanks

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<DIV><FONT face=3DArial size=3D2><SPAN class=3D650282820-16052001>I hope =
someone can=20
help me.....I would like to loop "snippets" of guitar from my favorite =
CD's so=20
that I can more easily hear the parts and learn them...how can i do=20
this?..thanks</SPAN></FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed May 16 16:51:30 2001
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Jeff Harmon wrote:

>  I hope someone can help me.....I would like to loop "snippets" of
> guitar from my favorite CD's so that I can more easily hear the parts
> and learn them...how can i do this?..thanks

there are several relatively inexpensive devices out there that do this.
none of them come to mind at the moment, but you could check on harmony
central and i think you'd find something (try a search under *phrase
samplers*...) most of the hardware that gets discussed on this list has
been designed for *creative looping*, and ranges from relatively basic
(but with more capabilities than what you're asking for) to very
complex... stick around, though, and some of our loopiness may rub off
on you :-)

hope that helps

best,
lance g.

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i used to use and still have the <akai professional  riff-o-matic u40 
variable tempo/pitch phrase recorder>. it lets you record sections,hold
those samples and then set loop from start to finish and then playback
@normal-2/3-1/2 tempo w/out changing pitch... they are pretty cheap and its
probably what you are lookin for.

stanner 
----------
From: "Jeff Harmon" <Jeff@audiotoys.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: Looping for guitar
Date: Wed, May 16, 2001, 1:31 PM


I hope someone can help me.....I would like to loop "snippets" of guitar
from my favorite CD's so that I can more easily hear the parts and learn
them...how can i do this?..thanks


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<HTML>
<HEAD>
<TITLE>Re: Looping for guitar</TITLE>
</HEAD>
<BODY BGCOLOR=3D"#FFFFFF">
i used to use and still have the &lt;akai professional &nbsp;riff-o-matic u=
40 &nbsp;variable tempo/pitch phrase recorder&gt;. it lets you record sectio=
ns,hold those samples and then set loop from start to finish and then playba=
ck @normal-2/3-1/2 tempo w/out changing pitch... they are pretty cheap and i=
ts probably what you are lookin for.<BR>
<BR>
stanner <BR>
----------<BR>
From: &quot;Jeff Harmon&quot; &lt;Jeff@audiotoys.com&gt;<BR>
To: &lt;Loopers-Delight@loopers-delight.com&gt;<BR>
Subject: Looping for guitar<BR>
Date: Wed, May 16, 2001, 1:31 PM<BR>
<BR>
<BR>
<BLOCKQUOTE><FONT SIZE=3D"2">I hope someone can help me.....I would like to l=
oop &quot;snippets&quot; of guitar from my favorite CD's so that I can more =
easily hear the parts and learn them...how can i do this?..thanks<BR>
</FONT><BR>
</BLOCKQUOTE>
</BODY>
</HTML>

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<<
I hope someone can help me.....I would like to loop "snippets" of guitar
from my favorite CD's so that I can more easily hear the parts and learn
them...how can i do this?..thanks
>>

My technique : I extract the CD into Sound Forge, then set loop points. Very simple and very effective. 

Brother Dog


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>>> Jeff@audiotoys.com 05/16 1:31 PM >>>
I hope someone can help me.....I would like to loop "snippets" of guitar
from my favorite CD's so that I can more easily hear the parts and learn
them...how can i do this?..thanks


I use a 13 year old Radio Shack cd player that has an a/b selector on it.
It allows you to cue the start (a) and end (b) to grab a riff and then loops it.
They don't loop smoothly cause the player has to stop then go to the beginning,
but hey, it does work for rippin off licks.
You could probably find any old cd player that has that feature cheep.
Cheers-
Tim

From Loopers-Delight-request@loopers-delight.com  Wed May 16 19:16:29 2001
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From: Richard Zvonar <zvonar@zvonar.com>
Subject: Re: Looping for guitar
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At 4:31 PM -0400 5/16/01, Jeff Harmon wrote:
>I hope someone can help me.....I would like to loop "snippets" of 
>guitar from my favorite CD's so that I can more easily hear the 
>parts and learn them...how can i do this?..thanks

Here are a few widgets designed for just that purpose:

Akai U-400 Riff-O-Matic
$249.00
http://www.akaipro.com/consumersite/productpage.asp?id=88&section=overview

Sabine Backtrack Digital Sampler/Riff Decoder
$119.95 ($79.99)
http://www.Sabine.com/newsite/liveapps/ibktraka.htm
http://www.Sabine.com/newsite/liveapps/ibktrakb.htm


TR-1000 Digital Music Study Recorder
$249.95 ($235.00)
http://www.reedkotler.com/Products/TR-1000/tr-1000.html.

TR-400 Digital Music Study Recorder
$149.95
http://www.reedkotler.com/Products/TR-400/tr-400.html


-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz
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<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: Looping for guitar</title></head><body>
<div><tt>At 4:31 PM -0400 5/16/01, Jeff Harmon wrote:</tt></div>
<blockquote type="cite" cite><tt>I hope someone can help me.....I
would like to loop &quot;snippets&quot; of guitar from my favorite
CD's so that I can more easily hear the parts and learn them...how can
i do this?..thanks</tt></blockquote>
<div><br></div>
<div>Here are a few widgets designed for just that purpose:</div>
<div><tt><br></tt></div>
<div><tt>Akai U-400 Riff-O-Matic</tt></div>
<div><tt>$249.00</tt></div>
<div><tt
>http://www.akaipro.com/consumersite/productpage.asp?id=88&amp;sectio<span
></span>n=overview</tt></div>
<div><tt><br></tt></div>
<div><tt>Sabine Backtrack Digital Sampler/Riff Decoder</tt></div>
<div><tt>$119.95 ($79.99)</tt></div>
<div><tt>http://www.Sabine.com/newsite/liveapps/ibktraka.htm</tt></div
>
<div><tt>http://www.Sabine.com/newsite/liveapps/ibktrakb.htm</tt></div
>
<div><tt><br></tt></div>
<div><tt><br></tt></div>
<div><tt>TR-1000 Digital Music Study Recorder</tt></div>
<div><tt>$249.95 ($235.00)</tt></div>
<div><tt><u>http://www.reedkotler.com/Products/TR-1000/tr-1000.html</u
>.</tt><br>
<tt></tt></div>
<div><tt>TR-400 Digital Music Study Recorder</tt></div>
<div><tt>$149.95</tt></div>
<div><tt>http://www.reedkotler.com/Products/TR-400/tr-400.html</tt></div
>
<div><tt><br></tt></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div><br>
______________________________________________________________<br>
Richard Zvonar, PhD<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><br>
(818) 788-2202<x-tab>&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </x-tab><br>
http://www.zvonar.com<br>
http://RZCybernetics.com<br>
http://www.cybmotion.com/aliaszone<br>
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz</div>
</body>
</html>
--============_-1222070280==_ma============--

From Loopers-Delight-request@loopers-delight.com  Thu May 17 03:12:33 2001
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Subject: Re: Looping for guitar
Date: Thu, 17 May 2001 00:12:02 -0700
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Re: Looping for guitarI can attest to one thing- the Sabine Backtrack =
sounds like shit. Blunt but true- Thanks for the links Richard- The Akai =
looks interesting...
Cliff
  ----- Original Message -----=20
  From: Richard Zvonar=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Wednesday, May 16, 2001 3:23 PM
  Subject: Re: Looping for guitar


  At 4:31 PM -0400 5/16/01, Jeff Harmon wrote:
    I hope someone can help me.....I would like to loop "snippets" of =
guitar from my favorite CD's so that I can more easily hear the parts =
and learn them...how can i do this?..thanks


  Here are a few widgets designed for just that purpose:


  Akai U-400 Riff-O-Matic
  $249.00
  =
http://www.akaipro.com/consumersite/productpage.asp?id=3D88&section=3Dove=
rview


  Sabine Backtrack Digital Sampler/Riff Decoder
  $119.95 ($79.99)
  http://www.Sabine.com/newsite/liveapps/ibktraka.htm
  http://www.Sabine.com/newsite/liveapps/ibktrakb.htm




  TR-1000 Digital Music Study Recorder
  $249.95 ($235.00)
  http://www.reedkotler.com/Products/TR-1000/tr-1000.html.

  TR-400 Digital Music Study Recorder
  $149.95
  http://www.reedkotler.com/Products/TR-400/tr-400.html




--=20


  ______________________________________________________________
  Richard Zvonar, PhD      =20
  (818) 788-2202                                 =20
  http://www.zvonar.com
  http://RZCybernetics.com
  http://www.cybmotion.com/aliaszone
  http://www.live365.com/cgi-bin/directory.cgi?autostart=3Drz

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD><TITLE>Re: Looping for guitar</TITLE>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<STYLE type=3Dtext/css>BLOCKQUOTE {
	PADDING-BOTTOM: 0px; PADDING-TOP: 0px
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<META content=3D"MSHTML 5.50.4522.1800" name=3DGENERATOR></HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I can attest to one thing- the Sabine =
Backtrack=20
sounds like shit. Blunt but true- Thanks for the links Richard- The Akai =
looks=20
interesting...</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Cliff</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dzvonar@zvonar.com href=3D"mailto:zvonar@zvonar.com">Richard =
Zvonar</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, May 16, 2001 =
3:23=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Looping for =
guitar</DIV>
  <DIV><BR></DIV>
  <DIV><TT>At 4:31 PM -0400 5/16/01, Jeff Harmon wrote:</TT></DIV>
  <BLOCKQUOTE cite type=3D"cite"><TT>I hope someone can help me.....I =
would like=20
    to loop "snippets" of guitar from my favorite CD's so that I can =
more easily=20
    hear the parts and learn them...how can i do =
this?..thanks</TT></BLOCKQUOTE>
  <DIV><BR></DIV>
  <DIV>Here are a few widgets designed for just that purpose:</DIV>
  <DIV><TT><BR></TT></DIV>
  <DIV><TT>Akai U-400 Riff-O-Matic</TT></DIV>
  <DIV><TT>$249.00</TT></DIV>
  <DIV><TT><A=20
  =
href=3D"http://www.akaipro.com/consumersite/productpage.asp?id=3D88&amp;s=
ection=3Doverview">http://www.akaipro.com/consumersite/productpage.asp?id=
=3D88&amp;sectio<SPAN></SPAN>n=3Doverview</A></TT></DIV>
  <DIV><TT><BR></TT></DIV>
  <DIV><TT>Sabine Backtrack Digital Sampler/Riff Decoder</TT></DIV>
  <DIV><TT>$119.95 ($79.99)</TT></DIV>
  =
<DIV><TT>http://www.Sabine.com/newsite/liveapps/ibktraka.htm</TT></DIV>
  =
<DIV><TT>http://www.Sabine.com/newsite/liveapps/ibktrakb.htm</TT></DIV>
  <DIV><TT><BR></TT></DIV>
  <DIV><TT><BR></TT></DIV>
  <DIV><TT>TR-1000 Digital Music Study Recorder</TT></DIV>
  <DIV><TT>$249.95 ($235.00)</TT></DIV>
  =
<DIV><TT><U>http://www.reedkotler.com/Products/TR-1000/tr-1000.html</U>.<=
/TT><BR><TT></TT></DIV>
  <DIV><TT>TR-400 Digital Music Study Recorder</TT></DIV>
  <DIV><TT>$149.95</TT></DIV>
  =
<DIV><TT>http://www.reedkotler.com/Products/TR-400/tr-400.html</TT></DIV>=

  <DIV><TT><BR></TT></DIV>
  <DIV><BR></DIV><X-SIGSEP><PRE>--=20
</PRE></X-SIGSEP>
  =
<DIV><BR>______________________________________________________________<B=
R>Richard=20
  Zvonar, PhD<X-TAB>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
</X-TAB><BR>(818)=20
  788-2202<X-TAB>&nbsp;=20
  </X-TAB><X-TAB>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
  </X-TAB><X-TAB>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
  </X-TAB><X-TAB>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
  </X-TAB><X-TAB>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
  =
</X-TAB><BR>http://www.zvonar.com<BR>http://RZCybernetics.com<BR>http://w=
ww.cybmotion.com/aliaszone<BR>http://www.live365.com/cgi-bin/directory.cg=
i?autostart=3Drz</DIV></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu May 17 11:10:26 2001
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Subject: Gig Spam [Seattle, WA]: Electrochakra @ Black Lab Gallery 5/19/01
From: Travis Hartnett <tiktok@sprintmail.com>
To: "Looper's Delight" <Loopers-Delight@annihilist.com>
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Electrochakra will be performing at the Black Lab Gallery (5208 Ballard Ave.
NW--right across the road from the Tractor Tavern) this Saturday, May 19th
between 8 and 10PM.  Admission is free, and the venue all-ages and
smoke-free.


Be seeing you,

Travis Hartnett
Electrochakra


-- 
NEW official Electrochakra website: www.electrochakra.com

From Loopers-Delight-request@loopers-delight.com  Thu May 17 13:03:24 2001
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From: Trey Donovan <treydonovan@powerhat.com>
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Subject: Re: Help with my DL4...
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I have been having exactly the same problem with mine, except it's the
record button that's getting squirrely.

I put the unit in a green plastic suitcase and sent it on vacation in the
mountains over the weekend, and the problem seems to have gone away
momentarily... (no joke)

Who knows, maybe everbody, even electronic devices, needs a break now and
then.

But seriously if anyone knows if there's a trick to resetting the unit or
otherwise fixing this bizarre breakdown, don't hold back on us!

I'm gonna go buy another DL4 as a backup and also to be able to loop one
through the other with the delay effects and multiple loops.


-trey

On Tue, 15 May 2001, Alx wrote:

> Hello, I have a problem with my DL4: the second switch
> (play/stop) isn´t working properly, sometimes it works
> and sometimes it doesn´t, that started to happen
> today, first I though that the switch itself was bad
> but with an electrical-meter I checked it and it´s ok
> so I think it´s a software problem ´cause all the
> solder points are ok too, could someone please post
> again the email of the guy from line6 that has helped
> some of the guys in this list?, has anybody had
> similar problems with their DL4´s?.
> Thanks.
> Alx.
> 
> 
> __________________________________________________
> Do You Yahoo!?
> Yahoo! Auctions - buy the things you want at great prices
> http://auctions.yahoo.com/
> 

From Loopers-Delight-request@loopers-delight.com  Thu May 17 13:26:05 2001
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Subject: Re: Looping for guitar
References: <000501c0de47$3dc8fbc0$020110ac@isharedsl> <p05100309b728a4942e43@[63.195.210.50]> <000a01c0dea0$abc10060$fc518218@om>
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Om_Audio wrote:

> I can attest to one thing- the Sabine Backtrack sounds like shit.
> Blunt but true- Thanks for the links Richard- The Akai looks
> interesting...Cliff
>
>
>

i think i've got one of those akai units sitting on a shelf somewhere.
if it's the one, i remember it sounding pretty bad as well (which is why
it sits on the shelf...). but i think the point was to be able to use it
as a practice tool. the ability to slow the loop without changing pitch
is its main feature, but the resampling gets horrid pretty quickly...but
of course it adds to the charm. :-)


lance g.



From Loopers-Delight-request@loopers-delight.com  Thu May 17 14:16:10 2001
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Subject: New PC based loop/mixing tools
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Hey,

I'm not a DJ (don't even play on on TV) but if I were, this seems a
sweet little tool for looping:

http://www.mixman.com/html_h/dm2.html

Screw CDs.  If you're in the digital domain, why not just deal with the
source file?  Word.

Also, I've got a question: I'm interested in collaborating with a DJ.
Not one that just mixes tracks, but one that is much more about pulling
samples from a lot of different sources and making something new.  My
job would be to supply guitar, synths and other wacky devices to the
mix.  Anyway, every DJ I talk to seems to be against playing with real
musicians for some reason.  I've heard things like, "when you bring a
musician into a show, it gets a lot more complicated."  and "I like to
have full control of the music."  The one DJ I've met that's played with
me IS a musician (classically trained double bass) but she more or less
just fades tracks into each other, adjusting pitch and tempo so they
blend nicely.  I'm hoping for a lot more sound collage.

Any comments?  If you're in the SF Bay area and would like to get
together, mail me off the list.  I'm into a very wide range of music.

Mark

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To: Loopers-Delight@loopers-delight.com
Subject: Re:  New PC based loop/mixing tools
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Look for where "Live Human" is playing.   It consists of a guy who calls
himself DJ Quest and two other musicians.    He is amaing to watch and
listen to, and can probably introduce you to more DJs who are amenable to
working with musicians.   Live Human is a Bay Area band.

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Subject: Re: Looping for guitar
Date: Thu, 17 May 2001 18:58:49 -0000
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>   At 4:31 PM -0400 5/16/01, Jeff Harmon wrote:
>     I hope someone can help me.....I would like to loop "snippets" of 
>guitar from my favorite CD's so that I can more easily hear the parts and 
>learn them...how can i do this?..thanks

CTech makes aproduct called chop-shop.  Never seen or tried it, but add it 
to the list.
http://www.pocketrockit.com/products_cs.html

Jon
_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Thu May 17 15:25:20 2001
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Subject: Re: LOOP WANTED! (Re: about next "Looper's Delight J")
Date: Thu, 17 May 2001 15:19:55 -0400
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Sunao,

I was moving apartments and had no way to stream the show.  How
did it go?

Please let me know when we can download audio of it.  I'm really
excited to hear it!

Thanks,

Mike

----- Original Message -----
From: "Sunao Inami" <cave@osk.3web.ne.jp>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, March 17, 2001 10:38 AM
Subject: LOOP WANTED! (Re: about next "Looper's Delight J")


> Hi Loopers,
>
> I made a Looper's Delight J info page.
> http://www.cavestudio.com/LD_J/2001/
>
> Please give your loop for our loopy live gig.
>
>
> LOOP WANTED!
> Our next Loopy live gig,
> Looper's Delight J is 11th May 2001 at Kobe Japan.
>
> We are inviting suggestions for materials / textures for this
live gig by
> mp3 file.
>
> Looper's Delight J will live streaming by Real System for
world wide,
> You can listen your contributed loops or mixture some
contributed loops by
> Japanese loop artists.
>
> Contribute your Loops!
>
> We accept upload your loops via FTP.
>
> Please connect to :
>
> HOST
> www.cavestudio.co.uk
>
> LOGIN
> looper
>
> PASSWORD
> heaven
>
> Note:
> This account is upload/download only.
> It can not delete files and make new folders.
>
> Requested to send in loops not later than 30th April 2001.
> And after,this site will be download only.
>
> Looper's Delight J is affected a maling list Looper's Delight.
> Our last Looper's Delight J reports is below.
> http://www.cavestudio.com/LD_J
> (sorry,music streaming  is not  available,still maintenance
now..)
>
>   Regards
>
>   Sunao Inami
> http://www.cavestudio.com
>

From Loopers-Delight-request@loopers-delight.com  Thu May 17 16:33:38 2001
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From: Don Goodeve <DGOODEVE@IVL.com>
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	 <Loopers-Delight@loopers-delight.com>
Subject: Repeater in San Rafael
Date: Thu, 17 May 2001 13:26:52 -0700
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Dear Folks

As posted a few days ago - there will be a demo of Repeater
at 'Bananas at Large' in San Rafael, CA this Saturday (19May).
There are conflicting reports of the time, but I will be there
with Repeater from 12 noon until whenever... The demos are
slated to run before 12-2pm, so early arrival (12-1) is probably
advisable.

1504 Fourth Street
San Rafael, CA 94901-2713
Phone (415) 457-7600 - Fax (415) 457-9148

The software work on Repeater is entering its closing stages,
and the unit demonstrated will be very close to final functionality.

I will be happy to answer any questions you have on the day / on
the list - but please no personal emails for now. Once the product
is delivered it might be a different story - but there are few hours
in the day left at present. As well as being demo guy on Saturday
I am the head honcho on the software team - ie one of the guys
that someone offered to buy pizza and coke for on the list a while
back...

Damon is reading over my shoulder...

Ciao

	Don


---
Don Goodeve   dgoodeve@ivl.com
Software Systems Design Engineer
(aka. Creative Barrier Dispersal Specialist)
Electrix/IVL Technologies
Victoria, Canada

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Subject: Re: Repeater in San Rafael
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Don, I'm sure you'll have a GREAT TIME ! ! !
enjoy your saturday and keep us informed...it's happening!!!
Best Italoop

----- Original Message ----- 
From: "Don Goodeve" <DGOODEVE@IVL.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, May 17, 2001 10:26 PM
Subject: Repeater in San Rafael


> Dear Folks
> 
> As posted a few days ago - there will be a demo of Repeater
> at 'Bananas at Large' in San Rafael, CA this Saturday (19May).
> There are conflicting reports of the time, but I will be there
> with Repeater from 12 noon until whenever... The demos are
> slated to run before 12-2pm, so early arrival (12-1) is probably
> advisable.
> 
> 1504 Fourth Street
> San Rafael, CA 94901-2713
> Phone (415) 457-7600 - Fax (415) 457-9148
> 
> The software work on Repeater is entering its closing stages,
> and the unit demonstrated will be very close to final functionality.
> 
> I will be happy to answer any questions you have on the day / on
> the list - but please no personal emails for now. Once the product
> is delivered it might be a different story - but there are few hours
> in the day left at present. As well as being demo guy on Saturday
> I am the head honcho on the software team - ie one of the guys
> that someone offered to buy pizza and coke for on the list a while
> back...
> 
> Damon is reading over my shoulder...
> 
> Ciao
> 
> Don
> 
> 
> ---
> Don Goodeve   dgoodeve@ivl.com
> Software Systems Design Engineer
> (aka. Creative Barrier Dispersal Specialist)
> Electrix/IVL Technologies
> Victoria, Canada
> 

From Loopers-Delight-request@loopers-delight.com  Thu May 17 16:52:58 2001
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Subject: DL-4 resetting
Date: Thu, 17 May 2001 13:42:15 -0700
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opps, a subject would be helpful...


Trey Donovan asked about reseting a Line6 DL-4. 
Below is the text from their stomp box manual.

Cheers,
Toby
--------------------------------------
Restoring Factory Presets
The Stomp Box Modelers come pre-programmed with
a set of great tones in their memories.The sounds that
you save replace these factory settings.If you ever want
to recall the factory sounds - and erase the sounds
you might have saved - press the far left and far right
switches while plugging in the left/mono guitar input.
(When the left/mono input is not plugged in,the
pedal is powered off.)

From Loopers-Delight-request@loopers-delight.com  Thu May 17 17:52:23 2001
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From: "Devious D_MasterMixer" <dj_devious_d@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: New PC based loop/mixing tools
Date: Thu, 17 May 2001 21:44:59 
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<html><P>Hey Back,</P>
<H3>&nbsp;I am a Dj, and I do Play one.... but I digress. I already know about the Mixman DM2, it was previewed at the NAMM in Florida this past March, and it is a "cute" piece of equipment. I have been on the fence about getting one, since it is very limited in the sound sources it can use as loops. This thing interfaces with the Mixman Software, and it uses Mixman .trk files as loops. That limits you in creativity, if you wanted to use your own loops. Now you can use your own loops, if you have ReCycle 1.7, which will convert your .wav files to .trk files, to be used in Mixman, but no one at Mixman ever tells you about that, and I wonder why ? Oh, it's being manufactured by Mattel, so go figure. It's not very durable, and kinda reminds me of Mattel's Sensonic Drums (man you really have to be old skool to remember those things). If you mix at home, it's cool, but on the road, in a gig, - Beware ! But I digress again.</H3>
<H3>I live in the Chicago area, and my occupation (I am a Computer Consultant), has me trapped here for a while, but if you wish I could trade, or preview some of my original loops ! I use everything from ACID 3.0, Fruity Loops 3, Sound Forge 5.0, ReCycle 1.7 and a slew of synth creators... so maybe we can talk ? I am experimenting with hooking up my MIDI keyboard to my PC, and using Cakewalk SONAR, to produce some original tracks.... are ya feeling me ? Just think MIDI loops, that can be incorporated in ACID 3.0 - that's a new feature... I would be UNSTOPPABLE !, but I digress.</H3>
<H3>I can feel that sway on that comment about "live musicians" and Dj's. It does become complicated, since the Dj feeds of the beat, whether he is scratching behind you, or underlying a beat. Musicians - doing it live, change tempo, keys at a whim, and those key and tempo changes can screw with a Dj's timing, making him look really bad. Just think of the JB's. James Brown changes keys, tempos and all kind of shidz in studio session, that would wipe out a Dj... well some Dj's that is.<BR><BR></H3>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>Hey, 
<DIV></DIV>
<DIV></DIV>I'm not a DJ (don't even play on on TV) but if I were, this seems a 
<DIV></DIV>sweet little tool for looping: 
<DIV></DIV>
<DIV></DIV>http://www.mixman.com/html_h/dm2.html 
<DIV></DIV>
<DIV></DIV>Screw CDs. If you're in the digital domain, why not just deal with the 
<DIV></DIV>source file? Word. 
<DIV></DIV>
<DIV></DIV>Also, I've got a question: I'm interested in collaborating with a DJ. 
<DIV></DIV>Not one that just mixes tracks, but one that is much more about pulling 
<DIV></DIV>samples from a lot of different sources and making something new. My 
<DIV></DIV>job would be to supply guitar, synths and other wacky devices to the 
<DIV></DIV>mix. Anyway, every DJ I talk to seems to be against playing with real 
<DIV></DIV>musicians for some reason. I've heard things like, "when you bring a 
<DIV></DIV>musician into a show, it gets a lot more complicated." and "I like to 
<DIV></DIV>have full control of the music." The one DJ I've met that's played with 
<DIV></DIV>me IS a musician (classically trained double bass) but she more or less 
<DIV></DIV>just fades tracks into each other, adjusting pitch and tempo so they 
<DIV></DIV>blend nicely. I'm hoping for a lot more sound collage. 
<DIV></DIV>
<DIV></DIV>Any comments? If you're in the SF Bay area and would like to get 
<DIV></DIV>together, mail me off the list. I'm into a very wide range of music. 
<DIV></DIV>
<DIV></DIV>Mark 
<DIV></DIV>
<DIV></DIV><br clear=all><hr>Get your FREE download of MSN Explorer at <a href="http://explorer.msn.com">http://explorer.msn.com</a><br></p></html>

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Devious D_MasterMixer wrote:

>  Mattel, so go figure. It's not very durable, and kinda reminds me of
> Mattel's Sensonic Drums (man you really have to be old skool to
> remember those things).

my god, am I old school?!?!

-jas
http://www.zebox.com/artists/dimbulb.html

From Loopers-Delight-request@loopers-delight.com  Thu May 17 19:12:31 2001
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Date: Thu, 17 May 2001 19:00:18 EDT
Subject: Filter Mod !!!
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I have no idea what folks were whining about a few weeks ago.  I got mine 
yesterday and spent hours playing with it last night. The new Line 6 filter 
mod is awesome !!!
- Paul 

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>I have no idea what folks were whining about a few weeks ago. &nbsp;I got mine 
<BR>yesterday and spent hours playing with it last night. The new Line 6 filter 
<BR>mod is awesome !!!
<BR>- Paul </FONT></HTML>

--part1_80.b373210.2835b202_boundary--

From Loopers-Delight-request@loopers-delight.com  Thu May 17 20:29:39 2001
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Date: Thu, 17 May 2001 20:25:01 EDT
Subject: playing w/ dj's
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> Also, I've got a question: I'm interested in collaborating with a DJ.
>  Not one that just mixes tracks, but one that is much more about pulling
>  samples from a lot of different sources and making something new.  My
>  job would be to supply guitar, synths and other wacky devices to the
>  mix.  Anyway, every DJ I talk to seems to be against playing with real
>  musicians for some reason.

- check out a sf-based group called Live Human. they were the support act on 
the west-coast leg of a tour I was on (I play with the Tom Tom Club) and they 
were truly amazing.
line-up was double bass, trap set and turntables.
really very truly integrated; creative as hell; and
they rocked (and swung) like crazy. they have a couple cds out... 
word.
best,
robby aceto

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Subject: Re: Repeater in San Rafael
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Hmmmmmmm.  Software work entering closing stages ...unit demonstrated
close to final fuctionality.  Has that "shipping in the fall, maybe"
sound.

Elby


> Subject: Repeater in San Rafael
> Date: Thu, 17 May 2001 13:26:52 -0700
> From: Don Goodeve <DGOODEVE@IVL.com>
> To: "'Loopers-Delight@loopers-delight.com'"
>      <Loopers-Delight@loopers-delight.com>
>
> Dear Folks
>
> As posted a few days ago - there will be a demo of Repeater
> at 'Bananas at Large' in San Rafael, CA this Saturday (19May).
> There are conflicting reports of the time, but I will be there
> with Repeater from 12 noon until whenever... The demos are
> slated to run before 12-2pm, so early arrival (12-1) is probably
> advisable.
>
> 1504 Fourth Street
> San Rafael, CA 94901-2713
> Phone (415) 457-7600 - Fax (415) 457-9148
>
> The software work on Repeater is entering its closing stages,
> and the unit demonstrated will be very close to final functionality.
>
> I will be happy to answer any questions you have on the day / on
> the list - but please no personal emails for now. Once the product
> is delivered it might be a different story - but there are few hours
> in the day left at present. As well as being demo guy on Saturday
> I am the head honcho on the software team - ie one of the guys
> that someone offered to buy pizza and coke for on the list a while
> back...
>
> Damon is reading over my shoulder...
>
> Ciao
>
>         Don
>
>
> ---
> Don Goodeve   dgoodeve@ivl.com
> Software Systems Design Engineer
> (aka. Creative Barrier Dispersal Specialist)
> Electrix/IVL Technologies
> Victoria, Canada
>

From Loopers-Delight-request@loopers-delight.com  Thu May 17 21:07:10 2001
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As one of the Bananas, I'm stoked.   

From Loopers-Delight-request@loopers-delight.com  Thu May 17 21:38:57 2001
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Subject: Re: Repeater in San Rafael
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For the sake of the list, I'd like to request that we not turn this thread
into another ship-date gripe session.  I think we heard it all last time.

In the mean time, I'm looking forward to a review of the demo....

Thanks,
Greg

From Loopers-Delight-request@loopers-delight.com  Thu May 17 23:51:53 2001
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Subject: Re: playing w/ dj's
Date: Thu, 17 May 2001 20:48:38 -0700
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this is very oddly cool. i was doing this sorta thing a couple years ago. 
worked with a dj who spun recs and his how drum beats and noise rec combos 
while i did guitar (my main instrument), synths/kbds, etc.

db

>From: RA336@aol.com
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: playing w/ dj's
>Date: Thu, 17 May 2001 20:25:01 EDT
>
>
>
> > Also, I've got a question: I'm interested in collaborating with a DJ.
> >  Not one that just mixes tracks, but one that is much more about pulling
> >  samples from a lot of different sources and making something new.  My
> >  job would be to supply guitar, synths and other wacky devices to the
> >  mix.  Anyway, every DJ I talk to seems to be against playing with real
> >  musicians for some reason.
>
>- check out a sf-based group called Live Human. they were the support act 
>on
>the west-coast leg of a tour I was on (I play with the Tom Tom Club) and 
>they
>were truly amazing.
>line-up was double bass, trap set and turntables.
>really very truly integrated; creative as hell; and
>they rocked (and swung) like crazy. they have a couple cds out...
>word.
>best,
>robby aceto
>

_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Fri May 18 01:46:12 2001
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From: "Toby" <toby@southwest.com.au>
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Subject: Digitech Fs 300 foot sw
Date: Fri, 18 May 2001 13:47:04 +0800
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can anybody tell me if the 3 switches on a digitech fs300 footswitch are =
 latching or non latching

Thanks Dave
toby@southwest.com.au


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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
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<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>can anybody tell me if the 3 switches =
on a digitech=20
fs3</FONT><FONT face=3DArial size=3D2>00 footswitch are&nbsp; latching =
or non=20
latching</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Thanks Dave<BR><A=20
href=3D"mailto:toby@southwest.com.au">toby@southwest.com.au</A><BR></DIV>=
</FONT></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Fri May 18 02:00:53 2001
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Subject: Re: Digitech Fs 300 foot sw
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non

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From Loopers-Delight-request@loopers-delight.com  Fri May 18 02:17:42 2001
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From: improv@peak.org (Dave Trenkel)
Subject: Re: playing w/ dj's
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>> Also, I've got a question: I'm interested in collaborating with a DJ.
>>  Not one that just mixes tracks, but one that is much more about pulling
>>  samples from a lot of different sources and making something new.  My
>>  job would be to supply guitar, synths and other wacky devices to the
>>  mix.  Anyway, every DJ I talk to seems to be against playing with real
>>  musicians for some reason.
>
I've noticed somthing similar. I've talked to some of the local DJ's who
spin drum and bass, ambient, etc, stuff I like, and they're generally not
into collaboration, for whatever reasons. But I have found a hip-hop DJ,
who also happens to be a great drummer, who's really into creating new
stuff. He uses the "standard" hip-hop sources, but does some very cool
stuff with it. We did a show recently that felt great, I'm going to mp3 it
and put it on my website when I get a free minute...

____________________________________________
Dave Trenkel : improv@peak.org
New & Improv Media
http://www.newandimprov.com
Now available: Admiral Twinkle Devil: Wabi Dub
____________________________________________


From Loopers-Delight-request@loopers-delight.com  Fri May 18 04:10:03 2001
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Subject: Re: playing w/ dj's
Date: Fri, 18 May 2001 01:04:19 -0700
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>Also, I've got a question: I'm interested in collaborating with a DJ.
>Not one that just mixes tracks, but one that is much more about pulling
>samples from a lot of different sources and making something new.  My
>job would be to supply guitar, synths and other wacky devices to the
>mix.  Anyway, every DJ I talk to seems to be against playing with real
>musicians for some reason.

I should say that the kind of DJ you're looking for is VERY RARE. About 90% 
of original DJ's I've seen simply playback pre-recorded loops that are 
already in perfect sync, and they might do some scratching over it. Most of 
these already have as many tracks/instrument sounds as they need.

DJ's that make their music more or less from scratch are a lot harder to 
come by. You'd have about the same amount of luck if you were looking for an 
electronic accordian player. My advice would be to continue to keep your 
eyes open, but to also teach yourself the DJ skills that you would like to 
use in your project. If you're the DJ, you'll have a lot less trouble 
finding a guitarist. They're everywhere!

Matt Davignon
_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Fri May 18 04:16:08 2001
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Subject: Re: Digitech Fs 300 foot sw
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Thanks Edwin
All switches are non latching=20
switches had collapsed to Bigga foot

Dave
toby@southwest.com.au

  ----- Original Message -----=20
  From: EDWINWHITE806@aol.com=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Friday, May 18, 2001 1:58 PM
  Subject: Re: Digitech Fs 300 foot sw


  non=20

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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Thanks Edwin</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>All switches are non latching =
</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>switches had collapsed to Bigga =
foot</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV>Dave<BR><A=20
href=3D"mailto:toby@southwest.com.au">toby@southwest.com.au</A><BR></DIV>=

<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: =
0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A href=3D"mailto:EDWINWHITE806@aol.com"=20
  title=3DEDWINWHITE806@aol.com>EDWINWHITE806@aol.com</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  href=3D"mailto:Loopers-Delight@loopers-delight.com"=20
  =
title=3DLoopers-Delight@loopers-delight.com>Loopers-Delight@loopers-delig=
ht.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, May 18, 2001 1:58 =
PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Digitech Fs 300 =
foot=20
sw</DIV>
  <DIV><BR></DIV><FONT face=3Darial,helvetica><FONT size=3D2>non</FONT>=20
</FONT></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Fri May 18 05:38:12 2001
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Date: Fri, 18 May 2001 10:32:17 +0100
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I encountered the edge of this after getting to the UK.  At first I thought
on the level of "Show producers etc. must think that, because their sounds
are all samples and disks, the reliability factor is predictable, and must
therefore appeal to them in a bizarre 'accountant' kind of way."  I've also
been interested in collaboration with a DJ, but have encountered nothing but
dead air in response, and in one case was bumped from a line-up in favor of
a DJ.  In the UK the DJs RULE the rave/party scene.  I wondered at first
whether this wasn't a "mafia effect" of some kind, actually.

Over time though I've begun to wonder whether it's the aspect of being
center stage with no company there that's the most important factor.  Don't
take this wrong, spinners, let me explain.  Those of us that play
INSTRUMENTS typically can do so solo, I know *I* do - but in lots of cases
as we "grew up" into our playing, there were tons of instances of playing
music WITH others.  I came to think of collaborative performance as not only
positive energy shared, a great way to learn more about my own playing, and
a great way to learn how to play with others.  If one is a DJ does any of
the above ever occur as a consequence of either learning how to DJ or just
watching others do their work, undoubtedly it further embeds the idea of
such totally solo work.

I find this highly unfortunate, not just because I'm kept out of such
scenarios, and not just because there may be an entire listening group that
never hears live playing, but rather DJ-borne samples/etc - but also because
this is a direction in which DJing could actually branch out or expand past
its apparently finite boundaries.  This last is to me part of playing music,
this kind of extending past the norm.  Is this lost then?  Or has it been
translated into "What new gear/tech/box can I get?"  And is this a good
thing?  I shudder to think of it.

Stephen Goodman
* http://www.earthlight.net/Studios
* 200th Loop Of The Week Contest ends May 19!
* "Hitchhiker's Lament premieres TONIGHT!"

From Loopers-Delight-request@loopers-delight.com  Fri May 18 07:21:44 2001
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References: <50.15f0423d.28361400@aol.com> <001e01c0df72$8a6f7540$259a53cb@dave>
Subject: Yamaha MFC 10 questions
Date: Fri, 18 May 2001 07:11:29 -0400
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I've been trying out the MFC10 foot pedal and have a question and a =
problem for those of you using it.

1.  Can you program it to send both a CC and a program change with one =
button push?  At the moment, to change programs on my FX unit I first =
switch the MFC10 to function mode, then press a switch to send a CC for =
bank change, then switch back to Program mode and push another switch =
for the actual program.  Seems like a lot for one change!  I know it has =
a mix mode, but that has a limited number of function buttons available. =
=20

2.  Once I'm in a bank I can use switches 1-9 for program changes (0 =
always has the same effect as 1)--that gives me 9 possibilities, but the =
FX unit goes from 0-9, so there's one program I can't seem to =
access--what can I do??

Sorry if this is basic stuff; midi is new territory for me.

Thanks.
Bruce Comens

------=_NextPart_000_0022_01C0DF69.C276CE60
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 5.50.4522.1800" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I've been trying out the MFC10 foot =
pedal and have=20
a question and a problem for those of you using it.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>1.&nbsp; Can you program it to send =
both a CC and a=20
program change with one button push?&nbsp; At the moment, to change =
programs on=20
my FX unit I first switch the MFC10 to function mode, then press a =
switch to=20
send a CC for bank change, then switch back to Program mode and push =
another=20
switch for the actual program.&nbsp; Seems like a lot for one =
change!&nbsp; I=20
know it has a mix mode, but that has a limited number of function =
buttons=20
available.&nbsp; </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>2.&nbsp; Once I'm in a bank I can use =
switches 1-9=20
for program changes (0 always has the same effect as 1)--that gives me 9 =

possibilities, but the FX unit goes from 0-9, so there's one program I =
can't=20
seem to access--what can I do??</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Sorry if this is basic stuff; midi is =
new territory=20
for me.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Thanks.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Bruce Comens</FONT></DIV></BODY></HTML>

------=_NextPart_000_0022_01C0DF69.C276CE60--

From Loopers-Delight-request@loopers-delight.com  Fri May 18 07:23:10 2001
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From: "LEE, THANIEL I" <TLEE@IUSMail.IUS.Indiana.EDU>
To: "'Loopers-Delight@loopers-delight.com'"
	 <Loopers-Delight@loopers-delight.com>
Subject: longdistance working relationship
Date: Fri, 18 May 2001 07:20:20 -0400
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         is there anyone out there that would be interested in working with
me on a project. well just email eachother files back and forth. anyone use
a tracker, thats the program i use, it keeps the files small and  in one
file/folder

-thaniel

From Loopers-Delight-request@loopers-delight.com  Fri May 18 07:48:15 2001
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Does anyone know of an alternate way to contact
Boomerang? I need the upgrade and have written an
email a week for 2 months to Mike Nelson
mnelson@dmans.com and have not gotten any response.

thanks, Jeff Duke

From Loopers-Delight-request@loopers-delight.com  Fri May 18 07:52:59 2001
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Subject: Lexicon Delta-T Model 102 S
Date: Fri, 18 May 2001 13:51:16 +0200
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Hi there,

anyone knows the Lexicon Delta-T Delay System Model 102 S? What does it do?
What is it worth?

Thanks,

	Rainer


Rainer Straschill
Moinlabs GFX and Soundworks - www.moinlabs.de
digital penis expert group - www.dpeg.de
The MoinSound Archives - www.mp3.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Fri May 18 10:25:12 2001
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Maybe this is not the right place to ask,
but how to you set loop points on a sample ? i want to set the susaining
part / sustain looppoint on a sample.
I want to sample a few sounds from a synthesizer i am having on loan.
(multisamples).


From Loopers-Delight-request@loopers-delight.com  Fri May 18 13:20:45 2001
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> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

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I'll be doing a solo show at the Knitting Factory Old Office Tuesday May 22
at 8PM.
It's called "Chants, Songs and Musical Landscapes" and is kind of a journey
into sexuality and spirituality.  My instruments are: voice, wind synth
(Yamaha VL70), percussion and an EDP.
I'm combining improvised pieces with original songs and chants.   Would be
great to see fellow loopers there!
($7 plus one drink -- 74 Leonard Street) 

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<HTML>
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<FONT SIZE=3D"4">I'll be doing a solo show at the Knitting Factory Old Office=
 Tuesday May 22 at 8PM.<BR>
It's called &quot;Chants, Songs and Musical Landscapes&quot; and is kind of=
 a journey into sexuality and spirituality. &nbsp;My instruments are: voice,=
 wind synth (Yamaha VL70), percussion and an EDP. <BR>
I'm combining improvised pieces with original songs and chants. &nbsp;&nbsp=
;Would be great to see fellow loopers there!<BR>
($7 plus one drink -- 74 Leonard Street)</FONT>
</BODY>
</HTML>


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From Loopers-Delight-request@loopers-delight.com  Fri May 18 13:26:20 2001
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If the release date was still on for June ( 2 weeks away), wouldn't we
have heard an exact date by now?

Zing

From Loopers-Delight-request@loopers-delight.com  Fri May 18 13:36:04 2001
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ok, ok...it's coming.  doesnt' the fact that they are demo'ing it at 
a commercial store tell you that it's close?  Even back in January, 
the damn thing worked...to an extent.  It's just that they wanted it 
to work flawlessly and very intuitively...much like ALL of their 
other products.

geez...chill.  are you on the waiting list?  has your credit card 
been charged yet?  have your other looping tools suddenly stopped 
working?  have you ever been late before?

rich


>If the release date was still on for June ( 2 weeks away), wouldn't we
>have heard an exact date by now?
>
>Zing

From Loopers-Delight-request@loopers-delight.com  Fri May 18 14:03:20 2001
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Subject: re: playing with a live DJ
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That's funny,  I've had the opposite experience of everyone so far.   I had
a wonderful time interacting with DJ Vordo (of the Abstrakt Zone fame) when
I was playing with Haunted By Waters and this weekend, I will be doing an
interactive set (with looping) with
World Music/Electronica DJ, Leslie Shill.   It's fun when you get with a DJ
who is very musical in their approach.

Several years ago, my world fusion act, Worlds Collide played in Japan and
we interacted with a few DJs at an Osakan high tech
nightclub (with the LemonHeads playing upstairs, simultaneously).  It was a
blast.

Yours,  Rick Walker (loop.pool)

From Loopers-Delight-request@loopers-delight.com  Fri May 18 14:36:57 2001
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I too have been bumped from a line up in favor of a DJ.  Wasn't even
told until I asked about the line up schedule.  "Uh, we weren't sure you
were going to play, so we asked someone else."  Funny  thing is I'm in
contact with the person who was throwing the event on a daily basis.
Odd.

I also agree with Steven Goodman's idea that as a musician, part of the
culture is you almost immediately (often before you know how to play!)
find other people to play with and start a band.  No question, it's what
you do.  Real time affordable loop technology is really pretty new, but
maybe this will affect musician's as well.  There is no doubt that I can
do an entire show by myself, I've done it many times.  My Roland MC-307
groovebox, GR-30 guitar synth and a JamMan let's me make PLENTY of
noise!  I seek other musicians and/or DJs because I crave the dimension
that only real time collaboration gives.

Marklar

From Loopers-Delight-request@loopers-delight.com  Fri May 18 15:11:41 2001
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<< ok, ok...it's coming.  doesnt' the fact that they are demo'ing it at a commercial store tell you that it's close?  Even back in January, the damn thing worked...to an extent.  It's just that they wanted it to work flawlessly and very intuitively...much like ALL of their other products.

geez...chill.  are you on the waiting list?  has your credit card been charged yet?  have your other looping tools suddenly stopped working?  have you ever been late before?

rich >>

My, we're awful defensive. Hehehe.

Paul

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Actually, know what's really gonna be funny? When the Repeater is released and people start having problems with it like most complex products. The bitching will be most amusing, if history holds true to course.

Paul

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Subject: Re: ACID 3.0 problems?
Date: Fri, 18 May 2001 19:13:36 
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<html><H3>Oh my....,</H3>
<H3>I must say, I have NEVER encountered any of the problems you mentioned, with ACID 3.0 (even when I was a BETA Tester, 80 Builds ago). So I must ask you a few questions about your computing environment :</H3>
<H3>1. What is your processor and speed (I hope you don't say a 333Mhz Cyrix). Cyrix "anything" used in the DirextX world just won't go, especially if you are using DirectX 8a (make sure you have downloaded DirectX 8a withthe new Video Codecs). Cyrix is nortorious with not being able to handle Direct Sound, a Codec of DirectX.</H3>
<H3>Now I hope you are using a Pentium Class or AMD type processor, running at LEAST 400 Mhz (which is the minimum requirements, or optimal requirements for ACID 3.0).</H3>
<H3>Now, your older music programs crashed under Directx 8 ? Now I must admit I do use a lot of Music programs, and the oldest Music app I use is Cool Edit Pro 1.2a (now, unless you have some cracked version of your software, it might be wise to check for upgrades... if you bought the apps, most companies offer upgrades, and patches for FREE, if it is a WAREZ app.... sorry brother man, but you will be S.O.L.). I have had no adverse affects of installing Directx 8, in fact my apps are running like a senior citizen on prune juice... but I digress.</H3>
<H3>Now I run my apps on this configuration - </H3>
<P><FONT face="Times New Roman, Times, Serif" size=4>1. Athlon 1 Ghz processor on an ASUS A7V board with 256 Megs of RAM (pc133), 2 20 gig HDD's, 1 Voodoo 3 AGP video card,with a Fortissimo Sound card with Aex compression (this is a standard game soundcard, like the soundblaster live, but it interfaces nicely with my Dj Gear.).All running under Windows ME. (what is your operating system... Win95, or even Win98 has some problems with Direct X 8... so check into that.(Win98 SE is a bit more stabler with Direct X 8a).</FONT></P>
<P>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <BR></P>
<DIV></DIV>
<DIV></DIV>----Original Message Follows---- 
<DIV></DIV>From: "Rick Walker (loop.pool)" <GLOBAL@CRUZIO.COM>
<DIV></DIV>To: "Devious D_MasterMixer" <DJ_DEVIOUS_D@HOTMAIL.COM>
<DIV></DIV>Subject: Re: ACID 3.0 problems? 
<DIV></DIV>Date: Fri, 18 May 2001 11:07:13 -0700 
<DIV></DIV>
<DIV></DIV>Boy, Devious D., 
<DIV></DIV>I had the worst experience with Acid 3.0. and the forced install of DirectX 8 started crashing all of my older music programs. I finally had to 
<DIV></DIV>remove it. Is your Acid stable (not the drug, silly!)? Do you have fairly recent versions of all of your software? 
<DIV></DIV>I couldn't get my Waves plugins to work (and I rely on their excellent mastering, compression and equalization tools). 
<DIV></DIV>What's your experience been like, if you don't mind me asking. 
<DIV></DIV>yours, Rick (loop.pool) 
<DIV></DIV>----- Original Message ----- 
<DIV></DIV>From: Devious D_MasterMixer 
<DIV></DIV>To: Loopers-Delight@loopers-delight.com 
<DIV></DIV>Sent: Thursday, May 17, 2001 9:44 PM 
<DIV></DIV>Subject: Re: New PC based loop/mixing tools 
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>Hey Back, 
<DIV></DIV>
<DIV></DIV>I am a Dj, and I do Play one.... but I digress. I already know about the Mixman DM2, it was previewed at the NAMM in Florida this past March, and it is a "cute" piece of equipment. I have been on the fence about getting one, since it is very limited in the sound sources it can use as loops. This thing interfaces with the Mixman Software, and it uses Mixman .trk files as loops. That limits you in creativity, if you wanted to use your own loops. Now you can use your own loops, if you have ReCycle 1.7, which will convert your .wav files to .trk files, to be used in Mixman, but no one at Mixman ever tells you about that, and I wonder why ? Oh, it's being manufactured by Mattel, so go figure. It's not very durable, and kinda reminds me of Mattel's Sensonic Drums (man you really have to be old skool to remember those things). If you mix at home, it's cool, but on the road, in a gig, - Beware ! But I digress again. 
<DIV></DIV>I live in the Chicago area, and my occupation (I am a Computer Consultant), has me trapped here for a while, but if you wish I could trade, or preview some of my original loops ! I use everything from ACID 3.0, Fruity Loops 3, Sound Forge 5.0, ReCycle 1.7 and a slew of synth creators... so maybe we can talk ? I am experimenting with hooking up my MIDI keyboard to my PC, and using Cakewalk SONAR, to produce some original tracks.... are ya feeling me ? Just think MIDI loops, that can be incorporated in ACID 3.0 - that's a new feature... I would be UNSTOPPABLE !, but I digress. 
<DIV></DIV>I can feel that sway on that comment about "live musicians" and Dj's. It does become complicated, since the Dj feeds of the beat, whether he is scratching behind you, or underlying a beat. Musicians - doing it live, change tempo, keys at a whim, and those key and tempo changes can screw with a Dj's timing, making him look really bad. Just think of the JB's. James Brown changes keys, tempos and all kind of shidz in studio session, that would wipe out a Dj... well some Dj's that is. 
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>Hey, 
<DIV></DIV>I'm not a DJ (don't even play on on TV) but if I were, this seems a 
<DIV></DIV>sweet little tool for looping: 
<DIV></DIV>http://www.mixman.com/html_h/dm2.html 
<DIV></DIV>Screw CDs. If you're in the digital domain, why not just deal with the 
<DIV></DIV>source file? Word. 
<DIV></DIV>Also, I've got a question: I'm interested in collaborating with a DJ. 
<DIV></DIV>Not one that just mixes tracks, but one that is much more about pulling 
<DIV></DIV>samples from a lot of different sources and making something new. My 
<DIV></DIV>job would be to supply guitar, synths and other wacky devices to the 
<DIV></DIV>mix. Anyway, every DJ I talk to seems to be against playing with real 
<DIV></DIV>musicians for some reason. I've heard things like, "when you bring a 
<DIV></DIV>musician into a show, it gets a lot more complicated." and "I like to 
<DIV></DIV>have full control of the music." The one DJ I've met that's played with 
<DIV></DIV>me IS a musician (classically trained double bass) but she more or less 
<DIV></DIV>just fades tracks into each other, adjusting pitch and tempo so they 
<DIV></DIV>blend nicely. I'm hoping for a lot more sound collage. 
<DIV></DIV>Any comments? If you're in the SF Bay area and would like to get 
<DIV></DIV>together, mail me off the list. I'm into a very wide range of music. 
<DIV></DIV>Mark 
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>------------------------------------------------------------------------------ 
<DIV></DIV>Get your FREE download of MSN Explorer at http://explorer.msn.com 
<DIV></DIV>
<DIV></DIV>
<DIV></DIV><br clear=all><hr>Get your FREE download of MSN Explorer at <a href="http://explorer.msn.com">http://explorer.msn.com</a><br></p></html>

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please . . . stop . . . 

-----Original Message-----
From: PaulPokr@aol.com [mailto:PaulPokr@aol.com]
Sent: Friday, May 18, 2001 12:07 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: repeater


<< ok, ok...it's coming.  doesnt' the fact that they are demo'ing it at a
commercial store tell you that it's close?  Even back in January, the damn
thing worked...to an extent.  It's just that they wanted it to work
flawlessly and very intuitively...much like ALL of their other products.

geez...chill.  are you on the waiting list?  has your credit card been
charged yet?  have your other looping tools suddenly stopped working?  have
you ever been late before?

rich >>

My, we're awful defensive. Hehehe.

Paul

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<P><FONT SIZE=3D2>please . . . stop . . . </FONT>
</P>

<P><FONT SIZE=3D2>-----Original Message-----</FONT>
<BR><FONT SIZE=3D2>From: PaulPokr@aol.com [<A =
HREF=3D"mailto:PaulPokr@aol.com">mailto:PaulPokr@aol.com</A>]</FONT>
<BR><FONT SIZE=3D2>Sent: Friday, May 18, 2001 12:07 PM</FONT>
<BR><FONT SIZE=3D2>To: Loopers-Delight@loopers-delight.com</FONT>
<BR><FONT SIZE=3D2>Subject: Re: repeater</FONT>
</P>
<BR>

<P><FONT SIZE=3D2>&lt;&lt; ok, ok...it's coming.&nbsp; doesnt' the fact =
that they are demo'ing it at a commercial store tell you that it's =
close?&nbsp; Even back in January, the damn thing worked...to an =
extent.&nbsp; It's just that they wanted it to work flawlessly and very =
intuitively...much like ALL of their other products.</FONT></P>

<P><FONT SIZE=3D2>geez...chill.&nbsp; are you on the waiting =
list?&nbsp; has your credit card been charged yet?&nbsp; have your =
other looping tools suddenly stopped working?&nbsp; have you ever been =
late before?</FONT></P>

<P><FONT SIZE=3D2>rich &gt;&gt;</FONT>
</P>

<P><FONT SIZE=3D2>My, we're awful defensive. Hehehe.</FONT>
</P>

<P><FONT SIZE=3D2>Paul</FONT>
</P>

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From Loopers-Delight-request@loopers-delight.com  Fri May 18 15:35:40 2001
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>Actually, know what's really gonna be funny? When the Repeater is 
>released and people start having problems with it like most complex 
>products. The bitching will be most amusing, if history holds true 
>to course.
>
>Paul

paul...how true...and probably the basis for my defensiveness!  i was 
fortunate enough to try out the 'pre' repeater at the LA namm show. 
it was, and is, an awesome leap forward in real time looping. 
however, the interface (software) needs to be seamless and dead-nuts 
on, or people just aren't going to use it.  these were the sentiments 
Damon and I discussed at the show, and was the reason the Repeater 
was delayed.

as much as i want one of these machines...and i'll probably get one. 
(hmmmm...christmas present? i can hear my wife groan already), i will 
wait until they are well out on the shelves and i get a chance to 
actually TRY IT OUT in real life.  $600 bucks is alot of money, is it 
not?  And i'm sure the majority of LD people ARE NOT on the waiting 
list...thus, my bitchy attitude about the complaints regarding the 
Repeater's late arrival.

For all of the wonderful knowledge, music, philosophy, tech geekdom 
and self control this list contains (maybe minus my hot air?), i am 
amazed at the threads regarding the Repeater.  We often come across 
like a bunch of spoiled brats who have been denied their sugar fix...

best,

rich

From Loopers-Delight-request@loopers-delight.com  Fri May 18 15:52:15 2001
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Subject: Re: playing with a live DJ
Date: Fri, 18 May 2001 21:46:10 +0200
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Dunno, maybe me and Rick Walker have been lucky. I'm working with a pair of
Djs since 1998, and I have never had that problems. The great thing is that
sometimes we meet at the house of one of us just to improvise. And we don't
improvise on some loops or beats they take with themselves. As one of them
is a classically trained violin player and I play guitar and keys we like to
be the most open-minded we can. Sometimes I start with my EDP, than start
looping something else in parallel on an akai Headrush, and so on (even two
seconds realtime loops on my Korg A1), and as everything gets through my
mixer we like to try to get as many loops together on parallel devices. And
the two Djs interact with loops, create new ones.
I found being in this group just as inspiring as being in my last rock
project (guitar, bass, drums and vocals). And we get pretty well on live
situations.
I think it is only a matter of being open-minded.
Strangely I had more problems with drummers than with Djs.
----- Original Message -----
From: "Rick Walker (loop.pool)" <GLOBAL@cruzio.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, May 18, 2001 8:02 PM
Subject: re: playing with a live DJ


> That's funny,  I've had the opposite experience of everyone so far.   I
had
> a wonderful time interacting with DJ Vordo (of the Abstrakt Zone fame)
when
> I was playing with Haunted By Waters and this weekend, I will be doing an
> interactive set (with looping) with
> World Music/Electronica DJ, Leslie Shill.   It's fun when you get with a
DJ
> who is very musical in their approach.
>
> Several years ago, my world fusion act, Worlds Collide played in Japan and
> we interacted with a few DJs at an Osakan high tech
> nightclub (with the LemonHeads playing upstairs, simultaneously).  It was
a
> blast.
>
> Yours,  Rick Walker (loop.pool)
>

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>>> PaulPokr@aol.com 05/18/01 12:09PM >>>
> Actually, know what's really gonna be funny? When the Repeater is released and people start having problems with it like most complex products. The bitching will be most amusing, if history holds true to course.

And that will smoke out the people that aren't willing to deal with the real nuts and bolts of making technology work for them... (we'll get to hear them bitching though...)

It's NEVER seamless... one solution... two more problems... devise new workarounds... add mixers for the loopers... try to automate cumbersome routines... strip it all back down for simplicity... find out THAT's not quite enough... build it back up with newer solutions... It's all compromises folks. Determination and persistence is the real answer. Keep at it... 

-Miko

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>please . . . stop . . .

just mentioning the repeater becomes a feedback loop
as everyone speaks at once!


At 3:09 PM -0400 5/18/01, PaulPokr@aol.com wrote:
>Actually, know what's really gonna be funny? When the Repeater is 
>released and people start having problems with it like most complex 
>products. The bitching will be most amusing, if history holds true 
>to course.

No!  It cannot be!
The Repeater will be flawless, flawless I tell you!

And I know, deep in my heart,
that I'll never need another piece of gear ever again
once I have a Repeater.
Or perhaps two Repeaters.

Or perhaps three.

	/t


...electronic a cappella madness <http://volectrix.com>.........
...extreme internet radio        <http://extremeNY.com/radio>...

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They'll be here tomorrow.   Trust me.  I'll ask them


>If the release date was still on for June ( 2 weeks away), wouldn't we
>have heard an exact date by now?
>
>Zing

From Loopers-Delight-request@loopers-delight.com  Fri May 18 18:55:19 2001
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>From: "Luigi Meloni" <Luigimeloni74@libero.it>

>I'm working with a pair of
>Djs since 1998, and I have never had that problems. The great thing is that
>sometimes we meet at the house of one of us just to improvise. And we don't
>improvise on some loops or beats they take with themselves. ....
>I think it is only a matter of being open-minded.
>Strangely I had more problems with drummers than with Djs.

I do completely improvised stuff with media sources. I guess I could be 
called a DJ these days. (I do jockey discs, but my equipment is a far cry 
from the standard DJ table.) I'm personally very happy to play with others 
in an occasional, improvisational setting. I'm not very interested in 
becoming a regular member of a "band" though. The reasons are:

-I have way too many projects and ideas to fulfill (including non-Dj-esque 
ones) to commit to spending a large amount of time doing the same thing with 
the same musicians.
-Patters I've noticed with local musicians (LD'ers who I've met are much 
better than these guys) : Guitarists (not often willing to let other 
instruments occasionally be the "lead" instrument), Drummers (always want to 
be loud and rockin' - don't seem to have an appreciation for dynamics or 
quieter moments), Singers (want to be the centerpiece of a band), and other 
DJ's (often want the rest of the band to just 'play along' with their 
pre-recorded techno grooves).
-I'm kind of a control freak when it comes to actual songs.
-I'm not crazy about the idea of "Play this progression of notes 4 times, 
then this progression 8 times, then play the chorus."
-I simply haven't met the right musicians yet. It would be really nice to 
meet some musicians who play instruments outside of the standard 
guitar/bass/drums/keys, or who would be interested in trying really 
adventurous things (like trading instruments with other musicians in 
mid-set).

Sure, sure I know. I'm being nitpicky. I guess I'm kind of stuck between 
musical phenomenae. On one hand, I'm not particularly interested in rock and 
roll or dance music. On the other hand, I really don't identify too much 
with the academic "new music" community.



_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

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i've only played w/2 dj's, live, and thoroughly enjoyed both experiences.
(the second of those experiences was a 6-week tour, btw.)
i found that both of these dj's were creative, attentive, spontaneous, 
interactive, 'team-playing' etc etc..... and inspiring.

also:
spgoodman@earthlight.net writes:
>Is this lost then?  Or has it been
>translated into "What new gear/tech/box can I get?"  And is this a good
>thing?  I shudder to think of it.

for a little self-reflection, please see the 'repeater' (or: boomerang / EDP 
/ Kyma / jamman / Line6 et al) thread(s), amongst this group's missives:
no judgement intended.
*-)

best,
dt / splattercell

From Loopers-Delight-request@loopers-delight.com  Fri May 18 20:04:21 2001
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RA336@aol.com writes:
>word.
deed.
dude,
daoud

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Matt Davignon wrote...
> I do completely improvised stuff with media sources. I guess I could be called a DJ these days. (I do jockey discs, but my equipment is a far cry from the standard DJ table.) I'm personally very happy to play with others in an occasional, improvisational setting. I'm not very interested in becoming a regular member of a "band" though. The reasons are:

One big reason is that you're uslally stuck with ONE terrible band name... 

I played a couple weeks back with a very young dj... it was two guitarists, keys and him spinning... I just took his signal into my mixer (and messed with it a bit with my sound tweakers as well... I could see reversing the arrangement and having him mix us dj style). 

First it was a good learning experience for all of us. Second: the dj seemed really stoked and was excited about expanding his vinyl library in search of more 'appropriate' sounds... (whatever that may be). I'd wager that revisiting this grouping (or a smaller one) from time to time would produce some great music. (So I guess I better email him!) 

> -I have way too many projects and ideas to fulfill (including non-Dj-esque ones) to commit to spending a large amount of time doing the same thing with the same musicians.

This is how it's working for me as well... If I want any chance of realizing some of my personal esthetic, I need some isolation and time to work on it. At the same time I try to play with a variety of people in rotation so I'm getting new perspectives as well and avoiding that plateaued feeling.

> -Patterns I've noticed with local musicians (LD'ers who I've met are much better than these guys) : Guitarists (not often willing to let other instruments occasionally be the "lead" instrument), Drummers (always want to be loud and rockin' - don't seem to have an appreciation for dynamics or quieter moments), Singers (want to be the centerpiece of a band), and other DJ's (often want the rest of the band to just 'play along' with their pre-recorded techno grooves).

You get the same problem with a big group of loopers though as well. The stereotypical thing being overly dense and repetitive. It takes a lot of discipline to interact in a groupthink-balanced way and inject variety into the landscape. It's nice to cover a broad dynamic spectrum as well... More discipline. Just relaxing and actually taking a break to listen and enjoy the other players seems lost at times. (Myself included here.) DISCIPLINE...

> -I'm kind of a control freak when it comes to actual songs. 

Yep... why have other people screw them up when you can screw it up better yourself! 8-)

> -I'm not crazy about the idea of "Play this progression of notes 4 times, then this progression 8 times, then play the chorus."

A problem for me as well... I like goal oriented situations like pit orchestra/theater stuff, or upcoming sessions where you learn something quickly, get a vibe, do the show, and it's over baby! No ongoing band-like misery requiring constant baby-sitting to keep things moving forward. 

> -I simply haven't met the right musicians yet. It would be really nice to meet some musicians who play instruments outside of the standard guitar/bass/drums/keys, or who would be interested in trying really adventurous things (like trading instruments with other musicians in mid-set).

A good rule for trading instruments is having the throw-and-catch them... A sure crowd pleaser! I'm a little more stuck in my guitar playing persona, but striving to be a good listener. 

> Sure, sure I know. I'm being nitpicky. I guess I'm kind of stuck between musical phenomenae. On one hand, I'm not particularly interested in rock and roll or dance music. On the other hand, I really don't identify too much with the academic "new music" community.

This has been a concern for me as well... I think there's this huge gap between noisemaker rock types, and the more jazz and classical influenced academics. Seems such a shame to have that polarity... 

Good food for thought! Have a good weekend all...
-Miko

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Subject: "Hitchhiker's Lament" at EarthLight Studios
Date: Sat, 19 May 2001 01:36:00 +0100
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Dear Friends,

In dedication to Douglas Adams, I've posted "Hitchhiker's Lament", a =
10:39 piece in MP3, Windows Media, and Real Audio, at my EarthLight =
Studios site for your pondering if not also meditation on someone who =
changed the way we think of so many things. =20

Stephen Goodman
* http://www.earthlight.net/Studios=20
* 200th Loop Of The Week Contest ends May 19!

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<BODY bgColor=3D#ffffff =
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<DIV>Dear Friends,</DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial>In dedication to Douglas Adams, I've posted =
"Hitchhiker's=20
Lament", a 10:39 piece in MP3, Windows Media, and Real Audio, at my =
EarthLight=20
Studios site for your pondering if not also meditation on someone who =
changed=20
the way we think of so many things.&nbsp; </FONT><BR></DIV>
<DIV>Stephen Goodman<BR>* <A=20
href=3D"http://www.earthlight.net/Studios">http://www.earthlight.net/Stud=
ios</A>=20
<BR>* 200th Loop Of The Week Contest ends May 19!</DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sat May 19 00:56:43 2001
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-----Original Message-----
From: PaulPokr@aol.com <PaulPokr@aol.com>
Instead of buying another set of powered monitors, I was wondering what the
feasibility would be of using a single pair of monitors between two audio
sources. For example, using a single pair of, say, Alesis M1's between an
Aardvark Direct Pro and a Tascam 788. The Aardvark has 1/4 inch and RCA monitor
outputs. The Tascam 788 has RCA monitor outs.

I have a speaker switch (a Niles, I believe) that has wire only connects. It's
purpose is for stereo systems, primarily. Hence, I wouldn't want to use it for
monitoring because of potential noise, etc. I saw a Samson amplifier/speaker
selector in a local music store but couldn't see behind the unit. Anyone using a
speaker selector rig?
=======
Hi Paul,

I have two versions of Radio Shack's tape loop box.  No, not THAT kind of loop
you sillies!  It is designed to connect to your receiver's tape loop (tape ins
and outs) and allows you to have three instead of one tape deck connected to
your stereo.  It allows dubbing between any of the three decks, too.  This would
be ideal for your purpose.  Unfortunately, the shits at Radio Shack have long
since discontinued this handy little device.  I guess not enough people are like
me and want to connect a DAT, a Cassette, a minidisc, and two VCRs to their
stereo tape loop.  Go figure!

Bill         billfox@fast.net
http://wdiyfm.org/schedule/s_emusic.html
============================================================================
Host of EMUSIC, an electronic, ambient, and space music show.  Thursdays at
11 pm on WDIY 88.1 FM, Allentown and Bethlehem and 93.9 FM in Easton and
Phillipsburg.  Email me if you wish to submit music for airplay consideration.
Radio Station Home Page: http://wdiyfm.org
Personal site: http://www.users.fast.net/~billfox
To subscribe to the EMUSIC on WDIY list, send
email to: emusic-wdiy-subscribe@yahoogroups.com

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Working witha DJ in a Livesituation is an interesting option,but needs a lot
of discipline and
interaction of both.Such a kind of a "band" needs another language of
contextual "bandwork".
I myself can not trust the rules and methods,wich I use in a "normal"
band.This will not work
very well.The DJ for himself also has to be open for new influences and
methods,wich are not
part of his usual work,where he has total control.


As it is not easy to find a DJ for such a project,I know the worth of my
partner.
We know us for long time and he was a guitarist,before he changed the "camp"
to be a DJ only.
A instrument trained/understanding DJ is maybe the one we need for such
projects.It will run
at least all more smoothly and musically.

I use my guitar like normal and with synths.The signals can be routed in
realtime to several 
looping and FX-devices.From a Mixing Console I decide in realtime,wich
signals the DJ will get
from my gear.With this material the DJ himself can arrange or manipulate the
material-mostly loop
sources- through his gear.He himself offers me also some signals,wich I can
use to tranform them.

Well,that´s a very complex Setup and we use it in Live improvisation.That
works now very fine and this
project has found its own interaction voice,method and rules in innerband
context.
We are planning to add a drummer to this project.Of course with V-drum
because the signals can also
be used in a network then.

I guess,both camps are still afraid about the other camp.Maybe the DJ will
think about guitarists
in the typical prejudicated way.The same otherwise.

At least,after a lot of practice and rehearsals,where we stick our
claims,such a "band" will work
also smoothly like a normal "band".
And at least,also "traditionals" can be realized via such a project.

I made a good experience with such a network.It brings fresh new ideas to my
musical thinking and hey,
it makes a lot of fun.

I only can recommend to try it out,eventhough it is not easy to find a DJ
who is willing for such 
a project.It means for him,to give a part of total control to other
hands.But it is it worth.


Marty
















----------
>Von: Hedewa7@aol.com
>An: Loopers-Delight@loopers-delight.com
>Betreff: Re: playing w/ dj's
>Datum: Sam, 19. Mai 2001 1:59 Uhr
>

>i've only played w/2 dj's, live, and thoroughly enjoyed both experiences.
>(the second of those experiences was a 6-week tour, btw.)
>i found that both of these dj's were creative, attentive, spontaneous, 
>interactive, 'team-playing' etc etc..... and inspiring.
>
>also:
>spgoodman@earthlight.net writes:
>>Is this lost then?  Or has it been
>>translated into "What new gear/tech/box can I get?"  And is this a good
>>thing?  I shudder to think of it.
>
>for a little self-reflection, please see the 'repeater' (or: boomerang / EDP 
>/ Kyma / jamman / Line6 et al) thread(s), amongst this group's missives:
>no judgement intended.
>*-)
>
>best,
>dt / splattercell
>

From Loopers-Delight-request@loopers-delight.com  Sat May 19 04:43:48 2001
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From: "Greg Harris" <greg@storyplace.net>
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Subject: multi effects units with samplers
Date: Sat, 19 May 2001 01:53:27 -0700
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Hi all!  I've been reading the loopers archives, & there's some great =
discussion here so I've joined up.  And, immediately, have a question =
(surprise!)  I've noticed that some of the new multi-effects units on =
the market (for instance, the Zoom GFX707) have samplers which are also =
mentioned as "jam along" endless loops.  My question is:  are any of =
these units actually useful as loopers, even in some limited way?  And I =
guess another question:  which of these multi effects units impress you =
most with their sound as it's layered..?

Or in other words:
For someone wanting to explore some basic looping in performance (very =
low-key performance) and get some basic effects (chorus, reverb, delay), =
and not wanting to clutter up the floor with a dozen pedals, or get a =
second job to afford new equipment,  what would you recommend?


    Greg Harris                     =20
Corvallis, Oregon
www.storyplace.net



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<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 5.50.4611.1300" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Hi all!&nbsp; I've been reading the =
loopers=20
archives, &amp; there's some great discussion here so I've joined =
up.&nbsp; And,=20
immediately, have a question (surprise!)&nbsp; I've noticed that some of =
the new=20
multi-effects units on the market (for instance, the Zoom GFX707) have =
samplers=20
which are also mentioned as "jam along" endless loops.&nbsp; My question =

is:&nbsp; are any of these units actually useful as loopers, even in =
some=20
limited way?&nbsp; And I guess another question:&nbsp; which of these =
multi=20
effects units impress you most with their sound as it's =
layered..?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Or in other words:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>For someone wanting to explore some =
basic looping=20
in performance (very low-key performance) and get some basic effects =
(chorus,=20
reverb, delay), and not wanting to clutter up the floor with a dozen =
pedals, or=20
get a second job to afford new equipment,&nbsp; what would you=20
recommend?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>&nbsp;&nbsp;&nbsp; Greg =
Harris</FONT><FONT=20
face=3DArial=20
size=3D2>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</FON=
T></DIV>
<DIV><FONT face=3DArial size=3D2>Corvallis, Oregon</FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.storyplace.net">www.storyplace.net</A></FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sat May 19 04:45:47 2001
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From: "Om_Audio" <clifsound@mediaone.net>
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Subject: OT: Signal overloading analog gear bad?
Date: Sat, 19 May 2001 01:47:14 -0700
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Is it bad to overload analog audio equipment? I'm quite enjoying momentarily
sending these drums into my Lexicon Jam Man and the clipping that is
occuring- just not sure if this can actually damage anything or not?

Cliff

From Loopers-Delight-request@loopers-delight.com  Sat May 19 06:12:07 2001
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From: "Stephen P. Goodman" <spgoodman@earthlight.net>
To: <Loopers-Delight@loopers-delight.com>
References: <1511kf-2HMEm8C@fwd05.sul.t-online.com>
Subject: Re: playing w/ dj's
Date: Sat, 19 May 2001 11:08:46 +0100
Organization: EarthLight Productions
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So far what I'm hearing is that of all the folks who have had good
situations with DJs, all of those DJs were also players of a musical
instrument.

Stephen Goodman
* http://www.earthlight.net/Studios
* 200th Loop Of The Week Contest ends May 19!

From Loopers-Delight-request@loopers-delight.com  Sat May 19 07:06:06 2001
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Subject: Re: OT: Signal overloading analog gear bad?
From: Pohon-Kelapa@t-online.de (Martin Tauchen)
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Hmmmmmm.....?

Maybe you should use a compressor/Limiter to bring your sound on an
acceptable level.

Analog Clipping is ouch ! 
DSigital Clipping is strange.
Try a smnooth compressor setting,and maybe later expand it again to get full
dynamic.

Martin

----------
>Von: "Om_Audio" <clifsound@mediaone.net>
>An: <Undisclosed-Recipient:@hemlock.violacea.com;>
>Betreff: OT: Signal overloading analog gear bad?
>Datum: Sam, 19. Mai 2001 10:47 Uhr
>

>Is it bad to overload analog audio equipment? I'm quite enjoying momentarily
>sending these drums into my Lexicon Jam Man and the clipping that is
>occuring- just not sure if this can actually damage anything or not?
>
>Cliff
>

From Loopers-Delight-request@loopers-delight.com  Sat May 19 09:39:52 2001
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Subject: RE: playing w/ dj's
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on the few occasions we've added a dj into the..  well, mix, it's been
great.  these guys have both been good listeners (a must with us being
primarilly all-improvised).  what also really helped was that both the
drummer and myself (the stick player on this occasion) had a headphone feed
from the dj so we could both lock up and get the nuances of what he was
doing.

i guess what i'm saying is that it was because everybody was into working
together they were great experiences.  i'm toying with the idea of working
in a duo situation with a dj next year...

still getting used to seeing people dance at gigs, though.

m

From Loopers-Delight-request@loopers-delight.com  Sat May 19 10:19:30 2001
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I can only autograph this comment and experience report.
The work and fun with a DJ can be immense.

At least,the guy at the mixing console could be a quarter part DJ.
So for those unsteady ones,this could be a solution with an option
for a wider step.
The interaction with a DJ is nearly as simple or hard like with 
"instrumental" Bandmates.
This depends on the personality,character and musical background of 
each member.I am sure,a DJ can add a new version of being a band in 
several ways.

The worse problem is,that most of the DJ´s will not join such a band.
For what reasons ever.....

The DJ´s I worked with,were pretty cool and openminded.But this is 
not a valid notion for all DJ´s ! 


Marty





----------
>Von: "Christensen, Mark" <mchriste@jaguar.middlebury.edu>
>An: "'Loopers-Delight@loopers-delight.com'" <Loopers-Delight@loopers-delight.com>
>Betreff: RE: playing w/ dj's
>Datum: Sam, 19. Mai 2001 15:36 Uhr
>

>
>
>on the few occasions we've added a dj into the..  well, mix, it's been
>great.  these guys have both been good listeners (a must with us being
>primarilly all-improvised).  what also really helped was that both the
>drummer and myself (the stick player on this occasion) had a headphone feed
>from the dj so we could both lock up and get the nuances of what he was
>doing.
>
>i guess what i'm saying is that it was because everybody was into working
>together they were great experiences.  i'm toying with the idea of working
>in a duo situation with a dj next year...
>
>still getting used to seeing people dance at gigs, though.
>
>m
>

From Loopers-Delight-request@loopers-delight.com  Sat May 19 10:40:02 2001
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In a message dated 5/19/01 12:54:22 AM Eastern Daylight Time, 
billfox@fast.net writes:


> I have two versions of Radio Shack's tape loop box.  No, not THAT kind of 
> loop
> you sillies!  It is designed to connect to your receiver's tape loop (tape 
> ins
> and outs) and allows you to have three instead of one tape deck connected to
> your stereo.  It allows dubbing between any of the three decks, too.  This 
> would
> be ideal for your purpose.  Unfortunately, the shits at Radio Shack have 
> long
> since discontinued this handy little device.  I guess not enough people are 
> like
> me and want to connect a DAT, a Cassette, a minidisc, and two VCRs to their
> stereo tape loop.  Go figure!
> 
> Bill         billfox@fast.net
> 

Hi, Bill:

Hey, I never thought of that. I have a tape selector switch (can't remember 
the mfgt.). I'll have to pull it out of equip. stash. Thanks.

