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Subject: Re: droning questions
Date: Sun, 1 Apr 2001 08:40:16 +0100
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Hah :)

Great minds think alike.

Gareth


>
> For years I've had the wish to add sympathetic strings to the guitar. The
way
> I'd imagined this being done would be to use two guitars. The first would
have
> some sort of pickup for the six (or however many you have !) strings. This
> signal would then be fed to another guitar - I think an old acoustic would
work
> well here - maybe a 12-string. This is where my idea needs work, but maybe
the
> Sustainiac string driver could be adapted. The sound from the first guitar
is
> applied to the strings of the second one in a controlled way in order to
produce
> sympathetic vibrations - I'd originally thought of doing this by fitting
the
> guitar with an internal speaker of some kind, but a transducer such as the
> sustainiac or a conventional pickup (fed from a preamp) may be persuaded
to work
> in reverse. The sound of the sympathetic strings could then be mixed with
the
> sound from the first guitar using a conventional pickup on the second
guitar.
> The advantage of this setup is that you have a greater range of tuning for
the
> longer sympathetic strings, and you can also adjust their volume with
respect to
> the main signal. I have a feeling that the original Coral Sitar Guitar
relied on
> the strings vibrating using the resonance (?) of the solid body of the
guitar.
> This would probably work if you were standing next to a 200w stack (which
would
> set the guitar and your internal organs resonating), but I doubt if they
create
> any sort of discernible sound in most other situations - I've never played
one,
> but I imagine that this is the case.
> As with a lot of my ideas, this has languished without being put into
practice,
> mainly because of the need for a suitable string driver in the second
guitar. If
> anybody has any suggestions as to how this could be achieved, I would be
very
> interested !
>
> John Mcleod
>
>
> James Pokorny wrote:
>
> > Gareth wrote:
> > >there was a thing calling itself an electric sitar with 12 sympathetic
> > >strings under a Perspex cover and a sitar type bridge.
> >
> > >Tuning of the extra strings was done with a sort of autoharp/dulcimer
key.
> >
> > I've seen this type of guitar and have to chime in (pun fully intended)
that
> > these type of strings are not truly sympathetic strings.  That is, they
> > don't really resonate when the main strings are plucked.  I think the
> > intention of that design is to imitate the multiple strings of the
sitar.
> > However, when they're located too far from the main playing strings they
> > won't begin to vibrate spontaneously from the sound of the main strings.
My
> > feeling is that they're included on this type of instrument to simulate
the
> > tinkling, cascading zither-like sound called "jhankar" that we associate
> > with the rapid brushing of the sitar's sympathetic strings.  As an
aside,
> > this sound used to be exclusively a "tuning check" of these strings and
was
> > never incorporated into the actual music itself until Pandit Ravi
Shankar
> > began using it as a sort of punctuation device between phrases or
sections
> > of the raga's development.
> >
> > >Another type of guitar ran the sympathetic strings at an angle to the
main
> > >guitar strings and under them, where they intersected. It had a
protruding
> > >pseudo-neck coming out at an angle along which the sympathetic strings
> > >ran.
> >
> > This instrument sounds as though the additional strings really would
work
> > "sympathetically" due to their resting beneath the main strings.  I'm
not
> > really sure how effective this would all be on an electric instrument,
> > though, since the pickup would essentially replace the resonator.  I
have
> > half a dozen traditional "ethnic" instruments that use sympathetic
strings
> > and of course, they're all purely acoustic.  Most have very thin wooden
> > faces that emphasize a bright sound and rich harmonics, and some of them
> > have skin-covered resonators, which also really liven and expand the
sound
> > (think banjo vs guitar).  My Indian instruments (sitar, surbahar,
dilruba)
> > also have specific "twanging" bridges for the sympathetic strings that
> > increase their resonance.  I've found that on some of these instruments
it's
> > taken a long time (up to 5 years) for the instruments to 'warm up'
enough
> > that the sympathetic strings really begin to "speak."  I feel that this
is
> > due to the density of the wood in the neck along which they run,
underneath
> > the main strings.  So I wonder how well sympathetic strings would
vibrate in
> > the absence of a resonator?
> >
> > Anyway, my 2 "cents" [monetary, not tuning intervals  :-) ]
> >
> > James
>

From Loopers-Delight-request@loopers-delight.com  Sun Apr  1 03:46:24 2001
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Subject: Re: droning questions
Date: Sat, 31 Mar 2001 18:46:44 +0100
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That's one of the models I saw.

>That's the exact arrangement of the original Danelectro Vinnie Bell Coral
>electric sitar, and subsequently the version made by Jerry Jones that was
>based on it, which you can see at
><http://www.jerryjonesguitars.com/Master%20sitar.htm>.

>
Interesting - Some sort of sustainiac arrangement where the source pitches
came from the main fret board but the driver exited the sympathetic strings
could be fruitful. Quick, patent it : )

Gareth

> I've seen this type of guitar and have to chime in (pun fully intended)
that
> these type of strings are not truly sympathetic strings.  That is, they
> don't really resonate when the main strings are plucked.  I think the
> intention of that design is to imitate the multiple strings of the sitar.
> However, when they're located too far from the main playing strings they
> won't begin to vibrate spontaneously from the sound of the main strings.
My
> feeling is that they're included on this type of instrument to simulate
the
> tinkling, cascading zither-like sound called "jhankar" that we associate
> with the rapid brushing of the sitar's sympathetic strings.  As an aside,
> this sound used to be exclusively a "tuning check" of these strings and
was
> never incorporated into the actual music itself until Pandit Ravi Shankar
> began using it as a sort of punctuation device between phrases or sections
> of the raga's development.
>
> >Another type of guitar ran the sympathetic strings at an angle to the
main
> >guitar strings and under them, where they intersected. It had a
protruding
> >pseudo-neck coming out at an angle along which the sympathetic strings
> >ran.
>
> This instrument sounds as though the additional strings really would work
> "sympathetically" due to their resting beneath the main strings.  I'm not
> really sure how effective this would all be on an electric instrument,
> though, since the pickup would essentially replace the resonator.  I have
> half a dozen traditional "ethnic" instruments that use sympathetic strings
> and of course, they're all purely acoustic.  Most have very thin wooden
> faces that emphasize a bright sound and rich harmonics, and some of them
> have skin-covered resonators, which also really liven and expand the sound
> (think banjo vs guitar).  My Indian instruments (sitar, surbahar, dilruba)
> also have specific "twanging" bridges for the sympathetic strings that
> increase their resonance.  I've found that on some of these instruments
it's
> taken a long time (up to 5 years) for the instruments to 'warm up' enough
> that the sympathetic strings really begin to "speak."  I feel that this is
> due to the density of the wood in the neck along which they run,
underneath
> the main strings.  So I wonder how well sympathetic strings would vibrate
in
> the absence of a resonator?
>
> Anyway, my 2 "cents" [monetary, not tuning intervals  :-) ]
>
> James
>

From Loopers-Delight-request@loopers-delight.com  Sun Apr  1 05:29:14 2001
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	 <Loopers-Delight@loopers-delight.com>
Subject: AW: MMM Splatter cell?
Date: Sun, 1 Apr 2001 11:18:03 +0200
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> MMM Splatter cell?
> It may hve been covered already... but any advice on this ?
> Olivier Malhomme


Are you talking about David Torn's CD Splattercell? If you like David's 
more recent music, you'll love this CD. He's getting more experimental and 
creative every time. I love this record.


=	michael peters
=	electronic music & strange attractors
=	http://www.mpeters.de/mpeweb


From Loopers-Delight-request@loopers-delight.com  Sun Apr  1 11:51:02 2001
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Date: Sun, 1 Apr 2001 11:47:38 EDT
Subject: HAPPY BIRTHDAY
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--part1_34.13183399.27f8a79a_boundary
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HAPPY BIRTHDAY to the folks at CT-PROJECT.....2 years and 13 CDs 
later.....way to go!.....thanks for the music.....michael

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>HAPPY BIRTHDAY to the folks at CT-PROJECT.....2 years and 13 CDs 
<BR>later.....way to go!.....thanks for the music.....michael</FONT></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sun Apr  1 13:20:09 2001
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From: SConner100@aol.com
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Date: Sun, 1 Apr 2001 13:16:57 EDT
Subject: Oberheim DPX-1.....
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I work in a store that has a broken Oberheim DPX-1. Not sure what's wrong 
with it though. The question I have is; is this unit worth getting and having 
fixed? I'll be getting it for practically nothing. Also, if it's worth 
getting fixed, who could do that kind of work? Are there any modifications 
that can be made to the unit?
Any and all help is greatly appreciated.
THANX!!!!!

Later,
Scott

From Loopers-Delight-request@loopers-delight.com  Sun Apr  1 13:25:50 2001
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Date: Mon, 2 Apr 2001 02:23:35 +0900
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From: Sunao Inami <cave@osk.3web.ne.jp>
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Hi Loopers,

"Looper's Delight J" web page updated.

http://www.cavestudio.com/LD_J/2001/

We got about 15 loops via FTP for our gig.
Please mail me if you did upload it.
I don't know who did upload of some loops.

I want to add uploader's name for our web page when we finished "Looper's 
Delight J".

  Regards

Sunao Inami
http://www.cavestudio.com

From Loopers-Delight-request@loopers-delight.com  Sun Apr  1 16:07:09 2001
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At 12:07 PM +0000 3/28/01, Robert Eberwein wrote:
>I'd like to suggest that, righteous indignation aside, all copy 
>write laws will be coming into question soon.

Actually, that's "copyright," in other words "the right to copy."

I sympathize with your feelings about lawyers and galleries, though I 
would take the argument in a different direction. I think that since 
unique art works can be such profitable commodities, it seems only 
fair that the artist should participate in the profits from resale. 
Why should a painter who originally bartered a work to pay off his 
bar tab not receive a cut when that same painting sells at auction 
for $500,000 a few years down the line?

>The idea that the *artist* has only allowed 235 to be made- and shut 
>the negative away, is about as bogus a notion as has been conceived.

If you believe that the idea of tying value to scarcity is bogus, 
then I think you'd have to agree that capitalism is equally bogus. 
Destroying the lithograph stone is equivalent to OPEC's limiting oil 
production to drive prices up.


>nothing in my code of ethics tells me that I can not give my 
>cakewalk discs to my drummer. Hearing people call that *theft* gets 
>my goat... Once I buy Cakewalk it's mine.

When you buy a software license you are under legal contract NOT to 
give away or sell the software. If you violate that contract you are 
either a liar for agreeing to something you never intended to honor, 
or you are a thief.  Of course, you've declared that you live by your 
own code of ethics that places you above the copyright law, so none 
of that should matter to you.

A software program such as Cakewalk is a professional tool that took 
many programmer-years and considerable financial investment to 
develop. It's not some bit of aesthetic inspiration floating freely 
on the breezes of collective creativity. Companies need to sell these 
programs to stay in business, and since the market is of limited size 
and increasing competitiveness it really does hurt when sales are 
diminished by software theft. I didn't really care about these things 
until I started to work with software companies, but when I saw the 
real impact on real people I  woke up. For example:

A few years ago the leading program for sound editing on the 
Macintosh was Alchemy by Blank Software. The company was tiny; when I 
knew them there were only four people. Like most music software 
Alchemy was copy-protected, though the number of key disk 
installations was generous compared to some. Also, like most 
copy-protected software, a cracked version began to make the rounds. 
The program was very popular, but sales continued to decline. I 
remember talking to their marketing director at a trade show and 
being told that in that month they had sold NO copies of Alchemy! A 
few months later the main programmer quit, and shortly after that the 
program was sold to a larger company, Passport Designs. Passport took 
the copy protection off, but rather than generating good will and 
greater sales the product tanked. It was discontinued soon thereafter.
-- 

______________________________________________________________
Richard Zvonar, PhD			zvonar@zvonar.com
(818) 788-2202 voice			zvonar@LCSaudio.com
(818) 788-2203 fax			zvonar@well.com

		 http://www.zvonar.com

   <http://www.live365.com/cgi-bin/directory.cgi?autostart=rz>

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I have set up a Loopers Delight station on Live365.com.  The name of 
the station is "Loopers Delight" and it will be streaming 24/7 at 32 
Kpbs as soon as enough material has been uploaded.

I don't have time to do all the uploading myself, so in the spirit of 
collaboration I propose that we open up the management of the station 
to all interested parties.  Write to me directly and I'll give you 
the password.
-- 

______________________________________________________________
Richard Zvonar, PhD			zvonar@zvonar.com
(818) 788-2202 voice			zvonar@LCSaudio.com
(818) 788-2203 fax			zvonar@well.com

		 http://www.zvonar.com

   <http://www.live365.com/cgi-bin/directory.cgi?autostart=rz>

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>Date: Sun, 01 Apr 2001 10:10:07 -0400
>From: Ned Bouhalassa <nedb@videotron.ca>
>Subject: Sloof Lirpa Vocal Processor
>Sender: owner-cecdiscuss@concordia.ca
>To: CECDiscuss <cecdiscuss@concordia.ca>
>
>
>WOW! Forget Bell Labs, check this out:
>
>http://www.harmony-central.com/Newp/2001/SAP-1.html

-- 

______________________________________________________________
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		 http://www.zvonar.com

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From Loopers-Delight-request@loopers-delight.com  Sun Apr  1 19:18:27 2001
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From: "Massimo Liverani" <massliv@dada.it>
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Subject: A guitarloop work.
Date: Mon, 2 Apr 2001 01:06:37 +0200
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Hi! I'm always been actracted by looping sounds since the first time =
that i heard it. - Frippertronics (in 1979)
I'm 40 and I play guitar. After having spent a whole year to find a =
jam-man i did found it. (and also a Vortex !)=20
I live in Italy (Florence) and for italian people looping music is not =
very popular. :-(
I've made a CD using a setup composed by  Jam-man, Vortex, =
ElectroHamonics microsintesizer.
Me and other 2 guitarist are going to do a looping live perfomance here =
in Florence with 3 Jam-man all conncected together with natural sounds =
noises, etc etc.
Are you interested to listen the CD and support  the live =
perfomance?...not with money! :-)=20
If you want i can send a copy.
Bye and long live looping-music and loopingdelight!
MaX


------=_NextPart_000_0021_01C0BB11.2AF34CC0
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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.2014.210" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV>Hi! I'm always been actracted by looping sounds since the first =
time that i=20
heard it. - Frippertronics (in 1979)</DIV>
<DIV>I'm 40 and I play guitar. After having spent a whole year to find a =
jam-man=20
i did found it. (and&nbsp;also a Vortex&nbsp;!) </DIV>
<DIV>I live in Italy (Florence) and for italian people looping music is =
not very=20
popular. :-(</DIV>
<DIV>I've made a CD using a setup composed by &nbsp;Jam-man, Vortex,=20
ElectroHamonics microsintesizer.</DIV>
<DIV>Me and other 2 guitarist are going to do a looping live perfomance =
here in=20
Florence with 3 Jam-man all conncected together with natural sounds =
noises, etc=20
etc.</DIV>
<DIV>Are you interested to listen the CD and support&nbsp; the live=20
perfomance?...not with&nbsp;money! :-) </DIV>
<DIV>If you want i can send a copy.</DIV>
<DIV>Bye and long live looping-music and loopingdelight!</DIV>
<DIV>MaX</DIV>
<DIV>&nbsp;</DIV></BODY></HTML>

------=_NextPart_000_0021_01C0BB11.2AF34CC0--

From Loopers-Delight-request@loopers-delight.com  Sun Apr  1 20:04:19 2001
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From: "Jimmy George" <jimmyg@jimmygeorgearts.com>
To: <Loopers-Delight@loopers-delight.com>
References: <v04210a07b6d5500c4db5@[210.251.108.151]> <v04210a04b6ed12c83d72@[210.251.108.151]>
Subject: Traveling Tips Need ...
Date: Sun, 1 Apr 2001 19:04:04 -0500
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hello fellow loopers. i am trying to find the best cheapest and most
reliably safe way to get me and my equipment from here, austin texas, to
there, new york, and back for some shows in may of this year. grey hound
looks to be the best at 300 round trip. the luggage will consist of one
large duffle equipment bag at 70 lbs one amp (johnson mill stereo 150) at 72
lbs one clothes duffle bag say er .. 30 lbs or so and my two carry on
kinscherff acoustic guitars in their reunion blues gig bags. both the amp,
equipment duffle and guitars are very fragile. any input with traveling tips
is mucho appreciated.

also i have a few shows booked and am still looking for other ny venues that
would house my looping performance appropriately. here is a snippet of my
looping bio to give you an idea of the show itself. its sounds are
reminiscent of peter gabrial, king crimson and bobby mcfarren.

"Jimmy George's current 'Looping Extravaganza Show' combines his acoustic
guitar and vocal virtuosity with a state of the art electronics invention
allowing him to 'real time sample' his guitar and voice into a
foot-controlled recorder. He then layers numerous other guitar and vocal
parts into his initial Loop thus creating beautiful, and at times one of a
kind, compositions live before your very eyes and ears! Nothing is
prerecorded. As you listen know that you are hearing the show as one person
was playing it. You really have to see it to believe it!"

thanks to all. and thanks for your commitment and continuous antics in the
world of loopers delight!

special thanx to kim!

peace
jimmy george
http://www.jimmygeorgearts.com


From Loopers-Delight-request@loopers-delight.com  Sun Apr  1 20:53:32 2001
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Here's what I use for a sitar type - very loosely meaning.

try either a Electro Harmonix Electris Mistress Flanger set it matrix mode.  it
is a flanger sound without the sweep (movement) also you could try some of the
resonator patches on a digitech xp300 space station ....like steel drum
sounds...

hope this gives you some options.

Regards,

Anthony


From Loopers-Delight-request@loopers-delight.com  Mon Apr  2 09:51:24 2001
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> on 2/4/01 12:06 AM, Massimo Liverani at massliv@dada.it wrote:
> 
> Hi! I'm always been actracted by looping sounds since the first time that i
> heard it. - Frippertronics (in 1979)
> I'm 40 and I play guitar. After having spent a whole year to find a jam-man i
> did found it. (and also a Vortex !)
> I live in Italy (Florence) and for italian people looping music is not very
> popular. :-(
> I've made a CD using a setup composed by  Jam-man, Vortex, ElectroHamonics
> microsintesizer.
> Me and other 2 guitarist are going to do a looping live perfomance here in
> Florence with 3 Jam-man all conncected together with natural sounds noises,
> etc etc.
> Are you interested to listen the CD and support  the live perfomance?...not
> with money! :-) 
> If you want i can send a copy.
> Bye and long live looping-music and loopingdelight!
> MaX
> 
Coincidenze..
Ho 44 anni, sono un chitarrista (Italiano anche se vivo in Inghilterra) e ho
cominciato a suonare looped guitars molti anni fa dopo aver sentito i primi
esperimenti di Fripp.
Ho un  piccola casa di distribuzione di musica "insolita" su Internet, se mi
mandi una copia del tuo CD magari posso includerlo nel catalogo.
Il sito è in via di completo rifacimento perchè è cresciuto troppo e la
pagina catalogo con i campioni musicali dai vari cd è diventata lenta. Tra
un paio di settimane il nuovo sito, con molti nuovi CD e la possibilità di
pagare con carta di credito, sarà attivato.
Dai un'occhiata a com'è al momento e se ti sembra adatto mandami una copia
dei tuoi lavori e vediamo se riesco a vendertene un po'.

http://www.rustyrobot.com

il mio indirizzo postale è:
Roberto Battista
57 Great North Road
Barnet, Herts EN5 1AY
Inghilterra

______________________________________________
Roberto Battista
http://www.robat.scl.net
http://www.robat.scl.net/lectures/index.shtm
Tel. 0044 020 8449 1995
Mobile 0775 960 4344
______________________________________________
http://www.rustyrobot.com
independent on-line music distribution,
the music you can't find elsewhere,
contemporary classical, eclectic, world...
______________________________________________
http://www.robat.scl.net/html/tibet/tibet.shtm
an exciting project on technology applied to
mobile education for developing countries and
remote locations...
______________________________________________

From Loopers-Delight-request@loopers-delight.com  Mon Apr  2 10:38:15 2001
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Hey Max,

When is the performance?
Wouldn't it be better to post up an MP3 of your CD?
I'd be keen to hear it.

Ciao,

Gareth

Me and other 2 guitarist are going to do a looping live performance here in
Florence with 3 Jam-man all conncected together with natural sounds noises,
etc etc.
Are you interested to listen the CD and support  the live perfomance?...not
with money! :-)
If you want i can send a copy.
Bye and long live looping-music and loopingdelight!
MaX


From Loopers-Delight-request@loopers-delight.com  Mon Apr  2 10:41:06 2001
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From: "Richard Zvonar" <zvonar@zvonar.com>
> 
> I sympathize with your feelings about lawyers and galleries, though I 
> would take the argument in a different direction. I think that since 
> unique art works can be such profitable commodities, it seems only 
> fair that the artist should participate in the profits from resale. 
> Why should a painter who originally bartered a work to pay off his 
> bar tab not receive a cut when that same painting sells at auction 
> for $500,000 a few years down the line?
> 

what if it is actually worth $0 a few years down the line?
this is, in fact, the most likely outcome...

does he have to pay his bar tab plus interest?

From Loopers-Delight-request@loopers-delight.com  Mon Apr  2 10:43:16 2001
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Hi guys,
I've managed to get my hands on the guts of a leslie cabinet recently and
have been expermenting with it. With the speed on slow, loops, (especially
drones) sound incredible. The effect is quite beautiful. It really does
sound like the sound is rotating. It's a more tangible effect than chorus,
flanging etc. I've found that adding the effect to my normal stereo speaker
setup gives a sutle movement to the sound.
I'll be using this live from now on - yet another box to carry !
Is anyone else using leslies ? I have access to another so I'll be hooking
that one up soon : )

Gareth


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I've been using a Leslie Speakers as an extension speaker...Most recently I 
picked up a Motion Sound amp which has the Leslie rotating speaker concept 
built in it....sounds awesome.

I drive the unit with an Ultrasound acoustic guitar amp as the primary amp 
and the Motion sound as the secondary amp....big sound!  Using the flamenco 
guitar with RMC pickups as the tone source.  Since the RMC's drive a Roland 
synth, too....I can run the synth output directly to a separate channel in 
the Motion Sound Amp.  

Regards, Wayne 

 

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>I've been using a Leslie Speakers as an extension speaker...Most recently I 
<BR>picked up a Motion Sound amp which has the Leslie rotating speaker concept 
<BR>built in it....sounds awesome.
<BR>
<BR>I drive the unit with an Ultrasound acoustic guitar amp as the primary amp 
<BR>and the Motion sound as the secondary amp....big sound! &nbsp;Using the flamenco 
<BR>guitar with RMC pickups as the tone source. &nbsp;Since the RMC's drive a Roland 
<BR>synth, too....I can run the synth output directly to a separate channel in 
<BR>the Motion Sound Amp. &nbsp;
<BR>
<BR>Regards, Wayne 
<BR>
<BR> </FONT></HTML>

--part1_be.123ac0c1.27f9ec1a_boundary--

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This is just too cool... Happy birthday everyone!

-Miko

>>> nemoguitt@aol.com 04/01/01 08:47AM >>>
HAPPY BIRTHDAY to the folks at CT-PROJECT.....2 years and 13 CDs 
later.....way to go!.....thanks for the music.....michael

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Boss/Roland EV-5 works well for mine... 

-Miko

>>> sginn@airmail.net 03/31/01 08:26AM >>>
What kind of expression pedals are most using with the PMC10?  Also, does
anyone know if the Yamaha FC7 expression pedal will work ... I have heard
that for some equipment like the POD DL-4 it won't.

Thanks,
Steve


From Loopers-Delight-request@loopers-delight.com  Mon Apr  2 12:37:00 2001
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	 <Loopers-Delight@loopers-delight.com>
Subject: RE: Traveling Tips Need ...
Date: Mon, 2 Apr 2001 09:29:28 -0700 
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Wow, a bus trip from Austin to NY and back with your equipment in bags. That
should inspire some good blues tunes when you are finished.

A few thoughts:
Chances are you and your baggage will be transferring busses several times
during your journey which adds the risk of things getting bashed about.

If you can borrow or rent an amp in NY you will save alot of effort in
transporting yours.

Duffel bags offer very little protection even if you pad all of your fragile
stuff with your clothes. Get a trunk, pad it with foam and pad lock it. Army
surplus is one source for affordable trunks.

Get hard-shell cases for your axes. Carrying one in a bag is tough enough to
protect but 2 is very tough to keep track of. There is always the
possibility of once you have them stashed in an overhead someone will come
along and cram their luggage into your axes with alot of force.

Travel as light as you possibly can and get insurance if you can. Who's
gonna watch your stuff when you have to use the restroom at a strange bus
station?

If you have to take that much and pack like that seriously consider driving
yourself.

Good luck!
Toby Gray
http://DavidLaFlamme.com
http://theRoadBand.com

From Loopers-Delight-request@loopers-delight.com  Mon Apr  2 14:13:33 2001
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At 9:34 AM -0500 4/2/01, jim palmer wrote:

>what if it is actually worth $0 a few years down the line?
>this is, in fact, the most likely outcome...
>
>does he have to pay his bar tab plus interest?

That's just silly and beside the point.
-- 

______________________________________________________________
Richard Zvonar, PhD			zvonar@zvonar.com
(818) 788-2202 voice			zvonar@LCSaudio.com
(818) 788-2203 fax			zvonar@well.com

		 http://www.zvonar.com

   <http://www.live365.com/cgi-bin/directory.cgi?autostart=rz>

From Loopers-Delight-request@loopers-delight.com  Mon Apr  2 14:26:22 2001
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Date: Mon, 2 Apr 2001 14:22:15 EDT
Subject: OT: various gtrs/mixer/fx for sale
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folks,
in case yer interested:
here's a short list of some of my stuff that's currently for sale.

gtrs:
1965 Kapa (Hofner, but mfd. in usa) Continental, bluegreen, veryverygood 
cond., 2 incredible pickups, funky old-school vibrato bridge, original case 
is cosmetically worn & marked w/sharpie: $700.

1995 Ibanez Talman, greenblue, good cond. (probly needs a l'il work on the 
neck), 2 humcancelling p90 pickups, vibrato bridge, $200.

1993 Fender mini-Stratocaster, near mint cond., (s'posedly, only 75 of these 
non-toy mini-strats were imported into the usa from japan), 3 pickups w/5-way 
switch, vibrato bridge, lake placid blue, custom case, probly needs a l'il 
work on the neck as it's live its mini-life w/a 'nashville'-stringing: $900.

1997 Crews Maniac Sound 3/4-sized weirdo electric guitar w/built in amp & 
ratty speaker, clean & dist. positions, silver sparkle (looks a bit like a 
smallerised ErnieBall guitar, w/a 4/2 headstock), one lipstick tube pickup, 
modified to allow the output to function as a send/return (so ye can use yer 
fx & the internal amp), no case: $425.

fx:
digitech dhp 55, 1-rack space wacky multi-fx w/polyphonic smart 
'harmonisation', dist/overdrive, comp., reverb, delays, etc. (pretty cool 
thingy): $450.

waldorf mini-works 4-pole filter, desktop unit (mono in/stereo out), fully 
midified, purty fat-sounding analog filter: $325.

mixer:
ashly audio mx508, 3-rack space 8-channel stereo mixer w/nice mic pre's, 
various outputs (incl. front panel headphone), factory modified to include 2 
pre-fader aux sends, seen a bit o'travel, http://ashly.com/mixers.htm: $950.

buyer pays shipping.

best,
splatter-sale / dt

From Loopers-Delight-request@loopers-delight.com  Mon Apr  2 14:45:19 2001
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Date: Mon, 2 Apr 2001 14:41:05 -0400 (EDT)
From: "Brian Thomson, Dublin IE" <bnt@email.com>
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Olivier Malhomme asked: "It may hve been covered already... but any advice on this ?"

You mean, like, is it any good? Short answer: Yes! Pretty mad stuff, very danceable, especially for the mutants among us (bwahahaha...)

Another loop-related recommendation: "Heaven & Earth" by ProjeKct X. The extra "K" probably gives it away - this is King Crimson's "mangled outtakes" album from the "ConstruKction of Light" sessions. Warning: highly speaker-unfriendly. 

NP: station "Placekeeper Vol. 3" on mp3.com - http://stations.mp3s.com/stations/173/placekeeper_vol3.html - "Prepared Guitar" by noiseOmatic1000 - ohmygawd...
Brian Thomson, Dublin IE
bnt@email.com

(ceci n'est pas un .sig)

-----------------------------------------------
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From Loopers-Delight-request@loopers-delight.com  Mon Apr  2 15:13:07 2001
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From: "Eric Williamson" <erwill@suitandtieguy.com>
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Subject: Re: Leslie cabinet ... HELL FRIPPIN' YEAH!!!
Date: Mon, 2 Apr 2001 13:58:11 -0500
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>I'll be using this live from now on - yet another box to carry !

Welcome to the wonderful world of Hammond/Leslie addiction. There are support
groups to be found ... nowhere!! haha ...

>Is anyone else using leslies ? I have access to another so I'll be hooking
>that one up soon : )

I own more Leslies than the Chovits own EDPs. I gig with a pair of 122s and a
Hammond C-3, and can't ever go back. Korg Z1+RDS7.6(with delay time tweak for
that david torn sound)+organ+leslie=incredible sensual experience

The bad ass leslie, the centrepiece of my collection, is a 31h. Made in 1948, it
features an electromagnetic (!) woofer, and a 6L6 quartet in the class A amp
circuit. It's also the only leslie that can reproduce the extreme low
frequencies of the Hammond pedalboard, which can give LTJ Bukem a run for his
money.

Leslies are one of the coolest but _never_ used tools for the creation of
ambient music ... second only to the Hammond (or Pauline Oliveros' accordion,
haha).

I am lacking any ambient stuff with leslie on my site ... i'll let you guys know
if that changes.

Eric Williamson
www.suitandtieguy.com



From Loopers-Delight-request@loopers-delight.com  Mon Apr  2 15:50:16 2001
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References: <OE61ZbjfmOJlgl3oK0z00000c20@hotmail.com> <002e01c0a2aa$3d2440e0$0201a8c0@stephen>
Subject: Re: Sound Card question
Date: Mon, 2 Apr 2001 12:44:49 -0700
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This is a multi-part message in MIME format.

------=_NextPart_000_0044_01C0BB72.B4827BD0
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An SBLive has given me nothing but grief, trying to install it on a =
win2k server here at work. I bought it to >Avoid< greif, figuring the =
best selling sound card must have all the bugs ironed out.

The support person hung up on me, while I walked away for 5 seconds to =
reset the machine. I could already tell by the tone in his voice that he =
knew there was no solution.

THe SBlive is also very picky regarding the PCI slot it gets under =
win98. I learnt that on my home machine.

For multimedia and Digital Audio, I would suggest 98SE as the OS to use, =
unless the software you want to use runs well on 2k. Logic Audio doesn't =
run at all. The Sound Forge stuff does.

  I can recommend the SBLive card.  I've got the MP3+ model, which lists =
at about $99.  I've not had a problem besides a brief conflict with the =
VIA chipset handling whenever new hardware is added to the bus, which is =
resolved by an IRQ sharing patch available from VIA.  An addon supplies =
5.1 surround as well.

  Stephen Goodman
  http://www.earthlight.net/Gallery.html - Online Cartoons & =
Illustrations
  http://www.earthlight.net/Studios * The free Loop of the Week!
  http://www.mp3.com/StephenGoodman * New MP3 Releases!


  ----- Original Message -----=20
  From: Jeffrey Robert=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: 01 March 2001 16:20 PM
  Subject: Sound Card question


  Hello,
  I have a hardware question for you all.  I want to start putting my =
loops online but I don't know what kind of soundcard to get.  Any =
suggestions on an inexpensive sound card?  My setup is a Yamaha MD-4  =
--> soundcard?  ---> Windows 2000 machine? =20
  Which raises another question, with the new Windows operating systems =
ME and 2000, which is better for multi-media applications like editing =
music?  ME seems quite buggy, but supposedly more designed for this use. =
 Any feedback?
  thanks,
  Lew

------=_NextPart_000_0044_01C0BB72.B4827BD0
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 5.50.4611.1300" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>An SBLive has given me nothing but =
grief, trying to=20
install it on a win2k server here at work. I bought it to &gt;Avoid&lt; =
greif,=20
figuring the best selling sound card must have all the bugs ironed=20
out.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>The support person hung up on me, while =
I walked=20
away for 5 seconds to reset the machine. I could already tell by the =
tone in his=20
voice that he knew there was no solution.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>THe SBlive is also very picky regarding =
the PCI=20
slot it gets under win98. I learnt that&nbsp;on my&nbsp;home=20
machine.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>For multimedia and Digital Audio, I =
would suggest=20
98SE</FONT>&nbsp;<FONT face=3DArial size=3D2>as the OS to use, unless =
the software=20
you want to use runs well on 2k. Logic Audio doesn't run at all. The =
Sound Forge=20
stuff does.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV><FONT color=3D#000080>I can recommend the SBLive card.&nbsp; I've =
got the=20
  MP3+ model, which lists at about $99.&nbsp; I've not had a problem =
besides a=20
  brief conflict with the VIA chipset handling whenever new hardware is =
added to=20
  the bus, which is resolved by an IRQ sharing patch available from =
VIA.&nbsp;=20
  An addon supplies 5.1 surround as well.</FONT></DIV>
  <DIV><FONT color=3D#000080></FONT>&nbsp;</DIV>
  <DIV><FONT color=3D#000080>Stephen Goodman<BR><A=20
  =
href=3D"http://www.earthlight.net/Gallery.html">http://www.earthlight.net=
/Gallery.html</A>=20
  - Online Cartoons &amp; Illustrations<BR><A=20
  =
href=3D"http://www.earthlight.net/Studios">http://www.earthlight.net/Stud=
ios</A>=20
  * The free Loop of the Week!<BR><A=20
  =
href=3D"http://www.mp3.com/StephenGoodman">http://www.mp3.com/StephenGood=
man</A>=20
  * New MP3 Releases!</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT color=3D#000080></FONT>&nbsp;</DIV>
  <DIV style=3D"FONT: 10pt arial">----- Original Message -----=20
  <DIV style=3D"BACKGROUND: #e4e4e4; font-color: black"><B>From:</B> <A=20
  title=3Dlewbrew@hotmail.com =
href=3D"mailto:lewbrew@hotmail.com">Jeffrey Robert</A>=20
  </DIV>
  <DIV><B>To:</B> <A title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV><B>Sent:</B> 01 March 2001 16:20 PM</DIV>
  <DIV><B>Subject:</B> Sound Card question</DIV></DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial size=3D2>Hello,<BR>I have a hardware question =
for you=20
  all.&nbsp; I want to start putting my loops online but I don't know =
what kind=20
  of soundcard to get.&nbsp; Any suggestions on an inexpensive sound=20
  card?</FONT><FONT face=3DArial size=3D2>&nbsp; My setup is a Yamaha =
MD-4&nbsp;=20
  --&gt; soundcard?&nbsp; ---&gt; Windows 2000 machine?&nbsp; =
</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>Which raises another question, with =
the new=20
  Windows operating systems ME and 2000, which is better for multi-media =

  applications like editing music?&nbsp; ME seems quite buggy, but =
supposedly=20
  more designed for this use.&nbsp; Any feedback?</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>thanks,</FONT></DIV>
  <DIV><FONT face=3DArial =
size=3D2>Lew</FONT></DIV></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0044_01C0BB72.B4827BD0--

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To: <Loopers-Delight@loopers-delight.com>
References: <OE61ZbjfmOJlgl3oK0z00000c20@hotmail.com> <002e01c0a2aa$3d2440e0$0201a8c0@stephen> <004f01c0bbad$649c6000$4b0218ac@jnpr.net>
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I forgot to add: YMMV. I'm probably one of the only people to try =
installing Sound Blaster on a Compaq proliant server box, under win 2k =
Server edition, with an Osprey capture card.

Still, it gave me grief under 98 to, on a home built box.

  ----- Original Message -----=20
  From: Jonathan El-Bizri=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Monday, April 02, 2001 12:44 PM
  Subject: Re: Sound Card question



  An SBLive has given me nothing but grief, trying to install it on a =
win2k server here at work. I bought it to >Avoid< greif, figuring the =
best selling sound card must have all the bugs ironed out.

  The support person hung up on me, while I walked away for 5 seconds to =
reset the machine. I could already tell by the tone in his voice that he =
knew there was no solution.

  THe SBlive is also very picky regarding the PCI slot it gets under =
win98. I learnt that on my home machine.

  For multimedia and Digital Audio, I would suggest 98SE as the OS to =
use, unless the software you want to use runs well on 2k. Logic Audio =
doesn't run at all. The Sound Forge stuff does.

    I can recommend the SBLive card.  I've got the MP3+ model, which =
lists at about $99.  I've not had a problem besides a brief conflict =
with the VIA chipset handling whenever new hardware is added to the bus, =
which is resolved by an IRQ sharing patch available from VIA.  An addon =
supplies 5.1 surround as well.

    Stephen Goodman
    http://www.earthlight.net/Gallery.html - Online Cartoons & =
Illustrations
    http://www.earthlight.net/Studios * The free Loop of the Week!
    http://www.mp3.com/StephenGoodman * New MP3 Releases!


    ----- Original Message -----=20
    From: Jeffrey Robert=20
    To: Loopers-Delight@loopers-delight.com=20
    Sent: 01 March 2001 16:20 PM
    Subject: Sound Card question


    Hello,
    I have a hardware question for you all.  I want to start putting my =
loops online but I don't know what kind of soundcard to get.  Any =
suggestions on an inexpensive sound card?  My setup is a Yamaha MD-4  =
--> soundcard?  ---> Windows 2000 machine? =20
    Which raises another question, with the new Windows operating =
systems ME and 2000, which is better for multi-media applications like =
editing music?  ME seems quite buggy, but supposedly more designed for =
this use.  Any feedback?
    thanks,
    Lew

------=_NextPart_000_0008_01C0BB78.9E47D030
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 5.50.4611.1300" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I forgot to add: YMMV.&nbsp;I'm =
probably one of the=20
only people to try installing Sound Blaster on a Compaq proliant server =
box,=20
under win 2k Server&nbsp;edition,&nbsp;with an Osprey capture =
card.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Still, it gave me grief&nbsp;under 98 =
to, on a home=20
built box.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Djonathan@full-moon.com =
href=3D"mailto:jonathan@full-moon.com">Jonathan=20
  El-Bizri</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, April 02, 2001 =
12:44=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Sound Card =
question</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>An SBLive has given me nothing but =
grief, trying=20
  to install it on a win2k server here at work. I bought it to =
&gt;Avoid&lt;=20
  greif, figuring the best selling sound card must have all the bugs =
ironed=20
  out.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>The support person hung up on me, =
while I walked=20
  away for 5 seconds to reset the machine. I could already tell by the =
tone in=20
  his voice that he knew there was no solution.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>THe SBlive is also very picky =
regarding the PCI=20
  slot it gets under win98. I learnt that&nbsp;on my&nbsp;home=20
  machine.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>For multimedia and Digital Audio, I =
would suggest=20
  98SE</FONT>&nbsp;<FONT face=3DArial size=3D2>as the OS to use, unless =
the software=20
  you want to use runs well on 2k. Logic Audio doesn't run at all. The =
Sound=20
  Forge stuff does.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <BLOCKQUOTE dir=3Dltr=20
  style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
    <DIV><FONT color=3D#000080>I can recommend the SBLive card.&nbsp; =
I've got the=20
    MP3+ model, which lists at about $99.&nbsp; I've not had a problem =
besides a=20
    brief conflict with the VIA chipset handling whenever new hardware =
is added=20
    to the bus, which is resolved by an IRQ sharing patch available from =

    VIA.&nbsp; An addon supplies 5.1 surround as well.</FONT></DIV>
    <DIV><FONT color=3D#000080></FONT>&nbsp;</DIV>
    <DIV><FONT color=3D#000080>Stephen Goodman<BR><A=20
    =
href=3D"http://www.earthlight.net/Gallery.html">http://www.earthlight.net=
/Gallery.html</A>=20
    - Online Cartoons &amp; Illustrations<BR><A=20
    =
href=3D"http://www.earthlight.net/Studios">http://www.earthlight.net/Stud=
ios</A>=20
    * The free Loop of the Week!<BR><A=20
    =
href=3D"http://www.mp3.com/StephenGoodman">http://www.mp3.com/StephenGood=
man</A>=20
    * New MP3 Releases!</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT color=3D#000080></FONT>&nbsp;</DIV>
    <DIV style=3D"FONT: 10pt arial">----- Original Message -----=20
    <DIV style=3D"BACKGROUND: #e4e4e4; font-color: black"><B>From:</B> =
<A=20
    title=3Dlewbrew@hotmail.com =
href=3D"mailto:lewbrew@hotmail.com">Jeffrey=20
    Robert</A> </DIV>
    <DIV><B>To:</B> <A title=3DLoopers-Delight@loopers-delight.com=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
    </DIV>
    <DIV><B>Sent:</B> 01 March 2001 16:20 PM</DIV>
    <DIV><B>Subject:</B> Sound Card question</DIV></DIV>
    <DIV><BR></DIV>
    <DIV><FONT face=3DArial size=3D2>Hello,<BR>I have a hardware =
question for you=20
    all.&nbsp; I want to start putting my loops online but I don't know =
what=20
    kind of soundcard to get.&nbsp; Any suggestions on an inexpensive =
sound=20
    card?</FONT><FONT face=3DArial size=3D2>&nbsp; My setup is a Yamaha =
MD-4&nbsp;=20
    --&gt; soundcard?&nbsp; ---&gt; Windows 2000 machine?&nbsp; =
</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>Which raises another question, with =
the new=20
    Windows operating systems ME and 2000, which is better for =
multi-media=20
    applications like editing music?&nbsp; ME seems quite buggy, but =
supposedly=20
    more designed for this use.&nbsp; Any feedback?</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>thanks,</FONT></DIV>
    <DIV><FONT face=3DArial=20
size=3D2>Lew</FONT></DIV></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0008_01C0BB78.9E47D030--

From Loopers-Delight-request@loopers-delight.com  Mon Apr  2 17:26:58 2001
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Subject: Electrix repeater
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Greetings,

This is my first post to the Looper's Delight list!

Anybody had a chance to use the new Electrix Repeater? I haven't toyed with 
one yet, but it looks pretty powerful, a lot of features on it that I wish 
my Jamman had on it.
_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Mon Apr  2 17:29:40 2001
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Date: Sun, 01 Apr 2001 00:21:13 +0200
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"Are you talking about David Torn's CD Splattercell? If you like David's

more recent music, you'll love this CD. He's getting more experimental
and
creative every time. I love this record."

Yes definitely, I was.
My last connection with his work  was I think Guitar Oblique...

Olivier Malhomme



From Loopers-Delight-request@loopers-delight.com  Mon Apr  2 17:50:09 2001
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References: <v04210a07b6d5500c4db5@[210.251.108.151]> <v04210a04b6ed12c83d72@[210.251.108.151]> <000d01c0bb08$6e5e9a40$11624442@austin.rr.com>
Subject: OT--FS300 Footswitch--How Do I return it to its previous Wiring
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Subject line says it all, but here goes--
After trying the use of the FS300 as a foot controller for the Echoplex
Digital Pro, I have decided for various reasons to return to the use of the
EDP foot controller which I purchased with the EDP.  That being said, how do
I rewire the Digitech FS300 so that it once again functions as a TRS three
button footswitch?
Gary

From Loopers-Delight-request@loopers-delight.com  Mon Apr  2 18:09:52 2001
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Subject: Please support your local japanese Looper's Delight J loop fest
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Looks like gary someone (holgate?) and I have about 19 loops up
there on Sunao's ftp site.  I'd feel a little shorted if over
half of the loops up there were mine!

I've just been putting up anything I thought might be
interesting, without regard to whether they'll all be used or
not.  I heartily encourage anyone to throw loops at him.  I
think it'll be more interesting if more than like 4 people on
list contribute.  If 20 people contribute and Sunao only uses
one or two of my loops, that'd be great.  But I just wanna give
him as much stuff to play with as I can.  And the sooner he gets
stuff, the more time Sunao has to tweak and arrange, I'm
assuming.

Please outdo me.  Put stuff up you like better than mine.  Fart
across a waterbottle and loop the feedback.

Ok, enough unsolicited advertising.  I just think it'd be a
hoot.

Mike


From Loopers-Delight-request@loopers-delight.com  Mon Apr  2 19:09:18 2001
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Subject: Re: OT--FS300 Footswitch--How Do I return it to its previous Wiring
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did you keep the diodes that were in it?
one switch grounds the tip,
one switch grounds the sleeve,
the third is wired to both through the diodes,
so current can only flow from ground to tip and 
from ground to sleeve.
(the marked end of each diode connects to the jack)

----- Original Message ----- 
From: "Gary Lehmann" <relayonemanband@cts.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, April 02, 2001 4:48 PM
Subject: OT--FS300 Footswitch--How Do I return it to its previous Wiring


> Subject line says it all, but here goes--
> After trying the use of the FS300 as a foot controller for the Echoplex
> Digital Pro, I have decided for various reasons to return to the use of the
> EDP foot controller which I purchased with the EDP.  That being said, how do
> I rewire the Digitech FS300 so that it once again functions as a TRS three
> button footswitch?
> Gary
> 

From Loopers-Delight-request@loopers-delight.com  Mon Apr  2 19:09:38 2001
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hi loopers
i often work on my loops with electrix'filterfactory. did anybody ever
try to footcontrol the frequency of filterfactory with a cv-pedal (like
yamaha fc9)? electrix says it is possible, when i try it, it does not
work... 
christoph

From Loopers-Delight-request@loopers-delight.com  Mon Apr  2 20:03:29 2001
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Date: Mon, 2 Apr 2001 16:59:09 -0700
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Welcome Patrick,

Please put your fireproof suit on...

also, take a snoop around the archives...this topic has been battered 
until we're all exhausted.

t'aint out yet.  no one has used it.  except maybe Damon and Jamie. 
so, Damon?  Jamie?  Have you had a chance to use the Repeater? 
What'dya think?  Is it cool, or is it just a bunch of vaporware hype? 
:)

best,

rich



>Greetings,
>
>This is my first post to the Looper's Delight list!
>
>Anybody had a chance to use the new Electrix Repeater? I haven't 
>toyed with one yet, but it looks pretty powerful, a lot of features 
>on it that I wish my Jamman had on it.
>_________________________________________________________________
>Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Mon Apr  2 20:13:29 2001
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Date: Mon, 2 Apr 2001 20:08:32 EDT
Subject: Boomerang, what do you guys think ????
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So I already own a 32sec. Jamman, a Line 6 DL4. and I have a "Repeater" on 
order, Paid in full.

I am thinking about also purchasing a Boomerang pedal this week.  Any one 
have any pros and cons on this unit.  Is it true stereo or is it like the 
jamman ?
How is it's sound quality?  Any reasons why I should not get one?

Thanks, Paul

From Loopers-Delight-request@loopers-delight.com  Mon Apr  2 20:33:51 2001
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From: Todd Pafford <galen@erols.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Boomerang, what do you guys think ????
Date: Mon, 2 Apr 2001 20:32:47 -0400
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On Mon, 02 Apr 2001, XJ32@aol.com wrote:
> So I already own a 32sec. Jamman, a Line 6 DL4. and I have a "Repeater" on
> order, Paid in full.
>
> I am thinking about also purchasing a Boomerang pedal this week.  Any one
> have any pros and cons on this unit.  Is it true stereo or is it like the
> jamman ?
> How is it's sound quality?  Any reasons why I should not get one?
>
> Thanks, Paul

Lengthy discussions about the Boomerang can, of course, be found in the 
archives so I'll keep my response short.

Sound Quality:  There are two versions of the 'Rang, the original and the new 
'Rang Plus.  The original had somewhat questionable sound quality as it's 
sample rate was fairly low.  The Plus fixes this with the option of higher 
sample rates.  I own a 'Rang and haven't upgraded it yet.  The sound is not 
pristine, but most of the time I don't mind it.  

Fun Factor:  This is a very fun and easy to use unit.  What it lacks in 
features (compared with the EDP and others) it more than makes up for in 
simplicity.  Also the new 'Rang Plus adds a number of features I can't wait 
to get my hands on including the ability to work with two loops and more 
flexible speed adjustments.

Stereo:  It's not.  Period.  One input + one output = mono.  Sigh.  Also no 
way that I know of to get two and link them together to run stereo.

So, if you have a spare $400 or so lying around and want a fun, easy to use, 
tough as nails looper then go for it.  If you're looking for something to 
replace an EDP this probably won't cut it.

Hope that helped,
Todd

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Date: Mon, 02 Apr 2001 19:45:56 -0500
To: Loopers-Delight@loopers-delight.com
From: Michael Clark <mcl451@airmail.net>
Subject: Re: Electrix repeater - Please Not Again!
In-Reply-To: <p04330101b6eec1c6960e@[192.168.0.12]>
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At 04:59 PM 4/2/01 -0700, you wrote:
>Welcome Patrick,
>
>Please put your fireproof suit on...
>
>also, take a snoop around the archives...this topic has been battered 
>until we're all exhausted.
>
>t'aint out yet.  no one has used it.  except maybe Damon and Jamie. 
>so, Damon?  Jamie?  Have you had a chance to use the Repeater? 
>What'dya think?  Is it cool, or is it just a bunch of vaporware hype? 
>:)
>
>best,
>
>rich
>
>
>
>>Greetings,
>>
>>This is my first post to the Looper's Delight list!
>>
>>Anybody had a chance to use the new Electrix Repeater? I haven't 
>>toyed with one yet, but it looks pretty powerful, a lot of features 
>>on it that I wish my Jamman had on it.
>>_________________________________________________________________
>>Get your FREE download of MSN Explorer at http://explorer.msn.com
>
>

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Date: Mon, 2 Apr 2001 20:45:26 EDT
Subject: Re: Boomerang, what do you guys think ????
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In a message dated 4/2/01 8:31:36 PM Eastern Daylight Time, galen@erols.com 
writes:


>   

there are actually two outputs which you can send to different places and pan 
however you like, its not stereo but it still makes a big sound.....it is 
indeed the height of simplicity to use.....everyone should have a least 
one....:).....michael

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>In a message dated 4/2/01 8:31:36 PM Eastern Daylight Time, galen@erols.com 
<BR>writes:
<BR>
<BR>
<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px"> &nbsp;One input + one output = mono.</BLOCKQUOTE>
<BR>
<BR>there are actually two outputs which you can send to different places and pan 
<BR>however you like, its not stereo but it still makes a big sound.....it is 
<BR>indeed the height of simplicity to use.....everyone should have a least 
<BR>one....:).....michael</FONT></HTML>

--part1_67.11f900da.27fa7726_boundary--

From Loopers-Delight-request@loopers-delight.com  Mon Apr  2 21:01:08 2001
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Subject: OT--FS300 Footswitch Wiring
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> did you keep the diodes that were in it?

I never removed any parts (!)

> one switch grounds the tip,
> one switch grounds the sleeve,
> the third is wired to both through the diodes,
> so current can only flow from ground to tip and
> from ground to sleeve.
> (the marked end of each diode connects to the jack)

> ----- Original Message -----
> From: "Gary Lehmann" <relayonemanband@cts.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Monday, April 02, 2001 4:48 PM
> Subject: OT--FS300 Footswitch--How Do I return it to its previous Wiring
>
>
> > Subject line says it all, but here goes--
> > After trying the use of the FS300 as a foot controller for the Echoplex
> > Digital Pro, I have decided for various reasons to return to the use of
the
> > EDP foot controller which I purchased with the EDP.  That being said,
how do
> > I rewire the Digitech FS300 so that it once again functions as a TRS
three
> > button footswitch?
> > Gary

Oh--that's very different.  Guess I'm not as smart as I thought--
I'm not sure what to do now.
Gary

From Loopers-Delight-request@loopers-delight.com  Mon Apr  2 22:56:50 2001
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Date: Mon, 02 Apr 2001 21:53:06 -0500
Subject: OT: PMC10 programming
From: Steve Ginn <sginn@airmail.net>
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I apologize for being off topic, except that I don't know of another list
where there is such a concentration of PMC10 users.  If it would please
those on the list, reply to me off list if possible.

I am trying to further program my PMC10 to do things other than just change
patches and I am trying to understand the manual.  Specifically, I would
like to control my MPX1 effects processor with it so that I don't have to
keep an additional FS300 on the side for Tap, A/B and Bypass.  What I have
done is connect a TRS cable from the EXT Switch jack to the Footswitch Jack
on the MPX1 (in place of the FS300).  Then I have tried combinations of
toggle, momentary, etc. to get the MPX1 to respond to the same signals it
was getting from the FS300.  I seemed to have gotten the Tap Tempo signal
working which originally mapped to Switch A on the FS300, but I still can't
get Switch B (A/B) and Switch C (Bypass) duplicated on the PMC10.

Any suggestions?

Thanks,
Steve

From Loopers-Delight-request@loopers-delight.com  Mon Apr  2 23:47:58 2001
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From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Video Performance Tomorrow (Tuesday) with urban Ambience and TBG
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Hi Folks,

Last minute notice -- wasn't sure I could make it myself-:)

Tue.. April 3rd 8PM
	A set of improvisation with Urban Ambience and the Tall Bald 
Grandfathers at
the	 Zeitgeist 	Gallery		312 Broadway, at the
			corner of Norfolk St. ,
				Cambridge.

Live Video Art by Dr. T
617.876-2182

Urban Ambience is:
	Chuck "U." Rosina - Loops, FX, tapes
	Bob McCloskey - Sax, Clarinet, Flute, Keys, Percussion
	Michael Bloom - Bass, Guitar, Percussion

-- 
"Once the search is in progress, something will be found"

-- Brian Eno and Peter Schmidt


		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

From Loopers-Delight-request@loopers-delight.com  Tue Apr  3 00:04:11 2001
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From: "Rick Walker (loop.pool)" <GLOBAL@cruzio.com>
To: <Loopers-Delight@loopers-delight.com>
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Subject: Re: sound card
Date: Mon, 2 Apr 2001 21:04:27 -0700
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a very quick disclaimer:
I'm a relative newbie to computer music composition, having been involved
with the World Beat movement for 22 years as an artist and producer so take
everything I say here with a grain of salt.   I've tried my best to research
this particular area but there is much that I am ignorant of.   If I've got
anything wrong, please help educate me and don't waste time flaming me.
Thanks.


I've found that the Soundblaster live card (which I used for my entire first
CD of abstract electronica) had tremendous problems with
my VIA motherboard and was advised by one of my computer gurus (Si
Moorehead, one of the geniuses at EMU/Creative) teh the VIA
motherboards are notorious for conflicts.   I finally gave up and bought a
brand new Intel motherboard and, presto,  everything is working
hunky dory.

Be advised:  I have heard that the A/D/A converters are not very good (below
pro specs, certainly) and that because they use a
48k sampling rate that every time you do anything in the 44k sampling range
(like EVERYTHING having to do with CD manufacturing) that
it forces the sounds to go through this crummy conversion on the way in  and
on the way out.     How I circumvented this problem
(and avoided buying an expensive DAT machine in the process) was to buy a
MidiMan FLYING COW  A/D/A converter that supports
24/96 recording, SPDIF and has balanced stereo ins and outs.   It set me
back about $350 as I remember and allows me to SPDIF everything in and out
of the SoundBlaster live card thus (I hope I've figure out correctly)
circumventing the SoundBlasters A/D/A converters all together.    I also
just read that ART has a new stereo A/D/A converter (I think called the
DI/O) which the catalogues are selling for
only $250.    As long as you buy a Sound Blaster Live card that has SPDIF in
and out (a waste of time if it doesn't) you do NOT have to spring for their
most expensive card.    If it has SPDIF it is as good a card as they make.
You just pay for the breakout box and all of their software (much of which
is pretty superfluous if you are doing serious recording/composing) by
purchasing the expensive card.
Total outlay for a pretty cool and quite setup:    $350!!!!   Not bad.  I
believe it is the cheapest way I know of achieving 'champagne' high quality
results on a 'beer' budget.

One last thing:   Windows '98 has a new version out which has really
resolved a lot of the conflicts with a lot of drivers.   Download the
upgrade and install it.  It has made a huge impact on the stability of my
system (which got pretty damn wobbly last year).   I must confess that
for music applications I still don't trust Windows ME yet.     Anybody have
any good luck stories with it, yet?
It always seems the best bet to wait two years for any Windows operating
system before they work out the kinks.

yours,   Rick Walker (loop.pool)



From Loopers-Delight-request@loopers-delight.com  Tue Apr  3 00:28:00 2001
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Subject: re:  Leslie's and ersatz Leslie's
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Nothing beats the real thing.    That being said and done,  my brother, Bill
Walker is a world class electric, acoustic and synthesizer guitar player and
he has informed me that the Line 6 Guitar POD has a very cool leslie
simulation, replete with the effect of the leslie speeding up or slowing
down when changing speeds of the rotation.   Also,   apparently,  you can
program the speed of the leslie by using tap tempo which is cool. He played
it for me in rehearsal last night and it sound remarkably convincing (and I
have played in several bands with B3 players with fully tricked out and hot
rodded leslie cabinets.......wow, that's how old I am ;-).

It's a thought if you dont' have the dough or the space for the real deal.

yours,   Rick Walker (loop.pool)

From Loopers-Delight-request@loopers-delight.com  Tue Apr  3 00:41:27 2001
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Greetings,

    If you have UBS ports try the Roland UA-30 (check www.edirol.com for
the specs).  
I was a bit skeptical about USB audio quality, but after I got it I loved
it.  It was only 
about $230 from http://www.zzounds.com

   -David-


On Mon, 2 Apr 2001 21:04:27 -0700 "Rick Walker (loop.pool)"
<GLOBAL@cruzio.com> writes:
> a very quick disclaimer:
> I'm a relative newbie to computer music composition, having been 
> involved
> with the World Beat movement for 22 years as an artist and producer 
> so take
> everything I say here with a grain of salt.   I've tried my best to 
> research
> this particular area but there is much that I am ignorant of.   If 
> I've got
> anything wrong, please help educate me and don't waste time flaming 
> me.
> Thanks.
> 
> 
> I've found that the Soundblaster live card (which I used for my 
> entire first
> CD of abstract electronica) had tremendous problems with
> my VIA motherboard and was advised by one of my computer gurus (Si
> Moorehead, one of the geniuses at EMU/Creative) teh the VIA
> motherboards are notorious for conflicts.   I finally gave up and 
> bought a
> brand new Intel motherboard and, presto,  everything is working
> hunky dory.
> 
> Be advised:  I have heard that the A/D/A converters are not very 
> good (below
> pro specs, certainly) and that because they use a
> 48k sampling rate that every time you do anything in the 44k 
> sampling range
> (like EVERYTHING having to do with CD manufacturing) that
> it forces the sounds to go through this crummy conversion on the way 
> in  and
> on the way out.     How I circumvented this problem
> (and avoided buying an expensive DAT machine in the process) was to 
> buy a
> MidiMan FLYING COW  A/D/A converter that supports
> 24/96 recording, SPDIF and has balanced stereo ins and outs.   It 
> set me
> back about $350 as I remember and allows me to SPDIF everything in 
> and out
> of the SoundBlaster live card thus (I hope I've figure out 
> correctly)
> circumventing the SoundBlasters A/D/A converters all together.    I 
> also
> just read that ART has a new stereo A/D/A converter (I think called 
> the
> DI/O) which the catalogues are selling for
> only $250.    As long as you buy a Sound Blaster Live card that has 
> SPDIF in
> and out (a waste of time if it doesn't) you do NOT have to spring 
> for their
> most expensive card.    If it has SPDIF it is as good a card as they 
> make.
> You just pay for the breakout box and all of their software (much of 
> which
> is pretty superfluous if you are doing serious recording/composing) 
> by
> purchasing the expensive card.
> Total outlay for a pretty cool and quite setup:    $350!!!!   Not 
> bad.  I
> believe it is the cheapest way I know of achieving 'champagne' high 
> quality
> results on a 'beer' budget.
> 
> One last thing:   Windows '98 has a new version out which has 
> really
> resolved a lot of the conflicts with a lot of drivers.   Download 
> the
> upgrade and install it.  It has made a huge impact on the stability 
> of my
> system (which got pretty damn wobbly last year).   I must confess 
> that
> for music applications I still don't trust Windows ME yet.     
> Anybody have
> any good luck stories with it, yet?
> It always seems the best bet to wait two years for any Windows 
> operating
> system before they work out the kinks.
> 
> yours,   Rick Walker (loop.pool)
> 
> 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Tue Apr  3 00:44:29 2001
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From: "Pete Mundt" <manx172@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: LoopersRadio 
Date: Tue, 03 Apr 2001 00:40:08 -0400
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Hey Folks~
I am currently taking submissions for Loopers Radio on live365.com. Please 
feel free to email me any links you may have for your tunes. Also include 
with the link a list of your top 3 picks so I have a place to start.

Also~ The sampling rate must be 32kbps, so after I download your songs, I 
will have to convert them down to this sampling rate in order to upload them 
to live365.com.

My question, What is the best way to do this?
Richard mentioned :
>I'm a little wary of converting mp3 files from one compression level to 
>another. I've heard this might give poorer results than doing a new 
>conversion from AIFF to the 32 kpbs required by Live365. If you know 
>different, fine.

I do not know different, hence I put the question to the list.
I dont really work with AIFF files, just wav & mp3.

I'll be downloading your songs in mp3 format, so that's of course going to 
be the starting format. From there, do I convert the file into a AIFF? or a 
WAV? then into a 32kbps mp3???? >?

Any sugestions are greatly apreciated! (Of course, I'd prefer not to convert 
too many times!!)

One last thing, anyone else out there with a high speed connection that can 
help out uploading, please let me know!!!! That will help get the station 
going before the CT Collective has its third birthday!
Thanks,
Pete.
_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Tue Apr  3 00:55:31 2001
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From: "J. Miranda V." <gnominus@earthling.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Electrix repeater
Date: Mon, 2 Apr 2001 21:52:23 -0700
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Well, I think you will have a good laugh when you hit the archives and read
what has already been said about this.  In fact, I had a good laugh hearing
you mention it.

J.

  | -----Original Message-----
  | From: Patrick Bailey [mailto:patthelooper@hotmail.com]
  | Sent: Monday 02 April 2001 2:24 PM
  | To: Loopers-Delight@loopers-delight.com
  | Subject: Electrix repeater
  |
  |
  | Greetings,
  |
  | This is my first post to the Looper's Delight list!
  |
  | Anybody had a chance to use the new Electrix Repeater? I
  | haven't toyed with
  | one yet, but it looks pretty powerful, a lot of features on it
  | that I wish
  | my Jamman had on it.
  | _________________________________________________________________
  | Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Tue Apr  3 01:18:26 2001
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From: "whiteoakstudios" <whiteoakstudios@supanet.com>
To: "Eric Williamson" <erwill@suitandtieguy.com>,
        <Loopers-Delight@loopers-delight.com>
References: <003a01c0bba6$dd6dcde0$a438f618@oemcomputer.spardil.mediacom.ispchannel.com>
Subject: Re: Leslie cabinet ... HELL FRIPPIN' YEAH!!!
Date: Tue, 3 Apr 2001 06:10:55 +0100
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Fascinating,
I was wondering, presumably the two Leslies are drifting in and out of synch
with each other even assuming they are  wired together. Does this
asynchronicity make you feel queasy or is it cool ?

Gareth

> I own more Leslies than the Chovits own EDPs. I gig with a pair of 122s
and a
> Hammond C-3, and can't ever go back. Korg Z1+RDS7.6(with delay time tweak
for
> that david torn sound)+organ+leslie=incredible sensual experience
>
> The bad ass leslie, the centrepiece of my collection, is a 31h. Made in
1948, it
> features an electromagnetic (!) woofer, and a 6L6 quartet in the class A
amp
> circuit. It's also the only leslie that can reproduce the extreme low
> frequencies of the Hammond pedalboard, which can give LTJ Bukem a run for
his
> money.
>
> Leslies are one of the coolest but _never_ used tools for the creation of
> ambient music ... second only to the Hammond (or Pauline Oliveros'
accordion,
> haha).
>
> I am lacking any ambient stuff with leslie on my site ... i'll let you
guys know
> if that changes.
>
> Eric Williamson
> www.suitandtieguy.com
>
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Apr  3 01:53:13 2001
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Date: Tue, 3 Apr 2001 01:48:05 -0400
To: Loopers-Delight@loopers-delight.com
From: Michael Beck <mibeck@vassar.edu>
Subject: Re: sound card
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[talking about SBLive's crappy converters and how to avoid resampling to 48k]
>How I circumvented this problem
>(and avoided buying an expensive DAT machine in the process) was to buy a
>MidiMan FLYING COW  A/D/A converter that supports
>24/96 recording, SPDIF and has balanced stereo ins and outs.   It set me
>back about $350 as I remember and allows me to SPDIF everything in and out
>of the SoundBlaster live card thus (I hope I've figure out correctly)
>circumventing the SoundBlasters A/D/A converters all together.

    As far as I know, this doesn't really do as much as you would 
think. I mean, you are avoiding the converters, but the basic problem 
still exists: the SBLive card actually (re)samples *everything* to 
48KHz, even the digital inputs, regardless of the incoming frequency! 
Now, this may not make much of an audible difference the first time 
around, but keep doing it and a few generations from now you'll 
definitely hear it.
    What I've been told is that everything Creative makes is crap & to 
avoid it for real work. For more info check out the archives of the 
DAT-Heads Digest mailing list. YMMV & please correct if I'm wrong!

                                                    - Mike

P.S.- A real Leslie makes a sound like no other. When I first got my 
147 the world turned upside down. :) Drawbacks: it's frickin' HEAVY 
and needs to be run as loud as possible for that glassy crunchy 
overdriven thing. Only so much dist can be added in the preamp - a 
real Leslie power amp running full out is a beautiful sound to 
behold. Having said that, there are decent emulators. (Motion Sound 
comes to mind as a good non-digital alternative.) You don't *really* 
need the total effect all the time. Sure is cool, though :)...

From Loopers-Delight-request@loopers-delight.com  Tue Apr  3 01:57:30 2001
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Subject: WOT Re: sound cards
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> 24/96 recording, SPDIF and has balanced stereo ins and outs.   It set me
> back about $350 as I remember and allows me to SPDIF everything in and out
> of the SoundBlaster live card thus (I hope I've figure out correctly)
> circumventing the SoundBlasters A/D/A converters all together.    I also
> just read that ART has a new stereo A/D/A converter (I think called the
> DI/O) which the catalogues are selling for
> only $250.


I was under the impression that spdif i/o is 48khz only too. How does this
circumvent the resampling?
If you were sampling on the live card at 48khz to begin with, you wouldn't
be resampling either.

I do know that all the internal mixing is at 48khz, which means that even if
the sp-dif is configurable to 44.1, you're >still< resampling.

One resample isn't exactly going to kill your song - I bet no-one could hear
the difference, especially through the SB live's A/D/A.

> Total outlay for a pretty cool and quite setup:    $350!!!!   Not bad.  I
> believe it is the cheapest way I know of achieving 'champagne' high
quality
> results on a 'beer' budget.
>
Yes, it >is< very cheap.

bIz


From Loopers-Delight-request@loopers-delight.com  Tue Apr  3 02:06:35 2001
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From: "Jimmy George" <jimmyg@jimmygeorgearts.com>
To: <Loopers-Delight@loopers-delight.com>
References: <06A9F7A44D8BD411AE0E009027DE4F354637C5@mars.plantronics.com>
Subject: renting a johnson stereo 150 while in new york ...
Date: Tue, 3 Apr 2001 01:08:58 -0500
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does any body know of a place i might rent a johnson m stereo 150 for a week
in new york city?

thanks
jimmy george
http://www.jimmygeorgearts.com


From Loopers-Delight-request@loopers-delight.com  Tue Apr  3 02:09:24 2001
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To: <Loopers-Delight@loopers-delight.com>
References: <007c01c0bbc0$52401420$6b44230a@mlameyer02>
Subject: Re: Please support your local japanese Looper's Delight J loop fest
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i'll have some groovy live looping cuts up in the next couple o days ...

jimmy george
http://www.jimmygeorgearts.com


----- Original Message ----- 
From: Michael LaMeyer <mlameyer@rcn.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, April 02, 2001 5:00 PM
Subject: Please support your local japanese Looper's Delight J loop fest


> Looks like gary someone (holgate?) and I have about 19 loops up
> there on Sunao's ftp site.  I'd feel a little shorted if over
> half of the loops up there were mine!
> 
> I've just been putting up anything I thought might be
> interesting, without regard to whether they'll all be used or
> not.  I heartily encourage anyone to throw loops at him.  I
> think it'll be more interesting if more than like 4 people on
> list contribute.  If 20 people contribute and Sunao only uses
> one or two of my loops, that'd be great.  But I just wanna give
> him as much stuff to play with as I can.  And the sooner he gets
> stuff, the more time Sunao has to tweak and arrange, I'm
> assuming.
> 
> Please outdo me.  Put stuff up you like better than mine.  Fart
> across a waterbottle and loop the feedback.
> 
> Ok, enough unsolicited advertising.  I just think it'd be a
> hoot.
> 
> Mike
> 
> 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Tue Apr  3 02:40:06 2001
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From: "Jimmy George" <jimmyg@jimmygeorgearts.com>
To: <Loopers-Delight@loopers-delight.com>
References: <F163aaz7EjQxzmWecm900008b33@hotmail.com><F163aaz7EjQxzmWecm900008b33@hotmail.com> <3.0.3.32.20010402194556.007f8300@mail.airmail.net>
Subject: Any Dr. Didg Fans Out There?
Date: Tue, 3 Apr 2001 01:42:27 -0500
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http://www.drdidg.com/

this cat is a looper on the loose!!!

peace
jimmy george
http://www.jimmygeorgearts.com



From Loopers-Delight-request@loopers-delight.com  Tue Apr  3 02:46:26 2001
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Jimmy George (11:42 PM 04.02.2001) wrote:

 >http://www.drdidg.com/
 >
 >this cat is a looper on the loose!!!

Yeup!

I got turned on to him last July. Great stuff.


Mark

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From: "Jimmy George" <jimmyg@jimmygeorgearts.com>
To: <Loopers-Delight@loopers-delight.com>
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Subject: Re: Any Dr. Didg Fans Out There?
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indeed. he just came through austin. really enjoyed his show. great stuff
indeed!
jimmy
http://www.jimmygeorgearts.com

----- Original Message -----
From: Mark Pulver <mark@redmoon-music.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, April 03, 2001 1:42 AM
Subject: Re: Any Dr. Didg Fans Out There?


> Jimmy George (11:42 PM 04.02.2001) wrote:
>
>  >http://www.drdidg.com/
>  >
>  >this cat is a looper on the loose!!!
>
> Yeup!
>
> I got turned on to him last July. Great stuff.
>
>
> Mark
>
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Apr  3 04:41:28 2001
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From: "Rick Walker (loop.pool)" <GLOBAL@cruzio.com>
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Subject: Re: Sound card
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Michael Beck wrote about the SoundBlaster Live card:

". As far as I know, this doesn't really do as much as you would
think. I mean, you are avoiding the converters, but the basic problem
still exists: the SBLive card actually (re)samples *everything* to
48KHz, even the digital inputs, regardless of the incoming frequency!
Now, this may not make much of an audible difference the first time
around, but keep doing it and a few generations from now you'll
definitely hear it.
    What I've been told is that everything Creative makes is crap & to
avoid it for real work. For more info check out the archives of the
DAT-Heads Digest mailing list. YMMV & please correct if I'm wrong!"

Thanks for the information, Mike.  It is new to me.  I have a lot to learn
about this whole soundcard business.

    About everything made by Creative being crap,  I think that all things
are relative.
In the early 80's when I would have died and gone to heaven had I been able
to afford a Linn Drum, a Prophet 5 and a 4 track reel to reel recorder
(which was as far from me financially as a trip to the moon),   it would
have seemed like science fiction to me to see what I have been able to
create with this "piece of crap" sound card in the last two years.   The
richest musicians in the world were making music far more primitive at a 1/4
of the bandwith (in the digital realm, that is).      Admittedly, the
soundblaster is not nearly state of the art, but what I have appreciated is
that for me, as a working professional musician (not a lot of money in that
in these days of George Dubya America) it was something I could afford that
let me do seemingly miraculous things.    I have all of the sounds from the
EMU sample library in Vienna Sound Font which comes with the card fer christ
sake!!!!   I've gotten some really wonderful response for my first CD and it
was recorded entirely on that piece of crap.

 More power to you if you have better fidelity equipment.    I just ask for
a little compassion for those of us who do not.

Yours, Rick Walker (loop.pool)



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From: Michael Beck <mibeck@vassar.edu>
Subject: Re: Sound card
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> More power to you if you have better fidelity equipment.    I just ask for
>a little compassion for those of us who do not.

    Absolutely. Did not mean to sound snobbish; just paraphrasing what 
I found in a quick search of my old D-H Digests, which consisted 
largely of advice like this:

>In a nutshell: avoid the Soundblaster Live series like the plague!
>
>Everything that goies through the SBLive is resampled.  Do not use it for
>high-quality DAT transfers.

    I tried to temper those relatively caustic comments with the 
statement that it's not really *that* big of a deal if your card 
resamples (and the SBLive is not the only one, btw). Certainly for a 
1-generation transfer I doubt if anyone could tell the difference. 
But either way, it might be worthwhile to know that what you get out 
is not an *exact* copy of what you put in.
    As a side note, there apparently is a less than $30 sound card out 
there called the Zoltrix Nightingale that doesn't resample its 
digital inputs, but the analog side is crap. Some people run both the 
SBLive and this card at the same time. Don't know about config 
issues, but it's probably not too intense. One hitch is that the 
Nightingale might have only an optical S/PDIF input, but you can hack 
it into a coax. Again, this is just what I turned up after a quick 
search. Don't hold me to it if I'm wrong.
    Lastly: yes, of course I don't condemn everything made on a 
SBLive, any more than I would condemn everything made on a cassette 
4-track. That wasn't my intent. As I believe I said last week in a 
similar conversation, it's the music that matters more than the 
equipment you make it on - and sometimes the limitations can provoke 
creativity. However, I do think that people should know that better 
(or at least more accurate) sound cards are out there, so that if 
they do feel limited by their equipment, they can upgrade. I have 
issues with the card, not with the music.
    As far as my equipment: I don't have an amazing setup, but I do 
take the time to find the deals & buy what I can afford. At one point 
all I had was a guitar and a cassette 4-track, and still, when I got 
that little guy it was amazing! I appreciated what I had then, just 
as I appreciate what I have now. It doesn't include a Prophet 5 :), 
but it makes me happy. On-topic: when I find my cheap EDP, I'll be 
even happier!

                                                     - Mike

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Subject: Re: sound card
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Hi all
I'm from the land down under and have just subscribed to the list and
reading about the sound cards. I have a PIII 600 , 640meg ram, and an ISIS
card don't know if anyone has heard of it but I think it is much better than
SB Live. the break out box has 8 ins and four outs SDIF in and out optical
and cable midi in out thru and I think it has been the best buyfor me. You
can check out the recordings on my site (below). Also I have recently bought
the HPD-15 Handsonic I have had it for 4 weeks now and if anyone could give
me any hints it would be greatly appreciated.

Keep Rockin'

Greg

2Loose Enz http://artists2.iuma.com/IUMA/Bands/The_2_LooseEnz/

----- Original Message -----
From: "David J Greiner" <aiwaz93@juno.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, April 03, 2001 2:36 PM
Subject: Re: sound card


> Greetings,
>
>     If you have UBS ports try the Roland UA-30 (check www.edirol.com for
> the specs).
> I was a bit skeptical about USB audio quality, but after I got it I loved
> it.  It was only
> about $230 from http://www.zzounds.com
>
>    -David-
>
>
> On Mon, 2 Apr 2001 21:04:27 -0700 "Rick Walker (loop.pool)"
> <GLOBAL@cruzio.com> writes:
> > a very quick disclaimer:
> > I'm a relative newbie to computer music composition, having been
> > involved
> > with the World Beat movement for 22 years as an artist and producer
> > so take
> > everything I say here with a grain of salt.   I've tried my best to
> > research
> > this particular area but there is much that I am ignorant of.   If
> > I've got
> > anything wrong, please help educate me and don't waste time flaming
> > me.
> > Thanks.
> >
> >
> > I've found that the Soundblaster live card (which I used for my
> > entire first
> > CD of abstract electronica) had tremendous problems with
> > my VIA motherboard and was advised by one of my computer gurus (Si
> > Moorehead, one of the geniuses at EMU/Creative) teh the VIA
> > motherboards are notorious for conflicts.   I finally gave up and
> > bought a
> > brand new Intel motherboard and, presto,  everything is working
> > hunky dory.
> >
> > Be advised:  I have heard that the A/D/A converters are not very
> > good (below
> > pro specs, certainly) and that because they use a
> > 48k sampling rate that every time you do anything in the 44k
> > sampling range
> > (like EVERYTHING having to do with CD manufacturing) that
> > it forces the sounds to go through this crummy conversion on the way
> > in  and
> > on the way out.     How I circumvented this problem
> > (and avoided buying an expensive DAT machine in the process) was to
> > buy a
> > MidiMan FLYING COW  A/D/A converter that supports
> > 24/96 recording, SPDIF and has balanced stereo ins and outs.   It
> > set me
> > back about $350 as I remember and allows me to SPDIF everything in
> > and out
> > of the SoundBlaster live card thus (I hope I've figure out
> > correctly)
> > circumventing the SoundBlasters A/D/A converters all together.    I
> > also
> > just read that ART has a new stereo A/D/A converter (I think called
> > the
> > DI/O) which the catalogues are selling for
> > only $250.    As long as you buy a Sound Blaster Live card that has
> > SPDIF in
> > and out (a waste of time if it doesn't) you do NOT have to spring
> > for their
> > most expensive card.    If it has SPDIF it is as good a card as they
> > make.
> > You just pay for the breakout box and all of their software (much of
> > which
> > is pretty superfluous if you are doing serious recording/composing)
> > by
> > purchasing the expensive card.
> > Total outlay for a pretty cool and quite setup:    $350!!!!   Not
> > bad.  I
> > believe it is the cheapest way I know of achieving 'champagne' high
> > quality
> > results on a 'beer' budget.
> >
> > One last thing:   Windows '98 has a new version out which has
> > really
> > resolved a lot of the conflicts with a lot of drivers.   Download
> > the
> > upgrade and install it.  It has made a huge impact on the stability
> > of my
> > system (which got pretty damn wobbly last year).   I must confess
> > that
> > for music applications I still don't trust Windows ME yet.
> > Anybody have
> > any good luck stories with it, yet?
> > It always seems the best bet to wait two years for any Windows
> > operating
> > system before they work out the kinks.
> >
> > yours,   Rick Walker (loop.pool)
> >
> >
> >
> >
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Apr  3 09:35:54 2001
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Date: Tue, 3 Apr 2001 06:29:57 -0700 (PDT)
From: Dumeril Seven <dumeril7@yahoo.com>
Subject: Re: Expression pedal with PMC10
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Last night I adapted a Kawai expression pedal to
work with my DL-4.  The Line 6 pedals want a mono
plug hooked up to a 10K pot.  The Kawai (and some
other expression pedals) use a stereo plug and wire
the plug up so that the usual variable resistance
from the pot goes across the sleeve and ring of
the plug (the Line 6 needs it on the sleeve and
tip).  I wired in a little switch to go from
the normal wiring, to one that is compatible with
the Line 6.  Seems to me that a technically inclined
person could "repurpose" a Crybaby for use as an
expression pedal, assuming you can find a 10K wah pot....

D7

--- Mike Biffle <Mbiffle@svg.com> wrote:
> Boss/Roland EV-5 works well for mine... 
> 
> -Miko
> 
> >>> sginn@airmail.net 03/31/01 08:26AM >>>
> What kind of expression pedals are most using with the PMC10?  Also, does
> anyone know if the Yamaha FC7 expression pedal will work ... I have heard
> that for some equipment like the POD DL-4 it won't.
> 
> Thanks,
> Steve
> 
> 


=====
Dumeril7                    dumeril7@SPAMBEGONEyahoo.com
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From Loopers-Delight-request@loopers-delight.com  Tue Apr  3 09:36:35 2001
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Date: Tue, 3 Apr 2001 06:32:06 -0700 (PDT)
From: Dumeril Seven <dumeril7@yahoo.com>
Subject: Re: Leslie cabinet ... HELL FRIPPIN' YEAH!!!
To: Loopers-Delight@loopers-delight.com
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I absolutely *love* the Hammond/Leslie sound.  But I'd hate
to be your roadie!  ;)

D7

--- Eric Williamson <erwill@suitandtieguy.com> wrote:
> >I'll be using this live from now on - yet another box to carry !
> 
> Welcome to the wonderful world of Hammond/Leslie addiction. There are support
> groups to be found ... nowhere!! haha ...
> 
> >Is anyone else using leslies ? I have access to another so I'll be hooking
> >that one up soon : )
> 
> I own more Leslies than the Chovits own EDPs. I gig with a pair of 122s and a
> Hammond C-3, and can't ever go back. Korg Z1+RDS7.6(with delay time tweak for
> that david torn sound)+organ+leslie=incredible sensual experience
> 
> The bad ass leslie, the centrepiece of my collection, is a 31h. Made in 1948,
> it
> features an electromagnetic (!) woofer, and a 6L6 quartet in the class A amp
> circuit. It's also the only leslie that can reproduce the extreme low
> frequencies of the Hammond pedalboard, which can give LTJ Bukem a run for his
> money.
> 
> Leslies are one of the coolest but _never_ used tools for the creation of
> ambient music ... second only to the Hammond (or Pauline Oliveros' accordion,
> haha).
> 
> I am lacking any ambient stuff with leslie on my site ... i'll let you guys
> know
> if that changes.
> 
> Eric Williamson
> www.suitandtieguy.com
> 
> 
> 


=====
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From Loopers-Delight-request@loopers-delight.com  Tue Apr  3 10:17:03 2001
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Date: Tue, 3 Apr 2001 10:13:26 EDT
Subject: Re: Boomerang, what do you guys think ???? EDP ?
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In a message dated 04/03/2001 2:08:14 AM Central Daylight Time, 
Loopers-Delight-d-request@loopers-delight.com writes:

> So, if you have a spare $400 or so lying around and want a fun, easy to 
use, 
>  tough as nails looper then go for it.  If you're looking for something to 
>  replace an EDP this probably won't cut it.
>  


I cannot seem to find any info on the web as to where I can find an EDP.  
What stores carry them, does gibson still own them?

Oberheiem is now distributed through Armadillo ent, but they have no info on 
the EDP???

- Paul

From Loopers-Delight-request@loopers-delight.com  Tue Apr  3 10:19:58 2001
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In a message dated 04/03/2001 2:08:14 AM Central Daylight Time, 
Loopers-Delight-d-request@loopers-delight.com writes:

> So, if you have a spare $400 or so lying around and want a fun, easy to 
use, 
>  tough as nails looper then go for it.  If you're looking for something to 
>  replace an EDP this probably won't cut it.
>  


I cannot seem to find any info on the web as to where I can find an EDP.  
What stores carry them, does gibson still own them?

Oberheiem is now distributed through Armadillo ent, but they have no info on 
the EDP???

- Paul

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Subject: Re: Boomerang, what do you guys think ???? EDP ?
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>I cannot seem to find any info on the web as to where I can find an EDP.
>What stores carry them, does gibson still own them?

Although there are plenty of intimately EDP-related merchants, developers,
designers and afficianados on this group that will probably chime in on
this one, explaining that Gibson owns Trace Elliot which owns Oberheim
which makes the EDP under license from Blah, regulated by Blah, tested by
Blah, shipped through Blah....  I did want to say that Alto Music
(www.altomusic.com) is a great resource for your gear.  I've dealt with
them only once (on recommendation from this list) and I was glad I did.
Fast, friendly (on the phone AND via email) and I got a great price (and I
used to work at Guitar Center, so I get the
friend-in-the-biz-c'mon-hook-a-brother-up discount).

BTW: about this soundcard issue.  Alto (wink, wink) also carries RME
Hammerfall products.  Best card available, though it is digital I/O only.
But that's fine: you don't want your converters in the computer anyway.
Pair that with a good ADAT-capable converter (there are plenty) or a
digital board (like my 01V) and you're set.  Not the cheapest, by far, but
pro sound, pro performance and room to grow galore.

I'm so confidant in my opinion that I'll call this my $0.16.

L

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From: jim palmer <jimp@pobox.com>
Subject: Re: OT--FS300 Footswitch Wiring
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> > did you keep the diodes that were in it?
> 
> I never removed any parts (!)
> 
> 
> Oh--that's very different.  Guess I'm not as smart as I thought--
> I'm not sure what to do now.
> Gary
> 

whoah...
that certainly explains the weird behavior...
if you never removed the original wiring,
then you should just be able to remove the
resistors you added and be back to square one.

of course, i think you should try it on your edp
with the diodes removed, but that's just me.
i like those big, metal click-clacking buttons.

speaking of which, i have noticed that you can hear
them click in the loop if you are using a microphone
that is pointed towards them (i have heard it when
looping congas) i am thinking about trying a sustain pedal
as a record button.

p.s. everyone is as smart as they think...

From Loopers-Delight-request@loopers-delight.com  Tue Apr  3 11:10:17 2001
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From: jim palmer <jimp@pobox.com>
Subject: Re: PMC10 programming
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i don't know about the pmc10,
but you need two control signals to emulate the fs300.
switch a connects the tip to the sleeve,
switch b connects the ring to the sleeve,
and switch c connects both tip and ring to the sleeve
(it uses diodes to keep signals from going from tip to ring and from ring to tip)
if the pmc10 has two ext switch jacks, maybe you could connect one
to the tip and one to the ring, etc...


From: "Steve Ginn" <sginn@airmail.net>
> I apologize for being off topic, except that I don't know of another list
> where there is such a concentration of PMC10 users.  If it would please
> those on the list, reply to me off list if possible.
> 
> I am trying to further program my PMC10 to do things other than just change
> patches and I am trying to understand the manual.  Specifically, I would
> like to control my MPX1 effects processor with it so that I don't have to
> keep an additional FS300 on the side for Tap, A/B and Bypass.  What I have
> done is connect a TRS cable from the EXT Switch jack to the Footswitch Jack
> on the MPX1 (in place of the FS300).  Then I have tried combinations of
> toggle, momentary, etc. to get the MPX1 to respond to the same signals it
> was getting from the FS300.  I seemed to have gotten the Tap Tempo signal
> working which originally mapped to Switch A on the FS300, but I still can't
> get Switch B (A/B) and Switch C (Bypass) duplicated on the PMC10.
> 
> Any suggestions?
> 
> Thanks,
> Steve
> 
> 

From Loopers-Delight-request@loopers-delight.com  Tue Apr  3 11:32:20 2001
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Subject: RE: Boomerang, what do you guys think ???? EDP ? 01V?
Date: Tue, 3 Apr 2001 08:33:07 -0700
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I second the endorsement of Alto Music. I've bought a lot of gear from
there. Never yet needed any service, but their prices are killer and they
ship in a timely manner.

I'm curious... how do you like your 01V? I have an AW4416, but may change to
a computer-based DAW. Editing is prehistoric on the 4416. What's the rest of
your setup like? (HW/SW)...

Thanks,
Kevin

> digital board (like my 01V) and you're set.  Not the cheapest, by far, but
> pro sound, pro performance and room to grow galore.

From Loopers-Delight-request@loopers-delight.com  Tue Apr  3 11:34:58 2001
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Date: Tue, 3 Apr 2001 11:28:56 -0500 (EST)
From: Adam Levin <alevin@DarkAether.net>
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Subject: Acid Pro @ Best Buy redux
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I *did* end up picking up Acid Pro 2.0 at Best Buy for the $149.99 sale
price and it *does* look like imminent arrival of 3.0 might have had
something to do with the price drop because there's a sticker on the box
saying that if you purchase 2.0 from Jan 1 2001 - April 15 2001 you will
be eligible for a free upgrade to 3.0 when it's released. So anyone who
wants to get in on this upgrade deal should do so within the next couple
of weeks.

-Adam

---- 
             T h e   D a r k   A e t h e r   P r o j e c t
                      http://www.darkaether.net/
		      http://mp3.com/darkaether/

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From: lindsay@pavestone.com
Subject: OT: My set-up (was: 'Rang? EDP? 01V?)
To: Loopers-Delight@loopers-delight.com
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>I'm curious... how do you like your 01V? I have an AW4416, but may change
to
>a computer-based DAW. Editing is prehistoric on the 4416. What's the rest
of
>your setup like? (HW/SW)...

Ok, now this configuration is VERY new and to tell the truth, I haven't had
much time to find the errors in it, yet, as there indubitably will be.
But, here's what I've got:

Dell Poweredge 4200 dual-PIII 800 512MB 133ECC RAM
2x 18GB 7200RPM SCSII HD
8x4x32 CD-RW
RME Project Hammerfall Lite (2x ADAT I/O)
Cubase 5.0.3
ACID Pro 2.0
Sound Forge 4.5
Reason 1.0

Yamaha 01V w/ ADAT expansion card
Mackie SR24-4 24ch, 4-bus analog board
Tascam stand alone CD burner (I forget the model)
2x Line6 DL4
Korg AM8000R
Lexicon MPX-100
Electrix Filter Factory
Electrix Repeater Beta
Just Kidding
Line6 POD v1
Yahama DG-1 Stomp
Buncha Crap

We're in the process of building our new studio space, so we haven't got
everything in its permanant place.  What I can tell you is that the
Hammerfall works beutifully under Win2000 (needed to capitalize on the dual
processors) and that Cubase hasn't misbehaved yet.  I'm still working on
the integration of the 01V with Cubase.  It should be easier than I'm
probably making it, seeing that 01V support is built in.  To tell the
truth, I'm a bit of a MIDIphobe.  Never really worked with it before, but
am confronted with a MIDI-controlled studio, so have to dive in.  I'm
definately still learning.  But for basic tracking, up to eight at a time,
the set-up is flawless so far.  I'm sure someone with more experience
working with a MIDI control surface or the 01V as such could help out
more--I'd sure listen.  I'd love to switch over to SAWStudio, with its
super-efficient coding, dual-processor support and integration of the 01V
as a control surface.  $2500 is a bit stiff, though.  Oh, and I need a real
patchbay.  Currently, the Mackie board is serving as a pseudo patch
bay/switching device.  It works, though.

But in terms of your real question: how do I like the 01V?--I love it.
Sounds great.  The on-board effects are good, the compression and EQ
especially.  The way I plan to work, though, means that if I don't intend
to print those effects to track, I won't benefit from them 'cause I'll be
mixing in the computer.  Still nice to have, though.  And I don't think I
could ever mix or edit without some sort of tactile interface again.  It is
sooooo much faster and intuitive.  There are a lot of control surface units
coming out: Mackie's HUI and now with Logic, the Logic Control.  Events USB
thing.  Steinberg's Houston.  Motormix.  The Peavey thing.  Lots.  And
there's definately a reason why.

L

From Loopers-Delight-request@loopers-delight.com  Tue Apr  3 12:28:19 2001
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From: "Mike McGary" <mcgary@metronet.com>
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Subject: RE: PMC10 programming
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Is it possible that these functions have a MIDI command tied to them, too?
Check the manual carefully.  If so, you got it made.  Don't worry about the
EXT jack...just go with MIDI commands.   I do this with my EDP and I'm
really happy with the results.

     Mike McGary

> -----Original Message-----
> From: Steve Ginn [mailto:sginn@airmail.net]
> Sent: Monday, April 02, 2001 9:53 PM
> To: Loopers Delight
> Subject: OT: PMC10 programming
>
>
> I apologize for being off topic, except that I don't know of another list
> where there is such a concentration of PMC10 users.  If it would please
> those on the list, reply to me off list if possible.
>
> I am trying to further program my PMC10 to do things other than
> just change
> patches and I am trying to understand the manual.  Specifically, I would
> like to control my MPX1 effects processor with it so that I don't have to
> keep an additional FS300 on the side for Tap, A/B and Bypass.  What I have
> done is connect a TRS cable from the EXT Switch jack to the
> Footswitch Jack
> on the MPX1 (in place of the FS300).  Then I have tried combinations of
> toggle, momentary, etc. to get the MPX1 to respond to the same signals it
> was getting from the FS300.  I seemed to have gotten the Tap Tempo signal
> working which originally mapped to Switch A on the FS300, but I
> still can't
> get Switch B (A/B) and Switch C (Bypass) duplicated on the PMC10.
>
> Any suggestions?
>
> Thanks,
> Steve
>

From Loopers-Delight-request@loopers-delight.com  Tue Apr  3 12:51:46 2001
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Hi Patrick!

Welcome to the list!

> Anybody had a chance to use the new Electrix Repeater? ...

I think Santa Claus, the Boogie Man, and the Tooth Fairy are the only ones
currently using Repeaters.  And they never answer my email!  :)

[Check the archives to glean the meager humor from my comment.]

Dennis Leas
-------------------
dennis@mdbs.com


From Loopers-Delight-request@loopers-delight.com  Tue Apr  3 13:06:53 2001
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To: Loopers-Delight@loopers-delight.com
Subject: RE: Boomerang, what do you guys think ???? EDP ?
Date: Tue, 3 Apr 2001 11:56:29 -0500 
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Yeah, I'd agree that Alto are the best guys to get an EDP from,
Andy, 
Trace Elliot R&D,
Part of Gibson Guitar Corporation,
Making the Echoplex,
That used to be Oberheim's 
:-)

> -----Original Message-----
> From: lindsay@pavestone.com [mailto:lindsay@pavestone.com]
> Sent: 03 April 2001 15:35
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Boomerang, what do you guys think ???? EDP ?
> 
> 
> 
> >I cannot seem to find any info on the web as to where I can 
> find an EDP.
> >What stores carry them, does gibson still own them?
> 
> Although there are plenty of intimately EDP-related 
> merchants, developers,
> designers and afficianados on this group that will probably 
> chime in on
> this one, explaining that Gibson owns Trace Elliot which owns Oberheim
> which makes the EDP under license from Blah, regulated by 
> Blah, tested by
> Blah, shipped through Blah....  I did want to say that Alto Music
> (www.altomusic.com) is a great resource for your gear.  I've 
> dealt with
> them only once (on recommendation from this list) and I was 
> glad I did.
> Fast, friendly (on the phone AND via email) and I got a great 
> price (and I
> used to work at Guitar Center, so I get the
> friend-in-the-biz-c'mon-hook-a-brother-up discount).
> 
> BTW: about this soundcard issue.  Alto (wink, wink) also carries RME
> Hammerfall products.  Best card available, though it is 
> digital I/O only.
> But that's fine: you don't want your converters in the 
> computer anyway.
> Pair that with a good ADAT-capable converter (there are plenty) or a
> digital board (like my 01V) and you're set.  Not the 
> cheapest, by far, but
> pro sound, pro performance and room to grow galore.
> 
> I'm so confidant in my opinion that I'll call this my $0.16.
> 
> L
> 

From Loopers-Delight-request@loopers-delight.com  Tue Apr  3 13:06:58 2001
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Date: Tue, 03 Apr 2001 12:00:56 -0500
From: jim palmer <jimp@pobox.com>
Subject: Re: Electrix repeater
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> I think Santa Claus, the Boogie Man, and the Tooth Fairy are the only ones
> currently using Repeaters.  And they never answer my email!  :)

i think they also have been playing with some kyma loop tools...

ps. i refuse to add a cheasy, smileyface emoticon
        but i promise i'm smiling.  
        and wagging my tail, too...
        and waitin' for the one day....


From Loopers-Delight-request@loopers-delight.com  Tue Apr  3 13:29:02 2001
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If I remember correctly, Stevie Wonder recorded _Songs_in_the_Key_of_Life_ on a very
early digital recorder.  Does anybody know what the bit depth/sampling frequency was
on that gear?

-Hans

>
>  More power to you if you have better fidelity equipment.    I just ask for
> a little compassion for those of us who do not.
>

From Loopers-Delight-request@loopers-delight.com  Tue Apr  3 13:42:01 2001
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Hey, its me again!!

I was wondering if anybody out there has heard of the echoplus digital pro 
and the Legsicon Jam Boy or something? Are they any good?









ahem...

sorry, I couldn't help it.






>From: "Dennis Leas" <dennis@mdbs.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: <Loopers-Delight@loopers-delight.com>
>Subject: Re: Electrix repeater
>Date: Tue, 3 Apr 2001 11:45:45 -0500
>
>Hi Patrick!
>
>Welcome to the list!
>
> > Anybody had a chance to use the new Electrix Repeater? ...
>
>I think Santa Claus, the Boogie Man, and the Tooth Fairy are the only ones
>currently using Repeaters.  And they never answer my email!  :)
>
>[Check the archives to glean the meager humor from my comment.]
>
>Dennis Leas
>-------------------
>dennis@mdbs.com
>
>

_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Tue Apr  3 13:43:40 2001
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Subject: Sound cards
Date: Tue, 03 Apr 2001 10:39:09 -0700
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I noticed the posts regarding sound cards-

I recently bought a Lexicon Core 2 card for my new PC that is on order. 
Anybody have one of these that wants to share their ups n' downs with this 
card?

thanks, pat
_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Tue Apr  3 13:48:38 2001
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Subject: Re: Electrix repeater
Date: Tue, 03 Apr 2001 17:43:52 
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<html><DIV>
<P>The echoplus is one of my favorites.&nbsp;&nbsp; I find the Legsicon Jam Boy easier to use.&nbsp; the repeatavox is coming out soon.&nbsp; the Fine 666 has lots of great features. One of each is a must..............<BR><BR></P></DIV>&gt; 
<DIV></DIV>&gt;I was wondering if anybody out there has heard of the echoplus 
<DIV></DIV>&gt;digital pro 
<DIV></DIV>&gt;and the Legsicon Jam Boy or something? Are they any good? 
<DIV></DIV>&gt; 
<DIV></DIV>&gt; 
<DIV></DIV>&gt; 
<DIV></DIV>&gt; 
<DIV></DIV>&gt; 
<DIV></DIV>&gt; 
<DIV></DIV>&gt; 
<DIV></DIV>&gt; 
<DIV></DIV>&gt; 
<DIV></DIV>&gt;ahem... 
<DIV></DIV>&gt; 
<DIV></DIV>&gt;sorry, I couldn't help it. 
<DIV></DIV>&gt; 
<DIV></DIV>&gt; 
<DIV></DIV>&gt; 
<DIV></DIV>&gt; 
<DIV></DIV>&gt; 
<DIV></DIV>&gt; 
<DIV></DIV>&gt;&gt;From: "Dennis Leas" <DENNIS@MDBS.COM>
<DIV></DIV>&gt;&gt;Reply-To: Loopers-Delight@loopers-delight.com 
<DIV></DIV>&gt;&gt;To: <LOOPERS-DELIGHT@LOOPERS-DELIGHT.COM>
<DIV></DIV>&gt;&gt;Subject: Re: Electrix repeater 
<DIV></DIV>&gt;&gt;Date: Tue, 3 Apr 2001 11:45:45 -0500 
<DIV></DIV>&gt;&gt; 
<DIV></DIV>&gt;&gt;Hi Patrick! 
<DIV></DIV>&gt;&gt; 
<DIV></DIV>&gt;&gt;Welcome to the list! 
<DIV></DIV>&gt;&gt; 
<DIV></DIV>&gt;&gt; &gt; Anybody had a chance to use the new Electrix Repeater? ... 
<DIV></DIV>&gt;&gt; 
<DIV></DIV>&gt;&gt;I think Santa Claus, the Boogie Man, and the Tooth Fairy are the 
<DIV></DIV>&gt;&gt;only ones 
<DIV></DIV>&gt;&gt;currently using Repeaters. And they never answer my email! :) 
<DIV></DIV>&gt;&gt; 
<DIV></DIV>&gt;&gt;[Check the archives to glean the meager humor from my comment.] 
<DIV></DIV>&gt;&gt; 
<DIV></DIV>&gt;&gt;Dennis Leas 
<DIV></DIV>&gt;&gt;------------------- 
<DIV></DIV>&gt;&gt;dennis@mdbs.com 
<DIV></DIV>&gt;&gt; 
<DIV></DIV>&gt;&gt; 
<DIV></DIV>&gt; 
<DIV></DIV>&gt;_________________________________________________________________ 
<DIV></DIV>&gt;Get your FREE download of MSN Explorer at http://explorer.msn.com 
<DIV></DIV>&gt; 
<DIV></DIV><br clear=all><hr>Get your FREE download of MSN Explorer at <a href="http://explorer.msn.com">http://explorer.msn.com</a><br></p></html>

From Loopers-Delight-request@loopers-delight.com  Tue Apr  3 13:53:16 2001
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i find that hard to believe  - - that album came out in . . . 1976. maybe it
was another stevie record.

stig

-----Original Message-----
From: Hans Lindauer [mailto:hans@ernieball.com]
Sent: Tuesday, April 03, 2001 10:25 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Sound card


If I remember correctly, Stevie Wonder recorded _Songs_in_the_Key_of_Life_
on a very
early digital recorder.  Does anybody know what the bit depth/sampling
frequency was
on that gear?

-Hans

>
>  More power to you if you have better fidelity equipment.    I just ask
for
> a little compassion for those of us who do not.
>

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<P><FONT SIZE=2>i find that hard to believe&nbsp; - - that album came out in . . . 1976. maybe it was another stevie record.</FONT>
</P>

<P><FONT SIZE=2>stig</FONT>
</P>

<P><FONT SIZE=2>-----Original Message-----</FONT>
<BR><FONT SIZE=2>From: Hans Lindauer [<A HREF="mailto:hans@ernieball.com">mailto:hans@ernieball.com</A>]</FONT>
<BR><FONT SIZE=2>Sent: Tuesday, April 03, 2001 10:25 AM</FONT>
<BR><FONT SIZE=2>To: Loopers-Delight@loopers-delight.com</FONT>
<BR><FONT SIZE=2>Subject: Re: Sound card</FONT>
</P>
<BR>

<P><FONT SIZE=2>If I remember correctly, Stevie Wonder recorded _Songs_in_the_Key_of_Life_ on a very</FONT>
<BR><FONT SIZE=2>early digital recorder.&nbsp; Does anybody know what the bit depth/sampling frequency was</FONT>
<BR><FONT SIZE=2>on that gear?</FONT>
</P>

<P><FONT SIZE=2>-Hans</FONT>
</P>

<P><FONT SIZE=2>&gt;</FONT>
<BR><FONT SIZE=2>&gt;&nbsp; More power to you if you have better fidelity equipment.&nbsp;&nbsp;&nbsp; I just ask for</FONT>
<BR><FONT SIZE=2>&gt; a little compassion for those of us who do not.</FONT>
<BR><FONT SIZE=2>&gt;</FONT>
</P>

</BODY>
</HTML>
------_=_NextPart_001_01C0BC65.CA064060--

From Loopers-Delight-request@loopers-delight.com  Tue Apr  3 13:56:42 2001
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From: "matt davignon" <mattdavignon@hotmail.com>
To: loopers-delight@loopers-delight.com
Subject: mp3 encoder?
Date: Tue, 03 Apr 2001 10:52:37 -0700
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Could anybody suggest a free mp3 encoder for me? I used to use 
Audiocatalyst, but I reformatted, and now all I have access to is the "trial 
version".

I tried MusicMatch Jukebox (or something like that), but either it doesn't 
list the CD tracks (so I can't pick which ones to encode), or it tries to 
burn the mp3 tracks to a new CD-R.

Ideally, I'd like one that could do CD (or .wav) to mp3 and also mp3 to 
.wav.

Anybody? anybody?

Matt
_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Tue Apr  3 14:01:32 2001
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Try the MKW Audio Compression Toolkit.

----- Original Message -----
From: "matt davignon" <mattdavignon@hotmail.com>
To: <loopers-delight@loopers-delight.com>
Sent: Tuesday, April 03, 2001 11:52 AM
Subject: mp3 encoder?


Could anybody suggest a free mp3 encoder for me? I used to use
Audiocatalyst, but I reformatted, and now all I have access to is the "trial
version".

I tried MusicMatch Jukebox (or something like that), but either it doesn't
list the CD tracks (so I can't pick which ones to encode), or it tries to
burn the mp3 tracks to a new CD-R.

Ideally, I'd like one that could do CD (or .wav) to mp3 and also mp3 to
.wav.

Anybody? anybody?

Matt
_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com


From Loopers-Delight-request@loopers-delight.com  Tue Apr  3 14:37:54 2001
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Subject: OT: While we're talkin' Sound Cards
Date: Tue, 03 Apr 2001 11:34:06 -0700
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I came across this offer from Zzounds:

http://www.zzounds.com/love.music?p=p.YAMDS2416AX44&a=em032701

It sounds like a great deal, but I haven't heard anything about this card. 
Is anyone on the list familiar with it and can offer a quick review?