Regards, Paul

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>In a message dated 5/19/01 12:54:22 AM Eastern Daylight Time, 
<BR>billfox@fast.net writes:
<BR>
<BR>
<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">I have two versions of Radio Shack's tape loop box. &nbsp;No, not THAT kind of 
<BR>loop
<BR>you sillies! &nbsp;It is designed to connect to your receiver's tape loop (tape 
<BR>ins
<BR>and outs) and allows you to have three instead of one tape deck connected to
<BR>your stereo. &nbsp;It allows dubbing between any of the three decks, too. &nbsp;This 
<BR>would
<BR>be ideal for your purpose. &nbsp;Unfortunately, the shits at Radio Shack have 
<BR>long
<BR>since discontinued this handy little device. &nbsp;I guess not enough people are 
<BR>like
<BR>me and want to connect a DAT, a Cassette, a minidisc, and two VCRs to their
<BR>stereo tape loop. &nbsp;Go figure!
<BR>
<BR>Bill &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;billfox@fast.net
<BR></BLOCKQUOTE>
<BR>
<BR>Hi, Bill:
<BR>
<BR>Hey, I never thought of that. I have a tape selector switch (can't remember 
<BR>the mfgt.). I'll have to pull it out of equip. stash. Thanks.
<BR>
<BR>Regards, Paul</FONT></HTML>

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Subject: Re: multi effects units with samplers
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In a message dated 5/19/01 4:41:14 AM Eastern Daylight Time, 
greg@storyplace.net writes:


> My question is:  are any of these units actually useful as loopers, even in 
> some limited way?  

greg.....i get some loops going with my zoom 2100, you should be able to find 
one really cheap, got mine new for $99.00 a bit ago, the sounds are not that 
great but you can change them up some.....good luck!.....m

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>In a message dated 5/19/01 4:41:14 AM Eastern Daylight Time, 
<BR>greg@storyplace.net writes:
<BR>
<BR>
<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">My question is: &nbsp;are any of these units actually useful as loopers, even in 
<BR>some limited way? &nbsp;</BLOCKQUOTE>
<BR>
<BR>greg.....i get some loops going with my zoom 2100, you should be able to find 
<BR>one really cheap, got mine new for $99.00 a bit ago, the sounds are not that 
<BR>great but you can change them up some.....good luck!.....m</FONT></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sat May 19 12:41:32 2001
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Subject: Re: multi effects units with samplers
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Messaggio in formato MIME composto da più parti.

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Another one which is not bad is the Korg AX1000 - and it has the =
advantage of being housed in a metal case, with an hard to break metal =
expression pedal. And it has even great fx (all virtual models of =
vintage stuff). Look for it. (avoid the new AX100, it costs a bit more, =
has almost the same fx and is all plastic - a friend of mine already =
broke on (and he plays Jazz and fingerpicked acoustic music, not metal =
or so).
  ----- Original Message -----=20
  From: Nemoguitt@aol.com=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Saturday, May 19, 2001 4:53 PM
  Subject: Re: multi effects units with samplers


  In a message dated 5/19/01 4:41:14 AM Eastern Daylight Time,=20
  greg@storyplace.net writes:=20



    My question is:  are any of these units actually useful as loopers, =
even in=20
    some limited way? =20


  greg.....i get some loops going with my zoom 2100, you should be able =
to find=20
  one really cheap, got mine new for $99.00 a bit ago, the sounds are =
not that=20
  great but you can change them up some.....good luck!.....m=20

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 5.50.4522.1800" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Another one which is not bad is the =
Korg AX1000 -=20
and it has the advantage of being housed in a metal case, with an hard =
to break=20
metal expression pedal. And it has even great fx (all virtual models of =
vintage=20
stuff). Look for it. (avoid the new AX100, it costs a bit more, has =
almost the=20
same fx and is all plastic - a friend of mine already broke on (and he =
plays=20
Jazz and fingerpicked acoustic music, not metal or so).</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3DNemoguitt@aol.com=20
  href=3D"mailto:Nemoguitt@aol.com">Nemoguitt@aol.com</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Saturday, May 19, 2001 =
4:53=20
PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: multi effects =
units with=20
  samplers</DIV>
  <DIV><BR></DIV><FONT face=3Darial,helvetica><FONT size=3D2>In a =
message dated=20
  5/19/01 4:41:14 AM Eastern Daylight Time, <BR><A=20
  href=3D"mailto:greg@storyplace.net">greg@storyplace.net</A> writes: =
<BR><BR><BR>
  <BLOCKQUOTE=20
  style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px =
solid; MARGIN-RIGHT: 0px"=20
  TYPE=3D"CITE">My question is: &nbsp;are any of these units actually =
useful as=20
    loopers, even in <BR>some limited way? =
&nbsp;</BLOCKQUOTE><BR><BR>greg.....i=20
  get some loops going with my zoom 2100, you should be able to find =
<BR>one=20
  really cheap, got mine new for $99.00 a bit ago, the sounds are not =
that=20
  <BR>great but you can change them up some.....good luck!.....m</FONT>=20
</FONT></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sat May 19 15:31:42 2001
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From: ko-jella@webtv.net ('b'bender)
Date: Sat, 19 May 2001 15:28:09 -0400 (EDT)
To: Loopers-Delight@loopers-delight.com
Subject: Re: playing w/ dj's
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i try to be openminded but after practicing for 30 years so i can play
like warren haynes im not about to get on stage with some guy who plays
records!!!may sound cold but at least im being honest.I want to play
with musicians!!Thats the way i came up...........J

"Do What Thou Wilt,Shall Be the Whole Of the Law"

From Loopers-Delight-request@loopers-delight.com  Sat May 19 19:13:15 2001
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Date: Sat, 19 May 2001 16:11:00 -0700
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From: landman@wco.com (Mark Landman)
Subject: Repeater Demo in Marin!
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Fellow Loopers-

Just got back from the demo of Repeater in Marin today.

Repeater was demonstrated by Don Goodeve, head software honcho on the
Repeater team using late beta software which was described as "first
candidate for general release". Don used his acoustic guitar, pre-sampled
material, and material sampled live off a CD player.

First of all, during the 60-90 minute long demo, the unit didn't crash. Not
once. All the promised functions seem to be there, multiple tracks, stereo
recording, pitch shifting/time stretching, reverse, time slipping, beat
analysis, card storage, quick software updates via card (took less than a
minute!), undo/redo buffer, quick selection and playing of different loops
(this'll be fun!), resampling or bouncing down, all in all everything
seemed there, and working well.

Any negatives? No really strong ones. I noticed the beat detection at times
was right on and at other times did the "Drunken Sailor" thing (apologies
to any and all Drunken Sailors on L.D.). Until psychic beat detection
software is invented, it seems to work as well as can be expected, and will
probably just require a little practice to learn how to best use. I noticed
the tempo "bobble" occasionally when messing around with the beat detection
parameters, but again this is to be expected while the unit is "listening"
and trying to determine tempo from audio input.

The pitch shifting/time stretching sounded very impressive in small to
medium intervals, not quite as impressive in larger ones like one octave
up, or two down. The "mandolin" effect by pitching an acoustic guitar track
one octave up sounded somewhat abrasive. To be fair all pitch shifters
output vary depending on the source material, so an acoustic guitar track
may not have the easiest for any shifter to deal with. And having the
ability to pitchshift different tracks different amounts, resample, etc,
makes this a really exciting feature. I suspect you'll all like it very
much.

I'm personally very grateful that Electrix has put the time and energy into
creating such a perfect (or damn near perfect) looping tool, and suggest
those of us on the list who capped on Electrix over their production snafus
sit in the lotus position, face Canada and apologize humbly before we buy
one:)

When is it coming out? Well, bottom line, units should still be shipping in
June according to Don. Electrix is basically in final bug-fix mode now.

One other thing, I wouldn't have gone into this, but Rik Elswit
specifically asked the audience to post this to L.D., so here goes-

According to Elswit, due to a close relationship with Electrix and a large
order of Repeaters, Bananas-At-Large will be getting the first units,
before anyone else in the country. Elswit specifically wanted LD'ers to
know that if they choose not to buy from Bananas, they will have to wait.
This was confirmed by the local sales rep for the region as well.

This reinforces a statement Rik made to me on this issue several months ago
when I was doing some shopping at Bananas, when he told me "Alto Music
won't be getting any Repeaters". Rik went on to complain strongly about the
Alto Music group buy controversy (for those of you unfamiliar, essentially
Alto had the temerity to offer an extremely low group buy price). It was
suggested to me that Alto was probably run by some venture capitalists and
would probably be out of business in the future.

Now for all I know, Alto could be run by venture capitalists, imperial
running dog lackeys, or the ghost of Elvis. And I really don't care.
Evidentally Alto did a fine job with the EDP group buy some years back, and
the few times I've dealt with Alto, they've given the best price I could
find, without any hassle.

As far as Bananas, I've dealt with them since the mid-70's (that's not a
typo, mid-70's!), and had decent to excellent results over the years. I've
dealt with Rik several times, and think he's an allright fella, as a matter
of fact, I purchased my EDP from him and Bananas.

But I find this whole matter somewhat disturbing. I can see where any
company or businessman would get upset at being undercut by someone willing
to make less profit. I wouldn't blame them for refusing to meet a price if
it's too low for them to make the profit they feel they need to make. But I
would very much resent them trying to arm-wrestle the manufacturer to lock
out another retailer because they're too strong a competitor, and that's
the subliminal message I get out of this.

Damon, if you're out there, please comment on who gets what shipments when,
why this is so, and what time delays could be reasonably be expected for
those later in the line.

The funny thing is I wouldn't have minded paying a premium to get mine
early, but I don't like the way this has gone down. This afternoon's
statement made up my mind, and I'll be waiting for the Alto group buy.

Best-

Mark






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	 <04f001c024c0$6da0f640$080210ac@jpalmer>
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On the other hand, the Againinator will have most of the features of the
godbox II, but should be here sooner as we're not relying on hardware or
software, but creating a system which will be totally biological.  The
only downside is that you'll have to let the Againinator take breaks to
use a litter box.

Gern Blanston
Product development
Eletros Inc.

From Loopers-Delight-request@loopers-delight.com  Sat May 19 20:21:36 2001
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Date: Sat, 19 May 2001 20:19:07 EDT
Subject: Re: Repeater Demo in Marin!
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landman@wco.com wrote:
>The pitch shifting/time stretching sounded very impressive in small to
>medium intervals, not quite as impressive in larger ones like one octave
>up, or two down.
<snip>
heartily disagreed: depends on the qualities yer interested in, eh?
i *really* like repeater's 'sound' when slowing down/speeding up a 'sample' 
--- but, most especially *slowing down* the sample's original tempo:
there's nothing like continuosly slowing the entire band down from 160-bpm to 
1-bpm to get a sonic fuckwit's brains a-boiling.....
*-)
best,
dt / s-c

From Loopers-Delight-request@loopers-delight.com  Sat May 19 20:28:08 2001
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Date: Sat, 19 May 2001 20:25:56 EDT
Subject: Re: playing w/ dj's
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spgoodman@earthlight.net writes:
>So far what I'm hearing is that of all the folks who have had good
>situations with DJs, all of those DJs were also players of a musical
>instrument.
well, both of the djs with whom i've played are accomplished players of 
musical instruments;
namely:
turntables.
best,
dt / s-c

From Loopers-Delight-request@loopers-delight.com  Sat May 19 20:36:06 2001
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ko-jella@webtv.net writes:
>i try to be openminded but after practicing for 30 years
<snip>
maybe you might eventually feel better if ya tried harder?
there are some unbelievable turntablists around;
musicians w/strong (new) skills, massive musical/musicological knowledge and, 
thereby, open minds: indeed, more so than many guitarists, imsao.
best,
dt / s-c

imsao = 'in my seemingly arrogant opinion'

From Loopers-Delight-request@loopers-delight.com  Sat May 19 20:40:23 2001
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Yes, I was also there and saw all the wondrous things the Repeater does
(will do...)  It was beautiful... oh so beautiful...

The other Mark wrote:

>But I would very much resent them trying to arm-wrestle the
>manufacturer to lock out another retailer because they're too strong a
>competitor, and that's the subliminal message I get out of this.

I am in total agreement here.  What the hell is that?  Altos Music
didn't advertise the group buy price, so I can't imagine how they could
have broken any dealer agreement.  Not getting repeaters because they're
trying to do a group buy at a low price?  That sounds like price fixing
to me, and I don't know what those socialists do up there in Canada,
with their floppy heads and beady eyes (this is me totally joking, as
Bush came into office I think of immigrating to Canada every day after
John Stewart's Daily Show), but here in the US, that is illegal, plain
and simple.  Alto music could give the first batch of Repeaters to an
orphanage if they chose to, as long as they paid Electrix within the
specified time range.

So, will I wait to buy a Repeater from Alto music, or be as the Electix
Salesman said, "An early adopter..." and go to Banana's, I don't know,
but it does leave a bad taste in my mouth.

I sure am jones'n for one though.  I sure am.

Also, a message to Electrix: We guitar geeks, while spenders on toys,
are probably not going to be your biggest market, and I'd suggest that
future demos have a guitarist and maybe a DJ.  I have a feeling that DJs
will ultimately become your bread and butter.

Mark Sottilaro

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dt wrote:

well, both of the djs with whom i've played are accomplished players of
musical instruments;
namely:
turntables.

ah how right you are.  I am in total agreement, however I have to say
that DJs that cue up and crossfade someone else's prerecorded music,
really don't in my mind belong in the same group as those that really
deconstruct and collage music to make it a totally new thing.  I had a
chance to hear and talk to DJ Spooky, and he was amazing.  Very smart,
and great at his craft.  Now there is a musician.

The one DJ that I did play with, did not do this at all.  I've come
across quite a few DJs that seem to have no interest in doing anything
else but the cue up and crossfade thing.  A playlist isn't called a
song, because it isn't.

Mark

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Subject: Boss RC-20/ Headrush/ Line 6 DL4?
Date: Sat, 19 May 2001 21:43:06 -0400
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Hey everyone, I am really interested in purchasing one of these units. I =
have no idea which one to get though, I am leaning towards the RC-20 but =
I am open to any suggestions anyone may have. Thanks so muuch for any =
info!

Justin

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<DIV><FONT face=3DArial size=3D2>Hey everyone, I am really interested in =
purchasing=20
one of these units. I have no idea which one to get though, I am leaning =
towards=20
the RC-20 but I am open to any suggestions anyone may have. Thanks so =
muuch for=20
any info!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Justin</FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sat May 19 22:29:00 2001
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X-Files: The truth is out there. 
Date: Sat, 19 May 2001 19:28:42 -0700
To: Loopers-Delight@loopers-delight.com
From: Sean <sean_@mindspring.com>
Subject: Re: Repeater Demo in Marin!
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What are the odds?  Three Marks from LD at the demo.

Mark Landman, Mark Hamburg and Mark Sottilaro (who I impressed or freaked 
out by my uncanny ability to guess people's names).

Did you guys know that the others were there?

From Loopers-Delight-request@loopers-delight.com  Sun May 20 00:52:32 2001
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In a message dated 5/19/01 10:26:43 PM Eastern Daylight Time, 
sean_@mindspring.com writes:


> What are the odds?  Three Marks from LD at the demo.
> 

and imagine how much odder if they all were sportin an LD tea-shirt and 
hat.....mnm

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>In a message dated 5/19/01 10:26:43 PM Eastern Daylight Time, 
<BR>sean_@mindspring.com writes:
<BR>
<BR>
<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">What are the odds? &nbsp;Three Marks from LD at the demo.
<BR></BLOCKQUOTE>
<BR>
<BR>and imagine how much odder if they all were sportin an LD tea-shirt and 
<BR>hat.....mnm</FONT></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sun May 20 01:26:19 2001
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Date: Sat, 19 May 2001 22:25:31 -0700
To: Loopers-Delight@loopers-delight.com
From: landman@wco.com (Mark Landman)
Subject: Re: Repeater Demo in Marin!
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>What are the odds?  Three Marks from LD at the demo.
>
>Mark Landman, Mark Hamburg and Mark Sottilaro (who I impressed or freaked
>out by my uncanny ability to guess people's names).
>
>Did you guys know that the others were there?

No, I wish we had agreed on a secret Looper's code, flower in the lapel,
something...

Next time for sure!

Mark


From Loopers-Delight-request@loopers-delight.com  Sun May 20 01:33:28 2001
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Date: Sat, 19 May 2001 22:32:18 -0700
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From: landman@wco.com (Mark Landman)
Subject: Re: Repeater Demo in Marin!
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>landman@wco.com wrote:
>>The pitch shifting/time stretching sounded very impressive in small to
>>medium intervals, not quite as impressive in larger ones like one octave
>>up, or two down.
><snip>
>heartily disagreed: depends on the qualities yer interested in, eh?
>i *really* like repeater's 'sound' when slowing down/speeding up a 'sample'
>--- but, most especially *slowing down* the sample's original tempo:
>there's nothing like continuosly slowing the entire band down from 160-bpm to
>1-bpm to get a sonic fuckwit's brains a-boiling.....
>*-)
>best,
>dt / s-c


Well, this is true too, since you toss out roughly 50% of the original
signal each time you drop an octave thru pitchshifting, by the time you get
to 1 bpm you've got some strange flangey sounding texture, (this was demo'd
too, I imagine 4 tracks of it could be pretty neat), but for sounding
"appropriate", i.e. resembling strongly the original source signal, that
ain't happenin...

I asked Don about disabling the pitch shift from the time stretch, I'd like
the option of changing the delay time and getting pitch shifts like an old
digital delay, especially being able to overdub thru different settings,
but this is kinda an esoteric request,,,

Best-

Mark


From Loopers-Delight-request@loopers-delight.com  Sun May 20 02:28:53 2001
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To: Loopers-Delight@loopers-delight.com
From: Kim Flint <kflint@loopers-delight.com>
Subject: Re: Repeater Demo in Marin!
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At 10:32 PM -0700 5/19/01, Mark Landman wrote:
> I'd like
>the option of changing the delay time and getting pitch shifts like an old
>digital delay, especially being able to overdub thru different settings,
>but this is kinda an esoteric request,,,

no, it's not an esoteric request. It's one of the most frequent requests
I've heard for new loop devices.

kim

______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com


From Loopers-Delight-request@loopers-delight.com  Sun May 20 02:36:47 2001
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Subject: RE: Repeater Demo in Marin!
Date: Sun, 20 May 2001 02:36:07 -0400
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And will it be available on the Plex upgrade??

Dave Eichenberger- guitars.loops.devices
http://www.hazardfactor.com
 
 
> no, it's not an esoteric request. It's one of the most 
> frequent requests I've heard for new loop devices.
> 
> kim
 

From Loopers-Delight-request@loopers-delight.com  Sun May 20 03:32:08 2001
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yeah its somethin i do everyday w/ pcm 42-i luv the box more&more...

stanner
----------
>From: Kim Flint <kflint@loopers-delight.com>
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: Repeater Demo in Marin!
>Date: Sat, May 19, 2001, 11:26 PM
>

>At 10:32 PM -0700 5/19/01, Mark Landman wrote:
>> I'd like
>>the option of changing the delay time and getting pitch shifts like an old
>>digital delay, especially being able to overdub thru different settings,
>>but this is kinda an esoteric request,,,
>
>no, it's not an esoteric request. It's one of the most frequent requests
>I've heard for new loop devices.
>
>kim
>
>______________________________________________________________________
>Kim Flint                     | Looper's Delight
>kflint@loopers-delight.com    | http://www.loopers-delight.com
>
>

From Loopers-Delight-request@loopers-delight.com  Sun May 20 04:52:12 2001
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Date: Sun, 20 May 2001 01:49:01 -0700
To: loopers-delight@loopers-delight.com
From: Kim Flint <kflint@loopers-delight.com>
Subject: anybody using the Boss RC-20 yet
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hey-

is anybody using the Boss RC-20 yet? I guess it is shipping by now,
although I've gotten conflicting stories about that. Since there are no
greater gear sluts than those here on LD, I'm surprised we haven't heard
any reviews yet!

I want to put up a page for it on the Looper's Delight site if it is
available, so I'd like to get user reviews from anybody that has actually
used it. If that is you, please send something in!

thanks,
kim

______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com


From Loopers-Delight-request@loopers-delight.com  Sun May 20 05:12:28 2001
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From: "Stephen P. Goodman" <spgoodman@earthlight.net>
To: <Loopers-Delight@loopers-delight.com>
References: <20.16a75b79.28386914@aol.com>
Subject: Re: playing w/ dj's
Date: Sun, 20 May 2001 10:09:38 +0100
Organization: EarthLight Productions
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Nope, a turntable isn't a musical instrument no matter how great it sounds.
It might be supremely innovative and sometimes original how some folks
utilize such an electronic device or sampling unit for that matter to create
(or more accurately, composite) music, but at the most a turntable can only
be used AS a musical instrument.  In case anyone's wondering my comment
wasn't a put-down of turntablists.  I was saying that the collaborative
dynamic is very, very different.  When was the last time more than two DJs
got together in the same room to "play" together, anyway?

Sometimes I think you wait for my comments specifically, DT. [cartoonistic
pout] ;]

Stephen Goodman
http://www.earthlight.net/Gallery_Front.html - Cartoons & Illustrations
http://www.earthlight.net/Studios * The free Loop of the Week!

"Hedewa7@aol.com" (DT) put forth:
> spgoodman@earthlight.net writes:
> >So far what I'm hearing is that of all the folks who have had good
> >situations with DJs, all of those DJs were also players of a musical
> >instrument.
> well, both of the djs with whom i've played are accomplished players of
> musical instruments;
> namely:
> turntables.
> best,
> dt / s-c
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Sun May 20 05:23:28 2001
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Subject: Re: anybody using the Boss RC-20 yet
Date: Sun, 20 May 2001 11:19:50 +0200
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Hi Kim
after long time I still don't see any Eventide Orville/DSP7000/DSP7500  page
on LD site since the long and very informative posts of long  ago.
Still there are uninformative pages on discontinued products like 4000 and
3000 or on TC2290 & DOD boxes.
I guess 323 seconds of looping time, 174 seconds of real time
sampling/editing with indipendent time/pitch stretching,  looping on 4,6,8,
12 or 16 delay lines at the same time, fractal looping, quad audio looping
and much more ARE a good thing to know for fellow loopers.
If you need any more infos, I'll be glad to send you anything you might
request on it.
Thank You
Best    Italo


----- Original Message -----
From: "Kim Flint" <kflint@loopers-delight.com>
To: <loopers-delight@loopers-delight.com>
Sent: Sunday, May 20, 2001 10:49 AM
Subject: anybody using the Boss RC-20 yet


> hey-
>
> is anybody using the Boss RC-20 yet? I guess it is shipping by now,
> although I've gotten conflicting stories about that. Since there are no
> greater gear sluts than those here on LD, I'm surprised we haven't heard
> any reviews yet!
>
> I want to put up a page for it on the Looper's Delight site if it is
> available, so I'd like to get user reviews from anybody that has actually
> used it. If that is you, please send something in!
>
> thanks,
> kim
>
> ______________________________________________________________________
> Kim Flint                     | Looper's Delight
> kflint@loopers-delight.com    | http://www.loopers-delight.com
>
>

From Loopers-Delight-request@loopers-delight.com  Sun May 20 05:38:29 2001
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A handful of quick comments and queries which arise in mine own head from this
thread...

-- It's ironic, to me, that so many "musicians" lament the apparent reluctance
(much less the ability) of DJs to play with them, when there are in fact so
many musicians who instantly disparage the very notion of playing with a DJ
themselves.

-- How many decades ago was it that John Cage wrote the piece for multiple
turntables?

-- The analytical arguments about the point at which a turntable is or is not
an instrument reminds me of a barbed comment in a set of Andres Segovia liner
notes which criticised "Those who dare to call themselves guitarists, while
remaining umbilically attached to a current of electricity in order to enable
their so-called music making."

-- You've gotta love a debate regarding the status of a DJ as a "non-musician,"
on account of their not playing a "real instrument," on a mailing list
dedicated to making music via electronic signal processing.

-- And most of all, I have to wonder...

...exactly what gets accomplished by trying to objectively determine whether or
not a DJ is or isn't a musician?  Or whether or not a turntable is or is not a
"true" musical instrument?

To me, the more relevant consideration is:

what does the end result SOUNDS LIKE?  Is there anything being SAID?

I've seen Nels Cline play mind-boggling stuff using such "non-instruments" as a
delay pedal, a screwdriver, and a kitchen utensil.  I saw Miroslav Tadic play a
duo show a few weeks ago at the Knitting Factory with a DJ, and it was
tremendously musical and inspiring.

I saw DJ Disc do a show with Praxis (Bill Laswell, Buckethead, and Brain in the
lineup) where he scratched for the entire length of the set; not once did he
actually just spin the record, or give any indication as to what record he was
playing.  At a later show on the same tour, he set fire to his turntable with
lighter fluid.

Kind of reminds me of another guy a few decades back who used to light his
guitar on fire... who also got criticized because he was playing
different-sounding music that some people couldn't hear, on a thing some people
didn't recognize as a valid instrument.

Personally, I DON'T CARE if anyone in particular does or does not objectively
decide that a DJ is or is not a musician, or a turntable is or is not an
instrument.  Regardless of whatever anyone decides for themselves (or anyone
else), it still sounds like whatever it sounds like.

And if I dig the sound that comes out, I'm still gonna listen and enjoy.

This concludes my deep thought for the month...

Andre LaFosse | Disruption Theory | http://www.altruistmusic.com
================================================================
"A spectacular collision of manifold musical thoughts and patterns... To
call Disruption Theory a futuristic album would be an understatement."
(20th Century Guitar Magazine, February 2001)

"For electric guitar enthusiasts everywhere, this one's essential."
(Alternative Press Magazine, September 2000)

"Fucking amazing CD."
(Derek Sivers, president, CD Baby)

"His six-stringer is pumped up with energy, creating a firestorm of
pyrotechnics and burning sounds, but with a sensitivity to weirdness and
experimentation. Disruption Theory reveals the difference it makes when
a player knows what he is doing. Here is one that deserves the title
'unique'." (Expose Magazine, October 2000)

"Fripp and Zappa, step aside."  (MOJO Magazine, May 2000)
=========================================================

From Loopers-Delight-request@loopers-delight.com  Sun May 20 05:58:59 2001
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From: John Tidwell <wedgehed@yahoo.com>
Subject: Re: anybody using the Boss RC-20 yet
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Kim,

I've seen a few reviews over on HC.

http://www.harmony-central.com/Effects/Data/Boss/RC_20_Loop_Station-01.html

John


--- Kim Flint <kflint@loopers-delight.com> wrote:
> hey-
> 
> is anybody using the Boss RC-20 yet? I guess it is
> shipping by now,
> although I've gotten conflicting stories about that.
> Since there are no
> greater gear sluts than those here on LD, I'm
> surprised we haven't heard
> any reviews yet!
> 
> I want to put up a page for it on the Looper's
> Delight site if it is
> available, so I'd like to get user reviews from
> anybody that has actually
> used it. If that is you, please send something in!
> 
> thanks,
> kim
> 
>
______________________________________________________________________
> Kim Flint                     | Looper's Delight
> kflint@loopers-delight.com    |
> http://www.loopers-delight.com
> 
> 


=====
John Tidwell




__________________________________________________
Do You Yahoo!?
Yahoo! Auctions - buy the things you want at great prices
http://auctions.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Sun May 20 06:07:47 2001
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Subject: DJ or Musician?
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I saw a man play a SINGLE tambourine a few months back that could put ANY
drummer on earth in his place (with Remember Shakti)- I've seen a man play a
plain wooden box as my mouth drooped open- I've seen people on the streets
of New York playing oven racks and the sidewalk itself- they are all
musicians- A DJ CAN be a musician, but isn't necessarily so- but the
creativity and rhythmic dexterity to which I have seen some djs employ can
leave little doubt for me on the topic- Cliff

From Loopers-Delight-request@loopers-delight.com  Sun May 20 06:17:23 2001
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From: "Bill Fox" <billfox@fast.net>
To: "emusic-wdiy Mailing List" <emusic-wdiy@yahoogroups.com>
Subject: EMUSIC Playlist #217
Date: Sun, 20 May 2001 06:09:54 -0400
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EMUSIC, an electronic, ambient, and space music show, airs each Thursday
at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA and 93.9 FM in
Easton, PA and Phillipsburg, NJ.

                    Show #217                    May 17, 2001.


RECAP:
======================= ======================== ==============================
On this show, I continued the month-long focus on the Jodrell Bank Concert
series in the UK.  The feature CD at midnight was the Arcane disc from the
Neu Harmony six CDR set, Concerts at Jodrell Bank.

I also played the music of Spacecraft to promote their upcoming show at the
next Gathering.

Jodrell Bank        http://wdiyfm.org/emusic/playlists/2001/focus01.html#may
The Gathering       http://wdiyfm.org/emusic/events.html


PLAYLIST:

ARTIST                  TRACK                    ALBUM (label)
======================= ======================== ==============================
11:04 pm
Something Completely    Microwaves               Megakatz (Invisible Shadows)
  Different
Elektronische Maschine  Vitalo 2001              The Key to Compute (none)
Tranquillity            Well Known Territories   Core (Invisible Shadows)
Spacecraft              Planetary Orbit          Spacecraft (Lektronic
Soundscapes)
Pyramid Peak            First Mission            Fish'n Love (Invisible Shadows)
AirSculpture            Bock                     Quark Soup - Jodrell Bank (Neu
Harmony)
Alhedion                Part I                   Kosmische Spuren Eines Lebens
(Invisible Shadows)

12:00 am
Arcane                  Track 1                  Concerts at Jodrel Bank (Neu
Harmony)
Arcane                  Track 2                  Concerts at Jodrel Bank (Neu
Harmony)
Arcane                  Track 3                  Concerts at Jodrel Bank (Neu
Harmony)

1:00 am

 * = exerpt
VA = Various Artists (compilation)


NEXT SHOW:
======================= ======================== ==============================
On the next EMUSIC, I'll continue the month-long focus on the Jodrell Bank
concerts in the UK as typified by the six CDR release from Neu Harmony.  The
feature CD at midnight will be the Arcane disc.

I will also play the music of Spacecraft who will appear at the next Gathering
in Philadelphia on May 19th.


Bill         billfox@fast.net
http://wdiyfm.org/schedule/s_emusic.html
============================================================================
Host of EMUSIC, an electronic, ambient, and space music show.  Thursdays at
11 pm on WDIY 88.1 FM, Allentown and Bethlehem and 93.9 FM in Easton and
Phillipsburg.  Email me if you wish to submit music for airplay consideration.
Radio Station Home Page: http://wdiyfm.org
Personal site: http://www.users.fast.net/~billfox
To subscribe to the EMUSIC on WDIY list, send
email to: emusic-wdiy-subscribe@yahoogroups.com

From Loopers-Delight-request@loopers-delight.com  Sun May 20 07:04:50 2001
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Stephen wrote:
"Nope, a turntable isn't a musical instrument no matter how great it
sounds."

Ouch!!!!!   Listen to DJ Shadow's record, "Endtroducing" and tell me that
the turntable is not an instrument.
I believe an instrument is any device with which a musician makes music.
That was a more creative, innovative,
and musical record than 90% of all of the convential instrument recordings
that were put out that year.

Also, check out the rhythm pyrotechnics of the Scratch Pickles or that
fabulous DJ who "plays" with
Beck's live tour.    Considerably hipper and more accomplished (in terms of
rhythmic acuity and precision and
chops) than 90% of the drummers I see play live. (Hopefully you are not one
of those people who considers
drummers to be non-musicians ;-).   I've learned as much about rhythm and
timbre and musical conception
form DJs as I have from other more conventional instrumentalists in the last
couple of years.

It strikes me that in the early seventies, convential instrumentalists
questioned the 'authenticity' of synthesizers.
In the eighties, the same folks questioned the 'authenticity' of drum
machines and samplers.
In the eighties and nineties, the same people questioned the musicality of
rap/techno and drum and bass.
A tool is a tool.  A style, a style.  An instrument, an instrument.

Most people don't do very creative things with strings, guitars, horns,
basses and drums so I agree with you
that most DJ's are not using their turntables as 'instruments'.   Musical
innovation is musical innovation, however and,
like it or lump it, the turntable (and the increasing use of creative "in
the moment" mixing effects, including------he says
bringing it back on to topic--------digital loopers) is here to stay as a
legitimate instrument.

Yours, in mock righteous anger,   Rick Walker (loop.pool)

From Loopers-Delight-request@loopers-delight.com  Sun May 20 08:43:45 2001
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landman@wco.com writes:
>Well, this is true too, since you toss out roughly 50% of the original
>signal each time you drop an octave thru pitchshifting, by the time you
>get
>to 1 bpm you've got some strange flangey sounding texture, (this was demo'd
>too, I imagine 4 tracks of it could be pretty neat), but for sounding
>"appropriate", i.e. resembling strongly the original source signal, that
>ain't happenin...

oops; actually, i meant to be talking about 
timeshifting-independent-of-pitch, here; i was unclear.
best,
dt / s-c

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Subject: Re: playing w/ dj's
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spgoodman@earthlight.net writes:
>Nope, a turntable isn't a musical instrument no matter how great it sounds.
obviously, i disagree.

>It might be supremely innovative and sometimes original how some folks
>utilize such an electronic device or sampling unit for that matter to create
>(or more accurately, composite) music, but at the most a turntable can
>only be used AS a musical instrument.
following that line-of-thinking, i might then also conclude (like many 
already have done & may continue to do so, in future) that a looping device 
'isn't a musical instrument', either --- indeed, it might be construed as one 
step further *away* from actually being a sound-'generator' --- (unless, of 
course, it's in a feedback-loop) --- than a turntable;
oddly, i think i've been subject to this attitudinal mien, nearly my entire 
adult life..... 
aiyyyyy.....................

>In case anyone's wondering my comment
>wasn't a put-down of turntablists.
ah, then i misunderstood you; sorry!
it sounded so *definitive*, though.....

>I was saying that the collaborative
>dynamic is very, very different. 
yeah. but -not to be fatuous, here- what isn't 'different'?
every interaction w/every individual (&/or set of) musician(s) i've *ever* 
played w/has revealed/grown its own dynamic: drummers, bands, saxophonists, 
100-piece orchestras, sarodists, chainsaws, turntables, etc.....

>When was the last time more than two
>DJs got together in the same room to "play" together, anyway?
i wouldn't know, really; don't get *out* much, these days.
*-)
i do know that i've got a buncha vinyl & discs w/multiple tablists upon them, 
though.....

>Sometimes I think you wait for my comments specifically, DT.
oh no, darling!
*-)
but they do have a certain..... ummmm..... resonance.....
i mean no harm; just gotta speak-my-nonsensical-piece, here, once inna 
while.....
btw:
there's kim to thank (or, blame), fer that.
best,
dt / s-c

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I once saw Airto play a piece with only audience members keys!  Absolutely 
stunning.  It ain't the instrument (or what the instrument is) it's who's 
using it!
Max

>From: "Om_Audio" <clifsound@mediaone.net>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: "Loopers List" <loopers-delight@annihilist.com>
>Subject: DJ or Musician?
>Date: Sun, 20 May 2001 03:09:21 -0700
>
>I saw a man play a SINGLE tambourine a few months back that could put ANY
>drummer on earth in his place (with Remember Shakti)- I've seen a man play 
>a
>plain wooden box as my mouth drooped open- I've seen people on the streets
>of New York playing oven racks and the sidewalk itself- they are all
>musicians- A DJ CAN be a musician, but isn't necessarily so- but the
>creativity and rhythmic dexterity to which I have seen some djs employ can
>leave little doubt for me on the topic- Cliff
>

_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

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excerpts from the latest debate:

>It might be supremely innovative and sometimes original how some folks
>utilize such an electronic device or sampling unit for that matter to create
>(or more accurately, composite) music, but at the most a turntable can
>only be used AS a musical instrument.
following that line-of-thinking, i might then also conclude (like many 
already have done & may continue to do so, in future) that a looping device 
'isn't a musical instrument', either --- indeed, it might be construed as one 
step further *away* from actually being a sound-'generator' --- (unless, of 
course, it's in a feedback-loop) --- than a turntable;
oddly, i think i've been subject to this attitudinal mien, nearly my entire 
adult life..... 
aiyyyyy.....................


Something that a person can use to make a sound - how could it NOT be a 
musical instrument, if used with intent?  
I remember hearing a John Cage performance, about 1985 or 6.  He used 
nothing.  He made sounds with his mouth.  
One could wield anything in the manner of a composer.  Especially a pencil, 
or more appropriately, an eraser.  And improvising is spontanteous 
composition, right?  
I've heard lots of stuff about 'What Is Art?'  Art is intent, for me.

> 
> >I was saying that the collaborative
> >dynamic is very, very different. 
> yeah. but -not to be fatuous, here- what isn't 'different'?
> every interaction w/every individual (&/or set of) musician(s) i've *ever* 
> played w/has revealed/grown its own dynamic: drummers, bands, saxophonists, 
> 100-piece orchestras, sarodists, chainsaws, turntables, etc.....
> 

Just as every conversation or thread has its own dynamic too.

> >When was the last time more than two
> >DJs got together in the same room to "play" together, anyway?
> 
> 

Back in school, Jack Petersen used to say: "That's the great thing about 
guitars - two guitarists can play together.  You ever seen a couple of 
plumbers get together and do their thing?  Or trombone players?"

> i mean no harm; just gotta speak-my-nonsensical-piece, here, once inna 
> while.....
> btw:
> there's kim to thank (or, blame), fer that.
> best,
> dt / s-c
> 

Actually, dt's are pretty much the only posts to LD I read consistently... 

Kevin

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<HTML><FONT FACE=arial,helvetica><FONT  COLOR="#000080" SIZE=2>excerpts from the latest debate:
<BR>
<BR>&gt;It might be supremely innovative and sometimes original how some folks
<BR>&gt;utilize such an electronic device or sampling unit for that matter to create
<BR>&gt;(or more accurately, composite) music, but at the most a turntable can
<BR>&gt;only be used AS a musical instrument.
<BR>following that line-of-thinking, i might then also conclude (like many 
<BR>already have done &amp; may continue to do so, in future) that a looping device 
<BR>'isn't a musical instrument', either --- indeed, it might be construed as one 
<BR>step further *away* from actually being a sound-'generator' --- (unless, of 
<BR>course, it's in a feedback-loop) --- than a turntable;
<BR>oddly, i think i've been subject to this attitudinal mien, nearly my entire 
<BR>adult life..... 
<BR>aiyyyyy.....................
<BR></FONT><FONT  COLOR="#000080" SIZE=3 FAMILY="SANSSERIF" FACE="Arial" LANG="0"></BLOCKQUOTE>
<BR>
<BR></FONT><FONT  COLOR="#000080" SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0">Something that a person can use to make a sound - how could it NOT be a 
<BR>musical instrument, if used with intent? &nbsp;
<BR>I remember hearing a John Cage performance, about 1985 or 6. &nbsp;He used 
<BR>nothing. &nbsp;He made sounds with his mouth. &nbsp;
<BR>One could wield anything in the manner of a composer. &nbsp;Especially a pencil, 
<BR>or more appropriately, an eraser. &nbsp;And improvising is spontanteous 
<BR>composition, right? &nbsp;
<BR>I've heard lots of stuff about 'What Is Art?' &nbsp;Art is intent, for me.
<BR></FONT><FONT  COLOR="#000080" SIZE=3 FAMILY="SANSSERIF" FACE="Arial" LANG="0">
<BR></FONT><FONT  COLOR="#000080" SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0"><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">
<BR>&gt;I was saying that the collaborative
<BR>&gt;dynamic is very, very different. 
<BR>yeah. but -not to be fatuous, here- what isn't 'different'?
<BR>every interaction w/every individual (&amp;/or set of) musician(s) i've *ever* 
<BR>played w/has revealed/grown its own dynamic: drummers, bands, saxophonists, 
<BR>100-piece orchestras, sarodists, chainsaws, turntables, etc.....
<BR></FONT><FONT  COLOR="#000080" SIZE=3 FAMILY="SANSSERIF" FACE="Arial" LANG="0"></BLOCKQUOTE>
<BR>
<BR></FONT><FONT  COLOR="#000080" SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0">Just as every conversation or thread has its own dynamic too.
<BR></FONT><FONT  COLOR="#000080" SIZE=3 FAMILY="SANSSERIF" FACE="Arial" LANG="0">
<BR></FONT><FONT  COLOR="#000080" SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0"><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">&gt;When was the last time more than two
<BR>&gt;DJs got together in the same room to "play" together, anyway?
<BR>
<BR></FONT><FONT  COLOR="#000080" SIZE=3 FAMILY="SANSSERIF" FACE="Arial" LANG="0"></BLOCKQUOTE>
<BR>
<BR></FONT><FONT  COLOR="#000080" SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0">Back in school, Jack Petersen used to say: "That's the great thing about 
<BR>guitars - two guitarists can play together. &nbsp;You ever seen a couple of 
<BR>plumbers get together and do their thing? &nbsp;Or trombone players?"
<BR></FONT><FONT  COLOR="#000080" SIZE=3 FAMILY="SANSSERIF" FACE="Arial" LANG="0">
<BR></FONT><FONT  COLOR="#000080" SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0"><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">i mean no harm; just gotta speak-my-nonsensical-piece, here, once inna 
<BR>while.....
<BR>btw:
<BR>there's kim to thank (or, blame), fer that.
<BR>best,
<BR>dt / s-c
<BR></FONT><FONT  COLOR="#000000" SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0"></BLOCKQUOTE>
<BR>
<BR>Actually, dt's are pretty much the only posts to LD I read consistently... 
<BR>
<BR>Kevin</FONT></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sun May 20 12:21:44 2001
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Date: Sun, 20 May 2001 09:19:42 -0700 (PDT)
From: Rik Elswit <rik@well.com>
Message-Id: <200105201619.JAA05790@well.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re:  anybody using the Boss RC-20 yet
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We got a huge shipment of 3 of them last week.   We moved two of them on to
customers and kept the third as a demo.   It works very nicely and looks jso
be just the ticket for the person who needs more looptime than the DL4.  It
sounds good and operates as advertised.   My one personal cvomplaint is that
the pedal feels stiff, which I made more to my liking by clipping off about
a quarter of the spring.   You can use the tap tempo function to speed up or
slow down any loop once you've saved it to memory, but you start to get
artifacts if you try and push that too far.   If you need stereo, the DL4 is
still your only inexpensive choice.

From Loopers-Delight-request@loopers-delight.com  Sun May 20 12:35:25 2001
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From: DaViD AuKeR <DavAuk@Hevanet.Com>
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Subject: Re: Repeater Demo in Marin!
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In his review of the Repeater demo at Bananas-At-Large, Mark Landman
wrote:

> I've dealt with Rik several times, and think 
>he's an allright fella, as a matter of fact, I purchased my EDP from him and Bananas.

I also purchased my EDP from Rik and Bananas, 4/00.  I found him to be
really friendly and quite talkative, both on phone and e-mail UNTIL I
needed help on a problem, when he said, "Sounds like you need a new
unit," after which I never heard from him again, no answer on repeated
e-mails or repeated calls.  I felt abandoned by my lack of customer
support after the check was cashed.

Thankfully, I got valuable info from this list, Kim and 
Shane Radtke (Gibson tech <sradtke@gibson.com>).
I found it strange that either Rik didn't know about Gibson's tech
resource, or anyway didn't pass it on to me.  

> Rik went on to complain strongly about the
> Alto Music group buy controversy (for those of you unfamiliar, essentially
> Alto had the temerity to offer an extremely low group buy price). It was
> suggested to me that Alto was probably run by some venture capitalists and
> would probably be out of business in the future.

Seems Rik has mixed feelings on this, as in November, to
Loopers-Delight, Rik Elswit wrote:
> 
> "Is the Repeater available for purchase yet? It's 11/1. Did the group buy
> happen yet? Too late for this?"
> 
> Is there a group buy, and if so, how do I get in on it?

Hmmmm...

Mark wrote:
>
> The funny thing is I wouldn't have minded 
>paying a premium to get mine early, but I don't like the way this
>has gone down. This afternoon's  statement made up my mind, 
>and I'll be waiting for the Alto group buy.

My one experience with Rik (and Bananas) was not good (thankfully, my
EDP HAS lived, and I love it!!).  Alto has my Repeater order.

~~David Auker

From Loopers-Delight-request@loopers-delight.com  Sun May 20 12:57:10 2001
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Subject: Re: anybody using the Boss RC-20 yet
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Rik

In terms of operating the unit - how much can you do foot-only without 
climbing down and switchflicking - compared with the boomerang - reverse, 
layer, moving between different samples etc etc - I'm thinking in terms of 
stage use.


----Original Message Follows----
From: Rik Elswit <rik@well.com>
Reply-To: Loopers-Delight@loopers-delight.com
To: Loopers-Delight@loopers-delight.com
Subject: Re:  anybody using the Boss RC-20 yet
Date: Sun, 20 May 2001 09:19:42 -0700 (PDT)

We got a huge shipment of 3 of them last week.   We moved two of them on to
customers and kept the third as a demo.   It works very nicely and looks jso
be just the ticket for the person who needs more looptime than the DL4.  It
sounds good and operates as advertised.   My one personal cvomplaint is that
the pedal feels stiff, which I made more to my liking by clipping off about
a quarter of the spring.   You can use the tap tempo function to speed up or
slow down any loop once you've saved it to memory, but you start to get
artifacts if you try and push that too far.   If you need stereo, the DL4 is
still your only inexpensive choice.


_________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.

From Loopers-Delight-request@loopers-delight.com  Sun May 20 12:58:16 2001
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To: <Loopers-Delight@loopers-delight.com>
References: <v03102814b72d3207beba@[63.192.37.242]> <001101c0e10e$0d55ea60$48b51597@default>
Subject: Re: Fractal looping
Date: Sun, 20 May 2001 12:11:54 +0100
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Hey Italo,
What's fractal looping ? Sounds interesting.

Gareth

>snip
looping on 4,6,8,
> 12 or 16 delay lines at the same time, fractal looping, quad audio looping
> and much more ARE a good thing to know for fellow loopers.
> If you need any more infos, I'll be glad to send you anything you might
> request on it.



From Loopers-Delight-request@loopers-delight.com  Sun May 20 13:05:25 2001
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Date: Sun, 20 May 2001 13:03:43 -0400 (EDT)
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16 delay lines at same time.....you talking big money,no?????

From Loopers-Delight-request@loopers-delight.com  Sun May 20 13:13:13 2001
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In a message dated 5/20/01 12:04:08 PM Eastern Daylight Time, KB305@aol.com 
writes:


> Or trombone players?" 
> 

i shudder to think what trombone players do as a group, but im sure they 
often play together as do the guitarists.....myself being (most of the time) 
a "guitarist" would rather play with anything or anyone else rather than 
another guitarist.....it seldom happens though, it seems everyone "plays" the 
guitar in my very very small crowd of friends, it takes one to know one, 
perhaps.....one exception though, my #1 son ian has been working out 
"practicing" on turntables for a good while now so you could say there is a 
dj living in my house, we only "jamed" once, logistics prevents us from 
having all our toys in one room for a long period.....there were several 
times where i had jammed with a dj and a rapperesque vocalist and it was a 
lot-o-fun much noise going on.....ill play with anyone at any time!.....m

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>In a message dated 5/20/01 12:04:08 PM Eastern Daylight Time, KB305@aol.com 
<BR>writes:
<BR>
<BR>
<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">Or trombone players?" 
<BR></BLOCKQUOTE>
<BR>
<BR>i shudder to think what trombone players do as a group, but im sure they 
<BR>often play together as do the guitarists.....myself being (most of the time) 
<BR>a "guitarist" would rather play with anything or anyone else rather than 
<BR>another guitarist.....it seldom happens though, it seems everyone "plays" the 
<BR>guitar in my very very small crowd of friends, it takes one to know one, 
<BR>perhaps.....one exception though, my #1 son ian has been working out 
<BR>"practicing" on turntables for a good while now so you could say there is a 
<BR>dj living in my house, we only "jamed" once, logistics prevents us from 
<BR>having all our toys in one room for a long period.....there were several 
<BR>times where i had jammed with a dj and a rapperesque vocalist and it was a 
<BR>lot-o-fun much noise going on.....ill play with anyone at any time!.....m</FONT></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sun May 20 14:06:40 2001
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Date: Sun, 20 May 2001 11:00:16 -0700
Subject: Re: playing with DJ's
From: Travis Hartnett <tiktok@sprintmail.com>
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> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

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spgoodman@earthlight.net writes:
>So far what I'm hearing is that of all the folks who have had good
>situations with DJs, all of those DJs were also players of a musical
        >instrument.


I was in a band with a DJ and a bassist for about a year, and the
DJ/turntablist didn't play any conventional musical instruments, and he was
a joy to play with.  I've also played with several (3) who were impossible
to play with, or maybe just more trouble than it was worth to me.  The
problem I had with them was that they left no space for anyone else, which I
attributed to their being accustomed to providing all the sound in a
performance, and perhaps a lack of listening.  In these regards though, they
were really no different from any other "audio decorator of sound space"
(i.e. musicians), except in their chosen tools of production.

TH


-- 
NEW official Electrochakra website: www.electrochakra.com






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<HTML>
<HEAD>
<TITLE>Re: playing with DJ's</TITLE>
</HEAD>
<BODY>
<BLOCKQUOTE><FONT COLOR=3D"#0000FF"><FONT SIZE=3D"2"><U>spgoodman@earthlight.ne=
t</U></FONT></FONT><FONT SIZE=3D"2"> writes:<BR>
&gt;So far what I'm hearing is that of all the folks who have had good<BR>
&gt;situations with DJs, all of those DJs were also players of a musical<BR=
>
</FONT></BLOCKQUOTE><FONT SIZE=3D"2"> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&gt;instrument.<BR>
</FONT><BLOCKQUOTE><BR>
<BR>
I was in a band with a DJ and a bassist for about a year, and the DJ/turnta=
blist didn't play any conventional musical instruments, and he was a joy to =
play with. &nbsp;I've also played with several (3) who were impossible to pl=
ay with, or maybe just more trouble than it was worth to me. &nbsp;The probl=
em I had with them was that they left no space for anyone else, which I attr=
ibuted to their being accustomed to providing all the sound in a performance=
, and perhaps a lack of listening. &nbsp;In these regards though, they were =
really no different from any other &quot;audio decorator of sound space&quot=
; (i.e. musicians), except in their chosen tools of production. &nbsp;<BR>
<BR>
TH<BR>
<BR>
<BR>
</BLOCKQUOTE>-- <BR>
<BLOCKQUOTE>NEW official Electrochakra website: www.electrochakra.com<BR>
<BR>
<BR>
<BR>
<BR>
</BLOCKQUOTE>
</BODY>
</HTML>


--MS_Mac_OE_3073201216_5448277_MIME_Part--

From Loopers-Delight-request@loopers-delight.com  Sun May 20 14:23:49 2001
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Date: Sun, 20 May 2001 14:21:17 -0400
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>16 delay lines at same time.....you talking big money,no?????

my cheapsie little Boss SE-70 has a 20-tap flange so it's
quite do-able without fancy hardware.

in fact, you could have "as many taps as you liked" on a
single delay line and not really consume very much CPU...

	/t


...electronic a cappella madness <http://volectrix.com>.........
...extreme internet radio        <http://extremeNY.com/radio>...

From Loopers-Delight-request@loopers-delight.com  Sun May 20 15:47:30 2001
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Date: Sun, 20 May 2001 12:41:27 -0700
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From: Kim Flint <kflint@loopers-delight.com>
Subject: Re: playing w/ dj's
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At 2:09 AM -0700 5/20/01, Stephen P. Goodman wrote:
>  I was saying that the collaborative
>dynamic is very, very different.  When was the last time more than two DJs
>got together in the same room to "play" together, anyway?
>

I see this all the time. The Invisibl Scratch Picklz have been doing group
collaborative performances since the eighties I think. I've seen them all
on stage together numerous times, putting on amazing shows just with
turntables. It was all improvisational, trading things back and forth,
different guys supporting the one who was soloing in different ways -
jamming together. Very much like watching a bebop jazz combo, in fact.
Qbert actually reminds me of Charlie Parker a lot, just different sounds in
a different context.

I guess you've never bothered to go out and actually see this stuff
yourself, or never opened your mind to it, because it's very difficult NOT
to think of these guys as musicians after seeing one of their shows or
listening to their records. Go out and see for yourself. personally I found
a lot of inspiration in turntablists lately that I haven't found from
players of my own instrument in years.

kim

______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com


From Loopers-Delight-request@loopers-delight.com  Sun May 20 16:04:41 2001
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Date: Sun, 20 May 2001 13:01:52 -0700
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From: Kim Flint <kflint@loopers-delight.com>
Subject: Re: anybody using the Boss RC-20 yet
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Hi Italo-
I'm sorry that stuff is not up there yet. I do intend to put it up, but
looper's delight is not a full time job for me and I don't always have time
for much work on it. Lately I've been really behind.

So I have to rely a lot on you guys to help me create the site. Sometimes I
get a lot of help, and sometimes I don't. If somebody supplies me
information on something, that is a great start. (as you have done for
Orville.) But then it still has to wait for me to have time to put the
pages together, which can often be a long wait! What is even more helpful
is if somebody can do that step as well, and put together the html for me
too so all I have to do is upload it. All I ask is that it be in the style
of other LD pages with all the correct links. The LD style is kept very
simple to make it easy for anybody to do this.

remember, Looper's Delight is and always has been a community effort.
That's what made it as good as it is. The more YOU contribute, the better
it gets. If you leave it all up to me, it will suck.

kim



At 2:19 AM -0700 5/20/01, Italo De Angelis wrote:
>Hi Kim
>after long time I still don't see any Eventide Orville/DSP7000/DSP7500  page
>on LD site since the long and very informative posts of long  ago.
>Still there are uninformative pages on discontinued products like 4000 and
>3000 or on TC2290 & DOD boxes.
>I guess 323 seconds of looping time, 174 seconds of real time
>sampling/editing with indipendent time/pitch stretching,  looping on 4,6,8,
>12 or 16 delay lines at the same time, fractal looping, quad audio looping
>and much more ARE a good thing to know for fellow loopers.
>If you need any more infos, I'll be glad to send you anything you might
>request on it.
>Thank You
>Best    Italo
>
>
>----- Original Message -----
>From: "Kim Flint" <kflint@loopers-delight.com>
>To: <loopers-delight@loopers-delight.com>
>Sent: Sunday, May 20, 2001 10:49 AM
>Subject: anybody using the Boss RC-20 yet
>
>
>> hey-
>>
>> is anybody using the Boss RC-20 yet? I guess it is shipping by now,
>> although I've gotten conflicting stories about that. Since there are no
>> greater gear sluts than those here on LD, I'm surprised we haven't heard
>> any reviews yet!
>>
>> I want to put up a page for it on the Looper's Delight site if it is
>> available, so I'd like to get user reviews from anybody that has actually
>> used it. If that is you, please send something in!
>>
>> thanks,
>> kim
>>
>> ______________________________________________________________________
>> Kim Flint                     | Looper's Delight
>> kflint@loopers-delight.com    | http://www.loopers-delight.com
>>
>>


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com


From Loopers-Delight-request@loopers-delight.com  Sun May 20 16:28:12 2001
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Date: Sun, 20 May 2001 13:23:48 -0700
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Subject: Re: anybody using the Boss RC-20 yet
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Thanks John.

What I really want though is more of a home-grown review, from people on LD
experienced with looping and the various other loop products out there.
Give it a little more depth than the "dude I plugged in my strat and it
rocked!" style of reviews on HC....

any takers?

thanks,
kim



At 2:56 AM -0700 5/20/01, John Tidwell wrote:
>Kim,
>
>I've seen a few reviews over on HC.
>
>http://www.harmony-central.com/Effects/Data/Boss/RC_20_Loop_Station-01.html
>
>John
>
>
>--- Kim Flint <kflint@loopers-delight.com> wrote:
>> hey-
>>
>> is anybody using the Boss RC-20 yet? I guess it is
>> shipping by now,
>> although I've gotten conflicting stories about that.
>> Since there are no
>> greater gear sluts than those here on LD, I'm
>> surprised we haven't heard
>> any reviews yet!
>>
>> I want to put up a page for it on the Looper's
>> Delight site if it is
>> available, so I'd like to get user reviews from
>> anybody that has actually
>> used it. If that is you, please send something in!
>>
>> thanks,
>> kim
>>
>>
>______________________________________________________________________
>> Kim Flint                     | Looper's Delight
>> kflint@loopers-delight.com    |
>> http://www.loopers-delight.com
>>
>>
>
>
>=====
>John Tidwell
>
>
>
>
>__________________________________________________
>Do You Yahoo!?
>Yahoo! Auctions - buy the things you want at great prices
>http://auctions.yahoo.com/


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com


From Loopers-Delight-request@loopers-delight.com  Sun May 20 17:12:04 2001
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Subject: Re: playing w/ dj's
From: Skye <skza@nabi.net>
To: "Stephen P. Goodman" <spgoodman@earthlight.net>,
        <Loopers-Delight@loopers-delight.com>
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Hello there

>  When was the last time more than two DJs
> got together in the same room to "play" together, anyway?
> 

As it has been mentioned, groups like the Skratch Piklz, the X-ecutioners,
1200 Hobos, etc. get together and play thogether using turtables as their
instrument of choice- they have released many of records this way. As well,
they all have videos availableon which they're just hanging out and
"playing" the decks together. They will often have 6-8 turntables set up
with many mixers, all playing off of each other in a beautifully complex
structure... they have been known to perform publicly this way as well- if
you have a chance to visit a live performance, it can be a very inspiring
and astounding experience. They create some rhythmic structures that I would
almost say are unique to their multi-turntablist format that twist and
turn... wow. I can just say it must be seen.

as well, as far a getting together in the same room to play together goes:
I have done this _a lot_ in my times... we will be set up in a room,
generally 3 or four turntables, 2 mixers... I like to throw in delays and
loopy things as well. we have been known to jam for a long time. And I know
other people locally who do the same, many of whom I have either played with
already or mean to sometime in the future. I have seen this and I have
played with others all over europe as well, so I know it's wide-spread.

I will say, things like this aren't necessarily that widely known, and have
just become much more common over the past few years. However, it does exist
and it is musicaly rewarding for the players. it's styles vary as much as
the people involved.

I bet if you dig a little more into it- listen a bit deeper, you can hear it
in a different light.

Thanks for the time,

Skye

From Loopers-Delight-request@loopers-delight.com  Sun May 20 17:45:24 2001
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  I ´d like to know more!

Andy


At 12:11 p.m. 20/05/01 +0100, you wrote:
>Hey Italo,
>What's fractal looping ? Sounds interesting.
>
>Gareth
>
>>snip
>looping on 4,6,8,
>> 12 or 16 delay lines at the same time, fractal looping, quad audio looping
>> and much more ARE a good thing to know for fellow loopers.
>> If you need any more infos, I'll be glad to send you anything you might
>> request on it.
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Sun May 20 17:45:49 2001
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Date: Sun, 20 May 2001 17:42:06 -0400 (EDT)
To: Loopers-Delight@loopers-delight.com
Subject: Re: playing w/ dj's
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but i still see a basic flaw being that nomatter how many hours a day
the "turntablist"puts in to practicing his "instrument"ha ha, he/she is
still working with some one elses musical creation.pushing a jimmy page
album back and forth on a table ,by no stretch,makes you a guitar player
or ,i should say ,a musician.to compare this to the talent of charlie
parker.......at least the loopers are getting away from taking other
peoples music and looping it and instead using generic sounds....

From Loopers-Delight-request@loopers-delight.com  Sun May 20 18:18:22 2001
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Date: Sun, 20 May 2001 15:13:41 -0700 (PDT)
From: Rik Elswit <rik@well.com>
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"Rik

In terms of operating the unit - how much can you do foot-only without
climbing down and switchflicking - compared with the boomerang - reverse,
layer, moving between different samples etc etc - I'm thinking in terms of
stage use."

There are sockets in the back where you can plug in extra foot switches to
access the reverse function and to step through the saved loops.   The unit
comes with a CD  of sample material you can load into it using a CD player
plugged into a mini jack socket, also in the back of the machine.   One of
or rather three of the samples are an intro, verse loop, and outro for a
12-bar blues, which you load into consecutive memory locations and step
through the sections using one of the extra pedals.   I haven't tried it
yet.   My live work requires the multiply and undo functions, so I have to
use the EDP when I'm playing out.

The RC20 also has an interstng function for people with timing problems.
You can tap a tempo into it, using the right pedal.  this will give you a
click track, complete with blinking light (so that you can turn off the
sound and stilluse the function.)   Once you've established the tempo, the
RC20 gives you a 4 beat countoff after you step on the record pedal befor
beginning to record.    If you don't tap in a tempo, it begins recording
when you step on the record pedal just like the other loopers.   And as I
said, if you find the pedal a bit stiff, there's an easy fix.    The pedals
are big and hard to miss.   This has much bang for the buck.

Rik

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I had a chance to see the Invisibl Skratch Piklz before they disbanded. I
too felt that "turntablists" were not full-fledged musicians. However, after
seeing those cats, my opinion changed completely. They exhibited a masterful
knowledge of rythym and did techniques that I couldn't imagine as being
possible. They obviously applied a level of discipline in learning and
inventing their craft that most "real" musicians couldn't muster up.


> Stephen wrote:
> "Nope, a turntable isn't a musical instrument no matter how great it
> sounds."

> Also, check out the rhythm pyrotechnics of the Scratch Pickle.

From Loopers-Delight-request@loopers-delight.com  Sun May 20 18:29:36 2001
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Subject: Re: playing w/ dj's
From: Skye <skza@nabi.net>
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Many of these people who are seen as the "charlie parkers" of the turntable
world are _not_ limited to the simple "playback" of other people's music.

>From the outside looking in, it might seem only that way. HOWEVER- for one,
when they are usng jimmie page, they are using what, .5 of a second of a
tone, and manipulating that tone into mew things... they aren't just
spending time finding a riff to lift. the needle on the wax actually travels
over very little space...

As well, many of them sit down with samplers and synthesizers and things
that they have recorded and they compile groups of sounds that they have
created to vinyl, and these are what many of the most talented turntablists
use when "scratching up new and exciting music."

Why is there such an atttempt to deny deny deny the validity of
what they are doing as a musical expression? Before everyone tries to
formulate why they are s dismissable, perhas it would be good to actually
know what is involved with the art...

Often, when a new musical form is introduced, there is argument and
discussion of why it isn't music, or it isn't valid. it happens with
everything, and will continue to happen- it has probably happened to most of
you at one time or anoter being loopers. What I don't see is why here there
is such an attitude of dismissal-  I would have expected a more open mindset
here.

Thank for the time, again...

If any of that was unclear, I am sorry- I am rushed...

skye

on 5/20/01 4:42 PM, ko-jella@webtv.net thought someone wanted to read:

> but i still see a basic flaw being that nomatter how many hours a day
> the "turntablist"puts in to practicing his "instrument"ha ha, he/she is
> still working with some one elses musical creation.pushing a jimmy page
> album back and forth on a table ,by no stretch,makes you a guitar player
> or ,i should say ,a musician.to compare this to the talent of charlie
> parker.......at least the loopers are getting away from taking other
> peoples music and looping it and instead using generic sounds....
> 

From Loopers-Delight-request@loopers-delight.com  Sun May 20 18:32:26 2001
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Subject: Re: playing w/ dj's
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Every turntablist I have seen has used vinyl primarily for rythmic purposes
(i.e. scratching), rendering what ever was on the record unrecognizable.
They use a variety of different records more for timberal and rythmic
variation than for sampling purposes.
----- Original Message -----
From: "'b'bender" <ko-jella@webtv.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, May 20, 2001 2:42 PM
Subject: Re: playing w/ dj's


> but i still see a basic flaw being that nomatter how many hours a day
> the "turntablist"puts in to practicing his "instrument"ha ha, he/she is
> still working with some one elses musical creation.pushing a jimmy page
> album back and forth on a table ,by no stretch,makes you a guitar player
> or ,i should say ,a musician.to compare this to the talent of charlie
> parker.......at least the loopers are getting away from taking other
> peoples music and looping it and instead using generic sounds....
>

From Loopers-Delight-request@loopers-delight.com  Sun May 20 18:38:25 2001
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that.....i can get behind...its the others,the outright plagerists,that
i was refering to

From Loopers-Delight-request@loopers-delight.com  Sun May 20 18:46:33 2001
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I was a real skeptic about turntablists until I saw a guy who calls himself
DJ Quest.   At one point he was running a four bar loop on one turntable and
doing fills off the second one.   It was just amazing, and infectiously
danceable.   After my shock wore off, I began to watch his hands very
closely, and what I saw was the results of the same kind of practice I put
in on my instrument.   YOu can see it on great guitarists and keyboard
players - economy of motion and grace.   It was real clear to me that I was
watching a musician.   And my tapping toes didn't need convincing.

I run an online music conference on the Well, and I hear a lot of musicians
dissing entire genres.   It's always a sign of ignorance.    I say that
there are no bad genres, just bad examples.   If I take the time to
familiarize myself with any from of music, I can alway find somebody playing
it that reaches me.    In fact, I usede to joke that there was probably a
polka band out there that I'd love, but that I just hadn't heard them yet.
Then someone sent me a tape of Polkacide and proved me right.

As for how a person makes music, I'm only interested in an academic sense.
It's what comes out of the speakers that matters most to me.  And if you
think that twin turntables is easy, you simply haven't seen a good
turntablist.  If you think it's cheating somehow, I suggest you stop using
the preprogrammed harmonies we call chords on your guitar or keyboard.  I
mean, really.  Em9 has been DONE.

From Loopers-Delight-request@loopers-delight.com  Sun May 20 19:05:44 2001
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From: Tim Nelson <tcn62@ici.net>
Subject: Re: playing w/ dj's
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At 05:26 PM 5/20/01 -0500, Skye wrote:
>Why is there such an atttempt to deny deny deny the validity of
>what they are doing as a musical expression? Before everyone tries to
>formulate why they are s dismissable, perhas it would be good to actually
>know what is involved with the art...

I know in my case my prejudice in viewing turntablists as less creative
than "real" musicians was simply because for a long time my only exposure
to this technique was seeing really bad amateur scratchers ripping off the
same bunch of beats, while someone tried to break-dance. After encountering
a few really creative and musical DJs, though, I realized that this view
was much like basing my opinion of guitarists on that kid in the music shop
butchering the riff from "Sweet Child o' Mine" just a tad bit too loud. (It
used to be 'Stairway', these days it's probably Korn or something...)

As with any instrument, the really good players are greatly outnumbered by
the wannabes.

I wish Bill Murphy's liner notes for Bill Laswell's 'Altered Beats' were
available online; he makes some comments about the turntable as an
instrument that are germane to this thread, but it's waaaaay too much to
transcribe...

Tim

From Loopers-Delight-request@loopers-delight.com  Sun May 20 19:28:46 2001
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Subject: Re: anybody using the Boss RC-20 yet
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here is a question i havent seen answered concerning tempo-is there an input
jack to take an incoming beat or click or is it just tap tempo-which tend to
drift if you are playing to a machine metered beat/midi or whatever other?
thanx to anyone who knows...

stanner


----------
>The RC20 also has an interstng function for people with timing problems.
>You can tap a tempo into it, using the right pedal.  this will give you a
>click track, complete with blinking light (so that you can turn off the
>sound and stilluse the function.)   Once you've established the tempo, the
>RC20 gives you a 4 beat countoff after you step on the record pedal befor
>beginning to record.    If you don't tap in a tempo, it begins recording
>when you step on the record pedal just like the other loopers.   And as I
>said, if you find the pedal a bit stiff, there's an easy fix.    The pedals
>are big and hard to miss.   This has much bang for the buck.
>
>Rik
>

From Loopers-Delight-request@loopers-delight.com  Sun May 20 19:30:08 2001
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<html><DIV>
<P><BR><BR></P>
<DIV></DIV>
<P><FONT face="Arial Black, Geneva, Arial, Sans-serif" size=4>I am a Dj, and I am a Looper... Am I&nbsp;in Musical Limbo ? This thread has gone on too long, let's gripe about the Boss RC 20... it sux ! How about that SampleTrac 224 ? Who uses ACID 3.0, with the Midi file import ? Why are we trippin' on Dj's, and their collaboration, or non-collaboration with artist, most Dj's (including me at times}, just mix in mix out songs... unless you are a FatBoy Slim type ( I am aspiring to that level ), Dj's just regurgitate the music..... (I do it with style though).</FONT><BR><BR></P></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV><br clear=all><hr>Get your FREE download of MSN Explorer at <a href="http://explorer.msn.com">http://explorer.msn.com</a><br></p></html>

From Loopers-Delight-request@loopers-delight.com  Sun May 20 19:30:16 2001
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and it will keep being done in a thousand different
ways........why????Because it sounds so darn pleasing to the ear AND the
heart,AND the mind.You make a valid point there......where will this
"new"  "music" be in 50 years???People wont even know what youre talking
about,but Em9........awwwwwww,theyll know how that makes em feel ,cause
itll is eternal.Thats just how it is....new things come.New things
go.Only true beauty endures....................new and good are two
entirely different concepts.beauty endures,like Em9!!

From Loopers-Delight-request@loopers-delight.com  Sun May 20 19:49:05 2001
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Another experience that altered what I thought about music making was
watching a 5 person do-wop vocal group, must've been in 86 or 87, being
accompanied by a guy with a Roland TR707 drum machine.   But the "drummer"
wasn't using the sequencer.   He had it cradled in the crook of his left arm
and was playing the buttons live with his right hand.   And he was hot. He
was in a world of his own making and just rocking with that thing.  I wasn't
about to tellhim he was doing it wrong.

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Tim ;;i think you hit the nail on the head!!! Also you had a situation
that built up for decades where musicians had trouble earning a living
because a bar owner would rather pay a guy to play records than hire
real ,line musicians.I know this last one isnt fair cause the guy
playing albums is not the same guy we are talking about on this
forum....but old prejudices die hard..Also you have the "RAP" contingent
who think they are doing something "new" but those of us who are old
enough to have been around back "when" still remember a group on the
"Performance" soundtrack in 1969 who called themselves the "LAST POETS"
....That was 69!!! Then you had Bob Dylan's  "Johnny's in the basement
mixin up the medicine,I'm on the pavement talkin bout the
government,,man in a trenchcoat,badge ,got layed off ,wants a hundred
dollar bill,says he gets payed off"etc etc ......When was that????1964
,Ide say.......NEW??????

From Loopers-Delight-request@loopers-delight.com  Sun May 20 19:55:51 2001
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Subject: Re: Fractal looping
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Is looping on 2 delays considered Fractal looping?

----- Original Message -----
From: "whiteoakstudios" <whiteoakstudios@supanet.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, May 20, 2001 7:11 AM
Subject: Re: Fractal looping


> Hey Italo,
> What's fractal looping ? Sounds interesting.
>
> Gareth
>
> >snip
> looping on 4,6,8,
> > 12 or 16 delay lines at the same time, fractal looping, quad audio
looping
> > and much more ARE a good thing to know for fellow loopers.
> > If you need any more infos, I'll be glad to send you anything you might
> > request on it.
>

From Loopers-Delight-request@loopers-delight.com  Sun May 20 20:05:15 2001
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From: Rik Elswit <rik@well.com>
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First "rap" tune I ever heard was "The All-American Boy", a talking blues to
a rock beat that got played to death on American Bandstand in the late 50s.
The during the Great Folk Music Scare in the early 60s, I found out that
Woody Guthrie had written a number of tunes in that form and that "The
All-American Boy" was part of that tradition.    And Bob Dylan carried it
on.   Hell, Cab Calloway used to rap over his swing band back in the 30s.
Ain't nothin new about talking over dance tracks.   It's an old and
honorable tradition.

From Loopers-Delight-request@loopers-delight.com  Sun May 20 20:08:19 2001
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Date: Sun, 20 May 2001 20:05:28 -0400 (EDT)
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ide like to know...thats why i really came over.also this should be the
place to find out the pros and cons of eventide,lexicon,TR707s,etc.,and
unique ways of using them....just the other day for something to do,i
wanted to see if i could still make the old style analog loops we used
to make around '62 with two machines.....i took 2 Tandberg 64 Xs and put
one on each side of the room,with a gibson echoplex in the middle.no
digital stuff at all!!!Talk about fun,,.....AND the sound was
awsome!!!(64x was a top of the line machine) the specs are stillup
there....Even without the echoplex you can vary the echo repeats by
changing the didtance between machines...I felt like Les Paul must have
felt back when.....

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amen,bro.

From Loopers-Delight-request@loopers-delight.com  Sun May 20 20:56:04 2001
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Date: Sun, 20 May 2001 20:53:01 EDT
Subject: Re: DJ or Musician?
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hi everybody...
since I already posted a minute or two back about the fabulous djQuest and 
his superbly integrated group (Live Human) with whom I had the pleasure of 
sharing a string of dates last fall
allow me to throw  2 more cents in;
        [switch to late-night tv announcer voice here:]
        
DJ... or... MUSICIAN...

            ...*yawn*...        -click.

From Loopers-Delight-request@loopers-delight.com  Sun May 20 22:29:59 2001
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Date: Mon, 21 May 2001 10:26:03 +0800
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This is f*#kin strange,

>ah how right you are.  I am in total agreement, however I have to say
>that DJs that cue up and crossfade someone else's prerecorded music,
>really don't in my mind belong in the same group as those that really
>deconstruct and collage music to make it a totally new thing.  I had a
>chance to hear and talk to DJ Spooky, and he was amazing.  Very smart,
>and great at his craft.  Now there is a musician.
>
>A playlist isn't called a
>song, because it isn't.

I'm havin this on three different groups ATM!

I came up with this really interesting analogy :

Take Micheal Jordan.

He did things with a basketball that nobody ever did before.
He was the best player of his generation by miles.
You could kinda say he raised basketball to an "ARTFORM", right?

Does that make basketball an art? Does that make me an artist because I play 
basketball? I think not!!

Just because DJ Spooky could be described as a "MUSICIAN", it doesn't 
automatically mean that ALL DJ's are MUSICIANS. Not by any logical structure 
I've ever seen!

I'm not passing comment on any individuals here, because I have never heard 
many of you play b4, or checked out your original stuff either.
I can mix, as well as having started writing my own music, and I don't 
consider myself a MUSICIAN, because I still cant play a MUSICAL INSTRUMENT.

I think the musician/good DJ thing is more that musicians will automatically 
understand what is required. Some(?) DJ's aren't really even aware of scale 
and key to a great extent, and this could be a bit of a problem, yeah?

It's always gonna be hard finding a really, really good DJ because they all 
DJ a lot! Funny that!

I saw this in a magazine and thought it's pretty appropriate :

"Basically what I'm really trying to say here is DJ is basically an 
antiquated throwback name for something that really cant be defined in one 
word. Therefore I put forth three new categories derived from the originally 
covered group :

DJ : Radio DJ, guy and a chick with microphones, radio style presentation 
(Mainstrem commercial radio, in club form the over 30's kinda place with the 
guy on stage with give-aways, and LOTS of re-mixed pop cheese)

CP (Cut and paster) : The guy who mixes at your local house club, the DJ 
mixes smoothly from one song to another all night, but nothing more 
adventurous than that! Might drop the killer tunes, but does so in a very 
predictable and boring way.

DM (disc master, vinyl or CD) : The DJ who takes three copies of the same 
tune and makes something completely different out of it in the mix. The DJ 
who pitches all his records to 135 bpm and sees exactly what key there in 
and catologs them all, so he can actually play in key!"


Gaz

P.S. It was a fairly sarcastic article.
_________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.

From Loopers-Delight-request@loopers-delight.com  Sun May 20 22:57:24 2001
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From: "omjn" <eightohm@iinet.net.au>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: playing w/ dj's: a playlist is not a song
Date: Mon, 21 May 2001 10:54:58 +0800
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I just don't get what all this is about.  As far as I can tell, the question
is, "do the actions of DJ's produce music?".  Obviously, putting questions
of taste aside, the answer is yes.

It seems then, that this debate is not so much about music production and
instrumentalism, but ownership and intellectual property issues.  If that is
the case, how many traditional instrumentalists can honestly say that every
riff, chord or finger permutation, or every rhythm they make is 100%
original or their own and therefore not open to the same questions of
authenticity?

aside from this, however, i'm reading a prallel to this at the moment in
debate about artificial life.  the pro Alife team says well we can make
something that satisifies all the qualities the other team regards as
defining life.  The other team hears this and just says well stuff you, we
just changed the definition.

Such is the trickiness of static categories in a dynamic humanity, i guess

omjn



From Loopers-Delight-request@loopers-delight.com  Sun May 20 23:32:48 2001
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Date: Sun, 20 May 2001 20:30:36 -0700
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I believe that the the act of crossfading/beatmatching dance songs together, 
while certainly being something that takes a large amount of practice and 
skill, doesn't make you any more of a musician than the curator of an art 
exhibit is an artist.

However, to say it's not a musical instrument is silly. We all know that's 
up to the National Committee of Musical Instrument Determination (NACMID). 
Last I knew, they were still arguing whether electric guitars were able to 
make anything other than "horrible awful Satan-noise," so it could take a 
while before they get around to answering the question at hand.

>I think the musician/good DJ thing is more that musicians will 
>automatically
>understand what is required. Some(?) DJ's aren't really even aware of scale
>and key to a great extent, and this could be a bit of a problem, yeah?

So are people who create music from finding/making up things that just sound 
good together no longer musicians? Are compositions/improvisations that work 
outside of centuries-old musical rules simply not music anymore?