-skully
_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Tue Apr  3 14:53:51 2001
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Subject: Still WOT Re: Sound card
Date: Tue, 3 Apr 2001 11:15:59 -0700
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Someone else's point of veiw on the audio quality of the Sound blaster.

http://www.ethanwiner.com/soundcards.html
http://www.prorec.com/prorec/articles.nsf/b97f38ca2751fda58625680900056bad/e
5f90f70241eff6d862566b20024c532?OpenDocument
http://www.prorec.com/prorec/articles.nsf/files/E8FC6F1272005BC0862568D70063
4565




From Loopers-Delight-request@loopers-delight.com  Tue Apr  3 15:00:29 2001
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At 01:44 PM 4/3/01 -0400, you wrote:

> >i find that hard to believe  - - that album came out in . . . 1976. 
> maybe it was another stevie record.
>
> >stig
>
>-----Original Message-----
> >>From: Hans Lindauer [<mailto:hans@ernieball.com>mailto:hans@ernieball.com]
> >>Sent: Tuesday, April 03, 2001 10:25 AM
> >>To: Loopers-Delight@loopers-delight.com
> >>Subject: Re: Sound card
>
> >>If I remember correctly, Stevie Wonder recorded 
> _Songs_in_the_Key_of_Life_ on a very
> >>early digital recorder.  Does anybody know what the bit depth/sampling 
> frequency was
> >>on that gear?




           Ry Cooder's Bop Til You Drop was the first major-label (Warner, 
1979) record to be recorded digitally. As far as I know, there was no 
looping on it!, but it is a great sounding LP. Sorry, not sure of the specs 
on that though...

     Kev

From Loopers-Delight-request@loopers-delight.com  Tue Apr  3 15:05:28 2001
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From: Michael Clark <mcl451@airmail.net>
Subject: Re: Electrix repeater
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Good questions!  Volumes of info in the archives.  Best to check the
archives, first.  A lot of what you want to know has been discussed in
great detail and is a bit worn at the moment.

Archives.

Welcome to the list!

M...


At 10:36 AM 4/3/01 -0700, you wrote:
>Hey, its me again!!
>
>I was wondering if anybody out there has heard of the echoplus digital pro 
>and the Legsicon Jam Boy or something? Are they any good?
>
>
>
>
>
>
>
>
>
>ahem...
>
>sorry, I couldn't help it.
>
>
>
>
>
>
>>From: "Dennis Leas" <dennis@mdbs.com>
>>Reply-To: Loopers-Delight@loopers-delight.com
>>To: <Loopers-Delight@loopers-delight.com>
>>Subject: Re: Electrix repeater
>>Date: Tue, 3 Apr 2001 11:45:45 -0500
>>
>>Hi Patrick!
>>
>>Welcome to the list!
>>
>> > Anybody had a chance to use the new Electrix Repeater? ...
>>
>>I think Santa Claus, the Boogie Man, and the Tooth Fairy are the only ones
>>currently using Repeaters.  And they never answer my email!  :)
>>
>>[Check the archives to glean the meager humor from my comment.]
>>
>>Dennis Leas
>>-------------------
>>dennis@mdbs.com
>>
>>
>
>_________________________________________________________________
>Get your FREE download of MSN Explorer at http://explorer.msn.com
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Apr  3 15:20:49 2001
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----- Original Message -----
From: "Patrick Bailey" <patthelooper@hotmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, April 03, 2001 7:39 PM
Subject: Sound cards


> I noticed the posts regarding sound cards-
>
> I recently bought a Lexicon Core 2 card for my new PC that is on order.
> Anybody have one of these that wants to share their ups n' downs with this
> card?
>
> thanks, pat

Hi, Pat.
I'm using that Lexicon card on almost everything since February 2000. I
found it great, it has only some little bugs in its drivers. (Please
everybody write lexicon to remember them that the Athlons are equal to or
better than Intels.) The drivers have some bugs (read the read.me of the
various driver updates), they are non 100% compatible with AMD processors
and motherboards. I'm currently using it in a Duron machine, and I have used
it for a year on a PII 266, and I find it great, expecially the dbx feature
on the analog ins. I've even used it in a studio and with almost every
program existing for the Win98 O.S., and I've got great results.

P.S. for the S.B. Live question. Have you all ever tried to use it with ASIO
drivers? For an amateaur or for game playing that is a great card, you could
even try to use it with Sound Fonts, and get great results, but don't try to
use it for VST2.0 virtual synths in real-time under cubasis or cubase vst.
Beside, where the heck are the features announced from Creative Labs on
Liveware 3? They announced Dinamic Memory Allocation for the sound fonts.
where is it?

Hi all, Luigi.

From Loopers-Delight-request@loopers-delight.com  Tue Apr  3 15:56:50 2001
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> Hi, Pat.
> I'm using that Lexicon card on almost everything since February 2000. I
> found it great, it has only some little bugs in its drivers. (Please
> everybody write lexicon to remember them that the Athlons are equal to or
> better than Intels.) The drivers have some bugs (read the read.me of the
> various driver updates), they are non 100% compatible with AMD processors
> and motherboards. I'm currently using it in a Duron machine, and I have used
> it for a year on a PII 266, and I find it great, expecially the dbx feature
> on the analog ins. I've even used it in a studio and with almost every
> program existing for the Win98 O.S., and I've got great results.

Alas, writing to Lexicon will not help. I contacted them to find out about
Win2K or NT support, and they (not very nicely) told me they have no
intentions of providing support for any Lexicon desktop audio product, and
that they were pulling out of that market. Even the multi-thousand dollar
Core32/PC90 setups. Sob. I figured 4 in 8 out, 24/96, with spdif for less
than 200 was way too good to be true.

On another note, I recently grabbed an M-Audio Delta 44, and it's very
very nice. Very, very, very, very nice. In fact, I didn't realize one of
my mixer's preamps was compressing and clipping until I switched. And the
software mixer is genius. And the ASIO drivers are glitch-free and under
30ms latency even with the win2000 WDM hell. Endorse, endorse, endorse. In
fact, I want to add a 66 to my setup for 8 in/out plus spdif...

-><-

From Loopers-Delight-request@loopers-delight.com  Tue Apr  3 18:46:58 2001
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Subject: R: A guitarloop work.
Date: Wed, 4 Apr 2001 00:32:08 +0200
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> Hey Max,
> 
> When is the performance?

In June, for the exact date i'll tell you.

> Wouldn't it be better to post up an MP3 of your CD?

Yes, i'm going to post some mp3 demos in www.mbh.it in the sounds page.

Ok? thanks
MaX

From Loopers-Delight-request@loopers-delight.com  Tue Apr  3 18:48:21 2001
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> Coincidenze..
> Ho 44 anni, sono un chitarrista (Italiano anche se vivo in Inghilterra) e
ho
> cominciato a suonare looped guitars molti anni fa dopo aver sentito i
primi
> esperimenti di Fripp.

Mi fa piacere! Beato te! Da quanto tempo vivi in inghilterra?

> Ho un  piccola casa di distribuzione di musica "insolita" su Internet, se
mi
> mandi una copia del tuo CD magari posso includerlo nel catalogo.
> Il sito è in via di completo rifacimento perchè è cresciuto troppo e la
> pagina catalogo con i campioni musicali dai vari cd è diventata lenta. Tra
> un paio di settimane il nuovo sito, con molti nuovi CD e la possibilità di
> pagare con carta di credito, sarà attivato.

Ok! appena pronto ti manderò una copia.

> Dai un'occhiata a com'è al momento e se ti sembra adatto mandami una copia
> dei tuoi lavori e vediamo se riesco a vendertene un po'.

Volentieri! alcuni dei nostri lavori non loopers
sono in vendita da www.peoplesound.com
(Distant Noise e Noise Theoria)

Per gli altri puoi trovare informazioni al seguente indirizzo:
www.mbh.it


Ti ringrazio per l'interessamento!

Max



From Loopers-Delight-request@loopers-delight.com  Tue Apr  3 19:37:09 2001
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Date: Tue, 3 Apr 2001 19:33:39 EDT
Subject: Re: renting a johnson stereo 150 while in new york ...
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SIR Studios 212 627 4900 ask for Ralph and tell him Jon from Alto sent you.

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Don't forget the Elektros Againinator.

best,

Gern Blanston


David Potter wrote:

>
>
> The echoplus is one of my favorites.   I find the Legsicon Jam Boy
> easier to use.  the repeatavox is coming out soon.  the Fine 666 has
> lots of great features. One of each is a must..............
>  >
> >I was wondering if anybody out there has heard of the echoplus
> >digital pro
> >and the Legsicon Jam Boy or something? Are they any good?
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >ahem...
> >
> >sorry, I couldn't help it.
> >
> >
> >
> >
> >
> >
> >>From: "Dennis Leas"
> >>Reply-To: Loopers-Delight@loopers-delight.com
> >>To:
> >>Subject: Re: Electrix repeater
> >>Date: Tue, 3 Apr 2001 11:45:45 -0500
> >>
> >>Hi Patrick!
> >>
> >>Welcome to the list!
> >>
> >> > Anybody had a chance to use the new Electrix Repeater? ...
> >>
> >>I think Santa Claus, the Boogie Man, and the Tooth Fairy are the
> >>only ones
> >>currently using Repeaters. And they never answer my email! :)
> >>
> >>[Check the archives to glean the meager humor from my comment.]
> >>
> >>Dennis Leas
> >>-------------------
> >>dennis@mdbs.com
> >>
> >>
> >
> >_________________________________________________________________
> >Get your FREE download of MSN Explorer at http://explorer.msn.com
> >
>
> -----------------------------------------------------------------------
> Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Tue Apr  3 19:57:58 2001
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From: Todd Pafford <galen@erols.com>
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On Mon, 12 May 1997, noah wrote:
> ...they were pulling out of that market. Even the multi-thousand dollar
> Core32/PC90 setups. Sob. I figured 4 in 8 out, 24/96, with spdif for less
> than 200 was way too good to be true.


Sigh.  That does make me sad.  I'm a big fan of Lexicon's stuff and was 
hoping to try their Core system some day.  Guess not.

On a related note...  Am I the only one that thinks 4 ins and 8 outs is 
backwards?  My logic being that using your sequencing software of choice 
(cakewalk, cubase, whatever) you basically have a multitrack recorder.  I 
mean, that's the point, right?  So  who would buy an x-track recorder (where 
x is some large number depending on your software) if it only had 4 ins?  
It'd be nice to be able to record more than 2 musicians (stereo) at a time 
after all.  Hell, I can concieve using more than 4 mics on the drums alone.

And it's not just the Lexicon.  Most cards I've seen have 2 or 4 ins with 
some ungodly number of outs.  What gives?  I want inputs damnit! ;)  All I 
really need as far as outputs is line level stereo.  What am I going to do, 
spray the outgoing signal into a DAT, speakers, headphones, MiniDisc, a post 
effects chain, external mixer, tape deck, and my blender all at one time?  Oh 
sure, I could drop it to 8track tape, but what's the point?  I've already got 
it on disc.

Hear me manufacturers of the world!  Build a card that has 8+ ins and 2 outs 
and I will buy one maybe two.  Furthermore, just to keep you in business, 
I'll try my damnedest to convice 1000 people on the street to buy one as 
well. :)

Whew, that's been sitting on my chest for a long time. :)

Todd

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References: <98.12dfb60d.27fbb7d3@aol.com>
Subject: Re: renting a johnson stereo 150 while in new york ...
Date: Tue, 3 Apr 2001 21:44:09 -0500
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hey this is great! thanks jon!! i will call them tomorrow and inquire. wow i
really appreciate your help! what do you know about flying and larger items
stored in cargo?

best to you
jimmy george
http://www.jimmygeorgearts.com



----- Original Message -----
From: <JHKNICKS@aol.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, April 03, 2001 6:33 PM
Subject: Re: renting a johnson stereo 150 while in new york ...


> SIR Studios 212 627 4900 ask for Ralph and tell him Jon from Alto sent
you.
>
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Apr  3 23:19:26 2001
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Date: Tue, 3 Apr 2001 23:16:33 -0400
To: Loopers-Delight@loopers-delight.com
From: Michael Beck <mibeck@vassar.edu>
Subject: Re: Still WOT Re: Sound card
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>Someone else's point of veiw on the audio quality of the Sound blaster.

    Some clarification is evidently in order. I have no way of knowing 
how good the sound generational aspects of the SBLive are. By all 
accounts, the whole sample-playback thing is pretty cool. And the D/A 
might be good, too, although I would venture to say that any 
converters shoe-horned into a PCI card have an uphill battle. But 
again, I wouldn't know anything about that, never having used an 
SBLive myself.
    My comments were merely to point out that the SBLive doesn't do 
what you would expect & give you a bit-accurate copy: instead, it 
resamples everything coming into its digital inputs to 48KHz, 
regardless of the incoming signal's actual sample rate. Thus there is 
the *potential* for sound degradation.
    Now, again, this may or may not result in any audible problems. 
However, even if it did, you would not hear anything wrong with the 
sample playback or the digital or analog *outputs* of the card. This 
problem is limited SOLELY to the digital *inputs*: the data that your 
software gets is not an exact duplicate of the signal your DAT 
machine (or external converters, effects box, ADAT, etc.) puts out.
    Again, you probably won't hear this after just 1 pass. But if you 
habitually send data out to an external processor and route the audio 
back into your computer through the digital inputs, for example, you 
must consider the possibility of audible distortion. Now, if you do 
this several times within a project, the same audio data could be 
resampled 4 or 5 times before you mix it and burn it or dump it to 
DAT or whatever, even if all your transfers are at standard 48KHz. 
That could be a problem. Perhaps.
    With the apparent widespread availability of cheap bit-for-bit 
digital input cards, if you're really worried about this there are 
alternatives. Keep your SBLive for sample playback and analog output, 
and add a second card for accurate digital input. Or if you're buying 
a new card altogether, keep this in mind & weigh it against the 
SBLive's other attractions, like the sample playback stuff. As 
always, YMMV.

                                                   - Mike

From Loopers-Delight-request@loopers-delight.com  Tue Apr  3 23:33:21 2001
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Subject: WOT Re: Sound cards
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> P.S. for the S.B. Live question. Have you all ever tried to use it with
ASIO
> drivers? For an amateaur or for game playing that is a great card, you
could
> even try to use it with Sound Fonts, and get great results, but don't try
to
> use it for VST2.0 virtual synths in real-time under cubasis or cubase vst.
> Beside, where the heck are the features announced from Creative Labs on
> Liveware 3? They announced Dinamic Memory Allocation for the sound fonts.
> where is it?

There are freeware programs that can do that. Megafont, I think it's called?

Interesting that you would feel that the VST synth don't work on it. I was
told that the card has super low ASIO latency. I've never tried it myself.


From Loopers-Delight-request@loopers-delight.com  Wed Apr  4 01:04:52 2001
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From: "Taaffe, Denis G" <dtaaffe@indiana.edu>
To: "'Loopers-Delight@loopers-delight.com'"
	 <Loopers-Delight@loopers-delight.com>
Subject: loop gig wednesday
Date: Wed, 4 Apr 2001 00:01:40 -0500 
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Hey  ,

 I will be playing the last of three solo electric guitar gigs  
at

 Bear's place WEdnesday April 4th - 10:00pm at Bears place.Wait that's
today~~~ 


I will be playing regular electric guitar and guitar loops done on the fly,
all the material is improvised so it's always new. Ok, I lied, I will be
playing a couple of tracks from my new CD modern rock guitar.volII 'Alien
guitar' as well. If any guitarists want to sit in on a track or two, feel
free to bring your ax


Say hello if you can make it or just send me $3.00 guilt money for not
showing up

Thanks
Denis

Denis Taaffe
denis_aliengtr@geocities.com
http://www.dtguitar.com

-

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where is this?
jimmy george
http://www.jimmygeorgearts.com


----- Original Message -----
From: Taaffe, Denis G <dtaaffe@indiana.edu>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, April 04, 2001 12:01 AM
Subject: loop gig wednesday


> Hey  ,
>
>  I will be playing the last of three solo electric guitar gigs
> at
>
>  Bear's place WEdnesday April 4th - 10:00pm at Bears place.Wait that's
> today~~~
>
>
> I will be playing regular electric guitar and guitar loops done on the
fly,
> all the material is improvised so it's always new. Ok, I lied, I will be
> playing a couple of tracks from my new CD modern rock guitar.volII 'Alien
> guitar' as well. If any guitarists want to sit in on a track or two, feel
> free to bring your ax
>
>
> Say hello if you can make it or just send me $3.00 guilt money for not
> showing up
>
> Thanks
> Denis
>
> Denis Taaffe
> denis_aliengtr@geocities.com
> http://www.dtguitar.com
>
> -
>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Apr  4 03:04:46 2001
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Date: Wed, 4 Apr 2001 00:01:44 -0700 (PDT)
From: John Tidwell <wedgehed@yahoo.com>
Subject: Re: Electrix repeater
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Don't forget the Poonatang & the Lime Sux.



I couldn't help it either.

:)

--- Patrick Bailey <patthelooper@hotmail.com> wrote:
> Hey, its me again!!
> 
> I was wondering if anybody out there has heard of
> the echoplus digital pro 
> and the Legsicon Jam Boy or something? Are they any
> good?
> 
> 
> ahem...
> 
> sorry, I couldn't help it.


=====
John Tidwell




__________________________________________________
Do You Yahoo!?
Get email at your own domain with Yahoo! Mail. 
http://personal.mail.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Wed Apr  4 04:26:32 2001
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No, never have, but what about the ToeJam?  Allows you to make music
with your feet, as long as you keep your socks on  :)

Elby


---------------------------------------------------

Hey, its me again!!

I was wondering if anybody out there has heard of the echoplus digital
pro
and the Legsicon Jam Boy or something? Are they any good?


From Loopers-Delight-request@loopers-delight.com  Wed Apr  4 05:17:22 2001
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Elby
Check
http://www.loopers-delight.com/LDarchive/200005/msg00642.html
or the whole thread
http://www.loopers-delight.com/cgi-bin/wilma_glimpse/LDarchive?query=barefoot+looping&Search=Search&lineonly=on&errors=0&maxfiles=1000&maxlines=0&.cgifields=lineonly&.cgifields=filelist&.cgifields=case&.cgifields=partial&.cgifields=restricttofiles
:=)
claude

Mountain Man wrote:
> 
> No, never have, but what about the ToeJam?  Allows you to make music
> with your feet, as long as you keep your socks on  :)
> 
> Elby
> 
> ---------------------------------------------------
> 
> Hey, its me again!!
> 
> I was wondering if anybody out there has heard of the echoplus digital
> pro
> and the Legsicon Jam Boy or something? Are they any good?

From Loopers-Delight-request@loopers-delight.com  Wed Apr  4 07:47:32 2001
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From: "Mike Feeney" <feeneymike@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: mp3 encoder?
Date: Wed, 4 Apr 2001 06:44:25 -0500
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  I use one called dbPowerAmp which I downloaded from www.download.com ...
that's a good page to start with, they have loads of free shareware /
freeware up for grabs (including a category for mp3 encoders).  That
software is a little buggy for me sometimes, but overall works pretty well.
It allows you to convert to both mp3 and wav from a source CD, file, or even
from incoming audio from your soundcard.

  What's funny is that I did the same thing... I used to use AudioCatalyst
until I reformatted...  =)  I miss it.  MusicMatch seems to work fairly well
once you learn the not-particularly-intuitive-or-logical interface.  =)

 -Mike

-----Original Message-----
From: matt davignon [mailto:mattdavignon@hotmail.com]
Sent: Tuesday, April 03, 2001 12:53 PM
To: loopers-delight@loopers-delight.com
Subject: mp3 encoder?


Could anybody suggest a free mp3 encoder for me? I used to use
Audiocatalyst, but I reformatted, and now all I have access to is the "trial
version".

I tried MusicMatch Jukebox (or something like that), but either it doesn't
list the CD tracks (so I can't pick which ones to encode), or it tries to
burn the mp3 tracks to a new CD-R.

Ideally, I'd like one that could do CD (or .wav) to mp3 and also mp3 to
.wav.

Anybody? anybody?

Matt
_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com


_________________________________________________________
Do You Yahoo!?
Get your free @yahoo.com address at http://mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Wed Apr  4 09:47:18 2001
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Hey Denis!  Wishing you a good gig tonight!

Dennis Leas
-------------------
dennis@mdbs.com

----- Original Message -----
From: "Taaffe, Denis G" <dtaaffe@indiana.edu>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, April 04, 2001 12:01 AM
Subject: loop gig wednesday


> Hey  ,
>
>  I will be playing the last of three solo electric guitar gigs
> at
>
>  Bear's place WEdnesday April 4th - 10:00pm at Bears place.Wait that's
> today~~~
>
>
> I will be playing regular electric guitar and guitar loops done on the
fly,
> all the material is improvised so it's always new. Ok, I lied, I will be
> playing a couple of tracks from my new CD modern rock guitar.volII 'Alien
> guitar' as well. If any guitarists want to sit in on a track or two, feel
> free to bring your ax
>
>
> Say hello if you can make it or just send me $3.00 guilt money for not
> showing up
>
> Thanks
> Denis
>
> Denis Taaffe
> denis_aliengtr@geocities.com
> http://www.dtguitar.com
>
> -
>

From Loopers-Delight-request@loopers-delight.com  Wed Apr  4 10:30:48 2001
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To: "'Loopers-Delight@loopers-delight.com'"
	 <Loopers-Delight@loopers-delight.com>
Subject: RE: loop gig wednesday
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oops o hyeah this is in Bloomington,IN just a few hundred miles away 8-)

Denis

Denis Taaffe
denis_aliengtr@geocities.com
http://www.dtguitar.com

-----Original Message-----
From: Jimmy George [mailto:jimmyg@jimmygeorgearts.com]
Sent: Wednesday, April 04, 2001 1:32 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: loop gig wednesday


where is this?
jimmy george
http://www.jimmygeorgearts.com


----- Original Message -----
From: Taaffe, Denis G <dtaaffe@indiana.edu>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, April 04, 2001 12:01 AM
Subject: loop gig wednesday


> Hey  ,
>
>  I will be playing the last of three solo electric guitar gigs
> at
>
>  Bear's place WEdnesday April 4th - 10:00pm at Bears place.Wait that's
> today~~~
>
>
> I will be playing regular electric guitar and guitar loops done on the
fly,
> all the material is improvised so it's always new. Ok, I lied, I will be
> playing a couple of tracks from my new CD modern rock guitar.volII 'Alien
> guitar' as well. If any guitarists want to sit in on a track or two, feel
> free to bring your ax
>
>
> Say hello if you can make it or just send me $3.00 guilt money for not
> showing up
>
> Thanks
> Denis
>
> Denis Taaffe
> denis_aliengtr@geocities.com
> http://www.dtguitar.com
>
> -
>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Apr  4 10:50:19 2001
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I stand corrected.  It was _Hotter_Than_July_ that I was thinking of.
For 1980, I'd say it sounds pretty darn good.  I guess I'm not the only
on who thought so; it was Stevie Wonder's first platinum album.  I
searched for info on this album, but all I could find were reviews for
the 24-bit remasters.  Go figure.  My point is, you can still record
good music on a low-quality sound card.

-Hans

> >i find that hard to believe  - - that album came out in . . . 1976.
> maybe it was another stevie record.
>
> >stig
>
>
> >>If I remember correctly, Stevie Wonder recorded
> _Songs_in_the_Key_of_Life_ on a very
> >>early digital recorder.  Does anybody know what the bit
depth/sampling
> frequency was
> >>on that gear?

           Ry Cooder's Bop Til You Drop was the first major-label
(Warner,
1979) record to be recorded digitally. As far as I know, there was no
looping on it!, but it is a great sounding LP. Sorry, not sure of the
specs
on that though...

     Kev


From Loopers-Delight-request@loopers-delight.com  Wed Apr  4 11:27:28 2001
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To: "'Jimmy George'" <jimmyg@jimmygeorgearts.com>,
        Loopers-Delight@loopers-delight.com
Subject: RE: renting a johnson stereo 150 while in new york ...
Date: Wed, 4 Apr 2001 08:23:06 -0700 
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Some airlines have their bagage specifications posted on the web. These
rules are not set in stone though. I've flown with keyboard cases that were
larger than "allowed". Preflying your stuff on a cargo flight and picking up
when you arrive is one way to make sure there are no last minute snags. Make
sure everything is documented, insured, and in locked well padded cases.

-----Original Message-----
From: Jimmy George

hey this is great! thanks jon!! i will call them tomorrow and inquire. wow i
really appreciate your help! what do you know about flying and larger items
stored in cargo?

best to you
jimmy george
http://www.jimmygeorgearts.com



----- Original Message -----
From: <JHKNICKS@aol.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, April 03, 2001 6:33 PM
Subject: Re: renting a johnson stereo 150 while in new york ...


> SIR Studios 212 627 4900 ask for Ralph and tell him Jon from Alto sent
you.
>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Apr  4 12:46:10 2001
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From: "LEE, THANIEL I" <TLEE@IUSMail.IUS.Indiana.EDU>
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Subject: pelt
Date: Wed, 4 Apr 2001 12:41:24 -0400 
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any one out there like pelt. i saw them live awhile back and i thought they
rocked in a drone way. keenan lawler and pelt just made arecord together it
rocks in a drone way to. it was recorded in a silo. -thaniel ion lee

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In a message dated 4/4/01 10:46:42 AM Eastern Daylight Time, 
hans@ernieball.com writes:


> My point is, you can still record
> good music on a low-quality sound card.
> 

i always thought you could record good music on a 4 trac cassette 
recorder.....next month when they come out with the amazing Wham Fram sound 
card will that make everything else not sound so good anymore?.....michael

--part1_12.b0cde52.27fcaaf3_boundary
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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>In a message dated 4/4/01 10:46:42 AM Eastern Daylight Time, 
<BR>hans@ernieball.com writes:
<BR>
<BR>
<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">My point is, you can still record
<BR>good music on a low-quality sound card.
<BR></BLOCKQUOTE>
<BR>
<BR>i always thought you could record good music on a 4 trac cassette 
<BR>recorder.....next month when they come out with the amazing Wham Fram sound 
<BR>card will that make everything else not sound so good anymore?.....michael</FONT></HTML>

--part1_12.b0cde52.27fcaaf3_boundary--

From Loopers-Delight-request@loopers-delight.com  Wed Apr  4 13:15:29 2001
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Subject: Re: Expression pedal with PMC10
Date: Wed, 4 Apr 2001 18:13:32 +0100
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> Last night I adapted a Kawai expression pedal to
> work with my DL-4.  The Line 6 pedals want a mono
> plug hooked up to a 10K pot.  The Kawai (and some
> other expression pedals) use a stereo plug and wire
> the plug up so that the usual variable resistance
> from the pot goes across the sleeve and ring of
> the plug (the Line 6 needs it on the sleeve and
> tip).  I wired in a little switch to go from
> the normal wiring, to one that is compatible with
> the Line 6.  Seems to me that a technically inclined
> person could "repurpose" a Crybaby for use as an
> expression pedal, assuming you can find a 10K wah pot....

OK, so will this work with any stereo expression pedal? What would happen if the impedance was wrong? If I buy a Roland or
Technics stereo pedal, chop off the stereo plug and attach a mono one in the way described above, with that work? I'm not
massively into the idea of spending $$ on a Line 6 pedal, and the Boss EV thingie is even more!

Steve
web-site - www.steve-lawson.co.uk
e-mail - steve@steve-lawson.co.uk
mailing list - steve-lawson-subscribe@listbot.com (send a blank e-mail to this address)

"Nothing worth having comes without some kind of fight,
You've got to kick at the darkness till it bleeds daylight"
- Bruce Cockburn

From Loopers-Delight-request@loopers-delight.com  Wed Apr  4 13:16:02 2001
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Subject: Re: pelt and question on bowing
To: Loopers-Delight@loopers-delight.com
From: "Curtis P Seiss" <seisscp@washpost.com>
Date: Wed, 4 Apr 2001 12:56:34 -0400
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i too saw pelt in d.c. --  any droners out there would love pelts use
textures to create vivid and often atonal sound-scapes.   very "visual"
music.
im not sure who, but one of the members used a bow on a tambura...it
sounded fantastic.

question-  any loopers out there use a bow on non-bowed instruments?  or
even non-instruments?  (your pet rats metal cage perhaps?)  ive always been
intrigued by the orchestral saw and the waterfone (sorry for the
spelling...)  anyone loopng a bowed 12' steel i-beam?

i assume when using a bow on a standard 6 string guitar, one would need to
build a 'arch' type bridge...  has anyone done this?

sorry if this post seems elementary,

-curt








"LEE, THANIEL I" <TLEE@IUSMail.IUS.Indiana.EDU> on 04/04/2001 12:41:24 PM

Please respond to Loopers-Delight@loopers-delight.com

To:   Loopers-Delight@loopers-delight.com
cc:

Subject:  pelt


any one out there like pelt. i saw them live awhile back and i thought they
rocked in a drone way. keenan lawler and pelt just made arecord together it
rocks in a drone way to. it was recorded in a silo. -thaniel ion lee







From Loopers-Delight-request@loopers-delight.com  Wed Apr  4 13:19:58 2001
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Subject: Re: WOT Re: Sound cards
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----- Original Message -----
From: "Jon" <jonathan@full-moon.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, April 04, 2001 5:43 AM
Subject: WOT Re: Sound cards


>
> > P.S. for the S.B. Live question. Have you all ever tried to use it with
> ASIO
> > drivers? For an amateaur or for game playing that is a great card, you
> could
> > even try to use it with Sound Fonts, and get great results, but don't
try
> to
> > use it for VST2.0 virtual synths in real-time under cubasis or cubase
vst.
> > Beside, where the heck are the features announced from Creative Labs on
> > Liveware 3? They announced Dinamic Memory Allocation for the sound
fonts.
> > where is it?
>
> There are freeware programs that can do that. Megafont, I think it's
called?
>
> Interesting that you would feel that the VST synth don't work on it. I was
> told that the card has super low ASIO latency. I've never tried it myself.
>
>
Dunno if I did something wrong in the setup, but Cubase (and Cubasis) give
me a very long latency time. 300-400 ms of delay in the beginning of the
note. God it is a longer time than my first analog delay unit...
Instead, I tried it with an old version of the DSP/FX and it went great. the
time was really short.
P.S. The only drivers for a Creative I found even on the Steinberg site are
for a generic AWE32/64.No Asio.
And don't even think to look in the Creative or the Soundblaster site. They
are only full of "how good is our hardware... You can play sorround music on
it...(bullshit, there is no software on windows that permits to do this and
with the drivers you get with the card all of your programs don't see the
second output). I think that this is only a commercial choice, as they also
sell the EMU ASP, basically a soundblaster live with (perhaps) better A/D
and D/A, at almost 2 times the price of a Live Platinum. And the EMU
LiveDrive (don't know how it is actually called) is a bit worse than the
LiveDriveII.Now I'm using the Lexicon for everything audio, and the Live
only for the SoundFonts and some older dos audio softwares (long live
FastTracker and Impulse Tracker)

From Loopers-Delight-request@loopers-delight.com  Wed Apr  4 13:58:59 2001
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Subject: FS: Doepfer MAQ 16/3, Kawai K1m, G1 distortion
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For sale a few odds and sods around the studio:

1. FS: Doepfer MAQ 16/3 V3 - Excellent+++  condition (used only a few
times and has sat in a rack in my studio for the past year).  $695 plus
shipping and paypal costs if desired (firm).

Brand new analog sequencer.  This is the latest version with the good
solid knobs and full cv/gate in/outs. Three rows of 16 steps each for
midi or cv sequencing of whatever the hell you wish. Knob city! Includes
power supply and manual. More info at: http://www.doepfer.com/maq_e.htm


2. Kawai KIm - $100 plus shipping.

Table top d*gital wavetable synthesizer  with joystick. Underrated
monster useful for creeping pads, weird noises, and even lush gothic
strings and voices. Perfect for midi guitar as a thick polyphonic sound
source. In original box with owners manual, wavetable manual (rare to
find one of these and it's needed to know what you're programming), and
brand new power supply.


3. Korg G1 Distortion Processor -  $85.

Small powerful floor unit with multiple knobs and foot switches. Can do
everything from a tube overdrive to octave fuzz, to shredding distortion
each with tone, EQ, and other multiple controls. Allows user ot save up
to 9 settings and recall them with the foot switches instantly as well
as edit them live if you so desire.

Also can be used as a preamp, headphone amp, DI box (has built in amp
simulator) and has built in wah wah filter, noise reduction,  and
digital delay. Nice swiss army knife distortion processor in a clean
neat and extremely easy to use package. Excellent condition with
original box, manual, and new power supply.

I think the prices are very fair but some trades possible as well. I
accept paypal from registered members. Buyer prepays and pays shipping
or pickup in Phila Pa (greatly preferred if possible!).  References out
the wazoo and available on request. Serious buyers only please and all
deals must be confirmed via phone so send your # and I'll call you on my
dime to speed things up.  I'll gladly answer any/all questions so just
fire away if you're interested.

Thanks!!




From Loopers-Delight-request@loopers-delight.com  Wed Apr  4 14:02:13 2001
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> question-  any loopers out there use a bow on non-bowed instruments?  or
> even non-instruments?  (your pet rats metal cage perhaps?)  ive always
been
> intrigued by the orchestral saw and the waterfone (sorry for the
> spelling...)  anyone loopng a bowed 12' steel i-beam?

Occassionally, I'll play around with a cheap violin bow on different things.
I really like it on a "Wobble Board", a kid's toy that I play like a musical
saw.  I stick a piezo pickup on it.  Bowed marimba and glockespiel sound
cool, too.  One of the nastiest sounds is a bowed gopi-yantra (or
gopi-chadra) with the string very loose and played through a old E-H Big
Muff.  It makes nails-on-the-chalkboard sound melodious!

Dennis Leas
-------------------
dennis@mdbs.com


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seisscp@washpost.com writes:
>question-  any loopers out there use a bow on non-bowed instruments?  or
>even non-instruments?
yeah, sometimes i use a bow on a 'normally bridged' el. gtr;
(the last time i can remember recording that was a while ago, on mick karn's 
cd 'the tooth mother', onna track called 'thundergirl mutation').
angle of incidence is very meaningful w/such a technique.....
best,
splattercell / dt

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Hi,
We use a core2 for multitracking audio in my studio. The early drivers were
rubbish but it's rock steady with, (i think) version 2.1. The sound quality
is exceptional and with the dbx circuitry in operation and recording at
24bit depth it is EXTREMELY difficult to clip your recordings.
Bad points are:
The lexi mp100 daughterboard configuration is mighty convoluted.
Unbalanced ins and outs, (though I've not had a problem with interference).
The breakout box is rather cheap looking being close to 1/2 u rack but not
quite- silly.

Generally though, I'm very pleased with it.

Gareth

> I noticed the posts regarding sound cards-
>
> I recently bought a Lexicon Core 2 card for my new PC that is on order.
> Anybody have one of these that wants to share their ups n' downs with this
> card?
>
> thanks, pat
> _________________________________________________________________
> Get your FREE download of MSN Explorer at http://explorer.msn.com
>

From Loopers-Delight-request@loopers-delight.com  Wed Apr  4 14:28:42 2001
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Date: Wed, 04 Apr 2001 14:25:11 -0400
Subject: OT: While we're talkin' Sound Cards
From: Graeme White <white@purchase.edu>
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> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

--MS_Mac_OE_3069239111_1068115_MIME_Part
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Looks like a steal if you're using Windows & you need that kind of power -
plus it looks like it might be supported by the manufacturer (unlike the
core card...:< ) Plus you get the IO off the card, tho not completely out of
the computer which would be nicer.

I'd want to know exactly which "Major Sequencers" support it, & how.

> Subject: OT: While we're talkin' Sound Cards
> 
> I came across this offer from Zzounds:
> 
> http://www.zzounds.com/love.music?p=p.YAMDS2416AX44&a=em032701
> 
> It sounds like a great deal, but I haven't heard anything about this card.
> Is anyone on the list familiar with it and can offer a quick review?
> 
> -skully

-- 
Graeme White 

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<HTML>
<HEAD>
<TITLE>OT: While we're talkin' Sound Cards</TITLE>
</HEAD>
<BODY>
<FONT FACE=3D"Helvetica">Looks like a steal if you're using Windows &amp; you=
 need that kind of power - plus it looks like it might be supported by the m=
anufacturer (unlike the core card...:&lt; ) Plus you get the IO off the card=
, tho not completely out of the computer which would be nicer.<BR>
<BR>
I'd want to know exactly which &quot;Major Sequencers&quot; support it, &am=
p; how.<BR>
<BR>
</FONT><B>&gt; Subject: </B>OT: While we're talkin' Sound Cards<BR>
&gt; <BR>
&gt; <TT>I came across this offer from Zzounds:<BR>
&gt; <BR>
&gt; <FONT COLOR=3D"#0000FF"><U>http://www.zzounds.com/love.music?p=3Dp.YAMDS24=
16AX44&amp;a=3Dem032701<BR>
</U></FONT>&gt; <BR>
&gt; It sounds like a great deal, but I haven't heard anything about this c=
ard. <BR>
&gt; Is anyone on the list familiar with it and can offer a quick review?<B=
R>
&gt; <BR>
&gt; -skully<BR>
</TT><BR>
<FONT SIZE=3D"2"><FONT FACE=3D"Helvetica">-- <BR>
Graeme White</FONT></FONT>=20
</BODY>
</HTML>


--MS_Mac_OE_3069239111_1068115_MIME_Part--

From Loopers-Delight-request@loopers-delight.com  Wed Apr  4 14:49:12 2001
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From: "Italo De Angelis" <italoop@libero.it>
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Subject: gig/GIG
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"IL NOME DELLA COSA "
FOLLIE ED IMPROVVISI PER 2 CHITARRE SOLITARIE
con ROBERTO ZORZI
Chitarre elettrica, acustica , dobro e zorzerie
e
ITALO DE ANGELIS
Chitarra elettrica, live electronics, Eventide Orville

****************************************************************************
**
Le due chitarre si incontrano per la prima volta, provenienti ciascuna da
mondi musicali diversi ed eterogenei;
Zorzi frequenta da molti anni ormai l'area della libera improvvisazione
strumentale ed elettronica,
con chiari riferimenti alle sue più forti influenze,
Henry Kaiser, con il quale ha recentemente inciso, Ornette Coleman ed Albert
Ayler,
nonché la tradizione più classica del "Delta" Blues americano.
De Angelis lo affianca coinvolgendolo nelle sue spirali elettroniche
immaginifiche, sviluppate nei suoi recenti cd in Danimarca ed Italia, in cui
real time sampling, looping e processamenti estremi creano dense tessiture
sonore digitali di altri mondi.

Sarà interessante il contrasto generato dall'interazione delle due
differenti esperienze artistiche confluenti in una serata di duetti e solo
pieces che terranno gli ascoltatori sospesi nell'impossibilità di prevedere
gli sviluppi della cosa.

Il fascino dell'estemporaneo e della ripetizione contrastano nella
performance del duo e non è da poco esperire imprevedibili sviluppi creativi
e mutazioni improvvise in un'epoca di "calma piatta"..
PESCARA-ITALY
"K A B A L A  J A Z Z   C L U B"
SABATO 7 APRILE 2001
h 22.00
Via Ravenna (Centro), 62
Tel 085 4219992















From Loopers-Delight-request@loopers-delight.com  Wed Apr  4 14:57:49 2001
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http://www.asus.com.tw/products/motherboard/socketa/a7m266/index.html=20
I am considering using this as the core of my next DAW- I have heard =
most MOTU problems have been solved- anyone have more info on this =
subject or actually have this board?
Thanks

Cliff-O-Matic

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<DIV><A=20
href=3D"http://www.asus.com.tw/products/motherboard/socketa/a7m266/index.=
html">http://www.asus.com.tw/products/motherboard/socketa/a7m266/index.ht=
ml</A>=20
</DIV>
<DIV><FONT size=3D2>I am considering using this as the core of my next =
DAW- I have=20
heard most MOTU problems have been solved- anyone have more info on this =
subject=20
or actually have this board?</FONT></DIV>
<DIV><FONT size=3D2>Thanks</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>Cliff-O-Matic</FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed Apr  4 14:59:42 2001
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Subject: pelt? WHICH pelt????
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pelt are pretty much always amazing, but you can never be sure which 
version of pelt you're gonna see... they have many moods & stylings, and 
their capabilities are vast & pretty astonishing...

tono-bungay have had the supreme pleasure of splitting many a bill w/ pelt 
- the first time we ever saw them was at (the late, VERY lamented) 
astrocade a few years back. they did a soundcheck that indicated a sort of 
jungle-drums-foundation-with-manic-swirling-over-the-top-electronics. "ok", 
we're thinking, "this seems pretty out there."

they finished the check and repaired to the rear of the space where they 
then proceeded to immediately throw down the most incredible, totally off 
the cuff, stone-trad bluegrass jam session. completely authentic, and very 
casual... just for relaxation, i guess. don't think i've ever seen such an 
abrupt change of stylistic clothing, musically speaking, literally in the 
twinkling of an eye.

on another occasion we were back in philly, this time at the khyber pass, 
when pelt churned out a set that was firmly classifiable as industrial, and 
REALLY scary... making waxtrax seem like "K" - (i had to take cover 
backstage!) i began to get the feeling that these guys really can do 
anything they want...

an impression which was further reinforced when we split the bill w/ them 
at transmissions oo2 in c'hill- where they did nothing for, oh, an hour and 
25 minutes but a continual bowed-cymbal-and-temple-bowl set; it was really 
almost a cruel demonstration of how something that's ostensibly "relaxing" 
in a sort of typically new-agey way can instill in you thoughts of murder 
(like, murdering the band FIRST, and then going out afterwards for more.)

oh, did i mention? they're REALLY nice people and we are pleased to have 
one of them as a transplanted new yorker.

but then - how could you expect any less from a group who tours in a van 
with a licence plate that reads: "klaang"?

lovin them,

a:c

>i too saw pelt in d.c. --  any droners out there would love pelts use
>textures to create vivid and often atonal sound-scapes.   very "visual"
>music.
>im not sure who, but one of the members used a bow on a tambura...it
>sounded fantastic.
>
>To:   Loopers-Delight@loopers-delight.com
>cc:
>
>Subject:  pelt
>
>
>any one out there like pelt. i saw them live awhile back and i thought they
>rocked in a drone way. keenan lawler and pelt just made arecord together it
>rocks in a drone way to. it was recorded in a silo. -thaniel ion lee

From Loopers-Delight-request@loopers-delight.com  Wed Apr  4 15:08:11 2001
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Have a good gig, Italo!

Pardon the automated translation but I get the jist of it.  Sounds like fun!

------------------ begin translation -------------------------
" the NAME Of the THING " UNEXPECTED MADNESSES AND FOR 2 SOLITARY
GUITARS with ROBERTO ZORZI Guitars electrical worker, acoustics, dobro
and zorzerie and Italian DE ANGELIS Guitar electrical worker, live
electronics, Eventide Orville


****************************************************************************
**  The two guitars are met for before the time, coming from ciascuna
from various and heterogenous musical worlds;  Zorzi by now attends
from many years the area of the free instrumental improvisation and
electronic, with clear references to its stronger infuences, Henry
Kaiser, with which it has recently recorded, Ornette Coleman and
Albert Ayler, let alone the more classic tradition of the " Delta "
Blues American.  De Angelis places side by side it being involved it
in its immaginifiche electronic spirals, developed in its recent ones
cd in Denmark and Italy, in which real extreme Time sampling, looping
and processamenti they create dense sonorous webbings digita them of
other worlds.

The contrast generated from the interaction of the two different
artistic experiences meeting in a evening of duetti and only will be
interesting pieces that they will hold the listeners suspended in the
impossibility to preview the developments of the thing.
------------------ end translation -------------------------

Dennis Leas
-------------------
dennis@mdbs.com


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From: "Taaffe, Denis G" <dtaaffe@indiana.edu>
To: "'Loopers-Delight@loopers-delight.com'"
	 <Loopers-Delight@loopers-delight.com>
Subject: RE: gig/GIG
Date: Wed, 4 Apr 2001 14:05:40 -0500 
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translation:" Hey everyone I 'm gonna get liquored up before I show up at
Denis Taaffe's gig tonight and later we will all go over and get a keg party
going with the homeys back at the crib, get some tatoos and  then we get
some babes that I attract cuz I am a babe magnet and we ...." oh wait maybe
he means that he will be playing a gig in italy..

Denis 

Denis Taaffe
denis_aliengtr@geocities.com
http://www.dtguitar.com
-----Original Message-----
From: Italo De Angelis [mailto:italoop@libero.it]
S
"IL NOME DELLA COSA "
FOLLIE ED IMPROVVISI PER 2 CHITARRE SOLITARIE
con ROBERTO ZORZI
Chitarre elettrica, acustica , dobro e zorzerie
e
ITALO DE ANGELIS
Chitarra elettrica, live electronics, Eventide Orville

****************************************************************************
**
Le due chitarre si incontrano per la prima volta, provenienti ciascuna da
mondi musicali diversi ed eterogenei;
Zorzi frequenta da molti anni ormai l'area della libera improvvisazione
strumentale ed elettronica,
con chiari riferimenti alle sue più forti influenze,
Henry Kaiser, con il quale ha recentemente inciso, Ornette Coleman ed Albert
Ayler,
nonché la tradizione più classica del "Delta" Blues americano.
De Angelis lo affianca coinvolgendolo nelle sue spirali elettroniche
immaginifiche, sviluppate nei suoi recenti cd in Danimarca ed Italia, in cui
real time sampling, looping e processamenti estremi creano dense tessiture
sonore digitali di altri mondi.

Sarà interessante il contrasto generato dall'interazione delle due
differenti esperienze artistiche confluenti in una serata di duetti e solo
pieces che terranno gli ascoltatori sospesi nell'impossibilità di prevedere
gli sviluppi della cosa.

Il fascino dell'estemporaneo e della ripetizione contrastano nella
performance del duo e non è da poco esperire imprevedibili sviluppi creativi
e mutazioni improvvise in un'epoca di "calma piatta"..
PESCARA-ITALY
"K A B A L A  J A Z Z   C L U B"
SABATO 7 APRILE 2001
h 22.00
Via Ravenna (Centro), 62
Tel 085 4219992














From Loopers-Delight-request@loopers-delight.com  Wed Apr  4 15:21:16 2001
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From: "Patrick Bailey" <patthelooper@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Jamman click noise
Date: Wed, 04 Apr 2001 12:17:20 -0700
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Greetings all,

Lately I've been noticing an annoying distorted pop that occurs at the 
beginning of each loop repetition in my Jamman. Any other Jam men or women 
have this same prob? Thanks
_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Wed Apr  4 15:24:01 2001
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From: "matt davignon" <mattdavignon@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: RE: mp3 encoder?
Date: Wed, 04 Apr 2001 12:19:27 -0700
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Thanks everyone for the mp3 references. I'm mp3 capable again! I'll have to 
check out this download.com though, it seems pretty cool!


>From: "Mike Feeney" <feeneymike@yahoo.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: <Loopers-Delight@loopers-delight.com>
>Subject: RE: mp3 encoder?
>Date: Wed, 4 Apr 2001 06:44:25 -0500
>
>
>
>   I use one called dbPowerAmp which I downloaded from www.download.com ...
>that's a good page to start with, they have loads of free shareware /
>freeware up for grabs (including a category for mp3 encoders).  That
>software is a little buggy for me sometimes, but overall works pretty well.
>It allows you to convert to both mp3 and wav from a source CD, file, or 
>even
>from incoming audio from your soundcard.
>
>   What's funny is that I did the same thing... I used to use AudioCatalyst
>until I reformatted...  =)  I miss it.  MusicMatch seems to work fairly 
>well
>once you learn the not-particularly-intuitive-or-logical interface.  =)
>
>  -Mike
>
>-----Original Message-----
>From: matt davignon [mailto:mattdavignon@hotmail.com]
>Sent: Tuesday, April 03, 2001 12:53 PM
>To: loopers-delight@loopers-delight.com
>Subject: mp3 encoder?
>
>
>Could anybody suggest a free mp3 encoder for me? I used to use
>Audiocatalyst, but I reformatted, and now all I have access to is the 
>"trial
>version".
>
>I tried MusicMatch Jukebox (or something like that), but either it doesn't
>list the CD tracks (so I can't pick which ones to encode), or it tries to
>burn the mp3 tracks to a new CD-R.
>
>Ideally, I'd like one that could do CD (or .wav) to mp3 and also mp3 to
>.wav.
>
>Anybody? anybody?
>
>Matt
>_________________________________________________________________
>Get your FREE download of MSN Explorer at http://explorer.msn.com
>
>
>_________________________________________________________
>Do You Yahoo!?
>Get your free @yahoo.com address at http://mail.yahoo.com
>

_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Wed Apr  4 15:40:15 2001
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To: <Loopers-Delight@loopers-delight.com>
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Subject: OT: mp3 encoder?
Date: Wed, 4 Apr 2001 15:26:09 -0400
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Another site, more extensive I think, is shareware music
machine:
http://www.hitsquad.com/smm/

Mike

----- Original Message -----
From: "matt davignon" <mattdavignon@hotmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, April 04, 2001 3:19 PM
Subject: RE: mp3 encoder?


> Thanks everyone for the mp3 references. I'm mp3 capable again!
I'll have to
> check out this download.com though, it seems pretty cool!
>
>
> >From: "Mike Feeney" <feeneymike@yahoo.com>
> >Reply-To: Loopers-Delight@loopers-delight.com
> >To: <Loopers-Delight@loopers-delight.com>
> >Subject: RE: mp3 encoder?
> >Date: Wed, 4 Apr 2001 06:44:25 -0500
> >
> >
> >
> >   I use one called dbPowerAmp which I downloaded from
www.download.com ...
> >that's a good page to start with, they have loads of free
shareware /
> >freeware up for grabs (including a category for mp3
encoders).  That
> >software is a little buggy for me sometimes, but overall
works pretty well.
> >It allows you to convert to both mp3 and wav from a source
CD, file, or
> >even
> >from incoming audio from your soundcard.
> >
> >   What's funny is that I did the same thing... I used to use
AudioCatalyst
> >until I reformatted...  =)  I miss it.  MusicMatch seems to
work fairly
> >well
> >once you learn the not-particularly-intuitive-or-logical
interface.  =)
> >
> >  -Mike
> >
> >-----Original Message-----
> >From: matt davignon [mailto:mattdavignon@hotmail.com]
> >Sent: Tuesday, April 03, 2001 12:53 PM
> >To: loopers-delight@loopers-delight.com
> >Subject: mp3 encoder?
> >
> >
> >Could anybody suggest a free mp3 encoder for me? I used to
use
> >Audiocatalyst, but I reformatted, and now all I have access
to is the
> >"trial
> >version".
> >
> >I tried MusicMatch Jukebox (or something like that), but
either it doesn't
> >list the CD tracks (so I can't pick which ones to encode), or
it tries to
> >burn the mp3 tracks to a new CD-R.
> >
> >Ideally, I'd like one that could do CD (or .wav) to mp3 and
also mp3 to
> >.wav.
> >
> >Anybody? anybody?
> >
> >Matt
>
>_______________________________________________________________
__
> >Get your FREE download of MSN Explorer at
http://explorer.msn.com
> >
> >
> >_________________________________________________________
> >Do You Yahoo!?
> >Get your free @yahoo.com address at http://mail.yahoo.com
> >
>
>
________________________________________________________________
_
> Get your FREE download of MSN Explorer at
http://explorer.msn.com
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Apr  4 15:48:30 2001
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To: Loopers-Delight@loopers-delight.com
Subject: Seattle Looping Activities?
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Greetings,

I am heading to Seattle for a week this Saturday.  Are there any
locals that can point me to looping gigs/activities going on?

Or Anything cool to do up there, for that matter....

thanks,
-jas
http://www.dimbulb.org

From Loopers-Delight-request@loopers-delight.com  Wed Apr  4 16:18:56 2001
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Old-Return-Path: <italoop@libero.it>
Message-ID: <00e601c0bd43$a6aeb5a0$d7ae1597@default>
From: "Italo De Angelis" <italoop@libero.it>
To: <Loopers-Delight@loopers-delight.com>
References: <00ca01c0bd37$3f403f80$d7ae1597@default> <024501c0bd3a$36873f80$1fab82cc@mdbs.com>
Subject: Re: gig/GIG
Date: Wed, 4 Apr 2001 22:12:57 +0200
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Thanx Dennis!!! I'm surprised!!! Great to see YOU know Italian SO
GOOD...Thanx again...what a nice thing to see on the net.
See ya on www.geocities.com/italoop
ALLA TUA SALUTE DENNIS ! ! !
CIAO ITALO


----- Original Message -----
From: "Dennis Leas" <dennis@mdbs.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, April 04, 2001 9:05 PM
Subject: Re: gig/GIG


> Have a good gig, Italo!
>
> Pardon the automated translation but I get the jist of it.  Sounds like
fun!
>
> ------------------ begin translation -------------------------
> " the NAME Of the THING " UNEXPECTED MADNESSES AND FOR 2 SOLITARY
> GUITARS with ROBERTO ZORZI Guitars electrical worker, acoustics, dobro
> and zorzerie and Italian DE ANGELIS Guitar electrical worker, live
> electronics, Eventide Orville
>
>
>
****************************************************************************
> **  The two guitars are met for before the time, coming from ciascuna
> from various and heterogenous musical worlds;  Zorzi by now attends
> from many years the area of the free instrumental improvisation and
> electronic, with clear references to its stronger infuences, Henry
> Kaiser, with which it has recently recorded, Ornette Coleman and
> Albert Ayler, let alone the more classic tradition of the " Delta "
> Blues American.  De Angelis places side by side it being involved it
> in its immaginifiche electronic spirals, developed in its recent ones
> cd in Denmark and Italy, in which real extreme Time sampling, looping
> and processamenti they create dense sonorous webbings digita them of
> other worlds.
>
> The contrast generated from the interaction of the two different
> artistic experiences meeting in a evening of duetti and only will be
> interesting pieces that they will hold the listeners suspended in the
> impossibility to preview the developments of the thing.
> ------------------ end translation -------------------------
>
> Dennis Leas
> -------------------
> dennis@mdbs.com
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Apr  4 16:19:40 2001
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From: "Kevin Goldsmith" <kevin@unitcircle.com>
To: <Loopers-Delight@loopers-delight.com>
References: <LAW2-F456Ci6nx8dyDd000000ed@hotmail.com> <3ACB7968.78EAB98A@cabq.gov>
Subject: Re: Seattle Looping Activities?
Date: Wed, 4 Apr 2001 13:06:02 -0700
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Check out the Tentacle for all music of a looping nature in Seattle...

www.tentacle.org

If your mind drifts to drone-rock, check out Voyager One and Bethany Curve
on Saturday night...

    Kevin

Unit Circle Media
www.unitcircle.com
----- Original Message -----
From: Jason Fink <jfink@cabq.gov>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, April 04, 2001 12:43 PM
Subject: Seattle Looping Activities?


> Greetings,
>
> I am heading to Seattle for a week this Saturday.  Are there any
> locals that can point me to looping gigs/activities going on?
>
> Or Anything cool to do up there, for that matter....
>
> thanks,
> -jas
> http://www.dimbulb.org
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Apr  4 16:22:46 2001
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From: "Kevin Mulvihill" <kmulvihill@mediaone.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: While we're talkin' Sound Cards
Date: Wed, 4 Apr 2001 13:23:09 -0700
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This is a multi-part message in MIME format.

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OT: While we're talkin' Sound CardsI just bought 2 of the DS2416s from
zZounds... although one is a gift for my brother.

For those of you not familiar with this card... When installed inside a
personal computer, the DS2416 digital mixing card offers the mixing power of
the successful Yamaha 02R digital mixer plus 16 tracks of hard disk
recording with up to 32-bit resolution. The DSP Factory appears to be a
comprehensive digital mixing and recording system, providing full-time
24-channel digital mixing and two of Yamaha's top-quality digital effects
processors, without having to rely on the computer's internal processing
power.

Additionally, the DS2416 card includes an audio-streaming engine which
provides 8 tracks of simultaneous recording to, and 16 tracks playback from,
the computer's disk drive. I'm hoping this feature will give me greater
success than I had with computer-based composition previously.

The card isn't flawless - it only supports a 33 MHz bus speed and there's no
lightpipe, for example, but it's attractive in many ways... those of you who
may be in the market for a card might consider it...

And besides, there's a deal to be had right now. Like you, I had an email
flyer this week from zZounds and they're blowing out the DS2416 with a
separate digital I/O interface card (that's two cards), with a MSRP of
$1295... for only $299! It was something of an impulse buy for me - I didn't
think they would last long at that price, although they are still in stock
over there. Sweetwater and Musician's Friend are each still selling the card
for $600. So, I bought two.

You can read about the zZounds deal here (there are two):

http://www.zzounds.com/love.music?p=p.YAMDS2416AX16AT&z=1022981872889

http://www.zzounds.com/love.music?p=p.YAMDS2416AX44&a=em032701

Best bet for info though is the Yamaha site, where you'll have to do a
search for the DS2416. The brochure and Owner's Manual are worth perusing.
On the Yamaha site, you'll see references to the sequencers supported...
they've got some big names in there.

For reviews, check out:

http://www.computermusic.co.uk/reviews/h2hsoundcards2/ds2416.asp

http://www.yamaha.com/proaudio/SHOWCASE/REVIEWS/review23.htm

Best of luck to you,

Kevin

  Subject: OT: While we're talkin' Sound Cards


  Looks like a steal if you're using Windows & you need that kind of power -
plus it looks like it might be supported by the manufacturer (unlike the
core card...:< ) Plus you get the IO off the card, tho not completely out of
the computer which would be nicer.

  I'd want to know exactly which "Major Sequencers" support it, & how.

  > Subject: OT: While we're talkin' Sound Cards
  >
  > I came across this offer from Zzounds:
  >
  > http://www.zzounds.com/love.music?p=p.YAMDS2416AX44&a=em032701
  >
  > It sounds like a great deal, but I haven't heard anything about this
card.
  > Is anyone on the list familiar with it and can offer a quick review?
  >
  > -skully

  --
  Graeme White

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<P><FONT size=3D2><SPAN class=3D580501220-04042001>I just bought 2 of =
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resolution. The=20
DSP Factory&nbsp;<SPAN class=3D580501220-04042001>appears to =
be</SPAN>&nbsp;<SPAN=20
class=3D580501220-04042001>a</SPAN> comprehensive digital mixing and =
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Yamaha's=20
top-quality digital effects processors, without having to rely on the =
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<P><FONT size=3D2>Additionally, the DS2416 card includes an =
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which provides 8 tracks of simultaneous recording to, and 16 tracks =
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<P><FONT size=3D2>The card isn't flawless - it only supports a 33 MHz =
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and there's no lightpipe, for example, but it's attractive in many =
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<P><FONT size=3D2>And besides, there's a deal to be had right now.<SPAN=20
class=3D580501220-04042001>&nbsp;Like you,</SPAN>&nbsp;I had an email =
flyer this=20
week from zZounds and they're blowing out the DS2416 with a separate =
digital I/O=20
interface card (that's two cards), with a MSRP of $1295... for only =
$299! It was=20
something of an impulse buy for me - I didn't think they would last long =
at that=20
price, although they are still in stock over there. Sweetwater and =
Musician's=20
Friend are each still selling the card for $600. So, I bought =
two.</FONT></P>
<P><FONT size=3D2>You can read about the zZounds deal here (there are=20
two):</FONT></P>
<P><FONT size=3D2><A=20
href=3D"http://www.zzounds.com/love.music?p=3Dp.YAMDS2416AX16AT&amp;z=3D1=
022981872889">http://www.zzounds.com/love.music?p=3Dp.YAMDS2416AX16AT&amp=
;z=3D1022981872889</A></FONT></P>
<P><FONT size=3D2><A=20
href=3D"http://www.zzounds.com/love.music?p=3Dp.YAMDS2416AX44&amp;a=3Dem0=
32701">http://www.zzounds.com/love.music?p=3Dp.YAMDS2416AX44&amp;a=3Dem03=
2701</A></FONT></P>
<P><FONT size=3D2>Best bet for info though is the Yamaha site, where =
you'll have=20
to do a search for the DS2416. The brochure and Owner's Manual are worth =

perusing.<SPAN class=3D580501220-04042001> On the Yamaha site, you'll =
see=20
references to the sequencers supported... they've got some big names in=20
there.</SPAN></FONT></P>
<P><FONT size=3D2>For reviews, check out:</FONT></P>
<P><FONT size=3D2><A=20
href=3D"http://www.computermusic.co.uk/reviews/h2hsoundcards2/ds2416.asp"=
>http://www.computermusic.co.uk/reviews/h2hsoundcards2/ds2416.asp</A></FO=
NT></P>
<P><FONT size=3D2><A=20
href=3D"http://www.yamaha.com/proaudio/SHOWCASE/REVIEWS/review23.htm">htt=
p://www.yamaha.com/proaudio/SHOWCASE/REVIEWS/review23.htm</A></FONT></P>
<P><SPAN class=3D580501220-04042001><FONT face=3DArial color=3D#0000ff =
size=3D2>Best of=20
luck to you,</FONT></SPAN></P>
<P><SPAN class=3D580501220-04042001><FONT face=3DArial color=3D#0000ff=20
size=3D2>Kevin</FONT></SPAN></P></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px =
solid">
  <DIV class=3DOutlookMessageHeader dir=3Dltr align=3Dleft><FONT =
face=3DTahoma=20
  size=3D2><B>Subject:</B> OT: While we're talkin' Sound=20
  Cards<BR><BR></FONT></DIV><FONT face=3DHelvetica>Looks like a steal if =
you're=20
  using Windows &amp; you need that kind of power - plus it looks like =
it might=20
  be supported by the manufacturer (unlike the core card...:&lt; ) Plus =
you get=20
  the IO off the card, tho not completely out of the computer which =
would be=20
  nicer.<BR><BR>I'd want to know exactly which "Major Sequencers" =
support it,=20
  &amp; how.<BR><BR></FONT><B>&gt; Subject: </B>OT: While we're talkin' =
Sound=20
  Cards<BR>&gt; <BR>&gt; <TT>I came across this offer from =
Zzounds:<BR>&gt;=20
  <BR>&gt; <FONT=20
  =
color=3D#0000ff><U>http://www.zzounds.com/love.music?p=3Dp.YAMDS2416AX44&=
amp;a=3Dem032701<BR></U></FONT>&gt;=20
  <BR>&gt; It sounds like a great deal, but I haven't heard anything =
about this=20
  card. <BR>&gt; Is anyone on the list familiar with it and can offer a =
quick=20
  review?<BR>&gt; <BR>&gt; -skully<BR></TT><BR><FONT size=3D2><FONT=20
  face=3DHelvetica>-- <BR>Graeme White</FONT></FONT> =
</BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed Apr  4 16:32:16 2001
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Subject: Looping with a mixer
Cc: 
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From: Estan Milkovitch <estan@freeuk.com>
Date: Wed, 04 Apr 2001 21:24:32 +0100
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Hi, I've been reading the messages for a while and I've noticed that 
generally everyone uses their looping device with a guitar, I want to 
use one with 2 turntables and a mixer but I have a couple of questions.


As far as I can work out, I'd need some kind of effects send on my 
mixer to be able to use ANY type of guitar pedal, can anyone confirm 
this and if so, is there any way to get around this?

Thanks.

Estan Milko

From Loopers-Delight-request@loopers-delight.com  Wed Apr  4 16:40:09 2001
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From: Todd Quincy <tquincy@sayhhi.com>
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Subject: I got 2
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Howdy, I just got a second EDP (yeah). 

I expect this will open a New World of possibilities. I was hoping to hear
some signal path tips and creative tricks from those of you who employee 2
EDPs. 

Todd Quincy
Openjam.com

PS: If I don't enjoy the second EDP I'm going to give it to either Steve
Howe or Pete Townshend. Who do you think would make the best use of it?

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<P><FONT SIZE=3D2 FACE=3D"Arial">Howdy, I just got a second EDP (yeah). =
</FONT>
</P>

<P><FONT SIZE=3D2 FACE=3D"Arial">I expect this will open a New World of =
possibilities. I was hoping to hear some signal path tips and creative =
tricks from those of you who employee 2 EDPs. </FONT></P>

<P><FONT SIZE=3D2 FACE=3D"Arial">Todd Quincy</FONT>
<BR><FONT SIZE=3D2 FACE=3D"Arial">Openjam.com</FONT>
</P>

<P><FONT SIZE=3D2 FACE=3D"Arial">PS: If I don't enjoy the second EDP =
I'm going to give it to either Steve Howe or Pete Townshend. Who do you =
think would make the best use of it?</FONT></P>

</BODY>
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From Loopers-Delight-request@loopers-delight.com  Wed Apr  4 16:52:59 2001
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Date: Wed, 4 Apr 2001 13:49:56 -0700 (PDT)
From: Dumeril Seven <dumeril7@yahoo.com>
Subject: Re: Expression pedal with PMC10
To: Loopers-Delight@loopers-delight.com
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I believe the resistance needs to be within
the 0 - 10K ohm range.  I was lucky with the
Kawai pedal in that it was in that range, it
was just wired to a stereo plug.  You can easily
find out by hooking up an ohm meter and getting
a reading when the pedal is at the heel-down
(you want 0 ohms) and toe-down positions (10K ohm).
Now, it seems plausible to me that a pedal that
didn't go all the way to 10K might work -- and I
highly doubt it would damage anything.  You'd have
to try it out to make sure....

D7

--- Steve Lawson <steve@steve-lawson.co.uk> wrote:
> > Last night I adapted a Kawai expression pedal to
> > work with my DL-4.  The Line 6 pedals want a mono
> > plug hooked up to a 10K pot.  The Kawai (and some
> > other expression pedals) use a stereo plug and wire
> > the plug up so that the usual variable resistance
> > from the pot goes across the sleeve and ring of
> > the plug (the Line 6 needs it on the sleeve and
> > tip).  I wired in a little switch to go from
> > the normal wiring, to one that is compatible with
> > the Line 6.  Seems to me that a technically inclined
> > person could "repurpose" a Crybaby for use as an
> > expression pedal, assuming you can find a 10K wah pot....
> 
> OK, so will this work with any stereo expression pedal? What would happen if
> the impedance was wrong? If I buy a Roland or
> Technics stereo pedal, chop off the stereo plug and attach a mono one in the
> way described above, with that work? I'm not
> massively into the idea of spending $$ on a Line 6 pedal, and the Boss EV
> thingie is even more!
> 
> Steve
> web-site - www.steve-lawson.co.uk
> e-mail - steve@steve-lawson.co.uk
> mailing list - steve-lawson-subscribe@listbot.com (send a blank e-mail to
> this address)
> 
> "Nothing worth having comes without some kind of fight,
> You've got to kick at the darkness till it bleeds daylight"
> - Bruce Cockburn
> 


=====
Dumeril7                    dumeril7@SPAMBEGONEyahoo.com
Anti-spam measures in place -- remove "SPAMBEGONE" from
my e-mail address if you want to use it....

__________________________________________________
Do You Yahoo!?
Get email at your own domain with Yahoo! Mail. 
http://personal.mail.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Wed Apr  4 16:55:32 2001
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From: "Taaffe, Denis G" <dtaaffe@indiana.edu>
To: "'Loopers-Delight@loopers-delight.com'"
	 <Loopers-Delight@loopers-delight.com>,
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	 <Loopers-Delight@annihilist.com>
Subject: RE: I got 2
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WEll pete townshend would just end up smashing it up  and steve howe would
be too soft with it, maybe you should give it to me instead......
 
Denis
 
Denis Taaffe
denis_aliengtr@geocities.com <mailto:denis_aliengtr@geocities.com> 
http://www.dtguitar.com <http://www.dtguitar.com> 

PS: If I don't enjoy the second EDP I'm going to give it to either Steve
Howe or Pete Townshend. Who do you think would make the best use of it?


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<TITLE>I got 2</TITLE>

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<BODY>
<DIV><SPAN class=878164320-04042001><FONT face=Arial color=#0000ff size=2>WEll 
pete townshend would just end up smashing it up&nbsp; and steve howe would be 
too soft with it, maybe you should give it to me 
instead......</FONT></SPAN></DIV>
<DIV><SPAN class=878164320-04042001><FONT face=Arial color=#0000ff 
size=2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=878164320-04042001><FONT face=Arial color=#0000ff 
size=2>Denis</FONT></SPAN></DIV>
<DIV><SPAN class=878164320-04042001><FONT face=Arial color=#0000ff 
size=2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=878164320-04042001><FONT face=Arial color=#0000ff size=2>Denis 
Taaffe</FONT></SPAN></DIV>
<DIV><SPAN class=878164320-04042001><FONT face=Arial color=#0000ff size=2><A 
href="mailto:denis_aliengtr@geocities.com">denis_aliengtr@geocities.com</A></FONT></SPAN></DIV>
<DIV><SPAN class=878164320-04042001><FONT face=Arial color=#0000ff size=2><A 
href="http://www.dtguitar.com">http://www.dtguitar.com</A></FONT></SPAN></DIV>
<BLOCKQUOTE dir=ltr style="MARGIN-RIGHT: 0px">
  <P><FONT face=Arial size=2>PS: If I don't enjoy the second EDP I'm going to 
  give it to either Steve Howe or Pete Townshend. Who do you think would make 
  the best use of it?</FONT></P></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed Apr  4 16:56:19 2001
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From: "Taaffe, Denis G" <dtaaffe@indiana.edu>
To: "'Loopers-Delight@loopers-delight.com'"
	 <Loopers-Delight@loopers-delight.com>
Subject: RE: gig/GIG
Date: Wed, 4 Apr 2001 15:51:51 -0500 
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hehehehe..good luck on your gig as well!!! Amazing looping around the
world....

Denis 8-)

-----Original Message-----
From: Italo De Angelis [mailto:italoop@libero.it]
Sent: Wednesday, April 04, 2001 3:13 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: gig/GIG


Thanx Dennis!!! I'm surprised!!! Great to see YOU know Italian SO
GOOD...Thanx again...what a nice thing to see on the net.
See ya on www.geocities.com/italoop
ALLA TUA SALUTE DENNIS ! ! !
CIAO ITALO


----- Original Message -----
F

From Loopers-Delight-request@loopers-delight.com  Wed Apr  4 17:20:36 2001
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Subject: Re: question on bowing
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> seisscp@washpost.com writes:
> >question-  any loopers out there use a bow on non-bowed
instruments?  or
> >even non-instruments?

Check out Eric's Springboard (walker):
http://pages.ripco.net/~eleon/instruments/index.html

Or my Commodeon (commode):
http://www.geocities.com/pepetr/About-Project.html

They both can be bowed.

From Loopers-Delight-request@loopers-delight.com  Wed Apr  4 17:30:42 2001
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I got 2Todd, so sad to hear of your decline....

Once, I had only one EDP.  Nay, before that, I looped with a TEAC!  =
Then, I heard about the *E D P*.  The looping device with god-like =
powers marketed by the Catholic Church, no wait, I mean Gibson.  Soon, I =
had sacrificed and saved and *bought* one.  Only, one!  One is *enough*, =
I said to myself.  My friends were happy for me.  Mostly, they pretended =
to understand why I enjoyed looping.

Then...I wanted more....I began to feel that my life was incomplete =
without a second EDP.  Why, the things I could do with two!  And one =
day, a second EDP arrived.  Hummm....I thought maybe I recalled ordering =
it...but it was kind of fuzzy...certainly the charge appeared on my =
credit card.  My friends stopped talking to me.  My social life decayed.

That was several years ago.  Now, I have a Kyma system AND two EDPs AND =
---...  I have no friends....

Todd, it's NOT too late for you!  Send that second EDP back!

Dennis Leas
-------------------
dennis@mdbs.com

P.S. Congratulations!

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<DIV><FONT face=3DArial size=3D2>Todd, so sad to hear of your=20
decline....</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Once, I had only one EDP.&nbsp; Nay, =
before that, I=20
looped with a TEAC!&nbsp; Then, I heard about the *E D P*.&nbsp; The =
looping=20
device with god-like powers marketed by the Catholic Church, no wait, I =
mean=20
Gibson.&nbsp; Soon, I had sacrificed and saved and *bought* one.&nbsp; =
Only,=20
one!&nbsp; One is *enough*, I said to myself.&nbsp; My friends were =
happy for=20
me.&nbsp; Mostly, they pretended to understand why I enjoyed=20
looping.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Then...I wanted more....I began to feel =
that my=20
life was incomplete without a second EDP.&nbsp; Why, the things I could =
do with=20
two!&nbsp; And one day, a second EDP arrived.&nbsp; Hummm....I thought =
maybe I=20
recalled ordering it...but it was kind of fuzzy...certainly the charge =
appeared=20
on my credit card.&nbsp; My friends stopped talking to me.&nbsp; My =
social life=20
decayed.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>That was several years ago.&nbsp; Now, =
I have a=20
Kyma system AND two EDPs AND ---...&nbsp; I have no =
friends....</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Todd, it's NOT too late for you!&nbsp; =
Send that=20
second EDP back!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV>Dennis Leas<BR>-------------------<BR><A=20
href=3D"mailto:dennis@mdbs.com">dennis@mdbs.com</A></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>P.S. =
Congratulations!</FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed Apr  4 17:34:52 2001
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Date: Wed, 4 Apr 2001 14:31:22 -0700 (PDT)
From: Alx <gendel777@yahoo.com>
Subject: Re: mp3 encoder?
To: Loopers-Delight@loopers-delight.com
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Hello, according to many people (as I have read) the
best free encoder is "Lame" wich you can download
here:
http://www.mp3-tech.org/
click on "encoders", then select your OS and then
you´ll have several options to download, the "lame"
encoder features joint stereo encoding and variable
bitrate, I´m using it and the results are great, also
it cames with a frontend called "Razor lame" to make
things easier.
Alx.


--- matt davignon <mattdavignon@hotmail.com> wrote:
> Could anybody suggest a free mp3 encoder for me? I
> used to use 
> Audiocatalyst, but I reformatted, and now all I have
> access to is the "trial 
> version".
> 
> I tried MusicMatch Jukebox (or something like that),
> but either it doesn't 
> list the CD tracks (so I can't pick which ones to
> encode), or it tries to 
> burn the mp3 tracks to a new CD-R.
> 
> Ideally, I'd like one that could do CD (or .wav) to
> mp3 and also mp3 to 
> .wav.
> 
> Anybody? anybody?
> 
> Matt
>
_________________________________________________________________
> Get your FREE download of MSN Explorer at
> http://explorer.msn.com
> 


__________________________________________________
Do You Yahoo!?
Get email at your own domain with Yahoo! Mail. 
http://personal.mail.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Wed Apr  4 17:47:56 2001
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Date: Wed, 04 Apr 2001 16:44:52 -0500
To: Loopers-Delight@loopers-delight.com
From: Michael Clark <mcl451@airmail.net>
Subject: Re: pelt? WHICH pelt????
In-Reply-To: <5.0.0.25.0.20010404143847.00a71270@mail.pdfsystems.com>
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Hi,

I did a search for pelt.  Didn't find anything.  Any mp3 stuff out there?

Thanks,

Michael

At 03:01 PM 4/4/01 -0400, you wrote:
>
>
>pelt are pretty much always amazing, but you can never be sure which 
>version of pelt you're gonna see... they have many moods & stylings, and 
>their capabilities are vast & pretty astonishing...
>
>tono-bungay have had the supreme pleasure of splitting many a bill w/ pelt 
>- the first time we ever saw them was at (the late, VERY lamented) 
>astrocade a few years back. they did a soundcheck that indicated a sort of 
>jungle-drums-foundation-with-manic-swirling-over-the-top-electronics. "ok", 
>we're thinking, "this seems pretty out there."
>
>they finished the check and repaired to the rear of the space where they 
>then proceeded to immediately throw down the most incredible, totally off 
>the cuff, stone-trad bluegrass jam session. completely authentic, and very 
>casual... just for relaxation, i guess. don't think i've ever seen such an 
>abrupt change of stylistic clothing, musically speaking, literally in the 
>twinkling of an eye.
>
>on another occasion we were back in philly, this time at the khyber pass, 
>when pelt churned out a set that was firmly classifiable as industrial, and 
>REALLY scary... making waxtrax seem like "K" - (i had to take cover 
>backstage!) i began to get the feeling that these guys really can do 
>anything they want...
>
>an impression which was further reinforced when we split the bill w/ them 
>at transmissions oo2 in c'hill- where they did nothing for, oh, an hour and 
>25 minutes but a continual bowed-cymbal-and-temple-bowl set; it was really 
>almost a cruel demonstration of how something that's ostensibly "relaxing" 
>in a sort of typically new-agey way can instill in you thoughts of murder 
>(like, murdering the band FIRST, and then going out afterwards for more.)
>
>oh, did i mention? they're REALLY nice people and we are pleased to have 
>one of them as a transplanted new yorker.
>
>but then - how could you expect any less from a group who tours in a van 
>with a licence plate that reads: "klaang"?
>
>lovin them,
>
>a:c
>
>>i too saw pelt in d.c. --  any droners out there would love pelts use
>>textures to create vivid and often atonal sound-scapes.   very "visual"
>>music.
>>im not sure who, but one of the members used a bow on a tambura...it
>>sounded fantastic.
>>
>>To:   Loopers-Delight@loopers-delight.com
>>cc:
>>
>>Subject:  pelt
>>
>>
>>any one out there like pelt. i saw them live awhile back and i thought they
>>rocked in a drone way. keenan lawler and pelt just made arecord together it
>>rocks in a drone way to. it was recorded in a silo. -thaniel ion lee
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Apr  4 17:48:35 2001
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Subject: Re: While we're talkin' Sound Cards
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OT: While we're talkin' Sound CardsI have a PIII 800, 512mb Ram.  I'm on =
the brink of buying a Dedicated audio card.  I'm mainly loop based with =
little need for multiple inputs.  I do want to life some of the =
multitracking load off my computer.  I'm using ACID, Cubase, Reason and =
Vegas... I need low latency when using the keyboard and solid =
multitracking performance.  I've looking at the Luna II, that Yamaha =
Deal everyone got the email about and Midiman's M-audio (I think).  Any =
suggestions would be greatly appreciated.. something decent for under =
500 CDN would be fantastic... thanks for the help in advance.
  ----- Original Message -----=20
  From: Kevin Mulvihill=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Wednesday, April 04, 2001 1:23 PM
  Subject: RE: While we're talkin' Sound Cards


  I just bought 2 of the DS2416s from zZounds... although one is a gift =
for my brother.

  For those of you not familiar with this card... When installed inside =
a personal computer, the DS2416 digital mixing card offers the mixing =
power of the successful Yamaha 02R digital mixer plus 16 tracks of hard =
disk recording with up to 32-bit resolution. The DSP Factory appears to =
be a comprehensive digital mixing and recording system, providing =
full-time 24-channel digital mixing and two of Yamaha's top-quality =
digital effects processors, without having to rely on the computer's =
internal processing power.=20

  Additionally, the DS2416 card includes an audio-streaming engine which =
provides 8 tracks of simultaneous recording to, and 16 tracks playback =
from, the computer's disk drive. I'm hoping this feature will give me =
greater success than I had with computer-based composition previously.

  The card isn't flawless - it only supports a 33 MHz bus speed and =
there's no lightpipe, for example, but it's attractive in many ways... =
those of you who may be in the market for a card might consider it...

  And besides, there's a deal to be had right now. Like you, I had an =
email flyer this week from zZounds and they're blowing out the DS2416 =
with a separate digital I/O interface card (that's two cards), with a =
MSRP of $1295... for only $299! It was something of an impulse buy for =
me - I didn't think they would last long at that price, although they =
are still in stock over there. Sweetwater and Musician's Friend are each =
still selling the card for $600. So, I bought two.

  You can read about the zZounds deal here (there are two):

  =
http://www.zzounds.com/love.music?p=3Dp.YAMDS2416AX16AT&z=3D1022981872889=


  http://www.zzounds.com/love.music?p=3Dp.YAMDS2416AX44&a=3Dem032701

  Best bet for info though is the Yamaha site, where you'll have to do a =
search for the DS2416. The brochure and Owner's Manual are worth =
perusing. On the Yamaha site, you'll see references to the sequencers =
supported... they've got some big names in there.

  For reviews, check out:

  http://www.computermusic.co.uk/reviews/h2hsoundcards2/ds2416.asp

  http://www.yamaha.com/proaudio/SHOWCASE/REVIEWS/review23.htm

  Best of luck to you,

  Kevin

    Subject: OT: While we're talkin' Sound Cards


    Looks like a steal if you're using Windows & you need that kind of =
power - plus it looks like it might be supported by the manufacturer =
(unlike the core card...:< ) Plus you get the IO off the card, tho not =
completely out of the computer which would be nicer.

    I'd want to know exactly which "Major Sequencers" support it, & how.

    > Subject: OT: While we're talkin' Sound Cards
    >=20
    > I came across this offer from Zzounds:
    >=20
    > http://www.zzounds.com/love.music?p=3Dp.YAMDS2416AX44&a=3Dem032701
    >=20
    > It sounds like a great deal, but I haven't heard anything about =
this card.=20
    > Is anyone on the list familiar with it and can offer a quick =
review?
    >=20
    > -skully

    --=20
    Graeme White=20

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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD><TITLE>OT: While we're talkin' Sound Cards</TITLE>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 5.50.4611.1300" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I have a PIII 800, 512mb Ram.&nbsp; I'm =
on the=20
brink of buying a Dedicated audio card.&nbsp; I'm mainly loop based with =
little=20
need for multiple inputs.&nbsp; I do want to life some of the =
multitracking load=20
off my computer.&nbsp; I'm using ACID, Cubase, Reason and Vegas... I =
need low=20
latency when using the keyboard and solid multitracking =
performance.&nbsp; I've=20
looking at the Luna II, that Yamaha Deal everyone got the email about =
and=20
Midiman's M-audio (I think).&nbsp; Any suggestions would be greatly=20
appreciated.. something decent for under 500 CDN would be fantastic... =
thanks=20
for the help in advance.</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dkmulvihill@mediaone.net =
href=3D"mailto:kmulvihill@mediaone.net">Kevin=20
  Mulvihill</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, April 04, 2001 =
1:23=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RE: While we're =
talkin' Sound=20
  Cards</DIV>
  <DIV><BR></DIV>
  <DIV>
  <P><FONT size=3D2><SPAN class=3D580501220-04042001>I just bought 2 of =
the DS2416s=20
  from zZounds... although one is a gift for my =
brother.</SPAN></FONT></P>
  <P><FONT size=3D2><SPAN class=3D580501220-04042001></SPAN>For those of =
you not=20
  familiar with this card... When installed inside a personal computer, =
the=20
  DS2416 digital mixing card offers the mixing power of the successful =
Yamaha=20
  02R digital mixer plus 16 tracks of hard disk recording with up to =
32-bit=20
  resolution. The DSP Factory&nbsp;<SPAN =
class=3D580501220-04042001>appears to=20
  be</SPAN>&nbsp;<SPAN class=3D580501220-04042001>a</SPAN> comprehensive =
digital=20
  mixing and recording system, providing full-time 24-channel digital =
mixing and=20
  two of Yamaha's top-quality digital effects processors, without having =
to rely=20
  on the computer's internal processing power. </FONT></P>
  <P><FONT size=3D2>Additionally, the DS2416 card includes an =
audio-streaming=20
  engine which provides 8 tracks of simultaneous recording to, and 16 =
tracks=20
  playback from, the computer's disk drive. I'm hoping this feature will =
give me=20
  greater success than I had with computer-based composition=20
  previously.</FONT></P>
  <P><FONT size=3D2>The card isn't flawless - it only supports a 33 MHz =
bus speed=20
  and there's no lightpipe, for example, but it's attractive in many =
ways...=20
  those of you who may be in the market for a card might consider =
it<SPAN=20
  class=3D580501220-04042001>...</SPAN></FONT></P>
  <P><FONT size=3D2>And besides, there's a deal to be had right =
now.<SPAN=20
  class=3D580501220-04042001>&nbsp;Like you,</SPAN>&nbsp;I had an email =
flyer this=20
  week from zZounds and they're blowing out the DS2416 with a separate =
digital=20
  I/O interface card (that's two cards), with a MSRP of $1295... for =
only $299!=20
  It was something of an impulse buy for me - I didn't think they would =
last=20
  long at that price, although they are still in stock over there. =
Sweetwater=20
  and Musician's Friend are each still selling the card for $600. So, I =
bought=20
  two.</FONT></P>
  <P><FONT size=3D2>You can read about the zZounds deal here (there are=20
  two):</FONT></P>
  <P><FONT size=3D2><A=20
  =
href=3D"http://www.zzounds.com/love.music?p=3Dp.YAMDS2416AX16AT&amp;z=3D1=
022981872889">http://www.zzounds.com/love.music?p=3Dp.YAMDS2416AX16AT&amp=
;z=3D1022981872889</A></FONT></P>
  <P><FONT size=3D2><A=20
  =
href=3D"http://www.zzounds.com/love.music?p=3Dp.YAMDS2416AX44&amp;a=3Dem0=
32701">http://www.zzounds.com/love.music?p=3Dp.YAMDS2416AX44&amp;a=3Dem03=
2701</A></FONT></P>
  <P><FONT size=3D2>Best bet for info though is the Yamaha site, where =
you'll have=20
  to do a search for the DS2416. The brochure and Owner's Manual are =
worth=20
  perusing.<SPAN class=3D580501220-04042001> On the Yamaha site, you'll =
see=20
  references to the sequencers supported... they've got some big names =
in=20
  there.</SPAN></FONT></P>
  <P><FONT size=3D2>For reviews, check out:</FONT></P>
  <P><FONT size=3D2><A=20
  =
href=3D"http://www.computermusic.co.uk/reviews/h2hsoundcards2/ds2416.asp"=
>http://www.computermusic.co.uk/reviews/h2hsoundcards2/ds2416.asp</A></FO=
NT></P>
  <P><FONT size=3D2><A=20
  =
href=3D"http://www.yamaha.com/proaudio/SHOWCASE/REVIEWS/review23.htm">htt=
p://www.yamaha.com/proaudio/SHOWCASE/REVIEWS/review23.htm</A></FONT></P>
  <P><SPAN class=3D580501220-04042001><FONT face=3DArial color=3D#0000ff =
size=3D2>Best=20
  of luck to you,</FONT></SPAN></P>
  <P><SPAN class=3D580501220-04042001><FONT face=3DArial color=3D#0000ff =

  size=3D2>Kevin</FONT></SPAN></P></DIV>
  <BLOCKQUOTE=20
  style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px =
solid">
    <DIV class=3DOutlookMessageHeader dir=3Dltr align=3Dleft><FONT =
face=3DTahoma=20
    size=3D2><B>Subject:</B> OT: While we're talkin' Sound=20
    Cards<BR><BR></FONT></DIV><FONT face=3DHelvetica>Looks like a steal =
if you're=20
    using Windows &amp; you need that kind of power - plus it looks like =
it=20
    might be supported by the manufacturer (unlike the core card...:&lt; =
) Plus=20
    you get the IO off the card, tho not completely out of the computer =
which=20
    would be nicer.<BR><BR>I'd want to know exactly which "Major =
Sequencers"=20
    support it, &amp; how.<BR><BR></FONT><B>&gt; Subject: </B>OT: While =
we're=20
    talkin' Sound Cards<BR>&gt; <BR>&gt; <TT>I came across this offer =
from=20
    Zzounds:<BR>&gt; <BR>&gt; <FONT=20
    =
color=3D#0000ff><U>http://www.zzounds.com/love.music?p=3Dp.YAMDS2416AX44&=
amp;a=3Dem032701<BR></U></FONT>&gt;=20
    <BR>&gt; It sounds like a great deal, but I haven't heard anything =
about=20
    this card. <BR>&gt; Is anyone on the list familiar with it and can =
offer a=20
    quick review?<BR>&gt; <BR>&gt; -skully<BR></TT><BR><FONT =
size=3D2><FONT=20
    face=3DHelvetica>-- <BR>Graeme White</FONT></FONT>=20
</BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed Apr  4 17:49:02 2001
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To: <Loopers-Delight@loopers-delight.com>
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Subject: Re: Seattle Looping Activities?
Date: Wed, 4 Apr 2001 14:52:01 -0700
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I host an open mic in Anacortes (70miles north) at the Brown Lantern on =
Thursdays at 9pm. More info and sign up at  =
http://www.brownlantern.com/music/rothmeyer/form.cfm or just stop in. We =
get some artists from the label "know Yer Own" The are the highlight of =
this gig. I am the only loopy musician so I really want some more =
wierdos please! That goes for all you out there. 'cm on, it's fun!  =20

It is a bit far north but worth the side trip if you plan to go up to BC =
or out to the San Juan Islands. The Tulips might be in bloom by this =
weekend. Skagit Valley is the Tulip capitol of the world.  Lets see how =
else can I justify you trip out into "the sticks"? Let's see...... There =
is alot of Beer! and I'll buy a pitcher for anyone from Loopers delight! =
How's that for a bribe? =20

-------------------------------------------------

Michael Rothmeyer
www.mp3.com/switchback
NON- ROCK- ON
++++++++++++++

  ----- Original Message -----=20
  From: Jason Fink=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Wednesday, April 04, 2001 12:43 PM
  Subject: Seattle Looping Activities?


  Greetings,

  I am heading to Seattle for a week this Saturday.  Are there any
  locals that can point me to looping gigs/activities going on?

  Or Anything cool to do up there, for that matter....

  thanks,
  -jas
  http://www.dimbulb.org


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	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.3105.105" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2>I host an open mic in Anacortes (70miles north) at =
the Brown=20
Lantern on Thursdays at 9pm. More info and sign up at&nbsp; <A=20
href=3D"http://www.brownlantern.com/music/rothmeyer/form.cfm">http://www.=
brownlantern.com/music/rothmeyer/form.cfm</A>&nbsp;or=20
just stop in. We get some artists from the label "know Yer Own" The are =
the=20
highlight of this gig. I am the only&nbsp;loopy musician so I really =
want some=20
more wierdos please! That goes for all you out there. 'cm on, it's=20
fun!&nbsp;&nbsp; </FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT size=3D2>It is a bit far north but worth the side trip if you =
plan to=20
go up to BC or out to the San Juan Islands. The Tulips might be in bloom =
by this=20
weekend. Skagit Valley is the <EM>Tulip capitol of the world</EM>.  Lets =
see how=20
else can I justify you trip out into "the sticks"? Let's see...... There =
is alot=20
of Beer! and I'll buy a pitcher for anyone from Loopers delight! How's =
that for=20
a bribe?  </FONT></DIV>
<DIV><BR>-------------------------------------------------</DIV>
<DIV>&nbsp;</DIV>
<DIV>Michael Rothmeyer<BR><A href=3D"http://www.ltspears.com"></A><A=20
href=3D"http://www.mp3.com/switchbackNON-">www.mp3.com/switchback</A></DI=
V>
<DIV>NON- ROCK- ON<BR>++++++++++++++<BR></DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: =
0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A href=3D"mailto:jfink@cabq.gov" title=3Djfink@cabq.gov>Jason =
Fink</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  href=3D"mailto:Loopers-Delight@loopers-delight.com"=20
  =
title=3DLoopers-Delight@loopers-delight.com>Loopers-Delight@loopers-delig=
ht.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, April 04, 2001 =
12:43=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Seattle Looping=20
Activities?</DIV>
  <DIV><BR></DIV>Greetings,<BR><BR>I am heading to Seattle for a week =
this=20
  Saturday.&nbsp; Are there any<BR>locals that can point me to looping=20
  gigs/activities going on?<BR><BR>Or Anything cool to do up there, for =
that=20
  matter....<BR><BR>thanks,<BR>-jas<BR><A=20
  =
href=3D"http://www.dimbulb.org">http://www.dimbulb.org</A><BR></BLOCKQUOT=
E></BODY></HTML>

------=_NextPart_000_0073_01C0BD16.CE4A9B60--

From Loopers-Delight-request@loopers-delight.com  Wed Apr  4 17:52:20 2001
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Old-Return-Path: <artists@hazardfactor.com>
From: "future perfect" <artists@hazardfactor.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Expression pedal with PMC10 & DL4
Date: Wed, 4 Apr 2001 17:50:17 -0400
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So does anyone have a source of 10k pots? I got about 3 dead crybaby/volume
pedal shells I can modify for use with my DL4, but the  standard crybaby pot
is 100k. $70 for a Line6 pedal is kinda high.

Dave Eichenberger- guitars.loops.devices
http://www.hazardfactor.com





>
> --- Steve Lawson <steve@steve-lawson.co.uk> wrote:
> > > Last night I adapted a Kawai expression pedal to
> > > work with my DL-4.  The Line 6 pedals want a mono
> > > plug hooked up to a 10K pot.
>

From Loopers-Delight-request@loopers-delight.com  Wed Apr  4 17:54:59 2001
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Date: Wed, 4 Apr 2001 14:41:53 -0700 (PDT)
From: Alx <gendel777@yahoo.com>
Subject: Re: Jamman click noise
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I´ve also always noticed a click/pop at the begining
of each loop but not so loud to call it "annoying",
perhaps your jamman has some kind of problem, ¿maybe
bad memory chips?, ¿did you expanded it to 32 sec.?.
Alx.
 

--- Patrick Bailey <patthelooper@hotmail.com> wrote:
> Greetings all,
> 
> Lately I've been noticing an annoying distorted pop
> that occurs at the 
> beginning of each loop repetition in my Jamman. Any
> other Jam men or women 
> have this same prob? Thanks
>
_________________________________________________________________
> Get your FREE download of MSN Explorer at
> http://explorer.msn.com
> 


__________________________________________________
Do You Yahoo!?
Get email at your own domain with Yahoo! Mail. 
http://personal.mail.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Wed Apr  4 18:02:26 2001
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Old-Return-Path: <zvonar@zvonar.com>
Date: Wed, 04 Apr 2001 14:22:07 -0700
From: Richard Zvonar <zvonar@zvonar.com>
Subject: Re: Looping with a mixer
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At 9:24 PM +0100 4/4/01, Estan Milkovitch wrote:
>generally everyone uses their looping device with a guitar, I want to
>use one with 2 turntables and a mixer but I have a couple of questions.
>
>As far as I can work out, I'd need some kind of effects send on my
>mixer to be able to use ANY type of guitar pedal, can anyone confirm
>this and if so, is there any way to get around this?

That is generally true, but you can patch a system creatively to 
achieve some interesting effects.

Everything depends on the specifics of your equipment, particularly 
when it comes to level and impedance matching between components. For 
instance, if you're using phonograph turntables their outputs need to 
go into preamplifier channels before the signals are strong enough to 
feed an effects device. If your mixer is designed so you can plug the 
turntables directly into it, then the preamps are built into the 
mixer.

A second issue to the actual signal paths you have available, and how 
much independence you have for processing just one or another element 
of your mix. You can always patch your mixer outputs into effects 
devices, but then the entire mix will be processed. If your mixer has 
line level direct outputs on the turntable input channels, then you 
could patch those to the effects processors and bring the processor 
outputs back into the mixer (assuming you have extra inputs).

You need to be specific about your mixer's architecture. If it's 
limited to just the turntable inputs, then your best solution is 
probably to buy a second small mixer and "kludge" together something 
with more control of the signal routing. For instance, one of the 
little Mackie 1202 mixers would allow you to add effects sends, 
microphone inputs, and even the possibility of doing surround sound, 
IF you're clever about it.
-- 

______________________________________________________________
Richard Zvonar, PhD			zvonar@zvonar.com
(818) 788-2202 voice			zvonar@LCSaudio.com
(818) 788-2203 fax			zvonar@well.com

		 http://www.zvonar.com

   <http://www.live365.com/cgi-bin/directory.cgi?autostart=rz>

From Loopers-Delight-request@loopers-delight.com  Wed Apr  4 18:08:12 2001
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Anyone use this sampler for doing live loops? Was wondering how well it 
would work.


                       Thanks,
                          Jim

From Loopers-Delight-request@loopers-delight.com  Wed Apr  4 18:18:01 2001
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Hi Estan-

Not everyone here uses a looper with guitar.  If you want to use a
looper or other effect on turntables, the best way will probably be to
use an effects send and then to return it to a dedicated channel.  This
isn't necessary, however.  You can always send the mixer's output
straight into the looper or effects device.  This works best with stereo
devices, of course.  The drawback here is that if you have a different
program on each deck and only want to loop or effect one of them, it's
impossible.  The other alternative is to use an external phono preamp
and run only one turntable into the effects, and then run that into the
line input on your mixer.

P.S.  The Rane TTM54i has "effects send" is really an insert.  Make sure
that if you look into DJ mixers with effects sends, that they will work
the way you want them to.

-Hans


> Subject: Looping with a mixer
> Date: Wed, 04 Apr 2001 21:24:32 +0100
> From: Estan Milkovitch <estan@freeuk.com>
> To: loopers-delight@loopers-delight.com
>
> Hi, I've been reading the messages for a while and I've noticed that
> generally everyone uses their looping device with a guitar, I want to
> use one with 2 turntables and a mixer but I have a couple of
> questions.
>
>
> As far as I can work out, I'd need some kind of effects send on my
> mixer to be able to use ANY type of guitar pedal, can anyone confirm
> this and if so, is there any way to get around this?
>
> Thanks.
>
> Estan Milko
>

--------------8B87F9435A65D58BFE792963
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<!doctype html public "-//w3c//dtd html 4.0 transitional//en">
<html>
<body bgcolor="#FFFFFF">
Hi Estan-
<p>Not everyone here uses a looper with guitar.&nbsp; If you want to use
a looper or other effect on turntables, the best way will probably be to
use an effects send and then to return it to a dedicated channel.&nbsp;
This isn't necessary, however.&nbsp; You can always send the mixer's output
straight into the looper or effects device.&nbsp; This works best with
stereo devices, of course.&nbsp; The drawback here is that if you have
a different program on each deck and only want to loop or effect one of
them, it's impossible.&nbsp; The other alternative is to use an external
phono preamp and run only one turntable into the effects, and then run
that into the line input on your mixer.
<p>P.S.&nbsp; The Rane TTM54i has "effects send" is really an insert.&nbsp;
Make sure that if you look into DJ mixers with effects sends, that they
will work the way you want them to.
<p>-Hans
<br>&nbsp;
<blockquote TYPE=CITE><nobr><b>Subject: </b>Looping with a mixer</nobr>
<br><nobr><b>Date: </b>Wed, 04 Apr 2001 21:24:32 +0100</nobr>
<br><nobr><b>From: </b>Estan Milkovitch &lt;estan@freeuk.com></nobr>
<br><nobr><b>To: </b>loopers-delight@loopers-delight.com</nobr>
<pre WRAP>Hi, I've been reading the messages for a while and I've noticed that&nbsp;
generally everyone uses their looping device with a guitar, I want to&nbsp;
use one with 2 turntables and a mixer but I have a couple of questions.


As far as I can work out, I'd need some kind of effects send on my&nbsp;
mixer to be able to use ANY type of guitar pedal, can anyone confirm&nbsp;
this and if so, is there any way to get around this?

Thanks.

Estan Milko</pre>
</blockquote>

</body>
</html>

--------------8B87F9435A65D58BFE792963--

From Loopers-Delight-request@loopers-delight.com  Wed Apr  4 18:54:25 2001
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To: <Loopers-Delight@loopers-delight.com>
References: <200104042148.RAA05719@hemlock.violacea.com> <3ACB9BDF.7C8226D0@ernieball.com>
Subject: Re: Looping with a mixer
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Yeah, I have a Rane TTM52 as well as a Stanton SK2 at the moment.  I =
have to get rid of my Rane tho and I'm torn between a Vestax 07pro and a =
Stanton SK2F with focus fader.  I think I'm gonna have to go with the =
Vestax 07pro since it has an effects send which clears up lots of the =
problems.

BTW, thanks for all the responses (some very detailed ones).  The main =
problem I have is that I NEED a mixer with a sharp cut in on the fader =
and also a smooth fader.  This kinda rules out most mixers that have =
more than 2 channels so I guess my only option is either to buy a =
session mixer (Stanton does one called an ISM-3 in case anyone's =
interested, it's about $50 and has loads on inputs and out puts, it's =
alose very small) or to make sure that the next mixer I buy has effects =
send.

One a final note, if anyone wants to see a good turntablist using a =
looper, checkout the video "Thus Rumble" where DJ Radar creates a track =
where he drums, lays a bassline and scratches over the top.

Thanks

Estan Milko
  ----- Original Message -----=20
  From: Hans Lindauer=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Wednesday, April 04, 2001 11:10 PM
  Subject: Re: Looping with a mixer


  Hi Estan-=20
  Not everyone here uses a looper with guitar.  If you want to use a =
looper or other effect on turntables, the best way will probably be to =
use an effects send and then to return it to a dedicated channel.  This =
isn't necessary, however.  You can always send the mixer's output =
straight into the looper or effects device.  This works best with stereo =
devices, of course.  The drawback here is that if you have a different =
program on each deck and only want to loop or effect one of them, it's =
impossible.  The other alternative is to use an external phono preamp =
and run only one turntable into the effects, and then run that into the =
line input on your mixer.=20

  P.S.  The Rane TTM54i has "effects send" is really an insert.  Make =
sure that if you look into DJ mixers with effects sends, that they will =
work the way you want them to.=20

  -Hans=20
   =20

    Subject: Looping with a mixer=20
    Date: Wed, 04 Apr 2001 21:24:32 +0100=20
    From: Estan Milkovitch <estan@freeuk.com>=20
    To: loopers-delight@loopers-delight.com=20
Hi, I've been reading the messages for a while and I've noticed that=20
generally everyone uses their looping device with a guitar, I want to=20
use one with 2 turntables and a mixer but I have a couple of questions.


As far as I can work out, I'd need some kind of effects send on my=20
mixer to be able to use ANY type of guitar pedal, can anyone confirm=20
this and if so, is there any way to get around this?

Thanks.

Estan Milko


------=_NextPart_000_01A4_01C0BD61.4413CE80
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
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http-equiv=3DContent-Type>
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Yeah, I have a Rane TTM52 as well as a =
Stanton SK2=20
at the moment.&nbsp; I have to get rid of my Rane tho and I'm torn =
between a=20
Vestax 07pro and a Stanton SK2F with focus fader.&nbsp; I think I'm =
gonna have=20
to go with the Vestax 07pro since it has an effects send which clears up =
lots of=20
the problems.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>BTW, thanks for all the responses (some =
very=20
detailed ones).&nbsp; The main problem I have is that I NEED a mixer =
with a=20
sharp cut in on the fader and also a smooth fader.&nbsp; This kinda =
rules out=20
most mixers that have more than 2 channels so I guess my only option is =
either=20
to buy a session mixer (Stanton does one called an ISM-3 in case =
anyone's=20
interested, it's about $50 and has loads on inputs and out puts, it's =
alose very=20
small) or to make sure that the next mixer I buy has effects =
send.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>One a final note, if anyone wants to =
see a good=20
turntablist using a looper, checkout the video "Thus Rumble" where DJ =
Radar=20
creates a track where he drums, lays a bassline and scratches over the=20
top.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Thanks</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Estan Milko</FONT></DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: =
0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A href=3D"mailto:hans@ernieball.com" title=3Dhans@ernieball.com>Hans =
Lindauer</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  href=3D"mailto:Loopers-Delight@loopers-delight.com"=20
  =
title=3DLoopers-Delight@loopers-delight.com>Loopers-Delight@loopers-delig=
ht.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, April 04, 2001 =
11:10=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Looping with a =
mixer</DIV>
  <DIV><BR></DIV>Hi Estan-=20
  <P>Not everyone here uses a looper with guitar.&nbsp; If you want to =
use a=20
  looper or other effect on turntables, the best way will probably be to =
use an=20
  effects send and then to return it to a dedicated channel.&nbsp; This =
isn't=20
  necessary, however.&nbsp; You can always send the mixer's output =
straight into=20
  the looper or effects device.&nbsp; This works best with stereo =
devices, of=20
  course.&nbsp; The drawback here is that if you have a different =
program on=20
  each deck and only want to loop or effect one of them, it's =
impossible.&nbsp;=20
  The other alternative is to use an external phono preamp and run only =
one=20
  turntable into the effects, and then run that into the line input on =
your=20
  mixer.=20
  <P>P.S.&nbsp; The Rane TTM54i has "effects send" is really an =
insert.&nbsp;=20
  Make sure that if you look into DJ mixers with effects sends, that =
they will=20
  work the way you want them to.=20
  <P>-Hans <BR>&nbsp;=20
  <BLOCKQUOTE TYPE=3D"CITE"><NOBR><B>Subject: </B>Looping with a =
mixer</NOBR>=20
    <BR><NOBR><B>Date: </B>Wed, 04 Apr 2001 21:24:32 +0100</NOBR>=20
    <BR><NOBR><B>From: </B>Estan Milkovitch =
&lt;estan@freeuk.com&gt;</NOBR>=20
    <BR><NOBR><B>To: </B>loopers-delight@loopers-delight.com</NOBR> <PRE =
WRAP>Hi, I've been reading the messages for a while and I've noticed =
that&nbsp;
generally everyone uses their looping device with a guitar, I want =
to&nbsp;
use one with 2 turntables and a mixer but I have a couple of questions.


As far as I can work out, I'd need some kind of effects send on my&nbsp;
mixer to be able to use ANY type of guitar pedal, can anyone =
confirm&nbsp;
this and if so, is there any way to get around this?

Thanks.

Estan Milko</PRE></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_01A4_01C0BD61.4413CE80--

From Loopers-Delight-request@loopers-delight.com  Wed Apr  4 18:58:12 2001
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From: "Patrick Bailey" <patthelooper@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: RE: Expression pedal with PMC10 & DL4
Date: Wed, 04 Apr 2001 15:54:03 -0700
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Line666 is more like it, that is a RIDICULOUS price for an expression pedal. 
You might want to check Small Bear Electronics or New Sensor. (They'll show 
up in Google).


>From: "future perfect" <artists@hazardfactor.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: <Loopers-Delight@loopers-delight.com>
>Subject: RE: Expression pedal with PMC10 & DL4
>Date: Wed, 4 Apr 2001 17:50:17 -0400
>
>So does anyone have a source of 10k pots? I got about 3 dead crybaby/volume
>pedal shells I can modify for use with my DL4, but the  standard crybaby 
>pot
>is 100k. $70 for a Line6 pedal is kinda high.
>
>Dave Eichenberger- guitars.loops.devices
>http://www.hazardfactor.com
>
>
>
>
>
> >
> > --- Steve Lawson <steve@steve-lawson.co.uk> wrote:
> > > > Last night I adapted a Kawai expression pedal to
> > > > work with my DL-4.  The Line 6 pedals want a mono
> > > > plug hooked up to a 10K pot.
> >
>

_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Wed Apr  4 19:04:01 2001
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From: "Patrick Bailey" <patthelooper@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Jamman click noise
Date: Wed, 04 Apr 2001 15:50:56 -0700
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I haven't added any memory, it still has the stock 8 sec. Yes, it is so 
loud, it is unuseable. It sounds like a skipping record! I'm thinking it 
might be bad midi cables, is this a possibility?


>From: Alx <gendel777@yahoo.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: Jamman click noise
>Date: Wed, 4 Apr 2001 14:41:53 -0700 (PDT)
>
>I´ve also always noticed a click/pop at the begining
>of each loop but not so loud to call it "annoying",
>perhaps your jamman has some kind of problem, ¿maybe
>bad memory chips?, ¿did you expanded it to 32 sec.?.
>Alx.
>
>
>--- Patrick Bailey <patthelooper@hotmail.com> wrote:
> > Greetings all,
> >
> > Lately I've been noticing an annoying distorted pop
> > that occurs at the
> > beginning of each loop repetition in my Jamman. Any
> > other Jam men or women
> > have this same prob? Thanks
> >
>_________________________________________________________________
> > Get your FREE download of MSN Explorer at
> > http://explorer.msn.com
> >
>
>
>__________________________________________________
>Do You Yahoo!?
>Get email at your own domain with Yahoo! Mail.
>http://personal.mail.yahoo.com/
>

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From Loopers-Delight-request@loopers-delight.com  Wed Apr  4 19:11:09 2001
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Date: Wed, 4 Apr 2001 19:07:00 -0400
To: Loopers-Delight@loopers-delight.com
From: Paul Reisler <zoid@pobox.com>
Subject:  Re: question on bowing
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i use an ebow on hammered dulcimer with loops.  it's quite an eerie effect.
i've used it on a few album recordings--Beth Nielsen-Chapman's Deeper Still
(not out yet) and a couple from my band, Trapezoid, "Remembered Ways" and
"Long Time Down this Road."  since these are recordings and not live i
don't loop them.  i use the ebow quite a bit in loops in live shows.  i
also use the ebow on acoustic midi guitar which can be pretty wild
depending on the midi patch.  regualr bow would be problematic on both
instruments.  ebow works by creating a magnetic field that keeps the string
vibrating.
paul reisler
>i too saw pelt in d.c. --  any droners out there would love pelts use
>textures to create vivid and often atonal sound-scapes.   very "visual"
>music.
>im not sure who, but one of the members used a bow on a tambura...it
>sounded fantastic.
>
>question-  any loopers out there use a bow on non-bowed instruments?  or
>even non-instruments?  (your pet rats metal cage perhaps?)  ive always been
>intrigued by the orchestral saw and the waterfone (sorry for the
>spelling...)  anyone loopng a bowed 12' steel i-beam?
>
>i assume when using a bow on a standard 6 string guitar, one would need to
>build a 'arch' type bridge...  has anyone done this?
>
>sorry if this post seems elementary,
>
>-curt
>
>
>
>
>
>
>
>
>"LEE, THANIEL I" <TLEE@IUSMail.IUS.Indiana.EDU> on 04/04/2001 12:41:24 PM
>
>Please respond to Loopers-Delight@loopers-delight.com
>
>To:   Loopers-Delight@loopers-delight.com
>cc:
>
>Subject:  pelt
>
>
>any one out there like pelt. i saw them live awhile back and i thought they
>rocked in a drone way. keenan lawler and pelt just made arecord together it
>rocks in a drone way to. it was recorded in a silo. -thaniel ion lee


Paul Reisler
Trapezoid/Ki Theatre
PO Box 38
Washington, VA 22747
540.987.3164
540.987.3166 fax
zoid@pobox.com
www.kitheatre.com


From Loopers-Delight-request@loopers-delight.com  Wed Apr  4 19:39:35 2001
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Date: Wed, 4 Apr 2001 16:33:50 -0700
To: Loopers-Delight@loopers-delight.com
From: rich <rich@nuvisionsca.com>
Subject: RE: Expression pedal with PMC10 & DL4
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>Line666 is more like it, that is a RIDICULOUS price for an 
>expression pedal. You might want to check Small Bear Electronics or 
>New Sensor. (They'll show up in Google).


I concur, wholeheartedly...

and i'm the guy usually singing praise for Line6.  I was stupid 
enough to buy it from their website and wait 6 weeks for it.  when i 
opened the box, i almost fell over.  not exactly what you would call 
sturdy.  kindof like a cheap EV5.

believe me, if someone broke into the house, you wouldn't want to 
bash 'em over the head with this...now that ernie ball pedal, on the 
other hand...hmmm....

Line666...

i like that...

also, don't expect magic with an exp. pedal controlling the DL4.  it 
works, and it really opens the pedal up...but it's been a frustrating 
ride for me ever since.  YMMV.

best,

rich



From Loopers-Delight-request@loopers-delight.com  Wed Apr  4 19:40:20 2001
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Subject: Re: question on bowing
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paul,

can you be a bit more specific about the ebow on the hammered 
dulcimer?  Where abouts do you hold it in relation to the bridge(s)? 
can you use it on all of the registers?  interesting 
application...never thought of doing that one...till tonight, that 
is.  thanks.

rich.

>i use an ebow on hammered dulcimer with loops.  it's quite an eerie effect.
>i've used it on a few album recordings--Beth Nielsen-Chapman's Deeper Still
>(not out yet) and a couple from my band, Trapezoid, "Remembered Ways" and
>"Long Time Down this Road."  since these are recordings and not live i
>don't loop them.  i use the ebow quite a bit in loops in live shows.  i
>also use the ebow on acoustic midi guitar which can be pretty wild
>depending on the midi patch.  regualr bow would be problematic on both
>instruments.  ebow works by creating a magnetic field that keeps the string
>vibrating.
>paul reisler

From Loopers-Delight-request@loopers-delight.com  Wed Apr  4 19:41:55 2001
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Subject: Re: Expression pedal with PMC10
From: Steve Ginn <sginn@airmail.net>
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> way described above, with that work? I'm not
> massively into the idea of spending $$ on a Line 6 pedal, and the Boss EV
> thingie is even more!


Yeah its a shame.  The Yamaha pedal is the lowest price one that I have
found, has a stereo jack and to me has a better feel to it than the Boss or
Line 6 models.

Steve

From Loopers-Delight-request@loopers-delight.com  Wed Apr  4 20:04:15 2001
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Date: Wed, 04 Apr 2001 16:06:15 -0700
Subject: Seattle Looping Activities
From: Tiktok <tiktok@sprintmail.com>
To: "Looper's Delight" <Loopers-Delight@annihilist.com>
Message-ID: <B6F0F6F6.48E0%tiktok@sprintmail.com>
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I'll be playing several times in the upcoming week, both solo (Tiktok) and
with my loopy band, Electrochakra:


Tiktok:

Monday, April 9th, 11:30PM (with D-Rage)
I-Spy (1921 5th Ave)
Quadraphonic madness
$5 cover

Thursday, April 12th, 7:30PM (and also April 13,15)
Lobby of Empty Space Theatre (3509 Fremont Avenue North)
Pre-show and intermission performance during the premiere of "Killer Joe"
Tickets: $28



Electrochakra:

Thursday, April 5th, 7PM
Seattle Glassblowing Studio (2227 5th Avenue)
With live glass blowing (not by the band)
Free

Friday, April 6th, 10:30PM
The Rain Dancer (4217 University Way NE)
w/ Nature Boy Saints and Rai
$7 cover 



Be seeing you,

Travis Hartnett


-- 
MP3's and calendar of upcoming shows available at:

www.mp3.com/electrochakra

From Loopers-Delight-request@loopers-delight.com  Wed Apr  4 20:09:10 2001
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Date: Wed, 04 Apr 2001 20:09:31 -0400
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rich wrote:
> 
> paul,
> 
> can you be a bit more specific about the ebow on the hammered
> dulcimer?  Where abouts do you hold it in relation to the bridge(s)?
> can you use it on all of the registers?  interesting
> application...never thought of doing that one...till tonight, that
> is.  thanks.

Over a harmonic.


-- 
* D a v i d         B e a r d s l e y
* 49/32  R a d i o "all microtonal, all the time"
* http://www.virtulink.com/immp/lookhere.htm
* http://mp3.com/davidbeardsley

From Loopers-Delight-request@loopers-delight.com  Wed Apr  4 20:22:44 2001
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From: "future perfect" <artists@hazardfactor.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Expression pedal with PMC10 & DL4
Date: Wed, 4 Apr 2001 20:21:04 -0400
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heya rich, or anyone with the line6 exp pedal- if you get a chance at some
point, open that sucker up- maybe the pot has a part # or manufacturer ID on
it- they gotta buy it from somewhere. then we can encorage people to modify
cheaper pedals so they don't have to pay such a high price.

Dave Eichenberger- guitars.loops.devices
http://www.hazardfactor.com


> also, don't expect magic with an exp. pedal controlling the DL4.  it
> works,

>

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From: Dumeril Seven <dumeril7@yahoo.com>
Subject: RE: Expression pedal with PMC10 & DL4
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--- rich <rich@nuvisionsca.com> wrote:
> also, don't expect magic with an exp. pedal controlling the DL4.  it 
> works, and it really opens the pedal up...but it's been a frustrating 
> ride for me ever since.  YMMV.

What problems have you been running into?  I just started
using an expression pedal with my DL4 and MM4 a couple days
ago when I converted my Kawai pedal.  I'm curious what
problems I'm going to run into....

D7

=====
Dumeril7                    dumeril7@SPAMBEGONEyahoo.com
Anti-spam measures in place -- remove "SPAMBEGONE" from
my e-mail address if you want to use it....

__________________________________________________
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christ, after i paid THAT MUCH for the damn thing?  what the hell are 
you thinking?

just kidding...sure...i'll see what i can come up with.

apologies to those with religious sensitivities...i just realized i 
got christ, damn and hell all in the first two lines...

ah well...hell has all the good bands anyway.


rich




>heya rich, or anyone with the line6 exp pedal- if you get a chance at some
>point, open that sucker up- maybe the pot has a part # or manufacturer ID on
>it- they gotta buy it from somewhere. then we can encorage people to modify
>cheaper pedals so they don't have to pay such a high price.
>
>Dave Eichenberger- guitars.loops.devices
>http://www.hazardfactor.com
>
>
>>  also, don't expect magic with an exp. pedal controlling the DL4.  it
>>  works,
>
>>

From Loopers-Delight-request@loopers-delight.com  Wed Apr  4 22:28:51 2001
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From: "Bill Fox" <billfox@fast.net>
To: "ambient" <ambient@hyperreal.org>,
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Subject: EM/Ambient Dinner?
Date: Wed, 4 Apr 2001 22:28:40 -0400
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I'm thinking of coming up I-95 from Okefenokee on Tuesday, April 24th.  I should
be able to make it to the Washington, D.C. area.  Anyone near by who is
interested in a dinner get-together, please contact me privately.

Bill         billfox@fast.net
http://wdiyfm.org/schedule/s_emusic.html
============================================================================
Host of EMUSIC, an electronic, ambient, and space music show.  Thursdays at
11 pm on WDIY 88.1 FM, Allentown and Bethlehem and 93.9 FM in Easton and
Phillipsburg.  Email me if you wish to submit music for airplay consideration.
Radio Station Home Page: http://wdiyfm.org
Personal site: http://www.users.fast.net/~billfox
To subscribe to the EMUSIC on WDIY list:, send
email to: emusic-wdiy-subscribe@yahoogroups.com

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Date: Wed, 4 Apr 2001 22:55:16 EDT
Subject: Re: question on bowing
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>rich wrote:
>> paul,
>> can you be a bit more specific about the ebow on the hammered
>> dulcimer?  Where abouts do you hold it in relation to the bridge(s)?
>> can you use it on all of the registers?  interesting
>> application...never thought of doing that one...till tonight, that
>> is.  thanks.
well, i thunk that the subject was bowing-with-a-bow, but:
since it turned into e-bowing:
i have a kikuyae ---(chrysanthemum harp)--- which is a japanese 
folk-instrument, inna dulcimer-stylie.
i built a lil 'fan' w/a brushless motor ---(that i got from radio 
shack/tandy)--- which is mounted above the strings. when the motor is turned 
on, the soft blades of the fan brush the strings into activity: kinda like 
the old 'gizmotron', but simpler:
homemade bowing:
DIY:
great for looping.....
best,
splattercell / dt

From Loopers-Delight-request@loopers-delight.com  Thu Apr  5 00:18:48 2001
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From: "Mike Feeney" <feeneymike@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: Breathlanes
Date: Wed, 4 Apr 2001 23:15:37 -0500
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	Has anyone heard the band "Breathlanes" from Athens, Georgia?  Their
guitarist is who really got me curious about looping several years ago.
They were predominantly a two piece band for a long time, with John Miley (a
former Fripp student who uses a drop-C tuning) on guitar and my friend Jamie
DeRevere on drums.  They later joined up with a female vocalist and often
have a guest bassist sit in on their performances, as well as sometimes
incorporate projected films behind them as they perform.  Some amazing
stuff.  If you ever have the chance, check them out.  You will not be sorry.
=)

	I just checked and realized they do have a pretty low-tech web site out
there.  not much to look at, but if you want to check it out, it's at
www.breathlanes.com .

	-Mike



_________________________________________________________
Do You Yahoo!?
Get your free @yahoo.com address at http://mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Thu Apr  5 01:54:33 2001
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Subject: Los Angeles Gig spam
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Howdy LA Loopers,


Come along and say hi!

Cheers

Andrew


T u s a l a v a 





SLO and Kaleidacousticon 

with thanks to the Len Lye Foundation

presents Len Lye's first great animated film

with a new Soundtrack by Andrew Pask 

Saturday 7th April 2001 7.30pm

at SLO



http://www.kaleidacousticon.com/tusalava.html

From Loopers-Delight-request@loopers-delight.com  Thu Apr  5 02:08:10 2001
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Hi,
I tried using motors on my guitar some time ago but the pickups picked up
(!) the sound of the whirring motor more than any attachments on the
spindle. Does the brushless motor avoid this problem ?
PS I also use a violin bow only on the bottom two strings of my bizzarre
geetarre. I can acess the second one since its a bloody great thick bass
guitar string - it sounds wonderful, ('specially through the Leslie : )) . I
use an ebow too on anything that will vibrate. In fact i just had a
thought - what about an ebow on a reverb spring ? - I'll try this out today.
One of the beauties of this list is its always thought provoking.

Gareth




> i have a kikuyae ---(chrysanthemum harp)--- which is a japanese
> folk-instrument, inna dulcimer-stylie.
> i built a lil 'fan' w/a brushless motor ---(that i got from radio
> shack/tandy)--- which is mounted above the strings. when the motor is
turned
> on, the soft blades of the fan brush the strings into activity: kinda like
> the old 'gizmotron', but simpler:
> homemade bowing:
> DIY:
> great for looping.....
> best,
> splattercell / dt
>

From Loopers-Delight-request@loopers-delight.com  Thu Apr  5 02:20:50 2001
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Date: Wed, 4 Apr 2001 23:17:12 -0700 (PDT)
From: Alx <gendel777@yahoo.com>
Subject: Re: Jamman click noise
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--- Patrick Bailey <patthelooper@hotmail.com> wrote:
> I haven't added any memory, it still has the stock 8
> sec. Yes, it is so 
> loud, it is unuseable. It sounds like a skipping
> record! I'm thinking it 
> might be bad midi cables, is this a possibility?

I don´t think the clicks are due to bad MIDI cables,
to be sure try to set a loop with the front panel
"tap" button, loop some CD music so you have your
hands free, if after seting a loop with the front
panel "tap" button the loud click it´s still there
then I bet that it´s due to bad memory chips (even if
you haven´t expanded it) or something inside the unit,
¿are you the original owner?, if not that makes me
think...
Alx.
   

> 
> 
> >From: Alx <gendel777@yahoo.com>
> >Reply-To: Loopers-Delight@loopers-delight.com
> >To: Loopers-Delight@loopers-delight.com
> >Subject: Re: Jamman click noise
> >Date: Wed, 4 Apr 2001 14:41:53 -0700 (PDT)
> >
> >I´ve also always noticed a click/pop at the
> begining
> >of each loop but not so loud to call it "annoying",
> >perhaps your jamman has some kind of problem,
> ¿maybe
> >bad memory chips?, ¿did you expanded it to 32
> sec.?.
> >Alx.
> >
> >
> >--- Patrick Bailey <patthelooper@hotmail.com>
> wrote:
> > > Greetings all,
> > >
> > > Lately I've been noticing an annoying distorted
> pop
> > > that occurs at the
> > > beginning of each loop repetition in my Jamman.
> Any
> > > other Jam men or women
> > > have this same prob? Thanks
> > >
>
>_________________________________________________________________
> > > Get your FREE download of MSN Explorer at
> > > http://explorer.msn.com
> > >
> >
> >
> >__________________________________________________
> >Do You Yahoo!?
> >Get email at your own domain with Yahoo! Mail.
> >http://personal.mail.yahoo.com/
> >
> 
>
_________________________________________________________________
> Get your FREE download of MSN Explorer at
> http://explorer.msn.com
> 


__________________________________________________
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Get email at your own domain with Yahoo! Mail. 
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From Loopers-Delight-request@loopers-delight.com  Thu Apr  5 02:39:52 2001
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Date: Wed, 04 Apr 2001 23:39:14 -0700
From: Doug Lawrence <dlawren@pacbell.net>
Subject: RE: EMU ESI2000
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I originally purchased an ESI2000 about three years ago to use as a "live
act" sample tool. I found that it was very awkward since the keys were small
for triggering sounds and had to be set-up for latching mode every time I
booted the unit. I remember sitting there loading, placing, then arming all
my samples for the keypad ... what a pain. I think it's a good sampler, but
not in the "looper" arena ...

Also, I found the sound processing very limiting (you have to buy an
additional board for effects), was very slow, and much less powerful that
what you can get in many of the units today, or even just crank out on your
PC for base sounds. Also, if I remember correctly, it will only import the
proprietary EMU sounds.

I ended up getting rid of it and buying a Yamaha SU700 ... which was much
better at making quick samples, assigning them to a nice large (somewhat
touch sensitive) pad arranging them into a song, and performing live
manipulation of sound. SU700's can be had on the market at a really
competitive price these days, but I'd also consider checking out these
units:

Roland SP808EX
Zoom SampleTrak ST-224
Yamaha SU200  <== this unit looks awesome for the price!
Korg ElectribeS

Read some reviews:

http://www.samplenet.co.uk/CategoryDefault.asp?Category=Samplers




-----Original Message-----
From: Jim Schaefer [mailto:jimsch@fullcompass.com]
Sent: Wednesday, April 04, 2001 3:05 PM
To: Loopers-Delight@loopers-delight.com
Subject: EMU ESI2000


Anyone use this sampler for doing live loops? Was wondering how well it
would work.


                       Thanks,
                          Jim

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pardon this off topic question ... I'm trying to sell my classic Soundcraft 
500 mixer (24 x 8 x 2) via Ebay here in Germany. I can't seem to find any 
online information about this mixer anywhere. Even Soundcraft (whose site 
seems to be down right now) only show information about their new mixers. 
Is there a Mixer's delight or something similar anywhere where I could find 
out more?


=	michael peters
=	electronic music & strange attractors
=	http://www.mpeters.de/mpeweb


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From: John Tidwell <wedgehed@yahoo.com>
Subject: Pedal for Line 6 DL-4
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I use one these (with an insert cable) as an exp pedal
for my DL-4, Vortex, Digitech 2120. I'm pretty sure
it will also work as a feedback pedal for the EDP.

I suppose you could even use it as a volume pedal on
the outputs of your effects boxes. I haven't tried
that though.

http://www.americanmusical.com/cgi-bin/SGIN0101.EXE?UID=2001040502084329&T1=PRL+PVP14L&UREQA=3&UREQB=5&FNM=00

John

=====
John Tidwell




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I've been fascinated with this bowing thread and thought I'd share my two
cents:

Here while back, I went out and bought the smallest Suzuki method bow I
could find at Sylvain Music in Santa Cruz.   It is wonderful on bass and
electric guitar.   It is so much shorter than a regular violing bow that it
is more maneuverable with a guitar strapped on or in lap steel position
(mind you, I'm not a guitarist or bassist,  I just play one on
t.v............cheesy, winking, smiley face emoticom here).

Also,  a very talented instrument maker here in  Santa Cruz,   Dennis
Murphy,   sold me a bow for a bowed psaltery that he custom built for me for
$25.   It is very simple and very short.    I spent an hour this evening
experimenting with it on a Gopichand (Indian monochord) and a Bau
(Vietnamese monochord).    Because it is made of hardwood,   I could bow the
string, use the back side of the bow to
strike the string (I am a percussionist and a trapset player,
professionally) and also I used the back of the bow as a slide.
Using my fist (holding the bow) to strike the sides of the Gopichand I was
able to get this really beatiful rapid warbling sounds as well as,
sequencially bowing, tapping, plucking with my other hand and even using the
side of my fist to get harmonics.   What a universe of sounds......very
electronic sounding, which I think is very cool:    making acoustic
instruments sound as if they are electronically processed.

I can put anyone interested in touch with Dennis.   These are great
experimental bows.


Apropos of nothing,   my father went in for emergency stomach surgery
tonight at 10 p.m. west coast time.   He is 75 and in good spirits but  I am
worried about him.     Any healing thoughts or prayers sent in his general
direction would be greatly appreciated.
His name is Arthur Lee Walker, M.D. and he instilled in me a great love for
music and life itself.   He has a wonderful laugh and loves humour.   He's a
good guy.

Thanks,   Rick Walker (loop.pool)

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> Todd Quincy wrote:
> 
> Howdy, I just got a second EDP (yeah).
> 
> I expect this will open a New World of possibilities. I was hoping to
> hear some signal path tips and creative tricks from those of you who
> employee 2 EDPs.

from an earlyer post name looping tips and tricks
---------
this is for stereo EDP setups with midi connection in between

this is a "setup" routine therefore I guess we cannot play during the
button pushes :=)
1 finger push all the rest can be done by footcontroler

different cycle nb between L-R 

record the original cycle (Short <1 sec)

press multiply on the slave machine (youre setting up the slaves
multiples NB)
count 6 
press multiply on footswitch or master plex (ends multiply on slave and
startmultiply the master;
you are now setting the master multiples NB)
count 8
press multiply on footswitch (endsMultiply on master)
press undo wich will undo the multiply that was just started on the
slave by the last multiply press)

you now have a 6 to 8 cycle relationship between L and R 
this works the same Quantized or not in all sync modes 

Claude

PS: this is only a starting point as there are a lot of similar "desync"
moves that can be found if you play and think with it
Overdub,record,reverse, .....

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Subject: OT: Re: question on bowing
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g,
>I tried using motors on my guitar some time ago but the pickups picked
>up (!) the sound of the whirring motor more than any attachments on the
>spindle. Does the brushless motor avoid this problem ?
well:
the kikuyae is an acoustic instrument; the pickup that i've used is a piezo 
element, which i've placed pretty far from the electromechanical bow..... to 
avoid that noise.
sorry!
best,
splttrcll

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Akai Midi Controlled Filter.......

http://formen.ign.com/news/30722.html


=====
John Tidwell




__________________________________________________
Do You Yahoo!?
Get email at your own domain with Yahoo! Mail. 
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From Loopers-Delight-request@loopers-delight.com  Thu Apr  5 09:08:43 2001
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References: <200104042148.RAA05719@hemlock.violacea.com> <3ACB9BDF.7C8226D0@ernieball.com> <01a701c0bd58$e3068180$9c2d073e@estan>
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Estan Milko wrote:

>  >to make sure that the next mixer I buy has effects send.
>
> Of course it is not that simple.  More than one effect send is better
> than just one.
> And there's the matter of pre-fader and post-fader sends.  Pre-fader
> means the
> signal from the module/turntable/source gets sent to the send before
> it reaches the
> fader in the mixer.  Post-fader means the signal goes to the send
> after it is effected
> by the fader in the mixer.  Post-fader means the signal sent to the
> effect will vary as
> you move the fader.  Pre-fader will not vary with the fader level:
> this allows you to have
> the effected signal even while the fader on the source is all the way
> down; i.e., just
> effect, no source.
>
> John McIntyre
> Physics - Astronomy Domine Dept
> Michigan State University
> mcintyre@pa.msu.edu

From Loopers-Delight-request@loopers-delight.com  Thu Apr  5 10:15:29 2001
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As I am experimenting Cycloops, It works also great with jazz music, not
only with tekno and rap
Jazz looping is so live that the loop is never boring at all ... even
listening again and again

In comparison with DJRND2/3, Cycloops new features are the automatic
Redsound BPM and rec level, ideal for DJ live looping. Once the tempo is
displayed, just press a loop to start beat countdown, and there it is :
perfect Dj live looping !

Cycloops clowns turntables in realtime, so the DJ could use it as a
round effect or as a clowning turntable to crossfade between loops and
LPs.

The concept works great, hope people will appreciate it !

EP





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Subject: Re: bowing instruments and a request for good thoughts
Date: Thu, 5 Apr 2001 09:57:36 -0500
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Yes!  Gopichands are amazing!  Such a simple instrument but with lots of
expressiveness and sounds!  I use one of those cheap Radio Shack tie-clip
mics to loop it.  Works great!

My thoughts and prayers go out to your family, Rick.  Let us know how your
dad fares.

Dennis Leas
-------------------
dennis@mdbs.com

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Michael MAnring played at Wetlands in NYC last nite.
No looping on his solo tune though.
The performance did rock.
ANybody attend this show?
Jon


>From: Emmanuel PERILLE <perille@club-internet.fr>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Jazz music looping
>Date: Thu, 05 Apr 2001 16:06:21 +0200
>
>As I am experimenting Cycloops, It works also great with jazz music, not
>only with tekno and rap
>Jazz looping is so live that the loop is never boring at all ... even
>listening again and again
>
>In comparison with DJRND2/3, Cycloops new features are the automatic
>Redsound BPM and rec level, ideal for DJ live looping. Once the tempo is
>displayed, just press a loop to start beat countdown, and there it is :
>perfect Dj live looping !
>
>Cycloops clowns turntables in realtime, so the DJ could use it as a
>round effect or as a clowning turntable to crossfade between loops and
>LPs.
>
>The concept works great, hope people will appreciate it !
>
>EP
>
>
>
>
>

_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

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No, I didnt. But would love to hear about it !!

Jonathan Price wrote:
> 
> Michael MAnring played at Wetlands in NYC last nite.
> No looping on his solo tune though.
> The performance did rock.
> ANybody attend this show?
> Jon
> 
> >From: Emmanuel PERILLE <perille@club-internet.fr>
> >Reply-To: Loopers-Delight@loopers-delight.com
> >To: Loopers-Delight@loopers-delight.com
> >Subject: Jazz music looping
> >Date: Thu, 05 Apr 2001 16:06:21 +0200
> >
> >As I am experimenting Cycloops, It works also great with jazz music, not
> >only with tekno and rap
> >Jazz looping is so live that the loop is never boring at all ... even
> >listening again and again
> >
> >In comparison with DJRND2/3, Cycloops new features are the automatic
> >Redsound BPM and rec level, ideal for DJ live looping. Once the tempo is
> >displayed, just press a loop to start beat countdown, and there it is :
> >perfect Dj live looping !
> >
> >Cycloops clowns turntables in realtime, so the DJ could use it as a
> >round effect or as a clowning turntable to crossfade between loops and
> >LPs.
> >
> >The concept works great, hope people will appreciate it !
> >
> >EP
> >
> >
> >
> >
> >
> 
> _________________________________________________________________
> Get your FREE download of MSN Explorer at http://explorer.msn.com

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Subject: Re: question on bowing
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Date: Thu, 5 Apr 2001 11:18:04 -0400
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hi all,
     ...the only problem i have found with bowing a guitar is the build up
of rosin (sp?) on the frets and strings.  not a problem, until its time to
finger-pick.   any suggestions on a quick fix?  i tried a slighly damp
cloth, but something about that scares me off.  is there way around this?
and why do i ask so many questions?

-curt
(still debating on removing the fretts from an old axe)









"whiteoakstudios" <whiteoakstudios@supanet.com> on 04/05/2001 02:03:59 AM

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Subject:  Re: question on bowing


Hi,
I tried using motors on my guitar some time ago but the pickups picked up
(!) the sound of the whirring motor more than any attachments on the
spindle. Does the brushless motor avoid this problem ?
PS I also use a violin bow only on the bottom two strings of my bizzarre
geetarre. I can acess the second one since its a bloody great thick bass
guitar string - it sounds wonderful, ('specially through the Leslie : )) .
I
use an ebow too on anything that will vibrate. In fact i just had a
thought - what about an ebow on a reverb spring ? - I'll try this out
today.
One of the beauties of this list is its always thought provoking.

Gareth




> i have a kikuyae ---(chrysanthemum harp)--- which is a japanese
> folk-instrument, inna dulcimer-stylie.
> i built a lil 'fan' w/a brushless motor ---(that i got from radio
> shack/tandy)--- which is mounted above the strings. when the motor is
turned
> on, the soft blades of the fan brush the strings into activity: kinda
like
> the old 'gizmotron', but simpler:
> homemade bowing:
> DIY:
> great for looping.....
> best,
> splattercell / dt
>







From Loopers-Delight-request@loopers-delight.com  Thu Apr  5 11:51:28 2001
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Date: Thu, 5 Apr 2001 11:34:39 -0400
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clever!     this thread will ultimatley lead back to looping...

i wanted to share this idea : my wife visualizes a "turn-table hurdy-gurdy"
in which a chrystal coblet is placed on the platter of a turn-table and an
arm is constructed above the glass to "bow" the rim as it rotates to
produce that old, familiar yet mysteriously beatiful tone.  its seems like
a great idea, so... whats the problem?     ususally when creating those
wonderfull  wine glass drones, on would apply just a bit of vinager on the
finger to get the perfect friction for coaxing out the harmonics-  however,
its not so easy to reproduce the delicate touch required with crude
crunstruction technique and lack of materials to experiment with.  has
anyone tried to build something similar to this?  i think this would make a
great stage piece for our unusual brand of music (loops loops!)  but the
most important final element would be the "finger" part of the mechanism.
any ideas on what we could try?


-curt
(hoping this is of the slightest interest)







Hedewa7@aol.com on 04/04/2001 10:55:16 PM

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Subject:  Re: question on bowing


>rich wrote:
>> paul,
>> can you be a bit more specific about the ebow on the hammered
>> dulcimer?  Where abouts do you hold it in relation to the bridge(s)?
>> can you use it on all of the registers?  interesting
>> application...never thought of doing that one...till tonight, that
>> is.  thanks.
well, i thunk that the subject was bowing-with-a-bow, but:
since it turned into e-bowing:
i have a kikuyae ---(chrysanthemum harp)--- which is a japanese
folk-instrument, inna dulcimer-stylie.
i built a lil 'fan' w/a brushless motor ---(that i got from radio
shack/tandy)--- which is mounted above the strings. when the motor is
turned
on, the soft blades of the fan brush the strings into activity: kinda like
the old 'gizmotron', but simpler:
homemade bowing:
DIY:
great for looping.....
best,
splattercell / dt







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We're not going to start talking about Tibetan Bowls again, are we?

I don't know if I could stand another oscilloscope-laden dispute over
fundamentals and the harmonic properties of a bell-shaped instrument.

Even though I think I fomented a great deal of the furor.




                                                                                            
                    "Curtis P                                                               
                    Seiss"               To:     Loopers-Delight@loopers-delight.com        
                    <seisscp@wash        cc:                                                
                    post.com>            Subject:     Re: question on bowing, looping       
                                         mechanisms                                         
                    04/05/01                                                                
                    10:34 AM                                                                
                    Please                                                                  
                    respond to                                                              
                    Loopers-Delig                                                           
                    ht                                                                      
                                                                                            
                                                                                            




clever!     this thread will ultimatley lead back to looping...

i wanted to share this idea : my wife visualizes a "turn-table hurdy-gurdy"
in which a chrystal coblet is placed on the platter of a turn-table and an
arm is constructed above the glass to "bow" the rim as it rotates to
produce that old, familiar yet mysteriously beatiful tone.  its seems like
a great idea, so... whats the problem?     ususally when creating those
wonderfull  wine glass drones, on would apply just a bit of vinager on the
finger to get the perfect friction for coaxing out the harmonics-  however,
its not so easy to reproduce the delicate touch required with crude
crunstruction technique and lack of materials to experiment with.  has
anyone tried to build something similar to this?  i think this would make a
great stage piece for our unusual brand of music (loops loops!)  but the
most important final element would be the "finger" part of the mechanism.
any ideas on what we could try?


-curt
(hoping this is of the slightest interest)







Hedewa7@aol.com on 04/04/2001 10:55:16 PM

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cc:

Subject:  Re: question on bowing


>rich wrote:
>> paul,
>> can you be a bit more specific about the ebow on the hammered
>> dulcimer?  Where abouts do you hold it in relation to the bridge(s)?
>> can you use it on all of the registers?  interesting
>> application...never thought of doing that one...till tonight, that
>> is.  thanks.
well, i thunk that the subject was bowing-with-a-bow, but:
since it turned into e-bowing:
i have a kikuyae ---(chrysanthemum harp)--- which is a japanese
folk-instrument, inna dulcimer-stylie.
i built a lil 'fan' w/a brushless motor ---(that i got from radio
shack/tandy)--- which is mounted above the strings. when the motor is
turned
on, the soft blades of the fan brush the strings into activity: kinda like
the old 'gizmotron', but simpler:
homemade bowing:
DIY:
great for looping.....
best,
splattercell / dt











From Loopers-Delight-request@loopers-delight.com  Thu Apr  5 12:10:51 2001
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Date: Thu, 5 Apr 2001 09:04:49 -0700
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From: rich <rich@nuvisionsca.com>
Subject: DL4 potentiometer and pedal comments
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hi all,

here's the info for the pot inside the expression pedal from Line666. 
just four little screws...that wasn't so bad...

a part number:

6G
3B20KX2

so, you electrogizmopartsandsolder guys should be able to go from 
there, yes?  that's the only info on the pot.  hope this helps.

as for comments on the exp. pedal problems i have with the DL4, 
perhaps the archives may contain something...i've stated them before 
a couple o' times.  here goes once again as brief as possible.

The expression pedal is implemented in that it 'records' movements 
made to the panel knobs.  So, put the exp pedal toe up and get a 
setting you like...if ya can, save this to one of the presets...makes 
things a bit easier to go back if ya screw up.  Now, push the pedal 
toe down, and change the knobs to the preferred new setting.  your'e 
done.  So, now the pedal remembers where the knobs were in toe up, 
and now in toe down and it will move between these settings.  so you 
can choose any ONE, or more knobs to turn and have the exp pedal 
control.  fine.

so here's my beef:  I have the expression pedal set to control the 
mix only.  toe up?  no delay.  toe down, 50/50 mix.  Now let's say i 
have a preset delay with a certain tempo, but in a bridge, for 
example, i want to half the tempo.  i can do that with my tap tempo, 
right?  sure.  tap in the new tempo and off ya go.  Just try to mess 
with that expression pedal now...I Dare You.  If you need to back off 
the mix in any way via the exp pedal, you will get a warp of the 
original tempo and the new half tempo delay (which is a trippy sound 
sure, but not one condusive to a structured 'song'), and the severity 
of the morph will depend on where the hell the pedal was when you hit 
that tap tempo change.

beef 2:  loop mode.  expression pedal controls mix only.  what a 
great thing to have a predelay in front of the looper, esp for a box 
so reasonably priced.  so you lay a great loop bed down, and you want 
to come over the top with live playing (or i will often catch a loop 
in a digi PDS pedal earlier in the chain), then i'd like to add some 
delay on that via the DL4, maybe adding it into the DL4 loop 
sporadically, if i like.  fine.  Again, don't expect to be able to 
change the loop mix level via the exp pedal without it affecting some 
change to that predelay messing about you did.

Problem is the pedal is always AWARE of the movements happening in 
real time, and it remembers and spits em back at you when you move 
it.  I worked with George Van Wagner at line6 for a while on this. 
he concocted some trick of using an a/b box in line with the pedal. 
click it on to control the mix, but click it off to do any real time 
changes, so the pedal wouldn't 'see' the DL4, then click back to 
adjust mix (or whatever).  Great idea, 'cept it didn't work.  The exp 
pedal would stop 'seeing' the DL4, but wouldn't lock back on when you 
clicked back.  sigh.

i've been enjoying the DL4 more as a recording fx box than live...but 
then i haven't been playing live as much lately.  the other part is 
that it's not line level, so that kind of holds you up there, too. 
other than that, excellent box.

question:  would it help to have one of the ebtech line level 
shifters?  fx send out > ebtech > DL4 > 2 mixer channels.  Or is that 
doing the same thing as just turning down the fx send?  seems like i 
can't get a good send to the DL4 without clipping it, or having it 
sound weak on the return.  A DL4pro with line level and better pedal 
support would be lovely.  i would love to use the DL4 more in 
conjunction with my Electrix stuff, 'cept the DL4 is very sensitive 
to hot levels, and the Electrix stuff absolutely wants hot levels.

hope this helps.  as usual YMMV.

rich



>--- rich <rich@nuvisionsca.com> wrote:
>>  also, don't expect magic with an exp. pedal controlling the DL4.  it
>>  works, and it really opens the pedal up...but it's been a frustrating
>>  ride for me ever since.  YMMV.
>
>What problems have you been running into?  I just started
>using an expression pedal with my DL4 and MM4 a couple days
>ago when I converted my Kawai pedal.  I'm curious what
>problems I'm going to run into....
>
>D7
>
>=====
>Dumeril7                    dumeril7@SPAMBEGONEyahoo.com
>Anti-spam measures in place -- remove "SPAMBEGONE" from
>my e-mail address if you want to use it....
>
>__________________________________________________
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From: Michael.McEnany@thermacore.com
Subject: vintage tube Echoplex
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I have an old, vintage, tube Echoplex I want to sell. It is a pre-maestro
unit serial # 633. It is all original and includes footswitch two (old)
cartridges, cables etc., even the tolex looks great.  Works now but could
use a new tape cartridge and clean/lube for maximum performance. It is
currently on Ebay and the listing expires on 4/11/01. I thought maybe a
collector would find it on your website since your folks seem quite
serious. The condition and age of this unit would surely be appreciated by
someone who knows what it is.

STANDARD DISCLAIMER: This message is confidential. You should not copy it
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those of the author and not those of Thermacore International. If this
email has come to you in error please delete it and any attachments.

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> Apropos of nothing,   my father went in for emergency stomach surgery tonight at 10 p.m. west coast time.   He is 75 and in good spirits but  I am worried about him.     Any healing thoughts or prayers sent in his general direction would be greatly appreciated. His name is Arthur Lee Walker, M.D. and he instilled in me a great love for music and life itself.   He has a wonderful laugh and loves humour.   He's a good guy. Thanks,   Rick Walker (loop.pool)

Hi Rick,

I'm sorry to hear this about your dad... My thoughts go out to you and him through this tough time. I pray for the best...

Yours,
-Miko

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Excuse me all... this was meant to be a private reply.

-Miko

> Apropos of nothing,   my father went in for emergency stomach surgery tonight at 10 p.m. west coast time.   He is 75 and in good spirits but  I am worried about him.     Any healing thoughts or prayers sent in his general direction would be greatly appreciated. His name is Arthur Lee Walker, M.D. and he instilled in me a great love for music and life itself.   He has a wonderful laugh and loves humour.   He's a good guy. Thanks,   Rick Walker (loop.pool)

Hi Rick,

I'm sorry to hear this about your dad... My thoughts go out to you and him through this tough time. I pray for the best...

Yours,
-Miko


From Loopers-Delight-request@loopers-delight.com  Thu Apr  5 13:01:40 2001
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Subject: Re: question on bowing, looping mechanisms
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seisscp@washpost.com writes:
>i wanted to share this idea : my wife visualizes a "turn-table hurdy-gurdy"
>in which a chrystal coblet is placed on the platter of a turn-table and
>an
>arm is constructed above the glass to "bow" the rim as it rotates to
>produce that old, familiar yet mysteriously beatiful tone.  its seems like
>a great idea, so... whats the problem?     ususally when creating those
>wonderfull  wine glass drones, on would apply just a bit of vinager on
>the
>finger to get the perfect friction for coaxing out the harmonics-  however,
>its not so easy to reproduce the delicate touch required with crude
>crunstruction technique and lack of materials to experiment with.  has
>anyone tried to build something similar to this?  i think this would make
>a
>great stage piece for our unusual brand of music (loops loops!)  but the
>most important final element would be the "finger" part of the mechanism.
>any ideas on what we could try?

well, this instrument already exists;
i *believe* it's called the 'glass harmonica'?
best,
spltrcll / dt

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Hedewa7@aol.com wrote:

> ...
> >great stage piece for our unusual brand of music (loops loops!)  but the
> >most important final element would be the "finger" part of the mechanism.
> >any ideas on what we could try?
>
> well, this instrument already exists;
> i *believe* it's called the 'glass harmonica'?
> best,
> spltrcll / dt

for some things glassy, try:

http://www.glassarmonica.com/

lance g.

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lindsay@pavestone.com wrote:

> We're not going to start talking about Tibetan Bowls again, are we?
>
> I don't know if I could stand another oscilloscope-laden dispute over
> fundamentals and the harmonic properties of a bell-shaped instrument.
>
> Even though I think I fomented a great deal of the furor.
>
>

so far, you're the only one that's mentioned them.

:-)

lance g.



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Mike Biffle wrote:

> Excuse me all... this was meant to be a private reply.
>
> -Miko
>
> > Apropos of nothing,   my father went in for emergency stomach surgery tonight at 10 p.m. west coast time.   He is 75 and in good spirits but  I am worried about him.     Any healing thoughts or prayers sent in his general direction would be greatly appreciated. His name is Arthur Lee Walker, M.D. and he instilled in me a great love for music and life itself.   He has a wonderful laugh and loves humour.   He's a good guy. Thanks,   Rick Walker (loop.pool)
>
> Hi Rick,
>
> I'm sorry to hear this about your dad... My thoughts go out to you and him through this tough time. I pray for the best...
>
> Yours,
> -Miko

hey rick

give my best to arthur lee. healing prayers goin' out...

lance g.

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Subject: Re: question on bowing, looping mechanisms
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Yes,
Wasn't it invented by Benjamin Franklyn ?

Gareth

PS Tried the Ebow on reverb spring - I WON'T be incorporating that into my
set anytime in the future - too much of  a cacophony for me - some others on
this list might dig it though : )



> seisscp@washpost.com writes:
> >i wanted to share this idea : my wife visualizes a "turn-table
hurdy-gurdy"
> >in which a chrystal coblet is placed on the platter of a turn-table and
> >an
> >arm is constructed above the glass to "bow" the rim as it rotates to
> >produce that old, familiar yet mysteriously beatiful tone.  its seems
like
> >a great idea, so... whats the problem?     ususally when creating those
> >wonderfull  wine glass drones, on would apply just a bit of vinager on
> >the
> >finger to get the perfect friction for coaxing out the harmonics-
however,
> >its not so easy to reproduce the delicate touch required with crude
> >crunstruction technique and lack of materials to experiment with.  has
> >anyone tried to build something similar to this?  i think this would make
> >a
> >great stage piece for our unusual brand of music (loops loops!)  but the
> >most important final element would be the "finger" part of the mechanism.
> >any ideas on what we could try?
>
> well, this instrument already exists;
> i *believe* it's called the 'glass harmonica'?
> best,
> spltrcll / dt
>

From Loopers-Delight-request@loopers-delight.com  Thu Apr  5 13:29:41 2001
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Subject: Re: question on bowing
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Use the bow quite close to the bridge - away from the frets and out of the
way of your picking fingers.

Gareth

>
> hi all,
>      ...the only problem i have found with bowing a guitar is the build up
> of rosin (sp?) on the frets and strings.  not a problem, until its time to
> finger-pick.   any suggestions on a quick fix?  i tried a slighly damp
> cloth, but something about that scares me off.  is there way around this?
> and why do i ask so many questions?
>
> -curt
> (still debating on removing the fretts from an old axe)
>
>
>
>
>
>
>
>
>
> "whiteoakstudios" <whiteoakstudios@supanet.com> on 04/05/2001 02:03:59 AM
>
> Please respond to Loopers-Delight@loopers-delight.com
>
> To:   <Loopers-Delight@loopers-delight.com>
> cc:
>
> Subject:  Re: question on bowing
>
>
> Hi,
> I tried using motors on my guitar some time ago but the pickups picked up
> (!) the sound of the whirring motor more than any attachments on the
> spindle. Does the brushless motor avoid this problem ?
> PS I also use a violin bow only on the bottom two strings of my bizzarre
> geetarre. I can acess the second one since its a bloody great thick bass
> guitar string - it sounds wonderful, ('specially through the Leslie : )) .
> I
> use an ebow too on anything that will vibrate. In fact i just had a
> thought - what about an ebow on a reverb spring ? - I'll try this out
> today.
> One of the beauties of this list is its always thought provoking.
>
> Gareth
>
>
>
>
> > i have a kikuyae ---(chrysanthemum harp)--- which is a japanese
> > folk-instrument, inna dulcimer-stylie.
> > i built a lil 'fan' w/a brushless motor ---(that i got from radio
> > shack/tandy)--- which is mounted above the strings. when the motor is
> turned
> > on, the soft blades of the fan brush the strings into activity: kinda
> like
> > the old 'gizmotron', but simpler:
> > homemade bowing:
> > DIY:
> > great for looping.....
> > best,
> > splattercell / dt
> >
>
>
>
>
>
>
>

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Subject: Re: question on bowing, looping mechanisms
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Yeah, I think it was.  Or at least Franklin invented an
instrument like the one we're describing, whatever it's really
called.

I seem to think that this instrument was also the one Jimmy Page
was playing on the beach or whatever in the film The Song
Remains The Same.

Mike

----- Original Message -----
From: "whiteoakstudios" <whiteoakstudios@supanet.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, April 05, 2001 1:20 PM
Subject: Re: question on bowing, looping mechanisms


> Yes,
> Wasn't it invented by Benjamin Franklyn ?
>
> Gareth
>
> PS Tried the Ebow on reverb spring - I WON'T be incorporating
that into my
> set anytime in the future - too much of  a cacophony for me -
some others on
> this list might dig it though : )
>
>
>
> > seisscp@washpost.com writes:
> > >i wanted to share this idea : my wife visualizes a
"turn-table
> hurdy-gurdy"
> > >in which a chrystal coblet is placed on the platter of a
turn-table and
> > >an
> > >arm is constructed above the glass to "bow" the rim as it
rotates to
> > >produce that old, familiar yet mysteriously beatiful tone.
its seems
> like
> > >a great idea, so... whats the problem?     ususally when
creating those
> > >wonderfull  wine glass drones, on would apply just a bit of
vinager on
> > >the
> > >finger to get the perfect friction for coaxing out the
harmonics-
> however,
> > >its not so easy to reproduce the delicate touch required
with crude
> > >crunstruction technique and lack of materials to experiment
with.  has
> > >anyone tried to build something similar to this?  i think
this would make
> > >a
> > >great stage piece for our unusual brand of music (loops
loops!)  but the
> > >most important final element would be the "finger" part of
the mechanism.
> > >any ideas on what we could try?
> >
> > well, this instrument already exists;
> > i *believe* it's called the 'glass harmonica'?
> > best,
> > spltrcll / dt
> >
>

From Loopers-Delight-request@loopers-delight.com  Thu Apr  5 13:46:36 2001
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Subject: Re: Jamman click
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might be bad midi cables, is this a possibility?

Could be because you're syncing the JamMan to a MIDI signal.
You'll get this problem unless you use the Jamman
as the source of the MIDI timecode.
Reason is that MIDI isn't accurate enough for 
audio. The ends of the loop won't quite meet up.


either that or make sure you don't play near the end of the loop.

andy butler  





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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>
<BR>might be bad midi cables, is this a possibility?
<BR>
<BR>Could be because you're syncing the JamMan to a MIDI signal.
<BR>You'll get this problem unless you use the Jamman
<BR>as the source of the MIDI timecode.
<BR>Reason is that MIDI isn't accurate enough for 
<BR>audio. The ends of the loop won't quite meet up.
<BR>
<BR>
<BR>either that or make sure you don't play near the end of the loop.
<BR>
<BR>andy butler &nbsp;
<BR>
<BR></FONT><FONT  COLOR="#000000" SIZE=3 FAMILY="SANSSERIF" FACE="Arial" LANG="0">
<BR></FONT><FONT  COLOR="#000000" SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0">
<BR></FONT></HTML>

--part1_4a.13df7364.27fe07b9_boundary--

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Subject: Re: Jamman click
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or, you can have the jammie slaved to an external signal, record the 
loop length without any input, then essentially overdub onto the 
existing loop length.  this avoids that click problem.

rich


>might be bad midi cables, is this a possibility?
>
>Could be because you're syncing the JamMan to a MIDI signal.
>You'll get this problem unless you use the Jamman
>as the source of the MIDI timecode.
>Reason is that MIDI isn't accurate enough for
>audio. The ends of the loop won't quite meet up.
>
>
>either that or make sure you don't play near the end of the loop.
>
>andy butler  

--============_-1225629676==_ma============
Content-Type: text/html; charset="us-ascii"

<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { margin-top: 0 ; margin-bottom: 0 }
 --></style><title>Re: Jamman click</title></head><body>
<div>or, you can have the jammie slaved to an external signal, record
the loop length without any input, then essentially overdub onto the
existing loop length.&nbsp; this avoids that click problem.</div>
<div><br></div>
<div>rich</div>
<div><br></div>
<div><br></div>
<blockquote type="cite" cite><font face="Arial" size="-1">might be
bad midi cables, is this a possibility?<br>
<br>
Could be because you're syncing the JamMan to a MIDI signal.<br>
You'll get this problem unless you use the Jamman<br>
as the source of the MIDI timecode.<br>
Reason is that MIDI isn't accurate enough for<br>
audio. The ends of the loop won't quite meet up.<br>
<br>
<br>
either that or make sure you don't play near the end of the loop.<br>
<br>
andy butler &nbsp;</font></blockquote>
<div><br></div>
</body>
</html>
--============_-1225629676==_ma============--

From Loopers-Delight-request@loopers-delight.com  Thu Apr  5 14:12:07 2001
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About looping mechanism

a great setup from my friend Michel Dupuis

you need a very old turn table (in plastic from the 60's and old garage
sale records

fill a film container with led granuls or sand .... make it heawy

start the turn table set the arm on some spot 

then gently put the film box on the record surface 
put it beetween the center and the arm

now the arm will hit the film box at each revolution and close the loop
find some other interesting spots in the record etc....

if you can change the speed on the turn table its even better

Claude

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Michael LaMeyer wrote:

> Yeah, I think it was.  Or at least Franklin invented an
> instrument like the one we're describing, whatever it's really
> called.
> ...

"Of all my inventions, the glass armonica has given me the greatest
personal satisfaction."
                                     ? Benjamin Franklin

...from the site metioned earlier (in case y'all missed it)

http://www.glassarmonica.com/

ps special note to tim nelson:

mesmer played one :-)

lance g.



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lindsey and all,

my apologies for offending anyone with an innocent question about something
im trying to build.   i had no idea it was such re-hashed idea.  although
tibet bowls are fantastic,   im talking more about the performance value of
having a strange rotating drone object whirring away as our group performs
and also asking a question involving the tactile side of things,
specifically-- what material would best synthesize a human finger.   ive
tried erasers, all sorts of plastic, but nothing seems to be 'gentle'
enough...


I don't know if I could stand another oscilloscope-laden dispute over
fundamentals and the harmonic properties of a bell-shaped instrument.


huh?   actualy, nevermind... i dont want to know      :)




-curt








lindsay@pavestone.com on 04/05/2001 11:48:49 AM

Please respond to Loopers-Delight@loopers-delight.com

To:   Loopers-Delight@loopers-delight.com
cc:

Subject:  Re: question on bowing, looping mechanisms



We're not going to start talking about Tibetan Bowls again, are we?

I don't know if I could stand another oscilloscope-laden dispute over
fundamentals and the harmonic properties of a bell-shaped instrument.

Even though I think I fomented a great deal of the furor.





                    "Curtis P
                    Seiss"               To:
Loopers-Delight@loopers-delight.com
                    <seisscp@wash        cc:
                    post.com>            Subject:     Re: question on
bowing, looping
                                         mechanisms
                    04/05/01
                    10:34 AM
                    Please
                    respond to
                    Loopers-Delig
                    ht






clever!     this thread will ultimatley lead back to looping...

i wanted to share this idea : my wife visualizes a "turn-table hurdy-gurdy"
in which a chrystal coblet is placed on the platter of a turn-table and an
arm is constructed above the glass to "bow" the rim as it rotates to
produce that old, familiar yet mysteriously beatiful tone.  its seems like
a great idea, so... whats the problem?     ususally when creating those
wonderfull  wine glass drones, on would apply just a bit of vinager on the
finger to get the perfect friction for coaxing out the harmonics-  however,
its not so easy to reproduce the delicate touch required with crude
crunstruction technique and lack of materials to experiment with.  has
anyone tried to build something similar to this?  i think this would make a
great stage piece for our unusual brand of music (loops loops!)  but the
most important final element would be the "finger" part of the mechanism.
any ideas on what we could try?


-curt
(hoping this is of the slightest interest)







Hedewa7@aol.com on 04/04/2001 10:55:16 PM

Please respond to Loopers-Delight@loopers-delight.com

To:   Loopers-Delight@loopers-delight.com
cc:

Subject:  Re: question on bowing


>rich wrote:
>> paul,
>> can you be a bit more specific about the ebow on the hammered
>> dulcimer?  Where abouts do you hold it in relation to the bridge(s)?
>> can you use it on all of the registers?  interesting
>> application...never thought of doing that one...till tonight, that
>> is.  thanks.
well, i thunk that the subject was bowing-with-a-bow, but:
since it turned into e-bowing:
i have a kikuyae ---(chrysanthemum harp)--- which is a japanese
folk-instrument, inna dulcimer-stylie.
i built a lil 'fan' w/a brushless motor ---(that i got from radio
shack/tandy)--- which is mounted above the strings. when the motor is
turned
on, the soft blades of the fan brush the strings into activity: kinda like
the old 'gizmotron', but simpler:
homemade bowing:
DIY:
great for looping.....
best,
splattercell / dt

















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Oh, for cripes sake, now you're spelling my name wrong.
Stamp, stamp, grumble, grumble, cast pissed-off glance eastward.
Stop apologizing.  At least you didn't ask about the Repeater.

Have you tried a bit of leather?  Made supply with mink oil or something?

L



                                                                                            
                    "Curtis P                                                               
                    Seiss"               To:     Loopers-Delight@loopers-delight.com        
                    <seisscp@wash        cc:                                                
                    post.com>            Subject:     looping mechanisms                    
                                                                                            
                    04/05/01                                                                
                    11:13 AM                                                                
                    Please                                                                  
                    respond to                                                              
                    Loopers-Delig                                                           
                    ht                                                                      
                                                                                            
                                                                                            




lindsey and all,

my apologies for offending anyone with an innocent question about something
im trying to build.   i had no idea it was such re-hashed idea.  although
tibet bowls are fantastic,   im talking more about the performance value of
having a strange rotating drone object whirring away as our group performs
and also asking a question involving the tactile side of things,
specifically-- what material would best synthesize a human finger.   ive
tried erasers, all sorts of plastic, but nothing seems to be 'gentle'
enough...


I don't know if I could stand another oscilloscope-laden dispute over
fundamentals and the harmonic properties of a bell-shaped instrument.


huh?   actualy, nevermind... i dont want to know      :)




-curt








lindsay@pavestone.com on 04/05/2001 11:48:49 AM

Please respond to Loopers-Delight@loopers-delight.com

To:   Loopers-Delight@loopers-delight.com
cc:

Subject:  Re: question on bowing, looping mechanisms



We're not going to start talking about Tibetan Bowls again, are we?

I don't know if I could stand another oscilloscope-laden dispute over
fundamentals and the harmonic properties of a bell-shaped instrument.

Even though I think I fomented a great deal of the furor.





                    "Curtis P
                    Seiss"               To:
Loopers-Delight@loopers-delight.com
                    <seisscp@wash        cc:
                    post.com>            Subject:     Re: question on
bowing, looping
                                         mechanisms
                    04/05/01
                    10:34 AM
                    Please
                    respond to
                    Loopers-Delig
                    ht






clever!     this thread will ultimatley lead back to looping...

i wanted to share this idea : my wife visualizes a "turn-table hurdy-gurdy"
in which a chrystal coblet is placed on the platter of a turn-table and an
arm is constructed above the glass to "bow" the rim as it rotates to
produce that old, familiar yet mysteriously beatiful tone.  its seems like
a great idea, so... whats the problem?     ususally when creating those
wonderfull  wine glass drones, on would apply just a bit of vinager on the
finger to get the perfect friction for coaxing out the harmonics-  however,
its not so easy to reproduce the delicate touch required with crude
crunstruction technique and lack of materials to experiment with.  has
anyone tried to build something similar to this?  i think this would make a
great stage piece for our unusual brand of music (loops loops!)  but the
most important final element would be the "finger" part of the mechanism.
any ideas on what we could try?


-curt
(hoping this is of the slightest interest)







Hedewa7@aol.com on 04/04/2001 10:55:16 PM

Please respond to Loopers-Delight@loopers-delight.com

To:   Loopers-Delight@loopers-delight.com
cc:

Subject:  Re: question on bowing


>rich wrote:
>> paul,
>> can you be a bit more specific about the ebow on the hammered
>> dulcimer?  Where abouts do you hold it in relation to the bridge(s)?
>> can you use it on all of the registers?  interesting
>> application...never thought of doing that one...till tonight, that
>> is.  thanks.
well, i thunk that the subject was bowing-with-a-bow, but:
since it turned into e-bowing:
i have a kikuyae ---(chrysanthemum harp)--- which is a japanese
folk-instrument, inna dulcimer-stylie.
i built a lil 'fan' w/a brushless motor ---(that i got from radio
shack/tandy)--- which is mounted above the strings. when the motor is
turned
on, the soft blades of the fan brush the strings into activity: kinda like
the old 'gizmotron', but simpler:
homemade bowing:
DIY:
great for looping.....
best,
splattercell / dt





















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On Thu, 5 Apr 2001, Curtis P Seiss wrote:

> tibet bowls are fantastic,   im talking more about the performance value of
> having a strange rotating drone object whirring away as our group performs
> and also asking a question involving the tactile side of things,
> specifically-- what material would best synthesize a human finger.   ive
> tried erasers, all sorts of plastic, but nothing seems to be 'gentle'
> enough...

Maybe one of the softer leathers, such as, say a deerskin driving glove?

regards,
Steve
-- 
----------------------------------------------------------------
Steve Burnett    Admin, webslingerZ     sburnett@webslingerz.com
             http://www.webslingerz.com/sburnett

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Claude Voit wrote:

> About looping mechanism
>
> a great setup from my friend Michel Dupuis
>
> you need a very old turn table (in plastic from the 60's and old garage
> sale records
>
> fill a film container with led granuls or sand .... make it heawy
>
> start the turn table set the arm on some spot
>
> then gently put the film box on the record surface
> put it beetween the center and the arm
>
> now the arm will hit the film box at each revolution and close the loop
> find some other interesting spots in the record etc....
>
> if you can change the speed on the turn table its even better
>
> Claude

what, no midi?

:-)

lance g.

actually, i have a friend who's into this also, but likes to have at least
a dozen or so going at once...i suppose putting them all into a mixer
would be fun. or maybe a blender!

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Well, t*b*t*n  b*w*s use a small wooden stick.  I think it's the grain of
the wood that does it.  I'd try a small, unfinished dowel rod.  It'll be
difficult to get the right tension.  Maybe use some springy material like
foam rubber or plastic to hold the dowel rod.  Of course, you could try a
doll with a spring loaded arm...

Like a the hair on a violin bow, you need a roughed (serrated?) surface that
"catches" as it rubs.

Dennis Leas
-------------------
dennis@mdbs.com


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	what material would best synthesize a human finger.   ive
	tried erasers, all sorts of plastic, but nothing seems to be
'gentle'
	enough...


	how about a big Were #1 foam finger. Talk about a stage show!

	tq








	lindsay@pavestone.com on 04/05/2001 11:48:49 AM

	Please respond to Loopers-Delight@loopers-delight.com

	To:   Loopers-Delight@loopers-delight.com
	cc:

	Subject:  Re: question on bowing, looping mechanisms



	We're not going to start talking about Tibetan Bowls again, are we?

	I don't know if I could stand another oscilloscope-laden dispute
over
	fundamentals and the harmonic properties of a bell-shaped
instrument.

	Even though I think I fomented a great deal of the furor.





	                    "Curtis P
	                    Seiss"               To:
	Loopers-Delight@loopers-delight.com
	                    <seisscp@wash        cc:
	                    post.com>            Subject:     Re: question
on
	bowing, looping
	                                         mechanisms
	                    04/05/01
	                    10:34 AM
	                    Please
	                    respond to
	                    Loopers-Delig
	                    ht






	clever!     this thread will ultimatley lead back to looping...

	i wanted to share this idea : my wife visualizes a "turn-table
hurdy-gurdy"
	in which a chrystal coblet is placed on the platter of a turn-table
and an
	arm is constructed above the glass to "bow" the rim as it rotates to
	produce that old, familiar yet mysteriously beatiful tone.  its
seems like
	a great idea, so... whats the problem?     ususally when creating
those
	wonderfull  wine glass drones, on would apply just a bit of vinager
on the
	finger to get the perfect friction for coaxing out the harmonics-
however,
	its not so easy to reproduce the delicate touch required with crude
	crunstruction technique and lack of materials to experiment with.
has
	anyone tried to build something similar to this?  i think this would
make a
	great stage piece for our unusual brand of music (loops loops!)  but
the
	most important final element would be the "finger" part of the
mechanism.
	any ideas on what we could try?


	-curt
	(hoping this is of the slightest interest)







	Hedewa7@aol.com on 04/04/2001 10:55:16 PM

	Please respond to Loopers-Delight@loopers-delight.com

	To:   Loopers-Delight@loopers-delight.com
	cc:

	Subject:  Re: question on bowing


	>rich wrote:
	>> paul,
	>> can you be a bit more specific about the ebow on the hammered
	>> dulcimer?  Where abouts do you hold it in relation to the
bridge(s)?
	>> can you use it on all of the registers?  interesting
	>> application...never thought of doing that one...till tonight,
that
	>> is.  thanks.
	well, i thunk that the subject was bowing-with-a-bow, but:
	since it turned into e-bowing:
	i have a kikuyae ---(chrysanthemum harp)--- which is a japanese
	folk-instrument, inna dulcimer-stylie.
	i built a lil 'fan' w/a brushless motor ---(that i got from radio
	shack/tandy)--- which is mounted above the strings. when the motor
is
	turned
	on, the soft blades of the fan brush the strings into activity:
kinda like
	the old 'gizmotron', but simpler:
	homemade bowing:
	DIY:
	great for looping.....
	best,
	splattercell / dt















	

------_=_NextPart_001_01C0BE0B.E4424580
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5.5.2652.35">
<TITLE>RE: looping mechanisms</TITLE>
</HEAD>
<BODY>
<BR>
<BR>
<UL>
<P><A NAME=3D"_MailData"><FONT SIZE=3D2 FACE=3D"Arial">what material =
would best synthesize a human finger.&nbsp;&nbsp; ive</FONT></A>
<BR><FONT SIZE=3D2 FACE=3D"Arial">tried erasers, all sorts of plastic, =
but nothing seems to be 'gentle'</FONT>
<BR><FONT SIZE=3D2 FACE=3D"Arial">enough...</FONT>
</P>
<BR>

<P><U><FONT SIZE=3D2 FACE=3D"Arial">how about a big Were #1 foam =
finger. Talk</FONT></U><U> <FONT SIZE=3D2 FACE=3D"Arial">about a stage =
show!</FONT></U>
</P>

<P><U><FONT SIZE=3D2 FACE=3D"Arial">tq</FONT></U>
</P>
<BR>
<BR>
<BR>
<BR>
<BR>
<BR>
<BR>

<P><FONT SIZE=3D2 FACE=3D"Arial">lindsay@pavestone.com on 04/05/2001 =
11:48:49 AM</FONT>
</P>

<P><FONT SIZE=3D2 FACE=3D"Arial">Please respond to =
Loopers-Delight@loopers-delight.com</FONT>
</P>

<P><FONT SIZE=3D2 FACE=3D"Arial">To:&nbsp;&nbsp; =
Loopers-Delight@loopers-delight.com</FONT>
<BR><FONT SIZE=3D2 FACE=3D"Arial">cc:</FONT>
</P>

<P><FONT SIZE=3D2 FACE=3D"Arial">Subject:&nbsp; Re: question on bowing, =
looping mechanisms</FONT>
</P>
<BR>
<BR>

<P><FONT SIZE=3D2 FACE=3D"Arial">We're not going to start talking about =
Tibetan Bowls again, are we?</FONT>
</P>

<P><FONT SIZE=3D2 FACE=3D"Arial">I don't know if I could stand another =
oscilloscope-laden dispute over</FONT>
<BR><FONT SIZE=3D2 FACE=3D"Arial">fundamentals and the harmonic =
properties of a bell-shaped instrument.</FONT>
</P>

<P><FONT SIZE=3D2 FACE=3D"Arial">Even though I think I fomented a great =
deal of the furor.</FONT>
</P>
<BR>
<BR>
<BR>
<BR>

<P><FONT SIZE=3D2 =
FACE=3D"Arial">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &quot;Curtis =
P</FONT>
<BR><FONT SIZE=3D2 =
FACE=3D"Arial">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
Seiss&quot;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp; To:</FONT>
<BR><FONT SIZE=3D2 =
FACE=3D"Arial">Loopers-Delight@loopers-delight.com</FONT>
<BR><FONT SIZE=3D2 =
FACE=3D"Arial">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
&lt;seisscp@wash&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; cc:</FONT>
<BR><FONT SIZE=3D2 =
FACE=3D"Arial">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
post.com&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp; Subject:&nbsp;&nbsp;&nbsp;&nbsp; Re: question on</FONT>
<BR><FONT SIZE=3D2 FACE=3D"Arial">bowing, looping</FONT>
<BR><FONT SIZE=3D2 =
FACE=3D"Arial">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; mechanisms</FONT>
<BR><FONT SIZE=3D2 =
FACE=3D"Arial">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
04/05/01</FONT>
<BR><FONT SIZE=3D2 =
FACE=3D"Arial">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 10:34 =
AM</FONT>
<BR><FONT SIZE=3D2 =
FACE=3D"Arial">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Please</FONT>
<BR><FONT SIZE=3D2 =
FACE=3D"Arial">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; respond =
to</FONT>
<BR><FONT SIZE=3D2 =
FACE=3D"Arial">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
Loopers-Delig</FONT>
<BR><FONT SIZE=3D2 =
FACE=3D"Arial">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; ht</FONT>
</P>
<BR>
<BR>
<BR>
<BR>
<BR>

<P><FONT SIZE=3D2 FACE=3D"Arial">clever!&nbsp;&nbsp;&nbsp;&nbsp; this =
thread will ultimatley lead back to looping...</FONT>
</P>

<P><FONT SIZE=3D2 FACE=3D"Arial">i wanted to share this idea : my wife =
visualizes a &quot;turn-table hurdy-gurdy&quot;</FONT>
<BR><FONT SIZE=3D2 FACE=3D"Arial">in which a chrystal coblet is placed =
on the platter of a turn-table and an</FONT>
<BR><FONT SIZE=3D2 FACE=3D"Arial">arm is constructed above the glass to =
&quot;bow&quot; the rim as it rotates to</FONT>
<BR><FONT SIZE=3D2 FACE=3D"Arial">produce that old, familiar yet =
mysteriously beatiful tone.&nbsp; its seems like</FONT>
<BR><FONT SIZE=3D2 FACE=3D"Arial">a great idea, so... whats the =
problem?&nbsp;&nbsp;&nbsp;&nbsp; ususally when creating those</FONT>
<BR><FONT SIZE=3D2 FACE=3D"Arial">wonderfull&nbsp; wine glass drones, =
on would apply just a bit of vinager on the</FONT>
<BR><FONT SIZE=3D2 FACE=3D"Arial">finger to get the perfect friction =
for coaxing out the harmonics-&nbsp; however,</FONT>
<BR><FONT SIZE=3D2 FACE=3D"Arial">its not so easy to reproduce the =
delicate touch required with crude</FONT>
<BR><FONT SIZE=3D2 FACE=3D"Arial">crunstruction technique and lack of =
materials to experiment with.&nbsp; has</FONT>
<BR><FONT SIZE=3D2 FACE=3D"Arial">anyone tried to build something =
similar to this?&nbsp; i think this would make a</FONT>
<BR><FONT SIZE=3D2 FACE=3D"Arial">great stage piece for our unusual =
brand of music (loops loops!)&nbsp; but the</FONT>
<BR><FONT SIZE=3D2 FACE=3D"Arial">most important final element would be =
the &quot;finger&quot; part of the mechanism.</FONT>
<BR><FONT SIZE=3D2 FACE=3D"Arial">any ideas on what we could =
try?</FONT>
</P>
<BR>

<P><FONT SIZE=3D2 FACE=3D"Arial">-curt</FONT>
<BR><FONT SIZE=3D2 FACE=3D"Arial">(hoping this is of the slightest =
interest)</FONT>
</P>
<BR>
<BR>
<BR>
<BR>
<BR>
<BR>

<P><FONT SIZE=3D2 FACE=3D"Arial">Hedewa7@aol.com on 04/04/2001 10:55:16 =
PM</FONT>
</P>

<P><FONT SIZE=3D2 FACE=3D"Arial">Please respond to =
Loopers-Delight@loopers-delight.com</FONT>
</P>

<P><FONT SIZE=3D2 FACE=3D"Arial">To:&nbsp;&nbsp; =
Loopers-Delight@loopers-delight.com</FONT>
<BR><FONT SIZE=3D2 FACE=3D"Arial">cc:</FONT>
</P>

<P><FONT SIZE=3D2 FACE=3D"Arial">Subject:&nbsp; Re: question on =
bowing</FONT>
</P>
<BR>

<P><FONT SIZE=3D2 FACE=3D"Arial">&gt;rich wrote:</FONT>
<BR><FONT SIZE=3D2 FACE=3D"Arial">&gt;&gt; paul,</FONT>
<BR><FONT SIZE=3D2 FACE=3D"Arial">&gt;&gt; can you be a bit more =
specific about the ebow on the hammered</FONT>
<BR><FONT SIZE=3D2 FACE=3D"Arial">&gt;&gt; dulcimer?&nbsp; Where abouts =
do you hold it in relation to the bridge(s)?</FONT>
<BR><FONT SIZE=3D2 FACE=3D"Arial">&gt;&gt; can you use it on all of the =
registers?&nbsp; interesting</FONT>
<BR><FONT SIZE=3D2 FACE=3D"Arial">&gt;&gt; application...never thought =
of doing that one...till tonight, that</FONT>
<BR><FONT SIZE=3D2 FACE=3D"Arial">&gt;&gt; is.&nbsp; thanks.</FONT>
<BR><FONT SIZE=3D2 FACE=3D"Arial">well, i thunk that the subject was =
bowing-with-a-bow, but:</FONT>
<BR><FONT SIZE=3D2 FACE=3D"Arial">since it turned into e-bowing:</FONT>
<BR><FONT SIZE=3D2 FACE=3D"Arial">i have a kikuyae ---(chrysanthemum =
harp)--- which is a japanese</FONT>
<BR><FONT SIZE=3D2 FACE=3D"Arial">folk-instrument, inna =
dulcimer-stylie.</FONT>
<BR><FONT SIZE=3D2 FACE=3D"Arial">i built a lil 'fan' w/a brushless =
motor ---(that i got from radio</FONT>
<BR><FONT SIZE=3D2 FACE=3D"Arial">shack/tandy)--- which is mounted =
above the strings. when the motor is</FONT>
<BR><FONT SIZE=3D2 FACE=3D"Arial">turned</FONT>
<BR><FONT SIZE=3D2 FACE=3D"Arial">on, the soft blades of the fan brush =
the strings into activity: kinda like</FONT>
<BR><FONT SIZE=3D2 FACE=3D"Arial">the old 'gizmotron', but =
simpler:</FONT>
<BR><FONT SIZE=3D2 FACE=3D"Arial">homemade bowing:</FONT>
<BR><FONT SIZE=3D2 FACE=3D"Arial">DIY:</FONT>
<BR><FONT SIZE=3D2 FACE=3D"Arial">great for looping.....</FONT>
<BR><FONT SIZE=3D2 FACE=3D"Arial">best,</FONT>
<BR><FONT SIZE=3D2 FACE=3D"Arial">splattercell / dt</FONT>
</P>
<BR>
<BR>
<BR>
<BR>
<BR>
<BR>
<BR>
<BR>
<BR>
<BR>
<BR>
<BR>
<BR>
<BR>

<P>
</P>
</UL>
</BODY>
</HTML>
------_=_NextPart_001_01C0BE0B.E4424580--

From Loopers-Delight-request@loopers-delight.com  Thu Apr  5 16:13:29 2001
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From: "Patrick Bailey" <patthelooper@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Jamman click
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Hmmm, not really, I recorded an empty loop midi-synced to my PC, and began 
overdubbing ebow sustained notes(about 5 or 6 passes), turned off the 
overdub function, low and behold, a nice simple sustained pad with a big pop 
right on each 'one'.

^~kkAAkk~^aaaaAAAAAAAAAAaaaaaa^~kkAAkk~^aaaaAAAAAAAAAAaaaaaa^~kkkAAkk~^aaaaAAAAAAAAAAaaaaaa^~kkkAAkk~^aaaaAAAAAAAAAAaaaaaa

>From: rich <rich@nuvisionsca.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: Jamman click
>Date: Thu, 5 Apr 2001 10:46:57 -0700
>
>or, you can have the jammie slaved to an external signal, record the
>loop length without any input, then essentially overdub onto the
>existing loop length.  this avoids that click problem.
>
>rich
>
>
>>might be bad midi cables, is this a possibility?
>>
>>Could be because you're syncing the JamMan to a MIDI signal.
>>You'll get this problem unless you use the Jamman
>>as the source of the MIDI timecode.
>>Reason is that MIDI isn't accurate enough for
>>audio. The ends of the loop won't quite meet up.
>>
>>
>>either that or make sure you don't play near the end of the loop.
>>
>>andy butler

_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

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Subject: Re: Sound cards (core2) and Rant
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>
> On a related note...  Am I the only one that thinks 4 ins and 8 outs is
> backwards?

8 outs gives you send buses for outboard gear. (Incidentally, this involves
a manglier A/D conversion than the resample on a Soundblaster, but again,
you probably won't hear it, especially if you just do a wet out)

I beleive that playback is also less intensive than recording, and D/A
converters are cheaper to create than A/D which is why so many early sound
cards threw tons of outs at you but few ins. Just speculation though.

I'm working on multiple ins, for my looping gear, and to record dry as well
as wet ones at one time (for processing after the fact). I could easily eat
up 8 separate inputs for my chapman stick without patching in any of my
studio gear, or without being greedy.

bIz



From Loopers-Delight-request@loopers-delight.com  Thu Apr  5 16:24:45 2001
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I'm off to New Zealand for two weeks and won't be doing anything 
myself with the Loopers Delight radio station on Live365. However, 
several other list members have expressed interest in uploading 
material and collectively managing the station.

If you have any interest in participating in this, just speak up and 
presumably the social dynamic take care of the rest. As far as I'm 
personally concerned, the present state of this endeavor is one of 
benevolent and inclusive anarchy. Other forms of organization may 
evolve, but as one of the Founders <G> of the station I say, "Let the 
games begin!"
-- 

______________________________________________________________
Richard Zvonar, PhD			zvonar@zvonar.com
(818) 788-2202 voice			zvonar@LCSaudio.com
(818) 788-2203 fax			zvonar@well.com

		 http://www.zvonar.com

   <http://www.live365.com/cgi-bin/directory.cgi?autostart=rz>

From Loopers-Delight-request@loopers-delight.com  Thu Apr  5 16:47:03 2001
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Subject: RE: looping mechanisms
To: Loopers-Delight@loopers-delight.com
From: "Curtis P Seiss" <seisscp@washpost.com>
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what material would best synthesize a human finger.   ive
   tried erasers, all sorts of plastic, but nothing seems to be 'gentle'
   enough...

   how about a big Were #1 foam finger. Talk about a stage show!

   tq

i think i'll try the leather idea first, but if that doest work.....     :)



-curt






Todd Quincy <tquincy@sayhhi.com> on 04/05/2001 04:06:24 PM

Please respond to Loopers-Delight@loopers-delight.com

To:   Loopers-Delight@loopers-delight.com
cc:

Subject:  RE: looping mechanisms




   what material would best synthesize a human finger.   ive
   tried erasers, all sorts of plastic, but nothing seems to be 'gentle'
   enough...

   how about a big Were #1 foam finger. Talk about a stage show!

   tq







   lindsay@pavestone.com on 04/05/2001 11:48:49 AM

   Please respond to Loopers-Delight@loopers-delight.com

   To:   Loopers-Delight@loopers-delight.com
   cc:

   Subject:  Re: question on bowing, looping mechanisms


   We're not going to start talking about Tibetan Bowls again, are we?

   I don't know if I could stand another oscilloscope-laden dispute over
   fundamentals and the harmonic properties of a bell-shaped instrument.

   Even though I think I fomented a great deal of the furor.




                       "Curtis P
                       Seiss"               To:
   Loopers-Delight@loopers-delight.com
                       <seisscp@wash        cc:
                       post.com>            Subject:     Re: question on
   bowing, looping
                                            mechanisms
                       04/05/01
                       10:34 AM
                       Please
                       respond to
                       Loopers-Delig
                       ht





   clever!     this thread will ultimatley lead back to looping...

   i wanted to share this idea : my wife visualizes a "turn-table
   hurdy-gurdy"
   in which a chrystal coblet is placed on the platter of a turn-table and
   an
   arm is constructed above the glass to "bow" the rim as it rotates to
   produce that old, familiar yet mysteriously beatiful tone.  its seems
   like
   a great idea, so... whats the problem?     ususally when creating those
   wonderfull  wine glass drones, on would apply just a bit of vinager on
   the
   finger to get the perfect friction for coaxing out the harmonics-
   however,
   its not so easy to reproduce the delicate touch required with crude
   crunstruction technique and lack of materials to experiment with.  has
   anyone tried to build something similar to this?  i think this would
   make a
   great stage piece for our unusual brand of music (loops loops!)  but the
   most important final element would be the "finger" part of the
   mechanism.
   any ideas on what we could try?

   -curt
   (hoping this is of the slightest interest)






   Hedewa7@aol.com on 04/04/2001 10:55:16 PM

   Please respond to Loopers-Delight@loopers-delight.com

   To:   Loopers-Delight@loopers-delight.com
   cc:

   Subject:  Re: question on bowing

   >rich wrote:
   >> paul,
   >> can you be a bit more specific about the ebow on the hammered
   >> dulcimer?  Where abouts do you hold it in relation to the bridge(s)?
   >> can you use it on all of the registers?  interesting
   >> application...never thought of doing that one...till tonight, that
   >> is.  thanks.
   well, i thunk that the subject was bowing-with-a-bow, but:
   since it turned into e-bowing:
   i have a kikuyae ---(chrysanthemum harp)--- which is a japanese
   folk-instrument, inna dulcimer-stylie.
   i built a lil 'fan' w/a brushless motor ---(that i got from radio
   shack/tandy)--- which is mounted above the strings. when the motor is
   turned
   on, the soft blades of the fan brush the strings into activity: kinda
   like
   the old 'gizmotron', but simpler:
   homemade bowing:
   DIY:
   great for looping.....
   best,
   splattercell / dt





















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>> what material would best synthesize a human finger? <<

you might want to ask the guys at Real Doll! :-0 They seemed to have found a
silicon compound that replicates human skin ... maybe you can order a hand
from them!

http://www.realdoll.com

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	 <Loopers-Delight@loopers-delight.com>
Subject: RE: looping mechanisms
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sheepskin may do the job rather than latex, 
dt

--

what material would best synthesize a human finger.   ive
   tried erasers, all sorts of plastic, but nothing seems to be 'gentle'
   enough...



i think i'll try the leather idea first, but if that doest work.....     :)



-curt






Todd Quincy <tquincy@sayhhi.com> on 04/05/2001 04:06:24 PM

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Subject:  RE: looping mechanisms




   what material would best synthesize a human finger.   ive
   tried erasers, all sorts of plastic, but nothing seems to be 'gentle'
   enough...

   how about a big Were #1 foam finger. Talk about a stage show!

   tq







   lindsay@pavestone.com on 04/05/2001 11:48:49 AM

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   We're not going to start talking about Tibetan Bowls again, are we?

   I don't know if I could stand another oscilloscope-laden dispute over
   fundamentals and the harmonic properties of a bell-shaped instrument.

   Even though I think I fomented a great deal of the furor.




                       "Curtis P
                       Seiss"               To:
   Loopers-Delight@loopers-delight.com
                       <seisscp@wash        cc:
                       post.com>            Subject:     Re: question on
   bowing, looping
                                            mechanisms
                       04/05/01
                       10:34 AM
                       Please
                       respond to
                       Loopers-Delig
                       ht





   clever!     this thread will ultimatley lead back to looping...

   i wanted to share this idea : my wife visualizes a "turn-table
   hurdy-gurdy"
   in which a chrystal coblet is placed on the platter of a turn-table and
   an
   arm is constructed above the glass to "bow" the rim as it rotates to
   produce that old, familiar yet mysteriously beatiful tone.  its seems
   like
   a great idea, so... whats the problem?     ususally when creating those
   wonderfull  wine glass drones, on would apply just a bit of vinager on
   the
   finger to get the perfect friction for coaxing out the harmonics-
   however,
   its not so easy to reproduce the delicate touch required with crude
   crunstruction technique and lack of materials to experiment with.  has
   anyone tried to build something similar to this?  i think this would
   make a
   great stage piece for our unusual brand of music (loops loops!)  but the
   most important final element would be the "finger" part of the
   mechanism.
   any ideas on what we could try?

   -curt
   (hoping this is of the slightest interest)






   Hedewa7@aol.com on 04/04/2001 10:55:16 PM

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   Subject:  Re: question on bowing

   >rich wrote:
   >> paul,
   >> can you be a bit more specific about the ebow on the hammered
   >> dulcimer?  Where abouts do you hold it in relation to the bridge(s)?
   >> can you use it on all of the registers?  interesting
   >> application...never thought of doing that one...till tonight, that
   >> is.  thanks.
   well, i thunk that the subject was bowing-with-a-bow, but:
   since it turned into e-bowing:
   i have a kikuyae ---(chrysanthemum harp)--- which is a japanese
   folk-instrument, inna dulcimer-stylie.
   i built a lil 'fan' w/a brushless motor ---(that i got from radio
   shack/tandy)--- which is mounted above the strings. when the motor is
   turned
   on, the soft blades of the fan brush the strings into activity: kinda
   like
   the old 'gizmotron', but simpler:
   homemade bowing:
   DIY:
   great for looping.....
   best,
   splattercell / dt




















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rich--
more on the ebow hammered dulcimer thing.  you hold the ebow at an angle so
that the string guide ridge on the bottom of the ebow that's closest to you
rests on the closest string of the pair of strrings (my hammered dulcimer
has 2 strings per course).  you have to hold it at an angle so that the
ebow is as close as possible to the other string of the pair without
touching it.  this takes quite a while to get the hang of it.  if you
aren't close enough, it's hard to get it vibrating.  if you are too close,
you get a buzz (which i sometimes uses for emotional effect).  on the
shorter strings I lightly pluck the string with my pinky to get it
vibrating and then the ebow takes over. on the longer strings i can get it
going with the ebow without the pluck, on the shorter ones, the pluck
helps. I start fairly close to the bridge and find I can control volume and
envelope by moving further from the bridge as the string is vibrating.  if
you start further from the bridge, you're more likely to get the buzz.
once the string is vibrating, little adjustments in angle and placement
yeild a good bit of control over the sound.
Since i often finer pick the strings with my right hand while playing a
melody with the ebow with my left, I generally use the left side of the
treble bridge for the ebow.  it will work on any of the strings and i have
used it with my right hand while using a hammer in the left.

it's one of the most emotional sounds i've been able to make on any
instrument.  i cried when i first discovered it because it was so emotional
sounding.  also quite ethereal, other wordly and somewhat electronic
sounding.  i enjoy making sounds with acoustic instruments that are hard to
figure out and that sound electronic.  it leaves everyone looking around to
see where it's coming from.  I remember in the mid 80's I brought Glen
Velez in to do some harmonic singing on a recording one of our songs, my
recording engineer was looking all over the studio, trying to figure out
where the sound was coming from.
Something very satisfying about getting new sounds from acoustic sources.
One of my neighbors is the new conductor of the New York Philharmonic.
another neighbor who is also a composer was going on and on to Maazel about
how he could make all these sounds on his computer  indicating he could
make sounds the orchestra  couldn't. Maazel looked right at the guy and
said "Give me a great orchestra and I can make any sound. period.  That
stuck with me.

I have also fooled with the bowed psaltery that Rick mentioned.  I made
some of them in the early 80's for a woman in my band, trapezoid, who
played it.  it's on a number of our albums from the 80's.  very haunting
and somewhat irritating.  used to call it the "bowed assaultry."

all of these sounds are great with looping, creating interesting textures
without having to resort to the easy way--the dreaded synth.

best
paul reisler

>
>can you be a bit more specific about the ebow on the hammered
>dulcimer?  Where abouts do you hold it in relation to the bridge(s)?
>can you use it on all of the registers?  interesting
>application...never thought of doing that one...till tonight, that
>is.  thanks.
>
>rich.
>
>>i use an ebow on hammered dulcimer with loops.  it's quite an eerie effect.
>>i've used it on a few album recordings--Beth Nielsen-Chapman's Deeper Still
>>(not out yet) and a couple from my band, Trapezoid, "Remembered Ways" and
>>"Long Time Down this Road."  since these are recordings and not live i
>>don't loop them.  i use the ebow quite a bit in loops in live shows.  i
>>also use the ebow on acoustic midi guitar which can be pretty wild
>>depending on the midi patch.  regualr bow would be problematic on both
>>instruments.  ebow works by creating a magnetic field that keeps the string
>>vibrating.
>>paul reisler


Paul Reisler
Trapezoid/Ki Theatre
PO Box 38
Washington, VA 22747
540.987.3164
540.987.3166 fax
zoid@pobox.com
www.kitheatre.com


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Nope, that was a hurdy-gurdy Page was playing in the 'need Visine' scene.

At 01:32 PM 4/5/01 -0400, you wrote:
>I seem to think that this instrument was also the one Jimmy Page
>was playing on the beach or whatever in the film The Song
>Remains The Same.

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Paul Reisler wrote:

> ...Something very satisfying about getting new sounds from acoustic sources.

i agree. over at the chain-tape collective, we just finished a compilation of
all acoustically-sourced material. this was a very refreshing change from the
more typical *throw-every-piece-of-electronics-into-the-signal-path* approach,
and i think a few new sounds were created in the process...

> One of my neighbors is the new conductor of the New York Philharmonic.
> another neighbor who is also a composer was going on and on to Maazel about
> how he could make all these sounds on his computer  indicating he could
> make sounds the orchestra  couldn't. Maazel looked right at the guy and
> said "Give me a great orchestra and I can make any sound. period.  That
> stuck with me.
>
> I have also fooled with the bowed psaltery that Rick mentioned.  I made
> some of them in the early 80's for a woman in my band, trapezoid, who
> played it.  it's on a number of our albums from the 80's.  very haunting
> and somewhat irritating.  used to call it the "bowed assaultry."
>
> all of these sounds are great with looping, creating interesting textures
> without having to resort to the easy way--the dreaded synth.
>

very cool thread. i'll have to try this on the zither i've got sitting at
home...final thought: every *instrument* has latent creative potential (even
synthesizers:-); it's up to the musician to realize them, imo.

lance g.



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I'm not sure if this would help anyone, but I saw a street performer in Berkeley
CA a few weeks ago and he was playing a hammer dulcimer.  However, he seemed to
have a few special hammers that had a crescent shaped end that must have been
coated with rosin or the equivalent.  With this setup, he was able to get both
hammered and bowed sounds.  It was VERY cool.  I could not help but think of the
possibilities of this on electric guitar.  I do love my ebow, though.  Especially
now that it has a blue LED!

Marklar

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I'd be into contributing material, or possibly running it, but I'm not
sure what is involved.

Mark

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zoid@pobox.com writes:
>the dreaded synth.
i, for one, do *not* dread the synth, at all!
best,
splattercell / dt

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further amplification on this:

zoid@pobox.com writes:
>all of these sounds are great with looping, creating interesting textures
>without having to resort to the easy way--the dreaded synth.
indeed, i dread no instrument -electric, electronic, acoustic, mechanical, 
imaginary, sidereal, whatever- i relish the idea of mutzing around w/all of 
'em:
yup.
best,
splattercell / dt

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Reiteration of further amplification:

Right on.

If I like the way it moves the air around, it's good enough to
hand to a pack of wack cats in Japan set on streaming the LD
melting pot to the world!!!  ....

Ok, I tried ... 8^P

Mike

----- Original Message -----
From: <Hedewa7@aol.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, April 05, 2001 7:41 PM
Subject: Re: question on bowing


> further amplification on this:
>
> zoid@pobox.com writes:
> >all of these sounds are great with looping, creating
interesting textures
> >without having to resort to the easy way--the dreaded synth.
> indeed, i dread no instrument -electric, electronic, acoustic,
mechanical,
> imaginary, sidereal, whatever- i relish the idea of mutzing
around w/all of
> 'em:
> yup.
> best,
> splattercell / dt
>
>

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fwiw, i can confirm that the jamman doesn't seem to handle syncing to an
external midi clock very well when looping continuous, sustained sounds.
it generates periodic clicks when doing so, even though the initial loop
length has been determined by the same clock.  sounds like it is doing an
immediate jump to the beginning of the loop w/ no crossfading in order to
follow the midi clock.  remove the clock from the jamman midi in, and the
clicks go away.  doesn't always happen when recording a loop into the
jamman, & happens more consistently w/ some odd ratios of midi quarter
notes per loop time vs the source looper (an edp).  might have something to
do w/ the stability of the external clock, though it happens even when
directly hooking an edp midi out to the jamman midi in.  tried different
midi cables w/ no difference, so i don't think it's a bad cable for me.
doesn't happen if i fade the continuous sound in/out & leave silence at the
beginning of the loop.

anyone not seeing this behavior when synced externally?  any way to get it
to work better other than to avoid sustaining sounds through the loop start
point?

thanks,
dan

ps- to be fair, the edp also sometimes generates periodic clicks when
synced externally w/ a sustaining tone.  the clicks are less frequent,
quieter & duller sounding, but are there to some degree.
___
dan mcmullen, ca, usa                      don't worry - pay attention
mailto:dog@well.com                                       707-485-0220
pgp fingerprint  =  1C70 8D81 6B94 93A9 F2D8  9609 2122 BF70 8619 EDAF

From Loopers-Delight-request@loopers-delight.com  Thu Apr  5 22:37:10 2001
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Subject: Re: DL4 potentiometer and pedal comments
From: David Myers <dmgraph@earthlink.net>
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Haven't been following this thread, but I'll put in my .02 and say that you
must certainly have here a linear taper 20K pot, probably a dual.  No
problem using a much easier to find 25K.  That's all from Mensa Central.
Now if I were psychic, I'd tell you what the "3" means ("made in the third
world"?)...

DLM

on 4/5/01 12:04 PM, rich at rich@nuvisionsca.com wrote:

> hi all,
> 
> here's the info for the pot inside the expression pedal from Line666.
> just four little screws...that wasn't so bad...
> 
> a part number:
> 
> 6G
> 3B20KX2
> 
> so, you electrogizmopartsandsolder guys should be able to go from
> there, yes?  that's the only info on the pot.  hope this helps.

From Loopers-Delight-request@loopers-delight.com  Thu Apr  5 22:44:12 2001
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Subject: Re: looping mechanisms
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Forget about "synthesis"; here in NYC, it probably wouldn't be difficult to
procure an actual human finger for whatever purpose.  Not that I'm proposing
anything...

DLM

> what material would best synthesize a human finger.   ive
> tried erasers, all sorts of plastic, but nothing seems to be 'gentle'
> enough...

From Loopers-Delight-request@loopers-delight.com  Thu Apr  5 23:10:06 2001
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Subject: Bowing the Dulcimer
Date: Thu, 5 Apr 2001 20:08:40 -0700
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Mark wrote:

> I'm not sure if this would help anyone, but I saw a street performer in
Berkeley
> CA a few weeks ago and he was playing a hammer dulcimer.  However, he
seemed to
> have a few special hammers that had a crescent shaped end that must have
been
> coated with rosin or the equivalent.  With this setup, he was able to get
both
> hammered and bowed sounds.  It was VERY cool.

I saw a fellow at the NAMM show doing this--Michael Masley.  He's in a group
with Michael Manring, and does a lot of solo stuff.  Think it was him?

From Loopers-Delight-request@loopers-delight.com  Fri Apr  6 02:11:50 2001
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Subject: Re: question on bowing
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Your friends have both made the classic mistake of closing one door after
opening another.
Leave as many doors open as possible, in fact  try to ignore these
perceived barriers altogether. It seems to be a human trait that, having
discovered something, (a musical genre - even a band) people want to dismiss
other approaches/styles. I see it in my students all the time.
To your friend who reckons he can make any sound with an orchestra I say
"filter sweep", (though I love the orchestra).

> Something very satisfying about getting new sounds from acoustic sources.
> One of my neighbors is the new conductor of the New York Philharmonic.
> another neighbor who is also a composer was going on and on to Maazel
about
> how he could make all these sounds on his computer  indicating he could
> make sounds the orchestra  couldn't. Maazel looked right at the guy and
> said "Give me a great orchestra and I can make any sound. period.  That
> stuck with me



From Loopers-Delight-request@loopers-delight.com  Fri Apr  6 04:54:10 2001
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Subject: OT:   Synthesizing a human finger
Date: Fri, 6 Apr 2001 01:54:13 -0700
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As a hand percussion (amonst other things), I've thought a lot about this
one and have come to this understanding:

A finger is the combination of a smooth, soft and pliable covering (skin)
with dense, yet lightweight structure underneath it (the bone).

When I describe the three basic conga strokes to beginning students I have
them imagine that there hands are like various mallets:

1)  the tips of their fingers (which produce slapping technique on conga)
are  like a stick with a thin leather covering,

2)  The first pad (or pad nearest to the hand) where we get our open tones
is like a regular felt covered mallet ( a softer covering but more mass
beneath it)

3)  The palm of the hand (where bass tones are produced on a conga) is like
a large gong mallet.   The covering is extraordinariy soft but there is
great weight and density behind it.

Consequently, when you try to design a 'human finger-eque' implement, you
have to think not only of the texture of the surface, but also of the weight
and density underneath it.

I believe that Regal Tip markets a leather covered stick that is there best
attempt at simulating a hand (this, so that trapset drummers can
approximate the sound of a hand hitting a conga with stick technique).   You
might try this out.

Also,  super balls are kind of a perfect combination between a human finger
and a violin bow and can be used to 'bow' gongs, cymbals,
drum heads, the wooden keys on tongue drums, and anything where.

Failing this, one can always turn to cadavers ;-)

Good luck and let me know if you stumble on anything really cool and useful.
Yours,     Rick Walker (loop.pool)

From Loopers-Delight-request@loopers-delight.com  Fri Apr  6 05:02:08 2001
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Subject: Re: OT:    a request for good thoughts
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I had a lot of really beautiful responses for my request for prayers and
healing thoughts for my fathers surgery.

I really feel like I am part of a really special creative and caring
community and want to thank everybody for their warmth and compassion!!!

Dad's surgery was a success, I'm happy to say.   He'll have a long
convalescence, but he (and is indomitable spirit) is still with us.

Thanks so much again, guys and gals.          Yours,   Rick Walker

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Subject: Re: Synthesizing a human finger
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UNSUBSCRIBE
----- Original Message -----
From: "Rick Walker (loop.pool)" <GLOBAL@cruzio.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, April 06, 2001 3:54 AM
Subject: OT: Synthesizing a human finger


> As a hand percussion (amonst other things), I've thought a lot about this
> one and have come to this understanding:
>
> A finger is the combination of a smooth, soft and pliable covering (skin)
> with dense, yet lightweight structure underneath it (the bone).
>
> When I describe the three basic conga strokes to beginning students I have
> them imagine that there hands are like various mallets:
>
> 1)  the tips of their fingers (which produce slapping technique on conga)
> are  like a stick with a thin leather covering,
>
> 2)  The first pad (or pad nearest to the hand) where we get our open tones
> is like a regular felt covered mallet ( a softer covering but more mass
> beneath it)
>
> 3)  The palm of the hand (where bass tones are produced on a conga) is
like
> a large gong mallet.   The covering is extraordinariy soft but there is
> great weight and density behind it.
>
> Consequently, when you try to design a 'human finger-eque' implement, you
> have to think not only of the texture of the surface, but also of the
weight
> and density underneath it.
>
> I believe that Regal Tip markets a leather covered stick that is there
best
> attempt at simulating a hand (this, so that trapset drummers can
> approximate the sound of a hand hitting a conga with stick technique).
You
> might try this out.
>
> Also,  super balls are kind of a perfect combination between a human
finger
> and a violin bow and can be used to 'bow' gongs, cymbals,
> drum heads, the wooden keys on tongue drums, and anything where.
>
> Failing this, one can always turn to cadavers ;-)
>
> Good luck and let me know if you stumble on anything really cool and
useful.
> Yours,     Rick Walker (loop.pool)
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Apr  6 05:08:33 2001
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Subject: Re: question on bowing
Date: Fri, 6 Apr 2001 05:03:56 -0500
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----- Original Message -----
From: "whiteoakstudios" <whiteoakstudios@supanet.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, April 06, 2001 1:05 AM
Subject: Re: question on bowing


> Your friends have both made the classic mistake of closing one door after
> opening another.
> Leave as many doors open as possible, in fact  try to ignore these
> perceived barriers altogether. It seems to be a human trait that, having
> discovered something, (a musical genre - even a band) people want to
dismiss
> other approaches/styles. I see it in my students all the time.
> To your friend who reckons he can make any sound with an orchestra I say
> "filter sweep", (though I love the orchestra).
>
> > Something very satisfying about getting new sounds from acoustic
sources.
> > One of my neighbors is the new conductor of the New York Philharmonic.
> > another neighbor who is also a composer was going on and on to Maazel
> about
> > how he could make all these sounds on his computer  indicating he could
> > make sounds the orchestra  couldn't. Maazel looked right at the guy and
> > said "Give me a great orchestra and I can make any sound. period.  That
> > stuck with me
>
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Apr  6 05:09:18 2001
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Subject: Re: question on bowing
Date: Fri, 6 Apr 2001 05:04:19 -0500
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UNSCRIBE
----- Original Message ----- 
From: "Michael LaMeyer" <mlameyer@rcn.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, April 05, 2001 7:17 PM
Subject: OT: question on bowing


> Reiteration of further amplification:
> 
> Right on.
> 
> If I like the way it moves the air around, it's good enough to
> hand to a pack of wack cats in Japan set on streaming the LD
> melting pot to the world!!!  ....
> 
> Ok, I tried ... 8^P
> 
> Mike
> 
> ----- Original Message -----
> From: <Hedewa7@aol.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Thursday, April 05, 2001 7:41 PM
> Subject: Re: question on bowing
> 
> 
> > further amplification on this:
> >
> > zoid@pobox.com writes:
> > >all of these sounds are great with looping, creating
> interesting textures
> > >without having to resort to the easy way--the dreaded synth.
> > indeed, i dread no instrument -electric, electronic, acoustic,
> mechanical,
> > imaginary, sidereal, whatever- i relish the idea of mutzing
> around w/all of
> > 'em:
> > yup.
> > best,
> > splattercell / dt
> >
> >
> 

From Loopers-Delight-request@loopers-delight.com  Fri Apr  6 05:09:31 2001
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References: <200104051906.PAA01587@hemlock.violacea.com> <00eb01c0be78$4d821ea0$f189e3a5@looppool>
Subject: Re: OT:    a request for good thoughts
Date: Fri, 6 Apr 2001 05:04:45 -0500
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UNSCRIBE
----- Original Message ----- 
From: "Rick Walker (loop.pool)" <GLOBAL@cruzio.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, April 06, 2001 4:02 AM
Subject: Re: OT: a request for good thoughts


> I had a lot of really beautiful responses for my request for prayers and
> healing thoughts for my fathers surgery.
> 
> I really feel like I am part of a really special creative and caring
> community and want to thank everybody for their warmth and compassion!!!
> 
> Dad's surgery was a success, I'm happy to say.   He'll have a long
> convalescence, but he (and is indomitable spirit) is still with us.
> 
> Thanks so much again, guys and gals.          Yours,   Rick Walker
> 

From Loopers-Delight-request@loopers-delight.com  Fri Apr  6 08:18:07 2001
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Date: Fri, 06 Apr 2001 08:15:30 -0400
Subject: Undo function on EDP
From: Steve Sandberg <stevesandberg@earthlink.net>
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> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

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Content-type: text/plain; charset="US-ASCII"
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I got an EDP a few weeks ago and have been really enjoying getting into it
-- 
But the undo function seems inconsistent -- sometimes it seems like I have
to press it a few times for it to do anything (yes, I know I have to give a
long press for it to erase the last pass).
Also, I the manual says I should be able to end overdub mode with undo --
but my unit won't do that.  When I'm in overdub, the undo light doesn't even
go on.
Anyone have any experience with this?
Thanks. 

--MS_Mac_OE_3069389730_6605781_MIME_Part
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<HTML>
<HEAD>
<TITLE>Undo function on EDP</TITLE>
</HEAD>
<BODY>
<FONT SIZE=3D"4">I got an EDP a few weeks ago and have been really enjoying g=
etting into it -- <BR>
But the undo function seems inconsistent -- sometimes it seems like I have =
to press it a few times for it to do anything (yes, I know I have to give a =
long press for it to erase the last pass).<BR>
Also, I the manual says I should be able to end overdub mode with undo -- b=
ut my unit won't do that. &nbsp;When I'm in overdub, the undo light doesn't =
even go on.<BR>
Anyone have any experience with this?<BR>
Thanks.</FONT>
</BODY>
</HTML>


--MS_Mac_OE_3069389730_6605781_MIME_Part--

From Loopers-Delight-request@loopers-delight.com  Fri Apr  6 09:04:51 2001
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Date: Fri, 6 Apr 2001 05:58:40 -0700 (PDT)
From: Dumeril Seven <dumeril7@yahoo.com>
Subject: Re: DL4 potentiometer and pedal comments
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Yep, that's what it seems like to me also based
on the usual serial numbering schemes.  But its
strange because the Line 6 support site says the
pot is a 10K linear.  Does anyone out there have
a meter to hook up to it?

D7

--- David Myers <dmgraph@earthlink.net> wrote:
> Haven't been following this thread, but I'll put in my .02 and say that you
> must certainly have here a linear taper 20K pot, probably a dual.  No
> problem using a much easier to find 25K.  That's all from Mensa Central.
> Now if I were psychic, I'd tell you what the "3" means ("made in the third
> world"?)...
> 
> DLM
> 
> on 4/5/01 12:04 PM, rich at rich@nuvisionsca.com wrote:
> 
> > hi all,
> > 
> > here's the info for the pot inside the expression pedal from Line666.
> > just four little screws...that wasn't so bad...
> > 
> > a part number:
> > 
> > 6G
> > 3B20KX2
> > 
> > so, you electrogizmopartsandsolder guys should be able to go from
> > there, yes?  that's the only info on the pot.  hope this helps.
> 


=====
Dumeril7                    dumeril7@SPAMBEGONEyahoo.com
Anti-spam measures in place -- remove "SPAMBEGONE" from
my e-mail address if you want to use it....

__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Fri Apr  6 11:28:04 2001
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Date: Fri, 6 Apr 2001 11:22:44 EDT
Subject: ot: gig spam
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i'll be providing groove & ambient constructs 
via ACID 
behind avante/noise violinist Ritsu Katsumata
at Republica just off the Cornell University Campus (for anyone in Ithaca ny)
about 9;30 pm friday the 6th april.

see:
www.ritsu.com/republica2.htm

best;
Robby Aceto

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Just wondering--how do you (or anyone else) use ACID live?  Seems like it
would be a pretty "prepared audio" piece.  How much actual performance are
you capable of?  I could see using multiple outs into a mixer and then play
the mixer as an instrument--the mutes, faders, aux sends, pans, FXs, etc.
What's your set up and your method?