Matt


>From: "Gary Waters" <klumzeegary@hotmail.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: playing w/ dj's: a playlist is not a song
>Date: Mon, 21 May 2001 10:26:03 +0800
>
>This is f*#kin strange,
>
>>ah how right you are.  I am in total agreement, however I have to say
>>that DJs that cue up and crossfade someone else's prerecorded music,
>>really don't in my mind belong in the same group as those that really
>>deconstruct and collage music to make it a totally new thing.  I had a
>>chance to hear and talk to DJ Spooky, and he was amazing.  Very smart,
>>and great at his craft.  Now there is a musician.
>>
>>A playlist isn't called a
>>song, because it isn't.
>
>I'm havin this on three different groups ATM!
>
>I came up with this really interesting analogy :
>
>Take Micheal Jordan.
>
>He did things with a basketball that nobody ever did before.
>He was the best player of his generation by miles.
>You could kinda say he raised basketball to an "ARTFORM", right?
>
>Does that make basketball an art? Does that make me an artist because I 
>play
>basketball? I think not!!
>
>Just because DJ Spooky could be described as a "MUSICIAN", it doesn't
>automatically mean that ALL DJ's are MUSICIANS. Not by any logical 
>structure
>I've ever seen!
>
>I'm not passing comment on any individuals here, because I have never heard
>many of you play b4, or checked out your original stuff either.
>I can mix, as well as having started writing my own music, and I don't
>consider myself a MUSICIAN, because I still cant play a MUSICAL INSTRUMENT.
>
>I think the musician/good DJ thing is more that musicians will 
>automatically
>understand what is required. Some(?) DJ's aren't really even aware of scale
>and key to a great extent, and this could be a bit of a problem, yeah?
>
>It's always gonna be hard finding a really, really good DJ because they all
>DJ a lot! Funny that!
>
>I saw this in a magazine and thought it's pretty appropriate :
>
>"Basically what I'm really trying to say here is DJ is basically an
>antiquated throwback name for something that really cant be defined in one
>word. Therefore I put forth three new categories derived from the 
>originally
>covered group :
>
>DJ : Radio DJ, guy and a chick with microphones, radio style presentation
>(Mainstrem commercial radio, in club form the over 30's kinda place with 
>the
>guy on stage with give-aways, and LOTS of re-mixed pop cheese)
>
>CP (Cut and paster) : The guy who mixes at your local house club, the DJ
>mixes smoothly from one song to another all night, but nothing more
>adventurous than that! Might drop the killer tunes, but does so in a very
>predictable and boring way.
>
>DM (disc master, vinyl or CD) : The DJ who takes three copies of the same
>tune and makes something completely different out of it in the mix. The DJ
>who pitches all his records to 135 bpm and sees exactly what key there in
>and catologs them all, so he can actually play in key!"
>
>
>Gaz
>
>P.S. It was a fairly sarcastic article.
>_________________________________________________________________________
>Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
>

_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Sun May 20 23:38:58 2001
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yes...best to just keep smilin and talk to the people who interest you
intellectually and humourously    joe

"Do What Thou Wilt,Shall Be the Whole Of the Law"

From Loopers-Delight-request@loopers-delight.com  Mon May 21 05:33:54 2001
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Date: Mon, 21 May 2001 10:31:12 -0700
Subject: DJs/Turntablists etc.... 
From: Steve Lawson <steve@steve-lawson.co.uk>
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>>>I know in my case my prejudice in viewing turntablists as less creative
than "real" musicians was simply because for a long time my only exposure
to this technique was seeing really bad amateur scratchers ripping off the
same bunch of beats, while someone tried to break-dance.<<<

But was that just because, as a style it was underdeveloped - early Rock 'n'
Roll sounds incredibly unsophisticated now - there's a certain naive charm
to Bill Hailey and The Everly Brothers, but it's not the height of
creativity now, even though at the time it was considered rather risque :o)

the turntable stuff that came out in the late 70s/early 80s was, as far as I
can, the most radical and empowering shift in popular music culture since...
well, probably in the history of pop... The shift that has taken place in
so-called 'art' music, from note-autonomy to a sound-based musical ethic
that validated ambience, tape music, natural sounds and synth sounds hasn't
really impacted 'pop' music - the progsters and such like who did make
advances in this way were as much a part of the 20thC 'classical' tradition
as they were pop. 

But hip-hop and the sampling revolution, and the use of turntables as a way
of recycling prerecorded material to make the building blocks available to
rap over the top of was a radical rethinking of pop music, and it was a
street level thing, borne as much out of neccessity it seems - kids in inner
city new york with a whole heap of creativity but not access to the studios
that were required to make the music they were listening to (this wasn't
really a 'guitars round the campfire' culture!), worked out a way to use
records in a creative way, recycling and recombining pre-recorded sounds in
a new way, giving the world a new approach to rhythm (drummers play so
differently now in this age of sampling and cut 'n' paste music), and a new
way of looking at the importance of harmony. One of the wonderful things
with turntables and sampling is that the strangle-hold of 'functional
harmony' in pop had gone - samples that clashed harmonically were still
combined if it just 'worked' sonically - sound won and theory took a
beating. I know that my own looping philosophy is hugely influenced by that
whole elevation of sound idea...

there are some unbelieveably creative turntablists out there, and some
rubbish ones. Some DJ Shadows and some muppets who crap on great records
(though whether or not what Puff Daddy and Will Smith do is 'valid' or not
is really not for me to say - I do like Will's moves though... :o)

musical revolution started by inner city black kids? surely not!

Steve 
www.steve-lawson.co.uk  

From Loopers-Delight-request@loopers-delight.com  Mon May 21 08:39:22 2001
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Subject: Re: playing w/ dj's
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kflint@loopers-delight.com writes:
>personally I found
>a lot of inspiration in turntablists lately that I haven't found from
>players of my own instrument in years.

same, here.
best,
dt / s-c

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ko-jella@webtv.net writes:
>but i still see a basic flaw being that nomatter how many hours a day
>the "turntablist"puts in to practicing his "instrument"ha ha, he/she is
>still working with some one elses musical creation.pushing a jimmy page
>album back and forth on a table ,by no stretch,makes you a guitar player
>or ,i should say ,a musician
sorry; that's just ridiculous.

follows my unwanted suggestions to some folks on this list (who are, most 
likely, guitar players):
get outta the house;
go hear some music that ye haven't heard yet.
buy some new cd's/vinyls, ones that ye normally wouldn't, & listen to 'em.
spend just one occasional day thinking about yer instrument as an unknown 
object, but play with it, anyway.
open it up, thas'all:
just open it up: forget all the pedagogic tripe, including this bullshit that 
i'm spewing.

>to compare this to the talent of charlie
>parker.......at least the loopers are getting away from taking other
>peoples music and looping it and instead using generic sounds....
dude / dudesse:
this is really ignorant;
please take a sharp look at yer use of the word 'generic', in regards to your 
own 'music creation'.
what's the big difference, when 'emulation' is the basis for 'creation'?

and, after all..... after looking at the references in yer previous post..... 
well, warren haynes ain't no charlie parker, neither.

'sliding yer fingers up & down the strings trying to repeat the previous 
'musical creations' of jimmy page (or whomever) does not make you a guitar 
player, erm, musician'.

best,
dt / s-c


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skza@nabi.net writes:
>What I don't see is why here there
>is such an attitude of dismissal-  I would have expected a more open mindset
>here.
me, too.
dt / s-c

From Loopers-Delight-request@loopers-delight.com  Mon May 21 09:19:55 2001
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ko-jella@webtv.net writes:
>beauty endures,like Em9!!
my experience of beauty is not limited to Em9.
dt / s-c

From Loopers-Delight-request@loopers-delight.com  Mon May 21 09:29:34 2001
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Subject: Re: playing w/ dj's: a playlist is not a song
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ko-jella@webtv.net writes:
>"Do What Thou Wilt,Shall Be the Whole Of the Law"
crowley's so-called 'law' (!ha!) does not apply to any except those who 
accept its consequences.
dt / s-c

From Loopers-Delight-request@loopers-delight.com  Mon May 21 09:43:21 2001
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From: "Italo De Angelis" <italoop@libero.it>
To: <Loopers-Delight@loopers-delight.com>
References: <27462-3B07F8EF-277@storefull-244.iap.bryant.webtv.net> <v04205502b72dbb562c55@[64.81.209.235]>
Subject: Re: Fractal looping
Date: Mon, 21 May 2001 15:39:39 +0200
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For all of you interested in Fractal Looping, this is a multi lines
technique of looping. The idea is to have a main looping line with, say, 3
more lines. The fractal relation between them is about time length of loops:
it will be set in a way to get polyrhythms between different copies of the
same audio material. For instance, I might loop 4 bars of audio, in 4/4 at
130bpm; then I might choose that a second looper will repeat a 2 bars
truncated audio portion of the original, a third looper will repeat 11/8 of
the original loop and a fouth one maybe 5/8 or a dotted 1/2. Usually I build
also tap tempo lfos that will pan the four loops around in quad audio,
according to the same rhythmic values or to different ones, in a circle, or
cross or whatever other pattern or even randomly. I can also use pitch
shifters that will transpose monophonic loops to presets intervals (or
chords) according to the same rhythmic values. At the same time Orville
allows me to pre AND post process all those loops with dedicated AND common
fx, like ring modulators, modulatable filters, chorus, flanger, phaser,
shifters, verbs, reverse shifters, reverse delays, reverbs, lo-fi manglers
and ANYthing else I might think of.
I can also sample the whole thing in real time, edit it to change speed,
pitch or both, process the sample with FX...all in one 24bit box, with 4
minutes and 23 seconds of audio memory TOTALLY addressable by delay style
loopers and samplers.
Programs can have almost unlimited number of looping lines, form 1 up to a
couple of dozens...if you really want to get THAT crazy. Tom, SE70 is a VERY
cool box but...forget this applications, we're talking OPEN system here,
meaning the user can totally configure the box in ANY way, building
algorithms on the unit or on a PC with Vsig, Eventide's graphical editor
freeware. If you all want to know more about the power AND the freedom of
Eventides, you can download manuals from www.eventide.com and follow the
VERY active Eventide users list on Yahoo.
Post message: eventide-users@yahoogroups.com
Subscribe:  eventide-users-subscribe@yahoogroups.com
Unsubscribe:  eventide-users-unsubscribe@yahoogroups.com
List owner:  eventide-users-owner@yahoogroups.com
URL to this page: http://groups.yahoo.com/group/eventide-users

Best regards.........Italoop





----- Original Message -----
From: "Tom Ritchford" <tom@swirly.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, May 20, 2001 8:21 PM
Subject: Re: Fractal looping


> >16 delay lines at same time.....you talking big money,no?????
>
> my cheapsie little Boss SE-70 has a 20-tap flange so it's
> quite do-able without fancy hardware.
>
> in fact, you could have "as many taps as you liked" on a
> single delay line and not really consume very much CPU...
>
> /t
>
>
> ...electronic a cappella madness <http://volectrix.com>.........
> ...extreme internet radio        <http://extremeNY.com/radio>...
>

From Loopers-Delight-request@loopers-delight.com  Mon May 21 09:48:17 2001
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In a message dated 5/21/01 8:28:11 AM EST, Hedewa7@aol.com writes:

> ko-jella@webtv.net writes:
>  >"Do What Thou Wilt,Shall Be the Whole Of the Law"
>  crowley's so-called 'law' (!ha!) does not apply to any except those who 
>  accept its consequences.
>  dt / s-c
>  

- crowley ie: junkie, madman... decent novelist; weird human tho...

From Loopers-Delight-request@loopers-delight.com  Mon May 21 09:51:23 2001
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Subject: Re: playing w/ dj's
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 The actual discussion about the DJ stuff amuses me a little bit.
At least I have no problems or an invisible border in my brain,to work
together
with a DJ.Maybe in a band,maybe a saideman or maybe the DJ as sideman.

I trace myself as a musican who plays mainly guitar.But some would say,this
guy is
not a real guitarist,because he uses so many FX/devices and his sound is not
the
standard E-guitarsound we used to know from a Strat/Paula directly to the
Marshall
Amp.Oh yeah,if this should be the relation I am really not a guitarist.
In the guitar world we had and have enough debates about Tube or Transistor,
Paula or Strat,now Vitual Pod front against analog Stompboxes and so and
on....
At least it is not a debate about music,it is only a debate about technology
to 
realize an audio artwork.

I have listened to a lot of DJ´s who were really only the Master of a
programme list.
But I have also listened to a lot of guitarists who played down only the
score.
Another question is,if a member of a symphony orchestra(a Basson player for
examole)
could be called a musican.He plays also only fixed material from a fixed
score.
At least a programme list.Would you call him a Non-Musican ? I guess not.

Let us take a view to the composer side.I like Maurice Ravel a lot,because
of his
wonderful and colourful instrumentation.He was original a Pianoplayer.So he
was
a piano musican.As composer he was able to expand this ideas from piano to a
big
Symphony Orchestra.Maurice was not a trained musican for each single
instrument of
an orchestra.Nevertheless he was able to tease out all this wonderful
colourings 
from a piano part. From the piano part alone,you can not hear the version
for 
symphony orchestra.It needs the imagination and artistic spirit to tranform
a piano
part to an extrordianry Orchestra part.Listen to Daphins and Cloe or the
"Pictures of
an exhibition".Pictures was composed by Modest Mussorgsky for Piano,Maurice
Ravel
did the instrumentation for it.
In a non correct way I could easy claim,that Maurice was an early
pre-electronic DJ.
Like evry other piano player who composed for orchestra.

The DJ question is a little worse.Most people think of DJ,that he is someone
who 
spools down a playlist,with some funny comments.Well,a Radio DJ for example.
This is a basic form.
The next step is the DJ,who uses his sound sources for some easy
soundmanipulating.
Like scratching.The mass of +30 people will think immidiately of breakdance.
A prejudice.....
But for a generation before,all guitar heroes were in their mind,Hippies on
speed.
Also a prejudice.....

Around 1955 we had to schools in Europe.The electronic Studio in
Cologne,with its
additive synthesis sound(Stockhuasen,Koenig...) and the Musique Concrete in
Paris
(Pierre Schaeffer....),the Paris-studio worked a lot with real sounds and
the pre
aera of Vinyl.So it could be traced as the pre-sampling and DJ phase.
They used sonic material to manipulate already existing sounds,so they would
get in 
another musical context.

Later on such manipulation was determined as "Life-electronic",with
bandloops and 
early synth.-gear.
It was never a question,that the "Life Electronic" guy,was mentioned as
musican.

The nowadays DJ is a musican.Life electronic made an evolution.Hardware made
big steps
in development.Like once and still on for the E-guitar.
A DJ has totally different possibilities to a "Old school" musican.A DJ will
seldom
reach the musicality vision of an E-guitartit.Otherwise an E-guitarist will
never
seldom reach the optimum of a DJ.
An E-guitarist will also seldom reach the acoustic guitar heaven.Like
otherwise.

A good DJ has discovered with his experience and individual insights a world
of new
musical textures,like an E-guitarist who has been busy for years,or a
Basoonist.

A bad DJ will be a bad DJ,a bad guitarist will be a bad guitarist,a bad
basoonist
will be a bad basoonist.

If we would be really strict musicans,then we should leave our fingers from
all
artifical instruments.The only natural instrument we all own is our voice.
So we have to open a big barber shop.Well,the voice is very flexible.
Each other instrument is artifical.Or have you ever seen a Violintree ?

A massive problem is the question of the copyright.Most DJs use a real short
frag
form existing material,so that it will not be recognized,where it really was
from.
A lot of guitar players use little licks and riffs,wich were played so many
times
before.But they sat it into a different context,so that the origin context
is not
listenable anymore.
Ripping off is not a new way,a lot of musican before us ripped of the little
licks
form preexisting material,to a new context.

If we were really strict,each musican has to pay royalities to the one,who
invented
the musical system of twelve tones per octave.Or stranger,Harry partch who
would 
have been this year 100 years old,had invented a 43 steps scale through an
octave.
Each time you reach his frequency,you must pay royality. :_)

Such discussion makes no sense,like the discussion if a DJ is a musican or
not.

Of course there are plenty of so called DJs out,where we only can fart......
But there enough other instrumentalists out,where we can fart...a lot.

There is no good or bad music outside.There is only music we like or
dislike.
This is and will be always an individual decison.

At the end,it is not interesting for me,how the music was produced,wich came
so close
to my heart,that I will call an acoustic sound MUSIC.
It is only important,that this music had touched me,for whatever reasons.


Marty
















 







































From Loopers-Delight-request@loopers-delight.com  Mon May 21 10:24:38 2001
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Subject: Re: Fractal looping
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     Fortunately now a better description of "Fractional Looping".I was not
sure,if it was only
meant for one special device,so I kept quiet.

>From that,what Italo described,I labeled this way of looping as
"Poly-Looping" for my own looping.
As I use also RingModulation and Frequencyshaping devices in my guitar
gear,fractional looping
has another sense to me. ;-)

I use now up to eight loop devices,wich can establisch up to 12 seconds of
looping.This all is 
switched to a fexible rooting board.A kind of footpedal mixing console.

The for me intersiting way of playing with such odd loops is the
polyrhythmic experience.
For a Stereo Setup it means,left looping device has 12 seconds of delay,the
right 11 seconds.
Both with adjusted regenaration,wich can be expanded or compressed in
realtime.
The fluctuation of sound will be surprisingNow multiply it with eight
sources with different
settings in time.The result will be always new and surprising.
Only with such a delay section,you can bring a simple guitar to an
incredible PAD-sound.
But when you use afterwards some Ringmodulation or other synth related
Waveformshaping the result
will be always new.

But fractional delaying is a playfield,wich needs strong nerves.It is like a
blank sheet of paper.
Once you started with it,it will get an own life.
It can be polyrhythmical,it can also be a PAD-sound changing extremly.Real a
fine way to experience
new sounds.Harmonically or Rhythmically.It depends on you.The field is wide
open.
Well,this works also for other instruments.

Marty








----------
>Von: "Italo De Angelis" <italoop@libero.it>
>An: <Loopers-Delight@loopers-delight.com>
>Betreff: Re: Fractal looping
>Datum: Mon, 21. Mai 2001 15:39 Uhr
>

>For all of you interested in Fractal Looping, this is a multi lines
>technique of looping. The idea is to have a main looping line with, say, 3
>more lines. The fractal relation between them is about time length of loops:
>it will be set in a way to get polyrhythms between different copies of the
>same audio material. For instance, I might loop 4 bars of audio, in 4/4 at
>130bpm; then I might choose that a second looper will repeat a 2 bars
>truncated audio portion of the original, a third looper will repeat 11/8 of
>the original loop and a fouth one maybe 5/8 or a dotted 1/2. Usually I build
>also tap tempo lfos that will pan the four loops around in quad audio,
>according to the same rhythmic values or to different ones, in a circle, or
>cross or whatever other pattern or even randomly. I can also use pitch
>shifters that will transpose monophonic loops to presets intervals (or
>chords) according to the same rhythmic values. At the same time Orville
>allows me to pre AND post process all those loops with dedicated AND common
>fx, like ring modulators, modulatable filters, chorus, flanger, phaser,
>shifters, verbs, reverse shifters, reverse delays, reverbs, lo-fi manglers
>and ANYthing else I might think of.
>I can also sample the whole thing in real time, edit it to change speed,
>pitch or both, process the sample with FX...all in one 24bit box, with 4
>minutes and 23 seconds of audio memory TOTALLY addressable by delay style
>loopers and samplers.
>Programs can have almost unlimited number of looping lines, form 1 up to a
>couple of dozens...if you really want to get THAT crazy. Tom, SE70 is a VERY
>cool box but...forget this applications, we're talking OPEN system here,
>meaning the user can totally configure the box in ANY way, building
>algorithms on the unit or on a PC with Vsig, Eventide's graphical editor
>freeware. If you all want to know more about the power AND the freedom of
>Eventides, you can download manuals from www.eventide.com and follow the
>VERY active Eventide users list on Yahoo.
>Post message: eventide-users@yahoogroups.com
>Subscribe:  eventide-users-subscribe@yahoogroups.com
>Unsubscribe:  eventide-users-unsubscribe@yahoogroups.com
>List owner:  eventide-users-owner@yahoogroups.com
>URL to this page: http://groups.yahoo.com/group/eventide-users
>
>Best regards.........Italoop
>
>
>
>
>
>----- Original Message -----
>From: "Tom Ritchford" <tom@swirly.com>
>To: <Loopers-Delight@loopers-delight.com>
>Sent: Sunday, May 20, 2001 8:21 PM
>Subject: Re: Fractal looping
>
>
>> >16 delay lines at same time.....you talking big money,no?????
>>
>> my cheapsie little Boss SE-70 has a 20-tap flange so it's
>> quite do-able without fancy hardware.
>>
>> in fact, you could have "as many taps as you liked" on a
>> single delay line and not really consume very much CPU...
>>
>> /t
>>
>>
>> ...electronic a cappella madness <http://volectrix.com>.........
>> ...extreme internet radio        <http://extremeNY.com/radio>...
>>
>

From Loopers-Delight-request@loopers-delight.com  Mon May 21 10:31:18 2001
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From: "Italo De Angelis" <italoop@libero.it>
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...and think you can do THIS all with just ONE POWERFUL unit, MARTIN ! ! !




----- Original Message -----
From: "Martin Tauchen" <Pohon-Kelapa@t-online.de>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, May 21, 2001 4:19 PM
Subject: Re: Fractal looping


>      Fortunately now a better description of "Fractional Looping".I was
not
> sure,if it was only
> meant for one special device,so I kept quiet.
>
> From that,what Italo described,I labeled this way of looping as
> "Poly-Looping" for my own looping.
> As I use also RingModulation and Frequencyshaping devices in my guitar
> gear,fractional looping
> has another sense to me. ;-)
>
> I use now up to eight loop devices,wich can establisch up to 12 seconds of
> looping.This all is
> switched to a fexible rooting board.A kind of footpedal mixing console.
>
> The for me intersiting way of playing with such odd loops is the
> polyrhythmic experience.
> For a Stereo Setup it means,left looping device has 12 seconds of
delay,the
> right 11 seconds.
> Both with adjusted regenaration,wich can be expanded or compressed in
> realtime.
> The fluctuation of sound will be surprisingNow multiply it with eight
> sources with different
> settings in time.The result will be always new and surprising.
> Only with such a delay section,you can bring a simple guitar to an
> incredible PAD-sound.
> But when you use afterwards some Ringmodulation or other synth related
> Waveformshaping the result
> will be always new.
>
> But fractional delaying is a playfield,wich needs strong nerves.It is like
a
> blank sheet of paper.
> Once you started with it,it will get an own life.
> It can be polyrhythmical,it can also be a PAD-sound changing extremly.Real
a
> fine way to experience
> new sounds.Harmonically or Rhythmically.It depends on you.The field is
wide
> open.
> Well,this works also for other instruments.
>
> Marty
>
>
>
>
>
>
>
>
> ----------
> >Von: "Italo De Angelis" <italoop@libero.it>
> >An: <Loopers-Delight@loopers-delight.com>
> >Betreff: Re: Fractal looping
> >Datum: Mon, 21. Mai 2001 15:39 Uhr
> >
>
> >For all of you interested in Fractal Looping, this is a multi lines
> >technique of looping. The idea is to have a main looping line with, say,
3
> >more lines. The fractal relation between them is about time length of
loops:
> >it will be set in a way to get polyrhythms between different copies of
the
> >same audio material. For instance, I might loop 4 bars of audio, in 4/4
at
> >130bpm; then I might choose that a second looper will repeat a 2 bars
> >truncated audio portion of the original, a third looper will repeat 11/8
of
> >the original loop and a fouth one maybe 5/8 or a dotted 1/2. Usually I
build
> >also tap tempo lfos that will pan the four loops around in quad audio,
> >according to the same rhythmic values or to different ones, in a circle,
or
> >cross or whatever other pattern or even randomly. I can also use pitch
> >shifters that will transpose monophonic loops to presets intervals (or
> >chords) according to the same rhythmic values. At the same time Orville
> >allows me to pre AND post process all those loops with dedicated AND
common
> >fx, like ring modulators, modulatable filters, chorus, flanger, phaser,
> >shifters, verbs, reverse shifters, reverse delays, reverbs, lo-fi
manglers
> >and ANYthing else I might think of.
> >I can also sample the whole thing in real time, edit it to change speed,
> >pitch or both, process the sample with FX...all in one 24bit box, with 4
> >minutes and 23 seconds of audio memory TOTALLY addressable by delay style
> >loopers and samplers.
> >Programs can have almost unlimited number of looping lines, form 1 up to
a
> >couple of dozens...if you really want to get THAT crazy. Tom, SE70 is a
VERY
> >cool box but...forget this applications, we're talking OPEN system here,
> >meaning the user can totally configure the box in ANY way, building
> >algorithms on the unit or on a PC with Vsig, Eventide's graphical editor
> >freeware. If you all want to know more about the power AND the freedom of
> >Eventides, you can download manuals from www.eventide.com and follow the
> >VERY active Eventide users list on Yahoo.
> >Post message: eventide-users@yahoogroups.com
> >Subscribe:  eventide-users-subscribe@yahoogroups.com
> >Unsubscribe:  eventide-users-unsubscribe@yahoogroups.com
> >List owner:  eventide-users-owner@yahoogroups.com
> >URL to this page: http://groups.yahoo.com/group/eventide-users
> >
> >Best regards.........Italoop
> >
> >
> >
> >
> >
> >----- Original Message -----
> >From: "Tom Ritchford" <tom@swirly.com>
> >To: <Loopers-Delight@loopers-delight.com>
> >Sent: Sunday, May 20, 2001 8:21 PM
> >Subject: Re: Fractal looping
> >
> >
> >> >16 delay lines at same time.....you talking big money,no?????
> >>
> >> my cheapsie little Boss SE-70 has a 20-tap flange so it's
> >> quite do-able without fancy hardware.
> >>
> >> in fact, you could have "as many taps as you liked" on a
> >> single delay line and not really consume very much CPU...
> >>
> >> /t
> >>
> >>
> >> ...electronic a cappella madness <http://volectrix.com>.........
> >> ...extreme internet radio        <http://extremeNY.com/radio>...
> >>
> >
>

From Loopers-Delight-request@loopers-delight.com  Mon May 21 10:40:19 2001
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Italo De Angelis wrote:
> 
> ...and think you can do THIS all with just ONE POWERFUL unit, MARTIN ! ! !
> 

Italo

why do you own two of them ?
isnt one enough to fill the complete spectrum with a wall of sounds and
events
what could you use a second orville for


Claude

From Loopers-Delight-request@loopers-delight.com  Mon May 21 10:40:41 2001
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Subject: EarthLight Online at Live365
Date: Mon, 21 May 2001 15:38:06 +0100
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Available now for on-demand listening!

http://www.live365.com/stations/218194

Stephen Goodman
http://www.earthlight.net/Gallery_Front.html - Cartoons & Illustrations
http://www.earthlight.net/Studios * The free Loop of the Week!

From Loopers-Delight-request@loopers-delight.com  Mon May 21 10:51:18 2001
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Claude, mastering cds, processing my Emu sampler, using it as a digital gtr
double preamp with band fuzz and with morphing functions between different
preamp structures, real time MULTI TRACK sampling, studio applications in
general...one unit in a case for ON THE ROAD use...the other stays home ! !
! Many other reasons...also when looping AND sampling structure get VERY
heavy...VERY VERY heavy, the other unit becomes the FX processor...

 ;-)    Italo

----- Original Message -----
From: "Claude Voit" <c.voit@vtx.ch>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, May 21, 2001 6:35 PM
Subject: Re: Fractal looping


> Italo De Angelis wrote:
> >
> > ...and think you can do THIS all with just ONE POWERFUL unit, MARTIN ! !
!
> >
>
> Italo
>
> why do you own two of them ?
> isnt one enough to fill the complete spectrum with a wall of sounds and
> events
> what could you use a second orville for
>
>
> Claude
>

From Loopers-Delight-request@loopers-delight.com  Mon May 21 11:02:42 2001
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Subject: Re: Fractal looping
From: Pohon-Kelapa@t-online.de (Martin Tauchen)
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I don´t think that Italo follows the wall of sound of Phil Spector ! Well it
was monophonic.

Marty
----------
>Von: Claude Voit <c.voit@vtx.ch>
>An: Loopers-Delight@loopers-delight.com
>Betreff: Re: Fractal looping
>Datum: Mon, 21. Mai 2001 18:35 Uhr
>

>Italo De Angelis wrote:
>> 
>> ...and think you can do THIS all with just ONE POWERFUL unit, MARTIN ! ! !
>> 
>
>Italo
>
>why do you own two of them ?
>isnt one enough to fill the complete spectrum with a wall of sounds and
>events
>what could you use a second orville for
>
>
>Claude
>

From Loopers-Delight-request@loopers-delight.com  Mon May 21 11:07:15 2001
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Well...2001...SURROUND ! ! !


----- Original Message -----
From: "Martin Tauchen" <Pohon-Kelapa@t-online.de>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, May 21, 2001 4:55 PM
Subject: Re: Fractal looping


> I don´t think that Italo follows the wall of sound of Phil Spector ! Well
it
> was monophonic.
>
> Marty
> ----------
> >Von: Claude Voit <c.voit@vtx.ch>
> >An: Loopers-Delight@loopers-delight.com
> >Betreff: Re: Fractal looping
> >Datum: Mon, 21. Mai 2001 18:35 Uhr
> >
>
> >Italo De Angelis wrote:
> >>
> >> ...and think you can do THIS all with just ONE POWERFUL unit, MARTIN !
! !
> >>
> >
> >Italo
> >
> >why do you own two of them ?
> >isnt one enough to fill the complete spectrum with a wall of sounds and
> >events
> >what could you use a second orville for
> >
> >
> >Claude
> >
>

From Loopers-Delight-request@loopers-delight.com  Mon May 21 11:13:38 2001
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Date: Tue, 22 May 2001 12:08:42 +0800
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Subject: re: playing with DJs
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>Stephen wrote:
>"Nope, a turntable isn't a musical instrument no matter how great it
>sounds."
>
>Ouch!!!!!   Listen to DJ Shadow's record, "Endtroducing" and tell me that
>the turntable is not an instrument.
>I believe an instrument is any device with which a musician makes music.
>That was a more creative, innovative,
>and musical record than 90% of all of the convential instrument recordings
>that were put out that year.
>

I dont like to stretch words too much. Since about any object creates 
some sound and with any sound music can be created, all objects would 
be musical instruments so the word looses its sense and nothing is 
acomplished. We should give meaning to words, not destroy them.
The expression is usefull when limited to objects that are built or 
at least modified for that purpose. But I am not going into the 
discussion whether and which turn tables are made to creat music...
-- 


          ---> http://Matthias.Grob.org

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Date: Tue, 22 May 2001 12:06:25 +0800
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Subject: Re: OT: Signal overloading analog gear bad?
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>Hmmmmmm.....?

I understand Cliff wants to overdrive the units and asks whether this 
can DAMAGE.
No, no problem, just go ahead!

>
>Maybe you should use a compressor/Limiter to bring your sound on an
>acceptable level.
>
>Analog Clipping is ouch !
>DSigital Clipping is strange.
>Try a smnooth compressor setting,and maybe later expand it again to get full
>dynamic.
>
>Martin
>
>----------
>>Von: "Om_Audio" <clifsound@mediaone.net>
>>An: <Undisclosed-Recipient:@hemlock.violacea.com;>
>>Betreff: OT: Signal overloading analog gear bad?
>>Datum: Sam, 19. Mai 2001 10:47 Uhr
>>
>
>>Is it bad to overload analog audio equipment? I'm quite enjoying momentarily
>>sending these drums into my Lexicon Jam Man and the clipping that is
>>occuring- just not sure if this can actually damage anything or not?
>>
>>Cliff
>>


-- 


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Mon May 21 11:23:24 2001
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Date: Mon, 21 May 2001 08:13:07 -0700
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From: rich <rich@nuvisionsca.com>
Subject: Re: Repeater Demo in Marin!
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>I asked Don about disabling the pitch shift from the time stretch, I'd like
>the option of changing the delay time and getting pitch shifts like an old
>digital delay, especially being able to overdub thru different settings,
>but this is kinda an esoteric request,,,
>
>Best-
>
>Mark

Mark...thanks for bringing this up.  IMO, this IS NOT AN ESOTERIC 
REQUEST.  With the power that the Repeater packs, can this not be 
done?  If not now, maybe with a software update?

To me, this would be the total icing on the cake and the clincher for 
me getting a Repeater...maybe more than one.  The only reason i've 
got my Digitech PDS pedals anymore is for just that (and the hold 
button).

Electrix....please, please, please?

thanks for the reviews, gentlemen.

rich

From Loopers-Delight-request@loopers-delight.com  Mon May 21 11:50:16 2001
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Date: Mon, 21 May 2001 17:45:48 +0200
Subject: Re: Fractal looping
From: Pohon-Kelapa@t-online.de (Martin Tauchen)
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 A pity late to mention surround as the alternative to the MONO shift salad
of Phil Spector.
Room sound is not a new thing.At least an old thing.

After establishing Stereo Sound,the engineers were busy to make a
quadrophonic sound in the early
seventies.
Traced from this,todays surround sound is old dutch cheese.

Tjhe problem of todays surround is the compression.For movie it is OK.For
Audio a worse situation.
A Stereo signal gets splitted up in pseudo surround
action.FARRRRRRRRRT.......

Does someone remeber the World Exhibitiomn in Osaka 1970 ? Stockhausen had a
Pavillion for 
surrounding sound on this fair.Does someone remember ? 
Well,the sound of this construction was much better as what we call today
"SURROUND".

It needed a flexible kind of live electronic musican,today we would call it
DJ,to bring this
sounds to the folks.
30 years later we still grabble in a sound,wich could be expanded more.

I stil have not heard a DVD wich shows another direction.DVD can,but it
depends on the artist.
So todays   surround is only a shadow of that,what could be really possible
! 

Martin









----------
>Von: "Italo De Angelis" <italoop@libero.it>
>An: <Loopers-Delight@loopers-delight.com>
>Betreff: Re: Fractal looping
>Datum: Mon, 21. Mai 2001 17:03 Uhr
>

>Well...2001...SURROUND ! ! !
>
>
>----- Original Message -----
>From: "Martin Tauchen" <Pohon-Kelapa@t-online.de>
>To: <Loopers-Delight@loopers-delight.com>
>Sent: Monday, May 21, 2001 4:55 PM
>Subject: Re: Fractal looping
>
>
>> I don´t think that Italo follows the wall of sound of Phil Spector ! Well
>it
>> was monophonic.
>>
>> Marty
>> ----------
>> >Von: Claude Voit <c.voit@vtx.ch>
>> >An: Loopers-Delight@loopers-delight.com
>> >Betreff: Re: Fractal looping
>> >Datum: Mon, 21. Mai 2001 18:35 Uhr
>> >
>>
>> >Italo De Angelis wrote:
>> >>
>> >> ...and think you can do THIS all with just ONE POWERFUL unit, MARTIN !
>! !
>> >>
>> >
>> >Italo
>> >
>> >why do you own two of them ?
>> >isnt one enough to fill the complete spectrum with a wall of sounds and
>> >events
>> >what could you use a second orville for
>> >
>> >
>> >Claude
>> >
>>
>

From Loopers-Delight-request@loopers-delight.com  Mon May 21 12:06:38 2001
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Subject: RE: playing w/ dj's: a playlist is not a song
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i also know a lot of guys who play musical instruments, but are far from
being musicians....

some are even trying to sound like warren haynes.

m

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>- crowley ie: junkie, madman... decent novelist; weird human tho...

zowee...what a thread mutation!

sure, turn that pitch/time stretch knob on your Repeater all ya's 
want...but how fast can you go from DJ's to Crowley?

i love being on this list.

however, if mr. crowley were here and an LD member, i don't think his 
posts would go over well.  me...i don't particularly like 
hyperintelligent, overbearing assholes who take pleasure in confusing 
people.  i'll take Regardie.

rich

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From: dan mcmullen <dog@well.com>
Subject: OT: "do what thou wilt"  (was Re: playing w/ dj's: a playlist
  is not a song)
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At 09:26 AM 5/21/01 EDT, dt wrote:
>ko-jella@webtv.net writes:
>>"Do What Thou Wilt,Shall Be the Whole Of the Law"
>crowley's so-called 'law' (!ha!) does not apply to any except those who 
>accept its consequences.

also, his experience of eastern religious systems provides non-obvious
interpretations of "thou" and "law" and so on.  it can be seen as a
statement of fact, more so than a statement of ethics/amorality.  of
course, ko-jella/b-bender may know all of this.

now, apply this concept to looping, turntables, music, whatever...  some
will choose to define music in certain limiting ways and experience the
consequence of limited avenues of musical exposure and exploration.  others
will choose different definitions, different, perhaps "broader", limits,
with different kinds of resulting limits on their creative output.  it's
all about choosing what limits we want to work within.  the precise
definition of 'music' is a *choice* made by all of us, and we all
experience the consequences of our individual choices.

best,
dan (who's finally given up posting on topic.  anarchy rules!  :-)
___
dan mcmullen, ca, usa                      don't worry - pay attention
mailto:dog@well.com                                       707-485-0220
pgp fingerprint  =  1C70 8D81 6B94 93A9 F2D8  9609 2122 BF70 8619 EDAF

From Loopers-Delight-request@loopers-delight.com  Mon May 21 12:54:43 2001
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'b'bender wrote:
> 
> yes...best to just keep smilin and talk to the people who interest you
> intellectually and humourously    joe
> 
> "Do What Thou Wilt,Shall Be the Whole Of the Law"

Sage advice. 93 fellow looper!

Rev. Doubt-Goat

From Loopers-Delight-request@loopers-delight.com  Mon May 21 12:56:03 2001
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Date: Mon, 21 May 2001 09:44:47 -0700
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Subject: Re: OT: Signal overloading analog gear bad?
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>>Hmmmmmm.....?
>
>I understand Cliff wants to overdrive the units and asks whether 
>this can DAMAGE.
>No, no problem, just go ahead!
>

go Cliff!  y'know, i understand they used to punch stuff through 
speakers to get some really great distortions...back in the day.

so i wonder what you could do with those new mackies...

rich

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"Stephen P. Goodman" wrote:

>  When was the last time more than two DJs
> got together in the same room to "play" together, anyway?

The one act I caught at last year's Lansing Electronica Festival was composed of
three DJs.

John McIntyre
Physics - Astronomy Domine Dept
Michigan State University
mcintyre@pa.msu.edu

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> 'sliding yer fingers up & down the strings trying to repeat the previous
> 'musical creations' of jimmy page (or whomever) does not make you a guitar
> player, erm, musician'.

I don't see much point in that either, but--if that's how someone wants to
spend his/her time, seems to me said person is a musician.  Is that so
different from sliding fingers around whatever instrument trying to play the
muscial creations of, say, Bach?



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 Hmmmmmmmmm......? 

Never met a real asshole on this list ! 
Where is the Vaseline pot,to welcome the first real asshole ?
Or maybe you prefer a golden shower ? Don´t know....
Maybe Mr.Crowley will crawl at unecpected places...Ouch ! 

Besides this basement kidding,do you really think,that on this list
appeares really assholes,who pretend to be hyperintelligent ?
I guess not.Most of us share the individual experience each one 
of us made in his life.
This can be a pool of inspiration for a few one.Not for all.
No one expects this from this list,to satisfy all.
It is impossible.

If you are looking for a real asshole,well,there are enough websites
wich will bring them to you.
This is not the place for it.

The poodle bites,the poodle chews it,
and sometimes rent a nice french bomb.

Marty






----------
>Von: rich <rich@nuvisionsca.com>
>An: Loopers-Delight@loopers-delight.com
>Betreff: Re: playing w/ dj's: a playlist is not a song
>Datum: Mon, 21. Mai 2001 18:30 Uhr
>

>>- crowley ie: junkie, madman... decent novelist; weird human tho...
>
>zowee...what a thread mutation!
>
>sure, turn that pitch/time stretch knob on your Repeater all ya's 
>want...but how fast can you go from DJ's to Crowley?
>
>i love being on this list.
>
>however, if mr. crowley were here and an LD member, i don't think his 
>posts would go over well.  me...i don't particularly like 
>hyperintelligent, overbearing assholes who take pleasure in confusing 
>people.  i'll take Regardie.
>
>rich
>

From Loopers-Delight-request@loopers-delight.com  Mon May 21 13:09:10 2001
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From: landman@wco.com (Mark Landman)
Subject: Re: Repeater Demo in Marin!
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It's kinda funny, I think we all assumed, because Repeater allows variable
speed playback, and has these nifty pitch shifters after the signal to
correct for pitch change, that it'd be able to disable the automatic pitch
correction. I know I assumed this.

If we hadn't have figured that, I'll bet it'd have been an early feature
request and included.

As it is, Don said not in this software release, but perhaps another. My
take was that it was probably something they could do, but they certainly
weren't going to mess with getting this version rock-solid by considering
adding something else.

Best-

Mark




>>I asked Don about disabling the pitch shift from the time stretch, I'd like
>>the option of changing the delay time and getting pitch shifts like an old
>>digital delay, especially being able to overdub thru different settings,
>>but this is kinda an esoteric request,,,
>>
>>Best-
>>
>>Mark
>
>Mark...thanks for bringing this up.  IMO, this IS NOT AN ESOTERIC
>REQUEST.  With the power that the Repeater packs, can this not be
>done?  If not now, maybe with a software update?
>
>To me, this would be the total icing on the cake and the clincher for
>me getting a Repeater...maybe more than one.  The only reason i've
>got my Digitech PDS pedals anymore is for just that (and the hold
>button).
>
>Electrix....please, please, please?
>
>thanks for the reviews, gentlemen.
>
>rich


From Loopers-Delight-request@loopers-delight.com  Mon May 21 13:21:24 2001
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Subject: Re: OT: Signal overloading analog gear bad?
Date: Mon, 21 May 2001 10:19:36 -0700
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First of all- I would like to congratulate Rich and his wife on their recent
anniversary- I am sorry I was unable to attend the festivities- more on that
later Rich-

As for my new Mackies- I am still cleaning myself from the first feedback
experience with those things- I cringe at the thought of another- they have
massive bass though, maybe if I feedback with my bass guitar it wont hurt
em- I'll put em awn ELEVEN first, roight! I just have to make sure I water
that tree in my back yard that grows $20s- looking a little limp...

Cliff

----- Original Message -----
From: "rich" <rich@nuvisionsca.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, May 21, 2001 9:44 AM
Subject: Re: OT: Signal overloading analog gear bad?


> >>Hmmmmmm.....?
> >
> >I understand Cliff wants to overdrive the units and asks whether
> >this can DAMAGE.
> >No, no problem, just go ahead!
> >
>
> go Cliff!  y'know, i understand they used to punch stuff through
> speakers to get some really great distortions...back in the day.
>
> so i wonder what you could do with those new mackies...
>
> rich
>

From Loopers-Delight-request@loopers-delight.com  Mon May 21 13:21:28 2001
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Subject: Re: playing w/ dj's: a playlist is not a song
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I think he was referring to Mr. Crowley- right Rich? Err, Rich.........
heloooo......

C

----- Original Message -----
From: "Martin Tauchen" <Pohon-Kelapa@t-online.de>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, May 21, 2001 10:02 AM
Subject: Re: playing w/ dj's: a playlist is not a song


Hmmmmmmmmm......?

Never met a real asshole on this list !
Where is the Vaseline pot,to welcome the first real asshole ?
Or maybe you prefer a golden shower ? Don´t know....
Maybe Mr.Crowley will crawl at unecpected places...Ouch !

Besides this basement kidding,do you really think,that on this list
appeares really assholes,who pretend to be hyperintelligent ?
I guess not.Most of us share the individual experience each one
of us made in his life.
This can be a pool of inspiration for a few one.Not for all.
No one expects this from this list,to satisfy all.
It is impossible.

If you are looking for a real asshole,well,there are enough websites
wich will bring them to you.
This is not the place for it.

The poodle bites,the poodle chews it,
and sometimes rent a nice french bomb.

Marty






----------
>Von: rich <rich@nuvisionsca.com>
>An: Loopers-Delight@loopers-delight.com
>Betreff: Re: playing w/ dj's: a playlist is not a song
>Datum: Mon, 21. Mai 2001 18:30 Uhr
>

>>- crowley ie: junkie, madman... decent novelist; weird human tho...
>
>zowee...what a thread mutation!
>
>sure, turn that pitch/time stretch knob on your Repeater all ya's
>want...but how fast can you go from DJ's to Crowley?
>
>i love being on this list.
>
>however, if mr. crowley were here and an LD member, i don't think his
>posts would go over well.  me...i don't particularly like
>hyperintelligent, overbearing assholes who take pleasure in confusing
>people.  i'll take Regardie.
>
>rich
>


From Loopers-Delight-request@loopers-delight.com  Mon May 21 14:34:30 2001
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Finally... All roads lead to the Golden Dawn!? This is mania at it's best... Crowley, Regardie... Sheesh!

-Miko

>>> rich@nuvisionsca.com 05/21/01 09:30AM >>>
>- crowley ie: junkie, madman... decent novelist; weird human tho...

zowee...what a thread mutation!

sure, turn that pitch/time stretch knob on your Repeater all ya's 
want...but how fast can you go from DJ's to Crowley?

i love being on this list.

however, if mr. crowley were here and an LD member, i don't think his 
posts would go over well.  me...i don't particularly like 
hyperintelligent, overbearing assholes who take pleasure in confusing 
people.  i'll take Regardie.

rich


From Loopers-Delight-request@loopers-delight.com  Mon May 21 15:18:36 2001
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Date: Mon, 21 May 2001 12:07:17 -0700
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i didn't bring up the Crowley reference, and my apologies for 
carrying the thread further off topic.  i was merely surprised at the 
rapid transition from DJ's to Crowley (where else but here?), and 
stating my own personal preference for Regardie's straightforward 
approach to disseminating information...in contrast to the twists, 
turns and traps of Crowley's.  I'm sure i didn't think it through 
well enough and made a flippant comment (boy, what a surprise).

back to the dj's?

best,

rich

From Loopers-Delight-request@loopers-delight.com  Mon May 21 15:27:49 2001
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But was that just because, as a style it was underdeveloped - early Rock 'n'
Roll sounds incredibly unsophisticated now - there's a certain naive charm
to Bill Hailey and The Everly Brothers, but it's not the height of
creativity now, even though at the time it was considered rather risque :o)

** ya know steve, i gotta say that the real early rock and roll shit just
smokes. unsophisticated? whatever. 
btw, the everly vocal harmonies are pretty sophisto in my view - - aparently
some guys out of liverpool thought so too. 



** overall. i doe a few dj gigs and they can be fun. my main complaint would
be the same one i have with any other musician - - sometimes a given person
can't adapt quickly enough to an improv setting . . . but this changenight
to night with all of us - - no?

stig

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charset=3Diso-8859-1">
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<TITLE>RE: DJs/Turntablists etc.... </TITLE>
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<BR>

<P><FONT SIZE=3D2>But was that just because, as a style it was =
underdeveloped - early Rock 'n'</FONT>
<BR><FONT SIZE=3D2>Roll sounds incredibly unsophisticated now - there's =
a certain naive charm</FONT>
<BR><FONT SIZE=3D2>to Bill Hailey and The Everly Brothers, but it's not =
the height of</FONT>
<BR><FONT SIZE=3D2>creativity now, even though at the time it was =
considered rather risque :o)</FONT>
</P>

<P><FONT SIZE=3D2>** ya know steve, i gotta say that the real early =
rock and roll shit just smokes. unsophisticated? whatever. </FONT>
<BR><FONT SIZE=3D2>btw, the everly vocal harmonies are pretty sophisto =
in my view - - aparently some guys out of liverpool thought so too. =
</FONT></P>
<BR>
<BR>

<P><FONT SIZE=3D2>** overall. i doe a few dj gigs and they can be fun. =
my main complaint would be the same one i have with any other musician =
- - sometimes a given person can't adapt quickly enough to an improv =
setting . . . but this changenight to night with all of us - - =
no?</FONT></P>

<P><FONT SIZE=3D2>stig</FONT>
</P>

</BODY>
</HTML>
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From Loopers-Delight-request@loopers-delight.com  Mon May 21 15:31:59 2001
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...so well put dt!  A turnatble, like a guitar or whatever, is merely a tool 
for expression.  There are many ways (each different) of using these 
tools....some truely unique and creative, others, well....not! There a 
plenty of crappy guitar players outh there trying their best to emulate and 
copy Jimi or Jimmy Page or whoever....the fact they are weilding a 
"conventional" instrument does not make them "more musical" or more of a 
musician!  Copping the licks or techniques of the past does not make one a 
creator...maybe an achivist...and is not any different than spinning "other 
people's creations".
max


_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Mon May 21 16:31:56 2001
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Date: Mon, 21 May 2001 13:36:02 -0700
Subject: Re: EarthLight Online at Live365
From: "Allan Hoeltje" <ahoeltje@best.com>
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Stephen,

This is great that you have made your music available on the net.  I am
fairly new to streaming audio but I seem to be getting a lot of breaks in
the music which are very disturbing to the mood your music is trying to
evoke.  Is this normal?  Is everything on "live 365" your material?  If it
is then once again I will make my plea:  Please put your music on CD!  It is
wonderful to listen to but I want to play it on my home stereo, sans
computer and inter(upt)net glitches!

-Allan

----------
>From: "Stephen P. Goodman" <spgoodman@earthlight.net>
>To: <Loopers-Delight@loopers-delight.com>
>Subject: EarthLight Online at Live365
>Date: Mon, May 21, 2001, 7:38 AM
>

> Available now for on-demand listening!
>
> http://www.live365.com/stations/218194
>
> Stephen Goodman
> http://www.earthlight.net/Gallery_Front.html - Cartoons & Illustrations
> http://www.earthlight.net/Studios * The free Loop of the Week!
>
> 

From Loopers-Delight-request@loopers-delight.com  Mon May 21 16:41:36 2001
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Subject: Hi again!...
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  <smile>  -Just writing a quick note to say hello to the list.  I was a
member a few years ago, and decided to stop by again for a little while.
-Love the DJ thread!  I for one, think that  "music" and creativity are
only limited by our own imaginations.  <smile>  -and now having left a
couple of pennies, I must run to go teach.  Hope you're all having a
wonderful day, talk with ya soon, K?  

Smiles,

Goddess




---

  "The only things I really think are important, are love, and eachother.
-Then, anything is possible..."


From Loopers-Delight-request@loopers-delight.com  Mon May 21 17:01:41 2001
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Date: Mon, 21 May 2001 16:57:35 -0400
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From: Tim Nelson <tcn62@ici.net>
Subject: Re: playing w/ dj's: a playlist is not a song
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At 09:30 AM 5/21/01 -0700, you wrote:
>sure, turn that pitch/time stretch knob on your Repeater all ya's 
>want...but how fast can you go from DJ's to Crowley?

?gniksam sdrawkcaB 

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we all accept its consequences.i certainly hope so!!!but for the
uninitiate,i think this is a good place to inject,and dispel a
misunderstanding about 'the law':: The true meaning of "the law"  is not
to give free reign to his readers to indulge every whim that may cross
their imaginations,but rather,to find "Ones" "will" and achieve it,
albeit,if thou chooseth to be a looper............then do it!!!in doing
so,you have conformed with the law.ALL that Crowley is saying is....find
your true desire in life and achieve it.!!! Not really so sinister
,now,is it????                                                       I
must say i am glad to have found such a group of open minded,wellread
folks on this site.glad i stopped by.its been enlightening. on a
personal note '93' to my brother.

From Loopers-Delight-request@loopers-delight.com  Mon May 21 17:38:08 2001
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Corynne
welcome back 
almost 4 years ....
same old farts around, with some soon to be OF and some very interesting
newbie's

guys, behave. A looping lady is in tha house!

Claude

<simile>
 





Goddess wrote:
> 
>   <smile>  -Just writing a quick note to say hello to the list.  I was a
> member a few years ago, and decided to stop by again for a little while.
> -Love the DJ thread!  I for one, think that  "music" and creativity are
> only limited by our own imaginations.  <smile>  -and now having left a
> couple of pennies, I must run to go teach.  Hope you're all having a
> wonderful day, talk with ya soon, K?
> 
> Smiles,
> 
> Goddess
> 
> ---
> 
>   "The only things I really think are important, are love, and eachother.
> -Then, anything is possible..."

From Loopers-Delight-request@loopers-delight.com  Mon May 21 17:47:21 2001
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From: ko-jella@webtv.net ('b'bender)
Date: Mon, 21 May 2001 17:45:20 -0400 (EDT)
To: Loopers-Delight@loopers-delight.com
Subject: goodbye and thanks
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ps;;i to have been a sex fiend,junkie,world traveler,avid
reader,writer,"madman"(as opposed to being normal.gawd forbid)and all
those other attributes the reader "accuses"?? Big Al of......I couldnt
get into the mountain climbing bit,tho.                     Dont make
you a bad person!!!! thanks again all for your feedback,gotta move
on,this is a biiiiiggggg internet!!!                and,by the way,i
dont stay home,but living in the Big Apple,i am out every night ,and i
do hear it all.But unlike my friend,who couldnt put in the time,and
couldnt stand the competition he had to endure to became a really good
guitarist,i will not sell all my guitars and buy boxes and machines and
turntables to make it easy on myself!!I will still work hard at my
craft,practicing and writing for hours every day to achieve my
will,which is to be the best damn guitar player in the city!!! a hard
task ,i admit but one worth striving for.And if i only get part way
there,which i already have......the dream is the thing.If it be your
will to be the best looper,then all blessings be upon you!!My friend is
looping because he didnt have the talent to do what he really wanted to
do,and so i presume he will fail here also,because he will be competing
with loopers who do it because it is their will,not because they couldnt
handle the rigours of studying guitar.  hence crowleys law.......find
your will,and DO IT.best to you all.May you do your will.....I'm
"already gone"

"Do What Thou Wilt,Shall Be the Whole Of the Law"

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In a message dated 5/21/01 12:37:38 PM Eastern Daylight Time, 
rich@nuvisionsca.com writes:


> but how fast can you go from DJ's to Crowley?
> 
> i love being on this list.
> 

well said!.....m

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>In a message dated 5/21/01 12:37:38 PM Eastern Daylight Time, 
<BR>rich@nuvisionsca.com writes:
<BR>
<BR>
<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">but how fast can you go from DJ's to Crowley?
<BR>
<BR>i love being on this list.
<BR></BLOCKQUOTE>
<BR>
<BR>well said!.....m</FONT></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon May 21 18:55:29 2001
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Subject: diy racks?
Date: Mon, 21 May 2001 18:50:36 -0400
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It seems to me like somebody recently posted a url that had measurements and
basics for making equipment racks from scratch, and as I'm setting up a home
studio anywhere I can save a few bucks is welcome. I searched the archive
with little luck, and the site seems to have magically disappeared from my
bookmarks. Does anyone have this link handy? Any and all info much
appreciated!

Jon

From Loopers-Delight-request@loopers-delight.com  Mon May 21 19:00:39 2001
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93

'b'bender wrote:

> must say i am glad to have found such a group of open minded,wellread
> folks on this site.glad i stopped by.its been enlightening. on a
> personal note '93' to my brother.

There is no law beyond loop as thou wilt
Loop is the law, loop under will ;-)

Heh.

93
Rev. D.G.

From Loopers-Delight-request@loopers-delight.com  Mon May 21 19:07:16 2001
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93......well said my brother,alex would smile as i did,im sure.peace,joe
ay hello once in awhile,if life allows.....

"Do What Thou Wilt,Shall Be the Whole Of the Law"

From Loopers-Delight-request@loopers-delight.com  Mon May 21 19:11:40 2001
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Subject: Re: Hi again!...
Date: Tue, 22 May 2001 00:01:48 +0100
Organization: EarthLight Productions
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"Claude Voit" <c.voit@vtx.ch> put forth:
> guys, behave. A looping lady is in tha house!

[putting out the coasters]  Hey!  Use the damned coasters! :)

Stephen Goodman
http://www.earthlight.net/Gallery_Front.html - Cartoons & Illustrations
http://www.earthlight.net/Studios * The free Loop of the Week!

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<smiles everyone>-wow a loopin lady-so what do ya know,ya know?and what do
ya teach?
 me likes yer writin stylee...

stanner
----------
>From: Goddess <thefates@earthlink.net>
>To: loopers-delight@loopers-delight.com
>Subject: Hi again!...
>Date: Mon, May 21, 2001, 1:43 PM
>

>  <smile>  -Just writing a quick note to say hello to the list.  I was a
>member a few years ago, and decided to stop by again for a little while.
>-Love the DJ thread!  I for one, think that  "music" and creativity are
>only limited by our own imaginations.  <smile>  -and now having left a
>couple of pennies, I must run to go teach.  Hope you're all having a
>wonderful day, talk with ya soon, K?  
>
>Smiles,
>
>Goddess
>
>
>
>
>---
>
>  "The only things I really think are important, are love, and eachother.
>-Then, anything is possible..."
>
>

From Loopers-Delight-request@loopers-delight.com  Mon May 21 20:11:23 2001
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Pohon-Kelapa@t-online.de partially writes:
>At the end,it is not interesting for me,how the music was produced,wich
>came
>so close
>to my heart,that I will call an acoustic sound MUSIC.
>It is only important,that this music had touched me,for whatever reasons.
>Marty
so nicely stated:
thanks, m.
best,
dt / s-c

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From: "Brad Chase" <bchase@plasties.com>
To: "Loopers Delight Mail" <loopers-delight@annihilist.com>
Subject: All you fascinating artists on the list.
Date: Mon, 21 May 2001 17:27:31 -0700
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Howdy- To the List at Large:
Here is a simple question.......was Jackson Pollack an artist?
Why?
At the time of his creating and ravings (which I understand being a Friend
of Bill W. for over eight years), most would not give him the time of day.
Let's add Andy Warhol, Roy Liechtenstein, etc. to the list.  Were they
artists?  John Cage?  Hmmmmmmm........
Man has an innate desire to explore, understand, and create (not just
pro-create as the net seems to suggest), wouldn't you all agree. It is in
the creating that makes man the artist.  The inspiration we often call the
'muse' is from a source of power beyond our understanding.  Ego-centric man
is the first to criticize and the first to take credit.  I always find that
so amusing.  This is, of course, my opinion based on personal experience.
I am myself am not a musician, not by the musicians standards anyway ( my
dad was a pro jazz clarinets player, so I do know what a musician is).  I am
one who benefits from the efforts of individuals like all of you.  I am a
part of your creations of art, because I am the listener.  I also take the
loops you create, and that are sold, or provided on the net, and reshape
them into new art/music forms. Am I an 'artist'?
I always have to go back to Andy, Roy, and Jackson when I wonder if the
music I am making is a 'sham'.  Self doubt is a bitch when you are the
sensitive artist type.
I digress; when I think of those men, whose art is now in VERY HIGH DEMAND,
I realize that I am no more, and no less the artist then any other human
being, who puts out the effort to create, for the enjoyment of himself and
others.

One (er two?) last point(s):
I have another sensitive artist type in my life.  My twelve year old son.
He has been playing the guitar for almost four years now.  When we go to our
local Mars Music or Guitar Center (a small advantage of living in Orange
County, Calif.) we do two things together.
The first:  He straps on the most awesome, expensive guitar that he can get
away with, plugs into the biggest Marshall Stack available, starts to play,
and that quiet, sensitive boy comes ALIVE!
Can he play well?  Hell no....but when you see the look in his eyes (and you
all know that look, don't you?) the sounds of the tarnished chords and
crummy twelve year old lead runs (that he has practiced and practiced on
with his teacher), you can't help but smile.  He isn't very good compared to
Steve Vai, but then Pollack wasn't Matise either.  When he plays, I hear the
Force, the Muse, the Power exiting an other human (in this case, my son) to
bring pleasure to another (in this case, just me, I suppose).  I may be the
only one in his audience that loves what I hear, but the circle of art, the
circle of the Power, is completed, none the less.
Second:
After that is done, we go over to Keys/Synth toys section (my
favorite..boy's love toys). We find the most expensive sets of Poly synth
batteries, and the two of us start to make our own impromptu art, what we
all call music.  It is not uncommon for a small group of people to gather
back there, to see who is creating all this sound (and it sounds pretty
good, cause we both have 'the juice').  Mind you, neither one of us has
studied piano (i.e., can't play keys), and if modern SYNTHS weren't
programmed computers with keyboard triggers attached, none of this  would be
happening.  But the audience gathers any way, because the Force is flowing
baby!  Tell someone Andy's Soupcans are not 'art' at an auction for one of
them!!!!!
I have written to much, and I apologize, but when giant intellects (like
mine ;} )start to ruminate, and ponder about others 'art', I am reminded of
this argument and all the  individuals I have brought forth as examples.
Pretentious? Perhaps......
If you really want to do something worthwhile, that will actually mean
something when you are not 'here' someday, take a kid(s) and SHOW THEM how
the muse works through you. Show THEM your process, for no money or glory.
You may be the spark that ignites the flame of the next Stockhausen,
Brubeck, or Vangelis!
We have all been blessed/cursed with this artist thing.  It is not for us to
judge, but strictly to share....there in lies the eternal joy.
Please send Patrick (my son) and I your web site links, so that we may share
your in your 'muse'.  Thank you all for your creativity.  Let the Circle be
unbroken.
Your new friend,
Brad Chas
aka 'tHE wALLcLANmAN'

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Subject: Re: Repeater Demo in Marin!
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rich@nuvisionsca.com writes:
>To me, this would be the total icing on the cake and the clincher for 
>me getting a Repeater...maybe more than one.  The only reason i've 
>got my Digitech PDS pedals anymore is for just that (and the hold 
>button).
howzabout:
keep yer 'analog'-style delays..... (btw, the new guyatone ddl-pedal rocks).
go for the iced-cake, anyways..... and don't fergit to bring an edp, an 
iced-cake unto itself.
best,
dt / s-c

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> >i try to be openminded but after practicing for 30 years
><snip>
>maybe you might eventually feel better if ya tried harder?
>there are some unbelievable turntablists around;
>musicians w/strong (new) skills, massive musical/musicological knowledge 
>and,
>thereby, open minds: indeed, more so than many guitarists, imsao.
>best,
>dt / s-c
>
>imsao = 'in my seemingly arrogant opinion'
>


I much agree, I've met several dj's around the LA area who fall into this 
category. Some of them are very knowledgeable when it comes to drums. Cut 
Chemist and J-Rocc of the Beat Junkies come to mind. The way they match 
beats is totally seamless, like it's the same song. They'll even take 
different tracks that have the same drum sample, say the break from Bob 
James' the 'Nautilus', and totally make it work and make a statement. A good 
friend of mine is a well-respected hip hop dj locally, and his knowledge of 
jazz fusion is pretty vast, he's got practically the entire CTI catalog on 
vinyl. I've seen him mix together Deodato, Massive Attack into Billy 
Cobham's 'Spectrum', into Silver Apples, into Gangstarr. There are some DJ's 
doing some very neato stuff. Who cares if they aren't utilizing theory or 
reading charts.
Then again, there are a lot of dj's who are very egotistical and just play 
the latest URB magazine top 10 and ask for no less than a grand for a 1-hour 
set.
It's funny, as a guitarist, other musicians I've collaborated with the least 
are other guitar players(...except Dan from the Breakestra!!...). The 
majority of the ones I've met are very close-minded.


_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

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Subject: Re: OT: "do what thou wilt"  (was Re: playing w/ dj's: a playlist is not a song)
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>>>"Do What Thou Wilt,Shall Be the Whole Of the Law"
>>crowley's so-called 'law' (!ha!) does not apply to any except those who
>>accept its consequences.

dog@well.com writes:
>also, his experience of eastern religious systems provides non-obvious
>interpretations of "thou" and "law" and so on.  
many have doubted the depth of crowley's 'experience of eastern religious 
systems', as well as his rather thin re-hashing/re-interpretation thereof.
best,
dt / s-c

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Subject: OT: dj's go crowley
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>> "Do What Thou Wilt,Shall Be the Whole Of the Law"

dgoat@quik.com writes:
>Sage advice. 93 fellow looper!
is there actually some 'advice', in that?
sounds more like a neo-indio/tibetophile credo that hopskipgoosteps its way 
past the basis of the tantric preliminaries, eg: ethical codes, ahimsa, 
bodhicitta, et al, ya dig.
(like: 'wow! just by a brief recognition of mind-nature, *i* can be a 
crazy-yogi, too --- and some folks will play right along!')
..... i've heard that even brief glimpses of light/vidya/rigpa could deepen 
the fog of obscurations/avidya/marigpa.

i meandered.....
best,
dt / s-c

From Loopers-Delight-request@loopers-delight.com  Mon May 21 20:43:12 2001
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become_1@email.msn.com writes:

>I don't see much point in that either, but--if that's how someone wants
>to
>spend his/her time, seems to me said person is a musician.  Is that so
>different from sliding fingers around whatever instrument trying to play
>the
>muscial creations of, say, Bach?
well, ummm, good point: i blabbed-off some shite, trying to make a point.
maybe we need a more detailed set of terms to describe people who make 
music/sonics/etc.....
sorry,
dt / s-c

From Loopers-Delight-request@loopers-delight.com  Mon May 21 20:47:22 2001
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Date: Mon, 21 May 2001 20:44:25 EDT
Subject: Re: Repeater Demo in Marin!
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landman@wco.com writes:

>It's kinda funny, I think we all assumed, because Repeater allows variable
>speed playback, and has these nifty pitch shifters after the signal to
>correct for pitch change, that it'd be able to disable the automatic pitch
>correction. I know I assumed this.
>
>If we hadn't have figured that, I'll bet it'd have been an early feature
>request and included.
i didn't really care 'bout that, myself;
independent time/pitch changing was what i wanted, here.
but: i'd use that other stuff, too.....
best,
dt / s-c

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ekstasis1@hotmail.com writes:

>Copping the licks or techniques of the past does not make one a 
>creator...maybe an achivist...and is not any different than spinning "other
>people's creations".
not that that option is bad, just 'similar in nature', i thought;
thanks for the exposition.
best,
dt /s-c

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ko-jella@webtv.net writes:
>ALL that Crowley is saying is....find
>your true desire in life and achieve it.!!! Not really so sinister
>,now,is it????
depends on the quality & nature of yer 'desire', nah?
and.....
i've found that my most respected teachers taught more by example, than by 
the seductively written (& often remote) word.....
word,
dt / s-c                                                

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Subject: Re: Repeater Demo in Marin!
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david,

please...no more temptations!  you and your positive musings about 
Logic and all dem plug ins and other softs...and i just got a G4 that 
will actually handle the new stuff...whew...me pockets aren't getting 
any deeper!!!!

to all:

david's OAH cd is a cool listen, plus the acid tracks included are a 
study in themselves...tons of microcosms built into larger 
frameworks.  some of it looks frightfully obsessive!  me and a fellow 
looper are definitely planning a remix!  thanks david.



>rich@nuvisionsca.com writes:
>>To me, this would be the total icing on the cake and the clincher for
>>me getting a Repeater...maybe more than one.  The only reason i've
>>got my Digitech PDS pedals anymore is for just that (and the hold
>>button).
>howzabout:
>keep yer 'analog'-style delays..... (btw, the new guyatone ddl-pedal rocks).
>go for the iced-cake, anyways..... and don't fergit to bring an edp, an
>iced-cake unto itself.
>best,
>dt / s-c

From Loopers-Delight-request@loopers-delight.com  Mon May 21 21:10:37 2001
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Date: Mon, 21 May 2001 18:08:56 -0700
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From: "Mark Hamburg" <mhamburg@Adobe.COM>
Subject: What the Repeater makes me long for in my EDP
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Overall, the Marin Repeater demo was one of the better product demos I've
seen recently.

Having been to the demo, here is what I find myself most longing for in my EDP:

3. Easy download of the loops for future use. Not going to happen since
it's a hardware change. Yes, there is MIDI sample dump, but I said "easy".

2. Stereo. Not going to happen since it's a hardware change. I think prices
are such that I can get a second EDP for roughly the price of an already
stereo Repeater, so maybe the thing to hope for here is some softening in
the price of the EDP.

1. Audio beat detection. I really want a box that listens to what I'm
playing, figures out the tempo, and uses that to compensate for sloppiness
in hitting the record button to start and stop the loop. That is a software
change...

The pitch shift and speed shift stuff is cool, but I could continue to live
without that.

Mark


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In a message dated 05/21/2001 7:38:23 PM Central Daylight Time, 
Hedewa7@aol.com writes:


> ..... i've heard that even brief glimpses of light/vidya/rigpa could deepen 
> the fog of obscurations/avidya/marigpa.
> 
> 

or, as Thelonius said: 'If someone knew what that said, they'd flip!  I mean 
flip for real!"

kevin

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>In a message dated 05/21/2001 7:38:23 PM Central Daylight Time, 
<BR>Hedewa7@aol.com writes:
<BR>
<BR></FONT><FONT  COLOR="#000080" SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0">
<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">..... i've heard that even brief glimpses of light/vidya/rigpa could deepen 
<BR>the fog of obscurations/avidya/marigpa.
<BR>
<BR></BLOCKQUOTE>
<BR></FONT><FONT  COLOR="#000000" SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0">
<BR>or, as Thelonius said: 'If someone knew what that said, they'd flip! &nbsp;I mean 
<BR>flip for real!"
<BR>
<BR>kevin</FONT></HTML>

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Date: Tue, 22 May 2001 19:25:50 -0800
Subject: hey all from  randy clark and crowsong!!!!!
From: "randy clark" <rclark@sirius.com>
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hey you all!!
my name is randy clark, and i'd love to send you a copy of my band
crowsong's cd
"dark comes light".it's got lot's of looping on it....the last track is
straight to two track
using a modified lexican pcm 42, an eventide h3000, and an old korg sdd
2000....i play guitar in this whole deal.
i got turned on to looping from my friend rob aceto, who learned from 
playing with david torn...an inspirational looping guy...yes!!!
please give me a yell as to where to send stuff.
thanks,
randy clark

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In a message dated 5/21/01 8:58:58 PM Eastern Daylight Time, 
rich@nuvisionsca.com writes:


> david's OAH cd is a cool listen, plus the acid tracks included are a 
> 

"acid tracks included".....pray tell, what is this about?.....m

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>In a message dated 5/21/01 8:58:58 PM Eastern Daylight Time, 
<BR>rich@nuvisionsca.com writes:
<BR>
<BR>
<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">david's OAH cd is a cool listen, plus the acid tracks included are a 
<BR>study in themselves</BLOCKQUOTE>
<BR>
<BR>"acid tracks included".....pray tell, what is this about?.....m</FONT></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon May 21 23:05:34 2001
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From: ko-jella@webtv.net ('b'bender)
Date: Mon, 21 May 2001 23:03:23 -0400 (EDT)
To: loopers-delight@loopers-delight.com
Subject: 93dg Re::empirical knowledge vs:the pablum fed by "teachers"
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stopped back to check responces....there
 is one soul who has a real problem with AC...either he is really
dense,has been listening to "teachers" who injected their own philosophy
into the subject matter(God knows what,when or where that may have been)
or was rejected from membership in the OTO at one or more times (or the
"teacher" was).That is the most obvious and glaring danger of being
"taught" as opposed to seeking out the truth for ones self!!! I for one
have found some of the most interesting,kind,sharing,compassionate,
and,(important to me)philosophically searching people i have ever met in
my long life in the OTO!!!! i should say here; that i am a traveller and
a seeker who goes out of his way to talk to people from all walks of
life,just to learn all that i can about these travellers and the
universe that we inhabit!!!Sounds like our friend spends too much time
with "teachers" and not enough time seeking truth and knowledge on his
own!!!,otherwise he would know.....
Loop is the Law,loop under will.............

"Do What Thou Wilt,Shall Be the Whole Of the Law"

From Loopers-Delight-request@loopers-delight.com  Mon May 21 23:29:33 2001
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There is a folder included with songs and loops and even a free version =
of Acid XP or something like that- for you to remix, so get on it!

Cliff
  ----- Original Message -----=20
  From: Nemoguitt@aol.com=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Monday, May 21, 2001 6:53 PM
  Subject: (no subject)


  In a message dated 5/21/01 8:58:58 PM Eastern Daylight Time,=20
  rich@nuvisionsca.com writes:=20



    david's OAH cd is a cool listen, plus the acid tracks included are a =

    study in themselves


  "acid tracks included".....pray tell, what is this about?.....m=20

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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 5.50.4522.1800" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>There is a folder included with songs =
and loops and=20
even a free version of Acid XP or something like that- for you to remix, =
so get=20
on it!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Cliff</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3DNemoguitt@aol.com=20
  href=3D"mailto:Nemoguitt@aol.com">Nemoguitt@aol.com</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, May 21, 2001 6:53 =
PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> (no subject)</DIV>
  <DIV><BR></DIV><FONT face=3Darial,helvetica><FONT size=3D2>In a =
message dated=20
  5/21/01 8:58:58 PM Eastern Daylight Time, <BR><A=20
  href=3D"mailto:rich@nuvisionsca.com">rich@nuvisionsca.com</A> writes:=20
  <BR><BR><BR>
  <BLOCKQUOTE=20
  style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px =
solid; MARGIN-RIGHT: 0px"=20
  TYPE=3D"CITE">david's OAH cd is a cool listen, plus the acid tracks =
included=20
    are a <BR>study in themselves</BLOCKQUOTE><BR><BR>"acid tracks=20
  included".....pray tell, what is this about?.....m</FONT>=20
</FONT></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0018_01C0E234.F7B6C120--

From Loopers-Delight-request@loopers-delight.com  Mon May 21 23:52:42 2001
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From: "Denis Aldrich" <joy_top@hotmail.com>
To: loopers-delight@loopers-delight.com
Subject: turntable instrument?
Date: Mon, 21 May 2001 22:49:33 -0500
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Just thinking.  Is there music score for turntable?  Self expression seems 
important, but to communicate that on paper, so someone else can play it, 
seems a stretch for a table.  Instruments that I am aware of have music 
writen for them.  Well?????
Denis
_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Tue May 22 00:10:17 2001
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Subject: Re: OT: dj's go crowley
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seems to be a problem...........

From Loopers-Delight-request@loopers-delight.com  Tue May 22 00:22:53 2001
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Subject: Re: turntable instrument?
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hold on now -not all music has to be written down-where is that said? two
examples off the top o' my head:'burundi' drummers of africa have there
music handed down(physically and emotionally) generation by generation as
many other musics are and you will *never* see a transcription of the
wonderful,powerful feedback squalls of jimi hendrix that are as deep and
fulfilling musically (for me) as music in all its veritables will ever B
gettin! in my very humble  opinion...

stanner  
----------
>From: "Denis Aldrich" <joy_top@hotmail.com>
>To: loopers-delight@loopers-delight.com
>Subject: turntable instrument?
>Date: Mon, May 21, 2001, 8:49 PM
>

>Just thinking.  Is there music score for turntable?  Self expression seems 
>important, but to communicate that on paper, so someone else can play it, 
>seems a stretch for a table.  Instruments that I am aware of have music 
>writen for them.  Well?????
>Denis
>_________________________________________________________________
>Get your FREE download of MSN Explorer at http://explorer.msn.com
>

From Loopers-Delight-request@loopers-delight.com  Tue May 22 00:23:46 2001
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Subject: Re: turntable instrument?
Date: Mon, 21 May 2001 21:21:39 -0700
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John Zorn has written a few pieces with turntable in them. I don't know how 
he pulled it off though. It could have been very loose notes, like "play 
very fast here".

"Forbidden Fruit" is one of them. It's on his "Spillane" CD and also a 
Kronos Quartet CD.

Matt


>From: "Denis Aldrich" <joy_top@hotmail.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: loopers-delight@loopers-delight.com
>Subject: turntable instrument?
>Date: Mon, 21 May 2001 22:49:33 -0500
>
>Just thinking.  Is there music score for turntable?  Self expression seems
>important, but to communicate that on paper, so someone else can play it,
>seems a stretch for a table.  Instruments that I am aware of have music
>writen for them.  Well?????
>Denis
>_________________________________________________________________
>Get your FREE download of MSN Explorer at http://explorer.msn.com
>

_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Tue May 22 00:24:21 2001
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To: Loopers-Delight@loopers-delight.com
Subject: Re: playing w/ dj's
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funny,ive had the direct opposite experience.why is it that people try
to cover up the fact that something is crap by using the word "new".Fact
is...there is nothing new under the sun.some things endure......for a
reason!!!Some things (fads) run their course and fade away into
obscurity.Gimmicks are no substitute for the real thing.We all know that
deep down and thats why some people get so hot about it.But if it is fun
and actually gives joy to the listener evoking beautiful thoughts...what
could be wromg with it?????If its just another angry young man making
noise,thank god for channel changers.If you create beauty.....let me be
the first to thank you.The world needs more of that every day!!!

From Loopers-Delight-request@loopers-delight.com  Tue May 22 00:34:42 2001
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To: Loopers-Delight@loopers-delight.com
Subject: Re: All you fascinating artists on the list.
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dear B, self doubt has plagued every sensitive,talented ,creator since
time began.It held me back for years.Even when i got a standing ovation
in Carnegie Hall for playing a guitar solo with another artists
show....i still doubted my talent the next day!!!! After my wife died at
a young age,something snapped inside me and the realization of the
shortness of life changed my attitude forever!!!Just like
magick.........If all your friends tell you your stuff sounds good IT
PROBABLY IS.....Good Luck.

From Loopers-Delight-request@loopers-delight.com  Tue May 22 00:41:03 2001
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the answer is yes. Of course they are very new systems, and I can't tell
you anything about them. There is a guy named DJ A-Trak who has created
such a system (I think he is in the skratch piklz). I guess DJ Radar
also had something to do with it. I found it online for you:

http://www.battlesounds.com/transcription.html


dj radar (who uses an echoplex, btw.) has also scored turntable
compositions for orchestra. I thought this interview was interesting:
http://www.rawskills.com/scratch/dialogue/radar_interview.htm


(this info brought to you by google and the search string "turntablism
notation".)

kim


-----Original Message-----
From: Denis Aldrich [mailto:joy_top@hotmail.com]
Sent: Monday, May 21, 2001 8:50 PM
To: loopers-delight@loopers-delight.com
Subject: turntable instrument?


Just thinking.  Is there music score for turntable?  Self expression
seems 
important, but to communicate that on paper, so someone else can play
it, 
seems a stretch for a table.  Instruments that I am aware of have music 
writen for them.  Well?????
Denis
_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

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But, but, but, but,b-b-b-b.
Music is writen though for drums and guitar. I would say Jimi had a way of 
articulation. :-0
Your turn.
Denis


From:  stanitarium@earthlink.net

hold on now -not all music has to be written down-where is that said? two
examples off the top o' my head:'burundi' drummers of africa have there
music handed down(physically and emotionally) generation by generation as
many other musics are and you will *never* see a transcription of the
wonderful,powerful feedback squalls of jimi hendrix that are as deep and
fulfilling musically (for me) as music in all its veritables will ever B
gettin! in my very humble  opinion...

stanner


_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

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realized i dint finish my idea.witch waz;;after she died and i stopped
letting self doubt hold me back i just turned my writing and playing up
to ten and now i am constantly being asked to put guitar parts and
vocals and even bass(not my axe)on peoples albums and making a good
living.Go for it.If you believe.........the rest will believe.It comes
out in the music.Im assuming that you have the necessary
skills.....again,good luck.Do your Will,,,,     Now im really outa
here.gotta practice scales and arpeggios.remember my dream???follow
yours bro.If someone doesnt like what yiou are doing....who gives a
s---.If someone YOU respect doesnt like it, well..............thats
another story.Ry Cooder loved my stuff.That did it for me.Off to another
world now,called hard work and practice......best

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Well, John Cage did a piece (one of the Imaginary Landscape ones) including
3 record players playing records of a sine wave at different speeds, if I
remember correctly, and the performers would just change the speed. Cooler
than it sounds! Try to find an mp3 it's pretty fun stuff. Some girls make
unhappy faces during some of the high tones though. Smaller earbones?