L



                                                                                            
                    RA336@aol.com                                                           
                                         To:     Loopers-Delight@loopers-delight.com        
                    04/06/01             cc:                                                
                    10:22 AM             Subject:     ot: gig spam                          
                    Please                                                                  
                    respond to                                                              
                    Loopers-Delig                                                           
                    ht                                                                      
                                                                                            
                                                                                            



i'll be providing groove & ambient constructs
via ACID
behind avante/noise violinist Ritsu Katsumata
at Republica just off the Cornell University Campus (for anyone in Ithaca
ny)
about 9;30 pm friday the 6th april.

see:
www.ritsu.com/republica2.htm

best;
Robby Aceto





From Loopers-Delight-request@loopers-delight.com  Fri Apr  6 14:09:41 2001
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Subject: Re: Bowing the Dulcimer
References: <v03007801b6f28d4c95d1@[63.24.203.115]> <3ACCF17E.CED940F8@earthlink.net> <3ACCFB34.2FA41100@zerocrossing.net> <008801c0be46$e2a312a0$ed2078d8@prelayomb>
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quite possible, but I honestly don't know.

Mark

Gary Lehmann wrote:

> Mark wrote:
>
> > I'm not sure if this would help anyone, but I saw a street performer in
> Berkeley
> > CA a few weeks ago and he was playing a hammer dulcimer.  However, he
> seemed to
> > have a few special hammers that had a crescent shaped end that must have
> been
> > coated with rosin or the equivalent.  With this setup, he was able to get
> both
> > hammered and bowed sounds.  It was VERY cool.
>
> I saw a fellow at the NAMM show doing this--Michael Masley.  He's in a group
> with Michael Manring, and does a lot of solo stuff.  Think it was him?

From Loopers-Delight-request@loopers-delight.com  Fri Apr  6 14:34:21 2001
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From: Paul Reisler <zoid@pobox.com>
Subject: Re: question on bowing
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looper friends--
sorry i was being facitious about the "dreaded" synth.  my acoustic guitar
is midified with the axon100-sb and rmc pickups and i love it.  i suppose
it's part of my own wierdness that i enjoy watching people look around
quizzically when i play a sitar/tambura sound with acoustic guitar or
create my own standing ovation with an applause patch.  sure, i could do it
on a keyboard, but i like the disconnect when things aren't as expected and
also the expressiveness of guitar.  somehow in breaking expectations people
tend to listen more since they don't already know what's happening.

you guys keep keeping me honest
paul reisler

 >Your friends have both made the classic mistake of closing one door after
>opening another.
>Leave as many doors open as possible, in fact  try to ignore these
>perceived barriers altogether. It seems to be a human trait that, having
>discovered something, (a musical genre - even a band) people want to dismiss
>other approaches/styles. I see it in my students all the time.
>To your friend who reckons he can make any sound with an orchestra I say
>"filter sweep", (though I love the orchestra).
>
>> Something very satisfying about getting new sounds from acoustic sources.
>> One of my neighbors is the new conductor of the New York Philharmonic.
>> another neighbor who is also a composer was going on and on to Maazel
>about
>> how he could make all these sounds on his computer  indicating he could
>> make sounds the orchestra  couldn't. Maazel looked right at the guy and
>> said "Give me a great orchestra and I can make any sound. period.  That
>> stuck with me


Paul Reisler
Trapezoid/Ki Theatre
PO Box 38
Washington, VA 22747
540.987.3164
540.987.3166 fax
zoid@pobox.com
www.kitheatre.com


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From: "Bill Fox" <billfox@fast.net>
Subject: EMUSIC Playlist #211
Date: Fri, 6 Apr 2001 14:35:02 -0400
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[ Best viewed with a fixed spacing font. ]

EMUSIC, an electronic, ambient, and space music show, airs each Thursday
at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA and 93.9 FM in
Easton, PA and Phillipsburg, NJ.

                    Show #211                    April 5, 2001.

RECAP:
On this show, I preempted all four hours of World Radio Network and one hour of
NPR's Morning Edition in order to present the world premier of the complete
playing of Robert Rich's new seven-hour DVD, Somnium.  An autographed copy of
Somnium was given away during Morning Edition as a thank you gift for a pledge
of $150.  The host survived without being thrown off the island, er, air.  No
DVD players were harmed in the making of this presentation.

Robert Rich         http://wdiyfm.org/emusic/playlists/2001/focus01.html#apr_rr


PLAYLIST:

ARTIST                  TRACK                    ALBUM (label)
======================= ======================== ==============================
11:04 pm
Robert Rich             Somnium                  Somnium (Hypnos)

6:00 am

NEXT SHOW:
On the next EMUSIC, I'll begin a month-long focus on James Johnson, a Chicago
area ambienteer extraordinaire.  James has several releases on labels like
Hypnos and his own Zero Music and will headline at the next Gathering in
Philadelphia.

I will also play music by Baird Hersey who will bring his group Prana to the
next Gathering.  Prana is an eight member a capella group that employ overtone
singing methods.

James Johnson       http://wdiyfm.org/emusic/playlists/2001/focus01.html#apr
The Gathering       http://wdiyfm.org/emusic/events.html


Bill         billfox@fast.net
http://wdiyfm.org/schedule/s_emusic.html
============================================================================
Host of EMUSIC, an electronic, ambient, and space music show.  Thursdays at
11 pm on WDIY 88.1 FM, Allentown and Bethlehem and 93.9 FM in Easton and
Phillipsburg.  Email me if you wish to submit music for airplay consideration.
Radio Station Home Page: http://wdiyfm.org
Personal site: http://www.users.fast.net/~billfox

***   To subscribe to the EMUSIC on WDIY list:, send
email to: emusic-wdiy-subscribe@yahoogroups.com   ***

From Loopers-Delight-request@loopers-delight.com  Fri Apr  6 17:51:05 2001
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>From: Paul Reisler <zoid@pobox.com>
>
>looper friends--
>sorry i was being facitious about the "dreaded" synth.  my acoustic guitar
>is midified with the axon100-sb and rmc pickups and i love it.  i suppose
>it's part of my own wierdness that i enjoy watching people look around
>quizzically when i play a sitar/tambura sound with acoustic guitar or
>create my own standing ovation with an applause patch.

Just to keep you even more honest, how do you know its a "standing" ovation. 
Does applause sound any different if they are sitting? :)

I'm telling you, ya gotta watch those adjectives with this group.

>sure, i could do it
>on a keyboard, but i like the disconnect when things aren't as expected and
>also the expressiveness of guitar.  somehow in breaking expectations people
>tend to listen more since they don't already know what's happening.
>
>you guys keep keeping me honest
>paul reisler
>
>  >Your friends have both made the classic mistake of closing one door 
>after
> >opening another.
> >Leave as many doors open as possible, in fact  try to ignore these
> >perceived barriers altogether. It seems to be a human trait that, having
> >discovered something, (a musical genre - even a band) people want to 
>dismiss
> >other approaches/styles. I see it in my students all the time.
> >To your friend who reckons he can make any sound with an orchestra I say
> >"filter sweep", (though I love the orchestra).
> >
> >> Something very satisfying about getting new sounds from acoustic 
>sources.
> >> One of my neighbors is the new conductor of the New York Philharmonic.
> >> another neighbor who is also a composer was going on and on to Maazel
> >about
> >> how he could make all these sounds on his computer  indicating he could
> >> make sounds the orchestra  couldn't. Maazel looked right at the guy and
> >> said "Give me a great orchestra and I can make any sound. period.  That
> >> stuck with me
>
>
>Paul Reisler
>Trapezoid/Ki Theatre
>PO Box 38
>Washington, VA 22747
>540.987.3164
>540.987.3166 fax
>zoid@pobox.com
>www.kitheatre.com
>
>

_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Fri Apr  6 18:00:43 2001
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> Does applause sound any different if they are sitting? :)
>
Of course it does.  Being farther from the floor will undoubtly cause
differences in reverb reflections, silly.  Less so on a carpeted floor with
upholstered chairs.

Mr. Wiseass

From Loopers-Delight-request@loopers-delight.com  Fri Apr  6 18:25:26 2001
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Peter sez:
> 
> Just to keep you even more honest, how do you know its a "standing" ovation. 
> Does applause sound any different if they are sitting? :)
> 
> I'm telling you, ya gotta watch those adjectives with this group.
> 

To which Mark retorts:
>
>Of course it does.  Being farther from the floor will undoubtly cause
>differences in reverb reflections, silly.  Less so on a carpeted floor with
>upholstered chairs.

well, to be even more pendantic*, I feel obligationalized to point out
that "standing ovation" refers directly to the sound quality of the
ovation, rather than
the condition of the applauditors. This depends, of course, elaborately
on the resonant frequency of the room, together with the particular
configuralation of sound-bouncing ("echoleptic"?) objects present.  An
ovation is considerated "standing" when the accumulated crescendo of
manual percussive echoes intersects a frequency node in the room and
thus creates a standing wave. These nodes are more often found when the
sound source originates approximately 40 inches above the floor, and
therefore are highly correlated with incidences of audience entities
having actually lumbered to their feet placing them in a standing
position.


Simran

ps: *"pendantic," from my American Standard Dictionary of Malapropisms,
    is the ictological variant of pendant, meaning of or pertaining to
    little hangie things that swings back and forth, back and forth.
    Sorry for any confusion.

From Loopers-Delight-request@loopers-delight.com  Fri Apr  6 19:43:37 2001
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From: jim palmer <jimp@pobox.com>
Subject: tdream and risky biz
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i recently experienced a bit of morphogenic resonance

i was watching the dvd of "risky business" and reading the info
in the "extras" section and found this:

    [producer Jon Avnet about using tangerine dream for the soundtrack]
    "initially we were a little nervous about the language and cultural barriers," Avnet says.
    "But the guys loved Steve Reich's 'Music for 18 Musicians,' which we had placed on cassette in a temporary music track."
    "We found that musically we spoke a very similar language."


and also this:
    The right to film on the elevated line that serves "The Loop" was rather easily obtained.  
    The right-of-way was another matter.

    "At each stop, we were limited to just one or two quick shots before we had to move on," 
    director Paul Brickman  explains.  
    "We were in the middle of a traffic pattern with real trains stacked up behind us."

    "To retake a shot, we had to go all the way around 'The Loop' and return to the original station.
    Meanwhile, the minutes were ticking by.  Things got a little hairy for us, but the 
    commuters seemed to enjoy the spectacle."

this sounds a lot like a live looping improv performance.
the circle's back around...


From Loopers-Delight-request@loopers-delight.com  Fri Apr  6 23:15:40 2001
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References: <v03007801b6f28d4c95d1@[63.24.203.115]> <3ACCF17E.CED940F8@earthlink.net> <3ACCFB34.2FA41100@zerocrossing.net> <008801c0be46$e2a312a0$ed2078d8@prelayomb> <3ACE0541.6F34705D@zerocrossing.net>
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It was definatly Micheal Masley.Being an East Bay person I have seen and
heard him for years.He invented the hammers which (I believe) have very
small grooves cut into them.

From Loopers-Delight-request@loopers-delight.com  Sat Apr  7 01:43:18 2001
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Date: Sat, 7 Apr 2001 02:43:39 -0300
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From: Matthias Grob <matthias@grob.org>
Subject: Re: Undo function on EDP
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>I got an EDP a few weeks ago and have been really enjoying getting into it --
>But the undo function seems inconsistent -- sometimes it seems like 
>I have to press it a few times for it to do anything (yes, I know I 
>have to give a long press for it to erase the last pass).
>Also, I the manual says I should be able to end overdub mode with 
>undo -- but my unit won't do that.  

its more usefull to be able to erase a layer and continue in overdub 
than another method to come out of Overdub, so thats what it does.

but its used to stop functions that change time in order to regain 
the original time.

Long press makes it erase from the beginning of the last loop while 
short press from the present moment in the last loop.

there is more on this on the site...

>When I'm in overdub, the undo light doesn't even go on.

just while you press it does, to show you that you are pressing, right?

>

-- 


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Sat Apr  7 01:57:31 2001
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From: reklein@webtv.net (Richard)
Date: Sat, 7 Apr 2001 00:55:05 -0500 (CDT)
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FOR SALE-Motionsound R-3 147 rackmount stereo Leslie.Four mics,
simulated lower rotor,speedswitch,AC cord,factory
serviced,flightcase,manual. $650.00;trades 

From Loopers-Delight-request@loopers-delight.com  Sat Apr  7 04:13:05 2001
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Subject: Re: tdream and risky biz
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I think Steve Reich has complained about being ripped off by Tangerine
Dream. (That being said, I own both _Music for 18 Musicians_ and _Tangram_.)

Mark

At 4:36 PM -0700 4/6/01, jim palmer wrote:
>i recently experienced a bit of morphogenic resonance
>
>i was watching the dvd of "risky business" and reading the info
>in the "extras" section and found this:
>
>    [producer Jon Avnet about using tangerine dream for the soundtrack]
>    "initially we were a little nervous about the language and cultural
>barriers," Avnet says.
>    "But the guys loved Steve Reich's 'Music for 18 Musicians,' which we
>had placed on cassette in a temporary music track."
>    "We found that musically we spoke a very similar language."
>
>
>and also this:
>    The right to film on the elevated line that serves "The Loop" was
>rather easily obtained.
>    The right-of-way was another matter.
>
>    "At each stop, we were limited to just one or two quick shots before
>we had to move on,"
>    director Paul Brickman  explains.
>    "We were in the middle of a traffic pattern with real trains stacked
>up behind us."
>
>    "To retake a shot, we had to go all the way around 'The Loop' and
>return to the original station.
>    Meanwhile, the minutes were ticking by.  Things got a little hairy for
>us, but the
>    commuters seemed to enjoy the spectacle."
>
>this sounds a lot like a live looping improv performance.
>the circle's back around...



From Loopers-Delight-request@loopers-delight.com  Sat Apr  7 06:57:31 2001
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>anyone not seeing this behavior when synced externally?  any way to get it
>to work better other than to avoid sustaining sounds through the loop start
>point?
the MIDI standard just isn't accurate enough to
sync a looper.
Its good to hear that the EDP copes with this better than the JamMan though.

Have you triec syncing the JamMan and then changing
the MIDI tempo on it?
and then overdubbing?
especially if the new tempo is slower.
( you do get lots of clicks , but maybe worth it
to some of us)

andy butler
(and here's hoping this email doesn't format badly, like
mine have been lately)





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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>&gt;anyone not seeing this behavior when synced externally? &nbsp;any way to get it
<BR>&gt;to work better other than to avoid sustaining sounds through the loop start
<BR>&gt;point?
<BR>the MIDI standard just isn't accurate enough to
<BR>sync a looper.
<BR>Its good to hear that the EDP copes with this better than the JamMan though.
<BR>
<BR>Have you triec syncing the JamMan and then changing
<BR>the MIDI tempo on it?
<BR>and then overdubbing?
<BR>especially if the new tempo is slower.
<BR>( you do get lots of clicks , but maybe worth it
<BR>to some of us)
<BR>
<BR>andy butler
<BR>(and here's hoping this email doesn't format badly, like
<BR>mine have been lately)
<BR>
<BR>
<BR>
<BR></FONT></HTML>

--part1_72.95bea2f.28004bf1_boundary--

From Loopers-Delight-request@loopers-delight.com  Sat Apr  7 10:57:01 2001
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hi

I'm not associated with this gig but I can vouch for having used the very
process you talk of, but only in an improv jam session.  Some prepared loops
and also some really quick pass through recording of a clarinet and
guitarist into sound forge and then dumping these loops back into acid.  It
requires some dexterity to get something happening and its almost impossible
to get rapid changes (quickest between stop recording and start playing
would be say...3-5 seconds).  we didn't take it very far as the players kind
of went separate ways.  still fun but not for the easily PC vexed.

michael n

-----Original Message-----
From: lindsay@pavestone.com [mailto:lindsay@pavestone.com]
Sent: Friday, 6 April 2001 11:46 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: ot: gig spam



Just wondering--how do you (or anyone else) use ACID live?  Seems like it
would be a pretty "prepared audio" piece.  How much actual performance are
you capable of?  I could see using multiple outs into a mixer and then play
the mixer as an instrument--the mutes, faders, aux sends, pans, FXs, etc.
What's your set up and your method?

L




                    RA336@aol.com
                                         To:
Loopers-Delight@loopers-delight.com
                    04/06/01             cc:
                    10:22 AM             Subject:     ot: gig spam
                    Please
                    respond to
                    Loopers-Delig
                    ht





i'll be providing groove & ambient constructs
via ACID
behind avante/noise violinist Ritsu Katsumata
at Republica just off the Cornell University Campus (for anyone in Ithaca
ny)
about 9;30 pm friday the 6th april.

see:
www.ritsu.com/republica2.htm

best;
Robby Aceto






From Loopers-Delight-request@loopers-delight.com  Sat Apr  7 16:50:52 2001
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Hi,

So on a whim I ordered an Electrix FilterQueen and now I have a quick
question for anyone who has one of these.  Is it usual for this unit to
be VERY noisy?  When the FQ is plugged and engaged it adds a level of
hiss that is VERY noticeable.  When you hit the momentary bypass of the
filter, the hiss level drops of dramatically.  The settings on the face
plate don't seem to alter the level or type of hiss at all so I was
wondering if this is some sort of defect or if its just the way such a
filter unit behaves.

Thanks in advance for any help

Kevin

From Loopers-Delight-request@loopers-delight.com  Sat Apr  7 17:11:42 2001
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well i roadie for a band that uses all <electrix> stuff(except repeater,yet
:-) and there is *no* inherent noise on those units,in my experience.
stanner
----------
>From: Kevin <kevin@minds-eye.org>
>To: loop <Loopers-Delight@annihilist.com>
>Subject: Electrix (NOT Repeater) question
>Date: Sat, 07 Apr 2001 13:48:30 -0700
>

>Hi,
>
>So on a whim I ordered an Electrix FilterQueen and now I have a quick
>question for anyone who has one of these.  Is it usual for this unit to
>be VERY noisy?  When the FQ is plugged and engaged it adds a level of
>hiss that is VERY noticeable.  When you hit the momentary bypass of the
>filter, the hiss level drops of dramatically.  The settings on the face
>plate don't seem to alter the level or type of hiss at all so I was
>wondering if this is some sort of defect or if its just the way such a
>filter unit behaves.
>
>Thanks in advance for any help
>
>Kevin
>

From Loopers-Delight-request@loopers-delight.com  Sat Apr  7 18:38:08 2001
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Simran gleason wrote:

> ...ictological variant of pendant, meaning of or pertaining to
>     little hangie things that swings back and forth, back and forth.
>     Sorry for any confusion.

but i thought there was an army song about that...

:^)

lance g.

From Loopers-Delight-request@loopers-delight.com  Sun Apr  8 05:02:17 2001
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I have delurked and have a few q's for ya'll.
1. I want to buy a Minidisc recorder for my son. I
love my Sharp that I got a couple of yrs ago but am
not sure what brand has the most bang for the buck
now. the new Sharp MDSR60 looks pretty good
specially for the price. 180$. i am not a wealthy
man btw.

2.I need a road case for my rack gear w/ a mixer.
did I mention that I am not a wealthy man yet?
Musicians Friend has some Cadence that are in my
range 200$ w/ a top angled seperate mixer rack, 8 &
12 space same price. Any advice?

3.A power conditioner for the rack. they are wide
and varied in price and I don't know much about
them. I am in the 2-300$ range. ouch this is adding
up. i like the looks of the Furman PM-Pro Power
Conditioner, 280$ from Musicians Friend.

i am gonna start playing out again , ahh spring
fever and G.A.S. what a combo. I am also going to
start typing all lowercase I give up! Did I mention
that I use will use all of this stuf for Looping?

thank you all for now ahead of time and for all that
i have learned and unlearned from this list over the
years.

jd, aka echo17

http://members.nbci.com/echo17/tbl.html
http://artists.mp3s.com/artists/185/echo_17.html
my much more famous sons jd jrs.site
http://www.krimson-news.com/

From Loopers-Delight-request@loopers-delight.com  Sun Apr  8 10:07:29 2001
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From: Michael Beck <mibeck@vassar.edu>
Subject: Re: many questions
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>2.I need a road case for my rack gear w/ a mixer.
>did I mention that I am not a wealthy man yet?
>Musicians Friend has some Cadence that are in my
>range 200$ w/ a top angled seperate mixer rack, 8 &
>12 space same price. Any advice?
>
>3.A power conditioner for the rack. they are wide
>and varied in price and I don't know much about
>them. I am in the 2-300$ range. ouch this is adding
>up. i like the looks of the Furman PM-Pro Power
>Conditioner, 280$ from Musicians Friend.

    I don't know if anyone will agree with me on this, but I find eBay 
a *very* good resource for cheap gear if you know what you're looking 
for & how to buy. For instance, I got a generic 9 space 
*shockmounted* rack for, what, $120? Definitely a hook-up!
    But there are a lot of bad deals on eBay, too. For instance, there 
used to be some jerk who was selling 25 rack screws for $20. 
Nevermind the local hardware store, you can get 100 of the exact same 
screws at Musician's Friend for $10! The sad thing is that this guy 
apparently did a lot of business...
    Also check out the newsgroups - I got a SKB 12 space (non shock, 
but the good one with two sets of rails) for $100. Compare that to 
any retail store - my price was less than half of new!
    For stuff like racks, stands, hardware, it just makes more sense 
(to me, at least) to buy used. There are no electronics to break - 
hardware is either fine or it's not, and you can easily tell which is 
which. Nothing can come back to bite you in 6 months!
    As for power conditioners, you can get crappy ones for $30 and 
reasonably good ones for $40 on eBay & usenet. I paid at little more 
for mine (a PL-Pro, actually), but only because I wanted 20 amp 
capacity. Still around 1/3 of new, though, and it's served me very 
well.
    I encourage you to at least check out sources of used gear. 
There's no reason to pay double to some chain for some metal & 
plastic - but know your shit before you buy anything. I can help if 
you want. Good luck!

                                                  - Mike

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From Loopers-Delight-request@loopers-delight.com  Sun Apr  8 10:35:58 2001
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I have a roland vs1680, my cd burner went out.  Does anyone know if I have
to buy the roland cd burner or can I buy some other brand.
Thanks, Sandy


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From Loopers-Delight-request@loopers-delight.com  Sun Apr  8 10:37:49 2001
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Subject: Re: Filter Queen hiss
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My roommate has one, and it also adds noticeable hiss whenever it's engaged.

TravisH

>So on a whim I ordered an Electrix FilterQueen and now I have a quick
>question for anyone who has one of these.  Is it usual for this unit to
>be VERY noisy? 

From Loopers-Delight-request@loopers-delight.com  Sun Apr  8 11:24:36 2001
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Subject: OT:   'pendantic standing ovations'
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In this increasingly fascinating and meandering 'off topic' thread,

Paul Reisler wrote:
"i suppose it's part of my own wierdness that i enjoy watching people look
around
quizzically when i  .........create my own STANDING OVATION with an applause
patch."

Simran Gleason responded:
"pendantic," from my American Standard Dictionary of Malapropisms,
    is the ictological variant of pendant, meaning of or pertaining to
    LITTLE HANGIE THINGS THAT SWINGS BACK AND FORTH, back and forth."


and I just have to add (because the connection is so wierd and appropriate:

    A few years ago,   a wonderful multi-reedist, Gary Regina, and I got a
duet looping gig at, of all things, a local nudist club in the
Santa Cruz Mountains.   Clothing was optional for both us and the sweet
people we were playing for and it was the middle of the winter so everyone
who showed up for this night concert of ours was wearing full clothing.
All, that is,  except for this one very enthusiastic older gentleman who was
wearing a shirt, a jacket and absolutely nothing else below the waist.
We were very well recieved and responding to the thunderous applause (not
sampled ;-), I turned to Gary and said,  "Geez,  I've never recieved a
Dangling Ovation before."
 Pu-dum-pum!


Rick Walker (loop.pool)



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thanks  for the advice, I will especially check out the used hardware,
great advice. I have never used e-bay befor but why not check it and the
newsgroups out. My wallet feels better already, hmmm, now maybe a sweet
reverb unit. hehe

help somebody stop me! jeff


> >2.I need a road case for my rack gear w/ a mixer.
>  Any advice?
> >
> >3.A power conditioner for the rack.

>
>  >   I don't know if anyone will agree with me on this, but I find eBay
> a *very* good resource for cheap gear if you know what you're looking
> for & how to buy.
>   >  Also check out the newsgroups
>    > For stuff like racks, stands, hardware, it just makes more sense
> (to me, at least) to buy used.
>     As for power conditioners,
>     I encourage you to at least check out sources of used gear.
> There's no reason to pay double to some chain for some metal &
> plastic - but know your shit before you buy anything. I can help if
> you want. Good luck!
>
>                                                   - Mike

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From Loopers-Delight-request@loopers-delight.com  Sun Apr  8 14:21:52 2001
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Subject: Re: CD Burner For VS-1680
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A great resource for Roland VS gear is http://www.vsplanet.com

I would search their archives for compatible CD-ROM burners ...

----- Original Message -----
From: "Saundra L. Shackelford & Larry Madden" <tazzmo@fmtc.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, April 08, 2001 7:31 AM


> I have a roland vs1680, my cd burner went out.  Does anyone know if I have
> to buy the roland cd burner or can I buy some other brand.
> Thanks, Sandy
>
>

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Sandy,

	I believe that the only constraint is that it handles SCSI II on the
burner end, don't remember off the top of my head what the SCSI ID is
supposed to be set to with the Roland equipment, but I do know that they've
had the foresight to remain consistent in settings.  Hope that this helps
out.

	
		LeeohkinoWired.

>  -----Original Message-----
> From: 	Saundra L. Shackelford & Larry Madden
> [mailto:tazzmo@fmtc.com] 
> Sent:	Sunday, April 08, 2001 10:31 AM
> To:	Loopers-Delight@loopers-delight.com
> Subject:	
> 
> I have a roland vs1680, my cd burner went out.  Does anyone know if I have
> to buy the roland cd burner or can I buy some other brand.
> Thanks, Sandy
> 

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From Loopers-Delight-request@loopers-delight.com  Sun Apr  8 23:42:15 2001
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Since there are so many guitarists among us, in this situation I would
suggest the ploy used by Peter Sellers--in "A Shot in the Dark", I believe
(and by Woody Allen in his great standup recordings from the 60s)--the old
six string in yet another unconventional role...

DLM

on 4/8/01 11:26 AM, Rick Walker (loop.pool) at GLOBAL@cruzio.com wrote:
 
> A few years ago,   a wonderful multi-reedist, Gary Regina, and I got a
> duet looping gig at, of all things, a local nudist club in the
> Santa Cruz Mountains.   Clothing was optional for both us...

From Loopers-Delight-request@loopers-delight.com  Mon Apr  9 02:01:06 2001
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Subject: OT: PMC Foot Switch Adjustments
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Oh, I don't know if it's really off thread, is it?  This list is about gear,
isn't it?
I find that the individual switches on the PMC-10 react differently to the
touch.  Has anyone adjusted their pedals?  Any tips?
I am finding that sending the odd patch and remaining in a given bank (and
the same with the odd bank and a given set) is quite useful--thanks to Miko
(?)
Gary

From Loopers-Delight-request@loopers-delight.com  Mon Apr  9 06:24:08 2001
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>Oh, I don't know if it's really off thread, is it?  This list is about 
>gear,
>isn't it?

Gary,

I believe the obligatory argument is: "No, this list is all about looping." 
The fact that it also has proven to be an internet watering hole for 
gearheads is merely a side effect of the technology necessary to create the 
loop based music, and of the personality quirks of people who enjoy creating 
that music.

Just thought that I would attempt to preempt any potential flames that might 
be forthcoming for you.

-skully

>I find that the individual switches on the PMC-10 react differently to the
>touch.  Has anyone adjusted their pedals?  Any tips?
>I am finding that sending the odd patch and remaining in a given bank (and
>the same with the odd bank and a given set) is quite useful--thanks to Miko
>(?)
>Gary
>

_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Mon Apr  9 06:43:02 2001
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From: "Colin Bradley" <colin@dual.co.uk>
To: "loopers delight" <loopers-delight@annihilist.com>
Subject: Berlin music / gigs enquiry
Date: Mon, 9 Apr 2001 11:29:26 +0100
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hello people
later this week i'm travelling out to berlin for a couple of days. i
would appreciate any suggestions on good places (bars, clubs, gigs
etc) where you can listen to music related to this list. any idea at
all?  i know its the easter break but there must be something
happening...

sorry if you receive this email more than once, and thanks in advance.

colin
colin@dual.co.uk
www.dual.co.uk






From Loopers-Delight-request@loopers-delight.com  Mon Apr  9 07:37:55 2001
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Subject: Re: Berlin music / gigs enquiry
Date: Mon, 9 Apr 2001 12:34:59 +0100
Organization: EarthLight Productions
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I understand the annual Love Parade was cancelled relatively recently, so
there should be some more going on than usual.  Apparently the German Green
Party has had a lot of gripes about the Parade due to the trash/etc.
afterwards (or so it claims), and was able to get it cancelled by scheduling
a rally the same weekend, in the same area.  This comes via alt.music.rave
...

Stephen Goodman
http://www.earthlight.net/Gallery_Front.html - Cartoons & Illustrations
http://www.earthlight.net/Studios * The free Loop of the Week!
http://www.mp3.com/StephenGoodman * New MP3 Releases!

----- Original Message -----
From: "Colin Bradley" <colin@dual.co.uk>
To: "loopers delight" <loopers-delight@annihilist.com>
Sent: 09 April 2001 11:29 AM
Subject: Berlin music / gigs enquiry


> hello people
> later this week i'm travelling out to berlin for a couple of days. i
> would appreciate any suggestions on good places (bars, clubs, gigs
> etc) where you can listen to music related to this list. any idea at
> all?  i know its the easter break but there must be something
> happening...
>
> sorry if you receive this email more than once, and thanks in advance.
>
> colin
> colin@dual.co.uk
> www.dual.co.uk
>
>
>
>
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Apr  9 08:26:20 2001
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Subject: re: Michael Masley/reviews/fretless guitar 
From: Steve Lawson <steve@steve-lawson.co.uk>
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>>>It was definatly Micheal Masley.Being an East Bay person I have seen and
heard him for years.He invented the hammers which (I believe) have very
small grooves cut into them.<<<

...and the band that features him with Michael Manring is called 'Cloud
Chamber' and is brilliant. Their CD is weird music heaven! :o)

there's a great review of it at http://www.collective.co.uk/misfitcity/ -
which is the home of the Misfit City e-zine, edited by Dann Chinn, and is a
great read (especially the wonderful review of a gig of mine from the end of
last year)

talking of reviews and cool sites, http://www.bassically.net and
http://www.aural-innovations.com have both just added reviews of my album.
Bassically is a bass site, with a heavy emphasis on solo bass stuff, and
aural innovations is a space-rock/ambient/electronica site, with some really
interesting stuff there.

and finally, following on from the recent discussion about fretless guitar,
I've just got back from 'la nuit de la fretlesse' - a fretless festival in
Mende, France, which this year featured me, ned evett, fretless machine, yan
vagh and ron thall (though as far as I saw, neither Ron nor any of his band
played anything fretless through-out their whole set, which was a little
confusing...) 

Ned was playing his Fernandes glass fingerboard creation, which sounded
brilliant, Yan was playing a 10 string fretless guitar (the lowest 5 from a
normal guitar, doubled like an Oud), which also sounded fantastic (and he
used a headrush on a couple of tunes), and Franck Vigroux with Fretless
machine played a Vigier (co-sponsors of the event) fretless with a metal
fingerboard, and has a fantastic sound. You might think that a fretless
festival would turn into a temple to duff intonation, but fortunately all
the attendant musos were great - that's the second bizarre niche festival
I've played this year, after the solo bass looping show in Santa Cruz, and
both have been such great events. It's heartening to find non
commercially-scheming musicians putting on such great events and doing it so
well! Time to start thinking about a London looping/bass/weird shit fest for
the end of the year methinks...

Steve 
www.steve-lawson.co.uk


From Loopers-Delight-request@loopers-delight.com  Mon Apr  9 08:57:03 2001
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References: <B6EE3F1F.77D%roberto@nomade.worldonline.co.uk>
Subject: R: A guitarloop work.
Date: Mon, 9 Apr 2001 14:50:55 +0200
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salve roberto sono graziano accinni ti ho appena spedito al tuo indirizzo
postale un pò di brani  di mia produzione,ti dò il mio indirizzo di posta
elettronica e anche quello di vitaminic    grazianoaccinni@tiscalinet.it
http//stage.vitaminic.com/accynny     ciao a presto.
----- Original Message -----
From: roberto <roberto@nomade.worldonline.co.uk>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, April 02, 2001 3:46 PM
Subject: Re: A guitarloop work.


> > on 2/4/01 12:06 AM, Massimo Liverani at massliv@dada.it wrote:
> >
> > Hi! I'm always been actracted by looping sounds since the first time
that i
> > heard it. - Frippertronics (in 1979)
> > I'm 40 and I play guitar. After having spent a whole year to find a
jam-man i
> > did found it. (and also a Vortex !)
> > I live in Italy (Florence) and for italian people looping music is not
very
> > popular. :-(
> > I've made a CD using a setup composed by  Jam-man, Vortex,
ElectroHamonics
> > microsintesizer.
> > Me and other 2 guitarist are going to do a looping live perfomance here
in
> > Florence with 3 Jam-man all conncected together with natural sounds
noises,
> > etc etc.
> > Are you interested to listen the CD and support  the live
perfomance?...not
> > with money! :-)
> > If you want i can send a copy.
> > Bye and long live looping-music and loopingdelight!
> > MaX
> >
> Coincidenze..
> Ho 44 anni, sono un chitarrista (Italiano anche se vivo in Inghilterra) e
ho
> cominciato a suonare looped guitars molti anni fa dopo aver sentito i
primi
> esperimenti di Fripp.
> Ho un  piccola casa di distribuzione di musica "insolita" su Internet, se
mi
> mandi una copia del tuo CD magari posso includerlo nel catalogo.
> Il sito è in via di completo rifacimento perchè è cresciuto troppo e la
> pagina catalogo con i campioni musicali dai vari cd è diventata lenta. Tra
> un paio di settimane il nuovo sito, con molti nuovi CD e la possibilità di
> pagare con carta di credito, sarà attivato.
> Dai un'occhiata a com'è al momento e se ti sembra adatto mandami una copia
> dei tuoi lavori e vediamo se riesco a vendertene un po'.
>
> http://www.rustyrobot.com
>
> il mio indirizzo postale è:
> Roberto Battista
> 57 Great North Road
> Barnet, Herts EN5 1AY
> Inghilterra
>
> ______________________________________________
> Roberto Battista
> http://www.robat.scl.net
> http://www.robat.scl.net/lectures/index.shtm
> Tel. 0044 020 8449 1995
> Mobile 0775 960 4344
> ______________________________________________
> http://www.rustyrobot.com
> independent on-line music distribution,
> the music you can't find elsewhere,
> contemporary classical, eclectic, world...
> ______________________________________________
> http://www.robat.scl.net/html/tibet/tibet.shtm
> an exciting project on technology applied to
> mobile education for developing countries and
> remote locations...
> ______________________________________________
>

From Loopers-Delight-request@loopers-delight.com  Mon Apr  9 09:27:48 2001
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From: Phil Teague <Phil.Teague@2020Log.com>
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Subject: Digitec IPS 33B Urgently Required
Date: Mon, 9 Apr 2001 14:25:40 +0100 
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> I had my Digitec IPS-33B smashed up in a road accident and am struggling
> to get a replacement.  
> 
Can anyone help me to locate a replacement as there doesn't seem to be any
available in the UK ?

> Help!
> 
phil.teague@2020log.com



From Loopers-Delight-request@loopers-delight.com  Mon Apr  9 10:41:09 2001
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you should check ebay, they pop up there w/ some frequency

From Loopers-Delight-request@loopers-delight.com  Mon Apr  9 11:12:22 2001
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Date: Mon, 9 Apr 2001 08:07:29 -0700
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Subject: Re: Electrix (NOT Repeater) question
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I had this same problem with my FQ...when i was trying to use it in 
line with my stompboxes.  Once i put if after the preamp, everything 
cleaned up very nicely!  Electrix stuff seems to like hot signal 
levels...

rich


>Hi,
>
>So on a whim I ordered an Electrix FilterQueen and now I have a quick
>question for anyone who has one of these.  Is it usual for this unit to
>be VERY noisy?  When the FQ is plugged and engaged it adds a level of
>hiss that is VERY noticeable.  When you hit the momentary bypass of the
>filter, the hiss level drops of dramatically.  The settings on the face
>plate don't seem to alter the level or type of hiss at all so I was
>wondering if this is some sort of defect or if its just the way such a
>filter unit behaves.
>
>Thanks in advance for any help
>
>Kevin

From Loopers-Delight-request@loopers-delight.com  Mon Apr  9 13:22:08 2001
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I had Darrell respond to Kevin off-list, but I thought others might find
this information of use as well:

********************************
Kevin, thanks for writing.  I think I understand what the problem is with
how you've got your Filter Queen connected.

First of all the Filter Queen was designed to run at line level like most
studio FX processors.  That is quite a bit different than guitar level,
which is a much weaker signal, and also explains why it sounds noisy in your
setup. 

All signal processors are setup to work at a particular level.  Some have
level switching on them to allow them to switch between guitar level and
line level, but most don't.  The reason products have this is to achieve a
respectable signal to noise ratio.  When you run guitar level through a line
level box, the signal is so low that the noise ends up sounding louder that
it should.  

(Thanks Dr. Signal for the textbook response!)

So here's what you need to do to enter the world of great tone, and low
noise!  Use the Effects loop on your guitar amp for the Filter Queen.  Most
amps have a line level, post pre-amp loop that is totally compatible with
the Filter Queen.  Try hooking it up in Mono, and kick in the 4pole mode
switch on the back.  This should solve you noise problems real fast.  Now,
if you don't have a effects loop on your amp, there is one other way to make
this work.  Pick up an MXR Micro amp, and hit that before the Filter Queen.
The MXR is a pre amp that will bring your guitar level up to line level.
You can now connect the output of the Queen to the input of your amp.  You
will probably have to adjust your settings on the amp to get the output back
down to a tolerable level.

So that's a big explanation.  Let me know how it goes.

Cheers,

Darrell Smith


> Hello,
> 
> I just recently purchased a Filter Queen via mail order.  This was sort
> of an impulse thing so I didn't try it out anywhere before I bought it.
> My question is this:  Is it normal for the unit to be noisy (as in
> ambient white noise produced while the effect is engaged)?  When this is
> put in my signal chain it automatically adds a high level of hiss.  I
> know its the FQ because if you hit the momentary switch on the FQ the
> hiss drops out to it normal levels.
> 
> I'm really enjoying the unit so far but I need to figure this out.  I
> can't really use it if its actually that noisy.  Is there something I
> should be doing to try and adjust the amount of hiss that is produced
> (the hiss doesn't seem to vary with any adjustments from the face place
> i.e., frequency, follower, resonance, etc.) or is this the nature of the
> beast?
> 
> I'm running a line in coming from a guitar and effects configuration.
> 
> Thanks
> 
> Kevin Cheli-Colando


From Loopers-Delight-request@loopers-delight.com  Mon Apr  9 14:10:35 2001
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"Saundra L. Shackelford & Larry Madden" wrote:

> I have a roland vs1680, my cd burner went out.  Does anyone know if I have
> to buy the roland cd burner or can I buy some other brand.
> Thanks, Sandy
>

roland will say you have to use theirs, but i don't believe it. somewhere on
the old vs list i used to subscribe to there was a thread about alternatives,
though i looked and wasn't able to find it; i think the list is still active,
if you want to subscribe, you can do it at:

http://www.mooncafe.com/4artists/#

good luck!

lance g.

ps what were you using that broke?

From Loopers-Delight-request@loopers-delight.com  Mon Apr  9 14:40:38 2001
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     what kind of footswitch I could use for the Jam man? 

From Loopers-Delight-request@loopers-delight.com  Mon Apr  9 16:06:23 2001
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Hello Loopers!

I'm trying to find a way to switch between separate, looping,
multi-track MIDI sequences within a consistent groove.  I have found no
way to do this in my main sequencer, Digital Performer, only people to
commiserate with about the lack of such a (IMHO) fundamental feature
(one found in most drum machines).

SO!

I have heard that the late Opcode Studio Vision could do this sort of
thing somehow.  I am considering dedicating an old powerbook to the task
of running it. Can anyone tell me how to get the last version of the
program, and how late a version of Mac OS I can have and still run it?

OR...

Can anyone suggest an alternative?  I hear that MAX would be a good
platform to use to build such a program, yet I am not interested in
learning to program (in MAX or any other language).  I prefer to
concentrate on practicing and composing music.

All help and kind vibes are welcomed with deep gratitude.

eo

--
eric oberthaler
http://www.soundsliketree.com
(music within)


From Loopers-Delight-request@loopers-delight.com  Mon Apr  9 16:49:41 2001
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This is probably not what you want to hear...but I got my money back.
All of the Electrix stuff is set up for +4 operation.  Most Instruments are 
around -20.  You would have to set up your entire rig for +4 using a Console 
with Aux sends at +4.  It makes it a REAL hassle if you want to run into an 
Amp.
I still found it to be noisy on my Yamaha ProMix 01v.  I don't get ANY noise 
from my other Filters (Electro Harmonix, BigBriar, Mutron etc....) but they 
are made for Instrument level Operation, and NOT DJ gear.
I really like the fetaures in the WHOLE ELectrix line, but they really need 
to 'fix' this if they want to sell to Guitar Players.
jmp


In a message dated 4/9/01 11:22:33 AM, 
Loopers-Delight-d-request@loopers-delight.com writes:

>So on a whim I ordered an Electrix FilterQueen and now I have a quick
>question for anyone who has one of these.  Is it usual for this unit to
>be VERY noisy? 


From Loopers-Delight-request@loopers-delight.com  Mon Apr  9 16:55:47 2001
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From: "Kevin Mulvihill" <kmulvihill@mediaone.net>
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Subject: RE: My set-up (was: 'Rang? EDP? 01V?)
Date: Mon, 9 Apr 2001 13:57:37 -0700
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Well, my general response is "WOW!" That's some studio you're assembling.

One other question at this time:

> We're in the process of building our new studio space, so we haven't got
> everything in its permanant place.  What I can tell you is that the
> Hammerfall works beutifully under Win2000 (needed to capitalize
> on the dual processors)...

In what way does the Hammerfall capitalize on the dual processors in your
system?

Thanks,
Kevin

From Loopers-Delight-request@loopers-delight.com  Mon Apr  9 17:14:10 2001
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no fix needed!if you put these 'line level' products in the efx loop like
the lady says all guitar players(like me) will be very happy along w/ their
'electrix' products.imho
----------
>From: JohnFlem@aol.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: Filter Queen hiss
>Date: Mon, Apr 9, 2001, 1:46 PM
>

>This is probably not what you want to hear...but I got my money back.
>All of the Electrix stuff is set up for +4 operation.  Most Instruments are 
>around -20.  You would have to set up your entire rig for +4 using a Console 
>with Aux sends at +4.  It makes it a REAL hassle if you want to run into an 
>Amp.
>I still found it to be noisy on my Yamaha ProMix 01v.  I don't get ANY noise 
>from my other Filters (Electro Harmonix, BigBriar, Mutron etc....) but they 
>are made for Instrument level Operation, and NOT DJ gear.
>I really like the fetaures in the WHOLE ELectrix line, but they really need 
>to 'fix' this if they want to sell to Guitar Players.
>jmp
>
>
>In a message dated 4/9/01 11:22:33 AM, 
>Loopers-Delight-d-request@loopers-delight.com writes:
>
>>So on a whim I ordered an Electrix FilterQueen and now I have a quick
>>question for anyone who has one of these.  Is it usual for this unit to
>>be VERY noisy? 
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Apr  9 20:05:05 2001
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Date: Mon, 9 Apr 2001 16:54:01 -0700 (PDT)
From: Alx <gendel777@yahoo.com>
Subject: Re: Jam Man Footswitch
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You can use any kind of "non-latching" switch, I just
started to use a Digitech FS300 and works much-much
better that the original Lexicon footswitch, but, the
best thing is to use a MIDI pedalboard ´cause in that
way you can access all the functions in loop mode
without touching the front knobs and also you can
access some "hidden" functions like control over 3
different fade times for your loops.
Alx.
  
--- Andy Soto <smaug@servidor.unam.mx> wrote:
> 
>      what kind of footswitch I could use for the Jam
> man? 
> 


__________________________________________________
Do You Yahoo!?
Get email at your own domain with Yahoo! Mail. 
http://personal.mail.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Mon Apr  9 23:17:39 2001
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From: "Alan Imberg" <alan_i@sprynet.com>
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Greetings Loopers:
I've just released my debut full-length, titled "A Collection of =
Thoughts", which is about 80% loopage content. Its available through =
Amazon.com and other fine locations. If you are interested in more =
details, please visit my web page (http://home.sprynet.com/~alan_i).=20

Best Regards,
Alan Imberg



------=_NextPart_000_00CC_01C0C131.82C23DA0
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 5.50.4611.1300" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#c8e0d8>
<DIV><FONT face=3DArial size=3D2>Greetings Loopers:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I've just released my debut =
full-length, titled "A=20
Collection of Thoughts", which&nbsp;is about 80% loopage content. Its =
available=20
through Amazon.com and other fine locations. If you are interested in =
more=20
details, please visit my web page (<A=20
href=3D"http://home.sprynet.com/~alan_i">http://home.sprynet.com/~alan_i<=
/A>).=20
</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Best Regards,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Alan Imberg</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV></BODY></HTML>

------=_NextPart_000_00CC_01C0C131.82C23DA0--

From Loopers-Delight-request@loopers-delight.com  Mon Apr  9 23:42:02 2001
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Date: Mon, 9 Apr 2001 20:36:36 -0700
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Alan, congratulations!

This is great news.  I hope it is a great success for you.

Best wishes,

Javier
Berkeley
  -----Original Message-----
  From: Alan Imberg [mailto:alan_i@sprynet.com]
  Sent: Monday 09 April 2001 8:13 PM
  To: Loopers
  Subject: OT: CD Release Spam


  Greetings Loopers:
  I've just released my debut full-length, titled "A Collection of =
Thoughts", which is about 80% loopage content. Its available through =
Amazon.com and other fine locations. If you are interested in more =
details, please visit my web page (http://home.sprynet.com/~alan_i).=20

  Best Regards,
  Alan Imberg



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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
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charset=3Diso-8859-1">
<META content=3D"MSHTML 5.50.4611.1300" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#c8e0d8>
<DIV><SPAN class=3D680583303-10042001><FONT face=3DTahoma =
color=3D#0000ff size=3D2>Alan,=20
congratulations!</FONT></SPAN></DIV>
<DIV><SPAN class=3D680583303-10042001><FONT face=3DTahoma =
color=3D#0000ff=20
size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D680583303-10042001><FONT face=3DTahoma =
color=3D#0000ff size=3D2>This=20
is great news.&nbsp; I hope it is a great success for =
you.</FONT></SPAN></DIV>
<DIV><SPAN class=3D680583303-10042001><FONT face=3DTahoma =
color=3D#0000ff=20
size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D680583303-10042001><FONT face=3DTahoma =
color=3D#0000ff size=3D2>Best=20
wishes,</FONT></SPAN></DIV>
<DIV><SPAN class=3D680583303-10042001><FONT face=3DTahoma =
color=3D#0000ff=20
size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D680583303-10042001><FONT face=3DTahoma =
color=3D#0000ff=20
size=3D2>Javier</FONT></SPAN></DIV>
<DIV><SPAN class=3D680583303-10042001><FONT face=3DTahoma =
color=3D#0000ff=20
size=3D2>Berkeley</FONT></SPAN></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px =
solid; MARGIN-RIGHT: 0px">
  <DIV class=3DOutlookMessageHeader dir=3Dltr align=3Dleft><FONT =
face=3DTahoma=20
  size=3D2>-----Original Message-----<BR><B>From:</B> Alan Imberg=20
  [mailto:alan_i@sprynet.com]<BR><B>Sent:</B> Monday 09 April 2001 8:13=20
  PM<BR><B>To:</B> Loopers<BR><B>Subject:</B> OT: CD Release=20
  Spam<BR><BR></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>Greetings Loopers:</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>I've just released my debut =
full-length, titled=20
  "A Collection of Thoughts", which&nbsp;is about 80% loopage content. =
Its=20
  available through Amazon.com and other fine locations. If you are =
interested=20
  in more details, please visit my web page (<A=20
  =
href=3D"http://home.sprynet.com/~alan_i">http://home.sprynet.com/~alan_i<=
/A>).=20
  </FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Best Regards,</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>Alan Imberg</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial =
size=3D2></FONT>&nbsp;</DIV></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue Apr 10 01:16:20 2001
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Thanks to everyone who chimed in on this one.  I have just unplugged from a
highly satisfying night of filter damage after trying the fixes suggested.  Looks
like the inoperative element was me :-)

All's well that ends well and all that

Kevin

From Loopers-Delight-request@loopers-delight.com  Tue Apr 10 01:34:11 2001
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From: "phalen orion" <phalen180@infin8ty.com>
To: <infin8ty@infin8ty.com>
Subject: New Program: Audio Encoding Helper -- Encode mp3 and Real Audio in One Step
Date: Mon, 9 Apr 2001 22:24:51 -0700
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This email is being sent to you because you are part of my circle of friends
or are a member of a music-related email list to which I belong.  My
apologies if you consider this spam... I am merely trying to get the word
out on a tool which I have created which I believe can be of assistance to
some of you.  Direct all flames & complaints to me or to DEV/NULL.  Thank
you :)
---------------------------------------------------------------------------

I don't know how many of you have band or other sites where you post both
mp3s and real audio files of the same track.

As some of you may know (I'd sure as hell hope so!), I do!  Because of how
much of a pain in the ass it is to reenter the same information twice,
create .ram files by hand, etc.... I created a program to help automate the
creation and FTPing of the files.

You can take a look at information and a screenshot at
http://www.infin8ty.com/progs/enchelper.asp .
If you are interested in hearing the quality, you can check out some music
by Caldwell's project everything Blue at
http://www.infin8ty.com/music.asp?artistID=cld  These mp3s and real audio
files were encoded and uploaded with the new program.

Best,
phalen180
http://www.infin8ty.com/ - oneinfin8tyzero: a digital artists collective

From Loopers-Delight-request@loopers-delight.com  Tue Apr 10 07:04:22 2001
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Date: Tue, 10 Apr 2001 06:58:42 EDT
Subject: OT: ACiD loop spam
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heyall.
info, for those interested in this kinda stuff:
my new library of loops-for-ACiD has just been released by Sonic Foundry.
s'called:
david torn:::splattercell:::textural elements.

i'm sure it's somewhere within www.sonicfoundry.com, as well as being widely 
available via musical intrument retailers all over the place.

best,
spltrcl / dt

From Loopers-Delight-request@loopers-delight.com  Tue Apr 10 07:42:51 2001
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Date: Tue, 10 Apr 2001 12:40:28 -0700
Subject: MPX-R1 question
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Does anyone have any cool ideas for making the R1 foot controller quieter???
I really like the interface (though I do wish that it was a couple of inches
shorter so that it would fit in the back of my rack!) but the really loud
clicking sounds that happen whenever i press a pedal is really annoying,
especially as I play in really quiet settings in studios, and don't want to
have to mic my cab in the next room. any ideas of modifying it internally to
make it a little quieter?

conversely, can anyone suggest another foot controller that will have the
same functions that is a) a little bit smaller and b) less noisy!

cheers

Steve 
www.steve-lawson.co.uk 

From Loopers-Delight-request@loopers-delight.com  Tue Apr 10 08:45:17 2001
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Salut les gars

After now 3 years of heavy looping I've made up some serious recordings
:10 x 90 min Dat tapes of audio material that I want to use somehow,
but, its a huge collection 15 Hours...

I guess were back to looping as I guess I'm not alone in this case...<G>

during those years I took "some" time to make a database of all what is
recorded on my dats: setups informations, special tuning used, pgram
change, used patches names etc etc I even have screen dumps from my
switchblade's configs... 
the only link that is missing is a direct access to whats more important
to me : the sound 
so the idea is to make up CD roms of the Dat's contents in mp3 format
(the size is more important here..)
that would be linked to the database so I could listen to old stuff fast
without handling my Masters too much ) ----DAT is fragile------
Now that you have the background heres what I'm looking for:
a PC application that can record the spdif 48K and do realtime Mp3
conversion and saving on my hard disk
in a batch style operation (for "during nap" operation)
sure I need some way to have the program detect by threshold the end of
the tune because I would like to have one mp3 file by DAT index 
I would like to have the least edit operations before burning to cd;
although there will surely be some...

Which software can do that ?

did I just create a market?

what time is it?

ALAbienToT

Claude

From Loopers-Delight-request@loopers-delight.com  Tue Apr 10 09:14:30 2001
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From: "Rainer Straschill" <rainer.straschill@izm-m.fhg.de>
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Subject: Re: (OT) Dat to Mp3 application ??
Date: Tue, 10 Apr 2001 15:09:32 +0200
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This is a multi-part message in MIME format.

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Claude,

what I'd do using the software I have:

use SoundForge to record the DATs to a WAV file from your SPDIFs, =
creating markers based on threshold. Then use a batch macro in =
SoundForge to make selections based on the Markers and export these to =
separate WAV files with the Paste-to-New command. Then use a =
NT/Linux/whatever script to kick up the commandline-operated mp3 =
converter by Fraunhofer IIS (or any other commandline-based converter) =
to convert all of these separate WAVs to mp3s. This isn't really =
realtime, but can run in the background while you record new DATs to =
disc.
    what time is it?
   =20
Its 15:09 here in central europe, daylight saving time...

            Rainer

------=_NextPart_000_0009_01C0C1D0.3F9AECD0
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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
<HTML>
<HEAD>

<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type>
<META content=3D'"MSHTML 4.72.3110.7"' name=3DGENERATOR>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT color=3D#000000 size=3D2>Claude,</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>what I'd do using the software I have:</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>use SoundForge to record the DATs to a WAV file from =
your=20
SPDIFs, creating markers based on threshold. Then use a batch macro in=20
SoundForge to make selections based on the Markers and export these to =
separate=20
WAV files with the Paste-to-New command. Then use a NT/Linux/whatever =
script to=20
kick up the commandline-operated mp3 converter by Fraunhofer IIS (or any =
other=20
commandline-based converter) to convert all of these separate WAVs to =
mp3s. This=20
isn't really realtime, but can run in the background while you record =
new DATs=20
to disc.</FONT></DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 solid 2px; MARGIN-LEFT: 5px; PADDING-LEFT: =
5px">what=20
    time is it?<BR></BLOCKQUOTE>
<DIV>Its 15:09 here in central europe, daylight saving time...</DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT color=3D#000000=20
size=3D2>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p; <FONT=20
size=3D3>Rainer</FONT></FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue Apr 10 09:58:24 2001
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No, Win2000 capitalizes on the dual-processor.  The Hammerfall is just lean
and fast.  I haven't done any diagnostics as to how much extra performance
the second CPU is giving me.  It was kind of a sweet deal when I bought the
PC, so I didn't really worry too much about redundancy/innefficiency of
componants.

L



                                                                                              
                    "Kevin                                                                    
                    Mulvihill"             To:     <Loopers-Delight@loopers-delight.com>      
                    <kmulvihill@med        cc:                                                
                    iaone.net>             Subject:     RE: My set-up (was: 'Rang? EDP? 01V?) 
                                                                                              
                    04/09/01 03:57                                                            
                    PM                                                                        
                    Please respond                                                            
                    to                                                                        
                    Loopers-Delight                                                           
                                                                                              
                                                                                              



Well, my general response is "WOW!" That's some studio you're assembling.

One other question at this time:

> We're in the process of building our new studio space, so we haven't got
> everything in its permanant place.  What I can tell you is that the
> Hammerfall works beutifully under Win2000 (needed to capitalize
> on the dual processors)...

In what way does the Hammerfall capitalize on the dual processors in your
system?

Thanks,
Kevin





From Loopers-Delight-request@loopers-delight.com  Tue Apr 10 10:46:05 2001
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From: "Mike McGary" <mcgary@metronet.com>
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Subject: RE: ACiD loop spam
Date: Tue, 10 Apr 2001 09:46:51 -0500
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I've had this for almost 2 weeks.  Wicked, wicked
stuff.  Sonic Foundry had sent out promotional email
to registered Acid users.  I highly recommend it.

     Mike McGary

> -----Original Message-----
> From: Hedewa7@aol.com [mailto:Hedewa7@aol.com]
> Sent: Tuesday, April 10, 2001 5:59 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: OT: ACiD loop spam
> 
> 
> heyall.
> info, for those interested in this kinda stuff:
> my new library of loops-for-ACiD has just been released by Sonic Foundry.
> s'called:
> david torn:::splattercell:::textural elements.
> 
> i'm sure it's somewhere within www.sonicfoundry.com, as well as 
> being widely 
> available via musical intrument retailers all over the place.
> 
> best,
> spltrcl / dt
> 

From Loopers-Delight-request@loopers-delight.com  Tue Apr 10 11:28:11 2001
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Date: Tue, 10 Apr 2001 08:21:45 -0700
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From: rich <rich@nuvisionsca.com>
Subject: Re: Jam Man Footswitch
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agreed...the midi pedal really opens up the jammie for more 
fun...much more liquid with the fades and all that.  dropping in and 
out of overdub and fading/stop fade/fade makes for better textural 
landscapes than you can ever get with the regular footswitch.

however, i'm curious...i use the fs300 for another piece of gear. 
what do each of the switches do on the jammie?  i'm guessing tap, 
reset and ?

best,

rich


>You can use any kind of "non-latching" switch, I just
>started to use a Digitech FS300 and works much-much
>better that the original Lexicon footswitch, but, the
>best thing is to use a MIDI pedalboard ¥cause in that
>way you can access all the functions in loop mode
>without touching the front knobs and also you can
>access some "hidden" functions like control over 3
>different fade times for your loops.
>Alx.
>
>--- Andy Soto <smaug@servidor.unam.mx> wrote:
>>
>>       what kind of footswitch I could use for the Jam
>>  man?
>>
>
>
>__________________________________________________
>Do You Yahoo!?
>Get email at your own domain with Yahoo! Mail.
>http://personal.mail.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Tue Apr 10 11:54:42 2001
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Date: Tue, 10 Apr 2001 11:47:27 -0400
Subject: Hanna-Scarlet Manifesto
From: Warren Harris <hannax@earthlink.net>
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> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

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Hello All,
My artist name is Hanna.
I've been using the SP-808 since it came out.
I have a full length drum and bass CD out now
that was exclusively recorded on the SP-808 as the
multi track. 
I was interviewed for the July issue of ELECTRONIC
MUSICIAN magazine 2001 (Pro/File section) on how I
recorded the CD which is called SCARLET MANIFESTO.
It is on SHADOW records label.
If anything it's a collectors item for SP-808 users if you're
not into drum and bass.
Give it a listen. You can get it at most record stores and online
Tower, Borders, Amazon.com, CDnow etc.
Hanna-Scarlet Manifesto.
(I also have other releases in the house & techno genre)
If anyone is interested I'll email you my discography.
(all my recordings are on the SP-808)
                                         ---late,
                                                 Hanna










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<HTML>
<HEAD>
<TITLE>Hanna-Scarlet Manifesto</TITLE>
</HEAD>
<BODY>
<FONT SIZE=3D"4"><FONT FACE=3D"Courier New"><BR>
Hello All,<BR>
My artist name is Hanna.<BR>
I've been using the SP-808 since it came out.<BR>
I have a full length drum and bass CD out now<BR>
that was exclusively recorded on the SP-808 as the<BR>
multi track. <BR>
I was interviewed for the July issue of ELECTRONIC<BR>
MUSICIAN magazine 2001 (Pro/File section) on how I<BR>
recorded the CD which is called SCARLET MANIFESTO.<BR>
It is on SHADOW records label.<BR>
If anything it's a collectors item for SP-808 users if you're<BR>
not into drum and bass.<BR>
Give it a listen. You can get it at most record stores and online<BR>
Tower, Borders, Amazon.com, CDnow etc.<BR>
Hanna-Scarlet Manifesto.<BR>
(I also have other releases in the house &amp; techno genre)<BR>
If anyone is interested I'll email you my discography.<BR>
(all my recordings are on the SP-808)<BR>
 &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;---late,<BR>
 &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Hanna<BR=
>
<BR>
<BR>
<BR>
<BR>
<BR>
<BR>
</FONT></FONT><FONT SIZE=3D"5"><FONT FACE=3D"Times New Roman"><BR>
<BR>
</FONT></FONT>
</BODY>
</HTML>


--MS_Mac_OE_3069748047_402046_MIME_Part--

From Loopers-Delight-request@loopers-delight.com  Tue Apr 10 12:14:43 2001
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Date: Tue, 10 Apr 2001 11:57:14 -0400
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i assume you have to be this moronic to get a record label deal.




Hello All,
My artist name is Hanna.
I've been using the SP-808 since it came out.
I have a full length drum and bass CD out now
that was exclusively recorded on the SP-808 as the
multi track.
I was interviewed for the July issue of ELECTRONIC
MUSICIAN magazine 2001 (Pro/File section) on how I
recorded the CD which is called SCARLET MANIFESTO.
It is on SHADOW records label.
If anything it's a collectors item for SP-808 users if you're
not into drum and bass.
Give it a listen. You can get it at most record stores and online
Tower, Borders, Amazon.com, CDnow etc.
Hanna-Scarlet Manifesto.
(I also have other releases in the house & techno genre)
If anyone is interested I'll email you my discography.
(all my recordings are on the SP-808)
                                         ---late,
                                                 Hanna

From Loopers-Delight-request@loopers-delight.com  Tue Apr 10 12:34:50 2001
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Subject: Re: Hanna-Scarlet Manifesto
From: Warren Harris <hannax@earthlink.net>
To: <Loopers-Delight@loopers-delight.com>
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where can i buy your records?

> From: "Curtis P Seiss" <seisscp@washpost.com>
> Reply-To: Loopers-Delight@loopers-delight.com
> Date: Tue, 10 Apr 2001 11:57:14 -0400
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Hanna-Scarlet Manifesto
> Resent-From: Loopers-Delight@loopers-delight.com
> Resent-Date: Tue, 10 Apr 2001 12:12:51 -0400
> 
> 
> i assume you have to be this moronic to get a record label deal.
> 
> 
> 
> 
> Hello All,
> My artist name is Hanna.
> I've been using the SP-808 since it came out.
> I have a full length drum and bass CD out now
> that was exclusively recorded on the SP-808 as the
> multi track.
> I was interviewed for the July issue of ELECTRONIC
> MUSICIAN magazine 2001 (Pro/File section) on how I
> recorded the CD which is called SCARLET MANIFESTO.
> It is on SHADOW records label.
> If anything it's a collectors item for SP-808 users if you're
> not into drum and bass.
> Give it a listen. You can get it at most record stores and online
> Tower, Borders, Amazon.com, CDnow etc.
> Hanna-Scarlet Manifesto.
> (I also have other releases in the house & techno genre)
> If anyone is interested I'll email you my discography.
> (all my recordings are on the SP-808)
>                                          ---late,
>                                                  Hanna
> 

From Loopers-Delight-request@loopers-delight.com  Tue Apr 10 12:41:00 2001
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Subject: Re: Hanna-Scarlet Manifesto
From: Warren Harris <hannax@earthlink.net>
To: <Loopers-Delight@loopers-delight.com>
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please let me know where i can buy records,
i would like to purchase them all

> From: "Curtis P Seiss" <seisscp@washpost.com>
> Reply-To: Loopers-Delight@loopers-delight.com
> Date: Tue, 10 Apr 2001 11:57:14 -0400
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Hanna-Scarlet Manifesto
> Resent-From: Loopers-Delight@loopers-delight.com
> Resent-Date: Tue, 10 Apr 2001 12:12:51 -0400
> 
> 
> i assume you have to be this moronic to get a record label deal.
> 
> 
> 
> 
> Hello All,
> My artist name is Hanna.
> I've been using the SP-808 since it came out.
> I have a full length drum and bass CD out now
> that was exclusively recorded on the SP-808 as the
> multi track.
> I was interviewed for the July issue of ELECTRONIC
> MUSICIAN magazine 2001 (Pro/File section) on how I
> recorded the CD which is called SCARLET MANIFESTO.
> It is on SHADOW records label.
> If anything it's a collectors item for SP-808 users if you're
> not into drum and bass.
> Give it a listen. You can get it at most record stores and online
> Tower, Borders, Amazon.com, CDnow etc.
> Hanna-Scarlet Manifesto.
> (I also have other releases in the house & techno genre)
> If anyone is interested I'll email you my discography.
> (all my recordings are on the SP-808)
>                                          ---late,
>                                                  Hanna
> 

From Loopers-Delight-request@loopers-delight.com  Tue Apr 10 12:47:08 2001
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Stop it.  Stop it right now.

This list, bless the switches, hubs and cables that enable it, is a
gracious haven of good music and good will.  Please do not spoil it by
continuing what could be--and I am not making accusations yet--an atrocious
flame war.  Commercialism is frowned upon, though self-promotion not
always.  Ideas are bickered over, but without acrimony.  I love this list,
though I don't actually contribute that often myself.  Still, it's a
resource, a release and a retreat for me and probably hundreds of others.
Don't spoil it.

I will look out for you in the July EM.  Good luck in your endeavors.  Keep
looping,

L



                                                                                            
                    Warren Harris                                                           
                    <hannax@earth        To:     <Loopers-Delight@loopers-delight.com>      
                    link.net>            cc:                                                
                                         Subject:     Re: Hanna-Scarlet Manifesto           
                    04/10/01                                                                
                    11:30 AM                                                                
                    Please                                                                  
                    respond to                                                              
                    Loopers-Delig                                                           
                    ht                                                                      
                                                                                            
                                                                                            



please let me know where i can buy records,
i would like to purchase them all

> From: "Curtis P Seiss" <seisscp@washpost.com>
> Reply-To: Loopers-Delight@loopers-delight.com
> Date: Tue, 10 Apr 2001 11:57:14 -0400
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Hanna-Scarlet Manifesto
> Resent-From: Loopers-Delight@loopers-delight.com
> Resent-Date: Tue, 10 Apr 2001 12:12:51 -0400
>
>
> i assume you have to be this moronic to get a record label deal.
>
>
>
>
> Hello All,
> My artist name is Hanna.
> I've been using the SP-808 since it came out.
> I have a full length drum and bass CD out now
> that was exclusively recorded on the SP-808 as the
> multi track.
> I was interviewed for the July issue of ELECTRONIC
> MUSICIAN magazine 2001 (Pro/File section) on how I
> recorded the CD which is called SCARLET MANIFESTO.
> It is on SHADOW records label.
> If anything it's a collectors item for SP-808 users if you're
> not into drum and bass.
> Give it a listen. You can get it at most record stores and online
> Tower, Borders, Amazon.com, CDnow etc.
> Hanna-Scarlet Manifesto.
> (I also have other releases in the house & techno genre)
> If anyone is interested I'll email you my discography.
> (all my recordings are on the SP-808)
>                                          ---late,
>                                                  Hanna
>





From Loopers-Delight-request@loopers-delight.com  Tue Apr 10 13:00:06 2001
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--- rich <rich@nuvisionsca.com> wrote:
> however, i'm curious...i use the fs300 for another
> piece of gear. 
> what do each of the switches do on the jammie?  i'm
> guessing tap, 
> reset and ?

Yes, Tap, Reset and... Tap again, the "C" switch
access the same function as the "A" switch but I
haven´t had the time to make a special cable which I
think it could work like an "Y" cord in which the "C"
switch goes to another jack end and into the
"function-select" jack and choose one of this to
control it with the extra "C" switch, the same for the
Vortex, I´ve used the FS300 with it too.
Alx.


__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Tue Apr 10 14:06:50 2001
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From: jim palmer <jimp@pobox.com>
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i don't usually post "me too" replies, but this one is called for...
(besides, what is a loop without repetition anyway?)

me too

> 
> Stop it.  Stop it right now.
> 
> This list, bless the switches, hubs and cables that enable it, is a
> gracious haven of good music and good will.  Please do not spoil it by
> continuing what could be--and I am not making accusations yet--an atrocious
> flame war.  Commercialism is frowned upon, though self-promotion not
> always.  Ideas are bickered over, but without acrimony.  I love this list,
> though I don't actually contribute that often myself.  Still, it's a
> resource, a release and a retreat for me and probably hundreds of others.
> Don't spoil it.
> 
> I will look out for you in the July EM.  Good luck in your endeavors.  Keep
> looping,
> 
> L
> 
> 


From Loopers-Delight-request@loopers-delight.com  Tue Apr 10 14:52:00 2001
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theres been some talk of using mixers in your rig lately and I have 2
for sale that I have used in a gtr/synth/loop rig, I thought I'd offer
them up to see if they can be of good use to someone here

         Yamaha KM-802, small desktop case, easily fits on rack shelf,
very narrow
8 ch's, 2 w/ preamps, the thing that makes this cool is 3 auxes ea w/
indiv control
good condition, great for using in gtr amp loop, runs at low levels
nicely

    PV valvex TUBE mixer, this is a really great mixer for instrument
racks!
6 ch's, 1 efx snd w/ stereo ret, very warm, very quiet, very clean,
highly recomended
pushes a power amp very nicely, I used this w/ a marshall 8008 and it
sounded great

I also have a Korg A2 for sale, this is a great multi efx, functions
well as a do it all unit for loops or has stellar performance as a
processor in any environment, sonic character head and shoulders above
an awful lot of the available processors, I got an A1 so its no longer
needed, love the sound of these!

if your interested email me OFFLIST for details, a sales notice is one
thing but I'll try and make sure this isn't intrusive

peace  ya'll         steve

From Loopers-Delight-request@loopers-delight.com  Tue Apr 10 19:48:22 2001
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Kevin Graves
DJ/Producer
(347) 581-8536
kevin.graves@deckspin.com

From Loopers-Delight-request@loopers-delight.com  Tue Apr 10 21:12:16 2001
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Subject:
        MPX-R1 question
   Date:
        Tue, 10 Apr 2001 12:40:28 -0700
 You don't say what you're controlling, Steve, but if it's an MPX1, I
believe (?) that all the parameters that can be controlled by the R1 are
controllable via midi.  Why not try a midi footpedal, which should be
complete quiet.

Elby


From:
        Steve Lawson <steve@steve-lawson.co.uk>
     To:
        <Loopers-Delight@loopers-delight.com>



Does anyone have any cool ideas for making the R1 foot controller
quieter???
I really like the interface (though I do wish that it was a couple of
inches
shorter so that it would fit in the back of my rack!) but the really
loud
clicking sounds that happen whenever i press a pedal is really annoying,

especially as I play in really quiet settings in studios, and don't want
to
have to mic my cab in the next room. any ideas of modifying it
internally to
make it a little quieter?

conversely, can anyone suggest another foot controller that will have
the
same functions that is a) a little bit smaller and b) less noisy!

cheers

Steve
www.steve-lawson.co.uk

From Loopers-Delight-request@loopers-delight.com  Tue Apr 10 21:22:32 2001
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Hi!

I am new to this list and I was wondering if there are any Fairlight
fans out here?

-- 
Best regards,
Eric J. vanLuijk                          mailto:evanluijk@vergosoft.com

"It is a miracle that curiosity survives formal education."
- Albert Einstein


From Loopers-Delight-request@loopers-delight.com  Tue Apr 10 23:39:45 2001
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I recently got a Digitech ISP33B with no manual and no footswitch.  I understand
the FS300 was the footswitch originally shipped with the ISP.

However, can anyone give me an alternate footswitch to use other than going a
midi pedal board?

All I want is to be able to bypass the effect.  At the moment I have I stuck in
a Boss LS2 Line Selector.

Also do the delays/ reverberations etc tail off when the unit is bypassed or is
it a hard bypass - cuts off the effect totally

Hope to hear back.

Anthony

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From Loopers-Delight-request@loopers-delight.com  Wed Apr 11 00:46:37 2001
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If all you need is program change & midi cc, you
might like the ART X-15.

http://www.artroch.com/products_detail.asp?PRODUCTID=61

The switches make no noise at all. I've had mine for
almost 7 years with no problems. The 2 exp pedals
come in handy.

My only gripes about the X-15 are....

1) with the exception of the bypass switch, none of
   the switches can be programmed to act as
   momentary switches. This prevents me from using it
   as an EDP controller.

2) the switches are very low profile with a membrane
   covering. Good for keeping the dust out, bad for
   feeling your way around while wearing shoes.


John


--- Steve Lawson <steve@steve-lawson.co.uk> wrote:
> conversely, can anyone suggest another foot
> controller that will have the
> same functions that is a) a little bit smaller and
> b) less noisy!
> 
> cheers
> 
> Steve 
> www.steve-lawson.co.uk 



=====
John Tidwell




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From Loopers-Delight-request@loopers-delight.com  Wed Apr 11 01:51:52 2001
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From: "Alan Imberg" <alan_i@sprynet.com>
To: "Loopers" <Loopers-Delight@annihilist.com>
Subject: Looping Related Magazine Articles
Date: Tue, 10 Apr 2001 22:48:21 -0700
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Loopers:
I came across two loop-related articles in two separate publications. =
One was a cover story in Signal to Noise about Pauline Oliveros. It =
discusses her early work with the SF Tape Music Center as well as recent =
works with delay and reverb. The other article, in Magnet, is on Terry =
Riley. It too discusses the SF Tape Music Center as well as other works =
that are quite loop-oriented. Both these magazines are hard to find. =
Here are links to their websites if you're interested in checking them =
out.

http://www.signaltonoisemagazine.org
http://www.magnetmagazine.com


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charset=3Diso-8859-1">
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</HEAD>
<BODY bgColor=3D#c8e0d8>
<DIV><FONT face=3DArial size=3D2>Loopers:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I came across two loop-related articles =
in two=20
separate publications. One was a cover story in Signal to Noise about =
Pauline=20
Oliveros. It discusses her early work with the SF Tape Music Center as =
well=20
as&nbsp;recent works with delay and reverb. The&nbsp;other article, in =
Magnet,=20
is on Terry Riley. It too discusses the SF Tape Music Center as well=20
as&nbsp;other works that are quite loop-oriented. Both these magazines =
are hard=20
to find. Here are&nbsp;links to their websites if you're interested in =
checking=20
them out.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.signaltonoisemagazine.org">http://www.signaltonoisemag=
azine.org</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.magnetmagazine.com">http://www.magnetmagazine.com</A><=
/FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed Apr 11 03:10:15 2001
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Date: Wed, 11 Apr 2001 03:06:44 EDT
Subject: Re: JamMan footswitch
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>  what kind of footswitch I could use for the Jam man? 

go to
 <A HREF="http://members.aol.com/soundfnr/vortex.htm">Lexicon Vortex Database
</A> 
it's the same as for the Vortex

andy butler

From Loopers-Delight-request@loopers-delight.com  Wed Apr 11 05:21:16 2001
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Date: Wed, 11 Apr 2001 05:19:41 -0400
Subject: Yet another EDP question
From: Steve Sandberg <stevesandberg@earthlink.net>
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> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

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Thanks to all for quick replies to my EDP questions, and here's another one
--
When I turn "switch quantize" to confirm, I was hoping the lame duck
functions would work similarly to when it's set to "cyc" -- the only
difference being if I pressed "next loop" and then record, the EDP would
wait until I pressed undo to start the next loop.  But what actually happens
is, as soon as I press record I'm recording the next loop.  The confirm
press only seems to work for playback.
Comments, anyone? 

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<HTML>
<HEAD>
<TITLE>Yet another EDP question</TITLE>
</HEAD>
<BODY>
<FONT SIZE=3D"4">Thanks to all for quick replies to my EDP questions, and her=
e's another one --<BR>
When I turn &quot;switch quantize&quot; to confirm, I was hoping the lame d=
uck functions would work similarly to when it's set to &quot;cyc&quot; -- th=
e only difference being if I pressed &quot;next loop&quot; and then record, =
the EDP would wait until I pressed undo to start the next loop. &nbsp;But wh=
at actually happens is, as soon as I press record I'm recording the next loo=
p. &nbsp;The confirm press only seems to work for playback.<BR>
Comments, anyone?</FONT>
</BODY>
</HTML>


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From Loopers-Delight-request@loopers-delight.com  Wed Apr 11 13:12:31 2001
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From: "Paul A. Baugher" <pbaugher@digitalskyline.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: Groovebox MC-303 users...
Date: Wed, 11 Apr 2001 13:10:17 -0400
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Yet another EDP questionHi, I just got an MC-303 but it was missing the
instruction manual... I managed to get a copy of the quick start guide, but
it doesn't explain how to create patterns, or assign "tones" to parts etc.
If any of you know of any online tutorials, or where I might find an online
manual for this box please help! I've been searching through search engine
and haven't found any useful resources. Thanks!
-pb

*---------------------------------------------*
Paul A. Baugher - Director
Digital Skyline Studios
323 1/2 N. Alice Ave.
Rochester Hills, MI 48307
Call: (248) 601-9645
Fax: (248) 601-9646
*---------- www.digitalskyline.com -----------*


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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD><TITLE>Yet another EDP question</TITLE>
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<DIV><SPAN class=3D365330117-11042001><FONT face=3DArial color=3D#0000ff =
size=3D2>Hi, I=20
just got an MC-303 but it was missing the instruction manual... I =
managed to get=20
a copy of the quick start guide, but it doesn't explain how to create =
patterns,=20
or assign "tones" to parts etc. If any of you know of any online =
tutorials, or=20
where I might find an online manual for this box please help! I've been=20
searching through search engine and haven't found any useful resources.=20
Thanks!</FONT></SPAN></DIV>
<DIV><SPAN class=3D365330117-11042001><FONT face=3DArial color=3D#0000ff =

size=3D2>-pb</FONT></SPAN></DIV>
<DIV><SPAN class=3D365330117-11042001><FONT face=3DArial color=3D#0000ff =

size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D365330117-11042001>
<P><FONT =
size=3D2>*---------------------------------------------*<BR>Paul A.=20
Baugher - Director<BR>Digital Skyline Studios<BR>323 1/2 N. Alice=20
Ave.<BR>Rochester Hills, MI 48307<BR>Call: (248) 601-9645<BR>Fax: (248)=20
601-9646<BR>*---------- www.digitalskyline.com -----------*</FONT>=20
</P></SPAN></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed Apr 11 14:03:14 2001
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To: "'Loopers-Delight@loopers-delight.com'"
	 <Loopers-Delight@loopers-delight.com>
Subject: so cal gig announcement, er, spam, er . . . 
Date: Wed, 11 Apr 2001 13:41:35 -0400
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howdy,

a so cal semi-looping fest . . . 


Thursday, 4/12
9:00: 
Front BC -
Brian Christopherson (drums)
Jeremy Keller (guitars)
Edgardo Ramirez (bass)
Rich Yusim (keyboard) 


10:00: 
The Splinter Group - 
GE Stinson (guitars, loopage) 
Stuart Liebig (basses, loopage) 
Kaouru (voice, toys/percussion,loopage)
DJ Chowderhead (turntables, beats)

11:00: 
The Nels Cline Singers - 
Nels Cline (guitar, loopage) 
Devon Hoff (bass) 
Scott Amendola (drums)

** this is nels' new trio. looking forward to hearing them do their thang.


Mr. T's Bowl
5621 1/2 Figueroa
LA, 90042
323.256.7561
9 PM, $5

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<P><FONT SIZE=2>howdy,</FONT>
</P>

<P><FONT SIZE=2>a so cal semi-looping fest . . . </FONT>
</P>
<BR>

<P><FONT SIZE=2>Thursday, 4/12</FONT>
<BR><FONT SIZE=2>9:00: </FONT>
<BR><FONT SIZE=2>Front BC -</FONT>
<BR><FONT SIZE=2>Brian Christopherson (drums)</FONT>
<BR><FONT SIZE=2>Jeremy Keller (guitars)</FONT>
<BR><FONT SIZE=2>Edgardo Ramirez (bass)</FONT>
<BR><FONT SIZE=2>Rich Yusim (keyboard) </FONT>
</P>
<BR>

<P><FONT SIZE=2>10:00: </FONT>
<BR><FONT SIZE=2>The Splinter Group - </FONT>
<BR><FONT SIZE=2>GE Stinson (guitars, loopage) </FONT>
<BR><FONT SIZE=2>Stuart Liebig (basses, loopage) </FONT>
<BR><FONT SIZE=2>Kaouru (voice, toys/percussion,loopage)</FONT>
<BR><FONT SIZE=2>DJ Chowderhead (turntables, beats)</FONT>
</P>

<P><FONT SIZE=2>11:00: </FONT>
<BR><FONT SIZE=2>The Nels Cline Singers - </FONT>
<BR><FONT SIZE=2>Nels Cline (guitar, loopage) </FONT>
<BR><FONT SIZE=2>Devon Hoff (bass) </FONT>
<BR><FONT SIZE=2>Scott Amendola (drums)</FONT>
</P>

<P><FONT SIZE=2>** this is nels' new trio. looking forward to hearing them do their thang.</FONT>
</P>
<BR>

<P><FONT SIZE=2>Mr. T's Bowl</FONT>
<BR><FONT SIZE=2>5621 1/2 Figueroa</FONT>
<BR><FONT SIZE=2>LA, 90042</FONT>
<BR><FONT SIZE=2>323.256.7561</FONT>
<BR><FONT SIZE=2>9 PM, $5</FONT>
</P>

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From Loopers-Delight-request@loopers-delight.com  Wed Apr 11 14:49:15 2001
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the "there's one born every minute tour" continues with the m.klobuchar big 
band (me and my boxes) at CITY TAVEREN located in ONE OXFORD CENTER in 
down-town PITTSBURGH tonite april 11 from 6-8 pm.....sorry for the late 
notice, i will understand if nobody shows up, although you will not be 
forgiven!.....:).....also on EASTER SUNDAY at 2pm the MKBB will be preforming 
at the V.A. HOSPITAL in ASPINWAL PA., just up the river from PITTSBURGH, i 
think im on with some tap-dancers, this could be very neat!.....also some 
good news!, i am no longer un-employed, i will be tending bar at a new joint 
opening up in our "CULTURAL DISTRICT" where all the theaters are: HEINZ 
HALL-THE BENEDUM-O'REILY THEATER-ETC. so instead of dealing with lawyers i 
will be making drinks for stars, yea sure!.....but who knows, it could be 
another venue for the MKBB perhaps.....next wed. april 18 i am looking 
forward to seeing and hearing "PROJECT OBJECT" who will be here in PITTSBURGH 
(as you can all now see,  truely the loop center of the universe) so ANDRE if 
you read this be on the lookout for me.....stay tuned, times are getting 
exciting.....michael

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>the "there's one born every minute tour" continues with the m.klobuchar big 
<BR>band (me and my boxes) at CITY TAVEREN located in ONE OXFORD CENTER in 
<BR>down-town PITTSBURGH tonite april 11 from 6-8 pm.....sorry for the late 
<BR>notice, i will understand if nobody shows up, although you will not be 
<BR>forgiven!.....:).....also on EASTER SUNDAY at 2pm the MKBB will be preforming 
<BR>at the V.A. HOSPITAL in ASPINWAL PA., just up the river from PITTSBURGH, i 
<BR>think im on with some tap-dancers, this could be very neat!.....also some 
<BR>good news!, i am no longer un-employed, i will be tending bar at a new joint 
<BR>opening up in our "CULTURAL DISTRICT" where all the theaters are: HEINZ 
<BR>HALL-THE BENEDUM-O'REILY THEATER-ETC. so instead of dealing with lawyers i 
<BR>will be making drinks for stars, yea sure!.....but who knows, it could be 
<BR>another venue for the MKBB perhaps.....next wed. april 18 i am looking 
<BR>forward to seeing and hearing "PROJECT OBJECT" who will be here in PITTSBURGH 
<BR>(as you can all now see, &nbsp;truely the loop center of the universe) so ANDRE if 
<BR>you read this be on the lookout for me.....stay tuned, times are getting 
<BR>exciting.....michael</FONT></HTML>

--part1_bb.d4ca8f3.2805ffcb_boundary--

From Loopers-Delight-request@loopers-delight.com  Wed Apr 11 15:12:23 2001
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From: "Taaffe, Denis G" <dtaaffe@indiana.edu>
To: "'Loopers-Delight@loopers-delight.com'"
	 <Loopers-Delight@loopers-delight.com>
Subject: free loop mp3
Date: Wed, 11 Apr 2001 14:09:04 -0500
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 Howdy,
 
 well, I have a enw mp3 which is fairly short to download, it was to be for
a movie score, but was never used so I had to do something with it, so if
you want to take a listen, yu can get it at
http://www.dtguitar.com/chilled_.mp3 <http://www.dtguitar.com/chilled_.mp3>
. I like it anyway.
 
thanks
Denis
 
Denis taaffe
denis_aliengtr@geocities.com <mailto:denis_aliengtr@geocities.com> 
http://www.dtguitar.com

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<DIV><FONT face=Arial color=#0000ff size=2><SPAN 
class=212550619-11042001>&nbsp;Howdy,</SPAN></FONT></DIV>
<DIV><FONT face=Arial color=#0000ff size=2><SPAN 
class=212550619-11042001></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial color=#0000ff size=2><SPAN 
class=212550619-11042001>&nbsp;well, I have a enw mp3 which is fairly short to 
download, it was to be for a movie score, but was never used so I had to do 
something with it, so if you want to&nbsp;take a listen, yu can get it at&nbsp; 
<A 
href="http://www.dtguitar.com/chilled_.mp3">http://www.dtguitar.com/chilled_.mp3</A>&nbsp;. 
I like it anyway.</SPAN></FONT></DIV>
<DIV><FONT face=Arial color=#0000ff size=2><SPAN 
class=212550619-11042001></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial color=#0000ff size=2><SPAN 
class=212550619-11042001>thanks</SPAN></FONT></DIV>
<DIV><FONT face=Arial color=#0000ff size=2><SPAN 
class=212550619-11042001>Denis</SPAN></FONT></DIV>
<DIV><FONT face=Arial color=#0000ff size=2><SPAN 
class=212550619-11042001></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial color=#0000ff size=2><SPAN class=212550619-11042001>Denis 
taaffe</SPAN></FONT></DIV>
<DIV><FONT face=Arial color=#0000ff size=2><SPAN class=212550619-11042001><A 
href="mailto:denis_aliengtr@geocities.com">denis_aliengtr@geocities.com</A></SPAN></FONT></DIV>
<DIV><FONT face=Arial color=#0000ff size=2><SPAN 
class=212550619-11042001>http://www.dtguitar.com</SPAN></FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed Apr 11 15:25:16 2001
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Date: Wed, 11 Apr 2001 12:21:57 -0700
To: Loopers-Delight@loopers-delight.com
From: Chris Chovit <cho@newdream.net>
Subject: April 12th, Yuri's Night-The World Space Party, The LA Party!!!
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>Slightly off-topic, but some of you in the LA area might be interested in
>this....  -C
> 
>
><http://www.yurisnight.net/>www.yurisnight.net
> 
> 
>-----Original Message-----
>From: Loretta Hidalgo [mailto:loretta@its.caltech.edu]
>Sent: Friday, March 30, 2001 9:43 AM
>To: so-cal-space
>Subject: April 12th, Yuri's Night-The World Space Party, The LA Party!!!
>
>Dear So-Cal Space List,
>What follows may be construed as advertising- please delete if you do not
>wish to receive it.  Thank you! 
>*******************************
>Summary:
>what-Yuri's Night:  The World Space Party (44 cities- 7 continents)- Los
>Angeles
>when-April 12, 9PM - 2AM
>where-The Palace, Hollywood
>The best DJs for techno/house/trance
>buy tickets at <http://la.yurisnight.net/>http://la.yurisnight.net/
>10$ before April 1st  (15$ after/20$ after 10 at the door!)
>who-hosted locally and globally by the U.N. Space Generation Forum,
>International Space University alumni, and local young adult volunteers
>with the help of Space Frontier Foundation, The Altenklingen Foundation
>and many others!
>********************************
>
>And, for those of you who what all the details: (please pass this on to
>anyone you think would be interested!
> 
>
>April 12th is the 40th anniversary of Yuri Gagarin becoming the first
>human in orbit, and, by strange coincidence, the  20th  anniversary of the
>first space shuttle launch.
>
>To celebrate, I (and a bunch of other people) are planning a HUGE
>space-party ("Yuri's Night") for April 12.  This party is one of 44
>world-wide parties in 24 countries... see
><http://www.yurisnight.net/>www.yurisnight.net  for details.  Our aim is
>to bring space to people in a new way- through the Hollywood dance scene.
>
>Our Los Angeles event will be the biggest celebration in the US. 
>It&rsquo;s at the legendary Hollywood Palace, just across from the Capital
>Records Building, just above Hollywood and Vine.  Some of the biggest DJs
>in the world will be playing, including D:Fuse, the American tour partner
>of Paul Oakenfold; DJ Mars, the trance prodigy from San Francisco; as well
>local favorites like Liza Richardson from KCRW and Tony Watson from Wax
>Records.
>
>There will also be space heroes, Hollywood celebrities, footage from other
>parties around the world, the lunar rover from  "From the Earth to the
>Moon" , and the coolest spacesuit-clad go-go dancers you have ever seen!
>
>All proceeds from this event go to space-related charities: Permission to
>Dream gives telescopes to inner-city kids, and Under African Skies sends
>space educators to African schools.
>
>Tickets are easy to get: buy online at la.yurisnight.net, or at
>www.stickytickets.com.  Or you can call Sticky Tickets at 1.800.464.2275. 
>If you buy before April 1,  tickets are only 10$.
>
>I really hope you can come (and bring other people too)!!!  We&rsquo;ve
>been working hard on this for months and it should truly be a
>once-in-lifetime, amazingly-fun experience, all for some really great
>causes.
>
>Please don&rsquo;t hesitate to contact me if you have any questions . . .
>you can also check out our websites at: la.yurisnight.net for info on our
>LA event, including directions to the Palace, T-shirt sales, and ticket
>details;  see <http://www.yurisnight.net>www.yurisnight.net, for info on
>the global event and the ideas behind it all.
>
>And please forward this on if you know someone who might also be interested.
>
>See you April 12!!!  
> 
>Loretta Hidalgo
>Co-Creator of Yuri's Night- The World Party for Space
><mailto:loretta@yurisnight.net>loretta@yurisnight.net
>626 304-9794
> 
>PS this also doubles as my birthday party this year.  I will be 27 on
>April 12th.
>I hope you all can come- it should be the biggest yet.
> 
>(click button to go to the site) 
>
><http://www.yurisnight.net/>www.yurisnight.net
>
> 
> 
>
>
>

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Content-Type: text/enriched; charset="us-ascii"
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<excerpt>Slightly off-topic, but some of you in the LA area might be
interested in this....  -C

=20

=20

<<http://www.yurisnight.net/>www.yurisnight.net

=20

=20

<fontfamily><param>Times_New_Roman</param>-----Original Message-----

<bold>From:</bold> Loretta Hidalgo [mailto:loretta@its.caltech.edu]

<bold>Sent:</bold> Friday, March 30, 2001 9:43 AM

<bold>To:</bold> so-cal-space

<bold>Subject:</bold> April 12th, Yuri's Night-The World Space Party,
The LA Party!!!


</fontfamily>Dear <fontfamily><param>Arial</param>So-Cal Space
List</fontfamily>,

<fontfamily><param>Arial</param>What follows may be construed as
advertising- please delete if you do not wish to receive it.  Thank
you!</fontfamily>=20

*******************************

<bold>Summary:

</bold><fontfamily><param>Arial</param>what-</fontfamily>Yuri's Night:=20
The World Space Party<fontfamily><param>Arial</param> (44 cities- 7
continents)- Los Angeles

when-</fontfamily>April 12, 9PM - 2AM

<fontfamily><param>Arial</param>where-</fontfamily>The Palace,
Hollywood

The best DJs for techno/house/trance

buy tickets at <<http://la.yurisnight.net/>http://la.yurisnight.net/

<fontfamily><param>Arial</param>10$ </fontfamily>before April
1st <fontfamily><param>Arial</param> (15$ after/20$ after 10 at the
door!)

who-hosted locally and globally by the U.N. Space Generation Forum,
International Space University alumni, and local young adult volunteers
with the help of Space Frontier Foundation, The Altenklingen Foundation
and many others!

</fontfamily>********************************


And, for those of you who what all the details:
<fontfamily><param>Arial</param>(please pass this on to anyone you
think would be interested!

</fontfamily>=20


April 12th is the 40th anniversary of Yuri Gagarin becoming the first
human in orbit, and, by strange coincidence, the=20
<fontfamily><param>Arial</param>20th<color><param>0000,0000,FFFF</param> </c=
olor></fontfamily>
anniversary of the first space shuttle launch.


To celebrate, I (and a bunch of other people) are planning a HUGE
space-party ("Yuri's Night") for April 12.  This party is one of
<fontfamily><param>Arial</param>44</fontfamily> world-wide parties in
2<fontfamily><param>Arial</param>4</fontfamily> countries... see

<<http://www.yurisnight.net/>www.yurisnight.net  for
details. <fontfamily><param>Arial</param> Our aim is to bring space to
people in a new way- through the Hollywood dance scene.


</fontfamily>Our Los Angeles event will be the biggest celebration in
the US.  It&rsquo;s at the legendary Hollywood Palace, just across from
the Capital Records Building, just above Hollywood and Vine.  Some of
the biggest DJs in the world will be playing, including
<underline>D:Fuse</underline>, the American tour partner of Paul
Oakenfold; <underline>DJ Mars</underline>, the trance prodigy from San
=46rancisco; as well local favorites like <underline>Liza
Richardson</underline> from KCRW and <underline>Tony Watson</underline>
from Wax Records.


There will also be <fontfamily><param>Arial</param>space
heroes</fontfamily>, Hollywood celebrities,
<fontfamily><param>Arial</param>footage from other parties around the
world, </fontfamily>the lunar rover from=20
<fontfamily><param>Arial</param>"From the Earth to the Moon"
</fontfamily>, and the coolest spacesuit-clad go-go dancers you have
ever seen!


All proceeds from this event go to space-related charities: Permission
to Dream gives telescopes to inner-city kids, and Under African Skies
sends space educators to African schools.


Tickets are easy to get: buy online at la.yurisnight.net, or at
www.stickytickets.com.  Or you can call Sticky Tickets at
1.800.464.2275.  If you buy before April
1, <fontfamily><param>Arial</param> tickets are only 10$</fontfamily>.


I really hope you can come (and bring other people too)!!!  We&rsquo;ve
been working hard on this for months and it should truly be a
once-in-lifetime, amazingly-fun experience, all for some really great
causes.


Please don&rsquo;t hesitate to contact me if you have any questions . .
=2E. you can also check out our websites at: la.yurisnight.net for info on
our LA event, including directions to the
Palace<fontfamily><param>Arial</param>, T-shirt sales,</fontfamily> and
ticket details;  <fontfamily><param>Arial</param>see
</fontfamily><<http://www.yurisnight.net>www.yurisnight.net, for info
on the global event and the ideas behind it all.


And please forward this on if you know someone who might also be
interested.


See you April
12!!! <fontfamily><param>Arial</param><color><param>0000,0000,FFFF</param>=
=20

</color></fontfamily>=20

Loretta Hidalgo

Co-Creator of Yuri's Night- The World Party for Space

<fontfamily><param>Arial</param><<mailto:loretta@yurisnight.net><color><para=
m>0000,0000,FFFF</param>loretta@yurisnight.net

</color>626 304-9794

</fontfamily>=20

<fontfamily><param>Arial</param>PS this also doubles as my birthday
party this year.  I will be 27 on April 12th.

I hope you all can come- it should be the biggest yet.

<color><param>0000,0000,FFFF</param>=20

(click button to go to the site)=20

=20

</color></fontfamily><<http://www.yurisnight.net/>www.yurisnight.net


=20

=20




</excerpt>

--============_-1225105577==_ma============--

From Loopers-Delight-request@loopers-delight.com  Wed Apr 11 21:05:45 2001
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From: "andrew rickard" <gangafairy@home.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: 
Date: Wed, 11 Apr 2001 18:02:10 -0700
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WHAT GOING ON??????????????/
WE R GETTIN' ALL YUR EMALE.    I DON'T WANT IT=20

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<DIV><FONT face=3DArial size=3D2>WHAT GOING =
ON??????????????/</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>WE R GETTIN' ALL YUR =
EMALE.&nbsp;&nbsp;&nbsp; I=20
DON'T WANT IT </FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed Apr 11 21:19:06 2001
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To: <Loopers-Delight@loopers-delight.com>
References: <002301c0c2ec$3415fae0$f4bf4118@gv.shawcable.net>
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huh?
  ----- Original Message -----=20
  From: andrew rickard=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Wednesday, April 11, 2001 8:02 PM


  WHAT GOING ON??????????????/
  WE R GETTIN' ALL YUR EMALE.    I DON'T WANT IT=20

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  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A href=3D"mailto:gangafairy@home.com" =
title=3Dgangafairy@home.com>andrew=20
  rickard</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  href=3D"mailto:Loopers-Delight@loopers-delight.com"=20
  =
title=3DLoopers-Delight@loopers-delight.com>Loopers-Delight@loopers-delig=
ht.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, April 11, 2001 =
8:02=20
  PM</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial size=3D2>WHAT GOING =
ON??????????????/</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>WE R GETTIN' ALL YUR =
EMALE.&nbsp;&nbsp;&nbsp; I=20
  DON'T WANT IT </FONT></DIV></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed Apr 11 22:16:31 2001
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Date: Wed, 11 Apr 2001 22:11:07 EDT
Subject: Re: ot: gig spam pittsburgh
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Nemoguitt, we should talk. I'm in the 'Burgh.

Regards, Paul
"The Divebombers"

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Links to interesting toys- 

http://www.basslab.com/miditech/index.htm

http://www.sidstation.com/

http://www.marcandella.ch/WG3/Miditech/Midicontrol/MT_Midicontrol.htm

From Loopers-Delight-request@loopers-delight.com  Wed Apr 11 23:29:08 2001
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gang of fairies?!

-----Original Message-----
From: andrew rickard [mailto:gangafairy@home.com]
Sent: Wednesday, April 11, 2001 8:02 PM
To: Loopers-Delight@loopers-delight.com
Subject: 


WHAT GOING ON??????????????/
WE R GETTIN' ALL YUR EMALE.    I DON'T WANT IT 


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<DIV><FONT color=#0000ff face=Arial size=2><SPAN class=500544203-12042001>gang 
of fairies?!</SPAN></FONT></DIV>
<BLOCKQUOTE style="MARGIN-RIGHT: 0px">
  <DIV align=left class=OutlookMessageHeader dir=ltr><FONT face=Tahoma 
  size=2>-----Original Message-----<BR><B>From:</B> andrew rickard 
  [mailto:gangafairy@home.com]<BR><B>Sent:</B> Wednesday, April 11, 2001 8:02 
  PM<BR><B>To:</B> Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> 
  <BR><BR></DIV></FONT>
  <DIV><FONT face=Arial size=2>WHAT GOING ON??????????????/</FONT></DIV>
  <DIV><FONT face=Arial size=2>WE R GETTIN' ALL YUR EMALE.&nbsp;&nbsp;&nbsp; I 
  DON'T WANT IT </FONT></DIV></BLOCKQUOTE></BODY></HTML>

------_=_NextPart_001_01C0C300.4A51E030--

From Loopers-Delight-request@loopers-delight.com  Wed Apr 11 23:34:31 2001
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From: "Darcy Clark" <darcyc@engin.umich.edu>
To: <Loopers-Delight@loopers-delight.com>
Subject: Lexicon Jamman and Vortex units for sale
Date: Wed, 11 Apr 2001 23:37:16 -0400
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Selling up my little collection of Lexicon units :

Lexicon Jamman 32sec
http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=1423495000

Lexicon Vortex
http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=1423505554

cheers,

Darcy

From Loopers-Delight-request@loopers-delight.com  Thu Apr 12 00:15:16 2001
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To: "Art List"  <emile@foryourhead.com>
From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Video Performance @ Trance Dance 4.14.01
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Hi Folks,

I'll be doing video improvisations as part of a Participatory Dance 
event called Trance Dance on Saturday night. So come shake your butt 
and tickle your eyeballs:)

I don't know the admission price, but I'm sure its not huge. The last 
one was really fun, and had both live music and a DJ spinning trancy 
world-beat.

Sat. April 14th, 8:00 - 10:30 PM
First Congregational Church
11 Garden St. Cambridge, MA (Harvard Sq.)


black light instillation, art instillation
A sacred space celebrating the transformational power of music, dance and art
and the power of community.

To dance then,is to pray, to meditate,
to enter into communion
with the larger dance, which is the universe.  **Jean Houston
-- 
"Once the search is in progress, something will be found"

-- Brian Eno and Peter Schmidt


		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

From Loopers-Delight-request@loopers-delight.com  Thu Apr 12 01:07:09 2001
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Date: Wed, 11 Apr 2001 22:05:24 -0700
From: Kevin <kevin@minds-eye.org>
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Hello,

I have a line on a PMC 10 Midi controller and I was wondering how useful
this is without the external programming pad.  I'm not sure if this has
one or not and I was told by Digitech at one time that they were pretty
useless without them.  Of course, I also recall mention of I believe its
Raymond, a PMC 10 editing program.  What sort of interface/connection do
you have to have to use this (my computer will receive MIDI commands (at
least using one cheap synth program at least).

Thanks in advance

Kevin

From Loopers-Delight-request@loopers-delight.com  Thu Apr 12 01:28:11 2001
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Subject: RE:mailing list:ATT looper!!!!!!!take me off
Date: Thu, 12 Apr 2001 01:25:16 -0400
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<html><DIV>
<P>sounds like a prob- i dont know how i got on this mailing list or how to get off of it<BR>sounds like cool equip but not my speciality<BR></P></DIV>
<DIV></DIV>
<DIV></DIV>&gt;From: "Taaffe, Denis G" <DTAAFFE@INDIANA.EDU>
<DIV></DIV>&gt;Reply-To: Loopers-Delight@loopers-delight.com 
<DIV></DIV>&gt;To: "'Loopers-Delight@loopers-delight.com'" <LOOPERS-DELIGHT@LOOPERS-DELIGHT.COM>
<DIV></DIV>&gt;Subject: RE: 
<DIV></DIV>&gt;Date: Wed, 11 Apr 2001 22:25:58 -0500 
<DIV></DIV>&gt; 
<DIV></DIV>&gt;gang of fairies?! 
<DIV></DIV>&gt; 
<DIV></DIV>&gt;-----Original Message----- 
<DIV></DIV>&gt;From: andrew rickard [mailto:gangafairy@home.com] 
<DIV></DIV>&gt;Sent: Wednesday, April 11, 2001 8:02 PM 
<DIV></DIV>&gt;To: Loopers-Delight@loopers-delight.com 
<DIV></DIV>&gt;Subject: 
<DIV></DIV>&gt; 
<DIV></DIV>&gt; 
<DIV></DIV>&gt;WHAT GOING ON??????????????/ 
<DIV></DIV>&gt;WE R GETTIN' ALL YUR EMALE. I DON'T WANT IT 
<DIV></DIV>&gt; 
<DIV></DIV><br clear=all><hr>Get your FREE download of MSN Explorer at <a href="http://explorer.msn.com">http://explorer.msn.com</a><br></p></html>

From Loopers-Delight-request@loopers-delight.com  Thu Apr 12 02:18:05 2001
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Date: Wed, 11 Apr 2001 23:15:40 -0700 (PDT)
From: Stephen <dakshah@yahoo.com>
Subject: Re: PMC 10 Question
To: Loopers-Delight@loopers-delight.com
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I bought a pmc-10 that didn't have a programming pad. 
Dave Brillhart  over at the windsynth mailing list
helped me out get my pc hooked up to raymond.  Check
out posts in the archives at:

http://lists.mun.ca/cgi-bin/wa?A2=ind0003D&L=wind&P=R1344

http://lists.mun.ca/cgi-bin/wa?A2=ind0003D&L=wind&P=R3207

http://lists.mun.ca/cgi-bin/wa?A2=ind0003D&L=wind&P=R3456

http://lists.mun.ca/cgi-bin/wa?A2=ind0003D&L=wind&P=R6463

http://lists.mun.ca/cgi-bin/wa?A2=ind0003D&L=wind&P=R6485


--- Kevin <kevin@minds-eye.org> wrote:
> Hello,
> 
> I have a line on a PMC 10 Midi controller and I was
> wondering how useful
> this is without the external programming pad.  

=====
Stephen

__________________________________________________
Do You Yahoo!?
Get email at your own domain with Yahoo! Mail. 
http://personal.mail.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Thu Apr 12 02:43:20 2001
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Date: Thu, 12 Apr 2001 01:46:31 -0500
From: Eric Leonardson <eleon@ripco.com>
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To: Loopers-Delight@loopers-delight.com
Subject: Head Poison
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Loopers-Delight-d-request@loopers-delight.com wrote:

> Subject: so cal gig announcement, er, spam, er . . .
> Date: Wed, 11 Apr 2001 13:41:35 -0400
> From: "Liebig, Steuart A." <Steuart.Liebig@maritz.com>
> To: "'Loopers-Delight@loopers-delight.com'"
>      <Loopers-Delight@loopers-delight.com>
>

Hi Steuart,

I like the name Splinter Group. It's also the name of the studio I do a
lot of my projects at here in Chicago. Have a good show at Mr. T's.

Speaking of Chicago, if there's a any Looper's list members in the area
perhaps you'd like to catch the one of the last theater performances I'm
doing this year with Plasticene. It's been described as "hardcore
techno, trip-hop" but it's multi-dimensinal, e.g., there's a lot of
lowercase sound I've designed and composed, and  create for it (both
recorded and real-time).  I do the live stuff on my Springboard through
an EDP and MidiVerb III.

The show's called Head Poison. The theater is physical not verbal, so
the sounds have a lot of aesthetic and temporal room to fill the space,
and the sound system at the Storefront Theater can handle all the
dynamic extremes. Here's our promotional spam on it:

"Stunning..." Sun-Times
"Mindblowing..." Free Press
"Daring...  Very funny..." Reader
"Intense and demanding..." Tribune
"Bizarrely poetic... Has to be experienced." New City

HEAD POISON is a thrilling theatrical adventure into a mind-altering
world.
Suspense, shock, and comedy convolve in this hilarious and compelling
study
of the damage we do and wreckage we leave behind.

Performed and Created by Mark Comiskey, Dominic Conti, Julia Fabris,
Sharon
Göpfert, and Brain Shaw

Directed by Dexter Bullard         Music by Eric Leonardson
Lights by Carrie Kennedy           Costumes by Lori Hall-Araujo
Rigging by Mark Wittiveen          Set Engineered by Scott Kesser
Stage Managed by Carrie Kennedy    Tech Support by David Schulte
PR by David Bryson                 Conditioning Help by Kristy Parsons

At THE STOREFRONT THEATRE
66 East Randolph Street in Chicago.

Thursday, Friday and Saturday at 8pm

Tickets: 312.742.8497  Tickets are $15 for all seats.  Or visit Hot-Tix.

More info: 312.409.0400 or plasticene.com

Lastly, I'd like that Shane Radtke at Gibson tech for getting that in
EDP replacement input knob to me just in time. If you're reading this
Shane, email me and get you a comp to the show.

I'd also like to address to technical weirdness I experienced with the
EDP later which may have lead to the damage/destruction of some hardy
loudspeakers.

Best regards,
Eric

--

sound thinking: http://pages.ripco.net/~eleon/
upcoming dates: http://pages.ripco.net/~eleon/whatsnew.html


From Loopers-Delight-request@loopers-delight.com  Thu Apr 12 04:24:01 2001
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Date: Thu, 12 Apr 2001 03:15:01 -0500
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Someone's obviously subscribed to Looper Delight for you and what sort of
e-mail address is gangafairy?

-----Original Message-----
From: andrew rickard [mailto:gangafairy@home.com]
Sent: 12 April 2001 02:02
To: Loopers-Delight@loopers-delight.com
Subject: 


WHAT GOING ON??????????????/
WE R GETTIN' ALL YUR EMALE.    I DON'T WANT IT 


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<DIV><SPAN class=160121408-12042001><FONT color=#800000><STRONG>Someone's 
obviously subscribed to Looper Delight for you and what sort of e-mail address 
is gangafairy?</STRONG></FONT></SPAN></DIV>
<BLOCKQUOTE dir=ltr 
style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #800000 2px solid; MARGIN-RIGHT: 0px">
  <DIV class=OutlookMessageHeader dir=ltr align=left><FONT face=Tahoma 
  size=2>-----Original Message-----<BR><B>From:</B> andrew rickard 
  [mailto:gangafairy@home.com]<BR><B>Sent:</B> 12 April 2001 02:02<BR><B>To:</B> 
  Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> <BR><BR></FONT></DIV>
  <DIV><FONT face=Arial size=2>WHAT GOING ON??????????????/</FONT></DIV>
  <DIV><FONT face=Arial size=2>WE R GETTIN' ALL YUR EMALE.&nbsp;&nbsp;&nbsp; I 
  DON'T WANT IT </FONT></DIV></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu Apr 12 04:32:13 2001
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Subject: RE: 
Date: Thu, 12 Apr 2001 16:29:57 +0800
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something to do with the merry iguana?
  and what sort of e-mail address is gangafairy?
    EMALE.    I DON'T WANT IT 

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charset=3Diso-8859-1">
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</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN=20
class=3D640222908-12042001>something to do with the merry=20
iguana?</SPAN></FONT></DIV>
<BLOCKQUOTE dir=3Dltr style=3D"MARGIN-RIGHT: 0px">
  <DIV class=3DOutlookMessageHeader dir=3Dltr align=3Dleft><SPAN=20
  class=3D160121408-12042001><FONT color=3D#800000><STRONG>and what sort =
of e-mail=20
  address is gangafairy?</STRONG></FONT></SPAN></DIV>
  <BLOCKQUOTE dir=3Dltr=20
  style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #800000 2px =
solid; MARGIN-RIGHT: 0px">
    <DIV class=3DOutlookMessageHeader dir=3Dltr align=3Dleft><FONT =
face=3DArial=20
    size=3D2>EMALE.&nbsp;&nbsp;&nbsp; I DON'T WANT IT=20
</FONT></DIV></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu Apr 12 05:00:52 2001
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From: "Stephen P. Goodman" <spgoodman@earthlight.net>
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References: <BMEKKMPLLAPBAEOCKEPGMEJHCKAA.eightohm@iinet.net.au>
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Date: Thu, 12 Apr 2001 09:56:57 +0100
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Perhaps it's a Gangsta' Fairy - one should watch out for them, they =
carry wands AND they're violent.

From: omjn=20
something to do with the merry iguana?
  and what sort of e-mail address is gangafairy?
    EMALE.    I DON'T WANT IT=20

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2462.0" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT color=3D#000080>Perhaps it's a Gangsta' Fairy - one should =
watch out=20
for them, they carry wands AND they're violent.</FONT></DIV>
<DIV><FONT color=3D#000080></FONT>&nbsp;</DIV>
<DIV style=3D"FONT: 10pt arial">
<DIV style=3D"BACKGROUND: #e4e4e4; font-color: black"><B>From:</B> <A=20
title=3Deightohm@iinet.net.au =
href=3D"mailto:eightohm@iinet.net.au">omjn</A>=20
</DIV></DIV>
<DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN=20
class=3D640222908-12042001>something to do with the merry=20
iguana?</SPAN></FONT></DIV>
<BLOCKQUOTE dir=3Dltr style=3D"MARGIN-RIGHT: 0px">
  <DIV class=3DOutlookMessageHeader dir=3Dltr align=3Dleft><SPAN=20
  class=3D160121408-12042001><FONT color=3D#800000><STRONG>and what sort =
of e-mail=20
  address is gangafairy?</STRONG></FONT></SPAN></DIV>
  <BLOCKQUOTE dir=3Dltr=20
  style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #800000 2px =
solid; MARGIN-RIGHT: 0px">
    <DIV class=3DOutlookMessageHeader dir=3Dltr align=3Dleft><FONT =
face=3DArial=20
    size=3D2>EMALE.&nbsp;&nbsp;&nbsp; I DON'T WANT IT=20
</FONT></DIV></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu Apr 12 06:15:08 2001
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From: "Bill Fox" <billfox@fast.net>
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Subject: Re: many questions
Date: Thu, 12 Apr 2001 06:15:42 -0400
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-----Original Message-----
From: Jeff Duke <echo177@bellsouth.net>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Sunday, April 08, 2001 4:59 AM
Subject: many questions


>I have delurked and have a few q's for ya'll.
>1. I want to buy a Minidisc recorder for my son. I
>love my Sharp that I got a couple of yrs ago but am
>not sure what brand has the most bang for the buck
>now. the new Sharp MDSR60 looks pretty good
>specially for the price. 180$. i am not a wealthy
>man btw.

Hi Jeff,

I recently bought the SONY  MZ-R70 from http://etronics.com at a great price.  I
like it very much but you cannot adjust the input volume while recording.  You
either have to stop, adjust, and start, or you resort to using the AGC circuit.

Cheers,

Bill         billfox@fast.net
http://wdiyfm.org/schedule/s_emusic.html
============================================================================
Host of EMUSIC, an electronic, ambient, and space music show.  Thursdays at
11 pm on WDIY 88.1 FM, Allentown and Bethlehem and 93.9 FM in Easton and
Phillipsburg.  Email me if you wish to submit music for airplay consideration.
Radio Station Home Page: http://wdiyfm.org
Personal site: http://www.users.fast.net/~billfox
To subscribe to the EMUSIC on WDIY list, send
email to: emusic-wdiy-subscribe@yahoogroups.com

From Loopers-Delight-request@loopers-delight.com  Thu Apr 12 11:53:34 2001
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From: "Paolo Valladolid" <phv40@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: The Orb
Date: Thu, 12 Apr 2001 11:47:30 -0400
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I wake up this morning to find out The Orb will be playing in town (Tampa) 
tomorrow night.  Dunno if they loop in real time live, but they were 
definitely among the first artists I really listened to when I first 
discovered loop-based music.

Really looking forward to this.  If you live in the US, then they might be 
coming to your town before too long.

Paolo
_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Thu Apr 12 11:55:31 2001
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To: Loopers-Delight@loopers-delight.com
Subject: RE:mailing list:ATT looper!!!!!!!take me off
Date: Thu, 12 Apr 2001 15:50:01 
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<html><DIV>
<P>Ah it is destiny......you are to become a LOOPER and you didn't know it</P>
<P>the Univerce works in Mysterious ways....Welcome we will guide you with love and compassion.<BR><BR></P></DIV>
<DIV></DIV>
<DIV></DIV>&gt;From: "nathaniel wilson" <NATDIRK@HOTMAIL.COM>
<DIV></DIV>&gt;Reply-To: Loopers-Delight@loopers-delight.com 
<DIV></DIV>&gt;To: Loopers-Delight@loopers-delight.com 
<DIV></DIV>&gt;Subject: RE:mailing list:ATT looper!!!!!!!take me off 
<DIV></DIV>&gt;Date: Thu, 12 Apr 2001 01:25:16 -0400 
<DIV></DIV>&gt; 
<DIV></DIV><br clear=all><hr>Get your FREE download of MSN Explorer at <a href="http://explorer.msn.com">http://explorer.msn.com</a><br></p></html>
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>From Loopers-Delight-request@loopers-delight.com Wed Apr 11 22:27:51 2001
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To: Loopers-Delight@loopers-delight.com
Subject: RE:mailing list:ATT looper!!!!!!!take me off
Date: Thu, 12 Apr 2001 01:25:16 -0400
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<html><DIV>
<P>sounds like a prob- i dont know how i got on this mailing list or how to get off of it<BR>sounds like cool equip but not my speciality<BR></P></DIV>
<DIV></DIV>
<DIV></DIV>&gt;From: "Taaffe, Denis G" <DTAAFFE@INDIANA.EDU>
<DIV></DIV>&gt;Reply-To: Loopers-Delight@loopers-delight.com
<DIV></DIV>&gt;To: "'Loopers-Delight@loopers-delight.com'" <LOOPERS-DELIGHT@LOOPERS-DELIGHT.COM>
<DIV></DIV>&gt;Subject: RE:
<DIV></DIV>&gt;Date: Wed, 11 Apr 2001 22:25:58 -0500
<DIV></DIV>&gt;
<DIV></DIV>&gt;gang of fairies?!
<DIV></DIV>&gt;
<DIV></DIV>&gt;-----Original Message-----
<DIV></DIV>&gt;From: andrew rickard [mailto:gangafairy@home.com]
<DIV></DIV>&gt;Sent: Wednesday, April 11, 2001 8:02 PM
<DIV></DIV>&gt;To: Loopers-Delight@loopers-delight.com
<DIV></DIV>&gt;Subject:
<DIV></DIV>&gt;
<DIV></DIV>&gt;
<DIV></DIV>&gt;WHAT GOING ON??????????????/
<DIV></DIV>&gt;WE R GETTIN' ALL YUR EMALE. I DON'T WANT IT
<DIV></DIV>&gt;
<DIV></DIV><br clear=all><hr>Get your FREE download of MSN Explorer at <a href="http://explorer.msn.com">http://explorer.msn.com</a><br></p></html>



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From Loopers-Delight-request@loopers-delight.com  Thu Apr 12 12:07:38 2001
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Date: Thu, 12 Apr 2001 09:02:52 -0700
To: Loopers-Delight@loopers-delight.com
From: Doug Wyatt <doug@sonosphere.com>
Subject: Re: The Orb
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At 11:47 -0400 4/12/01, Paolo Valladolid wrote:
>I wake up this morning to find out The Orb will be playing in town 
>(Tampa) tomorrow night.  Dunno if they loop in real time live, but 
>they were definitely among the first artists I really listened to 
>when I first discovered loop-based music.
>
>Really looking forward to this.  If you live in the US, then they 
>might be coming to your town before too long.


Yes, they're here in San Francisco on 4/27:

Maritime Hill
450 Harrison @ 1st, SF
www.maritimehall.com
415-974-0634

Doug

-- 
Doug Wyatt                             doug@sonosphere.com
http://www.sonosphere.com/

"Those who say it can't be done are usually interrupted by those 
 doing it."
	-- Unknown

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 <p04320405b6fb81fac561@[17.202.33.55]>
Date: Thu, 12 Apr 2001 12:43:17 -0400
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Subject: Re: The Orb
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Doug Wyatt <doug@sonosphere.com> wrote:
>At 11:47 -0400 4/12/01, Paolo Valladolid wrote:
>>I wake up this morning to find out The Orb will be playing in town 
>>(Tampa) tomorrow night.  Dunno if they loop in real time live, but 
>>they were definitely among the first artists I really listened to 
>>when I first discovered loop-based music.
>>
>>Really looking forward to this.  If you live in the US, then they 
>>might be coming to your town before too long.
>
>
>Yes, they're here in San Francisco on 4/27:

NYC on the 17th:  <http://irvingplaza.com>

Their last album was not good at all:

<http://www.topica.com/lists/extremeNY-reviews/read/message.html?mid=1 
705873883&sort=d&start=0>
has my review.


<http://www.topica.com/lists/extreme/read/message.html?mid=1602233020& 
sort=d&start=699>
has a quick pointer to another Alex Patterson project.


...electronic a cappella madness <http://volectrix.com>.........
...extreme internet radio        <http://extremeNY.com/radio>...

From Loopers-Delight-request@loopers-delight.com  Thu Apr 12 12:55:38 2001
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To: Loopers-Delight@loopers-delight.com
Subject: Re: The Orb
Date: Thu, 12 Apr 2001 09:51:36 -0700
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I've seen the Orb a few times, they are hit and miss. I saw them once up in 
the mountains(Big Bear CA USA), they played a 3 and a half hour set from 
like 3am to 6am when the sun was coming up over the mountains, it was 
amazing, one of the best live performances I've ever experienced. Dr. LX was 
on a bunch of tables most of the time while Andy Hughes I believe was 
manipulating/mixing samples/loops/fx. Then again I saw them on their 
Orblivion tour and it didn't seem like they could get too much happening. 
Definitely worth checking out though. They're coming to So. CA Apr. 28th at 
Coachella festival,

www.coachella.com   ---I think?


>From: Doug Wyatt <doug@sonosphere.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: The Orb
>Date: Thu, 12 Apr 2001 09:02:52 -0700
>
>At 11:47 -0400 4/12/01, Paolo Valladolid wrote:
>>I wake up this morning to find out The Orb will be playing in town
>>(Tampa) tomorrow night.  Dunno if they loop in real time live, but
>>they were definitely among the first artists I really listened to
>>when I first discovered loop-based music.
>>
>>Really looking forward to this.  If you live in the US, then they
>>might be coming to your town before too long.
>
>
>Yes, they're here in San Francisco on 4/27:
>
>Maritime Hill
>450 Harrison @ 1st, SF
>www.maritimehall.com
>415-974-0634
>
>Doug
>
>--
>Doug Wyatt                             doug@sonosphere.com
>http://www.sonosphere.com/
>
>"Those who say it can't be done are usually interrupted by those
>doing it."
>	-- Unknown
>

_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Thu Apr 12 13:28:55 2001
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I have a feeling that they'd be nowhere as good now as they were before 1996 
or so. They have really changed their style since then. I really liked what 
they did up to the "Orbus Terrarum" CD, and I think the "Pomme Fritz" CD is 
one of the best electronic CD's to come out in the 90's.

For an interesting discovery, check out The Tape-Beatles. In 1991, the Orb 
got a hold of their first two tapes, and have been integrating the material 
from it into their shows. You'd be surprised by how many things you once 
thought were created by the Orb, when in fact, they were just playing a Tape 
Beatles tape. The first few minutes of "Live 93" are a perfect example.

http://pwp.detritus.net/

Matt

>From: "Patrick Bailey" <patthelooper@hotmail.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: The Orb
>Date: Thu, 12 Apr 2001 09:51:36 -0700
>
>I've seen the Orb a few times, they are hit and miss. I saw them once up in
>the mountains(Big Bear CA USA), they played a 3 and a half hour set from
>like 3am to 6am when the sun was coming up over the mountains, it was
>amazing, one of the best live performances I've ever experienced. Dr. LX 
>was
>on a bunch of tables most of the time while Andy Hughes I believe was
>manipulating/mixing samples/loops/fx. Then again I saw them on their
>Orblivion tour and it didn't seem like they could get too much happening.
>Definitely worth checking out though. They're coming to So. CA Apr. 28th at
>Coachella festival,
>
>www.coachella.com   ---I think?
>
>
>>From: Doug Wyatt <doug@sonosphere.com>
>>Reply-To: Loopers-Delight@loopers-delight.com
>>To: Loopers-Delight@loopers-delight.com
>>Subject: Re: The Orb
>>Date: Thu, 12 Apr 2001 09:02:52 -0700
>>
>>At 11:47 -0400 4/12/01, Paolo Valladolid wrote:
>>>I wake up this morning to find out The Orb will be playing in town
>>>(Tampa) tomorrow night.  Dunno if they loop in real time live, but
>>>they were definitely among the first artists I really listened to
>>>when I first discovered loop-based music.
>>>
>>>Really looking forward to this.  If you live in the US, then they
>>>might be coming to your town before too long.
>>
>>
>>Yes, they're here in San Francisco on 4/27:
>>
>>Maritime Hill
>>450 Harrison @ 1st, SF
>>www.maritimehall.com
>>415-974-0634
>>
>>Doug
>>
>>--
>>Doug Wyatt                             doug@sonosphere.com
>>http://www.sonosphere.com/
>>
>>"Those who say it can't be done are usually interrupted by those
>>doing it."
>>	-- Unknown
>>
>
>_________________________________________________________________
>Get your FREE download of MSN Explorer at http://explorer.msn.com
>

_________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Thu Apr 12 15:25:02 2001
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Yeah, I agree, their latest material, Orblivion and the new(released) 
Cydonia are nowhere near their earlier efforts such as Pomme Fritz, my 
favorite as well. Their remixes are usually better than their own tracks. 
I've been on the lookout for that Tape-Beatles stuff, never seem to come 
across it. Any info?


>From: "matt davignon" <mattdavignon@hotmail.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: The Orb
>Date: Thu, 12 Apr 2001 10:24:32 -0700
>
>I have a feeling that they'd be nowhere as good now as they were before 
>1996
>or so. They have really changed their style since then. I really liked what
>they did up to the "Orbus Terrarum" CD, and I think the "Pomme Fritz" CD is
>one of the best electronic CD's to come out in the 90's.
>
>For an interesting discovery, check out The Tape-Beatles. In 1991, the Orb
>got a hold of their first two tapes, and have been integrating the material
>from it into their shows. You'd be surprised by how many things you once
>thought were created by the Orb, when in fact, they were just playing a 
>Tape
>Beatles tape. The first few minutes of "Live 93" are a perfect example.
>
>http://pwp.detritus.net/
>
>Matt
>
>>From: "Patrick Bailey" <patthelooper@hotmail.com>
>>Reply-To: Loopers-Delight@loopers-delight.com
>>To: Loopers-Delight@loopers-delight.com
>>Subject: Re: The Orb
>>Date: Thu, 12 Apr 2001 09:51:36 -0700
>>
>>I've seen the Orb a few times, they are hit and miss. I saw them once up 
>>in
>>the mountains(Big Bear CA USA), they played a 3 and a half hour set from
>>like 3am to 6am when the sun was coming up over the mountains, it was
>>amazing, one of the best live performances I've ever experienced. Dr. LX
>>was
>>on a bunch of tables most of the time while Andy Hughes I believe was
>>manipulating/mixing samples/loops/fx. Then again I saw them on their
>>Orblivion tour and it didn't seem like they could get too much happening.
>>Definitely worth checking out though. They're coming to So. CA Apr. 28th 
>>at
>>Coachella festival,
>>
>>www.coachella.com   ---I think?
>>
>>
>>>From: Doug Wyatt <doug@sonosphere.com>
>>>Reply-To: Loopers-Delight@loopers-delight.com
>>>To: Loopers-Delight@loopers-delight.com
>>>Subject: Re: The Orb
>>>Date: Thu, 12 Apr 2001 09:02:52 -0700
>>>
>>>At 11:47 -0400 4/12/01, Paolo Valladolid wrote:
>>>>I wake up this morning to find out The Orb will be playing in town
>>>>(Tampa) tomorrow night.  Dunno if they loop in real time live, but
>>>>they were definitely among the first artists I really listened to
>>>>when I first discovered loop-based music.
>>>>
>>>>Really looking forward to this.  If you live in the US, then they
>>>>might be coming to your town before too long.
>>>
>>>
>>>Yes, they're here in San Francisco on 4/27:
>>>
>>>Maritime Hill
>>>450 Harrison @ 1st, SF
>>>www.maritimehall.com
>>>415-974-0634
>>>
>>>Doug
>>>
>>>--
>>>Doug Wyatt                             doug@sonosphere.com
>>>http://www.sonosphere.com/
>>>
>>>"Those who say it can't be done are usually interrupted by those
>>>doing it."
>>>	-- Unknown
>>>
>>
>>_________________________________________________________________
>>Get your FREE download of MSN Explorer at http://explorer.msn.com
>>
>
>_________________________________________________________________
>Get your FREE download of MSN Explorer at http://explorer.msn.com
>

_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Thu Apr 12 15:25:46 2001
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okay, duh, I got your link, matt

>From: "matt davignon" <mattdavignon@hotmail.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: The Orb
>Date: Thu, 12 Apr 2001 10:24:32 -0700
>
>I have a feeling that they'd be nowhere as good now as they were before 
>1996
>or so. They have really changed their style since then. I really liked what
>they did up to the "Orbus Terrarum" CD, and I think the "Pomme Fritz" CD is
>one of the best electronic CD's to come out in the 90's.
>
>For an interesting discovery, check out The Tape-Beatles. In 1991, the Orb
>got a hold of their first two tapes, and have been integrating the material
>from it into their shows. You'd be surprised by how many things you once
>thought were created by the Orb, when in fact, they were just playing a 
>Tape
>Beatles tape. The first few minutes of "Live 93" are a perfect example.
>
>http://pwp.detritus.net/
>
>Matt
>
>>From: "Patrick Bailey" <patthelooper@hotmail.com>
>>Reply-To: Loopers-Delight@loopers-delight.com
>>To: Loopers-Delight@loopers-delight.com
>>Subject: Re: The Orb
>>Date: Thu, 12 Apr 2001 09:51:36 -0700
>>
>>I've seen the Orb a few times, they are hit and miss. I saw them once up 
>>in
>>the mountains(Big Bear CA USA), they played a 3 and a half hour set from
>>like 3am to 6am when the sun was coming up over the mountains, it was
>>amazing, one of the best live performances I've ever experienced. Dr. LX
>>was
>>on a bunch of tables most of the time while Andy Hughes I believe was
>>manipulating/mixing samples/loops/fx. Then again I saw them on their
>>Orblivion tour and it didn't seem like they could get too much happening.
>>Definitely worth checking out though. They're coming to So. CA Apr. 28th 
>>at
>>Coachella festival,
>>
>>www.coachella.com   ---I think?
>>
>>
>>>From: Doug Wyatt <doug@sonosphere.com>
>>>Reply-To: Loopers-Delight@loopers-delight.com
>>>To: Loopers-Delight@loopers-delight.com
>>>Subject: Re: The Orb
>>>Date: Thu, 12 Apr 2001 09:02:52 -0700
>>>
>>>At 11:47 -0400 4/12/01, Paolo Valladolid wrote:
>>>>I wake up this morning to find out The Orb will be playing in town
>>>>(Tampa) tomorrow night.  Dunno if they loop in real time live, but
>>>>they were definitely among the first artists I really listened to
>>>>when I first discovered loop-based music.
>>>>
>>>>Really looking forward to this.  If you live in the US, then they
>>>>might be coming to your town before too long.
>>>
>>>
>>>Yes, they're here in San Francisco on 4/27:
>>>
>>>Maritime Hill
>>>450 Harrison @ 1st, SF
>>>www.maritimehall.com
>>>415-974-0634
>>>
>>>Doug
>>>
>>>--
>>>Doug Wyatt                             doug@sonosphere.com
>>>http://www.sonosphere.com/
>>>
>>>"Those who say it can't be done are usually interrupted by those
>>>doing it."
>>>	-- Unknown
>>>
>>
>>_________________________________________________________________
>>Get your FREE download of MSN Explorer at http://explorer.msn.com
>>
>
>_________________________________________________________________
>Get your FREE download of MSN Explorer at http://explorer.msn.com
>

_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Thu Apr 12 17:50:49 2001
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For an interesting discovery, check out The Tape-Beatles. In 1991, the Orb
got a hold of their first two tapes, and have been integrating the material
from it into their shows. You'd be surprised by how many things you once
thought were created by the Orb, when in fact, they were just playing a Tape
Beatles tape. The first few minutes of "Live 93" are a perfect example.

http://pwp.detritus.net/

Matt

Don't know how many already know this, but much of "Little Fluffy Clouds" 
uses "Electric Counterpoint", a Steve Reich piece performed by Pat Metheny 
on multitracked guitars and basses.  I believe most of it is from the third 
movement, but cleverly edited from the original 6/8 time to fit into 4/4.

Appreciate the heads up from Tom about their new album.  I haven't bought 
anything that came out after Orblivion, actually.  Still, I've never seen 
them live before and look forward to the experience.

Paolo

_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Thu Apr 12 18:09:12 2001
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What about "slug dub" from Orbus Terrarum? They take the organ figure from 
Miles' "Calypso Frelimo".

We could go about this all day long.


>From: "Paolo Valladolid" <phv40@hotmail.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: The Orb
>Date: Thu, 12 Apr 2001 17:45:40 -0400
>
>For an interesting discovery, check out The Tape-Beatles. In 1991, the Orb
>got a hold of their first two tapes, and have been integrating the material
>from it into their shows. You'd be surprised by how many things you once
>thought were created by the Orb, when in fact, they were just playing a 
>Tape
>Beatles tape. The first few minutes of "Live 93" are a perfect example.
>
>http://pwp.detritus.net/
>
>Matt
>
>Don't know how many already know this, but much of "Little Fluffy Clouds"
>uses "Electric Counterpoint", a Steve Reich piece performed by Pat Metheny
>on multitracked guitars and basses.  I believe most of it is from the third
>movement, but cleverly edited from the original 6/8 time to fit into 4/4.
>
>Appreciate the heads up from Tom about their new album.  I haven't bought
>anything that came out after Orblivion, actually.  Still, I've never seen
>them live before and look forward to the experience.
>
>Paolo
>
>_________________________________________________________________
>Get your FREE download of MSN Explorer at http://explorer.msn.com
>

_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Thu Apr 12 19:09:55 2001
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From: "James Pokorny" <j.pokorny@worldnet.att.net>
To: "Stephen P. Goodman" <spgoodman@earthlight.net>,
        <Loopers-Delight@loopers-delight.com>
Subject: Re: 
Date: Thu, 12 Apr 2001 18:49:30 -0400
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This is a multi-part message in MIME format.

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My guess is a "ferry 'cross the Ganges," but that's probably just my =
Indo-bias.=20
    -----Original Message-----
    From: Stephen P. Goodman <spgoodman@earthlight.net>
    To: Loopers-Delight@loopers-delight.com =
<Loopers-Delight@loopers-delight.com>
    Date: Thursday, April 12, 2001 5:03 AM
    Subject: Re:=20
   =20
   =20
    Perhaps it's a Gangsta' Fairy - one should watch out for them, they =
carry wands AND they're violent.
    =20
    From: omjn=20
    something to do with the merry iguana?
        and what sort of e-mail address is gangafairy?
            EMALE.    I DON'T WANT IT=20

------=_NextPart_000_003A_01C0C381.4EF2B3E0
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
<HTML>
<HEAD>

<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 =
Transitional//EN">
<META content=3D'"MSHTML 4.72.3110.7"' name=3DGENERATOR>
<STYLE></STYLE>

</HEAD>
<BODY bgColor=3D#ffffff>
<DIV>My guess is a &quot;ferry 'cross the Ganges,&quot; but that's =
probably just=20
my Indo-bias. </DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 solid 2px; MARGIN-LEFT: 5px; PADDING-LEFT: =
5px">
    <DIV><FONT face=3DArial size=3D2><B>-----Original =
Message-----</B><BR><B>From:=20
    </B>Stephen P. Goodman &lt;<A=20
    =
href=3D"mailto:spgoodman@earthlight.net">spgoodman@earthlight.net</A>&gt;=
<BR><B>To:=20
    </B><A=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
    &lt;<A=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>&gt;<BR><B>Date:=20
    </B>Thursday, April 12, 2001 5:03 AM<BR><B>Subject: </B>Re:=20
    <BR><BR></DIV></FONT>
    <DIV><FONT color=3D#000080>Perhaps it's a Gangsta' Fairy - one =
should watch=20
    out for them, they carry wands AND they're violent.</FONT></DIV>
    <DIV><FONT color=3D#000080></FONT>&nbsp;</DIV>
    <DIV style=3D"FONT: 10pt arial">
    <DIV style=3D"BACKGROUND: #e4e4e4; font-color: black"><B>From:</B> =
<A=20
    href=3D"mailto:eightohm@iinet.net.au" =
title=3Deightohm@iinet.net.au>omjn</A>=20
    </DIV></DIV>
    <DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
    class=3D640222908-12042001>something to do with the merry=20
    iguana?</SPAN></FONT></DIV>
    <BLOCKQUOTE style=3D"MARGIN-RIGHT: 0px" dir =3D ltr>
        <DIV align=3Dleft class=3DOutlookMessageHeader dir =3D ltr><SPAN =

        class=3D160121408-12042001><FONT color=3D#800000><STRONG>and =
what sort of=20
        e-mail address is gangafairy?</STRONG></FONT></SPAN></DIV>
        <BLOCKQUOTE=20
        style=3D"BORDER-LEFT: #800000 solid 2px; MARGIN-LEFT: 5px; =
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px"=20
        dir =3D ltr>
            <DIV align=3Dleft class=3DOutlookMessageHeader dir =3D =
ltr><FONT=20
            face=3DArial size=3D2>EMALE.&nbsp;&nbsp;&nbsp; I DON'T WANT =
IT=20
            =
</FONT></DIV></BLOCKQUOTE></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu Apr 12 19:15:58 2001
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Date: Fri, 13 Apr 2001 00:12:09 +0100
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The first official public appearance on my part in the UK is at hand!

Critical Mass is a weekend-long event at St Luke's Church in Holloway, North
London.  For details about it see http://www.thecriticalmass.com - And as
far as I'm informed presently I'll be playing in two time slots, first at
7pm in conjunction with a didgeridoo player (or two); then another set at
9pm (on my own, I was originally told).  While the exact scheduling may vary
it is indeed happening tomorrow night, my fellow loopophologists.

If you're in the area, come on in!  I apologize for the short notice but the
details were worked out over the past week - partially evidenced by my being
billed as "Steve Goodman".  No, I'm not going to play "The City of New
Orleans". :P

Admission is through the format of booking - via fax if possible - and
should be viewed at the Booking section of the site.

Cheers and I hope to see yez there!

Stephen Goodman
http://www.earthlight.net/Gallery_Front.html - Cartoons & Illustrations
http://www.earthlight.net/Studios * The free Loop of the Week!
http://www.mp3.com/StephenGoodman * New MP3 Releases!

From Loopers-Delight-request@loopers-delight.com  Fri Apr 13 18:40:35 2001
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Hey everyone,

Just letting you guys know that the newest production from the CT-Project is 
now available.

CT-Unplugged
Contains acoustic music from the following members (many of whom are from 
Loopers Delight):

javier miranda
lance glover
jon southwood
claude voit
michael klobuchar
todd madson
tim nelson
bobdog
barrett mcdevitt
rob switzer
travis weller
the ortones
jeff mcleod
matt davignon
scott kungha drengsen
miko biffle

The cost is $5, including postage for the USA. International orders please 
add $3. If you're interested, email me off the list 
(mattdavignon@hotmail.com, don't just hit "reply"). I'll tell you where to 
send the check or well concealed cash, and you can tell me your mailing 
address.

The mp3's will soon be available at www.loopxchange.com at this specific 
link:

http://music.columbia.edu/%7Ececenter/mhl21/ct/works.html

Right now, the mp3's of all the other completed CT Projects are available.

Thanks,

Matt Davignon

_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Fri Apr 13 20:07:43 2001
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From: sean conlon <sppem@yahoo.com>
Subject: Anyone interested in a jam man?
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     I have a jam man I am not getting much use out of
that I was thinking of selling. I was kind of curious
to see what they are going for these days. I know its
worth something as It seems they are quite scarce and
somewhat collectible. Is anyone interested?

                                       Take care, Sean

__________________________________________________
Do You Yahoo!?
Get email at your own domain with Yahoo! Mail. 
http://personal.mail.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Fri Apr 13 20:32:51 2001
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get rid of it quick.  It's fairly rare, but now the Echoplex Digital Pro
is available and a company called Electrix may be releasing a similar
product in June.  You my still be able to get a good price for it.

Mark

sean conlon wrote:

>      I have a jam man I am not getting much use out of
> that I was thinking of selling. I was kind of curious
> to see what they are going for these days. I know its
> worth something as It seems they are quite scarce and
> somewhat collectible. Is anyone interested?
>
>                                        Take care, Sean
>
> __________________________________________________
> Do You Yahoo!?
> Get email at your own domain with Yahoo! Mail.
> http://personal.mail.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Fri Apr 13 20:39:15 2001
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This may be good advice.  I sold mine for $600 a year ago, but when the
Repeater finally (!) gets released, it will drive down the asking price of
existing loopers.  Besides, IMHO the Jammer has serious limitation (although
loads of folks on this list don't seem to have a problem making it do
tricks--hi Steve!)
Gary

PS--you might still be able to get $600 for it--I haven't been following it
on ebay lately but Alto seems to get $700 for the Echoplex with no problem.
G


> get rid of it quick.  It's fairly rare, but now the Echoplex Digital Pro
> is available and a company called Electrix may be releasing a similar
> product in June.  You my still be able to get a good price for it.
>
> Mark
>
> sean conlon wrote:
>
> >      I have a jam man I am not getting much use out of
> > that I was thinking of selling. I was kind of curious
> > to see what they are going for these days. I know its
> > worth something as It seems they are quite scarce and
> > somewhat collectible. Is anyone interested?
> >
> >                                        Take care, Sean
> >
> > __________________________________________________
> > Do You Yahoo!?
> > Get email at your own domain with Yahoo! Mail.
> > http://personal.mail.yahoo.com/
>
>

From Loopers-Delight-request@loopers-delight.com  Sat Apr 14 10:21:55 2001
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Date: Sat, 14 Apr 2001 11:20:55 -0300
To: Loopers-Delight@loopers-delight.com
From: Matthias Grob <matthias@grob.org>
Subject: Re: Yet another EDP question
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>Thanks to all for quick replies to my EDP questions, and here's another one --
>When I turn "switch quantize" to confirm, I was hoping the lame duck 
>functions would work similarly to when it's set to "cyc" -- the only 
>difference being if I pressed "next loop" and then record, the EDP 
>would wait until I pressed undo to start the next loop.  But what 
>actually happens is, as soon as I press record I'm recording the 
>next loop.  The confirm press only seems to work for playback.
>Comments, anyone?

In your case, Record IS the confirm press. In Cyc, the switching 
would happen at the next cyle end, while in Cnf it waits until you 
decide with a key what is going to happen in the next loop.

-- 


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Sat Apr 14 12:47:36 2001
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Hey Y'all,

I've been trying to loop with a DL-4 for some time now, but since my band
plays straight time rock/funk/soul I'm having a hard time.

It seems like a lot of loopers do more experimental cool-trippy music which
allows flexibility in looping.  While I'd still use my DL-4 for this, I
need something a little more time reliable...

My question is - I'd like to be able to have my drummer start/play my loops
with drum triggers.  That way he'd be responsible for my loops instead of
my toes.  So he could record me on the "1" and hit the trigger again for
the next "1" thus keeping my loop in synch with what he's playing. (first
hit = record, second hit = play, subsequent hits = play, until we want to
stop it with a hit = stop)

Besides the repeater (not yet out), and oberheim (too pricey), what can I
use for midi record/play?  I'm not looking for anything complicated like
multiple loops, layering, timeclock synching, etc...just one loop at a
time.

I was really hoping the Boss SP-303 would allow this, but I believe the
midi is only for synching to a sequencer.  Any other options?

Thanks!
chicken.

From Loopers-Delight-request@loopers-delight.com  Sat Apr 14 12:55:34 2001
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Date: Sat, 14 Apr 2001 12:52:46 EDT
Subject: Re: CT-Acoustic now available
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    I've heard the CT Acoustic. I like it because of the diversity of 
instruments (i.e. piano, saxophone). Very well done!

                                   Best, James

From Loopers-Delight-request@loopers-delight.com  Sat Apr 14 13:10:10 2001
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[ Best viewed with a fixed spacing font. ]

EMUSIC, an electronic, ambient, and space music show, airs each Thursday
at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA and 93.9 FM in
Easton, PA and Phillipsburg, NJ.

                    Show #212                    April 12, 2001.

RECAP:
On this show, I began the month-long focus on <James Johnson who will be
featured at the next Gathering.  The feature CD at midnight was Entering
Twilight on the Hypnos label.

I also played music by Baird Hersey as a preview to the next Gathering.  Baird
is the leader of Prana, an eight member group that employs overtone harmonic
singing methods.

James Johnson       http://wdiyfm.org/emusic/playlists/2001/focus01.html#apr
The Gathering       http://wdiyfm.org/emusic/events.html
Hypnos              http://hypnos.com


PLAYLIST:

ARTIST                  TRACK                    ALBUM (label)
======================= ======================== ==============================
11:04 pm
Victor Cerullo          Poetry and Power         Loneflyer (Groove)
Dom F. Scab             Zero and One             Binary Sevrets (Groove)
Baird Hersey            3rd Chakra               Waking the Cobra (Hersey Music)
van Zyl, Gulch, & Rath  Aural Explorations       The Sound Museum (Groove)
Boddy, Reuter, &        Triptych" Final View     Triptych (DiN)
  Mullaney
Alpha Wave Movement &   Theidea                  Bislama (Spectral Spiral)
Stephanie Sante         Radiance                 Immaculate Conceptions
(mp3.com)
Vir Unis                Ghost in the Bubble      Pulse N Atmo (Groove)

12:00 am
James Johnson           Entering Twilight        Entering Twilight (Hypnos)

1:00 am

 * = exerpt
VA = Various Artists (compilation)

NEXT SHOW:
On the next EMUSIC, I'll continue the month-long focus on James Johnson, a
Chicago area ambienteer extraordinaire.  James has several releases on labels
like Hypnos and his own Zero Music and will headline at the next Gathering in
Philadelphia.

I will also play music by Baird Hersey who will bring his group Prana to the
next Gathering.

Bill         billfox@fast.net
http://wdiyfm.org/schedule/s_emusic.html
============================================================================
Host of EMUSIC, an electronic, ambient, and space music show.  Thursdays at
11 pm on WDIY 88.1 FM, Allentown and Bethlehem and 93.9 FM in Easton and
Phillipsburg.  Email me if you wish to submit music for airplay consideration.
Radio Station Home Page: http://wdiyfm.org
Personal site: http://www.users.fast.net/~billfox

***   To subscribe to the EMUSIC on WDIY list, send
email to: emusic-wdiy-subscribe@yahoogroups.com   ***

From Loopers-Delight-request@loopers-delight.com  Sat Apr 14 13:33:25 2001
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I'll second that!  Great work by everyone -- some amazing and very creative
material.  Hard to believe it's all acoustic!

another James

-----Original Message-----
From: Jhsidlo@aol.com <Jhsidlo@aol.com>
To: Loopers-Delight@loopers-delight.com
<Loopers-Delight@loopers-delight.com>
Date: Saturday, April 14, 2001 12:55 PM
Subject: Re: CT-Acoustic now available


    I've heard the CT Acoustic. I like it because of the diversity of
instruments (i.e. piano, saxophone). Very well done!

                                   Best, James



From Loopers-Delight-request@loopers-delight.com  Sat Apr 14 21:08:24 2001
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Thanks for the good word you guys!


>From: "James Pokorny" <j.pokorny@worldnet.att.net>
>Date: Sat, 14 Apr 2001 13:01:38 -0400
>
>I'll second that!  Great work by everyone -- some amazing and very creative
>material.  Hard to believe it's all acoustic!
>
>another James
>
>-----Original Message-----
>From: Jhsidlo@aol.com <Jhsidlo@aol.com>
>To: Loopers-Delight@loopers-delight.com
><Loopers-Delight@loopers-delight.com>
>Date: Saturday, April 14, 2001 12:55 PM
>Subject: Re: CT-Acoustic now available
>
>
>     I've heard the CT Acoustic. I like it because of the diversity of
>instruments (i.e. piano, saxophone). Very well done!
>
>                                    Best, James
>
>
>

_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

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[ Best viewed with a fixed spacing font.  Prerecorded for Thursday. ]

EMUSIC, an electronic, ambient, and space music show, airs each Thursday
at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA and 93.9 FM in
Easton, PA and Phillipsburg, NJ.

                    Show #213                    April 19, 2001.

RECAP:
On this show, I continued the month-long focus on James Johnson who will be
featured at the next Gathering.  The feature CD at midnight was Linger
on the SpaceForMusic.com Records label.

I also played music by Baird Hersey as a preview to the next Gathering.  Baird
is the leader of Prana, an eight member group that employs overtone harmonic
singing methods.

James Johnson       http://wdiyfm.org/emusic/playlists/2001/focus01.html#apr
The Gathering       http://wdiyfm.org/emusic/events.html
SpaceForMusic.com   http://spaceformusic.com/


PLAYLIST:

ARTIST                  TRACK                    ALBUM (label)
======================= ======================== ==============================
11:04 pm
van Zyl, Gulch, & Rath  The Domain of Arnheim    The Sound Museum (Groove)
Baird Hersey            The Sword                Waking the Cobra (Hersey Music)
Free System Projekt &   Ibis Flight              Okefenokee Dreams (Groove)
  Dave Brewer
Numina                  Elsewhere and Here       CDR from the artist
Navigator               The Storm                Navigator II (not yet released)
Keller & Schowalder     Tempus Fugit             The Reason Why (Manikin)
VA [Avalon]             Ladybug                  ambient.01@hyperreal (none)

12:00 am
James Johnson           Linger                   Linger (SpaceForMusic.com)
James Johnson           Floating and Dreaming    Linger (SpaceForMusic.com)
James Johnson           Riding the Fog Line      Linger (SpaceForMusic.com)
James Johnson           Siren Song               Linger (SpaceForMusic.com)
James Johnson           Frequency Shift          Linger (SpaceForMusic.com)

1:00 am

 * = exerpt
VA = Various Artists (compilation)

NEXT SHOW:
On the next EMUSIC, I'll conclude the month-long focus on <a
href="focus01.html#apr">James Johnson</a>, a
Chicago area ambienteer extraordinaire.  James has several releases on labels
like Hypnos and his own Zero Music and will headline at the next <a
href="http://wdiyfm.org/emusic/events.html">Gathering</a> in
Philadelphia.  The feature CD at midnight will be "Lost at Dunn's Lake" on the
Zero Music label.

Bill         billfox@fast.net
http://wdiyfm.org/schedule/s_emusic.html
============================================================================
Host of EMUSIC, an electronic, ambient, and space music show.  Thursdays at
11 pm on WDIY 88.1 FM, Allentown and Bethlehem and 93.9 FM in Easton and
Phillipsburg.  Email me if you wish to submit music for airplay consideration.
Radio Station Home Page: http://wdiyfm.org
Personal site: http://www.users.fast.net/~billfox
To subscribe to the EMUSIC on WDIY list, send
email to: emusic-wdiy-subscribe@yahoogroups.com

From Loopers-Delight-request@loopers-delight.com  Sun Apr 15 05:58:36 2001
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From: Leander REININGHAUS <LEALOOP@compuserve.com>
Subject: Back on the block
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Happy Easter everybody !

I've been away from the list for quite a long time so I may be not up to
the present with this message:
I was told by Andy Ewen of Trace Elliot in England that there will be new
Gibson EDPs available ( also in Europe ! ) within 8 to 12 weeks.
Well, for me this is a sign of hope.  If it's an old tale for you guys,
just forget ...
By the way, I'd like to tell also that the new Boss RC 20 Loop Station,
which seems to be inasmuch an interesting machine to me, will be out in
Europe in June. Is it out in the States already, and anyone of you guys
tested it ? If yes, is there a review on the list I can refer to ? 
I'd like to know if there is any software for PC out there which makes live
looping possible. 
Sorry, if I might be bothering you with old crap again !
Finally, I'd like to tell all of you that I'm now working as an A&R for a
publishing company. We're busy in publishing, production, release and
distribution of audio material of any kind. If this is of interest to
anybody 
( or if there's anybody who wants to find out ... ) you may check our
website 
www.editionrahe.de
the site of our major partner
www.roba.com
and you may contact me for business items under
l.reininghaus@editionrahe.de

Regards

Leander

From Loopers-Delight-request@loopers-delight.com  Sun Apr 15 06:06:46 2001
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Date: Sun, 15 Apr 2001 03:01:44 -0700 (PDT)
From: Alx <gendel777@yahoo.com>
Subject: Re: Live looping newbie...
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--- Tetsu Matsuo <tmatsuo@pacbell.net> wrote:
> Besides the repeater (not yet out), and oberheim
> (too pricey), what can I
> use for midi record/play?  I'm not looking for
> anything complicated like
> multiple loops, layering, timeclock synching,
> etc...just one loop at a
> time.

The Lexicon Jamman is the only option left for you,
try to look for one on Ebay.
Alx.


__________________________________________________
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Get email at your own domain with Yahoo! Mail. 
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From Loopers-Delight-request@loopers-delight.com  Sun Apr 15 10:24:09 2001
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Date: Sun, 15 Apr 2001 10:21:30 -0400
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Subject: electronic shruti box software?
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Anybody ever seen a software electronic shruti box?

Basically I just need 4 freely tunable oscillators in realtime.
A general 4 oscillator synth emulation would likely do.




From Loopers-Delight-request@loopers-delight.com  Sun Apr 15 10:46:09 2001
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Date: Sun, 15 Apr 2001 01:35:45 -0400
To: Loopers-Delight@annihilist.com
From: Ken <kenzo@free-music.com>
Subject: Tue 4/17:Ken's Last Ever Radio Extravaganza:11pm live WFMU
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How: This Tuesday night April 17,
Who: for some 90 minutes between 11pm and 2am Eastern (probably 11pm - 12:30am),
When: feel the painful euphoria of
Where: Ken's Last Ever Radio Extravaganza,
What: live on WFMU,
Which: FM radio around NYC area (91.1)
Via: and Hudson Valley above NYC (90.1),
Through: internet streaming everywhere else (http://free-music.com/ken/extrav/)
Why:

Discomfort:repetition:nightmares:fullness:outcry:meditation:escape:
expression:mindlessness:combinations:circular:creation:questioning:
distraction:absorption:concentration:hypnosis:alignment:cacaphony:
mathematical:random:theraputic:indulgent:connecting:participatory:
harmonic:blinding:silent:mild:static:exception:patterns:repetition:sound

Input + Output = Input

A completely improvised sonic mess of carefully planned rhymic noises randomly hurled about with the meticulous precision of years of failing to practice resulting in complete silence.

Pre-existing audio memories awaken, disruption of eardrum expectations occurs, new patterns are burned, consent is not required.

Featuring such elements as you, the participant, calling in during show at 201-200-9368 with useful, related and disjoint sound contributions.  (Warning: May contain unrecognizable traces of top 40 80's music.)

Guaranteed to drive the listener anywhere between complete insanity and total indifference.

How to listen to show:
0) Be ready by 11pm ET on Tuesday night
0.5) Turn off everything else
1) Around NYC and vicinity, tune FM stereo radio to 91.1
2) In fabled Hudson Valley region above NYC, tune FM stereo radio to 90.1
3) Elsewhere, use internet streaming of various types, best quality listed first:
3a) High bandwidth stereo MP3 streaming, for those connecting with things much faster than modems
3b) Modem-speed MP3 streaming
3c) Modem-speed Windows Media Player streaming
3d) Modem-speed RealAudio streaming (last resort)
--> All live streaming links will be listed at http://free-music.com/ken/extrav/ by the day of the broadcast

How to listen to shows that already happened:
- A small handful of shows are online in low-fidelity splendor.  See http://free-music.com/ken/extrav/audio/
- The other 244 shows from the past 7+ years are available on CD.  See http://free-music.com/ken/extrav/
- Can't decide?  Get the CD currently in mass production: "Elsewhere", show #238.  Email kenzo@free-music.com
- Read textual accounts of past shows, then manually reconstruct audio based on transcripts.
- Note to those who attended or listened to recent Williamsburg and Jersey City shows: These shows will be available on CD soon.

Or spend hours reading descriptions of past 639 hours of the experiment.
http://free-music.com/ken/extrav/

Warning: Talking may occur.
Caution: Live phone calls to 201-200-9368 may be aired.
Attention: No advance claims about content of Ken's Last Ever Radio Extravaganza should be considered.
Note: You won't receive any additional announcements if you send me the names of your three favorite organic vegetables.

Reminder: Tuesday April 17, 11pm-12:30am Eastern, or possibly sometime through 2am
Redundant: WFMU 91.1 FM, 90.1 FM, internet via http://free-music.com/ken/extrav/
Thanks: $mall Change

% Ken's Last Ever Radio Extravaganza
% http://free-music.com/ken/extrav/
% kenzo@free-music.com 

From Loopers-Delight-request@loopers-delight.com  Sun Apr 15 11:09:22 2001
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Try  http://www.swarsystems.com/

James

From: Dan Richardson <dlr@javanet.com>


Anybody ever seen a software electronic shruti box?

Basically I just need 4 freely tunable oscillators in realtime.
A general 4 oscillator synth emulation would likely do.






From Loopers-Delight-request@loopers-delight.com  Mon Apr 16 01:19:30 2001
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Date: Mon, 16 Apr 2001 01:15:27 -0400 (EDT)
From: Antonio Loro <antonio_loro@yahoo.ca>
Subject: real-time looping by software?
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Question:
For looping in real-time, is a hardware looper the way
to go, or can you do the job with a software looper? 
Seems that software has more flexibility, but is
probably less user-friendly in a real-time situation. 
Not to mention, I don't even know if it works in a
real-time context.  
thanks

_______________________________________________________
Do You Yahoo!?
Get your free @yahoo.ca address at http://mail.yahoo.ca

From Loopers-Delight-request@loopers-delight.com  Mon Apr 16 12:07:05 2001
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Date: Mon, 16 Apr 2001 10:52:46 -0500
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953 N 2nd St
Chillicothe, IL 61523

thanks!!

Eric Williamson
www.suitandtieguy.com

From Loopers-Delight-request@loopers-delight.com  Tue Apr 17 01:24:00 2001
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Subject: Newbie Looper Question
Date: Tue, 17 Apr 2001 15:18:55 +1000
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This is a multi-part message in MIME format.

------=_NextPart_000_035D_01C0C751.B7CCBAE0
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Howdy Folks,

This feels like a dumb question...but here goes...is there a software =
looper program available? Something like an echoplex, except it runs on =
a mac or pc?

Cheers,
Jeff


------=_NextPart_000_035D_01C0C751.B7CCBAE0
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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 5.50.4611.1300" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Howdy Folks,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>This feels like a dumb question...but =
here=20
goes...is there a software looper program available? Something like an =
echoplex,=20
except it runs on a mac or pc?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Cheers,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Jeff</FONT></DIV>
<DIV>&nbsp;</DIV></BODY></HTML>

------=_NextPart_000_035D_01C0C751.B7CCBAE0--

From Loopers-Delight-request@loopers-delight.com  Tue Apr 17 03:08:20 2001
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Date: Tue, 17 Apr 2001 00:05:58 -0700 (PDT)
From: John Tidwell <wedgehed@yahoo.com>
Subject: The new issue of Guitar Player...
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has an ad showing a new modeling pedal from Line6.

The FM4 Filter Modeler. It has the following listed
presets:

Spin Cycle
Comet Trails
Slow Filter
Octisynth
Synth-o-matic
Attack Synth
Synth String
Growler
Q Filter
Tron Down
Tron Up
Seeker
Obi-Wah
Voice Box
V-Tron
Throbber

And, it's very purple!

Also in GP, an interview with Leni Stern.

=====
John Tidwell




__________________________________________________
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Yahoo! Auctions - buy the things you want at great prices
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From Loopers-Delight-request@loopers-delight.com  Tue Apr 17 08:47:02 2001
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From: Ppaulpadam@aol.com
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Date: Tue, 17 Apr 2001 08:43:00 EDT
Subject: AIR SYNTH??
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Hello:

Does anyone know of the air synth?  Any experiences?  Similar to the 
Theramin?  Does the hand action control PITCH as well as tone and texture?

many Thanks

paul

Paul Adams     LAKEFRONT RECORDS

<A HREF="http://artists.mp3s.com/artists/103/pauladams.html">MP3.com/PaulAdams
</A> (Music)
<A HREF="http://artists.mp3s.com/artists/127/david_hoffman1.html">
MP3.com/DavidHoffman</A>  (Ray Charles)
<A HREF="http://artists.mp3s.com/artists/210/paul_adams_poetry.html?lang=eng">
MP3.com/Paul Adams Poetry</A> (Poetry)

<A HREF="http://homepage.iaonline.com/paul/index.html">Paul Adams Lakefront 
Records</A> (My site showing more in depth aspects my work)

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Date: Tue, 17 Apr 2001 08:32:35 -0500
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Hi Paul,

> Does anyone know of the air synth?  Any experiences?  Similar to the
> Theramin?  Does the hand action control PITCH as well as tone and texture?

Could you describe an air synth?  I'm not familiar with it.  Some Theramins
can generate MIDI or a CV from the pitch and volume signals.  Of course, a
CV signal can be converted to MIDI.

For example, the PAIA Theramax (see http://www.paia.com/theremax.htm )
generates CV signals and their MIDIBRAIN (see
http://www.paia.com/midibrn.htm ) will convert CV to MIDI.  That's a DIY
project but I'm sure off-the-shelf boxes are available from other
manufacturers.

Dennis Leas
-------------------
dennis@mdbs.com

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In a message dated 4/17/01 5:44:22 AM, Ppaulpadam@aol.com writes:

>Does anyone know of the air synth?  Any experiences?  Similar to the 
>Theramin?  Does the hand action control PITCH as well as tone and texture?

I tried a prototype one way back at NAMM and then again a week or to ago for 
about half an hour. Although one might assume that it would be theramin-like 
it really hasn't got the range and controllability of one. That's not to say 
that it isn't useful within it's limitations. It's got some really phatt 
analogish sounds and some other patches that kinda sound like something you'd 
hear on Radiohead's "Kid A" or something. Waving your hand above the sensor 
triggers sounds at various volumes (only sometimes does pitch seem to be 
involved). Sometimes you get filter effects in different "quadrants" of the 
sensor area, sometimes pitch, sometimes wholly different sounds. It has a 
couple of percussive patches that make it possible to sorta play "air bongos" 
or "air xylophone" (within a very limited selection of pitches). If one is 
looking for a budget "theramin" to do a Clara Rockmore style of performance 
on I'd look elsewhere. But if you want something a little different with some 
weird sci-fi sounds or you're into Radioheadiilke sounds it may be useful. 
That was my take. Sorta cool...sorta disappointing.

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Date: Tue, 17 Apr 2001 08:23:37 -0700
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From: rich <rich@nuvisionsca.com>
Subject: Re: The new issue of Guitar Player...
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gearheads...

yah, and the Line6 message board had this the other day...from george 
van wagner, their webboard moderator..

"Yup, we showed a new pedal (but rather quietly, since it was several 
months away from shipping) at NAMM in January. It's the FM4 Filter 
Modeler. Does filter, sample and hold, auto wah, and monophonic synth 
effects. Very cool and very strange! Should be available in just a 
few weeks. Keep your eyes open for audio samples on the site here in 
the next couple of weeks."  -  George

more stuff!  more stuff!

rich


>has an ad showing a new modeling pedal from Line6.
>
>The FM4 Filter Modeler. It has the following listed
>presets:
>
>Spin Cycle
>Comet Trails
>Slow Filter
>Octisynth
>Synth-o-matic
>Attack Synth
>Synth String
>Growler
>Q Filter
>Tron Down
>Tron Up
>Seeker
>Obi-Wah
>Voice Box
>V-Tron
>Throbber
>
>And, it's very purple!
>
>Also in GP, an interview with Leni Stern.
>
>=====
>John Tidwell

From Loopers-Delight-request@loopers-delight.com  Tue Apr 17 13:03:03 2001
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From: "Tim Sanz" <tsanz@svg.com>
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Subject: New find: Pentasystem
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Searched the archives but found nothing there on this new company 
They offer some very cool instruments. I especially like the Celloblaster and there pickguards
Any loopers got one?

Pentabass
Celloblaster
Pentatar
Pentasitar
Pentabouzouki
Pentaula
Pentalin
Drummephone

http://www.pentasystem.com/index2.html


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Subject: Fwd: RE: Airsynth
Date: Tue, 17 Apr 2001 18:41:50 
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<html><DIV>
<P>I have the Air FX unit and like it alot.&nbsp; I wave my guitar over the controller or my hand ...or other body parts to change the parameters.............Om and Out&nbsp;&nbsp;&nbsp;&nbsp; Papa Dave</P>
<P>air synth info......&nbsp; <A href="http://www.alesis.com/products/airsynth/index.html">http://www.alesis.com/products/airsynth/index.html</A></P>
<P>Stan Gonzales is helpful at Alesis.............&nbsp; <A href="mailto:SGonsales@Alesis.com">SGonsales@Alesis.com</A></P>
<P><BR><BR>&nbsp;</P></DIV>
<DIV></DIV>
<DIV></DIV>&gt;From: Stan Gonzales <SGONZALES@ALESIS.COM>
<DIV></DIV>&gt;To: 'David Potter' <PAPADAVE55@HOTMAIL.COM>
<DIV></DIV>&gt;Subject: RE: Airsynth 
<DIV></DIV>&gt;Date: Thu, 12 Apr 2001 16:12:19 -0700 
<DIV></DIV>&gt; 
<DIV></DIV>&gt;Hi Dave, airFX is truly a fun effects processor and a powerful production 
<DIV></DIV>&gt;tool. 
<DIV></DIV>&gt;If you like airFX you are going to love airSynth! Plus Four Marketing is are 
<DIV></DIV>&gt;our northern CA reps. They will be able to steer you in the right direction 
<DIV></DIV>&gt;on where to pick one up. The projected ship date is around end of April, 
<DIV></DIV>&gt;beginning of May. 
<DIV></DIV>&gt;Plus Four Marketing 
<DIV></DIV>&gt;# 925-671-5400 
<DIV></DIV>&gt;Let me know if there is anything else I can do. 
<DIV></DIV>&gt;Sincerely 
<DIV></DIV>&gt;Stan Gonzales 
<DIV></DIV>&gt;Eastern Regional Sales Manager 
<DIV></DIV>&gt;Alesis Studio Electronics 
<DIV></DIV>&gt;Office (310)-255-3507 
<DIV></DIV>&gt;Cell (310)-486-3112 
<DIV></DIV>&gt; 
<DIV></DIV>&gt;-----Original Message----- 
<DIV></DIV>&gt;From: David Potter [mailto:papadave55@hotmail.com] 
<DIV></DIV>&gt;Sent: Thursday, April 12, 2001 2:09 PM 
<DIV></DIV>&gt;To: SGonzales@Alesis.com 
<DIV></DIV>&gt;Subject: Re: Airsynth 
<DIV></DIV>&gt; 
<DIV></DIV>&gt; 
<DIV></DIV>&gt; 
<DIV></DIV>&gt; 
<DIV></DIV>&gt; 
<DIV></DIV>&gt; 
<DIV></DIV>&gt; 
<DIV></DIV>&gt;Hi Stan, I am Papa Dave in Santa Cruz Calif..... I have an Air FX and I like 
<DIV></DIV>&gt;it alot. Let me know when an Air Synth is available. Thanks, Papa Dave 
<DIV></DIV>&gt; &gt;From: Stan Gonzales 
<DIV></DIV>&gt; &gt;To: "'papadave55@hotmail.com'" 
<DIV></DIV>&gt; &gt;Subject: Airsynth 
<DIV></DIV>&gt; &gt;Date: Thu, 12 Apr 2001 10:56:56 -0700 
<DIV></DIV>&gt; &gt; 
<DIV></DIV>&gt; &gt;Hello, thanks for your interest in Alesis products. If you could tell me 
<DIV></DIV>&gt; &gt;what area you reside in, I could give you more information. 
<DIV></DIV>&gt; &gt;Let me know. 
<DIV></DIV>&gt; &gt;Stan Gonzales 
<DIV></DIV>&gt; &gt;Eastern Regional Sales Manager 
<DIV></DIV>&gt; &gt;Alesis Studio Electronics 
<DIV></DIV>&gt; &gt;Office (310)-255-3507 
<DIV></DIV>&gt; &gt;Cell (310)-486-3112 
<DIV></DIV>&gt; &gt; 
<DIV></DIV>&gt; 
<DIV></DIV>&gt; _____ 
<DIV></DIV>&gt; 
<DIV></DIV>&gt;Get your FREE download of MSN Explorer at http://explorer.msn.com 
<DIV></DIV>&gt; 
<DIV></DIV>&gt; 
<DIV></DIV>&gt; 
<DIV></DIV>&gt; 
<DIV></DIV>&gt; 
<DIV></DIV><br clear=all><hr>Get your FREE download of MSN Explorer at <a href="http://explorer.msn.com">http://explorer.msn.com</a><br></p></html>

From Loopers-Delight-request@loopers-delight.com  Tue Apr 17 14:52:25 2001
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Subject: Boss RC-20 Loop Station
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Hey,
Any opinions on this looper from Boss (RC-20 Loop Station), yet?
Scott

From Loopers-Delight-request@loopers-delight.com  Tue Apr 17 15:59:34 2001
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Subject: NEW PLUG-IN
From: Ivan Zavada <ivan.zavada@videotron.ca>
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Hello to all

This Plug-IN was designed as a new musical creation tool
exploiting the capabilities of the variability of the loop.
Controling loop length and index in real-time will pull you
into the vast ocean of cyclic waves, new rythmic combinations
will emerge when using multiple tracks. Welcome to looping...

For more info on this real-time looper
ask questions at  Loopers-Delight@loopers-delight.com
Are you interested?
This looper is for Mac platform and will be available this summer...

Thanks.
IZ

From Loopers-Delight-request@loopers-delight.com  Tue Apr 17 16:02:14 2001
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The one they had at NAMM didn't get demoed.   Just pointed to and looked at.
Hands were waved.       Assuming it works up to spec, it'll give up to 5
minutes loop time, divisible into something like 10 loops, but dynamically
allocated so that you can have a five minute loop if you want.   It is a
monaural device, and some of the programming requires you to lean over and
push buttons on the pedal.    Looks to be a Boomerang killer, but it won't
supplant the Echoplex because of the way a plex can append loops to each
other and sync up to MIDI.    It won't supplant the Repeater, providing the
Repeater works up to spec, because Repeaters are stereo and have similar
construction tricks to the Plexes.

From Loopers-Delight-request@loopers-delight.com  Tue Apr 17 16:09:59 2001
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From: "Lee Fletcher" <lee@fletchertronics.freeserve.co.uk>
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Subject: CENTROZOON - Easter Update (Slightly Off-Topic)
Date: Tue, 17 Apr 2001 21:06:30 +0100
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(My apologies for any inadvertent cross-posting)...

It's been a while... But despite the scarcity of public announcements in
recent months CENTROZOON (a.k.a. TouchStyle guitarist Markus Reuter, and
synthesist Bernhard Wostheinrich) have been working towards bringing last
year's 'The Cult Of: Bibbiboo' sessions (now fully formed) into the public
domain:-

Canadian Producer (and 'Crafty' guitarist) Derek DiFilippo has completed the
final mixes, and mastering is now scheduled for May 2001 in London with
Simon Heyworth at the helm.

Renowned sleeve-artist Russell Mills has also shown interest in the project,
and may ultimately contribute the final artwork for what promises to be a
very special release.

Friends, enthusiasts, and random 'passers by' are invited to sample
Bibbiboo's wisdom by visiting the all-new interactive Oracle Of: Bibbiboo
(Flash) site at http://www.bibbiboo.com. Let Bibbiboo be your guiding light,
(or simply ask her "does my bum look big in this?") It's inspirational /
It's 'wacky' / It's - probably not what you're expecting! ;-)

Amidst preparations for 'The Cult Of: Bibbiboo' CENTROZOON have found time
to record and released 'Sun Lounge Debris' - a stunning new album of
impromptu ambient works. This salient collection (whilst further marking out
their own sonic territory) is surely the kindred partner to Fripp and Eno's
early collaborative works. Hop over to http://www.mp3.com/centrozoon for
further details, audio samples, and purchase information...

As always, the latest news and developments can be found at
http://www.centrozoon.de.

Best wishes,

Lee Fletcher (on behalf of CENTROZOON)

http://www.centrozoon.de
http://www.bibbiboo.com

From Loopers-Delight-request@loopers-delight.com  Tue Apr 17 17:54:34 2001
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uh...kindof preaching to the choir, no?

are you expecting anybody to say, "hell no, i'm not interested in a 
software looping plug in"?

so, yes, i'm sure everybody is interested.  any questions would, 
however, be similar to the questions regarding our beloved, late to 
the party, Repeater.

such as:

when can i have it?  i mean, REALLY have it...
will it do everything you promised it would do?
where's the manual?
can it work in real-time?  really? for sure, push-it-to-the-wall real-time?
is it better than the edp?
was there really a second man on the grassy knoll?

seeya,


rich

ps.  speaking of software...i recently got Bitheadz' "Retro AS-1" 
software synth.  my wife got herself a sporty G3 powerbook which was 
sitting a little too idle for stretches at a time for my taste.  usb 
midi interface, Retro, and a few less dollars in my pocket 
later...Wow, this synth is A LOT OF FUN.  Instant access down into 
the oscillators and filters, instant access to the effects, and the 
delays, although not very long, will self oscillate into 
#@^*^%$#####%&&*%%& if ya push 'em.   Absolutely TONS of presets that 
you can mangle and save too.

very nice...now just got to get the midi implmentation sorted out so 
the ribbon controllers on my Alesis qs6 can control Retro parameters 
in real time...yay!





>Hello to all
>
>This Plug-IN was designed as a new musical creation tool
>exploiting the capabilities of the variability of the loop.
>Controling loop length and index in real-time will pull you
>into the vast ocean of cyclic waves, new rythmic combinations
>will emerge when using multiple tracks. Welcome to looping...
>
>For more info on this real-time looper
>ask questions at  Loopers-Delight@loopers-delight.com
>Are you interested?
>This looper is for Mac platform and will be available this summer...
>
>Thanks.
>IZ

From Loopers-Delight-request@loopers-delight.com  Tue Apr 17 18:11:00 2001
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References: <B7021742.FA%ivan.zavada@videotron.ca> <p04330101b7026665a309@[192.168.0.12]>
Subject: Re: NEW PLUG-IN
Date: Wed, 18 Apr 2001 08:07:24 +1000
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Which plugin?

----- Original Message -----
From: "rich" <rich@nuvisionsca.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, April 18, 2001 7:47 AM
Subject: Re: NEW PLUG-IN


> uh...kindof preaching to the choir, no?
>
> are you expecting anybody to say, "hell no, i'm not interested in a
> software looping plug in"?
>
> so, yes, i'm sure everybody is interested.  any questions would,
> however, be similar to the questions regarding our beloved, late to
> the party, Repeater.
>
> such as:
>
> when can i have it?  i mean, REALLY have it...
> will it do everything you promised it would do?
> where's the manual?
> can it work in real-time?  really? for sure, push-it-to-the-wall
real-time?
> is it better than the edp?
> was there really a second man on the grassy knoll?
>
> seeya,
>
>
> rich
>
> ps.  speaking of software...i recently got Bitheadz' "Retro AS-1"
> software synth.  my wife got herself a sporty G3 powerbook which was
> sitting a little too idle for stretches at a time for my taste.  usb
> midi interface, Retro, and a few less dollars in my pocket
> later...Wow, this synth is A LOT OF FUN.  Instant access down into
> the oscillators and filters, instant access to the effects, and the
> delays, although not very long, will self oscillate into
> #@^*^%$#####%&&*%%& if ya push 'em.   Absolutely TONS of presets that
> you can mangle and save too.
>
> very nice...now just got to get the midi implmentation sorted out so
> the ribbon controllers on my Alesis qs6 can control Retro parameters
> in real time...yay!
>
>
>
>
>
> >Hello to all
> >
> >This Plug-IN was designed as a new musical creation tool
> >exploiting the capabilities of the variability of the loop.
> >Controling loop length and index in real-time will pull you
> >into the vast ocean of cyclic waves, new rythmic combinations
> >will emerge when using multiple tracks. Welcome to looping...
> >
> >For more info on this real-time looper
> >ask questions at  Loopers-Delight@loopers-delight.com
> >Are you interested?
> >This looper is for Mac platform and will be available this summer...
> >
> >Thanks.
> >IZ
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Apr 17 19:00:27 2001
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Date: Tue, 17 Apr 2001 15:47:43 -0700 (PDT)
From: Alx <gendel777@yahoo.com>
Subject: Re: The new issue of Guitar Player...
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Would you like to know Zachary Vex´s opinion about
Line 6 "modelling" his "Seek Wah" (Seeker on line 6)?,
check Ampage.org under the "Effects" forum and then
under the "Lovetone Big Cheese" thread, Zach is really
pissed about that but he announced that in a short
time he´ll come up with a new version of his Seek Wah
now named "Oooh Wah" which offers a "random" option,
he also mentioned that soon he´ll be offering a box to
sync MIDI clock with the Seek/Oooh Wah with the option
to have tempo subdivisons, way cool.
Alx.


--- John Tidwell <wedgehed@yahoo.com> wrote:
> has an ad showing a new modeling pedal from Line6.
> 
> The FM4 Filter Modeler. It has the following listed
> presets:
> 
> Spin Cycle
> Comet Trails
> Slow Filter
> Octisynth
> Synth-o-matic
> Attack Synth
> Synth String
> Growler
> Q Filter
> Tron Down
> Tron Up
> Seeker
> Obi-Wah
> Voice Box
> V-Tron
> Throbber
> 
> And, it's very purple!
> 
> Also in GP, an interview with Leni Stern.
> 
> =====
> John Tidwell
> 
> 
> 
> 
> __________________________________________________
> Do You Yahoo!?
> Yahoo! Auctions - buy the things you want at great
> prices
> http://auctions.yahoo.com/
> 


__________________________________________________
Do You Yahoo!?
Yahoo! Auctions - buy the things you want at great prices
http://auctions.yahoo.com/

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Date: Tue, 17 Apr 2001 19:28:25 -0400 (EDT)
From: Steve Burnett <sburnett@webslingerz.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: Re: The new issue of Guitar Player...
In-Reply-To: <20010417224744.29532.qmail@web5102.mail.yahoo.com>
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On Tue, 17 Apr 2001, Alx wrote:

> Would you like to know Zachary Vex´s opinion about
> Line 6 "modelling" his "Seek Wah" (Seeker on line 6)?,
> check Ampage.org under the "Effects" forum and then
> under the "Lovetone Big Cheese" thread, Zach is really
> pissed about that but he announced that in a short
> time he´ll come up with a new version of his Seek Wah
> now named "Oooh Wah" which offers a "random" option,

He started shipping the Ooh Wah last week. I should have mine either
tomorrow or the end of the week. I don't think I'll get rid of my Seek wah
either.

http://www.zvex.com/oohwah.html

> he also mentioned that soon he´ll be offering a box to
> sync MIDI clock with the Seek/Oooh Wah with the option
> to have tempo subdivisons, way cool.

Ok, *that* I will preorder right now. Well, not really, but I look forward
to seeing that as well. Thanks!

regards,
Steve

> Alx.
>
>
> --- John Tidwell <wedgehed@yahoo.com> wrote:
> > has an ad showing a new modeling pedal from Line6.
> >
> > The FM4 Filter Modeler. It has the following listed
> > presets:
> >
> > Spin Cycle
> > Comet Trails
> > Slow Filter
> > Octisynth
> > Synth-o-matic
> > Attack Synth
> > Synth String
> > Growler
> > Q Filter
> > Tron Down
> > Tron Up
> > Seeker
> > Obi-Wah
> > Voice Box
> > V-Tron
> > Throbber
> >
> > And, it's very purple!
> >
> > Also in GP, an interview with Leni Stern.
> >
> > =====
> > John Tidwell
> >
> >
> >
> >
> > __________________________________________________
> > Do You Yahoo!?
> > Yahoo! Auctions - buy the things you want at great
> > prices
> > http://auctions.yahoo.com/
> >
>
>
> __________________________________________________
> Do You Yahoo!?
> Yahoo! Auctions - buy the things you want at great prices
> http://auctions.yahoo.com/
>
>

-- 
onNow:
----------------------------------------------------------------
Steve Burnett    Admin, webslingerZ     sburnett@webslingerz.com
             http://www.webslingerz.com/sburnett

From Loopers-Delight-request@loopers-delight.com  Tue Apr 17 20:17:34 2001
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From: "steve murphy" <infrasound@labs.freeserve.co.uk>
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Subject: dodgy acapellas......
Date: Wed, 18 Apr 2001 01:14:12 +0100
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yeah, errr.....new bloke.

So anyway, so does anyone know where (on the web or otherwise) I can =
pick up some *really* facking bad acappellas?  And I mean really dodgy =
pop like color me badd or tiffany.

So umm....help please?  I have like, hiphop acappelas and stuff but =
they`re all of far too high a quality (ie. you can listen to them =
without vomitting blood) for my latest project.

any help would be greatly appreciated.

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
<HTML>
<HEAD>

<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type>
<META content=3D'"MSHTML 4.72.3110.7"' name=3DGENERATOR>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT color=3D#000000 size=3D2>yeah, errr.....new =
bloke.</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT color=3D#000000 size=3D2>So anyway, so does anyone know where =
(on the web=20
or otherwise) I can pick up some *really* facking bad acappellas?&nbsp; =
And I=20
mean really dodgy pop like color me badd or tiffany.</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT color=3D#000000 size=3D2>So umm....help please?&nbsp; I have =
like, hiphop=20
acappelas and stuff but they`re all of far too high a quality (ie. you =
can=20
listen to them without vomitting blood) for my latest =
project.</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT color=3D#000000 size=3D2>any help would be greatly=20
appreciated.</FONT></DIV></BODY></HTML>

------=_NextPart_000_0031_01C0C7A4.E0CBF200--

From Loopers-Delight-request@loopers-delight.com  Tue Apr 17 22:33:53 2001
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From: "Eric Williamson" <erwill@suitandtieguy.com>
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Subject: sorry about that
Date: Tue, 17 Apr 2001 21:22:03 -0500
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i didn't mean to send my address out to the list ...

i have no clue what manners of sleep deprivation caused that to happen.

sorry ....

Eric Williamson
www.suitandtieguy.com

From Loopers-Delight-request@loopers-delight.com  Tue Apr 17 22:45:23 2001
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Date: Tue, 17 Apr 2001 22:41:08 -0700
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Subject: --Imberg's collection of thoughts--
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Hey all:

Received Alan Imberg's debut CD "Collection
of Thoughts" announced here a week or so
ago.  I think most of this disc is really impressive!
Good work, Alan!

Of the ten tracks on this, there's probably just
one i'm not so sure of.  And there are quite a
few that are *very* strong.  Alan obviously has
a great harmonic sensibility, and a love for
looping, no doubt.  A lot of this could be labeled
ambient or minimalist, if one needs these labels.

I think this would appeal to a lot of folks on this
list.  I'm learning a lot from it.

Hey Alan--check's in the mail!

Imbergrooves,
pjk

________________________________________
To: "Loopers" <Loopers-Delight@annihilist.com>
Subject: OT: CD Release Spam
From: "Alan Imberg" <alan_i@sprynet.com>
Date: Mon, 9 Apr 2001 20:13:15 -0700

Greetings Loopers:
I've just released my debut full-length, titled "A Collection of Thoughts", 
which is about 80% loopage content. Its available through Amazon.com and 
other fine locations. If you are interested in more details, please visit 
my web page (http://home.sprynet.com/~alan_i).

Best Regards,
Alan Imberg

  

From Loopers-Delight-request@loopers-delight.com  Tue Apr 17 23:42:49 2001
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From: Tremolaria@aol.com
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Date: Tue, 17 Apr 2001 23:39:36 EDT
Subject: Help me with my sampling scenario
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Here's my dilemma.

I want to trigger monophonic samples with a footswitch. Simple request I 
would think.

Years ago, I used to use any number of digital delay units with a "sampling" 
feature that would allow you to sample something then hit a footswitch and 
trigger it. Hit it again, and it starts from the beginning. You don't have to 
hold the switch down. you don't have to do anything special. Just hit the 
switch and hear the sample.Great. 

I got greedy and wanted storage so I could call up each sample for each song 
in my live set.things got complicated.

I bought an archaic Akai S612 sampler. Yes, very cheap. It was incredibly 
lo-fi (to my joy) and worked pretty easily. I had MIDI Solutions build me a 
custom MIDI footswitch controller that sent a NOTE ON message at a certain 
note number and NO NOTE OFF, so it would play the complete sample all the way 
through (the samples, by the way are usually three second/one or two measure 
guitar parts...kinda like MBV or Curve type things)

My rig now works like it should.However, I'm sick of carrying 4 rack spaces 
of antique technology. I'm sick of having to load samples from a Quick Disk 
at the beginning of EVERY song, and I'm sick of the sampler not working when 
it doesn't feel like it.I would LOVE to replace it with a newer cheap 
alternative. Something the size of a Dr. Sample would be nice, but I couldn't 
get the Dr. Sample to work like I want it to.

Does anyone have any suggestions?

Another way to describe what I want is instead of using guitar samples, say I 
wanted to trigger drum sounds (not loops). You want to hear the complete drum 
sample when you hit the pad/switch, and retrigger it monophonically (not 
polyphonically) everytime you hit it. Besides a $1000 SP808, what could I use?

Thank you
Roger 
    
    



--part1_a3.1489c493.280e6678_boundary
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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2 FAMILY="SANSSERIF" FACE="Verdana" LANG="0">Here's my dilemma.
<BR>
<BR>I want to trigger monophonic samples with a footswitch. Simple request I 
<BR>would think.
<BR>
<BR>Years ago, I used to use any number of digital delay units with a "sampling" 
<BR>feature that would allow you to sample something then hit a footswitch and 
<BR>trigger it. Hit it again, and it starts from the beginning. You don't have to 
<BR>hold the switch down. you don't have to do anything special. Just hit the 
<BR>switch and hear the sample.Great. 
<BR>
<BR>I got greedy and wanted storage so I could call up each sample for each song 
<BR>in my live set.things got complicated.
<BR>
<BR>I bought an archaic Akai S612 sampler. Yes, very cheap. It was incredibly 
<BR>lo-fi (to my joy) and worked pretty easily. I had MIDI Solutions build me a 
<BR>custom MIDI footswitch controller that sent a NOTE ON message at a certain 
<BR>note number and NO NOTE OFF, so it would play the complete sample all the way 
<BR>through (the samples, by the way are usually three second/one or two measure 
<BR>guitar parts...kinda like MBV or Curve type things)
<BR>
<BR>My rig now works like it should.However, I'm sick of carrying 4 rack spaces 
<BR>of antique technology. I'm sick of having to load samples from a Quick Disk 
<BR>at the beginning of EVERY song, and I'm sick of the sampler not working when 
<BR>it doesn't feel like it.I would LOVE to replace it with a newer cheap 
<BR>alternative. Something the size of a Dr. Sample would be nice, but I couldn't 
<BR>get the Dr. Sample to work like I want it to.
<BR>
<BR>Does anyone have any suggestions?
<BR>
<BR>Another way to describe what I want is instead of using guitar samples, say I 
<BR>wanted to trigger drum sounds (not loops). You want to hear the complete drum 
<BR>sample when you hit the pad/switch, and retrigger it monophonically (not 
<BR>polyphonically) everytime you hit it. Besides a $1000 SP808, what could I use?
<BR>
<BR>Thank you
<BR>Roger </FONT><FONT  COLOR="#000000" SIZE=3 FAMILY="SANSSERIF" FACE="Verdana" LANG="0">
<BR>    
<BR>    
<BR>
<BR></FONT></HTML>

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Given the recent mention of several filter boxes (Line6, ZVex), I'd also
encourage people to have a look at the Frostwave boxes, at
www.frostwave.com.  I stumbled across their stuff recently and was
impressed.  They're an Australian company, and the current exchange rate
makes for some tempting options for US loopers.

Travis Hartnett

From Loopers-Delight-request@loopers-delight.com  Wed Apr 18 12:36:04 2001
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<html><DIV>
<P>Does anyone know where I can find both "Royalty Free" Horn Section Loops and/or Horn Loops. If not "Royalty Free" then on a CD. I am especially looking for "Memphis" (i.e. "Stax records style") R&amp;B (i.e. "Funk")  and Blues" style licks and or parts. </P>
<P>Thanks for any help.<BR><BR></P></DIV>
<DIV></DIV>
<DIV></DIV><br clear=all><hr>Get your FREE download of MSN Explorer at <a href="http://explorer.msn.com">http://explorer.msn.com</a><br></p></html>

From Loopers-Delight-request@loopers-delight.com  Wed Apr 18 13:24:53 2001
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From: Steve Burnett <sburnett@webslingerz.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: Re: Filter Boxes (Frostwave)
In-Reply-To: <B70290D7.4B04%tiktok@sprintmail.com>
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On Wed, 18 Apr 2001, Tiktok wrote:

> Given the recent mention of several filter boxes (Line6, ZVex), I'd also
> encourage people to have a look at the Frostwave boxes, at
> www.frostwave.com.  I stumbled across their stuff recently and was
> impressed.  They're an Australian company, and the current exchange rate
> makes for some tempting options for US loopers.

I've been looking at their stuff recently too. I came across a Frostwave
product not listed on their website, or the seller's. It's called a
SpaceBeam and looks to be similar to a Roland D-Beam. Anyone know
anything about these? I've only seen this one on ebay.

http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=1422138005

thanks,
Steve
-- 
----------------------------------------------------------------
Steve Burnett    Admin, webslingerZ     sburnett@webslingerz.com
             http://www.webslingerz.com/sburnett

From Loopers-Delight-request@loopers-delight.com  Wed Apr 18 13:51:38 2001
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Subject: Re: Filter Boxes (Frostwave)
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What it might be is that the webpage is not run my Paul
its run by some distributor or something like that
he mustve told me at least3 times during a few email exchanges that if i 
wanted to purchase something to contact him directly, and that the page was 
NOT run by him

rodrigo

> I've been looking at their stuff recently too. I came across a Frostwave
> product not listed on their website, or the seller's. It's called a
> SpaceBeam and looks to be similar to a Roland D-Beam. Anyone know
> anything about these? I've only seen this one on ebay.
> 
> http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&



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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>What it might be is that the webpage is not run my Paul
<BR>its run by some distributor or something like that
<BR>he mustve told me at least3 times during a few email exchanges that if i 
<BR>wanted to purchase something to contact him directly, and that the page was 
<BR>NOT run by him
<BR>
<BR>rodrigo
<BR>
<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">I've been looking at their stuff recently too. I came across a Frostwave
<BR>product not listed on their website, or the seller's. It's called a
<BR>SpaceBeam and looks to be similar to a Roland D-Beam. Anyone know
<BR>anything about these? I've only seen this one on ebay.
<BR>
<BR>http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&amp;item=1422138005</BLOCKQUOTE>
<BR>
<BR></FONT></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed Apr 18 14:48:56 2001
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From: "Dan Richardson" <dlr@javanet.com>
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Date: Wed, 18 Apr 2001 14:44:01 -0400
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Subject: Re: electronic shruti box software?
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Several people asked for the fruits of my search for a software shruti box.
I've found a freeware Windows synth that does a great job of this.

http://www.maz-sound.com/archives/trx-or20.zip

You need to click on Realtime in the menubar.
Then hit the Oscillators page, uncheck Melodic & Filter,
make an oscillator Active and tune it with the Frequency slider.
Move the shape slider a bit for some buzziness.
Repeat until satisfied with creamy droning richness.
Reduce the volume for each oscillator as you add more,
or it'll overdrive internally. I set them all to -12 dB.


Dan Richardson
Northampton, MA

From Loopers-Delight-request@loopers-delight.com  Wed Apr 18 14:49:35 2001
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Date: Wed, 18 Apr 2001 11:45:58 -0700 (PDT)
From: Bret <echoplex@yahoo.com>
Subject: Re: Filter Boxes (Frostwave)
To: Loopers-Delight@loopers-delight.com
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The ebay ad says "Custom built for melmusic by boutique effects
maker,Frostwave".  Sounds like it is not in their normal product line.
You could email melmusic (the ebay seller) at melmusic@melmusic.com.au 
and learn more about this box.
bret
--- Steve Burnett <sburnett@webslingerz.com> wrote:
> On Wed, 18 Apr 2001, Tiktok wrote:
> 
> > Given the recent mention of several filter boxes (Line6, ZVex), I'd
> also
> > encourage people to have a look at the Frostwave boxes, at
> > www.frostwave.com.  I stumbled across their stuff recently and was
> > impressed.  They're an Australian company, and the current exchange
> rate
> > makes for some tempting options for US loopers.
> 
> I've been looking at their stuff recently too. I came across a
> Frostwave
> product not listed on their website, or the seller's. It's called a
> SpaceBeam and looks to be similar to a Roland D-Beam. Anyone know
> anything about these? I've only seen this one on ebay.
> 
> http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=1422138005
> 
> thanks,
> Steve
> -- 
> ----------------------------------------------------------------
> Steve Burnett    Admin, webslingerZ     sburnett@webslingerz.com
>              http://www.webslingerz.com/sburnett
> 


__________________________________________________
Do You Yahoo!?
Yahoo! Auctions - buy the things you want at great prices
http://auctions.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Wed Apr 18 18:06:32 2001
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Subject: Re: Filter Boxes (Frostwave)
From: Skye <skza@nabi.net>
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Actually this is a "real" Frostwave product, but it is rather new- you
should be able to order them through frostwave's "warmcola" site- I am not
sure of the url, but a google search should reveal the info...

it was just released around december, and it is supposed to be quite nice.


s


on 4/18/01 1:45 PM, Bret at echoplex@yahoo.com wrote:

> The ebay ad says "Custom built for melmusic by boutique effects
> maker,Frostwave".  Sounds like it is not in their normal product line.
> You could email melmusic (the ebay seller) at melmusic@melmusic.com.au
> and learn more about this box.
> bret

From Loopers-Delight-request@loopers-delight.com  Wed Apr 18 18:10:35 2001
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From: "Alex C" <bigfoot_518@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Anyone interested in a jam man?
Date: Wed, 18 Apr 2001 18:07:48 -0400
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Does anyone know if the Jam Man Sean is selling is still available?  I am 
interested, but would like to know if he has sold it already.

Thanks,
Alex


>From: "Gary Lehmann" <relayonemanband@cts.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: <Loopers-Delight@loopers-delight.com>
>Subject: Re: Anyone interested in a jam man?
>Date: Fri, 13 Apr 2001 17:36:34 -0700
>
>This may be good advice.  I sold mine for $600 a year ago, but when the
>Repeater finally (!) gets released, it will drive down the asking price of
>existing loopers.  Besides, IMHO the Jammer has serious limitation 
>(although
>loads of folks on this list don't seem to have a problem making it do
>tricks--hi Steve!)
>Gary
>
>PS--you might still be able to get $600 for it--I haven't been following it
>on ebay lately but Alto seems to get $700 for the Echoplex with no problem.
>G
>
>
> > get rid of it quick.  It's fairly rare, but now the Echoplex Digital Pro
> > is available and a company called Electrix may be releasing a similar
> > product in June.  You my still be able to get a good price for it.
> >
> > Mark
> >
> > sean conlon wrote:
> >
> > >      I have a jam man I am not getting much use out of
> > > that I was thinking of selling. I was kind of curious
> > > to see what they are going for these days. I know its
> > > worth something as It seems they are quite scarce and
> > > somewhat collectible. Is anyone interested?
> > >
> > >                                        Take care, Sean
> > >
> > > __________________________________________________
> > > Do You Yahoo!?
> > > Get email at your own domain with Yahoo! Mail.
> > > http://personal.mail.yahoo.com/
> >
> >
>

_________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.

From Loopers-Delight-request@loopers-delight.com  Wed Apr 18 18:55:14 2001
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Date: Thu, 19 Apr 2001 00:54:42 +0200
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graziano accinni (accynny) ELECTRIC -SINT GUITARS

http://peoplesound.com/artists/accynny

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<DIV><FONT face=3DArial size=3D2>graziano accinni (accynny) ELECTRIC =
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GUITARS</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial=20
size=3D2>http://peoplesound.com/artists/accynny</FONT></DIV></BODY></HTML=
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From Loopers-Delight-request@loopers-delight.com  Wed Apr 18 22:08:43 2001
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Hello all. nice to be here.

Here's my dilemma.

I want to trigger monophonic samples with a footswitch. Simple request I=20
would think.

Years ago, I used to use any number of digital delay units with a "sampling"=
=20
feature that would allow you to sample something then hit a footswitch and=20
trigger it. Hit it again, and it starts from the beginning. You don't have t=
o=20
hold the switch down. you don't have to do anything special. Just hit the=20
switch and hear the sample.Great.=20

I got greedy and wanted storage so I could call up each sample for each song=
=20
in my live set.things got complicated.

I bought an archaic Akai S612 sampler. Yes, very cheap. It was incredibly=20
lo-fi (to my joy) and worked pretty easily. I had MIDI Solutions build me a=20
custom MIDI footswitch controller that sent a NOTE ON message at a certain=20
note number and NO NOTE OFF, so it would play the complete sample all the wa=
y=20
through (the samples, by the way are usually three second/one or two measure=
=20
guitar parts...kinda like MBV or Curve type things)

My rig now works like it should.However, I'm sick of carrying 4 rack spaces=20
of antique technology. I'm sick of having to load samples from a Quick Disk=20
at the beginning of EVERY song, and I'm sick of the sampler not working when=
=20
it doesn't feel like it.I would LOVE to replace it with a newer cheap=20
alternative. Something the size of a Dr. Sample would be nice, but I couldn'=
t=20
get the Dr. Sample to work like I want it to.

Does anyone have any suggestions?

Another way to describe what I want is instead of using guitar samples, say=20=
I=20
wanted to trigger drum sounds (not loops). You want to hear the complete dru=
m=20
sample when you hit the pad/switch, and retrigger it monophonically (not=20
polyphonically) everytime you hit it. Besides a $1000 SP808, what could I us=
e?

Thank you
Roger=20
=A0 =A0=20
=A0 =A0=20



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<HTML><FONT FACE=3Darial,helvetica><FONT  SIZE=3D2 FAMILY=3D"SANSSERIF" FACE=
=3D"Verdana" LANG=3D"0">Hello all. nice to be here.
<BR>
<BR>Here's my dilemma.
<BR>
<BR>I want to trigger monophonic samples with a footswitch. Simple request I=
=20
<BR>would think.
<BR>
<BR>Years ago, I used to use any number of digital delay units with a "sampl=
ing"=20
<BR>feature that would allow you to sample something then hit a footswitch a=
nd=20
<BR>trigger it. Hit it again, and it starts from the beginning. You don't ha=
ve to=20
<BR>hold the switch down. you don't have to do anything special. Just hit th=
e=20
<BR>switch and hear the sample.Great.=20
<BR>
<BR>I got greedy and wanted storage so I could call up each sample for each=20=
song=20
<BR>in my live set.things got complicated.
<BR>
<BR>I bought an archaic Akai S612 sampler. Yes, very cheap. It was incredibl=
y=20
<BR>lo-fi (to my joy) and worked pretty easily. I had MIDI Solutions build m=
e a=20
<BR>custom MIDI footswitch controller that sent a NOTE ON message at a certa=
in=20
<BR>note number and NO NOTE OFF, so it would play the complete sample all th=
e way=20
<BR>through (the samples, by the way are usually three second/one or two mea=
sure=20
<BR>guitar parts...kinda like MBV or Curve type things)
<BR>
<BR>My rig now works like it should.However, I'm sick of carrying 4 rack spa=
ces=20
<BR>of antique technology. I'm sick of having to load samples from a Quick D=
isk=20
<BR>at the beginning of EVERY song, and I'm sick of the sampler not working=20=
when=20
<BR>it doesn't feel like it.I would LOVE to replace it with a newer cheap=20
<BR>alternative. Something the size of a Dr. Sample would be nice, but I cou=
ldn't=20
<BR>get the Dr. Sample to work like I want it to.
<BR>
<BR>Does anyone have any suggestions?
<BR>
<BR>Another way to describe what I want is instead of using guitar samples,=20=
say I=20
<BR>wanted to trigger drum sounds (not loops). You want to hear the complete=
 drum=20
<BR>sample when you hit the pad/switch, and retrigger it monophonically (not=
=20
<BR>polyphonically) everytime you hit it. Besides a $1000 SP808, what could=20=
I use?
<BR>
<BR>Thank you
<BR>Roger </FONT><FONT  COLOR=3D"#000000" SIZE=3D3 FAMILY=3D"SANSSERIF" FACE=
=3D"Verdana" LANG=3D"0">
<BR>=A0 =A0=20
<BR>=A0 =A0=20
<BR>
<BR></FONT></HTML>

--part1_82.9d5c73c.280fa1d6_boundary--

From Loopers-Delight-request@loopers-delight.com  Thu Apr 19 00:10:16 2001
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To: Loopers-Delight@loopers-delight.com
From: dan mcmullen <dog@well.com>
Subject: edp record-insert-insert oddity?
In-Reply-To: <3ADDA831.5429.581B0C@localhost>
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can anyone explain why when i end record w/ insert to set the tempo, &
finish w/ another insert after 2 or more cycles, the start point of the
loop ends up different than the point at which i originally pressed record?
 this happens sometimes, but not always.  for instance right this minute,
it happens consistantly on loop 1, but not on loop 2 or 3.

tia, dan
___
dan mcmullen, ca, usa                      don't worry - pay attention
mailto:dog@well.com                                       707-485-0220
pgp fingerprint  =  1C70 8D81 6B94 93A9 F2D8  9609 2122 BF70 8619 EDAF

From Loopers-Delight-request@loopers-delight.com  Thu Apr 19 11:10:56 2001
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<html><DIV>
<P><BR><BR></P></DIV>
<DIV></DIV>
<DIV>Does anyone know where I can find some Brass (Horn) Loops? They can either be free or for sale.</DIV><br clear=all><hr>Get your FREE download of MSN Explorer at <a href="http://explorer.msn.com">http://explorer.msn.com</a><br></p></html>

From Loopers-Delight-request@loopers-delight.com  Thu Apr 19 11:51:26 2001
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Date: Fri, 20 Apr 2001 00:51:24 +0900
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Hello all,

It's shipping in Japan and I did have a chance to obtain one...  but not 
really use it as of yet.  A report shall follow in the coming days...

Rik Elswit$B$5$s$,(B01.4.17 12:58 PM$B$K=q$-$^$7$?!'(B
>The one they had at NAMM didn't get demoed.   Just pointed to and looked at.
>Hands were waved.       Assuming it works up to spec, it'll give up to 5
>minutes loop time, divisible into something like 10 loops, but dynamically
>allocated so that you can have a five minute loop if you want.   It is a
>monaural device, and some of the programming requires you to lean over and
>push buttons on the pedal.    Looks to be a Boomerang killer, but it won't
>supplant the Echoplex because of the way a plex can append loops to each
>other and sync up to MIDI.    It won't supplant the Repeater, providing the
>Repeater works up to spec, because Repeaters are stereo and have similar
>construction tricks to the Plexes.

From Loopers-Delight-request@loopers-delight.com  Thu Apr 19 15:18:54 2001
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Date: Thu, 19 Apr 2001 12:14:07 -0700 (PDT)
From: Alx <gendel777@yahoo.com>
Subject: Re: Anyone interested in a jam man?
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Check Ebay for one, I just saw one there that a guy is
selling and it looks in excellent condition here´s the
link:
http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=1230957750
Alx.



--- Alex C <bigfoot_518@hotmail.com> wrote:
> Does anyone know if the Jam Man Sean is selling is
> still available?  I am 
> interested, but would like to know if he has sold it
> already.
> 
> Thanks,
> Alex
> 
> 
> >From: "Gary Lehmann" <relayonemanband@cts.com>
> >Reply-To: Loopers-Delight@loopers-delight.com
> >To: <Loopers-Delight@loopers-delight.com>
> >Subject: Re: Anyone interested in a jam man?
> >Date: Fri, 13 Apr 2001 17:36:34 -0700
> >
> >This may be good advice.  I sold mine for $600 a
> year ago, but when the
> >Repeater finally (!) gets released, it will drive
> down the asking price of
> >existing loopers.  Besides, IMHO the Jammer has
> serious limitation 
> >(although
> >loads of folks on this list don't seem to have a
> problem making it do
> >tricks--hi Steve!)
> >Gary
> >
> >PS--you might still be able to get $600 for it--I
> haven't been following it
> >on ebay lately but Alto seems to get $700 for the
> Echoplex with no problem.
> >G
> >
> >
> > > get rid of it quick.  It's fairly rare, but now
> the Echoplex Digital Pro
> > > is available and a company called Electrix may
> be releasing a similar
> > > product in June.  You my still be able to get a
> good price for it.
> > >
> > > Mark
> > >
> > > sean conlon wrote:
> > >
> > > >      I have a jam man I am not getting much
> use out of
> > > > that I was thinking of selling. I was kind of
> curious
> > > > to see what they are going for these days. I
> know its
> > > > worth something as It seems they are quite
> scarce and
> > > > somewhat collectible. Is anyone interested?
> > > >
> > > >                                        Take
> care, Sean
> > > >
> > > >
> __________________________________________________
> > > > Do You Yahoo!?
> > > > Get email at your own domain with Yahoo! Mail.
> > > > http://personal.mail.yahoo.com/
> > >
> > >
> >
> 
>
_________________________________________________________________________
> Get Your Private, Free E-mail from MSN Hotmail at
> http://www.hotmail.com.
> 


__________________________________________________
Do You Yahoo!?
Yahoo! Auctions - buy the things you want at great prices
http://auctions.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Thu Apr 19 15:19:35 2001
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From: "David Potter" <papadave55@hotmail.com>
To: loopers-delight@annihilist.com
Subject: Fwd: Re: Theremin Frostwave Spacebeam
Date: Thu, 19 Apr 2001 19:16:47 
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<html><DIV>
<P><BR><BR></P>
<DIV></DIV>
<P>Hi guys, here's the info on the Theremin Frostwave Spacebeam.....&nbsp; Looks like it might be fun...take care&nbsp;&nbsp;&nbsp;&nbsp; Om and Out&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Papa Dave&nbsp;&nbsp; <A href="http://www.melmusic.au/">http://www.melmusic.au</A></P></DIV>
<P><BR><BR>&nbsp;</P>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>&gt;From: "melmusic" <MELMUSIC@MELMUSIC.COM.AU>
<DIV></DIV>
<DIV></DIV>&gt;Reply-To: "melmusic" <MELMUSIC@MELMUSIC.COM.AU>
<DIV></DIV>
<DIV></DIV>&gt;To: "David Potter" <PAPADAVE55@HOTMAIL.COM>
<DIV></DIV>
<DIV></DIV>&gt;Subject: Re: Theremin Frostwave Spacebeam 
<DIV></DIV>
<DIV></DIV>&gt;Date: Thu, 19 Apr 2001 11:22:30 +1000 
<DIV></DIV>
<DIV></DIV>&gt; 
<DIV></DIV>
<DIV></DIV>&gt;Hi David, 
<DIV></DIV>
<DIV></DIV>&gt;Thanks for your enquiry, 
<DIV></DIV>
<DIV></DIV>&gt;The Spacebeam is still available for sale. 
<DIV></DIV>
<DIV></DIV>&gt;The cost is $US165.00 
<DIV></DIV>
<DIV></DIV>&gt;Freight by Fed Ex would be an additional $35.00US 
<DIV></DIV>
<DIV></DIV>&gt;Freight by insured airmail would be an additional $20.00US 
<DIV></DIV>
<DIV></DIV>&gt;for payment and ordering details please go to 
<DIV></DIV>
<DIV></DIV>&gt;www.melmusic.com.au/order 
<DIV></DIV>
<DIV></DIV>&gt;Cheers 
<DIV></DIV>
<DIV></DIV>&gt;Choo Packer 
<DIV></DIV>
<DIV></DIV>&gt;MELMUSIC 
<DIV></DIV>
<DIV></DIV>&gt;melmusic.com.au 
<DIV></DIV>
<DIV></DIV>&gt;523 North Rd. Ormond 
<DIV></DIV>
<DIV></DIV>&gt;Victoria 3163 Australia 
<DIV></DIV>
<DIV></DIV>&gt;www.melmusic.com.au 
<DIV></DIV>
<DIV></DIV>&gt;Ph. (61-3 )-95782426 Fax(61-3)95785112 
<DIV></DIV>
<DIV></DIV>&gt;BUY! SELL! TRADE! 
<DIV></DIV>
<DIV></DIV>&gt;AUSTRALIA'S LARGEST USED MUSIC GEAR SHOP 
<DIV></DIV>
<DIV></DIV>&gt;Vintage Equipment,Vintage Spare Parts,User/Owner Manuals. 
<DIV></DIV>
<DIV></DIV>&gt; 
<DIV></DIV>
<DIV></DIV>&gt; ----- Original Message ----- 
<DIV></DIV>
<DIV></DIV>&gt; From: David Potter 
<DIV></DIV>
<DIV></DIV>&gt; To: melmusic@melmusic.com.au 
<DIV></DIV>
<DIV></DIV>&gt; Sent: Wednesday, 18 April 2001 8:02 
<DIV></DIV>
<DIV></DIV>&gt; Subject: Theremin Frostwave Spacebeam 
<DIV></DIV>
<DIV></DIV>&gt; 
<DIV></DIV>
<DIV></DIV>&gt; 
<DIV></DIV>
<DIV></DIV>&gt; Hi Melmusic, I am Papa Dave in Santa Cruz, Ca. I saw that the Theremin Frostwave Spacebeam did not sell. I am interested. papadave55@hotmail.com please send info on how I can get one....Thanks 
<DIV></DIV>
<DIV></DIV>&gt; 
<DIV></DIV>
<DIV></DIV>&gt; 
<DIV></DIV>
<DIV></DIV>&gt; 
<DIV></DIV>
<DIV></DIV>&gt;------------------------------------------------------------------------------ 
<DIV></DIV>
<DIV></DIV>&gt; Get your FREE download of MSN Explorer at http://explorer.msn.com 
<DIV></DIV>
<DIV></DIV>&gt; 
<DIV></DIV>
<DIV></DIV>&gt; 
<DIV></DIV>
<DIV></DIV><br clear=all><hr>Get your FREE download of MSN Explorer at <a href="http://explorer.msn.com">http://explorer.msn.com</a><br></p></html>

From Loopers-Delight-request@loopers-delight.com  Thu Apr 19 15:26:28 2001
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From: "Clifford@BienAppraisers" <bienappraisers@mindspring.com>
To: <Loopers-Delight@loopers-delight.com>
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Subject: Re: Anyone interested in a jam man?
Date: Thu, 19 Apr 2001 12:22:23 -0700
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Wow- brand new in the box- neat- but $650? ouch!

cliff

----- Original Message -----
From: "Alx" <gendel777@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, April 19, 2001 12:14 PM
Subject: Re: Anyone interested in a jam man?