Jon

----- Original Message -----
From: Denis Aldrich <joy_top@hotmail.com>
To: <loopers-delight@loopers-delight.com>
Sent: Monday, May 21, 2001 11:49 PM
Subject: turntable instrument?


> Just thinking.  Is there music score for turntable?  Self expression seems
> important, but to communicate that on paper, so someone else can play it,
> seems a stretch for a table.  Instruments that I am aware of have music
> writen for them.  Well?????
> Denis
>

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Subject: Re: "do what thou wilt"  (was Re: playing w/ dj's: a playlist is not a song)
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> also, his experience of eastern religious systems provides non-obvious
> interpretations of "thou" and "law" and so on.  it can be seen as a
> statement of fact, more so than a statement of ethics/amorality.  of
> course, ko-jella/b-bender may know all of this.
>
I agree with your thrust.
However Crowley followed the Western magical tradition of the Quabalah.
Circles of chanting and highly repetitious chants feature heavily in the
magical tradition.
How's that for surround sound looping !

I love the eccentric orbit of this group.

Gareth.

lidoffadaffodil



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amen.what an orbit....i dont think i ve heard a technical issue
discussed since i dropped in....j

"Do What Thou Wilt,Shall Be the Whole Of the Law"

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hi all,

i did an installation a couple of years back for a final year assignment for
my BA which used old 78`s and recordings of the "classic" composers, all
looping in knife etched grooves on eight turntables arranged in a large
circle in the performance space.  the audience, in this case the class, all
sat inside the circle and I moved around the outside changing volumes and
discussing the circular philosophy informing the piece.  that was a lot of
fun and got a good reaction from the group.  they suggested i hook up some
sort of robotic setup to control the turntables to create some of robotic
decomposed composers setup.

As per John Cage, i understand he used turntables quite a bit, and soem of
his scores are explicitly written for them.

cheers
michael

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http://www.harmony-central.com/Newp/2001/Echoplex-Digital-Pro.html

Maybe they should get Ace Frehley to endorse the EDP.

"With my Gibson Echoplex, I can suck twice as much
 AND in reverse!"

They could do a package deal & combine the EDP with
the Ace Frehley Les Paul! Nine Loops!(one for each
toe!), Three Humbucking Pick-Ups!(one for each day
of the week!).

Please excuse me. I feel better now. :)

John

=====
John Tidwell




__________________________________________________
Do You Yahoo!?
Yahoo! Auctions - buy the things you want at great prices
http://auctions.yahoo.com/

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Hi,

Does anyone have a schematic for the Arion 4-second delay/sampler?

I want tp add an external switching arrangement to allow me to
footswitch between rec and play.

cheers

Andy

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Gibson is the "Evil Empire."  My personal plea is that people 
permanently boycott Gibson in memory of the smaller companies they 
have absorbed in Borg-like fashion.
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

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http://www.harmony-central.com/Newp/2001/Bit-Stream-Pro.html

Knobs, Sliders, Buttons...AND an LFO!

=====
John Tidwell




__________________________________________________
Do You Yahoo!?
Yahoo! Auctions - buy the things you want at great prices
http://auctions.yahoo.com/

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thanks john.....very much!!!!!

From Loopers-Delight-request@loopers-delight.com  Tue May 22 04:30:44 2001
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Date: Tue, 22 May 2001 01:27:16 -0700
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From: Kim Flint <kflint@loopers-delight.com>
Subject: Re: I hope this doesn't strain Gibson's advertising budget.......
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At 11:35 PM -0700 5/21/01, Richard Zvonar wrote:
>Gibson is the "Evil Empire."  My personal plea is that people
>permanently boycott Gibson in memory of the smaller companies they
>have absorbed in Borg-like fashion.
>--

those of us who have managed to work successfully with Gibson for years
without getting ourselves screwed over, and are finally beginning to see
some fruits of all the years if labor we've invested the EDP, would really
appreciate it if you didn't do that.

Afterall, Gibson's put a lot of effort and money keeping this product
alive. Nothing forced them to do that, they just believed in it and
believed in the potential of looping. Since this is a forum about looping,
and the echoplex is a product many people seem to like here, it seems to me
it should be a reason to praise Gibson, not dis them. For years people
complained that Gibson wasn't doing enough for the echoplex. (although that
was still a lot more than most other companies did for looping...)   Now
Gibson is doing something substantial, so we are supposed to hate them for
supporting the looping community?  That makes no sense.

And I certainly don't see the point of trying to destroy the folks here who
have put so much of themselves into creating new looping tools and
instruments for this group. Whether you grasp it or not, that's exactly
what you seem to be proposing. Matthias might finally stand a chance to
make back some of the large amounts of time and money he invested in all of
this. (me too, although not nearly so much.) Why do you want to take us
down and deny us that, after all the work we've done for you? It IS all
connected. You can't harm one part without harming the other.

And for your silly boycott, if you take a look at Gibson's acquisitions,
all of those companies had done an excellent job of destroying themselves
well before Gibson came upon them. Gibson just shops for bargains, of which
there are plenty in the music biz. This is not exactly the land of smart
businessmen. Gibson may not always be easy to love, but blaming them for
the screwups of others seems to be taking it a little far.

kim

______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com


From Loopers-Delight-request@loopers-delight.com  Tue May 22 05:48:03 2001
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Date: Tue, 22 May 2001 05:43:48 -0400
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From: Tim Nelson <tcn62@ici.net>
Subject: Re: I hope this doesn't strain Gibson's advertising
  budget.......
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I can just imagine the meeting at which they told him "Umm, well, Mr.
Frehley, it seems extensive marketing research has indicated that the
demographic segment that would find a guitar with a decal of your face on
the headstock attractive unfortunately finds it impractical to actually
purchase a Gibson Les Paul. We're going to transfer your model to our
lower-priced Epiphone line. Sorry."

Ace: "Awwwww...."

-t

At 11:27 PM 5/21/01 -0700, you wrote:
>Maybe they should get Ace Frehley to endorse the EDP.

From Loopers-Delight-request@loopers-delight.com  Tue May 22 06:58:58 2001
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Subject: Re: All you fascinating artists on the list.
Date: Tue, 22 May 2001 11:45:10 +0100
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"Brad Chase" <bchase@plasties.com> put forth:
> Howdy- To the List at Large:
> Here is a simple question.......was Jackson Pollack an artist?
> Why?

I was recently the beneficiary of the National Health in, strangely enough,
Chelsea Westminster, the same hospital where Jimi Hendrix was declared
dead - for a bout with kidney stones, which, I can tell you, will provide
profound contrast to one's life no matter WHO you are or WHAT you do for a
living.  While getting more water through me than I can figure, and
recovering from a bad painkiller cocktail administered during admission
(which if not for my wife might have granted me a real coma, thanks to my
first allergic reaction to a drug), my eyes cleared enough from the morphine
to be able to read.  I had gotten a copy of the great Kurt Vonnegut's
"TimeQuake" while travelling in early April, and thought I should pick it up
again.  This was an extremely good decision, as the following excerpt will
undoubtedly show (italics surrounded by *, and the excerpt surrounded by
brackets).  I think this answers a lot of questions about our current
subject-for-rehashing - and helps distinguish between the two areas we are
arguing, one being Music, and the other, Art.

>From "TimeQuake":

[
Question:     What is the white stuff in bird poop?
Answer:        That is bird poop, too.

So much for science, and how helpful it can be in these times of
environmental calamities.  Chernobyl is still hotter than a Hiroshima baby
carriage.  Our underarm deodorants have eaten holes in the ozone layer.

And just get a load of this: My big brother Bernie, who can't draw for sour
apples, and who at his most objectionable used to say he didn't like
paintings because they didn't *do* anything, just hung there year after
year, has this summer become an artist!

I shit you not!  Thsi Ph.D. physical chemist from MIT is now the poor man's
Jackson Pollock!  He squoozles glurp of various colors and consistencies
between two flat sheets of impermeable materials, such as windowpanes or
pathroom tiles.  He pulls them apart, *et voila!*  This has nothing to do
with his cancer.  He didn't know he had it yet, and the malignancy was in
his lungs and not his brain in any case.  He was just farting around one
day, a semi-retired old geezer without a wife to ask him what in the name of
God he thought he was doing, *et voila!*  Better late than never, that's all
I can say.

So he sent me some black-and-white Xeroxes of his squiggly miniatures,
mostly dendriticforms, maybe trees or shrubs, maybe mushrooms or umbrellas
full of holes, but really quite interesting.  Like my ballroom dancing, they
were *acceptable*.  He has since sent me multicolored originals, which I
like a lot.

The message he sent me along with the Xeroxes, though, wasn't about
unexpected happiness.  It was an unreconstructed technocrat's  challenge to
the artsy-fartsy, of which I was a prime exemplar.  "Is this art or not?" he
asked.  He couldn't have put that question so jeeringly fifty years ago, of
course, before the founding of the first wholly American school of painting,
Abstract Expressionism, and the deification in particular of Jack the
Dripper, Jackson Pollock, who also couldn't draw for sour apples.

Bernie said, too, that a very interesting *scientific phenomenon* was
involved, having to do, he left me to guess, with how different glurps
behave when squoozled this way and that, with nowhere to go but up or down
or sideways.  If the artsy-fartsy world had no use for his pictures, he
seemed to imply, his pictures could still point the way to better lubricants
or suntan lotions, or who knows what?  The all-new Preparation H!

He would not sign his pictures, he said, or admit publicly that he had made
them, or describe how they were made.  He plainly expected puffed-up critics
to sweat bullets, and excrete sizable chunks of masonry when trying to
answer his cunningly innocent question: "Art or not?"

I was pleased to reply with an ipistle which was frankly vengeful, since he
and Father had screwed me out of a liberal arts college education: "Dear
Brother: This is almost like telling you about the birds and the bees," I
began.  "There are many good people who are beneficially stimulated by some,
but not all, manmade arrangements of colors and shapes on flat surfaces,
essentially *nonsense*.

"You yourself are gratified by some music, arrangements of noises, and again
essentially *nonsense*.  If I were to kick a bucket down the cellar stairs,
and then say to you that the racket I had made was philosophically on a par
with *The Magic Flute*, this would not be the beginning of a long and
upsetting debate.  An utterly satisfactory and complete response on your
part would be, 'I like what Mozart did, and I hate what the bucket did.'

"Contemplating a purported work of art is a social activity.  Either you
have a rewarding time, or you don't.  You don't have to say *why* afterward.
You don't have to say anything.

"You are a justly revered experimentalist, dear Brother.  If you really want
to know whether your pictures are, as you say, 'art or not,' you must
display them in a public place somewhere, and see if strangers like to look
at them.  That is the way the game is played.  Let me know what happens."

I went on: "People capable of liking some paintings or prints or whatever
can rarely do so without knowing something about the artist.  Again, the
situation is social rather than scientific.  Any work of art is half of a
conversation between two human beings, and it helps a lot to know who is
talking at you.  Does he or she have a reputation for seriousness, for
religiosity, for suffering, for concupiscence, for rebellion, for sincerity,
for jokes?

"There are virtually no respected paintings made by persons about which we
know zilch.  We can even surmise quite a bit about the lives of whoever did
the paintings in the caverns underneath Lascaux, France.

"I dare to suggest that no picture can attract  serious attention without a
particular sort of human being attached to it in the viewer's mind.  If you
are unwilling to claim credit for your pictures, and to say why you hoped
others might find them worth examining, there goes the ball game.

"Pictures are famous for their humanness, and not for their pictureness."

I went on: "There is also the matter of craftsmanship.  Real picture-lovers
like to *play along*, so to speak, to look closely at the surfaces, to see
how the illusion was created.  If you are unwilling to say how you made your
pictures, there goes the ball game a second time..."

From Loopers-Delight-request@loopers-delight.com  Tue May 22 07:08:23 2001
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Subject: RE: I hope this doesn't strain Gibson's advertising budget.......
Date: Tue, 22 May 2001 05:43:06 -0500
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You Sir, are a buffoon!.

Speaking from the 'Collective', I like to think I know the music industry
fairly well, having worked for Trace Elliot for 15 years and I'd like to
make a point. If Gibson hadn't of bought us 2 years ago, Trace would have
been dissolved; I still have my 13-years Redundancy notice framed on the
wall. I know the 60 people I work with, who all have a passion for music,
are very grateful that they can carry on doing the jobs they love. There are
no other music companies anywhere in our area so we would all have had to
either move or find jobs in other industries.
I know to the outside, Gibson appear to buy and destroy small companies, but
the reality is, these guys are usually in serious trouble before Gibson step
in; we were. For some it's too late, Opcode being an example. I now know the
real reasons for the failure and closure of such businesses and it cannot be
blamed on any callous act by Gibson.
Having spent quite some time now with Henry Juszkiewicz, I have nothing but
respect for him and his vision, he's not the mad megalomaniac some would
like to believe. Letting us have manufacture of the Echoplex is a gift; very
few products I have ever dealt with have had such a following and demand.
This has been a great challenge for us as digital stuff was just 'something
other people did' as we are first and foremost analogue amp MOSFET/TUBE
designers, something we can continue to be, thanks to Gibson.

Please think in future before making such ill-informed, defamatory remarks.
I thought someone with a PhD might have slightly more intelligence and
foresight,

Best regards,
Andy @ Trace,
Echoplex Project Leader.


> -----Original Message-----
> From: Richard Zvonar [mailto:zvonar@zvonar.com]
> Sent: 22 May 2001 07:36
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: I hope this doesn't strain Gibson's advertising
> budget.......
> 
> 
> Gibson is the "Evil Empire."  My personal plea is that people 
> permanently boycott Gibson in memory of the smaller companies they 
> have absorbed in Borg-like fashion.
> -- 
> 
> ______________________________________________________________
> Richard Zvonar, PhD
> (818) 788-2202
> http://www.zvonar.com
> http://RZCybernetics.com
> http://www.cybmotion.com/aliaszone
> http://www.live365.com/cgi-bin/directory.cgi?autostart=rz
> 

From Loopers-Delight-request@loopers-delight.com  Tue May 22 07:09:36 2001
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Date: Tue, 22 May 2001 06:57:35 -0400
Subject: HELP!!!!
From: Steve Sandberg <stevesandberg@earthlink.net>
To: <Loopers-Delight@loopers-delight.com>
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Can anyone help?  I have an extremely important solo show at the Knitting
Factory tonight in New York.  I've just gotten up -- it's 7 AM -- and my EDP
is not working.  When I turn it on, all that happens is "Loop 3" flashes
over and over.  
Is there any way to reset it?
Also, -- and this is asking a lot -- is there anyne in NYC with an EDP who
would lend it or rent it to me for one night?
Thanks . . . 

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<HTML>
<HEAD>
<TITLE>HELP!!!!</TITLE>
</HEAD>
<BODY>
<FONT SIZE=3D"4">Can anyone help? &nbsp;I have an extremely important solo sh=
ow at the Knitting Factory tonight in New York. &nbsp;I've just gotten up --=
 it's 7 AM -- and my EDP is not working. &nbsp;When I turn it on, all that h=
appens is &quot;Loop 3&quot; flashes over and over. &nbsp;<BR>
Is there any way to reset it?<BR>
Also, -- and this is asking a lot -- is there anyne in NYC with an EDP who =
would lend it or rent it to me for one night? &nbsp;<BR>
Thanks . . .</FONT>
</BODY>
</HTML>


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From Loopers-Delight-request@loopers-delight.com  Tue May 22 07:19:41 2001
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Date: Tue, 22 May 2001 07:19:11 -0400
Subject: HELP!!! update
From: Steve Sandberg <stevesandberg@earthlink.net>
To: <Loopers-Delight@loopers-delight.com>
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It's 5 minutes later and my EDP is now working - I'm very nervous, though.
I've publicized this concert quite a bit to colleagues and press and it's
all EDP-based.
It wold be really scary if it just didn't work tonight.
It seems to have turned itself on after about 5 or 10 minutes of me turning
it off and on.  Finally I think I just left it on for a few minutes and it
fixed itself, at least for the moment.
I can't be sure, but I think yesterday it might have been acting funny --
not responding to foot pressed the way it normally does.  I chalked it up to
bad button presses on my part but could it have been an intimation of things
to come?
Has anyone had an experience like this?


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<HTML>
<HEAD>
<TITLE>HELP!!! update</TITLE>
</HEAD>
<BODY>
<FONT SIZE=3D"4">It's 5 minutes later and my EDP is now working - I'm very ne=
rvous, though.<BR>
I've publicized this concert quite a bit to colleagues and press and it's a=
ll EDP-based.<BR>
It wold be really scary if it just didn't work tonight.<BR>
It seems to have turned itself on after about 5 or 10 minutes of me turning=
 it off and on. &nbsp;Finally I think I just left it on for a few minutes an=
d it fixed itself, at least for the moment.<BR>
I can't be sure, but I think yesterday it might have been acting funny -- n=
ot responding to foot pressed the way it normally does. &nbsp;I chalked it u=
p to bad button presses on my part but could it have been an intimation of t=
hings to come?<BR>
Has anyone had an experience like this?<BR>
</FONT>
</BODY>
</HTML>


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From Loopers-Delight-request@loopers-delight.com  Tue May 22 07:32:26 2001
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Subject: HELP p.p.s
From: Steve Sandberg <stevesandberg@earthlink.net>
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Last thing about this EDP thing -- as I turned it on and off, I kept trying
holding down different buttons on the rack unit as I turned it on, trying to
find some factory reset.
When it did start working again, all the parameters were back to factory
settings, and I had to reset my own.  Did I find the magic factory reset
combination without knowing it?


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<HTML>
<HEAD>
<TITLE>HELP p.p.s</TITLE>
</HEAD>
<BODY>
<FONT SIZE=3D"4">Last thing about this EDP thing -- as I turned it on and off=
, I kept trying holding down different buttons on the rack unit as I turned =
it on, trying to find some factory reset.<BR>
When it did start working again, all the parameters were back to factory se=
ttings, and I had to reset my own. &nbsp;Did I find the magic factory reset =
combination without knowing it?<BR>
</FONT>
</BODY>
</HTML>


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From Loopers-Delight-request@loopers-delight.com  Tue May 22 07:39:07 2001
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Date: Tue, 22 May 2001 13:34:23 +0000
From: Claude Voit <c.voit@vtx.ch>
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Steve Sandberg wrote:
> 
> It's 5 minutes later and my EDP is now working - I'm very nervous,
> though.
> I've publicized this concert quite a bit to colleagues and press and
> it's all EDP-based.
> It wold be really scary if it just didn't work tonight.
> It seems to have turned itself on after about 5 or 10 minutes of me
> turning it off and on.  Finally I think I just left it on for a few
> minutes and it fixed itself, at least for the moment.
> I can't be sure, but I think yesterday it might have been acting funny
> -- not responding to foot pressed the way it normally does.  I chalked
> it up to bad button presses on my part but could it have been an
> intimation of things to come?
> Has anyone had an experience like this?

1- did you try to boot without the foot controller attached (sticky
record switch possibility----long "record" means --reset)
2- the magic reset is boot with "parameters" pressed
3- It would be wise to try to have a look inside if the ram chips are
tight in the slots

hope this helps

Claude

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Date: Tue, 22 May 2001 05:48:49 -0600
To: Loopers-Delight@loopers-delight.com
From: Goddess <thefates@earthlink.net>
Subject: Re: Hi again!...
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At 11:32 PM 5/21/01 +0000, you wrote:
>Corynne
>welcome back 
>almost 4 years ....

  Woohoo!  has it really been that long?!  wow, what a trip!  lol!  


>same old farts around, with some soon to be OF and some very interesting
>newbie's

  
>
>guys, behave. A looping lady is in tha house!

  Awe, yer' sweet.  <smile>  *laughing*  Though some might prefer to
replace the "ing" with a "y" instead!  lollollol!  anyway, someone wondered
how a thread about looping could turn into one concerning Crowley so
quickly.  <smile>  Well, only here, for one thing.  -actually, I new a
relative of his, several years ago.  -Perhaps I should have asked if he
played loop music, or if he ever DJ'ed.  <smile>  LOL!  can ya see it?
"This is DJ "C"  spinin' the supernatural grooves as we spiral on into the
Golden Dawn!"  lollollol!  OK, gettin' ready to get flamed!  <smile.
*looks extra cute*  -it's just the insomnia, really...  

Smiles,

Goddess

      
>
> 
>
>
>
>
>
>Goddess wrote:
>> 
>>   <smile>  -Just writing a quick note to say hello to the list.  I was a
>> member a few years ago, and decided to stop by again for a little while.
>> -Love the DJ thread!  I for one, think that  "music" and creativity are
>> only limited by our own imaginations.  <smile>  -and now having left a
>> couple of pennies, I must run to go teach.  Hope you're all having a
>> wonderful day, talk with ya soon, K?
>> 
>> Smiles,
>> 
>> Goddess
>> 
>> ---
>> 
>>   "The only things I really think are important, are love, and eachother.
>> -Then, anything is possible..."
>
>


---

  "The only things I really think are important, are love, and eachother.
-Then, anything is possible..."


From Loopers-Delight-request@loopers-delight.com  Tue May 22 08:15:11 2001
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From: Goddess <thefates@earthlink.net>
Subject: Re: Hi again!...
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At 04:27 PM 5/21/01 -0700, you wrote:
><smiles everyone>-wow a loopin lady-so what do ya know,ya know?and what do
>ya teach?

  Stan, I teach guitar, and music theory.  <smile>  -or at least some days
I do.  lol!  

  
> me likes yer writin stylee...
>
>stanner

  -Thanks much, me likes yours as well.  -and all of the nice warm hellos
I'm getting.  <smile>   -Thanks...  
  

Smiles,

Goddess


>----------
>>From: Goddess <thefates@earthlink.net>
>>To: loopers-delight@loopers-delight.com
>>Subject: Hi again!...
>>Date: Mon, May 21, 2001, 1:43 PM
>>
>
>>  <smile>  -Just writing a quick note to say hello to the list.  I was a
>>member a few years ago, and decided to stop by again for a little while.
>>-Love the DJ thread!  I for one, think that  "music" and creativity are
>>only limited by our own imaginations.  <smile>  -and now having left a
>>couple of pennies, I must run to go teach.  Hope you're all having a
>>wonderful day, talk with ya soon, K?  
>>
>>Smiles,
>>
>>Goddess
>>
>>
>>
>>
>>---
>>
>>  "The only things I really think are important, are love, and eachother.
>>-Then, anything is possible..."
>>
>>
>
>


---

  "The only things I really think are important, are love, and eachother.
-Then, anything is possible..."


From Loopers-Delight-request@loopers-delight.com  Tue May 22 08:26:07 2001
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rich@nuvisionsca.com writes:
>some of it looks frightfully obsessive!  me and a fellow 
>looper are definitely planning a remix!  thanks david.
love to hear it; thanks for the compliment.....
best,
dt / s-c

From Loopers-Delight-request@loopers-delight.com  Tue May 22 08:33:52 2001
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Date: Tue, 22 May 2001 08:29:40 EDT
Subject: Re: turntable instrument?
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joy_top@hotmail.com writes:
>Just thinking.  Is there music score for turntable?  Self expression seems
>important, but to communicate that on paper, so someone else can play it,
>seems a stretch for a table.  Instruments that I am aware of have music
>writen for them.  Well?????

'turntablist transcription methodology' (TTM),
by john carluccio, ethan imboden & raymond pirtle (aka dj raydawn, one of my 
son's ex-roomies).
quite detailed.
harrumph.

add'ly, i'm sure that ye can find some musings on this subject (on the web) 
by paul miller (aka dj spooky).
blurt.
dt / s-c

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Subject: Re: hey all from  randy clark and crowsong!!!!!
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In a message dated 5/21/01 10:19:49 PM Eastern Daylight Time, 
rclark@sirius.com writes:


> please give me a yell as to where to send stuff.
> 

i would love to hear your cd.....thanks
michael klobuchar
352 grace st
pittsburgh pa 15211

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>In a message dated 5/21/01 10:19:49 PM Eastern Daylight Time, 
<BR>rclark@sirius.com writes:
<BR>
<BR>
<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">please give me a yell as to where to send stuff.
<BR></BLOCKQUOTE>
<BR>
<BR>i would love to hear your cd.....thanks
<BR>michael klobuchar
<BR>352 grace st
<BR>pittsburgh pa 15211</FONT></HTML>

--part1_41.bc152f2.283bbc06_boundary--

From Loopers-Delight-request@loopers-delight.com  Tue May 22 09:16:23 2001
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From: Glyn Merga <glyn.merga@torotrak.com>
To: "'Loopers-Delight@loopers-delight.com'"
	 <Loopers-Delight@loopers-delight.com>
Subject: Re: turntable instrument?
Date: Tue, 22 May 2001 14:12:02 +0100
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Firstly  Hello .. I have been lurking on this Mailing list for a while now.
I think mostly the information in here is great and the humor even better
(Againiator - I want one)

Personally I have been playing guitar for 11 years for whatever that is
worth ... I enjoy what I do and use it primarily as a retreat from the
pressures of the job 
 
humm my two pennies worth now... 

I have few friends who DJ. They seem to split between your 'local club' or
'wedding reception' DJ and your 'up my own arse - no i don't make the music
but I create the atmosphere in a room' DJ. One guy I know (Nathan) does
actually loop using samples extracted form many different tracks and create
his own tracks from these. (I have played guitar parts on one or two and
continue to supply riffs whenever I write one I think he could use.) 

My POINT (At last) is that they all use the term 'DJ'. Nathan is much closer
to a producer or an arranger than a DJ. He uses the name 'DJ' to fit nicely
into a marketable product. Why do these people have to name / explain
themselves in this way ? I suggest it is because without this descriptive
element they would have to say '... hi ... I play other peoples records...oo
oo... and I try to make them seamless by joining tracks of the same speed
together when I play..' Not exactly equivalent to a guitarist learning over
years and practicing for two hours a night ...

But if you like what you do and gain enjoyment from it then it is good. No
matter if it is regarded by the powers that be as a 'true' form of
instrument of a valid art form ... 

Be judged by the end product ... not the path you choose to get there ...

Guitarist Glyn - Musician 

Torotrak (Development) Ltd. 
http://www.torotrak.com 


From Loopers-Delight-request@loopers-delight.com  Tue May 22 09:43:46 2001
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Subject: RE: HELP!!!!
Date: Tue, 22 May 2001 08:33:31 -0500
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Steve,
If it's been working in NY for some time, we can probably rule out the old
'crystal tolerance timing' problem. It's most likely to be faulty or dirty
RAM SIMMs. Carefully remove each one in turn and clean the connector edges
with either a fibreglass pencil, (used by draughtsman), or a standard rubber
pencil eraser.
I've also had the same problem with the EPROMS gradually working their way
out of their sockets. If the RAM cleaning doesn't work, I'd remove each
socket mounted chip in turn and re-seat them.
Pressing Parameters while booting is the magic reset, but I think Claude has
already mentioned this. Your continuous Loop 3 problem however, is very
unlikely to be cured with a re-set.
If all this fails, threaten it with severe physical damage; it probably
still won't boot but you'll feel better.
Good luck, let us know what happens,
Andy.
 
 
 
 
 -----Original Message-----
From: Steve Sandberg [mailto:stevesandberg@earthlink.net]
Sent: 22 May 2001 11:58
To: Loopers-Delight@loopers-delight.com
Subject: HELP!!!!



Can anyone help?  I have an extremely important solo show at the Knitting
Factory tonight in New York.  I've just gotten up -- it's 7 AM -- and my EDP
is not working.  When I turn it on, all that happens is "Loop 3" flashes
over and over.  
Is there any way to reset it?
Also, -- and this is asking a lot -- is there anyne in NYC with an EDP who
would lend it or rent it to me for one night?  
Thanks . . . 


------_=_NextPart_001_01C0E2C3.CC64C992
Content-Type: text/html;
	charset="iso-8859-1"

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META HTTP-EQUIV="Content-Type" CONTENT="text/html; charset=iso-8859-1">
<TITLE>HELP!!!!</TITLE>

<META content="MSHTML 5.50.4207.2601" name=GENERATOR></HEAD>
<BODY>
<DIV><SPAN class=970371813-22052001><FONT 
color=#800000><STRONG>Steve,</STRONG></FONT></SPAN></DIV>
<DIV><STRONG><FONT color=#800000><SPAN class=970371813-22052001>If it's been 
working in NY for some time, we can probably rule out the old 'crystal tolerance 
timing' problem. It's most likely to be faulty or dirty RAM SIMMs. Carefully 
remove each one in turn and clean the </SPAN>c<SPAN 
class=970371813-22052001>onnector edges&nbsp;with either a fibreglass pencil, 
(used&nbsp;by draughtsman), or a standard rubber pencil 
eraser.</SPAN></FONT></STRONG></DIV>
<DIV><STRONG><FONT color=#800000><SPAN class=970371813-22052001>I've also had 
the same problem with the EPROMS gradually working their way out of their 
sockets. If the RAM cleaning doesn't work, I'd remove each socket mounted chip 
in turn and re-seat them.</SPAN></FONT></STRONG></DIV>
<DIV><STRONG><FONT color=#800000><SPAN class=970371813-22052001>Pressing 
Parameters while booting is the magic reset, but I think Claude has already 
mentioned this. Your continuous Loop 3 problem however, is very unlikely to be 
cured with a re-set.</SPAN></FONT></STRONG></DIV>
<DIV><STRONG><FONT color=#800000><SPAN class=970371813-22052001>If all this 
fails, threaten it with severe physical damage</SPAN><SPAN 
class=970371813-22052001>; it probably still won't boot but you'll feel 
better.</SPAN></FONT></STRONG></DIV>
<DIV><STRONG><FONT color=#800000><SPAN class=970371813-22052001>Good luck, let 
us know what happens,</SPAN></FONT></STRONG></DIV>
<DIV><STRONG><FONT color=#800000><SPAN 
class=970371813-22052001>Andy.</SPAN></FONT></STRONG></DIV>
<DIV><STRONG><FONT color=#800000><SPAN 
class=970371813-22052001></SPAN></FONT></STRONG>&nbsp;</DIV>
<DIV><STRONG><FONT color=#800000><SPAN 
class=970371813-22052001></SPAN></FONT></STRONG>&nbsp;</DIV>
<DIV><STRONG><FONT color=#800000><SPAN 
class=970371813-22052001></SPAN></FONT></STRONG>&nbsp;</DIV>
<DIV><STRONG><FONT color=#800000><SPAN 
class=970371813-22052001></SPAN></FONT></STRONG>&nbsp;</DIV>
<DIV><STRONG><FONT color=#800000><SPAN 
class=970371813-22052001>&nbsp;</SPAN></FONT></STRONG><FONT face=Tahoma 
size=2>-----Original Message-----<BR><B>From:</B> Steve Sandberg 
[mailto:stevesandberg@earthlink.net]<BR><B>Sent:</B> 22 May 2001 
11:58<BR><B>To:</B> Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> 
HELP!!!!<BR><BR></DIV></FONT>
<BLOCKQUOTE 
style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #800000 2px solid"><FONT 
  size=4>Can anyone help? &nbsp;I have an extremely important solo show at the 
  Knitting Factory tonight in New York. &nbsp;I've just gotten up -- it's 7 AM 
  -- and my EDP is not working. &nbsp;When I turn it on, all that happens is 
  "Loop 3" flashes over and over. &nbsp;<BR>Is there any way to reset 
  it?<BR>Also, -- and this is asking a lot -- is there anyne in NYC with an EDP 
  who would lend it or rent it to me for one night? &nbsp;<BR>Thanks . . 
  .</FONT> </BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue May 22 10:18:59 2001
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Date: Tue, 22 May 2001 15:18:48 +0100
Subject: Re: hey all from  randy clark and crowsong!!!!!
From: roberto <roberto@nomade.worldonline.co.uk>
To: <Loopers-Delight@loopers-delight.com>
CC: <rclark@sirius.com>
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Hi Randy and Crowsong

I'd love to hear your CD. I run a small independent on-line distribution and
there may be scope for distributing your CD as well, if it fits in..
I am particularly interested in looping and the guitar.
Is it an independent production or are you with a label?
You can have a look at the existing site (www.rustyrobot.com) although it's
totally obsolete and in the next few days I am about to upload a completely
new one with different design, new catalogue and credit card transaction
facility.

If you wish to send a copy the address is:
57 Great North Road,
Barnet, Herts EN5 1AY
United Kingdom

Cheers

Roberto
______________________________________________
Roberto Battista
http://www.robat.scl.net
http://www.robat.scl.net/lectures/index.shtm
Tel. 0044 020 8449 1995
Mobile 0775 960 4344
______________________________________________
http://www.rustyrobot.com
independent on-line music distribution,
the music you can't find elsewhere,
contemporary classical, eclectic, world...
______________________________________________
http://www.robat.scl.net/html/tibet/tibet.shtm
an exciting project on technology applied to
mobile education for developing countries and
remote locations...
______________________________________________

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Jon,

   I built myself  a 8 space rack and new speaker cab's,  just kinda
   measured my stuff, and made them by the seat of my pants.
   Found some cheap tolex-like stuff at a cloth store and bought
   some nice spring loaded handles and metal corners from AllParts.com.
   Came out okay for a freshman effort.

   Here's a photo of the cabinets after tolex and before hardware installation.
   The rack had not yet gotten the tolex treatment...

               http://gisweb.cabq.gov/rig/rig1b.jpg

  Be glad to help  if you want specifics,  but most of the answers lie
  with a tape measure and your tablesaw!

later,
-jas
http://dimbulb.org


diatom drone wrote:

> It seems to me like somebody recently posted a url that had measurements and
> basics for making equipment racks from scratch, and as I'm setting up a home
> studio anywhere I can save a few bucks is welcome. I searched the archive
> with little luck, and the site seems to have magically disappeared from my
> bookmarks. Does anyone have this link handy? Any and all info much
> appreciated!
>
> Jon

From Loopers-Delight-request@loopers-delight.com  Tue May 22 11:36:18 2001
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Date: Tue, 22 May 2001 10:33:52 -0500
To: Loopers-Delight@loopers-delight.com
From: traig <Traig.S.Foltz.5@nd.edu>
Subject: Re: goodbye and thanks
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uhhh,  ...it's not a competition there fruitloop.  so put down the 
jimmy page act and step slowly away from your 7th grade fascination 
with "the occult."  see, all that's been done before little billy. 
so, stop acting like a pompus dumbass, put the guitar down and stop 
using multiple exclamation points.

here's a real spooky one, you madman you, "if you listen to fools the 
mob rules."

beat it punk,
t

please, no one write me and tell me "if you don't have anything nice 
to say please take your toys and go home."  this idiot deserves it. 
he wouldn't know a "junkie/world traveller"  if he was run over by 
burroughs.



>ps;;i to have been a sex fiend,junkie,world traveler,avid
>reader,writer,"madman"(as opposed to being normal.gawd forbid)and all
>those other attributes the reader "accuses"?? Big Al of......I couldnt
>get into the mountain climbing bit,tho.                     Dont make
>you a bad person!!!! thanks again all for your feedback,gotta move
>on,this is a biiiiiggggg internet!!!                and,by the way,i
>dont stay home,but living in the Big Apple,i am out every night ,and i
>do hear it all.But unlike my friend,who couldnt put in the time,and
>couldnt stand the competition he had to endure to became a really good
>guitarist,i will not sell all my guitars and buy boxes and machines and
>turntables to make it easy on myself!!I will still work hard at my
>craft,practicing and writing for hours every day to achieve my
>will,which is to be the best damn guitar player in the city!!! a hard
>task ,i admit but one worth striving for.And if i only get part way
>there,which i already have......the dream is the thing.If it be your
>will to be the best looper,then all blessings be upon you!!My friend is
>looping because he didnt have the talent to do what he really wanted to
>do,and so i presume he will fail here also,because he will be competing
>with loopers who do it because it is their will,not because they couldnt
>handle the rigours of studying guitar.  hence crowleys law.......find
>your will,and DO IT.best to you all.May you do your will.....I'm
>"already gone"
>
>"Do What Thou Wilt,Shall Be the Whole Of the Law"

-- 
Traig Foltz
Audio Production Specialist
University of Notre Dame
Office of Information Technology
Office: (219)631 - 3752
Fax:  (219) 631 - 8777

From Loopers-Delight-request@loopers-delight.com  Tue May 22 11:40:15 2001
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References: <d8.69b2c93.283aea1e@aol.com> <004001c0e248$988130a0$6401a8c0@nc.rr.com> <3B0A8585.DF86B529@cabq.gov>
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   The URL Should be:

     http://gisweb2.cabq.gov/rig/rig1b.jpg

   Sorry for the boo boo...

-jas

Jason Fink wrote:

> Jon,
>
>    I built myself  a 8 space rack and new speaker cab's,  just kinda
>    measured my stuff, and made them by the seat of my pants.
>    Found some cheap tolex-like stuff at a cloth store and bought
>    some nice spring loaded handles and metal corners from AllParts.com.
>    Came out okay for a freshman effort.
>
>    Here's a photo of the cabinets after tolex and before hardware installation.
>    The rack had not yet gotten the tolex treatment...
>
>                http://gisweb.cabq.gov/rig/rig1b.jpg
>
>   Be glad to help  if you want specifics,  but most of the answers lie
>   with a tape measure and your tablesaw!
>
> later,
> -jas
> http://dimbulb.org
>

From Loopers-Delight-request@loopers-delight.com  Tue May 22 12:10:51 2001
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Date: Tue, 22 May 2001 09:06:28 -0700
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Subject: Re: HELP!!!!
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At 3:57 AM -0700 5/22/01, Steve Sandberg wrote:
>     Can anyone help?  I have an extremely important solo show at the
>Knitting Factory tonight in New York.  I've just gotten up -- it's 7 AM --
>and my EDP is not working.  When I turn it on, all that happens is "Loop
>3" flashes over and over.  

that's what it does if there is something wrong with the memory. so my
first guess would be like Andy said, try cleaning the simms and reseating
them in the sockets.
kim



______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com


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>From: Goddess <thefates@earthlink.net>

>how a thread about looping could turn into one concerning Crowley so
>quickly.  <smile>  Well, only here, for one thing.  -actually, I new a
>relative of his, several years ago.  -Perhaps I should have asked if he
>played loop music, or if he ever DJ'ed.  <smile>  LOL!  can ya see it?
>"This is DJ "C"  spinin' the supernatural grooves as we spiral on into 
>the>Golden Dawn!"  lollollol!  OK, gettin' ready to get flamed!  <smile.
>*looks extra cute*  -it's just the insomnia, really...
>>Smiles,
>>Goddess

believe me, i've perpetrated many a "random thread goes Crowley" meself on 
all kinds of lists. being an old zeppelin fiend, i found out about ole 
mister crowley thru reading about pagey's obsessions. though i think the guy 
was messing with stuff way over his head and that's what did him in.

if he was still around, i think he'd be in the music scene somehow... 
imagine the raves he would throw. not just big parties, but supernatural 
events! imagine someone candyflipping at a crowley rave and the dimensional 
doors open and some flying dragons start coming thru... they'd just think it 
was really good acid ...whahahahah :-D

db
_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

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Subject: Recycle/Rebirth/Reason / Re: goodbye and thanks
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points...

guitar playing is not a competition. i've been a guitarist for over 17 yrs 
and never did i try to compete with anyone. i always had my own goals and 
went after them. never did i think i wanted to be the best guitarist in any 
city. i always wanted to do my thing and get on with it.

traig, why are you so irritated by this? if he wants to be a fruitloop and 
get his pagey fantasy on, let it be. you don't see him telling you how you 
should live your life.

this is lame...

i have Reason. I want to use a ton of Rebirth basslines thru the REX loop 
player. but it only lets me use  different slices.

anyone able to recommend quickie tips/shortcuts on slicing up the basslines? 
i already exported a Rebirth wav of all the basslines put together and now i 
wanna slice them in recycle.

db


>From: traig <Traig.S.Foltz.5@nd.edu>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: goodbye and thanks
>Date: Tue, 22 May 2001 10:33:52 -0500
>
>uhhh,  ...it's not a competition there fruitloop.  so put down the
>jimmy page act and step slowly away from your 7th grade fascination
>with "the occult."  see, all that's been done before little billy.
>so, stop acting like a pompus dumbass, put the guitar down and stop
>using multiple exclamation points.
>
>here's a real spooky one, you madman you, "if you listen to fools the
>mob rules."
>
>beat it punk,
>t
>
>please, no one write me and tell me "if you don't have anything nice
>to say please take your toys and go home."  this idiot deserves it.
>he wouldn't know a "junkie/world traveller"  if he was run over by
>burroughs.
>
>
>
>>ps;;i to have been a sex fiend,junkie,world traveler,avid
>>reader,writer,"madman"(as opposed to being normal.gawd forbid)and all
>>those other attributes the reader "accuses"?? Big Al of......I couldnt
>>get into the mountain climbing bit,tho.                     Dont make
>>you a bad person!!!! thanks again all for your feedback,gotta move
>>on,this is a biiiiiggggg internet!!!                and,by the way,i
>>dont stay home,but living in the Big Apple,i am out every night ,and i
>>do hear it all.But unlike my friend,who couldnt put in the time,and
>>couldnt stand the competition he had to endure to became a really good
>>guitarist,i will not sell all my guitars and buy boxes and machines and
>>turntables to make it easy on myself!!I will still work hard at my
>>craft,practicing and writing for hours every day to achieve my
>>will,which is to be the best damn guitar player in the city!!! a hard
>>task ,i admit but one worth striving for.And if i only get part way
>>there,which i already have......the dream is the thing.If it be your
>>will to be the best looper,then all blessings be upon you!!My friend is
>>looping because he didnt have the talent to do what he really wanted to
>>do,and so i presume he will fail here also,because he will be competing
>>with loopers who do it because it is their will,not because they couldnt
>>handle the rigours of studying guitar.  hence crowleys law.......find
>>your will,and DO IT.best to you all.May you do your will.....I'm
>>"already gone"
>>
>>"Do What Thou Wilt,Shall Be the Whole Of the Law"
>
>--
>Traig Foltz
>Audio Production Specialist
>University of Notre Dame
>Office of Information Technology
>Office: (219)631 - 3752
>Fax:  (219) 631 - 8777
>

_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

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Date: Tue, 22 May 2001 09:47:42 -0700
From: Richard Zvonar <zvonar@zvonar.com>
Subject: RE: I hope this doesn't strain Gibson's advertising budget.......
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At 5:43 AM -0500 5/22/01, Andy Ewen wrote:
>I know to the outside, Gibson appear to buy and destroy small companies, but
>the reality is, these guys are usually in serious trouble before Gibson step
>in; we were. For some it's too late, Opcode being an example. I now know the
>real reasons for the failure and closure of such businesses and it cannot be
>blamed on any callous act by Gibson.
>Having spent quite some time now with Henry Juszkiewicz, I have nothing but
>respect for him and his vision, he's not the mad megalomaniac some would
>like to believe.

Well, I guess I must just hang out with losers. Most of the reports 
I've gotten over the last ten years or so are that he's a bipolar 
type who is charming and enthusiastic at the outset but quickly turns 
into a raging litigator when the acquired company doesn't reach a 30% 
increase in profits in the first year.


At 1:27 AM -0700 5/22/01, Kim Flint wrote:
>And I certainly don't see the point of trying to destroy the folks here who
>have put so much of themselves into creating new looping tools and
>instruments for this group. Whether you grasp it or not, that's exactly
>what you seem to be proposing. Matthias might finally stand a chance to
>make back some of the large amounts of time and money he invested in all of
>this. (me too, although not nearly so much.) Why do you want to take us
>down and deny us that, after all the work we've done for you? It IS all
>connected. You can't harm one part without harming the other.

I didn't expect my suggestion to be taken seriously, and I don't have 
any I'll will toward those on the Echoplex team. I just wanted to 
provoke some discussion of the faustian nature of doing business with 
Gibson. Clearly you folks are benefiting from Uncle Henry's 
benevolent mode. Others have been less fortunate.
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

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'allo!

i'm relatively new to looping and the actual composition/performance of music in general.  i've been working with a combination of various software-based solutions for a little over a year now and badly want to dive into hardware.  i've primarily been working with fruityloops (i have this sneaking suspicion that there are a million individuals quite like myself :), sound forge, and various software synths.  

i know this is an extremely broad question, but where would anyone recommend i begin in terms of hardware?  i mean in the most general sense -- i don't mean specific pieces/brands of hardware, just general types of hardware (synths, samplers, drum machines, combos, etc.).  i've done mostly a cross-breeding of trance, pop (pop in that my work generally has vocals...not really pop in any other way, so i suppose the "pop" description is somewhat tenuous), drum'n'bass, with a somewhat noticeable warp records influence.  i'm looking to hardware because i'm becoming increasingly fed up with the noticeably poorer sound quality i get from being entirely software-based.  

again, just looking for advice, seeing as i've noticed that a large portion of the people on this list seem extremely helpful and knowledgeable (certainly moreso than myself).  

thanks very much...hope the person with the gig at knitting factory got everything up and running...that sounded rough...

barry nelson

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I had a similar experience of intermittent strange voodoo, leading to a failure. I sent it back and it turned out to be a 'clock' problem. They fixed it fast though and Michael Ayers (thanks Mike!) got it back to me in about 1-1/2 weeks. I have no idea how service turnaround is going now. Good luck... Last name I remember is Shane Radtke? 

Best,
-Miko

>>> stevesandberg@earthlink.net 05/22/01 04:19AM >>>
It's 5 minutes later and my EDP is now working - I'm very nervous, though.
I've publicized this concert quite a bit to colleagues and press and it's
all EDP-based.
It wold be really scary if it just didn't work tonight.
It seems to have turned itself on after about 5 or 10 minutes of me turning
it off and on.  Finally I think I just left it on for a few minutes and it
fixed itself, at least for the moment.
I can't be sure, but I think yesterday it might have been acting funny --
not responding to foot pressed the way it normally does.  I chalked it up to
bad button presses on my part but could it have been an intimation of things
to come?
Has anyone had an experience like this?


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Date: Tue, 22 May 2001 13:20:05 -0400
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From: Tom Ritchford <tom@swirly.com>
Subject: RE: I hope this doesn't strain Gibson's advertising budget.......
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>You Sir, are a buffoon!.

etc.

Well.  They certainly didn't do well by Opcode customers.


I certainly understand that Opcode was basically moribund
when purchased by Gibson.  But Gibson appeared to just
dismantle Opcode, almost immediately selling the current release
version of Vision for $50 on the net and ceasing to provide support,
upgrades or much of anything.


That's their right.  But why did they buy it in the
first place if they didn't intend to do anything with it?
They certainly had to take a big loss on the deal!


Also, see these:

<http://stephengoldin.com/gibson/>
<http://stephengoldin.com/gibson/technohick01.html>


...electronic a cappella madness <http://volectrix.com>.........
...extreme internet radio        <http://extremeNY.com/radio>...

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From: "Damon Langlois (Electrix)" <Damon@electrixpro.com>
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Subject: RE: Repeater Demo in Marin!
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Hey loopers,
It seems like Don had a good time demoing Repeater on the weekend and it
seems like a few of you had a good time grilling him. 
I just wanted everyone on the list to know that there is no funny business
with the shipping of Repeaters. Yes, Alto will receive their order! We are
quite simply shipping in the order we received P.O.s. We are definitely not
playing favorites. We had stated from the beginning that we would ship on a
first come first serve basis. Yes we received the Bananas order first,
however, this first shipment will only take a week or so to go out to all
the dealers.

Respect,

Damon Langlois
Creative Director
Electrix 
Tel (250) 544-4091 Fax (250) 544-4100
http://www.electrixpro.com

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Date: Tue, 22 May 2001 13:29:12 -0400
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From: Tom Ritchford <tom@swirly.com>
Subject: new tracks of mine to download...
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Lots of loopy stuff (Headrush, DL4, multiple delays w/feedback)
in all the collaborative tracks.   (No explicit loopers in my
studio stuff but I think you'll like it just the same...)


1. Unreleased live tracks with Charles Cohen and me (in high and low quality)

   <http://extremeNY.com/cohen-ritchford/>


2. Volectrix "Alfa Omego" CD now on line (in high, medium and low quality!)
    A cappella electronic music with Kid Lucky and me.

   <http://volectrix.com/cd/alfa_omego/>


3. Studio tracks of mine.  All parts played by me.

   <http://extremeNY.com/Highway.mp3>
   <http://extremeNY.com/FarAway.mp3>

	/t

...electronic a cappella madness <http://volectrix.com>.........
...extreme internet radio        <http://extremeNY.com/radio>...

From Loopers-Delight-request@loopers-delight.com  Tue May 22 14:13:06 2001
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Subject: New + Live Loop Performances
Date: Tue, 22 May 2001 20:09:49 +0200
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Hi,

I'm new to the list and would like to introduce myself : 26 years old, been
producing music since I was 16, and currently making the step to
"enjoy-making-electronic-music-live-alone".

My question to the list is the following :

I have been looking for the ultimate hardware live performance toolkit to
play loop-based music. The only software program that came close to a good
live-performance candidate is the toy called MixMan [and they're progressing
with their DM2 controller]. However, it's not reliable in terms of stability
[and I don't want to carry my PC every time]. So I made a list of what would
be the perfect hardware candidate, and noticed there isn't one.

* Roland SP808 : only 4 tracks [I mean, what can you do with less than 16 ?]
* Yamaha RMX1x : I don't need synths included, and it doesn't seem to be
suited for live performance
* RS7000 : not out yet, and I don't have a good feeling about it

So I finally got my eye on the MPC2000XL. This should be one of the most
interesting machines to beb used live. A pity it only has 32 Mb ram maximum.
However, I don't see a hold button, and I suppose if you mute a track, it
won't mute audio, but instead midi. So not a perfect candidate after all ...

My question to the list is : any loopers using hardware units to give a
reliable live show ?

-- Frank

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Subject: RE: Recycle/Rebirth/Reason / Re: goodbye and thanks
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Go over to http://www.reasonstation.net/board/ and post this, if it already
hasn't been addressed.


> i have Reason. I want to use a ton of Rebirth basslines thru the REX loop
> player. but it only lets me use  different slices.
>
> anyone able to recommend quickie tips/shortcuts on slicing up the
> basslines?
> i already exported a Rebirth wav of all the basslines put
> together and now i
> wanna slice them in recycle.

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Subject: Re: New Midi Controller
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OK, off the cuff brainstorm.  Reading through the blurb about
this one, I just thought of a use for one of the user defined
functions.

The blurb says:
User defined MIDI events (mode 2) can be programmed with the
following features:


  a.. ....
  b.. Programmable delay between MIDI messages
  c.. ....
Cool!  So, compose a sequence of notes or whatever CC's you
want, and then spin a knob or move a fader or whatever to have
some output generated at a programmed time interval.  Neato.

Mike

----- Original Message -----
From: "John Tidwell" <wedgehed@yahoo.com>
To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, May 22, 2001 2:42 AM
Subject: New Midi Controller


>
> http://www.harmony-central.com/Newp/2001/Bit-Stream-Pro.html
>
> Knobs, Sliders, Buttons...AND an LFO!
>
> =====
> John Tidwell
>
>
>
>
> __________________________________________________
> Do You Yahoo!?
> Yahoo! Auctions - buy the things you want at great prices
> http://auctions.yahoo.com/
>
>

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Subject: RE: I hope this doesn't strain Gibson's advertising budget.......
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At 1:20 PM -0400 5/22/01, Tom Ritchford wrote:

>Well.  [Gibson] certainly didn't do well by Opcode customers.

As Keith McMillan commented about the Gibson acquisition: "This is 
the middle of the end for Opcode."

>Also, see these:
>
><http://stephengoldin.com/gibson/>
><http://stephengoldin.com/gibson/technohick01.html>

Thanks for the Lynx links.  I'm glad to know that the suit was 
properly settled.

Very interesting account of the OB-Mx, Zeta, and G-WIZ.

I have two copies of the ZIPI Gray Book.
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

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Here are some thoughts that just came to mind:

No one really cares anymore who is a real muscian or a non-musician or entertainer or faker or Real vs. Fraud.

& the fact that we are in this dialog shows that it is a safe bet that it originated by folks born before 1970...just 1/2 kidding here...but after reading these posts, i'm surprised that some of the so called "old heads" on LD are infinitely and eternally "younger" it seems than one might imagine than some of their own  contemporaries.

& I do think music is today more marginalized and taken for granted now than any other time before in our history ( ironic as the delivery and technical capacity for the making and listening to of music is more advanced and better than ever, but thats another dialog-debate )

But to me, Music has always been to me a colorful - communicating food with flavors, languages, nuances and recipees and concoctions which have spanned time(s) as well as preceding our own individual consciousness to some degrees ( damn the older i get the hokier-new ageier i sound ), but music is and has always been with us as it always there for us to embrace in one way/form or another, ya knw?

And this is clearly more of an old skool vs. new skool mentality where its more of a reflection of what the death of rock n roll and layers of the baby boomer rock n roll mentality means en masse and in niche circles to certain and various old skool heads means where for them music it seems that in general, music is and always has been expressed as more of a sport (once again that is IMHO) where to these guys whther on the Beavis and Butthead level or in the intellectual astute realms of Academic and High Critical thinking, their ideas of good and "music" or the musician are the only valid ideas as they can and will always see things based upon what they have seen or have been shown to be true.

& it seems to these eyes and ears certain old skoolers or "old mentalities" are using music or the so called "flag" of music as a means to voice a need for personal validation that furthermore demands to be right and reveal the so called "truth" versus a "Fallacious" and annoying insurgency into their world of self/assigned/annointed validity...all that based upon their own notion of the artist as an artiste of desirable pedigree meaning the so called artiste did in fact write what they know and recognize, "produce it" and "perform it" using their own instrumentds to really be valid.

but aint it funny how the "new skool" is clearly writing its music and producing its own music and performing its own music( though not all of them or a lot of them and right now only a handful of them are actually taking the lead in doing so, but they are still nonetheless doing it... and thats never enough of them IMHO) in a way that is perhaps communicated in a language which the old guard/old mentalities perceive as "crude" at best, when it is uequivocally musical and full of potential for musicianship to be expressed just as what the old skool ( whatever that may be ) holds as valid does...

& yeah, folks gotta get out more and not necessarily trade in their model T's but make an attempt to understand the new skool without the judgements and weight they tend to place on things whenever old skoolers and young initiates bring their personal perspective to tht which is outside their common or usual experience(S).

I would love to and am personally dyin to work with a DJ(s) who has the ability to thow it out mix it up and take the room higher using skills, science and moreover using their musicality which they clearly can and do posses 

anyways, I dont begrudge the DJ's who do just match bpms as I likewise dont really see too many so called "real musicians" with much incentive or initiative displayed in taking the path that leads to their ultimate - maximum musical potential to be actualized.

but there is no "law" or axiom or litmus test you can steadfastly apply to an individual(S) to prove or disprove they are muscians...is there? :) 

& also consider Can a person who bakes a microwave dinner each nite for their own personal dinner on a daily basis call themselves a "chef" as opposed to the person who is trained in the "culinary arts" who makes and or even grows their own food from scratch as well as having been recognized by a body of their own peers and or various or certain "culinary academics", to be credible enough to be certified and assigned the staus of chef? & Who really cares ? 

That is unless of course your in the business of letting your certifications speak for you...which is not about music but all about you.

But IMHO it all depends on more of your intentions and needs are and how you choose to live and listen (eat), cook and then hear (or setup the digestion of your food ) or how well you communicate the stuff that is compelling you to keep coming back to the process you use or choose to communicate and cook thru.

& I do love cooking, but i love to talk and listen and i also like to tell stories and i love to listen and hear other peoples stories unfold even more than i like telling tales, but i dont need to have stories read to me outta a book ( i can get them in many formats ) and i dont necessarilly need my stories to have words or even any discernable music that a so called musician/turntablist/non-musician plays to hear the music inherent in something.

and of course i get "gas", hehehehe! but it all derrives from "food" which is still "food" in the end, right?
(good and bad is a different story but food is food)

but consider that it is such a narrow and uncreative thing to do to try & narrow the definition of musicality and receiving music(s) into very specific and personally discernable parameters, n'est pas and to what purpose? 

But again the answers to the above are dependent upon how and what you need to be true. 

but if ya dig deeper, music needs a lot less of a consructed "us" to exist than it does need our bodies, our ears and hearts, souls to flesh out resonance and perhaps emerge a reconstructed "us".

& I may be wrong here but music is a lot more mecurial and more elusive and paradoxical than any of us can describe or even attempt to define ( it is like trying to definitively define god to go & try to define music..i saw that debate here approx 2 years ago :).

but music does need to be listened to and heard by whomever is there to bear witness to it more so than it needs to be judged or merited by any of us IMHO.

Regards,
John Price/AKASH
"Remember to always kill youe expectations"
www.akashmusic.com

From Loopers-Delight-request@loopers-delight.com  Tue May 22 16:12:40 2001
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From: landman@wco.com (Mark Landman)
Subject: RE: Repeater Demo in Marin!
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A very public thanks to Damon and Electrix for clarifying this heretofore
rather murky matter.

This should make it easy for all of us to decide what we want to do...

Looking forward to some massive looping fun w/ Repeater!

Mark



>Hey loopers,
>It seems like Don had a good time demoing Repeater on the weekend and it
>seems like a few of you had a good time grilling him.
>I just wanted everyone on the list to know that there is no funny business
>with the shipping of Repeaters. Yes, Alto will receive their order! We are
>quite simply shipping in the order we received P.O.s. We are definitely not
>playing favorites. We had stated from the beginning that we would ship on a
>first come first serve basis. Yes we received the Bananas order first,
>however, this first shipment will only take a week or so to go out to all
>the dealers.
>
>Respect,
>
>Damon Langlois
>Creative Director
>Electrix
>Tel (250) 544-4091 Fax (250) 544-4100
>http://www.electrixpro.com


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Someone's been getting a little too close to HJ's cigar smoke . . .

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HELP!!!!I have had the same problem (maybe Andy remembers that "italian" =
edp arrived from Nashville).
I think i remember Andy at Trace Elliott fixed it by cleaning eprom's =
contacts...
I think they were his first days into Edp's world.
I can remember...you don't feel so stable when you Edp acts like that...
luca



  ----- Original Message -----=20
  From: Andy Ewen=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Tuesday, May 22, 2001 3:33 PM
  Subject: RE: HELP!!!!


  Steve,
  If it's been working in NY for some time, we can probably rule out the =
old 'crystal tolerance timing' problem. It's most likely to be faulty or =
dirty RAM SIMMs. Carefully remove each one in turn and clean the =
connector edges with either a fibreglass pencil, (used by draughtsman), =
or a standard rubber pencil eraser.
  I've also had the same problem with the EPROMS gradually working their =
way out of their sockets. If the RAM cleaning doesn't work, I'd remove =
each socket mounted chip in turn and re-seat them.
  Pressing Parameters while booting is the magic reset, but I think =
Claude has already mentioned this. Your continuous Loop 3 problem =
however, is very unlikely to be cured with a re-set.
  If all this fails, threaten it with severe physical damage; it =
probably still won't boot but you'll feel better.
  Good luck, let us know what happens,
  Andy.
  =20
  =20
  =20
  =20
   -----Original Message-----
  From: Steve Sandberg [mailto:stevesandberg@earthlink.net]
  Sent: 22 May 2001 11:58
  To: Loopers-Delight@loopers-delight.com
  Subject: HELP!!!!


    Can anyone help?  I have an extremely important solo show at the =
Knitting Factory tonight in New York.  I've just gotten up -- it's 7 AM =
-- and my EDP is not working.  When I turn it on, all that happens is =
"Loop 3" flashes over and over. =20
    Is there any way to reset it?
    Also, -- and this is asking a lot -- is there anyne in NYC with an =
EDP who would lend it or rent it to me for one night? =20
    Thanks . . .=20

------=_NextPart_000_0102_01C0E30E.6E79D7A0
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD><TITLE>HELP!!!!</TITLE>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.2614.3500" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I have had the same problem (maybe Andy =
remembers=20
that "italian" edp arrived from Nashville).</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I think i remember Andy at Trace =
Elliott fixed it=20
by cleaning eprom's contacts...</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I think they were his first days into =
Edp's=20
world.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I can remember...you don't feel so =
stable when you=20
Edp acts like that...</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>luca</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: =
0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A href=3D"mailto:andy.ewen@trace-elliot.com"=20
  title=3Dandy.ewen@trace-elliot.com>Andy Ewen</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  href=3D"mailto:Loopers-Delight@loopers-delight.com"=20
  =
title=3DLoopers-Delight@loopers-delight.com>Loopers-Delight@loopers-delig=
ht.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, May 22, 2001 =
3:33 PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RE: HELP!!!!</DIV>
  <DIV><BR></DIV>
  <DIV><SPAN class=3D970371813-22052001><FONT=20
  color=3D#800000><STRONG>Steve,</STRONG></FONT></SPAN></DIV>
  <DIV><STRONG><FONT color=3D#800000><SPAN class=3D970371813-22052001>If =
it's been=20
  working in NY for some time, we can probably rule out the old 'crystal =

  tolerance timing' problem. It's most likely to be faulty or dirty RAM =
SIMMs.=20
  Carefully remove each one in turn and clean the </SPAN>c<SPAN=20
  class=3D970371813-22052001>onnector edges&nbsp;with either a =
fibreglass pencil,=20
  (used&nbsp;by draughtsman), or a standard rubber pencil=20
  eraser.</SPAN></FONT></STRONG></DIV>
  <DIV><STRONG><FONT color=3D#800000><SPAN =
class=3D970371813-22052001>I've also had=20
  the same problem with the EPROMS gradually working their way out of =
their=20
  sockets. If the RAM cleaning doesn't work, I'd remove each socket =
mounted chip=20
  in turn and re-seat them.</SPAN></FONT></STRONG></DIV>
  <DIV><STRONG><FONT color=3D#800000><SPAN =
class=3D970371813-22052001>Pressing=20
  Parameters while booting is the magic reset, but I think Claude has =
already=20
  mentioned this. Your continuous Loop 3 problem however, is very =
unlikely to be=20
  cured with a re-set.</SPAN></FONT></STRONG></DIV>
  <DIV><STRONG><FONT color=3D#800000><SPAN class=3D970371813-22052001>If =
all this=20
  fails, threaten it with severe physical damage</SPAN><SPAN=20
  class=3D970371813-22052001>; it probably still won't boot but you'll =
feel=20
  better.</SPAN></FONT></STRONG></DIV>
  <DIV><STRONG><FONT color=3D#800000><SPAN =
class=3D970371813-22052001>Good luck, let=20
  us know what happens,</SPAN></FONT></STRONG></DIV>
  <DIV><STRONG><FONT color=3D#800000><SPAN=20
  class=3D970371813-22052001>Andy.</SPAN></FONT></STRONG></DIV>
  <DIV><STRONG><FONT color=3D#800000><SPAN=20
  class=3D970371813-22052001></SPAN></FONT></STRONG>&nbsp;</DIV>
  <DIV><STRONG><FONT color=3D#800000><SPAN=20
  class=3D970371813-22052001></SPAN></FONT></STRONG>&nbsp;</DIV>
  <DIV><STRONG><FONT color=3D#800000><SPAN=20
  class=3D970371813-22052001></SPAN></FONT></STRONG>&nbsp;</DIV>
  <DIV><STRONG><FONT color=3D#800000><SPAN=20
  class=3D970371813-22052001></SPAN></FONT></STRONG>&nbsp;</DIV>
  <DIV><STRONG><FONT color=3D#800000><SPAN=20
  class=3D970371813-22052001>&nbsp;</SPAN></FONT></STRONG><FONT =
face=3DTahoma=20
  size=3D2>-----Original Message-----<BR><B>From:</B> Steve Sandberg=20
  [mailto:stevesandberg@earthlink.net]<BR><B>Sent:</B> 22 May 2001=20
  11:58<BR><B>To:</B> =
Loopers-Delight@loopers-delight.com<BR><B>Subject:</B>=20
  HELP!!!!<BR><BR></DIV></FONT>
  <BLOCKQUOTE=20
  style=3D"BORDER-LEFT: #800000 2px solid; MARGIN-LEFT: 5px; =
PADDING-LEFT: 5px"><FONT=20
    size=3D4>Can anyone help? &nbsp;I have an extremely important solo =
show at the=20
    Knitting Factory tonight in New York. &nbsp;I've just gotten up -- =
it's 7 AM=20
    -- and my EDP is not working. &nbsp;When I turn it on, all that =
happens is=20
    "Loop 3" flashes over and over. &nbsp;<BR>Is there any way to reset=20
    it?<BR>Also, -- and this is asking a lot -- is there anyne in NYC =
with an=20
    EDP who would lend it or rent it to me for one night? =
&nbsp;<BR>Thanks . .=20
    .</FONT> </BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0102_01C0E30E.6E79D7A0--

From Loopers-Delight-request@loopers-delight.com  Tue May 22 16:40:39 2001
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>But to me, Music has always been to me a colorful - communicating food with 
>flavors,

"No, No, just eat this and then you'll understand me"


Could work

Kevin

_________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Tue May 22 17:41:44 2001
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lets play name that strange idm band that i forgot the name of.
they are from germany/sweden they composed a whole record using nothing but
the sound of a malfunctioning sampler, and i forgot there name
-thaniel

From Loopers-Delight-request@loopers-delight.com  Tue May 22 17:49:49 2001
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Subject: pedantic chit chat [no looping]
Date: Tue, 22 May 2001 21:47:27 
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Man! I wish there was a way to force Academics to live outside of Academia 
for 2 years every 5 years. They really have no idea how obnoxious they get 
['cause students and faculty eat it up] and they might be decent people 
under all those letters and tweed.
_________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.

From Loopers-Delight-request@loopers-delight.com  Tue May 22 17:54:26 2001
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Subject: RE: pedantic chit chat [no looping]
Date: Tue, 22 May 2001 14:59:13 -0700
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Ya but they only bore each other 'cause us regular folks have learned not to
pay attention to it. nyuk, nyuk......
one of the peons
BC

-----Original Message-----
From: Robert Eberwein [mailto:robert_eberwein@hotmail.com]
Sent: Tuesday, May 22, 2001 9:47 PM
To: Loopers-Delight@loopers-delight.com
Subject: pedantic chit chat [no looping]


Man! I wish there was a way to force Academics to live outside of Academia
for 2 years every 5 years. They really have no idea how obnoxious they get
['cause students and faculty eat it up] and they might be decent people
under all those letters and tweed.
_________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.

From Loopers-Delight-request@loopers-delight.com  Tue May 22 18:06:30 2001
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>Man! I wish there was a way to force Academics to live outside of 
>Academia for 2 years every 5 years. They really have no idea how 
>obnoxious they get ['cause students and faculty eat it up] and they 
>might be decent people under all those letters and tweed.

gee, no one ever ripped me off in Academia like the Real World.

of course, it's been a very long time for me, perhaps it's all
changed now?

	/t


...electronic a cappella madness <http://volectrix.com>.........
...extreme internet radio        <http://extremeNY.com/radio>...

From Loopers-Delight-request@loopers-delight.com  Tue May 22 18:55:47 2001
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Subject: welcome Frank Bongers
From: Steve Lawson <steve@steve-lawson.co.uk>
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>>>I'm new to the list and would like to introduce myself : 26 years old, been
producing music since I was 16, and currently making the step to
"enjoy-making-electronic-music-live-alone".<<<

Hi Frank,

i'm assuming you're the same Frank Bongers who reviewed my album for Jazz
Dimensions - thanks very much, glad you liked it! :o)

Welcome to the list - it's great here!

Steve 
www.steve-lawson.co.uk 

From Loopers-Delight-request@loopers-delight.com  Tue May 22 19:01:12 2001
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Date: Tue, 22 May 2001 15:42:42 -0700
From: Richard Zvonar <zvonar@zvonar.com>
Subject: Re: pedantic chit chat [no looping]
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At 6:03 PM -0400 5/22/01, Tom Ritchford wrote:

>gee, no one ever ripped me off in Academia like the Real World.

It happens. Academic raiders are just less likely to use lawyers to do it.


>of course, it's been a very long time for me, perhaps it's all
>changed now?


Same as it ever was, I think (though it's been a while for me too).

Academicians have been "sampling" each other from the beginning:


Academic politics is the most vicious and bitter form of politics, 
because the stakes are so low.
-Wallace Sayre


"University politics are vicious precisely because the stakes are so small. "
- Henry Kissinger (1923-)

As Villa trenchantly points out, "Perhaps the conflict seems so 
strong because the stakes are so low." (as cited in Affleck, Allen, & 
DeLoatch, 1997).


-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz
--============_-1221550647==_ma============
Content-Type: text/html; charset="us-ascii"

<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: pedantic chit chat [no
looping]</title></head><body>
<div><tt>At 6:03 PM -0400 5/22/01, Tom Ritchford wrote:</tt></div>
<div><tt><br></tt></div>
<blockquote type="cite" cite><tt>gee, no one ever ripped me off in
Academia like the Real World.</tt></blockquote>
<div><tt><br></tt></div>
<div><tt>It happens. Academic raiders are just less likely to use
lawyers to do it.</tt></div>
<div><tt><br></tt></div>
<div><tt><br></tt></div>
<blockquote type="cite" cite><tt>of course, it's been a very long time
for me, perhaps it's all</tt></blockquote>
<blockquote type="cite" cite><tt>changed now?</tt></blockquote>
<div><br>
<br>
</div>
<div>Same as it ever was, I think (though it's been a while for me
too).</div>
<div><br></div>
<div>Academicians have been &quot;sampling&quot; each other from the
beginning:</div>
<div><br></div>
<blockquote><br></blockquote>
<blockquote><tt>Academic politics is the most vicious and bitter form
of politics, because the stakes are so low.</tt></blockquote>
<blockquote><tt>-Wallace Sayre</tt></blockquote>
<blockquote><tt><br></tt></blockquote>
<blockquote><tt><br></tt></blockquote>
<blockquote><tt>&quot;University politics are vicious precisely
because the stakes are so small. &quot;</tt></blockquote>
<blockquote><tt>- Henry Kissinger (1923-)</tt></blockquote>
<blockquote><tt><br></tt></blockquote>
<blockquote><tt>As Villa trenchantly points out, &quot;Perhaps the
conflict seems so strong because the stakes are so low.&quot; (as
cited in Affleck, Allen, &amp; DeLoatch, 1997).</tt></blockquote>
<blockquote><tt><br></tt></blockquote>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div><br>
______________________________________________________________<br>
Richard Zvonar, PhD<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><br>
(818) 788-2202<x-tab>&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </x-tab><br>
http://www.zvonar.com<br>
http://RZCybernetics.com<br>
http://www.cybmotion.com/aliaszone<br>
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz</div>
</body>
</html>
--============_-1221550647==_ma============--

From Loopers-Delight-request@loopers-delight.com  Tue May 22 19:41:10 2001
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Date: Tue, 22 May 2001 17:43:40 -0600
To: Loopers-Delight@loopers-delight.com
From: Goddess <thefates@earthlink.net>
Subject: RE: Repeater Demo in Marin!
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  I missed the beginning of this thread.  Is the Repeater a hardware or
software product?

G

At 10:59 AM 5/22/01 -0700, you wrote:
>Hey loopers,
>It seems like Don had a good time demoing Repeater on the weekend and it
>seems like a few of you had a good time grilling him. 
>I just wanted everyone on the list to know that there is no funny business
>with the shipping of Repeaters. Yes, Alto will receive their order! We are
>quite simply shipping in the order we received P.O.s. We are definitely not
>playing favorites. We had stated from the beginning that we would ship on a
>first come first serve basis. Yes we received the Bananas order first,
>however, this first shipment will only take a week or so to go out to all
>the dealers.
>
>Respect,
>
>Damon Langlois
>Creative Director
>Electrix 
>Tel (250) 544-4091 Fax (250) 544-4100
>http://www.electrixpro.com
>
>


---

  "The only things I really think are important, are love, and eachother.
-Then, anything is possible..."


From Loopers-Delight-request@loopers-delight.com  Tue May 22 19:49:01 2001
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To: Loopers-Delight@loopers-delight.com
From: Mark Pulver <mark@redmoon-music.com>
Subject: RE: Repeater Demo in Marin!
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Goddess (04:43 PM 05/22/01) wrote:

 >I missed the beginning of this thread.  Is the Repeater a hardware or
 >software product?

It's hardware from a company called Electrix:

   http://www.electrixpro.com/


There is a lot of background information in the archives of the list which 
are accessible from:

   http://www.loopers-delight.com/loop.html


Mark

From Loopers-Delight-request@loopers-delight.com  Tue May 22 19:52:53 2001
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Subject: Re: Repeater Demo in Marin!
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The Repeater is a forthcoming hardware looping device by
Electrix:

http://www.electrixpro.com/

If you browse the archives on Loopers-delight.com, you'll see
endless posts regarding it.  The Repeater threads have spawned a
significant amount of discussion, which has been somewhat
overblown on the list.  You may see people begging you not to
start another Repeater thread, because so much whining and
counter whining has already made the rounds here a couple times.

Browse the archives and you should learn all you need.  ;-)

Mike

----- Original Message -----
From: "Goddess" <thefates@earthlink.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, May 22, 2001 7:43 PM
Subject: RE: Repeater Demo in Marin!


>   I missed the beginning of this thread.  Is the Repeater a
hardware or
> software product?
>
> G
>
> At 10:59 AM 5/22/01 -0700, you wrote:
> >Hey loopers,
> >It seems like Don had a good time demoing Repeater on the
weekend and it
> >seems like a few of you had a good time grilling him.
> >I just wanted everyone on the list to know that there is no
funny business
> >with the shipping of Repeaters. Yes, Alto will receive their
order! We are
> >quite simply shipping in the order we received P.O.s. We are
definitely not
> >playing favorites. We had stated from the beginning that we
would ship on a
> >first come first serve basis. Yes we received the Bananas
order first,
> >however, this first shipment will only take a week or so to
go out to all
> >the dealers.
> >
> >Respect,
> >
> >Damon Langlois
> >Creative Director
> >Electrix
> >Tel (250) 544-4091 Fax (250) 544-4100
> >http://www.electrixpro.com
> >
> >
>
>
> ---
>
>   "The only things I really think are important, are love, and
eachother.
> -Then, anything is possible..."
>
>

From Loopers-Delight-request@loopers-delight.com  Tue May 22 19:54:25 2001
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From: Goddess <thefates@earthlink.net>
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  Thanks much, Mark.  Have a wonderful day, K?  

G

At 04:44 PM 5/22/01 -0700, you wrote:
>Goddess (04:43 PM 05/22/01) wrote:
>
> >I missed the beginning of this thread.  Is the Repeater a hardware or
> >software product?
>
>It's hardware from a company called Electrix:
>
>   http://www.electrixpro.com/
>
>
>There is a lot of background information in the archives of the list which 
>are accessible from:
>
>   http://www.loopers-delight.com/loop.html
>
>
>Mark
>
>


---

  "The only things I really think are important, are love, and eachother.
-Then, anything is possible..."


From Loopers-Delight-request@loopers-delight.com  Tue May 22 19:58:58 2001
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From: PMimlitsch@aol.com
Message-ID: <88.6d174f0.283c56aa@aol.com>
Date: Tue, 22 May 2001 19:56:26 EDT
Subject: Stick SB8 Sale
To: Sticknews@aol.com, taptalk@progrock.net, STICKWIRE-L@home.ease.lsoft.com,
        Loopers-Delight@annihilist.com
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Chapman Stick SB8 - Rosewood (7 pc. laminated - great stability) w/ active 
Block Pickup Module, fully adjustable bridge/ pickups/ truss rod.  Complete 
w/neck strap, stereo cord, hard bodied SE "Flight Case" and SE gig bag.  Mint 
Condition.  $1400.00 (serious offers considered).

From Loopers-Delight-request@loopers-delight.com  Tue May 22 20:07:08 2001
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From: antonio melo <ifiwere2@mac.com>
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sounds fantastic,
is there a photo and/or site where i can take a peak and gain more info
please.

very interested.

> From: PMimlitsch@aol.com
> Reply-To: Loopers-Delight@loopers-delight.com
> Date: Tue, 22 May 2001 19:56:26 EDT
> To: Sticknews@aol.com, taptalk@progrock.net, STICKWIRE-L@home.ease.lsoft.com,
> Loopers-Delight@annihilist.com
> Subject: Stick SB8 Sale
> Resent-From: Loopers-Delight@loopers-delight.com
> Resent-Date: Tue, 22 May 2001 19:57:16 -0400
> 
> Chapman Stick SB8 - Rosewood (7 pc. laminated - great stability) w/ active
> Block Pickup Module, fully adjustable bridge/ pickups/ truss rod.  Complete
> w/neck strap, stereo cord, hard bodied SE "Flight Case" and SE gig bag.  Mint
> Condition.  $1400.00 (serious offers considered).
> 

From Loopers-Delight-request@loopers-delight.com  Tue May 22 20:12:57 2001
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Date: Tue, 22 May 2001 17:08:28 -0700 (PDT)
From: Rik Elswit <rik@well.com>
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To: Loopers-Delight@loopers-delight.com
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During the repeater demo, Don made a point of the fact that Electrix has a
bunch of these things already built and awaiting the final software.   Once
it's set, they simply load it in from the card, and move it out to the
dealers.   My apologies if it sounded as if Bananas was getting a bunch of
them and everybody else has to wait.   Not true.  We aer getting the first
shipment because we placed the first order.  That will give us about a 10
minute head start.  All the Electrix rep was doing was trying to get folks
to buy at the demo.   That's his job.