> Check Ebay for one, I just saw one there that a guy is
> selling and it looks in excellent condition here´s the
> link:
> http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=1230957750
> Alx.
>
>
>
> --- Alex C <bigfoot_518@hotmail.com> wrote:
> > Does anyone know if the Jam Man Sean is selling is
> > still available?  I am
> > interested, but would like to know if he has sold it
> > already.
> >
> > Thanks,
> > Alex
> >
> >
> > >From: "Gary Lehmann" <relayonemanband@cts.com>
> > >Reply-To: Loopers-Delight@loopers-delight.com
> > >To: <Loopers-Delight@loopers-delight.com>
> > >Subject: Re: Anyone interested in a jam man?
> > >Date: Fri, 13 Apr 2001 17:36:34 -0700
> > >
> > >This may be good advice.  I sold mine for $600 a
> > year ago, but when the
> > >Repeater finally (!) gets released, it will drive
> > down the asking price of
> > >existing loopers.  Besides, IMHO the Jammer has
> > serious limitation
> > >(although
> > >loads of folks on this list don't seem to have a
> > problem making it do
> > >tricks--hi Steve!)
> > >Gary
> > >
> > >PS--you might still be able to get $600 for it--I
> > haven't been following it
> > >on ebay lately but Alto seems to get $700 for the
> > Echoplex with no problem.
> > >G
> > >
> > >
> > > > get rid of it quick.  It's fairly rare, but now
> > the Echoplex Digital Pro
> > > > is available and a company called Electrix may
> > be releasing a similar
> > > > product in June.  You my still be able to get a
> > good price for it.
> > > >
> > > > Mark
> > > >
> > > > sean conlon wrote:
> > > >
> > > > >      I have a jam man I am not getting much
> > use out of
> > > > > that I was thinking of selling. I was kind of
> > curious
> > > > > to see what they are going for these days. I
> > know its
> > > > > worth something as It seems they are quite
> > scarce and
> > > > > somewhat collectible. Is anyone interested?
> > > > >
> > > > >                                        Take
> > care, Sean
> > > > >
> > > > >
> > __________________________________________________
> > > > > Do You Yahoo!?
> > > > > Get email at your own domain with Yahoo! Mail.
> > > > > http://personal.mail.yahoo.com/
> > > >
> > > >
> > >
> >
> >
> _________________________________________________________________________
> > Get Your Private, Free E-mail from MSN Hotmail at
> > http://www.hotmail.com.
> >
>
>
> __________________________________________________
> Do You Yahoo!?
> Yahoo! Auctions - buy the things you want at great prices
> http://auctions.yahoo.com/
>


From Loopers-Delight-request@loopers-delight.com  Thu Apr 19 15:46:48 2001
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Mixtape from Mars plays the Presidio Cappella as part of the Mouth
Travels 2
concert. OK, so it's not entirely a loopers concert. It's more of a
vocal
show, and we're the only ones using loopers. 

We'll be doing overtone singing, vocal percussion, and other vocals, 
with my usual looper setup.

Enjoy,
Simran

To hear what we sound like: 
    http://www.mp3.com/MixtapeFromMars
    http://www.mp3.com/Inkstone
   
The coordinates:
    Mouth Travels 2
    8:30 pm
    Fri, April 20, 2001
    Presidio Chapel, San Francisco
    Tickets $15  Doors open at 8, sorry there's no way to get 
           advanced tix or reserve spaces, so show up early.
    map: http://www.interfaith-presidio.org/map.htm
    
The announcement (ad lengthium):   

Howdy folks, 
more news from Mars....

This week the Martians go A Cappella. While "a cappella" has recently
come 
to mean music made with only vocals, the original meaning comes from the
Italian
for  "in the chapel." So we'll be part of a concert happening in the
Presidio
Cappella. 

We've been invited to play in the Mouth Travels 2 concert, hosted by 
the beautiful singers of the group JouJou. And because it's in cappella, 
we're not bringing any instruments. Just our voices, oh yeah, and a
couple
hundred
pounds of electronics -- Loopers, mostly (They're like our security
blankets),
and my PAlien speaker sculptures from BurningMan. But no homemade
instruments
this time,
 no wok lids, no 
little wooden frogs, not even a bag of forks. Just the vocal cords.
Extreme
vocal
techniques: we have the inimitable Andrew Chaikin on vocal percussion,
John
chanting
into a portable resonant space, Simran's throat singing. This time we
have
Barbara
Jaspersen joining us with her layered trancy soprano, and Rob Penn's
tenor and
air
trumpet. 

Here's the data and the concert lineup:

===========================================
Mouth Travels 2
8:30 pm
Fri, April 20, 2001
Presidio Chapel
Tickets $15
Doors open at 8, sorry there's no way to get advanced tix or reserve
spaces, 
so show up early.

JouJou is...
a women's a cappella group who sing Balkan, Appalachian, Italian and
Greek songs - goofy international folk jazz!

Our guests include...
Timothy Frazier: Gaelic mouth nusic
Mixtape From Mars: overtone singing and vocal percussion
Ron Jones: song/storyteller extraordinaire
Claudia Villela and Ricardo Peixoto: Brazilian singer and guitarist

For directions:
http://www.interfaith-presidio.org/map.htm

Some websites:
http://www.joujousings.com
http://www.mp3.com/MixtapeFromMars
http://www.mp3.com/Inkstone

Hope to see you there!

Jen Tait of JouJou

=======================================


And in other news, Andrew Chaikin has entered the infamous 5K contest.
That's
where you get major nerd points for creating a cool website that weighs
less
than (or equal to) 5K bytes. i.e. 5120 bytes. The prize: fifty one
dollars and
twenty cents. yeah! This year anybody can view and rate the entries, and
the
judges will judge the top rated ones. So check them out, vote early and
vote
often (but only once
per entry). Andrew's entry is a series of three puzzles featuring
Bartleby
Snore, 
the world's Biggest Bore. I tried them. They're really fun. Pretty hard,
too. I
had to give in and use the hint. Check it out at http://www.the5k.org

=====

Have fun, and hope to see you friday!

Simran

http://www.mp3.com/Inkstone
http://www.mp3.com/MixtapeFromMars

From Loopers-Delight-request@loopers-delight.com  Thu Apr 19 17:39:47 2001
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Date: Thu, 19 Apr 2001 18:39:59 -0300
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Subject: Re: edp record-insert-insert oddity?
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>can anyone explain why when i end record w/ insert to set the tempo, &
>finish w/ another insert after 2 or more cycles, the start point of the
>loop ends up different than the point at which i originally pressed record?
>  this happens sometimes, but not always.  for instance right this minute,
>it happens consistantly on loop 1, but not on loop 2 or 3.
>

could it be that you found a bug after all those years, Dan?
I tried to reproduce it here in vain, maybe you can give some more 
conditions like parameter settings, sync, brother...?
(is this interesting for the list? we can post the result in the end...)
-- 


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Thu Apr 19 18:01:38 2001
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I'm still interested in selling my Jamman..

From Loopers-Delight-request@loopers-delight.com  Thu Apr 19 18:02:32 2001
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Subject: Fwd: [Philly_ambient] Gate to Moonbase Alpha 2001.04.27: Sonna, Akash, Verso,...
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Hey Guys,

Very shameless & very intentional gigin promotions goin on here.

If you are near or just in and around Downtown Philly on Apr. 27th, 8pm, then 
come on out and go reprezent yo'self & get to see AKASH perform @UPENN's 
"Rotunda" FOR FREE!  The "Rotunda" is located in University City; West 
Philadelphia.

This AKASH performance will be "loosely" based on Professional Wrestling, 
Orpheus, and deal with matters related to Sexual Longing, Heaven, Hell, 
Springtime Awakenings and "Naked" & Spanked-Bliss" while simultaneously 
pursuing an "Alice in a Wonderland theme as a subtext. 

We will present ACT III of our on going Transformation SAGA where in this 
episode, "Alice-Red-Rider" (aka, LORALAI) has somehow forgotten where she put 
her panties and has to do battle with the Legendary "GreenFrog Prince" to not 
only save her panties from ruinious ends, but to also reclaim the worlds 
lustful right to enjoy all that is freaky and unquestionably feels good...& 
BTW, this green frog is a "mean dude" with various torture devices for 
punishment too! tune in to find out which ones.

But we invite you to join AKASH on this perilous journey into a world of 
dance, sight, music and texture where truly no spaceship or battery operated 
sex toy has journeyed before ! 

*Also, This Show will Feature "The Divine, Miss Kenti", "The Delicious, 
Madame-Sasha", "FlowerGirl-Sue", "Elizabeth Grace" and as always, our 
festivities will be hosted & orchestrated by Philly's own Diva-Performance 
artist-romantic-exhibitionist - switchable-domme "MISS LORALAI" . John Price 
will be on geetar( gr-30-GT-3-Line6/dl4 and other various looping devices, 
Cory Neal on upright Bass & the unstoppable Legend Ed Wilcox ( from Temple of 
Bon Matin ) will be on drums, gun shells-gun-casings-gongs-tire rims and more 
odd and invented-prepared devices.

*Plus ck out all the other characters we are performing with who all are 
great performers in and of  dem' ownselves...WORD !

So....

******Please Note: Doors will open @ 8pm with no chronology of Performances 
already underway, also note that Performances will finish like clockwork by 
usually 11:30pm!

& thusly so...just be there...so there ! :)

Warm Regards,
John Price/AKASH
"Remember to Always Kill your expectations"
www.akashmusic.com

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    .    .   .  . .. .  .   .    .
            GATE TO MOONBASE ALPHA

          Friday, April 27th, 2001 
       8:00 PM : Free for all ages
at the Rotunda, 4012 Walnut Street ::
  
                        performing :
 
                             Sonna
                             Akash
               Theatre of the Mind
                The Verso Ensemble
                        Emit Peels
            and the Great Quentini
    .    .   .  . .. .  .   .    .


THE SERIES

The Gate to Moonbase Alpha is a monthly audio shelter for homeless music. So
called ambient, space, psychedelic, and improvisational music, find residence
here. With support from the Foundation at the University of Pennsylvania, and
organized by the Philadelphia Ambient Consortium (Music and Noise), lost sounds
are decorated and given their rightful homage by loving and respectful devotees.
Attendees are encouraged to bring instruments to make noise. Artists are invited
to perform opi of intense beauty or inspired play.


THE SPACE 

Built in 1911, the Rotunda was designed by New York based architects, Carrere
and Hastings, who were unaware of the significance of the Site. Nearby diggings
for the foundations of a theatre and grocery store at 40th and Walnut, revealed
powerful subterranean sonic resonances which were promptly reported to the
University. Further exploratory excavations discovered what appeared to be the
long lost Gate complex to the Phobos Mining Colony. The construction was
immediately halted at the behest of the University Museum, and while
negotiations for the entire site between the University and the theatre and
grocery store investors were taking place, we managed to get an allowance to use
the Rotunda for our own creative experiments.

Initially, our intent was to trigger the sonic resonance used in the Gate's
jaunt mechanism (as outlined in Bester, 1956), providing a temporary but
reliable portal to Phobos. Although we did not succeed in this goal during the
first season, phenomena experienced at our "shows" has helped us to reappraise
the significance of the Rotunda building itself. Lay opinion holds that the
Rotunda, through our sonic experiments last season, has since become a living
architectural bio-pattern reflecting the ancient designs of the Gate mechanism
miles below. In order for the precious Rotunda organism not to "die", we now
must "feed" it with our musical offerings. 


THE ARTISTS

This month, offering up into the gaping maw of our Rotund Gate, are six
artists/ensembles whose sensibilities of tone and texture, play and scientific
reason, represent our finest and most sincere gesture to the beast we have
invented and grown. Summaries of the artist's histories, and examples of their
music follow. Afterwards, please read the directions and summary of expectations
and rules included for your interest and safety.


SONNA  [ http://www.temporaryresidence.com/ ]

by Daron Garner, Fakejazz.com:
Sonna (pronounced "sauna"), from Baltimore, began in January 1998. After meeting
each other at an art institute, Jeremy DeVine, owner and operator of the label
Temporary Residence Limited, joined an already existing three-piece of Chris
Mackie, Jim Redd, and Paul Petersan. After playing shows in and around Baltimore
and recording the These Windows are Pistons EP, Paul moved to Austin, TX, and
Drew Nelson took his place in the band. Lineup stabilized, the band is fresh off
the heals [October 2000] of a recording session with Steve Albini at Electrical
Audio where they were recording their debut album...read more at
http://www.fakejazz.com/interviews/sonnaiv.shtml

o)) listen to Sonna in real audio: 
    http://www.temporaryresidence.com/www/raudio/sonna.08.ram

 
AKASH 
(according to Akash's John Price [summary edit by Aharon]):

The early AKASH shows began with John Price doing solo space music improves at
Fetishes boutique in early 1998. AKASH was not even called AKASH back then but
John and Kali soon saw many areas of possibility in conjunction with Performance
and sexual expression. AKASH was born. Other shows were conducted in downtown
Philadelphia Adult Bookstores, (the 25 cent jerk off rooms as one female fan
called them).  

And so with that came the actualization of That which was unquestionably AKASH.  

We all enjoyed Visual representations of Erotica & we found that working in
areas where we could all be sincere and relate to the performance environment
without a lot of the pretenses and constructions most people bring to regular
clubs and bars, seriously added new twists to the newly formed AKASH
performances. Most interestingly, we found playing in Adult Bookstores and going
on tour all over town from Philly to NYC at a different Bookstore each week,
totally pushed new areas in audience and performer relationships in ways we
never thought could happen. 

Ed Wilcox's Background as an underground musical colossus definitely helped the
sound and rhythmic thunder of AKASH and allowed us more textural and timbre
areas of variation and intensity. Ed Wilcox happened to be walking by us
unloading for a show in an adult bookstore and saw the guitars and mikes and
said what type of gig are u guys playing...we knew who he was and immediately
asked if he would be interested in joining and Ed said "sign me uP". ed has been
with us ever since then. Ed is very musical and very intuitive in his playing
and personality which is extremely passionate, charming, fun and psychologically
intense. 

Loralai came on board for the Philly Fringe Fest. We met her reading poetry in
The basement of Fetishes boutique and fell in Love with her style and delivery
of erotic exhibitionism and performance art blended with cutting edge spoken
word dialog. 

The Stuff you will hear at any AKASH performance is usually done live and right
there on the spot. The AKASH Approach involves thinking like a DJ in a number of
processes.
AKASH starts from the premise that the musicians already have the record
collection in their heads and they just need to do some remixing on the spot.
John & Ed are inventing and traveling both forward and backward thorough shared
musical imaginations while expressly being "in the moment" & not having to lock
in to any particular time signature or MIDI time code, though they do sometimes
)...cuz we can groove and we stew our textures .( synth and Guitar Loops,
samplers, etc. )  In AKASH we have a polished and very canned synthetic/textural
sound that is at times either hokey, ethereal and or heavy or hard boppin.  

    read the full interview or
o)) listen to Akash at
    http://simpletone.com/pacman/artsits/akash/akash.htm


THEATRE OF THE MIND

Mark Baechtle, aka Theatre of the Mind, has been performing live in a variety of
venues around Philadelphia, New York and Baltimore for many years.  T.o.M.
performances have included art installations at the Philadelphia Museum of
Contemporary Art, live music and dance performance at the Science Building and
Annenberg Theatre in Philadelphia, outdoor festivals in St. Peter's Village,
Hemp Festivals and coffee houses as well as the infamous  Woodstock Festival
Gatherings. 

Theatre of the Mind held residencey in producing music and writing for
Ausdruckstanz Dance Theater between 1985 and 1990.  Mark's other collaborations
include bands such as "Arttek" and "Mr. Mark and the Siezmatics" and have
appeared in clubs, theaters and galleries as well as frequent live performances
on WMUH radio.  "Veil of Eden" was created for a 1994, 1995 appearance for the
original Woodstock gathering. 

Theatre of the Mind produced and performed a weekly series called "The Portal"
where at some part of the evening guest musicians would be invited onstage for a
jam session.  More recently, in 1998 T.o.M. produced and performed a monthly
series called "Electrolust" in which computer-generated videos, DJ's and
featured guest performers were included as part of the evening's event.

In 1998, Mark Baechtle was organizing an ambient/weird/space music series at
Upstairs at Nicks. Featuring mostly local artists these events were our
inspiration for the Consortium and the Gate to Moonbase Alpha performance
series. We were disappointed at the lack of attendance to some truly great gigs
and felt deeply that bars like Nicks were an awful setting for such mind
expanding music. The Electrolust series died late that year but the performances
were all recorded by Mark. We'll be trying to get those recordings available
here at simpletone. 

Always a pleasure to watch, Mark operates synthesizers and drum machine's to
create an entrancing non-linear space trip. For the last two years though he's
been immersed in his studio, releasing two albums and looking forward to his gig
at the Gate to Moonbase Alpha in 2001. Mark sort of looks like a grizzled Biker
guy with leather jacket and hat. You can always make a good friend by
introducing yourself to this cool space faring fellow.

    read more or
o)) listen to Theatre of the Mind at
    http://simpletone.com/pacman/artsits/mark_baechtle/


THE VERSO ENSEMBLE

Verso is a direct descendant of Sounds, an ensemble which was on the
Philadelphia scene in the early '80s doing prestructured improvisations in a new
composition system. Venues included the Wet Spot and the Painted Bride as well
as the WRTI studios for several late night broadcasts in the winter of 1984.
Thereafter, Sounds took a seventeen year break, turning up again in 2000 at the
Philadelphia Fringe with a new name, Verso, and a new style of improvisation
which was still based on the same composition system.

Paul Billbrough plays acoustic or electric guitar with Verso. His performance
style helps to make the music exciting and meaningful. Paul earned a degree in
music performance at West Chester U. in PA  and Montclair State College in NJ.
He has played in many bands, including Verso's predecessor, Sounds, the She
Males, Throttle, Third Eye Nation, and Humbleman Band. and has scored music for
The Egg Family puppet theatre and Gennexus Dance Troope. Paul also 
plays bass guitar, keyboards and kitchen utensils, and has been playing music
for twenty-four years.

Paula Diehl's music education was obtained at American U. in Washington, DC and
at Temple U. Her main interest is composition but she does play the piano, some
cello, and keyboard. Her instrument in Verso is the keyboard. From it, she 
tells the members when it is time to move into a new section of the music, when
to get louder or softer, etc. Diehl was in the field of 
choreography from 1984 to 1993. During that period she wrote music for her dance
or composed dance for her music.

Bill Bussone, Jr. plays the composed percussion line for Verso improvs. He has
lived in Delaware County for many years and has racked up experience playing
drums for a large variety of bands, including  ASHTRAY, Kathead, and Square and
the Roots, and playing percussion for Peptones and Brown Brothers, bands which
do everything from jazz, blues, funk, rhythm and 
blues to soul.  To fill in this schedule, Bussone teaches drums in the School
District as well as privately, instructs and arranges percussion for a number of
marching bands in the area and plays for high and middle school musicals. To
balance these activities, Bussone  judges School District bands, and is an
Honorary Member of the Tri-M. Music Honor Society.

The music in use in Verso's improvisations is based on Diehl's own system of
composition. In brief, it concerns the gradual decrease of interlock of fourths,
leading to their total separation from each other at the end of the music. A
certain number of  these intervals are used in each of the three to five parts
which constitute an improv.  Two features, openness and closure of the fourths
on one or both sides, are the basic elements of musical interaction. The KB
plays the pitches which represent these features; they constitute a kind of
drone. The guitar and, if included, the piano play the exposed notes. The
percussionist plays a composed line which represents what is going on in each
section of the music. He can  choose the tempo of this  line, but cannot change
the line. The same is true of the guitarist and keyboard player; they can only
play the pitches they are given. An improv usually lasts between fifteen and
thirty minutes.


EMIT PEELS

Emit Peels is Shok, his Guitar, Percussion, and Synths. At the Gate to Moonbase
Alpha, he will be backed by dancers and a film presentation. Gina describes his
music as visual, very sensual and atmospheric, almost lazy, but just as tight.
Shok's presence in Philadelphia was established with his work on zeitmahl 
(drum n bass, samples, dark moody tunes), Anita Haxswa, Lavender Hill Mob, and
plenty of other projects. Two of his tracks appear on the submit_wkdu
compilation. We're not sure what his film is except that it's his work and maybe
it'll be a window into what he's been doing in Los Angeles for the last half a
year or so. We know he's been doing something interesting with a philly talent,
Jimi Budah (electronica, indie rock, etc). They send songs back and forth while
he is in California... Jimi in philly, Shok in L.A. The project is called
calidelphia.  Jimi does a song, sends it to shok, who adds to it and fixes it
up, and they collaborate that way. http://www.mp3.com/calidelphia

o)) listen to Emit Peels at
    http://artists.mp3s.com/artists/22/emit_peels.html
    http://www.mp3.com/trik


THE GREAT QUENTINI :

Performance artist/dancer the Great Quentini, dressed as a yeti or man-bird,
dressed as a stilted alien scavenger, talking to Barbie, performing public
rituals to popcorn poppers, pounding away on pots and styrofoam, and generally
inspiring the genius out of us to go out and make good on the creative prowess
we're endowed with, and which he makes look so easy to be playful with, and romp
within. Why is the Great Quentini here? Answer: Greatness. Plus, maybe some day
he'll play Dungeons and Dragons with me. Or maybe he already has, what is the
Gate but a game map superimposed on a simple structure: a Friday night
performance series. Can you see the lines, the symbols, and conventions, the
secret doors, the treasures, the mind-flayer behind the corner? Quentin can. He
is the exoteric game master. 

We finally miked the Gate to record one of Quentin's pieces. Captured is the
audio and no video, so you will have to imagine what Quentin is doing when you
listen to these.

    View pics or
o)) listen to the Great Quentini at:
    https://phobos.simpletone.com/index.php?path=the_great_quentini
    Just click 'ok' when prompted for a username and password 


RULES and EXPECTATIONS

If the jaunt mechanism is activated after 8:00PM and you have not yet arrived,
then you will have missed your opportunity to suck air on Phobos. So arrive as
close to 8:00 PM as you can. Also, if you come late then you'll miss some rare
music by some quite obscure and wonderful artists.

In between sets, you are invited to create cacophony, so bring an instrument of
music or noise. 

If you have any opinions on the sound quality or volume which is seriously
impacting your enjoyment of the evening, see Aharon Varady, the fellow in the
orange jumpsuit who seems to demand so much attention before and after each
performance.

Some comestibles will be supplied by the Comet Coffeehouse (located around the
corner on 41st Street between Walnut & Chestnut). Hot Cider, Iced Ginger Tea,
and assorted pastries are all FREE. You should definitely bring your own protein
food though. If you can, bring VEGETARIAN food to share for the potluck. 

ALL THIS TAKES PLACE AT THE ROTUNDA, 4012 WALNUT STREET, FRIDAY APRIL 27th AT 8
O'CLOCK PM (ends sometime after 12 midnight).

Rotunda Building Information:
http://www.facilities.upenn.edu/mapsBldgs/view_bldg.php3?id=140
A Map for the Rotunda in Philly:
http://www.facilities.upenn.edu/mapsBldgs/view_map.php3?id=85 

----------------------------

Artists who are interested in performing at the Gate should bring a demo cd and
get it to Aharon by the end of the evening. The CD itself should be marked with
all the relevant contact info. 


ALL OUR MOONBASE ARE COLLECTIVELY OWNED: 

The Gate to MoonBase Alpha performance series is funded with a budget from the
University of Pennsylvania and made possible by the volunteer contributions of
the Foundation Crew (a UPenn student run organization promoting cultural
exchange and opportunities in and for West Philadelphia). That means due to the
low overhead  all artists are paid and there is absolutely no cover! If you
wish, donations can be made to the Consortium or the Foundation to support
future events. The Foundation website is:
http://www.upenn.edu/philly/foundation/ 

The Gate to Moonbase Alpha is organized by the Philadelphia Ambient Consortium
(Music and Noise), or PAC(MaN) for short, an autonomous cabal centered in
Philadelphia, PA. It was established in 1998 to unify the city's dedicated
space, ambient, psychedelic instrumental, improvisational, drone, new classical,
and experimental electronic audiophiles by providing a centralized information
resource and the kernel of a community. We hope that through this activity, the
scene may grow strong and large enough to make our work largely irrelevant. But
we remain constantly inspired by our disgust in how typical music cliques will
represent a narrow musical appreciation, pose as a "sub-culture", and even
worse, manifest itself in real generational gaps. The Gate is our attempt to
present an eclectic performance series representing the rich diversity of new
sound artists, young and old, and a wide spectrum of styles. The seemingly
arbitrary nature of the selections is the work of the curator, Aharon Varady (
spaceling@iname.com ), and co-organizer Gina Renzi ( mistsojorn@aol.com ). 

PAC(MaN) is sponsored by the volunteer contributions of its members. While it is
not technically a nonprofit organization by U.S. law, PAC(MaN) does not seek any
gain for its organizing members, and intends to follow the principles as set
forth in Hakim Bey's Temporal Autonomous Zone:
http://www.hermetic.com/bey/taz_cont.html
 
PAC(MaN) publishes the PAC(MaN) Event Update, administers the philly_ambient
discussion list, curates the Gate to Moonbase Alpha performance series, and
operates the simpletone.com website. For more information, email
spaceling@iname.com , browse to http://simpletone.com or write THE PHILADELPHIA
AMBIENT CONSORTIUM (MUSIC AND NOISE), 512 S. 46th St. Philadelphia PA 19143,tel:
1 215 349 7725.
_______________________________________________
Pacman_events mailing list
Pacman_events@phobos.serve.com
http://phobos.serve.com/mailman/listinfo/pacman_events
_______________________________________________
Philly_ambient mailing list
Philly_ambient@phobos.serve.com
Subscribe, Unsubscribe, Edit Options at:
http://phobos.serve.com/mailman/listinfo/philly_ambient

a PAC(MaN) List
http://simpletone.com

--part2_76.9ba9c1a.2810a878_boundary--

--part1_76.9ba9c1a.2810b920_boundary--

From Loopers-Delight-request@loopers-delight.com  Thu Apr 19 18:14:23 2001
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From: "Jimmy George" <jimmyg@jimmygeorgearts.com>
To: <Loopers-Delight@loopers-delight.com>
References: <20010419191407.20671.qmail@web5102.mail.yahoo.com> <002901c0c906$126d17a0$7bb387d8@cliff> <3ADF5FAA.7BFF@earthlink.net>
Subject: Re: Anyone interested in a jam man?
Date: Thu, 19 Apr 2001 17:17:12 -0500
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how much scott?
----- Original Message ----- 
From: scott kungha drengsen <kungha@earthlink.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, April 19, 2001 4:59 PM
Subject: Re: Anyone interested in a jam man?


> I'm still interested in selling my Jamman..
> 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Thu Apr 19 18:59:01 2001
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Old-Return-Path: <sburnett@webslingerz.com>
Date: Thu, 19 Apr 2001 18:45:56 -0400 (EDT)
From: Steve Burnett <sburnett@webslingerz.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: Re: Fwd: Re: Theremin Frostwave Spacebeam
In-Reply-To: <F19792bXCH5n00zepDI00002d14@hotmail.com>
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Direct Spacebeam page
http://www.melmusic.com.au/fw/spacebeam.html

melbourne Music
http://www.melmusic.com.au/

thanks for getting the price quote!

best,
Steve

On Thu, 19 Apr 2001, David Potter wrote:

>
>
>
> Hi guys, here's the info on the Theremin Frostwave Spacebeam.....  Looks
> like it might be fun...take care     Om and Out      Papa Dave
> http://www.melmusic.au
>
>
>
>
>
> >From: "melmusic"
> >Reply-To: "melmusic"
> >To: "David Potter"
> >Subject: Re: Theremin Frostwave Spacebeam
> >Date: Thu, 19 Apr 2001 11:22:30 +1000
> >
> >Hi David,
> >Thanks for your enquiry,
> >The Spacebeam is still available for sale.
> >The cost is $US165.00
> >Freight by Fed Ex would be an additional $35.00US
> >Freight by insured airmail would be an additional $20.00US
> >for payment and ordering details please go to
> >www.melmusic.com.au/order
> >Cheers
> >Choo Packer
> >MELMUSIC
> >melmusic.com.au
> >523 North Rd. Ormond
> >Victoria 3163 Australia
> >www.melmusic.com.au
> >Ph. (61-3 )-95782426 Fax(61-3)95785112
> >BUY! SELL! TRADE!
> >AUSTRALIA'S LARGEST USED MUSIC GEAR SHOP
> >Vintage Equipment,Vintage Spare Parts,User/Owner Manuals.
> >
> > ----- Original Message -----
> > From: David Potter
> > To: melmusic@melmusic.com.au
> > Sent: Wednesday, 18 April 2001 8:02
> > Subject: Theremin Frostwave Spacebeam
> >
> >
> > Hi Melmusic, I am Papa Dave in Santa Cruz, Ca. I saw that the Theremin
> Frostwave Spacebeam did not sell. I am interested. papadave55@hotmail.com
> please send info on how I can get one....Thanks
> >
> >
> >
> >------------------------------------------------------------------------------
> > Get your FREE download of MSN Explorer at http://explorer.msn.com
> >
> >
>
> ________________________________________________________________________________
> Get your FREE download of MSN Explorer at http://explorer.msn.com
>
>
>

-- 
onNow:
----------------------------------------------------------------
Steve Burnett    Admin, webslingerZ     sburnett@webslingerz.com
             http://www.webslingerz.com/sburnett

From Loopers-Delight-request@loopers-delight.com  Thu Apr 19 19:57:58 2001
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Date: Fri, 20 Apr 2001 00:49:29 +0100 (BST)
From: =?iso-8859-1?q?Chris?= <postforchris@yahoo.co.uk>
Subject: Controlling GR33/VG88 with a CASIO PG300
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Hi loopers

Does anyone know if it is possible to control the
Roland gear VG88/Gr33 with a CASIO PG300 guitar. This
is a midi guitar which has a hex pickup on it.

I understand that the guy who deisigned the CASIO
guitars also designed the Roland ones to.

Thanks

Chris

____________________________________________________________
Do You Yahoo!?
Get your free @yahoo.co.uk address at http://mail.yahoo.co.uk
or your free @yahoo.ie address at http://mail.yahoo.ie

From Loopers-Delight-request@loopers-delight.com  Thu Apr 19 20:50:53 2001
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chris,   nope the casio and roland units are incompatable

peace, steve

From Loopers-Delight-request@loopers-delight.com  Fri Apr 20 03:31:19 2001
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References: <20010419191407.20671.qmail@web5102.mail.yahoo.com> <002901c0c906$126d17a0$7bb387d8@cliff> <3ADF5FAA.7BFF@earthlink.net> <003801c0c91e$7bda9ba0$11624442@austin.rr.com>
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It's w/32 sec memory. 325.00   o.b.o I think..
Please contact me off list..
kungha@earthlink.net

From Loopers-Delight-request@loopers-delight.com  Fri Apr 20 11:03:40 2001
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From: "Michael LaMeyer" <mlameyer@rcn.com>
To: <Loopers-Delight@loopers-delight.com>
References: <3AD9762A.29721.2067F3@localhost><001901c0c301$def8ba00$69f5d58d@itd.umich.edu><3.0.5.32.20010418204413.009f87b0@mail.well.com> <p0501040eb70505dc70d7@[200.194.253.169]>
Subject: Re: edp record-insert-insert oddity? - please post
Date: Fri, 20 Apr 2001 10:46:58 -0400
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Yes, I'd say please post.

Mike
----- Original Message -----
From: "Matthias Grob" <matthias@grob.org>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, April 19, 2001 5:39 PM
Subject: Re: edp record-insert-insert oddity?


> >can anyone explain why when i end record w/ insert to set the
tempo, &
> >finish w/ another insert after 2 or more cycles, the start
point of the
> >loop ends up different than the point at which i originally
pressed record?
> >  this happens sometimes, but not always.  for instance right
this minute,
> >it happens consistantly on loop 1, but not on loop 2 or 3.
> >
>
> could it be that you found a bug after all those years, Dan?
> I tried to reproduce it here in vain, maybe you can give some
more
> conditions like parameter settings, sync, brother...?
> (is this interesting for the list? we can post the result in
the end...)
> --
>
>
>           ---> http://Matthias.Grob.org
>

From Loopers-Delight-request@loopers-delight.com  Fri Apr 20 11:18:51 2001
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Date: Fri, 20 Apr 2001 08:09:18 -0700
Subject: Gig Spam [Seattle]: Electrochakra @ Zoka Coffee & Tea (4/20/01 
	8PM)
From: Tiktok <tiktok@sprintmail.com>
To: "Looper's Delight" <Loopers-Delight@annihilist.com>
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Electrochakra will be playing a laid-back show at the Zoka Coffee and Tea
Company (2200 N. 56th Street) today (Friday), April 20th, starting at 8PM.
Admission is free.


Be seeing you,

Travis Hartnett
Electrochakra


-- 
New official Electrochakra website: www.electrochakra.com





From Loopers-Delight-request@loopers-delight.com  Fri Apr 20 15:30:46 2001
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Date: Fri, 20 Apr 2001 15:24:54 -0400
Subject: NYC Performance Tues. April 24
From: David Myers <dmgraph@earthlink.net>
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Tuesday, April 24, 2001
8 pm
The Knitting Factory, AlterKnit Space
74 Leonard Street, Manhattan, 212-219-3055

RECESS, an ongoing series of experimental improvisation

maenad (G3, Virus and piano)
http://www.refinedclinicalresearch.com/index.html
"Like most people, I modify recordings of everyday life with
synthesizers and samplers. The resulting music sounds like someone lying
awake at night, trying to find a good station on the radio. Musical
influences are many, but include Coil, Nurse with Wound and The Hafler
Trio."

Charles Cohen (analog Buchla Music Easel)
http://www.voicenet.com/~ccohen
"you know....the usual"
     (Pauline Oliveros: "Well Charles your "usual" is pretty unusual
and wonderful")

David Lee Myers (multiprocessor feedback, devices, loops)
http://www.pulsewidth.com
"The idea is that an effects device is fed some of its own output--much
like a squealing speaker which accidentally feeds the microphone
supplying its input--and electrons begin to flow as they wish. The trick
is to shape this flow, select the feedback paths which create an
aesthetically pleasing (or whatever) direction and shape. What is
required is several devices whose business it is to bend sound into
various shapes, and a routing scheme which allows them to speak to each
other and to themselves."
 


From Loopers-Delight-request@loopers-delight.com  Fri Apr 20 16:35:21 2001
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Subject: loop structure idea
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hey loopheads,

got an idea last night that is basically impossible for me to create 
with my current setup, but i thought i would pass it on and see if 
any of ya Kyma folks might be able to tackle it...or maybe some 
interesting threads might spin off of it...who knows?

Capture a loop of a specified length.  for this mental excercise, 
let's call the loop <Do Re Me Fa>.

So <Do Re Me Fa> is of a certain length.  Now take a copy of that 
loop and make subdivisions of it (like taking a sample and cutting it 
into sections).  It could be subdivisions of 2, 4, 8, 16, or odd 
numbers, maybe.  Let's use a subdivision of 4 for simplicity sake. 
We now have 4 smaller loops of <Do>, <Re>, <Me>, and <Fa>.   Then the 
subdivisions get multiplied by 4, so they equal the original loop 
length...ala <Do> x 4, or <Me> x 4, etc.

What happens if that is playing alongside the original loop?

you have <Do Re Me Fa><Do Re Me Fa><Do Re Me Fa><Do Re Me Fa>

and on the other loop you have <Do Do Do Do><Do Do Do Do><Do Do Do 
Do><Do Do Do Do> playing along side it, or <Re Re Re Re><Re Re Re 
Re><Re Re Re Re><Re Re Re Re>

make sense?

Now what if you capture the original loop and it's chugging away. 
Could this subdivision be done behind the scenes?  How long would it 
take before you could access it?  Could you subdivide and multiply 
all 4 subdivision elements?  ie:  <Do Do Do Do>, <Re Re Re Re>, <Me 
Me Me Me>, <Fa Fa Fa Fa>

Then, could you switch between those subdivided loops in real time 
while the original loop is playing?   Do Do Do Re Re Fa Fa Fa Fa Fa 
Fa Do Do Me Me Me Me.

Essentially slicing the original loop by an integer, taking all the 
slices and multiplying themselves back out by the integer, then being 
able to play a stream of any slice and switch between slices 
alongside the original loop.

Seems like you could have some interesting melodies happening...



perhaps the Againinator can do this without a hitch...


thoughts, anyone?

rich

From Loopers-Delight-request@loopers-delight.com  Fri Apr 20 16:52:50 2001
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The Repeater maybe?

The only way I could see myself doing such a thing, would be through the use 
of software like ACID. Great idea though, if I get a chance to do it I'll 
post the mp3 results.
But besides the great looping concept,one thing about your mental exercise I 
really like is the way you were able to sneak "DO ME" into that whole thing!
Sorry I couldnt help but notice that as I'm sitting here mumbling
"Do Do Do Re Re Fa Fa Fa Fa Fa Fa Do Do Me Me Me Me."



>
>got an idea last night that is basically impossible for me to create
>with my current setup, but i thought i would pass it on and see if
>any of ya Kyma folks might be able to tackle it...or maybe some
>interesting threads might spin off of it...who knows?
>
>Capture a loop of a specified length.  for this mental excercise,
>let's call the loop <Do Re Me Fa>.
>
>So <Do Re Me Fa> is of a certain length.  Now take a copy of that
>loop and make subdivisions of it (like taking a sample and cutting it
>into sections).  It could be subdivisions of 2, 4, 8, 16, or odd
>numbers, maybe.  Let's use a subdivision of 4 for simplicity sake.
>We now have 4 smaller loops of <Do>, <Re>, <Me>, and <Fa>.   Then the
>subdivisions get multiplied by 4, so they equal the original loop
>length...ala <Do> x 4, or <Me> x 4, etc.
>
>What happens if that is playing alongside the original loop?
>
>you have <Do Re Me Fa><Do Re Me Fa><Do Re Me Fa><Do Re Me Fa>
>
>and on the other loop you have <Do Do Do Do><Do Do Do Do><Do Do Do
>Do><Do Do Do Do> playing along side it, or <Re Re Re Re><Re Re Re
>Re><Re Re Re Re><Re Re Re Re>
>
>make sense?
>

_________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Fri Apr 20 17:05:36 2001
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Subject: R: Oberheim Echoplex for sale
Date: Fri, 20 Apr 2001 22:52:56 +0200
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Dear Nyama,
is your Obherheim still for sale ?
I've got one but since I'd like to get stereo loops I might be interested in
purchasing another one.
honestly I don't know what offer to make for now and, by the way, there's
the fact that you we live in different countries (I'm from Italy).
Just let me know if you haven't sold it yet

Aldo
-----Messaggio originale-----
Da: Nyama74@cs.com [mailto:Nyama74@cs.com]
Inviato: martedì 27 marzo 2001 4.14
A: Loopers-Delight@annihilist.com
Oggetto: Oberheim Echoplex for sale


I just wanted to let everyone know that I have an Oberheim Echoplex Digital
Pro for sale. It's a v.5 with 198 seconds of recording time, and it comes
with the EFC-7 footcontroller. It was purchased in 1997, but it has seen
very
little use and is in excellent condition. If you are interested, please make
an offer. I live in St. Louis, MO. Thanks...Blaine

From Loopers-Delight-request@loopers-delight.com  Fri Apr 20 17:06:41 2001
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Subject: R: Echoplex Digital Pro
Date: Fri, 20 Apr 2001 22:53:11 +0200
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dear Terry,
Since Echoplex was not available at the time in Europe (97)
I just bought it from the STates.
my cousin bought it in White Plains, a little shop near New York.
or just ask
http://matthias.grob.org/
who is one of the genious who contributed both to the avalon guitar and the
Echoplex
aldo

-----Messaggio originale-----
Da: Terry Goodman [mailto:Terry.Goodman@Halliburton.com]
Inviato: mercoledì 28 marzo 2001 19.46
A: 'loopers-delight@loopers-delight.com'
Oggetto: Echoplex Digital Pro


I know you've been asked a million times, but.......Could you please tell me
where I can purchase an Echoplex Digital Pro?

Thanks in advance.


From Loopers-Delight-request@loopers-delight.com  Fri Apr 20 17:43:32 2001
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I just installed the 2.0 version today. Wow!! huge improvement. I would
recommend anyone with the older version to update.

                       - James

From Loopers-Delight-request@loopers-delight.com  Fri Apr 20 18:52:24 2001
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nice to hear that, James!
Greetings from Switzerland

Daniel
----- Original Message ----- 
From: "Jim Schaefer" <jimsch@fullcompass.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, April 20, 2001 11:37 PM
Subject: Rang upgrade.


I just installed the 2.0 version today. Wow!! huge improvement. I would
recommend anyone with the older version to update.

                       - James


From Loopers-Delight-request@loopers-delight.com  Fri Apr 20 19:52:58 2001
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Date: Fri, 20 Apr 2001 19:48:53 EDT
Subject: Re: Newbie needs help with his sampling scenario
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r,
re: yer msg, below:
try any of these?
zoom tabletop sampler, korg electribe tabletop sampler (es1), yamaha tabletop 
sampler.
also: soon coming: the electrix repeater.
or:
a laptop running lisa, reaktor, battery, acid 3.0, etc.
also: soon coming: raDiaL.
best,
dt / splattercell

>Hello all. nice to be here.
>
>
>
>Here's my dilemma.
>
>
>
>I want to trigger monophonic samples with a footswitch. Simple request
>I 
>
>would think.
>
>
>
>Years ago, I used to use any number of digital delay units with a "sampling"
>
>
>feature that would allow you to sample something then hit a footswitch
>and 
>
>trigger it. Hit it again, and it starts from the beginning. You don't have
>to 
>
>hold the switch down. you don't have to do anything special. Just hit the
>
>
>switch and hear the sample.Great. 
>
>
>
>I got greedy and wanted storage so I could call up each sample for each
>song 
>
>in my live set.things got complicated.
>
>
>
>I bought an archaic Akai S612 sampler. Yes, very cheap. It was incredibly
>
>
>lo-fi (to my joy) and worked pretty easily. I had MIDI Solutions build
>me a 
>
>custom MIDI footswitch controller that sent a NOTE ON message at a certain
>
>
>note number and NO NOTE OFF, so it would play the complete sample all the
>way 
>
>through (the samples, by the way are usually three second/one or two measure
>
>
>guitar parts...kinda like MBV or Curve type things)
>
>
>
>My rig now works like it should.However, I'm sick of carrying 4 rack spaces
>
>
>of antique technology. I'm sick of having to load samples from a Quick
>Disk 
>
>at the beginning of EVERY song, and I'm sick of the sampler not working
>when 
>
>it doesn't feel like it.I would LOVE to replace it with a newer cheap 
>
>alternative. Something the size of a Dr. Sample would be nice, but I couldn't
>
>
>get the Dr. Sample to work like I want it to.
>
>
>
>Does anyone have any suggestions?
>
>
>
>Another way to describe what I want is instead of using guitar samples,
>say I 
>
>wanted to trigger drum sounds (not loops). You want to hear the complete
>drum 
>
>sample when you hit the pad/switch, and retrigger it monophonically (not
>
>
>polyphonically) everytime you hit it. Besides a $1000 SP808, what could
>I use?
>
>
>
>Thank you
>
>Roger 

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--- Hedewa7@aol.com wrote:
> also: soon coming: raDiaL.

What company is making this software?, any links to
read some specs?.
Thanks.
Alx.



__________________________________________________
Do You Yahoo!?
Yahoo! Auctions - buy the things you want at great prices
http://auctions.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Fri Apr 20 20:06:09 2001
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Two Echoplexes could do this.  The only reason you'd need two would be
to get a polyphony happening between the original loop and the
subdivisions.  (If you only want to hear one loop at a time, one
Echoplex with five loops could handle it.)  

Quantized remultiply is the operative feature here.

If you're fleet of finger, you could splice all the bits together in a
minute or two...

--Andre LaFosse
http://www.altruistmusic.com

From Loopers-Delight-request@loopers-delight.com  Fri Apr 20 20:12:00 2001
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>Two Echoplexes could do this.  The only reason you'd need two would be
>to get a polyphony happening between the original loop and the
>subdivisions.  (If you only want to hear one loop at a time, one
>Echoplex with five loops could handle it.)

Actually I think 1 echoplex and 1 of any other looping device could do it.  
I've been dreaming lately of using a DL4 fed into an EDP and I think this 
combo would take care of your request...
bye-
jon
_________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Sat Apr 21 00:30:20 2001
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Hey Cats,

A few years ago I bought a used 64XTC (Opcode MIDI Interface & Sync box), at 
the time you could download PDFs of the manuals from their website (at least 
I think that is where I got it from.) I just bought a used 128X ('nother 
MIDI interface) and went to go see about getting the PDF of its manual, only 
they don't seem to have them available anymore. So, I was wondering if any 
of you cats out there in LoopLand might happen to have such a beast and if 
you did could you forward it to me? I'll be your best friend. Even if you 
don't have it but know a site where I can dl it from, that would be groovy 
too.

Thanks a heap,

-skully
_________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Sat Apr 21 00:32:16 2001
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Date: Sat, 21 Apr 2001 11:53:36 +0800
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hi

a little bit the same.  i have a larger proportional score for 22
proportional loops i put together after a period of kandinsky adoration.
was hoping to get the feedback from those of a circular mindset.  if anyone
is interested i'm thinking of throwing it to the wind to see where...

it'd be nice if it weren't only the leaves in confines of my mind making
noise with it.  the 22 loops could easily accomodate 22 loopers.
imagine...sorry.  grand schematics i know, but feel free to contact me if
you want any info.  maybe i could set it out in parts on the list for anyone
interested?

michael

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gendel777@yahoo.com writes:
>What company is making this software?, any links to
>read some specs?.
cycling74.com
best,
dt / s-c

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DJRND2, DJRND3, CYCLOOPS ...


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Please remove me from list Saundra Shackelford

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--------------0E6AAC6A5AE8588F00A4CA08
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> EXTRÉMN? ZAJÍMAVÁ INOVACE V RUDÉM KOUTKU: RUDÝ ZVUK UVÁDÍ KYKLOOPY - NOVÝ TO
>                                  VZORKOVA?
>   :)...že tomu titulku moc nerozumíte...:)...no dobrá, trošku jsme zažertovali a zahráli si na mírn? natvrdlé p?ekladatele. Když
>   povolíme uzdu angli?tin? a p?idáme pár podp?rných sl?vek, bude výsledek o poznání srozumiteln?jší: FIRMA RED SOUND
>   UVÁDÍ NOVÝ SAMPLER "CYCLOOPS". Že je to tak malinko lepší?! Tak konec žertík? a honem do poznávání.
>

http://www.hurrican.cz/2/

Any looper to translate please ?

Thanks

EP



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<BLOCKQUOTE TYPE=CITE>
<PRE>EXTR&Eacute;MN? ZAJ&Iacute;MAV&Aacute; INOVACE V RUD&Eacute;M KOUTKU: RUD&Yacute; ZVUK UV&Aacute;D&Iacute; KYKLOOPY - NOV&Yacute; TO
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; VZORKOVA?&nbsp;
&nbsp; :)...že tomu titulku moc nerozum&iacute;te...:)...no dobr&aacute;, trošku jsme zažertovali a zahr&aacute;li si na m&iacute;rn? natvrdl&eacute; p?ekladatele. Když
&nbsp; povol&iacute;me uzdu angli?tin? a p?id&aacute;me p&aacute;r podp?rn&yacute;ch sl?vek, bude v&yacute;sledek o pozn&aacute;n&iacute; srozumiteln?jš&iacute;: FIRMA RED SOUND
&nbsp; UV&Aacute;D&Iacute; NOV&Yacute; SAMPLER "CYCLOOPS". Že je to tak malinko lepš&iacute;?! Tak konec žert&iacute;k? a honem do pozn&aacute;v&aacute;n&iacute;.</PRE>
</BLOCKQUOTE>

<P><BR><A HREF="http://www.hurrican.cz/2/">http://www.hurrican.cz/2/</A>
<P>Any looper to translate please ?
<P>Thanks
<P>EP
<BR>&nbsp;
<BR>&nbsp;</HTML>

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Hi Everybody,

As you can tell from the subject this is another "funny question" but =
nonetheless important.  Obviously it becomes necessary at some point to =
process some sort of e-commerce via ones web site, in our cases mostly =
to sell CDs.  Two methods I've come up with have been PayPal =
(http://www.paypal.com) and TipJar (http://www.tipjar.com).  As many =
previously-unknown operators for credit card processing want as much as =
30c per transaction I'd like to know what sort of satisfaction you all =
have had with either of these firms, if not others you're happy with.  =
Frankly, I haven't the resources to get a merchant account, so these =
must then be the options in front.  Your assistance, is as usual, =
appreciated.

Stephen Goodman
http://www.earthlight.net/Gallery_Front.html - Cartoons & Illustrations
http://www.earthlight.net/Studios * The free Loop of the Week!
http://www.mp3.com/StephenGoodman * New MP3 Releases!

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<DIV><FONT color=3D#000080>Hi Everybody,</FONT></DIV>
<DIV><FONT color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT color=3D#000080>As you can tell from the subject this is =
another "funny=20
question" but nonetheless important.&nbsp; Obviously it becomes =
necessary at=20
some point to process some sort of e-commerce via ones web site, in our =
cases=20
mostly to sell CDs.&nbsp; Two methods I've come up with have been PayPal =
(<A=20
href=3D"http://www.paypal.com">http://www.paypal.com</A>) and TipJar (<A =

href=3D"http://www.tipjar.com">http://www.tipjar.com</A>).&nbsp; As many =

previously-unknown operators for credit card processing want as much as =
30c per=20
transaction I'd like to know what sort of satisfaction you all have had =
with=20
either of these firms, if not others you're happy with.&nbsp; Frankly, I =
haven't=20
the resources to get a merchant account, so these must then be the =
options in=20
front.&nbsp; Your assistance, is as usual, appreciated.</FONT></DIV>
<DIV><FONT color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT color=3D#000080>Stephen Goodman<BR><A=20
href=3D"http://www.earthlight.net/Gallery_Front.html">http://www.earthlig=
ht.net/Gallery_Front.html</A>=20
- Cartoons &amp; Illustrations<BR><A=20
href=3D"http://www.earthlight.net/Studios">http://www.earthlight.net/Stud=
ios</A> *=20
The free Loop of the Week!<BR><A=20
href=3D"http://www.mp3.com/StephenGoodman">http://www.mp3.com/StephenGood=
man</A> *=20
New MP3 Releases!</FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sun Apr 22 07:04:47 2001
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http://www.djlatino.net/tecnologie/tecnologie.asp?ID_Prodotto=12

Hey Italoop, could you translate for me please ? What do they say
concerning the disavantages ("Contro") ?

Thanks

EP


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Emmanuel, this is full page translation:

"Price £900.000 (little more than 400$)
 New fron Namm show, sampler for loops.Its main feature is the ability to
"hear" the beat and sets an audio loop according to them. You can choose if
a measure is made up of 1-2-4-8-16 beats and it will take care of it all.
PROS
It could be useful if it worked fine with our Latin music, but Ithink that
it has the same limitations of automix function of Pioneer CMX5000, that is
it can't "hear" time.
CONS
Price !!!900.000£ seems too much if it doesn't work. Moreover it is some
more gear to bring along.

FINAL judgement:
This time resist to temptations. Better to buy a nice mixer with internal
sampler to make up loops as you like. Keep the money for something better.
There are samplers with more functions for tha same money on the market."


IN A MORE INTERNATIONAL LINGO :  IT SUCKS BAAAAAAAAAAAD ! ! !

Wait for Repeater....the personal demo I had in Frankfurt was
UNBELIEVABLE...hold on...you'll be rewarded!!!!
Best  Italoop




----- Original Message -----
From: "Emmanuel PERILLE" <perille@club-internet.fr>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, April 22, 2001 12:38 PM
Subject: Italian Cycloops


> http://www.djlatino.net/tecnologie/tecnologie.asp?ID_Prodotto=12
>
> Hey Italoop, could you translate for me please ? What do they say
> concerning the disavantages ("Contro") ?
>
> Thanks
>
> EP
>
>

From Loopers-Delight-request@loopers-delight.com  Sun Apr 22 08:46:37 2001
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Where do I go to get the upgrade? I read the review by Mike Nelson and
comments from many of my fellow loopers and it sounds like the perfect
no-brainer looper for me.
 peace,
           jeff

Jim Schaefer wrote:

> I just installed the 2.0 version today. Wow!! huge improvement. I would
> recommend anyone with the older version to update.
>
>                        - James

From Loopers-Delight-request@loopers-delight.com  Sun Apr 22 10:09:11 2001
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From: Todd Pafford <galen@erols.com>
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On Sun, 22 Apr 2001, Jeff Duke wrote:
> Where do I go to get the upgrade? I read the review by Mike Nelson and
> comments from many of my fellow loopers and it sounds like the perfect
> no-brainer looper for me.
>  peace,
>            jeff

Contact that very same Mike Nelson.  He makes the 'Rang and handles the 
upgrade.  Depending on when your 'Rang was made one of two things will 
happen:  1) you have a newer 'Rang and he'll send you the chip to swap, or 
2) your 'Rang is older and needs the chip swap along with some other fiddling 
in which case you'll need to send the whole unit back to Texas for Mike to do 
the upgrade.  He can tell you which is the case based on serial number.

I'm in a hurry and don't have Mike's email address on hand, but I'm sure 
you'll be able to find it easily in the LD archive if you don't already have 
it

Good luck,
Todd

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From Loopers-Delight-request@loopers-delight.com  Sun Apr 22 11:44:09 2001
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Italo De Angelis wrote:

> Emmanuel, this is full page translation:
>
> "Price £900.000 (little more than 400$)
>  New fron Namm show, sampler for loops.Its main feature is the ability to
> "hear" the beat and sets an audio loop according to them. You can choose if
> a measure is made up of 1-2-4-8-16 beats and it will take care of it all.
> PROS
> It could be useful if it worked fine with our Latin music, but Ithink that
> it has the same limitations of automix function of Pioneer CMX5000, that is
> it can't "hear" time.
> CONS
> Price !!!900.000£ seems too much if it doesn't work. Moreover it is some
> more gear to bring along.
>
> FINAL judgement:
> This time resist to temptations. Better to buy a nice mixer with internal
> sampler to make up loops as you like. Keep the money for something better.
> There are samplers with more functions for tha same money on the market."
>
> IN A MORE INTERNATIONAL LINGO :  IT SUCKS BAAAAAAAAAAAD ! ! !
>
> Wait for Repeater....the personal demo I had in Frankfurt was
> UNBELIEVABLE...hold on...you'll be rewarded!!!!
> Best  Italoop
>
> ----- Original Message -----
> From: "Emmanuel PERILLE" <perille@club-internet.fr>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Sunday, April 22, 2001 12:38 PM
> Subject: Italian Cycloops
>
> > http://www.djlatino.net/tecnologie/tecnologie.asp?ID_Prodotto=12
> >
> > Hey Italoop, could you translate for me please ? What do they say
> > concerning the disavantages ("Contro") ?
> >
> > Thanks
> >
> > EP
> >
> >

Thanks for your translation, Italoop

Seems like the italians haven't checked it out yet.

Btw, did you see Cycloops in demo in Frankfurt, it was in the same hall ?

EP



From Loopers-Delight-request@loopers-delight.com  Sun Apr 22 11:51:09 2001
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Emmanuel PERILLE wrote:
> 
> Italo De Angelis wrote:
> 
> > Emmanuel, this is full page translation:
> >
> > "Price £900.000 (little more than 400$)
> >  New fron Namm show, sampler for loops.Its main feature is the ability to
> > "hear" the beat and sets an audio loop according to them. You can choose if
> > a measure is made up of 1-2-4-8-16 beats and it will take care of it all.
> > PROS
> > It could be useful if it worked fine with our Latin music, but Ithink that
> > it has the same limitations of automix function of Pioneer CMX5000, that is
> > it can't "hear" time.
> > CONS
> > Price !!!900.000£ seems too much if it doesn't work. Moreover it is some
> > more gear to bring along.
> >
> > FINAL judgement:
> > This time resist to temptations. Better to buy a nice mixer with internal
> > sampler to make up loops as you like. Keep the money for something better.
> > There are samplers with more functions for tha same money on the market."
> >
> > IN A MORE INTERNATIONAL LINGO :  IT SUCKS BAAAAAAAAAAAD ! ! !
> >
> > Wait for Repeater....the personal demo I had in Frankfurt was
> > UNBELIEVABLE...hold on...you'll be rewarded!!!!
> > Best  Italoop

Italo please 

dont you know that Emanuel _IS_ the engeneer behind Cycloops ?

............

Ah la la..

Claude


> > ----- Original Message -----
> > From: "Emmanuel PERILLE" <perille@club-internet.fr>
> > To: <Loopers-Delight@loopers-delight.com>
> > Sent: Sunday, April 22, 2001 12:38 PM
> > Subject: Italian Cycloops
> >
> > > http://www.djlatino.net/tecnologie/tecnologie.asp?ID_Prodotto=12
> > >
> > > Hey Italoop, could you translate for me please ? What do they say
> > > concerning the disavantages ("Contro") ?
> > >
> > > Thanks
> > >
> > > EP
> > >
> > >
> 
> Thanks for your translation, Italoop
> 
> Seems like the italians haven't checked it out yet.
> 
> Btw, did you see Cycloops in demo in Frankfurt, it was in the same hall ?
> 
> EP

From Loopers-Delight-request@loopers-delight.com  Sun Apr 22 15:26:38 2001
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Subject: Re: Italian Cycloops
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SO WHAT?  I translated what I read there!   It seems that it sucks!!!
according to the guy that  wrote that review...
I don't know Cycloops, I didn't check it out at Frankfurt. This is the very
first time I hear of that...PERIOD.
All I can say is what I know about Repeater, since I had a demo of it!!!
I hope that what I read and translated for Emmanuel what HE ASKED me to
translate...that's it!!!
If that is not true...KOOL!
If that is TRUE well...he has to be embarassed...not me. He didn't even say
"who" he "is"....

In the mean time  MY ORVILLE rules....

do your homeworX

best  Italoop

----- Original Message -----
From: "Claude Voit" <c.voit@vtx.ch>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, April 22, 2001 7:47 PM
Subject: Re: Italian Cycloops


> Emmanuel PERILLE wrote:
> >
> > Italo De Angelis wrote:
> >
> > > Emmanuel, this is full page translation:
> > >
> > > "Price £900.000 (little more than 400$)
> > >  New fron Namm show, sampler for loops.Its main feature is the ability
to
> > > "hear" the beat and sets an audio loop according to them. You can
choose if
> > > a measure is made up of 1-2-4-8-16 beats and it will take care of it
all.
> > > PROS
> > > It could be useful if it worked fine with our Latin music, but Ithink
that
> > > it has the same limitations of automix function of Pioneer CMX5000,
that is
> > > it can't "hear" time.
> > > CONS
> > > Price !!!900.000£ seems too much if it doesn't work. Moreover it is
some
> > > more gear to bring along.
> > >
> > > FINAL judgement:
> > > This time resist to temptations. Better to buy a nice mixer with
internal
> > > sampler to make up loops as you like. Keep the money for something
better.
> > > There are samplers with more functions for tha same money on the
market."
> > >
> > > IN A MORE INTERNATIONAL LINGO :  IT SUCKS BAAAAAAAAAAAD ! ! !
> > >
> > > Wait for Repeater....the personal demo I had in Frankfurt was
> > > UNBELIEVABLE...hold on...you'll be rewarded!!!!
> > > Best  Italoop
>
> Italo please
>
> dont you know that Emanuel _IS_ the engeneer behind Cycloops ?
>
> ............
>
> Ah la la..
>
> Claude
>
>
> > > ----- Original Message -----
> > > From: "Emmanuel PERILLE" <perille@club-internet.fr>
> > > To: <Loopers-Delight@loopers-delight.com>
> > > Sent: Sunday, April 22, 2001 12:38 PM
> > > Subject: Italian Cycloops
> > >
> > > > http://www.djlatino.net/tecnologie/tecnologie.asp?ID_Prodotto=12
> > > >
> > > > Hey Italoop, could you translate for me please ? What do they say
> > > > concerning the disavantages ("Contro") ?
> > > >
> > > > Thanks
> > > >
> > > > EP
> > > >
> > > >
> >
> > Thanks for your translation, Italoop
> >
> > Seems like the italians haven't checked it out yet.
> >
> > Btw, did you see Cycloops in demo in Frankfurt, it was in the same hall
?
> >
> > EP
>

From Loopers-Delight-request@loopers-delight.com  Sun Apr 22 16:10:35 2001
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Subject: Re: Italian Cycloops
From: Ivan Zavada <ivan.zavada@videotron.ca>
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You dont have to be a smart ass

From Loopers-Delight-request@loopers-delight.com  Sun Apr 22 16:26:13 2001
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Date: Sun, 22 Apr 2001 13:23:42 -0700
To: Loopers-Delight@loopers-delight.com
From: Kim Flint <kflint@loopers-delight.com>
Subject: Re: TipJar?  PayPal?   Suggestions?
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At 10:15 AM -0700 4/21/01, Stephen P. Goodman wrote:
>    Hi Everybody,   As you can tell from the subject this is another
>"funny  question" but nonetheless important.  Obviously it becomes
>necessary at  some point to process some sort of e-commerce via ones web
>site, in our cases  mostly to sell CDs.  Two methods I've come up with
>have been PayPal (http://www.paypal.com) and TipJar
>(http://www.tipjar.com).  As many  previously-unknown operators for credit
>card processing want as much as 30c per  transaction I'd like to know what
>sort of satisfaction you all have had with  either of these firms, if not
>others you're happy with.  Frankly, I haven't  the resources to get a
>merchant account, so these must then be the options in  front.  Your
>assistance, is as usual, appreciated.   Stephen Goodman


Coincidentally, I've just added some PayPal buttons on the Looper's Delight
site so generous people who want to help support LD can easily make
donations. (hint, hint...:-)

I never heard of Tipjar, but I picked PayPal because I already had a PayPal
account for another reason. It was really easy to extend it to use for
Looper's Delight donations, so that seemed the obvious thing to do. I like
PayPal because it is very simple for people to use, and convenient for me
as well. People can pay with credit cards or directly from their bank
account, and it is international. They already have millions of users, so
chances are people already have a paypal account and trust it. If not, it
only takes a minute to sign up and doesn't cost the user anything. And
given the state of the dotcom business, paypal at least appears to be
sticking around for a while.

Hopefully this works out for me and stops the flow of red ink that Looper's
Delight creates in my personal accounting. Check back in a month, I'll have
a good idea if it works by then. So far I have no idea, cause nobody has
donated anything yet.

Shameless begging:
And hey, if any of you out there feel that Looper's Delight has helped you
out and you would like to give a little something back, I would very much
appreciate a donation of some kind. Any amount is fine. The site does cost
money to run, and it's gotta come from somewhere! If for no other reason,
somebody click the link and send me a buck so I know it's working right.
I'll even put the link right here to make it easy:

https://www.paypal.com/xclick/business=kflint%40loopers-delight.com&item_name=Lo
opers+Delight+Donation+-+any+contribution+is+appreciated%21%21&return=http%3A//w
ww.loopers-delight.com/loop.html

thanks!
kim

______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com


From Loopers-Delight-request@loopers-delight.com  Sun Apr 22 17:03:17 2001
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take my name off your list!!!!!!!!!!!!!!!!!!!!!!!!
Unsubscribe
UNSUBSCRIBE


From Loopers-Delight-request@loopers-delight.com  Sun Apr 22 17:55:01 2001
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Gawd, I hope some small amount of thoughtfulness and/or consideration was
lost in the translation to a second language here...

I don't know about homework, but a brush-up on common courtesy is certainly
in order.

Mark (Who must admit that he too is enthused by Repeater, and is anxiously
awaiting it's arrival)






>SO WHAT?  I translated what I read there!   It seems that it sucks!!!
>according to the guy that  wrote that review...
>I don't know Cycloops, I didn't check it out at Frankfurt. This is the very
>first time I hear of that...PERIOD.
>All I can say is what I know about Repeater, since I had a demo of it!!!
>I hope that what I read and translated for Emmanuel what HE ASKED me to
>translate...that's it!!!
>If that is not true...KOOL!
>If that is TRUE well...he has to be embarassed...not me. He didn't even say
>"who" he "is"....
>
>In the mean time  MY ORVILLE rules....
>
>do your homeworX
>
>best  Italoop
>
>----- Original Message -----
>From: "Claude Voit" <c.voit@vtx.ch>
>To: <Loopers-Delight@loopers-delight.com>
>Sent: Sunday, April 22, 2001 7:47 PM
>Subject: Re: Italian Cycloops
>
>
>> Emmanuel PERILLE wrote:
>> >
>> > Italo De Angelis wrote:
>> >
>> > > Emmanuel, this is full page translation:
>> > >
>> > > "Price £900.000 (little more than 400$)
>> > >  New fron Namm show, sampler for loops.Its main feature is the ability
>to
>> > > "hear" the beat and sets an audio loop according to them. You can
>choose if
>> > > a measure is made up of 1-2-4-8-16 beats and it will take care of it
>all.
>> > > PROS
>> > > It could be useful if it worked fine with our Latin music, but Ithink
>that
>> > > it has the same limitations of automix function of Pioneer CMX5000,
>that is
>> > > it can't "hear" time.
>> > > CONS
>> > > Price !!!900.000£ seems too much if it doesn't work. Moreover it is
>some
>> > > more gear to bring along.
>> > >
>> > > FINAL judgement:
>> > > This time resist to temptations. Better to buy a nice mixer with
>internal
>> > > sampler to make up loops as you like. Keep the money for something
>better.
>> > > There are samplers with more functions for tha same money on the
>market."
>> > >
>> > > IN A MORE INTERNATIONAL LINGO :  IT SUCKS BAAAAAAAAAAAD ! ! !
>> > >
>> > > Wait for Repeater....the personal demo I had in Frankfurt was
>> > > UNBELIEVABLE...hold on...you'll be rewarded!!!!
>> > > Best  Italoop
>>
>> Italo please
>>
>> dont you know that Emanuel _IS_ the engeneer behind Cycloops ?
>>
>> ............
>>
>> Ah la la..
>>
>> Claude
>>
>>
>> > > ----- Original Message -----
>> > > From: "Emmanuel PERILLE" <perille@club-internet.fr>
>> > > To: <Loopers-Delight@loopers-delight.com>
>> > > Sent: Sunday, April 22, 2001 12:38 PM
>> > > Subject: Italian Cycloops
>> > >
>> > > > http://www.djlatino.net/tecnologie/tecnologie.asp?ID_Prodotto=12
>> > > >
>> > > > Hey Italoop, could you translate for me please ? What do they say
>> > > > concerning the disavantages ("Contro") ?
>> > > >
>> > > > Thanks
>> > > >
>> > > > EP
>> > > >
>> > > >
>> >
>> > Thanks for your translation, Italoop
>> >
>> > Seems like the italians haven't checked it out yet.
>> >
>> > Btw, did you see Cycloops in demo in Frankfurt, it was in the same hall
>?
>> >
>> > EP
>>


From Loopers-Delight-request@loopers-delight.com  Sun Apr 22 17:59:01 2001
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Italo De Angelis wrote:

> SO WHAT?  I translated what I read there!   It seems that it sucks!!!
> according to the guy that  wrote that review...
> I don't know Cycloops, I didn't check it out at Frankfurt. This is the very
> first time I hear of that...PERIOD.
> All I can say is what I know about Repeater, since I had a demo of it!!!
> I hope that what I read and translated for Emmanuel what HE ASKED me to
> translate...that's it!!!
> If that is not true...KOOL!
> If that is TRUE well...he has to be embarassed...not me. He didn't even say
> "who" he "is"....
>
> In the mean time  MY ORVILLE rules....
>
> do your homeworX
>
> best  Italoop
>
> ----- Original Message -----
> From: "Claude Voit" <c.voit@vtx.ch>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Sunday, April 22, 2001 7:47 PM
> Subject: Re: Italian Cycloops
>
> > Emmanuel PERILLE wrote:
> > >
> > > Italo De Angelis wrote:
> > >
> > > > Emmanuel, this is full page translation:
> > > >
> > > > "Price £900.000 (little more than 400$)
> > > >  New fron Namm show, sampler for loops.Its main feature is the ability
> to
> > > > "hear" the beat and sets an audio loop according to them. You can
> choose if
> > > > a measure is made up of 1-2-4-8-16 beats and it will take care of it
> all.
> > > > PROS
> > > > It could be useful if it worked fine with our Latin music, but Ithink
> that
> > > > it has the same limitations of automix function of Pioneer CMX5000,
> that is
> > > > it can't "hear" time.
> > > > CONS
> > > > Price !!!900.000£ seems too much if it doesn't work. Moreover it is
> some
> > > > more gear to bring along.
> > > >
> > > > FINAL judgement:
> > > > This time resist to temptations. Better to buy a nice mixer with
> internal
> > > > sampler to make up loops as you like. Keep the money for something
> better.
> > > > There are samplers with more functions for tha same money on the
> market."
> > > >
> > > > IN A MORE INTERNATIONAL LINGO :  IT SUCKS BAAAAAAAAAAAD ! ! !
> > > >
> > > > Wait for Repeater....the personal demo I had in Frankfurt was
> > > > UNBELIEVABLE...hold on...you'll be rewarded!!!!
> > > > Best  Italoop
> >
> > Italo please
> >
> > dont you know that Emanuel _IS_ the engeneer behind Cycloops ?
> >
> > ............
> >
> > Ah la la..
> >
> > Claude
> >
> >
> > > > ----- Original Message -----
> > > > From: "Emmanuel PERILLE" <perille@club-internet.fr>
> > > > To: <Loopers-Delight@loopers-delight.com>
> > > > Sent: Sunday, April 22, 2001 12:38 PM
> > > > Subject: Italian Cycloops
> > > >
> > > > > http://www.djlatino.net/tecnologie/tecnologie.asp?ID_Prodotto=12
> > > > >
> > > > > Hey Italoop, could you translate for me please ? What do they say
> > > > > concerning the disavantages ("Contro") ?
> > > > >
> > > > > Thanks
> > > > >
> > > > > EP
> > > > >
> > > > >
> > >
> > > Thanks for your translation, Italoop
> > >
> > > Seems like the italians haven't checked it out yet.
> > >
> > > Btw, did you see Cycloops in demo in Frankfurt, it was in the same hall
> ?
> > >
> > > EP
> >

Don't worry, Italoop, you are wellcome

Although Redsound claims it also for studio, I would pretend Cycloops
exclusively made for discotheques. They should have called it the world 's first
direct-to-use fully automatic club sampler.
It is not exactly the same market like Repeater which seems to be more based for
studio and live musicians. It is true sometimes Cycloops is a bit long to "hear"
the beat, but when it hears it, you can trust it. This is what DJs want I think
: trusting the unit they accept to play with, or leave it.

Well, nobody has done what Redsound and I try to do now actually, even Gemini
didn't want to spend the money for such a concept. The most fun of it is neither
Redsound nor I are able to make it, since it stands for the strict combinasion
between the 2 technics, Redsound V2 BPM engine + DJRND2 looping technology. The
recipie is a miracle, but it works !!!

Yeah, would people spend 400US$ for 6 loops ? Well, wait and see once the
product is released, but I keep on betting. Quality sometimes worths, I know
Redsound is the leader in terms of BPM technology, this will make the
difference, ... very stable ... the loops never move and follow the source ...
like a turntable once correctly pitched ... believe me I still believe Gemini
where wrong, and Artie Cabasso let me understand it in 1998 the day we met the
last time, even before DJRND2 was born ... Yes I am the naughty little duck ...
to be continued

And also a great honor to be compared with the CMX5000 ... well the concept is
starting

EP



From Loopers-Delight-request@loopers-delight.com  Sun Apr 22 18:47:46 2001
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Yes, Virginia, there IS a ganja fairy...

Here are the unsubscription directions as found on the 'mailing list info'
page of Looper's Delight:

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At 01:57 PM 4/22/01 -0700, you wrote:
>take my name off your list!!!!!!!!!!!!!!!!!!!!!!!!
>Unsubscribe
>UNSUBSCRIBE



From Loopers-Delight-request@loopers-delight.com  Sun Apr 22 18:48:45 2001
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as a proud user of the pcm42 for loopin i was happy to see 'leni stern'
mention it in her introduction to loops by*the*'dave torn'.

goinloopy
stanner


> > And, it's very purple!
>> >
>> > Also in GP, an interview with Leni Stern.
>> >
>> > =====
>> > John Tidwell

From Loopers-Delight-request@loopers-delight.com  Sun Apr 22 19:10:09 2001
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"Tim Nelson" <tcn62@ici.net> opined:
> Yes, Virginia, there IS a ganja fairy...

Where?  Where?

From Loopers-Delight-request@loopers-delight.com  Sun Apr 22 19:12:34 2001
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Subject: Re: TipJar?  PayPal?   Suggestions?
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> At 10:15 AM -0700 4/21/01, Stephen P. Goodman wrote:
> >    Hi Everybody,   As you can tell from the subject this is another
> >"funny  question" but nonetheless important.  Obviously it becomes
> >necessary at  some point to process some sort of e-commerce via ones web
> >site, in our cases  mostly to sell CDs.  Two methods I've come up with
> >have been PayPal (http://www.paypal.com) and TipJar
> >(http://www.tipjar.com).  As many  previously-unknown operators for credit
> >card processing want as much as 30c per  transaction I'd like to know what
> >sort of satisfaction you all have had with  either of these firms, if not
> >others you're happy with.  Frankly, I haven't  the resources to get a
> >merchant account, so these must then be the options in  front.  Your
> >assistance, is as usual, appreciated.   Stephen Goodman

I don't know anything about Tipjar, but I would suggest that if people
don't need to pay for something, then they probably won't.  I would set
up a strict system: you want the CD, you pay X amount for it.

I'd also strongly recommend having at least two or three seperate ways
of ordering the music, and would further recommend a site like
cdbaby.com or cdstreet.com to carry the items.  Yes, they do take a
percentage of sales, but a lot of customers are more comfortable
ordering through established retail outlets than directly from someone
they've never met.

Aside from that, you never know when something might happen to one
particular outlet.  About two weeks after I released my CD, the sole
e-commerce provider I was using at the time went through a bug-ridden
server upgrade that left me without any online ordering capabilities for
over a month.  Not good!

I know of some artists who have set up ordering through both paypal and
cdbaby, and they get purchases through both outlets.  If you're selling
a CD, I would definitely say you should have it stocked in at least one
or two indie sites.

Anyway,

--Andre LaFosse
http://www.altruistmusic.com

From Loopers-Delight-request@loopers-delight.com  Sun Apr 22 19:35:14 2001
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From: "Brian Mulvey" <bdmulvey@earthlink.net>
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Subject: Line 6 Filter Modeller?
Date: Sun, 22 Apr 2001 19:32:20 -0400
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I saw the ad for a new pedal from Line 6, the purple filter modeller.

Anyone have any info about this..? Can't find ANYTHING on the web.

From Loopers-Delight-request@loopers-delight.com  Sun Apr 22 19:59:35 2001
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At 7:32 PM -0400 4/22/01, Brian Mulvey wrote:
>I saw the ad for a new pedal from Line 6, the purple filter modeller.

What ad? Where?
-- 

______________________________________________________________
Richard Zvonar, PhD			zvonar@zvonar.com
(818) 788-2202 voice			zvonar@LCSaudio.com
(818) 788-2203 fax			zvonar@well.com

		 http://www.zvonar.com

   <http://www.live365.com/cgi-bin/directory.cgi?autostart=rz>

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At 4:10 PM -0700 4/22/01, Andre LaFosse wrote:

>I don't know anything about Tipjar

http://www.tipjar.com/
-- 

______________________________________________________________
Richard Zvonar, PhD			zvonar@zvonar.com
(818) 788-2202 voice			zvonar@LCSaudio.com
(818) 788-2203 fax			zvonar@well.com

		 http://www.zvonar.com

   <http://www.live365.com/cgi-bin/directory.cgi?autostart=rz>

From Loopers-Delight-request@loopers-delight.com  Sun Apr 22 21:21:13 2001
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Subject: mega-ultra cassette player - does such a thing exist?
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Hey everyone,

I'm fantasizing about getting something like a cassette player specifically 
engineered for live musical performance. Does something like this exist? 
These days, there are performance turntables (Technics SL-2100) and a 
multitude of performance CD players. How about tape? I guess this is a 
simultaneous request for knowledge about the existence of such a product, 
and also tossing out the idea to equipment manufacturer/designers who peruse 
this site.


I'd be looking for something with some or more of the following features:

1) Variable speed: Something like an analog pitch wheel that can make the 
tape travel anywhere between half and double speed.

2) Instant reverse: The ability to instantly be able to switch something 
from forward to reverse and back again. (Instantly as in I wouldn't have to 
remove the tape to flip it over. It's okay if there's a minute pause or 
pitch bend as the tape changes directions.) This would be independent from:

3) Instant tape flipping ability: As in what you have in most car stereos.

4) Both a locking and a non-locking pause button: A locking pause button 
would be what you're used to seeing in a normal tape deck. A non-locking 
pause button would be one that you have to keep holding down for the tape to 
remain paused.

5) Live cueing, rewinding ability: Like on a hand held tape recorder. If you 
press rewind while play is down, you hear that chirpy sound. If you hit 
rewind alone, it just rewinds.

6) Sliders for volume and panning. Preferably mounted on top of the thing 
for easy use. Sliders win more points than knobs. The panning knob wouldn't 
necessarily be panning the output of the device, but panning which channel 
of the tape the input signal is picked up from.


Not as important:
1) Mechanical (not electronic) tape transport buttons: These are the most 
common tape player control buttons. The kind where when you press play, the 
play button remains down. This would be opposed to digital controls, which 
have less moving parts and are supposed to last longer. I just prefer the 
mechanical ones.

2) Top mounted controls (for ease of use)

3) 4 channels!! (Okay, this is just letting fantasy play too much here.) 
Wouldn't it be great to have the option of playing the front and back of a 
tape at the same time? Or to use tapes recorded in a 4-track?


_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

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Subject: Re: mega-ultra cassette player - does such a thing exist?
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This is a multi-part message in MIME format.

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Matt,

there is a company around which told us something like this exists since =
October 2000. It doesn't use tape however. It is called repeater.

Sorry, couldn't resist...

        Rainer
   =20
   =20
   =20
    I'd be looking for something with some or more of the following =
features:
   =20


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<!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
<HTML>
<HEAD>

<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type>
<META content=3D'"MSHTML 4.72.3110.7"' name=3DGENERATOR>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT color=3D#000000 size=3D2>Matt,</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>there is a company around which told us something =
like this=20
exists since October 2000. It doesn't use tape however. It is called=20
repeater.</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>Sorry, couldn't resist...</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT color=3D#000000 =
size=3D2>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
Rainer</FONT></DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 solid 2px; MARGIN-LEFT: 5px; PADDING-LEFT: =
5px"><BR><BR><BR>I'd=20
    be looking for something with some or more of the following=20
    features:<BR><BR></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon Apr 23 10:44:51 2001
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Subject: Re: loop structure idea
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Interesting that you should mention this.

I have Kyma loop structure that I call a "Fragmenter" that does pretty much
what you describe.  It works a little bit differently due to the internals
of Kyma.  For example, the subdivided loop implicitly multiplies to length
of the master loop due to the way slave loops are synced to master loops.
Also, you can adjust the Fragmenter structure however you like.  The most
fun seems to be with a random select of the particular fragement to play.
So after n repeats, a different fragment is looped.

With one Fragmenter, it's fun to experiment with rhythms.  Say that my
original pattern of <Do Re Me Fa> consists of four variations of a groove,
then the Fragmenter with randomizing selections plays a constantly shifting
pattern.  For real fun, I tried two Fragmenters, one is a "master"
Fragmenter and the other is slaved to it.  The master is in the left and the
slave Fragmenter is in the right channel.  I played a different drum into
the master and slave, each with a pattern of variations.  Then sit back and
listen!  It sounds like two drummers playing variations back and forth.
Less is definitely more.  Simpler patterns produce a more cohesive sound.

With one Fragmenter, I tried looping spoken word.  A good phrase is
something like, "This is a test,  Is it not? ----".  I spoke the words
equally spaced with a rest at the end.  On playback, you hear new sentences,
some of which is nonsense of course.  But you do hear things like, "Is it a
test.  This is not? ---- A test. ---  This is not? a test.  Test. Test.
This is a test. --- A test this is not?" etc.

I saw the Fragmenter as a step to something I call a Fugue-ifier,  which you
can imagine what it would do.

> Could this subdivision be done behind the scenes?

The computation of the loop points is determined by the length of the
original loop.  It takes one sample clock period to compute.  I use a 44.1
Khz sample rate so the subdivision takes about (1 / 44100) or about
0.0000227 seconds to setup.

>How long would it take before you could access it?

Nearly instantantly.

> Could you subdivide and multiply all 4 subdivision elements?

Do you mean fragment the fragments?  Interesting idea.

> Then, could you switch between those subdivided loops in real time
> while the original loop is playing?

No problem.  The loops switching occurs at the end of each loop.  With some
effort it could occur immediately but I don't think that would sounds as
good.

Dennis Leas
-------------------
dennis@mdbs.com

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metro area creatures take note:

the pink pony presents:
anti:clockwise
sat. 4/28   10.00 -> ...
in a collaboration with
vortex visualist chris jordan

the pony is located on ludlow street, south of houston.




***********************************
just what the world needs....
<http://www.tensionheadache.org/>another frikkin 
<http://www.tensionheadache.org/>url

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<html>
<br>
metro area creatures take note:<br>
<br>
the pink pony presents:<br>
anti:clockwise <br>
sat. 4/28&nbsp;&nbsp; 10.00 -&gt; ...<br>
in a collaboration with<br>
vortex visualist chris jordan<br>
<br>
the pony is located on ludlow street, south of houston. <br>
<br>
<br>
<br>
<x-sigsep><p></x-sigsep>
<div align="center">
***********************************<br>
just what the world needs.... <br>
<a href="http://www.tensionheadache.org/">another </a>frikkin
<a href="http://www.tensionheadache.org/">url<br>
</a></div>
</html>

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From Loopers-Delight-request@loopers-delight.com  Mon Apr 23 12:32:37 2001
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Subject: Re: TipJar?  PayPal?   Suggestions?
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I've been really happy using PayPal on eBay transactions. No other experience using them though. Seems pretty simple and fast.

-Miko

>>> "Stephen P. Goodman" <spgoodman@earthlight.net> 04/21/01 10:15AM >>>
Hi Everybody,

As you can tell from the subject this is another "funny question" but nonetheless important.  Obviously it becomes necessary at some point to process some sort of e-commerce via ones web site, in our cases mostly to sell CDs.  Two methods I've come up with have been PayPal (http://www.paypal.com) and TipJar (http://www.tipjar.com).  As many previously-unknown operators for credit card processing want as much as 30c per transaction I'd like to know what sort of satisfaction you all have had with either of these firms, if not others you're happy with.  Frankly, I haven't the resources to get a merchant account, so these must then be the options in front.  Your assistance, is as usual, appreciated.

Stephen Goodman
http://www.earthlight.net/Gallery_Front.html - Cartoons & Illustrations
http://www.earthlight.net/Studios * The free Loop of the Week!
http://www.mp3.com/StephenGoodman * New MP3 Releases!

From Loopers-Delight-request@loopers-delight.com  Mon Apr 23 12:34:54 2001
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Subject: Re: mega-ultra cassette player - does such a thing exist?
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matt.....2 things:
 1) what did you have in mind for this beastie?
 2) did tim's ganja fairy happen to visit you or are you drinking more coffee 
than usual.....:).....michael

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>matt.....2 things:
<BR> 1) what did you have in mind for this beastie?
<BR> 2) did tim's ganja fairy happen to visit you or are you drinking more coffee 
<BR>than usual.....:).....michael</FONT></HTML>

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Subject: Re: mega-ultra cassette player - does such a thing exist?
Date: Mon, 23 Apr 2001 09:48:41 -0700
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>From: Nemoguitt@aol.com

>matt.....2 things:
>  1) what did you have in mind for this beastie?

the whole email was about what I had in mind for it! Unless you were talking 
about cost.... which I estimated being between $200 and $400.

>  2) did tim's ganja fairy happen to visit you or are you drinking more 
>coffee
>than usual.....:).....michael

Funny you should mention that. Tim _did_ show up on my doorstep this weekend 
dressed as some sort of fairy. I didn't know it was him though, so I 
pretended not to be home.

Matt
_________________________________________________________________
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gp ran a review of the korg "ax 100 G", they thought very highly of it both 
price and quality wise, they said it had a 6 sec. loop/sampler plus built in 
expression pedal.....for the price it seems worth checking out.....if you 
like the zoom 2100, this should interest you.....michael

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>gp ran a review of the korg "ax 100 G", they thought very highly of it both 
<BR>price and quality wise, they said it had a 6 sec. loop/sampler plus built in 
<BR>expression pedal.....for the price it seems worth checking out.....if you 
<BR>like the zoom 2100, this should interest you.....michael</FONT></HTML>

--part1_98.13bc0511.2815b5b5_boundary--

From Loopers-Delight-request@loopers-delight.com  Mon Apr 23 14:22:10 2001
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thanks for your responses, everyone.

i think Dennis gets the award for manifesting what i had in my head.

unfortunately, i don't think a kyma system is in my future!

*** NO MORE GEAR PURCHASES THIS YEAR...right, Cliff?  :)

seeya,


rich






>Interesting that you should mention this.
>
>I have Kyma loop structure that I call a "Fragmenter" that does pretty much
>what you describe.  It works a little bit differently due to the internals
>of Kyma.  For example, the subdivided loop implicitly multiplies to length
>of the master loop due to the way slave loops are synced to master loops.
>Also, you can adjust the Fragmenter structure however you like.  The most
>fun seems to be with a random select of the particular fragement to play.
>So after n repeats, a different fragment is looped.
>
>With one Fragmenter, it's fun to experiment with rhythms.  Say that my
>original pattern of <Do Re Me Fa> consists of four variations of a groove,
>then the Fragmenter with randomizing selections plays a constantly shifting
>pattern.  For real fun, I tried two Fragmenters, one is a "master"
>Fragmenter and the other is slaved to it.  The master is in the left and the
>slave Fragmenter is in the right channel.  I played a different drum into
>the master and slave, each with a pattern of variations.  Then sit back and
>listen!  It sounds like two drummers playing variations back and forth.
>Less is definitely more.  Simpler patterns produce a more cohesive sound.
>
>With one Fragmenter, I tried looping spoken word.  A good phrase is
>something like, "This is a test,  Is it not? ----".  I spoke the words
>equally spaced with a rest at the end.  On playback, you hear new sentences,
>some of which is nonsense of course.  But you do hear things like, "Is it a
>test.  This is not? ---- A test. ---  This is not? a test.  Test. Test.
>This is a test. --- A test this is not?" etc.
>
>I saw the Fragmenter as a step to something I call a Fugue-ifier,  which you
>can imagine what it would do.
>
>>  Could this subdivision be done behind the scenes?
>
>The computation of the loop points is determined by the length of the
>original loop.  It takes one sample clock period to compute.  I use a 44.1
>Khz sample rate so the subdivision takes about (1 / 44100) or about
>0.0000227 seconds to setup.
>
>>How long would it take before you could access it?
>
>Nearly instantantly.
>
>>  Could you subdivide and multiply all 4 subdivision elements?
>
>Do you mean fragment the fragments?  Interesting idea.
>
>>  Then, could you switch between those subdivided loops in real time
>>  while the original loop is playing?
>
>No problem.  The loops switching occurs at the end of each loop.  With some
>effort it could occur immediately but I don't think that would sounds as
>good.
>
>Dennis Leas
>-------------------
>dennis@mdbs.com

From Loopers-Delight-request@loopers-delight.com  Mon Apr 23 14:32:21 2001
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I think I just saw a flying monkey outside my window..............  Cliff

----- Original Message -----
From: "rich" <rich@nuvisionsca.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, April 23, 2001 11:15 AM
Subject: Re: loop structure idea


> thanks for your responses, everyone.
>
> i think Dennis gets the award for manifesting what i had in my head.
>
> unfortunately, i don't think a kyma system is in my future!
>
> *** NO MORE GEAR PURCHASES THIS YEAR...right, Cliff?  :)
>
> seeya,
>
>
> rich
>
>
>
>
>
>
> >Interesting that you should mention this.
> >
> >I have Kyma loop structure that I call a "Fragmenter" that does pretty
much
> >what you describe.  It works a little bit differently due to the
internals
> >of Kyma.  For example, the subdivided loop implicitly multiplies to
length
> >of the master loop due to the way slave loops are synced to master loops.
> >Also, you can adjust the Fragmenter structure however you like.  The most
> >fun seems to be with a random select of the particular fragement to play.
> >So after n repeats, a different fragment is looped.
> >
> >With one Fragmenter, it's fun to experiment with rhythms.  Say that my
> >original pattern of <Do Re Me Fa> consists of four variations of a
groove,
> >then the Fragmenter with randomizing selections plays a constantly
shifting
> >pattern.  For real fun, I tried two Fragmenters, one is a "master"
> >Fragmenter and the other is slaved to it.  The master is in the left and
the
> >slave Fragmenter is in the right channel.  I played a different drum into
> >the master and slave, each with a pattern of variations.  Then sit back
and
> >listen!  It sounds like two drummers playing variations back and forth.
> >Less is definitely more.  Simpler patterns produce a more cohesive sound.
> >
> >With one Fragmenter, I tried looping spoken word.  A good phrase is
> >something like, "This is a test,  Is it not? ----".  I spoke the words
> >equally spaced with a rest at the end.  On playback, you hear new
sentences,
> >some of which is nonsense of course.  But you do hear things like, "Is it
a
> >test.  This is not? ---- A test. ---  This is not? a test.  Test. Test.
> >This is a test. --- A test this is not?" etc.
> >
> >I saw the Fragmenter as a step to something I call a Fugue-ifier,  which
you
> >can imagine what it would do.
> >
> >>  Could this subdivision be done behind the scenes?
> >
> >The computation of the loop points is determined by the length of the
> >original loop.  It takes one sample clock period to compute.  I use a
44.1
> >Khz sample rate so the subdivision takes about (1 / 44100) or about
> >0.0000227 seconds to setup.
> >
> >>How long would it take before you could access it?
> >
> >Nearly instantantly.
> >
> >>  Could you subdivide and multiply all 4 subdivision elements?
> >
> >Do you mean fragment the fragments?  Interesting idea.
> >
> >>  Then, could you switch between those subdivided loops in real time
> >>  while the original loop is playing?
> >
> >No problem.  The loops switching occurs at the end of each loop.  With
some
> >effort it could occur immediately but I don't think that would sounds as
> >good.
> >
> >Dennis Leas
> >-------------------
> >dennis@mdbs.com
>



From Loopers-Delight-request@loopers-delight.com  Mon Apr 23 14:33:27 2001
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matt davignon wrote:

> >From: Nemoguitt@aol.com
>
> >matt.....2 things:
> >  1) what did you have in mind for this beastie?
>
> the whole email was about what I had in mind for it! Unless you were talking
> about cost.... which I estimated being between $200 and $400.
>
> >  2) did tim's ganja fairy happen to visit you or are you drinking more
> >coffee
> >than usual.....:).....michael
>
> Funny you should mention that. Tim _did_ show up on my doorstep this weekend
> dressed as some sort of fairy. I didn't know it was him though, so I
> pretended not to be home.
>
> Matt
> _________________________________________________________________
> Get your FREE download of MSN Explorer at http://explorer.msn.com

that's funny. i saw an episode of *jackass* the other nite with a guy dressed
up as the *parking meter fairy*. he was going around putting change in people's
expired meters. he sorta got busted by the parking po-lice. looked a lot like
tim, come to think of it...

lance g.

ps: my 7-year-old just lost another tooth yesterday, so we got visited by THAT
fairy too...uh, tim?

From Loopers-Delight-request@loopers-delight.com  Mon Apr 23 14:34:06 2001
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Date: Mon, 23 Apr 2001 11:28:05 -0700
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From: rich <rich@nuvisionsca.com>
Subject: Re: Italian Cycloops
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italoop,

the part about it sucking...you directly translated that?

seems to me that the review had some concerns about price and some 
limitations, and the 'it sucks' part was your own personal addition. 
and you haven't tried it personally...  gee, that leaves your ass out 
in the wind a bit, doesn't it?

emmanual's pleasant response to you seems to indicate who's the 
reasonable man here, IMO.

your orville rules.....snore....oh, sorry, i drifted off there...what 
were you saying?


rich

ps.  any links to your music would be greatly appreciated




>SO WHAT?  I translated what I read there!   It seems that it sucks!!!
>according to the guy that  wrote that review...
>I don't know Cycloops, I didn't check it out at Frankfurt. This is the very
>first time I hear of that...PERIOD.
>All I can say is what I know about Repeater, since I had a demo of it!!!
>I hope that what I read and translated for Emmanuel what HE ASKED me to
>translate...that's it!!!
>If that is not true...KOOL!
>If that is TRUE well...he has to be embarassed...not me. He didn't even say
>"who" he "is"....
>
>In the mean time  MY ORVILLE rules....
>
>do your homeworX
>
>best  Italoop

From Loopers-Delight-request@loopers-delight.com  Mon Apr 23 14:56:25 2001
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From: "luca" <lucafeed@tin.it>
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Subject: Italian Cycloops
Date: Mon, 23 Apr 2001 20:52:01 +0200
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This matter has caught my curiosity, so I have mailed to the site keeper
where the review was asking him if they had tried the Cycloops or not.
His response was that he didn't make a test to Cycloops because he didn't
find one around.
His considerations were all about the fact that he had tried Cmx 5000
(Pioneer ??) that wasn't able to catch the groove of latin-american music.
So he reached the conclusion that latin-american music is a difficult thing
to be automatically catched......

On his review it was really difficult to understand he didn't tried the
Cycloops; it seems he did.

I am also disappointed he wrote it in that way.

About Italo's way of describing the translation, he tried to express the
mood in which it has been written.

I think the real bad story is that there is people who gives their judgement
on a public site about products they haven't seen or touched and this is
what Djlatino did.

my 2 liras (way less than 2 cents...)
luca

From Loopers-Delight-request@loopers-delight.com  Mon Apr 23 15:05:13 2001
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Date: Mon, 23 Apr 2001 13:42:02 -0500
From: jim palmer <jimp@pobox.com>
Subject: Re: loop structure idea
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come on.
you know you want one (kyma).
it'll make you cool.
it'll make you popular.
all the cool kids are doing it.

one of us.
one of us.
one of us.


----- Original Message ----- 
From: "rich" <rich@nuvisionsca.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, April 23, 2001 1:15 PM
Subject: Re: loop structure idea


> thanks for your responses, everyone.
> 
> i think Dennis gets the award for manifesting what i had in my head.
> 
> unfortunately, i don't think a kyma system is in my future!
> 
> *** NO MORE GEAR PURCHASES THIS YEAR...right, Cliff?  :)
> 
> seeya,
> 
> 
> rich
> 
> 
> 
> 
> 
> 
> >Interesting that you should mention this.
> >
> >I have Kyma loop structure that I call a "Fragmenter" that does pretty much
> >what you describe.  It works a little bit differently due to the internals
> >of Kyma.  For example, the subdivided loop implicitly multiplies to length
> >of the master loop due to the way slave loops are synced to master loops.
> >Also, you can adjust the Fragmenter structure however you like.  The most
> >fun seems to be with a random select of the particular fragement to play.
> >So after n repeats, a different fragment is looped.
> >
> >With one Fragmenter, it's fun to experiment with rhythms.  Say that my
> >original pattern of <Do Re Me Fa> consists of four variations of a groove,
> >then the Fragmenter with randomizing selections plays a constantly shifting
> >pattern.  For real fun, I tried two Fragmenters, one is a "master"
> >Fragmenter and the other is slaved to it.  The master is in the left and the
> >slave Fragmenter is in the right channel.  I played a different drum into
> >the master and slave, each with a pattern of variations.  Then sit back and
> >listen!  It sounds like two drummers playing variations back and forth.
> >Less is definitely more.  Simpler patterns produce a more cohesive sound.
> >
> >With one Fragmenter, I tried looping spoken word.  A good phrase is
> >something like, "This is a test,  Is it not? ----".  I spoke the words
> >equally spaced with a rest at the end.  On playback, you hear new sentences,
> >some of which is nonsense of course.  But you do hear things like, "Is it a
> >test.  This is not? ---- A test. ---  This is not? a test.  Test. Test.
> >This is a test. --- A test this is not?" etc.
> >
> >I saw the Fragmenter as a step to something I call a Fugue-ifier,  which you
> >can imagine what it would do.
> >
> >>  Could this subdivision be done behind the scenes?
> >
> >The computation of the loop points is determined by the length of the
> >original loop.  It takes one sample clock period to compute.  I use a 44.1
> >Khz sample rate so the subdivision takes about (1 / 44100) or about
> >0.0000227 seconds to setup.
> >
> >>How long would it take before you could access it?
> >
> >Nearly instantantly.
> >
> >>  Could you subdivide and multiply all 4 subdivision elements?
> >
> >Do you mean fragment the fragments?  Interesting idea.
> >
> >>  Then, could you switch between those subdivided loops in real time
> >>  while the original loop is playing?
> >
> >No problem.  The loops switching occurs at the end of each loop.  With some
> >effort it could occur immediately but I don't think that would sounds as
> >good.
> >
> >Dennis Leas
> >-------------------
> >dennis@mdbs.com
> 
> 

From Loopers-Delight-request@loopers-delight.com  Mon Apr 23 16:52:44 2001
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At 09:48 AM 4/23/01 -0700, Matt wrote:
>Funny you should mention that. Tim _did_ show up on my doorstep this weekend 
>dressed as some sort of fairy. I didn't know it was him though, so I 
>pretended not to be home.
>
>Matt

Well I never....

-t

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Subject: Re: Italian Cycloops
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I added that part, in consideration of what was written there! It is
obvious, even from the capital letters I used.
Now, Rich, I simply don't care about it. I don't know that box so I don't
know if it'good or not, neither I care for that.
I f the guy,DJlatino, wrote that "review" without checking the
unit...well...he is an asshole ! ! !
If the box sucks it sucks, if it doesn't IT DOESN'T....I added a SHORT and
FAST sum of THAT crap on that page.
You figure out if it works or not. The review didn't have only concerns
about price and some limitations...it REALLY says DON'T BUY IT...IT?S A
WASTE of MONEY!!!! You get this or you want me to translate that in LATIN &
ANCIENT GREEK for you? If it does or not...I don't know...probably it
doesn't...probably it sucks...you check it out.
if U are really interested in my music...go to the profiles area of this
list and get the link to my webpages...it's in English...for those of you
that speak only that in year 2001.
CIAO BELLA FAVA
Italo
----- Original Message -----
From: "rich" <rich@nuvisionsca.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, April 23, 2001 8:28 PM
Subject: Re: Italian Cycloops


> italoop,
>
> the part about it sucking...you directly translated that?
>
> seems to me that the review had some concerns about price and some
> limitations, and the 'it sucks' part was your own personal addition.
> and you haven't tried it personally...  gee, that leaves your ass out
> in the wind a bit, doesn't it?
>
> emmanual's pleasant response to you seems to indicate who's the
> reasonable man here, IMO.
>
> your orville rules.....snore....oh, sorry, i drifted off there...what
> were you saying?
>
>
> rich
>
> ps.  any links to your music would be greatly appreciated
>
>
>
>
> >SO WHAT?  I translated what I read there!   It seems that it sucks!!!
> >according to the guy that  wrote that review...
> >I don't know Cycloops, I didn't check it out at Frankfurt. This is the
very
> >first time I hear of that...PERIOD.
> >All I can say is what I know about Repeater, since I had a demo of it!!!
> >I hope that what I read and translated for Emmanuel what HE ASKED me to
> >translate...that's it!!!
> >If that is not true...KOOL!
> >If that is TRUE well...he has to be embarassed...not me. He didn't even
say
> >"who" he "is"....
> >
> >In the mean time  MY ORVILLE rules....
> >
> >do your homeworX
> >
> >best  Italoop
>

From Loopers-Delight-request@loopers-delight.com  Mon Apr 23 18:20:33 2001
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> You get this or you want me to translate that in LATIN &
>ANCIENT GREEK for you? 

Would that be Ancient or Medieval Latin?  ;-)

From Loopers-Delight-request@loopers-delight.com  Mon Apr 23 18:26:03 2001
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"Os eipon thamnon upeduseto dios odusseus"

3500 years old, from Omerus ODISSEA...good book...in greek...OLD one
----- Original Message ----- 
From: "James Pokorny" <j.pokorny@worldnet.att.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, April 24, 2001 12:17 AM
Subject: Re: Italian Cycloops


> > You get this or you want me to translate that in LATIN &
> >ANCIENT GREEK for you? 
> 
> Would that be Ancient or Medieval Latin?  ;-)
> 

From Loopers-Delight-request@loopers-delight.com  Mon Apr 23 18:49:04 2001
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From: Emmanuel PERILLE <perille@club-internet.fr>
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luca wrote:

> This matter has caught my curiosity, so I have mailed to the site keeper
> where the review was asking him if they had tried the Cycloops or not.
> His response was that he didn't make a test to Cycloops because he didn't
> find one around.
> His considerations were all about the fact that he had tried Cmx 5000
> (Pioneer ??) that wasn't able to catch the groove of latin-american music.
> So he reached the conclusion that latin-american music is a difficult thing
> to be automatically catched......
>
> On his review it was really difficult to understand he didn't tried the
> Cycloops; it seems he did.
>
> I am also disappointed he wrote it in that way.
>
> About Italo's way of describing the translation, he tried to express the
> mood in which it has been written.
>
> I think the real bad story is that there is people who gives their judgement
> on a public site about products they haven't seen or touched and this is
> what Djlatino did.
>
> my 2 liras (way less than 2 cents...)
> luca

Thank you for your clever point of view Luca, and also thanks for your email to
DJLatino

I had an email from DJlatino today. He explained me he doubted about the
capacity of Cycloops to "hear" some salsa tempos. I sent him back an email to
him, see below ...

Dealing with CMX5000 BPM limits, it sounds good to me to have chosen Redsound
rather than Pioneer even if they would have accepted (which I doubt of course)

Except I must admit Cycloops doesn't like very much some heavy bass lines,
otherwise it works pretty fine and follows salsa tempo variations quite
correctly.

EP

********************* copy of my answer to DJLatino ********************

InfoDJLatino.net wrote:

> First of all excuse me for my english !!

No problem, thanks to Italoop on Loopers' Delight, I can read your Italian

> I have answer to your question directly if you write to me.

First, thanks for your email

> In my review I have write that I hope that "cycloop" work with salsa music.
> Take in consideration that some latin djs think that when I mix "in tempo"
> salsa music woth the pc , imagine me that download music into hard disk and
> say to computer "now mix on tempo and on rythm" like Merlin !!!
> Sometimes I have problem to do loops with ReCycle , because salsa is a mix
> of rhythm and sound and sometimes the tempo is made by the clave and its a
> sound very different of drum of dance music.
>
> Waiting your reply.
>
> Ernesto
>
> www.djlatino.net
> info@djlatino.net

Ernesto,

It's true Salsa is usually live music, and any live music usually makes the
tempo jitter a bit.

Nevertheless, I find salsa more and more accurate in BPM nowadays rather than
in the pass, since musicians are used to play with machines now. Believe me, I
can feel it with every cyclic sampling prototype I have built before designing
Cycloops for Redsound.

And Redsound has developped what they called the BPM engine V2 which follows
live tempo variations. I have just tried Cycloops this afternoon for you, and
the result is very surprising. Salsa loops follow "Radio Latina 99Mhz FM" songs
quite good. You would be surprised.

I hope you will have the opportunity one day to check it out, really.

Comparing Cycloops to tiny samplers on mixers, well it's like comparing BMW
with 2CV

I have just tried Cycloops this morning in Paris at DMC-France, the guy says he
will not be interested in Cycloops to loop for scratching. He made me the
comparison with a Numark-KAOSS on which he can sample 5-sec, it seems he is
right in that case : a classical start/stop sampler is fairly enough to loop a
passage from a special scratching vynil (where samples are carved every 4 sec
with different tempos). I agree in that case Cycloops doesn't fit.

So I would rather suggest Cycloops to be exclusively focused for mix effect
(teckno, house ...)
And in that case it should be very appreciable !!!
Seamless loop + perfect start/stop points matching + perfect BPM tracking +
automatic record level

Cycloops is not a studio sampler, because exclusively designed for professional
DJs, not this kind of commercial term everybody seems to abused to declare
every potential purchaser, but the real pro DJ, you know the ones who get paid
every month, how do they called this ? I got it !!! = a job.

Seriously, Cycloops have been mostly made for them. Because like any other job,
every one can sometimes feel in a bad mude, sick, worried by personnal problems
... Yeah, pro DJs are like everyone : humans !!! This is why I designed
Cycloops for, for this kind of people who sometimes are tired to mix the same
disk, at the same place, at the same time everyday, just to let people dance on
the floor, although this Pro DJ sometimes would like to play something else,
but no !!! He has to play commercial records because people come to clubs to
dance on the hits they listen to their favorite radio .... And in that case,
Cycloops is made for them, to let them dance on this fucky damned shit !!! "
Let me born a loop for them so I can have a drink meanwhile, Hey !! John, bring
me a Coke please !!! Feel thursty playing record on and on, all night long."

Yeah !!! Mixing can sometimes be a nightmare, even only a day per month, but at
this very moment, Thanks my Godness !!! I have my Holy Cycloops !!!

Cycloops might help anyway. The First direct-to-use fully automatic club
sampler, this is what it has been made for.

Furthermore, several loops put together makes interesting round effects, and
especially with salsa !!!
several times the same singers in chorus on your favorite song !!!

Believe me, Ernesto, maybe you would love it !!!