Rik

From Loopers-Delight-request@loopers-delight.com  Tue May 22 20:22:30 2001
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In a message dated 5/22/01 4:08:11 PM Eastern Daylight Time, 
AKASHMUSIC@aol.com writes:


> (good and bad is a different story but food is food)
> 

everything is food.....m

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>In a message dated 5/22/01 4:08:11 PM Eastern Daylight Time, 
<BR>AKASHMUSIC@aol.com writes:
<BR>
<BR>
<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">(good and bad is a different story but food is food)
<BR></BLOCKQUOTE>
<BR>
<BR>everything is food.....m</FONT></HTML>

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Date: Tue, 22 May 2001 20:29:56 EDT
Subject: daugther and friend off too europe tomorrow
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i know the timing here is bad but my daugther katrina and her sidekick karen 
are off to italy-france-spain tomorrow.....if you would care to point these 
two in some interesting directions for the next few weeks, please send me a 
way they can get in touch with you (phone number perhaps).....help an old 
father know his kids are safe and happy in a land far away.....:).....michael

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>i know the timing here is bad but my daugther katrina and her sidekick karen 
<BR>are off to italy-france-spain tomorrow.....if you would care to point these 
<BR>two in some interesting directions for the next few weeks, please send me a 
<BR>way they can get in touch with you (phone number perhaps).....help an old 
<BR>father know his kids are safe and happy in a land far away.....:).....michael</FONT></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue May 22 20:35:41 2001
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Date: Tue, 22 May 2001 17:32:03 -0700 (PDT)
From: Kenneth Moses <moses30_68@yahoo.com>
Subject: Can you Fix:
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Can loopers repair a Effect Ron Jr.#350 or do you have
a refer el by Delta Labs  also do you have a Catalog
for this piece of equipment.
                             KJM

__________________________________________________
Do You Yahoo!?
Yahoo! Auctions - buy the things you want at great prices
http://auctions.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Tue May 22 21:26:07 2001
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I am courious how a non-moving part that is snugly plugged into a socket 
becomes dirty.  Should all electronic gizmos with computer memory be
periodically opened up and cleaned?  Seems dubious to me!

-Allan
(with 2 uncleaned EDP's still working fine)


----------
>From: Kim Flint <kflint@loopers-delight.com>
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: HELP!!!!
>Date: Tue, May 22, 2001, 9:06 AM
>

> At 3:57 AM -0700 5/22/01, Steve Sandberg wrote:
>>     Can anyone help?  I have an extremely important solo show at the
>>Knitting Factory tonight in New York.  I've just gotten up -- it's 7 AM --
>>and my EDP is not working.  When I turn it on, all that happens is "Loop
>>3" flashes over and over.
>
> that's what it does if there is something wrong with the memory. so my
> first guess would be like Andy said, try cleaning the simms and reseating
> them in the sockets.
> kim
>
>
>
> ______________________________________________________________________
> Kim Flint                     | Looper's Delight
> kflint@loopers-delight.com    | http://www.loopers-delight.com
>
>
> 

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We don't think we'll have that feature, as it would cut into our sales,
and possibily create a new species that will take over and use us for
electric power (again)

The Againinator
It has you.

John Tidwell wrote:

> LOL!!!
>
> Hey "Gern"! If I buy two will they breed?
>
> John
>
> --- Mark Sottilaro <sine@zerocrossing.net> wrote:
> > On the other hand, the Againinator will have most of
> > the features of the
> > godbox II, but should be here sooner as we're not
> > relying on hardware or
> > software, but creating a system which will be
> > totally biological.  The
> > only downside is that you'll have to let the
> > Againinator take breaks to
> > use a litter box.
> >
> > Gern Blanston
> > Product development
> > Eletros Inc.
> >
>
> =====
> John Tidwell
>
> __________________________________________________
> Do You Yahoo!?
> Yahoo! Auctions - buy the things you want at great prices
> http://auctions.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Tue May 22 22:29:06 2001
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To: Loopers-Delight@loopers-delight.com
Subject: looking for loop-friendly venues in california!
Date: Wed, 23 May 2001 11:24:17 +0900
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hi there. robert here from the tokyo-based, new-media, 
ambient/avant-pop/post-experimental laptop duo tog. we are currently living 
in japan, and have been here long enough to be out of the loop (sorry!). we 
will be moving to california for grad school (san fran and la) in the fall, 
so i hoped that someone on this list could point me towards a list of 
venues friendly to the kind of music that we make. our sounds may be found 
here http://www.tognet.org please give a listen, and then mail me back with 
your suggestions! thanks for your time.
robert
tensaimouse@hotmail.com
_________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.

From Loopers-Delight-request@loopers-delight.com  Tue May 22 22:30:29 2001
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Allan Hoeltje (06:29 PM 05/22/01) wrote:

 >I am courious how a non-moving part that is snugly plugged into a socket
 >becomes dirty.

It's not dirt or grime, it's oxidation. In this case the oxidation is a 
chemical reaction that's trigger by passing current through two dissimilar 
metals. The reaction is compounded by an environment that's changing 
temperatures which can produce condensation at the point of contact.

A more general example of this is white stuff at the terminals on the 
battery in your car. It's the same principle.


Another thing in this is that "snuggly" is often not as snug as you think 
it is. I really doesn't take a lot of vibration to create trouble.

If you gig, and you carry your rig in the back of your car, the box will 
still vibrate. The sockets could be top-notch, but the mounting of the 
circuit board to the chassis could be such that if the chassis flexes, then 
the socket can flex and push the component out.

I have a MXR digital delay that is HORRIBLE at traveling.


I think that there are a lot of gear techs that make a good dollar by 
fixing problems just re-seating chips.


 >Should all electronic gizmos with computer memory be periodically opened
 >up and cleaned?

Actually... yeah. :)

Anything that's got socketed chips, memory, etc. is subject to this. Gold 
plated contacts fitting into gold plated sockets helps a lot though.

Mark

From Loopers-Delight-request@loopers-delight.com  Tue May 22 23:13:02 2001
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From: "omjn" <eightohm@iinet.net.au>
To: "Loopers-Delight" <Loopers-Delight@loopers-delight.com>
Subject: attn newcomers (and Kim)
Date: Wed, 23 May 2001 11:08:01 +0800
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hi all

While I am not one of so called "old farts" of this list I have been around
long enough to get an understanding of what does and does not get answered
in terms of questions by newbies.  What I can tell you is that very vague
and general questions about hardware that show you haven't done any research
into LOOPING tools, and not general sampling, multitracking equipment, will
NOT get an answer.

My advice to anyone new on the list who has hardware related questions is to
check out the Looper's Delight webpages which have quite a comprehensive
list of reviews of LOOP specific hardware.  If your hardware questions do
not relate to what you see on this website, chances are, this really isn't
the list for you.  Or at least, you're better off lurking for a while to get
a better feel for what's going on before asking youre next question.

So what's the URL?

That's my question for Kim.  I always forget the damned URL, and while I
know it's pretty easy to do a quick search for looper's delight, or indeed
keep the bloody thing in my bookmarks, I still keep forgetting it.

SOOO, Kim, why don't, as is done in many other lists I am a member of, you
add a signature to all outgoing mails which includes the url for
loopers-delight and a quick unsubscribe line.  this would seem to solve two
of the most common problems faced by newbies.  just a suggestion.  given I
haven't had much mail answered on this list yet I will probably just go back
to lurking.

OH yeah, the URL
http://www.loopers-delight.com/loop.html
pretty obvious really, but if its there in front of peoples faces there is
no excuse, and less of that newbie hostility, or at least ignorance of
ignorance, that seems to go on around here.

love+respect

michael

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Subject: RE: from thaniel
Date: Wed, 23 May 2001 11:30:57 +0800
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i believe Pole did this very same thing.

omjn

> -----Original Message-----
> From: LEE, THANIEL I [mailto:TLEE@IUSMail.IUS.Indiana.EDU]
> Sent: Wednesday, 23 May 2001 5:39 AM
> To: 'Loopers-Delight@loopers-delight.com'
> Subject: from thaniel
> 
> 
> lets play name that strange idm band that i forgot the name of.
> they are from germany/sweden they composed a whole record using 
> nothing but
> the sound of a malfunctioning sampler, and i forgot there name
> -thaniel
> 
> 

From Loopers-Delight-request@loopers-delight.com  Tue May 22 23:37:16 2001
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hi all again

Just a quick question.  Does anyone know of what looper is used by Papa-M in
his live gigs?  I'm guessing it was a rang but was hoping someone on here
might know for sure...


michael

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Subject: HELP!!! Resolution
From: Steve Sandberg <stevesandberg@earthlink.net>
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> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

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Guys --
Thanks for much for your timely replies to my desperate call for EDP help.
The resolution was actually quite funny.
It was working well all day at my  home, and I didn't want to take the
chance of dismantling it and fussing with the SIMM chips or whatever is
inside there (I'm not too technically oriented).
So I thought I'd just trust that it would work when I got to the gig.
Well, when I set it up it was doing the same thing it was doing first thing
in the morning --flashing "Loop 3".
So -- I gave it a well-aimed whack - and fixed it immediately!
The show was awesome.


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<HTML>
<HEAD>
<TITLE>HELP!!! Resolution</TITLE>
</HEAD>
<BODY>
<FONT SIZE=3D"4">Guys --<BR>
Thanks for much for your timely replies to my desperate call for EDP help.<=
BR>
The resolution was actually quite funny.<BR>
It was working well all day at my &nbsp;home, and I didn't want to take the=
 chance of dismantling it and fussing with the SIMM chips or whatever is ins=
ide there (I'm not too technically oriented).<BR>
So I thought I'd just trust that it would work when I got to the gig.<BR>
Well, when I set it up it was doing the same thing it was doing first thing=
 in the morning --flashing &quot;Loop 3&quot;. <BR>
So -- I gave it a well-aimed whack - and fixed it immediately!<BR>
The show was awesome.<BR>
</FONT>
</BODY>
</HTML>


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From Loopers-Delight-request@loopers-delight.com  Wed May 23 01:19:56 2001
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Subject: Re: daugther and friend off too europe tomorrow
Date: Wed, 23 May 2001 06:10:44 +0100
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  I don't actaully live there but would recommend your kin visits the =
Dali museum in Figuerra, (not sure about the spelling), not too far from =
Barcelona. I did a few weeks ago and really enjoed it. In fact, check =
out Barcelona too!

  Gareth


  i know the timing here is bad but my daugther katrina and her sidekick =
karen=20
  are off to italy-france-spain tomorrow.....if you would care to point =
these=20
  two in some interesting directions for the next few weeks, please send =
me a=20
  way they can get in touch with you (phone number perhaps).....help an =
old=20
  father know his kids are safe and happy in a land far =
away.....:).....michael=20

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.2919.6307" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
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<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: =
0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">I don't actaully live there but would =
recommend=20
  your kin visits the Dali museum in Figuerra, (not sure about the =
spelling),=20
  not too far from Barcelona. I did a few weeks ago and really enjoed =
it. In=20
  fact, check out Barcelona too!</DIV>
  <DIV style=3D"FONT: 10pt arial">&nbsp;</DIV>
  <DIV style=3D"FONT: 10pt arial">Gareth</DIV>
  <DIV><BR></DIV><FONT face=3Darial,helvetica><FONT size=3D2>i know the =
timing here=20
  is bad but my daugther katrina and her sidekick karen <BR>are off to=20
  italy-france-spain tomorrow.....if you would care to point these =
<BR>two in=20
  some interesting directions for the next few weeks, please send me a =
<BR>way=20
  they can get in touch with you (phone number perhaps).....help an old=20
  <BR>father know his kids are safe and happy in a land far=20
  away.....:).....michael</FONT> </FONT></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed May 23 04:15:46 2001
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To: Loopers-Delight@loopers-delight.com
From: Kim Flint <kflint@loopers-delight.com>
Subject: RE: I hope this doesn't strain Gibson's advertising budget.......
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At 11:40 AM -0700 5/22/01, Richard Zvonar wrote:
>At 1:20 PM -0400 5/22/01, Tom Ritchford wrote:
>>Also, see these:
>>
>><http://stephengoldin.com/gibson/>
>><http://stephengoldin.com/gibson/technohick01.html>
>
>Thanks for the Lynx links.  I'm glad to know that the suit was
>properly settled.
>
>Very interesting account of the OB-Mx, Zeta, and G-WIZ.


I guess so, if you like fiction.

I actually worked at g-wiz through almost it's entire duration, and worked
directly with that Lynx fellow on projects chronicled on that site. That
site is a lot of crap if you ask me. Absurd to the point that I think it is
really funny, and certainly not reflecting any reality I experienced. That
guy was pretty out there when I knew him, and apparently went even further
out after that. But hey, if you want to believe him that's up to you.

I can tell you more details in private if you want to know the actual
story. I don't think it's really an appropriate topic for this forum.

kim

______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com


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Subject: Academia [NO LOOPING]
Date: Wed, 23 May 2001 09:12:21 
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<gee, no one ever ripped me off in Academia like the Real World.

Are you SURE? [for instance: did you maybe buy the same book in different 
forms for 4 -6 years. A book that was, basically, *Enlightenment* 
propaganda?].

But skipping all that,how about on a practical level? Once i was in a 
graduate seminar where the required booklist totaled 345$. I announced to 
the small class that I had all 7 of these books and would gladly make copies 
  [of the selected readings] for each student. The Prof blew a cold chill, 
and made it very clear that this would NOT be appropriate. It was years 
later before I started to understand-at least in the sciences- what the 
publishing/academia relationship is-similar to Doctors and drug reps.

My first master's degree taught me nothing I'd not learned as an undergrad 
and cost around 20,000$. It was simply a way to use the school's name to get 
in a Doctoral program -otherwise unapproachable. One could say that i knew 
what I was getting into, but they, nevertheless, picked my pocket at every 
turn.

The stakes, btw, are NOT low. They simply don't effect that many people. 
I've seen people do things for tenure/schedules/assignments that would make 
a wannabe-on-Bay Watch girl blush.

Not to mention the predatory relationship of know-it-all Prof's to their 
aim-to-please graduate students. You'all woudn't believe it.

yeah. I'd leave my credit card at home in those hallowed halls.



=====
Old, crappy MP3's for Robbingham [Robert Eberwein & Robb Bingham]at:
www.mp3s.com/robbingham
=====


_________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.

From Loopers-Delight-request@loopers-delight.com  Wed May 23 05:44:11 2001
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From: "Stephen P. Goodman" <spgoodman@earthlight.net>
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References: <BD6E48B1D04DD41189B700D0B774C1C601EFCB21@exc.gibson.com> <v04205514b73051c3806e@[64.81.209.235]>
Subject: Self-imposed Silence!
Date: Wed, 23 May 2001 10:41:28 +0100
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I thought it was awfully quiet and it turned out I'd used an asterisk in a
subject killfile, without realizing that the bloody things use wildcards!
Nuked again by the list!  I wonder how many others as well, given that I
handle nearly 70 messages a day...

From Loopers-Delight-request@loopers-delight.com  Wed May 23 08:56:50 2001
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From: Andy Ewen <andy.ewen@trace-elliot.com>
To: Loopers-Delight@loopers-delight.com
Subject: RE: I hope this doesn't strain Gibson's advertising budget.......
Date: Wed, 23 May 2001 07:46:32 -0500
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Yeah, thanks,
Sorry for the name calling, not very professional; bad day yesterday.
Trouble is, people will take these comments seriously and ultimately it's
the innocent who suffer!
Andy.

> -----Original Message-----
> From: Richard Zvonar [mailto:zvonar@zvonar.com]
> Sent: 22 May 2001 17:48
> To: Loopers-Delight@loopers-delight.com
> Subject: RE: I hope this doesn't strain Gibson's advertising
> budget.......
> 
> 
> At 5:43 AM -0500 5/22/01, Andy Ewen wrote:
> >I know to the outside, Gibson appear to buy and destroy 
> small companies, but
> >the reality is, these guys are usually in serious trouble 
> before Gibson step
> >in; we were. For some it's too late, Opcode being an 
> example. I now know the
> >real reasons for the failure and closure of such businesses 
> and it cannot be
> >blamed on any callous act by Gibson.
> >Having spent quite some time now with Henry Juszkiewicz, I 
> have nothing but
> >respect for him and his vision, he's not the mad 
> megalomaniac some would
> >like to believe.
> 
> Well, I guess I must just hang out with losers. Most of the reports 
> I've gotten over the last ten years or so are that he's a bipolar 
> type who is charming and enthusiastic at the outset but quickly turns 
> into a raging litigator when the acquired company doesn't reach a 30% 
> increase in profits in the first year.
> 
> 
> At 1:27 AM -0700 5/22/01, Kim Flint wrote:
> >And I certainly don't see the point of trying to destroy the 
> folks here who
> >have put so much of themselves into creating new looping tools and
> >instruments for this group. Whether you grasp it or not, 
> that's exactly
> >what you seem to be proposing. Matthias might finally stand 
> a chance to
> >make back some of the large amounts of time and money he 
> invested in all of
> >this. (me too, although not nearly so much.) Why do you want 
> to take us
> >down and deny us that, after all the work we've done for 
> you? It IS all
> >connected. You can't harm one part without harming the other.
> 
> I didn't expect my suggestion to be taken seriously, and I don't have 
> any I'll will toward those on the Echoplex team. I just wanted to 
> provoke some discussion of the faustian nature of doing business with 
> Gibson. Clearly you folks are benefiting from Uncle Henry's 
> benevolent mode. Others have been less fortunate.
> -- 
> 
> ______________________________________________________________
> Richard Zvonar, PhD
> (818) 788-2202
> http://www.zvonar.com
> http://RZCybernetics.com
> http://www.cybmotion.com/aliaszone
> http://www.live365.com/cgi-bin/directory.cgi?autostart=rz
> 

From Loopers-Delight-request@loopers-delight.com  Wed May 23 09:13:24 2001
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From: Andy Ewen <andy.ewen@trace-elliot.com>
To: Loopers-Delight@loopers-delight.com
Subject: RE: HELP!!! Resolution
Date: Wed, 23 May 2001 08:02:26 -0500
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That was going to be my next suggestion.
Glad the show went well but I'd have someone take the lid of your EDP, clean
the SIMMs and re-seat the ICs as these problems have a habit of
re-appearing; probably halfway through the next gig :-))

-----Original Message-----
From: Steve Sandberg [mailto:stevesandberg@earthlink.net]
Sent: 23 May 2001 05:23
To: Loopers-Delight@loopers-delight.com
Subject: HELP!!! Resolution


Guys --
Thanks for much for your timely replies to my desperate call for EDP help.
The resolution was actually quite funny.
It was working well all day at my  home, and I didn't want to take the
chance of dismantling it and fussing with the SIMM chips or whatever is
inside there (I'm not too technically oriented).
So I thought I'd just trust that it would work when I got to the gig.
Well, when I set it up it was doing the same thing it was doing first thing
in the morning --flashing "Loop 3". 
So -- I gave it a well-aimed whack - and fixed it immediately!
The show was awesome.



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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META HTTP-EQUIV="Content-Type" CONTENT="text/html; charset=iso-8859-1">
<TITLE>HELP!!! Resolution</TITLE>

<META content="MSHTML 5.50.4207.2601" name=GENERATOR></HEAD>
<BODY>
<DIV><SPAN class=430060313-23052001><FONT color=#800000><STRONG>That was going 
to be my next suggestion.</STRONG></FONT></SPAN></DIV>
<DIV><SPAN class=430060313-23052001><STRONG><FONT color=#800000>Glad the show 
went well but I'd have someone take the lid of your EDP, clean the SIMMs and 
re-seat the ICs as these problems have a habit of re-appearing; probably halfway 
through the next gig :-))</FONT></STRONG></SPAN></DIV>
<BLOCKQUOTE 
style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #800000 2px solid">
  <DIV class=OutlookMessageHeader dir=ltr align=left><FONT face=Tahoma 
  size=2>-----Original Message-----<BR><B>From:</B> Steve Sandberg 
  [mailto:stevesandberg@earthlink.net]<BR><B>Sent:</B> 23 May 2001 
  05:23<BR><B>To:</B> Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> 
  HELP!!! Resolution<BR><BR></FONT></DIV><FONT size=4>Guys --<BR>Thanks for much 
  for your timely replies to my desperate call for EDP help.<BR>The resolution 
  was actually quite funny.<BR>It was working well all day at my &nbsp;home, and 
  I didn't want to take the chance of dismantling it and fussing with the SIMM 
  chips or whatever is inside there (I'm not too technically oriented).<BR>So I 
  thought I'd just trust that it would work when I got to the gig.<BR>Well, when 
  I set it up it was doing the same thing it was doing first thing in the 
  morning --flashing "Loop 3". <BR>So -- I gave it a well-aimed whack - and 
  fixed it immediately!<BR>The show was 
awesome.<BR></BLOCKQUOTE></FONT></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed May 23 09:29:57 2001
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From: Andy Ewen <andy.ewen@trace-elliot.com>
To: Loopers-Delight@loopers-delight.com
Subject: RE: HELP!!!!
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Hi Luca, how's it going?
I remember it well! One of the EPROMS had worked it's way out of the socket.
We learnt a valuable lesson here and have fitted expensive turned-pin IC
sockets throughout the EDP ever since. These hold the chips much tighter and
make the units more reliable.  Haven't had the same problem since,
Andy.
 
 
 -----Original Message-----
From: luca [mailto:lucafeed@tin.it]
Sent: 22 May 2001 21:28
To: Loopers-Delight@loopers-delight.com
Subject: R: HELP!!!!



I have had the same problem (maybe Andy remembers that "italian" edp arrived
from Nashville).
I think i remember Andy at Trace Elliott fixed it by cleaning eprom's
contacts...
I think they were his first days into Edp's world.
I can remember...you don't feel so stable when you Edp acts like that...
luca
 
 
 

----- Original Message ----- 
From: Andy Ewen <mailto:andy.ewen@trace-elliot.com>  
To: Loopers-Delight@loopers-delight.com
<mailto:Loopers-Delight@loopers-delight.com>  
Sent: Tuesday, May 22, 2001 3:33 PM
Subject: RE: HELP!!!!

Steve,
If it's been working in NY for some time, we can probably rule out the old
'crystal tolerance timing' problem. It's most likely to be faulty or dirty
RAM SIMMs. Carefully remove each one in turn and clean the connector edges
with either a fibreglass pencil, (used by draughtsman), or a standard rubber
pencil eraser.
I've also had the same problem with the EPROMS gradually working their way
out of their sockets. If the RAM cleaning doesn't work, I'd remove each
socket mounted chip in turn and re-seat them.
Pressing Parameters while booting is the magic reset, but I think Claude has
already mentioned this. Your continuous Loop 3 problem however, is very
unlikely to be cured with a re-set.
If all this fails, threaten it with severe physical damage; it probably
still won't boot but you'll feel better.
Good luck, let us know what happens,
Andy.
 
 
 
 
 -----Original Message-----
From: Steve Sandberg [mailto:stevesandberg@earthlink.net]
Sent: 22 May 2001 11:58
To: Loopers-Delight@loopers-delight.com
Subject: HELP!!!!



Can anyone help?  I have an extremely important solo show at the Knitting
Factory tonight in New York.  I've just gotten up -- it's 7 AM -- and my EDP
is not working.  When I turn it on, all that happens is "Loop 3" flashes
over and over.  
Is there any way to reset it?
Also, -- and this is asking a lot -- is there anyne in NYC with an EDP who
would lend it or rent it to me for one night?  
Thanks . . . 


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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META HTTP-EQUIV="Content-Type" CONTENT="text/html; charset=iso-8859-1">
<TITLE>HELP!!!!</TITLE>

<META content="MSHTML 5.50.4207.2601" name=GENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=#ffffff>
<DIV><SPAN class=100581913-23052001><FONT 
color=#800000><STRONG></STRONG></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=100581913-23052001><FONT color=#800000><STRONG>Hi Luca, how's 
it going?</STRONG></FONT></SPAN></DIV>
<DIV><STRONG><FONT color=#800000><SPAN class=100581913-23052001>I remember it 
well! One of the&nbsp;EPROMS had worked it's way out of the socket. We learnt a 
valuable lesson here and have fitted expensive turned-pin IC sockets throughout 
the EDP ever since. These hold the chips much tighter and make the units more 
reliable</SPAN>.<SPAN class=100581913-23052001>&nbsp; Haven't had&nbsp;the same 
problem since,</SPAN></FONT></STRONG></DIV>
<DIV><STRONG><FONT color=#800000><SPAN 
class=100581913-23052001>Andy.</SPAN></FONT></STRONG></DIV>
<DIV><STRONG><FONT color=#800000><SPAN 
class=100581913-23052001></SPAN></FONT></STRONG>&nbsp;</DIV>
<DIV><STRONG><FONT color=#800000><SPAN 
class=100581913-23052001></SPAN></FONT></STRONG>&nbsp;</DIV>
<DIV><STRONG><FONT color=#800000><SPAN 
class=100581913-23052001>&nbsp;</SPAN></FONT></STRONG><FONT face=Tahoma 
size=2>-----Original Message-----<BR><B>From:</B> luca 
[mailto:lucafeed@tin.it]<BR><B>Sent:</B> 22 May 2001 21:28<BR><B>To:</B> 
Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> R: 
HELP!!!!<BR><BR></DIV></FONT>
<BLOCKQUOTE dir=ltr 
style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #800000 2px solid; MARGIN-RIGHT: 0px">
  <DIV><FONT face=Arial size=2>I have had the same problem (maybe Andy remembers 
  that "italian" edp arrived from Nashville).</FONT></DIV>
  <DIV><FONT face=Arial size=2>I think i remember Andy at Trace Elliott fixed it 
  by cleaning eprom's contacts...</FONT></DIV>
  <DIV><FONT face=Arial size=2>I think they were his first days into Edp's 
  world.</FONT></DIV>
  <DIV><FONT face=Arial size=2>I can remember...you don't feel so stable when 
  you Edp acts like that...</FONT></DIV>
  <DIV><FONT face=Arial size=2>luca</FONT></DIV>
  <DIV>&nbsp;</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>&nbsp;</DIV>
  <BLOCKQUOTE 
  style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
    <DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
    <DIV 
    style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><B>From:</B> 
    <A title=andy.ewen@trace-elliot.com 
    href="mailto:andy.ewen@trace-elliot.com">Andy Ewen</A> </DIV>
    <DIV style="FONT: 10pt arial"><B>To:</B> <A 
    title=Loopers-Delight@loopers-delight.com 
    href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A> 
    </DIV>
    <DIV style="FONT: 10pt arial"><B>Sent:</B> Tuesday, May 22, 2001 3:33 
    PM</DIV>
    <DIV style="FONT: 10pt arial"><B>Subject:</B> RE: HELP!!!!</DIV>
    <DIV><BR></DIV>
    <DIV><SPAN class=970371813-22052001><FONT 
    color=#800000><STRONG>Steve,</STRONG></FONT></SPAN></DIV>
    <DIV><STRONG><FONT color=#800000><SPAN class=970371813-22052001>If it's been 
    working in NY for some time, we can probably rule out the old 'crystal 
    tolerance timing' problem. It's most likely to be faulty or dirty RAM SIMMs. 
    Carefully remove each one in turn and clean the </SPAN>c<SPAN 
    class=970371813-22052001>onnector edges&nbsp;with either a fibreglass 
    pencil, (used&nbsp;by draughtsman), or a standard rubber pencil 
    eraser.</SPAN></FONT></STRONG></DIV>
    <DIV><STRONG><FONT color=#800000><SPAN class=970371813-22052001>I've also 
    had the same problem with the EPROMS gradually working their way out of 
    their sockets. If the RAM cleaning doesn't work, I'd remove each socket 
    mounted chip in turn and re-seat them.</SPAN></FONT></STRONG></DIV>
    <DIV><STRONG><FONT color=#800000><SPAN class=970371813-22052001>Pressing 
    Parameters while booting is the magic reset, but I think Claude has already 
    mentioned this. Your continuous Loop 3 problem however, is very unlikely to 
    be cured with a re-set.</SPAN></FONT></STRONG></DIV>
    <DIV><STRONG><FONT color=#800000><SPAN class=970371813-22052001>If all this 
    fails, threaten it with severe physical damage</SPAN><SPAN 
    class=970371813-22052001>; it probably still won't boot but you'll feel 
    better.</SPAN></FONT></STRONG></DIV>
    <DIV><STRONG><FONT color=#800000><SPAN class=970371813-22052001>Good luck, 
    let us know what happens,</SPAN></FONT></STRONG></DIV>
    <DIV><STRONG><FONT color=#800000><SPAN 
    class=970371813-22052001>Andy.</SPAN></FONT></STRONG></DIV>
    <DIV><STRONG><FONT color=#800000><SPAN 
    class=970371813-22052001></SPAN></FONT></STRONG>&nbsp;</DIV>
    <DIV><STRONG><FONT color=#800000><SPAN 
    class=970371813-22052001></SPAN></FONT></STRONG>&nbsp;</DIV>
    <DIV><STRONG><FONT color=#800000><SPAN 
    class=970371813-22052001></SPAN></FONT></STRONG>&nbsp;</DIV>
    <DIV><STRONG><FONT color=#800000><SPAN 
    class=970371813-22052001></SPAN></FONT></STRONG>&nbsp;</DIV>
    <DIV><STRONG><FONT color=#800000><SPAN 
    class=970371813-22052001>&nbsp;</SPAN></FONT></STRONG><FONT face=Tahoma 
    size=2>-----Original Message-----<BR><B>From:</B> Steve Sandberg 
    [mailto:stevesandberg@earthlink.net]<BR><B>Sent:</B> 22 May 2001 
    11:58<BR><B>To:</B> Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> 
    HELP!!!!<BR><BR></DIV></FONT>
    <BLOCKQUOTE 
    style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #800000 2px solid"><FONT 
      size=4>Can anyone help? &nbsp;I have an extremely important solo show at 
      the Knitting Factory tonight in New York. &nbsp;I've just gotten up -- 
      it's 7 AM -- and my EDP is not working. &nbsp;When I turn it on, all that 
      happens is "Loop 3" flashes over and over. &nbsp;<BR>Is there any way to 
      reset it?<BR>Also, -- and this is asking a lot -- is there anyne in NYC 
      with an EDP who would lend it or rent it to me for one night? 
      &nbsp;<BR>Thanks . . .</FONT> 
</BLOCKQUOTE></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed May 23 09:30:23 2001
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Date: Wed, 23 May 2001 09:30:05 -0400
Subject: Question for Allan Hoeltje
From: Steve Sandberg <stevesandberg@earthlink.net>
To: <Loopers-Delight@loopers-delight.com>
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Allan --
Do you take your EDP's to gigs?  I have mine in a rack bag with some other
gear -- am wondering if having it banged around in the back of taxis could
possibly have unseated the SIMMS or EPROMS.


I am courious how a non-moving part that is snugly plugged into a socket
becomes dirty.  Should all electronic gizmos with computer memory be
periodically opened up and cleaned?  Seems dubious to me!

-Allan
(with 2 uncleaned EDP's still working fine)



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<HTML>
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<TITLE>Question for Allan Hoeltje</TITLE>
</HEAD>
<BODY>
<BLOCKQUOTE><FONT SIZE=3D"4">Allan --<BR>
Do you take your EDP's to gigs? &nbsp;I have mine in a rack bag with some o=
ther gear -- am wondering if having it banged around in the back of taxis co=
uld possibly have unseated the SIMMS or EPROMS.<BR>
<BR>
<BR>
<FONT COLOR=3D"#0000FF">I am courious how a non-moving part that is snugly pl=
ugged into a socket <BR>
becomes dirty. &nbsp;Should all electronic gizmos with computer memory be<B=
R>
periodically opened up and cleaned? &nbsp;Seems dubious to me!<BR>
<BR>
-Allan<BR>
(with 2 uncleaned EDP's still working fine)<BR>
</FONT></FONT></BLOCKQUOTE><FONT SIZE=3D"4"><FONT COLOR=3D"#0000FF"><BR>
</FONT></FONT>
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From Loopers-Delight-request@loopers-delight.com  Wed May 23 09:56:51 2001
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From: Todd Quincy <tquincy@sayhhi.com>
To: Loopers-Delight@loopers-delight.com
Subject: RE: looking for loop-friendly venues in california!
Date: Wed, 23 May 2001 09:51:32 -0400
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About a year ago, I volunteered to archive this subject and begin a database
for the group...Let's do this now beginning with robert's thread.

As you mention the venue, and city, try to give a phone number and contact.
If you have additional info such as pay, house equipment, and others, please
include.

As you send this to the LD group, also please CC my personal email
openjam@aol.com <mailto:openjam@aol.com> . I will compile this and prepare
the HTML for Kim. 

Hopefully we will be able to chart out several regional circuits. 

Tq



 

	-----Original Message-----
	From:	tensaimouse@hotmail.com [SMTP:tensaimouse@hotmail.com]
	Sent:	Tuesday, May 22, 2001 7:24 PM
	To:	Loopers-Delight@loopers-delight.com
	Subject:	looking for loop-friendly venues in california!

	hi there. robert here from the tokyo-based, new-media, 
	ambient/avant-pop/post-experimental laptop duo tog. we are currently
living 
	in japan, and have been here long enough to be out of the loop
(sorry!). we 
	will be moving to california for grad school (san fran and la) in
the fall, 
	so i hoped that someone on this list could point me towards a list
of 
	venues friendly to the kind of music that we make. our sounds may be
found 
	here http://www.tognet.org please give a listen, and then mail me
back with 
	your suggestions! thanks for your time.
	robert
	tensaimouse@hotmail.com
	
_________________________________________________________________________
	Get Your Private, Free E-mail from MSN Hotmail at
http://www.hotmail.com.

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<HEAD>
<META HTTP-EQUIV=3D"Content-Type" CONTENT=3D"text/html; =
charset=3Diso-8859-1">
<META NAME=3D"Generator" CONTENT=3D"MS Exchange Server version =
5.5.2652.35">
<TITLE>RE: looking for loop-friendly venues in california!</TITLE>
</HEAD>
<BODY>

<P><FONT SIZE=3D2 FACE=3D"Arial">About a year ago, I volunteered to =
archive this subject and begin a database for the group...Let's do this =
now beginning with robert's thread.</FONT></P>

<P><FONT SIZE=3D2 FACE=3D"Arial">As you mention the venue, and city, =
try to give a phone number and contact. If you have additional info =
such as pay, house equipment, and others, please include.</FONT></P>

<P><FONT SIZE=3D2 FACE=3D"Arial">As you send this to the LD group, also =
please CC my personal email</FONT> <A =
HREF=3D"mailto:openjam@aol.com"><U><FONT COLOR=3D"#0000FF" SIZE=3D2 =
FACE=3D"Arial">openjam@aol.com</FONT></U></A><FONT SIZE=3D2 =
FACE=3D"Arial">. I will compile this and prepare the HTML for Kim. =
</FONT></P>

<P><FONT SIZE=3D2 FACE=3D"Arial">Hopefully we will be able to chart out =
several regional circuits. </FONT>
</P>

<P><FONT SIZE=3D2 FACE=3D"Arial">Tq</FONT>
</P>
<BR>
<BR>

<P><FONT SIZE=3D2 FACE=3D"Arial">&nbsp;</FONT>
</P>
<UL>
<P><A NAME=3D"_MailData"><FONT SIZE=3D2 FACE=3D"Arial">-----Original =
Message-----</FONT></A>
<BR><B><FONT SIZE=3D2 FACE=3D"Arial">From:&nbsp;&nbsp; =
tensaimouse@hotmail.com [SMTP:tensaimouse@hotmail.com]</FONT></B>
<BR><B><FONT SIZE=3D2 FACE=3D"Arial">Sent:&nbsp;&nbsp;</FONT></B> <FONT =
SIZE=3D2 FACE=3D"Arial">Tuesday, May 22, 2001 7:24 PM</FONT>
<BR><B><FONT SIZE=3D2 =
FACE=3D"Arial">To:&nbsp;&nbsp;&nbsp;&nbsp;</FONT></B> <FONT SIZE=3D2 =
FACE=3D"Arial">Loopers-Delight@loopers-delight.com</FONT>
<BR><B><FONT SIZE=3D2 =
FACE=3D"Arial">Subject:&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</FONT>=
</B> <FONT SIZE=3D2 FACE=3D"Arial">looking for loop-friendly venues in =
california!</FONT>
</P>

<P><FONT SIZE=3D2 FACE=3D"MS Mincho">hi there. robert here from the =
tokyo-based, new-media, </FONT>
<BR><FONT SIZE=3D2 FACE=3D"MS =
Mincho">ambient/avant-pop/post-experimental laptop duo tog. we are =
currently living </FONT>
<BR><FONT SIZE=3D2 FACE=3D"MS Mincho">in japan, and have been here long =
enough to be out of the loop (sorry!). we </FONT>
<BR><FONT SIZE=3D2 FACE=3D"MS Mincho">will be moving to california for =
grad school (san fran and la) in the fall, </FONT>
<BR><FONT SIZE=3D2 FACE=3D"MS Mincho">so i hoped that someone on this =
list could point me towards a list of </FONT>
<BR><FONT SIZE=3D2 FACE=3D"MS Mincho">venues friendly to the kind of =
music that we make. our sounds may be found </FONT>
<BR><FONT SIZE=3D2 FACE=3D"MS Mincho">here <A =
HREF=3D"http://www.tognet.org" =
TARGET=3D"_blank">http://www.tognet.org</A> please give a listen, and =
then mail me back with </FONT>
<BR><FONT SIZE=3D2 FACE=3D"MS Mincho">your suggestions! thanks for your =
time.</FONT>
<BR><FONT SIZE=3D2 FACE=3D"MS Mincho">robert</FONT>
<BR><FONT SIZE=3D2 FACE=3D"MS Mincho">tensaimouse@hotmail.com</FONT>
<BR><FONT SIZE=3D2 FACE=3D"MS =
Mincho">________________________________________________________________=
_________</FONT>
<BR><FONT SIZE=3D2 FACE=3D"MS Mincho">Get Your Private, Free E-mail =
from MSN Hotmail at <A HREF=3D"http://www.hotmail.com" =
TARGET=3D"_blank">http://www.hotmail.com</A>.</FONT>
</P>
</UL>
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From Loopers-Delight-request@loopers-delight.com  Wed May 23 10:08:52 2001
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 <007b01c0e347$805967e0$05856fd4@dolly>
Date: Wed, 23 May 2001 09:05:55 -0500
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From: traig <Traig.S.Foltz.5@nd.edu>
Subject: Re: daugther and friend off too europe tomorrow
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>
>
>I don't actaully live there but would recommend your kin visits the 
>Dali museum in Figuerra, (not sure about the spelling), not too far 
>from Barcelona. I did a few weeks ago and really enjoed it. In fact, 
>check out Barcelona too!
>
>Gareth
>
>i know the timing here is bad but my daugther katrina and her sidekick karen
>are off to italy-france-spain tomorrow.....if you would care to point these
>two in some interesting directions for the next few weeks, please send me a
>way they can get in touch with you (phone number perhaps).....help an old
>father know his kids are safe and happy in a land far away.....:).....michael

make sure they check out the buildings by A. Gaudi - the most 
incredible architecture in europe. you really can't miss it. 
Valencia is also a good stop in Spain.

i'm sure they will have fun.

t
-- 
Traig Foltz
Audio Production Specialist
University of Notre Dame
Office of Information Technology
Office: (219)631 - 3752
Fax:  (219) 631 - 8777
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<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { margin-top: 0 ; margin-bottom: 0 }
 --></style><title>Re: daugther and friend off too europe
tomorrow</title></head><body>
<blockquote type="cite" cite>&nbsp;<br>
<blockquote>I don't actaully live there but would recommend your kin
visits the Dali museum in Figuerra, (not sure about the spelling), not
too far from Barcelona. I did a few weeks ago and really enjoed it. In
fact, check out Barcelona too!</blockquote>
<blockquote>&nbsp;</blockquote>
<blockquote>Gareth</blockquote>
<blockquote><br></blockquote>
<blockquote><font size="-1">i know the timing here is bad but my
daugther katrina and her sidekick karen<br>
are off to italy-france-spain tomorrow.....if you would care to point
these<br>
two in some interesting directions for the next few weeks, please send
me a<br>
way they can get in touch with you (phone number perhaps).....help an
old<br>
father know his kids are safe and happy in a land far
away.....:).....michael</font></blockquote>
</blockquote>
<div><br></div>
<div>make sure they check out the buildings by A. Gaudi - the most
incredible architecture in europe. you really can't miss it.&nbsp;
Valencia is also a good stop in Spain.</div>
<div><br></div>
<div>i'm sure they will have fun.</div>
<div><br></div>
<div>t</div>

<div>-- <br>
Traig Foltz<br>
Audio Production Specialist<br>
University of Notre Dame<br>
Office of Information Technology<br>
Office: (219)631 - 3752<br>
Fax:&nbsp; (219) 631 - 8777</div>
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From Loopers-Delight-request@loopers-delight.com  Wed May 23 10:22:04 2001
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Date: Wed, 23 May 2001 23:19:42 +0900
To: Loopers-Delight@loopers-delight.com
From: Sunao Inami <cave@osk.3web.ne.jp>
Subject: Re: looking for loop-friendly venues in california!
Cc: tensaimouse@hotmail.com
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Hi Robert,

I found your message in LD mailing.
I look forward to live gig in Tokuzo,Nagoya with you .

  Regards

  Sunao Inami
http://www.cavestudio.com

>hi there. robert here from the tokyo-based, new-media, 
>ambient/avant-pop/post-experimental laptop duo tog. we are currently 
>living in japan, and have been here long enough to be out of the loop 
>(sorry!). we will be moving to california for grad school (san fran and 
>la) in the fall, so i hoped that someone on this list could point me 
>towards a list of venues friendly to the kind of music that we make. our 
>sounds may be found here http://www.tognet.org please give a listen, and 
>then mail me back with your suggestions! thanks for your time.
>robert
>tensaimouse@hotmail.com
>_________________________________________________________________________
>Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.

From Loopers-Delight-request@loopers-delight.com  Wed May 23 11:02:02 2001
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Date: Wed, 23 May 2001 07:58:50 -0700 (PDT)
From: Alx <gendel777@yahoo.com>
Subject: OT: MP3 questions...
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Hello, I would like to know how to include artist´s
info on .mp3 clips, here´s my example: when I have a
.wav file using Sound Forge I can include in the .wav
file the artist´s info like song name, composer and
copyright date so that info shows on the media player
when the song is playing but when I encode that same
.wav file (info included) into a .mp3 file the
artist´s info is lost, the media player doesn´t shows
any info anymore, why is that?, I have used "lame" and
"blade" encoders but it´s the same situation with both
of them, I´ve seen many .mp3 clips that shows artist´s
info on the media player screen and I need to include
that info on some clips of my own, is there a special
encoder or editor to do that?.
Thanks.
Alx.

 

__________________________________________________
Do You Yahoo!?
Yahoo! Auctions - buy the things you want at great prices
http://auctions.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Wed May 23 11:22:15 2001
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Subject: RE: attn newcomers (and Kim)
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It sucks being new at anything!! DO YOU REMEMBER?!!!! I am completely new to
this whole digital audio world.  I stepped away from live sound
re-enforcement (i.e. soundboard man) in the early eighties.  I'm 45, no fool
(most of the time), but walking into digital sound creation makes my head
spin.  This is, however, something I really want to learn.  And no one will
discourage me.  Is there a site better suited to 'the New Guy"?
Thanks for the support, and encouragement.  We new knuckleheads are just
trying to keep our heads above the waters that many of you have been
traversing for years.
As Bill Murray put it in 'Meatballs'
'IT JUST DOESN'T MATTER!!!!!!"
BRAD

-----Original Message-----
From: omjn [mailto:eightohm@iinet.net.au]
Sent: Tuesday, May 22, 2001 8:08 PM
To: Loopers-Delight
Subject: attn newcomers (and Kim)


hi all

While I am not one of so called "old farts" of this list I have been around
long enough to get an understanding of what does and does not get answered
in terms of questions by newbies.  What I can tell you is that very vague
and general questions about hardware that show you haven't done any research
into LOOPING tools, and not general sampling, multitracking equipment, will
NOT get an answer.

My advice to anyone new on the list who has hardware related questions is to
check out the Looper's Delight webpages which have quite a comprehensive
list of reviews of LOOP specific hardware.  If your hardware questions do
not relate to what you see on this website, chances are, this really isn't
the list for you.  Or at least, you're better off lurking for a while to get
a better feel for what's going on before asking youre next question.

So what's the URL?

That's my question for Kim.  I always forget the damned URL, and while I
know it's pretty easy to do a quick search for looper's delight, or indeed
keep the bloody thing in my bookmarks, I still keep forgetting it.

SOOO, Kim, why don't, as is done in many other lists I am a member of, you
add a signature to all outgoing mails which includes the url for
loopers-delight and a quick unsubscribe line.  this would seem to solve two
of the most common problems faced by newbies.  just a suggestion.  given I
haven't had much mail answered on this list yet I will probably just go back
to lurking.

OH yeah, the URL
http://www.loopers-delight.com/loop.html
pretty obvious really, but if its there in front of peoples faces there is
no excuse, and less of that newbie hostility, or at least ignorance of
ignorance, that seems to go on around here.

love+respect

michael

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 <BD6E48B1D04DD41189B700D0B774C1C601EFCB21@exc.gibson.com>
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Date: Wed, 23 May 2001 08:04:11 -0700
To: Loopers-Delight@loopers-delight.com
From: Chris Muir <cbm@well.com>
Subject: RE: I hope this doesn't strain Gibson's advertising budget.......
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At 1:10 AM -0700 5/23/01, Kim Flint wrote:
>At 11:40 AM -0700 5/22/01, Richard Zvonar wrote:
>  >Very interesting account of the OB-Mx, Zeta, and G-WIZ.
>
>
>I guess so, if you like fiction.

Yep, definitely in the cheezy fantasy fiction camp.


>I actually worked at g-wiz through almost it's entire duration, and worked
>directly with that Lynx fellow on projects chronicled on that site. That
>site is a lot of crap if you ask me. Absurd to the point that I think it is
>really funny, and certainly not reflecting any reality I experienced. That
>guy was pretty out there when I knew him, and apparently went even further
>out after that. But hey, if you want to believe him that's up to you.

I also worked at "the wiz" during a lot of the time mentioned in the 
"Lynx Chronicles". While Kim and I may be on opposite sides of the 
Gibson "Practical Business" vs. "Evil Empire" debate, we are in 100% 
agreement about Lynx.

Lynx seemed to be visiting G-WIZ from another planet and sending his 
observations home to his alien overlords. There is so much wrong with 
his account I don't know where to start.


>I can tell you more details in private if you want to know the actual
>story. I don't think it's really an appropriate topic for this forum.

Actually keeping this private might be a good idea in light of Lynx's 
litigious leanings.

-C


-- 
_________________________________________________________
The optimist sees a glass half full...     | Chris Muir  
The pessimist sees a glass half empty...   | cbm@well.com
The realist sees a glass twice as big as it needs to be.

From Loopers-Delight-request@loopers-delight.com  Wed May 23 11:27:58 2001
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That was going to be my next suggestion.
Glad the show went well but I'd have someone take the lid of your EDP, clean
the SIMMs and re-seat the ICs as these problems have a habit of
re-appearing; probably halfway through the next gig :-))

Thanks, Andy -- is that something I could do myself?  I'm not adverse to
doing it if I can do it without causing further problems -- I just didn't
want to do it the day of a gig. 

--MS_Mac_OE_3073461791_1292654_MIME_Part
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<HTML>
<HEAD>
<TITLE>Re: HELP resolution</TITLE>
</HEAD>
<BODY>
<BLOCKQUOTE><FONT COLOR=3D"#800000"><B>That was going to be my next suggestio=
n.<BR>
Glad the show went well but I'd have someone take the lid of your EDP, clea=
n the SIMMs and re-seat the ICs as these problems have a habit of re-appeari=
ng; probably halfway through the next gig :-))<BR>
</B></FONT></BLOCKQUOTE><BR>
Thanks, Andy -- is that something I could do myself? &nbsp;I'm not adverse =
to doing it if I can do it without causing further problems -- I just didn't=
 want to do it the day of a gig.
</BODY>
</HTML>


--MS_Mac_OE_3073461791_1292654_MIME_Part--

From Loopers-Delight-request@loopers-delight.com  Wed May 23 11:48:53 2001
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Date: Wed, 23 May 2001 17:49:31 +0200
To: Loopers-Delight@loopers-delight.com
From: Junkie G <rauboto@dragonet.es>
Subject: Re: daugther and friend off too europe tomorrow
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At 06:10 a.m. 23/05/01 +0100, you wrote:

hi there !

	i'm near there .... 'Figueres', catalonian, it's alright ...

>        I don't actaully live there but would recommend    your kin visits
>the Dali museum in Figuerra, (not sure about the spelling),    not too far
>from Barcelona. I did a few weeks ago and really enjoed it. In    fact,
>check out Barcelona too!       Gareth   
>i know the timing here    is bad but my daugther katrina and her sidekick
>karen 
>are off to    italy-france-spain tomorrow.....if you would care to point these 
>two in    some interesting directions for the next few weeks, please send me a 
>way    they can get in touch with you (phone number perhaps).....help an
>old    
>father know his kids are safe and happy in a land far   
>away.....:).....michael 
> 

From Loopers-Delight-request@loopers-delight.com  Wed May 23 12:30:58 2001
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Date: Wed, 23 May 2001 12:22:54 -0400
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From: Tom Ritchford <tom@swirly.com>
Subject: Re: Academia [NO LOOPING]
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><gee, no one ever ripped me off in Academia like the Real World.
>
>Are you SURE? [for instance: did you maybe buy the same book in 
>different forms for 4 -6 years. A book that was, basically, 
>*Enlightenment* propaganda?].
>
>But skipping all that,how about on a practical level? Once i was in 
>a graduate seminar where the required booklist totaled 345$. I 
>announced to the small class that I had all 7 of these books and 
>would gladly make copies  [of the selected readings] for each 
>student. The Prof blew a cold chill, and made it very clear that 
>this would NOT be appropriate. It was years later before I started 
>to understand-at least in the sciences- what the publishing/academia 
>relationship is-similar to Doctors and drug reps.
>
>My first master's degree taught me nothing I'd not learned as an 
>undergrad and cost around 20,000$. It was simply a way to use the 
>school's name to get in a Doctoral program -otherwise 
>unapproachable. One could say that i knew what I was getting into, 
>but they, nevertheless, picked my pocket at every turn.

Well, I think more and more that I was very lucky
to go to a Canadian university, where the tuition and student
fees were less than $2K a year, scholarships plentiful, and
class sizes small.  (And great teachers too...)

The stuff I hear about never being able to find professors,
eg... it's crazy to me, I could go to two floors of the
math dept. and find almost all the professors at any time
between 10 and 5.

And in at least one case the professor chose a book
because it was as good as the others and a lot cheaper...

(fave story... I was having a rather obscure argument with
a professor about a point of group theory.  The class
(6 people!) was initially nodding along but after a bit
I imagine they were just nodding...  finally the teacher
says, "Wait a second, why am I arguing with you?  *I*'m
the professor!"  it was very funny...)

Enough!  the peril of being underemployed is excess email...

	/t


...electronic a cappella madness <http://volectrix.com>.........
...extreme internet radio        <http://extremeNY.com/radio>...

From Loopers-Delight-request@loopers-delight.com  Wed May 23 14:00:25 2001
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Date: Wed, 23 May 2001 11:01:49 -0700
Subject: Re: Question for Allan Hoeltje
From: "Allan Hoeltje" <ahoeltje@best.com>
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OK, I admit it.  I am a closet looper and do not perform gigs.  My EDP's are
pampered in a rack in my little studio at home and have never had so much as
even a tiny jiggle let alone an axle breaking taxi ride through New York
City.

I am also a software geek and know just enough about hardware to be
dangerous, even without a soldering iron in my hand.

And so, I did not know that SIMMS and EPROMS were able to soil themselves.
The battery explanation (dissimilar metals, electric current, etc.) does
make sense to me so consider me a true believer now.

:-)
Allan


----------
From: Steve Sandberg <stevesandberg@earthlink.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: Question for Allan Hoeltje
Date: Wed, May 23, 2001, 6:30 AM


Allan --
Do you take your EDP's to gigs?  I have mine in a rack bag with some other
gear -- am wondering if having it banged around in the back of taxis could
possibly have unseated the SIMMS or EPROMS.


I am courious how a non-moving part that is snugly plugged into a socket
becomes dirty.  Should all electronic gizmos with computer memory be
periodically opened up and cleaned?  Seems dubious to me!

-Allan
(with 2 uncleaned EDP's still working fine)



--MS_Mac_OE_3073460510_170757_MIME_Part
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<HTML>
<HEAD>
<TITLE>Re: Question for Allan Hoeltje</TITLE>
</HEAD>
<BODY BGCOLOR=3D"#FFFFFF">
OK, I admit it. &nbsp;I am a closet looper and do not perform gigs. &nbsp;M=
y EDP's are pampered in a rack in my little studio at home and have never ha=
d so much as even a tiny jiggle let alone an axle breaking taxi ride through=
 New York City.<BR>
<BR>
I am also a software geek and know just enough about hardware to be dangero=
us, even without a soldering iron in my hand.<BR>
<BR>
And so, I did not know that SIMMS and EPROMS were able to soil themselves. =
&nbsp;The battery explanation (dissimilar metals, electric current, etc.) do=
es make sense to me so consider me a true believer now.<BR>
<BR>
:-)<BR>
Allan<BR>
<BR>
<BR>
----------<BR>
From: Steve Sandberg &lt;stevesandberg@earthlink.net&gt;<BR>
To: &lt;Loopers-Delight@loopers-delight.com&gt;<BR>
Subject: Question for Allan Hoeltje<BR>
Date: Wed, May 23, 2001, 6:30 AM<BR>
<BR>
<BR>
<BLOCKQUOTE><BLOCKQUOTE><FONT SIZE=3D"4">Allan --<BR>
Do you take your EDP's to gigs? &nbsp;I have mine in a rack bag with some o=
ther gear -- am wondering if having it banged around in the back of taxis co=
uld possibly have unseated the SIMMS or EPROMS.<BR>
<BR>
<BR>
<FONT COLOR=3D"#0000FF">I am courious how a non-moving part that is snugly pl=
ugged into a socket <BR>
becomes dirty. &nbsp;Should all electronic gizmos with computer memory be<B=
R>
periodically opened up and cleaned? &nbsp;Seems dubious to me!<BR>
<BR>
-Allan<BR>
(with 2 uncleaned EDP's still working fine)<BR>
</FONT></FONT></BLOCKQUOTE><FONT SIZE=3D"4"><FONT COLOR=3D"#0000FF"><BR>
<BR>
</FONT></FONT></BLOCKQUOTE>
</BODY>
</HTML>

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to: brad chase
from: robert duckworth
sub: attn newcomers (and Kim)
so, if you are new to this whole thing i would really suggest that you pick 
up a copy of the curtis roads book "the computer music tutuorial", which 
you can get anywhere (amazon or b&n) for under $50 i think. it should 
answer a lot of questions. let me know if this helps.
best,
robert
http://www.tognet.org

>Is there a site better suited to 'the New Guy"?
_________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.

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Subject: RE: attn newcomers (and Kim)
Date: Wed, 23 May 2001 11:14:35 -0700
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robert duckworth
thank you very much! will follow your suggestion, and listen to your work on
your tog site
brad

-----Original Message-----
From: $B%m%P!<%H(B $B%@%C%/%o!<%9(B [mailto:tensaimouse@hotmail.com]
Sent: Wednesday, May 23, 2001 10:58 AM
To: Loopers-Delight@loopers-delight.com
Subject: attn newcomers (and Kim)


to: brad chase
from: robert duckworth
sub: attn newcomers (and Kim)
so, if you are new to this whole thing i would really suggest that you pick
up a copy of the curtis roads book "the computer music tutuorial", which
you can get anywhere (amazon or b&n) for under $50 i think. it should
answer a lot of questions. let me know if this helps.
best,
robert
http://www.tognet.org

>Is there a site better suited to 'the New Guy"?
_________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.

From Loopers-Delight-request@loopers-delight.com  Wed May 23 14:17:38 2001
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Date: Wed, 23 May 2001 14:13:47 -0400
To: Loopers-Delight@loopers-delight.com
From: Tom Ritchford <tom@swirly.com>
Subject: RE: attn newcomers (and Kim)
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>It sucks being new at anything!! DO YOU REMEMBER?!!!! I am completely new to
>this whole digital audio world.  I stepped away from live sound
>re-enforcement (i.e. soundboard man) in the early eighties.  I'm 45, no fool
>(most of the time), but walking into digital sound creation makes my head
>spin.

If there's one thing with modern gear, it's that you have to
REALLY read and learn to LOVE the manual and go over and over
it before you can understand the piece.


I don't mean something like the Line6 DL4, mind you, I've never
really read the manual too carefully and I have a great time
with the unit just by experimenting.


But something like an EDP, or even more, an Eventide/Orville/Kyma...
you gotta read the manual until it's dog-eared!

(and the same goes for sound machines like a Kurzweil...)

	/t


...electronic a cappella madness <http://volectrix.com>.........
...extreme internet radio        <http://extremeNY.com/radio>...

From Loopers-Delight-request@loopers-delight.com  Wed May 23 14:31:00 2001
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From: "luca" <lucafeed@tin.it>
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Subject: R: HELP!!!! for Andy
Date: Wed, 23 May 2001 19:51:16 +0200
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------=_NextPart_000_006A_01C0E3C1.BA674FE0
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HELP!!!!hi Andy, happy to find you here.
everything is allright.=20
the edp is working perfectly since your assistance.
i am happy my case has been useful for others.....
all the best.
luca
  ----- Original Message -----=20
  From: Andy Ewen=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Wednesday, May 23, 2001 3:18 PM
  Subject: RE: HELP!!!!


  =20
  Hi Luca, how's it going?
  I remember it well! One of the EPROMS had worked it's way out of the =
socket. We learnt a valuable lesson here and have fitted expensive =
turned-pin IC sockets throughout the EDP ever since. These hold the =
chips much tighter and make the units more reliable.  Haven't had the =
same problem since,
  Andy.
  =20
  =20
   -----Original Message-----
  From: luca [mailto:lucafeed@tin.it]
  Sent: 22 May 2001 21:28
  To: Loopers-Delight@loopers-delight.com
  Subject: R: HELP!!!!


    I have had the same problem (maybe Andy remembers that "italian" edp =
arrived from Nashville).
    I think i remember Andy at Trace Elliott fixed it by cleaning =
eprom's contacts...
    I think they were his first days into Edp's world.
    I can remember...you don't feel so stable when you Edp acts like =
that...
    luca


------=_NextPart_000_006A_01C0E3C1.BA674FE0
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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD><TITLE>HELP!!!!</TITLE>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.2614.3500" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>hi Andy, happy to find you =
here.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>everything is allright. </FONT></DIV>
<DIV><FONT face=3DArial size=3D2>the edp is working perfectly since your =

assistance.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>i am happy my case has been useful for=20
others.....</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>all the best.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>luca</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: =
0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A href=3D"mailto:andy.ewen@trace-elliot.com"=20
  title=3Dandy.ewen@trace-elliot.com>Andy Ewen</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  href=3D"mailto:Loopers-Delight@loopers-delight.com"=20
  =
title=3DLoopers-Delight@loopers-delight.com>Loopers-Delight@loopers-delig=
ht.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, May 23, 2001 =
3:18=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RE: HELP!!!!</DIV>
  <DIV><BR></DIV>
  <DIV><SPAN class=3D100581913-23052001><FONT=20
  color=3D#800000><STRONG></STRONG></FONT></SPAN>&nbsp;</DIV>
  <DIV><SPAN class=3D100581913-23052001><FONT color=3D#800000><STRONG>Hi =
Luca, how's=20
  it going?</STRONG></FONT></SPAN></DIV>
  <DIV><STRONG><FONT color=3D#800000><SPAN class=3D100581913-23052001>I =
remember it=20
  well! One of the&nbsp;EPROMS had worked it's way out of the socket. We =
learnt=20
  a valuable lesson here and have fitted expensive turned-pin IC sockets =

  throughout the EDP ever since. These hold the chips much tighter and =
make the=20
  units more reliable</SPAN>.<SPAN class=3D100581913-23052001>&nbsp; =
Haven't=20
  had&nbsp;the same problem since,</SPAN></FONT></STRONG></DIV>
  <DIV><STRONG><FONT color=3D#800000><SPAN=20
  class=3D100581913-23052001>Andy.</SPAN></FONT></STRONG></DIV>
  <DIV><STRONG><FONT color=3D#800000><SPAN=20
  class=3D100581913-23052001></SPAN></FONT></STRONG>&nbsp;</DIV>
  <DIV><STRONG><FONT color=3D#800000><SPAN=20
  class=3D100581913-23052001></SPAN></FONT></STRONG>&nbsp;</DIV>
  <DIV><STRONG><FONT color=3D#800000><SPAN=20
  class=3D100581913-23052001>&nbsp;</SPAN></FONT></STRONG><FONT =
face=3DTahoma=20
  size=3D2>-----Original Message-----<BR><B>From:</B> luca=20
  [mailto:lucafeed@tin.it]<BR><B>Sent:</B> 22 May 2001 =
21:28<BR><B>To:</B>=20
  Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> R:=20
  HELP!!!!<BR><BR></DIV></FONT>
  <BLOCKQUOTE dir=3Dltr=20
  style=3D"BORDER-LEFT: #800000 2px solid; MARGIN-LEFT: 5px; =
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">
    <DIV><FONT face=3DArial size=3D2>I have had the same problem (maybe =
Andy=20
    remembers that "italian" edp arrived from Nashville).</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>I think i remember Andy at Trace =
Elliott fixed=20
    it by cleaning eprom's contacts...</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>I think they were his first days =
into Edp's=20
    world.</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>I can remember...you don't feel so =
stable when=20
    you Edp acts like that...</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>luca</FONT></DIV>
    <DIV>&nbsp;</DIV></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_006A_01C0E3C1.BA674FE0--

From Loopers-Delight-request@loopers-delight.com  Wed May 23 14:35:11 2001
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To: <Loopers-Delight@loopers-delight.com>
Subject: RE: attn newcomers (and Kim)
Date: Wed, 23 May 2001 11:35:13 -0700
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MUCH APPRECIATED
THAT IS WHAT I AM DOING WITH THE SOFT SYNTH KITS THAT I HAVE DOWNLOADED.
BABY STEPS WORK FOR ME.  ANY RECOMMENDATIONS FOR A THUMB SUCKER?
BRAD

-----Original Message-----
From: Tom Ritchford [mailto:tom@swirly.com]
Sent: Wednesday, May 23, 2001 11:14 AM
To: Loopers-Delight@loopers-delight.com
Subject: RE: attn newcomers (and Kim)


>It sucks being new at anything!! DO YOU REMEMBER?!!!! I am completely new
to
>this whole digital audio world.  I stepped away from live sound
>re-enforcement (i.e. soundboard man) in the early eighties.  I'm 45, no
fool
>(most of the time), but walking into digital sound creation makes my head
>spin.

If there's one thing with modern gear, it's that you have to
REALLY read and learn to LOVE the manual and go over and over
it before you can understand the piece.


I don't mean something like the Line6 DL4, mind you, I've never
really read the manual too carefully and I have a great time
with the unit just by experimenting.


But something like an EDP, or even more, an Eventide/Orville/Kyma...
you gotta read the manual until it's dog-eared!

(and the same goes for sound machines like a Kurzweil...)

	/t


...electronic a cappella madness <http://volectrix.com>.........
...extreme internet radio        <http://extremeNY.com/radio>...

From Loopers-Delight-request@loopers-delight.com  Wed May 23 14:45:53 2001
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Date: Wed, 23 May 2001 11:42:33 -0700
From: Mark Sottilaro <sine@zerocrossing.net>
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Subject: Re: hey all from  randy clark and crowsong!!!!! (JAWS)
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--------------0A261B55AE6649AD9DF14806
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And I bet if you're really nice, Randy might sell you a copy of Gunpoint
Poetry, by his old band Jaws.  Lot's of loop content from one of the
best bands I have ever seen.  EVER.  If he will, send him cash.  You
won't be disappointed.

and if you're on this list Randy, when I lived in Ithaca I remember you
telling me of new recordings that were being worked on, live stuff and
other new stuff from Jaws.  You moved to SF and that was the last I
heard.  I sure would like to buy anything that was done by Jaws after
Gunpoint Poetry.

Mark Sottilaro

Nemoguitt@aol.com wrote:

> In a message dated 5/21/01 10:19:49 PM Eastern Daylight Time,
> rclark@sirius.com writes:
>
>
>
>> please give me a yell as to where to send stuff.
>
> i would love to hear your cd.....thanks
> michael klobuchar
> 352 grace st
> pittsburgh pa 15211

--------------0A261B55AE6649AD9DF14806
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<!doctype html public "-//w3c//dtd html 4.0 transitional//en">
<html>
And I bet if you're really nice, Randy might sell you a copy of Gunpoint
Poetry, by his old band Jaws.&nbsp; Lot's of loop content from one of the
best bands I have ever seen.&nbsp; EVER.&nbsp; If he will, send him cash.&nbsp;
You won't be disappointed.
<p>and if you're on this list Randy, when I lived in Ithaca I remember
you telling me of new recordings that were being worked on, live stuff
and other new stuff from Jaws.&nbsp; You moved to SF and that was the last
I heard.&nbsp; I sure would like to buy anything that was done by Jaws
after Gunpoint Poetry.
<p>Mark Sottilaro
<p>Nemoguitt@aol.com wrote:
<blockquote TYPE=CITE><font face="arial,helvetica"><font size=-1>In a message
dated 5/21/01 10:19:49 PM Eastern Daylight Time,</font></font>
<br><font face="arial,helvetica"><font size=-1>rclark@sirius.com writes:</font></font>
<br>&nbsp;
<br>&nbsp;
<blockquote TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px"><font face="arial,helvetica"><font size=-1>please
give me a yell as to where to send stuff.</font></font></blockquote>

<p><font face="arial,helvetica"><font size=-1>i would love to hear your
cd.....thanks</font></font>
<br><font face="arial,helvetica"><font size=-1>michael klobuchar</font></font>
<br><font face="arial,helvetica"><font size=-1>352 grace st</font></font>
<br><font face="arial,helvetica"><font size=-1>pittsburgh pa 15211</font></font></blockquote>
</html>

--------------0A261B55AE6649AD9DF14806--

From Loopers-Delight-request@loopers-delight.com  Wed May 23 15:18:26 2001
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    heheh, I've even gone through my boomerang manual a few times... Some of
the programming tips I just can't seem to remember clearly...  =)

    mike


> If there's one thing with modern gear, it's that you have to
> REALLY read and learn to LOVE the manual and go over and over
> it before you can understand the piece.
> 
> 
> I don't mean something like the Line6 DL4, mind you, I've never
> really read the manual too carefully and I have a great time
> with the unit just by experimenting.
> 
> 
> But something like an EDP, or even more, an Eventide/Orville/Kyma...
> you gotta read the manual until it's dog-eared!
> 
> (and the same goes for sound machines like a Kurzweil...)
> 
> /t
> 
> 
> ...electronic a cappella madness <http://volectrix.com>.........
> ...extreme internet radio        <http://extremeNY.com/radio>...


_________________________________________________________
Do You Yahoo!?
Get your free @yahoo.com address at http://mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Wed May 23 15:42:58 2001
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From: Richard Zvonar <zvonar@zvonar.com>
Subject: Re: attn newcomers (and Kim)
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At 2:57 AM +0900 5/24/01, Robert Duckworth <tensaimouse@hotmail.com> wrote:
>
so, if you are new to this whole thing i would really suggest that 
you pick up a copy of the curtis roads book "the computer music 
tutuorial", which you can get anywhere (amazon or b&n) for under $50 
i think.

A bit more than that, I'm afraid: $62.95 on Amazon.

http://www.amazon.com/exec/obidos/ASIN/0262680823/o/qid=990644600/sr=2-1/103-9935439-1170206

Depending on your level of interest, there are several other books 
worth checking out (perhaps at the library first).  These are all 
availabe on Amazon.com:

The Csound Book: Perspectives in Software Synthesis, Sound Design, 
Signal Processing,and Programming by Richard Charles Boulanger 
(Editor)

Computer Music: Synthesis, Composition, and Performance by Charles 
Dodge, Thomas A. Jerse

Computer Sound Synthesis for the Electronic Musician (Music 
Technology Series) by Eduardo Reck Miranda

Composing Interactive Music: Techniques and Ideas Using Max by Todd Winkler

Sound Synthesis and Sampling (Music Technology Series) by Martin 
Russ, Francis Rumsey (Editor)

A Programmer's Guide to Sound by Tim Kientzle

A DSP Primer by Ken Steiglitz, Kenneth Steiglitz

Digital Sound Processing for Music and Multimedia (Music Technology 
Series) by Ross Kirk, Andy Hunt

Midi for the Professional by Paul Lehrman, Tim Tully (Contributor)

Maximum MIDI by Paul Messick

The Midi Companion by Jeffrey Rona, et al

Arranging Techniques for Synthesis (Am 67216) by Eric Turkel, 
Elizabeth Smith-Eisenhower

Synthesizer Basics by Brent Hurtig (Editor)

Linux Music & Sound by Dave Phillips

Basic MIDI by Paul White (Editor)

Experiencing Music Technology by David Brian Williams, Peter Richard Webster

Wizoo Guide Cubase VST PlugIns by Ralf Kleinermanns


Sound Synthesis and Sampling (Music Technology Series)
by Martin Russ, Francis Rumsey (Editor)

Basic Digital Recording
by Paul White (Editor)

Basic MIDI
by Paul White (Editor)


-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz
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<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: attn newcomers (and Kim)</title></head><body>
<blockquote><tt>At 2:57 AM +0900 5/24/01, Robert Duckworth
&lt;tensaimouse@hotmail.com&gt; wrote:</tt>
<blockquote type="cite" cite><tt><br></tt></blockquote>
</blockquote>
<blockquote>
<blockquote><tt>so, if you are new to this whole thing i would really
suggest that you pick up a copy of the curtis roads book &quot;the
computer music tutuorial&quot;, which you can get anywhere (amazon or
b&amp;n) for under $50 i think.</tt></blockquote>
</blockquote>
<blockquote><tt><br></tt></blockquote>
<div><tt>A bit more than that, I'm afraid: $62.95 on
Amazon.</tt></div>
<div><tt><br></tt></div>
<div><tt
>http://www.amazon.com/exec/obidos/ASIN/0262680823/o/qid=990644600/sr<span
></span>=2-1/103-9935439-1170206</tt></div>
<div><tt><br></tt></div>
<div><tt>Depending on your level of interest, there are several other
books worth checking out (perhaps at the library first).&nbsp; These
are all availabe on Amazon.com:</tt></div>
<div><tt><br></tt></div>
<blockquote><tt>The Csound Book: Perspectives in Software Synthesis,
Sound Design, Signal Processing,and Programming by Richard Charles
Boulanger (Editor)</tt></blockquote>
<blockquote><tt><br></tt></blockquote>
<blockquote><tt>Computer Music: Synthesis, Composition, and
Performance by Charles Dodge, Thomas A. Jerse</tt></blockquote>
<blockquote><tt><br></tt></blockquote>
<blockquote><tt>Computer Sound Synthesis for the Electronic Musician
(Music Technology Series) by Eduardo Reck Miranda</tt></blockquote>
<blockquote><tt><br></tt></blockquote>
<blockquote><tt>Composing Interactive Music: Techniques and Ideas
Using Max by Todd Winkler</tt></blockquote>
<blockquote><tt><br></tt></blockquote>
<blockquote><tt>Sound Synthesis and Sampling (Music Technology Series)
by Martin Russ, Francis Rumsey (Editor)</tt></blockquote>
<blockquote><tt><br></tt></blockquote>
<blockquote><tt>A Programmer's Guide to Sound by Tim
Kientzle</tt></blockquote>
<blockquote><tt><br></tt></blockquote>
<blockquote><tt>A DSP Primer by Ken Steiglitz, Kenneth
Steiglitz</tt></blockquote>
<blockquote><tt><br></tt></blockquote>
<blockquote><tt>Digital Sound Processing for Music and Multimedia
(Music Technology Series) by Ross Kirk, Andy Hunt</tt></blockquote>
<blockquote><tt><br></tt></blockquote>
<blockquote><tt>Midi for the Professional by Paul Lehrman, Tim Tully
(Contributor)</tt></blockquote>
<blockquote><tt><br></tt></blockquote>
<blockquote><tt>Maximum MIDI by Paul Messick</tt></blockquote>
<blockquote><tt>&nbsp;<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab></tt></blockquote>
<blockquote><tt>The Midi Companion by Jeffrey Rona, et
al</tt></blockquote>
<blockquote><tt><br></tt></blockquote>
<blockquote><tt>Arranging Techniques for Synthesis (Am 67216) by Eric
Turkel, Elizabeth Smith-Eisenhower</tt></blockquote>
<blockquote><tt><br></tt></blockquote>
<blockquote><tt>Synthesizer Basics by Brent Hurtig
(Editor)</tt></blockquote>
<blockquote><tt>&nbsp;<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab></tt></blockquote>
<blockquote><tt>Linux Music &amp; Sound by Dave
Phillips</tt></blockquote>
<blockquote><tt><br></tt></blockquote>
<blockquote><tt>Basic MIDI by Paul White (Editor)</tt></blockquote>
<blockquote><tt><br></tt></blockquote>
<blockquote><tt>Experiencing Music Technology by David Brian Williams,
Peter Richard Webster</tt></blockquote>
<blockquote><tt>&nbsp;<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab></tt></blockquote>
<blockquote><tt>Wizoo Guide Cubase VST PlugIns by Ralf
Kleinermanns</tt></blockquote>
<blockquote><br></blockquote>
<blockquote><font face="Verdana" size="+2"
color="#000000"><br></font></blockquote>
<blockquote><font face="Verdana" size="+2" color="#003399"><b>Sound
Synthesis and Sampling (Music Technology
Series)</b></font></blockquote>
<blockquote><font face="Verdana" size="+2" color="#000000">by Martin
Russ, Francis Rumsey (Editor)</font></blockquote>
<blockquote><font face="Verdana" size="+2" color="#000000"><br>
</font><font face="Verdana" size="+2" color="#003399"><b>Basic Digital
Recording</b></font></blockquote>
<blockquote><font face="Verdana" size="+2" color="#000000">by Paul
White (Editor)</font></blockquote>
<blockquote><font face="Verdana" size="+2"
color="#000000">&nbsp;</font><font face="Times New Roman" size="+3"
color="#000000"><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab></font><font face="Verdana" size="+2" color="#000000"><br>
</font><font face="Verdana" size="+2" color="#003399"><b>Basic
MIDI</b></font></blockquote>
<blockquote><font face="Verdana" size="+2" color="#000000">by Paul
White (Editor)</font></blockquote>
<blockquote><font face="Times New Roman" size="+3"
color="#000000"><br>
</font><br>
</blockquote>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div><br>
______________________________________________________________<br>
Richard Zvonar, PhD<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><br>
(818) 788-2202<x-tab>&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </x-tab><br>
http://www.zvonar.com<br>
http://RZCybernetics.com<br>
http://www.cybmotion.com/aliaszone<br>
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz</div>
</body>
</html>
--============_-1221476511==_ma============--

From Loopers-Delight-request@loopers-delight.com  Wed May 23 16:31:44 2001
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From: "Michael LaMeyer" <mlameyer@rcn.com>
To: <Loopers-Delight@loopers-delight.com>
References: <NEBBLDGDGLFPDIEJMLDPOEABCCAA.bchase@plasties.com>
Subject: OT: the Soft Synth discovery trip (was attn newcomers (and Kim))
Date: Wed, 23 May 2001 16:24:27 -0400
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Well, without knowing exactly what kind of experience you've had
thus far, I'd say pick the first little thing that catches your
attention or raises a question in your mind, and investigate it.
Exploring one little thing will almost certainly lead you to
other relevant wonderings and pretty soon you'll be making happy
bleep bleep noises.

One of the most valuable learning lessons I had was from a
guitar teacher who impressed me with the incredible usefulness
of taking one small thing at a time and patiently giving mindful
attention to it until you've mastered that one small thing.
Then go on to another little bite.

At least that's the principle.  In practice of course I am
frequently embarking on unexpected tangents and discoveries, but
I think of that as extra credit work.  :-)  Actually, that's a
lie.  It's just fun.  But I digress.

Philosophy aside, you probably have a comfortable understanding
of audio signal flow, etc., but that understanding doesn't
necessarily apply directly to running software on a computer.

What aspects of using these soft synths are you having head
beating sessions over?  Are you having trouble implementing the
soft synth on a computer, from a systems operation standpoint?
(having trouble running the software properly, can't hear
anything your producing, system conflicts of some kind, etc.)

Or are you seeking some understanding of actually using the
software to produce audio?  Application tricks and tips?

For either of those, check your product documentation and
support first.  And maybe *duck* RTFM.  But I never read
documentation until after I've futzed around anyway (bad systems
guy, BAD).  See if there are any lists online or newsgroups that
deal specifically with your system or software, they'd be a more
appropriate resource than a looping list probably ;-).

If you want to read some fair online tutorials and stuff like
that on synths and computer audio in general, here's a variety
of more or less useful sites.  Someone else will need to post
good resources for Mac users, as I'm primarily a PC hack:

A good online synth resource, checkout softsynth links:
http://www.synthzone.com/

A couple specific Harmony Central resources:
http://www.harmony-central.com/Computer/
http://www.harmony-central.com/MIDI/

Some useful stuff in here somewhere:
http://homerecording.com/
http://homerecording.com/homerecfaq.html

An audio forums site:
http://www.audioforums.com/

SonicSpot Guide to Digital Audio and Music (checkout the sound
synthesis section if you're really new to synthesis concepts):
http://www.sonicspot.com/guide/index.html

A general pc audio resource:
http://www.pcrecording.com/

Other MIDI sites:
http://www.leftandwrite.com/brian/music/beginners_guide_to_midi.
htm
http://www.midiguy.com/midiguy.html

This is all I could come up with on the fly.  There's more and
probably better out there, try some more search engines.  If you
want to ask more specific questions, feel free to email me off
list or post OT: if you get a lot of encouraging responses from
the list.  Although computer and synth questions are quite
interesting to some here, troubleshooting general audio computer
software and soft synths is not necessarily on topic for a
looping list.  Unless you contrive it that way. ;-)

Best,

Mike

----- Original Message -----
From: "Brad Chase" <bchase@plasties.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, May 23, 2001 2:35 PM
Subject: RE: attn newcomers (and Kim)


> MUCH APPRECIATED
> THAT IS WHAT I AM DOING WITH THE SOFT SYNTH KITS THAT I HAVE
DOWNLOADED.
> BABY STEPS WORK FOR ME.  ANY RECOMMENDATIONS FOR A THUMB
SUCKER?
> BRAD
>
> -----Original Message-----
> From: Tom Ritchford [mailto:tom@swirly.com]
> Sent: Wednesday, May 23, 2001 11:14 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: RE: attn newcomers (and Kim)
>
>
> >It sucks being new at anything!! DO YOU REMEMBER?!!!! I am
completely new
> to
> >this whole digital audio world.  I stepped away from live
sound
> >re-enforcement (i.e. soundboard man) in the early eighties.
I'm 45, no
> fool
> >(most of the time), but walking into digital sound creation
makes my head
> >spin.
>
> If there's one thing with modern gear, it's that you have to
> REALLY read and learn to LOVE the manual and go over and over
> it before you can understand the piece.
>
>
> I don't mean something like the Line6 DL4, mind you, I've
never
> really read the manual too carefully and I have a great time
> with the unit just by experimenting.
>
>
> But something like an EDP, or even more, an
Eventide/Orville/Kyma...
> you gotta read the manual until it's dog-eared!
>
> (and the same goes for sound machines like a Kurzweil...)
>
> /t
>
>
> ...electronic a cappella madness
<http://volectrix.com>.........
> ...extreme internet radio
<http://extremeNY.com/radio>...
>

From Loopers-Delight-request@loopers-delight.com  Wed May 23 16:44:49 2001
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From: "Rick Walker (loop.pool)" <GLOBAL@cruzio.com>
To: <Loopers-Delight@loopers-delight.com>
References: <200105231942.PAA05926@hemlock.violacea.com>
Subject: Re: hey all from  randy clark and crowsong!!!!!
Date: Wed, 23 May 2001 13:46:33 -0700
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Hey, I just want to attest to what a fine musician, Randy Clark is.  I had
the great fortune of hearing him and sitting in with him on a couple of
tunes when he played Mobo Sushi, here in Santa Cruz and really enjoyed his
musicality and originality on guitar.  He has that rare quality of
sounding very organic whilst looping (which I think is the hardest thing to
pull off in our little niche artform-----Steve Lawson also has this
elusive quality in his performances)     Buy the Crowsong CD!!!!   You'll be
glad you did.
yours,  Rick Walker (loop.pool)

From Loopers-Delight-request@loopers-delight.com  Wed May 23 18:37:46 2001
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a great big thanks to all who responded.....its nice to know that katy and 
karen have some "loopy" folk to turn to if things get strange.....hopefully i 
will stay in touch with them through e-mail so i will pass on your numbers to 
them.....thanks much.....michael

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>a great big thanks to all who responded.....its nice to know that katy and 
<BR>karen have some "loopy" folk to turn to if things get strange.....hopefully i 
<BR>will stay in touch with them through e-mail so i will pass on your numbers to 
<BR>them.....thanks much.....michael</FONT></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed May 23 19:40:19 2001
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Subject: RE: attn newcomers (and Kim)
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Re: attn newcomers (and Kim)on books to get started with...

i got started to the whole shebang on a couple of electronic music
principles books froom the mid seventies, which whilst not entirely computer
oriented, have given me a strong historical and technical perspective to
start from, and they did have an introductory chapter to computer music (12
bit adc on the $400000 Bell telephone Labs Groove system - wow).  best thing
is, they were about $10 total from a secondhand store.  best value ever!

Michael
  -----Original Message-----
  From: Richard Zvonar [mailto:zvonar@zvonar.com]
  Sent: Thursday, 24 May 2001 3:18 AM
  To: Loopers-Delight@loopers-delight.com
  Subject: Re: attn newcomers (and Kim)


    At 2:57 AM +0900 5/24/01, Robert Duckworth <tensaimouse@hotmail.com>
wrote:


      so, if you are new to this whole thing i would really suggest that you
pick up a copy of the curtis roads book "the computer music tutuorial",
which you can get anywhere (amazon or b&n) for under $50 i think.


  A bit more than that, I'm afraid: $62.95 on Amazon.



http://www.amazon.com/exec/obidos/ASIN/0262680823/o/qid=990644600/sr=2-1/103
-9935439-1170206


  Depending on your level of interest, there are several other books worth
checking out (perhaps at the library first).  These are all availabe on
Amazon.com:


    The Csound Book: Perspectives in Software Synthesis, Sound Design,
Signal Processing,and Programming by Richard Charles Boulanger (Editor)


    Computer Music: Synthesis, Composition, and Performance by Charles
Dodge, Thomas A. Jerse


    Computer Sound Synthesis for the Electronic Musician (Music Technology
Series) by Eduardo Reck Miranda


    Composing Interactive Music: Techniques and Ideas Using Max by Todd
Winkler


    Sound Synthesis and Sampling (Music Technology Series) by Martin Russ,
Francis Rumsey (Editor)


    A Programmer's Guide to Sound by Tim Kientzle


    A DSP Primer by Ken Steiglitz, Kenneth Steiglitz


    Digital Sound Processing for Music and Multimedia (Music Technology
Series) by Ross Kirk, Andy Hunt


    Midi for the Professional by Paul Lehrman, Tim Tully (Contributor)


    Maximum MIDI by Paul Messick

    The Midi Companion by Jeffrey Rona, et al


    Arranging Techniques for Synthesis (Am 67216) by Eric Turkel, Elizabeth
Smith-Eisenhower


    Synthesizer Basics by Brent Hurtig (Editor)

    Linux Music & Sound by Dave Phillips


    Basic MIDI by Paul White (Editor)


    Experiencing Music Technology by David Brian Williams, Peter Richard
Webster

    Wizoo Guide Cubase VST PlugIns by Ralf Kleinermanns




    Sound Synthesis and Sampling (Music Technology Series)
    by Martin Russ, Francis Rumsey (Editor)

    Basic Digital Recording
    by Paul White (Editor)

    Basic MIDI
    by Paul White (Editor)



--


  ______________________________________________________________
  Richard Zvonar, PhD
  (818) 788-2202
  http://www.zvonar.com
  http://RZCybernetics.com
  http://www.cybmotion.com/aliaszone
  http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

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<BODY>
<DIV><SPAN class=3D570570923-23052001><FONT face=3DArial color=3D#0000ff =
size=3D2>on=20
books to get started with...</FONT></SPAN></DIV>
<DIV><SPAN class=3D570570923-23052001><FONT face=3DArial color=3D#0000ff =

size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D570570923-23052001><FONT face=3DArial color=3D#0000ff =
size=3D2>i got=20
started to the whole shebang on a couple of electronic music principles =
books=20
froom the mid seventies, which whilst not entirely computer oriented, =
have given=20
me a strong historical and technical perspective to start from, and they =
did=20
have an introductory chapter to computer music (12 bit adc on the =
$400000 Bell=20
telephone Labs Groove system - wow).&nbsp; best thing is, they were =
about $10=20
total from a secondhand store.&nbsp; best value =
ever!</FONT></SPAN></DIV>
<DIV><SPAN class=3D570570923-23052001><FONT face=3DArial color=3D#0000ff =

size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D570570923-23052001><FONT face=3DArial color=3D#0000ff =

size=3D2>Michael</FONT></SPAN></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px =
solid; MARGIN-RIGHT: 0px">
  <DIV class=3DOutlookMessageHeader dir=3Dltr align=3Dleft><FONT =
face=3DTahoma=20
  size=3D2>-----Original Message-----<BR><B>From:</B> Richard Zvonar=20
  [mailto:zvonar@zvonar.com]<BR><B>Sent:</B> Thursday, 24 May 2001 3:18=20
  AM<BR><B>To:</B> =
Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> Re:=20
  attn newcomers (and Kim)<BR><BR></FONT></DIV>
  <BLOCKQUOTE><TT>At 2:57 AM +0900 5/24/01, Robert Duckworth=20
    &lt;tensaimouse@hotmail.com&gt; wrote:</TT>=20
    <BLOCKQUOTE cite =
type=3D"cite"><TT><BR></TT></BLOCKQUOTE></BLOCKQUOTE>
  <BLOCKQUOTE>
    <BLOCKQUOTE><TT>so, if you are new to this whole thing i would =
really=20
      suggest that you pick up a copy of the curtis roads book "the =
computer=20
      music tutuorial", which you can get anywhere (amazon or b&amp;n) =
for under=20
      $50 i think.</TT></BLOCKQUOTE></BLOCKQUOTE>
  <BLOCKQUOTE><TT><BR></TT></BLOCKQUOTE>
  <DIV><TT>A bit more than that, I'm afraid: $62.95 on =
Amazon.</TT></DIV>
  <DIV><TT><BR></TT></DIV>
  =
<DIV><TT>http://www.amazon.com/exec/obidos/ASIN/0262680823/o/qid=3D990644=
600/sr<SPAN></SPAN>=3D2-1/103-9935439-1170206</TT></DIV>
  <DIV><TT><BR></TT></DIV>
  <DIV><TT>Depending on your level of interest, there are several other =
books=20
  worth checking out (perhaps at the library first).&nbsp; These are all =

  availabe on Amazon.com:</TT></DIV>
  <DIV><TT><BR></TT></DIV>
  <BLOCKQUOTE><TT>The Csound Book: Perspectives in Software Synthesis, =
Sound=20
    Design, Signal Processing,and Programming by Richard Charles =
Boulanger=20
    (Editor)</TT></BLOCKQUOTE>
  <BLOCKQUOTE><TT><BR></TT></BLOCKQUOTE>
  <BLOCKQUOTE><TT>Computer Music: Synthesis, Composition, and =
Performance by=20
    Charles Dodge, Thomas A. Jerse</TT></BLOCKQUOTE>
  <BLOCKQUOTE><TT><BR></TT></BLOCKQUOTE>
  <BLOCKQUOTE><TT>Computer Sound Synthesis for the Electronic Musician =
(Music=20
    Technology Series) by Eduardo Reck Miranda</TT></BLOCKQUOTE>
  <BLOCKQUOTE><TT><BR></TT></BLOCKQUOTE>
  <BLOCKQUOTE><TT>Composing Interactive Music: Techniques and Ideas =
Using Max=20
    by Todd Winkler</TT></BLOCKQUOTE>
  <BLOCKQUOTE><TT><BR></TT></BLOCKQUOTE>
  <BLOCKQUOTE><TT>Sound Synthesis and Sampling (Music Technology Series) =
by=20
    Martin Russ, Francis Rumsey (Editor)</TT></BLOCKQUOTE>
  <BLOCKQUOTE><TT><BR></TT></BLOCKQUOTE>
  <BLOCKQUOTE><TT>A Programmer's Guide to Sound by Tim=20
Kientzle</TT></BLOCKQUOTE>
  <BLOCKQUOTE><TT><BR></TT></BLOCKQUOTE>
  <BLOCKQUOTE><TT>A DSP Primer by Ken Steiglitz, Kenneth=20
  Steiglitz</TT></BLOCKQUOTE>
  <BLOCKQUOTE><TT><BR></TT></BLOCKQUOTE>
  <BLOCKQUOTE><TT>Digital Sound Processing for Music and Multimedia =
(Music=20
    Technology Series) by Ross Kirk, Andy Hunt</TT></BLOCKQUOTE>
  <BLOCKQUOTE><TT><BR></TT></BLOCKQUOTE>
  <BLOCKQUOTE><TT>Midi for the Professional by Paul Lehrman, Tim Tully=20
    (Contributor)</TT></BLOCKQUOTE>
  <BLOCKQUOTE><TT><BR></TT></BLOCKQUOTE>
  <BLOCKQUOTE><TT>Maximum MIDI by Paul Messick</TT></BLOCKQUOTE>
  <BLOCKQUOTE><TT>&nbsp;<X-TAB>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
    </X-TAB></TT></BLOCKQUOTE>
  <BLOCKQUOTE><TT>The Midi Companion by Jeffrey Rona, et =
al</TT></BLOCKQUOTE>
  <BLOCKQUOTE><TT><BR></TT></BLOCKQUOTE>
  <BLOCKQUOTE><TT>Arranging Techniques for Synthesis (Am 67216) by Eric=20
    Turkel, Elizabeth Smith-Eisenhower</TT></BLOCKQUOTE>
  <BLOCKQUOTE><TT><BR></TT></BLOCKQUOTE>
  <BLOCKQUOTE><TT>Synthesizer Basics by Brent Hurtig =
(Editor)</TT></BLOCKQUOTE>
  <BLOCKQUOTE><TT>&nbsp;<X-TAB>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
    </X-TAB></TT></BLOCKQUOTE>
  <BLOCKQUOTE><TT>Linux Music &amp; Sound by Dave =
Phillips</TT></BLOCKQUOTE>
  <BLOCKQUOTE><TT><BR></TT></BLOCKQUOTE>
  <BLOCKQUOTE><TT>Basic MIDI by Paul White (Editor)</TT></BLOCKQUOTE>
  <BLOCKQUOTE><TT><BR></TT></BLOCKQUOTE>
  <BLOCKQUOTE><TT>Experiencing Music Technology by David Brian Williams, =
Peter=20
    Richard Webster</TT></BLOCKQUOTE>
  <BLOCKQUOTE><TT>&nbsp;<X-TAB>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
    </X-TAB></TT></BLOCKQUOTE>
  <BLOCKQUOTE><TT>Wizoo Guide Cubase VST PlugIns by Ralf=20
  Kleinermanns</TT></BLOCKQUOTE>
  <BLOCKQUOTE><BR></BLOCKQUOTE>
  <BLOCKQUOTE><FONT face=3DVerdana color=3D#000000 =
size=3D+2><BR></FONT></BLOCKQUOTE>
  <BLOCKQUOTE><FONT face=3DVerdana color=3D#003399 size=3D+2><B>Sound =
Synthesis and=20
    Sampling (Music Technology Series)</B></FONT></BLOCKQUOTE>
  <BLOCKQUOTE><FONT face=3DVerdana color=3D#000000 size=3D+2>by Martin =
Russ, Francis=20
    Rumsey (Editor)</FONT></BLOCKQUOTE>
  <BLOCKQUOTE><FONT face=3DVerdana color=3D#000000 =
size=3D+2><BR></FONT><FONT=20
    face=3DVerdana color=3D#003399 size=3D+2><B>Basic Digital=20
  Recording</B></FONT></BLOCKQUOTE>
  <BLOCKQUOTE><FONT face=3DVerdana color=3D#000000 size=3D+2>by Paul =
White=20
    (Editor)</FONT></BLOCKQUOTE>
  <BLOCKQUOTE><FONT face=3DVerdana color=3D#000000 =
size=3D+2>&nbsp;</FONT><FONT=20
    face=3D"Times New Roman" color=3D#000000=20
    size=3D+3><X-TAB>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
</X-TAB></FONT><FONT=20
    face=3DVerdana color=3D#000000 size=3D+2><BR></FONT><FONT =
face=3DVerdana=20
    color=3D#003399 size=3D+2><B>Basic MIDI</B></FONT></BLOCKQUOTE>
  <BLOCKQUOTE><FONT face=3DVerdana color=3D#000000 size=3D+2>by Paul =
White=20
    (Editor)</FONT></BLOCKQUOTE>
  <BLOCKQUOTE><FONT face=3D"Times New Roman" color=3D#000000=20
    size=3D+3><BR></FONT><BR></BLOCKQUOTE><X-SIGSEP><PRE>--=20
</PRE></X-SIGSEP>
  =
<DIV><BR>______________________________________________________________<B=
R>Richard=20
  Zvonar, PhD<X-TAB>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
</X-TAB><BR>(818)=20
  788-2202<X-TAB>&nbsp;=20
  </X-TAB><X-TAB>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
  </X-TAB><X-TAB>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
  </X-TAB><X-TAB>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
  </X-TAB><X-TAB>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
  =
</X-TAB><BR>http://www.zvonar.com<BR>http://RZCybernetics.com<BR>http://w=
ww.cybmotion.com/aliaszone<BR>http://www.live365.com/cgi-bin/directory.cg=
i?autostart=3Drz</DIV></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed May 23 22:25:23 2001
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References: <9d.15c5e637.283c5e84@aol.com> <3.0.6.32.20010523174931.0096dae0@mail.dragonet.es>
Subject: Re: daugther and friend off too europe tomorrow
Date: Thu, 24 May 2001 03:18:58 +0100
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Yes, you're right - sorry for my misspelling.
Great part of the world to live -you doing any looping gigs there - what
about Barcelona itself for looping opportunities?

Gareth

>
> hi there !
>
> i'm near there .... 'Figueres', catalonian, it's alright ...
>
> >        I don't actaully live there but would recommend    your kin
visits
> >the Dali museum in Figuerra, (not sure about the spelling),    not too
far
> >from Barcelona. I did a few weeks ago and really enjoed it. In    fact,
> >check out Barcelona too!       Gareth
Snip


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Subject: Re: daugther and friend off too europe tomorrow
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Re: daugther and friend off too europe tomorrow
  Make that the world!

  Gareth


  >make sure they check out the buildings by A. Gaudi - the most =
incredible architecture in >europe

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  <DIV><FONT face=3DArial size=3D2>Make that the world!</FONT></DIV>
  <DIV>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Gareth</FONT></DIV>
  <DIV><BR>&nbsp;</DIV>
  <DIV>&gt;make sure they check out the buildings by A. Gaudi - the most =

  incredible architecture in &gt;europe</DIV></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu May 24 02:25:54 2001
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Date: Wed, 23 May 2001 23:21:30 -0700
From: Richard Zvonar <zvonar@zvonar.com>
Subject: Re: Academia [NO LOOPING]
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At 9:12 AM +0000 5/23/01, Robert Eberwein wrote:

>Once i was in a graduate seminar where the required booklist totaled 
>345$. I announced to the small class that I had all 7 of these books 
>and would gladly make copies  [of the selected readings] for each 
>student. The Prof blew a cold chill, and made it very clear that 
>this would NOT be appropriate.
>
>My first master's degree taught me nothing I'd not learned as an 
>undergrad and cost around 20,000$.


At 12:22 PM -0400 5/23/01, Tom Ritchford wrote:

>Well, I think more and more that I was very lucky to go to a 
>Canadian university

I guess I lucked out in most respects, despite going to an American 
university (UCSD). In five years of graduate study I had only one 
class with a text written by a faculty member, and at was Bob 
Erickson's "Sound Structure in Music" which I already had! I also 
managed to avoid filling the U's coffers - I even got paid a stipend. 
That must be why I'm such a brat.

However, faculty politics were an ongoing hazard and I found myself a 
football on occasion. I also experienced the vanishing professor 
problem. I was enrolled for private composition studies with a 
particular Very Famous Composer for two quarters and met with him 
exactly twice. He is now on the faculty at Harvard. Whether he 
actually teaches there I don't know.
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

From Loopers-Delight-request@loopers-delight.com  Thu May 24 04:43:44 2001
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To: Loopers-Delight@loopers-delight.com
Subject: RE: HELP resolution
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To be honest, I'd ask an engineer mate to do it, as removing chips can be a
tricky business if you're not used to it. The legs can be bent and
snapped-off easily and it can be a painful experiance when they suddenly
free themselves, flip up and impale your digits. I have scars to prove it!
 

-----Original Message-----
From: Steve Sandberg [mailto:stevesandberg@earthlink.net]
Sent: 23 May 2001 16:23
To: Loopers-Delight@loopers-delight.com
Subject: Re: HELP resolution



That was going to be my next suggestion.
Glad the show went well but I'd have someone take the lid of your EDP, clean
the SIMMs and re-seat the ICs as these problems have a habit of
re-appearing; probably halfway through the next gig :-))



Thanks, Andy -- is that something I could do myself?  I'm not adverse to
doing it if I can do it without causing further problems -- I just didn't
want to do it the day of a gig. 


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<DIV><SPAN class=990093608-24052001><FONT color=#800000><STRONG>To be honest, 
I'd ask an engineer mate to do it, as removing chips can be a tricky business if 
you're not used to it. The legs can be bent and snapped-off easily and it can be 
a painful experiance when they suddenly free themselves, flip up and impale your 
digits. I have scars to prove it!</STRONG></FONT></SPAN></DIV>
<DIV><SPAN class=990093608-24052001></SPAN>&nbsp;</DIV>
<BLOCKQUOTE 
style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #800000 2px solid">
  <DIV class=OutlookMessageHeader dir=ltr align=left><FONT face=Tahoma 
  size=2>-----Original Message-----<BR><B>From:</B> Steve Sandberg 
  [mailto:stevesandberg@earthlink.net]<BR><B>Sent:</B> 23 May 2001 
  16:23<BR><B>To:</B> Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> Re: 
  HELP resolution<BR><BR></FONT></DIV>
  <BLOCKQUOTE><FONT color=#800000><B>That was going to be my next 
    suggestion.<BR>Glad the show went well but I'd have someone take the lid of 
    your EDP, clean the SIMMs and re-seat the ICs as these problems have a habit 
    of re-appearing; probably halfway through the next gig 
  :-))<BR></B></FONT></BLOCKQUOTE><BR>Thanks, Andy -- is that something I could 
  do myself? &nbsp;I'm not adverse to doing it if I can do it without causing 
  further problems -- I just didn't want to do it the day of a gig. 
</BLOCKQUOTE></BODY></HTML>

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Subject: Re: MP3 questions...
Date: Thu, 24 May 2001 10:16:34 +0100
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Get a copy of the free WinAmp (http://www.winamp.com) - and just hit Alt-F3
to edit the MP3 info.

Stephen Goodman
http://www.earthlight.net/Gallery_Front.html - Cartoons & Illustrations
http://www.earthlight.net/Studios * The free Loop of the Week!

----- Original Message -----
From: "Alx" <gendel777@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: 23 May 2001 15:58 PM
Subject: OT: MP3 questions...


> Hello, I would like to know how to include artist´s
> info on .mp3 clips, here´s my example: when I have a
> .wav file using Sound Forge I can include in the .wav
> file the artist´s info like song name, composer and
> copyright date so that info shows on the media player
> when the song is playing but when I encode that same
> .wav file (info included) into a .mp3 file the
> artist´s info is lost, the media player doesn´t shows
> any info anymore, why is that?, I have used "lame" and
> "blade" encoders but it´s the same situation with both
> of them, I´ve seen many .mp3 clips that shows artist´s
> info on the media player screen and I need to include
> that info on some clips of my own, is there a special
> encoder or editor to do that?.
> Thanks.
> Alx.
>
>
>
> __________________________________________________
> Do You Yahoo!?
> Yahoo! Auctions - buy the things you want at great prices
> http://auctions.yahoo.com/
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Thu May 24 05:24:51 2001
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Subject: Mi2N: The Artists Of MP3.com HAVE Been Fooled Again 
Date: Thu, 24 May 2001 10:22:18 +0100
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http://mi2n.com/press.php3?press_nb=23002



From Loopers-Delight-request@loopers-delight.com  Thu May 24 06:06:58 2001
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As Stephen said Winamp is free and easy, I use it as my main
player. For encoding and cd burning though I use MusicMatch.
I hate the interface sometimes but it is fast on my very
ancient machine and it uses both ID2 and ID3 tags. Not one
coaster in two years.

peace,
jd

Alx wrote:

> Hello, I would like to know how to include artist´s
> info on .mp3 clips, <snip> is there a special
> encoder or editor to do that?.
> Thanks.
> Alx.
>
>
>
> __________________________________________________
> Do You Yahoo!?
> Yahoo! Auctions - buy the things you want at great prices
> http://auctions.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Thu May 24 09:02:17 2001
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Date: Thu, 24 May 2001 08:55:31 EDT
Subject: =?ISO-8859-1?Q?Check=20out=20Harmony=20Central=AE:=20New=20Easy-?=
 =?ISO-8859-1?Q?to-Use=20DJ=20Loop=20Sampler=20from=20Red=20Sound?=
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 <A HREF=3D"http://harmony-central.com/Newp/2001/Cycloops.html">Click here:=20=
Harmony Central=AE: New Easy-to-Use DJ Loop Sampler from Red Sound</A>=20


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<HTML><FONT FACE=3Darial,helvetica><FONT  SIZE=3D2> <A HREF=3D"http://harmon=
y-central.com/Newp/2001/Cycloops.html">Click here: Harmony Central=AE: New E=
asy-to-Use DJ Loop Sampler from Red Sound</A>=20
<BR></FONT></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu May 24 09:45:54 2001
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Date: Thu, 24 May 2001 15:49:10 +0200
To: Loopers-Delight@loopers-delight.com
From: Junkie G <rauboto@dragonet.es>
Subject: Looping in Catalonia
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At 03:18 a.m. 24/05/01 +0100, you wrote:

hi gareth

	yes, i include looping
	tools in my setup (plex&headrush)
	
	not a real loopy community here ...

Junkie G

>Yes, you're right - sorry for my misspelling.
>Great part of the world to live -you doing any looping gigs there - what
>about Barcelona itself for looping opportunities?
>
>Gareth

Doctor_Sax_News
http://www.dragonet.es/users/d3055/Doctor_Sax_News

From Loopers-Delight-request@loopers-delight.com  Thu May 24 10:38:36 2001
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From: "J. Miranda V." <gnominus@earthling.net>
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Subject: RE: MP3 questions...
Date: Thu, 24 May 2001 07:29:57 -0700
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Look also into a tool called "Renamer," by Albert Bertilsson.  It's free.
There's also a Web ring dedicated to free renaming tools.
	http://www.albert.nu/Programs/Renamer/
	http://nav.webring.yahoo.com/hub?ring=rename&list

This free utility allows you to grab whole groups of MP3 files in one or
more folders, and make changes to the MP3 info of each file.  You could
take, say, all the MP3 files for a specific album, and make them all be
uniform for album name, copyright information, etc.

Renamer would allow you to take the bunch of WAVs and edit all the MP3
information that is common among them, at one time.

Winamp and Renamer allow you to edit information in one at a time as well.

Javier
Berkeley



  | -----Original Message-----
  | From: Stephen P. Goodman [mailto:spgoodman@earthlight.net]
  | Sent: Thursday 24 May 2001 2:17 AM
  | To: Loopers-Delight@loopers-delight.com
  | Subject: Re: MP3 questions...
  |
  |
  | Get a copy of the free WinAmp (http://www.winamp.com) - and
  | just hit Alt-F3
  | to edit the MP3 info.

From Loopers-Delight-request@loopers-delight.com  Thu May 24 15:09:30 2001
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Date: Thu, 24 May 2001 14:28:03 -0400
To: Loopers-Delight@loopers-delight.com
From: Tom Ritchford <tom@swirly.com>
Subject: Re: Check out Harmony =?iso-8859-1?Q?Central=AE=3A?= New Easy-to-Use DJ 
 Loop Sampler from Red Sound
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just for the record, I think this is a really neat little
box that Emanuel and co. have put together... for a DJ
who wants to loop, it's exactly what's needed.

and you could just stuff it into a knapsack...

	/t



...electronic a cappella madness <http://volectrix.com>.........
...extreme internet radio        <http://extremeNY.com/radio>...

From Loopers-Delight-request@loopers-delight.com  Thu May 24 16:18:31 2001
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Date: Fri, 25 May 2001 17:15:00 +0800
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>
>But something like an EDP, or even more, an Eventide/Orville/Kyma...
>you gotta read the manual until it's dog-eared!

As for the EDP, I do not agree. You can find a lot in the manuals, 
but you can start without them. Just push Record, play, push Record 
again, and its rolling. Overdub overdubs and so on, the basic 
functions explain themselves. Then yes, there is more hidden stuff 
you may or may not need...

-- 


          ---> http://Matthias.Grob.org

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Date: Thu, 24 May 2001 14:19:48 -0600
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From: Goddess <thefates@earthlink.net>
Subject: a couple of quickie questions...
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	  Hi everyone, I'm curious, do either the RC-20 or the Headrush run in
true stereo?  Are there any pedals at all with a loop sampler or delay with
a hold function, with at least eight seconds of sampling time, which run in
true stereo?  Thanks for any help or ideas anyone might have.  
  I've been using a Jam Man for quite some time now, but have recently
picked up a DL-4 which I like very much.  Unfortunatlly, when I've been
working with it, on the particular system I've been using lately, it's been
difficult to hear whether the looped playback was in stereo or not.  -And
to my dismay, after using it with headphones, I found out that it in fact
wasn't.  anyway, I'm looking for a pedal at the moment rather than another
rack unit as I'm trying to go as portable as possible.  <smile>  It
figures, every other function in the DL-4 is stereo, except the one I'm
really concerned with!  YUCK!  anyway, thanks for taking time to read this,
and again, any suggestions are much appreciated.  thanks alot,  have a
great day!  

smiles,

Goddess

   


---

  "The only things I really think are important, are love, and eachother.
-Then, anything is possible..."


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To: "'Loopers-Delight@loopers-delight.com'"
	 <Loopers-Delight@loopers-delight.com>
Subject: so cal gig spam
Date: Thu, 24 May 2001 16:24:51 -0400
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This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

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THE SCOT RAY QUINTET / Sat. May 26th

JEFF GAUTHIER - Electric Violins
NELS CLINE - Electric Guitars, Loopage
ALEX CLINE - Drumset/Percussion
STEUART LIEBIG - Electric Basses, Loopage
SCOT RAY - Trombone/Compositions

SATURDAY, MAY 26, 8:00 PM
LIRA/LAHC IMPROVISED MUSIC CONCERT SERIES
AT THE LOS ANGELES HARBOR COLLEGE MUSIC RECITAL HALL
$10.00 GENERAL ADMISSION
$5.00 STUDENTS with VALID ID
FREE PARKING IN LOT H
1111 Figueroa Place
Wilmington, CA (Directions below)
Call  (323)267-1830 for additional info



DIRECTIONS
Take the Harbor Fwy (110 South)
EXIT at ANAHEIM STREET - 1 offramp past PCH
Right turn to FIGUEROA PLACE
Left Turn at L STREET
Park in LOT H on your left hand side
PARKING IS FREE



------_=_NextPart_001_01C0E48F.96172790
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 3.2//EN">
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<META NAME="Generator" CONTENT="MS Exchange Server version 5.5.2653.12">
<TITLE>so cal gig spam</TITLE>
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<BODY>
<BR>

<P><FONT SIZE=2>THE SCOT RAY QUINTET / Sat. May 26th</FONT>
</P>

<P><FONT SIZE=2>JEFF GAUTHIER - Electric Violins</FONT>
<BR><FONT SIZE=2>NELS CLINE - Electric Guitars, Loopage</FONT>
<BR><FONT SIZE=2>ALEX CLINE - Drumset/Percussion</FONT>
<BR><FONT SIZE=2>STEUART LIEBIG - Electric Basses, Loopage</FONT>
<BR><FONT SIZE=2>SCOT RAY - Trombone/Compositions</FONT>
</P>

<P><FONT SIZE=2>SATURDAY, MAY 26, 8:00 PM</FONT>
<BR><FONT SIZE=2>LIRA/LAHC IMPROVISED MUSIC CONCERT SERIES</FONT>
<BR><FONT SIZE=2>AT THE LOS ANGELES HARBOR COLLEGE MUSIC RECITAL HALL</FONT>
<BR><FONT SIZE=2>$10.00 GENERAL ADMISSION</FONT>
<BR><FONT SIZE=2>$5.00 STUDENTS with VALID ID</FONT>
<BR><FONT SIZE=2>FREE PARKING IN LOT H</FONT>
<BR><FONT SIZE=2>1111 Figueroa Place</FONT>
<BR><FONT SIZE=2>Wilmington, CA (Directions below)</FONT>
<BR><FONT SIZE=2>Call&nbsp; (323)267-1830 for additional info</FONT>
</P>
<BR>
<BR>

<P><FONT SIZE=2>DIRECTIONS</FONT>
<BR><FONT SIZE=2>Take the Harbor Fwy (110 South)</FONT>
<BR><FONT SIZE=2>EXIT at ANAHEIM STREET - 1 offramp past PCH</FONT>
<BR><FONT SIZE=2>Right turn to FIGUEROA PLACE</FONT>
<BR><FONT SIZE=2>Left Turn at L STREET</FONT>
<BR><FONT SIZE=2>Park in LOT H on your left hand side</FONT>
<BR><FONT SIZE=2>PARKING IS FREE</FONT>
</P>
<BR>

</BODY>
</HTML>
------_=_NextPart_001_01C0E48F.96172790--

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dunno about the RC-20, but I have a Headrush and
is definitly NOT stereo at all.

Looks like the Repeater is true stereo, but racked...

I cant wait!

later,
-jas
http://dimbulb.org

From Loopers-Delight-request@loopers-delight.com  Thu May 24 17:03:28 2001
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Subject: Re: so cal gig spam
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so cal gig spamDamn man, I'm going to see the Dalai Llama Ding Donga =
that night- someone please record this show and contact me- if I am not =
mistaken they are ok with it- Stu- is that the trombone guy from =
Alterknit show? That shit was dope-=20

Cliff

  ----- Original Message -----=20
  From: Liebig, Steuart A.=20
  To: 'Loopers-Delight@loopers-delight.com'=20
  Sent: Thursday, May 24, 2001 1:24 PM
  Subject: so cal gig spam




  THE SCOT RAY QUINTET / Sat. May 26th=20

  JEFF GAUTHIER - Electric Violins=20
  NELS CLINE - Electric Guitars, Loopage=20
  ALEX CLINE - Drumset/Percussion=20
  STEUART LIEBIG - Electric Basses, Loopage=20
  SCOT RAY - Trombone/Compositions=20

  SATURDAY, MAY 26, 8:00 PM=20
  LIRA/LAHC IMPROVISED MUSIC CONCERT SERIES=20
  AT THE LOS ANGELES HARBOR COLLEGE MUSIC RECITAL HALL=20
  $10.00 GENERAL ADMISSION=20
  $5.00 STUDENTS with VALID ID=20
  FREE PARKING IN LOT H=20
  1111 Figueroa Place=20
  Wilmington, CA (Directions below)=20
  Call  (323)267-1830 for additional info=20




  DIRECTIONS=20
  Take the Harbor Fwy (110 South)=20
  EXIT at ANAHEIM STREET - 1 offramp past PCH=20
  Right turn to FIGUEROA PLACE=20
  Left Turn at L STREET=20
  Park in LOT H on your left hand side=20
  PARKING IS FREE=20




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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD><TITLE>so cal gig spam</TITLE>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 5.50.4613.1700" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2>Damn man, I'm going to see the Dalai Llama Ding =
Donga that=20
night- someone please record this show and contact me- if I am not =
mistaken they=20
are ok with it- Stu- is that the trombone guy from Alterknit show? That =
shit was=20
dope- </FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>Cliff</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3DSteuart.Liebig@maritz.com=20
  href=3D"mailto:Steuart.Liebig@maritz.com">Liebig, Steuart A.</A> =
</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:'Loopers-Delight@loopers-delight.com'">'Loopers-Delight@lo=
opers-delight.com'</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Thursday, May 24, 2001 =
1:24=20
PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> so cal gig spam</DIV>
  <DIV><BR></DIV><BR>
  <P><FONT size=3D2>THE SCOT RAY QUINTET / Sat. May 26th</FONT> </P>
  <P><FONT size=3D2>JEFF GAUTHIER - Electric Violins</FONT> <BR><FONT =
size=3D2>NELS=20
  CLINE - Electric Guitars, Loopage</FONT> <BR><FONT size=3D2>ALEX CLINE =
-=20
  Drumset/Percussion</FONT> <BR><FONT size=3D2>STEUART LIEBIG - Electric =
Basses,=20
  Loopage</FONT> <BR><FONT size=3D2>SCOT RAY - =
Trombone/Compositions</FONT> </P>
  <P><FONT size=3D2>SATURDAY, MAY 26, 8:00 PM</FONT> <BR><FONT =
size=3D2>LIRA/LAHC=20
  IMPROVISED MUSIC CONCERT SERIES</FONT> <BR><FONT size=3D2>AT THE LOS =
ANGELES=20
  HARBOR COLLEGE MUSIC RECITAL HALL</FONT> <BR><FONT size=3D2>$10.00 =
GENERAL=20
  ADMISSION</FONT> <BR><FONT size=3D2>$5.00 STUDENTS with VALID =
ID</FONT>=20
  <BR><FONT size=3D2>FREE PARKING IN LOT H</FONT> <BR><FONT =
size=3D2>1111 Figueroa=20
  Place</FONT> <BR><FONT size=3D2>Wilmington, CA (Directions =
below)</FONT>=20
  <BR><FONT size=3D2>Call&nbsp; (323)267-1830 for additional info</FONT> =

  </P><BR><BR>
  <P><FONT size=3D2>DIRECTIONS</FONT> <BR><FONT size=3D2>Take the Harbor =
Fwy (110=20
  South)</FONT> <BR><FONT size=3D2>EXIT at ANAHEIM STREET - 1 offramp =
past=20
  PCH</FONT> <BR><FONT size=3D2>Right turn to FIGUEROA PLACE</FONT> =
<BR><FONT=20
  size=3D2>Left Turn at L STREET</FONT> <BR><FONT size=3D2>Park in LOT H =
on your=20
  left hand side</FONT> <BR><FONT size=3D2>PARKING IS FREE</FONT>=20
</P><BR></BLOCKQUOTE></BODY></HTML>

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	 <Loopers-Delight@loopers-delight.com>
Subject: RE: so cal gig spam
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that's the same band. you'd have to ask scot, but i bet it's okay with him
if you tape.
 
stig

-----Original Message-----
From: Clifford@BienAppraisers [mailto:bienappraisers@mindspring.com]
Sent: Thursday, May 24, 2001 2:04 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: so cal gig spam


Damn man, I'm going to see the Dalai Llama Ding Donga that night- someone
please record this show and contact me- if I am not mistaken they are ok
with it- Stu- is that the trombone guy from Alterknit show? That shit was
dope- 
 
Cliff
 

----- Original Message ----- 
From: Liebig, Steuart A. <mailto:Steuart.Liebig@maritz.com>  
To: 'Loopers-Delight@loopers-delight.com'
<mailto:'Loopers-Delight@loopers-delight.com'>  
Sent: Thursday, May 24, 2001 1:24 PM
Subject: so cal gig spam



THE SCOT RAY QUINTET / Sat. May 26th 

JEFF GAUTHIER - Electric Violins 
NELS CLINE - Electric Guitars, Loopage 
ALEX CLINE - Drumset/Percussion 
STEUART LIEBIG - Electric Basses, Loopage 
SCOT RAY - Trombone/Compositions 

SATURDAY, MAY 26, 8:00 PM 
LIRA/LAHC IMPROVISED MUSIC CONCERT SERIES 
AT THE LOS ANGELES HARBOR COLLEGE MUSIC RECITAL HALL 
$10.00 GENERAL ADMISSION 
$5.00 STUDENTS with VALID ID 
FREE PARKING IN LOT H 
1111 Figueroa Place 
Wilmington, CA (Directions below) 
Call  (323)267-1830 for additional info 



DIRECTIONS 
Take the Harbor Fwy (110 South) 
EXIT at ANAHEIM STREET - 1 offramp past PCH 
Right turn to FIGUEROA PLACE 
Left Turn at L STREET 
Park in LOT H on your left hand side 
PARKING IS FREE 



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<DIV><FONT color=#0000ff face=Arial size=2><SPAN class=335190521-24052001>that's 
the same band. you'd have to ask scot, but i bet it's okay with him if you 
tape.</SPAN></FONT></DIV>
<DIV><FONT color=#0000ff face=Arial size=2><SPAN 
class=335190521-24052001></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT color=#0000ff face=Arial size=2><SPAN 
class=335190521-24052001>stig</SPAN></FONT></DIV>
<BLOCKQUOTE style="MARGIN-RIGHT: 0px">
  <DIV align=left class=OutlookMessageHeader dir=ltr><FONT face=Tahoma 
  size=2>-----Original Message-----<BR><B>From:</B> Clifford@BienAppraisers 
  [mailto:bienappraisers@mindspring.com]<BR><B>Sent:</B> Thursday, May 24, 2001 
  2:04 PM<BR><B>To:</B> Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> 
  Re: so cal gig spam<BR><BR></DIV></FONT>
  <DIV><FONT size=2>Damn man, I'm going to see the Dalai Llama Ding Donga that 
  night- someone please record this show and contact me- if I am not mistaken 
  they are ok with it- Stu- is that the trombone guy from Alterknit show? That 
  shit was dope- </FONT></DIV>
  <DIV><FONT size=2></FONT>&nbsp;</DIV>
  <DIV><FONT size=2>Cliff</FONT></DIV>
  <DIV><FONT size=2></FONT>&nbsp;</DIV>
  <BLOCKQUOTE 
  style="BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px">
    <DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
    <DIV 
    style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><B>From:</B> 
    <A href="mailto:Steuart.Liebig@maritz.com" 
    title=Steuart.Liebig@maritz.com>Liebig, Steuart A.</A> </DIV>
    <DIV style="FONT: 10pt arial"><B>To:</B> <A 
    href="mailto:'Loopers-Delight@loopers-delight.com'" 
    title=Loopers-Delight@loopers-delight.com>'Loopers-Delight@loopers-delight.com'</A> 
    </DIV>
    <DIV style="FONT: 10pt arial"><B>Sent:</B> Thursday, May 24, 2001 1:24 
    PM</DIV>
    <DIV style="FONT: 10pt arial"><B>Subject:</B> so cal gig spam</DIV>
    <DIV><BR></DIV><BR>
    <P><FONT size=2>THE SCOT RAY QUINTET / Sat. May 26th</FONT> </P>
    <P><FONT size=2>JEFF GAUTHIER - Electric Violins</FONT> <BR><FONT 
    size=2>NELS CLINE - Electric Guitars, Loopage</FONT> <BR><FONT size=2>ALEX 
    CLINE - Drumset/Percussion</FONT> <BR><FONT size=2>STEUART LIEBIG - Electric 
    Basses, Loopage</FONT> <BR><FONT size=2>SCOT RAY - 
    Trombone/Compositions</FONT> </P>
    <P><FONT size=2>SATURDAY, MAY 26, 8:00 PM</FONT> <BR><FONT size=2>LIRA/LAHC 
    IMPROVISED MUSIC CONCERT SERIES</FONT> <BR><FONT size=2>AT THE LOS ANGELES 
    HARBOR COLLEGE MUSIC RECITAL HALL</FONT> <BR><FONT size=2>$10.00 GENERAL 
    ADMISSION</FONT> <BR><FONT size=2>$5.00 STUDENTS with VALID ID</FONT> 
    <BR><FONT size=2>FREE PARKING IN LOT H</FONT> <BR><FONT size=2>1111 Figueroa 
    Place</FONT> <BR><FONT size=2>Wilmington, CA (Directions below)</FONT> 
    <BR><FONT size=2>Call&nbsp; (323)267-1830 for additional info</FONT> 
    </P><BR><BR>
    <P><FONT size=2>DIRECTIONS</FONT> <BR><FONT size=2>Take the Harbor Fwy (110 
    South)</FONT> <BR><FONT size=2>EXIT at ANAHEIM STREET - 1 offramp past 
    PCH</FONT> <BR><FONT size=2>Right turn to FIGUEROA PLACE</FONT> <BR><FONT 
    size=2>Left Turn at L STREET</FONT> <BR><FONT size=2>Park in LOT H on your 
    left hand side</FONT> <BR><FONT size=2>PARKING IS FREE</FONT> 
  </P><BR></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu May 24 17:13:28 2001
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Big, big, big recommendations on this band.  Minds will be blown.  I'm
still recovering from the Knitting Factory show a couple of months back.

(Stig, please say hi and "welcome home" to Scot for me, if you think
of it... but no big deal if you don't.)

--A

> "Liebig, Steuart A." wrote:
> 
> THE SCOT RAY QUINTET / Sat. May 26th
> 
> JEFF GAUTHIER - Electric Violins
> NELS CLINE - Electric Guitars, Loopage
> ALEX CLINE - Drumset/Percussion
> STEUART LIEBIG - Electric Basses, Loopage
> SCOT RAY - Trombone/Compositions
> 
> SATURDAY, MAY 26, 8:00 PM
> LIRA/LAHC IMPROVISED MUSIC CONCERT SERIES
> AT THE LOS ANGELES HARBOR COLLEGE MUSIC RECITAL HALL
> $10.00 GENERAL ADMISSION
> $5.00 STUDENTS with VALID ID
> FREE PARKING IN LOT H
> 1111 Figueroa Place
> Wilmington, CA (Directions below)
> Call  (323)267-1830 for additional info
> 
> DIRECTIONS
> Take the Harbor Fwy (110 South)
> EXIT at ANAHEIM STREET - 1 offramp past PCH
> Right turn to FIGUEROA PLACE
> Left Turn at L STREET
> Park in LOT H on your left hand side
> PARKING IS FREE

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Subject: Re: so cal gig spam
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At 2:03 PM -0700 5/24/01, Clifford@BienAppraisers wrote:
>Damn man, I'm going to see the Dalai Llama Ding Donga that night

And I'm going to Harry Parch. Same thing happened last weekend - the 
Microfest at CalArts conflicted with David Tudor at the Getty Center.
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

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yeah. a friend told me about the partch deal - - i'm, "hey i can't go,i'm
playing" . . . 

stig

-----Original Message-----
From: Richard Zvonar [mailto:zvonar@zvonar.com]
Sent: Thursday, May 24, 2001 2:21 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: so cal gig spam


At 2:03 PM -0700 5/24/01, Clifford@BienAppraisers wrote:
>Damn man, I'm going to see the Dalai Llama Ding Donga that night

And I'm going to Harry Parch. Same thing happened last weekend - the 
Microfest at CalArts conflicted with David Tudor at the Getty Center.
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

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<P><FONT SIZE=3D2>yeah. a friend told me about the partch deal - - i'm, =
&quot;hey i can't go,i'm playing&quot; . . . </FONT>
</P>

<P><FONT SIZE=3D2>stig</FONT>
</P>

<P><FONT SIZE=3D2>-----Original Message-----</FONT>
<BR><FONT SIZE=3D2>From: Richard Zvonar [<A =
HREF=3D"mailto:zvonar@zvonar.com">mailto:zvonar@zvonar.com</A>]</FONT>
<BR><FONT SIZE=3D2>Sent: Thursday, May 24, 2001 2:21 PM</FONT>
<BR><FONT SIZE=3D2>To: Loopers-Delight@loopers-delight.com</FONT>
<BR><FONT SIZE=3D2>Subject: Re: so cal gig spam</FONT>
</P>
<BR>

<P><FONT SIZE=3D2>At 2:03 PM -0700 5/24/01, Clifford@BienAppraisers =
wrote:</FONT>
<BR><FONT SIZE=3D2>&gt;Damn man, I'm going to see the Dalai Llama Ding =
Donga that night</FONT>
</P>

<P><FONT SIZE=3D2>And I'm going to Harry Parch. Same thing happened =
last weekend - the </FONT>
<BR><FONT SIZE=3D2>Microfest at CalArts conflicted with David Tudor at =
the Getty Center.</FONT>
<BR><FONT SIZE=3D2>-- </FONT>
</P>

<P><FONT =
SIZE=3D2>______________________________________________________________<=
/FONT>
<BR><FONT SIZE=3D2>Richard Zvonar, PhD</FONT>
<BR><FONT SIZE=3D2>(818) 788-2202</FONT>
<BR><FONT SIZE=3D2><A HREF=3D"http://www.zvonar.com" =
TARGET=3D"_blank">http://www.zvonar.com</A></FONT>
<BR><FONT SIZE=3D2><A HREF=3D"http://RZCybernetics.com" =
TARGET=3D"_blank">http://RZCybernetics.com</A></FONT>
<BR><FONT SIZE=3D2><A HREF=3D"http://www.cybmotion.com/aliaszone" =
TARGET=3D"_blank">http://www.cybmotion.com/aliaszone</A></FONT>
<BR><FONT SIZE=3D2><A =
HREF=3D"http://www.live365.com/cgi-bin/directory.cgi?autostart=3Drz" =
TARGET=3D"_blank">http://www.live365.com/cgi-bin/directory.cgi?autostart=
=3Drz</A></FONT>
</P>

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From Loopers-Delight-request@loopers-delight.com  Thu May 24 17:57:02 2001
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To: <Loopers-Delight@loopers-delight.com>
References: <4495C77AB577D31199120008C756D0C4028DB297@migarexch01.maritz.com>
Subject: OT:Re: so cal gig spam
Date: Thu, 24 May 2001 14:58:04 -0700
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RE: so cal gig spam.....Zakir Hussein tonight up there near the Getty =
too- will be awesome-=20

Cliff
  ----- Original Message -----=20
  From: Liebig, Steuart A.=20
  To: 'Loopers-Delight@loopers-delight.com'=20
  Sent: Thursday, May 24, 2001 2:43 PM
  Subject: RE: so cal gig spam


  yeah. a friend told me about the partch deal - - i'm, "hey i can't =
go,i'm playing" . . .=20

  stig=20

  -----Original Message-----=20
  From: Richard Zvonar [mailto:zvonar@zvonar.com]=20
  Sent: Thursday, May 24, 2001 2:21 PM=20
  To: Loopers-Delight@loopers-delight.com=20
  Subject: Re: so cal gig spam=20



  At 2:03 PM -0700 5/24/01, Clifford@BienAppraisers wrote:=20
  >Damn man, I'm going to see the Dalai Llama Ding Donga that night=20

  And I'm going to Harry Parch. Same thing happened last weekend - the=20
  Microfest at CalArts conflicted with David Tudor at the Getty Center.=20
  --=20

  ______________________________________________________________=20
  Richard Zvonar, PhD=20
  (818) 788-2202=20
  http://www.zvonar.com=20
  http://RZCybernetics.com=20
  http://www.cybmotion.com/aliaszone=20
  http://www.live365.com/cgi-bin/directory.cgi?autostart=3Drz=20


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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD><TITLE>RE: so cal gig spam</TITLE>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 5.50.4613.1700" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2>.....Zakir Hussein tonight up there near the Getty =
too- will=20
be awesome- </FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>Cliff</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3DSteuart.Liebig@maritz.com=20
  href=3D"mailto:Steuart.Liebig@maritz.com">Liebig, Steuart A.</A> =
</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:'Loopers-Delight@loopers-delight.com'">'Loopers-Delight@lo=
opers-delight.com'</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Thursday, May 24, 2001 =
2:43=20
PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RE: so cal gig =
spam</DIV>
  <DIV><BR></DIV>
  <P><FONT size=3D2>yeah. a friend told me about the partch deal - - =
i'm, "hey i=20
  can't go,i'm playing" . . . </FONT></P>
  <P><FONT size=3D2>stig</FONT> </P>
  <P><FONT size=3D2>-----Original Message-----</FONT> <BR><FONT =
size=3D2>From:=20
  Richard Zvonar [<A=20
  href=3D"mailto:zvonar@zvonar.com">mailto:zvonar@zvonar.com</A>]</FONT> =
<BR><FONT=20
  size=3D2>Sent: Thursday, May 24, 2001 2:21 PM</FONT> <BR><FONT =
size=3D2>To: <A=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A></FONT>=20
  <BR><FONT size=3D2>Subject: Re: so cal gig spam</FONT> </P><BR>
  <P><FONT size=3D2>At 2:03 PM -0700 5/24/01, <A=20
  href=3D"mailto:Clifford@BienAppraisers">Clifford@BienAppraisers</A>=20
  wrote:</FONT> <BR><FONT size=3D2>&gt;Damn man, I'm going to see the =
Dalai Llama=20
  Ding Donga that night</FONT> </P>
  <P><FONT size=3D2>And I'm going to Harry Parch. Same thing happened =
last weekend=20
  - the </FONT><BR><FONT size=3D2>Microfest at CalArts conflicted with =
David Tudor=20
  at the Getty Center.</FONT> <BR><FONT size=3D2>-- </FONT></P>
  <P><FONT=20
  =
size=3D2>______________________________________________________________</=
FONT>=20
  <BR><FONT size=3D2>Richard Zvonar, PhD</FONT> <BR><FONT size=3D2>(818) =

  788-2202</FONT> <BR><FONT size=3D2><A target=3D_blank=20
  href=3D"http://www.zvonar.com">http://www.zvonar.com</A></FONT> =
<BR><FONT=20
  size=3D2><A target=3D_blank=20
  href=3D"http://RZCybernetics.com">http://RZCybernetics.com</A></FONT> =
<BR><FONT=20
  size=3D2><A target=3D_blank=20
  =
href=3D"http://www.cybmotion.com/aliaszone">http://www.cybmotion.com/alia=
szone</A></FONT>=20
  <BR><FONT size=3D2><A target=3D_blank=20
  =
href=3D"http://www.live365.com/cgi-bin/directory.cgi?autostart=3Drz">http=
://www.live365.com/cgi-bin/directory.cgi?autostart=3Drz</A></FONT>=20
  </P></BLOCKQUOTE></BODY></HTML>

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To: "'Loopers-Delight@loopers-delight.com'"
	 <Loopers-Delight@loopers-delight.com>
Subject: RE: Re: so cal gig spam
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who woulda thunk it - - l.a. has a hotbed of cool stuff to hear . . . 

-----Original Message-----
From: MediaOne [mailto:clifsound@mediaone.net]
Sent: Thursday, May 24, 2001 2:58 PM
To: Loopers-Delight@loopers-delight.com
Subject: OT:Re: so cal gig spam


.....Zakir Hussein tonight up there near the Getty too- will be awesome- 
 
Cliff

----- Original Message ----- 
From: Liebig, Steuart A. <mailto:Steuart.Liebig@maritz.com>  
To: 'Loopers-Delight@loopers-delight.com'
<mailto:'Loopers-Delight@loopers-delight.com'>  
Sent: Thursday, May 24, 2001 2:43 PM
Subject: RE: so cal gig spam


yeah. a friend told me about the partch deal - - i'm, "hey i can't go,i'm
playing" . . . 

stig 

-----Original Message----- 
From: Richard Zvonar [ mailto:zvonar@zvonar.com <mailto:zvonar@zvonar.com> ]

Sent: Thursday, May 24, 2001 2:21 PM 
To: Loopers-Delight@loopers-delight.com
<mailto:Loopers-Delight@loopers-delight.com>  
Subject: Re: so cal gig spam 


At 2:03 PM -0700 5/24/01, Clifford@BienAppraisers
<mailto:Clifford@BienAppraisers>  wrote: 
>Damn man, I'm going to see the Dalai Llama Ding Donga that night 

And I'm going to Harry Parch. Same thing happened last weekend - the 
Microfest at CalArts conflicted with David Tudor at the Getty Center. 
-- 

______________________________________________________________ 
Richard Zvonar, PhD 
(818) 788-2202 
http://www.zvonar.com <http://www.zvonar.com>  
http://RZCybernetics.com <http://RZCybernetics.com>  
http://www.cybmotion.com/aliaszone <http://www.cybmotion.com/aliaszone>  
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz
<http://www.live365.com/cgi-bin/directory.cgi?autostart=rz>  


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<BODY bgColor=#ffffff>
<DIV><FONT color=#0000ff face=Arial size=2><SPAN class=493010322-24052001>who 
woulda thunk it - - l.a. has a hotbed of cool stuff to hear . . . 
</SPAN></FONT></DIV>
<BLOCKQUOTE dir=ltr style="MARGIN-RIGHT: 0px">
  <DIV align=left class=OutlookMessageHeader dir=ltr><FONT face=Tahoma 
  size=2>-----Original Message-----<BR><B>From:</B> MediaOne 
  [mailto:clifsound@mediaone.net]<BR><B>Sent:</B> Thursday, May 24, 2001 2:58 
  PM<BR><B>To:</B> Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> OT:Re: 
  so cal gig spam<BR><BR></DIV></FONT>
  <DIV><FONT size=2>.....Zakir Hussein tonight up there near the Getty too- will 
  be awesome- </FONT></DIV>
  <DIV><FONT size=2></FONT>&nbsp;</DIV>
  <DIV><FONT size=2>Cliff</FONT></DIV>
  <BLOCKQUOTE dir=ltr 
  style="BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px">
    <DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
    <DIV 
    style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><B>From:</B> 
    <A href="mailto:Steuart.Liebig@maritz.com" 
    title=Steuart.Liebig@maritz.com>Liebig, Steuart A.</A> </DIV>
    <DIV style="FONT: 10pt arial"><B>To:</B> <A 
    href="mailto:'Loopers-Delight@loopers-delight.com'" 
    title=Loopers-Delight@loopers-delight.com>'Loopers-Delight@loopers-delight.com'</A> 
    </DIV>
    <DIV style="FONT: 10pt arial"><B>Sent:</B> Thursday, May 24, 2001 2:43 
    PM</DIV>
    <DIV style="FONT: 10pt arial"><B>Subject:</B> RE: so cal gig spam</DIV>
    <DIV><BR></DIV>
    <P><FONT size=2>yeah. a friend told me about the partch deal - - i'm, "hey i 
    can't go,i'm playing" . . . </FONT></P>
    <P><FONT size=2>stig</FONT> </P>
    <P><FONT size=2>-----Original Message-----</FONT> <BR><FONT size=2>From: 
    Richard Zvonar [<A 
    href="mailto:zvonar@zvonar.com">mailto:zvonar@zvonar.com</A>]</FONT> 
    <BR><FONT size=2>Sent: Thursday, May 24, 2001 2:21 PM</FONT> <BR><FONT 
    size=2>To: <A 
    href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A></FONT> 
    <BR><FONT size=2>Subject: Re: so cal gig spam</FONT> </P><BR>
    <P><FONT size=2>At 2:03 PM -0700 5/24/01, <A 
    href="mailto:Clifford@BienAppraisers">Clifford@BienAppraisers</A> 
    wrote:</FONT> <BR><FONT size=2>&gt;Damn man, I'm going to see the Dalai 
    Llama Ding Donga that night</FONT> </P>
    <P><FONT size=2>And I'm going to Harry Parch. Same thing happened last 
    weekend - the </FONT><BR><FONT size=2>Microfest at CalArts conflicted with 
    David Tudor at the Getty Center.</FONT> <BR><FONT size=2>-- </FONT></P>
    <P><FONT 
    size=2>______________________________________________________________</FONT> 
    <BR><FONT size=2>Richard Zvonar, PhD</FONT> <BR><FONT size=2>(818) 
    788-2202</FONT> <BR><FONT size=2><A href="http://www.zvonar.com" 
    target=_blank>http://www.zvonar.com</A></FONT> <BR><FONT size=2><A 
    href="http://RZCybernetics.com" 
    target=_blank>http://RZCybernetics.com</A></FONT> <BR><FONT size=2><A 
    href="http://www.cybmotion.com/aliaszone" 
    target=_blank>http://www.cybmotion.com/aliaszone</A></FONT> <BR><FONT 
    size=2><A href="http://www.live365.com/cgi-bin/directory.cgi?autostart=rz" 
    target=_blank>http://www.live365.com/cgi-bin/directory.cgi?autostart=rz</A></FONT> 
    </P></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu May 24 18:38:19 2001
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Date: Thu, 24 May 2001 15:13:42 -0700
From: Richard Zvonar <zvonar@zvonar.com>
Subject: Re: OT:Re: so cal gig spam
In-reply-to: <003101c0e49c$9e2aa580$7bb387d8@cliff>
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At 2:58 PM -0700 5/24/01, MediaOne wrote:
>.....Zakir Hussein tonight up there near the Getty too- will be awesome-

Pandit Shivkumar Sharma & Ustad Zakir Hussain
Wednesday, May 23, 8:00 p.m. & Thursday, May 24, 8:00 p.m.
Cotsen Auditorium
Skirball Cultural Center
2701 N. Sepulveda Blvd.
Los Angeles, CA 90049
$28 General / $25 Members / $20 Students
Advance tickets recommended.
To purchase tickets by phone call Tickets L.A. at (323)655-8587
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz
--============_-1221379610==_ma============
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<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: OT:Re: so cal gig spam</title></head><body>
<div><tt>At 2:58 PM -0700 5/24/01, MediaOne wrote:</tt></div>
<blockquote type="cite" cite><tt>.....Zakir Hussein tonight up there
near the Getty too- will be awesome-</tt></blockquote>
<div><tt><br></tt></div>
<div><tt><b>Pandit Shivkumar Sharma &amp; Ustad Zakir Hussain</b><br>
Wednesday, May 23, 8:00 p.m. &amp; Thursday, May 24, 8:00 p.m.<br>
Cotsen Auditorium</tt></div>
<div><tt><b>Skirball Cultural Center</b><br>
2701 N. Sepulveda Blvd.<br>
Los Angeles, CA 90049<br>
$28 General / $25 Members / $20 Students<br>
Advance tickets recommended.</tt></div>
<div><tt>To purchase tickets by phone call Tickets L.A. at
(323)655-8587</tt></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div><br>
______________________________________________________________<br>
Richard Zvonar, PhD<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><br>
(818) 788-2202<x-tab>&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </x-tab><br>
http://www.zvonar.com<br>
http://RZCybernetics.com<br>
http://www.cybmotion.com/aliaszone<br>
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz</div>
</body>
</html>
--============_-1221379610==_ma============--

From Loopers-Delight-request@loopers-delight.com  Thu May 24 18:38:48 2001
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Looks like it is more of a case of "when it rains it pours."


>From: "Liebig, Steuart A." <Steuart.Liebig@maritz.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: "'Loopers-Delight@loopers-delight.com'"  
><Loopers-Delight@loopers-delight.com>
>Subject: RE: Re: so cal gig spam
>Date: Thu, 24 May 2001 18:04:27 -0400
>
>who woulda thunk it - - l.a. has a hotbed of cool stuff to hear . . .
>
>-----Original Message-----
>From: MediaOne [mailto:clifsound@mediaone.net]
>Sent: Thursday, May 24, 2001 2:58 PM
>To: Loopers-Delight@loopers-delight.com
>Subject: OT:Re: so cal gig spam
>
>
>.....Zakir Hussein tonight up there near the Getty too- will be awesome-
>
>Cliff
>
>----- Original Message -----
>From: Liebig, Steuart A. <mailto:Steuart.Liebig@maritz.com>
>To: 'Loopers-Delight@loopers-delight.com'
><mailto:'Loopers-Delight@loopers-delight.com'>
>Sent: Thursday, May 24, 2001 2:43 PM
>Subject: RE: so cal gig spam
>
>
>yeah. a friend told me about the partch deal - - i'm, "hey i can't go,i'm
>playing" . . .
>
>stig
>
>-----Original Message-----
>From: Richard Zvonar [ mailto:zvonar@zvonar.com <mailto:zvonar@zvonar.com> 
>]
>
>Sent: Thursday, May 24, 2001 2:21 PM
>To: Loopers-Delight@loopers-delight.com
><mailto:Loopers-Delight@loopers-delight.com>
>Subject: Re: so cal gig spam
>
>
>At 2:03 PM -0700 5/24/01, Clifford@BienAppraisers
><mailto:Clifford@BienAppraisers>  wrote:
> >Damn man, I'm going to see the Dalai Llama Ding Donga that night
>
>And I'm going to Harry Parch. Same thing happened last weekend - the
>Microfest at CalArts conflicted with David Tudor at the Getty Center.
>--
>
>______________________________________________________________
>Richard Zvonar, PhD
>(818) 788-2202
>http://www.zvonar.com <http://www.zvonar.com>
>http://RZCybernetics.com <http://RZCybernetics.com>
>http://www.cybmotion.com/aliaszone <http://www.cybmotion.com/aliaszone>
>http://www.live365.com/cgi-bin/directory.cgi?autostart=rz
><http://www.live365.com/cgi-bin/directory.cgi?autostart=rz>
>

_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Thu May 24 20:06:29 2001
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Matthias Grob wrote:

> >
> >But something like an EDP, or even more, an Eventide/Orville/Kyma...
> >you gotta read the manual until it's dog-eared!
>
> As for the EDP, I do not agree. You can find a lot in the manuals,
> but you can start without them. Just push Record, play, push Record
> again, and its rolling. Overdub overdubs and so on, the basic
> functions explain themselves. Then yes, there is more hidden stuff
> you may or may not need...
>
> --
>
>           ---> http://Matthias.Grob.org

i agree, most definitely- i let a friend play through my edp the other
night- i had to show him the basic footswitch modes, but he was off &
running in no time and came up with some pretty wild and musical
stuff...i think the basics of playing in time with your loops (and with
others), and just being creative make the most difference...of course
someone who has that down AND knows their tools inside & out can really
do some amazing shite- there seem to be lots of those kind of folks on
this list!

lance g.

ps i'm going to the partch shindig tomorrow. wish we had those LD
t-shirts...

:-)

From Loopers-Delight-request@loopers-delight.com  Fri May 25 10:53:05 2001
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Date: Fri, 25 May 2001 10:49:06 EDT
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PLEASE

From Loopers-Delight-request@loopers-delight.com  Fri May 25 10:56:12 2001
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Date: Fri, 25 May 2001 10:53:11 EDT
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can someone tell me how to get off this list.
thank you

From Loopers-Delight-request@loopers-delight.com  Fri May 25 11:04:54 2001
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Date: Fri, 25 May 2001 16:01:45 +0100
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To quote the immortal line from a Japanese series I can't remember but was
taglined at the end of Mystery Science Theater 3000: "You're stuck here!"

Happy Towel Day everyone.  http://www.towelday.org

S.

----- Original Message -----
From: <Kntrabnd@aol.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: 25 May 2001 15:49 PM
Subject: unsubscribe me


> PLEASE
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Fri May 25 12:34:26 2001
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CHECK IT OUT IF YOU ARE IN LA THIS WEEKEND.  STARTS TODAY
BRAD

http://www.synthcon.com

From Loopers-Delight-request@loopers-delight.com  Fri May 25 14:23:46 2001
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Kntrabnd@aol.com wrote:
> 
> can someone tell me how to get off this list.
> thank you

From Loopers-Delight-request@loopers-delight.com  Fri May 25 14:26:21 2001
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        A precious Hello to all Loopers,


Loopers Delight is a great Forum for everybody who is busy in various forms
of looping.
A real great network,where I got a lot of new ideas from.From a technical
side the same
as from musical,music theory and so on.Really a great platform ! 

If not already realized(then please forget this tiny,stupid question),then
it could be another
fine thing,to make a catalogue for venues,wich are "well suited" for looping
artists of all kinds.
Maybe on festivals or "looping only" events.

In the US such a catalogue is already exisiting,but I would recommend,to
widden it up to Europe.
In Europe their is a small but tough looping community.And I guess in Japan
or Australia too.
So why not realize a "Map" for Live Loopers?
Besides such events,could also be a kind of conference about the newest
efforts in the scene.

For the region of Germany,where I live in,I know around 3 venues,wich are
openminded for looping
musicans.
So the Network could make it possible to have -for example- a Germany Tour
for an US-Looper.
If more US Loopers make together a Tour,it could be a big programme for a
show.Maybe also
with a "looping improvisation".......
This is just an example....

What I want to say is,to have a network,where virtuality changes to
Reality.The Looper Cracks
at a regional location could organize the event,connected to the upper
national Looper Ring,they
could arrange a "Germany Tour" for example.....

Wouldn´t it be great to listen to Matthias Grob on Tour,together with Claude
Voit and maybe me ?
hahahahaha......Just an idea ! 

And I mean really all kind of loopers.If you are guitarist,if you are DJ,if
you are a vocalist or just
the Capuccino Man who likes to loop his Coffeemashine.....

Could it be an idea ?


Marty















From Loopers-Delight-request@loopers-delight.com  Fri May 25 14:41:04 2001
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Stellar idea!

If I had any sites in London I'd let you know!

How about Amsterdam? :)

Stephen Goodman
http://www.earthlight.net/Gallery_Front.html - Cartoons & Illustrations
http://www.earthlight.net/Studios * The free Loop of the Week!
http://www.live365.com/stations/218194 * EarthLight Online / Live!

From Loopers-Delight-request@loopers-delight.com  Fri May 25 16:40:32 2001
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Hey loopkids,

Gotta 3 day weekend ahead of me and a $100 dollar gift certificate at
the Guitar Center (as if they sell much under a $100....)

and I was wondering about the Boss Dr. Sample SP-303.  I really like the
idea of being able to sample anywhere using it's battery feature.  (Pat
Mastelotto uses it a LOT on the ProjecKt X cd... a great cd imho)  Have
any of you used it?  Is it worth the $300?  Are there better?  Should I
save my cash and get something more real?  My main purpose is to sample
bits of media (movies, tv, self help tapes, ect...) and bring it into
the mix.

Mark

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Subject: Re: sample looper boss Dr. Sample SP-303 (?)
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I don't own one myself, but I've seen them used very effectively by people I've collaborated with and at shows. Their size really makes them attractive. Price is pretty good too...

-Miko

>>> sine@zerocrossing.net 05/25/01 01:37PM >>>
Hey loopkids,

Gotta 3 day weekend ahead of me and a $100 dollar gift certificate at
the Guitar Center (as if they sell much under a $100....)

and I was wondering about the Boss Dr. Sample SP-303.  I really like the
idea of being able to sample anywhere using it's battery feature.  (Pat
Mastelotto uses it a LOT on the ProjecKt X cd... a great cd imho)  Have
any of you used it?  Is it worth the $300?  Are there better?  Should I
save my cash and get something more real?  My main purpose is to sample
bits of media (movies, tv, self help tapes, ect...) and bring it into
the mix.

Mark


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I had one of these for a while. It has stereo RCA ins and outs, so it would
be easy to hook VCRs and tape decks into it and run the audio out to a
mixer. At first when I did this I was using the tape ins on the mixer/4
track/whatever, but really it's a better idea to get a cable that has dual
RCA on one end and dual 1/4" plugs on the other. That way you can plug into
two powered channels and have more control over the eq, levels, panning plus
effects and whatnot. If you're saving 100 bucks, you might want to spend
that money on a smart card fo rmore sample storage. If you stay in high
quality mode you run out of memory kinda fast, and you can play less stuff
at once, use less effects etc. If you're just looking to have good quality
one-shot samples at your fingertips, this isn't bad. As for the batteries...
Sorry to be a doomsayer but this thing eats AAs fast. Mine only took a few
hours to drain enough so that it wouldn't fully power up. Either buy a lot
of cheap ones or invest in a 9v wall wart. Don't just take my word for it
though, I only had mine a short while because I needed the cash back.

You might be able to find one for cheaper on ebay if you dig around, it
seems like a lot of people sold theirs. Whether you buy from the store or
try to find one used online, I'd definitely try it out in the store first.
Take a discman with a 1/8" to dual RCA cable and try sampling that way. If
they don't have it hooked up, make them do it. You have a right to hear
anything before you buy it. We don't have Guitar Center here so I'm not sure
what they're like to their customers. I'd try a few things out, but you may
be pleased with this little critter. And hey if you don't like it, you've
got the beginnings of a fund for a more high end sampler, right? Hope this
helped.

Jon

>
> Gotta 3 day weekend ahead of me and a $100 dollar gift certificate at
> the Guitar Center (as if they sell much under a $100....)
> > and I was wondering about the Boss Dr. Sample SP-303.  I really like the
> idea of being able to sample anywhere using it's battery feature.  (Pat
> Mastelotto uses it a LOT on the ProjecKt X cd... a great cd imho)  Have
> any of you used it?  Is it worth the $300?  Are there better?  Should I
> save my cash and get something more real?  My main purpose is to sample
> bits of media (movies, tv, self help tapes, ect...) and bring it into
> the mix.


From Loopers-Delight-request@loopers-delight.com  Fri May 25 18:05:59 2001
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  Marty, <smile>  -An absolutely super idea in my opinion!  I'm actually
getting another solo live loop performance together, so am also looking for
venues in my area.  Do you have any more info on the US version of that
catalog you mentioned?  

Smiles,

G

At 08:18 PM 5/25/01 +0200, you wrote:
>        A precious Hello to all Loopers,
>
>
>Loopers Delight is a great Forum for everybody who is busy in various forms
>of looping.
>A real great network,where I got a lot of new ideas from.From a technical
>side the same
>as from musical,music theory and so on.Really a great platform ! 
>
>If not already realized(then please forget this tiny,stupid question),then
>it could be another
>fine thing,to make a catalogue for venues,wich are "well suited" for looping
>artists of all kinds.
>Maybe on festivals or "looping only" events.
>
>In the US such a catalogue is already exisiting,but I would recommend,to
>widden it up to Europe.
>In Europe their is a small but tough looping community.And I guess in Japan
>or Australia too.
>So why not realize a "Map" for Live Loopers?
>Besides such events,could also be a kind of conference about the newest
>efforts in the scene.
>
>For the region of Germany,where I live in,I know around 3 venues,wich are
>openminded for looping
>musicans.
>So the Network could make it possible to have -for example- a Germany Tour
>for an US-Looper.
>If more US Loopers make together a Tour,it could be a big programme for a
>show.Maybe also
>with a "looping improvisation".......
>This is just an example....
>
>What I want to say is,to have a network,where virtuality changes to
>Reality.The Looper Cracks
>at a regional location could organize the event,connected to the upper
>national Looper Ring,they
>could arrange a "Germany Tour" for example.....
>
>Wouldn´t it be great to listen to Matthias Grob on Tour,together with Claude
>Voit and maybe me ?
>hahahahaha......Just an idea ! 
>
>And I mean really all kind of loopers.If you are guitarist,if you are DJ,if
>you are a vocalist or just
>the Capuccino Man who likes to loop his Coffeemashine.....
>
>Could it be an idea ?
>
>
>Marty
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>


---

  "The only things I really think are important, are love, and eachother.
-Then, anything is possible..."


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In a message dated 5/25/01 4:38:28 PM Eastern Daylight Time, 
sine@zerocrossing.net writes:


> ?  My main purpose is to sample
> bits of media (movies, tv, self help tapes, ect...) and bring it into
> the mix.
> 
> 

yipes!......who dosent want to do that?.....m

n.p. kevin miller's "km stuff for mk".....ouch, gotta luv it!

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>In a message dated 5/25/01 4:38:28 PM Eastern Daylight Time, 
<BR>sine@zerocrossing.net writes:
<BR>
<BR>
<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">? &nbsp;My main purpose is to sample
<BR>bits of media (movies, tv, self help tapes, ect...) and bring it into
<BR>the mix.
<BR>
<BR></BLOCKQUOTE>
<BR>
<BR>yipes!......who dosent want to do that?.....m
<BR>
<BR>n.p. kevin miller's "km stuff for mk".....ouch, gotta luv it!</FONT></HTML>

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From Loopers-Delight-request@loopers-delight.com  Fri May 25 23:05:34 2001
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From: "Devious D_MasterMixer" <dj_devious_d@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: sample looper boss Dr. Sample SP-303 (?)
Date: Sat, 26 May 2001 03:01:19 
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<html><DIV>
<P><FONT face="Arial Black, Geneva, Arial, Sans-serif">By gosh young man, buy it (after you tried it...) I was gonna get one of these, but I opted to get Sonic Foundry Acid 3.0 (ok, it was $99.00, but my sampling needs are a little bit different).</FONT></P>
<P><FONT face="Arial Black">I do have the SP-202, and it is just dandy with me. I do like the sequencing function on the SP-303, and the extended effects, but $299.99 is a bit out of my league (well, until I start back to work). Yea, get that Smart card (it can use up to 64 megs, which is really sweet !).</FONT><BR><BR></P></DIV>
<DIV></DIV>
<DIV></DIV>----Original Message Follows---- 
<DIV></DIV>From: Mark Sottilaro <SINE@ZEROCROSSING.NET>
<DIV></DIV>Reply-To: Loopers-Delight@loopers-delight.com 
<DIV></DIV>To: Loopers-Delight@loopers-delight.com 
<DIV></DIV>Subject: sample looper boss Dr. Sample SP-303 (?) 
<DIV></DIV>Date: Fri, 25 May 2001 13:37:23 -0700 
<DIV></DIV>
<DIV></DIV>Hey loopkids, 
<DIV></DIV>
<DIV></DIV>Gotta 3 day weekend ahead of me and a $100 dollar gift certificate at 
<DIV></DIV>the Guitar Center (as if they sell much under a $100....) 
<DIV></DIV>
<DIV></DIV>and I was wondering about the Boss Dr. Sample SP-303. I really like the 
<DIV></DIV>idea of being able to sample anywhere using it's battery feature. (Pat 
<DIV></DIV>Mastelotto uses it a LOT on the ProjecKt X cd... a great cd imho) Have 
<DIV></DIV>any of you used it? Is it worth the $300? Are there better? Should I 
<DIV></DIV>save my cash and get something more real? My main purpose is to sample 
<DIV></DIV>bits of media (movies, tv, self help tapes, ect...) and bring it into 
<DIV></DIV>the mix. 
<DIV></DIV>
<DIV></DIV>Mark 
<DIV></DIV>
<DIV></DIV><br clear=all><hr>Get your FREE download of MSN Explorer at <a href="http://explorer.msn.com">http://explorer.msn.com</a><br></p></html>

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katy has an e-mail address so if you have any ideas for her, please let her 
know,
chienie@hotmail.com .....thanks for your indulgence.....this will be may last 
post on this topic, sorry to be so off topic but you all are my only 
international buddies.....michael   


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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>katy has an e-mail address so if you have any ideas for her, please let her 
<BR>know,
<BR>chienie@hotmail.com .....thanks for your indulgence.....this will be may last 
<BR>post on this topic, sorry to be so off topic but you all are my only 
<BR>international buddies.....michael   
<BR></FONT></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sun May 27 09:11:40 2001
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Date: Sun, 27 May 2001 09:08:11 -0400
Subject: Re: More EDP questions for Andy
From: Steve Sandberg <stevesandberg@earthlink.net>
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> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

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Andy --
Thanks so much for all your replies to my EDP questions.  I really
appreciate them -- especially because I really like the EDP and in a short
time it's become an essential part of what I'm doing musically.
I haven't had a chance to have someone come and reseat the chips yet -- I'll
do it when this weekend is over.  Meanwhile, the EDP did one thing it's not
done yet -- I had a loop recorded and the EDP was in mute mode.  After a few
minutes, it went out of mute mode by itself, played the loop for a bit, then
stopped.  when I looked at the front panel, it was back in that "LOOP 3"
eternal cycle display.
Could this be an indication of something else wrong with it than just loose
memory chips?  And should I perhaps send it into Gibson or wherever I send
it for factory repairs? (I'd rather not, since I'm working with it every
day).
My other question is , all this is
making me nervous.  I'm going to be doing quite a bit of performing with it
and was wondering if there is anything I can do to make it more stable --
another way of securing the chips, perhaps?  I'm actually considering
getting a boomerang or line 6 for backup, though I'd rather not.  Any
suggestions?
thanks again for your quick replies to my questions --
Best, Steve




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<HTML>
<HEAD>
<TITLE>Re: More EDP questions for Andy</TITLE>
</HEAD>
<BODY>
<FONT SIZE=3D"4">Andy --<BR>
Thanks so much for all your replies to my EDP questions. &nbsp;I really<BR>
appreciate them -- especially because I really like the EDP and in a short<=
BR>
time it's become an essential part of what I'm doing musically.<BR>
I haven't had a chance to have someone come and reseat the chips yet -- I'l=
l<BR>
do it when this weekend is over. &nbsp;Meanwhile, the EDP did one thing it'=
s not<BR>
done yet -- I had a loop recorded and the EDP was in mute mode. &nbsp;After=
 a few<BR>
minutes, it went out of mute mode by itself, played the loop for a bit, the=
n<BR>
stopped. &nbsp;when I looked at the front panel, it was back in that &quot;=
LOOP 3&quot;<BR>
eternal cycle display.<BR>
Could this be an indication of something else wrong with it than just loose=
<BR>
memory chips? &nbsp;And should I perhaps send it into Gibson or wherever I =
send<BR>
it for factory repairs? (I'd rather not, since I'm working with it every<BR=
>
day).<BR>
My other question is , all this is<BR>
making me nervous. &nbsp;I'm going to be doing quite a bit of performing wi=
th it<BR>
and was wondering if there is anything I can do to make it more stable --<B=
R>
another way of securing the chips, perhaps? &nbsp;I'm actually considering<=
BR>
getting a boomerang or line 6 for backup, though I'd rather not. &nbsp;Any =
suggestions?<BR>
thanks again for your quick replies to my questions --<BR>
Best, Steve<BR>
<BR>
<BR>
</FONT>
</BODY>
</HTML>


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Re: More EDP questions for AndyGet a Repeater instead.
  -----Original Message-----
  From: Steve Sandberg [mailto:stevesandberg@earthlink.net]
  Sent: Sunday 27 May 2001 6:08 AM
  To: Loopers-Delight@loopers-delight.com
  Subject: Re: More EDP questions for Andy


  another way of securing the chips, perhaps?  I'm actually considering
  getting a boomerang or line 6 for backup, though I'd rather not.  Any =
suggestions?