EP



From Loopers-Delight-request@loopers-delight.com  Mon Apr 23 18:53:18 2001
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Italo De Angelis wrote:

> "Os eipon thamnon upeduseto dios odusseus"
>
> 3500 years old, from Omerus ODISSEA...good book...in greek...OLD one
> ----- Original Message -----
> From: "James Pokorny" <j.pokorny@worldnet.att.net>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Tuesday, April 24, 2001 12:17 AM
> Subject: Re: Italian Cycloops
>
> > > You get this or you want me to translate that in LATIN &
> > >ANCIENT GREEK for you?
> >
> > Would that be Ancient or Medieval Latin?  ;-)
> >

Amen


From Loopers-Delight-request@loopers-delight.com  Mon Apr 23 18:57:55 2001
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THAT's A GOOD ONE ! ! !  Hi
----- Original Message ----- 
From: "Emmanuel PERILLE" <perille@club-internet.fr>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, April 24, 2001 12:42 AM
Subject: Re: Italian Cycloops


> Italo De Angelis wrote:
> 
> > "Os eipon thamnon upeduseto dios odusseus"
> >
> > 3500 years old, from Omerus ODISSEA...good book...in greek...OLD one
> > ----- Original Message -----
> > From: "James Pokorny" <j.pokorny@worldnet.att.net>
> > To: <Loopers-Delight@loopers-delight.com>
> > Sent: Tuesday, April 24, 2001 12:17 AM
> > Subject: Re: Italian Cycloops
> >
> > > > You get this or you want me to translate that in LATIN &
> > > >ANCIENT GREEK for you?
> > >
> > > Would that be Ancient or Medieval Latin?  ;-)
> > >
> 
> Amen
> 
> 

From Loopers-Delight-request@loopers-delight.com  Mon Apr 23 21:51:54 2001
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Date: Mon, 23 Apr 2001 18:46:06 -0700
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From: rich <rich@nuvisionsca.com>
Subject: Re: Italian Cycloops
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Italo,

thanks for the directions to some of your tunes.  got a chance to 
listen to both of them.

not exactly my cup of tea, but nice production.  i liked your duo 
piece much better than the quintet.  the quitet piece doesn't go 
anywhere really interesting, and i didn't hear anything that seemed 
like "unorthodox signal processing", although 22hz mp3's don't do 
much for nuances.  in your piece a nice ambience is set...like the 
drums and the fluctuating panning that happens to them.  then end 
where the guitar starts doing those fast trem bends...or that could 
be some signal processing...don't know...kinda interesting.

i'm definitely not the guy who's into what myself and friends would 
call "widdly widdly shit"  all the scale pyrotechnics and chops and 
such...seems like you're into that stuff, i would guess...could be 
wrong there.

and thanks for the english only insults...you seem like you're so 
intelligent and well read and smart enough to understand muliple 
languages, complex signal flows, etc.  which leaves me wondering why 
you feel you need to lash out your sometimes overbearing opinions at 
this list...?  oh sorry...somebody asked you to translate something 
about some crappy piece of gear that you say you don't care 
about...and then some american monolinguistic chump questioned you on 
your interpretation...(gasp, the horror)

poor guy...slumming with the idiots.

rich


>I added that part, in consideration of what was written there! It is
>obvious, even from the capital letters I used.
>Now, Rich, I simply don't care about it. I don't know that box so I don't
>know if it'good or not, neither I care for that.
>I f the guy,DJlatino, wrote that "review" without checking the
>unit...well...he is an asshole ! ! !
>If the box sucks it sucks, if it doesn't IT DOESN'T....I added a SHORT and
>FAST sum of THAT crap on that page.
>You figure out if it works or not. The review didn't have only concerns
>about price and some limitations...it REALLY says DON'T BUY IT...IT?S A
>WASTE of MONEY!!!! You get this or you want me to translate that in LATIN &
>ANCIENT GREEK for you? If it does or not...I don't know...probably it
>doesn't...probably it sucks...you check it out.
>if U are really interested in my music...go to the profiles area of this
>list and get the link to my webpages...it's in English...for those of you
>that speak only that in year 2001.
>CIAO BELLA FAVA
>Italo

From Loopers-Delight-request@loopers-delight.com  Mon Apr 23 23:39:40 2001
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Perhaps the quickest way to raise funds would be to charge a small fee to 
reveal the
always needed and oft pleaded for ability to unsubscribe from this list.

                             admission is free....leaving....ahh...ha..ha....

                                                              b.helm

From Loopers-Delight-request@loopers-delight.com  Tue Apr 24 03:25:23 2001
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Date: Tue, 24 Apr 2001 03:22:16 EDT
Subject: jamman power supply
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The day has come!  The much coveted power supply to my jamman has bitten the 
dust.  What am I to do?  None but the dod/digitech power supplies work for 
it.  Anyone know of a cheap source?  Help!!

                   aaroneous

From Loopers-Delight-request@loopers-delight.com  Tue Apr 24 05:02:31 2001
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Subject: OT: a hot street recorder
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I fell in love with:

http://www.nomadworld.com/products/jukebox-c/features.asp

- it eliminates the DAT to record shows (since it also records PCM 
not just MP3), which is great since we have always problems with 
tapes in tropical humidity.
- it eliminates the the car tape/CD player
- its much cheaper that DAT, tapes, CDs (that get lost in the car...)
- it allows much quicker transfer of the street recordings to the 
computer and of the ready music to listen in the car...
- there is enough space on the 6G HD to keep 50 hours of MP3 and 
still have space to record a 3 hour concert in PCM (.wav)
- with some luck it may even serve as a real time sound to USB 
converter (not in the specs)
- I hope its less vibration sensitive than DAT and CD players, but I 
am not sure since a HD can even definitively crash with a shock, 
right?

Is there any disadvantage I am not aware of?

Could someone of you please help me to send such unit to Brazil?

Thank you very much
-- 


          ---> http://Matthias.Grob.org

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To: Loopers-Delight@loopers-delight.com
Subject: RE: a hot street recorder
Date: Tue, 24 Apr 2001 04:39:31 -0500
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Matthias,
This really is as good as it looks; I've tried one in a local store and
they're great, (and they support MAC OS). All the reviews are giving it 85%
+. The UK price is £339 inc tax if you are interested but they would
probably be cheaper in the US. In the US they are called 'NOMAD' but in
Europe 'DAP' as a French company already had the name.
However, there are more of this type of device coming out all the time. I
saw a portable unit with a 60GB hard drive last month; It has a docking
station system so you can plug it in to your car, your HI-FI or
on-stage................neat!


> -----Original Message-----
> From: Matthias Grob [mailto:matthias@grob.org]
> Sent: 24 April 2001 10:03
> To: Loopers-Delight@loopers-delight.com
> Subject: OT: a hot street recorder
> 
> 
> I fell in love with:
> 
> http://www.nomadworld.com/products/jukebox-c/features.asp
> 
> - it eliminates the DAT to record shows (since it also records PCM 
> not just MP3), which is great since we have always problems with 
> tapes in tropical humidity.
> - it eliminates the car tape/CD player
> - its much cheaper that DAT, tapes, CDs (that get lost in the car...)
> - it allows much quicker transfer of the street recordings to the 
> computer and of the ready music to listen in the car...
> - there is enough space on the 6G HD to keep 50 hours of MP3 and 
> still have space to record a 3 hour concert in PCM (.wav)
> - with some luck it may even serve as a real time sound to USB 
> converter (not in the specs)
> - I hope its less vibration sensitive than DAT and CD players, but I 
> am not sure since a HD can even definitively crash with a shock, 
> right?
> 
> Is there any disadvantage I am not aware of?
> 
> Could someone of you please help me to send such unit to Brazil?
> 
> Thank you very much
> -- 
> 
> 
>           ---> http://Matthias.Grob.org
> 

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Subject: Drum sounds for looping ?
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Hi folks,

I got my new (used) zendrum last night.  Plugged into a synth module,
ran into my EDP, laid down some rhythm along with bass pedals, and then
drummed along for a *long* time.  Wow!  :)   This is going to be a great
way to create new sounds for me, but it underlines something I've known
to be a problem for quite a while - ho-hum drum sounds.  I have several
modules with drum kits - last night I was playing with my QSR and korg
NS5R, but none that really excel.  I'd particularly like some good
ethnic kits - a varied set of tablas that I can assign to some of those
24 triggers would be nice (as well as more "traditional" kits)  :)   Can
anyone recommend a drum module?

Thanks much,
Elby

From Loopers-Delight-request@loopers-delight.com  Tue Apr 24 06:49:49 2001
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Subject: Re: Drum sounds for looping ?
Date: Tue, 24 Apr 2001 20:38:37 +1000
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Elby,

I'd suggest a sampler as opposed to a drum module, that way you can
constantly change the drum sounds you have, even create your own. As far as
which sampler, anything with lots of ram and a harddrive.

Hope this helps,
Jeffo



----- Original Message -----
From: "Mountain Man" <mtman@cloud9.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, April 24, 2001 7:56 PM
Subject: Drum sounds for looping ?


> Hi folks,
>
> I got my new (used) zendrum last night.  Plugged into a synth module,
> ran into my EDP, laid down some rhythm along with bass pedals, and then
> drummed along for a *long* time.  Wow!  :)   This is going to be a great
> way to create new sounds for me, but it underlines something I've known
> to be a problem for quite a while - ho-hum drum sounds.  I have several
> modules with drum kits - last night I was playing with my QSR and korg
> NS5R, but none that really excel.  I'd particularly like some good
> ethnic kits - a varied set of tablas that I can assign to some of those
> 24 triggers would be nice (as well as more "traditional" kits)  :)   Can
> anyone recommend a drum module?
>
> Thanks much,
> Elby
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Apr 24 07:11:09 2001
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Date: Tue, 24 Apr 2001 04:06:05 -0700 (PDT)
From: John Tidwell <wedgehed@yahoo.com>
Subject: Kyma question for Dennis Leas....
To: Loopers Delight <Loopers-Delight@loopers-delight.com>
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Dennis,

Are you still using just the base Kyma system to
come up with all of your looping patches?

Also, what would be the closest Eventide equivilent
to a base Kyma system? Is it as powerful as the
Orville? If not, how many expansion cards does it take
to get there?

I've been reading the archives so I think I'm up to
speed on the relative advantages/disadvantages of
Kyma vs Eventide. I guess what I'm missing is the
comparative "bang for the buck" factor.

I realize that comparing the two can be difficult.
Just pretend that I'm holding a loaded gun to the
head of a struggling capybara!

Italo is welcome to chime in if he can overcome his
shyness.  :)
 

John


=====
John Tidwell




__________________________________________________
Do You Yahoo!?
Yahoo! Auctions - buy the things you want at great prices
http://auctions.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Tue Apr 24 07:54:58 2001
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From: "Italo De Angelis" <italoop@libero.it>
To: <Loopers-Delight@loopers-delight.com>
References: <20010424110605.97335.qmail@web10008.mail.yahoo.com>
Subject: EVENTIDE USERS GROUP ON LINE Tutorials..
Date: Tue, 24 Apr 2001 13:51:27 +0200
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John, Ray Reck set up an incredible Eventide Users group on Yahoo that works
in a very innovative way, better than any other I 've seen so far. We have a
20 mega files area with docs, pdf, txt, mp3s  AND sif, actual programs for
DSP4000/7000/Orville that any user can upload to his machine.Lots of infos
on ANYTHING. Everybody can put his files there for all the group. THEN we
also have a very functional CHAT section in which I give support world-wide
to Eventide users. We have a weekly appointment in which people from US,
Italy, Germany,Sweden and other countries get together and learn how to
program audio/control/interface aspects of Eventide platforms. The great
thing is that anybody can go to the Eventide webpages (www.eventide.com) and
download VSIGfile, a graphical (and txt editor) for ANY machine
(gtr/Dsp4000/4500/7000/75007Orville), swap machines databases and be on the
chat working all together on patches, having Vsig OPEN aside the chat page.
Then we e-mail each other programs, since Vsig can save them in very light
files that anybody can upload to his machine. It's working AWESOME and lots
of people are there...learning a lot.
We have people that don't have en Eventide yet BUT are learning its
programming structures and lingo, just by being there, following the on-line
tutorials (with lots of questions). These "wanna try it" people have Vsig on
their pcs and I send them a machine database so that it works. No other
place has these features to my knowledge. The Users Group works since last
November 29, in 4 months we are 153 people, including high end engineers,
betatesters, programmers, studio engineers, musicians and factory guys too.
Level and pro is pretty high. Lots of benefits to find out what is good for
what task or not, in the Eventide area...and more!!!  Lots of people from
Looper's Delight are there too. KYMa users are there too. It's a very
omnicomprehensive  and rewarding experience that I strongly advice anybody
to try.
Next "ON-LINE Tutorial Session" is fixed for tomorrow, Wednesday, at
midnight central Europe time, 6pm New York time, 3pm Los Angeles time.
I'd really like to meet you there (if YOU're not too shy!!!)!!!
these are the adresses:
Post message: eventide-users@yahoogroups.com
Subscribe:  eventide-users-subscribe@yahoogroups.com
Unsubscribe:  eventide-users-unsubscribe@yahoogroups.com
List owner:  eventide-users-owner@yahoogroups.com
URL to this page: http://groups.yahoo.com/group/eventide-users

everybody is VERY welcome

regards Italo


----- Original Message -----
From: "John Tidwell" <wedgehed@yahoo.com>
To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, April 24, 2001 1:06 PM
Subject: Kyma question for Dennis Leas....


> Dennis,
>
> Are you still using just the base Kyma system to
> come up with all of your looping patches?
>
> Also, what would be the closest Eventide equivilent
> to a base Kyma system? Is it as powerful as the
> Orville? If not, how many expansion cards does it take
> to get there?
>
> I've been reading the archives so I think I'm up to
> speed on the relative advantages/disadvantages of
> Kyma vs Eventide. I guess what I'm missing is the
> comparative "bang for the buck" factor.
>
> I realize that comparing the two can be difficult.
> Just pretend that I'm holding a loaded gun to the
> head of a struggling capybara!
>
> Italo is welcome to chime in if he can overcome his
> shyness.  :)
>
>
> John
>
>
> =====
> John Tidwell
>
>
>
>
> __________________________________________________
> Do You Yahoo!?
> Yahoo! Auctions - buy the things you want at great prices
> http://auctions.yahoo.com/
>

From Loopers-Delight-request@loopers-delight.com  Tue Apr 24 07:56:23 2001
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From: "Italo De Angelis" <italoop@libero.it>
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Subject: PLEASE STOP DJLATINO!
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Guys, this "genius" is asking sorry to anybody for his review, DONE WITHOUT
HAVING THE UNIT! ! !
Please, anybody able to stop the CRAP???
Italo

From Loopers-Delight-request@loopers-delight.com  Tue Apr 24 09:43:20 2001
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Date: Tue, 24 Apr 2001 09:40:40 -0400
Subject: Re: A hot street recorder
From: Steve Sandberg <stevesandberg@earthlink.net>
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> This message is in MIME format. Since your mail reader does not understand
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However, there are more of this type of device coming out all the time. I
saw a portable unit with a 60GB hard drive last month; It has a docking
station system so you can plug it in to your car, your HI-FI or
on-stage................neat!

----What is this portable 60GB unit? 

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<HTML>
<HEAD>
<TITLE>Re: A hot street recorder</TITLE>
</HEAD>
<BODY>
<FONT COLOR=3D"#FF0000">However, there are more of this type of device coming=
 out all the time. I<BR>
saw a portable unit with a 60GB hard drive last month; It has a docking<BR>
station system so you can plug it in to your car, your HI-FI or<BR>
on-stage................neat! <BR>
</FONT><BR>
 ----What is this portable 60GB unit?
</BODY>
</HTML>


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From Loopers-Delight-request@loopers-delight.com  Tue Apr 24 10:13:42 2001
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From: Andy Ewen <andy.ewen@trace-elliot.com>
To: Loopers-Delight@loopers-delight.com
Subject: RE: A hot street recorder
Date: Tue, 24 Apr 2001 09:05:02 -0500
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------_=_NextPart_001_01C0CCC7.8E30E0A0
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	charset="iso-8859-1"

  <http://www.mp3shopping.com/images/archoslg.jpg>
<javascript:openWindow('showproduct.asp?catid=14')> 
 
I can't remember where I saw the 60GB unit but I will post it when my brain
catches up. Meanwhile, here's a 20GB unit to be going on with. Check out:- 


  http://www.funmp3players.com/store/products.asp?id=1
<http://www.funmp3players.com/store/products.asp?id=1&cat=MP3%20Hardware>
&cat=MP3%20Hardware 
 
There's some Neo35 40GB MP3 players there.
Andy.

-----Original Message-----
From: Steve Sandberg [mailto:stevesandberg@earthlink.net]
Sent: 24 April 2001 14:41
To: Loopers-Delight@loopers-delight.com
Subject: Re: A hot street recorder


However, there are more of this type of device coming out all the time. I
saw a portable unit with a 60GB hard drive last month; It has a docking
station system so you can plug it in to your car, your HI-FI or
on-stage................neat! 

----What is this portable 60GB unit? 


------_=_NextPart_001_01C0CCC7.8E30E0A0
Content-Type: text/html;
	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META HTTP-EQUIV=3D"Content-Type" CONTENT=3D"text/html; =
charset=3Diso-8859-1">
<TITLE>Re: A hot street recorder</TITLE>

<META content=3D"MSHTML 5.50.4207.2601" name=3DGENERATOR></HEAD>
<BODY>
<DIV><IMG src=3D"http://www.mp3shopping.com/images/archoslg.jpg"><A=20
href=3D"javascript:openWindow('showproduct.asp?catid=3D14')"></A></DIV>
<DIV><STRONG><FONT color=3D#800000></FONT></STRONG>&nbsp;</DIV>
<DIV><SPAN class=3D780165613-24042001><FONT color=3D#800000><STRONG>I =
can't remember=20
where I saw the 60GB unit but I will post it when my brain catches up.=20
Meanwhile, here's a 20GB unit to be going on with. Check out:-
<TABLE height=3D150 width=3D567>
  <TBODY>
  <TR>
    <TD vAlign=3Dtop width=3D397 colSpan=3D5 height=3D146><FONT =
face=3DArial=20
      size=3D2><B><FONT color=3D#ff6600>
      <DIV><BR></FONT></B></FONT><STRONG><FONT face=3DArial =
color=3D#800000=20
      size=3D2>&nbsp;<FONT face=3D"Times New Roman" size=3D3><A=20
      =
href=3D"http://www.funmp3players.com/store/products.asp?id=3D1&amp;cat=3D=
MP3%20Hardware">http://www.funmp3players.com/store/products.asp?id=3D1&a=
mp;cat=3DMP3%20Hardware</A>&nbsp;</FONT></FONT></STRONG></DIV>
      <DIV><STRONG><FONT color=3D#800000></FONT></STRONG>&nbsp;</DIV>
      <DIV><SPAN class=3D780165613-24042001><FONT =
color=3D#800000><STRONG>There's=20
      some Neo35 40GB MP3 players there.</STRONG></FONT></SPAN></DIV>
      <DIV><SPAN class=3D780165613-24042001><STRONG><FONT=20
      =
color=3D#800000>Andy.</FONT></STRONG></SPAN></DIV></TD></TR></TBODY></TA=
BLE></STRONG></FONT></SPAN></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #800000 2px =
solid">
  <DIV class=3DOutlookMessageHeader dir=3Dltr align=3Dleft><FONT =
face=3DTahoma=20
  size=3D2>-----Original Message-----<BR><B>From:</B> Steve Sandberg=20
  [mailto:stevesandberg@earthlink.net]<BR><B>Sent:</B> 24 April 2001=20
  14:41<BR><B>To:</B> =
Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> Re:=20
  A hot street recorder<BR><BR></FONT></DIV><FONT =
color=3D#ff0000>However, there=20
  are more of this type of device coming out all the time. I<BR>saw a =
portable=20
  unit with a 60GB hard drive last month; It has a docking<BR>station =
system so=20
  you can plug it in to your car, your HI-FI =
or<BR>on-stage................neat!=20
  <BR></FONT><BR>----What is this portable 60GB unit? =
</BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue Apr 24 10:49:14 2001
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you can check out anytime you like,
but you can never leave...

----- Original Message ----- 
From: <Loopbozo@aol.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, April 23, 2001 10:36 PM
Subject: Re: TipJar? PayPal? Suggestions?


> Perhaps the quickest way to raise funds would be to charge a small fee to 
> reveal the
> always needed and oft pleaded for ability to unsubscribe from this list.
> 
>                              admission is free....leaving....ahh...ha..ha....
> 
>                                                               b.helm
> 

From Loopers-Delight-request@loopers-delight.com  Tue Apr 24 11:00:17 2001
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Subject: SV: jamman power supply
Date: Tue, 24 Apr 2001 16:57:22 +0200
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Hey,
I have one and I don't need it...
if you are interested mail...


Elias
-----Ursprungligt meddelande-----
Från: AaroneousAG@aol.com <AaroneousAG@aol.com>
Till: loopers-delight@loopers-delight.com <loopers-delight@loopers-delight.com>
Datum: den 24 april 2001 09:24
Ämne: jamman power supply


The day has come!  The much coveted power supply to my jamman has bitten the 
dust.  What am I to do?  None but the dod/digitech power supplies work for 
it.  Anyone know of a cheap source?  Help!!

                   aaroneous




From Loopers-Delight-request@loopers-delight.com  Tue Apr 24 11:47:45 2001
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Hi John,

> Are you still using just the base Kyma system to
> come up with all of your looping patches?

Most of them are a combination of standard Kyma algorithms and algorithms
from my Looper Construction Kit.  I'm using a standard (unexpanded) Capybara
320 with 4 DSPs.  It doesn't take a lot of the DSP horsepower to do stuff.
For example, running two of my Fragmenters consumes 1/2 of one DSP.

FYI, here's one line descriptions of my LCK prototype Sounds (aka
algorithms).  The descriptions are very terse and intended for people who
speak Kyma as a second language but you (and fellow LD members) might find
them interesting.  This list will be changing but it's fairly current.
--------------------------------------------
BiFuncKey - Decodes a MIDI key press to provide two control functions from a
single key
ClearWavetable - Quickly clear a wavetable in Capybara RAM
DupSamples - Duplicate part of a wavetable into another part of the same
wavetable when triggered
EDPButton - Sends MIDI commands to an Echoplex Digital Pro to simulate
pressing front panel buttons.  Permits the Capybara to control the Echoplex.
EventStateMachine - Implements a finite state machine driven by Event Values
GetLoopPoints - Reads the loop starting and ending points (LoopStart and
LoopEnd) from a looping wavetable
MasterLooper - This looper records and loops the Input signal and generates
an end-of-loop Event
OverdubLoop - When triggered, playbacks an existing looping wavetable,
optionally adds a new signal to the wavetable, and signals the end of the
loop
PlayLoop - Plays a looping wavetable when triggered and signals the end of
the playback
RecordLoop - Records Input into a looping wavetable while Gate is true
RecordSyncLoop - Records a looping wavetable while gate is true; with
synchronization features
SelfLoop - Plays a looping wavetable when triggered and signals the end of
the playback; with self-looping and synchronization features
SetLoopPoints - Sets the loop starting and ending points in a looping
wavetable
SimpleLooper - This looper records and loops the Input signal
SlaveLooper - This looper records and loops the Input signal in sync with
the SlaveSync
SyncGateEvent - Quantizes the Gate's changes to the Sync signal
SyncTriggerEvent - Quantizes the Trigger's leading edge to the Sync signal
SyncTriggerSound - Quantizes the Trigger's leading edge to the Sync signal
ZeroCrossingAdjust - Adjust LoopStart and LoopEnd points in a looping
wavetable for looping at a zero-crossing point
ZeroCrossingGate - Synchronizes Gate with zero-crossing point of Input

> Also, what would be the closest Eventide equivilent
> to a base Kyma system? Is it as powerful as the
> Orville? If not, how many expansion cards does it take
> to get there?

It's hard to compare.  The Orville is definitely the closest Eventide box.
In terms of horsepower, I'd say a basic Kyma system is more powerful since
you have more clock cycles and DSPs available.  The biggest difference is
that a Kyma system requires a host computer (Windows or Mac) attached at all
times.  For some customers this is a disadvantage.  One the other hand, Kyma
always has a keyboard, screen, and hard drive to use.  Although I've never
used an Orville, I believe it's probably easier to use than a Kyma system
and certainly easier to learn..  But that also means it's considerably less
flexible.

Here's another way to compare the two.  Say that I have both units.  Given a
function that both perform identically (say EQ), I'd probably choose an
Orville.  I could probably set it up quicker.  But the Kyma does a lot of
things that the Orville does not.  If I had to choose one unit, I wanted
maximum flexibility, and I could wait one to three months learning how to
use it, then I'd choose a Kyma system hands down.

When I was trying to decide whether to buy a Kyma system, I ordered the
manual from Symbolic Sound.  It's quite a comprehensive manual (Kyma-ites
call it the "phone book") and helped me to decide.  Recommended!

BTW, the May 2001 issue of Electronic Musician has a review of Kyma.  You
might find it good reading.

> I realize that comparing the two can be difficult.
> Just pretend that I'm holding a loaded gun to the
> head of a struggling capybara!

Careful!  Those things bite!  :)

Dennis Leas
-------------------
dennis@mdbs.com

From Loopers-Delight-request@loopers-delight.com  Tue Apr 24 12:48:35 2001
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Subject: Re: A hot street recorder
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Re: A hot street recorderThese things seem great--but is mp3 really =
equivalent to CD sound quality?

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<HTML><HEAD><TITLE>Re: A hot street recorder</TITLE>
<META content=3D"text/html; charset=3Diso-8859-1" =
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<DIV><FONT face=3DArial size=3D2>These things seem great--but is mp3 =
really=20
equivalent to CD sound quality?</FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue Apr 24 13:10:26 2001
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Subject: Re: A hot street recorder
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Re: A hot street recorder>These things seem great--but is mp3 really =
equivalent to CD sound quality?

Yes -- or better (or worse) based on sampling rate and quality of input =
(i.e. audio source, gear, audio-digital conversion etc.)

One quick note regarding the recording of live music: I haven't seen =
anything that records directly into MP3 format.  This site lists an =
upcoming product that will do that however:
http://www.archos.com/products/product_550002.html

The other item I saw records, but only in .wav format so you won't get =
any compression.  Depending on what sampling rate it records at, 6GB =
will get eaten up pretty fast.  Someone else can do the exact math, but =
I bet it's along the lines of 40 - 50 MB for a CD quality, stereo =
recording of 3 - 4 minutes.

I'll keep my MiniDisc for now (convenience/price/performance ratio), but =
could see myself going to an MP3 recorder eventually.

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD><TITLE>Re: A hot street recorder</TITLE>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
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<BODY bgColor=3D#ffffff><FONT face=3DArial size=3D2>
<DIV><FONT face=3DArial size=3D2>&gt;These things seem great--but is mp3 =
really=20
equivalent to CD sound quality?</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV>Yes -- or better (or worse) based on sampling rate and quality of =
input=20
(i.e. audio source, gear, audio-digital conversion etc.)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>One quick note regarding =
the&nbsp;recording of live=20
music: I haven't seen anything that records directly into MP3 =
format.&nbsp; This=20
site lists an upcoming product that will do that however:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.archos.com/products/product_550002.html">http://www.ar=
chos.com/products/product_550002.html</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>The other item I saw records, but only =
in .wav=20
format so you won't get any compression.&nbsp; Depending on what =
sampling rate=20
it records at, 6GB will get eaten up pretty fast.&nbsp; Someone else can =
do the=20
exact math, but I bet it's along the lines of 40 - 50 MB for a CD =
quality,=20
stereo recording of 3 - 4 minutes.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I'll keep my MiniDisc for now=20
(convenience/price/performance ratio), but could see myself going to an =
MP3=20
recorder eventually.</FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue Apr 24 13:39:04 2001
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Subject: RE: a hot street recorder
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http://www.kuren.org/jukebox/index.shtml

guy's taken the Nomad apart. interesting site.

> -----Original Message-----
> From: Matthias Grob [mailto:matthias@grob.org]
> Sent: Tuesday, April 24, 2001 2:03 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: OT: a hot street recorder
> 
> 
> I fell in love with:
> 
> http://www.nomadworld.com/products/jukebox-c/features.asp
> 
> - it eliminates the DAT to record shows (since it also records PCM 
> not just MP3), which is great since we have always problems with 
> tapes in tropical humidity.
> - it eliminates the the car tape/CD player
> - its much cheaper that DAT, tapes, CDs (that get lost in the car...)
> - it allows much quicker transfer of the street recordings to the 
> computer and of the ready music to listen in the car...
> - there is enough space on the 6G HD to keep 50 hours of MP3 and 
> still have space to record a 3 hour concert in PCM (.wav)
> - with some luck it may even serve as a real time sound to USB 
> converter (not in the specs)
> - I hope its less vibration sensitive than DAT and CD players, but I 
> am not sure since a HD can even definitively crash with a shock, 
> right?
> 
> Is there any disadvantage I am not aware of?
> 
> Could someone of you please help me to send such unit to Brazil?
> 
> Thank you very much
> -- 
> 
> 
>           ---> http://Matthias.Grob.org
> 

From Loopers-Delight-request@loopers-delight.com  Tue Apr 24 13:55:21 2001
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> Re: A hot street recorder>These things seem great--but is mp3 really
> equivalent to CD sound quality?
> 
> Yes -- or better (or worse) based on sampling rate and quality of input
> (i.e. audio source, gear, audio-digital conversion etc.)

What?!  While adaptive CODECs like MP3 and its cousin ATRAC 
(used in MDs and the late unlamented CD-I) are very impressive 
for the fidelity of their reproduction, I have yet to hear an
MP3 that's equal in quality to uncompressed CD sound quality.

A classic gotcha.  You record a concert on MD and one of
the instruments is too low.  But when you try to use 
EQ to bring the instrument out, all sorts of nasties 
occur (usually, the instrument is "muddy" because the
perceptual encoding has taken away all its bandwidth).

"Rooms" and tails of natural reverbs also take a nasty
hit with these compression methods, particularly if
there is a loud sound while the tail of a previous
sound is still echoing.


Now, if you started with a much better quality of uncompressed
recording, say 24-bit/96K, and didn't compress too much,
then it's perfectly conceivable that you would get something
as good, perhaps even better.  But I have yet to hear this
and I've listened to a LOT of compressed audio (and I'm not
THAT picky...)

If you start with 16/44 audio, it's absolutely impossible
for the compressed sound to be better than the original
and mathematically it's impossible for it to be the same
(though for a lot of applications it's impossible for me
to tell the difference at a low compression ratio, which
makes it "the same" as far as I'm concerned...)

Back to lurking now.

	/t

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>Matthias,
>This really is as good as it looks; I've tried one in a local store and
>they're great, (and they support MAC OS). All the reviews are giving it 85%
>+. The UK price is £339 inc tax

thats amazing: on their site, they offer it for US$ 270 which is 
probably less than I can get for my old portable DAT!

>  > http://www.nomadworld.com/products/jukebox-c/features.asp
>  >

I hope there is no problem like automatic input gain control or so...
-- 


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Tue Apr 24 18:22:52 2001
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From: Bret <echoplex@yahoo.com>
Subject: RE: a hot street recorder
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--- Matthias Grob <matthias@grob.org> wrote:

> I hope there is no problem like automatic input gain control or so...
Here is a drawback as noted on
http://www.kuren.org/jukebox/opinion.html
---
"No metering for the Recording mode (at least a clip indicator should
be there)"
----
Guess you would have to build your own meters into a microphone preamp
to be used with the nomad, and calibrate them to correlate to clipping
levels.  Else, live recording will be crapshoot.
bret

__________________________________________________
Do You Yahoo!?
Yahoo! Auctions - buy the things you want at great prices
http://auctions.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Tue Apr 24 19:06:56 2001
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Date: Tue, 24 Apr 2001 15:57:38 -0700 (PDT)
From: Stephen <dakshah@yahoo.com>
Subject: RE: a hot street recorder
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I was lusting after the nomad jukebox for live
recording, but have not jumped in to buy yet.  Good
points are that it records .wavs, not in a compressed
format, does not have 'auto-level' record mode but
lets you adjust the recording level as you record
(unlike sony minidisks), can be upgraded
(unofficially) to 20GB - at ~10 MB/minute, that's a
lot of time!.  

Problems are a potentially noisy line-in (can anyone
comfirm this? - see bottom of
http://www.kuren.org/jukebox/linein.html), slow
(multi-minute) boot time, short battery life, and the
lack of metering as noted below.  There are lots of
complaints about various things on discussion sites
such as
http://www.creativejukebox.com/jukebox/user/bboard/
and http://www.creative.com/services/news-server/

CreativeLabs came so close on this one but miss the
mark IMHO...the firmware is user-upgradable - time may
tell.  I don't know of any other portable hard disk
recorder like this.

stephen
--- Bret <echoplex@yahoo.com> wrote:
> --- Matthias Grob <matthias@grob.org> wrote:
> > I hope there is no problem like automatic input
> gain control or so...
> Here is a drawback as noted on
> http://www.kuren.org/jukebox/opinion.html
> ---
> "No metering for the Recording mode (at least a clip
> indicator should
> be there)"
> ----
> Guess you would have to build your own meters into a
> microphone preamp
> to be used with the nomad, and calibrate them to
> correlate to clipping
> levels.  Else, live recording will be crapshoot.
> bret


=====
Stephen

__________________________________________________
Do You Yahoo!?
Yahoo! Auctions - buy the things you want at great prices
http://auctions.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Tue Apr 24 22:48:12 2001
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References: <200104241750.NAA02822@www.editeverything.com>
Subject: OT For sale: A hot street recorder
Date: Tue, 24 Apr 2001 19:57:27 -0700
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I have a Sony TCD-8 with a custom set of binaural microphones, power supply
and a ton of blank, never used tapes for sale for $375, obo. Less than 20
hours of use. (More like 10). It's in pristine condition.

The binaural microphone pair captures the sound as it enters the ear, so you
get the >perfect< stereo spread. It's good for regular applications too.

Let me know if you're interested (off list of course),

Jonathan El-Bizri

----- Original Message -----
From: <tom@swirly.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, April 24, 2001 10:50 AM
Subject: Re: A hot street recorder


> > Re: A hot street recorder>These things seem great--but is mp3 really
> > equivalent to CD sound quality?
> >
> > Yes -- or better (or worse) based on sampling rate and quality of input
> > (i.e. audio source, gear, audio-digital conversion etc.)
>
> What?!  While adaptive CODECs like MP3 and its cousin ATRAC
> (used in MDs and the late unlamented CD-I) are very impressive
> for the fidelity of their reproduction, I have yet to hear an
> MP3 that's equal in quality to uncompressed CD sound quality.
>
> A classic gotcha.  You record a concert on MD and one of
> the instruments is too low.  But when you try to use
> EQ to bring the instrument out, all sorts of nasties
> occur (usually, the instrument is "muddy" because the
> perceptual encoding has taken away all its bandwidth).
>
> "Rooms" and tails of natural reverbs also take a nasty
> hit with these compression methods, particularly if
> there is a loud sound while the tail of a previous
> sound is still echoing.
>
>
> Now, if you started with a much better quality of uncompressed
> recording, say 24-bit/96K, and didn't compress too much,
> then it's perfectly conceivable that you would get something
> as good, perhaps even better.  But I have yet to hear this
> and I've listened to a LOT of compressed audio (and I'm not
> THAT picky...)
>
> If you start with 16/44 audio, it's absolutely impossible
> for the compressed sound to be better than the original
> and mathematically it's impossible for it to be the same
> (though for a lot of applications it's impossible for me
> to tell the difference at a low compression ratio, which
> makes it "the same" as far as I'm concerned...)
>
> Back to lurking now.
>
> /t
>
> ---------------------------------------------
> This message was sent using Endymion MailMan.
> http://www.endymion.com/products/mailman/
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Apr 25 00:10:23 2001
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About a week ago, I posted an email that this site that seemed to 
erroneously suggest that Tim Nelson showed up at my house dressed as a 
fairy. I would like to take a moment to point out that if anybody 
misunderstood my message to suggest such a silly thing, then it was an 
incorrect interpretation of the words that I evidently did not choose 
wisely.

To clear up any possible confusion, Tim Nelson absolutely DID NOT show up at 
my house dressed as a fairy. In fact, at the moment discussed in my email, 
Tim was most likely at home doing something extremely masculine, like fixing 
a car or boxing or something.

Apologies,

Matt Davignon
_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Wed Apr 25 00:47:40 2001
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Is a wand being held to your head?

John


--- matt davignon <mattdavignon@hotmail.com> wrote:
> About a week ago, I posted an email that this site
> that seemed to 
> erroneously suggest that Tim Nelson showed up at my
> house dressed as a 
> fairy. I would like to take a moment to point out
> that if anybody 
> misunderstood my message to suggest such a silly
> thing, then it was an 
> incorrect interpretation of the words that I
> evidently did not choose 
> wisely.
> 
> To clear up any possible confusion, Tim Nelson
> absolutely DID NOT show up at 
> my house dressed as a fairy. In fact, at the moment
> discussed in my email, 
> Tim was most likely at home doing something
> extremely masculine, like fixing 
> a car or boxing or something.
> 
> Apologies,
> 
> Matt Davignon
>
_________________________________________________________________
> Get your FREE download of MSN Explorer at
> http://explorer.msn.com
> 


=====
John Tidwell




__________________________________________________
Do You Yahoo!?
Yahoo! Auctions - buy the things you want at great prices
http://auctions.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Wed Apr 25 01:33:31 2001
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I heard fairies wear boots, is there any truth to that? Maybe the boots
have something to do with looping. 

Will

John Tidwell wrote:
> 
> Is a wand being held to your head?
> 
> John
> 
> --- matt davignon <mattdavignon@hotmail.com> wrote:
> > About a week ago, I posted an email that this site
> > that seemed to
> > erroneously suggest that Tim Nelson showed up at my
> > house dressed as a
> > fairy. I would like to take a moment to point out
> > that if anybody
> > misunderstood my message to suggest such a silly
> > thing, then it was an
> > incorrect interpretation of the words that I
> > evidently did not choose
> > wisely.
> >
> > To clear up any possible confusion, Tim Nelson
> > absolutely DID NOT show up at
> > my house dressed as a fairy. In fact, at the moment
> > discussed in my email,
> > Tim was most likely at home doing something
> > extremely masculine, like fixing
> > a car or boxing or something.
> >
> > Apologies,
> >
> > Matt Davignon
> >
> _________________________________________________________________
> > Get your FREE download of MSN Explorer at
> > http://explorer.msn.com
> >
> 
> =====
> John Tidwell
> 
> __________________________________________________
> Do You Yahoo!?
> Yahoo! Auctions - buy the things you want at great prices
> http://auctions.yahoo.com/
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--------------0D4775AE310040AB29E6F984--

From Loopers-Delight-request@loopers-delight.com  Wed Apr 25 04:48:16 2001
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Date: Wed, 25 Apr 2001 01:45:46 -0700 (PDT)
From: John Tidwell <wedgehed@yahoo.com>
Subject: Thank you Dennis Leas...
To: Loopers Delight <Loopers-Delight@loopers-delight.com>
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I'll follow your advice & order the Kyma manual.

I've been lurking on the Eventide users site for the
past several months trying to pick up info on the
Eventide Eclipse. Unfortunately, lurking there means
reading Italo's posts on what he doing to Orville!
I would love to have an Orville. I simply can't afford
one. All of this got me thinking about Kyma again.

It's a classic case of gear-slut rationalization.
I slowly work myself up to possibly spend $2k on an
Eclipse (but I really want the Orville!) & then
realize that for ONLY $1k more I could have Kyma!

AAAAAARRRRRRRRGGGGGGGG!!!!!!!!

Thank you, I feel better now.

John



=====
John Tidwell




__________________________________________________
Do You Yahoo!?
Yahoo! Auctions - buy the things you want at great prices
http://auctions.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Wed Apr 25 07:18:24 2001
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From: "LEE, THANIEL I" <TLEE@IUSMail.IUS.Indiana.EDU>
To: Loopers-Delight@loopers-delight.com,
        "'mcess@prodigy.net'"
	 <mcess@prodigy.net>,
        "'klaw@konstant.com'" <klaw@konstant.com>
Subject: freeware nation
Date: Wed, 25 Apr 2001 06:55:44 -0400
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hey, its me thaniel, im trying to make a joke electro-techno band im going
to call it freeware nation, any have any sugestions on some nifty/cheesey
techno freeware. - your pal thaniel the wonder gimp
 i already have a 
TRACKER
A MIDI FRACTAL MUSIC GENERATOR
AND A CD BURNER

From Loopers-Delight-request@loopers-delight.com  Wed Apr 25 08:20:06 2001
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Date: Wed, 25 Apr 2001 08:17:28 -0400
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From: Tim Nelson <tcn62@ici.net>
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At 09:06 PM 4/24/01 -0700, Matt "Kitten" Davignon wrote:
>Tim was most likely at home doing something extremely masculine, like fixing 
>a car or boxing or something.

Actually, I WAS changing the oil in my van. I'll admit that I was wearing
the wings from the ganja fairy suit to break them in, but they got really
dirty, so a trip to California was out of the question.

Can we get back to looping now? My new (used) long-scale lap steel has
integrated into my looping rig very nicely... Made itself right 't home, it
did.

Tim

ps: lap steel loopers may want to check these sites out:
<http://www.geocities.com/lapsteel.geo/>
<http://www.well.com/user/wellvis/tuning.html>

From Loopers-Delight-request@loopers-delight.com  Wed Apr 25 08:54:53 2001
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if any of ya'll are familiar w/ hafler's MP100T guitar preamp drop me a
line please, I need help

From Loopers-Delight-request@loopers-delight.com  Wed Apr 25 08:56:16 2001
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From: "Italo De Angelis" <italoop@libero.it>
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Subject: Re: Thank you Dennis Leas...
Date: Wed, 25 Apr 2001 14:53:08 +0200
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John, problem is Always the same!!! Only a few people really want to work
hard at things, in ANY field. On the Eventide users group there have been
many things going on, like offering presets to the whole community (more
than 300 are already available for FREE to everybody), talk about "how
to..s" and more. Now what can you say if people DO NOT contribute with their
works or their questions and answers? I tell you why...most of them didn't
do their hard work like others did. Still me and a few others are there
helping out users to learn to program their units, solve their problems. You
should see how many mails every day I get from all over the world from
people asking  to fix this or that or how to make up this function or else,
because their are VERY close to an important work, like a mix down or
mastering of cds, movies and more. Many even call or write TO BUY my
libraries or to have custom designed ones, from very simple programs up to
the more strange or hard to program. Still...only a few do their hard work
and only a few in that very small group are willing to "share" with the
whole group. Eventide tells users to call me for help...and I don't get paid
by them. You lost free counseling.
In your long lurking time You NEVER asked anything - Never contributed
W/questions or answers - never got in a chat to SEE what is going on almost
every night - vever downloade Vsig editor and asked for a databas to load
into it and see how does it feel to program an Eventide without even having
to buy it!!! all together we people doing this ir real time on the
chat!!!-you never did anything...and you're here to pretend
what??????????...or complining about my "too frequent" presence on that
list? Should say thanx ! ! !
At least the group is growing, more and more are TAKING active part in all
the new things going on. It's not my fault if "famous" people(...please no
names, just check them in the members list and if you have enough experience
in the field You're going to recognize lots of "who") don't contribute
actively; there are many reasons why this may happen:
1)They don't really have the time
2)They have an attitude like "I only sell my programs"
3)They are not able to do it yet
4)They are assholes willing others doing all for them and that's it or think
"community is kids stuff"
5)don't care at all
you might think of other reasons for it.
I'm sure of one thing, since the list is on, Eventide has sold many dozens
of their units; used gear worldwide market has seen lots of people buying
used Eventides, lots of people write to Eventide , being enthusiast for the
knowledge and service they get out of the group, like I'm sure it happens on
Looper's Delight too, with a different but similar products range and
quality.
I'm sorry if you didn't get useful infos for you,...I'm not sorry if you're
not getting an Eventide!!!. I love KYMAS as much as I love my 2 Orvilles,
Dsp4000, H3000D/SX, Lexicon Pcm80 and Jamman...and hopefully Repeater if
this painful LOOONG comedy about it will ever end ;-))  I'd really like to
couple Kyma to my set-up but you can't have EveryThing in your life.
I simply think Kyma is on top of many applications in the market...very
creative, VERY POWERFUL and I don't have stupid
"but" on or against it...Kyma is GREAT ! ! !
Problem is only You're complaining about a big knowledge free to anybody
that ONLY *YOU* didn't get!!! Neither you did anything to get it...sorry for
you...this attitude will be a bigger problem on a mighty platform like KYMA.
...and BTW, Orville,DSP7000//7500 manuals are FREELY downloadable from
Eventide website...don't need to request them or pay for...again, it was up
to YOU to get them. I hope you did ...but you never asked about
anything...we didn't notice your existence, needs and curiosities.
Best wishes Italo


----- Original Message -----
From: "John Tidwell" <wedgehed@yahoo.com>
To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, April 25, 2001 10:45 AM
Subject: Thank you Dennis Leas...


> I'll follow your advice & order the Kyma manual.
>
> I've been lurking on the Eventide users site for the
> past several months trying to pick up info on the
> Eventide Eclipse. Unfortunately, lurking there means
> reading Italo's posts on what he doing to Orville!
> I would love to have an Orville. I simply can't afford
> one. All of this got me thinking about Kyma again.
>
> It's a classic case of gear-slut rationalization.
> I slowly work myself up to possibly spend $2k on an
> Eclipse (but I really want the Orville!) & then
> realize that for ONLY $1k more I could have Kyma!
>
> AAAAAARRRRRRRRGGGGGGGG!!!!!!!!
>
> Thank you, I feel better now.
>
> John
>
>
>
> =====
> John Tidwell
>
>
>
>
> __________________________________________________
> Do You Yahoo!?
> Yahoo! Auctions - buy the things you want at great prices
> http://auctions.yahoo.com/
>

From Loopers-Delight-request@loopers-delight.com  Wed Apr 25 10:12:17 2001
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Subject: Re: freeware nation
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Taureg Free, www.brambos.com, you won't live without it.  It's
both nifty and cheesy (because it doesn't edit on zero
crossings).

God it's fun though.

Mike

----- Original Message -----
From: "LEE, THANIEL I" <TLEE@IUSMail.IUS.Indiana.EDU>
To: <Loopers-Delight@loopers-delight.com>; <mcess@prodigy.net>;
<klaw@konstant.com>
Sent: Wednesday, April 25, 2001 6:55 AM
Subject: freeware nation


> hey, its me thaniel, im trying to make a joke electro-techno
band im going
> to call it freeware nation, any have any sugestions on some
nifty/cheesey
> techno freeware. - your pal thaniel the wonder gimp
>  i already have a
> TRACKER
> A MIDI FRACTAL MUSIC GENERATOR
> AND A CD BURNER
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Apr 25 12:40:02 2001
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A masculine one...
-m

>>> wedgehed@yahoo.com 04/24/01 09:44PM >>>
Is a wand being held to your head?

John


--- matt davignon <mattdavignon@hotmail.com> wrote:
> About a week ago, I posted an email that this site
> that seemed to 
> erroneously suggest that Tim Nelson showed up at my
> house dressed as a 
> fairy. I would like to take a moment to point out
> that if anybody 
> misunderstood my message to suggest such a silly
> thing, then it was an 
> incorrect interpretation of the words that I
> evidently did not choose 
> wisely.
> 
> To clear up any possible confusion, Tim Nelson
> absolutely DID NOT show up at 
> my house dressed as a fairy. In fact, at the moment
> discussed in my email, 
> Tim was most likely at home doing something
> extremely masculine, like fixing 
> a car or boxing or something.
> 
> Apologies,
> 
> Matt Davignon
>
_________________________________________________________________
> Get your FREE download of MSN Explorer at
> http://explorer.msn.com 
> 


=====
John Tidwell




__________________________________________________
Do You Yahoo!?
Yahoo! Auctions - buy the things you want at great prices
http://auctions.yahoo.com/ 


From Loopers-Delight-request@loopers-delight.com  Wed Apr 25 13:05:05 2001
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just joined list today so i thought i'd say hi. i've had rebirth, just got 
an old version of recycle and a new version of Acid and am gonna start 
taking my electronic stuff to the next level with using these music apps. i 
do mostly acid and tech dnb stuff. i'm a guitarist so it plays a part in the 
music.

any los angeles members out there?

dino
_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Wed Apr 25 14:06:32 2001
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<html><DIV>
<P>I think it's perfectly fine that Tim Nelson showed up at your house dressed as a fairy.&nbsp; How liberated of him.&nbsp; It's about time all fairys came out of the closet and be heard......Right on Tim Nelson!!!!!&nbsp; Be Free</P>
<P>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Free the Fairys.............................................<BR><BR></P></DIV>
<DIV></DIV>
<DIV></DIV>&gt;From: "matt davignon" <MATTDAVIGNON@HOTMAIL.COM>
<DIV></DIV>&gt;Reply-To: Loopers-Delight@loopers-delight.com 
<DIV></DIV>&gt;To: loopers-delight@loopers-delight.com 
<DIV></DIV>&gt;Subject: correction 
<DIV></DIV>&gt;Date: Tue, 24 Apr 2001 21:06:39 -0700 
<DIV></DIV>&gt; 
<DIV></DIV>&gt;About a week ago, I posted an email that this site that seemed to 
<DIV></DIV>&gt;erroneously suggest that Tim Nelson showed up at my house dressed as 
<DIV></DIV>&gt;a 
<DIV></DIV>&gt;fairy. I would like to take a moment to point out that if anybody 
<DIV></DIV>&gt;misunderstood my message to suggest such a silly thing, then it was 
<DIV></DIV>&gt;an 
<DIV></DIV>&gt;incorrect interpretation of the words that I evidently did not 
<DIV></DIV>&gt;choose 
<DIV></DIV>&gt;wisely. 
<DIV></DIV>&gt; 
<DIV></DIV>&gt;To clear up any possible confusion, Tim Nelson absolutely DID NOT 
<DIV></DIV>&gt;show up at 
<DIV></DIV>&gt;my house dressed as a fairy. In fact, at the moment discussed in my 
<DIV></DIV>&gt;email, 
<DIV></DIV>&gt;Tim was most likely at home doing something extremely masculine, 
<DIV></DIV>&gt;like fixing 
<DIV></DIV>&gt;a car or boxing or something. 
<DIV></DIV>&gt; 
<DIV></DIV>&gt;Apologies, 
<DIV></DIV>&gt; 
<DIV></DIV>&gt;Matt Davignon 
<DIV></DIV>&gt;_________________________________________________________________ 
<DIV></DIV>&gt;Get your FREE download of MSN Explorer at http://explorer.msn.com 
<DIV></DIV>&gt; 
<DIV></DIV><br clear=all><hr>Get your FREE download of MSN Explorer at <a href="http://explorer.msn.com">http://explorer.msn.com</a><br></p></html>

From Loopers-Delight-request@loopers-delight.com  Wed Apr 25 14:37:47 2001
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X-Files: The truth is out there. 
Date: Wed, 25 Apr 2001 11:30:51 -0700
To: Loopers-Delight@loopers-delight.com
From: Sean <sean_@mindspring.com>
Subject: Re: Thank you Dennis Leas...
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What the hell are you going on about?!?   and why?  John didn't seem to 
indicate that he was considering getting an Orville.  He flat out said that 
he can't afford it.  Your ranting and rambling about lurking and 
participation in the 'Eventide community' isn't going to change that.


At 02:53 PM 4/25/2001 +0200, Italo wrote:
 >blah, blah, blah...

From Loopers-Delight-request@loopers-delight.com  Wed Apr 25 14:58:18 2001
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anyone know where i could get a pdf manual for Recycle 1.6?

thanks...db
_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Wed Apr 25 15:02:31 2001
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From: "Filacchione, Alex (ISSAtlanta)" <alexf@iss.net>
To: "'Phil Teague'" <Phil.Teague@2020Log.com>,
        "'Loopers-Delight@loopers-delight.com'"
	 <Loopers-Delight@loopers-delight.com>
Subject: RE: Digitec IPS 33B Urgently Required
Date: Wed, 25 Apr 2001 14:50:58 -0400
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First off, make sure you get a 33B and not a 33, but you rpobably already
know that!

I would check out some search engines on IPS33  (minus the "B" just in
case).  I have done this search many times.  MOST of what you will find is
recording studios' list of onboard gear, but you may also find stores with
used units for sale.  Sure, they are in the USA, but if you can find one for
cheap, the shipping, etc. will be worth it.

BTW, does anyone know of a good IPS33B webpage?  Perhaps with some settings
listed, or other info/discussions?  I have never been able to find one.

Alex F/Brain21

<--------========b21========-------->
Brain21 - www.brain21.net
www.mp3.com/Brain21
Buy individual songs @
http://www.nrmmusic.com/customcds.htm
<--------========b21========-------->


=>-----Original Message-----
=>From: Phil Teague [mailto:Phil.Teague@2020Log.com]
=>Sent: Monday, April 09, 2001 9:26 AM
=>To: 'Loopers-Delight@loopers-delight.com'
=>Subject: Digitec IPS 33B Urgently Required
=>
=>
=>> I had my Digitec IPS-33B smashed up in a road accident and 
=>am struggling
=>> to get a replacement.  
=>> 
=>Can anyone help me to locate a replacement as there doesn't 
=>seem to be any
=>available in the UK ?
=>
=>> Help!
=>> 
=>phil.teague@2020log.com
=>

From Loopers-Delight-request@loopers-delight.com  Wed Apr 25 15:03:03 2001
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I am pretty sure that it is a hard bypass.  BTW, the "Bypass" simply
bypasses teh effects, and not the actual unit.  IOW, it is NOT a TRUE
bypass, and the thing, even in bypass mode, drastically colors your tone!!!
(for better or worse, depending on your taste!).

I have mine set up w/ a Rolls Patchworx bypass, controlled via MIDI, but
have not fully programmed either device to the point where I want to add it
into my rig full time.

Alex F/Brain21

<--------========b21========-------->
Brain21 - www.brain21.net
www.mp3.com/Brain21
Buy individual songs @
http://www.nrmmusic.com/customcds.htm
<--------========b21========-------->


=>-----Original Message-----
=>From: Anthony.Hancock@ing.com.au [mailto:Anthony.Hancock@ing.com.au]
=>Sent: Tuesday, April 10, 2001 11:33 PM
=>To: loopers-delight@loopers-delight.com
=>Subject: Digitech ISP33B
=>
=>
=>I recently got a Digitech ISP33B with no manual and no 
=>footswitch.  I understand
=>the FS300 was the footswitch originally shipped with the ISP.
=>
=>However, can anyone give me an alternate footswitch to use 
=>other than going a
=>midi pedal board?
=>
=>All I want is to be able to bypass the effect.  At the moment 
=>I have I stuck in
=>a Boss LS2 Line Selector.
=>
=>Also do the delays/ reverberations etc tail off when the unit 
=>is bypassed or is
=>it a hard bypass - cuts off the effect totally
=>
=>Hope to hear back.
=>
=>Anthony
=>
=>NOTICE
=>The information contained in this electronic mail message is 
=>privileged and
=>confidential, and is intended only for use of the addressee.  
=>If you are not the
=>intended recipient, you are hereby notified that any 
=>disclosure, reproduction,
=>distribution or other use of this communication is strictly 
=>prohibited.  If you
=>have received this communication in error, please notify the 
=>sender by reply
=>transmission and delete the message without copying or disclosing it.
=>

From Loopers-Delight-request@loopers-delight.com  Wed Apr 25 15:08:39 2001
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From: "Filacchione, Alex (ISSAtlanta)" <alexf@iss.net>
To: "'Anthony.Hancock@ing.com.au'" <Anthony.Hancock@ing.com.au>,
        loopers-delight@loopers-delight.com
Subject: RE: Digitech ISP33B
Date: Wed, 25 Apr 2001 14:54:31 -0400
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Duh!  Forgot part of this post....


I believe that you HAVE to have the FS300.  A note, you must use a STEREO
patch cable with it (the foot switch).

Alex F/Brain21

<--------========b21========-------->
Brain21 - www.brain21.net
www.mp3.com/Brain21
Buy individual songs @
http://www.nrmmusic.com/customcds.htm
<--------========b21========-------->


=>-----Original Message-----
=>From: Anthony.Hancock@ing.com.au [mailto:Anthony.Hancock@ing.com.au]
=>Sent: Tuesday, April 10, 2001 11:33 PM
=>To: loopers-delight@loopers-delight.com
=>Subject: Digitech ISP33B
=>
=>
=>I recently got a Digitech ISP33B with no manual and no 
=>footswitch.  I understand
=>the FS300 was the footswitch originally shipped with the ISP.
=>
=>However, can anyone give me an alternate footswitch to use 
=>other than going a
=>midi pedal board?
=>
=>All I want is to be able to bypass the effect.  At the moment 
=>I have I stuck in
=>a Boss LS2 Line Selector.
=>
=>Also do the delays/ reverberations etc tail off when the unit 
=>is bypassed or is
=>it a hard bypass - cuts off the effect totally
=>
=>Hope to hear back.
=>
=>Anthony
=>
=>NOTICE
=>The information contained in this electronic mail message is 
=>privileged and
=>confidential, and is intended only for use of the addressee.  
=>If you are not the
=>intended recipient, you are hereby notified that any 
=>disclosure, reproduction,
=>distribution or other use of this communication is strictly 
=>prohibited.  If you
=>have received this communication in error, please notify the 
=>sender by reply
=>transmission and delete the message without copying or disclosing it.
=>

From Loopers-Delight-request@loopers-delight.com  Wed Apr 25 17:01:14 2001
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To: Loopers-Delight@loopers-delight.com
Subject: Re: freeware nation
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One that I love is Sound Raider, there is a free version and I bought the full
$15 version. Its so cool and it does nothing but run through your hard drive
playing, um mangling wavs. Wonderfuly horrible! You can check it out at
http://www.andyw.com/raider/

jd

"LEE, THANIEL I" wrote:

> hey, its me thaniel, im trying to make a joke electro-techno band im going
> to call it freeware nation, any have any sugestions on some nifty/cheesey
> techno freeware. - your pal thaniel the wonder gimp
>  i already have a
> TRACKER
> A MIDI FRACTAL MUSIC GENERATOR
> AND A CD BURNER

From Loopers-Delight-request@loopers-delight.com  Wed Apr 25 17:27:21 2001
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From: "luca" <lucafeed@tin.it>
To: <Loopers-Delight@loopers-delight.com>
Subject: edp for sale
Date: Wed, 25 Apr 2001 23:17:44 +0200
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anyone in Europe interested in a full loaded Oberheim Echoplex with pedal
board ?
well, I'd have no problems in sending it anywhere,

just let me know.

luca

From Loopers-Delight-request@loopers-delight.com  Wed Apr 25 17:31:45 2001
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Date: Wed, 25 Apr 2001 16:24:20 -0500
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Subject: Re: freeware nation
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Greetings Fellow Loopers,

I think this site http://f6.co.nz/artificial/main.html would be great for the soon to be famous joke electro-techno band Freeware Nation, and anyone else looking for some free software and samples...etc...

Does anyone out there own a Yamaha DDS-20M Digital Delay Sampler pedal?  I just won the high bid for one on e-bay and supposedly it has 2 sec. of delay/sample time.  It was cheap!  $51, but I can't find any info online about this pedal.  I have 3 of the old Digitech PDS series pedals and love 'em, so that's why I'm interested in this Yamaha.  

Ted

> hey, its me thaniel, im trying to make a joke electro-techno band im going
> to call it freeware nation, any have any sugestions on some nifty/cheesey
> techno freeware. - your pal thaniel the wonder gimp


From Loopers-Delight-request@loopers-delight.com  Wed Apr 25 17:45:09 2001
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Yes, maybe but the price?
Let me know, Luca...are you italian?

> anyone in Europe interested in a full loaded Oberheim Echoplex with pedal
> board ?
> well, I'd have no problems in sending it anywhere,
> 
> just let me know.
> 
> luca
> 
> 

From Loopers-Delight-request@loopers-delight.com  Wed Apr 25 18:12:30 2001
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I am Italian and I live in Italy Massimo ...

----- Original Message -----
From: Massimo Liverani <massliv@dada.it>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, April 25, 2001 11:38 PM
Subject: R: edp for sale (price?)


> Yes, maybe but the price?
> Let me know, Luca...are you italian?
>
> > anyone in Europe interested in a full loaded Oberheim Echoplex with
pedal
> > board ?
> > well, I'd have no problems in sending it anywhere,
> >
> > just let me know.
> >
> > luca
> >
> >
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Apr 25 18:14:17 2001
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This is a multi-part message in MIME format.

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Tim's extremely liberated, and a great proponent of the Freedom of the =
Individual.  Why, in some quarters he's even referred to as "Tim Nelson =
Mandela"
    -----Original Message-----
    From: David Potter <papadave55@hotmail.com>
    To: Loopers-Delight@loopers-delight.com =
<Loopers-Delight@loopers-delight.com>
    Date: Wednesday, April 25, 2001 2:05 PM
    Subject: Re: correction
   =20
   =20
    I think it's perfectly fine that Tim Nelson showed up at your house =
dressed as a fairy.  How liberated of him.  It's about time all fairys =
came out of the closet and be heard......Right on Tim Nelson!!!!!  Be =
Free

                                                      Free the =
Fairys.............................................
   =20
   =20

    >From: "matt davignon"=20
    >Reply-To: Loopers-Delight@loopers-delight.com=20
    >To: loopers-delight@loopers-delight.com=20
    >Subject: correction=20
    >Date: Tue, 24 Apr 2001 21:06:39 -0700=20
    >=20
    >About a week ago, I posted an email that this site that seemed to=20
    >erroneously suggest that Tim Nelson showed up at my house dressed =
as=20
    >a=20
    >fairy. I would like to take a moment to point out that if anybody=20
    >misunderstood my message to suggest such a silly thing, then it was =

    >an=20
    >incorrect interpretation of the words that I evidently did not=20
    >choose=20
    >wisely.=20
    >=20
    >To clear up any possible confusion, Tim Nelson absolutely DID NOT=20
    >show up at=20
    >my house dressed as a fairy. In fact, at the moment discussed in my =

    >email,=20
    >Tim was most likely at home doing something extremely masculine,=20
    >like fixing=20
    >a car or boxing or something.=20
    >=20
    >Apologies,=20
    >=20
    >Matt Davignon=20
    >_________________________________________________________________=20
    >Get your FREE download of MSN Explorer at http://explorer.msn.com=20
    >=20
   =20

-------------------------------------------------------------------------=
---   =20
    Get your FREE download of MSN Explorer at http://explorer.msn.com



------=_NextPart_000_0015_01C0CDB3.3F41F0A0
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
<HTML>
<HEAD>

<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type>
<META content=3D'"MSHTML 4.72.3110.7"' name=3DGENERATOR>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT color=3D#000000>Tim's extremely liberated, and a great =
proponent of the=20
Freedom of the Individual.&nbsp; Why, in some quarters he's even =
referred to as=20
&quot;Tim Nelson Mandela&quot;</FONT></DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 solid 2px; MARGIN-LEFT: 5px; PADDING-LEFT: =
5px">
    <DIV><FONT face=3DArial size=3D2><B>-----Original =
Message-----</B><BR><B>From:=20
    </B>David Potter &lt;<A=20
    =
href=3D"mailto:papadave55@hotmail.com">papadave55@hotmail.com</A>&gt;<BR>=
<B>To:=20
    </B><A=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
    &lt;<A=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>&gt;<BR><B>Date:=20
    </B>Wednesday, April 25, 2001 2:05 PM<BR><B>Subject: </B>Re:=20
    correction<BR><BR></DIV></FONT>
    <DIV>
    <P>I think it's perfectly fine that Tim Nelson showed up at your =
house=20
    dressed as a fairy.&nbsp; How liberated of him.&nbsp; It's about =
time all=20
    fairys came out of the closet and be heard......Right on Tim=20
    Nelson!!!!!&nbsp; Be Free</P>
    =
<P>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;=20
    Free the=20
    =
Fairys.............................................<BR><BR></P></DIV>
    <DIV></DIV>
    <DIV></DIV>&gt;From: &quot;matt =
davignon&quot;<MATTDAVIGNON@HOTMAIL.COM>=20
    <DIV></DIV>&gt;Reply-To: Loopers-Delight@loopers-delight.com=20
    <DIV></DIV>&gt;To: loopers-delight@loopers-delight.com=20
    <DIV></DIV>&gt;Subject: correction=20
    <DIV></DIV>&gt;Date: Tue, 24 Apr 2001 21:06:39 -0700=20
    <DIV></DIV>&gt;=20
    <DIV></DIV>&gt;About a week ago, I posted an email that this site =
that=20
    seemed to=20
    <DIV></DIV>&gt;erroneously suggest that Tim Nelson showed up at my =
house=20
    dressed as=20
    <DIV></DIV>&gt;a=20
    <DIV></DIV>&gt;fairy. I would like to take a moment to point out =
that if=20
    anybody=20
    <DIV></DIV>&gt;misunderstood my message to suggest such a silly =
thing, then=20
    it was=20
    <DIV></DIV>&gt;an=20
    <DIV></DIV>&gt;incorrect interpretation of the words that I =
evidently did=20
    not=20
    <DIV></DIV>&gt;choose=20
    <DIV></DIV>&gt;wisely.=20
    <DIV></DIV>&gt;=20
    <DIV></DIV>&gt;To clear up any possible confusion, Tim Nelson =
absolutely DID=20
    NOT=20
    <DIV></DIV>&gt;show up at=20
    <DIV></DIV>&gt;my house dressed as a fairy. In fact, at the moment =
discussed=20
    in my=20
    <DIV></DIV>&gt;email,=20
    <DIV></DIV>&gt;Tim was most likely at home doing something extremely =

    masculine,=20
    <DIV></DIV>&gt;like fixing=20
    <DIV></DIV>&gt;a car or boxing or something.=20
    <DIV></DIV>&gt;=20
    <DIV></DIV>&gt;Apologies,=20
    <DIV></DIV>&gt;=20
    <DIV></DIV>&gt;Matt Davignon=20
    =
<DIV></DIV>&gt;__________________________________________________________=
_______=20
   =20
    <DIV></DIV>&gt;Get your FREE download of MSN Explorer at=20
    http://explorer.msn.com=20
    <DIV></DIV>&gt;=20
    <DIV></DIV><BR clear=3Dall>
    <HR>
    Get your FREE download of MSN Explorer at <A=20
    href=3D"http://explorer.msn.com">http://explorer.msn.com</A><BR>
    <P></P></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0015_01C0CDB3.3F41F0A0--

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Miko wrote:


>A masculine one...
>-m


Would that be a "willie" Nelson?


>>>> wedgehed@yahoo.com 04/24/01 09:44PM >>>
>Is a wand being held to your head?
>
>John
>
>
>--- matt davignon <mattdavignon@hotmail.com> wrote:
>> About a week ago, I posted an email that this site
>> that seemed to 
>> erroneously suggest that Tim Nelson showed up at my
>> house dressed as a 
>> fairy. I would like to take a moment to point out
>> that if anybody 
>> misunderstood my message to suggest such a silly
>> thing, then it was an 
>> incorrect interpretation of the words that I
>> evidently did not choose 
>> wisely.
>> 
>> To clear up any possible confusion, Tim Nelson
>> absolutely DID NOT show up at 
>> my house dressed as a fairy. In fact, at the moment
>> discussed in my email, 
>> Tim was most likely at home doing something
>> extremely masculine, like fixing 
>> a car or boxing or something.
>> 
>> Apologies,
>> 
>> Matt Davignon
>>
>_________________________________________________________________
>> Get your FREE download of MSN Explorer at
>> http://explorer.msn.com 
>> 
>
>
>=====
>John Tidwell
>
>
>
>
>__________________________________________________
>Do You Yahoo!?
>Yahoo! Auctions - buy the things you want at great prices
>http://auctions.yahoo.com/ 
>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Apr 25 18:28:08 2001
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From: Richard Zvonar <zvonar@zvonar.com>
Subject: Re: Recycle
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At 11:50 AM -0700 4/25/01, Professor Vast wrote:
>anyone know where i could get a pdf manual for Recycle 1.6?

Don't know about 1.6, but the 1.7 manual is included in the ReCycle! demo.
-- 

______________________________________________________________
Richard Zvonar, PhD			zvonar@zvonar.com
(818) 788-2202 voice			zvonar@LCSaudio.com
(818) 788-2203 fax			zvonar@well.com

		 http://www.zvonar.com

   <http://www.live365.com/cgi-bin/directory.cgi?autostart=rz>

From Loopers-Delight-request@loopers-delight.com  Wed Apr 25 19:17:52 2001
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i got it....thanks for the info, it's gonna help out a lot. 

btw, i'm in the 818 area too -  where abouts are you?

db

----- Original Message ----- 
From: Richard Zvonar 
To: Loopers-Delight@loopers-delight.com 
Sent: Wednesday, April 25, 2001 3:20 PM
Subject: Re: Recycle


At 11:50 AM -0700 4/25/01, Professor Vast wrote:
>anyone know where i could get a pdf manual for Recycle 1.6?

Don't know about 1.6, but the 1.7 manual is included in the ReCycle! demo.
--

______________________________________________________________
Richard Zvonar, PhD zvonar@zvonar.com
(818) 788-2202 voice zvonar@LCSaudio.com
(818) 788-2203 fax zvonar@well.com

http://www.zvonar.com

   <http://www.live365.com/cgi-bin/directory.cgi?autostart=rz>

From Loopers-Delight-request@loopers-delight.com  Wed Apr 25 19:21:33 2001
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Professor Vast wrote:

> just joined list today so i thought i'd say hi. i've had rebirth, just got
> an old version of recycle and a new version of Acid and am gonna start
> taking my electronic stuff to the next level with using these music apps. i
> do mostly acid and tech dnb stuff. i'm a guitarist so it plays a part in the
> music.
>
> any los angeles members out there?
>
> dino
> _________________________________________________________________
> Get your FREE download of MSN Explorer at http://explorer.msn.com

hello dino, welcome to the list.

there are several of us in the los angeles area. i personally don't know much
of anything about recycle/acid/rebirth, etc., as my loop-generating/recording
system is somewhat old-school:

acoustic/electric/electronic instruments>mixer>edp>etc.>hard disc
recorder>burner

but there are those among us well versed in what you're using. you should find
interesting threads in the archive, if ya haven't checked it out already:

http://www.loopers-delight.com/cgi-bin/wilma/LDarchive

ciao,

lance g.

From Loopers-Delight-request@loopers-delight.com  Wed Apr 25 20:54:59 2001
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From: Tim Nelson <tcn62@ici.net>
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At 06:13 PM 4/25/01 -0400, you wrote:
>Miko wrote:
>Would that be a "willie" Nelson?

Sheeeeesh....

Look what you've started, Matt.

-t

From Loopers-Delight-request@loopers-delight.com  Wed Apr 25 21:59:09 2001
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In a message dated 4/25/01 1:02:07 PM Eastern Daylight Time, 
theliquidspace@hotmail.com writes:


> any los angeles members out there?
> 
welcome dino!.....michael


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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>In a message dated 4/25/01 1:02:07 PM Eastern Daylight Time, 
<BR>theliquidspace@hotmail.com writes:
<BR>
<BR>
<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">any los angeles members out there?
<BR></BLOCKQUOTE>
<BR>welcome dino!.....michael
<BR></FONT></HTML>

--part1_70.a00e0b4.2818da16_boundary--

From Loopers-Delight-request@loopers-delight.com  Wed Apr 25 22:18:56 2001
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In a message dated 4/25/01 8:49:17 PM Eastern Daylight Time, tcn62@ici.net 
writes:


> Sheeeeesh....
> 
> Look what you've started, Matt.
> 
> -t
> 

not to steal any of the well deserved attention that mr. nelson is 
getting.....but.....the final nite of the "one is born every min." tour ended 
tonite.....its odd (maybe not though) that no one claps but they will pull 
you aside and say something to the effect  that "that was nice, we liked 
it".....just what i needed, a new addiction!.....one person actually said 
"THANK YOU" and really seemed to mean it.....very hip.....i like this playin 
out thing.....and they buy you drinks.....:).....michael

p.s. i think tim nelson is a swell guy

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>In a message dated 4/25/01 8:49:17 PM Eastern Daylight Time, tcn62@ici.net 
<BR>writes:
<BR>
<BR>
<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">Sheeeeesh....
<BR>
<BR>Look what you've started, Matt.
<BR>
<BR>-t
<BR></BLOCKQUOTE>
<BR>
<BR>not to steal any of the well deserved attention that mr. nelson is 
<BR>getting.....but.....the final nite of the "one is born every min." tour ended 
<BR>tonite.....its odd (maybe not though) that no one claps but they will pull 
<BR>you aside and say something to the effect &nbsp;that "that was nice, we liked 
<BR>it".....just what i needed, a new addiction!.....one person actually said 
<BR>"THANK YOU" and really seemed to mean it.....very hip.....i like this playin 
<BR>out thing.....and they buy you drinks.....:).....michael
<BR>
<BR>p.s. i think tim nelson is a swell guy</FONT></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed Apr 25 22:25:00 2001
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From: "Candace Meyer" <healthquestrecruiter@earthlink.net>
To: <Loopers-Delight@loopers-delight.com>
References: <7783A141C794D4118AAA00306E00B0B1E8FEC3@msgatl06.iss.net>
Subject: Re: Digitec IPS 33B Urgently Required
Date: Wed, 25 Apr 2001 19:22:15 -0700
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Hey--
Just an update on this thread--I have an IPS-33b that I am shipping to
Phil--he's in a Queen tribute band.  I have had my IPS in storage for YEARS
so it's great to supply it to someone who is putting it to use--plus I get
to keep the handheld programmer which works on my PMC-10!
Gary

From Loopers-Delight-request@loopers-delight.com  Thu Apr 26 00:01:50 2001
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At 4:12 PM -0700 4/25/01, Professor Vast wrote:
>i got it....thanks for the info, it's gonna help out a lot.
>
>btw, i'm in the 818 area too -  where abouts are you?

Sherman Oaks
-- 

______________________________________________________________
Richard Zvonar, PhD			zvonar@zvonar.com
(818) 788-2202 voice			zvonar@LCSaudio.com
(818) 788-2203 fax			zvonar@well.com

		 http://www.zvonar.com

   <http://www.live365.com/cgi-bin/directory.cgi?autostart=rz>

From Loopers-Delight-request@loopers-delight.com  Thu Apr 26 01:13:50 2001
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burbank for me.

i'd love to hang with any local loopers!

tony

On Wed, 25 Apr 2001 20:45:06 -0700 Richard Zvonar <zvonar@zvonar.com>
writes:
> At 4:12 PM -0700 4/25/01, Professor Vast wrote:
> >i got it....thanks for the info, it's gonna help out a lot.
> >
> >btw, i'm in the 818 area too -  where abouts are you?
> 
> Sherman Oaks
> -- 
> 
> ______________________________________________________________
> Richard Zvonar, PhD			zvonar@zvonar.com
> (818) 788-2202 voice			zvonar@LCSaudio.com
> (818) 788-2203 fax			zvonar@well.com
> 
> 		 http://www.zvonar.com
> 
>    <http://www.live365.com/cgi-bin/directory.cgi?autostart=rz>
> 

From Loopers-Delight-request@loopers-delight.com  Thu Apr 26 02:28:02 2001
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Date: Wed, 25 Apr 2001 23:24:11 -0700 (PDT)
From: John Tidwell <wedgehed@yahoo.com>
Subject: Dear Italo,
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What we have here is...failure to communicate.

The reasons I have not posted anything on the Eventide
group are as follows:

a) there is nothing I could tell anyone there about
   an Eventide.
b) any questions that I had were answered by reading
   the archives.

In fact, I found answers to questions I had not even
considered asking yet.

As far as the Eclipse goes, I know that you have seen
one demo-ed & were impressed. I know that(according to
you) it has 40 seconds of delay time. I know that it
has 5 times the power of the H3000 series. I know that
Eventide is trying to include user favorites from
other Eventide boxes as part of its presets. I know
that it is not shipping yet. I also know that it is
the only product from Eventide that falls within my
budget.

I fear I may have offended you by writing....

"Unfortunately, lurking there means reading Italo's
posts on what he's doing to Orville!"

Italo, in truth, I meant that as a compliment, not a
slam. What I should have elaborated on was that
reading
your posts about your Orville patches are not only
entertaining, but informative & inspiring. My use of
the word "unfortunate" simply meant that you blew my
plan & presented me with a problem. The problem
being..
........I want what I can not have. Orville.

So, Italo, it is your fault that I'm even considering
Kyma. I hold you personally responsible for my
feelings
of unrequited lust, gear envy, & potential loss of
revenue. Not to mention being unfairly "italocized".
I may consult a lawyer. :)  :)  :)

John










=====
John Tidwell




__________________________________________________
Do You Yahoo!?
Yahoo! Auctions - buy the things you want at great prices
http://auctions.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Thu Apr 26 03:08:49 2001
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just for info's sake what are you using after edp exactly and how are the
results? jus wonderin...

goinloopy
stanner
----------
>From: lance glover <baumhaus@earthlink.net>
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: new member
>Date: Wed, Apr 25, 2001, 4:22 PM
>

>Professor Vast wrote:
>
>> just joined list today so i thought i'd say hi. i've had rebirth, just got




>hello dino, welcome to the list.
>acoustic/electric/electronic instruments>mixer>edp>etc.>hard disc
>recorder>burner
>
>ciao,
>
>lance g.
>

From Loopers-Delight-request@loopers-delight.com  Thu Apr 26 03:30:42 2001
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From: "Italo De Angelis" <italoop@libero.it>
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Date: Thu, 26 Apr 2001 09:25:38 +0200
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No problem, John...I feel better now!!!
Thanx   Italo



----- Original Message ----- 
From: "John Tidwell" <wedgehed@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, April 26, 2001 8:24 AM
Subject: Dear Italo,


> What we have here is...failure to communicate.
> 
> The reasons I have not posted anything on the Eventide
> group are as follows:
> 
> a) there is nothing I could tell anyone there about
>    an Eventide.
> b) any questions that I had were answered by reading
>    the archives.
> 
> In fact, I found answers to questions I had not even
> considered asking yet.
> 
> As far as the Eclipse goes, I know that you have seen
> one demo-ed & were impressed. I know that(according to
> you) it has 40 seconds of delay time. I know that it
> has 5 times the power of the H3000 series. I know that
> Eventide is trying to include user favorites from
> other Eventide boxes as part of its presets. I know
> that it is not shipping yet. I also know that it is
> the only product from Eventide that falls within my
> budget.
> 
> I fear I may have offended you by writing....
> 
> "Unfortunately, lurking there means reading Italo's
> posts on what he's doing to Orville!"
> 
> Italo, in truth, I meant that as a compliment, not a
> slam. What I should have elaborated on was that
> reading
> your posts about your Orville patches are not only
> entertaining, but informative & inspiring. My use of
> the word "unfortunate" simply meant that you blew my
> plan & presented me with a problem. The problem
> being..
> ........I want what I can not have. Orville.
> 
> So, Italo, it is your fault that I'm even considering
> Kyma. I hold you personally responsible for my
> feelings
> of unrequited lust, gear envy, & potential loss of
> revenue. Not to mention being unfairly "italocized".
> I may consult a lawyer. :)  :)  :)
> 
> John
> 
> 
> 
> 
> 
> 
> 
> 
> 
> 
> =====
> John Tidwell
> 
> 
> 
> 
> __________________________________________________
> Do You Yahoo!?
> Yahoo! Auctions - buy the things you want at great prices
> http://auctions.yahoo.com/
> 

From Loopers-Delight-request@loopers-delight.com  Thu Apr 26 04:27:00 2001
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From: SoundFNR@aol.com
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Date: Thu, 26 Apr 2001 04:23:40 EDT
Subject: Budget filters stupid name
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Has anyone come across a device called the
THC-00 Resinator  by FAT.
I've seen it available in UK, with a brief description
but can't find any info on the web=20
(isn't that the wrong way round altogether?)

apparently this device takes a mono signal
then puts it through 3 analogue filters and
then autopans it.
with LFO, envelope follower,
 and also CV input

and it's 1U rackmount

the ad said it was=20
'good for making loops interesting'=20
=20
at =A3150 that's a bit tempting

andy butler

From Loopers-Delight-request@loopers-delight.com  Thu Apr 26 04:51:13 2001
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Date: Thu, 26 Apr 2001 10:45:53 +0000
From: Claude Voit <c.voit@vtx.ch>
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SoundFNR@aol.com wrote:
> 
> Has anyone come across a device called the
> THC-00 Resinator  by FAT.

THC=00
the specs look like total CRAP by Amsterdam Coffee shop scale

> I've seen it available in UK, with a brief description
> but can't find any info on the web
> (isn't that the wrong way round altogether?)
> 
> apparently this device takes a mono signal
> then puts it through 3 analogue filters and

3 filter is complete NONSENSE by Amsterdam Coffee shop ISO

> then autopans it.
who can autopan with THC:00 ??
CRAP !!!!
> with LFO, envelope follower,
>  and also CV input
I NEVER endorsed this CRAPPY product

> and it's 1U rackmount
LOL
> the ad said it was
> 'good for making loops interesting'
are your loops un-interesting ?
get a life
 
> at £150 that's a bit tempting
is it 150 a pound ?

it a lot too much for THC:00

guys be pro once!!

Claude Voit

 



8=)

From Loopers-Delight-request@loopers-delight.com  Thu Apr 26 04:51:22 2001
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Date: Thu, 26 Apr 2001 01:47:52 -0700 (PDT)
From: John Tidwell <wedgehed@yahoo.com>
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Here's another interesting filter with little info
available.

http://formen.ign.com/news/30722.html

John


--- SoundFNR@aol.com wrote:
> Has anyone come across a device called the
> THC-00 Resinator  by FAT.
> I've seen it available in UK, with a brief
> description
> but can't find any info on the web 
> (isn't that the wrong way round altogether?)
> 
> apparently this device takes a mono signal
> then puts it through 3 analogue filters and
> then autopans it.
> with LFO, envelope follower,
>  and also CV input
> 
> and it's 1U rackmount
> 
> the ad said it was 
> 'good for making loops interesting' 
>  
> at £150 that's a bit tempting
> 
> andy butler
> 


=====
John Tidwell




__________________________________________________
Do You Yahoo!?
Yahoo! Auctions - buy the things you want at great prices
http://auctions.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Thu Apr 26 05:41:51 2001
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References: <3.0.5.32.20010425081728.007e8210@pop.ici.net>
Subject: Re: midi rolls & gig stuff
Date: Thu, 26 Apr 2001 10:22:08 +0100
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Just wanted to share my delight in my new looping interface. Thanks to my
new midi rolls pedal I have 4 switches and 4 pedals plugged up and sending
midi messages to Kyma. I used it for the first time live last night. Four
independant stereo delay lines, (3.6secs, 7.2s, 14.4s and 28.8s, (that's a
lot of secs for one night oops )) for some dense texturing/detexturing.
Keepng track of what I recorded where was the only problem.
Incidentally I decided to tell my audience what was going on in the sense
that I was live multitracking. A few people came up and said they
appreciated this information without which they would have assumed I was
using backing tracks.
PS I also used two Leslie speakers, (Dawson & Neilson) - I feel I'm getting
closer to, (lots of reverb) THE ULTIMATE RIG-
WHOOOHOHOHAHHAHAHAHHEHEHE.................

Gareth, (calming down now)

From Loopers-Delight-request@loopers-delight.com  Thu Apr 26 07:46:34 2001
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From: Tim Nelson <tcn62@ici.net>
Subject: Re: Budget filters stupid name
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At 04:23 AM 4/26/01 EDT, you wrote:
>Has anyone come across a device called the
>THC-00 Resinator  by FAT.
>I've seen it available in UK, with a brief description
>but can't find any info on the web 
>(isn't that the wrong way round altogether?)

I couldn't find much on it either, except for a couple of listings of used
ones for sale. I did find some reviews of other units made by FAT (which
stands for Freeform Analogue Technologies) and the general theme that ran
through those reviews was that the units seemed to be of fairly shoddy
construction. (The other units were a Roland Bassline clone [the Freebass]
and a vocoder [the Procoder PCP-somethingorother]. Sounds like the ganja
fairy's been at work in the UK with that drug-related nomenclature...)

-t

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From: SoundFNR@aol.com
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Date: Thu, 26 Apr 2001 08:19:56 EDT
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Claude wrote

> get a life

are these shipping yet?

andy 

(er he's just kidding ....right??)

From Loopers-Delight-request@loopers-delight.com  Thu Apr 26 10:52:01 2001
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SoundFNR@aol.com wrote:

> Claude wrote
>
> > get a life
>
> are these shipping yet?
>
> andy
>
> (er he's just kidding ....right??)

yeah please let me know about THAT product release, I am getting a
little tired of sitting in my room facinated by sound and the nature of
the universe

t


From Loopers-Delight-request@loopers-delight.com  Thu Apr 26 11:10:16 2001
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Why should YOU send YOUR loops to the Loopers Delight J?

10. you don't have a repeater yet

9. you don't know what else to do with that loop you made of
your keys jingling

8. you want me to stop mailing the list about this crap

7. you don't want to just hand your hard work over to somebody
halfway across the planet who's only going to sic some
frankenstein collection of hardware and software on it and
mangle the begeezes out of it ... wait a sec

6. the mere thought of a bunch of far east blokes packed in a
cute little lab and going wack on your loops nearly makes you
fall out of your chair laughing

5. you feel sorry for me

4. you need to clean up your hard drive, and audio takes up more
space than pictures

3. you just learned what ftp stands for, now use that power for
good!

2. you don't think you're going to make any royalties off of
that piece you composed entirely of snoring samples anyway

AND THE NUMBER ONE REASON!!! .....

....

....

....

....

....

....

....

....

1. you've tried to unsubscribe and you can't, YOU WANT
REVENGE!!!!

:-)

ftp://www.cavestudio.co.uk

user:  looper
pass: heaven

DEADLINE April 30th!!!!!!

I love you all!  Really!  Save me from my own loops, PLEASE!

Mike

From Loopers-Delight-request@loopers-delight.com  Thu Apr 26 12:03:23 2001
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well, I certainly don't want to piss anyone off and have to read
someones strongly held opinions and long winded rant but....

I came a cross a guy selling a used kyma system and I thought I'd give
the group a heads up because there has been a good amount of discussion
recently and in the past

I am not selling it, I have no interest in the sale, I bought an
interface from the gent and got a good deal and he was a good guy to
deal with, employed at motu, seems like a very reasonable sort, oh yeah
he's also looking to trade on other gear

heres a link to his page;

http://www.apocalypse.org/~matthew/sale

peace,    ya'll

From Loopers-Delight-request@loopers-delight.com  Thu Apr 26 14:42:57 2001
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References: <004601c0ce60$e5cd1960$6b44230a@mlameyer02> <3AE84573.36B69900@bellsouth.net>
Subject: Re: OT; kyma
Date: Thu, 26 Apr 2001 13:37:03 -0500
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> . . .
> I came a cross a guy selling a used kyma system and I thought I'd give
> the group a heads up because there has been a good amount of discussion
> recently and in the past
> . . .
> http://www.apocalypse.org/~matthew/sale

This could be a good deal, depending on his price.  But be aware that it's a
Capybara-66 instead of the latest, more powerful, Capybara-320.

Dennis Leas
-------------------
dennis@mdbs.com

From Loopers-Delight-request@loopers-delight.com  Thu Apr 26 14:44:23 2001
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stanitarium@earthlink.net wrote:

> just for info's sake what are you using after edp exactly and how are the
> results? jus wonderin...
>
> goinloopy
> stanner
> ----------
> >From: lance glover <baumhaus@earthlink.net>
> >To: Loopers-Delight@loopers-delight.com
> >Subject: Re: new member
> >Date: Wed, Apr 25, 2001, 4:22 PM
> >
>
> >Professor Vast wrote:
> >
> >> just joined list today so i thought i'd say hi. i've had rebirth, just got
>
> >hello dino, welcome to the list.
> >acoustic/electric/electronic instruments>mixer>edp>etc.>hard disc
> >recorder>burner
> >
> >ciao,
> >
> >lance g.
> >

oh, let's see...

after the edp it's mostly for signal enhancement, rather than effects
processsing, i.e. sometimes i go thru one of those little art tube mp preamps,
then into the recorder; and/or sometimes i compress things with a joemeek vc6;
but most often it goes straight into a vox ac15 or a fender twin, then mic'd
(sm57, akg c1000s) into either of those preamps, then it hits the recorder. i'm
happiest with the ac15 if i'm looping mostly guitar, i like that sound a lot. if
there are other sources, generally mic'd things- percussion & found stuff, i
tend not to use the amp; for keyboard i experiment with different amps- i
generally prefer this to a direct signal- my studio is fairly lively (concrete
floor, etc.) and i like trying to capture some of that room sound...

hope that helps!

best,
lance g.

From Loopers-Delight-request@loopers-delight.com  Thu Apr 26 16:10:51 2001
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Subject: Re: OT; kyma
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I wrote:
>I believe this Kyma system appeared on eBay a while back (that 
>seller was also employed by MoTU so I assume it's the same person). 
>It didn't sell, probably because the reserve price was close to the 
>price for a  fully loaded refurbished unit from Symbolic Sound.

A clarification:   Not "fully loaded."  The LS comes with two 
expansion cards, and is configured to have about the same processing 
power as the current generation of Capybara 320 hardware. According 
to Kurt Hebel at Symbolic, there are just a few of these available.

Personally, if I were to spring for a Kyma system I'd pay the $3,300 
for the latest generation, since that would provide 4-channel I/O and 
would be more fully  upgradeable.
-- 

______________________________________________________________
Richard Zvonar, PhD			zvonar@zvonar.com
(818) 788-2202 voice			zvonar@LCSaudio.com
(818) 788-2203 fax			zvonar@well.com

		 http://www.zvonar.com

   <http://www.live365.com/cgi-bin/directory.cgi?autostart=rz>

From Loopers-Delight-request@loopers-delight.com  Thu Apr 26 16:17:30 2001
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Hi All !

Claude was joking ;^)

This range of units are rebadged from the german MAM range .  Pretty 
silly names they used too .  (maybe even built in UK ?)

The resinator is a triple bandpass filter re-engineered from the 
resonator section of the legendary Korg PS3200 polysynth .  This was 
done by Juergen Haible, also responible for the Synthtech MOTM410 
triple resonator module .  Check out www.synthtech.com for more 
details .  One characteristic of these filters is that their 
frequency is controlled by Vactrol's (led-ldr) .

It gives a kind of chorusing effect .  No cheap Sherman or 
Moogerfooger i'm afraid .  Pretty nice tho .

Hope this helps .

Cheers .


Keep 'em oscillating :)


Hugo (back to lurking, and waiting for the EDP/Repeater in Belgium)
=

From Loopers-Delight-request@loopers-delight.com  Thu Apr 26 17:21:24 2001
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From: "L. E." <mr_nyce_guy@graffiti.net>
To: lance glover <baumhaus@earthlink.net>, Loopers-Delight@loopers-delight.com
Date: Fri, 27 Apr 2001 05:15:02 +0800
Subject: new member with some cool edit pro ????
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hey im a new member also!! woo hoo for me right?
hahaha anyways i have some questions about cool edit pro

1. How do i change the speed of a sample to accuratly fit it into a beat
I generally want to use a 4 x 4 beat for producing techno, house
but what i have been having problems with is i cant figure out a way in cool edit to change the speed (either lengthen or shorten a loop) 
say i took a gutiar sample and found where i wanted to be the begining and end of the loop. its clocked at about 70 bpm and i want this loop to fitin  so the line runs every 2 beats. at 150 im +10bpm. but where is any kind of speed control for cooledit pro??

2. Does anyone have a cracked version of acid (this would eliminate the need for the first question) as i can change sppens or let the computer match the beats (am i wrong about this?)

Bio: i have been djing around the sf area for about 2 years now, mostly cheesy disco house and tech house. I love jungle and breaks also. I have put on three partys in this area including "mission critical" , "doublemint", and "Save the Rave Forest". I have been djing under the name cool hand luke but i have begun to realize there is about 10 other djs with this name. I hope this list satisfys my need for some usefull producing info since i am just starting out. 


equip: I dont have much producing equipment other then my mixer Numark em460 with a built in kaoss pad. i have a cracked version of cool edit pro and  hammer head for some simple beat creation. Anyone have any full/cracked versions of other fun music softwares? im down to do a trade with my cool edit pro (worth i belive about 350$)




MrNyceGuy

"comes over to my place"
"gonna get you high, gonna make you fly!"

-- 
_______________________________________________
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From Loopers-Delight-request@loopers-delight.com  Thu Apr 26 17:30:04 2001
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Date: Thu, 26 Apr 2001 14:23:14 -0700
To: Loopers-Delight@loopers-delight.com
From: rich <rich@nuvisionsca.com>
Subject: Re: new member with some cool edit pro ????
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--============_-1223802298==_ma============
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Welcome!

hope you enjoy the list.  lots of information traded here amidst gear 
lust, philosophy, ego wars, international semantics, good books to 
read, etiquette, fairy sightings and more!

however, from my experience, there isn't a lot of cracked software 
trading going on here, and many of the member have very justified 
opinions on pirated software that you might not agree with.  should 
be some of the arguments from both sides in the archives, if you're 
interested.

so enjoy the list, but i would suggest keeping your software trading 
discreet and off-list.

cheers,

rich


>hey im a new member also!! woo hoo for me right?
>hahaha anyways i have some questions about cool edit pro
>
>Anyone have any full/cracked versions of other fun music softwares? 
>im down to do a trade with my cool edit pro (worth i belive about 
>350$)
>
>MrNyceGuy
--============_-1223802298==_ma============
Content-Type: text/html; charset="us-ascii"

<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { margin-top: 0 ; margin-bottom: 0 }
 --></style><title>Re: new member with some cool edit pro
????</title></head><body>
<div>Welcome!</div>
<div><br></div>
<div>hope you enjoy the list.&nbsp; lots of information traded here
amidst gear lust, philosophy, ego wars, international semantics, good
books to read, etiquette, fairy sightings and more!</div>
<div><br></div>
<div>however, from my experience, there isn't a lot of cracked
software trading going on here, and many of the member have<i> very
justified</i> opinions on pirated software that you might not agree
with.&nbsp; should be some of the arguments from both sides in the
archives, if you're interested.</div>
<div><br></div>
<div>so enjoy the list, but i would suggest keeping your software
trading discreet and off-list.</div>
<div><br></div>
<div>cheers,</div>
<div><br></div>
<div>rich</div>
<div><br></div>
<div><br></div>
<blockquote type="cite" cite>hey im a new member also!! woo hoo for
me right?</blockquote>
<blockquote type="cite" cite>hahaha anyways i have some questions
about cool edit pro<br>
</blockquote>
<blockquote type="cite" cite>Anyone have any full/cracked versions of
other fun music softwares? im down to do a trade with my cool edit
pro (worth i belive about 350$)</blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite>MrNyceGuy</blockquote>
</body>
</html>
--============_-1223802298==_ma============--

From Loopers-Delight-request@loopers-delight.com  Thu Apr 26 17:47:34 2001
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Date: Thu, 26 Apr 2001 18:45:33 -0300
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Thank you for this link, Neal:

>http://www.kuren.org/jukebox/index.shtml
>
>guy's taken the Nomad apart. interesting site.

really interesting.

There is a link to AudioRevew.com, where a revewer wrote:
>I have attempted to record a few of my old records digitally, and 
>keep getting a really annoying and extremely high pitch throughout 
>the recording (both with microphone and line-in recordings).

I wrote to the guy, but he did not answer yet.
None of the others write about recording, it does not seem to be the 
main use...

Bret found:
>Here is a drawback as noted on
>http://www.kuren.org/jukebox/opinion.html
>---
>"No metering for the Recording mode (at least a clip indicator should
>be there)"
>----
>Guess you would have to build your own meters into a microphone preamp
>to be used with the nomad, and calibrate them to correlate to clipping
>levels.  Else, live recording will be crapshoot.

Yes, this appears in several places, but all from the same guy, seems 
hard to believe, no?


Stephen found:
>Problems are a potentially noisy line-in (can anyone
>comfirm this? - see bottom of
>http://www.kuren.org/jukebox/linein.html),

I really wonder! An open input is no usefull reference for noise. And 
he sais he only heard the noise when he had boost on, so there might 
be in internal preamp we should not use.

In the specs they give 90dB noise distance which is fine for me but 
may not be true.

Also, the thing may have evolved... it certainly did in terms of price.
-- 


          ---> http://Matthias.Grob.org

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Dear looprz, 
I just got the following (whooly unsolicitated) advert
in my spambox. It looks like another must-get-it
accessory to my panaceaic againinator. I don't know
if it's shipping yet or not, though. 

Simran

>Snoring problems? Let Snore Eliminator's all natural 
>ingredients help you keep your audience's attention!
>
>Is snoring drowning out the subtle passages of your loops?
> No more sleepless nights with Snore Eliminator!!
>
>Let your family sleep again by using the Snore Eliminator!
>
>Do you know someone with a snoring problem? Snore 
>Eliminator will help them and they will love you for it.
>
>Improve your sexual performance by reducing snoring and 
>thus increasing oxygen to your body!!
>
>   ...
>
> The noise is caused by a vibration in the soft palate as 
>the lungs pull hard to take in a weakened current of 
>incoming air. This blockage may result from any number of 
>circumstances, and these offer clues to get rid of the >problem. 
>
>Snoring is also more than likely to occur among people who 
>sleep in their seats; the tongue falls back toward the 
>throat and partly closes the airway.

[Note: this does sound a lot liek throat singing. Perhaps
       we should just sample the audience when they
       snore.]
>
>Snoring decreases sexual performance by half, due to lack 
>of oxygen to the brain which decreases sexual 
>responsiveness.
[Note: the other half is decreased by the fact that they are 
       asleep!]

> ...

>
>TESTIMONIALS from several of our satisfied customers:
>
>Looopenzo writes...
>
>I am having a good nights sleep, finally.  I used to wake 
>myself up during the performance which was a real bummer as I 
>would not always go back to sleep.  Sleeping through the 
>entire second set is great.  Thanks a lot Snore Eliminator. 
>PS:  My girlfriend loves it as much or more than I do. 

> ...

>How to Use Snore Eliminator:
>Open your mouth
>Hold the 4oz bottle about four inches from your audience
>Spray one or two application onto the back of the crowd.
>

From Loopers-Delight-request@loopers-delight.com  Thu Apr 26 19:11:56 2001
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Date: Fri, 27 Apr 2001 07:05:14 +0800
Subject: Re: new member with some cool edit pro ????
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well im used to list ettiquete being on a rave list myself...
you havent seen ego wars till you see rave promoters going at it in sf!

about the cracks and pirate issue.... I feel that without these apps i would have no chance to complete projects that require these expensive tools. While im sure there are some app developers on this list, im also sure the corporations make enough money with out the sale they would have never had. piracy i believe requires me to make money using this product, or to make copies and sell them.

What im really trying to do is setup a semi working studio that i can make tracks with a lil less pain then its causing me now. 

i hope someone can give me some productive answers!!!!!



MrNyceGuy

"Biatch You KnOw what I want"
"I wanna Talk to Sampson"
"take me to the moon like that man peter frampton"
"cause you know its hard being black and gifted"
"sometimes i throw it all and get lifted"
-- 
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From Loopers-Delight-request@loopers-delight.com  Thu Apr 26 19:41:42 2001
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From: Andrew Pask <andrew@kaleidacousticon.com>
Subject: Re: new member with some cool edit pro ????
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On 4/27/01 at 7:05 AM, mr_nyce_guy@graffiti.net (L. E.) wrote:

> well im used to list ettiquete being on a rave list myself...
> you havent seen ego wars till you see rave promoters going at it in sf!
> 
> about the cracks and pirate issue.... I feel that without these apps i would 
> have no chance to complete projects that require these expensive tools. While
im 
> sure there are some app developers on this list, im also sure the corporations 
> make enough money with out the sale they would have never had. piracy i
believe 
> requires me to make money using this product, or to make copies and sell them.
> 
> What im really trying to do is setup a semi working studio that i can make 
> tracks with a lil less pain then its causing me now. 
> 
> i hope someone can give me some productive answers!!!!!

Speaking only for myself, all I can say is that I find this kind of attitude
completely uncool. Aside from the fact that it's no way to build a reliable and
stable project studio. Do you expect to get paid for any of your work?
Get real. BTW, there are a LOT of developers lurking here. 

From Loopers-Delight-request@loopers-delight.com  Thu Apr 26 20:08:27 2001
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Date: Thu, 26 Apr 2001 19:04:49 -0500
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From: Michael Clark <mcl451@airmail.net>
Subject: Re: new member with some cool edit pro ????
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Do not steal the creative work of others.

Sorry for the Preach.

Michael



At 04:37 PM 4/26/01 -0700, you wrote:
>On 4/27/01 at 7:05 AM, mr_nyce_guy@graffiti.net (L. E.) wrote:
>
>> well im used to list ettiquete being on a rave list myself...
>> you havent seen ego wars till you see rave promoters going at it in sf!
>> 
>> about the cracks and pirate issue.... I feel that without these apps i
would 
>> have no chance to complete projects that require these expensive tools.
While
>im 
>> sure there are some app developers on this list, im also sure the
corporations 
>> make enough money with out the sale they would have never had. piracy i
>believe 
>> requires me to make money using this product, or to make copies and sell
them.
>> 
>> What im really trying to do is setup a semi working studio that i can make 
>> tracks with a lil less pain then its causing me now. 
>> 
>> i hope someone can give me some productive answers!!!!!
>
>Speaking only for myself, all I can say is that I find this kind of attitude
>completely uncool. Aside from the fact that it's no way to build a
reliable and
>stable project studio. Do you expect to get paid for any of your work?
>Get real. BTW, there are a LOT of developers lurking here. 
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Apr 26 20:15:03 2001
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Why don't you just download ProTools' free demo.  Its got most of the power 
of the full software version, and its free to use forever.  Lets not start a 
software piracy flame war. please.

http://www.digidesign.com/ptfree/index.html

bye-
jon
_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Thu Apr 26 20:39:25 2001
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Date: Thu, 26 Apr 2001 17:32:07 -0700
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>>about the cracks and pirate issue.... I feel that without these 
>>apps i would have no chance to complete projects that require these 
>>expensive tools. While im sure there are some app developers on 
>>this list, im also sure the corporations make enough money with out 
>>the sale they would have never had. piracy i believe requires me to 
>>make money using this product, or to make copies and sell them.

L.E.,

this is just the issues that we've gone over here.  like i said, 
check out the archives.  also, in your earlier post, you were willing 
to trade cool edit pro (and you gave a $$ value) for another piece of 
software.  that's cash value that you were essentially willing to 
'sell' to get another piece of software, no?  if these apps are 
important to you to complete projects, and you don't have a moral 
problem with it, cool, go ahead.  i was just stating that advertising 
it here would cause some heat.

don't want to fan the flames...i'm done.  just wanted to welcome you 
to the list and hope you can get some useful information here...god 
knows i have.  as you can see, you've gotten a couple of responses 
from folks which indicates there are vehement opinions on both side 
of the fence which, when placed in conflict with each other, don't 
make for a friendly loop-happy environment.  this is supposedly the 
reason we are here.

i would agree with jon's sentiments below.

take care,

rich

ps.  having a chuckle at your 'half-baked' references...perhaps you'd 
be interested in the Resinator...a product that got discussed here 
today...say hi to wesley pipes for me...bye.


>Why don't you just download ProTools' free demo.  Its got most of 
>the power of the full software version, and its free to use forever. 
>Lets not start a software piracy flame war. please.
>
>http://www.digidesign.com/ptfree/index.html
>
>bye-
>jon
>_________________________________________________________________
>Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Thu Apr 26 20:57:50 2001
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Date: Thu, 26 Apr 2001 17:53:49 -0700
To: Loopers-Delight@loopers-delight.com
From: Chris Muir <cbm@well.com>
Subject: Re: new member with some cool edit pro ????
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At 7:05 AM +0800 4/27/01, L. E. wrote:
>about the cracks and pirate issue.... I feel that without these apps 
>i would have no chance to complete projects that require these 
>expensive tools.

And what is your point here? That your need to "complete projects" 
justifies your theft of another persons creative output? Weak.


>While im sure there are some app developers on this list, im also 
>sure the corporations make enough money with out the sale they would 
>have never had.

Most musical software companies are relatively small, founded by 
people who were passionate about doing the thing their software was 
designed to do.

At the _very_ least, your attitude disrespects these people who are 
trying to make a living creating the programs that you use.

Music software is not going to make anyone very rich.


>piracy i believe requires me to make money using this product, or to 
>make copies and sell them.

Are you arguing for some sort of "fair use" interpretation of the 
copyright law? If I read what you wrote correctly, your position is 
that it's not piracy unless you make money with, or sell copies of, 
the software in question. Get real.

And then, in another message you write:
>Anyone have any full/cracked versions of other fun music softwares? 
>im down to do a trade with my cool edit pro (worth i belive about 
>350$)

Here you are trying to use one piece of stolen software as something 
to barter for more of the same. You even acknowledge the value of the 
software you are trying to trade. Even by your own definition, 
haven't you entered the realm of piracy with this offer of trade?


>What im really trying to do is setup a semi working studio that i 
>can make tracks with a lil less pain then its causing me now.
>
>i hope someone can give me some productive answers!!!!!

Get a job.



-- 
__________________________________________________________________
   Christopher Bryan Muir     | "I had another dream the other day
  "Hurt Symphonic Barrier"    |  about music critics. They were
    http://www.xfade.com/     |  small and rodent-like with
        cbm@well.com          |  padlocked ears." - Igor Stravinsky

From Loopers-Delight-request@loopers-delight.com  Thu Apr 26 23:10:44 2001
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the cracked/pirate software thing is worse than the mac/pc thing.

both sides: give it a rest before it starts overstuffing my inbox.



From Loopers-Delight-request@loopers-delight.com  Thu Apr 26 23:43:01 2001
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Subject: Re: new member with some cool edit pro ????
Date: Fri, 27 Apr 2001 13:36:17 +1000
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I'd just like to say this

I have the full version of cooledit pro with updates that I BOUGHT and I am
happy to say that you can't do what you want to do because you have a
pirated version hehehe unlike me I can.

Thankyou and good night
----- Original Message -----
From: "Chris Muir" <cbm@well.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, April 27, 2001 10:53 AM
Subject: Re: new member with some cool edit pro ????


> At 7:05 AM +0800 4/27/01, L. E. wrote:
> >about the cracks and pirate issue.... I feel that without these apps
> >i would have no chance to complete projects that require these
> >expensive tools.
>
> And what is your point here? That your need to "complete projects"
> justifies your theft of another persons creative output? Weak.
>
>
> >While im sure there are some app developers on this list, im also
> >sure the corporations make enough money with out the sale they would
> >have never had.
>
> Most musical software companies are relatively small, founded by
> people who were passionate about doing the thing their software was
> designed to do.
>
> At the _very_ least, your attitude disrespects these people who are
> trying to make a living creating the programs that you use.
>
> Music software is not going to make anyone very rich.
>
>
> >piracy i believe requires me to make money using this product, or to
> >make copies and sell them.
>
> Are you arguing for some sort of "fair use" interpretation of the
> copyright law? If I read what you wrote correctly, your position is
> that it's not piracy unless you make money with, or sell copies of,
> the software in question. Get real.
>
> And then, in another message you write:
> >Anyone have any full/cracked versions of other fun music softwares?
> >im down to do a trade with my cool edit pro (worth i belive about
> >350$)
>
> Here you are trying to use one piece of stolen software as something
> to barter for more of the same. You even acknowledge the value of the
> software you are trying to trade. Even by your own definition,
> haven't you entered the realm of piracy with this offer of trade?
>
>
> >What im really trying to do is setup a semi working studio that i
> >can make tracks with a lil less pain then its causing me now.
> >
> >i hope someone can give me some productive answers!!!!!
>
> Get a job.
>
>
>
> --
> __________________________________________________________________
>    Christopher Bryan Muir     | "I had another dream the other day
>   "Hurt Symphonic Barrier"    |  about music critics. They were
>     http://www.xfade.com/     |  small and rodent-like with
>         cbm@well.com          |  padlocked ears." - Igor Stravinsky
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Apr 27 03:35:40 2001
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Subject: Re: new member with some cool edit pro ????
Date: Fri, 27 Apr 2001 09:29:30 +0200
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Man, you are ridiculous!!!!
Italo



----- Original Message -----
From: "L. E." <mr_nyce_guy@graffiti.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, April 27, 2001 1:05 AM
Subject: Re: new member with some cool edit pro ????


> well im used to list ettiquete being on a rave list myself...
> you havent seen ego wars till you see rave promoters going at it in sf!
>
> about the cracks and pirate issue.... I feel that without these apps i
would have no chance to complete projects that require these expensive
tools. While im sure there are some app developers on this list, im also
sure the corporations make enough money with out the sale they would have
never had. piracy i believe requires me to make money using this product, or
to make copies and sell them.
>
> What im really trying to do is setup a semi working studio that i can make
tracks with a lil less pain then its causing me now.
>
> i hope someone can give me some productive answers!!!!!
>
>
>
> MrNyceGuy
>
> "Biatch You KnOw what I want"
> "I wanna Talk to Sampson"
> "take me to the moon like that man peter frampton"
> "cause you know its hard being black and gifted"
> "sometimes i throw it all and get lifted"
> --
> _______________________________________________
> Get your free email from http://www.graffiti.net
> Powered by Outblaze
>

From Loopers-Delight-request@loopers-delight.com  Fri Apr 27 05:13:08 2001
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Subject: Cracks, Piracy, and Eenglish
Date: Fri, 27 Apr 2001 10:05:21 +0100
Organization: EarthLight Productions
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1. Flaunting one's illegal use of software - illegal by the fact that one
hasn't legally bought a copy of a program that has a list price, unless it
was a gift (and I suspect that it isn't) - only invites people like the RIAA
to crow about how they're In The Right when they muzzle free speech and
otherwise prevent people like US from producing our very legal work, in the
name of protecting copyrights.

2. Disrespect is NOT a verb, no matter how much Limp Bizkit one listens to.

3. There are no such things as "softwares".  "Software" may be used in the
plural, as in "installing software"; or in the case of "software packages".

Stephen Goodman
http://www.earthlight.net/Gallery_Front.html - Cartoons & Illustrations
http://www.earthlight.net/Studios * The free Loop of the Week!
http://www.mp3.com/StephenGoodman * New MP3 Releases!

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Does anyone know if mike is back yet/ i remembered
that he took some personal time off. I wrote him a
couple of emails w/ no response.

Damn this shift key!
                               jD

From Loopers-Delight-request@loopers-delight.com  Fri Apr 27 08:53:42 2001
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Date: Fri, 27 Apr 2001 08:49:56 -0400
To: Loopers-Delight@loopers-delight.com
From: Floyd Miller <floyd@studiodust.com>
Subject: Re: Cracks, Software Piracy
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It doesn't matter how you justify your use of pirated software.
It is stealing.  Stealing from the software company that spent their
time and money developing it.  Stealing from those of us who use
it honestly and paid slightly more for it because the manufacturer
has to cover their costs - just like stores include the costs of
recovering from shoplifting in the prices they charge.

This is especially true for small-market products such as music software.

If your going to use stolen property, I suppose that's your
business and your decision.  Just don't flaunt it. Dig?


From Loopers-Delight-request@loopers-delight.com  Fri Apr 27 09:20:14 2001
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From: leocavallo <leocavallo@groundloops.com>
Subject: hi all 
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just two lines to say hi to Kim and all the Loopers-Delight old timers. 
I've been out of the list for a few years now, but I'm back with a bunch of 
new ideas and looping toys... ;)

ciao
leo


www.groundloops.com

c o o l . s o u n d s  &  s a m p l e . c d s
f r e e . s a m p l e s . a r c h i v e

From Loopers-Delight-request@loopers-delight.com  Fri Apr 27 09:31:50 2001
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Subject: Re: Cracks, Software Piracy
Date: Fri, 27 Apr 2001 13:27:49 
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<html><DIV>
<P><BR><BR></P>
<DIV></DIV>
<P><FONT face="Arial Black, Geneva, Arial, Sans-serif">Ok, is this a thread, or are specifically pointing me out !?! I guess you did not read my original "tome" against the evils of Software Piracy, and WareZ, and how they are detrimental to software development ! I would include that massive missive in this thread, but I do not wish to waste the bandwidth. Yes, WareZ are bad, buying and registering the software is good, end of story! Oh, has anyone tried the new Acid 3.0 ? it's da Bomb ! I am waiting with baited breath with my $99.00 (or $149.00) for when this application is released ! (Yea Sonic Foundry usually gives all the Beta Testers a price break, when the before the software is release publicly.... so watch for it).</FONT></P></DIV>
<P><BR><BR>&nbsp;</P>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>----Original Message Follows---- 
<DIV></DIV>
<DIV></DIV>From: Floyd Miller <FLOYD@STUDIODUST.COM>
<DIV></DIV>
<DIV></DIV>Reply-To: Loopers-Delight@loopers-delight.com 
<DIV></DIV>
<DIV></DIV>To: Loopers-Delight@loopers-delight.com 
<DIV></DIV>
<DIV></DIV>Subject: Re: Cracks, Software Piracy 
<DIV></DIV>
<DIV></DIV>Date: Fri, 27 Apr 2001 08:49:56 -0400 
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>It doesn't matter how you justify your use of pirated software. 
<DIV></DIV>
<DIV></DIV>It is stealing. Stealing from the software company that spent their 
<DIV></DIV>
<DIV></DIV>time and money developing it. Stealing from those of us who use 
<DIV></DIV>
<DIV></DIV>it honestly and paid slightly more for it because the manufacturer 
<DIV></DIV>
<DIV></DIV>has to cover their costs - just like stores include the costs of 
<DIV></DIV>
<DIV></DIV>recovering from shoplifting in the prices they charge. 
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>This is especially true for small-market products such as music software. 
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>If your going to use stolen property, I suppose that's your 
<DIV></DIV>
<DIV></DIV>business and your decision. Just don't flaunt it. Dig? 
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV><br clear=all><hr>Get your FREE download of MSN Explorer at <a href="http://explorer.msn.com">http://explorer.msn.com</a><br></p></html>

From Loopers-Delight-request@loopers-delight.com  Fri Apr 27 09:32:22 2001
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Date: Fri, 27 Apr 2001 09:26:18 EDT
Subject: Re: new member with some cool edit pro ????
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Hehehe...

Italo's comments are always to the point.

Regards, Paul

From Loopers-Delight-request@loopers-delight.com  Fri Apr 27 11:02:39 2001
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Hi,

I joined this list a few days ago to read about LOOPING instead of software piracy.  So, has anyone played with a Yamaha DDS-20M digital delay/sampler pedal?  Any comments when comparing it to the Digitech PDS series?

Pedals can't be pirated.  Awe yeah!!

Ted


From Loopers-Delight-request@loopers-delight.com  Fri Apr 27 11:13:34 2001
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Welcome Back Leo!! You disappeared right after you sent me some samples of 
your stuff a while back. I've been meaning to tell you, I loved it! Hope to 
hear some more of your stuff soon.
Pete.

>From: leocavallo <leocavallo@groundloops.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: hi all
>Date: Fri, 27 Apr 2001 15:17:56 +0200
>
>
>just two lines to say hi to Kim and all the Loopers-Delight old timers.
>I've been out of the list for a few years now, but I'm back with a bunch of
>new ideas and looping toys... ;)
>
>ciao
>leo
>
>
>www.groundloops.com
>
>c o o l . s o u n d s  &  s a m p l e . c d s
>f r e e . s a m p l e s . a r c h i v e
>

_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Fri Apr 27 11:56:04 2001
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Date: Fri, 27 Apr 2001 11:50:43 -0400
Subject: free music NYC Sunday Apr 29
From: David Myers <dmgraph@earthlink.net>
To: ~music spam list <dmgraph@earthlink.net>
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--An in-store performance of Feedback Music by David Lee Myers--

Downtown Music Gallery
211 East 5th Street (off Bowery)
New York City

Sunday April 29th, 6:00 PM
Admission free

Please note that this is an hour earlier than previously announced...

From Loopers-Delight-request@loopers-delight.com  Fri Apr 27 12:07:23 2001
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hi P

At 11.06 27/04/01 -0400, you wrote:

>Welcome Back Leo!! You disappeared right after you sent me some samples of 
>your stuff a while back. I've been meaning to tell you, I loved it! Hope 
>to hear some more of your stuff soon.

thank you very much :)
check out my website for more

ciao
leo


www.groundloops.com

c o o l . s o u n d s  &  s a m p l e . c d s
f r e e . s a m p l e s . a r c h i v e

From Loopers-Delight-request@loopers-delight.com  Fri Apr 27 14:44:00 2001
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Attention Loopers!  Panaceaic in no way endorses the Snore Eliminator
and installing it on your Againinator™ will void the warrantee, when and
if the Againinator ships.  We can however be sued for punitive damages,
but I'm not sure why.

Dolf Lungren
Panaceaic Customer service.

Simran gleason wrote:

> Dear looprz,
> I just got the following (whooly unsolicitated) advert
> in my spambox. It looks like another must-get-it
> accessory to my panaceaic againinator. I don't know
> if it's shipping yet or not, though.
>
> Simran
>
> >Snoring problems? Let Snore Eliminator's all natural
> >ingredients help you keep your audience's attention!
> >
> >Is snoring drowning out the subtle passages of your loops?
> > No more sleepless nights with Snore Eliminator!!
> >
> >Let your family sleep again by using the Snore Eliminator!
> >
> >Do you know someone with a snoring problem? Snore
> >Eliminator will help them and they will love you for it.
> >
> >Improve your sexual performance by reducing snoring and
> >thus increasing oxygen to your body!!
> >
> >   ...
> >
> > The noise is caused by a vibration in the soft palate as
> >the lungs pull hard to take in a weakened current of
> >incoming air. This blockage may result from any number of
> >circumstances, and these offer clues to get rid of the >problem.
> >
> >Snoring is also more than likely to occur among people who
> >sleep in their seats; the tongue falls back toward the
> >throat and partly closes the airway.
>
> [Note: this does sound a lot liek throat singing. Perhaps
>        we should just sample the audience when they
>        snore.]
> >
> >Snoring decreases sexual performance by half, due to lack
> >of oxygen to the brain which decreases sexual
> >responsiveness.
> [Note: the other half is decreased by the fact that they are
>        asleep!]
>
> > ...
>
> >
> >TESTIMONIALS from several of our satisfied customers:
> >
> >Looopenzo writes...
> >
> >I am having a good nights sleep, finally.  I used to wake
> >myself up during the performance which was a real bummer as I
> >would not always go back to sleep.  Sleeping through the
> >entire second set is great.  Thanks a lot Snore Eliminator.
> >PS:  My girlfriend loves it as much or more than I do.
>
> > ...
>
> >How to Use Snore Eliminator:
> >Open your mouth
> >Hold the 4oz bottle about four inches from your audience
> >Spray one or two application onto the back of the crowd.
> >

From Loopers-Delight-request@loopers-delight.com  Fri Apr 27 15:59:07 2001
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From: "L. E." <mr_nyce_guy@graffiti.net>
To: Loopers-Delight@loopers-delight.com
Date: Sat, 28 Apr 2001 03:55:34 +0800
Subject: Re: new cooked member with some cool edit pro ????
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ok ok so i have been thurouhly cooked by all of your opinions on piracy and software trading... so i retract my call for warez..? 

ok? 

ok!

so what about my ???'s though?? no one has pro tools and can help me with the one thing im having trouble with?

ohh and the Billy Bong Thorton is my fav



> ps.  having a chuckle at your 'half-baked' references...perhaps you'd 
> be interested in the Resinator...a product that got discussed here 
> today...say hi to wesley pipes for me...bye.


MrNyceGuy

"Biatch You KnOw what I want"
"I wanna Talk to Sampson"
"take me to the moon like that man peter frampton"
"cause you know its hard being black and gifted"
"sometimes i throw it all down and get lifted"
-- 
_______________________________________________
Get your free email from http://www.graffiti.net
Powered by Outblaze

From Loopers-Delight-request@loopers-delight.com  Fri Apr 27 16:55:23 2001
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<html><DIV>
<P>Download the beta of ACID Pro 3.0 from <A href="http://www.sonicfoundry.com/">http://www.sonicfoundry.com/</A>&nbsp; then when they offer it for $99.00, buy it ('cuz, it'll be $349.00, when it's released... ) Then You will have a full registered version, with TECHNICAL Support help, so that you won't have to struggle with Cool Edit Pro.<BR><BR></P></DIV>
<DIV></DIV>
<DIV></DIV>----Original Message Follows---- 
<DIV></DIV>From: "L. E." <MR_NYCE_GUY@GRAFFITI.NET>
<DIV></DIV>Reply-To: Loopers-Delight@loopers-delight.com 
<DIV></DIV>To: lance glover <BAUMHAUS@EARTHLINK.NET>, Loopers-Delight@loopers-delight.com 
<DIV></DIV>Subject: new member with some cool edit pro ???? 
<DIV></DIV>Date: Fri, 27 Apr 2001 05:15:02 +0800 
<DIV></DIV>
<DIV></DIV>hey im a new member also!! woo hoo for me right? 
<DIV></DIV>hahaha anyways i have some questions about cool edit pro 
<DIV></DIV>
<DIV></DIV>1. How do i change the speed of a sample to accuratly fit it into a beat 
<DIV></DIV>I generally want to use a 4 x 4 beat for producing techno, house 
<DIV></DIV>but what i have been having problems with is i cant figure out a way in cool edit to change the speed (either lengthen or shorten a loop) 
<DIV></DIV>say i took a gutiar sample and found where i wanted to be the begining and end of the loop. its clocked at about 70 bpm and i want this loop to fitin so the line runs every 2 beats. at 150 im +10bpm. but where is any kind of speed control for cooledit pro?? 
<DIV></DIV>
<DIV></DIV>2. Does anyone have a cracked version of acid (this would eliminate the need for the first question) as i can change sppens or let the computer match the beats (am i wrong about this?) 
<DIV></DIV>
<DIV></DIV>Bio: i have been djing around the sf area for about 2 years now, mostly cheesy disco house and tech house. I love jungle and breaks also. I have put on three partys in this area including "mission critical" , "doublemint", and "Save the Rave Forest". I have been djing under the name cool hand luke but i have begun to realize there is about 10 other djs with this name. I hope this list satisfys my need for some usefull producing info since i am just starting out. 
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>equip: I dont have much producing equipment other then my mixer Numark em460 with a built in kaoss pad. i have a cracked version of cool edit pro and hammer head for some simple beat creation. Anyone have any full/cracked versions of other fun music softwares? im down to do a trade with my cool edit pro (worth i belive about 350$) 
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>MrNyceGuy 
<DIV></DIV>
<DIV></DIV>"comes over to my place" 
<DIV></DIV>"gonna get you high, gonna make you fly!" 
<DIV></DIV>
<DIV></DIV>-- 
<DIV></DIV>_______________________________________________ 
<DIV></DIV>Get your free email from http://www.graffiti.net 
<DIV></DIV>Powered by Outblaze 
<DIV></DIV>
<DIV></DIV><br clear=all><hr>Get your FREE download of MSN Explorer at <a href="http://explorer.msn.com">http://explorer.msn.com</a><br></p></html>

From Loopers-Delight-request@loopers-delight.com  Fri Apr 27 16:58:25 2001
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From: "Pete Mundt" <manx172@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: new cooked member ...
Date: Fri, 27 Apr 2001 16:55:18 -0400
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What was the origonal question,
no really.
Pete.


>From: "L. E." <mr_nyce_guy@graffiti.net>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: new cooked member with some cool edit pro ????
>Date: Sat, 28 Apr 2001 03:55:34 +0800
>
>ok ok so i have been thurouhly cooked by all of your opinions on piracy and 
>software trading... so i retract my call for warez..?
>
>ok?
>
>ok!
>
>so what about my ???'s though?? no one has pro tools and can help me with 
>the one thing im having trouble with?
>
>ohh and the Billy Bong Thorton is my fav
>
>
>
> > ps.  having a chuckle at your 'half-baked' references...perhaps you'd
> > be interested in the Resinator...a product that got discussed here
> > today...say hi to wesley pipes for me...bye.
>
>
>MrNyceGuy
>
>"Biatch You KnOw what I want"
>"I wanna Talk to Sampson"
>"take me to the moon like that man peter frampton"
>"cause you know its hard being black and gifted"
>"sometimes i throw it all down and get lifted"
>--
>_______________________________________________
>Get your free email from http://www.graffiti.net
>Powered by Outblaze
>

_________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Fri Apr 27 18:38:10 2001
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From: "Stephen P. Goodman" <spgoodman@earthlight.net>
To: <Loopers-Delight@loopers-delight.com>
References: <20010427195534.73780.qmail@graffiti.net>
Subject: Re: new cooked member with some cool edit pro ????
Date: Fri, 27 Apr 2001 23:29:25 +0100
Organization: EarthLight Productions
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Ask Syntrillium.  At first I thought of answering - a lot of your questions
can be answered by searching the help file, frankly - but then you revealed
that you've not just ripped off Syntrillium but used a cracked version, and
admitted it.  This would indicate a lack of remorse for same, and therefore
no sympathy from this sector.

Stephen Goodman
http://www.earthlight.net/Gallery_Front.html - Cartoons & Illustrations
http://www.earthlight.net/Studios * The free Loop of the Week!
http://www.mp3.com/StephenGoodman * New MP3 Releases!

From Loopers-Delight-request@loopers-delight.com  Fri Apr 27 18:55:20 2001
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From: "Massimo Liverani" <massliv@dada.it>
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Subject: R: hi all 
Date: Sat, 28 Apr 2001 00:29:23 +0200
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Escuse me for the Italian but he's a Friend...
Ciao Leo!
sono colui al quale hai venduto il jam-man (Massimo) e quindi hai
contribuito alla mia
formazione loopistica!
Come vedi anch'io frequento questo...locale
Bentornato quindi!



>
> just two lines to say hi to Kim and all the Loopers-Delight old timers.
> I've been out of the list for a few years now, but I'm back with a bunch
of
> new ideas and looping toys... ;)
>
> ciao
> leo
>
>
> www.groundloops.com
>
> c o o l . s o u n d s  &  s a m p l e . c d s
> f r e e . s a m p l e s . a r c h i v e
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Apr 27 21:02:50 2001
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Date: Fri, 27 Apr 2001 17:59:05 -0700 (PDT)
From: sean conlon <sppem@yahoo.com>
Subject: Custom Jam Man switch for sale.
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     Hey, I am selling a custom foot switch I had made
for 3 jam mans that is basically 6 jam man switch's in
a sturdy steel housing. It also has a masterswitch
which "taps"(starts the selected function) of all
three simultaneously. Also on board is an ABC box with
a buffered output. Signals can be sent from any
combination. This was so I could use three Jam mans
left, center, right and send audio to any point in any
combination. All of the switchoutputs and audio
signals are put through a detachable snake. If anyone
uses multiple Jam Mans this is a killer piece of gear.
Housed in truck style industrial steel plating.It was
custom made for $550 and I would like to sell it since
I no longer use multiple Jam mans. I also have an
expanded memory Jam man Which is still for sale. Let
me Know if this sounds interesting to anyone.
                               Take Care,
                                            Sean

__________________________________________________
Do You Yahoo!?
Yahoo! Auctions - buy the things you want at great prices
http://auctions.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Fri Apr 27 21:25:43 2001
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In a message dated 4/27/01 9:16:52 AM Eastern Daylight Time, 
leocavallo@groundloops.com writes:


> ciao
> leo
> 
> 

ola leo, welcome back.....michael

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>In a message dated 4/27/01 9:16:52 AM Eastern Daylight Time, 
<BR>leocavallo@groundloops.com writes:
<BR>
<BR>
<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">ciao
<BR>leo
<BR>
<BR></BLOCKQUOTE>
<BR>
<BR>ola leo, welcome back.....michael</FONT></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sat Apr 28 04:18:18 2001
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> Get a job.
Claude told me they weren't worth having.

From Loopers-Delight-request@loopers-delight.com  Sat Apr 28 04:24:20 2001
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Date: Sat, 28 Apr 2001 04:22:14 -0400
Subject: Concertloop
From: Ivan Zavada <ivan.zavada@videotron.ca>
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Hello everyone,

    I just did a presentation at the SAT  Société des Arts Technologiques(in
French) in Montréal.  The reason why I am sending you this e-mail is that
for my presentation I used only looping, nothing else. And you know what? It
worked. My piece was very well appreciated. It was part of an
electroacoustic concert of all the University students of Montreal. It
lasted a week ( 4 Universities over 100 performances). Tonight was the
real-time performance event.
All kinds of stuff. I used a computer to regenerate sound that I recorded on
the violin on stage, then I manipulated loops in real-time. The reaction was
excellent. I programmed an application myself with 4 simultaneous looping
algorithms. In fact I ended the performance too soon... people enjoyed it
and said it was too short, I should of let myself go!
    All this to say, I don't know who I am writing to and I don't know if
this interests you but my application runs on MacIntosh and loops four
samples of approx. 10 sec. in any shape or form in real-time. Should I
improve this application for wider use or does something like it exists and
I am wasting my time... I would like to get some feedback! What do loopers
need to loop efficiently. I would then work on my application and make it
available.


Thanks for your cooperation.


Ivan Zavada
Composer and programm developer.
Masters student at Université de Montréal.

From Loopers-Delight-request@loopers-delight.com  Sat Apr 28 07:46:34 2001
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Hey Dolf,    Do you have any connections with Pancreatic Enterprises?
:)

Elby
(who always wanted to be a pirate, up until age six)


Subject:
        Re: Againinator plug-in module Warning!
   Date:
        Fri, 27 Apr 2001 11:33:56 -0700
   From:
        Mark Sottilaro <sine@zerocrossing.net>
     To:
        Loopers-Delight@loopers-delight.com



Attention Loopers!  Panaceaic in no way endorses the Snore Eliminator
and installing it on your Againinator™ will void the warrantee, when and

if the Againinator ships.  We can however be sued for punitive damages,
but I'm not sure why.

Dolf Lungren
Panaceaic Customer service.

From Loopers-Delight-request@loopers-delight.com  Sat Apr 28 08:06:47 2001
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Subject: disrespecting softwares
Date: Sat, 28 Apr 2001 12:02:48 
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I'd thought I was going to have to jump in on this one- - - but Goodman said 
it all. Thanks.
===

Eh. Ok. I'll indulge in one thing;

How about the *reverse pirating*? When software, like Internet Explorer or 
Real Player, uses every trick in the book [completely unethical, if novel] 
to maximize their *profit* at user's expense [by knocking out other default 
program's, for instance]? How many millions are made this way?

We all need to think this stuff through [I don't mean that patronizingly. I 
mean, we're in a paradigm shift]. As I've said before, I'm not sure anyone 
SHOULD own rights to copy, for instance, woodprints [and certainly not 200 
years later]. If a guy wants to carve a log, make 16 prints, thrown the wood 
away and charge a fortune for the prints- fine. But if someone wants to 
create something, distribute it universally, do everything they can to make 
in invaluable, lock the original *woodblock* in a safe rather than destroy 
it, re-define what own/lease means, re-define what a *promise* is [IS a 
click a promise? I click on what makes an image appear on my screen]- - - 
and then tells me, *By the way, I retain ownership and you're a worthless 
thief if you give this disc to your secretary*, well, I ENJOY beating 
lawyers out of their claim to Shakespeare's royalties. It's a wacky, 
irrational, unfair claim.

Mixing my metaphors here, I know, but, if that woodblock is in a safe 
somewhere, my woodprint isn't really worth anything- and who is pirating 
who?

See you in a couple months.
Robb

=====
MP3's for Robbingham [Robert Eberwein & Robb Bingham]at:
www.mp3s.com/robbingham
=====


_________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.

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Date: Sat, 28 Apr 2001 08:49:56 -0400
Subject: Re: Concertloop
From: Todd Reynolds <todd@toddreynolds.com>
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Dear Ivan, 

I'm a violinistic looper myself.  I'd love to take a look at your program.
I've been trying to get off my rack and into my laptop for a while now.
There are others of us out there.  Please feel free to be in touch off list
as well if you would like.  And thanks for sharing.  I've heard much about
SAT recently and am very interested in the innovation going on there.  Where
can  I here more about it, and about you?


-- 
Todd Reynolds

http://www.toddreynolds.com
http://www.ethelcentral.com

todd@toddreynolds.com





On 4/28/01 4:22 AM, "Ivan Zavada" <ivan.zavada@videotron.ca> wrote:

> Hello everyone,
> 
>   I just did a presentation at the SAT  Société des Arts Technologiques(in
> French) in Montréal.  The reason why I am sending you this e-mail is that
> for my presentation I used only looping, nothing else. And you know what? It
> worked. My piece was very well appreciated. It was part of an
> electroacoustic concert of all the University students of Montreal. It
> lasted a week ( 4 Universities over 100 performances). Tonight was the
> real-time performance event.
> All kinds of stuff. I used a computer to regenerate sound that I recorded on
> the violin on stage, then I manipulated loops in real-time. The reaction was
> excellent. I programmed an application myself with 4 simultaneous looping
> algorithms. In fact I ended the performance too soon... people enjoyed it
> and said it was too short, I should of let myself go!
>   All this to say, I don't know who I am writing to and I don't know if
> this interests you but my application runs on MacIntosh and loops four
> samples of approx. 10 sec. in any shape or form in real-time. Should I
> improve this application for wider use or does something like it exists and
> I am wasting my time... I would like to get some feedback! What do loopers
> need to loop efficiently. I would then work on my application and make it
> available.
> 
> 
> Thanks for your cooperation.
> 
> 
> Ivan Zavada
> Composer and programm developer.
> Masters student at Université de Montréal.
> 

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Subject: Re: disrespecting softwares
Date: Sat, 28 Apr 2001 13:49:41 +0100
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"Robert Eberwein" <robert_eberwein@hotmail.com> put forth:

> ... well, I ENJOY beating
> lawyers out of their claim to Shakespeare's royalties. It's a wacky,
> irrational, unfair claim.

Well, that's something a bit more than a few years old.  How about if you
were Sam Shepard, and someone thought you were making so much money that it
wouldn't make a knock-off production of "Fool for Love"?  How does the fact
that you've made a lot of money off of anything have an effect on the
legality or morality of stealing your work?

> Mixing my metaphors here, I know, but, if that woodblock is in a safe
> somewhere, my woodprint isn't really worth anything- and who is pirating
> who?

How about if someone made a copy of that woodblock, and while not taking
credit for the woodblock's design, made prints through the use of that copy?
Shouldn't the owner have the right to compensation?  Shouldn't the owner
have the right to do with the woodblock what he or she pleases, whether it's
to conceal it in a safe, burn it, or produce t-shirts and dress prints with
it?

Stephen Goodman
http://www.earthlight.net/Gallery_Front.html - Cartoons & Illustrations
http://www.earthlight.net/Studios * The free Loop of the Week!
http://www.mp3.com/StephenGoodman * New MP3 Releases!

From Loopers-Delight-request@loopers-delight.com  Sat Apr 28 13:04:48 2001
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Subject: Re: hi all 
Date: Sat, 28 Apr 2001 05:40:27 +0100
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The Italian is cool by me - it gives me a chance to practice my rather
tenuous grasp of the language.
Non c'e una problemma per me.
Ciao,

Gareth

Incidenatlly we seem to have quite a few Italians here - how many are there
?
Do you manage any live performances in Italy ? I Was in the Alps the other
day and would love to have seen some live looping.


> Escuse me for the Italian but he's a Friend...
> Ciao Leo!
> sono colui al quale hai venduto il jam-man (Massimo) e quindi hai
> contribuito alla mia
> formazione loopistica!
> Come vedi anch'io frequento questo...locale
> Bentornato quindi!


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At 5:40 AM +0100 4/28/01, whiteoakstudios wrote:

>Incidenatlly we seem to have quite a few Italians here

Could it be the influence of Giambattista Vico?
-- 

______________________________________________________________
Richard Zvonar, PhD			zvonar@zvonar.com
(818) 788-2202 voice			zvonar@LCSaudio.com
(818) 788-2203 fax			zvonar@well.com

		 http://www.zvonar.com

   <http://www.live365.com/cgi-bin/directory.cgi?autostart=rz>

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Subject: R: hi all - Italy's situation
Date: Sat, 28 Apr 2001 21:41:46 +0200
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>
> Incidenatlly we seem to have quite a few Italians here - how many are
there
> ?
I hope my article on the most important italian music magazine has helped
this.

> Do you manage any live performances in Italy ? I Was in the Alps the other
> day and would love to have seen some live looping.

Hi there,
I can say we in Italy have to invent chances to make loopers perform.
personally, I have played in several art shows and in specific festivals,
but they are anyway just a small number if compared to other scenes.
I have had the chance to play in a gtr festival in Milan in March and I am
organizing a small festival on Garda lake made up to make people get
awareness of different musical languages than the ones that are mainly
represented in this country.
It will be held during the first days of July on Garda Lake.
One of the people I am more proud to have this year is Hans Reichel, who
isn't properly a looper guitarist, but he's one of the most creative artist
on gtr that I know.
I will host a looper in this year's festival (last year we were in three).

it would be nice to see someone of you there.

all my best,
Luca


From Loopers-Delight-request@loopers-delight.com  Sat Apr 28 18:48:37 2001
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Anybody able to give a review on this Boss gear yet?
Denis
_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Sat Apr 28 20:00:30 2001
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>just two lines to say hi to Kim and all the Loopers-Delight old timers.
hey, leo:
welcome back.
best,
dt / s-c

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Date: Sat, 28 Apr 2001 22:17:10 -0700 (PDT)
From: John Tidwell <wedgehed@yahoo.com>
Subject: More info on the Line6 FM4 Filter Modeler
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at.......

http://www.line6.com/Main/The_Buzz/Hot_News/FM4Rollout/FM4main.htm

=====
John Tidwell




__________________________________________________
Do You Yahoo!?
Yahoo! Auctions - buy the things you want at great prices
http://auctions.yahoo.com/

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Subject: Re: More info on the Line6 FM4 Filter Modeler
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Thanks John for the link to the line 6 fm4, but we have to say...what a
disappointment!

Best,
Roctologists

on 4/28/01 10:17 PM, John Tidwell at wedgehed@yahoo.com wrote:

> at.......
> 
> http://www.line6.com/Main/The_Buzz/Hot_News/FM4Rollout/FM4main.htm
> 
> =====
> John Tidwell
> 
> 
> 
> 
> __________________________________________________
> Do You Yahoo!?
> Yahoo! Auctions - buy the things you want at great prices
> http://auctions.yahoo.com/
> 

From Loopers-Delight-request@loopers-delight.com  Sun Apr 29 12:43:34 2001
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Date: Sun, 29 Apr 2001 12:41:30 -0400
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Subject: Re: More info on the Line6 FM4 Filter Modeler
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>Thanks John for the link to the line 6 fm4, but we have to say...what a
>disappointment!
>
>Best,
>Roctologists
>
>on 4/28/01 10:17 PM, John Tidwell at wedgehed@yahoo.com wrote:
>
> > at.......
> >
> > http://www.line6.com/Main/The_Buzz/Hot_News/FM4Rollout/FM4main.htm

quite so... I checked out nearly all the mp3s there and not
one of them really floated my boat.  peculiar, eh?  they
did SUCH a good job with the DL4, I love that unit's spacey
effects so much I almost never loop with it!

	/t


...electronic a cappella madness <http://volectrix.com>.........
...extreme internet radio        <http://extremeNY.com/radio>...

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i concur...and i keep hopin'

stanner
----------
>From: kevin <hideaway53@opendoor.com>
>To: <Loopers-Delight@loopers-delight.com>
>Subject: Re: More info on the Line6 FM4 Filter Modeler
>Date: Sun, Apr 29, 2001, 9:27 AM
>

>Thanks John for the link to the line 6 fm4, but we have to say...what a
>disappointment!
>
>Best,
>Roctologists
>
>on 4/28/01 10:17 PM, John Tidwell at wedgehed@yahoo.com wrote:
>
>> at.......
>> 
>> http://www.line6.com/Main/The_Buzz/Hot_News/FM4Rollout/FM4main.htm
>> 
>> =====
>> John Tidwell
>> 
>> 
>> 
>> 
>> __________________________________________________
>> Do You Yahoo!?
>> Yahoo! Auctions - buy the things you want at great prices
>> http://auctions.yahoo.com/
>> 
>

From Loopers-Delight-request@loopers-delight.com  Mon Apr 30 06:23:44 2001
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Ivan Zavada wrote:
> 
> Hello everyone,
> 
>     I just did a presentation at the SAT  Société des Arts Technologiques(in
> French) in Montréal.  The reason why I am sending you this e-mail is that
> for my presentation I used only looping, nothing else. And you know what? It
> worked. My piece was very well appreciated. It was part of an
> electroacoustic concert of all the University students of Montreal. It
> lasted a week ( 4 Universities over 100 performances). Tonight was the
> real-time performance event.
> All kinds of stuff. I used a computer to regenerate sound that I recorded on
> the violin on stage, then I manipulated loops in real-time. The reaction was
> excellent. I programmed an application myself with 4 simultaneous looping
> algorithms. In fact I ended the performance too soon... people enjoyed it
> and said it was too short, I should of let myself go!
>     All this to say, I don't know who I am writing to and I don't know if
> this interests you but my application runs on MacIntosh and loops four
> samples of approx. 10 sec. in any shape or form in real-time. Should I
> improve this application for wider use or does something like it exists and
> I am wasting my time... I would like to get some feedback! What do loopers
> need to loop efficiently. I would then work on my application and make it
> available.
> 
> Thanks for your cooperation.
> 

Ivan

Please stay around you've reached the center of the universe of realtime
looping
you need us, we need you
:-)

welcome

you probably will have a lot of interest in the huge content of
loopers-delight.com
also take some times in archives 

welcome

claude

From Loopers-Delight-request@loopers-delight.com  Mon Apr 30 07:02:05 2001
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Subject: Re: Concertloop
Date: Mon, 30 Apr 2001 20:57:00 +1000
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Ivan,

I'm very interested in your application. I have yet to find a software
looper that actually works the way I think it should. I was able to make
Logic Audio work as a great looper though, in sync with midi and everything,
but I'd rather have a simple dedicated app do the same thing. Please let us
know when you'll have a demo that we can try out or beta test.

Cheers,
Jeff

----- Original Message -----
From: "Ivan Zavada" <ivan.zavada@videotron.ca>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, April 28, 2001 6:22 PM
Subject: Concertloop


> Hello everyone,
>
>     I just did a presentation at the SAT  Société des Arts
Technologiques(in
> French) in Montréal.  The reason why I am sending you this e-mail is that
> for my presentation I used only looping, nothing else. And you know what?
It
> worked. My piece was very well appreciated. It was part of an
> electroacoustic concert of all the University students of Montreal. It
> lasted a week ( 4 Universities over 100 performances). Tonight was the
> real-time performance event.
> All kinds of stuff. I used a computer to regenerate sound that I recorded
on
> the violin on stage, then I manipulated loops in real-time. The reaction
was
> excellent. I programmed an application myself with 4 simultaneous looping
> algorithms. In fact I ended the performance too soon... people enjoyed it
> and said it was too short, I should of let myself go!
>     All this to say, I don't know who I am writing to and I don't know if
> this interests you but my application runs on MacIntosh and loops four
> samples of approx. 10 sec. in any shape or form in real-time. Should I
> improve this application for wider use or does something like it exists
and
> I am wasting my time... I would like to get some feedback! What do loopers
> need to loop efficiently. I would then work on my application and make it
> available.
>
>
> Thanks for your cooperation.
>
>
> Ivan Zavada
> Composer and programm developer.
> Masters student at Université de Montréal.
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Apr 30 07:36:57 2001
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From: "Rick Walker (loop.pool)" <GLOBAL@cruzio.com>
To: <Loopers-Delight@loopers-delight.com>
References: <200104301023.GAA12271@hemlock.violacea.com>
Subject: Re: Line 6 Filter modeler
Date: Mon, 30 Apr 2001 04:39:47 -0700
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I'm with everybody..............perhaps we should forward all of these
e-mails to them.   They are a cool company and
I, frankly, was really looking forward to this pedal.       What should it
have in it?     What's specifically wrong with it?
Let's let this cool company know what we think.     Here's to working with
the manufacturers so that we can get the cool
shit that we covet!!!

yours,   Rick Walker

From Loopers-Delight-request@loopers-delight.com  Mon Apr 30 10:29:19 2001
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this is the machine i do my loopy/mixy work on, so this question should
be ok…

i will be purchasing a zif upgrade for my mac g3 beige 266 desktop this
week, digital performer being the main application i run on this
machine.

questions -

will i see a major difference in audio performance by using a sonnet
g4/500
versus using an ibm or sonnet g3/500?

versus a metabox g4/400?

reason i ask is that the difference in price will buy 512m of yummy
ram...

thanks!

bobdog

From Loopers-Delight-request@loopers-delight.com  Mon Apr 30 10:45:45 2001
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Subject: Re: Concertloop
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Hi Ivan!

Congratulation on your performance!

I'm always interested in what folks are doing.  Though I'm Mac-less I'd like
to hear about your application and I think several others on the list would
too.  I know lots of folks here are Macified and would probably be
interested in your app.

Dennis Leas
-------------------
dennis@mdbs.com


From Loopers-Delight-request@loopers-delight.com  Mon Apr 30 10:46:49 2001
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At 06:23 4/30/01 -0400, you wrote:
>> > http://www.line6.com/Main/The_Buzz/Hot_News/FM4Rollout/FM4main.htm
>quite so... I checked out nearly all the mp3s there and not
>one of them really floated my boat.  peculiar, eh?  they
>did SUCH a good job with the DL4, I love that unit's spacey
>effects so much I almost never loop with it!

I am still stuck on a Mutator (http://www.cerbernet.co.uk/mutronics/)  (stereo)
That and I am sure everyone knows about the Filterbank2... 
www.sherman.be   (mono)

I was accepted to study at CCMix (http://www.upic.asso.fr/) this July. 
Going to be broke, but it will be worth it (what is new?). Any loopers from 
the Paris area want to meet up? Curtis Roads is giving his first public 
presentation on his new book on microsound (CREATE web site said this thing 
would be out in '99!), Carla Scaletti will be presenting on using Kyma 
live, plus other "crazies" of the computer music world.

Any thoughts now on the TC Powercore? It will rock seriously now as they 
have opened it to VST/MAS plugins. I wonder if Kyma will keep its edge 
considering all the cool VST plugin/instruments out there. (Of course it 
will in some regard, but not others; mainly cost and the fact that they 
have committed to a certain software/hardware architecture).

I also had the opportunity to attend (because it was free) what was billed 
as the first microtonal conference: 
http://www2.hmc.edu/~alves/microfest2001.html
It was neat as it gave me a glimpse into music history and a lot of ideas 
and inspiration to try new things. Between the microsound, microtonal, and 
looping worlds there is an unlimited terrain of possibilities. If anyone 
can point me to musical areas farther out there I will have to assume alien 
intelligence is involved... ;)

Here is my first electronic track created last June (only song I did using 
Rebirth; w/ factory presets nonetheless...): 
http://www.egregious.net/~catharsis/tracks/tones.mp3

I have learned so much since then in terms of recording, etc. It is not 
looping material, but I'll get there soon.

I am stoked to have learned about this opportunity (especially since the 
focus is turntables):
http://www.nweamo.org/nweamoform.html

I have a new live DJ mix up at www.egregious.net/comps/  -- Live March 7th. 
I like it.

Thanks for the warm welcome when I posted my intro a while back!

Loop on,
--Catharsis


Egregious
"Spiritual renewal through music for those outside the heard."
http://www.egregious.net/

From Loopers-Delight-request@loopers-delight.com  Mon Apr 30 10:46:59 2001
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Subject: Eh.. Want to mention...
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Just want to mention with Tones that I yanked a Bochem Welt bass line. 
Don't want to be accused of cheating this early... ;) Never meant it to 
turn out to be a full track. ;)

--Catharsis


Egregious
"Spiritual renewal through music for those outside the heard."
http://www.egregious.net/

From Loopers-Delight-request@loopers-delight.com  Mon Apr 30 10:51:23 2001
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Yo Bobdog and Loopers,

Did you get that nickname from the Swedish band "bob hund"?  Just curious.  What a great band.  

Also, I think I'm going to be the only one on the list who has the Yamaha DDS-20M 2 second delay/sampler.  No one has mentioned that they even own one,  and I can't find anything online about them.  Nothing.  Zero.  Zip!  A rare bird.  It should be arriving this week.  Can't wait to compare it to the Digitech PDS-2000.  And when I called Yamaha they said they'd send me an owner's manual.      

Ted

>>> Bobdog <bobdog@pseudobuddha.com> 04/30/01 03:25AM >>>
this is the machine i do my loopy/mixy work on, so this question should
be ok*

i will be purchasing a zif upgrade for my mac g3 beige 266 desktop this
week, digital performer being the main application i run on this
machine.

questions -

will i see a major difference in audio performance by using a sonnet
g4/500
versus using an ibm or sonnet g3/500?

versus a metabox g4/400?

reason i ask is that the difference in price will buy 512m of yummy
ram...

thanks!

bobdog


From Loopers-Delight-request@loopers-delight.com  Mon Apr 30 10:58:14 2001
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From: Todd Quincy <tquincy@sayhhi.com>
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Subject: OT KUSTOM PA SYSTEM
Date: Mon, 30 Apr 2001 10:52:59 -0400
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This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

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Fellow Loopers! 

I'm doing so market research on portable pa systems. Assuming you have one
or would be interested in using a PA system to perform with a looper, what
features would you look for in a pa system.  

Please send your responses off list to me at tquincy@sayhhi.co

Todd Quincy
Kustom, BC Rich
513 451 5000 (330)

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<TITLE>OT KUSTOM PA SYSTEM</TITLE>
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<BODY>

<P><FONT SIZE=3D2 FACE=3D"Arial">Fellow Loopers! </FONT>
</P>

<P><FONT SIZE=3D2 FACE=3D"Arial">I'm doing so market research on =
portable pa systems. Assuming you have one or would be interested in =
using a PA system to perform with a looper, what features would you =
look for in a pa system.&nbsp; </FONT></P>

<P><FONT SIZE=3D2 FACE=3D"Arial">Please send your responses off list to =
me at tquincy@sayhhi.co</FONT>
</P>

<P><FONT SIZE=3D2 FACE=3D"Arial">Todd Quincy</FONT>
<BR><FONT SIZE=3D2 FACE=3D"Arial">Kustom, BC Rich</FONT>
<BR><FONT SIZE=3D2 FACE=3D"Arial">513 451 5000 (330)</FONT>
</P>

</BODY>
</HTML>
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From Loopers-Delight-request@loopers-delight.com  Mon Apr 30 12:00:32 2001
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Date: Mon, 30 Apr 2001 08:52:51 -0700
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From: rich <rich@nuvisionsca.com>
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but wait until you can go to the store and run YOUR sound and playing 
style through the darn thing.  The DL4 rocks, and i went back to get 
the MM4 but found it very milquetoast...

however, the Distortion Modeler smokes too.  I'm just not using 
distortion enough anymore to justify it.  If i was, though...it's 
very sweet.

Go try it yourself when it hits the shelf and then we can all bitch. 
Also, although Line6 seems VERY interested in an upgrade path for 
their Pod and Flextone line of products, the modeler pedals and their 
AX2 amp don't seem to garner the same attention.  I wouldn't expect 
that L6 is going to alter the stompboxes much from a few bad comments 
from us... who knows, though?

rich


>I'm with everybody..............perhaps we should forward all of these
>e-mails to them.   They are a cool company and
>I, frankly, was really looking forward to this pedal.       What should it
>have in it?     What's specifically wrong with it?
>Let's let this cool company know what we think.     Here's to working with
>the manufacturers so that we can get the cool
>shit that we covet!!!
>
>yours,   Rick Walker

From Loopers-Delight-request@loopers-delight.com  Mon Apr 30 12:24:54 2001
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 <022601c0d183$d9a7fd00$1fab82cc@mdbs.com>
Date: Mon, 30 Apr 2001 09:18:19 -0700
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Yes, definitely interested.  I've been starting to steal away my 
wife's powerbook G3 occasionally and having a blast.

Thanks to the list for pointers to ProTools FREE.  Zowee...what 
people give away these days amazes me.  I've been using the pitch 
shifting to retune some tones up to proper pitch for a friend of mine 
and it's working great.  Anybody using this version of the program on 
a mac laptop?  Can someone maybe give me a hand getting the midi sync 
to work and lock onto MTC?  if so, please contact me off list.  Does 
Digidesign offer any technical assistance on a Free product?

rich



>Hi Ivan!
>
>Congratulation on your performance!
>
>I'm always interested in what folks are doing.  Though I'm Mac-less I'd like
>to hear about your application and I think several others on the list would
>too.  I know lots of folks here are Macified and would probably be
>interested in your app.
>
>Dennis Leas
>-------------------
>dennis@mdbs.com

From Loopers-Delight-request@loopers-delight.com  Mon Apr 30 12:25:46 2001
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anyone use the Electrix Filter Queen and/or Factory? I have a filter queen 
and i love her.

db
_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Mon Apr 30 12:32:01 2001
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From: "Stephen P. Goodman" <spgoodman@earthlight.net>
To: <Loopers-Delight@loopers-delight.com>
References: <B7AD068F58F5D41195AC00805FA6BAED0A42F3@EXCHSVR>
Subject: Re: OT KUSTOM PA SYSTEM
Date: Mon, 30 Apr 2001 17:27:01 +0100
Organization: EarthLight Productions
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OT KUSTOM PA SYSTEMSounds like info we could use here! :)  Not having a =
PA system myself (unless you include a pair of 20-watt 1987 yamaha =
self-amplified speakers) I can appreciate the need.

Stephen Goodman
http://www.earthlight.net/Gallery_Front.html - Cartoons & Illustrations
http://www.earthlight.net/Studios * The free Loop of the Week!
http://www.mp3.com/StephenGoodman * New MP3 Releases!
----- Original Message -----=20
From: Todd Quincy=20
To: Loopers (E-mail)=20
Sent: 30 April 2001 15:52 PM
Subject: OT KUSTOM PA SYSTEM


Fellow Loopers!=20

I'm doing so market research on portable pa systems. Assuming you have =
one or would be interested in using a PA system to perform with a =
looper, what features would you look for in a pa system. =20

Please send your responses off list to me at tquincy@sayhhi.co=20

Todd Quincy=20
Kustom, BC Rich=20
513 451 5000 (330)=20


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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD><TITLE>OT KUSTOM PA SYSTEM</TITLE>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2462.0" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT color=3D#000080>Sounds like info we could use here! :)&nbsp; =
Not having=20
a PA system myself (unless you include a pair of 20-watt 1987 yamaha=20
self-amplified speakers) I can appreciate the need.</FONT></DIV>
<DIV><FONT color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT color=3D#000080>Stephen Goodman<BR><A=20
href=3D"http://www.earthlight.net/Gallery_Front.html">http://www.earthlig=
ht.net/Gallery_Front.html</A>=20
- Cartoons &amp; Illustrations<BR><A=20
href=3D"http://www.earthlight.net/Studios">http://www.earthlight.net/Stud=
ios</A> *=20
The free Loop of the Week!<BR><A=20
href=3D"http://www.mp3.com/StephenGoodman">http://www.mp3.com/StephenGood=
man</A> *=20
New MP3 Releases!</FONT></DIV>
<DIV style=3D"FONT: 10pt arial">----- Original Message -----=20
<DIV style=3D"BACKGROUND: #e4e4e4; font-color: black"><B>From:</B> <A=20
title=3Dtquincy@sayhhi.com href=3D"mailto:tquincy@sayhhi.com">Todd =
Quincy</A> </DIV>
<DIV><B>To:</B> <A title=3DLoopers-Delight@annihilist.com=20
href=3D"mailto:Loopers-Delight@annihilist.com">Loopers (E-mail)</A> =
</DIV>
<DIV><B>Sent:</B> 30 April 2001 15:52 PM</DIV>
<DIV><B>Subject:</B> OT KUSTOM PA SYSTEM</DIV></DIV>
<DIV><BR></DIV>
<P><FONT face=3DArial size=3D2>Fellow Loopers! </FONT></P>
<P><FONT face=3DArial size=3D2>I'm doing so market research on portable =
pa systems.=20
Assuming you have one or would be interested in using a PA system to =
perform=20
with a looper, what features would you look for in a pa system.&nbsp;=20
</FONT></P>
<P><FONT face=3DArial size=3D2>Please send your responses off list to me =
at <A=20
href=3D"mailto:tquincy@sayhhi.co">tquincy@sayhhi.co</A></FONT> </P>
<P><FONT face=3DArial size=3D2>Todd Quincy</FONT> <BR><FONT face=3DArial =

size=3D2>Kustom, BC Rich</FONT> <BR><FONT face=3DArial size=3D2>513 451 =
5000=20
(330)</FONT> </P></BODY></HTML>

------=_NextPart_000_002C_01C0D19A.C4173D40--

From Loopers-Delight-request@loopers-delight.com  Mon Apr 30 12:41:14 2001
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From: "phalen orion" <phalen180@infin8ty.com>
To: <littleengines@littleengines.org>
Subject: Celebrate Cinco de Mayo: Fun Group Noise at AAA Electra 99
Date: Mon, 30 Apr 2001 09:31:06 -0700
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What better way to celebrate Cinco de Mayo (aka the 5th of May) than by
getting together with a bunch of people and making a cacophonous noise?!?

The Little Engines - 100% improvisational, audience-is-performer sound-art
performance, May 5, 2001 at AAA Electra 99 art gallery, museum and
performance space.  BRING YOUR OWN INSTRUMENT:  things like toys, simple
instruments, found-object percussion... the wilder the better... try to
think outside the box :)

There will be a mixer available for electronic instruments to plug into, but
please only bring non-standard instruments and/or just processors.  You must
bring your own cables/mics if you will require them.

Information on The Little Engines: http://www.littleengines.org/
Information & directions to AAA Electra 99: http://www.aaaelectra99.com/

Bring friends, bring lovers, bring enemies, but bring something that makes
noise:  $5 non-members, $2 members.

Best,
phalen180

P.S.: Please forward this email to local email lists you participate in and
to anyone else you know who might be interested.  Thanks!

From Loopers-Delight-request@loopers-delight.com  Mon Apr 30 12:45:06 2001
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Subject: Pro Tools Free (and Logic)
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rich wrote:
 
> Thanks to the list for pointers to ProTools FREE.  Zowee...what
> people give away these days amazes me.   Does
> Digidesign offer any technical assistance on a Free product?

There are some message boards at digidesign.com, including one for
PTFree, that the company contributes to/answers questions through.

I like the program a lot, although i find myself starting to lean more
towards Logic (after the inevitable, introductory "What the hell is
going on?!?!" Logic introductory learning curve).  I think that PT Free
is intended largely as a way of spurring interest in the Digi 001
card/software bundle... (that's my guess, anyway).

--Andre LaFosse
http://www.altrustmusic.com

From Loopers-Delight-request@loopers-delight.com  Mon Apr 30 12:50:57 2001
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From: "Stephen P. Goodman" <spgoodman@earthlight.net>
To: "jim palmer" <jimp@pobox.com>
Cc: <Loopers-Delight@loopers-delight.com>
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Subject: Re: disrespecting softwares
Date: Mon, 30 Apr 2001 17:45:52 +0100
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An email message - unless I included it as part of a work copyrighted by
me - is not even close to a published play, or for that matter a woodblock
print.  If, for instance, I had written the screenplay for "You've Got
Mail", as abysmal as it was, before AOL started using the phrase in their
software, I would indeed have an infringement case against them.  It's
simple precedence.

In 1986 a reggae musician sued Mick Jagger over a song I can't remember the
name of - not one of his bigger hits as a solo artist - claiming that Mick
had stolen the song's melody line.  Mick spent quite a bit of time in the
Bahamas/Jamaica at one point, and the artist claimed that he'd heard the
song on the radio, and ended up using the melody line as the base for one of
his own songs.  Not to "dis" Mick, but of course more recently veggie artist
k.d.lang sued the Stones for stealing the refrain for "Constant Craving" -
and the Stones had to admit that while it was accidental, it was indeed a
lifting of the refrain that had apparently taken place.  Does anyone
remember the case with the reggae artist?

Thankfully for many office workers, Charles Schulz didn't take too much
irritation at the myriads of times that people made poor drawings of Snoopy
or Charlie Brown for the purposes of office humor.  Perhaps it might have
been different if he was on the way up instead of so well-established - but
such was not the case.  The office copies neither helped nor hurt Chuck's
career, or that of "Peanuts".  Alas, this is a unique situation, and not at
all common to those otherwise pursued by lawyers in their quest for lengthy
litigation and resultant fees.

If I chose to make a t-shirt with the word "splunge" on it, and made lots
and lots of money selling them all over the world, I'd be an idiot if I
didn't expect to get sued by both the BBC and the Monty Python troupe's
remaining members.  If I made a film called "Can't Touch This" and didn't
expect trouble from both Jobete Music, Rick James, AND M.C. Hammer, I'd be a
total fool.

If I had an email exchange with someone heated enough to inspire someone to
write a screenplay or novel about it, say on this list, and that screenplay
writer didn't get the permission of me, Kim, and my respondee to do so, we'd
have the right to sue.  Yep.

Intellectual property issues aren't a really complex deal to those who
either own or steal the concepts-in-question, just the people trying to
either litigate, explain, or understand them.  Alas, one must still hire
lawyers unless you encounter someone with enough integrity to admit what
they've done, and settle with you themselves.  Ah, Civilization!

Stephen Goodman
http://www.earthlight.net

"jim palmer" <jimp@pobox.com> put forth:

> i don't want to weight in on either side of this argument as such,
> but what if someone copies your email message and sends it to someone?
> what if they print it on a t-shirt?
> have they stolen your intellectual property?
> have i stolen your message copied below?
>
> this is not such a simple issue as physical property rights.
> even as simple as that is, many people in the world believe property is
theft.
> how can you own the land, the air, or the sea?
>
> mailman believed that once a music piece had been performed,
> the sound was in the air and therefore became public domain.
> i don't know how that idea applies to software, but this is a music list
after all...


From Loopers-Delight-request@loopers-delight.com  Mon Apr 30 12:54:20 2001
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From: "Stephen P. Goodman" <spgoodman@earthlight.net>
To: <Loopers-Delight@loopers-delight.com>
References: <001c01c0d192$f5e48b00$64b4a8c0@mindspring.com>
Subject: Re: Celebrate Cinco de Mayo: Fun Group Noise at AAA Electra 99
Date: Mon, 30 Apr 2001 17:48:21 +0100
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Hey there from the UK,

You know, I regret having left the LA area just when the Ambient/Looping
scene took off enough. :|  Good use of the "Subgenius" image by the way. :)

S.

----- Original Message -----
From: "phalen orion" <phalen180@infin8ty.com>
To: <littleengines@littleengines.org>
Sent: 30 April 2001 17:31 PM
Subject: Celebrate Cinco de Mayo: Fun Group Noise at AAA Electra 99


> What better way to celebrate Cinco de Mayo (aka the 5th of May) than by
> getting together with a bunch of people and making a cacophonous noise?!?
>
> The Little Engines - 100% improvisational, audience-is-performer sound-art
> performance, May 5, 2001 at AAA Electra 99 art gallery, museum and
> performance space.  BRING YOUR OWN INSTRUMENT:  things like toys, simple
> instruments, found-object percussion... the wilder the better... try to
> think outside the box :)
>
> There will be a mixer available for electronic instruments to plug into,
but
> please only bring non-standard instruments and/or just processors.  You
must
> bring your own cables/mics if you will require them.
>
> Information on The Little Engines: http://www.littleengines.org/
> Information & directions to AAA Electra 99: http://www.aaaelectra99.com/
>
> Bring friends, bring lovers, bring enemies, but bring something that makes
> noise:  $5 non-members, $2 members.
>
> Best,
> phalen180
>
> P.S.: Please forward this email to local email lists you participate in
and
> to anyone else you know who might be interested.  Thanks!
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Apr 30 12:56:42 2001
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Date: Mon, 30 Apr 2001 11:53:40 -0500
From: "Ted Geerdink" <tgeerdi@wpo.it.luc.edu>
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Subject: Re: Celebrate Cinco de Mayo: Fun Group Noise at AAA Electra 99
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I wish something like this was happening in Chicago!!!  Will the performance be recorded?  Please say yes.  It would be fun to hear what comes out of this.    

Ted

>The Little Engines - 100% improvisational, audience-is-performer sound-art
>performance, May 5, 2001 at AAA Electra 99 art gallery, museum and
>performance space.  BRING YOUR OWN INSTRUMENT:  things like 

From Loopers-Delight-request@loopers-delight.com  Mon Apr 30 13:02:35 2001
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Date: Mon, 30 Apr 2001 09:16:40 -0700
From: Richard Zvonar <zvonar@zvonar.com>
Subject: Re: Filters and such...
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At 7:41 AM -0700 4/30/01, Catharsis wrote:

>I also had the opportunity to attend (because it was free) what was 
>billed as the first microtonal conference: 
>http://www2.hmc.edu/~alves/microfest2001.html

Sorry I had to miss this (I was out of the country).

Did you talk to Lou Harrison?  How is he doing?

This may indeed be the "first microtonal conference," though there 
was an annual instrument builders' conference at UCSD in the late 
'70s. Many microtonalists participated, including a number of Harry 
Patch colleagues and disciples.
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

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Subject: Re: Line 6 Filter modeler
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At 4:39 AM -0700 4/30/01, Rick Walker (loop.pool) wrote:
>perhaps we should forward all of these e-mails to [Line6].   They 
>are a cool company and I, frankly, was really looking forward to 
>this pedal.

Hard to say how Line6 responds to customer feedback. I had some 
correspondence with Steve DeFuria a while back, specifically about 
their stomp boxes. I commented on the limited number of presets 
supported and I made some suggestions about the design of a pro 
version of same (along the lines of the POD Pro). His response was 
terse and noncommittal: "I can't comment on what we may (or may not) 
have under development, of course,  but it's always good to get 
feedback about our products.  We value your comments and suggestions."
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

From Loopers-Delight-request@loopers-delight.com  Mon Apr 30 13:18:41 2001
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From: "L. E." <mr_nyce_guy@graffiti.net>
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Date: Tue, 01 May 2001 01:16:25 +0800
Subject: Re: new member with some cool edit pro ????
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yea yea yea
you guys made your point im not activly seeking a trade or any piracy
whispers )) i already found what i needed no thanks to you ((
so dont wory about it... i fear you all are having more trouble justifying your own means and now are mad that you payed for it and i didnt...

relax take that deep breathe its just an email list

so it seems everyone here can answer why it is wrong to pirate software
but not one can answer a simple software related question? how do i adjust the speed of a loop on cool edit pro???

well what a list this turned out to be :o)





MrNyceGuy

"comes over to my place"
"gonna get you high, gonna make you fly!"
-- 
_______________________________________________
Get your free email from http://www.graffiti.net
Powered by Outblaze

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Date: Mon, 30 Apr 2001 10:22:49 -0700
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From: rich <rich@nuvisionsca.com>
Subject: Re: new member with some cool edit pro ????
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yea yea yea,

we should go out of our way to help you with your question after you 
dis people for paying for software...hmmm...

there was a post that someone put up stating that their current 
upgraded version of Cool Edit would do just what you're asking for. 
check the archives from last week.

also, you were also led to check out ProTools free...(that's how i 
got the link) and it will do what you ask for as well...Pitch 
shifting with time compensation.  Try it out.  for free even.

best,

rich

>yea yea yea
>you guys made your point im not activly seeking a trade or any piracy
>whispers )) i already found what i needed no thanks to you ((
>so dont wory about it... i fear you all are having more trouble 
>justifying your own means and now are mad that you payed for it and 
>i didnt...
>
>relax take that deep breathe its just an email list
>
>so it seems everyone here can answer why it is wrong to pirate software
>but not one can answer a simple software related question? how do i 
>adjust the speed of a loop on cool edit pro???
>
>well what a list this turned out to be :o)
>
>
>
>
>
>MrNyceGuy
>
>"comes over to my place"
>"gonna get you high, gonna make you fly!"
>--
>_______________________________________________
>Get your free email from http://www.graffiti.net
>Powered by Outblaze

From Loopers-Delight-request@loopers-delight.com  Mon Apr 30 13:41:05 2001
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From: "L. E." <mr_nyce_guy@graffiti.net>
To: "Alf" <2loose@cv.quik.com.au>, <Loopers-Delight@loopers-delight.com>
Date: Tue, 01 May 2001 01:38:49 +0800
Subject: Re: new member with some cool edit pro ????
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so your saying that the cracked version cant change the speed?
why would that be? if it is then the designers of cool edit pre are genious's but i doubt that they designed that as a crack flaw....


-----Original Message-----
From: "Alf" <2loose@cv.quik.com.au>
Date: Fri, 27 Apr 2001 13:36:17 +1000
To:  <Loopers-Delight@loopers-delight.com>
Subject: Re: new member with some cool edit pro ????


> I'd just like to say this
> 
> I have the full version of cooledit pro with updates that I BOUGHT and I am
> happy to say that you can't do what you want to do because you have a
> pirated version hehehe unlike me I can.
> 
> Thankyou and good night
> ----- Original Message -----
> From: "Chris Muir" <cbm@well.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Friday, April 27, 2001 10:53 AM
> Subject: Re: new member with some cool edit pro ????
> 
> 
> > At 7:05 AM +0800 4/27/01, L. E. wrote:
> > >about the cracks and pirate issue.... I feel that without these apps
> > >i would have no chance to complete projects that require these
> > >expensive tools.
> >
> > And what is your point here? That your need to "complete projects"
> > justifies your theft of another persons creative output? Weak.
> >
> >
> > >While im sure there are some app developers on this list, im also
> > >sure the corporations make enough money with out the sale they would
> > >have never had.
> >
> > Most musical software companies are relatively small, founded by
> > people who were passionate about doing the thing their software was
> > designed to do.
> >
> > At the _very_ least, your attitude disrespects these people who are
> > trying to make a living creating the programs that you use.
> >
> > Music software is not going to make anyone very rich.
> >
> >
> > >piracy i believe requires me to make money using this product, or to
> > >make copies and sell them.
> >
> > Are you arguing for some sort of "fair use" interpretation of the
> > copyright law? If I read what you wrote correctly, your position is
> > that it's not piracy unless you make money with, or sell copies of,
> > the software in question. Get real.
> >
> > And then, in another message you write:
> > >Anyone have any full/cracked versions of other fun music softwares?
> > >im down to do a trade with my cool edit pro (worth i belive about
> > >350$)
> >
> > Here you are trying to use one piece of stolen software as something
> > to barter for more of the same. You even acknowledge the value of the
> > software you are trying to trade. Even by your own definition,
> > haven't you entered the realm of piracy with this offer of trade?
> >
> >
> > >What im really trying to do is setup a semi working studio that i
> > >can make tracks with a lil less pain then its causing me now.
> > >
> > >i hope someone can give me some productive answers!!!!!
> >
> > Get a job.
> >
> >
> >
> > --
> > __________________________________________________________________
> >    Christopher Bryan Muir     | "I had another dream the other day
> >   "Hurt Symphonic Barrier"    |  about music critics. They were
> >     http://www.xfade.com/     |  small and rodent-like with
> >         cbm@well.com          |  padlocked ears." - Igor Stravinsky
> >
> >
> 
> 
-- 
_______________________________________________
Get your free email from http://www.graffiti.net
Powered by Outblaze

From Loopers-Delight-request@loopers-delight.com  Mon Apr 30 13:45:04 2001
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Subject: Re: disrespecting softwares
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At 5:45 PM +0100 4/30/01, Stephen P. Goodman wrote:

>If I made a film called "Can't Touch This" and didn't expect trouble 
>from both Jobete Music, Rick James, AND M.C. Hammer, I'd be a total 
>fool.

I thought that titles weren't covered by copyright law.
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

From Loopers-Delight-request@loopers-delight.com  Mon Apr 30 13:51:14 2001
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Date: Mon, 30 Apr 2001 10:44:45 -0700
To: Loopers-Delight@loopers-delight.com
From: rich <rich@nuvisionsca.com>
Subject: Re: new member with some cool edit pro ????
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>so your saying that the cracked version cant change the speed?
>why would that be? if it is then the designers of cool edit pre are 
>genious's but i doubt that they designed that as a crack flaw....
>

so you're saying that we should GUESS at this one, or take the time 
to figure it out for you?  who fricking cares?  maybe it's the 
UPGRADE that can do it.  go upgrade and get it done...now your 
cracked software doesn't seem so bitchen.

you were welcomed to the list, but why pester intelligent people with 
crap like this?




>
>>  I'd just like to say this
>>
>>  I have the full version of cooledit pro with updates that I BOUGHT and I am
>>  happy to say that you can't do what you want to do because you have a
>  > pirated version hehehe unlike me I can.

From Loopers-Delight-request@loopers-delight.com  Mon Apr 30 14:04:55 2001
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Subject: Re: new member with some cool edit pro ????
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rich (10:44 AM 04/30/01) wrote:

 >>so your saying that the cracked version cant change the speed?
 >>why would that be? if it is then the designers of cool edit pre
 >>are genious's but i doubt that they designed that as a crack flaw....

I wanted to jump in here and point out that a well placed email into 
Syntrillium brought me a couple of very interesting replies.

It seems that, even though that this guy is using one of the free email 
services (graffiti.net), his name and address are pretty available to 
copyright control folks.


Mark

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phalen orion wrote:

> What better way to celebrate Cinco de Mayo (aka the 5th of May) than by
> getting together with a bunch of people and making a cacophonous noise?!?
>
> The Little Engines - 100% improvisational, audience-is-performer sound-art
> performance, May 5, 2001 at AAA Electra 99 art gallery, museum and
> performance space.  BRING YOUR OWN INSTRUMENT:  things like toys, simple
> instruments, found-object percussion... the wilder the better... try to
> think outside the box :)
>
> There will be a mixer available for electronic instruments to plug into, but
> please only bring non-standard instruments and/or just processors.  You must
> bring your own cables/mics if you will require them.
>
> Information on The Little Engines: http://www.littleengines.org/
> Information & directions to AAA Electra 99: http://www.aaaelectra99.com/
>
> Bring friends, bring lovers, bring enemies, but bring something that makes
> noise:  $5 non-members, $2 members.
>
> Best,
> phalen180
>
> P.S.: Please forward this email to local email lists you participate in and
> to anyone else you know who might be interested.  Thanks!

er,

where exactly in the universe is this?

:-)

lance g.

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phalen orion wrote:

> What better way to celebrate Cinco de Mayo (aka the 5th of May) than by
> getting together with a bunch of people and making a cacophonous noise?!?
>
> The Little Engines - 100% improvisational, audience-is-performer sound-art
> performance, May 5, 2001 at AAA Electra 99 art gallery, museum and
> performance space.  BRING YOUR OWN INSTRUMENT:  things like toys, simple
> instruments, found-object percussion... the wilder the better... try to
> think outside the box :)
>
> There will be a mixer available for electronic instruments to plug into, but
> please only bring non-standard instruments and/or just processors.  You must
> bring your own cables/mics if you will require them.
>
> Information on The Little Engines: http://www.littleengines.org/
> Information & directions to AAA Electra 99: http://www.aaaelectra99.com/
>
> Bring friends, bring lovers, bring enemies, but bring something that makes
> noise:  $5 non-members, $2 members.
>
> Best,
> phalen180
>
> P.S.: Please forward this email to local email lists you participate in and
> to anyone else you know who might be interested.  Thanks!

okay,

so i checked the website :-)
it sounds like a lot of fun. i'll try to get there...

lance g.

ps it's in anaheim:orange county:california:usa:earth:sol system:milky way,
etc.

From Loopers-Delight-request@loopers-delight.com  Mon Apr 30 15:27:57 2001
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References: <saed524a.027@wpo.it.luc.edu>
Subject: Re: Celebrate Cinco de Mayo: Fun Group Noise at AAA Electra 99
Date: Mon, 30 Apr 2001 12:30:48 -0700
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You should find a venue and make it happen :)

Yes, the performance will most likely be recorded... though I haven't
planned exactly how yet; either through the mixer or through a minidisc or
two.

Best,
phalen

<< I wish something like this was happening in Chicago!!!  Will the
performance be recorded?  Please say yes.  It would be fun to hear what
comes out of this.

Ted >>

>The Little Engines - 100% improvisational, audience-is-performer sound-art
>performance, May 5, 2001 at AAA Electra 99 art gallery, museum and
>performance space.  BRING YOUR OWN INSTRUMENT:  things like

From Loopers-Delight-request@loopers-delight.com  Mon Apr 30 17:36:46 2001
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References: <B70FF5F6.230%ivan.zavada@videotron.ca>
 <000e01c0d164$48947ec0$5ba12dcb@qld.bigpond.net.au>
Date: Mon, 30 Apr 2001 18:34:19 -0300
To: Loopers-Delight@loopers-delight.com
From: Matthias Grob <matthias@grob.org>
Subject: Re: Logic Audio Loops
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>I'm very interested in your application. I have yet to find a software
>looper that actually works the way I think it should. I was able to make
>Logic Audio work as a great looper though, in sync with midi and everything,

Jeff,

Did you ever explain to us what you can do? I find that very interesting.

After all, there is a PowerBook G3 on the way here!

And lately I heard from several people that the ended up liking Logic 
better than Performer for the flexibility.
Would you say that what you do with Logic is impossible with any other App?

Thank you
Matthias
-- 


          ---> http://Matthias.Grob.org

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Date: Mon, 30 Apr 2001 14:37:52 -0700 (PDT)
From: Dumeril Seven <dumeril7@yahoo.com>
Subject: Re: Line 6 Filter modeler
To: Loopers-Delight@loopers-delight.com
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--- Richard Zvonar <zvonar@zvonar.com> wrote:
> At 4:39 AM -0700 4/30/01, Rick Walker (loop.pool) wrote:
> >perhaps we should forward all of these e-mails to [Line6].   They 
> >are a cool company and I, frankly, was really looking forward to 
> >this pedal.
> 
> Hard to say how Line6 responds to customer feedback. I had some 
> correspondence with Steve DeFuria a while back, specifically about 
> their stomp boxes. I commented on the limited number of presets 
> supported and I made some suggestions about the design of a pro 
> version of same (along the lines of the POD Pro). His response was 
> terse and noncommittal: "I can't comment on what we may (or may not) 
> have under development, of course,  but it's always good to get 
> feedback about our products.  We value your comments and suggestions."

Well, you can't really expect anymore than that.  A new
product means a major investment in money and human resources
and requires buy-in all the way across the company.  A
customer support person just doesn't have the authority
to do any more than dutifully log customer suggestions.
Hopefully there's a critical mass of like-minded suggestions....

d7

=====
Dumeril7                    dumeril7@SPAMBEGONEyahoo.com
Anti-spam measures in place -- remove "SPAMBEGONE" from
my e-mail address if you want to use it....

__________________________________________________
Do You Yahoo!?
Yahoo! Auctions - buy the things you want at great prices
http://auctions.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Mon Apr 30 18:06:33 2001
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Date: Mon, 30 Apr 2001 18:03:46 -0400
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From: "anti:clockwise" <anticlockwise@tensionheadache.org>
Subject: NYC GIG
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--=====================_6405160==_.ALT
Content-Type: text/plain; charset="us-ascii"; format=flowed


the pink pony presents

anti:clockwise

saturday may 4  10.00 pm

another evening of head spinning, action packed adventure
and again in collaboration with

visualist chris jordan

the pony is on ludlow street, south of houston


++++++++
just what the world needs....
<http://www.tensionheadache.org/>another frikkin 
<http://www.tensionheadache.org/>url

--=====================_6405160==_.ALT
Content-Type: text/html; charset="us-ascii"

<html>
<br>
the pink pony presents<br>
<br>
anti:clockwise<br>
<br>
saturday may 4&nbsp; 10.00 pm<br>
<br>
another evening of head spinning, action packed adventure<br>
and again in collaboration with<br>
<br>
visualist chris jordan<br>
<br>
the pony is on ludlow street, south of houston<br>
<br>
<x-sigsep><p></x-sigsep>
<div align="center">
++++++++<br>
just what the world needs.... <br>
<a href="http://www.tensionheadache.org/">another </a>frikkin
<a href="http://www.tensionheadache.org/">url<br>
</a></div>
</html>

--=====================_6405160==_.ALT--

From Loopers-Delight-request@loopers-delight.com  Mon Apr 30 19:26:14 2001
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From: "L. E." <mr_nyce_guy@graffiti.net>
To: Loopers-Delight@loopers-delight.com
Date: Tue, 01 May 2001 07:23:18 +0800
Subject: stop this thread its worthless
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ahh your so sweet
good thing i never put in things like that
and i am not pirating software...

so chill folks damn 
glad to hear that the feds are after me
you guys seem way more interestted in this copyright issue
then some legitament questions....

damn i hope you guys dont have any opinions on napster....
sheesh 

again im not offering to sell, distribute or pirate software
so stop this thread

damn you guys should get back to working on your music im sure you would fee better about yourselves. it would be less a waste of time then this..

-----Original Message-----
From: Mark Pulver <mark@redmoon-music.com>
Date: Mon, 30 Apr 2001 11:02:04 -0700
To: Loopers-Delight@loopers-delight.com
Subject: Re: new member with some cool edit pro ????


> rich (10:44 AM 04/30/01) wrote:
> 
>  >>so your saying that the cracked version cant change the speed?
>  >>why would that be? if it is then the designers of cool edit pre
>  >>are genious's but i doubt that they designed that as a crack flaw....
> 
> I wanted to jump in here and point out that a well placed email into 
> Syntrillium brought me a couple of very interesting replies.
> 
> It seems that, even though that this guy is using one of the free email 
> services (graffiti.net), his name and address are pretty available to 
> copyright control folks.
> 
> 
> Mark
> 
> 
-- 
_______________________________________________
Get your free email from http://www.graffiti.net
Powered by Outblaze

From Loopers-Delight-request@loopers-delight.com  Mon Apr 30 19:34:07 2001
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To: "'Loopers-Delight@loopers-delight.com'"
	 <Loopers-Delight@loopers-delight.com>
Subject: FW: [BIG SUR EXPERIMENTAL MUSIC FESTIVAL May 19th and 20th, 2001
Date: Mon, 30 Apr 2001 19:30:00 -0400
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not necessarily looping . . . but some on this list may be interested



=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
FOR IMMEDIATE RELEASE:  April 3, 2001
Re: BIG SUR EXPERIMENTAL MUSIC FESTIVAL May 19th and 20th, 2001
Contact:  Ernesto Diaz-Infante or Magnus Toren
Tel: 001 831 667 2574
Email: <itzat@earthlink.net> or <magnus@henrymiller.org>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D

BIG SUR EXPERIMENTAL MUSIC FESTIVAL=20
USA
A wide variety of adventurous modern music: electronic, experimental
improv, and ambient music from New York, Boston, Chicago, San =
Francisco,
Houston, Austria, Australia, and Italy. Featuring performances by Jeff
Arnal, The Clocked-Out Duo, Dan DeChellis, Franco Degrassi/Gianni =
Lenoci
Duo, Ernesto Diaz-Infante/Chris Forsyth Duo, Philip Gayle, Boris Hauf,
Hans Fjellestad/Damon Holzborn Duo, David Gross/James Coleman/Tucker
Dulin Trio, Steev Hise, Bob Marsh/Bob Falesch/Sue Wolf Trio, Recursive
Heretics, Gino Robair, and 99Hooker/Akio Mokono Duo. Henry Miller
Memorial Library, Big Sur, California USA. Saturday and Sunday, May =
19th
and 20th, 12-8pm. $10.00/day=A0$15.00 for both. 001 831 667 2574
http://www.henrymiller.org

Day1. Saturday, May 19 2001

12pm Steev Hise - electronics (San Francisco)
1pm Hans Fjellestad/Damon Holzborn Duo keyboard/guitar/electronics (San
Diego)
2pm David Gross/James Coleman/Tucker Dulin Trio - sax/theremin/trombone
(Boston)
3pm Boris Hauf - g3 powerbook (Austria)
4pm Bob Marsh/Bob Falesch/Sue Wolf Trio - 2 cello/electronics (Chicago)
5pm Franco Degrassi/Gianni Lenoci Duo - keyboard/electronics (Italy)
6pm The Clocked-Out Duo - percussion/electric keyboard (Australia)
7pm BSXMF 2001 Large Ensemble (Interzone)


Day2. Sunday, May 20 2001

1pm Philip Gayle - acoustic guitar solo (Houston)
2pm Jeff Arnal/Dan DeChellis Duo - electric keyboard/drums (New York)
3pm Recursive Heretics - sax and live processing w/g3 powerbook =
(Oakland)
4pm Ernesto Diaz-Infante/Chris Forsyth Duo - acoustic/electric guitar
(San Francisco/New York)
5pm 99Hooker/Akio Mokono Duo - sax/spoken word/g3 powerbook (New York)
6pm Gino Robair - potluck percussion (San Leandro)
7pm Electro-acoustic tape pieces set curated by Steev Hise=20


++++++++++++++++++
For more info checkout:
http://www.bayimproviser.com/bsxmf
http://www.henrymiller.org/Events/events.html#expmusic

The Henry Miller Library is nestled in a redwood-lined canyon in
beautiful Big Sur, California. The space is an intimate outdoor venue
that can comfortably accommodate 250 people; it captures the
inspirational spirit of Henry Miller, the world-renowned writer, =
artist,
and Big Sur resident.

The festival's goal for 2001 is to provide an innovative and unique
forum for artists and audience alike. We are featuring performers whose
work is experimental, improvisational, or avant-garde in nature. In
addition, there will be a concert of electro-acoustic tape pieces
curated by Steev Hise.=20

For information, tickets, or volunteer help, call 001 831 667 2574,
email:  Magnus Toren <magnus@henrymiller.org> or Ernesto Diaz-Infante
<itzat@earthlink.net>



BSXMF 2001 is sponsored by:
Coast Weekly 668 Williams Avenue. Seaside, CA 93955, 831-394-5656
Streetlight Records 939 Pacific Street, Santa Cruz=20
Monterey Mattress Company 701 Redwood Ave. Sand City, 831-899-5464
Bay Improviser.com
KFJC 89.7 FM 12345 El Monte Road, Los Altos Hills CA 94022, =
650-949-7260
KUSP 88.9 FM P.O. Box 423, Santa Cruz, CA 95061-0423, 831/476-2800 or
1-800-695-5877

Video documentation by
Claytowne Productions PO Box 245, Capitola, CA 95010, 831-477-9029

Food and drink by
Big Sur Coast Foods

DIRECTIONS:
Traveling south from San Francisco or San Jose, Big Sur is 35 miles
south of Carmel-by-the-Sea on Highway 1. The Library is a quarter-mile
south Nepenthe restuarant in a redwood grove on the mountain side of =
the
road.

ACCOMMODATIONS:
Camping is available at Andrew Molera State Park for the cost of $3 per
person. Andrew Molera has 20 miles of hiking and/or biking trails,
coastal access, fishing, swimming, and surfing. Hike in 0.3 miles to
primitive camping. For more info, call 831.667.2315

OTHER ACCOMMODATIONS:
Hotel/motel accommodations in Big Sur are very expensive, and all
accommodations on the Monterey Peninsula book quickly near holidays. If
you would like to stay in a motel, we suggest the following:

Mariposa Inn, 1386 Munras Avenue, Monterey, 831.649.1414;=20
Munras Lodge, 1010 Munras Avenue, Monterey, 831.646.9606;
Sand Dollar Inn, 755 Abrego Street, Monterey, 831.372.7551.

For more info on directions/accommodations call 831.667.2574 or email
Magnus Toren <magnus@henrymiller.org>

Monterey is a one-hour drive away from Big Sur and the Henry Miller =
Library.

--
http://www.paxrecordings.com/~ernesto
http://www.paxrecordings.com/links.html

To unsubscribe from this group, send an email to:
socalexp-unsubscribe@onelist.com

=20

Your use of Yahoo! Groups is subject to =
http://docs.yahoo.com/info/terms/=20


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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 3.2//EN">
<HTML>
<HEAD>
<META HTTP-EQUIV=3D"Content-Type" CONTENT=3D"text/html; =
charset=3Diso-8859-1">
<META NAME=3D"Generator" CONTENT=3D"MS Exchange Server version =
5.5.2653.12">
<TITLE>FW: [BIG SUR EXPERIMENTAL MUSIC FESTIVAL May 19th and 20th, =
2001</TITLE>
</HEAD>
<BODY>

<P><FONT SIZE=3D2>not necessarily looping . . . but some on this list =
may be interested</FONT>
</P>
<BR>
<BR>

<P><FONT =
SIZE=3D2>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D</FONT>
<BR><FONT SIZE=3D2>FOR IMMEDIATE RELEASE:&nbsp; April 3, 2001</FONT>
<BR><FONT SIZE=3D2>Re: BIG SUR EXPERIMENTAL MUSIC FESTIVAL May 19th and =
20th, 2001</FONT>
<BR><FONT SIZE=3D2>Contact:&nbsp; Ernesto Diaz-Infante or Magnus =
Toren</FONT>
<BR><FONT SIZE=3D2>Tel: 001 831 667 2574</FONT>
<BR><FONT SIZE=3D2>Email: &lt;itzat@earthlink.net&gt; or =
&lt;magnus@henrymiller.org&gt;</FONT>
<BR><FONT =
SIZE=3D2>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D</FONT>
</P>

<P><FONT SIZE=3D2>BIG SUR EXPERIMENTAL MUSIC FESTIVAL </FONT>
<BR><FONT SIZE=3D2>USA</FONT>
<BR><FONT SIZE=3D2>A wide variety of adventurous modern music: =
electronic, experimental</FONT>
<BR><FONT SIZE=3D2>improv, and ambient music from New York, Boston, =
Chicago, San Francisco,</FONT>
<BR><FONT SIZE=3D2>Houston, Austria, Australia, and Italy. Featuring =
performances by Jeff</FONT>
<BR><FONT SIZE=3D2>Arnal, The Clocked-Out Duo, Dan DeChellis, Franco =
Degrassi/Gianni Lenoci</FONT>
<BR><FONT SIZE=3D2>Duo, Ernesto Diaz-Infante/Chris Forsyth Duo, Philip =
Gayle, Boris Hauf,</FONT>
<BR><FONT SIZE=3D2>Hans Fjellestad/Damon Holzborn Duo, David =
Gross/James Coleman/Tucker</FONT>
<BR><FONT SIZE=3D2>Dulin Trio, Steev Hise, Bob Marsh/Bob Falesch/Sue =
Wolf Trio, Recursive</FONT>
<BR><FONT SIZE=3D2>Heretics, Gino Robair, and 99Hooker/Akio Mokono Duo. =
Henry Miller</FONT>
<BR><FONT SIZE=3D2>Memorial Library, Big Sur, California USA. Saturday =
and Sunday, May 19th</FONT>
<BR><FONT SIZE=3D2>and 20th, 12-8pm. $10.00/day=A0$15.00 for both. 001 =
831 667 2574 <A HREF=3D"http://www.henrymiller.org" =
TARGET=3D"_blank">http://www.henrymiller.org</A></FONT>
</P>

<P><FONT SIZE=3D2>Day1. Saturday, May 19 2001</FONT>
</P>

<P><FONT SIZE=3D2>12pm Steev Hise - electronics (San Francisco)</FONT>
<BR><FONT SIZE=3D2>1pm Hans Fjellestad/Damon Holzborn Duo =
keyboard/guitar/electronics (San Diego)</FONT>
<BR><FONT SIZE=3D2>2pm David Gross/James Coleman/Tucker Dulin Trio - =
sax/theremin/trombone (Boston)</FONT>
<BR><FONT SIZE=3D2>3pm Boris Hauf - g3 powerbook (Austria)</FONT>
<BR><FONT SIZE=3D2>4pm Bob Marsh/Bob Falesch/Sue Wolf Trio - 2 =
cello/electronics (Chicago)</FONT>
<BR><FONT SIZE=3D2>5pm Franco Degrassi/Gianni Lenoci Duo - =
keyboard/electronics (Italy)</FONT>
<BR><FONT SIZE=3D2>6pm The Clocked-Out Duo - percussion/electric =
keyboard (Australia)</FONT>
<BR><FONT SIZE=3D2>7pm BSXMF 2001 Large Ensemble (Interzone)</FONT>
</P>
<BR>

<P><FONT SIZE=3D2>Day2. Sunday, May 20 2001</FONT>
</P>

<P><FONT SIZE=3D2>1pm Philip Gayle - acoustic guitar solo =
(Houston)</FONT>
<BR><FONT SIZE=3D2>2pm Jeff Arnal/Dan DeChellis Duo - electric =
keyboard/drums (New York)</FONT>
<BR><FONT SIZE=3D2>3pm Recursive Heretics - sax and live processing =
w/g3 powerbook (Oakland)</FONT>
<BR><FONT SIZE=3D2>4pm Ernesto Diaz-Infante/Chris Forsyth Duo - =
acoustic/electric guitar</FONT>
<BR><FONT SIZE=3D2>(San Francisco/New York)</FONT>
<BR><FONT SIZE=3D2>5pm 99Hooker/Akio Mokono Duo - sax/spoken word/g3 =
powerbook (New York)</FONT>
<BR><FONT SIZE=3D2>6pm Gino Robair - potluck percussion (San =
Leandro)</FONT>
<BR><FONT SIZE=3D2>7pm Electro-acoustic tape pieces set curated by =
Steev Hise </FONT>
</P>
<BR>

<P><FONT SIZE=3D2>++++++++++++++++++</FONT>
<BR><FONT SIZE=3D2>For more info checkout:</FONT>
<BR><FONT SIZE=3D2><A HREF=3D"http://www.bayimproviser.com/bsxmf" =
TARGET=3D"_blank">http://www.bayimproviser.com/bsxmf</A></FONT>
<BR><FONT SIZE=3D2><A =
HREF=3D"http://www.henrymiller.org/Events/events.html#expmusic" =
TARGET=3D"_blank">http://www.henrymiller.org/Events/events.html#expmusic=
</A></FONT>
</P>

<P><FONT SIZE=3D2>The Henry Miller Library is nestled in a =
redwood-lined canyon in</FONT>
<BR><FONT SIZE=3D2>beautiful Big Sur, California. The space is an =
intimate outdoor venue</FONT>
<BR><FONT SIZE=3D2>that can comfortably accommodate 250 people; it =
captures the</FONT>
<BR><FONT SIZE=3D2>inspirational spirit of Henry Miller, the =
world-renowned writer, artist,</FONT>
<BR><FONT SIZE=3D2>and Big Sur resident.</FONT>
</P>

<P><FONT SIZE=3D2>The festival's goal for 2001 is to provide an =
innovative and unique</FONT>
<BR><FONT SIZE=3D2>forum for artists and audience alike. We are =
featuring performers whose</FONT>
<BR><FONT SIZE=3D2>work is experimental, improvisational, or =
avant-garde in nature. In</FONT>
<BR><FONT SIZE=3D2>addition, there will be a concert of =
electro-acoustic tape pieces</FONT>
<BR><FONT SIZE=3D2>curated by Steev Hise. </FONT>
</P>

<P><FONT SIZE=3D2>For information, tickets, or volunteer help, call 001 =
831 667 2574,</FONT>
<BR><FONT SIZE=3D2>email:&nbsp; Magnus Toren =
&lt;magnus@henrymiller.org&gt; or Ernesto Diaz-Infante =
&lt;itzat@earthlink.net&gt;</FONT>
</P>
<BR>
<BR>

<P><FONT SIZE=3D2>BSXMF 2001 is sponsored by:</FONT>
<BR><FONT SIZE=3D2>Coast Weekly 668 Williams Avenue. Seaside, CA 93955, =
831-394-5656</FONT>
<BR><FONT SIZE=3D2>Streetlight Records 939 Pacific Street, Santa Cruz =
</FONT>
<BR><FONT SIZE=3D2>Monterey Mattress Company 701 Redwood Ave. Sand =
City, 831-899-5464</FONT>
<BR><FONT SIZE=3D2>Bay Improviser.com</FONT>
<BR><FONT SIZE=3D2>KFJC 89.7 FM 12345 El Monte Road, Los Altos Hills CA =
94022, 650-949-7260</FONT>
<BR><FONT SIZE=3D2>KUSP 88.9 FM P.O. Box 423, Santa Cruz, CA =
95061-0423, 831/476-2800 or 1-800-695-5877</FONT>
</P>

<P><FONT SIZE=3D2>Video documentation by</FONT>
<BR><FONT SIZE=3D2>Claytowne Productions PO Box 245, Capitola, CA =
95010, 831-477-9029</FONT>
</P>

<P><FONT SIZE=3D2>Food and drink by</FONT>
<BR><FONT SIZE=3D2>Big Sur Coast Foods</FONT>
</P>

<P><FONT SIZE=3D2>DIRECTIONS:</FONT>
<BR><FONT SIZE=3D2>Traveling south from San Francisco or San Jose, Big =
Sur is 35 miles</FONT>
<BR><FONT SIZE=3D2>south of Carmel-by-the-Sea on Highway 1. The Library =
is a quarter-mile</FONT>
<BR><FONT SIZE=3D2>south Nepenthe restuarant in a redwood grove on the =
mountain side of the road.</FONT>
</P>

<P><FONT SIZE=3D2>ACCOMMODATIONS:</FONT>
<BR><FONT SIZE=3D2>Camping is available at Andrew Molera State Park for =
the cost of $3 per</FONT>
<BR><FONT SIZE=3D2>person. Andrew Molera has 20 miles of hiking and/or =
biking trails,</FONT>
<BR><FONT SIZE=3D2>coastal access, fishing, swimming, and surfing. Hike =
in 0.3 miles to</FONT>
<BR><FONT SIZE=3D2>primitive camping. For more info, call =
831.667.2315</FONT>
</P>

<P><FONT SIZE=3D2>OTHER ACCOMMODATIONS:</FONT>
<BR><FONT SIZE=3D2>Hotel/motel accommodations in Big Sur are very =
expensive, and all</FONT>
<BR><FONT SIZE=3D2>accommodations on the Monterey Peninsula book =
quickly near holidays. If</FONT>
<BR><FONT SIZE=3D2>you would like to stay in a motel, we suggest the =
following:</FONT>
</P>

<P><FONT SIZE=3D2>Mariposa Inn, 1386 Munras Avenue, Monterey, =
831.649.1414; </FONT>
<BR><FONT SIZE=3D2>Munras Lodge, 1010 Munras Avenue, Monterey, =
831.646.9606;</FONT>
<BR><FONT SIZE=3D2>Sand Dollar Inn, 755 Abrego Street, Monterey, =
831.372.7551.</FONT>
</P>

<P><FONT SIZE=3D2>For more info on directions/accommodations call =
831.667.2574 or email</FONT>
<BR><FONT SIZE=3D2>Magnus Toren &lt;magnus@henrymiller.org&gt;</FONT>
</P>

<P><FONT SIZE=3D2>Monterey is a one-hour drive away from Big Sur and =
the Henry Miller Library.</FONT>
</P>

<P><FONT SIZE=3D2>--</FONT>
<BR><FONT SIZE=3D2><A HREF=3D"http://www.paxrecordings.com/~ernesto" =
TARGET=3D"_blank">http://www.paxrecordings.com/~ernesto</A></FONT>
<BR><FONT SIZE=3D2><A HREF=3D"http://www.paxrecordings.com/links.html" =
TARGET=3D"_blank">http://www.paxrecordings.com/links.html</A></FONT>
</P>

<P><FONT SIZE=3D2>To unsubscribe from this group, send an email =
to:</FONT>
<BR><FONT SIZE=3D2>socalexp-unsubscribe@onelist.com</FONT>
</P>

<P><FONT SIZE=3D2>&nbsp;</FONT>
</P>

<P><FONT SIZE=3D2>Your use of Yahoo! Groups is subject to <A =
HREF=3D"http://docs.yahoo.com/info/terms/" =
TARGET=3D"_blank">http://docs.yahoo.com/info/terms/</A> </FONT>
</P>

</BODY>
</HTML>
------_=_NextPart_001_01C0D1CD.797D0070--

From Loopers-Delight-request@loopers-delight.com  Mon Apr 30 21:06:35 2001
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Date: Mon, 30 Apr 2001 21:02:38 -0400
To: Loopers-Delight@loopers-delight.com
From: Tim Nelson <tcn62@ici.net>
Subject: Re: new member with some cool edit pro ????
In-Reply-To: <20010430171625.73522.qmail@graffiti.net>
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At 01:16 AM 5/1/01 +0800, you wrote:
>but not one can answer a simple software related question? how do i adjust
the speed of a loop on cool edit pro???

Down at the bottom of "Transform" you'll find "Time/Pitch"...

OK?

From Loopers-Delight-request@loopers-delight.com  Mon Apr 30 21:23:45 2001
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From: "Devious D_MasterMixer" <dj_devious_d@hotmail.com>
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Subject: Re: stop this thread its worthless
Date: Tue, 01 May 2001 01:20:06 
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<html><DIV>
<P><BR><BR></P>
<DIV></DIV>
<P><STRONG><FONT face="Verdana, Geneva, Arial, Sans-serif" size=4>Ok, we all know the wrongs and evils of pirated software. And being a Software Engineer, I feel for R &amp; D of any company. But ENUFF is ENUFF. This thread has gone on toooo long, and I don't even think this guy ever got an answer from anybody ! Now, what if he asked the same question, without revealing that he had a crack of Cool Edit Pro ? Would anyone have answered the guy, or would someone just pointed him to the Syntrillium site, and told him to ask Tech Support ? The purpose of these threads, is not to pass judgement on people, but to exchange knowledge ! Who knows, if someone had answered his question, and maybe pointed out to him the virtues of the software, maybe the guy might (I stress might) go out and buy the software - (has anybody thought of that)?</FONT></STRONG></P></DIV>
<P><STRONG><FONT face=Verdana size=4>We live in an age, where everybody is suspious of everyone, and no one believes in the basic goodness of man, and this thread just reinforces that sentiment.</FONT></STRONG></P>
<DIV></DIV>
<P><STRONG><FONT face=Verdana size=4>Oh, all you software, WAREZ guys, beware. Companies like Winace, Sonic Foundry and yes, even the evil empire Microsoft are gonna take the wind out of your software cracking arses ! And it all deals with the internet, the very vehicle that has spawned the warez groups, will be their demise !</FONT></STRONG></P>
<DIV></DIV>
<P><STRONG><FONT face=Verdana size=4>Has anyone seen the new ACID Pro 3.0, for example. the application will send a Internet Notification script out to Sonic Foundry every time it recognizes a internet connection, and it will verify the validity of the software, and send the cracked version owner a little warning. Over time, the software will become inactive, and viola, endgame.</FONT></STRONG></P>
<DIV></DIV>
<P><STRONG><FONT face=Verdana size=4>Now you say, "Never get online when the application is running"., well the application will prompt you periodically, like Norton Antivirus does for updates, and you will have to comply.</FONT></STRONG></P>
<DIV></DIV>
<P><STRONG><FONT face=Verdana size=4>Winace's trick is simpler and more direct. The application checks the AV code, and it will revert back to shareware, if it finds that it is invalid.</FONT></STRONG></P>
<DIV></DIV>
<P><STRONG><FONT face=Verdana size=4>So, all this WareZ and Pirated applications, will soon end.... and so will this thread... I hope.</FONT></STRONG><BR><BR></P>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>----Original Message Follows---- 
<DIV></DIV>
<DIV></DIV>From: "L. E." <MR_NYCE_GUY@GRAFFITI.NET>
<DIV></DIV>
<DIV></DIV>Reply-To: Loopers-Delight@loopers-delight.com 
<DIV></DIV>
<DIV></DIV>To: Loopers-Delight@loopers-delight.com 
<DIV></DIV>
<DIV></DIV>Subject: stop this thread its worthless 
<DIV></DIV>
<DIV></DIV>Date: Tue, 01 May 2001 07:23:18 +0800 
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>ahh your so sweet 
<DIV></DIV>
<DIV></DIV>good thing i never put in things like that 
<DIV></DIV>
<DIV></DIV>and i am not pirating software... 
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>so chill folks damn 
<DIV></DIV>
<DIV></DIV>glad to hear that the feds are after me 
<DIV></DIV>
<DIV></DIV>you guys seem way more interestted in this copyright issue 
<DIV></DIV>
<DIV></DIV>then some legitament questions.... 
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>damn i hope you guys dont have any opinions on napster.... 
<DIV></DIV>
<DIV></DIV>sheesh 
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>again im not offering to sell, distribute or pirate software 
<DIV></DIV>
<DIV></DIV>so stop this thread 
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>damn you guys should get back to working on your music im sure you would fee better about yourselves. it would be less a waste of time then this.. 
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>-----Original Message----- 
<DIV></DIV>
<DIV></DIV>From: Mark Pulver <MARK@REDMOON-MUSIC.COM>
<DIV></DIV>
<DIV></DIV>Date: Mon, 30 Apr 2001 11:02:04 -0700 
<DIV></DIV>
<DIV></DIV>To: Loopers-Delight@loopers-delight.com 
<DIV></DIV>
<DIV></DIV>Subject: Re: new member with some cool edit pro ???? 
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>&gt; rich (10:44 AM 04/30/01) wrote: 
<DIV></DIV>
<DIV></DIV>&gt; 
<DIV></DIV>
<DIV></DIV>&gt; &gt;&gt;so your saying that the cracked version cant change the speed? 
<DIV></DIV>
<DIV></DIV>&gt; &gt;&gt;why would that be? if it is then the designers of cool edit pre 
<DIV></DIV>
<DIV></DIV>&gt; &gt;&gt;are genious's but i doubt that they designed that as a crack flaw.... 
<DIV></DIV>
<DIV></DIV>&gt; 
<DIV></DIV>
<DIV></DIV>&gt; I wanted to jump in here and point out that a well placed email into 
<DIV></DIV>
<DIV></DIV>&gt; Syntrillium brought me a couple of very interesting replies. 
<DIV></DIV>
<DIV></DIV>&gt; 
<DIV></DIV>
<DIV></DIV>&gt; It seems that, even though that this guy is using one of the free email 
<DIV></DIV>
<DIV></DIV>&gt; services (graffiti.net), his name and address are pretty available to 
<DIV></DIV>
<DIV></DIV>&gt; copyright control folks. 
<DIV></DIV>
<DIV></DIV>&gt; 
<DIV></DIV>
<DIV></DIV>&gt; 
<DIV></DIV>
<DIV></DIV>&gt; Mark 
<DIV></DIV>
<DIV></DIV>&gt; 
<DIV></DIV>
<DIV></DIV>&gt; 
<DIV></DIV>
<DIV></DIV>-- 
<DIV></DIV>
<DIV></DIV>_______________________________________________ 
<DIV></DIV>
<DIV></DIV>Get your free email from http://www.graffiti.net 
<DIV></DIV>
<DIV></DIV>Powered by Outblaze 
<DIV></DIV>
<DIV></DIV>
<DIV></DIV>
<DIV></DIV><br clear=all><hr>Get your FREE download of MSN Explorer at <a href="http://explorer.msn.com">http://explorer.msn.com</a><br></p></html>

From Loopers-Delight-request@loopers-delight.com  Mon Apr 30 21:24:18 2001
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Date: Mon, 30 Apr 2001 18:20:44 -0700
From: Catharsis <catharsis@egregious.net>
Subject: Lou Harrison
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At 13:02 4/30/01 -0400, you wrote:
>Did you talk to Lou Harrison?  How is he doing?

In passing yes.. I am new to this area, so I basically smiled and said, 
"hello". He seems to be doing well for being 84 or 85. It was interesting 
weekend; Harrison had a good key note address. Sadly, a younger generation 
was not present. It seems most people actively working in the microtonal 
arena are 35+ though that is of course not the rule (it seems like that on 
the tuning list and from the conference participants). Learning about that 
side of music history really seems to unify and complement the electronic 
world.

Actually it was quite funny. Erv Wilson put on a CD behind his talk and the 
second it came on my ears picked up... "Hey, wait a second: this is dance 
music if you put a 4/4 beat behind it..." I mentioned that to someone after 
his talk and they looked at my funny. I asked Erv about it and he sent me 
to Perfect Buzz (http://www.marcussatellite.com/). I got in touch with 
Marcus and we had a good laugh... ;)

>This may indeed be the "first microtonal conference," though there was an 
>annual instrument builders' conference at UCSD in the late '70s. Many 
>microtonalists participated, including a number of Harry Patch colleagues 
>and disciples.

I have heard there was an 8 day festival in New York during the '80s.

Say, I just came across a small quote from you in Joel Chadabe's Electric 
Sound. Heh heh..   It is funny as when I read it I thought, "hey, I know 
that guy: he is a looper!" ;)

--Catharsis


Egregious
"Spiritual renewal through music for those outside the heard."
http://www.egregious.net/

From Loopers-Delight-request@loopers-delight.com  Mon Apr 30 21:25:07 2001
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Subject: Re: new member with some cool edit pro ????
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<html><DIV>
<P><FONT face="Arial Black, Geneva, Arial, Sans-serif">Good answer, now can we lay this to rest.</FONT><BR><BR></P></DIV>
<DIV></DIV>
<DIV></DIV>----Original Message Follows---- 
<DIV></DIV>From: Tim Nelson <TCN62@ICI.NET>
<DIV></DIV>Reply-To: Loopers-Delight@loopers-delight.com 
<DIV></DIV>To: Loopers-Delight@loopers-delight.com 
<DIV></DIV>Subject: Re: new member with some cool edit pro ???? 
<DIV></DIV>Date: Mon, 30 Apr 2001 21:02:38 -0400 
<DIV></DIV>
<DIV></DIV>At 01:16 AM 5/1/01 +0800, you wrote: 
<DIV></DIV>&gt;but not one can answer a simple software related question? how do i adjust 
<DIV></DIV>the speed of a loop on cool edit pro??? 
<DIV></DIV>
<DIV></DIV>Down at the bottom of "Transform" you'll find "Time/Pitch"... 
<DIV></DIV>
<DIV></DIV>OK? 
<DIV></DIV>
<DIV></DIV><br clear=all><hr>Get your FREE download of MSN Explorer at <a href="http://explorer.msn.com">http://explorer.msn.com</a><br></p></html>

From Loopers-Delight-request@loopers-delight.com  Mon Apr 30 21:46:51 2001
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From: "Rick Walker (loop.pool)" <GLOBAL@cruzio.com>
To: <Loopers-Delight@loopers-delight.com>
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Subject: Re: RE filters
Date: Mon, 30 Apr 2001 18:48:40 -0700
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db wrote:
"anyone use the Electrix Filter Queen and/or Factory? I have a filter queen
and i love her."


I adore my Electrix Filter Factory.   I bought both the Filter Queen and the
Filter Factory to compare them and then returned the
Filter Queen.  If you've got the dough to afford it, it really rocks,
especially for Live Looping Artists because of it's ability to synd LFO
speeds to midi in/and/or send out LFO 'clock' to midi ready loopers.
try it, you'll like it,      yours,   Rick Walker (loop.pool)