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD><TITLE>Re: More EDP questions for Andy</TITLE>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 5.50.4613.1700" name=3DGENERATOR></HEAD>
<BODY>
<DIV><FONT face=3DTahoma color=3D#0000ff size=3D2><SPAN =
class=3D600395814-27052001>Get a=20
Repeater instead.</SPAN></FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px =
solid">
  <DIV class=3DOutlookMessageHeader dir=3Dltr align=3Dleft><FONT =
face=3DTahoma=20
  size=3D2>-----Original Message-----<BR><B>From:</B> Steve Sandberg=20
  [mailto:stevesandberg@earthlink.net]<BR><B>Sent:</B> Sunday 27 May =
2001 6:08=20
  AM<BR><B>To:</B> =
Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> Re:=20
  More EDP questions for Andy<BR><BR></FONT></DIV><FONT size=3D4>another =
way of=20
  securing the chips, perhaps? &nbsp;I'm actually considering<BR>getting =
a=20
  boomerang or line 6 for backup, though I'd rather not. &nbsp;Any=20
suggestions?</BLOCKQUOTE></FONT></BODY></HTML>

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> If not already realized(then please forget this tiny,stupid question),then
> it could be another
> fine thing,to make a catalogue for venues,wich are "well suited" for looping
> artists of all kinds.
> Maybe on festivals or "looping only" events.

This is a great idea, though the only problem (and I guess it's to your credit that you are this optomistic), is that to loop
or not to loop is not often the question, it's whether or not you're any good... I've been booked into quite a few venues
that have never had loopers before because they like what I do, and bypassed by some other loop-friendly venues who obviously
don't like what I do...

this 'ere wonderful looping community contains such a diffuse rabble of experimental music makers, from full on
noise-merchants to nice melodic jazzy people, ambient soundscapists to Rick Walker and his day-glo plastic mastery...

What is great, and is already on the site, is the directory of loopers - which means you can hopefully find music by most of
the guys on list - and also the range of contacts that are made on list anyway. Via this list, I've managed to get gigs in
Northern California, and Stephen Goodman was able to play at a festival here in London after coming to see me play at a venue
and getting the details about upcoming events at the time... the networking is happening... :o)

I'm not trying to dampen any enthusiasm, and anyone who knows of venues that would be up for booking a solo bass looper, do
let me know! But do be aware that just cos the Knitting Factory loves Stig or DT, they might not get off on Joe Schmoe and
his DL4-belching-and-farting show :o)

maybe I'm just stating the obvious and sounding like a kill joy - I hope not, that's wasn't my intention... :o)

Steve
web-site - www.steve-lawson.co.uk
e-mail - steve@steve-lawson.co.uk
mailing list - steve-lawson-subscribe@listbot.com (send a blank e-mail to this address)

"Nothing worth having comes without some kind of fight,
You've got to kick at the darkness till it bleeds daylight"
- Bruce Cockburn


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Re: More EDP questions for AndyThe most clever solution....I agree ! ! !
  ----- Original Message -----=20
  From: J. Miranda V.=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Sunday, May 27, 2001 5:00 PM
  Subject: RE: More EDP questions for Andy


  Get a Repeater instead.
    -----Original Message-----
    From: Steve Sandberg [mailto:stevesandberg@earthlink.net]
    Sent: Sunday 27 May 2001 6:08 AM
    To: Loopers-Delight@loopers-delight.com
    Subject: Re: More EDP questions for Andy


    another way of securing the chips, perhaps?  I'm actually =
considering
    getting a boomerang or line 6 for backup, though I'd rather not.  =
Any suggestions?

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<HTML><HEAD><TITLE>Re: More EDP questions for Andy</TITLE>
<META http-equiv=3DContent-Type content=3D"text/html; =
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<DIV><FONT face=3DArial size=3D2>The most clever solution....I agree ! ! =

!</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dgnominus@earthling.net =
href=3D"mailto:gnominus@earthling.net">J.=20
  Miranda V.</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Sunday, May 27, 2001 5:00 =
PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RE: More EDP questions =
for=20
  Andy</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DTahoma color=3D#0000ff size=3D2><SPAN =
class=3D600395814-27052001>Get=20
  a Repeater instead.</SPAN></FONT></DIV>
  <BLOCKQUOTE=20
  style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px =
solid">
    <DIV class=3DOutlookMessageHeader dir=3Dltr align=3Dleft><FONT =
face=3DTahoma=20
    size=3D2>-----Original Message-----<BR><B>From:</B> Steve Sandberg=20
    [mailto:stevesandberg@earthlink.net]<BR><B>Sent:</B> Sunday 27 May =
2001 6:08=20
    AM<BR><B>To:</B> <A=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A><BR><B>Subject:</B>=20
    Re: More EDP questions for Andy<BR><BR></FONT></DIV><FONT =
size=3D4>another way=20
    of securing the chips, perhaps? &nbsp;I'm actually =
considering<BR>getting a=20
    boomerang or line 6 for backup, though I'd rather not. &nbsp;Any=20
  suggestions?</BLOCKQUOTE></BLOCKQUOTE></FONT></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sun May 27 16:07:49 2001
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Subject: Boss Loop Sampler RC 20?
Date: Sun, 27 May 2001 21:16:58 +0200
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Hi folks,

although not really new to this list this is my first official post 8). =
Does anybody have any hands-on experience with the Boss RC 20 (or =
whatever it is called like)? Seems to be an interesting alternative to =
an EDP or a Repeater, primarily because of its price. Is it as easy an =
intuitively to handle as a Jam Man? Or is it just a tool that -- in its =
application -- is more or less aimed at DJs and that kinda stuff? Can I =
make use of the whole loop time available, or do I have to chop up these =
5.30 minutes into smaller bits?

Anyway, any recommendation for or against it is welcome. I=B4m fed up =
with waiting for an affordable Echoplex, let alone a Repeater. TIA,

Stephen.

PS: If anybody cares to know what kind of music I=B4m busy with, check =
www.nodular.de
Thanks for looking.

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</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Hi folks,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>although not really new to this list =
this is my=20
first official post 8). Does anybody have any hands-on experience with =
the Boss=20
RC 20 (or whatever it is called like)? Seems to be an interesting =
alternative to=20
an EDP or a Repeater, primarily because of its price. Is it as easy an=20
intuitively to handle as a Jam Man? Or is it just a tool that -- in its=20
application -- is more or less aimed at DJs and that kinda stuff? Can I =
make use=20
of the whole loop time available, or do I have to chop up these 5.30 =
minutes=20
into smaller bits?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Anyway, any recommendation for or =
against it is=20
welcome. I=B4m fed up with waiting for an affordable Echoplex, let alone =
a=20
Repeater. TIA,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Stephen.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>PS: If anybody cares to know what kind =
of music I=B4m=20
busy with, check <A =
href=3D"http://www.nodular.de">www.nodular.de</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Thanks for =
looking.</FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sun May 27 16:57:41 2001
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Looking for tape cartridge univox EC80-A Tc-1
Can anybody help?  me thank you.  =20

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<DIV><FONT face=3DArial>Looking for tape cartridge univox&nbsp;EC80-A=20
Tc-1</FONT></DIV>
<DIV><FONT face=3DArial><FONT size=3D2>Can anybody help?</FONT><FONT =
size=3D3>&nbsp;=20
me thank you.&nbsp; &nbsp;</FONT></FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sun May 27 18:02:16 2001
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Date: Sun, 27 May 2001 14:59:38 -0700
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Subject: Re: Boss Loop Sampler RC 20?
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I'm still looking for an LD'er to give the RC-20 a good review, but in the
mean time I have put up a section at the web site about it:

http://www.loopers-delight.com/tools/RC20/boss-rc20.html

That will at least lead you to past discussion about the RC-20 on this list
and some other places, and any other info I could dig up.

It seems to me the Boss RC-20 is more in competition with the line6 DL-4
and the Boomerang, not the repeater or EDP. It certainly isn't intended for
DJ's, since it is a footpedal. Whether that makes it good for
guitarists/bassists/etc vs. the competition I can't say, cause I'm still
waiting for somebody to do that review!

kim


At 12:16 PM -0700 5/27/01, wavecomputer360@gmx.de wrote:
>    Hi folks,   although not really new to this list this is my  first
>official post 8). Does anybody have any hands-on experience with the Boss
>RC 20 (or whatever it is called like)? Seems to be an interesting
>alternative to  an EDP or a Repeater, primarily because of its price. Is
>it as easy an  intuitively to handle as a Jam Man? Or is it just a tool
>that -- in its  application -- is more or less aimed at DJs and that kinda
>stuff? Can I make use  of the whole loop time available, or do I have to
>chop up these 5.30 minutes  into smaller bits?   Anyway, any
>recommendation for or against it is  welcome. I´m fed up with waiting for
>an affordable Echoplex, let alone a  Repeater. TIA,   Stephen.   PS: If
>anybody cares to know what kind of music I´m  busy with, check
><http://www.nodular.de>www.nodular.de Thanks for looking.


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com


From Loopers-Delight-request@loopers-delight.com  Sun May 27 18:15:06 2001
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Subject: Re: More EDP questions for Andy
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At 6:08 AM -0700 5/27/01, Steve Sandberg wrote:
> I haven't had a chance to have someone come and reseat the chips yet -- I'll
> do it when this weekend is over.  Meanwhile, the EDP did one thing it's not
> done yet -- I had a loop recorded and the EDP was in mute mode.  After a few
> minutes, it went out of mute mode by itself, played the loop for a bit, then
> stopped.  when I looked at the front panel, it was back in that "LOOP 3"
> eternal cycle display.
> Could this be an indication of something else wrong with it than just loose
> memory chips?  

that is almost certainly the exact same problem. That's what it does when
there is a problem with the memory contacts. Get it fixed, and you
shouldn't have to worry about it anymore.

kim

______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com


From Loopers-Delight-request@loopers-delight.com  Sun May 27 18:26:23 2001
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I would think the repeater would be prone to the exact same sort of
problem, at least with the flash card connector and any jacks at the back.

dirty and loose contacts happen. It can be pots, switches, rear panel
jacks, internal cable connectors, socketed IC's, memory module connectors,
etc. They can all develop the same problem. if you are moving any
electronic gear around, taking it to smokey clubs, through different
temperatures, different humidities, etc., you will eventually experience
this. Learning to do basic electronics maintenance is a good idea.

kim


>    Get a  Repeater instead.
>
>   -----Original Message-----
>From: Steve Sandberg    [mailto:stevesandberg@earthlink.net]
>Sent: Sunday 27 May 2001 6:08    AM
>To: Loopers-Delight@loopers-delight.com
>Subject: Re:    More EDP questions for Andy
>
>another way of    securing the chips, perhaps?  I'm actually considering
>getting a    boomerang or line 6 for backup, though I'd rather not.  Any
>suggestions?


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com


From Loopers-Delight-request@loopers-delight.com  Sun May 27 18:49:21 2001
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http://www.werk.fm/OPINION/reviewbin/cycloops.html



From Loopers-Delight-request@loopers-delight.com  Sun May 27 23:40:22 2001
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From: Scott Carr <scott@tapehissrecordings.com>
Organization: Tapehiss Recordings
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Hello all,

In case I haven't gotten a chance to send an e-mail to you individually
- scott@tapehissrecordings.com is my new e-mail address.

Hope you're having a good weekend + a great holiday if it is one where
you are.

Scott
-- 
~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%
  Visit the the home of Hebephrenic, The Hot Buttered Elves, & Sunshine

                     http://www.tapehissrecordings.com

         and our sites at the worlds largest online cut-out bin

                    http://mp3.com/hotbutteredelves
                      http://mp3.com/hebephrenica
                    http://mp3.com/sunshineallthetime
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From Loopers-Delight-request@loopers-delight.com  Mon May 28 01:07:32 2001
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From: "omjn" <eightohm@iinet.net.au>
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Subject: fx loop expander
Date: Mon, 28 May 2001 13:04:34 +0800
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hi

I remember someone saying something a while ago about an fx loop expander in
a thread about speaker selectors.  I stumbled across this and thought it
might be of interest.  never heard of the company, but they also make midi
foot controllers and a bunch of other miscellaneous stuff.

http://www.nobels.com/english.htm

cheers
omjn

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From: "Rick Walker (loop.pool)" <GLOBAL@cruzio.com>
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Subject: Re: LOOPERS NETWORK  and a renewed LOOPING FESTIVAL CALL TO ARMS!!!
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To Everyone at Loopers Delight,

The idea of a Loopers Network is a great idea.    This is what we've been
trying to do, to the best of our ability in
Northern California area, by first creating a series of Regional Looping
Festivals.   I've produced 5 now in Santa Cruz (including the
world's first solo bass looping festival), 2 in Big Sur and instigated and
participated in one in Mountain View (thanks Robert Edgar and Jon
Wagner).

My thinking has been to create some high profile (to the media, at least)
specific looping events to create the conciousness in the musical
community of the emergence and legitmacy of live looping as a viable new
artform.   We are, currently, a fairly long way away from
producing shows that will generate much income for this emergent form.
Indeed, in Santa Cruz, I have convinced local venues
to put shows on for free, just so that we can spread the word and actually
have performances so that our live shows can mature and
evolve (rather difficult in the gentrified dot.com madness of raised rents
and disappearing live music venues here in the bay area(s).

Most people still don't know what looping is, so I think a little bit of
aggressive Looping Evangelism is in order before we can create a
successful Loopers Network.   Even when we can get people to our shows (it's
gone form 25 people to 200 people at the most) a lot of people frequently
think that I am just triggering prerecorded samples at some of my shows.
Inspired by Jon Wagner at the 1st Mountain View Looping Festival,  I have
started to include a formal looping instructional presentation
in each of my shows (outside of Santa Cruz, where looping is an already
established phenomena) just to help educate people about what is going on.
I thought this kind of 'educational' approach would put audiences off, but I
have found, especially if you can involve them
in the process (try getting them to hiss rhythmically and loop it), that
people actually really dig it.

Santa Cruz should remain on anyone's map from outside of the Northern
California region for looping touring.  The Worlds' First Solo Bass Looping
Festival had it's genesis in Steve Lawson's approaching me for a simple gig
on his tour from England.    I will always do my best to try to put on some
kind of a show for someone travelling through the area (and pair you with a
good S.C. looper to help increase the 'draw' of the show. There are even
looping artists in town (I think, specifically, of Papa Dave, who have
mentioned the possibility of house concerts).  There is going to be very
little money or no money at all in such a venture, so anyone wanting to take
me up on this offer
will need realize this from the get go.  Anyone interested can send me a CD
of their material to start the ball rolling:

412 Darwin Street
Santa Cruz, California
95062-26292

In the meantime,  I think we should all think seriously about gathering
three loopers (including from outlying areas) and putting on our
own Regional Looping Festivals.   Convincing a local progressive coffee shop
or bookstore or small club that you could bring in
25-50 patrons on one of thier off nights by throwing a 'FREE TO THE PUBLIC'
looping festival is, generally, speaking , not too difficult.
You then,  have the ability to go sell the idea to the local print and radio
media (don't forget appropriate pirate radio stations and internet
radio stations).   I have frequently been able to actually go on the air and
perform a little, as a way of promoting an upcoming show.
All media loves the idea of something new.........and it generally really
piques their interest when they find out the
the musicians are 'tithing' their performances to the community.
The worst thing that can happen is that the world gets closer to knowing
about what we have all discovered, here on Loopers Delight

Please consider me a resource if anyone needs advice or encouragement about
producing their own show.

Yours,   in the love of looping and 'putting it out there',     Rick Walker
(aka, loop.pool)

P.S.   How are plans coming for upcoming Looping Festivals in Wales, London
(Steve Lawson and Stephen Goodman, you only need
one more looper for your first festival ;-),  Dallas , Austin,  Portland and
Seattle (all places that have loopers who have considered such madness.
If these places all happen (and I'm trying my damndest to add San Francisco,
Berekely, Marin County, Santa Clara, San Jose, Tehapchipi, Bakersfield and
San Luis Obispo to the list) in the next six months, that would create a lot
of attention POR LA CAUSA, TOUT LE MONDE, NICHT WAHR?    And, speaking of
that devil,  welcome German Loopers!!!!  Glad to hear you representing, in
the house!!!
I'd love to hear your music.  An exchange, perhaps?




From Loopers-Delight-request@loopers-delight.com  Mon May 28 09:52:14 2001
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From: "Bill Fox" <billfox@fast.net>
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Subject: EMUSIC Playlist #218
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EMUSIC, an electronic, ambient, and space music show, airs each Thursday
at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA and 93.9 FM in
Easton, PA and Phillipsburg, NJ.

                    Show #218                    May 24, 2001.


RECAP:
On this show, I continued the month-long focus on the Jodrell Bank Concert
series in the UK.  The feature CD at midnight was the disc by Paul Nagle
from the Neu Harmony six CDR set, Concerts at Jodrell Bank.

Jodrell Bank Concerts
http://wdiyfm.org/emusic/playlists/2001/focus01.html#may


PLAYLIST:

ARTIST                  TRACK                    ALBUM (label)
======================= ======================== ==============================
11:04 pm
Cyber Zen Sound Engine  Beholed the Spirit       CDR from CZSE (none)
J. Arif Verner          An Infinite Moment       Through the Timeless (Spotted
Peccary)
Tranquillity            Overtones                Core (Invisible Shadows)
Ian Boddy, Markus       Triptych: First Image    Triptych (DiN)
Reuter & Nigel Mullaney
Mother Mallard's        Oleo Strut               Like a Duck to Water
(Cuneiform)
Portable Masterpiece Co.
Larry Gaab              Peripheral Visions       Peripheral Visions (Morphosis
Music)
Matthew J. Harris       Ursa Major               Blind Cinema (none)
Jeff Pearce             A Farther Shore          The Light Beyond (Hypnos)

12:00 am
Paul Nagle              Careful with the Bass    Concerts at Jodrel Bank (Neu
Harmony)
                          Eugene
Paul Nagle              Twee Hugger              Concerts at Jodrel Bank (Neu
Harmony)
Paul Nagle              MFPE                     Concerts at Jodrel Bank (Neu
Harmony)
Paul Nagle              Rehash in Am             Concerts at Jodrel Bank (Neu
Harmony)
Paul Nagle              Dark Bastard             Concerts at Jodrel Bank (Neu
Harmony)
Paul Nagle              Gloom and a Prayer       Concerts at Jodrel Bank (Neu
Harmony)
Paul Nagle              Melloman                 Concerts at Jodrel Bank (Neu
Harmony)
Paul Nagle              Lurking                  Concerts at Jodrel Bank (Neu
Harmony)
Paul Nagle        Where did the Polymorph go? *  Concerts at Jodrel Bank (Neu
Harmony)

1:00 am

 * = exerpt
VA = Various Artists (compilation)


NEXT SHOW:
On the next EMUSIC, I'll conclude the month-long focus on the Jodrell Bank
concerts in the UK as typified by the six CDR release from Neu Harmony.  The
feature CD at midnight will be the disc by Under the Dome.

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At 5:43 PM -0400 5/24/01, Liebig, Steuart A. wrote:
>yeah. a friend told me about the partch deal - - i'm, "hey i can't 
>go,i'm playing" . . .

There are some daytime events, starting at 10 AM.
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

From Loopers-Delight-request@loopers-delight.com  Mon May 28 12:43:02 2001
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Date: Mon, 28 May 2001 09:35:51 -0700
From: Richard Zvonar <zvonar@zvonar.com>
Subject: Re: LOOPING FESTIVAL CALL TO ARMS!!!
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At 2:58 AM -0700 7/28/01, Rick Walker (loop.pool) wrote:

>My thinking has been to create some high profile (to the media, at 
>least) specific looping events to create the conciousness in the 
>musical community of the emergence and legitmacy of live looping as 
>a viable new artform...I think we should all think seriously about 
>gathering three loopers (including from outlying areas) and putting 
>on our own Regional Looping Festivals.

Yesterday was the first anniversary party for the Los Angeles chapter 
of American Composers Forum. One topic of discussion was how to 
involve exponents of Electronica, DJ, Looping, etc. We're interested 
in collaborating with presenters in Los Angeles area, and we're 
hoping to put together a festival sometime in the coming years. Our 
organization is well-established on a national level, with a number 
of programs, our own CD label, etc.

Check out our Web site:

http://www.composers.la/

Also the main ACF site:

http://www.composersforum.org/
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz
--============_-1221054429==_ma============
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<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: LOOPING FESTIVAL CALL TO
ARMS!!!</title></head><body>
<div>At 2:58 AM -0700 7/28/01, Rick Walker (loop.pool) wrote:</div>
<div><br></div>
<blockquote type="cite" cite>My thinking has been to create some high
profile (to the media, at least) specific looping events to create the
conciousness in the musical community of the emergence and legitmacy
of live looping as a viable new artform...I think we should all think
seriously about gathering three loopers (including from outlying
areas) and putting on our own Regional Looping Festivals.</blockquote>
<div><br></div>
<div>Yesterday was the first anniversary party for the Los Angeles
chapter of American Composers Forum. One topic of discussion was how
to involve exponents of Electronica, DJ, Looping, etc. We're
interested in collaborating with presenters in Los Angeles area, and
we're hoping to put together a festival sometime in the coming years.
Our organization is well-established on a national level, with a
number of programs, our own CD label, etc.</div>
<div><br></div>
<div><tt>Check out our Web site:</tt></div>
<div><tt><br></tt></div>
<div><tt>http://www.composers.la/</tt></div>
<div><tt><br></tt></div>
<div><tt>Also the main ACF site:</tt></div>
<div><tt><br></tt></div>
<div><tt>http://www.composersforum.org/</tt></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div><br>
______________________________________________________________<br>
Richard Zvonar, PhD<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><br>
(818) 788-2202<x-tab>&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </x-tab><br>
http://www.zvonar.com<br>
http://RZCybernetics.com</div>
<div>http://www.cybmotion.com/aliaszone</div>
<div>http://www.live365.com/cgi-bin/directory.cgi?autostart=rz</div>
</body>
</html>
--============_-1221054429==_ma============--

From Loopers-Delight-request@loopers-delight.com  Mon May 28 13:09:09 2001
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Subject: Re: LOOPING FESTIVAL CALL TO ARMS!!!
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Hi Richard,  creating consciousness about live looping is a very pragmatic 
proposal.  Indian music has/can have much looping, when used judiciously. 
Such Indian loops can be eminently suitable for jamming and World music, 
too.

My problem is: Which software will especially suit looping in Indian music?  
[Tanpura, tabla, fast, repetitive Sitar passages etc.]

Regards,
Haresh.


-------- Richard Zvonar wrote: -----------------------------------
>From: Richard Zvonar <zvonar@zvonar.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: LOOPING FESTIVAL CALL TO ARMS!!!
>Date: Mon, 28 May 2001 09:35:51 -0700
>
>At 2:58 AM -0700 7/28/01, Rick Walker (loop.pool) wrote:
>
>>My thinking has been to create some high profile (to the media, at
>>least) specific looping events to create the conciousness in the
>>musical community of the emergence and legitmacy of live looping as
>>a viable new artform...I think we should all think seriously about
>>gathering three loopers (including from outlying areas) and putting
>>on our own Regional Looping Festivals.
>
>Yesterday was the first anniversary party for the Los Angeles chapter
>of American Composers Forum. One topic of discussion was how to
>involve exponents of Electronica, DJ, Looping, etc. We're interested
>in collaborating with presenters in Los Angeles area, and we're
>hoping to put together a festival sometime in the coming years. Our
>organization is well-established on a national level, with a number
>of programs, our own CD label, etc.
>
>Check out our Web site:
>
>http://www.composers.la/
>
>Also the main ACF site:
>
>http://www.composersforum.org/
>--
>
>______________________________________________________________
>Richard Zvonar, PhD
>(818) 788-2202
>http://www.zvonar.com
>http://RZCybernetics.com
>http://www.cybmotion.com/aliaszone
>http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

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Re: LOOPING FESTIVAL CALL TO ARMS!!!Hi everybody,
this topic is an important one by my point of view.
i think one of the things we are missing beside the wonderful =
brainstorms we have in this deep and powerful list is the chance to meet =
each other and, more important, to "pollute" each other.
we can listen to each others' sounds on cds or audio files, but to see =
people perform live is another thing.
for me as european is sometimes sad to see how many things are happening =
in Us (well, i'm very happy for you who are in Us, but in those moments =
i feel the distance as a heavy thing)
a few months ago some guys organized an event in switzerland, i hadn't =
the chance to go there, but i know it has been an interesting =
experience.
i agree with rick when he says that looping (that means a different and =
open approach to music) is a sort of new "musical movement" we should do =
our best to introduce to people.
last year i did a "census" on LD between european residents (that is =
available for everyone would ask for it), so now i have an interesting =
collection of names from the whole europe.
now, what to do ?
unfortunately i don't have the chance to go further from there; in my =
area there is a poor situation regarding live music that is not played =
by very famous people of the so called mainstream or groups playing =
covers (again, of the so called ....).
i am organizing a small gtr festival on garda lake, this year it will be =
its 2nd edition.
each year there will be 6 different gtr players.
i am trying to make the public more and more familiar with a certain way =
of thinking and playing music balancing innovative musicians with some =
using more usual languages
last year we were in three loopers, one baroque, a fingerpicker and a =
blues player.
this year we will have 2 loopers, Mr. Hans Reichel, Mr.Duck Baker, a =
jazz player and Mr. Mike Cooper.
with this year i am trying to obtain a certain reputation so to have the =
chance to risk more with the next edition.

i hope this will drive us to the chance of making a looper/creative =
festival in the future.

all the best=20
luca




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<DIV><FONT face=3DArial size=3D2>Hi everybody,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>this topic is an important one by my =
point of=20
view.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>i think one of the things we are =
missing beside the=20
wonderful brainstorms we have in this deep and powerful list is the =
chance to=20
meet each other and, more important, to "pollute" each =
other.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>we can listen to each others' sounds on =
cds or=20
audio files, but to see people perform live is another =
thing.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>for me as european is sometimes sad to =
see how many=20
things are happening in Us (well, i'm very happy for you who are in Us, =
but in=20
those moments i feel the distance as a heavy thing)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>a few months ago some guys organized an =
event in=20
switzerland, i hadn't the chance to go there, but i know it has been an=20
interesting experience.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>i agree with rick when he says that =
looping (that=20
means a different and open approach to music) is a sort of new "musical=20
movement" we should do our best to introduce to people.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>last year i did a "census" on LD =
between european=20
residents (that is available for everyone would ask for it),&nbsp;so now =
i have=20
an interesting collection of names from the whole europe.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>now, what to do ?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>unfortunately i don't have the chance =
to go further=20
from there; in my area there is a poor situation regarding live music =
that is=20
not played by very famous people of the so called mainstream or groups =
playing=20
covers (again, of the so called ....).</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>i am organizing a small gtr festival on =
garda lake,=20
this year it will be its 2nd edition.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>each year there will be 6 different gtr =

players.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>i&nbsp;am trying to&nbsp;make =
the&nbsp;public more=20
and more familiar with a certain way of thinking and playing music =
balancing=20
innovative musicians with some using more usual languages</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>last year we were in three loopers, one =
baroque, a=20
fingerpicker and a blues player.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>this year we will have 2 loopers, Mr. =
Hans Reichel,=20
Mr.Duck Baker, a jazz player and Mr. Mike Cooper.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>with this&nbsp;year i am trying to =
obtain a certain=20
reputation so to have the chance to risk more&nbsp;with the next=20
edition.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>i hope this will drive us to the chance =
of making a=20
looper/creative festival in the future.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>all the best </FONT></DIV>
<DIV><FONT face=3DArial size=3D2>luca</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon May 28 16:19:23 2001
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Date: Mon, 28 May 2001 13:20:54 -0700
From: lance glover <baumhaus@earthlink.net>
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Subject: Re: R: LOOPING FESTIVAL - EUROPE
References: <200105271503.LAA26547@hemlock.violacea.com><00b201c1174b$e844e5e0$5441f93f@looppool> <p05100303b7382cba7280@[63.195.210.50]> <002d01c0e7aa$97741e40$bb83abd4@LucaFormentini>
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luca wrote:

> Hi everybody,this topic is an important one by my point of view.i
> think one of the things we are missing beside the wonderful
> brainstorms we have in this deep and powerful list is the chance to
> meet each other and, more important, to "pollute" each other.we can
> listen to each others' sounds on cds or audio files, but to see people
> perform live is another thing.for me as european is sometimes sad to
> see how many things are happening in Us (well, i'm very happy for you
> who are in Us, but in those moments i feel the distance as a heavy
> thing)a few months ago some guys organized an event in switzerland, i
> hadn't the chance to go there, but i know it has been an interesting
> experience.i agree with rick when he says that looping (that means a
> different and open approach to music) is a sort of new "musical
> movement" we should do our best to introduce to people.last year i did
> a "census" on LD between european residents (that is available for
> everyone would ask for it), so now i have an interesting collection of
> names from the whole europe.now, what to do ?unfortunately i don't
> have the chance to go further from there; in my area there is a poor
> situation regarding live music that is not played by very famous
> people of the so called mainstream or groups playing covers (again, of
> the so called ....).i am organizing a small gtr festival on garda
> lake, this year it will be its 2nd edition.each year there will be 6
> different gtr players.i am trying to make the public more and more
> familiar with a certain way of thinking and playing music balancing
> innovative musicians with some using more usual languageslast year we
> were in three loopers, one baroque, a fingerpicker and a blues
> player.this year we will have 2 loopers, Mr. Hans Reichel, Mr.Duck
> Baker, a jazz player and Mr. Mike Cooper.with this year i am trying to
> obtain a certain reputation so to have the chance to risk more with
> the next edition. i hope this will drive us to the chance of making a
> looper/creative festival in the future. all the bestluca

wow, luca!

hans reichel and duck baker on the same bill. now i'm beginning to feel
bummed for being in the states! actually, your points are very well
taken. it seems it takes a certain critical mass to get an audience to
investigate beyond more mainstream live events. one of the factors must
be economics. free (or cheap) shows and the like seem to be a good
strategy in this regard. also more unusual venues that might bring a
different audience in seem to make sense. my brother was just visiting
from norway and he had very much the same thing to say- he's the leader
of a gamelan orchestra in oslo, and it has been very difficult to keep
the momentum going, even after years and years of effort. apparently
there is a broad interest in musics outside the mainstream there, but
not quite enough to motivate people to leave their comfy homes and get
out to see it. much easier to buy a cd online or download an mp3...but i
think the seductive power of live music can get ahold of people and
shake them from their inertia. i think you're on the right track. keep
it up!

best,
lance g.



From Loopers-Delight-request@loopers-delight.com  Mon May 28 17:59:14 2001
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Subject: SV: LOOPING FESTIVAL - EUROPE
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Sounds great!
I'm europien myself and do mostly live shows, some 70-80 per year.
It works good, I mean looping and public relationship.
It depends on how you "take" the crowd.
How you build the program and stuff like that.
For me it works pretty good in Europe and Japan.

I'm going to play in NY in a week......let see how it
will work there.......nerves..

We Europian loopers better stick together!

Elias

    -----Ursprungligt meddelande-----
    Fr=E5n: luca <lucafeed@tin.it>
    Till: Loopers-Delight@loopers-delight.com =
<Loopers-Delight@loopers-delight.com>
    Datum: den 28 maj 2001 21:17
    =C4mne: R: LOOPING FESTIVAL - EUROPE
   =20
   =20
    Hi everybody,
    this topic is an important one by my point of view.
    i think one of the things we are missing beside the wonderful =
brainstorms we have in this deep and powerful list is the chance to meet =
each other and, more important, to "pollute" each other.
    we can listen to each others' sounds on cds or audio files, but to =
see people perform live is another thing.
    for me as european is sometimes sad to see how many things are =
happening in Us (well, i'm very happy for you who are in Us, but in =
those moments i feel the distance as a heavy thing)
    a few months ago some guys organized an event in switzerland, i =
hadn't the chance to go there, but i know it has been an interesting =
experience.
    i agree with rick when he says that looping (that means a different =
and open approach to music) is a sort of new "musical movement" we =
should do our best to introduce to people.
    last year i did a "census" on LD between european residents (that is =
available for everyone would ask for it), so now i have an interesting =
collection of names from the whole europe.
    now, what to do ?
    unfortunately i don't have the chance to go further from there; in =
my area there is a poor situation regarding live music that is not =
played by very famous people of the so called mainstream or groups =
playing covers (again, of the so called ....).
    i am organizing a small gtr festival on garda lake, this year it =
will be its 2nd edition.
    each year there will be 6 different gtr players.
    i am trying to make the public more and more familiar with a certain =
way of thinking and playing music balancing innovative musicians with =
some using more usual languages
    last year we were in three loopers, one baroque, a fingerpicker and =
a blues player.
    this year we will have 2 loopers, Mr. Hans Reichel, Mr.Duck Baker, a =
jazz player and Mr. Mike Cooper.
    with this year i am trying to obtain a certain reputation so to have =
the chance to risk more with the next edition.
   =20
    i hope this will drive us to the chance of making a looper/creative =
festival in the future.
   =20
    all the best=20
    luca
   =20
   =20


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<DIV><FONT size=3D2>Sounds great!</FONT></DIV>
<DIV><FONT size=3D2>I'm europien myself and do mostly live shows, some =
70-80 per=20
year.</FONT></DIV>
<DIV><FONT size=3D2>It works good, I mean looping and public=20
relationship.</FONT></DIV>
<DIV><FONT size=3D2>It depends on how you &quot;take&quot; the =
crowd.</FONT></DIV>
<DIV><FONT size=3D2>How you build the program and stuff like =
that.</FONT></DIV>
<DIV><FONT size=3D2>For me it works pretty good in Europe and =
Japan.</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>I'm going to play in NY in a week......let see how=20
it</FONT></DIV>
<DIV><FONT size=3D2>will work there.......nerves..</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>We Europian loopers better stick =
together!</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>Elias</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 solid 2px; MARGIN-LEFT: 5px; PADDING-LEFT: =
5px">
    <DIV><FONT face=3DArial size=3D2><B>-----Ursprungligt=20
    meddelande-----</B><BR><B>Fr=E5n: </B>luca &lt;<A=20
    href=3D"mailto:lucafeed@tin.it">lucafeed@tin.it</A>&gt;<BR><B>Till: =
</B><A=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
    &lt;<A=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>&gt;<BR><B>Datum:=20
    </B>den 28 maj 2001 21:17<BR><B>=C4mne: </B>R: LOOPING FESTIVAL -=20
    EUROPE<BR><BR></DIV></FONT>
    <DIV><FONT face=3DArial size=3D2>Hi everybody,</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>this topic is an important one by =
my point of=20
    view.</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>i think one of the things we are =
missing beside=20
    the wonderful brainstorms we have in this deep and powerful list is =
the=20
    chance to meet each other and, more important, to =
&quot;pollute&quot; each=20
    other.</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>we can listen to each others' =
sounds on cds or=20
    audio files, but to see people perform live is another =
thing.</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>for me as european is sometimes sad =
to see how=20
    many things are happening in Us (well, i'm very happy for you who =
are in Us,=20
    but in those moments i feel the distance as a heavy =
thing)</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>a few months ago some guys =
organized an event=20
    in switzerland, i hadn't the chance to go there, but i know it has =
been an=20
    interesting experience.</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>i agree with rick when he says that =
looping=20
    (that means a different and open approach to music) is a sort of new =

    &quot;musical movement&quot; we should do our best to introduce to=20
    people.</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>last year i did a =
&quot;census&quot; on LD=20
    between european residents (that is available for everyone would ask =
for=20
    it),&nbsp;so now i have an interesting collection of names from the =
whole=20
    europe.</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>now, what to do ?</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>unfortunately i don't have the =
chance to go=20
    further from there; in my area there is a poor situation regarding =
live=20
    music that is not played by very famous people of the so called =
mainstream=20
    or groups playing covers (again, of the so called =
....).</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>i am organizing a small gtr =
festival on garda=20
    lake, this year it will be its 2nd edition.</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>each year there will be 6 different =
gtr=20
    players.</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>i&nbsp;am trying to&nbsp;make =
the&nbsp;public=20
    more and more familiar with a certain way of thinking and playing =
music=20
    balancing innovative musicians with some using more usual=20
    languages</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>last year we were in three loopers, =
one=20
    baroque, a fingerpicker and a blues player.</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>this year we will have 2 loopers, =
Mr. Hans=20
    Reichel, Mr.Duck Baker, a jazz player and Mr. Mike =
Cooper.</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>with this&nbsp;year i am trying to =
obtain a=20
    certain reputation so to have the chance to risk more&nbsp;with the =
next=20
    edition.</FONT></DIV>
    <DIV>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>i hope this will drive us to the =
chance of=20
    making a looper/creative festival in the future.</FONT></DIV>
    <DIV>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>all the best </FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>luca</FONT></DIV>
    <DIV>&nbsp;</DIV>
    <DIV>&nbsp;</DIV>
    <DIV>&nbsp;</DIV></BLOCKQUOTE></BODY></HTML>

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Subject: Re: LOOPING FESTIVAL - EUROPE
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Re: LOOPING FESTIVAL CALL TO ARMS!!!Believe me Luca, if I had the money, =
you could count on me.

However, if you'd like some artwork done for a poster/flyer, let me =
know!

Stephen Goodman
http://www.earthlight.net/Gallery_Front.html - Cartoons & Illustrations
http://www.earthlight.net/Studios * The free Loop of the Week!
http://www.live365.com/stations/218194 * EarthLight Online / Live!

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<DIV><FONT color=3D#000080>Believe me Luca, if I had the money, you =
could count on=20
me.</FONT></DIV>
<DIV><FONT color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT color=3D#000080>However, if you'd like some artwork done for =
a=20
poster/flyer, let me know!</FONT></DIV>
<DIV><FONT color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT color=3D#000080>Stephen Goodman<BR><A=20
href=3D"http://www.earthlight.net/Gallery_Front.html">http://www.earthlig=
ht.net/Gallery_Front.html</A>=20
- Cartoons &amp; Illustrations<BR><A=20
href=3D"http://www.earthlight.net/Studios">http://www.earthlight.net/Stud=
ios</A> *=20
The free Loop of the Week!<BR><A=20
href=3D"http://www.live365.com/stations/218194">http://www.live365.com/st=
ations/218194</A>=20
* EarthLight Online / Live!</FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon May 28 19:17:18 2001
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Subject: Re: LOOPING FESTIVAL - EUROPE
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Re: LOOPING FESTIVAL CALL TO ARMS!!!Ciao Luca,
When's the festival?  Maybe I'll be back by then ( if not, then next =
year!)
That's Mike Cooper who lives and plays around Rome? =20
Saluti,
Bruce Comens

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<DIV><FONT face=3DArial size=3D2>Ciao Luca,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>When's the festival?&nbsp; Maybe I'll =
be back by=20
then ( if not, then next year!)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>That's Mike Cooper who lives and plays =
around=20
Rome?&nbsp; </FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Saluti,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Bruce Comens</FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon May 28 19:34:02 2001
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From: "Massimo Liverani" <massliv@dada.it>
To: <Loopers-Delight@loopers-delight.com>
References: <002201c0e7c1$0fbe2d80$455797d4@elias>
Subject: THE SOUNDING LANDSCAPES
Date: Tue, 29 May 2001 01:30:59 +0200
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Re: LOOPING FESTIVAL CALL TO ARMS!!!I'd like to put your attention to =
one of the first=20
looping & ambient music event in Florence (Italy):

Produzioni Parallele &  Modest but Honest productions are proud to =
present:

                         The writtenrock itinerary:=20
                        (Gli itinerari del Sassoscritto)

                        The sounding landscapes
                                (Paesaggi sonori)

- Sat. 9 June: Music for 3 looped guitars.=20
  With Massimo Liverani, Fabio Capanni, Massimo Fantoni.

The place is: 'GAVIGNANO' near Florence.=20

For further informations ( In italian) , maps etc etc : WWW.MBH.IT

                        Thanks for the attention!


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<META content=3Dtext/html;charset=3Dwindows-1251 =
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<BODY bgColor=3D#ffffff>
<DIV>I'd like to put&nbsp;your attention&nbsp;to one of the first </DIV>
<DIV>looping &amp; ambient music event in Florence (Italy):</DIV>
<DIV>&nbsp;</DIV>
<DIV><EM><FONT size=3D2>Produzioni Parallele &amp;&nbsp; Modest but =
Honest=20
productions are proud to present</FONT>:</EM></DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; =
&nbsp;&nbsp;&nbsp;=20
&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp; The =
writtenrock&nbsp;itinerary:=20
</DIV>
<DIV>&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; =
&nbsp;&nbsp;&nbsp;=20
&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; (Gli itinerari del =
Sassoscritto)</DIV>
<DIV>&nbsp;</DIV>
<DIV><EM><STRONG>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;=20
<FONT color=3D#0000ff>The sounding landscapes</FONT></STRONG></EM></DIV>
<DIV>&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; =
&nbsp;&nbsp;&nbsp;=20
&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; =
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
(Paesaggi sonori)</DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT size=3D4>- Sat. 9 June: Music for 3 looped guitars. =
</FONT></DIV>
<DIV>&nbsp; <FONT size=3D2>With Massimo Liverani, Fabio Capanni, Massimo =

Fantoni.</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV>The place is: 'GAVIGNANO' near Florence. </DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>For further informations ( In italian) , maps etc =
etc : <A=20
href=3D"http://www.MBH.IT">WWW.MBH.IT</A></FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><STRONG>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;=20
Thanks for the attention!</STRONG></DIV>
<DIV>&nbsp;</DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon May 28 20:11:54 2001
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From: "omjn" <eightohm@iinet.net.au>
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Subject: RE: LOOPING FESTIVAL - EUROPE
Date: Tue, 29 May 2001 08:09:44 +0800
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Re: LOOPING FESTIVAL CALL TO ARMS!!!for me as an australian, i can say I
feel much of the very same thing.

in empathy
omjn
  for me as european is sometimes sad to see how many things are happening
in Us (well, i'm very happy for you who are in Us, but in those moments i
feel the distance as a heavy thing)

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<DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN =
class=3D490320700-29052001>for me=20
as an australian, i can say I feel much of the very same=20
thing.</SPAN></FONT></DIV>
<DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN=20
class=3D490320700-29052001></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN =
class=3D490320700-29052001>in=20
empathy</SPAN></FONT></DIV>
<DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN=20
class=3D490320700-29052001>omjn</SPAN></FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px =
solid; MARGIN-RIGHT: 0px">
  <DIV class=3DOutlookMessageHeader dir=3Dltr align=3Dleft><FONT =
face=3DTahoma>
  <DIV><FONT size=3D2><FONT face=3DArial>for me as european is sometimes =
sad to see=20
  how many things are happening in Us (well, i'm very happy for you who =
are in=20
  Us, but in those moments i feel the distance as a heavy=20
  thing)</FONT>&nbsp;<SPAN class=3D490320700-29052001><FONT face=3DArial =

  =
color=3D#0000ff>&nbsp;&nbsp;</FONT></SPAN></FONT></FONT></DIV></DIV></BLO=
CKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon May 28 20:36:08 2001
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Date: Mon, 28 May 2001 20:35:18 -0400
Subject: Elias Faingersh gig
From: Steve Sandberg <stevesandberg@earthlink.net>
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> This message is in MIME format. Since your mail reader does not understand
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I'm going to play in NY in a week......let see how it
will work there.......nerves..
 
Where are you playing?


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will work there.......nerves..<BR>
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Where are you playing?<BR>
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From Loopers-Delight-request@loopers-delight.com  Mon May 28 23:44:23 2001
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From: "Bill Fox" <billfox@fast.net>
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Subject: Re: Elias Faingersh gig
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-----Original Message-----
From: Steve Sandberg <stevesandberg@earthlink.net>
To: Loopers-Delight@loopers-delight.com <Loopers-Delight@loopers-delight.com>
Date: Monday, May 28, 2001 8:37 PM
Subject: Elias Faingersh gig


>I'm going to play in NY in a week......let see how it
>will work there.......nerves..
>
>Where are you playing?

Steve beat me to the question.  I'm in the Allentown area which is about 2.5
hours from NYC.  Elias, what genre of music do you play?  If your NYC gig is on
the weekend, there is a (remote) possibility that I could be there.  Any loopers
in NYC willing to host an over night guest?

Bill         billfox@fast.net
http://wdiyfm.org/schedule/s_emusic.html
============================================================================
Host of EMUSIC, an electronic, ambient, and space music show.  Thursdays at
11 pm on WDIY 88.1 FM, Allentown and Bethlehem and 93.9 FM in Easton and
Phillipsburg.  Email me if you wish to submit music for airplay consideration.
Radio Station Home Page: http://wdiyfm.org
Personal site: http://www.users.fast.net/~billfox
To subscribe to the EMUSIC on WDIY list, send
email to: emusic-wdiy-subscribe@yahoogroups.com

From Loopers-Delight-request@loopers-delight.com  Tue May 29 00:06:17 2001
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Date: Mon, 28 May 2001 23:01:51 -0500
To: Loopers-Delight@loopers-delight.com
From: Michael Clark <mcl451@airmail.net>
Subject: Why Do People Send Posts In 6 Point (or less) Type?
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Hi,

Just a weird thing here.  Sorry.  I really enjoy the group.  Learn a lot.
But, some sometimes (sometimes too may) posts are in something like 6 point
type (the European Looping Thing - some of it). Too much of a hassle to try
to read.  Trash it.

My problem I know.

Though I would let everyone know.

Thanks,

M...

From Loopers-Delight-request@loopers-delight.com  Tue May 29 00:39:31 2001
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Michael Clark wrote:
>
> Just a weird thing here.  Sorry.  I really enjoy the group.  Learn a lot.
> But, some sometimes (sometimes too may) posts are in something like 6 point
> type (the European Looping Thing - some of it). Too much of a hassle to try
> to read.  Trash it.
>
> My problem I know.
>

It's not just your problem.  HTML email is a blight and scourge.
And, IMHO, there's no use for it on mailing lists such as this.

From Loopers-Delight-request@loopers-delight.com  Tue May 29 01:48:25 2001
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Subject: Re: Lloopp yn Gymru. 
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Re: LOOPING FESTIVAL CALL TO ARMS!!!Hi,
I'm playing in Chapter Arts, Cardiff on Wednesday.
Bezzarre geetarre, electric guitar, Djembe. Sort of tribal, ambient - the
power and the glory for ever and ever and ever and ever..........(till I
switch the loops off)
Must try to record it.

Gareth

lidoffadaffodil

From Loopers-Delight-request@loopers-delight.com  Tue May 29 01:56:30 2001
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Date: Mon, 28 May 2001 22:53:28 -0700 (PDT)
From: Bruce Satinover <x_bruce@yahoo.com>
Subject: re: Boss Loop Sampler RC 20?
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Stephen,

very nice samplings, hysteria and overtones were
particular favorites.

I co-host an internet radio show that I would like to
use your material on with permission. If acceptible
let me know where to find your music, CD or online.

I had a chance to buy the RC 20 but no one at the
Guitar Center I was at would let me audition it so I
passed and purchased a Boomerang + .

This is my first post to the list so I should
introduce myself but I'll do so in another post.

Bruce Satinover

__________________________________________________
Do You Yahoo!?
Yahoo! Auctions - buy the things you want at great prices
http://auctions.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Tue May 29 02:35:58 2001
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From: Bruce Satinover <x_bruce@yahoo.com>
Subject: introduction
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Hello,

my name is Bruce Satinover and this is my 2nd post
here, I figured it might be a good time for
introductions. I've been playing guitar for about 30
years and have finally taken up looping on the fly.
I've created loop based recordings for several years.

My background is way to long to discuss so I'll limit
it to what I'm doing now. My band, X Space, consists
of my keyboard player and me. I play 5 and 6 string
guitar, bass, synths and CD DJ equipment.

In a few weeks we are going to change our basic sound
as I work with a Line 6 DL-4 and Boomerang. I've read
the list for awhile and know there are mixed feelings
about the Rang but for the minimal time I've had it I
really love it. It's hooked to a submixer for vocals,
synths, bass and guitars.

I am co-principle in a not-for-profit OMD called
ArtistLaunch at http://www.artistlaunch.com . I
co-host "The Fringe Show" on Thursday evenings as
well. The band, show and site keep me pretty busy
although I've had a great time looping after wanting
to do so for years and never finding affordable tools
e.g. JamMan. After buying a Fernandes Revolver guitar
w/sustainer I figured it was a great time to get a
looper so here I am.

I've been trying to check out the Boss RC 20 as I'm
interested in having a couple of looper pedals and
although the DL-4 is a nice unit it's loop time is a
bit short for the music we do. I may return it if I
can find a RC 20 to demo (assuming I like it.)

Also, I would like to say how pleasant the folks at
Boomerang Musical Products have been. I asked a bunch
of questions pre sale and got answers quickly. My
transition to using the Rang was less than an hour.

Ok, probably more than you need to know about me,
thanks for reading,


Bruce
http://www.artistlaunch.com/bsmusic
http://www.artistlaunch.com/xspace

Bruce Satinover

__________________________________________________
Do You Yahoo!?
Yahoo! Auctions - buy the things you want at great prices
http://auctions.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Tue May 29 05:21:39 2001
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From: Andy Ewen <andy.ewen@trace-elliot.com>
To: Loopers-Delight@loopers-delight.com
Subject: RE: More EDP questions for Andy
Date: Tue, 29 May 2001 04:06:03 -0500
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Very brave words about a product that has yet to be used in anger.

-----Original Message-----
From: Italo De Angelis [mailto:italoop@libero.it]
Sent: 27 May 2001 17:02
To: gnominus@earthling.net; Loopers-Delight@loopers-delight.com
Subject: Re: More EDP questions for Andy


The most clever solution....I agree ! ! !

----- Original Message ----- 
From: J.  <mailto:gnominus@earthling.net> Miranda V. 
To: Loopers-Delight@loopers-delight.com
<mailto:Loopers-Delight@loopers-delight.com>  
Sent: Sunday, May 27, 2001 5:00 PM
Subject: RE: More EDP questions for Andy

Get a Repeater instead.

-----Original Message-----
From: Steve Sandberg [mailto:stevesandberg@earthlink.net]
Sent: Sunday 27 May 2001 6:08 AM
To: Loopers-Delight@loopers-delight.com
<mailto:Loopers-Delight@loopers-delight.com> 
Subject: Re: More EDP questions for Andy


another way of securing the chips, perhaps?  I'm actually considering
getting a boomerang or line 6 for backup, though I'd rather not.  Any
suggestions?


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<DIV><STRONG><SPAN class=330451109-29052001><FONT color=#800000>Very brave words 
about a product that has yet to be used in anger.</FONT></SPAN></STRONG></DIV>
<BLOCKQUOTE dir=ltr 
style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #800000 2px solid; MARGIN-RIGHT: 0px">
  <DIV class=OutlookMessageHeader dir=ltr align=left><FONT face=Tahoma 
  size=2>-----Original Message-----<BR><B>From:</B> Italo De Angelis 
  [mailto:italoop@libero.it]<BR><B>Sent:</B> 27 May 2001 17:02<BR><B>To:</B> 
  gnominus@earthling.net; Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> 
  Re: More EDP questions for Andy<BR><BR></FONT></DIV>
  <DIV><FONT face=Arial size=2>The most clever solution....I agree ! ! 
  !</FONT></DIV>
  <BLOCKQUOTE dir=ltr 
  style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
    <DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
    <DIV 
    style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><B>From:</B> 
    <A title=gnominus@earthling.net href="mailto:gnominus@earthling.net">J. 
    Miranda V.</A> </DIV>
    <DIV style="FONT: 10pt arial"><B>To:</B> <A 
    title=Loopers-Delight@loopers-delight.com 
    href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A> 
    </DIV>
    <DIV style="FONT: 10pt arial"><B>Sent:</B> Sunday, May 27, 2001 5:00 
PM</DIV>
    <DIV style="FONT: 10pt arial"><B>Subject:</B> RE: More EDP questions for 
    Andy</DIV>
    <DIV><BR></DIV>
    <DIV><FONT face=Tahoma color=#0000ff size=2><SPAN 
    class=600395814-27052001>Get a Repeater instead.</SPAN></FONT></DIV>
    <BLOCKQUOTE 
    style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px solid">
      <DIV class=OutlookMessageHeader dir=ltr align=left><FONT face=Tahoma 
      size=2>-----Original Message-----<BR><B>From:</B> Steve Sandberg 
      [mailto:stevesandberg@earthlink.net]<BR><B>Sent:</B> Sunday 27 May 2001 
      6:08 AM<BR><B>To:</B> <A 
      href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A><BR><B>Subject:</B> 
      Re: More EDP questions for Andy<BR><BR></FONT></DIV><FONT size=4>another 
      way of securing the chips, perhaps? &nbsp;I'm actually 
      considering<BR>getting a boomerang or line 6 for backup, though I'd rather 
      not. &nbsp;Any 
suggestions?</BLOCKQUOTE></BLOCKQUOTE></BLOCKQUOTE></FONT></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue May 29 05:21:41 2001
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To: Loopers-Delight@loopers-delight.com
Subject: RE: More EDP questions for Andy
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Hi,
I've come in late to this thread as we had a national holiday yesterday. Kim
has pretty much said what I would have done; all electronic stuff has the
potential for this type of failure, especially computer-based gear. This
latest fault is likely to be connected with the earlier ones and it is very
unlikely to be component failure. I look after all of the PCs and Laptops
here at Trace and I am often removing memory or peripheral cards, cleaning
them and replacing due to intermittent faults. These machines are far more
expensive than most bits of musical gear, and they never get moved anywhere!

After two years manufacture, we are very confident of the reliability of the
Echoplex and with the improvements in components introduced by us early last
year, the EDP is probably the least-likely to fail bit of kit we
manufacture.
Our core business is large Bass/Guitar amps which can have up to 10amps
across their outputs; the potential for catastrophic failure here, is huge.
At least the EDP doesn't explode if you plug the wrong thing into the output
:-))) We even had a guy plug his 15" Bass cabinet into a 115V mains power
outlet; his exact words were:- 'It was really, really loud, but only for a
couple of seconds'
 
Once you get your EDP checked-out, contacts cleaned, chips re-seated, it'll
be good for years,
Andy.

-----Original Message-----
From: Steve Sandberg [mailto:stevesandberg@earthlink.net]
Sent: 27 May 2001 14:08
To: Loopers-Delight@loopers-delight.com
Subject: Re: More EDP questions for Andy


Andy --
Thanks so much for all your replies to my EDP questions.  I really
appreciate them -- especially because I really like the EDP and in a short
time it's become an essential part of what I'm doing musically.
I haven't had a chance to have someone come and reseat the chips yet -- I'll
do it when this weekend is over.  Meanwhile, the EDP did one thing it's not
done yet -- I had a loop recorded and the EDP was in mute mode.  After a few
minutes, it went out of mute mode by itself, played the loop for a bit, then
stopped.  when I looked at the front panel, it was back in that "LOOP 3"
eternal cycle display.
Could this be an indication of something else wrong with it than just loose
memory chips?  And should I perhaps send it into Gibson or wherever I send
it for factory repairs? (I'd rather not, since I'm working with it every
day).
My other question is , all this is
making me nervous.  I'm going to be doing quite a bit of performing with it
and was wondering if there is anything I can do to make it more stable --
another way of securing the chips, perhaps?  I'm actually considering
getting a boomerang or line 6 for backup, though I'd rather not.  Any
suggestions?
thanks again for your quick replies to my questions --
Best, Steve





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<DIV><SPAN class=050113808-29052001><FONT 
color=#800000><STRONG>Hi,</STRONG></FONT></SPAN></DIV>
<DIV><SPAN class=050113808-29052001><STRONG><FONT color=#800000>I've come in 
late to this thread as we had a national holiday yesterday. Kim has pretty much 
said what I would have done; all electronic stuff has the potential for this 
type of failure, especially computer-based gear.&nbsp;This latest fault is 
likely to be connected with the earlier ones and it is very unlikely to be 
component failure.&nbsp;I look after all of the PCs and Laptops here at Trace 
and I am often removing memory or peripheral cards, cleaning them and replacing 
due to intermittent faults. These machines are far more expensive than&nbsp;most 
bits of musical gear, and they never get moved anywhere! 
</FONT></STRONG></SPAN></DIV>
<DIV><SPAN class=050113808-29052001><STRONG><FONT color=#800000>After two years 
manufacture, we are very confident&nbsp;of the reliability of the Echoplex and 
with the improvements in components introduced by us early last year, the EDP is 
probably the least-likely to fail bit of kit we 
manufacture.</FONT></STRONG></SPAN></DIV>
<DIV><SPAN class=050113808-29052001><STRONG><FONT color=#800000>Our core 
business is large Bass/Guitar amps which can have up to 10amps across their 
outputs; the potential for catastrophic failure here, is huge. At least&nbsp;the 
EDP doesn't explode if you plug the wrong thing into the&nbsp;output 
:-)))&nbsp;We even had a guy plug his 15" Bass cabinet into a 115V mains power 
outlet; his exact words were:- 'It was really, really loud, but only for a 
couple of seconds'</FONT></STRONG></SPAN></DIV>
<DIV><SPAN class=050113808-29052001><STRONG><FONT 
color=#800000></FONT></STRONG></SPAN>&nbsp;</DIV>
<DIV><SPAN class=050113808-29052001><STRONG><FONT color=#800000>Once you get 
your EDP checked-out, contacts cleaned, chips re-seated, it'll be good for 
years,</FONT></STRONG></SPAN></DIV>
<DIV><SPAN class=050113808-29052001><STRONG><FONT 
color=#800000>Andy.</FONT></STRONG></SPAN></DIV>
<BLOCKQUOTE 
style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #800000 2px solid">
  <DIV class=OutlookMessageHeader dir=ltr align=left><FONT face=Tahoma 
  size=2>-----Original Message-----<BR><B>From:</B> Steve Sandberg 
  [mailto:stevesandberg@earthlink.net]<BR><B>Sent:</B> 27 May 2001 
  14:08<BR><B>To:</B> Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> Re: 
  More EDP questions for Andy<BR><BR></FONT></DIV><FONT size=4>Andy --<BR>Thanks 
  so much for all your replies to my EDP questions. &nbsp;I really<BR>appreciate 
  them -- especially because I really like the EDP and in a short<BR>time it's 
  become an essential part of what I'm doing musically.<BR>I haven't had a 
  chance to have someone come and reseat the chips yet -- I'll<BR>do it when 
  this weekend is over. &nbsp;Meanwhile, the EDP did one thing it's not<BR>done 
  yet -- I had a loop recorded and the EDP was in mute mode. &nbsp;After a 
  few<BR>minutes, it went out of mute mode by itself, played the loop for a bit, 
  then<BR>stopped. &nbsp;when I looked at the front panel, it was back in that 
  "LOOP 3"<BR>eternal cycle display.<BR>Could this be an indication of something 
  else wrong with it than just loose<BR>memory chips? &nbsp;And should I perhaps 
  send it into Gibson or wherever I send<BR>it for factory repairs? (I'd rather 
  not, since I'm working with it every<BR>day).<BR>My other question is , all 
  this is<BR>making me nervous. &nbsp;I'm going to be doing quite a bit of 
  performing with it<BR>and was wondering if there is anything I can do to make 
  it more stable --<BR>another way of securing the chips, perhaps? &nbsp;I'm 
  actually considering<BR>getting a boomerang or line 6 for backup, though I'd 
  rather not. &nbsp;Any suggestions?<BR>thanks again for your quick replies to 
  my questions --<BR>Best, Steve<BR><BR><BR></BLOCKQUOTE></FONT></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue May 29 15:12:59 2001
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Date: Tue, 29 May 2001 12:09:13 -0700
To: Loopers-Delight@loopers-delight.com
From: Chris Chovit <cho@newdream.net>
Subject: Re: sample looper boss Dr. Sample SP-303 (?)
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I just got one a couple weeks ago, and i love it.  I think it is key to use
the smart media cards, cause that is the only way to get digital samples
directly in.  Also, using the analog inputs, it is hard to get the timing
just right, but with the smart media card, i can input wav files (which i
export from Cubase), with perfect timing (since Cubase cuts the samples
right at the end of the bar).  Plus, using the sequencer, I can set the BPM
to the same as I had on Cubase, and it comes out PERFECT.  Sequencing the
samples is REALLY nice, as i can switch sequences with a punch of a button.

The sound quality is good.  I noticed that the sampled files were about 1/3
the size of the wav samples, so it must not be quite CD-quality, although
they claim that it is.  Also, the built in effects are decent.  Another
thing I like about the smart media storage is that it is silent, unlike the
SP-808, which constantly accesses the (somewhat noisy, and less reliable)
zip drive.

The one downside to the SP-303 is that it only has a MIDI IN, so you can
sync it off other units, but you can't sync other units off it.  It would
be nice if i could have this drive an EDP or a Jam Man, using the MIDI beat
clock...but I can't...i guess i would need to upgrade to the SP-808 for
that capaibility.  Or I could use antoher MIDI beat source to driveboth....

Anyways, its a great companion to any digital audio software.  USB Smart
media writers are only $30-40.  And, being my first sampler, its nice to
have access to my samples, without having to power up my computer. Plus,
there is the portability factor!   I'm sure there are better samplers out
there for more $$, but i think its worth the $400 ($300, + an extra $100
for a smart media writer and a 64MB card.)

- chris


>Hey loopkids,
>
>Gotta 3 day weekend ahead of me and a $100 dollar gift certificate at
>the Guitar Center (as if they sell much under a $100....)
>
>and I was wondering about the Boss Dr. Sample SP-303.  I really like the
>idea of being able to sample anywhere using it's battery feature.  (Pat
>Mastelotto uses it a LOT on the ProjecKt X cd... a great cd imho)  Have
>any of you used it?  Is it worth the $300?  Are there better?  Should I
>save my cash and get something more real?  My main purpose is to sample
>bits of media (movies, tv, self help tapes, ect...) and bring it into
>the mix.
>
>Mark

From Loopers-Delight-request@loopers-delight.com  Tue May 29 15:58:19 2001
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Subject: Re: fx loop expander
Date: Tue, 29 May 2001 14:54:31 -0500
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Thanks for the link!  Interesting!

The MF-1 and MF-2 footswitches can be set-up to send MIDI note messages.  It
might make a good EDP controller.  Intriguing!  The manual does not give
enough details though.  Does anybody have one of these units?

Dennis Leas
-------------------
dennis@mdbs.com


----- Original Message -----
From: "omjn" <eightohm@iinet.net.au>
To: "Loopers-Delight" <Loopers-Delight@loopers-delight.com>
Sent: Monday, May 28, 2001 12:04 AM
Subject: fx loop expander


> hi
>
> I remember someone saying something a while ago about an fx loop expander
in
> a thread about speaker selectors.  I stumbled across this and thought it
> might be of interest.  never heard of the company, but they also make midi
> foot controllers and a bunch of other miscellaneous stuff.
>
> http://www.nobels.com/english.htm
>
> cheers
> omjn
>

From Loopers-Delight-request@loopers-delight.com  Tue May 29 17:00:23 2001
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Subject: R: fx loop expander
Date: Tue, 29 May 2001 22:57:07 +0200
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>
> The MF-1 and MF-2 footswitches can be set-up to send MIDI note messages.
It
> might make a good EDP controller.  Intriguing!  The manual does not give
> enough details though.  Does anybody have one of these units?
>
> Dennis Leas

Once I had one.
It is pretty solid and has a good feeling under the feet (you can feel when
you have pushed)
4 cc plus 4 switches
I gave it back because I prefered to have the 8 cc of the Rolls midiwizard
I think I remember the note messages (called "funny mode" ?) could be sent
just after having switched by hand a switch on the chassis.
luca


From Loopers-Delight-request@loopers-delight.com  Tue May 29 17:00:29 2001
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From: "Elias Faingersh" <elias@mbox306.swipnet.se>
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Subject: SV: Elias Faingersh gig
Date: Tue, 29 May 2001 22:58:08 +0200
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In NY I'll be doing my solo show twice in Ozzie's Coffe 249 Fifth =
Ave./57 Ave (Park Slope, Brooklyn). June 2th and 9th. at8 p.m
http://www.ozziescoffee.com/index.html   (718) 852-1553

And at "Desmond Tavern" It's Park Ave. between 30th and 31 street June =
10th at 8pm.=20

I play trombone and use old mary Jamman, Lexicon MPX1 and Lexicon =
MPX100.
http://home.swipnet.se/faingersh

If you are in the area you are mostly welcome!
I think it's a good one! :)

Elias.

    -----Ursprungligt meddelande-----
    Fr=E5n: Steve Sandberg <stevesandberg@earthlink.net>
    Till: Loopers-Delight@loopers-delight.com =
<Loopers-Delight@loopers-delight.com>
    Datum: den 29 maj 2001 02:34
    =C4mne: Elias Faingersh gig
   =20
   =20
        I'm going to play in NY in a week......let see how it
        will work there.......nerves..
       =20
   =20
    Where are you playing?


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<HTML>
<HEAD>

<META content=3Dtext/html;charset=3Dwindows-1251 =
http-equiv=3DContent-Type><TITLE>Elias Faingersh gig</TITLE>
<META content=3D'"MSHTML 4.72.3110.7"' name=3DGENERATOR>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT color=3D#000000 size=3D2>In NY I'll be doing my solo show =
twice in=20
Ozzie's Coffe 249 Fifth Ave./57 Ave (Park Slope, Brooklyn). June 2th and =
9th.=20
at8 p.m</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT><FONT size=3D2><A=20
href=3D"http://www.ozziescoffee.com/index.html">http://www.ozziescoffee.c=
om/index.html</A>&nbsp;&nbsp;=20
(718) 852-1553</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT><FONT size=3D2>And at =
&quot;Desmond=20
Tavern&quot; It's Park Ave. between 30th and 31 street June 10th at 8pm. =

</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>I play trombone and use old mary Jamman, Lexicon =
MPX1 and=20
Lexicon MPX100.</FONT></DIV>
<DIV><FONT size=3D2><A=20
href=3D"http://home.swipnet.se/faingersh">http://home.swipnet.se/faingers=
h</A></FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT color=3D#000000 size=3D2>If you are in the area you are =
mostly=20
welcome!</FONT></DIV>
<DIV><FONT size=3D2>I think it's a good one! :)</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>Elias.</FONT></DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 solid 2px; MARGIN-LEFT: 5px; PADDING-LEFT: =
5px">
    <DIV><FONT face=3DArial size=3D2><B>-----Ursprungligt=20
    meddelande-----</B><BR><B>Fr=E5n: </B>Steve Sandberg &lt;<A=20
    =
href=3D"mailto:stevesandberg@earthlink.net">stevesandberg@earthlink.net</=
A>&gt;<BR><B>Till:=20
    </B><A=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
    &lt;<A=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>&gt;<BR><B>Datum:=20
    </B>den 29 maj 2001 02:34<BR><B>=C4mne: </B>Elias Faingersh=20
    gig<BR><BR></DIV></FONT>
    <BLOCKQUOTE><FONT size=3D2>I'm going to play in NY in a =
week......let see=20
        how it<BR>will work =
there.......nerves..<BR></FONT></BLOCKQUOTE><BR>Where=20
    are you playing?<BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_002F_01C0E892.D3C8DF00--


From Loopers-Delight-request@loopers-delight.com  Tue May 29 17:12:53 2001
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Date: Tue, 29 May 2001 14:02:35 -0700
To: Loopers-Delight@loopers-delight.com
From: rich <rich@nuvisionsca.com>
Subject: Re: R: fx loop expander
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wow...8 cc controllers...controlling what?  that's a lot of shoegazing!

luca, it sounds as if you've got the Rolls Midiwizard down pretty 
good.  I've got one, but the manual seems jibberish to me, and i've 
got a few questions.  if you wouldn't mind...could you email me off 
list if you got some time?

best,

rich


>  >
>>  The MF-1 and MF-2 footswitches can be set-up to send MIDI note messages.
>It
>>  might make a good EDP controller.  Intriguing!  The manual does not give
>>  enough details though.  Does anybody have one of these units?
>>
>>  Dennis Leas
>
>Once I had one.
>It is pretty solid and has a good feeling under the feet (you can feel when
>you have pushed)
>4 cc plus 4 switches
>I gave it back because I prefered to have the 8 cc of the Rolls midiwizard
>I think I remember the note messages (called "funny mode" ?) could be sent
>just after having switched by hand a switch on the chassis.
>luca

From Loopers-Delight-request@loopers-delight.com  Tue May 29 17:39:16 2001
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8 cc's is what it takes to have complete control over the DMC GCX Expander relay switcher... Some of the Bradshaw boxes have 4 relays, but then many folks have a couple of them... If you want to * complete * control over the boxes you have to be able to switch all of the loops simultaneously. 

-Miko

>>> rich@nuvisionsca.com 05/29/01 02:02PM >>>
wow...8 cc controllers...controlling what?  that's a lot of shoegazing!

luca, it sounds as if you've got the Rolls Midiwizard down pretty 
good.  I've got one, but the manual seems jibberish to me, and i've 
got a few questions.  if you wouldn't mind...could you email me off 
list if you got some time?

best,

rich


>  >
>>  The MF-1 and MF-2 footswitches can be set-up to send MIDI note messages.
>It
>>  might make a good EDP controller.  Intriguing!  The manual does not give
>>  enough details though.  Does anybody have one of these units?
>>
>>  Dennis Leas
>
>Once I had one.
>It is pretty solid and has a good feeling under the feet (you can feel when
>you have pushed)
>4 cc plus 4 switches
>I gave it back because I prefered to have the 8 cc of the Rolls midiwizard
>I think I remember the note messages (called "funny mode" ?) could be sent
>just after having switched by hand a switch on the chassis.
>luca


From Loopers-Delight-request@loopers-delight.com  Tue May 29 18:00:24 2001
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Subject: R: R: fx loop expander
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> 8 cc's is what it takes to have complete control over the DMC GCX Expander
relay switcher... Some of the Bradshaw >boxes have 4 relays, but then many
folks have a couple of them... If you want to * complete * control over the
boxes you >have to be able to switch all of the loops simultaneously.
>
> -Miko
I've been off this thread's start,so it's difficult to understand what you
are talking about. I can say I am using parallel processing through a 6 auxs
mixer (using also its groups as they were more auxs).
Before this I have been using (very happily) an Advance tube technology Tube
mixer.

> >>> rich@nuvisionsca.com 05/29/01 02:02PM >>>
> wow...8 cc controllers...controlling what?  that's a lot of shoegazing!
I am using just 6 of them for volumes, feedbacks, lfos,...
of three different machines

> luca, it sounds as if you've got the Rolls Midiwizard down pretty
> good.  I've got one, but the manual seems jibberish to me, and i've
> got a few questions.  if you wouldn't mind...could you email me off
> list if you got some time?
I agree, the manual is really bad done, mail me your questions, I hope to be
useful

my best,
luca


From Loopers-Delight-request@loopers-delight.com  Tue May 29 18:20:03 2001
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Subject: R: LOOPING FESTIVAL - EUROPE
Date: Wed, 30 May 2001 00:17:42 +0200
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Re: LOOPING FESTIVAL CALL TO ARMS!!!Hi,
yes, he's that Mike Cooper !
the festival will be from July the 6th to the 8th

hope to see you there, or at least, one day in Italy.,

ciao,
luca
  ----- Original Message -----=20
  From: become_1=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Tuesday, May 29, 2001 1:08 AM
  Subject: Re: LOOPING FESTIVAL - EUROPE


  Ciao Luca,
  When's the festival?  Maybe I'll be back by then ( if not, then next =
year!)
  That's Mike Cooper who lives and plays around Rome? =20
  Saluti,
  Bruce Comens

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<DIV><FONT face=3DArial size=3D2>Hi,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>yes, he's that Mike Cooper =
!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>the festival will be from July the 6th =
to the=20
8th</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>hope to see you there, or at least, one =
day in=20
Italy.,</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>ciao,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>luca</FONT></DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: =
0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A href=3D"mailto:become_1@email.msn.com"=20
  title=3Dbecome_1@email.msn.com>become_1</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  href=3D"mailto:Loopers-Delight@loopers-delight.com"=20
  =
title=3DLoopers-Delight@loopers-delight.com>Loopers-Delight@loopers-delig=
ht.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, May 29, 2001 =
1:08 AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: LOOPING FESTIVAL - =

  EUROPE</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial size=3D2>Ciao Luca,</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>When's the festival?&nbsp; Maybe I'll =
be back by=20
  then ( if not, then next year!)</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>That's Mike Cooper who lives and =
plays around=20
  Rome?&nbsp; </FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>Saluti,</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>Bruce=20
Comens</FONT></DIV></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_009C_01C0E89D.F19D47E0--

From Loopers-Delight-request@loopers-delight.com  Tue May 29 18:33:42 2001
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Date: Tue, 29 May 2001 15:32:37 -0700
Subject: Re: SV: Elias Faingersh gig
From: kevin <hideaway53@opendoor.com>
To: <Loopers-Delight@loopers-delight.com>
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> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

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Mr. Faingersh:

We checked out your web sight.  It was very interesting.  Wish you had a
show on the west coast!

Practical question.  Can you tell us how you are amplifying your trombone?


Best,
Kevin

on 5/29/01 1:58 PM, Elias Faingersh at elias@mbox306.swipnet.se wrote:

In NY I'll be doing my solo show twice in Ozzie's Coffe 249 Fifth Ave./57
Ave (Park Slope, Brooklyn). June 2th and 9th. at8 p.m
http://www.ozziescoffee.com/index.html   (718) 852-1553
 
And at "Desmond Tavern" It's Park Ave. between 30th and 31 street June 10th
at 8pm. 
 
I play trombone and use old mary Jamman, Lexicon MPX1 and Lexicon MPX100.
http://home.swipnet.se/faingersh
 
If you are in the area you are mostly welcome!
I think it's a good one! :)
 
Elias.
 
-----Ursprungligt meddelande-----
Fr?n: Steve Sandberg <stevesandberg@earthlink.net>
Till: Loopers-Delight@loopers-delight.com
<Loopers-Delight@loopers-delight.com>
Datum: den 29 maj 2001 02:34
?mne: Elias Faingersh gig

I'm going to play in NY in a week......let see how it
will work there.......nerves..

Where are you playing?




--MS_Mac_OE_3073995157_532619_MIME_Part
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<HTML>
<HEAD>
<TITLE>Re: SV: Elias Faingersh gig</TITLE>
</HEAD>
<BODY>
Mr. Faingersh:<BR>
<BR>
We checked out your web sight. &nbsp;It was very interesting. &nbsp;Wish yo=
u had a show on the west coast!<BR>
<BR>
Practical question. &nbsp;Can you tell us how you are amplifying your tromb=
one?<BR>
<BR>
<BR>
Best,<BR>
Kevin<BR>
<BR>
on 5/29/01 1:58 PM, Elias Faingersh at elias@mbox306.swipnet.se wrote:<BR>
<BR>
<BLOCKQUOTE><FONT SIZE=3D"2">In NY I'll be doing my solo show twice in Ozzie'=
s Coffe 249 Fifth Ave./57 Ave (Park Slope, Brooklyn). June 2th and 9th. at8 =
p.m<BR>
http://www.ozziescoffee.com/index.html &nbsp;&nbsp;(718) 852-1553<BR>
</FONT> <BR>
<FONT SIZE=3D"2">And at &quot;Desmond Tavern&quot; It's Park Ave. between 30t=
h and 31 street June 10th at 8pm. <BR>
</FONT> <BR>
<FONT SIZE=3D"2">I play trombone and use old mary Jamman, Lexicon MPX1 and Le=
xicon MPX100.<BR>
http://home.swipnet.se/faingersh<BR>
</FONT> <BR>
<FONT SIZE=3D"2">If you are in the area you are mostly welcome!<BR>
I think it's a good one! :)<BR>
</FONT> <BR>
<FONT SIZE=3D"2">Elias.<BR>
</FONT> <BR>
<BLOCKQUOTE><FONT SIZE=3D"2"><FONT FACE=3D"Arial"><B>-----Ursprungligt meddelan=
de-----<BR>
Fr?n: </B>Steve Sandberg &lt;stevesandberg@earthlink.net&gt;<BR>
<B>Till: </B>Loopers-Delight@loopers-delight.com &lt;Loopers-Delight@looper=
s-delight.com&gt;<BR>
<B>Datum: </B>den 29 maj 2001 02:34<BR>
<B>?mne: </B>Elias Faingersh gig<BR>
<BR>
</FONT>I'm going to play in NY in a week......let see how it<BR>
will work there.......nerves..<BR>
</FONT></BLOCKQUOTE><BR>
Where are you playing?<BR>
<BR>
</BLOCKQUOTE><BR>
</BODY>
</HTML>


--MS_Mac_OE_3073995157_532619_MIME_Part--

From Loopers-Delight-request@loopers-delight.com  Tue May 29 18:36:47 2001
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To: <Loopers-Delight@loopers-delight.com>
Subject: SV: LOOPING FESTIVAL - EUROPE
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Where in Italy is it?
    -----Ursprungligt meddelande-----
    Fr=E5n: luca <lucafeed@tin.it>
    Till: Loopers-Delight@loopers-delight.com =
<Loopers-Delight@loopers-delight.com>
    Datum: den 30 maj 2001 00:18
    =C4mne: R: LOOPING FESTIVAL - EUROPE
   =20
   =20
    Hi,
    yes, he's that Mike Cooper !
    the festival will be from July the 6th to the 8th
   =20
    hope to see you there, or at least, one day in Italy.,
   =20
    ciao,
    luca
        ----- Original Message -----=20
        From: become_1=20
        To: Loopers-Delight@loopers-delight.com=20
        Sent: Tuesday, May 29, 2001 1:08 AM
        Subject: Re: LOOPING FESTIVAL - EUROPE
       =20
       =20
        Ciao Luca,
        When's the festival?  Maybe I'll be back by then ( if not, then =
next year!)
        That's Mike Cooper who lives and plays around Rome? =20
        Saluti,
        Bruce Comens

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<HTML>
<HEAD>

<META content=3Dtext/html;charset=3Dwindows-1251 =
http-equiv=3DContent-Type><TITLE>Re: LOOPING FESTIVAL CALL TO =
ARMS!!!</TITLE><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 =
Transitional//EN">
<STYLE type=3Dtext/css>BLOCKQUOTE {
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</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT color=3D#000000 size=3D2>Where in Italy is it?</FONT></DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 solid 2px; MARGIN-LEFT: 5px; PADDING-LEFT: =
5px">
    <DIV><FONT face=3DArial size=3D2><B>-----Ursprungligt=20
    meddelande-----</B><BR><B>Fr=E5n: </B>luca &lt;<A=20
    href=3D"mailto:lucafeed@tin.it">lucafeed@tin.it</A>&gt;<BR><B>Till: =
</B><A=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
    &lt;<A=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>&gt;<BR><B>Datum:=20
    </B>den 30 maj 2001 00:18<BR><B>=C4mne: </B>R: LOOPING FESTIVAL -=20
    EUROPE<BR><BR></DIV></FONT>
    <DIV><FONT face=3DArial size=3D2>Hi,</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>yes, he's that Mike Cooper =
!</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>the festival will be from July the =
6th to the=20
    8th</FONT></DIV>
    <DIV>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>hope to see you there, or at least, =
one day in=20
    Italy.,</FONT></DIV>
    <DIV>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>ciao,</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>luca</FONT></DIV>
    <BLOCKQUOTE=20
    style=3D"BORDER-LEFT: #000000 solid 2px; MARGIN-LEFT: 5px; =
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px">
        <DIV style=3D"FONT: 10pt arial">----- Original Message ----- =
</DIV>
        <DIV=20
        style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
        <A href=3D"mailto:become_1@email.msn.com"=20
        title=3Dbecome_1@email.msn.com>become_1</A> </DIV>
        <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
        href=3D"mailto:Loopers-Delight@loopers-delight.com"=20
        =
title=3DLoopers-Delight@loopers-delight.com>Loopers-Delight@loopers-delig=
ht.com</A>=20
        </DIV>
        <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, May 29, =
2001 1:08=20
        AM</DIV>
        <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: LOOPING =
FESTIVAL -=20
        EUROPE</DIV>
        <DIV><BR></DIV>
        <DIV><FONT face=3DArial size=3D2>Ciao Luca,</FONT></DIV>
        <DIV><FONT face=3DArial size=3D2>When's the festival?&nbsp; =
Maybe I'll be=20
        back by then ( if not, then next year!)</FONT></DIV>
        <DIV><FONT face=3DArial size=3D2>That's Mike Cooper who lives =
and plays=20
        around Rome?&nbsp; </FONT></DIV>
        <DIV><FONT face=3DArial size=3D2>Saluti,</FONT></DIV>
        <DIV><FONT face=3DArial size=3D2>Bruce=20
Comens</FONT></DIV></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue May 29 19:27:10 2001
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Date: Tue, 29 May 2001 19:25:12 -0400
Subject: echoplex motors?
From: "John C. Beal" <johnniebeal@earthlink.net>
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Does anyone know the manufacturer of motors for old echoplexes? I lost my
contact, to a company in Chicago, I think. They were selling them wholesale
for only $40 last year.

From Loopers-Delight-request@loopers-delight.com  Wed May 30 02:35:15 2001
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From: "Professor Vast" <theliquidspace@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: indian percussion looping and such
Date: Tue, 29 May 2001 23:31:15 -0700
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>From: "Haresh Bakshi" <hareshbakshi@hotmail.com>

>Hi Richard,  creating consciousness about live looping is a very 
>pragmatic>proposal.  Indian music has/can have much looping, when used 
>judiciously.>Such Indian loops can be eminently suitable for jamming and 
>World >music,>too.
>
>My problem is: Which software will especially suit looping in Indian 
>music?>[Tanpura, tabla, fast, repetitive Sitar passages etc.]
>
>Regards,
>Haresh.

actually, i'm indian and i did something very simple with some layered drone 
guitars and a one bar loop with a few tabla/percussion sounds. i'm going to 
incorporate more indian percussion in me tracks and this is my "testing the 
waters" track. i would like some feedback if you don't mind. www.mp3.com/PV 
- track called "the liquid space"

if you can give me examples of stuff that involves looping with this 
percussion sound, do let me know.

thanks...dino
_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Wed May 30 02:52:29 2001
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Subject: advice
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I'm about to make a recording either of one of my live looping shows or a
studio based one soon.
Having made a recording though and converted it to MP3 how do I post it upon
the net? and should I place a real audio version up there too or should it
be a small section of the piece?
I'd welcome any suggestions you guys have on this.

Gareth

From Loopers-Delight-request@loopers-delight.com  Wed May 30 02:52:32 2001
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References: <BMEKKMPLLAPBAEOCKEPGOEMECMAA.eightohm@iinet.net.au> <017701c0e879$2d7b0e20$1fab82cc@mdbs.com> <000d01c0e881$edcf87c0$6787abd4@LucaFormentini>
Subject: Re: fx loop expander
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I'm a midi rolls user too -it's very well thought out. Problem is I now have
5 switches and 2 pedals on the 8080, 4 pedals and 4 switches on CV inputs of
the midi rolls plus the switches on the rolls itself -whew!
- but what POWER what FLEXIBILITY what a SONIC CONTROL FREAK I'VE BECOME
HEEEHEHEHAHAHHAHOOOOoooo............

Gareth
(must keep taking the tablets)

> Once I had one.
> It is pretty solid and has a good feeling under the feet (you can feel
when
> you have pushed)
> 4 cc plus 4 switches
> I gave it back because I prefered to have the 8 cc of the Rolls midiwizard
> I think I remember the note messages (called "funny mode" ?) could be sent
> just after having switched by hand a switch on the chassis.
> luca
>
>

From Loopers-Delight-request@loopers-delight.com  Wed May 30 02:56:08 2001
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Sunday June 3rd 5:30pm @ ABC No-Rio 156 Rivington St. NYC
C.O.M.A.'s 3rd Annual Benefit for the Restoration and Acquisition of 156 Rivington St.

Four floors plus garden and roof of Lower East Side community center will be filled beyond sonic capacity with 80+ performers of improvised music

Ken's Last Ever Radio Extravaganza will be exuding loopy audio musings emanating from whatever equipment happens to be available that day, absence of preparation, completely improvised noises, sentence fragments.

Ken's Last Ever Radio Extravaganza is scheduled to periodically radiate from the FOURTH FLOOR BACK ROOM, with such tentative and imaginary times as:
---> 5:30-6:30pm | 7:45-8pm | 8:45-9pm | 9:45-11pm

why?
---> to confuse create alert reconstruct combine layer disrupt surprise disturb lull serenade repeat expand evoke question amuse inspire provoke regress hint join awaken taunt share.

"Sure sounds interesting, but I don't much care to go outside or experience the spontaneity and terror that is this live improvised performance, and supporting this community center and the person sending me this invitation is the last thing I intend to do."
---> The ever increasing mass of streaming and downloadable audio, providing a small hint of the past 7+ years of shows, packaged and recorded to reduce your fear:
http://free-music.com/ken/extrav/audio/

"I'm coming to the event, but I need to buy something, to satisfy my unquenchable consumer hunger."
---> There will be CD's.

"Will I enjoy this event?"
--->

"8 free issues."
---> Sun. 6/3 5:30-11pm 156 Rivington St. betw. Suffolk St. & Clinton St.
---> Near F Delancy, J/M/Z Essex
---> $10 to support ABC No-Rio http://abcno-rio.org
---> More sound than you will be able to deal with
---> K.L.E.R.E.: 5:30-6:30pm | 7:45-8pm | 8:45-9pm | 9:45-11pm, 4th floor back room

Ken's Last Ever Radio Extravaganza past and future show listings and audio:
---> http://free-music.com/ken/extrav/

Stop, start, continue?
---> kenzo@free-music.com

Which is important:
---> People?
---> Corporations?

Other artists at event listed at <---
http://home.earthlink.net/~bbrjsiwula/wsnCB88.html

--->
Ken's Last Ever Radio Extravaganza
http://free-music.com/ken/extrav/
kenzo@free-music.com

From Loopers-Delight-request@loopers-delight.com  Wed May 30 05:42:54 2001
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From: PMimlitsch@aol.com
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Date: Wed, 30 May 2001 05:39:45 EDT
Subject: SB8/ Warr Sale
To: STICKWIRE-L@home.ease.lsoft.com, Loopers-Delight@annihilist.com,
        philly_ambient@phobos.serve.com, taptalk@progrock.net,
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Mint condition (1yr. old) Chapman Stick SB8 - Rosewood -  w/ active Block=20
Pickup Module, fully adjustable bridge/ pickups/ truss rod.  Complete w/=20
strap, extra strings, hard bodied SE "Flight Case" and SE gig bag. $1400.00.

12 Warr Artist=AE12 - active Bartolini pick ups, seperate volume/ tone contr=
ols=20
for bass/ melody sides, seperate 3 way pick up selecter switchs for bass/=20
melody sides.  Beautiful "figured" Maple/ Mahogany body w/ 7 piece laminated=
=20
bolt on neck. Complete with heavy duty "Reunion Blues" gig bag, "Planet=20
Waves" strap & "Slider" strap, extra set of strings. $1800.00.

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Date: Wed, 30 May 2001 14:18:47 -0700
Subject: Nobels MF-1
From: Steve Lawson <steve@steve-lawson.co.uk>
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>>>
The MF-1 and MF-2 footswitches can be set-up to send MIDI note messages.  It
might make a good EDP controller.  Intriguing!  The manual does not give
enough details though.  Does anybody have one of these units?<<<

i've got one, and occasionally use it with my JamMan.

The note message thing is fun - I once set it up as a bass pedals unit -
'and tonight Matthew, i'm going to be Geddy Lee'... :o)

Not got an EDP, so I can't comment there...

Steve 
www.steve-lawson.co.uk 

From Loopers-Delight-request@loopers-delight.com  Wed May 30 09:33:16 2001
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To: "'Loopers-Delight@loopers-delight.com'"
	 <Loopers-Delight@loopers-delight.com>
Subject: RE: Nobels MF-1
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this sounds just like what i've been looking for to trigger my sampler.

just per chance...  anybody got one they want to get rid of or trade for a
different midi controller?  give me a shout off list.

m

> -----Original Message-----
> From:	Steve Lawson [SMTP:steve@steve-lawson.co.uk]
> Sent:	Wednesday, May 30, 2001 5:19 PM
> To:	Loopers-Delight@loopers-delight.com
> Subject:	Nobels MF-1
> 
> >>>
> The MF-1 and MF-2 footswitches can be set-up to send MIDI note messages.
> It
> might make a good EDP controller.  Intriguing!  The manual does not give
> enough details though.  Does anybody have one of these units?<<<
> 
> i've got one, and occasionally use it with my JamMan.
> 
> The note message thing is fun - I once set it up as a bass pedals unit -
> 'and tonight Matthew, i'm going to be Geddy Lee'... :o)
> 
> Not got an EDP, so I can't comment there...
> 
> Steve 
> www.steve-lawson.co.uk 

From Loopers-Delight-request@loopers-delight.com  Wed May 30 10:54:02 2001
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----- Original Message -----
From: "Steve Lawson" <steve@steve-lawson.co.uk>
> i've got one, and occasionally use it with my JamMan.
>
> The note message thing is fun - I once set it up as a bass pedals unit -
> 'and tonight Matthew, i'm going to be Geddy Lee'... :o)

Hey, Steve!  Give me more details on this thang.  In "funny note mode" it
sends a MIDI Note-on when you press a button.  Does it send the MIDI
Note-off when you release the button?

Thanks!

Dennis Leas
-------------------
dennis@mdbs.com


From Loopers-Delight-request@loopers-delight.com  Wed May 30 11:31:17 2001
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on 30/5/01 7:45 AM, whiteoakstudios at whiteoakstudios@supanet.com wrote:

> I'm about to make a recording either of one of my live looping shows or a
> studio based one soon.
> Having made a recording though and converted it to MP3 how do I post it upon
> the net? and should I place a real audio version up there too or should it
> be a small section of the piece?
> I'd welcome any suggestions you guys have on this.
> 
> Gareth
> 
There are many different ways of presenting audio files on the net, none of
which is totally satisfactory. The files need to be small enough (in file
size) to be bearably fast. If you have MP3 files the easiest is to include
them in a html page with a QuickTime player, the quality is acceptable
although the files are still rather big.
You will need tools (many available free on the net) to format the files but
it's all fairly easy.
Real audio is more fiddly to format and it only plays back in the ugly Real
player, the size is similar to MP3/QuickTime anyway.
Forget about putting long pieces, stick to selected snippets of one minute
at the most most people would get frustrated by the slow response and give
up or their connection would be likely to drop half-way through.
For my record label's web site (http://www.rustyrobot.com ) I have used
Shockwave/Flash files played in a Shockwave player, custom made. You can
easily export as Shockwave sound files of all kinds (MP3, QuickTime, Aiff,
Wav etc.) from an application like Sound Edit or Peak.
The quality is the same as MP3 but the file size is a fraction and usually
the sound streams nicely.
If you need more detailed info feel free to get in touch.

Roberto
______________________________________________
Roberto Battista
http://www.robat.scl.net
http://www.robat.scl.net/lectures/index.shtm
Tel. 0044 020 8449 1995
Mobile 0775 960 4344
______________________________________________
http://www.rustyrobot.com
independent on-line music distribution,
the music you can't find elsewhere,
contemporary classical, eclectic, world...
______________________________________________
http://www.robat.scl.net/html/tibet/tibet.shtm
an exciting project on technology applied to
mobile education for developing countries and
remote locations...
______________________________________________

From Loopers-Delight-request@loopers-delight.com  Wed May 30 11:31:18 2001
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on 30/5/01 7:45 AM, whiteoakstudios at whiteoakstudios@supanet.com wrote:

> I'm about to make a recording either of one of my live looping shows or a
> studio based one soon.
> Having made a recording though and converted it to MP3 how do I post it upon
> the net? and should I place a real audio version up there too or should it
> be a small section of the piece?
> I'd welcome any suggestions you guys have on this.
> 
> Gareth

There are many different ways of presenting audio files on the net, none of
which is totally satisfactory. The files need to be small enough (in file
size) to be bearably fast. If you have MP3 files the easiest is to include
them in a html page with a QuickTime player, the quality is acceptable
although the files are still rather big.
You will need tools (many available free on the net) to format the files but
it's all fairly easy.
Real audio is more fiddly to format and it only plays back in the ugly Real
player, the size is similar to MP3/QuickTime anyway.
Forget about putting long pieces, stick to selected snippets of one minute
at the most most people would get frustrated by the slow response and give
up or their connection would be likely to drop half-way through.
For my record label's web site (http://www.rustyrobot.com ) I have used
Shockwave/Flash files played in a Shockwave player, custom made. You can
easily export as Shockwave sound files of all kinds (MP3, QuickTime, Aiff,
Wav etc.) from an application like Sound Edit or Peak.
The quality is the same as MP3 but the file size is a fraction and usually
the sound streams nicely.
If you need more detailed info feel free to get in touch.

Roberto
> 

______________________________________________
Roberto Battista
http://www.robat.scl.net
http://www.robat.scl.net/lectures/index.shtm
Tel. 0044 020 8449 1995
Mobile 0775 960 4344
______________________________________________
http://www.rustyrobot.com
independent on-line music distribution,
the music you can't find elsewhere,
contemporary classical, eclectic, world...
______________________________________________
http://www.robat.scl.net/html/tibet/tibet.shtm
an exciting project on technology applied to
mobile education for developing countries and
remote locations...
______________________________________________

From Loopers-Delight-request@loopers-delight.com  Wed May 30 11:56:44 2001
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Subject: Re: R: R: fx loop expander
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This was in reference to the Midi Wizard's versus the Nobels controller control change capabilities... 8cc's compared to 4... 8 is mo' bettah if you're controlling a relay switcher such as a Bradshaw or the popular Digital Music Corp's GCX Expander.

-Miko

>>> lucafeed@tin.it 05/29/01 02:56PM >>>

> 8 cc's is what it takes to have complete control over the DMC GCX Expander
relay switcher... Some of the Bradshaw >boxes have 4 relays, but then many
folks have a couple of them... If you want to * complete * control over the
boxes you >have to be able to switch all of the loops simultaneously.
>
> -Miko
I've been off this thread's start,so it's difficult to understand what you
are talking about. I can say I am using parallel processing through a 6 auxs
mixer (using also its groups as they were more auxs).
Before this I have been using (very happily) an Advance tube technology Tube
mixer.

> >>> rich@nuvisionsca.com 05/29/01 02:02PM >>>
> wow...8 cc controllers...controlling what?  that's a lot of shoegazing!
I am using just 6 of them for volumes, feedbacks, lfos,...
of three different machines

> luca, it sounds as if you've got the Rolls Midiwizard down pretty
> good.  I've got one, but the manual seems jibberish to me, and i've
> got a few questions.  if you wouldn't mind...could you email me off
> list if you got some time?
I agree, the manual is really bad done, mail me your questions, I hope to be
useful

my best,
luca



From Loopers-Delight-request@loopers-delight.com  Wed May 30 12:04:16 2001
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To: <Loopers-Delight@loopers-delight.com>
References: <F1135T7j8cwwbDz3zbw000079d2@hotmail.com>
Subject: Re: LOOPING FESTIVAL CALL TO ARMS!!!
Date: Wed, 30 May 2001 11:57:29 -0400
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Haresh, can you be more specific?  What aspects of Indian music
do you think would need the most consideration from a looping
standpoint?

Thanks,

Mike

----- Original Message -----
From: "Haresh Bakshi" <hareshbakshi@hotmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, May 28, 2001 5:06 PM
Subject: Re: LOOPING FESTIVAL CALL TO ARMS!!!


> Hi Richard,  creating consciousness about live looping is a
very pragmatic
> proposal.  Indian music has/can have much looping, when used
judiciously.
> Such Indian loops can be eminently suitable for jamming and
World music,
> too.
>
> My problem is: Which software will especially suit looping in
Indian music?
> [Tanpura, tabla, fast, repetitive Sitar passages etc.]
>
> Regards,
> Haresh.
>
>
> -------- Richard Zvonar
wrote: -----------------------------------
> >From: Richard Zvonar <zvonar@zvonar.com>
> >Reply-To: Loopers-Delight@loopers-delight.com
> >To: Loopers-Delight@loopers-delight.com
> >Subject: Re: LOOPING FESTIVAL CALL TO ARMS!!!
> >Date: Mon, 28 May 2001 09:35:51 -0700
> >
> >At 2:58 AM -0700 7/28/01, Rick Walker (loop.pool) wrote:
> >
> >>My thinking has been to create some high profile (to the
media, at
> >>least) specific looping events to create the conciousness in
the
> >>musical community of the emergence and legitmacy of live
looping as
> >>a viable new artform...I think we should all think seriously
about
> >>gathering three loopers (including from outlying areas) and
putting
> >>on our own Regional Looping Festivals.
> >
> >Yesterday was the first anniversary party for the Los Angeles
chapter
> >of American Composers Forum. One topic of discussion was how
to
> >involve exponents of Electronica, DJ, Looping, etc. We're
interested
> >in collaborating with presenters in Los Angeles area, and
we're
> >hoping to put together a festival sometime in the coming
years. Our
> >organization is well-established on a national level, with a
number
> >of programs, our own CD label, etc.
> >
> >Check out our Web site:
> >
> >http://www.composers.la/
> >
> >Also the main ACF site:
> >
> >http://www.composersforum.org/
> >--
> >
>
>______________________________________________________________
> >Richard Zvonar, PhD
> >(818) 788-2202
> >http://www.zvonar.com
> >http://RZCybernetics.com
> >http://www.cybmotion.com/aliaszone
> >http://www.live365.com/cgi-bin/directory.cgi?autostart=rz
>
>
________________________________________________________________
_
> Get your FREE download of MSN Explorer at
http://explorer.msn.com
>
>

From Loopers-Delight-request@loopers-delight.com  Wed May 30 14:59:14 2001
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From: rich <rich@nuvisionsca.com>
Subject: way OT: more gibson conspiracies
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hi all,

just browsing around and came across this.  no looping content 
whatsoever, but i thought it was pretty funny in light of all the 
gibson bashing done around here!  now they're hiding stuff...

http://www.harmony-central.com/Newp/2001/1995-Kramers.html

best,

rich

From Loopers-Delight-request@loopers-delight.com  Thu May 31 00:13:32 2001
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Subject: Gig Spam: Mixtape from Mars in San Francisco. Friday June 1st.
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Howdy Loopers, 
my full band, Mixtape from Mars, will be opening for the 
Ali KhanBand in San Francisco this friday, June 1st. We've got
overtones, vocal
percusssion, a brand new Blue Man ORgan, didges, air trumpet, 
and of course it all runs through my pair of loopers and barely
countable
delay boxes. 

Simran


Here's the announcement:

Welcome back to Mars! News this week is that we're playing in San
Francisco as one of the opening acts in the 246(i) World Remix series.

This is the first of a series of world music concerts sponsored by the 
sound lab at CELLspace. The headliner is the Ali Khan Band, a mix
of Qawwali, bhangra, funk, hip-hop and dance. Check out this article in
Asia Week for more description:
  http://www.asianweek.com/2001_05_25/ae3_alikhan_worldremix.html

We're one of the opening bands, along with JouJou, 
a women's a cappella group who sing 
Balkan, Appalachian, Italian and Greek songs, 
and describe themselves as 
singing goofy international folk jazz! 
Check out http://www.joujousings.com for more of their schtuff.


OK, here's the stats:

where: CELLspace
       2050 Bryant between 18th & 19th in the mission, in San Francisco

when: Friday, June 1st, 2001
      8:30 pm.

Reservations: recommended.  
              sound@cellspace.org or call : 415-430-1269 ext.2126


OK, now just in case you don't remember us, 
Mixtape from Mars is a loose techno tribal collective specializing in
odd sounds
from homemade and store-bought instruments. You might hear vocal
percusssion, 
throat singing, didgeridoo, the toob, drum & bass rhythms, and drones. 

So your buddy just got back from the club scene on Mars; brought you
a mixtape. Check this out: they got killer vocal percussion (that
guy can *sing* jungle rhythms), overtones and deep throat singing, a
didgeridoo player, some guy chanting into a 12 foot long silver toob,
phunky samples. Yow! what else.

At this show:

   Andrew Chaikin's vocal percussssion and kargyra snort singing
   Barbara Jaspersen sings soprano vox
   Achut Reddy plays didges and flutes
   Simran pulls his tablas out of storage, and
     built a blue man organ just for this show. 
   Rob Penn will be bringing us his inimitable muted air trumpet
   Deborah Ben-Elizer joins us for the first time with her vocal jams. 
   And we hope we manage to convince John Cornwell to 
     come and play the tooob. 


More data:
  http://www.mp3.com/MixtapeFromMars
  http://www/mp3.com/Inkstone
  http://www.biggerbread.com


Have fun!
Simran

From Loopers-Delight-request@loopers-delight.com  Thu May 31 01:32:13 2001
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From: "Taaffe, Denis G" <dtaaffe@indiana.edu>
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	 <Loopers-Delight@loopers-delight.com>
Subject: RE: Gig Spam: Mixtape from Mars in San Francisco. Friday June 1st
	.
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yes, but it can't be cool if you don't have a jaw harp and kazzoo quintet to
back you up ?! haha,seriously, good luck with gig, whish I could be there to
hear some looping...

Denis

Denis taaffe
denis_aliengtr@geocities.com
http://www.dtguitar.com

-----Original Message-----
From: Simran gleason [mailto:simran.gleason@Sun.COM]
S

Howdy Loopers, 
my full band, Mixtape from Mars, will be opening for the 
Ali KhanBand in San Francisco this friday, June 1st. 

From Loopers-Delight-request@loopers-delight.com  Thu May 31 11:35:25 2001
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Date: Thu, 31 May 2001 08:21:21 -0700
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Subject: Re: Gig Spam: Mixtape from Mars in San Francisco. Friday June 1st.
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Simran,

hey...have a great show.  I was fortunate to catch the ali khan band 
at ashkenaz in berkely several years ago while visiting the area.  i 
was familiar with qawwalii, but they just blew me away with their 
eclectic mix.  coming from the jaded, 'more alternative-than-thou' 
school of music...what a joy to see these folks having a total blast 
on stage with tight musicianship, as well.  EVERYBODY was dancing 
that night...

have fun!

rich


>Howdy Loopers,
>my full band, Mixtape from Mars, will be opening for the
>Ali KhanBand in San Francisco this friday, June 1st. We've got
>overtones, vocal
>percusssion, a brand new Blue Man ORgan, didges, air trumpet,
>and of course it all runs through my pair of loopers and barely
>countable
>delay boxes.

From Loopers-Delight-request@loopers-delight.com  Thu May 31 19:28:33 2001
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Message-ID: <00a501c0ea28$43cbe040$6e87abd4@LucaFormentini>
From: "luca" <lucafeed@tin.it>
To: <Loopers-Delight@loopers-delight.com>
References: <BMEKKMPLLAPBAEOCKEPGOEMECMAA.eightohm@iinet.net.au> <017701c0e879$2d7b0e20$1fab82cc@mdbs.com> <000d01c0e881$edcf87c0$6787abd4@LucaFormentini> <006501c0e8d4$a8fae6a0$e3ac6fd4@dolly>
Subject: R: fx loop expander
Date: Fri, 1 Jun 2001 01:15:37 +0200
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which kind of foot pedals are you using for CC ?
it's a pain to find the ones that can give the complete midi control change
!
luca
> I'm a midi rolls user too -it's very well thought out. Problem is I now
have
> 5 switches and 2 pedals on the 8080, 4 pedals and 4 switches on CV inputs
of
> the midi rolls plus the switches on the rolls itself -whew!
> - but what POWER what FLEXIBILITY what a SONIC CONTROL FREAK I'VE BECOME
> HEEEHEHEHAHAHHAHOOOOoooo............
>
> Gareth
> (must keep taking the tablets)


From Loopers-Delight-request@loopers-delight.com  Thu May 31 19:29:23 2001
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Subject: R: LOOPING FESTIVAL - EUROPE
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Re: LOOPING FESTIVAL CALL TO ARMS!!!It will be held on Garda Lake: =
Desenzano (it is on the southern coast).
from  June the 6th to the 8th.

if you come, please let me know !
bye,
luca
  ----- Original Message -----=20
  From: Elias Faingersh=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Wednesday, May 30, 2001 12:34 AM
  Subject: SV: LOOPING FESTIVAL - EUROPE


  Where in Italy is it?
    -----Ursprungligt meddelande-----
    Fr=E5n: luca <lucafeed@tin.it>
    Till: Loopers-Delight@loopers-delight.com =
<Loopers-Delight@loopers-delight.com>
    Datum: den 30 maj 2001 00:18
    =C4mne: R: LOOPING FESTIVAL - EUROPE


    Hi,
    yes, he's that Mike Cooper !
    the festival will be from July the 6th to the 8th

    hope to see you there, or at least, one day in Italy.,

    ciao,
    luca
      ----- Original Message -----=20
      From: become_1=20
      To: Loopers-Delight@loopers-delight.com=20
      Sent: Tuesday, May 29, 2001 1:08 AM
      Subject: Re: LOOPING FESTIVAL - EUROPE


      Ciao Luca,
      When's the festival?  Maybe I'll be back by then ( if not, then =
next year!)
      That's Mike Cooper who lives and plays around Rome? =20
      Saluti,
      Bruce Comens

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD><TITLE>Re: LOOPING FESTIVAL CALL TO ARMS!!!</TITLE>
<META content=3Dtext/html;charset=3Dwindows-1251 =
http-equiv=3DContent-Type><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 =
Transitional//EN">
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<META content=3D"MSHTML 5.00.2614.3500" name=3DGENERATOR></HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>It will be held on Garda Lake: =
Desenzano (it is on=20
the southern coast).</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>from&nbsp; June the 6th to the =
8th.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>if you come, please let me know =
!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>bye,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>luca</FONT></DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: =
0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A href=3D"mailto:elias@mbox306.swipnet.se" =
title=3Delias@mbox306.swipnet.se>Elias=20
  Faingersh</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  href=3D"mailto:Loopers-Delight@loopers-delight.com"=20
  =
title=3DLoopers-Delight@loopers-delight.com>Loopers-Delight@loopers-delig=
ht.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, May 30, 2001 =
12:34=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> SV: LOOPING FESTIVAL - =

  EUROPE</DIV>
  <DIV><BR></DIV>
  <DIV><FONT color=3D#000000 size=3D2>Where in Italy is it?</FONT></DIV>
  <BLOCKQUOTE=20
  style=3D"BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; =
PADDING-LEFT: 5px">
    <DIV><FONT face=3DArial size=3D2><B>-----Ursprungligt=20
    meddelande-----</B><BR><B>Fr=E5n: </B>luca &lt;<A=20
    href=3D"mailto:lucafeed@tin.it">lucafeed@tin.it</A>&gt;<BR><B>Till: =
</B><A=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
    &lt;<A=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>&gt;<BR><B>Datum:=20
    </B>den 30 maj 2001 00:18<BR><B>=C4mne: </B>R: LOOPING FESTIVAL -=20
    EUROPE<BR><BR></DIV></FONT>
    <DIV><FONT face=3DArial size=3D2>Hi,</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>yes, he's that Mike Cooper =
!</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>the festival will be from July the =
6th to the=20
    8th</FONT></DIV>
    <DIV>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>hope to see you there, or at least, =
one day in=20
    Italy.,</FONT></DIV>
    <DIV>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>ciao,</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>luca</FONT></DIV>
    <BLOCKQUOTE=20
    style=3D"BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; =
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px">
      <DIV style=3D"FONT: 10pt arial">----- Original Message ----- =
</DIV>
      <DIV=20
      style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
      <A href=3D"mailto:become_1@email.msn.com"=20
      title=3Dbecome_1@email.msn.com>become_1</A> </DIV>
      <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
      href=3D"mailto:Loopers-Delight@loopers-delight.com"=20
      =
title=3DLoopers-Delight@loopers-delight.com>Loopers-Delight@loopers-delig=
ht.com</A>=20
      </DIV>
      <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, May 29, 2001 =
1:08=20
      AM</DIV>
      <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: LOOPING =
FESTIVAL -=20
      EUROPE</DIV>
      <DIV><BR></DIV>
      <DIV><FONT face=3DArial size=3D2>Ciao Luca,</FONT></DIV>
      <DIV><FONT face=3DArial size=3D2>When's the festival?&nbsp; Maybe =
I'll be back=20
      by then ( if not, then next year!)</FONT></DIV>
      <DIV><FONT face=3DArial size=3D2>That's Mike Cooper who lives and =
plays around=20
      Rome?&nbsp; </FONT></DIV>
      <DIV><FONT face=3DArial size=3D2>Saluti,</FONT></DIV>
      <DIV><FONT face=3DArial size=3D2>Bruce=20
  =
Comens</FONT></DIV></BLOCKQUOTE></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu May 31 20:17:29 2001
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From: "Bill Fox" <billfox@fast.net>
To: "emusic-wdiy Mailing List" <emusic-wdiy@yahoogroups.com>
Subject: EMUSIC Top 20 Report for May
Date: Wed, 30 May 2001 20:13:18 -0400
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WDIY 88.1 FM "EMUSIC" Top 20 report to
New Age Voice and CD Revolutions for May, 2001.
Shows #214 to #218; 26-April-2001 to 24-May-2001
Reported in non-ranked order.
Compiled by Bill Fox, billfox@fast.net

CONTACT:   billfox@fast.net

ARTIST - ALBUM TITLE - LABEL
============================
AirSculpture - Quark Soup - Jodrell Bank - Neu Harmony
Alhedion - Kosmische Spuren Eines Lebens - Invisible Shadows
Arcane - Arcane - Concerts at Jodrel Bank - Neu Harmony
Ian Boddy, Markus Reuter & Nigel Mullaney - Triptych - DiN
J. Arif Verner - Through the Timeless - Spotted Peccary
James Johnson & Stephen Philips - Lost at Dunn's Lake - Zero Music
Jeff Pearce - The Light Beyond - Hypnos
Medwyn Goodall - Essence of Magic - New World Music
Mother Mallard's Portable Masterpiece Co. - Like a Duck to Water - Cuneiform
Paul Nagle -  Paul Nagle - Concerts at Jodrel Bank - Neu Harmony
Pyramid Peak - Fish'n Love - Invisible Shadows
RMI - RMI - Concerts at Jodrell Bank - Neu Harmony
Ron Boots - Close, But Not Touching - Groove
Something Completely Different - Megakatz - Invisible Shadows
Spacecraft - Earthtime Tapestry - Lektronic Soundscapes
Spacecraft - Summer Town - SpaceForMusic.com
Steve Roach & Vir Unis - Blood Machine - GreenHouse
Tranquillity - Core - Invisible Shadows
TUU - One Thousand Years - Waveform
Vir Unis - Live Gathering 23 - SpaceForMusic.com

Bill         billfox@fast.net
http://wdiyfm.org/schedule/s_emusic.html
============================================================================
Host of EMUSIC, an electronic, ambient, and space music show.  Thursdays at
11 pm on WDIY 88.1 FM, Allentown and Bethlehem and 93.9 FM in Easton and
Phillipsburg.  Email me if you wish to submit music for airplay consideration.
Radio Station Home Page: http://wdiyfm.org
Personal site: http://www.users.fast.net/~billfox
To subscribe to the EMUSIC on WDIY list, send
email to: emusic-wdiy-subscribe@yahoogroups.com

From Loopers-Delight-request@loopers-delight.com  Thu May 31 21:00:57 2001
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To: <Loopers-Delight@loopers-delight.com>
References: <BMEKKMPLLAPBAEOCKEPGOEMECMAA.eightohm@iinet.net.au> <017701c0e879$2d7b0e20$1fab82cc@mdbs.com> <000d01c0e881$edcf87c0$6787abd4@LucaFormentini> <006501c0e8d4$a8fae6a0$e3ac6fd4@dolly> <00a501c0ea28$43cbe040$6e87abd4@LucaFormentini>
Subject: Re: fx loop expander
Date: Fri, 1 Jun 2001 01:41:17 +0100
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Hi Luca,
I used the cheapest pedals I could find since I was buying 4 of them. I
found mine, (called "Lead Foot") in the Thomann catalogue for £13 each. I'm
able to send all the CC values out of them (0-127) but I only use about 2/3
rds of the total travel. In other words the pot in them is the wrong
resistance. It hasn't been a problem for me though I'll probably get around
to replacing the pots one day.

Ciao,
Gareth



> which kind of foot pedals are you using for CC ?
> it's a pain to find the ones that can give the complete midi control
change
> !
> luca


From Loopers-Delight-request@loopers-delight.com  Thu May 31 22:06:43 2001
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Date: Thu, 31 May 2001 21:53:13 -0400
From: Leander REININGHAUS <LEALOOP@compuserve.com>
Subject: Fw: serious (dormant!) virus!
Sender: Leander REININGHAUS <LEALOOP@compuserve.com>
To: "UDELHOVEN" <udelhoven@t-online.de>, Peter Andreas <peter.a@jendasign.de>,
        "Gregor Arz" <upstroke@hotmail.com>, Mike Ayers <mayers@gibson.com>,
        "Paul Bailey" <paul-bailey@wanadoo.fr>,
        Almut Barz <Almut.Barz@firemail.de>,
        Frank Berressem <FB-home@t-online.de>,
        "Kimberlin Blackstone" <stealthcatt@hotmail.com>,
        Jonathan Brainin <jbrainin@interactive.net>,
        Walter =?ISO-8859-1?Q?Br=FChn?= <walterbruehn@netcologne.de>,
        Alessandro Bruno <a.bruno@email.telpress.it>,
        Carol Callister <carol-callister@wanadoo.fr>,
        "lucie compton" <luciecompton@hotmail.com>,
        Solongo Damdin <sdamdin@yahoo.com>,
        Loopers Delight <Loopers-Delight@annihilist.com>,
        Digigram <input@digigram.com>, Kim Flint <kflint@annihilist.com>,
        Florian =?ISO-8859-1?Q?F=FCrst?= <ffmusik@ffmusik.de>,
        Curt Golden <curtgolden@aol.com>,
        "Nicole B. Graham" <nicolebgraham@hotmail.com>,
        Jens Grattentaler <gratte@aol.com>, Asita Hamidi <asita@freesurf.ch>,
        Ralph Herrnkind <ralph.herrnkind@netcologne.de>,
        =?ISO-8859-1?Q?R=FCdiger?= Hoffmann <ruedikhoffmann@t-online.de>,
        Tilmann =?ISO-8859-1?Q?H=F6hn?= <uta.til@t-online.de>,
        Alan Hoover <HooverA@tce.com>, Chris Jaeker <JTCAgency@aol.com>,
        Heinrich von Kalnein <Heinrich_von_Kalnein@compuserve.com>,
        Uschi Laar <uschi.laar@t-online.de>,
        Vanessa Merg <vmerg@uni-bielefeld.de>,
        Hernan Nunez <hnunez@compuserve.com>, John Peters <ANET@aol.com>,
        Michael Peters <mpeters@csi.com>, Philipp Quaet-Faslem <PeqF@gmx.de>,
        Abi von Reininghaus <abi.r@t-online.de>, Markus Reuter <taster@gmx.de>,
        Tony Rowell <t.rowell@virgin.net>, Axel Rudolph <RudolphAx@aol.com>,
        Hannsjoerg Scheid <hscheid@hazzazar.com>,
        Peter Spoecker <peter@didgeridoings.com>,
        EGO SYStems <techsupport@egosys.net>, Tino <kaspar-hauser@gmx.li>,
        David Torn <texture444@aol.com>,
        Eduard =?ISO-8859-1?Q?T=FCske?= <phantom.guitars@okay.net>,
        MIchael Wack <Michel-Wack@t-online.de>,
        Veit Wafzig <veitwafzig@t-online.de>,
        Kuno Wagner <kuno.tap@t-online.de>,
        =?ISO-8859-1?Q?Andr=E9?= Wirths <uzsoi3@uni-bonn.de>,
        Frieder Zimmermann <Quohrenmpg@aol.com>
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>
> Dear friends,
> we received the following mail and found the virus at our hard-disc in
the
> directory c:/windows/command/
> We have an active (software) virus-scanner!!!
>
> PLEASE CHECK YOUR HARDDISC!!! PROBABLY YOU RECEIVED THE VIRUS TOO!!!
>
> Good luck!!!
>
>
> > >Subject: SERIOUS VIRUS
> > >
> > >
> > >URGENT.  A VIRUS could be in your computer files
> > >> now, dormant but will become active on June 1.
> > >> FOLLOW DIRECTIONS BELOW TO CHECK IF YOU HAVE IT
> > >> AND   TO REMOVE IT NOW.
> > >>
> > >> It was brought to my attention yesterday that a
> > >> virus is in circulation via email. I looked for it
> > >> and to my surprise I found it on mine. .
> > >>
> > >> Please follow the directions and remove it from
> > >> yours TODAY!!
> > >>
> > >> No Virus software can detect it.  It will become
> > >> active on June 1, 2001.
> > >>
> > >> It might be too late by then. It wipes out all
> > >> files and folders on the hard drive. This virus
> > >> travels through E-mail and migrates to the
> > >>
> > >> 'C:\windows\command' folder.  To find it and get
> > >> rid of it off of your computer, do the  following.
> > >>
> > >> Go to the "START" button.
> > >> Go to "FIND" or "SEARCH"
> > >> Go to "FILES & FOLDERS"
> > >> Make sure the find box is searching the "C:"
> > >> drive.
> > >> Type in;   SULFNBK.EXE
> > >> Begin search.
> > >>
> > >> If it finds it, highlight it.
> > >> Go to 'File'  and delete it.
> > >> Close the find Dialog box
> > >> Open the Recycle Bin
> > >> Find the file and delete it from the Recycle bin
> > >> You should be safe.
> > >>
> > >> The bad part is: You need to contact everyone you
> > >> have sent ANY E-mail to in the past few months.
> > >> Many major companies have found this virus on
> > >> their
> > >> computers. Please help your friends !!!!!!!!
> > >>
> > >> DO NOT RELY ON YOUR ANTI-VIRUS SOFTWARE. McAFEE
> > >> and
> > >> NORTON CANNOT DETECT IT BECAUSE IT DOES NOT BECOME
> > >> A VIRUS UNTIL JUNE 1ST.
> > >>
> > >> WHATEVER YOU DO, DO NOT OPEN THE FILE!!!
> > >
> > >
> > >
> >
> >
> >
> >
>
>



From Loopers-Delight-request@loopers-delight.com  Thu May 31 22:15:23 2001
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Date: Thu, 31 May 2001 22:12:16 -0400
To: Loopers-Delight@loopers-delight.com
From: Tim Nelson <tcn62@ici.net>
Subject: Re: Fw: serious (dormant!) virus!
In-Reply-To: <200105312153_MC3-D3D7-79D2@compuserve.com>
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ATTENTION! THIS IS A HOAX!

It's a non-virus "virus", or rather, it's a prank that will result in your
removing an essential Windows file if you follow the directions, and you'll
have to re-install your operating system.

My sister fell for it two days ago, and I heard the full report about the
hoax this afternoon on NPR.

Tim


>At 09:53 PM 5/31/01 -0400, you wrote:
>
>>
>> Dear friends,
>> we received the following mail and found the virus at our hard-disc in
>the
>> directory c:/windows/command/
>> We have an active (software) virus-scanner!!!

blah blah blah

From Loopers-Delight-request@loopers-delight.com  Thu May 31 22:15:43 2001
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Date: Thu, 31 May 2001 22:15:16 -0400
From: Scott Carr <scott@tapehissrecordings.com>
Organization: Tapehiss Recordings
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To: Loopers-Delight@loopers-delight.com
CC: UDELHOVEN <udelhoven@t-online.de>, Peter Andreas <peter.a@jendasign.de>,
        Gregor Arz <upstroke@hotmail.com>, Mike Ayers <mayers@gibson.com>,
        Paul 
	Bailey <paul-bailey@wanadoo.fr>,
        Almut Barz <Almut.Barz@firemail.de>,
        Frank Berressem <FB-home@t-online.de>,
        Kimberlin Blackstone 
	<stealthcatt@hotmail.com>,
        Jonathan Brainin <jbrainin@interactive.net>,
        "Walter =?iso-8859-1?Q?Br=FChn?=" <walterbruehn@netcologne.de>,
        Alessandro Bruno <a.bruno@email.telpress.it>,
        Carol Callister 
	<carol-callister@wanadoo.fr>,
        lucie compton <luciecompton@hotmail.com>,
        Solongo Damdin <sdamdin@yahoo.com>,
        Loopers Delight 
	<Loopers-Delight@annihilist.com>,
        Digigram <input@digigram.com>, Kim 
	Flint <kflint@annihilist.com>,
        "Florian =?iso-8859-1?Q?F=FCrst?=" 
	<ffmusik@ffmusik.de>,
        Curt Golden <curtgolden@aol.com>,
        "Nicole B. Graham"
	 <nicolebgraham@hotmail.com>,
        Jens Grattentaler <gratte@aol.com>, Asita 
	Hamidi <asita@freesurf.ch>,
        Ralph Herrnkind 
	<ralph.herrnkind@netcologne.de>,
        "=?iso-8859-1?Q?R=FCdiger?= Hoffmann" 
	<ruedikhoffmann@t-online.de>,
        "Tilmann =?iso-8859-1?Q?H=F6hn?=" 
	<uta.til@t-online.de>,
        Alan Hoover <HooverA@tce.com>, Chris Jaeker 
	<JTCAgency@aol.com>,
        Heinrich von Kalnein 
	<Heinrich_von_Kalnein@compuserve.com>,
        Uschi Laar 
	<uschi.laar@t-online.de>,
        Vanessa Merg <vmerg@uni-bielefeld.de>,
        Hernan 
	Nunez <hnunez@compuserve.com>, John Peters <ANET@aol.com>,
        Michael 
	Peters <mpeters@csi.com>, Philipp Quaet-Faslem <PeqF@gmx.de>,
        Abi von 
	Reininghaus <abi.r@t-online.de>,
        Markus Reuter <taster@gmx.de>, Tony 
	Rowell <t.rowell@virgin.net>,
        Axel Rudolph <RudolphAx@aol.com>,
        Hannsjoerg Scheid <hscheid@hazzazar.com>,
        Peter Spoecker 
	<peter@didgeridoings.com>,
        EGO SYStems <techsupport@egosys.net>, Tino 
	<kaspar-hauser@gmx.li>,
        David Torn <texture444@aol.com>,
        "Eduard 
	=?iso-8859-1?Q?T=FCske?=" <phantom.guitars@okay.net>,
        MIchael Wack 
	<Michel-Wack@t-online.de>,
        Veit Wafzig <veitwafzig@t-online.de>,
        Kuno 
	Wagner <kuno.tap@t-online.de>,
        "=?iso-8859-1?Q?Andr=E9?= Wirths" 
	<uzsoi3@uni-bonn.de>,
        Frieder Zimmermann <Quohrenmpg@aol.com>
Subject: Re: Fw: serious (dormant!) virus! (HOAX)
References: <200105312153_MC3-D3D7-79D2@compuserve.com>
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http://www.symantec.com/avcenter/venc/data/sulfnbk.exe.warning.html

Leander REININGHAUS wrote:
> 
> >
> > Dear friends,
> > we received the following mail and found the virus at our hard-disc in
> the
> > directory c:/windows/command/
> > We have an active (software) virus-scanner!!!
> >
> > PLEASE CHECK YOUR HARDDISC!!! PROBABLY YOU RECEIVED THE VIRUS TOO!!!
> >
> > Good luck!!!
> >
> >
> > > >Subject: SERIOUS VIRUS
> > > >
> > > >
> > > >URGENT.  A VIRUS could be in your computer files
> > > >> now, dormant but will become active on June 1.
> > > >> FOLLOW DIRECTIONS BELOW TO CHECK IF YOU HAVE IT
> > > >> AND   TO REMOVE IT NOW.
> > > >>
> > > >> It was brought to my attention yesterday that a
> > > >> virus is in circulation via email. I looked for it
> > > >> and to my surprise I found it on mine. .
> > > >>
> > > >> Please follow the directions and remove it from
> > > >> yours TODAY!!
> > > >>
> > > >> No Virus software can detect it.  It will become
> > > >> active on June 1, 2001.
> > > >>
> > > >> It might be too late by then. It wipes out all
> > > >> files and folders on the hard drive. This virus
> > > >> travels through E-mail and migrates to the
> > > >>
> > > >> 'C:\windows\command' folder.  To find it and get
> > > >> rid of it off of your computer, do the  following.
> > > >>
> > > >> Go to the "START" button.
> > > >> Go to "FIND" or "SEARCH"
> > > >> Go to "FILES & FOLDERS"
> > > >> Make sure the find box is searching the "C:"
> > > >> drive.
> > > >> Type in;   SULFNBK.EXE
> > > >> Begin search.
> > > >>
> > > >> If it finds it, highlight it.
> > > >> Go to 'File'  and delete it.
> > > >> Close the find Dialog box
> > > >> Open the Recycle Bin
> > > >> Find the file and delete it from the Recycle bin
> > > >> You should be safe.
> > > >>
> > > >> The bad part is: You need to contact everyone you
> > > >> have sent ANY E-mail to in the past few months.
> > > >> Many major companies have found this virus on
> > > >> their
> > > >> computers. Please help your friends !!!!!!!!
> > > >>
> > > >> DO NOT RELY ON YOUR ANTI-VIRUS SOFTWARE. McAFEE
> > > >> and
> > > >> NORTON CANNOT DETECT IT BECAUSE IT DOES NOT BECOME
> > > >> A VIRUS UNTIL JUNE 1ST.
> > > >>
> > > >> WHATEVER YOU DO, DO NOT OPEN THE FILE!!!
> > > >
> > > >
> > > >
> > >
> > >
> > >
> > >
> >
> >

-- 
~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%
  Visit the the home of Hebephrenic, The Hot Buttered Elves, & Sunshine

                     http://www.tapehissrecordings.com

         and our sites at the worlds largest online cut-out bin

                    http://mp3.com/hotbutteredelves
                      http://mp3.com/hebephrenica
                    http://mp3.com/sunshineallthetime
~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%~%

From Loopers-Delight-request@loopers-delight.com  Thu May 31 22:25:25 2001
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Date: Thu, 31 May 2001 22:22:46 -0400 (EDT)
From: Steve Burnett <sburnett@webslingerz.com>
To: <Loopers-Delight@loopers-delight.com>
Cc: UDELHOVEN <udelhoven@t-online.de>, Peter Andreas <peter.a@jendasign.de>,
        Gregor Arz <upstroke@hotmail.com>, Mike Ayers <mayers@gibson.com>,
        Paul Bailey <paul-bailey@wanadoo.fr>,
        Almut Barz <Almut.Barz@firemail.de>,
        Frank Berressem <FB-home@t-online.de>,
        Kimberlin Blackstone <stealthcatt@hotmail.com>,
        Jonathan Brainin <jbrainin@interactive.net>,
        Walter =?ISO-8859-1?Q?Br=FChn?= <walterbruehn@netcologne.de>,
        Alessandro Bruno <a.bruno@email.telpress.it>,
        Carol Callister <carol-callister@wanadoo.fr>,
        lucie compton <luciecompton@hotmail.com>,
        Solongo Damdin <sdamdin@yahoo.com>,
        Loopers Delight <Loopers-Delight@annihilist.com>,
        Digigram <input@digigram.com>, Kim Flint <kflint@annihilist.com>,
        Florian =?ISO-8859-1?Q?F=FCrst?= <ffmusik@ffmusik.de>,
        Curt Golden <curtgolden@aol.com>,
        "Nicole B. Graham" <nicolebgraham@hotmail.com>,
        Jens Grattentaler <gratte@aol.com>, Asita Hamidi <asita@freesurf.ch>,
        Ralph Herrnkind <ralph.herrnkind@netcologne.de>,
        =?ISO-8859-1?Q?R=FCdiger?= Hoffmann <ruedikhoffmann@t-online.de>,
        Tilmann =?ISO-8859-1?Q?H=F6hn?= <uta.til@t-online.de>,
        Alan Hoover <HooverA@tce.com>, Chris Jaeker <JTCAgency@aol.com>,
        Heinrich von Kalnein <Heinrich_von_Kalnein@compuserve.com>,
        Uschi Laar <uschi.laar@t-online.de>,
        Vanessa Merg <vmerg@uni-bielefeld.de>,
        Hernan Nunez <hnunez@compuserve.com>, John Peters <ANET@aol.com>,
        Michael Peters <mpeters@csi.com>, Philipp Quaet-Faslem <PeqF@gmx.de>,
        Abi von Reininghaus <abi.r@t-online.de>, Markus Reuter <taster@gmx.de>,
        Tony Rowell <t.rowell@virgin.net>, Axel Rudolph <RudolphAx@aol.com>,
        Hannsjoerg Scheid <hscheid@hazzazar.com>,
        Peter Spoecker <peter@didgeridoings.com>,
        EGO SYStems <techsupport@egosys.net>, Tino <kaspar-hauser@gmx.li>,
        David Torn <texture444@aol.com>,
        Eduard =?ISO-8859-1?Q?T=FCske?= <phantom.guitars@okay.net>,
        MIchael Wack <Michel-Wack@t-online.de>,
        Veit Wafzig <veitwafzig@t-online.de>,
        Kuno Wagner <kuno.tap@t-online.de>,
        =?ISO-8859-1?Q?Andr=E9?= Wirths <uzsoi3@uni-bonn.de>,
        Frieder Zimmermann <Quohrenmpg@aol.com>
Subject: Re: Fw: serious (dormant!) virus!
In-Reply-To: <200105312153_MC3-D3D7-79D2@compuserve.com>
Message-ID: <Pine.LNX.4.33.0105312221160.5763-100000@benjamin.webslingerZ.com>
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This is a hoax. Details are here:
http://www.symantec.com/avcenter/venc/data/sulfnbk.exe.warning.html

best,
Steve

>At 09:53 PM 5/31/01 -0400, you wrote:
>
>>
>> Dear friends,
>> we received the following mail and found the virus at our hard-disc in
>the
>> directory c:/windows/command/
>> We have an active (software) virus-scanner!!!
-- 
----------------------------------------------------------------
Steve Burnett    Admin, webslingerZ     sburnett@webslingerz.com
             http://www.webslingerz.com/sburnett

From Loopers-Delight-request@loopers-delight.com  Thu May 31 22:36:53 2001
Return-Path: <Loopers-Delight-request@loopers-delight.com>
Received: (from looper@localhost)
	by hemlock.violacea.com (8.9.3/8.9.3) id WAA20664;
	Thu, 31 May 2001 22:35:15 -0400
Resent-Date: Thu, 31 May 2001 22:35:15 -0400
Old-Return-Path: <pbaugher@digitalskyline.com>
From: "Paul A. Baugher" <pbaugher@digitalskyline.com>
To: <Loopers-Delight@loopers-delight.com>,
        "'UDELHOVEN'" <udelhoven@t-online.de>,
        "'Peter Andreas'" <peter.a@jendasign.de>,
        "'Gregor Arz'" <upstroke@hotmail.com>,
        "'Mike Ayers'" <mayers@gibson.com>,
        "'Paul Bailey'" <paul-bailey@wanadoo.fr>,
        "'Almut Barz'" <Almut.Barz@firemail.de>,
        "'Frank Berressem'" <FB-home@t-online.de>,
        "'Kimberlin Blackstone'" <stealthcatt@hotmail.com>,
        "'Jonathan Brainin'" <jbrainin@interactive.net>,
        "=?iso-8859-1?Q?'Walter_Br=FChn'?=" <walterbruehn@netcologne.de>,
        "'Alessandro Bruno'" <a.bruno@email.telpress.it>,
        "'Carol Callister'" <carol-callister@wanadoo.fr>,
        "'lucie compton'" <luciecompton@hotmail.com>,
        "'Solongo Damdin'" <sdamdin@yahoo.com>,
        "'Loopers Delight'" <Loopers-Delight@annihilist.com>,
        "'Digigram'" <input@digigram.com>,
        "'Kim Flint'" <kflint@annihilist.com>,
        "=?iso-8859-1?Q?'Florian_F=FCrst'?=" <ffmusik@ffmusik.de>,
        "'Curt Golden'" <curtgolden@aol.com>,
        "'Nicole B. Graham'" <nicolebgraham@hotmail.com>,
        "'Jens Grattentaler'" <gratte@aol.com>,
        "'Asita Hamidi'" <asita@freesurf.ch>,
        "'Ralph Herrnkind'" <ralph.herrnkind@netcologne.de>,
        "=?iso-8859-1?Q?'R=FCdiger_Hoffmann'?=" <ruedikhoffmann@t-online.de>,
        "=?iso-8859-1?Q?'Tilmann_H=F6hn'?=" <uta.til@t-online.de>,
        "'Alan Hoover'" <HooverA@tce.com>,
        "'Chris Jaeker'" <JTCAgency@aol.com>,
        "'Heinrich von Kalnein'" <Heinrich_von_Kalnein@compuserve.com>,
        "'Uschi Laar'" <uschi.laar@t-online.de>,
        "'Vanessa Merg'" <vmerg@uni-bielefeld.de>,
        "'Hernan Nunez'" <hnunez@compuserve.com>,
        "'John Peters'" <ANET@aol.com>, "'Michael Peters'" <mpeters@csi.com>,
        "'Philipp Quaet-Faslem'" <PeqF@gmx.de>,
        "'Abi von Reininghaus'" <abi.r@t-online.de>,
        "'Markus Reuter'" <taster@gmx.de>,
        "'Tony Rowell'" <t.rowell@virgin.net>,
        "'Axel Rudolph'" <RudolphAx@aol.com>,
        "'Hannsjoerg Scheid'" <hscheid@hazzazar.com>,
        "'Peter Spoecker'" <peter@didgeridoings.com>,
        "'EGO SYStems'" <techsupport@egosys.net>,
        "'Tino'" <kaspar-hauser@gmx.li>, "'David Torn'" <texture444@aol.com>,
        "=?iso-8859-1?Q?'Eduard_T=FCske'?=" <phantom.guitars@okay.net>,
        "'MIchael Wack'" <Michel-Wack@t-online.de>,
        "'Veit Wafzig'" <veitwafzig@t-online.de>,
        "'Kuno Wagner'" <kuno.tap@t-online.de>,
        "=?iso-8859-1?Q?'Andr=E9_Wirths'?=" <uzsoi3@uni-bonn.de>,
        "'Frieder Zimmermann'" <Quohrenmpg@aol.com>
Subject: RE: serious (dormant!) virus!
Date: Thu, 31 May 2001 22:32:52 -0400
Message-ID: <001701c0ea43$28d9e190$5e00a8c0@athlon>
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While your at it why don't you just type format c: at your dos prompt...
there's a virus on your machine called Windows.... really.. don't listen to
this, it's a hoax.

-pb

-----Original Message-----
From: Leander REININGHAUS [mailto:LEALOOP@compuserve.com]
Sent: Thursday, May 31, 2001 9:53 PM
To: UDELHOVEN; Peter Andreas; Gregor Arz; Mike Ayers; Paul Bailey; Almut
Barz; Frank Berressem; Kimberlin Blackstone; Jonathan Brainin; Walter
Brühn; Alessandro Bruno; Carol Callister; lucie compton; Solongo Damdin;
Loopers Delight; Digigram; Kim Flint; Florian Fürst; Curt Golden; Nicole
B. Graham; Jens Grattentaler; Asita Hamidi; Ralph Herrnkind; Rüdiger
Hoffmann; Tilmann Höhn; Alan Hoover; Chris Jaeker; Heinrich von Kalnein;
Uschi Laar; Vanessa Merg; Hernan Nunez; John Peters; Michael Peters;
Philipp Quaet-Faslem; Abi von Reininghaus; Markus Reuter; Tony Rowell;
Axel Rudolph; Hannsjoerg Scheid; Peter Spoecker; EGO SYStems; Tino;
David Torn; Eduard Tüske; MIchael Wack; Veit Wafzig; Kuno Wagner; André
Wirths; Frieder Zimmermann
Subject: Fw: serious (dormant!) virus!



>
> Dear friends,
> we received the following mail and found the virus at our hard-disc in
the
> directory c:/windows/command/
> We have an active (software) virus-scanner!!!
>
> PLEASE CHECK YOUR HARDDISC!!! PROBABLY YOU RECEIVED THE VIRUS TOO!!!
>
> Good luck!!!
>
>
> > >Subject: SERIOUS VIRUS
> > >
> > >
> > >URGENT.  A VIRUS could be in your computer files
> > >> now, dormant but will become active on June 1.
> > >> FOLLOW DIRECTIONS BELOW TO CHECK IF YOU HAVE IT
> > >> AND   TO REMOVE IT NOW.
> > >>
> > >> It was brought to my attention yesterday that a
> > >> virus is in circulation via email. I looked for it
> > >> and to my surprise I found it on mine. .
> > >>
> > >> Please follow the directions and remove it from
> > >> yours TODAY!!
> > >>
> > >> No Virus software can detect it.  It will become
> > >> active on June 1, 2001.
> > >>
> > >> It might be too late by then. It wipes out all
> > >> files and folders on the hard drive. This virus
> > >> travels through E-mail and migrates to the
> > >>
> > >> 'C:\windows\command' folder.  To find it and get
> > >> rid of it off of your computer, do the  following.
> > >>
> > >> Go to the "START" button.
> > >> Go to "FIND" or "SEARCH"
> > >> Go to "FILES & FOLDERS"
> > >> Make sure the find box is searching the "C:"
> > >> drive.
> > >> Type in;   SULFNBK.EXE
> > >> Begin search.
> > >>
> > >> If it finds it, highlight it.
> > >> Go to 'File'  and delete it.
> > >> Close the find Dialog box
> > >> Open the Recycle Bin
> > >> Find the file and delete it from the Recycle bin
> > >> You should be safe.
> > >>
> > >> The bad part is: You need to contact everyone you
> > >> have sent ANY E-mail to in the past few months.
> > >> Many major companies have found this virus on
> > >> their
> > >> computers. Please help your friends !!!!!!!!
> > >>
> > >> DO NOT RELY ON YOUR ANTI-VIRUS SOFTWARE. McAFEE
> > >> and
> > >> NORTON CANNOT DETECT IT BECAUSE IT DOES NOT BECOME
> > >> A VIRUS UNTIL JUNE 1ST.
> > >>
> > >> WHATEVER YOU DO, DO NOT OPEN THE FILE!!!
> > >
> > >
> > >
> >
> >
> >
> >
>
>




From Loopers-Delight-request@loopers-delight.com  Thu May 31 22:41:27 2001
Return-Path: <Loopers-Delight-request@loopers-delight.com>
Received: (from looper@localhost)
	by hemlock.violacea.com (8.9.3/8.9.3) id WAA20856;
	Thu, 31 May 2001 22:39:52 -0400
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Old-Return-Path: <anvil@lcc.net>
Message-ID: <000501c0ea55$8d637880$0300a8c0@txucom.net>
Reply-To: "Tom Peirce Baker" <tombaker@electricid.com>
From: "Tom Peirce Baker" <anvil@lcc.net>
To: <Loopers-Delight@loopers-delight.com>
References: <001701c0ea43$28d9e190$5e00a8c0@athlon>
Subject: Re: serious (dormant!) virus!
Date: Thu, 31 May 2001 21:44:26 -0700
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What is this file?
----- Original Message -----
From: Paul A. Baugher <pbaugher@digitalskyline.com>
To: <Loopers-Delight@loopers-delight.com>; 'UDELHOVEN'
<udelhoven@t-online.de>; 'Peter Andreas' <peter.a@jendasign.de>; 'Gregor
Arz' <upstroke@hotmail.com>; 'Mike Ayers' <mayers@gibson.com>; 'Paul Bailey'
<paul-bailey@wanadoo.fr>; 'Almut Barz' <Almut.Barz@firemail.de>; 'Frank
Berressem' <FB-home@t-online.de>; 'Kimberlin Blackstone'
<stealthcatt@hotmail.com>; 'Jonathan Brainin' <jbrainin@interactive.net>;
'Walter Brühn' <walterbruehn@netcologne.de>; 'Alessandro Bruno'
<a.bruno@email.telpress.it>; 'Carol Callister' <carol-callister@wanadoo.fr>;
'lucie compton' <luciecompton@hotmail.com>; 'Solongo Damdin'
<sdamdin@yahoo.com>; 'Loopers Delight' <Loopers-Delight@annihilist.com>;
'Digigram' <input@digigram.com>; 'Kim Flint' <kflint@annihilist.com>;
'Florian Fürst' <ffmusik@ffmusik.de>; 'Curt Golden' <curtgolden@aol.com>;
'Nicole B. Graham' <nicolebgraham@hotmail.com>; 'Jens Grattenta
Sent: Thursday, May 31, 2001 7:32 PM
Subject: RE: serious (dormant!) virus!


> While your at it why don't you just type format c: at your dos prompt...
> there's a virus on your machine called Windows.... really.. don't listen
to
> this, it's a hoax.
>
> -pb
>
> -----Original Message-----
> From: Leander REININGHAUS [mailto:LEALOOP@compuserve.com]
> Sent: Thursday, May 31, 2001 9:53 PM
> To: UDELHOVEN; Peter Andreas; Gregor Arz; Mike Ayers; Paul Bailey; Almut
> Barz; Frank Berressem; Kimberlin Blackstone; Jonathan Brainin; Walter
> Brühn; Alessandro Bruno; Carol Callister; lucie compton; Solongo Damdin;
> Loopers Delight; Digigram; Kim Flint; Florian Fürst; Curt Golden; Nicole
> B. Graham; Jens Grattentaler; Asita Hamidi; Ralph Herrnkind; Rüdiger
> Hoffmann; Tilmann Höhn; Alan Hoover; Chris Jaeker; Heinrich von Kalnein;
> Uschi Laar; Vanessa Merg; Hernan Nunez; John Peters; Michael Peters;
> Philipp Quaet-Faslem; Abi von Reininghaus; Markus Reuter; Tony Rowell;
> Axel Rudolph; Hannsjoerg Scheid; Peter Spoecker; EGO SYStems; Tino;
> David Torn; Eduard Tüske; MIchael Wack; Veit Wafzig; Kuno Wagner; André
> Wirths; Frieder Zimmermann
> Subject: Fw: serious (dormant!) virus!
>
>
>
> >
> > Dear friends,
> > we received the following mail and found the virus at our hard-disc in
> the
> > directory c:/windows/command/
> > We have an active (software) virus-scanner!!!
> >
> > PLEASE CHECK YOUR HARDDISC!!! PROBABLY YOU RECEIVED THE VIRUS TOO!!!
> >
> > Good luck!!!
> >
> >
> > > >Subject: SERIOUS VIRUS
> > > >
> > > >
> > > >URGENT.  A VIRUS could be in your computer files
> > > >> now, dormant but will become active on June 1.
> > > >> FOLLOW DIRECTIONS BELOW TO CHECK IF YOU HAVE IT
> > > >> AND   TO REMOVE IT NOW.
> > > >>
> > > >> It was brought to my attention yesterday that a
> > > >> virus is in circulation via email. I looked for it
> > > >> and to my surprise I found it on mine. .
> > > >>
> > > >> Please follow the directions and remove it from
> > > >> yours TODAY!!
> > > >>
> > > >> No Virus software can detect it.  It will become
> > > >> active on June 1, 2001.
> > > >>
> > > >> It might be too late by then. It wipes out all
> > > >> files and folders on the hard drive. This virus
> > > >> travels through E-mail and migrates to the
> > > >>
> > > >> 'C:\windows\command' folder.  To find it and get
> > > >> rid of it off of your computer, do the  following.
> > > >>
> > > >> Go to the "START" button.
> > > >> Go to "FIND" or "SEARCH"
> > > >> Go to "FILES & FOLDERS"
> > > >> Make sure the find box is searching the "C:"
> > > >> drive.
> > > >> Type in;   SULFNBK.EXE
> > > >> Begin search.
> > > >>
> > > >> If it finds it, highlight it.
> > > >> Go to 'File'  and delete it.
> > > >> Close the find Dialog box
> > > >> Open the Recycle Bin
> > > >> Find the file and delete it from the Recycle bin
> > > >> You should be safe.
> > > >>
> > > >> The bad part is: You need to contact everyone you
> > > >> have sent ANY E-mail to in the past few months.
> > > >> Many major companies have found this virus on
> > > >> their
> > > >> computers. Please help your friends !!!!!!!!
> > > >>
> > > >> DO NOT RELY ON YOUR ANTI-VIRUS SOFTWARE. McAFEE
> > > >> and
> > > >> NORTON CANNOT DETECT IT BECAUSE IT DOES NOT BECOME
> > > >> A VIRUS UNTIL JUNE 1ST.
> > > >>
> > > >> WHATEVER YOU DO, DO NOT OPEN THE FILE!!!
> > > >
> > > >
> > > >
> > >
> > >
> > >
> > >
> >
> >
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Thu May 31 22:42:35 2001
Return-Path: <Loopers-Delight-request@loopers-delight.com>
Received: (from looper@localhost)
	by hemlock.violacea.com (8.9.3/8.9.3) id WAA20902;
	Thu, 31 May 2001 22:40:43 -0400
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Old-Return-Path: <anvil@lcc.net>
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Reply-To: "Tom Peirce Baker" <tombaker@electricid.com>
From: "Tom Peirce Baker" <anvil@lcc.net>
To: <Loopers-Delight@loopers-delight.com>
References: <001701c0ea43$28d9e190$5e00a8c0@athlon>
Subject: Re: serious (dormant!) virus!
Date: Thu, 31 May 2001 21:45:36 -0700
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	charset="iso-8859-1"
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doh! nevermind
----- Original Message -----
From: Paul A. Baugher <pbaugher@digitalskyline.com>
To: <Loopers-Delight@loopers-delight.com>; 'UDELHOVEN'
<udelhoven@t-online.de>; 'Peter Andreas' <peter.a@jendasign.de>; 'Gregor
Arz' <upstroke@hotmail.com>; 'Mike Ayers' <mayers@gibson.com>; 'Paul Bailey'
<paul-bailey@wanadoo.fr>; 'Almut Barz' <Almut.Barz@firemail.de>; 'Frank
Berressem' <FB-home@t-online.de>; 'Kimberlin Blackstone'
<stealthcatt@hotmail.com>; 'Jonathan Brainin' <jbrainin@interactive.net>;
'Walter Brühn' <walterbruehn@netcologne.de>; 'Alessandro Bruno'
<a.bruno@email.telpress.it>; 'Carol Callister' <carol-callister@wanadoo.fr>;
'lucie compton' <luciecompton@hotmail.com>; 'Solongo Damdin'
<sdamdin@yahoo.com>; 'Loopers Delight' <Loopers-Delight@annihilist.com>;
'Digigram' <input@digigram.com>; 'Kim Flint' <kflint@annihilist.com>;
'Florian Fürst' <ffmusik@ffmusik.de>; 'Curt Golden' <curtgolden@aol.com>;
'Nicole B. Graham' <nicolebgraham@hotmail.com>; 'Jens Grattenta
Sent: Thursday, May 31, 2001 7:32 PM
Subject: RE: serious (dormant!) virus!


> While your at it why don't you just type format c: at your dos prompt...
> there's a virus on your machine called Windows.... really.. don't listen
to
> this, it's a hoax.
>
> -pb
>
> -----Original Message-----
> From: Leander REININGHAUS [mailto:LEALOOP@compuserve.com]
> Sent: Thursday, May 31, 2001 9:53 PM
> To: UDELHOVEN; Peter Andreas; Gregor Arz; Mike Ayers; Paul Bailey; Almut
> Barz; Frank Berressem; Kimberlin Blackstone; Jonathan Brainin; Walter
> Brühn; Alessandro Bruno; Carol Callister; lucie compton; Solongo Damdin;
> Loopers Delight; Digigram; Kim Flint; Florian Fürst; Curt Golden; Nicole
> B. Graham; Jens Grattentaler; Asita Hamidi; Ralph Herrnkind; Rüdiger
> Hoffmann; Tilmann Höhn; Alan Hoover; Chris Jaeker; Heinrich von Kalnein;
> Uschi Laar; Vanessa Merg; Hernan Nunez; John Peters; Michael Peters;
> Philipp Quaet-Faslem; Abi von Reininghaus; Markus Reuter; Tony Rowell;
> Axel Rudolph; Hannsjoerg Scheid; Peter Spoecker; EGO SYStems; Tino;
> David Torn; Eduard Tüske; MIchael Wack; Veit Wafzig; Kuno Wagner; André
> Wirths; Frieder Zimmermann
> Subject: Fw: serious (dormant!) virus!
>
>
>
> >
> > Dear friends,
> > we received the following mail and found the virus at our hard-disc in
> the
> > directory c:/windows/command/
> > We have an active (software) virus-scanner!!!
> >
> > PLEASE CHECK YOUR HARDDISC!!! PROBABLY YOU RECEIVED THE VIRUS TOO!!!
> >
> > Good luck!!!
> >
> >
> > > >Subject: SERIOUS VIRUS
> > > >
> > > >
> > > >URGENT.  A VIRUS could be in your computer files
> > > >> now, dormant but will become active on June 1.
> > > >> FOLLOW DIRECTIONS BELOW TO CHECK IF YOU HAVE IT
> > > >> AND   TO REMOVE IT NOW.
> > > >>
> > > >> It was brought to my attention yesterday that a
> > > >> virus is in circulation via email. I looked for it
> > > >> and to my surprise I found it on mine. .
> > > >>
> > > >> Please follow the directions and remove it from
> > > >> yours TODAY!!
> > > >>
> > > >> No Virus software can detect it.  It will become
> > > >> active on June 1, 2001.
> > > >>
> > > >> It might be too late by then. It wipes out all
> > > >> files and folders on the hard drive. This virus
> > > >> travels through E-mail and migrates to the
> > > >>
> > > >> 'C:\windows\command' folder.  To find it and get
> > > >> rid of it off of your computer, do the  following.
> > > >>
> > > >> Go to the "START" button.
> > > >> Go to "FIND" or "SEARCH"
> > > >> Go to "FILES & FOLDERS"
> > > >> Make sure the find box is searching the "C:"
> > > >> drive.
> > > >> Type in;   SULFNBK.EXE
> > > >> Begin search.
> > > >>
> > > >> If it finds it, highlight it.
> > > >> Go to 'File'  and delete it.
> > > >> Close the find Dialog box
> > > >> Open the Recycle Bin
> > > >> Find the file and delete it from the Recycle bin
> > > >> You should be safe.
> > > >>
> > > >> The bad part is: You need to contact everyone you
> > > >> have sent ANY E-mail to in the past few months.
> > > >> Many major companies have found this virus on
> > > >> their
> > > >> computers. Please help your friends !!!!!!!!
> > > >>
> > > >> DO NOT RELY ON YOUR ANTI-VIRUS SOFTWARE. McAFEE
> > > >> and
> > > >> NORTON CANNOT DETECT IT BECAUSE IT DOES NOT BECOME
> > > >> A VIRUS UNTIL JUNE 1ST.
> > > >>
> > > >> WHATEVER YOU DO, DO NOT OPEN THE FILE!!!
> > > >
> > > >
> > > >
> > >
> > >
> > >
> > >
> >
> >
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Thu May 31 23:59:38 2001
Return-Path: <Loopers-Delight-request@loopers-delight.com>
Received: (from looper@localhost)
	by hemlock.violacea.com (8.9.3/8.9.3) id XAA23431;
	Thu, 31 May 2001 23:57:26 -0400
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Old-Return-Path: <GLOBAL@cruzio.com>
Message-ID: <00f001c0ea4f$02810620$d842f93f@global>
From: "Rick Walker \(loop.pool\)" <GLOBAL@cruzio.com>
To: <Loopers-Delight@loopers-delight.com>
References: <200106010017.UAA14968@hemlock.violacea.com>
Subject: Re: looped jaw harp and kazoo?
Date: Thu, 31 May 2001 20:57:37 -0700
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Denis taaffe wrote to Simran Gleason:

"yes, but it can't be cool if you don't have a jaw harp and kazzoo quintet
to
back you up ?! haha,seriously, good luck with gig, whish I could be there to
hear some looping..."

Funny you should mention this, Denis:    I just did the opening/closing (I
played the crowd in and out
in the foyer) slot for the brilliant Residents  multi media show at the Rio
Theatre in Santa Cruz this last Saturday and, in one of the pieces that
pleased me the most (best to please oneself, eh?) . I ran
a concert pitched D hungarian jaw harp and ran it through one of those old
red Digitech Harmonizing Whammy Pedals, pitched down one octave, to create
my rhythmic loop.  Over it, I used a low pitched irish tin whistle, also
pitched down an octave which I then gutterally hummed an octave lower melody
as I blew the same melody whistle for my 'lead'.    That Digitech is really
archaic and really inhibits fidelity, but, in this case  it came out
sounding really, really cool.   You would have never known what instruments
I used, initially and I have the wonderful added option of sweeping the
footpedal form one octave below to normal pitch, which produced some really
beautiful and mysterious sounding
artifacts.  Who needs analogue synth 'bubbles'?

Sorry,   no kazoo, unfortunately (though I have used one in a faux
industrial looping experiments, previously).   Anyone ever catch the MTV
unplugged CURE show where they let three of the bands
fans sing the horn parts on kazoos for the song "Love Cats"?   Priceless!!!!

P.C. checkin:   Is it o.k. to admit
to loving the early Cure on loopers delight?


